text:
Q: WCF message response arriving after timeout expires We have two applications (client and server) on the same machine that communicate via a WCF service using named pipes.
The issue that we're seeing is that occasionally a request from the client to the server will time out. WCF tracing is enabled on both ends, and on the server side we see the request being processed and responded to immediately as expected. However on the client side we don't see the response and the request times out after 1 minute.
What's suspicious is that almost immediately after the timeout, the client-side WCF trace shows the server's response arriving, almost as if it had been stuck somewhere and the timeout exception caused it to come un-stuck.
Attached are some screenshots from the client trace of the activity that relates to a particular message. Notice that the message gets sent out at 13:26:31.38, it times out at 13:27:31.80, and then the response gets received at 13:27:31.215.
Has anyone ever seen this behavior with WCF named pipes, where messages responses randomly seem to get stuck?

redpajama_set_name: RedPajamaStackExchange


For athletes, fans and players will love our collection of sports games! 8 or 9-ball Play against the computer, box with friends, and horseback riding.
Play many winter sports, such as challenges of skiing, sledding, and downhill sliding board. I Go head to head against tough AI or compete with players around the world!


The pinnacle of a run I, and many, many others, have gushed about all over the internet for many years. This issue I believe cements this entire era of Hulk, giving Peter David full control and letting him run inside, outside, and every which way into the corners of the character.
While the Todd McFarlane run with David is spoken of frequently, the Dale Keown issues are head and shoulders better. The cover says it all – and if you've never read this era of the Hulk, well, y'know, you haven't really read the Hulk.


Last June Sonos released their new creation: the Sonos Beam. Basically, it is a smart speaker that takes the best of this technology and fits it in a small package that doesn't make justice to its capabilities.
It's no secret that home automation technology evolves at a fast pace, especially in all related to audio, video and entertainment. A few years ago there was no actual need to keep releasing smart products constantly because things were made to last longer, but modern times have changed the rules. So, companies went under a philosophy where rapid device upgrade was a constant, but that's not the way Sonos used to work. What they did was refine their smart speakers line with features that truly took the audio concept to a whole new level.
Despite that, the arrival of big brands like Amazon, Google and their focus on speakers and A/V (Audio & Video) made them realise that they need to step up their game, hence only since last year, Sonos has already released 7 new products. The Sonos family has the Sonos One, Sonos Play:1, Sonos Play:3 and Sonos Play:5, and as for home theatres they have the Sonos PlayBar, Sonos PlayBase and of course the object of this blog: The Sonos Beam.
The small compact size of this smart speaker is important, as this device - unlike its predecessors - can fit smoothly in front of any smart TV. Now, if you like figures, the Sonos Beam measures 650 x 100 x 68 mm and its size is not the only thing that got smaller, as its price was reduced significantly, compared to Sono´s previous model. Also, the speaker comes with an HDMI port that its older brother lacks completely.
Its design is a perfect combination of two Sonos´s previous releases, the Sonos One and the Sonos Play:5. The setup ain't complex at all, a couple of squares at both sides of the screen to adjust the volume and the play/pause button in the middle, plain simple. Above this setup, there's the speaker´s mic control to turn it on/off. This microphone handles the voice control feature, that initially only supports Amazon's Alexa, but will support Siri and Google Assistant soon. Apparently, Sonos is not planning on backing down from being market-relevant.
Back to its design the overall concept is cutting-edge and provides that future-looking feeling, especially when they choose fabric to cover the opening of the speakers.
The Sonos Beam can be placed either mounted or can just lay in front of the TV, either way, the sound experience is amazing. It only has three channels, but with TruePlay (a fantastic upgrade Sonos released recently, which allows sound to be calibrated according to the room. Sound wise, you get the perfect blend between the Sonos Play:3 and the Sonos PlayBar. Four full-range drivers and a tweeter are in charge to work alongside three passive radiators (bass lovers are going to absolutely love that one) to make a pure perfect sound like you're in the recording studio.
Then the magic commences as TruePlay takes over, asking you to use your smartphone or tablet to scan room. Once enabled, TruePlay will fill the room with sound for a much better experience. FYI: TruePlay as of now, is only available for iOs devices.
If this is too much tech for you, then you can just stick to the old voice command for simple tasks like volume adjustments, radio station searches and of course, play/pause options to any audio file you´re listening to.
Now, with that being said and as much as we liked Alexa´s skills, variety is what people want. So now in addition to Alexa, you can also use the Beam, with the marvellous AirPlay 2 which means that SIRI (a.k.a iOS) is also being integrated, the same plans are scheduled for Google Assistant capabilities as well.
Having three types of voice control assistant available might seem like too much, but Sonos´ aim is to captivate buyers as much as possible. We will have to wait and see how the market responds to these strategies with time, for now, you just need to bring the Sonos feel into your day to day living.
Sonos knows who they are competing against in this market and it's no easy battle to win at all. But they are surely raising the bar with this fantastic set of smart speakers. Small yet classy to fit any living room, cutting edge design, innovative features and sound add ons that truly enhance the sound experience for any occasion and fits almost any budget.


"This is Mr. Norris. He'll be coming on board as a human shield."
"Now I wish the war had been about the oil."
"Right!...so after the articles on Iraq, Afghanistan and the threat of terrorist bombings I want 5 pages on the dangers of letting people with mental health issues roam our streets..."
"The situation in Iraq appears to be going well, gentlemen. That, however, is a map of Staten Island."
Army recruitment - Someone else's country needs you!
"Agreed, there's a middle ground between stay the course and cut and run. But I'm quite certain it's not dance and flirt."
Crusade - Oil is thicker than blood?
"Tell Washington we've lost Osama bin What's-His-Name's trail."
America swoops in to take the credit for the defeat of terrorism.
Iraq War inquiry denied secret Bush-Blair documents.
"Frankly, I'm more concerned with our entrance strategy."
"I've decided to cut and run."
'Rock Paper Scissors' as played by the American military.


text:
'use strict';

const common = require('../common');
const assert = require('assert');
const ModuleMap = require('internal/modules/esm/module_map');

// ModuleMap.get, ModuleMap.has and ModuleMap.set should only accept string
// values as url argument.
{
  const errorReg = common.expectsError({
    code: 'ERR_INVALID_ARG_TYPE',
    type: TypeError,
    message: /^The "url" argument must be of type string/
  }, 15);

  const moduleMap = new ModuleMap();

  // As long as the assertion of "job" argument is done after the assertion of
  // "url" argument this test suite is ok.  Tried to mock the "job" parameter,
  // but I think it's useless, and was not simple to mock...
  const job = undefined;

  [{}, [], true, 1, () => {}].forEach((value) => {
    assert.throws(() => moduleMap.get(value), errorReg);
    assert.throws(() => moduleMap.has(value), errorReg);
    assert.throws(() => moduleMap.set(value, job), errorReg);
  });
}

// ModuleMap.set, job argument should only accept ModuleJob values.
{
  const errorReg = common.expectsError({
    code: 'ERR_INVALID_ARG_TYPE',
    type: TypeError,
    message: /^The "job" argument must be of type ModuleJob/
  }, 5);

  const moduleMap = new ModuleMap();

  [{}, [], true, 1, () => {}].forEach((value) => {
    assert.throws(() => moduleMap.set('', value), errorReg);
  });
}

redpajama_set_name: RedPajamaGithub


We are two sisters worlds apart dedicated to the fine art in our culture. One graduated with degree in Nature & Science. One graduated with degree in Software engineering. Both received a diploma from the School of art in gold and silversmithing, Together we share a passion in designing and crafting handmade jewellery.


Achor to OneNote for Outlook is packaged in Anchor to OneNote 5.0 or later.
Taking linked notes in Microsoft OneNote 2013, 2010 makes it easy to do research on your computer by letting you take notes in a docked OneNote window on your desktop while you work side-by-side in Microsoft Outlook.
Notes taken in this mode are automatically linked by OneNote to whatever you're looking at in Outlook.
Click the Dock to Desktop button on the quick access toolbar to undock the window and toggle Linked Notes mode off (or simply press CTRL+ALT+D).
Click the Normal View button on the View tab.
While in Linked Notes mode, a button with a chain link icon is displayed near the top left corner of the docked notes page. While in a Linked Notes session, you can hover the mouse pointer over individual notes on the page to see which notes are linked to something else.
Hovering the mouse pointer over any of the application icons that may appear on the page will display thumbnail images MSAccess that the notes are linked to. You can click any of these thumbnail images to open their associated files.
To see a list of all of the documents that are linked from the current page, or to remove any links that you don't want or need, click the chain link icon in the top corner of the page.
1. On the File menu, click Options.
2. On the left side of the OneNote Options dialog box, click the Advanced category.
3. On the right side, under Linked Notes, clear the Allow creation of new Linked Notescheckbox.
Tip: If you want to clear any linked notes that have already been associated with Web pages and documents, click the Remove Links from Linked Notes button in the OneNote Options dialog box.
On the right side, under Linked Notes, select the Allow creation of new Linked Notescheckbox.


text:
Le refuge de Cóms de Jan est un refuge d'Andorre situé dans la paroisse de Canillo à une altitude de .

Randonnée

Inauguré en 1981 et propriété du Govern d'Andorra, le refuge est non gardé et ouvert toute l'année. Il possède une capacité d'accueil de .

Le refuge est située dans la vallée de Ransol, environ  au sud de la frontière française.

Toponymie

Cóms est un dérivé de coma, terme d'origine latine provenant de cumba (« combe » ou « vallée »), et composant de très nombreux toponymes andorrans. Coma peu prendre différents sens mais s'applique dans ce cas à un « cirque glaciaire ouvert et de petite taille ».

Voir aussi

 Liste des refuges d'Andorre

Références

Canillo
Coms de Jan

redpajama_set_name: RedPajamaWikipedia


text:
Tax and Duties of Executors and Trustees – Are you liable for tax?
April 12, 2021 April 12, 2021 / Perspective Law
Executors and Trustees are personally liable for the tax assessable on a trust estate, so it is critical that they be absolutely sure the extent of that tax liability. But how can you be sure? What action can you take? What forms of application can you make, to ensure you are protected as far as possible from future claims or a re-assessment?
The requirement of self-assessment puts much greater responsibility on taxpayers to ensure their income tax returns were correct before lodgement with the ATO. Much greater certainty about the ATO's views on the technical enforcement of the tax law is necessary to protect yourself from strict liability.
Consider firstly, what is "advice" in terms of a communication from the ATO? Advice consists of "public" and "private rulings, which are very different and have a weight that applies at public or private levels. public and private rulings are now 'binding' on the ATO and it is recommended that trustees obtain clarity using these.
Public Rulings
Public rulings explain the application of the tax law to taxpayers generally (for example Taxation Rulings and Determinations), a class of taxpayers (Class Rulings) or a particular arrangement (Product Rulings). These apply particular sections of the legislation in detailed factual circumstances, to confirm a binding position taken by the ATO regarding assessments.
A public ruling provides protection until it is withdrawn, or when it specifies that it ceases to apply.
You don't need to know of the existence of a public ruling to rely on it.
What are not Public Rulings?
The Income Tax (IT) and Capital Gains Tax (CGT) Determination series which were published prior to 1 July 1992 when the legislative framework for public rulings was established, are not legally binding on the Commissioner. Income Tax Ruling IT2622 (about present entitlement during the stages of administration of deceased estates) is of particular importance in this regard. The Commissioner will treat these determinations as "administratively binding".
A draft public ruling is a document that sets out the Commissioner's preliminary view about the way in which a relevant provision applies. This means that reliance on a statement in a draft ruling provides the same level of protection as 'guidance' (penalty and interest protection).
In the context of deceased estates and trusts , rulings within this category include TR 2004/D25 (about absolute entitlement) and TR 2010/D1 about the meaning of income of a trust estate.
Private Rulings
In the absence of a binding ATO position, a trustee or executor might apply for a private ruling from the ATO. This gives the person certainty about how the facts will be applied to the law and assessment made, rather than assuming a position which could be open to interpretation. No one wants a nasty surprise by way of a re-assessment long after the estate assets have been distributed.
The ATO is bound to follow a private ruling on which the rule relies. This is unless a section of the Act, is repealed or amended to have a different effect, or a Court makes a judgment that takes a view about the section that is more favourable to the rule.
A ruling assists in deciding whether the taxpayer has taken reasonable care when determining penalties. Be careful not to rely on views in edited versions of private rulings published on the ATO Legal Database. The devil is always in the detail.
A private ruling provides protection to the taxpayer it is issued to and only for the tax years covered. (There is an exception where a trustee obtains a private ruling in relation to a trust. In that case, the private ruling will apply to the beneficiaries of the trust (other than an indirect tax or excise ruling) and to any trustee that replaces the applicant trustee, for as long as the ruling remains current.
An edited version reflects the law (and the Commissioner's view of the law) at the time it was issued – so it is very important to check if either have changed since the ruling was published.
For example, there are issues about the application of the complex partial main residence exemption provisions. For executors who are risk averse, we would suggest that they obtain a private ruling.
What can a ruling be about?
A private ruling can cover anything involved in the application of a relevant tax law, including issues relating to:
Liability for tax;
Administration;
procedure and collection;
ultimate conclusions of fact (such as residency status);
Status to apply for a private ruling:
You can apply for a private ruling about:
your own affairs
the affairs of another entity (including a person) if you're their agent or legal personal representative (LPR).
Various private ruling application forms together with instructions are available on the ATO website. The person applying for the ruling must indicate whether or not they will include detailed reasoning to support their application and should do so to support their case. An application must contain a full description of all relevant facts and circumstances.
The website also lists supporting information that should accompany private ruling applications on particular topics (including for example, those about death benefits, child maintenance trusts and capital gains for deceased estates).
A word of warning trustees must note carefully. The ATO will not be bound by a private ruling if you do not provide all material facts or the scheme which the ATO has ruled upon is not implemented in the way set out in the ruling.
Refusal to rule
The ATO may decline to give a private ruling in some circumstances, including if:
the making of the ruling would prejudice or unduly restrict the administration of the law – for example:
the application is frivolous or vexatious;
the arrangement is not seriously contemplated;
making the ruling would not have any practical consequences – (e.g. the transaction in question occurred in the past and the amendment period has expired).
the issue has been, or is being considered – (e.g. in an audit relating to the particular question);
the taxpayer has made an objection on the same matter;
information requested by the ATO was not provided in a reasonable time;
the ATO exercises a particular power available under the law, rather than provide advice on how that power would be exercised, (e.g. you should normally ask the Commissioner for an extension of time to lodge a form rather than seeking a ruling on the issue).
the ATO considers that the correctness of a private ruling will depend on certain assumptions and it chooses not to make a ruling subject to those assumptions; (go figure!)
you decline to pay the cost of obtaining an accurate valuation required for the ruling.
So consider these possible opportunities to clarify and obtain certainty as a trustee or executor in any potential tax liabilities. In some cases taxpayers have looked back over many years and raised concerns about historical tax returns and to ensure they will not be assessed at any future time, they lodge a voluntary submission for assessment. If the ATO decides there is nothing to assess then the trustee will be relatively insulated from any further re-assessments.
If we can assist with the estate administration and work with your accountant to ensure certainty for you as the "at risk" trustee or executor, please give us a call on (07) 3839 7555.
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Avoiding Estate Litigation – Why A Statutory Will Might Be Your Best Answer →

redpajama_set_name: RedPajamaCommonCrawl


Heyday's headquarters are in the Sophia Antipolis region of France. Sophia Antipolis is a technopole rich in innovative business and technology. Our headquarters houses our office and development laboratory in the heart of Grasse city nestled in the French Riviera only 15 minutes from Cannes and the beach and 30 minutes from Nice airport.
I first met Heyday at PCIM. What I immediately liked, was the fact that Joe (the CEO) was super accessible and that you could feel how passionate he is about the technology. During the interviews, I met the other colleagues, and I love the fact they were all very friendly and shared the same high level of passion for the future of Heyday.
The work is fun, interesting and we explore new frontiers. We are encouraged to come with bold ideas to explore new avenues. The location is superb. After work I love going to the beach in summer and skiing in the winter!
It's super exciting to work for a company that has great products and the right tools and the right dynamic culture to do enable growth. Building the bridge between our tech department and clients to create a long-term win-win relationship is what drives me forward.
Then have a look at our open positions.


What is discomfort in the elbow?
The house treatment for sciatica pain is to kick back the muscle mass of the back, buttocks and legs so that the sciatic nerve does not rema..
The muscle mass are joined to the bones by means of Knee Surgery that are called tendons which are in charge of transmitting the needed forc..
In tendinitis of the shoulder, the tendons come to be swollen (swelling, redness and pain) due to the fact that they are caught between part..
The swelling of a knee because of put on of the joint, or experiencing pain in the fingers or toes is common processes that usually force us..
Degenerative disc condition is among the most frequent sources of reduced neck and back pain and also neck discomfort or slipped disc, and a..
Why anesthesiologists are called physicians that concentrate on discomfort control?
Anesthesiologists were just required in surgical situations.The obligations of an anesthesiologist during a surgical procedure are focused i..
Medications for back pain should be prescribed by the Back Pain Doctor or the orthopaedic surgeon and aims to decrease inflammation and rela..
The pointers that we are advising listed below help you to avoid the kicking of the knee. As well as if you already suffer from osteoarthrit..
The major causes of back pain can consist of back troubles, pneumonia or kidney rocks, and to distinguish the reason must be noted the attri..
Are you suffering from chronic pain? If yes after that it is never ever a pleasant experience. It does and can alter your life in different ..
There are a lot of individuals that dealing with rough discomfort from any kind of type of disease or illness. This kind of persistent disco..
How You Can Get Relief from Sciatic Nerve Pain?
With the new growths in different treatment plans, medications, surgery at more, it is tough to choose how to get relief from your sciatic n..


text:
Home Arts & Entertainment Drama department's Miscast and Missing You: A lively live-stream Cabaret
Drama department's Miscast and Missing You: A lively live-stream Cabaret
With the help of the film department and PAL, the drama students work around COVID-19 restrictions to put on a live-streamed performance!
Bailey Walker
On December 16, the grade 10 and 11 musical theatre class live-streamed a performance into the community. Ms. Nicole Roberge and her drama students adjusted to the COVID-19 regulations in school and got help from film teacher, Mr. Mike Schoenhals, and Performing Arts Leadership students to create a lively and fun performance of songs from popular musicals. It was important for the drama students that they get to work together and create something, but without an in-person audience, a live-stream was the next best thing.
Anna Strajescu performing on stage
Roberge thinks that it is a very important part of some student's lives to be able to come to school and take drama as it "creates a space where certain kids feel belonging." Roberge feels that being in the building has proven to be more important than ever and that a lot of kids really appreciate the in-school connections. She thinks that it would be a mistake to cancel performances altogether. "A lot can be learned from preparing and performing in front of an audience," said Roberge. "But even though there was not a physical audience, a live-stream event can still provide a great learning environment for students."
The Cabaret included songs from 'Fiddler On The Roof,' 'Hamilton,' 'Grease,' 'Dear Evan Hanson,' and 'Hairspray.' This was the second live-streamed performance by River's Edge Theater. The first was the November 27 performance of 'A Series of Unexpected Occurrences'. A lot of work goes into bringing these performances to the at-home audience. There is the choreography, choosing the songs, rehearsals, and, of course, the technical end of things. PAL (Performing Arts Leadership) is a year-long program where students learn the technical end of production, which made possible, along with Riverside's film teacher, this year's performances.
Ms. Roberge said that not all schools are doing live-streams because "not everybody has Mike Schoenhals as I have." Mr. Mike Schoenhals has played a big part in helping with the live-streams as well as "Simon Gale and his compatriots who are the live-streaming team."
Mr. Schoenhals and Simon Gale working on the tech
Simon Gale said that "It's a good challenge." And he looks forward to helping with even more performances. Performing arts leadership would normally be helping backstage with any events that are happening; however, now they do all the live-streaming work to bring the performances to audiences at home.
The streaming of the performances was a success with 444 live views on YouTube. "It was a great experience; the whole thing was a ton of fun," said Paige McRae, a Grade 11 drama student. The whole cast is in agreement that the cabaret was a success. The show must go on! As the saying goes, and the Musical Theater students did not disappoint! Riverside can look forward to more collaborative events in the future. You can watch the performance here.
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*Interesting gizmo. Not as cheap as a Leap Motion, but not too expensive, either.
MILPITAS, CA, Sep 05, 2013 (Marketwired via COMTEX) — Creative Technology Ltd today announced that the new Creative Senz interactive gesture camera will be available for online order from Creative.com and Amazon.com in the United States from September 25, 2013 at US$199.99. This innovative new camera will be showcased at IFA 2013 in Berlin at the Creative Exhibit 110 in Hall 3.2 and the Intel Exhibit 101 in Hall 2.2, Messe Berlin from September 6 – 11.
Unveiled in June 2013 at the Computex Show in Taipei, the Creative Senz3D is designed for use with 2nd generation and later Intel Core processors and introduces an immersive multi-dimensional gaming, video conferencing and voice control experience for PC enthusiasts and early adopters.
To deliver a new level of multi-dimensional interactive experience, the Creative Senz3D combines advanced depth sensor technology with a camera and dual array microphones. Its key capabilities include close-range depth tracking specifically for PCs (6 inches to 3 feet), finger-tracking, static hand poses, moving hand gestures, facial detection/analysis, voice recognition, and augmented reality. Multi-modal interactions are realized through the combination of the above usages.
Users can play PC games using hand and finger gestures to control and interact with characters and different environments. The camera's 3D sensing technology is able to enhance facial recognition and also extract a person's image for various applications.
"We're really excited about the endless possibilities that the Creative Senz3D will open up for the PC world. This highly innovative camera, through its depth-sensing and audio capabilities, users are able to interact in a natural, intuitive and immersive way with their voice, hands, fingers and face, to control games, surf the internet or even interact with social media by using gestures and voice commands," said Low Long Chye, General Manager for Audio and Video at Creative….


Next Steps: A recent health survey found that an incredible 60% of participants reported fewer colds since they began their exercise routine. Follow their lead and skip the stress of being sick this year by being proactive. By simply taking a walk each day, you can start strengthening your immune system and decreasing your likelihood of having to call in sick. And, if you're looking for more great tips, join us for our free upcoming workshop: Boost Your Immune System in 21 Days (details on our Facebook Page).


KYC is proud to recognize one of our very own staff members for his incredible work with Veterans and their families as Veterans Day approaches.
The AIMS (Ambulatory Integration of the Medical and Social Model) pilot program unites social workers and medical primary care teams to assess all of the complex factors that impact health and to provide the best outcomes.
Two of KYC's Adult Protective Services team members were honored earlier this month at a Local Heroes Award ceremony hosted by Brookdale Hoffman Estates Senior Living Solutions.


text:
Q: When scraping the page with selenium and beautiful soup, I will get duplicates of some results I'm scraping a page with selenium and beautiful soup and I'm getting duplicates when I use a for loop to change the page URL and I have no idea why.
This is my code
import json
import requests
import time
from datetime import datetime, timedelta
from bs4 import BeautifulSoup
from selenium import webdriver
from chromedriver_py import binary_path # this will get you the path variable
from selenium.webdriver import Chrome
from selenium.webdriver.support.ui import WebDriverWait
import pandas as pd

teams = []
home_team = []
away_team = []
results_away = []
results_home = []
results_away1 = []
results_home1 = []
list3_away = []
list3_home = []
odds = []
odds_sub = []
odds_sub1 = []
days = ['20160826',
'20160827',
'20160901',
]
for date in days:
    header = {"user-agent" : "Mozilla/5.0 (X11; Linux x86_64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/51.0.2704.103 Safari/537.36"}
    url = 'https://www.sportsbookreview.com/betting-odds/college-football/totals/1st-half/?date='+date
    page = requests.get(url, headers = header)
    soup = BeautifulSoup(page.content, 'html.parser')

    #### Selenium scraper for odds
    driver = webdriver.Chrome(executable_path=binary_path)
    driver.get(url)
    time.sleep(5)
    elements = WebDriverWait(driver, 5).until(lambda d: d.find_elements_by_xpath('//*[@data-vertical-sbid="238"]'))
    for a in elements:
        odds.append(a.text)
    for a in odds:
        string = a.split('''\n''', 1)[0]
        mod_string = string[:-4]
        odds_sub.append(mod_string)
    driver.quit()

    ## All teams
    for el in soup.find_all('span', class_='participantBox-3ar9Y'):
        teams.append(el.text)

    ### Away result
    for s in soup.find_all(class_="scoreboard-1TXQV"):
        for a in s.select(".scoreboardColumn-2OtpR > div:nth-of-type(1)")[:2]:
            results_away.append(a.text)
    for a in results_away:
        if a == '-':
            a= a.replace(a, '10000')
        results_away1.append(a)
    results_away1 = [int(i) for i in results_away1]

    for i in range(0, len(results_away1)-1, 2):
        firstnum = results_away1[i]
        secondnum = results_away1[i+1]
        sumnum = firstnum + secondnum
        list3_away.append(sumnum)

    ### Home results
    for s in soup.find_all(class_="scoreboard-1TXQV"):
        for a in s.select(".scoreboardColumn-2OtpR > div:nth-of-type(2)")[:2]:
            results_home.append(a.text)
    for a in results_home:
        if a == '-':
            a= a.replace(a, '10000')
        results_home1.append(a)
    results_home1 = [int(i) for i in results_home1]

    for i in range(0, len(results_home1)-1, 2):
        firstnum = results_home1[i]
        secondnum = results_home1[i+1]
        sumnum = firstnum + secondnum
        list3_home.append(sumnum)
    time.sleep(7)

#### Create lists for away and home teams
for team in teams[::2]:
    away_team.append(team)
for team in teams[1::2]:
    home_team.append(team)

print(home_team)
print('*****')
print(away_team)
print('*****')
print(list3_home)
print('*****')
print(list3_away)
print('*****')
print(odds_sub)
print('*****')

I receive results like this:
['California', 'North Dakota State', '(13) Louisville', 'Wake Forest', 'Central Michigan', 'Cincinnati', 'Connecticut', 'Florida International', '(21) Tennessee', 'North Carolina State', 'Western Kentucky', 'Vanderbilt', '(19) Utah', 'Utah State', 'Minnesota', 'New Mexico', 'Idaho', 'UNLV']
*****
['Hawaii', 'Charleston Southern', 'Charlotte', 'Tulane', 'Presbyterian', 'Tennessee-Martin', 'Maine', 'Indiana', 'Appalachian State', 'William & Mary', 'Rice', 'South Carolina', 'Southern Utah', 'Weber State', 'Oregon State', 'South Dakota', 'Montana State', 'Jackson State']
*****
[34, 34, 34, 3, 34, 34, 3, 34, 3, 56, 7, 14, 6, 7, 10, 3, 28, 30, 10, 17, 21, 17, 35, 20, 42]
*****
[14, 14, 14, 3, 14, 14, 3, 14, 3, 0, 3, 3, 7, 7, 12, 13, 7, 7, 0, 0, 6, 14, 14, 10, 10]
*****
['34', '34', '', '34', '', '34½', '21½', '', '', '', '32', '31', '', '33½', '20', '', '', '28', '', '', '']
*****

For example list3_home has 7 results at the beginning duplicated, odds_sub list has 3 duplicates at the beginning etc.

A: Ok so see if this works. There's quite a bit of parameter ids to use in the query if you want other data. But this will get you the 1st half stuff. I think I identified the correct id for Pinnacle.
import requests
import pandas as pd
from datetime import datetime, timezone, timedelta
from calendar import timegm

days = ['20160826',
'20160827',
'20160901',
'20200912',
]

homeTeam_list = []
awayTeam_list = []
homeScore_list = []
awayScore_list = []

odds_list = []

url = 'https://www.sportsbookreview.com/ms-odds-v2/odds-v2-service'
header = {"user-agent" : "Mozilla/5.0 (X11; Linux x86_64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/51.0.2704.103 Safari/537.36"}

for date in days:
    print(date)
    date_time_obj = datetime.strptime(date, '%Y%m%d')
    year = date_time_obj.year
    month = date_time_obj.month
    day = date_time_obj.day

    dt = datetime(year,month,day,0,0)
    tz = timezone(timedelta(hours=0))
    epochtime = timegm(dt.replace(tzinfo=tz).utctimetuple()) *1000

    queryStr_participants = 'query=%7B+eventsByDateByLeagueGroup(+es:+[%22in-progress%22,+%22scheduled%22,+%22complete%22,+%22suspended%22,+%22delayed%22,+%22postponed%22,+%22retired%22,+%22canceled%22],+leagueGroups:+[%7B+mtid:+398,+lid:+6,+spid:+4+%7D],+providerAcountOpener:+3,+hoursRange:+25,+showEmptyEvents:+false,+marketTypeLayout:+%22PARTICIPANTS%22,+ic:+false,+startDate:+' + str(int(epochtime)) + ',+timezoneOffset:+-4,+nof:+true,+hl:+true,+sort:+%7Bby:+[%22lid%22,+%22dt%22,+%22des%22],+order:+ASC%7D+)+%7B+events+%7B+eid+lid+spid+des+dt+es+rid+ic+ven+tvs+cit+cou+st+sta+hl+seid+writeingame+plays(pgid:+2,+limitLastSeq:+3,+pgidWhenFinished:+-1)+%7B+eid+sqid+siid+gid+nam+val+tim+%7D+scores+%7B+partid+val+eid+pn+sequence+%7D+participants+%7B+eid+partid+partbeid+psid+ih+rot+tr+sppil+sppic+startingPitcher+%7B+fn+lnam+%7D+source+%7B+...+on+Player+%7B+pid+fn+lnam+%7D+...+on+Team+%7B+tmid+lid+tmblid+nam+nn+sn+abbr+cit+senam+imageurl+%7D+...+on+ParticipantGroup+%7B+partgid+nam+lid+participants+%7B+eid+partid+psid+ih+rot+source+%7B+...+on+Player+%7B+pid+fn+lnam+%7D+...+on+Team+%7B+tmid+lid+nam+nn+sn+abbr+cit+%7D+%7D+%7D+%7D+%7D+%7D+marketTypes+%7B+mtid+spid+nam+des+settings+%7B+sitid+did+alias+format+template+sort+url+%7D+%7D++eventGroup+%7B+egid+nam+%7D+statistics(sgid:+3,+sgidWhenFinished:+4)+%7B+val+eid+nam+partid+pid+typ+siid+sequence+%7D+league+%7B+lid+nam+rid+spid+sn+settings+%7B+alias+rotation+ord+shortnamebreakpoint+matchupline+%7D+%7D+%7D+maxSequences+%7B+events:+eventsMaxSequence+scores:+scoresMaxSequence+currentLines:+linesMaxSequence+statistics:+statisticsMaxSequence+plays:+playsMaxSequence+consensus:+consensusMaxSequence+%7D+%7D+%7D'
    jsonData_participants = requests.get(url, headers = header, params=queryStr_participants).json()

    events = jsonData_participants['data']['eventsByDateByLeagueGroup']['events']

    for event in events:
        des = event['des'].split('@')
        if event['es'] != 'complete':
            print(' @ '.join(des), ' - ', event['es'])
            continue
        else:
            print(' @ '.join(des))
        eventId = str(event['eid'])
        queryStr_odds = 'query=%7B+currentLines(eid:+['+eventId+'],+mtid:+[398],+marketTypeLayout:+%22PARTICIPANTS%22,+catid:+133)+openingLines(eid:+['+eventId+'],+mtid:+[398],+marketTypeLayout:+%22PARTICIPANTS%22,+paid:+3)+bestLines(catid:+133,+eid:+['+eventId+'],+mtid:+[398])+consensus(eid:+['+eventId+'],+mtid:+[398])+%7B+eid+mtid+boid+partid+sbid+bb+paid+lineid+wag+perc+vol+tvol+sequence+tim+%7D+maxSequences+%7B+events:+eventsMaxSequence+scores:+scoresMaxSequence+currentLines:+linesMaxSequence+statistics:+statisticsMaxSequence+plays:+playsMaxSequence+consensus:+consensusMaxSequence+%7D+%7D'
        jsonData_odds = requests.get(url, headers = header, params=queryStr_odds).json()

        pinnacle_id = 20
        currentLines = jsonData_odds['data']['currentLines']
        for currentLine in currentLines:
            if currentLine['paid'] == pinnacle_id:
                odds = currentLine['adj']
                break
            else:
                odds = None

        teamIds = {}
        for team in event['participants']:
            teamIds[team['source']['tmid']] = team['source']['nam']

        scores = pd.json_normalize(event['scores'])
        scores['team_name'] = scores['partid'].map(teamIds)

        awayTeam = event['participants'][0]['source']['nam']
        homeTeam = event['participants'][1]['source']['nam']

        awayScore = scores[(scores['team_name'] == awayTeam) & (scores['pn'] <= 2)]['val'].astype(int).sum()
        homeScore = scores[(scores['team_name'] == homeTeam) & (scores['pn'] <= 2)]['val'].astype(int).sum()

        homeTeam_list.append(homeTeam)
        awayTeam_list.append(awayTeam)

        homeScore_list.append(homeScore)
        awayScore_list.append(awayScore)

        odds_list.append(odds)

print(homeTeam_list)
print('*****')
print(awayTeam_list)
print('*****')
print(homeScore_list)
print('*****')
print(awayScore_list)
print('*****')
print(odds_list)
print('*****')

Output:
['California', 'Charleston Southern', 'Charlotte', 'Maine', 'Presbyterian', 'Tennessee-Martin', 'Wake Forest', 'Tennessee', 'Florida International', 'North Carolina State', 'Rice', 'Vanderbilt', 'Southern Utah', 'Weber State', 'Montana State', 'Oregon State', 'South Dakota', 'Jackson State']
*****
['Hawaii', 'North Dakota State', 'Louisville', 'Connecticut', 'Central Michigan', 'Cincinnati', 'Tulane', 'Appalachian State', 'Indiana', 'William & Mary', 'Western Kentucky', 'South Carolina', 'Utah', 'Utah State', 'Idaho', 'Minnesota', 'New Mexico', 'UNLV']
*****
[34, 3, 0, 7, 3, 7, 7, 3, 10, 28, 7, 10, 0, 6, 10, 14, 14, 10]
*****
[14, 3, 56, 7, 14, 6, 3, 13, 12, 7, 30, 0, 17, 21, 20, 17, 35, 42]
*****
[34, 34, 35, 35, 35, 35, 35, 31, 32, 32, 32, 21, 21, 21, 21, 28, 28, 28]
*****


Roleplayers Chronicle touches base with Eloy Lasanta of Third Eye Games as part of his AMP: Year One promotional week. This interview wraps-up our three part series consisting of a review, designer's diary, and interview all regarding the first book of the new AMP series, powered by DGS-Combo. Today, Editor-in-Chief Aaron T. Huss, depicted by the prefix RPC, is talking directly with Eloy Lasanta, depicted by the prefix EL. The interview took place over Skype messenger.
[RPC] Welcome everyone to another Word in Edgewise with Roleplayers Chronicle. Today we're talking to the brains behind Third Eye Games: Eloy Lasanta. Eloy, can you please start by introducing yourself, talking a bit about your publishing and roleplaying history.
[EL] I'm Eloy Lasanta, owner/operator/samurai of Third Eye Games! We started in 2008 and have continued to produce quality RPGs since, including Apocalypse Prevention, Inc., Part-Time Gods and Camp Myth: The RPG just to name a few. Been nominated for two ENnies Awards, but just haven't been abel to grasp the gold ring (maybe next time) and I'm also passionate about pushing the industry into new heights of creativity and storytelling.
As for my Roleplaying history, I've been doing this for quite some time, over 20 years (even though that's a drop in the bucket to some gamers I've played with). I began with Rifts and graduated to White Wolf and then bounced around to as many systems as I could learn ever since. I think of myself as an RPG rouge scholar, wandering the earth looking for that next game to play.
[RPC] What made you decide to become a writer and indie publisher?
[EL] I had always been writing for free, be it fan stuff for my own web sites or for fan magazines. I wanted the taste of writing something official, so I put some submissions in for various companies and a few bit. One in particular, Vajra Enterprises. The head guy over there, Brian St. claire-King, took me under his wing and we co-authored a brand new RPG from beginning to end. That was where I really learned how to craft a game and what a book needs to be useable and fun. Striking it out on my own was honestly just the next logical step. To have all this knowledge and not use it would have been foolish. Some people say "Knowledge is power", but I've always believed that "Knowledge + Action is power." If you don't use that knowledge, then it's meaningless.
[RPC] What was the brand new RPG that you co-authored?
[EL] Well, it's hardly brand-new anymore, but the game was called KidWorld. It was a post-apocalyptic setting where all the adults were dead where everyone played kids fighting for survival. I think the problem it had with selling big was that people don't like to play games where kids are put into dangerous and icky situations. I dug the hell out of what we came up with for that game though and it hold a special place in my heart to this day. It's still available on DTRPG and whatnot. Pick it up if you have $5. I'd love to hear anyone's thoughts/opinions on it.
[EL] The Dynamic Gaming System (DGS) was the clever name I came up for the house system for Third Eye Games. It uses a single d20 for all checks, but differs greatly from the D20 system. The biggest thing it does is gives players a lot of choice character creation and makes decisions matter when you get into combat. To date, there have been a few versions of the DGS. Apocalypse Prevention, Inc. and Wu Xing: The Ninja Crusade both used the DGS, while Part-Time Gods used the DGS-Lite. AMP: Year One, my new game, uses a new version of it called the DGS-Combo, and we are currently developing DGS 2.0 for Apocalypse Prevention, Inc. 2nd Edition. If you know one, you can play them all though.
[RPC] What's different about DGS-Combo compared to the base Dynamic Gaming System?
[EL] The major difference between the two is that the DGS-Combo drops the Attribute + Skill setup and moves to a Skill + Skill combo system. It works really well with the powers as presented in AMP: Year One and allows for a lot of freeform use of powers beyond what can be done if one was limited to Attributes. An example roll would be fixing a computer. This would be a Crafts (for fixing) + Technology (for computers) + 1d20 and that's it. It allows for players to get creative with their skill application as well, which is always fun.
[RPC] Tell me a bit about the AMP setting and how the Year One book fits into the overall setting's publishing scheme.
[EL] AMP: Year One takes a microscope to the first year of what happens when people start to develop powers. This means looking at some of the people who are affected and examining how it affects them, as well looking at society at large and thinking about how people as a whole would react. The book follows certain characters along their personal journeys and uses a backdrop of societal snapshots to show you how their presence is changing the world around them even without them trying.
As far as the future of the game line, the idea for a progressing story was always the plan. We have the story planned out through AMP: Year Five and who knows if it will continue from there. It allows us to break down what it means to the world that supers exist and not just "supers came about and now they're here, now go play." In AMP: Year One, players are taking part in the shaping of how the world will perceive their powers and their place in society.
[RPC] What did you do different with powers that required the change to the DGS system?
[EL] What is different about AMP: Year One is that powers work very differently from what other supers games have given us for decades. Most are toolkits to pick and choose whatever power you want, but AMP: Year One took a much different approach. In a game where a character only has up to 3 powers and the vast majority of them really only have 1 or 2, each power needed to be something special. This made each individual power quite unique, though some of them also overlap with others. For instance, if you take the Chimera power (gaining animal features), you can eventually gain claws by taking the affinity of a cat or something. There is also the Claws power that takes this concept into its own power, but you don't have to take Claws in order to have claws. If you have the power of Wind, you can make yourself fly with it. You don't HAVE to take Flight, which is it's own power. It allows for a lot of customization within a power theme, instead of everything being a grab bag, mechanically.
Well, powers always work differently for every game line that I've created. They need to fit the game world being portrayed instead of having one way powers work for each. So these have always been changed within the DGS to make fit the game itself.
Powers are additionally fueled by Juice, which is a whole other new aspect to how powers work. Since powers are linked to adrenaline, I wanted to have a give and take feel. If danger pops up, you get more Juice, because your scared and your adrenaline pumps more and more. If you see a friend get mortally wounded, you get juice, if you take a bunch of damage, you get juice. All of these things are connected and have a sway in how much you'll be able to use your powers. If you're just sitting around watching TV, your adrenaline has very little effect and so you can basally just use simple powers.
[RPC] Tell me more about the mechanics surrounding Juice and adrenaline.
[EL] Mechanically, all players have 3 Juice at a resting state. This means they can use their powers a few times, before needing to wait for them to recharge essentially. If some ambushed them, for example, everyone would get 1 Juice from the surprise, so then they'd be at 4. If during that surprise, someone close to them was injured, this might make them mad, thus giving them another Juice and pumping them up to 5. Juice is represented by beads, poker chips or other trackers and make it a very tangible thing of how much power you currently hold. What this system also does is stop characters from being able to hoard Juice, because you'll start to lose all this extra Juice you've gained if you get into a state of rest.
[RPC] How many Juice points does it cost to use a super power?
[EL] Typically 1 or 2 for standard powers, all the way up to 4 for the big ones.
[RPC] How much can a character accomplish when using a super power? Does it last a single round or action? Or is this something that is activated and lasts for an entire encounter?
[EL] Depends on the power they have. Some powers, like Intangibility, may last for the Scene. Others like Behemoth are always active. And still others, like Bolt, are an instant effect. Each power actually works within it's own microcosm, so they aren't just copies of each other in their makeup. Some really do just happen and then they are gone, but usually with great effect. Some are a lower-level constant effect instead.
[RPC] How are powers weighted in regards to character advancement? Are there low level powers along with mid and high level? Do the various powers scale as the character advances?
[EL] All powers are equal in how they are selected for the character and every AMP can have up to 3 powers: Primary up to Level 10, Secondary up to Level 7 and Tertiary up to Level 4. This also creates yet another choice that players much make for which powers are most important to their character concept, knowing that some powers will have a level cap. However, selecting Telepathy or Behemoth is simply a matter of taste. One is not a lesser power than the other. As a character advances, players receive XP to spend on whatever they want (Skills, Powers, Gifts, Loyalties, etc.), so they get to choose how they want to progress.
[RPC] You stated that their primary power can be chosen up to Level 10. What do those levels mean?
[EL] The higher the level, the more proficiency the character has with that power. So, a character with the Primary power of Invulnerability means that the player has made the conscious choice to have their focus be on that power. No other power will be better than that power, because THIS one is their primary. Even if someone else had Invulnerability as their secondary, their potential for mastering that power is far below yours. It makes it a very important decision for what is the characters's Primary power. Secondary and Tertiary powers are there to add more flavor and options, but the Primary power is where it's at.
[RPC] Does the level of a power add to the dice roll, or does it measure how strong its effects are?
And again, it depends on the power. Some give bonuses to Skill checks, while others increase the range the power can be used. For every two levels, as well, the character receives an Augment (either enhancing an existing ability or giving a new trick to use your power for), which further boosts the usability and options for a power.
[RPC] Are powers tied to a single skill or is each one tied to a different skill depending on what its effects are?
[EL] Powers affect skills that make sense for their use. Behemoth obviously affects the Might skill, Acceleration affects the Speed skill, Invisibility affects the Stealth skill and Pheromones affects the Persuasion skill. Some affect multiple skills and others have a different effect than boosting skills. With each power being it's whole own thing, there isn't a rule that simply applies to them all.
[RPC] How many powers are there to choose from?
[EL] There are 54 total powers, ranging from energy constructs to super speed to shapeshifting and teleportation. There is a reason why it took 6 months to get the powers section done and written. There is SO much to the balance and usability of each power that came out very elegant in the final product.
[RPC] I'm assuming you spent that time distinguishing one power from another so that they are truly unique in their application while still being balanced…?
[EL] Exactly! I needed to ensure that if someone selected Psychometry instead of Invulnerability that they felt they were getting the fair end of the stick. There are times in other supers games where someone picks a power (like Immortality) that basically has very little effect on the game. But, like, they spent points on that, they need to get their "money's worth" as it were. Immortality is actually a power coming AMP: Year Two and I spent about a week to really conceptualize it and make it a unique power that someone would be proud to call their Primary power. That's really the thing. Every power would be an amazing Primary power to have.
[RPC] How long did you playtest the list of powers?
[EL] Playtesting went on for about two or three months, where a lot of holes were poked and filled and poked and filled and poked and filled. A lot of crazy, game breaking combos that needed to get hashed out and balanced. We had an amazing playtest session with AMP: Year One, 3 groups who gave VERY detailed reports back of all their multiple sessions.
[RPC] That's quite a feat! Let's shift a bit to the future of AMP. You had stated that you plan to continue the living storyline through Year Five. What does each "Year" book add to the system and setting?
[EL] To the setting, each book with advance the storyline by (wait for it) one year. Within each of these books, we'll see the characters we met in Year One grow (not all of them make it to the end, mind you) and we get to see how society begins to evolve as people with powers exist. From a mechanics standpoint, we are progressing powers very logically. Each year should have at least 9 new core powers along with some other additional thing that people might not be expecting. For AMP: Year Two, for instance, we have 9 new powers and then Gadgeteering. This isn't some strange, out of the blue move though. It make sense within the setting and the story we're trying to tell, which is why it's popping up now. We want all of our books to have a very logical growth to them, instead of just trying to cramp as much into a book as we can.
[RPC] So you're saying that the mechanical offerings in each subsequent book is tied to the living storyline?
[EL] Most of them, yeah. There are new Affiliations (factions that characters can be a members of), new Gifts and Drawbacks, that make sense within the setting, and yeah, the plan is for everything to be as cohesive with the AMP storyline as possible.
Any new powers we come up with are being used in the storyline. Like, we're not just throwing Immortality out there by accident. We have a character in the story who will be using it as part of the story.
[RPC] Do you have any other supplements planned in the upcoming years?
[EL] We currently have Adventure books planned for each year. Basically a collection of events that happen within each timeline that the players and their AMPs can personally take a hand in. For AMP: Year One, we have one adventure ready to be release very soon, with about 4 or 5 others on the way to completion. It's a fun project that I think will enhance everyone's enjoyment of the game as each year goes by. The idea is to play in the world, after all.
[RPC] Is there anything else you'd like to add before we wrap this up?
[EL] I just want to say that I'm very happy with not only how AMP: Year One turned out, but also how everyone has really embraced it as a game they want to play and share with others. We will continue to make this amazing line even better, and we hope you'll come along for the ride.
[RPC] Thanks Eloy for taking some time out to talk about AMP: Year One!
[EL] Thank you for having me!


Tickets on sale at 10:00am, eyes down 10:30am.
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Buy $10 worth of raffle tickets & receive $5 worth free.
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These are not to be mistaken for the minutes of the board meetings that they report on.
the issue of the newsletter along with items of community interest.
STEPPED FORWARD TO TAKE OVER.
THESE ON FILE CAN BE USED FOR HISTORICAL REFERENCES.


Sia has upped the stakes for her latest video, enlisting Pedro Pascal and Heidi Klum for a steamy new promo.
Sia video regular Maddie Ziegler is absent from the video for new single Fire Meet Gasoline, but Pedro and Heidi prove more than adequate replacements.
The Game Of Thrones star and the model/designer/presenter play lovers in the clip, although there's more to their story than it seems.
While at first it appears that we're seeing a fairly standard love story unfold, things rapidly take a darker turn.
But not before the pair get intimate under the sheets.
Yes, that's Heidi Klum's tongue there.
Heidi is then seen setting fire to their house, suggesting things have turned very sour.
But then Pedro presents Heidi with what appears to be a bloodied rock.
Did Oberyn Martell just kill someone…?
The video concludes with Heidi donning a Sia wig, embracing Pedro as the pair go on-the-run Bonnie and Clyde style.


text:
Q: No such file or directory for files with accented characters I am just trying to salvage files off the disk I pulled from a dying Maxtor Shared Storage enclosure (failed to come back up after powering it off, presumably because the OS image on the disk got corrupted, no files on shares were in use at the time). The firmware of the MSS is Linux-based.
I took out the disk, placed into a SATA USB enclosure and plugged it into my laptop, which runs Ubuntu MATE 16.04.
I've been able to mount the partition that holds all user data and can see the files on it. It appears to be an ext3/ext4 filesystem – Linux recognizes it as such, and I can browse the directory tree.
However, there are issues on certain files/directories. Example below:
$ ls -la Photos/
ls: cannot access 'Photos/2012-06 Königssee': No such file or directory
ls: cannot access 'Photos/2003-08 Fußballspiel': No such file or directory
ls: cannot access 'Photos/2013-06 München': No such file or directory
total 8
drwxrwxrwx  6 michael michael 12288 Nov 19 21:05 .
drwxrwxrwx  3 michael michael  4096 Nov 19 21:05 ..
d?????????  ? ?       ?           ?            ? 2003-08 Fußballspiel
d?????????  ? ?       ?           ?            ? 2012-06 Königssee
d?????????  ? ?       ?           ?            ? 2013-06 München

This seems to affect only files with characters beyond the 7-bit limit. Some files with such characters work, however – I should mention that at some point I restored some files from backup (using the appliance's backup/recovery feature), while others were created from a client machine via Samba.
It is reproducible in that it's the same files leading to this error on every attempt. Other operations, such as chown -R . on the whole dir, also give the same error for the same files. When I try to move the parent dir to a different filesystem, I get the same error and the parent dirs of such problematic objects don't get removed because they are not empty. The MSS had been able to read these files/dirs with no problem.
What's happening here, and how can I regain access to these files?

A: After trying everything else (mounting the drive on a different machine, restoring old backups), I eventually decided to risk it and fsck the partition.
fsck -Dfp complained about errors and requested to be run again without the -p option.
fsck -Df then found a couple of errors:
Pass 2 (directory structure) found a few errors like:
Problem in HTREE directory inode 4997425: block #1 has bad max hash
Problem in HTREE directory inode 4997425: block #2 has bad min hash
Invalid HTREE directory inode 4997425 (/misc/Downloads).  Clear HTree index<y>? yes

Pass 3 discovered some non-unique filenames and suggested to create a copy. IIRC these were files which I'd recreated because they were not visible through Samba.
I allowed fsck to fix all these errors, then mounted the partition again.
lost+found contains nothing. The offending objects are present in their original locations. I'm now happily copying the remainder of my files off the partition.


champattiray really deserves severe action because termination would be insufficient as he may manage a reinstatement again).
His habit, as is seen, is refusing to register FIR from non-influencial persons(those have no social status and political background).
He behaves in the police station as if he is the supreme person in the area(police station region) and behaves very filthily. So media should keep watch on this issue .
Thanks to media for taming an errant employee.
Extremely well written analysais establishing how Chief Minister Naveen Patnaik hoodwinks the people .


text:
Home/Life Style/'Midnight Mass' cinematographer Michael Fimognari on how the show's fear is always rooted in character trauma [EXCLUSIVE VIDEO INTERVIEW]
'Midnight Mass' cinematographer Michael Fimognari on how the show's fear is always rooted in character trauma [EXCLUSIVE VIDEO INTERVIEW]
Ferris CarterNovember 14, 2021
When it comes to using photography to heighten the frightening elements of "Midnight Mass," Michael Fimognari makes sure that the anchor for that fear is rooted in the trauma that the characters deal with. "That's not on its face about something scary to look at but it's understanding what each character fears at their deepest core and setting up and establishing that," Fimognari tells Gold Derby in our Meet the Experts: TV Cinematography panel (watch the exclusive video interview above). He goes on to explain that in grounding these characters, it makes the entrance of the supernatural all the more powerful. "When we do get into something that's beyond the space of the ordinary, we've earned the trust of the audience so that we can push it. Then it's far more terrifying because you believed in it prior."
"Midnight Mass," which is currently streaming on Netflix, centers on an close-knit island community that begins to see a number of unexplainable events, both awesome and terrifying, upon the arrival of young and alluring priest (Hamish Linklater). The limited series also stars Zach Gilford, Kate Siegel and Henry Thomas. The series was created by Mike Flanagan who is also behind "The Haunting of Hill House" and "The Haunting of Bly Manor."
SEE Gold Derby interviews with 2022 Oscar contenders
"Midnight Mass" is the latest collaboration between Fimognari and Flanagan, having first worked together in 2013 on "Oculus." He first became aware of Flanagan after seeing his debut feature, "Absentia." "He commands the authority of all the cinematic tools. He's a terrific editor and he tells the story with sound and really understands how all the pieces benefit the audience through the character lens." Seeing the way that Flanagan brought about the terror in that film made a lasting impression on Fimognari. "I knew from seeing that film that I wanted to work with him and that was our start."
Shooting on an island near Vancouver during nights in the winter left the team exposed to a lot of natural elements that took a physical toll on everyone involved in the production. "There were some late nights in the winter where it was hard, you know, where it's just physically tough and it's cold and it's hard on everyone." Sometimes the difficulties stretched over to the equipment not functioning properly. "There was a stretch of 'Midnight Mass' that we were sort of fighting with it to where every day you show up and you're a team and a family. It made us stronger in the end but there was a good run of physical, tough stuff."
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(#ShowtimePPV!) "Mayweather vs Logan paul" Live Streaming Free Reddit & Crackstreams – Film Daily
'RuPaul's Drag Race' eyes an Emmy four-peat that would move it up in the record books


Discover warm breezes at Ottley's Plantation Inn as you soak in panoramic ocean and garden views. Secluded but centrally-located, this inn is only minutes away by complimentary shuttle from the airport, the capital of St. Kitts, Basseterre, and some of the finest beaches the Caribbean has to offer.
Set on a plantation, all of the 23 rooms and suites found in the cottages and the Great House are furnished in English colonial style with old-world shutters, wicker furniture and local art. The resort amenities include pools, Jacuzzis, tennis courts, and exotic rainforest trails.
Starting at the end of this December, take advantage of the Ottley's all-inclusive option which provides you with full breakfast and lunch daily, brunch on Sundays, and gourmet dinner nightly. Choose from a couple of budget-friendly options as well to accommodate your personal schedule. The lovely Royal Palm Restaurant is surrounded by the stone walls, a historic vestige of the plantation's old sugar factory.
Perhaps one of the best features of the Inn is the Mango Orchard Spa. Located in the lush tropical forest, services are performed in the midst of mother nature. Listen to the wind brush the trees and the chirping of birds and monkeys as you get a deep back massage or exotic body wrap.
Your honeymoon should be the most romantic vacation of your lives. Make yours a reality with one of their special packages, which can provide you with goodies like a couples' massage, champagne, a deluxe platter of nuts, fruits, and chocolates, and a floral arrangement to commemorate your love. Ottley's can also provide the perfect wedding ceremony with their professional planners, who can take care of everything from cake, photography and live music to activities and accommodations for your guests. Choose from several gardens and lawns with different but all gorgeous views for your ceremony.


Starting a STEM + Faith camp has taught me much about trusting in God's provision. My heart has been deeply touched and overwhelmed to see how the Lord has burdened the hearts of His people to give gifts. Here are the names of businesses and individuals who have given to our 2014 Ci Scholarship Fund.


Our B&B is in an area surrounded by peaceful countryside, in a quiet, Amazing view on the Tiber Valley. "Casale La Pietra Gialla" is hospitable and comfortable.
We offer our customers en-suite bathroom in each room, free Wi-Fi, heated environment, freedom to return at leisure, car park, parking space, a landscaped garden.
Our guests may use the pool for a cooling swim and some healthy relaxation (15/6-15/9). Bath towels not provided (no use of shower towels).
You can sign up for various excursions (trekking, cycling/mountain-biking, horse-riding) to enjoy local beauty spots.
We have room for up to 6+2 guests.
Only bigbed, window, moschitos netz, central heating, ventilator.
Privat bathroom with shower, hairdryer, soap and showersoap.
Two rooms on the first floor with window; one room parterre with entrance under the porch and bathtub.
Only in two rooms is possible the supplementary bed supplement €15 per night (please ask extra in the reservation) only in one room is possible the cradle (with supplement €5 per night; children under 3 years old are free (max 1 per room) if not requested extra beds.
Write to Anna & Oliver if you need to contact the host for more information or special requests.
Purtroppo il poco tempo, ma veramente bella struttura, pulito e buona accoglienza. Sembra di stare in famiglia..e il cielo stellato è uno spettacolo!
Grazie e speriamo alla prossima. Anna & Oliver.
Hallo I'm Anna and togheter with my husband Oliver we have open our house is to all guests wishing to spend some holidays in the umbrian countryside and in a familiar environment.
Our house is easy to reach from the highway A1 and the speedway E45, in few minutes drive you reach the medioeval village of Lugnano in Teverina one of the most beautiful italian villages.
Very good situated to reach all interesting places of the low Umbria and the Tuscia Viterbese.
You will enjoy slow rhythms, watch fabulous sunsets, admire a starry sky, listen to the sounds of nature and breathe pure air!


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Yes, we're that excited about it and you will be too.
We're a global, end-to-end human capital solutions company – but that's just a fancy way of saying that we help employers find, hire and manage great employees. From recruiting and employment screening to human capital management, we provide cutting-edge software and services to the biggest (and smallest) names in business.
Our technology remains light years ahead of the competition and is taking our business to places no other company has gone.
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Be a part of something big
Over the last two decades, CareerBuilder has changed the rules for recruitment and job search to empower companies and workers around the world. Check out below to see how we did it.
INTRODUCES NEW OWNER, NEW PRODUCTS AND NEW POSSIBILITIES
Apollo Global Management (NYSE: APO), a leading global alternative investment manager with a portfolio featuring some of the biggest B2B and B2C brands in the world, becomes the majority owner of CareerBuilder. The investment gives CareerBuilder access to more resources to fast track its product development and deepen its market penetration.
CareerBuilder will unveil a new platform that is solving the biggest problems in acquiring talent at its annual Empower conference in September. Major enhancements to other products will also be announced.
MOVES INTO POST-HIRE SOLUTIONS AND BECOMES AN END-TO-END HUMAN CAPITAL MANAGEMENT COMPANY
CareerBuilder and Capella launch first-of-its-kind program to re-skill and up-skill workers for higher-paying jobs in less than three months.
CareerBuilder expands into background screening with the acquisition of Aurico.
CareerBuilder becomes the title sponsor of the former Bob Hope Classic and renames the popular PGA tournament the CareerBuilder Challenge.
Exciting new features from CareerBuilder tell job seekers who is looking at their resumes and why, and who they're up against for the job.
CareerBuilder makes a transformative move and expands into post-hire software with the acquisition of WORKTERRA, a leading innovator in cloud-based benefits administration and talent management. CareerBuilder now stands as the only human capital management company in the world covering the entire candidate lifecycle and employee lifecycle.
BEGINS A RECRUITMENT SOFTWARE REVOLUTION
CareerBuilder continues its evolution into a global HR SaaS company, becoming the only company to combine advertising, data and software into one pre-hire platform to make the recruitment process easier from acquire to hire.
CareerBuilder has a presence in more than 60 markets worldwide and growing.
Following spin-offs of publishing businesses at Gannett and Tribune, CareerBuilder is now owned by TEGNA, Tribune Media and The McClatchy Company.
CareerBuilder acquires Textkernel to bring multi-lingual semantic search and matching technologies to recruiters.
CareerBuilder launches a global rebrand and introduces Talentstream Technologies to incorporate all software offerings under one umbrella.
CHANGES THE GAME FOR RECRUITMENT
CareerBuilder acquires Broadbean, a leader in job distribution, candidate sourcing and big data analytics software. In addition to posting jobs on 6,000+ job boards and social networks, Broadbean uses one interface to seamlessly search across all resume databases and track all sources for candidates and hires for a more intuitive, data-driven approach to talent acquisition.
CareerBuilder's Talent Network grows to 45 million members and is offered in 29 languages.
CREATES ONE-STOP RECRUITING AND TAKES JOB SEARCH MOBILE
CareerBuilder's Talent Network becomes integrated with its data solutions and Luceo's ATS to form a comprehensive, one-stop recruiting experience.
CareerBuilder is at the forefront of helping employers easily capture mobile job candidates with new mobile apply features.
CareerBuilder's CEO Matt Ferguson teams up with professors from top U.S. business schools to co-author The Talent Equation: Big Data Lessons for Navigating the Skills Gap and Building a Competitive Workforce.
CareerBuilder acquires international job site Oil and Gas Job Search as well as VON (KiemViec.com & HR Vietnam) in Vietnam.
UNLEASHES THE POWER OF REAL-TIME LABOR INSIGHTS
CareerBuilder debuts its industry-leading Supply & Demand Portal and Compensation Portal, enabling companies to make more strategic recruitment decisions.
CareerBuilder acquires EMSI, a firm that specializes in employment data and labor market analysis. Together, they bring an unmatched repository of historical and real-time labor information to help businesses around the world plan more effectively.
CareerBuilder acquires Ceviu in Brazil, JobsCentral in Singapore and JobScout24 in Germany.
214 million people in the U.S. now use the Internet on a monthly basis. On average, 74 million people use the Internet to search for jobs; 8% of these job searches are on a mobile phone. Mobile searches are expected to outpace desktop searches by 2014.
DIVERSIFIES SOLUTIONS BEYOND A JOB BOARD
CareerBuilder introduces exciting new consultative services and begins its evolution beyond a job board.
CareerBuilder launches Talent Network (renamed Talentstream Engage in 2015), an "always on" recruiting engine that helps employers build an exclusive pipeline of candidates through multiple engagement points.
CareerBuilder acquires software solutions company Profilsoft, renaming it Luceo in 2011 with an enhanced workflow offering.
CareerBuilder begins to turn the candidate and employer information it has collected over the past 15 years into powerful tools that help build company brands and create smart, data-driven recruitment programs.
CareerBuilder acquires Lesjeudis.com in France and enters a joint venture in China.
DOMINATES U.S. AND EXPANDS GLOBALLY
After leading the industry in job postings and traffic for more than two years, CareerBuilder passes its largest competitor in U.S. revenue, commanding the leadership position in all major categories of U.S. online recruitment.
CareerBuilder begins its global expansion, launching sites in the U.K., Canada and India. Soon to follow are acquisitions of Kariera.gr in Greece and Jobbguiden.se in Sweden.
CareerBuilder becomes a pioneer in context-specific resume matching technology that provides faster access to more relevant candidates.
LAUNCHES POWERFUL MATCHING TECHNOLOGY AS ONLINE JOB SEARCH GOES MAINSTREAM
144 million people in the U.S. use the Internet on a monthly basis. On average, 33 million people use the Internet to search for jobs.
CareerBuilder revolutionizes job search by being the first to build in-house technology for a new job recommendation engine, increasing the number of quality applications businesses receive.
JOINS FORCES WITH MEDIA GIANTS
CareerBuilder teams up with Gannett, Tribune and Knight Ridder and acquires HeadHunter.net, creating the most powerful career network on the Web. In 2006, McClatchy acquires ownership of CareerBuilder after purchasing Knight Ridder, further expanding CareerBuilder's local footprint.
ACCELERATES GROWTH THROUGH PARTNERSHIPS
CareerBuilder establishes its partnership model, which today has grown to a network of 1,000 websites worldwide.
CareerBuilder launches its Resume Database, making it even easier for the right job seekers and employers to find each other.
AN INDUSTRY PIONEER IS BORN
Netstart, a software company giving companies the power to list job openings on their websites, is born. Three years later, Netstart is officially renamed CareerBuilder.
16 million people from the U.S. use the Internet on a monthly basis. The number of people using the Internet to search for jobs is next to nothing.


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El windowbox (també anomenat "gutterboxing", o "matchboxing") és un fenomen o procés que té lloc a la pantalla de cinema o de vídeo i es produeix quan es transfereixen a pantalles panoràmiques o amples pel·lícules que no han estat rodades per a ser transmeses en aquestes, i és necessari aplicar letterboxing i pillarboxing simultàniament.

És a dir, aquest terme és l'equivalent en les quatre direccions del letterbox i el pillarbox, la transmissió d'una pel·lícula a un altre format utilitzant barres negres (mattes) a les parts laterals i també a les inferiors i superiors, per tal de no perdre la relació d'aspecte de la imatge original.

Descripció i funcionament
A vegades, per accident o com a part del disseny, una imatge de relació estàndard es presenta a la part central d'una imatge amb letterbox (o viceversa), el que genera un matte negre al voltant. Rarament la imatge serà "windowboxejada" de forma intencionada, ja que és un format força rebutjat per l'espectador, ja que malgasta molt d'espai a la pantalla i redueix la resolució de la imatge original. Originalment, es va començar a implantar aquest fenomen per a les seqüències de crèdit de les pel·lícules en format 4:3, on el text es podia estendre fins als costats de la imatge, però va ser adaptat gradualment fins a, en moltes ocasions, ser utilitzat durant el transcurs del mateix film. Pot ocórrer quan una pel·lícula de format 16:9 s'ajusta a la relació d'aspecte 4:3 (letterbox), però després es mostra en un televisor de 16:9 o un altre dispositiu de sortida. També pot ocórrer en la direcció oposada (4:3 a 16:9 a 4: 3). Poques pel·lícules han estat estrenades amb aquesta relació d'aspecte degut als inconvenients anomenats anteriorment. Un exemple és "The Crocodile Hunter: Collision Course", la qual contenia nombroses escenes on Steve Irwin i la seva dona utilitzaven aquest fenomen.

Arguments a favor i en contra del Windowbox
Sovint els crítics argumenten que el Windowboxing és innecessari, ja que la pèrdua d'imatge causada per overscan és pràcticament imperceptible. D'altra banda, pels que miren pel·lícules en els monitors dels ordinadors o en els nous televisors, que tenen poc a cap overscan, les seves voreres negres al voltant dels quatre costats de la imatge són visibles, encongint eficaçment la imatge en aquelles exhibicions.

El Windowboxing també redueix la quantitat total de resolució que la imatge utilitza efectivament, però els defensors del procés argumenten que la resolució perduda és insignificant.

Els defensors també creuen que la prevalença  de les seqüències de crèdit que s'estan mostrant en els DVD's recents suggereix una progressió natural cap a la presentació completa, al igual que les presentacions en pantalla ample. No obstant, el Letterboxing mai va assegurar que la televisió estava mostrant la imatge completa, només que estava present en la senyal, mentre que el realç anamòrfic en els DVD va ser dissenyat per maximitzar la resolució utilitzada per les pel·lícules de pantalla ample en el format, novament sense compensació per overscan.

Els defensors argumenten que el mètode tradicional de retallar pel·lícules de relació d'aspecte de 1.37: 1 per omplir la proporció 4: 3 (1,33: 1) de vídeo de definició estàndard fa que la informació visual, per insignificant que sigui, es perdi permanentment de la pel·lícula. No obstant, els crítics senyalen que aquesta situació es pot remeiar amb la creació d'una imatge en format 1.37: 1 en lloc d'optar per Windowboxing, mentre que les imatges en finestres sovint segueixen en una relació d'aspecte 4: 3, això significa que la informació de la imatge perduda no va ser restaurada pel procés.

A més a més, el vídeo DVD té una resolució lleugerament més horitzontal que el vídeo analògic, cosa que li dona una relació d'aspecte eficaç d' 1.38: 1, això permet emmagatzemar una imatge quasi en la pantalla completa 1.37: 1 sense retall, encara que aquesta informació addicional d'imatge pot ser correctament indicada depenent de l'equip utilitzat.

L'ús de Windowboxing de 4:3 en vídeo dependrà de si el problema del overscan se soluciona millor a través de maquinari (a través de l'ús d'equips més nous, en detriment d'aquells amb pantalles més antigues) o mitjançant programari (mitjançant l'ús de Windowboxing en detriment d'aquells amb pantalles més noves).

Referències

Vegeu també
 Relació d'aspecte
 Letterbox
 Pillarbox
 16:9
 Formats cinematogràfics

Formats de pel·lícula
Vídeo
Cinema


A month ago Chesterton Town Attorney Chuck Lukmann had no idea whether Persistence LLC would be able to sell, by the Dec. 31 deadline, the $40 million in recovery-zone bonds committed by Northern Indiana counties to finance an indoor sports complex on land just south of the Indiana Toll Road and east of Ind. 49.
A month later—on Monday, at the Redevelopment Commission's monthly meeting—Lukmann had even less than no idea of the status of the project.
The problem is this: the commission—acting on behalf of the Town Council—wants to expand the tax increment financing district south of the Indiana Toll Road, on either side of Ind. 49, to make feasible the development of the so-called Ind. 49 utility corridor. But under current Indiana Code a TIF district can only be expanded if an out-of-state business actually re-locates to an area within the enlarged district. And so far, Lukmann said, he has heard no "concrete word" of Persistence LLC's intention of leaving Matteson, Ill., for Chesterton, Ind.
So "we need a backup plan," Lukmann said. That plan is this: instead of expanding the TIF district, the commission can create a brand-new one, but it would take, as a first step, its adoption of a declaratory resolution.
Members voted 4-0 accordingly to instruct Lukmann to prepare such a resolution in advance of its next meeting, Dec. 6. Member Sharon Darnell was not in attendance.
A new TIF district would be comprised of roughly 142 acres within the Town of Chesterton, on both the east and west sides of Ind. 49, more commonly known as the Rossman and Pope properties.
In other business, Town Engineer Mark O'Dell reported that the South Calumet District project is officially completed. A two-year warranty for infrastructure took effect on June 1, he said, while a two-year warranty for the land- and streetscape took effect on Nov. 15.
Ron Steve of DLZ, the contracted construction manager for the project, did say that something like six trees will have to be replaced next spring.
Meanwhile, Street Commissioner John Schnadenberg reported that all of his TIF-funded projects for the year are "pretty much finished," including the re-paving of the Downtown and sidewalk work along the east side of South Calumet Road between Morgan Ave. and Porter Ave.
Schnadenberg added that next year some badly crumbled sidewalk along the west side of South Calumet Road will be replaced between Lincoln Ave. and Porter Ave. He and O'Dell are also investigating the feasibility of installing battery backups for several traffic signals along Indian Boundary Road—possibly at the intersections of North Calumet Road, Plaza Drive, Council Drive, and Sand Creek Drive—and would like to interest the Indiana Department of Transportation in the jointly funded installation of a similar battery backup for the signals at the intersection of Indian Boundary Road and Ind. 49.
From the floor Tom Smith, representing his family, told the commission that the Smiths would like to speak with the town on the subject of the Dickinson Road extension.
Members voted 4-0 to approve the following claims: $16,096.50 from DLZ; $24,500 from G.E. Marshall Inc.; and $285 from First American Management Company.


At Valley View Care Center, we understand the need for focusing on personalized services conducive for care and healing. In addition to providing short-term rehabilitation, we provide long-term care services for those individuals requiring specialized behavioral care. Valley View blends the need for a structured, stable environment and promoting an atmosphere of belonging through resident-centered care. We feature a wide variety of activities to keep residents active, stimulated and spiritually satisfied.
Currently, Valley View Health Care Center is seeking a fulltime afternoon LICENSED PRACTICAL NURSE at their 60 bed skilled nursing community located in Canon City Co.


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Уфут-фьорд () — узкий залив в Норвежском море в 200 км севернее Полярного круга. Является 12-м по длине фьордом в Норвегии, длиной 78 км, и 18-м по глубине — максимальная глубина 553 метра. Вдоль берегов этого фьорда расположен крупный город Нарвик.

География

Фьорд является самым длинным в фюльке Нурланн и 4-м по длине в Северной Норвегии. Коммуны Хьельсунн и Эвенес расположены на северном берегу, Нарвик — на восточной, лежащей глубоко внутри части фьорда, коммуна Балланген — на южном берегу. Лёдинген и Вестфьорд расположены на западе-юго-западе от Уфут-фьорда.

Ответвления фьорда

Несколько небольших ответвлений фьорда отделяются от основного фьорда. С северо-запада, по часовой стрелке, такие как: Рамсунн (узкий пролив соединяющийся с крупным Хьельсуннетом), Боген (довольно широкий залив), Херьянген (самый широкий из ответвлений), Румбакен (трасса Е6 пересекает его по мосту Румбак), Бейсфьорд (трасса Е6 пересекает его по мосту Бейсфьорд), Скьомен (самый длинный из ответвлений, пересекается трассой Е6 по мосту Скьомен) и Балланген. В устье Уфут-фьорда, на южной стороне, находится другой фьорд, узкий Эфьорд, который простирается к юго-востоку (трасса Е6 пересекает его по мосту Эфьорд).

Фауна

Уфут-фьорд имеет богатую морскую фауну, с огромным количеством сельди, зимующей во фьорде, что привлекает сюда косаток. Воды фьорда являются самым северным местом обитания омаров. Наиболее распространённый вид рыбы, встречающийся здесь в течение всего года — треска, в частности сайда. Макрель встречается с июля по середину сентября. Сейчас в окрестностях фьорда широко распространены орланы-белохвосты и выдры. Чайки встречающийся здесь в течение всего года, летом прибывают много мигрирующих птиц, особенно таких как кулики и серые цапли.

Окрестности

Фьорд окружён горами высотой до 1500 м, и даже 1700 м в Скьомене, где расположен ледник Фростисен (). На северном берегу вокруг аэропорта Харстад/Нарвик расположена большая низменность, несколько небольших низменностей имеется возле фьорда и в узких долинах (например, полуостров Нарвик, где расположены гавани и центр города Нарвик). Горы до высоты 500 м покрыты лесами, самым распространённым деревом является берёза, также широко встречаются сосны и осины. Почва вокруг фьорда в основном состоит из двух твёрдых минералов, гнейса и гранита, а также мягкого известняка. В Баллангене находится доломитовый карьер.

Морские битвы

В Битве при Нарвике во Второй мировой войне, Уфут-фьорд являлся местом действия нескольких битв, поэтому на его дне, особенно в бухте Нарвика, покоится много кораблей. Затопленный немецкий миноносец «Georg Thiele» до сих пор остается видимым с железной дороги между станциями Страумснес и Румбак. Эти места очень популярны для погружений. Однако, некоторые из этих затопленных кораблей являются памятниками войны и, следовательно, находятся под защитой закона.

Ссылки

Заливы Норвежского моря
Фьорды Норвегии


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It takes choice and action to move through fear and take a chance to change. You can pray for change. Prayer will deliver you the messages or messengers; but you have to take that chance and act to change.


text:
Haloran Hall (First Edition) »
Haloran Hall
by Myrna G. Raines (Author)
PDF eBook: $3.99
Haloran Hall is a novel that takes place in nineteenth century England and Scotland. It seems the new Earl of Haloran Hall is seeking a wife to provide an heir, and an invitation goes out to the families with marriageable aged daughters. Shalan is determined that she not be chosen as the Earl's bride, as she desires to be no man's Lady. Besides, who wants to be a wife to some stuffy and stodgy, elderly Earl? She feels she is saved from that fate, however, when a message arrives that the ball has been cancelled due to the Earl being recalled to London due to an urgent matter.
Riding over the Moors in exhilaration, Shalan is taken aback when she finds a mortally wounded nobleman, and somehow manages to return with him to her father's castle, where, with the help of her maid, nurses him back to health. The man is joined by his cousin from London, and Shalan learns his true identity. Through a betrayal by her own father, she finds herself very much in attendance at Haloran Hall where she is caught up in a conspiracy that threatens her very life!
5.5x8.5, 204 pages
Print $18.50
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text:
class AddPagesToAttributes < ActiveRecord::Migration
  def self.up
    add_column :az_attributes, :public_page, :boolean
    add_column :az_attributes, :admin_page, :boolean
  end

  def self.down
    remove_column :az_attributes, :public_page
    remove_column :az_attributes, :admin_page
  end
end