text:
Gary Player's 9-iron remains unforgettable 50 years later
Of the 281 shots that Gary Player took on his way to victory at the 1972 PGA Championship, one stands out among the rest.
Fifty years have passed since Player claimed his sixth of nine majors at Oakland Hills Golf Club, but one singular shot remains as vivid to Player as the day he struck it.
"It was one of, if not, the greatest shots of my career," Player said.
The south course at Oakland Hills was termed "a monster" in 1951 by Ben Hogan, a two-time PGA Championship winner, when he won the US Open there. It was a fitting and fame-producing description. Officials at many other courses tried to adopt the term, touting their layouts as "monsters." But Oakland Hills, in a suburb north of Detroit, was the original.
Having already won the PGA Championship in 1962, Player was an authority of sorts on what qualified as a monster and pegged Oakland Hills' south course "the toughest in America."
Player's 'moment of truth'
In the final round of the 54th PGA, 10 golfers were within two strokes of the lead playing the final nine holes. The moment of truth for Player happened at the 408-yard dogleg right par 4 16th, where a pond guards the green set close enough to it that any approach has to cross it. In those days, a majestic Weeping Willow stood inside the elbow of him. Strategically, it eliminated the shortcut to the green for those who drove the ball into the rough.
That's, of course, where the hero of our story found himself. Having already bogeyed the 14th and 15th holes, Player shared the lead with Jim Jamieson, who had won the Western Open just a month earlier in what would prove to be his lone PGA Tour win di lui. As Jamieson was up ahead playing the 18th hole, Player pushed his tee shot to the right directly behind the willow tree. Phil Rodgers, who was playing alongside the diminutive South African in the final group, told British golf writer Ben Wright that Player was so discouraged over his drive di lui that he was talking as if he had already blown the tournament.
"I had worked incredibly hard for this major, and now I felt it was slipping away from me," Player said.
But part of what made Player great was that he trained for every possible circumstance. He had a reputation for creating what he called tactical laboratory situations. For instance, he would set up an obstacle of a tree branch and try to punch the ball beneath it 10 straight times. If he hit the limb, the exercise would start all over.
"Player is gifted, of course, but I hardly think he is overburdened with natural ability," wrote Leonard Crawley in the London Daily Telegraph. "His immense success di lui comes from hard work, and a capacity to concentrate on the job in hand given to few."
South Africa's Gary Player throws his head in the air after putting on the eighteenth hole, where he won the PGA Championship, at Oakland Hill, in Birmingham, Mich., Aug. 6, 1972.
Player takes a peek
What Player did next on a rainy, cool, gray day at Oakland Hills's 16th personified his grit and determination. Player examined his lie about him in the soggy rough with great concern. Blind to the flagstick and the water hazard threatening ahead, Player had to stand up on a gallery member's chair just to get a glimpse of the green.
Fortunately, his lie was a good one on long grass flattened down by the gallery. As he walked to a marker on the fairway to check his yardage, he noticed his divot di lui from the other day.
In his book, "Don't Choke," Player recounted how an 8-iron he hit during a practice round played a pivotal role in winning his sixth major. After he struck the shot from right off the fairway on the 16th hole, Player took special notice of the divot.
"Although I was in a similar position, the grass was wet now, and I knew I would get a bit of flyer coming out of the rough," Player said in explaining his choice of the 9-iron rather than an 8.
Player also deemed he needed the extra loft to clear the trees. A seat stick left on the ground under the trees served as his line of him. It was an all-or-nothing gamble: the slightest mishit, or if the 9-iron proved to be not enough club to carry the pond to a pin cut very near the hazard on the right side of the green, and he'd be staring a bogey at minimum and possibly a big number in the face.
"That was just not enough club, but Player simply added 'heart,'" wrote golf writer David Mackintosh.
Despite the water ahead and the tree in front of him, he hoisted a 9-iron that soared over the trees, across the water and onto the green, nestling 3 feet from the hole.
Just as Player holed his birdie putt, Jamieson had missed a short par effort of his own on the last green and Player had an insurance stroke in his back pocket. But he wouldn't need it for Player had already delivered a telling stroke at the most critical moment.
"I've hit some incredible shots in my career, and people often thought I was just lucky. But great shots, much like great championship victories, are often the result of careful planning and something that gives you that courage and conviction deep inside to know you can pull it off, "Player explained. "Great shots don't simply appear out of nowhere during a crucial stage of a major. They are shots that have been grooved on the practice range for hours. What makes them special is the player's ability to execute the shot under pressure. "
A pair of closing pars later and Player had matched par on the last nine to shoot 2 ‐ over ‐ par 72 for a 72-hole total of 1-over 281, two strokes ahead of co-runners-up Tommy Aaron and Jamieson, who made headlines that week for using a $ 17 department store putter. Jamieson fizzled down the stretch, making bogeys on each of the last three holes, signing for an even-par 70, while Aaron had a 71. It secured Player's first major in over four years, and earned him a check totaling $ 45,000.
Player trailed Buddy Allin and Stan Thirsk by three strokes after the first round and Jerry Heard by the same margin at the midway point of the championship. In all, 77 golfers survived the cut. Player surged into the lead with a nifty 3-under 67 in the third round, which lifted him a stroke ahead of Billy Casper.
Casper, Snead also near
The outlook for Player to win his first major in four years didn't appear promising when he opened with bogeys on three of his first four holes in the final round. But Player did sink a 25-foot birdie putt at the second and settled into a streak of six pars in a row beginning at the fifth. Casper and Player were even after nine holes and it was anyone's trophy to grab hold of until Player converted two birdies on the last nine, a 5 ‐ footer going in at the 11th, and, of course, the one he considered most important at the 16th hole. "I think that one won the tournament for me," he said later.
Ageless wonder Sam Snead, 60, fired a final-round 69, to tie the low round of the day at the course where he finished second in the 1937 US Open. Snead, who last won the PGA in 1951, tied for fourth with Casper and Ray Floyd.
"If I could have been a couple more under par coming in," Snead told The New York Times, "I would have thrown a scare into the fellows."
Jack Nicklaus, the defender and pre ‐ tourney favorite as current Masters and US Open champion, took three putts at the first green for a bogey in the final round and never gained any momentum after that. Nicklaus tied for 13th place at 287.
There's one more footnote to the story of Player's memorable shot at 16. Just as a divot from his practice round had weighed into his decision of what club to hit, his 9-iron divot would become a trophy of sorts for one spectator. A man in the gallery waited for Player to head to the 16th green after his remarkable shot di lui and retrieved Player's divot. He tucked it away, took it home and planted it in his lawn where it flourished.
"He sent me a message a few years later saying he had a Gary Player lawn," Player recalled. "And I should come and see it whenever I come back to Detroit."
PGA Championship: Gil Hanse, Jim Wagner return Southern Hills to Perry Maxwell greatness
Categories Golf Tags gary player, Oakland Hills Country Club, PGA Championship, video
What is the XFL, and how will it compete against the NFL?
UFC mixed martial arts fighting events appear to reduce involvement in violent crime


As a Business Owner, how Often Does Your Marketing Plan Need to be Re-Evaluated?
When you own a business, you have plenty to think about. You need to make sure the day to day operations of your business are running smoothly. You need to manage your employees, ensuring that everyone is productive and happy in the workplace. And you need to deal with issues of customer satisfaction, ensuring that the people who support your business with their dollar are happy with their choice.
But one of the most foundational things any business owner must deal with is marketing. You need to promote your business to potential customers and get them through the door. If you can't successfully do this, you will find yourself struggling quickly.
There are several qualities of a good marketing plan, but one of the most important is that it must be dynamic. You need to be ready to change the plan if its effectiveness wanes. And you need to be on the alert to see whether that is going to happen.
Did Your Marketing Plan Live Up to Your Expectations?
When you put your marketing plan together, it should contain anticipated results. These should be quantifiable, something you can easily point to and pinpoint whether the plan was a success or not. You should review the actual results as compared to your anticipated results at regular intervals—monthly, quarterly, and yearly—to determine whether your current plan is operating the way you want it to.
Obviously, if your marketing plan is not returning the results you were hoping for, it's time to jettison that plan and come up with something else. However, even if your marketing plan is performing up to par, it's no time to become complacent. A marketing message can quickly grow stale. Keep an eye on the results your message is having, but in the meantime, you need other barometers. If your marketing stops working, you want to be out in front of the problem.
Customer Satisfaction. Survey your customers regularly and find out what they think about your marketing. You can use their responses to tweak your message.
New Product Launches. This is both an obvious and excellent time to make a marketing push. Put your energy behind promoting whatever's new.
Quarterly. Many businesses make it a practice to change up their marketing on a quarterly basis, and this is a good idea. It allows you the time to develop comprehensive strategies, and at the same time leaves you with enough flexibility to try new things regularly.
Whatever you choose to do in your business marketing, be tracking the results, and be aware that the need may come to make a change. One of the worst things any business can do is get comfortable on the same marketing strategy and stop evaluating its success. Like the food in a restaurant, marketing must be kept fresh.


A guide to conducting religion-related research at Miami Dade College (MDC), including information about our library, collection statistics, and resources for faculty.
In most databases, you can find MLA- and APA-formatted citations under headings like "Tools" and "Page Tools." Learn more about MLA citation and APA citation formats.
Learn more about plagiarism—including its more nuanced varities—by visiting the Purdue Online Writing Lab (OWL) guide to Avoiding Plagiarism.
Click the above search button, and then add your own search terms. To search for MDC materials off campus, follow these steps: Click the triple-bar (hamburger) button, then select Settings => Library Links => type in "Miami Dade College" => Select => Save.
Different databases may look different but they can all be used in similar ways. Go to a database's Help function for instructions on search features. And remember: Don't reinvent the wheel! Search your article database for items from the bibliographies that occur at the end of journal articles or in books that you've already found on your topic.
Adapted from the UC Santa Cruz University Library research guide "Start Your Research." Used under a Creative Commons Attribution 3.0 Unported (CC BY 3.0) license.
This LibGuide was designed and created and is maintained by Michael Moore. User suggestions and comments are welcome.
The icons used in this LibGuide were produced by Icons8 and are used under a Creative Commons Attribution-NoDerivs 3.0 Unported license. Hand-drawn signature typeface, Tuesday Night, by Font Forestry.


12-Steps To Destroy America: Happening Now!
Study this information and send it to everyone you know.
I challenge anyone to disprove that all of these 12 steps to destroying a society, are not now well-underway in America.
Tags: 12-Steps to Destroy America: Happening Now!, destroying America, How To Destroy America, Send This To Everyone!, The Blaze, V. Thomas Mawhinney Ph.D., VTM, Wake-Up Ignorant Americans!
This entry was posted on August 24, 2018 at 3:58 PM and is filed under Boiling the American Frog.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


PESHAWAR: The Peshawar High Court (PHC) on Wednesday issued notice to Prof Badshah Munir Bukhari in a petition challenging his appointment as the project director of the University of Chitral.
A division bench of the court, comprising Justice Waqar Ahmed Seth and Justice Musarrat Hilali, summoned Mr Bukhari on March 28 on a petition filed by Dr Ismail Wali.
Muhibullah Terichvi Advocate, the counsel for Mr Wali, maintained before the court that Mr Bukhari was appointed on the PD post on the recommendation of a member of the provincial assembly (MPA) in violation of rules. He contended that the name of his client (Mr Wali) was on top of a list prepared and sent by the Higher Education Department to the chief minister for selection of one of them while Mr Bakhari's name was not included in the list at all.
He said the chief minister was bound to pick one name from the list for appointment as the PD of the new university but Mr Bukhari was hired for the post bypassing the list, which was against the set rules. The names of the two other candidates: Dr Hassan Sher and Mumtaz Hussain.
After hearing the arguments of the lawyer and the advocate general on behalf of the KP government, the court summoned Mr Bukhari on March 28 and adjourned the matter.
Thank God, what a relief. The lawyer for Ismail Wali should also challenge appointments against different posts which were filled through so-called NTS testing. And the positions for PRO and other small positions were filled completely on political basis. I challenge the PD to ask his PRO to write even his name and I am sure he will not be able to to write a single sentence. I also have serious reservations about the appointment of some unqualified people as head of the departments. The court should also look into the matter. Our prayers and best wishes are with Professor Wali and I am sure once court nullifies the incumbent PD's appointment, he will also cancel the hiring of these incompetent people who do not deserve to be appointed on such posts.


text:
Heat of the moment: Rep. Clarice Navarro taking Pueblo Chile to D.C. party
chileAdmin
news, pueblo chile, pueblo news
They might serve caviar at some parties or red-meat politics at another. But that's not Clarice Navarro's party. The state representative from Pueblo, an ally and adviser to Donald Trump, is making sure the Pueblo Chile is on the menu.
Navarro is on the host committee for the Latino Inaugural 2017 Gala in Washington, D.C., next week. About 600 guests will be able to nosh on the regionally famous Pueblo Chile during the black-tie event at the Mandarin Oriental Hotel near the Capitol.
"I'm so proud of what the Pueblo Chile Growers Association has accomplished, and I'm even more proud of what they are working toward," Navarro said. "The ability to showcase the Pueblo Chile at such a historic event is really a dream come true for me, and having a taste of 'home' available for people around the nation makes me beam with a sense of pride.
"I love all that southern Colorado has to offer, and the Pueblo Chile is a part of that."
The Pueblo Chile is a pretty big deal to those in southern Colorado, grown on Pueblo's Saint Charles Mesa, east of town.
"Eaten throughout the year by many with practically every meal, chile is one of Pueblo's staples. It can be found everywhere — in our Mexican, Italian, Chinese or American restaurants, as well as in thousands of people's freezers, to be used in anything that needs a little 'kick,' " the Pueblo Chamber of Commerce said. "Locals use the roasted chilies on eggs, on cold salami and capicola sandwiches, on hamburgers, on pasta, and, of course, in salsa and green chile."
Dominic DiSanti, president of the Pueblo Chile Growers Association, said the members are excited to be on showcase in Washinton.
"These peppers have become a staple ingredient in countless homes and restaurants in Colorado. Pueblo Chiles have a robust flavor and uniqueness to them that is only rivaled by our hometown," he said in a statement. "We greatly appreciate State Rep. Navarro's thoughtfulness to include Pueblo Chiles in the gala menu and share a part of Pueblo's culture at a national event."
Original article via ColoradoPolitics.com
Winners Announced: Spice Up Spring 2019
The 50 Most Iconic Foods From All 50 States
Spice up your cooking!
Chile & Frijoles Festival Presented by Loaf 'N Jug
Certified Pueblo Chile chile license plate Colorado Colorado Proud news petition pueblo pueblo chile pueblo chile festival pueblo news Visit Pueblo washington dc
Pueblo Chile license plate wins in Colorado House
Copyright © 2019 Pueblo Chile Growers Association | A MULTI-DESIGNS CREATION

redpajama_set_name: RedPajamaCommonCrawl


text:
Home / RegDesk Blog / FDA / FDA Guidance on Electromagnetic Compatibility of Medical Devices: Overview
FDA Guidance on Electromagnetic Compatibility of Medical Devices: Overview
The article provides an overview of the US regulatory framework regarding the electromagnetic compatibility of medical devices.
Regulatory Background
EMC Information for Premarket Submissions: Key Points
EMC-Related Device Characteristics and Intended Use Environments
How Can RegDesk Help?
The Food and Drug Administration (FDA or the Agency), the US regulating authority in the sphere of healthcare products, has published a guidance document dedicated to the electromagnetic compatibility (EMC) of medical devices. The document is intended to provide additional clarifications regarding the applicable regulatory requirements, as well as recommendations to be considered by medical device manufacturers and other parties involved to ensure compliance thereto. At the same time, it is important to mention that FDA guidance documents are non-binding, and are not intended to introduce new rules or impose new requirements. Moreover, an alternative approach could be applied, provided such an approach is in line with the respective legislation and has been agreed with the authority in advance. The present guidance constitutes a final version based on the draft issued by the authority earlier in November 2020.
The guidance is intended to provide recommendations regarding the scope of information to be included in premarket submissions concerning the matters related to electromagnetic compatibility. The said recommendations are applicable in the context of such submissions as premarket approval (PMA) application, humanitarian device exemption (HDE), premarket notification (510(k)) submission, investigational device exemption (IDE), De Novo request, and some of the biologics license application (BLA) and investigational new drug (IND). The document describes the way the manufacturer may demonstrate electromagnetic compatibility for electrically-powered medical devices and medical devices with electrical or electronic functions. As further explained by the FDA, the evaluation of the EMC-related information should be based on the risks associated with the potential malfunction of the device and the consequences thereof. The document also contains references to the FDA-recognised voluntary consensus standards medical device manufacturers may use when demonstrating compliance with the applicable regulatory requirements.
Thus, the scope of the guidance covers medical devices, including the in vitro diagnostic ones, that are electrically-powered; or have functions or sensors that are implemented using electrical or electronic circuitry.
The guidance becomes applicable within 60 days from the date it was issued for all non-IVD products covered by its scope.
According to the guidance, electromagnetic compatibility stands for the ability of a medical device to function safely and effectively in its intended electromagnetic (EM) environment, including immunity to EM disturbances (i.e., interference), without excessive EM disturbances (i.e. emissions) that might interfere with other equipment; while the immunity is the ability to protect against unacceptable degradation due to EM disturbances such as radio waves, power surges, radiofrequency (RF) disturbances, and electrostatic discharge ESD). The aforementioned interferences could adversely impact the operations of medical devices and result in hazards for customers, healthcare professionals, and patients. As a result, medical devices could operate not as intended when used for the initial purpose. Apart from that, there are emissions limits intended to ensure correct operations of radio services and all devices, including non-medical ones. The authority also refers to the IEC 60601/80601 and IEC 61010 series of standards to be applied concerning the devices covered by the scope of the guidance. The aforementioned standards outline the general requirements medical devices should meet in terms of electromagnetic compatibility and prevention of interferences.
As it was mentioned before, for electrically-powered medical devices and medical devices with electrical or electronic functions, [the manufacturer] should provide evidence that the medical device is safe and performs as intended in the environment of use.
The document further highlights the key points to be addressed in the documentation to be submitted by the applicant concerning EMC-related matters. The appropriate information should be provided in the respective sections of the submission and contain references to corresponding documentation. At the same time, some of these elements could be included in test reports or test summaries – in such a case, the appropriate references should be provided as well.
First of all, the information should cover the characteristics of the medical device in question-related to the electromagnetic compatibility and the particular environment in which the device is intended to be used. In this respect, the submission should include, inter alia, the following elements:
An overview of the device and its functions and modes, including block diagrams, photographs, cables, relevant accessories, and device interoperability;
A description of the power supply, including if the internally-powered medical device can be used while charging;
A statement regarding the environments in which the medical device is intended to be used;
A description of any wireless technology; and
A description of any intentional RF emitters in the medical device that could be sources of EM disturbances.
The indication of the particular environment in which the device is initially intended to be used is important for determining the scope of testing to be performed to evaluate the EMC-related matters. According to the guidance, potential use environments include the following ones:
Professional Healthcare Facility Environment – hospitals, laboratories, and all other facilities where experienced and trained staff can continuously oversee the operations of medical devices.
Home Healthcare Environment – a setting where the device is not under the continuous supervision of a properly trained and qualified person.
Special Environment – the one which has specific EM characteristics in comparison to the general ones described in the appropriate standard. For instance, this category includes military areas, aircraft, or medical treatment areas with high-powered medical devices (e.g., MRI).
As further explained by the FDA, when assessing the risks associated with the particular use environment, the manufacturer should collect and analyze the information about all the factors the device used in this environment will be subject to. For this purpose, manufacturers are encouraged to consider common EM emitters, as well as specific ones that could be present in the respective environments.
The document also describes the approach to be applied concerning risk assessment. In particular, it is stated that the manufacturers are expected to provide a summary description of the risks associated with malfunction, disruption, or degradation of the performance of the subject medical device due to EM disturbances. The scope of analysis to be performed by the manufacturer shall cover all issues and malfunctions that could potentially take place.
In summary, the present FDA guidance provides an overview of the regulatory requirements related to electromagnetic compatibility. The document highlights the key points to be considered by medical device manufacturers applying for marketing approval and outlines the scope of information to be included in the submission.
https://www.fda.gov/media/94758/download
RegDesk is a next-generation web-based software for medical device and IVD companies. Our cutting-edge platform uses machine learning to provide regulatory intelligence, application preparation, submission, and approvals management globally. Our clients also have access to our network of over 4000 compliance experts worldwide to obtain verification on critical questions. Applications that normally take 6 months to prepare can now be prepared within 6 days using RegDesk Dash(TM). Global expansion has never been this simple.
Want to know more about our solutions? Speak to a RegDesk Expert today!


The primary goal of this report is to provide data-driven insights, best practices, and year-over-year trends by analyzing technology adoption among enterprises who run massive applications on AWS, Azure, and GCP. The report also provides additional real-time visibility into the DevSecOps tools and methodologies used within cloud-first organizations as they "lift and shift" or modernize and migrate existing applications to cloud environments.
Container technologies like Docker enable DevOps teams to build, ship, and run distributed applications more efficiently.
Docker is also an excellent infrastructure choice to build microservices.
With ~30% of enterprises using Docker, it's clear that Docker is a critical foundational layer for modern applications.
Databases are at the core of many applications.
Application architects have several database choices while migrating to cloud — Relational DB, NoSQL DB (including in-memory DB), etc.
Enterprises have many choices for databases — open source, commercial, relational, NoSQL, in-memory, disk-based, etc.
Sumo Logic provides its customers running modern application workloads in public clouds (AWS, Azure, GCP) with operational and security visibility into their applications. To serve these customers, we collect millions of events per second of live data from our customers' full application stack: infrastructure, application components, custom app code, as well as variety of application services leveraged to manage the application.
As companies continue to innovate at increasingly accelerated speeds, Sumo Logic scales with your stack. Subsequently, the data in this report is pulled in real-time to give you timely data of today's trends.


text:
Editorial Regarding Walker's Appeal
William Lloyd Garrison | January 8, 1831
William Lloyd Garrison > Editorial Regarding Walker's Appeal
Believing, as we do, that men should never do evil that good may come; that a good end does not justify wicked means in the accomplishment of it; and that we ought to suffer, as did our Lord and his apostles, unresistingly–knowing that vengeance belongs to God, and he will certainly repay it where it is due;–believing all this, and that the Almighty will deliver the oppressed in a way which whey know not, we deprecate the spirit and tendency of this Appeal. Nevertheless, it is not for the American people, as a nation, to denounce it as bloody or monstrous. Mr. Walker but pays them in their own coin, but follows their own creed, but adopts their own language. We do not preach rebellion–no, but submission and peace. Our enemies may accuse us of striving to stir up the slaves to revenge but their accusations are false, and made only to excite the prejudices of the whites, and to destroy our influence. We say, that the possibility of a bloody insurrection at the south fills us with dismay; and we avow, too, as plainly, that if any people were ever justified in throwing off the yoke of their tyrants, the slaves are that people. It is not we, but our guilty countrymen, who put arguments into the mouths, and swords into the hands of the slaves. Every sentence that they write, every word that they speak, every resistance that they make, against foreign oppression, is a call upon their slaves to destroy them. Every Fourth of July celebration must embitter and inflame the minds of the slaves. And the late dinners, and illuminations, and orations, and shoutings, at the south, over the downfall of the French tyrant, Charles the Tenth, furnish so many reasons to the slaves why they should obtain their own rights by violence.
Some editors have affected to doubt where the deceased Walker wrote this pamphlet. –On this point, skepticism need not stumble: the Appeal bears the strongest internal evidence of having emanated from his own mind. No white man could have written in language so natural and enthusiastic.
Excerpts of Testimony from Mattie Curtis
Of the Natural Rights of Individuals
Speech on the Dred Scott Decision
Federal Farmer XIV
Maryland Farmer No. 3, part 2


Find your perfect CLEP Principles of Management tutor.
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text:
Q: Android Multiple notifications BroadcastReceiver I am trying to implement multiple notifications for each reminder I have in my app. I found some leads around here that it could be achieved using unique id per each notification but it is not working I get only one notification which is overwritten by the last one set. Also I would like know how is it possible to keep the notification intact after device is rebooted please. Here is my code
 //call notification activation Intent
    Intent intent = new Intent(getBaseContext(), AlarmReceiver.class);
    PendingIntent pendingIntent = PendingIntent.getBroadcast(getBaseContext(), RQS_1, intent, 0);
    AlarmManager alarmManager = (AlarmManager)getSystemService(Context.ALARM_SERVICE);
    alarmManager.set(AlarmManager.RTC_WAKEUP, calendar.getTimeInMillis(), pendingIntent);

AlarmReceiver class
public class AlarmReceiver extends BroadcastReceiver {
    @Override
    public void onReceive(Context context, Intent intent) {

        //creating unique id for each specific notification
        int ID = (int) ((new Date().getTime()/1000L) % Integer.MAX_VALUE);

        NotificationManager notificationManager = (NotificationManager) context.getSystemService(Context.NOTIFICATION_SERVICE);
        Intent notification = new Intent(context,MainActivity.class);
        notification.setFlags(Intent.FLAG_ACTIVITY_CLEAR_TOP);

        PendingIntent pi = PendingIntent.getActivity(context,0,notification,0);

        Uri defaultSoundUri= RingtoneManager.getDefaultUri(RingtoneManager.TYPE_NOTIFICATION);
        NotificationCompat.Builder mynotification = new NotificationCompat.Builder(context)
                .setSmallIcon(R.drawable.ic_date_range_black_48dp)
                .setContentTitle("note taker")
                .setContentText("you have a reminder about a note")
                .setAutoCancel(true)
                .setContentIntent(pi)
                .setSound(defaultSoundUri)
                .setVibrate(new long[]{1000,1000,1000,1000,1000});

        notificationManager.notify(ID,mynotification.build());
    }
}

A:
I found some leads around here that it could be achieved using unique id per each notification but it is not working i get only one notification which is overwritten by the last one set

I think the problem lies not in your notification, but in your AlarmManager.
Try using different ID for each PendingIntent, and set the flag to PendingIntent.FLAG_ONE_SHOT.
Your calling intent should look like this:
//call notification activation Intent
Intent intent = new Intent(getBaseContext(), AlarmReciever.class);
int RQS_1 = (int) System.currentTimeMillis();
PendingIntent pendingIntent = PendingIntent.getBroadcast(getBaseContext(), RQS_1, intent, PendingIntent.FLAG_ONE_SHOT);
AlarmManager alarmManager = (AlarmManager)getSystemService(Context.ALARM_SERVICE);
alarmManager.set(AlarmManager.RTC_WAKEUP, calendar.getTimeInMillis(), pendingIntent);

A: Try to give different request code and PendingIntent.FLAG_UPDATE_CURRENT  as Flag for Pending Intent and check like this,
PendingIntent pi = PendingIntent.getActivity(context, new Random().nextInt(1000000), notification, PendingIntent.FLAG_UPDATE_CURRENT);

redpajama_set_name: RedPajamaStackExchange


Library materials, excluding DVDs, can be renewed once for an extended checkout of 3 additional weeks. Item renewals can be done in-person, by phone, or online.
To renew items online, start at our library catalog.
1. Use the Log in link at the top of the page and enter your library card number and Password/PIN.
2. To create a PIN for the first time, enter the default "changeme" in the Password/PIN box.
3. Select "Checkouts" from the blue options bar.
From the checkouts page you can renew specific items by selecting the check boxes next to individual items and then clicking the "Renew selected items" button at the bottom of the page. To renew all items simply click "Renew all" and then the "Renew selected items" button.
A new window will open to display a list of successfully renewed items and their appropriate due dates. Any items that could not be renewed will also be displayed.


The applications running in the background on your PC require some amount of CPU usage and RAM, so disable them can not only free up system resources but also solve the problems that your system is running slowly.
Annoyed by some apps which run in the background? These background running apps can start themselves after you login your PC, consume your system memory and make your PC get lag.
Now I will show three methods on how to stop apps from running in the background on Windows 10.
Step 1: Open the start menu to choose "settings", then click "privacy".
Step 2: Choose "background" and then you will find a list of apps running in the background of your PC. Now you can turn off the app which you don't want to run in the background by switching the toggle.
Step 1: Open "Task Manager" by right-click any blank area of the taskbar.
Step 2: In "Processes" tab and you can check which programs take up your memory. And some of them are running in the background. Pick them out to end their tasks.
Step 3: Go for "Startup tab", it lists some apps keep running once you start your PC. Select the app and click "Disabled".
Both of the two above methods are easy, aren't they? But for me, I prefer to use Wise System Monitor to manage the running applications, free up system resources/spaces and save power on my PC. Free, easy, and efficient!
And its floating window enable you to get your PC information at a glance.
Other more features? Download Wise System Monitor now to find them out.


And belive ME- heaven is not too far!!!
And trust me If you can- heaven is not too far!!!
for there will be a happier tomorrow.
YES,You were right -HEAVEN IS NOT TOO FAR!!!
← Why I Worship God? Here's The Answer- Poem: My Faith In God !


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When Joules and Kevin Rockman's parents drop them off at Camp Whatsitooya on their way to an International Spamathon, the twins expect a summer of marshmallows, campfires, and canoe trips. What they do not expect is to defend the earth from an invasion of sugar-addicted, murderous, seven-foot-tall rabbits from another galaxy. Happily, the Rockman twins, veteran watchers of the Late, Late, Late Creepy Show for Insomniacs, are unusually well-prepared for dealing with monstrous beings from outer space. If only their fellow campers were so lucky.


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Q: Why does the mean velocity of gas particles include $\pi$? In chemistry, we are learning about kinetic molecular theory (KMT) of gasses, and I just couldn't help being surprised when I saw pi in the equation of mean velocity. I know that whenever $\pi$ is involved in an equation, it somehow involves circles, but KMT assumes that the molecules are points. I don't know how to add equations here from mobile, but here it is: $\sqrt{\frac{8RT}{\pi M}}$, where $R$ is the universal gas constant (8.3144 J/K mol), T stands for the temperature in Kelvin, and M is the molar mass of the molecule.
It just fascinates me that $\pi$ is everywhere, especially here and I would like to know why.
Thanks!

A: When studying the KMT, you should be familiar with these equations:
1) Number of microstates:
$$W=\frac{N!}{\prod_{i}n_{i}!}$$
2) Gibbs entropy:
$$S=-k\sum_{i}p_{i}\ln p_{i}$$
3) Boltzmann distribution:
$$p_{i}=Ke^{-\frac{E_{i}}{kT}},$$
which implies the Maxwell–Boltzmann distribution:
$$f(v)=4\pi \left(\frac{m}{2\pi kT}\right)^{\frac{3}{2}}v^2 e^{-\frac{mv^2}{2kT}}$$
Now the mean velocity is calculated by $\langle v\rangle =\int_0^\infty vf(v)\, \mathrm dv,$ so
$$\langle v\rangle =4\pi \left(\frac{m}{2\pi kT}\right)^{\frac{3}{2}}\int_0^\infty v^3e^{-\frac{mv^2}{2kT}}\, \mathrm dv,$$
which evaluates to $\sqrt{\frac{8kT}{\pi m}}=\sqrt{\frac{8RT}{\pi M}}$.
To sum it up, $\pi$ comes from the fact that
$$\int_0^\infty e^{-v^2}\, \mathrm dv =\frac{\sqrt{\pi}}{2}.$$


text:
'We're going to get out of this one way or another' Roger Federer breaks down in tears after the last match of his career
ByJacob Mugwana 24 September 2022 27 December 2022
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here.
Swiss legend Roger Federer, 41, announced his retirement a few days ago, which created a miserable atmosphere among tennis professionals around the world, and their responses were as touching as their last tributes to their counterpart from long time.
The legend's farewell match therefore grieved everyone on and off the pitch as they peacefully gathered to show their last respects to the 20-time Grand Slam winner.
Why did Roger Federer shed tears in his last career game in London?
At the Laver Cup in London on Friday night, Roger Federer and Rafael Nadal played their last professional match. Despite match point, they were beaten by two United States players – Jack Sock and Frances Tiafoe in a doubles match, 4-6, 7-6(2), 11-9.
Federer said, "It was a wonderful day," in his statement on the pitch, visibly moved by emotion. In addition, he was applauded by all the spectators in the stands and also his partner Rafael Nadal who could not hold back his tears for the Swiss.
All Fedal feelings.#WashCup pic.twitter.com/WKjhcADFoe
— Laver Cup (@LaverCup) September 24, 2022
Roger assured everyone that he was not sad and just feeling happy but being there was wonderful. It was all last time, and he relished tying his shoes one last time and funny enough, despite his fears that something might go wrong during the game – like a calf pop or a back block – he didn't feel the tension as much with all the matches, the men present, and the spectators, family and friends. He couldn't be happier to have succeeded and that the match went well. So far it's been great.
The Federer Express went on to express their gratitude to their Laver Cup squad members saying: "And of course playing with Rafa in the same team and having the guys, everyone here, all the legends, Rocket, Edberg, Stefan, thank you."
Federer has never retired from a tour-level match in his career, making it one of his most astonishing records. It was Federer's 1,750th and final career singles and doubles match combined and a staggering 1,750 career matches, 0 retirements. Nonetheless, he played 1,526 singles matches in his career, winning 1,251-275 of them, and 224 doubles matches, winning 131-93.
The majority of the first set was played on serves between Federer and Nadal and Sock and Tiafoe, who had the support of the raucous crowd and the Swiss even drew praise with a groundstroke through the net in the next game of the match, but was later determined to be out of bounds and the point was awarded to the Americans. However, this joy for the crowd will never fade from their memory.
There is a first for everything 👀#WashCup | @Roger Federer pic.twitter.com/ToNEwy0lId
Nonetheless, Federer and Nadal held 2-1 in that game, and after fending off the game's first break point to hold 5-4, they played some of their best tennis in the next game to finally get the first break in the game. match and win. the opening set after 42 minutes and it included a dramatic inside-out forehand trying to pass shots from Nadal and a clear-cut volley winner from Federer.
Jacob Mugwana
Confirmed Ebola deaths in Uganda rise to four
Erika Andreeva gets the spot for the next stage after winning in the previous qualifying round
'I've built up a lot of muscle' – Robert Whittaker doesn't want to be a big middleweight after his light-heavyweight move, says he aims to bulk up
ByJacob Mugwana 1 September 2022 27 December 2022
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. Robert Whittaker considered moving to the light heavyweight division. Since he started his UFC career in the welterweight division, changing weight classes would not be…
Read More 'I've built up a lot of muscle' – Robert Whittaker doesn't want to be a big middleweight after his light-heavyweight move, says he aims to bulk upContinue
'Deal done' Ryan Garcia-Gervonta Davis bombshell about upcoming fight gets fans excited
ByJacob Mugwana 13 October 2022 27 December 2022
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. Ryan Garcia vs. Gervonta Davis appears to be a done deal after their recent Twitter spat. Both posted tweets within minutes of each other, appearing…
Read More 'Deal done' Ryan Garcia-Gervonta Davis bombshell about upcoming fight gets fans excitedContinue
"He's going to fuck off playing with me"
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. Tyron Woodley seems to be very interested in boxing from another YouTuber turned boxer at KSI. After ending his UFC tenure with four straight losses,…
Read More "He's going to fuck off playing with me"Continue
VfB Stuttgart: almost every game a dismissal – Sport
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. Sven Mislintat had calmed down, but that didn't mean he had changed his mind. "I personally think the two yellow cards for Josh are more…
Read More VfB Stuttgart: almost every game a dismissal – SportContinue
2nd league: Paderborn first – HSV beat KSC and second so far
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. SC Paderborn managed to return to the top of the table with a lackluster but deserved 1-0 win over Magdeburg. The first pursuer is HSV…
Read More 2nd league: Paderborn first – HSV beat KSC and second so farContinue
Bo Nickal insists he is very serious about Chimaev legend
The contents in the "archives" were created and posted by the previous owners of this website. We are not responsible for any misleading or incorrect content that is posted here. Newly signed UFC middleweight prospect Bo Nickal has doubled down on his bold call for welterweight contender Khamzat Chimaev. After making a hard-hitting pro debut…
Read More Bo Nickal insists he is very serious about Chimaev legendContinue
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Q: AngularJS + servlet + EJB (J2EE): is it a combination acceptable according to MVC pattern? I'd like to create a web application according to MVC pattern. It should use Servlets as controller. EJB as components of the J2EE framework to implement the application login but instead to use JSTL and EL as languages to show datas on the views, I'd like to use AngularJS. Do you think it is a possible thing and most important a really convenient way to program?

A: Yes, it is totally possible, you will write your html templates with angular, and then use the Servlets to return Json objects.
See these tutorials for instance :

*

*http://www.radcortez.com/?s=angular

*https://javatutorial.net/how-to-build-single-page-application-with-java-ee-and-angular
Edit: fixing links that became broken


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Mini 4WD is any miniature model within the mini scale of between 1/20 (1:20) to 1/48 (1:48) scale. Currently, in 2015, the term is popularized predominantly by a 1/32 (1:32) scaled, AA battery powered plastic model race car without remote control. All four (4) wheels are direct-drive, thus ""4WD"" for 4-wheel drive, as opposed to ""AWD"" or All-wheel drive. Horizontal side rollers guide the vehicle against the vertical walls of the un-banked track for steering, providing very fast speeds up to 65 km/H (40 mph) on the track. In Japan, Mini 4WD is also known as mini yonku (ミニ四駆) in Japanese. Though mostly popular in Asia, they are sold in many countries as Japan, Taiwan, Hong Kong, South Korea, Philippines, Thailand, Indonesia, Malaysia, Italy, United States and the Netherlands.
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Based on the classic 'Happy Families' card game, this highly entertaining series is ideal for reading and sharing at home or at school. It is guided by the Education Adviser, Brian Thompson, and written by the award-winning author, Allan Ahlberg.
'The best thing to happen to beginner readers since Dr Seuss' Children's Rights Workshop.


text:
Jake Taylor vocals | Kyle Erich bass/vocals | Ben Nairne guitar | Eaven Dall guitar | Conor Ward drums
Thousands have lived without love, not one without water. – WH Auden
Byron Bay's In Hearts Wake have been changing minds and lives since 2012, and with fourth album Ark they are looking to inspire change like never before. Musically, this album pays homage to the past as much as it signals a bright new future for conscious heavy music; as a statement, Ark simultaneously lives within the lineage of Australian hardcore and lights the way forward beyond Southern skies.
Ark is both a dynamic breath of fresh air for the metalcore genre as a whole and a treatise on one of the world's great impending issues. Today, in some parts of the world, water is already more expensive than oil, a trend that is spreading. In Hearts Wake – comprising frontman Jake Taylor, guitarists Ben Nairne and Eaven Dall, bassist Kyle Erich and drummer Conor Ward – are bringing this distressing issue to the world's attention.
"No matter what side of the world we live on, water connects us all," says Jake. "Every living thing, and every human being that ever was or will be, is born of water. The plasma in our blood is 92% water, our brains 75%, and even our bones are 30% water. The same water that shapes our Earth is the same water within each of us."
"This record is an ode to the Ark, that is our ocean planet. Just like a ship, if one part is compromised, all life is threatened. What happens on one side of the world affects the other. If we don't work together to repair our home and restore the integrity of its natural resources, we will all go down with the ship. Since water is our lifeblood, it needs to be respected, protected, and acknowledged not only as a basic human right, but as an essential human need."
In conjunction with the release of Ark, In Hearts Wake have joined forces with Tangaroa Blue to lead a series of waterway clean-ups in Melbourne, Sydney, Brisbane and at home in Byron Bay. Marine debris is one of the major environmental issues worldwide and In Hearts Wake – along with their fans – will first tackle this problem on the local level before taking the initiative global with a series of clean-ups in the works for future overseas tours.
"We were looking at scheduling in-store signing sessions during Ark release week when it occurred to us – why don't we hang out with our fans and work together to do something positive. By doing this we get to spend time with the amazing people that continue to support us, and show everyone that positive actions, large or small, all help to make up the bigger picture."
Ark follows 'Skydancer' (2015), 'Earthwalker' (2014), and 'Divination' (2012) in further cementing In Hearts Wake's status as one of the leading lights of melodic metalcore. In 2016 they released the unique collaborative Equinox EP alongside label mates and compatriots Northlane, and have looped the planet multiple times in the name of spreading their ecological, humanitarian and urgent environmental message.
In Hearts Wake have won new friends and fans from multiple US runs including Vans Warped Tour, and stints supporting Parkway Drive and August Burns Red. They have also taken the fight to European festivals such as Download, Graspop, Groezrock and Vainstream and successfully toured South East Asia and are becoming bigger than ever at home in Australia.
The foundations for the band stretch back to the early 1980s, when Jake's stepdad took the role as frontman for Massappeal, one of Australia's first-ever hardcore bands. In 2003, when Jake was 13 years old he saw Massappeal re-unite to support Henry Rollins performing Black Flag. From that moment, his path was set.
The members of In Hearts Wake grew up in the hardcore enclave of progressive Byron Bay, inspiring the band to spread a positive message throughout the world. They have drawn from local eco-ethics and applied them on a global scale.
"As members of In Hearts Wake, we believe there's an opportunity to do good as well as enjoy the journey along the way," says Jake. "Music is an amazing release from all that's frustrating and complicated about this world, as well as a lot of fun – we love that side of it. But it can also be empowering and inspiring at the same time. Heavy music, like rock 'n' roll in the '60s, often confronts injustice, ignorance and imbalance, becoming a catalyst for social change. Now like then, people want to move and be moved by the music and feel its message.
"In Hearts Wake are all about the music, the message, and the mosh pit–they run through our blood, like the water running through our veins."

Ark Deluxe
Ark Prevails
Spawn (Again): A Tribute To Silverchair
Earthwalker
Visit the USA store directly here


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Lamport Stadium
Allan A. Lamport Stadium, is the practice facility for the Toronto Argonauts of the Canadian Football League. It is a multi-purpose stadium on King Street West in the Liberty Village neighbourhood of Toronto, Ontario, Canada. It is also the home field of the Toronto Wolfpack and the Canada national rugby league team. The playing surface of the 9,600 seating capacity stadium is also dually marked for soccer and field hockey.[citation needed] The stadium was named for long-time Toronto politician Allan Lamport, who was associated with sporting activities in the city.[1]
Location in Toronto
Show map of Toronto
Location in Ontario
Show map of Ontario
Location in Canada
Show map of Canada
Allan A. Lamport Stadium
1151 King Street West
M6K 1E9
Toronto Parks, Forestry & Recreation
110 x 75 m
July 1, 1975 (1975-07-01)
2007–2008, 2018
Canada national rugby league team (2013–present)
Toronto Wolfpack (Championship) (2017–present)
Toronto Arrows (MLR) (2019-present)
Ryerson Rams (U Sports) (2012)
TFC Academy (CSL) (2008–2012)
SC Toronto (CSL) (2008–2012)
Toronto FC II (USL) (2018)
Toronto Nationals (MLL) (2010)
Internacional de Toronto (L1O) (2014)
Serbian White Eagles FC (CSL) (2014)
Lamport Stadium was built during the winter and spring of 1974–1975 on the site of the Andrew Mercer Reformatory for Women,[2] and opened on July 1, 1975.[3] Since construction, the playing surface has been artificial turf.[citation needed]
As part of a deal with the city to convert BMO Field to natural grass, Maple Leaf Sports & Entertainment spent CA$1.2 million adding a winter bubble to Lamport Stadium in the winter of 2009–2010.[4][5][6] MLSE manages the operations of the facility during the winter season, when the field is covered by the dome and community soccer programs are held.
The indoor field measures 68 metres by 105 metres, allowing a full eleven-a-side game.[7]
Sports usageEdit
FootballEdit
The Toronto Athletics Football Team (American Football- Semi Professional) home games played 1993-1996. A high quality football game provided for players looking to keep playing and being scouted to play in the NFL and CFL. The Athletics won the Mid-Continental League Championship in 1993, and was ranked as high as 9th over all in the American Semi Professional Football Rankings in 1995.[citation needed]
The Toronto Argonauts announced in 2018 that they would use the stadium as their practice facility.[8]
SoccerEdit
Both SC Toronto and Major League Soccer team Toronto FC's Academy side played their Canadian Soccer League home games at Lamport Stadium. The OUA's Ryerson Rams soccer teams also call the stadium home. In 2014, the Serbian White Eagles of the Canadian Soccer League and Internacional de Toronto of League1 Ontario also played their home games at the stadium. Toronto FC II announced in August 2017 that it would move its home games from the Ontario Soccer Centre to BMO Field and Lamport Stadium beginning with the 2018 season.[9] However, with their drop to the division 3 USL League One for the 2019 season, the team moved their home games to BMO Training Ground.[10] The University of Toronto Schools (UTS) high school team also uses Lamport Stadium as a practice field and for home games.
Rugby leagueEdit
On 21 May 2012, it was announced that Lamport Stadium would be the new home of the Canada national rugby league team, the Wolverines.[11] Their first game of 2013, the Colonial Cup opener against the United States national rugby league team saw a crowd of nearly 8,000 turn out to witness a comeback from the Wolverines.[citation needed] The stadium also hosts a professional rugby league club, the Toronto Wolfpack, which began playing in the third-tier British League 1 competition.[12] The club won promotion to the second division Championship for the 2018 season, but failed to gain promotion to Super League after losing to London Broncos in the Million Pound game. On May 18, 2019, Lamport hosted the inaugural Americas 9s tournament.[13]
International matchesEdit
Canada 18-12
Jamaica Caribbean Carnival Cup 4,630[14]
Lebanon Friendly 2,300[15]
Canada 4-68
England Friendly 5,100
United States Colonial Cup 7,200[16]
Royal Air Force International
England International
Jamaica Caribbean Carnival Cup 3,129
United States Colonial Cup 7,356
East Canada 18-22
England Young Lions International
United States 2016 Americas Rugby League Championship,
South Wales Ironmen International -
United States 2017 Americas Rugby League Championship [20]
Rugby unionEdit
In January 2019, Major League Rugby expansion team, the Toronto Arrows announced that they would split home games between Lamport Stadium and Alumni Field at York University for their inaugural season.[21]
LacrosseEdit
The Toronto Nationals played their 2010 season at Lamport Stadium before moving to Hamilton.
Non-sports usageEdit
Besides sporting events, the stadium also hosts a major Caribana event each summer: the crowning ceremony for the King and Queen of Caribana.[citation needed]
Rugby league portal
Toronto portal
List of rugby league stadiums by capacity
Canada Rugby League
Rugby league in Canada
Canada national rugby league team
Centennial Park Stadium - City of Toronto
Downsview Park Sports Centre
Varsity Stadium - University of Toronto
Esther Shiner Stadium - City of Toronto
Monarch Park Stadium - Toronto District School Board
Metro Toronto Track and Field Centre - City of Toronto
Rosedale Field - City of Toronto
York Lions Stadium - York University
Alumni Field - York University
^ Best, Michael (June 25, 1975). "Allan Lamport's work deserves a memorial". The Toronto Star. Toronto. p. D1.
^ "Government loan launches stadium on old Mercer site". The Toronto Star. Toronto. October 31, 1974. p. C3.
^ "Stadium named for Allan Lamport". The Toronto Star. Toronto. June 14, 1974. p. A8.
^ "Upgrades to BMO Field at Exhibition Place and Allan Lamport Stadium" (PDF). City of Toronto government. September 22, 2009. Retrieved March 17, 2019.
^ "Upgrades to BMO Field at Exhibition Place and Allan Lamport Stadium" (PDF). City of Toronto government. September 9, 2009. Retrieved March 17, 2019.
^ "Grass at BMO Field Attains Final Approval". Major League Soccer. January 23, 2010. Retrieved January 1, 2014.
^ "Lamport Stadium". Ontario Soccer Association. Retrieved June 5, 2012.
^ "Argonauts to relocate football-operations staff". The Sports Network. June 1, 2018. Retrieved June 1, 2018.
^ Kelly, Tim (August 29, 2017). "TFC II leaving Vaughan for Toronto after 3-season run; stadium size at issue". Vaughan Citizen. Retrieved September 5, 2017.
^ "Toronto FC II 2019 USL League One Regular Season Schedule Announced". Toronto FC. December 10, 2018. Retrieved January 6, 2019.
^ RLFC, Canada (May 21, 2012). "Canada Wolverines to take on the World at Lamport Stadium". Canada RLFC News. Retrieved May 21, 2012.
^ "Rugby Football League officials joined by Mayor John Tory to unveil team brand and league information". April 25, 2016. Retrieved April 25, 2016.
^ https://www.rugbyleagueplanet.com/canada/inaugural-americas-nines-tournament-in-toronto
^ "RLEF". Rlef.eu.com. July 21, 2012. Archived from the original on October 10, 2014. Retrieved September 19, 2015.
^ "RLEF". Rlef.eu.com. August 11, 2012. Retrieved September 19, 2015.
^ "Canada comes from behind to beat the USA 36-20". Canadarugbyleague.com. Retrieved September 19, 2015.
^ "RLEF". Rlef.eu.com. July 20, 2013. Retrieved March 6, 2019.
^ "RLEF". Rlef.eu.com. September 7, 2013. Retrieved September 19, 2015.
^ "USA edge Canada in Colonial cup decider". Canadarugbyleague.com. Retrieved September 19, 2015.
^ http://www.rlif.com/article/8326/usa-hawks-defeat-canada-to-lift-americas-championship
^ "Toronto Arrows to split Major League Rugby home games between York and Lamport". National Post. January 17, 2019. Retrieved March 3, 2019.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Lamport_Stadium&oldid=903771876"


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Перекидне́ табло́ () — електромеханічна система візуалізації переважно текстової інформації, що використовує перекидні таблички (набори знаків організовані у вигляді окремих пластин із зображеннями, лише пара яких є видимою для кожного знакомісця).

Часто використовуються на вокзалах для виведення інформації про прибуття й відправлення потягів. Встановлюються на значній висоті та мають відносно великі розміри.

Табло може складатись як з окремих наборів карток для кожного знакомісця, так і з попередньо підготовлених груп символів (рядків тексту).

Переваги
 Споживають електроенергію лише при зміні тексту, але не при відображенні фіксованого тексту.
 Відносно мала вартість при великих розмірах табло.
 Знаками можуть бути рисунки та згладжені символи, на відміну від матричних чи сегментних пристроїв візуалізації інформації.
 Працюють у відбитому світлі, через що легко читаються за яскравого сонячного світла. У темряві також набагато легше читається світловідбивне табло, яке підсвічується лампою, ніж світловипромінювальне (на якості сприйняття зображень у світловипромінювального табло позначаються хроматичні аберації, за рахунок чого символи «розпливаються» при спостереженні з великої відстані).

Недоліки
 Шумність при зміні інформації виведення (в окремих випадках може бути перевагою і слугувати звуковим сигналом про оновлення інформації).
 Відносно висока тривалість зміни інформації; залежить від кількості карток для кожного знакомісця.
 Можливість заклинювання пластин, що призводить до помилкового виведення інформації.
 Так як працюють у відбитому світлі, для роботи у темряві потребують додаткового підсвічування або використання люмінесцентної фарби. Ця ж якість з іншого боку є перевагою (див. вище).

Будова

У найпростішому випадку картки встановлено на циліндрі 10, при цьому кожна кріпиться на власній осі 20. Для зміни символів використовується повертання циліндра навколо власної осі 8.

У верхній частини пристрою встановлюється тримач 28 для верхньої половини 22 символу. В нижній частині пристрою також може бути упор 24 для нижньої половини 25, що дозволяє їй зберігати вертикальну орієнтацію при повороті.

Для того, щоб картка при повороті могла легко перейти у вертикальне положення і опертись на верхній тримач, поряд з віссю картки встановлюється упор 21, який не дає картці повністю опускатись та торкатись до сусідніх карток.

Посилання

  Springless, tilting plates clock driven by two oval gears.
  Remote-Controlled Display Device for Selectively Displaying Signs or Words.
 Tom Lynch  Split-flap-display

Технології дисплеїв

redpajama_set_name: RedPajamaWikipedia


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Ця стаття висвітлює розвиток театрального мистецтва у сучасній Греції, від здобуття незалежності 1830 року. Про зародження грецького театру йдеться у статті Давньогрецький театр.

Театр Греції має чи не найдавніші традиції у світі, він виник у Стародавніх Афінах із культу бога родючості, виноградарства, а від так веселощів, Діоніса, майже одночасно із зародженням афінської демократії. У сучасній Греції історію та традиції давньогрецького театру продовжують переважно Національний театр Греції (місто Афіни), Національний театр Північної Греції (місто Салоніки) та дослідники театру.

Драма
Турецьке ярмо перешкоджало розвитку новогрецького театру впродовж 15-18 століть. Зародки театрального мистецтва виникали лише на територіях, вільних від турецького завоювання: на початку 17 століття — на острові Крит, в кінці 18 століття — на острові Закінф. Становлення театрального мистецтва на початку 19 століття пов'язане із національно-визвольною боротьбою грецького народу. Під впливом діяльності таємного революційного товариства «Філікі Етерія» в 1817—1821 роках створюються перші аматорські театральні трупи в Одесі та Бухаресті, де жили численні діячі грецького національно-визвольного руху. Ці трупи ставили тираноборчі за своїм сюжетом трагедії Вольтера і Альф'єрі, а також патріотичні п'єси новогрецьких авторів Г. Лассаніса — «Еллада й іноземець», «Гармодія й Аристогітон», І. Замбеліоса — «Тімолеон» та ін.

Після проголошення державної незалежності 1830 року почалося становлення національного театру. Цей процес був пов'язаний із подоланням серйозних труднощів (відсутність допомоги з боку держави, конкуренція іноземних труп). В Афінах перші спектаклі були поставлені в 1836, але постійні професійні трупи виникли лише на початку 60-х років. Велике місце в репертуарі цих труп займали історичичні драми сучасних грецьких письменників. Ставилися також п'єси Мольєра, Гольдоні, Шиллера, Гюго, Шекспіра (головним чином у переробках). У акторському виконанні переважали пихата декламація, штучний пафос. Серед великих акторів Греції середини 19 століття П. Суцас, Д. Тавуларіс, Д. Алексіадіс, П. Вонасера та ін. В кінці 19 століття визнання отримали трагедійні актриси Е. Параскевопулу, Е. Вероні і актор-романтик, виконавець шекспірівських ролей Н. Лекацас. У 90-ті роки особливим успіхом користувалися легкі комедії і ліричні драми з піснями «коміділліон». У цьому жанрі прославився комедійний актор Е. Пандопулос, гра якого відрізнялася рисами народності й реалізму.

На початку 20 століття К. Хрістоманос організував театр «Неа скіні» («Нова сцена», 1901), де поставив вистави: «Дика качка» Ібсена, «Нахлібник» Тургенєва, «Влада темряви», «Шинкарка» («Господарка готелю») та інші, а також реалістичні п'єси сучасних грецьких драматургів Г. Ксенопулоса («Таємниця графині Валерія»), Я. Камбісіса («Курди»), М. Авгеріса («Перед людьми»). Хрістоманос прагнув до створення акторського ансамблю, вимагав від акторів ретельної роботи над ролями, реалістичного трактування образів. Однак у творчості Хрістоманоса позначилися і натуралістичні тенденції. Надалі театр «Неа скіні» ставив безідейні розважальні п'єси. Незабаром театр прийшов до творчої кризи і в 1906 році припинив своє існування.

У 1901 році виник державний Королівський театр в Афінах, в якому працював один з перших грецьких режисерів Ф. Економу, що вніс великий внесок у розвиток акторського мистецтва і постановочної культури. На зламі 19-20 століть набули поширення п'єси на теми сучасного життя, написані грецькими авторами Г. Ксенопулосом, П. Нірванасом, Д. Тангопулосом, П. Хорн, Д. Богрісом та іншими. Ставилися твори західно-європейської і російської класичної драматургії. У акторському мистецтві посилилися реалістичні тенденції, які найбільш яскраво проявилися у творчості Е. Веакіса, М. Котопулі.

У 1910—1920 роки в грецькому театральному мистецтві помітні ознаки занепаду. Театри стають комерційними підприємствами, у них ставляться головним чином низькопробні бульварні п'єси. Окремі мистецькі досягнення пов'язані в цей період із творчістю актрис Котопулі і Ківели, які очолювали власні трупи, з діяльністю режисеру Економу в «Театрі консерваторії» (1917–1921) та ін. Спроби подолати кризу театру характеризують творчість режисера Фотоса Політіса, який поставив в 1925 у Товаристві грецького театру (засноване 1919 року) спектаклі «Едіп-цар» Софокла (з Е. Веакісом в головній ролі), «Ревізор», «Брати Карамазови» за Достоєвським. У 1927—1929 Політіс здійснює в Професійній школі теару постановку вистав, відзначених високими мистецькими достоїнствами — «Васілікос» Матесіса та ін.

У 1930 році прогресивний театр. діяч і драматург Васіліс Ротас створив «Народний театр», який проіснував до 1934 року. Спроби організувати постійні театральні колективи робив С. Мелас («Театр мистецтва», 1925, «Вільна сцена», 1929—1930). Значні в мистецькому відношенні спектаклі існували у 1934 у театрі «Народна сцена» режисера К. Кун («Ал-Кеста» Евріпіда, «Ерофілі» Хортакіса і ін.). Значною подією грецького театрального життя 30-х років стали спектаклі Афінського національного театру, заснованого у 1932 році, в якому працювали режисери Фотос Політіс і Дімітріс Ронтіріс. Значні постановки були створені в 1932—1934 роках театральним колективом, в якому працювали актриси М. Котопулі і Ківелі («Марія Стюарт» та ін.). З 1934 театр Котопулі об'єднав таких талановитих акторів, як П. Гаврилідіс, В. Логофетидіс, Д. Мірат, Г. Паппас, А. Яннідіс, тут ставилися сучасні реалістичні п'єси. У театрі, очолюваному В. Аргіропулосом (з 1924) йшли легкі комедії та фарси. У 1934 розпочав діяльність театр під керівництвом К. Мусуріса, в 1936 — театр під керівництвом Катерини Андреаді.

Фашистська диктатура (1936–1941) та іноземна окупація (1941–1944) перешкоджали розвитку прогресивних тенденцій в театральному мистецтві Греції. В 1936 році фашистська цензура заборонила спектаклі «Далека дорога» Арбузова (театр Катерини Андреаді), «Свята Іоанна» Бернарда Шоу (театр Костаса Мусуріса). Заборонялася постановка п'єс прогресивних авторів, в тому чичслі історичні драми «Рігас Велестінліс» Васіліса Ротаса та ін.

Національно-визвольна боротьба 1941—1944 років і боротьба за демократію в роки після Другої світової війни поставили перед театром нові завдання, діячі театрального мистецтва прагнули відобразити у виставах інтереси широких народних мас, що борються за незалежність батьківщини. Це прагнення найбільш повно позначилося в творчості театру «об'єднаних артистів» (заснований 1945), в якому виступали такі актори: Е. Веакіс, А. Яннідіс, Г. Глінос, Міранда Теохарі, — працювали режисери Я. Сарандідіс, Т. Музенідіс, Г. Севастікоглу та інші. Поряд із творами «Феодора» Фотіадіса, «Пробудження» Кодзіаса, «Влітку ми пожнемо» А. Даміаноса, «Хто працює, той їсть» Н. Цекураса театр вперше в Греції поставив «Вороги», «Нашестя» і п'єси передових драматургів інших країн. Посилення політичної реакції призвело до закриття тектру в 1946, прогресивні театральні діячі зазнали переслідувань. У наступні роки передові актори, режісери і драматурги продовжували боротьбу за демократичне мистецтво.

У 1955 році був створений Грецький народний театр під керівництвом актора М. Катракіса, де були поставлені вистави: «Христа розпинають знову» по однойменним романом Н. Казандзакіса, «Сьомий день творіння» Іаковоса Камбанелліса, історична драма «Караїскакіс» Фотіадіса і Ставроса, «Фуентеовехуна» Лопе де Вега, «Ідіот» за Достоєвським та інші. У 40-50-х роках значною подією в театральному житті країни стали постановки Мистецького театру «Театрон техніс» (заснований 1942 року режисером К. Куном) — «Кавказький крейдяний круг» (1957), «Добрий чоловік з Сезуана»(1958), «Сходженню Артуро V можна було перешкодити» (1961) Брехта, «Двір чудес» І. Кампанелліса (1958), «Дядя Ваня» (1960). Серед вистав інших театрів — «Щоденник Анни Франк» Гудріч і Хакетт, «Людина, яка робить дощ» Наша, «Дама з камеліями» Дюма-сина (1956, 1959, театр Еллі Ламбеті — Д. Хорна), «Справа Дрейфуса» М. Скулудіса (1959, театр Д. Мірата), «Бравий солдат Швейк» за Гашеком, «Топаз» Паньоля (1956, 1958, театр М. Фотопулоса), «Філумена Мартурано» Де Філіпа (1959, театр К. Андреаді). У театрі, очолюваному видатним комедійним актором В. Логофетидісом, ставилися комедії Д. Псатаса, Йоргоса Руссоса та ін. У 1959 організовано «Нео театрон» під керівництвом В. Діамантопулоса і М. Алкея, тут ставилися вистави «Казка без назви» І. Кампанелліса, «Дерева помирають стоячи» Касона, «Життя Галілея» Брехта.

Розвиток грецького театру гальмували у цей період фінансові труднощі, в тому числі великі податки, відсутність допомоги з боку держави. Великі театральні діячі Д. Хорн, К. Андреаді, К. Мусуріс, що мали власні театральні трупи, все частіше звертаються до постановки легковагих «бульварних» п'єс. У роботі літніх театрів, організованих на один сезон, помітна тенденція до постановки пишних вистав-видовищ, які не відрізнялися високим рівнем театрального мистецтва.

Наприкінці 50 — початку 60-х років молоді режисери організували на противагу комерційним театрам трупи, що займалися експериментуванням, творчими пошуками. Режисер Т. Алкуліс у керованих ним «Театрі 1959» і «Театрі 1961» поставив спектаклі «Втрачений лист» Караджале, «Сива дівчина» Хе
Цзін-чжи і Дін Ні. Театр «Дванадцята завіса» ставить щорічно спектакль, що складається з 3 одноактних п'єс початківців грецьких драматургів. Творчий напрям цього театру сформувалося під впливом французького авангардизму.

У 1960 році основний театр «Порія» («Шлях») під керівництвом драматурга і режисера А. Даміаноса, що ставив головним чином п'єси сучасних драматургів. «Пірейскій театр» (заснований 1957), що працює під керівництвом режисера Д. Ронтіріса, в місті Пірей ставив п'єси Шекспіра, Шиллера, Есхіла, Софокла, П. Хорна, П. Кайаса та інших драматургів. У 1961 почав роботу Державний театр в Салоніках (реж. С. Карандінос). Серед інших відомих театральних діячів Греції — режисери П. Кацедіс, М. Плорітіс, М. Лігізос, М. Какояніс, Н. Хадзіскос; актори і актриси Алікі Вугуклакі, А. Александракіс, Е. Хадзіаргірі, А. Кацеліс, М. Меркурі, Н. Куркулос, А. Балака, Е. Верга, В. Завітсіану, Д. Карезі; сценографи М. Ангелопулос, Г. Анімояніс, Г. Вакало, Спірос Василіу, К. Клоніс, Я. Стефанелліс, Янніс Царухіс, А. Фокас.

Опера

До 80-х років XIX століття в Греції не було професійного оперного театру. В Афінах гастролювали італійські і французькі оперні трупи. Після 1867 року на островах Корфу і Закінф були поставлені аматорські оперні вистави, тут були виконані перші твори новогрецьких композиторів С. Ксіндаса, С. Самараса, П. Каррера та інших.

Перший виступ грецької професійної оперної трупи відбувся в Афінах у березні 1888 року (опера С. Ксіндаса «Кандидат у депутати»). З 1889 року ця трупа під керівництвом композитора і диригента Д. Лавранґаса здійснила постановки опер грецьких і західно-європейських композиторів у Афінах і інших містах Греції, а також за кордоном, в тому числі в Одесі 1890 року. Хоча цій трупі доводилося долати серйозні труднощі і діяльність її проходила із великими перервами, тут виросли перші національні оперні артисти — співаки Я. Апостолу, І. Анґелопулос, Н. Мораітіс, співачки Рени Влахопулу, А. Кіпаріссі та інші.

Спроба створення національної школи оперного мистецтва була здійснена в 1915—1919 роках композитором М. Каломірісом (опера «Кільце матері», 1917, та інші). У 1933 він створив Національну оперну трупу, що проіснувала два роки. Уривки з опер різних композиторів ставились учнями Афінської консерваторії (заснована в 1873 році). Відсутність постійної оперної трупи змушувала грецьких артистів шукати роботу за кордоном (М. Перрі, Е. Ніколаїді, А. Тассопулу, Уліс Лаппас, К. Енґоліфопулос, Нікос Мосхонас, М. Каллас і інші співаки).

Професійні оперетові трупи виникають у Греції після 1908 року, в них ставляться твори грецьких композиторів (Т. Сакелларідіс, Н. Хадзіапостолу) та оперети зарубіжних авторів. Розквіт оперети в Греції відноситься до 1910—1920 років і пов'язаний з ім'ям талановитого актора І. Папаіоанну.

У 1940 році в Афінах заснований перший в Греції державний музичний театр «Етнікі лірікі скіні», що ставить опери та оперети. У театрі були поставлені «Фіделіо» Бетховена, «Борис Годунов» Мусоргського, твори Верді, Россіні, Пуччіні, Моцарта, а також грецьких композиторів М. Каломіріса, Г. Склавоса та інших. Серед солістів цього театру — Рена Влахопулу, Н. Вутіру, Е. Гага-Спіропулу, В. Георгіу, Йоргос Дамасіотіс, Анті Захарату, Нувука Франґіа-Спіліопулу, Петрос Епітропакіс, Деметріо Стратос, Н. Захарос, Л. Іоаннідіс, Г. Коколіос, М. Короніс, оперний баритон Костас Пасхаліс, А. Пандазінос, Захос Танос та інші. Серед режісерів — Ф. Теологогідіс, Д. Рондіріс, А. Мінотіс, диригентів — А. Парідіс, А. Евангелатос, Л. Зорас.

Найвідомішим сучасним грецьким співаком є тенор Маріос Франгуліс, який завдяки своєму таланту здобув славу та популярність в усьому світі. Він співає п'ятьма мовами, якими, крім того, вільно володіє: італійською, іспанською, англійською, фарнцузькою та грецькою.

Танець

Постійного балетного театру в Греції довго не існувало. Окремі балетні вистави ставились учнями приватних балетних шкіл К. Працика і танцювальними ансамблями під керівництвом Дори Страту, Раллу Ману та інших. В Афінах також працювали, так звані, театри огляду, що ставили комедійні сценки та музичні номери — жанр, що сформувався на зламі 19-20 століть. Найпопулярнішими акторами цього театру оперети в 20-50-ті роки 20 століття — П. Кіріакос, Я. Прінеас, К. Мавреас, Міміс Коккініс, Васіліс Авлонітіс, Орестіс Макріс. В розвиток естрадного театру великий внесок зробив Клеон Тріантафіллу. 1939 року в Афінах було офіційно засновано Національну оперу Греції, розвиток балетного мистецтва у якій є заслугою балерини та пізніше хореографа Тетяни Мамакі, уродженки Києва.

1953 року на схилі Пагорба Філопаппу зведено літній театр на 800 місць для виступів Театру грецького танцю «Дора Страту», який продовжує традиції народного грецького танцю та володіє унікальною колекцією народних костюмів найрізноманітніших грецьких регіонів. Виступи театру відбуваються зодня, окрім понеділка, при цьому щовечора трупа представляє іншу програму, комбінуючи танці різних місцевостей.

Джерела
 Театральна енциклопедія
 Театр Греции с древности до наших дней
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text:
Q: Which is correct for sizing a vector Hi I am just starting to learn cpp and I have two examples of getting the size of a vector in the for statements both seem to work but which is right and why? sizeof(vector) or vector.size()?
Thanks
Brian
void print_vector(vector<string> vector_to_print){
    cout << "\nCars vector = ";
    for(int i = 0; i < sizeof(vector_to_print); i++){
        cout << vector_to_print[i];
        (i < vector_to_print.size()-1) ? (cout << ", ") : (cout << endl); // ? the tenrary operator is an if statement (?) do one outcome (:) or the other
    }
}

void print_vector(vector <string> vector_to_print){
    cout << "\nVector contents = ";
    for( int i = 0; i < (vector_to_print.size()); i++ ){
        cout << vector_to_print[i];
        (i < (vector_to_print.size()-1)) ? (cout << ", ") : (cout << endl);
    }
}

Both seem to work I try to rewrite the same code from memory each day for a week to help me learn it and I couldn't quite get the sizeof() to work so I googled it and the example I found used .size() but when I got home and checked what I did yesterday I had used sizeof().

A: std::vector<std::string> is a container class, which stores an array of std::strings plus other values to assist with manipulation of the array and providing information about the state of the stored array. When you call sizeof(vector_to_print) you are simply getting the size of the container class not the amount of elements in the array that it is storing.
run the following code to prove it to yourself:
std::vector<std::string> vec{"hello","world"};
std::cout << sizeof(vec) << '\n';
vec.push_back("!");
std::cout << sizeof(vec);

the size of the underlying array is changing it goes from 2 elements to 3, but not only does the sizeof(vec) not change, it is always = to 24!
sizeof(vec) must be the same each time (24 bytes on my machine) because sizeof is a compile time constant, because the size of a type must be a compile time constant.
The latter (.size()) is the only valid method

A: As you already know there are classes in C++. One class can have many methods doing different things and many fields holding different things. When we create an object of class Vector this object has method .size() which as mentioned here returns the number of elements in our object. The complexity is Constant and there is no problem using .size().
When you are using sizeof() as mentioned here on our object you know the size of the object with all its fields (for example vector can have size_t field where it counts all the elements and some field which holds them) you don't need the actual size of the vector in order to iterate the elements this could be wrong in many cases.
P.S. You must use .size()!