With us all trying to have a greener outlook to reusing shopping bags, Trolley Bags are are a great invention made specifically for use in a large supermarket shopping trolley. I was sent a set to try out and couldn't wait to give them a go. As I tend to use shop & scan when I do my larger shop, I thought these would be ideal to for packing the shopping as I go around the store.
The set of Trolley Bags consists of four differently coloured bags that are velcroed together and can be rolled up for storage in the car boot. The bags range in size to fit with the slope of the trolley. The smallest bag fits either just before the separate section at the end of the trolley or if you prefer to have the seat down as I do, it will sit in the end section allowing you to use the seat area for your handbag and other items or a small child.
It is best to put bulkier, larger items such as cereal boxes, crisps etc in the larger bags otherwise they will be quite heavy to lift, and keep the smaller two bags for heavier items such as tins, jars and heavier vegetables. I have found these really good for packing my trolley as I go around the shop using self scan leaving me with just four bags to put into the car. The bags hang open making packing simple, it really does result in no hassle shopping.
I do have one concern though, the bars that hang off the sides of the trolley are at a similar height to my four year old's head. I found when shopping with him in tow, he hovered all around the sides of the trolley eager to help and I found I had to be a little cautious to ensure I didn't poke him in the face. I therefore now save these trolley bags for when I do child free shopping, or they'd also be ideal if you have a little one that still sits in the trolley seat.
Overall, I think they are a great concept and definitely the way forward in shopping bags. I also like the way they velcro together making carrying them easier rather than a stash of smaller carrier bags. I'd keep your eye out for these, especially with the carrier bag charges due in England later this year!
This entry was posted in Reviews and tagged eco, green, grocery bags, reusable, shopping, shopping bags, supermarkets, trolley bags by Fiona Martin. Bookmark the permalink.
It is same with us. I'm afraid of the pole poking onto other when I'm close. But it is a great durable bag!
I love them! I haven't had any problems with eye poking yet, however, my daughter still sits in the trolley seat!
Nicki recently posted…A bit of sale shopping.
peut on en trouver en France ?
what a great idea these bags are. especially now we pay 5p for plastic bags.
What a FANTASTIC idea! I work in Waitrose and so many people get annoyed when they get to the till and forget they have to pay for bags now. These would be fantastic!
This is a great giveaway prize and would love to try them. I always try to recycyle as much as possible.
I have read your review, love the idea one bag to carry, but a bit concerned about the end of the poles can stick out.
FANTASTIC PRIZE, are they sturdy enough to carry lots of canned dog food???
Wow Would love to win this for my son and his lovely family.


Buying an investment property is a positive move towards building your financial future. However, have you chosen the right structure for your investment loan so it helps you achieve your financial goals?
Choosing the right investment property loan structure for your individual needs means considering a few different factors first.
If you have enough equity in your owner occupied home, it might be possible to use this as security to purchase an investment property. Essentially, if you use the equity in your home, you won't need to come up with the deposit required.
In some cases, banks may allow you to borrow the entire amount of the purchase price, plus any fees associated with the purchase for your investment property based solely on the amount of equity you have available in your owner occupied property.
Alternatively, you might prefer to borrow the deposit amount against your house and put those funds towards your investment purchase instead. Either way, your home is still used as security for the bank's purposes.
In order to determine the amount of equity you have available, you first need to assess the market value of your property. For an accurate assessment a valuation can be ordered upfront by a licensed valuer.
You also need to know what the outstanding loan balance is on your home loan. Deduct the loan amount from the property value to determine how much equity you have in your home.
If you have plenty of equity, you should comfortably be able to use it as security for either a deposit or as security on your investment property. However, if the amount of equity available is relatively low, you might need to pay Lender's Mortgage Insurance (LMI) to complete the purchase of your investment property.
If the combined loan-to-value (LVR) of your owner occupied property and investment property is over 80% it would be best to avoid cross-securitising, as the lender's mortgage insurance on the total of the two loans can be quite costly.
Also if you intend to buy another property in future, it is easier if your existing properties are not all cross-securitised, as each time you will need new property valuations for each property.
To use the equity in your home to raise sufficient deposit for an investment property purchase, you would need to either see if your current lender is able to increase your existing mortgage, or a good mortgage broker can combine a loan refinance/equity release with the investment loan.
Most lenders will allow you to borrow up to a maximum of 90% of the property value in a refinance, and up to 90% for an investment loan. The equity release portion of the loan may look as though it's on your owner occupied property. However, as it's being used for the investment property and set up as a separate loan, the interest on that portion will also be deductible as an expense on the investment property.
If you decide you want to put some money into the purchase, the best advice would be to pay this money off your owner occupied loan. Owing the full amount of the purchase price on the investment property works well, as all the interest charges on the investment loan are a tax deductible expense on the property.
Any expenses incurred from the loan application process, such as Lender's Mortgage Insurance, establishment fees, or mortgage registration fees can be claimed as an expense on the investment property also.
Your owner occupied loan does is not tax deductible, so it is in your best interest to pay any spare cash you have off your own home mortgage first.
Many successful property investors prefer to keep their investment loan set to Interest Only repayments. The tax department only take into account the interest charged on your investment mortgage, but they won't allow you to deduct any payments you make off the principle balance.
You'll also find that paying only the interest component of the mortgage means you are paying the minimum payment amount, which can help with cash flow. In most cases the rental income you receive from your investment property should cover most of your repayments.
By comparison, it's advised to keep your family home set to principal and interest repayments. One component of your repayment covers the interest charge, while the remaining amount pays down your home loan balance each month. Sticking to principal and interest repayments can help to reduce your home loan as quickly as possible.
Any extra funds gained by tax savings on your investment property can also be used to reduce your owner occupied loan.
There is a lot to consider to make sure you have the correct set up for your investment property, which is why talking to an expert in this area would be best.
To book a seat at Nieuvision's next FREE property investment info session click here.


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text:
VHS – FEUERBALL
German Digital Remastered VHS Video Tape Collection Edition 'Feuerball / Thunderball' Running Time 122 Minutes. Release Date 1992 Catalogue Number 99208
The Digital Remastered VHS Video Tape Collection Edition Contains 16 James Bond Films, Dr. No 1962 / From Russia With Love 1963 / Goldfinger 1964 / You Only Live Twice 1967 / On Her Majesty's Secret Service 1969 / Live And Let Die 1973 / The Man With The Golden Gun 1974 / The Spy Who Loved Me 1977 / Moonraker 1979 / Octopussy 1983 / A View to A Kill 1985 / The Living Daylights 1987 / Licence To Kill 1989
Thunderball Is A 1965 Spy Film And The Fourth In The James Bond Series Produced By Eon Productions, Starring Sean Connery As The Fictional MI6 Agent James Bond. It Is An Adaptation Of The Novel Of The Same Name By Ian Fleming, Which In Turn Was Based On An Original Screenplay By Jack Whittingham. It Was The Third And Final Bond Film To Be Directed By Terence Young, With Its Screenplay By Richard Maibaum And John Hopkins. The Movie Would Have Been The First Of The Bond Series If Not For Legal Disputes Over Copyright Issues
Main Cast James Bond (Sean Connery), Domino Vitali (Claudine Auger), Fiona Volpe (Luciana Paluzzi), Paula Kaplan (Martine Beswick), Patricia Fearing (Molly Peters), Emilio Largo (Adolfo Celi), M (Bernard Lee), Q (Desmond Llewelyn), Felix Leiter (Rik Van Nutter), Miss Moneypenny (Lois Maxwell)…
MGM, Germany 1992
German VHS 1992 Series Overview
Various 'Thunderball' VHS Editions Overview
Categories: 007 - 2 Sean Connery, 1965 Thunderball, Actors, Films, Movies & Music, VHS / BETA / UMD / CED
MGMVHS

redpajama_set_name: RedPajamaCommonCrawl


On this particular page though you will find the solution to the "Dusk, poetically" clue which was last seen on Penny Dell Crosswords – Hard, February 14 2019.
Done with Dusk, poetically? Go back and see the other crossword clues for Penny Dell Crosswords – Hard February 14 2019.


text:
Q: Switch columns and row on a dataframe I have a pandas dataframe, and I need to "switch" row and columns. (transpose ? pivot ? melt ? no idea how is it called) :
Let's say I have 2 references, each reference has 4 steps, each step has 3 variables
df = pd.DataFrame({'ref': ['ref1', 'ref1', 'ref1', 'ref1', 'ref2', 'ref2', 'ref2', 'ref2'],
                   'step': [1, 2, 3, 4, 1, 2, 3, 4],
                   'var_1': [5, 7, 7, 9, 12, 9, 87, 90],
                   'var_2': [11, 8, 10, 6, 6, 9, 12, 9],
                   "var_3": [11, 8, 10, 6, 6, 9, 12, 9]})

I want to transform this df to this form :
df = pd.DataFrame({'ref': ['ref1', 'ref2'],
>                    'step 1 - var_1': [5, 12],
>                    'step 1 - var_2': [11, 6],
>                    'step 1 - var_3': [11, 6],
>                    'step 2 - var_1': [7, 12],
>                    'step 2 - var_2': [8, 9],
>                    'step 2 - var_3': [8, 9]})

On the df below, I have tried the methods (and they worked):
(df
.pivot_wider(
    index='ref',
    names_from='step',
    values_from = ['var_1', 'var_2', 'var_3'],
    names_glue = "step {step} - {_value}")
.sort_index(axis=1)
)

# and also
df_out = df.pivot(index='ref', columns='step').sort_index(level=1, axis=1)
df_out.columns = [f'step {j} - {i}' for i, j in df_out.columns]

The actual df looks like :

But they don't work on my actual df, I have the error code : "ValueError: Index contains duplicate entries, cannot reshape"
Last Edit : the "unique ID" of my df had duplicant, now it's working, thank you all for your answer. I learnt a lot of new stuff today :)
Thank you in advance,
Best
edit : format and images

A: Try this using the new "walrus" operator in a one-liner:
(df_new := df.set_index(['ref', 'step']).unstack().sort_index(level=1, axis=1))\
    .set_axis([f'step {j} - {i}' for i, j in df_new.columns], axis=1)

Output:
      step 1 - var_1  step 1 - var_2  step 1 - var_3  step 2 - var_1  step 2 - var_2  step 2 - var_3  step 3 - var_1  step 3 - var_2  step 3 - var_3  step 4 - var_1  step 4 - var_2  step 4 - var_3
ref
ref1               5              11              11               7               8               8               7              10              10               9               6               6
ref2              12               6               6               9               9               9              87              12              12              90               9               9

Details:

*

*set_index with columns ref and step

*unstack step to move into columns

*Order you columns uinsg sort_index

*flatten multiindex dataframe column headers using set_axis and list
comprehension with f-string formatting

Alternative way with same out put with order as above,
df_out = df.pivot(index='ref', columns='step').sort_index(level=1, axis=1)
df_out.columns = [f'step {j} - {i}' for i, j in df_out.columns]

A: One option is with pivot_wider from pyjnanitor, to abstract the column renaming via the names_glue parameter:
# pip insall pyjanitor
import pandas as pd
import janitor
(df
.pivot_wider(
    index='ref',
    names_from='step',
    values_from = ['var_1', 'var_2', 'var_3'],
    names_glue = "step {step} - {_value}")
.sort_index(axis=1)
)
    ref  step 1 - var_1  step 1 - var_2  step 1 - var_3  ...  step 3 - var_3  step 4 - var_1  step 4 - var_2  step 4 - var_3
0  ref1               5              11              11  ...              10               9               6               6
1  ref2              12               6               6  ...              12              90               9               9

[2 rows x 13 columns]

names_glue allows a combination of the values_from and names_from parameters - in the code above {step} is the names_from argument, while {_value} is a placeholder for values_from
If we stick strictly to your output, then a filter should be executed on the step column  for only values less than 3:
(df
.loc[df.step < 3]
.pivot_wider(
    index='ref',
    names_from='step',
    names_glue = "step {step} - {_value}")
.sort_index(axis=1)
)
    ref  step 1 - var_1  step 1 - var_2  step 1 - var_3  step 2 - var_1  step 2 - var_2  step 2 - var_3
0  ref1               5              11              11               7               8               8
1  ref2              12               6               6               9               9               9

A: Use:
df[df.step<3].set_index(['ref','step']).unstack()

output:
     var_1    var_2    var_3
step     1  2     1  2     1  2
ref
ref1     5  7    11  8    11  8
ref2    12  9     6  9     6  9

A: The trick is to use df.pivot. You can choose the index='ref' and columns='step':
new = df.pivot(index='ref', columns='step')

The resulting table has a multi-index for ref and a multi-column. The multi-column has the step and var information, so we can use that to make the new column headers. Finally, we can reset the index:
new.columns = [f'step {x[1]} - {x[0]}' for x in new.columns]
new = new.reset_index()

redpajama_set_name: RedPajamaStackExchange


A few fun facts about Teen Nonfiction: 1) It includes graphic novels and manga, as well as biographies, memoirs, and books on history, pop culture, health, and a wide variety of information. 2) It is located next to the Teen Fiction downstairs in the South Wing of the Library. 3) It is one of the smaller and newer collections, but growing in size and popularity. And finally, 4) this is the first time we've highlighted it as a part of our "Favorites" series. Enjoy these awesome 2018 reads!
Previously in this series: Picture Books, Beginner/Intermediate Books, Junior Fiction, Junior Nonfiction, and Teen Fiction of 2018.
Paris, at the dawn of the modern age: Prince Sebastian is looking for a bride—or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia—the hottest fashion icon in the world capital of fashion! Sebastian's secret weapon (and best friend) is the brilliant dressmaker Frances—one of only two people who know the truth: sometimes this boy wears dresses. But Frances dreams of greatness, and being someone's secret weapon means being a secret. Forever. How long can Frances defer her dreams to protect a friend?
An exploration of the Vietnam War from many different perspectives, including American soldiers, a nurse, and a Vietnamese refugee.
Wakanda has always kept itself isolated from Western society, but that's about to change. Young T'Challa knows he's destined to become king, but when his father is murdered by outsiders, he finds himself taking up a mantle he may not be ready for.


1. E-learning Circuits - An e-Learning Blog maintained by a team of individuals. Due to the collaborative nature of this blog, it is quite active and updated frequently. There is always something intersting to read.
2. e-Learn Space - George Siemens, an instructor at Red River College (RRC) in Winnipeg, Manitoba, Canada presents some juicy tidbits on his elearning experience.
3. e-learnopedia - A blog maintained by the Academic ADL Co-Lab that features regularly updated links to useful e-learning and distance learning puplications and resources.
4. Auricle - A collaborative blog with "short articles, reflections, observations, or references on what we've found interesting, useful, challenging, and sometimes frustrating in the e-learning world." By the e-learning team at the University of bath in England.
5. JBlawg - Jason Rothstein view of e-learning. He's a Chicago-based consultant, project manager, and content developer for web and e-learning projects.


text:
Award Cerimony for Marta Barone winner of the 2020 © Premio Vittorini
The Premio Vittorini
From the first to the fourth of September 2021 the 20th edition of the Premio Letterario Nazionale Elio Vittorini takes place in Siracusa. The winner will be chosen from the pieces selected by the jury: the constitutionalist and writer Michele Ainisi with Disordini; the journalist and writer Giosuè Calaciura with Io sono Gesù and the playwright and writer Antonella Lattanzi with Questo giorno che incombe.
We publish some of the archive photographs from the 1999 edition, one of which shows Dario Fo autographing the instant book by Aldo Mantineo, author of the following article, on the death of Emanuele Scieri.
Aldo Mantineo and Dario Fo at the Premio 1999
The "Elio Vittorini" Literary Prize bets on an industry of culture
Wherever a void is created there is always something - or someone - ready to fill it (even just partially), or at least ready to try. It isn't a law of physics but an empirical statement which anyone can make simply by observing everyday life. However in Siracusa for seven long years up to 2020, the void created by the traumatic interruption of the Elio Vittorini National Literary Prize, an idea proposed and encouraged by the editor Arnaldo Lombardi - which the Amministrazione Provinciale of Siracusa had adopted and launched in 1996 and sustained with generous investments - wasn't filled.
That void seemed increasingly incredible, unjustifiable and frustrating in the eyes of those who, like myself, had seen that Prize born, develop, baptize authors such as Andrea Camilleri when he was not yet that literary phenomenon we would soon learn to know and love. The deafening silence seemed even more incomprehensible as the strong evidence emerged of how the Premio Vittorini had contributed to making Siracusa during the years straddling the new millenniìum, one of the most important hubs in the national panorama, dedicated to the world of books, together with the Strega, Bancarella, and Campiello prizes, just to name a few of the most important Italian literary awards.
Awarding of Piero Isgrò 1999
Awarding of Maria Corti 1999
Awarding of Inge Feltrinelli 1999
Franca Rame at the Premio 1999
But what was to be done? In 2013 after the de facto abolition of the provincial districts, it hadn't even been possible to give the prizes to the winners (who had already been identified by the evaluation committee), and Arnaldo Lombardi himself had tried to reboot the "machine" by bringing together a group of volunteers and founding the Associazione culturale Vittorini Quasimodo with the aim of continuing the tradition of the Prize.
But to restart the "Vittorini", we had to wait many more years until in 2020 - the year defined by the pandemic which gave the idea of "restarting" a whole new meaning... the association found in the town council of Siracusa and especially in its culture office, in the trade confederation of Siracusa (Confcommercio), in the ancient drama foundation (Fondazione Inda), in the cultural heritage office (Soprintendenza per i beni culturali e ambientali), and in the chamber of commerce, (Camera di Commercio del Sud Est) new companions (to which this year Confcommercio Alessandria was added) with whom to re-propose the Vittorini Prize in a "lighter" version than in the past but with clear ideas about the work to be done to take up the interrupted dialogue again and to fill the void which had been created. This wasn't simply a pure ambition - although legitimate - but it was a true necessity in an area which so often praises its own noble origins and thousands of years of history and civilisation in which its roots are based, without committing to constant behaviour - especially collective behaviour - which is coherent with a vision of harmonic cultural growth which can match up to that of the past. So honouring the memory of one of the most famous citizens of Siracusa, Elio Vittorini, isn't only an act which should be a given but it's also an important step along the path of the virtuous development of the area which isn't under the shadow of the industrial chimneys anymore but which has to bet on an industry of culture around which many talents, energy and resources should be gathered. So it isn't a Prize which is only used to commemorate once a year, but it's a moment of dialogue and confrontation which, one hopes, will with time become as engaging as possible.
The finalists of the 2021 Premio Vittorini
In this light, the numbers of the 2021 edition "speak" volumes and seem to tell us that we have taken the right path: 59 authors took part from over 40 publishing houses, including most of the important realities of the Italian publishing scene. The 2021 edition - which will end on Saturday the 4th of September at the Teatro Comunale di Siracusa - will also mark the debut of an intense three days which from the 1st of September will make the Old Market of Ortigia the stage for a series of events of music, theatre, conversations, contests (with a dive into the world of comics marking the relationship between Umberto Eco from Alessandria and the Siracusan Elio Vittorini) which will aim to take the city by the hand and lead it towards the final appointment in which the memory of Arnaldo Lombardi, to whom the Prize for Independent Publishing is dedicated, will be honoured.
ALDO MANTINEO
Secretary general of the National Literary Prize Elio Vittorini, professional journalist, he worked for the Gazzetta del Sud and the Agenzia ANSA and has worked for various Rai and Mediaset programmes. He is the author of numerous publications and essays tied to aspects of journalism. Lately for Media&Books Edizioni he published Completamente Falso Praticamente Vero which analises the "power" of fake news during the pandemic. He inspired and animated various awareness campaigns tied to the activities of the antiracket movement. For his activities as a journalist and as a writer, he has obtained different awards on a national level. .
Archimedes at Siracusa
Autumn on the Anapo River


3 Golik A, Zaidenstein R, Dishi V, et al: Effects of captopril and enalapril on zinc metabolism in hypertensive patients, J Am Coll Nutr, 1998, 17(1):75-8.
3 Golik A, Modai D, Averbukh Z, et al: Zinc metabolism in patients treated with captopril versus enalapril, Metabolism, 1990, 39(7): 665-7.
4 Campbell NR and Hasinoff BB. Iron supplements: A common cause of drug interactions. Br J Clin Pharmacol 31: 251-255, 1991.
5 PDR for Herbal Medicines. 2nd ed. Montvale, NJ: Medical Economics Company, Inc., 2000.


Peter Rabbit (film, 2018). A 2018 American live-action/computer-animated comedy film with "PG" rating by Sony Pictures Releasing/Columbia Pictures. Directed by Will Gluck. Official Trailer.
Peter Rabbit is a 2018 American live-action/computer-animated comedy film directed by Will Gluck.
PETER RABBIT - Official Trailer #2.
In England's Lake District, Peter Rabbit, his cousin Benjamin Bunny, and Peter's triplet sisters Flopsy, Mopsy, and Cottontail, spend most of their days picking on Mr. Joe McGregor and stealing vegetables from his garden. They are friends with a local woman named Bea who spends her time painting pictures of the rabbits as well as the surrounding nature. Bea takes on a mother-like relationship with the rabbits due to the death of their parents, who were killed by McGregor. One day, Peter is forced to leave his jacket in McGregor's garden and goes back to retrieve it. McGregor spots and catches him, but suddenly dies of a heart attack due to decades of unhealthy eating habits. Enthralled, Peter invites all of the local animals and takes over McGregor's manor. Meanwhile in London, McGregor's great-nephew Thomas McGregor, an uptight, controlling workaholic, works at the toy department of Harrods department store where he waits for a promotion to associate general manager. He indifferently accepts the news about his great-uncle's death, someone he was completely unaware of, but is infuriated over losing the promotion to a lazy nephew of the managing director and is fired for losing his temper. His now-former manager encourages him to get a hobby and spend some time in the country. When Thomas learns that his great-uncle's manor is valuable and that he's inherited it, he decides to appraise and prepare it for resale in order to start his own toy store to get even with his former employers. He kicks out Peter and his friends and begins to upgrade the security of the garden wall and gates, despite Bea's objections. When Peter and Benjamin sneak back into the garden, Thomas catches the latter and attempts to drown Benjamin in a river. His cousins rescue him; Thomas instead accidentally drops a prized set of binoculars that Bea had given him earlier, forcing him to retrieve it.
The film Peter Rabbit was scheduled to be released by Sony Pictures Releasing and Columbia Pictures on February 3, 2018 (The Grove), on February 9, 2018 (United States), on February 23, 2018 (Turkey), on March 22, 2018 (Australia, Germany, Russia, Denmark) and on April 4, 2018 (France).
The duration of the film is 95 minutes. With a budget of $50 million, the film grossed over $351.2 million.
Peter Rabbit got high rating from critics. The audience also likes the film. Audiences polled by CinemaScore gave the film an average grade of "A-" on a scale ranging from A+ to F.


text:
Q: Python PyQt - MVC Pattern - Model Class To Work With View and Object I am trying to learn pyQt programming in a MVC pattern(which in QT there is not controller, so really just Model/View). I have try1.py which is the graphics I made from QT designer. In that, I have 2 line edit boxes- Username and Password. Then I have test.py which is the actual python script.
1) Since the text lines widgets are nested in the global Ui_Form....how would I assign the model to them? typically I would use something like widgetView = setModel(model) but I don't know how to do this with  self.lineEdit = QtGui.QLineEdit(Form). Since I am trying to use MVC I assume this needs to be outside of Ui_Form class?
2) Would I have 2 different models- 1 for username widget and 1 for password?
3) How would I get the TextLineModel to update the fields in the X object instance and the View get updated as well?
This is the try1.py QT Editor already compiled by pyuic.py:
# -*- coding: utf-8 -*-

# Form implementation generated from reading ui file 'try1.ui'
#
# Created: Mon May 27 04:00:05 2013
#      by: PyQt4 UI code generator 4.10.1
#
# WARNING! All changes made in this file will be lost!

from PyQt4 import QtCore, QtGui

try:
    _fromUtf8 = QtCore.QString.fromUtf8
except AttributeError:
    def _fromUtf8(s):
        return s

try:
    _encoding = QtGui.QApplication.UnicodeUTF8
    def _translate(context, text, disambig):
        return QtGui.QApplication.translate(context, text, disambig, _encoding)
except AttributeError:
    def _translate(context, text, disambig):
        return QtGui.QApplication.translate(context, text, disambig)

    class Ui_Form(object):
        def setupUi(self, Form):
            Form.setObjectName(_fromUtf8("Form"))
            Form.resize(640, 480)
            self.label = QtGui.QLabel(Form)
            self.label.setGeometry(QtCore.QRect(100, 30, 71, 16))
            self.label.setObjectName(_fromUtf8("label"))
            self.label_2 = QtGui.QLabel(Form)
            self.label_2.setGeometry(QtCore.QRect(100, 60, 61, 16))
            self.label_2.setObjectName(_fromUtf8("label_2"))
            self.lineEdit = QtGui.QLineEdit(Form)
            self.lineEdit.setGeometry(QtCore.QRect(160, 30, 231, 20))
            self.lineEdit.setObjectName(_fromUtf8("lineEdit"))
            self.lineEdit_2 = QtGui.QLineEdit(Form)
            self.lineEdit_2.setGeometry(QtCore.QRect(160, 60, 231, 20))
            self.lineEdit_2.setObjectName(_fromUtf8("lineEdit_2"))
            self.verticalLayoutWidget = QtGui.QWidget(Form)
            self.verticalLayoutWidget.setGeometry(QtCore.QRect(80, 20, 361, 81))
            self.verticalLayoutWidget.setObjectName(_fromUtf8("verticalLayoutWidget"))
            self.verticalLayout_2 = QtGui.QVBoxLayout(self.verticalLayoutWidget)
            self.verticalLayout_2.setMargin(0)
            self.verticalLayout_2.setObjectName(_fromUtf8("verticalLayout_2"))

            self.retranslateUi(Form)
            QtCore.QMetaObject.connectSlotsByName(Form)

        def retranslateUi(self, Form):
            Form.setWindowTitle(_translate("Form", "Form", None))
            self.label.setText(_translate("Form", "UserName:", None))
            self.label_2.setText(_translate("Form", "Password:", None))

This is the script test.py script:
import sys
from PyQt4 import QtCore, QtGui

from untitled import Ui_Form
from collections import OrderedDict

class GetInfo():
    def __init__(self):
        self.info = OrderedDict([('userName', None),
                     ('passWord', ' ')]

    def login_name(self):
        name = raw_input("Enter Login Name: ")
        self.login_info["login_name"] = name

    def password(self):
        name = raw_input("Enter Password: ")
        self.login_info["password"] = name

class TextLineModel(QtCore.QAbstractListModel):
        def __init__(self, text, parent = none):
             QtCore.QAbstractListModel.__init__(self, parent)
             self._text = text

         def data(self, index, roll):
                if role == QtCore.Qt.DisplayRole:
                    value = self._text
                    return value

class MyForm(QtGui.QMainWindow):
    def __init__(self, parent=None):
        QtGui.QWidget.__init__(self, parent)
        self.ui = Ui_Form()
        self.ui.setupUi(self)

if __name__ == "__main__":
    x = GetInfo()
    app = QtGui.QApplication(sys.argv)
    myapp = MyForm()
    myapp.show()
    sys.exit(app.exec_())

A: 1) You have to link up your model and your widgets using QDataWidgetmapper.
2)No, you should have a single model for a single class of data. In your case it should be QAbstractTablemodel.
3)You can call QDataWidgetmapper.revert() to update widgets with data from the model. The model is either updated automatically after user is done with widget editing, or by manually calling QDataWidgetmapper.submit() (see QDataWidgetmapper.submitPolicy)


New year, new company, new market? Maybe. . . Or maybe you just want to know how to be as successful as a top competitor. Either way, let's get into it.
First and foremost, what is First Mover Advantage? First mover advantage is when a business is the first to see reputable success when entering a new marketplace by offering a unique product or service.
But, why should you care about first mover advantage, especially since your business is probably already established? Well, If you look at how previous companies have seen success, either if they're first movers or followers in a marketplace, you can unveil similar opportunity.
What Are the Advantages of First Mover Advantage?
There are a number of advantages when being a first mover, and this article, that comes to us from Corporate Finance Institute, explains a few of those in as simple terms as possible.
Your brand, product and/or service becomes the industry standard when you have first mover advantage.
Since you're the first company supplying a type of product or service, your brand recognition will be greater, and thus, you are more likely to gain loyal customers.
On top of that, having control of resources, such as contracts with top suppliers and hiring the best employees, is surely an advantage.
Then, you can look at it from a buyer's perspective, as well, and acknowledge that for them to switch brands will cost them more, So, why would they?
Now, being a first mover doesn't mean you'll always be on top in your marketplace. It means that you're the first to succeed in it. So, make sure you take advantage of this as a first mover, so that competitors don't dethrone you and become the new industry titan.
What better way to understand how to be a top performing business with first mover advantage than by looking at companies that successfully achieved this goal in the past. Brought to us by Dan Tyre from HubSpot, you can delve into 7 case studies that examine how these successful companies reached the point of first-mover success, but for all intents and purposes, Amazon is going to be our focus here.
Other than Amazon, of the 7 companies he lists in the article, there's eBay. If you know the history between eBay and Amazon, you'd know they have been in direct competition in the past. This is because, eBay, the world's largest online auction site, withstood Amazon's efforts to encroach on their market with their campaign, Amazon Auction.
Amazon became a giant in its own right, owing their success to being the first major online bookseller, forcing out longtime "brick-and-mortar" setups like Barnes & Noble. They went on to see even greater success, poaching the eCommerce market with their online store, Amazon.com.
Also on this list, Kindle, whose parent company is Amazon, again beat Barnes & Noble to the punchline of success by introducing e-reading in 2007.
So, as you can see, Amazon - who is and isn't a first-mover - identified and acted on many different market opportunities to reach the height of where they are now, though not all attempts they made worked out as they would've liked. The same goes for YOU, or any first-mover or follower. Succeeding through innovative, yet researched methods, sales and marketing strategies is key.
Using game theory, Geoff Riley goes over 4 scenarios in this short video clip where two firms, Firm A and Firm B, comparatively price products, assuming they've the same quantity of product. When Firm A prices their product high, and Firm B prices their product low, Firm A will receive negative return. The same scenario applies when Firm A and B flip their prices. Now, when Firm A and B equally price high, they both receive higher return for their products, and the same applies when they equally price low, though they make less profit.
What does this teach us then? Well, when competing against direct competitors, you'll want to analyze how much you should be pricing your product relative to how much of it you own.
Competing companies can become second-movers, learning from your mistakes - so, learn from your mistakes before they do, eliminating any chance of vulnerability.
If You Don't Have First Mover Advantage, Here's How to Succeed without It.
We know the lot of you aren't first-movers, unfortunately! So, how can you succeed when a marketplace is dominated by first-movers? Well, success in this case mostly relies on learning from first mover's mistakes, as we somewhat previously pointed out.
They don't know if the product even solves a worthwhile problem.
Learning how to succeed in a marketplace when you are a second-mover relies on understanding these problems that first-movers face.
Procurement - In a new market, first-mover competitors have already educated your target audience, but you can still expand on that, offering even more valuable insights into your more highly designed product than theirs.
Mimicking can still result in achievement and ultimately requires much less effort to do than starting a business with a new sales and marketing strategy from scratch.
Now, if you are a first mover, we wish you luck! But, if you aren't and would still like to succeed in your market, we hope you learn from your own mistakes and the mistakes of your direct competitors. One way to ensure that your business won't fail is to proactively employ sales and marketing strategies, knowing your sales processes' ins and outs.
A big challenge first movers and second movers face is knowing their target audience, and subsequently, gaining and identifying leads. We'd like to help you with that too. So, learn how to define a lead, qualify a lead and know the mechanics for generating leads by heading on over to our Introduction to Lead Generation Guide.


Duke University professor Jerry Hough has faced criticism in recent days following his comment on a New York Times editorial published on May 10 that some readers characterized as racist. FIRE is glad to see that—despite another race-related controversy just last month—Duke has apparently not taken action against Hough. But the university still seems not to appreciate how open discourse should function on campus.
I am a professor at Duke University. Every Asian student has a very simple old American first name that symbolizes their desire for integration. Virtually every black has a strange new name that symbolizes their lack of desire for integration. The amount of Asian-white dating is enormous and so surely will be the intermarriage. Black-white dating is almost non-existemt [sic] because of the ostracism by blacks of anyone who dates a white.
The comments on the website were noxious, offensive and have no place in civil discourse. … We take issues like this seriously and will use the opportunity to restate Duke's core values of diversity and tolerance.
Proclaiming that Professor Hough's speech has "no place in civil discourse" might chill discussion and debate on campus. Duke should remember that in the course of discussing current events and debating questions of obvious public concern—race, LGBT rights, abortion, religious rights, even freedom of speech itself—it is inevitable that someone will be offended by the opposing side's ideas.
Duke is free to encourage its students and faculty to be civil and tolerant, but it should make clear that doing so isn't mandatory. Just last week, Boston University managed to express disappointment in incoming professor Saida Grundy's controversial tweets without suggesting that offensiveness generally should be kept out of debate among campus community members.
Butz is a tenured associate professor in electrical engineering. Like all faculty members, he is entitled to express his personal views, including on his personal web pages, as long as he does not represent such opinions as the views of the University. Butz has made clear that his opinions are his own and at no time has he discussed those views in class or made them part of his class curriculum. Therefore, we cannot take action based on the content of what Butz says regarding the Holocaust – however odious it may be – without undermining the vital principle of intellectual freedom that all academic institutions serve to protect.
FIRE hopes that as Duke continues to "restate Duke's core values," it remembers the vital principles espoused by Bienen at Northwestern.


Online purchasing scams contain scammers pretending to be reputable online sellers, either with a fake web site or a fake ad on a real retailer website. That is, in keeping with the bulk, is the way to go and plenty of retailers can be very happy to see this as the one solution to go. Online purchasing is certainly growing in leaps and bounds, In the USA alone many major road retailers have closed a whole bunch of branches, due fully to online purchasing.
Whether Notebook , Pill COMPUTER , Smartphone , Monitor , Digital digicam , Laborious disk , LED tv , washer , refrigerator or video game – for all questions in regards to the provides or your order with computeruniverse, the personal customer service is at hand through phone or e-mail.
As the revenues from on-line sales continued to grow significantly researchers identified several types of online shoppers, Rohm & Swaninathan 4 recognized 4 classes and named them "comfort consumers, variety seekers, balanced patrons, and store-oriented buyers".
This is Internet Banking site of companies providing monetary providers – "Swedbank" AS, "Swedbank LÄ«zings" SIA, "Swedbank Atklātais Pensiju Fonds" AS, "Swedbank P&C Insurance" AS Latvia branch, "Swedbank Life Insurance" SE Latvia branch.
Please do not interpret the order through which products seem on our Web site as any endorsement or recommendation from us. compares a variety of merchandise, providers and providers but we don't provide information on all available products, providers or providers.


text:
Curatorial internship
The Te Tuhi curatorial internship is a full-time paid internship, supported by Creative New Zealand Toi Aotearoa, which offers an individual the opportunity to curate a programme of exhibitions and events at Parnell Project Space,  Parnell Station across a fixed period of 18 months.
Read more about previous internships here.
Auckland Transport
Contemporary Art Foundation
Creative New Zealand Toi Aotearoa
Stephanie Post
We are not currently accepting applications for the curatorial internship. To stay up to date with future opportunities, join our mailing list here.
Te Tuhi curatorial internship
The Te Tuhi curatorial internship is a full time, 18-month, paid training position for an emerging art curator in Aotearoa New Zealand. The internship provides the opportunity for someone with a demonstrable commitment to developing their curatorial practice to gain significant work experience in the sector, while being paid the living wage.
Te Tuhi's curatorial internship opportunity responds to a lack of opportunities within Aotearoa New Zealand for professional curatorial development.
The aim of this internship is to provide a significant paid opportunity for an early stage curator to learn and develop their practice through experimentation and hands-on practice over a sustained period. The intern has the opportunity to work in an environment supported by an established team, while developing their individual curatorial voice in a space that stands independent from Te Tuhi's main programming.
Parnell Project Space is located at Parnell Station, next to Te Tuhi Studios. Through Parnell Project Space and the studios, Te Tuhi aims to support contemporary artists who have an interest in experimental and social practices, providing an environment in which artists and the curatorial intern can develop their practices and expand their networks.  As part of this, Parnell Project Space provides a venue to host public facing programmes, including exhibitions and events that engage with Tāmaki Makaurau Auckland's diverse communities.
Te Tuhi aims to use this space to contribute to a vibrant arts and cultural community in Tāmaki Makaurau Auckland, through principles of collaboration, experimentation and inclusiveness, engaging with the wider arts sector and the general public.
Current Curatorial Intern: Felixe Laing 2022 – 2023
Felixe Laing is a curator and writer who is facilitating the Chez Derriere programme. She has worked across the arts sector in Aotearoa, recently at The Dowse Art Museum where she developed a five-part speaker series for their 50th anniversary programme. She has written for a variety of Aotearoa publications, such as Enjoy Contemporary Art Space, The Art Paper and, Vernacular. She graduated with a BFA (Hons) from Elam School of Fine Arts UoA in 2016 and a Master of Museum and Heritage from Victoria University of Wellington (Distinction) in 2021.
The name Chez Derriere references Felixe's family history of her parents as restaurateurs. Chez Derriere in its literal French translation describes 'a place of business or home at the behind'. The name refers to its physical location in the back of Parnell but also as a space for experimentation and emerging practice.
Felixe is interested in collaborative approaches, writing as practice and playful and performative practices. Her connection and interest in food culture underpin her curatorial thinking.
With a strategic focus on supporting curatorial research that is locally engaged, regionally responsive and internationally ambitious, Te Tuhi is committed to developing the curatorial capacity within Aotearoa New Zealand to engage with the local and global conversations in contemporary art. Te Tuhi actively seeks to provide opportunities for the development of Aotearoa New Zealand's curators at all levels of their careers. Further, the informal national network of art gallery directors has identified curatorial professional development as the most important professional development need of the sector.
There are very limited opportunities within Aotearoa New Zealand for curators to develop their practices. Tertiary institutions offer select curatorial-oriented papers within other qualifications, but there are presently no undergraduate or postgraduate degrees with a specific focus on curatorial practice in contemporary visual arts. Emerging curators may choose to go overseas to further their education in curatorial practice. Most internship and entry level curatorial posts in Aotearoa New Zealand provide opportunities to learn from established professionals by shadowing and assisting but have limited scope for applied practice.
As a result of these conditions, the contemporary art sector loses home-grown talent to overseas opportunities, and many curatorial positions in significant institutions go to international candidates.  The aim of this internship is to provide a significant opportunity for an early stage curator to develop a practice, in an environment supported by an established team, with the space to develop their own individual voice and the opportunity to experiment and learn from hands-on practice over a significant period of time.
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