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Blu-Ray Review: Baz Luhrmann's 'Moulin Rouge!,' 'Romeo + Juliet' Made For HD
Submitted by BrianTT on October 28, 2010 - 9:45am
Craig Pearce
Romeo + Juliet
Theater, TV, DVD & Blu-Ray
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CHICAGO – Baz Luhrmann has made two great films and one masterpiece in "Strictly Ballroom," "William Shakespeare's Romeo + Juliet," and "Moulin Rouge!" and the latter two are finally available on Blu-ray, the format for which they were made. In the only way we should expect from a perfectionist like Luhrmann, both films have been lovingly remastered in HD and accompanied by excellent special features. They're a pair of great HD releases.
Blu-Ray Rating: 5.0/5.0
"William Shakespeare's Romeo + Juliet" took the romanticism that Luhrmann showed in "Strictly Ballroom" and turned it up to eleven with a visionary take on the classic play. Bursting at the seams (arguably too much so) with ideas, it's remarkable how well the film has held up over the years. When it came out in 1996, some critics dismissed it as a teeny-bopper product but I think we now realize that Leonardo DiCaprio and Claire Danes are more than mere pretty faces and that Luhrmann actually deserves the "From Visionary Director" title on the front of the Blu-ray case.
Moulin Rouge! was released on Blu-ray on October 19th, 2010
Photo credit: Fox
DiCaprio and Danes play the original star-crossed lovers in this adaptation that stayed loyal to Shakespeare's dialogue but completely reimagined it visually. Say what you will about Luhrmann, he's one of the few modern directors who truly sees film as a visually sumptuous medium, one in which the technical details play as important a role in the journey for the movie watcher as script or performance. "William Shakespeare's Romeo + Juliet" looks amazing and even more so with the brand-new transfer from the original camera negative that was overseen frame by frame by Luhrmann. It's a movie made for HD and it's wonderful that it wasn't just haphazardly imported to the format.
William Shakespeare's Romeo and Juliet was released on Blu-ray on October 19th, 2010
"Romeo + Juliet" is a very good movie, even more ambitious than you remember, but "Moulin Rouge!" is a masterpiece. It's a spectacular musical, one that kicked open the door for the resurgence of the genre in the '00s and a film that plays even better ten years after its release. There's a passion to the filmmaking in "Moulin Rouge!" that we only see a few times a year and in the best cinema. The fact is that more and more movies are clearly cash-driven projects and the lack of creative fire behind them is easily perceptible to modern viewers. You may not be excited for a film that includes "Like a Virgin" as a musical number, but you can't deny the creativity and love for filmmaking behind it. When Ewan McGregor exclaims that "love is like oxygen," it's a sentiment that doesn't feel corny or cliched. It's the driving force of the entire film and it's Luhrmann's love for film that clearly keeps him alive.
Like "Romeo," "Moulin Rouge!" has been meticulously remastered by Luhrmann. Both films look great and sound even better. What's so wonderful is that they haven't been overly-polished: There's still a bit of grain and the colors haven't been over-saturated merely to show off on HD. Both video transfers are matched by equally-spectacular audio tracks. Technically, these are great releases.
The films look and sound so good and have held up well enough that the pair would be worth picking up without special features. The fact that they come with a ton of behind-the-scenes featurettes, archival material, commentaries, and more makes them both must-owns. All of the material below is worth your time, especially for fans of Luhrmann and his films, and the only complaint I have is Fox's typically-annoying organizational skills. There should never be a series of 2-minute features that can't be viewed via "Play All." Why do we constantly have to go back to the menu to watch all of the b-t-s material from "Moulin Rouge!"? It's nonsense. But it's worth the annoyance for Blu-ray releases this remarkable.
Special Features - "William Shakespeare's Romeo + Juliet"
o "Shaking Up Shakespeare" — Picture In Picture With Audio Commentary Featuring Behind-the-Scenes Footage and Stills
o Uncut Footage From The Bazmark Vault
o "Romeo + Juliet: The Music"
o Filmmaker And Interview Galleries
Special Features - "Moulin Rouge!"
o "Spectacular, Spectacular" — Picture In Picture With Audio Commentary Featuring Behind-the-Scenes Footage and Stills
o "A Creative Adventure"
o "A Word From Baz"
o Uncut Bazmark Vault Footage Including Alternate Opening and Nicole Kidman's First Vocal Test
o Production Featurettes And Interviews
o The Making Of "Moulin Rouge!"
"Moulin Rouge!" stars Nicole Kidman, Ewan McGregor, John Leguizamo, Jim Broadbent, and Richard Roxburgh. It was written by Baz Luhrmann & Craig Pearce and directed by Luhrmann. It was released on Blu-ray on October 19th, 2010. It is rated PG-13 and runs 128 minutes.
"William Shakespeare's Romeo + Juliet" stars Leonardo DiCaprio, Claire Danes, Brian Dennehy, John Leguizamo, and Pete Postelthwaite. It was written by Baz Luhrmann & Craig Pearce and directed by Luhrmann. It was released on Blu-ray on October 19th, 2010. It is rated PG-13 and runs 120 minutes.
By BRIAN TALLERICO
Content Director
HollywoodChicago.com
brian@hollywoodchicago.com
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First of all, thank you for your work. I had rather a few minutes to test the first steps in game before I headed for work today, but I have one small suggestion already that kinda pointed out early in the game.
The first Pistol, I guess called PP, had a rather weird iron sight. If I fire a pistol, I want it to have a rather big distance to my face as for the slide to hit back or oil and powder particles. Tho in game my character is holding the pistol straight in front of his eyes. That feels rather unusual and implausible to me that it is really killing the immersion. The game has quite the dark but real tone to it, but this is just distracting.
I hope you understand my point of view and what I mean by this. At any fire range we learn to hold a pistol with a straight arm in front of you, away from the face. I wouldn't aim it like a rifle.
Totally agree with this point, I figured that the Devs probably haven't had the chance to shoot any handguns, it's just way to close to your face.
I get what you mean but I look at it differently.
It looks like this just because of the zoom effect, which helps tremendously tracking enemies in my opinion. To me it feels like they are simulating the focus of the shooter by zooming in more.
But in the end, I don't care too much if they change it or not.
Yeah, I agree that it feels wierd, but not really immersion breaking for me. The bigger issue I have with it is that makes the guns feel more accurate than they actually are, I keep having to remind one of my friends that the Möller PP is only decent out to about 15 meters at best.
The thing that caught me more off guard at first though was the sights on the Klocke 17 (which is a first generation Glock 17), but that's probably because I'm used to the third and fourth generation Glock sights and their nice tritium night sights.
The Klocke 17 is probably meant to represent Pistol m/88 in the Swedish armed forces which is a Glock 17. As the name suggest it was introduced in 1988 and probably a few years earlier model of the actuall gun.
Yeah, I know it's supposed to be an m/88, which is itself just a first generation Glock 17 with some special certifications for use by the Försvarsmakt.


I have seen the future of televised baseball, and it looked a little intimidating, frankly, what with both the ball and 6-7, 290-pound CC Sabathia moving in my direction in glorious 3-D.
That was only one of a number of arresting images Sunday during a YES screening of the Yankees-Mariners game, the second in Major League Baseball history produced in 3-D for home viewing.
From a weird, in-your-face closeup of Ichiro's feet to a pitch ricocheting off Brett Gardner's batting helmet, 3-D did what it does best: offer unusual views of common sports scenes.
And as with all 3-D events, the best views were from ground level, where the depth of field allows the technology to do its thing most dramatically.
The joint YES-DirecTV production was the latest in a series of live 3-D sports experiments, a process that has accelerated now that sets are on the market for early adopters.
Football, basketball, hockey, soccer, golf and other sports have had their turns - including a Rangers-Islanders game on MSG in March that marked the first live 3-D event available for home use.
This weekend, it was baseball's turn, with the technology set to go national for Monday night's Home Run Derby on ESPN and Tuesday's All-Star Game on Fox.
So how does baseball look in three dimensions? Pretty good, actually.
One advantage it has over most sports is that players are more evenly spaced than in, say, football or hockey, which enhances the effect of seeing them in both the foreground and distance.
The catcher, umpire and batter appear as three men stranded on an island, as are the lonely pitcher and the fielders behind him.
It helps that much of the time, baseball players are standing still. The 3-D effect was more disorienting earlier in the day as the World Cup finalists ran hither and yon over a soccer field.
The idea mostly was to tinker with ways in which to incorporate 3-D shots into telecasts as the technology improves and more people buy sets to make the added production expense worthwhile.
But he added the key will be producers and directors learning to work with the new tool.
"Don't go so much by what you see today, although you'll see some great things,'' he said. "Think of it in two years or three years when this is really defined. HD took some time to define . . . Obviously, this is not a finished process. It's a natural evolution.


The U.S. Foreign-Trade Zones program was created by the Foreign-Trade Zones Act of 1934. The Foreign-Trade Zones Act was one of two key pieces of legislation passed in 1934 in an attempt to mitigate some of the destructive effects of the Smoot-Hawley Tariffs, which had been imposed in 1930. The Foreign-Trade Zones Act was created to "expedite and encourage foreign commerce" in the United States. This is accomplished through the designation of geographical areas, in or adjacent to Customs Ports of Entry, where commercial merchandise receives the same Customs treatment it would if it were outside the commerce of the United States. Merchandise of every description may be held in the Zone without being subject to Customs duties and other ad valorem taxes . This tariff and tax relief is designed to lower the costs of U.S.-based operations engaged in international trade and thereby create and retain the employment and capital investment opportunities that result from those operations. These special geographic areas – Foreign-Trade Zones – are established "in or adjacent to" U.S. Ports of Entry and are under the supervision of the U.S. Customs Service. Since 1986, U.S. Customs' oversight of FTZ operations has been conducted on an audit-inspection basis, whereby compliance is assured through audits and spot checks under a surety bond, rather than through on-site supervision by Customs personnel.
The FTZ program has grown profoundly over the last 30 years. In 1970 there were 8 Foreign-Trade Zone projects (with a total of 3 Subzones) in the United States. Today there are over 230 Foreign-Trade Zone projects (with nearly 400 Subzones) in the United States. This growth is the result of changes in the FTZ program. These changes have caused the FTZ program to evolve into an important means by which U.S.-based companies can enhance their cost-competitiveness, and as a means by which the United States can practice both the letter and the spirit of its trade laws.
From 1934 through and beyond the Second World War, Foreign-Trade Zones were used only on a very limited basis. The reason for this was clear: the prohibition against manufacturing activity. While Zones lay virtually dormant, the 16 years between 1934 and 1950 saw a complete change in the dynamics of trade – a change which would create the need for the FTZ program within the U.S. manufacturing sector.
The General Agreement on Tariffs and Trade (known by its acronym "GATT") became the working model by which more than 120 nations participated in round after round of multilateral tariff reductions for nearly 50 years. From 1946 until 1995, the GATT served to break down the barriers to trade on a worldwide basis. This expansion of trade played a critical part in the 50-year economic boom in member countries following the end of the Second World War.
Early in this period, an important amendment to the Foreign-Trade Zones Act was made. In 1950, those members of Congress who were the original champions of the Foreign-Trade Zones Act of 1934 (Yes, they were still members of Congress!), convinced their colleagues of the wisdom of allowing manufacturing activity in Foreign-Trade Zones. Approval for manufacturing in Zones would be done on a case-by-case basis, and, as was the case in other FTZ's around the world at that time, goods manufactured in Zones would be assessed Customs duty based on their full value, including domestic parts, labor, overhead and profit, upon entry into domestic commerce. This was in keeping with the so-called "island" model of FTZs in which the activity conducted within each Zone is totally segregated from the domestic economy.
While this new amendment to the Foreign-Trade Zones Act advanced the cause of U.S. Foreign-Trade Zones significantly, it did little to spur Zone manufacturing activity. Since the U.S. tariff structure was still largely biased in favor of domestic production activity, firms who imported foreign parts to produce finished products for the domestic market were at a competitive advantage in relation to their foreign-based counterparts. Zone manufacturing for production devoted exclusively to export sales was a rare phenomenon. Thus, throughout the 1950's and 1960's the U.S. Foreign-Trade Zones program was of little practical utility to businesses. During this time period, round after round of GATT agreements were reached, and the competitive environment of global trade changed significantly. Many of the tariff barriers were reduced by the simple reduction in Customs duty rates on a multilateral basis. As trade negotiators completed these agreements, duty rates on a wide variety of products were lowered worldwide. This promoted international trade through freer market access and lead to its expansion. However, as round after round of global trade agreements were implemented, it became clearer to some that this freer market access came with an unexpected cost.
As befits most professional negotiators, the community of international trade negotiators shared (as, no doubt, it still does), the common characteristic of trying to gain the most for their native countries, while yielding the least. Naturally, over the course of time, high value-added manufactured goods would be the subject of intense trade negotiation. As agreements for tariff reductions on high value-added finished products proliferate, so do inconsistencies within the tariff structures of individual nations.
The classic, domestically-biased duty rate relationship between raw materials, parts and components which make up intermediate stages of production, and a given finished product, is characterized by increased rates of import duties as value is added in the production process. This classic structure meets the twin aims of tariffs: to raise revenue and encourage domestic production activities (which, in the United States are taxed through individual and corporate taxes).
However, as multilateral tariff agreements reduce duty rates on a world-wide basis, an odd set of duty rate relationships can sometimes occur as a result of a particular end product's reduced tariff rate. On occasion, the duty rate applicable to imported intermediate parts is higher, rather than lower, than the duty rate that applies to the finished product. While providing market access for the end product – a desired result because of a corresponding concession by other member nations – this duty rate relationship also imposes an unintended counterproductive cost on the domestic producer of that end product. Now the domestic producer is competing with its foreign-based counterpart at an inherent cost disadvantage. Why? Because it must now pay a higher rate on one or more of its imported parts than its foreign-based competitor pays to import its finished product. This tariff imposition reduces the domestic producer's profit margin and thereby makes it irrational for it to continue to make the finished product domestically. Such duty rate relationships are known as irrational duty rate relationships or "inverted tariffs." Such a tariff structure is biased against the higher value-added activity to produce the finished product domestically. In this situation, value-added activity (which, if conducted domestically, would produce income taxes on profits and wages) is encouraged to be moved to a foreign location.
By 1980, the combination of cheap and efficient transportation, and the use of such programs as Mexico's Maquiladora, or "twin plant" program, provided the means for U.S. firms to shift production of their products overseas, and for foreign-based firms to more easily compete in the U.S. market. Falling tariff rates, and, in particular, the way they affected the U.S. tariff structure, provided additional motivation to conduct value-added activity overseas.
Fortunately, a truly effective remedy was at hand. Since 1972, the National Association of Foreign-Trade Zones (NAFTZ) has served the interests of the communities and companies who participate in the U.S. Foreign-Trade Zones program. The NAFTZ observed the existing Customs and tariff treatment afforded to domestic parts shipped overseas for value-added activity and then returned to the U.S.. The NAFTZ began to press for equivalent tariff treatment of products manufactured in a U.S. Foreign-Trade Zone environment. The NAFTZ asserted that Customs duty on products manufactured in Zones should not be assessed on U.S. value-added – that is, value which consists of domestic materials, parts, labor, overhead, or profit.
On April 12, 1980, the U.S. Customs Service issued a formal ruling that agreed with the NAFTZ's position. At last, the U.S. Foreign-Trade Zones program, born in 1934, could be of real utility in attracting and retaining U.S.-based economic activity. This economic activity generates investment, labor, and profit, which collectively produce far more tax revenues than do Customs duties.
Now, at last, the U.S.-based manufacturer could bring foreign-sourced parts or materials into the Zone, pay no duty, incorporate those parts or materials into a finished product using U.S. parts and labor, and, if the finished product entered the U.S. commerce, pay duty on the value of the foreign non-duty-paid content only. This "integrated" model, which has replaced the previous "island" model, has spurred the growth in the U.S. Foreign-Trade Zones program, and has allowed U.S.-based manufacturers to engage in economical sourcing – from both foreign and domestic suppliers – to displace imports of foreign-produced finished products. This, along with the overall expansion of global trade, is why the number of Zone projects, and the number of Subzones, has grown so profoundly.
In historical summary, the 1950 amendment which allowed manufacturing, and the 1980 ruling which effectively eliminated the "island" model for U.S. Zones (thereby integrating Zone activity with the U.S. economy), provided the legal and regulatory framework for the Foreign-Trade Zones program to effectively serve U.S.-based businesses. Round after round of multilateral trade agreements created the need for the U.S. government to make exceptions to the published tariff rates in instances where the structure of the U.S. tariff is counterproductive. Therefore, today, the Zones program acts as a tool by which the United States can practice both the letter and spirit of its trade laws and policies.


I had a wonderful time in Milwaukee! I survived the cold and made it back to Texas just as the sun came out for the first time in days. I tried to get my husband to serenade me with Aint No Sunshine, but he didn't know the words.
So, first things first back in Texas... January bee blocks need to hit the mailbox.
This one is for Brooke of apriltwoeighty.
This block is from the first issue of Fat Quarterly and it's the block for the new bee I was invited to join over at Flickr, Bee Hexed In. Brooke requested neutral colors with touches of turquoise and orange. I hope you like it, Brooke!
Next on the list, Mod Mosaic blocks for Elizabeth's month in the do. Good Stitches bee.
Elizabeth requested blocks in cool winter colors with plenty of gray. The finished quilt will be donated to the Wrap them in Love Foundation. Maybe Elizabeth will show us the finished quilt on her blog, OhFransson!, before she mails it off. BTW, these blocks are fun to make and I highly recommend giving them a try. The tutorial is available at OhFransson!
For some reason, arriving back in Texas yesterday where the sun was out and the weather was warmer has given my ever present gardening itch a tickle. Maybe it's because we visited the Mitchell Park Domes in Milwaukee where I saw pothos leaves as big as my head and some of the tiniest orchids I've ever imagined. Early this morning, I trimmed the dead growth on a few of the bargain perennials I managed to get in the ground before they went dormant, but it didn't calm my itch. I think I'm going to try starting some plants and herbs from seed this spring. Spring come quickly! I can't stand the wait!
Yay to the warmer weather.. wait til tomorrow.. get the sunscreen ready! LOL. Then get your winter jacket ready for next week.. LOL it can't seem to make up it's mind. Crazy! I would love to make a garden here in Tx but I never know when to start.
Very cool blocks! It's funny to see them appearing on the different blogs. I hope the recipient will post all of them together!
I just moved from Atlanta, GA to Seoul, Korea and am FREZZING! But, we move to California next year so I am hanging in there.
I would like to make a bee hexed in. Do you have a link for the exact directions you can send me?
Welcome back, Melanie. I hope Elizabeth does post about her quilt!
Love the blues in your Mod Mosaic block. I had a try at it in greens- it is a great fun block to play with!
i found you from 'diary of a quilter' blog - and i enjoyed watching your hexagon videos. what size square would you cut for a 1.25" hexagon? i'm just trying to get into it and i got some 1.25" pattern pieces (cardstock).


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== Distribution & Transmission<br> ==
=== Production ===
== Production ==
Discovery Communications owns its own production studio, Discovery Studios. Discovery Studios has offices in both Silver Spring, Maryland and Los Angeles. It creates originial series, specials and short-form content for all of its channels. It also produces theatrical documentaries under the banner: Discovery Films. The only series currently airing on Animal Planet produced by Discovery Studios is ''Into the Pride''. Perusal on the Internet Movie Database (IMDB), however, will reveal that Discovery Studios produces a majority of the specials and documentaries that air on the channel. The other series in Animal Planet's line-up are produced by independent studios such as: Powderhouse Productions, Gurney Productions, and Intuitive Entertainment. The list goes on. Common clients between these independent studios listed on their websites are MTV, A&E, and the Food Network.
<blockquote>"We feel a little too human, a little too soft, a little too all-family and not powerful enough. We're being more aggressive and tapping into the instinctual nature of compelling animal content." </blockquote>
Animal Planet was born into Discovery Communications' family of channels including, at the time, The Learning Channel and the Discovery Channel fostering their slogan, "The number-one nonfiction media company." Just 4 years after Animal Planet was born it broke the 100 million subscribing household mark globally. Discovery Communications went on to acquire The Travel Channel and launch channels including Discovery Kids and Discovery Health Channel.[2] Today, Discovery Communications reaches more than 1.5 billion cumulative subscribers in over 170 countries with over 100 worldwide networks. In 2007, the success of the Discovery Communications networks earned it the most nominations ever, eighteen, for the 18th Annual Primetime Emmy Awards. Animal Planet HD was also released in 2007. Today Animal Planet Media includes the cable network (available in 85 million homes nationwide), AnimalPlanet.com, Animal Planet Beyond, Petfinder.com, as well as other media platforms.

redpajama_set_name: RedPajamaCommonCrawl


This store Profile Page is brought to you courtesy of the RetailGuide service. Discount Tire is located in Maplewood.
RetailGuide, RetailGuide.Network and RetailGuide Maplewood are service marks of MetroGuide.com, Inc.


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Q: If $[G:H]=n$, then $g^{n!}\in H$ for all $g\in G$. I have the following question:

Let $G$ be a group and let $H$ be a subgroup of finite index of $G$. Let $|G:H|=n$
Then this holds: $g^{n!}\in H$ for all $g\in G$.
Why is this true?

I think, that's not very difficult, but I have no idea at the moment.
Thanks!

A: In case anyone wanted a nice name for the minimal number, it is basically the obvious guess, though I think it might be a little surprising that the obvious guess is actually right.
Proposition: If G is a group, and H is a subgroup of G, then the exponent of $G/\operatorname{Core}_G(H)$ is the smallest positive integer n such that for all g in G, $g^n \in H$.
Proof: Suppose n is a positive integer such that $g^n \in H$ for all g in G. Let k in G, then $(g^{k^{-1}})^n \in H$ as well. Conjugating by k, $g^n \in H^k$.  In particular, $g^n$ is contained in every conjugate of H, not just H itself.  Hence $g^n$ is contained in $\operatorname{Core}_G(H) = \displaystyle \bigcap_{g\in G}H^g$, the largest G-normal subgroup of H.  In particular, n is a multiple of the exponent of the group $G/\operatorname{Core}_G(H)$.  Conversely, the exponent n of the group $G/\operatorname{Core}_G(H)$ definitely satisfies $g^n \in \operatorname{Core}_G(H) \leq H$. $\qquad \square$
Equivalently, if G is a transitive permutation group, then the smallest positive integer n such that the nth power of every element of G fixes the first point is also the smallest positive integer n such that the nth power of every element of G fixes every point.

A: Take $g\in G.$ Apply the pigeonhole principle to the $n+1$-tuple $g_0,\ldots,g_n,$ inductively defined by $g_0=e,$ and $g_{i+1}=g.g_i.$
You find $g_i$ and $g_j$ in the same left coset of $H$ in $G,$ for some $i,j=0,1,\ldots,n$ with $i<j.$
Consequently $g^{j-i}=g_jg_i^{-1}\in H,$ therefore a fortiori $g^{n!}\in H.$

A: See also my post here

Proposition. Let $H$ be a non-trivial subgroup of the finite group $G$, with $n = [G:H]$. Assume that $\gcd(|H|,n)=1$. Then the following are equivalent.
  (a) For all $g \in G$: $g^n \in H$.
  (b) $H \unlhd G$.

A: Let $G$ act on the left cosets of $H$ by left multiplication,
$$g: aH\longmapsto gaH.$$
This gives an action of $G$ on a set of $n$ elements, hence induces a homomorphism $G\to S_n$. In particular, for every $g\in G$, $g^{n!}$ must lie in the kernel, since $|S_n|=n!$. But the kernel is contained in $H$: if $g$ lies in the kernel, then $gaH = aH$ for all $a\in G$, hence in particular $gH=H$, so $g\in H$. Thus, for every $g\in G$, $g^{n!}\in H$.

A: This is an easy question if you start by showing that $g^n \in H$. Consequently, $g$ raised to the power of any multiple of $n$ is also in H (since $[G:H] = n$). Just an idea.

redpajama_set_name: RedPajamaStackExchange


Heritage animals are raised outdoors and are allowed to roam freely with the ability to play, peck, root, and explore - to do what animals naturally do. They grow more slowly and naturally, and their meat, milk and/or eggs just taste better. Let's take pork as an example. Factory-farmed pigs are confined indoors, and have been bred to produce very lean meat that is often dry and somewhat tasteless. Heritage breeds have more intramuscular marbling of fat, which makes for moist old-fashioned flavour.
Ravenwood Ranch - Caroline, AB. Natural meets, Nubian goats, and butcher shop.
Rosewood Farm - East of Winnipeg, MB. Irish Dexter, Belted Galloway, and Speckle Park Cattle.
Wholearth - Northumberland County, ON. Tamworth Pork, Shropshire Lamb, Angus Beef, Jersey Giant and Park Cornish Chicken, Bourbon Red Turkey, Pekin and Muscovy Duck.


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Neville: "We have deserved to win to the FC Barcelona"
Barcelona News
The trainer of Valencia, Gary Neville, valued in back press conference to the tie harvested against the FC Barcelona the final result of the party and the fact that the big majority of the fans ché decided not attending to witness the meeting in signal of protest
Ticket - Gone in for all the parties of the FC Barcelona
In statements conceded in press conference after Valencia-Barça, Gary Neville showed happy with the performance of his players in a Mestalla almost empty. "The positive is the performance of any of the youngest players. We have deserved to win. They were not the suitable circumstances but have played with dignity. Diallo And Villaba have been very well... Álvaro has achieved his goal. They have marked us and the circumstances were very difficult", signalled.
In any case, knows that the party that is essential to win for Valencia is the one of the next weekend against the Espanyol. "We are preparing already the party of the Saturday. We know that it is importantísimo. We are totally centred in the Espanyol". They asked after him what did not range in the goal to Diego Alves, that already is recovered of his injury. "I have thought that the best was that tonight it was for Jaume. Diego will have to go back in the suitable moment", answered Neville.
Gary Neville has full confidence in the potential of Álvaro Negredo, that marked this Wednesday against the FC Barcelona. "It is experienced. It has marked some goals, before arriving I was in the terracing. In the last months have gladdened me that it could mark. I am very happy with him and goes us to come very well for these parties". Gary Neville gave a lot of minutes to several canteranos with the aim to have to his cool basic pieces against the Espanyol in League BBVA.
"We wanted a team the coolest possible for the Saturday. The canteranos have to grow but the fans know that in the Academy there are youngsters with a lot of talent". Finally, it expected that Mestalla fill the next weekend for Valencia-Espanyol. "I am appreciated to the fans that came today. Some have not wanted to come and are in his right. Of face to the Saturday, there will be an electrical environment. Mestalla Will be full. We need to the fans the Saturday".


text:
Home Science Department of Geology ETDs
Munyangane, Livhuwani Portia. Potentially harmful trace elements (PHTEs) in the groundwater of Greater Giyani, Limpopo Province, South Africa: possible health implications. 2015-11-12.
Potentially harmful trace elements (PHTEs) in the groundwater of Greater Giyani, Limpopo Province, South Africa: possible health implications
Munyangane, Livhuwani Portia
Mouri, Hassina, Prof. ; Kramers, Jan, Prof.
Groundwater - South Africa - Limpopo Province
Groundwater - Arsenic content
Groundwater - Purification - Arsenic removal
M.Sc. (Geology)
Most rural communities in developing countries rely on borehole water as their only source of water. Since borehole water comes from underground, it is often considered pure and clean, but this is frequently not the case. Groundwater contains certain amounts of trace elements that may become deleterious to human health. The objectives of this investigation were to assess the concentration levels of Potential Harmful Trace Elements (PHTEs) and their spatial distribution patterns in borehole water in the Greater Giyani area of Limpopo, South Africa, and the potential human health risks associated with this. The method of research comprised two phases: (I) In the first phase, I assessed the occurrence and distribution patterns of PHTEs in the boreholes of the Giyani area. A total of 29 water samples were collected from boreholes (including 15 community boreholes and 14 primary school boreholes) in the Greater Giyani area during the dry season (July/August 2012), and for comparison another 27 samples (including 15 community boreholes and 12 schools boreholes) from the same localities during the wet season (March 2013). The samples were analysed for the trace elements arsenic (As), cadmium (Cd), chromium (Cr), selenium (Se) and lead (Pb) using the Inductively Coupled Plasma Mass-Spectrometry (ICPMS) technique. In order to assess the groundwater quality, PHTEs concentrations were compared with the South African National Standard of Drinking water (SANS 241-1:2011). (II) In the second phase, I evaluated the geographic variation between PHTEs and associated human health effects. This involved acquisition of data on a total of 100 cancer cases recorded during the period 2011-2014 at Nkhensani Hospital. ArcGIS Spatial analyst tool was used to create thematic maps illustrating spatial distribution of clinical data and arsenic concentrations in boreholes.
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ETDs Potentially harmful trace elements (PHTEs) in the groundwater of Greater Giyani, Limpopo Province, South Africa: possible health implications


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The National Term Office commends the so-called "speech" of the leaders of the People's Bureau: advocating "Taiwan independence" and inciting the opposite
Beijing October 10 (Reporter Jianglin) For the Leaders of the People's Republic of China, the leaders of the Democratic Party issued the so-called "speech" on October 10, the spokesperson of the National Taiwan Affairs Office Ma Xiaoman should, this "speech" Gushing "Taiwan independence", inciting the opposition, cutting history, distorting the facts, with the so-called "consensus, solidarity" to kidnap the public opinion of Taiwan, and the external forces, and provocate the "unique" provocation. He said that Taiwan is part of China.
Since 1949, although the two sides of the Straits have not been fully unified, the facts of China and Taiwan have never been changed, and China's sovereignty and territories have never been split will never allow segmentation. The Ministry of Public Advanced Party is lifted by external forces, and the graft is self-emphasized, and it is crazy to seek "unique" provocative, and constantly manufacturing things. The so-called "maintenance status" is just an attempt to pass the sea and deceive the world.
At present, the "unique" provocation of the Ministry of Progressive Party is the root cause of cross-strait relations, and it is the largest threat in peace and stability in Taihai. We combat the "Taiwan independence", which is a reversal of the DPP and "Taiwan independence" forces, which is by no means for Taiwan compatriots. The Ministry of Progressive Party is in the country, confuses the audio-visual, and can't deceive the people in the island and the international community. Ma Xiaoguang pointed out that we advocate peace and unity, to achieve the unity of the motherland in peace, and mostly in line with the overall interests of the Chinese nation, including Taiwan compatriots.
We are willing to solve two strait differences on a Chinese principle, promote the peaceful development of cross-strait relations, and promote the peaceful and unified process of the motherland. Adhere to the "Nine-two Consensus" and opposed "Taiwan independence" is a common political basis for cross-strait relations. The Ministry of Public Advanced Party delegates "Nine-two Consensus", destroying the dialogue basis; seeking "Taiwan independence" splitting, close the gate of the cross-strait dialogue.
Is this not changing the status quo! If this is also called "goodwill", what else is "malicious"? If this is not "advanced", what is "advancing"? He said that since the first step of the DPP, the government has been in power, and the people's live births have grinded, but it is deedd on the contradiction of manufacturing ethnic groups, differentiation of Taiwan's society, and the "green horror", crazy to fight. Promote "China's" "gradually entering Taiwan independence", forcibly cutting the people of Taiwan and the Chinese culture and the Chinese nation, which greatly hurts the fundamental interests of Taiwan compatriots.
If such a "Taiwan independence" is packaged into a so-called "democratic freedom", boasting the so-called "Taiwan is getting better and better", and it is also too underestimating the IQ of Taiwan. Ma Xiaoguang said that realizing the complete unity of the motherland is the common wishes of Chinese children at home and abroad, and is the common will of China.
Taiwan is Baodao, the motherland, is a total of Taiwan, Taiwan, including 23 million Taiwan compatriots, is determined by all Chinese people. The Ministry of Public Advanced Party is pity, colluding the external forces, engage in confrontation, refuses to unity, and seek "Taiwan independence", walking, but it is the mandatory part of the private, can't stop 23 million Taiwan people, can't stop the history of history.
The motherland must be unified and will be unified. We are willing to cooperate with the majority of Taiwan compatriots, united forward, smash any "Taiwan independence", and create a unity of the motherland and the nation's rejuvenation.


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Mahisi
Mahisi village is ancient and, according to the legend commonly known throughout Bihar, was the place where Mandan Misra, a great philosopher of the Eighth Century, lived.
It is here that Sankaracharya came from the south and had a philosophic discussion first with Mandan Misra and then with his wife Bharati Devi. The story mentions that Sankaracharya first met a maid servant filling up her pitcher from a tank and asked her where Mandan Misra lived. The maid servant replied in Sanskrit that he should go a little farther and when he could find a village on the same path where even the birds talk Sanskrit he should know that Mandan Misra lived there.
Sankaracharya was amazed and followed the direction and came to Maheshi. He had a philosophic discussion (Shastrartha) and Mandan Misra was defeated. Mandan Misra's wife Bharati Devi told Sankara- charya that he had to defeat her also who was the other half of Mandan Misra. Sankaracharya agreed and Bharati Devi put some questions based on sexology. Sankaracharya could not reply as he did not know anything of sexology, and went back to equip him.
The body was left and the soul went into some one else to get an inkling of sexology. Sankaracharya subsequently defeated Bharati Devi in the discussion. The villagers still show a mound at Maheshi village and mention that the philosophic discussion took place at that site. It is at this village Maheshi that there is an Ugratara temple and it is said that Mandan was a devotee of this deity.
Ugratara temples are extremely rare in this part of the country. So far as it is known, there is no other regular temple of Ugratara anywhere in Bihar, although the image of Tara particularly of the Pala period have been found at various places, including Kurkihar in Gaya district. The worship of this rare deity at this in accessible village excites curiosity, but can be explained from its background.
Ugratara is also known as Maha-Cina-Tara and this later Buddhistic image has been imported into India from Tibet through Nepal. Saharsa district is quite close to Nepal. The frontiers of Saharsa district and the district of Saptari in Nepal adjoin. The cult of Tantricism has had a great development in the district of Saharsa. Ugratara is an image of Tantric culture.
It has been mentioned: "The Sanmoha Tantra speaks of the Tantric culture of foreign countries like Bahlika, Kirata, Bhota, Cina, Mahacina, Parasika, Airaka, Kamboja, Huna, Yavana, Gandhara and Nepal. This does not mean that the Indian Tantras were prevalent in all these countries, though we know they were prevalent in some of them. It means, if anything at all, that these foreign countries also possessed modes of esotericculture, and that some of them were known in India, and recognized as being similar to the other Indian Tantras.
It is, therefore, very difficult to find out what the borrowed elements, if any, are in the Tantras. They are so well-fitted into the system that they have lost their exotic character. Yet some stray references may be discovered in the Tantras to the borrowing of foreign modes of Sadhana. A particular mode of Tantric Sadhana called Cinacara is found in the Tantras. The Tara-Tantra, adopted both by Hinduism and Buddhism, says that the cult of Cinacara came from Maha Cina.
A well- known Brahmana sage Vasishtha is said to have gone to the country of Maha Cina to learn this mode of Sadhana from the Buddha. It was not to he found either in India or in Tibet. So Vasishtha had to go to Maha Cina, where the Buddha into the secret doctrine of Cinacara initiated him. He subsequently came back to India and propagated it. Some scholars are inclined to discover in this Cinacara a distant echo of the secret societies of Chia. It is tile cult of the Maha-Cina-Tara, which is introduced by tile Cinacara.
"Maha-Cina-Tara, as can be ascertained by the Buddhist, Sadhana, was the same Goddess Ekajata, whose cult is said to have been discovered by Siddha Nagarjuna in Tibet, The description of Ekajata is found in six different Buddhist Sadhanas. It closely agrees with that of Maha-Cina-Tara, as found in some of the Sadhanas.
Corresponding to these Goddesses we find in the Hindu pantheon Tara, Ugra Tara, Ekajata and Maha-Nila- Saraswati. The Dhyanas of these Goddesses, as found in the Hindu Tantra, literally correspond to those found in the Buddhist Sadhana. According to a legend recorded in the Somoha Tantra, Nila-Saraswati or Ugratara was born in a lake like Cola on the western side of Mount Meru. This name Cola is probably to be connected with kul, kol the common word For lake to the west and north of the Tien-Shan in the pure Mongolian zone."
Dr. Benoytosh Bhattacharya, in his Introduction to Buddhist Esoterism, has further observed on the cult as follows: -
"The origin of Tara is neither Hindu nor Buddhist; but it is of Tibetan extraction. Not only the deity is foreign but also her worshipand practices connected there with are foreign. The evidences of the Hindu- Tantras also point to the same direction. In the Taratantra, for instance, we read Bhairavi wishing to know from hercondition the way in which Buddha and Vasishtha obtained siddhi. Bhairava, in reply said that by muttering the mantra of Ugratara, Buddha and Vasishtha obtained Siddhi."
Ugratara temples are rare in India but are to be seen in Tibet and in Nepal. The deity of Vajrayogini is the same as the deity of Ugratara. The temple of Vajrayogini at Sanku in Nepal really contains an image of Ugratara, more popularly known as Maha-China-Tara which is believed to have carried over there by Bengali priests from a village Sanku district of Dacca near about A.D. 1350, when the Mohammedans ravaged portions of Eastern Bengal.
This Ugratara or Maha-Cina-Tara of the Buddhists has been accepted in the Hindu pantheon under the name of Tara in various forms and is now regarded as one of the 10 Mahavidya Goddesses. Dr. Benoytosh Bhattacharya mentions, "The worshipper should conceive himself as Maha-cine-Tara who stands in the pratyalidha attitude, and awe-inspiring with a garland of heads hanging from the neck. She is short and has a protruding belly, and her looks are terrible
Her complexion is like that of the blue lotus, and she is three-eyed, one-faced, celestial and laughs horribly. She is in an intensely pleasant mood, stands on a corpse, is decked in ornaments of snakes, has red and round eyes, wears the garments of tiger-skin round her loins, is in youthful bloom, is endowed with the five auspicious symbols and has a protruding tongue. She is most terrible, appears fierce, with bare canine fangs, and carries the sword and the kartri in the two right hands and the Uptala and the Kapala in the two lefts. Her Jatamukuta of one coil is brown and fiery and bears the image of Aksobhya within it."
There are three images in the Ugratara temple at Maheshi. The central figures are those of Ekajata and Nila-Saraswati. The rituals according to Tantric from are performed. The non-Tantric pilgrims also do worship in the ordinary way. The Maharajadhiraja of Darbhanga endowed the deity with the gift of a village and some of the Maharajas of Darbhanga House were great devotees of this Ugratara deity at Maheshi. Within the temple precincts there are a large number of smaller images, which are also worshipped.
It is also a remarkable fact that within a couple of miles of Maheshi village there is a Sun temple at village Kandaha. Sun temple is also just a very few in Bihar. The existence of the Tantric deity Ugratara in the neighborhood of the Sun temple, once evidently was very popular, shows that different deities of the Hindu pantheon were worshipped almost in the same area, and speaks of the great eclecticism of Hinduism
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SHOOT FROM THE HEART PROMO TOUR - CHARLESTON, WV, APRIL 14, 2006
Shoot From The Heart Promo Tour
Con and the IMMI team visit Charleston, WV for the next stop on the Shoot From the Heart promotional tour.
The Charleston leg begins with an early morning visit (try 5:30 am!) to Charleston's best radio station, WKWS-FM, 96.1 The Wolf.
Con visits with Mike and Amanda, the morning team for 96.1 The Wolf.
Con and Amanda share a seat since there wasn't a lot of room in the studio. Poor Con, what a hardship!
Con spends most of the morning with Mike and Amanda, taking calls from Charleston area listeners, playing songs from the CD and talking about the making of Shoot From The Heart.
Con heads over to WCHS-TV, the local ABC affiliate in Charleston for an appearance with Jenifer McAndrews, the morning news anchor of Good Morning West Virginia.
The big fishbowl in front of Con is full of names of listeners of 96.1 The Wolf and viewers of WCHS-TV, TV-8, who called in for a chance to win a trip to see Con at the Rhythm In The Hills music festival in Pigeon Forge, TN, sponsored by Mountaintop Resorts, IMMI Records and Lundy Associates.
The trio share a joke just before drawing the lucky winner.
Click here to watch a short video clip of Con drawing Lisa Stover of Charleston's entry from the fishbowl. Lisa won two 3-day passes to see Con and other great performers at the Rhythm in the Hills Festival, plus two night accommodations in a luxury cabin at Mountaintop Resorts, and $100 gas money from IMMI Records.


Travel in air-conditioned comfort north of Las Vegas to the Valley of Fire. This sacred Indian area has a vast display of some of the finest examples of Indian petroglyphs in the southwest. The Aztec sandstone formations are a photographer's dream come true and a sightseeing wonder. This is the perfect adventure for the whole family.Also included is a stop at the amazing Lost City Museum which has one of the most complete collections of the early Pueblo Indians in the southwest. This display starts with the Desert Culture of 10,000 years ago and continues through the Ancient "Basketmaker" cultures, which existed until about 500 AD.Enjoy a deli-style lunch with your choice of ham, turkey or vegetarian sandwich and transportation by either SUV or mini-coach.


text:
Phiala sylvia är en fjärilsart som beskrevs av Druce. Phiala sylvia ingår i släktet Phiala och familjen Eupterotidae. Inga underarter finns listade i Catalogue of Life.

Källor

Fjärilar
sylvia

redpajama_set_name: RedPajamaWikipedia


An alpine styled hotel located in the center of Ruka ski resort, 25 km from downtown Kuusamo. A standard hotel with a central location right next to the ski slopes and restaurants at Ruka ski resort. Ideal for those who want to enjoy the winter activities, restaurants and nature in addition to driving.
All rooms include a tv, internet connection and a minibar. The hotel also offers apartment styled rooms for 4-6 persons. All apartments are equipped with a kitchenette, microwave oven, sauna and some with a dishwasher and an oven.
A high class boutique hotel located at the top of Ruka ski resort. High-end rooms and restaurant and a sauna area with an outdoor jacuzzi. The location guarantees a spectacular view. The hotel only offers double rooms and suites.
Simply and unique location. All rooms are individually designed and the large windows offer a fantastic view. All rooms are equipped with an american styled bed, minibar, flat screen TV, and a large balcony.
The "Ahma Suite" includes a private bar and sauna, a home theater system and a bedroom with a scenic view. Ruka Peak is the perfect choice for those looking for luxurious accommodation, high class Scandinavian cuisine and spectacular views.
Luxurious cottages located 400 m above the sea level at the top of Ruka ski resort. Cottages range from 178m2 and 191m2 to 256m2 in size and are all fully equipped.
The cottages are all modernly decorated with high-end materials. Kitchens include an electric stove, both a regular and a microwave oven, a fridge and a freezer and a coffee maker. The spacious living rooms include a flat screen TV's and a fireplace. All cottages include a sauna. Big windows provide a breathtaking view. The cottages are located right next to the slopes, so you can enter the slopes right from your front door.
All cottages are suitable for groups from 2 to 12 people. All the villas are close to each other – ask for a combination package.
Various cottages located 2km from the center of Ruka ski resort. Rukan salonki offers cottages in three categories, basic, luxus and exclusive.
Basic cottages are cosy 60m2 log cottages with fully equipped kitchens, a fireplace, tv and a sauna. Luxus cottages range from 120m2 to 150m2 and they all include a fully equipped kitchen, a sauna, a fireplace, several bathrooms and showers, a washing machine and a tv. Exclusive cottages range from 70m2 to 170m2 in size and are further equipped with internet connection and up to 6 showers and 8 bathrooms.


Black headlight with chrome trim replicates the original Indian Scout headlight and coordinates with other blacked-out elements.
Stylish Fenders have a spare, jaunty style and display the elegant flow of genuine Indian Motorcycle bodywork.
Styled after the original Scout, the driver and passenger seats have the ideal mix of cushion and support. And they're covered in premium Desert Tan leather that's designed to withstand the elements.


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Throughout the history of rock, some bands came to be almost sub-genres of their own. You can't place them in any existing sub-genre (or at least not just one), and their name and fame transcend the very definition of any sub-genre. These bands are institutions and not just bands – and yes, ZZ Top is one of those bands.
Their blend of boogie rock, southern rock, country, hard rock and blues-rock with hooks borrowed from pop is unique. Their appearance, rugged men with long beards that look like they came out of a western movie, is unique. Their longevity as a band, same three guys together for forty years, ignoring all trends and playing like we're still in the early 70s is unique. Their musicianship – do I need to go there? – Dusty Hill and Frank Beard providing one of the most swingy rhythm sections in rock, and Billy Gibbons representing what guitar playing is all about – is unique. And after an almost ten year hiatus, their release La Futura, produced by also legendary Rick Rubin, is a sight for sore eyes and ears.
The album opens with a rap-turned-boogie cover named "I Gotsta Get Paid", that has the entire groove you would expect, combined with the malicious lyrics of rap music. An instantaneous classic, accompanied by another iconic in-the-desert-with-hot-rods-and-hot-girls kind of video.
"Chartreuse" and "Consumption" follow suit in shuffle style, two songs that could easily be associated with their multi-platinum Eliminator era, so satisfaction guaranteed there. "Over You" tone things down a bit in ballad mode, while "Heartache in Blue" delivers, as the name implies, a bluesy tune with harmonicas and guitars fighting for attention. Next two songs pick up the rocker pace again, while the slow bluegrass boogie of the cover "It's too easy mañana", originally by David Rawlings and Gillan Welch, finds the band once again paying tribute to their roots. Album closes off with another rocker "Big Shiny Nine", followed by the licks of "Have a Little Mercy" almost in jam session style.
Verdict: folks out there, there is only one band like ZZ Top, and that is ZZ Top. Their origins and their originality both shine through once again here: they didn't invent neither blues nor rock, but they are unique at mixing the two up and hitting you in the stomach with it. This album proves that once again.


exhibition of Rik Wouters , the one of the most brilliant Belgian artists of the early 20th century.
sculptures and prints from major international museums to show us an extraordinary legacy of this artist.
Academy of Fine Arts in Mechelen.
In 1900 Wouters decided to move to Brussels where he became a student of the famous Belgian sculptor Charles Van der Stappen.
serious illness of Nel forced young family to leave the capital and to go to green suburban Boitsfort.
In countryside Wouters focused mainly on painting and studies of light.
He traveled to Paris and Cologne where he studied impressionist paintings especially by Cézanne and Van Gogh.
of shimmering light. His paintings exude domestic intimacy and harmony of nature.
The First World War changed his life dramatically. As a soldier he faced death, terror and witnessed destruction of Belgium.
huge artistic legacy of paintings, drawings, prints and sculptures.


text:
SAP unit speeds up tracking of support engineers
In a bid to improve service, TomorrowNow to offer a wireless system designed to better locate its employees.
Martin LaMonica
March 12, 2007 6:29 AM PDT
TomorrowNow, which offers maintenance services to customers of Oracle applications, on Monday is expected to announce a system to better locate its support engineers for more reliable service.
The company, acquired by Oracle rival SAP in 2005, provides support, including bug fixes and maintenance, to companies that use business applications from PeopleSoft and J.D. Edwards, which were both acquired by Oracle.
On Monday, TomorrowNow is expected to detail an upgrade to its support system designed to speed the process of finding engineers.
Its call-routing application will now be able to monitor support professionals' handheld devices, including pagers and smart phones, to ensure that they are available. For example, the system can tell if the battery life of a handheld is going down and send an e-mail to alert the support person, said Andrew Nelson, CEO of TomorrowNow.
Nelson said that later this year, the company will start offering support services for Siebel applications--also purchased by Oracle--as well as for those from Baan.
The company's prices are half the cost Oracle charges its customers for maintenance support, Nelson said.
TomorrowNow is able to offer these lower prices because it only does maintenance services, he said. By contrast, the maintenance fees charged by traditional enterprise software vendors are used to fund both support and the development of future upgrades, he argued.
"The technology and processes we're developing are for supporting a production system, so we can cut the price in half and still do quite well because we aren't asking customers to prefund an upgrade," Nelson said.
Discuss: SAP unit speeds up tracking of support engineers


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HD camcorders: The perfect camcorder
By Alex Lindsay
There's now a wide variety of affordable HD camcorders on the market, with many fantastic features (see our buyer's guide for all the details). But what would the perfect camcorder look like, good for both consumers and aspiring prosumers? A composite of what's already out there (but rarely in one place). Here are some ideas.
1080p Interlaced video is cute—if you're shooting for old-school broadcast. We're not. A 1080p camcorder that shoots at both 24p and 30p is ideal.
Mic and Headphone Jacks Sound is a good 60 percent of the experience of any story. Being able to hook up any external mic a person needs (as well as monitoring it during recording) is more than an extra, it's a necessity.
Manual Control for Focus, Gain, Zoom, Aperture, Shutter Speed Using an Analog Ring There are many times even an an amateur shooter needs to deal with mixed lighting, low lighting, and other creative challenges. The ability to make manual adjustments is hugely important.
Expanded Focus Option When your eyes are focusing on a tiny screen, you aren't really seeing the whole picture. Expanded focus options, like one-to-one pixel viewing and peaking, allow you to make sure your focus is spot on. With one-to-one pixel viewing, the camera displays every pixel of a small area on the LCD screen so that you can really see what's happening. Since you are shooting 1,920 by 1,080 resolution and your LCD screen is, at best, one quarter this resolution, this process makes a big difference. Peaking looks for edges in the scene and changes their color so you can see them. When you are in focus, many of the fine details (eyes, glasses, and so on) will turn red.
Cine-Like Gamma and Sharpness Control Just a little control in this area would really make a big difference for budding filmmakers because it creates a more film-like look by not "punching up" the image (which consumer cameras are very prone to do). Over-saturated, over-contrasty video contributes to camcorder video looking like camcorder video. By flattening the response curve, Cine-Like tends to look a little low contrast but more film-like. Being able to turn down the sharpness makes a huge difference for anyone doing greenscreen in the garage because "sharpening" in the camera is created by finding edges and making the dark side darker and the light side lighter. When you are shooting greenscreen, it gives a subject's dark blazer a black edge with a white halo.
Image Stabilization and Face Recognition With these two features, minor camera-holding tremors are gone and everyone stays in focus. iMovie's image stabilization may be cool, but it's no replacement for good optical image stabilization (which also reduces motion blur—iMovie's process can't).
Uncompressed HDMI Out A camera may record at 2MBps to its flash memory or hard drive. The HDMI port can pump out 118MBps of video goodness, meaning you can pull broadcast-quality greenscreen keys from a $500 camera.
Going Ultimate
Realtime Digital Output As FireWire vanishes from cameras, we lose the ability to easily view the video image in realtime on a connected computer. This is why people are still buying Canon HV30s.
1/2-inch Progressive Sensor The larger the sensor, the sharper the image the better the camera deals with low-light conditions. New Canon and Sony camcorders are getting close to that size, but the progressive part will require manufacturers to realize that interlace is dead and give it up.
Open Spec Hotshoe It seems like every manufacturer has its own standard for its hotshoe, which really stifles innovation for camcorder add-ons.
120 Frames Per Second Continuous Shooting Sony has a great 240 frames per second (fps) feature, but it only lasts three seconds. I'd prefer letting a shooter capture half the resolution at four times the standard 30 fps. That means you could capture slow motion video without any spike in video data rate.
Timelapse Some cameras let you shoot timelapse images, but not enough of them. Timelapse at full resolution should be available on every still and video camera. It's fun, it's not rocket science, and it's just firmware.
Night Shooting Sony's Nightshot is a great feature and really should be as standard as face recognition and optical image stabilization. Nightshot lets you shoot video in complete darkness by using infrared lights in the camera. The result is a green 'military' look—even if it's just your two-year-old son running around in the backyard.
GPS Once again, Sony is leading the pack here. iPhoto knows where we shot our still images. How long will it take iMovie to figure it out? Probably about three months less than it takes the manufacturers to get on board.
Apple ProRes Allow us to record a higher bit-rate using Apple ProRes codec. You could theoretically use a high-bit rate H.264 (AVCHD is capped at 24Mbps) but it would be easier to just use a video standard already supporting 100-plus Mbps bit rates. This may seem outlandish now, but with solid-state drives finding their way into cameras and SD cards getting faster all the time, it not that far away.
[Alex Lindsay is the founder of Pixel Corps, a training and production guild specializing in digital media. Alex has been involved in computer graphics work for nearly 20 years.]


Weill Cornell Medicine and NewYork-Presbyterian is the leader when it comes to providing the best care and the most innovative research in a compassionate and comfortable environment. The mission of NewYork-Presbyterian and Weill Cornell Medicine's Bone Marrow and Stem Cell Transplant Program follows the institutional mission, "care, discover and teach," in order to provide the best possible care to our patients, lead the way in innovative research and mentor the next generation of physicians and leaders.
Transplantation is an important step in our patient's cancer recovery. Our program's physicians, nurses and other healthcare professionals work closely with world-class multidisciplinary experts in leukemia, lymphoma, myeloma and other blood disorders to provide our patients with the most caring and cutting-edge treatment possible.
We lead the way in innovative research. This research provides us the tools to steadily improve the lives and outcomes for our patients. We have access to high priority studies from the Transplant Clinical Trials Network (CTN), and thanks to our leadership roles in national cooperative groups such as Alliance. We also actively participate in regional collaborations such as the Tristate Transplant Consortium or the Consortium for Myeloproliferative Disorders. We work in close collaboration with the Leukemia, Lymphoma and Myeloma Programs at NewYork-Presbyterian/Weill Cornell Medicine to design transplant options for those most in need.
Clinical trials are essential for the progress of medicine and to ensure successful outcomes for our patients. Many advances in medicine have been made thanks to knowledge gained from these studies. Without the voluntary participation of countless patients in many studies, we would not be able to offer these novel treatments. You can learn more about trials available through our NewYork-Presbyterian and Weill Cornell Medicine Joint Clinical Trials Office (JCTO).
Our commitment to the field extends to providing future healthcare leaders with all the skills necessary to set them up for success. Medical students and fellows may be part of your consultations and office visits.


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Artocarpus camansi est une espèce d'arbres tropicaux de la famille des Moraceae. Originaire de la Papouasie-Nouvelle-Guinée, cet arbre est très proche de l'arbre à pain et certaines classifications botanique les considèrent comme deux sous-espèces d'une unique espèce. Comme celui de ce dernier, son fruit est récolté comme aliment de base, mais ce sont principalement ses graines qui sont consommées plutôt que la chair du fruit  . Les noms communs utilisés pour désigner ses graines incluent châtaigne dans les Caraïbes francophones, breadnut dans les caraibes anglophones,  pana de pepita  dans les caraibes hispanophones, pana de pepita ou Kamansi aux Philippines, et kapiac en Nouvelle-Guinée.

Distribution et origines
Artocarpus camansi est endémique en Nouvelle-Guinée et peut-être même en Indonésie et aux Philippines. En raison de la culture et des variétés multiples des arbres à pain (Artocarpus camansi compris), qui suivent pour partie l'histoire du développement des humains dans les îles du Pacifique, il est difficile de déterminer l'origine origine exacte de cet arbre.

Selon certaines spéculations, la variété d'arbre à pain la plus courante, Artocarpus altilis, serait le produit d'une sélection opérée à partir d'Artocarpus camansi pour augmenter la proportion de chair dans le fruit. Dans le cas où cette hypothèse se vérifierait, cette plante tiendrait une place historique dans la colonisation originelle des îles du Pacifique ou l'arbre à pain continue de constituer une récolte alimentaire de base. Artocarpus camansi pourrait avoir contribué à l'établissement pérenne de populations humaines sur ces îles.

Habitat et écologie
Artocarpus camansi pousse typiquement dans des environnements tropicaux en bordure de rivière, ou dans les marais d'eau douce à une altitude située entre 0 et . Cette plante se développe de façon optimale à des températures annuelles qui varient de  à , dans un sol profond et bien drainé dont le PH est neutre à alcalin.

Morphologie, fleurs et fruits
Les dimensions de cet arbre peuvent atteindre  de hauteur, avec des feuilles pennées de 40 à  de large. Cette plante porte des fleurs de sexe différent aux extrémités des branches. Chaque fleur mâle a un diamètre de  pour une longueur de 40 &  50 et comporte deux étamines.

Le fruit globuleux de couleur jaune-vert pèse environ  et mesure de 16 à  de long par 8 à  de large. Chaque arbre mature peut produire de 800 à 1000 fruits par an. Lorsque les fruits sont mûrs, leur chair blanchâtre produit un arôme et une saveur légèrement sucrés. Les  graines constituent la majeure partie du fruit qui peut en contenir de 12 à 150. Chacune peut avoir une masse de 7 à . Elles sont généralement dispersées par les chauves-souris frugivores et autres mammifères, qui consomment la pulpe du fruit mur et rejettent les graines.

Alimentation et valeur économique
Le fruit d' Artocarpus camansi est décrit comme ayant une « valeur nutritive élevée mais sous-exploitée comme source alimentaire ». Bien qu'il ne soit pas autant consommé qu' Artocarpus altilis, c'est une culture importante en Nouvelle-Guinée où il constitue un aliment de base. Le fruit y est en général consommé immature, sous forme de morceaux finement tranchés bouillis dans les soupes. Les graines ont une teneur protéique élevée (13.3 à 19.9g/100g) et une faible teneur en matière grasse. Elles sont riches en potassium (380 à 1620 mg/ 100 g). Elles sont consommées dans les Caraïbes, en Amérique centrale et en Amérique du Sud, et ont un goût proche de la châtaigne européenne. Les graines sont grillées, bouillies, mises en conserves, broyées en pâtes, en purées ou en farines. L'huile extraite est riche en acide gras insaturés. Elle pourrait constituer une bonne source de matières grasses pour la consommation humaine.

Liens externes

Références

Espèce d'Angiospermes (nom scientifique)
Arbre tropical
Moraceae


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Building at the Crossroads of Royale and Treurenberg
30 years. 30 contributors. 30 takes on the future of philanthropy.With so many complex and urgent challenges facing contemporary society, clearly treading water isn't enough. How can philanthropy adapt to tackle these challenges head on? How can the EFC be the catalyst in this process?The answers to these questions are going to be critical.This commemorative book, marking 30 years since the establishment of the European Foundation Centre, turns to some of the most influential thought leaders on philanthropy from around the world to have their say on the future of the EFC and the wider philanthropic sector.
Foundation Sector, History and Analysis
The Theory of the Foundation European Initiative
The purpose of the Theory of the Foundation European Initiative was to contribute key insights into European foundations; and to look beyond the direct charitable activities or grant-making of European foundations and instead to explore and understand how foundations operate as organisations in their pursuit of mission and social impact. This we term a "whole foundation approach".Rockefeller Philanthropy Advisors (RPA) established a framework to stimulate discussion around the organisational form of philanthropy called "The Theory of the Foundation."1 Inspired by Peter Drucker's "Theory of the Business,"2 RPA's approach to framing philanthropic practice is detailed in Figure 1 and contains three core domains: Charter, Social Compact, and Operating Capabilities.
Philanthropy, Theory, Philosophy and History


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Evangelicals: God Sent Trump to Be King
By Paul C | 1 January 2019
(Image: Gage Skidmore / Flickr / CC BY-SA 2.0)
A chilling op-ed in today's NY Times by author Katherine Stewart, who has extensively studied and written about the Christian right, says that the far right have been pushing a meme for several years now that Donald Trump, conman and egomaniac, has been sent by God to be "a vessel for the purposes of the faithful" in the role of King of the United States of America.
The identification of the 45th president with an ancient Middle Eastern potentate isn't a fringe thing, says @kathsstewart https://t.co/VOPxWVGKJk
— New York Times Opinion (@nytopinion) January 1, 2019
Unbeknownst to people with even a tenuous grip on reality, prior to the midterms a thousand theaters showed "The Trump Prophecy," a film about a firefighter who, in a blinding orgiastic epiphany, picks up a Bible and turns to Isaiah 45, "which describes the anointment of King Cyrus by God." Get it, Isaiah "45" — Trump "45"? What more proof do you need, right?
Stewart goes on, saying that evangelical author and speaker Lance Wallnau has said:
I believe the 45th president is meant to be an Isaiah 45 Cyrus [who will] restore … us from cultural collapse.
And in this telling it is not at all paradoxical that Trump is a non-believer intent on wrecking our democracy and government. Apparently the story of Cyrus is of a nonbeliever who becomes the first emperor of Babylon ("Babble-on" — it's all starting to come together now, isn't it?) and frees the Jews.
Stewart provides numerous quotations from across the spectrum of the religious right leadership pushing this meme that God sent Trump to be King, including Tony Perkins of the Family Research Council and Ralph Drollinger who leads weekly bible study groups at the White House attended by Mike Pence and members of the Cabinet.
In her article Stewart confirms our worst suspicions about what Trump's core followers see in him:
This isn't the religious right we thought we knew. The Christian nationalist movement today is authoritarian, paranoid and patriarchal at its core. They aren't fighting a culture war. They're making a direct attack on democracy itself.
And, according to Stewart, Trump has been egging them on, goading their preachers for becoming too "soft" — as he openly muses about becoming "President for life".
"The Good News Club: The Christian Right's Stealth Assault on America's Children" by Katherine Stewart. https://t.co/tFb2w1QTi5 pic.twitter.com/ittduwioTd
— Church and State (@ChurchAndStateN) January 2, 2019
Katherine Stewart: The Fundamentalist Assault on Public Education
What you need to know about evangelicals in the Trump era
Evangelicals keep faith in Trump to advance religious agenda
Chris Hedges: "AMERICAN FASCISTS" The Christian Right vs USA
Mike Helbing November 26, 2019 at 1:56 pm
Oops, god made a mistake. The Pres turned out to be a crook.
Griffin Sabine December 3, 2019 at 4:39 am
Actually, God sent Trump because he was out of locusts and pestilence.
bill walker December 7, 2019 at 1:45 am
OK, TRUMP CAN BE THE KING OVER EVANGELICALS. THEY DESERVE EACH OTHER
Ed December 28, 2019 at 3:53 pm
Not King, but to stop the treasonous actions by Obama, Hilliary and crew…to bring back the US to Superpower status…to clean up the corruption in Washington, D.C. ….and to put Americans first.
OTIS GREEN July 15, 2020 at 2:58 am
NEXT THING THE EVANGELICALS CHRISTIANS WILL SAY" SNAKES AND DONKEYS CAN TALK" !!!


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Important specimens: Multiple partial skeletons of early modern humans.
Key references: Bar-Yosef Mayer, D.E., Vandermeersch, B., Bar-Yosef, O., 2009. Shells and ochre in Middle Paleolithic Qafzeh Cave, Israel: indications for modern behavior. Journal of human evolution 56, 307-314.