text:
FireFox Gold Acquires Mustajärvi Gold Project In Central Lapland Greenstone Belt (Finland)
VANCOUVER, BC – (December 20, 2017) – FireFox Gold Corp. ("FireFox" or the "Company") announces that it has entered into a binding Agreement to purchase 100% of the Mustajärvi gold exploration project in the Lapland region of Finland ("Mustajärvi" or "the Project"). The vendor is Finnish junior exploration company Aurora Exploration Ltd. ("Aurora").
Mustajärvi is located within the mineral endowed Central Lapland Greenstone Belt in Northern Finland, adjacent to a southern splay of the Sirkka Gold Line (Venejoki Fault), a deep crustal structure that has controlled the emplacement of more than 40 gold deposits in the region. The 147-hectare Mustajärvi exploration permit extends more than 2 kilometres along the interpreted strike of the Mustajärvi shear zone, and it is fully permitted for drilling.
Carl Löfberg, CEO of FireFox, commented: "The acquisition of the drilling-permitted Mustajärvi Project at very favorable terms shows FireFox's ability to advance the tenement package in Northern Finland in areas highly prospective for gold. The Mustajärvi target is adjacent to tenements in our Jeesiö Project, and it will be incorporated into our 2018 winter program. We expect to commence with diamond core drilling at Mustajärvi later this winter with an initial program of twinning historic holes and initial step-outs onto new targets."
Mustajärvi is a historical prospect discovered by Outokumpu Oyj based on exceptionally high gold content in local till. The abundant native gold in till attracted artisanal gold miners, who exploited small surficial deposits. The mineralization is typical of orogenic gold deposits, hosted by albitized mafic volcanics and volcaniclastic rocks, where the gold is associated with pyrite-bearing quartz and quartz-tourmaline veins. Previous owners, Outokumpu Oyj and Aurora, in, respectively, 1990 - 1992 and 2017, conducted ground geophysical surveys (magnetic, induced polarization (IP), and self-potential), trenching, systematic till geochemistry, and drilled 12 shallow diamond drill holes to depths up to 72 metres.
Geophysical surveys completed by Outokumpu Oyj and Aurora, in, respectively, 1991 – 1992 and 2017, highlighted the NE-SW striking shear zone, with known mineralization being spatially associated with magnetic, IP, and chargeability gradients. However, previous drilling tested less than 200 metres strike of the interpreted 2 kilometre anomaly and only the upper 50 metres of depth. The Outokumpu drilling yielded some high-grade intersections, including: 2.7m @ 14.6 g/t Au (from 20.7 m), 12.0m @ 2.7 g/t Au (from 21.0 m), and 1.0m @ 18.8 g/t Au (from 41.0 m). The drilling suffered from significant core loss due to faulting and fracturing; widths may not represent true thickness. Aurora geologists collected grab samples during the 2017 field season from trenches and boulders; one sample of sulfide-rich quartz vein material assayed 79.8 g/t Au. The drilled Mustajärvi deposit is open all directions.
While the Company believes the preceding historical drilling and sampling data are reliable, readers are cautioned that a "qualified person" (as defined by National Instrument 43-101) has not yet completed sufficient work to be able to verify the historical information, and therefore the information should not be relied upon.
The Firefox team completed comprehensive due diligence of the Project prior to completing the binding Agreement. The Company is in the process of finalizing details of a percussion drill till sampling program that is to be followed by diamond core drilling of duplicate holes and step-out holes on new targets.
Commercial terms
FireFox will pay a total of €30,000 and issue 400,000 common shares to Aurora in order to acquire 100% interest in the Mustajärvi Project. Aurora retains a 1% Net Smelter Royalty ("NSR") on all metals sold from the Mustajärvi Project, 50% of which can be repurchased by Firefox for US $500,000. The repurchase right is exercisable at any point within 180 days of the Company's receipt of a positive feasibility study for the Mustajärvi Project that is in compliance with Canadian National Instrument 43-101.
About the Jeesiö Project
The Jeesio Project, now incorporating the Mustajärvi Project, comprises approximately 46,200 hectares of the prospective Central Lapland Greenstone Belt. The property is adjoined on the eastern end by Aurion Resources Ltd. and Anglo-American PLC. The Company is currently developing targets based on data generated during its maiden exploration program during summer and fall of 2017 as well as the historic data reported in the Geological Survey of Finland (GTK) database. Based on GTK mapping and company fieldwork, Jeesio hosts an extensive section of the Sirkka Gold Line as well as abundant mafic volcanic and metasedimentary rocks.
Patrick Highsmith, Certified Professional Geologist (AIPG CPG # 11702) and director of the Company, is a qualified person as defined by National Instrument 43-101. Mr. Highsmith has helped prepare and approves the technical information in this news release.
About FireFox Gold Corp.
FireFox is an unlisted reporting issuer in British Columbia and focused entirely on gold exploration in Finland. The Company has entered into an option agreement with Magnus Minerals Ltd., a private prospect generator company in Finland, through which it has an option to acquire 100% interest in three projects (subject to a NSR royalty) that currently encompass approximately 67,000 hectares. In order to complete the option, the Company must invest CAD $2.5 million in exploration on the properties and make cash payments to Magnus of CAD $250,000 over a three-year period (See Silverstone Resources Corp. news release dated Aug 2, 2017).
Finland is one of the top mining jurisdictions in the world as indicated by its 5th ranking in the 2016 Fraser Institute Survey of Mining Companies. Having a strong mining law and long mining tradition, Finland remains underexplored for gold. Recent exploration results in the country have highlighted its prospectivity, and FireFox is proud to have a Finland based CEO and technical team.
"Carl Löfberg"
FireFox Gold Corp.
Forward Looking Statements: The information in this news release contains forward looking statements that are subject to a number of known and unknown risks, uncertainties and other factors that may cause actual results to differ materially from those anticipated in our forward looking statements. Factors that could cause such differences include: changes in world commodity markets, equity markets, costs and supply of materials relevant to the mining industry, change in government and changes to regulations affecting the mining industry. Forward-looking statements in this release may include statements regarding future exploration programs and the timing thereof including maiden drill targets, operation plans and Finnish mining prospects. Although we believe the expectations reflected in our forward looking statements are reasonable, results may vary. The forward-looking statements contained in this press release represent the expectations of FireFox as of the date of this press release and, accordingly, are subject to change after such date. Readers should not place undue importance on forward-looking statements and should not rely upon this information as of any other date. FireFox does not undertake to update this information at any particular time except as required in accordance with applicable laws.
It should also be noted that while FireFox's properties are sometimes adjacent to or nearby operating or historic gold mines or active gold projects being advanced by other companies, the mineralization on properties nearby FireFox's land packages is not necessarily indicative of mineralization on FireFox's properties.
NOT FOR DISTRIBUTION TO U.S. NEWSWIRE SERVICES OR FOR RELEASE, PUBLICATION, DISTRIBUTION OR DISSEMINATION DIRECTLY, OR INDIRECTLY, IN WHOLE OR IN PART, IN OR INTO THE UNITED STATES.


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text:
Joe Martin Field, Bellingham Washington
Originally constructed in 1964 and known as "Civic Field" until 1980, Joe Martin Field has been home to three minor league affiliates and is currently the home of the Bellingham Bells of the West Coast League. The field is the former home of three Major League Baseball affiliates: the Bellingham Dodgers, Bellingham Mariners, and the Bellingham Giants. The field has been renovated and expanded several times in the past few decades to better accommodate the needs of fans and players.
The view of the field from second base
The field was renovated in recent years, including this new turf surface that was designed to better handle the rains of the Pacific Northwest.
Ken Griffey Jr. played at this field in 1987
Bellingham Bells Mascot Interacts with Fans
Constructed in 1964, Joe Martin Field has been home to several Major League affiliates and now seats 1,600 fans. The ball field was known as "Civic Field" until 1980, when its name changed to honor Joe Martin.
The Bellingham Dodgers, a single- A affiliate of Los Angeles Dodgers, became the first Major League Baseball affiliate to make this their home field in 1973. The team played only three seasons in Bellingham and were followed by the Bellingham Mariners, a team that became a local favorite. The Mariners were the longest of the three minor league teams to call this field their home, playing from 1977 to 1994. During these years, many future Major League stars made their baseball debut at this field. After the Mariners moved cities, the class- A affiliate of the San Francisco Giants moved in- the Bellingham Giants. However their stay in the city only lasted from 1995-1996.
The Bellingham Mariners were the face of not only Joe Martin Field, but the entire city of Bellingham for 18 memorable years- or 'seasons' as the baseball fans would say. In those 18 seasons, the Mariners became four-time Northwest League champions (1977, 1980, 1986, 1992) and gave their fans the opportunity to watch some of baseball's all-time greats do what they do best. Some of the most notable names that called this field home for a portion of their career include: Pedro Guerrero- 1974; Rick Sutcliffe- 1974; Dave Stewart- 1976; Mike Scioscia- 1976; Edgar Martinez- 1983; Ken Griffey Jr.- 1987; Derek Lowe- 1992; Joe Nathan- 1995. Unfortunately, the city of Bellingham was forced to say goodbye to their beloved Mariners because the Seattle Mariners wanted to move their class- A affiliate closer to Seattle, Washington.
In 1999, the Bellingham Bells claimed Joe Martin as home. The Bells were members of the Pacific International League for six years but later transitioned into the West Coast Collegiate League- now shortened to just the West Coast League (WCL) which is featured as one of the top collegiate summer baseball leagues in the nation. In 2014, the field went through its only renovation when the natural grass surface was replaced with artificial synthetic turf. This renovation was completed in March of 2015 at the cost of $1,438,200. From the perspective of those who play in Bellingham, the new field is an asset for its ability to withstand the constant Northwest rain.
(n.d.). Retrieved June 25, 2017, from http://www.bellinghambells.com/joe-martin-field/history/
Joe Martin Field. (2017, May 13). Retrieved June 25, 2017, from https://en.wikipedia.org/wiki/Joe_Martin_Field
Bellingham Bells official website
Bellingham Mariners 1992 NWL Championship team stats
1220 Civic Field Way
Bellingham , WA 98229
Created by kody matthews on June 25th 2017, 8:50:44 am.
Last updated by Kody Matthews (Instructed by David J. Trowbridge, Marshall University) on July 5th 2017, 10:32:56 pm.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Push Images into array I want to take photos of different items or multiple photos for one item, but I am struggling to figure out how I will be able to push the images into an array.
a single image gets displayed from the first line :

but with the ng-repeat it doesn't display one image.
I quess my issues are:

*

*what is wrong with my ng-repeat?

*are the images actually being stored inside of the array correctly?

HTML
 <button class="button button-full button-assertive" ng-click="takePhoto()">
    Take Photo
    </button>

<ion-item class="item item-assertive">Test array</ion-item>

 center">

Javascript
  $scope.takePhoto = function () {
              var options = {
                quality: 75,
                destinationType: Camera.DestinationType.DATA_URL,
                sourceType: Camera.PictureSourceType.CAMERA,
                allowEdit: true,
                encodingType: Camera.EncodingType.JPEG,
                targetWidth: 300,
                targetHeight: 300,
                popoverOptions: CameraPopoverOptions,
                saveToPhotoAlbum: false
            };

                $scope.array = [];

                $cordovaCamera.getPicture(options).then(function (imageData) {
                    $scope.imgURI = "data:image/jpeg;base64," + imageData;
                    $scope.imgURI = array;
                }, function (err) {
                    // An error occured. Show a message to the user
                });
            }

A: You are setting the imageUri to the value of the array.
$scope.imgURI = ar;

I think you want to do a push on the array like this:
$scope.array.push($scope.imgURI);

A: test this code, i created array outside of takePhoto function and push image in it.
$scope.array = [];
$scope.takePhoto = function () {
    var options = {
        quality: 75,
        destinationType: Camera.DestinationType.DATA_URL,
        sourceType: Camera.PictureSourceType.CAMERA,
        allowEdit: true,
        encodingType: Camera.EncodingType.JPEG,
        targetWidth: 300,
        targetHeight: 300,
        popoverOptions: CameraPopoverOptions,
        saveToPhotoAlbum: false
    };

    $cordovaCamera.getPicture(options).then(function (imageData) {
        $scope.array.push("data:image/jpeg;base64," + imageData);
    }, function (err) {
    // An error occured. Show a message to the user
    });
}

your html should be like this below

`

redpajama_set_name: RedPajamaStackExchange


text:
Q: How to think about a schedule-building script (general thought process) I ran into this issue that's been bugging me.
I'm trying to write a Python script to build a stock take schedule.
I managed to propose dates based on deadlines and I also managed to move the proposed dates to the nearest "legal" date in case the original proposed date fell on weekend, planned annual code freeze, etc...
I've got couple more conditions and I'm struggling to implement those.
I tried a combination of while loops with ifs, but it got me nowhere in my case.
I'm a self-taught Pythoner who's been mostly using Pandas for analysis until now, that's why I'm probably struggling with this.
**
I'm not looking for a free code service**, but I'd be over the moon if someone could give me a nudge how to think about this issue in the first place.
Ideally the dates the algorithm comes with will be:

*

*Before given deadline for each location

*No more than n counts happening on the same date
and I could possibly swap the last one around manually, but:

*No location from the same area to be on the same date

Area
Location
Deadline
Proposed

A
A1
14 Apr
01 Apr

B
B3
14 Apr
01 Apr

A
A2
14 Apr
03 Apr

Any little nudge in the right direction or a half line of pseudocode would be a great help.
Massive thanks to anyone who hasn't gone into Picard-style facepalm yet after reading this.

A: I think you need to start with pseudocode.
Something like this:
For entry in your data.
   Propose an initial date (eg: deadline -1)
   Check if another location from the same area happens that day
     Yes?  Decrement 1 to the proposed day and check again
     No?  Check the next condition
  Check that if more than n counts happen on this date
     Yes?  Decrement 1 to the proposed day and check again both conditions
     No?  Set the date for that entry.

How you do the checkings will depend how you decide to store your data. I'd suggest probably dictionaries, but maybe you might need to crete your own classes and data structures.
Of course this is a simple algorithm that might not be able to fit all dates, but is something you can start with. Then if you see it's not enough you can try adding some things, like sorting your entries, so the most restrictive ones are set first and the more flexible ones are set last.
Ideally it should be implemented as a tree where you explore branches and can backtrack once stuck, so you would eventually find a path that leads to all entries having a solution. Trees however can grow too much to be computable, so you would need some heuristics to explore some branches first. But this can get too complex, so maybe for your problem a simpler algorithm like the one I proposed will work good enough


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text:
Kader Attia © Camille Millerand
François Gemenne, Atlas de l'anthropocène
Kader Attia, Traditional Repair, Immaterial Injury, 2014/2018
Satellite Dishes, 2009 © Kader Attia
Kader Attia, J'accuse, 2016 © Axel Schneider
Kader Attia, Doux et âpre souvenir, 2018
Thursday 27 May 2021 — 19:00 > 20:00
Creators facing Climate Emergency: Kader Attia & François Gemenne
In the light of current times, the Foundation is broadening its field of exploration to include ecological issues through a series of online and live conversations Creators facing Climate Emergency. Artists, scientists and searchers are invited to question today's world and create new narratives to draw more desirable futures:
– Which commitment and responsibility do the artist and the philosopher have regarding this crisis?
– How are artistic and writing practices impacted? Which behaviour should individually and collectively be implemented?
– What new way to produce and display art while public engagement becomes increasingly immaterial?
– Which vision and creativeness to be impulsed for reinventing tomorrow's world?
Thursday 27 May from 7pm to 8pm
Guests: Kader Attia, artist & François Gemenne, political science researcher.
To Follow this event:
Sign up for free on this webinar and interact live with guests.
Access livestream diffusion on the event page of our website and on Facebook Live.
This talk will be available as a podcast on our website and on Youtube the day after diffusion.
Annie Le Brun, Juri Armanda, Ceci tuera cela, Stock, 2021 Hergé, Tintin au Tibet, Casterman, 1958
Born in 1970, Kader Attia is a graduate of the École Supérieure des Arts Appliqués Duperré and the Arts Décoratifs de Paris. For more than twenty years, his installations and photographic work have questioned the notions of identity and difference through the geopolitics of borders, territories and the dialectics between nature and culture, science and philosophy. Questioning the identity and anthropocentric drifts of our society, Kader Attia encourages a transcultural and trandisciplinary approach, which he develops within La Colonie, a space founded in 2016 in Paris aiming to decompartmentalise knowledge. Winner of the 2016 Marcel Duchamp Prize, Kader Attia has been exhibited in numerous international institutions, including the 12th Shanghai Biennale, the 12th Manifesta in Palermo, the 57th Venice Biennale, DOCUMENTA(13), Kassel, the Met Breuer, New York, the Kunsthalle, Vienna, MoMA, New York, the Tate Modern in London, the Centre Pompidou, Paris or the Solomon R. Guggenheim Museum, New York. Appointed curator of the 12th Berlin Biennale in 2022, he is represented by the galleries Continua (San Gimignano, Beijing, Les Moulins, Habana, Rome, Sao Paulo, Paris), Christian Nagel (Berlin, Cologne, Munich) and Krinsinger (Vienna).
François GEMENNE
A researcher at the University of Liège and a professor at Sciences Po Paris, François Gemenne has a doctorate in political science. He is a specialist in the geopolitics of the environment. Author of a thesis on ecological refugees, his research focuses on the international governance of migration in the face of climate change, putting into tension the notions of sovereignty and borders in the face of climate disruption. He has conducted several field studies in New Orleans after Hurricane Katrina (2005) and in Japan after the Fukushima disaster (2011). He is also the author of numerous books, Géopolitique du climat : négociations, stratégies, impacts (Armand Colin, 2015), Atlas de l'anthropocène (Presses de Sciences Po, 2019), On a tous un ami noir : pour en finir avec les polémiques stériles sur les migrations (Fayard, 2020).
Exhibition Friday 21 May 2021 > Sunday 11 July 2021
Invisible, Seascapes
#8 Talk Tiphaine Calmettes & Emmanuel Hache: natural resources & energy transition
#6 Talk Prune Nourry, Nicola Delon & Ramy Fischler: biosourced materials, creating differently


text:
Poliocheridae — вимерла родина павукоподібних ряду рицінулей (Ricinulei). Родина існувала у кінці крейдяного періоду. Скам'янілості представників родини знайдено у США у штаті Іллінойс та в Англії.

Класифікація
Родина містить 2 роди з 5 видами:
 Poliochera Scudder, 1884
 Poliochera gibbsi Selden, 1992
 Poliochera glabra Petrunkevitch, 1913
 Poliochera punctulata Scudder, 1884
 Poliochera pustulatus Laurentiaux-Vieira & Laurentiaux, 1963

 Terpsicroton Selden, 1992
 Terpsicroton alticeps (Pocock, 1911)

Посилання

 Scudder, 1884 : A contribution to our knowledge of Paleozoic Arachnida. Proceedings of the American. Academy ofArts and Science, vol.20, ст. 15-22.

†
†
Викопні павукоподібні

redpajama_set_name: RedPajamaWikipedia


Doctors and hospitals say the state pays much less than private insurance or Medicare for medical services, which means fewer primary care doctors and specialists are willing to treat Medi-Cal patients.
"I just don't know if the special session will fix those issues," said Mark Diel, executive director of California Coverage and Health Initiatives, which advocates for affordable health coverage.
Thanks to the Associated Press for reaching out for our comments and for highlighting the access issues CCHI's network is working so hard to overcome. The issue of Medi-Cal reimbursement rates is still looming large for DHCS and California providers. CCHI is dedicated to improving Medi-Cal beneficiaries' access to care. We will be very involved in the pursuant conversation.


Written by fuah . Date of post: April 23, 2019 February 3, 2019 .
Written by fuah . Date of post: April 22, 2019 February 3, 2019 .
Written by fuah . Date of post: April 21, 2019 February 3, 2019 .
Written by fuah . Date of post: April 20, 2019 February 3, 2019 .


text:
Feminism / Films
Valley of the Dolls: The Faux Feminism of 'Sucker Punch' Turns Women into Fighting Fuck Toys
Posted on March 31, 2011 by The Opinioness of the World	7 Comments
Once again, I fell for the siren song of a Zack Snyder movie. He lured me with a provocative, eye-catching trailer, all with the hopes of a great film; this time, a potentially feminist film! But just as in times past, as he did with 300 and Watchmen, he let me down. Perhaps that's what he should stick with, 2 minute trailers. But I couldn't resist a film with not one but multiple female characters. So my bestie John, film critic at Hello, Mr. Anderson and I headed off to see Sucker Punch.
Set in the 1950's, Sucker Punch features a 20-year-old woman (Emily Browning) whose abusive stepfather institutionalizes her in a psychiatric hospital. Facing an impending lobotomy, she dreams of escape with other patients through an illusory fantasy within a fantasy. Through her imagination, the story shifts back and forth between reality, an imaginary burlesque brothel and a mythical fighting quest.
Let's start with the things I DID like. I thought the concept of a dream within a dream a la Inception, while not unique was still a great idea. I loved that there were several female characters (and a multi-racial cast to boot!) and that 5 of the young women institutionalized work together to escape. Writer/director/producer Zack Snyder told Entertainment Weekly, "I already did the all-male cast with 300, so I'm doing the opposite end of the spectrum." I have to give Snyder kudos for wanting an all-female cast. Although this isn't actually an all-female cast as in say a film like Descent, and he completely ignores Queen Gorgo in his film 300 played fabulously by Lena Headey (to me the most interesting character in that god-awful wreck of a film). And the visuals are lush and stunning. While Sucker Punch feels like an overblown music video on steroids (apparently a trademark of Snyder's), the soundtrack, particularly the use of Bjork's powerful and eerie "Army of Me" and Emiliana Torrini's cover of Jefferson Airplane's "White Rabbit," was fantastic. Sadly, that's where my positivity ends.
Sucker Punch is such a hot mess; so many things went horribly wrong. While the film features female characters, none of them possess any depth whatsoever. Wrought with trite dialogue and no character development (clearly something Snyder is allergic to), this film exists as nothing more than eye candy. The most interesting character is Sweet Pea (Abbie Cornish) and I attribute that to the stellar acting abilities of Abbie Cornish (watch her in Bright Star if you haven't seen it yet…she's amazing) who's clearly making the most with what little material she was given. I mean what the fuck are Abbie Cornish and Jon Hamm (or for that matter any of these actors) doing in this piece of shit?!
All of the women are hyper-feminized and infantilized sex toys. They don ridiculous garb (I know it's a fantasy action film but c'mon) and all are bestowed with cutesy nicknames (Rocket, Sweet Pea, Baby Doll), none of which they choose for themselves. But the worst offense is the portrayal of Baby Doll (Browning), the protagonist of the film. With her bubble gum pink cheeks, spidery lashes, hair swinging in pigtails and her schoolgirl-esque costume baring her midriff…she's a pervert's fantasy. For the first 30 minutes of the film, Baby Doll doesn't even an utter a word. And the way the brothel fantasy world shifts into the fighting world happens when (brace yourself) Baby Doll dances like a seductive Salome, she mesmerizes all who watch, allowing her to slip into the other fantasy world to complete the next task on her quest towards escape. Towards the end of the film, Baby Doll tells another character, "This was never my story," another attempt to strip her of her voice.
And speaking of voice…despite the majority of female characters, the person with the most lines is a fucking creepy dude played by Oscar Isaac. In the trailer, it appeared that Carla Gugino's character granted guidance and wisdom to the girls since it's her voice you hear narrating the clip. But in the film, it's actually Scott Glenn who fills that role. A man. It's as if Snyder had to make a film with women palatable by having his female characters in sexy costumes and with men lending a hand cuz you know we women can't figure things out on our own without men. How fucking empowering is that?!
While an original film (Snyder's first non-adaptation) it's evocative of a comic book or anime. Now, I love action films (Aliens, Terminator, Kill Bill), comic books and superheroes. Witchblade, Catwoman, Wonder Woman, She-Hulk and X-Men are just some of the series that boast strong female characters. But this film pisses all over female empowerment. While to my chagrin, female superheroes often wear skin-tight garb covering their thin physiques and ample bosoms, for me, the appeal of kick-ass women is that they are (or rather can be) intelligent, strong, self-sufficient and independent. Through physical training, they achieve discipline and outer as well as inner strength. But here, there is no physical training; it's all an illusion. And while I do enjoy fighting battles physically as an allegory for fighting internal struggles, it runs amok here. In both the reality and brothel realms, the women continually face assault, murder and rape from the men. Yet in each of the fighting sequences, the women fight dragons, robots and other mythical creatures; almost as if men prove to be too strong or capable of foes for women to fight.
The film is about as subtle as a sledgehammer. When the Wise Man (Scott Glenn) advises Baby Doll the items she'll need to obtain to escape, the camera zooms in on each item lingering for quite some time. We get it, Zack…no need to bludgeon us with your imagery. In another domination confrontation, Blue (Oscar Isaac), an abusive pimp in the brothel world/a scheming orderly in reality, confronts Baby Doll and tells her that he feels like a kid in a sandbox where everyone gets to play with his "toys" and now he's taking his toys home. Nice, another way to objectify your female characters. Snyder may possess good intentions, but we all know how those turn out… Even in a cut sex scene, Snyder claims that he's showcasing empowering as it conveys a woman owning her own sexuality. The cut scene showed Jon Hamm as the "High Roller" who's bought Baby Doll, telling her that if she comes to him and has sex with him willingly, he'll set her free. Uh, yeah. Sex under bribery isn't exactly owning your sexuality.
One scene near the beginning of the film gave me hope that this wouldn't be a misogynistic piece of bullshit. In a fluid switch from "reality" to the dream world of the burlesque brothel, Cornish stops a rehearsal of a show for male clients in which they are pretending she's a patient about to be lobotomized (mimicking Baby Doll's impending fate in reality). Cornish as Sweet Pea says,
"This is a joke, right? I get the sexy school girl and nurse thing, but what's this? A lobotomized vegetable? How about something more commercial?"
There's another part where Sweet Pea tells Baby Doll (god these names make me want to puke…you'd think I was writing about a porno here) that her dance should be more than "more than titillation." But sadly, titillation for teenage boys is all that exists here. Snyder claims that these lines show that Sucker Punch is a "critique on geek culture's sexism." I think the only critique happening here is that Snyder doesn't know how to make a great film and doesn't have the first clue about women.
Snyder also claims that he didn't shoot the women provocatively. Excuse me for a minute while I choke from laughing so hard…okay, I'm back. Wait, he actually thinks that doing things like zooming in near a woman's crotch or having a woman lasciviously lick a lollipop isn't provocative filming?! Dude, let's call a spade a spade here. At first I thought that if perhaps the film had been written or directed by a woman, someone could have pointed out all of the sexist bullshit Snyder was infusing into the film. But his wife was a co-producer…so there goes that theory!
A prevalent myth exists that featuring kick-ass women in action films proves empowerment. But that's not the reality. Researcher Katy Gilpatric, Department of Social Sciences at Kaplan University ("Violent Female Action Characters in Contemporary American Cinema") found that most women in action films serve as props to the male characters, die via self-sacrifice and reinforce gender roles. While the women in Sucker Punch don't serve as love interests and work cooperatively as a team, SPOILER ALERT!!! most of them die (in the fantasy world) and sacrifice themselves. Worst of all, they all succumb to stereotypical gender roles.
Sure, Snyder can claim he's created a critique on geek culture, rather than lavishly embracing it. I can claim I'm the Queen of England. But when you have a pile of shit, throwing a gown on it and parading it around…it's still a pile of shit. Maybe I wouldn't be quite so hard on this film if more films featured strong, powerful women in which they tell their own stories. Maybe if women didn't confront constant subjugation and violence amidst a rape culture. Maybe if society didn't base a woman's worth on her thinness and beauty; that women must embody both whore and Madonna. Maybe…oh who the hell am I kidding. Ultimately, Sucker Punch breathes misogynistic pornification, where women put on shows for men and serve as nothing more than mere sex objects. I'm not sure what's worse, Snyder's faux feminism or no feminism at all.
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7 thoughts on "Valley of the Dolls: The Faux Feminism of 'Sucker Punch' Turns Women into Fighting Fuck Toys"
'The Descent' kicked ass!
But discard the 'theater/american' ending, and see the original/Director's-cut, ending, as it's incredibly sad & beautiful at the same time.
Hello, Mr. Anderson says:
This was just a bad movie, no doubt about it, made all the worse by implied "girl power" that was anything but. Zack Snyder should have taken this great idea and handed it off to someone else, as he obviously had no idea what he was doing here besides making a half dozen eerily-similar music videos.
To Julian, The Descent does indeed rock (pun intended), but it suffers from many of the same character flaws which hobble Sucker Punch. Still, it's done much better by at least showing more than a minimum respect to its performers and heroes. They may not be perfect, but at least they're fleshed-out people with and not empty-headed succubi.
John, regarding The Descent, which character flaws do you speak of? If you're referring to development, I thought they were pretty well developed for a movie about female spelunkers being picked off by albino cave monsters.
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Alice Drake says:
I loved this film – it wasn't militantly feminist as the critic above seems to want – but an enjoyable action film with some great set pieces that the actresses loved doing (see interviews with the cast on youtube).
If this film had been made with the Opinioness as an advisor it would have turned into a lesbian One Flew Over the Cuckoos Nest with none of the charm.
Aphrodote says:
Ummm I'm not sure what movie you were watching Alice, but it seemed no matter what the film tried to do it failed. A great action film generally has a plot, this was feebly structured. Where is the motivation? Where is the character growth? It's like the film wanted to be Inception, Precious, and the Dark Knight all rolled into one.
Unlike Inception where the dream within a dream and confused reality was very poignant and made the viewer think, this film just came across as… well… try-hard.
And the Opinioness is saying that Snyder felt it was "feminist" (voiceless prostitutes prancing around in their imaginations while the real world attacks them? really?) and explaining just how blatantly wrong he was.
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On a dismal day at the end of October, 1968, a weekend sailor by the name of Donald Crowhurst set out from England in a flimsy trimaran, hoping to win the London Sunday Times "Golden Globe" race and become the first solo sailor to circumnavigate the world nonstop. His was an exercise in over-arching ambition, delusion, and tragedy such as the world has seldom known. Before it was over, the world media would be subject to a fraud of enormous proportions, and Crowhurst would die a madman in the middle of the Atlantic. What he left behind was a shattered boat, a shattered family, and this incredible story.
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text:
class User < ApplicationRecord
  validates :username, :password, presence: true

  has_secure_password

end

redpajama_set_name: RedPajamaGithub


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I also have matching earrings available (ER-0564)and shown in the inset photo.
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text:
Q: Enable Peripherals in Linux Kernel 3.8.13-rt16 I'm running Linux Kernel 3.8.13-rt16 and it is in a headless state (no monitor / keyboard).  I am able to ssh into the box and run commands successfully.  (My 3.8.0-35-generic kernel runs just fine with a monitor and keyboard).
Is it possible for me to enable peripherals on a the rt kernel so I can work directly on this machine?  If so, is this something I would need to change in the source and re-compile, or can this be changed through a configuration file?
I'm new to working with different kernels (especially real time), so any help / suggestions or links to documentation would also be greatly appreciated.

A: Short answer: Try and plug them in. Especially USB devices could work out of the box.
Long answer:
As all hardware (internal or external) needs support by some kernel module, you need first to determine if the peripherals in question are supported by your kernel.
For example, to connect a keybord, you will need PS/2 or USB support. For a monitor, it is neccessary that your graphics chip is supported.
How do you find out which modules to load, and how – if your hardware is supported at all?
First, you need to know what hardware is actually present. This is done via lspci. Look for the "VGA controller" and the "USB controller" lines.
A very easy way to see which kernel modules support your hardware, is the device driver database, which takes your PCI IDs (lspci -n) and tells you which modules you can use.
Now, the next step would be to determine if the modules are already in the kernel or if they are available as modules.
It may already be in the kernel. To check this, you can grep through the config¹:
zcat /proc/config.gz | grep MODULE_NAME # uppercase, dashes --> underscores

If you see something like CONFIG_MODULE_NAME=y, then its in the kernel. If you see CONFIG_MODULE_NAME=m, it has been built as a loadable module.
If you don't see the module in the config, or it says that the option is not set, you can still check the actually available modules on your system. To check if a certain module is available, run
find /lib/modules/`uname -r` | grep module_name # lowercase, dashes --> underscores

If you found your module, you can load it with modprobe module_name. lsmod should show you if it has been loaded.
If you couldn't find the module, you may have to re-compile the kernel and build the model. I won't cover that here, that's far beyond our scope.
As mentioned before, attaching a keyboard should be very simple.
Expect more difficulties with your graphics chip. Of course, simple VESA output should always work, but for proper support, you may need to tweak a bit. This is also something that I can't cover here; this is a topic for itself (KMS, proprietary vs. OSS drivers, etc.).
Hope that helps for starters. If you need more support, please provide more information about your hardware (lspci -n) and maybe post your kernel config to some pastebin.
¹ The kernel may have been built without /proc/config.gz support. In this case, the config could also be stored in the filesystem, e.g. in the /boot/ directory.


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Millfield Enterprises will be hosting Trinity's upcoming workshop 'Best Practice for GESE Preparation' on 12th April.
This is a free workshop and is open to all local schools and teaching staff. Schools that have not run GESE exams previously are also welcome and encouraged to attend.
This workshop is designed to support schools and their staff with specific ideas and guidance for preparing students for Trinity's Graded Examinations in Spoken English (GESE) as part of a short-stay junior programme.
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text:
1861 by Adam Goodheart
Buy the Book: Amazon | Barnes & Noble | Books-A-Million | Powell's | Indiebound | Random House
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As the United States marks the 150th anniversary of our defining national drama, 1861 presents a gripping and original account of how the Civil War began.
1861 is an epic of courage and heroism beyond the battlefields. Early in that fateful year, a second American revolution unfolded, inspiring a new generation to reject their parents' faith in compromise and appeasement, to do the unthinkable in the name of an ideal. It set Abraham Lincoln on the path to greatness and millions of slaves on the road to freedom.
The book introduces us to a heretofore little-known cast of Civil War heroes—among them an acrobatic militia colonel, an explorer's wife, an idealistic band of German immigrants, a regiment of New York City firemen, a community of Virginia slaves, and a young college professor who would one day become president. Adam Goodheart takes us from the corridors of the White House to the slums of Manhattan, from the mouth of the Chesapeake to the deserts of Nevada, from Boston Common to Alcatraz Island, vividly evoking the Union at this moment of ultimate crisis and decision.
Adam Goodheart is a historian, journalist, and travel writer. He will be writing a regular column on the Civil War for The New York Times online. He has written for National Geographic, Outside, Smithsonian, The Atlantic, GQ, and The New York Times Magazine, among others, and has worked as an editor of the Op-Ed page of The New York Times. He is a book reviewer for The New York Times, The Wall Street Journal, The Washington Post, and the New York Observer. He lives in Washington, D.C., and on the Eastern Shore of Maryland, where he is director of Washington College's C. V. Starr Center for the Study of the American Experience.
Meet Goodheart on his book tour


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La Independencia ist ein Municipio im mexikanischen Bundesstaat Chiapas. Das Municipio hat etwa 41.000 Einwohner und eine Fläche von 516,1 km². Verwaltungssitz ist das gleichnamige La Independencia, die größten Orte des Municipios sind hingegen El Triunfo und Venustiano Carranza.

Der Name dieses Ortes kommt aus dem Spanischen und bedeutet "die Unabhängigkeit".

Das Municipio hat Anteil am Nationalpark Lagunas de Montebello.

Geographie

Das Municipio La Independencia liegt im Südosten des mexikanischen Bundesstaats Chiapas auf Höhen zwischen  und . Es zählt zur Gänze zur physiographischen Provinz der Sierra Madre de Chiapas und liegt gänzlich in der hydrologischen Region Grijalva-Usumacinta. Die Geologie des Municipios wird zu 76 % von Kalkstein bestimmt bei 17 % Alluvionen und 5 % schluffigem Sandstein; vorherrschende Bodentypen sind Leptosol (26 %), Luvisol (20 %), Phaeozem (18 %), Acrisol (15 %) und Chernozem (13 %). Etwa 61 % der Gemeindefläche sind bewaldet, gut 25 % werden von Ackerland eingenommen, 12 % dienen als Weideland.

Das Municipio La Independencia grenzt an die Municipios Las Margaritas, La Trinitaria und Comitán de Domínguez.

Bevölkerung

Beim Zensus 2010 wurden im Municipio 41.266 Menschen in 9.046 Wohneinheiten gezählt. Davon wurden 1.796 Personen als Sprecher einer indigenen Sprache registriert, darunter 811 Sprecher des Chuj, 383 Sprecher des Kanjobal und 202 Sprecher des Tojolabal. Gut 16,5 Prozent der Bevölkerung waren Analphabeten. 13.829 Einwohner wurden als Erwerbspersonen registriert, wovon 92,5 % Männer bzw. 1,2 % arbeitslos waren. Gut 49 % der Bevölkerung lebten in extremer Armut.

Orte

Das Municipio La Independencia umfasst 112 bewohnte localidades, von denen der Hauptort sowie El Triunfo und Venustiano Carranza vom INEGI als urban klassifiziert sind. Zehn Orte wiesen beim Zensus 2010 eine Einwohnerzahl von über 1000 auf, 57 Orte hatten weniger als 100 Einwohner. Die größten Orte sind:

Weblinks

La Independencia


How you form your business, and its legal structure, is one of the most important decisions you will make in the process of launching your venture. Make sure you know which legal steps you must take to be in business. Some types of businesses require government licenses. This depends on where you are, and what your business does. The required paperwork and the government offices that oversee your business can be confusing. So, you will have to ask a government representative in your area in order to establish your business properly.


An important objective of EurAqua is to initiate and develop multiparty research projects. This has resulted in a number of projects and research activities. A new and updated list of research activities where two or more EurAqua members are participating are shown below. Please note that the list is under revision and may contain errors.


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objects: 15
show All critical theory (3) ephemera (5) exhibition catalogue (3) monograph (1) periodical (1) poster (1) reference book (1)
14.8 x 22.2 cm. (folded) ; 44.2 x 22.2 cm. (unfolded)
[6] pp.
Announcing The Pop Festival
John Cage, David Tudor, Claes Oldenburg, Trisha Brown, Lucinda Childs, Judith Dunn, Fred Herko, Steve Paxton, Yvonne Rainer, Robert Dunn, Robert Rauschenberg, Robert Breer, Stan Brakhage, Rudolph Burckhardt, Bruce Conner, Ron Rice, Stan Vanderbeek
Program / calendar of events for "The Pop Festival" held in April - May, 1963 held in connection with the "Popular Image Exhibition," organized by the Washington Gallery of Modern Art, Washington, D.C. ... [details]
Washington, DC: Washington Gallery of Modern Art, 1963
[The Living Theatre Presents Kenneth Anger, Stan Brakhage, and Stan Vanderbeek]
Kenneth Anger, Stan Brakhage, Stan Vanderbeek
A single-sided flyer / handbill for a series of films presented at The Living Theatre on March 7, 1960.
Text reads :
THE LIVING THEATRE
PRESENTS KENNETH
ANGER'S : FIREWORKS
AND INAUGURATION OF
THE PLEASURE DOME. ... [details]
New York, NY: The Living Theatre, 1960
Condition: Very Good. Hand addressed mailed copy with postmark, folded in four as issued with very light wear, and faint tape stain at bottom center from mailing closure.
[Object # 23804]
Dance Theater Workshop, Inc. Presents : Mondays in August
Jeff Duncan, Kenneth King, Elaine Summers, Stan Vanderbeek, Claude Debussy
Flyer / announcement published in conjunction with a series of dances premiering Mondays in August, [1965]. Dances by Jeff Duncan, Kenneth King, Elaine Summers, a film collage by Stan Vanderbeek, and music by Claude Debussy. [details]
New York, NY: Dance Theater Workshop, Inc., 1965
Condition: Good. Folded in four, with parts of the program numbered in black pen. Light yellowing of paper from age and light bumping of corners.
A Tribute to John Cage by Nam June Paik
Nam June Paik, John Cage, David Atwood, Fred Barzyk, Alvin Lucier, Russel Connor, David Tudor, Charlotte Moorman, Marianne Amacher, Richard Teitelbaum, Pulsa, David Behrman, Carly Berberian, Jud Yalkut, Francis Lee, David Rosenboom, Jackie Cassen, Stan Vanderbeek, Alton Schilling, Boyd Pestas, Andio Jenny
Poster published in conjunction with screening of the film "A Tribute to John Cage" by Nam June Paik on Channel 13 WNET TV, New York, November 3, 1976 on. Film produced by WGBH (Boston and WNET TV Lab (NY). ... [details]
New York, NY: Electronic Arts Intermix, Inc., 1976
Condition: Good. Mailed copy with stamped addressed and mailing wear. Two 5 cm. spots of shallow tearing to top layer of paper on verso, possibly from adhesive used to keep poster closed during mailing. Folded into quarters as issued. 7 mm. tear to bottom edge of page along fold. Recto has 5 mm. of yellowing to center of poster bled through from a darker spot on verso. Two 1 cm. areas of yellowing on verso.
The New York Poet's Theatre Presents "Variety"
Nicola Cernovich, Fred Herko, George Brecht, William Linich, Ray Johnson, Barbara Gilmartin, William Gilmartin, Simone Morris, La Monte Young, Stanley Vanderbeek, McIntyre Dixon, Richard Libertini
Program for "Variety" held at the Maidman Playhouse on March 24, 1962. Production supervised by Alan Marlow and Nicola Cernovich with lighting designed by William Linich. Featuring films by Nicola Cernovich; "Second Nothing," by Ray Johnson; "Another Garden," by Fred Herko; "Stewed Prunes," by McIntyre Dixon and Richard Libertini; "Palinrome" by George Brecht with Barbara and William Gilmartin; "A La Mode," by Stanley Vanderbeek; and featuring Simone Morris and La Monte Young. [details]
New York, NY: New York Poet's Theatre, 1962
Condition: Very Good. Folded in two as issued and folded again in half, clean and unmarked.
loose leaves
10 vol. : 27.8 x 21.6 cm. (each)
[10] pp.
New Cinema Festival I
John Brockman, Angus MacLise, John Vacarro, Nam June Paik, Jerry Joffen, Don Snyder, Jack Smith, Roberts Blossom, Beverly Schmidt, Arthur Sainer, Standish Lawder, Stan Vanderbeek, Alfred Leslie, Dick Higgins, Aldo Tambellini, USCO, Jackie Cassen, Claes Oldenburg, Andy Warhol, Ken Dewey, Ken Jacobs, Ken Kelman, Ray Wisniewski, Margo Sherman, Louis Brigante, Elaine Summers, Al Hansen, Ed Emshwiller, David Bourdon, Robert Whitman, The ONCE Group, Larry Rivers, Stan Brakhage, Robert Rauschenberg, La Monte Young, Marian Zazeela, John Cale, Terry Riley, Michael Snow, Bob Cowan
10 individial page press release and program published in conjunction with the New Cinema Festival I held November 1 - 30, 1965. Contributions by Angus MacLise, John Vacarro, Nam June Paik, Jerry Joffen, Don Snyder, Jack Smith, Roberts Blossom, Beverly Schmidt, Arthur Sainer, Standish Lawder, Stan Vanderbeek, Alfred Leslie, Dick Higgins, Aldo Tambellini, USCO, Jackie Cassen, Claes Oldenburg, Andy Warhol, Ken Dewey, Ken Jacobs, Ken Kelman, Ray Wisniewski, Margo Sherman, Louis Brigante, Elaine Summers, Al Hansen, Ed Emshwiller, David Bourdon, Robert Whitman, The ONCE Group, Larry Rivers, Stan Brakhage, Robert Rauschenberg, La Monte Young, Marian Zazeela, John Cale, Terry Riley, Michael Snow, Bob Cowan and others. [details]
New York, NY: Film-Makers' Cinematheque, 1965
Art Without Boundaries
Gerald Woods, Philip Thompson, John Williams, Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf, Edward Wright
Book of critical theory outlining the intersection of mediums in art after 1950. Edited by Gerald Woods, Philip Thompson and John Williams. Artists include Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf and Edward Wright. ... [details]
New York, NY: Praeger Publishers Inc., 1972
edition size unknwn
The New American Cinema
Gregory Battcock, Jonas Mekas, Ken Kelman, David Ehrenstein, Fred Wellington, Taylor Mead, Andrew Sarris, Rudolf Arnheim, Parker Tyler, Henry Geldzahler, Annette Michelson, Charles Boultenhouse, Ronald Tavel, Kenneth King, Amos Vogel, John Bernard Myers, Toby Mussman, P. Adams Sitney, Stan Vanderbeek, James Stoller, Carl Linder, Gregory Markopoulos, Brian O'Doherty, Dwight Macdonald, Susan Sontag, John Bragin
Volume of critical theory on "New American Cinema," edited, with an introduction by Gregory Battcock." Includes contributions by: Jonas Mekas, Ken Kelman, David Ehrenstein, Fred Wellington, Taylor Mead, Andrew Sarris, Rudolf Arnheim, Parker Tyler, Henry Geldzahler, Annette Michelson, Charles Boultenhouse, Ronald Tavel, Kenneth King, Amos Vogel, John Bernard Myers, Toby Mussman (on Marcel Duchamp), P. ... [details]
New York, NY: E.P. Dutton, 1967
paper over boards issued without dust-jacket
The New Television : A Public / Private Art. Essays, Statements, and Videotapes [ Based on "Open Circuits : An International Conference on the Future of Television" Organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City ]
[Hardcover Edition]
Douglas Davis, Allison Simmons, Gregory Battcock, Hollis Frampton, Nam June Paik, Stephen Beck, Ed Emshwiller, Stan Vanderbeek, Frank Gillette, Robert Pincus-Witten, Joan Jonas, Vito Acconci, Jane Livingston, David Katzive, Wulf Herzogenrath, Allan Kaprow, Shigeko Kubota, Paul Stitelman, Richard Serra, John Baldessari, David Ross, Barbara London, Evelyn Weiss, Harald Szeemann, Gerd Stern, Howard Klein, Russell Connor, Bruce Kurz, Edward Lucie-Smith, René Berger, Wolfgang Beckerr, Toshio Matsumoto, Jorge Glusberg, Pierre Schaeffer, Vilem Flusser, Hans Magnus Enzensberger, John McHale.
Compendium of transcripts and texts based on "Open Circuits : An International Conference on the Future of Television," which was organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, in January 1974. ... [details]
Cambridge / New York, MA / NY: The MIT Press / Electronic Arts Intermix, 1977
wrappers with dust jacket
The Arts at Black Mountain College
[Paperback Edition]
Mary Emma Harris, Anni Albers, Josef Albers, Eric Bentley, John Cage, Harry Callahan, John Chamberlain, Robert Creeley, Merce Cunningham, Edward Dahlberg, Elaine de Kooning, Willem de Kooning, Agnes de Mille, Francine du Plessix Gray, Robert Duncan, Lyonel Feininger, Buckminster Fuller, Paul Goodman, Clement Greenberg, Walter Gropius, Trude Guermonprez, Robert Haas, Shoji Hamada, Alfred Kazin, Galway Kinnell, Franz Kline, Richard Lippold, Robert Motherwell, Beaumont Newhall, Kenneth Noland, Charles Olson, Joel Oppenheimer, Arthur Penn, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Thomas Whitney Surette, Paul Taylor, Cy Twombly, Jack Tworkov, Stan Vanderbeek, Peter Voulkos, Jonathan Williams
Exhibition catalogue published in conjunction with show held at the Edith C. Blum Art Institute of Bard College, Annandale-on-Hudson, New York, April 11 - July 5, 1987; the North Carolina Museum of Art, Raleigh, July 25 - October 4, 1987; and the Grey Art Gallery, New York University, October 25 - December 19, 1987. ... [details]
Cambridge, MA: The MIT Press, 1987


To register click here - Homespun 5K - or you may mail your registration form with your payment.
A T-shirt will be guaranteed for all runners registered by July 1 and as supplies last from July 1 through race day.
Awards will be presented to the Top Male & Female Overall, Top Male & Female Masters, Top 3 Male and Female runners in 15 age groups that range from ages 10 & Under to 75 & Over.
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The Fun Run is scheduled to start at 9:00 am.
The race will begin on the Silver Comet Trail next to the First United Methodist Church on the corner of Church Street and Water Street Rockmart, GA 30153.
Visit the Contact Us tab with any questions you may have.


text:
Today Is National Baby Making Day
You've heard of mother's day, and father's day… but what about a special occasion for all of the would-be parents out there?
Today could be that day, as a study reveals January 2 is the most popular day to conceive.
Millions of couples are expected to have sex today in the hope of falling pregnant with a baby due in September, according to research carried out by the parenting site Channel Mum.
All business in the bedroom: According to Channel Mum millions of UK couples will have sex today in an attempt to conceive
Fertility experts attribute the popularity of the date to would-be parents desire for a September baby – September babies are the oldest in their school year
Not only that, bedroom action is expected to peak at 10.36pm tonight.
Figures indicate that the most common day for babies to be born in the UK is September 26, which is 38 weeks – or the length of the average pregnancy – after January 2.
Fertility experts attribute the baby boom to a combination of factors; parents' desire to have a baby born in September – meaning it will be among the oldest in its school year – wanting to spend time together before heading back to work after the festive season, and having sex in an attempt to cure a lingering new year hangover.
Siobhan Freegard, the founder of Channel Mum, said the site had compiled some of its users top tips for conceiving to help couples trying to get pregnant to mark the occasion.
'Falling pregnant isn't always easy so couples who have been trying a while will attempt almost anything to help,' she said.
'While there isn't much medical science to back up these tips, our members swear they have all helped and we have hundreds of bouncing new babies to prove it.
'As long as you have fun trying, it's always worth giving it a go,' she added.
Some of the methods the parenting sites users have resorted to in an effort to boost their chances of conceiving range from cutting out alcohol to feasting on pineapple and even eating McDonald's chips immediately after having sex.
But not all of them were diet related – 58 percent of would-be mums said they'd 'cycled' their raised legs in the air for a minimum of three minutes after sex, while 37 percent had worn socks during and after sex to keep their feet warm throughout.
Channel Mum shared its users tried and tested fertility tips to mark what it predicts will be the busiest baby making day of the year
In contrast, one percent of men admitted to wearing frozen underwear in an effort to up their chances of getting their partner pregnant.
The most obscure tip – tried by just 0.5 percent of Channel Mum users – was for women to pierce their nose on the left side, which according to theories in Eastern Ayurvedic medicine can make a woman more fertile.
This Psychology Love Eye Trick In Tiktok Will Get Anyone To Fall In Love with You
Generous Woman Assists Helpless Man At Walmart.
Man Hired A Homeless Cleaning Lady He Was Happy To Help
Couple Is Sitting Down To Dinner When Unexpected Visitor The Size Of Their Plates Appears…
Instagram Copies Snapchat Screenshot Alerts For Stories
She Finally Left Her Husband When He Slapped Her For The Last Time


This text presents a graduate-level introduction to differential geometry for mathematics and physics students. The exposition follows the historical development of the concepts of connection and curvature with the goal of explaining the Chern-Weil theory of characteristic classes on a principal bundle. Along the way we encounter some of the high points in the history of differential geometry, for example, Gauss' Theorema Egregium and the Gauss-Bonnet theorem., Exercises throughout the book test the reader's understanding of the material and sometimes illustrate extensions of the theory. Initially, the prerequisites for the reader include a passing familiarity with manifolds. After the first chapter, it becomes necessary to understand and manipulate differential forms., A knowledge of de Rham cohomology is required for the last third of the text.Prerequisite material is contained in author's text An Introduction to Manifolds, and can be learned in one semester. For the benefit of the reader and to establish common notations, Appendix A recalls the basics of manifold theory. Additionally, in an attempt to make the exposition more self-contained, sections on algebraic constructions such as the tensor product and the exterior power are included.Differential geometry, as its name implies, is the study of geometry using differential calculus., It dates back to Newton and Leibniz in the seventeenth century, but it was not until the nineteenth century, with the work of Gauss on surfaces and Riemann on the curvature tensor, that differential geometry flourished and its modern foundation was laid. Over the past one hundred years, differential geometry has proven indispensable to an understanding of the physical world, in Einstein's general theory of relativity, in the theory of gravitation, in gauge theory, and now in string theory. Differential geometry is also useful in topology, several complex variables, algebraic geometry, complex manifolds, and dynamical systems, among other fields., The field has even found applications to group theory as in Gromov's work and to probability theory as in Diaconis's work. It is not too far-fetched to argue that differential geometry should be in every mathematician's arsenal.
Want to know when Differential Geometry : Connections, Curvature, and Characteristic Classes : 275 - nzgameshop.com drops below a certain price? Enter your email address and price below and we'll let you know when it drops below that price!


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Disparities in K-12 Discipline (On-Demand CLE) [CC]
On January 8, 2014, the U.S. Department of Education issued guidance on how to administer student discipline without discriminating. On December 18, 2018, the Federal Commission on School Safety recommended that the discipline guidance issued in 2014 be rescinded by the Department of Education. Get an overview of the rescinded disciplinary guidance issued by the Department of Education in 2014.
Select your state to learn more about the credit details and status of CLE application. Credit is not available for states not listed.
Select a State Alabama Alaska Arizona Arkansas British Columbia California Colorado Connecticut Delaware District of Columbia Florida General Attendance Georgia Guam Hawaii Idaho Illinois Indiana Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Northern Mariana Islands Ohio Oklahoma Ontario Oregon Pennsylvania Puerto Rico Quebec Rhode Island South Dakota Tennessee Texas Utah Vermont Virgin Islands (U.S.) Washington West Virginia Wisconsin Wyoming
1.20 total credit hours including
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Law & Legal Procedure
On January 8, 2014, the U.S. Department of Education issued guidance designed to assist elementary and secondary institutions in meeting their obligations under federal law to "administer student discipline without discriminating on the basis of race, color, or national origin." In essence, the guidance places educational institutions on notice that if they enforced intentionally discriminatory rules or of their policies lead to disproportionately higher rates of discipline for student in one racial group, even if the policies were written without discriminatory intent.
On December 18, 2018, the Federal Commission on School Safety, led by U.S. Secretary of Education Betsy DeVos, recommended that the discipline guidance issued in 2014 be rescinded by the Department of Education. In a statement regarding the decision, DeVos stated that the decision to rescind "makes it clear that discipline is a matter on which classroom teachers and local school leaders deserve and need autonomy." Given this turn in the Department of Education's view on this matter, the question becomes: how do educational institutions work to ensure that their disciplinary processes are administered in such a way that they do not disproportionately impact students of color and students with disabilities?
In this program, the speakers will provide an overview of the rescinded disciplinary guidance issued by the Department of Education in 2014. Speakers will explain, from their unique perspectives as a member of the board of education for a large school district, civil rights attorney, and educational advocate, the impact of the decision to roll back the guidance. The panel will also explore how the administration of disciplinary processes in education could serve as another example of implicit bias that works to contribute to the school to prison pipeline.
Join our experienced panelists as they explain the Department of Education guidance on how to administer student discipline without discriminating:
Erika D. Robinson, Shelby County Schools
Abre Conner, ACLU of Northern CA
Alex S Johnson, Paul Hastings LLP
Daiquiri Steele, Tulane University Law School
Erika Danielle Robinson
Abre Conner, Alex S Johnson, Daiquiri Steele
Section of State and Local Government Law
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2020 ABA Cross-Border Virtual Institute: The Intersection of Global Discovery, Privacy and Data Security [CC]
Hear the latest about cross-border data transfers, cybersecurity, and privacy at the 2020 ABA Cross-Border Virtual Institute. Save the cost of program when you sign up for the five-part series--5 web…
Pipeline Programs in a Pandemic: Access, Hurdles, and Innovation
The pandemic has further exposed the inequities faced by underserved communities. Now, more than ever, it has been important for the legal community to coalesce to ensure that the pipeline to becomin…
Tracking Public Movement: Exploring the Legal and Privacy Implications of Surveillance Involving Automatic License Plate Readers [CC]
This program examines what automatic license plate readers (ALPRs) are, how they are used and the Fourth Amendment implications of their usage by law enforcement.
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We've been getting our share of frostbite and snow here. I've been taking to chunky sweaters and ankle boots on repeat lately with layers of heat tech underneath. I'm afraid it's the only way to stay warm on these frosty days. Andy and I played under the flurries in Central Park on Valentine's Day right before warming up with some hot chocolate followed by tapas and paella. The cherry on top of this sundae?! We will be heading back to Kauai, Hawaii this May for his birthday! The last time he and I went, it was a trip of a lifetime.