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Kilah loved Edam. Her parents would not be happy. She didn't fear what her parents thought. It was the government she feared. Loving Edam violated policy. Edam could be put to death.
Was it death if Edam was an AH – artificial human?
It wasn't Kilah's fault that through the years scientists had perfected AH's until you couldn't tell the difference between them and real humans – RH's.
Kilah understood that mankind could become extinct because real humans had trouble procreating. Scientists couldn't find a reason or cure, so thy created robots to fulfill the labor force. As years passed, scientists began mixing human DNA with their synthetic creations, making AH's more like humans. AH's had thoughts, feelings, and behavior like RH's.
With that, she stomped away. Crying. Edam may be artificial, but what she felt for him was real. And it would be impossible to avoid Edam because he was a teacher's aide at her high school.
Surprisingly, her parents didn't appear to be too upset when she told them she had fallen in love with an AH.
"Most AH's are wonderful people," her dad said.
"I've met Edam. He's such a nice guy. And so handsome." Her mother winked at her.
Kilah sniffled. Her head hurt from thinking so much about Edam. Her heart hurt more than her head. She blamed the government. They made AH's so perfectly human-like that you couldn't tell the difference. At least not a teenager like her.
What? Yes. No. That couldn't be. Her parents were RH's. They had to be. Now that she thought about it, they hadn't aged over the years. But…surely not.
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Opening this Saturday, "Untitled 11" is an annual group exhibition that showcases a wide array of artistic voices. This year's collection is curated by jurors Tom Rassieur and Caroline Kent. Now in its 11 year, SooVAC's series represent broader conversations that is starting to unfold through the work of Minneapolis-based artists.
"It will be interesting to see what the works looks like when installed together, and to look for ways in which the works speak to each other," says Kent.
[jump] The selection process wasn't easy, as Rassieur and Kent whittled down the exhibition's applicant pool from 190 submissions to the 18 participating artists. Rassieur, the John E. Andrus III Curator of Prints and Drawings at the Minneapolis Institute of Arts, and Kent, co-founder of St. Paul's exhibition space the Bindery Projects, both sifted through the massive amount of applications on their iPads.
Using gut instincts and past curation experience, they have selected a provocative group of artists from multiple disciplines.
The resulting blend of artists at different points in their careers will foster a unique atmosphere made up of various perspectives. Pieces include paintings of rust-colored riot scenes, evocative multimedia collages, and hollow casts of bullets dispensed through candy machines.
People who visit "Untitled 11" can expect to see "a range of ways of working, and less traditional ways of seeing painting, sculpture, and photography," says Kent.
There will be an opening reception Saturday, November 15 from 6 to 9 p.m.


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#MYMediaMatters campaign
Kevin Davasagayam is a journalist with the Sun. As part of the #MYMediaMatters campaign, supported by the European Union, Kevin recognises the pivotal role of journalism at this time of a global health and safety pandemic.
Credit: Kevin Davasagayam
1. What does it mean to be a journalist or media worker in Malaysia?
To be a journalist in Malaysia is to present the truth to the public in matters of public interest bearing in mind the number of media outlets (not many) currently available.
To be the messenger of information during this unprecedented political, economic and health and safety crisis in this country and around the world.
To be the bearer of verified news in this time when the public is too easily exposed to the comforts and discomforts in fake and unverified news.
To highlight the plight of the troubled and the needy in the eyes of authorities, leading to appropriate intervention.
Right now it's a journalist's role to make sure we all make it out of this pandemic together.
2. Do you see Media Freedom in Malaysia moving forward?
Yes I do and I don't think we are far off from it. In my opinion media freedom from where we stand now, is about 4 to 5 steps (in essence) away. But these steps still require a lot of shake-ups to change media in Malaysia for the better.
3. What can we do to be better?
Work together regardless of media outlets or organisation. Let people see that when they mess with one of us, they mess with all of us.
4. What can we do to ensure media freedom?
Journalists need to keep fighting to maintain media freedom and don't let the public take us for granted, because media freedom is priceless.
Constantly pursue the idea of creating a realisation towards the importance of media freedom.
External parties need to work with the media. It's not good enough avoid questions by saying say 'no comment' or 'I will get back to you on this'.
To ensure that media practitioners are sure that he or she has obtained the accounts of all the parties involved, rather than opting for clickbait or a 'cliff-hanger'.
The #MYMediaMatters campaign is part of a multi-year project, Strengthening Malaysia's Media for Change, supported by the European Union. For details please see the IFJ project page.
Follow us on Twitter, Facebook and Instagram for updates.
For further information contact IFJ Asia - Pacific on ifj@ifj-asia.org
The IFJ represents more than 600,000 journalists in 140 countries
Twitter: @ifjasiapacific, on Facebook: IFJAsiaPacific and Instagram

redpajama_set_name: RedPajamaCommonCrawl


Beloved 'True Blood' actor, Nelsan Ellis, passed away this week after complications related to alcoholism and drug addiction.
According to a statement released by Ellis' family – via his longtime manager – the talented actor had been struggling with alcohol and drug misuse for years. They went on to explain that Ellis attempted to detox from alcohol on his own. It was ultimately complications from unsupervised withdrawal from alcohol that led to a number of symptoms which tragically precipitated his death.
His family requested that this be used as a cautionary tale for those considering detoxing themselves without medical supervision.
In an age where drug misuse absorbs media attention, complications arising from alcoholism are often overlooked or minimized. Detoxification from alcohol always requires professional supervision as the side effects may be life-threatening. Dangerous symptoms of withdrawal not only occur with prolonged users of alcohol, such as Ellis, but can present in people who have only been drinking a short while. When other drugs are involved in addition to alcohol, the potential for danger is multiplied.
Ellis' family bravely requested that this information be released in order to educate the public about the risks of withdrawal and encourage others to reach out for help when they want to detox.
If you or a loved one is struggling and considering detoxing, please seek medical assistance and treatment immediately. You can also call 911 if you have begun the potentially dangerous detox alone.


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bio Sun, 01/12/2014 - 1:23am
Germany: Parliamentary Commission fails solving the "Nazi-Terror"
Andreas Strassmeir
Denis Mahon
National Socialist Untergrund
Nazi-Terror
This article is mirrored from my Blog "Friedensblick".
A commission of the german parliament "Bundestag" investigated 2012/2013, how the terror-cell called "National Socialist Underground" (NSU) could stay undetected from the german security apparatus for more than thirteen years, from 1998 to 2011. In that time the trio of Uwe Mundlos, Uwe Böhnhardt and Beate Zschäpe should have committed a ...
"... series of murders of nine immigrants (eight Turks and one Greek (...); the murder of a policewoman and attempted murder of her colleague; the 2001 and 2004 Cologne bombings; and a series of 14 bank robberies." (wiki)
bio's blog
TomT Sat, 04/20/2013 - 11:19am
"North Texans for 9/11 Truth" at the "Resist Tyranny Expo"
Resist Tyranny Expo
The "North Texans for 9/11 Truth" Group had the opportunity to participate in the Dallas area RESIST TYRANNY EXPO giving away DVDs and literature to the hundreds who turned out at the all day event held on Saturday, April 13th, 2013.
Holland Van den... Wed, 07/25/2012 - 12:24pm
Final Roll Call for the First Generation of Truth Seekers (RIP VZ Lawton)
By Holland Vandennieuwenhof
The documentary A Noble Lie: Oklahoma City 1995 was released in December of 2011, the culmination of sixteen years of active resistance to the official story of the Oklahoma City bombing. The filmmakers dedicated two years of their lives to production, pouring every spare hour and spare dollar into making sure that the truth tellers' story was told. If anything, A Noble Lie is a testament to the strength of the truth, the weakness of the lie and the will of whatever forces govern this plane to see evil exposed. But that was nothing compared to the long years in the wilderness the truth seekers faced from day one. We were just privileged to tell their story. As for justice, well that is an ideal we can strive for, and should. But the very fact that these atrocities occur tells us that justice is fickle, elusive and pinned down perhaps only by whatever the next world holds for us.
And with that we note with honor the recent death of V.Z. Lawton, a survivor of the bombing and a man who resisted the herd impulse to ignore his own eyes and ears in the face of authority. V.Z., 81 years old, passed away on July 23, 2012 after succumbing to cancer. Few men can say that they have been truly tested. Fewer still can say that they prevailed. V.Z. did both many times, and cracked jokes in-between.
V.Z. faced his mortality with a determination and hope that still shone from his eyes, and with a lack of fear that defined his presence on this earth. He had confronted death before. On April 19, 1995, seventeen years ago, V.Z. was sitting at his desk in the office of Housing and Urban Development in the A.P. Murrah Federal Building when the structure began to shake, the lights went out and something fell from the ceiling fell and struck him in the head, knocking him out cold. When he regained consciousness, he saw that the floor had collapsed to within inches of his desk. He stood over the stilled maelstrom below, half the building lie in ruins, crushed bodies beneath. He turned around and immediately went to the aid of his injured co-workers. He guided, carried and led them down several flights of stairs and busted open a warped steel door with his shoulder. After getting checked out at the hospital, he began walking home. He picked glass out of his body for months.
Holland Van den Nieuwenhof's blog
Orangutan. Thu, 05/12/2011 - 3:33pm
Judge wants FBI to explain possibly missing Oklahoma City bombing videotapes
Jesse Trentadue
By Dennis Romboy, Deseret News
SALT LAKE CITY — A Salt Lake attorney's dogged pursuit of videotapes associated with the 1995 Oklahoma City bombing that he believes the FBI has withheld from the public gained momentum from a federal judge Wednesday.
U.S. District Judge Clark Waddoups ruled Jesse Trentadue raised enough questions that he wants the government to explain why it hasn't searched all possible databases and evidence rooms where the tapes might be stored. He posed a list of questions he wants the FBI to answer by June 30.
"It's crucial that they don't deny they exist, only that 'we can't find them. Trust us,'" Trentadue said after the hearing.
Mekt_Ranzz Fri, 03/04/2011 - 4:18pm
Barry Levinson making film about the Oklahoma City bombing
Chad Wold
Clay Wold
radical Islamic groups
Timothy McVeigh
Source: http://www.avclub.com/articles/barry-levinson-making-film-about-the-oklahoma-city,52666/?utm_medium=RSS&utm_campaign=feeds...
Having just turned the courtroom drama of Dr. Jack Kevorkian into awards gold with You Don't Know Jack, director Barry Levinson will once again mine true-life controversy with the feature film O.K.C., which follows the efforts of a young legal clerk on Timothy McVeigh's defense team to expose a larger conspiracy behind the 1995 Oklahoma City bombing. That clerk, Chad Wold, is the brother of O.K.C.'s first-time screenwriter Clay Wold, whose script is based on the true story of the months his brother spent attempting to investigate evidence that others were involved in the terrorist act, often at the risk of his own career and safety. Given that the film will likely delve into some of those oft-floated theories that McVeigh conspired with members of right-wing militias, radical Islamic groups, and even the U.S. government, O.K.C. promises to be pretty inflammatory—particularly if, as Deadline posits, it purports to reveal "the real circumstances" behind the bombing, which continues to be an obviously sore subject. It's likely to also upset Oklahoma residents unless it gets those unnecessary periods out of the title.
Mekt_Ranzz's blog
Mekt_Ranzz Tue, 04/20/2010 - 9:32am
The McVeigh Tapes - Part 1
http://www.youtube.com/watch?v=6bGd_LmS32o
Joe Mon, 04/19/2010 - 4:15pm
RDR: Murrah bombing survivor says feds involved in blast that killed 168 in '95/ By Andrew W. Griffin - April 19, 2010
http://www.reddirtreport.com/news.php?id=15077
Home Red Dirt Reporter
RDR: Murrah bombing survivor says feds involved in blast that killed 168 in '95
By Andrew W. Griffin - April 19, 2010
Red Dirt Report, editor
reddirtreporter@gmail.com
OKLAHOMA CITY – While Oklahoma and the rest of the world respectfully remember the 168 people who died in the bombing of the Alfred P. Murrah federal building here in Oklahoma City, one survivor of the April 19, 1995 blast, Jane Graham, wants her questions about what really happened that day answered once and for all.
Graham, a native of Chicago who was working for the HUD office on the ninth floor of the Murrah building that morning told Red Dirt Report that there were a lot of strange things going on in the weeks leading up to the bombing, things that she shared numerous times with federal agents, things she felt were ignored. This included the presence of maintenance workers she did not recognize, military people in the parking garage and more unusual activity.
But one of the key figures – the bomber himself – Timothy McVeigh, was spotted in the federal building on a number of occasions.
read the rest here:
Joe's blog
Wendy Bird Mon, 10/12/2009 - 3:13pm
Does A Dead Man Have A Right To Privacy? or When Is It "Safe" To "Do History" ?
By Wendy S. Painting, October 12, 2009
Recently I received troublesome news about my research into the 1995 Oklahoma City bombing. As part of my PhD dissertation about the tragedy, I have corresponded with federal death row inmate, David Paul Hammer. Hammer awaits his fate in Terre Haute, Indiana, where he was formerly housed with another death row inmate, Timothy McVeigh, executed in 2001 for his role in the bombing. During their shared time on death row Hammer claims that McVeigh confided some very important details about the bombing which he wanted Hammer to bring to light after McVeigh's execution. Hammer did this in his 2004 book "Secrets Worth Dying For." Many of the claims that Hammer makes may sound bizarre to some, such as McVeigh's insistence that he had been tasked by authorities to infiltrate 'right wing extremists,' yet after souring the defense documents of McVeigh's legal defense team, I found many which corroborate and support some of Hammer's various claims, including medical and military records, as well as other types of documentary evidence.
Wendy Bird's blog
Wendy Bird Fri, 10/02/2009 - 2:42pm
The Strange Death of Terry Yeakey by Wendy S. Painting
Unanswered Questions Haunt Family of Oklahoma City Bombing First Responder.
By: Wendy S. Painting, October 2, 2009
On May 11, 1996, the New York Times ran a story with the headline "A Policeman Who Rescued 4 in Bombing Kills Himself." Sergeant Terrance Yeakey, Oklahoma City Police Department, was 30 years old and was about to receive the police department's Medal of Valor for his heroic rescue efforts the day of the Oklahoma City bombing, which occurred on April 19, 1995.
Yeakey was the first to arrive on the scene that terrible day and saved the lives of countless people from the rubble of the building and the horrific effects of the explosion. The article says Yeakey committed suicide, claiming that he was living in emotional pain because he could not do more to help the people injured in the bombing, and that he was suffering from intense survivor guilt which he was unable to manage. But others in Oklahoma City, including the family of Terrance Yeakey, claim that his death was not a suicide at all, but a brutal murder, and indicate that local law enforcement were complicit in covering up this murder.
noliesradio Wed, 01/14/2009 - 6:34pm
Live Broadcast of Eric Holder Confirmation Hearing on No Lies Radio Thursday Jan 15th at 6am Pacific – 9am Eastern
Confirmation Hearing
warrantless wiretaps and searches
Click Here To Listen -- http://noliesradio.org
Coming up LIVE Thursday, Jan 15th at 6am Pacific - 9am Eastern - 14:00 GMT
Live Broadcast: Eric Holder Senate Confirmation Hearing for Attorney General
Will be archived here after the broadcast.
Wendy Bird Wed, 01/07/2009 - 3:00pm
Conspiracy in Perry, Oklahoma
By Wendy S. Painting
(Perry, Oklahoma. Picture by Wendy S. Painting December 2008)
On December 27th while at the airport, returning from a research trip from Texas and Oklahoma, I received a call from a friend who said he had just turned on the television and saw something he thought would be of interest to me. He excitedly told me that the FBI had just released a surveillance tape, long held in secrecy, to the Oklahoma City National Memorial commemorating the 1995 bombing of the Murrah federal building which killed at least 168 people. For unknown reasons this video was never released to the public, was not allowed in the three bombing trials of Terry Nichols or Timothy McVeigh and remained in the sole custody of the FBI until now. A spokesperson for the memorial said that the video will help to tell the story of the bombing more completely. I had just returned from Perry, Oklahoma where the footage was taken, a few days before learning of the release of the tape. My reasons for going to Perry were also to tell the story of the Oklahoma City bombing more fully, and an exploration of Perry seemed to be one of the ways to do this.
Reprehensor Fri, 05/30/2008 - 9:24pm
Radio Free Oklahoma premieres Saturday 5.31.2008
Radio Free Oklahoma will premiere today on WTPRN. The Hosts will be Chris Emery, Holland O. Van den Nieuwenhof and Andrew W. Griffin.
"Radio Free Oklahoma will present issues related to the NASCO super highway, Real ID card, the continuing investigation of the Oklahoma City bombing and several other subjects requiring a thorough review NOT offered by the mainstream media. In addition, past and present historical events and individuals with close ties to Oklahoma will be reviewed."
Chris Emery says that discussion of 9/11 will occur as well as OKC and other related events.
Should be interesting listening.
http://www.wtprn.com/listen.shtml
Call-in Number: (512) 646-1984
Time: Saturdays, 6:00 pm - 8:00 pm CST
Reprehensor Wed, 04/23/2008 - 7:22pm
Blast Effects Study Does Not Support Single ANFO Bomb at OKC
(This case study has been cited many times on the internet, but I was unable to find a copy for reference purposes. Here is the basic study, minus the two appendices which take up over half of the report. In short, this study supports the conclusions of Brigadier Gen. Benton K. Partin (Ret.) who submitted his report to Congress in the summer of 1995, where it fell upon deaf ears. Researchers interested in seeing the complete report with the appendices, should order a copy from American Opinion Book Services, by calling 1-800-527-8721 and asking for Carol Summers. The PDF is $25. Caveat: AOBS is owned by the John Birch Society.)
RELATING BLAST EFFECTS TESTS
EVENTS OF APRIL 19, 1995
ALFRED P. MURRAH FEDERAL BUILDING
UTILIZING:
TEST RESULTS FROM:
ARMAMENT DIRECTORATE
WRIGHT LABORATORY
Reprehensor's blog
Michael Sun, 04/20/2008 - 6:18pm
Visibility 9-11 Welcomes Chris Emery, okcbombing.net
Chris Emery
Michael Wolsey | Visibility 9-11
okcbombing.net
On this, the 13th anniversary of the tragic events of the Oklahoma City Bombing, Visibility 9-11 welcomes researcher, activist, and documentary film producer Chris Emery. On April 19, 1995 multiple bombs virtually destroyed the Alfred P. Murrah federal building in downtown Oklahoma City killing 169 men, women and children and wounded scores of others. Just as with the events of September 11th, 2001, the official story of what really happened in OKC has been proven to be a falsehood by Chris and his colleagues at the Oklahoma City Bombing Investigation Committee.
For more information, visit www.okcbombing.net and listen to the prior interviews on this topic from the Visibility 9-11 archives.
Visibility 9-11 Welcomes Oklahoma State Rep. Charles Key
Visibility 9-11 Welcomes OKC Bombing Survivor VZ Lawton
Visibility 9-11 Welcomes Chris Emery, okcbombing.org (2007)
Music by John Heartson.
Get this episode here.
Holland Van den... Fri, 04/18/2008 - 6:33pm
Key to the Truth in Oklahoma
"Government complicity in the OKC Bombing and the 9/11 attacks has been proven not only by the obstruction of justice but by the use of terrorist dupes, be they willful dupes or not. And by all indications, these actions continue. Apparently some have failed, others will not..."
4.19.95 and 9.11.01
by Holland Van den Nieuwenhof
Oklahoma seems to attract more attention in the news than seems due to your typical Great Plains State such as Kansas or Nebraska or North Dakota. I once asked a visitor from North Dakota if anything had ever happened in his state since being reasonably informed on current events and history, I was unaware of that state ever making it into a national headline.


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using namespace cv;
using namespace std;

uint8_t getRed(uint8_t* data, int x, int y, Size sz, int numChannels) {
    return data[x*sz.width*numChannels + y*numChannels + 2];
}

uint8_t getGreen(uint8_t* data, int x, int y, Size sz, int numChannels) {
    return data[x*sz.width*numChannels + y*numChannels + 1];
}

uint8_t getBlue(uint8_t* data, int x, int y, Size sz, int numChannels) {
    return data[x*sz.width*numChannels + y*numChannels + 0];
}

int main(int argc, const char * argv[]) {
    // insert code here...
    std::cout << "Hello, World!\n";

    Mat image;
    image = imread("/Users/lgunn/Downloads/camera-mount-low-cable-v1_3dm.png", CV_LOAD_IMAGE_COLOR);   // Read the file
    Size sz = image.size();
    int numChannels = image.channels();
    std::cout << "Size is " << sz.width << " by " << sz.height << endl;
    std::cout << "Num channels " << numChannels << endl;

    uint8_t* imgData = (uint8_t*)image.data;
    uint8_t red = getRed(imgData, 0, 0, sz, numChannels);
    uint8_t green = getGreen(imgData, 0, 0, sz, numChannels);
    uint8_t blue = getBlue(imgData, 0, 0, sz, numChannels);
    std::cout << "rgb  #" << std::hex << (int) red << std::hex << (int) green << std::hex << (int) blue << endl;

    return 0;
}

redpajama_set_name: RedPajamaGithub


RH Baby and Child. Explore Our Furniture Collections.
Wooden baby crib made of tree branches. Not crazy about the decal on the wall but loving the natural look of the crib!
Elegant white and grey nursery – The White Company - love that armoire!
Rustic wood pallet sign with galvanized metal letters above the baby's crib!
How to build a Restoration Hardware-inspired Cabin Bed!
Baby's First by Nemcor Little Birdie Garland 5-Piece Crib Bedding Set - buybuyBaby.
GONATT Crib - IKEA $190 Yes - this. Convertible to toddler bed and has small drawer storage!
Hand carved shotgun baby crib. OMG.


Harness "wedgie power" to draw in the most reluctant readers! The mega-bestselling Captain Underpants series features outrageously funny, action-packed, easy-to-read chapter books with hilarious pictures on every page. Hardcover. IL: PreK–3.


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Vinge Dude Diligence – for improved gender equality
Vinge is one of Sweden's leading law firms and the country's leading provider of M&A services. In 2021 Vinge advised on 167 transactions with a combined value of EUR 52 billion. To provide a better understanding of gender equality at companies prior to an acquisition, sale or merger, the due diligence process has now been expanded.
All About the firm Awards Brexit Corona/Covid-19 International Sustainability/ESG
New partners to Stockholm's office
Three new partners have been elected at Vinge's Stockholm office with effect from 1 January 2019.
July 03, 2018 About the firm Career
Competition law expert Emma Johansson joins Vinge
Vinge's EU, Competition & Regulatory practice has recruited an additional experienced competition law expert, Emma Johansson to the Vinge Stockholm office.
December 01, 2017 About the firm Career
new-partner-to-vinges-gothenburg-office
Yohanna Öhrnegård, Member of The Swedish Bar Association and specialised in dispute resolution, has been elected partner at Vinge's Gothenburg office commencing on 1 January 2018.
October 09, 2017 About the firm Career
Three new partners to Stockholm's office
Three new partners have been elected at Vinge's Stockholm office commencing on 1 January 2018.
Vinge receives Gender Diversity Award for the Fifth Time
Vinge has won the "Best Swedish Firm for Women in Business Law" award at the Europe Women in Business Law Awards which took place in London on 15 June 2017.
June 20, 2017 About the firm Awards Career Sustainability/ESG
Viveka Classon strengthens Vinge's Insurance Offering
Vinge has now expanded its competence within insurance law by employing Viveka Classon, former general counsel at Skandia. Viveka joins Vinge as a counsel in the newly-formed practice group Corporate Insurance, where she will work together with, among others, partners Fabian Ekeblad and Per Johan Eckerberg.
June 15, 2017 About the firm Career
Competition law expert Trine Osen Bergqvist joins Vinge
Vinge's EU, Competition & Regulatory practice has recruited the experienced competition law expert Trine Osen Bergqvist who will join and further strengthen the team at Vinge's Stockholm office.
Jasmin Draszka-Ali board member of Transparency International Sweden
Vinge associate Jasmin Draszka-Ali has been elected as a board member of Transparency International Sweden.
May 02, 2017 About the firm Career Sustainability/ESG
Tax Expert Thomas Andersson joins Vinge
Vinge's tax law practice group has increased its capacity and expanded its areas of competence through the recruitment of tax expert and economist Thomas Andersson, who has joined Vinge as counsel at Vinge's Stockholm office.
April 03, 2017 About the firm Career
Economics expertise to Vinge's EU, Competition & Regulatory Practice Group
Vinge is increasing its EU, Competition & Regulatory Practice Group with economist Jakob Jeanrond, PhD.
Senior resource to Vinge's EU and competition law team
Vinge has recruited Marie Östman to the specialist team, EU, Competition & Regulatory.
September 09, 2016 About the firm Career
Six new partners at Vinge
Vinge strengthens its position through the appointment of six new partners at the Gothenburg and Stockholm offices from 1 January 2017. The aim is to strengthen Vinge's leading position within the real estate sector and to meet the increased demand for business law competence within Banking & Finance as well as Life Sciences & Health.
Human rights lawyeer Théo Jaekel joins Vinge
Vinge strengthens its Corporate Risk and Compliance team with the addition of Théo Jaekel a human rights lawyer who specializes in corporate responsibility in order to meet the increased demand for CSR advice.
September 01, 2016 About the firm Career Sustainability/ESG
Vinge awarded for its gender diversity initiatives
For the fourth time, Vinge has won the award, European Women in Business Law – Sweden 2016. Vinge won the award for its gender diversity initiatives in the legal profession. Last year, Vinge was the first Swedish law firm to set the goal of having women represent 50 per cent of all newly appointed partners within the next five years.
Assur Badur – new partner at Vinge
Vinge has strengthened its real estate team in Stockholm with Assur Badur who has been appointed as a new partner and head of the real estate practice group from 1 March 2016. The aim of the recruitment is to strengthen Vinge's service offering and secure its leading position within the real estate sector.
March 11, 2016 About the firm Career


You just need a healthy basil plant and about 5 minutes of time to turn out this Awesomely Easy Basil Pesto recipe.
We have officially reached that part of the summer where I am happily gorging myself on produce. Chad and I haven't planted a vegetable garden at this house yet (in truth I am really not interested, but Captain Green Thumbs is itching to turn over some soil over here), but I do have some raging herbs in pots. The basil has officially reached "pesto status" which for me is when it yields so much I have no idea what else to do with it.
Good thing pesto requires a lot of basil.
So, not that this is like a novel recipe or anything. I didn't invent pesto. But I DO love it. And I can offer you some fun ways to use it (besides dousing a big plate of pasta, I mean).
If you have an abundance of kale, you can try this Kale Walnut Pesto. Basically you can use these instructions to pesto all the greens. Get to it!
Place the basil, pine nuts, Parmesan cheese, and garlic in your food processor. Fasten the top on and slowly drizzle in the oil while pulsing to combine.
Add more oil as necessary to reach your desired texture.
Serve! On pasta, chicken , burgers, bread, soup, salads, and more.


American businessman Stanley Weiss, the founding Chairman of Business Executives for National Security, is a long-time commentator on Indonesia and other countries for the Wall Street Journal, the Huffington Post and the New York Times, among others. He discusses American policy in Asia and where the region is headed. The views he expresses are his own.
This entry was posted in News and tagged Beritasatu TV, Insight Indonesia, Jakarta, video by Stanley A. Weiss. Bookmark the permalink.


This deli combines two beloved American staples: sandwiches and bagels. Offering an array of freshly baked, doughy bagels and hot and cold sandwiches, Pumpernickels Bagel & Deli can satisfy any craving, morning, noon, or night. The "bagelry", as they call themselves, serves up the toasty hot subs known to traditional delicatessens, along with breakfast bagel sandwiches stuffed with scrambled eggs and cheeses.


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includes Slow Summer/1976, Clinch/1978, The Dancing Hawk/1977, Araya/1959, Stars of the Day/1968 and Little Valentino/1979.
(Neil Young's Film Lounge), 2nd June, 2009
Of the three biggest European film-festivals — Cannes, Venice and Berlin — it's the German event which invariably provides the largest number of "archive" films, with older titles popping up in all of the sections (outside Competition) as well as an annual retrospective and a tribute.
This year there was also strand dedicated to films made in eastern Europe in the years leading up to the fall of the Berlin Wall — 'After Winter Comes Spring' — and lurking among the features was a real gem, indeed the best thing I saw from any era, past or present, at the Berlinale 2009. This was The Dancing Hawk by Grzegorz Krolikiewicz, an utterly berserk and unclassifiable chronicle of an ambitious schlub's rise from the meanest of rural beginnings through the ranks of the country's all-powerful Communist party through the 50s, 60s and 70s.
A relentlessly inventive visual and aural assault on the viewer, it presumably got past official censorship bodies because they had no idea what to make of it. But there's no mistaking the sheer sledgehammer force of Krolikiewicz's satire — his script based on a novel by Julian Kawalec — as our unasumming "hero" Michal Toporny (played with just the right kind of offhand deadpan by Franciszed Trzeciak) glides into positions of power despite (or, to coin a cliche, perhaps because of) his utter lack of principles, morals or conscience. The picture hits the ground running with the demented brio of the most avant-garde shorts, but somehow manages to maintain its momentum, with only a couple of brief dips. to feature-length — not least because of its head-spinningly bravura camerawork from cinematographer Zbigniew Rybczynski, though the hyper-brisk editing by Jadwiga Ignatczenko and Halina Nawrocka deserves at least as much mention.
"Terry Gilliam's Mirror" is how I summed up The Dancing Hawk to a friend as I emerged from the cinema, dazed and delighted by a film which, from its discombobulating opening image (what you take to be a studio "ident" turns out to be nothing of the sort) to its sublimely beautiful final shot, is way ahead of its time and a superb example of a director exploring the farthest limits of what the medium can do. This is a lost masterpiece - one whose Berlinale screenings will, if there's any justice, propel Kroliekiewicz (who's still with us) into the limelight his talents deserve.
Of the half-dozen or so titles I caught in 'After Winter Comes Spring', The Dancing Hawk was by far the most impressive. But there was also much to like about the rather more sedate Hungarian picture Little Valentino, which follows a twentyish bloke as he loafs around Budapest at the dog-end of the seventies. Freckly, amoral, late-teenage Laci (aptly dismissed at one stage as a "snotty youth") isn't exactly the most colourful, intelligent or engaging of individuals — the main thing is that he's so mobile around the city, restlessly exploring (mostly somnolent) neighbourhoods, hanging out in bars and restaurants, casually interacting with various "street characters."
In this manner director JELES Andras constructs a portrait of a time and place that, while unassuming, is more than a little Joycean in its attention to city/character detail: Little Ulysses, if you like. And it's surprising just how "un-grim" so much of it feels. While clearly no paradise, the Hungary of the late seventies certainly doesn't feel like the Communist, police-state nightmare so frequently imagined by observers in the west.
Shooting in warm, vaguely sepia-ish black and white, Jeles' biggest stylistic "flourish" is to have words appearing on the screen — sometimes right in the middle — which we take to be glimpses into Laci's thought-processes, a stream-of-consciousness that sometimes coincides with the dialogue (serving to emphasise certain key phrases: 'We're not Rothschilds') but is mostly functioning an oblique, slightly gimmicky "commentary" on events.
Notably well-cast and well-acted even in the smallest of roles, the film — which recalls both Scorsese's Mean Streets and Bill Forsyth's roughly contemporary That Sinking Feeling (with its mercantile hagglings and quick-buck schemings — has a nicely improvised sort of feel. Overheard conversations, radio-broadcasts and snatches of dialogue ("a new romanticism — that's what we need") accumulate in a picture that achieves gritty social-realistic verisimilitude with a poetic, haphazard, offbeat undercurrent. And the last shot, involving a rickety Budapest street-tram, is rather terrific.
Slow Summer
Over on the other side of the Iron Curtain, the Forum section showcased two newly-restored features by the Canadian-born, "Viennese by choice" John Cook, who in the 1970s segued from fashion photography to low-budget cinema with Slow Summer (1976) and then Clinch (1978) — both of them fascinating as time-capsules but still impressively fresh and funny. Slow Summer is marginally the pick of the pair, in which Cook (in his late thirties) plays himself - a would-be photographer who can't quite get his first feature completed.
Hanging out with his younger drinking-buddy Helmut (mid-twenties), he views the 8mm footage he shot in the "slow summer" of 1971 — not that the summer of 1975 is any speedier. As Cook and Helmut watch and chat about the 1971 material, what we end up with is in effect a DVD commentary some 20 years avant la lettre, and there's much profitable confusion in several scenes as it's rather tricky to know when we are.
There's no doubt about the 'where', however: this is emphatically Vienna, but a world away from the tourist vistas of Hapsburg splendour. Instead, Cook evocatively — and, despite his on-camera alter-ego's creative travails - apparenly effortlessly socks over a bohemian milieu of artists, layabouts, money-men, elusive women, schlubs, his 8mm cameras achieving an entirely organic-feeling domestic intimacy with his subjects, including himself.
His boozy, skirt-chasing romantic mishaps give Slow Summer something of a Confessions of a Randy Fashion Photographer air at times, but the movie is none the worse for that - indeed, it functions very nicely as a self-deprecating, self-lacerating comedy with unforced socio-economic undertones. Cook comes across as a particularly natural, unforced kind of film-maker — it's all too rare to find such artistry and likeability in a single package.
His follow-up, Clinch moves away from (fairly) naked autobiography towards more straightforward fiction — the story of a discontented city-parks gardener who doesn't fit into the cosy Austrian society he observes at first hand. Reminiscent of Charles Bukowski's square-peg protagonist from Factotum, feckless, wiry, pint-sized twentysomething Hermann Holub (Hermann Juranek) drifts half-heartedly into a romance — and ultimately an ill-advised marriage — while conducting a slow-burning, largely passive "war" against his society's all-pervasive bourgeois values.
Rather more elusive and slick than the amiably rough-edged Slow Summer, Clinch's restrained analysis of an individual and his society cuts deceptively deep - even if its glum-faced protagonist emerges as something of a luckless, hapless, aimless doofus with a teenager's surly defiance. "All you've got to be these days is efficient," he drily observes... "that, I am."
Hats off to the Austrian Filmmuseum for restoring the two Cook films - they also have an outstanding value DVD available {link}, which contains both pictures plus his earlier mid-length work from 1972-3, Ich schaff's einfach nimmer. The same organisation is also responsible for a fine book {link} on the film-maker — half of which is in German (essays by academics and critics), half in English (Cook's own autobiography, never previously published — co-edited by Olaf Möller, whose excellent article on Cook for Canadian magazine CinemaScope is available online: {link}
The Forum's other big restoration was the documentary Araya by Margot Benacerraf, which has only been very sparingly screened - for technical and legal reasons — since its 1959 premiere. Of course, just because a movie is hard to see doesn't make it any kind of masterpiece, and while it's great that Milestone Films should have gone to so much effort to piece together the most complete version of the picture ever assembled, it has to be said that the passing decades haven't been especially kind to this much-discussed, seldom-seen chronicle of salt-harvesters in a remote coastal village.
Though strikingly shot by Giuseppe Nisoli — remarkably, this seems to be his only film credit — the film is saddled by a repetitive, near-incessant, pseudo-philosophical voiceover that reminds us, again and again and again, that "the sea is the only source of life" in these parts. It's fascinating to watch the day-to-day lives of the Araya villagers, nearly all of whom — including children — are involved in the labour-intensive business of turning salt-water into salt. But after a while the viewing experience starts to become increasingly frustrating, as Benacerraf's distanced approach keeps us at a remove from the Arayans - hardly any of whom get to express their point of view.
Instead, we get the voiceover's God-like omniscience, droning on about how "it was a land of fabulous wealth, this land where nothing changes," or, commenting on youngster Tonico, informing us that the salt-work "will be the sole memory of his childhood." Really? The sole memory? And if this is a "land where nothing changes", what happened to that "fabulous wealth"? It doesn't seem much in evidence in the hardscrabble, toil-dominated world of the Arayans. "It has always been so," we are portentously assured, and it does seem as though Benacerraf is content with a situation that strikes the present-day viewer as an old-fashioned example of labour-exploitation. Who are the unseen beneficiaries of these working practices? Who pays the wages, organises the transportation of the salt? We're never told.
And when, in the final minutes (in what amounts to a rather jarring structural "trick") modernity and mechanisation rather rudely enters the scene, the soundtrack — previously blandly melodic — gives way to harsh discord, as if what we're watching is the traumatic shattering of a peaceful, happy existence by the bulldozing forces of Progress. But what we've seen of Araya is most definitely not some kind of innocent, pre-industrial situation - rather a siren-regulated, pittance-waged bosses' paradise ("Can anyone think of choosing?" ... "Leave? Benito thinks about it. But where to?") Benacerraf's script drones on and on about the rituals of work, the fact that all life comes from the sea — but is oddly reticent when it comes to the practicalities, the finances, the Arayan's own perspectives.
Though punctuated with sequences — largely wordless — of invaluable ethnographic and anthropological interest, and moments of visual bravura (especially the 360-degree pan around fishing-boats, tracing an intricate network of labour), these do feel like the aestheticisation of poverty and perhaps even misery. Though seemingly made with sound intentions, as a means of showing the world a "hidden" phenomenon behind a taken-for-granted food-additive, Araya ultimately feels like a missed opportunity — one whose evasions and emphases might nudge even the most easy-going of viewers towards a Marxist consternation. The pill may be sugared for our consumption — but there's no masking the bitter saline aftertaste.
Half a world away — geographically and politically — from Araya's capitalist microcosm stands Stars of the Day, a Soviet Union production shown in the Berlinale's laboriously-curated Retrosepctive of 70mm movies, 'Bigger Than Life.' I'd hoped to catch several of these but in the end this was the only one I managed to see — albeit in the DDR-era splendour of the International cinema on Karl Marx Allee. This vast one-screen auditorium — complete with colossal, shimmering milky-white spangly curtain — proved ideal for Igor Talankin's sombre study of defiance and resistance set during the siege of Leningrad during WWII.
The focus is on poet Olga Bergholtz (Alla Demidova), who flashes back to her time in the city while receiving an award a couple of decades later. Bergholtz had maintained morale with a series of radio broadcasts - on the basis that "the bravest people are scared when the radio is quiet." The film is episodic and elliptical, audaciously blending realistic recreations of the brutal siege conditions (intense cold, hunger, attrition - "shall we crawl up, sisters?") with Bergholtz's poetic flights of fancy — many of the latter involving bloody episodes from Russia's past.
Built around a terrific, tough performance from Demidova, as good an incarnation of "triumphant patience" as cinema has ever found, the results resemble a cross between Andrei Tarkovsky's Mirror and Andrei Rublev — and are oddly gripping even when it's not always easy to get a handle on exactly what's going on, when, and to whom. Her face a pallid putty-green, Demidova shows us the sombre seriousness of tough lives, lived at the very edge of one's nerves, in a period of crisis painfully stretched over many months.
And while it's very much the story of an individual, there's also the strong sense of collective, community effort — in the proper Soviet style - including a touching epilogue in which real citizens are seen gathering at a war-memorial to reflect and remember. Like Billy Pilgrim in Kurt Vonnegut's wartime phantasmagoria Slaughterhouse-Five, Bergholtz is "unglued in time", seeming to exist in multiple epochs simultaneously.
From her perspective, all is dew-heavy with allegorical and symbolic significance, and while the movie occasionally threatens to buckle under the freight of deep-time historical significance, it has a dream-like airiness that unifies its disparate threads. Not to mention the sheer force of nature that is Demidova/Bergholtz: her reveries - soundtracked by rumbling, Russian-soulful chorales — a four-dimensional matrix of memories and associations, fragments shored against her ruin and the downfall of her nation. "To embrace absolutely everything... keep it close so it won't disappear."
http://www.jigsawlounge.co.uk/film/content/view/1019/1/


text:
This Tower Boasts NYC's Tallest Terraced Penthouse
Penthouse 82 at 30 Park Place is currently on the market for $30 million USD | Courtesy of 30 Park Place
Amber C. Snider
Home & Design Editor
Downtown Manhattan's 30 Park Place – a 82-story tower designed by architectural powerhouse Robert AM Stern – has recently become home to the tallest terraced penthouse in New York City.
Imagine waking up to a sweeping, 360-degree view of Manhattan every day, perched above the city on the 82nd floor. Your neighbors? Just regular New Yorkers like Matthew Perry, Yolanda Hadid and multi-billionaire real-estate developer Larry Silverstein. Lucky for you, this sprawling penthouse apartment in the Financial District offers exactly that – and it's on the market for a cool $30 million.
Interior staging by IMG
Courtesy of 30 Park Place
For those of us who can't scrape together that kind of cash, here's a peek at one of the dreamiest views in the Big Apple.
Designed by Brooklyn-born architect Robert AM Stern, 30 Park Place already holds the record for the tallest skyscraper in the downtown area. Now, its newly completed 82nd floor takes the title of Manhattan's tallest terraced penthouse, featuring four outdoor terraces with views of Midtown, the East and Hudson River, the Statue of Liberty and New York Harbor. Penthouse 82's outdoor area alone totals 732 square feet (approximately 68 square meters) – more than most New Yorkers' entire apartments.
Robert A.M. Stern-designed skyscraper
Interiors for the luxe pad were furnished by IMG, a New York-based luxury staging firm led by powerhouse designer Cheryl Eisen, and feature her signature white and beige color palette. The full-floor penthouse includes three bedrooms, 4.5 bathrooms, floor-to-ceiling windows, a formal reception hall and a living room with panoramic views. Highlights also include a library with a St. Tropez limestone fireplace, a butler's pantry (of course), a formal dining room with an adjacent family room and a 27-foot-wide master bedroom framed by double terraces that offer south, east and western views.
Living area includes north, south, east, and western views of New York City
Soaring at nearly 900 feet (274 meters) in the sky, Penthouse 82 is a record-breaking pinnacle in the downtown area. The entire building contains 157 luxury residences, as well as a Four Seasons Hotel.
Penthouse 82
Want to see more architecture in the Big Apple? Check out New York City's fifth largest tower, 3 World Trade Center, here.


text:
Q: Removing the file extension in a text file bash So I have put a load of names of files in a text file, these are specifically .log files:
ls *.log > finished_data.txt

Now that I Have the list of .log files, how do I keep the names but remove the .log extension?
My thought process is renaming them all?

A: Just loop through the .log files and move them:
for file in *.log
do
    mv "$file" "${file%.log}"
done

This uses shell parameter expansion:
$ d="a.log.log"
$ echo "${d%.log}"
a.log

A: Using rename to rename all .log files by removing .log from the end:
rename 's/\.log$//' *.log

*

*\.log$ matches .log at the end of the file name and it is being omitted by replacing with blank

If you are using prename, then you can do a dry-run first:
rename -n 's/\.log$//' *.log

If satisfied with the changes to be made:
rename 's/\.log$//' *.log

redpajama_set_name: RedPajamaStackExchange


PHOENIX — Arizona Secretary of State Michele Reagan will ask a court to allow her to intervene in a case involving fines levied against an independent expenditure group by the Citizens Clean Elections Commission, her spokesman said Wednesday.
The move is the latest battle between the new secretary of state and the commission, which has rankled many Republicans in recent years by aggressively pursuing campaign finance law violations that some believe are outside its voter-approved mission.
The commission fined the Legacy Foundation Action Fund $96,000 in November for failing to file detailed spending reports. The advocacy group ran ads attacking former Mesa Mayor Scott Smith as he was running for the Republican nomination for governor.
The Legacy Fund won an initial appeal before an administrative law judge, but it was not binding and the commission kept the fine in place.
The Legacy Fund is now appealing in Superior Court. Commission Executive Director Tom Collins said Reagan is trying to block the power of the commission to enforce election laws.
"The secretary of state has no dog in this fight," Collins said. "This is a naked attempt to usurp the otherwise undisputed authority of the Clean Elections Commission."
Reagan spokesman Matt Roberts says the commission is overstepping its bounds and Reagan and the Goldwater Institute will file to intervene in the case Thursday. He said the conservative group is representing Reagan in the case without cost to her office.
"Similar to our stance on other Clean Elections actions, we think they're getting outside of their regulatory box," Roberts said.
Last month, Reagan harshly criticized the commission for advancing new rules that require more transparency from so-called "dark money" groups that have flooded political campaigns with vast sums of cash in recent years.


text:
Mueller, House Democrats Reportedly Struggling to Agree on Parameters of Congressional Testimony
by Jeremy Silk Smith | 1:22 pm, May 21st, 2019
The House Judiciary Committee and Special Counsel Robert Mueller have reportedly been unable to come to an agreement on how much of Mueller's requested testimony will take place in public and how much of it is to stay behind closed doors.
The Washington Post reported on Tuesday that Mueller wants his public testimony to only cover subjects that come from his publicly issued Russia report. Democrats want to question Mueller about whether he thinks Donald Trump obstructed justice and to determine what the special counsel thought of Attorney General William Barr's handling of Mueller's report.
Last month, it was revealed that Mueller sent a letter to Barr outlining that he thought Barr's letter summarizing the report could undermine the public's confidence in the investigation.
"The summary letter the Department sent to Congress and released to the public late in the afternoon of March 24 did not fully capture the context, nature, and substance of this office's work and conclusions," Mueller said in his letter. "There is now public confusion about critical aspects of the results of our investigation. This threatens to undermine a central purpose for which the Department appointed the Special Counsel: to assure full public confidence in the outcome of the investigations."
DOJ spokeswoman Kerri Kupec responded to the letter by saying that Barr called Mueller.
"In a cordial and professional conversation, the Special Counsel emphasized that nothing in the Attorney General's March 24 letter was inaccurate or misleading," Kupec said. "But, he expressed frustration over the lack of context and the resulting media coverage regarding the Special Counsel's obstruction analysis. They then discussed whether additional context from the report would be helpful and could be quickly released."
"However, the Attorney General ultimately determined that it would not be productive to release the report in piecemeal fashion … the Attorney General and the Special Counsel agreed to get the full report out with necessary redactions as expeditiously as possible," Kupec added. "The next day, the Attorney General sent a letter to Congress reiterating that his March 24 letter was not intended to be a summary of the report, but instead only stated the Special Counsel's principal conclusions, and volunteered to testify before both Senate and House Judiciary Committees on May 1 and 2."
In recent days, AG Barr was held in contempt for refusing to comply with a demand for the full Mueller Report and underlying evidence. Meanwhile, former White House counsel Don McGahn has agreed to side with a White House directive not to testify.
[Image via Alex Wong/Getty Images]
Bill Barr, Donald Trump, Robert Mueller


text:
Q: Xrandr gives wrong info about screen connections? After a fresh install of Ubuntu 22.04 LTS I fail to get my second screen to work. Google does not turn up much useful, nothing that has worked yet. So after spent a couple of days searching, I decided to try to both up- and downgrade the kernel, but had no effect on this at all. I then detached the cable for the second screen (USB-C/DisplayPort) and kept only the HDMI between the comp and screen. To my great surprise, when issuing the command xrandr -q it wants me to believe I am connected through DisplayPort, which I am not.
I have not seen this talked about anywhere I have looked, but have read several reports of second screens suddenly not working after fresh installs and upgrades, and that xrandr only shows one of two attached screens etc, but no fix or cause. The closest thing would be a mention it may be an issue with the current kernel somehow.
Below is what it looks like. The first command was before I disconnected the other screen - should've shown both, the second after re-installation with that detached - this should have been shown for the HDMI-1 port...
Ideas anyone?
$ xrandr --listproviders
Providers: number : 1
Provider 0: id: 0x47 cap: 0x9, Source Output, Sink Offload crtcs: 4 outputs: 5 associated providers: 0 name:modesetting

$ xrandr -q
Screen 0: minimum 320 x 200, current 1920 x 1080, maximum 16384 x 16384
DP-1 disconnected (normal left inverted right x axis y axis)
DP-2 disconnected (normal left inverted right x axis y axis)
HDMI-1 disconnected (normal left inverted right x axis y axis)
DP-3 connected primary 1920x1080+0+0 (normal left inverted right x axis y axis) 621mm x 341mm
   1920x1080     60.00*+  50.00    59.94
   1920x1080i    60.00    50.00    59.94
   1680x1050     59.88
   1280x1024     75.02    60.02
   1440x900      59.90
   1280x960      60.00
   1152x864      75.00
   1280x720      60.00    50.00    59.94
   1440x576      50.00
   1024x768      75.03    70.07    60.00
   1440x480      60.00    59.94
   832x624       74.55
   800x600       72.19    75.00    60.32    56.25
   720x576       50.00
   720x480       60.00    59.94
   640x480       75.00    72.81    66.67    60.00    59.94
   720x400       70.08
DP-4 disconnected (normal left inverted right x axis y axis)

A: Found the issue - what is going on is beyond me though, if anyone knows, please enlighten me.
When re-installing Ubuntu I also upgraded the BIOS, and when at that disabled some stuff I don't use, amongst others support for ThunderBolt...
Turns out this is actually needed(?!) for my USB-C ports to function. After enabling it, USB-C now works again. However, Xrandr still thinks my HDMI is DP, but not an issue for me at this point;
$ xrandr --listmonitors
Monitors: 2
 0: +*DP-3 1920/621x1080/341+3840+0  DP-3
 1: +DP-1 3840/697x2160/392+0+0  DP-1


In 1 Timothy 3:12 we read that "all those who want to live a godly life in Christ Jesus will be persecuted." Woah. Maybe God doesn't want us to be happy, and only cares about us becoming godly or holy, even if it takes us being persecuted? How are we to understand this?
Does God want us to be happy? It sure seems like he would, right?
In this series of posts we're fact-checking common phrases Christians believe, and in this post there are two phrase: "God isn't interested in making you happy; he's interested in making you holy." VERSUS "God always wants me to be happy." Which is it? This takes some explaining.
First of all, God is most interested in our character, in our heart. And sometimes going through trials is the way to get to our heart. But as we have seen in previous posts in this series, the trials we go through are not necessarily from God. The world is broken and fallen, and we will have troubles in this world. God can redeem those struggles, though, as we strive to follow him in middle of our troubles. And he promises that he will be with us always. The result is that we do often grow in godliness during difficult times.
But can we grow in holiness through joy and plenty and comfort? Yes. That's why a life of spiritual practices and habits is so important. God calls us to pursue practices like prayer, biblical meditation, silent listening, generosity, and disciple-making all the time, not matter if life is going great or if it is really difficult.
So the phrase "God isn't interested in making you happy" is wrong. God DOES want us to be happy!
It is very hard to feel joy in the middle of the pain.
Is there a difference between happiness and joy? Can we be joyful while being unhappy?
Happiness is fleeting. Joy is a choice. It can be hard to distinguish the two. Especially for those who struggle with anxiety. "Consider it joy?" This means that you can use your mind to control your emotions. Happiness is an emotion, and emotions do not always tell you the truth.
Isn't that so similar to the lamenters in Psalms? In the pain they turned and ran to the Lord rather than running away from him. And when they ran to him, they brought all their pain and doubt and anger to him.
And that is a great lead-in to the next phrase we're fact-checking:God is not OK with doubt and anger.
We've referred to James 1 already. Take a look at verse 6. "When he asks he must believe and not doubt"? Wait, is doubt wrong? And later in verse 19, "be slow to anger, for man's anger does not bring about the righteous life God desires." So doubt and anger are wrong? Or are they?
Read the psalms, the laments. In them you'll find gut-wrenching doubt and anger. Raw pain.
That means we can also declare that this is a false idea. God is absolutely okay with doubt and anger.
In Mark 9:17, we read a fascinating story that relates to doubt. The disciples were trying to cast a demon out of a boy, but to no avail. The father of the boy brought him to Jesus to help.
Notice the father's response to Jesus: "I do believe, help me overcome my unbelief." We all doubt, and we all get angry. Remember that there is nothing that can separate us from the Love of God. But God's gracious love for us should also not be an excuse to just stay in our doubt or anger. Instead, God's grace should motivate us, make us grateful, to trust in him and allow our anger to subside. If you have an anger problem that keeps popping up, and you can't control it, I urge you to get professional help. It's not okay to be angry and damage people.
If you believe enough, he will heal you.
If you give enough, he will prosper you.
Basically, if you have enough faith, you'll have the good life.
You can hear preachers on TV that seem to believe this. But is it true? God definitely wants us to be faithful to him, and to grow in our faithfulness, but does he promise that he will give us riches and health if we reach a certain level of faith?
The clear response across the many books of the Bible is that we live in a fallen world! We are not going to live forever. There are accidents, diseases, and sinful choices that we make, and that others make, that affect us. The result is that sometimes we will face difficulties in this life. We might lose our job, get sick and have pain.
I get it that when we're in a difficult situation, we are desperate for answers, for explanations, for anything to help us make sense of the pain that we're experiencing. So we quickly turn it on God.
But think about that with me for a minute. Is the pain in this world God's fault?
My kids love the cartoon Phineas and Ferb, and in that show the bad guy, Dr. Doofenshmirtz, creates a new destructive ray gun every episode. He names each gun uniquely, ending with the phrase "-inator". So there is the "Destruct-inator," and the "Space Laser-inator" and the "Freeze-inator" and the "Ugly-inator" and about a hundred other "-Inators". Do we really believe that God has a "Get sick-inator" or a "Accident-inator" or "Marriage break-up-inator" or an "-inator" for all the bad stuff that can happen, and he zaps us with them?
We do that, don't we? I wonder if we do it because, while most of us don't believe in a Health & Wealth Gospel, if we are honest with ourselves, we believe it a little bit.
That's a deep question to think about.
Maybe we actually do look at health and wealth as a blessing from God. Maybe we actually do look at sickness and poverty as a curse.
But is it? Is that how God works?
Jesus has what might be a surprising answer for us in our next section of our study through Luke. If you want a sneak peak check out Luke 6:17-26, and if you're in the Lancaster area and are not involved in church family, we invite you to Faith Church Sunday morning to be our guest!
Are you feeling discontent in your relationships? Maybe you're not feeling happy about a relationship? But are you feeling joy? Is there a difference? And what does it matter?
When we are unhappy or discontent, we are very tempted to RUN! In our passage from this past Sunday, Paul says "Remain in the situation in which you were called." Over and over he says this. Remain? What if we don't like the situation? As I have said before, if it is an abusive situation, this would not apply. Get safe!
My NIV Study Bible notes summarize it well: "There is nothing wrong with seeking to improve your condition in life, but be content at every stage." There is a tension between being content and keeping his commands. Sometimes keeping his commands means we need to make a change.
We could summarize like this: Remain in the life state that you are in, but do not sin. At the root of all this is a heart that is committed to say that "Lord, your way is the best way." Keep his commands requires a heart desire that believes that following God's way is the best! "Find your satisfaction in the Lord" Paul is not saying that the believers in the church should stay as they are for eternity. He encourages slaves, if they can, to be free. But the focus is to be content in the Lord where they are at. Things may change, but the focus for now is to grow that passionate, heartfelt relationship with the Lord.
We can be so discontent about life. We can start to grow a bitterness about our station in life. Paul says that the Christians should find their contentment in the Lord. And we can grow that deep inner joy without having our circumstances change one bit.
Contentment is being able to be joyful no matter the circumstance. There is a big difference between inner and outer joy. One way to describe the difference is to look at the difference between happiness and joy. I am bit hesitant to use these two terms because they are basically synonymous. But think about them this way: happiness is that outer expression of emotion based in how we are feeling. We like happiness a lot because it means we feel good. Joy is different from happiness because it is a deeper inner state of heart and mind that is trusting in God no matter how we are feeling, no matter our circumstance, no matter our station in life. This deep inner joy, this contentment is what Paul is saying the Corinthians believers need.
What are you discontent about? Your marriage? Your singleness? Your job? Your finances? The state of the world? Paul is saying that we should be a people who avoid rushing to change, but instead remain as you are, be content, find that deep inner joy in obeying Christ, and commit yourself to grow in your relationship with him. Here's what's interesting about contentment. It is okay to allow the deep inner joy of contentment to bubble up to the surface of your life and overflow with emotional outward happiness. We should never confuse that outward emotion for the inner real thing. But it is okay to be outwardly happy. I would go so far as to say that when we are content in Christ no matter our situation, we will see that outward happiness, that outward rejoicing on a more regular basis! And it starts with a contentment in our relationship with Christ.
What will it mean for you to grow contentment in the Lord?