Well, first of all, I would like to sincerely thank everyone here at Berklee for bestowing this great honor on me. It is probably the most meaningful recognition I have ever received, and I am really proud and flattered to be standing in front of you here today.
When I think back at the time that I was here at Berklee, it is always with fond memories and good feelings that make it even more special for me. Well, I have never had to give a speech before. I guess like most of you, pretty much all of my waking hours, since I was twelve or thirteen years old, have been consumed with the nuts and bolts of trying to learn about music. That vast, endless and infinite task; a subject, that for me, that has proven to be absolutely, a full-time job.
Any speeches that I have ever had to make in the past, have generally been focused on whether or not it really is a good idea to try to work that B natural into that G minor seven chord. But, I am gonna try and do my best today.
My connection to the Berklee school, goes back to January of 1974, when I was 19 years old. I was asked to take a position on the guitar faculty by Gary Burton, who had seen me teaching and playing at various jazz festivals and band camps around the country. And even though I was really just a kid, he seemed to feel that I had something to offer the school, and recommended me to the provost at that time, Bob Share, who was truly a great person. He gave me a job and I moved here to Boston.
Having grown up in the small town of Lee's Summit, Missouri, at the time I moved to Boston, I had never really lived on the East Coast, in an urban environment. And although I had quite a bit of playing experience by that time, in Kansas City and later Miami, I had certainly never seen so many good players all in one place—like here in Boston.
The level of musicianship of the students and the teachers around Berklee then, like now, was quite inspiring and really amazing for me, coming from this little town in Missouri like I did. I think the first few years I was in Boston was probably the time that I developed, and crystallized whatever style I had. That was largely due to the incredible, stimulating musical environment that was Boston, at that time.
Honestly though, looking back on it now, I was far from a great teacher. I guess, to my credit, I realized this very quickly. I had no delusions about it, and I actually didn't teach very long, just a couple of semesters. And that is because, at the time, I was totally involved with trying to figure out a way of doing things with my instrument musically, that would fit the ideas that I had in my head. And I was deep in that zone of practicing almost constantly.
When I was actually teaching, most of my lessons consisted of me relating whatever thing it was that I happened to be working on, myself, right then, to the guy whoever happened to get assigned to me. And whatever I figured out by that time, I tried to show to everyone else. In retrospect, that is probably not the best way to go about being a teacher, but I was trying as hard as I could to do the best that could.
Since I've been given the honor today, and the responsibility that comes with it, I should try and use this opportunity to relate to y'all, some of the things that I've noticed to be true since my days here at Berklee. So to keep my own little Berklee tradition going here, I am going to do it sort of like I used to do my lessons. It is going to be like, "O.K. you guys, this is what I figured out so far."
So, for what it's worth, here's a couple things. When I do look back on the past twenty years or so, the main thing I have to acknowledge is, just how unbelievably lucky I personally have been, to see so many of my musical dreams come true like they have. I have had the opportunity to play with many of the greatest musicians on Earth. I've gotten some nice awards, and recognition from my peers, even the general public. And mainly, in the cultural context that we live in, maybe most surprisingly, I have been able to survive and have as life playing creative music at a high level.
Any one of these things would have been beyond my wildest dreams, when I was a little kid in Missouri, thinking about one day becoming a musician. The fact that they have all come true, leaves me waking up every morning, feeling just unbelievably fortunate and thankful.
But in the process of putting this speech together, it has forced me to really examine a few details about what has been particularly significant for me, as an individual, in this life that I have been having as a musician. And the results of this self-examination process getting ready for this speech, were interesting to me. Because for as much as I can stand here and claim to be a successful player, with Grammy awards and winning polls and now honorary degrees and all that stuff; one very fundamental thing has not changed, and I realized that it will never change, and that is this—that the main thing in my life, even as I stand here right now, right this second, is that I really need to go home and practice.
Saying this, of course, is obvious. We all need to practice and improve, and we will all need to practice and improve. But I do think that when I was younger, there would be a day when I would sort of "get it", and that everything would be cool, and I would have arrived at that promised land of being a great musician and I would just be. And I can see now, that that is never going to happen.
The thing for me, and the good news, is I realize that for whatever benefits I've gotten from being a musician in a material sense, or in the form of recognition, the fundamental reward that I still get the most satisfaction from, is the process of what being a musician is. It is that need and desire to want to go home and practice that's the coolest thing. The part where you start with nothing, have a musical idea or vision or aspiration, and through discipline and organization and preparation, and especially inspiration, you finally end up with the capacity to do something that you didn't know you could do.
This process is an essential part of all music making activities, that we as musicians probably take for granted. But it is a skill that throughout our lives as players, we have an opportunity to learn about and refine to a very high degree. Knowing about that process, can apply to everything in life. And it is for that reason, that many of the greatest people that I've known have been, essentially, musicians. Whether professional or not, they have lived their lives in a way that this musical process was a guiding part in how they went about solving their problems and living their lives.
I realize that of all the cool things that have happened to me, the best one is that I know I can play a whole lot better now, than I could twenty years ago. I wouldn't trade any of the outside benefits of what my career has offered me with that. That sense of personal, and especially musical growth.
This would bring me to what I guess would be my central message to y'all on this very significant day in your lives as musicians. And that is this very simply, that despite whatever kinds of traditional successes or failures that may or may not happen to you throughout your lives as musicians, the best rewards that you will receive are embedded in the actual music itself that you will make. That is, you may or may not have success by the standards that society in general uses to quantify things like that, but the real, genuine true success that transcends the day to day stuff is going to be that fact that you know about music. And that you are intimately familiar with not only music itself, but the process of making it.
In this culture, there are lots of reasons why people become musicians. The role of music in any society is fascinating, this period more than usual. But the role of musicians in this society is really changing. Due to technology, due to mass communications, and mainly because things just naturally change and we happen to be in a period where they are massively changing.
Many times I run into young guys, who want to get a record contract, or a manager, or how to get their music on the radio, and my answer is always the same. And I think that regardless of how much things keep changing or mutating through the years, it will always be the same. And I say this—don't worry about those things too much. Just go home, try to understand as much as you can about why you wanted to be a musician in the first place, and exactly what it is about music that knocks you out, and practice like crazy on that. And if you can do it about fourteen hours a day, that will help too.
I'll try not to say this in a glib or off-hand way, it is just that I found that even as things change, as record companies come and go, as styles change, as trends and audiences change, the work of being a musician and being involved with the fabric of music itself is essentially the same and essentially real. While most of these external things, in addition to being largely out of one's control, are also largely an illusion. Especially compared to what you have to know in order to become a good musician in the first place. And especially compared to what you get out of the process of becoming a good musician.
For me personally, after everything, the only thing that remains really true is the feeling that the end of the day, I know that I really played good or I didn't. Or that I made some progress and I understand something that I didn't understand at the beginning of the day, or I don't. This to me, is the real currency of what it is to have a life a musician. This accumulated wisdom and insight into the reality of music, and as much of a stretch as it might be sometimes, therefore into life and living. And, in response to that guy who is looking for a manager or a record company, whether he knows it or not, it's that currency of musical wisdom and understanding that will eventually lead him or her to all the things that he or she needs to fulfill the journey that they started, the day they made that important decision to dedicate their lives to music in the first place. Not the quick fix kind of goal of making a record or two or getting a couple of nice gigs.
Of course, it is easy for me to stand here and say all this. I have been really lucky, I've gotten the gigs and the record contracts and all that stuff. But there is one other larger truth that I've seen in evidence over this time, and it goes like this and my best wish would be that I might even be an example. Really good, seriously good, musical work has a way of finding its way out to the people. I can that I've rarely, if ever after all these years, run across someone who has something that they've developed that's truly valuable to offer as a musician, who doesn't finally end up with opportunities to turn those ideas into some kind of career. It may take awhile, certainly some stylistic paths offer really different kinds of resistance than others. But usually, the chances show up, if what the musician has to offer is really strong, really sincere and is honestly representative of who they are as musicians and as people, regardless of the stylistic zone.
But finally, and ultimately, music remains an intensely personal issue. Maybe the most important commitment you can make is to the music fan that lives inside of you, to find out just what it is about music that knocks you out. In that discovery, you'll find most of what you need to know to take you wherever you need to go.
All of you here have roads ahead of you that will be filled with good musical days, the ones where you feel you can play or hear anything, and bad musical days, the ones where everything you do sounds like a bad Madonna tune. But that variety, that sense of unknowing, that feeling of having to make it up yourself, that sense of adventure, that is what music is. And that is a big part of why having a life as a musician is so much fun.
And fun is a good word to end on. Because the last thing, and maybe the most important thing, that I've noticed over the years of playing with people from all kinds of stylistic zones and all different types of music, and in fact the only thing that they all seem to have in common, from Sonny Rollins to Steve Reich, from David Bowie to Milton Nascimiento, from Herbie Hancock to Gary Burton, is just how much fun they all have doing what they do, when they are doing it at their best. For all the satisfaction and work and practice and dues that it takes to become a good musician, in the end, and I'm sure you all will agree with this, it's a blast to be a musician.
Congratulations you guys. Go out there, take all those two-five-ones out into the world, hopefully mess with them a little bit along the way and do that. Play good and have fun. Thank you.


The Saudi Arabia Consulate in Los Angeles is open weekly during very specific hours to process visa applications. Before showing up and dropping off the application, it is imperative to know exactly which documentation must accompany it. In addition to showing a passport, most visas require to show other documents that prove an invitation to the country or relationship to the people that will be stayed with. As of the time of publication, the Los Angeles Consulate can be reached at 310-479-6000 for questions.
Find out the type of visa that that is required for the visit. Visas vary depending on the nature of the visit, such as business or study. Americans cannot receive all types of visas from a consulate. Visas available from the Los Angeles Consulate are: work, transit, visit, Umrah, residence, Hajj and diplomacy. Umrah and Hajj visas are available for religious pilgrimages. If looking for another type of visa, it is necessary to process it via the Royal Embassy of Saudi Arabia in Washington, D.C.
Make sure to be familiar with the requirements for the particular visa -- specific requirements are available from the Saudi Arabia Embassy website or the consulate. Most notably, the transit visa -- required of people who will take longer than 18 hours to travel through Saudi Arabia -- will not be approved for a woman who is traveling without a male relative. Gather any required documents, which vary depending on the visa. For instance, student visas require a copy of a high school diploma, while no other visas do. All visa applicants need a passport that is good for at least six months after the proposed dates of travel and one passport-sized photo.
Obtain a visa application from the Los Angeles Consulate or the Saudi Arabia Embassy website and complete it.
Drop off the application and all required documents at the Los Angeles Consulate Monday through Friday between 9:30 a.m. and 12:30 p.m. The Consulate is at 2045 Sawtelle Blvd., Los Angeles, California, 90025.
Wait at least one day before attempting to pick up the visa. Visas can be picked up Monday through Friday between 3 and 4:30 p.m. For instance, if dropping off the visa application on Tuesday morning, do not attempt to pick it up until Wednesday afternoon.
During the holy month of Ramadan, the hours of operation of the consulate change. Contact the consulate if planning on applying for the visa during this time.
Visitors to Saudi Arabia are expected to follow Islamic law while in the country. Make sure to be familiar with these expectations before leaving on the trip in the interest of safety.
Webster, Lara. "How to Get a Visa to Saudi Arabia Through Los Angeles Consulate." Travel Tips - USA Today, https://traveltips.usatoday.com/visa-saudi-arabia-through-los-angeles-consulate-102212.html. 12 January 2018.


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It all comes out of who's been shipping whom, and we say, should we do a fight? We shot all of that in that room in one day, and I would say it was that day," he told Us. "We all got to be together. adult manhwa Close menu. CLOTHING New Arrivalsقبل ٧ أيام ... 91 Love Quotes to Help You Express How You Feel—for Valentine's Day and Beyond. Need a little help expressing your romantic thoughts? Allow us ... tripadvisor hotels nyc All You Need Is Love Quotes (34 quotes) All You Need Is Love Quotes Quotes tagged as "all-you-need-is-love" Showing 1-30 of 34 "Think the tree that bears nutrition: though the fruits are picked, the plant maintains fruition. So give all the love you have. Do not hold any in reserve. What is given is not lost; it shall return." ― Kamand KojouriDownload Your Love Is All I Need - ALIBI Music MP3 song on Boomplay and listen Your Love Is All I Need - ALIBI Music offline with lyrics. 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Love Is All I Needed by Mandaworld Share / Embed Wishlist supported by liraven Always reminds me of a hottie I just can't forget <3 Digital Track Streaming + Download Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Buy Digital Track $1 CAD or more Send as Gift credits released August 5, 2022 craigslist omaha nebraska Written and produced by Motown's main production team Holland–Dozier–Holland, [1] the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.Popular Stories. 1 15 actually fun Galentine's Day party ideas to shower your friends in all the love Leslie Knope will be so proud.; 2 'Romcom core' is the latest need-to-know style aesthetic that's inspired by your favorite romantic comedies These styles practically guarantee you a movie-worthy meet-cute.; 3 There are so many good beauty deals hiding in the Nordstrom sale section ...Their all-inclusive model means that all of your meals, snacks, alcohol and spirits, as well as watersports, are included in the cost of your room. You basically can check into your room, put your ...Listen to Your Love Is All I Need by Alibi Music, 10,873 Shazams. call cricket to pay bill

redpajama_set_name: RedPajamaCommonCrawl


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text:
Making it easier to
Buy, Sell and Rent.
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$300,000 arts funding round kicks off as community outreach grants announced
Ian Bushnell 3 December 2018 30 November 2018
Furniture designer Elliot Bastianon: the grant has brought his work to a larger audience outside of Canberra. Photos: Supplied.
Got a creative idea that just needs a little cash to get off the ground? The ACT Government may be able to help out with the opening of its second round of Arts Activities $5-50k funding, with a total funding pool of $300,000 available.
The annual pool of $750,000 in project funding is delivered in two major rounds each year of grants up to $50,000 as well as a rolling program of grants up to $5000. The first round resulted in 16 projects being funded through a highly competitive process.
The new round of $5-50,000 arts activities funding opens on 1 December 2018 and closes 28 February 2019, and is the second time this funding round has been run, with the first happening earlier this year.
Eligible activities can relate to artforms including dance, literature, music, theatre, visual arts and arts-based festivals.
Arts Activities funding is available to ACT-based artists at all stages of their careers and to organisations providing the Canberra community with opportunities to engage in the arts.
It supports artists, groups and arts organisations to undertake a broader range of activities including artform-based projects, mentorships, residencies, professional or skills development and opportunities for the community to actively engage in the arts.
For previous recipient Elliot Bastianon, an Arts Activity grant enabled the ANU graduate and Canberra furniture designer to develop a new body of work in depth with the goal of developing a sustainable arts practice.
He developed a collection of furniture which was exhibited in Sydney early this year and was subsequently picked up by DesignByThem – a furniture showroom based in Chippendale.
"They have an incredible reach so I'm now able to access clients I wouldn't have been able to previously," he said.
"Funding from organisations like ArtsACT allows creatives who aren't based in larger cities the opportunity to showcase their work to a broader audience."
Founder and studio director of the shared workshop, Six Wiluna, Elliot believes furniture is more than just something to be used but an apparatus of communication, a tool to deliver a message or encourage a different way of seeing the world.
In 2017, Elliot established Furnished Forever with industrial designer Rene Linssen, a furniture company with a focus on high volume commercial and residential applications.
Other previous $5-50k funding recipients include:
Australian Dance Party to create and present a new contemporary dance work 'from the vault'
Hands On Studio for a project between Hands on Studio and Canberra artists
Liz Lea to present BOLD II dance festival
Chenoeh Miller to present an original work Evangeline by Little Dove Theatre at the Adelaide Fringe Festival.
Minister for the Arts and Cultural Events, Gordon Ramsay has also announced the successful recipients of the Community Outreach Program and Sector Capacity Building funding rounds.
Ten projects received a total of $332,910 from the Community Outreach Program to provide more opportunities for Canberrans to get creative.
The projects will engage people living with disability, members of the LGBTIQ community, young refugees, and Aboriginal and Torres Strait Islander peoples.
"These community initiatives provide opportunities for more Canberrans to engage with the arts, and importantly will remove barriers to participation," Mr Ramsay said.
Mr Ramsay also announced $75,000 funding to the Lighthouse Business Innovation Centre to build the capacity of arts organisations in the ACT.
"Lighthouse will provide tailored advice and assistance to staff and board members of arts organisations on business and strategic planning, sustainability, risk, sponsorship and governance,"
Mr Ramsay said.
"This is in addition to providing capacity building funding to Music ACT of $108,000 to support live music in Canberra, and Ainslie + Gorman Arts Centre with $25,000 to support individual artists."
Community Outreach funding recipient Ainslie + Gorman Arts Centre has received $39,038 for 'Ahead of the Game', a program of workshops, engagement and mentorships with LGBTIQ artists exploring the connections between sport and the arts.
Adelaide Reif from the Arts Centre said that, in partnership with AIDS Council of ACT and A Gender Agenda, it would be working with Melbourne-based performance artist Tristan Meecham throughout 2019.
Tristan Meecham is the Director of All The Queens Men, a participatory theatre company that champions social equality and celebrates diverse communities.
She said three LGBTIQ artists would be selected to work with Meecham but the broader LGBTIQ community would be involved as well.
Sport was chosen because it was a very Australian and diverse experience, and a way to explore inclusion and exclusion from society.
Ms Reif said that for a number of reasons the LGBTIQ community often struggled to be included and had a high rate of mental health issues.
"We hope it provides them with a meaningful way to be involved in arts activities, and through that build social inclusion and self-confidence," she said.
The results would be presented at the AIDS Action Council Fair Day in November 2019 at the Arts Centre, but it depended on how the program evolves and what form – performance, visual artworks, or video – that would take.
Community Outreach funding recipients:
Ausdance ACT – $25,700 for LINK-d, a dance project for young refugees.
Ainslie + Gorman Arts Centre – $39,038 for 'Ahead of the Game', a program of workshops,
engagement and mentorships with LGBTIQ artists.
Belconnen Community Service – $48,600 for 'Social Art Park' community arts project in story sharing and creative arts workshops on placemaking.
Craft ACT – $22,013 for a disability access and inclusion plan for DESIGN Canberra.
Gungahlin Impressions Art Group – $15,572 for a program of visual art workshops across the community.
M16 Artspace – $49,970 for an Indigenous youth mentoring program in visual arts.
Liz Lea – $19,965 for a community dance project celebrating the Moon Landing.
Rebus Theatre – $28,618 for a theatrical performance for emerging artists with disabilities.
Tuggeranong Community Arts Association – $45,640 for a community arts and cultural development mentorship program for underrepresented and culturally diverse communities.
Woodlands and Wetlands Trust – $37,794 for a creative visual arts program for the community including workshops and field studies.
Potential applicants for the Arts Activity grants can contact artsACT at artsact@act.gov.au or on 62072384.
Tags Adelaide Fringe Festival Adelaide Reif Agenda Agenda AIDS Action Council Fair Day AIDS Council of the ACT ainslie gorman arts centre ANU artsACT Ausdance ACT Australian Dance Party belconnen community service BOLD II Chenoeh Miller craft act Elliot Bastianon Furnished Forever Gordon Ramsay Gungahlin Impressions Art Group Hands On Studio LGBTIQ community Lighthouse Business Innovation Centre Little Dove Theatre Liz Lea m16 artspace Rebus Theatre Rene Linssen Six Wiluna Tuggeranong Community Arts Association Woodlands and Wetlands Trust
Christine Mary - 1 day ago
Cheryl Hingston look it up. View
Julie Macklin - 9 hours ago
Gungahlin Arts to enliven the community
Belconnen Arts Centre 4 May 2019
PBS Building to build Stage two of Belconnen Arts Centre
Ian Bushnell 17 July 2018 5
New life injected into proposed Narooma Arts & Community Centre
Ian Campbell 12 December 2018
Tuggeranong Arts Centre embraces the Art of Listening
Tuggeranong Arts Centre 11 August 2018
ACT Government offers fresh community garden grants
Lachlan Roberts 15 July 2018
Veolia Mulwaree funding recipients announced
Alex Rea 24 June 2018
Government gives $25k grants to nine community organisations to encourage outdoor activity
Lachlan Roberts 10 June 2018


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text:
Q: Android: two tasks - two launcher icons I have an activity A (i want that work in background) that start activity B with code
moveTaskToBack(false);
Intent intent = new Intent(context.getActivity(), BActivity.class);
intent.setFlags(Intent.FLAG_ACTIVITY_NEW_TASK );
startActivity(intent);

In manifest i have
<activity android:name="ru.nekit.BActivity"
 android:label="B"
 android:taskAffinity="ru.nekit"/>

When start activity B and press Home button i see that there is two launcher icons
Question how can i do that wiil be only one launche icon?

A: Your app may have multiple activities found in your launcher based upon your manifest file and the XML attribute:
<intent-filter>
    <category android:name="android.intent.category.LAUNCHER" />
</intent-filter>

For each activity that you list containing this attribute, you will have another icon found within the Launcher for that activity. Make sure you only have this attribute set for the activity you want to display in the launcher.
You may also have installed multiple versions of your app when developing if you ended up changing the application name somewhere along the way. Be sure to uninstall all previous versions.

redpajama_set_name: RedPajamaStackExchange


Sebastian Matthias is currently working towards a PhD in cultural studies and choreography at the artistic-academic postgraduate programme "Assemblies and Participation: Urban Publics and Performance" at HafenCityUniversity in Hamburg. The artistic research practice within his dance projects form the base of his academic studies and his thesis on "Experienced Groove – A Mode of Perception of Dance as Group Phenomenon". His academic research feeds back into the rehearsal process and forms a theoretical background for his artistic work.
Music and Club culture can be understood as a structural counterpart when analyzing the metropolis as actualized politics. Following Diedrich Diederichsen the immanence of groove (in contrast to urban atmospheres) relates to the encapsulating of subcultural and psychological social spaces, into a community, and points to its evolved delicateness, tenacity and differentiation.
As part of a pop music culture groove reveals the socialization of the inner sphere, but at the same time presents its private intimate antidote. When searching for the development of assembly practices in the civil society of western democracies, it seems evident that the dynamic group processes of electronic dance music cultures need to be analyzed further. At the same time the emotional and physical arousal in a club night that emerges from its participants could point to a differentiated perspective on dance as a performative act. Hence, the term groove is able to relate choreography to urban publics for artistic research.
When groove is constituted between its social, physical, musical and emotional aspects, the dancers find themselves in a physically amplified state that has a certain pleasurable "feel". This feeling can also be seen as a measure of the quality of the beat, the DJ set or the club night as a whole. The dancer experiences "groove" in the balancing act of its constituting elements through specific sensations in the body that can act as a relative kinaesthetic norm. From a dance perspective groove seems to be a group phenomenon, a social swarm, that aims at a private inner experience while being dependent on a group of individuals from which it emerges.
Movement qualities as part of my artistic choreographic practice can enable transdisciplinary research on groove and its mechanisms of transmission and participation. The limits of active participation in dance performance will be analysed through artistic practice and theoretical analysis. In relation to an artistic formal, experimental, and performative setting I will aim to develop a theory of dance as a group phenomenon.
How can we present artistic research?


I've tried about half of the apps on this list and, while they're good representations of what a Watch app should be in theory, the speed limitations imposed by watchOS 1 really hamper the "quick use" concept. That is, it's rather difficult for developers to produce apps that feel like information that can be digested in a few seconds when it takes twenty or thirty seconds for the app to load. Some semblance of relief should arrive with apps optimized for watchOS 2, because they'll be able to run logic on the watch itself instead of on the connected iPhone. I'm curious to see how much of a difference it makes to the way I use my watch.


Oil prices recovered somewhat in Friday's trading session as markets reacted stoically on another rise in the U.S. rig count.
Oil prices dropped to new lows this week, completely erasing all the gains made since OPEC originally cut production back in November 2016. The fear is that persistent oversupply will continue to weigh on crude oil markets. Both the IEA and OPEC came out with forecasts this week that admitted that the adjustment process is happening much slower than they expected. That pulled down WTI and Brent, but when the U.S. EIA reported an uptick in gasoline inventories on Wednesday, oil prices really tanked. Oil prices are closing out the fourth consecutive week of losses – the longest string of weekly losses in two years.
IEA, OPEC offer downbeat assessments. Both the IEA and OPEC said this week that the oil market was adjusting slower than they expected. The IEA also said that non-OPEC production growth next year will reach 1.5 million barrels per day (mb/d), a volume that will exceed total global demand growth. That means that OPEC will be backing out production only to see non-OPEC producers fill the void.
Lack of hedging creates financial risks for shale. Right now the shale industry has locked in its 2018 production with hedges at a much lower rate than it did at this point last year. The lower rate of hedging will increasingly expose shale drillers to low prices going forward. And without a rebound in prices, they won't be able to get those hedges at $50 per barrel like they did last year. Without that certainty, they will be forced to try to drill in a lower price environment. In all likelihood, if prices stay in the mid-$40s or drop further, the shale boom could be curbed.
EIA: inventory drawdowns this year but increases next year. The EIA said in its Short-Term Energy Outlook that it expects global inventories to fall modestly in 2017 but to increase again next year because of shale growth combined with production increases in Brazil and other non-OPEC countries. The return of OPEC production on the expiration of their agreement could flood the market again.
Floating storage reemerges in sign of supply glut. Reuters reported that oil traders are turning to floating storage again in Asia, a very bearish signal about the state of the oil market. About 10 very large crude carriers (VLCCs) have been chartered since May. "Too much unsold oil is headed to Asia," said Oystein Berentsen, managing director for oil trading company Strong Petroleum.
U.S. steps up Russia sanctions, threatens Nord Stream 2. The U.S. Senate passed a bill by an overwhelming 97-2 vote that would increase sanctions on Russia in response to election interference. The measure would enact new restrictions on companies that support Russian "energy export pipelines." The move has angered some European leaders that support the pipeline. The German and Austrian governments issued a joint statement calling it a "new and very negative quality in European-American relations." The statement said that "Europe's energy supply is a matter for Europe, not the United States of America." The passage of the bill caused the share prices of the companies involved in the pipeline – Royal Dutch Shell (NYSE: RDS.A), Engie (EPA: ENGI) and OMV (VIE: OMV) – to sink.
BNEF: Renewables making faster inroads, natural gas will cede ground. Bloomberg New Energy Finance released its New Energy Outlook (NEO) this week, predicting a faster adoption of solar and wind than previously expected. Even though natural gas continues to take market share away from coal in the electric power sector, even natural gas will succumb to the renewables revolution over time. By 2040, BNEF says that solar and wind will account for half of the global electric capacity market. And that even assumes that subsidies for renewables expire.
ExxonMobil to move forward on Guyana offshore. ExxonMobil (NYSE: XOM) announced its final investment decision for its Liza project off the coast of Guyana. Phase 1 will cost $4.4 billion and is expected to lead to production of about 120,000 bpd by 2020. The company is also considering a Phase 2 development.
BP greenlights offshore India plan. BP (NYSE: BP) said that it would move forward on an offshore natural gas project in India, a project that has been on ice for years. BP originally spent more than $7 billion on Indian assets in its first major investment after the 2010 Deepwater Horizon disaster. But regulatory and price uncertainty put the project on hold. A new pricing formula from the Indian government has given BP assurances, allowing the project to move forward. BP hopes to produce 425 million cubic feet per day by 2020.
Saudi Aramco IPO plans slowing over listing dispute. The Saudi government is at odds over where to list the Aramco IPO, a dispute that could potentially delay the public offering. Some company executives favor the London Stock Exchange, according to the WSJ, which would offer fewer legal troubles than the U.S. But the royal family apparently prefers the New York Stock Exchange because of the family's longstanding political ties to the U.S. government. The WSJ says that President Trump's visit to Saudi Arabia helped "cement the prince's preference for New York," referring to the powerful deputy crown prince Mohammed bin Salman.
They are making tons of money at $50. Obviously, no one gives a ---- about the consumer. More constant manipulation coming next week.


text:
The Šumadija and Western Serbia () is one of the five statistical regions of Serbia. It is also a level-2 statistical region according to the Nomenclature of Territorial Units for Statistics (NUTS). It was formed in 2010. As of 2022 census, the regions has a total of 1,893,659 inhabitants.

Formation
In July 2009, the Serbian parliament adopted a new law in which Serbia was divided into seven statistical regions. According to the law, territory of present-day Šumadija and Western Serbia was divided into two statistical regions – Western Region () and Central Region ().

However, in May 2010, the law was modified and Western and Central region were merged into a single statistical region whose name is Šumadija and Western Serbia.

Districts
The statistical region of Šumadija and Western Serbia is composed of 8 administrative districts:

Cities and towns
The largest cities and towns of the region are:

References

External links

 Usvojene izmene i dopune Zakona o regionalnom-razvoju (in Serbian)

Statistical regions of Serbia

redpajama_set_name: RedPajamaWikipedia


Our team is experienced in design tasks starting from site prep, moving through design and specification and finishing with quality control checks and post construction inspections.
Technical solutions for applications ranging from materials handling to process piping.
Whether starting from a back of the envelope sketch or with a first iteration study in hand, Redwood has the expertise to provide preliminary engineering design and construction estimation studies.
Built on years of experience in commercial and heavy industrial construction, our project coordination team manages projects at both the tendering and construction phases.
We bring experience and technical mastery to our projects. Contact us today to see if we are the right company for you.


ithout this mode, a connection to the YouTube server in the USA will be established as soon as you access any of our webpages on which a YouTube video is embedded.
his connection is required in order to be able to display the respective video on our website within your browser. YouTube will record and process at a minimum your IP address, the date and time the video was displayed, as well as the website you visited. In addition, a connection to the DoubleClick advertising network of Google is established.


Capitol Cider is excited to introduce December's Cider Partner of the Month, Cider Riot!, out of Portland, Oregon. Cider Riot! was started by Abram Goldman-Armstrong after years of dabbling in the beer and brewing space—but his accomplishments in the beer and brewing field goes far beyond that of your typical cidermaker. After honing his talents as a homebrewer in college, Goldman-Armstrong became a certified and nationally-ranked beer judge and has judged for competitions like the American Homebrewers Association Nationals and the British Columbia Beer Awards, and has visited and written about breweries across the US, Canada, Ireland, and Germany. His work appears regularly in Northwest Brewing News, Oregon Beer Growler, and American Brewer.
Cider Riot!'s main players include their Burncider (dry draught cider at 6.8% ABV), Everybody Pogo (hoppy cider, 6/7% ABV), Everyday (mildly sweet and brightly crisp, 6% ABV), and Never Give an Inch (Oregon blackberry cider, 6.9% ABV). Some of their seasonal ciders include Rudy's (cranberry hibiscus, 6% ABV) and Plastic Paddy (Irish-style cider, 6% ABV). Although their cider isn't all-organic just yet, Goldman-Armstrong is working towards making Cider Riot! organically certified within the next five years.
The Cider Riot! Pub is just a short drive down to Portland, and hosts exciting regular weekly and monthly events. In the meantime, be sure to like them on Facebook and stop by Capitol Cider for a pint!


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RSD Weekly Recap: Energy Fuels (NYSE: UUUU), Ethos Gold (TSX-V: ECC), Millrock Resources (TSX-V: MRO), Fission 3.0 (TSX-V: FUU)
Sign up for the free RSD newsletter to get the latest
news and interviews delivered to your inbox.
Gold settled at $1,321/oz. for weekly gain of $7.
Silver was down four pennies, settling at $15.76/oz.
The Dollar settled slightly higher, just below the 97 level.
Platinum settled at $805/oz. with a weekly gain of $7.
Palladium settled at $1,417/oz., a 2% gain.
Copper was relatively flat, settling at $2.80/lb. for a weekly loss of one cent.
Zinc settled at $1.21/lb. for a weekly loss of two cents.
Oil surged, picking up nearly 6% and settling at $55.76/barrel.
Uranium was relatively flat again, losing fifteen cents and settling at $28.70/lb.
Energy Fuels (NYSE: UUUU) CEO Mark Chalmers provided a timely update on the status of vanadium production, which complements the robust uranium portfolio the company has put together in anticipation of a much better uranium market.
Ethos Gold (TSX-V: ECC) CEO Craig Roberts shared news on the permit status of the Purisima gold project that will see trenching and drilling within the next month. Ethos also has an exciting vanadium project that will see drilling in the second half of the year.
Millrock Resources (TSX-V: MRO) CEO Greg Beischer went over the latest news out of Mexico and the portfolio in Alaska.
Fission 3.0 (TSX-V: FUU) Chief Geologist Ross McElroy talked exploration and discoveries in the uranium space. It'll be a busy season of news for the team at Fission 3.0 and one that could deliver big gains if it's able to make a discovery.
That's all for this week. Click here to subscribe to the Bizarro World podcast with myself and Nick Hodge.
That's all for this week. This is Gerardo Del Real with the Resource Stock Digest weekly recap.


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Pedestrian Hopsitalized after Being Struck By Vehicle in Lakewood
A pedestrian was hospitalized after being struck by a vehicle in Lakewood this afternoon.
Emergency personnel responded to the intersection of Madison Avenue and 9th Street around 4:30 PM.
The patient was transported to MMCSC with non-life-threatening injuries.
Expect delays in the area.
anonymous January 19, 2023 5:28 pm At 5:28 pm
I am not referring to this exact story.
Many many many times I see people crossing an intersection with a phone touching the ear.
Why can't we tell the person on the phone that I am at an intersection and I will call you back very shortly?
avraham January 19, 2023 5:29 pm At 5:29 pm
May the Almighty send a complete recovery to this individual who got hurt.
calitin January 19, 2023 5:51 pm At 5:51 pm
what about the driver with a phone touching his ear ?
Linda January 19, 2023 6:45 pm At 6:45 pm
Does this driver need to be retested?
PunyLovesBlue January 24, 2023 7:46 am At 7:46 am
You should not driving with a cellphone period
Thank God I don't use my cellphone when I drive


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Q: Errors in AngularJS often causes infinite loops Often when I get an error in Angular it causes an infinite loop in the browser and can lock down everything until I can kill the process. This tends to happen mostly when calling a function from a template with something like an ng-show.
<div ng-show="ifCanTakeAction()">
    <button ng-click="takeAction()></button>
</div>

If the function ifCanTakeAction gets an exception then it might become an infinite loop.
Obviously it is fairly easy to just fix the error in ifCanTakeAction but it is highly irritating that my computer goes for a short siesta every time it happens.
I am guessing the loop appears due to dirty-checking. Something in the crash of ifCanTakeAction causes another round of checks, which crashes it again, ad infinitum. Or it just dirty-checks that fires continuously. But how do you avoid this error? Is it simply ill-advised to run the function from the template like that? Often I would assign a model in the controller instead and look at that, but sometimes you have a case where the result might change as the user interacts with the page, which is why I base it on a function instead.
So, is this correct? Is it the dirty-checking that causes this issue? Would a watch do better (I assume that would get the same basic problem)? Is there a good way to catch and prevent infinite loops in general?

A: ifCanTakeAction() should be replaced with a flag canTakeAction. Not only this will solve browser crashing, it will perform better. Currently angular is forced to call that function on every digest cycle. It makes much more sense to use a boolean value and to update it in controller when needed.


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Electric Car Lists
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Top 5 Electric Vehicle News Stories of Week 34 2017
by Goosen Wynand | Aug 27, 2017 | Newsletter
TOP EV NEWS #1 – NEW EV MODELS
The EV sector is expected to hot up in the last quarter of 2017 as we near 2018, with some long awaited new EVs to being unveiled or upgrades of existing models introduced.
This week saw Mercedes unveiling it's Vision Mercedes-Maybach 6 Cabriolet at the prestigious Pebble Beach Concours d'Elegance. The 80kWh concept EV has a range of over 500km (NEDC) and a drive system with a 550kW output. The ultra luxurious six-meter long concept vehicle is designed to anticipate the needs of its passengers and to provide the required information and solutions in real time.
As we enter September in the coming week we look forward to the release/unveiling of the following Evs:
September 6, the worldwide launch of the new version of the worlds top selling EV, the Nissan Leaf, which is already dubbed in chat rooms as the '300-mile Leaf' based on rumors about its range.
September 14, Frankfurt Auto Show, will see the unveiling of the 2018 BMW i3S Performance and 2018 BMW i8 Roadster.
September will also see the unveiling of the ~200-mile Tesla Semi truck.
World leading research and education group, WMG, the University of Warwick, and design company Astheimer unveiled a lightweight prototype delivery vehicle, the DELIVER-E this week. According to a press release by Warwick University advanced battery experts, at WMG fitted the vehicle with a powerful 48V 6.5kWh battery system, increasing its peak power from 12 kilowatt to 36 kilowatt – helping it to cope with an increased weight of goods, and to conserve energy despite the start-stop nature of deliveries. DELIVER-E will be showcased as a demonstrator, at a number of events through the year. WMG and collaborative partners will also use it when undertaking research around electric vehicles.
TOP EV NEWS #2 – INDIAN GOVERNMENT CALLS FOR 10,000 EVs
The Indian SOE (State Owned Enterprise), Energy Efficiency Services (EESL) called for international auto companies to bid to supply 10,000 EV sedans, starting with 1,000 that would be used by government departments. The winning bid should be able to provide an EV with a 150km (94 miles) range. EESL also called for bids to 4,000 charging points. India is trying to fast track the use of EVs through its National Electric Mobility Mission Plan. The plan which has a first target of 400,000 EVs by 2020 battles to gain momentum. Local manufacturers Tata and Mahindra Mahindra has been slow to supply EV models due to economic viability and low subsidy support from the Indian Government. An incentive scheme was introduced in April 2017 as part of the Faster Adoption and Manufacturing of Electric Vehicles (FAME) program.
TOP EV NEWS #3 – TECHNOLOGY IMPROVEMENTS THIS WEEK
The UK company, ULEMCo, this week announced that it developed a fuel cell range extender module for the Nissan e-NV200 MPV. The module will extend the range of a fully laden delivery vehicle by 240km (150 miles).
The scientific journal, Nature Communications, this week published a paper on a breakthrough in Magnesium rechargeable batteries, delivering an energy density of 400 mAh/g. According to the paper magnesium, an abundant metal, have the potential to offer high-energy density, safety, and low cost. Researchers found a way to overcome a stumbling block in the technology by altering the design a magnesium battery cathode.
TOP EV NEWS #4 – JVs AND CORPORATE ACTIONS THIS WEEK
Skoda Auto DigiLab and its Israeli commercial partner, Champion Motors agreed to open a technology center in Tel Aviv to collaborate with start-ups and universities on emerging automotive tech.
WM Motors, China's Tesla, and German sports-car design company, Isdera announced this week that it plans to partner on building EVs. WM Motors joins a list of Chinese automakers either partnering or establishing research facilities with Western companies and countries on EV development.
Ford and the Chinese automaker Anhui Zotye this week announced the signing of a Memorandum of Understanding to establish a 50/50 JV to develop electrified passenger vehicles in China. The JV is the second such JV announced by Ford, which is experiencing sales declines in the Chinese vehicle sector. The Detroit based company and another Chinese domestic JV partner, Changan, announced in April that they would offer PHEV and BEV versions of all the vehicles they manufacture by 2025.
TOP EV NEWS #5 – SELF DRIVING NEWS OF THE PAST WEEK
Germany which has adopted its self-driving law in May 2017 this week announced guidelines for autonomous vehicle software. According to Reuter's the ethical guidelines of the rules is set to protect people at all cost above property or animals. Autonomous vehicle software is not to determine between sex, health or age of a person in deciding what to do in the event of avoiding an accident.
Tata Motors of India joined the UK's autonomous drive testing project, named 'UK Autodrive.' The UK Autodrive program is conducted in Milton Keyes and Coventry and includes other automakers active in the UK market, including Tata, Jaguar Land Rover, and Ford. Tata is using its Tiago vehicle in the trials.
Hyundai will deploy an autonomous fleet for the 2018 Winter Olympics which is held in the city of Pyeongchang, South Korea during February 2018. The self-driving software will utilize Hyundai's subsidiary, MnSOFT's ultra-high-precision HD Map, with a margin of error of only 10cm as opposed to the 30 meters of previous maps. According to South Korean IT publication, etnews, Hyundai will supply a fleet of self-driving fuel-cell based SUVs and buses to ferry people over the 126km between the capital and the event venue.
According to the Korea Post Hyundai and it's sister company Kia is testing V2X technology in partnership with the City if Hwaseong on a 14km section of road to test V2X (Vehicle to everything) systems. V2X technology is where the vehicle communicates on a real-time basis with the road on which it travels and includes traffic signals, other road users such a pedestrians and other vehicles.
Ford's new CEO, Jim Hackett, previously the Chairman of the US automakers Smart Mobility unit, sees a slower transition to completely autonomous vehicles. In an interview with SFGate, Jim Hackett said that he does not see the company's vehicle revenue threatened by a sudden shift to robot cars leading to fewer vehicle sales. Although the Ford CEO remained committed to a 2021 target by its predecessor for Level 4 ride hailing vehicles he sees a more a more progressive transition than a sudden shift. He added that Ford believes vehicles will become smarter, allowing it to tap more revenue streams from its 100 million "users." Ford recently acquired SF based ride-sharing company, Chariot, and autonomous tech company, Argo AI, to ensure that it remains relevant going into the future. In line with its 2021 strategy Ford also announced this week that it would include commercial delivery vehicles in its self-driving offering by 2021.
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WASHINGTON D.C., Dec. 16, 2016—Dr. Russell Moore, president of the Ethics & Religious Liberty Commission of the Southern Baptist Convention, responded to passage of the Frank R. Wolf International Religious Freedom Act by President Barack Obama today.
This Act amends the International Religious Freedom Act of 1998 and promotes religious freedom globally as a part of U.S. foreign policy.
The new law provides a number of modernization tools to the Department of State's Office of International Religious Freedom and elevates the office as a higher priority inside the diplomacy agency. The many updates include the ability to declare non-state actors (i.e., ISIS, Boko Haram) violators of the core human right and the ability to invoke sanctions against non-state entities who either persecute or tolerate persecution of those on the basis of religious belief.


The NEW Wire is 100% pure performance with zero compromise, SIDI's latest go-to shoe for WorldTour athletes and pros everywhere. Wire features an ALL NEW Tecno 3 closure system utilizing an exceptionally supple, low-friction line material for unimpeded action without binding. It provides extremely even pressure distribution across the entire foot, for perfect fit with uncompromising comfort and pedaling efficiency. Tecno 3 micro-ratcheting buckles allow easy one-click adjustment in either direction, for simple fine-tuning on the fly. Snug 'em up, and you're ready to throw down.
Footwear, Sports Shoes, Sports Shoes/n.e.s.


Sears Holdings, the one-time giant retailer that has been teetering on the edge of bankruptcy for years now, announced this morning that, following yet another disappointing holiday season (shocking), they've initiated new discussions with lenders aimed at renegotiating terms on some $1 billion of "non-first lien debt."
According to a press release from the company, the debt concessions would be accompanied by another $200 million of cost cuts.
Sears Holdings Corporation announced today it has raised $100 million in new financing and is pursuing an additional $200 million from other counterparties. In addition, Sears Holdings has amended its existing second lien notes, maturing October 15, 2018, to increase their borrowing base advance rate for inventory and defer their collateral coverage test and restart it with the second quarter of 2018, and is in discussions with certain lenders regarding additional transactions to improve the terms on potentially more than $1 billion of its non-first lien debt.
The Company also outlined incremental actions to further streamline its operations to drive profitability, including cost reductions of $200 million on an annualized basis in 2018 unrelated to store closures.
Rob Riecker, Sears Holdings' Chief Financial Officer, said: "As previously announced, we are actively pursuing transactions to adjust our capital structure in order to generate liquidity and increase our financial flexibility. The new capital we have secured represents meaningful progress towards those objectives and demonstrates that we continue to have options to finance our business."
Of course, the most important part of this morning's press release is the following statement which serves as a not so thinly-veiled threat to junior creditors that any failure to grant financial concessions could result in a bankruptcy filing.
However, should the Company's efforts to complete these transactions not be fully successful, the Board will consider all other options to maximize the value of its assets.
The company also announced that November and December comp-store sales plunged 16%-17% year-over-year indicating that restructuring efforts implemented to date have done little to slow mounting losses. Sears' disastrous holiday sales mark a sharp contrast to the solid gains enjoyed by many of its department store peers such as Kohl's, J.C. Penney and Macy's.
Meanwhile, Chairman and CEO Eddie Lampert reiterated in a blog post this morning that "many observers," including "outside lenders and our vendor community" aren't convinced that Sears can survive the "Retail Apocalypse."
Oh well...vendor support isn't that big a deal for retailers anyway, right?


Feels like I've been taking a hiatus from the blog for a while now, huh!? Truthfully I've just been taking time away from behind the screen and enjoying life! Labour day weekend felt awesome, to just kickback with my hubster and pupster and re-energize. We're getting all ready for fall – my favourite season!
Together, the three of us relaxed, Netlflixed, and (actually) chilled! I also baked (because that's what I do when I'm bored, of course) some not-so-fantastic white chocolate chip cookies. I won't share the recipe with you to save you from making overly sweet treats with an inconsistent texture LOL! Definitely wasn't my finest kitchen moment. These Toblerone brownies on the other hand…. oh baby!
The first batch I made a few years ago, when I was experimenting with new baking recipes, was the best I'd ever made! I've been trying to recreate them ever since, specially after S told me there were his ALL-TIME favourite brownies! No pressure, right?
Toblerone is one of my favourite "commercial" chocolate brands, and my family typically spoils my stocking around Christmas time with more bars than I can carry. So Xmas is always Toblerone brownie time! But I didn't wan't to wait until December to share my coveted delicious Toblerone brownie recipe with all of you, so here it is!
I hope you enjoy your very own Toblerone Brownies with this quick and easy recipe!
200g of Toblerone chocolate finely chopped.
1/2 cup walnuts, finely chopped.
Heat oven to 365°F. Grease 9-inch square baking pan.
In a large bowl, add the butter, sugar, eggs and vanilla extract in bowl and mix continuously, like you're beating eggs.
In a medium bowl, combine your flour, chopped Toblerone chocolate, walnuts, baking powder and salt.
Slowly pour the contents from your medium bowl into your large bowl. Stir until well blended.
Spread batter evenly into your greased pan.
Bake 20-25 minutes, or until brownies begin to pull away from sides of pan.
Makes either 9 large, or 16 regular brownies.
Previous Post: « The Ultimate Vegan Appetizer for Your Next Dinner Party!
Also, we didn't get to chat on Saturday, but I've been browsing your blog – it's great! Such a nice clean layout!


At the end of the day, the metric most important for you is engagement. Otherwise, you won't build, maintain or sustainably monetize your user base. Engagement is the soil that everything grows from and if you don't tend to it, nothing will grow.
The good news is that you've got a hearty app. The bad news is that the ad network SDKs you are using to monetize that engagement are likely doing more harm than good.
The qualities of a good SDK? It's light, it plays well with others and provides ads that actually help to engage your users. With the Adcash SDK 2.3, we've kept it light, kept it friendly and added a load of "nutrients" to do just that.
The ad formats you choose will make or break your monetization strategy. Shown too frequently, your users will leave your app for another. Shown too infrequently, well what are you displaying ads for anyway?
The same goes for if they are too intrusive. If the ads you display are unnoticeable, you won't get the clicks, installs or other actions that provide revenue. Luckily, there are two formats that solve both issues.
Opt-in, highly engaging video ads that provide a reward to the user for viewing. Users only interrupt their in-app experience when they are ready. You might be concerned about how often the user will decide to do this.
Don't worry, rewarded video ads will actually increase your ad revenue…at least your contemporaries think so. In fact, rewarded video ads may even help to increase in-app purchases.
Native ads: To intrude or not to intrude, is there a question?
Your users don't want to be interrupted; it's that simple. It's not the ad that they have an issue with, it's the intrusion. But there is a fine line between noticeable and intrusive.
With native ads, the ad is integrated within the content, avoiding both banner blindness and interstitial intrusion: priceless. With the Adcash SDK 2.3, you can display ads as part of a content wall, stream or feed.
No matter how engaging the ad format, if it commits any of these three sins your user will run and not look back. With the Adcash SDK 2.3, we've absolved your monetization strategy of them.
With adaptive targeting, users that convert through an ad will not see it again. After all, they're in your app for personalization and seeing the same ad for the same product/service that they just converted for is a little impersonal.
Overexposed users result in an underexposed app and an underexposed app results in paltry revenue. With day and lifetime capping, you decide how exposed your users will be to the same ad.
And…latency. Those dots are probably less than the amount of time your ads have to load before your users become frustrated. We've further optimized our SDK so that ads are loaded in the blink of an eye.
Growing seasons are time bound, make yours count!
You don't have much time; every second you spend optimizing your app for your ad network is one you're not tilling your soil and preparing it for optimal growth.
With the interstitial smart zone, you no longer have to create two zones for what is effectively the same format: static and video interstitial formats. Now, our zone will select the one with the highest yield.
With our eCPM floor, you decide the value of your traffic. If you don't want to sell your traffic for less than a specific amount, you don't have to. After all, you cultivated your traffic…you know its worth.
Video ads are the Miracle Grow of monetization strategies as the internet is becoming one giant video stream. But even if your app doesn't provide video, you should be able to provide video ads. You can with us.
Engagement, your soil. The quality of your soil will determine whether you grow and retain your user base or not. The choices you make for an ad partner can undermine those efforts. Make it count and choose a partner that understands it so well that they can talk about it in gardening terms.


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« UPND youths to shun this years' Youth Day commemoration because of high unemployment levels.
The UPND shuns activities for the International Women's Day in Chipata. »
More than 2000 jobs created for people of Luapula Province.
By News | March 9, 2014 - 13:44 | March 9, 2014 Community News
President Michael Sata says his government has continued to create more jobs through the on-going construction of roads in the country.
As of December last year, the President says a total of 2,224 jobs were created in Luapula province during the on-going construction works of 1,919 kilometres of roads.
According to President Michael Sata's latest Facebook posting, the head of state also says that the 1,919 kilometre road works in Luapula are being constructed at a total cost of 1.8 billion Kwacha.
And President Sata has given a breakdown at which levels of construction each of the ten projects has reached in Luapula province.
He says that the upgrading of the Pedicle road to Bituminous Standard is at 28 per- cent progress while the periodic maintenance of approximately 91 kilometre of road from Mansa to Chembe is at 91 per-cent progress.
He says the rehabilitation of the Kawambwa-Mushota-Luwingu road and the Chisembe-Chibote-Chief Chama road is at 12 per-cent progress.
The President has added that the construction of the 175 kilometre Mansa-Luwingu works is at 14 per-cent progress while the rehabilitation of 238 kilometres of Mansa feeder roads is at 30 per-cent progress.
The Head of state says that the construction of roads is aimed at establishing an enabling investment climate in order to attract foreign direct investment, stimulate local investments and create jobs.


Monkton continues to enjoy a distinctive Christian ethos. The Chapel stands at the heart of the school and most mornings begin with a short service led by either staff or pupils. On Mondays, Wednesdays and Saturdays, the whole school comes together for worship in the Chapel. We are extremely blessed to have such a beautiful space for this.
There is a thriving Christian Union run by young people for young people. It meets every Wednesday evening, when up to 100 pupils get together to worship, to pray and to listen to good biblical teaching. They also have regular guest speakers from both this country and from abroad to encourage them in their faith.
'At Monkton, the Christian Union is an open space for students to explore their faith and continue in their walk with Jesus. On Wednesday evenings, over 100 members of the school's Christian community join together in a relaxed environment to worship and share in fellowship. Renowned for its strong presence in the school, its student-led team and talks from various speakers, the Christian Union is fully alive in Monkton.
A primary focus of the CU is to meet the spiritual needs of the students. We aim to do this during CU L8R (a unique opportunity for the seniors to pray and worship on Wednesday evenings), prayer meetings (held in Friday break time with the perk of free biscuits) and by simply coming alongside fellow students when they need support. By investing time and energy into the Christian life of the school, the CU has seen God move throughout the student body and from hearing several testimonies it is clear that pupils are really getting to grips with their faith and how they walk it out day by day.
On Monday evenings, each year group has the opportunity to meet with members of staff to study the Bible together, pray and build meaningful friendships in a safe and supportive environment.
Everything that takes place at Monkton is supported by prayer. As well as the prayer that takes place in our Chapel worship, more informal prayer takes place in other places and at other times of the day. Over the past year we have seen the chaplaincy building transformed into a space for prayer. Prayer is hard to define but it is the spiritual discipline by which we express our need for God and through which we ask for God's help and involvement in everything we are and do. It is something with which everyone can be involved and no prayer is too simple or too insignificant.
On a Tuesday morning before the school day begins there is a Staff Prayer Breakfast that all staff are invited to attend, during which whoever is gathered spends time praying for the school and everyone involved.
There is also a range of student led prayer groups within houses and year groups.
Each Friday morning, Andy hosts a prayer group for parents and relatives from all three schools. The time is spent sharing a breakfast together before moving into a time of prayer for the school. If you would like to know more, please contact Andy at - chaplaincy@monkton.org.uk.


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Home » Frontline Books » WWI » We Hope to Get Word Tomorrow
We Hope to Get Word Tomorrow
The Garvin Family Letters 1914-1916
By: Christina Garvin, J.L Gerard, Edited by John G G Ledingham
Edited by: Mark Pottle
Foreword by: Hew Strachan
Published: 17th September 2009
This fascinating collection of letters traces the exchanges between a young subaltern on the front, Gerard 'Ged' Garvin, and his mother and father at home. Correspondence was eagerly awaited by all. Ged savoured letters home like 'Jim Hawkins trickling the doubloons through his fingers'. Equally, his mother and father at home were always fearful that each letter they received would be the last. In a letter J. L. Garvin sent to his son 21 July 1916 he wrote: 'Of course there's no fresh letter from you and we didn't expect it. But we hope, all the same, to get word tomorrow . . .' Ged was killed the very next day. He was just twenty years old.
Few editions of First World War letters include those from home as well as from the front. That Ged's father was J. L. Garvin (1868-1947) - editor of The Observer and an important figure in pre-war politics and society - adds a further dimension to this fascinating collection. During the war J. L. Garvin was in almost daily contact with those at the head of political and military affairs, and his letters gave Ged the view of the nerve centre. They are remarkable for their reflections on the war and its management - or in Garvin's view its mismanagement - and for the character sketches of major figures of the day, such as Churchill, Lloyd George, and Admiral 'Jacky' Fisher. His mother, Christine, meanwhile wrote of family and domestic affairs showing the impact of war on every day life.
The three-cornered correspondence therefore combines three distinct narratives: the view of the subaltern at the front; the view from the editor's office at The Observer; and the view from the head of a substantial household. Taken together they vividly capture the experience of a family during the First World War.
Women at War in the Classical World
By: Paul Chrystal
The Afrika Korps in Combat
Isle of Man at War 1939-45
By: Matthew Richardson
Vehicle Art of World War Two
By: John Norris
My Father Joachim von Ribbentrop
By: Rudolf von Ribbentrop
Wellington's Men Remembered Vol. 1
By: Janet and David Bromley
Darwin's Apprentice
By: Janet Owen
The World Sea Power Guide
By: David Wragg
Going to Extremes
By: Stephen Wade