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Check out our various henna design services, which cut across various events and applications.
Henna is one of the most important accessories of South Asian customs and weddings. These fragrant henna designs on a woman's hands not only enhance the bridal look but will also bring intrigue to the bride and guests of the wedding. Take advantage of our proven expertise in creating modern and traditional henna designs tailored to your preferences and which complements your special day.
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Individual henna services are currently not open for booking. Henna by Divya will begin booking Individual henna services starting October 2019. We appreciate your patience.
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Go that extra mile to make sure you always feel valued?
Give constructive feedback to identify areas where you could improve your profits?
Work with you to achieve your specific business goals?
Provide a quick turnaround and consistently keep you in the loop?
Offer upfront and realistic fees for their services?
At Copson Grandfield, we go further for your business. If you would like to come aboard, contact us today.


GOOD MORNING! How does one figure out what he wants out of life, his purpose, what would truly give him satisfaction and happiness? Our sages tell us that if we want to answer these questions and make the most of our life, we should do a nightly cheshbon hanefesh, an accounting of our life.
Before you go to bed, sit for a few minutes in the quiet and ask yourself (and answer) four questions: 1) What am I living for? 2) What did I do towards my goal today? 3) What did I do counter to my goal today? 4) What is something that is more important to live for? Do that every night before you go to sleep and you have a guarantee of making more out of your life.
There is an old witticism, "Remember, you are unique -- just like everyone else." The fact is that while each and every human being is precious and special, there are inner aspirations which are common to all of us. One of my goals with the Shabbat Shalom Weekly is to help people reach their potential -- to be all they can and to get the most out of life. In line with this goal, I present to you The Universals -- needs and desires common to mankind. If you recognize that these are beliefs or values that are a part of you, then focus on how you could lead your life towards greater fulfillment by living them.
We Feel Responsible For the World. If you ask someone, "What are you doing to stop the genocide in Rawanda?" he'll answer, "What can I do about it?" He won't say, "It's not my problem." Everyone knows that it's our problem. Everyone knows that we are responsible for the world and others ... we just don't know what to do or are overwhelmed by the responsibility.
Combine the Universals and the above questions with the nightly accounting ... and you will be on your way to greatness ... and a much more meaningful life!
"And when you sell anything to your neighbor or buy from your neighbor, you shall not cheat one another" (Leviticus 25:14).
The Sforno (to verse 17) comments that the Almighty is God of the buyer and God of the seller and He does not want anyone to cheat a buyer or a seller.
When selling something to another person or when buying from someone, if you keep in mind that the Creator is also that person's God you will be very careful not to deceive him in any manner. If the son of an emperor or of a president of a powerful nation would purchase something from you or sell you something, you would be extremely careful not to cheat him. Either you would have respect for his father and out of that respect you would be honest with him or you would fear retribution if you would deceive him -- and his father found out!
This should be our attitude in our monetary dealings with other people. The Almighty is their Heavenly Father and He commands you to be honest with them. Either out of respect for the Almighty or out of fear of Him, you should be meticulously careful not to cheat another person in any way.
It is the stuff that life is made of.
Want to Gift a Subscription of the Shabbat Shalom Weekly to a friend?
Really, really great one! Thanks for posting this!


Genel Energy said that one of its wells drilled to appraise the northern end of the Taq Taq oil field in the Kurdistan region of Iraq encountered oil-bearing reservoirs. The main objective of the well, which had been drilled since February, was to reduce uncertainty about the free water level in the field's north flank. Further development of the Cretaceous reservoir had been deferred pending the test program results. The company said the well, which was drilled to a measured depth of 10,171 ft, encountered good quality Cretaceous Shiranish and Kometan reservoirs but that it was too early to estimate the impact of the results on reserves, production, or future investment. The field now produces a gross 15,100 B/D of oil.


Leading advertising, branding and digital marketing agency Austin & Williams announced today it has been selected as the strategic communications partner for Kaled Management, a fourth-generation family-owned and operated property management and development business with offices in Westbury and New York City.
The Austin & Williams PR practice is led by Jody Fisher, a veteran PR practitioner with an expertise in New York City real estate, development and construction. Having represented clients including Larry Silverstein at the World Trade Center, Brookfield at Manhattan West, Fisher Brothers, Plaza Construction, Skanska USA, Tishman, Turner and Vornado, Fisher's deep relationships with New York real estate media were instrumental in winning the account.
Founded in the 1920s, Kaled Management is a fourth-generation family-owned and operated property management and development business. Kaled provides a comprehensive range of management services to an impressive portfolio of more than 7,000 residential units throughout Nassau, Suffolk, Queens, Brooklyn and Manhattan. Properties in Kaled's diverse portfolio range from garden apartments to mid-rise and high-rise buildings, as well as commercial properties. At Kaled Management, we attribute our success in the market to our fierce dedication to customer service, our stringent management standards and a unique approach to property management: We watch your dollars as if they were our own.
Austin & Williams is a full-service marketing, digital and public relations firm, creating ideas that inspire action for clients in the healthcare, higher education, financial services and professional services industries. Certified as a Women Business Enterprise (WBE) by the state of New York, the Long Island-based firm was founded in 1992 and was named one of the 100 fastest-growing agencies in the nation. In 2017, it was listed as A "Great Place to Work" by the institute that creates the annual Fortune 100 Great Places to Work list.


Your Bermuda Triangle, likewise regarded seeing that all the Devil's Triangle and / or Quake Street, is definitely the loosely-defined region within typically the traditional western aspect with this North Atlantic Seashore, at which a fabulous selection about jet along with ships are mentioned that will have evaporated using inexplicable problems. The majority of professional suppliers dismiss all the Coordinates: 25°N 71°W Or 25°N 71°WCoordinates: 25°N 71°W Or 25°N 71°W.
1) Track record as well as Beginnings regarding Bermuda Triangle 2) Look at available Bermuda Triangle Suspense to help be aware of much more about a thriller about Bermuda Triangle, awesome tales regarding aircraft together with dispatch disappearing as well as the simplest way it all .
And yet a part failed to find its title until finally Aug 1964, when ever Vincent Gaddis coined that period Bermuda Triangle in a new handle storyline regarding Argosy interesting regarding the actual disappearance from Flight journey 21. The article.


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The Legacy of a Whitetail Deer Hunter
Directed By: Jody Hill
On DVD: Jul 6, 2018
The Legacy of a Whitetail Deer Hunter: Movie Clip - Getting Married
The Legacy of a Whitetail Deer Hunter: Exclusive Interview
12 minutes 49 seconds
The Legacy of a Whitetail Deer Hunter Reviews
Sean Collier
It's just not funny. It's earnest and heartfelt, but the jokes miss or are omitted.
Joe Reid
It's a real bummer.
Ryan Oliver
It goes on the hunt for something of sustenance but comes home mostly empty-handed, and a good Josh Brolin performance is at least some kind of consolation prize.
Full Review | Original Score: C
Kenneth Seward Jr.
The Legacy of a Whitetail Deer Hunter could have been really funny, provocative, or something in between. The cast was decent. The premise was sound. And yet, it's only slightly better than an unfruitful hunting trip.
Full Review | Original Score: 5.9/10
Chris Nashawaty
The Legacy of a Whitetail Deer Hunter, like so many other Netflix movies, feels like a first draft that still could use some more punching up and focus.
Full Review | Original Score: C+
It's a shame that such an idiosyncratic father/son story still feels so rote and recycled, suffering under the weight of its silly desire to constantly verbalize and explain even the tiniest of character moments.
Comedy is here, but not always a priority to Hill, who's aiming for more of a character study than a laugh riot, and this picture doesn't benefit from a general muting of silliness.
Eddie Strait
The Daily Dot
This is the kind of movie that may catch your attention while browsing. Fight the urge to give it a shot.
Renee Schonfeld
Parody lands with a thud; language, violence, drinking.
The Legacy Of A Whitetail Deer Hunter offers only the pokiest and most rote of plots.
It's salvaged by a truly genuine, sometimes great performance from Josh Brolin, but he's the only reason to take a look.
Britt Hayes
ScreenCrush
The Legacy of a Whitetail Deer Hunter is a major disappointment, but, as proven by two phenomenal seasons of Vice Principals, Hill is still more than capable of delivering the goods.
To be frank, The Legacy of a Whitetail Deer Hunter is definitely the worst film Hill and McBride have made together, but if you're a longtime fan, there's still plenty to giggle at here.
For Hill and McBride's cult following, this will be enough, especially to stream, but I wish it didn't throw away so much of its talented ammunition.
Joe Leydon
Far too much of this wildly uneven Netflix-bound comedy plays less like a transgressive farce than an overextended "Saturday Night Live" sketch.
There are some real missed opportunities here.

redpajama_set_name: RedPajamaCommonCrawl


The US Food and Drug Administration released the Foreign Supplier Verification Program and Third-Party Certification proposed rules, as required under the Food Safety Modernization Act.
The rules can be viewed on FDA's website and also in the Federal Register on July 29. Information on the written rules, as well as pertinent additional information like notices, fact sheets and Q-and-A can be found. Both rules have a 120-day comment period.


text:
Mohammed Shbair (, born 16 December 1986 in Gaza, Palestine) is a Palestinian footballer. He plays as a goalkeeper for Shabab Al-Khaleel of the West Bank Premier League and Palestine. His first call-up to the national team came during the 2006 AFC Challenge Cup. He received his first cap in a 1-1 draw against Jordan in the first FIFA-sanctioned match to be held in Palestine. He has saved two penalties while playing for the national team the first in a 3-0 friendly loss to Iraq in 2009 and the second in a crucial 2014 FIFA World Cup qualifier against Thailand.

References

1986 births
Living people
Palestinian footballers
People from Gaza City
Footballers at the 2006 Asian Games
Association football goalkeepers
Asian Games competitors for Palestine
Palestine international footballers

redpajama_set_name: RedPajamaWikipedia


Absolutely lovely chick Karen Hasumi loves nothing more than making a dude achieve a messy climax. She grabs his stiff shlong and plays with it in her Mouth making him derive massive pleasure. She then spreads her thighs for a ravaging bonk.


Friday, December 27, 2013 at Playhouse Nightclub features music by DJ L.O.S. along with hip hop sessions by DJ Five Star and DJ Hyphy. Get ready for another session of Playhouse Nightclub revamped "THE LIFE" Fridays, located at 6506 Hollywood Blvd. in Hollywood. Make sure to arrive early, dress to impress and be 21/over with ID.
Tired of waiting in long lines? Celebrating a special night in Hollywood? Do it right. Party like a true VIP with Playhouse Bottle Service and reserve your table today! FYI Bottle Specials & Deal packages are too insane to post public. To RSVP, and find out about Playhouse bottle service deals, for the event, contact Jamie Barren (310-749-9029).


A wine that is generous with dark berried fruit, notably dark cherries and chocolate.Subtle oak influence matched with a balanced tannin and acid structured makes it the perfect partner to any dish. Drink now or cellar with confidence over the next 8+years from vintage.
A traditional Australian blend of 60% and 40% Cabernet from our Jaensches Moppa Vineyard. The Cabernet was sourced from the top of the block while the Shiraz was sourced from Block 3. Both parcels were kept separate until the last stages before bottling. Fermented in open fermenters and left on skins for 2 weeks on completion of fermentation. The Cabernet was matured in French oak and the Shiraz in American. Bottled unfined and unfiltered.
Westlake Vineyards encourages the legal and responsible consumption of alcoholic beverages.
The Liquor Licensing Act 1997: It is an offence to sell or to supply to or to obtain liquor on behalf of a person under the age of 18 years.


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Life@Capitaland
Life @ CapitaLand
Building a Career at CapitaLand
CapitaLand focuses on hiring a strong and diverse pool of talents internationally, while continually growing and developing their skills and competencies through various internal training programmes.
Cultivating a strong workforce
At CapitaLand, we believe that our company is only as extraordinary as its people. The people are the ones who contribute greatly to a company's culture and its success, and this is why we focus on hiring the best people internationally, and have programmes for continual learning and development at all career stages.
As one of Asia's largest diversified real estate groups, we have established operations and businesses in countries across the Americas, Europe and Asia Pacific. We are an international company with employees from all around the world, and we embrace diversity and inclusivity, regardless of gender, race, culture, nationality and family status.
Our success is built on the strengths of our strong infrastructure and our workforce which consists of more than 12,100 employees in over 30 countries. One of our key focus areas is to develop competency in diversity management in our global talent base. Through our international recruitment and development programmes, we are developing more local talents to lead our businesses in our overseas locations.
CapitaLand is committed to creating valuable workplace for all employees as it realises its vision to be a leading global enterprise that enriches people and communities through high-quality real estate products and services.
Building The Most Desired Company
Over the years, we have received many awards in recognition of our commitment to business excellence and sustainability. We are grateful and thankful, and know that these achievements would not be possible without the hard work and contributions of our talented and diverse pool of international employees. View our full list of awards here.
As a multinational company headquartered in Singapore, we stand by our credo 'Building People. Building Communities.' This philosophy has helped us to manage a footprint that spans over 200 cities in more than 30 countries.
We are always on the look-out for high calibre people with strong potential to support us, and grow with us as we build a lasting and prosperous real estate company. Our belief is that while bringing in the best people is an important first step in our talent management strategy, bringing out the best in them is just as important.
To further support our goals, we have our own training institutes - the CapitaLand Institute of Management & Business (CLIMB) and Ascott Centre for Excellence (ACE). These internal training centres provide programmes for continual learning and skills development, and ensure more focused, systematic and consistent human resource development.
We offer our people an attractive total remuneration package comprising market-competitive salary, performance bonus and generous benefits. Additionally, employees at management-level grades may be eligible for performance-based share awards under the Group's share incentive plans.
The key compensation programmes of the Group are designed to support the Group's vision, mission, strategy and core values, as well as be consistent with the following principles:
Aligned to the business of the Group
✓ Build sustainable value creation and drive wealth-added to align with longer term shareholder interests.
✓ Provide sound, structured funding to ensure affordability and cost-effectiveness in line with performance goals.
✓ Enhance retention of key talents to build strong organisational capabilities – people, processes, products and services working together to deliver a competitive advantage to the business.
Motivate the right behaviours
✓ Pay for performance – align, differentiate and balance rewards according to multiple dimensions of performance.
✓ Strengthen line-of-sight linking rewards and performance goals.
✓ Foster Group-wide interests to recognise the interdependence of the various business units and drive superior outcomes.
Fair and appropriate
✓ Ensure that compensation is competitive relative to the appropriate external talent markets to facilitate attracting, retaining and motivating a highly-skilled global workforce.
✓ Manage internal equity so that remuneration systems are viewed as fair across the Group.✓
Significant and appropriate portion of pay-at-risk, taking into account risk policies of the Group, with payouts symmetrical to risk outcomes and sensitive to risk time horizons.
Pragmatic and effective implementation
✓ Maintain rigorous corporate governance requirements.
✓ Flexibility to respond to strategic/dynamic business needs and practical implementation considerations.
✓ Facilitate employee understanding to maximise the value of the compensation programmes.
Balance and Wellbeing
We encourage our people to be actively mindful of their health, family and work-life balance.
Flexible work arrangements are available to support employees with family and other commitments outside of work, subject to business needs.
Comprehensive flexible benefits provide a wide range of options that allow our employees to select and customise the medical and insurance coverage according to their needs.
Regular talks and workshops on a variety of topics are organised to help employees better manage their health, finances and lifestyle.
Our people can also enjoy deeply-discounted employee rates at selected Ascott serviced residences around the world.
For Graduates For Graduates
Mindy Teo & Terence Teo
Lam Sui Chang & Yuanchen Xueyan
Life@Capitaland Life@Capitaland


Adapting the vocabulary: the preparation of our lexicon.
According to Oxford English Dictionary, the English language has more than seven hundred thousand words, including ancient words that are no longer in use. However, English speakers use about eight hundred words for everyday communication. The rest of the English words are not in common use or belong to a specific context exclusively, for example, the medical terms or the technical language of engineering studies.
Oratory abilities can come in handy in a large group of situations: sometimes we have to make a speech in front of an audience, sometimes we have to defend an academic thesis or give a class. In all those cases the vocabulary we use has a strong impact on the quality of our speech.
Image SourceNeither the opportunities in which we have to talk to an audience are planned, nor the listeners always have the same characteristics.
Our speech can be considered «informal» if we have to make a speech for an unplanned event, it also happens when the organization of an event isn't full of protocol. If that's the case, the speaker would dress as he or she considers appropriate for the occasion. Also, the language that the speaker should use could include these techniques: speak familiarly with your audience, make funny jokes, use colloquial expressions… In other words, when speaking in an informal event we should communicate with a simpler language. It is not necessary to include specialized vocabulary, exact technicalities or social formalities.
The formality of an event usually depends on its protocol strictness. For example, the defense of an academic thesis or a project presentation for a company. Those are cases that require «formality» in the dressing style and speech. Although you can laugh and manifest a happy attitude, jokes are not welcome when it comes to formal presentations, neither are rude manners nor burlesque tone. The speaker must maintain composure and use a specialized vocabulary according to the speech subject.
The characteristic of the audience will determine if the speaker is free to use a simpler language or, on the other hand, have to adjust his lexicon according to the speech theme.
Which type of audience is listening you?
Image SourceIs your audience composed of specialists on the topic you will speak about? Then the vocabulary you should use has to be specialized as well. In the case of an academic thesis defense, the public who listen is an evaluating jury that has great mastery on the main topic of the speech, in fact, they probably know more about it than the speaker itself; In other words, if a workshop is being given or is part of a series of lectures, the public will be attentive to learn new terms, perhaps some of those present already have prior knowledge of the topic. That's why the speaker always have to show respect for its listeners by using formal language, including the technicalities of the main theme.
Are your audience newbies on the topic to be discussed?Is your presentation made for people who want a general knowledge of the subject to be presented? If so, we should use a simpler language, avoiding the excess technicalities. In this way, the public will easily process the new concepts because the information will be presented simple and clean, without unknown words that require an extra effort of understanding.
Using simple language that can be easily understandable for anyone will reassure your audience. It will prevent them from suffering mental dullness while listening to you. However, it also depends on how much time you have to complete your speech. The use of complex concepts will come in handy when you need to save some minutes.
There are no shortcuts, no tricks and no quick way to increase Your lexicon. There is just one solution only: reading. You have to read about the topics you are interested in on a daily basis. Read more often the work of famous writers and researchers, read magazines, newspapers, read about what's happening, what's new, read articles on all kind of topics, as many as possible, even if you are not naturally interested in it.
Practice by finding the synonyms and antonyms of different words. Think about a word and try to find all the words that have the same meaning. Then, find all the words that mean the opposite. Do this every day and you will create a bank of words that will allow you to speak without repeating the same words again and again.
Surround yourself with people who are also striving to increase their lexicon.
When reading, use a highlighter to mark the words that you would like to start using from now on.
Write your ideas trying not to repeat words.
Take the dust out of your dictionary and start using it.
Use the «word of the day» service that most of the online dictionaries offer to their subscribers.
You must choose your vocabulary carefully based on your immediate context, and the strictness of the event formality you are attending to.
In formal events (such as academics) the use of specialized language is the more appropriate.
Daily reading is the main source of a good, rich vocabulary.
The excessive richness of vocabulary often conceals poverty of thought.
Let's prepare to speak in Public.
This post was translated by the Spanish translation team of @lit. Thank you @alcidescadiz for taking our services and helping the community in taking another step toward a greater understanding of one another.


text:
More Than Miyagi: The Pat Morita Story (2021)
Watch More Than Miyagi: The Pat Morita Story (2021) full movie online free in hd HD720px, 1080p. World wide streaming available for More Than Miyagi: The Pat Morita Story (2021) movie in hd. Watch and download More Than Miyagi: The Pat Morita Story (2021) full movie without registration.
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The Oscar nominated actor best known for his role of Mr. Miyagi, left behind a painfully revealing autobiographical record of his much-too-brief time here on earth. Tracing his journey from being bed bound as a boy to the bright lights and discrimination in Hollywood. Deep inside that sweet, generous, multi-talented performer seethed an army of demons, that even alcohol and drugs couldn't mask.
Genre: Biography, Documentary
Schumacher (2021)
Through exclusive interviews and archival footage, this documentary traces an intimate portrait of seven-time Formula 1 champion Michael Schumacher.
Genre: Biography, Documentary, Sport
Ford v Ferrari (2019)
American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary…
Genre: Action, Biography, Drama, Sport
Snowden (2016)
CIA employee Edward Snowden leaks thousands of classified documents to the press.
Country: UK, France, Germany, USA
Genre: Biography, Crime, Drama, Thriller
Munich: The Edge of War (2022)
At the tense 1938 Munich Conference, former friends who now work for opposing governments become reluctant spies racing to expose a Nazi secret.
Creation (2009)
A psychological, heart-wrenching love story that provides a unique and inside look at Charles Darwin. Torn between faith and science, he struggles to finish his legendary book "On the Origin…
After graduating from Emory University in 1992, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity, and hitchhikes to Alaska to live…
Genre: Adventure, Biography, Drama
Amina (2021)
In 16th-century Zazzau, now Zaria, Nigeria, Amina must utilize her military skills and tactics to defend her family's kingdom. Based on a true story.
Genre: Action, Adventure, Biography
P!NK: All I Know So Far (2021)
A behind-the-scenes look at P!NK as she balances family and life on the road, leading up to her first Wembley Stadium performance on 2019's "Beautiful Trauma" world tour.
A Prayer Before Dawn (2018)
The true story of Billy Moore, an English boxer incarcerated in Thailand's most notorious prison. Thrown into a world of drugs and violence, he finds his best chance to escape…
Country: UK, France, China, Cambodia, USA, Germany
Genre: Action, Biography, Crime, Drama, Sport
Singer Freddie Mercury, guitarist Brian May, drummer Roger Taylor and bass guitarist John Deacon take the music world by storm when they form the rock 'n' roll band Queen in…
Genre: Biography, Drama, Music
The Big Short (2015)
The men who made millions from a global economic meltdown.
Genre: Biography, Comedy, Drama, History
Jarhead (2005)
Jarhead is a film about a US Marine Anthony Swofford's experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to…
Country: USA, UK, Germany
Genre: Action, Biography, Drama, War
Trailer: More Than Miyagi: The Pat Morita Story (2021)


Shuperb present a true classic timeless design worn by both young and old. The moon and stars outsell hundreds of other competing styles year on year. They feature a comfy small wedge heel and soft warm velour uppers for cosy feet all year round.


I am looking for an already made freelance job website. I know that there is the script available that powers [url removed, login to view], I also know about the script from [url removed, login to view] and [url removed, login to view] I need is a website that has been developed with additional features or customization beyond what the premade scripts offer. I will not accept any bids higher then $100.
We already have one ready.
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I am actually making one right now. Please PM me if you are interested and we can go into more detail.


The Chip Breaking Effect: Direct delivery of cutting fluid to the work zone together with a variety of application-specific chipbreakers provides the Beyond Evolution™ grooving and cut-off system robust chip control while substantially extending tool life.
Since the day some ingenious machine tool engineer first mounted a metal tube on an engine lathe, machinists have been looking for a better way to cut off parts. From hand-ground bits to high speed steel blades to indexable carbide inserts, cut-off tool technology has continued to improve over the years, increasing metal-cutting efficiency and lowering operational expenses along the way. One large step in that evolution came with the development over recent years of multi-purpose cut-off tools able to switch hit as grooving, turning, and profiling tools, giving manufacturing companies the ability to simplify setups and shorten production cycles, and in some cases keep fewer tools in the crib.
One such company is EMC Precision, a family owned and operated precision machining job shop headquartered in Elyria, Ohio. Since 1925, EMC has provided prototype to production machining and value-added services to a range of industries including fluid management, hydraulic fluid & power, automotive, recreational, and other OEMs. Ian Dotson, manufacturing engineer at EMC's Sheridan, Indiana facility says he was happy with the tool life and performance of his existing cut-off solution, and was only looking for a reduction in his tooling costs when he called his local Kennametal distributor, CCA Inc.
The salesperson there introduced him to Kennametal's Beyond Evolution™, a single-sided grooving and cut-off system with multidirectional turning capability, through the tool coolant, proprietary chip control, and "Triple V" secure seating geometry. Dotson admits he wasn't too concerned about the bells and whistles, as long as the tool performed as well as what he was already using, and saved the company some money. He was pleased with the results.
The next win came on a job Dotson was running on one of EMC's Daewoo Lynx 220 CNC lathes, a transmission gear shaft made of 1-1/4 in. (32 mm) 8620 steel, and using a 0.236 in. wide tool (6 mm) to back turn a journal on the left side of the part prior to cut-off. In this application, insert cost was still a concern, but Dotson's primary goal was tool life improvement.


Join me and Hector Garcia for the inaugural webinar of the new, QB Power Hour webinar series. QB Power Hour is a free webinar series designed and presented by two accounting professionals and Top 100 Small Business Influencers: Michelle Long and Hector Garcia both of whom are very passionate about QuickBooks.
Don't miss it! Register now! Only the first few webinars are listed here, but this is an ongoing webinar series. We already have hundreds registered for the first webinar and space is limited, so reserve your spot and register now!
Don't miss this amazing opportunity to take your business to the next level! Whether you're an accounting professional, small business owner, QuickBooks user or developer, you will learn a LOT and make the connections you need to help your business succeed! In San Jose, California on October 21 – 23 with deep dives into QuickBooks desktop and QuickBooks Online offered as pre-conference sessions (Oct. 21 – 22).
If you have questions about QuickBooks Connect, join us for the QB Power Hour on Thursday, Oct. 2 and we will have Intuit's Chris Repetto (Communications Director) and Luis Sanchez (AAG Marketing, QuickBooks ProAdvisor Program) available to tell us more and answer your questions.
I would love for you to join me for the new, 1st ever QuickBooks Online Advanced Certification training and be one of the first to earn this NEW certification! You can join the Cloud ProAdvisor Program for free and start getting certified in QuickBooks Online to differentiate yourself and serve the rapidly growing number of QuickBooks Online users. This is a 5.5 hour session on Tuesday afternoon (2:00 – 7:30 pm) and will be filling up so register now!
I'm also teaching QuickBooks Online Accountant: Your Friend and Year-end on Wednesday morning. Trust me — you don't want to miss this session either! Register for it now!
I hope to see you at both the QB Power Hour this Thursday and in San Jose at QuickBooks Connect! I'm super excited about both of them!
I registered for QB Power Hour but did not receive confirmation with login info.
Could someone please resend that info so I can view after the fact.
You should've received emails with details.


This 10x10 HDMI/HDBaseT™ Matrix supports routing and transmission of video (for resolutions up to 4K@60Hz w/ HDMI 2.0 & HDCP 2.2) and audio (multi-channel digital/stereo analog) while providing flexible control via IR, RS-232, Telnet or WebGUI. As many as ten HD sources may be routed to any of the eight destinations via a single CAT5e/6/7 cable (up to 328 ft/100M at 1080p or up to 197ft/60M at 4K@30Hz). The two HDMI 2.0 outputs support transmission of 6G UltraHD HDMI sources (Up to 4K@60Hz YUV 444 (6G)) from any HDMI inputs (Up to 4K@60Hz YUV 444 (6G)) or they can mirror any of the HDBaseT™ outputs (Up to 4K@60Hz YUV 420 (3G)) for local monitoring. 3D video is also supported when compatible sources and displays are connected. This product supports passing 7.1 channel LPCM digital audio as well as advanced bitstream and HD bitstream audio formats. Additionally, four analog audio outputs are available to provide stereo breakout audio from the associated HDBaseT™ output (LPCM 2.0 sources only).
This product also incorporates an independent audio matrix with 14 audio outputs and 10 audio inputs. Offering discrete audio routing, insertion and extraction, this product makes it possible to have multiple audio zones within your installation. Additionally, the matrix contains three independent audio mixers allowing for applications such as adding music or a voice over to existing video. This product supports the Optical Audio Return (OAR) channel feature, found on compatible HDBaseT™ receivers, allowing optical audio sources connected to those receivers to be sent back to the matrix unit.
LAN support allows your 100BaseT™ network to be extended to smart TVs or game consoles. Internally generated test patterns (up to 6G UHD resolutions) are provided to assist with setup, providing a simple way to verify both matrix and sink functionality. The Power over HDBaseT™ (PoH) function can power compatible receivers, providing greater flexibility in your installations. Control via manual selection buttons, WebGUI, Telnet, RS-232 or IR remote.


text:
<?php
/**
 * Created by PhpStorm.
 * User: antiprovn
 * Date: 9/27/14
 * Time: 9:19 PM
 */
namespace Api\Controller\User;

use Zend\View\Model\JsonModel;

use Application\Controller\AbstractRestfulController;

class EmployerController extends AbstractRestfulController
{
    public function get($id){
        $user = $this->getUserById($id);
        $employerData = $user->getEmployer()->getData();

        return new JsonModel([
            'employer' => $employerData,
        ]);
    }

    public function update($id, $data){
        $userId = $this->getEvent()->getRouteMatch()->getParam('user_id');
        $entityManager = $this->getEntityManager();
        $user = $this->getUserById($userId);

        $employer = $user->getEmployer();
        $employer->updateData($data);
        $employer->save($entityManager);

        return new JsonModel([]);
    }
}

redpajama_set_name: RedPajamaGithub


text:
from collections import defaultdict, deque
import logging
import platform
from typing import Any, Dict, List, Optional, Sequence, Tuple, Type

import ray
from ray.actor import ActorClass, ActorHandle
from ray.rllib.utils.deprecation import Deprecated

logger = logging.getLogger(__name__)

class TaskPool:
    """Helper class for tracking the status of many in-flight actor tasks."""

    def __init__(self):
        self._tasks = {}
        self._objects = {}
        self._fetching = deque()

    def add(self, worker, all_obj_refs):
        if isinstance(all_obj_refs, list):
            obj_ref = all_obj_refs[0]
        else:
            obj_ref = all_obj_refs
        self._tasks[obj_ref] = worker
        self._objects[obj_ref] = all_obj_refs

    def completed(self, blocking_wait=False):
        pending = list(self._tasks)
        if pending:
            ready, _ = ray.wait(pending, num_returns=len(pending), timeout=0)
            if not ready and blocking_wait:
                ready, _ = ray.wait(pending, num_returns=1, timeout=10.0)
            for obj_ref in ready:
                yield (self._tasks.pop(obj_ref), self._objects.pop(obj_ref))

    def completed_prefetch(self, blocking_wait=False, max_yield=999):
        """Similar to completed but only returns once the object is local.

        Assumes obj_ref only is one id."""

        for worker, obj_ref in self.completed(blocking_wait=blocking_wait):
            self._fetching.append((worker, obj_ref))

        for _ in range(max_yield):
            if not self._fetching:
                break

            yield self._fetching.popleft()

    def reset_workers(self, workers):
        """Notify that some workers may be removed."""
        for obj_ref, ev in self._tasks.copy().items():
            if ev not in workers:
                del self._tasks[obj_ref]
                del self._objects[obj_ref]

        # We want to keep the same deque reference so that we don't suffer from
        # stale references in generators that are still in flight
        for _ in range(len(self._fetching)):
            ev, obj_ref = self._fetching.popleft()
            if ev in workers:
                # Re-queue items that are still valid
                self._fetching.append((ev, obj_ref))

    @property
    def count(self):
        return len(self._tasks)

def create_colocated_actors(
    actor_specs: Sequence[Tuple[Type, Any, Any, int]],
    node: Optional[str] = "localhost",
    max_attempts: int = 10,
) -> Dict[Type, List[ActorHandle]]:
    """Create co-located actors of any type(s) on any node.

    Args:
        actor_specs: Tuple/list with tuples consisting of: 1) The
            (already @ray.remote) class(es) to construct, 2) c'tor args,
            3) c'tor kwargs, and 4) the number of actors of that class with
            given args/kwargs to construct.
        node: The node to co-locate the actors on. By default ("localhost"),
            place the actors on the node the caller of this function is
            located on. Use None for indicating that any (resource fulfilling)
            node in the cluster may be used.
        max_attempts: The maximum number of co-location attempts to
            perform before throwing an error.

    Returns:
        A dict mapping the created types to the list of n ActorHandles
        created (and co-located) for that type.
    """
    if node == "localhost":
        node = platform.node()

    # Maps each entry in `actor_specs` to lists of already co-located actors.
    ok = [[] for _ in range(len(actor_specs))]

    # Try n times to co-locate all given actor types (`actor_specs`).
    # With each (failed) attempt, increase the number of actors we try to
    # create (on the same node), then kill the ones that have been created in
    # excess.
    for attempt in range(max_attempts):
        # If any attempt to co-locate fails, set this to False and we'll do
        # another attempt.
        all_good = True
        # Process all `actor_specs` in sequence.
        for i, (typ, args, kwargs, count) in enumerate(actor_specs):
            args = args or []  # Allow None.
            kwargs = kwargs or {}  # Allow None.
            # We don't have enough actors yet of this spec co-located on
            # the desired node.
            if len(ok[i]) < count:
                co_located = try_create_colocated(
                    cls=typ,
                    args=args,
                    kwargs=kwargs,
                    count=count * (attempt + 1),
                    node=node,
                )
                # If node did not matter (None), from here on, use the host
                # that the first actor(s) are already co-located on.
                if node is None:
                    node = ray.get(co_located[0].get_host.remote())
                # Add the newly co-located actors to the `ok` list.
                ok[i].extend(co_located)
                # If we still don't have enough -> We'll have to do another
                # attempt.
                if len(ok[i]) < count:
                    all_good = False
            # We created too many actors for this spec -> Kill/truncate
            # the excess ones.
            if len(ok[i]) > count:
                for a in ok[i][count:]:
                    a.__ray_terminate__.remote()
                ok[i] = ok[i][:count]

        # All `actor_specs` have been fulfilled, return lists of
        # co-located actors.
        if all_good:
            return ok

    raise Exception("Unable to create enough colocated actors -> aborting.")

def try_create_colocated(
    cls: Type[ActorClass],
    args: List[Any],
    count: int,
    kwargs: Optional[List[Any]] = None,
    node: Optional[str] = "localhost",
) -> List[ActorHandle]:
    """Tries to co-locate (same node) a set of Actors of the same type.

    Returns a list of successfully co-located actors. All actors that could
    not be co-located (with the others on the given node) will not be in this
    list.

    Creates each actor via it's remote() constructor and then checks, whether
    it has been co-located (on the same node) with the other (already created)
    ones. If not, terminates the just created actor.

    Args:
        cls: The Actor class to use (already @ray.remote "converted").
        args: List of args to pass to the Actor's constructor. One item
            per to-be-created actor (`count`).
        count: Number of actors of the given `cls` to construct.
        kwargs: Optional list of kwargs to pass to the Actor's constructor.
            One item per to-be-created actor (`count`).
        node: The node to co-locate the actors on. By default ("localhost"),
            place the actors on the node the caller of this function is
            located on. If None, will try to co-locate all actors on
            any available node.

    Returns:
        List containing all successfully co-located actor handles.
    """
    if node == "localhost":
        node = platform.node()

    kwargs = kwargs or {}
    actors = [cls.remote(*args, **kwargs) for _ in range(count)]
    co_located, non_co_located = split_colocated(actors, node=node)
    logger.info("Got {} colocated actors of {}".format(len(co_located), count))
    for a in non_co_located:
        a.__ray_terminate__.remote()
    return co_located

def split_colocated(
    actors: List[ActorHandle],
    node: Optional[str] = "localhost",
) -> Tuple[List[ActorHandle], List[ActorHandle]]:
    """Splits up given actors into colocated (on same node) and non colocated.

    The co-location criterion depends on the `node` given:
    If given (or default: platform.node()): Consider all actors that are on
    that node "colocated".
    If None: Consider the largest sub-set of actors that are all located on
    the same node (whatever that node is) as "colocated".

    Args:
        actors: The list of actor handles to split into "colocated" and
            "non colocated".
        node: The node defining "colocation" criterion. If provided, consider
            thos actors "colocated" that sit on this node. If None, use the
            largest subset within `actors` that are sitting on the same
            (any) node.

    Returns:
        Tuple of two lists: 1) Co-located ActorHandles, 2) non co-located
        ActorHandles.
    """
    if node == "localhost":
        node = platform.node()

    # Get nodes of all created actors.
    hosts = ray.get([a.get_host.remote() for a in actors])

    # If `node` not provided, use the largest group of actors that sit on the
    # same node, regardless of what that node is.
    if node is None:
        node_groups = defaultdict(set)
        for host, actor in zip(hosts, actors):
            node_groups[host].add(actor)
        max_ = -1
        largest_group = None
        for host in node_groups:
            if max_ < len(node_groups[host]):
                max_ = len(node_groups[host])
                largest_group = host
        non_co_located = []
        for host in node_groups:
            if host != largest_group:
                non_co_located.extend(list(node_groups[host]))
        return list(node_groups[largest_group]), non_co_located
    # Node provided (or default: localhost): Consider those actors "colocated"
    # that were placed on `node`.
    else:
        # Split into co-located (on `node) and non-co-located (not on `node`).
        co_located = []
        non_co_located = []
        for host, a in zip(hosts, actors):
            # This actor has been placed on the correct node.
            if host == node:
                co_located.append(a)
            # This actor has been placed on a different node.
            else:
                non_co_located.append(a)
        return co_located, non_co_located

@Deprecated(new="create_colocated_actors", error=True)
def create_colocated(cls, arg, count):
    pass

@Deprecated(error=False)
def drop_colocated(actors: List[ActorHandle]) -> List[ActorHandle]:
    colocated, non_colocated = split_colocated(actors)
    for a in colocated:
        a.__ray_terminate__.remote()
    return non_colocated


text:
Q: What Could Explain This Odd "Automatic Save" Behavior of Notepad? I have recently encountered this very odd behavior using the basic Notepad of Windows 10, and I can't figure out what could explain it.
I'm using the MT Power Drumkit 2 plugin for the LMMS music generator program. The former has its own temporary folder, which is only used to temporarily save the drum sequence created with the plugin, as a .midi. The file is always saved as mtpdk.mid.
Learning to use the plugin, I found some resources that advised you could drag & drop the drum sequence created on the plugin's GUI into an empty Notepad, and save it as a .midi file.
Now comes the weird part, where I need help with.
When dragging and dropping this way, from the plugin GUI into a new, empty, untitled Notepad, as soon as the contents appear, the Notepad app automatically shows mtpdk.mid as the file name, and saves the contents.
I suspect what happens is that Notepad somehow recognizes the contents match the existing mtpdk.mid file, and swaps the untitled file I created to the existing one.
This baffles me greatly. It's the equivalent of opening an empty Word document, pasting "One brown fox" in it, and if there is a saved .docx file, say fox.docx with "One brown fox" in it, Word would automatically swap from your newly created empty document to this fox.docx.

*

*Is this possible, and how does Windows recognize what's going on?

*The plugin temp folder is in C: (as in C:/tempFolder). Is that relevant to the behavior?

*Are there any security considerations regarding this?

A: No, there's no magic content recognition here. You're actually not dragging any content into Notepad to paste it – you're dragging an actual file into Notepad to open it. So it is not automatically saving anything but opening a file that has already been saved previously.
It sounds like your program deliberately sets up its drag source to offer a "shell object" (and not just the plain MIDI data). When you drop it into Notepad, it looks at the data types provided through the "drag source", and if it sees that it's being offered a file, it opens that file.
(In fact, I don't think Notepad even accepts text being dragged into it? Other editors commonly allow that, but the standard Windows Notepad actually does not.)
This means that you should also be able to drag the same sequence directly to a folder and I expect that Explorer would recognize this as a file copy.

You can also try dropping it into WordPad or Microsoft Word. If you drop something onto WordPad's title bar/button bar it'll be opened as a file; but if you drop it into the "document" area it'll get inserted either as text or as an OLE object, so you can see exactly what you were dragging.

redpajama_set_name: RedPajamaStackExchange


text:
/news-and-offers/news/tokyo-collection
Discover the vibrant new Tokyo Collection by OPI
Discover the bright, trendsetting colours of Tokyo with the new collection by OPI. Inspired by the city's balance of rich tradition and nature with fashion-forward style and ultramodern cityscapes, this palette features 12 new shades that evoke the energy and creativity of Tokyo.
With a nod to Tokyo's status as a trendsetter, the collection includes a new take on millennial pink with dusty rose shades featuring tones of lavender and lilac (Arigato from Tokyo and Hurry-juku Get this Colour!). Rich hues inspired by nature from matcha green tea to blooming gardens (How Does Your Zen Garden Grow?) I'm On a Sushi Roll, Suzi-san Climbs Fuji-san, Tempura-ture is Rising!) and vibrant purple and blue hues with metallic shimmer that capture the city's electric energy and nightlife (All Your Dreams in Vending Machines, Samurai Breaks a Nail, Kanpai OPI!, Chopstix and Stones) round out the collection.
OPI co-founder and brand ambassador, Suzi WeissFischmann, shared: "Tokyo is known for being on the forefront of nail trends -- a perfect fit for OPI, where we don't follow the trends but set them. In this collection, we are revisiting the 80s and 90s, with pop colours that we've given a modern twist, taking inspiration from the famous Harajuku neighbourhood. Tokyo brings so much life to this collection, from its eclectic fashion, vibrant nightlife and world-renowned cuisine to the rich traditions including matcha tea ceremonies and zen gardens."
The OPI Tokyo collection is now available to buy in our Aqua Sana Boutiques. You can also choose your favourite colour from the collection for a manicure or pedicure with our Express Treatments.


text:
Home / West Sussex / Hurstpierpoint – Holy Trinity
Hurstpierpoint – Holy Trinity
A fine church of 1843-45 in the style of c1300 by Sir Charles Barry.
A church is mentioned in Domesday Book (12, 36), though the Sharpe Collection drawing (1802) and one in The Gentleman's Magazine (1806 Part II opp p897) both show it with a squat tower and a nave which look C12 at the earliest, at least in origin. A drawing of 1799 (2 p13) shows a cluttered interior with galleries and box pews, but two round piers of a north arcade are visible, which were also thought to be C12, though both their tall dimensions and the very depressed heads make this most unlikely. David Parsons (in his commentary in SRS 101 p156) cites documentary evidence that this work dates from 1787. The dedication was \t this time to St Laurence (Horsfield I p246). The external detail of the chancel and south (Danny) chapel is mainly C15, though their east windows lack tracery, and the structure was probably late C13, on the evidence of a piscina from the chapel (GM ibid), which contained ancient monuments (ibid). The roof, decorated with heraldic devices (ibid), sounds C15 as well. There was a south aisle and a small north transept was of indeterminate date (1 p76).
The church was rebuilt in 1843-45, following the appointment as rector of Carey Hampton Borrer (1814-98), whose family held the advowson and lived in the parish. Encouraged by Julius Hare, his Archdeacon (2 p5), Borrer submitted a petition for a faculty (WSRO Ep II/27/54). In this Borrer, who had Tractarian sympathies, explained that with a population of 2118 (1841 census), the new church, which was south of the old one, needed 1000 instead of 500 places. As architect, he chose Sir C Barry (ICBS), one of the most eminent architects in the country, who was increasingly preoccupied with building his design for the new Palace of Westminster. Barry's understanding of the gothic had developed since the 1820s (see Brighton and Hove – St Peter, which was typical of his earlier work), transformed above all by his association with A W N Pugin at Westminster, whose influence, though he had no part in designing Hurstpierpoint church, was strong.
Barry and Borrer were agreed in a preference for complete rebuilding rather than extension of the existing church (2 p6). Barry's first plans, submitted to the ICBS in 1842, were Perpendicular in style and had galleries, both features deplored by Pugin. These proved too costly (A Barry p135), but though work started in 1843, revised plans were not shown to the ICBS until the next year, which were more in line with Pugin's principles. There were no galleries and the style was that of around 1300, with short transepts and a sizeable chancel that, contrary to Pugin's preferences, was praised for its openness to the body of the church (ibid). The material is a dark local stone and much trouble was taken over the detail, particularly the geometric tracery and the copious mouldings and carving of the spacious interior. This has arcades of five bays and larger arches to the transepts. The initial estimate was for £5,500 (2 ibid),though this had risen to £7,500 by the time of completion, and by 1875, the total expended was said to be £12000 (PP 125). A possible benefit of the increase was that it allowed more for the carved decoration which is a characteristic of the church, though some of it, like the head-stops of Victoria and Albert on the chancel arch seems incongruous today. The interior impresses more than the outside, where the tower and stone broach spire in particular seem too thin in proportion to the body of the church. Even inside, some features reveal Barry's limitations in the gothic style, e g the aisle roofs, supported on long shafts awkwardly hidden behind the arcade-piers. The clerestory has also been criticised as too small, but Barry intended a larger one, which proved too expensive (A Barry ibid).
The main later changes are chancel chapels, the north one of 1854 and the south one of 1874 (VCH 7 p177), which match Barry's work, inside and out. Plans for extension in 1876 (A 16 p 392) were not realised, but the chancel was refitted in 1886 by C Barry junior, including the floor, which incorporates mosaic-work, and other fittings (BE(W) p456). The east window was replaced in later C14 style in 1901 and a north porch dates from 1908 (EH), though its painted ceiling was added by J L Denman in 1958 (BE(W) ibid). There were repairs in 1971-72 by J P Lomax (ICBS), primarily to the roofs (2 p22) and a partial re-ordering in 2009, when the present nave altar was installed and the font was moved to the south side of the new platform (ibid).
In 2012-13 the re-ordering scheme was completed to the designs of J D Clarke (responsible architect P Pritchett) (2 p27). The most conspicuous change at this time was the partitioning off of the two western bays of the nave to form a social area. This is roofed and ironically, in view of the earlier dislike of galleries, the flat top of this now serves that function. The overall effect has been a considerable success and the limited height of the new structure helps to preserve the unity of Barry's interior.
Fittings and monuments
Chest: (South transept) C17 panelled with plain panels.
Fonts:
1. (In pieces in corner of south transept) Round and said to be of c1200 (VCH ibid). If so, it has been recut; repairs in 1863 are known (www.crsbi.ac.uk retrieved on 8/4/2013) and these have been credited to Sir George G Scott (EH), though it seems unlikely that such an eminent architect would have been involved in such a small project; A K Walker regarded it as old, but stated that the top moulding in particular was recent (p118). Nearby fragments are probably from a mortar, not a font, though it is probably mediaeval (www.crsbi.ac.uk retrieved on 8/4/2013) and Walker lists them as a font (ibid p124).
2. (Moved to stand adjacent to crossing altar) C19 circular with a round bowl with tapering sides and decoration in red, on a single, central stem.
1. (South chapel) C16 German and Netherlandish roundels, which closely resemble those at Sayers Common, which was formerly in the parish. In 1861 T Willement reset these in new quarries at a cost of £12, together with a further window in the vestry, costing £8 2s 1d (Willement ledger). There are others in the base of the tower by the entrance.
2. (Clerestory) Heraldic by Heaton, Butler and Bayne (BE(W) ibid), 1860.
3. (Remaining windows in aisles and chancel) J Hardman and Co, 1860s (the west window is dated 1868) and the two north chancel windows in 1883 (Order book and www.stainedglassrecords.org retrieved on 11/3/2013). The bold, large-scale designs and striking colours, rich yet not strident, particularly of the large transept windows, make these some of the company's finest glass. Hardman's original east window was replaced in 1902 (see below) but was donated to the church of St John, Saulte Ste Marie, Ontario, Canada where it is still to be found.
4. (East window) C E Kempe, 1902.
5. (North chapel east window) Kempe and Co, 1918.
Glass entrance doors: 2013 by M Howse, 2013 (2 p27)
Monuments:
1. (South chapel and north aisle) Worn effigies of knights, a C13 one in chain mail and the other wearing plate armour, both taken from the old church. The former is thought to be Sir Robert (d 1270) and the other Sir Simon de Pierpoint (d c1370).
2. (Outside west doorway) C12 and C13 stone coffin lids.
3. (North chapel) memorials to the Courthopes of Danny, including Peter (d1657), attributed to E Marshall, and Peter (d1725), attributed to W Palmer (both BE(W) p457).
4. (Reset in chancel floor) Late C17 and C18 ledger stones to members of the Courthope family.
5. (Chancel) Christopher (d1645) and Edward Swale (d1660). Baroque inspired cartouche, attributed to Joshua Marshall (BE(W) ibid).
6. (South aisle) Thomas Beard (d1765) and other members of his family down to 1827 (with one obvious later addition of 1840), which the neo-classical draped urn above shows to be the date. Signed by L Parsons of Lewes.
7. (North aisle) John Pelham Roberts (d1828). Signed by G Lupton of London. There are scrolls either side of the inscription with s carved pediment above.
8. (North chapel) Memorials to the Hannington family brought here in 2013 (2 p26) from the chapel of St George when that was made redundant. They include a brass in memory of Bishop James Hannington (d1886).
9. (North aisle) Tombstone of c1770 with a crude depiction of the old church, now placed inside for safety.
Pulpit: Arcaded stone, reached by a stair in the thickness of the wall, from which it projects. Instead of a base the underside is a massive foliated boss.
Tiles:
1. (Formerly outside west doorway) These were displaced from the chancel in 1886, when they were dated to the C14 and placed here. Later research showed conclusively that they dated from Barry's rebuilding and they were removed from here in 1991 (2 p17).
2. Chamberlain and Co (nd) (L Pearson p348)
1. W S Ellis: The Manor of Hurstpierpoint, SAC
11 (1859) pp50-88
2. J Norris: Notes on the Church, Holy Trinity Hurstpierpoint, Lecture to the Hurstpierpoint Historical Society, 1993, last revised 2013 (My thanks to Mr Norris for sending this to me)
My thanks to Nick Wiseman for the colour photographs
Keymer - St Cosmas and St Damian Henfield - St Peter


text:
The story of the Bösendorfersaal
It is likely that most of our readers have passed by the Hochhaus Herrengasse. Perhaps you did not make it to the lobby of the building. There, you will find a memorial plaque about a place called the "Bösendorfersaal".
The name goes back to the company Bösendorfer, which is a well-known Austrian piano manufacturer. Established in 1828 by Ignaz Bösendorfer the company received the K.K. title (Imperial and Royal supplier) in 1839. It was Ignaz's son, Ludwig who in 1872 supported the creation of a concert hall, the Bösendorfersaal, in the Liechtensteinpalais at the Herrengasse.
The place could host roughly 600 people. For the next 40 years it was a very famous place to go for piano concerts as its acoustic was considered supreme. This particular Palais Liechtenstein – not to be confused with the other one located near the Burgtheater– had a long life. In 1913 the Palais was one of the victims of modern times. It was demolished and with it the Bösendorfersaal was also gone.
The last concert there took place in May 1913. According to Stefan Zweig no one in the audience wanted to leave the hall, even after the lights were gone. After the flattening, the large area where the Palais used to stand remained empty. It took 20 years for a new building to be built, namely the Hochhaus Herrengasse.
The memorial plaque that you find in the lobby of the Hochhaus pays tribute to the great past of the Bösendorfersaal. And it is open to debate whether the Hochhaus is a worthy successor of this Baroque style Liechtensteinpalais in particular in the Herrengasse! (Cr).
Make sure to check out our private tours, if you want to learn more about Vienna's history. You can also find us on Instagram and on Facebook as well. There we post daily content about all things Vienna, upcoming events and adventures you shouldn't miss out on.
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Home › Music › Eurogliders Interview
Eurogliders Interview
Q&A with Grace Knight.
One of Australia's most successful recording bands from the 1980s, Eurogliders, are reuniting for some special Live & Intimate shows throughout 2014. With a swag of hits to their name such as Heaven (Must Be There), We Will Together, City of Soul and Can't Wait to See You to name a few, these concerts promise to be the perfect stroll down memory lane for music fans. We chat to frontwoman Grace Knight in the lead up to the shows.
How did you get your start in the music industry?
Back in the 1970s my boyfriend and I played and sang as a duet in little clubs and we entered a talent contest in the UK run by Courage Breweries. We managed to win a few heats and get ourselves through to the semi-finals where a talent scout spotted us and offered us a three month booking on a floating hotel moored in Dubai Creek in the United Arab Emirates. After that, I got a gig on a cruise ship and sang my way to Australia in 1977.
Best part of what you do?
I make people happy for a living. The songs I choose to sing evoke many of the emotions the audience have experienced, this touches their heart, it moves them because they recognise themselves in the lyrics. The musicians I use have honed their skills over many years, they play beautifully and this can't help but uplift the listener. I consider myself very fortunate to have a job that not only uplifts the audience, but uplifts me.
And the worst part?
Waiting in airports, delayed flights, cancelled flights, drinking coffee to relieve the boredom.
Any interesting experiences you can share?
You know the old saying, "What happens on the road stays on the road". I've had plenty of interesting experiences over the years…you can't spend 35 years on the road and not accumulate a few stories from the trenches. However, in an attempt to protect the guilty I think I'll pass on making any of them public.
Favourite album of all time and why?
I don't have a favourite album, I have tracks that I love until another track replaces it and becomes my favourite. I purposefully steer clear of listening to female singers. It is very easy to copy something you like, so I try to stay true to myself. At the moment I am listening to Ahmed Jamal the great jazz pianist, I've got a double live album of his from the early 60s that still sounds as fresh as if it were recorded yesterday. I listen to a pretty wide range of music from opera to jazz to world music, it depends on what mood I'm in at the time.
Best live performance that you've ever seen?
I only go and see live performances very occasionally, probably much less often than most people. I guess it's a product of working when a lot of shows are on. It's one of the reasons I like playing festivals, you get to listen to other artists. I guess if I had to pick one show, Michael Jackson was pretty spectacular.
Favourite bars/clubs/pubs to hang out in?
I'm not really a drinker so I don't hang out in bars or pubs. I have a gin and tonic whilst I'm putting on my make up backstage at a gig and I usually take it onstage and sip it through the show but that's about the only time I drink. I'd actually prefer a nice cup of tea, but it can be a problem getting a decent cuppa' at most venues so I go with the gin and tonic. I sort of do my hanging out during the day light hours at the local coffee shop…I'm seriously addicted to caffeine.
Take us through a typical day in the life of Grace Knight.
I sort of have different typical days. When I'm working, it's airports, taxis, soundchecks, doing my hair and make-up, performing and a fair bit of waiting around between things. If I'm promoting upcoming shows or a new CD I'll be on the phone most of the day or driving from interview to interview if they are live at a radio station. When I have some down time I really like creating stuff…it might be painting, designing, sewing or making something, anything. If I'm not making something I feel bored out of my scone. I've used concrete, fabric, gourds, leather, the list goes on forever. I'm having a shed built at the moment so I can start playing with a wood turning lathe. I can't wait to get my hands on some gnarly old wood and hopefully turn it into something beautiful.
What advice would you give to someone looking at getting involved in the music industry?
I make a distinction between the music industry and performing. From a performance point of view, do as many gigs as you can…work out a way of getting in front of an audience and practice your craft. Singing is about a lot more than just singing, you have to work out how to connect with an audience and how to hold them, how to take them on some sort of emotional journey. From a business perspective, don't put your head in the sand and then grizzle later on that you didn't understand the contract you where signing. Make sure you understand what you are obligated to do and most of all understand the financials…so many artists generate rivers of money and end up with very little because they didn't understand where it was all being siphoned off. Don't be afraid to ask questions and don't be fobbed off…it's your career and you won't win any prizes for having other people make a mess of it for you.
Any news or final comments?
I'm back in the recording studio with my old partner in crime, Bernie Lynch. We're redoing a lot of the old Eurogliders hits as well as some newer songs in a semi-acoustic style and hope to have an album out in the second half of this year. The songs are coming up a treat and they sound very fresh, it's a very different sound…all the synth keyboards and electronic drums have gone and we're using banjos, guitars and mandolins. We've done a handful of gigs in smaller venues in this format and the crowds seem to really like what we've done with the songs.
© Danny Canak
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Ios, Greece: Travel & Nightlife
Shocking Moments In Music


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de.linearbits.newtonraphson

Class Vector2D

java.lang.Object

de.linearbits.newtonraphson.Vector2D

public class Vector2D
extends java.lang.Object

This class implements a vector in RxR

Field Summary

Fields

Modifier and Type
Field and Description

double
x

Dimension

double
y

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Vector2D()

Creates a new instance

Vector2D(double x,
        double y)

Creates a new instance

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Vector2D
clone()

Clone

boolean
isNaN()

Returns whether any of the components is NaN

void
minus(Vector2D vector)

Subtracts the given vector

void
times(SquareMatrix2D matrix)

Multiplies the vector with the given matrix

java.lang.String
toString()

Returns a string representation

Methods inherited from class java.lang.Object

equals, getClass, hashCode, notify, notifyAll, wait, wait, wait

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x

public double x

Dimension

y

public double y

Dimension

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Vector2D

public Vector2D()

Creates a new instance

Vector2D

public Vector2D(double x,
        double y)

Creates a new instance

Parameters:

x -

y -

Method Detail

clone

public Vector2D clone()

Clone

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clone in class java.lang.Object

isNaN

public boolean isNaN()

Returns whether any of the components is NaN

Returns:

minus

public void minus(Vector2D vector)

Subtracts the given vector

Parameters:

vector -

times

public void times(SquareMatrix2D matrix)

Multiplies the vector with the given matrix

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matrix -

toString

public java.lang.String toString()

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Saint Rose of Lima Catholic Church
Bringing the Traditional Latin Mass to the Quincy, Illinois, area
Rev. Fr. Joseph Portzer, FSSP, Pastor
St. Rose of Lima 2009 Bulletins
Weekly bulletins from 2009 available for download in PDF format:
December 27, 2009, Sunday Within the Octave of the Nativity
December 20, 2009, Fourth Sunday of Advent
December 13, 2009, Third Sunday of Advent
December 6, 2009, Second Sunday of Advent
November 29, 2009, First Sunday of Advent
November 22, 2009, Last Sunday after Pentecost
November 15, 2009, Twenty-Fourth Sunday after Pentecost
November 8, 2009, Twenty-Third Sunday after Pentecost
November 1, 2009, Feast of All Saints
October 25, 2009, Feast of the Kingship of Our Lord Jesus Christ
October 18, 2009, Twentieth Sunday after Pentecost
October 11, 2009, Nineteenth Sunday after Pentecost
October 4, 2009, Eighteenth Sunday after Pentecost
September 27, 2009, Seventeenth Sunday after Pentecost
September 20, 2009, Sixteenth Sunday after Pentecost
September 13, 2009, Fifteenth Sunday after Pentecost
September 6, 2009, Fourteenth Sunday after Pentecost
August 30, 2009, Solemnity of St. Rose of Lima
August 23, 2009, Twelfth Sunday after Pentecost
August 16, 2009, Eleventh Sunday after Pentecost
August 9, 2009, Tenth Sunday after Pentecost
August 2, 2009, Ninth Sunday after Pentecost
July 26, 2009, Eighth Sunday after Pentecost
July 19, 2009, Seventh Sunday after Pentecost
July 12, 2009, Sixth Sunday after Pentecost
July 5, 2009, Fifth Sunday after Pentecost
June 28, 2009, External Solemnity of Saints Peter and Paul
June 21, 2009, Sacred Heart
June 14, 2009, Corpus Christi
June 7, 2009, Trinity Sunday
May 31, 2009, Pentecost
May 24, 2009, The Ascension of Our Lord
May 17, 2009, Fifth Sunday after Easter
May 10, 2009, Fourth Sunday after Easter
May 3, 2009, Third Sunday after Easter
April 26, 2009, Good Shepherd Sunday (Second Sunday after Easter)
April 19, 2009, Divine Mercy Sunday (Low Sunday)
April 12, 2009, Easter Sunday
April 5, 2009, Palm Sunday
March 29, 2009, Passion Sunday, and Insert on Vocations and Spiritual Maternity
March 22, 2009, Laetare Sunday, Fourth Sunday of Lent
March 15, 2009, Third Sunday of Lent
March 8, 2009, Second Sunday of Lent, and Insert on Adoration and Spiritual Maternity
March 1, 2009, First Sunday of Lent, and Rules for Fasting and Papal Message on Lent
Feb. 22, 2009, Quinquagesima
Feb. 15, 2009, Sexagesima
Feb. 8, 2009, Septuagesima
Feb. 1, 2009, Fourth Sunday after Epiphany, Candlemas
Jan. 25, 2009, Third Sunday after Epiphany, Conversion of St. Paul
Jan. 18, 2009, Second Sunday after Epiphany
Contacts & Schedule
8:00 am Low Mass
10:30 am High Mass
Monday, Wednesday, & Thursday:
12:10 pm Low Mass
Tuesday & Friday:
First Fridays:
7:00 am & 6:00 pm
Holy Days of Obligation:
Stations of the Cross:
5:30 pm on Fridays during Lent
For Sacramental Emergencies, call the Parish Office at 217-222-2511
Confessions & Rosary 30 minutes prior to Mass
See the bulletin for the latest in any schedule changes
Download and Print Mass Propers
Victim Assistance Information
Donate to St. Rose while shopping on Amazon.com: You may now donate 0.05% of your purchase to St. Rose (at no extra cost to you) if you use the following link:
Mass of Jan. 18: Saturday of Our Lady(Now)
Masses of Jan. 19: Second Sunday after the Epiphany(1 day)
Mass of Jan. 20: St. Fabian, Pope, & St. Sebastian, Martyrs(2 days)
Mass of Jan. 21: St. Agnes, Virgin & Martyr(3 days)
Mass of Jan. 22: National Day of Penance; Ss. Vincent & Anastasius, Martyrs(4 days)
Mass of Jan. 23: St. Raymond of Pennafort, Confessor(5 days)
Mass of Jan. 24: St. Timothy, Bishop & Martyr(6 days)
Mass of Jan. 25: The Conversion of St. Paul(7 days)
Masses of Jan. 26: Third Sunday after the Epiphany(8 days)
Mass of Jan. 27: St. John Chrysostom, Bishop, Confessor & Doctor(9 days)
Mass of Jan. 28: St. Peter Nolasco, Confessor(10 days)
Mass of Jan. 29: St. Francis de Sales, Bishop, Confessor & Doctor(11 days)


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There are all kinds of great museums in San Francisco, but the de Young Museum, the fifth most-visited art museum in the nation, stands out in a couple of ways. First off, it has a vast amount of art, ranging from American sculptures and paintings to Oceanic and African art, which makes it easy to spend a full day there. Plus, it has the Hamon Observation Tower, an incredible glass-walled space with 360 degree panoramic views of downtown San Francisco, Golden Gate Park, the Bay, and the Marin headlands, giving visitors arguably the best view in the city. Located about twenty minutes from our San Francisco area hotel, the museum's current special exhibition is a survey of celebrated painter J.M.W. Turner's later work, which runs through September 20th.