The Stella del Mare Beach is situated in Marina di Carrara, in the Apuan Coast, 180 mt far from the international trade show Carrarafiere (Marmi e Macchine show) directly on the beach. Every rooms has its own indipendent entry and a private toilet with shower box, conditioning air with individual control, safety box, color tv, a direct telephone line, internet WiFi and an indipendent covered veranda. The family-run hotel has a bar on the beach, a garden, playground for children, ping-pong, trampoline, private parking and a solarium terrace with beds;during the summer season we provide beach towels, a sun-umbrella, a bed, a deck-chair and a chair.
Marina di Carrara, pleasant seaside resort, is situated at the foot of the Apuan Alps and gives to the tourist the interesting opportunity to reach in few minutes by car Luni, rich in archeological excavations of the roman period, and to visit Carrara the marbleworld-capital rich in marble laboratories and marble quarries.
Air-conditioning, Umbrella with peck-chair INCLUDED IN THE PRICE!
Aria Condizionata,teli da mare, Ombrellone + 2 lettini e una sedia regista COMPRESO NEL PREZZO!
From: 20-04-2019 To: 31-05-2019 Only Room (Single): n.d.
From: 01-06-2019 To: 30-06-2019 Only Room (Single): n.d.
From: 01-07-2019 To: 31-07-2019 Only Room (Single): n.d.
From: 01-08-2019 To: 31-08-2019 Only Room (Single): n.d.
From: 01-09-2019 To: 30-09-2019 Only Room (Single): n.d.
From: 01-10-2019 To: 15-04-2020 Only Room (Single): n.d.


The fluid environment of designing makes scheduling tasks challenging.
Planning and scheduling often is too rigid and takes time away from designing.
What if you could simply schedule your tasks without having wait or communicate changes? What if you could plan your work better by having an environment for your own tasks- yet see how it would impact others?
Save time planning so you can spend more time designing. Planning can be done by everyone- no need to wait for one person to schedule your tasks.
Visual interface allows you to easily view what tasks you need to do next.
Plan your work: Quickly add and schedule your tasks.
Work your plan: Work off your task list and reschedule tasks by simply dragging and dropping.
Together: Schedule your tasks quickly and share them across the team.


Mountain Sunset through Slats – mounted on canvasAlthough the prints came out a bit too dark, they still look pretty cool. Sending to iStore in Sandton for exhibit on 1 September 2011.
Although the prints came out a bit too dark, they still look pretty cool.
Sending to iStore in Sandton for exhibit on 1 September 2011.


Appearance: essentially, it's an Undead bush colored a particularly unpleasant shade of mottled white, brown, and purple. The bush is mildly mobile, but moves very slowly. Zombeans are digestable, vaguely nutritious, and (barely) edible.


Noah's Notes :: Chapter 5: Prof, We're Talking to a Rabid Dog in an Underground Cemetery.
Chapter 6: Mirai, for the Sake of Humanity... Run.
Chapter 5: Prof, We're Talking to a Rabid Dog in an Underground Cemetery.
Chapter 4: Prof, There's Trouble with a Rabid Dog in Rome.


GARY CAHILL has admitted Chelsea are 'devastated' after suffering their seventh defeat of the season.
The Blues had a torrid afternoon against West Ham as Nemanja Matic, Jose Mourinho and first-team coach Silvino Louro were all sent off.
Mourinho was sent to the stands during half-time, after the Hammers had already gone 1-0 up courtesy of Mauro Zarate.
And despite levelling on 56 minutes thanks to a smart finish from Cahill, Andy Carroll put the hosts 2-1 up - his first goal since January to compound Chelsea's woes.
"[The mood in the dressing room] is not great - like you'd imagine when you lose games. Last season we weren't used to it. The lads are devastated," Cahill told BBC Sport.


text:
super bowl Updated Feb. 4, 2019
Every Super Bowl Halftime Show Since 1993, Ranked From Worst to Best
By Brian Moylan
Adam Levine performing at the 2019 Super Bowl halftime show. Photo: Icon Sportswire/Getty Images
Football fans might not realize it, but plenty of Americans only attend Super Bowl parties for seven-layer dip, liberal drinking, and the nationally televised pop concert otherwise known as the Super Bowl halftime show. For decades, the show would simply feature a college marching band or two, with a performance by Andy Williams or Up With People tossed in for good measure, but that all changed in 1993. That's the year when Michael Jackson turned the Super Bowl halftime show into must-watch television.
In the decades since Jackson created the halftime show as we know it, the Super Bowl has run through remarkably different eras of performance — the MTV years, Janet Jackson's Nipplegate, and the classic-rock revival of the late aughts — but tradition and purpose unite them all. The mode has always been pastiche, combining disparate elements into a cohesive whole that celebrates American culture and zeitgeist. Ahead, Vulture ranks all of the Super Bowl halftime shows since 1993, from worst to best.
26. Phil Collins, Christina Aguilera, Enrique Iglesias, and Toni Braxton (2000)
The first thing you need to understand about this halftime show: Disney owns ABC, so they decided to hijack 12 minutes of America's time for a huge commercial for some Cirque du Soleil rip-off called the "Disney Millenium Performance." There were a bunch of puppets and people in crazy costumes, which was kind of cool, but they all looked like robot overlords from a machine future that was obsessed with New Age healing and wheatgrass shots. To make it even worse, each performer sang an original song, so the audience didn't recognize any of it. I would have given anything to hear "Sussudio" — instead, we got Phil Collins in a backwards Kangol hat and the world's saddest cargo pants, singing something called "Two Worlds." Oh, and Edward James Olmos kept coming out to offer weird narration like, "As it does every thousand years, the gateway of time has opened once again to give us hope." Thanks, but no thanks.
25. Clint Black, Tanya Tucker, Travis Tritt, and the Judds (1994)
There is nothing sadder than a country spectacular, especially when the most imaginative performance available is a horde of people dressed as cowboys and cowgirls. Sure, it's a popular genre, but a huge chunk of the audience had no clue what "Tuckered Out" or "It's a Little Too Late" were, or why they needed to care about bland smiling girls in 10-gallon hats. To make it worse, the people on the field appeared to be moving around carrying fluorescent light bulbs. This was a halftime show to forget.
24. Maroon 5, Travis Scott, Big Boi (2019)
Maroon 5's halftime show was exactly like all of Maroon 5's music: so safe and antiseptic that you hardly remember it's there until you're watching a Super Bowl halftime show and you realize you know every single one of the songs and you want to crack yourself over the head with the Rock Band guitar gathering dust in your closet. There was almost no acknowledgement in this set that it was taking place on the largest annual stage in America. We got a few lame pyrotechnics, an almost entirely female audience gathered around the stage jumping and clamoring for Adam Levine like they were paid to, a SpongeBob SquarePants introduction, and performances by Travis Scott and Atlanta's own Big Boi shoehorned in between some of Levine's crooning. The whiplash between these artists was enough to give viewers a concussion disorder. In a year when no one wanted to perform at the halftime show, this was the best the NFL could do, a firework that extinguished itself mid-flight.
23. The Rolling Stones (2006)
There are two notable things about this performance: 1) The Rolling Stones played on a stage shaped like the band's lips-and-tongue logo, and 2) the people of Detroit, where that year's game was played, were pissed because no Motown artist was asked to perform. Also, the Stones only did three songs. Three. And one of them was their latest single, "Rough Justice." A note to the Rolling Stones: No one wants to hear the new stuff, especially at the Super Bowl.
22. Dan Aykroyd, John Goodman, James Belushi, ZZ Top, and James Brown (1997)
Since the game was in New Orleans, I suppose the theme made sense. What didn't was letting Jim Belushi sing "Soul Man" and "Gimme Some Lovin'." Yes, they let Jim Belushi sing. It was like watching your uncle do karaoke, except there were tons of girls in tiny outfits gyrating everywhere while a marching band spelled out words on the field and pyrotechnics exploded into the abyss. Then ZZ Top played "Legs" while the dancers laid on their backs and, um, showed off their legs. Even with James Brown, this halftime show needed a whole lot more of something. Anything, really.
21. Gloria Estefan, Stevie Wonder, Big Bad Voodoo Daddy (1999)
Yes, Big Bad Voodoo Daddy played the Super Bowl and we will never be able to take that away from them. But while pastiche is the best way to create a great halftime show, this one was just too much. They threw a bunch of stuff at the wall, then it all stuck and stayed there for a few weeks and got moldy. Gloria Estefan killed it, of course, and Stevie Wonder was great, but the sound mix was off the whole time. Two all-time greats wasted on a spectacle that was absolutely hollow at its core.
20. Justin Timberlake (2018)
Justin Timberlake is a former member of NSYNC, husband to Jessica Biel, ex-boyfriend of Britney Spears, tour mate of Christina Aguilera, and co-Emmy winner (for "Dick in a Box") with Andy Samberg. He couldn't enlist the help of any of those people to enliven what was the most boring Super Bowl halftime show of the modern era? Instead, we got a projection of Prince on a giant sheet while Timberlake sang "I Would Die 4 U." It was certainly a reminder of the Purple One's iconic halftime performance — and in his hometown, no less — but otherwise this was a boring, ill-conceived, and muddled performance. It started with Timberlake singing under the stadium in what felt like a small club show, but even when he came onto the main stage, it still had the same feeling. The Super Bowl is not the time for intimate numbers. It is a time for spectacle and Justin left it (and all of his famous friends) at home. Lady Gaga jumped off the roof! Katy Perry rode in on a giant lion! Beyoncé shot Kelly and Michelle through the floor to sing "Single Ladies!" Justin Timberlake just roamed around aimlessly and then played the piano while wearing an outfit that looked like it could double as an billboard for discount hunting store. What a horrible way to ruin #JanetJacksonAppreciationDay.
20. The Who (2010)
There were lasers and some singing. There was a faithful version of "Baba O'Riley" and other songs used by CBS procedurals. I guess the stage was kinda cool. Blah.
19. Shania Twain, No Doubt, and Sting (2003)
Was this a halftime show or a playlist for a very short car ride? Shania did "Man! I Feel Like a Woman" without even one backup dancer or costume change. Next, Gwen Stefani performed "Just a Girl" with her backing band. There has been no bigger whiplash between two bands in the history of the Super Bowl. Finally, Sting appeared and Stefani joined him for "Message in a Bottle." That's it. Finito. The only flourishes were the punk-rock cheerleaders jumping on trampolines, and even that came about seven minutes into the show. Yawn.
18. Tom Petty and the Heartbreakers (2008)
Tom Petty is one of our country's greatest underappreciated assets. Of all the acts to get up and play the first four songs off their greatest-hits album, Petty's — "American Girl," "I Won't Back Down," "Free Fallin,'" and "Runnin' Down a Dream" — are perhaps the most solid all the way through. But, man, couldn't he have at least enlisted a few dancers to liven things up?
17. Paul McCartney (2005)
This was America's punishment for Janet Jackson's nipple: an old white dude standing in the middle of an LED stage, playing the guitar by himself. This show was safer than having sex in a panic room with three condoms and all of your clothes on. There's no denying McCartney's brilliance, but he just ran through "Drive My Car," "Get Back," "Live and Let Die," and "Hey Jude" with no interruption or embellishment that could possibly shock or offend the very fragile American sensibility. But hey, at least there was an LED stage!
16. Bruno Mars and Red Hot Chili Peppers (2014)
It started with small children holding hands in front of American flags and ended with soldiers dedicating "Just the Way You Are" to their families. Nine out of ten dentists say this is enough saccharine to give every American spontaneous cavities. Mars did a competent job, but a year after Beyoncé made a political statement with her all-female performance, Mars reverted back to the usual by filling the stage with a bunch of dudes, including Red Hot Chili Peppers. It was uninspired, plus it didn't seem like Mars had achieved Super Bowl headliner status.
15. U2 (2002)
What we needed was Bruce Springsteen and what we got was an Irishman yelling "America!" in front of a giant banner printed with the names of everyone who died in the 9/11 attacks. The U2 performance was a simple and pared-down affair, which seemed fitting for the zeitgeist, but still it was strange to hear what sounded like cheering as Bono sang "Where the Streets Have No Names" and the nation mourned.
14. Bruce Springsteen and the E Street Band (2009)
During the sad era of aging rockers playing their greatest hits without flourish or interruption, Springsteen was the only one who seemed to have some fun. "I want you to step away from the guacamole dip! I want you to put the chicken wings down and turn your television all the way up!" he told the audience as his set started. Springsteen is one of the American masters — why he didn't play the post-9/11 halftime show, I'll never know — and "10th Avenue Freeze Out," "Born to Run," "Working on a Dream," and "Glory Days" are all certifiable jams. Still, there wasn't anything you couldn't get here from one of the Boss's concerts, so he falls a few spots.
13. Boys II Men, Smokey Robinson, Martha Reeves, the Temptations, and Queen Latifah (1998)
This could have been a staid look at an older genre of music, but then Latifah and Boyz II Men came in and injected some youthful energy into what otherwise looked like a very professional high-school talent show. Boyz II Men disappointed by using most of their time onstage for their new single "A Song for Mama," which is soundly awful. Luckily for Martha Reeves, whose singing sounded like a squirrel was humping her larynx during "Heat Wave," Twitter didn't exist back in 1998 or there would have been a whole lot of Left Sharking about the sound. Still this was wholesome family fun for all ages.
12. Patti Labelle, Tony Bennett, Arturo Sandoval, Teddy Pendergrass, and Miami Sound Machine (1995)
This was less of a halftime show and more of a Stefon SNL skit. It had cobras playing drums, peasants making offerings to the gods, Indiana Jones flying on a parachute, a Satanic ritual involving the Super Bowl trophy, people on stilts, Patti LaBelle dressed as a demonic sequin goddess, throngs of shirtless dancers, a flaming ninja, a stage full of spikes, and Tony Bennett singing an old song. One of the few Disney-produced shows, this was pure camp insanity. It sure wasn't the best show, but it's still one of my favorites.
11. Black Eyed Peas, Usher, and Slash (2011)
I never thought I'd say this, but the Black Eyed Peas were pretty good at the Super Bowl. Dressed up like the cast of a Not Tron XXX: A Porn Parody, the foursome descended from thin air, ushering in a pop-heavy era of halftime shows. This laid the groundwork for Madonna, Beyoncé, and all the rest, with a field full of dancers in glowing costumes and a futuristic theme that featured Usher and Slash popping up from under the stage to play "Sweet Child of Mine" for Fergie. Sadly, the sound sucked and the stage, meant to spell "LOVE" in lights when viewed from above, was missing one prong of its V. It's really too bad they had to sing all of those Black Eyed Peas songs.
10. Lady Gaga (2017)
This technologically advanced performance included a literal constellation of drones, a dive off the roof of the stadium, and dancers tossing glowing spears that looked like a weapon out of Star Trek. There was even a keytar and a circular piano like the one at the Mos Eisley cantina. Lady Gaga has always been like Ziggy Stardust's bratty younger sister, and that was the theme she stuck to throughout, from her diamond phone for "Telephone" to the crystal orb she brandished to the audience. But we never got more than that polished public persona. Gaga did hits like "Poker Face," "Born This Way," and "Bad Romance" without notable reinvention or retooling in the way that Madonna, Prince, and Beyoncé did with their old gems. Also, she didn't have any guest performances, while the only covers were those (possibly) political numbers at the opening. A Lady Gaga concert is always a spectacular affair, and this certainly was, but she needed to cast her net wider for such an all-embracing cultural event.
9. Michael Jackson (1993)
Just because you're the first doesn't mean you do it best. For starters, the networks hadn't quite figured out how to broadcast a halftime show yet. It's hard to hear the music over all of the cheering (which lasted a full three minutes before a note was even played), there was a commercial break in the middle of the program, and the game was in California, so it wasn't quite dark out. Also, the production is painfully sincere in that way Michael Jackson loved: Instead of reaching into his packed back catalog, he performed "We Are the World" with a children's choir, then did "Heal the World" while an enormous globe inflated in the middle of the stage. Sure, he also did "Billie Jean" and moonwalked, but for a consummate showman, Michael Jackson could have done more.
8. Coldplay, Beyoncé, and Bruno Mars (2016)
Although it was supposed to be Coldplay's year, they wound up basically ceding the stage to Beyoncé and Bruno Mars. Thank God for those guest performances because Coldplay's contribution was pure Technicolor vomit. It was like a hippie van collided with a paint factory. Things got much better once Beyoncé showed up dressed as Michael Jackson from his 1993 performance with a legion of backup girls for "Formation." Bruno Mars came out with a bunch of boys for "Uptown Funk" and the two of them squared off in the chicest battle of the sexes ever. Sorry, everyone else: This was Bey's moment, and it immediately joins Michael's as one of the most iconic. Too bad everything else had to drag her down.
7. Janet Jackson, Justin Timberlake, Jessica Simpson, Kid Rock, Nelly, and P. Diddy (2004)
Whatever this inexplicable theme was supposed to be, the real idea here was excess. Janet running around with countless dancers on a stage that looked like if the Fortress of Solitude were built by Cirque du Soleil, Diddy riding a moving platform through a sea of smoke, Nelly coming out in a giant red car to sing "Hot in Here," and Kid Rock somehow managing to wear four embarrassing outfits (including a poncho made from an American flag). Yes, Justin ripped off Janet's boob covering and we saw a bit of nip. Whatever. It was still a really good show.
6. Diana Ross (1996)
Diana Ross was considered a safe choice for Super Bowl XXX, but only a diva of her magnitude could pull off such a shocking performance. It starts off with her descending from the sky on a sparking platform, slowing considerably through a medley of her biggest hits, like "Baby Love" and "Stop in the Name of Love" with tuxedo-clad dancers all around her. Then you realize that Ross has changed her outfit for every single song. And then you realize that the giant gold cape she's wearing is slowly enveloping the entire stage as she rises three stories in the air, singing "Ain't No Mountain High Enough." And then you realize that helicopter is going to land in the middle of the field. Diana gets in, waves to the crowd, and then flies off, sitting on the edge of the helicopter. Try to top that, Gaga.
5. Katy Perry, Lenny Kravitz, and Missy Elliott (2015)
Thanks to the unforgettable and meme-able antics of the "Left Shark," this performance will be remembered for years to come, but it was also a technical marvel to behold. Perry arrives on the back of a giant lion puppet while singing "Roar," then wound up being dragged around the sky, singing "Firework" and riding the More You Know shooting-star logo. There was lots to enjoy in the middle, namely bringing Missy Elliott onstage to do her thing on three — yes three — of her own songs. The psychedelic '60s pop-art color scheme was unforgettable, as was the message that Katy sent: At the Super Bowl, it's a good thing to share the spotlight.
4. Aerosmith, NSYNC, Britney Spears, Mary J. Blige, and Nelly (2001)
By today's standards, Justin Timberlake, a still-closeted Lance Bass, and the rest of NSYNC doing "Bye Bye Bye" while Steven Tyler pulled heartstrings with "I Don't Want to Miss a Thing" might not seem revolutionary — especially considering the dated metallic outfits — but it definitely felt that way at the time. This was the first year that fans were allowed on the field surrounding the stage, which made the show feel more like a traditional concert — granted one where Timberlake literally shot fireworks out of his hands like he was one of the X-Men. The fan interaction, which has since become a staple, brought a whole new energy to the proceedings. When surprise guests Britney Spears, Mary J. Blige, and Nelly came out for a thoroughly rousing finale of "Walk This Way," both the older dudes who love Aerosmith and their teenage daughters lost their collective minds.
3. Beyoncé and Destiny's Child (2013)
If the Super Bowl allowed ties, Queen Bey would share the top spot with the next two performances. Her 2013 production was extravagant and jaw-dropping, while the all-black costumes and toned-down aesthetic provided a sophistication that other artists just can't emulate. The music was spot on, springing from "Crazy in Love" to "Baby Boy" and all the way to "Halo" as a swooping finale. It just barely loses a few points, though, because her performance didn't offer enough pastiche. The stage was literally made to look like two of her profiles facing each other, while a giant image of Beyoncé burned above it. Yes, it was a totally awe-inducing performance, but it didn't include even one costume change. The only guests were her former Destiny's Child bandmates, who together sung "Single Ladies," which wasn't even one of their songs. Still, Beyoncé only had women performers on that stage, an admirable change and a powerful message.
2. Madonna, LMFAO, Nicki Minaj, Cee Lo Green (2012)
A year after the halftime show embraced its pop sensibilities with the Black-Eyed Peas, Madonna arrived as a Greek goddess on a giant litter carried by a legion of Spartan soldiers, showing all the kids exactly how it's done. There was so much on the LED-lit stage at any given time: From the swirling dancers and the gospel choir to the slackline performer, it was almost too much. Madonna offered new arrangements of her old songs, like a drum-corps version of "Open Your Heart" sung with Cee Lo Green and an LMFAO mashup of "Music" with "Party Rock Anthem." While she loses points for devoting significant time to the lackluster single "Give Me All Your Luvin," at least that featured Nicki Minaj and a bird-flipping MIA. Madonna successfully moved through several modes in rapid succession, collaborated with other big artists, and made it all look effortless, as if being at the swirling center of 200 performers is what she does every Tuesday. Maybe because it is.
1. Prince (2007)
The absolute best Super Bowl halftime performance of them all. Prince's show wasn't the most extravagant, but even today, it thrills and excites. In the middle of a stage shaped in the "Artist Formerly Known As Prince" symbol, the Purple One opened with the strains of Queen's "We Will Rock You" before switching gears with "Let's Go Crazy." Then the Florida A&M University marching band, strapped with glowing lights, joined in for a new arrangement of "Baby I'm a Star" that recognizes the history of halftime shows past. This musical journey veered through covers of "Proud Mary" and "All Along the Watchtower" before ending with a huge scrim shot up into the night sky, with Prince's giant backlit silhouette projected as he shredded the guitar solo from "Purple Rain." Oh, and he did the whole thing in the pouring rain. Who could ever top that?
A previous version of this story misidentified the Who's "Baba O'Riley."
Why Maroon 5's Super Bowl Halftime Show Is Already a Mess
Travis Scott Refused to Headline Super Bowl Halftime Show Without Charity Pledge
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super bowl halftime show
vulture picks
Every Super Bowl Halftime Show Since 1993, Ranked
Mac Miller Leaves Us His Most Compelling Artistic Statement on Circles
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. 740. Born Massachusetts. Appointed Massachusetts. 34. Brigadier-General, April 9, 1861. Cavalry. Charles A. Fuller. 759. Born Massachusetts. Appointed Massachusetts. 10. ColonelMassachusetts. 10. Colonel, August 14, 1861. Commanding First Louisiana Regiment of Artillery. James F. Cooper. 766. B 1815. William H. Chase. 150. Born Massachusetts. Appointed Massachusetts. 30. ColonelMassachusetts. 30. Colonel, commanding forces of Florida, Pensacola District, January, 1861; afterwards Major-General of Flor 1821. Charles Dimmock. 242. Born Massachusetts. Appointed Massachusetts. 5. BrigadieMassachusetts. 5. Brigadier-General and chief of ordnance of Virginia 1861. Member of Governor's Council. Commanding State . 566. Born Massachusetts. Appointed Massachusetts. 26. Brigadier-General, September 21, 18sburg. Claudius W. Sears. 1089. Born Massachusetts. Appointed New York. 31. Brigadier-Ge 1500. Born Massachusetts. Appointed Massachusetts 7. Major, 1861. Confederate States agen[3 more...]
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as. 41. Captain, Acting Assistant Adjutant-General to Brigadier-General Chalmers, 1861, Army of the Mississippi. 1861 (May). Llewellyn G. Hoxton. 1893. Born District of Columbia. Appointed at Large. 6. Lieutenant-Colonel, commanding Hoxton's Battalion Artillery, Hardee's Corps, Army of Tennessee. Nathaniel R. Chambliss. 1896. Born Virginia. Appointed Tennessee. 9. Major, June 9, 1862. Chief of ordnance, Hardee's Division, 1862; in 1863-'64 commanding arsenal, Charleston, S. C. Charles E. Patterson. 1903. Born Indiana. Appointed Arkansas. 16. Killed April 6, 1862, at Shiloh. Charles C. Campbell.* 1911. Born Missouri. Appointed Missouri. 24. Captain of artillery and Major First Missouri Infantry, Mathias W. Henry. 1931. Born Kentucky. Appointed Kentucky. 44, 1861 (June.) Clarence Derrick.* 1936. Born District Columbia. Appointed at Large. 4. Lieutenant-Colonel Twenty-third Virginia Battalion of Infantry. Georg
Richmond (Virginia, United States) (search for this): chapter 1.2
ry Academy at West Point, N. Y., [from the Richmond, Va., Dispatch, March 30, April 6, 27, and May termaster-General Confederate States Army, Richmond, Va. Hugh M'Leod. 841. Born New York. Apphen superintendent of Tredegar Iron Works, Richmond, Va., after July 19, 1862, manufacturing cannon Major, October 1, 1862, Ordnance Bureau, Richmond, Va. Josiah Gorgas. 1064. Born Pennsylvaned at Chancellorsville; died May 1o, 1863, Richmond, Va. Stonewall Jackson. John Adams. 1296.mmissary-General, Confederate States Army, Richmond, Va. Thornton A. Washington. 1439. Born VAdjutant-General's Department, War Office, Richmond, Va. John T. Shaaff. 1531. Born District of Northern Virginia. Died May 12, 1864, Richmond, Va., of wounds received at Yellow Tavern, Va. artermaster-General of Confederate States, Richmond, Va. Paul J. Quattlebaum. 1788. Born Soutdnance, December 5, 1862. Ordnance Bureau, Richmond, Va. James H. Hallonquist. 1803. Born Sou[3 more...]
Coast (Kenya) (search for this): chapter 1.2
ferson Davis. 530. Born in Kentucky. Appointed Mississippi. 23. President of the Confederate States. Thomas F. Drayton. 535. Born South Carolina. Appointed South Carolina. 28. Brigadier-General, September 25, 1861. Commanding Coast District of South Carolina; then brigade in Trans-Mississippi Department. 1829. Robert E. Lee. 542. Born Virginia. Appointed Virginia. 2. General June 14, 1861. Commanding Army of Northern Virginia; made general-in-chief of the Conof Northern Virginia, in 1862 and 1863; in 1864 commanded brigade in Pickett's Division, Army of Northern Virginia. 1849. Johnson K. Duncan. 1411. Born Pennsylvania. Appointed Ohio. 5. Brigadier-General, January 7, 1862. Commanding coast defences of Louisiana, including Forts Jackson and St. Philip. Died in service December 18, 1862. John C. Moore. 1423. Born Tennessee. Appointed Tennessee. 17. Brigadier-General, May 26, 1862. Commanding brigade, Maury's Division, Arm
Cape Fear (North Carolina, United States) (search for this): chapter 1.2
, 1861. Commanded Bee's Brigade; in 1862 commanded Division in the Army of Northern Virginia; in 1863 defences of Wilmington, N. C.; in June, 1864, commanded division in Virginia under Beauregard; in June, 1864, returned to command District of Cape Fear (headquarters Wilmington, N. C.) Died March 1o, 1865, at Governor's Island, of wounds received at Fort Fisher, N. C. Louis Hebert. 1233. Born Louisiana. Appointed Louisiana. 3. Brigadier-General, May 26, 1862. Commanded Second Brigataff of Major-General Van Dorn, First Corps, Department of Mississippi and Eastern Louisiana. George A. Cunningham.* 1784. Born Georgia. Appointed Alabama. 25. Lieutenant-Colonel First Virginia Infantry; then colonel heavy artillery, Cape Fear District, N. C. Henry C. M'Neill. 1785. Born Mississippi. Appointed Texas. 26. Colonel, commanding Fifth Texas Cavalry, Thomas Green's Brigade, Trans-Mississippi Department. Aurelius F. Cone. 1787. Born Georgia. Appointed Ge
Bull Run, Va. (Virginia, United States) (search for this): chapter 1.2
is J. Thomas. 1211. Born Virginia. Appointed Maryland. 6. Colonel, May 17, 1861. Commanding Maryland Volunteers (May and June, 1861); July, 1861, acting chief of ordnance on General J. E. Johnston's staff. Killed July 21, 1861, at Bull Run, Virginia. Simon B. Buckner. 1216. Born Kentucky. Appointed Kentucky. 11. Lieutenant-General, September 20, 1864. Third in command at Fort Donelson in 1862; in 1863 commanded division and corps in Army of Tennessee; in 1864-'65 commanded Danded Second Virginia Cavalry, Army of Northern Virginia. Barnard E. Bee. 1263. Born South Carolina. Appointed at Large. 33. Brigadier-General, June 17, 1861. Commanded Third Brigade, Army of Shenandoah. Killed July 21, 1861, at Bull Run, Va. (He was the man who gave T. J. Jackson his sobriquet of Stonewall. Look, men; there is Jackson standing like a stonewall!) 1846. John A. Brown. 1287. Born Maryland. Appointed Maryland. 16. Lieutenant-Colonel, Confederate States Ar
Independence, Mo. (Missouri, United States) (search for this): chapter 1.2
1183. Born New York. Appointed Iowa. 17. Major-General, December 13, 1862. Commanded brigade, Withers' Division, Army of Mississippi, in 1862; in 1863 commanded Port Hudson; later commanded division under General Dick Taylor, in Department of Alabama, Mississippi, and Western Tennessee. Edmunds B. Holloway. 1185. Born Kentucky. Appointed Kentucky. 19. Colonel, May, 1861. Commanding First Missouri Infantry, Missouri State Guard. Killed May 6, 1861, in a skirmish at Independence, Mo. 1844. Daniel M. Frost. 1209. Born New York. Appointed New York. 4. Brigadier-General, March 3, 1862. Commanding brigade Missouri State Guard 1862; then a brigade in Hindman's Division in 1863. (Deserted and dropped.) Francis J. Thomas. 1211. Born Virginia. Appointed Maryland. 6. Colonel, May 17, 1861. Commanding Maryland Volunteers (May and June, 1861); July, 1861, acting chief of ordnance on General J. E. Johnston's staff. Killed July 21, 1861, at Bull Run,
Missouri (Missouri, United States) (search for this): chapter 1.2
L. Clark. 609. Born Missouri. Appointed Missouri. 23. Colonel and A. D. C., July 17, 1862. ern Florida. Lucius L. Rich. 1628. Born Missouri. Appointed Missouri. 50. Died August, 18 1855. Frederick L. Childs. 1685. Born Missouri. Appointed at Large. 9. Captain of artil. Major. 1733. Born Missouri. Appointed Missouri. 23. Brigadier-General, July 21, 1863. Comissippi. Manning M. Kimmel.* 1781. Born Missouri. Appointed Missouri. 22. Major, AssistanMissouri. 22. Major, Assistant Adjutant-General, staff of Major-General Van Dorn, First Corps, Department of Mississippi and Eastrginia. John S. Marmaduke. 1789. Born Missouri. Appointed Missouri. 30. Major-General, Missouri. 30. Major-General, March 17, 1865. Commanded cavalry division, Sterling Price's Army, Trans-Mississippi Department. hiloh. Charles C. Campbell.* 1911. Born Missouri. Appointed Missouri. 24. Captain of artiMissouri. 24. Captain of artillery and Major First Missouri Infantry, Mathias W. Henry. 1931. Born Kentucky. Appointed K[3 more...]
New Hampshire (New Hampshire, United States) (search for this): chapter 1.2
n. 1057. Born Virginia. Appointed Virginia. 41. Brigadier-General, September 26, 1862. Chief-of-staff to General P. G. T. Beauregard. 1841. Smith Stansbury. 1062. Born Louisiana. Appointed Maryland. 4. Major, October 1, 1862, Ordnance Bureau, Richmond, Va. Josiah Gorgas. 1064. Born Pennsylvania. Appointed New York. 6. Brigadier-General, November 10, 1864. Chief of Ordnance, Confederate States Army. Sewall L. Fremont. 1075. Born Vermont. Appointed New Hampshire. 17. No trace. (Cullum says he was in Confederate States Army.) Samuel S. Anderson. 1076. Born Virginia. Appointed Virginia. 18. Colonel, May 30, 1863. A. A. G. to Major-General Huger, 1861-'62; to General Holmes, 1862; to Lieutenant-General E. Kirby Smith, Trans-Mississippi Department, from May 30, 1863, to end of war. Samuel Jones. 1077. Born Virginia. Appointed Virginia. 19. Major-General, March 14, 1862. Commanded division in Army of Mississippi (Polk's C
North Carolina (North Carolina, United States) (search for this): chapter 1.2
cher. Richard C. Gatlin. 696. Born North Carolina. Appointed North Carolina. 35. Briga 438. Born North Carolina. Appointed North Carolina. 10. Adjutant-General of State of Flori Artillery. Leonidas Polk. 477. Born North Carolina. Appointed North Carolina. 8. LieutNorth Carolina. 8. Lieutenant-General, October 10, 1862. Commanding Army of Mississippi; then corps (Army of Mississippi) i 482. Born North Carolina. Appointed North Carolina. 13. Brigadier-General, September 23, 1862. Theophilus H. Holmes. 584. Born North Carolina. Appointed North Carolina. 44. Lieut. Served under Whiting preparing defences North Carolina coast. Commandant of arsenal at Charlesto. 1709. Born North Carolina. Appointed North Carolina. 33. Colonel, commanding Forty-eighth N 1860. Born North Carolina. Appointed North Carolina. 14. Major-General, June 1, 1864. Comm 1865. Born North Carolina. Appointed North Carolina. 19. Died in 1861 in North Carolina. [49 more...]


MN ADULT & TEEN CHALLENGE ROCHESTER–WOMEN'S CENTER IS A PLACE OF HOPE AND HEALING. While laughter echoes through the hallways and children enjoy visits with their mothers, profound life-altering changes take place in a safe environment. A cocoon of love and respect envelops these women, sheltering them from the storms of daily life while they face down their demons and do the hard work of freeing themselves from addiction.
Faith-based Mn Adult & Teen Challenge, headquartered in the Twin Cities, has been helping adults and teens break free from drug and alcohol addictions since 1983. A few years ago, Mn Adult & Teen Challenge recognized a need in southeast Minnesota and opened a men's facility in Rochester in January 2014. The men's facility is located in the old Samaritan Bethany nursing home near Assisi Heights. Nearly from the beginning, there was a vision for a women's center in Rochester. Center Director Tom Truszinski, who oversees both the men's and women's campuses, says having the opportunity to build the women's facility is a prayer answered.
The Sisters agreed to sell three acres to Mn Adult & Teen Challenge. Plans were drawn up, and soon construction was under way. In designing the women's facility, Truszinski took many of the elements of the men's building that worked well and replicated them. Then he added things that he wished the men's facility had, like an expanded exercise area, family space and a kids' room.
The newly constructed women's center is peacefully nestled in the shadow of Assisi Heights, across the street from the men's building and serves both short-term and long-term clients. The long-term program opened in November 2017, and the short-term program opened in March 2018. The short-term wing is designed for stays of 14 to 90 days in duration. The women in the short-term unit are often in trauma so the area was designed to accommodate their immediate needs.
The long-term program is a 13-month, faith-based, Christ-centered program which helps clients learn a whole new way of life. "We help them learn to deal with every trigger of life in a very healthy way," Truszinski shares.
The new women's building is beautifully appointed, and the atmosphere in the long-term wing feels much like a dormitory setting. There are common areas for the women to gather, play games, read or listen to music. There is also a chapel for prayer services, a brightly decorated children's room, an exercise room and an outdoor volleyball court. There's even a big, sturdy swing set outside for their children to enjoy during visitations.
Because of the proximity to the men's facility—only a few hundred feet separates the two buildings—Mn Adult & Teen Challenge saved over $300,000 building the women's center because they didn't have to replicate a kitchen. The food is prepared in the men's kitchen and transferred to the women's facility. As a result, they were able to include more bedrooms in the design of the women's building because they didn't need space for a large commercial kitchen.
It takes a lot of people to run both facilities which are staffed around the clock. Currently, there are 126 people on staff, and Truszinski says they have about 10 positions open. Mn Adult & Teen Challenge is staffed with counselors, food service staff, facilities staff, nurses, recovery coaches, admissions team, development team, administration, mental health experts, counselors and chaplains. There are also contract medical teams consisting of doctors and other medical professionals in addition to the Mn Adult & Teen Challenge staff.
To spread the word about Mn Adult & Teen Challenge and to raise money, a group of staff and program participants travel to area churches to sing and testify about how their lives have been transformed through their participation in the program. They often have multiple engagements on the same day and are booked through August 2019.
If you or someone you know needs help, or if you would like to make a donation, call 612-FREEDOM for help today. Mn Adult & Teen Challenge is largely supported by donations. Visit mntc.org to learn more.
This entry was posted in Community on November 1, 2018 by Cindy Mennenga.


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text:
Freedom for Life Counselling
At Freedom for Life Counselling we understand that people who seek psychotherapy are trying to face difficult and personal issues. In many cases, people speak about these issues for the very first time in psychotherapy.
At Freedom for Life Counselling you will be treated with respect and dignity regardless of the issues you face. Psychotherapy involves dedicated focus and time by both client and therapist. For healing to take place, you will need to look into places within your heart and mind that you may not want to face and may not know how to address without therapeutic help. The therapy process needs to unfold at a pace you will find manageable.
The issues people tend to seek help for at Freedom for Life Counselling tend to be deep-rooted issues so quick-fixes are unlikely, but every attempt is made to make the therapy process as efficient as possible.
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Copyright © 2023 Freedom for Life Counselling


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As the nation's housing gets older, the remodeling market is reaching record highs to meet the country's growing housing needs, according to Improving America's Housing 2019, a new report released from Harvard University's Joint Center for Housing Studies. Spending on improvements and repairs to owner-occupied and rental properties reached a record high of nearly $425 billion in 2017, according to the newly released report.
Nearly 80 percent of the nation's housing stock is at least 20 years old. With new-home construction lagging the last few years, more homeowners are remodeling to make their current home still work for them.
An uptick in home prices and an aging population are driving spending on home improvement and repairs, the report notes. More homeowners have equity as prices rise and that is giving them incentive to undertake larger remodeling projects. Also, a greater number of older households are adding accessibility modifications to their home to allow them to age in place. Households 55 and over account for half of all improvement spending among homeowners, according to the report.
In paying for the home improvements, homeowners relied mostly on their own savings. More than half of projects that cost $50,000 or more in 2017 were funded with cash, according to the report.
"Expanding the ability of owners to pay for improvement projects over time—whether through home equity loans or lines of credit, cash-out refinances, or contractor-arranged financing—would not only generate considerable growth in the remodeling industry but also help to preserve and modernize the nation's aging housing stock," the report notes.


text:
Title: Population statistics
Subject: List of countries by urban population, Population, Programme for International Student Assessment, Enid Charles, Pollution
Collection: Population, Population Statistics
Population statistics is the use of statistics to analyze characteristics or changes to a population. It is related to social demography and demography.
Population statistics can analyze anything from global demographic changes to local small scale changes. For example, an analysis of global change shows that population growth has slowed, infant mortality rates have declined and there have been small increases in the aged.
Population estimates and projections 2
Statistical sources 5
National population statistics are usually collected by conducting a census. However, because these are usually huge logistical exercises, countries normally conduct censuses only once every five to 10 years. Even when a census is conducted it may miss counting everyone (known as undercount). Also, some people counted in the census may be recorded in a different place than where they usually live, because they are travelling, for example (this may result in overcounting). Consequently, raw census numbers are often adjusted to produce census estimates that identify such statistics as resident population, residents, tourists and other visitors, nationals and aliens(non-nationals). For privacy reasons, particularly when there are small counts, some census results may be rounded, often to the nearest ten, hundred, thousand and sometimes randomly up, down or to another small number such as within 3 of the actual count.
Between censuses, administrative data collected by various agencies about population events such as births, deaths, and cross-border migration may be used to produce intercensal estimates.
Population estimates and projections
Population estimates are usually derived from census and other administrative data. Population estimates are normally produced after the date the estimate is for.
Some estimates, such as the Usually resident population estimate who usually lives in a locality as at the census date, even though the census did not count them within that locality. Census questions usually include a questions about where a person usually lives, whether they are a resident or visitor, or also live somewhere else, to allow these estimates to be made.
Other estimates are concerned with estimating population on a particular date that is different from the census date, for example the middle or end of a calendar or financial year. These estimates often use birth and death records and migration data to adjust census counts for the changes that have happened since the census.
Population projections are produced in advance of the date they are for. They use time series analysis of existing census data and other sources of population information to forecast the size of future populations. Because there are unknown factors that may affect future population changes, population projections often incorporate high and low as well as expected values for future populations. Population projections are often recomputed after a census has been conducted. It depends on how conjusted the area is in the particular demarcation.
While many censuses were conducted in antiquity, there are few population statistics that survive. One example though can be found in the Bible, in chapter 1 of the Book of Numbers. Not only are the statistics given, but the method used to compile those statistics is also described. In modern day terms, this metadata about the census is probably of as much value as the statistics themselves as it allows researchers to determine not only what was being counted but how and why it was done.
Modern population statistics are normally accompanied by metadata that explains how the statistics have been compiled and adjusted to compensate for any collection issues.
Statistical sources
Most countries have a census bureau or government agency responsible for conducting censuses. Many of these agencies publish their country's census results and other population statistics on their agency's website.
Census - Census Bureau, Census tract, Census block group, Census block.
Intercensal estimate
Population projection
Comprehensive global statistics
Lists of countries by population statistics
Current population (inc. dependent territories)
Current population (graphical)
Population in 1900
Population (United Nations statistics)
natural increase
past and future population
List of population milestones by country
Current real density based on food growing capacity
(Regional)
Population of national capitals
Population of cities proper
Population of urban areas
Other Demographics
Age at first marriage
Ethnic and cultural diversity level
Foreign-born population
Urban population
Antiviral medications for pandemic influenza
HIV/AIDS adult prevalence rate
Infant mortality rate
Percentage suffering from undernourishment
Health expenditure covered by government
Total health expenditure (PPP) per capita
Education and innovation
25–34 year olds having a tertiary education degree
Bloomberg Innovation Quotient
Education Index
International Innovation Index
Innovation Union Scoreboard
International Adult Literacy and Life Skills Survey
International Adult Literacy Survey
Programme for the International Assessment of Adult Competencies
Programme for International Student Assessment
Progress in International Reading Literacy Study
Trends in International Mathematics and Science Study
Women's average years in school
World Intellectual Property Indicators
Development aid given
Foreign aid received
Irrigated land area
inequality-adjusted
Human Poverty Index
Income equality
Number of millionaires (US dollars)
Number of billionaires (US dollars)
Percentage living in poverty
Sen social welfare function
Articles lacking in-text citations from July 2011
Probability theory, Regression analysis, Mathematics, Observational study, Calculus
Sociology, History, Education, Anthropology, India
Database, Data warehouse, Computer science, Metadata registry, Dublin Core
Medicine, Public health, Food safety, Health care, Genetics
Lists of sovereign states by year, Member states of the United Nations, Elections by country, Lists of flags, National emblem
Sociology, Human rights, Anthropology, World population, Sex
China, Canada, Portugal, Iceland, New Zealand
Enid Charles
Statistics, Demography, Mathematics, Economics, South Africa
Global warming, India, United States Environmental Protection Agency, Canada, Smog


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Eli Keszler Presented by Dismal Niche and Mizzou International Composers Fest (At Firestone Baars Chapel - Stephens College)
FREE EVENT - AT THE FIRESTONE BAARS CHAPEL - Stephens College
Beer and Wine Service from Cafe Berlin
MICF is proud to partner with Columbia-based experimental music organization Dismal Niche to present NYC-based percussionist/composer Eli Keszler.
"For more than a decade, experimental percussionist and sound artist Eli Keszler has dismantled the idea of what a drum can be and how it should sound." -- Pitchfork
"Eli Keszler's music occupies a unique but imaginative space on the experimental music landscape." -- PopMatters
Eli Keszler is a New York-based artist, composer and percussionist. Keszler's music, installations, and visual works have appeared at the Whitney Museum, Lincoln Center, MIT List Center, 67 Ludlow, Victoria & Albert museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Carpenter Center for the Visual Arts, LUMA-Foundation, Barbican-St. Luke's, Walker Art Center, LAX Art, and Greater New York at MOMA PS1. He has released solo records for Shelter Press, Empty Editions, ESP-Disk', Pan and Rel records. As a composer Keszler has received commissions from the Icelandic Symphony Orchestra, ICE Ensemble, Brooklyn String Orchestra and So Percussion. Keszler works and collaborates with Oneohtrix Point Never, Laurel Halo, Rashad Becker and David Grubbs amongst many others.
The Mizzou International Composeres Festival is the region's premiere showcase for new works by top young composers. To commemorate the 10th annual festival, all events are FREE and open to the public. For a full schedule of events, visit http://composersfestival.missouri.edu/
Mizzou International Composers Festival Afterparty w/ Bels Lantano
Cowgirl Jordy Album Release Party!


There's every reason to believe that after having been busted by the SEC in the early 90s for fraudulent fundraising, Frank Avellino and Michael Bienes went right on keeping on with ther Madoff activities. But how did they do it? We don't think they were actually showing up at the Lipstick Building, and they certainly didn't operate a faux-legitimate feeder fund, like Fairfield or Ascot, complete with prospecti and promises of unrivaled due diligence.
One possibility: They were working in concert with Madoff's nephew David Weiner, the son of Sondra Madoff Weiner. A blogger at TPMCafe pored through filings at Sunbiz.org for Avellino and Bienes, and found that Avellino, Bienes and David J. Weiner were starting corporations with the same name.
Grosvenor Partners LTD. was registered to Frank Avellino in 1995. In 1997, Francis B. Brogan of Greenberg Traurig, became the registered agent for the limited partnership but in 2004, Avellino took over. The general partner is Mayfair Ventures G.P. which, like Grosvenor Partners, is registered to Avellino's home address.
In a comment below, I linked to a NY Post story about Bernie's sister, Sondra Wiener. In the Post story, it sounds as if one of her sons, David, was with his mother in Florida when the Post called.
According to sunbiz.org, a David J. Weiner has registered numerous investment vehicles with "Grosvenor" in the name. The managing partner in many of these deals is Halmish Management Corporation. The partnerships operate out of 2401 PGA Blvd, Suite 280 in Palm Beach Gardens. The address apppears to be an office suite because so many companies use it.
Coincidence that Avellino manages a "Grosvenor" partnership and someone with same name as Bernie's nephew registers other "Grosvenor" partnerships and both parties live in Palm Beach County?
One problem with the idea that Weiner and Avellino and Bienes worked together is that Weiner's own mother got scammed. It's one thing to screw over your sister, but your own mother?
Madoff Scammed His Sister Too!
Did nephew David work alongside his Bernie's oldest fundraisers?


With over 200 freestanding ERs now operating in Texas, choosing one can be difficult, so it's important to know that not all freestanding ERs are the same.
At The Emergency Center, we will make sure you receive the care you need the minute you walk in the door. In addition to our extensive services and capabilities, patients appreciate our personal approach to patient treatment and care. Rather than talking to our patients in medical terms that are nearly impossible to understand, we make sure to provide easily understandable information about their diagnosis and treatment options, so our patients can make informed decisions regarding their care.
Our physicians treat every patient like they are the most important person in our facility, and take the time to deliver friendly, comprehensive, and compassionate care. We will let you know if your condition can be addressed at an urgent care center, but will provide immediate care if you'd prefer to stay. We keep our payment options affordable and our billing process transparent. You will never receive a surprise bill from us.
Your physician will quickly evaluate your condition and listen to any concerns you may have. In the event of a life-threatening injury or illness, we will stabilize and closely monitor your health, arranging expedited transport to an operating room if necessary.
Your physician will work to diagnose your condition and formulate an effective treatment plan. Our centers are fully equipped with key diagnostic technologies, including ultrasound machines, onsite labs, and high-resolution 64-slice CT scanners.
Once the problem is identified, your health concerns will be treated by your physician and a team of ER- and ICU-trained nurses. Payment will be collected at an appropriate time in the care process, never upfront.
When it's time to leave, we can give you a med pack with up to 72 hours' worth of any necessary medications, allowing you to head straight home to rest instead of stopping at a pharmacy.
We will send any necessary paperwork and medical records directly to your primary care provider or medical specialist. TEC utilizes a proprietary instant record system that simplifies the often frustrating process of sending, receiving, and viewing records.
You will also be provided with an audio recording of your physician explaining your diagnosis and at-home care instructions and can schedule a telemedicine face-to-face follow up with your physician from the comfort of your own home – saving you a trip back to the doctor's office.
We have locations in Fort Worth, Arlington, and San Antonio and take pride in the quick, efficient, affordable care we offer to our communities. If you would like to learn more about the many other ways in which The Emergency Center differs from a traditional ER, or any other medical facility, contact us today. We are happy to answer any questions you may have.


Selling To Vito: The Very Important Top Officer par Anthony Parinello est disponible au téléchargement en format PDF et EPUB. Ici, vous pouvez accéder à des millions de livres. Tous les livres disponibles pour lire en ligne et télécharger sans avoir à payer plus.
Selling To VITO offers innovative new ideas and street-smart tactics for reaching the very top person in any organization. It's based on the seminars that have helped thousands of sales professionals from top corporations like Canon, 3M, Hewlett-Packard, and MCI bust quotas and increase commissions. It can help you, too, by getting you to the right person so you can do what you do best: SELL!
Anthony Parinello is without question the country's foremost expert on getting appointments with, and selling to, top decision makers. This book is the product of his twenty-three years of award-winning sales performance.
All You Can Do Is All You Can Do But All You Can Do Is Enough!