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Tesla (TSLA) bull looks to decade of 'hyper growth,' adjusts price target accordingly
(Photo: Andres GE)
Tesla (NASDAQ: TSLA) bull Pierre Ferragu of New Street Research has been a long-time supporter of Elon Musk's electric car company. A recent note from Ferragu, along with a newly adjusted price target of $578 from $400, indicated the analyst sees "a decade of hyper growth ahead."
Ferragu also upgraded his rating on TSLA stock from "Neutral" to "Buy."
Another interesting note about Ferragu's newly adjusted price target is the analyst's belief that Tesla has no genuine or "credible competition on the horizon." This has been challenged by automakers like Lucid, who claim to match Tesla's claim to performance, but Lucid has yet to begin production on an automobile.
Meanwhile, Tesla is coming off of its most successful quarter in company history with the recent release of its Q3 delivery and production numbers. It delivered 139,300 cars during the third quarter, beating Wall Street estimates of 136,000.
Ferragu states that Tesla has "an addressable market in excess of 20m units already." The Model 3 is the company's biggest seller and has been a main driver in its intrusion into other markets. "Model 3 has clearly demonstrated drivers 'trade-up' to the Tesla brand, with 2/3 of buyers trading in non-premium cars, which represents an additional 12m addressable market," Ferragu writes.
Tesla has continued to show growth in a sector with little-to-no real players as far as other manufacturers. While the EV segment is still relatively small, accounting for between only 1 and 5 percent in various countries worldwide, Tesla has managed to grow the presence of electric cars on the road singlehandedly.
Thanks to dramatic increases in battery technology and price decreases, Tesla has emerged as the most dominant force in various automotive markets, regardless of powertrain. While the Model 3 has become the company's highest-selling vehicle due to various affordable price points and efficient range ratings, the Model Y is beginning to broaden its reach. According to the EV Sales Blog, despite being released only since March 2020, the Model Y is a top 20 EV globally.
Competition is slowly and steadily falling behind due to their lagging in the EV sector. While working toward the goal of eventual electrification, many companies are still at least five years away from catching Tesla. "EV pure plays are flourishing and doing better, but won't have any competitive advantage to beat Tesla," Ferragu writes. "At best, they will follow suit the leading brand in its success, with less scale and less experience."
Less experience has contributed to Volkswagen's production bottlenecks with the ID.3. Software has been the main point of concern for the German automaker, and issues have plagued the ID.3 since its first production units.
At the time of writing, TSLA stock was trading at $435.36, up 2.37%.
Disclaimer: Joey Klender is a TSLA Shareholder.
Tesla (TSLA) is on a path to achieve Apple-like margins through battery innovations
Tesla's (TSLA) surge in 2020 pushes bull Baillie Gifford up 72%


With Cubs Opening Day right around the corner, Jack McLauglin & Bobby Thomsen are here to get you ready to watch the World Series Champs stomp on the Cardinals on the debut installment of Bleacher Boys (on the Bacon Sports Podcast Network). On this week's episode the guys talk about their thoughts on the matchups & predictions for the Cardinals series & predictions (2:40), Can Ian Happ make the MLB roster? (7:01), and casting the 2016 Chicago Cubs Movie. Weekly segments include #RandomAthlete of the Week, Redbird Rants and Running Bases.
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Have you ever had a chubby cat who needed to lose a few pounds? Being overweight can be detrimental to a cat's health. However, just like crash dieting is a bad idea for people, it's a really bad idea for cats. In fact, trying to get your cat to lose weight too fast could actually kill them! Here are a few tips on how to help your cat safely lose weight.
If your cat loses weight too quickly, they're at risk of getting hepatic lipidosis, or fatty liver disease, a potentially fatal illness. When any of us don't eat enough, our livers convert fat into lipoproteins for energy. The problem is that cats' livers aren't efficient enough to handle this process. So when a cat's body converts fat into energy, the fat accumulates in the liver. As the liver becomes fattier, it works less and less well. Symptoms of fatty liver in cats include vomiting, diarrhea, yellowing in the eyes, depression, drooling, hiding in strange places, lethargy, a weak neck, and small clumps of feces in the litter box.
Remember: two pounds of lost weight in a cat equals about 28 pounds in a 140-pound human female. This will help you keep things in perspective when thinking about how fast your cat should be losing weight.
But don't let this stop you from helping your cat get to a healthier weight. Overweight cats are at a greater risk for diabetes, arthritis, high blood pressure, heart disease, and other maladies. It's worth it to take your time and do it right.
Canned food is far better for helping your cat lose weight than dry food. It has a higher percentage of protein than dry food and is 70 percent water, so it helps keep your cat from becoming dehydrated.
If you do feed your cat dry food, higher quality, high-protein foods are best. PetMD recommends dry food with at least 35 to 45 percent protein for best results. Make sure the food does NOT have a grain listed as the first ingredient. If you're switching your cat's food, introduce it gradually by mixing the new food with the old food at first. This will help make sure your cat doesn't get an upset stomach from the new food.
High protein food has an added bonus: it will keep your cat feeling fuller longer. But don't neglect fiber completely, since it helps with digestion. All Feline Hospital recommends adding a tablespoon of canned pumpkin a day if you're feeding your cat an all-meat diet.
If a cat takes in more calories than they burn in a day, just like with a human, they will gain weight. Some cats love food too much and can't handle free-feeding. This can be especially true of a cat who used to live outside and is now an indoor cat. Those cats are used to getting more exercise and they're also used to having to eat every bite of food they can find, in case food is tough to find later. Cats who used to be strays may have a tough time not overeating.
For most cats, depending on their size, a healthy weight is about 7 to 10 pounds. According to PetMD, a 7-pound-cat should eat about .6 to 1 ounce of food per meal. Coincidentally, this is about the same weight as a mouse! All Feline Hospital adds that for maintenance, you should feed an indoor cat about 20 calories per pound each day. This means a 10-pound cat should get about 200 calories a day. To help with weight loss, reduce the number by no more than 20 calories a day. If you're not sure if your cat is overweight or how much food they should get in a day, talk with your vet.
A healthy cat also gets plenty of exercise! You can encourage your cat to "work out" by having them chase food or toys up and down the stairs or using a feather wand or laser pointer for them to chase around the house. If you have a solo cat, consider adopting a second cat. Cats that get along will play with each other, chase each other around the house, and increase their exercise substantially.
Remember, helping your cat reach a healthy weight will help them live a longer, happier life. Higher quality food may cost a little more, but you'll end up saving money in the long run by avoiding future vet bills from health problems that obese cats face.
Have you ever helped your cat lose weight? What tips do you have? Let us know in the comments below!


For the British Antique Dealers' Association (BADA), established nearly a century ago, its annual fair has become an essential tool. Now comfortably installed in a purpose-built marquee in Duke of York Square, the BADA fair celebrates its 25th birthday this year, and offers speedy consideration of some of the finest objects BADA's members can field in its choice Chelsea location. It is an event that is not just popular among collectors. 'Interior designers are an important community,' chief executive Marco Forgione tells me, as well as 'museum curators, art advisors, and individuals looking for outstanding art and objects to decorate their home'. To suit these 21st-century buyers, the fair has upped its game, rebranding itself with a new website and partnerships aimed at building new audiences – among them the British Institute of Interior Design.
Carcaci is also exhibiting intriguing objects with complex back stories. There is a pair of Dutch early 18th-century blackamoor figures delicately carved with red hats, white cravats, knee-length buttoned tunics, and red socks, holding the tongues of stylised monsters. They would have been fixed to the wall and may represent Indian traders from the Coromandel coast in Tamil Nadu (£28,000). The dealership also has a precious red and white woven silk cloth, depicting a military camp with cannons and weapons, possibly woven to commemorate the Siege of Brussels in 1746 (£5,200). These complement James McWhirter's painted and sinuous suite of mid 18th-century Italian furniture of around 1760 (£16,800) and, in a completely different mood, his elegant neoclassical carton pierre mirror, which dates to around 1785 (£11,800). Godson & Coles offers two exotic red japanned chairs from a famous suite of 77 pieces of furniture by the Clerkenwell-based master Giles Grendey. They were commissioned in 1730 by the Duke of Infantado for his castle in Lazcano, Northern Spain (price on application). Other new-found treasures include a rare George II walnut breakfront cabinet on stand, in the manner of Grendey. Made around 1740, it has a prestigious history in two major private collections before being bequeathed to the Metropolitan Museum of Art, New York, in 1964. Modern British paintings are displayed alongside.
Another specialist in early English furniture, Paul Beedham, displays an extraordinary find – an elaborately carved oak overmantel almost 4m long, attributed to a Newcastle workshop of Dutch carvers. Dated around 1630, it once graced Hunwick Hall in County Durham but was thought missing since 1900, until it turned up at auction last year. Beedham recognised it from a photograph. 'Something like this turns up once in a lifetime,' he says. He is asking around £150,000. Howard Walwyn, a London-based clock specialist, exhibits a picturesque George II japanned quarter-striking moonphase longcase clock. Made around 1735, the movements are by Isaac Nickals of Wells, Norfolk (£85,000).
If English furniture has traditionally been a mainstay of the fair, another strength is British painting and works on paper. Indeed, there is a special loan exhibition of watercolours by Samuel Prout (1783–1852), a master of British architectural painting. Organised by John Spink, the display includes examples of Prout's celebrated Venetian landscapes. Guy Peppiatt, meanwhile, has, among other English 18th- and 19th-century drawings, a charming and fanciful gouache by Thomas Robins the Elder (1715/16–70), depicting a Gloucestershire church and Sudeley Castle showing the dramatic effects of the Cromwellian demolition in 1649 (£25,000). Young dealer Archie Parker unveils a major trophy – a 1789 painting of two hack horses, sold by the Huntington at Christie's New York last summer as 'After George Stubbs', which he has revealed to be a genuine work by the master (£750,000). Alan Wheatley, a modern British specialist with a leaning towards abstraction, shows paintings by Ivon Hitchens, Graham Sutherland and Alan Davie, alongside his vivid Hoyland (£95,000).
Finally, there are ceramics by Picasso at Sylvia Powell, including a sharp-beaked, strongly incised Tête d'oiseau made in Vallauris in July 1950 (in excess of £50,000). Robyn Robb has gathered some fine examples of early English porcelain – including a Chelsea 'Hans Sloane' botanical plate, from 1755 (£8,750). Mark Goodger, of Hampton Antiques in Northamptonshire, has an array of beautiful antique boxes and accessories, including a papier mâché tea caddy by Henry Clay (£9,500), who patented the papier mâché manufacturing process in 1773. Clay typically decorated his caddies with Etruscan and landscape scenes, but this example of around 1795 displays wave-buffeted ships under stormy skies. While it is an object to set the heart of any tea-caddy collector racing, its singularity and the high quality of the painting will appeal to a much broader audience.
BADA takes place at Duke of York Square, London, from 15–21 March.


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Whitefields Depot, Phoenix Park
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Whitefields Depot is a range of buildings laid out in the eighteenth and nineteenth centuries, to provide for the maintenance and care of the Phoenix Park. Deaton Lysaght Architects were commissioned in 1999 by the Office of Public Works to design a new administration building for the Depot, and to provide for an improvement generally in the layout and finish of the Depot buildings.
The Depot is approached from an avenue at the entrance to the Park Superintendent's Lodge, and consists of a range of 24 buildings, grouped at either side of a yard. The existing buildings range from small two storey barns, to lean-to structures, backing on to the Park wall. The finish of the buildings generally was very poor, with rusted corrugated sheeting and damaged slated roofs leading to the degradation of the structures generally. While many of the original buildings were unsound in themselves, it was felt that the layout of the yard as a range of parallel buildings along a linear layout should be retained, as it formed part of the heritage of the Phoenix Park generally. The brief for the new administration building comprised three types of accommodation, office space for the administration, canteen and communal facilities, and showering and changing rooms. As the existing buildings could not accommodate the required large spaces, it was decided to construct a new building just outside the yard area in a space which was formally an arboretum to the rear of the Park Superintendent's Lodge. The new building was conceived as a pavilion, within the tradition of pavilion buildings found elsewhere in the Park. The structure is of timber with laminated post and beam structure and cedar cladding to the office and canteen areas, and masonry and plastered finishes to the shower and changing areas. Canteen and open office areas open southwards with glazed elevations looking on to the arboretum area, which is to be re-stocked with species based on original Victorian planting schemes. The use of natural materials – slate roofs, plastered walls and cedar sheeting, is founded on concerns for sustainable development, a reflection of the building in a natural park environment, and also of the pavilion tradition within park architecture. Elsewhere in the yard, buildings were re-slated and upgraded, while some were re-plastered with lime plaster and coloured lime washes. The original range of buildings on the north side of the yard were timber post and beam structures, with lean-to roofs extending in to the Park wall. These structures were replaced with a new Irish oak post and beam system, supporting roof decking spanning to the Park wall. Building work was completed in November 2002, at a total building cost of €2.2 million.
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Anaïs Barbeau-Lavalette, née le  à Montréal, est une réalisatrice, scénariste, en documentaire et en fiction, et romancière québécoise.

Biographie

Le cinéma fait partie de sa vie : sa mère, Manon Barbeau, est documentariste et son père, Philippe Lavalette, est directeur photo.

À la suite d'un périple d'un an au Honduras, Anaïs Barbeau-Lavalette réalise le documentaire Les Petits Princes des bidonvilles (2000) (Prix du public au Festival Muestra Cultural de Montréal). Jeune femme de terrain, ce documentaire lui confirme qu'elle «désire rendre la caméra utile, comme un outil ». Elle étudie par la suite en études internationales à l'Université de Montréal, en réalisation à l'Institut national de l'image et du son (Inis) et à l'Université Birzeit, à Ramallah (Palestine).

En 2001, elle coréalise , documentaire tourné en Argentine et sélectionné dans de nombreux festivals internationaux (meilleur court-métrage documentaire au Festival de Cherbourg en compétition au FIPA de Biarritz). Puis, sélectionnée parmi plusieurs centaines de candidats, elle participe en 2002 à l'Odyssée du volontariat, périple de plusieurs mois qui la conduit aux quatre coins du monde et où elle réalise une quinzaine de courts-métrages documentaires sur le thème du bénévolat, lesquels sont ensuite diffusés en sept langues dans plus de cent pays. À son retour, elle réalise plusieurs longs-métrages documentaires, notamment Si j'avais un chapeau (2005, Mention spéciale du jury aux Journées du cinéma africain et créole des Vues d'Afrique, nominations dans les catégories Meilleur documentaire société et Meilleure recherche aux prix Gémeaux 2006), qui donne la parole à des enfants au Québec, en Inde, en Tanzanie et en Palestine, ainsi que Les mains du monde (2004), abordant le thème de l'engagement.

Elle participe de 2004 à 2010 à l'aventure cinématographique du Wapikoni Mobile, et à la même époque, réalise des vidéoclips (notamment ceux de Catherine Major, de Thomas Hellman et des rappeurs Samian et Dramatik).

En 2007, elle tourne les documentaires Tap-Tap, portrait poétique de la communauté haïtienne de Montréal ainsi que Le Ring, un premier long-métrage de fiction très bien reçu par la critique, qui sera notamment sélectionné aux prestigieux festivals de Busan, de Berlin et au Camerimage en 2008, et primé aux festivals de Madrid, d'Aubagne, de Vladivostok, de Taipei et de Kiev.

En 2009, elle réalise le documentaire Les Petits géants (coréalisé avec Émile Proulx-Cloutier), qui remporte le prix Gémeaux du meilleur documentaire et est présenté en clôture de l'édition 2009 des Rendez-vous du cinéma québécois, ainsi que Se souvenir des cendres, documentaire suivant l'aventure créative du film Incendies de Denis Villeneuve, qui remporte à son tour le prix Gémeaux du meilleur documentaire en 2012.

Elle publie en 2010 son premier roman, Je voudrais qu'on m'efface (chez Hurtubise, puis chez Bibliothèque québécoise), qui se retrouve finaliste à l'édition 2011 du Prix des libraires du Québec. Viennent ensuite ses chroniques de voyage en Palestine, Embrasser Yasser Arafat (2011, éditions Marchand de feuilles).

À la télévision, elle signe pour ARTV la réalisation de la série documentaire Les Voix humaines (2009-2010) et tourne Marie pleine de grâce (2011), un documentaire sur la chorégraphe Marie Chouinard. À la même époque, André Turpin et elle coréalisent les courts-métrages de fiction Ina Litovski (2012), Sept heures trois fois par année (2012) et Prends-moi (2014), qui leur ont valu de nombreux prix dans divers festivals de courts-métrages.

En 2012, son nouveau long-métrage, Inch'Allah (produit par Micro scope) est vendu dans une vingtaine de pays et sélectionné au Festival international du film de Toronto et à la Berlinale, où le film remporte le Prix FIPRESCI (prestigieux prix de la critique internationale), ainsi qu'une mention spéciale du jury œcuménique.

Anaïs Barbeau-Lavalette est aussi nommée Artiste pour la Paix 2012.

Au printemps 2013, la Place des Arts lui offre une carte blanche (en duo avec son conjoint Émile Proulx-Cloutier). Elle monte donc le Cabaret multi Vous êtes libres. En 2014, Émile Proulx-Cloutier et elle conçoivent le documentaire scénique Vrais mondes, toujours à la Place des Arts. Ils coréalisent ensuite le long-métrage documentaire Le plancher des vaches (2015, production Esperamos Films, diffusion ICI Radio-Canada Télé) et récidivent avec le documentaire scénique Pôle Sud, présenté au théâtre Espace Libre en 2016, puis au Festival TransAmériques en 2017.

Elle publie en 2015 un roman inspiré de la vie de sa grand-mère, Suzanne Meloche, La Femme qui fuit (publié aux éditions Marchand de feuilles). Vaste succès critique et populaire, « meilleur vendeur toutes catégories confondues » pour l'année 2016, ce roman remporte le Prix des libraires du Québec 2016,  le Grand Prix du livre de Montréal 2015, le Prix littéraire France-Québec 2016 et le Prix du Club des irrésistibles 2017 des Bibliothèques de Montréal, en plus de se retrouver sur la liste des finalistes pour le Prix littéraire du Gouverneur général 2016.

Anaïs Barbeau-Lavalette endosse en 2016 les titres de porte-parole de la Journée des librairies indépendantes et porte-parole de la  édition du World Press Photo, où elle signe une exposition parallèle sur les réfugiés syriens arrivés à Montréal.

En 2017, elle réalise le long métrage documentaire Ma fille n'est pas à vendre (productions Bazzo Bazzo, diffusion Télé-Québec). Elle est également présidente d'honneur du  Salon du livre de l'Outaouais en 2017.

En 2019, elle réalise La Déesse des mouches à feu, un long-métrage de fiction basé sur le roman de Geneviève Pettersen du même nom.

En 2021, elle tourne au Québec le long-métrage Chien blanc.

Six ans après la sortie de La Femme qui fuit, Anaïs Barbeau-Lavalette sort un livre intitulé Femme forêt, qui est considéré comme une suite de La Femme qui fuit.

Œuvres

Littérature
 2010 : Je voudrais qu'on m'efface (roman) – Éditions Hurtubise
 2011 : Embrasser Yasser Arafat (chroniques de voyage) – Éditions Marchand de feuilles
 2015 : La Femme qui fuit (roman) – Éditions Marchand de feuilles
 2016: Suzanne. Marchand de feuilles
 Trad. Anabelle Assaf: Suzanne. Roman. Eichborn, Francfort 2018
 2018: Nos héroïnes : 40 portraits de femmes québécoises. Livre pour enfants, illustré par Mathilde Cinq-Mars. Marchand de feuilles
 2021 : Femme Forêt  (roman) – Éditions Marchand de feuilles
 2022 : Femme Fleuve (roman) – Éditions Marchand de feuilles

Cinéma et télévision
 2000 : Sorcières comme les autres (court-métrage documentaire) – INIS
 2001 : Les Petits Princes des bidonvilles (long métrage documentaire) – Virage et ONF
 2001 : Les Mots bleus (court-métrage de fiction) – INIS
 2001 : Buenos Aires no Ilores (court-métrage documentaire) – INIS
 2004 : Les Mains du monde (long métrage documentaire) – InformAction, Télé-Québec
 2005 : Si j'avais un chapeau (long métrage documentaire) – Virage, RDI, TV5
 2009 : Les Petits Géants (long métrage documentaire) – Amérimage-Spectra, Télé-Québec, ICI ARTV
 2007 : Le Ring (long métrage de fiction) – INIS
 2010 : Se souvenir des cendres : Regards sur Incendies (moyen métrage documentaire) – micro scope
 2010 : Les Voix humaines (série documentaire) – Espace Franco Image, ICI ARTV
 2012 : Inch'Allah (long métrage de fiction) – micro scope
 2012 : Ina Litovski (court-métrage) – Flow
 2012 : Sept heures trois fois par année (court-métrage de fiction) – FNC
 2014 : Prends-moi (court-métrage de fiction) – By Pass Films
 2015 : Le Plancher des vaches (long métrage documentaire) – Esperamos Films, RDI, Radio-Canada
 2017 : Ma fille n'est pas à vendre (long métrage documentaire) – Bazzo Bazzo, Télé-Québec
 2020 : La Déesse des mouches à feu (long métrage fiction) - Coop Vidéo de Montréal
 2022 : Chien blanc (long métrage fiction) - Go Films

Théâtre documentaire scénique
 2014 : Vrais Mondes, documentaires scéniques – Place des spectacles
 2016 : Pôle Sud, documentaires scéniques – Espace libre (puis 2017 au FTA)
 2022 : Pas perdus, en cocréation avec Émile Proulx-Cloutier - Théâtre d'Aujourd'hui

Notes et références

Liens externes

 Institut national de l'image et du son - fiche d'Anaïs Barbeau-Lavalette

Réalisatrice québécoise
Documentariste québécois
Romancière québécoise
Lauréat du Prix des libraires du Québec
Naissance en février 1979
Naissance à Montréal

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Premier League footballer Emiliano Sala was on board a light aircraft which has gone missing over the English Channel.
Cardiff City Football Club this morning reported 'genuine concerns' for the Argentine striker, who left Nantes in France heading to Cardiff in Wales yesterday evening.
French police and Nantes Football Club have now confirmed that Sala was one of the two people on board the Piper Malibu which lost contact near the Casquets lighthouse.
Cardiff City announced the signing of the Argentinian striker from Nantes in a club record fee of £15million on Saturday.
An air and sea search has been launched in the Channel Islands for the light aircraft which lost contact at 8.30pm yesterday evening.
Rescue teams were scrambled to waters north of Alderney after the light aircraft vanished on Monday evening, Guernsey Police said.
'A search and rescue operation is currently underway off the north of Alderney after a light aircraft disappeared from radar several hours ago,' the force said.
The Alderney lifeboat said it launched at 8.50pm on Monday night.
A coastguard rescue helicopter and crews from Alderney and Guernsey RNLI have joined the search in the area around the lighthouse.
A spokesman for Jersey Coastguard told MailOnline the team from Guernsey was conducting the S&R mission, with assistance from the team in Jersey.
The first lighthouse was built off the treacherous Casquets rocks, 13km north-west of Alderney, in 1724.
Three towers lit by coal fires were created to form a distinctive shape which would not be confused by seamen for lighthouses in nearby France.


How Can You Heal Your Insomnia?
It's a little bit like being alone outside in the dark, thinking you hear something behind you. As you sprint your way to safety, you whip your head around to look behind you every few steps, certain there's something there. You're panicking, on the verge of tears, yet unwilling to surrender to the invisible threat pursuing you. Only, there isn't anything actually there.
Insomnia can be just as hard for people to understand, if they've never experienced it themselves. Sure, the main point is obvious: "I can't sleep". But what's unknown to anyone who's never struggled with it, is just how much chronic "not sleeping" screws people up.
My first foray into the decidedly horrible world of no-sleep came as part of the package of having 4 kids under the age of 5. There was not a lot of sleep for me in those days, though I wouldn't say it was insomnia. After all, I couldsleep — as long as a crying baby or toddler didn't wake me up. Still, sleep deprivation was a very real and very life-altering thing. There's much I don't remember about those years when my kids were all really small, and a lot of it is due to the fact that I was chronically sleep deprived.
I experienced real, full-on insomnia when I quit smoking 5 years ago. It became my own personal hell. I didn't know why this insomnia had suddenly became an issue for me, but it happened at exactly the same time that I first started dealing with day-long anxiety. I knew both were tied to me quitting smoking — in fact, the hardest part about quitting wasn't the nicotine withdrawal, it was the emotional baggage that started popping up. All the garbage I'd been stuffing down for years with smokes and alcohol was finally able to make itself be heard.
After 6 weeks of almost no sleep, my husband helped me start digging — and eventually uncovering — why I was struggling with insomnia. I felt like I was literally losing my mind. I would cry as he held me, so tired I could barely function, yet unable to do the most basic thing — sleep.
"What's stressing you out?" He'd ask. And I'd have no answer. I didn't know. We had 4 beautiful, healthy kids. We had the money we needed. We had each other. Nothing was wrong. But, at the same time, something wasn't right.
"What are you hiding from me?" He finally asked me one day. That was the question that shook me. It shook loose all of the things I'd been trying so desperately to hold together. At first, I got mad. How dare he accuse me of hiding something from him! But, as it turns out, he was right.
I was hiding the fact that, despite being raised going to Church every Sunday, I didn't know who I really was spiritually, and I was shocked to find that the relationship with God I'd patted myself on the back for having all those years, wasn't really a relationship at all.
I was hiding the fact that I looked around at everyone else and wondered how the hell they seemed so grown up, so together. How their lives seemed to flow, while I felt like a kid playing dress-up. One who felt like I didn't have it together and never would.
I was hiding the fact that sometimes I wished I was a powerful, successful career woman… not "just" a mom and wife. And then those thoughts created anxiety because I also didn't want to work outside my home.
I was hiding the fact that every time someone told me I was a good mom, I'd cringe on the inside, turning away from any praise, because a compliment like that was an open invitation for all the mistakes and times I was angry/mean/overwhelmed/frustrated to come rushing to the front of my mind.
I was hiding the fact that I knew I wasn't always loving my husband the way he needed to be loved, and the guilt and shame of this truth became yet another layer on myself, as "things I'm not doing right/good enough." And at the same time, this issue added a layer of resentment at being needed/wanted by yet another person.
Finally, I was hiding from myself the fact that I was chasing the wrong dream — confused as to how I could be so good at something, yet not want to do it. Surrounding this fact was a lot of guilt, and the misguided belief that I was somehow duty-bound to pursue it because I'd been given a talent, and was supposed to use it. This fact is one I'm still working on fixing today. Letting go of a certain path involves letting go of an identity you've believed about yourself. Change of career plans, sure, but also a fairly significant identity crisis.
Uncovering and understanding all of the ways I was hiding from my husband, myself and the world, didn't result in a miracle cure of everything I was struggling with. I didn't immediately start sleeping again. I didn't suddenly fix all that I (now) knew had to be fixed. But it was a start. Becoming aware is always the first step.
And, now, 5 years later, I sleep amazingly well most nights. Over these last 5 years, I've worked really hard to figure out all the things I needed to figure out. I'm not 100% where I want to be, and I still have work to do. But my soul and my subconscious mind can now rest easy, knowing that I'm no longer lying to myself about who I am, what I love, and why I'm here. Sometimes, maybe that's what our insomnia is trying to tell us. Something, somewhere in our lives is out of balance. Figure out what that is, and take steps to change is, and find the peaceful sleep you're dreaming of.


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Johannes Bunzek (22 May 1922 – 11 December 1943) was a German Luftwaffe ace credited with 75 victories, all on the Eastern Front. Knight's Cross of the Iron Cross during World War II. Bunzek was killed on 11 December 1943 over Nikopol, Ukraine. He was posthumously awarded the Knight's Cross of the Iron Cross on 6 April 1944.

Career
Bunzek was born on 22 May 1922 in Groß-Strehlitz, present-day Strzelce Opolskie in southern Poland, at the time in the Province of Upper Silesia of the Weimar Republic. He joined the military service of the Luftwaffe and completed his training with Luftkriegsschule 4 (LKS 4—4th Air War School) in July 1942. Bunzek was then posted to 7. Staffel (7th squadron) of Jagdgeschwader 52 (JG 52—52nd Fighter Wing) in late 1942. At the time, 7. Staffel was commanded by Hauptmann Adalbert Sommer who was replaced by Oberleutnant Walter Krupinski on 15 March 1943. The Staffel was part of III. Gruppe of JG 52 under command of Major Hubertus von Bonin.

War against the Soviet Union

World War II in Europe had begun on Friday 1 September 1939 when German forces invaded Poland. Germany had launched Operation Barbarossa, the invasion of the Soviet Union on 22 June 1941. In late 1942, III. Gruppe was based at an airfield named Soldatskaja, located approximately halfway between Mozdok and Pyatigorsk on the Eastern Front. The Gruppe stayed at this airfield until 1 January 1943. During this period, the pilots occasionally also operated from airfields at Mozdok (15, 18, 19, 21, 22 and 23 October) and from Digora (5 to 17 November 1942), supporting Army Group A in the Battle of the Caucasus. On 1 April 1943, III. Gruppe was moved to the combat area of the Kuban bridgehead where it was based at an airfield at Taman. Operating from Taman until 2 July, III. Gruppe also flew missions from Kerch on 12 May, from Sarabuz and Saky on 14 May, Zürichtal, present-day Solote Pole, a village near the urban settlement Kirovske on 23 May, and Yevpatoria on 25/26 June. Here, Bunzek claimed his first aerial victory over a Lavochkin-Gorbunov-Gudkov LaGG-3 fighter on 28 May.

On 1 November, III. Gruppe was moved to Apostolove fighting in the combat area between Nikopol and Zaporizhzhia. Adverse whether conditions rendered the airfield unusable and the Gruppe temporarily used an airfield near Kirovograd from 12 to 20 November. On 11 December, Bunzek was killed in action in his Messerschmitt Bf 109 G-6 (Werknummer 20644—factory number) following combat with Ilyushin Il-2 ground-attack aircraft and LaGG-3 fighters during the Battle of the Dnieper. He was initially reported as missing in action west of Nikopol. According to Barbas, this combat took place near near Apostolove while fighting over the bridgehead established by Soviet forces at Nikopol. Prien, Stemmer, Rodeike and Bock place this southwest of Verblyuzhka which is approximately  northwest of Apostolove. Bunzek was posthumously awarded the Knight's Cross of the Iron Cross () on 6 April 1944.

Summary of career

Aerial victory claims
According to Spick, Bunzek was credited with 75 aerial victories in an unknown number of combat missions, all of which claimed on the Eastern Front. Weal states that in addition to his 75 aerial victories, he also had 30 further unconfirmed claims. Mathews and Foreman, authors of Luftwaffe Aces — Biographies and Victory Claims, researched the German Federal Archives and found records for 78 aerial victory claims, plus two further unconfirmed claims, all of which claimed on the Eastern Front.

Victory claims were logged to a map-reference (PQ = Planquadrat), for example "PQ 34 Ost 76791". The Luftwaffe grid map () covered all of Europe, western Russia and North Africa and was composed of rectangles measuring 15 minutes of latitude by 30 minutes of longitude, an area of about . These sectors were then subdivided into 36 smaller units to give a location area 3 × 4 km in size.

Awards
 Flugzeugführerabzeichen (3 September 1942)
 Front Flying Clasp of the Luftwaffe in Gold
 Iron Cross (1939)
 2nd Class (14 July 1943)
 1st Class (2 August 1943)
 Honor Goblet of the Luftwaffe on 8 November 1943 as Leutnant and pilot
 German Cross in Gold 14 November 1943 as Leutnant in the 7./Jagdgeschwader 52
 Knight's Cross of the Iron Cross on 6 April 1944 as Leutnant and pilot in the 7./Jagdgeschwader 52

Notes

References

Citations

Bibliography

External links
TracesOfWar.com
Ritterkreuztraeger 1939-1945

1922 births
1943 deaths
People from Strzelce Opolskie
People from the Province of Silesia
Luftwaffe pilots
German World War II flying aces
Recipients of the Gold German Cross
Recipients of the Knight's Cross of the Iron Cross
Luftwaffe  personnel killed in World War II
Aviators killed by being shot down


text:
Zarapicos kan syfta på:

Spanien

 Zarapicos (kommun), Kastilien och Leon, Provincia de Salamanca,
 Zarapicos (kommunhuvudort), Kastilien och Leon, Provincia de Salamanca,


Home > LIVE and WORK > COOKING > Turn Your Meals Into a Sakura Celebration by Making Sakura Denbu!
Turn Your Meals Into a Sakura Celebration by Making Sakura Denbu!
Japan always offer something special to celebrate the change of the weather especially when it comes to the food. As spring is coming, you may see various pink-colored food packaging and plenty of sakura-flavored sweets and drinks. One of the most eye-catching spring foods for me is the delicate pink and light fish floss called sakura denbu (桜田麩) that is usually sold throughout every supermarket starting from late February.
Sakura denbu is a sweet, light, and fluffy pink flaked fish condiment, almost similar to the Japanese furikake (fish floss). What makes it special is the color of bright pink that resembles the cherry blossoms' pink petal color. Sakura denbu is usually made using codfish as its main ingredient. It is used quite often in the springtime in making sushi rolls especially chirashizushi, rice balls, and as a sprinkle on top of your bento.
How to Make Homemade Sakura Denbu?
Sakura denbu is sold in almost every grocery store during the springtime. However if you want to make a fresh and preservative-free version, you can follow this easy recipe.
Remove the skin and bones from the fish and boil until it is completely cooked.
Chop the fish into small pieces in a sieve sitting in a bowl of water. Shred it lightly with your hands. Change the water around 3-5 times.
Wrap the shredded fish with paper towels and squeeze out well.
Combine the shredded fish with the food coloring in a pan, and cook over low heat, and mix it together with other ingredients slowly. After the fish turns fluffy, turn off the heat and continue mixing until there is no remaining moisture. And you're done!
While you are waiting for the sakura to bloom, or while you admire them in Japan, it is a good idea to make this sakura denbu and prepare your pink sprinkled sushi or bento for your hanami (flower-viewing)! Store your homemade sakura denbu in an airtight container and you can use it throughout the springtime.
Japan's Electronic Giant Panasonic is Now Harvesting Vegetables- Cool or Scary?


ClearSonic Panels (CSP) provide acoustic separation between instruments on stage or in the studio. This helps reduce drum bleed into vocal or instrument mics and lowers stage volume so that everyone can hear themselves better. systems feature full-length hinge, cable cut-outs, and a design that allows systems to fold "accordion style" for portability and ease of setup.
ClearSonic A5 Panels are made of 1/4" thick acrylic and available in various sizes and configurations. Standard panel heights are 2', 3', 4', and 5.5' tall. 12" and 18" extenders are also available if additional height is needed.
ClearSonic Panels come pre-assembled, and are available in configurations between 2 and 7 panels. All ClearSonic Panel systems feature full-length hinge, cable cut-outs, and a design that allows systems to fold "accordion style" for portability and ease of setup.


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Expositio cum questionibus super textu Rasis in nono Almansoris, 1481
Identifier: MS 169/ff. 3r-37r, 41r-44r
Western Medieval Manuscripts (MS)
MS 169: Composite manuscript containing six medical texts, 1481; 17th century
The first treatise in MS 169 is seemingly a uniquely extant text (noted in Thorndike and Kibre's Catalogue of Incipits. In the late 15th-century hand of Robert of Sherburn, it is entitled Expositio cum questionibus super textu Rasis in 9o Almansoris. The text itself is contained on ff. 3r-37r, and on ff. 41-44 there is an index to the text. The treatise seems to be questions, or a form of commentary, on the ninth book of medicine by the 10th-century Arabic physician and scholar, Abū Bakr Muḥammad ibn Zakarīyā' al-Rāzī (known as Rasis or Rhazes in the Latin west).
Rasis was (and is) best known in medieval Europe for his work, 'Book of Medicine for Mansur', written in the early 10th century for an Iranian prince. The text contained nine chapters, or short books. Translated into Latin in the late 12th century by Gerard of Cremona, the work became known as 'Liber ad Almansorem'. The ninth book of this was especially popular and widely circulated on its own, becoming known distinctly as the 'Liber nonus ad Almansorem'. It is on this ninth section of the translation of Rasis's work that the first treatise in MS 169 comments on.
The treatise begins on f. 3r with the words Queritur utrum cibus obvians membris reducat... It ends on f. 37r with: plus semper hujus [?] calefacere et finit feliciter in die sancte margarete hora decima a.d. 1481 per manum magistri roberti sherburnie.
On ff. 41r-44r, following the text (and separated by three folios of another text) there is a Tabula to this first treatise in MS 169.
Writing This text is by the 15th-century hand of the scribe, Robert of Sherburn.
The collection is open to all. The manuscripts can be consulted in the Centre for Research Collections, Edinburgh University Main Library.
39 folios.
Medicine, Arab
Medicine, Medieval
Rāzī, Abū Bakr Muḥammad ibn Zakarīyā, ? 865-? 925 (medieval Islamic physician)
From the Item: Robert, of Sherburn, fl late 15th century (scribe) (Scribe, Person)
From the Item: Cox, Francis, fl 17th century (scribe) (Scribe, Person)
Part of the University of Edinburgh Library Heritage Collections Repository
http://www.ed.ac.uk/is/crc
Centre for Research Collections
University of Edinburgh Main Library
George Square
Edinburgh EH8 9LJ Scotland
is-crc@ed.ac.uk
Expositio cum questionibus super textu Rasis in nono Almansoris, 1481, MS 169/ff. 3r-37r, 41r-44r. University of Edinburgh Library Heritage Collections.
Expositio cum questionibus super textu Rasis in nono Almansoris, 1481, MS 169/ff. 3r-37r, 41r-44r. University of Edinburgh Library Heritage Collections. http://lac-archivesspace-live1.is.ed.ac.uk:8081/repositories/2/archival_objects/159707 Accessed February 01, 2023.


Overview: The Alawites of Turkey, numbering 1,645,000, are Unengaged and Unreached. They are part of the Arab, Levant people cluster within the Arab World affinity bloc. Globally, this group totals 2,836,610 in 13 countries. Their primary language is North Levantine Arabic. The primary religion practiced by the Alawites is Shia Islam, one of two major denominations of Islam. The followers of Shia Islam are called 'Shi'as' or 'Shiites'.


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Partial Application & Currying Comparison
The "Partial Application & Currying Comparison" Lesson is part of the full, Functional-Light JavaScript, v3 course featured in this preview video. Here's what you'd learn in this lesson:
Kyle compares partial application and currying, two techniques for function specialization, and explains the distinction between strict currying and loose currying.
Transcript from the "Partial Application & Currying Comparison" Lesson
>> Kyle Simpson: So you notice that we have the same outcome with curry, as we had with a partial application. We just got there in a decidedly different way. Same outcome, which is that I have a general function ajax, an intermediately more specific function called getCustomer, and an even more specific, getCurrentUser.
[00:00:19] But with partial application, if you were to look a couple slides back, to get each level of the specialization, I had to call the utility again. With currying, I call it once at the beginning to set up my function, and then it automatically specializes itself as I pass info.
[00:00:40] I think that's one of the reasons why currying is more attractive, is it ends up being that you write fewer calls to these utilities. You call it once to set up a function and you just automatically can specialize it. As a matter of fact, virtually all functional programming libraries that you will encounter.
[00:01:00] All of the methods on those functional libraries are automatically already curried. Because it turns out, functional programmers want everything to be curried. And if you remember what I said at the very beginning when we were talking about shapes, one of the reasons why functional programmers like curried functions is because they like unitary functions.
[00:01:21] Single input, another output, and you can see that a curried function is exactly that. It is a chain series of unitary functions. Single input single output, single input single output, single input single output.
>> Kyle Simpson: So in another words, to summarize this partial application versus currying thing, what we could say is that they are accomplishing the same thing, but doing it in a different way.
[00:01:51] Both of them are specialization techniques, partial application is going to preset some of the arguments at the beginning. And then receive all the rest of them on the next call. And if you wanna do multiple steps of that specialization, you got to keep calling it, the utility. Currying on the other hand, doesn't preset any of the arguments.
[00:02:12] And it receives each argument one at a time.
>> Kyle Simpson: If you ever get asked on a future job interview, what's the difference? What's partial application incurring? The answer is, both of them specialize, they do it differently. Partial application takes some input now, all the rest of the input later.
[00:02:32] Currying takes no input now, each input one at a time.
>> Kyle Simpson: By the way, I wanna back up real quick one slide, skipped over one thing I didn't wanna skip over. There is this notion of what I would call, strict versus loose currying. And I'm calling this out because you're gonna encounter this and you may ask yourself.
[00:02:53] This idea that I've been showing you recurring has been like we see online seven, which is that each time I call the function I provide only one input. Cuz that's how we did it when we manually curried, that's how it works in Haskell, you provide one input at a time.
[00:03:09] I would call that the canonical or strict interpretation of currying. But if you had a function, say something that received five inputs, and you knew three of them right now, and you wanted to wait to define the other two. You can see there would be a little bit annoying to have to do three separate function calls with three separate parentheses.
[00:03:29] It might be much more convenient, like line 10, to just be able to provide two inputs all in one call. You see where I'm coming from? So, that technique is what I would refer to as loose currying. Meaning, at each level of the function call, you can pass in one or more arguments.
[00:03:50] And the function you get back is waiting for whatever the next arguments should be, you with me? The reason why it's important to point out loose currying is because, as far as I'm aware, every JavaScript functional programming library that I have seen does loose currying, not strict currying.
[00:04:11] But if you're really trying to adhere to the true notion of what currying was, as it was conceived in Haskell, you'd be doing strict currying. I think the reason why those libraries chose the loose carrying form is for convenience only, not because it's the more, economically correct way of doing it.
[00:04:31] So, just be aware when you see something like line 10 where multiple inputs are being passed, that still might be currying. It might just be loose currying instead.
>> Student: Why does partial application still exist in functional programming?
>> Kyle Simpson: That's a good question. So the question is, if currying is generally preferred, and you will find that it usually is, why even have a partial application?
[00:04:56] The best answer I can give you, I mean, other than the fact that it's sort of historical and when something is in the economical body of work. It's never gonna get removed, other than that I would say, there are some cases where it'd be more convenient to do partial application than currying.
[00:05:13] For example, let's say you have a function that starts out expecting five inputs. And you want to produce another function that expects three inputs, you wanna preset only two of them. If you were to curry it, two things would be true. First of all, you'd have to call it twice and that's a little annoying.
[00:05:31] But secondly, the function you'd get back would not be a function that was expecting three inputs, it would be occurred function of three more chains. And that might not be the shape of function that you wanna pass around. So it might be the case that the partial application produces a more preferable shape, that's not gonna be common.
[00:05:52] But that's why it might still exist is that, sometimes that tool might produce a function shape that is more preferable than a currying function.


The name of this card comes from my husband's reaction when I showed it to him… "groovy". It is a little bit groovy now that I think about it.
You know how you want to buy something at Amazon, but it's not quite $25? So, you spend a bunch of time trying to find the perfect thing you need that will get you to the free shipping at $25? Well, that's how I got this stamp set. I spent $13 and 2 hours to save $4. Hmm… maybe not a good idea. Still, I really like the stamp set. And I did save $4.
SONG: "Typical Situation" by The Dave Mathews Band.
What a beautiful card! I haven't purchased any copic markers yet. I know I should buy them in a sets of like colors. Any suggestions on the colors to start with?
Another wonderful card! I like this one its very playful. You are so talented! First post you can tell I was waiting for your video! LOL!
I love the colors!! They make the card stand out. Great job gf!!
I really like these colors too! As I was watching the video, my 15 yr old son was looking over my shoulder marvelling at how fast your hands were moving! When the video ended, he said, "Wow. That really does look like burnt paper. Cool." Serious high praise coming from that teenage boy!!
Great card!!! I really like your design. Every time you post, I find another thing we have in common! LOL!! I'm TOTALLY with you on finding things to get the free shipping on Amazon… or anywhere else for that matter! LOL!! I only shop where I can get free shipping and good deals on top of it. It's not usually difficult for my husband and I on Amazon because we can usually easily find a book we want to go with whatever else we are buying if it's not up to the $25.
As always, thanks for the videos that you do!!
That card is definitely GROOVY!! Thank you!
Haven't stopped by for awhile, but your card is fantastic! I still amazed at how easy you make creating cards so easy! You're wonderful. Thanks for the inspiration.
I really like those bright bold colors that you used for this card. I do like your videos, and your choice of music!!
Another cute card! Your Copic coloring looks great.
This card is GROOVY! I love, love, LOVE the bright colors! SUPERB job on the card AND video!
Gorgeous card again Darlene. Your choice of colours is fantastic and you make it look so easy!
I adore your card, love the vibrant colors. Your video is terrific!
I know this is an older card/video – but its one of my favorites, and the video I have watched about 3 times now. I love it, Darlene. So striking to the eye!! You choose colors so well!!!
You do a fantastic job on your videos and I love love love that you use a variety of brands of products! Fabulous!


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Q: Web Service Response SetValues giving Ljava.lang.Object;@ in Spreadsheet I am calling a web service.
I get a response, which when logged in the Logger is perfectly legible.
When inserted into a spreadsheet, I get Ljava.lang.Object;@ in the cell.
What do I need to do to get the data in the object to display properly?
function getRoomAvailability(){
 ...

  var response = UrlFetchApp.fetch(url, headers);
  var data = JSON.parse(response.getContentText());
  Logger.log(response);
  Logger.log(data);
  ss.getSheetByName("Room").getRange(1,1,1,1).setValues([data]);
}

I see the following in the log:
[19-04-14 22:33:31:507 BST] [{"room_id":1,"room_availability":[{"date":"2019-04-20","available":"Yes"},{"date":"2019-04-21","available":"Yes"},{"date":"2019-04-22","available":"No"},{"date":"2019-04-23","available":"Yes"},{"date":"2019-04-24","available":"Yes"},{"date":"2019-04-25","available":"Yes"}]}]
[19-04-14 22:33:31:507 BST] [{room_id=1, room_availability=[{date=2019-04-20, available=Yes}, {date=2019-04-21, available=Yes}, {date=2019-04-22, available=No}, {date=2019-04-23, available=Yes}, {date=2019-04-24, available=Yes}, {date=2019-04-25, available=Yes}]}]
In the spreadsheet, I see
{room_id=1, room_availability=[Ljava.lang.Object;@676b6111}

redpajama_set_name: RedPajamaStackExchange


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How to watch Pinocchio (English Version) (2002) on Netflix Netherlands!
Sorry, Pinocchio (English Version) is not available on Dutch Netflix, but you can unlock it right now in the Netherlands and start watching! With a few simple steps you can change your Netflix region to a country like Italy and start watching Italian Netflix, which includes Pinocchio (English Version).
Pinocchio (English Version)
Netflix Netherlands
Pinocchio (English Version) is not available in Netherlands BUT it can be unlocked and viewed!
Children & Family Movies, Family Features, Comedies, Movies Based on Books, Italian
Director(s): Roberto Benigni
Roberto Benigni writes, directs and stars in this enchanting retelling of Pinocchio, the classic tale of the wooden puppet who comes to life.
Mino Bellei, Carlo Giuffrè, Peppe Barra, Kim Rossi Stuart, Max Cavallari, Bruno Arena, Nicoletta Braschi
Watch "Pinocchio (English Version)" on Netflix in the Netherlands
There is a way to watch Pinocchio (English Version) in the Netherlands, even though it isn't currently available on Netflix locally. What you need is a system that lets you change your Netflix country. With a few simple steps you can be watching Pinocchio (English Version) and thousands of other titles!
Watch "Pinocchio (English Version)"!
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text:
Maritime Museum CEO reflects
Rolf Johnson shares his passion for the museum, the Lakeshore and his 'dream job.'
Maritime Museum CEO reflects Rolf Johnson shares his passion for the museum, the Lakeshore and his 'dream job.' Check out this story on htrnews.com: http://htrne.ws/2c1bwcK
For USA TODAY NETWORK-Wisconsin Published 6:01 a.m. CT Aug. 26, 2016
Rolf Johnson, CEO of the Wisconsin Maritime Museum, gives the closing remarks on the USS Cobia at the second annual Subfest in 2016.(Photo: USA TODAY NETWORK-Wisconsin)Buy Photo
MANITOWOC - Rolf Johnson was 58 when he found his "dream job" as CEO of Manitowoc's Wisconsin Maritime Museum.
"It was — and it remains — my dream job," Johnson said. "It was my dream job because I knew it would allow me to live and ultimately retire here along the Lakeshore in Manitowoc County. We have family connections here."
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Johnson was born in Bloomington, Indiana, but grew up in Milwaukee. His cousins live in the Cleveland area, but "the lake is in my blood," he said. "I would love to work or contribute to almost any museum, but this is the one in my back yard."
Johnson, who recently turned 60, is the first to admit that in his 39-year career, he has had some "pretty cool jobs."
"I started part-time in 1977 and full-time in 1978 as a curator at the Milwaukee Public Museum as a dinosaur hunter," Johnson said, a position he held for 24 years and one he admits gave him some pretty cool street creds with his two then-young children.
"I spent the first 20 years or so of my career hunting dinosaurs and doing research and building exhibits and education programs," Johnson recalled.
RELATED:Subfest's Sub Art Wars to decorate Manitowoc
RELATED:Sub Fest launching in Manitowoc
RELATED:Celebrate Wisconsin's maritime heritage
His hunting exhibitions took him extensively to the American West.
Rolf Johnson poses with a ship's wheel and the iconic USS Cobia Dec. 18, 2013, at the Wisconsin Maritime Museum shortly after being named the museum's CEO. (Photo: USA TODAY NETWORK-Wisconsin)
"We found lots of dinosaurs," Johnson said. "Every year, more dinosaurs are popping up. It was fantastic, and I loved it."
Eventually, however, Johnson said he wanted to have a bigger impact beyond the tutorial side of the museum.
After 24 years at the Milwaukee Public Museum, Johnson left to become a deputy director of the forerunner of what became Discovery World in Milwaukee. Pertinent to the job was working with the Denis Sullivan, the tall ship connected to Discovery World that provides an experiential learning opportunity about Lake Michigan's maritime history.
"That was my first foray into things maritime," he said. "Because you know when I talk about why this is my dream job, it also has to do with the fact that this mission is related to the lakes and to our maritime connection … our maritime heritage."
After leaving that job, Johnson and his wife, Elda Brizuela, who is Costa Rican, went to her native homeland to work on a project there.
"The boundary between Costa Rica and Nicaragua is the Rio San Juan, and it was work on that border — that frontier — to do environmental education, but not just on the river, because it empties into a giant lake, and in the middle of the lake is a perfectly conical volcano and island," Johnson said. "It's a magic place, and it's where sharks are … the sharks actually come to the fresh water, and my wife studies sharks."
Johnson and Brizuela were trying to establish a new museum, a freshwater center like Discovery World, in Central America.
Rolf Johnson, CEO Wisconsin Maritime Museum, talks about the history of the Hikawa Maru model ship during a press conference at the museum Dec. 12, 2013. (Photo: USA TODAY NETWORK-Wisconsin)
"The timing wasn't right, the politics weren't right, but people still believe in the project," he said. "My wife continues to do work down there."
After that project, Johnson worked for five years as deputy director at the National Maritime Center in Norfolk, Virginia, home of the Battleship Wisconsin.
"That was my first warship," Johnson said. "It kind of prepared me for having a submarine here. By the way, that was the thread. I wanted to live and retire here. My job and career took me places, and prepared me actually, to be perhaps the right guy at the right time."
Johnson then went to the Neville Museum in Green Bay for three years as their CEO.
"So that's the long story of how I got to my dream job, now at the age of 60. It is never too late to get your dream job," he said.
While Johnson's career certainly prepared him for this current position, so, too, did his education. He holds a bachelor's degree from UW-Milwaukee in geology and paleontology. He also did post-graduate work in administrative leadership, concentrating on working with adult volunteers in a museum setting.
"How do you keep a volunteer motivated? How do you give them something really productive to do when they're an adult?" Johnson asked.
Johnson's education and work experience serve him well as CEO of the Wisconsin Maritime Museum, a place he has great regard for.
"First of all, it's not only a part of this community, but it's really part of the state … it is the state museum," he said. "So the first thing it does for me is it brings together all the aspects of Wisconsin's maritime heritage, along with the submarine, into a place where we can tell a broader story. It's also collections-based — it helps foster scientific or historical research. That's important to me … it's a real museum, it's not just a visitor attraction. As an academic, that's important to me.
"It's also in a community that's on a cusp," Johnson added. "It's a museum that has a role to play, not only as an educational or cultural institution, but as an economic engine. So this is why we're doing things like Subfest."
For the past two summers, Johnson, along with Matt Schliesman of the Capitol Civic Centre and Greg Vadney of the Rahr-West Art Museum, have joined forces to celebrate Manitowoc's maritime history with Subfest.
"After two years, I think we have something to work with, but we have to really figure out if the museum can sustain that … how we can make it a more volunteer-driven event," Johnson said.
Johnson said in his time at the Maritime Museum he has learned a great deal about Manitowoc and its maritime history.
"I'm still learning … still learning," he said. "Which is why I love my job. I'm a perpetual student."
Johnson has plenty of goals for the museum. "I came here, not for the status quo, but to grow the museum both literally and figuratively," Johnson said. "I'm cursed with being enthusiastic about things, which doesn't mean it isn't a challenge. It's really hard to be a non-profit CEO right now. It's very hard to make sure that your mission — as important as it might be — can be sustained. But it's also exciting."
Challenges are nothing new to Johnson. He is a three-time cancer survivor.
"It gives a person a perspective about life," Johnson said of his cancer fight. "I've always been an optimistic person, so it didn't make me any more optimistic or joyful about day-to-day life, but it probably sharpened my awareness of how fleeting life can be. You're a little more willing to sacrifice for the dream job, because a dream job often comes with sacrifices."
Johnson has a definite philosophy of life, but said it's hard to articulate it in a "bumper sticker."
"Certainly, I try to live a life of good actions, treating people well, and I try to embody that in my leadership style," he said. "I believe in working hard, and if the opportunity presents itself, to play hard. Somehow we're connected to all the other life that we share this planet with. We're just one branch on the tree of life. So we need to take care of the world. Be kind."
And then he added with a grin, "And it's always better with a glass of wine."
Read or Share this story: http://htrne.ws/2c1bwcK
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Gear S4 launch nears as it picks up ECC certification
The Gear S4 launch draws near as Samsung's next wearable device is now jumping through the required regulatory hoops before it can be sold by the company. The smartwatch has been spotted at the Eurasian Economic Commission's website for its certification. This suggests that things are progressing nicely and that we may be treated to a new smartwatch by Samsung in the coming months.
Gear S4 launch
We exclusively reported a couple of months back that Samsung has started developing the Gear S4. The new smartwatch is going to have two separate models like its predecessor, the Gear S3. The LTE variants of both models are now being tested in the United States.
Aside from its improved internals, the Gear S4 is also said to be thinner than its predecessor while sporting a bigger battery. Compared to the Gear S3's 380mAh battery, the Gear S4 is expected to come with a 470mAh battery.
We have also exclusively revealed that Samsung is going to offer the Gear S4 in a new Gold color option. It's likely going to be the successor of the Gear S3 Classic that gets this color option as a Gold hue wouldn't really make sense for a sportier model like the Frontier.
The Eurasian Economic Commission listing for the Gear S4 only confirms that this smartwatch has been certified, it doesn't reveal any information about the device itself. We can expect to see the smartwatch gain additional certifications in the coming weeks.
Samsung is yet to confirm when it's going to launch the Gear S4 but reports suggest that the company will be unveiling the new smartwatch in a couple of months. It's possible that the Gear S4 may be launched at IFA 2018 in September.
Samsung Galaxy Watch hands-on impressions By Abhijeet M.|11 months ago
Galaxy Watch certified by yet another regulatory authority By Naresh|12 months ago
Samsung leaks Galaxy Watch on its own website By Adnan F.|12 months ago
More details and images of Samsung's new dual wireless charger leaked online By Naresh|12 months ago
Biransahin
Citizen, Polar, Megir, Montblanc, Burberry, Davis, Casio, are just some of the watch firms that sell gold sports watches. The comment that a Frontier cannot be gold is nonsense. Of course it can. I use this gold Citizen when scuba diving. "Rose Gold Sport Watch NH8383-17E" Check it out and see what a gold Frontier might look like.
KruseLudington
Feels like I've been waiting forever for this… While still having to reserve judgement on whether or not I'd want it if it's fugly…!


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Click on the pictures, some can be enlarged!
Mtskheta Zedazeni Shiomgvime Tsilkani and Samtavisi
Kartli is the name of the area around Tbilisi taken from the old West-Georgian kingdom, which the Bagrationi established in Mtskheta in the 5th century and later moved to Tbilisi. Kartli is not as fertile as the western parts of Georgia, tea plantations are replaced by vineyards, but here are the origins of Georgian culture: Djvari with the church of Nino, Mtskheta (pronounced Mits-kheta) with the royal cathedral, and Tbilisi. Here are also several places which evoke many fond memories like Zedazeni above Zaguramo, Shiomgvime (pronounced Shio-mig-vime), and Mukhrani and Tsilkani two very old villages virtually unknown outside Georgia.
This photo, taken from Zedazeni, shows this heartland of Georgia: the Church of Djvari - the Church of the Cross - on the conical hill in its center, and Mtskheta in the triangular confluence of the Black Aragvi and the Kura. Zaguramo, with the beloved house of Ilia Chavchavadze, is just out of the picture on its lower right corner. Tbilisi is hiding in the haze in the left background.
Sveti Skhoveli, the cathedral of Mtskheta, which was the capital of Georgian from the 8th to the 14th century. Nino, a woman from Cappadocia, brought Christianity to Mtskheta in the 4th century, and the kings made it their state religion in 337, the oldest Christian kingdom in the East. On the foundations of Nino's church Sveti Skhoveli was built in the 11th century. During the following centuries it was enlarged and altered - as one can see from this picture.
This beautiful cross, chased in gold sheet and mounted on a wooden frame, which is believed to have been made from Nino's first cross, graces the altar of the church. At its feet are the burial vaults of the kings of Georgia down to Wakhtang XIII its last king, who ceded Georgia to Russia in 1801.
The murals of Sveti Skhoveli are from the declining 15th century and of secondary importance - by this time the great tetramorphs, visible on the left of the apse conch, had acquired winged wheels!
This photo was taken in 1976, at which time the iconostasis consisted of cheap modern icons. In Soviet times the original cross and the icons had been removed to the Tbilisi Museum. I erased two of these icons between the columns of the iconostasis. Today the old icons have been reinstalled.
On a hill above Mtskheta rises Djvari, the cruciform church. It is the national-historical landmark of Georgia. It was built in the late 6th century in the place where Nino had erected her wooden cross.
Djvari from the west. Merab and Barbara standing right of center.
In the sixth and seventh century Christ was represented by the uniquely Georgian symbol of "Raising the Cross" seen here over the entrance to the church.
The inside of the dome of the church. Denuded of any frescoes its structure appears like a large rose.
Cornelius at Djvari in 1980 surveying the foundations for a game of "Dungeons and Dragons"
Mtskheta seen through a window in the fortifications of Djvari. The dark waters of the Aragvi join the Kura which flows southwest towards Tbilisi. The meandering road in the upper center leads to the monastery of Shiomgvime.
Shiomgvime
The Shiomgvime, founded in the 6th century by Sv. Shio, one of the original 13 Syrian fathers - another one was David Garedji - lies in a romantic valley above the Kura (1980).
In 1980 there were no monks living at the monastery. Its frescoes were inaccessible.
Like in David Garedja the monastic buildings are surrounded by caves in the rock walls in which hermits lived. This scenery has a quality which reminded me of certain places in China.
The buildings of the monastery. To protect the structures and the frescoes modern zinc sheets have replaced the former slate roofs
The bell tower is an addition of the 16th century.
Tsilkani
Tsilkani is a forgotten farming village northwest of Mtskheta. Its church, one of the oldest in Georgia, was founded in the 4th century by an early Bagrationi of Mukharani (Oak-Woods) the name of this valley and another now unimportant village nearby. The area has been occupied since prehistoric times. At nearby Dzalisi remnants and mosaic floors of a Roman town of the 2nd century AD have recently been excavated by Otar Djaparidze, Tamriko's father, and his students, which Cornelius and I visited in 1989 with Merab.
The present church at Tsilkani, to judge from its architectural style, must date from the 12th century. Its interesting murals appear to have been painted in the middle of the 13th - as the image of Christ in the apse conch indicates.
Tsilkani, the exceedingly high dome of the church from the inside.
The Holy Face in the dome's copula
Christ in a deesis in the apse conch.
An unusual multitude of tetramorphs and equally unusual a depiction of the Holy Spirit as a man-bird.
Zedazeni on a steep hill above Zaguramo once was a monastery. Sophiko claimed that its pre-Christian ghosts had driven the monks away - and in the 1980s it was certainly used by the local population for pre-Christian, animist services. May that be as it is - my Georgian experts vehemently deny this observation - Zedazeni is a "power spot" with a strong heathen spirit of its own. Hidden among old trees and with unsurpassed views of the surrounding countryside it has long been the favorite picnic place for people from Tbilisi. To avoid the long up-gill climb Merab pushed his old Zhiguli on the unimproved road right to the gate of its walled precinct. - On my last visit in 2001 Merab had replaced his Zhiguli - with funds from a European science grant - with a Mercedes.... - which was naturally too precious for this wild ride - and all my begging to go to Zedazeni fell on deaf ears....
The abandoned church hidden in trees
Tranquil Zedazeni on a late November afternoon in 1980
View of Mtskheta and the confluence of Aragvi and Kura in the evening haze
Zaguramo in the foreground, the Aragvi Valley, and the chain of the eastern High Caucasus with Mt. Kazbeg left of center (1989)
Zedazeni with Cornelius and Merab, May 1989
In 1989 Merab, Cornelius, and I were surprised by this cheerful group of gogonebi - girls from Tbilisi.
They were especially fascinated by Cornelius in his red shirt who spoke a smattering of verbless Georgian - Sophiko had never got as far a teaching him the complicated Georgian conjugations.
Cornelius surrounded by girls and Merab patiently writing down Corneliusi's name and address in beautiful Georgian letters: "Los Angeles! Hollywood! Are you movie star?"
Samtavisi
The church at Samtavisi, on the road from Tbilisi to Gori, is probably the purest and most elegant example of Georgian sacred architecture of the 12th century. Its pristine features are in excellent preservation. A true beauty. (November 1980, with Barbara, Cornelius, and Merab)
Return to Travels in Georgia


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Home Lottery Results Kerala Lottery Results Today | Live Kerala Lottery Today Result 2021 Live Kerala Lottery Today Result 21 April 2021: Akshaya AK 494
Kerala Lottery Results Today | Live Kerala Lottery Today Result 2021
Live Kerala Lottery Today Result 21 April 2021: Akshaya AK 494
Live Kerala Lottery Today Result 21 April 2021 Released: The government of Kerala announces lottery results. The Kerala Lottery Akshaya AK 494 results of 21.4.21 will be out today at 3 pm. Kerala is among the 13 states that organize legal lotteries. The Kerala Lottery is a weekly lottery in Kerala which is updated every Sunday. The results will be announced soon.
Kerala Lottery Today Result Live 21 April 2021
Participants can check their results on the official website – keralalotteryresults.net winner of Kerala State Lottery. Kerala set up the first lottery division in India in 1967. The department issued its first lottery ticket on November 1 of the same year. The first prize on a Rs 1 ticket is Rs 50,000. The first draw was on January 26, 1968.
Kerala Lottery Result Live Today 21 April 2021
Lottery Name Kerala Lottery
Draw Code Akshaya
Draw Name AK 494
First Prize Rs. 70,00,000
Result Time 3 to 4 PM
Kerala Lottery Result Live Today 21.4.21
1st Price Kerala Lottery – Rs.70,00,000/-
AR 821955
Consolation Prize Kerala Lottery – Rs.8,000/-
AN 821955 AO 821955 AP 821955 AS 821955 AT 821955 AU 821955 AV 821955 AW 821955 AX 821955 AY 821955 AZ 821955
2nd Price Kerala Lottery – Rs. 5,00,000/-
3rd Price Kerala Lottery – Rs. 1,00,000/
AN 243733 AO 166821 AP 815621 AR 647152 AS 479880 AT 818020 AU 195520 AV 493052 AW 496108 AX 628441 AY 310736 AZ 674026
4th Price Kerala Lottery – Rs. 5,000/-
7th Price Kerala Lottery – Rs. 500/-
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0049 0277 0282 0285 0329 0572 0601 0661 0703 0800 0949 0987 0990 1076 1176 1244 1441 1581 1600 1615 1635 1697 1852 1854 1892 2016 2073 2116 2193 2222 2311 2318 2353 2409 2449 2632 2694 2872 2904 2936 3004 3106 3165 3322 3433 3716 3920 4040 4091 4105 4126 4206 4401 4407 4452 4541 4590 4772 4796 4881 4911 4957 5012 5017 5029 5071 5074 5181 5182 5265 5446 5631 5716 5803 5856 6075 6088 6156 6160 6417 6507 6972 6974 7012 7018 7051 7120 7215 7364 7396 7431 7450 7544 7556 7564 7567 7579 7602 7719 7758 8008 8023 8060 8224 8240 8432 8512 8637 8699 8894 8922 8934 9041 9055 9143 9345 9388 9459 9485 9557 9631 9880 9941
"The prize winners are advised to verify the winning numbers with the results published in the Kerala Government Gazette and surrender the winning tickets within 30 days"
Check Yesterday Result
The department has now brought out seven weekly lotteries – Pratiksha, Dhanashree, Win-Win, Akshaya, Bhagyanidhi, Karunya and Purnami lotteries and six bumper lotteries from time to time. According to the Directorate of Kerala State Lotteries Directorate of Government of Kerala, there are three taluk lottery teams – one each in Punalur in Kollam district, Kattappana in Idukki district and one in Thamarassery in Ko Kozhikode district. The state government conducts special draws on big draws such as Onam, Christmas, Visu, and Dussehra.
LIVE Kerala Lottery Result: Akshaya AK 494 Lotteries 21 April 21
Find Kerala Lottery Results today at keralalotteryresults.in, daily 03.55 PM. Kerala lottery results published by lottery department of govt. Kerala Lottery through official Lottery Medium Kerala Lotteries. This website is for promotional purposes only. You can check the result through the Kerala Lottery Result websites. Lottery Today's result is Akshaya AK 494 Lottery 21-04-2021 and the old Kerala Lottery result of yesterday is also available here
Official Kerala Lottery Result Today 21.4.2021
Kerala set up India's first lottery in 1967. And it released its first lottery ticket on November 1 of the same year. The first prize on a Rs 1 ticket is Rs 50,000. The first draw was on January 26, 1968.
We publish Kerala lottery live-lottery-result Akshaya AK 494 21/04/2021 live-lottery live-Kerala-lottery-result live-lottery weekly publish live-lottery-draw live-Kerala-lottery-result Akshaya AK 494 lottery result 21-04-2021, Akshaya lottery Thursday result 21-04-2021, 21.04.2021 Wednesday lottery result, Akshaya AK 494 lottery result today (April 21, 2021), Kerala lottery result today, Akshaya lottery result today, Today's lottery result, Akshaya lottery result, Akshaya lottery draw result, Kerala Akshaya lottery result 21/4/2021
Official Today Lottery Result Link: Click Here
Previous Kerala Lottery Results 2021
Lottery/Draw No Draw Date View
Sthree Sakthi SS 256 13/04/2021 View
Win-Win W 611 12/04/2021 View
Akshaya AK 492 11/04/2021 View
Karunya KR 494 10/04/2021 View
Nirmal NR 219 09/04/2021 View
Bhagyamithra BM 5 04/04/2021 View
Nirmal (NR 218) 02/04/2021 View
Karunya Plus (KN 362) 01/04/2021 View
Akshaya (AK 491) 31/03/2021 View
Sthree Sakthi (SS 254) 30/03/2021 View
Win-Win (W 609) 29/03/2021 View
Karunya (KR 492) 28/03/2021 View
Win Win (608) 22/03/2021 View
Summer Bumper BR-78 21/03/2021 View
Bhagyamithra (BM 4) 07/03/2021 View
Win Win (W 605) 01/03/2021 View
Shree Shakti (SS 248) 16/02/2021 View
Karunya Plus (KN-355) 11/02/2021 View
Akshay (AK-484) 10/02/2021 View
Sthree Sakthi (SS 247) 9/02/2021 View
Win Win (W 602) 8/02/2021 View
Bhagyamitra (BM 3) 7/02/2021 View
Karunya (KR-485) 6/02/2021 View
Nirmal (NR-210) 5/02/2021 View
Karunya Plus (KN-354) 4/02/2021 View
Akshaya (AK-483) 3/02/2021 View
STHREE-SAKTHI(SS-246) 02/02/2021 View
WIN-WIN(W-601) 01/02/2021 View
KARUNYA(KR-484) 30/01/2021 View
NIRMAL(NR-209) 29/01/2021 View
AKSHAYA(AK-482) 27/01/2021 View
Xmas New Year Bumper 2020-21 BR-77 17/01/2021 View
BHAGYAMITHRA(BM-2) 03/01/2021 View
Kerala Lottery Result Today 14.4.2021
Kerala Lottery Prize Claim: How to get money? Step by step guide for you with full list of documents
If you win prize money at Kerala Lottery, you must know how to get it. The prize-winner of the lottery must submit a prize-winning ticket within 30 days of receiving the draw with all required documents as per http://www.keralalotories.com/. Rs. 1 lakh can be obtained from the concerned District Lottery Offices.
However, most prize winning tickets must be surrendered to the Director of State Lottery after pasting the signature, name and address of the Prize Winner with the following documents: –
The photostat copy of both sides of the ticket, along with the claim application, is self-validated.
Two passport size photographs of the gazetted officer / notary duly certified prize-winner.
Receipt for prize money in the prescribed form with a stamp of income of Rs.
If the prize winner is a minor, a certificate of protection from the competent authority.
In the case of joint claims, one of the prize winners shall be authorized to receive the prize money and the joint declaration on stamp paper shall be for Rs. 50 / – shall be executed.
Self-Established Copy of PAN Card
Proof of Identity (Proof of Ration Card, Driving License, Passport, Election Card
Prize money can also be obtained from Nationalized, Scheduled or State / District Co-operative Banks. You must surrender to the bank with all the above documents if a prize-winning ticket is required. The Bank shall file a claim with the State Lottery Director with the following certificates:
Prize Winner Official Letter (Download)
Certificate from the receiving bank (download)
Certificate from the collecting bank (download)
The prize money is Rs. 10,000, the income tax is deducted at the prevailing rate and credited to the Central Government Account. As of now, a 30% income tax is deducted for all prize winning claims. 10,000 / – will be deducted as income tax, equal to the 10% claim for the agent's reward rights. Currently no additional fees or educational cess will be deducted as per the Income Tax rules.
Prize winning directors (awards) and directors must forward more than Rs 20 lakhs to pay prize winning tickets in excess of Rs 1 lakh and up to Rs 20 lakh.
Where to check Kerala Lottery Results 21 April 2021 ?
The Results will be updated on this page after the official announcement. Keep Refreshing this page to get the latest update.
Visit the official website of Kerala Lotteries @ keralalotteries.com
Click on the Results option on the home page of the official website
Then click the lottery result link
Check lottery results in number 21.4.2021
Where to check Kerala Lottery Results 21.4.2021?
Today Kerala Lottery Results can to be check on keralalotteries.com.
When will be Kerala Lottery Results 21-4-2021 Available on official website?
Today lottery results available from 3 PM
When Kerala Results Live Streaming Starting?
Today 2:55 PM
What is Price Money Getting on Akshaya AK?
For First Price Rs.70,00,000/-
Live Kerala Lottery Today Result 28.10.2022: Nirmal NR 300
Manipur Lottery Result Today 21.9.2022 Live Manipur State Lottery Result at 11 AM, 3 PM, 7 PM
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Bhutan Express Result 21 September 2022: Check Bhutan Express Gold Lottery Result at 10 AM, 12 PM, 5 PM, 8 PM
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text:
enum
{
	EVENT_ITEM,
	EVENT_BATTLE,
	EVENT_NEW_FLOOR,
	EVENT_SHOP
};
#else
// These should add up to 100
enum
{
	EVENT_ITEM,
	EVENT_BATTLE,
	EVENT_NEW_FLOOR
};
#endif

int *GetEventChances(void);
int GetEventCount(void);
int GetBaseChanceOfEvent(void);

redpajama_set_name: RedPajamaGithub


text:
Highster Mobile Review – 2021's Best Cell Phone Spy App
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Homepage » Cell Phone Spy Software » What Is the Value of a Cell Phone Spy App?
What Is the Value of a Cell Phone Spy App?
Cell Phone Spy Software Patrick Hinchy
One of the most highly acclaimed inventions of all time is the cellular phone. It has become a part of a person's lifestyle especially...
One of the most highly acclaimed inventions of all time is the cellular phone. It has become a part of a person's lifestyle especially by means of communicating with other people. This is what you use when you want to call your parents and text your kids to know their whereabouts. Plus, business companies also take hold of these gadgets to do their business transactions and a whole lot more. Mobile phones have been a great help to the millions of lives all over the world. Indeed, cell phones are a must-have, no matter what the facets of life a person has.
But as the technology advances, crimes have also been advancing and continuing to rise throughout the years. There are a lot of reports regarding abduction, molesting and abuse through the use of internet. The virtual world has become a dangerous place to use especially for the younger generations. Child molesters would usually prey on innocent kids and there are a lot of identity frauds that have been posing as threats online.
The birth of cell phone spy app softwares lessen the occurrence of these situations from happening. In fact, companies of these cell phone monitoring softwares cater to the needs and concerns of parents, spouses, employers and other citizens as well.
Functions of a Mobile Monitoring App
A spy app tracks the phone user's activities and gives detailed information on the current location and distance of the mobile phone. It is also possible to listen to phone conversations, view imaging histories being sent or received and spy on text messages the mobile device. Needless to say, a tracking software can also be called as a spy on text messages app for iPhone and Android since it has a capacity to function on both operating systems.
If the phone user has previously deleted information on the device such as texts and call logs, these can still be viewable in the live control panel where every sort of phone data is being stored. Also, the live control panel serves as the ultimate source of information.
Along with these features include a GPS tracking system which works 24/7 and could be gained access anytime and anywhere as long as there is an internet connection. Also, if the phone gets lost, you can easily get it back through the help of this GPS system. The tracking system will the current location of the phone, making it easy for retrieval.
Highster Mobile is a mobile tracking software equipped with the latest and most advanced monitoring features available in today's market. Backed with a powerful tracking and surveillance feature, its technology makes it one of the most widely used software of today's generation.
Patrick Hinchy
Highster Mobile Review
Excellent for spying on iPhones and iPads. Free lifetime upgrades and LIVE people answering the phones. Free upgrades and no monthly fees.
Great for beginners! Easy to download and easy to use. 800 number with LIVE people to answer questions and assist you if you run into problems.
Just like its name, it's easy-to-use. Perfect for the novice user. It is one of the most advanced cell phone tracking and monitoring software
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