text:
définition - Dangerously in Love
This article is about the album. For the song with the same name, see Dangerously in Love 2.
Studio album by Beyoncé
June 22, 2003 (2003-06-22)
2002—March 2003
Patchwerk Studios
(Atlanta, Georgia)
SugarHill Studios
(Houston, Texas)
South Beach Studios
(Miami, Florida)
Baseline Studios, SoHo Studios, Sony Music Studios
(New York City, New York)
COE.BE.3 Studios
(Stone Mountain, Georgia)
Beyoncé Knowles (also exec.), Rich Harrison, Scott Storch, Missy Elliott, Craig Brockman, Nisan Stewart, Bryce Wilson, Focus..., Andreao "Fanatic" Heard", Sherrod Barnes, D-Roy, Mr. B, Nat Adderley, Jr., Errol "Poppi" McCalla, Jr., Mark Batson
Beyoncé chronology
(2003) B'Day
Singles from Dangerously in Love
"Crazy in Love"
"Baby Boy"
"Me, Myself and I"
Released: October 21, 2003
"Naughty Girl"
Dangerously in Love is the debut solo album by American R&B recording artist Beyoncé Knowles, released on June 22, 2003 by Columbia Records. Recording sessions for the album took place in 2002 to 2003 at several studios, during the hiatus of her then-group Destiny's Child. The tracks in the album are a mixture of uptempos and ballads, which are basically inspired by R&B and soul genres; it also features elements of hip hop and Arabic music. Although Knowles remained discreet about her interpretation of the songs, its underlying meanings were attributed by music writers as an allusion to her intimate relationship with then-boyfriend and well-known music mogul Jay-Z.
Dangerously in Love propelled Knowles in becoming a viable solo star, as well as one of the most marketable singers in the recording industry. It became a worldwide commercial success, earning multi-platinum certifications in Australia, the United Kingdom, and the United States. The album debuted at number one on the US Billboard 200 chart, selling 317,000 copies in its first week. Dangerously in Love received mixed to positive reviews from music critics upon its release and earned Knowles five Grammy Awards.
2 Recording
3.1 Musical style
3.2 Lyrical content and interpretation
4 Release and promotion
6.1 Critical response
6.2 Commercial performance
6.3 Accolades
7 Impact
10 Charts
10.1 Peak positions
10.2 Certifications
10.3 Year-end charts
10.4 Decade-end charts
10.5 Chart precession and succession
10.6 Singles
Knowles launched her career as lead singer to R&B group Destiny's Child in the late 1990s. According to Corey Moss of MTV News, "fans are eager to see" how Knowles, after years with the group, performs solo.[1] While recording their third album, Survivor, in late 2000, Knowles announced the group would be put on hiatus in order for the members to produce solo albums in the coming years, which they hoped would boost interest in Destiny's Child.[2] The idea of individual releases emanated from the group's manager and Knowles' father, Mathew.[3]
With different types of music for each member to produce, the albums were not intended to compete on the charts.[4] Destiny's Child's management strategically planned to stagger the release of each group member's album to maximise sales. Michelle Williams was the first to release a debut solo album, Heart to Yours, in April 2002.[4] Meanwhile, Knowles debuted on the big screen, starring in the comedy film Austin Powers in Goldmember, and recorded her debut single, "Work It Out", which is featured on the soundtrack to the film.[4] Rowland collaborated with American rapper Nelly on the song "Dilemma" as a featured artist; it became a hit that year, leading the label to advance the release date of her debut solo album, Simply Deep, in late 2002. Knowles also starred in The Fighting Temptations and recorded another solo single. In 2002, she collaborated with then-boyfriend Jay-Z as featured vocalist on the song "'03 Bonnie & Clyde". The single earned Knowles credibility and paved the way for the release of Dangerously in Love.[4][5]
Knowles singing the title track "Dangerously in Love 2", originally by Destiny's Child
Before Knowles began recording for Dangerously in Love, she selected the producers with whom she would collaborate. For two days, she held meetings with prospective producers from the West Coast across the East Coast, and had interviews with them.[6] Knowles went to Miami, Florida to begin sessions with Canadian record producer Scott Storch, her first collaborator,[7] and lived in a Miami hotel in the following months.[8] As she wanted to concentrate on the album, Knowles took her time to avoid pressure build-up, significantly different from the hasty productions of Destiny's Child.[8]
As she did on Survivor, Knowles took a wider role in the production of Dangerously in Love, co-writing a majority of the songs, choosing which ones to produce and sharing ideas on the mixing and mastering of tracks.[9] Although Knowles did not create beats, she came up with melodies and ideas she shared with the producers. With 43 songs completed — 15 of which made it to the album[8]— Knowles is credited as co-writer and co-producer,[10] as well as the album's executive producer alongside Matthew Knowles.
Knowles felt that recording an album without her group mates was "liberating and therapeutic", coming into the studio and freely expressing her ideas with her collaborators.[9] The dependency she developed with Destiny's Child, however, meant it was harder "to be on [her] own creatively".[9] As she wanted to grow as an artist Knowles contacted other artists with a view to forming a collaborative partnership. When the collective finished writing several songs, she printed copies of each and sent them to prospective guest artists. She talked to them by phone for possible collaboration, eventually gaining their approval. Besides Jay-Z, Knowles was able to work with Jamaican artist Sean Paul, American rapper Missy Elliott, among others. In contrast, some artists sent copies of songs to Knowles, which were eventually produced. Additionally, Knowles also worked with Timbaland and Missy Elliott on a track titled "Wrapped Around Me" for the album. Eventually, however, for reasons unknown, the song failed to appear on the album.[11]
Dangerously in Love was originally a song of the same title which Knowles had written for Survivor. The song was deemed too sophisticated compared to other songs on Survivor, and the group decided not to release it as a single off the album. After recording several tracks for Dangerously in Love, Knowles decided to add "Dangerously in Love", after realizing that it fit the overriding theme of the album.[7] Since the album's release date was postponed to capitalize on the success of "Dilemma", Knowles had been offered the chance to further enhance the album.[10] Although she was disappointed with the move, Knowles realized that "everything happens for a reason",[12] agreeing to return to the recording studio to work with other songwriters. This allowed her to record more songs, including the album's lead single, "Crazy in Love". In late 2002, Knowles paused working on Dangerously in Love for a holiday tour with Destiny's Child.[11] With a few weeks left for recording in March 2003, Knowles was still collaborating with other guests on the album, including Sean Paul and P. Diddy.[4]
Musical style
The album's lead single, a collaboration with rapper Jay-Z, contains hip hop influence and lyrics about the effect of love.
Knowles' second number-one single features Arabic influences.
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Knowles' father-manager said that Dangerously in Love showcases her musical roots.[13] While Williams and Rowland were on gospel and alternative pop, respectively, Knowles focused on recording R&B songs.[14] Songs in the album are varied: from mid tempo and club-oriented tracks in the first half, and ballads in the second half.[9][15] Knowles commented: "My album is a good balance of ... ballads and ... mid-tempos with just ridin'-in-your-car feels, to a lot of ... up-tempo club songs, to really sexy songs, to songs that make you feel emotional. It's a nice mixture of different types of tracks."[16] With high-energy songs like "Crazy in Love" and "Naughty Girl", however, the album's focal mode is slow and moody.[8] Knowles said that she had written lots of ballads for the album.[9]
According to Knowles, she wanted to be understood as an artist and showcase her range, and by doing so, she blended various genres and musical influences in the album.[9] The album incorporates contemporary R&B, hip hop, soul, and rock influences.[17] The album took hip hop influences from Jay-Z, Outkast, and Lil' Kim; the reggae is from Sean Paul; and courtesy of Storch, the album explores Arabic music.[9] His personal study of that kind of music has given the album a Middle-Eastern vibe.[18] Knowles and the producers also used a wide array of instrumentations.[17]
Lyrical content and interpretation
When "'03 Bonnie & Clyde" was released as a single in late 2002, critics and the public had speculated that Knowles and Jay-Z were having a mutual affair.[19] Despite widespread rumors, they remained silent about their relationship.[10] According to critics, the title itself of the album sounds "more intriguing" with Knowles singing personal songs.[1] Though love is the theme Knowles had incorporated in the album, "most the material is vague enough to be about any relationship";[10] however, there are songs that suggest affirmation of their relationship. In the song "Signs", Knowles sings being in love with a Sagittarius which coincidentally is Jay-Z's zodiac sign.[10] In response to the persistent rumors about them, Knowles stated, "People can come to whatever conclusion they like ... That's the beauty of music ... I'm a singer, I'll talk about writing songs all you want. But when it comes to certain personal things any normal person wouldn't tell people they don't know, I just feel like I don't have to [talk about it]."[10]
Knowles said that Dangerously in Love is lyrically similar to Destiny's Child's albums. But because she only had to write for herself, Knowles had the chance to compose personally deeper songs than their previous records.[9] With a theme that is based upon different stages of a romantic relationship, Dangerously in Love contains songs that speak of love and honesty. In addition, Knowles admitted that there are songs about love-making.[8] The personal content of the album, however, was not generally attributed to Knowles' experience—although some were based from hers—instead, because the theme kept recurring in her mind. Knowles later explained: "I wanted to have an album that everyone could relate to and would listen to as long as I'm alive and even after ... Love is something that never goes out of style. It's something everybody experiences, and if they are not in love, people usually want to feel that ..."[1]
While some songs merely focus on the "beauty of love", the album also explores the other side, of which songs that "celebrate breakup" and songs that narrate a woman's desire to having a degree of control in a relationship.[1] The album's hidden track, "Daddy", is a tribute to her father, whom she was with in the industry for years since Mathew Knowles fronted the group as their manager. The song is an account of Knowles wanting her future husband and child to possess qualities similar to her father's.[10] Originally, Knowles did not intend to include the track in the album, having thought its lyrics would make her appear immature. However, considering it one of the songs that reflect Knowles' life at that transitional moment, she instead relegated "Daddy" as the closing track.[20]
See also: Dangerously in Love Tour
Knowles performing "Baby Boy" during the 2007 Beyoncé Experience tour
Knowles said that she had trouble convincing executives at Columbia Records to release the album. The singer recounted that it almost was not released: "In 2003, I had my first solo album. But when I played it through for my record label, they told me I didn't have one hit on my album. I guess they were kinda right, I had five. 'Dangerously In Love', 'Naughty Girl', 'Me, Myself and I', 'Baby Boy' and 'Crazy In Love'."[21] Since "Dilemma" was concurrently charting atop the Billboard Hot 100, Knowles' management released, "Work It Out", one of the songs on the soundtrack to Austin Powers in Goldmember, instead of a single from Dangerously in Love to preclude it from possibly competing with the former.[22]
From the original release date of October 2002, the album was pushed to December in the same year,[22] and to May in the following year.[23] Knowles recorded a version of "In da Club", and served its way to mixtapes before its original release date. The single failed to dominate as "dancefloor favorite"; Mathew Knowles, however, confirmed that it was just a "buzz cut" and was not included in the album.[24] Nonetheless, it earned enough airplay to appear on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart.[25] While Knowles was wrapping up the album, several of its songs had leaked online. In efforts to prevent more tracks in the album from being spread illegally, as well as being a victim of bootlegging,[13] Columbia Records, with high commercial expectations from the album,[8] pulled the release of Dangerously in Love to June 24, 2003, two weeks ahead of the planned July 8 release.[26]
Buyers who pre-ordered the album online received links where they could download a song called "I Can't Take No More"; the promo lasted until the album's release.[27] On June 14, 2003, Knowles premiered songs from the album during her first solo concert and the pay-per-view TV special, "Ford Presents Beyoncé Knowles, Friends & Family, Live From Ford's 100th Anniversary Celebration in Dearborn, Michigan".[13] By the night of the album's release, Knowles' concert was broadcast in more than twenty theaters across the United States.[27] Kelly Rowland, Michelle Williams, Tyrese, Solange Knowles and girl group Ramiyah also performed in the show. Knowles also promoted the album by performing in television shows such as the Saturday Night Live, Late Show with David Letterman, The Today Show, The Early Show, and The View.[16]
By April 2003, Knowles' management was choosing the album's lead single between two songs. Sent to clubs, the song that would receive positive reception were be considered the lead single.[24] Finally, "Crazy in Love" was released as the lead single off the album. With commercial success that included crossover music markets,[28] the single spent eight consecutive weeks at number one on the Billboard Hot 100.[29] "Baby Boy" followed, and received greater success than "Crazy in Love". With its dominance on radio airplays,[30] the single surpassed "Crazy in Love"'s chart performance, remaining on the top spot for nine consecutive weeks.[31] "Me, Myself and I" was released as the third single and "Naughty Girl" as fourth and last;[32] although the last two releases only reached the top five on the Hot 100, like "Baby Boy", it attained more immediate and commercial successes which propelled the album atop the chart and helped it earn multi-platinum certifications.[33]
"Crazy in Love" was released as the lead single in mid 2003. It was lauded by critics who described it as "deliriously catchy".[34] The single reached number one on the Billboard Hot 100, the official US singles chart, based on heavy rotation alone.[28] The same week it reached number one, Dangerously in Love debuted on the Billboard 200 at number one as well. The substantial airplay, and later in retail, gains of "Crazy in Love" facilitated it to dominate the chart,[35] subsequently spending eight straight weeks atop the Hot 100,[29] making it Knowles' first number-one single in her solo career. According to Nielsen SoundScan, "Crazy in Love" was the most downloaded song in the United States for four consecutive weeks in July 2003.[29] It also became a success internationally reaching atop the chart in Ireland and United Kingdom.[36][37] "Baby Boy" was released as the second single in August 2003. It was well-received by critics declaring it as "high-profile collaborations",[38] also that "bridges the gap between the genres of R&B and dancehall"[39] It ultimately reaching the top of the Hot 100.[40][30] It reached the chart's top spot eight weeks after its debut, and stayed there for nine consecutive weeks.[30][31] It peaked the top two in United Kingdom.[41]
"Me, Myself and I" was released as the album's third single on October 2003. It received generally positive response considered it as a typical sounding R&B ballad with a familiar theme, and in which Knowles sings with passion.[42] It reached the top ten in Canada and United States.[43][44] "Naughty Girl" was the fourth single from the album released on March 2004. The song was critically lauded, citing for its sensual vibe and writing, "Beyonce borrowed a portion of Donna Summer's naughty classic "Love to Love You Baby" to create this celebration of sensual naughtiness."[45] Internationally, it became a top ten hit in United States, Australia, Canada and New Zealand.[46][47][48]
Critical response
Allmusic [34]
Blender [49]
Entertainment Weekly A−[50]
The Guardian [39]
Los Angeles Times [51]
The New York Times mixed[15]
PopMatters favorable[38]
Rolling Stone [52]
Slant Magazine [53]
Vibe [54]
Dangerously in Love received generally mixed to positive reviews from music critics.[55] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 64, based on 16 reviews, which indicates "generally favorable reviews".[55] Anthony DeCurtis of Rolling Stone viewed that it presents Knowles in two styles, one "far more flattering" than the other, and found the ballad-oriented songs on the album least flattering, commenting that Knowles has "plenty of time" to develop the style maturely that would "makes sense for her".[52] Entertainment Weekly's Neil Drumming commented that the album validates Knowles' "taste in innovation". He also viewed that Knowles' collaboration with various record producers explores new directions in contemporary music, doing more reinventing than revisiting. Like deCurtis' review, however, Drumming pointed out that "most of the disc's missteps" are in its latter part.[50] Slant Magazine's Sal Cinquemani wrote that "[Knowles] is allowed more room to experiment vocally as a solo artist, exploring softer registers and lathering on the coquettish persona that was only hinted at on Destiny's Child tracks like 'Bootylicious.'".[53] Steve Jones of USA Today gave the album three-and-a-half out of four stars and stated, "Knowles succeeds by showing greater depth as a songwriter and broader range as a singer".[56] Blender's Ben Ratliff complimented Knowles' performance and stated, "She's playing the cool-hunter but covering the bases with seraphic arrangements of multiple voices. Her reach is remarkable".[49] Mark Anthony Neal of PopMatters called it an "artistic leap" and wrote that it "finds Ms. B in the midst of a fully flowering womanhood and doing the best singing of her career".[38]
Allison Stewart of The Washington Post commented that "although she's to be applauded for her musical adventurism, she deserves better material", and called the album "a thoroughly pleasant, if oddly muted, sideways step".[57] Kelefa Sanneh of The New York Times said that it missed the harmonies Knowles had in Destiny's Child records and noted that she is more effective "when she's got a posse behind her".[15] Rob Fitzpatrick of NME gave it a five out of 10 rating and called it "a cruel glimpse of a talent that occasionally blazes but is frustratingly inconsistent".[58] Uncut called its ballads "self-pitying/self-mythologising", while Q gave it three out of five stars and stated, "She has good songs, but no great songs".[55] Los Angeles Times writer Natalie Nichols expressed that it "demonstrates vocal finesse [...] But, especially on the ballads, [Knowles] often drags things out with diva acrobatics".[51] The Guardian's Adam Sweeting wrote that "the desperate urge to cover every musical base from dancefloor to soul-ballad means that there is barely a track here with any distinctive identity or even a tune".[39] Jason King of Vibe viewed that the album occasionally "sounds desperate to reach every demographic", but commended its "boudoir tunes" and concluded, "Though Dangerously is not an R&B centerpiece, Beyoncé's growing skills as a singer, writer and producer provide ample evidence that she's at her best when shaping her own destiny".[54] In a retrospective review, Allmusic editor Stephen Thomas Erlewine commented that "the first half is good enough to make Dangerously in Love one of the best mainstream urban R&B records released in 2003, and makes a strong case that Knowles might be better off fulfilling this destiny instead of reuniting with Destiny".[34]
Commercial performance
Dangerously in Love debuted at number one on the US Billboard 200 chart, with sales of 317,000 copies according to Nielsen SoundScan.[31] Although the album's first-week sales failed to match that of Survivor which sold 663,000 units in its debut in 2001, Knowles earned the highest among Destiny's Child members' solo albums by best weeks: Rowland sold 77,000 copies for Simply Deep in its strongest week while Williams earned 17,000 copies for Heart to Yours in its top week.[31] The album has been certified four-time platinum by the Recording Industry Association of America (RIAA).[59] Dangerously in Love remains as Knowles' best-selling album to date,[60] with cumulative sales of 4,825,000 copies in the United States as of March 2012.[61]
Internationally, Dangerously in Love had similar commercial reception. On July 12, 2003, Knowles became the first female artist (and the fifth artist ever) to top both the singles—with "Crazy in Love"—[62] and albums chart simultaneously in the United States and the United Kingdom, following The Beatles, Simon & Garfunkel, Rod Stewart, and Men at Work. As of June 2011, the album has sold over 1,150,000 copies in the United Kingdom,[63] and the British Phonographic Industry has since certified the album double platinum.[64] Dangerously in Love is the 15th best-selling album of 2003 in the United Kingdom.[65] In Australia, it reached number two; the album was certified triple platinum by the Australian Recording Industry Association for sales of 210,000 copies.[66] In 2003, Dangerously in Love was the 51st best-selling album in Australia, and the 74th the following year.[67][68] To date, the album has sold more than 11 million copies worldwide.[69]
Dangerously in Love and its singles earned Knowles numerous awards. In 2003, "Crazy in Love" won her three awards at the MTV Video Music Awards, including Best Female Video and Best R&B Video.[70] In the same year, Knowles was recognized the New Female Artist and New R&B Artist, among the four awards she won during the Billboard Music Awards.[71] The following year, she won Best Contemporary R&B Album and Best R&B Song, Best Rap/Sung Collaboration for "Crazy in Love", Best R&B Performance By A Duo Or Group With Vocals for "The Closer I Get to You" with Luther Vandross and Best Female R&B Vocal Performance for "Dangerously in Love 2" at the Grammy Awards.[72] The 1000th issue of the Entertainment Weekly which celebrates "the new classics: the 1000 best movies, TV shows, albums, books, etc. from 1983 to 2008" ranks Dangerously in Love 19th of the Top 100 Best Albums of the past 25 years.[73] The album is ranked at number 183 on the 200 definitive albums that shaped rock and roll according to the Rock and Roll Hall of Fame.[74]
In 2009, British magazine NME voted the album's lead single "Crazy in Love" as the best song of the decade.[75] The song was also ranked at number three on Rolling Stone's 100 Best Songs of the Decade,[76] number four on Pitchfork Media's list of The Top 500 Tracks of the 2000s,[77] number seven on a list produced by The Daily Telegraph[78] and number six on Slant Magazine's list of the 100 Best Singles of the Decade.[79]
With the release of Dangerously in Love and the combined commercial success of its singles, Knowles had established herself a viable solo artist. Rebecca Louie of the New York Daily News wrote that the success of Dangerously in Love brought Knowles into a "sultry solo star" who "blossomed from a girly group", referring to Destiny's Child.[5] Knowles won five Grammy Awards at the 46th Grammy Awards in 2004, tying with Alicia Keys, Norah Jones, and Lauryn Hill for most Grammys won by a single female artist.[72] The album has also facilitated her to become one of the marketable artists in the industry.[14] She appeared on the cover of numerous magazines, guested TV for promotions, and has signed lucrative commercial deals.[12] Knowles signed to PepsiCo, a conglomerate beverage manufacturer, in 2003, and appeared on several TV commercials for its products.[9]
The creative output of the sessions for Dangerously in Love left several tracks ready for another album pressing.[4][80] In late 2003, Knowles planned to release a follow-up album that would comprise left-over songs from Dangerously in Love.[81] The move was prompted when a P. Diddy-collaboration called "Summertime", a left-over track from the album, was sent to radio stations and had received favorable response.[82]
Meanwhile, the success of the album incited the public to infer that it signals Destiny's Child to finally part ways, as had pop singer Justin Timberlake "could not go back to 'N Sync after tasting solo success".[4] However, Knowles said that their side projects were only "a brief diversion in the juggernaut that has become Destiny's Child".[12] As time did not permit, Knowles' musical aspirations were put on hiatus for her to concentrate on her Super Bowl performance, wherein she was slated to sing the U.S. national anthem, and the recording of Destiny's Child's fourth album, Destiny Fulfilled;[4][80] the group finally disbanded in 2005.
After the group's formal disbandment, Knowles recorded and released her second album, B'Day, on September 4, 2006. The album gave Knowles her second number one in the United States, and its debut week sales exceeded that of Dangerously in Love, the former having sold 541,000 units.[83] Despite the album's first two singles' average commercial performance—neither of which reached the peak of the Billboard Hot 100—its "handsome debut" was noted by Keith Caulfield of Billboard as having generated "by goodwill earned from the performance of [Knowles'] smash first album Dangerously in Love."[84]
1. "Crazy in Love" (featuring Jay-Z) Beyoncé Knowles, Rich Harrison, Shawn Carter, Eugene Record Harrison, Knowles 3:56
2. "Naughty Girl" Knowles, Scott Storch, Robert Waller, Angela Beyincé, Pete Bellotte, Giorgio Moroder, Donna Summer Storch, Knowles 3:29
3. "Baby Boy" (featuring Sean Paul) Knowles, Storch, Sean Paul Henriques, Waller, Carter Storch, Knowles 4:05
4. "Hip Hop Star" (featuring Big Boi and Sleepy Brown) Knowles, Bryce Wilson, Makeda Davis, Antwan Patton, Carter Knowles, Wilson 3:43
5. "Be with You" Knowles, Harrison, Beyincé, Shuggie Otis, George Clinton, Jr., William Collins, Gary Cooper Harrison, Knowles 4:20
6. "Me, Myself and I" Knowles, Storch, Waller Storch, Knowles 5:01
7. "Yes" Knowles, Bernard Edwards, Jr., Carter Knowles, Focus... 4:19
8. "Signs" (featuring Missy Elliott) Missy Elliott, Nisan Stewart, Craig Brockman Elliott, Brockman*, Stewart* 4:58
9. "Speechless" Knowles, Andreao Heard, Sherrod Barnes, Beyincé Knowles, Andreao "Fanatic" Heard, Barnes 6:00
10. "That's How You Like It" (featuring Jay-Z) Delroy Andrews, Brian Bridgeman, Carter, Randy DeBarge, Eldra DeBarge, Etterlene Jordan D-Roy, Mr. B, Knowles 3:39
11. "The Closer I Get to You" (duet with Luther Vandross) James Mtume, Reggie Lucas Nat Adderley, Jr. 4:58
12. "Dangerously in Love 2" Knowles, Errol McCalla, Jr. Knowles, Errol "Poppi" McCalla, Jr. 4:53
13. "Beyoncé Interlude" Knowles Knowles 0:16
14. "Gift from Virgo" Knowles, Otis Knowles 2:45
15. "Daddy" Knowles, Mark Batson Knowles, Batson 4:57
European, Latin American and Australian edition
15. "Work It Out" Knowles, Pharrell Williams, Chad Hugo The Neptunes 4:06
16. "'03 Bonnie & Clyde" (Jay-Z featuring Beyoncé) Carter, Kanye West, Prince, Darryl Harper, Rick Rouse, Tupac Shakur, Tyrone Wrice West 3:25
17. "Daddy" Knowles, Batson Knowles, Batson 4:57
French and Belgian edition
14. "Bienvenue" (IAM featuring Beyoncé) Akhenaton, Shurik'n, Deni Hines IAM 4:05
16. "Work It Out" Knowles, Williams, Hugo The Neptunes 4:06
17. "Bonnie & Clyde '03" (Jay-Z featuring Beyoncé) Carter, West, Prince, Harper, Rouse, Shakur, Wrice West 3:25
18. "Daddy" (hidden track) Knowles, Batson Knowles, Batson 4:57
15. "What's It Gonna Be" Knowles, LaShaun Owens, Karrim Mack, Corte Ellis, Larry Troutman, Roger Troutman, Kandice Love Knowles, Soul Diggaz 3:37
16. "'03 Bonnie & Clyde" (Jay-Z featuring Beyoncé) Carter, West, Prince, Harper, Rouse, Shakur, Wrice West 3:25
* Co-producer
Sample credits
"Crazy in Love" contains samples from "Are You My Woman (Tell Me So)" by The Chi-Lites
"Naughty Girl" contains interpolations from "Love to Love You Baby" by Donna Summer
"Be with You" contains interpolations from "I'd Rather Be with You" by Bootsy's Rubber Band and excerpts from "Strawberry Letter 23" by The Brothers Johnson
"That's How You Like It" contains resung lyrics from "I Like It" by DeBarge
"Gift from Virgo" is inspired by "Rainy Day" by Shuggie Otis
"'03 Bonnie & Clyde" contains an interpolation of "If I Was Your Girlfriend" by Prince and a sample of "Me and My Girlfriend" by 2Pac
"What's It Gonna Be" contains a sample of Zapp's "Do It Roger", written by Larry Troutman and Roger Troutman.
Beyoncé – lead vocals, producer, executive producer, vocal producer
Nat Adderley, Jr. – producer, arranger, electric piano, string arrangements
Tawatha Agee – backing vocals
Vincent Alexander – engineer
Sanford Allen – concertmaster
Chuckie Amos – hair stylist
Skip Anderson – arranger, programming, additional keyboards
Ray Bardani – string engineer, mixing
Sherrod Barnes – producer
Mark Batson – producer, arranger, instrumentation, conductor
Carlos Bedoya – engineer, vocal engineer
Big Boi – rap, additional vocal production
Kevin Bird – prop stylist
Craig Brockman – co-producer
John "Jab" Broussard – additional guitar
Al Brown – string contractor
Dan Bucchi – assistant mix engineer
Chris Carmouche – additional engineer
Jim Caruana – engineer
Demacio "Demo" Castellon – assistant mix engineer
Tom Coyne – mastering
Ian Cuttler – art director
Dahlen – photography
Jason Dale – assistant mix engineer
D-Roy – producer
Missy Elliott – rap, producer
Focus... – producer, engineer, instrumentation
Guru – engineer
Phil Hamilton – guitar
Ivan Hampden – drums
Rich Harrison – producer, instrumentation
Andreao "Fanatic" Heard – producer
Cissy Houston – backing vocals
James Hunter – graphic artist
Jay-Z – rap
Bashiri Johnson – percussion
Scott Kieklak – mixing
Markus Klinko and Indrani – photography
Mathew Knowles – executive producer
Tina Knowles – stylist
Brendan Kurtz – assistant mix engineer
Tony Maserati – mixing
Errol "Poppi" McCalla, Jr. – producer
Byron Miller – bass
Mr. B – producer
Sean Paul – vocals
Greg Price – assistant engineer
Mally Roncal – make-up
Dexter Simmons – mixing
Sleepy Brown – vocals
Matt Snedecor – assistant mix engineer
Brian Springer – engineer
Nisan Stewart – co-producer
Scott Storch – producer
Candace Thomas – backing vocals
Pat Thrall – engineer
Luther Vandross – vocals, vocal arrangement
Luz Vasquez – assistant mix engineer
Stan Wallace – engineer
Brenda White-King – backing vocals
Theresa LaBarbera Whites – A&R
Bryce Wilson – producer
Pat Woodward – assistant mix engineer
Dan Workman – guitar, engineer
Peak positions
Chart (2003–04)
Australian Albums Chart[85] 2
Belgian Albums Chart (Flanders)[85] 3
Belgian Albums Chart (Wallonia)[85] 13
Canadian Albums Chart[86] 1
Danish Albums Chart[85] 5
Dutch Albums Chart[85] 4
European Top 100 Albums[87] 1
French Albums Chart[85] 14
German Albums Chart[88] 1
Greek Albums Chart[89] 1
Hungarian Albums Chart[90] 18
Irish Albums Chart[91] 1
Italian Albums Chart[85] 16
Japanese Albums Chart[92] 12
New Zealand Albums Chart[85] 8
Norwegian Albums Chart[85] 1
Polish Albums Chart[93] 18
Portuguese Albums Chart[85] 16
Swedish Albums Chart[85] 11
UK Albums Chart[94] 1
U.S. Billboard 200[86] 1
U.S. Top R&B/Hip-Hop Albums[86] 1
Argentina Gold[95]
Australia 3× Platinum[66]
Austria Gold[96]
Belgium Gold[97]
Canada Platinum[98]
Europe Platinum[99]
France 2× Gold[100]
Germany Platinum[101]
Greece Gold[89]
Hong Kong Gold[102]
Japan Gold[103]
Netherlands Gold[104]
New Zealand Platinum[105]
Norway Gold[106]
Russia Platinum[107]
Sweden Gold[108]
Switzerland Platinum[109]
United Kingdom 2× platinum[64]
United States 4× platinum[59]
Australian Albums Chart[67] 51
Belgian Albums Chart (Flanders)[110] 39
Finnish Albums Chart[111] 38
French Albums Chart[112] 73
Hungarian Albums Chart[113] 87
Irish Albums Chart[114] 10
New Zealand Albums Chart[115] 36
Swedish Albums Chart[116] 66
Swiss Albums Chart[117] 13
US Billboard 200[118] 19
Worldwide[119] 5
Decade-end charts
U.S. Billboard 200[120] 59
Chart precession and succession
Order of precedence
St. Anger by Metallica Irish Albums Chart number-one album
June 26, 2003 Succeeded by
So Much for the City by The Thrills
Fallen by Evanescence UK Albums Chart number-one album
June 29, 2003 – July 27, 2003 Succeeded by
Magic and Medicine by The Coral
St. Anger by Metallica Norwegian Albums Chart number-one album
July 8, 2003 Succeeded by
The Second You Sleep by Saybia
After the Storm by Monica U.S. Billboard 200 number-one album
July 12, 2003 Succeeded by
Chapter II by Ashanti
Dance with My Father by Luther Vandross U.S. Top R&B/Hip-Hop Albums number-one album
St. Anger by Metallica Canadian Albums Chart number-one album
Dutty Rock by Sean Paul
German Albums Chart number-one album
July 28, 2003 – August 11, 2003 Succeeded by
Tour de France Soundtracks by Kraftwerk
European Top 100 Albums number-one album
August 2, 2003 – August 16, 2003 Succeeded by
Fallen by Evanescence
Peak chart positions
U.S. Club
2003 "Crazy in Love" 1 1 2 8 2 21 6 2 3 1
AUS: Platinum[128]
NZ: Platinum[129]
US: Gold[130]
UK: Silver[131]
"Baby Boy" 1 2 3 18 — 8 4 2 5 2
US: Platinum[133]
"Me, Myself and I" 4 3 11 51 7 — 35 18 41 11
2004 "Naughty Girl" 3 1 9 29 2 18 16 6 18 10
AUS: Gold[135]
NZ: Gold[136]
"—" denotes releases that did not chart or was not released.
Nominated Work
BET Awards, USA[138] 2004 "Crazy In Love" (Jay-Z) Best Female R&B Artist Won
Best Collaboration Won
BRIT Awards, UK[139] Dangerously In Love Best International Female Solo Artist Won
Grammy Awards[140]
2004 "Crazy In Love" (with Jay-Z) Best R&B Song Won
Best Rap/Sung Collaboration Won
"Dangerously In Love 2" Best Female R&B Vocal Performance Won
Dangerously In Love Best Contemporary R&B Album Won
" The Closer I Get to You" Best R&B Performance by a Duo or Group with Vocal Won
International Dance Music Awards, World[141] 2003 "Crazy In Love" (with Jay-Z) Best R&B/Urban Dance Track Won
MTV Music Video Awards[142] Video Music Awards
Best Female Video Won
Best R&B Video Won
Best Choreography Won
2004 "Naughty Girl" Video Music Awards
MTV Europe Music Awards[143] 2003 "Crazy in Love" (with Jay-Z) Europe Music Awards
Best R&B Song Won
Europe Music Awards
Best Song of the year Won
MTV Video Music Awards Japan[144] 2004 Best Collaboration Won
POP Music Awards[145][146] 2003 "03 Bonnie & Clyde" (with Jay-Z) Most Performed Song Won
"Crazy In Love" (with Jay-Z) Most performed song Won
2005 "Baby Boy" (with Sean Paul) Most performed song Won
"Me, Myself and I" Most performed song Won
"Naughty Girl" Most performed song Won
Songwriter of the year Won
New Musical Express, UK (NME)[75] 2003 "Crazy in Love" (with Jay-Z) NME Rocklist (End-of-Year Review) Won
NME Record of the Year (Singles) Won
Nickelodeon Kids' Choice Awards 2004 "Crazy in Love" (with Jay-Z) Favorite Female Performer Won
Soul Train Music Awards, USA Dangerously In Love Best R&B/Soul Album Won
Vibe Awards, USA 2003 "Crazy in Love" (with Jay-Z) Coolest Collaboration Won
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^ "Discos de Oro y Platino" (in Spanish). Argentine Chamber of Phonograms and Videograms Producers. http://www.capif.org.ar/Default.asp?PerDesde_MM=0&PerDesde_AA=0&PerHasta_MM=0&PerHasta_AA=0&interprete=Beyonc%E9&album=&LanDesde_MM=0&LanDesde_AA=0&LanHasta_MM=0&LanHasta_AA=0&Galardon=O&Tipo=1&ACCION2=+Buscar+&ACCION=Buscar&CO=5&CODOP=ESOP. Retrieved April 21, 2010.
^ "IFPI Austria – Gold & Platin" (in German). International Federation of the Phonographic Industry. March 7, 2007. http://www.ifpi.at/?section=goldplatin. Retrieved April 21, 2010.
^ "Gold and platinum certifications – Singles – 2004". International Federation of the Phonographic Industry. Hung Medien. May 15, 2004. http://www.ultratop.be/en/certifications.asp?year=2004. Retrieved April 21, 2010.
^ "CRIA: Gold & Platinum – October 2003". Canadian Recording Industry Association. October 27, 2003. http://www.cria.ca/gold/1003_g.php. Retrieved April 20, 2008.
^ "November 2003 – Platinum Europe Awards". International Federation of the Phonographic Industry. December 9, 2003. http://www.ifpi.org/content/section_news/plat_month_20031209.html. Retrieved April 21, 2010.
^ "Certifications Albums Double Or – Année 2005" (in French). Syndicat National de l'Édition Phonographique. June 15, 2005. http://www.disqueenfrance.com/en/page-259165.xml?year=2005&type=11. Retrieved April 22, 2010.
^ "Gold-/Platin-Datenbank ('Dangerously%20In%20Love')" (in German). Bundesverband Musikindustrie. http://www.musikindustrie.de/gold_platin_datenbank/?action=suche&strTitel=Dangerously%2520In%2520Love&strInterpret=&strTtArt=alle&strAwards=checked. Retrieved April 21, 2010.
^ "Gold Disc Award > Gold Disc Award Criteria (2003)" (in Thai). International Federation of the Phonographic Industry (Hong Kong). http://www.ifpihk.org/www_1/go21e.php. Retrieved April 8, 2011.
^ "List of works certified Gold in July 2003". Recording Industry Association of Japan. July 2003. http://translate.googleusercontent.com/translate_c?hl=en&sl=ja&tl=en&u=http://www.riaj.or.jp/data/others/gold/200307.html&rurl=translate.google.com&usg=ALkJrhjjN9cYI9O7KqWye6kyiQZCLS_6yA#list4. Retrieved April 21, 2010.
^ "Goud/Platina" (in Dutch). NVPI. http://www.nvpi.nl/nvpi/pagina.asp?pagkey=61112&documentid=1235664&zoekform=60463&formposted=yes. Retrieved April 21, 2010. [dead link]
^ "New Zealand Top 50 Albums". Recording Industry Association of New Zealand. http://www.rianz.org.nz/rianz/chart.asp. Retrieved April 21, 2010. Note: The reader must select "Chart #1370 – Sunday 10 August 2003".
^ "Salgstroféer" (in Norwegian). International Federation of the Phonographic Industry. http://www.ifpi.no/sok/index_trofe.htm. Retrieved January 3, 2010.
^ "Gold and Platinum International Albums in Russia – 2003" (in Russian). National Federation of Phonogram Producers. 2M. http://2m-online.ru/gold_n_platinum/detail.php?COUNTRY=5069. Retrieved April 21, 2010.
^ "IFPI Sweden – Guld & Platina – År 2003" (in Swedish). International Federation of the Phonographic Industry. November 20, 2003. http://www.ifpi.se/wp/wp-content/uploads/ar-20033.pdf. Retrieved April 21, 2010.
^ "Swiss Certifications – Awards 2004". International Federation of the Phonographic Industry. Hung Medien. http://swisscharts.com/awards.asp?year=2004. Retrieved April 21, 2010.
^ "Jaaroverzichten 2003" (in Dutch). Ultratop. Hung Medien. http://www.ultratop.be/nl/annual.asp?year=2003&cat=a. Retrieved November 17, 2010.
^ "Myydyimmät ulkomaiset albumit vuonna 2003" (in Finnish). YLE. International Federation of the Phonographic Industry. http://www.ifpi.fi/tilastot/myydyimmat/2003/ulkomaiset/albumit. Retrieved November 17, 2010.
^ "Classement Albums – année 2003" (in French). Syndicat National de l'Édition Phonographique. http://www.disqueenfrance.com/fr/monopage.xml?id=259376&year=2003&type=2. Retrieved November 17, 2010.
^ "Összesített album- és válogatáslemez-lista – chart-pozíció alapján 2003" (in Hungarian). Mahasz. http://www.mahasz.hu/?menu=slagerlistak&menu2=eves_osszesitett_listak&id=album_chart&ev=2003. Retrieved November 17, 2010.
^ "Top 20 Albums of 2003". Irish Recorded Music Association. http://www.irma.ie/best2003.htm#albums. Retrieved November 17, 2010.
^ "Annual Top 50 Albums Chart 2003". Recording Industry Association of New Zealand. http://www.rianz.org.nz/rianz/chart_annual.asp. Retrieved November 17, 2010. Note: The reader must select "2003" → "Albums".
^ "Årslista Album – År 2003". Swedish Recording Industry Association. http://www.sverigetopplistan.se/netdata/ghl002.mbr/lista?liid=83&dfom=20030001&newi=0&height=392&platform=Win32&browser=MSIE&navi=no&subframe=Mainframe. Retrieved November 17, 2010.
^ "Swiss Year-End Charts 2003". Media Control. Hung Medien. http://swisscharts.com/year.asp?key=2003. Retrieved November 17, 2010.
^ "2003 Year End Charts – Top Billboard 200 Albums". Billboard. Prometheus Global Media. December 27, 2003. http://www.billboard.biz/bbbiz/charts/yearendcharts/2003/tlptitl.jsp. Retrieved November 17, 2010.
^ "Top 50 Global Best Selling Albums for 2003". International Federation of the Phonographic Industry. http://www.ifpi.org/content/library/top50-2003.pdf. Retrieved November 17, 2010.
^ "Decade End Charts – Billboard 200 Albums". Billboard. Prometheus Global Media. http://www.billboard.biz/bbbiz/charts/decadeendcharts/chart_display.jsp?&f=Billboard+200+Albums&g=Decade-end+Albums. Retrieved November 17, 2010.
^ "Beyoncé Singles Discography". Australian Recording Industry Association. Hung Medien. http://australian-charts.com/showinterpret.asp?interpret=Beyonc%E9. Retrieved March 8, 2011.
^ "Beyoncé Singles Discography". Ö3 Austria Top 40. Hung Medien. http://austriancharts.at/showinterpret.asp?interpret=Beyonc%E9. Retrieved March 8, 2011.
^ "Beyoncé Singles Discography". Syndicat National de l'Édition Phonographique. Hung Medien. http://lescharts.com/showinterpret.asp?interpret=Beyonc%E9. Retrieved March 8, 2011.
^ "Beyoncé Singles Discography". Media Control Charts. Musicline.de. http://www.musicline.de/de/chartverfolgung_summary/artist/Beyonce?sort=entry&type=singles. Retrieved March 8, 2011.
^ "Beyoncé Singles Discography". Recording Industry Association of New Zealand. Hung Medien. http://charts.org.nz/showinterpret.asp?interpret=Beyonc%E9. Retrieved 2011-03-08.
^ "Beyoncé Singles Discography". Swiss Music Charts. Hung Medien. http://swisscharts.com/showperson.asp?name=Beyonc%E9+Knowles. Retrieved March 8, 2011.
^ "Beyoncé Singles Discography". Chart Stats. Official Charts Company. http://www.chartstats.com/artistinfo.php?id=72. Retrieved March 8, 2011.
^ "ARIA Charts - Accreditations - 2003 Singles". Australian Recording Industry Association. http://www.aria.com.au/pages/aria-charts-accreditations-singles-2003.htm. Retrieved March 8, 2011.
^ "New Zealand Portal". Recording Industry Association of New Zealand. http://www.nztop40.com/. Retrieved 2011-03-08.
^ "Beyoncé – Crazy in Love". Recording Industry Association of America. 2004-10-22. http://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS&title=Crazy+in+Love&artist=Beyonce&type=DI&perPage=25. Retrieved 2011-03-08.
^ "Certified Awards Search". British Phonographic Industry. http://www.bpi.co.uk/certifiedawards/search.aspx. Retrieved 2011-03-08.
^ "ARIA Charts – Accreditations – 2003 Singles". Australian Recording Industry Association. http://www.aria.com.au/pages/aria-charts-accreditations-singles-2003.htm. Retrieved March 8, 2011.
^ "Gold and Platinum". Recording Industry Association of America. http://www.riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=&artist=Beyonce&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=1&endMonth=1&startYear=1958&endYear=2008&sort=Artist&perPage=25. Retrieved March 8, 2011.
^ "Gold and Platinum". Recording Industry Association of America. http://riaa.com/goldandplatinumdata.php?resultpage=2&table=SEARCH_RESULTS&artist=Beyonce&startMonth=1&endMonth=1&startYear=1958&endYear=2009&sort=Artist&perPage=25. Retrieved March 8, 2011.
^ "Top 40 Singles". Recording Industry Association of New Zealand. http://www.nztop40.com/. Retrieved March 8, 2011.
^ "Gold and Platinum : Naughty Girl - Beyoncé". Recording Industry Association of America. http://www.riaa.com/goldandplatinumdata.php?resultpage=1&table=SEARCH_RESULTS&action=&title=naughty%20Girl&artist=&format=&debutLP=&category=&sex=&releaseDate=&requestNo=&type=&level=&label=&company=&certificationDate=&awardDescription=&catalogNo=&aSex=&rec_id=&charField=&gold=&platinum=&multiPlat=&level2=&certDate=&album=&id=&after=&before=&startMonth=1&endMonth=1&startYear=1958&endYear=2008&sort=Artist&perPage=25. Retrieved March 8, 2011.
^ "Beyonce, Jay-Z Reign At BET Awards". CBS News. June 30, 2004. http://www.cbsnews.com/stories/2004/06/30/entertainment/main626705.shtml. Retrieved June 7, 2012.
^ "Brits 2004: The winners". BBC News. BBC. February 17, 2004. http://news.bbc.co.uk/2/hi/entertainment/3497315.stm. Retrieved June 7, 2012.
^ "Beyonce tops with five Grammys". CNN. Turner Broadcasting System. February 8, 2004. http://edition.cnn.com/2004/SHOWBIZ/Music/02/08/grammy.night/index.html. Retrieved June 7, 2012.
^ Slomowicz, Ron (June 11, 2010). "Winter Music Conference - 19th Annual International Dance Music Awards". About.com. The New York Times Company. http://dancemusic.about.com/cs/features/a/WMC19IDMAWinner.htm. Retrieved October 24, 2010.
^ "MTV Video Music Awards | Show Highlights, Winners, Performers, Hosts and More From Past Video Music Awards". MTV. MTV Networks. http://www.mtv.com/ontv/vma/winners-by-category.jhtml. Retrieved October 24, 2010.
^ "MTV Europe Music Awards: The winners". BBC News. BBC. November 6, 2003. http://news.bbc.co.uk/2/hi/entertainment/3240653.stm. Retrieved June 7, 2012.
^ "音楽のことならMTVJAPAN.com | 邦楽・洋楽・イベントなどの音楽エンターテイメント" (in Japanese). MTV Japan. MTV Networks. October 13, 2010. http://www.mtvjapan.com/home. Retrieved October 24, 2010.
^ "ASCAP 2004 Pop Music Awards". American Society of Composers, Authors and Publishers. http://www.ascap.com/eventsawards/awards/popawards/2004/. Retrieved October 24, 2010.
^ "ASCAP 2005 Pop Music Awards: Winners List". American Society of Composers, Authors and Publishers. http://www.ascap.com/eventsawards/awards/popawards/2005/winners.html. Retrieved October 24, 2010.
Dangerously in Love at Discogs
I Am... Sasha Fierce
True Star: A Private Performance
Irreemplazable
Above and Beyoncé
4: The Remix
Live and video albums
Live at Wembley
The Ultimate Performer
B'Day Anthology Video Album
The Beyoncé Experience Live
I Am... Yours
I Am... World Tour
Live at Roseland: Elements of 4
Dangerously in Love Tour
Verizon Ladies First Tour
The Beyoncé Experience
I Am... Tour
Revue shows
4 Intimate Nights with Beyoncé
Revel Presents: Beyoncé Live
Carmen: A Hip Hopera
Austin Powers in Goldmember (Foxxy Cleopatra)
The Fighting Temptations
Cadillac Records
Wow! Wow! Wubbzy!: Wubb Idol
House of Deréon
Parkwood Entertainment
Solange Knowles
True Star
"Kanyegate"
Let's Move! Flash Workout
Scaptia beyonceae
Retrieved from "http://en.wikipedia.org/w/index.php?title=Dangerously_in_Love&oldid=497161160"
Albums certified gold by the Argentine Chamber of Phonograms and Videograms Producers
Albums certified gold by the Belgian Entertainment Association
Albums certified gold by the International Federation of the Phonographic Industry of Austria
Albums certified gold by the International Federation of the Phonographic Industry of Greece
Albums certified gold by the International Federation of the Phonographic Industry of Hong Kong
Albums certified gold by the Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers
Albums certified gold by the Recording Industry Association of Japan
Albums certified double platinum by the British Phonographic Industry
Albums certified double platinum by the Syndicat National de l'Édition Phonographique
Albums certified multi-platinum by the Recording Industry Association of America
Albums certified platinum by the Australian Recording Industry Association
Albums certified platinum by the Bundesverband Musikindustrie
Albums certified platinum by the Canadian Recording Industry Association
Albums certified platinum by the International Federation of the Phonographic Industry
Albums certified platinum by the International Federation of the Phonographic Industry of Switzerland
Albums certified platinum by the National Federation of Phonogram Producers
Albums produced by Craig Brockman
Albums produced by Mark Batson
Albums produced by Missy Elliott
Albums produced by Rich Harrison
Albums produced by Scott Storch
Albums released in Super Audio
Beyoncé Knowles albums
Contemporary R&B albums
Soul albums
Grammy Award for Best Contemporary R&B Album
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Toutes les traductions de Dangerously in Love
synonyme - définition - dictionnaire - define - traduction - traduire - traducteur - conjugaison - anagramme - dictionnaire Littré convertisseurs - nombres en lettres - chiffres romains en chiffres arabes - - Di


A total of 27 new establishments have been added to the 2019 installment.
Ahead of the MICHELIN Guide Great Britain & Ireland 2019 launch, Michelin is delighted to announce this year's Bib Gourmand awards. Named after Bibendum—aka, the Michelin Man—the coveted Bib Gourmand award highlights restaurants which offer good quality, good value cooking.
A total of 27 new Bib Gourmands have been added to the 2019 guide, bringing the total to 143. London leads the the area with 42 Bib Gourmand eateries, four of which are new. Petit Pois in Hoxton is a cozy bistro serving French fare with tons of flavor, while Peckham's loveable Kudu offers dishes inspired by its chef's South African roots. Passionately run Farang in Highbury focuses on Thai street food and the superb Sorella brings the taste of the Amalfi Coast to Clapham.
Newcastle's Route, with its gutsy British small plates, gives a third Bib to the city, while Brighton adds to its growing collection with quirky Italian restaurant Cin Cin. Bristol is a city on the up—a fact born out by its three new Bib Gourmands. Two go to restaurants in converted shipping containers on the old wharf: Root, where vegetables take centre stage, and the super friendly Tare, with its creative cooking. City institution Bell's Diner & Bar Rooms is the third recipient, with dishes that are chock full of Mediterranean colors and flavors.
Pubs are well represented, with six receiving the award this year. These are often at the heart of the community and run by hard-working couples, as is the case at the unashamedly old-fashioned Dog and Gun Inn in Skelton, Cumbria; the hugely characterful Compasses Inn in Crundale, Kent and the rural Crown Inn in Upton, Hampshire, where menus champion the county's produce.
Scotland scores two Bib Gourmands in this year's guide with Monadh Kitchen in Glasgow and Sugar Boat in Helensburgh, while beachside bistro Bryn Williams at Porth Eirias wins a third Bib for Wales.
The Republic of Ireland boasts four new Bib Gourmands, bringing its total number up to 24: Clanbrassil House in Dublin, Tartare in Galway, Dillon's in Timoleague and Brownes in Tuam; while former Michelin-starred chef Danni Barry gains a Bib Gourmand for Northern Ireland at the charming Clenaghans.
Congratulations to all Bib Gourmand awardees. The starred restaurants for the MICHELIN Guide Great Britain & Ireland 2019 will be announced on Monday, October 1. Stay tuned.


text:
MARIE-JOSÉE BERGERON
Marie-Josée's artistic work comes from the intimacy and the subjective relationship tied to the notion of identity and abandonment particularly present in adopted child. She is precisely interested in producing images that reveal the sentiments behind the mother and child bond.Marie-Josée is also interested in the overall concepts of transformation and metamorphosis. More precisely, she finds herself fascinated by the unfolding of the path of life, of elements from a body's embryonic state through birth and their abilities to change. The interaction and transformation with nature's natural life force that which transcends all logic, pushes her to create an imaginary universe,
a space where the multiplicity of motion acts like a renewed mantra - it grows into a spiritual quest and absolute introspection and sets her on a journey of authenticity and truth.In constant search of textures to nourish her work, Marie-Josée takes pictures and gather materials to return to the studio. All matter is sought as stimuli to glean visual cues and serve as inspiration. Tree bark, paper, metals, stone, wood and fabric are some of her favored elements. She envisions the canvas as a broad surface rather than simply a surface hosting a predominating image. She is interested by the plane relief of a flat surface presented from varying angles. The surface becomes itself a pretext for her spontaneous and intuitive experiments with matter. From her collection of various mediums of paint and molding paste, regularly but not systematically positioned, she ends up creating a denuded pictorial relief from which, the remainder of her work emanates. This stage represents the structural framework of the painting.It is from these beginnings, and the hues & colors from a preselected palette, that Marie-Josée stages a visual and chromatic presentation, the brush dancing at will over the surface. She lets herself go, freely and instinctively stroking the canvas, allowing shapes, lines and forms to shape random recognizable images. She remains in a state of awareness to that which emanates from her sub-conscious and becomes the visual direction that embodies her through the gathering and juxtapositions of matter. While painting a shape is gradually fashioned one brush stroke spawned from the previous one allowing her work to take form.

redpajama_set_name: RedPajamaCommonCrawl


Marilyn and I went out to Riteaid to pick up prescriptions. And then we had Starbucks and took a short drive in the sunshine, which was lovely.
All that went well. But when we got back home I had just TERRIBLE pain. Really awful, awful pain!
I made Linda phone back, so I actually talked to her twice. And later on sister Sue phoned -- just as both of us had fallen asleep. (sigh) So I called her back and explained I was having a bad day. She wanted a chat, but I frankly wasn't up for it.
I think Marilyn is even more tired than I am. I've had chances to sleep while she's been WORKING (of course). And she needs this weekend to refuel.
We had to skip the once-in-a-lifetime opportunity with the U.S.S. Portland (and our VIP passes for that). But it would have been HOURS and wearing dress uniforms (pretty impossible for me right now) and on our feet and so on. It was supposed to be two hours just to park for the event!
Anyway, after pills and Marilyn treated the skin I was able to enjoy Svengoolie (a Three Stooges movie). Then have a short nap during and after my actual 10:00 p.m. infusion. Which was lovely!
I'm in for weeks of this until the worst is over. But I'll endure it. I'm tough.
I need to do social media for a number of dear friends. And write an email to someone (it's important) tomorrow.
Actually, I've been working hard to stay on top of my work-related emails, considering the time of year!!!
And I'm off to bed now. Sweet dreams, everybody!!!
Hope you get the rest and feel better!
I hope the encephalitis is under control, Charlie and that the shingles fades quickly because I'm assuming that's where the pain is originating.


text:
package org.kie.workbench.common.stunner.core.lookup.diagram;

import org.kie.workbench.common.stunner.core.lookup.LookupManager;

/**
 * The lookup manager type for Diagrams.
 */
public interface DiagramLookupManager extends LookupManager<DiagramRepresentation, DiagramLookupRequest> {

}

redpajama_set_name: RedPajamaGithub


If you search the design of foyers you have already arrived in the right place and here I will share suggestion and inspired image to help you in designing your home foyers, hi people. Foyers become initially area when guest or site visitors come to your residence this really is turning into lobby for your guest. So you need create this room comfort and can entertain your guest. I think you need furnishings foyers which make your guest can comfort and revel in keep there.
Foyers decoration is not difficult it is simple design put some chair and table could be interested if you can combine correctly.|If you can combine correctly, Foyers decoration is not difficult it is simple design put some table and chair could be interested.} This means small point can influence the other person you can set up case or snapshot art work and will also deliver the truly amazing ambiance. You can even take carpet to pleasant your guest warmly. It really is basic design and style but it will give optimize design and style and you may see my impression to incorporate your guide.
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text:
Under a War-Torn Sky by L.M. Elliott
Just nineteen years old, Henry Forester is the youngest pilot in his Air Force squadron. Still, he's one of their best fliers, facing Hitler's Luftwaffe in the war-torn skies above France. But when his plane is shot down on a mission behind enemy lines, Henry finds himself on a whole new battleground. Wounded, hungry, and afraid, he struggles toward freedom on foot, relying on the kindness of ordinary French citizens and the cunning of members of the French Resistance to reach the next town alive. Each day brings him nearer to home and closer to danger. Yet even as Henry struggles for his own survival in a hostile country, he quickly grows to realize the great peril that surrounds all the French people, and to admire the strength and determination of the freedom fighters who risk death to protect him.
For more information about the author, watch our video interview with L.M Elliott.
During the course of the novel, Henry travels two "odysseys"- one is his physical escape and the other is a journey of personal discovery. How are the two odysseys linked? What does he discover about mankind and himself along the way? How does he change?
Henry's father, Clayton, is a harsh, never-ending voice in Henry's mind. How does this help Henry and how does it hurt him? Why do you think Clayton is the way he is? In the end, Henry realizes that his father had done the "wrong things for the right reasons." What does he mean by that?
Sometimes characters personify a theme or idea. What could Pierre symbolize? What could Billy or Madame Gaulloise represent?
To help a flier escape, the Resistance often needed many people to play-act a variety of roles in a sequence of carefully planned events. These exchanges had to happen quickly and fluidly. In chapter eight, Henry is rescued by a series of strangers. Who are they and what roles do they perform? How do you think Henry felt when he realizes, "He'd been handled, just like a hot potato. He was a package no one wanted to be caught holding."
To survive, American fliers had to put their lives into the hands of complete strangers, many of whom spoke no English. Recall a time when you had to count on strangers to help you or your family.
Why do you think the old German soldier releases Henry?
Henry has to leave behind those who have helped him, not knowing their fate. What do you think happens to Madame Gaulloise? To Pierre? To Claudette? Outline your own sequel.
Henry travels hundreds of miles on foot to escape capture by Nazi troops. Using a map of France, trace his route from the scene of his bailing out to his final rescue.
Imagine that you have been asked to write a description with some commentary for the back cover. Create one paragraph that tells the reader what the story is about and gives him/her a reason to read it. Share your writing with friends, and talk about the book with them.
Under a War Torn Sky Book Info
Although Henry Forester a.k.a. Hank is an older teenager at 19, he's still in the teens in terms of the number of bombings he's participated in as an American pilot during World War II. His luck runs out when he is shot down and parachutes into German-occupied territory. With the help of the French Resistance, he overcomes a number of perils and learns many lessons as he seeks safety in England.
Under a War Torn Sky
L.M. Elliott
Middle Grade, YA
A Troubled Peace Book Info
World War II may be ending, but for 19-year-old bomber pilot, Henry Forester, the conflict still rages. Shot down over France, Henry endured a dangerous trek to freedom, relying on civilians and Resistance fighters to stay alive. But back home in Virginia, Henry is still reliving air battles with Hitler's Luftwaffe and his torture by the Gestapo. Mostly, Henry can't stop worrying about the safety of those who helped him escape — especially one young French boy, Pierre, who, because of Henry, may have lost everything.
A Troubled Peace


text:
Fire destroys million-dollar home
published by www.azdailysun.com
Arizona, USA — An early morning fire Wednesday destroyed a Mountainaire home, and the homeowners received only minor injuries after narrowly escaping the blaze.
Damages are estimated beyond $1 million. The cause is under investigation.
Tim Paupore, spokesperson for Highland Fire District, said firefighters were called out at 6:45 a.m. on a report of a wildland fire south of the village.
"Our first arriving crew found a fully involved structure fire in the forest," Paupore said, adding that the blaze had consumed a 3,000 to 3,500 square-foot, two-story log home at 820 S. Erie St.
Two engines arrived on the scene originally, Paupore said. Crews brought out a water tender because no water is available in the area. Soon after, a second alarm was called for response from the Flagstaff Fire Department. Flag Fire rushed out two pumper engines and two more water tenders.
"The owners of the home, husband and wife, were injured while escaping the home," Paupore said. "They escaped with just their bathrobes on, and left the house while it was fully involved."
Sgt. Randy Servis of the Coconino County Sheriff's Office said the couple was lucky to be alive.
"They used the basement to run under the fire to get out of the house," Servis said.
The couple had superficial burns on their hands and feet, and also suffered from the effects of inhaling smoke, Paupore said. They were treated at the scene by Guardian MedicalTransport paramedics and transported to Flagstaff Medical Center.
A spokesperson for the hospital said the couple had been treated and released by early Wednesday afternoon.
"The home was a complete loss," Paupore said. The value of the home, which was located on a 10-acre parcel of land in the forest is estimated at $1 million presently. Four cars and a backhoe were also burned in the blaze.
"They lost everything in the fire," Paupore said. "It is burnt right down to the foundation."
The Grand Canyon chapter of the American Red Cross had staff on hand to provide services to firefighters on the scene, said Jaclynn Anderson, spokesperson.
"Services were not requested (by the victims)," Anderson said. "They weren't in need of our assistance."
But Red Cross will continue to remain available if circumstances change, Anderson added.
The cause of the fire is still under investigation.
"We're bringing up a fire investigator from Sedona Fire District," Paupore said, adding that at this time, it is unknown if the home had any smoke detectors.
Forest fuel management crews were brought out to the scene to put out spot fires in the forest to prevent a forest fire, Paupore added.
Three residents who live in the area all stated they thought the fire was a wildland fire.
Mountainaire resident Debra Ussery said she was getting ready for work Wednesday morning when she heard the sirens and saw the flashing lights of the fire trucks.
"When I went outside to start my car around 7:15, I did see the fire trucks on the next street over … and I could see the plume of smoke," Ussery said.
She and her stepson went to investigate and were told by firefighters that the fire was a house fire and not a wildland fire.
"If it weren't a house fire, I probably wouldn't have gone into work in case we had to get the pets and people out of Mountainaire," Ussery said.
She added the plume of smoke could even been seen from Interstate 17.
Mountainaire has about 3,000 residents, Paupore said, and is a little smaller than Kachina Village, which is to the west of Mountainaire off I-17 about 6 miles south of Flagstaff.


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Ralph Barton Perry (July 3, 1876 in Poultney, Vermont – January 22, 1957 in Boston, Massachusetts) was an American philosopher. He was a strident moral idealist who stated in 1909 that, to him, idealism meant "to interpret life consistently with ethical, scientific, and metaphysical truth." Perry's viewpoints on religion stressed the notion that religious thinking possessed legitimacy should it exist within a framework accepting of human reason and social progress.

Career
He was educated at Princeton (B.A., 1896) and at Harvard (M.A., 1897; Ph.D., 1899), where, after teaching philosophy for three years at Williams and Smith colleges, he was instructor (1902–05), assistant professor (1905–13), full professor (1913–30) and Edgar Pierce Professor of Philosophy (1930–46). He was president of the American Philosophical Association's eastern division in 1920–21.

A pupil of William James, whose Essays in Radical Empiricism he edited (1912), Perry became one of the leaders of the New Realism movement. Perry argued for a naturalistic theory of value and a New Realist theory of perception and knowledge. He wrote a celebrated biography of William James, which won the 1936 Pulitzer Prize for Biography or Autobiography, and proceeded to a revision of his critical approach to natural knowledge. An active member among a group of American New Realist philosophers, he elaborated around 1910 the program of new realism. However, he soon dissented from moral and spiritual ontology, and turned to a philosophy of disillusionment. Perry was an advocate of a militant democracy: in his words "total but not totalitarian". Puritanism and Democracy (1944) is a famous wartime attempt to reconcile two fundamental concepts in the origins of modern America. Between 1946 and 1948, he delivered in Glasgow his Gifford Lectures, titled Realms of Value.

He married Rachel Berenson, and they lived in Cambridge, Massachusetts. Their son was Edward Barton Perry born at their home 5 Avon Street in Cambridge, 27 September 1906. In 1932, Edward married Harriet Armington Seelye (born Worcester, Massachusetts, 28 May 1909), daughter of physician and surgeon Dr. Walker Clarke Seelye of Worcester and Annie Ide Barrows Seelye, formerly of Providence, Rhode Island.

In 1919, he gave the commencement address for the first graduating class of Connecticut College, which had opened its doors in 1915.

Bibliography

 The Approach to Philosophy, (1905), New York, Chicago and Boston: Charles Scribner's Sons
 The Moral Economy, (1909), New York: Charles Scribner's Son
 Present Philosophical Tendencies: A Critical Survey of Naturalism, Idealism, Pragmatism, and Realism, together with a Synopsis of the Philosophy of William James, (1912), New York:Longmans, Green & Co.
 Holt, EB; Marvin, WT; Montague, WP; Perry, RB; Pitkin, WB; Spaulding, EG, The New Realism: Cooperative Studies in Philosophy, (1912), New York: The Macmillan Company
 The Free Man and the Soldier, (1916), New York: Charles Scribner's Sons
 The Present Conflict of Ideals: A Study of the Philosophical Background of the World War, (1918), New York: Longmans, Green & Co.
 Annotated Bibliography of the Writings of William James, (1920), Longmans, Green & Co.
 The Plattsburg movement: A Chapter of America's Participation in the World War (1921), New York: E.P. Dutton & company
 A Modernist View of National Ideals (1926) Berkeley: University of California Press, Howison Lectures in Philosophy, 1925
 General Theory of Value (1926)
 Philosophy of the Recent Past: An Outline of European and American Philosophy Since 1860, (1926), New York: Charles Scribner's Sons
 The Hope for Immortality (1935)
 The Thought and Character of William James, 2 vols. (1935)
 Plea for an Age Movement (1942) New York: The Vanguard Press [Talk at 1941 Princeton and Harvard Reunions]
 Puritanism and Democracy, (1944)
 Characteristically American: Five Lectures Delivered on the William W. Cook Foundation at the University of Michigan, November–December 1948, (1949), New York: Alfred A. Knopf, 1949
 Realms of Value, (1954), Harvard University Press [Based on Gifford Lectures]
 The Humanity of Man, (1956), New York: George Braziller
 "A Definition of morality". In P. W. Taylor (Ed.), Problems of moral philosophy: an introduction to ethics (pp. 13–24). Belmont, CA: Dickenson, 1967

See also
 American philosophy
 List of American philosophers

References

External links

 Biography, at the Gifford Lectures site

 Some works by and about Perry, in the Mead Project website
 "PROF. ROYCE'S REFUTATION OF REALISM AND PLURALISM", The Monist 12 (1901-2): 446–458.
 Review: The Refutation of Idealism, Reviews, The Journal of Philosophy, Vol. I, No. 3 (Feb. 4, 1904), 76–77.
 THE EGO-CENTRIC PREDICAMENT, Journal of Philosophy, Psychology, and Scientific Methods 7 (1910): 5-14
 Editor's Preface, Essays in Radical Empiricism (1912) by William James
 Lectures on the Harvard Classics. The Harvard Classics, Volume LI (1914):
 Philosophy: I. General Introduction
 Philosophy: III. The Rise of Modern Philosophy
 Philosophy: IV. Introduction to Kant
 Religion: I. General Introduction
 Non-Resistance and the Present War--A Reply to Mr. Russell, International Journal of Ethics, Vol. 25 No. 3 (April, 1915). 307–316.

1876 births
1957 deaths
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Home Australia's Original Languages: An Introduction
Australia's Original Languages: An Introduction
R. M. W. Dixon
Allen & Unwin
linguistics;
Language teaching & learning material & coursework;
History;
Indigenous peoples;
Advocate - History
'A must read for all who would like to understand the languages and culture of Indigenous Australians.' Dr Ernie Grant, Elder of the Jirrbal nation When Captain Cook landed at Botany Bay, about 250 distinct languages were spoken across the continent. Yet Australian Indigenous languages actually share many common features.
Bob Dixon has been working with elders to research Australian languages for half a century, and he draws on this deep experience to outline the common features. He provides a straightforward introduction to the sounds, word building, and wide-ranging vocabulary of Indigenous languages, and highlights distinctive grammatical features. He explains how language is related to culture, including kinship relationships, gender systems, and naming conventions.
With examples from over 30 languages and anecdotes illustrating language use, and avoiding technical terms, Australia's Original Languages is the indispensable starting point for anyone interested in learning about Aboriginal and Torres Strait languages.
'Written in an accessible, easy to read style, Professor Dixon's new book is an informative and entertaining introduction to Australia's original languages.' Dr Joe Blythe, Department of Linguistics, Macquarie University
By: R. M. W. Dixon
Imprint: Allen & Unwin
Country of Publication: Australia
Dimensions: Height: 234mm, Width: 153mm,
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
R. M. W. Dixon is a Professor of Linguistics at James Cook University and Fellow of the Australian Academy of the Humanities. He has been conducting immersion fieldwork since 1963 and is author of The Languages of Australia, co-author of Australian Aboriginal Words in English, and author of grammars and dictionaries for five Indigenous languages.