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Since the above video was created, over 16,000 students from 93 countries around the world have enrolled in this training with internationally acclaimed instructor Sebastian Michaels. Indeed, just this year, fully three quarters of the artists featured in the Spring and Autumn editions of Somerset Digital Studio Magazine were students in this course. Read on and grab this exciting Photoshop training today and SAVE fully $302!
Because for the first time ever, there is a Photoshop Artistry course built specifically to teach you the tricks the professionals use again and again to accomplish all of their best effects and create eye-popping compositions.
Effects like those you see in the images I created for this page, and more than a hundred other techniques as well.
You are going to learn so much from this course, it will completely transform the way you approach your photography or digital scrapbooking and how you use Photoshop.
In fact, get started right now, and in under 60 minutes you are already going to be using Photoshop to turn out richer, more intricate, more exciting compositions than you ever thought you could create.
And your art will never be the same.
2.) You just haven't been trained on how to achieve the large-scale effects the pros are using in their compositions.
If you're anything like I was when I was starting out, you probably love taking photos, probably even have hundreds (maybe thousands?) of them piled up on the hard drive of your computer. You probably also love doing something cool with your images using Photoshop (or maybe Lightroom or Elements). And I'm sure you can probably edit an individual photo and make it look great.
But when it comes to taking your edited photos and doing something with them, creating something stronger, more beautiful and intricate, and more important with them (something worth committing to print or canvas, and actually hanging on a wall) — that's where I'm betting you run into real limitations.
Question is: What if you just don't have the pro-level Photoshop chops to create more elaborate, more complex, more exciting works — how are you going to get anywhere new with your art?
How can you quickly pick up what you need to learn in order to GET REALLY GOOD at creating serious photo art that transcends the everyday photos you've been spending your time on up until now … so you can get on with creating awesome images you could legitimately frame or print to canvas?
Well, there's a simple answer to both of them . . .
Start Learning Today With Our Exclusive Online Course … Designed To Teach You the Most Important Pro-Level Photoshop Techniques That Will Transform You Into a Serious Photo-Artist and Have You Creating Amazing Works Beyond Anything You Have Ever Accomplished Before.
Your Photography Is About To Become Amazing. In Fact, In a Very Short Time It's Going To Become Art.
You are about to learn how to create truly extraordinary works of photo art by immersing yourself in an online Photoshop workshop (with instant 24/7 access), where you are going to quickly learn how to create layered Photoshop compositions more exciting — more awesome — than anything you've done up to now.
You are going to learn in just your first two modules techniques I have spent years accumulating, so you can create images not only like the ones I've made here, but creations entirely your own, expressing your own artistic vision.
This course is going to focus on the grunge approach because there is something immensely freeing in grunge photography, which will get you out of your current (often boring) headspace and radically expand your capacity for finding and creating serious art.
Everything doesn't always need to be so perfect or pretty.
And in trying to make it so, you are unconsciously limiting what you can accomplish with your work.
Actually, not all of the techniques in the course will even be "grunge" techniques. But "grunge" will be the recurring theme.
Because I want you to shake off your old ways of seeing the world.
And in doing this, I want to get you to step outside your comfort zone, take more chances, push beyond anything you have tried in the past, hold yourself to higher standards … and through inspiring you to try so many incredible new techniques and approaches, ultimately drive you to become the artist you are capable of becoming.
So Let's Look At What I've Got For You Here . . .
What I'm talking about is an intensive online "Photoshop Artistry" course, where you will be given immediate, exclusive 24/7 lifetime access to a private training site with four core modules featuring over SEVENTY-FIVE training videos, each culminating with exciting project ideas to inspire you to create art of your own.
You will also receive a wide range of valuable creative resources in each module to help you compose incredible works of photo art of your own right during the course — which you will then post to your very own pro-caliber online portfolio I'll be training you on how to assemble.
In other words: You are going to get all the training and the tools to come out of this course with an incredible portfolio of creative images that will immediately make you look like a professional.
Everything starts with the videos, and you are going to have access to over over 75 highly-polished training videos, all of them organized into four specific modules and, within those, targeting specific skill sets or categories of technique.
You will get instant lifetime access to the videos, and you can come back and view them again and again, for life, entirely at your own pace.
To make it even easier for you to master these techniques, I put all the important key commands (the shortcuts I plan to burn into your nervous system) on the screen whenever I use them.
This will help anchor in your brain and fingers the most efficient "moves" in Photoshop, not only so you try out different approaches rapidly and create something amazing in a very short time, but also so you can become highly proficient, where the interface no longer gets in the way of your creativity.
Supplementing each lesson, I'll also give you awesome downloadable PDF cheat sheets (these things are truly amazing — everyone in the course is crazy about them), ensuring that you come away from the training in complete command of Photoshop, armed with an awesome set of notes that can inspire your work again and again whenever you find yourself stuck.
Some students have told me that the cheat sheets and image libraries and flow diagrams are, in themselves, worth the entire cost of the course.
Believe it: after this course, you will be able to make Photoshop hum the way an expert Lamborghini mechanic can make a Diablo purr.
In fact, we want to make Photoshop so comfortable to you that you instinctively wield it with such a masterful touch that the interface almost becomes invisible when you are working on an image. Why? Because I don't want you thinking about the interface. I don't really want you thinking about "Photoshop" even. I want you thinking about the piece of art taking shape in your mind and on the screen in front of you.
Put another way: I want you wielding the tools in Photoshop the way Rembrandt wielded his brush and palette — at turns deft and precise, or smooth and expressive, but in every instance like a MASTER.
You can count on this: the videos you go through over the next couple months are going to train you to work with the kind of efficiency, clarity, and artistry that would set you apart as a seasoned Photoshop expert in any top studio today.
Now the fun part. You get to USE all of this stuff to create stunning works of your own — and assemble them throughout the course into an awesome online portfolio.
What I want is for you to really engage the course and USE the techniques and approaches you are picking up from each lesson. That's how you OWN this stuff. Watching me take an idea, stack a dozen layers, and work a bunch of wizardry might be fun — but it's not going to really do much for YOUR art.
Throughout this course I'm going to give you a bunch of really cool project ideas after every lesson. You won't just be duplicating what I did. Remember, this is about finding YOUR artistic voice. I want you to take everything I do and carry it somewhere new.
The point of all this is to wake up YOUR unique genius and help you discover your OWN personal aesthetic, so you can create powerful images of your own . . . and ultimately assemble works so cool or so beautiful or so interesting that you almost feel compelled to have them printed and framed or committed to canvas — because they're too awesome to leave just sitting in your portfolio or buried somewhere on your hard drive.
This is your chance to shine as an artist and finally bring to life your deepest artistic vision.
This is your chance to take your photography and your digital art to a whole new level.
So let's jump in and really look at what this course is going to teach you (in detail), so you can see how much it's going to contain and why going through it will make you into a truly outstanding artist — all while giving you the most exciting artistic experience you've ever had.
Amass a rich library of your own grunge backgrounds and harvest a wide variety of textures. You're going to fall in love with using textures and backgrounds in your work. Texture files are what those of us with a dictionary call ubiquitous in grunge compositions. They're useful everywhere. But you want a wide variety to achieve a broad range of effects.
Learn how the pros customize their Photoshop workspace for the most efficient access to their tools and palettes. If you're going to actively create with Photoshop, you need to get fast with Photoshop. The interface cannot slow you down or get in the way of the ideas you are trying to bring to life. This is where all of that starts, and you will be working like a pro.
Master the Brush Tool (and EVERYTHING Comes Back To The Brush Tool) You will be using the Brush Tool constantly. Soft brushes, hard brushes, all manner of custom brushes and grunge brushes. (And all manner of Layer Masks as well.) You're going to become masterful in your use of the Brush Tool.
Add the power of Blend Modes and Adjustment Layers to your work and instantly ramp up the quality of all your images. When you are combining layers, the effects you achieve almost always involve your use of Blend Modes. Add on Adjustment Layers (and Clipping Groups, often with Blend Modes of their own) and the possibilities multiply radically.
Layer Masks, Layer Masks, and More Layer Masks! Layer Masks are the tool you will use to control where (or to what extent) all of your other effects show up or remain obscured. You will learn more than a dozen ways to incorporate Layer Masks to achieve pro results in your work.
Learn to "Paint With Light" (using Layer Masks, Curves Layers, and Lighting Effects). Think Rembrandt. Think Vermeer. The most amazing results can come from the drama in light and shadow. Here you will learn the most effective ways of lighting (or throwing shadows over) your images to create powerful results. You will even learn an amazing trick that allows you to paint with colored light, creating gorgeous saturation effects you could never hope to capture in a camera.
Deepen the conceptual meaning behind a work through clever uses of Typography. Words, words, words. Hamlet said it. I'm saying it too. Adding the right words to your artwork, in the right way, can instantly impart enormous depth to the composition. You're going to learn over a dozen techniques for incorporating typography creatively in your work.
Take your digital images and commit them to canvas, fine-art prints, or multi-media compositions. It's not enough to have cool images in your digital portfolio. Your art becomes far more REAL when you see it in all its glory printed to canvas or rendered as a fine-art print on museum quality archival paper and properly framed. And even then you can go further, using your images as the centerpiece to even more elaborate (and creative) treatments involving other media, unusual framing techniques, multiple-canvas arrays, and more. We will be exploring dozens of creative ways to make your work even more unique, even more amazing, in its finished form.
Execute stunning image extractions to achieve otherwise impossible (or at least startlingly difficult) photographs. You can create the most incredible composites, render the most surreal effects, altogether defy the laws of physics — and make it look REAL . . . if you are armed with several go-to extraction techniques. This really makes anything possible. If you can think it up, you can probably bring it to life in your artwork.
OWN the Filter Gallery and use it to create diverse and unexpected results — simply by applying the right formulas. Enabling you to create photo-based compositions that look like exquisite watercolors and oils or gorgeous sketches, opening up an entirely new world of possibilities for the kinds of compositions you are able to create.
Learn exactly how to craft an incredible highly professional online portfolio. Entire new module shows you all of the best options available for creating an active social portfolio as well as a serious professional portfolio site to showcase your best work. Learn how to take your portfolio site and make it into one of your finest creative expressions, and learn how to use it to position yourself to command pro-level fees for your work as an artist.
Not only are you going to get scads of well-organized, tightly-edited training videos accompanied by cool downloadable PDF cheat sheets and working notes … but I am also going to provide several extensive Bonus Resources if you take advantage of this promotion and sign up today for Photoshop Artistry: Fine Art Grunge Composition.
These bonus materials are meant to help you get the absolute most out of the course and remove as many obstacles as we can, so you can put your attention on the techniques and the approaches I'll be covering, turning out incredible work of your own with every assignment as you assemble your online portfolio.
BONUS Resource #1: My Huge Texture Library — Pro-caliber textures and overlays go a long way toward achieving the most impressive artistic effects in your compositions. You will be learning how to harvest your own grunge textures, but to get you started and ensure you have a great variety of high-res content to work with, I want to give you access to a whole bunch of mine. What's more, you will get access to a tremendous array of the finest textures, overlays, and backgrounds — created exclusively for this course by some of the top professional designers in the field, such as Cheryl Tarrant of Distressed Textures, Kim Klassen, Parée Erica, and Keriyoo.
BONUS Resource #2: My Custom Brush (& Edge Effect) Library — You may not even know what a "Custom Brush" or "Edge Effect" is yet, but you will. You're going to be using custom brushes a lot. I'll be training you on how to create and save your own custom brush libraries, which will radically improve the quality of work you can create (and the speed at which you can pull it off). To get you started, though, I want to make sure you have a bunch of great grunge brushes in your arsenal. And you will love the immediate impression you can create when you put your composition into one of over 100 custom layered PSD file grunge edge frames you will be able to download for your work. Those are essential. So you're getting those too.
BONUS Resource #3: My High-Res (Fully-Rendered) Vector Graphic Library — Vector graphics and .eps files will radically enhance the quality of your art, and in order to give you some extraordinary vector-based content to incorporate in your work right away, I'll be giving you access to a wealth of custom vector content, already rendered in high-res for you, ready to drop into Photoshop (or Elements) and immediately elevate the "cool" factor in any of your compositions. I personally invested thousands of dollars in having these vector files designed expressly for this course by professional illustrators around the world. And you will get the entire collection for free.
BONUS Resource #4: Bonus Topaz & AutoFX Training Videos — Additional training added specifically for this promotion, showing you how to bring the wizardry of Topaz and AutoFX software into your works of photo artistry at a pro level, enhancing your compositions in a way that would be all but impossible with Photoshop or Adobe Elements alone.
Make no mistake. I want to put ALL of the tools and resources in your hands to help you create amazing photo art of your own.
The videos and materials and resources we provide in this course are going to bring out the best in your work and awaken in you a level of photographic artistry you may never have fully experienced until now.
The work you are creating even halfway through this course is going to be beyond anything you can probably imagine yourself creating now.
If you're a pro already, the compositions you are going to be creating here will have you selling more of your work than ever (and at higher prices than ever).
If you're not a pro yet, you are going to find yourself well on your way toward becoming one.
Because this course will teach you that too.
And you can be sure: wherever you are in your career now, by the end of this course, your art is going to knock people flat.
How much would an art education like this be worth? Even a basic college course (nowhere near as cool as this) would set you back at least two grand. A live workshop covering this much content would cost at least a grand. But I'm not even going to ask you for anywhere close to that amount.
— and you can get into the course right now, with lifetime access, at fully three hundred dollars off during this special promotion — making it only $95 — if you grab the course today!
We're talking here about training you to become a serious photo artist — perhaps even getting you to the point of being able to sell your work for real money. Think about it. You could recoup your entire investment on this course with a single 10″ canvas print. Barely even trying. Fact is, that one canvas could double, triple, even quadruple your investment.
And here you are getting the whole course (which you can start immediately and work through at your own pace and return to as often as you like, forever) and all of the Bonuses — for less than what you might lay out in one weekend just goofing off.
Heck, college students drop more than this on one lame textbook they end up shoving under their bed and never look at again.
Here you are going to have access to an amazing one-of-a-kind Photoshop course, chock full of amazing training videos covering all of the coolest (and most important) techniques for creating pro-quality images and artistic compositions.
You are also going to be set up with all manner of awesome bonus content that will enable you to start creating cool artwork immediately, and you are going to be able to come back to the site and review any of the videos as often as you like, either to refresh your memory about something or to inspire a new direction with a piece that you can't seem to push over the edge.
You have no risk in joining this course. If, for any reason, anytime in the next TWO MONTHS, you decide you are not thrilled with what you are learning, just ask and you can get 100% of your money back. No hassles, no hard feelings. You can take advantage of the entire course, learn everything here, start creating amazing new work — and if you're not blown away, you get every penny back. I will personally take all the risk. I'm that confident you're going to love it.
Face it. If you're still reading this, you KNOW that this course is right for you. It's connecting with you on some level.
I know that for me, this is the exact course I wish I had been able to find when I was first getting serious about photography and Photoshop. These were the techniques I wanted in my arsenal. And the idea of creating serious works of art and having them professionally framed or put on canvas (much less the idea of selling my work in a serious way) . . . If I had come across a course that could train me on THAT, I would have been all over it, without hesitation.
Don't miss out on this. Make the decision to elevate your art and step up your game.
You have SO MUCH incredible artistry buried within you.
This course could help you tap into that and bring it to life.
Sign up and you can start watching videos over at the site immediately. You will get INSTANT ACCESS, and within your first hour you could be creating incredibly cool photo-art compositions of your own!
And Don't Forget All of the BONUSES You're Going To Get If You Sign Up TODAY: Over 8 Gigabytes of Pro-Designed Content You Can Use In Your Compositions — All With Full Commercial Rights!
Mammoth Library of Exquisite High-Res Vector Graphics (which I commissioned from professional designers around the world for thousands of dollars, but you will be able to enjoy for free).
Special AutoFX and Topaz Additional Training (assembled expressly for this promotion, to ensure that you are not only mastering Photoshop or Elements, but learning the best ways to bring AutoFX and Topaz software into the mix).
There is simply isn't any other Photoshop course like this anywhere. So take action and sign up today. This is going to be the most exciting thing to happen to you in years. It's going to completely transform how you see the world and how you approach your photography, and it is going to inspire you to create the greatest images of your life.
Go ahead and click the big orange button below and take your artistic career to the next level.
Looks Fantastic! I Want In!
Grab this internationally acclaimed photo-artistry course during this Special Stampington Promotion at fully 75% OFF — saving you three hundred dollars and making it only $95 if you sign up today.
Over 16,000 students from over 93 countries around the world are already having the time of their life in this course. So take advantage of this exclusive opportunity and you will get instant access to over 75 course videos and over 8GB of pro-designed bonus content! And since you will own the course, you will have 24/7 access to all of this forever, so you can work through all of the videos at your own pace, and return to them as often as you like.
Don't miss this chance to transform yourself as an artist — starting right now. Click below and let's get you started!
PS: And remember, you are not risking ANYTHING here. If this course doesn't blow you away, you have a FULL TWO MONTHS in which you can get a complete refund. This course can absolutely transform your life as an artist — could ultimately even position you to be earning serious money from your photo art. But if you go through the course and don't think you got that kind of training from it, we will give you 100% of your money back. It's really that simple.
"This is my first attempt at photo art using the principles taught by my friend Sebastian Michaels in his new Photoshop Artistry Course. I've barely begun the course, so I still have a long way to go. But this is already a ton of fun!
Grab this internationally acclaimed photo-artistry course during this Special Stampington Promotion at fully 75% OFF — saving you fully three hundred dollars and making it only $95 if you sign up today.
Over 16,000 students from over 93 countries around the world are already having the time of their life in this course. So take advantage of this exclusive opportunity and you will get instant access to over 75 course videos and over 8GB of pro-designed bonus content — and since you will own the course, you will have 24/7 access to all of this forever, so you can work through all of the videos at your own pace, and return to them as often as you like.
And with two full months to check it all out and see what you think, there's no risk whatsoever in giving it a try.
I'm starting to put some of the overflow onto its own page.
You can read more of them if you click here.


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Sunny Deol is back with his next film, a sequel to his 1990 superhit, Ghayal. Up for release soon, Ghayal Once Again features Deol and is also helmed by him. While the actor-director is playing the same character from the first instalment, the new additions to Ghayal Once Again are four youngsters in lead roles. This week, we spoke to Diana Khan about working with mega star Sunny Deol, both on and off screen.
I am from Mumbai and I have wanted to act since I was a child. So once I finished college, I started giving auditions. I have done a few television shows and commercials.
ON BAGGING GHAYAL ONCE AGAIN
I was called for an audition by the production team of the film. I gave the audition, and from the way they responed, I thought they liked it. It was a long audition with various scenes. But they didn't get back to me for quite a long time and I got busy with television projects. Suddenly, after a few months, I was called to meet Sunny sir.
ON WORKSHOPS
There were no major workshops but there were script-reading sessions and narrations. During those narrations, sir briefed us about our individual characters, and what he wanted from each one. I play a character called Zoya, who has a pet dog, so my character is a dog lover. I also play a child whose parents are too busy with work to give me any attention. This was the brief I was given.
ON SUNNY DEOL
I have been a huge fan of Sunny Deol since I was a child and working with him was a dream come true. It was even more impressive because he was directing and also acting in the film and made sure everyone got equal screen space.
Journey of Dadasaheb Phalke's Youngest Best Aspiring Director Saumitra Singh
Lingo Bingo!
Bhakti Mehta talks to actor-dialogue writer Vijay Maurya about his work in the film
Titas Chowdhury talks to debutant actor Siddhant Chaturvedi about his work in the film

redpajama_set_name: RedPajamaCommonCrawl


I am looking forward to being able to ride my bike to certain places like parks, parties, special events and other friends' houses.
My birthday wish is for everybody to be safe and happy and for the Cardinals to WIN the WORLD SERIES.
My favorite birthday dinner is Thai food [beef pad Thai] with chocolate chip cookie dough ice cream for dessert.
Maeby went to Uncle Julio's with me for birthday dinner. She also came with me to my birthday party at the community center.


text:
Bridgnorth in the Great War (Kindle)
Local History WWI Towns & Cities in the Great War 1914 1915 1916 1917 1918 Military
By Christopher W A Owen
Series: Towns & Cities in the Great War
File Size: 31.0 MB (.mobi)
eBook Released: 19th November 2019
£5.82 Print price £14.99
You'll be £5.82 closer to your next £10.00 credit when you purchase Bridgnorth in the Great War. What's this?
Bridgnorth in the Great War Paperback Add to Basket £7.50
Bridgnorth in the Great War ePub (13.5 MB) Add to Basket £5.82
World-famous Bridgnorth town is situated on the river Severn near Kidderminster and is a very popular anglers' haunt and tourist destination. Within the shadow of its very own Civil War-ravaged castle lies a unique funicular rail system and the north-western terminus of the famous Severn Valley heritage railway line.
Although steeped in military history, much of its Great War social history has remained obscure until now. This enthralling account explores many surprising and unknown facts about Bridgnorth and its wartime Home Front, drawing on a wealth of material from diverse primary sources, including official news reports that disclose the fullest picture of the terrible sacrifices the serving men, their relatives and also their townsfolk made to Britain's war effort.
Misled by government propaganda, which implied that the men were enlisting for a short-term adventurous romp, this little town patriotically sacrificed the flower of a generation to the largely trench-bound bloody morass the Great War became. Their commitment and fortitude gives testament to the incredible bravery of the people of Bridgnorth, and their losses are evidenced in the various commemorative monuments erected throughout the town and in surrounding hamlets.
Utilizing contemporary documents and wartime servicemen's poignant letters, some of which are disclosed for the first time, Bridgnorth in the Great War reveals how this once prosperous and industrious West Midlands' town endured the greatest sacrifice of its manhood to this cataclysmic event, which was fancifully dubbed 'the war to end all wars'.
This series, which saw the light in the centenary of the Great War and which continues to grow, is an interesting look at the life of small and large communities in the Great War. A look that deserves to be rediscovered because analyzing the impact of the deaths of so many young people especially on small communities you can have a sense of the destruction brought about by that conflict, much more than reading the cold stories of tactics and military strategy. Numbers become names and lives, and broken dreams. I deeply appreciate the effort of the authors and the Pen & Sword publishing house to return these precious testimonies.
Read the full Italian review here
Old Barbed Wire Blog
Article: 'Book will weave the stories of town's war' as featured by
Express & Star, 7th November 2019 – words by Rory Smith
Article: 'Tales of town during First World War told in new book' as featured by
Bridgnorth Journal, 7th November 2019
More titles by Christopher W A Owen


March is in the air. This usually means office betting pools, brackets, and, of course, a renewal with Spring chasing away the winter chill! Which is why we thought it would be the perfect time to launch our all new site!!!
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CraigElectronics.com, a new beginning for a classic brand!


text:
Ровненская агломерация — городская агломерация с центром в городе Ровно.

Географическое положение

Расположена в центральной части Волыни, на пересечении транспортных потоков между Балтийским и Черным морями, а также Западной Европой и Азией.

Агломерацию обслуживает Ровненский аэропорт

Состав
 города: Ровно, Дубно, Костополь, Здолбунов, Острог

Статистика

По данным на 2001 год:

 Численность населения — 583,3 тыс. лиц.
 Площадь — 5 305 км².
 Плотность населения — 110 человек/км².

В центре агломерации произошло фактическое слияние такие города как Ровно, Квасилов, и Здолбунов образовывают так называемый Большой Ровно (ук.).

Источники
 Алфьоров М. А. Урбанізаційні процеси в Україні в 1945—1991 рр: Монографія/ М. А. Алфьоров — Донецьк: Донецьке відділення НТШ ім. Шевченка, ТОВ «Східний видавничий дім» 2012. — 552 с.

Дубенский район (Ровненская область)
Ровно
Ровненский район

redpajama_set_name: RedPajamaWikipedia


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Shooting Guns: Essay — Brianna Berbenuik
Here's an outrageously subversive essay from Las Vegas by Brianna Berbenuik, a grad student in Russian/Slavic culture and English & Russian literature at the University of Victoria on Vancouver Island. DG discovered her by stumbling on her Tumblr blog Desire Machines where she goes by the name Superfoo. Beyond this, dg knows nothing about her except that she writes with audacity and says what she thinks and has an instinct for cultural truth, troublesome as that might be.
Shooting Guns
By Brianna Berbenuik
One of the things on the top of my list of things to do in Las Vegas was shoot guns. I had heard legends of places you could go and for $100 shoot whatever weapon of destruction you chose. As I am an avid student of war, apocalypse and humanity's unending and impressive ability to continually invent new and exciting ways to demolish itself, shooting guns had not only its historical appeal, but also a pop-culture appeal, and personal appeal. To be, at least for a little while, part of this culture that loves to bear arms and imagine blowing away wrongdoers was exciting. I guess it's kind of like a kitschy power-trip. When in Rome. Americans love their guns.
The Gun Store is about a 10 minute cab ride from the main strip, and it costs around $20 to get there. We enter the store and I sign a sheet of paper already almost full of other signatures, that declares with far too much ease that I am mentally sound enough to wield a gun, and that I understand I could be grievously injured or killed due to stray bullets, ricochets, malfunctioning of the weaponry, and everything else that goes along with toting a killing machine. I read this and of course my standard reaction is to smirk and laugh a little at the absurdity and redundancy of what I am signing, but my gut ties itself in a little knot and I think about how pissed I'd be if I died shooting an AK47 in some shit hole in Vegas because the dude next to me decided he didn't like my face. Or worse yet, just a stray bullet. I mean, how pointless. Not that life isn't pointless in the first place, but putting yourself in a situation where the pointlessness is magnified if you happen to be killed due to your own compliant stupidity is a little frightening. I guess you'd also call that the American Dream.
Of course I sign the paper and tell them to get me a Glock and an AK47.
I also buy a bumper sticker that says "Fight Crime: Shoot Back." I love how inflammatory this is. I am excited at all the potential surfaces I could stick it on to show my allegiance to firearms and the shooting of. I also purchase a keychain that is a handgun but also a beer bottle opener. The object, shape of it, and function just cracks me up. Guns and booze. America, what a country. I immediately replace my benign bird-keychain thing with the gun.
I feel a swell of vaginal pride when I look around and realize that the majority of employees at the gun store are females. I expected an over-abundance of men, but they are almost all young ladies. I want this job, I think to myself.
The blonde girl at the desk who assists me in getting set up tells me to pick a target. I look up at the wall and notice all the paper things you can shoot up. This is where I get really horrified, wide-eyed and kind of stunned although in all seriousness I should have been expecting it. After the shock wears off it kind of seems normal.
The first three or four targets are "terrorists". Terrorists as we know them post-9/11. If you don't know what I am talking about let me describe this to you.
First, there is Osama Bin Laden. Okay, it's a little on the personal side, targeting this one dude, but I get it. He fucked a lot of shit up. But then there is a "brown dude" with stereotypical "terrorist Muslim" apparel. I cringe a little. God, I feel like I just walked in on someone naked, the discomfort is so profound and I can't take it back. I am being affronted by the collective racism of a country. The third is also a "terrorist" in the same way the second one was. Well, at least you have options. In the middle of the row are several kitschy and stupid photos of people holding families hostage, one dude holding a gun to the head of a very unconvincingly frightened blond Lolita, and, weirdly, an Alien. Book ending the row of targets, opposite of your friendly neighbourhood Taliban, are zombies. Zombies: the symbol of blind American consumerism and obedience. Wow. I don't think I have seen anything that so clearly defines the American stereotype. I pick a regular target – that being just some circles surrounding a bull's-eye, and a Nazi zombie. If only there were terrorist zombies. Maybe they were sold out.
The girl at the desk hands me my bullets and I am a little surprised at how heavy they are. I've never shot a gun before, let alone held ammo. I get in line and after a while a tall, lanky dude with facial hair and what looks like acne scars emerges from the back carrying an AK and a Glock. He's an interesting dude and I like him immediately, not just because he is carrying firearms that I am about to shoot. He gives me some plastic goggles and ear protection to mute the sound of shotgun blasts.
When I imagined shooting guns, I kind of thought I'd get my own little blocked-off section in a row of other similar cells, each occupied by a separate shooter. This is not the case. You're in an open room and there are separate little stalls, like horse stalls, and each shooter is herded into one of these little blocks and shoots. Someone really could just turn around and blow a hole through my brain. But for some reason, this doesn't worry me. I am holding a gun and it is the best illusion of safety ever.
The guy has to help me with the right way to hold the Glock, which I shoot first. He has to show me twice and I tell him I am Canadian, and make the casual comment that I'm sure this will explain a lot. He laughs. I finally get a handle on the gun and fire my first few shots (with a lot less kickback than I was anticipating after watching youtube videos of unsuspecting and foolish girls shoot guns and then gain a black eye and some broken teeth due to the kickback). I pierce the paper but miss any semblance of the target. But after those misses, I'm really feeling it and I get every other round into the designated area with 3 hitting the black circle in the middle. A shell flies into my cleavage after a few shots and I feel it burn a little before it bounces out. Shooting this gun is awesome.
I empty the 20 rounds and the gun jams twice, but in the end I'm pretty impressed with myself, and the lanky dude is, too. He strings up the Nazi Zombie target and hands me the AK47. After a brief lesson on how to hold and fire this gun, I let off a spray of rounds and manage to miss despite taking my time to aim. He adjusts the butt of the rifle so it is sitting between my shoulder and breast, saying he doesn't want it to recoil and hit me in the chin. The kickback on this gun is essentially non-existent, but it pulls to the right and left strongly, which is a weird sensation given what I was expecting. I try my best to aim and let fly with the spray of bullets again and within 50 shots I manage to shoot the paper off the clips, and wound my Nazi zombie in the thumb. "Welllll, he won't be using that thumb anymore," the guy says when he brings the target back for me. He does remark that shooting it right off the clip was actually a really great shot, there's just not really any proof of it. I thank him and leave the weird little shooting room.
My dad is waiting for me outside and I don't think he's ever been prouder of me, as he insists on telling everyone we meet after this occasion that "my daughter shot an AK47." Priorities.
I roll up my targets and explore the rest of the store before we leave. Guns have an interesting culture behind them. Mostly I observe and eavesdrop as usual and end up spending about twenty minutes doing this. A young man behind a glass case is explaining the benefits of various handguns to a couple. All parties are interested and enthused. Before I leave I see there are a number of free educational materials at the front door. I am giddy about the hilarity and ridiculousness will undoubtedly be contained in the pages of these pamphlets – public education material is always accidentally humorous. I grab 3 pamphlets about varying aspects of gun culture: "Guns and You", I think one of them is called, and one about guns for children. Start 'em young, I guess.
When I get back home, everyone comments on my gun-shooting. I can tell we're back in Canada because people are legitimately impressed with the fact that I wielded firearms. I am excited to share my AK47 experience with my Ukrainian professors, because the AK47 is a huge part of Russian, Ukrainian and Soviet history. I tell one of my profs about shooting the gun. He asks me how I found it and I said it was impossible to aim. "This is the way it is with the AK47," he says, sagely. His wife, who also teaches me, told me the first day of class that she used to teach marksmanship when she was growing up in the Soviet Union, and could assemble and disassemble an AK blindfolded. She became my personal hero that day. I don't say so but she inspired me to shoot an AK47.
—Brianna Berbenuik
2011, NC Magazine, Nonfiction, Vol. II, No. 3, March 2011
9 Responses to "Shooting Guns: Essay — Brianna Berbenuik"
rggblog says:
I thought people went to Vegas to get married. . . .
Oh, you poor naive man. 🙂
Martin B. says:
Great piece! I use to go to Vegas every year for work, and I always want to go to that shop and shoot those crazy guns. Thanks for the detailed read and pics–the essay was vicariously satisfying!
Great essay. I'm glad to know that ladies get a free t-shirt included with their two targets (and I never knew there was such a thing as a "Pink AK47"). Unlike Martin, this was something I never knew I ever wanted to try.
Anna Maria Johnson says:
Great little essay. I love how the author has captured the sense of how disturbing this activity is, while at the same time, sheer fun!
rjfarrell28 says:
Very nicely done.
RichHart says:
argee says:
next step: go to a US gunshow and see what is available to take home…
Let me recommend an SKS, also with a long Eastern pedigree, a kind of mother to the AK, and nicer furniture than cheap utilitarian AKs .
And, in case you think you are alone in the (heretofore) secret thrills department: where I live, on friday evenings, psychiatrists from the mental health unit meet at the rod and gun club…
Sean Hovater says:
Living in America, the South, I can truly relate to this culture. It seems like most people where I live is like this. I personally don't see the pull. Though, if zombies start attacking me they will become my heroes.
Evidence of Life: Essay — Richard Farrell Ginsberg, Ferlinghetti, & More: Author Photos — Dan Wilcox


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Tag Archives: fresh out
Lil Wayne Talks "The Masked Singer", Nicki Minaj, Dreadlocks, Passion, Lizzo, Harry Potter & More On MTV Fresh Out [Videos]
March 16, 2020 in Interviews
Lil Wayne recently sat down on a yacht in Miami with Jamila Mustafa from MTV's Fresh Out show for a one on one interview, which you can check out after the jump below!
During their conversation, Wayne chatted about why he moved to Miami at 19-years-old, why he doesn't miss high budget music videos from back in the day, what made him decide to appear on "The Masked Singer", wanting to get Nicki Minaj on the competition TV show, why he decided to lock his hair, and his favorite part of being a father.
The Young Money CEO also talked about his record label, the most proudest moment of his career so far, if he ever asks the question "why me?", how he stays relevant in different eras, his passion for creating music, new generation rappers, his "Mama Mia" music video, not knowing anything about "Harry Potter", wanting to work with Lizzo, working on and recording a total of 53 songs in just one night, and much more!
Lil Baby Explains What It Is Like To Be Compared To Lil Wayne & Being Nervous To Meet Him [Video]
Lil Baby recently made an appearance on MTV's "Fresh Out" show to chop it up with Sway Calloway.
At the 5:00 mark of their interview, Sway asked Baby what it is like to be compared to Lil Wayne to which he replied with "definitely honored".
The Atlanta rapper also mentioned Wayne is the only rapper that he got nervous to meet for the very first time (when working together on "Forever"). Check out his full conversation below!


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Penn State's Juwan Johnson poised for a revival at the Citrus Bowl
By Mark Wogenrich
Of The Morning Call |
Penn State's Juwan Johnson makes a leaping catch against Ohio State's Damon Arnette. (Chris Knight / AP)
ORLANDO, FLA. — Penn State's Juwan Johnson graduated this month, earning a bachelor's degree in telecommunications. He called that by far the biggest highlight of his season, which carried a level of exasperation on the football field.
"I think of myself as a tough cookie, but yeah, it's been a tough season," the receiver said. "But overall you have to smile. At the end of the day, it's not as bad as it seems."
Johnson enters Tuesday's Citrus Bowl against Kentucky preparing to hit the reset switch on a frustrating season. The 6-4, 230-pound redshirt junior labored through dropped passes, an injury and a generally wayward passing game that paused a promising career.
Penn State wide receiver Juwan Johnson catches a pass during Citrus Bowl practice Saturday in Orlando. Penn State plays Kentucky in the Jan. 1 bowl game at Camping World Stadium, (Joe Hermitt / Pennlive.com via AP)
Johnson caught just four passes in the season's second half, during which he missed more than 3½ games with an injury. Though he's Penn State's biggest and most NFL-ready receiver, Johnson has just two career touchdown catches.
But now healthy, and holding his degree, Johnson could be among Penn State's biggest difference-makers against Kentucky. Coach James Franklin predicted a "big bowl game" for Johnson, who still could choose to enter the 2019 NFL draft.
Penn State's Jahan Dotson, in a breakthrough freshman year, draws comparison to Jerry Rice
In some ways, Penn State coach James Franklin said, freshman receiver Jahan Dotson reminds him of a Hall of Famer. "The great ones, like Jerry Rice, they make the tough catches look easy. That's what Jahan does."
"Obviously he faced a little bit of adversity this year. I think it's a positive," Franklin said. "That's kind of how we view things like that. You embrace it. He's going to grow from this. He's going to learn from this, not only as a football player but as a man."
Johnson was Penn State's leading returning receiver, having caught 54 passes for 701 yards in 2017. Franklin said Johnson embraced his offseason pursuit to become the marquee piece of Penn State's passing game this year.
But the year didn't play out like that. Johnson caught more than five passes just once and made only one touchdown reception. He was injured against Indiana, tried to gut out a few series the following week against Iowa and then missed the next three games.
Johnson finished the season with 23 receptions, less than half his 2017 total, and caught just four passes after the loss to Michigan State.
Johnson is capable of great moments. His one-handed catch against Ohio State was among college football's top plays this season. But elsewhere, Johnson had a series of drops that he attributed to looking upfield for more yards.
Franklin sought to turn Johnson's story into a lesson on growing up, saying the receiver will gain more from struggle than success.
"When you're young, you think life is fair," Franklin said. "If I invest this, then I should get an immediate return on my investment. But it doesn't work like that.
"… If you love the game, and if you respect the game, and if you invest in the game, it will pay back. The game respects people that view it the right way and treat it as such. I believe in that. … When it happens and how it happens, I'm not sure. But I think Juwan is a great example of that."
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Johnson managed the disappointments through conversations with those familiar with his situation. Former Penn State players Mike Gesicki and DaeSean Hamilton pressed through challenging seasons to make huge impacts for Penn State and get drafted into the NFL.
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They shared pep talks with Johnson, as did his older brother George Jr., who played for Rutgers and the New Orleans Saints and now is a free agent.
"They definitely uplifted me, motivated me to be a better player and person," Johnson said. "The main thing is keeping my head on straight. I know it's going to pay off at the end."
Quarterback Trace McSorley said his biggest disappointment this season was the passing game's inconsistency in Big Ten games. He attributed that to a variety of factors, primarily his own accuracy.
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McSorley also believes in Franklin's "return-on-investment" theory, saying Johnson's devotion to extra-credit work will deliver a long-run benefit.
"When he's out there playing confident and playing fast, I don't think there's anyone who can cover him," McSorley said "Given his size, speed, strength and ability, when he ends up having that big return, it's going to be impressive."
Johnson has been quiet on his NFL decision, saying he wants to play the Citrus Bowl first. If he returns to Penn State healthy and confident, Johnson could be poised for an all-Big Ten campaign in 2019.
Further, Johnson said positives will come from this season, as they did for Gesicki and Hamilton. Asked how good he can be, Johnson smiled.
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"You'll see," he said.


In this episode of My Siblings and I, Laura dad cut his trip short and this made Laura angry. Nnena was worried for her and she told her mom about it.
Download My Siblings And I Season 1 episode 29 below.