text:
Voices from Kazakhstan: protesters do not yield despite bloody crackdown
Aset Abishev was one of the first protesters to take to the streets in Kazakhstan's largest city Almaty last week and one of the first to be arrested. After four days in detention, he was covered with bruises that he said were the result of torture and beatings.
"The police department, all five floors, is a kind of torture conveyor. The longtime opposition activist allegedly could hear screams coming from every window. "The tortures were horrible. They put bags on the young man and strangled him. They beat people, jumped on people lying on the floor.
He added: "These are ordinary citizens caught by the neck in the street, passersby, taxi drivers.
The largest and most violent protests in Kazakhstan's history broke out earlier this month in the western city of Zhanaozen due to rising fuel prices.
By the time they were quelled nearly a week later, protests had spread across the country, turning into broader protests about poverty, corruption and the influence of former leader Nursultan Nazarbayev. The unrest led to the resignation of the government and President Kassym-Jomart Tokayev asked Russian-led forces from the former Soviet states for help.
Government buildings were set on fire and the president ordered security forces to fire "without warning". More than 160 people, including police officers, were killed. According to previous official estimates, more than 10,000 people have been arrested, although on Friday the president said 2,000 people had been detained.
Smoke rises as protesters gather near Almaty town hall in the most violent demonstration in Kazakhstan's history © AFP/Getty
Tomiris Izgutdinova, a 20-year-old student from Almaty, did not join the protest. But her mother, Nuraliya Aytkulova, was shot dead on the way home to her daughter. Shot twice in the chest, she was found bruised and battered on the city's Republic Square, Izgutdinova said. It is unclear who fired the shots that killed her.
Nuraybek, Aytkulova's brother, said: "Only this vile government is to blame. "It has to change. What is happening is terrible. They are switching places in the government, while the common people are barely able to survive. And when they spoke, they were literally smashed and mixed with dirt, just like Nuraliya's body. "
Government officials did not respond to a request for comment on the allegations of violence. On Friday, Tokayev said on Twitter: "Those who commit serious crimes will be punished according to the law."
Addressing parliament earlier this week, Tokayev blamed Nazarbayev for creating an oligarchic state that enriched a small group and left millions of ordinary Kazakhs struggling to make ends meet. The president has reversed some of the fuel price hikes and pledged to raise wages and a social fund – paid for by the wealthy – to address grievances.
Nuraliya Aytkulova, left, was shot dead in Almaty on her way to see her daughter Tomiris Izgutdinova, right © Tomiris Izgutdinova
But as the internet recovery – which was shut down nationwide for much of the past week – revealed the scale of the bloodshed overseen by Tokayev, public sentiment turned against him, according to analysts and activists political action.
"Our people say: 'They have turned off the internet, the blood is flowing. They turned on the internet, the evidence poured in,' said Dana Zhanay, an activist participating in the Almaty protests.
"We have only one request: to change the ruling regime. People get tired of not having citizenship, because of the constant lack of respect for human rights," she said.
However, Zhanay and other protesters told the Financial Times they had been joined by local Islamist groups and extremists with unclear motives. Groups of "young people in plain clothes" were handing out weapons, she said.
Then, she added, the disorder seemed to randomly flare up, with no clear goal in mind. "People have been killed and there are no police, no security services. Right in front of me, there were grandmothers and grandfathers lying on the ground. "
The president alleged earlier in the week that Almaty was surrounded by "20,000 terrorists" and blamed activists and the liberal media for "collusion" with them.
Darkhan Umirbekov, a reporter for Radio Free Europe / Radio Freedom in the capital Nur-Sultan, said he was detained and questioned for several hours after filming the first protests. He said police also went to the door of his colleague Makhambet Abzhan's home, who he said disappeared shortly after.
"I was also sitting on my suitcase like it was 1937, waiting for them to come pick me up," said Zhanay, referring to the repressive period of the Stalinist regime during the Soviet era.
A Kazakh riot policeman arrests a protester in Almaty © Vasily Krestyaninov / AP
Activists told the FT that continued atrocities are increasing public anger, with people resisting what they see as the only aesthetic government change since Nazarbayev stepped down in 2019.
Despite his detention, Abishev said he is determined to live "in the struggle further". He only served three years in prison after the government designated the opposition movement he joined, Kazakhstan's Democratic Choice, an extremist organization. The European Parliament called it a peace movement.
The organization is led by Mukhtar Ablyazov, a former Kazakh banker and government official with ties to Nazarbayev, who came out of France and went into exile after the government confiscated his assets. and accused him of fraud. He has denied the allegations, saying they are politically motivated.
"What we have seen is not some senseless Russian uprising," Ablyazov told the FT. "The frustration and hatred of the masses has led to what you are seeing. . . It will continue. "
Meanwhile, activists say Kazakhstan's security forces have gone door-to-door, interrogating people and checking their phones.
Almaty resident Liaylim Abildayeva said she was breastfeeding her three-month-old daughter when 10 people in Balaclavas burst into her apartment and beat her husband in front of her and two other children. They then took him away, assuming he looked like someone who had distributed weapons during the protests, she said.
"It was just a terrible mistake. The kids and I will suffer for the rest of our lives," she added. "He can be detained for a long time – he is the sole breadwinner in the family."
Kazakhstan countdown to chaos
© Alexander Kuznetsov / EPA-EFE / Shutterstock
The first protests broke out in the western city of Zhanaozen, spurred by the government's decision to lift a cap on the price of liquefied petroleum gas, widely used to fuel cars in the region. . The protests were peaceful, with no arrests.
Protests spread to Kazakhstan's largest city Almaty. The focus changed to reflect social discontent stemming from inequality and poverty. The protesters also demanded the removal of former president Nursultan Nazarbayev from his position as head of the Security Council. The protests turned violent and eight policemen are believed to have been killed. Hundreds of people were arrested and the Internet was shut down.
Violence escalated and President Kassym-Jomart Tokayev declared a state of emergency. Tokayev accepted his government resignation and took over the Security Council. He called on the Russian-led Collective Security Treaty Organization, a military alliance of former Soviet Union nations, for help to quell the protests.
The Russian-led forces are tasked with "protecting important state and military facilities, and assisting Kazakh law enforcement in stabilizing the situation."
Tokayev issued a "shoot to kill without warning" notice to security forces. Thousands of people were arrested, 26 protesters and 18 policemen were killed. Internet is partially restored.
An uneasy calm was restored. About 164 people were killed and thousands were detained during the unrest. Karim Massimov, an ally of Nazarbayev, was fired from his position as security chief and arrested for treason.
Posted in BussinesTagged Voices from Kazakhstan: protesters do not yield despite bloody crackdown

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MCSAAC hosted a community forum in November 2017 the topic of preventing youth suicide. Data on local and regional youth suicide was presented. The presentation below contains information specific to youth suicidal behavior in Middlesex County.


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In this hands-on class, the Leiths experts will teach you how to cook a succulent bird, get ahead with the preparation, and ensure everything is on the table at the same time, allowing you to sit back and enjoy the festivities. Christmas made easy!
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Was your hip replaced after 2003?
Anyone who received a DePuy ASR device as listed above, after July 2003. If you had your hip surgery prior to July 2003, the hip you received is not subject to this recall.
Data shows that more people than expected who received the ASR Hip System experienced pain and other symptoms that led to a second hip replacement surgery, called a revision surgery. In fact, five years after implantation, approximately 12 percent of patients (1 in 8) who had received the ASR resurfacing device and 13 percent of patients (1 in 8) who had received the ASR total hip replacement needed to have a revision surgery.
Additional testing and monitoring may be necessary to ensure your hip implant is functioning well. In some cases, patients may need additional surgery.
While these symptoms may be normal if you just had hip replacement surgery, the symptoms may persist or come back. This is a sign that there may be a problem.
Do you have medical problems with your Durom Hip implant manufactured by Zimmer, Inc.?
Do you need revision surgery because of a Zimmer, Durom Hip implant?
The FDA has received hundreds of complaints from patients with the implants, including reports of device failure and serious symptoms leading to additional surgeries.
Zimmer recalled the medical device and has instructed surgeons to stop using it!
REASON FOR RECALL: Instructions for use/surgical technique instructions are inadequate.
For additional information, go to the FDA recall notice, click here.
If you or a loved one has a Zimmer implant, you need to call now! The device can become loose and may require revision surgery.
The attorneys at Schmidt Kramer are investigating claims against DePuy and Zimmer to protect patients' rights. If you are having problems with a DePuy or Zimmer hip implant, Talk to a Lawyer! A Schmidt Kramer attorney will speak with you about the problems you experienced, and help you determine if you have a claim against the medical device manufacturer.
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text:
Q: Problems with attach() in R i have a list in R, which i attached.
> attach(myList)
> summary(myList)
            Length Class      Mode
grData      3      data.frame list
maxDate     1      POSIXct    numeric
query       1      -none-     character
newData     3      data.frame list
updateQuery 1      -none-     function

Okay, my list is really attached
> search()
 [1] ".GlobalEnv"          "myList"          "package:xlsx"        "package:xlsxjars"
 [5] "package:rJava"       "package:quantmod"    "package:TTR"         "package:xts"
 [9] "package:zoo"         "package:tidyr"       "package:stringr"     "package:RPostgreSQL"
[13] "package:DBI"         "package:dplyr"       "tools:rstudio"       "package:stats"
[17] "package:graphics"    "package:grDevices"   "package:utils"       "package:datasets"
[21] "package:methods"     "Autoloads"           "package:base"

grData data frame from my list has 11 rows:
> summary(myList$grData)
      date            application_id      value
 Min.   :2016-10-01   Min.   : 7.0   Min.   :  5769
 1st Qu.:2016-10-01   1st Qu.: 9.5   1st Qu.: 33113
 Median :2016-10-01   Median :12.0   Median : 65821
 Mean   :2016-10-01   Mean   :22.0   Mean   :106336
 3rd Qu.:2016-10-01   3rd Qu.:37.5   3rd Qu.:108861
 Max.   :2016-10-01   Max.   :49.0   Max.   :507376

But when i try to call grData without myList, i get data frame with 0 rows
> summary(grData)
      date    application_id      value
 Min.   :NA   Min.   : NA    Min.   : NA
 1st Qu.:NA   1st Qu.: NA    1st Qu.: NA
 Median :NA   Median : NA    Median : NA
 Mean   :NA   Mean   :NaN    Mean   :NaN
 3rd Qu.:NA   3rd Qu.: NA    3rd Qu.: NA
 Max.   :NA   Max.   : NA    Max.   : NA

UPD. There is no grData object in globalEnv
> ls()
[1] "checkDbLag"  "con"         "i"           "newDate"     "myList"  "updateQuery"
[7] "x"

Where could be problem?

A: The use of attach() is actually not recommended by many R style guides (like http://google-styleguide.googlecode.com/svn/trunk/google-r-style.html#attach) because it can lead to wrong results.
As suggested by https://www.r-bloggers.com/to-attach-or-not-attach-that-is-the-question/ you have three better options:

*

*Reference variables directly (e.g. lm(ds$x ~ ds$y))

*Specify the dataframe for commands which support this (e.g. lm(y ~ x, data=ds))

*Use the with() function, which returns the value of whatever expression is evaluated (e.g. with(ds,lm(y ~x)))
(Also note the within() function, which is similar to with(), but returns a modified object.)

If you still want to use attach() even given all the alternatives, I suggest you provide a fully reproducible example. By reading your code it seems that you are providing an incomplete output (one time you reference your list as myList, other you reference it as RollingMau).

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Welcome to Association of Chest Physicians West Bengal!
To start health education programmes on pulmonary tuberculosis, asthma, COPD.
Regular arrangement of workshops on bronchoscopy, sleep studies etc.
To form management guidelines on asthma, COPD, pulmonary infections.


text:
Le Ger est une rivière du Sud-Ouest de la France, qui coule dans le département de la Haute-Garonne, et un affluent direct de la Garonne en rive droite.

Géographie

De , le Ger est une rivière du Comminges qui prend sa source dans les Pyrénées au Cap de Gauch (), à , commune de Melles et se jette dans la Garonne à l'aval de Pointis-Inard (en Haute-Garonne), à .

Départements et communes traversés

 Haute-Garonne : Melles, Boutx, Sengouagnet, Milhas, Aspet, Razecueillé, Soueich, Lespiteau, Rieucazé, Pointis-Inard, Labarthe-Inard.

Principaux affluents

 Ruisseau de Coume Taillade :
 La Bareille :
 le Rossignol :
 Ruisseau du Soueil :
 le Job :
 Ruisseau du Chevalier de Saint-Paul :

Hydrologie

Le débit du Ger a été observé durant une période de 26 ans (1983-2008) à Aspet.

Le débit moyen annuel de la rivière y est de /s, pour une surface de bassin versant de 95 kilomètres carrés, soit moins de la moitié de la surface totale de son bassin qui fait plus ou moins . Les chiffres suivants ne comprennent donc pas les débits du Job, son plus important affluent (module de /s), ni les autres affluents plus petits situés en aval de la localité d'Aspet.

La rivière présente des fluctuations saisonnières de débit typiques d'un régime surtout nival, mais avec une composante pluviale non négligeable, c'est-à-dire un régime nivo-pluvial. Les hautes eaux d'hiver-printemps portent le débit mensuel à des valeurs allant de 3,10 à /s, de janvier à mai inclus, avec un sommet en avril-mai. Ce dernier est dû essentiellement à la fonte des neiges, bien que des pluies se produisent également. Dès le mois de juin, le débit baisse rapidement et atteint son minimum en été, période de basses eaux, avec un débit mensuel moyen de /s au mois d'août, ce qui reste d'ailleurs très abondant, il est vrai. Mais ces moyennes mensuelles occultent des fluctuations bien plus prononcées sur de plus courtes périodes et selon les années.

Le Ger est une rivière très abondante, puissamment alimentée par les précipitations importantes qui arrosent les sommets pyrénéens. La lame d'eau écoulée dans cette partie du bassin versant de la rivière est de 888 millimètres annuellement, ce qui est très élevé en France (moyenne française : 320 millimètres). Le débit spécifique (ou Qsp) atteint  par seconde et par kilomètre carré de bassin.

Étiage
Le VCN3 peut chuter jusque /s, en cas de période quinquennale sèche, ce qui reste très suffisant, si bien que l'on peut dire que le cours d'eau reste presque toujours abondant.

Crues
Les crues, quant à elles, sont très importantes quand elles se produisent. Les QIX 2 et QIX 5 valent respectivement 32 et /s. Le QIX 10 est de /s, le QIX 20 de /s et le QIX 50 de /s.

Toujours à Aspet, le débit instantané maximal enregistré a été de /s le , tandis que la valeur journalière maximale était de /s le  de la même année. En comparant le premier de ces chiffres à l'échelle des QIX exposée plus haut, il ressort que cette crue était supérieure à la crue cinquantennale définie par le QIX 50, et donc assez exceptionnelle.

Voir aussi

 La liste des rivières de France
 Les débits des cours d'eau du bassin de la Garonne
 Le bassin de la Garonne

Notes et références

Références

Système hydrologique de la Garonne
Cours d'eau en Haute-Garonne
Cours d'eau issu des Pyrénées

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text:
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages, Renaissance literature exhibits an increased emphasis on courtly love, sometimes abandoning intelligibility for deliberately unintelligible allegories.

The early modern theory of allegory is discussed in Sir John Harington's Apology for Poetry (included in his translation of Ariosto's Orlando furioso, 1591).

Continuous/intermittent
Renaissance allegories could be continuous and systematic, or intermittent and occasional. Perhaps the most famous example of a thorough and continuous allegorical work from the Renaissance is the six books of Edmund Spenser's The Faerie Queene. In book 4, for example, Agape has three sons: Priamond (from one), Diamond (from two), and Telamond (from téleios, perfect, but emended by Jortin to 'Triamond' in his 1734 edition). The three sons correspond to the three worlds, born of love. Cambell's battle with the three sons is an allegory of "man's battle with the three worlds to find his place in the universe, to establish harmony in God's creation, and ultimately to achieve salvation". Furthermore, since any triad may be an analogue of another, the three brothers could also be an allegory of the three worlds of man's soul: the vegetative, the sensitive, and the angelic". Spenser's (multi-layered) allegory is similarly worked out through all six books.

Torquato Tasso also wrote continuous allegory, as opposed to the intermittent allegory of an Ariosto, for example.

Three-world theory
By the 16th century, allegory was firmly linked to what is known as the Elizabethan world picture, taken from Ptolemy and Pseudo-Dionysius the Areopagite. This theory postulates the existence of three worlds:
 the sublunary world we live in, subject to change.
 the celestial world, the world of the planets and stars, unchanging.
 the supercelestial world, where angels and the Godhead are.

Pico della Mirandola discusses the interrelations between these three worlds in the introduction to his Heptaplus: 'For euen as the...three worlds being girt and buckled with the bands of concord doe by reciprocall libertie, interchange their natures; the like do they also by their appellations. And this is the principle from whence springeth & groweth the discipline of allegoricall sense' (translated by Pierre de la Primaudaye in The French Academie, London, 1618, p. 671).

Further examples
Kenneth Borris has argued that Philip Sidney and John Milton were also major allegorists.

See also

 Courtly literature
 Dream vision
 Roman de la Rose

Notes

Allegory


Angus Trumble and Andrea Wolk Rager, ed. Edwardian Opulence: British Art at the Dawn of the Twentieth Century (Yale Center for British Art; Yale University Press, 2013).
The last couple of years have witnessed an upsurge of interest in art of the Edwardian era. Recent months have seen a special edition of Visual Culture in Britain dedicated to 'Edwardian Art and its Legacies', the launch of the Tate-based Camden Town Group in Context, and the first part of Yale's Edwardian project, The Edwardian Sense (published in 2010). Now we have Edwardian Opulence, the four-hundred page catalogue to the exhibition currently showing at the Yale Center for British Art, and the culmination of a decade's research into early twentieth-century British culture.
A small exhibition 'La Belle Epoque': Edwardian Fashion, 1900-1914, has recently opened at Peterborough Musuem. According to the curators "this exhibition is an absolute must for all lovers of fashion! Rarely seen items from the museum's collection will be elegantly displayed to create a snapshot of Peterborough life before the Great War changed the city forever. Explore an iconic decade of changing silhouettes, elegant lines, tall starched collars and wide-brimmed hats". The exhibition also "guest stars the wardrobe of the award winning ITV drama, Downton Abbey" and a 'costume worn by Johnny Depp in Finding Neverland".
The exhibition runs until the 6th May 2013.


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Hard rock band NEW YEARS DAY released an ominous music video for their single "Disgust Me" today via RED MUSIC. In the dark coming-of-age visual narrative, an all-red haired Ash Costello is summoned to an abandoned house where she meets her alter ego, a gothic goddess who conjures the collide of both worlds. Watch "Disgust Me" on KNAC.COM HERE.
""Disgust Me" is about seeing the side of someone that they tend to hide. Whether it be because they have deemed it undesirable or unattractive for whatever reason or out of fear of being judged as less than because of the dark sides they possess. "Disgust Me" is asking the listener to not be afraid to show these parts because it just may bring you relief instead of sorrow," Costello told Heavy Consequence. "I am asked a lot why I decided to dye my hair half red and half black, so I saw the "Disgust Me" music video as an opportunity to give that a story of its own. The all-black-haired girl calling upon the dark spirits to show themselves, and the all-red-haired girl who's been lost alone in the wilderness, coming together to make one whole person. To me it felt symbolic, like the two sides of me can both shine, the light and the dark."
"Disgust Me" is the first song on NEW YEARS DAY's most-recent EP, Diary of a Creep, released in January 2018 and is accompanied by five cover songs. The six-song EP follows the tradition of landmark releases like Garage Days by METALLICA by paying tribute to the artists who shaped the band. NEW YEARS DAY offers renditions of GARBAGE's "Only Happy When It Rains", NEW ORDER's "Bizarre Love Triangle", NO DOUBT's "Don't Speak" and more. The Orange County-based band performed "Only Happy When It Rains" alongside current tour mate Lzzy Hale at the 2017 Alternative Press Music Awards.
8.7 - Columbus, OH @ Express Live!


text:
James F. Best
Lori A. Vanderlaan
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Alexis M. Bargione
Nathan T. Vanderlaan
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George Mason University School of Law, Arlington, Virginia
J.D., 2004
B.S., 2000
United States District Court for the Northern District of Illinois
fwilson@bestfirm.com
Fritz Wilson is a Partner based in the firm's Chicago office. Fritz handles a wide variety of civil litigation matters, including the defense of individuals and businesses in trucking, medical malpractice, automobile, construction, and premises liability claims as well as the defense of local public entities. Fritz also focuses on defending institutional clients in commercial litigation and employment claims.
Fritz is an experienced trial lawyer who has successfully resolved multiple complex and high value cases through trial or dispositive motions. He has tried numerous cases to verdict in state and federal court. He has also negotiated numerous favorable settlements on behalf of the firm's insurance and business clients.
Fritz was recognized as an Emerging Lawyer by the Leading Lawyers publication in 2015. This recognition is determined by surveys conducted by Leading Lawyers across the state. An Emerging Lawyer is under the age of 40 or has been practicing less than 10 years and who shows promise to be one of the future's leading lawyers. Less than 2% of lawyers in Illinois are selected to receive the designation of Emerging Lawyer.
Fritz obtained his Bachelor of Science degree from Northwestern University and obtained his J.D. from George Mason University School of Law. While in law school, Fritz participated in the George Mason Moot Court Board and Trial Advocacy Association, and was a finalist in George Mason's 2002-2003 Moot Court Competition. Fritz also received an award for legal writing. Prior to entering law school, Fritz interned at the White House in Washington, D.C.
Fritz is admitted to practice in the State of Illinois and the United States District Court - Northern District of Illinois. He is a member of the American Bar Association, the Illinois State Bar Association, the Chicago Bar Association, and various other professional associations.
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The ATO has stated that it will be focusing greater attention on high-value SMSFs and has also confirmed an important date for reporting accumulation phase values for those with legacy pensions.
Speaking at the Tax Institute's NSW 11th Annual Tax Forum, ATO acting assistant commissioner Tara McLachlan said that, as part of its compliance activities, the ATO will be doing a lot of benchmarking across the SMSF sector and will also be looking at high-value funds.
"We recognise with the introduction of the transfer balance cap and total superannuation balance that this does put a sharp focus on that segment of high-balance funds," Ms McLachlan said.
The ATO, she said, will also continue to monitor auditors who are auditing a high volume of SMSFs to ensure that a "high professional standard is being maintained".
While Ms McLachlan said that no commutation authorities had been issued to SMSFs yet, the ATO has begun to issue excess transfer balance determinations following the lodgement of around 11,000 TBARs.
"At the moment, people seem to be self-rectifying the situation before or after the determination, which is good to see," the ATO acting assistant commissioner said.
While SMSFs are only required to report their closing balance and their retirement phase value, Ms McLachlan said that the ATO is strongly encouraging SMSFs to also report accumulation phase values (APV) where they have a capped defined benefit income stream or a flexi-pension, as previously reported by SMSF Adviser.
"Essentially, if you don't report an accumulation phase value, we would default to using the closing account balance to work out what the account balance is. So, we strongly encourage you to report the APV in instances where you're paying a capped defined benefit income stream or a flexi-pension, even if that means the APV you're reporting is nil," the official explained.
The other time the ATO would strongly encourage you to report the APV is where it is less than the closing account balance due to exit fees or admin fees, she added.
Ms McLachlan also confirmed that for SMSFs in these situations that have already lodged TBARs but didn't include the APV, they will have until 8 September 2018 to report it to the ATO.
She stressed to practitioners, however, that it is in the client's best interest to lodge the TBAR as early as possible so that clients have a better view of their total super balance and transfer balance cap position.


Full examination: During your exam, we will take the time to examine all aspects of your oral health, keeping a close eye out for any issues that can be treated early or better yet, prevented. We may recommend preventive measures like sealants or fluoride, especially for our younger patients. As a part of our commitment to using the latest technology, we use Spectra, a non-invasive cavity detection aid that allows us to detect decay in its very earliest stages.
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Inspired by the Blade Runner 2049 trailer Dan shares his attempt at recreateing the intense warm washed look.
After the success of thinking like a colorist, I thought it would be great to try and re-create some feature film looks from the trailers.
I think a big note is for this series is that the looks are inspired by these trailers, not exact replicas.
The first step to actually recreating this perfectly is to hire Rodger Deakins and plan a multi-million dollar shoot.
The rest of us regular humans can enjoy having some fun at trying the look on regular footage.
Check out the trailer below and in particular the warm orange scene. Starting around 27 seconds in.
This look isn't achievable on all footage as it's so extreme.
The main issue is if there is too much skin tone or closeups you will need to pull back the look as they did later on in the trailer.
If you are having trouble getting it to work try a different scene. I tried about 10 different shots before I could get something even close!
Jump to the video below to find out more and please do post your grades in the comments below.
If you have any requests for more looks please let me know as I had a lot of fun creating this insight.


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Search results for 'Turin magazines'
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spotlight magazine Sep 2020 food & drink photography & motion
Italy: Giorgio Cravero
With 20 wars of experience as a still life photographer, Giorgio Cravero loves to take care of every detail in any project, starting with the creativity. The dedicated post-production team complete and enhance his vision, the post-production team completes its vision by making sure until the end that the customers' needs are met, and in the right time.
The personal search for beauty has pushed him over the years to work with the largest agencies and clients both in Italy and abroad, managing the most demanding productions thanks to the experience and the ability to foresee and solve the problems that inevitably arise on each set.
showcase magazine Jul 2020 italy issue 806
Magazine: Esquire NL More Photos
Marco Verna Turin creative post production
Marco Verna is a professional photography retoucher that approaches creativity systematically. He sees his work as a result of amazing collaborations and specialised expertise. Retouching is a work of purpose so it's important to have a clear creative goal and define a common vision. He focuses on communication as much as he works on retouching because it's the only way to ensure the best results possible.
Clients: Volkswagen, Comedy Central, Netflix, Philips, Reault, Jagermeister, Asics, Toyota, KFC, Veloretti, and Stanno.
spotlight magazine May 2020 liquids & cosmetics photography
Giorgio Cravero has 20 years' experience as a photographer specialising in drinks, liquids, food and still life photography and motion. He loves working with light and taking care of every detail.
In 2016, Giorgio became the first Italian photographer to win first prize in the 'Still Life' category at the Hasselblad Master's Awards. He is currently working with both Italian international agencies and companies and is available for shoots on location or at his fully-equipped studio in Turin, where he also has an in-house post-production department.
Clients include Diageo Global, Constellation Brands, Grand Frais, De Cecco, Ferrero, Naj Oleari, FCA and Comau.
spotlight magazine Apr 2020 photo post production & cgi
Magazine: Esquire NL by Casper Rila More Photos
Italy: Marco Verna
Marco Verna is a professional photo retoucher based in Italy. He has worked with international brands and photographers on advertising campaigns, editorial content and portfolio pieces.
Great collaborative art is a result of a great relationship and its secrets lie in communication. This is why Marco is determined to go to great lengths to make sure that the way creatives communicate is as efficient and as effective as possible. The value of a photograph lies in its message, that's why defining the purpose of every image is essential. He believes his mission is to be the most valuable resource he can be in any stage of the process, be that consulting, retouching or communication.
That is why he loves to say that what he does is a combination of an obsession for detail, inspiring aesthetics, and beautifully crafted relationships.
showcase magazine Mar 2020 italy issue 793
Giorgio Cravero Turin advertising photographers
In 2016, Giorgio became the first Italian photographer to win first prize in the 'Still Life' category at the Hasselblad Master's Awards. He is currently working with both Italian and international agencies and companies and is available for shoots on location or at his fully-equipped studio in Turin, where he also has an in-house post-production department.
showcase magazine Oct 2019 italy issue 774
Giorgio Cravero has 20 years' experience as a photographer specialising in drinks, liquids and food still life photography and motion. He loves working with light and taking care of every detail.
Client: AMG Mercedes More Photos
Client: Adidas Video Gallery
Lume Turin Full Service Production
LUME is an indipendent Italian production company founded in 2014 by Adriano Bassi, CEO and executive producer, and Lara Calligaro, producer.
LUME Productions is a full service production company based in Turin and Milan that provides film production services in Italy for foreign production companies.
LUME estimates, creates, and executes cost-effective budgets while maintaining clients' creativity. The team is comfortable producing both motion, still shoots and movies. The in-house staff works with A-list film crews who are all English-speaking.
"Because sometimes words are not enough, let LUME figure it out"
spotlight magazine Apr 2019 food & drink photography & motion
Client: Stanno International
Client: Weekbreek NYE More Photos
Italy: MOUNTAIN RETOUCH
Mountain Retouch is a small retouching company based in Italy. Specialised in portraits, commercial and editorial stills, its goal is to complete the artist's original vision without overpowering it with post-production.
Enhancing images with creativity, care and precision, the company provides everything from basic cleaning and colour correction services up to the most complex toning and composite.
The team's work has been published in international magazines including Esquire NL, Elle Arabia, Schön! Magazine, Tatler Russia, L'Officiel Singapore, Lucy's Magazine, FGUK Magazine, Kaltblut Magazine, Nylon Magazine and Audi Magazine, among others.
Clients include Volkswagen, Philips, Jägermeister, Comedy Central NL, Porsche, Asics, Mason Garments, and many more.
Giorgio Cravero has 20 years' experience as a photographer specialising in jewellery, cosmetics, food and drink. He loves working with light and taking care of every detail.


11:57 IhrFussel Why is max_drop_level NOT explained??
12:00 lisac are you modifying on_afteruse?
12:01 IhrFussel on_afteruse CANCELS the "using"?
12:06 lisac hey shouldn't fog be dark underground?
12:38 IhrFussel Is it possible to add the SAME wear to all node levels for one tool?
12:49 Fixer and if you have no AC at work in office - you are screwed big time, if worker outside - R.I.P.
15:49 Raven262 Restarting didn't help.
15:54 IhrFussel That should not be possible, I wonder what causes this...internal engine lag?
15:56 Raven262 The issue must be in one of those mods though, and i have no idea how they work.
16:34 rdococ Actually, I have an idea. nvm.
16:35 Krock there's a HUD bug?
16:36 Krock rdococ, ~How~ about a doge ~MoD~ ?
16:37 Krock statbars = statbars seems correct, no?
16:42 rdococ Krock: my RMod has conveyors which tend to lag the player's camera. I might add a clientside mod to fix it.
18:12 Shara Hi Raven262. How goes?
18:15 Shara That sounds painful.
18:16 Raven262 Oh, it is.
18:17 Raven262 Good thing though is that i don't have to get outside much.
18:17 Raven262 But sleeping is a bit hard.
19:52 lisac hey benrob0329 you watch DOTA International?
19:59 tenplus1 seriously, I was in PM and got kicked for excess flood ?
20:00 rdococ hm. which char is the escape char?
20:33 red-001 0x1b(c red)Also why are we using minetest colour codes in chat?
21:49 rdococ Would it be theoretically possible to determine when a player has grabbed an item with his cursor in a formspec, and set that item's location to a secondary inventory while keeping it on his cursor?
21:52 rdococ Would it be theoretically possible to write a mod that prompts one of you to respond to my query above?
22:10 rdococ behalebabo, would it be theoretically possible to determine when a player has grabbed an item with his cursor in a formspec, and set that item's location to a secondary inventory while keeping it on his cursor?
22:37 rdococ too bad the above isn't possible, it'd be useful.


VEC executes detailed engineering for a variety of projects mainly in the field of oil and gas. The work is carried out in 2D or 3D platform as per the client requirement. The activities performed comprise carrying out design calculations and analysis, and preparation of data sheets, fabrication drawings, equipment layouts, piping general arrangements, earthing and lighting layouts, area classification drawings, instrumentation system architecture, logic diagrams, loop diagrams, technical specifications, piping isometrics, MTO's. etc. 3D model is delivered at the end of the project. VEC also conducts 3D model review at different stages of a project, with participation by EPC contractor, Client / PMC and process licensor if any. VEC has implemented a state-of-the-art Electronic Document Management System through which movement of documents between VEC and external agencies, and within VEC are very efficiently managed during the course of engineering.
Generally, all disciplines of VEC are involved in a given project, including process, pipelines, mechanical, piping, stress, electrical, instrumentation, civil and structural. But VEC does accept assignments where only certain discipline services are required. In any case, VEC has in-house capability to plan, schedule and manage detail engineering and deliver on time with required quality, using in house procedures and expertise in engineering management.


Commercial real estate in large urban areas will be the big winner from the tax scheme aimed at boosting investment in needy areas, according to an analysis released in November.
But who most benefits from commercial real estate deals remains up for debate.
Fund managers raising capital through the Opportunity Zone incentive programs are most focused on commercial real estate and multifamily housing, primarily in the Northeastern U.S., the National Council of State Housing Agencies said.
NCSHA reviewed public information on 34 such "Opportunity Funds," and found that commercial real estate is the investment focus of 24 of them. Multi-family residential development is the focus of 23.
Ten of the funds focus on the Northeast, and five specifically target New York. Only two funds refer to investment in rural areas.
As previously reported, Opportunity Zones are pitched as a win-win, but some housing observers worry that they may funnel investment dollars to areas that are already in the process of gentrifying, accelerating that process and leaving behind areas that need the most help.
Many sources told MarketWatch that investors will see real estate as a more easily understandable means of putting their money to work than other programs such as education or labor.


Agile: An Executive Guide gives you the bottom-line information that you need to harness the business benefits of Agile within your organisation.
Use Agile methods to turn your IT challenges into high-value returns.
All too often, IT solutions are plagued by budget overruns, missed deadlines, low-quality outputs and dissatisfied users. Agile methods are proven, common-sense approaches for substantially increasing the relevance, quality, flexibility and bottom-line business value of your software solutions.
Agile methodologies such as Scrum, DSDM, FDD, Lean, XP and Kanban, are proven approaches for applying the finite resources of an organisation to deliver high business-value software solutions on time and within allocated budgets.
These methodologies protect organisations from wasting their IT budgets by replacing large upfront financial commitments with incremental investment based on the ongoing business value of the delivered software. They encourage ongoing collaboration with key stakeholders, empower staff to regularly deliver fully functional and fully tested capabilities, and ensure that the IT solutions delivered are responsive to ongoing organisational and market changes.
Understand the ten core business benefits of Agile and how they can significantly improve your organisation.
At the heart of Agile methods are ten core business benefits that enable organisations to maximise their IT investments, including better risk management, ongoing control of budget expenditure, better alignment with business requirements and substantially higher quality IT solutions. Agile: An Executive Guide details each of these benefits from a strategic senior management perspective and identifies which of the most popular Agile methods do (and do not) deliver these benefits.
Identify which Agile methods align with the specific needs of your organisation and your projects.
Agile: An Executive Guide provides you with tools to assess your organisational culture, structure and dynamic in order to determine whether Agile methods are suitable to your specific needs, and to select those Agile methods that are the best fit for your organisation and your projects.
Get the essential information you need to successfully implement Agile within your organisation.
Agile: An Executive Guide is full of practical advice, including detailed guidelines to help you choose the right kick-off point for Agile within your organisation, avoid common traps, monitor and measure your investment, and broaden the use of Agile methods into other areas of your organisation. It includes step-by-step guidelines, interactive tools and targeted questionnaires to help you and your staff successfully implement these methods.
Agile methods have been helping organisations turn their IT overheads into high-value returns for over 20 years. Buy this pocket guide today and turn your IT budgets into real, measurable, high-value results for your organisation.
Jamie Lynn Cooke has 25 years of experience as a senior business analyst, project manager and solutions consultant, working with over 130 public and private sector organisations throughout Australia, Canada and the United States.
Jamie has been working hands-on with Agile methods since 2003, and has researched hundreds of books and articles on Agile topics. She is a signatory to the Agile Manifesto, has attended numerous Agile seminars, and has worked with prominent consultants to promote Agile methods to numerous organisations worldwide.
She is also a well-regarded speaker on both business and technology topics, most recently presenting on topics such as Getting Management and Customer Support for Using Agile and When is Agile Not the Answer? at the Business Process Modelling World Conference in Brisbane, Australia and at the AgileCanberra professional forums.
She is the author of Agile Productivity Unleashed: Proven Approaches for Achieving Real Productivity Gains in Any Organization, a book written specifically to explain Agile methods in non-technical business terms to managers and executives outside of the IT industry; Everything you want to know about Agile: How to get Agile results in a less-than-Agile organization, which gives readers strategies for aligning Agile work within the reporting, budgeting, staffing and governance constraints of their organisation; and The Power of the Agile Business Analyst: 30 surprising ways a business analyst can add value to your Agile development team, which details 30 core activities that Agile business analysts can undertake to ensure that Agile development teams deliver the highest possible business value solutions for the organisation.


Jan Lineberger always wanted to be an English teacher, but found her way into the data and testing world instead discovering what turned out to be a perfect mix of interests.
A native of a small community in Lincoln County, Tennessee, Lineberger moved to Nashville with her husband for his music career as a drummer. At that time, she started a part-time job in the State Assessment office while she intended to look for a job as a teacher. However, her part-time turned into full-time, and she stayed at the state department for 22 years conducting statewide training and score interpretation and then test development. It was 11 years ago that her friend, and now her boss, Dr. Paul Changas, director of Research and Evaluation, convinced her to join Metro Schools.
She is especially appreciative of the school test coordinators she calls resourceful and resilient co-workers who always want to do the right thing. In her office, Lineberger is the only English major but it benefits her job. She is able to be a translator by taking numbers and data points that help teachers and test coordinators understand what it means for their individual students. Lineberger' s cross-functional knowledge bridges the gap between numbers, parents and teachers and gives those numbers meaning.
As students prepare to take their year-end tests, Lineberger encourages parents to tell their child to relax and do their best.


We enable organisations to plan, implement and evaluate participatory programmes and initiatives, from short-term support with project planning to longer-term interventions.
We provided remote support and mentoring to staff at Childreach Nepal to enable them to undertake a detailed situational analysis and needs assessment with key stakeholders and a subsequent project planning workshop which resulted in the development of a comprehensive project to prevent child trafficking.
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'The Magicians' Co-Creators Sera Gamble and John McNamara Tease Season 2
The co-creators and executive producers of Syfy's best show on saving the best for last, and what to expect from season two.
Daniel Zuchnik / Getty
Sean Hutchinson
4.12.2016 12:00 PM
The following article contains spoilers
Syfy's The Magicians wrapped up its first season on Monday night with an absolutely bonkers finale that's sure to make more than a few fans clamor for what's next. The show's story of a group of magical college kids, led by reluctant protagonist Quentin Coldwater, has navigated through its complicated plot, leading to one final showdown with the evil entity known as the Beast. Will Quentin and his Brakebills squad make it out alive? You'll have to tune in to find out.
In the second part of a two-part interview, we spoke with co-creators and executive producers Sera Gamble and John McNamara about the first season finale, what to expect from season two, and more.
Please tell me about that last scene! Was it always the plan to end the season on such a dramatic cliffhanger?
John McNamara: Yep!
Sera Gamble: It was clear from the beginning that we were going to end with the Beast. We felt that was a juicy enough moment to leave the viewers with. What did you think?
I definitely wanted to see more. It was shocking to leave Quentin that vulnerable and the Brakebills students basically left for dead. Mostly it made me wonder whether it was your plan all along even though season two wasn't announced until about three episodes into the first season.
SG: I think it would have been pretty fucked up if we were cancelled coming off of that ending. I would feel pretty bad for the fans.
JM: I think it would have been really funny. It would have been the ultimate meta in-joke with Fillory and Further.
The finale seemed to compact a lot of the more explicit things about the show in terms of its themes of sex and violence, specifically with what happens to Julia in the final scene — and even Penny, whose hands get brutally chopped off. Was there any kickback from Syfy about that?`
SG: I have to say that from the get-go Syfy understood the nature of the material. They certainly haven't tried to censor any of the darker story points. Anyone who really understands the overall story of the season would say it has a lot to do with sexual violence, so it's the story of Martin growing into the Beast and Julia's story with Reynard. You take the teeth or the dark soul out of these stories if you take out scenes like that.
The pace of the finale was full steam ahead. Were there any challenges in tying up a lot of the loose ends of the storylines once Quentin, Julia, and the gang get to Fillory and challenge the Beast?
SG: We didn't feel a lot of pressure to tie things up. From our perspective we just wanted to keep moving the story forward. Our main focus was about where we were with the arcs of the characters and their development.
For example with Eliot, and you could even say this about most if not all the characters, but how much of his story we told in the finale was secondary to moving him to the next place. We've been watching his downward spiral for several episodes now, and we wanted to be able to put a punctuation mark at the end of that for now by moving his relationship with Margo along. The same is true with Quentin and Alice or Julia and Quentin, so we tell a lot of story and burn through a lot of plot but we focus on the character when breaking these stories.
I was curious why you made the decision to introduce Quentin's voiceover so prominently for the finale? Was it just to add more of that meta-narrative theme to the show leading into season two?
JM: To me it felt like the perfect way to close the loop on the meta plot, and to do it with character. I really believe that once he got to Fillory, Quentin would start to write his Fillory book. Christopher Plover's version is now not to be trusted, Jane's version is lost and nobody can find it, and Penny barely remembers it.
So Quentin thinks "I'm the hero, I'm going to write the definitive version of the story," and as often happens when you're a writer there's a moment of self discovery where you're not telling the story you thought you were telling. It turns out he's actually telling Alice's story, not his.
We finally get to completely explore Fillory in the finale, both in the benevolent 1940s version and as Quentin calls it, "Fillory 2016," which is drab and dreary because the Beast has ruined it all. What were some of the challenges in bringing that new magical location of Fillory to life?
SG: Every time we go to a new world we have to reinvent the look of the show, so we kind of had to pick our battles with it. The temptation was to just get right into the episode where you go to Fillory and do as much as quickly as possible to revel in it. We were probably, too our benefit, constrained by the story. The important part was to tell the story of the Beast. The good news is that we're working on season two now, so we get to explore much more of the landscape of Fillory as time goes on.
What can we expect with season two? Will it still have elements of the first book tied in to the plot?
JM: Ask us again in June!
SG: It's still the early days of planning season two for us.
How far into development are you?
JM: About a week, so you're thinking way further into it than we are!
SG: We have a general idea of what season two is in the broadest possible brush stroke, and we even have ideas for season three and a little for season four. But we never consider ourselves to be hamstrung by the chronology of the books.
Luckily we have them all at our disposal, and we go through things in the order that the story demands it. So it's at the stage in development where it can talk and tell us what it needs. You still might see stuff from book one, you might see stuff from book three — we're going to pull from everywhere.


Classes will be held on Monday afternoons from 5:00 to 6:15 PM.
Classes are held one Sunday a month beginning with the 9:00 Mass with a 1 hour class following Mass.
If you are moving into the parish, you need to register in the parish before registering for classes. We ask that you please do this as soon as possible.
For more information, please contact Donna Heeney, DRE at 215-343-9433.