For the video game, see Krater (video game). For other uses, see Crater (disambiguation).
Krater discovered on the acropolis of Mycenae, depicting fully armed warriors, date 1200-1100 BC. Located in the National Archaeological Museum of Athens.
Multiple cultures, originating predominantly in Greece and exported.
Wikimedia Commons has media related to Kraters.
A krater or crater (Greek: κρατήρ, kratēr, lit. "mixing vessel") was a large vase in Ancient Greece, particularly used for watering down wine.
At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels. In fact, Homer's Odyssey describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, krasi (κρασί), originates from the krasis (κράσις, i.e. mixing) of wine and water in kraters. Kraters were glazed on the interior to make the surface of the clay more impervious for holding water, and possibly for aesthetic reasons, since the interior could easily be seen.
At the beginning of each symposium a symposiarch (συμποσίαρχος), or "lord of the common drink", was elected by the participants. He would then assume control of the wine servants, and thus of the degree of wine dilution and how it changed during the party, and the rate of cup refills. The krater and how it was filled and emptied was thus the centerpiece of the symposiarch's authority. An astute symposiarch should be able to diagnose the degree of inebriation of his fellow symposiasts and make sure that the symposium progressed smoothly and without drunken excess.
Drinking ákratos (undiluted) wine was considered a severe faux pas in ancient Greece, enough to characterize the drinker as a drunkard and someone who lacked restraint and principle. Ancient writers prescribed that a mixing ratio of 1:3 (wine to water) was optimal for long conversation, a ratio of 1:2 when fun was to be had, and 1:1 was really only suited for orgiastic revelry, to be indulged in very rarely, if at all. Since such mixtures would produce an unpalatable and watery drink if applied to most wines made in the modern style, this practice of the ancients has led to speculation that ancient wines might have been vinified to a high alcoholic degree and sugar content, e.g. by using dehydrated grapes, and could withstand dilution with water better. Such wines would have also withstood time and the vagaries of transportation much better. Nevertheless, the ancient writers offer scant details of ancient vinification methods, and therefore this theory, though plausible, remains unsupported by evidence.
This form originated in Corinth in the seventh century BCE but was taken over by the Athenians where it is typically black-figure. They ranged in size from 35 centimetres (14 in) to 56 centimetres (22 in) in height and were usually thrown in three pieces: the body/ shoulder area was one, the base another, and the neck/ lip/ rim a third. The handles were pulled separately.
These are among the largest of the kraters, supposedly developed by the potter Exekias in black figure though in fact almost always seen in red. The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul".
This type of krater, defined by volute-shaped handles, was invented in Laconia in the early 6th century BC, then adopted by Attic potters. Its production was carried on by Greeks in Apulia until the end of the 4th century BC. Its shape and method of manufacture are similar to those of the column krater, but the handles are unique: to make each, the potter would have first made two side spirals ("volutes") as decorative disks, then attached a long thin slab of clay around them both forming a drum with flanged edges. This strip would then have been continued downward until the bottom of the handle where the potter would have cut a U-shaped arch in the clay before attaching the handle to the body of the vase.
This form looks like an inverted bell. All bell kraters are red-figure.
According to most scholars ceramic kraters imitated shapes designed initially for metal vessels; these were common in antiquity, but survivals are very rare, as the metal was recyclable. Among the largest and most famous metal kraters in antiquity were one in the possession of the Samian tyrant Polycrates, and another one dedicated by Croesus to the Delphic oracle. There are a few extant Archaic bronze kraters (or often only their handles), almost exclusively of the volute-type. Their main production centres were Sparta, Argos and Corinth, in Peloponnesus. During the Classical period the Volute-type continued to be very popular along with the calyx-type, and beside the Corinthian workshop an Attic one was probably active. Exquisite exemplars of both volute- and calyx-kraters come from Macedonian 4th century BC graves. Among them the gilded Derveni Krater represents an exceptional chef d'œuvre of late Classical metalwork. The Vix bronze crater, found in a Celtic tomb in central France is the largest known Greek krater, being 1.63 m in height and over 200 kg in weight. Others were in silver, which were too valuable and tempting to thieves to be buried in graves, and have not survived.
Ornamental stone kraters are known from Hellenistic times, the most famous being the Borghese Vase of Pentelic Marble and the Medici Vase, also of marble. After rediscovery of these pieces, imitations became a staple of garden decoration in the Baroque and Neoclassical periods. The French artist and landscape designer Hubert Robert included the Borghese Vase, both alone and together with other stone kraters, in several of his works.
↑ Toby Schreiber (1999). Athenian Vase Construction: A Potter's Analysis. Getty. p. 138. ISBN 978-0-89236-465-7. Retrieved 23 September 2013.
↑ Andrew J. Clark; Maya Elston; Mary Louise Hart (2002). Understanding Greek Vases: A Guide to Terms, Styles, and Techniques. Getty. p. 105. ISBN 978-0-89236-599-9. Retrieved 23 September 2013.
↑ Toby Schreiber (1999). Athenian Vase Construction: A Potter's Analysis. Getty. p. 137. ISBN 978-0-89236-465-7. Retrieved 23 September 2013.
↑ Grasselli, Margaret Morgan, Yuriko Jackall, et al., Hubert Robert, The National Gallery of Art, Washington, 2016.


text:
HomeSportsRangely SportsPanthers take advantage of back-to-back meets
Panthers take advantage of back-to-back meets
April 6, 2018 Special to the Herald Times Rangely Sports, RHS Track & Field, Sports 0
RHS junior Austin Ficken won the shot put with a new personal best of 44-3.25 at last Friday's track meet in Meeker, and finished third in discus. MATT SCOGGINS PHOTO
By Patrick Scoggins
Special to the Herald Times
RBC | Friday, March 30, the Rangely Panther track and field team took a short drive east to compete in the first high school meet hosted on Meeker's new track. Despite a small number of teams competing, the athletes scorched around the track and ripped through the rings.
The Rangely throwers started the day off with strong performances in both the shot put and discus. Austin Ficken won the shot put with a new personal best of 44 feet, 3.25 inches and finished third in discus with a throw of 124-10. Riley Boydstun also placed in both shot put and discus with throws of 35-10.25 and 110-11, respectively, good enough for seventh place finishes in each. Breanna Davis led a high scoring affair for the lady Panthers in the shot put ring with a throw of 30-1.5 for third place, followed by Makenze Cochrane with 29-3 in fifth place and Miekka Peck with 29-0.75 in sixth place. Cochrane and Peck also placed in the discus with throws reaching 98-8 (third place) and 88-4 (sixth place), respectively. More nice throws came from Elena Forbes, Anna Forbes, Brady Bertoch and Cameron Filfred. Gabe Polley, who is showing great signs of being an all-around athlete as a freshman, threw the discus for the first time along with competing as Rangely's only jumper in the high jump.
The lady Panthers' 800-meter sprint medley relay was the first running event on the track. Finishing third in 2 minutes 10.53 seconds was the quartet of Miekka Peck, Makenze Cochrane, Dixie Rhea and RaeLynn Norman. Rhea also ran the 100-meter in 14.71 seconds and shocked several people as she finished fourth in the 400-meter with a time of 1:11.53 despite being in the first heat. Norman cruised to a new personal best of 13:39.73 as she finished fourth in the 3,200-meter. Chloe Filfred ran two tough races in the 800 and 1,600-meter, managing a new season best in the 1,600 with a time of 7:34.23. Anna Forbes, Elena Forbes and Breanna Davis also competed in the 100 along with their throws.
The boys' side welcomed back Brennan Noyes as he made his track season debut in the 100 alongside Brady Bertoch and Patrick Scoggins. Scoggins finished third in the 100 and was quickly followed by Marshall Webber's impressive second place in the 110 high hurdles with a time of 18.16. Scoggins also won the 400 and 200 with times of 50.73 and 23.85, respectively. Gabe Polley ran the 200-meter as well as helped the 4×400-meter relay of Webber, Noyes, and Scoggins drop more time as they finished fifth in 4:04.97.
At the end of the day the team got to enjoy a short bus ride home before their 5 a.m. departure for Cedaredge the next morning. Despite the very early morning, long bus ride and tired legs from the tough competition Friday, the Panthers proved to be a good track and field club as they continued to pour out good marks/times on a hot, smoky Saturday in Cedaredge.
Marshall Webber and Gabe Polley sprinted towards good times in the 100 and 200. Polley was once again the team's only jumper as he competed in both the high jump and long jump. Webber then continued his strong hurdling performances with a fourth place finish in the 300 hurdles with a season best 45.51. While sticking to sprints on Friday, Patrick Scoggins was set for more distance on Saturday. Scoggins finished second in the 1,600 with a personal best of 4:42.69 and a fourth place finish in the 800.
Dixie Rhea and RaeLynn Norman gutted out nice performances in the 400 with times of 1:11 and 1:13.40, respectively. Rhea also ran the 100 again, this time sprinting to a 14.86. Norman went from distance running to working speed on Saturday, as she also ran the 200 for the first time in 32.63.
Just as the throwers started the weekend off with great throws, the Panthers wrapped up their competition watching the throwers continue to dominate. Makenze Cochrane and Miekka Peck gained new personal bests in the shot put with heaves of 31-4.75 and 29-10.5, respectively, for fourth and fifth place. Breanna Davis also finished ninth with a throw of 29-5.25 in the shot put. Cochrane and Peck again placed in the discus in third and seventh with throws of 98-1 and 88-0, respectively. Anna Forbes threw a new personal best in the discus with a throw of 62-9 as her sister Elena Forbes threw a 64-8. Davis competed in the discus as well and both the Forbes' also threw the shot put. Austin Ficken and Riley Boydstun picked up right where they left off from the Meeker meet. Ficken won the discus in personal best fashion of 135-8 and was second in the shot put with a throw of 43-3.5. Boydstun finished eighth in both shot put and discus with throws of 37-0.25 and 109-2, respectively, with his shot put also being a new personal best.
The weekend proved to be quite the workout for the small, talented Panthers as they were tested each day in several different events with some of the best competition on the Western Slope. The Panthers send the JV squad to Glenwood on Tuesday to gain further experience while the rest of the team waits until Saturday, April 7, to compete at the Frank Woodburn Invitational in Grand Junction.
Obituary: Hazel Georgiou Gonzales
WRBM Easter Festivities {Photos}

redpajama_set_name: RedPajamaCommonCrawl


Since the dawn of the World Wide Web, we've been fixated on the concept of place. The entire language of the Web is about location: we visit Web sites using Web addresses. Consequently, it's almost impossible for us to think there's any other way. We build places where we expect people and machines (via APIs) to come, meet, and transact. The place metaphor leads to centralization. Facebook, Google, and Amazon are all places. The interactions on them are centralized and under the control of whoever owns the place.
Another way to think about online interaction is in terms of methods—ways of executing actions . Methods for interaction are called protocols. The Internet, domain name resolution, and email are familiar examples of systems based on protocols. Protocols define ways or methods for things to interact. They give the interaction a script, as it were, defining how an interaction plays out. "If you do X, then I'll do Y." "If you do X and then do Z, that's an error." and so on.
This contrast between place and protocol is evident in online identity. We treat identity as if it were something linked to a place. Every online identity you have was given to you by someone else.
This simple fact makes every online identity completely different from identity in the physical world where you exist first, independently, as a sovereign human being. In the physical world, identity emerges from relationships. Over time, humans have developed interaction patterns around how we identify ourselves to each other. In other words, identity in the physical world is a protocol.
Online identity systems are rigid and can only be used in the way their designers allow because places are prescriptive. In contrast, an identity protocol is fluid and flexible, supporting use cases the protocol designer never imagined. As an example, a protocol for identity could give rise to decentralized apps that let anyone share rides in their car without the overhead of a Lyft or Uber because the identity system would let others vouch for the driver or the passenger, independently, using a universally recognized standard.
How can we move online identity from place to protocol? A protocol for online identity would define how identifiers work and how anyone can create, manage, and exchange attributes and claims for those identifiers. A protocol for identity must be private, secure, interoperable, and open to everyone. The result is an identity network.
A protocol for identity relies on the combination of three important standards: decentralized identifiers (DIDs), verifiable claims, and a ledger that is available to all.
Decentralized Identifiers—DIDs allow anyone to create identifiers for anything. Furthermore, they are standard and interoperable. DIDs link to public keys and service endpoints. And because DIDs are pairwise pseudonymous to prevent correlation and preserve privacy, people will have hundreds or thousands of DIDs representing all of the various digital relationships to which they're a party. These relationships might be with organizations they do business with, friends they interact with, or things they own.
Verifiable Claims—verifiable claims allow trustworthy assertions to be made about anything that has an identifier. Like DIDs, claims are standard and interoperable. Furthermore, they're based on strong cryptography to bind the claim issuer, the claim subject, and the claim itself. Verifiable claims are combined with zero knowledge proofs for minimal disclosure. For example, when I need to prove to the bank that I'm employed by BYU, I don't give them the claim. Instead I generate a proof—an incontrovertible certification of some fact—from the claim. The proof discloses only the information the bank needs. All this is done cryptographically so that no party to the transaction has any doubt whether or not the information is correct.
A Distributed Ledger—the ledger links a DID to associated keys and endpoints in a way that's publicly discoverable. The ledger records information about claims (although not the claims themselves or any other private data). The ledger also supports claim and key revocation. The ledger is foundation for identity transactions.
By replicating and storing user data across an open and decentralized network rather than individual applications controlling access to disparate silos of information, we reduce the barriers to entry for new players and create a more vibrant and competitive ecosystem of products and services on top.
Moving online identity from place to protocol creates an open and decentralized network that reduces barriers to entry for new products and services that rely on identity to establish trust.


Our town of Hebden Bridge in West Yorkshire takes its name from the picturesque sixteenth-century packhorse bridge crossing Hebden Water in the centre of town. The locals are justifiably proud of it. But there are many other photogenic bridges in the area. So, in 2014, I embarked on a project to photograph the other local bridges: Hebden's non-eponymous bridges, so to speak. My photo-book Hebden's Other Bridges is the result.
Hebden's Other Bridges is available to order online in three different formats, all of them printed on Premium Lustre paper.
To give you a flavour of what's inside, you might like to check out the interactive preview of selected pages from the book.
Here are a few of my favourite photos from the book. If you'd like to buy prints of any of them, or of any of my other photos, please contact me.


We are gathered here today to celebrate the matrimony of operational technology and information technology. During the years they have been together, their understanding of each other has grown and matured, and they have decided to live their lives together. But how exactly are they going to do that? With a little help from us, of course. In this week's episode of Fish Fry, we welcome Lou Lutostanski from Avnet. Lou and I discuss the how the internet of things reflects a unique marriage of operational technology and information technology and what that means in terms of IoT design support. We also chat about the role smart apps play in the world of IoT and why "out of the box" solutions don't always fit quite right. Also this week, Jarvis Wenger (MEN Micro) and I explore the biggest and brightest industrial IoT technologies for extreme environments and where he thinks IIoT technologies are headed in the future.


Music will play an important part in the Show this year, with three local bands attending on different days. On Friday, the bandstand will host the Faversham Mission Brass Band. This group is based in the town and regularly play in the town centre for concerts and community events. Saturday will see the Kent Police Band take the stage. Based at Police Headquarters in Maidstone, this local band is self-funding and consists of up to 35 serving or retired officers as well as civilians from around the county. Isle of Sheppey, St John Ambulance Band will then play on Sunday. 2017 marks the 71st year for the band which has played throughout the country and abroad.
The musical theme continues with a full line-up of entertainment in the Members' Area; the all-female group 'The Damsels', whose members have experience singing in the West-End as well as international credits, will be performing on Sunday. The Members Area will also host 'The City String Trio' on Friday and on all three days the exclusive area will be able to hear Rachael Hayward a Steel Pan player with an eclectic mix of calypso, pop, reggae and jazz.
Kevin Attwood, Chairman said, "The Members Area is a wonderful place to enjoy the Show from a different perspective. As well as the live music, members are able to take advantage of priority parking, enhanced amenities and a dedicated caterer. In the past many people have been unaware of the benefits of being a member, thinking that it requires a commitment to the Agricultural Society throughout the year. Whilst this is something we welcome, in fact many visitors take advantage of the three day ticket and are happy to support the Society for those days only".


text:
The Art of Diablo
Written by medievaldragon on May 20, 2019 . Posted in Blizzard Products News, Diablo 3 News
The Art of Diablo is now available for $26.19 (down from $45 and later $35). The release date has been pushed from October 15 to November 3, 2019 (the day after BlizzCon's closing date).
Below you can read the book description and three new interior pages from the book. The pages are mostly a temporary mockup preview. The text within is just Lorem Ipsum dummy text.
The preview shows an entry for the Demon Hunter class, as well as concept art created for the Diablo III video game: her weaponry, armor style, standing-up pose; and for the amount of dummy text likely the history of the Demon Hunter.
The Art of Diablo's interior pages lead in with a foreword from senior artist Brom, and an introduction by former Vice-president of Creative and Franchise development Chris Metzen.
Description: For more than 20 years, the artists behind Diablo have conjured new visions of the High Heavens and the Burning Hells, built nightmarish corridors filled with monsters and demons, and unleashed swarms of malevolent creatures upon players worldwide. The Art of Diablo plunges into the concept, design, and environmental art that has defined the world of Sanctuary and the Eternal Conflict at the core of the Diablo series.
Product Dimensions: 9.2 x 12.8 inches
Jake Gerli is the former Editorial Director of Insight Editions, where he worked on Diablo III: Book of Cain, The Art of Blizzard, and The Cinematic Art of World of Warcraft: Wrath of the Lich King. A freelance writer and editor, he's contributed to GameSpot, Animation Magazine, and Tripwire, among other publications. He lives in Northern California.
Original Post (Outdated: Jan 14, 2019)
A new listing in Amazon revealed plans to launch The Art of Diablo on October 15, 2019. There aren't further details other than the new listing and the ISBN data. You can pre-order it now for $45.00.
[update: description added on Jan 16]
[update: final front cover added on March 19]
Follow us for updates on Twitter or Facebook.
Hope you enjoyed this article. Please, support Blizzplanet on Patreon, and follow us on Twitter, Facebook, YouTube, and Twitch for daily Blizzard games news updates.
Tomas Hernandez is owner of Blizzplanet.com since 2003. I post news about World of Warcraft, StarCraft II, Diablo III, Hearthstone, Overwatch, Heroes of the Storm, Blizzard Careers, and the Warcraft film. Blizzplanet is a leading fansite covering news about upcoming Blizzard Entertainment licensed products. I also post previews and reviews. I have interviewed book writers and Blizzard game developers. I was previously an employee of the OGaming Network (2003), and IncGamers (2008-2010). I was a guest newsposter for GosuGamers (World of Warcraft) a few years ago and for Diablofans.com (formerly Diablo3.com) ***Fans who would love to watch Blizzard-related panels and appreciate our efforts can support Blizzplanet's patreon in a monthly-basis, or a one-time basis. Our staff are volunteer fans like you. Your donatives will help us travel to all the Blizzard events we attend year-round.
Profile UI
Game Settings UI
Crusader Class Skills
Legendary Crafting Materials
Infernal Machine level 70 Guide
How to craft Staff of Herding: Whimsyshire
Rare Merchants
Classes (Lore)
NPC Dialogue
Assassin Class (Lore)
Druid Class (Lore)
© 2018 Blizzplanet - Read our Privacy Policy; and Terms and Conditions
©2004-2018 Blizzard Entertainment, Inc. All rights reserved. World of Warcraft, Warcraft and Blizzard Entertainment are trademarks or registered trademarks of Blizzard Entertainment, Inc. in the U.S. and/or other countries.


SIR ANTHONY HOPKINS' new role as mythical BEOWULF required the Oscar winner to be completely naked throughout the entire filming process.
So, for the record, Sir Ant plays Hrothgar not Beowulf, and did nothing naked at all. That I know of.
Neil, I'm hoping you'll post this offer in your journal for the community. In a state of delirium after seeing Mirrormask, I ran directly out and purchased the domain name GiantsOrbiting.com. On later reflection, I realized that I have nothing appropriate to put there, nor any time in which to develop it. I'd like to pass on the domain to someone who would do something interesting with it. My price is "something neat". A story, a bit of art, a poem written out nicely, a really cool piece of polished metal you found,something of that sort. For you Neil, as you are a Famous Author, the price would be slightly higher, "something neat" and "lunch next time you are in Boston". Interested parties can email me at alex@giantsorbiting.com and describe briefly what you'd like to do with it. First idea that sounds nifty gets to buy the domain. Please don't send me descriptions of your "something neat", I'm sure it will be fine.
It's http://www.hillhousepublishers.com/ who have all sorts of amazing special deals on their books until February 15th, so if you're looking for, say Neil Stephenson limited editions, or Terry Pratchett facsimile editions, go and take a look. Good people.
Do you sometimes wish you still lived in the UK?
I am curious as to why so many British writers feel the need to move to the US. It seems ironic (or sarcastic, if you are American) as most writers - I reluctantly add, not yourself - tend towards writing as to how crappy America is, and how shortsighted the American 'Joe-Public' is, yet they still live there.
I don't ask this to cast negative on you (god knows given a green card, I would happily live in the States) -- I just wonder how you came to choose the 'big move' - and even how it has changed your "writing style"?
You must be sick of seeing question marks on here I guess?
Oh, for a simple full stop to round off an ill-thought out question, no?
Yes, I miss the UK. Less than I did, given that these days most of my newspapers, radio and TV (well, DVDs) are from the UK, but homesickness never quite goes away. As for why British writers feel the need to move -- I can't speak for anyone else. In my case, thirteen years ago, it was the combination of having an American wife with a mother and grandmother who were getting no younger, and having half-American children who hadn't really encountered that side of their family, combined with the fact that all my income was coming from the US and I liked the idea of going somewhere I could spend the dollars and know what they'd be worth from week to week which, under the economic leadership the former president George Bush, I never did, for the dollar careened up and down and I couldn't tell from one week to another how many pounds it would turn into once I'd taken it to the bank, and also because I realised that I could get an Addams Family house and 15 acres of woodland near Minneapolis for less than the cost of a 1 bedroom flat in London, which was a good thing to learn because I was running out of space for both people and books in the UK at the time.


Teach your students the early eras of World history, from early civilizations through the Industrial Revolution, with 14 chronological document-based question activities. Assess student progress, prepare them for testing, develop critical thinking skills, and more! This book is unique because each DBQ activity has questions that create worldly connections to the HERE and NOW. Includes complete instructions, tips to improve scores, reproducible documents with answer prompts, a scoring rubric, and sample student essay positions.
Setting the Stage: How Does Geography Influence Destiny?
©2017. Reproducible. High school level. 134 pages.
Book Download: PDF, Adobe® Reader® required to view PDF.
Nickole Loman is a native of the West Michigan area. She grew up in Belding, Michigan—a small farm town, 30 minutes from Grand Rapids. As a matter of fact, she still spends a lot of time there, now as a high school teacher. Her current teaching course load includes U.S. History, SAT Prep, English 10, Drama, English 12, and Literature in Film. She loves motivating students to push themselves harder by allowing them to challenge her to complete dare incentives tied to review games. Some examples include wearing a Teletubby suit, eating a ghost pepper, swallowing a raw egg, serenading the lunchroom, completing an interpretive dance to her favorite Backstreet Boys song, etc. In addition to classroom responsibilities, she is the theater director for the Belding High School Drama Club. Working with her drama family, she directs an annual fall play and spring musical. Nickole enjoys writing and created the Teacher's Discovery® DBQ book series. Outside of her career, her interests include an addiction to candles, singing loudly in the car, reading fantasy books, chasing after her dogs, and devouring chocolate.
I like the documents themselves. I can use them in a variety of ways. The spiral makes it easy to copy. The pages are sturdy and the images are clear. First rate!


text:
Q: Redux: will this be the same state after I change a property of an element in state? I am working on the reducer file which looks like this:
export default (state = [], action) => {
  let index

  switch (action.type){

    case "ADD_QUOTE":
     return [...state,action.quote]

    case "REMOVE_QUOTE":
      return state.filter(q=>q.id !==action.quoteId)

    case "UPVOTE_QUOTE":

       index = state.findIndex(quote => quote.id === action.quoteId);
       let quote = state[index];

       return [
         ...state.slice(0, index),
         Object.assign({}, quote, { votes: quote.votes += 1 }),
         ...state.slice(index + 1)
       ];

    default:
    return state
}
  }

I have two ways to implement case UPVOTE_QUOTE, the first one is in the above code, and the second one looks like this:
...
    case "UPVOTE_QUOTE":
       let quote = state.find(q=>q.id===action.quoteId)
       quote.votes +=1
       return state
...

I wonder what is the difference. And in the second situation, what I am not sure is, if I change the votes property in that one quote element in state, when I return the state, will it be the state with the new quote? And is this state the original state or a new state that refers to a new place? Very confused...

A: The first option looks to be correct. The second option would be mutating the state.
These links that may help explain further: Mutating Redux State Consequences and Why cant state be mutated....

redpajama_set_name: RedPajamaStackExchange


text:
What does MINECRAFT mean
Minecraft Swedish
All versions of Minecraft receive periodic updates. Understanding and realising the mechanics behind this is one of the strengths of Swedish game developers.
Story Mode has also been released. It'll just get buggier and buggier the further out you are.
The Education Edition gives teachers the tools they need to use Minecraft on an everyday basis. Minecraft Guide to the Nether and the End.
The conference room looks a lot like where the bad guys plan world domination in early Bond movies. Navigation menu Namespaces Page Talk.
Minecraft received critical acclaim, praising the creative freedom it grants players in-game, as well as the ease of enabling emergent gameplay. The Java Edition of the game allows players to create mods with new gameplay mechanics, items, textures and assets. Mojang is the developer that came from nowhere and in record time created a game that became a cultural, social and economic phenomenon. Players can craft a wide variety of items in Minecraft.
Other activities in the game include exploration, gathering resources, crafting, and combat. Thinking about studying in Sweden? The last large difference is that students can take in-game photos with a camera item.
Seumas McNally Grand Prize. British Academy of Film and Television Arts. The choice of languages is a feature that allows changing languages for people who are not familiar with English.
Minecraft Classic is an older version of Minecraft that was first available online and can currently be played through the launcher. The ideas presented by the citizens were a template for political decisions. Other official Sweden sites Travelling to Sweden? These online notebooks can be shared with other students.
The game will implement the resource-gathering and many of other features of the original game in an augmented-reality setting. We truly appreciate your support. Early Modern English Wikipedia.
What were you looking for? Language Ido and possibly newer languages. Pi Edition is available for download!
The language menu is accessible via a button in the main menu to the left of the options button, and from the options menu. This article needs updating. Java Edition oriented towards Oculus Rift hardware. If the hunger bar is depleted, automatic healing will stop and eventually health will deplete. For an example, mighty minds map one teacher built a world consisting of various historical landmarks for students to learn and explore.
International Business Times. Further details may exist on the talk page. Winters had been working for Mojang for a year before she moved to Stockholm, and one might expect that to have been a difficult move for someone used to the subtropical climate of Florida.
Minecraft magic
Mojang stated that the Pi Edition is similar to the Pocket Edition except that it is downgraded to an older version, and with the added ability of using text commands to edit the game world. Add to that a strong entrepreneurial spirit and you have a perfect environment for businesses like this to start up and succeed. These characters are stored in ascii. If the player dies on hardcore, the player does not respawn, and the world is unplayable. Social media, parodies, adaptations, merchandise, and the MineCon convention played large roles in popularizing the game.
With the introduction of redstone blocks to represent electrical circuits, users have been able to build functional virtual computers within Minecraft. Some blocks function differently since their behavior was later changed during development.
MineCon is an official convention dedicated to Minecraft. Xbox Game Studios Microsoft. They're not infinite, but there's no hard limit either.
In other projects Wikimedia Commons. In this mode, instead of having an inventory, players have the ability to teleport to other players.
Looking for a Swedish embassy? All you need to know about Swedish higher education and scholarships is available at studyinsweden. Thank you for your feedback!
Emo boys mp3 free download
Wavepad sound editor for free download
Thooval kottaram songs free download
Filemaker pro 11 free download
Windows converter free download
Brindavanam telugu movie mp3 songs free download
Hindi bhajans audio free download
Fluffy bird free download
Tower crane simulator free download
Word installer free download
How to the new microsoft word 2010 for free download
Wallpaper of love quotes free download
Creative pictures
Alexa mp3 free download


A strong community. With clear structures.
DMK is a community of 7,500 active dairy farmers and cooperative owners and around 7,700 company employees, making it one of the largest cooperative-based dairy companies in Europe. In this embodiment of a modern cooperative, the farmers identify with DMK and its strategic direction, and DMK's employees identify with the work of the farmers. The farms are located in the German regions of Schleswig-Holstein, Mecklenburg-Vorpommern, Lower Saxony, Hamburg, Bremen, North Rhine-Westphalia, Brandenburg, Saxony-Anhalt, Saxony, Hessen, Thuringia and Rhineland-Palatinate.
The representatives are elected every five years. Each of them represents 25 members. The Annual Assembly elects the Supervisory Board of the cooperative and passes resolutions on changes to the articles of association. The Assembly also adopts the annual financial statements and decides on the appropriation of the year's net profits.
The Advisory Board deliberates on and discusses all significant strategic decisions within DMK GmbH, the operational arm of the organisation, and the cooperative. Moreover, the Advisory Board promotes the exchange of information between members and the managing bodies and has the right to put forward candidates for appointments to the Board of Management of the cooperative and Supervisory Board.
The Board of Management of the cooperative is responsible for day-to-day activities and has independent responsibility for managing the cooperative.
The Board of Management's actions are monitored by the Supervisory Board.


This Study Guide consists of approximately 20 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Return of Little Big Man.
More summaries and resources for teaching or studying The Return of Little Big Man.
The Return of Little Big Man from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.


text:
Der Nino-Klukkert-Hafen, auch Klukkert-Hafen oder Nino-Hafen genannt, liegt am Nordhorn-Almelo-Kanal an der Augustastraße auf der Höhe der Kanalbrücke Gildehauser Weg in Nordhorn (Landkreis Grafschaft Bentheim in Niedersachsen).

Geschichte
Der Hafen wurde am 30. Juni 1904 – einige Jahre nach dem Bau des Kanals – eröffnet, weil man sich vorher noch nicht darüber im Klaren war, wo der endgültige Standort sein sollte. Letztlich wählte man die Bahnüberführung als Bauplatz, der sich als ein idealer Umschlagplatz für Frachtgut anbot. Das Hafenbecken ist rund 100 Meter lang und 25 Meter breit und bot somit vier Kähnen Platz für den Warenumschlag. Auf der westlichen Seite konnte direkt von und zur Bahn geladen werden. Auf der Ostseite fuhren die Pferdefuhrwerke über die Hafenstraße an und über die Bentheimer Straße wieder ab. Die Baukosten betrugen 64 000 Mark; von dieser Summe wurde ein großer Teil durch die heimische Textilindustrie übernommen. Die in Lingen ansässige Firma August Klukkert baute um 1910 ein Lagerhaus für den Umschlag von Getreide und Futtermitteln. Weiterhin nutzten die Firmen Niehues & Dütting (NINO) und Povel die Anlagen. Ende der 1920er Jahre wurde der Hafen zur Anlieferung von Baumaterial für das Povel-Werk II genutzt. Als Niehues & Dütting einen eigenen Kohleumschlagplatz errichtete, verlor der Hafen seine wirtschaftliche Bedeutung, nachdem er bereits vor dem Zweiten Weltkrieg als Güterumschlagsplatz keine Bedeutung mehr hatte. Das Hafenbecken diente noch als Wendeplatz für die Kohlekähne. Nachdem die heimische Industrie 1965 ihre Feuerung auf Erdgas umgestellt hatte, wurde die Schifffahrt auf dem Kanal eingestellt. Dies war in den Niederlanden bereits 1961 geschehen. In der Folge trennte die NINO AG die Hafeneinfahrt mit zwei Spundwänden ab und verwendete sie als Brauchwasserspeicher.

Heutige Situation

Ende der 1990er Jahre wurden Pläne zur Reaktivierung des Kanalnetzes (Kanalvision) entwickelt; in diesen Rahmen wurde auch der Nino-Klukkert-Hafen eingebunden. Mit einer Spende der Niedersächsischen Sparkassenstiftung (135 000 €) sowie einer finanziellen Beteiligung von Bund, Land, Landkreis und Stadt (265 000 €) wurde unter anderem das Areal von Wildwuchs befreit und das Hafenbecken gereinigt und restauriert. Der Nino-Klukkert-Hafen wurde am 6. Mai 2006 durch den damaligen niedersächsischen Ministerpräsidenten Christian Wulff zum zweiten Mal eröffnet. Neuer Bestandteil war eine Slipanlage. Mit dieser Schrägrampe können Boote ins Wasser gebracht werden.

Der Nino-Klukkert-Hafen steht als Teil des Nordhorn-Almelo-Kanals einschließlich der begleitenden Alleen unter Denkmalschutz und ist nach § 3 Abs. 3 NDSchG ein Baudenkmal.

Neben dem Nino-Klukkert-Hafen gab es in Nordhorn den ehemaligen Stadthafen in der Innenstadt sowie die Anlegestellen der drei großen Textilfirmen Povel am Nordhorn-Almelo-Kanal, NINO (Nordhorn-Almelo-Kanal auf der Höhe des NINO-Verwaltungsgebäudes, Bentheimer Straße) und Rawe ("Rawe-Anleger", Ems-Vechte-Kanal auf Höhe der Wietmarscher Straße).

Bis auf den Nino-Klukkert-Hafen und den Rawe-Anleger sind heute keine Häfen oder Anlegestellen mehr in Nordhorn sichtbar bzw. wurden nicht in die Kanalvision eingebunden.

Einzelnachweise

Weblinks
Nino-Hafen im Denkmalatlas Niedersachsen
 Grafschafter Schiffswege und Häfen-Instandsetzungsprojekt e.V.
 Informationen bei der Deutschen Traditions-Motorboot-Vereinigung

Binnenhafen in Niedersachsen
Verkehrsbauwerk in Nordhorn
Linksemsisches Kanalnetz
Ninoklukkerthafen
Hafen in Europa

redpajama_set_name: RedPajamaWikipedia


CMF are specialists in business finance loans. It's often the case that a business owner needs to take out a commercial business loan in order to give their company a boost. Maybe you require funding in order to expand to a new premises, purchase specialist equipment, or simply to pay the firm's tax or VAT. CMF have been providing a range of flexible business finance solutions for over 14 years. We offer flexible, modern finance approaches that maximise your business' earning potential.
Whatever your reason for seeking funding for your business – we can help. We are a close knit independent finance broker with the experience to offer a suitable business finance solution whatever your business goals may be.
What sort of business finance do CMF cover?
Developments to your business can be a costly yet necessary project. Sometimes an injection of cash flow is needed to move a business forward. We have a proven track record of sourcing excellent finance deals for a range of businesses – from surgeries and clinics through to shops, restaurants and retail outlets, from small businesses to blue chip corporates.
Any project can be looked at objectively, and with access to over 20 underwriters, you can be sure that we can put an appealing deal on the table for your business's needs.
What sort of businesses do CMF cover?
Raising a mortgage on a property can potentially be a very simple and straightforward exercise. However, sometimes – for instance if you have any special requirements – a mainstream bank or lender's rigid criteria can be frustrating, and even impossible, to meet. Here at CMF, we can often offer a great alternative to working with a bank, and supply you with a competitive and flexible finance package.
Here at Corporate and Medical Finance (CMF), we realise that every business is different. This is why all of the business loan applications that we receive are considered on individual merit. With us, you won't have to worry about being lumped into the same category as other businesses, or given a generic one-size-fits-all finance solution. The commercial finance that we provide really is unique. You can rest assured you're getting the best funding solution for your business's needs.
We have helped business owners all over the UK to inject money into their companies. We work extensively with virtually every business sector. Our business loans can be an alternative to traditional bank based methods, helping you to leave other lines of credit intact.
We sit down with our clients and make the process quick, simple and straightforward. Our team of expert staff are professional, friendly, and are always on hand to offer exactly the support you need.
So whether you need to find extra source of capital during quieter periods, or require a cash injection to enable your business to grow, we will help you obtain the business finance you need to move forwards. Call CMF today on 01928 739 712.


text:
Polarquest2018 team arrives in Longyearbyen after circumnavigating the Svalbard Archipelago.
PRESS RELEASE Polarquest2018: mission accomplished! Expedition achievements and highlights
On 22 August 2018, 21:30 local time Polarquest2018's sailboat Nanuq has successfully completed the circumnavigation of the Svalbard archipelago closing the loop in Isfjord, just outside Longyearbyen, where the Svalbard leg of the expedition started on August 4, logging 1500 nautical miles and reaching the outer boundary of the ice shelf at 82°07 N at 16h50 UTC on August 13. The sailing conditions were "exceptionally favorable, with absolutely no ice until very high latitude and only one gale with gusts up to 50 knots" – said Captain Peter Gallinelli, upon arrival. "More than weather and ice, the real challenge was a few very poorly or completely uncharted areas, especially on the East coast of the Nordaustlandet island, where we were often surprised by unmarked shoals and sailed inside completely uncharted fjords".
In addition to its nautical feats, the expedition has scored remarkable achievements in all the scientific projects on board.
Svalbard Circumnavigation/ Nanuq's route.
A total of 30 microplastic sampling stations were carried out, with one at the record latitude of 82°07 N, right on the edge of the ice, by 19-year-old microplastic operator Safiria Buono. The samples will be analyzed by the Marine Institute (ISMAR) of CNR (National Research Council of Italy), but "one of the conclusions which can already be drawn from a simple visual check is that, even at these high latitudes, the quantity of macro plastic loitering the most remote and wildest beaches of our planet is astonishing" she says. "A piece of plastic was caught in the Mantanet even at 82°N!". Frédéric Gillet, one of the scientists supporting the Mantanet sampling, also placed a PCB (polychlorinated biphenyls) sensor 20 km south of Ny Ålesund, to measure their presence in areas distant from urbanized regions and understand the transfer and accumulation mechanisms of this powerful industrial pollutant, banned since the 1970's in many countries, in the oceans and in the atmosphere. He will collect the sensor in 2020 for analysis by the University of Savoy, France.
The Cosmic Detector Hatch on Nanuq.
The high latitude reached by Nanuq marks a record also for the PolarQuEEEst cosmic ray detector, assembled at CERN with the participation of school students and installed on board by physicists from Centro FERMI of Rome and INFN (The Italian Institute for Nuclear Physics). "We have a unique dataset of the cosmic ray flow at the highest latitudes ever reached at sea level", says Ombretta Pinazza, physicist (INFN Bologna), "and we are now very excited to look for correlations with the two other identical detectors which are taking data in continental Norway and Italy. The area covered exceeds 5000 km2 and is the most effective to confirm the existence of cosmic showers generated by high energy radiation colliding with our atmosphere (EEE programme, Centro Fermi)". In addition to contributing to understanding the origin of high energy cosmic rays, these correlations will also enable scientists to study how cosmic rays influence cloud formation and the correlation of Supernovae rate with climatic periods over 500 million years, thus contributing to a better understanding of climate change.
3D model of Inglefeldbreen obtained by Drone.
The objectives of the AURORA project conducted on board Nanuq by prof. Gianluca Casagrande of the European University of Rome and the Italian Geographical Society have been fully achieved. "Using our low-cost drones and citizen science sensors, we were able to carry out expeditive, high-resolution mapping and thermal and near-infrared observations of remote and scarcely visited areas all around the archipelago" says Casagrande. "Our tools proved effective both for scientific data acquisition and for communicating Arctic environments." One of the surveys had a special symbolic value, as it produced, for the first time, a detailed 3-D rendering of Alpiniøya, the island discovered by Italian officer Gennaro Sora, who was in the area on his way to rescuing the survivors of the ITALIA airship crash in 1928.
Ceremony on crash area celebrated in memory of missing crew members.
Umberto Nobile's polar expedition – Polarquest2018's historical inspiration – was of course not neglected. On August 13, the area from where the first SOS message was radioed by ITALIA crew member Giuseppe Biagi from the Red Tent (81°14 Nm 25°25 E) was reached by Nanuq and a short ceremony was celebrated in the open Arctic Ocean by captain Peter Gallinelli, Polarquest2018 project leader Paola Catapano and geographer Gianluca Casagrande. Soon after, technical coordinator Mike Struik deployed an innovative 3-D multibeam sonar of NORBIT Subsea, for the search of any potential metallic wreck of the lost Airship, following the route considered to be one of the most likely search paths, based on Umberto Nobile's indications after the crash. This is the first documented targeted attempt at locating the wreck of airship ITALIA in 90 years. The data collected with the beamer will be analyzed by Norbit Subsea and the results will be made available by the end of September. "It will be really exciting to see the data from the sonar, not just for the airship but because that area of the Arctic Ocean has never been sounded before and we will get precious information on its bathymetry" says Morten Stendhal, director of Norbit Subsea in Trondheim.
"I still can't believe that our POLARQUEST2018 has been so successful on 100% of such a varied interdisciplinary programme with zero margins and limited resources", says project leader Paola Catapano. "Amazingly, everything worked at the first attempt."
For photos and film requests, interviews and further information contact:
Maddalena Monge, Polarquest2018 Press officer
+39 348 76 33 188 maddalena.monge@gmail.com, polarquest2018@gmail.org
Polarquest2018 has been made possible thanks to the following partners and sponsors:
Elysia Capital, the crowdfunding platform Global Giving, Loterie Romande, and
The Dudley Wright Foundation ,Geneva.
Research: Museo Storico e Centro e Ricerche Enrico Fermi, Rome, INFN, CERN, CNR, Université de Savoie, GREAL Università Europea di Roma, Società Geografica Italiana, and CRS4 Cagliari.
Technology partners: NORBIT Subsea, B&G, Survitec, Drone Capture Systems, ALLIANZ, Advanced Tracking, HAMILTON Watches, Drift + Noise Polar Services, Fly-to-Discover, EWOL, Gréments Import, Weather Dock, and SPADE.
Food providers: Marramiero Vini D'Abruzzo, BARILLA pasta, Eli Prosciutti Parma, Oleificio Andreassi Pescara, RODOLFI Pomodoro a Parma, and Caseificio Battistero Parma per il Parmigano Reggiano.
Special Thanks to The Italian Arctic Research Station of CNR (National Research Council of Italy) "Dirigibile Italia", in Ny Ålesund and the descendants of the crew of airship ITALIA.
AURORA project update: creating a 3D model of Alpiniøya island
COMUNICATO STAMPA Polarquest2018: missione compiuta! Risultati e punti forti della spedizione


text:
Josef Frank's Beloved Prints Now Available as Wallpaper
Schumacher is offering the Austrian-born Swedish designer's bold, whimsical designs in wall coverings
From left: Citrus Garden in pool; Exotic Butterfly in marine, multi, and white; and Citrus Garden in primary by Josef Frank.
There is an undeniable joie de vivre in Josef Frank's work. Perhaps this is why the Austrian-born Swedish designer's fanciful, rhythmic prints have remained so beloved for the better part of a century. His furniture, textiles, and accessories for Swedish home retailer Svenskt Tenn are still some of the company's most iconic pieces, nearly eight decades after he began working with the brand. Though his work in Sweden is what galvanized his career, Frank made his mark Stateside, too. In 1947 the fabric house Schumacher commissioned several patterns from the designer, which were revived to much fanfare as part of its 125th anniversary collection in 2014. The only problem? Designers wanted more.
Frank in 1960.
Photo: Courtesy of Svenkst Tenn, Stockholm
"In the past few years, we began hearing more and more that designers were fabric backing our Frank textiles and using them on walls," says Schumacher's Public Relations and Event Manager Kimberly Healy. "So we thought, Why not make it easier?" Two of Frank's best-known prints from the original 1947 commission, Citrus Garden and Exotic Butterfly, are now wall-ready. The prints have been recolored to offer a range encompassing Frank's signature hues as well as more subdued takes on his work for a total of five distinct papers. And for those hesitant about diving into the wild world of Josef Frank? The designer had some words for them: "It doesn't matter if you mix old and new, or different styles, colors, and patterns," Frank said in 1958. "The things you like will always blend, by themselves, into a peaceful whole."
ExploredesignDecoratingShopping + SourcesADPro
In His Quest for Complete Design, Artist David Wiseman Debuts a Dreamlike Wallpaper Collection
Jessica Ritz


text:
Kadeem Allen
Depth, guard play make the difference for No. 12 Arizona
By Raphielle JohnsonNov 20, 2015, 12:38 AM EST
TUCSON, Arizona — After winning 35 games and reaching the Elite Eight last season, No. 12 Arizona had to address the fact that four starters from that team had moved on.
And with three of those players currently in the NBA, addressing those losses would not be a simple task for Sean Miller and his coaching staff. But what will help in that quest is Arizona's depth, and that attribute was on display Thursday night as they beat Boise State 88-76 in an unbracketed game in the Wooden Legacy.
On a night that saw senior center Kaleb Tarczewski account for just four points and nine rebounds and Ryan Anderson (15 rebounds) finish with only eight points on 4-for-13 shooting, other players managed to step forward. Dusan Ristic gave the Wildcats a valuable eight points and five rebounds off the bench, and Arizona's guards stepped forward on both ends of the floor as well.
Of those perimeter players Gabe York led the way, scoring his 23 points (7-for-12 FG) on multiple levels and being a tough cover for Boise State's guards. But the looks York managed to connect on would not have been present without the help of his teammates.
"Everyone did a great job of trying to find me, and when I took a bad shot, no one was upset because I think I shot the ball pretty well tonight," York said after the game. "Parker (Jackson-Cartwright) found me a lot in transition. Kadeem (Allen) did a great job of finding me, and I was able to knock down shots."
The 6-foot-3 senior guard is a prime example of what can happen when a player sticks to the process, steadily honing his skills and earning more playing time ahead of a final campaign in which the opportunities to score would be plentiful. After averaging 9.2 points per game as a junior York entered Thursday's game as one of four Wildcats in double figures, and his performance was one reason why Arizona was able to gain some separation in the second half as the visiting Broncos became stagnant offensively.
York was one of four guards to finish the game in double figures Thursday night, but it could be argued that the most important of those contributions (with an eye towards the future) came from Jackson-Cartwright and Allen.
Those two have the difficult task of stepping into the lead guard role left vacant by the departure of McConnell, who was a floor general in every sense of the phrase. But for Arizona to be successful they don't have to be McConnell, because Allen and Jackson-Cartwright's respective games differ from the current Philadelphia 76er.
Against Boise State Jackson-Cartwright provided the early spark, coming off the bench to score 12 of his 14 points in the first half and providing a much-needed supplement to York's offensive output. Allen grabbed the baton in the second half, tallying eight points (he finished with ten) and five assists (six for the game) with just one turnover. Add in Trier scoring 11 of his 13 in the second half, and Arizona had enough production to hold off Boise State's two-headed front court monster of James Webb III (27 points, nine rebounds) and Nick Duncan (21 points).
"Parker was a big reason we won the game and so was Alonzo," Miller said. "I talked to both guys after the game…I was disappointed in the way we finished the game with both of them in, because in my opinion if we didn't have the performance from either one of them we would not have been in the winner's circle."
It is early in the season, but it's apparent that instead of having that single stalwart to call upon at the point Arizona has two players capable of shepherding the team. Before the season began Allen was labeled by some as the "scoring" point guard with Jackson-Cartwright filling the role of distributor. But Thursday night both showed the ability to do things outside of the labels affixed to them, and that can only benefit the Wildcats moving forward.
"(Kadeem) makes me better every day, and I try to do the same with him," Jackson-Cartwright said. "He is a bigger, stronger guard. He can get into the pain as well as shoot. Going against him every day has been tremendous in making me better."
On a night in which their leading scorer entering the game shot 4-f0r-13 from the field, Arizona managed to shoot better than 54 percent from the field and 10-for-21 from beyond the arc. Add in a 38-3 edge in bench points, and it's easy to see why the Wildcats were able to pull away from a game Boise State squad.
At this point in time Arizona may not have the decisive answers at some positions that are generally demanded in college basketball, but they do have a lot of options. And that's a good "issue" to have if you're Sean Miller.
Tags: Allonzo Trier, Arizona Wildcats, Boise State Broncos, Gabe York, Kadeem Allen, Parker Jackson-Cartwright, Sean Miller
Arizona will consider redshirting an incoming guard
By Scott PhillipsNov 10, 2014, 11:24 PM EST
Arizona must be feeling okay on the perimeter this season if the reports are true. According to multiple reports, including Jason Bartel at SB Nation, the Wildcats and head coach Sean Miller are thinking about redshirting junior college transfer guard Kadeem Allen.
This wouldn't normally be a rare occurrence for an incoming junior college player but the 6-foot-3 Allen is the reigning National Junior College Player of the Year.
After the win against Cal Poly Pomona on Sunday night, Miller explained Allen's situation and he was rather straightforward about it to the press. Allen was the only scholarship player who didn't play in the blowout win.
"We're debating right now on potentially redshirting him," Miller said about Allen after the game. "I know we could have played him and still redshirted him, but we're working towards that. We don't have to make that decision until Friday. But for the reasons that we decide to redshirt him, he can't play in any regular season games."
So, it seems like Allen is on a potential three-year plan in which he sits this year and plays the next two years since he wouldn't get much burn this season. Considering the perimeter talent in front of him this season, that isn't a bad idea for Allen — or Arizona — to consider.
Miller had even more to say on the topic:
"I think for Kadeem's total career, and what we have on this year's team, I think that if we didn't redshirt him, we may not be putting him in the best position to be a really good player at Arizona, to leave with his degree and some things that could be very meaningful for him."
"It's not as if he's lagging behind," Miller continued. "It's just that you can only play so many players and looking at the team that we have, one of these guys will get an extra year that they would have never gotten if we didn't choose to do this."
Allen averaged 25.9 points, 5.9 assists and 2.3 steals per game last season at Hutchinson Community College last season. If Arizona chooses to sit him, they're saving guard depth for an additional season and banking on having enough for this season. We'll see how this plays out.
Follow @phillipshoops
Tags: Arizona Wildcats, Kadeem Allen, Pac-12, Sean Miller
2014-2015 Preview: Impact JuCo transfers
By Terrence PayneOct 10, 2014, 1:00 PM EDT
Kadeem Allen (BlueDragonSports.com)
Beginning on October 3rd and running up until November 14th, the first day of the season, College Basketball Talk will be unveiling the 2014-2015 NBCSports.com college hoops preview package.
MORE: 2014-2015 Season Preview Coverage | Conference Previews | Preview Schedule
1. Kadeem Allen, Arizona: The NJCAA National Player of the Year tallied 1,425 career points in his two first-team All-American seasons at Hutchinson Community College (Kansas). While the 6-foot-3 power guard likely won't be in the starting five, he will a key scoring option coming off the bench. This past season with the Blue Dragons, he averaged 25.9 points per game.
2. Cinmeon Bowers, Auburn: An NCAA show-cause penalty didn't stop Bruce Pearl from landing one of the top JuCo recruits in the country this past spring. The former Florida State signee averaged 12.4 points and 8.9 rebounds last season at Chipola Junior College (Florida) The Tigers lose their top scorer and their top rebounder from last season's 14-16 team. Bowers can help in those departments, especially on the glass, where Auburn had one of the worst rebounding teams in the SEC.
3. Josh Gray, LSU: No Andre Stringer and no Anthony Hickey this season for an LSU program looking to return to the NCAA tournament for the first time since 2009. At Odessa College last season, Gray averaged 33.8 points and 5.9 assists per game. The former Texas Tech floor general, who averaged 9.3 points a night in 2012-2013, is joined by UNC Asheville transfer Keith Hornsby. The brand-new back court should compliment the frontline of sophomores Jordan Mickey and Jarell Martin.
4. Jordan Goodman, New Mexico: After three commitments and a stint in Harcum College (Pennsylvania), the 6-foot-9 Goodman is set to begin his first season with the reigning Mountain West tournament champion. Goodman, a first-team All-American, has yet to be cleared for full-contact drills after having knee surgery this summer, according to the Albuquerque Journal.
5. Stephen Hurt, Kansas State: The former Atlantic Sun Freshman of the Year used a year at Northwest Florida State to catapult himself into a highly-sought after forward. After committing to K-State, he'll join a team looking to push back up the Big 12 Conference standings. The 6-foot-11 center averaged 8.2 points and 4.8 rebounds in his lone season in the JuCo ranks after transferring from Lipscomb.
6. Trahson Burrell & Chris Hawkins, Memphis: Josh Pastner brought in several JuCo recruits who could be contributors this season. The 6-foot-7 Burrell was cleared last month after posting 25.2 points, 7.5 rebounds and 5.6 assists per game at Lee College (Texas). Hawkins, a JuCo forward, averaged 12.5 points and 4.8 rebounds per game for the Tigers in their four games in Canada this summer.
7. Ivan Cruz Uceda, Miami: At 6-foot-10 Uceda gives the 'Canes an inside presence. The ex-Harcum forward made an immediate impact on the glass in Miami's trip to Spain, pulling down 11.0 boards per game. Uceda's debut with Miami will be delayed until the second semester due to an NCAA rule.
8. Octavius Ellis, Cincinnati: Mick Cronin needs to replace the production left behind by Justin Jackson on the Cincy frontline. The 6-foot-10 forward Ellis, back in Bearcat uniform, averaged 14.8 points, 9.4 rebounds and 3.2 blocks as a first-team All-American at Trinity Valley Community College (Texas). He arrives in Cincinnati with another JuCo big, Coreontae DeBerry.
9. Dwayne Benjamin & Michael Chandler, Oregon: Three players dismissed and two more failing to enroll leaves plenty of opportunities for newcomers to make an impact on this Oregon team. The 6-foot-10 Chandler, a former four-star recruit, is the projected starting center while Benjamin can help out on the wing along with freshman Dillon Brooks.
10. Jeff Newberry, Oklahoma State: Phil Forte is back, but Marcus Smart and Markel Brown leave big holes to fill. Insert JuCo guard Jeff Newberry and LSU transfer Anthony Hickey. The 6-foot-2 Newberry could end up playing either guard position this season for Travis Ford's new-look perimeter.
TEN MORE TO KEEP AN EYE ON
Sam Cassell Jr., UConn: Son of the longtime NBA point guard adds depth to the UConn back court. Cassell was a first-team All-American in his only season at Chipola.
Gary Payton II, Oregon State: The son of the Hall of Famer enrolls as his father's alma mater, where after a coaching change he will be looked upon to contribute right away.
Kevin Punter, Tennessee: The State Fair Community College product committed to Tennessee and new head coach Donnie Tyndall. Punter averaged 20.3 points, 4.6 rebounds, 1.7 assists, and 1.4 steals per game.
Torian Graham and Devonta Pollard, Houston: The two-time N.C. State commit is joining Kelvin Sampson at Houston. Graham was once ranked No. 67 overall by Rivals. Former McDonald's All-American and Alabama forward Devonta Pollard is also an addition for the Cougars this season.
Carlos Morris, Minnesota: The 6-foot-5 combo guard averaged 14.7 points 5.2 rebounds and 2.3 assists per game for Chipola. The former Rivals 150 guard can crack the Golden Gophers' starting five.
Tom "Bush" Wamukota, Wichita State: The Shockers have a pair of All-American-caliber guards, but the 6-foot-11 Wamukota could be a lift on the frontline alongside Darius Carter.
Keith Thomas, St. John's: The nation's leading rebounder this past season at Westchester Community College (New York) hauled in 15.7 boards per game in addition to his 15.3 points a contest.
Willie Atwood, Arizona State: A season after returning to the NCAA tournament, the Sun Devils will bring in seven newcomers, four of whom are from the JuCo ranks. The 6-foot-8 Atwood was a All-American honorable mention selection, averaging 20.8 points per game for Connors State College (Oklahoma).
Follow @terrence_payne
Tags: 2014-2015 Season Preview, Arizona Wildcats, Auburn Tigers, Avery Woodson, Chris Hawkins, Cincinnati Bearcats, Cinmeon Bowers, Dwayne Benjamin, Farad Cobb, Gary Payton II, Ivan Cruz Uceda, Jordan Goodman, Josh Gray, Kadeem Allen, LSU Tigers, Memphis Tigers, Miami Hurricanes, Michael Chandler, New Mexico Lobos, Octavius Ellis, Oregon Ducks, Sam Cassell Jr., Stephen Hurt, Trahson Burrell, UConn Huskies
Arizona-signee Kadeem Allen named JuCo Player of the Year
By Rob DausterApr 23, 2014, 1:58 PM EDT
Kadeem Allen, an all-american guard for Hutchinson Community College the past two seasons, was named Junior College Player of the Year this week.
In two seasons at HCC, the 6-foot-3 Wilmington, N.C., native scored 1,425 points, averaging 25.9 points in the toughest NJCAA conference in the country. That was enough to pique the interest of Arizona head coach Sean Miller, who was able to get Allen signed and ready to enroll in Tucson next season.
Why is that relevant?
Because the biggest issue that Arizona had a season ago was their inability to create offense in half court sets. They were arguably the best defensive team in the country, even after Brandon Ashley was injured, but the only situation in which the Wildcats were consistently dangerous on the offensive end of the floor was in transition. And while Miller is bringing in yet another loaded recruiting class, headlined by top five recruit Stanley Johnson, he will once again have a team built around their defense but that is losing their best weapon in the half court: Nick Johnson.
That's where Allen value is going to lie.
He may not end up starting for this group — my prediction on a starting lineup is that T.J. McConnell will be joined by Johnson, Rondae Hollis-Jefferson, Brandon Ashley and Kaleb Tarczewski — but even playing the role of hired gun off the bench will be critical.
We had Arizona as the preseason No. 1 team in the country with the assumption that they would be losing Johnson and Aaron Gordon, and while he may not get as much hype as some of the other members of the team, Allen is going to be one of the keys to Arizona's 2015 bid for a national title.
Follow @robdauster
Tags: Arizona Wildcats, Kadeem Allen
Report: JuCo guard Kadeem Allen commits to Arizona
By Rob DausterOct 28, 2013, 3:43 PM EDT
Arizona added a third member to their 2014 recruiting class on Monday as Kadeem Allen committed to the program after taking a weekend visit.
Allen is a 6-foot-3 combo-guard that plays for Hutchinson Community College in Kansas. After averaging 17.4 points, 5.3 rebounds and 3.8 assists for one of the best JuCo programs in the country, Allen was named an all-american and the MVP of the Kansas Jayhawk Conference's Western Division.
Coming out of high school, Allen was a borderline high-major prospect. His athleticism was never questioned, but his work ethic and desire were. He didn't get the grades to go to college immediately, so Allen ended up at Hutchinson.
Joining Allen in Arizona's class: point guard Parker Jackson-Cartwright from LA and Craig Victor from New Orleans.
Tags: Arizona Wildcats, Kadeem Allen, recruiting
Depth, guard play make the difference for No. 12 Arizona November 20, 2015 12:38 am Arizona will consider redshirting an incoming guard November 10, 2014 11:24 pm 2014-2015 Preview: Impact JuCo transfers October 10, 2014 1:00 pm Arizona-signee Kadeem Allen named JuCo Player of the Year April 23, 2014 1:58 pm Report: JuCo guard Kadeem Allen commits to Arizona October 28, 2013 3:43 pm


text:
Find or Sell Used Cars, Trucks, and SUVs in USA
Add New Used Auto
Take a trip down Jaguar's memory lane with Xcar
Sat, 19 Jul 2014 19:31:00 EST
For decades, Jaguar has been a company of two minds. On one hand, there are its luxurious, British saloon cars. They might be quick, even sporty, but when it comes down to it, they usually put a focus on comfort and accommodations above all. On the other hand, Jag has its sports cars to really get its buyers' blood pumping. Think about it: the XJ might look pretty sweet, but you know deep down that you would rather take the F-Type for a spirited drive, reveling in its snorty exhaust note. In its latest video, Xcar Films takes us on a very enjoyable history lesson covering some of the Brit brand's most exciting models ever.
Xcar hits all of the highlights, starting with the often-overlooked C-Type from early '50s with its somewhat bulbous shape. Things then progress to the drop-dead gorgeous D-Type. The one in this video is actually the first ever made and therefore worth a fortune. Because of that, the host isn't really able to get too aggressive, but it's fantastic to get an idea of what it's like to experience being behind the wheel of this icon. Finally, it ends with a Series 1 E-Type. This was when the classic model was still something of a sports car; instead of the grand tourer that the E-Type became in its later days.
All three of these cars are legends in their own right, and maybe one day the F-Type could be too. Scroll down for a history lesson on some of Jaguar's best sports cars.
By Chris Bruce
See also: Jaguar confirms XE reveal for September 8, Jaguar Land Rover offers (some) detail about new Ingenium engine, Land Rover knows where you're going and how you want to get there.
2040Cars.com © 2012-2021. All Rights Reserved.
Use of this Web site constitutes acceptance of the 2040Cars User Agreement and Privacy Policy.


Following the release of her new album 'Double Duchess,' Fergie visited SiriusXM on Monday (September 25) in New York.
The singer added some sexiness to an Off-White Pre-Fall 2017 sweater with Vatanika Fall 2017 sheer black, over-the-knee boots.
Over-the-knee boots sometimes have a tendency to cut the line of the leg, but Fergie's heeled, peep-toe boots finished at the right point below the sweater's hem.
I could have done without the bandanna tied around her neck given the size of the hoop earrings and the extra-long side ponytail, but overall the ensemble is an intriguing mash-up of sporty and glamorous pieces.


text:
HomeDigpu NewsHappy Birthday Google – An Ode From Digpu
Happy Birthday Google – An Ode From Digpu
September 27, 2019 Cheshta Singh Digpu News, National News, Technology News 0
Timeline Of Few Google Doodles
What is that one word that comes in the mind of billions of people when asked to search something, check the news, find a route and check any information – Google. Google has become a household name, a guide to everyone.
It is an encyclopedia readily available on the smartphones or desktops. 21 years ago, two Stanford PhD students, Sergey Brin and Lawrence (Larry) Page, published a paper about launching a prototype of a 'large-scale search engine'. Google began as a research project in 1996 and since then there is no looking back.
Google indexes billions of web pages to allow users to search for the information they desire. Today, Google operates all over the world in over 100 languages, answering trillions of search queries each year. Not just information, it has multi-faceted impacts on our lives.
It has answers to our questions, various innovations, projects, services like web-based services, software services etc. Google is successfully reaching the masses and has definitely become the most loved platform. With Google, one can find any needle in any haystack at any-time, it has changed the virtual world completely.
Our team at Digpu wants to thank Google today. This is what they have to say –
Divya Rana, Our Corporate Publication Manager, says "Google has made life so much easier, it is one-stop-shop for everything. With its reach, user-friendliness and accessibility, it has brought the world closer. You can find any and every information on Google. I use google for literally everything. To list out a few, I use google to read about the current affairs & news across the globe; to expand my vocabulary – learn new words and their meanings, to listen to music, read about people I admire. Lastly being a foodie to find places to eat and learn new recipes."
Kunwar Devender Singh, Our Asia Pacific Head, says " Google is not only a search engine but the world's biggest teacher. Talk about anything – art, culture, science, technology, innovation, business, entrepreneurship, Google knows it all. Google is proof that there is always so much more to know and learn. There is no end to this."
Akshaya Bhogle, Our Operations Manager, says "Google is my second parent who was there for me whenever I needed. It never ever got uncomfortable with any of my questions and never get irritated. No matter how many questions I have asked, I get all the answers in detail."
Cheshta Bakshi, Our Content Editor, says "Happy Birthday Google! I am indebted to you. From starting writing to learning new things, from asking questions to interacting on online platforms and forums, Google has been my go-to person. To me, there is no better medium to learn and educate as Google. Google is that friend which everyone deserves."
Andrica D'mello, Our Associate Operations Manager, says, "I pretty much use Google for everything I do, I love the way it has made my life easier and way more organised. It simply delivers what one may need without unnecessary content. Moreover, it's a quick, fast and professional process that's not time-consuming, wouldn't want it no other way!"
Mohit Kumar, Our Admin Executive, says, " Happy Birthday Google! In the learning phase of my life, Google has helped me connect with the faculties of different institutes across the country. Due to which I was able to get lots of questions on quantitative aptitude and so many approaches to tackle it without using pen and paper."
Arti Dewan, Our Operations Manager, says, "Hey Google! What to say About You, You have become like a family to us. Without it, we can't imagine, our life would become so easy. Today you are one of my tech friends; always there to assist me, whether it is to search my favourite poets, any location for travelling, or knowing something that I want to learn. It helps a lot."
Also Read: Kashmir, Welcome To Bharat
Happy Birthday Google
About Cheshta Singh	335 Articles
The author loves to travel and collect stories, she is a nature-enthusiast and believes that nature brings out the best in her. She believes in paying attention to everything and creating impactful stories. be found with a backpack, walking down the lanes of an unfamiliar town. A firm believer in the power of pen and paper and dreams about changing the world. One smile at a time!
Website Facebook Instagram Twitter YouTube LinkedIn
Finally, Kashmir's Leaders Put Kashmiris First
Gurbaksh Chahal Honoured By DSGMC, Shares The Moment With Former PM Manmohan Singh
Google Maps now lets you manage your public profile
November 13, 2019 Cheshta Singh National News, Technology News 0
California [USA] Google Maps has been updated with a new feature that allows you to control your public profile right from inside of the app. As Android Police notes, in the 'Your Profile' section of […]
Google introduces new digital wellbeing feature — Focus Mode
December 5, 2019 Cheshta Bakshi Technology News 0
California [USA], Dec 5: Google's new Digital Wellbeing feature — Focus Mode — is now out of beta and rolling out to all devices supporting Digital Wellbeing and parental controls. The feature for Android devices […]
Google to soon offer checking accounts with banks
November 14, 2019 Kunwar Devender Singh National News, Technology News 0
California [USA] Google is expanding its presence in the financial domain by preparing to offer checking accounts to consumers. As TechCrunch reports, the service, called 'Cache' will be in partnership with banks and credit unions […]


Ardbeg 21 Year Old 1993 vintage Islay single malt Scotch whiskey. Single cask refill hogshead bottled February 2015 Hunter Laing & Co. for the Old & Rare Paltinum Selecton. 111 numbered bottles.
An elegant, dark gold whiskey with a powerfully robust nose. Initially sweet, with vanilla, soft fruits and a peat smoke aroma coming through late. Smooth and mellow on the palate with sweet, fruity notes at the beginning, but a nutty, peaty character eventually taking over. The finish is long, lingering and slightly dry with peat smoke and oak.


What is your perception of your value to you?
Are you a "mean girl?" Drama queen, hero or troublemaker, are you creating what you enjoy or do you allow others to define you and your worth. What do you think and feel about the experiences you create for you. Your beliefs, actions and relationships are shaped, sustained or dissolved based on what you choose to feed your energy too and focus on. Self-worth is not gathered from EXTERNAL SOURCES, like what other people tell you, events or accomplishments.
In the dark bandwidth feedback loop, manipulators, handlers and enablers are "the predator part of the victim predator cycle." Predators, handlers and enablers are attracted to and entrain with victims. Victims are people that don't want to care for, or create for the self, because their soul has been crushed one way or another. An agreement or contract is formed with a predator and victim. Both sides of this ATTRACTION of matching frequencies need each other to exist and reinforce their beliefs. Both sides entrain with each other, to avoid responsibility for the self. "The victim" enjoys the role of complaining about how they are mistreated and not loved by another person. The enabler is the long-suffering "saint" that helps keep the victim crippled.
Predators, victims and confused innocents all chose NOT to be compassionate with the self. They chose to look for compassion from others instead of going within to gather their worth. They allowed others to define the worth they have or don't have.
Lies, pretty stories, distortion, dis and misinformation, justifications, pleasing, not allowing and self-sacrifice, are found in those with low self-esteem. They are looking outside themself for their value and worth. They are not aligned with give and receive only compassion. Dark One's focus on each other, only long enough to siphon their energy and possibly take something from the other one. That interaction supply's only a "temporarily fix" to make both FEEL something. They frequently mistake abuse for "love." Like all addictions there is a few intense moments of distraction only to look for or create another drama or distraction.
When trauma has been your childhood experience, the most common reaction, is to hate and blame the self, to be angry about your inability to protect your biology, your state of calm and trust in others.
Possibly it is YOU that abandoned you, stop the blaming!
It's never too late to get invested and compassionate with you again. When your state of consciousness and self worth is low, you will feel negative and your perceptions will appear negative or unpleasant.
When you feel compassion and responsibility for you, you'll resonate to higher frequencies and increased self worth. You'll feel hopeful, inspired, and creative. You'll never feel alone as you will be falling in sync, with your soul conglomerate that exists in the light and always emanates compassion.
Quantum principle of HAPPINESS is an INNER condition about the way you think and feel about WHO you are, what you do and create.
To create or sustain good feelings about you, do the inner work of aligning with quantum truths to create relaxation, calm and communion with your soul. Be fully present, conscious and aware of all that's going on around and within you.
Your RELATIONSHIPS are a reflection and repetitionof the best and worst of your early interactions with your caretakers. Fetus and caretakers were "mature soul essences" attracted and entrained with contractual agreements. All were working on the same issues and challenges to see, feel and resolve.


text:
Mexican bars San Diego
If you want a unique Californian fusion cuisine experience, head down to Tio Chino in Point Loma, one of the newest restaurant and bars in San Diego. Tio Chino is a modern interpretation of Mexican, Japanese and Chamorro cuisine.
Continuing on the tradition of its predecessor, Tio Carlos, one of the oldest Mexican restaurants in San Diego, Tio Chino combines authentic Mexican food with Pacific island and Japanese flavors. Many are familiar with Japanese cuisine, but some may not be familiar with Chamorro cuisine. Chamorro are the indigenous people of the Mariana Islands, comprised of the Islands of Guam, Rota, Aguijan, Tinian, Saipan and ten other islands north of Saipan.
The owner, Shin Taira, was born in Okinawa, Japan but grew up on Guam, which made him appreciative of the local Chamorro food and culture. Now living in San Diego, he has tried to combine all his main favorite food types into one menu after working for years in restaurants in Guam. He believes San Diego, a colorful melting pot, is the perfect place to mix such seemingly disparate tastes into one fusion menu, which he sums up as "Pacific-Mexican." The logo has been designed to illustrate the combination of cultures! The logo contains an image of Shin and his business partner, Mateen, as Japanese daruma dolls with sombreros, which Shin hopes will bring good fortune!
It's not just about food for Shin. Shin also wanted to create a welcoming, relaxed atmosphere which combined the hospitality of the Pacific islands and Japan with the family feel that Tio Carlos was famous for.
The San Diego bar and restaurant is situated on 3334 Rosecrans, Point Loma, just a stone's throw from Seaworld, Sports Area and the San Diego International Airport. It is open 7 days a week and offers a lunch and dinner service as well as a fantastic bar experience. Happy Hour starts early with drink specials from 1pm until 6pm everyday with food specials from 3pm to 6pm.
Tio Chino's menu offers Mexican staples such as tacos, burritos and carnitas cooked with the freshest ingredients in the Tio Carlos tradition, but also Pacific-Rim influenced items such as Taco Rice and Mabo Tofu Stuffed Burritos! From healthy salads to baked salmon on pork belly, there is something for everyone. It is also a fantastic place to have a drink, with a new bar and an open patio, where you can get great barbeque food. The drinks menu has many specialty cocktails as well as beer, wine and traditional margaritas, using the old Tio Carlos recipe. Sundays are easy with a relaxed atmosphere while the games play on the TVs in the bar area
Tio Chino hosts live entertainment on a Wednesday evenings, including live bands and comedians. It also handles events such as wedding receptions, baby showers and the MRCD graduation dinners. Tio Chino also offers a delivery service for all items on its Pacific Mexican menu including to rooms in the surrounding hotels.
The premises have just been renovated with new elevator access to the second floor and a new interior. Tio Chino is one of the go to places to eat and drink in San Diego.
So if you fancy tasting authentic Mexican food such as made from scratch carnitas and carne asada, or fancy mixing it up a bit with something completely different such as the Asian inspired fish tacos, give us a call or just come on down. It's a place for old and new to come together and respect each other over good food, drink and music!
chicago state university southern connecticut state university methodist university plymouth state university alfred university university of west georgia southern illinois university benedictine university bemidji state university drew university liberty university online phoenix university northwestern state university university of massachusetts university of texas at arlington st mary's university pacific university south dakota state university point park university university of california san diego ave maria university westfield state university university of northern colorado university of tennessee football southern university football north carolina central university western kentucky university worcester state university coppin state university st bonaventure university tiffin university fort valley state university university of scranton university of maryland medical center john carroll university middle georgia state university christopher newport university shepherd university dallas baptist university kentucky state university winston salem state university rush university medical center university of wisconsin madison life university university of utah football davenport university vanguard university idaho state university western university university of colorado hospital mercyhurst university mckendree university american public university university of waterloo university of illinois urbana champaign johnson and wales university yonsei university franklin university franklin pierce university carroll university ross university school of medicine university credit union brandman university depauw university lawrence university loyola university new orleans where is harvard university west coast university blackboard seattle pacific university youngstown state university
https://www.guideavis.com/marque-de-robot-patissier/
Source: tiochino.com
Best Wine Bars San Diego
Downtown San Diego bars
Best beer bars San Diego


text:
Benita Brickhouse
June 30, 1951 - July 10, 2021
Benita Brickhouse passed away at home in Ohio shortly after celebrating her 70th birthday. She was born June 30,1951 in Detroit to Lee Ethel Williams Brickhouse and George H. Brickhouse. She chose her final resting place beside her mother and grandmother Clara in Winston Salem. A graduate of Mumford High School, Benita attended Shaw and U of D before earning her bachelor's degree from Lawrence Technological University. She later earned a master's degree from Central Michigan University. Benita embarked on a career that included General Motors, where she rose through the corporate ranks. She moved several times in the Midwest as she advanced while working extensively with GM dealerships. She often earned awards and recognitions as the top sales rep in her region. She held positions as Fixed Operations Development Manager and GM Area Part Manager before her retirement. Benita became a member of Delta Sigma Theta (DST) in 1971. She pledged as an undergraduate at the University of Detroit. She later served as a representative for the Mighty Midwest Region and as the Evansville, Indiana Chapter president. She supported numerous Delta programs and activities, particularly those by the Detroit Deltas. She was especially pleased to support its commemorative brick campaign in 2019, and visitors to the headquarters at 24760 West Seven Mile Road will see one for Benita and another one honoring her mother. Benita was an active and supportive DST member for over 50 years. Benita was a devoted member of historic Second Baptist Church when she lived in Detroit. She often visited the church during her many visits to her hometown. Benita was preceded in death by her parents Lee Ethel Williams Brickouse and George H. Brickhouse. She is survived by her sister Joyce, her brothers George H., Jr. and Keith, her nephews Anthony, Warren (Rick), and Jacsyn; and her nieces Debra, Leslie, Kimberly, and Maya. as well as numerous great nieces and nephews, great-great nieces and nephews, and godchildren. She also leaves behind her very close family friend Barbara James-Petersen, thought of as a sister, with whom she pledged Delta; G. Luz James II considered a brother: the entire James Family, and many other St. Croix families whose ties with the Brickhouse Family extend back to the 1960s. Benita also leaves behind dear friends Cynthia Hunt, Julia Robinson, and Gail Page Grange, along with Sorors, and others to cherish her memory. The funeral service will be held at New Hope Missionary Baptist Church, 1201 New Hope Lane, Winston Salem, NC 27105 on Saturday, July 24 at 10::00 AM. Family hour 9:00 AM. Interment at Piedmont Memorial Gardens, Winston-Salem, NC In lieu of flowers, please honor Benita's support of Delta Sigma Theta's educational mission by donating to scholarships by the Minerva Education and Development Foundation, at PO BOX 21655, Detroit, MI 48221 or online at medf.net.
Benita Brickhouse passed away at home in Ohio shortly after celebrating her 70th birthday. She was born June 30,1951 in Detroit to Lee Ethel Williams Brickhouse and George H. Brickhouse. She chose her final resting place beside her mother and... View Obituary & Service Information
The family of Benita Brickhouse created this Life Tributes page to make it easy to share your memories.
Benita Brickhouse passed away at home in Ohio shortly after celebrating...
Send flowers to the Brickhouse family.


text:
What is Somatic Voicework™ The LoVetri Method?
Origins of Somatic Voicework™
Teacher Locator Help
SVWTA Member Directory
Somatic Voicework™ Teachers Association
Jeanie's Blog
Andrea Claburn Voice Studio
August 16, 2020 By Andrea Claburn Leave a Comment
Place Category: SVW certified teachersPlace Tags: Jazz voice Mixed Voice Musical Theatre
A private voice studio in San Francisco, California.
https://www.youtube.com/andreaclaburn
Vocalist/composer/arranger Andrea Claburn was born in Baltimore to a classical pianist mother and jazz aficionado father and raised in the classical tradition, studying both piano and violin before turning to vocal jazz. A conservatory-trained musician, Andrea's musical depth shapes her exceptional vocal style, with a "highly instrumental use of her voice" that is "riveting to hear." (L.R. Bailey) As a composer and lyricist, she breathes life into new songs as well as old, writing and arranging contemporary jazz standards, and lyricizing a wide range of instrumental material. A powerful storyteller and charismatic performer, Andrea Claburn's vocal style is infused with a wide variety of musical influences while remaining strongly rooted in the jazz tradition.
Raised and educated largely in Northern California, Andrea holds two degrees: a Bachelor of Arts (Humanities) from the University of California, Berkeley, and a Bachelor of Music (Jazz Studies) from the California Jazz Conservatory, where she was mentored by some of the finest jazz artists on the West Coast. In her sophomore year at the CJC, Andrea was awarded the Conservatory's highest vocal honor, the Mark Murphy Vocal Scholarship, an award given to a singer who "demonstrates exceptional creativity and artistic promise."
In August, 2015 Andrea became a member of the vocal faculty of her alma mater, the California Jazz Conservatory, where she teaches private lessons in vocal technique, performance, and musicianship; she also teaches group classes in technique and jazz performance and special workshops (Arranging for Vocalists; Stage Presence 101) to adult learners of all ages at the Jazzschool Community Music School (at the CJC). She is an Artist in Residence at the Ruth Asawa School of the Arts, San Francisco's premiere public high school for the performing arts, and she teaches private lessons according to the principles of Somatic Voicework™ The LoVetri Method at her home studio in SF's Mission District.
Andrea has performed at prominent venues throughout the Bay Area and beyond, and has worked with many of Northern California's most sought-after instrumentalists. Her debut album, Nightshade, was released in January, 2017 to wide critical acclaim and features jazz luminaries Matt Clark (piano), Sam Bevan (bass), Alan Hall (drums), Terrence Brewer (guitar), Erik Jekabson (trumpet), Kasey Knudsen (alto sax), and John Santos (percussion).
Category: SVW certified teachers
Tags: Jazz voice, Mixed Voice, and Musical Theatre
Address: Guerrero St
Certification Level: Level Three
Styles taught: Jazz, CCM
Why SVW:
Having a healthy, strong, balanced voice allows freedom and flexibility in any style of singing. The LoVetri Method is optimally suited to develop exactly this kind of maximal freedom in vocal function and expression. The principals of SVW create a positive, supportive, healing environment that brings out the unique sonic beauty of each individual singer.
An Assortment of Functional Principles Applied: Hearing, Seeing and Dissecting What and How We Sing, Announcing a New Somatic Voicework™ Online Course with Jeanie LoVetri October 18, 2020
Applying Somatic Voicework™ with Unique Vocal Demographics. Announcing a New Somatic Voicework™ Online Course with Jeanie LoVetri August 18, 2020
Somatic Voicework™ Virtual Choir June 16, 2020
Somatic Voicework™ The LoVetri Method stands in solidarity with the Black community June 4, 2020
Belting: Techniques, Problem Solving, Exercises, and Repertoire. Announcing a New Somatic Voicework™ Online Course with Jeanie LoVetri May 11, 2020
Copyright © 2021 · Somatic Voicework· Log in