To ensure that your application supports rather than detracts from your resume, follow these tips:. I hold the position of the Executive in the University Managerial Society.
As with all cover lettersthe body of this job application letter is divided into three sections: Travel Journal Topics. Attaching your resume: Mention other enclosures if such are required to apply for a position. The introductionwhich should include why the applicant is writing. Informal Essay Topics. I can work with web engineers to resolve technical issues and implement technical enhancements. Business Writing Style. Song Samples.
Creative Writing Exercises. Dance Performance Review Examples. No employer is interested in reading irrelevant content.
Dissertation Topics. Creative writing Autobiography How to Write an Autobiography. How stressful is your job? Friendly Letter Examples. From its technicalities down to its application letter formatyou are to make sure that all details coincide to come up with an ideal formal email application.
Your email address will not be published. Persuasive Essay Examples. Use this space to thank the recipient for reading your email, and mention that your resume is attached. Nowadays, the majority of employers ask for an application letter that helps them to shortlist job seekers for final interview call.
Email Signature: In your first paragraph, explain why you are writing. Make sure not to copy your resume directly. It also gives an insight into why you are interested in the job opening, your career summary and how you are apt for the job. How do I Research Proposal Topics. I have learned to relate to customers well and to cater to their orders effectively as well as offering recommendable aftersale services. Novella Topics. Deductive Essay Samples. Poetry Examples.Online application processes can take time, especially when you have numerous fields to complete and want to extract the most relevant portions of your previous job descriptions.
My resume, which is below, provides additional information on my background and qualifications. It also explains the types of marketing campaigns and companies they have experience with - a great high-level intro.
To ensure that recruiters open your CV, you simply need to explain how your skills and experience match the job best resume writing service chicago miami from the advert. A Anonymous Jul 31, We are presenting several types of templates you can use to convince your recruiter to take your seriously. I major in finance and I want to establish a career in banking.
If it is irrelevant, they will not open it.
Now that you know what to include in your email and how to format it, go out there and start sending you job applications. Then, close your letter with your contact information so they can get in touch with you. Though this should be a given, avoid including emoticons or images of any sort. You are now an adult so you need a correspondingly professional email address.
Make sure you mark the date on your calendar, so you don't say you're going to follow up and then forget. Make it as easy as possible for your potential employer to start you on the right track toward being hired. As you can see, I write this from a place of experience.
Although not usually required, you may want to follow up the email with hard copies of your cover letter and resume, unless specifically asked not to. This can help the prospective employer get a better sense of you and your qualifications.
Next post: After reading this article, you may be interested in reading:. On Cleverism, you reach more than 4m high-performance active and passive job seekers a year. If you can find an email address for the recruiter, then I would always recommend sending an email directly essay for cheap it gives you more control.
A Anonymous May 1, I look forward to hearing from you. Instead, make it obvious that you're submitting a job application. With Hampshire College. No � CareerJob search. In addition to my extensive retail experience, I have excellent communication skills. Previous post: Add your letter of intent and resume to your email. MN Mathias Ndahulilapo Jan 23, You said that I could send you a speculative application and your company will interview me and find an appropriate department for me to work in.
And get regular tips and tricks on topics such as marketing, financing, strategy, and management, so you can start and grow your company more successful. The tips and guidelines provided are making it easier for me to get a job. Sometimes, applicants forget to actually attach these documents in an email and when a hiring manager cannot find them, they do not bother to consider the email any longer. Retrieved from http: Unlock Your Marketing Mix Checklist!
Never forget to keep your subject line of your email, as well as the body of your email, brief and focused. A project manager' s cover letter needs to quickly explain to recipients the types of projects they lead and the technical expertise they bring to the projects. There are subtle differences in the email. As a games developer, I can create innovative and fun designs for your video games.
Already answered Macbeth essays a question Bad question Other. However, that is easier said than done. Address the cover letter to the person who would be interviewing or hiring you.


FAQ ID # 150 - Can I downgrade the LAN-Cell 2 firmware to a previous version?
Can I downgrade the LAN-Cell 2 firmware to a previous version?
Yes, you can install any firmware version on any LAN-Cell 2 device. However, due to differences in configuration memory structures, we recommend that you perform a factory reset prior to downgrading, then reconfigure your LAN-Cell from scratch or apply a configuration file saved from a device with the older firmware version installed.


Harry Potter: A Pop-Up Guide to Hogwarts is an exhilarating, interactive guide to the iconic school of witchcraft and wizardry. This book features spectacular pop-up re-creations of key locations inside and outside Hogwarts castle, and it opens flat to form a pop-up map of the castle and its grounds—including the Quidditch pitch, the Forbidden Forest, and beyond. In addition to large pops on each spread, numerous mini-pops will bring to life beloved elements from the Harry Potter films, such as the Marauder's Map and the Flying Ford Anglia. Each pop will include insightful text about Hogwarts as seen in the films, making for a must-have collectible for fans of the wizarding world.
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I'm rather partial to Play Framework's form mappings. Their expressiveness sets a benchmark, bettered by no other web framework I've encountered. And I especially love that there is no need for reflection.
However, my colleagues and I at the VOA uncovered a key use-case that the validations do not handle well - conditional mappings; where validation for one field is based on the value of another field.
Initially we hacked away at potential solutions which were complex and messy. We then submitted a pull request to Play which was rejected. Finally, we created and open sourced the play-conditional-form-mapping library.
We believe this library complements the declarative nature of play's inherent form mappings and solves the problem as simply as we could possibly make it. This post is an introduction to the library.
First, let's quickly reason about why this is important from a user's perspective.
As a user I get immensely annoyed by complex web forms. One scenario that is particularly aggravating is when you submit a form, get some validation errors, fix those errors, submit the form again, and are kindly rewarded with some completely different errors.
I'd expect many who have witnessed user research to be familiar with this frustration, if they haven't had counselling for it themselves. I'd also be shocked if empirical data did not support the idea that failed form validations correlates inversely with conversion rates (if you have the data to prove or disprove, please share).
Also importantly, as a user I want to be directed to the problem. I want to know which field I need to make changes to, even if the rule spans multiple fields. Our good friends GDS have conducted research showing the importance of this although I'm sure common sense will suffice for most.
Out of the box Play Framework's mappings provide a verifying() function that allows you to interrogate the model after it has been bound to. However, if any of the individual fields cannot be bound to, the model-level rules cannot be applied.
This leads to the user-frustrating scenario just discussed, where multiple iterations of submitting the form and fixing the validation errors are necessary.
In this scenario, the user must specify their country if indicating they are not a resident of the UK. They must also provide an email regardless of their residence. But as you can see from the first test case, if they omit their email, they will not see an error about country being required - that will come after they submit the form again.
The second test case demonstrates the other important impact on UX - that model-level errors cannot be assigned to a specific field, prohibiting the ability to direct users to where they need to take action.
Under the governance of GDS and based on feedback from user research, this is not good enough. So please let me introduce to you our micro-library that solves these problems.
So how does our micro-library solve the above problems? It uses an expressive micro-dsl that creates field-level errors. The example below shows how the library can be used to improve the previous scenario.
It's a very small library, but one we believe fills an important void in Play Frameworks mappings; a void that leads to a diminished user experience of your website.
We'd love to hear your feedback if you use the library and we'd be chuffed if you decided to contribute your own great ideas to improve it.


text:
Q: How do you configure a DataSource in Java to connect to MS SQL Server? I'm trying to follow Java's JDBC tutorials to write a Java program that can connect to SQL Server 2008.  I'm getting lost at the point of making a connection.
The following snippet is from the tutorial:
InitialContext ic = new InitialContext();
DataSource ds = ic.lookup("java:comp/env/jdbc/myDB");
Connection con = ds.getConnection();
DataSource ds = (DataSource) org.apache.derby.jdbc.ClientDataSource()
ds.setPort(1527);
ds.setHost("localhost");
ds.setUser("APP")
ds.setPassword("APP");
Connection con = ds.getConnection();

There's no explanation of what comp/env/jdbc/myDB should point to, and I don't know how I should choose a port.  Also, the object ds seems to be defined twice.
I'm using the JSQLDataSource driver, for the record.  Can anyone point me in the right direction here?
http://java.sun.com/docs/books/tutorial/jdbc/basics/connecting.html

A: I like the jTDS driver for connecting to SQL Server.  A URL will look like this:
jdbc:jtds:sqlserver://localhost/Finance;instance=sqlexpress

Check this for jTDS Url Info.
This also has some interesting information to help troubleshoot jtds to sql express sorts of problems.

A: I'm not sure anyone above has really answered the question.
I found this microsoft sample useful.
The key information in there is really that the class you need is SQLServerDataSource
that is basically a configuration object - you use it something like this:
    SQLServerDataSource dataSource = new SQLServerDataSource();
    dataSource.setUser("aUser");
    dataSource.setPassword("password");
    dataSource.setServerName("hostname");
    dataSource.setDatabaseName("db");

You would then call
dataSource.getConnection();

to get a connection object which is basically the thing you use to talk to the database.
Use
connection.prepareStatement("some sql with ? substitutions");

to make something for firing off sql and:
connection.prepareCall

for calling stored procedures.

A: Start with the JDBC tutorial or the Microsoft docs.
and this:
String driver = "com.microsoft.jdbc.sqlserver.SQLServerDriver";
Class.forName(driver);
String url = "jdbc:microsoft:sqlserver://host:1433/database";
Connection conn = DriverManager.getConnection(url, "username", "password");

Fill in your values for host, database, username, and password.  The default port for SQL server is 1433.
UPDATE: Good point below.  JDBC drivers can be had from both Microsoft and jTDS.  I prefer the latter.
JNDI lookups have to do with Java EE app servers that support connection pooling.  You can ask the app server to create a pool of connections, which can be an expensive thing to do, and loan them out to clients like library books as needed.
If you aren't using a Java EE app server or connection pooling, you have to create the connection on your own.  That's where manual processes and DriverManager come in.
EXPLANATION: As for why the Sun tutorial shows DataSource twice, I'd say it's a case of poor editing.  If you look above the code sample it says you can get a DataSource "by lookup or manually".  The code snippet below shows both together, when it should be one or the other.
You know it's an inadvertent error because there's no way the code as written could compile.  You have "ds" declared twice.
So it should read "...lookup", followed by its code snippet, and then "...manually", followed by its code snippet.

A: This question has already been answered long time ago. The question was asked about JNDI lookup. With lookup you have to see the application server log to see what the connection is bound to. For example in Jboss startup, I can see:
[ConnectionFactoryBindingService] Bound ConnectionManager 'jboss.jca:service=DataSourceBinding,name=myDB' to JNDI name 'java:myDB'

Using that name=myDB you lookup
InitialContext ic = new InitialContext();
DataSource ds = ic.lookup("java:myDB");

Notice how the server log and the code both point to the JNDI name java:myDB.

A: DataSource ds = new SimpleDriverDataSource(new com.mysql.jdbc.Driver(),
    "jdbc:mysql://database:1433;databaseName=name", "username", "password");
JdbcTemplate jdbc = new JdbcTemplate(ds);

redpajama_set_name: RedPajamaStackExchange


text:
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155 Royal Rd, Massey (0614), Auckland Region
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Waiheke Recreation Centre
9 Donald Bruce Rd, Surfdale (1081), Auckland Region
The Waiheke Recreation Centre is a central asset to the local Waiheke community for sports and recreation. It's the only indoor sporting facility on the island and is a very popular asset during the Winter months. Built in 1991 by Auckland City Council, it's run on a Not For Profit / Charitable basis on a "shared usage" model. During the day, the local High School has exclusive usage. After 4pm, at weekends & during school holidays, it becomes a public facility where a number of ... Read more User Groups run and manage regular indoor sporting events – These are all publicly accessible – everything from basketball, to netball, indoor 5-a-side football to gymnastics, martial arts and more. A range of activities are on offer, suitable for all ages. Check our calendar now to find an event to join.
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text:
Q: Why is Netlify changing my api link in the fetch request? Netlify: frontend Heroku: Backend I launched my first fullstack application with Netlify and Heroku. When I test locally everything works fine but when I try the netlify I get this error in the terminal.

It should connect to Heroku, the fetch request is set up that way and I been looking online and can't seem to find any answer.
[Netlify][2]
[Front-end][3]
[Back-end][4]

P.s sorry for any odd formatting, stackoverflow insisted I format my code despite not writing any code


Discussion in 'Effects [BG]' started by Bryan R. Tyler, Oct 2, 2009.
I've been interested in picking up one of these- right now the Catalinbread Teaser Stallion 2.0 or the Red Witch Fuzzgod II are at the top of my list. Anyone have any experience with them (oscillating fuzzes that is)? I'm looking at it as more of a way to get a fuller, synthy tone like you can hear in the recent Catalinbread TS video rather than making silly noises, but are they controllable enough to be of a lot of use?
No idea on the Catalinbread. But I'm going to go ahead and suggest something else, the Fuzzhugger AB-Synth. The oscillation is stomp-controlled, and it really is a fantastic sounding fuzz on its own, too. It has a very wide range of oscillation pitches, including down into the deep bass ranges. The control was precise enough that I was able to more-or-less dial in whatever pitch of oscillation I wanted, which would come screaming back in whenever the decay between notes went below a certain threshold. Very awesome effect.
Bass friendly, and capable of pure madness.
I've seen those around TGP, but haven't heard any clips on bass- did you ever make any? The Red Witch has a second on/off stomp switch for the oscillation as well- the newer version of the Catalinbread uses a toggle switch (the old version of it had a second stomp switch). The second stomp seems like an easier way to control it as I'm sure I wouldn't want it on all the time, but the Catalinbread is the only one I've heard on bass and know it sounds good. I should note that I'm not too concerned about losing bottom end though- I'd be using it as a lead-type tone.
Never new that was oscillating- I'll check your site for a review.
Don't look too hard, I've never done it. It's been sitting here for better part of a year, and I really have no idea how to get it done. Too many knobs!
This one is the standard XO-sized one. He also makes the same thing in a smaller, MXR-sized box for 10 dollars more.
Thanks for the link- the downside of guitar samples is that even when low end isn't concerned, they usually don't sound similar to a bass in the upper register. The AB Synth did sound really usable though- it didn't go totally apepoop the way some of the oscillating pedals I've heard go.
Saw your thread on that one- it didn't appeal to me because A. the oscillations seemed pretty wild/out there and B. I hate those foot controlled side knobs.
3Xfx Fatman/V2 is great. The photo eye is very controllable, especially because everybody in the room will start playing with it whenever the pedal is turned on.
I was too scared it would blow my cabinet up. It's definately interesting in the utmost of great ways.
I ordered one of those oscillating supercolliders a while back. It was either that one, the fatman v2 or the tortuga sasquatch @ the top of my list based on clips. I'll letcha know what I think of it once it comes in next month.


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Einar Torfi Einarsson & co.
"[M]usic is not so fast that adequate control of movements is lost", "music is not art", "music is not appropriate for worship", "music is not always entirely clear", "music is not so likely to use the voice as a conveyor of subjective experience", "music is not solely a twentieth-century phenomenon".
"[M]usic is not to be an accomplice", "music is not so much a second or third something", "music is not noise", "music is not taken sufficiently seriously", "music is not a language", "music is not separate from other disciplines", "music is not nearly as easy as one might expect".
"Music is not exclusively of the ear...music is not fully appreciated", "music is not accessible to analysis", "music is not denotational in a linguistic way", "music is not sufficient", "music is not only life's greatest object", "music is not always positive", "music is not often held in very high regard".
"[M]usic is not too difficult for any European", "music is not performed as 'me'", "music is not real art because it can be too", "music is not necessarily a medium", "music is not among them", "music is not very complicated", "music is not itself created", "music is not only beyond language".
"[M]usic is not slow", "music is not a foreign language", "music is not compositional in anything like the way in which a natural language is", "music is not a structure in time", "music is not to write a poem", "music is not a stimulus leading to certain outcomes", "music is not necessarily expressive of emptiness".
"[M]usic is not its asocial", "music is not a general category", "music is not ahead of the people", "music is not fortuitous", "music is not like this...music is not of course devoid of meaning", "music is not a song", "music is not usually about anything", "music is not based on syncopation", "music is not considered tonal", "music is not tied to the predictable".
"[M]usic is not considered as a part", "music is not limited to human emotions", "music, is not a static form", "music is not so much sound as motion", "music is not only a form of perception", "music is not optional but obligatory", "music is not of the earth", "music is not merely the application to music of established sociological theories".
"[M]usic is not disembodied from music making", "music is not difficult", "music is not Classical", "music is not always a world", "music is not, in the sense I am concerned with, beautiful", "music is not exclusively a learned sign system", "music is not a luxury".
"[M]usic is not parodic", "music is not a 'symbol' of anything else", "music is not to be believed", "music is not a vague utopian", "music is not about anything", "music is not from their own culture", "music is not mere "background" (or base)", "music is not necessarily a clearly defined concept", "music is not unusual", "music is not what attracts people to church", "music is not merely about sound", "music is not some curious anomaly".
"[M]usic is not uniformly high", "music is not his life", "music is not a note of despair", "music is not the musical means of expression", "music is not concerned with valuation", "music is not every sound you hear", "music is not knowledge", "music is not thought to be a great consideration", "music is not stealing", "music is not limited to performances", "music is not what defines", "music is not the gentle harmonious reconciliation of opposing tendencies".
"[M]usic is not often defined", "music is not inescapable for liberated music", "music is not all in limbo", "music is not water", "music is not vaguer than literature", "music is not understood in too narrow a sense", "music is not just a performance", "music is not about expression", "music is not beamed at all of the public", "music is not a unitary art form", "music is not as mysterious as you might think".
"[M]usic is not a cure-all", "music is not just music", "music is not conservative", "music is not detected by our ears alone", "music is not referential", "music is not specifically composed for a particular project", "music is not merely derivative or reflective", "music is not at all like that heard by the adult", "music) is not French music", "music is not entirely accurate", "music is not elucidated fully by composite musical genres and social function".
"[M]usic is not only sublimated", "music" is not just the title", "music is not so much a technique", "music is not direct", "music, is not the main issue", "music is not only performed in a social context", "music is not a matter of winning", "music is not only a metaphor", "music is not the result of wanting to be 'different'", "music is not merely a manifestation of global processes", "music is not directed at remembrance".
"[M]usic is not commercially important", "music is not in fact fully significant unless one compares it with the shaman's relation to music", "music is not just different music", "music is not new", "music is not an abstruse activity", "music is not the goal of the production process".
"[M]usic is not the privilege of human beings", "music is not, on the whole, an encouraging sight", "music is not at the forefront of today's music", "music is not forbidden", "music is not a reflex", "music is not a secret cult", "music is not solely a human trait", "music is not aurality", "music is not at all what I expected", "music is not necessary for bhakti", "music is not only its innovative treatment", "music is not exempted from intercultural phenomenon", "music is not nearly as easy as one might have expected".
"[M]usic is not something audible", "music is not heard", "music is not an adequate preparation", "music is not a reliable narrator", "music is not to imply that it is innocuous", "music is not a handmaid", "music is not merely a matter of taste".
 Abraham, Gerald. On Russian Music (Faber & Faber, 2013), bls.
 Sachs, Curt; Kunst, Jaap (ed.). The Wellsprings of Music (Springer Science & Business Media, 2012), bls.


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This high-quality midweight hoodie sets the bar for style and comfort.


Hot Chili Monster Coord (モンスターホットチリ) has not been worn by anoyone, nor has it debuted in the anime. This coord is from the brand Baby Monster, and it is a Cool Type coord. This coord is very similar to the Halloween Monster Coord, Coral Monster Coord and the Powder Blue Monster Coord.
A two piece dress consisting of a bright blue tube top with thin stripes of white, worn under a dull yellow vest with light purple neck and band along the bottom. The sleeves are fluffy and peach in color. Attached to the back of the top are pointed light purple and bright blue wings. Pinned to the top is a blue bow, a peach and blue fuzzball creature, and another that is pale red and blue with white spots. The skirt is a gradience stripe of mustard-yellow and peach. Printed on it randomly are purple eyeball pairs. A dark blue ruffled layer can be seen underneath the main skirt, and sewn on the back is a dark blue pointed tail. On top of the skirt is a light blue leather section with two hanging belt straps, one having a glittery dark blue bow with eyes on it, and one a lavender glitter bow.
Purple boots with furry leg warmers; the top lavender and the bottom fuchsia. On the left is a green glittering bow, while on the right is a yellow bow with a pair of black eyes on it.
A pair of horns which are fuchsia and pale indigo striped.
Hot Chili Monster Coord is a Cool Rare Coord from the brand Baby Monster. It first appeared in Promotional Coord 2014.
This coord shares its hairpiece with the Powder Blue Monster Coord, Coral Monster Coord and the Halloween Monster Coord.


I'm pretty tired of ordering take out...so, I'm just going to bite the bullet, gear up and go to the grocery store.
I Love this umbrella! The style reminds me of Kyoto (one of my favorite places in Japan). The purple really stands out on grey days.
Okay guys, I'm going to go to the store now, until the next post.
I got these boots over a year ago but they're still available online.
I love wearing them with dark jeans and my favorite red coat.
Oh dayum, those are super cute! and they are on SALE! Imma sucka for a sale. How many pair of rain boots does one girl need SLIG? mmmm LOL, Always, SOULBeautiful.
OMG these really do look like Storm Trooper boots xD I love them!!!
Natural latex rubber is the best material for rain boots. Knowing that a lot of rain gear today is made up of polyvinyl chloride, which contains phthalates to soften the plastic, it is wise to carefully check the materials being used.
You have a fashionable stuff here. They look good together. We always need to have that two things specially when it is a rainy season.
Thank you :) I know, rainy seasons here are brutal!!
Where can I get an umbrella like that? Its flippin gorgeous.
I got this umbrella at some store in Ueno.
I ain't saying your information is not solid, however what if you added a title to possibly grab people's attention?
should look at Yahoo's home page and see how they create post titles to grab people to click. You might try adding a video or a related pic or two to get readers excited about everything've got to say.
It's always useful to read articles from other writers and practice a little something from their websites.
this thіs wеbsite conations іn fact goоd funny information too.


This article shows you how to map custom objects in Salesforce to Activities in LeadSquared. This functionality is only available with Version 4 (v4) of the Salesforce – LeadSquared connector.
For mapping contacts, leads, tasks and events see Salesforce to LeadSquared Integration – Mapping and Configuration.
Custom objects help you track data that's unique to your organization in Salesforce. For more information, see Define a Custom Object in Salesforce Classic.
You should have completed the package installation and authentication successfully.
Your Salesforce account must have access to Salesforce APIs.
Choose the Salesforce Custom Object from the drop-down.
Choose the LeadSquared Activity Type you want to match the custom object to.
Click the Map button when you're done.
Once you've clicked the Map button, the Custom Object Field Mapping section will be populated with the Salesforce custom object fields on the left and the LeadSquared Activity fields on the right.
Choose the sync direction as Inbound (LeadSquared to Salesforce), Outbound (Salesforce to LeadSquared) or Both.
Click the Save button at the bottom of the page when you're done.
Once custom object can only be mapped to one activity.
You can't sync existing custom object data. Only data modified after the connector is installed will sync.
You can only map a custom object that has a lead or a contact associated with it in your Salesforce account.
You should ensure that the values in drop-down fields are the same between your Salesforce custom objects and LeadSquared activities if you want to map them successfully.
If you want to map the User Type fields like Owner, and you set the sync direction as Both, ensure that in Salesforce you pass the users LeadSquared email address.
The Salesforce to LeadSquared data sync happens in real-time. The LeadSquared to Salesforce data sync happens with a delay of 15 minutes.
We recommend setting the job sync timings to at least 15 minutes for leads and 30 minutes for activities.


Each tablet contains 500 micrograms (0.5mg) betamethasone as betamethasone sodium phosphate PhEur. Betnelan (Betamethasone) is a glucocorticoid which is about eight to ten times as active as prednisolone on a weight-for-weight basis. Betamethasone sodium phosphate is very soluble in water, and is therefore less likely to cause local gastric irritation than corticosteroids which are only slightly soluble. This is important when high doses are required, as in immuno-suppressive therapy. Betnesol does not normally cause retention of salt and water and the risk of inducing oedema and hypertension is almost negligible. A wide variety of diseases may sometimes require corticosteroid therapy. Some of the principal indications are: Bronchial asthma, severe hypersensitivity reactions, anaphylaxis, rheumatoid arthritis, systemic lupus erythematosus, dermatomyositis, mixed connective tissue disease (excluding systemic sclerosis), polyarteritis nodosa; Inflammatory skin disorders, including pemphigus vulgaris, bullous pemphigoid and pyoderma gangrenosum; Minimal change nephrotic syndrome, acute interstitial nephritis; Ulcerative colitis, Crohn's disease, sarcoidosis, rheumatic carditis; Haemolytic anaemia (autoimmune), acute and lymphatic leukaemia, malignant lymphoma, multiple myeloma, idiopathic thrombocytopenic purpura; Immunosuppression in transplantation.
The incidence of predictable undesirable effects, including hypothalamic-pituitary-adrenal (HPA) axis suppression correlates with the relative potency of the drug, dosage, timing of administration and the duration of treatment. (see "Special Warnings and Precautions for Use") Endocrine/metabolic Suppression of the hypothalamic-pituitary-adrenal axis, growth suppression in infancy, childhood and adolescence, menstrual irregularity and amenorrhoea. Cushingoid facies, hirsutism, weight gain, impaired carbohydrate tolerance with increased requirement for antidiabetic therapy. Negative protein, nitrogen and calcium balance. Increased appetite. Hyperhydrosis. . Increased high –density lipoprotein and low – density lipoprotein concentrations in the blood. Anti-inflammatory and immunosuppressive effects Increased susceptibility to and severity of infections with suppression of clinical symptoms and signs, opportunistic infections, recurrence of dormant tuberculosis (see "Special Warnings and Precautions for Use"). Musculoskeletal Osteoporosis, vertebral and long bone fractures, avascular osteonecrosis, tendon rupture, proximal myopathy. Fluid and electrolyte disturbance Sodium and water retention, hypertension, potassium loss, hypokalaemic alkalosis. Neuropsychiatric Euphoria, psychological dependence, depression, psychosis, insomnia, and aggravation of schizophrenia. Increased intra-cranial pressure with papilloedema in children (pseudotumour cerebri), usually after treatment withdrawal. Aggravation of epilepsy. Ophthalmic Increased intra-ocular pressure, glaucoma, papilloedema, posterior subcapsular cataracts, corneal or scleral thinning, exacerbation of ophthalmic viral or fungal diseases. Cardiac Myocardial rupture following recent myocardial infarction. Gastrointestinal Abdominal distension, oesophageal ulceration, nausea, dyspepsia, peptic ulceration with perforation and haemorrhage, acute pancreatitis, candidiasis. Dermatological Impaired healing, skin atrophy, bruising, telangiectasia, striae, acne. General Hypersensitivity including anaphylaxis, has been reported. Leucocytosis. Thrombo-embolism. Malaise. Hiccups. Withdrawal symptoms and signs Too rapid a reduction of corticosteroid dosage following prolonged treatment can lead to acute adrenal insufficiency, hypotension and death (see "Special Warnings and Precautions for Use"). A 'withdrawal syndrome' may also occur including; fever, myalgia, arthralgia, rhinitis, conjunctivitis, painful itchy skin nodules and loss of weight.


Khalil, Nonlinear Systems, Prentice Hall, third edition, 2002.
Slotine and Li, Applied Nonlinear Control, Prentice Hall, 1991.
Marino and Tomei, Nonlinear Control Design, Prentice Hall, 1995.
Sastry, Nonlinear Systems: Analysis, Stability, and Control, Springer, 1999.
Krstic, Kanellakopoulos, Kokotovic, Nonlinear and Adaptive Control Design, Wiley, 1995.
The primary prerequisites for this course is mathematical maturity on the level of ECEn 671, and (preferably) a course in classical control theory.
The objective of this course is to help students develop the following technical skills.
The ability to model general multiple-input multiple-output time-varying nonlinear systems using state space notation.
The ability to analyze stability properties of nonlinear systems using Lyapunov stability methods.
The ability to design control strategies for nonlinear systems using feedback linearization, backstepping, sliding mode, and adaptive control methodologies.
Homework will be assigned weekly and is due in class on the day indicated. Late homework will not be accepted. The homework will not be graded: full credit will be given if the problem has been attempted. The solutions to the homework will be placed on the web after it is due. You are strongly encouraged to look at the homework solution to make sure that you understand the material.
There will be one take-home midterm exams. The exam will be handed out February 24 and will be due at the beginning of class on March 2.
A student project will be due on the last day of class April 12, 2010. The project will involve designing control laws for the whirlybird hardware. Details will be given later in the semester.
The final exam will be an in class, three hour, open book, open note, comprehensive exam. The scheduled date is Monday April 17 from 11AM-2PM.
At the end of the semester I will send out information about on-line teacher evaluations. Teacher evaluations are an important part of faculty evaluation and development. The success of the program depends upon student participation. To encourage participation, I will give 5 extra credit points on the final exam to those who fill out the form. To let me know that you have filled out the form, either (1) check the box that allows your name to be released on the evaluation form (note that names will not be correlated with evaluations), or (2) send me an email indicating that you have filled out the on-line form.
Please respect my office hours. If they are not accommodating, make an appointment with me via email.
In keeping with the principles of the BYU Honor Code, students are expected to be honest in all of their academic work. Academic honesty means, most fundamentally, that any work you present as your own must in fact be your own work and not that of another. Violations of this principle may result in a failing grade in the course and additional disciplinary action by the university.
Students are also expected to adhere to the Dress and Grooming Standards. Adherence demonstrates respect for yourself and others and supports an effective learning and working environment. It is the university's expectation, and my own expectation in class, that each student will abide by all Honor Code standards Please contact the Honor Code Office (4440 WSC, 422-2847, hco@byu.edu) if you have questions about those standards.
If you have a disability that may affect your performance in this course, you should get in touch with the office of University Accessibility Center (1520 WSC, 422-2767, uac@byu.edu). This office can evaluate your disability and assist the professor in arranging for reasonable accommodations.


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Bernard Destremau (; 11 February 1917 – 6 June 2002) was a French tennis player, tank officer, diplomat and politician.

Biography
Born in Paris into a military family, the third son of a WW I cavalry general, his success in accommodating competitive tennis with academic, military, diplomatic and political pursuits is distinctive.

A precocious French junior tennis champion in the mid-1930s, Destremau reached the singles semifinals at Roland Garros in 1937 (losing to winner Henner Henkel) and the quarterfinals in 1936 and 1938 before winning the 1938 French Championships doubles (with Yvon Petra, beating Don Budge-Gene Mako). During those years he graduated from HEC (Hautes Etudes Commerciales). Destremau also won the 1941 and the 1942 Tournoi de France which in war-time was not counted as a grand slam event and later, won several national titles including the 1951 and 1953 French National singles championships. He remained an amateur, devoted his tennis mostly to the Davis Cup, the King of Sweden Cup and other French team matches and was ranked Nr. 1 in France for several years. As a veteran he won the Wimbledon over-45 doubles event with Bill Talbert, in 1964. He had been a Wimbledon familiar with numerous Championships' entries (from 1934 to 1955), Davis Cup ties and other fixtures.

At the outbreak of World War II he sailed from New York back to France to be drafted into officer training. In May and June 1940 as a junior liaison officer he saw but little action, fell back with his motorised unit to Montauban and witnessed helplessly the Fall of France and the Armistice. Returning to civil life, Destremau resumed his studies and with a diplomatic career in view, graduated from Sciences Po. He played occasional tennis tournaments in France, North Africa, Spain and Portugal as travel permitted. After the American landing in North Africa he decided to re-enlist and succeeded in escaping through the well-guarded Pyrenees into Spain and thence to Morocco. After joining the Free French forces as a tank platoon officer he submitted to long months of training in various Algerian camps. His platoon landed in Provence in July 1944 as an element of the 1st Army under De Lattre de Tassigny. He fought in Provence, Burgundy, Alsace and the Black Forest, was shot in the back in La Valette-du-Var on the road to the critical port of Toulon and was wounded on two separate engagements by hand-grenade shrapnel. He was awarded the Legion of Honour during the campaign from the hands of De Lattre and the croix de guerre.

After the war, still playing tennis for France, he became a diplomat and was posted to Egypt during the Suez Canal crisis, South Africa and Belgium. Venturing into politics he was elected député for Versailles in 1967 and held the seat until 1978, became Secretary of State for Foreign Affairs in 1974, and retired in 1981 after a last post as ambassador to Argentina. In politics he entertained a marked friendship with President Valéry Giscard d'Estaing.

A prolific writer of books on history and politics, he became a member of the French Académie des Sciences Morales et Politiques in 1996. He wrote his autobiography, Le Cinquième Set, and biographies of General Weygand and Marshal de Lattre.

Destremau married Diane de Pracomtal in 1954 and was the father of a daughter and two sons. His wife died in December 2016.

His son Christian has written books on WWII intelligence (Garbo; Ce que savaient les Alliés; Le Moyen-Orient pendant la Seconde Guerre Mondiale), a biography of Laurence of Arabia, Churchill et la France, a book about the lifetime relations of Winston Churchill and the French and a biography of Ian Fleming, the inventor of James Bond. None of these works have yet been translated into English.

Sébastien Destremau, the sailing professional who has competed internationally (Sydney to Hobart Yacht Race, Vendée Globe, Route du Rhum) is his great-nephew.

Grand Slam finals

Doubles : 1 title

References

External links

1917 births
2002 deaths
French Championships (tennis) champions
French male tennis players
Independent Republicans politicians
Members of the Académie des sciences morales et politiques
Tennis players from Paris
Grand Slam (tennis) champions in men's doubles
French Army personnel of World War II
French Army officers
Free French military personnel of World War II

redpajama_set_name: RedPajamaWikipedia


text:
est un magazine d'actualité indien de langue anglaise. Il est fondé en 1975 par Vidya Vilas Purie.

Il est réputé proche du Premier ministre Narendra Modi et du parti de droite BJP.

Histoire
Le premier numéro de  est vendu à New Delhi en , alors que le premier ministre Indira Gandhi a proclamé l'état d'urgence. Le magazine est fondé par Vidya Vilas Purie. Son fils  occupe le poste de rédacteur en chef () et d'éditeur (). Sa fille , diplômée de l'école de journalisme de l'université Columbia, fait également partie des cadres du magazine. Lors de son lancement,  est publié en anglais. Une édition en hindi paraît à partir de 1985. Le magazine est également disponible en langues télougou et tamoul depuis 1990 et en bengali depuis 2006. À l'origine bimensuel, il est publié chaque semaine à partir de . Des suppléments consacrés aux principales villes du pays paraissent tous les mois.

Ligne éditoriale
 s'adresse initialement aux lecteurs étrangers et ambitionne de modifier leurs préjugés sur l'Inde. Le magazine couvre l'actualité politique, sociale, économique, scientifique, artistique, au plan national et international. Rédigé par des experts de ces domaines, le magazine acquiert une réputation de sérieux et parvient à séduire un large lectorat.

Diffusion
Distribué à  lors de son lancement, le magazine revendique une diffusion supérieure au million d'exemplaires au cours des . En 2009,  dans son édition en anglais est considéré par l' comme l'hebdomadaire indien le plus lu.

Propriété
L'hebdomadaire fait partie de l', un groupe de médias constitué par . Il compte plus d'une dizaine de magazines disponibles dans plusieurs pays anglo-saxons, dont les États-Unis et le Royaume-Uni, plusieurs chaînes de télévision et une station de radio.

Références

Lien externe

Titre de presse créé en 1975
Presse écrite en Inde
Presse hebdomadaire en anglais
Entreprise ayant son siège à Noida


text:
Dustin Lee Dryer
August 8, 1985 - November 15, 2018
Dustin Lee Dryer, son of Terry Louise Smith Dryer and Vernon Lee Dryer Jr. Born on August 8th, 1985, in Stormont Memorial Hospital in Topeka Kansas. At the time of his passing he was 33 yrs. old & living with a dear friend and his wife. No matter where he worked, he would work as hard or harder than anyone, you could always count on Dustin to do his job very well. He didn't have much handed to him but if he wanted it, he would work hard at that too. He was a devoted Brother and Son. If anyone needed him, he would be there. Dustin had a very big heart. You can ask anybody. Dustin had a like for Lottery tickets he rarely didn't have at least one in his pocket. He also loved to spend his free time drawing, he had a notebook full of drawings he was very proud of and would show them off to anyone that would look at them. Dustin had an 18-speed mountain bike that he cherished very much. On his days off work you could usually find him playing video games, he was a huge gamer. Dustin enjoyed playing video games with friends and his brother Douglas. He loved his rock and roll, you could almost always find him listening to Pink Floyd and chilling out. He had a wide variety of movies and comic books he liked. He also enjoyed football, tried hard to watch it every Sunday. Dustin loved his family and friends and was loved by so many. He was taken too early but not before he made a bunch of memories. He will be loved and missed more than he will ever know. Funeral services will be conducted at 2:00 p.m. on Tuesday, November 20, 2018 at the Cantlon Otterness & Viets Funeral Chapel with Pastor David Van Bebber officiating. Escorts will be friends and family in attendance. Interment will be in the Four Mile Cemetery under the direction of the Cantlon Otterness and Viets Funeral Home of Buffalo. Visitation will be from 6:00-8:00 p.m. Monday at the Funeral Home.
Dustin Lee Dryer, son of Terry Louise Smith Dryer and Vernon Lee Dryer Jr. Born on August 8th, 1985, in Stormont Memorial Hospital in Topeka Kansas. At the time of his passing he was 33 yrs. old & living with a dear friend and his wife. No... View Obituary & Service Information
The family of Dustin Lee Dryer created this Life Tributes page to make it easy to share your memories.
Dustin Lee Dryer, son of Terry Louise Smith Dryer and Vernon...
Send flowers to the Dryer family.


Springtime is all about florals and this floral dress is so feminine and pretty. I not only love the bright pastel flowers, but I also love the lines of this ballerina dress. Midi dresses and skirts are all the rage these days. Typically I do not gravitate towards them given that I'm only 5'2", but this dress had me at hello! This gorgeous floral midi is still available and you can buy it directly here!


Everycare is committed to providing all our services to the very highest standard. Our services whilst being consistently reviewed by the appropriate regulatory bodies are also continually reviewed internally to ensure our control procedures and methodologies are monitored consistently.
Most important of course is the level of care experienced by our many clients. Here are a few of their comments on the care they have received.
'Everycare have consistently provided an excellent service from the first day we have been having them. We are very happy with the carer and the service overall'.
'Pleased with the help I get from Everycare. I took Direct Payments to stay with your agency. Thank you; wish I'd have done it earlier'.
'We would like to say a huge thank you to all the staff and management at Everycare for the care that was provided to my dad in the last few months and for making it as comfortable as possible. Thank you for all the support and friendship you gave to the family'.
'We are very happy with our carers especially Debbie, she's always punctual and very supportive. Debbie is excellent and always goes that extra mile'.
'It is very helpful to have the same staff call to my husband each week. It gives my husband confidence and he enjoys their little chats'.
'I am very happy with the care that is provided to my daughter. Steph is wonderful with her she is so kind and helpful'.


text:
The Moral Authority of Original Meaning
Notre Dame Law Review, Vol. 98, No. 1, 2022
60 Pages Posted: 11 Apr 2022 Last revised: 17 Nov 2022
See all articles by J. Joel Alicea
J. Joel Alicea
Catholic University of America — Columbus School of Law
Date Written: March 3, 2022
One of the most enduring criticisms of originalism is that it lacks a sufficiently compelling moral justification. Scholars operating within the natural-law tradition have been among the foremost critics of originalism's morality, yet originalists have yet to offer a sufficient defense of originalism from within the natural-law tradition that demonstrates that these critics are mistaken. That task has become more urgent in recent years due to Adrian Vermeule's critique of originalism from within the natural-law tradition, which has received greater attention than previous critiques. This Article is the first full-length response to the natural-law critique of originalism as represented by Vermeule, presenting an affirmative argument for originalism from within the natural-law tradition. Although other theorists have offered natural-law justifications for originalism, they have not yet developed a theory of legitimate authority, which is essential both to the natural-law tradition and to originalism. This Article fills that gap by grounding originalism in the legitimate authority of the people-as-sovereign.
In doing so, it draws upon and adapts centuries-old natural-law arguments in favor of popular sovereignty that have rarely been mentioned in American law reviews and have never been presented as the basis for originalism. By creating a novel synthesis between this natural-law theory of popular sovereignty and originalism, the Article offers new responses to longstanding objections to popular-sovereignty-based originalist theories, such as the exclusion of women and enslaved Black people from the ratification process.
Finally, having answered those criticisms, the Article shows that obeying the original meaning of the Constitution is necessary to preserve the legitimate authority of the people, which is essential to achieving the common good. This allows the Article to confront the core of the natural-law critique: that originalism is incompatible with the natural law because it privileges the original meaning above the natural law when they are in conflict. The Article demonstrates that this critique overlooks the natural-law limits on judicial authority that undergird the common good. By grounding originalism in a moral argument drawn from the natural law, this Article shows that, far from being a morally empty jurisprudence, originalism is justified by the moral authority of original meaning.
Keywords: natural law, originalism, Aquinas, popular sovereignty, common good constitutionalism
Alicea, J. Joel, The Moral Authority of Original Meaning (March 3, 2022). Notre Dame Law Review, Vol. 98, No. 1, 2022 , Available at SSRN: https://ssrn.com/abstract=4049069 or http://dx.doi.org/10.2139/ssrn.4049069
J. Joel Alicea (Contact Author)
Catholic University of America — Columbus School of Law ( email )
3600 John McCormack Rd., NE


text:
7 articles found for keyword search: livestock
Effects of Climate Change on the Livestock Population in Mustang District, Nepal
Authors: Ananta Koirala and K.B. Shrestha
There is strong evidence to suggest that climate change has affected and will continue to affect the occurrence, distribution, and prevalence of livestock diseases in Nepal. This study investigated how climate change has affected the livestock population in Mustang District. The outbreak of new...
Nepal's Sacred Cattle: Profitability Analysis and Policy Implications
Authors: Kehinde Elizabeth Ojo, John J. VanSickle, and Bhawna Thapa
This paper analyzes Nepal's current livestock policy, which is rooted in culture and religion, and the extent to which its design has not kept pace with the continuing transformation of the country's agricultural landscape. It estimates the impact of the no-slaughtering of cattle policy...
Linking the Gross National Happiness Concept to Smallholder Farm Level: An Empirical Application
Authors: Tashi Samdup, Henk M.J. Udo, Eddie A.M. Bokkers, and Fokje A. Steenstra
This study aims to refine the gross national happiness (GNH) development concept of Bhutan at the farm level and to show the major temporal and spatial trends in the development of rural areas with differing agroecological conditions and adoption of cattle crossbreeding. The study areas (four...
Bio-Economic Assessment of Climate-Smart Tea Production in The Northern Mountainous Region of Vietnam
Authors: Tuong The Tran, Giacomo Branca, Aslihan Arslan, and Trinh Van Mai
Agricultural production in the face of climate change requires a climate-smart transformation and reorientation at multiple scales. Vietnam is one of the developing countries that is agriculture-based and severely affected by climate change; therefore it is crucial that the agricultural system...
The Livelihood Vulnerability to Climate Change of Two Different Farmer Communities in Tanggamus Region, Lampung Province, Indonesia
Authors: Ktut Murniati, Jangkung Handoyo Mulyo, Irham, and Slamet Hartono
The study aimed to calculate the livelihood vulnerability of organic and non-organic rice farmers' households to climate change. The sample was determined by a census comprising 60 organic and 80 non-organic rice farmers who lived in Pematang Sawa Sub-district, Tanggamus Region, Lampung...
Climate Change and Asian Agriculture
Authors: Mark W. Rosegrant, Gary Yohe, Mandy Ewing, Rowena Valmonte-Santos, Tingju Zhu, Ian Burton, and Saleemul Huq
Asian and global agriculture will be under significant pressure to meet the demands of rising populations, using finite and often degraded soil and water resources that are predicted to be further stressed by the impacts of climate change. In addition, agriculture and land use change are prominent...
Agriculture Diversification in the Mekong Delta: Farmers' Motives and Contributions to Livelihoods
Authors: Roel H. Bosma, Cao Quoc Nam, Henk M.J. Udo, Johan A.J. Verreth, and Leontine E. Visser
Although specialization is the global trend in agriculture, integrated farming systems have emerged in Vietnam. An important motive was the desire to improve the livelihoods and the diet of the nuclear families; this was evident in the analysis using the household life cycle of five phases. Off-farm...
Published under: Volume 2 Issue No. 1&2 (December 2005)


text:
Where in Sussex to buy food past best before date for just 20p
New UV cocktail bar and two new mini golf courses as glow-in-the-dark venue expands
New MD at leading Brighton tech firm
A leading Brighton tech firm has appointed a new MD.
Monday, 9th January 2017, 4:48 pm
Mike Henson SUS-170901-125345001
Ideal has announced the appointment of Mike Henson as managing director. Mike will take responsibility for leading the Tech Track top 100* fast-growing, Brighton based IT services and support provider through the next phase of its growth.
Prior to joining Ideal, Mike was director for cloud and managed services at Trustmarque (part of Capita plc). He has also previously held senior roles at Maxima, Xchanging and Morse.
Commenting on his new role, Mike Henson said: "I'm really looking forward to working with the Ideal team and am hugely excited about the company's potential for further growth.
"I was attracted by Ideal's focus on delivering an exceptional customer experience, and I've been particularly impressed with the think customer mind-set that is so established at the company."
Mike's appointment allows Claire Hopkins, who has been MD since she and Mo Merrick founded the company in 2009, to apply her entrepreneurial and strategy skills in support of the executive management team in a new founding director role
Claire Hopkins added: "At Ideal, we have always been about delivering on our promises, and bringing Mike on board means that we can continue to do this as we grow the business.
He has great experience in putting the customer first and creating propositions that leverage technology to deliver tangible business outcomes. All of us at Ideal are delighted that he's joined, and excited about this next phase of the Ideal journey."
Iconic LGBTQ+ Brighton hotel sold for £5 million
High Street favourite to open new store in Brighton's Churchill Square shopping centre in time for Christmas
Electric bike taxi service idea to be put to Brighton and Hove licensing committee
Sussex hotel announces sudden closure


text:
Huidekoper Cat, and Other Tales
Books on the Way
Purchase now on Amazon | Purchase on Barnes and Noble
More Praise for Huidekoper Cat
I loved this collection of stories about characters who live, work, and love in the writer's sharply recreated world of the 1970's…. With a warm invitation throughout, the gentlemanly narrator takes the reader into the lives of characters he observes with understanding, compassion, and often amusement. The stories reveal what interesting characters we mortals be in any decade and place. That's some cat!
A friend of mine lent me this book and it is an absolute delight. It has a special meaning because my daughter lives near Huidekoper Place in Glover Park, D.C. Driving home the other night from her apartment, I saw a large ginger cat about one street away from Huidekoper Place-somewhat like the cat on the cover of the book!…. The writing style is charming and you feel that the author is leading you by the hand through the inter-related lives of a number of characters living in and around Huidekoper Place…. I hope the author puts pen to paper again soon. His "voice" is a gentle one but nevertheless delves deep into the lives and concerns of his characters in an affecting and insightful manner. An unexpected gift!
These seven stories seek to recapture an era: the 1960s and 70s, with a brief excursion into the early 80s. The stories will resonate for readers who remember that era. At the same time, they will intrigue younger readers who understand what Shakespeare meant when he wrote "what's past is prologue." The stories will potentially be meaningful to readers of all ages because they deal with relationships (not only marital and sexual relationships), exploring the ways that people successfully and unsuccessfully relate to each other—while seeking, sometimes painfully, to find themselves, and while sometimes having to admit that they don't fully understand either their own lives or the lives of the people around them.
While each of the seven stories stands by itself, they connect with each other because they share themes and because major characters in one story will occasionally show up as minor characters in other stories. Marilyn Mayer, for instance, one of the major characters in the second story, "The Owner," makes a brief appearance in the fourth story, "Inez," which is set a year earlier, and then makes her final contribution to the volume, years later, in the seventh story, "She Knew What She Wanted," as the psychotherapist who seeks to help our heroine, Miranda Allen, who as a young woman is still attempting to find herself after the childhood loss of her twin brother.
It is noteworthy that, although the author is male, some of his most fully realized characters are women. In several of these tales, the fifth story, "Two Sisters," for instance, the most important character is female. Brenda Sullivan, the heroine of that story, while devoting a good deal of her energy to the effort to convince some of her neighbors that the President of the United States is a crook ("Two Sisters" is set in Washington, D.C., at the time of the Watergate episode), is mostly trying to work out her feelings about her relations with the various people she is close to, and to understand what she wants in her own life.
One more story, the third in the volume, also has a political background. That story is set in 1968, and the troubling events of that year, including two political assassinations and a controversial presidential election cycle, are very important to the four major characters. Nevertheless, as in "Two Sisters," the political events are a backdrop for the human drama unfolding in the everyday lives of the characters in the story. Very much of a piece with the volume as a whole, "One Year's Correspondence" is in one significant way that will surprise many readers an outlier in Huidekoper Cat, and Other Tales.
Basically these stories exist in a realistic mode. There are, however, occasional departures into the satiric and even the surreal. Lester Stern, who appears or is at least mentioned in as many as five of the seven tales, has to deal in the opening story, "Huidekoper Cat," with a blond kitten who seems to have the intention of bringing Lester closer to his wife and to two of his friends. And in the sixth story, "The Jellyby Man," where Lester is a more minor character, his role in part is to serve as a guide to a younger colleague, Carl Parker, a college professor who has to deal with the sudden and mysterious appearances in his classroom of a senior professor, an expert in Milton's Paradise Regained, who seems to come out of nowhere to recite snatches of poetry and to offer jellybeans to his listeners.
© 2023 Richard Nochimson
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On Friday, July 6, 2012, President Obama will sign HR 4348, Moving Ahead for Progress in the 21st Century (MAP-21), which will create jobs, strengthen our transportation system and grow our economy. The bill provides states and communities with two years of steady funding to build the roads, bridges and transit systems they need. WTS International, recognized as a leader in the industry, has been invited by the White House to be in attendance at the signing of HR 4348. Marcia Ferranto, WTS President and CEO, will be in attendance.


Keen to make the tree look special? Help the children learn how to make gingerbread Christmas decorations by following these simple craft instructions. These adorable Christmas decorations would look great hung from the tree, are fun to make, and are sure to impress all your Christmas visitors.
Roll out a piece of air dry clay on a clean and dry flat surface.
Cut out gingerbread man shapes using the cookie cutter and imprint with a star.
Make a small hole near the top edge of each gingerbread man and for his mouth using a skewer, then leave to dry for 24 hours.
Paint with ceramic paint, then leave to dry before baking in an oven following the instructions on the bottle.
Add a pair of wobbly eyes and finally, thread with a length of thin ribbon or green beading wire to hang your gingerbread Christmas decoration from the tree.
Please note: These Gingerbread Christmas decorations are not edible.
You will find all of the items to make this project at your local Hobbycraft store and online at hobbycraft.co.uk. Project and images courtesy of hobbycraft.co.uk.


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HomeEllsworth Air Force Base
Ellsworth Air Force Base
A B-1 Lancer's WSO Sent Us These Pix Of RNoAF F-35s and Swedish Gripens Escorting The Bone Over The Nordic Region
These stunning photographs show the integration of a B-1B Lancer with NATO and allied fighters during a recent long-range Bomber Task Force mission to Europe from the cockpit of the BONE. On May 20, two […]
For the first time in 10 years a B-1 bomber conducted CAS training "in the vicinity of Australia"
November 4, 2016 David Cenciotti
A "Bone" deployed to Guam has taken part in Close Air Support training with Royal Australian Air Force near Australia for the first time in at least a decade. On Oct. 25, a U.S. Air […]
Take a seat in the cockpit of a B-1B Lancer (at low level, at night or doing an aileron roll) with this cool graduation video
Ever wondered what it looks like to be in the cockpit of a B-1 "Bone" doing an aileron roll? Low level flying, formation flying, night refueling, range activity and even a bit of aerobatics (yes, […]
Troubled Areas
Cool shot of a B-1 bomber departing the tanker like a boss during air strike on ISIS
This is how you depart the tanker like a boss! Taken on Jul. 23, during a mission in support of Operation Inherent Resolve, this cool shot shows a U.S. Air Force B-1B Lancer ("Bone" for […]
Watch a B-1 Lancer bomber buzz photographers on take off from Al Udeid airbase
Head-on take off by a "Bone" deployed to Qatar to fight ISIS B-1's take offs are always impressive. B-1's take off at Al Udeid, west of Doha, in Qatar, where the U.S. Air Force has […]


March 23, 2016 By This post may contain affiliate links.
Could these Fluffy Sheep Cupcakes be any cuter with their roly poly cupcake bodies covered in fluffy white frosting fur and a Peppermint Patty head? They are sweet, silky, and a little bit silly.
I've fallen in love with making sheep shaped treats this Easter season.
It's not unlike me to come up with an idea and run it in several different directions. I have to admit that I can be a bit obsessive, and sometimes I just can't resist creating a series of treats using the same design concept.
You've already seen the Oreo Lamb Lollipops and White Chocolate Woolly Lamb Bark that I made using a similar design to these cupcakes. You've also seen a host of animal themed cupcakes that I've made using chocolate peanut butter cups for the animals' heads.
I combined both of those food art design concepts to make my latest creation.
My sheep cupcakes look like big fluff balls, and I love that. Like my other animal cupcakes, I wanted the sheep to be upright with a large round candy head. I chose to use Peppermint Patties decorated with candy eyes and pink sugar bead noses.
The sheep have four black legs sticking out from their chubby bodies, two floppy ears attached to their candy heads with a tuft of fluffy frosting fur on top.
To make the chocolate sheep heads, ears, and legs, you'll need to pipe melted black confectionery coating (candy melts) into tear drop shapes onto a parchment paper lined baking sheet. When you pipe the ears, make them just far apart enough that you can fit a Peppermint Patty over top of the tips.
Pop the tray into the freezer and allow the candy coating to chill until set, about 3 minutes.
Remove the tray and peel the candy off the parchment paper.
Use a bit of black candy coating to attach two candy eyes and a pink candy bead nose to each Peppermint Patty.
You'll use two cupcakes to make each sheep. Cut off the domed tops on each cupcake and pipe white frosting on the cut side of one. Press two cupcakes together, then use a serrated knife to carve it into a ball.
Now you can pipe or spread white frosting all over the round cake. I piped the frosting on to the cake using a large round pastry tip. I made it look fluffy by piping swirls and dots all over the cupcake. Once the entire round cake is frosted, pipe a tall mound on top and set one of the Peppermint Patty sheep in front of it. Then pipe some dots of frosting on the top of the chocolate head.
Insert four candy legs into each cupcake.
If you want, color some coconut using green food coloring and sprinkle some around the sheep.
Adorably cute cupcakes decorated like sheep using Peppermint Patties.
Unwrap Peppermint Patties and set on a parchment paper lined baking sheet.
Using a Peppermint Patty as a guide, pipe two tear drop shaped ears out of the black candy coating then set the Patty on top, over the tips.
Place pan in freezer for 3 minutes.
Remove and peel candies off the parchment paper.
Use black candy coating to attach two candy eyes and one pink sugar pearl nose to each Peppermint Patty.
Cut the domed tops off each cupcake.
Pipe frosting on the cut top of half of the cupcakes.
Turn another cupcake upside down on top of the frosted cupcake.
Carve each stack of cupcakes into a ball.
Pipe or spread frosting all over the cupcake, making it look woolly.
Pipe an inch tall mound of frosting on top of the frosted cake.
Set a Peppermint Patty sheep in front of the mound of frosting.
Pipe some dots of frosting on top of the Peppermint Patty sheep heads.
Insert 4 tear drop shaped legs into each lamb cupcake.
If I were to count sheep these would definitely be the ones I'd want to see too. 🙂 Thanks!


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Asomante bezeichnet mehrere

Orte in Puerto Rico:
 Asomante (Aibonito, Puerto Rico)
 Asomante (Arecibo, Puerto Rico)


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Interview with Henry H. Neff
Hello, everybody! Welcome to today's interview with Henry H. Neff. He is the author of Impyrium, which I reviewed last week on JustinTalksBooks. If you'd like to read the review, click the button below. I loved Impyrium, so I'm really excited for the interview. Before we begin, we'll learn a little bit about the author.
Impyrium
Henry H. Neff grew up outside Chicago before going off to Cornell University where he majored in history. He began his professional career as a consultant with McKinsey & Company before leaving the corporate life to teach at a San Francisco high school and write fantasy novels.
His first series, "The Tapestry", is a five-volume epic that follows the life and adventures of Max McDaniels. Its books have been translated into nineteen languages and were finalists for the Texas Bluebonnet, Missouri Truman Award, and Northern California Book of the Year.
Impyrium is Henry's second series. You'll find him working away in Montclair, New Jersey, where he lives with his wife and two children.
Taken from Amazon. Click the link below to go to his website.
Henry H. Neff
Q: What inspired you to write IMPYRIUM?
A: IMPYRIUM's story and lore is built upon a foundation I created in my first series, The Tapestry. When I'd completed The Tapestry, I was happy with how I'd wrapped up the story of its hero, Max McDaniels, but I was curious how the world might change and evolve in the aftermath of its events. As a former history teacher I'm interested in how civilizations change over time and the life cycle of empires. These are central themes in IMPYRIUM where issues of power, class, and justice rise to the forefront.
Q: How did you get published?
A: It was fairly straightforward. I wrote a manuscript for my first novel, The Hound of Rowan, and pitched it as the first book in a fantasy trilogy. A publisher made an offer and The Tapestry was born. In retrospect, I was forunate that my manuscript got in front of the right people at the right time. While I tend to think that talented writers will get published eventually, there's a great deal of luck and timing involved with any particular project.
Q: What was your favorite subject in school?
A: History. Knowing a bit of history gives one perspective and a fascinating lens through which to view the world.
Q: What's your favorite book and why?
A: I have too many to name, and often depend on my favorites to satisfy a particular craving or mood. Some that pop to mind include Tolkien's The Lord of the Rings, Moby Dick, Philip Pullman's His Dark Materials trilogy, John Dos Passos's USA, Ursula LeGuin's Earthsea stories, The Wind in the Willows, Watership Down, Patrick O'Brian's Aubrey-Maturin series, and Susan Cooper's The Dark is Rising and The Grey King.
Q: Who is your favorite character in IMPYRIUM and why?
A: Probably Hazel Faeregine, one of the two protagonists and the overlooked "ugly duckling" of the royal family. She begins the story as a naive little girl and really comes into her own as the story unfolds. It sounds strange, but I'm proud of Hazel's courage, integrity, and compassion in the face of some pretty daunting challenges.
Q: What advice do you have for people who want to become published writers?
A: To be professional, positive, and persistent. Those traits will serve you well in any field, but I think they're absolutely essential in the publishing world. Many people want to publish a book; few have the professionalism, positive attitude, and persistence to complete their stories and navigate the inevitable challenges and pitfalls that come with trying to get published. It's a tough and fickle industry, but I'm always willing to bet on those who can maintain a positive attitude while they refine their craft and keep at it. Those who can't are in for a tough ride.
Q: What do you think of the cover of IMPYRIUM?
A: I love it! The artist's name is Antonio Caparo. He did a fantastic job of creating an iconic image that works at a distance but also rewards closer viewing with all the cool little details and monsters on the vault door. I'm really pleased with it.
Q: Did someone or something inspire you while you were writing IMPYRIUM?
A: I find inspiration from all sorts of places — current events, favorite books and myths, even my children. I think most writers have a little corner of their brain that's constantly observing the world around them and stashing things away for future stories.
Thank you, Mr. Neff, for joining us today! Hope everybody enjoyed the interview. On Sunday, I am posting a review of Day of Ice by Andrew Lane.
Interview with Jennifer A. Nielsen
Welcome, everybody! Today I'm interviewing Jennifer A. Nielsen, author of the Ascendance Trilogy and the Mark of the Thief trilogy. I have reviewed two of her books: A Night Divided and Wrath of the Storm. If you'd like to read them, click the links below.
A Night Divided
Wrath of the Storm
Before we start the interview, let's learn more about the author!
Jennifer's debut book was ELLIOT AND THE GOBLIN WAR (Sourcebooks, Oct 2010). That series became known as The Underworld Chronicles. The next series she released was The Ascendance trilogy, beginning with THE FALSE PRINCE (Scholastic, Apr 2012). She wrote the sixth book of the Infinity Ring series, BEHIND ENEMY LINES (Scholastic, Nov 2013). Her current series is MARK OF THE THIEF (Scholastic, Feb 2015), with the final book of the trilogy coming in January 2017. She recently released her first historical, A NIGHT DIVIDED (Scholastic, Aug 2015). Her next book will be a standalone fantasy adventure, THE SCOURGE (Scholastic, Aug 2016).
This was taken from her website. To access it, click the button below.
Jennifer A. Nielsen
Let's start the interview! My questions are in purple.
What inspired you to write the Mark of the Thief trilogy?
The story began with me stumbling on an unusual fact about Ancient Rome - the empire Julius Caesar used to claim that he had descended from the Gods. It was done to make him seem more powerful, more worthy of the throne, but I got to thinking, "What if Caesar was telling the truth?" That would have made him a demigod. And what if his magic was lost after his assassination, only to be discovered decades later by a boy from the lowest rungs of Roman society, a mining slave?
How did you get published?
It started with me being a terrible writer, then as I continued to work, eventually I was just awful, then bad, then I was all right. Eventually, I wrote a story that got me an agent, and then it got me a publisher. Honestly, I had a long and difficult journey toward publication, one filled with many ups and downs, but I am proof that with enough hard work and tenacity, anyone can get published.
What was your favorite subject in class?
My three favorites were theater, speech, and history, and in hindsight, all three have served me well. The theater taught me to understand character and the importance of a three-act structure. Speech taught me the power of language and how to present myself to others. History taught me about the greatest stories throughout time, and how to use their lessons for both my real stories, and as fuel for my fantasy stories.
What's your favorite book?
Hard to choose! I think my all-time favorite book is probably HARRY POTTER AND THE GOBLET OF FIRE, not only because its an incredible achievement in literature, but also because JK Rowling did it while under so much pressure from an international audience of readers.
Who is your favorite character in Wrath of the Storm?
Ooh - that's so difficult. I admire Aurelia for her strength, Crispus for his loyalty, Radulf for the courage to change, and Livia for retaining her kindness amidst so many difficulties. However, I have a lot of love for Nic, who grows so much during the series and finds himself in so many wonderful ways.
I'd like to thank Mrs. Nielsen for joining us today! I wish everyone a wonderful week. I have an interview with Henry H. Neff coming up on Friday, and a review of Day of Ice by Andrew Lane on Sunday. Be sure to check those out!
MMGM: A Riddle in Ruby and Interview
Welcome back, readers! Sorry I missed last week. As you can tell from the title, there is an interview. Let's go into the review, shall we? Today I'm reviewing A Riddle in Ruby by Kent Davis.
Title: A Riddle in Ruby
Series: A Riddle in Ruby (second book, The Changer's Key, coming in September, thank goodness)
Age group: 8 - 12
Summary from Amazon:
Ruby is a thief-in-training and a keeper of secrets—ones she doesn't even know herself. A Riddle in Ruby is the first book in a witty and fast-paced fantasy-adventure trilogy for fans for Jonathan Stroud, Septimus Heap, and The Very Nearly Honorable League of Pirates.
Ruby Teach, daughter of a smuggler and pirate, has been learning how to swindle and steal and pick the most complex locks for as long as she can remember. But a collision with aristocratic young lord Athen sends her spinning into chaos. Little did she know that her whole life has been spent in hiding from nefarious secret societies and the Royal Navy . . . who are both now on her trail. In this debut middle grade adventure, Kent Davis weaves a rip-roaring tale through an alternate colonial Philadelphia. A world where alchemy—that peculiar mix of magic and science—has fueled the industrial revolution. With this highly original setting, a cast of fully rounded characters and rapid-fire, funny dialogue, A Riddle in Ruby will call to mind fantasy greats like Diana Wynne Jones and Terry Pratchett.
What a wonderful book! I'm so glad I stumbled upon it.
Reasons I like A Riddle in Ruby:
- The setting in Colonial America in the Chemystral Age is so intriguing! It's in Colonial America, but with alchemy and chemystry.
- The characters. All the characters were wonderful. Ruby's determination, Cram's funny comments, and Lord Athen's mysteriousness all added up to some fantastic characters.
- The plot is full of so many twists and turns! Something comes up no one would have guessed. We're also left with a terrible cliffhanger!
- The action! There are duels, hiding from people on their trail, magic, science! It combines nicely with the setting and the plot.
Overall, I give A Riddle in Ruby a nine out of ten! It is a fantastic book I hope you don't miss out on.
Kent Davis is me. I'm a writer, game designer, actor, and pratfall practitioner.
A Riddle in Ruby, my debut novel, is slated for release by HarperCollins' Greenwillow Books in Fall 2015. It features adventure, daring heroes, alchemical automatons, and both pluck and gumption.
My game design partner, Chris Organ, and I are the two geekomatics behind the award-nominated Epic RPG tabletop roleplaying game. Theater, film, and television credits as a short, bald man include an array of concerned friends, overbearing flunkies, and odd-yet-amusing next door neighbors. When I'm not writing or gaming, I teach in the Honors College at Montana State University. I'm a member of SFWA and SCBWI. Snake Oil Workshop is the place where I teach improvisation to business folks and academics.
I live in a little yellow house in the wilds of Montana with my brilliant, ridiculous wife and a bold, yet wily dog-ninja. I love good food, good games, and good stories. Especially if the stories have dragons. Or wendigo. Or elusive, brain-devouring fauna.
Taken from his website.
Click the button below to go to his website.
Kent Davis' Website
And now, for the interview! My questions shall be in purple.
What inspired you to write A Riddle in Ruby?
What inspired you to write A Riddle in Ruby? It was a picture that popped into my head one day. A girl with a tricorne hat, in a colonial era barrel, riding through a thick forest on metallic ostrich legs that stuck out of the bottom of the barrel. Well, that's where it started. But the image kept following me around like an annoying cat, poking at me. I started picking it apart day-by-day, and it turned into an alternate history Colonial Philadelphia (tricorne), the magical science of chemystry (mechanical ostrich legs), and Ruby's story—a smart, indomitable girl in a daring adventure (girl in the barrel).
Once I had finished a version of the book that I liked enough, I did a lot of searching and finally found my agent, the glorious Susanna Einstein. Then, with the help of Susanna, we put the manuscript in front of a number of editors, one of whom happened to be the tremendous Martha Mihalick. Martha decided she wanted to edit it, and the rest is history.
I was actually a huge history fan! I just can't get enough of learning about cultures all around the world and the different ways that people decide to help each other get along.
Aaagh! Melting from the pressure! I'll give you three. No, four. The Three Musketeers, by Alexandre Dumas; A Wizard of Earthsea, by Ursula LeGuin; Wee Free Men, by Terry Pratchett; and The Golden Compass, by Philip Pullman. There are more. Many more. But hopefully that's enough for our purposes today.
Who's your favorite character in A Riddle in Ruby?
Well, I kind of love all the main characters as if they were my kids. But I'm pretty partial to Cram. He and I see pretty much eye-to-eye about food.
Thank you, Mr. Davis, for responding to these questions! I can't wait for The Changer's Key.
I hope you all enjoyed this week's review and the interview. For more MMGM's, go to Shannon Messenger's website by clicking the button below.


As far as alternative fuel sources to power our vehicles have gone, we have tried to harness from a variety of different sources, such as solar energy and electrical energy to keep those wheels turning. Now, a stranger fuel is being used to power TOTO's Toilet Bike Neo: human excrement.
Scientists Recreate Viewed Images from Neural Data, Plans to do the Same to Dreams.
Scientists have long been fascinated by the human grey matter, and recent studies have been able to shed some light on how we view the world. Scientists at UC Berkeley have used brain imaging and computer simulations reconstructed from neural data to show us how images are seen inside our brains.
Comments Off on Scientists Recreate Viewed Images from Neural Data, Plans to do the Same to Dreams.


As we wrap up 2018, we're admiring the partnerships we've grown with our clients and amazing stories we've told on their behalf. From dedicated Ferry captains sharing their vocational story with the New York Times, to welcoming Guinness to the U.S. and sharing the latest news about firms who are driving our built environment, this year was one for the books. And in 2019 we'll aim even higher.


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Hey Whipple, Squeeze This!
The Classic Guide to Creating Great Ads, 4th Edition
By Luke Sullivan with Sam Bennett
Hey Whipple, Squeeze This! has become a seminal guide to the world of advertising for those who have been in the business for decades, for newcomers, and for anybody intrigued by what happens when creativity meets commerce. The title is an irreverent nod to an unconventional 1970s campaign for Charmin toilet paper that featured an annoying shop clerk called Mr Whipple, who couldn't stop squeezing the product. It sets the tone for Sullivan's honest and practical insights into the sometimes crazy creative process of advertising.
Anyone working in advertising or marketing
Anyone interested in how ads work
Anyone who watches too much Mad Men
Luke Sullivan is renowned for his 32-year career in advertising under eminent agencies such Fallon and GSD&M. He is currently chairman of the advertising department at the Savannah College of Art and Design.
Sam Bennett was a contributing author to the updated edition of this book. She is currently the director of brand and digital strategy at Martin Williams.
© Luke Sullivan: Hey Whipple, Squeeze This copyright 2012, John Wiley & Sons Inc. Used by permission of John Wiley & Sons Inc. and shall not be made available to any unauthorized third parties.
The Classic Guide to Creating Great Ads
To get started in advertising, you need an exceptional portfolio.
Many years ago, a few good ideas and a passion for the business were enough to get you hired by an agency. Today, it's a different story. The industry has become so popular that you'd better have an outstanding portfolio, or book, if you want to get your big break.
Your book is both your job application and your talent, and should set you apart from the crowd. This is vital, as the competition for ad jobs grows more intense every day, as more and more students complete advertising degrees with highly polished books. But you don't have to go to ad school to create an outstanding book.
You need just eight or nine hypothetical campaigns that have been worked to an excellent standard. How do you do this? By concentrating on campaigns based on good ideas. Agencies aren't impressed with a good finished ad – they're much more interested in ideas that reflect unique talent.
Here's an example. A famous Nike ad shows Michael Jordan jumping and scoring, with the line "Michael Jordan: 1. Isaac Newton: 0." This ad could be in its earliest stage, even crudely hand drawn, and the brilliant idea would still shine through.
But where do great ideas come from? Begin by developing ideas around products that you like and use. Then take a look at old, award-winning ads. Why did they work, what was their secret? After analyzing them, return to developing your own ideas, but this time choose products that you'd never use yourself.
For example, if you're a guy, consider ideas for bridal magazines, or if you're a girl, develop ads for jock straps. This will show agencies that you can apply your talents in more than one field.
Creating ideas is hard work.
Even though the creative process is tough, there are ways to regain your flow.
Keep it simple, keep it honest!
Brand image must be backed up by actions, and it has to stand out.
Successful TV ads first surprise us, and then make us think.
For radio commercials, keep it natural.
Start your free Blinkist trial to get unlimited access to key ideas from Hey Whipple, Squeeze This! and over 3,000 other nonfiction titles. With bitesize text and audio, it's easier than ever to find the right ideas to transform your life.


I found this wisdom from @joycemeyer today. Reminded me that attitude is altitude! Let's rock through this day!
Prayer: Lord, I pray for your vision today so that I might see your plans and purpose for my day. Let's do this together Father, join together in Joy as you stretch me into your version of my life. Help me to lay aside everything I think I need to do, and instead, recognise the footsteps you've pre-prepared for me. Amen.