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MS in Children
Causes of MS
Bladder and bowel
Emotion and cognitition
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Find MS support near you
What influences quality of life with MS?
Seven principles to improve quality of life
Treatments and therapies
Complementary and alternative therapies
Telling people you have MS
Keeping healthy
International MS awards
Award for people with MS
Award for caregivers
My story of MS
Hao, China
Alexia, Cyprus
Hanin, Jordan
Ling, Malaysia
Artyom, Russia
Christelle, South Africa
Sean, UK
Key topics in MS research
MS registries
Clinical research and trials
Research into Progressive MS
Stem cell research in MS
Quality of life research in MS
Awards, grants and fellowships
Du Pré Grants
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Charcot Award
Young Investigators Award
Global MS research fellowships
International Medical and Scientific Board
Our income to date in 2019
How we work with the healthcare industry
Our supporter promise
Annual accounts and reviews
Join MSIF (MS organisations)
What is Against MS
World MS Day
Cykelnerven
Shop with AmazonSmile
Charcot Award winners
McDonald Fellowship recipients
Du Pré Grant recipients
James D Wolfensohn Award winners
There are four main types of MS: clinically isolated syndrome, relapsing MS, secondary progressive MS and primary progressive MS.
The course of MS is unpredictable. Some people may feel and seem healthy for many years following diagnosis, while others may be severely debilitated very quickly. Most people fit somewhere between these two extremes.
Although every individual will experience a different combination of MS symptoms, and it is hard to predict how MS will affect a person over their lifetime, there have been four basic types of MS identified relating to the course of the disease.
Clinically Isolated Syndrome
Clinically Isolated Syndrome (CIS) is the first episode of neurological symptoms experienced by a person, lasting at least 24 hours. The person may experience a single sign or symptom, or more than one at the same time. As with MS, it is caused by inflammation and demyelination in the central nervous system. Not everyone who experiences CIS goes on to develop MS, but CIS can be an indicator for it. Researchers don't yet know why CIS turns into MS for some people but not others. If someone with CIS also has lesions (as seen on a brain MRI) that are similar to those seen in MS, then they are at higher risk. Research suggests that early treatment of CIS can delay conversion to MS for people at high risk.
Relapsing MS
In relapsing MS (sometimes called relapsing-remitting MS), people experience attacks or exacerbations of symptoms ('relapses'), which then fade or disappear ('remission'). The symptoms may be new, or existing symptoms may become more severe. Relapses can last for varying periods – from a few days up to months – and then the disease may then be inactive for months or years. About 85 per cent of people with MS are initially diagnosed with relapsing MS.
Relapsing MS can also be categorised by whether it is active or not active (someone who has active MS experiences relapses and/or evidence of new MRI activity). It can also be classified as worsening (a confirmed increase in disability over a specified period of time following a relapse) or not worsening.
Secondary progressive MS (SPMS) is a secondary phase of relapsing MS that may develop years or even decades following diagnosis with relapsing MS. Most people who have relapsing MS will transition to SPMS. In SPMS there is progressive worsening of symptoms over time with no definite periods of remission.
SPMS can also be categorised by whether it is active or not active (someone who has active MS experiences relapses and/or evidence of new MRI activity). It can also be classified as with progression (evidence of disease worsening over time, with or without relapses) or without progression.
Primary progressive MS
About 10 to 15 per cent of people with MS are diagnosed with primary progressive MS (PPMS). People with PPMS have steadily worsening symptoms and disability from the start, rather than sudden attacks or relapses followed by recovery.
PPMS can also be categorised by whether it is active or not active (someone who has active MS experiences relapses and/or evidence of new MRI activity). It can also be classified as with progression (evidence of disease worsening over time, with or without relapses) or without progression.
Additional classification of types of MS
For useful descriptions of what active, worsening and progression looks like in relapsing MS, primary and secondary progressive MS, see the graphs on the National MS Society's web page here. These characterisations are important as they can affect whether a certain type of treatment will be effective or not.
Thessaloniki, Greece, 10/2011. Finding an effective MS therapy has been a particular challenge for Vasiliki Garopoulou; every medication she tried has caused intolerable side effects. On average, she has a relapse once per month, many of which land her in hospital for cortisone treatment. Credit: Maximiliano Braun. Published on this website by kind permission of the European Multiple Sclerosis Platform.
"It doesn't matter that I am in a wheelchair. Life goes on. I have just changed the way I get around." Wu Yanxiao, 28, from Beijing, has had MS for 8 years. Reproduced with the kind permission of Li YouHao,© 2014 Li
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Emlenton, Pennsylvania, April 19, 2018 – The Farmers National Bank of Emlenton has recently increased the minimum hourly wage it pays employees to $11.25 per hour, effective April 1, 2018. This new hourly wage rate represents an increase of more than 7% over the Bank's current internal minimum wage and is approximately 55% higher than the federal minimum wage rate of $7.25 per hour as mandated by the United States Department of Labor. Additionally, all hourly employees received a 7% increase to their current hourly wage rate."Our goal is to remain an employer of choice in our markets and a competitive wage and rich compensation package is a key part of what we offer to potential and current employees. Our Bank has achieved profitable growth and great success over the past few years which would not be possible without the hard work and dedication of our employees," said William C. Marsh, Chairman of the Board, President and Chief Executive Officer.
To view current career opportunities with The Farmers National Bank of Emlenton, please visit www.farmersnb.com/careers.


If you are a DIGI mobil customer and you need to configure the internet on your mobile, DIGI config is your application. You just have to install it and follow the steps that will appear on the screen.
This system aims to manage home care for elderly or dependents.


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Q: Restrict clickable area of a checkbox control in winforms I created a custom checkbox control and inherited the class from System.Windows.Forms.CheckBox.I set the dock property of this control as Top. I added some text to the control. The control has some empty space. Now if click on the empty space, this check box is working. I need to restrict the empty space from clickable area.
The below is what i tried,
public class MyCheckBox : System.Windows.Forms.CheckBox
{
    private int boxWidth = 15;

    protected override void OnClick(EventArgs e)
    {
        Point mouseLocation = this.PointToClient(Control.MousePosition);
        if (mouseLocation.X > boxWidth)
            return;

        base.OnClick(e);
    }
}

This is working fine when clicking on the box of the checkbox control. But i need to add the text area too to the clickable area.

A: If you want your users to play "checkbox sniper" (the clickable area is large for a reason), you can consider placing just a checkbox without text, resizing it to the smallest possible size and display the text using a separate label.

A: If you don't want the empty area to be "clickable", then don't dock it to the top of the form. If you dock a standard CheckBox at the top, you'll see the same effect. The hit area becomes the entire width of the form.
Just place the control at the top of the screen with Dock set to None.
Or dock a Panel to the top of the screen, then place your custom CheckBox control inside that.

redpajama_set_name: RedPajamaStackExchange


Our mission is simple: To educate the communities we serve by providing residents the information they need in order to make informed decisions about their lives, their communities, their schools and their government. We aim to increase civic and community engagement through well-researched, informed and educational news articles.
Covering Winchester, Woburn, Reading, Stoneham and Wakefield, North Suburban News will focus on the key aspects of our region - community news, education, local government, and housing and development. It's where we won't just report the news, but research it. Where we will ensure that our residents are informed of the issues that are affecting the region.


Yar Mohammad Dostum was born in Afghanistan. He lives in Shahr-E Sheberghan, Jowzjan. Yar has the rank of a Army Lieutenant after receiving training at Turkish Military Academy Erdeku, Balikesir, Turkey. (20140830) He now has a job with the Afghan National Army.
Yar Mohammad Dostum son of Afghanistan's First Vice President Abdul Rashid Dostum has been appointed as the commander of garrison for northern Sheberghan city. The governor of Jowzjan province praised VP Dostum for being with "defenseless people" and sending "his son for defense and establishment of more order in Sheberghan city." He said that Yar Mohammad had pursued education in military field and that he was acting as an active officer in the framework of Defense Ministry.


Spending any time with your child is so valuable, however enjoying a fantastic book full of magical illustrations, and delivering fantastic messages to your child is invaluable.
A much-loved classic, with its vivid and colourful collage illustrations and its simply, hopeful story. It includes finger-sized holes to explore.
From big dogs and little dogs to red, green, and blue dogs, dogs going up and dogs going fast . . . who knew dogs were so busy? Encourages children to read all by themselves, with simple words and illustrations that give clues to their meaning.
An absolute classic that just keeps going through everyone's childhood. 'We're going on a bear hunt. We're going to catch a big one.. Will you come too?'. Since 1989 readers have been swishy swashing and splash sploshing through this book. Remembered by all the family who can join in the fun!


Whether escaping for a night in San Diego or hitting the road for a long weekend, these locations are the perfect spot to snuggle up with your sweetie for the holidays.
The holidays can send stress levels into the stratosphere, even in the most Zen San Diegans. When family, shopping, and canned cranberry get to be too much, there's only one solution for couple survival: take a seasonal staycation or weekend getaway and regroup. Here are some of the best and most relaxing ways to bring down the blood pressure and stay in love.
No time to leave the county? Escape city life by heading to the peaceful hotel located on Lake San Marcos. Complete with a championship golf course, top-end restaurant and full service marina with electric and non-motorized boat rentals it's easy to relax here. Originally built in the '60s, the intimate locale (only 75 rooms) underwent a massive renovation in 2013, but keeps its retro feel.
Romance on the Lake: Go full-on decadence with this indulgent package, including a welcome bottle of red wine, chocolate cake, breakfast in bed, and two robes to take home. Rates start at $359 per night.
It's Cold Outside: Foodies and craft drinkers will enjoy this package with a welcome hard cider and $100 Decoy Dining Credit to help keep you warm this winter. Rates start at $219 per night.
unlimited golf for two guests at St. Mark Golf Club on the day of arrival and departure, with cart fees, use of driving range and practice areas included. Rates start at $205 per night.
Beautifully appointed, this classic downtown hotel has a variety of tempting options for the holidays.
Couple's Retreat Package: Escape holiday tensions with a package that includes an overnight stay in a Premier Room or Suite, an hour-long couple's massage at AquaVie Spa, and breakfast for two. Holiday-inspired treatments at the spa are covered with the Candy Cane Foot Rejuvenation and the Peppermint Pedicure. The 30-minute Candy Cane includes a peppermint sugar scrub followed by minty shea butter with a customized foot massage. The Peppermint Pedicure lasts 60 minutes and begins with a nutrient soak, followed by a full pedicure, peppermint sugar scrub and peppermint oil to balance and soften skin — and it comes with a holiday cocktail.
Romantic San Diego Getaway Package: Need a little booze to ease the stress? The name says it all with luxury Premier Room or Suite accommodations, signature macaroons and champagne to celebrate and relax, and a $100 credit for the Westgate Room or AquaVie Spa.
AquaVie at the Westgate Hotel in downtown San Diego.
Whether you are the outdoorsy, athletic type or a couch potato Game of Thrones fan, this hotel has it covered. Fresh off a 2017 renovation, the ultra-stylish boutique hotel is perfectly situated near the famous Huntington Pier, one of the longest on the west coast at 1,850 feet. Keep your beach body in check with their newly renovated fitness center and 40-foot wide climbing wall. GOT fans stay tuned for the upcoming Winter is Coming promotion featuring the Let it Jon Snow cocktail.
Head up to the road with a fellow couple for a rooftop view of one of Southern California's most popular cities. The Canary is conveniently located within walking distance to downtown boutiques and restaurants. Reserve the Winter Chef's Dinner package, available through February, which features a three-course luxury dinner for four with the in-house restaurant Finch & Fork's executive chef, James Saio (don't miss trying the Canary Estate Syrah during dinner).Then hit the local wineries in town, including Jaffurs (the viognier and syrah are exceptional), Kunin (try the popular Pape Star Rhone blend), and Margerum (seriously, try everything).
Canary hotel in Santa Barbara.


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HOME BOOKS BIOGRAPHY RESOURCES CONTACT
RESOURCES / SHORT STORIES / ESSAYS / INTERVIEWS / TRANSLATIONS
Photo © Emma Hardy for the New Statesman
The following resources provide a comprehensive bibliography, including links to study guides, books, reviews, and scholarly criticism about the works of Julian Barnes.
Books - Complete listing of books written by Julian Barnes.
Short Stories - A selected listing of short stories written by Julian Barnes.
Essays - A selected listing of essays written by Julian Barnes.
Interviews - Conversations, including audio and video interviews with Julian Barnes.
Translations by Language - A listing, by language, of translated books by Julian Barnes.
Back Top ^
Books About Julian Barnes - An extensive list of books that discuss Julian Barnes's works, either in part or as a whole.
Reviews & Scholarly Criticism - A selected listing of essays and criticism written about Julian Barnes.
Dissertations & Theses - A selected listing of dissertations related to the works of Julian Barnes.
HARRY RANSOM CENTER - JULIAN BARNES ARCHIVE
Julian Barnes: Papers, 1971-2000 - Housed at the Harry Ransom Humanities Research Center at the University of Texas at Austin, the Julian Barnes Archive spans the author's career from his first published fiction "A Self-Possessed Woman" (1975) to Love, etc. published in 2000. Additional papers will find their way to the archive in due course.
Julian Barnes: Addition to his papers, 1960-2006 (bulk 1996-2006) - This addition to the original acquisition of Julian Barnes Papers contains material related to his literary activity since 2002, as well as older journalistic writings and correspondence primarily from the 1990s. Contents include his 2006 novel Arthur & George, three works of collected essays and short stories, articles, book reviews, other writings, and career-related material. This accretion is divided into two series: I. Works, 1996-2006; and II. Correspondence and Other Papers, 1960-2006.
Scholarship - Scholars will be interested to learn that the Harry Ransom Center sponsors fellowships to conduct research in their collections, including the Julian Barnes Archive. Recent fellowships have been awarded to Ryan Roberts (2003-2004) and Vanessa Guignery (2005-2006; 2007-2008), pictured left with Barnes's unpublished manuscript for A Literary History of Oxford).
www.hrc.utexas.edu
Barnes on Critics
You do often feel when you read academic criticism, not that I do it or when you hear academics talking about their books, that they forget theirs is a secondary activity. They forget that however important a critic is, a first-rate critic is always less important, and less interesting, than a second-rate writer. Their job is, firstly, to explain, but secondly to celebrate rather than diminish.
Bomb Magazine 21
p.21-23, Fall 1987
Official Website of British author Julian Barnes
Terms | Copyright © 1996-present by Ryan Roberts

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Guest mixes
BC Mixes/Radio Shows
A weekly roundup of releases on Bandcamp and Soundcloud selected and delivered by Aidan. Mostly house/techno/ambient/drone.
Bandcloud 240
Nothing interesting to add here. See below for words.
LI YILEI - "0:00"
This is from an album made up of radio signals from other planets meshed with synth and guitar. This particular track, the first on the album, builds slowly from a single bass tone and grows with wailing guitar solos and ever-rising sonic uncertainty. I gather it was originally released two years ago but Ferric:Flux, a sublabel of Focused Silence for limited tape releases. It sounds bigger, bolder. An interesting approach.
ghunghru 014 // experimental housewife
"Nostalgia and snow are kindred. Both fall silently, stick to the ground, accumulate, and burn your skin upon a touch." This is a live set that the artist played on New Year's Day 2017. It's a magnificent recording, gorgeous and filled with longing. It was performed shortly after the Ghost Ship fire in Oakland, and that event looms over the performance. Experimental Housewife gives a short introduction to the mix, spoken over the opening music and written on the ghunghru website, where she discusses the pain inflicted by snow and memory. I don't want to sully her words by turning them into a selling point so I won't go any further, but this deserves to be shared, consumed, devoured.
VEE-EVERYBODY TO THE FLO
A stomping, chunky banger that samples Ciara on Tiffany Evans's 'Promise Ring'.
Economy Of Meaning - Live at News Of The World
Not sure who this is, seems the person behind this is a Danish visual artist who dabbles in music. Seemingly performed in London though I'm not sure if NOTW is a venue or night. It's a brilliant piece of collage, part ambient, part deep rumbling electronica. I duno. Same as every other week I suppose.
Harpey - Timelines
This feels like Sim Hutchins doing pop. It's got that electric hissy fuzz going on, slightly mutant hip-hop tempos and then some strained vocals. I don't know what they're saying but apparently they're addressing "issues such as change, fragmentation and trying to put the pieces back together in an attempt to find sense". Which seems fitting. MURK.
Zone Motif - Stones
Three improv tracks from Zone Motif, aka Lone Dancer. The first track, 'Stone 1', is delightfully unsettling, and suffers only for its brevity. Three-and-a-half minutes? Come on, Miles. 'Marble' is off kilter, wonky and disjointed but not without certain direction. 'Stone 2', then, returns us to the same path as the opener, albeit in more serene circumstances, a calm rendering the world still.
DJ Julius - Outerlude (Neuronphase Rmx)
Just some good ol' house from Estonia. I once went to a nightclub in Tallinn housed in an old Russian cinema. If I remember correctly there was a banner ad for The Edukatorsover the colonnade outside but I could be wrong. Anyway the nightclub was fairly rubbish and the only track I remember hearing was 'Doctor Pressure'. Ahh, 2005. This track is better than those memories.
FORMAT a 100Hz Production - FREE!!
Producer Lee Renacre, aka Format, has recently been putting a bunch of his releases from the 90s on Bandcamp. This one is funny as he had to rip it from vinyl to put it up, so he's shared it as a NYP download. Its actual title is Anna & Her Toms, with the title track taking up the A side at almost 11 minutes of hypnotic, nightmarish tech house.
Metroman - Stations
No idea who this is. It's sleek and efficient tech house, kind of minimal I suppose. Zips along powerfully.
AFTER DARK W/ HELM & OTHERWORLD
Otherworld is an alias of Kay Logan aka Helena Celle. She put out an album under this name on Kit Records that I failed to check out, probably because it dropped the week of my son's birth (forgive me please). She will be appearing on the Alter compilation ALERT!and put together an hour of weird sounds for Helm's NTS show. It's basically an album, she says, released in the form of radio broadcast, entitled The Sound of Music. It's gloopy and florpy, liquid sound that's almost tangible.
Declan Synnott - In Spaces and Outside
Irish producer Declan Synnott sent me a draft of this a while back, only I didn't rename it and completely forgot who it was when I came back months later to wav files entitled "ISAO1" etc. It's out now, anyway, and it's delightfully murky. Classic bleepy bloop, as my wife might say, it's the apex of experimental music, about which I'm not good at writing. Hence bleepy bloop. Sorry Declan.
Art & Artifice [13] Sold + Hi-Vis (Farplane)
Another slightly archival mix. This was performed at Diane's Hunting Club, a sort of friendly gathering in the woods in Illinois put on by some "deep burners". Beautifully languid, haunting ambient music, featuring the greats and the underappreciated. Eliane Radigue, April Larson, Jaap Vink, Ø, ASC, Dillon/Wendel, Olivia Block, nothing natural (aka Ilana Bryne), Sarah Davachi all feature alongside many others in this two-hour stint. It's soothing, evocative, terrifying, peaceful.


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EntertainmentTvLocal
Castaway Shaun Wilson. Picture: Supplied
'Survivor SA' castaway Shaun Wilson gives fans a taste of what's to come in season 8
By Alyssia Birjalal May 27, 2021
"Survivor SA: Immunity Island" castaway, Shaun Wilson is ready to outwit, outplay and outlast his fellow contestants on the new season of the series.
Sharing a clip on Twitter, the IT entrepreneur from Cape Town said that he has left his morals at home and is ready to be deceptive, naughty and backstabbing in the upcoming season which starts on Thursday, June 3 at 7.30pm on M-Net.
The 50 second clip revealed what Wilson is capable of when he shared his game tactics in the confessions.
"Don't put your morals on the island, leave them at home. We're all here to play a game.
If you've ever played Apex or Fortnight there are no friends, there's only enemies.
Meet the castaways for 'Survivor SA: Immunity Island'
Who will get Qiniso's final rose in 'The Bachelorette SA'
'Friends: The Reunion' set to air on M-Net
Be deceptive, be naughty and if you're pushing peoples' buttons then you're outwitting, it's as simple as that," said the castaway.
He added that he's not going to give up on finding idols.
"I am not going to give up. I'm going to fall over trees, I am going to hurt myself trying to find idols.
"The game for me is to give people the perception of who they want me to be and if you got situational awareness then you have the ability to really go far in this game.
"I'm going to be focusing on the situations at hand and play them one at a time.
"They might think I'm their friend but unfortunately I will back-stab most of them," he shared.
What a wild ride, here is a little taste of what's to come 🤫
Catch my journey on Survivor SA: Immunity Island from Thursday, 3 June at 19:30 on M-Net (DStv Channel 101).
Follow @survivor_sa and @mnettv for more updates!#survivorsa #immunityisland #season8 #castaway #survivor pic.twitter.com/mgPTxSZt3g
— Shaun Wilson (@_shaunw) May 4, 2021
The Norwich-born contestant who said his preparation for Survivor SA was non-existent, will be among 20 contestants chosen to participate in season eight of the lockdown edition.
"Survivor SA: Immunity Island" was filmed on the Wild Coast in the Eastern Cape due to the global pandemic. Nico Panagio will return as the show's host.
"Survivor SA: Immunity Island" will air on Thursdays starting June 3 at 7.30pm on M-Net (DStv channel 101).


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I've problem to identifies the car components under my GM car. I hoped someone could help me identify whats components named in A,B,C.
I need to confirmed is that picture 3(label as D) showing is my seated timing belt location, right.


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NIKKI SIXX On Unauthorized MÖTLEY CRÜE Play: We Have 'No Connection Or Affiliation With This Play Whatsoever'
MÖTLEY CRÜE bassist Nikki Sixx has issued a statement distancing himself and his bandmates from the recently announced play about the iconic rock group.
Last week, it was announced that "The Crüe: Underneath The Dirt Lies The Truth" would debut on Saturday, June 4 at the Hollywood Fringe festival at The Flight Theater at The Complex in Los Angeles. The play from award-winning writer/director David Lucarelli was described in a press release as "a darkly humorous drama" starring Ryan Ruffing as Sixx and Phillip-Charlie Daniell as MÖTLEY CRÜE manager Doc McGhee. It was said to be "neither a hatchet job, nor a snow job" but rather "an intimate look at Nikki Sixx and the band he built into a cultural phenomenon."
Earlier today (Monday, May 9),Sixx issued the following statement via his Instagram: "Fans of MÖTLEY CRÜE have asked about a new play by David Zucarelli's [sic] called The Crüe: Underneath The Dirt Lies The Truth.
"I was disappointed to see an advertisement using my image and our band's trademark THE CRÜE to promote this play.
"The advertising is misleading because it suggests that I and the other members of the band are somehow involved with the play.
"We have never been approached about this play. And MÖTLEY CRÜE has no connection or affiliation with this play whatsoever."
"The Crüe" is written and directed by Lucarelli, award-winning writer/producer of "Doctor Zomba's Ghost Show", writer of "Tinseltown" (Alterna Comics) and "The Children's Vampire Hunting Brigade" graphic novels.
"The Crüe" cast: Ryan Ruffing, Phillip-Charlie Daniell, Jeff Skomsky, Roman Guastaferro, Ed Gage, Madison Hansen, David Guenaga and Tamara Torres.
When "The Crüe" was first announced, Lucarelli said in a statement: "I debuted my first play, 'Doctor Zomba's Ghost Show', at the 2018 Hollywood Fringe fest to a sold-out run. I'm so excited to return to the Fringe fest for my directorial debut with 'The Crüe'. Given that MÖTLEY rose up from the very same streets of Hollywood that now bring forth the Hollywood Fringe fest, it feels like the perfect place to do it.
"If all people remember MÖTLEY CRÜE for it being the quintessential party band that did a lot of drugs and had a lot of sex, then that would be a shame because there was so much more to them," he continued. "I've been a lifelong fan of this band since I first saw them live in 1984. This play is my attempt to show them as more than just one-dimensional caricatures and show the world why they mean so much to so many."
He added: "The casting of Ryan Ruffing as Nikki Sixx has been a real coup. Nikki was the mastermind behind the band, and Ryan captures perfectly the single-minded intensity it took to make MÖTLEY CRÜE so massively successful, the brilliance of his creative vision, and the dark side of his self-destructive nature."
Nikki Sixx photo credit: Jason Shaltz of SiriusXM
A post shared by —Nikki Sixx— (@nikkisixxpixx)
Find more on Motley crue


The start of a New Year historically sees an influx of new clients making contact with us family lawyers to start off the divorce process. One of the first steps for a lawyer is discuss and consider the reasons for the relationship breakdown so that the necessary paperwork can be prepared. As family lawyers, we're quite used to hearing reasons varying from infidelity, verbal and physical abuse right through to a lack of compassion, love and affection being demonstrated by one party to the other. After 20 odd years of practice, having heard some very unusual, and sometimes quite ridiculous, reasons, I honestly didn't think there were any I hadn't heard.
Divorce because of "Brexit" however is a new one on me! Mainly, of course, this is because it has only become an issue since June last year. Since that day, on 23rd, when the UK voted to leave the EU, counsellors and lawyers have noticed "Brexit" being cited by a surprising number of couples as the reason they have marital problems, deciding a divorce is the only way forward.
Now whilst I do agree that Brexit is going to bring about many major changes, whether they are welcome or unwelcome remains to be seen. I do however question whether it really is the cause of a marriage breakdown, or whether the reality is that it is simply the last straw?
If a couple held differing opinions on which way to vote, did the argument that ensued really reflect the strength of their respective opinions or is it more likely that what it was really doing was flushing out more serious underlying problems in their relationship? Relate counsellors have been reporting that whilst "Brexit" has been raised in their discussions, it has transpired that many of the underlying relationship problems have been that one party hasn't felt listened to by the other or that their opinion has not been given the respect it deserves. Of course, these problems are all forms of communication and if that can be improved between a couple at a more basic level, then both parties should ultimately be able to discuss issues such as "Brexit", even hold differing opinions, without it affecting their marriage.
My conclusion, based on my own discussions with people, is that "Brexit" is not really to blame for a marriage breakdown or to be used as a ground for divorce, but rather it was simply the straw that broke the camel's back.


An wonderful machine with huge range of workout options. Great design and flexibility. Mid ranged price.Compact and can fit in any small place for home gym.
Our Bowflex Xtreme SE review examines a mid-range home gym from Bowflex – with a small enough footprint to fit in even the smallest room, does it deliver the complete workout as promised?
The Xtreme SE is basically the same machine as the Bowflex Xtreme 2 SE with the latter having a few notable additions and a higher price tag.
The Xtreme 2 SE is fabulous piece of kit, but do you really need to upgrade from the Xtreme SE?
After all, you get 65+ exercise options, the same compact design and build quality…so what's changed?
Leg extension/leg curl attachment will help in developing strong, muscular legs.
Bowflex Xtreme SE Review – Any Good…?
Hmm, judging by a comparison of the specs you'd have to look very closely to spot the difference between the Xtreme SE and the Xtreme 2 SE.
For a price differential of $300 you get the no change cable pulley system with the Xtreme 2 SE – very handy as a time and hassle saving device. You also get a few more exercise options and the odd tweak here and there.
And that's about it, really. Worth paying the extra for the Xtreme 2 SE?
Well, unless you really want to spend the extra, then probably not. The changes have improved upon the Xtreme SE, but there wasn't really anything wrong with it in the first place.
You get to work your chest, legs, shoulders, back and abs from a choice of 65+ exercise options – more than enough for most exercisers.
Resistance is provided by the same Power Rod system, which provides progressive resistance that's smooth and consistent throughout the full range of movement.
The 210 lbs of resistance is the same and can be upgraded up to 410 lbs.
We love the Bowflex Xtreme 2 SE…but then again, we always loved the Xtreme SE.
What Bowflex have done is to add a few upgrades and hike the price by introducing the Xtreme 2, which is understandable from a marketing perspective.
But if you're in the market for a home gym, which model should you go for?
That all depends on whether you feel that the changes made to the Xtreme SE justify the extra cost of the Xtreme 2. If you don't, then the Bowflex Xtreme SE should do just fine.
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Seria cărților Franklin, scrisă de Paulette Bourgeois și ilustrată de Brenda Clark s-a bucurat de succes mondial, făcând parte din categoria cărților educative pentru copii.

Vândută în 65 de milioane de exemplare și tradusă în peste 30 de limbi, Colecția Franklin a fost lansată în România în anul 2017 de editura Katartis (www.katartis.ro), tradusă de Bianka Diana Galeș.

În fiecare poveste Franklin trece prin diverse încercări și învață să-și depășească temerile.

Țestoasa Franklin stă la baza unei serii de animații de televiziune, DVD-uri și filme de lungmetraj animate.

Poveștile din colecția Franklin sunt recomandate copiilor între 4 și 8 ani.

Titlurile apărute în limba română:

 Franklin merge la școală
 Franklin și sărbătoarea de Halloween
 Franklin și sceneta de la școală
 Franklin și cadoul de Crăciun
 Franklin și întunericul
 Franklin merge pe bicicletă
 Franklin cel dezordonat
 Franklin în excursie cu clasa
 Franklin l-a găsit, al lui să fie
 Franklin vrea un animăluț de companie
 Franklin și furtuna
 Franklin s-a rătăcit
 Franklin și minciunica lui
 Franklin, grăbește-te!
 Franklin și surioara lui mai mică
 Franklin are o zi nefericită
 Franklin și vecinii lui
 Franklin și noul lui prieten
 Franklin și Harriet

Colecția ACTIVITĂȚI:

 Numere
 Măsurători
 Matematica în povești: Adunarea
 Matematica în povești: Scăderea

www.katartis.ro

Note

Franklin

redpajama_set_name: RedPajamaWikipedia


The Black Death, also known as the "bubonic plague," was a horrible illness that affected Europe and Asia from the 14th through the 15th century. During this period, known today as the Middle Ages, 25 million people died from the Black Death.
The Black Death started in Asia. The Mongol Army then carried the disease to Russia. Next, rats and fleas traveled on ships from Russian ports and carried the disease back to and all over Europe.
The disease was nicknamed the Black Death because black spots grew on victims' bodies. Other symptoms included swelling under the armpits and at the top of the legs and coughing up blood.
The Black Death was so terrible that it killed 15 million more people than World War I did. A lot of people might not think of disease as a natural disaster, but The Black Death outbreak was clearly a devastating disaster.


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Lance Selfa
The Dept. of Greed, Sleaze and Shakedowns
It's hard to keep up with the tide of revelations about Trumpian corruption, from the rotting head of the empire on down. But where will it all lead? Lance Selfa, author of The Democrats: A Critical History, explains what's new and what's not in the latest developments.
NOT LONG after the FBI raid on Trump Organization attorney Michael Cohen's office and home, journalist Adam Davidson made a bold prediction in the New Yorker: "We are now in the end stages of the Trump Presidency."
In diagnosing the state of Trump's presidency, Davidson drew parallels to the disaster of the U.S. invasion and occupation of Iraq during the Bush Jr. years and the early indications of trouble in the subprime mortgage market that would later precipitate a near-meltdown of the global economy.
Davidson's point was that anyone who understood what was really happening in Iraq or the financial system in those early stages of crisis realized that the assurances of "mission accomplished" in Iraq or about the economy's "sound fundamentals" were delusions.
In the same way, the Trump lackeys who continue to insist that "there's nothing to see here" are likewise whistling past the graveyard--and are certain to be shown up as fantasists sooner rather than later.
Cohen, Trump's behind-the-scenes fixer, mostly stayed out of the spotlight until early 2018. That's when his role in making an October 2016 payment of $130,000 to porn star Stormy Daniels to prevent her from publishing her story of a 2006 affair with Trump came to light.
Left to right: Jared Kushner, Donald Trump and Michael Cohen
Since the FBI raids, Daniels' own attorney Michael Avenatti has--with the help of sources who seem to have access to Cohen's finances--revealed a whole raft of transactions that make Cohen's payoff to Daniels seem the least consequential.
As this article was being written, major multinational corporations, including AT&T, Novartis and Korean Aerospace, have been caught--and have admitted to--paying Cohen millions of dollars for "services" that appear to be little more than influence-peddling.
Apparently, Cohen also attempted to shake down Ford Motors for more millions, but Ford turned him down. A financial services firm, the U.S.-based Columbus Nova, whose main financial backer is Russian oligarch Victor Vekselberg, provided up to $500,000 to Cohen.
WHAT'S MOST noteworthy about the latest revelations that have tumbled out is that--with the exception of the money from Columbus Nova--there's very little that has an obvious connection to the ongoing Justice Department investigation, led by former FBI Director Robert Mueller, into potential collusion between the Trump campaign and Russian intelligence services during the 2016 presidential election.
Cohen's influence-peddling scheme is an easy-to-understand case of political corruption. In contrast, the Trump-Russia story revolves around obscure links between Trump's entourage and shadowy Russia-connected entities, and the Stormy Daniels payoff story seems to be the stuff of tabloid sensationalism.
Cohen may be a 21st-century version of old-time political fixers like Tammany Hall boss George Washington Plunkitt, who justified his "honest graft" with the quip: "I seen my opportunities and I took 'em."
But Cohen is far from alone in what is probably the most openly corrupt presidency since Warren G. Harding's interior secretary took oil company bribes to lease federal lands in sweetheart deals during the 1920s.
At the top sits a man whose pre-White House career was less that of a business genius than of a con man, as profiled in David Cay Johnson's The Making of Donald Trump.
And the sleaze certainly didn't stop when he took over the Oval Office. Trump properties have already made $15.1 million from GOP political committees, industry groups and government business, while the Trump Organization is trading on the president's position to score deals overseas.
Numerous Trump officials--fiscal conservatives all--have no compunction about demanding that taxpayers foot the bill for their special travel arrangements, vacations or designer furniture.
Perhaps the most egregious is Scott Pruitt, the energy industry tool masquerading as Environmental Protection Agency administrator, who--in addition to demanding a ridiculous number of special security arrangements--continued a sweetheart lodging deal with an energy lobbyist for most of his time in office.
THOUGH TRUMP has been more brazen than any previous president in making money off his office, a lot of this is somewhat standard-issue corruption. But it's important to bear two things in mind.
First, most of the outrageous fleecing of the public by the Trump administration is accomplished through perfectly legal means that don't make the headlines.
According to ProPublica, Trump has installed as many as 187 former corporate lobbyists in positions in which they are able to rewrite government policy in favor of their industries. Dozens of them have special statuses, under which they can simultaneously work as government consultants and in the private sector.
"Focusing on novel scandals alone can distract from the enormous scale of the Trump administration's embrace of revolving-door hiring," Jeff Hauser, executive director of the Revolving Door Project at the nonpartisan Center for Economic and Policy Research, told ProPublica.
At least 125 Trump appointees came directly from conservative think tanks. Implementing their deregulatory agenda has led to an end to a ban on federal coal leasing, the repeal of Clean Power Act requirements, an end to "net neutrality" for Internet consumers and the canceling of arbitration rules under the Consumer Financial Protection Bureau.
The implications of these policies for ordinary people's health and financial well-being are more profound than any administration official's "honest graft."
Second, much of what is under investigation today is not "garden-variety" corruption that we've seen before.
Remember, the president and his entourage is accused, in some quarters, of collaborating with a hostile foreign power. Meanwhile, Trump and others in his campaign and company may have been engaged in serious criminal wrongdoing, which the raid on Cohen's office may provide evidence for.
In his book Fire and Fury, Michael Wolff quoted Trump's former adviser Steve Bannon connecting the dots about the direction of Mueller's investigation:
This is all about money laundering...Their path to fucking Trump goes right through Paul Manafort, Don Jr., and Jared Kushner...It goes through Deutsche Bank and all the Kushner shit. The Kushner shit is greasy. They're going to go right through that. They're going to roll those two guys up, and say play me or trade me.
SO WILL Robert Mueller save us all?
Elite Washington--and particularly the Democratic Party and its acolytes in the liberal opinion-making media--hopes that Mueller's Justice Department investigation will put an end to the Trump nightmare.
Their glee was practically audible last December when Trump's former National Security Advisor Michael Flynn pleaded guilty to lying to the FBI. The provisions of Flynn's plea bargain highly suggested that he had provided sufficient evidence to Mueller to implicate more senior people in the Trump orbit, up to the president himself.
It's unclear exactly in what crime or crimes the Trump team is implicated. So far, Mueller has secured guilty pleas that amount to admissions of perjury.
Since the fall of 2016, it's become an article of faith in Democratic circles that Trump colluded with a Russian intelligence operation to "hack" the U.S. elections. Evidence may emerge that conclusively confirms this, but for now, the Democrats' faith is entirely based on supposition.
For elite Democrats, this is a convenient excuse. If the Russians are really responsible for Trump, then there's no need to examine the real reasons--primarily a status quo, hawkish, neoliberal agenda put forward by an awful presidential candidate--why important Democratic base constituencies deserted them in 2016.
Receiving material support from non-U.S. entities is illegal under U.S. election law, but it's not the first time that such charges have been alleged. A number of fundraisers for Democratic President Bill Clinton's re-election in 1996 were prosecuted for what many Clinton opponents alleged was a Chinese intelligence operation to influence the election.
And while it is supposed to be illegal for private citizens to conduct foreign policy independent of the official government, no one has ever been prosecuted for violating that law dating from the 1700s.
Much historical evidence suggests that Richard Nixon made back-channel deals with North Vietnam before the 1968 presidential election that he won--and that the Ronald Reagan team did the same with the Iranian regime in 1980. So if the Trump campaign accepted help from a foreign power or made overtures to it before it was officially entitled to, this hardly sets it far beyond the mainstream of U.S. statecraft.
ACCORDING TO the unanimous assessment of all Obama-era U.S. intelligence agencies, the Russian state did engage in a multifaceted campaign to influence the 2016 presidential election.
But there are conflicting opinions on this. The Intercept's Glenn Greenwald has continued to insist that no solid evidence has been produced to justify these intelligence assessments. On the other hand, another Pulitzer Prize-winning Intercept journalist, James Risen, has moved from being a skeptic on Trump-Russia collusion story to believing that more evidence points to collusion.
Whatever ultimately proves true, it definitely appears that various members of the Trump entourage had ongoing contacts with Russian government figures, which they have wanted to conceal since the election. But the purpose for this isn't known.
And Trump may ultimately be more vulnerable to "obstruction of justice" charges for his ham-fisted attempts to shut down the investigation, starting with his firing of FBI Director James Comey.
The Trump-Russia investigation may be, in part, the national security establishment's revenge against a leadership team whose "America First" foreign policy challenges the multilateralist, free-trade agenda that has guided the U.S. for decades.
But the Trump-Russia affair also illustrates the deep rot in Washington's bipartisan political class that allowed a band of grifters, incompetents, money launderers and conspiracy theorists to end up in a position to influence U.S. foreign policy.
For U.S. strategists without a stake in the Trump administration, it stands to reason that you can't be a successful imperial power if you allow a second-rate adversary to penetrate your institutions and government.
Yet they can't erase the fact that U.S. global power is waning. Trump may be "accelerating perhaps markedly, even precipitously, the U.S. decline," as historian Alfred McCoy said in an interview with Intercept journalist Jeremy Scahill, but he's not the cause of the relative U.S. decline.
In any event, the Mueller investigation will continue to be a "sword of Damocles" hanging over the Trump administration. And if it does threaten Trump's downfall, it's likely that Trump would move to end the investigation, provoking a constitutional crisis by firing Mueller or some other maneuver.
Elite Democrats who dream of nothing more than returning to the pre-Trump status quo hope that "the Constitution" prevails over Trump. But it's far from clear that such a crisis will end up the way Watergate did.
OVER THE last two years, Trump has overcome numerous crises and outrages that would have sunk the careers of other politicians.
He's been able to do so not because of the hero worship of his narrow voting "base," but because people in high places have been willing to indulge him in the hopes that he'll deliver for them. It's noteworthy that retiring Republican Sen. Jeff Flake of Arizona--who has written a whole book denouncing Trumpism--still votes with Trump 84 percent of the time, according to FiveThirtyEight.com.
So before we get too far ahead of events and prepare for a President Pence, let's remember that there are plenty of political and business leaders who are willing to prop up the administration.
The corporations who tried to buy access to Trump through Cohen are frantically doing mea culpas now. But they certainly spent their money with their eyes open, and their biggest regret is that their gambits were exposed.
As political scientists Thomas Ferguson, Paul Jorgensen, and Jie Chen showed, Trump benefited from a flood of "dark" corporate money at the end of his 2016 campaign, and business used donations to the 2017 inauguration committee as a way to curry favor with the administration. Reportedly, Mueller has been looking into donations to the Trump inaugural for months.
So the idea that U.S. institutions, politicians or businesses will shift en masse to ditch Trump is at least premature.
Davidson may be right about the ultimate fate of the Trump administration, but he certainly is wrong if he thinks that the end of the Trump presidency will reset U.S. politics back to "normal."
That's because "normal" is still a place where right-wing billionaires can buy politicians and policy, and where the two major political parties implement versions of neoliberalism that continue to erode ordinary Americans' living standards and quality of life. It's also a place where a government structure dating from the 18th century empowers conservative and unrepresentative minorities, even when they lose the election.
Vox's Dylan Matthews added a view that is a necessary balance to Davidson's in an article headlined "The myth of an ending: Why even removing Trump from office won't save American democracy."
In warning his readers not to put much faith in a single cathartic event to free us from Trump, Matthews wrote something you hardly ever see in mainstream media outlets (other than the part about revolutions always failing):
In a way, I think there should be more talk of revolution, if only to expand the bounds of debate. The political system is badly defective, and revolution is honestly one of the few proposals to fix it that's equal to the scale of the problem. It deserves a fair hearing, even if I think it would be a terrible mistake--after all, most revolutions tend to fail, we've learned over the past few centuries.
Trump and his team may be the most cartoonishly corrupt group to run the American state in a century, but they are symptoms of a much deeper corrosion of the U.S. political system.
When mainstream journalists who are known for writing wonkish pieces about obscure aspects of government policy begin to speculate about revolution, it's time to pay attention to the deeper question.
The bitter fruit of Trump's China-bashing
Donald Trump's new cold war rivalry with China has put Chinese foreign students at U.S. universities squarely in the crosshairs.
By a federal worker
Will labor learn the lessons of the shutdown?
With the threat of another shutdown coming later this month, federal workers and their unions have to get ready for another fight.
Who shut down the shutdown?
It wasn't the Democrats, but federal workers, who finally put real pressure on the Trump administration to reopen the government.
No more food banks, we need paychecks
Hundreds came out to protest the government shutdown, holding up empty plates to symbolize the workers who are going hungry.
No paychecks, no peace
With Trump's lockout entering its fifth week, federal workers need to look for solutions to bring the government shutdown to an end.
Lee Sustar
Malcolm X: A revolutionary life
Fifty years after his murder, SW's multi-part series starts with a looks at the world that shaped one of the 20th century's most important revolutionaries.
Ferguson is fighting back
SocialistWorker.org writers report from a Missouri city that is rising up against police murder, despite every effort by authorities to silence them.
Kristen Sheets
Inside the #MeToo revolt at Google
It may be the biggest international walkout in modern labor history. Here's why it happened, how it happened and what it tells us.
The Trumpification of American politics?
From the top of the party to the bottom, Republicans are going "full Trump." What does this mean for the midterm elections and U.S. politics?
Nicole Colson
Inflicting terror on immigrant communities
The Trump administration is speeding up the deportation machine--and ICE agents have been only too happy to embrace their racist marching orders.


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Since digital assets do not have a physical body, their storage is different from the storage of fiat money.
In a digital currency, a record of all transactions carried out is stored in a publicly accessible block chain. However, to conduct an operation through the blockchain, a special interface and, most importantly, a private key that confirms the transaction is required. Therefore, spec is used to store electronic assets.
Wallets only provide an interface for convenient transfers, conversions and other operations, and the storage of private keys itself can be "hot" or "cold".
The main difference between hot and cold storage is that account data and the private key are stored offline, that is, it is physically impossible to access them via the network. Cold storage has the following features:
Complete protection against hacking and data interception;
Confirmation of transactions in manual mode.
It is inconvenient to enter the private key each time, if you have to make dozens of transfers a day, and there is less software for "cold" storage on the market than "hot" counterparts, but this is the only way to 100% protect your crypto assets from hackers.
A hardware wallet is essentially an advanced encrypted and password-protected flash drive that stores all of the user's account data. To confirm the operation, the user needs to connect the hardware wallet to the network, and the key is stored in a secure environment and it is simply impossible to access it via the Internet.
What is Trezor Wallet?
Trezor belongs to the category of "cold" wallets that do not imply a permanent connection to the Internet. Thanks to this, the highest level of security and anonymity is achieved. The wallet supports over 1000 coins - from Bitcoin and its forks to altcoins of varying popularity.
The manufacturer of the device is the Czech company SatoshiLab, which offers two Trezor models to choose from: One and Model T.
Both models work autonomously without additional power supply. You can connect Trezor to a computer using a USB cable, and there is a special Trezor Wallet program for management. Access to the money on the wallet cannot be obtained without a PIN and password.
All information is stored in the device's memory, which no one except the rightful owner can access. Private keys are also stored on the device itself.
Trezor Wallet compatibility
For the wallet to work, it needs to be connected to a PC, and controlled via the Google Chrome app. There are also mobile clients and Linux support.
The developers have tried to ensure that the user can access the wallet using any personal computer.
Register Now - Try it Now!
Supported e-money
Initially, Trezor only supported Bitcoin, but over time, the number of coins, tokens and altcoins increased to 900 types. All this is done for the convenience of the wallet owner, because it is easier to store all your assets in one place than to use 10 wallets at the same time.
In which countries is the device available?
The device can be purchased in over 150 countries, making it available almost all over the world. The developers have tried to ensure that users can order a wallet and get it absolutely without obstacles.
Trezor Wallet provides high security
Trezor is one of the safest wallets today, using multiple layers of protection. The basic principle: all keys and passwords are stored only in encrypted hardware memory (which cannot be hacked at the current level of technology), sites and applications are used only as a graphical interface for a wallet.
The process of exchanging information between the wallet with various devices is also reliably protected: no keys are transferred, the wallet only checks the transaction parameters you specified and confirms them, while it is impossible to change the address or amount.
The creators took into account many hacking options, and thanks to this, since the launch of the wallet in 2013, none of the users of the Trezor wallet have had their electronic assets stolen.
The external security level is the password for the device. It contains from four to nine characters and changes their position on the screen with each entry. In this case, on the monitor, the user sees empty keys, and the location of the symbols can be seen on the screen of the device.
In order to ensure that in the event of a loss of a device or a breakdown of the user's computer, the wallet generates a special secret phrase during registration. After generation, the owner writes down the phrase in his notebook, and then enters it using the device.
Due to cases of fakes on the market, the developers urge to order the device only on the official website in order to protect users' funds from fraudsters. The packaging of the device itself should not be damaged, and special holographic tapes should not have any traces of plywood.
Trezor Wallet has unik features
Trezor wallet features
Trezor can not only store digital money, but also make transactions and exchange coins. We can say that the wallet has collected in itself:
Better protection of user funds from the "cold" wallet;
Ability to easy and fast transactions, from "hot storage";
Ability to exchange coins for each other, from crypto exchanges.
Customer support is available on the wallet's official website around the clock. The support team tries not only to quickly help with the problem that has arisen, but also does everything possible to fix it.
How does this wallet work?
The Trezor device must be connected to the user's computer using a USB cable. And after entering the password, the owner can use all the functions of the wallet, the program interface is simple and clear, as well as pleasant to look at. All actions performed using the wallet must be confirmed on the device.
Using a special phrase, each user can register the required number of accounts. It is also possible to bind keys to them from the required number of other wallets. By selecting the account option, the user is taken to the tab with transactions.
How to use Trezor Wallet?
To transfer digital currencies to the storage, the user needs to use the "Receive" function. Next, you need to fill in all the fields, such as: the sender's wallet address, the amount and type of electronic asset. You need to confirm the operation on the Trezor device.
To send digital currency from your wallet, you need to use the "Send" option. It is also necessary to fill in the fields: the recipient's wallet address, currency type and amount. But the wallet allows the user to determine the size of the transaction commission.
The lower the commission is selected, the longer the transaction will take. Trezor wallet review explains that it is better to use "normal" fees to find the middle ground.
The user can track all performed transactions in the transactions menu, where outgoing transactions are highlighted in red.
How to start using Trezor wallet?
In order to start using Trezor Wallet, the user must order the device on the official website. His choice will be provided with 2 models of the device.
The models differ visually, the first has a small screen and 2 function buttons, while the second has a touch screen. Also, the newest model has a slightly larger list of acceptable digital assets.
After choosing a model, the user will see a page on which he can select the number of ordered devices and the payment method.
You can pay for the device not only in euros, but also with several provided electronic money, such as Bitcoin and about ten more different tokens.
After payment, it remains only to wait for delivery. As soon as the user receives the packaging in his hands, he should make sure of its integrity, and in case of any traces of its opening, contact customer support on the official website of the wallet.
The owner must refrain from using the wallet until he receives a response from the support service, with instructions on how to proceed.
When the owner has no doubts how to use Trezor Wallet, he can proceed with the first connection of the device and enjoy its work.
Recovering of Trezor Wallet
Recovering your Trezor Wallet account
If the user has forgotten the password from the device, then you can set a new one. To do this, you need to go to the advanced wallet settings and wipe the device.
In the process, the user will need to enter a special phrase that the wallet generated when connecting for the first time. And also set a new password.
Pros and cons of Trezor wallet
Today, the Trezor wallet is considered to be the most used among holders of digital assets. This is due to the large number of advantages inherent in this device.
The device can interact with the online wallet MyEtherWallet, designed to store coins created on the basis of the Ethereum blockchain.
Trezor Wallet has a relatively high price tag among its competitors, but its level of protection exceeds all possible types of wallets.
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The device can be used completely free of charge, payment is charged only when ordering the device, and if the owner is more careful and does not lose it, then this will be the only time when he made a payment.
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It is, because without contact with the device itself, fraudsters will not be able to gain access to users' funds.
Is there a way to change the transaction if the user enters incorrect information?
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I created a simple dialog box popup form. It check the password and then opens a form if it is correct.
My only problem is that i can't get it to close after opening the new form.
MsgBox "Wrong Password! Try Again!", vbCritical, "Wrong Password"
This gives the error 2585 "This action cannot be carried out while processing a form or event." The error is in reference to the docmd.close part.
Can someone help me out here. i just want the dialog form to close after the PW is correct.
And why doesn't access include a PWInputBox, just like the InputBox??? or just an option for masking characters in an InputBox. This is a ridiculous workaround for something that should be simple.
If the form was opened in Dialogue mode, I don't think you'll be able to close it until all other forms that were spawned after it's opening are closed.
If you need to mask characters there is a "Password" Input Mask that can be applied to a txtbox on a form. You may have to build a custom form to capture the password.
Just close the EnterPassword form before you open the AdminSettings form.
thanks "moo" It seems to be working just fine now!


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The Adams Family Makes a Positive Impact for Type 1 Diabetes
By ZCode Magazines	• 1 year ago	• Local Families
by BECCA BARR | photo by Mark Hopkins Photography
Dedicated Family
Andrea and Jason Adams love living in the Water's End community of Carlsbad, where they've resided for the past six years. "We love the weather, the ability to be outside year-round to go on walks, to play soccer, to ride bikes," shared Jason. The outdoor accessibility is important, as they enjoy hiking, biking, fly-fishing, and off-road camping in their trailer.
They are proud parents to three active daughters. Ella is in sixth grade at Aviara Oaks Middle School. Marley is in fourth grade at Pacific Rim Elementary. Finally, Vivienne is in third grade, also at Pacific Rim. "All three are highly skilled soccer players playing in competitive clubs with San Diego Surf (Vivienne and Marley) and Del Mar Sharks (Ella). We spend much of our time on soccer fields in Carlsbad and surrounding communities," said Jason. They also share a home with Rey, a two-year-old female Australian Labradoodle.
Jason is a Senior Director of Business Development with Roche Molecular Solutions, where he's worked for 11 years. While Andrea has a background working in Clinical Science Management, she recently put her career on pause so that she could be in close proximity to school if needed. Andrea is currently vice president of the Friends of Pacific Rim PTO and the incoming president for next school year.
Parents: Andrea and Jason Adams
Children: Ella (12), Marley (10), and Vivienne (8)
Community: Water's End since 2012
Parents' Hometowns: Tucson, AZ for both
Parents' Occupations: Jason Adams – Sr. Director of Business Development at Roche Molecular Solutions; Andrea Adams – Current Vice President and incoming President for Pacific Rim PTO
Pet: Rey, two-year-old female Australian Labradoodle
Favorite Places to Visit in 92011: Carlsbad State Beach, Ponto Beach, La Costa Resort and Spa, Legoland, Alga Norte and Poinsettia parks, Batiquitos Lagoon
The family is passionate about diabetes research. Ella was diagnosed with Type 1 Diabetes in July 2012. They do yearly fundraising for the Juvenile Diabetes Research Foundation's annual walk for their team, aptly named Team Ella Bella. "We have now walked in seven JDRF One Walks, raised over $19,000 for the 2017 One Walk in November, and raised over $75,000 in total since 2012," said Jason.
Jason founded a Facebook group in 2014, called CGM in the Cloud. "The original intention was to share experiences with other T1 parents and T1 friends in his network regarding 'hacking' of a continuous glucose monitor (CGM) so that parents could see their children's glucose number from afar," Jason said. From the Facebook group came a foundation, NightScout, that Jason has been highly involved in. "The biggest thing that kept us afloat after diagnosis from the fog that T1D blanketed our home with was hope. Eventually that hope blossomed into a desire to positively affect our Ella's life with diabetes and we began to learn more about our new life with Type 1 and what we could do to make a difference," explained Jason.
The Boy and Girl Scouts of Carlsbad are Preparing Local Youth to be the Leaders of Tomorrow
June/July 2018 Issue
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VIRTUAL: ZYZZYVA & The Booksmith Present: Lockdown Lit @ Lunch with Jessica Pearce Rotondi & Lauren Francis-Sharma
Sean Negus and Caroline Goodwin at Alley Cat Books
LIT CRAWL: 16th & mission
Browse: Home / BRIAN TEARE: a state of mind that has no designs on it, that is free to move as it pleases
BRIAN TEARE: a state of mind that has no designs on it, that is free to move as it pleases
Evan Karp / January 9, 2012 / Leave a comment / I WOULD SAY, Interview, Statement
A former Stegner Fellow at Stanford University, Brian Teare is the recipient of poetry fellowships from the National Endowment for the Arts, the MacDowell Colony and the Marin Headlands Center for the Arts. He has published poetry and criticism in American Poetry Review, Boston Review, Ploughshares, St. Mark's Poetry Project Newsletter, Seneca Review, Verse and VOLT, as well as in the anthologies Legitimate Dangers: American Poets of the New Century and At the Barriers: The Poetry of Thom Gunn. He's published three full-length books—The Room Where I Was Born, Sight Map, and Pleasure—as well as the chapbooks Pilgrim, Transcendental Grammar Crown and ↑, and his fourth book, Companion Grasses, will be out from Omnidawn in the spring of 2013. After a decade in the San Francisco Bay Area, he's now an Assistant Professor at Temple University in Philadelphia, where he makes books by hand for his micropress, Albion Books.
Brian Teare is currently one of my favorite poets. His poetry is beautiful and combustible, often weaving themes of sexuality with place and the economics of rurality. I read his work in a seminar at Lesley, fell in love with one of his poems in particular ("Trick Noir") and emailed him up. Fortunately for me, he was receptive to having conversations about his work, and to being interviewed.
— July Westhale
July Westhale: What books do you love and are currently reading?
Brian Teare: Your question addresses two different categories—books I love and books I'm currently reading—and it also suggests a third—books I'm currently reading and loving at the same time. I'll just give you a list of what's on the shelf next to my bed, a list whose primary virtue is that it contains all three kinds of books:
Lauren Berlant, Cruel Optimism
Joan Didion, Blue Nights
Sarah Dowling, Security Posture
Larry Eigner, The Collected Poems, Volume III
Kathleen Fraser, m o v a b l e TYYPE
Jane Jacobs, The Death and Life of Great American Cities
Petra Kuppers, ed., Somatic Engagement
Nathaniel Mackey, Nod House
Agnes Martin, Writings
Sogyal Rinpoche, The Tibetan Book of Living and Dying
What writers do you admire?
I admire writers now for very different reasons than I did when I was younger. When I was in graduate school and for a few years after, the writing mattered most to me. A poet's biography might have added some spice or glamour to the poems, but I didn't think of the writer holistically because I understood neither the writer's life I was signing up for nor what it would take to remain committed to writing poems. In my ignorance I could admire a writer whose life was nothing but troubling to me. Now I might love a writer's poems or novels or essays, but I can only admire them if I know how writing as a vocation, intellectual pursuit and literal practice fit into their lives and their politics or ethics. So I holistically admire Virginia Woolf, June Jordan, Grace Paley and Brenda Hillman, for instance, because I need the writer to have a politics, ethics and sense of vocation I admire as much as their writing.
How did you get your start? Did you attend an MFA program or not? If not, how did you learn your craft?
I dropped out of high school halfway through my junior year, but a year later entered the University of Alabama through a scholarship competition. I went to college to be a musician and composer, and I got my start in poetry by taking an undergraduate creative writing workshop during the summer after my sophomore year in college. I was still a music major then, and I took the class to get rid of some humanities requirements. But poetry—and the professor's support of my poems—planted a seed that grew during my junior year, after which I switched to English and creative writing. I had a lot of support from that first poetry professor who went on to become a crucial mentor, and after I spent three more years in school as an English major, he encouraged me to apply to MFA Programs. I ended up going to Indiana University, where I received my MFA, and later to Stanford University as a Stegner Fellow. And though I would say that I "learned my craft" at these institutions, I would argue that I only became a writer after I left them—when, on the one hand, I learned to fit a writer's life into the daily grind of earning a living, and, on the other, I began to write the poems I had long wanted to write. That began to happen only once I left the workshop environment, where my writing practice was, on the one hand, vulnerable to my need for external approval and, on the other, inhibited by my fear of not being understood.
How has your career evolved over time?
Because the evolution of a writer's career is better judged by others, I'll defer to my peers to make that kind of evaluation. All I can say is that between 2003 and the present, I went from having published some poems in literary journals to having published three books. But as regards my writing, I can say that it has evolved over time in ways that are clear to me. I began with a strong sense of my self as a poet in the post-Confessional tradition that overlapped with a post-Gay Liberation tradition of poetry. I was inspired by Randall Jarrell, Elizabeth Bishop and Sylvia Plath—as well as James L. White, Paul Monette and Mark Doty. But my sense of the writing I wanted to be doing very quickly began to change while I was in grad school, though it took three or four years for my poems to register the changes I wanted to make.
I'd characterize the direction I've pursued with the shorthand phrase "lyric postmodernism" (to borrow my dear dead friend Reginald Shepherd's term)—but I've been as inspired by Robert Duncan and Robin Blaser, gay poets of the San Francisco Renaissance, as I have been by Modernist women poets like Marianne Moore and Lorine Niedecker and contemporary experimental writers like Mei-mei Berssenbrugge and Kathleen Fraser. I've tried to pursue a poetic practice that can contain many kinds of diction and subject matter—spiritual, erotic, philosophical, ecological—without having to commit to any one particular line-length, stanza form, or prosodic or conceptual approach. I begin each poem with improvisation and hope each poem's form responds to the occasion of its making.
Did you have a mentor—how valuable was that? How did the relationship come to be?
Though I never seemed to realize how much I was being mentored when it was happening, now I would know enough to say that I was lucky to have had mentors when I was a younger writer. When I write "mentors," I mean I had someone who cared if I kept writing, a reader who may have harshly criticized my most recent poem but was always available to read the next one. These mentors weren't friends—and given my over-eagerness and neediness, I'm glad they had good boundaries in that regard—but their attention was affectionate enough to make me feel supported.
As an undergraduate I had mentorship from the faculty poet I mentioned above; he definitely took me under his wing and schooled me in the mode of Confessional writing that he had studied and which he himself practiced. And then my thesis director in graduate school was incredibly supportive in crucial ways, especially by giving me permission—and reading lists—that allowed me to pursue a path away from Confessional writing.
Since leaving school I've certainly had less direct experience of mentorship, but my peers have replaced mentors as my regular readers and critics. This was an especially crucial transition, one that gave me two gifts: 1) a measure of self-sovereignty and independence that I find crucial to writing the poems I most want to write; 2) a network of intellectual friendships with poets roughly my own age, a group of writers to whom I can turn with poems and questions about the writing life.
What's your daily working method? How much time do you spend writing each day—and how do you MAKE THAT HAPPEN?
I'm a hard worker and fairly disciplined, but long ago I found that during the academic year I largely give that hard work and discipline over to my labor for others. Once I came to accept this fact about myself and let go of the fiction that all "real" writers write every day, I began to be able to utilize the free time I do have to facilitate a writerly frame of mind—that is, if I'm not writing. Over time I found it crucial a) to learn to be okay with what I need as a writer and b) to learn to work with the time I do—or do not—have in light of those needs. For instance: I know that I need a lot of time to write (four or five hours minimum), and that I need to be as free as possible of interruptions and responsibilities to others—my mind has to be free to think about whatever it wants to think about. Because for many years I taught year round and lived with my partner, this meant I rarely wrote poems except during brief windows when I was totally alone—either when my partner was out of town or when I was at a residency or on a long weekend at a retreat—and that this only happened two or three times a year, when school was also out. During these years I might have been writing sporadically and very slowly, but I nonetheless managed to write a couple of books this way, and I learned to treasure the times when my mind was fluid and creative, and to make sure that I spent an hour each day in a more fluid, free state of mind. This means that each day I tried to write something that is not goal-oriented: a letter to a friend, a journal entry, a poem, some notes, whatever. I also made sure that each day I read at least one poem or book of poems. It meant a lot to me to keep in touch with a state of mind that has no designs on it, that is free to move as it pleases. This meant that when I did have time to write poems, I could enter into the writing mind quickly and without the feeling of rusty gears turning.
How do you balance work and life?
I don't, I never have been able to, and I don't know anyone who feels that they do. By which I mean, everyone I know manages to find time to write or to do their art, but that almost all of them privilege their jobs and/or their loved ones, and they never seem to feel they're doing as much writing or reading as they would like. Outside of the time I've spent at The MacDowell Colony, I've never felt I've had enough time to do my work—and even at MacDowell, I was aware of the finite amount of time I had there, and what it would mean to leave. Nonetheless, I'd like to stress the fact that I've accepted this struggle as an inevitable and essential part of my writing life, and once I let go of the fantasy that there was this ideal balance that kept evading my search for it, it became much easier to use what time I do have. In her essay "In a Ring of Cows Is the Signal Given," C. D. Wright has this beautiful passage in which she reflects upon motherhood, the "ideal" writing conditions, and their relationship to her writing life:
I was asked by a poet who reluctantly chose not to have children what
conditions I would require to become the best poet I could. And I had
to allow, I had them, though I struggle for the opportunities to enter
that clearing where I am alone and afraid and humbled and pregnant
with the anticipation of thinking, dreaming, creating, writing without
interruption. I had to allow, I require the distraction, that I require the
attachment, and that unencumbered I merely dissipate; I come undone.
I admit, I require the struggle though it brings me to my knees when I
most long to be standing free.
When I first read this passage, it felt to me like a reprimand: if C. D. Wright requires the struggle, then what's wrong with me? It took me a while to figure out that though this is what C. D. Wright requires, and though I admire C. D. Wright, what she requires is simply not what I require. I had to admit: under the prolonged encumbrance of distraction and attachment and interruption, I dissipate. Given the given working conditions of my daily life, and given how much I need to be unencumbered in order for my mind to feel its most coherent and un-dissipated, uninterrupted time to write is a blissful gift, and I will always need it. When juggling three balls—writing, work, love—I'm always dropping one of them and I feel a sharp pang of guilt each time I do. It's a blessing to have a period of time when I just don't have to juggle.
How do you make money—does most of your income come from your writing, or not?
Writing and publishing poetry doesn't pay, and when it does, it pays very little. When I published my first book, I got $1,000.00 in prize money, and since then a few hundred dollars in royalties have trickled in over eight years. My second book paid nothing except for two years of royalties at something like .24 per copy sold, and so far my third book has paid me nothing at all. Upon signing the contract for my fourth book, however, I did receive $1000.00, so I'm back to square one. All of which is to say that, with some negligible exceptions, all of my income comes from having a job. It is, of course, possible to receive writing fellowships, but these are comparatively rare—and not what you would call "income" so much as miraculous one-time gifts from the writing gods.
Do you feel that teaching helps you to be a better writer, or is it a necessary evil?
There's no reason a poet should become a teacher unless they actually want to be one, especially because the rewards of teaching are totally dependent on the individual's commitment to teaching as a vocation—working is a necessity, but teaching is in no way an inevitable career path for a poet. (See D.G. Myers' excellent The Elephants Teach for a history of the relationship between creative writers and the academy in the US.) The conventional wisdom that teaching leads to more time to write is largely a fiction, and many of my former students who have chosen other day jobs have far more time to write than I had when I adjuncted year round and taught three to four classes every semester. That said, I love teaching, and chose an MFA program with a heavy teaching component because I wanted to train to be a creative writing teacher. I have always gotten a lot out of preparing for classes and from my interactions with my students, and I certainly believe I've become a better thinker concerning poetry than I would have been had I never been forced to articulate and interrogate my beliefs and writing practice—this kind of accountability has allowed me to keep growing as a poet. It must be said that teaching does not allow me much time to actually practice writing, and in this sense, it does not help me to become a better writer, but it has, however, helped me to become a better cultivator of my creativity and my connection to my writing mind. And it has also helped me to see how precious is the time I do have to write—and to use it wisely.
Based on your background, what advice do you have for me?
There is no single way. And there is also no right way. There is the poetry that you must continue to write, your ongoing relationships with the poets in your chosen community, and your commitment to your vocation as a reader of and advocate for poetry. Everything else—publishing, "po biz," teaching, a public career—is optional. You're free to choose.
July Westhale is a writer, femme shark, activist, and archivist with a weakness for botany and hot air balloons. She writes poems, long curly letters, academic articles, art criticism, travel essays, interviews, book reviews, & the occasional terrible short story. She does not normally wear blazers, or drink lattes.
She was recently named a 2011 Lambda Literary Fellow in Poetry for LLF's Emerging LGBT Voices Writing Residency, an Artist in Residence at Dairy Hollow Writers Colony, a runner up in the Femme Bot & Arsenic Chapbook competition & an indentured servant atCopper Canyon Press. University of Wisconsin at Madison's lit journal Women in REDzine just named her one of their "top 10 inspiring political poets of 2011."
Tags: albion books, blue nights, brenda hillman, brian teare, c. d. wright, companion grasses, confessional writing, cruel optimism, elizabeth bishop, grace paley, james l. white, june jordan, kathleen fraser, larry eigner, lorine niedecker, lyric postmodernism, m o v a b l e tyype, macdowell colony, marianne moore, marin headlands center for the arts, mark doty, mei-mei berssenbrugge, mfa, national endowment for the arts, nod house, paul monette, pleasure, randall jarrell, reginald shepherd, robert duncan, robin blaser, san francisco renaissance, security posture, sight map, somatic engagament, stegner fellow, sylvia plath, the death and life of great american cities, the elephants teach, the room where i was born, the tibetan book of living and dying, virginia wolf, writings, ↑
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Create a special memory and celebrate with Delta Parks, Recreation & Culture — party at the recreation centres, pools or arenas!
To book a birthday party, please register online at DeltaReg.ca or call 604-952-3000.
Please read your registration receipt for important birthday party information.
Craft Complete a fun craft with friends while celebrating your birthday. Projects may include a picture frame, door hanger, masks, or a themed craft developed with us.
Sport Play sports with friends. Choose soccer or floor hockey, or active games like tag, go-go-stop, and more.
Dance & Craft A high-energy party for you and friends playing dance games, learning new moves, and a small craft.
Sports Zone Interactive Interactive games designed to work on basic moves through sport and play. Parachute games included.
Baking Play games, and bake and decorate cupcakes or cookies.
Fun & Games Games and activities for toddlers and preschoolers.
Roaming Rascals Play with toys, gymnastics, and sports equipment.
*Multi-Media Play with Fimo clay on canvas and create a fabric collage or replica canvas painting. Provide us with your theme of choice and we will create a custom party project.
Choose a party package based on our top 7 themes—from popular movies, to princesses, to pirates! Call to inquire about party themes. If we do not offer the theme you want, we will do our best to incorporate it. Parties for ages 4–15 years.
*Children under the age of 7 must be within arm's reach of an adult age 16 or older at all times. Standards require 1 adult to a maximum of 3 children.
Join our energetic staff for an hour as they take the kids through games and activities both in and out of the water. Price includes a playleader and cost of admission.
This package consists of 1 hour with a playleader in the pool, and the party room for 2.5 hours. You spend the first hour in the party room setting up while the kids are in the water. When the pool fun is over, the kids will join you for the remainder of your celebration in the party room. During the last 15 minutes of room rental, maintenance staff will assist with clean up. Price includes: playleader, party room, insurance, cost of admission.
Rent the entire pool for a private party. We provide lifeguards and playleaders. For an additional fee, add a room rental to host the remainder of the party. Call the aquatic centre of your choice for details, times and cost.
Party packages are unavailable on statutory holidays.
Due to supervision and space requirements, we limit party room access to party participants only.
Cancellation policy — one week's notice is required to receive a full refund.
Maximum of 12 children/1 playleader. Additional children will require an additional playleader. We will contact you one week before your party to confirm details of party playleaders and to discuss your theme.
Arena parties are a maximum of 10 children/1 playleader.
Parents/guardians have 15 minutes before and after the party for set-up/take-down. Please bring your own food, drink, napkins, table cloths, decorations, plates, cups, cutlery, and goody bags. No outside entertainers or rental equipment. Prior to leaving the facility, please ensure the space is tidy and garbage has been placed in containers.


visual and performing art studios,121 millsaps ave. jackson ms.
Please join us august 12th at 3pm to meet Sesthasak (Seth) Boonchai, NMAC's first photographer in residence.
Seth grew up in Jackson and lived in the Millsaps avenue Arts District in the early 90s. He has his MFA in painting from the University of New Orleans and has exhibited extensively throughout the U.S. He is currently splitting time between Brooklyn NY and New Orleans and is on the faculty of the School of Visual Arts in the BFA Photo department.
Seth's project while here at NMAC, involves him visiting old friends and acquaintances who have been involved in the Arts here in Mississippi for the last 20 years. Seth is also making portraits of young artists, designers, and other creatives that have chosen Mississippi as their homebase.