text:
The place New York, NY represents a specific geographic location related to resources found in Oshkosh Public Library.
The Resource New York, NY
A sample of Items published in the Place New York, NY See All
"Almost everyday", Matt and Kim, (compact disc)
"Anna, where are you?", Patricia Wentworth
#1's, Mariah, (compact disc)
#AskGaryVee : one entrepreneur's take on leadership, social media, & self-awareness, Gary Vaynerchuk
#EntryLevelBoss : how to get any job you want, Alexa Shoen
$10,000,000 marriage proposal, James Patterson with Hilary Liftin, (compact disc)
'NSYNC, making the tour, Jive Records ; Crush Digital ; Carbone Entertainment ; an MTV Music Development production, (DVD)
'Round about midnight, the Miles Davis Quintet, (compact disc)
'Til dirt do us part, Edith Maxwell,
(500) days of summer : music from the motion picture, (compact disc)
.5 : the gray chapter, Slipknot, (compact disc)
1+1= 5 | 1 + 1 = 5 : and other unlikely additions, by David LaRochelle ; illustrated by Brenda Sexton
1,000 times good night, Film Movemen and Global Screen present ; written by Harald Rosenløw ; directed by Erik Poppe, (DVD)
10 little rubber ducks, Eric Carle
10 mindful minutes : giving our children-and ourselves-the social and emotional skills to reduce stress and anxiety for healthier, happier lives, Goldie Hawn with Wendy Holden
10 song demo, Rosanne Cash, (compact disc)
10% happier : how I tamed the voice in my head, reduced stress without losing my edge, and found self-help that actually works--a true story, Dan Harris
10% human : how your body's microbes hold the key to health and happiness, Alanna Collen
10,000 towns, Eli Young Band, (compact disc)
10-day green smoothie cleanse, JJ Smith
100 days of real food : fast & fabulous : the easy and delicious way to cut out processed food, Lisa Leake
100 days of real food on a budget : simple tips and tasty recipes to help you cut out processed food without breaking the bank, Lisa Leake
100 favorite herbs, Teri Dunn
100 greatest trips : from the world's leading travel magazine
100 most awesome things on the planet, Anna Claybourne
100 planes, 100 years : the first century of aviation, photography by Frederic Winkowski and Frank D. Sullivan ; text by Frank D. Sullivan
1000 forms of fear, Sia, (compact disc)
1000hp, Godsmack, (compact disc)
1001 bicycles to dream of riding, general editior, Guy Kesteven ; foreword by Chris Boardman
1001 drum grooves : the complete resource for every drummer, by Steve Mansfield
1001 fishing tips : the ultimate guide to finding and catching more and bigger fish, edited by Lamar Underwood ; illustrated by John Rice ; foreword by Stu Apte
100th anniversary, Burning Spear, (compact disc)
101 ways to go zero waste / : Kathryn Kellogg
102 minutes : the unforgettable story of the fight to survive inside the Twin Towers, Jim Dwyer and Kevin Flynn
113 minutes, James Patterson with Max DiLallo, (compact disc)
12 golden country greats, Ween, (compact disc)
12 songs, Neil Diamond, (compact disc)
12 strong : the declassified true story of the horse soldiers, Doug Stanton
1200 curfews, Indigo Girls, (compact disc)
12p2s, Wendy Mae Chambers, (compact disc)
13 : the story of the world's most popular superstition, Nathaniel Lachenmeyer
13 things mentally strong parents don't do : raising self-assured children and training their brains for a lifetime of happiness, meaning, and success, Amy Morin
13 things mentally strong women don't do : own your power, channel your confidence, and find your authentic voice for a life of meaning and joy, Amy Morin
142 ostriches / April Dávila
1421 : the year China discovered America, Gavin Menzies
15-minute Arabic : learn in just 12 weeks, Marion Sarhaan
15-minute French : learn French in just 15 minutes a day, (compact disc)
15-minute Latin-American Spanish : learn Latin-American Spanish in just 15 minutes a day, (compact disc)
150 best interior design ideas, Francesc Zamora Mola
150 best new cottage and cabin ideas, Francesc Zamora Mola
150 best new eco home ideas, Francesc Zamora Mola
150 best of the best house ideas, Francesc Zamora Mola
150 best sustainable house ideas, Francesc Zamora Mola
150 ways to dress your windows
15th affair, James Patterson and Maxine Paetro
16 biggest hits, Roy Orbison, (compact disc)
17 first kisses, Rachael Allen
1776 : the new Broadway cast recording, music and lyrics by Sherman Edwards ; book by Peter Stone, (compact disc)
18 essential songs, Janis Joplin, (compact disc)
18 months, Calvin Harris, (compact disc)
1920 : the year that made the decade roar, Eric Burns
1:35 A.M., by Scott Cawthon, Elley Cooper, Andrea Waggener
20 makey makey projects for the evil genius, Colleen Graves, Aaron Graves
200 more miles : live performances 1985-1994, Cowboy Junkies, (compact disc)
201 ways to say no gracefully and effectively, Alan Axelrod and Jim Holtje
2016 Grammy nominees, (compact disc)
2019 Tony Award season, (compact disc)
202 pets' peeves : cats and dogs speak out on pesky human behavior, Cal Orey
21-day tummy : the revolutionary diet that soothes and shrinks any belly fast, Liz Vaccariello, author of the New York Times bestsellers The Digest diet, with Kate Scarlata, RD
24 of Hank Williams' greatest hits, Hank Williams, (compact disc)
2400 Fulton Street : the CD collection, Jefferson Airplane, (compact disc)
25 best planting plans, Noël Kingsbury ; additional research by Sharron Long
25, Adele, (compact disc)
28 summers : a novel, Elin Hilderbrand
2X, Lil Durk, (compact disc/)
3 feet high and rising, De La Soul, (compact disc)
3 x 4 with Annemarie : a TOON book, by Ivan Brunetti
3-D printers, James Bow
30-minute paleo meals : over 100 quick-fix, gluten-free recipes, Melissa Petitto, R.D
30-minute rings : 60 quick & creative projects for jewelers, Marthe Le Van
35 years of WrestleMania, written by Brian Shields and Dean Miller ; foreword by "Mr. WrestleMania" Shawn Michaels
365 skinny smoothies : healthy, never-boring recipes and 52 weekly shopping lists for stress-free weight loss, by Daniella Chace MSC, CN
365 snacks, hors d'oeuvres, and appetizers, Lonnie Gandara and Peggy Fallon
37 houseplants even you can't kill, by Mary Kate Hogan
3:59, Gretchen McNeil
3D printing : science, technology, engineering, by Steven Otfinoski
3rd-grade spelling success, Sylvan Learning
3rd-grade vocabulary success, Sylvan Learning
419, Will Ferguson
4th-grade spelling success, Sylvan Learning
4th-grade vocabulary success, Sylvan Learning
5 busy ducklings
5 times revenge, Lindsay Eland
5 years of Mau5, Deadmau5, (compact disc)
5-minute Berenstain Bears stories, Jan, Stan, & Mike Berenstain
5-minute Fancy Nancy stories, based on the creation of Jane O'Connor and Robin Preiss Glasser ; text copyright by Jane O'Connor ; illustrations copyright by Robin Preiss Glasser
5-minute Mary Engelbreit fairy tales
5-minute Pete the Cat stories, by James Dean
Context of New York, NY
Provider place of
Abingdon, Oxon | New York, NY, Routledge, 2018
Antwerp, Ludion, New York, NY, Abrams, 2013
Asheville, N.C., Lark Books, New York, NY, Distributed in the U.S. by Sterling Pub., c1996
Asheville, N.C., U.S.A., Lark Books, New York, NY, Distributed by Random House, Inc., in the United States, c1996
Asheville, NC, Lark Books, New York, NY, Distributed in the U.S. by Sterling Pub., 1996
Asheville, NC, Lark Books, New York, NY, Distributed in the U.S. by Sterling Publishing, c1997
Ashland, OR, Blackstone Audio, New York, NY, HarperAudio, 2016
Ashland, Oregon, Blackstone Audio, Inc., New York, NY, Hachette Audio, 2014
Belmont, CA, Aviva International, New York, NY, Manufactured and distributed by Arista Records, Inc., c2000
Berkeley, CA, Apress, New York, NY, Distributed by Springer-Verlag, c2006
Berkeley, CA, Apress, New York, NY, Distributed to the book trade worldwide by Springer, 2006
Berlin, Deutsche Grammophon, New York, NY, Distributed by Universal Music Distribution, p2011
Berlin, Germany, Deutsche Grammophon, New York, NY, Universal Music Distribution, 2016
Boston, MA | New York, NY, Mariner Books, Houghton Mifflin Harcourt, 2017
Boston, MA, Ticktock, New York, NY, distributed in the US by Hachette Book Group USA, 2014
Boston, Mass., MFA Publications, New York, NY, trade distribution: Distributed Art Publishers, c2007
Brentwood, TN, Word, New York, NY, Manufactured and distributed by Epic, 1996
Burbank, CA | New York, NY, Warner Bros. Records, p2015
Burlington, VT, A & E Home Video, New York, NY, Distributed by New Video, 2005
Burlington, VT, A & E Home Video, New York, NY, Distributed by New Video, c2005
Burlington, VT, A & E Home Video, New York, NY, New Video, 2005
Burlington, VT, A&E Home Video, New York, NY, Distributed by New Video, 2004
Burlington, VT?, A&E Television Network, New York, NY, Marketed and distributed in the U.S. by New Video, c2008
Burlington, Vt., A & E Home Video, New York, NY, Distributed by New Video, 2004
California, Apress, New York, NY, Distributed to the book trade worldwide by Springer Science+Business Media, 2017
Cambridge Cambridgeshire | New York, NY, Cambridge University Press, 1987
Cambridge, U.K. | New York, NY, Cambridge University Press, 2002
Cambridge, U.K. | New York, NY, Cambridge University Press, c2001
Cambridge, UK | New York, NY, Cambridge University Press, 1999
Carlisle, MA, Applewood Books, New York, NY, New York Historical Society, 2013
Carrolton, GA, Nick at Nite Records, New York, NY, Sony Music Entertainment, p1997
Chicago, The Institute, New York, NY, Distributed in the United States by Hudson Hills Press, 1996
Corsham, Wiltshire, England, Real World Records, New York, NY, Distributed by Caroline Records, p&c1997
Delafield, WI P.O. Box 206, Delafield 53018, Sun Designs, New York, NY, Distributed by Sterling Pub. Co., c1986
England, BBC Video, New York, NY, Distributed by BBC Worldwide Americas, Burbank, CA, Distributed by Warner Home Video, 2009
England, BBC Video, New York, NY, Distributed by BBC Worldwide Americas, Burbank, CA, Distributed by Warner Home Video, c2010
Franklin, TN, distributed in the USA by Provident Distribution, New York, NY, and by Sony Music Entertainment
Freiburg, Deutsche Harmonia Mundi, New York, NY, Manufactured and distributed by BMG Music, 1990, p1983
Freiburg, Germany, Deutsche Harmonia Mundi, New York, NY, Distributed by BMG Music, p1995
Freiburg, West Germany, Deutsche Harmonia Mundi, New York, NY, Manufactured and distributed by BMG Music, p1989
Ghent, Belgium, Ludion, New York, NY, Distributed in North America by Harry N. Abrams, c2007
Glasgow, U.K. : HarperResource | New York, NY, HaprerCollins, c2002
Great Britain, Boxer Books, New York, NY, Distributed in the U.S. and Canada by Sterling Publishing Co., 2010
Hamburg, Deutsche Grammophon, New York, NY, Distributed by Universal Music
Hamburg, Deutsche Grammophon, New York, NY, Distributed by Universal Music & Video Distribution, p2002
Hamburg, Deutsche Grammophon, New York, NY, Manufactured and marketed by PolyGram Records, 1988, p1973
Hamburg, Deutsche Grammophon, New York, NY, Manufactured and marketed by Universal Music Classical | Distributed by Universal Music Distribution, p2008
Hamburg, Deutsche Grammophon, New York, NY, Manufactured and marketed by Universal Music Classical, p2007
Hamburg, Deutsche Grammophon, New York, NY, Manufactured and marketed by Universal Music Classics Group, p2005
Hamburg, Deutsche Grammophon, New York, NY, Universal Music Distribution, p2009
Hamburg, Deutsche Grammophon, p2008, New York, NY, Manufactured and marketed by Universal Music Classics, p2008
Hamburg, Polydor International, New York, NY, Manufactured and markaeted by PolyGram Classics & Jazz, 1997?p1968
Hamburg, Polydor International, New York, NY, Manufactured and marketed by PolyGram Classics & Jazz, 1998,p1955
Harmondsworth, Eng. | New York, NY, Viking, 1986
Harrington Park, NJ, Milestone Film & Video, New York, NY, Exclusively distributed by Oscilloscope Laboratories, c2009
Hollywood, CA, CBS DVD, New York, NY, New Video Kids | Distributed by New Video Group, 2005
Hollywood, CA, EMI Music Special Products, New York, NY, Distributed by Time Life, ℗2012
Hong Kong, Odyssey, New York, NY, Distribution in the USA by W.W. Norton & Company, 2006
Hopewell, N.J., Ecco Press, New York, NY, Distributed by W.W. Norton & Company, 1998
Houndmills, Basingstoke, Hampshire | New York, NY, Palgrave Macmillan, 2012
Irving, Tex., Word, Inc., New York, NY, Manufactured and distributed by Epic, p1990
Itasca, IL, Collectors' Choice Music, New York, NY, Sony Music Entertainment, cp2003
Kaneohe, Hawaii, Plover Press, New York, NY, Distributed by Talman Co., 1991
Katowice, Poland, Angelus Silesius, c2010, New York, NY, distributed by Kino Lorber, Inc., c2011
Lewes, East Sussex, Guild of Master Craftsman, New York, NY, Distributed by Sterling, 2000
London | New York, Amsco Publications, London, England | New York, NY, Exclusive distributors, Music Sales, c1990
London | New York, E. Arnold, New York, NY, Distributed in the USA by Routledge, Chapman and Hall, Inc., 1987
London | New York, NY, 4AD, 2019
London | New York, NY, ADB/4AD, 2019
London | New York, NY, Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2020
London | New York, NY, Conran Octopus, 2010
London | New York, NY, DK Pub., 2004
London | New York, NY, DK Pub., c2004
London | New York, NY, DK Publishing, 2003
London | New York, NY, DK Publishing, c2002
London | New York, NY, DK, 2007
London | New York, NY, Dorling Kindersley Pub., 2006
London | New York, NY, Dorling Kindersley, 2000
London | New York, NY, Flying Eye Books, 2016
London | New York, NY, Frederick Warne & Co., 2013
London | New York, NY, I.B. Tauris & Co. Ltd, 2017
London | New York, NY, Kingfisher | Distributed in the U.S. and Canada by Macmillan, c2012
London | New York, NY, Kogan Page, 2018
London | New York, NY, Lorenz Books, 1999
London | New York, NY, Michael Joseph, 2013
London | New York, NY, Octopus Books, 2010
London | New York, NY, Omnibus | exclusive distributors: Music Sales Corporation, c2011
London | New York, NY, Parachute Press | DK | John Deere, c2009
London | New York, NY, Phaidon Press Limited, 2016
London | New York, NY, Phaidon Press, 2018
London | New York, NY, Pluto Press | Distributed in the United States of America exlusively by Palgrave Macmillan, 2009
London | New York, NY, Ryland Peters & Small, 2008
London | New York, NY, Ryland Peters and Small, 2010
London | New York, NY, T & T Clark, ©2012
London | New York, NY, Thames & Hudson, 2000
London | New York, NY, Thames and hudson, 1997
London | New York, Omnibus, New York, NY, exclusive distributors: Music Sales Corporation, 2011
London | New York, Wise Publications, New York, NY, Exclusive distributors, Music Sales Corp., c1990
London, Almega Projects, New York, NY, Distributed in the U.S. by New Video, c2011
London, Architectural Press, New York, NY, Van Nostrand Reinhold, 1987
London, Arms & Armour, New York, NY, Distributed in the USA by Sterling Publishing, 1999
London, Arms and Armour, New York, NY, Distributed in the USA by Sterling Pub., 1989
London, Batsford, New York, NY, Distributed in the United States and Canada by Sterling Publishing Co. Inc., 2019
London, Batsford, New York, NY, Distributed in the United States and Canada by Sterling Publishing, 2005
London, Blandford, New York, NY, Distributed in the U.S. by Sterling Pub. Co., 1996
London, Blandford, New York, NY, Distributed in the United States by Sterling Publishing, 1997
London, Boxer Books, New York, NY, Distributed in the U.S. and Canada by Sterling Publishing, c2009
London, Boxer Books, New York, NY, Distributed in the United States and Canada by Sterling, 2006
London, Cassell Illustrated, New York, NY, Distributed in the US and Canada by Octopus Books USA, 2010
London, Cassell Illustrated, New York, NY, Distributed in the United States of America by Sterling Publishing, 2003
London, Cassell, New York, NY, Distributed by Sterling Publishing, 1994
London, Cassell, New York, NY, Distributed in the U.S. by Sterling Pub. Co., 1995
London, Cassell, New York, NY, Distributed in the USA by Sterling Pub. Co., 2001
London, Cassell, New York, NY, Distributed in the United States by Sterling Pub., 1995
London, Cassell, New York, NY, Distributed in the United States by Sterling Publishers, 1998
London, Cassell, New York, NY, Distributed in the United States by Sterling Publishing, 1996
London, Cassell, New York, NY, Distributed in the United States of America by Sterling Publishing, 2000
London, Cassell, New York, NY, distributed in the U.S. by Sterling Pub. Co., c1996
London, Cassell, an imprint of Octopus Publishing Group Ltd, New York, NY, Distributed in the US by Hachette Book Group, 2020
London, Collins & Brown, New York, NY, Distributed in the United States & Canada by Sterling Publishing Co., Inc., 2017
London, Collins & Brown, New York, NY, Distributed in the United States and Canada by Sterling Publishing Co, Inc., 2015
London, Collins & Brown, New York, NY, Distributed in the United States and Canada by Sterling Publishing Co., Inc., 2017
London, Collins & Brown, New York, NY, Distributed in the United States and Canada by Sterling Publishing, 2000
London, Collins & Brown, New York, NY, Distributed in the United States and Canada by Sterling Publishing, c2009
London, Conran Octopus, New York, NY, Distributed in the U.S. and Canada by Hachette Book Group USA, 2009
London, Conran Octopus, New York, NY, Distributed in the U.S. and Canada by Hachette Book Group, USA, 2011
London, Conran Octopus, New York, NY, Distributed in the US by Hachette Book Group, 2018
London, Conran Octopus, New York, NY, Distributed in the United States and Canada by Sterling Publishing Co., 2001
London, David & Charles, New York, NY, Distributed in the United States by Sterling Publishing, 1991
London, Decca, New York, NY, Distributed by Universal Music Distribution, p2009
London, Decca, New York, NY, Universal Music Distribution, p2009
London, EmArcy, New York, NY, Manufactured and marketed by Decca Label Group, p2011
London, Eng., New Holland Publishers, Ltd., New York, NY, Distributed by Sterling Publishing, c1998
London, England | New York, NY, Puffin Books, 1994
London, England, Decca Record Co., New York, NY, Manufactured and marketed by A&M Records, c1997, p1969
London, England, Decca, New York, NY, Manufactured and marketed by Universal Music Classical | Distributed by Universal Music Distribution, p2008
London, England, Decca, New York, NY, Manufactured and marketed by Universal Music Classical, p2009
London, England, Hamlyn, New York, NY, Distributed in U.S. by Hachette Book Group, 2014
London, England, Mitchell Beazley, New York, NY, Distributed in the US by Hatchette Book Group, 2016
London, First Night Records, New York, NY, Distributed exclusively in the U.S. by RED Distribution, p2003
London, Friedman/Fairfax Publishers, New York, NY, Distributed by Sterling Pub. Co., c1999
London, Gaia Books, New York, NY, Distributed in the US by Hachette Book Group, 2017
London, Gaia, New York, NY, Distributed in the United States and Canada by Sterling Publishing, c2005
London, Gollancz, New York, NY, distributed in the United States by Sterling Publishing Co., 2002, c1999
London, Granada Media, New York, NY, A&E Home Video | Distributed by New Video, 2002
London, Hamllyn, New York, NY, Distributed in the U.S. by Sterling, 2006
London, Hamlyn, New York, NY, Distributed in the US by Hachette Book Group, 2015
London, Hamlyn, New York, NY, Distributed in the United States and Canada by Sterling Pub., c2003
London, Hamlyn, New York, NY, Distributed in the United States and Canada by Sterling Publishing, 2000
London, Kyle Books, New York, NY, Distributed in the US by Hachette Book Group, 2020, c2019
London, Macmillan Press, New York, NY, Grove's Dictionaries of Music, 1985
London, Miller's, New York, NY, Distributed in the USA by Antique Collectors' Club, 1999
London, Mitchell Beazley, New York, NY, Distributed in the U.S. and Canada by Octopus Books, c2009
London, Mitchell Beazley, New York, NY, Distributed in the US and Canada by Octopus Books USA, 2010
London, Mitchell Beazley, New York, NY, Distributed in the US by Hachette Book Group, 2012
London, Mitchell Beazley, New York, NY, Distributed in the United States and Canada by Sterling Publishing, c2008, c2004.
London, Octopus Pub., New York, NY, Distributed in the US by Hachette Book Company, 2014
London, Octopus Pub., New York, NY, Distributed in the US by Hachette Book, 2014
London, Omnibus, New York, NY, Music Sales Corporation, 2003
London, PRC Publishing Ltd., New York, NY, Distributed by Sterling Publishing Co., 2001, c1999
London, Pyramid, New York, NY, Distributed in the United States and Canada by Sterling Publishing, 2006
London, Seven Dials, New York, NY, Distributed in the United States by Sterling Publishing, 2000, c1992
London, Seven Dials, New York, NY, Distributed in the United States of America by Sterling Publishing, 2000
London, Southwater, New York, NY, Anness Publishing, 2002
London, Southwater, New York, NY, Distributed in the USA by Anness Publishing Inc., 2000
London, Southwater, New York, NY, Distributed in the USA by Anness Publishing, Inc., 2000
London, Spruce, New York, NY, Distributed in the US by Hachette, 2014
London, Studio Vista, New York, NY, Distributed in the United States by Sterling Publishing, 1994
London, Ticktock, New York, NY, Distributed in the US by Hachette Book Company, 2014
London, Ticktock, New York, NY, Distributed in the US by Hachette Book Group, 2014
London, Ward Lock, New York, NY, Distributed by Sterling Pub. Co., 1997
London, Ward Lock, New York, NY, Distributed in the United States by Sterling Pub., 1995
London, Ward Lock, New York, NY, Distributed in the United States by Sterling Publishing, 1996
Los Angeles, CA, Cinedigm Home Entertainment, New York, NY, Distributed by Hallmark Entertainment, 2014
Los Angeles, CA, Enjoy, New York, NY, Distributed by Universal Music and Video Distribution, p2000
Los Angeles, CA, Shout Factory, New York, NY, Distributed by Sony Music Entertainment Inc., c2005
Los Angeles, CA, Shout Factory, New York, NY, Sony BMG Music, p2008
Los Angeles, CA, Shout! Factory, New York, NY, Distributed by Sony BMG Music Entertainment, 2005
Los Angeles, CA, Shout! Factory, New York, NY, Distributed by Sony BMG Music Entertainment, c2005
Los Angeles, CA, Shout! Factory, New York, NY, Distributed by Sony Music Entertainment, 2001
Los Angeles, Calif., Jim Henson Company, New York, NY, Manufactured and distributed by Cinedigm Home Entertainment LLC, c2014
Mango Tree, HI, Brushfire Records, New York, NY, Marketed by Universal Records, p2009
Milan, Skira, New York, NY, Distributed in USA, Canada, Central & South America by Rizzoli, 2012
Milano, Italy, Skira, New York, NY, Distributed in North America by Rizzoli International Publications, c2009
Minnetonka, Minn., Meadowbrook Press, New York, NY, Book trade distribution by Simon & Schuster, c1997
Mobile, AL, Integrity Inc., New York, NY, distributed by Epic, p1999
Mobile, AL, Integrity Music, New York, NY, Sony Wonder, p2002
Mobile, Ala., Integrity Music, New York, NY, Manufactured and distributed by Epic, p2003
Montreal, Enfant, an imprint of Drawn & Quarterly, New York, NY, Distributed in the USA by Farrar, Straus and Giroux, 2013
Montréal, Drawn & Quarterly, New York, NY, Distributed in the USA Farrar, Straus, and Giroux, 2011
Moorestown, NJ, nuGroove Records, New York, NY, Distributed in the United States by Sony RED, p2008
Mulgrave, Victoria | New York, NY, Images Publishing, 2018
Munich | New York, NY, Prestel Art, 2020
Munich, Germany | New York, NY, Prestel, c1999
Munich, Germany, BMG/Ariola, New York, NY, distributed by Arista Records, p1995
Munich, Prestel-Verlag in association with the Art Institute of Chicago, New York, NY, Distribution in the U.S.A. by Neues Pub. Co., c1987
München, ECM Records, New York, NY, Distributed by Universal Music & Video Distribution, p2001
München, ECM Records, New York, NY, Manufactured and distributed by BMG Music, p1993
München, ECM Records, New York, NY, Manufactured and marked by Universal Music Classics | Distributed by Universal Music Distribution, 2016
München, ECM Records, New York, NY, Manufactured and marketed by Universal Music Classical | Distributed by Universal Music Distribution, p2007
München, ECM Records, New York, NY, Universal Music Classical, p2009
München, ECM Records, New York, NY, Universal Music Distribution, p2009
München, ECM Records, New York, NY, manufactured and marketed by BMG Music, 1970
München, ECM, New York, NY, Manufactured and marketed by Decca Label Group, p2011
München, JMT Productions, New York, NY, Manufactured and marketed by PolyGram Classic, p1989
Nashville TN : INO Records | New York, NY, distributed by Columbia Records, 2009
Nashville, TN | New York, NY, Warner Bros. Records, Inc., p2007
Nashville, Tenn., Republic Nashville, New York, NY, Universal Music Distribution, p2013
New Castle, DE, Oak Knoll Press, New York, NY, Lyons Press, 1998
New York, A & E Television Networks, New York, NY, Distributed by New Video Group, 2005
New York, Amistad, New York, NY, Distributed by St. Martin's Press, 1997
New York, Black Dog & Leventhal Pub., New York, NY, Distributed by Workman Publishing, c2000
New York, Black Dog & Levinthal Publishers, New York, NY, Distributed by Workman Publishing, c2003
New York, N.Y., Black Dog & Leventhal, New York, NY, Distributed by Workman Publishing, c2003
New York, N.Y., Friedman/Fairfax Publishers, New York, NY, Distributed by Sterling Publishing, c2000
New York, NY | London, Simon & Schuster, 2010
New York, NY, !t, c2010
New York, NY, /Kensington Publishing Corp., 2015
New York, NY, 12 Tone Music, 2019
New York, NY, 19 Recordings limited/Arista Nashville, 2014
New York, NY, 19 Recordings/RCA, p2011
New York, NY, 2K Play, c2010
New York, NY, 2nd Story Sound Records, p2009
New York, NY, : | Pinnacle Books, Kensington Publishing Corp., 2015
New York, NY, A & E Home Video | Distributed by New Video, 1998
New York, NY, A & E Home Video | Distributed by New Video, 2005, c2004
New York, NY, A & E Home Video | Distributed by New Video, c2001
New York, NY, A & E Home Video | Distributed in the U.S. by New Video, c2001
New York, NY, A & E Home Video | Marketed and distributed in the U.S. by New Video Group, 1999
New York, NY, A & E Home Video | Marketed and distributed in the U.S. by New Video, 2001
New York, NY, A & E Home Video, New York, NY, Distributed by New Video Group, c2005
New York, NY, A & E Television Networks | Distributed by New Video, 2009
New York, NY, A & E Television Networks | Santa Monica, CA | Lionsgate, 2018
New York, NY, A Call To Men, c2006
New York, NY, A Forge Book, Published by Tom Doherty Associates, LLC, 2014, c2013
New York, NY, A Golden Book, 2014
New York, NY, A Signet Book/New American Library, 2007
New York, NY, A Tom Doherty Associates Book, 2018
New York, NY, A&E Home Video | Distributed by New Video, 1999
New York, NY, A&E Home Video | Distributed by New Video, 2002, c1989
New York, NY, A&E Home Video | Distributed by New Video, c2001
New York, NY, A&E Home Video | Distributed in the U.S. by New Video, c2004
New York, NY, A&E Home Video | Marketed and distributed in the U.S. by New Video, 2003
New York, NY, A&E Home Video | Marketed and distributed in the U.S. by New Video, c2001
New York, NY, A&E Home Video: | Distributed by New Video, 2002
New York, NY, A&E Television Networks | Distributed by New Video, 2008, c2003
New York, NY, A&E Television Networks | Distributed by New Video, 2009
New York, NY, A&E Television Networks, c2010
New York, NY, A&E | Distributed by New Video, c2000
New York, NY, A&E, Los Angeles, CA, Lionsgate, 2015
New York, NY, A&M/Octone, p2011
New York, NY, AMACOM, 2016
New York, NY, AMACOM, American Management Association, c2010
New York, NY, AMACOM, c1989
New York, NY, ATCO, p1992
New York, NY, ATL/Atlantic, 2015
New York, NY, ATO Records | Prawn Song Records & Chimera Music, 2016
New York, NY, ATO Records, 2014
New York, NY, ATO Records, p2012
New York, NY, ATO, p2011
New York, NY, AV2 by Weigl, 2014
New York, NY, AV2 by Weigl, c2011
New York, NY, AVON Books, an imprint of HarperCollinsPublishers, 2020
New York, NY, AVp2s by Weigl, 2014
New York, NY, AVp2s by Weigl, c2011
New York, NY, Abbeville, c2007-
New York, NY, Abkco Records, c1995
New York, NY, Abrams Appleseed, 2012
New York, NY, Abrams Appleseed, an imprint of ABRAMS, 2014
New York, NY, Abrams Appleseed, c2012
New York, NY, Abrams Books for Young Readers, 2007
New York, NY, Abrams Books for Young Readers, 2011, c2009
New York, NY, Abrams Books for Young Readers, an imprint of ABRAMS, 2019
New York, NY, Abrams Books for Young Readers, c2012
New York, NY, Abrams Books, 2013
New York, NY, Abrams ComicArts, an imprint of ABRAMS, 2014
New York, NY, Abrams Image, 2015
New York, NY, Abrams Image, c2013
New York, NY, Abrams, 2014
New York, NY, Abrams, c 2014
New York, NY, Ace Books, 2014
New York, NY, Ace Books, c1991
New York, NY, Ace/Berkley, an imprint of Penguin Random House LLC, 2019
New York, NY, Acorn, Scholastic Inc., 2019
New York, NY, Acorn/Scholastic Inc., 2019
New York, NY, Adams Media, 2020
New York, NY, Akashic Books, 2013
New York, NY, Akashic Books, 2014, c2013


Cary Wing, Ed.D., FACSM, has been in the health and fitness field for more than 30 years. Dr. Wing has been directly involved in the development and management of medically integrated health/fitness centers. For ten years (2000 to 2010), she was the executive director of the Medical Fitness Association (MFA). She served as chair of the Inclusive Fitness Coalition Health & Fitness Club Workgroup and participated on the American Council on Exercise (ACE) Industry Advisory Panel. Dr. Wing is currently a medical fitness business advisor, national speaker, freelance writer, and social media specialist. She is a contributing author for Club Insider; author of 101 Tips for Effective Social Media Marketing in Health/Fitness Clubs (Healthy Learning, December 2012); associate editor of ACSM's Health/Fitness Facility Standards and Guidelines, Fourth Edition; and, the editor of the Certified Inclusive Fitness Trainer Manual (ACSM and NCHPAD, 2013). She holds a MA in physical education & sport, with a concentration in fitness management, from New York University, and an Ed.D. in applied physiology from Columbia University. To learn more visit www.carywing.com or follow her via Twitter @caryhwing.


text:
International coverage of Canadian election triggers memories of Pierre Trudeau
By Alexander PanettaThe Canadian Press
Sun., Oct. 18, 2015timer4 min. read
WASHINGTON—Anecdotes about the late Pierre Elliott Trudeau are surfacing in foreign news reports as international media begin focusing on the possibility his son might succeed him as Canada's prime minister.
Canadian conservatives who seethe over the father's legacy and abhor the prospect of a Justin Trudeau prime ministership might be advised to bypass some of the foreign coverage in the interest of blood-pressure management.
But Canadian Liberals will feel warm waves of nostalgia over pieces like one by the Seattle Post-Intelligencer, which shares stories about one of the country's best-known figures — a politician who would have turned 96 on Sunday, the eve of the election.
In an item entitled, "Will Canada throw out Conservative Prime Minister Harper in Monday election?" the writer describes the elder Trudeau as an athletic, dashing bachelor.
"Pierre Trudeau famously likened life with the U.S. as a next door neighbor to being in bed with an 800-pound gorilla: 'You feel every twitch,' " it reminisced, although the old quote was actually about an elephant. "He was equally irreverent in dealing with the British crown, once doing a pirouette behind the back of (the) Queen . . .
"The vote on Monday night could well raise the profile of the Great White North."
A New Yorker online piece described conflicting feelings in Canada over Trudeau's son leading the polls. His victory, it said, would be "an operatic turn in a long-running Canadian psychodrama."
It referred to the legacy of bilingualism, multiculturalism and a Charter of Rights deemed by one study to have become the world's most-emulated constitutional document.
But it also mentioned crashing oil prices, the National Energy Program, Western alienation — and their impression on a young Stephen Harper, who authored an unflattering obituary in 2000: "After Pierre Trudeau died, Harper wrote a Hitchens-esque scourging of the dead."
The piece predicted Harper would almost certainly resign if he loses on Monday, then delivered this parting shot: "For many inside and outside the country, that alone would be enough to make Canada feel a bit more Canadian again."
Under a picture of Trudeau in a Habs jersey, the U.K. Independent wrote: "Observers agree while his intellect and temperament differ from his father's, Mr. Trudeau has inherited the late Prime Minister's grit and determination . . . His rivals may have realised too late."
While some foreign news outlets have barely noticed the Canadian election, The Guardian has been hitting it hard — but it's punching just one way.
The left-leaning broadsheet has had headlines comparing Canada's leader to unpopular world figures: "Stephen Harper is the last remnant of George W. Bush in North America," "Scandals worthy of Watergate," "Harper: master manipulator," "Harper's politics put Canada to shame," "Harper's dismembering of the country."
The paper has also completed an about-face on Liberal prospects.
A piece a few days ago said: "Will Trudeaumania sweep Canada's Liberals into power?" That's not to be confused with a piece three months ago headlined "Canada's Liberals face bleak future."
A senior political writer at the Washington Post blogged about how all three North American countries could have left-leaning leaders for the first time since 2000.
The headline was: "The very Barack-Obama candidate who could soon be Canada's prime minister." Speaking of Obama, his former aides David Axelrod and Neera Tanden tweeted messages supporting Trudeau.
Foreign media have also published Canadian writers of conflicting views.
David Frum mocked a piece in the New York Times accusing Harper of running an anti-Muslim campaign. Frum tweeted pictures of Harper appearing with Muslim religious figures.
The conservative writer and onetime George W. Bush speech writer lauded Harper for presiding over a decade of strong economics and near-total peace from persistent national-unity crises.
Frum responded to a New York Times piece headlined, "Canada Has Its Trump Moment," referring to anti-Islam electioneering. It was from a Canadian writer who wrote a similar Times piece about Canada-U.S. nativist parallels before the last Quebec election titled, "Quebec's Tea Party Moment."
Several foreign media covered Canada's niqab debate. Guardian pieces were scathing. The Washington Post offered a straight summary headlined, "How a Muslim veil is dominating Canada's election race."
Some media offered granular details of Canadian politics. The L.A. Times said Toronto's 905 region could decide the result. The New York Times wrote about strategic vote-swaps between people hoping to unseat Harper.
The Economist took a broad economic view.
This week's edition examines the challenges facing whoever wins. High personal debt and moribund business productivity could spell trouble, it says.
"Canadians are not a people of excess," began one piece.
" 'Why did the Canadian cross the road? To get to the middle,' they joke. Temperance served them well during the global financial crisis . . . But something un-Canadian has been happening." It said no leader has dared deliver the bad news: Canadians' houses may be worth less than they think.
Another Economist piece was entitled: "Harper's long tenure as prime minister may be nearing its close."
That was the theme of some French coverage.
Paris's Liberation summarized the Harper era thusly: "Originally from Alberta, he built his success on that of his province, hopped-up on oilsands bitumen. But the oil bubble burst."
Le Monde profiled the leader who opposes the Kyoto Protocol and, in its view, refugee settlement. It said Harper seems unperturbed by Canada's reputation as a climate laggard. He also appears to be betting Canadian voters care more about security than generosity to refugees, the news outlet reported.
Its conclusion: "The piercing blue stare, the often-forced smile . . . hides a complex and enigmatic personality . . . Whatever happens Oct. 19, Stephen Harper can claim he helped transform Canada without sacrificing his principles."
Stephen Harper, Justin Trudeau

redpajama_set_name: RedPajamaCommonCrawl


Trojan.Spexta is a Trojan horse that allows a compromised computer to be used as an email relay. Computers compromised in this way are often used to relay spam.
which may contain configuration information.
Attempts to access a pre-determined list of Web sites, in order to download spam commands.
May attempt to download and execute remote files from one of the pre-determined Web sites. The files downloaded may include a copy of the Trojan.
Sends SPAM email to a list of addresses downloaded from one of the above Web sites. The details of the SPAM email are downloaded from one of the pre-determined Web sites.


text:
Althea Racing return to WorldSBK paddock with Ducati and Caricasulo in WorldSSP
Tuesday, 7 December 2021 14:38 GMT
15 years after they debuted in the World Championship full-time, Althea Racing are back with a bang...
Legendary team Althea Racing will be back in the WorldSBK paddock in 2022, as they return to the world stage in the FIM Supersport World Championship. Back with Ducati after what will be seven years, Althea Racing will rekindle their success with Ducati with the V-Twin motorcycle and Italian star Federico Caricasulo, who was runner-up in the Championship back in 2019 as well as a podium-finisher in 2021. It will be Caricasulo's first venture with Ducati.
Althea Racing first came into the WorldSBK paddock in 2007 with Katsuaki Fujiwara and Lorenzo Alfonsi in WorldSSP, before moving into the World Superbike with Roberto Rolfo in 2008, remaining with Honda machinery. However, they'd switch to Ducati in 2010 and in the same year, Carlos Checa would give them their first win, in just their second race with Ducati. After a successful season saw them win two more races and finish third in the Championship, the team and Checa dominated in 2011, with an astonishing 15 wins, clinching the title by an incredible 110 points. More wins followed in 2012 with Ducati, before the team had a year with Aprilia.
After little success, 2014 saw them back with Ducati in the Evo class, finishing in the top ten on numerous occasions. 2015 welcomed Matteo Baiocco and 2011 125cc World Champion Nico Terol and top six finishes were bagged. From 2016 to 2018, the team were on BMW machinery and saw Jordi Torres, Markus Reiterberger and Loris Baz all take top six results as the lead BMW team. For 2019, they joined forces with MIE and the Moriwaki Honda set-up, where they were in the top ten on numerous occasions, before they left the paddock in 2020. However, after just a year away, Genesio Bevilacqua's squad are back in World Championship competition.
Speaking about his new deal and a new challenge, Federico Caricasulo said: "I'm really happy with the opportunity that Genesio is offering me. It was an unexpected proposal that I accepted immediately because it is a winning project with a team that certainly needs no introduction, and that I also followed as a fan. I like the idea of being the only rider in the team and I think it's the best situation to aim for certain results. After five years with Yamaha in which I believe I have grown a lot, it's important for me to accept a new challenge that gives me the best motivation. I still have an unfinished business with this category since 2019 and my only goal is to improve the results I have already achieved."
Bevilacqua's team have featured in other classes in WorldSBK, with them making their debut in 2007, with Katsuaki Fujiwara taking the team's first podium in the first race of the year in World Supersport. The team stayed there until the end of 2009, also taking a podium with Australia's Mark Aitchison. In 2011, they won the FIM European Superstock 1000 title with Davide Guigliano before he graduated to WorldSBK and took podiums in 2012, whilst in 2016, the team took the STK1000 crown again, this time with BMW machinery and Raffaele De Rosa, who went on to achieve top ten finishes for the team in 2017 in WorldSBK.
Speaking about his return to World Championship action, team principal Genesio Bevilacqua said: "Althea did not need to return but I chose to do so because I believe that this Supersport is the category of the future. There are all the prerequisites for what our only aspiration has always been: to win by using our experience and our skills by racing with the best. This Supersport and its new regulations are truly an opportunity; competition is in our DNA and that's why we want to be there."
The team's return to WorldSSP also enhances Ducati's presence on the grid for 2022, with them becoming the fourth team to enter the class with the Italian manufacturer. Caricasulo is also the 11th rider confirmed on the 2022 grid, one of just three riders thus far who isn't a rookie after Dominique Aegerter (Ten Kate Racing Yamaha) and Can Öncü (Kawasaki Puccetti Racing).
Find out how Althea Racing get on in WorldSSP with the 2022 WorldSBK VideoPass!


text:
The Myth of 6-Pack Abs
BY Kat Rosenfield
The storied six-pack—a lean, muscular, and well-defined midsection—is a ubiquitous goal for people who want to get in shape; people like how it looks, all the fittest celebrities have one, and it's an easy shorthand for describing a particular level of fitness that's considered an aesthetic ideal.
Louis Sepulveda, a Tier 3 personal trainer at Equinox fitness club in Darien, Connecticut, can testify as much. "Almost every client I have, during their fitness assessment, would mention wanting a six-pack—or at least having a flatter tummy," he says. But getting that kind of definition isn't a simple matter of going from fat to fit.
"Everyone, for the most part, is born with the same muscles that make up the ab complex," Sepulveda explains. "But you need to lose body fat in order for definition to show. For someone who carries more visceral fat—fat stored within the abdominal cavity—having a six-pack can be laborious."
In other words, thousands of get-ups, planks, or bicycle curls might give you abs of steel, but if you want them to pop out like Brad Pitt's in Fight Club, you'll have to eat at a deficit (a diet low in calories and high in protein) until your body has burned enough fat to reveal them. And despite all those internet ads touting "one weird trick to blast belly fat," alas, says our trainer, there's no such thing as spot-reducing: "You can't target a specific area to burn fat."
And because fat tends to come off in reverse order (the first place you store it is the last place you'll lose it), if you're unlucky enough to store extra fat in your belly, you may not be able to achieve that kind of definition without also dropping to a dangerously low level of body fat, something Sepulveda cautions strongly against.
"Having visible abs becomes unrealistic when you're striving to go below a normal level of body fat," he says. "As much as everyone hates fat, you need it to live. It's a source of energy, it supports brain and nerve function. Having very low levels of body fat can become unhealthy."
In men, extremely low levels of body fat are associated with risks including dangerously low heart rates, a decline in testosterone levels, and poor recovery. For women, too little body fat can result in amenorrhea (loss of menstrual cycles), which in turn is a major risk factor for developing osteoporosis.
And much as we may appreciate the way it looks, the truth is that six-pack abs are actually pretty useless as a measure of fitness. A six-pack indicates absolutely nothing about your speed, your strength, your stamina, your flexibility, or even your level of overall health. All it means is that you have a lean enough midsection for your musculature to show—which is why Sepulveda encourages his clients to focus on goals beyond the coveted six-pack.
"I have my clients strengthen their trunk stability, working all the muscles located in the torso. Adding plank variations, rotations, chops, and lifts to your workout routine will make your abs, obliques, and lower back a lot stronger, not to mention less prone to injury," he says.
So if it turns out that a visible six-pack is out of reach for you (or if you're not interested in adopting the kind of restrictive diet it takes to get and maintain one) there are still plenty of good reasons to work that core. Having strong abs will serve you well, both in and out of the gym—and that's true regardless of whether you ever get lean enough to see them.
exercise Health Live Smarter


text:
July 19, 2017 July 19, 2017 only1khalya
The Rise of the Sophistiratchet
Wednesdays just got better y'all!!! Not only will you be reading my blogs, there is a new podcast out that is dope on so many levels.
For any of you who don't know who Angela Rye is…GET FAMILIAR.
Not only is she an intelligent CNN Commentator, but she is woke as hell and she is a political force to be reckoned with. She's been on every show from Real Time with Bill Maher to The Breakfast Club and she is consistently checkin' folks as only a Black woman can.
Every time Angela shuts down a white man, an angel gets its wings.
I'm convinced.
Sophistiratchet
Angela is taking all of that intellect and passion and making it her own. I was officially smitten once she referred to herself as sophistiratchet (sophisticated and ratchet) cause all I could think was; that should be on my resume.
Angela Rye is dope, not just because of what she says but how she says it.
We all know what sophisticated means. When I think sophisticated, I think educated, reserved, well-traveled, enjoys the finer things. For Black women, think Clair Huxtable.
Urban Dictionary defines ratchet as: A ghetto-dialect mispronunciation of the English term "wretched." Some synonyms are ghetto, busted, cheap, hood or nasty. But here's the thing, I just Googled "Sophisticated women" and I scrolled past about 20 images of White women before I saw a Black woman.
So what I gathered from Google is that Black women aren't seen as sophisticated. But on sight, Angela looks like your typical sophisticated woman but that word is too simple to describe the magic that is Angela and Black women like her. Because when it's time to go off, sophistication goes out the window and she goes from 0 to 100 real quick. It's important to see, that as Black women, we are knowledgeable, experienced and cosmopolitan but we are also hood, ghetto and we can get nasty too. Now think Clair Huxtable plus Medea.
There is this notion that if you are a Black person who has "made it," you need to distance yourself from the hood as much as possible.
You gotta eat the caviar instead of the wings.
You gotta shop at Ann Taylor instead of Rainbow.
You gotta prove you're not one of "those niggas."
Angela doesn't separate those things. She lets us know that we are the caviar AND the wings. You can be Gina and Shaneneh. We don't have to choose between the two. She is telling all of us that being ratchet does not make anyone less informed, less intelligent or less worthy of a platform because of how we choose to express ourselves, especially in spaces that have not always been welcoming to Blacks, such as political spaces.
Growing up, Blacks have always been taught to code switch (articulate, no slang when you're at school, at work, at court or wherever White folks are) but NAH.
Angela is showing us that you can speak however the hell you want as long as you have the facts.
Let's think of Angela as the Muhammad Ali of verbally knocking out White men and let's look at a few of her highlights.
Angela Rye Shutting down White Ignorance on TV
Angela Rye v. Joe Walsh–
On CNN, Angela Rye basically called Joe Walsh out about his tweet in which he stated that "we lowered the bar for Barack Obama because he was Black." First off, you don't come for Mr. Barack Obama, A.K.A, 44, A.K.A., our forever president and think that there won't be any repercussions.
When I looked at Angela waiting to speak her piece, she looked like she was waiting to beat up her little cousin's bully at the bus stop after school. She was ready to throw verbal jab after jab of the many ways 45 has been a disgrace to this country. All I could think was "If this girl had a jar of vaseline and some Timbs, she might just stomp Joe out."
Here she is on national television letting a White man know that he does not get to be right just because he's White and his racist comments will not be tolerated. Not only that, but how long are we going to allow mediocre White men to run this country (into the ground)? Black people are always accused of pulling the race card and she lets Joe know that she will play that card as long as he keeps shuffling the race deck. This was a warning to all of the Joes of the country who think they can continue to attack our last real president and Black people without being called out.
Angela Rye v. Steve Moore–
A few weeks before the election, Angela appeared on Real Time with Bill Maher and had a back and forth with Steve Moore, a supporter of y'alls President.
Steve must not have gotten the memo because if he ever heard the saying "Never touch a Black woman's hair," he would've known that you don't touch the rest of her body either, especially after you just came for her culture. When she told him not to put his racist ass hands on her, she immediately became my shero.
As Black women, we are hyper-aware of our visibility, or lack thereof. Angela let the panel and the audience know that she was not there to be a Black prop on the panel but that she was going to be heard. Too often, White people want to pathologize us and diagnose our communities.
Steve Moore really thought that he was an "expert" on the Black condition in this country and Angela was not having any of it. To reference Damon Wayans' character in the Spike Lee film, Bamboozled, Black people don't need anymore White people who think they are "Niggerologists."
As someone who is subjected to and surrounded by racist comments on a regular basis, Angela shows me that I don't need to let those comments go unchecked. These things need to be addressed on the spot and I've actually been practicing just that. I want a mash up of Angela going off on White men played on repeat before I step outside my door every morning. I really think I can meditate to that… but I digress.
Angela Rye's new Platform: The Podcast
Just when you thought she couldn't be more magical, Angela decided to host her own podcast called On One with Angela Rye.
For any of you who don't know what it means to be "on one," Urban Dictionary has provided y'all with a definition:
On one: Just generally trippin', tweakin', weird, actin' a fool, blackin' out, goin' off
Goin' off is the definition I'll use cause with this administration, and this country's constant attack on Black people and Blackness, I am always ready for people to be on one.
On the first episode that dropped July 12th, Angela had Congresswoman Maxine Waters AKA Auntie Maxine AKA Queen Maxine on her show.
As a Black woman who loves to be around other Black women, I felt like they were in my living room and I was just soaking up all their greatness.
Here are the 10 reasons why this was an important first episode:
Two intelligent Black women discussing politics, pop culture and all the ways that y'alls president is garbage.
Intergenerational dialogue which is so necessary. Angela makes sure that the Millennials know who Queen Maxine is and about the work that she has been doing for decades to ensure equity, justice and accountability of our elected officials.
Queen Maxine's favorite rapper is the late, great Tupac Shakur. What?!? You go Auntie Maxine.
She understood and was vocal about the ramifications that the War on Drugs would have on poor communities and communities of color before anyone voiced it.
She was out here in these streets trying to squash the beef between the Bloods and Crips. Can you say gangsta and I ain't talking about the gang members?
They're both calling out Democrats for not doing better by their constituents.
Auntie Maxine is pushing for all of us, especially Millennials to get more involved in politics. This is not the time to withdraw and disengage but to fight because she still is. But we all know she won't be here forever so who will she pass the torch to? It has to be the young people.
She defends and continues to defend Hip Hop as an art form and an important form of storytelling and believes in protecting it from censorship.
She fights against all types of racism especially institutional racism, which is "systems designed to keep us [Blacks] from realizing our true potential." Couldn't have said it better myself.
Auntie Maxine gets the last laugh. She references the shade that Bill O'Reilly threw when he called her hair a "James Brown wig". Not too long after that, guess who was fired from Fox News? Gotta love the universe.
Why Educators Need to Come to Cousin Angie's Cookout.
I thought it would be obvious by now, but basically, I'm promoting this podcast because I think we need as many of our voices reaching as many ears as we can. To educators:
I walk into too many classes that are just dead. No music, no videos, nothing! Podcasts are amazing and a good way to teach listening skills.
Motivation for students is so important. If you're going to assign homework, have students subscribe to culturally relevant and responsive platforms such as On One. Don't make it extra credit. Make it mandatory.
We want our kids to be more civically engaged and politically informed and this is one way to do that. The first episode of this podcast has already encouraged people to go to their school boards, look up and reach out to their elected officials and talk to them. They emphasized the fact that we as taxpayers pay their salaries and they work for us. We need to hold them accountable. Amen.
Lastly, here are some other podcasts that I listen to that might be of interest:
NPR's Code Switch– journalism that addresses race and the way we are affected by it, culturally, politically and daily. Some topics include the Broadway show, Hamilton, Black Lives Matter, the LA riots and immigration. It's also hosted by a Black man and an Iranian-Puerto Rican woman.
Another Round– Hosted by two black women, Heben and Tracy. They're comedians who interview people like Morris Day and Harlem restaurant, Red Rooster owner, Marcus Samuelsson. They talk about and celebrate Blackness in a way that isn't so heavy cause we all need some Black joy every now and then.
Bronzeville– This just came out at the beginning of the year and stars Laurence Fishburne and Larenz Tate. It's about a Black-run community on the southside of Chicago in the 1940s. Although it involves numbers running and violence, and exposure to another thriving Black community in history was enough to get me to listen to all 10 episodes. Look them up.
Just know that Black excellence is everywhere and I'm looking forward to my weekly fix of Angela.
I'm definitely on one. Y'all should get on one too.
Previous Jamaica: Back to FUTURE
Next HBO's Confederate
Saudia M. says:
Love this, just like I love your insights every week. Thanks for introducing me to Angela, a new woman crush. Her poise, intelligence and confidence should be an inspiration to all women of color. Keep putting us on, girl!!!
only1khalya says:
Thanks girl. We need to see people of color, especially women representing and showing that we are in these spaces and not only are we paying attention to what's going on around us but we're responding to it.
I am always an avid fan of black women who push the envelop and raise the bar for other women of color. I started to embrace my sophisticated rachetness after leaving my prior school. In addition to the politics and nonsense that carried on, I always felt as though I couldn't be quite myself. I love wearing my natural hair, but I also love wearing weaves especially colorful hair. I felt pressured to be this extra professional individual, with extra professional hair and clothes and speech, or else. I really felt in bondage. After leaving that school, I vowed to be my whole self. Because honestly while my sophistication gets me in the door, my rachetness get my students the scores. So if an organization wants me they must accept the entire package… my high heels, pencil skirt, educated, experienced, bald headed, non confrontational, rapping, weave and colorful wig wearing, Ebonics taking, passionate, competitive, self. Love this!!!
I'm here for all of what you're saying. But how do we make sure that girls are growing up to embrace both? Who let us know that it was ok to be ourselves and when did that happen? I still got women asking me, they let you wear your hair and your nails like that at work? All I can think is, let me? We have to give ourselves permission to be sophistiratchet and rep it every chance we get.
Ann N. says:
I absolutely LOVE Angela Rye!!!!
I did not know she launched a podcast. Thank you for sharing and spreading your knowledge.


1) Contraception accessibility is an issue that states must address.
2) Pharmacy access to birth control prescriptions is a sensible model that some states have approved and more should consider.
3) Scope-of-practice for pharmacists, as well as perhaps other medical professionals, must be expanded to ensure better access to safe contraceptive methods.
4) Congress should urge the FDA to review the approved use of certain birth control methods, so that over-the-counter access becomes a possibility.
5) As longer-acting birth control methods continue to increase in popularity, states should include them in any scope-of-practice expansion policy debates.


How citizens of samoa apply a vietnam visa in taiwan?
This section explains how citizens of Samoa who currently travel or do businesses in Taiwan want to get a Visa to visit Vietnam.
If you hold passport of Samoa, you have two options to apply for Vietnam visa in Taiwan.


text:
Q: SQL issue - type of fkey I'm using PostgreSQL
What I need
In SELECT query I need to select owner_type (client or domain). If solution does not exist please help me to rework this schema.
Schema (tables)

*

*Albums - id | client_id (fkey) | domain_id (fkey) | name

*Clients - id | first_name | last_name

*Domains - id | name

Description: Albums owner can be Client or Domain or future other Nodes...
1. CREATE TABLE QUERY
CREATE TABLE albums
  (
     id        BIGSERIAL PRIMARY KEY,
     client_id BIGINT,
     domain_id BIGINT,
     name      VARCHAR(255) NOT NULL,
     FOREIGN KEY (client_id) REFERENCES clients(id),
     FOREIGN KEY (domain_id) REFERENCES domains(id),
     CHECK ((client_id IS NULL) <> (domain_id IS NULL))
  );

2. SELECT QUERY
SELECT albums.id,
       albums.name,
       COALESCE(c.id, d.id) AS owner_id
FROM   albums
       LEFT JOIN clients c
              ON albums.client_id = c.id
       LEFT JOIN domains d
              ON albums.domain_id = d.id

Need something like -> if c.id === null -> owner_type = 'Domain'

A: You would seem to want:
SELECT a.id, a.name,
       COALESCE(c.id, d.id) AS owner_id,
       (CASE WHEN c.id IS NOT NULL THEN 'client' ELSE 'domain' END) as owner_type
FROM albums a LEFT JOIN
     clients c
     ON a.client_id = c.id LEFT JOIN
     domains d
     ON a.domain_id = d.id ;

A: Do you need two separate columns representing client_id and domain_id for the type of owners? It seems that if you were to add more nodes, you would have to add additional columns.
Could you have an owners table representing all types of owners, and have an owner_id foreign key on the albums table?
I was thinking something like this:
CREATE TABLE albums (
    id    BIGSERIAL PRIMARY KEY,
    owner_id    BIGINT,
    name    VARCHAR(255) NOT NULL,
    FOREIGN KEY (owner_id) REFERENCES owners(id)
);

CREATE TABLE owners (
        id    BIGSERIAL PRIMARY KEY,
        type    VARCHAR(100) NOT NULL,
        name    VARCHAR(255) NOT NULL
    );

You could then query for albums belonging to clients:
SELECT a.id, a.name, o.name AS owner_name
FROM albums a
JOIN owners o ON o.id = a.owner_id
WHERE o.type = 'Client';

As new nodes (types of owners) are added, you simply need to add them to the owners table without modifying the schema of the albums table.
Hope this helps.

redpajama_set_name: RedPajamaStackExchange


As with all enemies, objects, and items in Nintendo Land, the Creepy Beeb, as well as other members of the Beeb Family, may have existed on the planet PNF-404. However, they have never appeared in a main series Pikmin game before, thus making them, instead of indeginous life, mechanical toys. They consist of a small plastic purple orb with a copper-wire antenna and a green ball at the end used to transmit signals from the theme park hub. Their feet are small suction cups connected to the body by flexible copper wires. The sizes of these creatures are typically 3.9 cm in diameter, but on rare occasions, you will find one that is a bit larger. As stated before, this is very rare.
These radio-operated baddies are a mere pushover. They come armed with a pathetic dash attack and the thin, fragile plastic they're made of, a fault which leads them to crumble from the hit of one or two Pikmin. The dash attack they come equipped with is a simple thrust that just might take away the smallest possible unit of your health and thrust your Pikmin about... 2 cm away. These creatures tend to appear in hordes, which makes them slightly more dangerous, but they're still a pushover.


Day Care Centers. Day Care Centers provide care and supervision for more than 6 children but not in a private home / residence.
Small Day Care Centers. Small Day Care Centers are Day Care Centers that provide care and supervision for as many as six children but not in a private home or residence.
Family Day Care Homes. Family Day Care Homes provide care and supervision for three to six children at any one time in a home / residence.
Group Family Day Care Homes. Group Family Day Care Homes provide care and supervision for seven to twelve children at any one time in a home / residence.
School-Age Child Care Programs. School-Age Child Care Programs provide care and supervision for more than six children ranging from kindergarten students to 12 year olds. Care and supervision are provided during non-school hours and vacaction periods as well as holidays.
Nursery Schools. Nursery Schools provide care and supervision for children for three hours of less per day.
Pre-Kindergarten Program. Pre-Kindergarten Programs are typically located in public schools. They are also in private schools and day care centers as well.
Head Start Centers. Head Start Centers are programs for preschool-age children from low income families.
Legally Exempt Child Care Centers – Legally Exempt Child Care Centers provide care and supervision for one or two children at a time (in addition to to caregiver's children) in or outside of the caregiver's home / residence.
It is important to identify and evaluate the type of program, licensing history, inspection history, and facility before enrolling a child in any New York day care center / child care center.


We haven't done a giveaway all summer. That is about to change now that we're heading back to school. I have a very special book. A book which now holds a prominent place on our kitchen table, book shelf, and coffee table. The very special book I refer to is the newly released Fed Up with Frenzy by Susan Sachs Lipman.
This Book is 365 pages of the utmost family fun Ever !!!
Susan and I are both very entrenched in the slow family movement. Spending quality time together as a family creatively is a mantra we both subscribe to. I knew Suz was a fun person from her blog Slow Family Online but nothing could prepare me for the gem of a book she ended up creating. It's 365 pages completely loaded with memory making activities for you and your family.
It's a flashback to my childhood and all I did throughout the whole book was smile, laugh, and say, "Oh look. I forgot about that. Remember this? " In the beginning I started placing multicolored sticky notes to save the place of my favorite "Oh look" activities. At one point my husband said, " What are you doing, sticky noting that entire book ?" And that's when I pulled out the calendar and started organizing activities by season, ….sort of. I think the family and I will have to call our time together since reading this book "Unfrenzied Time," or "Our Year with Suz". You know if we did one page every day for a year we would be the most experienced family of Fun ever.
Would you like me to stop rambling and let you know what this book is about?
Fed up with car-pooling, the school drop off line, sports practice, hours of homework, and a constant pressure to do more quickly , one day Suz Lipman decided to just stop this mad paced life and to slow down.
Fed up with Frenzy is a treasure trove of a guide filled to the brim with afforadable activities to help your family slow down and reconnect to one another.
Included in this slow family adventure guide are cooking and crafting, getting outdoors, seasonal celebrations and wonderful suggestions for "slow" family vacation activities. Pages and pages of wonderful inspiring ideas to create memories for you and your family.
She is the founder of slowfamilyonline.com, writes for Christin Science Monitor's Modern Parenthood blog, and is the San Francisco Slwo Family Life Examiner at Examinercom. She is also the Social Media Director for the Children & Nature Network, which encourages and supports people and organizations working around the world to reconnect children with nature.
A longtime Girl Scout leader, Suz also enjoys gardening, hiking, community volunteering, reading, soap crafting and food canning. She lives with her husband and daughter in Mill Valley, CA.
Today we are giving away one copy of Fed up with Frenzy. Please leave a comment below telling us what activities you love to share together as a family. This giveaway goes through Sunday September 9th, closing at 11:59 pm, and the winner announced September 10th. A huge thank-you to Sourcebooks for supplying the book for today's giveaway.
As long as you're here, Let's have a little Fun shall we?
One of our favorite activities is making what we call Crazy Crayons. Suz and family also love a little mixed up crayon action and Suz has a wonderful version made in muffin tins. Here's a look at how we did it.
Second cut them up into little pieces. Not shavings or chunks but pieces.
Next fill mini muffin tins or other shaped tins. No grease is required. Preheat oven to 170 degree F.
Would you like your own copy of this book? Remember the giveaway and leave us a comment below. 🙂 Good Luck !!!!
This looks like a fun idea, but what can you then do with what you have made? Does the book have any suggestions for that? Would be great to win one, I wonder what else fun there is to do!
I love gleaning fun memory making ideas. This book sounds like something my family would love. I plan on taking the above idea and doing it with my girls today!!! Thanks for recommending this book, if we do not "win" the drawing then it is definitely something I will be looking to buy.
My 10 year young daughter and I love to create a beautiful home together and are always finding ways to truly make it ours. We've painted a huge blackboard on the lounge wall and have drawn our own masterpiece on it with chalk pastels (originally we intended to keep changing it every month but we're loving the picture so much we can't rub it off yet! I think it might stay there for a few more months before we draw a new one). We painted a blackboard on the wall near the kitchen and drew up a menu, and can write up poems, pictures or quotes as the mood grabs us. We are creating an art studio in one of our rooms as art, crafts, colour, and pottering around with our little projects is such a major part of our lives. My daughter has started to paint a mural on the walls, representing the different seasons. She called out to me as she started her preliminary sketch on the wall "Mum, I love being an artist. It gives me so much joy" Would love to win a copy of "Fed Up With Frenzy" to get fresh inspirations. Thank you for the opportunity!
We really enjoy making paper boats and sailing them down the river – there are 5 bridges and a cauld (weir) on the 3/4 mile stretch of river that runs through the middle of our town. The free property newspaper is ideal for this, as are the supermarket special flyers….
Oh this looks wonderful!!! I'd love to be entered in the drawing.
I also wanted to THANK you so much for the recommendation for Sea Trolls. My son is absolutely LOVING it and we're looking forward to making the board game.
We love to be outside together: looking at the sky & clouds, examining leaves on the trees, watching ants go about their business, or stretched out reading on the front lawn.
P.S. Thank you for the link to Powell's Books–I appreciate your support of this incredible independent bookstore.
Ooh….love this idea. My goddess-son loves to chew his crayons, so these would be perfect. Look forward to reading about more fun to dos in the book.
We play checkers, chess, make paper airplanes and kites, build things, make buttons and posters for supporting our local teams/special causes, birdwatch, letterbox, hike in regional parks and play at the beach, oh, and READ. We love activity books, they often give us a "spark" to try something new. Hooray for slow parenting!
We love to cook & bake & garden together.
Our family has the great fortune to live 30 minutes away from the Colorado Rockies. We love to hike together and delight in finding new trails to "discover". When we brush the dust off at home, we head over to library to learn more about the conifers we see, the rocks we pick up, and read up on the history of some of the ghost towns we have explored.
What a fun sounding book. Always looking for ideas to do with the children. There are so many activities we love doing together as a family. Taking time to be outside and finding minibeasts will probably be the one that in years to come I will look back to most fondly.
This looks like a book we could really use. Thanks for the giveaway – I love the title!
What a lovely giveaway. We have one little one, and work from home as farmers, so we are lucky to spend long sweet days together as a family most of the time. Our little guy is not quite 3 — some favorite things we all do together are working out in our fields, tending to our goats and chickens, and lots of cooking! All this comes naturally given our lifestyle, but I'd love more inspiration on the arts and music side of things.
FED UP WITH FRENZY would be wonderful thank you.
I have done this with old crayons. We made star shapes.
We love doing craft together, the undirected kind where everyone does their own thing. Often it involves cutting pictures out of magazines and decorating pages and boxes.
Anther activity we often do is go outside and collect leaves, flowers, sticks and rocks and then arrange them in collages.
Reading is fun for children and adult; and we need to encourage both to do it.
It is a family book, inspiring and to make family members closed one to another. In fact it is also good for friends and familyget together, as activity in picnicking, camping, traveling, etc.
We live on a small farm, homeschool and like to keep our days at a pace that we can keep up with. It would be great to have a copy of this interesting sounding book.
Next Post The Golden Ticket Giveaway! Mark Your Calendars for a Chance to WIN!


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Author Notes: This colorful salad is jam-packed with nutrients and protein from the kale, walnuts and white beans. The dried cranberries balance out the bitterness of the kale, while the "scrunching" or "massaging" method softens the leaves of the kales giving you a delicious, flavor bursting and crowd-pleasing source of greens! Eat immediately or prepare up to 24 hours in advance for the freshest taste.
Wash kale leaves, destem leaves (remove rough stem pieces) and chop into small pieces. Add into large bowl.
Add olive oil and lemon juice to bowl. Using your hands, scrunch or massage the kale leaves for 2 to 3 minutes, or until leaves are softened to a similar texture of regular lettuce.
Add the remaining ingredients and toss until well mixed. Serve immediately or within 24 hours for freshest taste.
Where and when is the feta added?
I sprinked 1 packet of stevia on this after tasting it and finding it a bit too tart (I also used only 1T ECVOO), and that made this an ideal salad for us. Thanks, great recipe.


The Association for Cruises Development of Taiwan held its inaugural launch event today (27th), and the Maritime Port Bureau, MOTC participated, in hopes of helping with the development of Taiwan's cruise supply chain together! To establish Taiwan as an international cruise operation base!
The Maritime Port Bureau is a member of the Association for Cruises Development of Taiwan. Today, the Maritime Port Bureau supported the industry with practical actions by witnessing the historical moment of the development of the Taiwan cruise industry. In recent years, cruise tourism has become a very popular vacation model. According to the CLIA, global cruise passengers will exceed 30 million in the current (2019) year, of which the Asian market will account for more than one-third. The number of cruise passengers in Taiwan has also grown rapidly, and the number of passengers in the (2018) year exceeded 1.2 million. On the day of the Lantern Festival this year, there were also three cruise ships that docked in in Keelung (including the Celebrity Millennium, the Diamond Princess and the SuperStar Aquarius), which showed that the cruise market in Taiwan continues to flourish.
Since the establishment of the Taiwan cruise industry development promotion task force by the Executive Yuan Tourism Development and Promotion Committee, the Maritime Port Bureau has continued to seek the development of the cruise industry, provided administrative assistance during the preparatory period of the Association for Cruises Development of Taiwan, and joined the association as a member. Today, the association is formally established, and the Maritime Port Bureau is honored. After the establishment of the association, it is expected to give priority to the training of middle and high-level international cruise management talent, enhance the global vision and employment opportunities of relevant practitioners, and subsequently develop the cruise market and related industrial chains, and drive the upstream (shipbuilding, maintenance), mid-stream (operation, supply, crew, and ship related staff), and downstream (cruise tourism and marketing, cruise terminal operations) industry development and overall economic effects.
In the future, the Maritime Port Bureau will collaborate with the association to work together for Taiwan's cruise industry, cruise supply chain, and employment opportunities. Both hope to establish Taiwan as an international cruise operation or supply base to create industrial economic value.


text:
When the Imperial Baroque State Is Not Sufficiently Baroque
pearls, Oceans, early modern history, Baroque, Latin America
Graphics by Michelle Jia: Image Wikimedia ( I )
In 1550, there was a mountain as big and as rich as Potosi in the Caribbean. It was a mountain made of pearls and discarded oyster shells. In a beautifully crafted book, Molly Warsh describes the spectacular production of pearls in three regions of Venezuela: Cubagua, Margarita and the Pearl Coast. [1]
Every year throughout the sixteenth century, the Spanish crown received an average of 1,000 pounds of pearls as tax, corresponding to the monarch's quinto, a fifth of all production (90). Yet crown accountants never registered 80% of the pearls actually produced (53). Smugglers transported them in the seams of sleeves and coats, or swallowed them. The tiny islands off the coast of Venezuela could have just as well been silver mountains, like Potosi. The oyster reefs of Cubagua and Margarita produced 25 tons of pearls a year.
Drawing heavily on the monumental scholarship of Enrique Otte (who reconstructed every detail of this pearl economy) and using pearls as both case study and metaphor, Warsh explores the very nature of the early-modern imperial state.[2] Her argument: the monarchy helplessly sought to regulate production, value, and circulation of pearls, but slaves, towns, merchants, pirates, and its own bureaucracies outmaneuvered the crown at every turn.
Like Potosi, Cubagua and Margarita quickly became violently cosmopolitan. By the time a tsunami wiped out the island in 1541, Cubagua had thousands of Amerindian slaves from every region of the Indies working as divers and servants of pearl crews; there were also hundreds of Africans, moriscos, and Greek slaves (47).
Black slaves without overseers, 1586, Drake MS. Morgan Library.
The traffic of Amerindian slaves in the early Caribbean provided labor for gold mines and sugar plantations; it also fed the growing demand for pearl divers. The Bahamas was not only hit by hurricanes: 30,000 sixteenth-century Lucayos were captured on the island and moved to places like the Pearl Coast (39).
Battle in insulae cannibal, In Caspar Plautius, Nova Typis / Transacta Navigatio, Novi Orbis Indiæ Occidentalis, Linz, 1621.
Yet these slaves were not helpless. Many swallowed the pearls and freed themselves through self-purchase after recovering pearls in their own shit. Spanish grandees in European courts trafficked pearls that were worth each 30 ducados (12,000 maravedis) (120), a fortune about the value of one enslaved African woman and her son (49). The most valuable pearls received the name of caconas, a name whose significance entirely escapes Warsh. The best pearls came from the shit (caca) of slaves.
To standardize value on mountains of pearls was simply impossible, for pearls were not stamped by machines but were the product of living organism, each idiosyncratic, each unique. Warsh describes crown efforts to standardize pearl types to regulate the quinto, assigning fixed value through taxonomy and nomenclature. There were pearls that fit a type and could be gathered in groups of standardized valuation (elencos) and those that could not (berruecas) (129).
Berrueca pearl, Perla de Guatemala, AGI, MP, Ingenios y muestras, 139.
Warsh draws on the names of the latter to define the early-modern state as a baroque mismatch of failed top-down efforts to regulate bottom-up individual initiatives. The state sought to transform individuals into elencos; yet individuals remained stubbornly berruecos. Pirates, smugglers, and slaves took pearls to gain upward mobility. Elite courtiers themselves trafficked pearls outside the supervision of crown bureaucracies.
Warsh argues that the tension between top-down rules and bottom-up vernacular actions manifested repeatedly in debates over ecological exhaustion of oysters beds in Cubagua and Margarita. The crown sought larger loads of pearl collection (and thus revenue) by favoring European entrepreneurs who patented dredges (66).
Pedro Ledesma, Pesca de Perlas y busqueda de galeones, 1623, folio 13 N. 146, Museo Naval.
Dredges, in particular, promised large pearl harvests, but also the possible destruction of oceanic ecosystems. Warsh maintains that locals resisted the European entrepreneurs because the former understood that the over-harvesting of oyster reefs would destroy oyster fisheries. Local towns aggressively lobbied to block crown initiatives to introduce new European technologies. Communities of slave crews and their overseers espoused greater ecological sensibilities than absentee monarchs and foreign imperial entrepreneurs.
For all the brilliance in the writing and analysis, Warsh's model of top-down imperial imposition and bottom-up vernacular resistance has deep flaws. She herself admits that the crown favored the patenting of dredges to harvest pearls because friars like Bartolomé de las Casas restlessly petitioned to mitigate the violence against indigenous slaves. Dredges would eliminate the need for enslaved divers. The crown responded to these petitions by approving the patents and introducing dozens of new laws. Yet the crown also responded to the petitions of locals. The vernacular vs imperial split is a fiction. The so-called vernacular cabildos of Cubagua and Margarita were as well-healed as Charles V's Italian pals. Locals pursued new legislation through petitioning with as much success as did the Fugger and the Welser.
The push and pull of petitioning created new laws. Warsh uses Otte's cedularios throughout as she identifies the changing legislation. After a lifetime of research in archives in Spain, the Venezuelan scholar compiled hundreds if not thousands of pearl-fishery related royal decrees.[3] Why are there so many decrees, enough to occupy two thick volumes for Cubagua and another for Margarita, for two tiny islands?
Take for example the case of Margarita's coat of arms: It has three Afro-Indian divers paddling on a canoe flanked by two saints; a queen;s crown stands on top with a hanging pearl (sicut Margarita preciosa: precious like Margarita, a reference to the Virgin Mary). Warsh argues that the design of the coat of arms is not Margarita's. The crown issued it, top-down. It reflected a monarchy's desire to hover over the divers to oversee pearl production (102).
Escudo de Armas de Margarita.
Yet this is misleading. Every coat-of-arms was designed by the petitioner, not the crown. There are hundreds of these petitions and private designs at the archive of the Duque de Alva in Madrid. María Castañeda de la Paz and Hans Ronskamp have studied dozens of these petitions by sixteenth-century Nahua and Tarascan indigenous elites, comparing them to the final royal decrees housed in a different archive.[4] Their findings are striking. The crown only slightly modified two. The rest are simply exact copies of those in petitions. The so-called imperial edicts thus reflect local vernacular voices. The state was indeed baroque, but largely because each edict was unique and unclassifiable. The law was the result of idiosyncratic pleading and lobbying, a negotiation of sorts and as productive as Otte's cedularios.
[1] Molly A.Warsh. American Baroque: Pearls and the Nature of Empire, 1492–1700. (Williamsburg, Va.: Omohundro Institute of Early American History and Culture; Chapel Hill: University of North Carolina Press, 2017). Pp. xviii, 275. Cloth $39.95.
[2] Enrique Otte. Las Perlas del Caribe: Nueva Cadiz de Cubagua (Caracas: Fundacion John Boulton. 1977).
[3] Cedulario de la monarquía española relativo a la Isla de Cubagua (1523–1550), 2 v (Caracas, 1961); Cedularios de la monarquía española de Margarita, Nueva Andalucía y y Caracas, 1553–1604, 2 v (Caracas, 1967).
[4] María Castañeda de la Paz y Hans Roskamp (eds.) Los escudos de armas indígenas: de la Colonia al México Independiente (Coedición: Universidad Nacional Autonóma de México/El Colegio de Michoacán: 2013).
Jorge Cañizares-Esguerra's blog
by Jorge Cañizares-Esguerra
Jorge Cañizares-Esguerra is the Alice Drysdale Sheffield Professor of History at the University of Texas Austin. His books include How to Write the History of the New World (2001), Puritan Conquistadors (2006), and Nature, Empire, and Nation (2007)


GOODYEAR, Ariz. (AP) Having made one major league start, Ryan Merritt was summoned from the instructional league in Arizona last October and pitched 4 1/3 scoreless innings against Toronto to help Cleveland close out the AL Championship Series.
Four days after his 25th birthday, the left-hander was back on the mound and started the Indians' spring training opener, an 8-2 victory over the Cincinnati Reds.
Merritt allowed two runs and four hits in two innings, struck out two, walked none and hit a batter. After retiring the side in order in the first, he allowed Eugenio Suarez's solo homer.
Merritt does not figure to start when the season begins: Cleveland's projected rotation includes Carlos Carrasco, Josh Tomlin, Danny Salazar, Trevor Bauer and Corey Kluber.
With the Indians needing starting pitcher last October after Bauer's drone accident, Merritt was given a chance in Game 5 at Rogers Centre.
He allowed two hits against a lineup that includes Jose Bautista, Josh Donaldson, Edwin Encarncion, Troy Tulowitzki and Russell Martin..
Merritt and Sarah Brushaber were married January 27 in Minnesota. Indians fans found their wedding registry on-line with Pottery Barn, Target and Pampered Chef. They sent Merritt gifts.
Notes: Indians rookie Bradley Zimmer hit a three-run homer in the seventh off Jackson Stephens.


text:
Black Lives Matter and America's long history of resisting civil rights protesters
Protesters at the courthouse in Selma, Ala., on Feb. 5, 1965. More than 400 demonstrators were arrested and marched off to a compound. (Bill Hudson/AP file)
By Elahe Izadi
One year ago this week, protests erupted in Baltimore following the death of Freddie Gray in police custody. After yet another high-profile death of an unarmed black man connected to police, there were riots, peaceful demonstrations and proclamations from activists that black lives matter.
The decentralized Black Lives Matter movement burst onto the national scene following the 2014 police shooting of an unarmed black teenager, Michael Brown, in Ferguson, Mo. Since then, activists have protested police brutality by stopping Black Friday sales, shutting down rail stations and becoming a fixture on the presidential campaign trail. They have disrupted Bernie Sanders, confronted Hillary Clinton and protested Donald Trump, leading to tense confrontations and violent reactions.
For these demonstrations, Black Lives Matter activists have received plenty of criticism from political candidates and their supporters and surrogates.
The majority of Americans haven't embraced the activists' message or strategies, either; fewer than a third of Americans said Black Lives Matter focuses on real issues of racial discrimination while 55 percent said the movement distracts from those issues, according to a September PBS News Hour/Marist poll. Another poll conducted that month by NBC News and Wall Street Journal found that 32 percent of Americans had mostly positive views of the movement; 29 percent had mostly negative views and 39 percent were neutral.
Such tepid acceptance of black activism isn't surprising. This country has a history of disapproving of civil rights protests and demonstrations. And perhaps nothing better demonstrates that dynamic than the movement of the 1960s.
Today, sit-ins, freedom rides and marches for voting rights are viewed with historical reverence. Schoolchildren across the country memorize Martin Luther King Jr.'s "I Have a Dream" speech. Conservatives invoke the moral authority of the civil rights movement as a model for their own activism. Civil rights workers are viewed as national heroes.
But in their day, activists were met with widespread disapproval. A review of polling data from the 1960s paints a picture of an America in which the majority of people felt such protest actions would hurt, not help, African Americans' fight for equality.
These surveys, compiled by Roper Center for Public Opinion Research at Cornell University, provide a snapshot of the nation's mood throughout the decade. Collectively, they are "a corrective to the blurring of time," said Kathleen Weldon of the Roper Center.
"It's a very clear picture — and not necessarily the picture we like to lay back on time that we see from today; it's not necessarily the story we tell ourselves," she said. "Time passes and people can start to intentionally or not rewrite history, particularly around something that seems as amorphous as public opinion — what everyone believed, what everyone thought."
Recognizing the deep opposition toward the civil rights movement's tactics in its day — "the things we think of normal today and not controversial" — may cause people to "think through what their opinions are about things today, and why they have those opinions," said Charles Cobb, who was a field secretary for the Student Non-Violent Coordinating Committee in the 1960s.
Coming to terms with how widespread was the resistance and ambivalence toward civil rights activists is important "because, first of all, it's the accurate portrayal of history," said Joyce Ladner, who was deeply involved with SNCC's organizing in Mississippi.
"When I'm told by people, 'Thank you for what you did,' I almost want to look around and see who they're talking to," Ladner said.
Ladner said she and others "did it for ourselves. We weren't aware of history at that time, or that one day it would go down in history, because these events were in the moment. We didn't have time to focus on long-term strategies."
Cobb referred to a phrase often used by one of the SNCC's co-founders, Julian Bond: "He used to say that public opinion about the civil rights movement can be boiled down to one sentence: 'Rosa sat down, Martin stood up and then the white folks saw the light and saved the day.' "
Opposition to the movement
In 1961, mobs in Southern cities attacked Freedom Riders, the activists testing the federal ban on bus segregation. Most Americans weren't on the activists' side; 61 percent said they disapproved "of what the 'Freedom Riders' are doing," according to a 1961 Gallup Poll.
That same poll found that 57 percent of Americans felt the "Freedom buses," sit-ins at lunch counters and "other demonstrations" by African Americans would hurt their chances of being integrated in the South. Just 28 percent of Americans said these actions would help.
Mass demonstrations by blacks were viewed as even less helpful in a Gallup poll taken two years later.
These numbers don't surprise Cobb, the one-time SNCC field secretary: "It pretty much confirms our sense of public opinion, even back then."
Ladner, who worked on the March on Washington, also wasn't shocked by the historical data. "It was going against the grain of tradition," she said.
The very nature of protest is fighting against the norm, Cobb said. "Whether it's segregated lunch counters or voting rights or whether it's police violence — that's what protest does, and it challenges with varying degrees of intensity the status quo."
Such numbers show people were "very uncomfortable with protest," and especially regarding the potential for violence, said Weldon of the Roper Center.
"They weren't particularly convinced that it was helpful," she said.
Even the March on Washington — so revered today — wasn't welcomed.
Just before the 1963 march, Gallup asked a nationally representative sample of adults how they felt about the coming event.
Less than a quarter of Americans said they held favorable opinions.
"Even after then, it was still a lot of resistance," Ladner said. "Three weeks after the march, the church was burned in Birmingham that killed the four little girls," she said, referring to the 1963 bombing of the Sixteenth Street Baptist Church.
The following year— just before Freedom Summer began in Mississippi — Gallup asked whether mass demonstrations by blacks were likely to help or hurt the fight for equality. Nearly three-fourths of Americans said they would hurt.
"People have a great view of what happened in the 1960s," said Courtland Cox, a one-time SNCC field organizer and is now chairman of the SNCC Legacy Project, "and this country has moved forward and we've done all these things. We even elected a [black] president. We thought we were post this, but the reality is we're not."
Divides across race
While the majority of Americans may have disapproved of protest tactics in the 1960s, that doesn't necessarily represent how black Americans felt.
In 1965, two years after the March on Washington, 94 percent of African Americans rated the job Martin Luther King Jr. "has done in the fight for Negro rights" as positive, according to a Harris survey.
But when the polling company asked white adults the next year whether King was helping or hurting the cause, just 36 percent said he was helping; half of whites said he was hurting, while 14 percent said they weren't sure.
The divide was even starker when whites were asked about demonstrations overall; 85 percent of whites in a 1966 Harris survey said such protests actions by blacks would hurt the advancement of civil rights.
It was different for blacks; 70 percent said activities such as sit-ins, store picketing and demonstrations helped the effort to win equal rights, according to a 1969 survey conducted by Newsweek
"For the people on one side of the equation, who sat on the side, who didn't experience segregation, didn't experience the various negative laws, everything was fine and what we were doing was a disruption," said Cox, the SNCC Legacy Project chairman. "In the black community, there was a whole different view."
When working on voter registration in the Deep South, "we could not have survived if those black communities did not have some sense that we brought value," Cox said.
As with the Black Lives Matter protests, the civil rights demonstrations of the 1960s included non-black activists.
But in 1966, when Harris asked whites whether they'd think marches and protests would be justified if they were in the same position as blacks, more than half said no.
We can see such racial divides today in how Black Lives Matter is perceived. In the PBS News Hour/Marist poll from September, 65 percent of blacks said the movement focuses on real issues of racial discrimination. Just 25 percent of whites felt similarly.
There are notable differences between the civil rights movement and Black Lives Matter, including approaches to protests and grass-roots organizing. Some 1960s activists have significant disagreements with what young people are doing today.
But Cox sees one important similarity: "Both of them were disruptive of people's view of the status quo."
'Critical' to get the word out
Media played a big role in shaping how the public received the methods of 1960s civil rights protesters.
Compared to the technology available today, their tools were rudimentary. Back then, activists utilized phone trees and a network of organizations across the country to spread news about what was happening on the ground.
"No national television crews were coming to Mississippi in 1963," Ladner said. "It was critical to try and get the word out as quickly as possible."
The 1965 march in Selma, Ala., demonstrated the power of media in swaying public opinion. Images of peaceful voting rights protesters beaten by policemen were broadcast across the country.
Almost half of Americans in a 1965 Harris survey said they sided with civil rights groups "in the recent showdown" in Alabama. Just 21 percent sided with the state of Alabama, while 19 percent answered neither and another 12 percent said they weren't sure.
"If we didn't get word to the outside world about what was happening to us, especially when confronted and beaten, we're losing," Ladner said. "If we're isolated and somebody was killed — one man was killed on the courthouse lawn by a state legislator because he was trying to register to vote — if no one outside our town knew, it was all for naught."
'Young people, impolite'
Cobb went to a high school in a white working-class Massachusetts town, "and while people were sympathetic to the expansion of civil rights to include black people, at the same time, I think they saw us as young people, impolite."
Compare that to how King and other older folks were viewed — "much more distinguished, certainly not impolite at any level," Cobb said.
Back in the 1960s, "it's young people who's doing the sitting in, the young people — in their late teens and early 20s, just like the Black Lives Matter people are predominantly young," Cobb said. "So they might disrupt something Clinton or Sanders is holding. It all resonates with us."
African Americans in the 1960s debated the movement's tactics and strategies. While 71 percent of black adults in a 1963 Gallup poll said King was moving at the right speed, 21 percent said he wasn't moving fast enough. Indeed, defining what it meant to act with "all deliberate speed" was "a big, big deal," Cox said.
"I could see that in young people like me, that the criticism was not that you were doing it, it was that what was being done was not being done in a way that allowed us to have our vision of how we should be living in America," he said.
Cobb said the general public may not endorse activists' strategies because they aren't affected the issues central to the protests, such as segregation in the 1960s or police brutality today.
"You can see yourselves in the Black Lives Matter students; you can understand their impatience with police violence," Cobb said. "Our issue was segregation first, then we engaged in the fight for voter registration. But what we share with the Black Lives Matter people is their impatience."
He added: "It's their future, it's their lives — just the way it was our future and our lives back in the day."
Questions About Civil Rights Protests 1960s by elahewapo


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IS WORF LOSING HIS GRIP ON REALITY?
Troi:  You don't remember us falling in love and getting married?
Worf:  What is my rank and position?
Troi:  You're a Commander, and First Officer.
Data:  Mr. Worf does not belong in our universe.
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ON AN ALL NEW EPISODE OF STAR TREK: THE NEXT GENERATION.
to Counselor Troi... on Star Trek: The Next Generation.