text:
The WSJ ditches Google's 'First Click Free', falls back on stronger paywall
By Patricio Robles	 February 12th 2017 17:54
In an effort to increase paid subscriptions, the Wall Street Journal (WSJ) last year began experimenting with changes to the mechanics of its paywall.
As part of its experimentation, the WSJ began limiting access to its content through Google's First Click Free program.
First Click Free allows publishers to have their paywalled content fully indexed by Google. In exchange, publishers agree to allow the first article requested by a reader through a Google News referral to be accessed without a subscription.
Under the First Click Free program, publishers are allowed to limit the number of articles that readers can access through Google referrals, but are required to allow users coming through Google to access a minimum of three free articles per day.
According to Google, First Click Free is the company's "preferred solution" for publishers that operate a paywall since "it can benefit both our users and our publisher partners. It allows Googlebot to fully index your content, which can improve the likelihood of users visiting your site; and it allows users to view the article of interest while also encouraging them to subscribe."
But apparently, the WSJ found that First Click Free isn't the best solution for driving subscriptions and, as explained by Digiday's Lucia Moses, will be abandoning First Click Free in its entirety this week, shutting out some of its non-paying readers, who have used the company's First Click Free participation as a loophole to access WSJ articles for free.
The WSJ initially switched off free access for 40% of its audience to test the impact on subscriber rates. It then switched off free access to four news sections entirely for two weeks, resulting in a whopping 86% jump in subscriptions. In the past three months of 2016, the WSJ saw a record jump in subscribers by 110,000 to 1.1m.
As well as the impact of the US election, this increase is attributed to a stronger paywall and better messaging. Specifically, the WSJ says that its subscription calls-to-action place pricing information front and center and that it reiterates the ability of subscribers to cancel at any time.
Built to last?
But the WSJ's subscriber growth probably isn't simply the result of tightening up free access to its content. Special offers, such as a $12 for 12 weeks deal, probably helped the WSJ convince a number of users to subscribe when they otherwise wouldn't have paid the nearly $400 annual price for print and digital access.
So it remains to be seen whether or not the WSJ's subscriber growth will be sustained, and how much it will be able to profit from subscribers who signed up for discounted access.
Of course, one might argue that while discounting has its risks, in the super-competitive environment publishers find themselves in today, it might be better to face retention challenges than acquisition challenges. After all, if the WSJ can acquire a new customer, even at a discount, it has already overcome perhaps its biggest hurdle: getting a consumer to pay for content.
Convincing a subscriber to stick around and pay more, although difficult, might be an easier hurdle to overcome.
Monetization optimization
Unlike most publishers, the WSJ generates more of its revenue from subscriptions than it does advertising, but even so, the company is being strategic about how it seeks to monetize its content.
"We had a paywall that's 20 years old and hadn't really been changed," CMO Suzi Watford said. "We asked, how can we optimize it for subscription sales but continue to work for advertisers?"
For example, because video content is capable of generating higher ad revenue, the WSJ is keeping its video content outside of the paywall. And while the 127-year-old publisher is ditching Google's First Click Free program, it isn't totally removing the ability for individuals to access paywalled content without paying.
As a "membership benefit," articles shared through social media by WSJ subscribers will be accessible to non-subscribers free of charge.
That obviously means that the WSJ's paywall will still have holes in it, but it would appear that the company is getting smarter about where it places those holes and who it allows through them.
Blog Advertising Content Digital Strategy Google paywalls subscriptions US Wall Street Journal
Blog Social
10 interesting things from Snapchat's IPO filing
On Thursday, Snapchat filed with the US Securities and Exchange Commission (SEC) to go public.
The move, which has been anticipated for some time, paves the way for the biggest initial public offering (IPO) since Facebook made its debut on the NASDAQ exchange in May 2012.
February 3rd 2017 03:36
Blog Ecommerce
Retailers beware, Amazon could be about to shake up Google PLAs
After years of being absent from the market for Google Product Listing Ads (PLAs), it appears that online retail's 800-pound gorilla is finally getting into the game.
This could have a big impact on other retailers using PLAs to market their wares to consumers.
Is the VR craze mostly hype?
Virtual reality (VR) is all the rage, and even though the technology is relatively nascent, brands and marketers have been jumping on the bandwagon. Examples of experimentation abound, and expectations are high.
But are the expectations for VR's revolutionary potential too grandiose?
February 9th 2017 08:53
Blog Attribution
How to get the best out of Google and Facebook's free attribution services
Should we be excited about Facebook Attribution? I certainly think so.
Briefing Programmatic


Pastel colors - for those who prefer to attract a striving of not bloom, and noble fashion. Not every woman loves a expressiveness - a lot of happy romantic clothes in evening wear pastel shades. That outfits are ofttimes complex multilayer lovely skirt, giving chic and festivity. Like posts: Wedding clothing summer 2012 season Summer. Fashion trends Summer: sundresses, shorts, clothes.


This business centre is situated on a main road in the heart of Munich. The large windows provide a light and pleasant working environment in offices of varying sizes. The offices and meeting rooms feature high class furnishings and the latest technical infrastructure. A professional on-site team provides secretarial support on request and can help organise events and meetings.
In a central location on Landsberger Strasse with excellent access to the public transport network and the nearby motorway.


In this case the name is referred to a prestigious area of Dogliani that, thanks to its rich but loose soil and airy, is able to originate a Dolcetto of great elegance and harmony highlighting floral bouquet of violet, accompanied by fresh berries and jam. The taste is of a medium- bodied wine, it appears balanced with a slightly tangy taste fruity and persistent ending. The color in the glass shines as a red ruby, pomegranate and intense.


rib cage (thoracic cage) the bony structure enclosing the thorax, consisting of the ribs, vertebral column, and sternum.
1. A partly or completely open enclosure commonly used to house animals.
2. A structure resembling such an enclosure.
3. An inert network surrounding an active molecule to be delivered to a chosen locus in its active state.
(kāj) a box or enclosure.
rib cage , thoracic cage the bony structure enclosing the thorax, consisting of the ribs, vertebral column, and sternum.
a mnemonic abbreviation formed by the first letters of four questions designed to screen alcoholic patients: Cutdown, Annoyed by criticism, Guilt about drinking, and Eye-opener drinks.
A gene on chromosome Xp22.11 that encodes a putative ATP-binding helicase with a conserved Asp-Glu-Ala-Asp (DEAD) motif.
1. An enclosure made partly or completely of open work and commonly used to house animals.
an animal or bird enclosure with the walls made of rods or mesh to provide maximum restraint with greatest ventilation, reduction in weight, visibility and access to the inhabitant.
companion birds that are customarily kept in cages to restrain and protect them.
damage caused to the teeth of caged exotic animals, particularly large cats, from aggressive biting on the cage wire or bars.
birds housed in cages may reach a stage where they are unable to stand up straight. They also develop very fragile bones. This problem is a common target for animal welfare complaints. It is a cause of wastage because of the rate of culling and because of splintering of bones and a resulting downgrading of carcasses at slaughter. Called also cage layer osteoporosis.
removal of medullary and cortical bone from laying hens being fed a diet deficient in calcium. See also cage layer fatigue (above).
pigs that are weaned very early, e.g. at 3 weeks, are reared artificially in cages.
cage with one wall capable of being moved inwards, usually by mechanical means, so that the inhabitant can be restrained sufficiently to prevent its movement and to allow access to suitable sites for the administration of injections. An essential piece of equipment for veterinarians working at zoos, circuses and game farms.
Q. What is cage questionnaire in screening of alcoholism and how effective is it?
A. CAGE questionnaire is a set of 4 questions to screen alcohol dependent person. A set of 4 question where if 2 are answered the alcoholism is diagnosed with various other tests. There are other type questionnaires like S-MAST, AUDIT, HSS, TWEAK, T-ACE, and CHARM. Questions asked are: (1) Have you ever felt you needed to Cut down on your drinking (2) Have people Annoyed you by criticizing your drinking? (3)Have you ever felt Guilty about drinking (4) have you Ever felt you needed a drink first thing in the morning to steady your nerves or to get rid of a hangover.


The shuttle follows a 40-minute route that starts from the rear of Spingold, then makes scheduled pick-ups in Waltham before its final stop at the Shapiro Campus Center. It runs from 7 a.m. to 4 p.m., Monday-Friday. It is operated by Joseph's Transportation Service.
Highland St. at Hope Ave.
Crescent St. at Cherry St.
Crescent St. at Moody St.
Moody St. at Maple St./High St.
Main St. at Exchange St.
Charles St. at South St.
South St. at Shakespeare Rd.


text:
Палчица (дан. Tommelise) је бајка данског аутора Ханса Кристијана Андерсена коју је први пут објавила издавачка кућа Ц. A. Реитзел 16. децембра 1835. године у Копенхагену у Данској, у другом тому "Бајки испричаних деци" заједно са бајкама "Неваљали дечак" и "Сапутник".
Палчица говори о сићушној девојчици, и њеним авантурама са жабама, кртицама и гундељима. Успешно избегава њихове намере пре него што се заљуби у цветно-вилинског принца баш њене величине.

Палчица је углавном Андерсеново дело, мада је инспирацију добио из прича о минијатурним људима као што је "Тома Палчић". Палчица је објављена као једна у серији од седам бајки 1835. године, које дански критичари нису добро прихватили, јер им се није допадао њихов неформални стил и недостатак морала. Један критичар је, међутим, похвалио Палчицу.  Најранији превод Палчице на енглески датира из 1846. године. Прича је прилагођена различитим медијима, укључујући телевизијску драму и анимирани филм.

Радња
Жена која жуди за дететом пита вештицу за савет. Она јој даје јечам да посади. Из јечма је никао цвет а у цвету сићушна девојчица, не већа од палца, коју је назвала Палчица.

Једне ноћи, Палчицу, уснулу у колевци од орахове љуске, однесе жаба крастача која ју је желела као невесту за свог сина. Уз помоћ пријатељских риба и лептира, Палчица побегне крастачи и њеном сину, и плови на локвању све док је не ухвати гундељ. Гундељ је касније одбаци када његови пријатељи одбију њено друштво.

Када је дошла зима, Палчица се нашла у очајном положају. Напокон, уточиште јој је пружила стара пољска мишица, којој је знак захвалности одржавала пребивалиште. Приликом посете кртици, комшији пољске мишице, Палчица угледа повређену ласту. Посећује ласту током ноћи, а да не говори мишици где идие, и покушава да јој помогне да стекне снагу и често проводи време певајући јој песме, причајући јој приче, све док не дође пролеће. Након што је оздравила, ласта одлази, и обећава да ће поново доћи на то место.

На крају зиме, мишица предлаже Палчици да се уда за кртицу, али Палчици је перспектива да се уда за такво створење одбојна, јер он све дане проводи под земљом и никада не види ни сунце ни небо. Мишица непрестано гура Палчицу у брак, говорећи да јој кртица добро одговара и не слуша њене протесте. Палчица невољно пристаје јер се осећа захвалност према пољској мишици који јој је била заштитник.

У последњем тренутку, Палчица бежи с ластом у далеку земљу. На сунчаном пољу цвећа, Палчица среће мајушног цветно-вилинског принца баш њене величине и по њеном укусу и венчавају се. Добија пар крила да прати супруга на путовањима од цвета до цвета и ново име, Маја. На крају, ласта којој је сломљено срце кад се Палчица уда за принца, одлети у малу кућу у Данској. Тамо прича Палчицу човеку за кога се подразумева да је сам Андерсен, који бележи причу.

Историјат
Ханс Кристиан Андерсен је рођен у Оденсеу у Данској 2. априла 1805. године, од оца Ханса Андерсена обућара и мајке Ане Марие Андерсдатер. Како је био једино дете, Андерсен је љубав према књижевности делио са својим оцем, који му је читао "Хиљаду и једна ноћ" и басне Жана де Лафонтена. Заједно су правили панораме, поп-ап књиге играли се позоришта и ишли на излете у село.

Андерсенов отац је умро 1816. године, и од тада је Андерсен остао сам. Да би побегао од своје сиромашне, неписмене мајке, промовисао је своје уметничке склоности културној средњој класи Оденсеа, певајући и рецитујући у њиховим салонима. Четрнаестогодишњи Андерсен је 4. септембра 1819. године отишао из Оденсеа у Копенхаген са мало уштеђевине коју је стекао од својих наступа, референтним писмом балерини Мадам Шал и младалачким сновима и намерама да постане песник или глумац.

После три године одбијања и разочарања, коначно је пронашао покровитеља у Јонасу Колину, директору Краљевског позоришта, који је, верујући у дечаков потенцијал, од краља обезбедио средства за слање Андерсена у гимназију у Слагелсе, провинцијски град на западном Сјеланду, очекујући да ће дечак у одговарајуће време наставити школовање на Универзитету у Копенхагену.

У Слагелсеу, Андерсен је потпао под туторство Симона Меислинга, ниског, стаситог, ћелавог тридесетпетогодишњег класичара и преводиоца Вергилијеве Енеиде. Андерсен није био најбржи ученик у разреду и добио је издашне дозе Меислинговог презира.  "Ти си глуп дечак који никада неће успети", рекао му је Меислинг.  Верује се да је Меислинг узет као модел за кртицу у "Палчици".

Фолклористи Иона и Петер Опие претпоставили да је причу " у почаст" Андерсеновој пријатељици Хенријет Вулф, малој, крхкој, грбавој ћерки данског преводиоца Шекспира, која је волела Андерсена као што Палчица воли ласту. Међутим, не постоје писани докази који подржавају теорију.

Извори и инспирација
Палчица је у суштини Андерсеново дело, али инспирацију је добио из традиционалне приче о "Тому Палчићу" (обе приче почињу женом без деце која се саветује са натприродним бићем о стицању детета). Остале инспирације били су лилипутанаци у Гуливеровим путовањима Џонатана Свифта, Волтерова приповетка "Микромегас" са џиновским и минијатурним народима и прича Е.Т.А. Хофмана "Meister Floh", у којој је сићушна дама мучи главног јунака. Сићушна девојчица је главни лик у Андерсеновој прозној фантазији "Путовање пешице од Холменовог канала до источне тачке Амагера" (1828), а јунакиња слична Андерсеновом малом бићу у цвету налази се у причи Е.Т.А. Хофмана "Принцеза Брамбила".

Публикација и критички пријем
Андерсен је објавио два дела своје прве збирке Бајки испричаних деци 1835. године, први у мају, а други у децембру. "Палчица" је први пут објављена у децембарском делу, 16. децембра 1835. у Копенхагену. "Палчица" је била прва прича у књижици која је обухватала још две приче: "Неваљали дечак" и "Сапутник". Прича је поново објављена у сабраним издањима Андерсенових дела 1850. и 1862. године.

Прве критике о седам прича из 1835. појавиле су се тек 1836. године, а дански критичари нису били одушевљени. Неформални стил прича и њихов недостатак морала сматрани су неприкладним у дечјој литератури. Међутим, један критичар је признао да је "Палчица" "најлепша бајка коју сте могли пожељети".

Критичари нису превише храбрили Андерсена. Један књижевни часопис уопште није помињао приче, док је други саветовао Андерсена да не губи време на писање бајки. Један критичар је изјавио да је Андерсену "недостајао уобичајени облик те врсте поезије [...] и да не би проучавао моделе". Андерсен је осећао да ради против њихових унапред створених представа о томе шта би бајка требала бити, и вратио се писању романа, верујући да је то његов истински позив. Критична реакција на приче из 1835. године била је толико оштра да је чекао читаву годину пре него што је објавио "Малу сирену" и "Царево ново одело" у трећем и последњем делу Бајки испричаних деци.

Види још
 Царево ново одело
 Принцеза на зрну грашка
 Дјевојчица са шибицама
 Оловни војник

Референце

Литература

Спољашње везе
https://www.lektire.rs/palcica-hans-kristijan-andersen/

Бајке
Дечја књижевност
Данска књижевност
Ханс Кристијан Андерсен

redpajama_set_name: RedPajamaWikipedia


McCann Superintendent Receives Award / iBerkshires.com - The Berkshires online guide to events, news and Berkshire County community information.
Superintendent James Brosnan, right, is presented with the Richard J. Bradley Endowment Fund Award by NEASC President and CEO Cameron Staples at the 133rd annual meeting and Conference in Boston on Dec. 14, 2018.
NORTH ADAMS, Mass. — James Brosnan was recognized late last year for his work with the New England Association of Schools and Colleges.
The nonprofit, independent accreditation organization presented Brosnan, superintendent of the Northern Berkshire Regional Vocational School District, with the Richard J. Bradley Endowment Fund Award.
"To be recognized by your peers when you spend an entire lifetime in education being a committee member, a commissioner, and chair fo NEASC over 15 plus years," the superintendent said at Thursday's School Committee meeting at McCann Technical School. "To be recognized by your peers is one of the single most important honors in my life."
Brosnan received the award at NEASC's annual conference in December. Brosnan is the immediate past chairman of the organization's board of trustees.
"I am obviously an advocate for the accreditation process and the organization will stay something that I am connected to," he said.
The award is given in the name of the longtime executive director of NEASC and is presented annually to an active New England educator who has made significant contributions to the work and purpose of NEASC and whose exemplary work maintains and advocates high standards of excellence in education.
According to NEASC, Brosnan oversaw the corporate restructuring as its Commission on Higher Education transitioned to a "separate and independent" entity.
"The process involved a tremendous amount of time and effort over the past few years, and those who worked with Brosnan have lauded his high level of engagement, attention to detail, and dedication to ensuring that NEASC continue to be effective in its mission to assess, provide support to, and promote high-quality education in schools across the K-16 continuum."
Brosnan has been superintendent of McCann for 24 years.


Holy cow, Its that time of year. Back to school time. Ugh. I hate school. Rather, I hate going to school and working full time. Right now I feel like I'm walking in the middle of the road. To celebrate the start of the school year I'm ditching work and school; and I'm going to Lake Powell on Friday. So I won't be here tomorrow. Everyone take care and have fun!
Great work, sir! I still have the old NCRM shirt you designed that I wear when I work on oil paintings. Glad to see you kept the art up. All the best.


This lure has won more tournaments, set more records, brought more pleasure to the serious Fisherman, the retiree, and the Saturday angler than you can imagine. Why is this lure so succesful? We can't tell you what's in the Tournament Series Gitzt, but if we did, you'd slap yourself in the head and say "Why didn't I think of that". In some ways these are easier to fish with because the fish are so persistant in their efforts to get to it. The salts help break the lure down to release more of the special attractants. The longer the lure is used, the better it gets. At times, we suggest you use a pocket knife or a key to scratch the lure up to help release the ingredients. Rubbing the lure in the fishes mouth or down its side will help improve the performance of any tube. I'd wish you good luck with this one, but I've already built the luck into this tube.
The most Productive tubes you'll ever use. Infused with the worlds best fish attractants.
The most Productive tubes you'll ever use!


Each summer, St. Patrick's Church brings an exciting and faith building Vacation Bible School to children from first to fifth grades. High School students help out as crew leaders. This year, SHIPWRECKED is the theme and will run the week of July 23 Monday through Friday.
Click on the link for more info and registration form.


Teacher: "Today we are going to write a procedural text. There is no rubric, no expectations and I am not going to scaffold, model or co-construct this text form with you- good luck!"
Yaaaa, teachers wouldn't do that. Writing has a specific skill set which requires students have scaffolded experiences in order to play, experiment with and construct writing.
Reflection is also a skill. We need to provide kids a variety of opportunities from the age of 3 all the way up to the time they leave school in order for them to reflect on their learning journey. They need to be able to document failures, set goals and celebrate successes. We need to model this process, provide feedback and help them develop the ability to deeply understand their own strengths and limitations.
Sometimes it is easy to ask kids to reflect on their learning by using the tired, '2 stars and a wish' or another old tried and true. To help you escape from this cycle of doom I have complied a list of ED-ucation Publishing's top 5 favorite resources for building reflection as a skill for learners.
Click on the images to link to the sites.
Designed by teachers for elementary and early childhood classes, its simple interface ensures that children as young as 4 are able to easily post photos, video and voice-over-photos to Blogger. Older users can also publish text based posts. This app is perfect for kids to blog about things that worked, ideas they have for the future and goals they would like to set. As an early learning teacher I absolutely love this app and the idea of blogging as a refection tool.
By random chance I stumbled onto Plant Love Grow, and was smitten!
Elaheh Bos creates support tools and resources to assist parents, teachers and health professionals in order to guide, nurture, inspire, and become facilitators for change and growth. This site is FULL of free resources to print and use for kids to develop the skill of reflection- everything from Anger Management to Virtues.
Seriously, I love this site!
Sometimes, before you start out it's nice to have an exemplar to read to kids. Jeff and I wrote this book to help teachers redefine success and help kids to understand that failing and making mistakes is an essential part of the learning journey. Reach kids with this funny book and help them become reflective. Available on Amazon now.
Websites are easy to create now! Just drag and drop to create a whole site complete with a blog for reflection.
Jeff and I power all our websites through Weebly, (and no we are not paid to promote them)- they are just super easy for kids to use!
This year I helped 15 Grade 5 students create websites for their PYP exhibition projects. Wouldn't it be cool if they continued that site as documentation (or a portfolio) of their learning journey all the way to graduation and beyond?
Use Twitter to micro-blog. A single entry could consist of a sentence, fragment, an image or a brief, ten second video. A collection of these short micro-reflections could then be used to develop more in-depth reflections in a traditional blog entry.
Do you have a favorite tool to help students build the skill of reflection? Add it in the comments section and I am sure our community will benefit from the shared resources!!


Jeff Casper is known for being an energy clearing specialist and etheric surgeon. His clients are from all over the world. In his 10 year practice as energy clearer Jeff has helped hundreds of people to remove energetic attachments, create a clean energetic slate and taught how to avoid complex energetic blocks through energy coaching and personal energy training.
Jeff started his career with formal education in physical health and exercise physiology. He ran his own personal training business for years. After this, he began a long career in corporate staffing for medical personnel working with and developing new divisions and personnel.
During his personal training and staffing career, he began to study meditation, metaphysics, psychology, and energy work. The majority of his studying came through the works of Dr. David Hawkins, Stuart Wilde, and Khris Krepcik.
Since 2007 he has been working as Remote Energy Worker specialized in subjects most energy workers won't touch. His work clears energetic blocks, repairs a person's energy systems and works to bring balance to their energetic systems. His energy work can be a very helpful step in advancing an individual's personal and spiritual evolution by better understanding the deeper levels of their energy system. Recently, Jeff finished his Masters in Counseling Psychology and received a life coaching certification.
In cooperation with Jona Bryndis and her business at www.transcodes.com Jeff is co-author of the Sacred Self-Healing Program, the Heart-Warrior Program and has developed energy clearing and healing processes that can be obtained as meditation tools. Jeff is also trainer for the LEVEL IV transCOACH Training Program at Transcodes.com.


Disney's The Lion King extends booking period at the Lyceum Theatre - tickets now on sale to 8 Jan 2012!
Disney's Broadway musical roared into the West End in September 1999. It received good notices from the popular press: THE FINANCIAL TIMES said, "As blockbuster musicals go, this is one with beauty and brains." THE DAILY TELEGRAPH" said, "For once a mega musical lives up to the hype. This is a dazzling show with the heart of a lion." THE EVENING STANDARD said, "A beautiful dazzle of invention and imagination."
The show celebrated its 11th anniversary in London in October 2010 and is currently the 9th longest-running musical in West End history. Over 9 million people have now seen it at the Lyceum Theatre.


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News Sports Weekender Lifestyle USA TODAY Opinion Obituaries E-Edition Legals
Conference showdown
Jaclyn Shambaugh
jshambaugh@fayobserver.com
WHAT'S THE BIG DEAL?
The tie at the top of the Patriot 4-A/3-A Conference has been whittled down to three teams — for now. E.E. Smith, Cape Fear and Terry Sanford, all 3-A teams, each have one loss in the league. The Golden Bulls and the Bulldogs will meet in Week 12 to finish off the regular season. Over the final two weeks, a number of scenarios are possible, including one that leaves a single team alone at the top of the conference or as many as five teams tied at two league losses apiece. The Bulls suffered their first conference loss in Week 9 on a late field goal by Pine Forest. They're coming off their bye week. The Colts have a bye in Week 12, making this their regular-season finale.
Quarterback Xeaiver Bullock continues to be the catalyst for the Bulls. He leads Cumberland County players in yards from scrimmage, gaining 2,175. He's thrown for 1,557 yards and rushed for 618, having a hand in 28 touchdowns. He's thrown just one interception. Receiver Jurrod Hall is Bullock's top target. The senior has made 27 receptions, eight of them touchdowns, for 502 yards. Junior Toshiro Spivey has 26 catches for 463 yards and four touchdowns. Cape Fear's offense has evolved over the course of the year. Quarterback Justice Galloway-Velazquez, who put in time at linebacker as well, is out with a broken hand, prompting the Colts to call on freshman Caydan McKethan to start last week at Pine Forest. The Colts have relied heavily on J'Velus Peterson in the backfield of late. He carried the ball 14 times for 98 yards against the Trojans.
Smith and Cape Fear are two of the county's top defenses, and both are adept at forcing turnovers. The Bulls are allowing an average of 19.4 points per game. They have a total of nine interceptions from seven players and have recovered 10 fumbles, with the defense scoring three times this season. The Colts have intercepted 12 passes, returning one for a score, and recovered eight fumbles. The Colts have limited opponents to an average of 15.2 points per game and have never allowed an opponent to reach the 30-point mark. Cape Fear has given up four touchdowns to an opponent just twice this season, in losses to New Hanover and South View.
WHAT'S GOING TO HAPPEN?
The Bulls should come in healthy and prepared after an open week, and teams that can stretch the field with big-play offenses have given a beat-up Colts team trouble this season.
JACLYN'S PICK
E.E. Smith 27, Cape Fear 21
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redpajama_set_name: RedPajamaCommonCrawl


In the main, BOPLA control panel mounting enclosures are used for control and display purposes. All the wide range of very user-friendly products in the control panel mounting enclosure system can be fitted and disassembled in the control panel. Their materials and contours are different, but they all have the same goal of protecting your electronics against negative external interference. At any time it is possible to equip the different types of control panel mounting enclosures with membrane keypads in order to guarantee operation. We can also process the enclosures at any time, at low cost and when required. In addition, accessories expand the wide range of applications. This includes direct fitting to a wall of the control panel mounting enclosure, resulting in, among others, attractive roller blind control units.


Join EHS for an in-person lab safety training. Activities will include chemical segregation, spill clean up response, use of emergency eye wash stations and proper glove removal. Come gain valuable information to help you work and research safely.
Session is for any faculty, staff and students who are new to lab work or need to renew your training. Email heather.coats@ttu.edu to register or check your training status.


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Research project: Motor task manager reliability and validity study - Dormant - Dormant
Currently Active:
Neurological diseases, such as Parkinson's Disease, Multiple Sclerosis and Huntington's disease affect a person's mobility. Function of the arm can be assessed by examining movements, such as a reaching task. The Motor Task Manager (MTM) is a portable computerised system for assessing the function of the arm. The aim of this project was to examine whether the MTM system was able to measure movements of the arm accurately and whether similar results could be found when repeated on different days. Healthy adults were studied and sat at a table in front of a computer. They moved a cursor to targets on the computer screen and their arm movements were measured using a sophisticated system for measuring movement.The results indicated that the MTM protocol is reliable and results are valid, in comparison to specific variables measured using the Vicon motion analysis system.
The Motor Task Manager (MTM) is a portable computerised system designed to analyse the shoulder-elbow motion while performing goal oriented reaching tasks. It manages the full experimental session from the data acquisition to the resultant reporting, by employing different software tools that analyse the movement profiles.
The project aimed to:
Validate the precision of the MTM against a laboratory based motion analysis system (Vicon)
Establish the reliability of the MTM between tasks and between different days
Healthy adult participants were seated at a table with a digitising tablet and stylus, and computer screen in front of them with their right dominant hand attached to the stylus via a wrist brace. Eight targets were presented radially, 10cm from a centre point on the computer screen. Each target was presented six times sequentially. Participants were instructed to move to the target and return to the centre point upon presentation of the target.
Movements of the upper limb were measured using the Vicon motion analysis system and were compared with specific variables from the MTM. Kinematic movements of the thorax, glenohumeral and elbow joints were captured using a Vicon (Oxford, UK) optical tracking system.
The results indicated that the MTM protocol is reliable and results are valid, in comparison with data from the Vicon motion analysis system.
Prof M Stokes, Professor of Neuromusculoskeletal Rehabilitation, Faculty of Health Sciences
Mr M Warner, Dr S Astill, (Lecturer, Institute of Membrane and Systems Biology, university of Leeds) Dr A Novellino, (Chief Scientific Officer, ett s.r.l., Genova, Italy) www.ettsolutions.com
Project funder
ett s.r.l., Genova, Italy www.ettsolutions.com
Associated research themes
Movement Abnormalities
Related research groups
Active Living and Rehabilitation
Warner, M., Novellino, A., Stokes, M., Astill, S., & Maccione, A. (2010). Reliability of kinematic parameters during unilateral upper limb reaching tasks using a portable motion tracking system. Journal of Medical Engineering & Technology, 34(3).
Martin B Warner (Lecturer in Musculoskeletal Biomechanics)
Project images:
Diagram showing the targets seen on the computer screen
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The Humanitarian Interventions of the UN
Daniel Golebiewski August 25, 2013
The chamber of the UN Security Council, known as the Norwegian Room
Founded in 1945, the United Nations strives "to provide peace, security, and justice." One way it tries to achieve this end is through humanitarian intervention, meaning the "post hoc rationalization for uses of force otherwise difficult to reconcile with international law." The UN has agreed upon three principles of humanitarian intervention: uses military force, interferes in the target state's internal affairs, and responds to crises where states' interests are not directly threatened. In order to get the green light, the UN looks to the Security Council to authorize military force. When the post-Cold War era (1990-2000) had an increase in non-military threats—including gross and systematic violations of human rights and obstructions in the delivery of humanitarian assistance—the UN saw Somalia's and Rwanda's situations as constituting threats to international peace and security.
Somalia became one of the first states in which the Security Council got their hands dirty. In 1991, when Somalia's long-time dictator, Said Barre, was overthrown in a coup, there was a power struggle among the various warlords fighting for control of the government. Moreover, a severe drought threatened mass starvation. With fighting in the Mogadishu capital and extremely difficult conditions for delivering food, the Security Council declared Somalia's deteriorating humanitarian situation "a threat to international peace and security."
However, since the P5 nations—the United States, France, Britain, China, and Russia—were reluctant to authorize UN intervention, fearing they would violate the state's sovereignty under Article 2(7) of the United Nations Charter, the UN slowly responded in helping agencies stop the crisis. After repeated requests from aid agencies, the Security Council adopted Resolution 733 (1992), "imposing an embargo on all deliveries of weapons and military equipment to Somalia." But as the humanitarian situation worsened, the Security Council was forced to take more drastic action.
When the UN was severely criticized by the Secretary General, African governments, and aid agencies for its double standards—"assisting the Bosnian Muslims, which [were] far less dangerous at the time, but not helping the people of Somalia"—the Security Council "reluctantly" adopted Resolution 751 (1992). Launching UN Operation in Somalia (UNOSOM I) with 500 peacekeepers, the Security Council authorized UNOSOM I "to monitor the ceasefire in the capital, to provide security to aid convoys, and to guard the food depots." Most peacekeepers were Pakistani troops, and the Security Council had to wait several months for their deployment, ultimately finding them ill equipped to carry out the mission. Furthermore, although the Security Council expanded UNOSOM I to protect humanitarian convoys and distribution centers through Resolution 775 (1992), their mandate was so unclear that UNOSOM I became disorganized and could not contain the violence. By 1992, the humanitarian situation in Somalia had grown increasingly worse.
When Secretary Boutros Ghali accepted, with some reservations, a United States request to lead a multinational force into Somalia, the Security Council adopted Resolution 794 (1992), calling on "member states to use all necessary means to establish as soon as possible a secure environment for humanitarian relief operations in Somalia." With the U.S. leading Operation Restore Hope, the Security Council created United Task Force (UNITAF) to implement the mandate and to use military force if necessary. Although UNITAF secured an environment for the distribution of humanitarian assistance, however, it failed to provide security throughout the country.
Since Somalia's security did not significantly improve—with UNITAF withdrawing its troops in March 1993—the Security Council changed its mission from humanitarian aid to "nation-building" by replacing UNITAF with UNOSOM II through Resolution 814 (1993). By authorizing UNOSOM II "to monitor cessation of hostilities, seize unauthorized small arms, and maintain security at transportation facilities," the Security Council wanted UNOSOM II "to assist the people of Somalia in rebuilding their social, economic, and political life." However, because the Security Council did not concentrate its efforts to confiscate Somali arms in Mogadishu, it failed to send "an early and strong message that the US and UN were serious about restoring order." Within months of its deployment, UNOSOM II engaged in several violent clashes with General Aidid's forces. Condemning the attack and calling for those responsible to be punished, the SC expanded the authority of UNOSOM II to include pursuit and capture of the attackers.
Unfortunately, attacks on UNOSOM II along with the warrant issued for General Aidid's capture drastically changed the situation in Somalia. With hostilities against UNOSOM II's forces escalating, Aidid's forces ambushed and killed three American marines in a Black Hawk helicopter showdown. This incident turned public opinion against further US participation, the US Congress called for US troops to withdraw. As a result, President Clinton announced an early withdraw of American troops from Somalia and terminated the UN operation by March of 1995.
Composed of two major ethnic groups, Hutu (85%) and Tutsi (14%), Rwanda was dominated by the Tutsi minority group in political affairs. In the early 1990s, the Hutu extremists blamed the Tutsis for Rwanda's increasing social, political, and economic problems. As a result, when the Hutu's Armed Forces from Rwanda resumed hostilities against the Tutsi-led Rwandese Patriotic Front (RPF) in 1993, Rwanda requested military observers. When Tanzania and the Organization of African Unity (OAU) agreed to a democratically elected government under the Arusha Accords, the Security Council, adopting Resolution 872 (1993), created the United Nations Assistance Mission for Rwanda (UNAMIR) to monitor and support the new government. Moreover, adopting Resolution 893 (1994), the Security Council noted "with concern" the violence in Rwanda. Despite creating UNAMIR and noting the incidents, the Security Council took no further action, even when UNAMIR's field commander General Rameo A. Dallaire declared "that the Hutu extremists were in the process of exterminating the Tutsi minority, and that UNAMIR's mandate should be augmented to allow it to play a more assertive and preventive role in Rwanda."
President Juvenal Habyarimana
Following the deaths of President Habyarimana and Burundi's President Cuprien Ntaryamira, who died in a plane crash flying back from peace talks in April 1994, the political situation in Rwanda took a bad turn. Blaming the RPF for the deaths of the two presidents, the Hutu extremists initiated a search and kill mission for members of President Habyariman's government. More importantly, in one hundred days, Hutu extremists massacred over 800,000 ethnic Tutsis and moderate Hutus—an unprecedented number in Rwanda's post-independence history. In addition, easily taking on 5,000 lightly armed peacekeepers, which were unprepared to confront the extremists' wave of terror, Hutu extremists kidnapped Belgian peacekeepers and executed them. With the gross and systematic killings, the Hutu extremists quickly forced Belgium to withdraw its unprepared troops from UNAMIR.
Ignoring Belgium's plea to suspend UNAMIR, the Security Council strongly "condemned the deaths of Presidents Habyarimana and Ntaryamira, the violence against the civilian population, and the [collapsing] of the peace process" in Resolution 912 (1994). Although expressing "deep concern for the safety of UNAMIR and condemning the attacks against UNAMIR personnel," the Security Council failed to strongly condemn the genocide, let alone acknowledge that it had been committed. Secretary-General Boutros Boutros-Ghali and the UN had "business as usual" meetings and were hesitant to use the word "genocide," which would force them to take action. Also, since no state wanted to send their troops to an increasing chaotic environment, the Security Council had a hard time convincing member states to contribute their troops for an expanded operation. As a result, when it called upon all concerned "to end the violence and to respect fully international humanitarian law," the Security Council "decided to keep the situation in Rwanda under constant review."
But when violence escalated in Rwanda, the Security Council finally condemned the numerous killings of "thousands of innocent civilians and the internal displacement of a significant percentage of the Rwandan population." For the first time since the violence began, the Council warned that "the killing of members of an ethnic group with the intention of destroying such a group, in whole or in part, [constitutes] a crime punishable under international law." Consequently, expanding UNAMIR's mandate, the Security Council "declared the continuing magnitude of human suffering as constituting a threat to regional peace and security." Under Chapter VII, it authorized a humanitarian operation to establish protected zones in south western Rwanda and increased UNAMIR's force level to 5,500 troops.
The Security Council expanded UNAMIR's mandate in resolutions 964 (1994), 997 (1995), and 1029 (1995), but the new Rwandan government blamed the UN and UNAMIR for not doing more to stop the genocide and asked UNAMIR to simply leave. By supporting a civil war in Zaire and massacring thousands of Hutu extremists, the new government drove the Hutu extremists out of Rwanda and of neighboring Zaire.
However, after much criticism from NGOs and other human rights observers over not intervening earlier to stop the genocide in Rwanda, the Security Council adopted the Statute of the International Criminal Tribunal for Rwanda (ICTR). With "overwhelming evidence" that the Hutus "had perpetrated acts of genocide against the Tutsi group in a concerted, planned, systematic and methodical way," the Security Council created the ICTR "for the sole purpose of prosecuting persons responsible for genocide and other serious violations of international humanitarian law committed in the territory of Rwanda . . . between 1 January 1994 and 31 December 1994" according to the International Committee of the Red Cross. Although it got off to a slow start, the ICTR has convicted a number of former Rwandese government officials for genocide, including former Prime Minister Jean Kambanda, and continues to pursue cases against military commanders, government officials, and other influential leaders.
There are four key take-aways from Somalia and Rwanda.
First, the Security Council dealt with unreliable mandates both for Somalia and Rwanda, neither of which clearly stated the problem or the underlying causes. For example, the Council's mandates for UNOSOM I and UNITAF lacked a built-in strategy, resulting in both failing to provide security in Somalia. The Security Council also failed to make consensus-based mandates. Resolution 912 (1994) on Rwanda, for instance, demonstrated how the Security Council failed to strongly condemn or acknowledge that genocide had been committed. With question marks floating around, the mandates needed sustained political support from the Security Council and UN member states.
Skulls from the Rwandan Genocide found at the Nyamata Memorial
Second, because of UN Charter Section 2(7), the Security Council was slow to respond with military action. Under Section 2(7) ("nothing in the present Charter shall authorize the United Nations to intervene in matters which are essentially within the domestic jurisdiction of any state"), the Security Council had a hard time deciding whether it would be interfering in the domestic affairs of both states.
Third, the Security Council initially had little interest in Somalia and Rwanda. It was "distracted by a series of conflicts around the globe," such as in Bosnia, that prevented it from focusing on Somalia. In Rwanda, the Security Council did not take early notice because the Hutus and Tutsi had been battling for many years.
Last, because the UN does not have its own troops, the Security Council had to depend on member states' forces. Thus, it faced delays in implementing military action in both cases. Moreover, in both cases, the forces were ill equipped.
Stemming from the failures in Somalia and Rwanda, the UN transitioned from a policy of humanitarian intervention to one of "responsibility to protect" (R2P) in 2005. R2P has three elements:
1) A state is responsible for protecting its people from mass human rights violations.
2) If the state is unable to protect its citizens by itself, the state should ask the international community for assistance.
3) If the state fails to protect its citizens and peaceful measures have failed, R2P assigns to the international community the responsibility to intervene with technical support, followed by military action as a last resort.
As Kofi Annan stated, "despite all the difficulties of putting [R2P] into practice, it does show that humankind today is less willing than in the past to tolerate suffering in its midst, and more willing to do something about it."
Daniel Golebiewski, a masters candidate for Human Rights Studies at Columbia University, is editor-at-large of e-International Relations.
Hutu
An Interview with Michelle Gavin, U.S. Ambassador to Botswana
Unrest in Xinjiang not work of "Terrorists"


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Gold iPhone 5S Confirmed?
MG Siegler from the TechCrunch confirms in a report that Apple is working on the next generation iPhone 5S in gold color. This news follows several weeks of of reports and alleged part leaks that the iPhone 5S will come in a gold color option…
Apple is known for releasing its flagship handset in two colors: black and white (or slate and silver in case of iPhone 5), but now it's believed that Apple is going to add a third color option i.e. gold/champagne in an effort to differentiate the device from its predecessors.
Siegler has a solid track record with Apple intel. He accurately predicted iTunes Radio and other products. Here's what TechCrunch's MG Siegler reports:
Yes, there will be a gold iPhone.
That's the latest I'm hearing from multiple sources after several weeks of rumors and possible component leaks suggesting the same thing. At first, I couldn't believe Apple would break from the tradition of offering the simple choice: black and white (or "slate" and "silver" if you prefer for the iPhone 5) for their flagship device. Gold simply seemed too gaudy, perhaps even tacky. But a few compelling arguments countered my disbelief. And now, upon checking, sure enough, there will be gold.
Siegler believes that it's more of a 'champagne' color. Recent leaked photos of purported gold iPhone 5S also supports the gold color idea.
Apple is expected to unveil next generation iPhone 5S alongside a cheaper model dubbed as iPhone 5C at a media event on September 10th.
[image: iMore]
iPhone iPhone 5S
fawad October 2, 2014, 1:41 pm
bakwas
New Photos Show Rumored Gold Colored iPhone 5S iPad 5 Rear Shell Leaked in Photos?


text:
class BootstrapBuilders::TablesController < ApplicationController
  def normal_table; end

  def custom_classes; end

  def responsive_table; end
end

redpajama_set_name: RedPajamaGithub


You are currently browsing the tag archive for the 'muffins' tag.
I've made these for years and years. I don't remember where the recipe came from. They are super simple to make and take no time at all. Many times I combine the dry ingredients in a bowl the night before, prepare the muffin pan with papers, and set my oven to come on at 375 degrees fifteen minutes before my morning wake-up alarm goes off. Then in the morning I add the three wet ingredients, distribute the batter into the prepared pan, pop them into the oven to bake while I shower, and have a tasty breakfast all ready for the day.
I've probably used every kind of dried fruit imaginable in these, and quite a few different frozen fruits, too. Today's batch I threw in a handful of dried cranberries and a handful of frozen lingonberries. Yum!
Preheat oven to 375 degrees. Prepare a muffin tin by greasing or using paper liners. I use liners for easy clean-up. In a large bowl, stir together the dry ingredients. In a small bowl stir together the buttermilk, egg, and melted butter. Make a well in the center of your dry ingredients and pour the wet ingredients in. Stir until just combined. Batter will be thick and lumpy. Fold in optional fruit. Spoon batter evenly into prepared muffin pan. Bake at 375 degrees F for 20-23 minutes, until they spring back when lightly touched. Makes 12. These freeze very well.


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text:
The Foundation Year
Drawing Year Alumni
Foundation Year Alumni
Don Bachardy Fellowship

Sharon Brindle
Sharon Brindle trained at Camberwell School of Art. The practice and study of drawing is central in her work. People are her subject, be it in the depiction of the human figure as an idea or of the individual characterization inherent in portraiture. She has exhibited work in the BP Portrait Award on three occasions and has shown her work in the UK, Italy and New York, with solo shows in London and Jersey. Sharon lives and works in London.
On drawing
Drawing is intrinsic to my practice as an artist, in fact most of my one woman shows have been solely of drawings. The division between drawing and painting often confounds me. Using pastels and 'pastel painting', the differences become very blurred.
Drawing is the most wonderful thing. I have loved it since I was a tiny child – the magic of making an image come to life. It is fluid, immediate and available to everyone. To make a mark in life is fundamental – drawing is both a metaphor and one way to do this essential thing.
Drawings can be rough hewn or as fine as silk, they can be tiny or grand in scale, they can take many days to make or a few moments and if you have the means, they can express anything you want to say.
As for my role as a teacher, Picasso said:
'Learn the rules like a pro so you can break them like an artist' ……
…. So, I hope to teach the 'rules' and when digested, look forward to seeing them broken with audacity. That's about it really.
Monday Evening Life Drawing
Wednesday Evening Life Drawing (Studio 3)
Saturday Life Drawing (Drop-in places available)
© Royal Drawing School 2019


DIDIER DROGBA was carried off the field at Stamford Bridge by his Chelsea team-mates during his final appearance for the club.
The Ivory Coast striker announced before the game that the clash with Sunderland was to be his last in a Chelsea shirt.
He was a doubt for the game before kick off with an ankle injury.
But the news saw Drogba promoted to the starting line up as he was handed the chance to give the fans one last performance.
And in an orchestrated move, Chelsea withdrew him after 28 minutes to a rapturous send off.
There was some suspicion he was injured but journalists Tweeted to reveal that the club confirmed it was a pre-meditated move to celebrate Drogba's Chelsea career.


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We Are Family: Shocking Celebrity Relatives!
By Drenna Armstrong
We know that talent runs in the family of many of our favorite celebrities – many we see on a daily basis. But I bet there are a few you didn't know…shoot, there are a couple I didn't know myself! Check out the next few pages and see how many of them rang a bell for you!
Bill Bellamy & Shaq
I guess funny runs in the family because comedian Bill and former NBA player/always funny man Shaq are cousins.
Madonna & Ellen
Ancestry.com did some digging a couple of years ago and found out that these two are related by a 10th great-grandfather. Madonna clearly comes from a family of talent because she's also distantly related to Celine Dion and Gwen Stefani.
Monica & Ludacris
R&B and Hip-hop served with southern style, these two are cousins.
Ben & Jerry Stiller
For some odd reason, it never once occurred to me that these two were father and son but they are! I've never seen Seinfeld but Jerry Stiller has been in Hollywood so long that few people don't know his face. His son Ben is also an actor and comedian with my favorite movie of his being "Meet the Parents."
Vince Carter & Tracy McGrady
"Playful" games around the family reunion may have become a case of who had the most "hops" with Vince and Tracy being cousins.
K-ci & JoJo & Fantasia/Dave Hollister
If I EVER had the opportunity to be in the house with any of these sets of cousins, you wouldn't be able to tell me that I can't sing – harmony be damned. LOL! Now, we know K-Ci & JoJo and Fantasia by way of their fathers being brothers but we're still working on how K-ci & JoJo and Dave Hollister share their "cousinship." Seeing as though we've never heard about Tasia Mae and Dave being related, I assume it is on their mother's side.
Jenny & Melissa McCarthy
No way down the line kinship here, funny ladies and actresses Jenny and Melissa are first cousins. Side Note: If you've never seen Bridesmaids, do yourself a favor and check it out. Melissa steals the entire show!
Chad & Syleena Johnson
This is one that has always made me raise an eyebrow but according to both of them, they have the same father (famous soul singer, Syl Johnson) and different mothers. They haven't even been photographed together but he was featured in her latest video for the song, "A Boss."
Wood & Steve Harris
I was oddly excited to find out these two were brothers because they're two of my favorite actors. When necessary, they become very intense.
Cash & Michael Warren
Usually when I find out about a famous father and son team, I almost always know more about the son's career than the father's career. But this time, it is safe to say that father Michael has appeared in more shows that I like (Living Single, Soul Food, etc…) than I've ever seen his son Cash in (I know he's married to Jessica Alba and was in Fantastic Four with her). Dad is pretty good looking, huh?
Al Roker & Lenny Kravitz
I can't even believe this one but Al Roker stated that he and Roxie Roker's (Lenny's mom) grandfathers were cousins so they are too!


World War II: Panzer Claws is a strategy game developed by TopWare Interactive. This game will take you back to the biggest and most cruel war known to man, the WWII. Play either as the Russians, the Germans, the French Resistance, or the allied forces and turn the tides of battle in your favour.
Control various vehicular forces and ground troops call in for aerial support whenever needed and conquer the battlefield! War is never nice, nor it is beautiful, you just have to push through and keep marching onwards!


Of Mount Kilimanjaro's seven official trekking routes, Machame is thought to be the most scenic and therefore the most popular. It can be done in six or seven days. The Rongai is considered the easiest and uses different ascent and descent routes for added variety. The Marangu is another easier route but it tends to be busy, uses the same ascent and descent routes, with accommodation in shared huts with other climbers.
It is no longer possible to make the climb Kilimanjaro independently as all trekkers need to be accompanied by a registered guide and pay entrance park fees. We recommend that you book with a reputable UK-based tour company who will be able to provide all travel arrangements, camping equipment and a full support team.
If you are planning to trek to the summit of Kilimanjaro you need to ensure that you have a good level of fitness and are properly equipped. While the climb is not as challenging as the high peaks of the Himalayas or Andes, high altitude, low temperatures, and high winds make this a difficult and potentially dangerous trek. Altitude sickness is the commonest reason for those failing to reach the summit, Uhuru Peak, and can strike even the most experienced of trekkers, so it is essential that you plan to allow a minimum of five nights for the climb allowing you to slowly increase your acclimatisation time.
Malaria is not a risk while you are on the mountain as there are no mosquitoes above 1,800m, but you are at risk before and after your climb so we recommend you take anti-malarial medication in advance of your travel. You will need a yellow fever vaccination before travelling to Tanzania.
Optimum climbing conditions occur between December and February, and from July to September. The busiest season on the mountain coincides with summer holiday period in Europe and N. America. April, May and November are the wettest months and so not ideal for trekking. December is becoming a popular month, despite being very cold on the summit. Snow cover on the mountain is highest between November and May.
Big Cat Travel Insurance's Extreme Activity Pack covers any altitude above 4,500 metres, and is suited to the most challenging of mountain treks such as Kilimanjaro, (nearly 6,000 metres at its summit), Aconcagua, and Mont Blanc.


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November 21, 2013 at 7:00 am EDT | by Mariah Cooper
Seasonal staples
A scene from 'Elf: the Musical.' (Photo courtesy the Kennedy Center)
Even if you're fighting holiday "creep" and don't want to think about Christmas until after Thanksgiving, it's not too early to get tickets for your favorite holiday shows. Here are a few to consider.
A scene from Joffrey Ballet's 'The Nutcracker.' (Photo courtesy the Kennedy Center)
The Kennedy Center (2700 F St., N.W.) brings numerous holiday-themed performances throughout November and December. First, The Joffrey Ballet presents "The Nutcracker" Nov. 27-Dec. 1 in the Opera House. The holiday favorite includes a live orchestra, Victorian America scenery and costumes to accompany the dance. Tickets start from $29.
The Kennedy Center hosts Pro Musica Hebraica's presentation "The Voice of the Clarinet in Jewish Classical Music: Alexander Fiterstein and Friends," a Hanukkah concert that highlights the clarinet in Jewish art music, in the Terrace Theater on Dec. 1 at 7:30 p.m. Tickets start from $38.
Also at the Kennedy Center, "NSO Pops: Happy Holidays! with Brian Stokes Mitchell" brings Tony Award-winner Mitchell alongside the NSO Pops to perform a holiday medley Dec. 12-14. Tickets start from $20.
"Elf The Musical," the stage musical born from the popular Hollywood film, runs Dec. 17- Jan. 5. in the Opera House at the Kennedy Center. The story follows an orphaned man raised by Santa Claus and elves on his journey to reconnect with his biological father in New York City. Tickets start from $60. Visit kennedy-center.org for details.
The 31st annual Christmas Revels present "Echoes of Thrace: Music, Dance and Drama of Bulgaria, Greece and Turkey," a blend of seasonal carols and Slavonic harmonies with traditional folk characters, at the George Washington Lisner Auditorium (730 21st St., N.W.) Dec. 7-15. Tickets range from $27-$50.
Grammy-nominated artist Matisyahu brings his "Festival of Light" Hanukkah celebration to the 9:30 Club (815 V St., N.W.) Dec. 9 at 7 p.m. Tickets are $35.
Experience the classic Christmas tale "A Christmas Carol" in various ways around the area.
MetroStage (1201 North Royal St., Alexandria, Va.) presents "A Broadway Christmas Carol" Nov.21-Dec. 22. The show mixes the song parodies of Broadway show tunes with the classic Dickens's story. Tickets are $50.
Ford's Theatre's production of 'A Christmas Carol,' one of several adaptations of the Dickens' classic that will be on regional stages in December. (Photo courtesy Ford's)
A one-man show of "A Christmas Carol" plays Nov. 29-Dec. 29 at Olney Theatre Center (2001 Olney Sandy Spring Rd., Olney, Md.). The holiday favorite stars Paul Morella performing the tale in Charles Dickens' own words. Tickets range from $18-$36.
Ford's Theatre presents "A Christmas Carol" through Jan 1. The production stars Washington stage actor Edward Gero as Ebenezer Scrooge. Tickets range from $40.80-$99.60.
Metropolitan Community Church of Washington (474 Ridge Street, N.W.), D.C.'s largest mostly LGBT church, has its annual Christmas concert "A Homecoming Holiday" Dec. 6-7 at 7:30 p.m. featuring the church's own groups Eclectic Praise, Joyful Strings, Moving Spirit as well as the church's two choirs. Tickets are $25 and can be purchased at mccdc.com.
D.C.'s Different Drummers has its "Holiday Prism Concert" featuring D.C. Swing! And the Capitol Pride Symphonic Band on Dec. 15. Tickets are $20 for aduots, $10 for seniors and free for children 12 and under. No further information is available now, but visit dcdd.org closer to the date for details.
The Birchmere and AM Productions team up to present "The Brian Setzer Orchestra 'Christmas Rocks' 10th Anniversary Tour" at The Warner Theatre (513 13th St., N.W.) on Nov. 29 at 8 p.m. Tickets can be purchased at ticketmaster.com or call 800-745-3000.
On Dec. 14 at 8 p.m., The Birchmere also presents "What Christmas Means Tour 2013: A Holiday Experience" with JEM & Friends with special guests Patti LaBelle and Ron Isley at DAR Constitution Hall (1776 D St., N.W.). Tickets can be purchased on ticketmaster.com or call 800-745-3000.
Rams Head On Stage (33 West St., Annapolis, Md.) presents many diverse holiday shows. First, enjoy the Scottish/Irish traditional instrumental and vocal styles during "Christmas with the Celts" featuring Laura McGhee and Michael Stribling on Dec. 3 at 8 p.m. The Celts' Christmas show has been featured on PBS. Guests must be 21 and over. Tickets are $35.
Next, "Motown and More: A Holiday Celebration" on Dec. 8 at 7:30 p.m. showcases classic Motown tunes from singers such as The Temptations and The Supremes along with holiday favorites. Guests must be 21 and over. Tickets are $25.
Also, the 15th annual "An Annapolis Christmas" performance is Dec.16-17 at 7 p.m. Enjoy a mix of original and holiday songs performed by an array of local artists. Guests must be 21 and over. Tickets are $32.50.
"Christmas Gift!" runs at the Clarice Smith Performing Arts Center (3800 Clarice Smith Performing Arts Center, College Park, Md.) Dec.13-14. The musical tells the story of the holiday gift exchange tradition in the African-American community. Tickets range from $10-$35. Purchase tickets at claricesmithcenter.umd.edu.
The Washington Ballet's "The Nutcracker" plays at The Warner Theatre (513 13th St., N.W.) Dec. 5-14. Tickets range from $42-$107. Purchase tickets at warnertheatredc.com.
Signature Theatre (4200 Campbell Ave., Arlington, Va.) presents a couple Christmas-themed performances. Pianist/composer Matt Conner and his friends perform favorite Christmas tunes in "A Matt Conner Christmas" Dec. 11-15. Tickets are $48.60 and can be purchased at signature-theatre.org.
Signature's annual holiday celebration returns with "Holiday Follies 2013,"a Christmas concert featuring special guest performers, Dec. 17-23. Performers include Madeline Botteri and Austin Colby. Tickets are $48.60 and can be purchased at signature-theatre.org.
Coyaba Dance Theater holds its annual Kwanzaa celebration at George Washington University's Dorothy Betts Marvin Theatre (800 21st St., N.W.) Dec. 14 at 8 p.m. Enjoy live music, dancing and singing in a performance for all ages. Tickets range from $15-$25 and can be purchased online at coyabadancetheater.org.
The Gay Men's Chorus of Washington presents "Sparkle, Jingle, Joy" at the Lisner Auditorium (730 21st St., N.E.) Dec. 20-21. The performance features Grammy Award winner Matt Alber. Celebrate the holidays with classic holiday carols like "O Come, All Ye Faithful" and new songs like "The Christmas Can-Can." Tickets are $54 and can be purchased at tickets.gmcw.org.
Wolf Trap (1645 Trap Rd., Vienna, Va.) presents its free annual holiday sing-a-long on Dec. 7 at 4 p.m. Choir and vocal groups from across the D.C. area will lead a sing along of Christmas carols and Hanukkah songs. There is also a performance by the United States Marine Band. Voluntary donations for Toys for Tots will be accepted at the entrance. Wolf Trap gift certificates or an annual membership also make great gift ideas! Visit wolftrap.org for the current schedule.
Town (20009 8th St., N.W.) presents "HEATWAVE: Back to the Beach Holiday Celebration" Dec. 5 from 7 p.m.-midnight. There will be musical performances from Ba'Naka and the cast from Town. Music and dancing provided by DJ Chord Bezerra. There will also be a best male and female holiday swimwear contest, drink specials, games and prizes and an underwear fashion show presented by Universal gear. Tickets are $10.
Lesbian gospel singer Jennifer Knapp returns to the region this year with her "Hymns of Christmas Tour" with Margaret Becker on Dec. 11 at Jammin' Java (227 Maple Ave. E Vienna, Va.) at 8 p.m. Tickets are just $18. Visit jamminjava.com for tickets.
Gay film director John Waters returns to the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) again this year for his "John Waters Christmas" on Dec. 18. Tickets are $49.50 for the 7:30 p.m. show. Visit birchmere.com for tickets.
Out saxophonist Dave Koz brings his "Dave Koz and Friends Christmas Tour 2013" to the Modell Performing Arts Center (The Lyric) in Baltimore (140 W. Mt. Royal Ave., Baltimore) on Dec. 5 at 8 p.m. Oleta Adams, Jonathan Butler and Keiko Matsui will also appear. Prices vary and a VIP package is available. Visit davekoz.com or Ticketmaster.com for details.
The Baltimore Symphony Orchestra performs "BSO: Holiday Cirque" at the Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Dec. 12 at 8 p.m. Listen to holiday favorites while watching a circus performance by Cirque Musica featuring strongmen, acrobats and contortionists. Tickets range from $31-86 and can be purchased at strathmore.org.
Also at the Music Center at Strathmore, the National Philharmonic performs "Handel's Messiah" Dec. 14-15. Messiah is one of the most frequently performed works in Western choral literature. A free pre-concert lecture will be held before each performance. Kids ages 7-17 are free. Tickets start at $28 and can be purchased at strathmore.org.
Washington Concert Opera doesn't have any holiday productions planned but is gearing up for its performance of "Il Corsaro" in March at the Lisner Auditorium. The classical music lover on your list would love tickets! Visit concertopera.org for details.
Brian Setzer OrchestraBrian Stokes MitchellBSOChristmas CarolChristmas shows DC 2013Clarice Smith Performing Arts CenterCoyaba Dance TheaterDave KozDifferent DrummersElf the MusicalFord's TheatreGay Men's Chorus of WashingtonHomepage Special FeatureJohn WatersKennedy CenterkwanzaaMatisyahuMCC-DCMessiahMetroStageNSO PopsNutcrackerOlney Theatre CenterPatti LaBellePro Musica HebraicaRon IsleySignature TheatreStrathmoreTownWarner TheatreWashington Concert OperaWolf Trap


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Home›Reviews›Keyboard Reviews›Dave Smith Instruments OB-6
Dave Smith Instruments OB-6
byJason Buchwald
This is a fantastic time to be a keyboard player. Not because of advances in digital technology, but because of the resurgence of analog technology presented in a modern context. Dave Smith has been masterful at this, developing so many classic analog and digital synths over the decades that his resume reads like a lesson in synthesizer history.
Another analog mastermind was Tom Oberheim, who gave us the SEM, OB-8 and OB-Xa synthesizers (among others). In the late 1970's and 1980's these two gentlemen were competitors as much as contemporaries, so who would have thought that in 2016 these two would team up? Broken crystal ball aside, the resulting collaboration, the OB-6, is sure to please fans of either one of these legendary synth designers.
The OB-6 is a six-voice synth based on Oberheim's SEM four and eight voice synths, and then adds modern features such as effects, a sequencer, and an arpeggiator, with some features derivative of DSI's own Prophet-6. Though the effects are digital (and fantastic), they can be bypassed, allowing for a fully analog signal path. The OB-6 also incorporates X-Mod, which enables interesting sound creation by allowing two modulation sources to be routed to numerous destinations. Armed with 500 presets (with room for an additional 500 user sounds) and an easy to use control panel, the OB-6 simultaneously allows complex editing as well as instant gratification. We love this polysynth, and suspect you will, too.
The six-voice, OB-6 sound engine features two voltage-controlled oscillators (plus a sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on Oscillator 2). A big part of the revered "Oberheim sound" was Tom's filter, and it is present on the OB-6. The classic Oberheim two-pole, 12dB/octave, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. The amplifiers are voltage-controlled, which complete an all-analog signal path (unless you opt to run the signal through the bypassable digital effects).
An interesting feature is the oscillator detune feature, which allows for increased tuning instability. The instability and imperfections of older electronics were an important part of classic synth sounds, and you can dial some of that quirkiness in if desired. Note that this is independent of the Detune parameter on VCO 2, which is specifically a fine-tune control with a range covering a quarter tone up/down (centered at 12:00). Steps are in cents (50 cents = ½ semitone).
The effects include reverbs, delays (standard and emulated BBD), chorus, flangers, as well as Tom Oberheim's revered phase shifter and ring modulator. These are digital (24 bit/48kHz resolution), but are bypassable if desired. You may use two at a time. Of note, the OB-6 also includes analog distortion.
The OB-6 incorporates something called X-Mod, which is the OB-6 system of creating sounds by mapping modulation sources and destinations. Modulation sources are a filter envelope and Oscillator 2, both with bi-polar control. Destinations include Oscillator 1 frequency, Oscillator 1 shape, Oscillator 1 pulse width, filter cutoff, and filter mode.
The OB-6 also has a polyphonic step sequencer, which lets you program up to sixty-four steps and up to six notes per step. You can create sequences polyphonically, with rests and tied notes, and sync to an external MIDI clock.
The OB-6's arpeggiator can be synced to external MIDI clock as well, and there are selectable note values: 16th note, 8th note triplet, 8th note, dotted 8th note, and quarter note. You can choose a one-, two-, or three-octave range, as well as the expected up, down, up/down, random, and assign modes.
Unison mode features configurable voice count (1-6 voices), allowing for very thick sounds, and there's a cool chord memory function that enables the OB-6 to memorize and store the notes of a chord. Single notes played from the keyboard will trigger the stored chord, transposing it as you play up or down the keyboard.
So... let's talk about that control panel!
One thing you'll notice is what isn't there: NO LCD screen! But have no fear—with one-knob-per-function controls, it really doesn't matter. There are six, three-letter LEDs on the panel (i.e., for patch numbers or abbreviating effects being used), and there are so many well-labelled knobs it wasn't a big deal to navigate once we sat with the OB-6 for a little bit.
The only thing we found disappointing regarding the absence of a display was that there are no patch names—only numbers. Of course back in the day, there was no patch memory at all, and then subsequently just a numbering system for the limited patch memory on classic synths. Now, though, you have 500 permanent factory presets plus another 500 user sound locations to store patches, so expect to be making your own patch lists on your laptop or tablet.
The left side of the control panel has the modulation section. Here you'll find controls for aftertouch, the X-Mod section, and the LFO section, which allows you to select five wave shapes: sine, sawtooth, reverse sawtooth, square, and random. Mark Wilcox at DSI shared this awesome tip with us: There's actually a sixth "hidden" LFO wave shape: noise. To use it, select "Random" and crank up the LFO rate to its maximum.
Below the modulation section is an octave selector, which is certainly helpful because the OB-6 retains the same, limited, 49-key design as the awesome Prophet-6. It has semi-weighted keys, and velocity and channel aftertouch.
The middle panel has multiple sections. You'll find the arpeggiator section, sequencer play/record buttons, and tempo and clock controls. Lower in the middle section are the VCO 1 and 2 sections, allowing frequency and detune choices. Moving right, there is the mixer section which allows you to control the Oscillator 1 amount, Oscillator 1 sub-octave amount, Oscillator 2 amount, and white noise amount. Nearby is the filter section, with controls for frequency and resonance.
On the far right is the effect section, and well as the envelope section. The effect section has three-character LEDs to identify what effect you are using, as opposed to silkscreened lettering on the panel itself. In the envelope section you will find the expected ADSR controls. Finally, to the far right is the output section, where you will find the master volume knob.
An interesting button underneath the output section is the Manual button. Pressing the Manual button immediately makes all the knob positions live, ignoring whatever preset you were previously just on, so what you see is truly what you get. Nice!
Right above the keyboard itself are a row of buttons, as opposed to the knobs found everywhere else. These are multipurpose. It is here you can select the patch and bank of sound(s) you want, but it is also where you can program the sequencer, one step at a time. Nearby are portamento and detuning controls, and further left are Dave's signature red-backlit pitch and mod wheels.
Finally, the ports out back include a pair of stereo/mono, ¼" audio outputs, ¼" headphone jack, MIDI In/Out/Thru ports, USB for bidirectional MIDI communication, filter cutoff expression pedal input, volume expression pedal input, sustain footswitch input, and a sequencer start/stop footswitch input.
The OB-6 delivers a wonderful blend of old and new. Just like our beloved, classic polysynths from the Eighties, there were no deep menus and no LCD screens. Just knobs, sliders, buttons, and a two-character LED. If you like a given patch, great; but if not, grab a slider, turn a knob, and change the sound! It was immediate and very easy to use.
We used to own a Oberheim OB-Xa, and the OB-6 definitely captures the spirit of its lineage. Virtually every function has a dedicated knob to turn and adjust to your heart's content, though we would have preferred the inclusion of some sliders for some of the controls as well.
Though there is nostalgia seeing the blue stripes across the OB-6 that marked the original Oberheim synths, the additional silkscreen labels tell you what everything is, and the panel is laid out in an organized, "this makes sense" kind of way. However, on a poorly lit stage, we would have some trouble reading some of the labels as there is no backlighting behind them.
You could argue that since the OB-6's modulation is limited to what is printed on the panel, you don't have as many choices as other synths, including DSI's own Prophet 8 or Prophet 12. But we think that's the beauty of the OB-6. The immediacy of physical, hardware control will get you up and running fast, and in the OB-6's case, partially because there are fewer paths to choose from.
Those familiar with DSI synths will likely notice the OB-6 has quite a bit of similarity to DSI's own Prophet 6. While the OB-6 has a similar footprint, as well as a similar voice architecture to the Prophet-6—two discrete VCOs per voice plus a sub oscillator, there are some significant differences. The OB-6 oscillators were taken from Tom Oberheim's famed SEM design. However, the triangle waveform available on the OB-6 did not exist on the SEM (and is indeed borrowed from the Prophet-6). Another difference is that the sub oscillator on the OB-6 is a square wave rather than the triangle found on the Prophet-6.
Perhaps the biggest notable difference in the OB-6 from the Prophet-6 is the filter architecture. The Prophet-6 has a four-pole low-pass filter and a two-pole high-pass filter operating independently of one another, whereas the OB-6 follows the Oberheim architecture of a single, two-pole, state-variable filter. This filter can slide seamlessly between different modes with the Filter Mode knob. The OB-6's filter mode can be modulated with the LFO, keyboard aftertouch or the X-Mod section, which allows you to modulate with the filter envelope or the frequency of oscillator two. We didn't realize it initially, but after some investigative reading, we learned that this filter design is borrowed from Dave Smith's monophonic/paraphonic Pro-2 synth, which itself was borrowed from the Oberheim SEM. We loved the P2's gritty sound, and getting some of that raw P2 character in a true polysynth is a nice bonus. (You can see our reviews of many other Dave Smith synths here).
We found the step sequencer very easy to use, and it was actually quite fun to program, in a large part, due to dedicated buttons for programming each step. The chord memory function is a novel concept, and it also provided some great inspiration for musical ideas as it gave us an interesting new way to manipulate chords in real time.
At the end of the day, regardless of new or old technology, it comes down to how the damn thing sounds. And we really like the sound of the OB-6. While not quite as gritty as Dave Smith's Pro 2, it is more raw than the DSI Prophet 12—and in a very good way. One of the hallmarks of DSI synths is their musicality, and to their credit, the quality of the presets themselves. Many are inspiring enough to make you fire up your DAW to start recording a new song immediately, which is one of the highest compliments we can give.
More specifically, there are great pads, interesting arpeggiated sequences, and thick basses. We don't mind that the effects are digital as they add nicely (when desired) to the overall sound. Unlike some classic polysynths, though, the OB-6 doesn't need to rely on a chorus effect to sound full. The dedicated controls make instant gratification a reality, and make it easy to manipulate sounds live while playing.
It's easy to assemble your own collection of favorite sounds thanks to the generous memory for up to 500 of your favorite patches, but we really wish patches could have names. By default, the 500 memory slots contain a duplicate of the factory preset banks, so you can overwrite these to your heart's content and always go back to the factory banks if you want to access an original sound. Perhaps a future editor/librarian will make patch finding/grouping easier, as opposed to "patch 69", for example.
You may be wondering, "Does it really sound like an Oberheim?" We would have to say, absolutely! The OB-6 tone falls far more into the Oberheim tone camp than any other DSI synths. Going through the patches, there were a few that were close to the classic OB-Xa "Jump" patch (which we couldn't resist tweaking until they were even closer), and we stumbled upon a patch that was a dead ringer for the opening synth part from Bon Jovi's "Runaway" (which, if you look at the video, was also performed on an OB-Xa). Other presets were clearly reminiscent of Prince's work, particularly from the 1999 and Purple Rain albums, which makes sense given that Prince was known to use the entire OB synth series throughout his career.
Make no mistake though. This synth is way more flexible and powerful than simply serving as the anchor in your '80s tribute keyboard rig. That's the great thing about the OB-6: it can do the classic stuff, but is equipped to deliver relevant sounds for today and beyond. Even better, compared to our previously owned OB-xa, it's more than twenty pounds lighter and always stays in tune (unless, of course, you purposely choose for it not to)!
Once again, Dave (and this time with Tom) has delivered a polysynth that yields a distinctly different flavor than DSI's other creations. I guess we'll just have to clear some more space in the studio.
Video courtesy of Dave Smith Instruments
Video courtesy of DSI and INHALT
The OB-6 includes a printed manual (as do all DSI products), which we appreciate! It also includes a quick start pamphlet to get you up and running fast, including explanations for how to use the very fun chord function.
On the website, there are several tutorial videos as well. There's even a video of Dave and Tom meeting in a bar, coming up with the idea for the OB-6 on a napkin. Not sure we really believe that one, but it sure is entertaining.
The OB-6 (MSRP $3,299) sells for around $3,000, the same price as many other modern analog and analog/digital-hybird synths. While you can make the argument that $3,000 for only 49 keys is questionable, the OB-6 more than delivers in the sound and ease-of-use departments. Speaking from experience, the OB-Xa we previously owned was a monster in every way: in sound, in weight, and in cost of maintenance. To get some of the best parts of that Oberheim goodness in a modern polysnth that features Dave Smith's fantastic design sensibilities, this is a synth you'll want to check out. Despite the familiar form factor, it is remarkably different from the other DSI synths.
www.davesmithinstruments.com
Overall Rating - Product Summary
OVERALL RATING = 3.7 Stars, which earns it a WIHO!
TagsDave SmithDave smith instrumentskeyboardsreviewwiho
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Jason Buchwald
Jason Buchwald, Senior Keyboards Editor, is a Phoenix, AZ area professional keyboard player, originally from New York. Besides multiple CD credits and live performances opening for well-known artists, Jason was the co-founder of the progressive rock band, Days Before Tomorrow, and is also an accomplished vocal arranger for A Capella groups. He can be contacted at www.buckytunes.com.
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Q: Jquery literally writes the word "false" when function returns no data I have a jquery function to turn my links into google map links. My links are dynamic and pulled from db. So some of the links will be blank depending if that post has that data or not.
PROBLEM: If the post does not have data for that link (field), my function will litteraly write "False" on the front end instead of just being left blank (I want it to just be blank if there is no data.
I think it just needs to be made into an if / else statement but im not very good with jquery and need help
Here is the function: ( (retailers_init['full_address']) ) is the hook for the data)
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            image.removeClass('loading');
            image.attr('src', retailers_init['image']);
            setTimeout(function() {
                image.css({'margin-top': '-' + (image.height() / 2) + 'px'});
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}
}

redpajama_set_name: RedPajamaStackExchange


text:
Short-track speed skating at the 1986 Asian Winter Games took place in the city of Sapporo, Japan, with eight events being contested – four each for men and women.

Medalists

Men

Women

Medal table

References
 Results of the First Winter Asian Games

1986 Asian Winter Games events
1986
International speed skating competitions hosted by Japan
1986 in short track speed skating


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Quarterfinals are a necessary evil. Teams that have fought their way out of pool play have earned the right to dream, but on Monday four of them will be going home. The best thing that can be said about this World Cup is that it is impossible to say which four that will be.
It has been a tournament where the underdog has had a fair share of the limelight.
Who could have predicted that Japan would win three pool matches and yet not make the last eight? Who knew that the Springboks would be the first victims of the Brave Blossoms, yet would still qualify at the top of the group?
Conundrums like those underline the fact that anything can happen from here on in. There is no reason on earth why Scotland cannot beat Australia, even if the bookies give them no chance.
Ireland lost to Argentina the last time they played them in a World Cup, Wales beat South Africa this time last year and France have lowered the New Zealand colours twice at the tournament – once in the 1999 semifinal and again in the 2007 quarterfinal.
The Springboks have much going for them right now. First, they know what it's like to lose and do not want to go there again. Second, the Welsh side they face has been seriously denuded of its best players. Third, seven members of the match day squad of 23 know what it is like to lift the Webb Ellis trophy.
On the downside, however, the Bok squad features just four players of colour, a new low for the season. All will be forgiven if the team continues to win, of course, but if they should happen to lose, the politicians will have a field day.
There are solid reasons to believe they will win, however. In addition to Wales losing so much talent to injury, they have endured two wars on successive Saturdays, against England and Australia.
In the first match they fought back from behind to win, but last week's encounter exposed a soft underbelly.
The match turned on a 15-minute period when, with Australia down to 13 men at one stage, Wales eschewed penalty kicks at goal in an attempt to score a try. They failed and the match ended as a contest right there.
It put a spotlight on the essence of the game as it is played north and south of the equator. Put simply, southern hemisphere sides know their way to the try line.
It is germane to point out that, in losing to Japan, the Springboks scored four tries. The bonus point they secured from that, together with an extra one for finishing within seven points, secured them first place in the pool ahead of Scotland. Only Argentina scored more points than South Africa in pool play.
Statistics are largely meaningless in knockout encounters, however, and coach Heyneke Meyer would happily grab a score of 3-0 against Wales as long as it saw his team through to the semifinals.
Meyer has grasped the nettle and left Victor Matfield out of the 23 for Saturday. The official line is that Matfield removed himself from contention by complaining of a tight hamstring after Tuesday's training session, but the likelihood is that he jumped before he was pushed.
Matfield's replacement, Lood de Jager, has probably been the best Springbok on display in the four games they have played so far. De Jager has been injured much of the year, but he has come right at the correct time and he may yet have as big a role to play in this World Cup as Matfield did in the 2007 version.
One of the unintended consequences of the injuries to his captain and vice-captain is that Meyer has forced Fourie du Preez into the hot seat by stealth. Unlike Jean de Villiers and Matfield, Du Preez is not accustomed to spending hours under the television arc lights at press conferences. He has always preferred to do his talking on the field.
But Du Preez has been conspicuous in the games against Scotland and the USA for the way he has controlled the tempo of the game by keeping a lid on the emotions of his players. This is a side of Du Preez we have not seen during the course of his stellar career and, much like the form of De Jager, it has manifested at exactly the right time.
The downside of Du Preez the player is that age has removed a little pace from his passing game, and his decision-making around when to kick and when to pass is no longer infallible. There is still a tendency in this Springbok team to kick first and ask questions later and it will return to bite them.
Another Achilles heel is the atavistic need to seek contact when in possession. Duane Vermeulen is a marvellous player, but he is so much better when passing through contact instead of merely setting up another ruck. Wales are an effective side at the breakdowns, thanks to the likes of Sam Warburton and Toby Faletau. They are far less effective falling back to defend the moving ball.
It surely cannot be lost on both players and management that their two World Cup-winning wings, Bryan Habana and JP Pietersen, are lethal weapons again. The pace and wit of the players inside Habana and Pietersen should give a huge advantage to the Boks, but only if the inevitable dictum of "keep it tight" can be overcome.
South Africa must trust their defensive structure to freeze out Wales in general play, and they must trust the talent in their back line to make the most of the possession that comes their way.