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NASA to Host Media Briefing on Mission to Return Asteroid Sample to Earth
Posted: Monday, August 20, 2018
NASA will host a media teleconference at 2 p.m. EDT Friday, Aug. 24, to provide an update on upcoming activities related to the agency's first mission to return a sample of an asteroid to Earth.
The Origins, Spectral Interpretation, Resource Identification, Security-Regolith Explorer (OSIRIS-REx) spacecraft, which launched on Sept. 8, 2016, started asteroid science operations last week, began imaging asteroid Bennu for the first time, and is now preparing to conduct the necessary approach maneuvers to rendezvous with Bennu on Dec. 3.
The mission represents a valuable opportunity to learn more about the origins of our solar system, the sources of water and organic molecules on Earth, and the hazards and resources in near-Earth space.
The briefing participants are:
Lori Glaze, acting director of the Planetary Science Division at NASA Headquarters
Dante Lauretta, OSIRIS-REx principal investigator at the University of Arizona, Tucson
Michael Moreau, OSIRIS-REx flight dynamics system manager at NASA's Goddard Space Flight Center
Sandy Freund, OSIRIS-REx mission support area manager at Lockheed Martin Space
Media who would like to ask questions by phone must send an email with their name and affiliation to Lonnie Shekhtman at lonnie.shekhtman@nasa.gov by noon Aug. 24. Questions also can be submitted during the teleconference via Twitter using the hashtag #askNASA.
Audio of the teleconference will be streamed at:
https://www.nasa.gov/live
For more information about the OSIRIS-REx mission, visit:
http://www.nasa.gov/osiris-rex


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US utility-scale solar prices to fall below USD 1/watt in 2020
Author: Team Massachusetts 4D Home. License: Creative Commons, Attribution 2.0 Generic.
June 1 (SeeNews) - The price for large fixed-tilt ground-mount solar parks in the USA will fall to USD 0.99 (EUR 0.89) per watt by 2020, which is below the USD 1/watt targeted by the SunShot initiative, GTM Research says.
Currently, the price of utility-scale solar is around USD 1.25 per watt. Photovoltaic (PV) modules account for half of the cost, other components for 22%, and soft costs for 28%.
The table shows solar prices per watt direct current (DC) for the first half of 2016 from GTM's report "U.S. Solar PV Price Brief H1 2016: Pricing, Breakdowns and Forecasts".
Type of system Price (in USD)
Utility fixed-tilt 1.25
Utility tracker 1.35
Commercial 1.88
Residential 3.00
GTM Research expects commercial solar pricing to drop by 25% between 2015 and 2020, while the decline in the residential segment is seen at 30%.
Overall, reductions in soft costs will be the main reason for the lower prices in 2020. According to the research firm, soft costs present both the biggest opportunity and the most significant hurdle for future cost reductions, especially in the residential and commercial segments.
In residential PV, soft costs account for 64% of the total system cost today. By the end of the decade that share will remain high, at about 60%, GTM says. In commercial installations there are also opportunities to cut costs further.
"Commercial PV installers need to find more ways to shorten the length of the project cycle and de-risk aspects of the project cycle in order to substantially reduce origination and overhead costs," said Ben Gallagher, solar analyst and lead author of the report.
(USD 1 = EUR 0.899)
Germany issues EUR 6.6bn of green bonds in 2018
Colombia's renewables share goes up to 88.36% in June
US utility-scale battery storage power capacity to grow substantially by 2023
Brazil's Centre-South hydrous ethanol sales jump 5.5% in June
China's energy storage market to reach 12.5 GW by 2024
Hydrogen by Pipe: Embracing the fuel of the future
Published Jun 01, 2016 8:35 CEST
Author Tsvetomira Tsanova
Domestic Markets Pricing
Renewable Energy Solar Power
Tsvetomira Tsanova
Tsvet has been following the development of the global renewable energy industry for almost nine years. She's got a soft spot for emerging markets.

redpajama_set_name: RedPajamaCommonCrawl


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Affordable Art Fair (1)
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Roy Lichtenstein: A Retrospective
Ends: 5:00pm
Location: The Art Institute of Chicago 111 South Michigan Avenue Chicago, Illinois 60603-6404
The Art Institute of Chicago may have several of Pop artist Roy Lichtenstein's pieces in its permanent collection, but during this monumental survey the number of his artworks lining the museum's walls will increase exponentially. Over 160 drawings, paintings, and sculptures are included in the exhibition, which explores the evolution of his practice
Herb Ritts: L.A. Style at LA's J. Paul Getty Museum
Ends: 5:30 PM
Location: J Paul Getty Museum, 1200 Getty Center Drive Los Angeles, CA 90049-1679
Through hard work and a distinctive vision, Herb Ritts (1952–2002) fashioned himself into one of the top photographers to emerge from the 1980s. Ritts's aesthetic incorporated facets of life in and around Los Angeles. He often made use of the bright California sunlight to produce bold contrasts, and his preference
Rita Ackermann at MOCA North Miami
Location: Museum of Contemporary Art, North Miami, Joan Lehman Building / 770 NE 125th Street, North Miami, Florida 33161
Keith Haring: 1978-1982 at the Brooklyn Museum
Location: The Brooklyn Museum, 200 Eastern Parkway, Brooklyn, New York 11238-6052
Keith Haring: 1978–1982 is the first large-scale exhibition to explore the early career of one of the best-known American artists of the twentieth century. Tracing the development of Haring's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen
The Art of Video Games at the Smithsonian American Art Museum
Location: Smithsonian American Art Museum, 8th and F Streets, NW Washington, DC
Video games use images, actions, and player participation to tell stories and engage their audiences. In the same way as film, animation, and performance, they can be considered a compelling and influential form of narrative art. In this exhibition, the museum is the first to comprehensively examine the evolution of video games as
Kehinde Wiley / The World Stage: Israel
Starts: 11am
Location: The Jewish Museum New York
One of the most significant young artists today, Kehinde Wiley is known for vibrant, large-scale paintings of young urban men, rendered in the self-confident, empowered poses typical of classical European portrait painting. Part of a new series exploring the global diaspora, the works in The World Stage: Israel are based
Get Lost in Spots: See the Trippy Environments From Yayoi Kusama's Tate Retrospective
Location: Tate Modern, Bankside, London
The nine decades of Yayoi Kusama's life have taken her from rural Japan to the New York art scene to contemporary Tokyo, in a career in which she has continuously innovated and re-invented her style. Well-known for her repeating dot patterns, her art encompasses an astonishing variety of media, including
Take a Virtual Tour of John Chamberlain's Rugged Bouquets of Steel at the Guggenheim
Location: Guggenheim Museum, New York
Often identified as the artist who successfully translated Abstract Expressionism into three dimensions, John Chamberlain wound through Franz Schubert, the U.S. Navy, hairdressing, the Art Institute of Chicago, and the Black Mountain College poets on his path to art. In Chicago, Chamberlain admired the work of Willem de Kooning and David Smith
Armory Arts Week in New York City
Location: All Around New York
In its fourteen years, The Armory Show has become an international institution, and every March, artists, galleries, collectors, critics and curators from all over the world make New York City their destination. The concept of a week of arts-related events grew organically, and was formalized with the support of the city in 2009.
Cindy Sherman at MoMA
Location: 11 West 53rd St. between 5th and 6th avenues
Cindy Sherman (American, b. 1954) is widely recognized as one of the most important and influential artists in contemporary art. Throughout her career, she has presented a sustained, eloquent, and provocative exploration of the construction of contemporary identity and the nature of representation, drawn from the unlimited supply of images


Delicate lavender grey coloured feathers set in silver metal hardware with a fish hook piercing. A striking style and one which would marry perfectly with the Navajo or Hippy trends so often seen replicated on the high street.
Due to the natural materials used to make these earrings, one set may differ from another.
Measures approximately 17.5cm in length. Each individual feather measures approximately 8cm in length.


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'Holes, Voids' is filled with ambition
By Christopher Knight, Los Angeles Times Art Critic
Can a hole be moved? Is a hole that's brought from, say, Detroit to Los Angeles the same void or a different one when it gets here? Is the void already just everywhere, merely awaiting an identifying contour?
That and other philosophical conundrums are the heart of Richard Haley's engaging if occasionally erratic show (his third) at Another Year in L.A. Some of the 22 Conceptual works could be tighter. But, mostly using winningly casual materials, "Holes, Voids and Other Descriptive Terms for Blankness" is an ambitious, frequently captivating meditation on serious subjects — decay, death, decomposition and emptiness.
Getting an object to signify nothingness isn't easy. In one video with accompanying artifact, Haley rubs a tiny hole in a butterfly wing with an artificial wax finger until the gossamer material disintegrates.
Another video that shows a shadow cast over a patch of wilting grass claims that lack of light is killing it — even though nearly invisible fishing line can be seen tugging the green blades downward. Conflicting forces of nature and culture aren't always distinguishable.
The show's centerpiece is that portable hole. Haley made a plaster mold of a small, unexplained hole in the ground in Detroit, where he lives, transported it to L.A. and used it to cast an identical hole from packed dirt. The component parts are displayed with a handcart that can move the void around, plus an explanatory drawing and a documentary photograph.
Perhaps the work's most resonant feature, as with the show's theme, is its ostensible point of origin. As voids go, Detroit fairly shouts with social, cultural and historic significance. Bringing an emblem of it to L.A., some might argue, is like carrying coals to Newcastle. Ashes to ashes, dust to dust.
Another Year in L.A., Pacific Design Center, B267, 8687 Melrose Ave., West Hollywood, (323) 223-4000, through Nov. 2. Closed Sat.-Mon. https://www.anotheryearinla.com
christopher.knight@latimes.com
CRITIC'S PICKS: Fall Arts Preview
TIMELINE: John Cage's Los Angeles
QUIZ: The high price of art
Entertainment & ArtsArts
WGA's fight with agents enters Act 2, but there's no end in sight
Frustrated by the continued standoff, some writers are planning to challenge the WGA union's leadership in guild elections in mid-September.
Hollywood donors handing out cash to multiple 2020 candidates in effort to beat Trump
Hollywood's power players are all in with Democrats' effort to oust President Trump in 2020, but many aren't choosing one candidate; they are handing out cash to many of the presidential contenders coming through town.
The cast and crew of 'It Chapter Two' share secrets from the set at Comic-Con
The cast and crew of Warner Bros.' upcoming "It Chapter Two" discuss secrets from the set and share three exclusive clips at Comic-Con
Suspected arson at Japanese animation studio kills at least 23
A man burst into a famous animation studio in Kyoto and started a fire early Thursday, Japanese authorities said.
Latest Entertainment & Arts
What's on TV Thursday: 'The Outpost' on the CW
What's on TV Thursday: 'The Outpost' on CW; iZombie; MasterChef; SyFy Wire: Comic-Con After Dark; 2019 Humanitarian Awards
Review: Portrait of David Hockney as a young artist in the mesmerizing 'A Bigger Splash'
Private and odd, archly dreamy and intimate, this 1974 documentary remains one of the more uniquely hypnotic movies about the connection between presented life and pulsating art.
Do abuse allegations against 'Bachelor' creator Mike Fleiss spell trouble for the franchise?
Mike Fleiss, the creator of "The Bachelor" franchise, was ordered to stay away from his pregnant wife by a judge. Could the franchise be in trouble?
Goon's singer turns his strange medical journey into art on debut album
The lead singer of the L.A. band Goon overcame a debilitating medical condition to record debut album "Heaven Is Humming."
Review: Roddy Doyle's 'Rosie' is a heartbreaking tale of an Irish family's resilience
A very fine socially conscious drama written by Roddy Doyle and directed by Paddy Breathnach in the classic Irish tradition.


Sobro side table is a revolutionary new generation of smart furniture which has evolved to fit the needs of the twenty-first-century man. The innovative side table has been created by Store Bound, the product innovation company. Most side tables don't do much but the Sobro side table aims to make life easier. The Sobro smart table does not use the term "Smart" just because of the trend of smart gadgets but uses the term because of the blend of functional technology and contemporary furniture.
The Sobro smart side table is packed with a variety of features equipped to make users more comfortable. The Sobro side table has everything you ever want in a side table complete with a whisper quiet and ultra- functional cooler drawer, cable management system, smart color LED lighting to set the ambiance, a built-in wireless charger that can charge up to two phones at a time, intelligent lighting and Bluetooth speakers. The Sobro also has a feature of playing calming sounds and white noise for a well-rested sleep, which can be controlled through the company's app.
Sobro smart side table is a solid furniture piece that tackles on important problems we commonly face like getting a drink at night, charging your devices, and listening to music. If one can get all of their solutions from a single product that blends into one's room, the side table would make the be room a relaxing environment to work or hang out in. Sobro will be available in four different finishes: white, white & wood, Black and Black & wood. If you want to get your hands on one of these tables, you can support by backing it up for $899 on Indiegogo.


The third in a series of flags celebrating Edward Stanley Gibbons, the Plymouth-born founder of the renowned Stanley Gibbons stamp business, will be raised in the Hoe Garden this afternoon.
The flags are the brainchild of artist Joanna Brinton, who won a public art commission from the Council (supported by Plymouth Culture) to showcase local artists and the city's unique history.
2015 marked the 150th anniversary of the publication of the company's famous stamp catalogues and artists based in the South West were invited to create a new piece of public art celebrating his achievements.
Joanna, an associate artist based at Plymouth University through 2015, proposed a series of flags based on the triangular 'Cape of Good Hope' stamps that helped establish Stanley Gibbons in 1863. Her idea was chosen by a panel of representatives from the Council, Plymouth Culture, Arts Council England, Plymouth Arts Centre and the Hoe Conservation and Residents Association.
For the final flag design Joanna took inspiration from Council gardeners who work on the Hoe, who told her about a special trowel that has been worn to a third of its original size from use. 'Diggers' draws our attention to the relationship between humans and nature, pleasure and work and the connections between people and their surroundings.
The flag will fly alongside the others until the end of March.
← Plymouth apprentices party with Ping!


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Cavani's contribution was excellent - Solskjaer
Manchester United manager Ole Gunnar Solskjaer is "very pleased" with the contribution of Edinson Cavani, after the striker set up one goal and scored two more in a 3-2 win over Southampton.
MATCH REPORT: Southampton 2-3 Manchester United
Watch highlights on Match of the Day 2 from 22:50 GMT on Saturday on BBC One, BBC iPlayer and the BBC Sport website and app.
From the section American Football


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Steve O'Keefe celebrates a wicket, Sydney Sixers vs Melbourne Stars, BBL, SCG, December 5, 2021 © Getty Images
Daryl Mitchell drives towards the covers, India v New Zealand, 3rd Test, Mumbai, 3rd day, December 5, 2021 © BCCI
Shreyas Iyer attacked from the beginning, India v New Zealand, 3rd Test, Mumbai, 3rd day, December 5, 2021 © BCCI


The city will receive $300,000 to increase the supply of interim and permanent housing for people experiencing homelessness and $75,000 to enhance services for people experiencing or at risk of homelessness. Specifically, the $300,000 awarded to the city will be used to acquire property for interim family housing for homelessness nonprofit Family Promise of Santa Clarita. The $75,000 award will be put toward hiring a homeless coordinator in the city, who will oversee Santa Clarita's Community Plan to Address Homelessness.
According to the 2018 Greater Los Angeles Homeless Count conducted by the Los Angeles Homeless Services Authority, 331 individuals in Santa Clarita are experiencing homelessness.
The Los Angeles County Homeless Initiative and United Way of Greater Los Angeles are providing a total of $3.8 million in increased Measure H funding to combat homelessness in cities throughout the county.
Santa Clarita is receiving funds from the L.A. County Homeless Initiative and United Way of Greater L.A. to help implement its homelessness plan.


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Robert Morris University Honors Program
Follow the experiences of Robert Morris Honors Students
Presenting at the State Capital by Alexander Olijar
Posted on April 16, 2014 by rmuhonors
In March, I was lucky enough to be selected to attend the Undergraduate Research at the Capitol event, which highlights undergraduates who have completed various kinds of research at universities around the commonwealth. Each student or group of students conduct a poster presentation and are given the opportunity to interact with legislators and staffers. I presented on my honors thesis, entitled "The Relationship between Government Revenue and the Income Tax Rate". I would encourage future thesis writers to pursue this presentation opportunity. It is an annual event in March.
Irene Ryan Acting Scholarship Competition by Robert Kowalewski
You have three minutes to develop a character, a conflict, and a resolution – basically the rules for the Kennedy Center American College Theater Festival Irene Ryan Acting Scholarship Competition. Being nominated is a wonderful honor – being nominated once again after participating in the competition previously is an opportune second chance. KCACTF respondents frequently attend Colonial Theatre productions: I was nominated first for my performance as the smart-aleck Al Joad in The Grapes of Wrath. I attended the region festival with my partner, Braelin Stuver, and performed a short scene from Tennessee Williams' The Glass Menagerie. We did fairly well and received great feedback, but did not advance.
The competition relies solely on three things: partner chemistry, practice, and (most importantly) selected material. Learning from my mistakes from last year, I plan to being my search soon for the most appropriate and impactful scenes that I can use to showcase my development as an actor. The role that allowed me a second respondent nomination was that of Antonio Salieri in Barbara Burgess-Lefebvre's production of Amadeus; it remains to be the most taxing role I've encountered. Surviving the show's run after nearly ninety minutes of personal monologues and conversations – many of which were melodramatic – was enough reward for me. Receiving the Irene Ryan Nomination is an additional honor that I will gladly tackle again next January. Furthermore, the KCACTF respondent put myself and Rachel Stetz in a pool of potential scenes from numerous regional shows to be performed at the next festival. If selected, we will be reprising our roles of Antonio Salieri and Constanze Mozart for all KCACTF Region II participants to see.
Lunch with John Locke by Kendra Slis
On February 26th a group of honors students joined Professor John Locke as part of the lunch with a professor series. In addition to teaching classes on campus, John Locke serves as Director of Student Activities and Leadership Development through Student Life, and thus is a familiar face to students around campus. The discussion held throughout the afternoon consisted of topics such as RMU history and fun facts, the direction RMU is heading in the future, and Disney, a personal favorite of John Locke. All in all, the event made for an enjoyable afternoon for those involved. We would like to thank John Locke for taking time out of his day to spend with us, and would love to have him join us again in the future!
Iryna Fedets Roundtable by Maggie Lucci
Iryna Fedets, Senior Policy Analyst for Economic Freedom in Europe and Central Asia at the Heritage Foundation, and Ukraine native, recently spoke at a roundtable presentation in the Business Building. Iryna gave a brief overview of the protests occurring throughout Ukraine and summarized Russia's role in the turmoil that is still taking place. She discussed her country's corruption and even included a story about her sister's university giving out A's in return for bribes, which both intrigued and baffled the audience. Iryna said she will continue to remain hopeful towards Ukraine's future. Recently, President Obama promised to impose harsh sanctions on Russia if they continue to ignore Ukraine's sovereignty. With any luck, this will allow the situation in Ukraine to improve.
Global Get Together by Nicole Stone
On April 3, the Honors Program hosted April's First Thursday Global Get Together. All members of the RMU Community were invited to socialize and taste international dishes, such as dishes from the Middle East, Saudi Arabia, Morocco, Germany, France, and Italy. Global Get Togethers are held the first Thursday of each month of the school year.
"RMU Represents in Niagara Falls Conference" by Tanner Sebastian
Two Honors students, accompanied by Honors assistant Lindsey Sobolosky, attended the NRHC Conference hosted in Niagara Falls, New York. Hannah Arnold and Tanner Sebastian explored both the New York and Canadian side of the Falls, encouraged to compare the two cities. While there, Tanner presented a paper he wrote in the Honors World Literature course. It was an educational experience for all.
Kennedy Center American College Theatre Festival Award- Becca Noal
In the Spring 2014 semester, the Robert Morris University Colonial Theatre presented Amadeus. I started work on it as the stage manager and then took on the role of set designer also. It was a long, difficult process, even though the set looked simple enough. Every show we put up, we have a professor from another college come representing the Kennedy Center American College Theatre Festival. When here, they speak to what they liked, didn't like, thought was well executed, things like that. One of their jobs is to nominate two actors to participate in the Irene Ryan Scholarship Acting Competition at the festival each year. Another thing they're allowed to do is give Certificates of Merit for whatever they feel was exceptional and needed to be recognized. It's usually given for extraordinary achievement in whatever area of the play the respondent feels deserved it. I was lucky enough to be awarded this certificate for my set design. When I found out, I was flabbergasted. I was not expecting it at all. I had heard from many people that the set was beautiful and even the respondent had praised it. But to be awarded this certificate of merit meant the world to me. It meant to me that my hard work and creative thinking, two things that I pride myself on, had really paid off and gave me the confidence to know that I had created a set that was really something.
What Learning Spanish Through the Honors Enrichment Award Equipped and Provided Me With
The Insightful and Diverse Perspectives of the Hertog Foundation's Summer Courses:
My Confirming Summer as an REU Student Researcher
My Experience with the Statistical and Applied Mathematical Sciences Institute
Jenna Hidinger: A Young Photographer with Some Old Wisdom


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47 Meters Down is a 2017 British survival horror directed by Johannes Roberts , written by Roberts and Ernest Riera, starring Claire Holt and Mandy Moore . [4]
The plot follows two sisters who go on holiday in Mexico, and is invited to close the door. When the cable holds the cage and it plummets to the ocean floor with the two girls trapped inside, they must find a way to escape, with their air fares running low and great white sharks stalking nearby. It was released in the United States on June 16, 2017 and in the United Kingdom on July 26, 2017. The film received a success, grossing over $ 54 million worldwide against a budget of $ 5.5 million.
Lisa ( Mandy Moore ) and Kate ( Claire Holt ) are sisters on holiday in Mexico . Lisa's boyfriend has broken up with her because "she made the relationship boring". Kate tries to cheer Lisa up by taking her dancing and dancing at 1:00 am. The sisters meet a pair of local men at a bar and two men convinces them to go out with them on a boat to watch sharks from a diving cage. Lisa is hesitant but Kate persuades her by saying it would show Lisa's boyfriend that she is not boring and make him regret breaking up with her.
The sisters arrive at the location where they were told to meet the locals. At first sight, the boat is lackluster and is Captain Taylor. Upon meeting the girls, the captain questions the peer are experienced various. Kate has been certified, but she knows nothing. The dive cage is old and rusted, held up by thin chains and an old crane, adding further to Lisa's apprehensions.
Captain Taylor baits the sharks. Lisa is skeptical about the entire dive, but Captain Taylor dismisses her concerns. The locals dive first in the cage. Unbeknownst to everyone on the boat, the cable supporting the cage starts to fray. The men return to the surface unharmed and Captain Taylor prepares to send Lisa and Kate down. While Lisa and Kate are in the cage, it breaks off the boat, – 47 meters down (154 ft.). This also takes them out of communication range. Kate swims up to forty meters to resume communications with Captain Taylor, who tells her Javier ( Chris J. Johnson) will be coming down with a spare winch to pull them up. He also advises them to stay in the cage as the sharks are all around. Both women are quickly running out of air, but they wait in the cage until they see a torch in the distance. Thinking that Javier can not see them, Lisa swims out to get him, Kate's air is lower than the previous swim. Lisa swims towards the light, to the sea floor to avoid shark attacks from the bottom. A shark tries to attack Lisa but she swims into a small grotto to avoid it. Continuing to go towards the light, she comes to a crevasse with no bottom in sight.
Swimming over the cliff towards the light she finds the torch but no Javier. While looking around, she gets confused about her distance from the cage and Kate. Just as Javier appears and tries to usher back to safety he is attacked and killed by a shark. Lisa takes Javier's spear gun and the spare winch, and swims back towards the cage. Lisa swims up and notifies Taylor to pull them up. Disaster strikes as they are being made to come back to the sea floor. This time, the cage lands on Lisa 's leg, pinning her down. Lisa and Kate panic as they realize they are now both.
Kate decides to swim up to talk range so that she can tell about their Lisa's predicament. She Succeeds and Captain Taylor tells her he is sending down Some air tanks and the Mexican coast guard is an hour out. He also warns that the second tank may cause nitrogen narcosis which can lead to hallucinations. Kate finds the air tanks just as her original tank goes empty. She also finds the three flags for the coast.
As she returns to the cage, Kate is attacked and dragged away by a shark. Lisa, still in the air, spraying the gun to the tank towards her. In the process, she is cut by the spear on her hand. She attaches the new tank, and shortly after doing so, she hears Kate communicating with her on their radio; Kate is injured, and the blood is attracting more sharks. Lisa states she will find her, and uses her BCDto lift the cage, freeing her leg. After Lisa Finds Kate, Taylor informs them about the coast guard and still needs time to get back into the cage. Lisa adamantly refuses due to the nature of Kate's wounds, and they decide to swim to the surface. As they begin to swim up, they use one of the three flares to scare the sharks. At the 20-meter mark, they are reminded by Taylor they must wait five minutes for their blood levels to acclimate. During this time, the first flare burns out. Reaching for the second flare, Kate drops it. Lisa lights the third flare, which reveals the face of a shark. The sisters are now surrounded by them and must rush to the surface.
Taylor yells for them to drop their gear and make a break for the surface. They swim as fast as they can to the surface near the boat. They 've got a ring to get to the boat, one of the sharks cocks Lisa' s legs and pulls her back down to the water. Lisa fights the shark by hitting it and gouging her eye out, which causes the shark to release her. Captain Taylor and the other men are able to pull Lisa and Kate onto the boat and begin administering first aid. However, as she has been known to be on the deck of the boat, it is revealed that it has been hallucinating for some time in the air. Her leg is still trapped under the cage on the ocean as she laughs and imagines that she is talking to Kate on the boat deck. Lisa to the surface without Kate. Lisa, as she is slowly and cautiously being brought to the surface, comes out of her hallucination, and also notices her sister is not her. She is going to Kate, realizing that Kate had been dead since the Shark attacked and dragged her away.
Mandy Moore as Lisa
Claire Holt as Kate
Chris J. Johnson as Javier
Yani Gellman as Louis
Santiago A. Segura as Benjamin
Matthew Modine as Captain Taylor
Original distributor Dimension Films HAD INITIALLY set a North American DVD and VOD release dates for 2 August 2016. HOWEVER, we 25 July 2016, Variety Reported That HAD Dimension sold the rights to Entertainment Studios . Entertainment Studios canceled the 2 August home release and instead committed to a theatrical release in the United States in summer 2017. [5] The working title for the movie was 47 Meters Down , which Dimension had changed to In the Deepfor their home release, but upon acquiring the movie Entertainment Studios reverted to the original title. Dimension had already sent out the screen and shipped DVDs to retailers before the deal took place. The DVDs, under the title In the Deep , were recalled; HOWEVER, SEVERAL retailers broke the street date and a handful of physical copies sold and Were-have since turned up on eBay as collectors' items. [6] After the purchase, Entertainment Studios reverted to the original title 47 Meters Down . [7] The film was released theatrically in the United States on 16 June 2017. [5]
As of September 10, 2017 , 47 Meters Down has grossed $ 44.2 million in the United States and Canada and $ 9 million in other territories for a total worldwide of $ 53.2 million, against a production budget of $ 5.5 million. [3]
In North America, 47 Meters Down was released alongside All Eyes on Me , Rough Night and Cars 3 , and was originally projected to gross around $ 5 million from 2,300 theaters in its opening weekend. [8] It made $ 4.5 million on its first day (including $ 735,000 from Thursday night previews), increasing estimates to $ 11 million. It went on to start at $ 11.5 million, finishing 5th at the box office. [9] In its second weekend, the film dropped 34%, grossing $ 7.4 million and finishing 4th at the box office. [10] As of September 2017, the film was the highest-grossing indie film of 2017. [11]
On review aggregator Rotten Tomatoes , the movie HAS year approval rating of 54% based are 107 reviews, with an average rating of 5.4 / 10. The website's critical consensus reads, " 47 Meters Down does not take icts terrifying permitted quite as far as it shoulds, icts goal toothy antagonists still offer A Few thrills for less demanding genre enthusiasts." [12] On Metacritic , which assigns a normalized rating, the film has a score of 52 out of 100, based on 24 critics, indicating "mixed or average reviews". [13] Audiences polled by CinemaScore gives the film an average grade of "C" on an A + to F scale. [9]
On September 8, 2017, it was announced that production studio, The Fyzz Facility, is working on a titled 48 Meters Down . Roberts, Riera, and Harris will be both director and writer, co-writer, and producer, respectively. The sequel will take place in Brazil and center around a group of young women Who decided to explore Some hidden underwater ruins located off-the-beaten trail. Production will be overseen by Altitude Film Sales , with potential buyers currently being sought in Toronto . [14] Entertainment Studios will once again release the film, with a planned release of June 28, 2019. [15]
List of killer shark movies
Jump up^ "47 Meters Down (2017)" . British Board of Film Classification . Retrieved 10 June 2017 .
Jump up^ "47 Meters Down (2017)" . Mojo Box Office . Retrieved 18 August 2017 .
^ Jump up to:a b "47 Meters Down (2017)" . The Numbers . Retrieved 2 December 2017 .
Jump up^ Selcke, Dan (7 May 2015). "Mandy Moore to be trapped in a cage surrounded by sharks in 47 Meters Down " . AV Club . Retrieved 18 May 2015 .
^ Jump up to:a b Miska, Brad (1 March 2017). " ' 47 Meters Down' is Hitting Theaters During" Shark Week "!" . Bloody Disgusting . Retrieved 2 March 2017 .
Jump up^ Tinta, Mark (19 June 2017). "In Theaters: 47 METERS DOWN (2017)" . Good Efficient Butchery . Retrieved 19 June 2017 .
Jump up^ McNary, Dave (25 July 2016). "Mandy Moore's Shark Tale '47 Meters Down 'Bought From Weinsteins' . Variety . Retrieved 22 November 2016.
Jump up^ "Pixar's 'Cars 3' should unseat 'Wonder Woman' at the box office" . Los Angeles Times . 13 June 2017.
^ Jump up to:a b " ' Cars 3' $ 53M + Is Third Best Debut For Pixar Series; 'Wonder Woman' Still Wows With $ 40M + 'All Eyez on Me' Solid ' . Deadline.com . Retrieved 18 June 2017 .
Jump up^ "Why 'Transformers' Is Screaming For Reboot After $ 69M Start; 'Wonder Woman' & 'Cars 3' Fight Over 2nd Place" . Deadline.com . June 25, 2017.
Jump up^ Erbland, Kate. "The 20 Highest Grossing Indies of 2017 (A Running List) – IndieWire" . IndieWire . Retrieved 19 August 2017 .
Jump up^ "47 Meters Down (2017)" . Rotten Tomatoes . Fandango . Retrieved 12 August 2017 .
Jump up^ "47 Meters Down reviews" . Metacritic . Retrieved 12 August 2017 .
Jump up^ Cureton, Sean (September 8, 2017). "47 Meters Down is Getting A Sequel From The Same Director" . Screenrant . Retrieved 8 September2017 .
Jump up^ [1]
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Jubilee Homes OC
Image Description: A basket of Granny Smith apples rests on a straw welcome mat reads "all are welcome here."
We are missional landlords, renting to people experiencing chronic homelessness by utilizing the permanent supportive housing model.
Our business model relies on collaboration with community stakeholders who are invested in reducing chronic homelessness in Orange County using the housing first model. WelcomeHomeOC is a landlord initiative in partnership with Orange County United Way and Public Housing Authorities, which offers financial incentives such as double security deposits, holding fees, and damage mitigation to landlords who rent apartment units to people with housing vouchers.
Many people who are chronically homeless (have been homeless for at least one year, or four episodes in three years, and have a diagnosable disability) qualify for housing vouchers but cannot find a landlord who will rent to them. We plan to purchase a condo for the purpose of offering quality permanent supportive housing to people who have experienced homelessness in Orange County.
Tenants go through a Coordinated Entry System which includes a background check and income eligibility certification process before they are eligible for a housing voucher. Many people who are housed through WelcomeHomeOC are veterans, disabled people, and youth who have recently aged out of the foster care system. Jubilee Homes will rent to them through the WelcomeHomeOC program, which offers financial sustainability and security to our organization and donors.
Since the program began in 2018, WelcomeHomeOC has housed over 250 individuals and has had zero evictions. The program has a low turnover rate (5.6% compared to the Orange County average of 19.5%) and a rent collection rate of 100%. WelcomeHomeOC is nationally recognized by the US Department of Housing and Urban Development (HUD) as a "best-practice program" and endorsed by the Apartment Association of Orange County (AAOC) and California Apartment Association (CAA).
Purchasing a condo to offer permanent supportive housing might not eradicate homelessness in all of Orange County, but it can end the cycle of chronic homelessness for one household at a time, and allow them to flourish. Over time, this life-changing opportunity will transform the community through a compassionate, tenant-based housing first model.
Image Description: A key is attached to a keychain of a red, white, and grey house.
© 2023 Jubilee Homes OC


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Contact our Water control quality consultants today to develop your Water control quality business plan. The corporate planning experts at HJ Ventures, we have a great deal of Water control quality experience in working with new Water control quality companies. Our expertise can give you the edge you need to make you stand out from the competition. Allow us to accompany you at this crucial early stage of your Water control quality business. This part at least you can make easy for yourself - just let our team develop your Water control quality corporate presentation.
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Days of Future Past: Vision Mercedes-Maybach 6 Debut
2nd September 2016	 In Cars, News
Tags: california, cars, client voyage, luxury cars, Maybach 6, mercedes-benz, pebble beach, sports cars
The incredible Vision Mercedes-Maybach 6 recently made its debut at Pebble Beach, California and devoted classic car fans gathered to experience the finest of classic automobiles.
Where else would serve as the ideal venue to showcase this luxury-class coupé. This 2+2 seater's design hearkens to a bygone era of magnificent aero coupés yet purposefully transports it into the future. The Vision Mercedes-Maybach 6 boasts impressive dimensions (length/width/height: 5700/2100/1328 millimetres) and is the first luxury coupé in the series of visionary design show cars from Mercedes-Benz.
The Vision Mercedes-Maybach 6, which is designed as an electric car, features all-wheel drive due to its four compact permanent magnet synchronous electric motors, with the unique drive system allowing typical sports car performance. (acceleration from 0‑100 km/h in under four seconds)
Driving-related data and geographical information are shown across the full width of the panoramic front windscreen, and its transparent display can be controlled and adjusted by the occupants using gestures. The dashboard wing curves across the door trim into the seating landscape, creating a stunning 360° lounge.
The sitting surface forms a horizontal, which transitions into the vertical of the doors and finally becomes the underside of the dashboard wing. In the doors and dashboard, the traditional wood trim softens the appearance of the digital control and display interfaces. As a contrast to the digital world of the displays, elm is used in the floor area, creating a refined yachting look.
Gorden Wagener, Head of Design at Daimler AG states. "With its intelligent appeal and reduced, technoid look, it perfectly embodies our design philosophy of sensual purity and our pursuit of aerodynamic efficiency."
Written by Nathan Best for Client Voyage
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Stephanie Hacke
Thursday, April 26, 2018 | 11:15 AM
Kristina Serafini | Tribune-Review
Quaker Valley senior Katie Rostek stands for a photo along Walnut Street in Sewickley on Wednesday, April 11, 2018. Rostek, 18, was named the 2017 Sewickley Herald Emerging Citizen of the Year for her leadership at the school and her dedication to the Sewickley community.
Katie Rostek likes to stay busy. She always is looking for ways to help people. She takes charge. And, she gets things done.
Rostek, a senior at Quaker Valley High School, often starts her day before the start of school, helping with an activity or club. Then, after school she stays for hours, whether it's for rehearsals for the school's musical, practicing with the choral ensemble, leading the marching band as its drum major or one of the many other activities where she's involved.
She seeks out ways to get involved and make a difference, whether through volunteering as a young Harmonist at Old Economy Village in Ambridge or choreographing the musicals for the middle school.
Her schedule stays full. So much so that just a few weeks into school she already needed a new planner, because her old one had already seen so much use.
"I try to push myself to do the best that I can in every facet of life, so taking challenging classes or volunteering for my community or doing the best for the band, if I enjoy something, I think that I should do it the whole way," Rostek said.
For her passion that drives awareness and togetherness, Rostek has been named the Sewickley Herald's Emerging Citizen for the newspaper's 42nd annual Sewickley Herald Man, Woman & Citizens of the Year event, celebrating people and organizations whose commitment exemplifies community spirit. The event is set for May 11 at the Edgeworth Club.
Rostek is "an amazing leader" at Quaker Valley High School, said Principal Deborah Riccobelli. Yet she does everything with compassion and kindness.
"She's really a friend to everyone," Riccobelli said. "She just makes people feel happy. She's very positive. She just exudes positivity."
After she almost didn't join the high school marching band — until the teacher and a friend both asked if she was signing up — Rostek was named drum major this year. She led the 70-member marching band, conducting, picking tunes for them to play in the stands and relaying information. She led the band through a football season that continued to a victorious state championship game at Hersheypark Stadium in December.
"I wanted to do it to give back to the band to try and make the marching band at Quaker Valley the best experience that it can be," she said.
Rostek's love for music goes beyond the band. She loves to sing — something she's been doing ever since she was 4 years old in the choir at St. James Catholic Church.
She's performed in roughly 25 musicals, including all four during her high school tenure.
She also has performed with the Junior Mendelssohn Choir for two years. This year, she won The Barbara Cass Award, which is selected by her peers in the choir, and given to the person who exemplifies the most knowledge, zeal, and commitment to the singing ensemble.
At Quaker Valley, she also is part of the concert choir, as well as the vocal ensemble.
Her day is packed, including two Advanced Placement classes and serving as a teacher's assistant for two periods.
"It doesn't stop," she said, laughing, as she attempted to list everything she's involved with.
Yet, she's always looking for more opportunities to help.
Several years ago, she approached Riccobelli seeking a way to serve in a leadership role at the school. Out of that, Rostek became a student representative to the Home and School Association.
"That all came from her stepping up," Riccobelli said. "Throughout high school, she just looks for and embraces every opportunity to make a difference."
Rostek's two main passions are music and politics.
Rostek also helped to organize a March 14 walkout to show solidarity for students following the school shooting in Parkland, Fla.
"Having students be able to show solidarity or use it as a platform to be able to talk about something else, or now call your representative and say that you participated in this and have a conversation, as a student it's important to have that outlet and use your voice," she said.
But she wasn't done there.
Rostek and classmate Iman Benharrats, 17, a senior, started to talk about, "Can we do a next step? Can we build off of that energy? What we came to was, why don't we have a voter registration drive. It can be bipartisan so it's not divisive."
The voter registration drive was about giving students who will be voting age for the next election everything they need to register.
"Hopefully we will help, at least a little bit, with increasing the turnout this year, in all parties," she said.
Other students notice Rostek's commitment.
"She just makes everything happen," said Chloe Knoll, 17, a senior.
"She knows what she wants and goes for it," Benharrats said.
Rostek plans to attend Pennsylvania State University next year, with a double major in political science and secondary education. Both of her parents, Nancy and Tom — who she credits everything to — are Penn State alumni.
She hopes to someday either become a teacher, or maybe she'll go into politics. Or, maybe the political science major will lead her to law school, just like her mom.
Riccobelli said, personally, as an educator, she'd like to see Rostek become a teacher. She knows she'd soar.
"Give me a Katie any day," she said. "But she will be amazing no matter she does. I'm just so proud of her."
Stephanie Hacke is a Tribune-Review contributing writer.


The fundamental objective of this study was to further develop and illustrate some of the key economic mechanisms behind the taxation of fine-cut tobacco. Using governmental data sources when available, the objective was achieved using four case studies: The Netherlands, Belgium, the UK and Germany. The study confirms and further explains the key principles of taxing fine-cut tobacco, already demonstrated in the 2015 study.


This audacious and irreverent boot is designed for women who dare without losing touch with style. The weaved black Nappa leather shows the bare skin and highlights the feminine forms. The 100 mm heel helps give character to this sandal to be worn on special occasions.


Faced with with the increased operating costs that's come since the merger and now with a dwindling amount of gentleman driver interest in the series, 8Star Motorsports could be forced to sit on the sidelines of the TUDOR United SportsCar Championship next year.
The Enzo Potolicchio-owned squad, which enjoyed a breakout 2014 season in Prototype Challenge with two class victories, a pair of poles and a strong runner-up finish in the championship, has yet to secure the necessary funding for a return assault in 2015.
Potolicchio, who had also been exploring a return to the Prototype class with DP and P2 options, is still pushing to finalize a full-season PC program, although time is running out, with the season-opening Rolex 24 at Daytona now only one month away.
The Florida-based team has yet to submit a full-season entry, with prospects of a Daytona-only effort also a challenge due to the high entry costs for a one-off race.
8Star is not the only team currently facing a similar situation in the spec prototype class, with only five of the ten cars that competed in this year's championship confirmed for the full season next year.
"I'm a little frustrated but I'm OK with it," Potolicchio said. "We run a top operation and we're competitive in pricing but we can't give it away. There's a budget and bills to pay and I'm not going to do that.
The team recently completed a successful rollout with its new Dallara IL-15 with 19-year-old IMSA Porsche GT3 Canada Champion Scott Hargrove handling testing duties.
Potolicchio said they expect to confirm their first Indy Lights entry shortly, with a second car already on order.
The championship-winning owner/driver, meanwhile, said he's finalizing plans to compete in the Blancpain Endurance Series next year as a driver and is currently in discussions with two teams.


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Many of us on Thanksgiving Day will get together with family and friends to count our blessings and enjoy many different holiday foods. However, not every person or family in Morgan County can afford to put such a meal on their table.
In Morgan County, there were 2,780 food-insecure children in 2017 (most recent data available). Sixty-seven percent of these children came from families who were income-eligible for federal nutrition programs such as the Supplemental Nutrition Assistance Program (SNAP), formerly known as food stamps. That means 33% were not eligible for help, but still struggled to buy food for their kids.
The 2017 Feeding America Network's Map the Meal Gap Study for Indiana reported 1 in 7 adults (887,070) and 1 in 6 children (273,380) struggled with hunger. Forty-seven percent of these households with children received SNAP benefits. Feeding America Network, the nation's largest hunger-relief organization, implemented this study to identify and understand food insecurity at national, state and county levels so communities could develop strategies and solutions to reach more people.
There are many generous hearts in the Monrovia community as parents, teachers, students, neighbors, etc. volunteer at Bulldog Blessings Pantry.
Food insecurity is when a household can't provide enough food for every member to live an active and healthy life. Regardless of why a family is struggling, local children are going without food and it's affecting their education.
Vickie Hendricks, founder of Bulldog Blessings Pantry and BackSacks program in Monrovia, has seen firsthand the impact hunger has on a child's ability to function in school. It's one reason why she got involved.
"In 2015, I heard during a Parent-Teacher Organization (PTO) meeting at my daughter's elementary school about children who were going to the nurse's office complaining of stomach aches. School staff reported these kids were coming to school hungry and wanted something to eat," said Hendricks. "If they're not eating, it hinders their ability to learn. Something in my heart told me to get involved."
Bulldog Blessings Pantry was dedicated in memory of 2015 Monrovia High School graduate Meredith Knieper.
Vickie started talking with other food pantries to learn how to operate one and find resources for funding as well as volunteers. Challenged by the lack money to get a pantry started, she sought assistance from the Community Foundation of Morgan County (CFMC).
In 2016, CFMC awarded an Impact Grant of $7,000 to support Bulldog Blessings Pantry and BackSacks. This money helped Hendricks and her team purchase two refrigerators as well as place monthly orders through Gleaners Food Bank of Indiana. For the past two years, CFMC has continued to fund this hunger relief effort with $7,000 (2017) and $8,000 (2018) Impact Grants.
In November 2016, Vickie and volunteers organized and implemented the first of many BackSacks at Monrovia Elementary School. Approximately 30 students received a package of non-perishable food items on a Friday morning to ensure they had something to eat over the weekend. These BackSacks were prepared in advance and placed in students' backpacks by teachers while children were out of the classroom. "We never want the kids to be embarrassed," Hendricks said.
BackSacks are also available to middle and high school students. "Students at this age are concerned about being recognized for needing help, so they can ask a teacher or staff member to get food for them from the pantry. We don't want anyone going hungry," Hendricks added.
Bulldog Blessings Pantry was dedicated in memory of 2015 Monrovia High School graduate Meredith Knieper. In October 2015, Meredith died in a car accident. She was passionate about helping others, so her mom, Beth Ann Gore, connected with Vickie when Beth Ann heard about the food assistance need in the schools.
Hendricks is very thankful for everyone who has become involved, including her family, Kelli Kizzee (Project Kindness), Julie Dimmack (Monrovia High School), Debbie Snow, Dr. William Roberson, CFMC, Beth Ann Gore and many others.
That November was also the preliminary launch of the Bulldog Blessings Pantry at Monrovia High School, with approximately 10-15 families being served by Vickie, her family, and Monrovia school (elementary, middle, and high) teachers/staff/students.
Almost two years later, the number of students receiving BackSacks has doubled to 60 and the number of families served at the pantry has increased to 40. "This past month, we had 14 families visiting the pantry for the first time," said Hendricks.
When asked about the families they serve at the pantry, Vickie said she is seeing a mixture of single parent families with only one spouse working, veterans, elderly, disabled individuals, and multi-generational families. "I'm seeing larger families where grandparents have children and grandchildren living with them," she added.
From 2014-2016, the average cost of a meal per a food-insecure person in Morgan County increased by six cents from $2.79 to $2.85, according to Feeding America.
A CFMC Impact Grant ensures the Bulldog Blessings Pantry is stocked with non-perishable foods every month.
Food insecurity in Morgan County has multiple faces to it. There are individuals and families who have been food secure for months or years and one catastrophic event, such as death, health, divorce, or loss of job has them going to a food pantry for help. That assistance may be needed for a few months or longer depending on their circumstances. On the other side of the coin are individuals and families who refuse to work and want the "system" to take care of them.
Regardless of the situation, the Bulldog Blessings Pantry is open to everyone. "God tells us to love our neighbors and to help them carry their burdens," Hendricks said.
The pantry is open every third Saturday of the month from 9 to 11 a.m. at Monrovia High School (enter through door #3).
Child hunger in Morgan County, Indiana and the U.S. will always be an issue because life happens. Whether it's the loss of a job or a broken marriage or illness, many families will be challenged in providing food for their children. However, if we as a community will work together, we can find solutions that empower, rather than enable, more families to "get back on their feet."
Be a part of the solution today and go to www.cfmconline.org to donate to CFMC Impact Grants. For additional information on Impact Grants, contact us at info@cfmconline.org or (765) 813-0003.
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You could probably come up with several on-demand service companies off the top of your head without hesitating; Uber, airbnb, Postmates… There are hundreds of companies founded on the idea that when consumers want something, they want it now. And in business, our expectations are no different. So, there is also a broad spectrum of companies that provide on-demand B2B services that enable businesses to quickly get what they need so they can pivot and shift with greater agility. They typically provide goods and services through online marketplaces that offer immediate access to outsourced services, repairs, materials, specialized labor, transportation, shipping (see our article from February 2016 on Cargomatic), warehousing and even office space.
Over the last couple of years, wework has become one of the most successful B2B on-demand solution providers. Wework manages millions of square feet of shared office space and provides small companies, teams and individuals with a highly effective alternative to long-term, excessive leases. The wework network includes dozens of locations smartly positioned in the hottest tech hubs across the country and around the world. Their online service connects companies with dynamic wework office space that suits their exact needs. They offer three different types of work space: Hot Desk, Dedicated Desk and Private Office. A Hot Desk is simply any open desk available on a given day. A Dedicated Desk is a specific desk space reserved for a specific worker/company. A Private Office is a fully furnished, secure room that can be reserved to accommodate from one to 100 people. Wework locations offer everything a standard office would typically require. Office furniture, filing cabinets, desk lamps, internet access, conference rooms, phone, printer, and 24/7 access are all included or optional, depending on the workspace type and arrangement. They also also offer networking opportunities and events, mail management and package handling services.
One of the key reasons wework has become so successful is that their model enables small, early-stage and growing companies to provide a comfortable work space for employees without having to commit to long term office leases that typically don't suit the companies exact needs. Office leases can be very expensive, require long-term commitments and usually can't be easily or affordably adjusted to accommodate the growth dynamics of the business. Wework provides just the workspace needed and usually on a month-to-month basis. By establishing locations all over the place, wework also enables geographically dispersed or forward-thinking companies to add workers wherever they want or need to, for as long as they'd like. That enables businesses to locate key people near certain vendors or customers, ramp up teams for big projects and build a productive network of workers wherever the best talent resides.
Our Spotlight series of articles is intended to highlight the growing value and adoption of the innovative ideas and technologies that are changing the course of business. We are particularly interested in wework because, much like FLEXE, it focuses on flexibility as a value proposition. Both organizations fundamentally turn fixed costs into variable costs by providing alternatives to long-term leases. Both even offer on-demand space that can easily expand beyond a single location. As a result, businesses can dynamically increase and decrease the amount of space they need in a warehouse (with FLEXE) or office (with wework) and also expand to additional warehouse or location offices as they grow while at the same time avoiding long-term, fixed costs.


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Australian stallions, dance-rock juggernauts
A&E chats with Melbourne-based Cut Copy about the land down under.
Cut Copy, Black Kids, Mobius Band
WHEN: Tuesday, 8 p.m.
WHERE: First Ave. ñ 7th Street Entry, 21+
he three piece Australian band Cut Copy is the best thing to come off the island-continent since Mel Gibson and his alter-ego Mad Max.
Their catchy, dance-floor-driven singles are sweeping the world over and tormenting blogs from Bangor to Bangkok. On most sites they have been achieving similar praise to their well-received first album.
Cut copy at a glance »
Hometown: Melbourne, Australia
ï Dan Whitford (Lead Vocals, Keys, Guitar)
ï Tim Hoey (Guitar, Bass, Backing Vocals)
ï Mitchell Scott (Drums)
ï "Bright Like Neon Love" (2004) Rave reviews abounded for their fun indie-dance debut.
ï "Fabric Live 29" (2006) Your standard electro fare, featuring their own tracks as well as others from Daft Punk, MSTRKRFT, and Justice, it brought the band wider acclaim through the popularity of the London club's compilations.
ï "In Ghost Colours" (2008) A more polished, solidly produced album, showing the full range of the bands talents. Heavy remixing from other DJs and producers ensures the songs off this album will have a club presence through summer 2008.
Smallest Venue they will have played at in Four years
The band was formed in Melbourne in 2001 by Dan Whitford, Tim Hoey and Mitchell Scott. In 2004, they released their first album, "Bright Like Neon Love." With the accolades that followed, they soon found themselves opening for various acts including Daft Punk, Bloc Party, and Mylo. In 2005 they went on tour with Franz Ferdinand, making a stop in the Twin Cities to play the Target Center.
In 2006 they were featured on the "Fabric Live 29" compilation, the recorded DJ set of their performance at the infamous London club.
Cut Copy is back on a world tour promoting their third release "In Ghost Colours," which came out stateside April 8.
To recreate the sound of "Hearts on Fire", Cut Copy's new single, start off with Franz Ferdinand-inspired vocals, add some Daft Punk-influenced bass, then a mish-mash of Klaxons/Digitalism synth melodies, with '90s house piano chords for good measure, and lastly, probably the most important part, a single soaring sax that sounds like it's straight out of a 1980s Michael Douglas film.
A&E talked with Tim Hoey over the phone from his hotel room. He was nursing an injured back before playing at Coachella.
Heard you're laid up in the hotel for the night?
I kind of just injured my back in London. I'm not sure exactly how I did it. It just kind of came on out of nowhere. I'm just doing my best to rest up. We've got a busy three weeks ahead of us.
What's it like for Australian artists to break out onto the world stage? What is the response from Australian fans?
When we started we kind of always had the intention to take our music overseas. At the time, especially in Australia, the kind of climate for the kind of music we made, there wasn't really a scene or an audience there at all. It was very much rock that was still ruling the bars in Australia – The Vines and Jet and stuff like that.
Initially it was kind of hard for us to get radio play and to get on festival bills, so we kind of always knew we wanted to take our records overseas. With the Internet it's so much easier to get your music out there. It's easier to build up an audience through things like MySpace.
It was certainly always our intention to not just be settled in Australia. It's not that big, you know, you can only really tour the east coast of Australia once or twice a year, it leaves a lot of time left otherwise.
Do you think it's very important to have a record released in a country anymore, considering how easy it is to get it on the Internet?
I definitely think so, because we have put a lot of time and effort into the packaging of the record, like the artwork. Even when people are downloading you're never really sure of the quality of the mp3s you're getting, and also with the new record we spent time writing interludes and joining all the tracks up together. It became this kind of one cohesive record and if people are just downloading bits and pieces they're not going to get a good feel of what the whole record is about.
Yeah, I think it's still definitely important. As far as getting people down to shows, there's no way we would have been able to pull those kinds of numbers if it wasn't for the Internet presence we have.
To hear more from the interview check out this week's A&E podcast.


In 2014, Earth Vision Institute partnered with Exposure Labs to create three short and engaging science 'webisodes' for all ages that discuss climate change and its impacts. These videos premiered on National Geographic's website, reaching 4 million video viewers per month. This 'webisode' features Dr. Jerry Meehl, Senior Scientist at the National Center for Atmospheric Research (NCAR), who discusses the indisputable evidence that our global temperature is indeed increasing, and impacting not only our atmosphere, but also the temperatures deep in the ocean.


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Following a hugely successful event in 2015, Graze Festival returns to Twyford in Hampshire on Sunday 28th August 2016. The home-grown music and food festival is once again ready to rock and entertain Hampshire with its family-friendly, fun day out.
Headlining the main stage this year are ska and reggae sensations The Beat, featuring Ranking Roger and his son Ranking Junior. The band have eight top 40 hits to their name, including "Mirror in the Bathroom" which reached number 4 in the UK charts back in 1980.
If they don't get you dancing nothing will!
Joining them at the top of the bill is Toyah, famous for her hits "It's A Mystery" and "I want to be free". Some of you may even be familiar with some of her TV appearances, from Doctor Who to Loose Women. She was even in the film Quadrophenia and is currently filing the sequel.
Quirky and entertaining performer John Otway is "rock n' rolls biggest failure", but don't let that put you off! Famous for a 70's TV appearance in which 5.5 million viewers saw him crash-land on his testicles, John has spent 35 years touring around the World, putting smiles on the faces of many. Graze won't be any different!
They are joined by a host of local talent, including Luna Rivers, from Twyford itself, alongside Lilo's Wall, Polly and the Billets Doux, Flight Brigade and many more. Last year's hits The Lucky Strikes are making a popular return and local sensation DJ Super Kat is also back from last year by poplar demand.
"We've got a great line-up again, but Graze is about food and a great family day out as much as the music," said Roger Walker who is part of the festival team.
Under 13's are welcome to attend free of charge when accompanied by an adult, proving that Graze truly is a festival for all the family.
This year we have added even more activities to keep them occupied, including a climbing wall, trampolines, theatre productions and creative activities. "Last year we had a great range of food from across the globe, a fine selection of beers, and of course the indefatigable team from The Bugle Inn kept us all refreshed, including their gin and fizz bar, and the now famous Graze Scotch Egg.
With an even wider selection of food stalls, including Broughton Water Buffalo Burgers, Mexicali, The Noodle Bar, Banaras and Forno Pizza plus many more, Graze 2016 is expanding, and will be a memorable day out for everyone involved.
In addition to the food offering this year we will have a cookery demonstration with a full programme arranged by Hampshire Fare.
Local and celebrity chefs will be demonstrating their cooking skills, using top quality produce.
The day also benefits local good causes, with the 2015 festival raising more than £10,000 for local groups and charities. Graze Festival is a not for profit event organised by a small group of Twyford residents.


Beyond extraction: The political power of community wealth building.
Martin O'Neill (MO'N): I'm delighted to meet you here in Preston, and thanks for finding the time to talk to Renewal. We've been taking an interest in the development of ideas of community wealth building, and the success of the Preston Model developed by Councillor Matthew Brown and his colleagues. (1) So it's great to be able to talk with one of the progenitors of this kind of local economic policy. I know that you've been talking to people at the Cabinet Office about the potential of community wealth building, and that it's an interesting feature of these ideas that they have an appeal across the ideological spectrum. That naturally leads to an interesting question about how one should think about the justification for these kinds of community wealth building policies. Matthew Brown here in Preston, as you know, takes a very radical approach. He sees this as part of a strategy to create a very different economic model, moving well beyond neoliberal capitalism. But as you've said, on the other hand, one interesting feature of these sorts of policies is they can be represented as being simple common sense, and endorsed by some people who don't have any systemic critique of capitalism, simply as a pragmatic form of local economic development. And I wonder whether you think there's a tension between the 'broad church' case for community wealth building, and the more radical potential of these policies.
Ted Howard (TH): I don't think there's a tension, at least at this point in time, for the development of this strategy and model. In the United States, our organisation, The Democracy Collaborative, is working at any one time in roughly ten different cities and communities, brought in by mayors or large institutions--universities, hospitals or local philanthropy. And while it tends to be that the people we work with are Democrats, we also work very productively with very risk-averse large institutions like hospitals, and with, on occasion, Republican mayors in cities. And at this stage of development when you're talking about localising procurement, keeping money in your community, bringing more people into the economy so they can participate, supplementing wages with asset accumulation strategies through mechanisms like employee ownership, I think this has a great deal of appeal.
In the United States, of course, you have the Red-Blue divide. And at the federal level everything's polarised and nothing can get done. But in individual communities, there's often a much more pragmatic kind of discussion. And so at this stage of development, where things are being modelled and prototyped and piloted, I don't think there's a tension. Down the road, one can imagine that arising. You know, if you look at some of the consequences of this, you start to see very large order changes in the big national political economy. But right now we're working at the level of communities, and those tensions don't really arise.
MO'N: Could you say a little bit about what you think those larger order, systemic changes would look like, that would happen if the community wealth building model was developed further? Could you give our readers a sense of what some of those deeper developments would be like?
TH: Well, this is very much what our Next System Project is engaged with, with questions like what is the design and the architecture of a system beyond corporate capitalism as we know it?2 And no one's got the monopoly on having figured out what that system looks like. But I think we know there are certain design elements that would inform a larger order system. And one certainly is broadening ownership and democratic control over capital, over business, over wealth.


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Payal Kapadia is an Indian filmmaker. She is best known for having won the Golden Eye award for best documentary film at the 2021 Cannes Film Festival for her film A Night of Knowing Nothing. In 2017, her film Afternoon Clouds was the only Indian film that was selected for the 70th Cannes Film Festival.

Biography
Born in Mumbai, Kapadia went to Rishi Valley School in Andhra Pradesh. She got a Bachelor's degree in economics from St. Xavier's College, Mumbai. She did a one-year Master's degree from Sophia college. She then went on to study film direction at the Film and Television Institute of India, where she was selected on her second attempt.

Filmography
Watermelon, Fish and Half Ghost
The Last Mango Before the Monsoon (2015)
Afternoon Clouds (2017)
And What is the Summer Saying (2018)
A Night of Knowing Nothing (2021)

References

Indian women film directors
Indian women documentary filmmakers
Living people
Year of birth missing (living people)

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