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Helen Catherine Hardwicke[1] (born October 21, 1955) is an American film director, production designer, and screenwriter. Her directorial work includes Thirteen (2003), which she co-wrote with Nikki Reed, the film's co-star,[2] Lords of Dogtown (2005), The Nativity Story (2006), Twilight (2008), Red Riding Hood (2011), Plush (2013), Miss You Already (2015), and Miss Bala (2019).
Hardwicke at the Twilight DVD premiere on March 21, 2009
Helen Catherine Hardwicke
Cameron, Texas, U.S.
Film director, production designer, screenwriter
Early life and workEdit
Hardwicke was born in Cameron, Texas[1] on October 21, 1955, the daughter of Jamee Elberta (née Bennett) and John Benjamin Hardwicke. She has a brother, Jack, and a sister, Irene Hardwicke Olivieri, who became an artist. She grew up in McAllen on the U.S.–Mexico border, where her family owned and operated a farm along the Rio Grande, and was raised as a Presbyterian. She said the border area was wild: in high school, "her principal was stabbed three times. A friend's father was shot in the back, and another friend was murdered. And yet life could be wonderful at the same time. 'It was a Huck Finn life, too,' she said."[3] Growing up in McAllen, Hardwicke describes it as "wild". As a child she did not attend many movies and explains, "I didn't go to many movies. Let's be honest: It was a cultural wasteland. At the time, you could not go to a significant museum unless you drove three hours to Corpus Christi or four to San Antonio". However, there were other ways to have fun such as sneaking over to the bars and nightclubs of Mexico before she was even a legal adult. Speaking on her early life Hardwicke says, "It was a wonderful childhood. I'm dying to make a movie about it".[4]
She graduated from McAllen High School[5] and went to the University of Texas at Austin, where she earned a degree in architecture. Among her post-graduation projects was designing the solar townhouse complex built around a man-made lake on the 20-acre site, complete with waterfalls and swimming pools. The property was owned by her father.[3]
EducationEdit
After graduating from her hometown High School, McAllen High School, Hardwicke went on to attend the University of Texas at Austin. Studying Architecture, Hardwicke felt that she had far too much creativity for that field, stating:
I was a little out there for architecture school. I would dress up like my building and people were like, "wow, dude, architecture really doesn't encourage that type of creativity".
Feeling limited, Hardwicke moved to Los Angeles, where she studied at UCLA film school to explore her creative talents. Hardwicke made her first short film for her brother Jack who was getting married to Nicolette Cullen.[6] During this period in the 1980s, Hardwicke made an award-winning short, Puppy Does the Gumbo and was recognized with a Nissan Focus Award was featured in the Landmark Best of UCLA film program.
Film careerEdit
Hardwicke became a production designer,[3] working with film directors such as Cameron Crowe, Richard Linklater, and David O. Russell. She was influenced by them, gaining experience in their techniques, and learning informal aspects from professional conversations. She talked to some about her desire to be a filmmaker, and received advice and tips.[7]
While working with such big-name directors, she was able to study their techniques: "I always told them I really want to make my own movies, and they were all very generous and gave me tips." Her career as a production designer was crucial and beneficial to the molding of her career as a director. Her time spent with these directors aided her and were able to give her a sense of direction: "As you're riding around with the director location scouting, you hear a lot of conversations and you start piecing them together, so I think that helped me." She even worked with fellow female director Lisa Cholodenko[8] on her film Laurel Canyon (2002). Aside from her time spent working alongside directors, Hardwicke continued to work on her own projects such as scripts, short films, and teaching herself Final Cut Pro. Hardwicke even took it upon herself to take acting classes to become a better director.[7]
Through the 1990s and early 2000s, Hardwicke worked as a production designer on films including Tombstone (1993), Tank Girl (1995), 2 Days in the Valley (1996), The Newton Boys (1998), Three Kings (1999), and Antitrust (2001). In 2000, she worked as production designer with director/screenwriter Cameron Crowe and actor/producer Tom Cruise on Vanilla Sky (2001). That and Three Kings were noted for their original use of color-manipulation techniques to complement the narrative.[citation needed]
Thirteen (2003)
Main article: Thirteen (2003 film)
Hardwicke's first film as a director was developed by her in collaboration with then-fourteen-year-old Nikki Reed, who wrote a screenplay that reflected some of Reed's teenage experiences. Hardwicke had known Nikki since she was five years old, and after Hardwicke's relationship with Reed's father ended she continued to stay close with her. Hardwicke said "I started getting my hair cut by her mother, which is similar to the film, so I saw them every few months" she continues to say, "when [Nikki] turned thirteen, I started noticing she had completely changed to becoming quite angry with her family, her mother, and herself. I started seeing all these changes and difficulties she was going through, so I thought, along with her parents, that if she could hang out with me, things would get better". Throughout the time they spent together, Reed had revealed to Hardwicke that she was interested in acting which was the spark that ignited Thirteen. They completed the script in six days during Christmas break. When asked why there was an urgency to make the film, Hardwicke replied with "I felt it was almost like a snapshot of a particular time. I really wanted Nikki to be in it, because her energy was so inspiring to it, and I don't like the movies where the person is eighteen years old playing a thirteen-year-old, so I said, 'We're going to shoot it even if it's with a digital camera and me as the whole crew."' Evan Rachel Wood was contracted to star in the movie alongside Reed. The film tackles difficulties of contemporary teenagers. A young teen loses her innocence in a rapid spiral of events, with disturbing portrayals of drug use, sex, theft, and dropping out of school.
Reed and Hardwicke wrote the script from the point of view of Tracy, a "normal" 13-year-old who begins at a new middle school. There she meets Evie, who she thinks of as more advanced and whom she wants to impress. She hopes Evie will give her entree to what she thinks is an exciting "crowd." Tracy's single mother Melanie, played by Holly Hunter, has tried to be a friend to her daughter and does not know how to deal with her changes. The film features female friendship and the difficulties of adolescence. Hardwicke has developed these as recurring themes in her work. The film received critical acclaim and had praise for its stars and Holly Hunter was nominated for the Academy Award for Best Supporting Actress.[9] Thirteen earned Hardwicke the directing award at Sundance in 2003.
Lords of Dogtown (2005)
Main article: Lords of Dogtown
She went on to direct this fictionalized account of skateboarding culture. The film is based on the documentary Dogtown and Z-Boys by Stacy Peralta, whom Hardwicke had worked with.[10] As she lived in Venice Beach and knew most of the Z- Boys well from surfing, Hardwicke drew on personal experience in directing the film.
Lords of Dogtown explores the young Peralta, Tony Alva, and Jay Adams as they revolutionize the world of skateboarding. Hardwicke has said that the drama film was not intended to compete with the documentary, but to express the perspective of people as they lived the events, rather than later recounting them. The technical work was acclaimed, from the skate tricks to the tricky camera work. Lance Mountain, legendary skater, cameraman and long-time friend of Peralta, shot the action while riding along behind the skateboarders.[11]
The Nativity Story (2006)
Main article: The Nativity Story
In 2006, Hardwicke directed this biblical film for New Line Cinema. At first she was reluctant to take on the project as she worried about finding a fresh approach to the story at the heart of Christian culture. She began to consider Mary as a young girl faced with an incredible task, and also incorporated a psychological approach to Joseph and his issues. She put it in a context of contemporary teenagers. Hardwicke tried to dramatize the account of the Bible. Hardwicke wanted to cast a young actress as Mary, traditionally held to be about 14 or 15 at the time of Jesus' birth, given the age of marriage of girls in that culture. She wanted an actress who at least appeared to be Middle Eastern. She cast as her lead Keisha Castle-Hughes, the Oscar-nominated New Zealand actress of aborigine descent, who starred in Whale Rider (2002).[12]
Main article: Twilight (2008 film)
Her direction of the film adaptation of Stephenie Meyer's best-selling novel, Twilight, was an international commercial success.[13] The film is the first in the series produced by Summit Entertainment based on Meyer's four books. Twilight is the story of a teenage girl named Bella Swan dealing with her parents' separation, and living with her father after years of having little to do with him. They live in a small town in Washington where she tries to adjust to a new school. Her typical teenage trials change character as she develops a crush on an attractive young vampire. The film and its leads attracted fans all over the world.[citation needed]
Hardwicke shot the film in 44 days on a budget of $37 million, which was reduced because of rights issues to do with the book. As her main actress, Kristen Stewart, was a minor, she could work only five and a half hours per day. This significantly slowed down shooting for the project. Hardwicke was willing to deal with that difficulty, as she believed that Stewart was perfect for the role as Bella. Casting for the character of Edward Cullen was more difficult. The character had to look like a high school student but portray a cultured persona and the learning of a long life. Hardwicke found Robert Pattinson unique, with his own wide range of interests in art, literature and music; she thought him deep enough for the part.[14] Its $400 million global success made her the most commercially successful woman film director.[citation needed]
Amid rumors of a rocky relationship with Hardwicke, in 2008 Summit Entertainment announced that she would not direct the Twilight sequel, New Moon.[15] Hardwicke said it was her decision, although a blog reported she had been fired by Summit. She said, "I couldn't even be fired, that's what's so funny," she says. "In my contract, I had the first right of refusal." She turned down the second film, she says, because the studio wanted to rush it out. "I do not regret it at all, thank the Lord," she says. "The truth is I liked the first book the best." Hardwicke went on to direct Red Riding Hood for Summit.
Red Riding Hood (2011)
Main article: Red Riding Hood (2011 film)
Her following film was not a commercial or critical success. Doing an adaptation of the classic fairy tale "Little Red Riding Hood", Hardwicke makes this a coming of age story, exploring the theme of adolescence growing into adulthood and sexual awakening.[3] As in Neil Jordan's 1984 film The Company of Wolves, the wolf is a werewolf who lives as a human among the townspeople. The village becomes turned on itself as everyone is suspect. Gary Oldman arrives to help solve the mystery. Red Riding Hood is played by young actress Amanda Seyfried, with supporting roles from Max Irons and Shiloh Fernandez as the love interests.[citation needed]
Plush (2013)
Main article: Plush (film)
Hardwicke's next feature came in 2013 when she directed the erotic thriller Plush.[16] Following a young female rock musician and her band Plush, the film starred Emily Browning, Cam Gigandet, Xavier Samuel and Frances Fisher.[17]
Reckless (2013)
Main article: Reckless (TV series)
In 2013 Hardwicke also directed and executive produced the pilot for the CBS hour-long legal drama Reckless starring Cam Gigandet, Shawn Hatosy, Kim Wayans and Adam Rodriguez. It was ordered to series for the 2013-2014 season on May 12, 2013.[18]
Miss You Already (2015)
Main article: Miss You Already
Hardwicke directed the British-American comedy-drama Miss You Already in 2015. The film starred Drew Barrymore and Toni Collette as best friends who hit a snag in their friendship when one of them is diagnosed with cancer as the other becomes pregnant for the first time. The film premiered in the Gala Presentations section of the 2015 Toronto International Film Festival.[19]
Miss Bala (2019)
Main article: Miss Bala (2019 film)
Hardwicke directed the American-Mexican action-drama-thriller Miss Bala, a remake of 2011 film of the same name by Gerardo Naranjo. It stars Gina Rodriguez, Ismael Cruz Córdova, Anthony Mackie, Aislinn Derbez, Matt Lauria and Cristina Rodlo.[20][21][22] It was released on February 1, 2019, by Columbia Pictures.[23]
ThemesEdit
A common theme in her movies, specifically Thirteen and Lords of Dogtown, is teen angst. These movies revolve around the trouble that comes with adolescence and show it in a realistic way. In Thirteen she shows head on the trials and tribulations that come with growing out of adolescence and into adult hood, and girls becoming women. Her film Lords of Dogtown is an example of the laid-back California lifestyle and fictional account of boys growing up in the streets of Venice. Hardwicke purposely casts young teens from indie films, "both of Hardwicke's pics (Thirteen and Lords of Dogtown) are marked by the believable performances she elicits from young actors, something she says comes from respecting their creativity and a lot of time spent 'just hanging out'".
Hardwicke addresses these problems as real ones rather than simply dismissing, "I care about difficult emotional moments and I want to be there for those moments and not cut away".[24] Hardwicke takes a close look into the lives of young teens, showing that they too experience raw emotion, pain, and happiness. Rather than focusing on comedy, and the lighter part of being a young teen Hardwicke chooses to show parts of teen life that are often kept hidden. In both movies, these characters have anger and release it not only on themselves but the people around them. She includes examples of teens not being sure of who they are, or where they are going in life. Another thing that Hardwicke focuses on is the power of friendship. Both movies show difficulties of life but how they can be made easier or even more difficult by the friends we have.[citation needed]
Other endeavorsEdit
Hardwicke has worked with many of this generation's tween idols: Evan Rachel Wood (Thirteen), Emile Hirsch (Lords of Dogtown), Kristen Stewart, Robert Pattinson, and Taylor Lautner (Twilight), who each got big breaks in her highly successful films. Hardwicke's films have been considered "dark" in story and tone. In 2009, she was awarded the Women in Film Dorothy Arzner Directors Award.[25]
In 2012, Hardwicke helped create a public service announcement for the National Women's History Museum. Hardwicke came up with the idea for the announcement and contributed to the script.[26]
Feature filmsEdit
2003 Thirteen Director
Co-writer
Sundance Film Festival Dramatic Directing Award
Deauville Film Festival Jury Special Prize
Directors View Film Festival Dorothy Arzner Prize
Locarno International Film Festival Silver Leopard Award
Nantucket Film Festival Award for Best Feature Screenplay
National Board of Review, USA Special Recognition Award
Nominated—Bratislava International Film Festival for Grand Prix Award
Nominated—Deauville Film Festival for Grand Special Prize
Nominated—Gijon International Film Festival for Grand Prix Asturias
Nominated—Independent Spirit Awards for Best First Feature
Nominated—Independent Spirit Awards for Best First Screenplay
Nominated—Locarno International Film Festival for Golden Leopard Award
Nominated—Phoenix Film Critics Society Awards for Best Screenplay, Original
Nominated—Satellite Awards for Best Director
Nominated—Satellite Awards for Best Screenplay, Original
Nominated—Sundance Film Festival Grand Jury Prize(Dramatic)
Nominated—Washington DC Area Film Critics Association Awards for Best Screenplay, Original
2005 Lords of Dogtown Director
Nominated—Golden Trailer Awards for Best Drama
Nominated—Teen Choice Awards for Action Adventure
2006 The Nativity Story Director
Heartland Film Festival for Truly Moving Picture
MovieGuide Awards Epiphany Prize for Film
2008 Twilight Director Young Hollywood Award
2011 Red Riding Hood Director
2013 Plush Co-writer, director, producer
2015 Miss You Already Director
2017 The Black Ghiandola Director Short film
2019 Miss Bala Director
Television seriesEdit
2013 Reckless Director ("Pilot")
2016 Eyewitness Director (2 episodes)
2018 This is Us Director ("Six Thanksgivings")
TBA The Raven Cycle Director ("Pilot")
Music videosEdit
2015 "There's a Place" The All-American Rejects Director
2015 "Til It Happens to You" Lady Gaga Director
^ a b According to the State of Texas. Texas Birth Index, 1903–1997. Center for Health Statistics, California Department of Health Services, Sacramento, California.
^ "Thirteen (movie)". Movies.about.com. August 20, 2003. Archived from the original on September 1, 2012. Retrieved November 8, 2012.
^ a b c d Setoodeh, Ramin (February 27, 2011). "Not Your Grandma's 'Red Riding Hood'". Newsweek. Retrieved March 7, 2011.
^ Smith, Evan. "Catherine Hardwicke", Texas Monthly, 2009. Vol. 37 Issue 4, pp. 86-92
^ Greydanus, Steven (November 22, 2006). "Joseph Gets His Due". National Catholic Register. Retrieved November 25, 2006.
^ "Archived copy". Archived from the original on March 2, 2014. Retrieved February 26, 2014. CS1 maint: Archived copy as title (link)
^ a b Guerrasio, Jason (September 2003). "Profile: Catherine Hardwicke". The Independent: A Magazine for Video and Filmmakers. 7. 26: 19–21. Retrieved June 7, 2012.
^ USC Cinematic Arts. Word Building Institute. "Catherine Hardwicke".
^ Bradshaw, Peter (December 5, 2003). "Friday Review: Screen Review: FILM OF THE WEEK: Teenage Kicks: Peter Bradshaw Applauds Catherine Hardwickes Tough, Hyperactive Story of Female Adolescence: Thirteen 4/5". The Guardian. Retrieved June 7, 2012.
'^ Thrashin on IMDb
^ Rea, Steven (June 5, 2005). "Dogtown Director Drew from her World; Catherine Hardwicke Knows the Z-Boys Surf and Turf". The Record. Retrieved June 9, 2012.
^ Kaltenbach, Chris (November 24, 2006). "Mary is Cast as an Adolescent; Spotlight on: Catherine Hardwicke". The Baltimore Sun.
^ "Twilight series". StephenieMeyer.com. Retrieved October 2, 2013.
^ Portman, Jamie (November 21, 2008). "From Holy Scripture to Vampires, Twilight Director Delivers; Catherine Hardwickes Films Deal with Adolescence, an Age She Finds Fascinating". The Vancouver Sun.
^ Zeitchik, Steven (December 8, 2008). "Twilight Director Won't Shoot Sequel". Reuters.
^ "Catherine Hardwicke's Erotic Thriller 'Plush' Finds Financing". The Hollywood Reporter. August 27, 2012. Retrieved October 2, 2013.
^ "Frances Fisher joins Hardwicke's Plush". Variety. August 28, 2012. Retrieved October 2, 2013.
^ "CBS Adds Catherine Hardwicke Legal Drama Series 'Reckless'". Hollywoodreporter.com. November 17, 2011. Retrieved October 2, 2013.
^ "Sandra Bullock's 'Our Brand Is Crisis', Robert Redford's 'Truth' to Premiere at Toronto". Variety. Retrieved August 18, 2015.
^ Fleming Jr, Mike (April 4, 2017). "Catherine Hardwicke To Helm 'Miss Bala' Remake; Gina Rodriguez Courted". Deadline Hollywood. Retrieved July 22, 2018.
^ N'Duka, Amanda (May 15, 2017). "Gina Rodriguez Set To Star In 'Miss Bala', Ismael Cruz Córdova Cast As Male Lead". Deadline Hollywood. Retrieved July 22, 2018.
^ Lang, Brent (April 23, 2018). "'Miss Bala,' Animated Spider-Man Show Sony's Commitment to Diverse Heroes". Variety. Retrieved July 22, 2018.
^ D'Alessandro, Anthony (March 2, 2018). "Sony Dates Trio For 2019: 'Miss Bala', 'A Dog's Way Home' & 'The Crow'". Deadline Hollywood. Retrieved July 22, 2018.
^ Mottesheard, Ryan. Daily Variety.
^ "Past Recipients". Wif.org. Archived from the original on July 24, 2011. Retrieved 2012-11-08.
^ "About - National Women's History Museum". NWHM. Retrieved November 8, 2012.
Catherine Hardwicke on IMDb
Thirteen review and interview
Retrieved from "https://en.wikipedia.org/w/index.php?title=Catherine_Hardwicke&oldid=905589680"


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All the Problems with the New York
January 20, 2020 by nymag.com
On Sunday night, after meeting nine candidates for the Democratic nomination for president over the course of several months, the New York Times editorial board gave its rose two of them. The endorsements of both Elizabeth Warren and Amy Klobuchar provided a fitting twist to the special episode of The Weekly that turned the process for choosing a candidate into reality TV. The episode, seen widely as an attempt to boost The Weekly's ratings, didn't win over many critics, and not just because of the board's indecision. … [Read more...] about All the Problems with the New York
Filed Under: new york times new york times, politics, elizabeth warren, amy klobuchar, democratic primaries, arabic school new york, julliard school new york, psi new york
I Have a Feeling We're Not in New York Anymore
February 18, 2019 by nymag.com
There is one grain of unpredictability in Related's grand oyster, one hope for humanism at Hudson Yards: the Shed, a lavishly funded but endearingly weird headquarters of interdisciplinary art. When the city zoned the site, it held back one spot on the platform for a cultural building to be placed right on 30th Street, where the High Line jogs out toward the Hudson. Bloomberg wanted a new organization that would add to the cultural life of the city, not just move it around. The architects Elizabeth Diller and David Rockwell, leaders of separate firms, came up with both the idea for the institution and the building's design. A packed stack of galleries, theaters, and performance spaces slips into the base of a residential high-rise, making efficient use of all those unsaleable lower floors. It's not an easeful relationship. At the tower's base a great steel mouth gapes, as if to swallow (or regurgitate) the icy cube of the Shed. A puffy, quilted sheath slides … [Read more...] about I Have a Feeling We're Not in New York Anymore
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Gov. Cuomo Gets Aggressive With 2020 New York Census, Announces Bold, New Approach
January 20, 2020 by newyork.cbslocal.com
NEW YORK (CBSNewYork) — With power and billions in federal aid at stake, Gov. Andrew Cuomo used Martin Luther King Day to start a campaign to make sure every New Yorker is counted. He's particularly concerned about under-counting in communities of color, CBS2's Marcia Kramer reported Monday. … [Read more...] about Gov. Cuomo Gets Aggressive With 2020 New York Census, Announces Bold, New Approach
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James Franco doubles up for '70s New York drama 'The Deuce'
September 7, 2017 by apnews.com
"You watch all the old (Martin) Scorsese and Sidney Lumet films that I love from that era, and all they had to do was put their cameras where they wanted and it was fine," he says. "But not only did we have to set up all the shots, we also had to make up everything you see in the frame." … [Read more...] about James Franco doubles up for '70s New York drama 'The Deuce'
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Nolte: New York Times Mercilessly Mocked for Warren-Klobuchar Endorsement
January 20, 2020 by www.breitbart.com
Don't like Warren? Well, don't yell at the editorial board's bosses just yet, because they hate her too, sort of! And don't you think she's just a little too patronizing? That's why they also kind of endorsed Klobuchar, who's currently polling at just under 4 percent. Mad about the Times endorsing Klobuchar? You can't be, because they didn't. Not really, at least. … [Read more...] about Nolte: New York Times Mercilessly Mocked for Warren-Klobuchar Endorsement
Filed Under: Uncategorized 2020 Democratic Presidential Primary, Amy Klobuchar, Elizabeth Warren, John Nolte, New York Times, 2020 Election, mario batali new york restaurant, mario batali new york, queens news new york, new york queens news, new york city hospital list, new york hospital nyc, new york presbyterian hospital parking, jamaica hospital queens new york, new york hospital queens jobs, flushing hospital queens new york, new york hospital queens ny, new york hospital queens emergency room, new york hospital queens internal medicine residency, true world foods new york, new york stock exchange live feed, sheraton new york tower, new york towers basketball, new york post daily horoscope, new york post daily, new york city budget hotels, new york city budget hotel, restaurant en new york, new york city event spaces, new york city event space, event spaces new york city, event spaces in new york city, event space new york city, event space in new york city
New York Times Smears Trump Supporter as 'White Nativist'
The incumbent president, Donald Trump, is clear about where he is guiding the Republican Party — white nativism at home and America First unilateralism abroad, brazen corruption, escalating culture wars, a judiciary stacked with ideologues and the veneration of a mythological past where the hierarchy in American society was defined and unchallenged. … [Read more...] about New York Times Smears Trump Supporter as 'White Nativist'
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Cities mull whether to keep aging historic sites: As districts across Korea redevelop, debates rage over what is still important
Family secures Batesford property with lake frontage and waterslide
Christine Lampard posts moving anniversary tribute to husband Frank
Everything You Forgot About
Recap: Wedding Crashers
Prince Harry and Meghan Markle's whereabouts with Archie revealed
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Events / Events In Tokyo
"Yoshifumi Nakamura: Come on-a My Hut!"
Toto Gallery-Ma
by Delilah Romasanta
From ornate, Victorian-style mansions to humble wooden cottages, people's preferences for where they live differ greatly. This poses the question: What is a house? Architect artist Yoshifumi Nakamura has come to believe the hut is the perfect house.
This three-part exhibition shares Nakamura's passion for huts. Exhibition I examines seven huts from across the world; each of which has been influential to Nakamura's architectural philosophy. Exhibition II will then present specially selected hut-like houses designed by Nakamura. The last portion of the exhibit, located in the courtyard, features a full-scale hut for one person, designed by Nakamura as a condensed version of his own hut-home. Nakamura hopes visitors will begin to ask, "What is a house?"; till June 22.
Toto Gallery-Ma; (03) 3402-1010; Toto Nogizaka Bldg. 3F, 1-24-3 Minami-Aoyama, Minato-ku, Tokyo; Nogizaka Station, Chiyoda Line. 11 a.m.-6 p.m. (Fri. till 7:00 p.m.). Free admission. Closed Sun., Mon., holidays (April 29, May 3-6). www.toto.co.jp/gallerma


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The Technology Risk Management (TRM) organization within EIT builds the foundation for providing world-class risk management. Its functions improve how we own, assess, manage, and report technology risks, while ensuring that we have strong technology risk expertise, employ the concept of risk management as a utility operationalizing for efficiency, and move us to progressive risk management based on data and analytical processes.
We have an excellent opportunity for Operational Risk Consultants in EIT Technology Risk Management for the following three roles.
One role focuses on facilitating a third party risk governance forum with key stakeholders to review higher risk third party engagements within EIT to ensure risk is managed appropriately.
Source and analyze third party relationship/engagement data including risk assessment and vendor performance data.
Summarize and present, key risks associated with third party engagements and remediation plans.
Pre-syndication of the meeting materials, address any questions and prepare for the meeting.
Run governance forum, field questions, respond to challenges, document decisions.
Assist in creating self-identified issues.
Conduct follow-ups and escalate if necessary to appropriate committee.
Design and implement enhancements to the forum based on lessons learned through the process or based on input.
The second role provides risk management coverage for the design, implementation and post -implementation for a key initiative (Third Party Embedded IT) to improve technology oversight over third parties owned by business.
Risk management coverage for third parties transitioned to EIT post-implementation by reviewing aggregated view of risks from assessments and vendor performance data to drive mitigation strategies, and challenge risk acceptances as necessary.
Evaluate and opine on the design changes implemented as part of this key initiative such as new controls and technology risk assessments.
Review management and Board reporting as well as participate in project meetings to conduct a quarterly assessment of Third Party Embedded IT initiative during implementation phase.
The third role supports a key initiative, Supplier Vendor Management (SVM) Path to Effective, from Implementation through Steady-state.
Validate key components of the implementation plan, including process documentation, metrics/KRIs, controls, RACI, policies and standards to ensure process is clearly documented and managing the risk appropriately.
Experience in assessing risk, writing issues, and developing appropriate corrective actions.
Demonstrated ability to collaborate with varying levels of stakeholders across the organization.
Experience reviewing risk from assessment and vendor performance data to develop and drive mitigations solutions.
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Free Web Hosting – cPanel Fantastico WordPress tutorial!
Don't forget to check out www.2Xera.com for all your web hosting needs at absolutely no cost! We offer free cPanel and Fantastico this is a tutorial of how to use Fantastico to install WordPress.


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Q: FOR works at prompt, but not in script file? As part of a task that I am working on for a customer, I need to make some modifications to the enterprise logon script. Windows command-line is definitely not my area of expertise, but I am doing OK with most of it. However, I am running into the following inconsistent behavior, that I cannot figure out.
The following commands:
Set TMP=
For /f "tokens=1,2,3 delims=:" %A in ('ipconfig ^| Find "Default Gateway" ^| Findstr/N "."') do (If not defined TMP  Set TMP=%~C)

When executed at the command prompt (a windows 7 CMD.EXE window), work as expected and TMP gets set with the IP address of my default gateway.  However, if I execute the exact same commands from a CMD file, in the same window, it fails with the following output (Echo On):
>Set TMP=
~C) was unexpected at this time.

>For /f "tokens=1,2,3 delims=:" ~C)

I have tried both CALL and running the script directly.  I have tried it both with and without usebackq, and with and without the parenthesis after the DO, with the same results every time: it works interactively, but not from a script in the same session.
What the heck is going on here and how can I fix it?

A: Here is a part of help for cmd output:
To use the FOR command in a batch program, specify %%variable instead
of %variable.  Variable names are case sensitive, so %i is different
from %I.

redpajama_set_name: RedPajamaStackExchange


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Home » Indianapolis Cultural Trail Call for Poets for Public Art Installation
Indianapolis Cultural Trail Call for Poets for Public Art Installation
September 14, 2009 by Katelyn Coyne
The Indianapolis Cultural Trail: A Legacy of Gene & Marilyn Glick announces another public art installation.The cultural trail is just one of many contributions for the people of Indianapolis made by the Glick's including the Gene B. Glick Company and the Marilyn K. Glick School of Art at the Indianapolis Art Center in Broad Ripple Village.
"Moving Forward," by Indianapolis-based architect Donna Sink, is a series of three custom-designed eco-friendly bus shelters that will showcase original poetry by published writers. The shelters will be located along the Cultural Trail on the south side of Virginia Avenue near Lexington Street, McCarty Street and Woodlawn Avenue.
Each shelter will be comprised of ecoresin panels, which are made using 40% post-industrial re-grind content, mounted in a stainless steel frame. The shelters will be installed on TX Active photocatalytic cement pads. These pads will be self-cleaning and will help reduce many pollutants deemed harmful to human health and the environment in Indy.
Informational video by Gail Payne on the Indianapolis Cultural Trail, an in-progress network of public pathways that will unite the Indianapolis cultural districts
A call for poetry begins this week and submissions are due November 22, 2009. Published poets living in or with ties to Indiana are invited to submit work based on subjects such as Indianapolis community, neighborhoods, landmarks, shared spaces, transportation, Indianapolis history and the future. Poets must have published at least one poem in a print magazine or anthology prior to submitting work for "Moving Forward." Selected poems may have been published previously.
The Writers' Center of Indiana is administering a selection process with out-of-state jurors. Authors of the three selected poems will each receive a $1,000 award. Selections will be announced in March 2010. Poems will be displayed in their entirety on a stainless steel panel on the shelter. Excerpts of the poem will be embedded in the ecoresin panels.
"Moving Forward" is the sixth public-art installation planned for the eight-mile Indianapolis Cultural Trail that will connect each of the downtown Indianapolis cultural districts with a uniquely designed pedestrian and bicycle path.
Call For Poets Criteria
Poets must live in or have close ties to Indiana.
Poets must have published at least one poem in a print magazine or anthology prior to submitting their work to "Moving Forward."
Guidelines for Submission:
Each poet may submit one poem, no longer than 50 lines. (The poem may have been published previously.)
Each entry must include a cover sheet with the following:
Verification of publication: a list of 1-5 published poems that includes the title of each poem, name of print magazine or anthology in which it was published, and publication date.
Poets who do not live in Indiana must provide a brief statement describing their tie to Indiana.
Content must be appropriate for public display with sensitivity to diverse audiences.
Entries must be in English. (If appropriate, poets may include a translation to another language.)
All submissions must be made electronically to movingforward@indianawriters.org.
Entries must be attached as a Word document (.doc) or PDF.
The Writers' Center of Indiana and the Cultural Trail Management and Design Team retain the right to disqualify any entry that does not comply with the above guidelines.
Deadline for Submissions:
Midnight on Friday, November 22, 2009.
Selection Process & Timeline:
Entries will be judged blindly by three out-of-state judges. Poets' names and contact information will be not be posted on submissions
The judges will submit six finalists to the Writers' Center of Indiana. A panel including Writers' Center representatives, Art Strategies representatives, and the Cultural Trail Management and Design team, along with project architect, Donna Sink, will choose the three poems to be used in the bus shelter installations.
Winners will be announced in mid-March 2010.
Installation will begin in 2010 with expected completion in Spring 2011.
Quality of writing.
Thematic connection to the Indianapolis Cultural Trail and the "Moving Forward" project.
Appropriateness for public display with sensitivity to diverse audiences.
For more information on how to submit, visit the Indianapolis Cultural Trail's website.
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Every office deserves to have a piece of work that attracts the eye. It goes beyond whether or not you need it for design — your company needs one to effectively deliver your business.
Wall murals for businesses are designed to bring life and color to an area. With SpeedPro, you can rest assured that anyone who sees your mural will not just glance at it but truly have their attention captured. We can create vinyl wall murals to brand your business and create a settling and welcoming environment for both customers and employees.
People in offices tend to accentuate their space with decorative art. Whether it's just to add color or place something in a previously empty spot, these art pieces can enhance the area in a small way.
SpeedPro wants to assist your office in designing a piece that adds color, represents your business and shares a story.
The first thing we'll need to discuss is where you want to place your mural. Your second decision will be in customizing the experience for a particular group of people, whether that's your customers or your coworkers in the office.
You may want to increase customer connection inside your lobby. Have you noticed an area in your lobby that seems too dull or empty? Want to increase the conversations that happen while potential clients gather and wait? Feature some of your business's products in a mural, or emphasize the effect you have on the community. Allow your customers to feel engaged with your business, and they may be more eager to approach you and discuss your business and the work you provide.
Perhaps you've noticed morale is low among your employees or that conference room meetings are often tiring and ineffective. You can inspire your coworkers by providing a vinyl wall mural. If people need a reminder that their work does good for other people, having that daily in the form of a large format wall mural can push them the extra mile. Likewise, you can use a printed wall mural hanging in your conference to emphasize your company's mission statement, using that to encourage discussions and improve focus on the end goal.
Our wall murals are printed onto durable vinyl material. Fade-resistant ink pairs well with vinyl, as it seems to enhance the color and make a bold statement in every setting.
If you want to add a vinyl wall mural to your office area but don't want to disrupt the signage that already exists, we can use color-matching technology to make sure your new addition fits into the color scheme of your office. This strategy allows you to grab people's attention in a natural way!
Our team will work with you through every step of the design and printing process. It's our goal to make a wall mural that brings your office to life. Call us today to set up a consultation appointment, and get ready for your new office addition!


You have the ability within Media Manager to send messages to any or all of your App Data Room users. To begin, click on Notifications in the left side-bar. Then click New.
This will bring you to a new page where you can construct the notification to be sent.
You can choose whether you want the notification to be sent to Everyone in Media Manager or to Specific Users. Choosing Specific Users will prompt you to select users by their roles or users by names.
After choosing the recipients, type and format the notification under Message.
Notifications can be sent to users via email, via push to mobile devices, or to the Media Manager web application. Under Delivery Method you can choose one, two or all three of these ways to notify recipients of the notification.
Assigning a priority will flag the notification as low, medium or high priority.
After reviewing each field, make sure to click Send in the lower right corner.


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Former Synagogue Leader Responds To Trump's Post-Massacre Hate Speech
The United States is continuing to reel from the mass murder of 11 Jewish people gathered at the Tree of Life Synagogue in Pittsburgh over the weekend. The murderer's actions have been connected to President Donald Trump's rhetoric, since Trump pushed the idea that outside political interests are funding a migrant "caravan" currently making its way to the United States and the shooter believed those interests to be Jews.
In light of these issues, there's a growing apparent anger with the president on the part of concerned members of the Jewish community. Former Tree of Life President Lynnette Lederman asserted during an appearance on CNN this week that personally, she does not welcome Trump to her city. He's said that he plans to visit the site of the massacre — for some reason — although details of the apparently impending trip are not yet apparent.
In the meantime, Lederman told CNN's John Berman:
'I do not welcome this president to my city. He is the purveyor of hate speech. The hypocritical words that come from him tell me nothing. We have some very very strong leadership in this city… We have people who stand by us who believe in values, not just Jewish values, but believe in values, and those are not the values of this president.'
Watch below.
Lynnette Lederman, former President of Pittsburgh's Tree of Life Synagogue, says of Trump, "I do not welcome this President to my city … He is the purveyor of hate speech. The hypocritical words that come from him tell me nothing." pic.twitter.com/vEtgZ9D87m
— New Day (@NewDay) October 29, 2018
The jump from "mainstream" right wing rhetoric including that of the president to the Pittsburgh gunman's ideology isn't that far at all, as she indicates.
Trump has, for one, openly embraced violence time and time again throughout his rise. He's suggested that "Second Amendment people" take care of Hillary Clinton and lauded a Montana GOP Congressman for bodyslamming a reporter, an assault for which he was held criminally liable.
He's directly pushed for the use of force to deal with the supposed threat posed by non-whites, too, seeking to send the military to the nation's southern border to address incoming migrants. He already got the National Guard mobilized, despite the fact that it's not as though there's an incoming riot. There's a large collection of the people who already often come to the U.S. seeking asylum — that's it. Overall, undocumented border crossings continue their downward trend over the years, concurrent to that.
In the midst of that situation, the fact remains — Trump is the one who has accepted violence as part of the solution plan for dealing with the non-existent threats he makes up to hold his base together. Now, we're here, with 11 people dead because a hateful person apparently took Donald Trump's words to heart, a fact that won't be erased by any number of platitudes from the administration.
Speaking Monday, Lederman was responding to a letter signed by progressive Jewish leaders in Pittsburgh that pushed for the president to stay away considering how deeply he has mired himself in white nationalism and bigotry.
Sunday, they noted:
'You have also deliberately undermined the safety of people of color, Muslims, LGBTQ people, and people with disabilities. Yesterday's massacre is not the first act of terror you incited against a minority group in our country.'
Despite these facts, Trump will no doubt continue on down his current path.
Featured Image via Screenshot from the Video
Lynette Lederman
Pittsburgh shooting
tree of life synagogue
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Dutchess County, NY History
We are happy to offer our first item of genealogy and local history from Dutchess County, NY. We plan to offer additional items soon, so please check back with us.
Dutchess County chapter, from French's Gazetteer of the State of New York (1860). The following localities are named in boldface type: Amenia, Ameniaville, The City, Wassaic, Amenia Union, South Amenia, Leedsville, Sharon Station, Beekman, Green Haven, Beekmanville, Poughquag, Beekman Furnace, Clinton, Clinton Hollow, Clinton Corners, Schultzville, Pleasant Plains, Bulls Head, Clinton Point, Hibernia, Dover, Dover Plains, South Dover, Chestnut Ridge, Wing Station, East Fishkill, Johnsville, Stormville, Fishkill Plains, Shenandoah Corners, Pecksville, Hopewell, Fishkill Furnace, Fishkill, Fishkill Landing, Matteawan, Wappingers Falls, Hughsonville, New Hackensack, Glenham, Carthage Landing, Myers Corners, Swartoutville, Brinkerhoffville, Hyde Park, Staatsburgh, Union Corners, Hyde Park Landing, La Grange, La Grangeville, Freedom Plains, Sprout Creek, Manchester Bridge, Arthursburgh, Milan, Jacksons Corners, Rock City, Milanville, La Fayetteville, Shookville, Thornville, Northeast, Northeast Center, Millerton, Spencers Corners, Coleman Station, Federal Store, Oblong, Pawling, Campbellville, Quaker Hill, Farmers Hill, Pine Plains, Hammertown, Pulvers Corners, Mount Ross, Pleasant Valley, Salt Point, Washington Hollow, Crum Elbow, Poughkeepsie, New Hamburgh, Channingsville, Manchester, Rochdale, Locust Glen, Redhook, Tivoli, Myersville, Barrytown, Upper Redhook, Cedar Hill, Rhinebeck, Rhinebeck Station, Monterey, Stanford, Stanfordville, Bangall, Attlebury, Stissingville, Old Attlebury, Union Vale, Verbank, Oswego Village, Clove, Crouse Store, Mansfield, Pleasant Ridge, Washington, Harts Village, Mabbetsville, Lithgow, Mechanic, Little Rest, Four Corners, and Washington Hollow. 12+ pages, PDF format, download now for $2.75.
The Dutchess and Orange Counties chapters in Mather & Brockett's Geographical History of the State of New York (1848)
Only a dozen years before French's Gazetteer, but a world of difference! Treatment of these counties in the six pages allotted is fairly comprehensive in its treatment of the county's physical geography, somewhat weaker in terms of the history and definitely a little spotty in coverage of the towns that comprised it. The two counties are grouped together by the authors. We also include the two page summary of New York State land grants for background in this download. 6++ pages, PDF format, download now for $2.75
Charity in New York State in 1906: Dutchess County. We are in the process of republishing sections of volume II of the Annual Report of the State Board of Charities for the year 1906. The material will be of interest to local historians who wish a better picture of charitable institutions in their locale a century ago, to genealogists and family historians interested in the people who administered charity back then as well as how any unfortunates housed in these facilities may have lived, and to those who have questions about the now-politicized "safety net" for the unfortunates in our society back in those years. This section addresses the public and private charities in Dutchess County in 1906 that were registered with the State Board of Charities. 8++ pages, in PDF format, download now for $2.00.
The Old Post Road, by C. G. Hine (1905) -- "The Publick Common General Road and Highway from King's Bridge to the Ferry at Crawlier over against the City of Albany". See our New York State Miscellany page for more information.
PHOIS -- The Yearbook for Poughkeepsie High School for 1934.
We're very happy to bring you volume 26 of a long series of Phois yearbooks from Poughkeepsie High School. Two interesting things to consider about this one. First of all, the editors brought us line drawings of what they thought the Poughkeepsie skyline might look like in the future. (They were very optimistic in that one.) Secondly, we wondered if people during the Great Depression actually realized they were in a depression. One ad in this volume shows that indeed they were very aware, and even advertised that they were successfully placing their graduates (it was an ad for a secretarial school) "even during this depression." A total of 150+ pages, in PDF format, download now for $4.00.
Dutchess County items currently awaiting publication:
None are in the publication queue at this time
Did you know that eastern Dutchess County was an important part of an iron producing and refining industry from Colonial times until the early 20th Century? We have material about this industry that may be of interest to you on our Iron page and our material about Litchfield County, CT?
Putnam County was separated from Dutchess County (one of New York State's original counties) in 1812. You may also want to consult our Putnam County page for locations that may have been affected by this transaction.


Destinations North America Reviews Visit Where to?
We went on the Marsh Beast Airboat Tour due to the recommendation of a local relative who takes all his visitors to Blue Cypress Lake, Indian River County to see the wildlife and especially the alligators. It's billed as a one hour airboat tour, but we easily had more time than that out on the lake. We got there a bit early and it's worth doing that so you can get your photo taken in front of your boat and you don't hold up fellow passengers. It's also better to get out before the other boats if possible, but you won't be able to do that if someone hasn't bothered to turn up on time.
Captain Kenny is very knowledgeable. He knows the lake inside out and back to front, but he can also identify the wildlife and tell you all about it. We learnt about the history of Blue Cypress Lake, about its vegetation and its wildlife. During our trip we saw a lot of bird life particularly in the cypress tress adorned with Spanish moss.
One of the great things about this trip is that you are all kitted out with headphones and a microphone. This means you can hear what your guide is saying above the noise of the air boat's motor, but it also means it's easy to ask questions too. The only downside we found is that you can't really talk amongst yourselves unless you want that conversation shared with the boat, but this wasn't a big deal as we were there to see the 'gators and not chat.
It didn't take long before we spotted what we were looking for. In fact, we saw lots of them. Our guide knew where we would see some babies, we saw male and female alligators; we saw them swimming and we saw them resting.
Oh my goodness what an amazing experience for you all, if not slightly scary too!!
I've always wanted to do one of these tours. Every time I've been to Florida which isn't that many I times really I tried to talk my family into doing one but it was always no!


Leftover ham is a wonderful problem to have. After 5 days of eating ham, last night Trevor still said this was the best ham ever.
This has been one of our favorite leftover ham recipes. The crispy pie crust gives way to reveal that hot creamy interior that is so delicious.
You can serve it as a whole pot pie or make it for individual serving sizes. The 1.5 cup ramekin size would be good for someone with a huge appetite. For us, the perfect individual size is doing this in a large muffin tin.
In a medium sauce pan, melt butter and saute onion and chile for 5 minutes. Stir in the flour to form a roux. Whisk in the stock, about 1/4 cup at a time, whisking until well blended each time. Whisk in the half and half.
Add the cheese to the mixture in small batches, stirring until well blended. Add the seasonings and taste the sauce. Adjust with salt/pepper as needed. Stir in the ham and veggies, remove from heat.
For single large pot pie - Place bottom crust in a greased 9" stoneware pie pan. Pour pie filling in. Top with the top crust and seal edges with a fork. Slice or poke holes in top.
For large individual pot pies - Cut pie dough discs into uneven fourth's as shown in the pictures. Roll one of the larger fourths into a 6" circle and fit into 1.5 cup greased ramekin. Fill to the top with the ham mixture. Roll one of the smaller fourths into a 3-4" circle and top the ramekin. Seal edges with a fork. Repeat with three more ramekins.
For medium sized individual pot pies - do as above but divide dough into sixths. and use a large muffin tin.
Baste with egg-wash. Bake on the grill until he crust is golden and crispy, about 30-40 minutes.
For the ramekin version, cut in half and then off center because the bottom crust needs to be bigger than the top.
For the muffin pan version, we just cut into sixths.
Don't worry about them being perfectly round when you roll them out. Unless you're into that kind of thing.
Fill to the top and then cover up.
While making the rest and getting ready, I covered each with a moist paper towel to keep the top crust from drying out.
Pinch and crimp, pinch and crimp.
The spacers between the plate setter and pan keep the bottoms from burning. The "spacers" are just some stainless steel hooks but you could use many things like a trivet.
Better shot of the spacers under the ramekins here.
Like with any pies, cover the edges with foil after a while for even browning.
What is your favorite way to use up leftover ham?


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Home > Patient Care > Conditions & Treatments
Home > Patient Care > Conditions and Treatment > Transarterial Chemoembolization (TACE) > Diagnosis
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Transarterial Chemoembolization (TACE) - Causes and Risk Factors
Transarterial Chemoembolization (TACE) - Diagnosis
If you are suspected to have liver cancer, an MRI or CT scan of the liver and blood tests may be requested by your doctor. Occasionally, a biopsy of the liver may be required for the diagnosis.
Transarterial Chemoembolization (TACE) - Other Information
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When equals in talents and contributing capability get together they get down to business.
The question of doing elaborate agreements, putting things down on paper, getting signatures on the dotted lines, doesn't come up. No lies, no complicated contracts.
The entire focus is on building art, shipping stuff and at times, even changing the world. Not on writing CYA documents or haggling about who gets an extra five percent on profits.
Every time you hear excessive stress on agreements or documents even before you've started something gorgeous it is often a sign of insecurity.
Or an indication that one or more (or all) parties are incompetent.
I am not saying every agreement is a sign of incompetence but if you can connect on a shared cause that is larger than pettiness, you'll see magic.
People working for free to get the project live, people contributing in open source projects they like, entrepreneurs putting in personal money to keep the business alive, developers responding to support requests on forums.
Because all parties are competent. All parties are just as capable of making it on their own. All parties don't have insecurities about being diddled out of a deal.
Or maybe, its because everyone understands, that it isn't a deal that they are working on.


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Mail an Inmate
Inmate Search Guide
Contacting an Inmate
Home / Massachusetts / Millis City Jail
Millis City Jail Inmate Search and Prison Information
Updated on: November 8, 2022
885 Main Street, Millis, MA, 02054
Millis City Jail offender search: FileNo, Bookings, Who's in jail, Booking #, Address, Liens and Judgments, Address Given, Information Recorded, Filing Date, Type, Bond, Alias, Degree Level, Booking Date, Projected Release Date, Charges, Code, Aliases, Case Number, Release Date, Information Recorded, Mugshots, Jail Roster, Arrests.
This confinement office is for grown-ups that have been captured in the city and area of Millis. At the point when guilty parties show up, they are first handled and fingerprinted at the admission. At that point they are allotted to their own single-individual cell that can be found on two levels.
All detainees are given breakfast, lunch, and supper every day just as the day by day fundamentals. During assigned occasions detainees are permitted to visit the library, shop at the supermarket, take part in the entertainment and hang out at the basic zone.
This is a medium-security office, so the security is tight. Detainees are accompanied starting with one region then onto the next. The detainees invest much of their energy in their cell.
Incorrect information? Suggest an edit!
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Jail Name Millis City Jail
Jail Type City Jail
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Web Page website
Address 885 Main Street, Millis, MA, 02054
City Millis
Zip 2054
The names of the detainees that are held in this office are distributed at the Millis City Jail. You can likewise call the jail to find a prisoner on the off chance that it is progressively advantageous for you.
Sending a Mail/Care Package
Prisoners at are permitted to get and convey composed letters to friends and family via the post office. All letters must be written in pencil, dark or blue ink. Stash is disallowed. The jail staff examines all approaching and active mail.
Perusing material can be sent to the prisoner legitimately to the Millis City Jail from the distributer.
The Millis City Jail has a booth in the entryway where you can support a prisoner's record. You will require the detainee's ID number to finish this exchange. There is an expense to utilize this administration.
Most jails additionally acknowledge clerk's checks, MoneyGram and Western Association. To become familiar with financing a prisoner's record you can call the jail at 508-376-5112.
Detainees approach telephones in their lodging territory where they can make telephone calls to their friends and family. Detainees can call with gather calling or they can buy a telephone plan.
Detainees at Millis City Jail are permitted to have guests on Sundays from 1:00 p.m. to 3:30 p.m.
You should keep the entirety of your own possessions in your vehicle, including your mobile phone. In any case, you will require your official picture ID card. Any appearance can be dropped whenever without reason or notice.
You are required to adhere to severe clothing regulation standards so please dress unassumingly when you want a visit.
Minors younger than 18 that are close family to the detainee are permitted to visit with a parent.
Monday — 9:00 AM to 6:00 PM
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Many people hurt often avoid letting friends and family know how difficult and painful recovery is. This can be a mistake. Read here to learn why.
When advancing a personal injury claim in British Columbia, the evidence (i.e. what they know about your pain and suffering) of your loved ones and friends is quite important. What do your colleagues know about your injuries? Did your family members help you recover from surgery or transport you to and from therapy sessions?
It is one thing to walk into court and ask the judge to hand you money for your losses and injuries. It is yet another to present testimony in your favor from people who will not gain financially from the outcome of the case. If your friends and loved ones can speak on your behalf in a heart-felt and truthful manner based on what they observe and what you tell them, they can be central to the development of your personal injury claim.
How do you get your loved ones on your side in an appropriate manner?
Start by ensuring all of your family and friends are aware of your injuries and the details of the accident. Let them into your home and daily life as you recover, so they see firsthand what you are going through during the recovery phase. This ensures they have firsthand knowledge of the severity of your injuries.
There is a fine line between whining to the point of annoying them and allowing your loved ones to see/observe/understand your pain. Let those that are close to you know what you are going through, but do not make every conversation with them central to your injuries and the accident.
If you have to miss work for an extended period of time, tell your colleagues why you are missing that time. If you have to step away from your bowling league or another sports team, let your teammates know why you are no longer participating. Subtly allow those around you to understand your pain and what the injury is doing to your life.
As long as you are upfront and honest about your injuries and the impact on your life, your loved ones will feel honored that you share your struggles with them. Most will offer to help in their own ways, and some may be willing to help you when it comes to compiling an effective claim to get what you deserve.
If your injuries are not visible on the outside (often the case with neck and back injuries), it will be even more important for you to communicate your struggles and pain with those around you. They cannot see what you are feeling inside, so you will have to tell them. For instance, if you suffer from back pain you will have to notify those around you when physical activity is beyond your capabilities during recovery. They will not know without you telling them upfront.
Make sure to document everyone who has knowledge of your injury, even if you just tell them about your pain or other medical issues one or two times. Your attorney will call upon these people when it comes time to validating your claim. Your loved ones will be easy to track since you see and speak to them regularly, but jot down what you have told each one so your lawyer knows what they may be able to testify to for your claim.
There are emotional and mental struggles that come with accidents, and your loved ones will be your most important support group in that area. Do not suffer alone when others are ready and willing to gather around you and make the journey back to health easier and faster.


Tom, the entire citizenry is completely misled on this. They are confused by the fact that the project funding utilizes federal tax credits, but that does not mean the tenants get subsidies to pay for their rent. All it means is that the developer can sell the tax credits to investors (typically banks) to raise the capital needed to build the project, and because that money is equity and not debt, the developer can build a very high quality project but still set rents at levels "affordable" to regular working people; that is why it is called "Affordable Housing" and not "Low Income Housing". For some reason, people believe the residents in this complex will all be on public assistance. That is simply not true. There are a small number of units that offer a rent break to veterans and victims of domestic violence, but even those units require a certain minimum income level. The follow shows the proposed rents and required income levels. In order to rent a one bedroom apartment, the tenant must make a minimum of approximately $15.00 an hour which is 67% above the current minimum wage. It is clear that this complex is designed for "working people."
NRP has a budget of $55 million for the project which equates to $240,000 per apartment unit. That amount is significantly higher than the average home value in Mechanicville today. $55 million is the same budget I had for the Esplanade. Take a look at these projects NRP built around the country using low income housing tax credits and you decide if this project is bad for Mechanicville. Also, here is a link explaining how tax credit funding works. It uses Virginia in the example, but the same holds true for NY.
It's a $55M investment which increases the tax base of the city by 40%, which in turn increases the allocation of county sales tax revenue. I don't have the exact figure but I am told it results in an increase of somewhere between $100k and $200k annually for the city.
It provides an additional $50k per year in water sales which will help to offset the impending loss of $100k in water sales to Stillwater. Sewer revenues are around $25k annually.
The developer is contributing $50k to local pedestrian improvements.
It will bring in hundreds of new residents to the city that have household incomes between $30,000 and $75,000. Based on the income requirements to live there, that will yield somewhere around $11 million in new disposable income to be spread around the city's merchants and help spark new investment to fill empty storefronts. By opposing this project, the residents of Mechanicville are basically saying that they themselves are not good enough to live in Mechanicville because these income levels reflect the majority of the current citizenry. The 2010 census puts the median Mechanicville household income at $43,355.
Property taxes. The developer has indicated he will greatly reduce the ask from the IDA so that the project has an immediate positive impact on the city and school budgets. This project will result in millions of new tax dollars and stem the tide the city has had of having to raise taxes to keep up with rising costs with no new sources of revenue.
Because of the source of funding (tax credits), NRP has to follow strict rules for renting only to qualified people and they get audited every year by NYS. This ensures that the facilities are properly maintained and those that live there comply with the income requirements. Other multifamily property owners have no such continuous oversight.
This project is to Mechanicville what Globalfoundries was to Malta. How often does a single project come along that can increase the value of an entire city by nearly half? If the city council rejects this project it will be the greatest mistake in the history of Mechanicville and it will be done so based upon false narratives, innuendo and uninformed Facebook chatter. The only significant difference between this project and my previous Esplanade project is that this one has funding available and can be under construction by April if the council simply says yes. Despite all past diligence and effort, the previous versions of the Esplanade eventually proved not to be financially feasible using conventional financing and as a result will never get built. The reality of life is this, in order to obtain the funding necessary to construct such a large, high quality project in a small city like Mechanicville, non-conventional financing sources have to be used. The people need to stop confusing "Affordable Housing" with "Low Income Subsidized Housing." They are two completely different things. Don't rely on me or John Enzien. Do your own research and look at the websites provided. Read the reviews from the tenants. NRP is very good at what they do and all of their projects are first class.
His mission is to promote Affordable Housing. This project embodies affordable housing. It is by definition, affordable housing. Mr. Enzien's job is to promote affordable housing and yet he continues to paint this project as low income, publicly assisted housing. Either he simply does not understand his own industry, or perhaps there are other interests at stake here which are fueling his campaign to kill this project. Either way, by following his erroneous depiction of this project, and the sentiments of a misinformed Facebook group, the city council is about to make a terrible mistake; however, it is not too late. If people will simply take the time to listen and learn, we can make this project a reality for the betterment of all.
I have attached a pdf file of the proposed buildings and clips from the NRP project in Raleigh NC that most closely reflects what is intended to be built in Mechanicville. Also note that NRP will soon be proposing the exact same buildings in Saratoga Springs.


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La Vista residents to vote on 84th Street tax increase
Updated: 10:19 PM CST Feb 18, 2014
Adrian Whitsett
La Vista Mayor Doug Kindig wants residents to get behind a half-cent tax increase to improve the dilapidated 84th Street Corridor.
A half cent tax increase to boost the 84th Street corridor will be on La Vista's ballot this spring. The City Council voted 7-0, with one council member absent, to let the decision be in the hands of La Vista voters.-- Video: La Vista City Council approves proposal for half cent tax increaseFor a decision affecting more than 17,000 thousand people, few showed up Tuesday to tell the La Vista City Council their feelings on a sales tax increase."What I'm opposed to is raising the taxes and putting it on the backs of the citizens when this is a commercial enterprise in the end," said David Johnson."Going for bonds, looking for other ways to get the revenue verses placing another tax on the citizens of La Vista," said Troy White.There were people in support of the tax increase."I'm not against the sales tax if that's what we've got to do to improve the city. It's only half percent," said Gwen Rasmussen."I want to see us keep the money here in La Vista instead of seeing it go into Omaha and Douglas County, and for that, I approve of the half cent sales tax," said Linda Smith.If approved by voters in May, Mayor Doug Kindig said the city hopes residents will see work started by the end of summer. The mayor said he really wants citizens to be proud of the area and the city again.
A half cent tax increase to boost the 84th Street corridor will be on La Vista's ballot this spring.
The City Council voted 7-0, with one council member absent, to let the decision be in the hands of La Vista voters.
La Vista mayor asks residents to approve tax increase
-- Video: La Vista City Council approves proposal for half cent tax increase
For a decision affecting more than 17,000 thousand people, few showed up Tuesday to tell the La Vista City Council their feelings on a sales tax increase.
"What I'm opposed to is raising the taxes and putting it on the backs of the citizens when this is a commercial enterprise in the end," said David Johnson.
"Going for bonds, looking for other ways to get the revenue verses placing another tax on the citizens of La Vista," said Troy White.
There were people in support of the tax increase.
"I'm not against the sales tax if that's what we've got to do to improve the city. It's only half percent," said Gwen Rasmussen.
"I want to see us keep the money here in La Vista instead of seeing it go into Omaha and Douglas County, and for that, I approve of the half cent sales tax," said Linda Smith.
If approved by voters in May, Mayor Doug Kindig said the city hopes residents will see work started by the end of summer. The mayor said he really wants citizens to be proud of the area and the city again.


text:
Superman Enters the Culture Wars | Village Voice
Superman Enters the Culture Wars
by Barbara Pollack
Taking a Wittgensteinian point of view: William Pope.L photo: Jesse James
SUPERMAN PLANS CRAWL UP BROADWAY! Not the comic book hero, but the real-life African American performance artist William Pope.L, who has recently emerged as something of an underground hero himself. Dressed in a store-bought Superman costume, Pope.L is about to launch a marathon crawl through Manhattan. A perfect metaphor for post-9-11 New York, this piece, titled "The Great White Way," has earned Pope.L a coveted spot in the upcoming Whitney Biennial. But just as his project is scheduled to begin, the unlikely caped crusader has gotten caught in the crossfire of the culture wars. When the National Endowment for the Arts announced its first round of grants for fiscal year 2002 in late December, acting chair Robert Martin refused to authorize $20,000 for "William Pope.L: eRacism," a traveling retrospective of the artist's 20-year career organized by the Institute of Contemporary Art at Maine College of Art (ICA-MECA). Martin's action, overturning the recommendations of the NEA review panel and the National Council for the Arts, summoned up the bad old days of
Jesse Helms and the NEA 4, not to mention Giuliani's more recent attacks on the works of two other black artists, Renée Cox and Chris Ofili. ICA-MECA, in conjunction with the show's two other venues, the Portland Institute of Contemporary Art and Houston's Diverse Works, issued a statement questioning the agency's decision. The Andy Warhol Foundation for the Visual Arts, which had already granted $50,000 toward the exhibition's total cost of $165,000, called the action "the NEA's latest attack on freedom of expression." Martin's decision—ostensibly calculated to keep his agency out of the spotlight while the Senate quietly confirmed Michael Hammond as the new chair of the endowment—backfired seriously.
"The NEA has an institutional responsibility not to bring besmirchment to or blacken, if I may, their character by valuing work that can possibly bring criticism on them," says Pope.L, 46, in response to the decision. "But in limiting themselves, they encourage a particular way of looking at American culture, don't they?" This is the mild-mannered response of the artist playing Clark Kent, or as he likes to call himself, "the friendliest black artist in America"—a tongue-in-cheek title aimed directly at those who still fear the presence of a black male in the halls of culture. Pope.L, a professor of theater and rhetoric at Bates College in Lewiston, Maine, and a graduate of the Whitney Independent Studies Program with an M.F.A. from Rutgers, chooses his seemingly off-the-cuff remarks carefully. He knows his presence can be read as threatening, but there's nothing he can do about that—except play along in ways that challenge our expectations of African American art.
Attention has come gradually to Pope.L, who has often worked just beyond the star-making machinery of the gallery system. One early work, "How Much Is That Nigger in the Window?," required the artist to stand on street corners or sit in performance spaces doused in mayonnaise. In another, "ATM Piece," he stood before a Chase Manhattan branch dressed only in a skirt made of $1 bills, which passersby were free to grab. In 1998, "My Niagra," his first installation in Harlem's the Project transformed the artist's body into a disturbing spectacle: splayed out on a rack, naked except for an orange ski cap and heavy yellow boots. "Eating The Wall Street Journal," performed most recently at Sculpture Center in 2000, skewers our reliance on the "bible of financial news," with Pope.L literally digesting the newspaper while sitting on a toilet mounted 10 feet in the air. These Fluxus-inspired performances combine influences as diverse as Joseph Beuys and Paul McCarthy with African bocio rituals and Richard Pryor routines.
"In America, blackness is treated as very obdurate, one-dimensional, but I was influenced by thinkers like Frantz Fanon—a sense of black identity as something constructed and unstable," explains Pope.L. "In painting or sculpture, blackness is a picture—it is subject matter—but I knew if you disseminate it through different mediums, it could be looked at as more of an idea, like the way white artists are allowed to have ideas." One idea that continually intrigues Pope.L is the use of physical vulnerability to unmask the public face worn by African American men—from the machismo of Puff Daddy to the respectability of Martin Luther King. "The preachers in my church were the first men I saw who made use of this," he says. "Ordinarily, they were dressed dapper—handkerchief in their pocket, shine on their shoes. But when it comes to Sunday, they're on their knees, crying and making a mess of themselves. And everyone knows that the way you rate the sermon is how much of a mess they made of themselves."
The last time Pope.L's work came under scrutiny was during the NEA reauthorization hearings in 1996. At that time, right-wingers criticized the agency for awarding three grants to Pope.L—in 1993, '94, and '95—before Jesse Helms put an end to individual artist grants. They specifically pointed to one performance,"Member aka a Schlong Journey," in which the artist traipsed through Harlem wearing a 14-foot white cardboard phallic projection. "It is a piece about trying to own whiteness, male whiteness, through the phallus, and I wanted to do it in a black environment, where I became a spectacle and the site of questions," Pope.L says. In the Senate, "Schlong Journey" was used as evidence of the NEA's irresponsible support of "indecent" artworks.
For Pope.L, wild misinterpretations are no surprise, especially in a culture that refuses to acknowledge its inherent contradictions. Disjuncture comes naturally to Pope.L, whose life and career are filled with anomalies. Pope.L is not a stage name, but a composite invented by his mother, who tagged the initial L for Lancaster, her maiden name, to his biological father's surname. Shuttled between a series of households in Newark and New York City—"a higgledy-piggledy childhood"—he was guided primarily by his maternal grandmother, Desma Lancaster, who once had a quilt show at the Studio Museum. "She took me to the Whitney to see a Jacob Lawrence show, so I got the idea that there was another museum where you could see African American artists," Pope.L recalls. "Of course, when I got there later on, I found out that was not necessarily the case." Ironically, Pope.L himself has not yet been shown at the Studio Museum, though its director, Lowery Stokes Sims, heralds him as "the poet laureate of male performance artists." Pope.L's work was included in the landmark "Out of Actions" exhibition at L.A.'s Museum of Contemporary Art in 1998 but was left out of the Whitney's 1993 "Black Male" show.
His triumphant return to the Whitney as a participant in the prestigious Biennial has been a long time coming. After Pope.L's two decades working in a wide variety of media and even wider range of public spaces, the art world is finally catching on to his strategies. He had a solo exhibition at the Project in May 2001 and will have another at its West Coast branch this spring. And despite the NEA's recent denial of funds, his retrospective will open at ICA-MECA in July 2002, accompanied by a catalog, William Pope.L: The Friendliest Black Artist in America, published by MIT Press.
Celebrated by the art world, dissed by the NEA—it's the type of contradiction that Pope.L relishes. "It's a Wittgensteinian point of view, that you can hold contraries, bound together, without blurring them together," he explains, going back to the fundamental principles motivating his art projects. "The fact is I am black and I am influenced by historically European-based art. I am interested in formal issues and I am interested in social issues. Think of it as a bunch of flowers—daisies, lilies, daffodils. I want you to hold them all in a bundle, but see them each distinctly."
More:Institute of Contemporary ArtJesse HelmsLongformNational Endowment for the ArtsRobert Martin