View and Filter the Meaningful Use Report by Provider or Month to view patient engagement stats.
Providers. Choose a provider to see that provider's patients. This report must be viewed by individual Provider; there is no Select All option.
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The installation and cracking process is pretty straight forward, but you need to be careful. Don't rush this process because your first attempt will be unsuccessful. To crack Adobe Photoshop, you will first need to download a software called a keygen. This is a program that will generate a valid serial number for you, so that you can activate the full version of the software without having to pay for it. Once the keygen is downloaded, run it and generate a valid serial number. Then, launch Adobe Photoshop and enter the serial number. You should now have a fully functional version of the software. Just remember, cracking software is illegal and punishable by law, so use it at your own risk.
Relying on the simplicity of a review published nearly a year and a half ago , I have been using Adobe's Photoshop for the last three years. I don't know why I waited so long to plunge in, but I was excited to finally get started with the latest version.
It all started a year ago at a get-together of the organizers of 1UP.com's Great Pictures Made with a DSLR Camera YouTube series . On a sunny September morning, I set up a small 12-megapixel Sony a900 to test the limits of its zoom lenses.
That morning, the Sony a900 was my workhorse tool, and it provided hours of fun. Its ability to create images at 1,200- or 3,600-pixel wide resolution ranged it almost to the edge of what the a900 could do. I was able to take images that seemed like mosaics made from tiny photos, and I was able to create my first multi-exposure panoramas, almost. I took copious photos in O-card mode for hours.
That's when I asked myself, "What if I could create — and it's not a panoramic image — something like a panorama, but in a much smaller space?" A short time later I was experimenting with a variety of zoom lenses, shooting wide-angle, telephoto, and macro images.
Looking for bigger pictures, I expanded my camera's zoom range with an 18-200mm kit lens, and an even longer 50mm f-1.8 lens. From an initial 35mm-wide zoom range, I craved more. I bought a 60mm f-2.8 lens and a 100mm f-2.8 macro lens, both from Nikon. By next year, I had built a stable of four lenses with varying focal length. I didn't want more.
It's a great tool: Photoshop has become a tool that has played an important role in each graphic designer's life. it combines image editing, image retouching and image composition. The tools allow you to edit everything with ease and simplicity.
A common question that I get asked about Photoshop is what is the difference between shape and path. Actually, it's not a difference of what Photoshop calls them, but rather what they actually represent. A shape is an object in a document, like text, images or even colours are groups of pixels on the raster of the document. Except that instead of just being a feature of the document-view or raster viewer, it is an actual object you can move independently through the document, like an object within a painting, rather than a series of pixels. A path is a design element that indicates how one object should be transformed in order to fit next to another one or a certain part of its original shape, usually where it should start from and where it should end up, like a narrow path between two circles. It looks nice when you want to use an image of a vase on a background of another one, for example, and you want both vase and background to be transparent when the image is drawn on a white background in order to only show the shape of the source image.
The target of this tutorial is photoshop, but most of the description would be valid for most vector image editors like Illustrator, InDesign, and Fireworks. We will start with the settings that are irrelevant to the text editor and will gradually add more information, like the units used in Photoshop, but it is assumed you are using the text tools that come as standard without any adjustment.
Although Photoshop is primarily a raster-based image editing program, you can also use it to create line art using the Pen tool. The Pen tool can be used with any layer, but when it's used with a layer that already contains a photo (like a photo layer), the Pen tool works like the Brush tool — or any other eraser tool — and erases any areas inside the layer that are covered by the photo.
Creative Cloud for Work
Photoshop Creative Cloud Features
[Read more about the new features of the Adobe Creative Cloud for Work plan.]
Find out which creative features the best value can offer. Plus, with every new CC offer you get additional storage space, the ability to access your files from any device, access to a library of video tutorials or a 30-day free trial. So basically, you pay for the Photoshop you need, not for Photoshop itself.
Adobe Creative Cloud is the suite of online services designed to inspire, educate, and empower creators. It includes creative tools to help you make things like photos, videos, music, and 3D. It also helps you to understand and share your creation to an audience, and even create tools to help you make things.
Adobe Creative Cloud allows you to work in Photoshop and other services like Acrobat Pro, Illustrator, Lightroom, and a selection of other applications, in the cloud. That means you can get access to your files and images from any device, and your files don't expire.
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Photoshop is officially launching a new feature that allows you to remove watermarks from images. With the new tool, you can select the area that you want to be removed from the image and hold the Alt key (option) to reveal a menu of choices to find the one that best suits your needs. You can also activate the feature from the context menu by right-clicking on the watermark and choosing Remove watermark from image.
This is one of the most important Photoshop features. Photoshop Adjustment Layers are used to make adjustments to an image. You can apply the adjustments in layers so that you can fix any mistakes and correct it later. You can also easily undo the change once you are done.
A unique feature in Photoshop is the ability to add compositing effects from a variety of sources, such as the sky, background and foreground. As in the full-fledged Photoshop, you can mix many different layers to create the look you want. As the name suggests, Photoshop Layers does this for you in a way that is easy to create an elaborate graphic from top to bottom.
Of course, as with all products, there are a few limitations (and some muddied issues) with Photoshop Elements compared to Photoshop proper. You can't create a new document, for example, and you have to pay to upgrade from the Elements version to Photoshop. But you do have access to a wide variety of additional features and tools that are missing from Elements.
The latest update of Photoshop allows you to work in a single app without the need for installation. New features include the ability to add 4K video to Photoshop, the creation of a 3D LUT (Look Up Table) and the creation of 4K video with CinemaDNG. These innovations have been welcomed by the creative community.
Edit video without leaving the ultimate editing tool. With a new Video Editor, you can quickly trim, combine and create great looking videos, even in the camera or while recording. Plus, you can write in text, add transitions to your clips, apply audio effects and much more. You can even edit video with one of a dozen styles, including titles, and then share your masterpiece with a click.
Think of the book like a digital-arts reference manual. You'll see an exhaustive list of all the things you need to know about Photoshop to get the most out of Photoshop. The book's attitude is straightforward and practical, and you'll learn the most important and useful Photoshop features and techniques in the most efficient and efficient order. Adobe Photoshop CC 2019 features more than 70 top-notch tips, tools, and techniques.
The book's technical review style shows you just what's possible with Photoshop. It's extremely easy to learn, but don't be fooled into thinking that this book is light on theory. The book does a terrific job of providing practical techniques at a glance. The book is loaded with highly innovative ideas.
The book starts with a history lesson of the evolution and changes of the program over time. It covers the features that have changed from CS1 to CS3 and beyond. The book is full of tips and techniques that you can put to use now, and many of the chapters sound like potential solutions to problems you'll probably encounter as you move forward with your career.
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Volume and Effect controls. By providing the full spectrum of tools in a single, fully integrated program, users have more control than ever over their images. People also can create a unified collection of effects (any number of filters, vignettes, masks, and all effects) on different layers. This makes it easy to apply all the effects on an image to achieve smoother color and smoother tonal transitions.
New workflows. Photoshop includes a series of new workflow tools that make it easier, more efficient, and more productive. Photoshop CS6 builds on this foundation, granting users the tools they need to meet the challenges of 21st century work. Users can script actions, apply workflows repeatably, and create optimized color spaces and processes.
History panel. Photoshop CS6 provides a version history panel that shows all edits you make in the last n months of your work. Manage multiple versions of existing files quickly and easily. At a glance, you see each revision and how it compares to your original. Then, you can switch to those versions to compare changes to a single image. You can quickly browse a file's versions to see exactly how it was created, and to create new versions of an existing file.
Adobe Photoshop is the best graphic design software. It is one of the most powerful image editing software. Almost every professional graphic designer and illustrator use this software. It has just one name on the face and the whole world knows about it which draws people to use it. It has many tools that help you in creating better images and drawings. Apart from this, it also has some famous features like vibrant colors, color-correct settings, and many more, which are considered as perfect by graphic designers. It is designed for newbie graphic designers. They can easily download and install a trial copy of Adobe Photoshop and use it for a particular project. It is a big hit among graphic designers all over the world.
Adobe Photoshop is an impressive image editing software that is used by many professionals residing in the world. It is a very useful tool that provides advanced and tools by which professional photographers create memorable photographs.
It is one of the most demanding and popular photo editing software available in market. Adobe Photoshop is a top photo modifying tool used by photographers around the world. This software can be used for different aspects of photography like photo retouching, photo impression, photo manipulation, photo enhancing & design.
Adobe Photoshop is one of the most famous photo editing tool. This software can be utilized for image editing, photo retouching, photo estimating, image modifying, image enhancing, image manipulation and more.
The Mac version will later be available but the latest update on the Windows version is Version 12.1. The full version of Photoshop Elements has been updated with new features and improvements. Now, students can explore the creative elements and old-new features compared to the new features in the version of Adobe Certified Training
Lightroom and Photoshop work side-by-side. The perfect application for photographers and editors that love to tweak their images but want to focus their attention and energy on creating their images instead of spending hours fixing the imperfections. It has two versions for Apple, Windows, and Mac, whereas Photoshop CC software is just for the Mac.
The Photoshop team is the biggest supplier of AI to the design world—and we're expecting a new wave of AI revolution in 2019. Artists and designers can expect to see more Type AI, Neural Style, Filters, and even 3D Model filters integrated into Photoshop soon. And in Photoshop, all the advanced tech will work across all available surfaces, from mobile to monitor
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If you are still using legacy 3D products, we recommend you to upgrade to the latest release of 3D applications. Subsequently, you may want to switch to a new 3D toolset. Here is a list of some of the most popular 3D applications in the industry.
Adobe Content Management
As of the Creative Cloud release of Photoshop CC 2019, over 70% of the code is GPU optimized and native; native programs execute faster and they are faster on computers with multiple graphics cards. Support for all major GPU hardware is now present, with support for both driver-assisted and driverless rendering on Windows. With the latest release, new features are exposed through the native GPU API that allows desktop applications to process multiple images at once. The new API raises the bar for compatibility, performance, and capabilities.
In addition to the new native GPU API, Adobe is introducing a set of APIs for GPU rendering, app development, and asset management with Adobe Mesh and ScreenFlow. The native GPU API is backward compatible with earlier versions of Photoshop.
With tools to remove unwanted objects from photos, add special effects to photos for an artistic, analogue-like look and enhance the artistic quality of photos, you'll be able to turn ordinary images into jubilant clicks of your artistic fingertips in no time.
While you can only use the toolbar in true desktop mode, you'll be able to use Photoshop Elements for mobile editing in portrait mode. For the first time, Photoshop Elements on the web will let you edit in portrait (landscape) mode.
If you're looking for affordable, quality learning resources for digital photography and Photoshop, then make sure to check out Envato Tuts+, a premium resource that features hundreds of Photoshop and Lightroom training videos from some of the best educators in the industry.
Sift through the cheap subscription sites and you'll find relationships formed around common topics that only drill you for a few dollars per month. For a more robust experience, you want the paid option, which starts at a price point of USD $20 a month or more. For a complete shift, move to Envato Tuts+, where instructors work together to develop ongoing projects, and share their content for free.
If you are a developer or designer, you'll appreciate the combination of design and development tools in Photoshop. If you are a developer, you'll appreciate the combination of design and development tools in Photoshop CC.
New in CS6:
– Filter Gallery (with 3D LUTs)
– No ad tech
– Creative Cloud Save for Web, Print, Version History
– New data-driven Brush Preset Editor, Content Aware Fill, Gradient Mesh, Motion Blur
In this book, you will learn what Adobe Photoshop is capable of, how to access its features, and how to use them to optimize your workflow and boost image editing results. As soon as you have reviewed the table of contents, you will have a solid base of understanding Adobe Photoshop. You'll also learn how to use Photoshop for web and print editing, image and video output, effects processing, and much more. Understand your camera, monitor, and printer, and produce striking visuals. Adobe Photoshop is the best-selling image editing software in the world with over 100 million copies sold.
The Adobe Creative Cloud releases are known for introducing evolutionary upgrades to Photoshop, Adobe Lightroom and other programs. Photoshop gets what a big update with the addition of HDR images, non-destructive editing, landmark selection, Deep Zoom, and Upright. Lightroom gets it own UI/UX improvements in the Photo Library view and the option to crop images for social sites.
The Adobe Creative Suite is superior to most other editing packages. It includes a number of important and popular programs such as Photoshop, InDesign, Illustrator and eLearning. In addition to the core programs for graphics, it includes editing and publishing apps that can be accessed from anywhere, like Dreamweaver CS6, Photoshop CS6, InDesign CS6, and Flash Builder CS6.
The Adobe Creative Suite is professional, too. So, if your enterprise needs no other editing software than its top authors, it's going to cost you quite a premium. The cost of the Creative Suite is quite significant, and always has been. The initial purchase price of a licence for a single user can run into the thousands. Sadly, the price tends to increase year on year, as the company has identified the trend of education and professionalisation of the market. The price of the software has increased by the same rate as the rate of inflation over the last few years. If you're a student, you would pay this for at least three or four years of software use, which is more than you might spend on a degree.
With the Adobe Creative Suite, you also have to take into account the cost of the software that is not included. Design applications like Dreamweaver are necessary to develop and maintain websites. And, together Incubate and Adobe Muse form the building blocks of interaction design. The Dreamweaver version remains at $900, and only adds a few minutes to the price tag. (It's available as a free download for.Mac users.)
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Home » TV » Reality TV
How many daughters does Mama June Shannon have?
Sat Apr 04, 2020 at 9:22pm ET
By Rachelle Lewis
Mama June Shannon has a turbulent relationship with all her children. Pic credit: WeTV
How many daughters does Mama June Shannon have? That is the question on fans' minds now that Mama June: From Not to Hot is back for another season.
Mama June and her family's life have been playing out on the small screen for nearly eight years. However, the past couple of years, it is Mama June's actions off-camera that are making headlines.
The drama has dramatically affected Mama June's relationship with all four of her daughters.
Alana "Honey Boo Boo" Thompson
Alana or Honey Boo Boo, as she is known to her family and in the reality TV world, is the youngest of the four girls. She is 15 years old. It was Alana's stint on Toddlers & Tiaras that launched the Shannon family's reality TV career.
After appearing on the TLC show, the network gave Honey Boo Boo her own show, which also featured her troubled family. Here Comes Honey Boo Boo lasted four seasons, but Alana managed to parlay it into other stints, such as Dancing With The Stars Junior.
The teenager's father is Mama June's ex-husband, Mike "Sugar Bear" Thompson. Alana has no contact with her father, even telling OK Magazine she doesn't feel like her father cares about her. Honey Boo Boo has been in the care of her older sister Pumpkin, since Mama June's drug arrest with boyfriend, Geno Doak.
Mama June From Not To Hot Family Crisis is coming to WEtv — Here's what you need...
Tune in TONIGHT for a NEW episode of #MamaJune #FamilyCrisis at 9/8c on @wetv @mamajune_wetv #california #losangeles #hollywoodhereicome #hollywood
A post shared by 𝓐𝓵𝓪𝓷𝓪 𝓣𝓱𝓸𝓶𝓹𝓼𝓸𝓷 ✰ (@honeybooboo) on Apr 3, 2020 at 6:37am PDT
Lauryn Michelle "Pumpkin" Shannon
Lauryn, who goes by Pumpkin, is the third child of Mama June. She is 20 years old and has been incredibly vocal regarding her disapproval of her mother's lifestyle. The two are currently estranged, and Pumpkin is Honey Boo Boo's legal guardian.
Alana isn't the only child Lauryn is raising. She is also mom to Ella, her two-year-old daughter with husband Joshua Efird. It has been challenging for Pumpkin to raise a teenager and a toddler.
Recently Lauryn revealed to HollywoodLife that she has no idea where Mama June is because she does not answer her or Honey Boo Boo's phone call.
Jessica Louise "Chubbs" Shannon
Jessica is Mama June's second-oldest daughter, but there is very little known about the 23-year-old. She has remained out of the family spotlight over the years.
Hey Guys! A lot has been going on. #MamaJune Family Crisis airs this Friday 9/8c on @wetv
A post shared by Lauryn Efrid🌺 (@pumpkin) on Mar 21, 2020 at 4:04pm PDT
Although Jessica did appear on Here Comes Honey Boo Boo, she was missing from Mama June: From Not to Hot.
It wasn't her turbulent relationship with Mama June that kept Jessica off camera. She was at college and chose not to participate in the show. Jessica is the first member of the Shannon family to go to college.
Like her sisters, Jessica has not seen or spoken to her mother in years. She is focused on making a life for herself out of the spotlight.
Anna Marie "Chickadee" Cardwell
Anna is Mama June's oldest child at age 25. She lived in Alabama far away from the Shannon family drama while married to her now ex-husband Michael Cardwell. The two were married for three years before divorcing in 2017.
After her marriage ended, Anna moved back to Georgia with her two daughters Kaitlyn age 8, and Kylee, age 5. Her return to her hometown did nothing to repair Anna's relationship with Mama June.
The relationship became estranged when Anna accused Mama June's ex-boyfriend, Mark McDaniel, of sexually abusing her.
Not only did Mama June not believe Anna, but she resumed a romance with Mark. Anna has also accused her mother of stealing thousands of dollars from her trust fund.
Mama June Shannon has four daughters, but she is currently estranged from all of them.
Mama June: From Not to Hot airs Fridays at 9/8c on WeTV.
Rachelle Lewis
Rachelle has been working as an entertainment writer for over a decade. She recently left television ad sales behind to focus on her dream of... read more
Latest posts by Rachelle Lewis (see all)
Days of our Lives spoilers for next week: Times up for Gwen, Gabi returns, and Philip faces danger - 15th January 2021
Below Deck Med: Hannah Ferrier breaks down chief stew salary and yachting perks - 14th January 2021
Below Deck: Captain Lee Rosbach weighs in on James Hough and Elizabeth Frankini hooking up - 13th January 2021
Tags Mama June, Mama June Shannon
Alana 'Honey Boo Boo' Thompson gives Mama June: From Not To Hot...
Mama June From Not To Hot Family Crisis is coming to WEtv...


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You are here: Home>Our History>First World War: Roll of Honour Online>Linsell, M W
About Linsell, M W
MARK WILLIAM LINSELL
Remembered with honour Delville Wood Cemetery: Plot X, Row N, Grave 9.
He attested 15 November 1915 for Short Service (Duration of the War): a shop assistant aged 19 of Watford. He embarked from Folkestone, disembarking at Boulogne 28 June 1916, and joined the 33rd Brigade 29 June 1916. He was attached to the 22nd Battalion Manchester Regiment when he was killed in action. He was entitled to the Victory and British War medals.
Son of Waldow/Waldo and Alice Caroline or Caroline Alice (nee JENKINS) LINSELL of Watford.
His parents married 1896 in the St Pancras, London, district. Alice died 1928 in Watford aged 58, and was buried 5 June in Vicarage Road Cemetery, Watford; Waldow died 1955 in Watford aged 82, and was buried 9 June, also in Vicarage Road Cemetery.
Mark was born 20 June 1897 in Willesden, London, and attended Beechen Grove Board School, Watford, from 30 October 1906 to 22 November 1907. He resided in Watford.
On the 1901 Census, aged 3 he lived in Harlesden, London, with his parents and two siblings. On the 1911 Census, at school and a grocer's errand boy aged 13, he lived in Watford, with his parents and three siblings.
PS/3143
16th (Reserve) Battalion (Public Schools)
Middlesex (Duke of Cambridge's Own) (44)
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The one video in which Quaritch doesn't look like a total jackass. What a find!
Aihwa, It's a video on facebook.
Very Cool. Nice find CMQ.
Now I wish so hard that Quaritch lived.
Lol, Quaritch is still a jackass.
"Peace and prosperity for us all through superior firepower."
Sums up what is wrong with the world's thinking.
Well, he is right. Peace and Prosperity for HIS people that is.
Just blow the enemy up, and it's a smooth road.
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Quaritch for sequel! Gah he was such a good bad guy!
To me he was sort of... one of those bad guys you like, like Captain Hook or... well no, everytime I watch Avatar I'm still rooting for Jake and Neytiri, but the idea of his character is likeable. The way the character plays out in the context of the film is tailored for you to not ultimately root for him.
Since he was to die I'm SO glad Cameron made it hard for him to. He was just too tough a character, and him dying the way he did was just so satisfying, and so perfectly timed.
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Home » Kuali Financial System
UCI's Kuali Financial System (KFS)
UCI launched the Kuali Financial System, a comprehensive enterprise financial system used to process most of the campus' financial transactions in July 2014. For help using KFS, the webpages and reference material listed below is a good place to start. Given the complexity of KFS, frequent users should also consider registering for a KFS class on the topic they're interested in.
About the System
KFS is a comprehensive software solution that integrates most of UCI's core financial functions, including general ledger, procurement, budget, disbursing, and travel reimbursement.
Completing the KFS upgrade will unlock our ability to develop future enhancements and improve the security of our data.
KFS Login and Hours
Users can log into KFS from Zotportal. Log in with your UCInetID and password and click the KFS tab.
KFS is up from 7 a.m. to 8 p.m., Monday - Friday. Maintenance begins at 8 p.m.
A collection of links to all of our Reference Documents, How-To and Quick Start Guides related to the Kuali Financial System.
Register for a KFS Class
Users new and old alike are invited to take our array of KFS classes either online or in a traditional classroom setting.
Contact the KFS Help Desk
Have a problem? Contact the KFS Help Desk at kfs@uci.edu or 949-824-7001. Staff are available from 9 a.m. to 5 p.m., Monday through Friday.
Do you need help creating your TEM Profile? Follow the instructions on the Creating a TEM Profile page.
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text:
Q: Rescue, but still log error for Sentry/New Relic notification/logging Want to log an error that I can use with a Sentry/New Relic, etc. when an error is raised, but I rescue it.  Currently I use Sentry and it emails me all raised errors so I can fix them. However, when I rescue the error, no error gets raised, hence no idea anything is wrong.
class Contact
  include ActiveModel::Model
  attr_accessor :name, :email, :message

  validates :name, :phone, :message, presence: true
  validates :email, format: {with: /\A([\w\.%\+\-]+)@([\w\-]+\.)+([\w]{2,})\z/i}

  def deliver
    if valid?
      begin
        return ContactUsMailer.contact(self).deliver
      rescue StandardError
        errors.add(:base, I18n.t("messages.unprocessed"))
        # Want to log an error that I can use with a Sentry/New Relic, etc.
        # Currently I use Sentry and it emails me all raised errors to I can fix them.
        false
      end
    end

    false
  end
end

A: Assuming that you have the sentry-raven gem setup, you can also call
Raven.capture_exception(e)

For your example that should be
class Contact
  include ActiveModel::Model
  attr_accessor :name, :email, :message

  validates :name, :phone, :message, presence: true
  validates :email, format: {with: /\A([\w\.%\+\-]+)@([\w\-]+\.)+([\w]{2,})\z/i}

  def deliver
    if valid?
      begin
        return ContactUsMailer.contact(self).deliver
      rescue StandardError => e
        Raven.capture_exception(e)
        errors.add(:base, I18n.t("messages.unprocessed"))
        # Want to log an error that I can use with a Sentry/New Relic, etc.
        # Currently I use Sentry and it emails me all raised errors to I can fix them.
        false
      end
    end

    false
  end
end

to ensure that the issue is still reported to sentry.
If your goal is to just report any text, the answer would be
Raven.capture_message("your text")

Also see: https://docs.sentry.io/platforms/ruby/usage/#reporting-messages

A: You can just manually log the error to Sentry:
begin
  return ContactUsMailer.contact(self).deliver
rescue StandardError => exception
  errors.add(:base, I18n.t("messages.unprocessed"))
  Raven.capture_exception(exception)
  false
end

redpajama_set_name: RedPajamaStackExchange


text:
About and Mission
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Clinical Area Labs & Affiliations
About | Clinical Faculty | Adjunct and Other Faculty | Program Overview | Student Admissions, Outcomes, and Other Data | Labs & Facilities | Area Talks | Recent Events
Core Faculty Labs
Christopher Beevers, Ph.D., Mood Disorders Laboratory
Caryn Carlson, Ph.D., Well-Being in Context Lab
Kim Fromme, Ph.D., SAHARA Lab
Andreana Haley, Ph.D., Clinical Neuroscience Lab
Kathyrn Paige Harden, Ph.D., Developmental Behavior Genetics Lab
Charles Holahan, Ph.D., Occupational Health Psychology
Marc Lewis, Ph.D., Lewis Web Page
Cindy Meston, Ph.D., The Sexual Psychophysiology Laboratory
Rebecca Neal-Beevers, Ph.D., The Child Development in Context Laboratory
Manuel Ramirez, Ph.D., Laboratory of Multicultural Process and Mental Health
Jasper Smits, Ph. D., Behavioral & Integrative Treatment Development Program
Michael Telch, Ph.D., Laboratory for the Study of Anxiety Disorders
Robert Josephs, Ph.D. (Psychology, Social and Personality Area)
Mark Powers, Ph.D. (Psychology, Clinical Area)
William Swann, Ph.D. (Psychology, Social and Personality Area)
Elliot Tucker-Drob, Ph.D. (Psychology, Individual Differences and Evolutionary Psychology)
Wayne Holtzman, Ph.D.
The clinical program has received strong support from the department and the university, and we feel fortunate to have ample resources to meet our student and faculty needs. Foremost on our list of resources is the new 52 million dollar Seay Psychology building, which we moved into in May 2002. The department occupies 80,711 square feet of space in the building, which features world-class research facilities, state-of-the-art computer labs and classrooms, two libraries, a number of well-situated conference and seminar rooms, and ample office space for graduate student research and teaching assistants. Our move to this impressive facility was an enormously positive and important event for our department, and has allowed us to continue to build on our stature as a first-class research institution.
One particularly exciting aspect of the Seay building is that faculty were able to design their own labs. As a result, clinical faculty are enjoying the benefits of high-quality research facilities individually tailored for their current research needs. For example, Dr. Kim Fromme's alcohol research lab includes a "bar lab," with two-way observation mirrors that allows for naturalistic observation of drinking behavior in a real-life setting. Dr. Cindy Meston's state-of-the-art lab for the study of female sexual dysfunction is one of a handful in the world that includes equipment for psychophysiological assessment.
The third-floor Psychology Training Clinic occupies half of the western wing, with eight treatment and assessment rooms outfitted with video equipment and observation windows, a group room for clinic meetings and group therapy sessions, and a spacious waiting room for clients.
Another exciting and relatively recent addition to clinical program resources is the Institute for Mental Health Research (IMHR). The overarching focus of the IMHR is translational research, which is to say, interdisciplinary research in clinical and non-clinical populations that aims to develop new treatments for mental health disorders. The Institute is housed in the new College of Liberal Arts building (CLA), about a 10-minute walk from the Seay Psychology Building. When the spacious CLA building opened in 2013, it was said to have set a new standard in planning, design and construction for a 21st-century campus.
The IMHR is directed by one of our program faculty, Dr. Chris Beevers, whose Mood Disorders Lab is located in the CLA building. Another faculty member, Dr. Jasper Smits, has his Anxiety & Health Behaviors Lab in the CLA, as well. Dr. Smits also runs the Anxiety & Stress Clinic. This clinic is an ongoing collaboration between the Department of Psychology, the IMHR, the Anxiety & Health Behaviors Lab and the Fitness Institute of Texas. The clinic serves as one of the training sites for our students' required in-house, second-year practicum (as well as for optional later practicum training) and provides state of the art interventions for persons with anxiety and mood disorders.
Also located in the CLA is Dr. Rebecca Neal-Beever's Child Development in Context Lab. Offices of graduate students who work with Drs. Beevers, Smits and Neal-Beevers are located in the CLA building, as well.
Applying to Graduate School...


text:
Pecetto di Valenza () is a commune of the Province of Alessandria in the Piedmont region of northwest Italy with a population of 1282 (December 2008 estimate). It is south of the river Po, and about  northeast of the provincial capital of Alessandria, on an eastern spur of the hills of the Basso Monferrato. The commune's neighbours are Alessandria, Bassignana, Montecastello, Pietra Marazzi, and Valenza.

The municipal boundaries enclose an area of  that ranges in elevation from  above sea level and is predominantly agricultural in character: the economy is largely based on the cultivation of cereals and grapes. Four distinct settlements are identified in the Statuto comunale as "historically recognised by the community"; these were also the four designated places for the 2001 census. Pecetto di Valenza itself, which stands at  above sea level and is the capoluogo of the commune, was the most populous with 499 of the commune's 1,312 inhabitants. Pellizzari, at , had a population of 120. Gasperini, at , had 30 inhabitants and Molina, at , 16. A further 360 residents, 27 percent of the total, were counted in isolated dwellings such as farmhouses.

Notable people
Giuseppe Borsalino, who gave his name to the Borsalino hat-making company which he developed in Alessandria, was born in Pecetto di Valenza in 1834.

References

Cities and towns in Piedmont

redpajama_set_name: RedPajamaWikipedia


Deandre Ayton might be the NBA's next great man in the middle.
The No. 1 pick had a dominant debut Monday night, finishing with 24 points, 10 rebounds and three blocked shots in the Phoenix Suns' 106-102 loss to the Sacramento Kings.
The exhibition opener for both teams featured the top two picks in the most recent draft. Marvin Bagley III of Duke came off the Sacramento bench for seven points in 25 minutes.
Ayton — Bagley's one-time high school teammate — looks a little more NBA-ready. The former Arizona star leaped high for alley-oop and showed off a nice touch with a hook, finishing 9 for 16 from the floor and 6 of 8 from the free throw line.
Joel Embiid, perhaps the league's top current big man, matched up Monday with another top-10 center from the draft, Orlando's Mo Bamba. Embiid kept Philadelphia unbeaten with 21 points in the 76ers' final game before they head to China for a pair of games against Dallas.
Yogi Ferrell had 26 points on 9-of-14 shooting, including 6 of 9 from 3-point range, and Willie Cauley-Stein added 14 points and 12 rebounds for Sacramento.
Josh Jackson added 17 points and six assists for Phoenix, and TJ Warren scored 16 points on 6-of-7 shooting.
Ayton missed his final four field-goal attempts and went 2 of 4 from the line with an offensive foul in the final minute.
KINGS: Bogdan Bogdanovic (knee), Kosta Koufos (hamstring), Iman Shumpert (calf) and Nemanja Bjelica (knee) did not play. … Harry Giles III, who missed all of last season after being selected 20th overall in the 2017 draft, scored 14 points. … Bagley shot 2 for 7 and grabbed two rebounds.
SUNS: Mikal Bridges, the 10th overall selection in June's draft, was scoreless with one rebound in 12 minutes. … Devin Booker, who had surgery on his right hand last month, did not play. He is expected to miss all of the preseason but expects to be ready for the start of the regular season.
UP NEXT: The Kings (1-0) travel to Los Angeles to play the Lakers on Thursday. … Phoenix (0-1) will play host to the New Zealand Breakers on Wednesday.
Joel Embiid had 21 points on 9-of-15 shooting and grabbed seven rebounds in 22 minutes. Ben Simmons added nine points, five rebounds, seven assist, two steals and a block.
Furkan Korkmaz made 6 of 8 from the field, including 3 of 5 from behind the arc, and finished with 18 points in 18 minutes for the 76ers.
Nikola Vucevic led Orlando with 20 points and blocked two shots. Terrence Ross hit three 3s and finished with 13 points and three steals.
76ERS: Markelle Fultz, the top pick in the 2017 draft who missed 68 games last season, had 12 points on 5-of-12 shooting and grabbed six rebounds. … Jerryd Bayless did not play after suffering a sprained knee during practice Sunday. He'll be re-evaluated in 3-to-4 weeks. Wilson Chandler, who strained his hamstring in Friday's preseason opener, did not play. MAGIC: D.J. Augustine and Mo Bamba, the No. 6 overall selection in June's draft, scored 12 points apiece. Augustine hit 3 of 4 from 3-point range and had six assists. … Isaiah Briscoe had 11 points and Aaron Gordon added 10 points, seven rebounds and four assists.
UP NEXT: The 76ers (2-0) play Dallas in Shanghai on Friday. … Orlando (0-1) returns home to play Flamengo.
Rookie Kevin Knox had 13 points and 10 rebounds in the Knicks' preseason opener.
The No. 9 pick in the draft started and added three assists and two steals in 26 minutes. Lance Thomas scored 12 points.
John Wall played just 9 ½ minutes of Washington's exhibition opener, scoring six points. Bradley Beal had 11, but shot just 3 for 12 in 22 minutes.
KNICKS: Hall of Famer Patrick Ewing, now coaching Georgetown, spoke to Knicks players earlier Monday. … Damyean Dotson scored 12 of his 14 points in overtime, making all three shots, including two 3-pointers. … Tim Hardaway Jr. scored 11 points. … Second-round pick Mitchell Robinson, who didn't play in college last season, had six points and seven rebounds. … Rookie Allonzo Trier, signed to a two-way contract, had 13 points. … Courtney Lee sat out with a strained neck.
WIZARDS: Dwight Howard remained out with a back injury that has sidelined him since training camp began. … Kelly Oubre Jr. led Washington with 15 points, eight rebounds and four assists. … Otto Porter Jr. scored 13 points. … Markieff Morris was ejected after exchanging words with Mitchell. … Austin Rivers had seven points off the bench in his first game with the Wizards. … Jordan McRae was 4 for 4 for nine points in OT.
UP NEXT: The Knicks visit Brooklyn on Wednesday. Washington (0-1) hosts Miami on Friday.
DeAndre' Bembry had 20 points, five rebounds and four assists and John Collins scored 18 points for Atlanta. Rookie Trae Young had 11 points and eight assists, but was just 5-of-16 shooting.
Anthony Davis led New Orleans with 16 points and grabbed seven rebounds in 17 minutes, and Jrue Holiday hit 3 of 4 from 3-point range and finished with 13 points. Julius Randle had 11 points on 5-of-7 shooting and grabbed seven rebounds.
PELICANS: Jahlil Okafor (ankle), Darius Miller (biceps), Nikola Mirotic (Achilles) and Alexis Ajinca (quadriceps) did not play. … New Orleans shot just 36.5 percent (38 of 104) from the field, including 8 of 39 (20.5 percent) from behind the arc.
HAWKS: Justin Anderson (leg) Dewayne Dedmon (ankle), Daniel Hamilton (rotator cuff) and Omari Spellman did not play. … Alex Poythress had 13 points and five rebounds in 14 minutes. … Tyler Dorsey scored 11 points.
UP NEXT: The Pelicans (0-2) travel to New York to play the Knicks on Friday. … Atlanta (1-0) plays the Grizzlies in Memphis on Friday.


text:
Home GI Press Collection p. P-1
Liberation news service (New York, New York) (May-August 1973)
p. P-1
These photos were taken recently at a small shoe factory
in Nelsonville, Ohio (population, 4000).  Employing about 280
workers, this plant makes shoes that are sold by Sears and
J.C. Penny  The workers' pay is piece-rated, based on the
number of shoes completed in a day, and the average is less
than $80/week  But it is one of the very few sources of
employment In this Southeast Ohio area aside from Ohio University in nearby Athens.
The historic pattern here is typically Appalachian.  In
the late 1800s, Nelsonville was a booming coal town with a
population of ten to fifteen thousand  But when the coal
deposits were depleted in the early 1900s, industry began to i
leave, forcing many residents to move to urban centers to the
north in search of jobs.
Nelsonville is really caught in the middle of this
migratory process  Many of the people who work in this factory
are only second generation in this area.  Their parents came to
the Nelsonville area in search of work, fleeing the more recent
decline in employment in the coal fields further to the south,
in West Virginia and Kentucky.
SEE THE STORY ON APPALACHIAN MIGRATION ON PAGE 4 OF PACKET #513.
ALL FOUR PHOTOS CREDIT Ken Light/LNS.
Page P-l LIBERATION News Service (#520)       May 2, 1973     more--
Title Liberation news service (New York, New York) (May-August 1973)
Place of publication New York, New York
Publisher Liberation News Service
Rights Copyright belongs to the individuals who created them or the organizations for which they worked. We share them here strictly for non-profit educational purposes. If you believe that you possess copyright to material included here, please contact us at asklibrary@wisconsinhistory.org. Under the fair use provisions of the U.S. copyright law, teachers and students are free to reproduce any document for nonprofit classroom use. Commercial use of copyright-protected material is generally prohibited.
Owner GI Press Project/Private Collection; The International Institute of Social History Library Collections: Gift of John Mage; The International Institute of Social History Library Collections; Brünn, Harris Watts Collection - Serials and Press Release Soldiers Movements, International Institute of Social History, Amsterdam
Digital identifier giNewsletter940b0000
Title p. P-1
Full text These photos were taken recently at a small shoe factory in Nelsonville, Ohio (population, 4000). Employing about 280 workers, this plant makes shoes that are sold by Sears and J.C. Penny The workers' pay is piece-rated, based on the number of shoes completed in a day, and the average is less than $80/week But it is one of the very few sources of employment In this Southeast Ohio area aside from Ohio University in nearby Athens. The historic pattern here is typically Appalachian. In the late 1800s, Nelsonville was a booming coal town with a population of ten to fifteen thousand But when the coal deposits were depleted in the early 1900s, industry began to i leave, forcing many residents to move to urban centers to the north in search of jobs. Nelsonville is really caught in the middle of this migratory process Many of the people who work in this factory are only second generation in this area. Their parents came to the Nelsonville area in search of work, fleeing the more recent decline in employment in the coal fields further to the south, in West Virginia and Kentucky. SEE THE STORY ON APPALACHIAN MIGRATION ON PAGE 4 OF PACKET #513. ALL FOUR PHOTOS CREDIT Ken Light/LNS. Page P-l LIBERATION News Service (#520) May 2, 1973 more--
Digital identifier giNewsletter9400528
Liberation news service (New York, New York) (May-August...
Packet #520 (May 2, 1973)
- Masthead
- p. 1
- p. 10
- p. P-1
Packet #523 (May 12, 1973)
Packet #528 (June 2, 1973)
Packet #531 (June 13, 1973)
Packet #537 (July 7, 1973)
Packet #538 (July 11, 1973)
Packet #543 (August 4, 1973)
Packet #546 (August 15, 1973)


Cognate to Fukuoka よこい yokoi; Amakusa (Kumamoto) よくぃ yokwi and よこい yokoi; Okinawan ゆくい yukui; standard Japanese いこい【憩い・憩】 ikoi "rest". Ultimately derived from the nominal form of the verb よこう【憩う】 yokou "to rest" (> standard Japanese こう ikou), which itself stems from よこ【横】 yoko "horizontal" followed by a verbal ending. Consider: よこたえる【横たえる】 yokotaeru and よこたわる【横たわる】 yokotawaru "to lie down; to lay down"


text:
Man, 71, punched fellow Wetherspoons customer in face for kissing his female friend
Malcolm Higgins could now be jailed
Malcolm Higgins was involved in an incident at the William Dampier pub (Image: Google/Deborah Gingell)
THE LATEST NEWS AND UPDATES ACROSS BATH STRAIGHT TO YOUR INBOX
A 71-year-old man who assaulted a fellow customer at a pub in Yeovil town centre could face being jailed after putting himself in breach of a suspended sentence order.
Malcolm Roy Higgins was at Wetherspoons with a female friend when she began talking to the other male who began kissing her.
The defendant became upset and punched the victim in the face causing him to fall backwards into a table.
When Higgins, of Seaton Road, Yeovil, appeared in the dock before Somerset Magistrates, they were also told that by committing this offence he was now in breach of a suspended prison sentence previously imposed at Taunton Crown Court and could face being sent into custody.
The William Dampier, Yeovil (Image: Google)
The defendant pleaded guilty to assaulting Scott Charles by beating him during the incident on April 18.
He also admitted being in breach of a suspended sentence imposed on March 3 last year for offences of dangerous driving, criminal damage and sending malicious communications.
The magistrates were informed that the defendant had been drinking at the William Dampier pub in Middle Street along with a female friend when he became involved in a disagreement with another male.
As a result he punched him to the left eye causing him to fall back into a table.
Higgins was immediately arrested as the police were already at the scene and later said he had become upset about the victim getting too friendly with his female friend.
The victim later said that he had just been in the pub having a bit of banter when a female started chatting to him and then started to kiss him which made the defendant angry.
Prosecutor Emma Lenanton said that by committing the assault Higgins had now put himself in breach of his suspended prison sentence and could face it being activated.
Defending solicitor Sam Morton said the assault was committed towards the tail end of the suspended sentence but said the offences were completely different from this latest incident.
The magistrates told Higgins they were sending him to the crown court for the judge to consider whether to activate the suspended sentence and to sentence him for the assault.
They ordered him to appear before a sentencing hearing at Taunton on June 7.
In the meantime they released him on bail with a condition that he does not enter the William Dampier pub in Yeovil.
They also ordered the Probation Service to prepare an addendum report to the original pre-sentence report.
Ambulance service issues injury update on crash which closed A37
Babylon Motors' owner hopeful of catching culprit as business gets back on track
To keep up to date with our latest news, follow us on Facebook and Twitter.
Find our Bath Facebook page here or Somerset's can be found here .
Alternatively, follow us on Twitter - Bath and Somerset .


Congratulations to the 12 drivers advancing to the Round of 12!
Isaac Gann has been suspended for the next race at Dover for intentionally wrecking. Gann will also serve probation for the remainder of the 2018 season.


Can you believe that it is September already? Where did the time go?
These transitions are often accompanied by an array of moods. From excitement to anticipation to melancholy – the fall season often feels like a roller coaster ride.
A few weekends ago I said goodbye to my youngest son as he headed to Colorado to join his sister. He's very excited about the move – and has a bit of anxiety as he hasn't checked off 'finding a job and a place to live' just yet.
His sister is thrilled to show him the ropes. It sure is nice that brother and sister WANT to, and are excited to be together!
For me, saying goodbye to my kiddos as they begin their future adult life from another state – well that brings up all kinds of emotions, especially because that is 3 for 3. All three kiddos have officially left the nest and decided the cold MN winters just aren't for them.
So for now I'm feeling melancholy. Guessing I did a good job raising smart, independent young adults – yet wishing they were a little closer to home.
And I'm also curious…wondering what's next on my life and business adventure, while being open to feeling the many moods that transition brings.
How about you – what transitions are you noticing taking place as you head into fall?


text:
Video Shows Alleged Shoplifter Attacked by Store Employees
The video captures the alleged shoplifter being dragged and beaten around the store on Flatbush Avenue as three employees bite him and take his clothes off
Published October 19, 2012 • Updated on October 19, 2012 at 11:56 pm
A video showing 7-Eleven employees biting and tearing the clothes off of a man they say shoplifted from their Brooklyn store has prompted the owner of the store to fire one worker and discipline two others.
The video captures the alleged shoplifter being dragged and beaten around the store on Flatbush Avenue as three employees bite him and take his clothes off. It was uploaded by a witness to YouTube (warning, the video contains graphic images and language.)
By the end of the video, the man's clothing is ripped to shreds.
The manager of the store said he was on the phone with the police when the video was being recorded, and police say they arrived shortly after the employees called the police.
Store workers claimed the man had stolen from the store before. They say he stole a box of Snickers.
A 7-Eleven spokesperson told NBC 4 New York that they are aware of the invident, and said corporate policy and training prohibits workers from getting into physical altercations with suspected criminals.
The company said the store owner fired one worker, and the other two employees involved in the altercation were being retrained.


As workplace culture and office design trends continue to evolve, we introduce new pieces that foster better connectivity across your entire team. From individual workstations that allow your employees to work distraction-free in open offices to collaborative workspaces with tech infused throughout for presenting, Agati engineers and designers innovate to meet the demands of the modern workplace. What hasn't changed is our commitment to longevity, aesthetics and design. You can always count on us to design long-lasting pieces that hold up for years of use.


The purpose is improving production competitiveness and strengthening Colombia´s scientific and technological capacities. Corpoica has 13 research centers located in the country's different agricultural regions which carry out research in vegetables, fruits, permanent crops, transitory crops, roots and tubers, cacao, and livestock (cattle and minor species).
Ph.D. permanent positions are offered in the following areas: animal genetics, animal health, animal nutrition, biostatistics, environmental sciences, geographic information systems, harvest and postharvest, innovation and development of Bioproducts, integrated management of production systems, genetic and plant breeding, plant health, soil and water sciences, rural development, technology transfer.


text:
Rypi Wierch – zalesiony szczyt o wysokości 1003 m n.p.m. w Bieszczadach Zachodnich na granicy ze Słowacją.

Z rzadkich w Polsce gatunków na Rypim Wierchu rośnie ciemiernik czerwonawy.

Na Rypim Wierchu miała miejsce nie do końca wyjaśniona katastrofa samolotu bojowego w czasie II wojny światowej.

Pieszy szlak turystyczny
  polski szlak Biała – Grybów
 słowacki graniczny  Šipková (995 m n.p.m.) – Rypy (1003 m n.p.m.) – Ruské sedlo – Kruhliak (1101 m n.p.m.) – Kurników Beskid (1037 m n.p.m.)

Przypisy

Szczyty Bieszczadów Zachodnich


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text:
Raumfahrt - Erfolgreicher Start von Long March 3B mit Beidou-3 Navigation Satelliten
Raumfahrt - SpaceX capsule suffers anomaly, smoke seen for miles
Raumfahrt - SLS Raumschiff ORION Update-37
Raumfahrt - ISS-ALLtag: Cygnus supply ship delivers 3.8-ton cargo load to International Space Station
Raumfahrt - Virgin Galactic expects rapid conclusion of SpaceShipTwo test flights after downtime
Astronomie - Why alien megastructures may hold key to making contact with extraterrestrials Looking for evidence of Dyson spheres might be more fruitful than listening for radio transmissions.
Raumfahrt - ASU-led NASA Psyche Mission to offer free online courses to learn about space exploration
Raumfahrt - NRL's LARADO Project Hopes To Track Tiny Space Debris
Raumfahrt - China invites world scientists to explore asteroid named 2016HO3, comet 133P together
Planet Erde - NASA Celebrates Earth Day with Social Media, Public Events
Raumfahrt - ArianeGroup starting Ariane 6 production after new ESA agreement
Astronomie - What happened before the Big Bang? Its my lifes work to try to answer that question, University of Toronto physicist Renée Hložek says.
Raumfahrt - Americas 1st female astronaut candidate, Jerrie Cobb, dies
Raumfahrt - SpaceX ships two Falcon boosters to Florida for a busy spring of launches
Raumfahrt - Op-ed Lunar Gateway or Moon Direct?
Raumfahrt - A futuristic simulation of a Chinese Mars mission has opened in the Gobi Desert
Mars-Chroniken - STPI: HUMAN MISSION TO ORBIT MARS IN 2033 "INFEASIBLE"
Astronomie - Powerful Particles and Tugging Tides May Affect Extraterrestrial Life
Astronomie - UH astronomer's planet prediction verified in Star Wars-like system
Astronomie - 6.6 Billion Light Years Away: Neutron Stars Merger Radiance Observed
Astronomie - A Closer Look at Mercury's Spin and Gravity Reveals the Planet's Inner Solid Core
Raumfahrt - China opens Change-6 mission for international payloads
Astronomie - Astronomers Find Universe's First Molecule
Raumfahrt - ISS-ALLtag: US astronaut to spend 11 months in space, set female record
Raumfahrt - SPACEIL REVEALS PRELIMINARY REASONS BEHIND BERESHEET CRASH
Raumfahrt - China charting a course to Mars and Jupiter
Astronomie - Helle Feuerkugel über Norddeutschland (16.04.2019)
Raumfahrt - Erfolgreicher Start von 11th and final Cygnus mission
Astronomie - Astronomers Discover Third Planet in the Kepler-47 Circumbinary System
Planet Erde - What Earths gravity reveals about climate change
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Freitag, 19. April 2019 - 18:10 Uhr
An updated illustration of the lunar Gateway, released by NASA March 11, shows the proposed international partner contributions to the facility. On March 26, U.S. Vice President Mike Pence directed NASA to land humans on the moon by 2024, four years earlier than the agency's current plans. Credit: NASA
NASA intends to waste billions on a 'Lunar Orbit Tollbooth.' Private spacecraft could put boots on the moon faster and cheaper.
This op-ed originally appeared in the April 8, 2019 issue of SpaceNews magazine.
NASA has proposed to build a lunar orbiting space station, called the lunar Gateway, to use as a base for lunar exploration. This plan is severely defective.
The Gateway project may be compared to a deal in which you are offered a chance to rent an office in Thule, Greenland, on the following terms: 1. You pay to construct the building. 2. You accept a 30-year lease with high monthly rents and no exit clause. 3. You agree to spend one month per year there for the next 30 years. 4. You agree to fly through Thule whenever you travel anywhere from now on.
Few would find such a proposition attractive. The lunar Gateway project is no better. It will cost a fortune to build, a fortune to maintain, and it will add to the cost, risk, and timing constraints of all subsequent missions to the moon or Mars by adding an unnecessary stop along the way.
To understand just how suboptimal a plan the lunar Gateway is, we need to contrast it with what would be done as part of a well-conceived effort to get the job done as swiftly and as potently as possible. The plan to do lunar exploration this way is called Moon Direct.
Here's how it would work: In the first phase, which occurs in advance of any human missions, we deliver habitat modules and other cargo one way to the planned base area on the lunar surface.
SpaceX's Falcon Heavy can lift roughly 60 metric tons to low Earth orbit (LEO). Starting from that point, a hydrogen/ oxygen rocket-propelled cargo lander could deliver 10 tons of payload to the lunar surface.
We therefore proceed by sending two such landers to our planned base location. The best place for it would be at one of the poles, because there are spots at both moon's poles where sunlight is accessible all the time, as well as permanently shadowed craters nearby where water ice has accumulated. Such ice could be electrolyzed to make hydrogen-oxygen rocket propellant, to fuel both Earth-return vehicles as well as flying rocket vehicles that would provide the base's crew with exploratory access to most of the rest of the moon. We won't just be getting a local outpost: we'll be getting complete global access to an entire world.
The first cargo lander carries a load of equipment, including a solar panel array, high data rate communications gear, a microwave power beaming set up with a range of 100 kilometers, an electrolysis/ refrigeration unit, two crew vehicles, a trailer, and a group of teleoperated robotic rovers. After landing, some of the rovers are used to set up the solar array and communications system, while others are used to scout out the landing area in detail, putting down radio beacons on the precise target locations for the landings to follow.
The second cargo lander brings out a 10-ton habitation module, loaded with food, spare spacesuits, scientific equipment, tools and other supplies. This will serve as the astronauts' house, laboratory and workshop on the moon. Once it has landed, the rovers hook it up to the power supply and all systems are checked out. This done, the rovers are redeployed to do detailed photography of the base area and its surroundings. All this data is sent back to Earth, to aid mission planners and the science and engineering support teams, and ultimately form the basis of a virtual reality experience that will allow millions of members of the public to participate vicariously in the missions.
The base now being operational it is time to send the first crew. A Falcon Heavy is used to deliver another cargo lander to orbit, whose payload consists of a fully fueled Lunar Excursion Vehicle (LEV). This craft consists of a 2-ton cabin like that used by the Apollo-era Lunar Excursion Module together with an 8-ton hydrogen/oxygen propulsion system, capable of delivering it from the lunar surface to Earth orbit. A human-rated SpaceX Falcon 9 rocket then lifts the crew in a Crew Dragon capsule to LEO where they transfer to the LEV. Then the cargo lander takes the LEV, with the crew aboard, to the moon, while the Crew Dragon remains behind in LEO.
After landing at the moon base, the crew completes any necessary set up operations and begins exploration. A key goal will be to travel to a permanently shadowed crater and, making use of power beamed to them from the base, use telerobots to mine water ice. Hauling this treasure back to the base in their trailer, the astronauts will feed the water into the electrolysis/refrigeration unit, which will transform it into liquid hydrogen and oxygen. These products will then be stored in the empty tanks of the cargo landers for future use — primarily as rocket propellant but also as a power supply for fuel cells and a copious source of life support consumables.
Having spent a couple of months initiating such operations and engaging in additional forms of resource prospecting and scientific exploration, the astronauts will enter the LEV, take off and return directly to Earth orbit. There they will be met by a Crew Dragon — either the one that took them to orbit in the first place or another that has just been launched to lift the crew following them — which will serve as their re-entry capsule for the final leg of the journey back home.
After several such second-phase missions have been completed, a large stockpile of propellant will be in place at the base, and the water acquisition and propellant manufacture operations will have been reduced to practice so that they can be done in a fully automated fashion. We will also have several used LEVs, available, floating in Earth orbit. This being the case, the third phase missions can be done simply by using a medium-lift Falcon 9, (or Blue Origin New Glenn or United Launch Alliance Vulcan) to lift the crew to orbit in a capsule, after which they transfer to a LEV along with 7.5 tons of refueling propellant, and then take flight to the moon. Furthermore, once on the moon, the LEV can be refueled at the base propellant depot for sortie flights to distant locations, before it is ultimately refueled for the return flight home.
With more gear arriving on every mission, the base capabilities will rapidly increase, its supportable population will grow, and mission durations will expand from weeks to months, or even years. As this occurs, the base will transition from a local activity to a center supporting a vigorous globe-spanning program of lunar exploration.
Now let's compare this plan with one involving the use of the lunar Gateway. The Gateway plan involves using SLS boosters, launchable once every two years, to deliver four modules to build the station in lunar orbit. This will take eight years, which, at an SLS program cost of $2.5 billion per year will stick U.S. taxpayers with a bill for $20 billion, not counting the cost of the station hardware itself, which probably will cost another $10 billion. (In information released March 11, NASA suggested that it would use commercial launchers to build the station. In this case, the space agency will pay $2.5 billion per year for the SLS without using it, plus the cost of the station hardware, plus the cost of the commercial launches.) Then, following this very costly delay, an SLS launch will be used to send a crew to the station in an Orion capsule. There they will need to wait until yet another SLS launch delivers a fully fueled lander to the station, which they will use to sortie to the surface of the moon and back, after which they will ride the Orion home to Earth. So, two SLS launches will be needed at a launch cost per mission of $5 billion — if it is feasible to double the SLS launch rate to one per year. They will also need to do three mission-critical rendezvous maneuvers, including a life-critical rendezvous with the station on their way home. Since the lunar Gateway will be in an 11-day orbit, opportunities to catch the ride back to Earth will occur infrequently. If they miss the bus, they could be out of luck.
Of course, if someone were to also establish a polar moon base with propellant production capability — as proposed in the Moon Direct plan — and develop a LEV to be refueled at the base, it could be used as a reusable ferry between the moon base and the lunar Gateway. This would be a very smart thing to do, as in this case only one SLS launch would need to be used per lunar mission, to deliver the crewed Orion from Earth to the Gateway.
However, since the round-trip propulsion requirement to travel between the Gateway and the lunar surface (a delta-V of 6 km/s) is identical to that needed to fly one-way from the lunar surface to low Earth orbit, the very same LEV that might serve as a ferry between the moon base and the Gateway could also be used to fly from the moon base straight back to LEO. There it could be refitted with a crew and sufficient propellant to send it back to the moon using a single Dragon-carrying Falcon 9 launch, costing just $65 million. Not only would this reduce mission launch costs by a factor of 40, but their mission mode would be far safer, since seen from the surface of the moon, the Earth is always in the same place, so the launch window home is always open. Furthermore, in contrast to the SLS which can only hope to launch once per year, Falcon 9s are already flying twice a month. So not only will we have a moon base, but we will actually be able to use it.
In short, in return for delaying our arrival on the moon by eight years and spending $30 billion to build the Gateway, NASA will enable a lunar base program costing $2.5 billion per flight instead of $65 million per flight, and will be less safe and far less useful than would readily be possible if we had no Gateway at all!
In Phase 1 of the Moon Direct program, two Falcon Heavy boosters are used to emplace base habitation modules and other cargo on the moon. In Phase 2, one Falcon Heavy and one Falcon 9 are used to deliver the crew to the moon in a fueled Lunar Excursion Vehicle (LEV). In Phase 3, only one Falcon 9 is used to deliver the crew to orbit and refuel the LEV. The crew then flies to the moon in the LEV, which refuels at the lunar base. Credit: Robert Zubrin
Yet the problem with NASA's planned Lunar Orbit Tollbooth (to use more accurate terminology) is much bigger than the waste of decades of time and tens of billions of dollars and the harmful distortions it would impose on subsequent mission planning. The deeper problem is the form of thinking it represents.
NASA's astronomy and robotic planetary exploration programs have achieved epic accomplishments because they are purpose-driven. In contrast, since the end of Apollo, NASA's human spaceflight program has been purpose-free, or to put the matter less charitably, vendor-driven. As a result, its accomplishments have been negligible.
The science programs spend money to do things. The human spaceflight program does things to spend money.
The situation is truly ironic. With the success of Falcon Heavy, America could be poised right now for a breakthrough into space. The cash available is adequate. The Lunar Orbit Tollbooth funds, if spent instead on contracts for entrepreneurial development of Moon Direct landers and excursion vehicles, could enable a return to the moon within four years. With potent lunar exploration missions requiring only a single medium-lift launch each, the moon base will be eminently sustainable, and the nation will be able to direct its heavy-lift capabilities, and with them its ambitions, toward Mars.
Instead of being uselessly confined to a can in lunar orbit, America's astronauts can be the explorers of new worlds. As we did in the 1960s, we can once again astound the world with what free people can do. With the approach of the 50th anniversary of the first moon landing reminding us of the sort of things we as a nation once accomplished, we should resolve to do no less.
Quelle: SN
Raumfahrt - Op-ed | Lunar Gateway or Moon Direct?


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Support radio marathon
Ara City Radio presenter hosts a marathon 33-hour show to kick start a crowdfunding campaign for the station.
Not afraid of a challenge, especially for a good cause, breakfast DJ Sam Steen will extend his weekday breakfast show by an astonishing 29 and a half hours next Thursday, broadcasting from 6am until 3pm on Friday. In doing so, he will beat the 32-hour record for a single broadcast in Luxembourg that he set in 2018.
What has prompted this endurance test? Well, Ara City Radio is launching a crowdfunding campaign that will help sustain the station as Luxembourg emerges from the economic crisis caused by the pandemic. "Like many small businesses in Luxembourg, the pandemic and following economic crisis has hit the radio station hard," says Sam. "We support local artists, causes and the different international communities in Luxembourg, to continue to do this we need to stay on-air."
Station manager Lisa McLean says that while the new media law that has been tabled by the government is trying to support journalism in the digital age, community radio stations like Ara City do not fit into its framework. "We need to use crowdfunding to stabilise our immediate finances, but also to show the government that our listeners care, and in a sense demand that we gain some government support".
In 2018 Sam's show managed to garner pledges totalling around €8,000. This year's "Big Fat 33-hour Marathon Show" promises "a mix of listeners' favourite features from Sam's daily show, as well as fun chat, and loads of interesting games and challenges to keep him awake."
Thursday 17 September - Friday 18 September


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Home » ZNet Articles » Interview with Luis Macas: "We want a total transformation"
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Interview with Luis Macas: "We want a total transformation"
By Rune Geertsen September 23, 2006 No Comments11 Mins Read
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The powerful Ecuadorian indigenous movement faces one of its biggest challenges yet in the October 15th presidential elections – for the first time they are presenting their own candidate. For them it is not about winning, it is about continuing the indigenous struggle after a great crisis. When the Ecuadorian indigenous movement backed a candidate in the last presidential elections, it was a huge victory that quickly turned into a disaster.
In 2002 Pachakutik, the political arm of the Confederation of Indigenous Nationalities of Ecuador ( CONAIE), formed an alliance with Lucio Gutierrez, former coup leader, military man, and a fierce anti-neoliberal. Gutierrez won. Four Pachakutik members were appointed ministers, most notably the indigenous foreign minister, Nina Pacari. Yet only a few months after taking office, Gutierrez shifted to the political right and signed deals with the IMF, thus continuing the country's neoliberal track. At the same time, he began to subvert the indigenous movement from within.
Pachakutik left the Gutierrez government after only three months in 2003 but the political credibility and the strong organization that the indigenous movement had built up through 20 years of scrupulous work and uprisings was left shattered. Commentators who had once called CONAIE one of the strongest social movements in Latin America started writing obituaries on the movement.
Yet after licking its wounds, CONAIE reorganized and elected their historic leader Luis Macas president. He traveled all over the country outside the media spotlight, and visited indigenous communities with a message: "We are in danger, get ready for a new uprising." The danger was the government's plan to sign a free trade agreement with the US, and the indigenous movement was intent on stopping it.
In March of 2006, with a level of strength and element of surprise almost equal to the 1990 Inti Raimi uprising that made visible indigenous presence and demands – the indigenous rose again, along with workers, students and peasants, and paralyzed the country for weeks with their "Defense for Life" mobilizations. They demanded an end to free trade (TLC) negotiations with the US, the expulsion of US oil giant Occidental, the nationalization of the oil industry, and a call for a constituent assembly.
The mobilizations were not only proof that CONAIE was very much alive: they created a domino effect that led to the government cancellation of the Occidental contract, and thus, to the US pull-out of free trade agreement negotiations.
The October 15th presidential elections neared. Leftwing candidate Rafael Correa, recognizing the importance of the indigenous vote, invited Pachakutik into an electoral alliance and promised the vice-presidency, if elected. But after lengthy discussions and analysis, the indigenous movement opted to run their own candidate: Luis Macas. He co-founded CONAIE in 1986 and is one of the movement's most important personalities. He organized the 1990 uprisings and was the first indigenous man elected to parliament in 1996. Macas served as Minister of Agriculture in the Gutierrez government until Pachakutik pulled out in 2003.
This interview with Macas took place in early August, when he was polling at less than 10%.
Rune Geertsen: Why did you decide to run for president after the bad experiences Pachakutik has had at the last presidential elections?
Luis Macas: Well, first of all it wasn't my decision. Everything we do within the indigenous movement is a collective decision. My candidacy came as a proposal from Ecuarunari (biggest regional indigenous organization in Ecuador, part of CONAIE) and was later passed in Pachakutik, where there were some difficulties because Pachakutik converge various social sectors. There are the indigenous, the workers, the peasants, the students, the women's movements, the urban movements. Some of these sectors preferred to back Rafael Correa but the indigenous sector have been united in supporting me as candidate. I accepted because they asked me to.
RG: Why was it necessary for the indigenous movement to present their own candidate?
LM: In recent times there has been dispersion within the indigenous movement after the political participation in alliance with Lucio Gutierrez. So we have been working to recompose the organization and hopefully these elections will maintain and strengthen this reconstruction of the indigenous movement. What we want to achieve in these three months of campaign is to clearly position Pachakutik as a leftwing movement, a revolutionary movement. We are not here just to participate, to get seats as mayors or councilmen. We are here to fight.
RG: Some say you are losing out on a great opportunity to be vice-president if running with Correa, an opportunity that would give you power to redistribute wealth to the poor for example.
LM: I have fundamental things to say about that. First of all, we don't know who Rafael Correa really is. Just like we didn't know who Lucio Gutierrez really was. Gutierrez tore us to pieces. His intention was to divide the indigenous movement. We are not in these elections to win. We won with Gutierrez and where did that leave us? The country is worse off than ever!
We are in this because we are constructing a solid process from the roots, a political project with our own hands, using our own minds. This is how we will advance. It doesn't matter if we win or lose.
RG: Your most important proposal is the creation of a plurinational state – why is this necessary?
LM: It comes from a critique of the established political system. The political institutions here are exactly the same as the ones that were constructed in Europe. There hasn't been a contribution from the social and historical processes from here. We speak thirteen languages in this country, we are thirteen nationalities here, but these are not recognized by the state, and they are not reflected in the educational system.
We want a state that covers everyone, that reflects the sociopolitical, cultural, and regional reality in this country, where every nationality can express their fundamental cultural, political, and historical rights. What we have now is a colonial state, an exclusionary state, a uninational state that says that the culture is this, the official language is that, etc.
RG: Will this not just split the country in thirteen small states?
LM: We are not seeking to atomize the country, not at all. What we are saying is that every ethnic group should have the right to exercise their territorial and political rights and decide how they organize themselves. The way different peoples exercise democracy should be in accordance with their own process, not homogenic. Another thing is diversity. We don't see participation of women, or of the youth. They need to exercise their rights too.
Everyone in Ecuador says they want national unity, but how? By putting everyone in the same sack? By imposing the same way of living on everyone? I don't think so. What we want for this country is unity in diversity, for if this doesn't exist, the unity is in danger. We need to establish, little by little, a different coexistence between the whites, the white-mestizos, the indio-mestizos, the blacks in the context of mutual respect. We call it: "to weave a different fabric."
RG: How do you see the indigenous peoples excluded from the state as it is now?
LM: We are excluded in general, but if you look at these elections, it [is clear]. True, our constitution says that everyone has the right to be a candidate, to be elected. But in practice, what are the possibilities for indigenous people if there has never been an education system in the indigenous communities? If we never had basic services like water, lights, electricity? In this country, thirty percent of the population is illiterate. This is a form of social exclusion.
Another problem is the distribution of wealth, which is totally discriminatory. If you look at the campaigns of Roldos or Viteri (other presidential candidates) – they have huge electoral machines. We hardly have the means to move around. Our only strength is that we have to work together, united, what we call the minga, collective work where everyone help out, some help with transportation, others come with food, everyone chips in for gasoline and other necessities. This is how we've worked since we started participating in electoral politics in 1996. We have to rise up united. Any other way would be impossible.
RG: In your election rallies you talk about that we live in a global crisis that is the absence of self recognition, absence of human values and community. What do you mean by that?
LM: I am talking about the crisis that people who belong to a certain culture, a certain identity, are going through. Modernity is finishing off the identities that exist in the world, not only the small indigenous peoples in our region. I see it as a true plague, really. Because when you don't have the possibility of doing what you have always done, to stay in your territory, when economic hardships forces you to move away to find a way to survive, this provokes the decomposition of the family, the decomposition of the community. It makes you a different being. You are no longer part of the community you were before, you have to dress differently, you have to eat other things, you have to act differently. The value, for example, of learning collectively disappears when you are displaced.
That is why I say that the ruling economic model—neo-liberalism—is perverse. It will definitively finish off the indigenous cultures. And this economic model is much more perverse when it arrives in indigenous communities. When the World Bank and the Interamerican Bank (IADB) and others come and say: "This is what we will do so these people can develop themselves…" –even though it is foreign to the people's vision. We are obviously, in these moments, in great danger.
RG: And how can you confront these dangers?
LM: Well, not only do we have to strengthen our instruments of resistance, but we have to begin to somehow combat these harmful things that arrive to our communities, to our peoples. And how will we do that? Like we've done historically, through struggle. We've done mobilizations and uprisings. That is one front.
Electoral politics is another front where we come forward with our proposal, not only for the indigenous movement, but for the whole nation. Like a constituent assembly, which we see as the only way to transform the structures of the state, the transformation of the political system. We do not only want a plurinational state within in a bourgeois state, it has to be a total transformation, a social and economical transformation
RG: The mobilization against the free trade agreement in March was part of this struggle?
LM: Yes. The FTA is the clearest example in recent times on how an economic empire, with its surplus, is imposed on us. It is like saying: "Well, we don't have room for all this in our warehouse, so here is our corn, our rice, our milk, our meat." But what happens with our food sovereignty? It is a way of weakening us in every way. Nutrition is a fundamental part of our lives, of our families, of our communities. It has to do with our history, our culture, our territory. That is why I call it "nutritional independence."
We don't want to happen to us, what happened in Cuba, for instance, in the early nineties. Cuba got so accustomed to receiving everything from the former Soviet Union. And when the Soviet Union fell, it left an enormous crisis in Cuba. We don't want that. And we don't want what happened in Mexico when the US came with their corn. Now there are ten million people unemployed.
If we don't find a way out, if we don't find an alternative to strengthen ourselves internally, strengthen our productive apparatus with technology, improve the quality of our land and water to secure our daily nutrition, well… they are going to impose everything on us.
RG: What did you learn from being in government as Minister of Agriculture?
LM: Well, I learned what a government is. I learned what political spaces are. I learned that you cannot do anything if there is not support and understanding from the president. And there clearly wasn't in the case of Lucio Gutierrez. The guy went to the US shortly after he was elected and got cozy with the [multilateral institutions] and did exactly what the governments before him did. He didn't even take into account the plan to strengthen national agriculture in Ecuador that we had elaborated.
RG: How did you feel personally when he betrayed Pachakutik?
LM: I felt very, very sad. But at the same time I left with a lot of courage: This Gutierrez is not going to deceive me. We are going to recover our strengths and never again let anyone else in charge of what we need to do.
Rune Geertsen lives in Bolivia and is a journalist with the Danish NGO IBIS that works with indigenous people's rights in Bolivia, Ecuador and Peru.
Organizing the Unorganized and Union Transformation
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Ecuador Has No Winners – Both Sides Will Pay for Peace
Manuela Lavinas Picq -- July 15, 2022
18 Days of Resistance in Ecuador
Alejandra Tapia -- July 04, 2022
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Rune Geertsen


During the 1970s and 1980s, Sir Christopher Ondaatje led something of a double life. At work, he was well known as a crack investment analyst whose boutique firm, Loewen Ondaatje McCutcheon, earned millions for its clients. Away from the canyons of Bay Street, however, Ondaatje — who in November received The Royal Canadian Geographical Society's Gold Medal, its most prestigious award — yearned for something more. He began reading voraciously about the exploits of the legendary British explorer Sir Richard Burton. By 1988, Ondaatje had decided to extract himself from the rat race, and in his words, he "chucked" his career.
Ondaatje's latest book, The Last Colonial: Curious Adventures & Stories from a Vanishing World, is a collection of intriguing and offbeat outtakes from his journeys and other experiences, as well as short essays on figures like Ernest Hemingway and Burton himself. Published in 2011, the volume also revisits one of Ondaatje's favourite literary motifs: the leopard.


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Inner Pop: LLLL And Taquwami's "Hungry Hearts (Remix)"
Posted on May 16, 2012 by Patrick St. Michel
What makes Tokyo project LLLL stand out from a very crowded music scene in the metropolis is the refusal to shy away from pop. Others involved in the city's indie scene tend to avoid mainstream pop music, especially J-Pop, and some even seem antagonistic to it (this blog has been called "the one that has EXILE on it," as if a J-Pop music video carries the same ickiness as, like, screamers). LLLL's music, though, isn't so skittish around pop elements. Though none of the songs on their self-titled debut – which you can download here – would have a shot at creeping onto the radio, LLLL's multi-layered productions feature touches that would feel at home on a J-Pop album or even the closing credits of an anime. In the same way that Canada's Purity Ring approaches pop or how American producer AraabMuzik made Euro-dance voices the staple of his Electronic Dream album, LLLL plunges J-Pop-friendly sounds into more experimental waters.
What makes LLLL stand out from any of the aforementioned musicians are the vocals, delivered by an especially high-pitched singer who wouldn't sound out of place in an Oricon-topping group. Whereas an outfit like Jesse Ruins takes female vocals, though, and ushers them into the shadows, LLLL lets the voice swoop prominently over the luminous production. The inner workings of these songs deserve just as much praise – see the way the beat stutters about on "Because Of My Eyes," or the sliding electric touches on "Falling Alone" – but it's the voice that ends up grabbing the most attention because it's right up front. LLLL sometimes gives the singing a digital vapor trail, as on the luscious "Drowned Fish," but usually is untouched, resulting in moments like the chorus of closer "Assume" or pretty much the entirety of "Falling Alone," which really should soundtrack every Metal Gear Solid fan video from here on out. Listen below, and get here.
LLLL by LLLL
LLLL isn't the only Tokyoite unafraid to bite into the candy-shell sound of pop music – around the same time the LLLL album dropped, Taquwami (also known as Occult You) released a remix of DWNTWN's "Hungry Hearts," which highlights his take on overlapping-synth beauty. His production relies more on samples, and Taquwami tends to move them a bit further back compared to LLLL's upfront style, yet both artists create richly detailed songs that are the audio equivalent of Studio Ghibli's movies – all colorful and fantastical.
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