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The price is right? Crunch time for EU carbon market reform
By Robert Hodgson | EURACTIV.com
The Price is Right is a US game show which began in 1956. [Digitas Photos / Flickr]
Languages: Français | Deutsch
Lawmakers in the European Parliament are voting on Wednesday (15 February) to give a new lease of life to the EU's emissions trading scheme, which puts a price on global warming emissions. But will they get the price right? EURACTIV looks at the expectations from the reform.
Investment in renewable energy and other low-carbon technologies has progressed apace in Europe, without much help from the EU's emissions trading system (ETS), which has been in place since 2005.
Coal, the most polluting method of generating electricity, remains central to the EU's energy mix. And many are hoping that the coming ETS reform will push the cost of pumping a tonne of CO2 into the atmosphere well above the negligible €5 or so seen at the moment.
"The 'at least acceptable price' would have to be €30," said Boris Lagadinov, chief analyst at Sandbag, a UK-based environmental NGO. This, he explained, is the price used by the European Commission to calculate which sectors should be placed on the so-called carbon leakage protection list, which registers industries at risk of relocating abroad because of the EU's carbon constraint.
But Lagadinov doubts that tentative reform deal, agreed by the European Parliament's environment committee (ENVI) in December, and due to face a full vote in plenary this week, will achieve even this much.
"We don't believe that these tweaks in the design of the ETS will resolve the structural issues of the system since the market will most likely remain in surplus until the end of Phase 4," Lagadinov said of the reform, which will take effect for the decade starting in 2021.
Parliament demands deeper cuts to industrial emissions
Lawmakers in the European Parliament's environment committee this week backed more ambitious carbon market reforms than those tabled by the European Commission. Convincing the plenary, and above all the member states themselves, to follow suit may prove more of a challenge, however. EURACTIV France reports.
Renewables sector calls for 'ambitious reform'
Others were not prepared to be pinned down on an ideal price, but agreed that the system in its present state provided little incentive for generators to decarbonise.
Oliver Joy, spokesperson for the wind power industry association WindEurope, says the ETS is clearly failing to deliver or even contribute meaningfully to an energy transition in Europe.
"To avoid the ETS sliding into irrelevance, policy makers should adopt high-impact measures that address the short-term challenge of oversupply which will continue to depress carbon prices well into the next decade," Joy said.
The ENVI report by the Scottish Conservative MEP Ian Duncan proposes the cancellation of a billion surplus allowances, strengthening the "market stability reserve" designed to absorb the remaining surplus, an increase in the rate at which the overall emissions cap is lowered.
However, in a pamphlet published last week, Sandbag reckons the surplus of emissions allowances (EUAs) swishing round on the market is already 3 billion – well over the 1.8 billion tonnes of CO2 emitted in 2015 (when the cap was 2 billion) by the 11,000 or so installations subject to the ETS.
"We therefore believe that the best solution would be align the start of the Phase 4 cap to actual emissions as the only way to fundamentally fix the market," Lagadinov said.
The solar power lobby also wants to see "ambitious reform of the system to get to a meaningful CO2 price", said spokesperson for the trade association SolarPower Europe, Kristina Thoring.
But even that might not be enough to drive investment in renewable power, amid an energy union strategy that plans to phase out direct support for technologies deemed "mature" enough.
"A higher CO2 price will not necessarily drive investments in renewables given that its remaining volatility will not address the 'risk premium' issue that RES investors face today," Thoring said.
Carbon market reform vote puts EU cement sector in the spotlight
Green lawmakers in the European Parliament have raised the stakes in the proposed overhaul of the EU carbon market, saying they would reject any deal that leaves the cement sector off the hook when the reform comes to a vote next week.
UK leads Europe with carbon price floor
However, the UK has shown that a robust carbon price can impact CO2 emissions. Across the channel, the meagre ETS price is underpinned by a domestic carbon price floor, and output from coal-fired plants hit zero for several hours in May last year.
"The UK's €30/tonne carbon price ensures most gas plants run ahead of most of the coal plants for most of the time," said Sandbag's carbon and power analyst Dave Jones.
Gas plants emit roughly half the CO2 of coal-fired power stations, and the European Commission has clearly placed gas at the centre of its planned transition to a low-carbon economy. Its director for the internal energy market, Klaus-Dieter Borchardt, recently called it a "natural friend of renewables".
"Gas is here to stay for a long, long time – longer than many believe," Borchardt said at a conference of energy regulators in Brussels last month.
Anders Marvik, vice-president of EU Political Affairs at Norwegian energy giant Statoil, the largest supplier of gas to Europe after Russia, has said in the past he would like to see an EUA price of around €50.
"The ETS price level is still around the level I have stated before, but obviously that is not going to happen any time soon," he told EURACTIV. "There is no such thing as an ideal price, but it has to be high enough to start the switch from coal to gas."
While it appears doubtful that the ETS alone is about to drive a shift away from coal – which still accounts for about a quarter of the EU's electricity supply, and far more in some countries such as Poland – fuel prices are also notoriously hard to forecast.
"The extreme gas market volatility of the last 12 months alone means the carbon price needed for coal-gas switching has varied in the range of about €0 to €40/tonne," said Jones of Sandbag.
Double digit figure?
Speaking at the same conference as Borchardt, Green MEP Claude Turmes said the reform proposals on the table were unlikely to push the carbon price even into double digit figures.
"I have come to the conclusion that if you have an alliance between Poland and German industry, it is impossible politically to get beyond €10 in the ETS reform," Turmes said.
Fellow Green MEP Bas Eickhout told reporters this week that it was only the activities of speculators keeping the price above zero at the moment. His expectation is that reform plans currently on the table will achieve a price of €20 to €25 by the end of the next decade.
Brian Ricketts, secretary-general of the coal industry lobby Euracoal, is more sceptical about forecasts. "I simply do not believe them," he told EURACTIV. "If a carbon price is now desired, then the ETS is clearly not the way to set one, and manipulating it to set a price, as proposed by some including NGOs and the gas industry, will kill it."
Whatever shape the ETS reform ultimately takes will depend on the final position adopted by the Parliament and the 28 EU member states, whose ministers are due to meet for an Environment Council at the end of February.
In a letter sent to all 751 MEPs last week, Euracoal urged them to "consider the burden that some amendments will place on your electorate: higher electricity bills, fewer jobs and reduced prosperity".
Carbon market specialist Andrei Marcu believes the proposed reforms, with a steeper annual reduction of the overall emissions cap, would inevitably bring down emissions from heavily polluting industrial sectors.
"In the past, some paid little, if anything at all…but as the curve goes down they will start hurting," said Marcu, a senior fellow at the Swiss-based International Centre for Trade and Sustainable Development.
But with uncertainty surrounding the new US administration, key elections coming up in Europe, and Brexit threatening to sap the energy of the political establishment, MEPs and member states should conclude final "trilogue" talks before the summer, he said. "My sense is that it would be in everyone's interests to agree at Council and a give the mandate for negotiations now."
EU countries stall over carbon market reform
After more than a year of negotiations, EU member states have come up short in their efforts to find common ground on a carbon market reform seen as necessary if the ambitions of the Paris Agreement on climate change are to be met. EURACTIV France reports.
The EU's Emissions Trading System is the world's biggest scheme for trading emissions allowances. Regulated businesses measure and report their carbon emissions, handing in one allowance for each tonne they release. Companies can trade allowances as an incentive for them to reduce their emissions. Countries can also sell permits to the market.
The European Commission has proposed a series of reforms to the ETS.
Pollution credits were grossly over allocated by several countries during the 2005 initial implementation phase of the ETS, forcing down carbon prices and undermining the scheme's credibility, which prompted the EU to toughen up the system. Carbon prices have since remained stubbornly low at under €8 a tonne.
The proposed reform proposes tightening the screw on heavy polluters by restricting the amount of pollution credits available in the period 2021-2030.
Under the Commission proposal, 57% of allocations will be auctioned by member states, the same as in the current trading period (2013-2020). They are estimated to be worth €225 billion. 43% (6.3 billion allowances) will go to industry in free allocations, worth an estimated €160 billion. Those will be divided out, with the most efficient companies being prioritised. So the best performing companies will still get the benefit of free allowances.
177 sectors currently qualify for free permits. About 100 will drop off the list for 2021-2030. They are likely to be those that qualified because of their trade intensity rather than their emissions intensity.
The list will stay the same for ten years, rather than the five years of the previous trading period. This will make it more stable and give greater investor certainty. The new system will take into account production increases and decreases more effectively, and adjust the amount of free allowances accordingly. A number will be set aside for new and growing installations.
>> Read: ETS reform: EU tightens screw on 'carbon leakage' handouts for polluting industries
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Well, another myth has been debunked. Back during the Cold War, Russian cosmonauts were ridiculed for having to use pencils for writing in space because special pressurized pens were needed to function in weightlessness. Even Pedro Duque, a modern European Space Agency astronaut, admitted he too believed it - until he ran an experiment himself during a visit to the International Space Station. Said Pedro about his ordinary ballpoint pen, "It doesn't stop working, and it doesn't spit, or anything." The next thing you know, I'll be told that toilets don't really flush in the opposite direction in the southern hemisphere!


text:
Words to Live By: Lana Turner
On relationships, her career, and her personal life
By Jenna Curcio
Take a note from the most iconic stars of yesterday-quite literally. Words to Live By is a compilation of the most memorable quotes from Old Hollywood on love, style, life, and more.
Lana Turner was one of the most famous actresses during the 20th century. After being discovered by a talent agent in a malt shop at the age of 16, Turner got her big break and had an illustrious career that spanned nearly five decades. She went on to star in a variety of films, television shows, and even worked in both theater and radio. The critically acclaimed Old Hollywood actress was well-known for her highly publicized and sensational personal life, and drew a lot of attention for her many marriages. Click through for some of the starlet's most famous quotes.
"I started off wanting one husband and seven children, but it ended up the other way around."
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"Let's be honest, the physical attracts me first. Then if you get to know the man's mind and soul and heart, that's icing on the cake."
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"I'm so gullible. I'm so damn gullible. And I am so sick of me being gullible.
"I have matured with the realization that I can live without a man!"
Words to Live By: Coretta Scott King
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Words to Live By: Cher
Words to Live By: Lena Horne


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In December, the NPS will begin efforts to consider converting portions of the Monongahela National Forest into a national park. Via the Charleston Gazette, "Judy Rodd, executive director of the group Friends of Blackwater Canyon, said the proposed High Allegheny National Park would be formed from "lands in the northern area of the Monongahela National Forest, which is already federal land," as well as Blackwater Falls and Canaan Valley state parks." The survey will take a year.
Surfers don't like having breaks publicized. (See Surfline.com. *ducks*). I learned to surf at Patricks and Picnic Tables and Second Light and on the few occasions I ventured into the lineup by myself as a pasty kook from Upstate New York, I was able to see why the locals who grew up surfing alongside Kelly Slater may not want beginners like me flailing into the line-up. However, in smaller communities like Cocoa Beach and Melbourne, every surfer knows every break, so it's not like these signs are unveiling the next Cortez Bank. Nevertheless, signs like these could end up attracting the bros from UCF and Orlando who feel their one lesson from Ron Jon's and their cool NSP wall decor board has earned them a spot next to guys like the Colburn boys. Maybe. But probably not.


Today, Denver Mountain Parks Foundation, along with three of our closest partners (The Park People, the Greenway Foundation, and the Civic Center Conservancy), released a letter of concern regarding Initiative 300, which will appear on Denver's spring ballot. We hope Denver voters will take the time to review the letter and consider how Initiative 300 could impact the accessibility, safety and quality of our beloved community spaces.
As leading advocates for Denver's public parks, open spaces, trails and waterways, we are writing to express our deep concerns about proposed Initiative 300 appearing on the May 2019 Denver ballot.
300 will fundamentally change the way Denver residents and visitors use parks, open spaces, trails and waterways. Initiative 300 gives any and all persons in Denver –whether or not they are experiencing homelessness – the right to rest and shelter in all public places and prohibits the City from implementing laws that infringe upon those rights. As a result, people will be able to camp in our parks, parkways, open spaces, and tree lawns in our neighborhoods and along our trails and greenways 24 hours per day, 7 days per week, indefinitely. The City may no longer be able to enforce basic safety laws including park curfews. Further, it will be very difficult, if not all together impossible, for the City, community non-profits and private citizens to host activities in our parks, as they may not be allowed to displace homeless encampments to set up for events. This means that beloved traditions in our community – City Park Jazz, Civic Center Eats, Independence Eve, Colorado Dragon Boat Festival, The Furry Scurry, The Turkey Trot and even Easter Sunrise Services at Red Rocks – may have to be discontinued. Valuable services and programming, such as environmental education experiences for thousands of inner-city youth, would likely come to a halt.
300 will bring significant impact without new resources. Our parks and public places were not designed for human habitation. People living in parks will have significant impacts on trees, plants, water, buildings and infrastructure there. The City will need to spend additional money to collect trash, remove human waste, repair damaged facilities and natural resources impacted by this unintended use. However, 300 provides no new funding to meet this new demand. Denver voters generously invested in our parks when they approved issue 2A on the November 2018 ballot. We are concerned that those newly approved funds, which were intended to support Denver's parks and open space needs in the face of our community's significant growth and development, will be diverted from their intended purpose to address the impacts of 300.
300 will lead to environmental damage to fragile waterways and ecosystems. The trash and waste that is produced when large groups of people live together without basic modern infrastructure like running water and toilets can have major impacts on public and environmental health. This is particularly concerning around rivers and waterways and wildlife habitats.
This initiative poses a major risk to the accessibility, safety and quality of our parks and open spaces and hinders current efforts to improve and expand them. We urge Denver voters to carefully consider their vote on 300.


This item is a used light rear driver tail lamp on trunk / lid for a 2001 Lexus LS430. The part numbers are 81591-50110 and 8159150110. This OEM Genuine Lexus part is for sale (please call for pricing) and comes with a warranty.


I.Brief introduction of meat mincer machinery .
meat mincer machinery products production industry and high versatiliLD and wide range of use in a meat processing equipment. It is on screw will hopper in raw meat to precut plate, through the rotation of the screw extrusion orifice plate and the cutter to produce relative motion, thus the raw meat into the particle shape, to ensure the uniformilk of meat. Through different combinations of the board can achieve the desired requirements of different meat.
2, with meat functions, time saving, preservation, shelf life.
3, good cutting process with short time, low temperature rise, conducive to the preservation, prolong the retention period.
3, multiple orifice plate portfolio, more suitable for the requirements of different meat products.
1.All meat mincer machinery will be packed in wooden box to insure that you can receive it compey.
For further details,contat with me freely.


text:
News tagged with political campaigns
On TV, political ads are regulated—but online, anything goes
With the 2020 election just a year away, Facebook is under fire from presidential candidates, lawmakers, civil rights groups and even its own employees to provide more transparency on political ads and potentially stop running ...
Google shifts rules for political ads, pressuring Facebook
Google's tightening of its political ad policy could help reduce the spread of misinformation on election campaigns, but at a cost for lesser-known candidates.
Google, Facebook at center of escalating political-ad tension
Facebook Inc. and Google were drawn into an escalating battle of wills Wednesday over the use of political advertising on social media.
Twitter's political ad ban will exempt some 'issue' ads
Twitter Inc. is making some exceptions to its recent ban on all political advertising, announcing Friday that it will allow "cause-based" ads for some economic, environmental or social issues.
Google considers changing its political advertising policy
Managers at Google are considering changing policies on political advertising in the midst of a raging public debate on the topic, according to a person familiar with the company's plans.
The pressure is now on Facebook to ban political ads, too
Twitter's ban on political advertising is ratcheting up pressure on Facebook and Mark Zuckerberg to follow suit. But so far, that doesn't appear likely to happen.
Twitter pulls back on political ads, but pitfalls await
Twitter announced an end Wednesday to political campaign and issue ads on its service, calling it an important step in reducing the flow of election-related misinformation.
TikTok turns its back on political ads
Youth-friendly TikTok on Friday said it won't allow political ads because they would clash with the "light-hearted" feeling at the social network where people share playful video snippets.
Campaigns on their own as cyber threats roil midterms
Kamala Harris has been the target of social media misinformation campaigns since she became a U.S. senator.


What year did Seth die?
Q: What year did Seth die?
On the Gregorian calendar (the one you might have on your wall) the year was 3003 BC.
On the Hebrew calendar, sometimes called the biblical calendar, the year was 1044 AM.
Genesis 5:8 - And all the days of Seth were nine hundred and twelve years: and he died.


Hey all. The 2018 CALRO Turkey Shoot fundraising golf tournament is just around the corner, Friday November 2, 2018 at the Montebello Country Club (901 Via San Clemente, Montebello Ca. 90640). Please get a team together and join us on the links for an afternoon of fun, golf, and friends! Info is available on our web page under the "Turkey Shoot" heading. The field of players is limited to 144 players and annually we sell all the spots. Don't miss out.
Prices are $135 per player or $500 for a team of four. These prices include green fees, cart rental, and dinner following. There will be raffles and prizes and plenty of discussion on who had the best game out on the links!
← Audits. Why are we not getting it?


Find great deals on eBay for 1969 Mercury Cougar Parts in Other Parts. Shop with confidence.
USED ON: (A) Steering Column, A C Register Housing. End Finish Panels Right and Left Instrument Panel Right Side. Glove Box Door Outside inside, hinge and brackets.
There are 14 1967 Mercury Cougars for sale today on ClassicCars . More listings are added daily. Email alerts available.
FOR SALE: 1968 Cougar XR 7 GT: Original 390 S Code with C 6 Automatic. Factory A C, Power Disc Brakes, Power Steering, Heavy Duty Suspension & Factory Rear Bumper Guards.
Green 1968 Mercury Cougar for sale located in Lakewood, Colorado $15,000 (ClassicCars ID CC 7588). Browse photos, see all vehicle details and contact the seller.
Mercury Cyclone is an automobile that was marketed by the Mercury division of Ford from 1964 to 1971. Introduced in 1964 as the Mercury et Cyclone, the Cyclone replaced the S 22 as the performance oriented version of the Mercury et model line. The Cyclone became a distinct nameplate for the 1968 model year, as the Mercury Montego was phased in to replace the et.


We recently have been getting a lot of this error and there's not much info why it's happening. We are at 2.0.
System.Data.SqlClient.SqlException (0x80131904): Resource ID : 1. The request limit for the database is 60 and has been reached. See 'http://go.microsoft.com/fwlink/?LinkId=267637' for assistance.
The exception message is quite clear IMHO. Your database allows 60 concurrent connections, and you have reached that limit, så the configuration is your problem.
The PageNotFound-module logs all 404 "errors", so if you are getting alot of thatkind of traffic, that explains the cause.
Apparently you have a request limit on sql server azure. Best to increase that.. SEO Checker will make a request every minute to check if it needs to process items in the validation queue.


text:
### ---------------------------ddev-webserver-base--------------------------------------
### Build ddev-php-base from ddev-webserver-base
### ddev-php-base is the basic of ddev-php-prod
### and ddev-webserver-* (For DDEV-Local)
FROM drud/ddev-php-base:v1.21.3 as ddev-webserver-base

ENV BACKDROP_DRUSH_VERSION=1.4.0
ENV MKCERT_VERSION=v1.4.6
ENV DEBIAN_FRONTEND=noninteractive

ENV NGINX_SITE_TEMPLATE /etc/nginx/nginx-site.conf
ENV APACHE_SITE_TEMPLATE /etc/apache2/apache-site.conf
ENV TERMINUS_CACHE_DIR=/mnt/ddev-global-cache/terminus/cache
ENV CAROOT /mnt/ddev-global-cache/mkcert

# TARGETPLATFORM is Docker buildx's target platform (e.g. linux/arm64), while
# BUILDPLATFORM is the platform of the build host (e.g. linux/amd64)
ARG TARGETPLATFORM
ARG BUILDPLATFORM

ADD ddev-webserver-etc-skel /
RUN /sbin/mkhomedir_helper www-data

RUN apt-get -qq update
RUN DEBIAN_FRONTEND=noninteractive apt-get -qq install -y -o Dpkg::Options::="--force-confold" --no-install-recommends --no-install-suggests -y libcap2-bin locales-all supervisor

# Arbitrary user needs to be able to bind to privileged ports (for nginx and apache2)
RUN setcap CAP_NET_BIND_SERVICE=+eip /usr/sbin/nginx
RUN setcap CAP_NET_BIND_SERVICE=+eip /usr/sbin/apache2

ADD ddev-webserver-base-files /
ADD ddev-webserver-base-scripts /

# magerun and magerun2 for magento
RUN curl -sSL https://files.magerun.net/n98-magerun-latest.phar -o /usr/local/bin/magerun && chmod 777 /usr/local/bin/magerun
RUN curl -sSL https://raw.githubusercontent.com/netz98/n98-magerun/develop/res/autocompletion/bash/n98-magerun.phar.bash -o /etc/bash_completion.d/n98-magerun.phar
RUN curl -sSL https://files.magerun.net/n98-magerun2-latest.phar -o /usr/local/bin/magerun2 && chmod 777 /usr/local/bin/magerun2
RUN curl -sSL https://raw.githubusercontent.com/netz98/n98-magerun2/develop/res/autocompletion/bash/n98-magerun2.phar.bash -o /etc/bash_completion.d/n98-magerun2.phar && chmod +x /usr/local/bin/magerun

# /usr/local/bin may need to be updated by start.sh, etc
RUN chmod -f ugo+rwx /usr/local/bin /usr/local/bin/composer

RUN apt-get -qq autoremove && apt-get -qq clean -y && rm -rf /var/lib/apt/lists/*

# END ddev-webserver-base

### ---------------------------ddev-webserver-dev-base--------------------------------------
### Build ddev-webserver-dev-base from ddev-webserver-base
FROM ddev-webserver-base as ddev-webserver-dev-base
ENV MAILHOG_VERSION="1.0.2"
ENV CAROOT /mnt/ddev-global-cache/mkcert
ENV PHP_DEFAULT_VERSION="8.0"

RUN wget -q -O - https://packages.blackfire.io/gpg.key | apt-key add -
RUN echo "deb http://packages.blackfire.io/debian any main" > /etc/apt/sources.list.d/blackfire.list
RUN apt-get update

SHELL ["/bin/bash", "-c"]

RUN mkdir /tmp/ddev && \
    if [[ $TARGETPLATFORM == "linux/arm64" ]]; then \
        printf 'MKCERT_ARCH="linux-arm64" \n\
        MAILHOG_ARCH="linux_arm64"' > /tmp/ddev/vars; \
    else \
        printf 'MKCERT_ARCH="linux-amd64" \n\
        MAILHOG_ARCH="linux_amd64"' > /tmp/ddev/vars; \
    fi

RUN DEBIAN_FRONTEND=noninteractive apt-get -qq install -o Dpkg::Options::="--force-confold" --no-install-recommends --no-install-suggests -y \
    blackfire \
    blackfire-php \
    fontconfig \
    gettext \
    git \
    graphviz \
    iproute2 \
    iputils-ping \
    jq \
    libldap-common \
    libpcre3 \
    locales-all \
    nano \
    ncurses-bin \
    netcat \
    openssh-client \
    patch \
    rsync \
    sqlite3 \
    sudo \
    telnet \
    unzip \
    zip

# blackfire user by default is set up with /dev/null as homedir, and 999 as uid, which
# can break people. Use a real homedir
RUN mkdir -p /home/blackfire && chown blackfire:blackfire /home/blackfire && usermod -d /home/blackfire blackfire

ADD ddev-webserver-dev-base-files /
RUN phpdismod blackfire xhprof
RUN source /tmp/ddev/vars && curl -sSL https://github.com/drud/MailHog/releases/download/v${MAILHOG_VERSION}/MailHog_${MAILHOG_ARCH} -o /usr/local/bin/mailhog;

RUN phpdismod xdebug && curl -sSL --fail --output /usr/local/bin/phive "https://phar.io/releases/phive.phar" && chmod 777 /usr/local/bin/phive && phpenmod xdebug
RUN set -o pipefail && curl -sSL https://github.com/pantheon-systems/terminus/releases/download/$(curl --silent "https://api.github.com/repos/pantheon-systems/terminus/releases/latest" | perl -nle'print $& while m{"tag_name": "\K.*?(?=")}g')/terminus.phar --output /usr/local/bin/terminus && chmod 777 /usr/local/bin/terminus
RUN set -o pipefail && curl -sSL https://github.com/platformsh/platformsh-cli/releases/download/$(curl --silent "https://api.github.com/repos/platformsh/platformsh-cli/releases/latest" | perl -nle'print $& while m{"tag_name": "\K.*?(?=")}g')/platform.phar --output /usr/local/bin/platform && chmod 777 /usr/local/bin/platform

RUN mkdir -p "/opt/phpstorm-coverage" && \
    chmod a+rw "/opt/phpstorm-coverage"

RUN curl -sSL --output /usr/local/bin/acli https://github.com/acquia/cli/releases/latest/download/acli.phar && chmod 777 /usr/local/bin/acli

RUN curl -sSL https://github.com/backdrop-contrib/drush/releases/download/${BACKDROP_DRUSH_VERSION}/backdrop-drush-extension.zip -o /tmp/backdrop-drush-extension.zip && unzip -o /tmp/backdrop-drush-extension.zip -d /var/tmp/backdrop_drush_commands && rm /tmp/backdrop-drush-extension.zip

RUN mkdir -p /etc/nginx/sites-enabled /var/log/apache2 /var/run/apache2 /var/lib/apache2/module/enabled_by_admin /var/lib/apache2/module/disabled_by_admin && \
    touch /var/log/php-fpm.log && \
    chmod ugo+rw /var/log/php-fpm.log && \
    chmod ugo+rwx /var/run && \
    touch /var/log/nginx/access.log && \
    touch /var/log/nginx/error.log && \
    chmod -R ugo+rw /var/log/nginx/ && \
    chmod ugo+rwx /usr/local/bin/* && \
    update-alternatives --set php /usr/bin/php${PHP_DEFAULT_VERSION} && \
    ln -sf /usr/sbin/php-fpm${PHP_DEFAULT_VERSION} /usr/sbin/php-fpm

RUN chmod -R 777 /var/log

# we need to create the /var/cache/linux and /var/lib/nginx manually for the arm64 image and chmod them, please don't remove them!
RUN mkdir -p /mnt/ddev-global-cache/mkcert /run/{php,blackfire} /var/cache/nginx /var/lib/nginx && chmod -R ugo+rw /mnt/ddev-global-cache/

RUN chmod -R ugo+w /usr/sbin /usr/bin /etc/nginx /var/cache/nginx /var/lib/nginx /run /var/www /etc/php/*/*/conf.d/ /var/lib/php/modules /etc/alternatives /usr/lib/node_modules /etc/php /etc/apache2 /var/log/apache2/ /var/run/apache2 /var/lib/apache2 /mnt/ddev-global-cache/*

RUN source /tmp/ddev/vars && curl -sSL https://github.com/drud/mkcert/releases/download/${MKCERT_VERSION}/mkcert-${MKCERT_VERSION}-${MKCERT_ARCH} -o /usr/local/bin/mkcert && chmod 777 /usr/local/bin/mkcert

RUN mkdir -p /var/xhprof && curl -o /tmp/xhprof.tgz -sSL https://pecl.php.net/get/xhprof && tar -zxf /tmp/xhprof.tgz --strip-components=1 -C /var/xhprof && chmod 777 /var/xhprof/xhprof_html && rm /tmp/xhprof.tgz

RUN touch /var/log/nginx/error.log /var/log/nginx/access.log /var/log/php-fpm.log && \
  chmod 666 /var/log/nginx/error.log /var/log/nginx/access.log /var/log/php-fpm.log

RUN a2dismod mpm_event
RUN a2enmod ssl headers expires

# scripts added last because they're most likely place to make changes, speeds up build
ADD ddev-webserver-base-scripts /
RUN chmod ugo+x /start.sh /healthcheck.sh

# Composer, etc may need to be updated by composer self-update
RUN chmod -f ugo+rwx /usr/local/bin /usr/local/bin/*

RUN chmod ugo+w /etc/ssl/certs /usr/local/share/ca-certificates

HEALTHCHECK --interval=1s --retries=120 --timeout=120s --start-period=120s CMD ["/healthcheck.sh"]
CMD ["/start.sh"]
RUN apt-get -qq clean -y && rm -rf /var/lib/apt/lists/* /tmp/ddev
#END ddev-webserver-dev-base

### ---------------------------ddev-webserver--------------------------------------
### This could be known as ddev-webserver-dev as it's development-env targeted
### But for historical reasons, it's just ddev-webserver
### Build ddev-webserver by turning ddev-webserver-dev-base into one layer
FROM scratch as ddev-webserver
ENV PHP_DEFAULT_VERSION="8.0"
ENV NGINX_SITE_TEMPLATE /etc/nginx/nginx-site.conf
ENV APACHE_SITE_TEMPLATE /etc/apache2/apache-site.conf
ENV TERMINUS_CACHE_DIR=/mnt/ddev-global-cache/terminus/cache
ENV CAROOT /mnt/ddev-global-cache/mkcert
ENV COMPOSER_ALLOW_SUPERUSER=1
ENV COMPOSER_CACHE_DIR=/mnt/ddev-global-cache/composer
ENV COMPOSER_PROCESS_TIMEOUT=2000
ENV DEBIAN_FRONTEND noninteractive
ENV TERM xterm
ENV MH_SMTP_BIND_ADDR 127.0.0.1:1025
ENV BASH_ENV /etc/bash.nointeractive.bashrc
ENV LANG=C.UTF-8
ENV XHPROF_OUTPUT_DIR=/tmp/xhprof

COPY --from=ddev-webserver-dev-base / /
EXPOSE 80 8025
HEALTHCHECK --interval=1s --retries=120 --timeout=120s --start-period=120s CMD ["/healthcheck.sh"]
CMD ["/start.sh"]
#END ddev-webserver

### ---------------------------ddev-webserver-prod-base--------------------------------------
### Build ddev-webserver-prod-base from ddev-webserver-base
### This image is aimed at actual hardened production environments
FROM ddev-webserver-base as ddev-webserver-prod-base
ENV CAROOT /mnt/ddev-global-cache/mkcert
ENV PHP_DEFAULT_VERSION="8.0"

RUN wget -q -O - https://packages.blackfire.io/gpg.key | apt-key add -
RUN echo "deb http://packages.blackfire.io/debian any main" > /etc/apt/sources.list.d/blackfire.list
RUN apt-get update

SHELL ["/bin/bash", "-c"]

RUN mkdir /tmp/ddev && \
    if [[ $TARGETPLATFORM == "linux/arm64" ]]; then \
        echo 'MKCERT_ARCH="linux-arm64"' > /tmp/ddev/vars; \
    else \
        echo 'MKCERT_ARCH="linux-amd64"' >/tmp/ddev/vars; \
    fi

RUN DEBIAN_FRONTEND=noninteractive apt-get -qq install -o Dpkg::Options::="--force-confold" --no-install-recommends --no-install-suggests -y \
    blackfire-php \
    fontconfig \
    gettext \
    git \
    iproute2 \
    iputils-ping \
    jq \
    libpcre3 \
    locales-all \
    nano \
    ncurses-bin \
    netcat \
    openssh-client \
    patch \
    rsync \
    sqlite3 \
    unzip \
    zip

ADD ddev-webserver-prod-files /
RUN phpdismod blackfire xhprof

RUN curl -sSL https://github.com/backdrop-contrib/drush/releases/download/${BACKDROP_DRUSH_VERSION}/backdrop-drush-extension.zip -o /tmp/backdrop-drush-extension.zip && unzip -o /tmp/backdrop-drush-extension.zip -d /var/tmp/backdrop_drush_commands

RUN mkdir -p /etc/nginx/sites-enabled /var/lock/apache2 /var/log/apache2 /var/run/apache2 /var/lib/apache2/module/enabled_by_admin /var/lib/apache2/module/disabled_by_admin && \
    touch /var/log/php-fpm.log && \
    chmod ugo+rw /var/log/php-fpm.log && \
    chmod ugo+rwx /var/run && \
    touch /var/log/nginx/access.log && \
    touch /var/log/nginx/error.log && \
    chmod -R ugo+rw /var/log/nginx/ && \
    chmod ugo+rx /usr/local/bin/* && \
    update-alternatives --set php /usr/bin/php${PHP_DEFAULT_VERSION} && \
    ln -sf /usr/sbin/php-fpm${PHP_DEFAULT_VERSION} /usr/sbin/php-fpm

RUN chmod -R 777 /var/log

# we need to create the /var/cache/linux and /var/lib/nginx manually for the arm64 image and chmod them, please don't remove them!
RUN mkdir -p /mnt/ddev-global-cache/mkcert /run/php /var/cache/nginx /var/lib/nginx && chmod -R ugo+rw /home /mnt/ddev-global-cache/

RUN chmod -R ugo+w /usr/sbin /usr/bin /etc/nginx /var/cache/nginx /var/lib/nginx /run /var/www /etc/php/*/*/conf.d/ /var/lib/php/modules /etc/alternatives /usr/lib/node_modules /etc/php /etc/apache2 /var/lock/apache2 /var/log/apache2/ /var/run/apache2 /var/lib/apache2 /mnt/ddev-global-cache/*

RUN source /tmp/ddev/vars && curl -sSL https://github.com/drud/mkcert/releases/download/${MKCERT_VERSION}/mkcert-${MKCERT_VERSION}-${MKCERT_ARCH} -o /usr/local/bin/mkcert && chmod +x /usr/local/bin/mkcert

RUN touch /var/log/nginx/error.log /var/log/nginx/access.log /var/log/php-fpm.log && \
  chmod 666 /var/log/nginx/error.log /var/log/nginx/access.log /var/log/php-fpm.log

RUN a2dismod mpm_event
RUN a2enmod ssl headers expires

# scripts added last because they're most likely place to make changes, speeds up build
ADD ddev-webserver-prod-scripts /
RUN chmod ugo+x /start.sh /healthcheck.sh

RUN /sbin/mkhomedir_helper www-data

RUN chmod ugo+w /etc/ssl/certs /usr/local/share/ca-certificates

HEALTHCHECK --interval=1s --retries=120 --timeout=120s --start-period=120s CMD ["/healthcheck.sh"]
CMD ["/start.sh"]
RUN apt-get -qq clean -y && rm -rf /var/lib/apt/lists/*

#END ddev-webserver-prod-base

### ---------------------------ddev-webserver-prod--------------------------------------
### Build ddev-webserver-prod, the hardened version of ddev-webserver-base
### (Withut dev features, single layer)
FROM scratch as ddev-webserver-prod
ENV PHP_DEFAULT_VERSION="8.0"
ENV NGINX_SITE_TEMPLATE /etc/nginx/nginx-site.conf
ENV APACHE_SITE_TEMPLATE /etc/apache2/apache-site.conf
ENV CAROOT /mnt/ddev-global-cache/mkcert
ENV COMPOSER_ALLOW_SUPERUSER=1
ENV COMPOSER_CACHE_DIR=/mnt/ddev-global-cache/composer
ENV COMPOSER_PROCESS_TIMEOUT=2000
ENV DEBIAN_FRONTEND noninteractive
ENV LANG=C.UTF-8
ENV TERM xterm
ENV BASH_ENV /etc/bash.nointeractive.bashrc

COPY --from=ddev-webserver-prod-base / /
HEALTHCHECK --interval=1s --retries=120 --timeout=120s --start-period=120s CMD ["/healthcheck.sh"]
CMD ["/start.sh"]
#END ddev-webserver-prod

redpajama_set_name: RedPajamaGithub


text:
Keeler North Star Studio
743 Snyder Hill Road, Ithaca, NY 14850
Brian Keeler, Ithaca Studio
info@keelernorthstarstudio.com
Zingology
Brian Keeler
Reflections on The Continuum of The Classics
From the Campagna to Cole's Catskills - Art in Italy and America
Book Review of "America's Rome" By William L. Vance
An Essay by Brian Keeler
"Ponte Emanuele II" a pastel of the famous bridge leading across the Tiber River in Rome. This study was done en plein air.
If ever there was a more thorough book on the importance of Italy and the classics to American arts, it would be hard to find and we would be hard pressed to outdo this volume by William Vance. Although this book was first published in 1989 by Yale University Press, I just came upon it by mere serendipity at the Friends of The Library Book Sale here is Ithaca this fall. Such are the delights of the chance encounter with intellectually stimulating books. This is one of the benefits of living in a university town, where books of this kind are available. It was a steal too, as I got a bundle of other books on the classics and even some DVD's all for under five bucks!
"Stevensville Europa" an oil on cavas by Brian Keeler, taking the ancient myth and reinterpreting in a Pennsylvania setting. The painting is a 30" x 30" on linen- it is in the private collection of Ann Pfister, a scholar and teacher of the classics in Wilmington, Del.
Well this book is right up my alley. I could also say it is a treasure trove of revelations, insights, new material, while profoundly threading together so many American painters, sculptors, and literary figures. These artists from our nation's gestational period and early years, while America's creative forces were attempting artistic independence is the author's primary concern. But during this time these artists, and our statesmen too, were seeking connections to our classical heritage and lineage. This is to say they were looking to Italy, its land and light, but also to the rich history of figurative sculpture and literary sources too.
For myself, I have sought similar goals over many years and on many trips to Italy with the same delight and enthusiasm for artistic heritage and discovering anew the beauty of the landscapes and cities that were painted by so many Americans on their pilgrimages to the source, of course along with their European counterparts.
This book has personal relevance also because I have made many canvases with themes inspired by the classics. Why? Well, I like the tradition and learning from examples of the great Renaissance artists. Working from models, or statuary in museums, or from the old masters paintings directly, these sources are intriguing to apply to contemporary settings and view with or modern lens. I have also painted in many of the same areas as the artists in this book have used as a muse.
Where to start? Well how about Margret Fuller for example, as she receives no small part of the explorations of this text. Fuller, who led a remarkable life as an editor of the Dial, an educator, and a women's rights activist, who engaged with Emerson and the Transcendentalists. She had an affair and children with a charismatic Italian revolutionary and died tragically with him in a shipwreck in New York Harbor in 1850.
A quote from Margaret Fulller from 1848:
"Those who a have not lived, have not seen Rome"
A plein air oil painting by Brian Keeler, "Ponte Fabricio, Rome," This oil painting was painted from a location similar to that Corot used in the 19th century for one his canvases of the Eternal City.
Here is the author's consideration of Fuller's Roman undercurrent;
"Fuller is the most interesting conjoiner of American with Roman aspirations, both ancient and modern. She had written in 1845 that Greece and Rome "brought some things to perfection that the world will probably never see again." And the fact that "our practice" differs should not make us "loose the sense of their greatness." Her essay in the New York Tribune for the New Year's Day of 1846, foresaw that the "scarce achieved Roman nobleness, a Roman Liberty: The question is a view of the American gaze toward Spanish territories- was whether it would avoid the vulture like propensities of the "fierce Roman bird." Whether it was to soar up to the sun or stoop for helpless prey."
We can see from the above that Fuller was fully engaged with politics of her day and that she could draw from the symbolism of ancient Rome to apply these motifs to current events.
This period of American history, and the arts in particular of this era, had been regarded by myself as a sort of dark period, with the paintings that come to mind being those mostly stiff portraits of colonials. How wrong I was. Well, some of those early American attempts at portraiture are still oddly wooden (Gilbert Stuart exempted), but there was indeed more to come.
Two of the painters of the mid and latter part of the 19th century who are brought out splendidly, in this book, in regard to their Roman aspects, are Thomas Cole and George Innes. Cole in particular has become of interest to me for his environmental advocacy as well as his paintings, as he and others like John Muir, and Thoreau were early defenders and portrayers of an American paradise. This beautiful and pristine America that they knew was even then under threat of an industrial onslaught. It is the Roman campagna, the plains and vast countryside to the south of Rome, that becomes their muse while in Italy. We think of Claude Loraine and Poussin and even Turner too, as the European counterparts of earlier generations that plumbed the same light of the area between Rome and Naples. The vast landscape with infinite plains, towering mountains, olive groves, canopy pines, atmospherics and light, along with vestiges of the ancients; the acquaducts and castles, are additions to the appeal of their paintings, as the Italian terra firma is easy to understand for being rich in history and innate aesthetic potential. Thomas Cole also plumbed the rich symbolic history of Rome as well. We can see it in his large and ambitious canvases depicting ancient Rome or mythological groups, such as the series of four painitngs of the "Voyage of Life" in the specially dedicated small room in the NGA in DC. Landscapes and allegories, such as this group at the NGA where meant to be didactic and impart moral lessons as well. In this series, there is reference to the Christian theme of resurrection, as well as the general idea of the impermanence of life.
For us modern day travelers in Italy, the campagna as an area, is somewhat eclipsed by the northern regions of Umbria and Tuscany for topographic appeal. And there is more than a few reasons for this bias and preference. As those northern areas are softer, greener and more diverse offerings with rolling hills of vineyards with the added benefit of being the birthplace of the Renaissance, with the vestiges of the ancient Etruscans.
But before we get carried away with reverie, Wallace levels the playing field with some stark reality and reasons to debunk an overly- romantic view. Here is a passage from an early chapter;
"For both Margaret Fuller and Mark Twain the Roman arena provides a measure for man; for one it is an indication of his apparently limitless potential, for the other it embodies, the universal fraudulence and triviality of his pursuits, his pleasures, and his myths. Historical comparisons, Biblical and classical, had been part of the American consciousness from the beginning, and the relation to the contemporary world to the classical world was for Americans, as representative of the most progressive and democratic nation, more problematic than it was for the French or English, or even Germans."
In short, Italy and Greco-Roman history have provided a cultural definition for Americans. But the way Twain, and many others like James Joyce, D.H. Lawrence and Nathanial Hawthorne were not enamored with Italy, in many respects, is appreciated by us, as it shows a critical appraisal and not a complete hook-line-and sinker acceptance.
D.H. Lawrence referred to Venice as a dark, dank place of little appeal, Twain was sick of hearing about Michelangelo on his tour through Italy, and Joyce thought of Rome as akin to visiting your great, great grandfather's decomposing bones.
I personally like the way Wallace has emphasized the connections of the literary and the painterly. Who would have thought that the American writer, Nathanial Hawthorne as steeped in the classics? His novel, the Scarlet Letter is so thoroughly invested in the puritanical mores of America, that it is jolting, if not refreshing to learn of his Roman leanings. His novel, "The Marble Faun" was a quintessential necessity of Americans traveling to the Eternal City for generations. I must go get a copy before my next trip to Italy.
"June Dawn, Tiber River, Rome" a plein air oil by Brian Keeler.
To underscore the dichotomies and embodiment of opposites in the paintings and literature by Americans of the day, Wallace titles a chapter on Hawthorne, "Golden Light and Malarial Shade." A more striking contrast would be hard to come by, and this phrase embodies the optomism of light with the reality of disease- it cuts to the quick. To suggest part of Hawthorne's aesthetic, here is Wallace again:
"Hawthorne's appeal to dream life, his introspection, and his intention (simply stated) to create a world where the imaginary and the actual may meet and modify each other..." "He claims that America lacks the shadows, antiquity, mystery, and "picturesque gloomy" wrongs that make Italy suitable for romance and that his "dear native land" had nothing but "a commonplace prosperity in a broad and simple daylight,''
We can see that perhaps the tenebrism of Carvaggio's dark and sometimes violent canvases seen in Rome may have underscored the mysterious shadows that Hawthorne was alluding to. The drama of Caravaggio's "Calling of Saint Mathew", or even more dramatic, The "Beheading of Holofernes", also by Caravaggio and in Rome, would have appealed as a foil to any puritanical outlook that Hawthorne witnessed in Salem. Then again, that narrative 18th century America certainly has a very dark side as well.
Here is an excerpt from Wallace that sums up the connection between those authors and artists visiting Italy in the 19th century;
"Painters and writers responded by evoking two contradictory visions. One is melancholy and moralistic, the other pastoral and transcendent. On the one hand they present the wasteland of former civilizations, what George Hillard called a "historical palimpsest" in which nature had nearly covered over the ruins of one civilization, the Roman which had conquered and buried another, the Etruscan. As such it is a place of "desolate and tragic beauty," inseparably connected with the image of Rome," " populous with so many visionary forms from regions of history and poetry, vocal with so many voices of wisdom and warning."
"Palimpsest" is certainly an apt term here. It was an ancient method of writing on velum, which was often scraped off to use again- but leaving traces of the earlier drafts. It was the title of a Gore Vidal novel as well.
A view of Tiber River in Rome painted plein air by Brian Keeler. This 24" x 26" oil on linen is titled "Castle Sant'Angelo Rome."
We think of too, of the unvarnished truth in this tradition of some of the Neorealist Italian filmmakers of the mid-twentieth century that brought the sometimes heartbreaking cruelty of life to us. Think of films like "The Bicycle Thief", "Umberto D", or "Stromboli" all of which present visions that at once show us unpicturesque starkness, while somehow honoring a tradition as well. Our spirit is enriched and our empathy enabled by these expressions of the travails of the plebeian class in the aftermath of World War II.
It is befitting of this book, that the first image is that of a bronze statue of an American Indian with his son shooting an arrow aimed high above them by Hermon Arkins MacNeil in The Metropolitan Museum of Art in New York City . As Wallace brings out, this is part of the reinventing of the classics and reapplication of the heroic to the new American vision. The "noble savage." is the concept here, as the original Americans became the tabula rassa upon which this ancient lineage of heroes could be applied. The American Arcadia, or ideal is what is being expressed here and it means to give new voice to an ancient narrative.
The aspect of nudity in 19th century America is not given short shrift in the book of Wallace's and the portrayal of male American Indians would seem to have offered a safe and perfectly natural subject. The author lets us know that American sculptors were taking the Apollo of the ancients and giving the God new form here. The abundance of virtuosic nude sculpture on Rome's Capitoline Hill or in the Uffizi Gallery in Florence would have offered ample inspirations for those intrepid American sculptors.
To give us the context of the cultural mileu here, especially in regard to the human figure, here is a passage from Wallaces' book;
"But Away from Rome Brown did succeed in creating various figures of Indians as justification for their nudity did not convince everyone. It merely made Indians as indecent as pagan Greeks. The American Art-Union offered Brown's first bronze Statuette of an Indaian youth in its distribution of 1849 with the assurance he was a beautiful as Apollo." "And armed with bow and arrow, like him as he pursued the children of Niobe."
So we can see that some issues have long life of sensitivity and controversy, namely the depiction of the human figure, clothed, partially draped or nude.
I personally like the aspirational underpinnings, if not altruism that informed the canvases of Inness and Cole and that will be my takeaway from this book. The light portrayed in the canvases of both artists and the spiritual allusions that both expressed have great appeal. Innes with his spiritual structure through a philosophy of pantheism known as Swedenborgianism showed a mission to express something higher through his canvases. The shear beauty of their works inspired by the light of Italy, and then in America too, expresses a higher cause but based on observation.
There was one ancient myth, little known today, and brought out in this book that I find intriguing, which also captivated Inness, Claude, Cole and others. That being, of the deity Egeria, a water nymph, advisor and author of sacred texts. She was believed to inhabit sacred groves. We can see the appeal and relevance in the canvases of these artists as for their predilection for themes of olive groves and lakes. Here is Wallace's take on this:
"At the same time, she is a sort of fertility goddess, who assured safe childbirth to those who sacrificed to her. Moreover, in the Golden Bough, Frazer suggests that Egeria as a nymph of water and woods is an aspect of Diana, or a local version of her. Innes, in living a summer at Albano and painting Lake Nemi several times , would have know the waters surface "The Mirror of Diana" and would have learned that Apollo's sister had been worshiped in ancient times in a sacred grove at Nemi."
George Inness's large painting of the Tiber River valley from Perugia, in Umbria is in the National Gallery of Art in Washington, DC. Another version is in the Clark Institute in Williamstown, Mass.
This oil sketch by Brian Keeler, is a view of Perugia with a view of Assisi in the distance. It was painted plein air and inspired in part by Inness's work. Although the Tiber River is not visible from this vantage, a similar type of light streaking in from the right and a solitary figure is portrayed in both.
I think of Inness's canvases of the beautiful Tiber Valley at Perugia and then taking that same inspiration to paint in America. Also, Thomas Cole's paintings the Roman Campagna and then back here in America painting the Lackawanna River Valley at Scranton or the Oxbow in the Connecticut River at Mount Holyoke, show us how Italy informed their American expressions. In short, there is a continuum and correspondence between Italy and America.
Just as Machiavelli proclaimed to enter into conversations with ancient authors and poets, so did the adherents of Swedenborg's type of philosophy. Again Wallace on this;
" the knowledge of correspondences was the chief of knowledge, By means of it the they acquired the intelligence and wisdom of the most ancient people, whoever were celestial men, thought from correspondence itself, as the angels do."
The book ends with a mention of 20th century painters and sculptors and referred to as a view from the Janiculum, which is the hill above and next to the Vatican where the American Academy in Rome is located. Since more than 200 years have passed since the American painter, Benjamin West first trod the seven hills, the appeal and benefits of the study of Rome still speaks to us, and as Wallace opines; ".. and that beauty that once was must come again."
Brian Keeler painting in Rome in 2009 near the Jewish quarter next to the Teatro of Marcellus.
An Amsterdam Apogee- Impressions
Is this Presidential? Toxicity Tantrums and Super Hero Delusions-
I've thought of writing this appraisal many times- delaying to sidestep polemics, but for no lack of material. On the contrary, every day the news has an abundance of articles that could make any rea
When Fish Fly- Actually and Allegorically
© 2020 Brian Keeler


text:
Zadarfest é um festival de música que se realiza anualmente em  Zadar, Croácia. O primeiro festival realizou-se em 1993.

O festival oferece vários prémios, o maior é o  Grande Prémio.

Lista de vencedores

1993 - Gibonni com "Život me umorio"
1994 - Gibonni com "Dvije duše"
1995 - Zoran Jelenković com "Ima Boga"
1996 - Petar Grašo e  "Trebam nekoga"
1997 -
1998 -
1999 - Vanna com "Daj mi jedan dobar razlog" and Mladen Grdović com "Vitar nek' puše"
2000 - Vanna com "Pomozi mi sad" e Zoran Jelenković com "Mjesec je žut"
2001 - Vanna com  "Više nisi moj"
2002 - Doris Dragović com "Nije mi vrime", Tomislav Bralić com "Ispod tvoje boloture" e Giuliano com "Padam na koljena"
2003 - Vesna Pisarović com "Ljubomora"
2004 -
2005 -

Festivais de música eletrônica
Festivais de música
Música da Croácia

redpajama_set_name: RedPajamaWikipedia


text:
Japanese Victims of U.S. Torpedo Attack Remembered 76 Years On
Society Aug 22, 2020
Naha, Okinawa Pref., Aug. 22 (Jiji Press)--A memorial service was held Saturday to mark the 76th anniversary of the tragedy of the Tsushima Maru evacuation ship, in which nearly 1,500 people, including schoolchildren, were killed in a U.S. torpedo attack during World War II.
Participants prayed for the victims at the "Kozakura no To" monument in Naha, the capital of the southernmost Japan prefecture of Okinawa. This year's service had a limited number of participants amid the spread of the novel coronavirus.
After the participants observed a moment of silence, Masakatsu Takara, 80, a survivor of the attack and head of a group working to prevent the tragedy from being forgotten, said in a speech, "While the memorial service was held under irregular circumstances this year, we'd like to send our prayers to the victims."
Noting that Tsushima-maru Memorial Museum in Naha had faced a plunge in the number of visitors after it reopened following a temporary closure due to the epidemic, Takara said, "We must keep open Japan's only war memorial museum focusing on children." The museum is now shut again because of the Okinawa prefectural government's state of emergency declaration over the coronavirus
On the night of Aug. 22, 1944, the Tsushima Maru sank off Akuseki Island in Kagoshima Prefecture, southwestern Japan, due to the torpedo attack from a U.S. submarine, after leaving a port in Naha for Nagasaki, southwestern Japan, on the previous day.


Whenever there's a chance to take a shot at Taylor Swift, there's pretty much a guarantee that Diplo will jump at the opportunity. Recently, Swift released her video for "Delicate," receiving something of a mixed response (as usual) from the internet. Diplo clearly isn't a fan of Swift, but he seems to at least be having a lot of fun at her expense with a video he posted to Twitter, above.
Sporting a goofy blond wig and replicating her dance moves from the video, this is actually one of the least mean-spirited shots the producer/DJ has taken at T-Swift.
A lot of fans were quick to point out the pair's complicated past and criticize Diplo. Back in 2015, he infamously tweeted, "Someone should make a kickstarter to get taylor swift a booty." Diplo's own friend Lorde was chief among those pointing out how awful the tweet was at the time.
After the tweet, he told GQ that Taylor Swift fans were "really crazy," mentioning all the death threats he received.
Last year he was heavily critical of Swift once again, using an interview with Rolling Stone as an opportunity to say that kids are less interested in her music more than ever before. "Music is in the hands of the kids. Streaming is literally what kids want to listen to over and over again. They want to listen to 'Rockstar' and 'Bodak Yellow.' They don't want to listen to, like, 'Look What You Made Me Do.' That music doesn't relate to them at all."
DRAM and Diplo Team up for Uplifting New Song "Look Back"


I agree with Rose. I want A Million Suns.
Oooh, really nice books! Perception looks really good, I'll have to look up that one.
Oooh, 'A Temptation of Angels'! I pre-ordered that, am very jealous and curious now!!!
I'm curious for Cinder too! Nice load :) Enjoy them!
Eona was fantabulous! Hope you'll love it too. Nice books!
Temptation of Angels! Temptation of Angels!! I want to read this book SO bad!! I hope that you enjoy it! I also need to get round to reading Cinder! Everyone seems to love it!
awesome IMM! all of the books that you've got is just fantastic. Cinder, tempest, Eona are some of the books that is part of my to-buy list!
I hadn't seen Perception before this week's IMM posts, but I like the cover and the title - I'm interested in reading more.
So jealous you got Perception. Can't wait to read it. Great Haul!
Fab books this week. I finished reading Tempest last week and thought it was awesome! Hope you enjoy all of your books. You can see what I got in my mailbox here.
I can't wait to read Tempest and Cinder! :) I keep hearing Cinder is amazing. Happy reading!
Great set! So cool that you got Tempest. I hope to read Eona soon too.
Great IMM. Hope you enjoy reading them. I can't wait to read Cinder.


text:
Home/City Hall/Clerk Services
We are asking Funeral Home operators to submit the Death Registration and Burial Permit forms through a secure on-line portal, by fax 613-933-1860 or drop off in the secured mail box located at the front door of City Hall. Please enter the required information and attach all supporting documents. We will issue Acknowledgements of Registration of Deaths and Burial Permits and electronic copies will be returned to you.
We are asking marriage applicants to submit their Marriage Licence Application through a secure online portal, by fax 613-933-1860 or drop-off in the secured mail box at City Hall. Please enter the required information and attach the Marriage Licence Application and supporting identification. We will contact you for payment, issue the Marriage Licence and make arrangements for a pick-up time.
We ask at this time that only one person attends to our office to pickup the issued marriage licence.
The City of Cornwall offers non-denominational marriage ceremonies. Before having a civil marriage in Ontario you must obtained a marriage license through your local municipality. If you are being married in a religious ceremony, you may be eligible to be married by a Publication of Banns (making an announcement of the details of your intent to marry in your church, mosque or synagogue). Further information concerning a marriage under the authority of the Publication of Banns may be obtained from a Minister or a member of the Clergy.
We are asking marriage applicants to submit their Marriage Licence Application through a secure on-line portal, or by fax 613-933-1860 or drop off in the secured mail box at City Hall. Please enter the required information and attach the completed Marriage Licence Application and supporting identification. We will contact you for payment, issue the Marriage Licence and make arrangements for a pick-up time.
Fee for the Marriage Licence is $150.00 and it is valid for ninety (90) days within the Province of Ontario from the date of issue. Marriage license fees are non-refundable.
Both parties must sign the Marriage Licence Application.
A person under the age of 16 is not permitted to marry in the Province of Ontario. Parental consent is required for persons who are 16 or 17 years of age. A special Consent form is required to be completed.
Identification Required
Two (2) original pieces of identification are required for each of the parties (photocopies are not accepted)
One of the following:
Birth Certificate and any Change of Name Certificate
Record of Immigrant Landing
Together with one of the following Photo Identification:
BYID Age of Majority Card
Ontario Photo ID Card
ID on the list can be from any country, as long as it is government issued
If the ID is not in English, a written translation from a certified translator is required.
Prior Marriages
Canadian Divorce
If you were granted a divorce in Canada from a previous marriage, you must bring one of the following with your marriage licence application:
Original Certificate of Divorce
Decree Absolute or
Court-certified true copy of either document (A Copy can only be certified by the Court in which the Applicant was divorced (a photocopy will not be accepted).
Please note: Ensure the Certificate is stamped or sealed, as some provinces only seal upon request.
In the case of a Divorce granted in Quebec, the Divorce Judgment will only be accepted if it was issued before 1986.
Divorce outside of Canada
If you annulled or dissolved your previous marriage outside of Canada, you must get permission from the Office of the Registrar General before we can issue you a marriage licence.
To get permission, you or your lawyer must send the following by mail:
A complete marriage licence application signed by both applicants
- Original Certificate of Divorce
- Decree Absolute
- Court-certified copy of these documents. A court-certified copy means certified by the proper court officer in the jurisdiction that granted the divorce or annulment.
- If the documents are not in English or French, include a translated copy with an affidavit sworn by the translator
A Statement of Sole Responsibility for each divorce signed by both applicants
A legal opinion from an Ontario lawyer addressed to both applicants, giving reasons why the divorce or annulment should be recognized in Ontario
Mail these documents to:
The Office of the Registrar General
189 Red River Road
Thunder Bay, ON P7B 6L8
The process of applying for and receiving the necessary authorization may result in a delay in the issuance of the Marriage Licence.
Widows or Widowers
Widows or widowers do not have to show a death certificate to get a marriage licence.
The City of Cornwall offers the services of experienced marriage officiants to make your days as special as possible. Due to the current health measures, all civil marriage ceremonies are being performed in the outdoor gazebo adjacent to City Hall or at a location of your choosing.
Couples are encouraged to book their telephone pre-ceremony consultation meeting and their wedding date in advance with an Officiant to avoid disappointment and ensure services are available on your preferred date, and to your highest expectations.
Ceremonies are available in either English or French or in a combination of both and can include special requests such as personalized scripts, poems, readings, etc.
Photographs and videos are permitted during the ceremony.
To book a date for a civil marriage ceremony, call 613-930-2787 ext. 2316 or clerk@cornwall.ca.
Civil Marriage Ceremony Fees
Date Deposit non-refundable fee: $60.00 (cash only) to reserve a wedding date and will be applied towards the overall cost of the ceremony.
Civil marriage ceremony fee: $300.00 ($140.00 cash, debit or credit card; $160.00 cash only)
Rehearsal: $40.00 (cash only)
Witnesses: $20.00 per witness (cash only). Witnesses must be fourteen (14) years of age or older.
After the Ceremony
Once the ceremony is complete, the Officiant will forward the marriage licence to the Office of the Registrar General to be registered.
Couples will be given the Record of Solemnization of Marriage but this is not a legal record of the marriage.
The Marriage Certificate is the legal record of the marriage and must be ordered by the couple from the Office of the Registrar General.
All deaths occurring in the City of Cornwall must be registered with the Vital Statistics Office of the Clerk's Division. Copies of Death Certificates can only be obtained by sending an application with the applicable fee to The Office of the Registrar General. Application forms for this purpose are available from the Vital Statistics Office or by clicking on the following link: Request for Death Certificate.
Vital Statistics Office
360 Pitt Street
Cornwall, ON K6H 3P9
Telephone: 613-930-2787 ext 2334 or 2305
Monday to Friday (excluding holidays)
Lottery License
Eligibility and Use of Proceeds
To be eligible for lottery fundraising an organization must demonstrate that one of its primary purposes meet the guidelines for one of the classifications of charitable purposes:
a) Relief of Poverty
Must assist those who are in financial need, distressed, suffering or experiencing social disadvantage, such as:
The homeless
b) Advancement of Education
Must provide programs that are geared to scholastic and vocational training for individuals.
It is the provision of opportunity, supplies or facilities, for such as:
Public schools,
Colleges/universities,
Parent/teacher associations which are non-profit and which support any of the institutions.
Note: The applicant organization should be the parent entity, i.e. the school itself and not a class or department within the school.
An organization that provides any type of program or curriculum that promotes racism, intolerance or violence is not eligible for lottery licensing.
Education that forms part of the professional development of a person or group of people, such as training courses for teachers, lawyers, nurses etc., are not accepted for educational purposes
c) Advancement of Religion
An organization must demonstrate that its programs and services serve in religious services and programs to the community, interpreted to include the provision and maintenance of places of public worship
d) Any Purpose Beneficial to the Community
The purpose must benefit the general public.
The purpose must be exclusively charitable.
A purpose is charitable even if some of the objects are not, so long as those objects are ancillary to the main charitable object.
Purposes beneficial to the community include:
Groups dedicated to community projects
Certain service clubs
Improvement for cultural or ethnic groups
Improvement of quality of health
Sporting and recreational public facilities
Bingo Lottery Application
Bingo Lottery Report
BREAK-OPEN TICKETS
Break-Open Ticket Licence Application
Break-Open Ticket Report
Procedures for Break-Open Ticket Lotteries (Nevada)
Break-Open tickets are instant-win lottery tickets also known as pull tab or Nevada tickets.
All new organizations wishing to sell Break-Open ticket lotteries in the City of Cornwall must provide the Clerk's Division with the following information or documents for their application to be considered:
An application form completed, in detail, by two bona fide members of the organization.
A copy of the organization's budget for the preceding and coming year detailing how the break-open lottery revenues will be acquired and dispersed, as well as the organization's constitution and/or By-laws.
A copy of the Gaming Supplier registration from the third party location at which the organization is applying to sell the tickets. If the organization is applying for the sale of the tickets at their own premises, they are exempt from providing registration under the Gaming Control Act.
Letters Patent (Federal Government) or Letters of Registration (Provincial Government)
Letter detailing objects and purposes
Sample ticket
After review of the information submitted:
The Clerk's Division will advise the Applicant, by letter, of the status of the Application.
Once approved, the two signing officers must provide this Office with police clearances.
The license fee is 3% of the prize value per box, payable by cheque only, to "The City of Cornwall".
The cheque must be from the Lottery account and not from a general or personal account. Cash cannot be accepted as a method of payment.
When the Licensee has completed the sale of tickets, the Applicant must submit a report form along with a copy of all receipts for each expense incurred.
Also, a Financial Year-End Statement must be submitted after the organization's year-end. Every organization's year-end is different.
An organization can only sell from one (1) location in the City of Cornwall.
The organization must comply with the Terms and Conditions set out by the Alcohol and Gaming Control Commission.
Raffle Application
Blanket Raffle Application
Raffle Report
Procedures for Raffles (Draws)
A Raffle is an event for which tickets are sold and the winner of a prize is determined through random selection by draw of one or more tickets from all those sold. The draw must take place in the City of Cornwall.
Prizes may consist of:
Merchandise or cash, or a combination of the two
Alcohol may be awarded as a prize for a Raffle Lottery provided the licensed organization assumes responsibility for ensuring that the prize is awarded only to those persons 19 years of age or over.
All new organizations wishing to sell Raffle Ticket Lotteries in the City of Cornwall must provide the Clerk's Division with the following information or documents for their application to be considered:
A letter detailing what the raffle proceeds will be used for.
A copy of the organization's budget for the preceding and coming years.
A copy of a ticket (can be hand drawn).
After review of the information presented:
The Clerk's Division will advise the organization, by letter, of the status of the Application.
Any new organization, once approved, must provide this office with police clearances on the two signing officers.
The license fee is 3% of the prize value, payable by cheque only to the City of Cornwall. Cash cannot be accepted as a method of payment.
The cheque must be from the lottery account and not from a general or personal account.
Within 30 days after the Raffle Lottery event, the Applicant must submit a report form along with a list of winners and include receipts for each expense incurred.
Individuals wishing to raise monies through a raffle are ineligible for lottery licensing.
A municipality is entitled to issue a Raffle Lottery License where the prizes to be awarded are $50,000.00 or less. When any prizes awarded have a combined total of $10,000.00 or greater, the organization must submit, along with the application, an irrevocable Letter of Credit from a bank, made payable to the City of Cornwall. The Letter of Credit should be in the amount of the total value of the prizes with a minimum expiry date of no less than 45 days after the date of the event. The organization must comply with the Terms and Conditions set out by the Alcohol and Gaming Control Commission.
For further information on any of the above lottery licenses, call 613 930-2787 ext 2305 or 2334.
Commissioners of Oaths' services are offered at City Hall (360 Pitt Street). These endorsements include but are not limited to oaths, affirmations and Affidavits. Since the nature of documents varies, it is strongly recommended that you contact the Clerk's Division prior to your visit to confirm that your attestation can be commissioned by one of our staff members.
Furthermore, it is important to note that the City of Cornwall's Commissioners of Oaths cannot sign documents or certify true copies requiring the certification of a Notary Public. A list of notary public or lawyers can be found in your local phone directory.
What is an Oath?
An oath is a solemn declaration of one's words by which a person signifies that he/she is bound in conscience to perform an act faithfully and truthfully. The oath is used to encourage if not to ensure that the truth be spoken.
What is an Affirmation?
An affirmation is a solemn declaration that serves the same purpose as an oath if an oath is objectionable to the person on religious or ethical grounds.
What is an Affidavit?
An Affidavit is a document containing statements that are verified by the swearing of an oath or by an affirmation. Affidavits are generally used for the purpose of establishing legal rights and may be required to attest to a certain fact or set of facts.
There are four parts to an Affidavit:
1. Identification of the person giving the Affidavit (deponent or affiant).
2. Body of the Affidavit, which provides the evidence or the statement of facts
3. The signature of the deponent
4. Jurat – including the signature of the Commissioner taking the Affidavit.
The Jurat is the certificate of the Commissioner before whom the document was sworn. It sets out the location of where the oath was administered and the date of the oath. By signing the Jurat, the Commissioner is certifying that he or she has administered the oath to the deponent. If Exhibits are attached to the Affidavit, then the Commissioner must also sign the Exhibits certifying them to be part of the Affidavit.
Once you are certain the City of Cornwall can commission your document, you must visit City Hall in person. The request for the Commissioner of Oaths service must be made by the same individual taking the oath and signing the document. You must present one original piece of photo identification in the form of government-issued photo identification (i.e. a valid driver's license, a valid passport, etc.). If your identification is in a language other than English or French, an official translation of the document may be required.
The following is small listing of forms a Commissioner of Oaths can sign:
Delayed birth registration forms;
Application to amend birth registration;
Declaration affirming parentage;
Election to change of name of child under the age of 12;
Statutory declaration by an applicant to correct an error in registration;
Legal name change application;
Blank statutory declaration;
City of Cornwall planning applications;
Insurance claims;
Common law status Affidavits;
Vehicle ownership transfers;
Special invitations to family members overseas;
Passport applications (in lieu of guarantor);
Pension purpose attestations of recipient being alive and confirming their residency;
Residency document;
Lost passport;
Single status certificate;
Consent letter for traveling with a child commonly referred to as a travel document;
Federal government permanent residency card applications (this is the only application for which the City of Cornwall reserves the right to produce a true copy as required);
Municipal Information Form (MIF) for liquor license;
Affidavit waiving vaccinations based on religious grounds.
The following is a listing of documents a Commissioner of Oaths cannot sign:
Any Affidavit related to divorces or separations;
Affidavits relating to Powers of Attorney, Wills or estates;
Documents that need to be certified or if true copies need to be authored;
Forms which call upon a Commissioner of Oath, yet also request certified true copies of other documents as attachments. Because the Commissioner cannot certify attachments, they cannot sign the affixed application (as listed above, the only exception is that of a federal government permanent residency application);
Affidavits of true Affidavits required for an applicant of a marriage license. These must be signed by a notary public.
The City of Cornwall charges $30.00 for each document to be sworn. This fee is payable by cash, cheque, debit or credit card. Documents must be signed in the presence of the Commissioner before they can be commissioned.
Manon Levesque
360 Pitt Street, Box 877, Cornwall ON, K6H 5T9