This is a work in progress, I will be adding decedents as my research go on.
1. WILLIAM A.2 CHISHOLM (CHISHOLM1) He married ELIZABETH ALDRIDGE.
2. i. HENRY HARISON3 CHISHOLM, b. September 18, 1875; d. March 12, 1953.
ii. FENNIE CHISHOLM, m. G.W. TIPPENS.
iii. R. M. CHISHOLM, m. ADDIE.
v. VERGIE CHISHOLM, m. DOC NEWSOM.
vi. ELLA CHISHOLM, m. GEORGE SMITH.
2. HENRY HARISON3 CHISHOLM (WILLIAM A.2, CHISHOLM1) was born September 18, 1875, and died March 12, 1953. He married ANNIE ARZZILLAR MCVAY October 21, 1897 in Winnfield, Winn Parish, La., by J. W. Clark, daughter of G. MCVAY and ELIZABETH MCVAY. She was born April 17, 1876 in Jackson Alabama, and died June 18, 1946 in Natchez City Cemetery, Natchez Mississippi.
3. i. PENNIE4 CHISHOLM, b. December 18, 1904, Crowville, La; d. February 19, 1996, Natchez Ms..
4. ii. CLARAH ELIZIBETH CHISHOLM, b. 1899, Winnfield, La..
5. iii. LENA CHISHOLM, b. December 14, 1900, Winnfield, La.; d. April 19, 1996.
iv. SARAH VIRGINIA CHISHOLM, b. 1902.
6. v. NETTIE LEVINIA CHISHOLM, b. February 27, 1903, Winnfield, La.; d. August 23, 1991, Marrion La..
vi. HENRY CLAUDDIE CHISHOLM, b. October 29, 1906; d. November 23, 1910.
7. vii. ANNIE MAUDDIE CHISHOLM, b. 1906.
8. viii. ROBERT LEE CHISHOLM, b. January 14, 1909; d. July 16, 1985.
9. ix. WILLIAM WASHINGTON CHISHOLM, b. March 29, 1911; d. July 11, 1976.
10. x. CHARLEEN CHISHOLM, b. 1913, Crowville, La..
xi. ERVIA (EVIE/ EVELYN) CHISHOLM, b. April 25, 1915; m. JOHN W. PARKER, August 16, Fayette, Mississippi; b. August 16, 1913; d. May 12, 1982.
11. xii. RUBY LUCILLE CHISHOLM, b. April 11, 1918; d. March 25, 1960.
3. PENNIE4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born December 18, 1904 in Crowville, La, and died February 19, 1996 in Natchez Ms.. She married HENRY ( HERMON ) OTIS FRANKLIN December 02, 1921. He was born July 25, 1902 in Cuba Al., and died October 29, 1959.
Burial: Inglewood Park Cemetery, Los Angeles, Ca.
12. i. VERBIE ANN5 FRANKLIN, b. 1922, Crowville La.
4. CLARAH ELIZIBETH4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born 1899 in Winnfield, La.. She married JOE COVINGTON December 26, 1915 in Crowville, La..
i. ALVIA ETHOLEEN5 COVINGTON, m. PRESTON DAVIS SHIVERS.
ii. MARTHA MARIE COVINGTON, m. JACK L. LABORDE.
13. iii. WILLIAM HENRY COVINGTON, b. Abt. March 15.
iv. JOE WALTER COVINGTON, m. NELLIE SIMMS.
v. JUANITA COVINGTON, m. JAMES LOVIE EZELL.
5. LENA4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born December 14, 1900 in Winnfield, La., and died April 19, 1996. She married JOHN BARRON in Natchez, Mississippi. He died May 15, 1953.
Shreveport, La- Garaveside servies for Mrs. Lena C. Barron will be held Saturday, April 20, 1996 at 3 p.m. in Centruies Memorial Park under the direction of centruies Memorial Funeral Home. Rev. Crawford Williams,, Pastor of Ingleside Baptist Chruch will officate.
Mrs Barron entered into rest Friday, April 19, 1996 in Shreveport. She was born in Winnfield, La., December 14, 1900. She had resided in Shreveport since 1931. Mrs. Barron was a member of ingleside Baptist Chruch and was a retired seamstress with Peyton's.
Mrs Barron was preceded in death by her husband, John F. Barron.
She is survived by two daughter and their husbands, Dorothy and Wray Martin of Shreveport, La. and Annie Laurie and John Davis of Texarkana, AR.: two sons ang their wives, William L. and Jerry Barron of Shreveport, La. and Harry E. and Pet Barron of Carson, CA; four sisters, Charleen Smith of St. Louis, MO, Maudie Gibson of Natchez, MS. Evie Parker of Natchez, MS and Clara Covington of Winnsboro LA, ,and Clara Covington of Winnsboro, La. twelve grandchildren, seventeen great-grandchildren and one great-great-grandchild.
Burial: April 20, 1996, Centurier Memorial Funeral Home, Shreveport, La.
i. DOROTHY MAE5 BARRON, m. WRAY D. MARTIN.
14. ii. WILLIAM L. BARRON.
iii. ANNIE LAURA BARRON, m. JOHN DAVIS.
iv. HARRY E. " BUDDY" BARRON, m. PET.
6. NETTIE LEVINIA4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born February 27, 1903 in Winnfield, La., and died August 23, 1991 in Marrion La.. She married BENNIE FRANKLIN September 14, 1920. He was born June 21, 1900, and died August 31, 1966.
15. i. BERNICE5 FRANKLIN, b. 1920, Crowville, Franklin Parish, La..
16. ii. JAMES HUBERT FRANKLIN, b. 1922, Crowville La..
17. iii. A.J. FRANKLIN, b. 1924, Crowville, La..
18. iv. BENNIE WINSTON FRANKLIN, JR., b. 1936, Tallulah, La..
7. ANNIE MAUDDIE4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born 1906. She married WILLIAM T. GIBSON, JR. August 07, 1933. He died November 03, 1995.
8. ROBERT LEE4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born January 14, 1909, and died July 16, 1985. He married MARY GERALDEAN STARNS June 15, 1947. She was born January 13, 1920, and died March 06, 1971.
9. WILLIAM WASHINGTON4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born March 29, 1911, and died July 11, 1976. He married MAXINE JOHNSTON December 24, 1935.
i. REBECCA ANN5 CHISHOLM, m. ALVEY EARL DAWSEY, August 29.
10. CHARLEEN4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born 1913 in Crowville, La.. She married JAMES V. SMITH June 26, 1943 in Natchez, Mississippi.
11. RUBY LUCILLE4 CHISHOLM (HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born April 11, 1918, and died March 25, 1960. She married THOMAS PHILLIP WELSH. He was born 1917, and died March 08, 1976.
12. VERBIE ANN5 FRANKLIN (PENNIE4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born August 29, 1922 in Crowville La., died June 7, 2003, in Natchez, MS. She married JAMES EDWARD ELLIOTT May 18, 1952 in Natchez Ms.. He was born January 08, 1924 in Big Creek Mississippi, and died July 30, 1987 in Natchez Mississippi.
i. DEBORAH ANN6 ELLIOTT, b. 1953, Natchez, Ms; m. JOHN DUNHAM WITHERS, JR., June 09, 1985, Natchez, Ms. Ellicot Hall; b. 1943, Woodville Ms.
ii. BRUCE ALLEN ELLIOTT, b. 1958, Natchez Mississippi; m. SARA H FINKLEA, September 23, 1989, Dallas Texas, Now Divorced; b. 1960, Dallas Texas.
iii. ROSEMARY ELLIOTT, b. 1963, Natchez, Ms; m. (1) GENE HOOPER, Bef. 1983, Natchez, Mississippi; d. Deceased; m. (2) BRUCE GODARD, June 02, 1990, Natchez, Mississippi, Now Divorced; m. (3) PAUL ALLEN TEMPLE, April 17, 1999, Natchez Ms; b. 1960, Chicago Ill..
13. WILLIAM HENRY5 COVINGTON (CLARAH ELIZIBETH4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1) was born Abt. March 15. He married DOROTHY SMITH September 05, 1943. She was born 1924.
i. SANDRA6 COVINGTON, b. 1946.
ii. STEVEN W. COVINGTON, b. 1952.
iii. DARRELL H. COVINGTON, b. 1954.
14. WILLIAM L.5 BARRON (LENA4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1) He married JERRY.
i. SHERYL6 BARRON, m. COLE.
15. BERNICE5 FRANKLIN (NETTIE LEVINIA4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1)1 was born 1920 in Crowville, Franklin Parish, La.1. She married (1) WILLIAM JENNINGS THIGPEN1 October 03, 19351. He was born July 20, 1912 in Copperswell, Rankin County, Ms.1, and died October 06, 19471. She married (2) JOSPEH JEFFERSON PHILLIPS1 February 18, 19491. He was born 1913 in Baskin La.1.
i. DELIA6 THIGPEN1, m. THOMAS TRICHELLE1; d. August 19, 20001.
ii. POOLER (GENE ) ( BRITTON) THIGPEN1.
iii. WILLIAM EDWARD THIGPEN1, b. 1936, Tallulah, La. Madison Parish1; m. ALICE FAYE TINGLE1, December 14, 19611; b. 19431.
iv. PATRICA ANN THIGPEN1, b. 19401; m. JACKIE IVAN WILHITE1; b. 19361.
v. ARTHUR WAYNE THIGPEN1, b. 1942, Tallulah, Madison Parish, La.1; m. (1) EVA JOHNSON1; b. 19631; m. (2) DELIGHT EXICKSON1, 19791.
vi. DEXTER PURCELL6 PHILLIPS1, b. 19511; m. MARILYN KAY DYE PHILLIPS1, July 09, 19781; b. 19541.
16. JAMES HUBERT5 FRANKLIN (NETTIE LEVINIA4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1)1 was born 1922 in Crowville La.1. He married WANDA B. RITCHIE1 March 10, 1940 in Tallulah La. Madison Parish1. She was born June 27, 1920 in Franklin Ark.1, and died May 01, 1996 in Marion, Roark Cemetary1.
i. JAMES H.6 FRANKLIN, JR.1, b. 1940, Crowville, La.1; d. December 08, 1971, Marion, La. Roark Cemetary1; m. JUDY GRAVES1, January 08, 1960, Fairbanks, La.1; b. 19421.
ii. TOMMY LARRY FRANKLIN1, b. 1942, Tallulah, La.1; m. (1) CAROLYN PAINE1, November 20, 1961, Hamburg, Ark1; b. January 21, 19441; d. March 09, 19831; m. (2) JOANIE BUFFINGOTN SCHMITT1, December 28, 19881.
iii. JERRY DON FRANKLIN1, b. 1947, Transylvania, La., East Carol Parish1; m. (1) MARTA GAYE LONG1; b. 1981, Monroe, La.1; m. (2) BONNIE CAMPBELL1; b. June 301.
iv. KENNETH WAYNE FRANKLIN1, b. 1955, Delhi, La.1; m. BECKY KENNEDY1.
17. A.J.5 FRANKLIN (NETTIE LEVINIA4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1)1 was born 1924 in Crowville, La.1. He married OLETA FAYE LANIER1 January 26, 1946 in Crowville, La.1. She was born 19271.
i. ROBERT DUANE6 FRANKLIN1, b. 1946, Winnsboro, Franklin Parish, La.1; m. EDDIE ELIZABETH STITT1, August 211; b. 19451.
ii. GINGER FAYE FRANKLIN1, b. 1951, Winnsboro, Franklin Parish, La.1; m. DONALD WAYNE GRAHAM1, September 11, 1971, Winnsboro, Franklin Parish, La.1; b. 1952, Little Rock, Ark.1.
iii. RONALD ELTON FRANKLIN1, b. 1955, Winnsboro, Franklin Parish, La.1; m. DAWN PATICE GUILLORY1, 1977, Woodville, Ms1; b. 19601.
18. BENNIE WINSTON5 FRANKLIN, JR. (NETTIE LEVINIA4 CHISHOLM, HENRY HARISON3, WILLIAM A.2, CHISHOLM1)1 was born 1936 in Tallulah, La.1. He married (1) MARION WILLIAMSON1 in Tallulah, La.1. He married (2) ROBBIE MOORE1 19711. She was born 19431.
i. BEN ALLEN6 FRANKLIN1, b. 1957, Delhi, La.1; m. CONNIE SUE SNOW1, March 11, 1978, Vicksburg, Ms.1.
ii. SHERRI LYNN FRANKLIN1, b. 1962, Tallulah, La.1; m. RODNEY KEITH HARMON1, 1981, Vicksburg, Ms.1.
19. ROBERTA5 CHISHOLM (ROBERT LEE4, HENRY HARISON3, WILLIAM A.2, CHISHOLM1) She married CALVIN HEFLEY.


text:
Doll Parts: Hilton Als Recalls Some Of His Most Poignant Memories Of Artist Greer Lankton
Document Journal Document Journal
The late American artist Greer Lankton was known for her radical, lifelike dolls; figurines that mimed the bizarre and mundane aspects of the human body with each twist and bend. She was an icon in New York -- art stars like Teri Toye, Diana Vreeland and Candy Darling served as her personal muses, while Lankton took center stage in the frames of David Wojnarowicz and Peter Hujar. Nan Goldin, her contemporary and friend, deemed Lankton a pioneer for blurring "the lines between folk art and fine art." Her window displays alone, presented in husband Paul Monroe's shop Einsteins, attracted a cult of Lankton worshippers.
Now, nearly two decades after her death from an overdose, writer and theater critic Hilton Als recounts his memories of the great East Village hero below.
"Doll Parts: Hilton Als recalls some of his most poignant memories of artist Greer Lankton" originally appeared on Document Journal (in the FW 2014 issue on newsstands worldwide now). See the full article here. (Text by Hilton Als)
Sissy and Cherry in front of Einsteins, NYC, 1988 (Photo by Paul Monroe)
I'm trying to remember the specifics of Greer, the way her legs and arms moved in her summer dresses. Because that's the season I associate her with, and I associate her, too, with something diaphanous, but I wonder if that impression is based on Nan Goldin's famous photographs of her, and the one I'm thinking of specifically was taken against a brick wall where Greer sort of sits and sort of leans, smoking, looking, at first, like another down on her luck artist, but something more, too, like a ruined movie star having a movie star moment in the photograph that was happening just now, first to Goldin and then to us. But no artist is down on her luck when she has her art. It's what Greer fed on, even when she ate no other food at all. Her dolls were starved for our attention. They had thin arms but lips or eyes that competed with the klieg lights one saw inside their living minds. What was the name of that place where Greer displayed her dolls? It was at—what would you call Einstein's in the East Village? A boutique? I remember it was on First or Second Avenue, and I remember the windows filled with Greer, her dolls attenuated limps stretching this way and that, and those incredible faces, the manifestation of some dream of femaleness, usually, that reflected Greer's own ideas about her own femaleness, a hard journey that didn't make her any happier but gave her herself, a maker of females in her own emotional image. Sometimes, looking at Greer's dolls in that window at Einstein's, I had to turn away, they bordered on a kind of drag that I don't particularly feel comfortable with—woman as an object of ridicule rather than celebration—and when I think of that I wonder what Greer was thinking, largely about herself? About her past, as the daughter of a pastor? A native of Flint, Michigan who transitioned from Greg to Greer based on funds her father collected from his congregation—that's a very public way to come out, and I'm sure not free of guilt: how could Greer ever repay them? Well, one way, of course, is by becoming the artist she was, it's all there in the work, her various complications, dreams, and beliefs, all produced during a time when spotting someone like Greer on Second Avenue, or in a bar, was not unusual and unusual, all at the same time. It's so hard to look back and see what's been erased of New York when artists like Greer lived in New York but isn't it marvelous to know that their imaginations live in the concrete, still, like some old and nourishing song, or the very art Greer created out of her tortured, whole, and vibrant self?
Greer Lankton, LOVE ME opens November 2, 2014, at Participant Inc, 253 East Houston Street, New York.
Grandma and Suzanne, Palm Beach, 1985 (photo by Greer Lankton)
Candy Darling, 1985 (Photo by Greer Lankton)
Diana Vreeland, circa 1989 (photo by Paul Monroe)
Edie Sedgwick, 1981 (photo by Greer Lankton)
Ethyl Eichelberger, 1986 (Photo by Greer Lankton)
Freddie, 1981, and Ellen, circa 1980 (photo by Greer Lankton 1983 for the civilian warfare show
Jackie Kennedy, 1985 (photo by Greer Lankton)
Jezus!, 1984 (Photo by Greer Lankton)
Rachel, 1986 (photo by Greer Lankton)
Sissy, Prince Street Station, circa 1983 (photo by Greer Lankton)
Peter Hujar, Greer Lankton in Bed, 1983

redpajama_set_name: RedPajamaCommonCrawl


text:
Rory Dempsey
Remote Double Bass Sessions
Contact Rory Dempsey
I do remote sessions for film/TV/media composers from my studio. I have played on a wide variety of shows and releases in varying styles. Whether you need bass for several film cues, a whole album or just one song, get in touch and I'm sure I'll be able to help.
I have worked as a bass player in London since 2004 and have a wealth of experience in a wide range of styles including jazz, classical, tango and rock.
I have recorded at all the major London studios and also record high quality remote sessions for TV, film, and library music composers from my studio in London. My playing can be heard on tv shows such as Better Call Saul (Netflix), Staged (BBC), Marvel Agents of SHIELD (Disney), Us (BBC), Breeders (Sky/FX) and Rockfield - The Studio On The Farm (BBC).
As well as playing jazz and pop I studied classical so I am equally comfortable playing arco lines.
Let me know what you need for you project. Turnaround time is generally 48 hours.
Please see rorydempsey.com for lots of audio examples
West End Shows
Heritage orchestra
BMG Publishing
EMI Production Music
Mathew Herbert BIg Band
Endorse Rory Dempsey
by Tom Campbell
Rory delivered a perfectly played and recorded part exactly as I had asked for it. He discussed things with me in detail before starting to make sure everything was as it should be and I really appreciated the extra care taken to do so. Will definitely come back to him when I need double bass in the future!
by Joe Matzzie
Rory was super easy to work with. He communicated clearly and got the bass part in the first take. I look forward to working with him again.
Interview with Rory Dempsey
A: Experience, some humanity and groove I hope!
A: I mostly record double bass parts for media composers at the moment. That means mostly TV shows and also production music albums.
A: Recording for a TV show that comes out in a couple of months and recording a passion project album for a composer I know. Before COVID I was doing a show in the West End so that will probably start again after the pandemic.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: If it's a project where I have written the music, produced and played on then I am usually extra proud of it.
A: Not yet, I'm new here.
A: Probably digital because I don't have a tape machine. Also I am playing a very 'analog' instrument!
A: That I take a lot of care over the recordings and if I have any questions I ask.
A: I work for myself.
Q: What questions do customers most commonly ask you? What's your answer?
A: - can you embellish my bassline a bit? Yes - How quickly can you get it back to me?! Probably tomorrow.
Q: What questions do you ask prospective clients?
A: - Do you have a sound in mind? if so provide a reference track - What sample rate do you want me to record at? - How adventurous do you want me to be?
A: I would say that if you could have the resources for your songs (files, charts etc) well prepared and clearly labelled then the process will be faster and cheaper. I would also say that a 5 minute phone conversation can save 20 emails!
A: U87 Apollo(with all plug ins) double bass piano hammock
Q: What was your career path? How long have you been doing this?
A: I did a degree in classical music in Cork, Ireland and then came to London to study at the Royal College of Music. I like a wide range of styles so ended up playing different types of music as well as classical. I got lots of work in West End shows so I ended up staying in London and I'm still here!
A: Rhythmic.
A: Tom Waits!
A: I record with more than one mic so I have options even if I don't use them.
A: All sorts!
A: I have experience in a lot of styles of music.
A: I usually speak to the client to see what type of sound and feel they are looking for and suggest things if they are unsure. Then I ask them to send me the files, possibly a chord chart or some sheet music (depending on the style) and a bpm and I get to work.
A: I usually record with two mics - a U87 and a Coles 4038. They go through a Neve 1073 preamp into my DAW. I usually use Pro Tools but can also work in Logic. The two mics have very different tonal qualities so I usually send the client each channel separately or a blend of the two depending on what the client requests.
A: There are loads of musicians that I work with all the time that inspire me. I am inspired by people who can delve into many styles.
Bass UprightAverage price - $100 per song
Bass ElectricAverage price - $70 per song
I include one revision. Turnaround time usually within 48 hours.
Hawkes double bass
Fender basses
Overwater


text:
Camp Funston, Fort Riley, Kansas
Date: Between 1917 and 1919
Call Number: FK2.G2 C.5 InfB *1
Summary: This photograph shows a view looking east on Infantry Boulevard from the west at Camp Funston on the Ft. Riley military reservation near Junction City, Kansas. The facility, named after Brigadier General Frederick Funston, was one of sixteen divisional cantonment training camps built during World War I to house and train soldiers for military duty. Construction began in July of 1917 as buildings were laid out uniformly in city block squares with main streets and side streets on either side. The number of buildings estimated to have been built at the camp, were from 2,800 to 4,000 to accommodate the over 40,000 soldiers from the U.S. Army's 89th Division that were stationed at the facility. After the war, Camp Funston became a "mustering-out" center as soldiers prepared to return to civilian life. In 1924, the military decommissioned the 2,000 acre site with the dismantling of the buildings.
Title (Main title): Camp Funston, Fort Riley, Kansas


Eastern philosophy (Upanishades, Buddhism, Confucianism, Daoism) - Antiquity (Socrates, Plato, Aristotle, Epicure) - Patristic - Scholasticism - Arab philosophy - The Enlightenment (Descartes, Spinoza, Leibniz, Locke, Hume, Voltaire, Montesquieu) - Idealism (Kant, Fichte, Hegel, Schelling) - Schopenhauer - Nietzsche - Husserl - Jaspers - Sartre - Camus - Heidegger - Wittgenstein - Critical Theory - Structuralism.
A history of philosophy presented visually. Philosophers and their theses and concepts in text and colour graphics.
The well-established (and unrivalled) Atlas system - colour images on one side, accompanying text on the opposite page - make up their traditional success.
The dtv-Atlas series started in 1964 with its bestselling dtv-Atlas World History. It has been widely acclaimed for its unique way of highlighting the topics of each volume in separate units, combining vivid graphics on the left-hand pages with concisely written explanations on the right.
The subject areas covered by the dtv-Atlas series range from history to natural sciences, from architecture to music, from philosophy to health. dtv-Atlases are designed to be reference books useful for both experts and curious readers. The series is being regularly extended, and each Atlas is revised and updated upon republication. A list of all dtv-Atlases, including the number of editions and copies sold, is available.
Professor Dr. Peter F. Kunzmann, born in 1966, had the inspiration to the atlas. He teaches philosophy at Würzburg University and is author of various publications on anthropology, Wittgenstein and the medieval times.Professor Dr. Franz-Peter Burkard, born in 1958, studied philosophy, theory of education and religious science in Würzburg and Tübingen. He teaches now philosophy in Würzburg and has published on anthropology, ethics and existential philosophy.Professor Dr. Franz Wiedmann, born in 1927, studied in Tübingen and Munich. From 1969 until his retirement in 1995 he held a chair for philosophy in Würzburg. He is the author of various publications on problems of history, art, law and religion. He also published treatises on Spinoza, Hegel and J.H. Newman.Axel Weiß, born in 1958, is a free-lance graphic artist and works since 1985 as illustrator of non-fiction books. He also writes books for young people. 1993 he received the award "Premio Internazionale Felice Feliciano" in Verona for his design of the Atlas Philosophy.
Franz-Peter Burkard studied philosophy and theory of education; he is a Professor at Würzburg, Bavaria. Axel Weiß studied social education and philosophy; he is a graphic designer and also teaches art at a Würzburg grammar school.


text:
Q: Eclipse editors synchronization I'm writing plugin for eclipse which should be XML editor with 2 pages: the first is xml editor (extends TextEditor) and the second is some kind of builder. To imagine what i'm talking about you can take standard faces-config eclipse editor: my first page is "Source" page, and my second page is something like "ManagedBean" page. Currently to synchronize changes i've made on builder page i just take text from editor, change it correspondently and then put this text back to editor. Something like this:
    String editorText = editor.getDocumentProvider().getDocument(editor.getEditorInput()).get();
    String changedText = editorText.substring(0, editorText.lastIndexOf(smth));
    changedText += newText + editorText.substring(editorText.lastIndexOf(smth));
    editor.getDocumentProvider().getDocument(editor.getEditorInput()).set(changedText)

It works but it looks not very elegant. I want to apply only changes. Is it possible?
EDIT: now i see that it doesn't work :) I mean it works in simple cases and in case everything is written more or less correct in editor. But if tags are written in a really bad manner (with line breaks in most unexpected places while still preserving xml correctness) it doesn't. So the only way to save correct changes is to transform whole DOM and write it to editor. Actually this was the first thing i tried but in this case all custom formatting is gone: indents are saved but line breaks inside tags (between attributes) are gone. This:
<myTag attr1="1"
       attr2="2">

becomes this:
<myTag attr1="1" attr2="2">

So i really need to know how to update only part of document, the part i've changed.

A: It's strange that nobody answered as the solution was pretty simple. It's replace() method of TextEditor's document:
editor.getDocumentProvider().getDocument(editor.getEditorInput()).replace(offset, length, newText);

The only problem is to find these offset and length but in my case it's not a problem as my document isn't very complicated and simple regexp does the trick. :)

redpajama_set_name: RedPajamaStackExchange


text:
Sixten Georg Nordström, född 26 juni 1937 i Malmö, är en svensk musikdirektör, musikskriftställare och programledare i TV.

Biografi
Nordström studerade vid Musikkonservatoriet i Malmö 1950–1960 med piano som huvudinstrument samt musikpedagogik. Han avlade studentexamen 1957 vid Malmö latinskola och musiklärarexamen 1960 vid Musikhögskolan i Stockholm som den förste som aldrig hade studerat där. Endast högskolan i Stockholm hade vid den tiden examensrätt och minst fjärde och sista året skulle man studera där, det så kallade provåret. Under slutet av studietiden arbetade Nordström parallellt som repetitör och tredje kapellmästare vid dåvarande Malmö stadsteater och arbetade med flera operaproduktioner och som musikansvarig för ett flertal talteaterproduktioner, många internationellt uppmärksammade i regi av Ingmar Bergman. 1958 debuterade han där som dirigent för musikalen Kungen och jag. Han komponerade också skådespelsmusik till pjäserna Änkan och Det blåser på månen.

1960–1964 studerade han musikvetenskap vid Köpenhamns universitet och verkade samtidigt också som lärare i Malmö samt musikkritiker i Skånska Dagbladet 1961–1967, därefter i tidningen Arbetet fram till början av 1990-talet. Han verkade även som konsertpianist, bland annat med Malmö symfoniorkester i George Gershwins Rhapsody in Blue (1961).

1964 startade han Malmökören -64 och bedrev 1965–1969 på uppdrag av Skolöverstyrelsen försöksverksamhet med nya former inom musikundervisningen som bidrag till Lgr 69. 1971 grundade han ett av Sveriges första musikgymnasier i Malmö, först vid Sankt Petri skola, senare vid Heleneholms gymnasium. 1973–1978 ledde han på Utbildningsdepartementets uppdrag arbetet med att utveckla en ny nationell musiklärarutbildningsform, SÄMUS. Fram till 1998 var han utbildningschef vid Musikhögskolan i Malmö och har därefter fortsatt som lärare där vid sidan om frilansande verksamhet som uppmärksammad författare av böcker om klassisk musik och föreläsare vid bland annat symfoniorkestrarna i Malmö och Göteborg.

För en större nordisk publik har han blivit känd som en musikpersonlighet mycket genom sitt programledarskap som efterträdare till Sten Broman i musikfrågetävlingen Kontrapunkt i Sveriges Television 1985–1998.

Han är gift med skulptören och keramikern Marianne Nordström och bosatt i Skanör.

Priser och utmärkelser
2006 – Malmö stads kulturpris
2015 – Medaljen för tonkonstens främjande
Hedersmedlem i Världsorganisationen Zonta
Hedersmedlem i Malmö Rotaryklubb
Hedersmedlem i Lunds Studentsångförening
Tilldelades Lille Julaftonsocietetens Stora Pris 1996
Utsågs av Finlands kulturjournalister till Årets programledare i den nordiska televisionen 1998
Hederslatinare vid Malmö Latinskolas 600-årsjubileum
Malmö Rotaryklubbs Kulturpris 2018

Skrifter (urval)
Så blir det musik (1989)
Världens bästa operor: 29 operor som förtrollat världen (1995)
De stora tonsättarna (1998)
Stora operetter & musikaler (2003)

Referenser
Webbplats om paret Nordström

Noter

Svenska musikchefer
Svenska TV-programledare
Svenskspråkiga fackboksförfattare
Män
Levande personer
Musiker från Malmö
Födda 1937
Sommarvärdar 1986
Sommarvärdar 1996

redpajama_set_name: RedPajamaWikipedia


In addition to the usual "gain" and "level" knobs, there are 2 more controls: a "warp" knob and a "sub" button.
The "warp" knob is actually a tone control, which doesn't work in the usual way: to the left it boosts mids from 250 Hz to 1 kHz. When set to the right, it cuts mids at 500 kHz with a subtle boost at 3 kHz.
The "sub" button is a low-end boost at 90 Hz (!) and is recommended for use with a 4×12 cabinet as you can see on the manual and on the reverse of the box.
By the way, as you can see in the photos, the input and output jack are reversed: I mean that the input jack is positioned on the left side while the output jack is on the right side…pretty weird choice imho, since the standard is exactly the opposite.
This pedal needs a whopping 180 mA of 12 V current: forget about using batteries, however a 700 mA power supply is included.
This effect was included in H&K catalog for year 2006, but is now discontinued: my personal opinion is that the sound isn't bad, but probably its quirks were enough to condemn it to a fast "phase-out". At the moment they can be found second-hand at reasonable price.
This can be considered a modern classic: it has been on sale since 1978, and while the circuitry has changed in time, the sound has more or less remained the same.
The stock DS-1 isn't my personal favourite, I find the sound too thin and metallic for my taste, but the interaction with the amp is very important for this pedal (or any overdrive, anyway) so it would be best to try one with your setup to see if you like the sound.
Some great artists have supposedly used this pedal or modified versions: Steve Vai, Joe Satriani, John Frusciante and John Petrucci. The pedal has a very reasonable price and can be easily found, new or used.
The circuitry lends itself to very interesting mods, and several schematics, kits or already modified pedals for people not used to soldering are available around the web.
The effect box is all-metal (erm…) apart from the plastic battery container on the right side, which you can see on the next photo. However I'm not sure this pedal would survive the treatment some of my other pedals had. The anti-skid rubber under the box is a nice touch.
I don't think this unit is still in production, since on the official site www.axlguitars.com there's only an analog multieffect board available, no stompboxes.


text:
Q: Counting ordered triples of non-negative integers not greater than 100 Can we find the number of ordered triples $(x,y,z)$ of non-negative integers satisfying
(i) $x \leq y \leq z$
(ii) $x + y + z \leq 100$?
Source:Regional Mathematics Olympiad India (2003)
Thank you.I have an ugly solution.But I am hoping for some insightful/elegant solutions.

A: Note that $0 \leq x \leq 33$, since $3x \leq x+y+z \leq 100$.
Now fix an $0 \leq x \leq 33$.
Subtract $3x$ then we get
$$(y-x)+(z-x) \leq 100-3x \,.$$
Denote $a:= y-x ,\;, b := z-x$. The $0 \leq a \leq b$ and $a+b \leq 100-3x$.
Do the same again, but split it in two:
If $x$ even then $0 \leq a \leq \frac{100-3x}{2}$ and $0 \leq (b-a) \leq 100-3x-2a$.
In this case we have $0 \leq x \leq 33, x$ even ; $0 \leq a \leq \frac{100-3x}{2}$ and $0 \leq (b-a) \leq 100-3x-2a$.
If $x$ odd then $0 \leq a \leq \frac{99-3x}{2}$ and $0 \leq (b-a) \leq 100-3x-2a$.
In this case we have $0 \leq x \leq 33, x$ even ; $0 \leq a \leq \frac{99-3x}{2}$ and $0 \leq (b-a) \leq 100-3x-2a$.
Note that in both cases, the tripple $a,b-a,x$ uniquely determines $x \leq y \leq z$.
Thus we have:
$$ \left[ \sum_{k=0}^{16} \sum_{a=0}^{\frac{100-6k}{2}} 100-6k-2a+1 \right]+\left[\sum_{k=0}^{16} \sum_{a=0}^{\frac{99-3(2k+1)}{2}} 100-6k-3-2a+1 \right] \,.$$
Edit The $+1$ was originary missing in the bracket, there are $100-3x-2a+1$ choices $0 \leq (b-a) \leq 100-3x-2a$.
Now each sum can be calculated.
*Second edit: * Here is a formal part calculation for the formula:
$$\left[ \sum_{k=0}^{16} \sum_{a=0}^{\frac{100-6k}{2}} 100-6k-2a+1 \right]= \sum_{k=0}^{16} \frac{100-6k}{2}\cdot (100-6k+1) - 2 \cdot\frac{\frac{100-6k}{2}(\frac{100-6k}{2})}{2} \,$$
$$\sum_{k=0}^{16} \frac{100-6k}{2}\cdot (100-6k+1 -(\frac{100-6k}{2}+1))=\frac{1}{4}\sum_{k=0}^{16}(100-6k)^2 $$
This can easely be calculated, and the second term leads to a similar calculation.

A: Take $y$ as "outermost" variable; its range is $0\leq y\leq50$. Given $y$ we have to count the number of lattice points in the set
$$S:=\bigl\{(x,z)\ \bigm|\ x\leq y,\ z\geq y,\ x+z\leq 100-y\bigr\}\ .$$
When $3y<100$ this set is a trapezoid containing $y+1$ lattice  points on its lower horizontal edge. Its left vertical edge contains $101-2y$ lattice points and its right vertical edge contains $101-3y$ lattice points. Therefore in this case we have a total of $(101-{5\over2}y)(y+1)$ lattice points in $S$.
When $3y>100$ then $S$ is a triangle with $101-2y$ lattice points on its lower horizontal edge and $101-2y$ lattice points on its left vertical edge. Therefore in this case we have a total of $(51-y)(101-2y)$ lattice points in $S$.
It follows that the overall total $N$  of triples of the described kind is given by
$$N\ =\sum_{y=0}^{33} (101-{5\over2}y)(y+1)\ +\ \sum_{y=34}^{50} (51-y)(101-2y)\ ,$$
which Mathematica computes to $30 787$.


Axcess International Inc., a provider of RFID and video surveillance systems for physical security and supply chain management, and GlobeRanger, a provider of RFID, mobility and sensor-based software solutions, announced a strategic partnership that will integrate AXCESS' Active-Tag RFID products with GlobeRanger's iMotion Edgeware platform. The partnership will provide comprehensive capabilities to easily incorporate active, passive and sensor-based systems within one solution and manage the infrastructure for enterprise-wide, multi-site deployments.
AXCESS' active RFID tags and sensors can enable businesses to monitor, control and track personnel, assets, inventory and vehicles throughout the enterprise and deliver tag data over the network to GlobeRanger's iMotion Edgeware platform. Sensor data such as temperature, pressure and motion can now be incorporated with data from passive RFID systems to give users a complete operational view. Supply chain and asset management solutions that blend passive and active RFID technologies can decrease labor cost, accelerate fleet vehicle turnarounds, improve inventory control, and reduce theft and shrinkage. Industry analysts have projected the payback period for active RFID solutions are generally shorter than 18 months.


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Attractions & Things To Do Nearby
Whitefield, New Hampshire
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Family Attraction
Jefferson, NH
(range: 7 miles)
Find your inner elf at Santa's Village, a Christmas-themed park in Jefferson, New Hampshire. Admission includes unlimited rides, shows, and attractions — including visits with Santa and his reindeer, a water park, and much more. (This excerpt taken from the Santa's Village website)
The Rocks Estate
Bethlehem, NH
The Rocks in Bethlehem, New Hampshire is the North Country Conservation & Education Center for the Society for the Protection of New Hampshire Forests. Known as a popular NH Christmas tree farm, the 1,400-acre property offers much more. (This excerpt taken from the The Rocks Estate website)
Littleton Grist Mill, Inc.
Littleton's economic community has its roots in the Littleton Grist Mill and saw mill that Solomon Mann opened for business in 1798. As other buildings were added, the mill complex eventually became the village of Littleton and the nucleus of its industry. (This excerpt taken from the Littleton Grist Mill, Inc. website)
Mount Washington Golf Course
Bretton Woods, NH
(range: 11 miles)
The 18-hole Mount Washington Course, with New Hampshire's spectacular Presidential Mountain Range as a backdrop, was designed by legendary Scottish Architect Donald Ross and was completed in 1915. This Par 72, 7004-yard course has hosted four New Hampshire Opens and the prestigious New England Open Championship in September 2010. (This excerpt taken from the Mount Washington Golf Course website)
Guests of all ages can enjoy a world of winter activities, including sleigh rides, skating, snowmobiling, tubing and more. Come for award-winning skiing and riding at New Hampshire's largest ski area, plus an array of outdoor activities in the majestic White Mountains. Spend a relaxing afternoon in our full-service spa. Or for the ultimate winter thrill, try a Guided Adventure of the Bretton Woods Canopy Tour- a high-flying experience in the trees and above the slopes. (This excerpt taken from the Bretton Woods website)
Franconia Heritage Museum
Franconia, NH
The Franconia Heritage Museum is located in an 1878 New England Farm House with attached barn and sheds. Visit our old-fashioned country store constructed by volunteers in the Jewell Friedman Exhibit Room. Imagine what it would be like to purchase all your necessities in one store...no trips to Walmart, Home Depot or Shaws...they didn't exist! (This excerpt taken from the Franconia Heritage Museum website)
Cog Railway
Mt Washington, NH
The Cog is the first mountain-climbing cog railway in the world, and the only one currently operating in North America. With an average grade of 25% (some sections approach nearly 38%), it's also the second steepest in the world! (This excerpt taken from the Cog Railway website)
In summer, Cannon Mountain and Franconia Notch State Park offer a spectacular setting and exciting attractions from endless hiking adventures to the Flume Gorge and Cannon Mountain Aerial Tramway. Winter brings snow and skiing to Cannon Mountain, recognized as one of the best values in the East by the readers of Ski Magazine. Cannon also rates high on scenery, diversity of terrain and family/learning facilities and trails. (This excerpt taken from the Cannon Mountain website)
Franconia Village X-C Ski Center
The Franconia Inn maintains a network of trails totaling over 65km. Most of the trails are single track in width, winding through the woods, over brooks and across meadows. We believe our single track trails create a very intimate feeling with the forest, unlike the larger double track commercial touring centers. (This excerpt taken from the Franconia Village X-C Ski Center website)
Sunset Hill Golf Course
Sugar Hill, NH
Sunset Hills is a community golf course with a local historical flare designed with the help of professional golfer Gene Sarazen in 1936. It is a family owned and operated golf facility that offers friendly service, a relaxing atmosphere, and challenging golf. (This excerpt taken from the Sunset Hill Golf Course website)
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text:
PROGRESS Wrestling Chapter 14: Thunderbastard Review By Dave Green (@dagreeno)
Added 05/08/2014 by Dave Green
Sunday 27th July 2014. Camden Electric Ballroom. A queue of rowdy and raucous fans lining up alongside Camden market passing donuts and Revels down the line as the sun beats down. A hot day where 700 people will be in a hot room. Mostly wearing black T-shirts. It must be time for PROGRESS wrestling.
Having missed Chapter 13 and the ENDVR / World Cup shows, to say I was highly anticipating seeing this show was an understatement. Once again, the Ballroom looked immaculate, although immediately I notice there's something slightly different. In the toilets, the hashtag of #expectus takes hold of our view, as The Faceless have infiltrated PROGRESS once again to make their presence known by putting up posters. Upon sitting down to watch past matches on the video wall, flashes of logos and messages appear. The group apparently are imminently arriving….or are they?
After the traditional airing of "The Imperial March", "Started from the Bottom" and "For Whom the Bell Tolls", Jim Smallman whips everyone into a frenzied state of excitement, but not before making it clear that some people were upset at the last show due to standing up, aggression and various other things. He makes it all very clear with an impassioned order of "don't be dicks." With that, we're off and running.
First match was the brand new Thunderbastard match. An eight-man elimination match where two wrestlers start, with the others entering at two minutes interval. Yes, just like a Rumble match. However eliminations occur via pinfall, submission or disqualification. The winner will get a title shot at any show they want. Smallman clarified that the shot was not a Money in the Bank style deal. Thank goodness, as there are far too many of those storylines taking place in wrestling these days. First out was Paul Robinson, returning to the Ballroom after turning on his partner Will Ospreay and costing Mark Andrews his title shot at the last show. He was faced by ENDVR standout Joey Lakeside. The two Essex natives battled it out, with Robinson taking control rather handily. He hit a great hammerlock DDT into a front guillotine choke. Before Lakeside could tap out, the clock ran down for number 3 entrant to enter. And wouldn't you know it, it's Will Ospreay. Sprinting to the ring to take on his rival, Robinson proceeded to punt Ospreay in the family jewels, getting himself DQ'ed rather than face the man he turned on. Seeing Robinson in this guise was quite bizarre. He's not the biggest fellow in the land, but he presented himself as a snivelling little dickhead, a bit like those kids at school that got in your face despite the size difference, but would hide behind their larger bully friends. With that, he succeeded. Lakeside checked on Will while he recovered, but with a look of guilt, realising he had a match to win, rolled up Ospreay for a two count.
The number four entrant was Darrell Allen, who enter the ring quickly and engaged in an exchange with Ospreay. After it ended with an armdrag, Allen stopped to confer with referee Chris Roberts. Apparently feeling the effects of a concussion, Allen wasn't able to continue. A very sad moment. This was Darrell's first match back after suffering the original injury at the Sonisphere shows and he reinjures himself in the first sequence of moves. The crowd were very supportive of the decision to remove him from the match and gave Darrell a huge round of applause as he was taken backstage. It made the next few moments of the match a little uncomfortable as all we were concerned about was Darrell's health.
Entrant number five was the returning Danny Garnell, accompanied by Damon Moser. Garnell turned heel at the last ENDVR show and came into tonight's show with an unblemished PROGRESS win/loss record. He entered the ring and German suplexed both Ospreay and Lakeside on their heads – very uncomfortable looking bumps. He pinned Lakeside in short order with a Northern Lights suplex. Moser made his presence felt by cheap shotting Ospreay a few times before being caught by outside ref Marc "Paz" Parry. Entrant six, with no rhyming irony, was Stixx. Surprisingly to me, he eliminated Garnell quite swiftly with a Black Hole Slam.
To the soft soothing sounds of The Offspring, out came "Party" Marty Scurll at entrant 7. As I alluded to in my Chapter 1 column, Scurll came out in his heel attire (including a shocking new haircut with blonde bits) but acted like a face. Anyone who wasn't aware that Scurll has never turned in PROGRESS must have been confused, as he came out to a mixed reaction. Two minutes later and the final entrant came out which was the Wild Boar Mike Hitchman. A good sequence between the four remaining wrestlers ended with Boar actually hitting the huge Stixx with a package piledriver. The three count was inevitable. The Boar fared for not much longer, submitting to Scurll's Chicken Wing.
The final two – Scurll and Ospreay. These guys had a fantastic final five minutes of action. After Ospreay leaves himself open, Scurll yells "CHICKEN WING!" Ospreay manages to counter. I always find that odd in wrestling. Why scream out the name of the move you're going for? Your opponent will know what you want to do and will then try and counter. The element of surprise is completely lost. Anyway, Scurll goes for a La Magistral cradle, but Ospreay sits down on it and cradles Scurll for the win! First PROGRESS win for Ospreay to a massive reaction. Obviously I can't criticise this match due to the injury to Darrell (who apparently was ok), but everyone coped with the change very well. I could have done without Garnell nearly killing Ospreay and Lakeside with those Germans, though.
The second match of the evening was the open challenge of Mad Man Manson, who issued the challenge to anyone…..well almost anyone.
Coming out to the strains of "The Littlest Hobo", Manson was a big hit with the crowd. A man with incredibly comic timing and delivery, he is arguably the funniest wrestler in the business. His challenge was answered by his absolute polar opposite – Michael Gilbert. Upon seeing his opponent make his way to the ring, Manson took the mic to overtly mock the seriousness of Gilbert, before realising he might be making him mad. As the bell rang, Mr "No Gimmicks Required" proceeded to wrestle circles around Manson, who still wasn't taking things entirely seriously. Manson sold the pain he was in but very over the top, shouting out things like "This really hurts……or at least I'm pretending it does so I get paid!" Another bellow of "I don't know the counter!" was met with a crowd response of "Press R2! Press R2!" Well done crowd, well done. Eventually Manson got a side headlock, was thrown into the ropes, but decided to indulge in some slow motion action. Gilbert was having none of it, battering Manson in very much regular motion. After Manson fired back with a pair of clotheslines, Gilbert ducked an Enzeguri attempt and synched in an STF for the quick submission. A very entertaining five minutes. The match was simply there to continue the push of Gilbert's new character and his pledge to eliminate all non-serious competitors. Manson was gold as ever.
Match three featured two men usually seen in tag competition in PROGRESS, Mark Haskins taking on Marin Kirby. Haskins as ever went to make his own ring announcement, but was met with a "STOOOOP!" enzeguri from Kirby to kick things off. The pair proceeded to have a very good match. It didn't go out of its way to steal the show, but it was never going to be bad due to the quality of the combatants. Haskins played up to the chants of "Evil Jesus" and got some nice spots in, including hanging Kirby in a tree of woe position on the ring apron and hitting a running dropkick. The finish saw Haskins scoop Kirby up by his legs and use the old "feet on the ropes" leverage trick to escape with the pinfall. The Screw Indy vs. Project Ego series will continue, it seems.
Next up was one of the big matches of the night. The first titles defence from the tag champions FSU (Mark Andrews and Eddie Dennis) against the undefeated challengers the London Riots (James Davis and Rob Lynch). The latest instalment of the Regression storyline was unpredictable – could FSU do what no other team in PROGRESS has and defeat the London Riots? Or would David and Lynch add to the managements' woes and add more titles to the Regression stable. Well it looked like the latter would happen for sure right away. As FSU made their entrance, they were immediately attacked from behind by Jimmy Havoc and Paul Robinson, the Riots' stablemates. Bringing Andrews into the ring and nullifying Dennis on the outside, the Riots had the advantage. Davis shouted in the mic that they were going to steal the match right away. One District Line later and the entire Ballroom collectively held its breath. One….two…..KICKOUT! Phew! Eddie got back in the mix, Havoc & Robinson were forced backstage and an epic tag match took place. Hard hitting, high flying, drama – it was all here. Eddie showed his impressive power when giving each Riot a spinning side slam – not easy to do to two very big men! Scariest moment of the match was after Lynch, Dennis and Davis all ended up on the floors (after two rather spectacular dives Dennis and Davis!), which of course set Andrews up for one of his traditional crazy dives. This time, it was a shooting star press and this happened –
I was in the third row and this happened right in front of me. Andrews smacked his head off a chair and cut himself open above his eye. Thankfully it wasn't anything worse. Chatting to him after the match, his diagnosis was "It stings a bit!"
The match carried on with some very close near falls for the Riots. After they took Dennis to the outside, Andrews was left alone. With Lynch waiting in the opposite corner, Andrews sparred with Davis. The regular could see what was going to happen. It happened to Darrell Allen at Chapter 12. It happened to Will Ospreay at Chapter 13. The launching spear is about to happen to Mark Andrews. Several fellows in the crowd, including me, yelled to Mark "Don't run!" But run he did. Andrews ran towards David, who launched Andrews into the air…..Lynch ran to the prone Andrews…..AND GOT CAUGHT IN A HURRICARANA! One….two….THREE!!!!! FSU RETAIN!!!!! A jubilant Jim Smallman announces the successful defence, but you can barely hear him. The crowd has gone ballistic. Finally, someone as beaten the Riots. Even though the story isn't quite over, for now this chapter has ended as many hoped, but were not sure it would. Excellent performance by all, but extra credit to Andrews for his recovery from the SSP.
After the interval, it was time for the lastof the first round matches of the 2014 Natural Progression Series. Already through to the semi-finals were Flash Morgan Webster, Zack Gibson and Pete Dunne. Joining them would be of three men, all making their PROGRESS debuts and all part of the Pro-Jo training school. These trainees had advanced through qualifying matches at the past two ENDVR shows. Unfortunately the talent that is Shen Woo was injured during the week and could not compete. The competitors were Pastor William Eavor, Chuck Mambo and Ali Armstrong, who was beyond excited to see a logo of his on the video wall. Whether it was b design or not, Armstrong had two members of security prepared to give him some "pyro" for his entrance. Remember those confetti guns that Johnny B Badd used to use in early WCW? Yeah, those. One didn't go off. Armstrong played up to it well, as it suited his character of the loveable idiot. Mambo was on very good form and I'll be honest, I was pulling for him throughout, mainly due to striking up a conversation with him at Chapter 12 and finding him to be a very pleasant young man. If you asked the crowd, however, the fan favourite was apparently Eavor! The only actual heel in the contest got a huge reaction as the match unfolded, with various chants of "Let's Go Jesus (Jesus sucks!)" and a rousing rendition of Away in a Manger. At points, the chants were getting a little too raucous for me, as it was distracting from what was a very good for a bunch of guys so young in their career. Armstrong comically overshot on an attempted senton and crashed himself to the mat after missing his running corner bomb. At one point, Regression's own trainee, the Omega Isaac Zercher, ran in to try and take Armstrong out of the match with a chair but was stopped by Mambo and soon ran off. Eavor took advantage with some axehandles to his opponents. It seems a strange thing in this day and age to compliment a wrestler on such a basic manoeuvre, but Eavor's axehandles looked properly vicious. Really looked like he was trying to bury an imaginary axe into his opponents. Eavor hoisted Mambo up for a crucifix bomb, but proceeded to launch Mambo over the top rope onto Armstrong and various security on the floor in one hell of a spot! After knocking Mambo to the outside one more time, Eavor got caught by Armstrong in a bridging German suplex which got the win! Armstrong qualifies, but all three men were winners here, all showing a marked improvement from previous matches I'd seen them in and being accepted by the Ballroom audience. I look forward to seeing more from each of them in the future.
It seems as though some people are not heeding the advice of Mr Smallman from earlier and are indeed being dicks. Someone in the front row is having a barney with someone on the balcony, getting the attention of more than a few others. Smallman verbally castrates the pair, making them apologise to each other and cools things off very swiftly. Jim is clearly the father of the PROGRESS family after that display and he even gets a chant of "Jim is gonna kill you!" It was later suggested online that the fan downstairs was shouting homophobic taunts towards one of the wrestlers. Hopefully that will have been dealt with before the next show.
First of the double main event is the PROGRESS title match. Noam makes an entrance that made me think the Faceless had arrived. Thankfully, it just turned out to be cool as fuck.
Simple story going into this one. Dar won the World Cup show in June to earn this shot and challenged Jimmy to simply wrestle in this match. No gimmicks, no one at ringside, just one on one. Havoc insisted that it would be a fight, trying to goad Noam into losing his cool by spitting at him. Noam kept his cool and proceeded to have an extremely good At least I think they did, as all I can remember from most of the match is the CONSTANT chants for Dar through the medium of song. 7 Nation Army, Iron Man, No Limit, The Imperial March and a few others get airings through simply shouting "Dar" to the tune. This was my first time being live for this event and it has to be said, it was getting bloody annoying after the third chant to the tune of No Limit. Dar and Havoc had a superb wrestling match with some great outside brawling and all I could concentrate on was not getting fed up with the drunks at the bar behind me thinking of more songs. Eventually Dar's performance got everyone settled into actually reacting to what was going on. He caught Havoc in a powerbomb position and proceeded to throw him in the direction of referee Chris Roberts, knocking him down and out. Almost inevitably, Dar caught Havoc in the Champagne Super-Knee-Bar (best finisher name ever) and Havoc tapped out, but the ref did not see it so no bell called for. At the behest of the crowd, Smallman got in the ring to act as the official while Roberts recovered. We can only assume Paz had gone to the World's End early. Havoc nailed Dar with a Rainmaker style lariat. A cover only garnered a two count. Havoc stared down Smallman, but thankfully Roberts recovered before any damage could be done. Havoc hit two more Rainmakers, but still could not defeat Dar. Dar managed to catch the champion with a choke/sleeper, reminiscent of Havoc himself. Havoc tried to ram Dar into the corner, but the challenger would not let go. Finally Havoc pulled out the old Bret Hart/Roddy Piper sleeper counter and landed on top of Dar. While Roberts laid out the count, Havoc began to tap out. However Roberts' view was obscured and he countered Noam's shoulders to the mat. Havoc escaped by the skin of his teeth. The crowd were not happy with the ref's decision. Havoc once again spat on Dar after the match and Dar finally gave Havoc the fight he was after. Attacking Havoc was all that was needed to bring out the Riots and Robinson, who in turn were run off by FSU. Smallman announced that Regression would face FSU, Dar and Will Ospreay at the next show in a match with a lot on the line.
Well the match and angle were all great. A simple story and match, with great performances from both guys. I'm looking forward to watching the match against when the download is out as I really can't remember enough of it. The chants just got too distracting for me. Don't get me wrong, I love the PROGRESS crowd. Some of the wittiest things I've ever heard have come from some clever dick in the audience and I would love to have the confidence to bellow out something I thought was funny and for it to be reacted positively to. But it got to the point where it felt like people were just trying to think of new tunes to get in before the match ended rather than just watch these magnificent performers do their thing.
It must be said, though, that no one was thinking off silly chants during the final match. If they did, there was a good chance they might have been killed. Rampage Brown entered to a huge reaction, running the ropes with extreme velocity before grabbing Jim Smallman by the arm in a moment that screamed "I'm so excited!" And then, Joe arrives.
What a moment. Joe and Rampage each get the "Gonna kill you" chants, with each other's name inserted. The atmosphere is amazing. "Let's go Rampage" "Let's go Joe" reverberates through the Ballroom. The two proceed to have an immense hard hitting encounter. Joe hit some classic moves, while Rampage doesn't hold back. I can't call the moves as it was such an intense experience that I can't remember everything that happened! I do remember Joe flying towards Rampage and destroying several front row seats just in front of me. Joe eventually hit the Musclebuster…..for a two count! Rampage Brown kicked out of the Musclebuster! Unbelievable!!! Joe is shocked but gathers himself to put Rampage down with a massive lariat for three. A short description of the match yes, but if you want more, look at PROGRESS' YouTube page for the DVD preview, which has match highlights. It was an incredible match. The feeling of having Joe, one of my all-time favourites, in that building may put the match at a higher pedestal than others might view it, but at least the match will be seen on DVD so you'll be able to see for yourself. Which I highly recommend you do.
So PROGRESS do it again. Despite some setbacks through injuries and self-indulgent chanting, it was another consistently entertaining show. My friend pointed out that there was a lot less outside brawling than there was at the last two shows. This was very true, with surprisingly only Dar v Havoc being outside the ring for a noticeably long time. If this was an attempt to establish a more in-ring based show, then it certainly did not lose any entertainment value. Maybe it was done to avoid having people getting upset at others for standing too long. Either way, the show was consistently entertaining, with at least three match of the year candidates, all different from each other (tag match, title match and Joe/Rampage). The next show in September with the massive 8-man tag looks to be an even better show already, so if you haven't experienced PROGRESS, do so before they sell out once again. And get this show on DVD too. Go on, you deserve it.
© 2021 The Indy Corner. All rights reserved.
Wrestling web design by Your Fight Site


text:
Langerin (CD207) je transmembránový protein II. typu (Bílkovina), který je u lidí kódován CD207 genem. Poprvé jej popsali vědci Sem Saeland a Jenny Valladeau jako hlavní složku Birbeckových granulí. Langerin je lektinový receptor C-typu na Langerhansových buňkách (LC) a u myší také na dermálních a intersticiálních CD103+ dendritických buňkách (DC) a na rezidentních CD8+ DC v lymfatických uzlinách.

Struktura
Langerin se skládá z relativně krátké intracelulární domény a z extracelulární domény, která se skládá z krčku a domény vázající sacharidy (CRD). Intracelulární část obsahuje prolin-bohatou doménu (PRD). Krček je tvořen alfa-helixy a prostřednictvím coiled-coil interakcí zprostředkovává tvorbu homotrimérů langerinu. Tvorba homotrimérů zvyšuje aviditu a specifitu antigenu.

CRD langerinu připomíná CRD jiných lektinů C-typu. Obsahuje EPN motiv, tedy úsek bohatý na aminokyseliny kyselinu glutamovou, prolin a asparagin. CRD je 2 antiparalelními beta-listy rozdělen na dva laloky. Horní lalok tvoří primární Ca2+ dependentní vazebné místo sacharidů. Na rozdíl od jiných lektinů, jako DC-SIGN / DC-SIGNR nebo MBP, má langerin pro Ca2+ pouze jedno vazebné místo. Na horním laloku byly dále krystalizací odhaleny 2 další vazebná místa, která však nejsou závislá na Ca2+ a jejich vztah k primárnímu vazebnému místu ještě není zcela pochopen. Všechna vazebná místa jsou ohraničena kladně nabitými aminokyselinami (K299 a K313), které odlišují CRD doménu langerinu od té na DC-SIGN a které umožňují vazbu kladně nabitých sulfatovaných sacharidů.

Funkce
Langerin je exprimovaný v LC {Langerhansova buňka), které se nacházejí v epidermis a ve vaginální a ústní sliznici. LC jsou imunitní buňky, které jsou vývojově blízké makrofágům, ale funkčně se podobají konvenčním DC (cDC). Langerin rozpoznává a váže sacharidy jako manózu, fukózu a N-acetylglukosamin, díky čemuž mohou LC reagovat proti patogenům jako HIV-1, Mycobacterium leprae a Candida albicans. Osud patogenů po vazbě na langerin není dosud zcela znám, předpokládá se však, že dochází k internalizaci antigenu do cytoplazmatických organel zvaných Birbeckovy granule, kde dochází k degradaci a ke zpracování antigenu pro prezentaci T-lymfocytům. Langerin např. váže lipoarabinomanany mykobakterií a v Birbeckových granulí se podílí na vazbě antigenu na CD1a. U myší se largerin podílí na navázání antigenu na MHC glykoproteiny II. třídy i na navázání na MHC glykoproteiny I. třídy při zkřížené prezentaci.

Pro formaci Birbeckových granulí se zdá být důležitá intracelulární Src homologní doména langerinu. Birbeckovy granule obsahují Rab11a, které se mohou podílet na recyklaci langerinu.

Langerin má podobnou funkci a strukturu jako DC-SIGN (CD209) na povrchu DC. Oba tyto receptory vážou na svou CRD doménu podobné antigeny, např. Mycobacterium tuberculosis nebo HIV-1. Zatímco po vazbě na langerin ale dojde k zneškodnění viru HIV-1, po vazbě na DC-SIGN dojde k infekci.

Klinický význam
LC prostřednictvím langerinu v lidské vaginální sliznici vážou silně glykosylovaný glykoprotein gp120 v obalu HIV-1. Následně dochází k internalizaci viru do Birbeckovy granule, k jeho degradaci a zpracování k prezentaci. Langerin má tedy antivirovou aktivitu a chrání před infekcí HIV-1 – k infekci může dojít, pokud je langerin defektní, pokud jsou vysoké titry viru nebo pokud jde o koinfekci.

Langerin váže také manózu na vnější buněčné stěně hub a beta-glukany v buněčných záhybech. Tím se mohou LC bránit proti houbám jako Candida, Saccharomyces a Malassezia furfur. Dále rozpoznává Gal-6-sulfátovaný laktosamin glioblastomu. LC v plicním epitelu prostřednictvím langerinu vážou virus spalniček, který následně degradují a prezentují CD4+ T-lymfocytům.

Polymorfismus
Záměna jedné nukleové báze (SNP) v genu pro langerin může ovlivnit stabilitu či afinitu langerinu k některým sacharidům. Nejčastějším polymorfismem je záměna alaninu na 278. pozici za valin (rs741326). Alelická frekvence tohoto polymorfismu je až 48 %, pravděpodobně však nemá na stabilitu ani afinitu langerinu žádný vliv. Substituce asparaginu za kyselinu asparagovou na 288. pozici vede k desetinásobnému snížení afinity langerinu k manóze-BSA. Substituce tryptofanu argininem na 264. pozici vede ke ztrátě Birbeckových granulí.

Související články
 Paul Langerhans
 Langerhansova buňka

Reference

Bílkoviny
Transmembránové receptory
Lektiny


Anyhoo hope this is ok.
Welcome - that's a very nice example you have there!!!
I love Tenerife, especially Masca. As Martinz says, what a place to own a Big Zed!
Welcome and Cheers to a fellow A2 owner.
Nice Z1000A2 you have, congratulations.
martinz1000r wrote: There are folks on here from around the world so you are very welcome. What a fantastic place to have a Z. Bet it's wonderful riding up those roads up and over Tiede?
Coming here from Newbury I'd have to agree .
Gonzo wrote: I love Tenerife, especially Masca. As Martinz says, what a place to own a Big Zed!
Hello and welcome from Sunny Bournemouth.


text:
A Pair of Genes
Previous Prev Bullox over Broadway
MAIN MENU POZ June 2002
Next Gene Machine
June 1, 2002 • By Mike Barr
The future of HIV therapy is near, and it's called pharmacogenetics. So says an editorial in the March Lancet, featuring a scenario straight out of Gattica: Having recently tested positive, you visit your doctor for a quick genetic analysis of your body's tissues. No needle pricks -- a single strand of hair or sloughed-off skin cell will do. A computer generated result spits out a personally tailored prescription for the best time to start therapy, the most effective drug combo and the combo least likely to cause side effects. Price? $350 to $500. Turnaround time: one week.
Call it better living through technology. Our current "one size fits all" approach to HAART is, at best, an art and, at worst, the cause of needless drug failure and side effects. But a group of Swiss immunologists at the Lausanne-based lab of longtime AIDS researcher Giuseppe Pantaleo hopes to turn this art into a science -- to begin with, by accepting that "genetic differences play a major role in determining the success of therapy," as the group put it in a Lancet commentary.
Take the protease inhibitors. Two lone genes seem to control your body's response to that class of meds: If you have a version of these, chances are that the amount of drug making it into your blood and your cells will not be as high as it needs to be. Why? Blame it on your DNA, which affects the body's metabolism of the drugs, determining how much is actually utilized. Higher drug levels mean lower risk of resistance.
Or consider abacavir (Ziagen), one of the three Glaxo drugs in Trizivir. Some 5 to 10 percent of patients on abacavir develop a potentially life-threatening hypersensitivity reaction -- fever, rash and gastrointestinal symptoms in the first six weeks of treatment. Genetic testing, however, is on the verge of ID'ing who will develop this reaction. A team of Australian researchers recently reported results from their screening system, effective in ferreting out 72 percent of the at-risk cases. (A second study by Glaxo, however, was only 50 percent successful.) Australia's Simon Mallal, MD, cautions that his data do not yet constitute a diagnostic test for the abacavir reaction: Of the 18 people who developed the reaction, four did not have the genetic markers. Meantime, Glaxo's Seth Hetherington, MD, notes only that the results demonstrate "the potential" of pharmacogenetics in maximizing treatment strategies.
Clearly we are a long way from using this fledgling technology in clinical practice: The consensus seems to be that while the assay's "sensitivity" will soon improve, its "specificity" will lag -- meaning too many false positives. Still, if insurers can be pressured to cover it, the new gene test, once up to speed, is likely to help HIVers use their meds better.
Men Who Turn Down PrEP Often Don't Think They're at Risk for HIV
What Is BG18, and Can It Lead Us to an HIV Vaccine?
Older Women With HIV Appear to Be Aging Successfully
Why HIV Rates Dropped 71% Among Gay and Bi Men in the U.K.


text:
from HTMLParser import HTMLParser
from StringIO import StringIO
import re
import os
import pdb
from slimit import minify

from app import M5App

#pdb.set_trace()

def test():
    c = M5Compiler()
    return c.compile("../templates/app.html")

class M5Compiler(HTMLParser):
    opt_sim = True
    env = "production"

    path_lookups = {
        'jquery' : "lib/jquery-1.6.1.min.js",
        'jquery-template' : "lib/jquery.tmpl.min.js",
        'zepto' : "lib/zepto.js",
        'zepto-min' : "lib/zepto.min.js",
        'jquery-mobile' : ['lib/jquery-mobile/jquery.mobile-1.0b2.css', 'lib/jquery-mobile/jquery.mobile-1.0b2.js'],
        'jquery-mobile-min' : ['lib/jquery-mobile/jquery.mobile-1.0b2.min.css', 'lib/jquery-mobile/jquery.mobile-1.0b2.min.js'],
        'iscroll' : "lib/m5/iscroll-lite.js",
        'jqt.bars' : ['lib/jqtouch/extensions/jqt.bars/jqt.bars.js', 'lib/jqtouch/extensions/jqt.bars/jqt.bars.css'],
        'jqt.offline' : 'lib/jqtouch/extensions/jqt.offline.js',
        'scrollability': ["lib/scrollability.css", "lib/scottp-scrollability/scrollability.js"],
        'm5.simulator': ['lib/m5/m5.simulator.js']
    }

    def compile(self, app_file, include_sim=True, environment="production", src_dir=".", m5_app=None):
        self.opt_sim = include_sim
        self.src_dir = src_dir
        self.env = environment
        self.tag_stack = [] #current tags being parsed
        self.suppressed_tags = []
        self.js_buffer = StringIO()
        self.includes = []

        self.buffer = StringIO()
        self.app = m5_app

        self.feed(open(app_file).read())
        return self.buffer.getvalue()

    def error(self, msg):
        print msg
        lines = self.buffer.getvalue().splitlines()
        print ("(%d) " % (len(lines)-1)) + "\n".join(lines[-2:-1])
        print

    def handle_decl(self, decl):
        self.buffer.write("<!%s>" % decl)

    def handle_starttag(self, tag, attrs):
        #print ">> " + tag
        args = dict(attrs)
        self.tag_stack.append(tag)
        if self.inside("head"):
            if tag == "script" and ((not 'type' in args) or args['type'] == "text/javascript") and self.app.inline_js(self.env):
                if 'src' in args:
                    self.includes.append("<script src=\"%s\" />" % args['src'])
                    self.suppressed_tags.append(tag)
                    return
            elif tag == "link" and args['rel'] == "stylesheet" and self.app.inline_css(self.env):
                if 'href' in args:
                    self.includes.append("<link rel=\"stylesheet\" href=\"%s\" />" % args['href'])
                    self.suppressed_tags.append(tag)
                    return
        if tag == "html" and self.app.run_offline(self.env):
            attrs.append(("manifest","cache.manifest"))
        spacer = (len(attrs) > 0 and " ") or ""
        self.buffer.write("<" + tag + spacer + " ".join(map(lambda tuple:"%s=\"%s\"" % (tuple[0], tuple[1]), attrs)) + ">")
        if tag == "head" and self.env == "development":
            self.buffer.write(self.kill_cache_block())

    def handle_endtag(self, tag):
        #print "<< " + tag
        last = (len(self.tag_stack) > 0 and self.tag_stack.pop()) or None
        if (last != tag):
            self.error("Hmm..unmatched tag, started <%s> but ended <%s>" % (last, tag))

        if tag == "head" and len(self.includes) > 0:
            # Add inline style tag for gathered styles
            styles = StringIO()
            for script in self.includes:
                if re.match("<script|<link", script):
                    for src in re.findall("<link .*?href=\"(.*?)\".*?>", script):
                        css_src = os.path.join(self.src_dir, src)
                        if os.path.exists(css_src):
                            styles.write(("/* css %s */" % src) + "\n")
                            content = open(css_src).read()
                            # Gotta fixup url(..) paths since relative paths will be wrong
                            path = os.path.dirname(src)
                            content = re.sub("url\((.*?)\)", "url(%s/\\1)" % path, content)
                            styles.write(content)
            styles = styles.getvalue()
            if len(styles) > 0:
                self.buffer.write("<style type=\"text/css\">\n")
                self.buffer.write(styles)
                self.buffer.write("\n</style>\n")

            # Add inline script tag for gathered scripts and includes
            self.buffer.write("<script type=\"text/javascript\">\n")
            for script in self.includes:
                m = re.match("<script|<link", script)
                if m:
                    for src in re.findall("<script.*?src=\"(.*?)\".*?>", script):
                        js_src = os.path.join(self.src_dir, src)
                        if os.path.exists(js_src):
                            self.buffer.write(("// js %s" % src) + "\n")
                            content = open(js_src).read()
                            if not re.search("min\.js", src) and self.app.minify_js(self.env):
                                content = minify(content, mangle=True)
                            self.buffer.write(content)
                    self.buffer.write("\n")
                else:
                    self.buffer.write(script + "\n")
            self.buffer.write("</script>\n")

        if tag in self.suppressed_tags:
            self.suppressed_tags.remove(tag)
            return

        self.buffer.write("</%s>" % tag)

    def handle_data(self, data):
        if self.inside("head") and self.inside("script") and self.app.inline_js(self.env):
            self.includes.append(data)
        else:
            self.buffer.write(data)

    def handle_comment(self, data):
        if self.inside("head"):
            data = self.rewrite_includes(data)
        self.buffer.write("<!--" + data + "-->")
        if not self.app.inline_js(self.env):
            self.buffer.write("\n".join(self.includes))
            self.includes = []

    # Return true if we are currently inside the named tag in our parsing
    def inside(self, tag):
        return tag in self.tag_stack

    def rewrite_includes(self, text):
        result = []
        for line in text.splitlines():
            m = re.search("@require (.*)",line)
            if m:
                includes = ""
                for mod in re.split(",", m.group(1)):
                    lines = self.script_tags(self.expand_require(mod.strip()))
                    includes += lines.replace("\n"," ") + " "
                self.includes.append(includes)
            else:
                result.append(line)
        return "\n".join(result)

    def kill_cache_block(self):
        return "<!-- prevent cache -->\n<meta http-equiv=\"cache-control\" content=\"no-cache\">\n<meta http-equiv=\"pragma\" content=\"no-cache\">\n";

    def script_tags(self, files):
        if files == None:
            return ""
        if type(files) != str:
            result = ""
            for f in files:
                result += (self.script_tags(f) + "\n")
            return result
        else:
            if re.search("\.css", files):
                return "<link rel=\"stylesheet\" href=\"" + files + "\" type=\"text/css\" />"
            else:
                return "<script type=\"text/javascript\" src=\"" + files + "\"></script>"

    def expand_require(self, modname):
        if modname in self.path_lookups:
            if not re.search('m5\.simulator',modname) or self.opt_sim:
                if self.env == "production" and (modname + "-min") in self.path_lookups:
                    return self.path_lookups[modname + "-min"]
                else:
                    return self.path_lookups[modname]
            else:
                return None
        elif re.match("m5\.env",modname):
            return "m5.env." + self.env + ".js"
        elif re.match("m5\.",modname):
            if (not re.search('\.simulator',modname) or self.opt_sim):
                if not re.search('\.remote_console',modname) or self.env == "development":
                    return "lib/m5/" + modname + ".js"
            return None
        elif re.match("jqtouch", modname):
            m = re.match("jqtouch\(theme:(\S+)\)",modname)
            theme = m.group(1) or "default"
            return ["lib/jqtouch/jqtouch.js","lib/jqtouch/jqtouch.css", ("lib/jqtouch/themes/" + theme + "/theme.css")]
        else:
            return (modname + ".js")

if __name__ == "__main__":
    print M5Compiler().compile("app.m5.html")

redpajama_set_name: RedPajamaGithub


Deputy Sport Lewis Frain recounts St Andrews Womens Rugby 1sts victory over Stirling 1sts.
A strong Saints performance and victory was cut short after Stirling suffered from several injuries which meant St Andrews' first home match of the season finished early.
A tight BUCS table meant the stakes for this match were high and this was further emphasised by previous results. Saints had come into this game after their first loss of the season against champions Glasgow last week, which ended 42-24, so were looking to bounce back against a Stirling side whom they had beaten 32-17 in the away tie.
A 4 pm kick-off meant this game was played under the lights on the rubber crumb pitch at University Park. The start was perfect for Saints, as they piled early pressure on Stirling's defence and pinned them into their own 22. This brought reward also when Emma Stormonth crossed the line for the first try of the match. A difficult angle meant this try went unconverted but Saints would continue with their strong play and push Stirling back. Once again Saints' would break through Stirling's defensive line and post a score of 10-0 after only 10 minutes of the match played.
This perfect start wouldn't last however as Stirling got back into the game. Some good running and rucking put Stirling in St Andrews' half for the first time. A gap in Saints' defensive line allowed Stirling's full back to surge through and score a great try and get her team back in the match.
A first injury set-back for Stirling put their comeback on hold however. When play resumed Stirling again put pressure on St Andrews' defence. A wayward Stirling pass though would be brilliantly intercepted by Emily Jones who surged across the other half of the pitch without opposition to put Saints back in control of the match with a third try. The first successful conversion of the game made the score 17-5 to St Andrews just over halfway through the first period.
Stirling were not going to be pushovers however and they immediately responded with some strong play. Saints put up a resolute defence but Stirling's pressure would eventually bear fruit as they crossed the line for a second try close to the posts. This was well converted and reduced Stirling's deficit to just five points again.
St Andrews responded strongly to Stirling's revival and would put the game beyond doubt by the end of the first half. Saints pressure on the left-wing paid off and a strong surge and try from Rhiannon Fox-Rothwell restored the 10-point cushion. The rest of the first half would continue in this regard as St Andrews pushed Stirling back on the defensive. As the clock went past 40 minutes, Saints kept up the pressure looking for a last breakthrough before half-time. Some excellent passing opened up space and Maggie Fletcher would find that breakthrough to record St Andrews' fifth try of the match. An entertaining first half then, would end at 27-12 to the home side.
The second half wouldn't quite settle down after the restart. St Andrews picked up where they left off by pushing Stirling back. Battling defence from Stirling would prove their downfall however, as a series of injury stoppages would lead to them not having a full team to complete the match. There was an attempt to continue the match but after much discussion between the referees and coaches of both teams, it was agreed that the match end there. The final score being 27-12 to St Andrews.
An unusual conclusion but a strong performance and important victory for St Andrews nonetheless. There was a series of good tries combining strong running, passing and several periods of sustained pressure resulted in scoring. Defensively there were some gaps but overall St Andrews were resolute and had to be strong to contain Stirling when they did come at them. St Andrews can be happy with their performance and should take real confidence into next week's game where they welcome league leaders Aberdeen to the sports centre, with Saints sitting only one point behind them and Glasgow in the BUCS Scottish 1A division.


text:
Home > Legal Cases > Three people from Nevada contract Salmonella Newport from eating ground beef
Three people from Nevada contract Salmonella Newport from eating ground beef
By Salmonella Lawyer on December 23, 2007
Some people gamble in Reno, others eat hamburger. Perhaps the odds of winning or loosing are about the same. Steve Timko from the Reno Gazatte-Journal reported on the continuing problem of Salmonella-tainted burger (remember, Salmonella in hamburger is not considered an adulterant). According to the Gazatte-Journal, three people in Nevada might have contracted a drug-resistant strain of Salmonella by eating ground beef from Safeway, health officials reported. The three are among 38 nationwide who the U.S. Department of Agriculture said contracted a strain of salmonella called Newport in Nevada, California, Arizona and Idaho between Sept. 19 and Nov. 5. In Nevada, one person with Salmonella Newport lived in Washoe County, one in Douglas and a third in Clark County, said Dr. Ihsan Azzam, the Nevada state epidemiologist.
"Our findings do not show 100 percent positively that it is Safeway ground beef," Azzam said. "Our findings are suggesting a product from Safeway is a cause." Azzam said one is a senior citizen, one an infant and the third a young person.
Safeway issued one of the most disingenuous statements Thursday noting the USDA did not issue a recall (But Safeway urges you to throw it away), and there's no test that shows the ground beef was contaminated (Although their customers became ill). Again, why do they think the public is so stupid?
Now talk about gambling odds, according to the USDA's Economic Research Service, in 2004, the average American consumed 60.1 pounds of cattle meat, of which about 59% was hamburger. Also, in 2004 there were about 275,000,000 Americans. In the last statistic I could find, a 1987 study tested for the presence of E. coli O157:H7 in supermarket meats (mostly ground meats). The bacteria was found in 3.7 percent of beef, 1.5 percent of pork, 1.5 percent of chicken and turkey, and 2.0 percent of lamb samples tested. While 6.4 percent of ground-beef samples tested by the USDA harbored Salmonella in 1998, only 2.8 percent did in 2001. So, what are your odds of eating contaminated hamburger? Well, I'll let you do the math and place your bets.
Here is a quote of mine form CFO Magazine A Better Burger Industry – Scared Straight. This interview was in May of this year before we really began to see the "uptick" in hamburger recalls and illnesses:
"Seattle attorney William Marler earns his living suing food producers and restaurants suspected of selling contaminated food. In 1995, he won a $15.6 million settlement on behalf of Brianne Kiner, who suffered severe E. coli–related health problems after eating an undercooked hamburger from a Jack in the Box restaurant. Lately, though, he's not earning much money on the back of the burger trade, and for that he credits the meat-packing industry for embracing end-product testing of its products for pathogens, partly in response to customer demand."
"From 1993 to 2002, 95 percent of my revenues came from cases involving E. coli tied to hamburger," Marler says. "That has dried up to nearly zero since 2003. Once producers started testing and getting a lot of positives, they began looking at their procedures and processes to figure out how to eliminate the contamination. The fact that they were able to eliminate it to such a degree has put me out of the hamburger business, and I'm happy about that, candidly. I never thought I would say this, but I think the food industry across the board needs to take a really hard look at what the hamburger industry has done."
Well, I clearly was wrong.
Tags: nevada, salmonella, salmonella newport


text:
Food Fitness Welness Parenting Vital Signs
Meet the shady ladies of 'penis propaganda': Anti-VD posters of WWII
By Sandee LaMotte, CNN
Updated 8:31 AM EDT, Wed August 26, 2015
Photos: 'Protect Yourself': World War II's venereal disease posters
The book "Protect Yourself: Venereal Disease Posters of World War II" by Ryan Mungia looks back at the posters designed to discourage military members from putting themselves at risk of contracting sexually transmitted diseases during World War II.
PHOTO: Courtesy Boyo Press
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18,000 men a day were sidelined by sexually transmitted diseases during World War I
Graphic posters were commissioned to keep WWII enlisted men from the same mistake
You've heard of Rosie the Riveter, the poster gal of World War II, right? She wasn't the only feminine character to make a huge impression on the men in the 1940s military. Meet the shady ladies of venereal disease: the "Bag of Trouble" poster girl and her friends. They were created courtesy of the U.S. surgeon general, the U.S. Public Health Service and the Federal Security Agency in the early 1940s and given a modern audience by Ryan Mungia's book "Protect Yourself: Venereal Disease Posters of World War II."
Dubbed "penis propaganda," these attractive women were deliberately drawn with deeply etched red lips designed to entice a man into paying attention to something that wasn't talked about openly: sexually transmitted diseases.
Why was the government entering such covert territory? Because it didn't want history to repeat itself: On any given day during World War I, about 18,000 men were taken out of battle by venereal disease, and it could take a month of treatment before each man was ready to return to the front.
According to a history published in the journal Military Medicine, "In World War I, the Army lost nearly 7 million person-days and discharged more than 10,000 men because of STDs. Only the great influenza pandemic of 1918-1919 accounted for more loss of duty during that war."
While it's true that the introduction of penicillin and sulfa dropped those numbers dramatically by the '40s, the threat was still real and the military didn't want to take any chances. So it commissioned graphic artists to create eye-catching art with a serious message: "You can't beat the Axis if you get VD."
"She may look clean, BUT …" – the font is plastered over a face that could easily have won a girl-next-door movie role – "… pick-ups, 'good time' girls, prostitutes spread syphilis and gonorrhea."
"Don't take chances with pick-ups," says another. Loose women could be "loaded" with disease.
Yet another warning: "The amateur is just as dangerous as the prostitute."
Today, the outdated images and messages make us shudder. Even back then, for those who didn't buy the argument about "good time gals," also known at the time as Khaki-Wackies, Good Time Charlottes and Victory Girls, the government provided a different line of propaganda. Surely Hitler and Hirohito were in cahoots to give service members VD and ensure their own "victory."
Another huge 1940s theme: guilt. "Remember, they are waiting … Avoid VD," reads one poster that shows the wallet-sized eyes of Mom and Dad and, of course, waiting girlfriend. And another that hits all cylinders: country, represented by the American flag; home, represented by a pretty wife in pearls, holding a new baby; and self, represented by a soldier tearing his hair and saying, "What a sucker I've been! I've let 'em all down." Finally the punch line: "Moment of pleasure? Lifetime of regret!"
Some posters gave more specific advice. "Use a rubber, wash with soap and water, take prophylaxis" reads words next to a water faucet and soap: "These are weapons against syphilis and clap. Use them!"
Of course the big question is, did all of this "penis propaganda" keep the troops from getting STDs? Here's the U.S. Army Medical Department's Office of Medical History: "It can be stated very simply that the lowest venereal disease rates in the U.S. Army occurred during 1943 and that the rates began to rise in 1944, further increased in 1945, and showed marked increases after the cessation of hostilities."


What is the Best Feng Shui Front Door Color?
Question: What is the Best Feng Shui Front Door Color?
There are so many (seemingly) contradictions in Feng Shui that I am more confused than ever. My house is "seated" North and my front door is facing South. Some books say that the feng shui color of the front door should be "ruled" by the direction the house is seated and others say that the color of the front door should be ruled by the feng shui direction the front door is facing.
So, I have a choice of blues and blacks for the seating direction. And reds, purples and orange colors (even green one feng shui website said) for the facing direction. Could you please explain or help me make my decision?
Answer: Very good question. Let me help clarify your confusion with the feng shui direction of your house and with the right feng shui colors for your front door.
The feng shui information you quoted seems contradictory, because it uses different ways to define the feng shui of your front door. Some feng shui consultants define the house by its facing direction, others by its seating direction. Both ways are acceptable; the most common feng shui way being defined by the facing direction, or the compass reading from your front door.
No matter which feng shui way is being used, though, your front door is still facing the same direction, isn't it?


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Taltali police of Barguna district arrested four in-laws over torturing house wife Hanufa Aktar, 20, to death for dowry in Lemua under Aila-Patakata union of Barguna Sadar upazila on early Saturday.
Mizanur Rahman, Taltali police station officer in charge, said Abdul Majid Fakir, father in-law, Halima Begum, mother in-law, Khalil Fakir, Jalil Fakir, brothers in-law , were arrested in this connection after severe injury signs were found on the dead body of Halima.
Police recovering the dead body sent to Barguna general hospital morgue for autopsy and arrested four in-laws to court on Saturday.
Azam Khan Faruki, Barguna Sadar police station officer in charge, told Rafez Uddin Haoladar, father of the victim, as complainant lodged a case in this connection against the husband and in-laws with this police station on Saturday noon.
Rafez Uddin Haoladar of Kabiraj Para under Taltali police station and father of the victim told about 18 months ago his daughter Hanufa was married to Al-Amin, a truck driver and son of Majid Fakir of Lemua under Aila-Patakata union of Barguna Sadar upazila.
Since marriage Hanufa became subject to torture for dowry by her husband and in-laws as her poor parents failed to fulfill the demanded dowry.
Hanufa fleeing from the house of in-laws took shelter at her paternal home in February 2014.
About three weeks ago husband Al-Amin brought-back Hanufa to his home giving assurance not to torture.
However the husband and in-laws again started torture on Hanufa and she was admitted at Barguna general hospital on April 13 in senseless condition due to torture.
From there tortured Hanufa was sent to Barisal Sher E Bangla medical College Hospital after her condition deteriorated on April 14.
Hanufa succumbed to her injuries at Barisal SBMCH on April 18 night and in laws brought her dead body to her paternal home claiming that Hanufa died at hospital following her sickness.
However during bathing the dead body severe injury signs were found on that and the parents of the victim informed police on early Saturday.


WORDS ARE LIKE FRAGRANCES: THEY CAN BE A PLEASANT AROMA THAT UPLIFTS THE HEART OR A STINKY SMELL THAT MAKES IT WANT TO CLOSE AND LOCK IT'S DOORS!
"Humility must always be doing its work like a bee making its honey in the hive: without humility all will be lost."
God insists HE doesn't speak in secret, nor does anyone seek HIM in vain!.
The weary are made more weary by their gods.
and exile, anxious for his native home.


text:
Home / News / Africa / RSA / Van Niekerk powers to third on all-time 300m list
Van Niekerk powers to third on all-time 300m list
Yomi Omogbeja
@Yommie_ATAF
Reigning World 400m champion Wayde van Niekerk of South Africa has moved up to third on the all-time 300m list after clocking 31.03 for victory at the JN Racers Grand Prix meeting in Kingston, Jamaica on Saturday night.
Wayde Van Niekerk became the third fastest in history ahead of American LaShawn Merritt who held the third (31.30) and fourth (31.31) best times in this rarely contested men's 300m event prior to this meeting.
The South African sprint sensation thus moved behind all-time greats Michael Johnson (30.85) and Usain Bolt (30.97) in the world list.
Van Niekerk, who was drawn in lane three inside Lashawn Merritt and Botswana's Isaac Makwala, powered his way to victory the final 50 metre to win in 31.03.
After the race. Van Niekerk said: "I competed against a quality field and I'm just glad I could come away with the win. I'm always happy to improve my times."
Merritt improved his lifetime best to 31.23 to finish second, followed by his compatriot Tony McQuay (31.64) and Gil Roberts (31.81) in third and fourth positions respectfully.
Isaac Makwala, who went out fastest in the opening stages, faded badly in the final 100 metres to finish with 31.91 in fifth place.
On the field, Ghana's Nadia Eke won the women's Triple jump with a best effort of 13.51m (-0.1 m/s) while Nigeria's Doreen Amata recorded no mark in the women's High jump.
Selected Results
Men 300m
1) Merritt, LaShawn (USA) 31.23
3) McQuay, Tony (USA) 31.64
4) Roberts, Gil (USA) 31.81
5) Makwala, Isaac (Botswana) 31.91
Men 100m (1.0)
1) Bolt, Usain (Jamaica) 9.88
2) Ashmeade, Nickel (Jamaica) 9.94
3) Blake, Yohan (Jamaica) 9.94
4) Powell, Asafa (Jamaica) 9.98
5) Bailey-Cole, Kemar (Jamaica) 10.00
6) Simbine, Akani (South Africa) 10.01
Women Triple Jump
1) Eke, Nadia (Ghana) 13.51m (-0.1)
2) Myers, Tamara (Bahamas) 13.48m (-1.6)
3) Alexander, Ayanna (Trinidad & Tobago) 13.43m (-1.0)
Copy/Share Link: https://on.athletics.africa/o16FE
Isaac Makwala Nadia Eke Wayde van Niekerk
Yomi is the founder of Africa's number one track and field news website - AthleticsAfrica.com. An award-winning journalism innovator and media trainer, sports and digital media consultant.
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