text:
The Cinemas of Interactions: Cinematics and the 'Game Effect' in the Age of Digital Attractions
Deniz Johns and Simon Payne
Gde Mama? ("Where's Mother?"): Russian Resurrection Film Festival
Jean Cocteau by James S. Williams
Rosenblatt, Jay
Contemporary British Experimental Film & Video
The Man Phoning Mum, John Smith (2011)
Reflections on Contemporary British Experimental Film and Video
The essays that we have collected together here offer a partial reflection on contemporary experimental film and video in the UK. Other writers would undoubtedly shed light on a range of works and trends that are not covered here. Happily, and largely by coincidence, the essays here coincide with various recent and upcoming surveys of contemporary artists' film and video. MIRAJ (Moving Image Review and Art Journal) has just put out a call for essays on '50 years of British Artists' Moving Image'; in November (2015) at the Whitechapel Gallery in London there was a two-day conference on 'artists' moving image practice in Britain: from 1990 to today'; at present the British Film Institute is hosting a series of programmes that marks the 50th anniversary of the London Filmmaker's Co-operative; and in 2013/14 Tate Britain hosted Assembly: A Survey of Recent Artists' Film and Video Made in Britain 2008-2013. Added to these events, key texts such as A.L. Rees' A History of Experimental Film and Video (London: Palgrave Macmillan, 2nd edition, 2011) and David Curtis' A History of Artists' Film and Video in Britain (London: BFI, 2006) document the longevity of UK scenes, which constitute a tradition, albeit divergent and sometimes fractious. Experimental film and video is internationalist, perhaps more so than any other form of cinema, but there is a constellation of activities in the UK, especially London, which have made it a geographical focal point.
A term that seems to have had currency recently is 'artists' moving image', a liberal and inclusive label that spans feature films by contemporary artists (or rather directors?) such as Steve McQueen and Sam Taylor-Wood, through to the range of moving image works made by any number of artists that are destined primarily for gallery exhibition. To our minds the term 'artists' moving image' is a marketing ploy, used in the context of publicity machines, attached to cinema and contemporary art alike, to advertise something seemingly new. Describing an artist's practice as one that centres on 'moving image' is to say almost nothing about it in terms of what the work might constitute, how it might be experienced, what aesthetic language it might adopt and to what history it contributes.
We have plumped for 'experimental film and video', which has its drawbacks but also signals something important: primarily the fact that something of the medium (meaning everything from the particular characteristics of the technology through to the spectator's engagement) is put to the test in some way. The work that's covered under this label sometimes stretches the definition, given that it doesn't always involve film or video at all; the use of light, time and sound in other ways (as in the light performances of Laura Wilson or sound pieces by David Cunningham) is often brought into the fold. Paradoxically, an experimental approach to film, video and other time-based media, has a longer tradition than any other set of practices using film, video and moving image technology for specific ends. It is a tradition that runs in parallel with the history of cinema in general.
The practices that are discussed here clearly relate to histories and precursors. Patti Gaal-Holmes' recent book A History of 1970s Experimental Film: Britain's Decade of Diversity (London: Palgrave Macmillan, 2015) looks at figures active in the 1970s whom she sees as having been marginalised by other histories. The essay here, which covers four filmmakers who came to prominence in the 1970s and have continued in their practice, in fact focuses on canonical figures. Highlighting the significance of international exchange in experimental film and video, Steven Ball's essay charts cycles of influence between the UK and Australia. The presence in London, at different times, of Sue K. and Sally Golding, to name two individuals, has been a significant catalyst for adventurous programming. Nicky Hamlyn's essay is a characteristically detailed account of two filmmakers' work, with far reaching ideas concerning filmic vision that spring from having a long interest in the work of his peers. Simon Payne's essay looks to the idea of negative aesthetics in various film/ video-makers' work, as a recurring and common point of departure.
A significant factor in experimental film and video in the UK, and elsewhere too, is the range of collaborative and co-operative efforts in the field. The London Filmmakers Co-op and later London Electronic Arts involved a significant relationship between film/video making practices and screenings/distribution. After the collapse of The LUX Centre (in Hoxton Square) in 2001, the organisation no.w.here, which inherited its film processing and printing equipment, filled a significant vacuum for ten years, hosting a diverse array of screenings and events as well as providing access to filmmaking resources. When LUX was reconstituted in 2002, production dropped from its remit, to be replaced some years later with its 'associate artists scheme', a course run along the lines of a finishing school for recent fine art graduates, with a list of aims including the 'application of critical discourse as the main tool for achieving development'. 1. For no.w.here, run by Karen Mirza, Brad Butler and James Holcombe, the trajectory has involved the promotion of practices that are 'socially-engaged'.
More recently, ad hoc, informal organisations have come to the fore. They are largely artist-run groups (including Analogue Recurring, BEEF [Bristol Experimental and Expanded Cinema] Contact, Collective-iz, Nightworks and Unconscious Archives) which have focused on collaborative approaches, especially to programming and publicising work. None of these groups has an economic model that would make any sense in wholly commercial terms. On the contrary they run on the enthusiasm of individuals committed to fostering approaches to making and screening work with ends that are impossible to second guess.
Each of the essays published here are by writers who are also filmmakers (whose activities also involve programming and pitching in with the organisation of screenings, exhibitions and events). Part of the responsibility of makers in the field has often, it seems, been to write about it. Hence the writing of British film/video-makers including Peter Gidal, David Hall, Nicky Hamlyn, Malcolm Le Grice and numerous others. Certainly the best writing on experimental film and video in the UK has been penned by those sharing a perspective with its practitioners – a perspective that, at its best, makes for writing with a position.
See http://www.lux.org.uk/education/aap ↩
Two 'Machine' Films: About Now MMX and Ex Library
Negative Light: Contemporary British Experimental Film and Video
Simon Payne
Nicky Hamlyn


A public-private partnership announced today between the U.S. Department of Health and Human Services' Office of the Assistant Secretary for Preparedness and Response (ASPR) and Janssen Research & Development LLC, will drive advanced development of an entire portfolio of innovative products to prevent or treat infections caused by emerging infectious diseases, including influenza viruses with pandemic potential.
Through this partnership, the first of its kind for emerging infectious diseases and pandemic influenza preparedness, the Biomedical Advanced Research and Development Authority (BARDA), a component of ASPR, and Janssen will jointly oversee and share the cost of developing new approaches to address influenza, a formidable threat to national security and public health.
The portfolio initially will include an anti-influenza small molecule drug and a universal influenza vaccine, among other products in development. The partners will collaborate on decisions about adding or removing products from the portfolio.
Under the agreement, BARDA will provide up to $43 million in the first year and potentially up to $273 million over five years. Janssen Research and Development will provide an equal investment.
Initially, the portfolio will include development of a potent small-molecule drug known as JNJ-5806. Small molecules are substances that can enter cells easily because of their low molecular weight. Once inside the cells, studies suggest that JNJ-5806 may interfere with an influenza virus' ability to reproduce its genetic code and spread in the body. In clinical trials, this molecule worked against influenza virus types A and B, including influenza A viruses with pandemic potential.
The portfolio also will include development of an innovative influenza vaccine with the potential to protect against a broad range of seasonal and pandemic influenza viruses. The vaccine is being designed to act on a part of the influenza virus that seldom changes. If this approach is successful, the vaccine potentially could become a so-called universal vaccine.
Additional products in the portfolio include therapeutic monoclonal antibodies, while new products could be added to meet U.S. public health and biodefense needs.
Rather than a standard agreement, ASPR and Janssen Research and Development will collaborate under an agreement allowed by "other transaction authority" which was granted to HHS under the Pandemic and All Hazards Preparedness Act of 2006. The other transaction agreement provides a funding and collaboration vehicle to promote innovation in technology for advanced research and development.
This partnership is the fifth that BARDA has formed using other transaction authority. All of the partnerships focus on developing new products to address chemical, biological, radiological and nuclear (CBRN) threats, pandemic influenza, and of other emerging infectious diseases.
As a division of ASPR, BARDA takes a comprehensive integrated portfolio approach to advanced research and development, innovation, acquisition, and manufacturing of vaccines, drugs, diagnostic tools, and non-pharmaceutical products for CBRN and naturally occurring public health medical emergencies. ASPR partners with other federal agencies, in particular the National Institutes of Health, as well as private industry to develop medical products needed to mitigate the health effects of disasters and other public health emergencies. Potential products may transition from basic research and early clinical trials at NIH to BARDA for support of the advanced development necessary to support approval or licensure by the U.S. Food and Drug Administration.


A medical center in Doha has opened the fresh opening of candidates for the nurse job position with the specific set of requirements needed for it. Below are the details of the job position for you.
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Send your complete updated resume on rhfosgate@yahoo.com.
You can also contact us at: +974 33116583 or +974 4436 7374.


text:
Хорошенский — хутор в Нехаевском районе Волгоградской области России, в составе Упорниковского сельского поселения.

Население — .

История
В середине XIX века - хутор Хорошенков станицы Тишанской Хопёрского округа Земли Войска Донского (с 1870 — Область Войска Донского). В 1859 году на хуторе проживало 97 душ мужского и 102 женского пола. Население хутора быстро увеличивалось. По переписи 1873 года на хуторе проживали уже 229 мужчин и 224 женщины, в хозяйствах жителей насчитывалось 296 лошадей, 240 пар волов, 782 головы прочего рогатого скота и 1741 овца.

Согласно переписи населения 1897 года на хуторе проживали 372 мужчины и 366 женщин. Большинство населения было неграмотным: грамотных мужчин — 172 (46,2 %), женщин — 35 (9,6 %).

Согласно алфавитному списку населённых мест Области Войска Донского 1915 года земельный надел хутора составлял 4814 десятин, проживало 294 мужчины и 283 женщины, имелись хуторское правление, церковь и церковно-приходская школа.

С 1928 года — в составе Нехаевского района Хопёрского округа (упразднён в 1930 году) Нижне-Волжского края (с 1934 года — Сталинградского края). Хутор являлся центром Хорошенского (Хорошинского) сельсовета
С 1954 по 1957 год район входил в состав Балашовской области. В этот период хутор был включен в состав Упорниковского сельсовета
.

География
Хутор расположен в пределах Калачской возвышенности, на реке Акишевке (правый приток реки Хопёр), на высоте около 110 метров над уровнем моря. Почвы — чернозёмы южные

По автомобильным дорогам расстояние до станицы Упорниковской - 9,1 км, до районного центра станицы Нехаевской — 17 км, до областного центра города Волгограда — 350 км.

Часовой пояс

Население
Динамика численности населения по годам:

Примечания

Населённые пункты Нехаевского района

redpajama_set_name: RedPajamaWikipedia


Pilot: Lt.Tsuyoshi Nagai. Soryu carrier. Pearl Harbor Attack, On 7th December 1941. The first wave. Its torpedo hit the light cruiser USS Helena at TenTen pier. Some artists did Nagai's plane as BI-311, but it is not confirmed.
Soryu carrier. Pearl Harbor raid, December 7th, 1941.
Soryu carrier, Pearl Harbour attack, December 1941.
Source: "The Nakajima B5N Kate" by Dr.M.F.Hawkins, Profile No.141, Profile Publications Ltd. P.O.Box 26, 1a North Street, Leatherhead, Surrey, England.
The crew were PO Haruo Sato (pilot), PO1c Noboru Kanai (observer) and PO2c Yoshikazu Hanada (gunner/radioman). Soryu carrier. Pearl Harbor raid, December 7th, 1941.
The crew of this machine was PO1c Kiyoshi Shintani (pilot), Lt. JG Sadao Yamamoto (observer) and PO3c Shiro Suzuki (gunner/radioman). Soryu carrier. Pearl Harbor raid, December 7th, 1941.
BI-323, a Model 3 from the Soryu in October 1941. Pilot: PO Haruo Sato. At this time the fleet strike force was involved with intense training for the upcoming Pearl Harbor operation. The color is overall I3. Later, Soryu and Hiryu B5N2 applied a thinner green color on upper surface.
Hiryu carrier. Pearl Harbor Attack, On 7th December 1941.
Pilot - PO3c Yasumi Oku. Hiryu carrier. Pearl Harbor Attack, On 7th December 1941. The first wave. Its torpedo hit the USS West Virginia.
Pilot - PO3c Takuro Yanagimoto. Hiryu carrier. Pearl Harbor Attack, On 7th December 1941. The first wave.
Probably it took part in raid against Darwin, Australia in February 1942.


text:
22 May Abarth Celebrates turning 70
Posted at 20:54h in Media
Carlo Abarth (1908-1979) founded Abarth & C. on 31 March 1949, establishing a genuine legend of style and performance expressed through record-breaking cars, revolutionary tuning kits and legendary races. The company achieved 10 world records, 133 international records and more than 10 000 wins on...
27 Jan High 5 for VW People Pavilion
In December last year, Volkswagen Group South Africa's multipurpose PeoplePavilion in Uitenhage celebrated its 5th anniversary. Since officially opening its doors in 2013, PeoplePavilion has welcomed nearly half a million visitors who have attended various events such as sporting matches, exhibitions, conferences, birthdays and weddings....
30 Nov Fmm Bugattis at Val De Vie
Following on from the SA Historic Grand Prix Festival taking place in East London on 25 November, there will be a garden party at Val de Vie on December 1-2 where the participating overseas and local grand prix cars from the 1934-39 era will be...
23 Jul Datsun museum opens
As Datsun celebrates the fifth anniversary of its return to SA, the Datsun Heritage Museum has just been opened in Bothaville in the Free State. Owned by car enthusiast Freek de Kock, the museum has a collection of 118 Datsun and Nissan vehicles including a...
29 Mar Mustang goes wide
Riding on the back of Mustang's ongoing strong local sales performance, Shelby South Africa has introduced a new concept in Ford's legendary pony car's 52-year history – the Wide Body. Based on the Shelby Super Snake, the Wide Body conversion is aimed at increasing grip...
28 Mar Schumacher Display
From 16 June 2018 onwards, The Michael Schumacher Private Collection, including cars, race-worn helmets and other memorabilia from his F1 days, will be displayed at an old airport in the Germany city of Cologne. Schumacher's family fiercely protects his privacy after a near-fatal brain injury...
22 Sep Road To Race
ROAD TO RACE Road To Race is a new South African tuning house offering a line-up of Ford Rangers and a Mustang that have received a significant level of re-engineering to deliver a unique range of bespoke performance Fords. In collaboration with SA car and boat racing...
25 Aug James Hull car collection
£100 MILLION TO SPARE? A car-obsessed dentist who has amassed Britain's biggest private car collection is selling the whole lot for £100 million. James Hull, 53, who founded the James Hull Associates chain of dentists, owns more than 450 rare and classic cars. With cars represented...
02 Jul Nation-wide Early Ford Survey
Mike Leisegang, Chairman of the Model A Club of South Africa) is conducting a survey gathering information on what early Model Fords are still in South Africa. For those of you who own or drive early model Fords, please e-mail Mike at club@modelaclubofsouthafrica.com to obtain a survey...
27 Mar Fiat Chrysler launches new Alfa Romeo Giulia at FMM
Posted at 05:11h in Alfa Romeo, Media
Plaaspad, FMM's test facility on the L'Ormarins Estate, has been a venue for some recent new car media launches and the latest company to make use of the facility was Fiat Chrysler Automobiles South Africa, who introduced the new Alfa Romeo Giulia to the mainstream...

redpajama_set_name: RedPajamaCommonCrawl


text:
Nacho Libre (HD DVD)
September 21, 2008 March 5, 2011 Cidtalk
Somehow I was hypnotized by the image of Jack Black in a leotard and cape. That's saying a lot about a DVD cover. It's a fun, colorful package with menus that are borderline comic book style, which I love, and have some lines from the movie piped in to give them a bit more life.
Audio Commentary With Jack Black, Jared Hess and Mike White – I'm sure it's just me, but Mike White and Jared Hess seem somewhat pretentious in a boring kind of way. I'm not sure what the means exactly, but if you listen to the commentary or watch the extras featuring the cast and crew, you might know what I'm saying. Something happened to these boys when their initial introductions onto the Hollywood scene, School of Rock and Napoleon Dynamite hit it big, like it went to their artsy-turned-Hollywood filmmaker heads and they don't have the kind of charm I wanted to find falling from their mouths. So, this commentary didn't hold my interest for long. Jack Black is funny, as always, but that's not enough
Behind The Scenes Featurette's – Jack Black does wrestling training…oh my. Along with seeing Mr. Black in his tights, sweaty and strong and sexy..oh, sorry, I digress, this feature unfortunately flashed some light on the writer and director illuminating some things I didn't want to see. "Unfortunately?" You ask. Well, Jared Hess was a mystery to me, even after Napoleon Dynamite and all the mega press that came after it. I had never seen him in an interview or even see him at all to be honest. This behind the scenes just, hmmm, how do I put this? He seems like a nice enough guy, with a decent sense of humor and all, but he's got that snobby artist "I'm a beatnik groovy filmmaker with a quirky style (nose slightly in the air) to appeal to the cute little people who think they understand my humor, and academic types who chuckle at my brilliance." Yea, it's amazing how I got all that from the little bits and pieces on this feature:) I thought I might have been judging too severely, but when his wife was talking and made a couple of comments with that feigned modesty about how since Napoleon was so popular..blah blah blah, and then how Nacho Libre will appeal to the Napoleon crowd and how it's got Jared's style all over it…etc. I just found it disappointing in some way. Other than that, eh hem, it's a good extra with a lot of Jack Black in his tights, sweaty and strong, and sexy….:)
Jack Sings Featurette – Jack Black does a couple of little songs in the movie that his character composes, and even though it seems like they are totally ad-libbed, this extra shows how hard he and his writer partner Mike White work to write them to fit in just right. The party song is the funniest, and very likely the most memorable part of the movie, so it's fun to see how it evolves from a few lines and random thoughts to the classic Black performance of a tune that will haunt your mind for several days.
Deleted Scenes – I think you can tell a lot about a finished film by the deleted scenes. Call me crazy, I can take it, but sometimes you see the deleted scenes and think they wouldn't have made a difference either way, in or out, but they have some substance and are up to the same quality as the rest of the film. Sometimes you can see why they are cut out for time or repeated story elements, but the quality is still pretty much up to par with the movie as a whole. These deleted scenes are almost embarrassing in some way. The sense of humor is tilted just that much too far that makes them not funny in an uncomfortable way. I felt bad for all the people who took the time to make these scenes and the money it cost to put them on film…harsh, but honest. I think they would have been dead weight in the movie, and then I think of some other scenes that did make it in the film, and wonder why this one made it in and this one didn't.
Promo Spots – These make Nacho Libre look like a total kid's movie, which is fine since it was made by Nickelodeon Films.
Photo Gallery – Photos
Theatrical Trailer (HD) – This makes Nacho Libre look like a film by the guy who made Napoleon Dynamite, which is true.
The box says it all, "If you like Jack Black, you'll like Nacho Libre". Without this comic bundle of energy this movie would hit the mat faster than you can say double-twisted-backspank-turnover (not a real wrestling term, by the way). Mexican wrestling, orphans, sexy nun, and chubby fryer with a perm, and a skinny guy with a big smile, these are the elements that come together in this story written by Mike Black and Jared Hess. Gosh, I'm already stuck for something to say that isn't at least somewhat negative.
Jack Black is funny as hell. His bravery alone, wearing those tights without hesitation, is worthy of a standing ovation. I like a man with a bit of meat on his bones (don't tell my tall lean husband:)Along with embracing his character's physique, he does a fine job of doing a comedy version of a Mexican accent. Our friends south of the border might disagree, but I said COMEDY version, so give him some latitude.
As Black does his dandiest to keep every scene lively and going in the quirky direction that Hess, the director, is so fond of, Nacho Libre falters more than enough to make my mind wander occasionally. Between the awkward moments where the rest of the film falls into little unsalvageable cracks, Black's shining smile and enthusiasm does bring a big grin to my otherwise un-amused cheeks. I'm always craving some kind of special touch when it comes to characters and how they interact with each other. And while there is quite a bit of interesting dialogue, somewhat funny, it never really hits the spot. Dare I say the writer and director were trying too hard to recapture their previously eccentric successes? The look of the film is amazing with so much color, great sets, amazing shots composed with that lovely artistic design in mind that I love. Ok, that's a positive thing I can say about the film makers, they did a great job making this movie look fantastic. As we all know, that's what makes a story real dang funny.
The wrestling is cool. It's not my scene, but it's entertaining in a crazy way. For our cute little man of God, his aspirations to be a famous wrestler interfere with his need to serve the orphans he's responsible for feeding everyday. He's torn between being the holy dude he's always been, and the glory that follows the famous wrestlers in and around his village. It's a nice story, until the sexy nun enters the picture. All of sudden it felt manufactured and not so charming.
The side kick enters as a combo Mowgli/Aladdin character who goes on a journey of training and wrestling glory with our hero. There is a hint of Laurel and Hardy, but not enough to jump out and bite ya, in fact it might be my imagination. Then again, I was not that consumed by the movie so my mind did tend to wander.
The foe in the movie is Ramses, and he's not that big if a deal really. He wears a gold mask and has chicks hanging off his bulging arms, but he's not much of a "bad guy" if you want to call him that. He growls a lot if that turns your crank. The one thing about Ramses that did win me over was the song that Black ad-libs at a party in Ramses' honor. Now that was funny. It's over the top and a tiny bit awkward, but the most memorable scene of the movie.
So, it's kind of funny, looks great, but it's all trying a bit too hard and failing to do that thing where the story is ever-so-delicately obscured enough by the idiosyncrasies of the characters to tip that balance of becoming an odd but wonderful movie experience.
Jack Black rocks those tights though!!
I understand the appeal of HD DVD. I get that it looks a bunch better, sounds better, etc. It is nicer to look at, yes. Does it mean you should shell out around 30 bucks for Nacho Libre to get a better look at the lovely fleshy belly of Jack Black in truly amazing color and detail? No. The extras are pretty good, but not enough to bump up the price. If you can find the standard version for $10 or so, that would be a fair investment (good luck). Or, better yet, rent it and spend the extra money on your own pair of tights and a cape:)
Mission Impossible Ultimate Missions Collection (Blu-Ray & HD DVD)


I've been a member of the North Carolina Executive Roundtable (NCER) for several years. I don't know of a better organization for executives in the area. The organization holds monthly meetings with excellent speakers who are informative, educational, and engaging on subjects of interest to executives of companies large and small. The members and guests of NCER are friendly and interested in establishing long-term professional relationships. The unique attribute of this organization is that members encourage collaboration and cooperation to serve the needs of customers of members. Members attend members-only meetings to get to know each other better and provide input to the board of directors. Although NCER is not strictly a networking group or a place to "sell" your business, NCER has been instrumental in my getting quite a bit of new business through referrals. Members of NCER care about the success of the members' companies and offer constructive advice when requested. The coffee chats have been invaluable for my professional growth and the advice that I have received has helped my business navigate through the current volatile business climate. I consider it a great honor and privilege to be part of NCER.
NCER is many different things. It's where executives come together to share their breadth of knowledge, experience, and ideas to strengthen and support one another. It is a place to discuss business issues, gain valuable insights and perspectives, and explore alternative approaches among peers. It's also a place to learn from professionals and experts in many subject areas, offer advice and counsel to others, expand business connections and build enduring friendships. NCER is a place where what you know, what you've done, and the lessons you've learned along the way can make a tremendous difference and be an encouragement to others.
I was officially appointed today by Governor Pat McCrory to serve on the North Carolina Mental Health Developmental Disabilities and Substance Abuse Services board. This appointment happened directly due to a NCER luncheon from earlier in the year. I happened to sit next to Valerie Johnson, a visitor that works for the NC Boards and Commissions. She was a guest of Olalah Njenga. As we talked, she shared this opportunity, asked of my background, and invited me to submit for the role. I am very grateful to her and Olalah for bringing her. NCER has grown into a great organization and we can never know the opportunities that may avail themselves when we actively participate in our events.


text:
Submit your solutions for the Climate Change Challenge 2020
Mohammed bin Rashid Initiative for Global Prosperity is seeking applications for the Climate Change Challenge 2020. How can communities move towards a low-carbon circular economy by eliminating waste and utilizing existing…
Manasa Ram Raj
Call for Application: Humane Studies Fellowship
The Humane Studies Fellowship is a non-residency, renewable award of up to $15,000 per year to assist students enrolled or planning to enrol in full-time PhD programs. The Institute for Humane Studies will also offer one $30…
Call for Application: Atlantic Fellows for Social and Economic Equity 2020-21
The Atlantic Fellows for Social and Economic Equity programme is a transformative experience that emphasises learning, connection and reflection. For both Residential Fellows and Non-Residential Fellows, the fellowship…
Call for Application - Wilson Centre Fellowship Program 2019
9-month residential fellowship by the Wilson Center invites scholars, practitioners, journalists and public intellectuals to conduct research and write in their areas of interest while interacting with policymakers in…
Change . org
https://www.change.org
Spiritedsoul
The Elizabeth Neuffer Fellowship for Women Journalists
The Elizabeth Neuffer Fellowship is open to women journalists worldwide whose work focuses on human rights and social justice issues. Journalists working in print, broadcast and/or Internet-based media, including freelancers…
Upcoming Fellowship for 2020: Eisenhower Fellowships' Global Program
THE 2019 GLOBAL FELLOWSHIP APPLICATION IS CLOSED. PLEASE CHECK THE WEBPAGE (link given below) IN SPRING 2019 FOR DETAILS ON 2020 RECRUITMENT. Each year, Eisenhower Fellowships' Global Program seeks diverse, dynamic doers…
Upcoming Fellowship for 2020: Maurice Greenberg World Fellows Program
The Maurice R. Greenberg World Fellows Program is a four-month, full-time residential program based out of Yale's Jackson Institute for Global Affairs. Applications to the Program are accepted from across sectors and around…
MBA Grant for Women - Forté MBA Fellowship 2019
The Forté Fellows Program was created with the intention of increasing the number of women applying to and enrolling in MBA programs by offering fellowships to women pursuing a full-time, part-time or executive MBA education…
Call for Nomination: Maurice R. Greenberg World Fellows Program by Yale University
The Maurice R. Greenberg World Fellows Program enables extraordinary individuals, from across the globe and from diverse disciplines, to increase their capacity to make the world a better place. Each year, the Program…
Kluge Fellowship for Humanities and Social Science Research
The Kluge Center encourages interdisciplinary and cross-cultural research to the Kluge Fellowship program. The fellowship is open to scholars in the humanities and social sciences with special consideration given to those…
Lead2030 Challenges/Grants
Applications are now open for hashtag#Lead2030 - One Young World's new program to fund and support youth-led initiatives to achieve the SDGs. For more information, criteria, and application form, please visit: https://…
Jill Langhus
Learn skills and stop begging
I am looking for funding for people who are begging on road, do not have skill, illiterate and lazy. For them it is important to learn skill to earn even though the are uneducated but they are human and ever human being has…
LessonofLife
Community Weaving
i will provide the service of different lectures. Community Weaving. Stress Management. Leadership. Stress ofFemalesHeath Workers. so on.
Naveed Ali Qureshi
Start A Chapter In Your State or Country
Start a Chapter in your State or Country as an umbrella under the Gift Of A Helping Hand Charitable TR. Be A Voice by starting a Chapter to provide food, clothing, shelter and education for the needy. Go to our website at…
Start A Chapter In Your Country Or United States
Any willing to set up a Chapter as an umbrella under the Gifts Of A Helping Hand Charitable TR in your Country or the United States can go to our website at www.tgoahhct.org , click on the Career Tab and under Program…
Raising 1 million Dollars to sponsor Education, Domestic Violence & Sexual Abuse
We are raising 1 million dollars to help sponsor and support our educational training program to Foster domestic violence, sexual abuse, sexual harassment, career empowerment and financial training, food nutrition and…
Vilonce Against Women
In Search of Justice' (ISJ) is a non-profitablewelfare organization. Currently ISJ is working on a project to stop violence against women after the shocking incident happened on 27 October, 2017 in Dera Ismail Khan, Pakistan…
Salma Malik
Sure life to education for illiterate women and girl.
$10,000 is needed by gracetosurelife to start a home based women adult education center for leaning and banding all the required educational certificate that situational discrimination has eluded us.
gracetosurelife
Remove Economic Power filter Economic Power
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We work with clients who live here in Texas as well as those out-of-state clients needing representation in San Antonio, Bexar County, Texas for family law issues.
Listed by the San Antonio Scene Magazine in the Best of 2012-2016 Family Law Lawyers and as being among the Best of San Antonio by the San Antonio Current, the law firm of Dossmann & Mercado, PLLC, is well known for providing exceptional legal representation. The foundation for that recognition is found in the strong relationships we build with our clients.
In addition to our base in the San Antonio, Texas area, our firm serves clients from across the nation who need family law representation here in Bexar County. Out-of-state clients seek us out because they know we have significant experience in protecting the rights of clients who do not live in the state of Texas, yet still require legal services in Bexar County for family law issues such as child support and other divorce-related matters.
You will be able to rely on our seasoned legal judgment with confidence. Our firm holds more than four decades of combined experience. We have been down these roads before many, many times.
That experience enables us to provide you with legal solutions tailored to your individual circumstances. Even when the law is uncertain or still-developing, we know how to advise you so you can choose from your options wisely.
Part of that experience includes knowing how to work with families in difficult situations. You can depend on us for objective guidance so you can make effective decisions even when emotions are running high.
Dossmann & Mercado was listed by the San Antonio Scene Magazine in the Best of 2012-2016 Family Law Lawyers and has also been named among the Best of San Antonio by the San Antonio Current.
Call our office at 210-951-4112 to schedule your appointment with us. You can also reach our attorneys online.


A 55-year-old man was killed after a double collision that took place in Saint-Denis-de-Brompton in the Eastern Townships Tuesday afternoon.
The man was driving on Route 222 around 4:40 p.m. when he loss control of his car, and slammed into a vehicle coming in the opposite direction.
A third vehicle subsequently crashed into the man's car.
The man was declared dead on arrival at the hospital.
Two other women involved in the accident suffered serious injuries.
The Sûreté du Québec is investigating.


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Which Greek Island Is Best for You
Greece has more than 6,000 islands and islets, making the choice for where to go on your next vacation to the Mediterranean a competitive one. Looking for love? Adventure? Nothing but beaches? We've got you covered.
By Katherine LaGrave
Perfect for: digital detoxers; solo travelers
A mere two hours from Athens by hydrofoil, Hydra remains blissfully free of wheeled vehicles. That's right—no cars or scooters here. Instead, you'll find cobblestoned streets traversed by mules and donkeys, immaculate stone mansions, and picturesque, harbor-side cafes that have drawn everyone from actress Sophia Loren to Grammy winner Leonard Cohen, who owns a villa on the island.
Perfect for: beach-hoppers
Greece has more than 8,500 miles of coastline, so sand-and-surf fiends have no shortage of places to put their towel. Still, of the Greek islands, Kefalonia is one of its beach meccas, and Myrtos Beach, which sits between two mountains, is its most famous. Cinephiles will recognize the island from its onscreen time in 2001's Captain Corelli's Mandolin, which was filmed here.
Perfect for: night owls; culture vultures
Mykonos' reputation precedes it—and for good reason. While most of the Greek islands are laid-back enclaves, this cosmopolitan Cycladic island can satisfy any and all of your nightlife needs, from surfside lounge bars to wild clubs. Mykonos also has a burgeoning art scene.
Perfect for: foodies
Off the coast of Turkey, Lesbos in recent months has been best known as a landing point for Syrian refugees. Yet among Greeks, Lesbos is considered one of the best places to eat in the country: Come for the seaside tavernas and mountain eateries; stay for the ouzo, Greece's trademark alcoholic drink, of which Lesbos is one of the most famous producers.
Perfect for: adventure-seekers and the outdoorsy sort
Deriving its name from Icarus, who in Greek mythology fell into the sea nearby, Ikaria is primarily mountainous, which makes it an excellent island for walking and hiking. (The island's network of paths, known as monopatia, will take hikers from coast to coast, through oak and pine forests, and from one mountaintop to another.) Post-hike, relax in the mineral bath houses at Therma, whose waters reputedly have curative properties.
Perfect for: romantics; travelers comfortable with crowds
Santorini is no secret, sure, and is immensely popular. But every so often, even well-known tourist attractions can actually live up to their reputation—and a sunset over the caldera is hard to beat. During the day, visit a winery, relax on some of the world's most colorful beaches, or venture offshore for a tour of the volcano.
Koufonisia
Perfect for: off-the-grid enthusiasts; introverts
Koufonisia is technically a small group of two islets, Pano Koufonissi and Kato Koufonissi, the latter of which is unpopulated. Visit Panagia, Detis, and Nero beaches on Kato Koufonissi for complete isolation, or tour the island by boat to see its existing sea caves, which initially gave discoverers the impression that the island was hollow (Koufonisia means "hollow islands").
Perfect for: history buffs
Rhodes, the largest of the Dodecanese, has been famous since antiquity for its Colossus of Rhodes, one of the Seven Wonders of the World. Today, it's most known for its Old Town (a UNESCO World Heritage Site) and the 14th-century Palace of the Grand Masters, which was once a Turkish prison.
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