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Artisan Quartet
About Artisan
Patrice Calixte
Beginning the violin at the age of eight, Canadian violinist Patrice Calixte was later admitted into a highly competitive high school music program in Montreal, Quebec, where he studied with Francine Pe?pin. He then went on to study with Claude Richard, at Universite de Montreal where he obtained his Undergraduate and Master's degree in music performance. A very experienced orchestra musician, Patrice has worked with many orchestras in Quebec and Ontario, including the Orchestre Symphonique de Montreal, Orchestre Symphonique de Quebec and Kitchener-Waterloo Symphony Orchestra. He was then hired in the first violin section of the Calgary Philharmonic Orchestra where he stayed for two years. Leaving Calgary in search for more development, Patrice moved to Austin where he completed his Artist Diploma at the University of Texas with Prof. Daniel Ching as his mentor. Patrice currently serves as Associate Concertmaster of the Austin Symphony Orchestra as well as section first violin at the Austin Opera Orchestra. He is also the newest addition to the Austin based Artisan Quartet.
Caleb Hans Polashek
Caleb is a a tenured member of the Austin Symphony Orchestra's violin section and the newest member of the Artisan Quartet. He earned two degrees from the Butler School of Music at UT Austin, most recently including a Master's in Music in 2012. He has performed in festivals around the country and has had solo engagements with orchestras in Iowa and Texas. Caleb is also a composer, and has had pieces for solo violin and chamber ensembles played on stages in Central Texas, Iowa, Minnesota, and also online. He continues to actively compose while maintaining a busy schedule with the Austin Symphony, Opera, Ballet, and with other ensembles, classical and otherwise.
Bruce Williams began his professional career as a violist at the age of fifteen and four years later won a position with the Fort Worth Symphony. In 1983, he won the principal violist position with the Haifa Symphony Orchestra in Israel and was also a member of the Haifa Clarinet Trio; they performed throughout Israel and Europe. In 1985, upon his return to the U.S., he accepted the assistant principal violist position with the The Orchestra of Santa Fe. He also was invited to concertize throughout the U.S. as a member of the Allegro Chamber Trio (ACT) with flutist Megan Meisenbach and harpist Mary Golden. This trio performed together for many years and was featured on National Public Radio's Performance Today. ACT recorded on Centaur records as The Meisenbach/Golden Duo. In 2003, he won the Austin Critics Table award for Outstanding Instrumentalist for his performance of Hector Berlioz' Harold in Italy with the Austin Symphony Orchestra. Mr. Williams is the manager, as well as a founding member, of the Artisan Quartet (AQ). The AQ began their Artisan Quartet Series in 2012 in Austin, Texas. This popular string quartet performed at Carnegie Hall in 2012; they were presented by MidAmerica Productions. The AQ was recently named Quartet in Residence both with Mozart Festival Texas in San Antonio and the newly-formed Mason County Chamber Music Festival (MCCMF) in Mason, Texas. Mr. Williams is the Artistic Director of the MCCMF. Mr. Williams is a guest artist with the Cactus Pear Music Festival in San Antonio and the Fayetteville Chamber Music Festival in Fayetteville, Texas and has been invited to perform in chamber music festivals in California and Colorado. He is the principal violist with the Austin Symphony Orchestra and the Victoria Bach Festival (VBF). He often appears with chamber ensembles and as a soloist during the VBF. Mr. Williams has recorded on Harmonia Mundi recordings with the Grammy Award winning choral group Conspirare under the artistic direction of Craig Hella Johnson.
Douglas Harvey
In 2002, Douglas Harvey became the youngest principal cellist in the almost 100 year history of the Austin Symphony Orchestra. In 2005 he became the principal cellist of the Austin Lyric Opera Orchestra, which received recent reviews from the NY and LA Times for the US Premiere of Phillip Glass's 21st opera, "Waiting for the Barbarians." He has performed as soloist with orchestras such as the San Antonio, Flint, Austin, and San Angelo Symphony Orchestras, the Bear Valley Festival Orchestra, and the Austin Chamber Music Center Festival Orchestra, as well as many other chamber and university orchestras. Live solo broadcasts and recorded live performances have been heard on KMFA, KUT and other radio stations. Douglas has performed chamber music with the Salon Concert Series, Austin Chamber Music Center and the Chamber Soloists of Austin, the Austin Quartet, and guest appearances with other chamber music series. He has also performed in concert alongside legendary virtuosos Aaron Rosand and Douglas's teacher, Paul Olefsky, at Steinway Hall in New York City 2006, and The Miro String Quartet and Friends Concert at the 2006 International Debussy Congress *Live webcast. He has premiered solo and chamber works by first class composers Lowell Liebermann, Kathryn Mishell, Kevin Puts, Dan Welcher, and others.


When you can't exactly figure out the best way to swag out your 'fit for the day, the go-to look is usually a muted-out black steez. It just looks perfect from all angles, and the team over at Nike knew this well enough to release a two-shot Air Max pack that puts the focus on the darkest shade on the spectrum.
The appropriately-titled "Night Ops" pack includes the Air Max 90 and Air 180 silhouettes, both decked out in a completely black upper, save for minor "Volt" accents found in the branding on the side panels, insoles, shoelace aglets, and Air bubble unit. The 180 adds a final touch of neon on the heel, complimenting the shiny heel counter perfectly. Both silhouettes utilize a translucent sole, adding another non-black element to the mix that just looks super clean. Whether or not you're down with the other ops is another story, but let's just hope these are the only ones you're rocking with this season.


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Michael Anthony Studios to Combine Michael Anthony Photography & Studio 23 Brands
LOS ANGELES, CALIFORNIA - 01/22/2019 (PRDistribution.com)
Michael Anthony Studios, Inc, parent company to Internationally renown wedding photography studio Michael Anthony Photography announced plans to merge the mentioned brand with the company's sister brand, Studio 23 Photography. To date, Studio 23 Photography was the company's associate photographer brand. The company announced plans for the merger of the two brands and stated that the merger of the two brands will help facilitate further growth over the coming years.
Valencia, California based Michael Anthony Studios currently owns 4 properties in Los Angeles. Michael Anthony Photography and Studio 23 Photography, the two wedding properties, Marilyn Lou Boudoir, and SoCal Headshots. There are no immediate plans to combine the other two properties as of this writing.
Michael Anthony Photography is a multi-national award winning wedding photography studio that has serviced clients throughout the world. Studio 23 was previously a sub-brand of the company.
The studio announced plans to combine the two properties at an undetermined date in the first quarter of 2019, and the company will continue to operate as two separate entities until the merger is complete. Clients of Michael Anthony Photography will be serviced under the Studio 23 brand with no changes to their current services. "Principle Photographers Michael Anthony and his wife Jennifer Loizzi will continue to photograph weddings, portraits and commercial work and will continue their administrative and marketing roles within the companies. The merger is designed to streamline our client experience, and to better service our past and existing clients on a continuing basis," stated Courtney Tomey, brand manager for the company.
For questions regarding the merger, please contact Courtney Tomey at 1-424-256-0098
person_outline Full Name: Courtney Tomey
phone Phone Number: 424-256-0096
business_center Company: Studio 23 Photography
language Website: studio23photo.com
Compose your email to Courtney Tomey at Studio 23 Photography.

redpajama_set_name: RedPajamaCommonCrawl


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[Asian Cup Group E Qualifier] SINGAPORE 1-3 THAILAND
SHORT SCRIBE OF THE GAME
The first thing you noticed at the ground was the heavy security at the stadium.
Given the stakes were high and big crowds were expected that the organizers had decided to segregate both groups of fans from one and other.
And like most games played in Kallang in the recent years, it would always be the away fans who drummed up the atmosphere (Why are we the passive lot??).
Saw this fan dressed up for occasion..hope he had a good business selling those flags.
Things got off the worst possible start for the Lions after Noh Alam Shah was judged to handle the ball and Sutee Suksomkit made no error from spot against his old mate Hassan Sunny who dived the wrong way in the 12th minute (interesting fact: all three were playing for Tampines together months ago).
Before the KICK-OFF...
It was not going according to the Lions' planning as they struggled to make their presence felt as the Thais seems perfectly alright on a surface we thought would be their Achilles' heel.
While many folks out there suggested the midfield was the area where we lost the game and I tend to agree with that (see how Datsakorn pulling the strings there?).
22,183 turned out for the game
Could it be the case that we left it too late in the game that while we did made a few attempts to come back in the second half, it was not good enough as two defensive lapse in space of six minutes gave the maximum points to the yellow outfits.
The irony part was the scorers of those goals were guys the Lions are so familiar with as an unmarked Therdsak Chaiman made his return to international football with a sweet volley (75th minute) off a Nutnum Suchao's cross from left, while Sutee made no mistake on his one-on-one against a stranded Hassan in the 81st minute.
SNIPPETS AND PICTURES FROM THE POST-MATCH PRESS CONFERENCE
"What we worked on the training and they did that very well that gave them the platform to create chances which we did in first half." said Thailand's coach Bryan Robson (pictured above) in the post-match press conference.
"Apart from the penalty (in the 12th minute), we created two or three very good chances where we might have scored and so that was very pleasing." added the former Middlesborough manager.
Sizable media presence in the "Gold" room.
"Second Half, I thought we got a bit stretched as compared to the first half, which was a very good performance and we were little bit fortunately on couple of occasions when the balls bounced kindly for us, otherwise Singapore might have get back to (the) game.
"And on the counter-attack, we thought we deserved the second goal and it was a great move and good finish by Therdsak (Chaiman) to put us two-nil in front."
"What disappointed me is after we scored the third goal, we lost concentration and I felt that's the one weakness we have after playing well and lost it." said Coach Robson.
"That was not the team I practicing with, not the team that played (well) in the last few games for Singapre and what we practiced in the training were not recognizable there." said a visibly disappointed Coach Raddy (above) as he gave his assessment of the night.
"And in the first place, the intention was to hit the ball and run, we created at least 300% chance in the second half that we should scored and the critical thing in this match is we did not score in the chances (we created)." lamented the Serbian coach as he continued.
"I felt the referee was too harsh to give away the (12th minute) penalty, because there were three similar situations for us where the Thai players handled the ball in the penalty box and the referee failed to give those penalties." said coach Raddy.
Coach Raddy also felt the team had been losing posession in midfield, while found it difficult to break the Thai down and thought maybe some "individual effort would paid off" that caused them those missed chances.
REACTION FROM FANS....
Got this text message straight after the game from a friend of me, who requested me to make his feeling known on this blog. I was a bit hesitant about putting this, but each individual is entitled to his/her opinion and I don't have any comment on this above message...
The Thai supporters made their presence felt with their more lively and spontaneous cheering.
Classifed as: AFC, national stadium, Singapore national team
Pohui Sunday, 15 November 2009 at 01:54:00 GMT+8
I thought I want to add this...
Just now I was on my way to catch a train, a stranger noticed my red top, stopped and enquired the score, play of the game.
It was a nice exchanges of opinion as he said he can't make it to the game due to some other pre-arranged commitments.
At least, it wasn't those twit who kept harping on the past.
Unfortunately, I forgot to enquire his name.. but nice of you to find out from me the game.
5ong Sunday, 15 November 2009 at 10:39:00 GMT+8
Some of my friends ditch local football and embrace the epl. I reminded them to tune in and give our lions a chance.
We did not only lost a game. We lost a chance to restore national faith in the only football team that we can call our own.
For me, it was an entertaining game that could have gone both ways if we can bring it to 1-1. Brave performances from Sunny, mustafic and benett. I thought we missed shi jia yi and jantan would be much better at left-back against the pacy thais.
I believe in Raddy and it would be game on in bangkok. Go Lions!
happy Sunday, 15 November 2009 at 14:06:00 GMT+8
It was a disappointing performance so the Thai deserves to win
As least, the chance to redeem is next Wednesday and 1 good thing is NAS is nt going to be there
Yes, NAS may be the among best local striker but his mind is his weak pt as he is just too emotional & easily distracted as shown by 07 S'pore Cup Final.
He claimed he played poorly as he lost focus after getting a yellow & giving away a PK.
That the diff btwn good player & great player.
Roy Keane knew he was going to out of European Cup Final in 99 but gave the best performance ever to help his team.
NAS gave away a PK & out of crucial ACQ & he lost his focus totally & he nearly gt himself send off before Raddy pull him out to save, nt him, the team
NAS need to understand he is useless to a team if he keep getting into needless battle with the opposition thus earning a red or a yellow
There still time to rescue him or the next Ahmad Latiff is coming as no matter hw talented a player is, the team must come first
Anonymous Sunday, 15 November 2009 at 15:29:00 GMT+8
U call yourself a bunch of pros who cannot even string together a decent pass? Most of u if not all lack confident with the ball, just aimless and useless pumping of high balls into no man's land hoping for the best.
Come on man,its no excuse when u can eat,sleep and dream football everyday.Basic football skills and brains are taught when young and not wait till when u r into the prime of your career that the coach has to teach u how to run into open space and to kick a ball.Look at the Thais movement of the ball and how the ball works for them effortlessly.
Have u asked yourself why Thailand can hold Iran 0-0 and Liverpool 1-1 which is exactly the same teams u played but received a thrashing 6-0 and 5-0 respectively instead?
Carl Sunday, 15 November 2009 at 15:29:00 GMT+8
Like to comment on Shaiful Esah: This match just further showed how similar he is like to Carlos. Fine at attacking, but woeful in defending.
I couldn't believe my eyes when he seemed to be tracking Therdsak, but then lost him and allowing him to be free to volley into the goal. Where is the man-marking?? The moment the cross came in from the left, I knew something bad was going to happen...
Anonymous Monday, 16 November 2009 at 14:45:00 GMT+8
Singapore soccer is a shame. Can u seriously say we are good? Come on we have foreigners in our team? Duric. Bennet. Wilkinson. Jiaye. Agu. Precious. Qui Li. Itimi. And we still lose to team without any foreigners. I still remember Japan having Roy Ramos and they improved but our crop of foreign talent if u want to say they have the talent are doing nothing. Improve? What? Nothing. Revamp the whole thing maybe just take Singaporeans who actually have the heart to play soccer not just money n stardom seekers. The difference between the s league n other league is the foreign players there are actually good in their own country so people scout n buy them but in the s league we buy those " longkang" players who are rejected in their own country.
I am always questioning the fitness or maybe mental strength of our Singapore Players.
I have stopped watching Singapore team bec. I personally think that fitness and speed really lacks in this team.
How to make it ... like that...
Masaru Monday, 16 November 2009 at 17:08:00 GMT+8
Singapore Team = UN Team and Thailand is Superbbb.
ไทยแลนด์สุดยอดดดดดดดดดดดด
Sing F.C.
thetony Monday, 16 November 2009 at 20:44:00 GMT+8
Thanks for the report and some great pics.
Singapore still have 3 matches left. Just have a little faith
Thai national football team No. 1 in ASEAN
Anonymous Wednesday, 18 November 2009 at 21:26:00 GMT+8
lol but can anyone give me a live score update on 2nd leg singapore vs thailand score???
what is score of 2nd leg match?
thailand and singapore are both very good as they are led by very experienced coaches
LMVDR Monday, 30 November 2009 at 19:43:00 GMT+8
i do agree that baihakki is not as a gd a center back....he needs to improve his reading of e game and positioning to make up for his lack of pace
Mental health day - Green Gully 0 South Melbourne 0


Find the green control board that is located next to the shredding motor.
Remove two 11 mm Phillips #1 screws located on opposite sides of the control board.
You may need to move wires over to find the screws.


According to a new report by the Competition and Markets Authority (CMA), banks could soon be pushed to charge the public a monthly fee of around £5 for their bank accounts.
The move would be a response to the level of transparency surrounding exactly 'how' banks make their profits and an effort to eliminate other fees.
According to figures bank accounts generate profit in the region of £8billion a year for banks in the form of overdrafts and foreign exchange rates. However, the specific amounts made from the individual customer is rarely disclosed to deter the public from avoiding the charges.
The report by the CMA suggests banks duck out of hidden fees on customer accounts, instead offering a flat fee on a monthly basis.
Head of online bank Atom, Mark Mullen said: 'Banks make billions of pounds from current accounts but customers think they are getting the service free.


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Berating political class, Macron vows more urgent aid for Lebanese people
By John Irish
France holds virtual aid conference for Lebanon
PARIS (Reuters) - France's president said on Wednesday a fund will be set up to ensure aid is channelled directly to the Lebanese people, but warned that without a credible new government there would be no international bailout to save the beleaguered country.
Emmanuel Macron is trying to revive a French initiative on Lebanon, but with the country's fractious political class bickering, hopes of a breakthrough anytime soon appear slim.
Four months after a massive explosion that killed more than 200 people and destroyed swathes of the capital city, Lebanon is no closer to forming a credible government to overhaul the bankrupt state despite French efforts to convince politicians to introduce partial reforms to confront the emergency.
France, the United States and other donors who repeatedly came to Lebanon's aid after the 1975-90 civil war are losing patience with its politicians, many of them familiar faces in charge during the country's descent into economic crisis.
"The immediate (humanitarian) needs are still not taken care of with the country falling further into crisis," Macron said at the opening of a video conference hosting heads of state and non-governmental organisations to take stock of the humanitarian situation in the country.
He said a fund handled by the World Bank, United Nations and European Union would be set up to work with non-governmental organisations to provide support ranging from food, healthcare, education and reconstruction of the port.
"This support does not replace the commitment of the Lebanese authorities and institutions to form a government and put into action the reform roadmap without which the international economic help will not come," Macron said.
Macron, a natural ally given Lebanon is a former French colony, has invested a lot of political capital in trying to break the deadlock, vowing not to give up on the Lebanese.
He is due to visit French troops operating as part of a U.N. peacekeeping mission in Lebanon around Dec. 20, diplomats said.
"We will not give up on the promises we made or the demands on the reforms or the investigation on the origins of the explosion. I will head to Lebanon in December to carry those demands," he said.
Officials have made it clear that Lebanon will not be bailed out without structural reforms, a full audit of the central bank and that any immediate aid will only be to help urgent recovery.
"Lebanon will not escape this type of audit if it wants serious negotiations with the International Monetary Fund. It is indispensable, otherwise it's bankruptcy," a French official said.
A similar conference in August raised nearly 253 million euros ($298 million) in pledges. The official said Wednesday's conference should raise a bit more.
(Reporting by John Irish; Editing by Angus MacSwan and Mark Potter)
Addison Lee follows Uber with free COVID-19 vaccine cabs
Global N95 Mask (With Exhalation Valve, Without Exhalation Valve) Market Size, Share & Trends Analysis Report 2020 - ResearchAndMarkets.com
Addison Lee said it will offer a 25% discount on rides for customers traveling to and from three vaccination hubs, following a similar initiative launched by Uber earlier this week.
The "N95 Mask Market Size, Share & Trends Analysis Report by Product (With Exhalation Valve, Without Exhalation Valve), by Distribution Channel (Online, Offline), by End Use, by Region, and Segment Forecasts, 2020-2027" report has been added to ResearchAndMarkets.com's offering.
The German government plans to ban the practice of killing male chicks after they hatch, which results in the death of around 45 million birds per year in the country. Government spokeswoman Martina Fietz said that Germany will be the first country in the world to do so. In June 2019, a federal court ruled that hen breeders could continue to kill male chicks after they hatch but only until new procedures to avoid doing so were in place.
Priti Patel says she wanted UK borders shut last March
Priti Patel says she wanted UK borders shut last MarchBoris Johnson urged to explain why he apparently rejected home secretary's Covid advice * Coronavirus – latest updates * See all our coronavirus coverage
Donald Trump has departed the White House for the last time as president. Mr Trump, joined by first lady Melania Trump, exited the executive mansion onto the South Lawn shortly before 815am. Mr Trump made brief comments over the roar of the rotor blades saying it "was the honour of a lifetime" and mouthed "thank you" to the press.
Nigella Lawson Appears To Troll Donald Trump With Her 'Recipe Of The Day'
"Purely coincidental that our minds today keep thinking of bitter oranges," one Twitter user responded to the celebrity TV cook's post.
Joe Biden to be sworn in as 46th president amid turmoil and loss in USBiden will take oath on steps of US Capitol where two weeks ago a pro-Trump mob stormed the building in effort to overturn election
Worldwide Automotive Vents Indsutry to 2025 - Key Drivers, Challenges and Trends - ResearchAndMarkets.com
The "Global Automotive Vents Market 2021-2025" report has been added to ResearchAndMarkets.com's offering.
Joe Biden's cabinet picks: Who is nominated?
President-elect has filled out the nominees for his administration
Respiratory Syncytial Virus Therapeutics Market worth USD 4,003.4 Million at 30.9% CAGR; Varying Ethnicity and Climate Difference to Boost Demand in Asia Pacific
Key Prominent Players Covered in the Respiratory Syncytial Virus Therapeutics Market Research Report Are AstraZeneca (U.K), Bausch Health Companies Inc. (U.S), AbbVie (U.S), Johnson and Johnson Services Inc. (U.S), Sanofi (France), Merck & Co., Inc. (U.S), Celltrion Inc. (South Korea), mAbxience (Spain), Enanta Pharmaceuticals, Inc. (U.S) and other key market players.Pune, India, Jan. 20, 2021 (GLOBE NEWSWIRE) -- The global Respiratory Syncytial Virus Therapeutics Market size is estimated to showcase potential growth owing to its increasing adoption against the prevention and treatment of the disease, observes Fortune Business Insights™ in an upcoming report, titled, "Respiratory Syncytial Virus Therapeutics Market Size, Share & COVID-19 Impact Analysis, By Drug Class (Prophylaxis and Treatment), By End-user (Hospital Pharmacy, Retail Pharmacy, and Online Pharmacy) and Regional Forecast, 2020-2027." The Respiratory Syncytial Virus Therapeutics Market stood at USD 1,111.3 million in 2019. It is projected to grow from USD 609.2 million in 2020 to USD 4,003.4 million in 2027 at a CAGR of 30.9% in the forecast period. High Production Scale to Hinder Growth Opportunities in Global Pharmaceutical Space The COVID-19 contagion is expected to drive the global pharmaceutical industry. Enterprises across the world along with governments from several nations are contributing to the development and distribution of the vaccine. However, the scale at which the production is assumed to take place is a major challenge for most of the renowned players. At Fortune Business Insights™, we are providing actionable insights by closely studying multiple aspects of the current scenario. We are also offering firsthand information on various market trends through our comprehensive research reports. Request a Sample Copy of the Research Report: https://www.fortunebusinessinsights.com/enquiry/request-sample-pdf/respiratory-syncytial-virus-rsv-therapeutics-market-104668 While making the report, we segmented the market on the basis of product, type, consumption, distribution channel, and region. Based on the segmentation, we made a list of companies and conducted a detailed analysis of their financial positions, product portfolios, and growth strategies. Our next step included the study of core competencies of key players and their market share to anticipate the degree of competition. The bottom-up procedure was conducted to arrive at the overall size of the market. Mergers and Acquisitions to Help Enterprises Develop Effective Products The rising adoption of preventive and treatment drugs among children against the disease is expected to drive the growth of the global RSV therapeutics market. In addition, collaborations among key players to develop cost efficient drugs for the treatment of RSV disease is anticipated to increase the demand globally, which is expected to further enhance growth. For instance, in January 2019, Swedish Orphan Biovitrum Ab acquired the distribution rights of Synagis, a respiratory syncytial virus prophylactic drug from AstraZeneca. However, failure of the pipeline drugs in the clinical trials is expected to limit growth. To get to know more about the short-term and long-term impact of COVID-19 on this market, please visit: https://www.fortunebusinessinsights.com/respiratory-syncytial-virus-rsv-therapeutics-market-104668 New Product Launches from Key Players Helped Prophylaxis Segment Hold Largest Share In 2019 Based on drug class, the prophylaxis segment led the market with the largest share in 2019. Potential approvals and launch of maternal vaccines by companies including Pfizer and GSK are estimated to help the segment further dominate the market during the forecast timeframe. Based on end-user, the hospital pharmacy segment dominated the global market owing to the high demand for healthcare professionals for the existing treatment and prevention options. Growing Instances of RSV Infection among Infants in U.S. to Help North America Dominate North America is anticipated to lead the global RSV therapeutics market owing to the higher prevalence of RSV infection in the region. For instance, as per the data published by the Center for Disease Control and Prevention (CDC), almost 2.1 million annual outpatient visits among children under five years of age in the U.S. are led by RSV infection. In addition, larger access for the treatment of the disease is expected to drive the demand for respiratory syncytial virus therapeutics in the region. The region held USD 396.0 million in terms of revenue in 2019. The market in Asia Pacific is estimated to grow significantly in the upcoming years. Countries including Japan and Australia have advanced healthcare infrastructure combined with higher penetration of respiratory syncytial virus therapeutics. In addition, the varying ethnicity and climate creates a difference in the prevalence of RSV in various countries of the region. Quick Buy - Respiratory Syncytial Virus Therapeutics Market Research Report: https://www.fortunebusinessinsights.com/checkout-page/104668 Introduction of Cost-effective Drugs to Aid Emerging Players Gain Share Major players operating in the respiratory syncytial virus therapeutics market are focusing on gaining prominence in the industry through their development strategies. Key enterprises are focusing on new product launches in order to expand their share. For instance, AstraZeneca aims to capture the predominant share in the upcoming years with the introduction of cost-effective nirsevimab into the market by 2023. Industry Developments- In August 2020, Janssen Pharmaceutical Companies, a division of Johnson and Johnson Service, Inc. announced the reception of breakthrough designation for its RSV prophylactic vaccine by the US FDA. The designation was based on clinical data from Janssen's prophylactic RSV senior vaccine, which may act as potential improvement compared to the available standard of care.In November 2018, AstraZeneca announced an agreement with Synagis to transfer its U.S. rights to Swedish Orphan Biovitrum AB (Sobi). According to the agreement, Sobi is set to commercialize Synagis in the U.S. A List of Key Manufacturers Operating In the Global Respiratory Syncytial Virus Therapeutics Market Report: AstraZeneca (U.K)Bausch Health Companies Inc. (U.S)AbbVie (U.S)Johnson and Johnson Services Inc. (U.S)Sanofi (France)Merck & Co., Inc. (U.S)Celltrion Inc. (South Korea)mAbxience (Spain)Enanta Pharmaceuticals, Inc. (U.S) Have Any Query? Ask Our Experts: https://www.fortunebusinessinsights.com/enquiry/speak-to-analyst/respiratory-syncytial-virus-rsv-therapeutics-market-104668 Table of Contents: Introduction Research ScopeMarket SegmentationResearch MethodologyDefinitions and Assumptions Executive SummaryMarket Dynamics Market DriversMarket RestraintsMarket Opportunities Key Insights Potential Vaccine Candidates and Potential Impact of Approvals on the Treatment MarketTrends: Changing Landscape Treatment & Prophylaxis, Unmet Needs, etc.Total Number of Patients Receiving Palivizumab, Key Countries/ RegionPotential Vaccine Candidates and Potential Impact of Approvals on the Treatment MarketTrends: Changing Landscape Treatment & Prophylaxis, Unmet Needs, etc.Total Number of Patients Receiving Palivizumab, Key Countries/ RegionImpact of Covid-19 on the Market Global Respiratory Syncytial Virus Therapeutics Market Analysis, Insights and Forecast, 2016-2027 Key Findings / SummaryMarket Analysis, Insights and Forecast – By Drug Class Prophylaxis PalivizumabNirsevimabMK-1654Other Prophylaxis (Vaccines) Treatment RibavirinAll New Treatment JNJ 53718678Enanta EDP-938ASCENIV Market Analysis, Insights and Forecast – By End User Hospital PharmaciesRetail PharmaciesOnline Pharmacies Market Analysis, Insights and Forecast – By Country North AmericaEuropeAsia pacificLatin AmericaMiddle East & Africa TOC Continued….! Get your Customized Research Report: https://www.fortunebusinessinsights.com/enquiry/customization/respiratory-syncytial-virus-rsv-therapeutics-market-104668 SECONDARY RESEARCH IS CONDUCTED TO DERIVE THE FOLLOWING INFORMATION: Details such as revenues, market share, strategies, growth rate, product & their pricing by region/country for all major companiesDetails in relation to prevalence, incidence, patient numbers, distribution of patients, average price of treatment, etc.Number of end user facilities by region/country and average annual spending or procurement of devices by type of end user facilityNumber of procedures and average price of proceduresReplacement rate and pricing of capital equipmentMarket dynamics in relation to the market under focus – Drivers, restraints, trends, and opportunitiesMarket & technological trends, new product developments, product pipeline. Have a Look at Related Reports: Antiviral Drugs Market Share & Industry Analysis, By Drug Class (Protease Inhibitors, Polymerase Inhibitors, Integrase Inhibitors, Combination Drugs, Reverse Transcriptase Inhibitors, and Others), By Disease Indication (Hepatitis, Human Immunodeficiency Virus (HIV), Influenza, and Others), By Distribution Channel (Hospital Pharmacy, Retail Pharmacy, and Online Channel) and Regional Forecast, 2019-2026 Vagus Nerve Stimulation (VNS) Market Share & Industry Analysis, By Type (Invasive, and Non-invasive {nVNS}), By Application (Epilepsy, Treatment Resistant Depression (TRD), and Others), By End User (Hospitals, and Specialty Clinics), and Regional Forecast, 2019-2026 Spinal Muscular Atrophy (SMA) Treatment Market Share & Industry Analysis, By Product (Nusinersen and Onasemnogen Abeparvovec), By Disease Type (Type 1 SMA, Type 2 SMA and Others), By Distribution Channel (Hospital Pharmacies, Retail Pharmacies and Others), and Regional Forecast, 2019-2026 Venous Leg Ulcer (VLU) Treatment Market Share and Industry Analysis, By Product (Compression Therapy, Advanced Wound Dressings, Others), By End User (Hospitals, Specialty Clinics, Homecare Settings, Others), and Regional Forecast, till 2026 Animal Health Market Share and Industry Analysis By Product (Drugs, Vaccines, Feed, and Diagnostics), By Animal (Livestock Animals and Companion Animals), By End User (Veterinary Hospitals & Clinics, Animal Care & Rehabilitation Centers, Diagnostic Centers, and Others) and Geography Forecast, 2019-2026 About Us: Fortune Business Insights™ offers expert corporate analysis and accurate data, helping organizations of all sizes make timely decisions. We tailor innovative solutions for our clients, assisting them to address challenges distinct to their businesses. Our goal is to empower our clients with holistic market intelligence, giving a granular overview of the market they are operating in. Our reports contain a unique mix of tangible insights and qualitative analysis to help companies achieve sustainable growth. Our team of experienced analysts and consultants use industry-leading research tools and techniques to compile comprehensive market studies, interspersed with relevant data. At Fortune Business Insights™ we aim at highlighting the most lucrative growth opportunities for our clients. We, therefore, offer recommendations, making it easier for them to navigate through technological and market-related changes. Our consulting services are designed to help organizations identify hidden opportunities and understand prevailing competitive challenges. Contact Us: Fortune Business Insights™ Pvt. Ltd. 308, Supreme Headquarters, Survey No. 36, Baner, Pune-Bangalore Highway, Pune - 411045, Maharashtra, India. Phone:US :+1 424 253 0390UK : +44 2071 939123APAC : +91 744 740 1245Email: sales@fortunebusinessinsights.comFortune Business Insights™LinkedIn | Twitter | Blogs Press Release: https://www.fortunebusinessinsights.com/press-release/global-respiratory-syncytial-virus-therapeutics-market-10463
Vice President and Mr Trump have reportedly suffered frayed relationship after Mr Pence refused to help him overturn his election loss to Joe Biden
SpaceX Starlink launch LIVE: Record-breaking attempt for rapid reuse rocket as internet satellites lift-off
Elon Musk hopes rapid-reusability will allow space travel to be far more accessible in the future
North America Online/E-Grocery Growing at 19.0% CAGR, to Touch $114,923.8 Mn Market by 2026
According to the [220+ Pages] research report; the North America E-Grocery Market in 2019 was approximately USD 30,879.1 Million. The market is expected to grow at a CAGR of 19% and is anticipated to reach around USD 114,923.8 Million by 2026. Top market players are 7-Eleven, Inc., ALDI, Amazon.com, Inc., Beelivery, Fresh Direct, LLC., Google LLC, Instacart, Postmates Inc., Ahold Delhaize and others.New York, NY, Jan. 20, 2021 (GLOBE NEWSWIRE) -- Facts and Factors have published a new research report titled "E-Grocery Market: North America Industry Outlook, Market Size, Business Intelligence, Consumer Preferences, Statistical Surveys, Comprehensive Analysis, Historical Developments, Current Trends, and Forecasts, 2020–2026". "According to the research study, the North America E-Grocery Market was estimated at USD 30,879.1 Million in 2019 and is expected to reach USD 114,923.8 Million by 2026. The North America E-Grocery Market is expected to grow at a compound annual growth rate (CAGR) of 19% from 2019 to 2027". E-grocery involves the purchase of fresh and processed food through online platforms. People today prefer to shop online since it is easy and provides a large selection of products. The ordered products are delivered in a short time at the consumer's doorstep. In addition, consumers can keep track of their expenditures. Request Your Free Sample Report of E-Grocery Market @ https://www.fnfresearch.com/sample/e-grocery-market-by-end-users-individuals-organization-1313 (The free sample of this report is readily available on request). Our Free Sample Report Includes: • 2020 Updated Report Introduction, Overview, and In-depth industry analysis • 220+ Pages Research Report (Inclusion of Updated Research) • Provide Chapter-wise guidance on Request • 2020 Updated Regional Analysis with Graphical Representation of Size, Share & Trends • Includes Updated List of table & figures • Updated Report Includes Top Market Players with their Business Strategy, Sales Volume, and Revenue Analysis • Facts and Factors research methodology (Note: The sample of this report is updated with COVID-19 impact analysis before delivery) Key Questions Answered in this Report 1) What was the impact of COVID-19 on the E-Grocery Market? 2) What is the market size, share of the E-Grocery Market? 3) Who are the top market players in E-Grocery Market? 4) What will be the future market of the E-Grocery Market? Key Offerings: Market Size & Forecast by Revenue | 2020−2027Market Dynamics – Leading trends, growth drivers, restraints, and investment opportunitiesMarket Segmentation – A detailed analysis by product, by types, end-user, applications, segments, and geographyCompetitive Landscape – Top key vendors and other prominent vendors Inquire more about this report before purchase @ https://www.fnfresearch.com/inquiry/e-grocery-market-by-end-users-individuals-organization-1313 (You may enquire a report quote OR available discount offers to our sales team before purchase.) The growing workforce along with their hectic schedules provides businesses with the ability to set up online food stores. Consumers are increasingly aware of the numerous shopping patterns emerging in society with the evolving technology and the growing penetration of internet services. Moreover, brands offering premium services such as same-day delivery of products or delivery of products within one hour is triggering the market demand in recent years. Additionally, the rise in Omnichannel approach among the grocers is significantly influencing the growth of the market. However, concerns regarding the freshness of fruits and vegetables, and high delivery charges curb the demand for the market in recent times. Furthermore, the implementation of voice-enabled technology is expected to increase e-grocery sales. Top Market Players Some of the essential players operating in the North America e-grocery market are 7-Eleven, Inc., ALDI, Amazon.com, Inc., Beelivery, Fresh Direct, LLC. Google LLC, Instacart, Postmates Inc., Ahold Delhaize, Albertsons Companies, Target Corporation, Kroger Co., and Walmart among others. To know an additional revised 2020 list of market players, request a sample report: https://www.fnfresearch.com/sample/e-grocery-market-by-end-users-individuals-organization-1313 North America e-grocery market has been segmented into end-users, type, product type, business model, platform, purchase type, and region. The end-user segment has been classified into individuals and organizations. The organization has been categorized into large enterprises, small and medium enterprises in terms of the organization size. The individual segment had accounted for the largest share in North America e-grocery market in 2019. It is due to the diversification of product choices and subscription options for daily items like vegetables and diaries that are supporting the market growth. Based on type, the market has been divided into indirect, and direct. The direct applications dominated the market growth as these are provided by the hyper and supermarket stores. Based on product type, the market has been segregated into food grains, bread, bakery and dairy products, fruits and vegetables, dry and baking products, and beverages among others. Bread, bakery, and dairy products are leading the market growth. The business model is of two types that are delivery, and takeaway. The delivery segment has accounted for the highest market share as it is convenient and preferred by the customers. On the basis of platform, the market has been segmented into web-based, and app-based. The app-based segment dominated the e-grocery market owing to the increasing number of smartphone users in this region. Furthermore, the purchase type has been bifurcated into one-time purchases and subscriptions. The subscription segment has accounted for the largest market share as the subscription models can be customized based on the requirements of the customers. Directly Purchase a copy of the report with TOC @ https://www.fnfresearch.com/buynow/su/e-grocery-market-by-end-users-individuals-organization-1313 Penetration of the internet had played a vital role in connecting people in various ways. The internet has greatly helped to shorten the gap between people and their prospects. Additionally, rapid urbanization has elevated the working population. They are more prone to online grocery shopping due to their hectic schedules. Moreover, traditional grocery requires hours, to pay the bill in counters, while online grocery saves time. Therefore, consumer preference towards e-grocery owing to such factors is increasing the market demand in recent years. Although, online grocery looks promising when compared to other products available online it faces rather different challenges such as lack of physical evidence and verification of the products. Furthermore, advances in technology and the rise in omnichannel marketing and sales are expected to increase the market demand in upcoming years. The e-grocery market research report delivers an acute valuation and taxonomy of the e-grocery industry by practically splitting the market on the basis of different types, applications, and regions. Through the analysis of the historical and projected trends, all the segments and sub-segments were evaluated through the bottom-up approach, and different market sizes have been projected for FY 2020 to FY 2026. The regional segmentation of the e-grocery industry includes the complete classification of all the major countries including the U.S., Canada, and Mexico. Browse the full "E-Grocery Market By End Users (Individuals, Organization (Small and Medium Enterprises, and Large Enterprises)); By Type (Indirect, and Direct); By Product Type (Food Grains, Bread, Bakery and Dairy Products, Fruits and Vegetables, Dry and Baking Products, Beverages, and Others); By Business Model (Delivery, and Takeaway); By Platform (Web-Based, and App-Based); By Purchase Type(One-time Purchase, and Subscription): North America Industry Outlook, Market Size, Business Intelligence, Consumer Preferences, Statistical Surveys, Comprehensive Analysis, Historical Developments, Current Trends, and Forecasts, 2020–2026" report at https://www.fnfresearch.com/e-grocery-market-by-end-users-individuals-organization-1313 On the basis of geography, the market has been analyzed into U.S., Canada, and Mexico regions. In this region, U.S. is leading the market as most of the online suppliers in the United States provide same-day delivery options and also the availability of a huge number of online grocers such as Walmart, FreshDirect, LLC, and AmazonFresh among others. Request Customized Copy of Report @ https://www.fnfresearch.com/customization/e-grocery-market-by-end-users-individuals-organization-1313 (We customize your report according to your research need. Ask our sales team for report customization.) This report segments the North America e-grocery market as follows: North America E-Grocery Market: By End Users Segmentation Analysis (Customizable) IndividualsOrganization Small and Medium EnterprisesLarge Enterprises North America E-Grocery Market: By Type Segmentation Analysis (Customizable) IndirectDirect North America E-Grocery Market: By Product Type Segmentation Analysis (Customizable) Food GrainsBread, Bakery and Dairy ProductsFruits and VegetablesDry and Baking ProductsBeveragesOthers North America E-Grocery Market: By Business Model Segmentation Analysis (Customizable) DeliveryTakeaway North America E-Grocery Market: By Platform Segmentation Analysis (Customizable) Web-BasedApp-Based North America E-Grocery Market: By Purchase Type Segmentation Analysis (Customizable) One-time PurchaseSubscription North America E-Grocery Market: Regional Segmentation Analysis (Customizable) U.S.CanadaMexico About Facts & Factors (FnF Research): Facts & Factors is a leading market research organization offering industry expertise and scrupulous consulting services to clients for their business development. The reports and services offered by Facts and Factors are used by prestigious academic institutions, start-ups, and companies globally to measure and understand the changing international and regional business backgrounds. Our client's/customer's conviction on our solutions and services has pushed us in delivering always the best. Our advanced research solutions have helped them in appropriate decision-making and guidance for strategies to expand their business. Follow Us LinkedIn: https://www.linkedin.com/company/fnfresearch Follow Us Twitter: https://twitter.com/fnfresearch Browse Blog: energyindustryreports.com Contact Us: Facts & Factors USA: +1-347-989-3985 Email: sales@fnfresearch.com Web: https://www.fnfresearch.com Blog: http://fnfnewsblog.com
Integra LifeSciences Completes the Acquisition of ACell, Inc.
PRINCETON, N.J., Jan. 20, 2021 (GLOBE NEWSWIRE) -- Integra LifeSciences Holdings Corporation (NASDAQ:IART), a leading global medical technology company, today announced it completed the previously-disclosed acquisition of ACell, Inc. "Acquiring ACell and its proprietary MatriStem UBM™ technologies will enable Integra to provide more comprehensive complex wound management solutions to address our customers' most pressing clinical challenges," said Peter Arduini, president and CEO, Integra LifeSciences. "Together with ACell colleagues, we look forward to continuing to advance wound care innovations for our customers and patients." Sullivan & Cromwell LLP is acting as legal advisor to Integra. About Integra LifeSciencesIntegra LifeSciences is a global leader in regenerative tissue technologies and neurosurgical solutions dedicated to limiting uncertainty for clinicians, so they can focus on providing the best patient care. Integra offers a comprehensive portfolio of high quality, leadership brands that include AmnioExcel®, Bactiseal®, Cerebroflo®, Certas® Plus, Codman®, CUSA®, DuraGen®, DuraSeal®, ICP Express®, Integra®, MediHoney®, MicroFrance®, PriMatrix®, SurgiMend®, TCC-EZ®, and VersaTru™. For the latest news and information about Integra and its products, please visit www.integralife.com. This news release contains forward-looking statements, including statements about our current and future performance within the meaning of the Private Securities Litigation Reform Act of 1995 that involve risks and uncertainties, and reflect the Company's judgment as of the date of this release. Forward-looking statements include, but are not limited to, those that include words such as "estimate," "will," "plan," "should," "expect," "continue," and "forecast". Forward-looking statements also include, but are not limited to, statements concerning future financial performance, including projections for revenues. It is important to note that the Company's goals and expectations are not predictions of actual performance. Such forward-looking statements involve risks and uncertainties that could cause actual results to differ materially from predicted or expected results. Such risks and uncertainties include, but are not limited to, risk factors and uncertainties identified under the heading "Risk Factors" included in Item 1A of Integra's Annual Report on Form 10-K for the year ended December 31, 2019 and information contained in subsequent filings with the Securities and Exchange Commission. These forward-looking statements are made only as of the date hereof, and the Company undertakes no obligation to update or revise the forward-looking statements, whether as a result of new information, future events, or otherwise. Investor Relations ContactMichael Beaulieu(609) 529-4812michael.beaulieu@integralife.com Media Contact:Laurene Isip(609) 208-8121laurene.isip@integralife.com
Form 8.3 - Willis Towers Watson plc.
FORM 8.3IRISH TAKEOVER PANELDISCLOSURE UNDER RULE 8.3 OF THE IRISH TAKEOVER PANEL ACT, 1997, TAKEOVER RULES, 2013DEALINGS BY PERSONS WITH INTERESTS IN RELEVANT SECURITIES REPRESENTING 1% OR MORE1. KEY INFORMATIONName of person dealing (Note 1)State Street Global Advisors & AffiliatesCompany dealt inWillis Towers Watson plc.Class of relevant security to which the dealings being disclosed relate (Note 2)US$0.000304635 ordinary sharesDate of dealing19th January 2021 2. INTERESTS AND SHORT POSITIONS(a) Interests and short positions (following dealing) in the class of relevant security dealt in (Note 3) LongShort Number(%)Number(%)(1) Relevant securities6,330,599 4.91104% (2) Derivatives (other than options)N/A (3) Options and agreements to purchase/sellN/A Total6,330,599 4.91104% (b) Interests and short positions in relevant securities of the company, other than the class dealt in (Note 3)Class of relevant security:LongShort Number(%)Number(%)(1) Relevant securitiesN/A (2) Derivatives (other than options)N/A (3) Options and agreements to purchase/sellN/A TotalN/A 3. DEALINGS (Note 4)(a) Purchases and salesPurchase/saleNumber of relevant securitiesPrice per unit (Note 5)Purchase400208.50Purchase2,500208.50Purchase21208.50Purchase6208.50Purchase14,326208.50Purchase14,964208.50Purchase90208.50Purchase225208.50Purchase8208.50Sale82208.50Sale16,340208.50Sale27208.50 (b) Derivatives transactions (other than options transactions)Product name, e.g. CFDNature of transaction (Note 6)Number of relevant securities (Note 7)Price per unit (Note 5)N/A (c) Options transactions in respect of existing relevant securities(i) Writing, selling, purchasing or varyingProduct name, e.g. call optionWriting, selling, purchasing varying etc.Number of securities to which the option relates (Note 7)Exercise priceType, e.g. American, European etc.Expiry dateOption money paid/received per unit (Note 5)N/A (ii) ExercisingProduct name, e.g. call optionNumber of securitiesExercise price per unit (Note 5)N/A (d) Other dealings (including transactions in respect of new securities) (Note 4)Nature of transaction (Note 8)DetailsPrice per unit (if applicable) (Note 5)N/A 4. OTHER INFORMATIONAgreements, arrangements or understandings relating to options or derivativesFull details of any agreement, arrangement or understanding between the person disclosing and any other person relating to the voting rights of any relevant securities under any option referred to on this form or relating to the voting rights or future acquisition or disposal of any relevant securities to which any derivative referred to on this form is referenced. If none, this should be stated.N/AIs a Supplemental Form 8 attached? (Note 9)NO Date of disclosure20th January 2021 Contact nameLionel ColacoTelephone number 020 33956098If a connected EFM, name of offeree/offeror with which connectedN/AIf a connected EFM, state nature of connection (Note 10)N/A


Your record needs to back up your explanation. It gives relevant information without being overly personal. Accepting and owning your GPA as it is, and using your application as an opportunity to demonstrate the other wonderful things about you will impress colleges with your self-awareness, honesty, and demonstration of self-worth. Ask away in our comment section! Thats a LOT to squeeze into 1-2 pages, but lets assume you manage to. How should you bring it up? As youve undoubtedly read time and time againyou need to explain your less than perfect grades at some point in your application.
If you are able to turn out some impressive scores on the SAT or the ACT, a college will see what youre capable of this way. You could also take a gap year to boost your activities and test scores. A low GPA does not mean you cannot get into a great school, or even your dream school. Do not put an explanation of a low GPA in a different section if youre deliberately told to discuss it somewhere else. Not only does it constitute fraud, a humiliating and potentially life long shadow on your reputation, but youre also doing a disservice to all applicants.
Did you have some difficulty in your women's rights movement 1960s essay personal life at some point? If any of these things happened to you, without question explain it in your Statement of Purpose and your. Our advice to applicants is to utilize that Additional Documents sectionits there for a reason. Examples: You started off as an economics major and hated it (low GPA as a result). If you have extensive arts or athletic experience, or if you have participated in unique volunteer or entrepreneurial work, colleges will pay attention. Context, first, determine the context of your GPA. Now, we have to place a disclaimer on that last statement: Its only a good idea to explain that to the committee IF the rest of your application shows serious growth as well.


The Women's Championship is one of the premier event of the Oregon State USBC. The tournament is open to all Oregon State USBC adult women members with 4-person Team, Doubles, and Singles events in three average-based divisions. The tournament starts April 26th and continues through May 26th.
The 2019 OSUSBC Women's Championship is at AMF Firebird Lanes in Salem. Each year the women's tournament has fun themes, this year's theme is the 50s. We look forward to seeing you there!


text:
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<title>SlideShowRecordDumper (POI API Documentation)</title>
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org.apache.poi.hslf.dev

Class SlideShowRecordDumper

java.lang.Object

org.apache.poi.hslf.dev.SlideShowRecordDumper

public final class SlideShowRecordDumper
extends java.lang.Object

This class provides a way to view the contents of a powerpoint file.
 It will use the recored layer to grok the contents of the file, and
  will print out what it finds.

Author:

Nick Burch

Constructor Summary

Constructors

Constructor and Description

SlideShowRecordDumper(java.lang.String fileName,
                     boolean verbose,
                     boolean escher)

Constructs a Powerpoint dump from fileName.

Method Summary

Methods

Modifier and Type
Method and Description

int
getDiskLen(Record r)

java.lang.String
getPrintableRecordContents(Record r)

static void
main(java.lang.String[] args)

right now this function takes one parameter: a ppt file, and outputs
  a dump of what it contains

java.lang.String
makeHex(int number,
       int padding)

void
printDump()

java.lang.String
printEscherContainerRecord(EscherContainerRecord ecr)

java.lang.String
printEscherRecord(EscherRecord er)

static void
printUsage()

java.lang.String
reverseHex(java.lang.String s)

void
walkTree(int depth,
        int pos,
        Record[] records)

Methods inherited from class java.lang.Object

clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait

Constructor Detail

SlideShowRecordDumper

public SlideShowRecordDumper(java.lang.String fileName,
                     boolean verbose,
                     boolean escher)
                      throws java.io.IOException

Constructs a Powerpoint dump from fileName. Parses the document
 and dumps out the contents

Parameters:

fileName - The name of the file to read.

Throws:

java.io.IOException - if there is a problem while parsing the document.

Method Detail

main

public static void main(java.lang.String[] args)
                 throws java.io.IOException

right now this function takes one parameter: a ppt file, and outputs
  a dump of what it contains

Throws:

java.io.IOException

printUsage

public static void printUsage()

printDump

public void printDump()
               throws java.io.IOException

Throws:

java.io.IOException

makeHex

public java.lang.String makeHex(int number,
                       int padding)

reverseHex

public java.lang.String reverseHex(java.lang.String s)

getDiskLen

public int getDiskLen(Record r)
               throws java.io.IOException

Throws:

java.io.IOException

getPrintableRecordContents

public java.lang.String getPrintableRecordContents(Record r)
                                            throws java.io.IOException

Throws:

java.io.IOException

printEscherRecord

public java.lang.String printEscherRecord(EscherRecord er)

printEscherContainerRecord

public java.lang.String printEscherContainerRecord(EscherContainerRecord ecr)

walkTree

public void walkTree(int depth,
            int pos,
            Record[] records)
              throws java.io.IOException

Throws:

java.io.IOException

Overview

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                Copyright 2015 The Apache Software Foundation or
        its licensors, as applicable.

redpajama_set_name: RedPajamaGithub


text:
Q: how find fields of all member variables contained in java bean I want to make a GUI using Java in which a user can select a bean, edit its fields, and then add an instance of the created bean to a queue. My question though is about accessing the fields. I have a class MyCompositeObject that inherits from MyParentObject. The MyParentObject is composed of multiple beans, each being composed of more beans. The class MyCompositeObject is also composed of beans. I want to find all accessible fields from MyCompositeObject.
Class MyParentObject
{
    MyObjectOne fieldOne;
    MyObjectTwo fieldTwo;
    String name;
  ...
 }

 Class MyCompositeObject extends MyParentObject
 {
    MyObjectThree fieldThree;
    Integer number;
   ...
 }

 Class MyObjectThree
 {
     boolean aBoolean;
     MyObjectFour fieldFour;
   ...
 }

I have been trying to use the BeanUtils api, but I'm getting stuck trying to get the fields of all the member beans. What I am imagining is a depth first search of all fields that could be accessed from an instance of MyCompositeObject. For example, this would include, but not be limited to, the fields: MyCompositeObject.fieldOne, MyCompositeObject.number, MyCompositeObject.fieldThree.aBoolean.
I realized when I tried:
Fields[] allFields = BeanUtils.getFields(myCompositeObject);

that I was in over my head. My research has so far not turned up any prebuilt methods that could do what I describe. Please let me know of any API methods that can do this or tell me how I can go about building my own. Thanks.

A: It's kind of a pain but you have to go in two dimensions
yourBeanClass.getSuperclass(); (and recursively get all superclasses until Object)

and then you can get the fields of each one
eachClass.getDeclaredFields() NOT getFields so you can get all the private fields

Once you have each field
field.getType() which returns the Class of that field

then of course, you need to go up that dudes superclass chain again to make sure you get ALL the fields of the class including the ones in the superclass
Once you have that chain of classes for that field, you can then get it's fields by repeating the above....yes, the jdk made this fun!!!!  I wish to god they had a getAllDeclaredFields method so I didn't have to go up the superclass heirarchy.
IMPORTANT: you need to call field.setAccessible(true) so you can read and write to it when it is a private field by the way!!!
Here is code that gets all the fields for a Class including the superclasses..
private static List<Field> findAllFields(Class<?> metaClass) {
    List<Field[]> fields = new ArrayList<Field[]>();
    findFields(metaClass, fields);

    List<Field> allFields = new ArrayList<Field>();
    for(Field[] f : fields) {
        List<Field> asList = Arrays.asList(f);
        allFields.addAll(asList);
    }
    return allFields;
}

private static void findFields(Class metaClass2, List<Field[]> fields) {
    Class next = metaClass2;
    while(true) {
        Field[] f = next.getDeclaredFields();
        fields.add(f);
        next = next.getSuperclass();
        if(next.equals(Object.class))
            return;
    }
}

later,
Dean

redpajama_set_name: RedPajamaStackExchange


text:
Home > Education > Whiteflash Blog > Rapper Kanye West Debuts a New Kind of Diamond Jewelry
Rapper Kanye West Debuts a New Kind of Diamond Jewelry
By Ashley Bailey
The hip-hop community is certainly not shy when it comes to bling. Rappers like Kanye West and Jay-Z have been sporting hefty diamond earrings and necklaces for years. In fact, these performers helped bring men's diamond studs into the mainstream, and they are now one of the most popular forms of men's diamond jewelry.
Music producer and American Idol judge
Randy Jackson shows off his Whiteflash jewelry
But Kanye West recently took this penchant for all things sparkly one step further, when he had his entire row of bottom teeth replaced with a set of dazzling diamonds. He insists that it is not a grill, a temporary mouth guard sometimes worn by performers, but a permanent replacement. West recently appeared on the Ellen DeGeneres show to discuss his latest antics, including a 40-minute epic music video and this set of diamond dentures. "I just thought diamonds were cooler," he told DeGeneres. As he explained, he needed reconstructive dental work after a car accident several years ago, and he decided to turn it into an unprecedented fashion opportunity.
Diamond stud earrings have become
mainstream for men; are diamond teeth next?
Whether diamond teeth becomes a widespread trend remains to be seen, however. The LA Times interviewed a dentist, who cautioned would-be trendsetters that having a sparkling smile would mean never eating hard candies like peanut brittle, and not being able to open a beer can with their teeth. Although one has to imagine that someone like Kanye West probably has an assistant to open his beer cans for him, the real question is why he decided to install diamond hardware in his mouth in the first place. So it this all an elaborate Halloween prank? A sign of a man with more money than fashion sense? Or is this the beginning of a bona-fide trend?
Rapper LL Cool J is no stranger to bling; he even supports
Whiteflash's Awear line of socially conscious jewelry


Massive nostalgia coming from this track. I used to listen to this so much back in the day! It's quite easy to hear the improvement from the original though. This is significantly meatier and more professional-sounding, and you were a lot more creative with your effects. The climax at 2:40 sounds SO good now! And yet it still retains its excellent melodic content and wonderful narrative. A truly epic piece.
I have a few gripes, like 1:33's staccato choirs feeling oddly quiet and 2:12's distorted instrument sounding a little silly, but overall this was an absolute pleasure to listen to.
You know, I don't think I've ever said this before (you likely have no idea who I am haha) but since you're back on Newgrounds I just wanted to say that your music has been an absolute inspiration for me. Without it I might've not opted to invest in East/West or attempt to develop a more professional, cinematic sound for myself.
Thanks for the stellar remaster and keep up the phenomenal work.
Thanks so much, super glad to still see you around!
It's been so long since I've reviewed a piece of music, but after you left the review on my track it's only fair for me to return the favour!
So I've given this a good few listens and what struck me the most was the unsettling atmosphere. Nowadays I find that a lot of horror soundtracks feel like cop-outs. They throw together whatever shrill and unsettling sounds they can find into a hodge-podge of atonal ambience that may seem fitting in whatever background they play in, but as standalone tracks they have no musical meaning. As such, it's nothing short of refreshing to hear a horror piece with great ambience that actually has melodic substance in it!
I loved your use of background sound effects. The laughs from the child and the wispy, brooding swells of the chasing shadow really do sell the piece's chilling atmosphere, and they're quiet enough to be considered subtle while still loud enough to be audible. 0:42 and similar parts have a instantly likeable vibe that's incredibly reminiscent of old horror soundtracks.
Actually, in general I'm a fan of your chord choices. You make fairly occasional use of stereotypically "happier" chords like major and sus2, but throw in enough minor/augmented chords and notes to break up the generally happy connotation of the major chords, which is a great way to sort of melodically tell the story of a child playfully running around a mansion, unaware of the sinister force tailing her.
My main gripe with the track is that it's simply unable to hold interest for the full seven minutes. You follow the same pattern of broken chords for pretty much the entire track, and repeat the same chord progression multiple times on a macro and micro level. By the first 2 minutes, we've heard pretty much all the track has to offer, beyond subtle ambience changes and some rather neat vintage-sounding EQ towards the end.
Unlike the below reviewers, I like the piano sound, but the cinematic composer in me is dying for some more dynamics on it. The slight ritardando at 1:14 and the little break at 2:05 (and the similar one later on) felt like a breath of fresh air. More of that stuff!
Of course, if you go overboard on dynamics and the song starts to lose its proficiency as a background piece, but I personally believe that a lot can be done to the dynamics and subtlety of a piece while still retaining its context as something that sits in the background. Adding more dynamics will also automatically solve my aforementioned criticism of the song struggling to retain interest for a full seven minutes.
Overall, if you were setting out to tell a chilling story, then you certainly achieved that. This was a fun listen with a refreshing amount of melodic substance and good, non-cheesy usage of sound effects and background ambience. Nice work!
Thanks! I struggled with this because I wanted to keep it minimalistic but I also wanted the actual song to be a background to the ambiance, not the other way around - like something playing on a record far away in the mansion - so I didn't want it to take away too much or make it too dynamic.. I actually tried to add more and it started to take away from the piece - and yes you are probably right that it loses interest around 2:00 but I am also a big fan of ambient and zoning out to soundscapes and stuff, so maybe it just doesn't seem as bad to me..
You, sirs, have been rocking this contest since the start. Every round you had an extremely memorable, distinguishable track, and each one was so well-produced, well-executed, and well-written. This was, above all, an incredibly well-deserved first place.
What I respect the most about this track would be the scale of it all. Once again we've got four talented vocalists in here, and on top of that there's actually a lot of detail and variation that can be found in elements of the mix like the guitar and vocals. In addition to that, you have a tried-and-true song structure, climactic ending, and emotionally uplifting melody, which makes this a VERY fulfilling and satisfactory listening experience. Production-wise, this is also no slacker! I much prefer how you mixed the vocals here than in your previous track, and everything is clear and pronounced. Some specific things I loved about this would be the thick vocal harmonies, dreamy texture on the guitar, 2:53's rhythmic change, and of course the beautiful lead vocal performance.
Like I was saying to midimachine in his review, finding issues in these tracks was a huge problem for me, even after over a dozen listens to each. I eventually settled on complaining about the fact that this is... I dunno, safe? If I had to compare this to the other tracks you've submitted to the contest, it's decidedly more straightforward, with a cookie-cutter pop structure, standard uplifting key change at the end, and mostly simple composition. I hardly care because of how WELL you executed everything, though. This is me nitpicking a track which I consider among the best that this year's contest has to offer.
Truly brilliant work to you all, not just for this track but for the five excellent tracks you've graced our ears with. Congrats on being the first team in NGADM history to land first place, and thanks for the wonderful music!
Hot damn, this is one of my favourite tracks of the whole contest. You played it pretty safe by going back to your track that had the most success this year - your Round 3 track - and making something in a similar style, but this time I think you nailed it even further. That melody is brilliant, and I cannot overstate this. It's catchy, it's memorable, it's fun, and it has a super nice modulation to the aeolian mode at the end of it. Synths/sounds are, once again, impeccable. The sawtooth synths you used for the lead sound are especially good. Again, the vibrato and pitch bending you put on them just quadrupled their enjoyment factor. Sick reverse kick at 1:40 too!
I listened to this track and bassfiddlejones/joshgawaldo's track at least 15 times each, and finding issues in both of them was a nightmare. I mean really, the only thing I can point out is that the ending is abrupt and lame. And that bloody air horn, man. Was so tempted to dock a point for it. It gave me the fright of my life the first time I heard it with headphones on, while walking to uni. I nearly mlg360noscope'd my underwear.
Honestly, this is beyond fantastic. My favourite track from you this contest, although you've been keeping a VERY strong pace throughout. The final matchup could've gone either way. So yeah, thanks a million for taking part, posting such awesome music, and providing many donks and ":v" faces. Congrats on the second place!
it's been real. and hey, thanks for judging!
This is NGADM Round 4 Review.
It's a shame that we never quite heard a proper collaboration between you two, but both of you have individually created some truly spectacular pieces, with this being no exception. The composition in this is nothing short of breathtaking. You took an era/style and captured it so beautifully, with suitable instrumentation, tasteful harmonies, gorgeous melodies, smooth flow, and a thoughtful and sensible compositional structure to boot. As always, your samples and usage thereof is flawless. The portamento on those strings is expressive and fitting. Oh, and I just wanted to highlight 1:07 in this track, which is one of my favourite parts. The transition leading to it was brilliant, and the texture you create with the gentle harp noodling in the background is wonderful. When you highlight the melody at 1:28 with those warm strings I got chills. Really, this is excellent stuff.
Sorry to repeat what others have said but yeah, the only reason I docked 0.3 would be production value. It's not bad by any means, but I agree completely with MetalRenard that the frontal strings were a bit too dry. There's also some weird glitchy stuff going on with the note release now and again, but I know you're aware of that and didn't lower my score for that.
It's a breathtaking cinematic piece that truly pays respect to the 70s Hollywood era. Incredible work on this. In other circumstances this would be an easy matchup winner, but unfortunately your opponents churned out one beast of a track too, which is why this just about didn't make the cut. Still, it was great having both of you around for the contest.
This is certainly quite a departure from the kind of music you've submitted so far. Despite this new, decidedly more kawaii approach, there's still a lot of the stuff that bore such sky-high scores from me in the past, such as the clear, punchy production value, fantastic choice of synths, and highly melodic content. You've got some neat vocals, a solid structure, fantastic mixing, and excellent sound design. It's really solid stuff.
My main issue is that this isn't quite as novel as I would've hoped it to be. The main melody can get a bit crass and obnoxious, and there wasn't really enough variety and novelty to make this live up to your previous submissions. I was personally really happy to hear that trademark synth solo of yours, since it was a brief respite from the cheesy pop stuff, and was more akin to your previous work. Not that I didn't enjoy the rest of the song, but I think a lot of the "wow factor" of this track comes from that solo haha.
Anyway, still an awesome submission. Good luck in the finals!
This is an NGADM Round 4 Review.
When I saw that you two were paired against SoundChris and JacobCadmus, I knew that, given the stupid amounts of musical talent you all have, either group would have to churn out a true masterpiece to beat the other. This is a true masterpiece, deserving of probably one of the highest scores in NGADM history.
You weren't lying when you said that this was in a different vein from the other content you two have created during the course of this contest. Not only is the genre different, but even the entire approach. If I didn't know any better, I would have not guessed that this submission was made by the same people who made your previous submissions. This is a lot more "grounded" in its structure, in that it doesn't veer off into crazy time/key signatures and totally new and distinctive sections like your other stuff does. There's also, of course, the usage of vocals, which is a new addition to your NGADM 2015 repertoire. Despite this completely new direction, you still excel, dare I say even more than you've excelled in past submissions.
The melodies and chords are so memorable and likeable. Probably one of my favourite things about this track would be how solid the composition is. Another one of my favourite things would have to be the performances. I knew your (talking to bassfiddlejones) wife had a scary good singing voice, but what I didn't know is that you were hiding an awesome singing voice all this time yourself! All the singing is fantastic, really. The parts where a bunch of vocals come in sound incredibly full and warm. And Josh is really shredding it on that banjo, wow.
Of course, there was also a bunch of other stuff I enjoyed, such as the switch to double time, the lyrics, the production, the sound of that percussion, and so on, but to avoid this review getting too long, let me just get the nitpicks over with. I think the vocals are too mid-heavy, and some of the mixing and editing on them was a bit wonky (such as 2:03's voice being too distant in the mix or some parts being out of sync). One stylistic complaint is that I really would have liked to hear an instrument solo here. This is more personal preference than a legitimate reason to dock some points, but I did find myself hoping to hear some killer banjo riffs take the spotlight around halfway.
Anyhow, you've well and truly blown the judging team away. Fantastic work to all of you. The question is, how will you top this for the final round?
Step! Thank you for the wonderful review - we are tickled that you guys enjoyed this song so much. Hopefully much more to come for Newgrounds!
Agh, I hate it when you submit short/unfinished stuff like this. I can definitely empathise with you on the writer's block/technical issues (to be honest, those are the main reasons why I don't think I'd take part in an NGADM if I weren't busy hosting it haha), but at the same time it's certainly a disappointment to see all that wasted potential, especially after the beast of a track you churned out for the last round.
Having said that, it'd be a heresy to leave this unfinished. There's an unexpectedly large amount of atmosphere in what you've presented here, no doubt thanks to your copious use of reverb/delay. The sounds/synths in particular are all extremely pleasant to listen to, and on top of that the production has to be some of the tightest you've given us so far! The part at 0:30 sounds so crisp, and that bass in particular is absolutely great. Melodically, this also doesn't fall short, but it's essentially a set of rhythmically-similar melodic phrases repeated a bunch of times. It definitely lays the foundation for a ton of awesome melodic development, though!
I've run out of things to say for this. It's unfinished, no doubt, and, as much as I'd have liked to reflect a compensation for that in my score, I'm afraid I had to dock a lot of points. Make no mistake that this is the start to something great, but it has a way to go before it gets there. Either way, it's been a pleasure having you in the contest!
Hey aliaspharow! This review is WAY overdue. My apologies; I left it out accidentally and only now did it hit me that I have yet to review this.
Anyway, onto the review. I have to say; way to go for totally upping your game! This is my favourite track from you so far this NGADM. It's got all the qualities I enjoy about your music, except now they're presented in a super coherent and perfectly-structured ~4 minutes of earcandy heaven. Seriously, this sounds so much more like a finished and thoughtfully-structured track than your other NGADM submissions. Each section leads naturally to the next, and when we finish listening to the track, there's a feeling of satisfaction and conclusion, which is certainly a mark of a well-structured piece of music. Of course, on top of that, you keep up your pace of stellar production and beautiful melodic content.
I actually don't have much to complain about in this track. It's a super solid submission with everything I look for in a drum'n'bass track. The sole problem I want to talk about lies within the second half of the track, which feels kind of static and unvaried. You lead up to 2:00 nicely, but after that the song stays at exactly the same energy level till the end. Another break before the final climax could fix this, or (preferably) you could've increased the energy levels even more, adding more layers of intricacy and melodic content.
All in all, this is impressive to say the least. Wonderful job on this!
SKYE. Holy crap I'm late for this review. Sorry about that! I forgot I hadn't sorted out all of my Round 3 reviews.
So, here's what I think about this track. First off, I need to commend you on those absolutely insane drums. It's times like this when your whole "write a whole song in one pattern" method shines, because the amount of variety, subtleties, and rhythmic changes in your percussion is beyond ridiculous, in a good way. Your drums are pleasantly stimulating and rewarding to follow, and even sound great, samples-wise! That extent of technicality and intricacy also carried over to your melodic stuff, which is, for all intents and purposes, an astoundingly enjoyable concoction of organised chaos. I especially love the melodic content you threw in during that acoustic guitar solo, which was an unexpected but welcomed veer into some surprisingly emotional and touching composition.
So this is definitely a fun listen, but I do have my issues with it, issues that were summed up pretty nicely by my fellow judges. I feel like there was more of a focus on technical appeal, and less focus on sonic/musical appeal. I'm not a fan of your leads, and I'm missing the crazy sound design that your other tracks excelled at. The melodies were certainly an engaging listen, but aside from that one acoustic guitar solo, none were all that memorable, and didn't communicate much to me beyond "look how technical I can be". This isn't as much of an issue as I make it sound, but certainly something worth mentioning.
Overall, you have a killer track here, as always. It's obviously a shame to see you go, but you put up one hell of a fight. Bravo, and thanks for all the awesome music!


Following on from the recent Government roadshows led by the Department for Business Innovation and Skills (BIS) which sought to outline the latest thinking with regard to the way the new Post-2013 EUi Structural Fundsi will work, Network for Europe recently organised a follow up event for the Voluntary & Community Sector in the North West.
The event gave information about the latest "state of play" with regard to both what the funds will seek to deliver and how this will be organised. A range of speakers mixed with participative workshops gave VCSi organisations in the NW the latest information on the funds and allowed them to have their say on the proposals.
This event precedes the period of formal consultation in the spring of 2013, by the Government, prior to discussions with the European Commission on the final details of the operational programmes governing the funds in England.


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Aiste Ptakauske
Chief Executive Officer of ETHNIC KITCHEN
I help people unlock their creativity so that they can live up to their full potential. I am a writer, director, producer, and performer who work across different media and continents. A winner of multiple awards, including a Fulbright fellowship and a Lithuanian national prize for the best fiction debut of the year, I had my plays presented at theatre festivals in Lithuania, Turkey, Russia, Estonia, and the USA. I published a collection of short stories and two best-selling novels, translated Leonard Cohen?s novel Beautiful Losers into Lithuanian, and directed the world premiere of site-specific concert opera Everardo II, King of Lithuania. Having earned my MA in Television, Radio, Film from the S.I.Newhouse School of Public Communications at Syracuse University (NY, USA) in 2010, I wrote for four television series, scripted Aristocrat of Ballet, a documentary for the Lithuanian National Television, as well as directed and produced Ethnic Kitchen, an internationally distinguished feature documentary about immigrant women in post-Soviet independent Lithuania. After working as a promotions producer, supervising producer, head of development, and head writer in Lithuanian narrative television for four seasons, I now own and run my own content production company The Ethnic Kitchen, which produces international interdisciplinary projects that use the media of film, music, visual and performing arts to raise society?s awareness to real daily instances of discrimination and oppression.


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EE completes rollout of 4G in Glasgow's subway stations
EE – part of BT Group – has installed and activated the Emergency Services Network (ESN) in Glasgow's Subway stations, connecting all 15 Subway stations. This 4G connection will be important when first responders reach the stage of transitioning to ESN.
Police, Fire and Rescue and Ambulance services will be able to, when they connect to the ESN network, transmit fast, safe and secure voice, video and data via the network, across all of SPT's 15 Subway stations. In addition to the stations, the ESN is also being installed in the Subway tunnels to further boost critical communications along the entire route, with these being activated in the coming months.
Coinciding with these major works, EE is also enhancing the ESN delivery with commercial 4G services, ensuring that millions of people in Glasgow can experience the benefits of being connected to 4G on their daily commutes.
The 4G coverage will allow commuters, visitors and other Subway users on EE's mobile network to call, text and access data, allowing access to social media and apps across the city's Subway stations. The work has been completed in time for COP26 which starts on 31st October, when thousands of people are expected to use the Subway to move between venues during the global event.
The ESN network will remain protected from the public 4G network, and communication between the emergency services will take priority over all other network traffic – even at peak times – so that the speed of first responders receiving important data is not impacted.
Stevie Espie, Chief Inspector Police Scotland said: "The deployment of 4G coverage and ESN within the SPT Subway system is vital for the emergency services in Scotland. ESN will allow emergency responders enhanced, priority-based access to their critical communications system, even in busier periods, whilst the use of 4G will allow the emergency services to deploy innovative, digital technology to deliver the best service to the public."
SPT Acting Chief Executive Valerie Davidson said: "SPT recognises the importance of good connectivity in our Subway system. We are delighted to see the installation of the ESN network which will be vital for emergency services colleagues once they are connected.
"In addition, as more and more people are using a smartphone, there is, quite rightly, an increased demand and expectation for good connectivity to be available everywhere as people move about during their day.
"Working with EE, we are now able to provide that service to them in the Subway. Being connected is essential to our customers, and we are keen to see the roll-out of 4G to enhance our passengers' experience on the Subway."
Richard Harrap, Managing Director, ESN, BT's Enterprise unit said: "Delivering the ESN to Glasgow's Subway stations will see a huge benefit to our emergency service responders, enabling them to transmit reliable and consistent digital communications across the 4G network and give first responders immediate access to life-saving information in live situations and emergencies."
"We're delighted that SPT Subway has also agreed to us opening up the commercial services within the stations which will not only help emergency services but also support the public, allowing travellers to use the video, voice and data services that they love."
As well as expanding 4G into the Glasgow Subway stations, EE has also extended coverage across Scotland, especially in rural areas. According to Ofcom's Connected Nations report, EE has around 10% more geographic mobile coverage in Scotland than any other provider. Moreover, EE has already upgraded more than 19,000 of EE's existing UK mobile sites to 4G to support the ESN network.


•	Dwayne Mitchell hosts the Blue Monday Jam at the Blue Room at 18th and Vine from 7:00 – 11:00.
•	The Phoenix at 8th and Central has A la Mode from 7:00 – 11:00.
•	Californos at 4124 Pennsylvania has saxophonist Steve Lambert from 7:00 – 10:00.
•	The Phoenix at 8th and Central presents Eboni Fondren from 7:00 – 11:00.
•	The Phoenix at 8th and Central has Lonnie McFadden at 4:30 followed by Nick Schnebelen from 9:00 – 1:00.
•	The Blue Room at 18th and Vine has kkfi's own Jazz Disciple Saturday from 8:30 – 12:30.
•	The Phoenix at 8th and Central has a jazz brunch Saturday with Alex Abramowitz and the swingin' Kansas City Fives from 10:00 – 2:00. Tim Whitmer appears at the Phoenix Saturday from 4:30 – 8:30 followed by the MGD's until 1:00. Sunday Millie Edwards and Dan Sturdevant play the Phoenix Brunch from 10:00 – 2:00.