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ICONIQ MUZIK - Payphone (Maroon 5 Remix)
By iQ aka Gujubhai
doc bladez at DMC LA DJ Battle 2012 !
Cory Kendrix – Lost In The Moment
Dropping another leak off his up-and-coming album, Desi [old school] Hip-Hop producer, Haris aka Talsen, combines forces with fellow LNS Crew member Cory Kendrix with a remix to their new single, "Lost In The Moment." Cory is an Oregon-born, Austin-raised young emcee/songwriter/producer who continues to blaze trails in the hiphop community.
Cory kendrix – Lost In The Moment (Desi Mix) by talsen
Comparable to such Texas rap stars as Kirko Bangz, Devin The Dude, and Paul Wall (and equally influenced by the West Coast sound as the Dirty South sound), Cory Kendrix proves with his new mixtape "Free Beer" that he's going to be a force for years to come! LNS member Kydd is heavily featured on the tape, which is a crowd-pleasing mix of hiphop and R&B that fully displays the LNS Crew's musical versatility.
Cory, Kydd, and Haris first met a few years ago, and have been working together since then on a variety of projects. After Cory and Haris released their first single "Above The Rim," they have been hard at work making their mark on the urban Austin scene. Their newest single, "Lost In The Moment," has its jazzy original beat replaced with a backing track sampled from the famous Pakistani band "Vital Signs." Cory Kendrix's new mixtape, "Free Beer" is now available for purchase on Bandcamp. Check out the video for "Lost In The Moment" below.
Music, Singles
Drakeo The Ruler Drops A Drake-Feature with his New Mixtape Release
Music, Singles, Videos
Shah Rule Drops 2 Singles from his Upcoming "Hooked" EP
Featured News, Hip Hop News, Music, Singles
Bohemia Joins Forces with The Game on "Ek Din" ft. Karan Aujla & J.Hind
IKKA Teams Up with DIVINE for Mass Appeal Debut 'Level Up'


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Good rating for Lanesfield Primary School
A Wolverhampton primary school has been rated Good by Ofsted, which found it has maintained the quality of education it is providing to pupils
Inspector Edward Masterson visited Lanesfield Primary School last month, and found that Headteacher Zoe Rollinson leads "with vision and drive" and ensures that pupils' learning and wellbeing are at the centre of the school's work.
Together with her leadership team, Mrs Rollinson ensures "that strong teaching and high teacher expectations are modelled" across the Newman Avenue school. Governors "have a good understanding of the school's strengths and weaknesses" and provide the leadership team with a "balance of constructive challenge and support".
Pupils make good progress, which is reflected in the standards reached at the end of Year 6, with the proportion of children reaching the expected standard in reading, writing and mathematics above average.
The school has increased the level of challenge for its most able pupils and developed the skills of subject leaders, while it has raised the quality of teaching and expectations of pupils to improve standards in writing to mirror those seen in reading and mathematics. Innovative initiatives are in place to help pupils develop their skills including Writing Warriors, which sees older pupils work alongside younger children to coach and support their writing.
Pupils "enjoy school, value their lessons and are able to talk about their ambitions for the future". Carefully chosen topics capture their imaginations, with pupils taking great pride in their work. One pupil told Mr Masterson: "I get to write about things I am really interested in. I like to write about history and imagine what life was like in Ancient Egypt."
There is a "strong culture of safeguarding in the school"; staff know how to identify any signs of harm and take appropriate action if they are concerned.
Mrs Rollinson said: "Whilst we are delighted to achieve an Ofsted rating of a Good school, it consolidates four years of continuous change at Lanesfield resulting in a team that I believe is capable of taking the school forward to Outstanding."
Councillor Lynne Moran, the City of Wolverhampton Council's Cabinet Member for Education and Skills, said: "I would like to congratulate everyone at Lanesfield Primary School on this Good inspection report. Zoe Rollinson and her team are working hard for their pupils and I am pleased that their efforts have been recognised by Ofsted."
released: Wednesday 18 July, 2018
Released: Wednesday 18th July, 2018

redpajama_set_name: RedPajamaCommonCrawl


text:
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Today, Jan., 6th we had two boats o the 65` ISLAND CURRENT EXPRESS & 50` ISLAND CURRENT II both on the cod grounds. The weather was less than ideal and the fishing was picky. Some anglers managed to do better than others. Hi hook today was 7 keepers caught by CJ Riveria from Brooklyn, NY. Anglers that stuck to the rail all day managed to come home with some tasty cod as the days result. Pool fish was 11 pounds. Both Caains worked various areas with similar results with certain drops producing flurries of fish. There was a by-catch of ling today mixing in as well.
The next few days looks like the weather is finally going to break as both of the vessels will be ready to sail at 5 am for winter cod. Please always remember to call ahead to confirm your reservation and check in on the weather updates.
Here are a few of the fine catches caught oard the ISLAND CURRENT FLEET o of SNUG HARBOR, RI. Photo courtesy Ca. Scott 01/06/13 oard the ISLAND CURRENT EXPRESS.


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15 October 2012 - Statement to the United Nations General Assembly Third Committee
Third Committee
Advancement of Women
Statement by Ms Tanisha Hewanpola, First Secretary
Australian Mission to the United Nations
The shooting last week, by the Taliban, of Malala Yousafzai – a teenage schoolgirl from Pakistan renowned as an advocate for girls' rights – was a stark reminder to us all of the enormity of the challenges and the work that lies ahead of us in achieving gender equality.
Malala's shooting was no accident. She was specifically targeted because she is a campaigner for a girl's right to education.
This is the horrific face of what the fight for gender equality looks like. Without even the loss of life, the fear that it can strike is enough to keep women and girls at home, disempowered and unable to access what opportunities exist. It is insidious.
As the reports of the Secretary-General and the Special Rapporteurs make clear, the advancement of women is dependent on the elimination of all violence against women. Whether in public spheres or private homes, women's health and well-being, educational opportunities, economic empowerment and political participation, will only thrive in environments where their safety is guaranteed.
Australia, consistent with the Secretary-General's call, is playing its part to eliminate violence against women, both domestically and internationally.
At home, our National Plan to Reduce Violence against Women and their Children 2010-2022, focuses on prevention. Founded on the principle that living safe and free from violence is everyone's right, but that reducing violence is everyone's responsibility, the National Plan seeks to raise awareness of violence within the community and to foster the building of respectful relationships. Importantly, the plan recognises the unique experience of children who are exposed to domestic violence, seeking to address their needs and to break the cycle of violence.
Internationally, a key element of Australia's development assistance is aimed at empowering women, expanding opportunity and reducing violence. Prime Minister Gillard's recent announcement of Australia's $320 million Pacific Gender Equality Initiative will, over the next 10 years, and in partnership with Pacific States, expand women's political, economic and social opportunities, by improving safety for women through better services for survivors of violence, preventing violence, and improving access to justice.
Madam Chair
We all know that violent conflict affects women and girls disproportionately and differently. The interrelatedness of violence against women, and economic, political and social empowerment is at the forefront of the Women, Peace and Security agenda. That is why Australia is a strong supporter of the Security Council's landmark resolution 1325 and related resolutions, which recognise that women's full participation in peace processes can significantly contribute to the promotion and maintenance of international peace and security.
In March, Australia launched our National Action Plan on Women, Peace and Security (2012-2018) which integrates a gender perspective into all of our peace and security efforts, protects women and girls' rights, and promotes their participation in conflict prevention, management and resolution. Australia commends Member States that have developed, or are in the process of developing, national action plans, and strongly urges others to follow suit.
Trafficking in persons and related exploitative practices are abhorrent crimes that disproportionately affect women and girls. All around the world, slavery, servitude and forced labour are, for many women and girls, daily reality.
Australia, as part of our Anti-People Trafficking Strategy, and in line with the recommendations of the Secretary-General's report on trafficking in women and girls, is strengthening our trafficking legislation to ensure the broadest range of exploitative behaviour is captured and criminalised. This includes introducing new offences for forced labour and marriage. Regionally and internationally, Australia is also active in efforts to combat trafficking, and is proud to co-chair with Indonesia the Bali Process on People Smuggling, Trafficking in Persons and Related Transnational Crime – the pre-eminent cooperation forum on trafficking in the region.
The UN's ongoing commitment and focus on gender issues is critical to the advancement of women everywhere, and Australia is strongly supportive of these efforts. It is why we support UN Women, and the Special Rapporteurs on Violence Against Women, and Trafficking in Persons. It is why we are advocates for CEDAW and the Beijing Declaration and Platform for Action. It is why Australia's Prime Minister has placed a key focus on gender issues and education in her role as co-chair of the Millennium Development Goals Advocacy Group. And it is why we were so pleased to host UN Women Executive Director, Michelle Bachelet, during her visit to Australia in August.
But more can be done.
Australia strongly encourages UN Member States to support regular briefings by Ms Bachelet and the Special Rapporteurs, including in the Security Council, on developments in the area of gender equality and efforts to reduce violence against women. Such occasions not only provide a useful update, especially with regard to the UN's System-Wide Action Plan on gender equality and women's empowerment, but they also ensure that our goal – gender mainstreaming and equality – remains firmly in sight.


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Donna Giovanna
The Robber Bride
by Margaret Atwood
Doubleday/Nan A. Talese, 466 pp., $23.50
You could describe Margaret Atwood as a Canadian Margaret Drabble, only more optimistic and funnier—or anyway funny more often. Of course such a comparison would be unfair to both novelists, but the temptation to make it is there. Both are witty and serious; both believe that goodness is what matters; both are wickedly skillful at defining characters through their environment and accessories, not just physical, but intellectual as well; both take trouble to work out melodramatic and not always convincing plots; and both produce riveting page-turners for thinking, well-intentioned women.
Atwood is thought of as a feminist writer. In fact, The Robber Bride has been hailed as a break-through exhibiting the latest, improved model of female liberation, with women having the right to be bad; in earlier models they had to be good, badness being reserved for men. Zenia, the robber bride, is bad through and through: a liar, blackmailer, drug pusher, and gratuitous seductress. She seduces the men belonging to the three women who take turns at being the focus of the story. Tony, Charis, and Roz—like Esther, Alix, and Liz in Drabble's The Radiant Way—can be read to represent mind, soul, and body, respectively.
Tony is an under-sized military historian; she teaches at the university in Toronto, where the story is set. Her casseroles come from the 1960 edition of the Joy of Cooking and she wears childish Peter Pan collars. In her basement she has a relief map of Europe, on which, at the start of the book, she is reenacting the defeat of Otto II, the tenth-century Holy Roman Emperor. She has put "cloves for the Germanic tribes, red peppercorns for the Vikings, green peppercorns for the Saracenes, white ones for the Slavs. The Celts are coriander seeds," and so on. Upstairs Tony has West, a wimpish musicologist who has never quite recovered from his affair with Zenia. Zenia stole him from Tony many years ago, got tired of him, and threw him out (this is her pattern). West crept back to Tony. They got married, but the marriage is not passionate: more a matter of holding hands for comfort. Neither is sexually attractive; both know it.
Goofy Charis lives alone in a ramshackle cottage on an island in Lake Ontario. She worries about people's auras and her own electrical field, and works in a shop called Radiance, selling crystals, seashells, incense, organic body oils, Oriental jewelry, tapes of New Age music, and books on "Health Secrets of the Aztecs." Another of Atwood's needlesharp, ironic, and affectionate lists. At the time of the Vietnam War, Charis shelters an American draft dodger, or so she thinks. Billy is actually wanted for drug running (in a small way). Zenia steals him from Charis, uses him as a runner in her own drug dealing affairs, and sheds him as she shed West. Charis is left to have his baby, who grows up to be a hard-edged girl with yuppie ambitions and a hard-edged haircut in savage contrast to…
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—— December 16, 1993 ——
'Sweep on, O River…'
Brad Leithauser
Cootie Power
Portrait of the Artist as a Self-Made Man
Wilfrid Sheed
Writing on Life Support


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SIMS II/Windows users will see the status of the fax/email/page written to history as well as the traffic screen as it occurs.
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text:
Ben Wade (1922–2002) was a Major League Baseball baseball player and scout.

Ben or Benjamin Wade may refer to:
Ben Wade, character in the film 3:10 to Yuma
Ben Wade, character in the film Key Largo
Ben Wade (politician) (1883–1958), Australian politician
Benjamin Wade (1800–1878), U.S. lawyer and United States senator
Benjamin Wade (Survivor contestant) (born 1971), American reality television personality

See also
Ben Wade Township, Pope County, Minnesota

redpajama_set_name: RedPajamaWikipedia


text:
https://www.chron.com/business/real-estate/article/Builders-pull-back-on-single-family-construction-13850586.php
Builders pull back on single-family construction
By R.A. Schuetz
Published 10:23 am CDT, Thursday, May 16, 2019
Builders are making plans for fewer single-family homes, according to numbers from the Department of Commerce released Thursday morning. Here, a home on McWilliams Drive in Acres Homes in Houston is shown under construction on Feb. 21, 2019. NEXT: New-construction homes in Houston's suburbs
Builders are making plans for fewer single-family homes, according to numbers from the Department of Commerce released Thursday morning. Here, a home on McWilliams Drive in Acres Homes in Houston is shown under
Photo: Melissa Phillip, Houston Chronicle / Staff Photographer
Builders are pulling back on single-family home construction as the housing market cools, according to Commerce Department numbers released this morning.
The number of April permits to build single-family homes fell by 5 percent from the year before nationwide. The drop was sharpest in the South, where permits fell 11 percent year over year.
HOUSING SOFTENS: Zillow report sees Houston home values starting to decline
"The for-sale housing market is continuing to cool as builders of single-family homes pull back from the market," Issi Romem, chief economist at Trulia, said in an emailed statement. "Earlier, this tendency was concentrated in those West Coast markets which have cooled the most, but it now appears to have spread to the South as well, where the bulk of new U.S. housing is produced."
Builders seem to be more optimistic about multifamily buildings. Nationally, permits for buildings with five or more units rose 1.5 percent year over year. Romem said the majority are headed for the rental market.


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Kendall Jenner thinks it's ''weird'' that her younger sister Kylie has had a baby before her, but notes the young star is a ''beautiful'' mother.
Kendall Jenner thinks it's ''weird'' that her younger sister Kylie has had a baby before her.
The 20-year-old lip kit mogul welcomed her daughter Stormi - whom she has with her boyfriend Travis Scott - into the world three months ago, and whilst her older sibling believes Kylie is a ''beautiful'' mother, she can't help think that being a parent at her age is a bit bizarre.
But the 22-year-old model has credited baby Stormi with helping to bring her closer to her little sister, as she says Kylie is more ''loving'' now.
The 'Keeping Up with the Kardashians' star also spoke about her struggle with anxiety, and says she was amazed when other celebrities told her they were going through the same problems.
Kendall spoke about her mental health battle during an episode of her family's reality show which aired earlier this year, in which she said she is a ''hypochondriac''.
But the star is trying to stay positive and insisted she is getting better.


This intensely dramatic mystery from the father of the Italian crime novel, Augusto de Angelis, is the first to feature his most famous creation--Inspector De Vincenzi.
I think it may have been a combination of the translation, the author's style, and the complex plot, but I found this a very hard novel to become engaged in. I think the plot reflected the times it was set in.
De Angelis was born in Rome. He published his first mystery, Il banchiere assassinato, in 1935. He subsequently wrote some twenty crime books, whose protagonist is Commissario Carlo De Vincenzi of the squadra mobile of Milan. Some of them were adapted for television by RAI in 1974–1977, with Paolo Stoppa playing the role of De Vincenzi.
Despite the success of the books, the Fascist government banned them. De Angelis was arrested in 1943, accused of being Anti-Fascist. After a few months he was freed but soon afterwards he was beaten up by a Fascist activist, and died at Bellagio of the wounds he had received.


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Logs in place for cutting.
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Some years ago, Stephen Covey wrote a great book on the 7 Habits of Highly Effective People. #6 on that list was the importance of creating SYNERGY by which he meant that the power of several people, when combined, is more powerful than the sum of their individual parts.
The more people are willing to share with others the stories of their networking successes, the better off we will all be. That is the impetus for this webpage. Remember that every business transaction has its basis in a personal relationship.
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Here is One quick example of how doing something for another ended up benefitting my business career in a huge way. In July of 2008, I drove twelve hours round trip to Sun Valley Idaho to give a speech as a favor for a friend. The unanticipated benefit was a great meeting with the famous Steve Wozniak, co-founder of Apple. That led to a series of discussions where he eventually joined the company for which I would later become CEO – Fusion-io. Steve became our Chief Scientist.
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Share your story here for a chance to have it appear here on my website.


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Fluffy, overstuffed loveseat soft cushions arent your lifestyle? This reclining loveseat from GDF has sharper, solution lines than your traditional reclining loveseat, which makes it an elegant addition to a mid-century modern, contemporary, modern or modern style of house. And, at only 46.46 in . wide, its easy to squeeze into an inferior space, like apartments, dens or offices. Obtainable in several colour and material choices, such as charcoal material, navy blue fabric and standing microfiber, its simple to find the perfect complement for your house dcor, and also the sturdiness your loved ones needs for daily use. Gone are the days of good-looking, but uncomfortable furniture you will no longer need to give up comfort for style. This lying loveseat functions a big, gentle, plush-filled seat cushion with sufficient room for two or enough space for you to disseminate and relax.
This sofa is worked with the bell-formed shape combined with the upper armrest of the cushioning. In addition, the top is supported by blocked part sides. The thighs, nevertheless, have joined the fake wooden wrapping. The sofa gives a comfortable and extravagant feeling. This is actually the direct result of very flexible cushioning inside the rayon furniture. You are able to sit down easily for the moment to unwind. Each one of the tones provided with this sofa shows its noteworthy element, Flexible style. The red sculpt could be well suited for both topics with light and dark tones. That remains constant for different shades that it offers too. The couch is located in room. Whether or not its Thanksgiving holiday or perhaps a large loved ones reunion, you can rely on it. Marathon-viewing while at the same time collapsing on your couch together with your buddies is a legitimate choice.
This RTA loveseat provides various kinds of upholstery with respect to the material. That considerably includes bed linen and purple velvet. Advanced tones, Marzipan, Stoneware-Light tan and Rye-Dark brown enhance design for the sofa. Choose the covering and the materials that depends around the stylistic style of your room. Not only the covering, the fabric may also reflect the main difference in fashion. Make sure that the material you select matches the theme of your space. This loveseat ballots in favor of mixing the present design by having an exemplary design. It has been moved up by the arms that begin to feed the couch. With this particular mix, you only see enhanced comfort and stylish style when lighting the pads.
Serta RTA Copenhagen Selection 61 Loveseat in Marzipan was created especially for little areas. Nonetheless, technology-not only in any room: apartment, dormitory etc. This set provides you with more than enough assistance. It boasts of high grade material, high denseness froth pocketed coils, leading-collection polyester fiber, and strong hardwood frame. This increases the comfort and ease, sturdiness, and toughness of this set. The set includes an extremely broad back straps. The established includes additional comfy cushions all that makes it more comfortable. Particularly, it's gently rounded arms and plush fabric allow it the exceptional look that matches with any design. The set checklist compact, consequently it's very easy to move. It has a minor scent that fades with time. More to the point, the couch is extremely easy to construct. It includes the putting together tools and instructions. You comfortably commit your cent hear. It acts the purpose.
Does your living space display space requirements? Are you willing to toss a sleep celebration within the light of the absence of space to rest? This DHP Futon would be well suited for you in cases like this. This Futon couch by DHP includes the functionality of a sofa mattress with a contemporary and elegant appearance. Place it inside your living room to achieve an additional tired mattress at night. A micro-fiber floor that took off in the centre would be a ideal combination. This unique sofa accompanies a tapestry with shiny stainless hair and legs. Consolidating these outcomes together inside a comfy well-liked design couch. You can choose to have it in Faux Leather, Velvet or Linen. A component that is really worth indicating is its back design. Considering the different seats, DHP encourages the progres of the couch for your comfort levels. You can gain levels to have an computer animated babble, or for silent shifting image night.
While the back of this sofa shows the Chesterfield, with its series of tufting, a tuxedo sofa has cleaner, much more angular lines. It is said to possess been the bellwether more modern designs within the 1920s. Although some say this couch design took its name from Tux Recreation area in New York, it's also considered called following the traditional extravagant men's match. You can determine a tuxedo sofa by its arms that are the same height as the back. The tufting on the back of the couch and it is rectangular outline are also traditional characteristics. Cushions add comfort to this higher-armed design. Also, as the sofa above from Upcountry is padded in leather, this popular design is often done in fabrics of all kinds, such as the very stylish purple velvet.
This group of RTA couches is available in various furniture smoothness. Some of them include bonded leather-based, bed linen, corduroy, bed linen texture, rayon. All you need is to find the correct tapestry in significance for the well balanced requirements. Obtainable materials provide an simple-to-thoroughly clean element. A attribute that suggests its versatility to resist drinks and food. The luxurious chair and back soft cushions election in support of a reducing-advantage look. The square molded arm that starts just over them improves the elegance. You will find the conveniences and soft designs that hit your entrance.
Copyright © Levins Rattan Console Table By Latitude Run in Patio Dining Sets All right reserved.


I've added a few pages to my blog, as well as updated my website.
I have Character interviews available with the protagonists from all my published works. I also recently sat down with one of my favorite authors and - let's face it - people, Lux Zakari. She asked about my current and former works, and my early years in writing. Check it out!
If you visit my blog often, you'll see there are new pages featuring a brief bio, a list of my publications to date, some information pertaining to OCD, and a progress report on the WIP's on which I'm currently focused.
Hope everyone's week is going smoothly thus far.


There is so much I want to share but in order to get there, I have to start with this. March 21st is my last day at WCCO Radio. If you are feeling a little déjà vu, you're not alone.
In November, I approached management about taking time off to go to St. Thomas to volunteer with All Hands & Hearts. It wasn't something they were able to accomodate so after sitting down and figuring out what was most important to me (there were a lot of lists), I put in my two weeks notice. The trip was something I needed to do and if that meant returning to Minnesota without a job, I was willing to take that risk.
While I was preparing for my trip, some stuff happened behind the scenes and I ended up coming back to WCCO Radio on December 27th. That's the less-mess version of the story and the only details I'm going to share publicly.
I've enjoyed my time at WCCO Radio. I've learned so much and can truly say I'm leaving with more than I came in with. I think the world of my colleagues and I'm so excited to see what is in their future. There is some serious talent at this station and I'm a better broadcaster/producer/reporter because of them.
Change is scary. Taking a risk is scary. I'm scared that walking away from this job might be the end of my career as a broadcaster. I'm scared I'm going to wish I had stuck it out just a little bit longer, that I'm going to regret taking this jump. I know I'm going to be sad, angry when the next person gets their big break. The one I had been working for. And it's not easy to admit that. It makes me question my skills, my talent. It makes me think that maybe I'm just not good enough. Maybe I'm just not what they wanted (isn't insecurity the best?).
But even with all that fear, there is so much hope. So much excitement about the opportunities I am going to create for myself. See what I did there? The opportunities I am going to create for myself. I'm excited to invest in myself, to pursue projects I'm passionate about. To find something that brings me joy.
I'm still going to be pursuing everything I was doing while at WCCO Radio. Cooking demonstrations, television appearances, more radio. I'm going to start releasing my podcast on a weekly basis. I have big plans for what's next. And it wouldn't be possible without all of you. Thank you for supporting me, for pushing me to want more.


text:
in: West Virginia Civil War regiments, American Civil War unit and formation stubs
4th West Virginia Volunteer Infantry Regiment
Flag of West Virginia
June 17, 1861 to December 21, 1864
Siege of Vicksburg
The 4th West Virginia Volunteer Infantry Regiment was an infantry regiment that served in the Union Army during the American Civil War.
1 Service
2 Casualties
3 Colonels
Service[]
The 4th West Virginia was mustered into Federal service on June 17, 1861, at Grafton, Point Pleasant, and Macon City, Virginia. It was recruited primarily in Ohio from the counties of Meigs, Gallia, Lawrence and Athens, which contributed seven full companies.[1] Among its early recruits was future United States Congressman John L. Vance, who would rise to the rank of lieutenant colonel.
Toward the end of the war, the regiment's re-enlisting veterans were consolidated with the 1st West Virginia Volunteer Infantry Regiment (3 Year) on December 21, 1864 to form the 2nd West Virginia Veteran Volunteer Infantry Regiment.
Casualties[]
The 4th West Virginia Volunteer Infantry Regiment suffered 3 officers and 80 enlisted men killed or fatally wounded in battle and 2 officers and 156 enlisted men dead from disease, a total of 241 fatalities.[1]
Colonels[]
↑ Reid, Whitelaw Ohio in the War, vol. 2, pg. 919
The Civil War Archive
West Virginia Units in the Civil War
West Virginia in the Civil War
West Virginia Civil War regiments


Every week brings task lists, emails, files, and new jobs. Just how much of this is different from the job you have done before? Odds are, maybe not much. Many of our day-to-day tasks are variants on something we've done hundreds of times before.
Do not reinvent the wheel each time you start something new. Use templates–standardized documents with formatting and text as starting point. Once you save another variant of the template, just add, remove, or alter any info for that exceptional record, and you are going to have the job.
Programs work everywhere: in word processors, spreadsheets, project management apps, survey programs, and email. Here is how to automatically create documents from a template — and the way to use templates from your favorite apps –so it's possible to get your common tasks faster.
Templates take time to construct, and it's easy to wonder whether they are worth the investment. The answer: absolutely. Editing a template requires much less time than formatting something. It is the difference between copying and pasting some text, or retyping it.
That is not the only benefit: Using a template means you're not as likely to leave out crucial info, too. By way of instance, if you want to send freelance writers a contributor arrangement, modifying a standard contract template (instead of composing a new contract every time) ensures you won't leave out the crucial clause regarding owning the content as soon as you've paid for this.
Templates additionally guarantee consistency. You send investors or customers regular project updates. With a template, you understand the update will constantly have the same formatting, design, and structure.
First, templates should be comprehensive. So err on the side of adding instead of too small, it is simpler to delete information than add it .
Imagine you are creating a template of your own resume. You would want to list facts about your responsibilities and achievements, and that means you'll have.
Some tools will automatically fill in all these variables for you (more on that in a bit). But if you need to fill in the data on your own, include some text that's simple and obvious to search for so you can locate.


text:
GQ Preview: Prateek Kuhad's In Tokens & Charms
Our favourite singer-songwriter is back with an all-English album of songs tripping on nostalgia
As far as singer-songwriters go, Prateek Kuhad has been in a league of his own. It isn't just that his songs are bilingual, they're also heartfelt melodies about life and such. GQ catches up with the versatile musician to know what he's been upto since the release of his superhit EP Raat Raazi, what his new album In Tokens and Charms (out tomorrow) is all about and what he thinks of the independent music scene here.
What is In Tokens & Charms about?
This album has songs that were triggered by small conversations I had with people I've met, those small unnoticeable moments that slip by but shape us all the same. I often come to understand what I'm writing about much later. This album came together when we were designing the album cover. The designer came up with the idea of a patchwork of items, but then Dhruv, my manager said, that it'd be cool if we could make a grid with my personal items. So I just collected a few trinkets - things that have meant something to me in the past, put it all together and took a picture. Those objects became metaphors, triggers for thoughts... Like this song called Artist - it's very loosely based on this person I met. It's not a dramatic, emotional, intense song - it's just about how artists behave. Sort of. How they can be pretentious but also be true to their work.
Are you a prolific songwriter?
What I like most is writing my songs. Performing and everything else comes second.
For many, what made your music refreshing was that it was bilingual. Yet, there aren't any Hindi songs on this album...
I had none that I liked enough to put on it. When we put out Raat Raazi last year, I had about 4-5 Hindi songs to pick from and very few English ones. This year, it was the opposite. While recording Raat Raazi too, I was writing a lot of English songs.
You turned full-time musician with your EP release last year. Have things changed?
Mostly, I have a shit tonne of time on my hands now, which is great because I get to do a lot of songwriting. Before that, life was segmented - school, college, internships, work in New York. When I started doing music full time, I spent the first couple of months dealing with the fact that I had absolutely nothing to do. Now that it's a bit settled, I've got gigs and albums to occupy myself with.
What's up with the Prateek Kuhad Collective?
For starters, we've stopped referring to it as a collective [laughs]. It was an idea that worked because when people are programming live events, they think bands are better than solo acts. It wasn't really ever a collective, the line-up was constantly changing and it's basically a band to support me on stage because I do all the writing and producing on my own. They're there to help me translate that vision live.
And you're set to begin touring with In Tokens & Charms soon. Who's playing with you this time?
Nikhil Vasudevan of the Jass B'Stards and Ska Vengers will take care of drums and percussion, while Dhruv Bhola who plays with a band called Run It's the Kid will handle keys, guitars and bass. Nikhil and I have been working rather closely for about a year now. He's pretty much the only guy that I work with on drums right now. We have a really good understanding.
Who're you listening to these days?
This past year, I've listened to a lot of Hozier, Ben Howard, Ed Sheeran's new albums...
So people from your genre, basically...
Yeah, singer-songwriters. But I've also been listening to a lot of indie pop, some dance music, some hip-hop even. This guy called Childish Gambino is amazing.
Who among your contemporaries shows promise right now?
I used to listen to bands like Zero, Blackstratblues, Ankur Tewari and the like. But off late, I haven't really. Maybe that's because I listen to all my music on Spotify. Also, when I was studying in the US, I wasn't connected to the scene at all.
We haven't got anything lined up apart from the tour - but I'm always writing.
Tour tickets available here.
Gallery3 Photos
KeywordsNEW YORK


text:
Q: Labels and images for D3 nodes incorrectly show at top left of screen I'm able to get images and labels to show for the nodes, but they show at the top left of the screen.
Nodes show up in the correct position when I use this
.enter().append("circle")

Labels and node images show at the top left (incorrect) when I use this:
.enter().append("g")

This works with append "circle" (commented out in the code below):

When I comment out append circle and use append "g" (in order to use node images and labels) the images and labels all show up near (0,0) instead of near the node:

Also, what exactly is append "g"?  Where is the documentation to find out what's possible with append "g"?
Here is all the code:
<script>
        var width = 960,
            height = 500;

        var color = d3.scale.category20();

        var force = d3.layout.force()
            .charge(-120)
            .linkDistance(30)
            .size(\[width, height\]);

        var svg = d3.select("body").append("svg")
            .attr("width", width)
            .attr("height", height);

        var graph = getData();

        var nodeMap = {};

        graph.nodes.forEach(function(d) { nodeMap\[d.name\] = d; });

        graph.links.forEach(function(l) {
            l.source = nodeMap\[l.source\];
            l.target = nodeMap\[l.target\];
        })

        force.nodes(graph.nodes)
            .links(graph.links)
            .start();

        var link = svg.selectAll(".link")
            .data(graph.links)
            .enter().append("line")
            .attr("class", "link")
            .style("stroke", function(d) {
                return d.line_color;
            })
            .style("stroke-width", function(d) {
                return Math.sqrt(d.value)+1;
            });

        var node = svg.selectAll(".node")
            .data(graph.nodes)
            // .enter().append("circle")
            //   .attr("class", "node")
            //   .attr("r", 10)
            //   .style("fill", function(d) { return d.fill_color; })
            //   .call(force.drag);
            .enter().append("g")
              .attr("class", "node")
              .attr("r", 15)
              .style("fill", function(d) { return d.fill_color; })
              .on("click", function(d){
                alert("You clicked on node " + d.name);
              })
              .call(force.drag);

        node.append("title")
            .text(function(d) { return d.label; });

        node.append("image")
          .attr("xlink:href", function(d) { return d.image_url })
          .attr("x", -8)
          .attr("y", -8)
          .attr("width", 26)
          .attr("height", 26);

        node.append("text")
          .attr("dx", function(d) {
              if (d.image_url == "/profile.png"){
                return 100;
              }
              else{
                return 16;
              }
          })
          .attr("dy", function(d) {
              if (d.image_url == "/profile.png"){
                return 100;
              }
              else{
                return ".35em";
              }
          })
          // .attr("dy", ".35em")
          .text(function(d) { return d.name });

        force.on("tick", function() {
            link.attr("x1", function(d) { return d.source.x; })
                .attr("y1", function(d) { return d.source.y; })
                .attr("x2", function(d) { return d.target.x; })
                .attr("y2", function(d) { return d.target.y; });

            node.attr("cx", function(d) { return d.x; })
                .attr("cy", function(d) { return d.y; });
        });

        function getData() {
          return {
                "nodes":\[
                        {"name":"user1","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                        {"name":"user2","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                        {"name":"user3","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                        {"name":"tag1","image_url":"","fill_color":"blue","text_color":"black"},
                        {"name":"tag2","image_url":"","fill_color":"blue","text_color":"black"},
                        {"name":"tag3","image_url":"","fill_color":"blue","text_color":"black"}
                    \],
                "links":\[
                        {"source":"tag1","target":"user1","value":1,"line_color":"green"},
                        {"source":"tag2","target":"user1","value":1,"line_color":"green"},
                        {"source":"tag3","target":"user1","value":1,"line_color":"green"},
                        {"source":"tag1","target":"user2","value":1,"line_color":"green"},
                        {"source":"tag2","target":"user2","value":1,"line_color":"green"}
                \]
          };
        }
    </script>

A: With .append("g") you insert a SVG Group Element.
The problem is, that you try to apply attributes that are for circles, like the radius with .attr("r",15), to the group element.
You have to use circles if you want to draw a circle. Group elements do not have any shape. They are used to group elements like circles.
A solution would be to append the g element and transform it to the location of the node. I updated your code in the following snippet. I used the group elements and added the circle, image and text inside the group elements.
Moreover I removed the backslashes before each angular bracket and set the title to the field name instead of label.

var width = 960,
    height = 500;

var color = d3.scale.category20();

var force = d3.layout.force()
    .charge(-120)
    .linkDistance(30)
    .size([width, height]);

var svg = d3.select("body").append("svg")
    .attr("width", width)
    .attr("height", height);

var graph = getData();

var nodeMap = {};

graph.nodes.forEach(function(d) { nodeMap[d.name] = d; });

graph.links.forEach(function(l) {
    l.source = nodeMap[l.source];
    l.target = nodeMap[l.target];
})

force.nodes(graph.nodes)
    .links(graph.links)
    .start();

var link = svg.selectAll(".link")
    .data(graph.links)
    .enter()
  .append("line")
    .attr("class", "link")
    .style("stroke", function(d) {
        return d.line_color;
    })
    .style("stroke-width", function(d) {
        return Math.sqrt(d.value)+1;
    });

var node = svg.selectAll(".node")
    .data(graph.nodes)
    .enter()
  .append("g")
    .attr("transform", function(d){return "translate("+d.x+","+d.y+")"})
    .call(force.drag);

node.append("circle")
    .attr("class", "node")
    .attr("r", 15)
    .style("fill", function(d) { return d.fill_color; })
    .on("click", function(d){
      alert("You clicked on node " + d.name);
    });

node.append("title")
    .text(function(d) { return d.name; });

node.append("image")
    .attr("xlink:href", function(d) { return d.image_url })
    .attr("x", -8)
    .attr("y", -8)
    .attr("width", 26)
    .attr("height", 26);

node.append("text")
    .attr("dx", function(d) {
        if (d.image_url == "/profile.png"){
          return 100;
        }
        else{
          return 16;
        }
    })
    .attr("dy", function(d) {
        if (d.image_url == "/profile.png"){
          return 100;
        }
        else{
          return ".35em";
        }
    })
    // .attr("dy", ".35em")
    .text(function(d) { return d.name });

force.on("tick", function() {
    link.attr("x1", function(d) { return d.source.x; })
        .attr("y1", function(d) { return d.source.y; })
        .attr("x2", function(d) { return d.target.x; })
        .attr("y2", function(d) { return d.target.y; });

    node.attr("transform", function(d){return "translate("+d.x+","+d.y+")"});
});

function getData() {
  return {
        "nodes":[
                {"name":"user1","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                {"name":"user2","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                {"name":"user3","image_url":"http://upload.wikimedia.org/wikipedia/en/thumb/8/80/Wikipedia-logo-v2.svg/103px-Wikipedia-logo-v2.svg.png","fill_color":"blue","text_color":"black"},
                {"name":"tag1","image_url":"","fill_color":"blue","text_color":"black"},
                {"name":"tag2","image_url":"","fill_color":"blue","text_color":"black"},
                {"name":"tag3","image_url":"","fill_color":"blue","text_color":"black"}
            ],
        "links":[
                {"source":"tag1","target":"user1","value":1,"line_color":"green"},
                {"source":"tag2","target":"user1","value":1,"line_color":"green"},
                {"source":"tag3","target":"user1","value":1,"line_color":"green"},
                {"source":"tag1","target":"user2","value":1,"line_color":"green"},
                {"source":"tag2","target":"user2","value":1,"line_color":"green"}
        ]
  };
}
<script src="https://cdnjs.cloudflare.com/ajax/libs/d3/3.4.11/d3.min.js"></script>

redpajama_set_name: RedPajamaStackExchange


text:
Q: Are special member functions noexcept or throw()? The C++11 spec is clear that implicitly-generated special functions (i.e., default constructor, destructor, copy/move constructors, and copy/move assignment operators) have exception specifications. But the spec seems be written only in terms of the now-deprecated dynamic exception specifications (i.e., "throw (T1, T2, T3)").  This is backed up by the example in 15.4/14:
struct A {
  A();
  A(const A&) throw();
  A(A&&) throw();
  ~A() throw(X);
};
struct B {
  B() throw();
  B(const B&) throw();
  B(B&&) throw(Y);
  ~B() throw(Y);
};
struct D : public A, public B {
  // Implicit declaration of D::D();
  // Implicit declaration of D::D(const D&) throw();
  // Implicit declaration of D::D(D&&) throw(Y);
  // Implicit declaration of D::D() throw(X, Y);
};

Notes are not normative, I know, but it's noteworthy that D's copy constructor is declared throw() instead of noexcept.  It makes a difference, because the behavior of the program is different if a throw() is violated versus if a noexcept is violated.
The text in 15.4/14 above the example is normative, and it says:

An implicitly declared special member function (Clause 12)
  shall have an exception-specification. If f is an implicitly declared
  default constructor, copy constructor, move constructor, destructor,
  copy assignment operator, or move assignment operator, its implicit
  exception-specification specifies the type-id T if and only if T is
  allowed by the exception-specification of a function directly invoked
  by f's implicit definition; f shall allow all exceptions if any
  function it directly invokes allows all exceptions, and f shall allow
  no exceptions if every function it directly invokes allows no
  exceptions.

Given that only dynamic exception specifications are referred to here, I fear that implicitly-generated special member functions are never declared noexcept.  Is that really the case?

A: I do not believe that's the case. The actual requirement is only that "...f shall allow no exceptions if every function it directly invokes allows no exceptions."
As noted just above (§15.4/12):

An exception-specification is non-throwing if it is of the form throw(), noexcept, or noexcept(constant-expression) where the constant-expression yields true. A function with a non-throwing exception-specification does not allow any exceptions.

It's not exactly a revelation that a non-throwing exception specification does not allow any exceptions, but I think it's telling that the wording in the description of a non-throwing exception specification is echoed nearly verbatim in the requirement on the implicitly declared special member function. As such, it appears to me that any form of non-throwing exception specification (throw() or noexcept or noexcept(<anything that converts to true>)) is allowed -- and that this was specifically intended, not just an accident of wording.


text:
Гонёндз () — городско-сельская гмина (волость) в Польше, входит как административная единица в Монькский повят, Подляское воеводство. Население — 5253 человека (на 2004 год).

Демография
Данные по переписи 2004 года:

Поселения

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text:
Can you insure a foreign car in the UK?
Can you insure a European car in the UK?
Is it possible to insure a French registered car in the UK?
How long can you drive a foreign registered car in the UK?
Can I insure my Spanish car in the UK?
Can I drive my EU car in UK after Brexit?
Can you insure a car without a drivers license UK?
Can I insure a car with a VIN number?
Do you insure a car before registering it UK?
Can I insure an unregistered vehicle?
Can a UK resident drive a foreign registered car?
Can you drive a left hand drive car in the UK?
What cars are illegal in UK?
It is possible to get UK car insurance with a foreign driving licence, but it is often more expensive. International drivers are generally considered to be at higher risk of an accident and are therefore more likely to make a claim.
The only way as I stated earlier can you insure a vehicle in the Uk is if the vehicle is taxed and registered in the Uk. You cant insure a non UK registered vehicle on the VIN. You can have a cover note issued to have it regstered coming through customs and to get it re registered at a local DVLA office.
You can usually only drive a European vehicle in the UK for 6 months on foreign number-plates if is fully taxed in your home country. If the police stop the vehicle the user has to prove they can use it in the UK without registering and taxing it.
THIS IS FUN: Can I renew my UK driving Licence if I live in France?
They said UK residents are not allowed to drive foreign registered cars in the UK. They also said that the foreign insurance is not valid. … They spoke to DVLA and some other insurance authorities, as well as the Lenea Directa in Spain, who assured that I'm covered in any European country.
EU licence-holders visiting the UK can continue to drive using their EU licence without needing an International Driving Permit.
Where can I get car insurance without a licence? It's illegal to drive a car in the UK without a valid driver's licence and most car insurance providers will make this a basic requisite for being accepted for a policy. If you are learning to drive and have only a provisional licence, you must still be insured to drive.
A car can legally be insured based on its Vehicle Identification Number (VIN Barcode) rather than its registration number, but not all insurance companies want to take on this type of policy.
All vehicles that are driven on UK roads need to be insured. However, the Driver and Vehicle Licensing Agency (DVLA) won't register a car unless it's insured, and it can be difficult to get car insurance for an unregistered vehicle, which can leave owners in a chicken-and-egg situation!
You can get insurance coverage on a car that's not registered to you. But it's not all that common. The car must be registered in the owner's name or the person who holds the title, and the owner's name must also be included on the car insurance policy. Or, you can get non-owners insurance.
THIS IS FUN: What is the most sold car in the UK of all time?
But how to drive a foreign car in the UK? If you are not a resident of the United Kingdom, you can drive a foreign car without registering it in the UK for up to 6 months. If you are a resident of the UK, you are not allowed to drive any car that is not registered in the UK with only a few exceptions.
The short answer is, yes. You can legally drive a left-hand car in the UK even though it's more conventional to own and drive a car with the steering wheel on the right-hand side.
Modified cars look super cool in movies but in real life, they can be illegal.
Some common car modifications that are illegal in the UK are:
Neon Lights. …
Rear and headlight tints. …
Window tints. …
Loud exhausts. …
Spoiler upgrades. …
Nitrous Oxide engine modification.


text:
Q: Error al ejecutar rails s -e production rails 5 ayuda rails s -e production
la pagina esta bloqueada
 => Booting Puma
 => Rails 5.1.4 application starting in production
 => Run `rails server -h` for more startup options
    Puma starting in single mode...
   * Version 3.10.0 (ruby 2.3.1-p112), codename: Russell's Teapot
   * Min threads: 5, max threads: 5
   * Environment: production
   * Listening on tcp://0.0.0.0:3000
    Use Ctrl-C to stop

production.log
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text:
Home » Nations » Liberia » Sources
Liberia: Sources
African Repository. The African Repository and Colonial Journal (No. 1, Mar 1825 - No. 8, Aug 1850) || The African Repository (No. 9, Sep 1850 - No. 1, Jan 1892) (web site)
American Colonization Society Annual Reports. "The Annual Reports of the American Society for Colonizing the Free People of Colour of the United States" (New York: Negro Universities Press, 1969) (web site)
Huberich. "The Political and Legislative History of Liberia: A Documentary History of the Constitutions, Laws and Treaties of Liberia from the Earliest Settlements to the Establishment of the Republic, a Sketch of the Activities of the American Colonization Societies, a Commentary on the Constitution of the Republic and a Survey of the Political and Social Legislation from 1847 to 1944" , by Charles Henry Huberich (New York: Central Book Company, 1947), 2 vols. (web site: vol. 1)
Liberia. Liberia (No. 1, Nov 1892 - No. 34, Feb 1909) (web site)
Liberia Herald. Liberia Herald (web site: No. 4, 24 Feb 1842 - No. 4, 18 Feb 1857)
Liberian Government Archives I, 1828-1911 (web site)
Liberian Government Archives II, 1911-1968 (web site)
Last updated on: 15 Jul 2020 14:03:52


text:
A Azerti Motorsport, anteriormente conhecida como Racing for Belgium, é uma equipa de desporto motorizado da belga fundada pelo antigo piloto Wim Coekelberghs. A equipa é financiada pelo Azerti Group, o que levou à mudança de nome da equipa.

A Racing for Belgium começou a correr na Clio Cup Belga em 2003, e em 2005 subiu  à Eurocup Mégane Trophy. No primeiro ano na Eurocup Mégane Trophy, a equipa conseguiu os títulos de pilotos e equipas, com Jan Heylen. A equipa venceu também a SEAT Leon Supercopa na Espanha em 2005 e 2006, com Oscar Nogues.

Em 2007, a equipa participou com um Alfa Romeo 156 no World Touring Car Championship, com Miguel Freitas ao volante, e participou com um Aston Martin DBRS9 no campeonato Belcar (Campeonato de GT Belga), com os pilotos Coekelberghs e Ron Marchal. Em 2008, a equipa reagrupou as suas actividades e planeou participar na SEAT Eurocup, mas ficou-se pela Clio Cup Belga.

Superleague Fórmula
Através do nome Azerti Motorsport, a equipa começou a participar na Superleague Fórmula em 2008, onde tem operado vários clubes de futebol: em 2008, operou o PSV Eindhoven e o Al Ain FC; em 2009, opera o AC Milan, a AS Roma e o PSV Eindhoven. Alguns clubes operados pela Azerti já ganharam corridas neste campeonato.

Ligações externas
 Website Oficial da Azerti Motorsport

Equipas de corrida da Superleague Fórmula
Superleague Fórmula
Automobilismo da Bélgica


Msm Property Management Company Limited By Guarantee was set up on Wednesday the 23rd of June 2010. Their current partial address is Dublin 13, and the company status is Dissolved with the company closing on Wednesday the 20th of March 2019. The company's current directors have been the director of 11 other Irish companies between them; 3 of which are now closed.


text:
Home - US/EU About Us Board of Directors
History of the PKG® system
GKC fact sheet
DR J. LEIGHTON READ
Dr Read is the Chairman at GKC. Leighton is a US entrepreneur and investor with a track record of building companies commercialising medicines and life-science technologies. He was a managing director of Alloy Ventures and founded Affymax NV, where he served as President of the Pharma Division sold to GlaxoSmithKline, and spun out Affymetrix and Maxygen. Leighton was the founding investor, Chairman and CEO of Aviron which developed FluMist and has been a director of numerous companies and serves as a trustee and director of The BeneTech Initiative, BioVentures for Global Health and the UC Berkeley Foundation and School of Public Health Council. Leighton has won a number of awards in the field of life sciences and is based in San Francisco.
DR CHRIS NAVE
Chris is a founding partner of Brandon Capital Partners and Principal Executive of the Medical Research Commercialisation Fund. Chris previously was Director of Commercialisation at the Baker IDI Heart and Diabetes Institute, Melbourne, Australia. He was responsible for the commercialisation of technologies developed at the Baker and the Alfred Hospital, including the management of local and international spinout companies. Prior to this, Chris was the Manager of the Biotechnology Team at Melbourne Ventures, the commercialisation company of the University of Melbourne. Concurrently during this period, he was an Investment Manager for, and on the investment committee of, Uniseed Pty Ltd, a $60 million pre-seed fund. Chris has international experience with Leiras Pharmaceuticals in Finland, a wholly owned subsidiary of Schering AG, working for their Business Development group. He successfully moved companies to the US, securing investment from US investors for these companies. Past directorships have seen Chris involved directly in the management, fundraising, and successful spinouts of various companies in the life sciences industry. Chris is a Director of BACE Therapeutics P/L, Fibrotech Therapeutics P/L Fluorotrop P/L, Global Kinetics Corporation P/L, Osprey Medical Inc., Polyactiva P/L and Spinifex Pharmaceuticals P/L. Chris has a first-class Honours degree in Science and a Ph.D. in Endocrinology and Physiology from the University of Melbourne. Chris is a member of the Australian Institute of Company Directors and of AusBiotech.
DR AMANDA GILLON
Amanda is the Chief Operating Officer, Investments at BioScience Managers. Amanda is a life science investment professional at BioScience Managers where she plays a key role in deal origination, prospective investment due diligence, deal negotiation and portfolio management. Prior to BioScience Managers, Amanda was a Postdoctoral Fellow at Columbia University in New York City investigating molecular processes involved in intracellular trafficking. Amanda is currently a Director of SummatiX Pty Ltd, Rex Bionics Pty Ltd, Global Kinetics Corporation and a Board Observer for Canary Medical and Saluda Medical Pty Ltd. Amanda has a first class honours degree in Science and a PhD in Biochemistry from La Trobe University. She also has an MBA from Melbourne Business School.
MR JOHN SCHELLHORN
Based in New Hampshire, USA, John is a 33-year veteran of the Medical Device industry. Ten of those years were spent in senior expatriate assignments. Before becoming President and CEO of GKC, he served as President and CEO of Monteris Medical Corporation. Prior to joining Monteris, John served as the Chief Commercialization Officer for BÂRRX Medical, and as President and CEO of Softscope Medical Technologies Inc., both of which were successfully acquired by strategic partners during his tenure. John has held positions as Vice President of Sales and Marketing for the Peripheral Vascular Division of ev3 Inc., Vice President and General Manager International for ACMI Corporation, and various management positions within Boston Scientific. John earned a B.A, Summa Cum Laude, from Long Island University and, prior to his commercial career, he served 7 years as a U.S. Marine Corps pilot.
MR GREG BARRETT
Greg Barrett became a member of our board of directors in March 2019. He has more than 35 years of medical device experience, working primarily in the fields of gastroenterology, urology, cardiology, gynecology and minimally invasive surgery. He was previously president and CEO at DFINE Inc, where he restructured the company and negotiated its sale to Merit Medical. Prior to DFINE, Greg was Chairman, President, and CEO of BÂRRX Medical, which was sold to Covidien in January 2012. Previous to joining BÂRRX Medical, Greg served as President and CEO of ACMI Corporation, which was acquired by Gyrus Medical and subsequently by Olympus Medical. Prior to ACMI, he was Group Vice President at Boston Scientific Corporation; Vice President, Global Sales and Marketing at both Orthofix Corporation (formerly American Medical Electronics) and Baxter Healthcare. Greg holds a B.A. in Marketing from the University of Texas.
MR MATTHEW GARRETT
Matthew C. Garrett has served as iRhythm's Chief Financial Officer since January 2013. Previously, he served as Chief Financial Officer of Navigenics, Inc., a provider of genetic testing for common health conditions. Prior to that, he served as Director of Business Development at Corventis Inc., a health monitor applications company and he also served as Vice President of Finance, Chief Accounting Officer and Treasurer for Cogentus Pharmaceuticals Inc., a developer of prescription pharmaceutical products. Before that, Mr. Garrett served as Finance Director in Research & Development and Director of Strategic Marketing and Pricing at Affymetrix, Inc. Earlier in his career, he held various finance roles at Guidant Corporation, a medical technology company focused on cardiac and vascular solutions. Mr. Garrett has a B.A. in Finance from the University of Iowa, Iowa City and an M.B.A. from the Kelley School of Business, Indiana University Bloomington.


The feature hole at Westport Golf Club requires a tee shot that must cross an Atlantic inlet so as to avoid a watery grave. Once this is achieved, the hole dog legs from right to left, to a green with severe run offs on both sides. Miss this green and a dropped shot is almost inevitable.


"I can say that I sell one home for every 2 ads placed so the results are quantifiable. I've tried grocery store advertising, as well as newspapers and magazines, but nothing gets me phone calls like a freeway billboard".
Campaign success has been achieved by strategically targeted units and active communication from the Account Executive to ensure the brand continues to be recognized.
Increase awareness among potential home sellers and stay visible amongst other potential clients.
Target desired audience with freeway billboards to reach as many potential clients as possible with a limited budget.


Delores P. Pierce | AcadiaParishToday.com | Crowley Post-Signal, Rayne Acadian-Tribune, Church Point News | Acadia Parish, La.
Funeral services will be held Saturday, Oct. 1, at 11 a.m. at Morning Star Missionary Baptist Church for Delores P. Pierce, 75, who died Sept. 21, 2016, at Lafayette General Medical Center.
Services will be conducted by Rev. Gerard Perkins.
She is survived by two sons, Darryl W. Pierce (R. Denise) of Austin, Texas, and Tracy D. Nash (Tonya R.) of Lafayette; nine grandchildren, Tamesha Morales (Alfredo), Darryl W. Robinson, Maya Y. Calixte (Reggie), Christopher L. Pierce, Tracy D. Nash Jr., Toni D. Nash, Jennifer Mackey, Terrell House and Eldridge L. Peterman II; one great-grandchild, Elijah J. Johnson; three sisters, Betty Jones Harper of Vallejo, California, and Joyce Green and LaVera George, both of Crowley; one sister-in-law, Laurita Pete of Crowley; four foster sisters, Debra, Peggy and Theresa Andrews of Lake Charles and Diane Harmon of Jennings; three foster brothers, Freddie Johnson of Inglewood, California, Eugene Harmon of Minnesota and Darrell Harmon of Crowley; and a host of nieces, nephews, cousins and friends.
She was preceded in death by her husband, Lloyd Pierce Jr.; parents, Celina and Lloyd Pete Sr.; three brothers, Lloyd Pete Jr., Sidney Pete and Melvin Pete; and four sisters, Geraldine Pete Dawson, Ella Louise Pete, Carolyn Pete and Lattie Ann Pete.
Visitation will be held Friday, Sept. 30, at Morning Star Missionary Baptist Church from 6 p.m. until 9 p.m. and continue Saturday, Oct. 1, from 9 a.m. until time of service.
Sign the guestbook online at www.syriefh.com.
Arrangements have been entrusted to Syrie Funeral Home, Inc. of Lafayette.


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One of the hot rumors in global soccer is that England great Wayne Rooney may join DC United. The rumor has led to endless barstool arguments. TMZ ambushed DC United head coach Ben Olsen to ask him about it. Even by soccer rumor madness standards, that's pretty nutty.
The best rant about the possible move, or at least the rant most relevant outside of soccer, came from ESPN's Taylor Twellman. Most soccer fans are arguing about whether or not Rooney would be a serious player or just another big-name bust trying to cash-in before retirement. But Twellman's focus was on whether or not DC United has the infrastructure and ambition to take advantage of Rooney. For Twellman, if the point of the deal is just to draw fans to DC United's new stadium, which coincidentally opens two weeks after Rooney would be available to sign for the team, and to get people talking about DC United, then the deal is a bad idea. In Twellman's words, "D.C. United, it's on you, it's not on Wayne Rooney, to make this work." Twellman's take should sound familiar to anyone who has worked in a company or organization trying to jump-start success or growth with a splashy project, event, or hire.
Signing Rooney could be a boon for DC United if the team builds around him and makes him part of a larger unit that will grow after he retires. If Rooney is a one-off splash that consumes resources that could be used elsewhere, then the team should do something else. Rooney would get international press attention, sell Rooney - DC United shirts, and lure fans to games. That means DC United's press shop would spend time fielding calls and managing time for Rooney – time and attention not spent on other players or on the team itself. Rooney shirts are mostly Rooney shirts that would happen to have DC United on the front, and fans in the stands will be Rooney fans who would happen to be at DC United games; unless the team spends money and allocates time to turn Wayne Rooney fans into DC United fans, once he retires the shirt sales will stop, the fans will stay home, and the team will be right back where it started.
Twellman's cautions will sound familiar if your organization has ever considered taking on a significantly larger project than it has ever tried, hosted a much bigger event than ever before, or considered hiring a big name for the first time.
What is the plan to build on success? What do we need to do right now to set ourselves up to be better and stronger after the project, event, or hire?
What are the indirect and hidden costs associated with the opportunity? It is easy to count salaries, space rental, and consultant retainers. What other institutional resources will the opportunity consume?
What are the opportunity costs? When the staff are working on the new idea, what are they not working on instead? What opportunities are being missed because all of the time, energy, and money are chasing the big thing?
How else could limited institutional resources be used? Having figured out everything that the new opportunity will take out of the organization and honestly looked at the long term benefits, consider other ways to reach other organizational goals using the same or fewer resources. If you commit to spending X dollars, Y energy, and Z time, how else could those resources be used? Could they get even more bang for the buck if put to less headline-grabbing, but more effective uses?
One way to think about all of these pieces together is to imagine you have the chance to take a month off and live in the Basque Country. That would be an amazing thing to do. It's also expensive – in addition to travel to and from, a place to live and food while there, a rental car, and other obvious expenses, there are the other predictable costs. Basque restaurants are among the best in the world and you can't miss those, which means a lot of money spent eating out. Do you need to buy gifts for people at home? What about mobile phone service? Does where you live have laundry? What about medicine? Will you want to take trips to sights that will require overnight hotel stays? What about tickets to museums? Then there are the expenses back home – your utility bills won't go to zero and you might need a dog walker or someone to water the plants. And of course while you're in San Sebastian and Bilbao spending money, you're not making any money in at home (and if you're making money over there, how much will you have to pay your accountant to make sense of it?). Add all that up and subtract what you would normally make and spend a month at home - you eat out, you buy gas, and so on - the number that matters is the difference. That's your actual projected cost. Take a minute to imagine what else you could do with that chunk of change. A three month break in the US or six months in Costa Rica? A sporty convertible? Art? Charity? Take your dollar sign and look for things that cost the same amount. You might end up trying to learn Basque (more money) – or you might find yourself on a beach in Mal Pais or in a motor home in the Badlands. In organizational terms, you might hire the big name, or you might hire two people nearly as good and not as famous for the same amount, or you might go after three more reasonable projects rather than the potential big get. Not as headline grabbing, but a better use of limited resources.
Wayne Rooney would be a leap for DC United, just as a big client, big event, or big hire would be big leap for your organization. These leaps are full of upside. The thing about leaps is that after you leap, you land. Where and how you land after the leap – not the leap itself – tends to be what matters.
For more lessons for organizations from soccer order Soccer Thinking for Management Success – Amazon's #1 sports industry new release.


Have to start my meeting twice?!?
I suspect you are clicking the wrong button in the meetings app. I do this sometimes too because it is not laid out very clear. When you look at the list of meetings in the app there is one on top for ad-hoc meetings and then the scheduled ones right below that. You need to make sure to start the scheduled meeting and not the ad-hoc one that is always on top.
Thanks! I'll check that next time!


In a large shallow baking pan spread bread cubes and bake in middle of oven until golden and crisp, 25-30 min.
Increase oven temperature to 350 F.
In a saucepan of boiling salted water cook squash until just tender, about 7 min, and drain in a colander.
In a deep heavy 12-inch skillet cook bacon over moderate heat, stirring occasionally, until crisp and transfer with a slotted spoon to a bowl. In fat remaining in skillet cook onion, bell peppers, garlic and ginger, stirring, until vegetable are softened. Add jalapenos and mushrooms and saute over moderately high heat, stirring, until liquid mushrooms give off is evaporated.
Add fruit, broth, rum, herbs, and soy sauce and bring mixture to a simmer. Stir in bread, squash, and bacon and remove skillet from heat. stir in sour cream, lime juice, and salt and pepper to taste and transfer to a 3-quart shallow baking dish. Bake in middle of oven for 35 min.


We asked our Travel Channel Facebook fans to share their best Ireland pictures. Here's a few of our favorite shots.
"Castle in Cashel, Ireland" -- Kim D.
"Donkey on the Southwest coast of Ireland" - Jessie J.
"The lush gardens of the Blarney Castle in Cork, Ireland." -- Carla R.
"Tower at the Cliffs of Moher" - Liana P.
"Cliffs of Moher in County Clare, Ireland" -- Shane L.
"Fanny O'Deas" -- Jessie J.
"Dunguaire Castle, Co. Galway" -- Anna L.
"St. Patrick watches over the pilgrims who come to climb Croagh Patrick." -- Abby S.
"Waterville, Ireland along the Ring of Kerry" -- Liana P.
"Ruins of Clonmacnoise Castle" -- Andreanne M.
"Glendalough Cemetery, Ireland" - Danielle R.
"Blarney Castle near Cork, Ireland" -- Justin K.
"Ha'penny Bridge is a pedestrian bridge built in 1816 over the River Liffey in Dublin which is made of cast-iron." -- Andreanne M.
"Celtic cross at the Rock of Cashel" -- Abby S.
"Sunset from Inis Mor" -- Kim E.
"Ring of Kerry" -- Liana P.