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I Only Made $300,000 In My Criminal Career; I Became Rich Hawking Sneakers, Clothes From My Car Boot, Others, Says Hushpuppi
Hushpuppi says I Only Made $300,000 In My Criminal Career; I Became Rich Hawking Sneakers, Clothes From My Car Boot, Others
Popular internet fraudster Ramon "Hushpuppi" Abbas, in a final attempt to reduce his jail sentence, has appealed to Judge Otis D. Wright, claiming he made only $300,000 from his involvement in the crimes he has been tried for.
In a handwritten letter addressed to Mr Wright and filed on Friday at the United States District for the Central District of California, Mr Abbas noted his humble beginnings as a salesman.
"I started business over 25 years ago, trading and selling sneakers and clothing in our then neighbourhood and went from selling clothes out of my car trunk to owning my own boutique across my city and beyond under my company, MONEABBAS NIG LTD," Mr Abbas wrote.
In the four-part letter, Mr Abbas said he joined Instagram in 2012 to share his style online. He noted that his business had gotten successful and had expanded into "luxury fashion, real estate, automobile sales and entertainment deals."
ALSO READ: BREAKING: Man Arrested With 8 Guns In Abuja Motor Park -
In July 2021, Mr Abbas pleaded guilty to multimillion-dollar fraud charges as part of a plea bargain he entered with the U.S. authorities. Intelligence agencies recorded multiple crimes, including money laundering, cyber fraud, hacking, criminal impersonation, scamming individuals, banking fraud and identity theft committed outside the United Arab Emirates.
Mr Abbas has been in custody since his arrest in Dubai and transfer to the United States in June 2020. In the letter, Mr Abbas claimed he was tortured at the time of his arrest, and he has Post Traumatic Stress Disorder (PTSD) due to it.
Mr Abbas apologised to the federal judge for his crimes, saying he would use his personal funds to pay the victims.
"Your honour, I totally recognise the seriousness of my offence, and no amount of sorry can write(sic) my wrong in the hearts of the victims, and this is why I have decided to use my personal money to offset all of the entire $1,700,000 restitution even though I only benefited a fraction of $300,000," Mr Abbas wrote.
Lead prosecutor Khaldoun Shobaki argued that Mr Abbas should also be asked to pay $1.7 million in restitution, $500,000 in fines and $100 in administrative fees.
ALSO READ: Screenshot: Sylvester Oromoni's Sister Shares The Message She Received From One Of The Alleged killers Of Sylvester
On Friday, Mr Wright reversed an earlier decision and denied Mr Abbas's requests to view case files of the Juma case, where disgraced police officer Abba Kyari was an accessory to the crimes committed. A request to reschedule the sentencing date from September 19 to November 3 was also denied.
Mr Shapiro argued that Mr Abbas would be unable to prepare for his sentencing hearing without all the documents relating to the Juma case, where Mr Abbas and Kenyan national Abdulrahman Imraan Juma conned their victim into paying $330,000 to fund an "investor's account" to facilitate a $15 million loan.
Disgraced police officer Abba Kyari had been indicted in the Juma case by the government's investigation, named among five of Mr Abbas' co-conspirators in a $1.1million fraud charge.
Mr Abbas had hoped to reduce his impending jail sentence from 11 years as suggested by prosecutors. He had employed the services of Washington-based top criminal defence attorney John Iweanoge, but Mr Iweanoge's application to practice across state lines was struck out from court records over inconsistencies in the filing.
TagsCriminal Career Hushpuppi
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Babies Everywhere, but Not for Us
CreditAnna Parini
By Danielle Moylan
KABUL, Afghanistan — It was about a month ago that I realized I may never have children.
I was sitting next to my husband at a small in vitro fertilization clinic in Istanbul, the kind entirely decorated in different shades of cream. We had already had three failed I.V.F. cycles, but we were hopeful and happy. In Afghanistan, where we live, there is no I.V.F., and with our modest incomes it seemed like a blessing to have affordable reproductive treatments a five-hour flight away. Between injections and consultations, we wandered by the Bosporus, holding hands and tearing apart fish sandwiches, as though on vacation.
The doctor, a handsome man with a shock of white hair, walked up as I was thumbing through one of the few books in the waiting room, "Infant Massage: A Guide for Loving Parents." I expected to be ushered into the surgical quarters for the final stage of I.V.F. treatment: Since their extraction three days earlier, my eggs, fertilized by my husband's sperm, should have divided into cells ready for transfer back into my body. The doctor's solemn greeting told me instead that in a petri dish somewhere in that clinic, my eggs had refused to do anything at all.
More than two years earlier, my husband and I had sat in our high-walled garden in Kabul, fingers entwined, and decided that we wanted children. It had not been an unqualified yes. We had debated if it would mean too fast an exit from our new home in Afghanistan: My husband was a journalist, as was I, sporadically; the story was fresh, and other work hard to come by. We often traveled together and would ruminate over how a child could fit into our lives and how much of what we loved we would have to give up.
But the idea of a baby took root, irreversibly. Children are plentiful in Afghanistan — the average birthrate is about five per woman — and in this country mired in war, they have repeatedly stunned me with their ability to conjure joy. I have marveled at a giddy 3-year-old unaware of the enormity that her leg had been lost to shrapnel and at two teenage girls in a ramshackle school who said they wanted to study astrophysics.
We named our baby — Ramona, for a girl; Billy, for a boy — and when Afghans asked me, as they almost always ask, if I had children, I would smile and say, hopefully this year. They would nod in approval and respond, Inshallah.
During two years of increasingly invasive medical intervention, I saw not failure, only challenges. Reproductive medication like metformin and clomid did not work; neither did timed sex, two surgeries, two intrauterine inseminations and three rounds of I.V.F., for which we had to fly to another country. As we dug into our savings, spending $10,000, then $20,000, then more, I became increasingly dedicated. I gave up coffee, declined alcohol, submitted to acupuncture and took daily a range of vitamins sold on websites picturing babies wrapped up as presents.
To be infertile in Afghanistan has been difficult. One intrauterine insemination, which we tried before I.V.F., was canceled when the most reputable clinic in Kabul forgot to order a catheter. Looking sick with guilt, the gynecologist finally broke the news to us after we had waited three hours at the clinic. I howled in the waiting room, clutching my husband, as the heads of pregnant Afghan women and their husbands bowed around us, uncomfortable with seeing a married couple touch in public.
But at least in Afghanistan, we earned enough and lived cheaply enough to afford treatment in Turkey. Had we lived elsewhere — like in my native Australia — we might have gone into debt for it.
I.V.F. is a remarkable medical innovation, responsible for more than five million babies since it was pioneered in the late 1970s. But its success has been oversold, and in my experience the professionals involved rarely articulated the high probability of failure. This is perhaps out of a benevolent desire to maintain patients' hopes. It is also likely because of the mass commercialization of I.V.F. Rather than being told the truth, I was sold a fertility fantasy.
Our I.V.F. clinic in Istanbul had said our chances of pregnancy were good. I began treatment at 36, and fertility typically declines at that age, though not as much as is popularly thought: According to at least three recent studies, women ages 35 to 40 have around an 80 percent chance of getting pregnant naturally.
Everyone I knew seemed able to relay an I.V.F. success story. And we were healthy, nonsmokers. We asked about living in Afghanistan as foreigners; our doctor said stress has never been proved to inhibit pregnancy. He told us that I.V.F. might not work the first time, but that it often did on subsequent attempts.
What he never told us was that for most women, I.V.F. fails more often than it succeeds.
For such a common medical procedure, statistics are hard to find, difficult to understand and flawed, sometimes even excluding women with the poorest prognoses. One of the more comprehensive reports I found was from the Australia and New Zealand Assisted Reproduction Database. In 2014, it found, I.V.F. cycles in which women used their own eggs had only a 20 percent chance of resulting in the birth of a baby. In my age bracket, 35 to 39, there was a less than 18 percent chance of success. For women between 40 and 44, the odds were under 7 percent.
I.V.F. clinics and associations often claim higher, misleading figures. They publish results for I.V.F. involving donor eggs and surrogates, which often have better outcomes, particularly for older women; or pregnancy rates, rather than birthrates; or figures based on embryo transfers, ignoring that some women who start I.V.F. cycles — myself included — may not have any suitable embryos to transfer.
In any case, statistics are just averages, and we relied on our doctor to be our best resource. After he broke the news of the fourth I.V.F. failure, simmering from grief, I dismissed his usual anecdotes of past miracles. I demanded answers, facts. When pressed, he delivered them: From our initial tests, some nine months earlier, he had estimated we had only a 10 percent chance of having a baby through I.V.F.
"And now?" I asked, my voice rising.
"Less than 10 percent," he said, peering at postcard-size scans of my womb — misshapen triangles of dark static — neatly clipped to a light green folder.
"Five percent? Seven percent?" I shrieked.
"A slim chance."
When to stop trying is a formidable decision to make. In the past month, I have grieved for a child who has never existed, and then, remembering I have a friend who had a stillbirth, have felt ashamed of my self-indulgence. I also have thought of the Afghan woman I met who, unable to have children, sat silent over the evening meal as her family discussed how long her husband should wait until he took a second wife. I may be infertile, but I am fortunate, and remain deluded: Our chances keep getting thinner, but the sliver of possibility still seduces me.
This piece originally appeared in the Opinion section of The New York Times.

redpajama_set_name: RedPajamaCommonCrawl


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This was a big week in my Operation Melt journey on many different fronts. It kicked off last Sunday with setting a personal record in a 5K race, included a 3-month check-in on non-weight measurements, featured the launch of my book and a big confidence-builder run. Plus my weight started getting back to normal after being elevated during the previous week which makes me happy.
Speaking of things that make me happy, this week was also our annual March Madness Vacation. For years Liz and I have taken the first two days of March Madness off of work and spent four solid days watching basketball together. We watch it at home and we go out to restaurants and bars and watch with other fans and some of our friends. It is a ton of fun but can also turn into unhealthy decisions.
Fortunately I was able to avoid letting my vacation time become a fitness setback. How did I do it? I followed my own advice. In November I shared a Healthy Hack that I called Pay Yourself First where I talked about how to approach "bonus" days or vacation days. This is the approach I followed during these four days off and it worked well.
After a year of writing, editing, revising and preparing, my book finally launched this week!
On Wednesday I officially launched Operation Melt: How I Used Life-Changing Project Management to Lose Over 100 Pounds in Under a Year on my website. My plan is to start with selling the eBook on my website for a few weeks and then I will expand to iBooks and Amazon. I am also planning, depending on interest and feedback, to release a second edition this summer as both an eBook and a paperback.
I wrote this book because I wanted to tell my story. My hope is that I can help people accomplish their big goals by using project management. We all have the power to choose to become the people we want to be, we just need some structure to make it happen.
After last week's big anniversary of my 100-pound weight loss milestone this week brought another anniversary. This week was the one-year anniversary of starting to work with my personal trainer Teresa Moore and The Fitness Loft. For the past year we have worked together weekly to take my fitness journey to the next level and to look past the weight loss.
In honor of our training anniversary Teresa wrote a very kind Instagram post about our journey. Click on the photos in the slider below to read full size.
Most importantly the training is working! I can do things now that I couldn't do when we first started and I am seeing the results.
The data is also telling the story of the progress – as you know that is critical for me! This week we did our third round of body measurements. Specifically we measure my body fat percentage and the size of my biceps. As I talked about in my post in December I had already made some big progress with these numbers. So how much more progress could I make in just 3 months? The answer: some.
In the three months since my last round of measurements my body fat percentage remains unchanged at 12%. This number probably won't decrease much more but staying the same is a big victory. My weight has ticked up a couple of pounds but my body fat percentage has not. This means that my weight is coming from another source – muscle. This conclusion was reinforced by the numbers as my biceps have increased a half inch in just 3 months. This is pretty quick growth and I am excited to see where I am 3 months from now.
Finally this week I had a pretty important run. As you know I have been preparing for the Cap City Half Marathon that is coming up at the end of April. While I have completed a half marathon before, I had some anxiety about my readiness for another one. This weekend that anxiety was erased by a big confidence builder.
On Saturday I went for a long, chilly run with a plan to push myself to run ten miles or so. I wanted to try out my new marathon pacing strategy where I plan to run 2 miles at about a 10-minute per mile pace followed by a half-mile walk. By adopting this approach I hope to maintain my energy and momentum and to improve my time from my first half marathon.
Instead of running 10 miles on Saturday I ran 13.1, I ran a spontaneous half marathon. I ran from German Village to Ohio State University. I ran a lap around the "horseshoe" or Ohio Stadium and I ran back via the Scioto Trail. I maintained my pacing strategy the whole way and it seemed to work well right up to mile 12. In the 12th mile I was out of gas. I was exhausted. It was a complete mental struggle to keep myself going and, especially, to keep running. But I did it, I finished and finished with a run not a walk or the crawl I felt like doing.
For the Cap City I set a stretch goal for myself. I want to do better than the Columbus Marathon but my stretch goal is finish in 2 hours and 30 minutes. That is a 10% improvement in my time after just a few short months and winter months at that – meaning I wasn't running outside very often.
This weekend's run was not planned to be a half marathon. I did not plan my nutrition for a long endurance run and made some bad choices the day before. I also wasn't on a closed course so I had to stop for traffic lights and such. There were also a few stops for picture-taking along the way which isn't something I do during a formal race.
I hit my stretch goal despite all of the factors that made it harder to do so. Based on this accomplishment I am completely ready for the Cap City Half Marathon and my anxiety is gone. There is nothing like a big accomplishment to boost confidence!
The only negative part of my run is that it was very rough on my body. I have more pain and exhaustion after this weekend's run than I have after any of my other runs of this length. This week is absolutely going to need to be a recovery week. That all started by feeding my recovery on Saturday by consuming 4000 calories!
Thanks for reading and stay tuned for the big announcement this week of my book!
I have written many times about how my brain works. In Gallup StrengthsFinder am high in the "achiever"so I like to have a continuous stream of accomplishments. I am also high (my top strength) in "competition" so I like measurable performance and to know that I am doing better than my competitors even if that just means me. My high achiever and high competition strengths mean that I love finish lines! And I had a couple of big finish lines this week plus I celebrated the one-year anniversary of crossing my 100-pound finish line!
Today was race day for me and I ran the Scioto Miles 5k with my buddy Steve.
Scioto Miles is a series of two races over 3 weeks on the Scioto Trail in downtown Columbus. You choose between a 5k, 10k or 15k distance for each race which basically translates to how many laps you run on the 5k course. I chose a 5k for both races but I may move to 10k or 15k for the second race because it is just 20 days before the half marathon.
This morning's race was very cold, started at 25 degrees when I left the house. I usually don't run my best when the temperature is under 30 so I was a bit concerned. Also the course has tons of elevation so we ran uphill a lot which is also not my favorite. But if you wait for conditions to be perfect you never leave the couch.
Right as the sun came up over the downtown buildings we were off. I tried hard to hang with the 9-minute pace group because that is pretty much my top speed for distance running and that would be faster than my personal best to-date. My best ever distance run was the Jingle Bell Run at the start of December in pouring rain .
I stuck with the pack and crossed the finish line with a new personal record… kind of. My total pace time was one second faster than in December but my total run was longer. Turns out the course was just over 5k by a few yards. But I am calling it a record.
The best part of this race is that race season is here! I had today's race, the next one on April 7, the Cap City half marathon on April 27, my Operation Melt 5k in mid-June, the Indian Lake 5k on the Lake in early July and so on. I still need to find a run in May but that isn't hard to do. At least 10 more finish lines yet to come!
My book, Operation Melt: How I Used Life-Changing Project Management to Lose Over 100 Pounds in Under a Year, is done!
After working for the past year on planning, writing, editing and finishing the book, it is finally done. It will launch this week starting with an invitation only soft launch today.
My plan is to sell the eBook in ePub format on my OperationMelt.com website only for a few weeks. Then I will expand the eBook to both ePub and Kindle format and sell through the major eBook marketplaces (Amazon, iTunes, etc) for a few months. Later this summer I will launch a second edition in both eBook and print format. But please don't wait for the print version as it will be more expensive.
I am pretty nervous but here we go!
In last week's blog (link) I talked about the ups and downs of data. Well that issue continued this week. My weight remained a rollercoaster and I was often at 200 pounds, then I dropped, then I spiked and it was maddening. Oh well, that is just what happens when you are at you low weight.
I have lost 100.2 pounds since 6/15/2017 – that is less than 9 months! As most of you know, my goal was over 100 in under a year and I did it in far less time.
I didn't really know how I would feel the day I hit my goal. I can tell you that my first feeling was utter surprise. I expected to have lost a bit since yesterday, but honestly thought I wouldn't be past the 99 pound mark. So, it was a huge shock!
So much has changed in my life through this journey and since hitting the 100-pound mark. I am so happy I did this and can't wait to celebrate this anniversary today.
In a very short time, a matter of days really, I will be launching my book Operation Melt: How I Used Life-Changing Project Management to Lose Over 100 Pounds in Under a Year. The good feelings that I feel after achieving this milestone are why I wrote my book. I want to help other people feel this way after achieving their big goals.
Thank you so much for continuing to follow my journey and for supporting me along the way. While my weight loss journey is over my fitness journey and my life journey is just getting started.
I am more powerful and capable than I ever thought!


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A 152-es típus négyhajtóműves, felsőszárnyas utasszállító repülőgép, melyet a Drezdai Repülőgépgyárban fejlesztettek ki. Két repülőképes prototípus készült. A fejlesztési programot 1961-ben leállították, a gép sorozatgyártására nem került sor.

Története

A második világháború után a szovjet megszállási övezetben maradt német repülőgépgyárak szakemberei a szovjet megszálló hatóságok felügyelete és irányítása alatt folytatták a megkezdett repülőgép-fejlesztéseit. A Dessauban működött Junkers üzem mérnökei Brunolf Baade vezetésével dolgoztak. Később a német mérnököket átköltöztették a Szovjetunióba, és Baade vezetésével létrehozták az OKB–1 tervezőirodát, amely főként a Junkers kísérleti sugárhajtású bombázóinak továbbfejlesztésével foglalkozott. Ennek eredménye a 150-es bombázó repülőgép volt.

Az NDK kormányának kérésére az OKB–1-ben elkezdték egy 72 személyes utasszállító repülőgép tervezését, amelynek alapja az OKB–1 tervezőiroda 150-es típusú bombázója volt. 1956 májusában az OKB–1-t felszámolták, és a német szakemberek visszatértek az NDK-ba, ahol folytatták az utasszállító fejlesztését. Három prototípus építését tervezték, különböző aerodinamikai elrendezéssel és konstrukciós kialakításokkal.

Az első prototípus tandem elrendezésű volt és a támasztó futók a szárnyvégen voltak. A hajtóműveket a szárny alatt lógó gondolában helyezték el, ez a keleti blokkban szokatlan kialakítású volt. Ennél a korát megelőző hajtómű-elrendezésnél a lelógó hajtómű nem zavarta a szárny körüli áramlást. Az összesen négy gázturbinás sugárhajtóművet párosával helyezték el  hajtóműgondolában. A gép modelljét a CAGI szélcsatornájában is vizsgálták.

Hajtóműve a második világháború alatt Dessauban kifejlesztett Junkers Jumo 012 továbbfejlesztésével kialakított Pirna 014 gázturbinás sugárhajtómű volt. A hajtómű fejlesztésénél jelentkezett nehézségek miatt az első prototípus berepülésének idejére a Pirn 014 nem készült el, így a gépbe a szovjet RD–9B gázturbinás sugárhajtóművet építették.

Az első prototípus 1958. december 4-én emelkedett a levegőbe DM-ZYA lajstromjellel. Ez volt az első német (akkor NDK) sugárhajtású utasszállító repülőgép.

1960. augusztus 26-án repült a második, DM-ZYB lajstromjelet kapott prototípus. Ennél megszüntették az üvegezett orr-rész és kényelmesebbé tették az utasteret (csak 57 személyes volt). Az első prototípustól eltérően hárompontos, különleges kialakítású futóműve volt. A négykerekes főfutók számára a két hajtóművet befogadó gondolában alakítottak ki helyet.

Egy harmadik prototípus is készült, ezt a földi statikai tesztekhez használták.

A gép sorozatgyártását 1961-ben indították volna, de még ugyanabban az évben leállították anélkül, hogy újabb repülőképes gép elkészült volna. A Szovjetunió visszavonta a korábban jelzett vételi szándékát, és más légitársaságok – így a keletnémet Deutsche Lufthansa és a magyar Malév – sem rendeltek a típusból.

A gép történetéről a DEFA stúdió játékfilmet készített Szárnyas emberek címmel.

Utasszállító repülőgépek
A Német Demokratikus Köztársaság gazdasága
Német repülőgépek

redpajama_set_name: RedPajamaWikipedia


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BlueBelt + Grand River
Conservation and Stewardship
BlueBelt + Grand River Conservation and Stewardship
The Haldimand Tract is 950,000 acres or 3,844 square kilometers. The Grand River watershed is the largest inland river system in Oniatarí:io (Southern Ontario). It has a total area of 6,800 square kilometers.
Land conservancies, also known as land trusts, are community-based, nonprofit organizations dedicated to the permanent protection and stewardship of natural and working lands for the beneficiaries and public good.
Land conservancies are positioned to act swiftly and professionally to help landowners and communities protect the endangered places important to us all—open spaces that define our sense of place, connect us to the natural world, and provide real services such as water quality protection, wildlife habitat, outdoor recreation, and agri-sources of food and timber.
How does a Land Conservancy Work? Land conservancies are suited better than any other organization to safeguard Grand River's natural beauty and the conservation values of our most important lands. To do this, land conservancies use the following suite of tools to protect and steward land forever:
Nature Preserves or Sanctuaries – Haldimand Tract Lands are acquired through reversion, repossession and expropriation, donation or purchase to be used as a nature preserve or sanctuary. Often, these lands are open to the general public to visit and enjoy.
Conservation Easements – A voluntary legal tool that allows the land to remain in private ownership but permanently limits development to protect the conservation values of the property.
Government Assists – Conservancies often help local communities or the Mohawk University acquire public parkland and open space. Assistance can range from grant writing support to leading fundraising campaigns.
Stewardship – For the lands that are owned and managed by conservancies or for the conservation easements they hold, stewardship is the term used for ongoing management and monitoring to protect the conservation values of those properties.
Education – Whether providing education to landowners about conservation options or engaging community members in the stewardship of natural areas, conservancies educate people about the values of the natural environment.
Support BlueBelt + Grand River
Make a gift today to help protect nature and endangered open spaces in our very own community. Find out about the different ways you can donate.
Help provide sustained support needed for ongoing conservation support.
Help provide services with your talents, time and generosity.
Protect Our Land
Help protect and preserve our properties while working outside.
BlueBelt + Grand River, The Haldimand Tract Land Trust Conservancy is commissioned by The Mohawk Charitable Foundation for Grand River and learning organization ("Mohawk University"). The first charitable foundation to be formed under the jurisdiction of the Mohawk Nation of Grand River Country. The Trust is managed by Mohawk University for the benifit of the U.E.L. Mohawk Descendants.


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text:
S.S.P. CHAWRASIA
Meet S.S.P.
Calcutta, India Place of Birth
5′ 4″ (165cm) Height
Music, movies Interests
Royal Calkata GC Attachment
2014 Qualifying School
Made European Tour history in 2008 by becoming the first player to win on his maiden appearance as an Affiliate Member when he triumphed on home soil at the inaugural EMAAR-MGF Indian Masters at Delhi Golf Club.
All four of his European Tour victories have come in India, winning the 2011 Avantha Masters, before successive triumphs at the 2016 and 2017 Hero Indian Open.
His career was inspired by his father's role as a greenkeeper at Calcutta Golf Club - aged ten, he used to practise by sneaking onto the historic course, believed to be the oldest outside Britain.
He subsequently became a caddie, before embarking on a career which now sees him divide his time between Europe and Asia.
His initials stand for Shiv Sankar Prasad, although he is known as S.S.P.


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Home Technology Powering the Digital Revolution: National Urban League Devotes its Annual Conference to...
Powering the Digital Revolution: National Urban League Devotes its Annual Conference to Tech
Sergie Willoughby
TNJ Senior Editor Sergie Willoughby with panelists Calvin Cooper, Brian Dixon, Shauntel Garvey and David Hall
In a recent interview with Ray Miller, publisher of the Columbus & Dayton African American News Journal, National Urban League President Marc Morial addressed the digital revolution taking place in the world, and the imperative of Black participation. "It is changing every aspect of our lives. How we handle money; how we communicate; and how we procure health. It's changing transportation. Every element of our life is disrupted and changing. It is providing economic opportunities and jobs, and Black people have to be a part of that," he said. "No one is going to stop the digital revolution. We have to make sure the digital revolution is more inclusive going forward than it has been in the past."
Morial acted on those words in a big way by dedicating this year's annual National Urban League Conference to technology. Titled "Save Our Cities: Powering the Digital Revolution" and hosted by Columbus Urban League, Aug. 1 – 4, the conference was an amalgam of panels, plenary sessions, forums, hackathons, award galas, fireside chats, and a career and networking fair featuring recruiters from the nation's top companies across a variety of sectors. The Network Journal was among the estimated 20,000 attendees for the three days of "community, culture, connection and change" programming to improve the state of Black America. Below we highlight three of the featured panels.
Ctrl, Alt, Delete: Shutting Down Tech's Racial Gap. Moderated by Randal Pinkett, Ph.D., chairman and CEO of BCT Partners, this panel took no prisoners. Panelists spoke bluntly about tech companies bearing a fiduciary responsibility to stockholders to invest in diversity; large companies failing to make significant changes until mistakes happen (as in the case of ads by Dove and Pepsi), provoking negative backlash and loss of market share; brands missing revenue projections because they don't speak to diverse audiences; and an overhaul of hiring practices at tech companies.
VC 101: Attracting Venture Capital for Your Startup. Moderated by TNJ Senior Editor Sergie Willoughby, the VC 101 panel explained the ways of that esoteric, in-demand group of individuals we call venture capitalists. VCs are funding some of today's most successful startups, including those that are Black-founded. VCs are an elusive group. If you're ready to pitch and know how to pitch (half-stepping will get you sidelined), and if you have a hot, venture-backable business try to get a referral to meet one of them, or sharpen your networking skills and make friends with investors.
VC 101: Attracting Venture Capital for Your Startup
Black Ownership: Taking Our Power Back. Moderated by Laysha Ward, executive vice president and chief external engagement officer at Target, this discussion was a jam-packed showstopper for the sole reason that Richelieu Dennis and Essence Communications President Michelle Ebanks spoke about the rebirth of Essence magazine as a Black-owned company once again, thanks to an investment by Dennis' Essence Ventures LLC. "Since BET was sold, why have we not been able to get another one? Where are the Black-owned businesses of scale? That's our own fault," Dennis said. "A concern for Black entrepreneurs is their fear of being reliant upon Black people. We have to take back our ownership." With razor-edge honesty, Dennis enthralled women and men alike with his practical business sense and advice, and his plans to keep Essence competitive.
Why Invest in Black STEM Graduates: A Strategy for Future Economic Growth
Natalia Allen Delivers Fashion with a Sustainable Edge
Once the Queen of the Skies, the 747 Will Soon Be Just a Flying Truck
Golfing for geeks
Business Accessories for Smartphones: Do You Have What You Need?


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Tag: Scott Owens
Review – Shadows On Mercury – The Silence/The Flood
Shadows On Mercury is a Prog Rock studio project, based in West Yorkshire with Scott Owens, Charlie Bramald & Tim Lofthouse.
It all began during the Summer of 2020 whilst the world was in lockdown, prior to the formation of Scott's current band, Ghost Of The Machine.
Unable to rehearse or play live, Scott began work in his home studio, writing and recording an album of demo tracks, that had been weaving their way around his head for months.
After laying down the guitar and bass tracks, basic synths and drum programming, he asked his good friend Tim, from The Lowells, if he would like to put the keyboards and synths down for the project. Tim was onboard immediately, and his ideas and keyboard wizardry carried these songs, to another level completely.
After a few months of fine tuning the tracks, Scott knew he needed a vocalist/lyricist to complete his vision for this project. Enter Charlie, lead singer, and Scott's bandmate in Ghost Of The Machine. Charlie instantly gripped the direction Scott wanted to go with the music, and crafted stunning lyrics that brought both the music and concept of the project to life.
The two tracks, The Silence and The Flood, are the results. The plan is to release a few more songs throughout the year, but Scott's main priority is getting the 2nd Ghost album completed.
Now, as most of you know, I'm not one for reviewing single tracks but the strength of these two songs, and the fact that they are from the core of one of my favourite new bands of recent years, made me change my mind for once…
Charlie had this to say about The Silence, "I wrote the lyrics to The Silence based around the idea that the human race is utterly complacent about the end of the world. Nobody wants to talk about it, think about it, deal with it… as a population we're avoiding grappling with those big concepts and questions. It's much more comfortable to keep our attentions trained on trivial and more immediate concerns. I imagined it staying that way right up to the point that the sky is falling in above us! No panic, just… silence. Will we get what we deserve?"
Wow, what a track, the music is a perfect accompaniment to Charlie's meaningful lyrics, it's a dark, brooding song full of a pensive and thoughtful quality. The vocals have a musing and contemplative touch and Tim's elegant keys and synthesisers add a questioning feel. It's totally different to what the guys deliver in Ghost Of The Machine, more an elegant rock vibe than the harder edge progressive rock of GOTM and the amazing interplay between Scott's guitar and Tim's keyboards that closes out the track has to be heard to be believed, an utter monster of a track!
"The Flood is a reflection on struggling to process the guilt that led to a heartbreak, infused with bitterness and the destructive imagery of water – a recurring theme in this EP.", says Charlie, "This person is succumbing to the flood of negative emotions but clearly they have played their own part in what happened. Perhaps with a degree more self-acceptance they'll be able to tread water, or even reach dry land."
The Flood is almost balladesque in its feel, a heartfelt piece of music with a wistful and sombre touch. The floating, ethereal synths work perfectly in unison with Charlie's passionate and ardent vocal delivery. Tim's brilliant keyboards blend some Neo-prog with Scott's expressive & profound guitar playing. It's a beautiful track that took me back to the heydays of sumptuous and insightful songwriting and music that actually had meaning.
On the strength of these two tracks, Shadows On Mercury have a very bright future in front of them, this is music of the very highest quality and I cannot wait to hear more!
You can pre-save The Silence here ahead of it's 13th January, 2023 release:
The Silence by Shadows On Mercury – DistroKid
Posted on 11th January 2023 Categories Album Reviews, ReviewsTags Charlie Bramald, Ghost Of The Machine, Progradar, Scott Owens, Shadows On Mercury, The Flood, The Lowells, The Silence, Tim LofthouseLeave a comment on Review – Shadows On Mercury – The Silence/The Flood
Review – Ghost Of The Machine – Scissorgames – by Leo Trimming
'Scissor Games' is the debut album by Ghost of the Machine, formed when the majority of This Winter Machine split with singer, Al Winter, and joined up with Charlie Bramald, previously vocalist with covers project Harmony of Spheres. This Winter Machine had built a growing reputation with their first two excellent albums, 'The Man Who Never Was' and 'A Tower of Clocks' so it was rather a risk for most of the band to embark on a new project with a younger and largely unknown vocalist, even if he had once guested with them in their This Winter Machine days. Clearly the band name harks back to their former band, but as most of them originated in that band it's hardly surprising they chose a name referencing this heritage.
So, having cut that connection how have Ghost of the Machine shaped up on this debut?
Well, it's a genuine pleasure to report that Ghost of the Machine have produced an outstanding debut album which clearly has influences from the band's previous incarnation, but takes a rather different slant. ie This is not 'Son of This Winter Machine'! The core of that band had already become a polished outfit capable of producing classy rock performances with a progressive edge. Ghost of the Machine seem adept with different sounds and styles on this album. However, they appear to be going down a largely much more 'Prog' direction, particularly with the remarkable bookend epic Scissors pieces… but we'll come to that later. Charlie Bramald wrote the majority of the lyrics for this album and the rest of the band wrote the music and arrangements. He has shared that at least half the music was written before he joined them in January 2021, and most of the rest of it written by the summer of 2021. The band were very keen to ensure the album sounded right before it was put out, hence the time taken since then to get it recorded and eventually released.
Ghost of the Machine prove they can lay down a catchy and impressive rock song as Mark Hagan's mountainous synth chords and Stuart Mcauley's thunderous, but lithe bass line introduces the ear worm melodies and riffs of 80's style rocker, Mountain. This rollocking, rolling song conversely carries a sad tale of unrequited love as the protagonist eventually realises he may as well have tried to love an implacable mountain:
Just another fool who thought that he could move a mountain…
…I was holding on to a heart of stone that never loved me
Now I'm letting go even though it's killing me, It's killing me
The tempo and atmosphere change significantly with the much more contemplative Just for Reference, focusing on the gaslighting of abuse victims. Such a sombre theme is introduced on a stark piano and keyboards from Mark Hagan, joined by a softly chiming guitar riff. These are a soft bed for Bramald's initially melancholic vocals, which become increasingly impassioned as the song's subject realises who they once were and sees clearly once again. It seems clear that this is an album in which the recurring theme is people finding hope and redemption in their darkest moments. In a similar vein thematically, and with a similar musical restraint, is the later song Dead to Me, with lyrics written by guitarist Graham Garbett. This is an atmospheric, melancholic song showcasing Hagan's delicate piano playing and Bramald's emotional singing in an apparent poetic stream of consciousness without verse or chorus. It's clearly from the heart for Garbett, who has shared that 'It's about breaking free from something / someone in your past you no longer need, and the courage to take that risk no matter what the consequences'. An ethereal guitar line floats eerily above the haunting end.
The thread of redemption is also played out on the much more driven and energetic rock of January's Child, which was one of the first songs written together by Ghost of the Machine when they formed in January 2021, hence the title. Bramald has shared it is about how: 'January's Child undergoes a journey of self-reflection to overcome the trauma of a difficult adolescence and grow into the person they really want to be.' For me the jarring contrast between the upbeat feel of much of the music and the more sombre nature of the lyrics undermines the impact of this song. A more soulful piano led middle section is more engaging. However, the relentless, thumping finale and recapitulation of the opening synth riff feels rather incongruous and a little repetitive towards the end in all honesty. In an album of high-quality songs this is one piece which simply did not connect with this listener.
Mercury Rising picks things up considerably with an 8-minute slab of melodic progressive rock with a magnificent instrumental part one, which is apparently one of drummer Andy Milner's favourite parts of the album. Apart from the style of music we know we must be back in the 'Legendary Land of Prog' as this is a piece based on a poem by Roman poet Ovid about a river nymph, Larunda. Let's face it in this day and age, a band has got to have some real balls in 2022 to put out a song based on classical mythology!!
Bramald has explained: 'Mercury was tasked with escorting Larunda to the Underworld after Jupiter tore out her tongue for spilling his secrets. On the way, Mercury becomes infatuated with Larunda and attempts to woo the nymph. She finds herself caught between hell and a half-life, unable to speak a word of protest either way'.
I hope you were keeping up there! To be fair, Ghost of the Machine do a fine job with their very own 'Fountain of Salmacis', although this no copy of that Genesis classic. Garbett's and Owen's echoing guitars over a keyboard wash introduce a suitably heroic and evocative landscape. The keyboards and guitars combine well, like some sort of epic film theme, as the tempo and volume increase until Milner's drums and McAuley's bass drive this leviathan of a song headlong. Then Mercury Rising pulls back almost cinematically with a more reflective vocal soliloquy and gently lilting piano with definite echoes of one of Marillion's greatest songs, 'Incubus' (you may hear that band name again!😉) A delicate guitar line ascends and the tempo increases as a point of revelation is reached. The earlier musical theme returns in a rip-roaring finale and a sinuous synth line by Hagan snakes above the mayhem, with Milner in particularly powerful form on the drums. It's full on classy melodic Prog and a highlight of the album.
Before we come to the conclusion let's deal with two rather large elephants in the room for some:
Firstly, the 'schism' in the ranks of This Winter Machine, which led to the formation of Ghost of the Machine. I do not know the details behind that split, and I will not speculate. Indeed, frankly I am going to completely ignore that elephant – let's just take this album on face value on its own merits.
Secondly, there is the issue of the style of much of this album, particularly the epic album bookending Scissors suite. There is 'Progressive' as an approach to music, and there is 'Prog' as a distinct musical genre. The epic Scissors pieces, along with Mercury Rising, places this album and band squarely in the 'Prog' category, with a capital 'P'. Some may see that as a definite advantage and recommendation, whilst others may be wary or a little 'sniffy' about this adherence to a genre originated in the early 70's and developed in the 80's. We could have a long debate about it, obsessively inspecting our navels… or perhaps we could just enjoy the music?!
To get straight to the point, the Scissors suite is the undoubted highlight of an excellent album. Indeed, this suite could well come to be regarded as among the best pieces of 'Prog' in 2022. There are many Prog bands out there attempting to mimic the musical heroes of their youth, often unsuccessfully and frankly lacking sufficient spirit, skill, energy or class. Sure, the Scissors suite has distinct echoes and influences from earlier Prog generations, (and Marillion may well be consulting their lawyers if they ever hear this… but then again, the same was said of them about echoes of early Genesis back in their 80's heyday!) HOWEVER, Ghost of the Machine really pull off such a thrilling Prog tour de force on Scissors that you simply don't care whether you may have heard similar stuff before (you definitely have I can assure you!!). It doesn't matter – it really is that good.
The opening salvo with the definitely 80's Marillion-esque keyboard fanfare and towering drums, bass and guitar chords is a massive and enjoyable opening. Ghost of the Machine really know how to juxtapose power with subtlety, and they drop away to an interlude of Hagan and Bramald on piano and voice with McAuley's subtle bass, which gives the lyrics and storyline room to breathe. Apparently, bassist McAuley wrote the guitar solo at the end of the first section way back in the 90's and Graham Garbett skilfully realises that solo finally in 2022. Some things just take time.
Bramald's outstanding lyrics and imagery on Scissors are poetic and flowing, telling the dramatic story of how an abused woman eventually snaps and kills her abusive partner with the nearest sharp object – scissors. This is dark and thought-provoking material.
Flash a fistful of silver, you're the rock and I play the scissors
Cutting out the pages of my life for you to rearrange
All the threads exposed, tugging on the strings my nerves unfold
I'm a plaything, I'm a captive of the Puppet King
The music and lyrical imagery are perfectly intertwined, conveying the wretched emotions and unfolding drama from different perspectives, particularly on the remarkable 'The Puppet King' section, which brims with menace and vanity. Bramald has shared: 'An abuser's victims are not just their partners. They fool everyone around them. That's where the idea of the Puppet King came from; it's a title this character bestowed on himself out of sheer vanity, a belief that he's somehow godlike and above everyone – pulling the strings, if you will. But "Puppet King" regimes are also false and hollow.'
There will be inevitable and justified comparisons between Charlie Bramald's singing and wordplay with Fish of early Marillion, but there also distinct lyrical and vocals echoes of the harder edge of early Twelfth Night with the now sadly departed Geoff Mann – as a life long Twelfth Night fan let me tell you that's quite a compliment. Bramald's use of recurring and double edged images and symbols is clever and insightful. Bramald even gets to play a short flute passage in the instrumental passage of The Game, which clearly harks back to Gabriel era Genesis. Graham Garbett also plays a beautifully clean guitar melody over an acoustic guitar backing in this more contemplative interlude.
The drama and pace really pick up on the following short Fighting instrumental section with Hagan building a wall of keyboards as Scott Owens launches a stratospheric guitar solo over titanic drumming from Andy Milner – it really is a stirring passage. However, the real pay-off comes with the sudden segue into the sorrowful Shame section with Bramald's excellent and soulful vocal alone with Hagan's gentle piano, singing words which will go round and round your ears with their delivery and impact:
I'm fighting,
Against the strings,
I turn around and catch a glimpse
I see all the lives the Puppet King collects
I'm in a room filled with human marionettes
No-one dares to speak against a god,
I'm crying out but no-one will respond
The final Hope instrumental rises to a crescendo in a more positive way, until we are just left with Hagan's plaintive piano.
Scissors (Reprise) concludes this epic story, starting off more contemplatively in the first section Cut, with gently undulating piano, subtle drumming and bass with tasteful guitar lines supporting a softer vocal from Bramald. Ghost of the Machine also seem to know when to pull back and convey stories and emotions more subtly. The Wake short instrumental passage features a beautifully played Mcauley bass line in a keyboard and piano setting. The final triumphant Winner section is carried on a wave of flowing melodic progressive rock, and apparently Milner's expressive and joyous drumming inspired the 'Cry for Victory' verse. A scintillating guitar solo takes off over the furious but controlled drive of the band and they sweep onwards to the finale of a truly outstanding suite (yeah, I know I say 'outstanding' a lot – this time it's justified!)
Mark Hagan's excellent piano and keyboards are key to the Scissors pieces, as they are for the whole album. Alongside him the double guitar attack of Graham Garbett and Scott Owens excel, and throughout the album the interplay between keyboards and guitars is a joy. The Mcauley and Milner rhythm section are classy and precise in their intuitive approach to underpinning the songs. These skills are captured and conveyed sonically with some very fine production from Bob Cooper. The Scissors suite shows a band in perfect unison with words and music locked together, telling such a deeply meaningful story.
'Scissor Games' is a remarkable debut album. It clearly owes so much to earlier eras of Prog Rock but when it is done with this sheer amount of brio and skill, allied with powerful, impactful lyrics, then it is entirely valid and worthy as a piece of music and art. Many Prog fans will absolutely fall in love the style and emotional content of 'Scissor Games' which will very probably be rightfully be regarded as one of the best debut progressive rock albums of 2022.
That's quite enough from me, just listen to the music – Cut!
1. Scissors
I. Starting Line
II. The Puppet King
III. The Game (Instr.)
IV. Fighting (Instr.)
V. Shame
VI. Hope
2. Mountain
3. Just For Reference
4. January's Child
5. Mercury Rising (Pt. 1 & Pt. 2)
6. Dead To Me
7. Scissors (Reprise)
VII. Cut
VIII. Wake (Instr.)
IX. Winner
Charlie Bramald – Lead Vocals & Flute
Graham Garbett – Guitars & Backing Vocals
Mark Hagan – Piano, Keyboards & Mellotron
Stuart Mcauley – Bass, Pedals & Mellotron
Andy Milner – Drums
Scott Owens – Guitars
Released June 3rd, 2022.
Order from the band here:
Scissorgames: CD – Signed Pre-order – Ghost Of The Machine (ghostofthemachineofficial.com)
Or bandcamp here:
Scissorgames | Ghost Of The Machine (bandcamp.com)
Posted on 22nd May 2022 22nd May 2022 Categories ReviewsTags Andy Milner, Charlie Bramald, Ghost Of The Machine, Graham Garbett, Leo Trimming, Mark Hagan, Progradar, Scissorgames, Scott Owens, Stuart McauleyLeave a comment on Review – Ghost Of The Machine – Scissorgames – by Leo Trimming


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Xenomyia stuckenbergi är en tvåvingeart som beskrevs av Zielke 1970. Xenomyia stuckenbergi ingår i släktet Xenomyia och familjen husflugor. Inga underarter finns listade i Catalogue of Life.

Källor

Husflugor
stuckenbergi


This is not what we call progress. The gender pay gap is as prevalent as ever in South Africa, and the Global Wage Report for 2018/19 delivers some hard-hitting home truths about the problems women face in the workplace. On average, women make 28% less than their male equals.
We start by looking at the difference between an hourly rate handed to men and women in South Africa. Now, SA gets its own little sub-group – it's defined as a country with an "upper-middle income", and you can make of that what you will.
Since the beginning of 2017, the difference in the gender pay gap has fluctuated wildy. Almost two years ago, SA was heading in the right direction – with the sexes separated by just 10%. However, that figure almost tripled within a three-month period, to a little under 30%.
There was something of a recover at the start of 2018, but another damaging quarter means that the pay gap is back up to 22%.
However, perhaps the most shameful difference is how part-time female employees are paid in comparison to male counterparts. Mzansi is comfortably the worst for this in its own sub-group, but is also the second worst country surveyed for part-time wage inequality. Only Pakistan, with an eye-watering difference of 77%, beats SA.


Was Elijah Craig the First Kentucky Bourbon Brewer?
You are here: Home / Food History / Was Elijah Craig the First Kentucky Bourbon Brewer?
It is often claimed that Elijah Craig, a Kentucky Baptist minister who was involved in a number of enterprises, was the first brewer of what was to become Kentucky Bourbon Whiskey. However, none can bring forth any credible evidence that is contemporary with Craig. The true origin of Kentucky bourbon is shrouded in mystery.
Michael R. Veach explores the origins and development of bourbon in his book Kentucky Bourbon Whiskey: An American Heritage, starting with "Farmer Distillers and the Whiskey Rebellion" in chapter one, and moving on to the origin of bourbon in chapter two. Among other candidates, he mentions Evan Williams, another top contender for the first bourbon brewer.
Veach says that Reuben Durret first made this assertion in 1892, claiming that Evan Williams had brewed whiskey as early as 1783, and saying that Williams's whiskey "had been distilled from corn." However, hard evidence, a receipt of ship's passage, has Williams sailing from London to Philadelphia on the Pigoe in May of 1784. Also, other distillers had come to Kentucky earlier, such as Jacob Myers in 1779; and Joseph and Samuel Davis in the same year.
Depression. The myths surrounding bourbon are legion, but Veach separates fact from legend. While the true origin of the spirit may never be known for certain, he proposes a compelling new theory.
The memory of Elijah Craig, the founder of Georgetown, Kentucky. A philosopher and Christian – an useful man in his day. He established the first fulling mill, the first paper mill and the first rope walk in Kentucky. Honor to whom honor is done.
That Sanders, a distiller, does not mention the distillation of bourbon among these enterprises does not bode well for the claim that Craig was the first bourbon brewer, or even that he was a brewer of note. It suggests that whiskey distillation was a sideline or just one of many enterprises, but not a major one.
Whether Elijah Craig was the first bourbon brewer or not, this bourbon is definitely a bourbon to try before you die.
Veach also puts to rest legends of Elijah Craig having been the first to age his bourbon in charred barrels, a process used as far back as the Roman Empire and adopted in the fifteenth century by the French to flavor and color brandy and cognac. It has been claimed that Craig reused barrels that fish or nails had been shipped in, and charred their insides to remove any offending residue that would affect his whiskey. These barrels, Veach says, would not have been watertight, making them obviously unsuitable for aging whiskey. Another story has Craig making his own barrels from materials burned in the distillery cooperage. This makes no sense, since if barrel staves had been burned in such a fire, they would only be charred on one side, so would have been usable without Craig having to char them on the inside. Perhaps the best argument, though, is that someone of Craig's standing would have been unlikely to have invented this process out of the blue, and risked his reputation on whiskey aged in charred barrels if he had not already known of the efficacy of the process.
Small Batch and Single Barrel Bourbon: What's the Difference?
How Did Whiskey Get Its Name?
Why Do We Say a Fifth of Whiskey, Rum, or Vodka?
How Do I Store Liquors Like Whiskey, Tequila, or Rum? Do I Need To Do Anything Special?


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Алехандро Хавьер Фрессотти (; родился 15 февраля 1984 года, Монте-Буэй, Кордова) — аргентинский футболист, защитник клуба «Химнасия» (Хухуй).

Клубная карьера

Фрессотти начал профессиональную карьеру в клубе «Ланус». В 2005 году он на правах аренды выступал за тиранское «Динамо». После ухода из «Лануса» Алехандро без особого успеха выступал за «Химансию» из Мендосы. В 2007 году он перешёл в «Чакарита Хуниорс», где быстро стал футболистом основы. В начале 2009 года Фрессотти на правах аренды перешёл в итальянский «Тревизо». 7 марта в матче против «Пармы» он дебютировал в Серии B. После окончания аренды Алехандро вернулся в «Чакарита Хуниорс», который к тому времени вышел в элиту.  Отыграв сезон на высшем уровне Фрессотти перешёл в «Химанисю Ла-Плата». 16 августа в матче против «Олимпо» он дебютировал за новую команду.

В начале 2011 года Фрессотти присоединился к перуанскому «Спортинг Кристал». 2 апреля в матче против «Аякучо» он дебютировал в перуанской Примере. 15 мая в поединке против «Универсидад Сан-Мартин» Алехандро забил свой первый гол за «Кристал».

В начале 2012 года он перешёл в чилийский «Сан-Луис Кильота», но уже летом вернулся на родину став игроком «Бока Унидос». 12 августа в матче против своего бывшего клуба «Химнасия Ла-Плата» он дебютировал за новую команду. После окончания сезона Алехандро подписал контракт с эквадорским «Депортиво Куэнка». 13 июля в матче против ЛДУ Кито он дебютировал в чемпионате Эквадора. 29 августа в поединке против «Макара» Фрессотти забил свой первый гол за «Депортиво Куэнка».

В начале 2015 года он присоединился к «Барселоне» из Гуаякиль. 31 января в матче против ЛДУ Лоха Алехандро дебютировал за новую команду. 25 февраля в поединке против «Эстудиантеса» он дебютировал в Кубке Либертадорес. Отыграв полгода Фрессотти в качестве свободного агента вернулся на родину. Его новым клубом стал «Темперлей». 20 июля в матче против «Индепендьенте» он дебютировал за новый клуб.

Примечания

Ссылки

 Wikio
 Sitio Oficial de Chacarita Juniors
 Informe Tricolor
 Ficha BDFA

Футболисты Аргентины
Игроки ФК «Динамо» Тирана
Игроки ФК «Ланус»
Игроки ФК «Чакарита Хуниорс»
Игроки ФК «Химнасия и Эсгрима» Мендоса
Игроки ФК «Химнасия и Эсгрима» Ла-Плата
Игроки ФК «Тревизо»
Игроки ФК «Депортиво Куэнка»
Игроки ФК «Спортинг Кристал»
Игроки ФК «Темперлей»
Игроки ФК «Сан-Луис» Кильота
Игроки ФК «Бока Унидос»
Игроки ФК «Барселона» Гуаякиль


text:
Transcripts - Forever Dreaming
https://transcripts.foreverdreaming.org/
01x03 - Chainsaw
https://transcripts.foreverdreaming.org/viewtopic.php?f=441&t=22670 Page 1 of 1
Author: bunniefuu [ 09/30/15 12:36 ]
Post subject: 01x03 - Chainsaw
Pete's always kind of given me the creeps.
Hey, look, he has this bizarre obsession with what's going on in the Kappa House, which is weird enough.
And then the guy's got a Red Devil costume.
In his closet?
Come on, girl.
Which is strange, I'll admit.
I just... I don't know.
I really think I was wrong.
I don't believe he could be the killer.
I don't care what you believe, okay?
You have to promise me that from now on, you're not gonna go anywhere alone, and we're both gonna use the Tasers my grandmama sent.
Ooh, pork rinds. Ooh, here.
I'm freaking starving.
There is food nowhere in Kappa House.
Ugh! I guess it makes sense.
The cook did get her face fried off.
The Chanels have started eating cotton balls.
Number Three says it keeps you from being hungry. Hey!
We're stocking up now! Can you get some syrup to dip the ranch chips in?
You want to put syrup on chips?
You can't be serious, right?
Yes, I'm serious!
You're insane.
Uh, all right, let me see.
All right, we have strawberry and chocolate.
Are you out your mind? Chocolate.
(echoing screaming)
(high-pitched whirring)
(groaning)
(thudding)
Aah! Oh! Oh, my God!
We just caught a serial killer.
Call the police, please. Oh!
Let's see who you are, you sick son of a bitch. (groaning)
Eugene?!
You know him?
He's in my poli-sci class.
Eugene: I'm sorry, okay?
I'll pay for 'em. I left home without my wallet.
Ow, my nuts.
Ow! It hurts so bad!
I don't understand. Where is Number Two's body?
Is she alive? Is she dead?
Who is stealing all these bodies?!
Don't ask me! I'm not the killer.
I'm just bored, so I came out here to look at Number Two's frozen dead body, and lo and behold, she's not here.
Look, Chanel, I'm gonna be honest with you.
Sort of over this whole serial murder thing that's going on right now.
Last night I had an amazing threesome with Roger and Dodger, and I realized that I'd rather focus my attention this semester on getting spit-roasted by hot golf frat twins than help you figure out who's murdering a bunch of dumb gashes.
What are you saying?!
I got Eiffel Towered by hot morons who are brothers.
And now I'm out.
See, it occurred to me that I don't really care where Chanel #2 is.
You're the president, which means it's your problem.
I'd just hop to it if I were you, because pretty soon, folks are gonna start noticing she's missing, and they're gonna start snooping.
Don't you walk away from me, Number Five!
(echoing): I will destroy you, bitch!
Chanel #2?
(door squeaks open)
(door squeaking)
Wow. Look.
There's a huge stain on the floor.
Although with the Chanels, it really could be anything.
Bulimia, scissor.
Maybe it's blood.
Denise: Of course it's blood.
In my experience, any time somebody asks, "Oh, I wonder if that's blood," it's almost always blood.
I mean, you know how many times it's, like, ketchup?
Zero percent of the time.
Hit the light.
Oh-ho.
Oh! There it is. That's blood.
Grace: But what is that?
It's luminol.
It reacts to the iron in hemoglobin.
Wait. Hold on.
You're telling me, you don't carry a gun, but you carry around a bottle of that stuff? Yeah!
'Cause it also reacts to an enzyme in horseradish, and I hate horseradish, but I love me some Arby's.
So what I do is, I take my sandwich home, cut the light off, put a little luminol on there, do a little check just to be sure they didn't accidentally sneak a little horsey sauce on it.
Nobody's looking for this girl.
Now, that's suspicious, especially when the bitch done tweeted...
(phone chimes) Look at this.
"I'm being murdered by the Red Devil."
The Chanels said she had some sort of nervous breakdown and went home to California.
Are y'all crazy?
There is a psycho killing people.
He killed my dear friend and Secure Enforcement Solutions colleague Shondell.
Stabbed that girl right in the face.
And, no, she wasn't that cute to begin with, but that is not the point.
The point is, there's a missing girl, blood on the floor, and she's tweeting, "Oh, hey, just want y'all to know I'm getting murdered," and y'all are standing here like, "Ooh, I wonder what happened."
The girl is dead.
Look, I agree that it does sort of seem that way, but here's what's confusing to me.
Look. Number Two is still posting on Instagram.
There she is by the pool sunbathing.
The bitch is not even cute.
Look, maybe she's just back home in Bel Air. We should find out.
Whoa, whoa, whoa, whoa, whoa!
Y'all just gonna go to Bel Air? I mean, just like that?
Don't ask me if want to go.
Hoes.
♪ Now tell me whatcha gonna do... ♪
Grace: What's with all these Kappa signs?
It's a thing now.
People are saying that the killer's targeting Kappas or people associated with Kappa.
So, they figure if he knows they're not, he won't gut 'em like a fish. Ugh!
Chad: It's just blowing my mind, man.
I can't believe my best friend Boone is dead.
Yeah, I heard the coroner calling Boone's death a suicide.
It's a bloody tragedy.
Yeah, well, it was really bloody.
I don't know, man.
It's just one of those things in life that just hits you so hard, and you just think to yourself, wow, it's gonna be weeks before I really, truly get over this.
Chanel: Chad?!
Chad, I need to talk to you!
It is so sad about Boone, isn't it?
Oh, are you okay?
I mean, how are you feeling?
Uh, I don't know. How do you...
How do you think I'm feeling, Chanel?
My best friend in the world, who used to compliment me all the time, was murdered, so, news flash.
I'm super sad.
I want to be the one who tells you how awesome you are all the time.
Well, uh, you had your chance, Chanel, and you ruined it when you started freaking out when I said I want to have s*x with your corpse.
I know, okay, and I am so sorry.
I just... I want us to be together.
I mean, all I ask is that... maybe you have s*x with a smaller number of people.
Man: Whoa... (whimpering)
Do you understand how controlling that is, Chanel?
Okay, I know you're not a psych major, so you're not gonna really process what I'm telling you right now, but what you just said is literally pathological.
Okay, why do you even care how many people I sleep with?
Okay? I always wear protection, and it's not like I love these chicks.
You... you love me?
That is not what I said!
You love me.
Stop saying that.
Look, Chanel, you're hot... I guess.
I mean, your boobs are symmetrical, and you shave your box in a hot way.
All right, but also you're responsible for the worst pledge class in the history of the university. At this point, I'm not even sure if I could have s*x with you.
Look, I'd be doing you and all of a sudden look down and I'd see the back of your head, and then I'd just, like, picture the back of the head of one of your ugly pledges. And I'd...
I'm sorry, Chanel. It's just not gonna happen.
I got to break up with you again.
Chad! Yeah.
Please. There-there has to be something I can do.
Ew. Look, just pray.
Pray that all those donkey-faced Kappa pledges get murdered so you can be popular again.
Now, if you'll excuse me, Earl Grey and I need to go mourn our fallen brother and get our drink on.
♪ Then Miss Sleazy set up Eazy to fall... ♪
(whines) ♪ You know why we sinnin' ♪
♪ And Krayzie intended on endin' it when it ends ♪
♪ Wanna come again, again and again ♪
♪ Now tell me whatcha gonna do ♪
♪ Can somebody, anybody tell me why... ♪
OMG, are you hitting on me?
'Cause I heard munching box is what killed Michael Douglas.
No. I'm just trying to make friends.
And I was spying on you the other day while you were changing.
Noticed you have a tattoo on the small of your back?
"8/69." What does it mean?
Look, you seem pretty cool, and you have this whole Samantha Ronson thing going on that's pretty dope, but don't ask a lot of questions about me, okay?
♪ So you won't be lonely. ♪
Welcome, students, faculty and staff to this rally for sanity and calm, as we vow to take back the night!
(applause and cheering)
The police are still investigating the tragic passing of freshman Tiffany de Salle...
Passing? She had her head mowed off.
And the recent death of junior Boone Clemens has been ruled a suicide by the county coroner.
What? That is insane.
Who slits their own throat?
Keeping these facts in mind, we must put to bed wild rumors of a serial killer, a so-called Red Devil, stalking this campus and murdering students willy-nilly.
Our university is as safe as ever.
Our security staff of the highest caliber.
We must, therefore, resist the temptation to, for example, tase freshman history major Eugene Melman in the genitals.
After many hours of deep soul-searching, I have, along with the university's board of directors, decided that the Red Devil mascot that has demonstrated our school's pride for the past 80 years is really no longer appropriate to represent us as we forge our way into the future.
Instead, we've decided to highlight this region's proud history with a new mascot.
Ladies and gentlemen, I am thrilled and honored to introduce to you this university's newest addition...
Coney!
♪ ♪
As you know, in 1955 local dairyman Randy Barfman added kelp extract to his ice cream, creating the world's first soft-serve ice cream!
I'd like to say a few words in closing.
♪ I'm gonna make you feel it. ♪
Let's tell each other how we feel about one another.
Find that tortured gay kid in your life.
Hold them close tonight.
And, uh, how about a big, "Go, Cones!"
You are a disgrace.
I wonder how many people live in here.
This place is insane.
Grace: So, neither of you have seen Sonia or heard from her?
Not in several weeks.
And are you sure she's not hiding out in your house somewhere and you haven't found her because your house is so damn big?
(chuckles) That's impossible.
Listen, what's going on? Is-is Sonia in trouble?
We don't know.
The bad news is, there's a serial killer on campus.
(gasps) But the good news is, your daughter's still posting photos on Instagram.
Denise: Or somebody is posting 'em for her.
Oh, no. Yeah.
That's not even a cute picture.
This is our worst nightmare.
She's drinking again.
Mother: Ladies, you have to understand, our daughter has a disease.
She's been in and out of rehab.
That's why we were so happy when she met Chad, you know?
Frankly, we don't know what he saw in her, but, you know, he just seemed to level her out a little bit.
Um, I'm sorry. Did you say "Chad"?
Yes. Chad Radwell.
Golfer, very handsome.
We spent last Thanksgiving with him.
Well, I found this letter a few weeks ago.
It must have fallen behind her bureau.
"Dear Chanel #2..."
Spending Thanksgiving with you and your family was amazing.
I love that your dad's so rich, and I love porking you so much.
I hope we can keep on porking forever.
You're so freakin' hot, and I love the amazing faces you make when I'm really taking you there.
I'm thankful for you, Chanel #2.
Love, Chad Radwell.
If our daughter is missing, you have to find her.
You have to find her and make sure that she never comes home again.
Look, I am not gonna let some guy with a knife and some anger issues scare me away. My vote? We stick together and try to have a college experience that is as normal as possible until they inevitably catch the killer.
Why do you think it says "Professor TBD"?
Wes: Hello, ladies and gents. Welcome to Intro to Film Analysis, the only class that you can bring your own popcorn to.
Not bad, huh?
(clears throat)
Oh, look, we have an eager student.
I like that. Yes... student person.
You have a question? Uh, y-yes, I have a question. What are you doing here, Dad?
"Dad." Okay. Okay, yes.
Yes, I am her dad.
Busted. But don't you guys worry.
I will not be playing favorites.
You are a literature professor.
Why are you teaching a film studies class?
Unless you looked at my course schedule and scammed your way into becoming my teacher. Grace. Grace, look, can't we just make the best of this, huh?
I-I am here because you are my daughter.
I want to make sure that you are safe.
(sighs)
Jennifer: Excuse me, do you mind if I light this in here?
First day of class.
Let's launch our exploration into the magic of cinematic storytelling with what I consider to be one of the...
(exhales)
Scratch that. With what I consider to be the greatest film of all time.
Blue Is the Warmest Color? Sixteen Candles?
All, uh, great choices.
No, in my mind, the greatest cinematic achievement is the 1974
Tobe Hooper classic The Texas Chain Saw Massacre.
Narrator: The film which you are about to see is an account of the tragedy which befell a group of five youths...
(woman screaming)
(chain saw buzzing)
A lot going on in those last few frames.
Vietnam, Watergate, the invention of the pill, the White Album.
Has there ever been a more perfect weapon of destruction?
Yes, Sally survives in the end, but does she?
Aren't we all running from the chain saws in our past?
See you next Tuesday.
(indistinct chatter)
What did any of that mean?
Uh, well, it means that, uh, we've all been traumatized.
What we do with the hurt from that trauma defines who we are.
Do we look... inward and-and heal or... do we take that hurt and turn it into anger and take it out on the world?
Which path have you chosen?
Oh, me? I'm just a father trying to look after his daughter.
Yeah. Oh, hey, uh, I actually came by to tell you about this teachers' neighborhood watch I'm starting.
I thought we could maybe have some patrols Yeah.
Walking the campus at night? No. Yes, that...
I don't know if that's...
That's great. No, that's a great idea.
I'm in. Great.
Maybe we could discuss it over a salad or something?
Well, it's a step up from coffee without the... full commitment of a whole meal.
I would love that.
Munsch: Hey.
Teach. Hi. I stopped by to... see how your first day of classes went.
Oh, he was wonderful. They loved him.
Hmm. We'd better watch out.
Might have to put you on full-time.
Oh, Gigi, would you mind stopping by my tennis court someday this week?
I'm there every day. I just...
I have something I want to talk to you about.
(heavy breathing)
Man: Something happens when you put on a costume.
It changes you.
One week ago, Aaron Cohen was an absolute nobody.
No friends, no girlfriend.
So when Dean Munsch approached me because I'm five-foot-one and the only guy on campus who could fit into the uniform she ripped off from an ice cream stand...
Hey, Coney. Hey, Coney.
I was like, "What the hell?"
Now I'm the top dog on campus.
Aaron Cohen can't get a date, but Coney gets more trim than a barbershop.
See, when you're Coney, you get certain privileges.
When you put on a costume, you can get away with anything.
♪ Baby, I'm your man... ♪
Forget dental school.
Aaron Cohen is never taking off this costume.
I'm riding the Coney train straight to a career as a professional mascot.
♪ You bet... ♪
(buzzing)
(Aaron screams)
♪ Baby, I'm your man ♪
♪ Don't you know that ♪
(Aaron shouting)
Oh, no! No!
Don't!
(shouting hysterically)
♪ Do it with me ♪
♪ If you're gonna do it... ♪
(screaming)
♪ If you're gonna do it, do it right, right? ♪
♪ When I was just ♪
♪ A little girl ♪
♪ I asked my mother ♪
♪ What will I be? ♪
(gasps)
♪ Will I be pretty? ♪
♪ Will I be rich? ♪
This closet is the most precious thing in my life.
It's like a second v*g1n* to me.
So you sneaking in here and rifling through my clothes is a heinous violation.
You have violated my closet-vag.
Is it true that Karl Lagerfeld is your uncle and he restocks this closet every year?
Well, he's not really my uncle.
I just call him Uncle Karl because he's so close to my parents.
My mother was one of the first Americans ever to wear his surprise skirt.
She was seven.
I even have one of Choupette's in vitro kittens.
Who's Choupette?
His sacré de Birmanie cat, of course.
She has 46,000 followers on Twitter and two nannies.
Luckiest pussy in the world.
Please, Mommy, please tell me everything.
Uncle Karl comes here every fall with trunks full of clothes for me to try on.
I keep what he likes.
And what do you do with the clothes from last year?
Burn them. I once thought about donating them to charity, but there is something so depressing about a poor person walking around in couture.
It's like, "Sorry, but that Lanvin sweater is not appropriate for your job at Roy Rogers, welfare queen."
Growing up, all I wanted to be was a fashion girl.
And then tragedy struck.
Is that how you got in that hellacious neck brace?
No. Severe scoliosis.
It stunted my growth.
(whispers): But you're my size.
Maybe on a bloaty day.
Chad broke up with me because he said this house is full of losers. But if I fix you up a little bit, there will be one less disaster under this roof.
I will totally look like someone nice.
Mm-hmm. I'm gonna make you over.
Thank you. Thank you, Mommy. Thank you.
But first...
I'm gonna need some pliers.
You know, you and I have talked a good game to those Kappa girls.
And I think it's made a big difference so far.
And while obviously I don't condone a serial killer picking off students, I must say the intensity of the experience of being hunted by a psychopath has really bonded them.
I don't know if it'll stick, though. You know, that's been my worry exactly.
Which is why we have to up our game, lead by example, show them how two very different women can work together and get along.
Which is why you and I are moving into Kappa House for a week.
Wait, seriously?
Gigi.
You're terrible at tennis.
I'm gonna leave.
Pack up your stuff this afternoon.
We move into Kappa House tonight.
And, uh, do yourself a favor.
Stay away from my man.
Wes and I are kind of an item, and I call dibs.
You can't call dibs on a person.
Chanel #3: Hi, Sam.
Geez. Hi.
Number Three. So, listen.
There's something I want to talk to you about.
I sort of feel like you and I are two peas in a pod, don't you?
I mean, we're both really smart, and when we talk, it's really meaningful.
Hold on. Wait. Are you a lesbian?
No. No, no, no, no, no.
What I'm trying to say is, I feel like we get along really well, and I would like it if we could become... friends.
But, like, good friends.
Like, best friends. Like... soul mates.
Because there's something I want to tell you, and I can only tell it to my soul mate because it's dark, and no one else can find out about it.
Do you promise me you can keep a secret?
You know Swenson? The frozen dinners?
They're like the B-list of Swanson frozen dinners.
Like Swanson for poor people?
I'm a Swenson.
As in Swenson Swenson.
We're, like, billionaires.
But that's great.
I sort of don't think that's a terrible secret.
No, that's not the secret.
This is the secret.
My dad is not my real dad.
See, my mom is crazy and always thinks aliens are talking to her, and the year before I was born, she started corresponding with this really bad man, who's in prison because he's responsible for the deaths of, like, a lot of people.
And my mom evidently arranged these conjugal visits with this guy, and so last year I took a DNA test, and I found out this guy's my real father.
Who's the guy?
Charles Manson.
What? Are you serious?
That's insane.
But wait, if you don't want anyone to find out, why tell me?
Because there's a murderer on the loose, and no one knows who it is, and if someone found out my dad is Charles Manson, everyone would immediately assume the killer is me.
Which it isn't.
Okay, well, what do you want me to do?
If and when the next murder happens, I need an alibi to prove it could not have been me.
Which it won't be because I'm not the killer.
But no one knows when or where the next murder will happen.
But when it does, I need you to be my alibi.
And I can be your alibi, too.
We'll be alibi buddies.
"Alibibuddies."
"Alibib..." Uh, I think "alibuddies."
Right, alibuddies.
So it's a deal? Deal.
Hey, Number Five.
Um, we've been doing some snooping about Chanel ♪2.
Did you know she secretly dated Chad Radwell last year?
Zayday: I know, shocking.
Can you believe she'd do something like that to Chanel?
Uh, well, Chanel's a bitch who deserves whatever's coming to her.
I just can't believe that Chad didn't tell me.
I mean, we were dating, too.
Chad Radwell? I dated him, too, last year.
Okay, wait, you both went out with your friend's boyfriend behind her back?
Well, to be fair, we only went on one date, and it was really weird, like, he made me just watch him play with his knife collection the whole time.
I mean, I still slept with him.
But my heart wasn't totally in it.
Chanel: Bitches, gather round.
Holy mother of God, what is this?
("Two of Hearts" by Stacey Q playing)
♪ I-I-I-I-I-I need, I need you ♪
♪ I-I-I-I-I-I need, I need you... ♪
Bitches, I'd like you to meet Chanel ♪6.
♪ Two of hearts, two hearts that beat as one ♪
♪ Two of hearts, I need you, I need you. ♪
No way, no freaking way!
You can't make a pledge a Chanel.
What do you want me to do? Two Chanels are dead.
I need Chanels, and I'm running out of minions.
Hester, you took your neck brace off, and you look, um, amazing.
Hester: My muscles have atrophied, and the pain from not wearing my brace has me on the verge of passing out, but I've never been happier in my whole life.
Chanel says I can hold her hair back now on purge nights.
(mouths)
This will not stand!
You don't have any respect for any of us or the rules of this house.
You don't deserve to be president.
She does have a point.
Okay, pledges, line up for tonight's festivities.
We're going to play a game called Cocaine or Dildo.
Munsch: Ooh, that sounds fun but also kind of like hazing and illegal in, like, what, six different ways.
But I brought Trivial Pursuit: '90s Edition.
Sounds boffo, but we're having a house-only night tonight.
Okay, works for us.
We're moving in, to keep an eye on you girls, for the rest of the week.
All right, everybody listen up.
Chad Radwell at the podium.
Senior council, now in session.
As we all know, Boone's death was ruled a suicide.
Wait, wait, I heard a rumor Boone killed himself.
That's what I just said.
Well, I heard that he killed himself because he was gay.
There's no way Boone was gay.
He didn't seem gay at all.
You know, one time we were talking about boobs and how much I love them, and he was like, "Yeah, dude, I love boobs, too."
So, like, what am I supposed to do with that?
Guys, Boone was gay.
But I don't think it was a suicide.
Guys, Boone's throat was sliced open, which, A, is an unusual way to kill yourself, and, B, when the cops let me into the dining room to get my Iliad CliffNotes, I saw footprints leading away from the body.
This pair of bloody footprints led downstairs to the bathroom, stopped in front of the toilet, and then led back to the body, which means that if Boone did kill himself, he slit his own throat, laid down to die, realized he had to use the bathroom, so he walked downstairs, urinated, and then walked back to the exact place he was lying before and then died.
Guys, I think Boone was murdered.
There's a killer on this campus, and now he's targeting the Dickie Dollar Scholars, so I think it's high time the Dickie Dollar Scholars do something about it.
What? That Take Back the Night rally?
That was a joke.
I say we do the opposite of "take back the night."
I say we get 'roided up, find a bunch of baseball bats, roam around the streets yelling the Red Devil's name until he comes out and fights us.
You really reckon that will work?
Dude, in the ghetto, if you run around the streets with baseball bats, yelling the Red Devil's name, they have to come out and fight you.
There's a whole code; believe me, I know.
Now, let's pop some gym candy, head down to the White Stallion, get our drink on and avenge the murder of Brother Boone!
(everyone shouts)
Dickie Dollar Scholars!
(knocking on door)
Grace: Hey.
Can I come in?
Yeah, sure.
Look, I'm really sorry that I didn't respond to your messages, and also that I thought you were a serial killer.
It's cool, stuff happens.
I just think it's probably best to be extra cautious in these situations.
But I do think I was mistaken.
What do you think about Chad Radwell?
Oh, no, you're not dating him, are you?
What?! No, I think he's the killer.
Okay, well, I found some things.
You show me yours, I'll show you mine.
Mm-hmm, all right, well, first of all, Chad Radwell is a man-whore.
Like, he has literally had s*x with every girl in Kappa.
That is not news.
Okay, but take that to build a psychological profile.
He clearly sees people as objects.
Sociopathic murderers dehumanize their prey.
Also he's got some sort of, like, knife obsession thing.
Look, I can't stand the guy, but do you have any proof of him being anywhere near the crime scenes, any motive?
No, but, ugh, I'm telling you, the motive has something to do with whatever happened in the Kappa bathroom 20 years ago.
I mean, what if Chad Radwell is that baby all grown up, and he's come back to get his revenge?
Hmm. We have to find out more about who that baby was.
If it was a boy, then it has to be Chad.
Interesting you should say that.
'Cause while you were ignoring me, thinking I was a psychotic murderer...
Oh, my God, Pete, moving on.
I did some gumshoe work.
So I couldn't connect any of these names to Kappa or to the university.
I don't know if they changed their names, got married, got murdered.
But there's absolutely no record of any of these names except for one, and that is Greenwell.
Well, who is she?
Only a former Kappa sister who dropped out of school just two credits shy from graduating the same year that baby was born.
Kind of weird, don't you think?
I mean, just two credits shy?
Something pretty bad had to happen for her to do something like that.
We have to find her.
I already did.
She's six hours away.
Well, come on, let's go.
♪ Backstreet's back, all right! ♪
Chad: Hey, Red Devil!
I'm calling you out!
This is ghetto code, brah!
Oh, hey, Red Devil.
You like me now, bro?
You like me now when I got my baseball bat, bro?!
Yeah! Boom! Yeah!
Huh, Red Devil?
Hey, Dickie Dollars, look.
That's probably his car.
(everyone screams)
♪ Everybody ♪
♪ Yeah... ♪
Yeah, Red Devil!
Boom! Take that!
♪ Everybody... ♪
(grunting, sighing)
♪ Rock your body right... ♪
I thought this would be a lot easier.
(chain saw motor revs)
See, I told you.
Ghetto code's a real thing.
Let's get him!
(second chain saw motor revs)
Oh, my God, there's two of them!
This is for Brother Boone!
(shouting)
♪ Yeah ♪
♪ Rock your body ♪
Chad Radwell!
♪ All right, all right ♪
♪ Oh ♪
♪ Now throw your hands up in the air... ♪
Man: Run!
♪ And wave 'em around like you just don't care ♪
♪ And if you wanna party, let me hear you yell ♪
♪ 'Cause we've got it goin' on again ♪
Zayday, it's Denise Hemphill from Secure Enforcement Solutions. - Hey, girl.
Hey, I need to talk to you.
Where you heading?
Oh, I'm just heading home from the library.
Let me give you a ride.
I'm sure, come on.
Thanks, so Kappa House is just right up the road.
I'm stopping a killer, that's what I'm doing.
Are you crazy? I'm gonna be late for dinner.
But you're gonna be right on time for justice.
Mm-hmm.
That's right, Zayday Williams, I'm onto you, and you are what us detectives call a person of extreme murderous interest.
Okay, first of all, no one says that, and also, you're not a detective.
Tell it to the judge, 'cause you goin' downtown.
What exactly do you think you found out?
Found out everything about you, little girl.
Uh-huh.
I know you thought I was on your side when you were sashaying around in that little fancy mansion in Bel Air, but I been onto you.
Exhibit "A."
You plan on challenging Chanel for Kappa House President.
And what better way to knock off the competition than murder in the first?
Exhibit "B."
Oh, it's just a CD from Best Buy.
The same Best Buy where my good friend Shondell worked.
I was inside Kappa House when Shondell got murdered.
Which brings me to Exhibit "C."
What if there's more than one killer?
Yeah. Yeah, yeah.
You and somebody else.
Now, that would really throw Secure Enforcement Solutions off the scent.
Yeah, while-while you were in the house, your murderous cohort was stabbing my friend Shondell in the face.
And while you were buried up to your neck in the backyard, your accomplice mowed off a deaf girl's head.
Ha! Drops the mic.
This is insane.
No, no, no, no, no.
What's insane are your tweets to the executive producer of the hit TV show How to Get Away with Murder.
Exhibit "D."
Six months ago, you tweeted:
"@ShondaRhimes If Annalise Keating really wanted to get away with murder she'd find a partner and work as a team! ♪ Cahoots."
That's not evidence.
I just like the show!
♪ Cahoots! ♪
Okay. You know what?
I'm gonna use the hand you forgot to handcuff and call 911.
Well, you might want to call Defense Attorney Alan Dershowitz when you see Exhibit "E."
See, you, Zayday Williams, have a chainsaw under your bed.
Oh! What?
Super sleuth Denise Hemphill found it.
I can explain that.
Explain it to the D.A., soul sister!
My grandmama sent me that chainsaw.
You say what now?
When they took away our tasers, my grandmama sent me that chainsaw to keep under my bed for protection.
So your grandmother gave you the chainsaw.
And I'd like it if you put it back right where you found it.
I... am gonna let you go.
But I'm warning you...
I gots m'eye on you.
You crazy as hell.
(door shuts)
I gots my eye on you!
(gentle, slow, acoustic music playing)
You were so right about salad, you know?
It regulates the colon and it's not as stuffy as going out to dinner is.
It doesn't scream "date."
Well, mostly what keeps this from being a date is that there are three of us.
Miss Caldwell and I are roomies now.
You'll forgive me if I'm feeling a little overprotective.
Hey, I for one, am happy you tagged along.
Plus, you brought all this fun dressing!
I'm loving this Thousand Island jam I got goin' on.
Salad tastes like a Big Mac.
(bottle makes fart sound) Oh.
(sighs) Too slow.
(phone chiming) That's better.
Oh, gotta go.
Where you guys going?
My Philosophy study group.
But what do you mean, "you guys"?
I'm by myself.
But... where's Gracie?
I thought she was upstairs with you.
I don't know where she is, actually.
The GPS said she was in this house!
Wait. You tracking her phone? Yes.
I gotta know where she is at all times.
Okay, well, maybe she turned it off, because serial killer or not, that's a little creepy.
I'm sorry, ladies, but I have to go find her.
This was really great, though.
Well, I am about ready to turn in.
Let's do it, roomie!
(phone ringing)
Oh, thank God.
I'm, uh, I'm at the library.
I thought we promised you would never go anywhere alone.
I'm not alone.
There's, like, a million people here.
Look, please don't freak out.
I'll be fine, okay?
I'll let you know when I'm done.
Yeah, you call me when you're done.
(toilet flushes)
(Gigi gasps) Dean Munsch.
That nightgown is amazing.
Um, nighttime really is the only time it's socially acceptable to dress like a 19th century homesteader, which is my favorite style of dress.
I almost forgot.
I need to sleep with a white noise machine on.
I hope that's okay.
Oh! Sure!
(whale distress calls playing)
(loudly): Hon, it's a little...
Hon, it's a little loud.
Is there any way to turn it down a bit!?
No, I'm sorry.
There's no volume control.
That's just how loud it is.
And what... what are those noises?
Those are whale distress calls.
I find them very soothing.
Are there other noises that the machine can make?
Oh, sure!
There are, like, 500 different white noise settings.
"Baboon Attack."
(baboons hooting, screaming, screeching)
"Catastrophically Depressurized Airplane Cabin."
(air hissing, people screaming)
I don't think I'm going to be able to sleep with all that noise!
I'll tell you what, we'll compromise.
I'll set the machine to "Slasher Movie" and we'll leave it at that.
(spooky music playing)
(people shrieking, screaming)
Yep. You know what?
I actually think I'm gonna go ahead and...
(screaming and shrieking continue)
I'm gonna sleep on the couch.
Yeah, I think that would be best.
(screaming continues in distance)
(screaming fades into distance)
(chainsaw revving)
(screams) (chainsaw buzzing)
(gasping)
(yells)
(grunts)
(yells, groans)
No... No!
(sobbing)
(grunts, groans)
Girls, go!
Get back to your room!
(chainsaw motor idling)
Munsch: What's going on?
Gigi: What's going on?!
Didn't you hear the screaming?
I mean, yes, I heard screaming, but that's because the white noise machine was set to "Slasher Movie."
Seriously, what happened?
The girls are all freaked out.
(revs chainsaw)
You're not taking another step until the police arrive.
(siren approaching)
You're the killer.
Page 1 of 1 All times are UTC
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La Maison Jacquart, today the pride of the great Champagne Alliance group, was founded in the early sixties by the alliance of small (but far-sighted) wine growers who decide to merge their grapes not to third parties, but the cooperative to Reims where together to revive Jacquart, famous brand in the late 800. Passed the half-century of business, today the Maison Jacquart boasts one of the largest areas of supply of the whole Champagne, with land under vines present in all famous muster areas of the region. The home of Maison Jacquart is located in the center of Reims, in the historic and imposing Palazzo Brimont (see above) located in Boulevard Lundy (prestigious avenue which is home of the most famous Champagne producers). On the facade of the building, the artists created five Guillonnet Blanc and mosaics dedicated to the development of the champagne (see below). The reputation of the precious mosaics, consecrated national monument and inspiring range of Mosaïque Jacquart, represent the brand Jacquart in the world, along with the official emblem of the house that is the sculpture \"Cheval de la Renommée\", by Antoine Coysevox (favorite artist Louis XIV) that can be seen in Paris at the Place de la Concorde and the entrance to the Jardin des Tuileries (the work depicts the allegory of divinity Fame riding the winged horse Pegasus).


The Council is warning that islanders who are paid to care for children under the age of 8 years could be breaking the law if they do it for more than two hours a day.
And even if you don't receive cash but are given gifts and rewards, you could be prosecuted.
Children's Services staff want anyone looking after children to register so they can be inspected by OFSTED to ensure they meet standards of care.
Child-minders need to undergo CRB checks and hold adequate insurance too.
Recently the national child-minding association's Liz Elmore visited the islands to develop their working relationship with the Council.
Joel Williams says he's not aware of any issues or complaints from parents or registered child care providers, but his team want to remind people that there are rules and regulations surrounding childcare.
It does remain legal for relatives to look after under 8's, babysitters can still provide care between 6pm and 2am and a nanny can look after a child within their home.
More information on what is allowed is available at their Carn Thomas office.


The Derbes Law Firm is located at 3027 Ridgelake Drive in Metairie, LA, one block east of Lakeside Shopping Center, between Veterans and West Esplanade, at the corner of 21st Street and Ridgelake Drive. The Derbes Law Firm is the two story building on the northeast corner of 21st Street and Ridgelake Drive. We occupy the entire building.
From Downtown New Orleans: Take I-10 West, exit Causeway North. Take the Veterans option. Head north along the Causeway service road. Pass Veterans by three blocks, and take a right onto 21st Street. Go one block to the corner of 21st Street and Ridgelake Drive.
From the Northshore (Mandeville, Covington, Madisonville, Abita Springs): Take Causeway South to the Southshore. At the light at the intersection of West Esplanade and Causeway, take a left onto W. Esplanade. In one block take a right onto Ridgelake Drive.
From the West (Baton Rouge, LaPlace, Kenner & the Airport): Take I-10 East, exit Causeway North. Remain in the right lane and take the Veterans option. Pass Veterans by three blocks, and take a right onto 21st Street. Go one block to the corner of 21st Street and Ridgelake Drive.
From the East (Slidell & New Orleans East): Take I-10 West to I-610 West to I-10 West. Exit Causeway North. Take the Veterans option. Head north along the Causeway service road. Pass Veterans by three blocks, and take a right onto 21st Street. Go one block to the corner of 21st Street and Ridgelake Drive.
Wilbur J. "Bill" Babin, Jr.


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