Glycosaminoglycan (GAG) loss is an early marker of osteoarthritis, which is a clinical late stage disease that affects millions of people worldwide. The goal of our study was to evaluate the ability of a fiber-based fluorescence lifetime imaging (FLIm) technique to detect GAG loss in articular cartilage. Native bovine cartilage explants (n = 20) were exposed to 0 (control), 0.5 (low), or 1 U / mL (high) concentrations of chondroitinase ABC (cABC) to create samples with different levels of GAG loss. FLIm assessment (excitation: 355 nm; detection: channel 1: 375 to 410 nm, channel 2: 450 to 485 nm, channel 3: 530 to 565 nm) was conducted on depth-resolved cross-sections of the cartilage sample. FLIm images, validated with histology, revealed that loss of GAG resulted in a decrease of fluorescence lifetime values in channel 2 (Δ = 0.44 ns, p < 0.05) and channel 3 (Δ = 0.75 ns, p < 0.01) compared to control samples (channel 2: 6.34 ns; channel 3: 5.22 ns). Fluorescence intensity ratio values were lower in channel 1 (37%, p < 0.0001) and channel 2 (31% decrease, p < 0.0001) and higher in channel 3 (23%, p < 0.0001) relative to control samples. These results show that FLIm can detect the loss of GAG in articular cartilage and support further investigation into the feasibility of in vivo FLIm arthroscopy.
Articular cartilage is the near frictionless tissue at the end of long bones that allows smooth movement of joints and absorbs shock. Cartilage degenerative diseases such as osteoarthritis (OA) are major causes of disability worldwide1 and have a substantial contribution to healthcare cost.2 This large economic burden will continue to increase as the population ages. Clinical OA is a late-stage condition for which disease-modifying opportunities are limited. However, OA typically develops over decades, offering a long window of time to potentially alter its course. As such, characterization of pre- or early-OA disease states will be critical to support a paradigm shift from palliation of late disease toward prevention.3 Unfortunately, early diagnosis of OA is still a challenging, unmet clinical need that must be addressed.
Cartilage extracellular matrix (ECM) is composed primarily of 15% to 30% glycosaminoglycan (GAG) (per dry weight), 50% to 75% collagen (per dry weight), and 70% to 80% water (per wet weight). The remaining balance of dry weight includes minor protein molecules and chondrocytes.4,5 The mechanical properties of articular cartilage are determined by the biochemical composition of the main tissue constituents, GAG and collagen, creating a structure–function relationship in which GAG resists compressive loading and collagen resists tensile loading within the tissue.6 During the early stages of OA, the changes in cartilage are clinically silent. No visual, functional, or mechanical alterations of articular cartilage appear detectable. Gradual GAG loss is the first observable indication of OA. Left untreated, it will lead to a "death spiral" of increasing matrix degradation and reduced biomechanical properties.7 As a result, normal loading increases matrix damage, leading to a positive feedback loop of cartilage damage, pain, and destruction. This deterioration continues until the cartilage completely loses its ability to withstand load and is worn away to expose subchondral bone.8 Therefore, the detection of GAG loss is critical for the early diagnosis of OA.
Over the past decade, optical imaging modalities have been studied to evaluate the biochemical makeup and structural organization of cartilage and are being actively explored for utility in cartilage research and OA diagnosis. This includes laser scanning confocal microscopy,13 second harmonic generation microscopy, multiphoton microscopy,14 Fourier transform infrared imaging and spectroscopy,15 and Raman spectroscopy.16 Unfortunately, challenges, including the complexity and high cost of instrumentation and low data acquisition speed, hamper their clinical translation. Moreover, optical coherence tomography (OCT) allowing evaluation of cartilage microstructure associated with cartilage health has been used arthroscopically as a translational research tool for early diagnosis of OA.17,18 Still, OCT lacks the ability to provide biochemical information.
Therefore, there is a need for clinical compatible imaging modalities for in vivo assessment of biochemical composition related to cartilage health. Fiber-based time-resolved fluorescence lifetime imaging (FLIm) has the potential to address this need. FLIm with a lower-case m was used as abbreviation to distinguish our fiber-based technology from fluorescence lifetime microscopy (FLIM). Over the past decade, several groups have reported that FLIm may be used for disease diagnosis and tissue characterization with applications in numerous clinical areas, including oncology, cardiology, and ophthalmology.19 Multimodal instrumentation combining FLIm and ultrasound has also been used to monitor matrix composition and mechanical properties of engineered cartilage tissue during maturation.20,21 Recent advantages in FLIm devices using miniature fiber optics probes, along with fast electronics enabling fast data acquisition speed, analysis, and real-time display22 make this technique highly compatible with modern clinical arthroscopes. Hence, the goal of the present study was to investigate the feasibility of using FLIm for early detection of cartilage disease. Specifically, this study focused on (1) evaluation of fluorescence properties of native articular cartilage and their variation across different depth-resolved zones, (2) investigation of whether FLIm can detect the depletion of major cartilage biochemical constituents involved in development of OA, namely GAG, and (3) determining whether FLIm parameters can be used to infer the level of GAG loss in cartilage.
Articular cartilage was excised as full thickness cylindrical osteochondral plugs (n=25) from a juvenile (2-week-old) bovine femoral head obtained from an abattoir (Research 87, Boylston, MA) within 48 h of death. Cartilage explants were wrapped in gauze and soaked in phosphate-buffered saline (PBS) with protease inhibitors (2-nM phenylmethylsulfonyl fluoride, 10-mM N-ethyl malemide, 2-mM ethylene diamine tetraacetatic acid, and 5-mM benzamidine-HCl) as previously described,23 underwent three freeze thaw cycles to lyse cells, and stored at −20°C in protease inhibitor until imaging [Fig. 1(a)].
(a) Schematic diagram of the study protocol. Harvest and treatment of bovine articular cartilage samples in untreated (control) and cABC groups. Zonal en-face imaging was conducted on samples from different depths of cartilage from control group. Cross-sectional imaging was conducted on both control and cABC treatment groups. (b) Schematic diagram of the FLIm system. FLIm images were acquired by raster scanning of the optical fiber. (c) Spectral channels of the FLIm instrument: channel 1 = 375 to 410 nm, channel 2 = 450 to 485 nm, and channel 3 = 530 to 565 nm. The reference emission spectrum of collagen (red) and GAG (blue)24 was also overlaid.
Cartilage explants were placed one sample per well in six well plates (Costar, Corning, New York) in 6 mL of PBS (Sigma-Aldrich, St. Louis, Missouri). To remove proteoglycans, chondroitinase ABC (cABC) (Sigma-Aldrich) was added to a final concentration of 0 U/mL (control), 0.5 U/mL (low cABC), or 1 U/mL (high cABC) of cABC per well. All treatments included 50 U/mL salt activated nuclease (ArcticZymes, Tromsø, Norway), 0.02% ethylenediaminetetraacetic acid (Life Technologies, Grand Island, New York), and 1% penicillin/streptomycin/fungizone (Lonza, Basel, Switzerland). Treatment occurred for 10 h at 37°C on a rotatory plate at 35 revolutions/min. After treatment, explants were washed in fresh PBS for 12 h to remove residual enzymes.
After enzymatic treatment, full thickness cartilage samples were cut perpendicular to the surface into two half-cylinders. Samples were placed on a custom, glass sample holder for cross-sectional FLIm assessment. To study the depth-dependent fluorescence lifetime (LT) of cartilage, the other half of the cylinder was sectioned using a custom cutting jig into approximately the superficial, middle, and deep zones of the cartilage and imaged en-face [schematic is shown in Fig. 1(a)]. During FLIm acquisition, samples were immersed in PBS to maintain hydration. The fluorescence LT images were reconstructed from FLIm measurements and coregistered with histology images using the shape of the tissue sections. Regions of interest (ROIs) were selected in FLIm images following co-registration based on histology features for further analysis. Following imaging, cartilage samples were placed in formalin and processed routinely for histologic analysis. MATLAB (Mathworks, Inc.) software was used for image co-registration and ROIs selection.
FLIm images were acquired using a prototype fiber-based point scanning principle and system, which had been previously reported.25,26 A schematic of the system is shown in Fig. 1(b). A frequency tripled Nd:YAG microchip laser (STV-02E-1x0, TEEM photonics) with repetition rate of 4K and pulse width of 600 ps was used as fluorescence excitation light source. Fluorescence excitation and emission were guided to and from the target by a single 400-μm core diameter all silica multimode fiber (FVP400440480, Polymicro). A wavelength selection module was used to separate fluorescence emission into three nonoverlapping spectral bands (channel 1 = 375 to 410 nm, channel 2 = 450 to 485 nm, channel 3 = 530 to 565 nm) [Fig. 1(c)]. The spectral channels were temporally separated by passing the emission pulse through three delay fibers (FVP400440480, Polymicro) of different lengths. A single microchannel plate photomultiplier tube (R3809U-50, Hamamatsu) detector was used to detect the temporally multiplexed signal. Neutral density (ND) filter with ND=1.3 was used to attenuated signals in detection channels 1 and 2 so all spectral channels had similar signal intensity. Raster scanning was achieved using a motorized three axis translation stage (MX80L, Parker) with scanning speed up to 500 mm/s. FLIm images were acquired with 200 or 400 μm square pixel size over a 10 mm×10 mm scanning area. The data acquisition time for each pixel was 8 ms, and the scanning speed was determined based on desired pixel size.
Following the acquisition of the fluorescence decay signal, non-negative constrained least-square deconvolution based on the Laguerre expansion method was performed to determine the fluorescence response of cartilage samples.27 The average LT and intensity ratios were derived from the deconvolved fluorescence decay. The average LT was defined as the average amount of time a fluorophore stays in the excited state. Mathematically, it is the expected value of the probability distribution of detected photons, which was obtained by normalizing the deconvolved decay by the total area under the curve. Intensity ratios were defined as the ratio of fluorescence intensity at each channel to the sum of all three intensity channels. The standard deviation of the recovered LT was <0.1 ns.
After FLIm assessment, samples were fixed in 10% neutral buffered formalin, paraffin embedded, and then sectioned parallel to the imaging plane at 10 μm. The sections were stained with hematoxylin and eosin (H&E) for general morphology, safranin O for GAG, and picrosirius red (PSR) for total collagen following routine procedures. The sections were imaged using an inverted microscope (BZ-X700, Keyence).
To study the variability of fluorescence LT inside the cartilage tissue, we studied the change of fluorescence LT as a function of distance from the cartilage surface. To determine the distance from the cartilage surface of each pixel, the location of cartilage surface in cross-sectional images was first determined by finding the pixels with maximum fluorescence emission intensity gradient. Those pixels were used as a reference point for distance calculation. After that, the distance to cartilage surface of every pixel inside cross-sectional LT images was calculated. A distribution of fluorescence LT at a given distance can be generated by combining data from all cross-sectional images (n=3).
ROIs were drawn manually based on the amount of safranin O staining in histology images. The GAG depleted region that had no or minimal safranin O staining was segmented manually as ROIs for data analysis. The thickness of each ROI, average value of fluorescence LT, and intensity ratio within each ROI were calculated and used for statistical analysis.
A simple threshold-based segmentation algorithm was developed and tested for its ability to detect GAG depletion in cross-sectional FLIm images. Channel 1 intensity ratio was used as the parameter for the segmentation algorithm and 0.25 was set as the threshold based on receiver operating characteristic analysis. The average depletion thickness was calculated and used for statistical analysis.
In this study, n=25 biopsy samples were harvested from the same joint. We used n=3 to study the depth-dependent LT of native cartilage. We used the remaining n=22 (control = 7, low cABC=8, high cABC=7) to study the effect of GAG loss on cartilage fluorescence properties. Two samples were excluded from data analysis due to improper histology sectioning, resulted in the final total sample number of n=20 (control: n=6, low cABC: n=8, high cABC: n=6). Statistical analysis was performed using Student's t-tests and one-way ANOVA with Tukey's posthoc analysis, where applicable. All of the statistical analysis was performed with R Statistical Software (Foundation for Statistical Computing, Vienna), and p<0.05 were considered statistically significant.
Cross-sectional FLIm images [Fig. 2(a)] showed that fluorescence LT in channel 1 varied with cartilage depth. The region closest to the cartilage surface had a LT of 5.7±0.12 ns while the middle and deep part of cartilage had a longer LT of 6.1±0.08 ns (p<0.0001). The same trend was also presented in the zonal FLIm images [Fig. 2(a)]. This was further confirmed by the violin plot as the distributions of LT from both cross-sectional and zonal imaging shifted to higher LT values in middle and deep zone [Fig. 2(b)]. This trend was observed for all samples as depicted by the box-plot of LT distribution from all samples (n=3), which demonstrated that the LT increases with distance from cartilage surface. This increase was most noticeable within 500 μm from the surface [Fig. 2(c)]. In addition, changes of fluorescence LT were also associated with morphological heterogeneities. Macrostructures with shorter LT were also presented in both cross-section and en-face FLIm LT images [Fig. 2(a)]. No significant depth-dependent LT changes were observed in other spectral channels.
Channel 1 (375 to 410 nm) fluorescence LT increases with distance from articular cartilage surface (n=3). (a) Representative cross-section and zonal FLIm image of native bovine articular cartilage. Scalebar=1 mm. Dashed line represents estimated location of cut of superficial, middle and deep zone. (b) Violin plot of LT distribution of different zones of articular cartilage acquired through zonal and x-section imaging. The LT of superficial zone is significantly lower than that of middle and deep zones (***p<0.001). (c) A box plot of average LT versus distance from cartilage surface for all samples (n=3). Each box represents all data points from all samples at the corresponding distance from cartilage surface. Five values are highlighted: the extremes, the upper and lower quantiles, and the median. A clear increase of LT with distance from cartilage surface is observed. The increase is most prominent within the first 0.5 mm of cartilage surface.
Safranin-O stained histology images showed that compared to untreated (control) cartilage, enzymatic treatment of cABC almost completely depleted GAG content within 1 mm distance from cartilage surface [Fig. 3(a)]. The depletion of GAG resulted in significant decreases in fluorescence LT in both detection channel 2 (p<0.05) and channel 3 (p<0.01) and significant changes in the intensity ratios in all collection channels (p<0.0001) [Fig. 3(b)].
FLIm detects GAG depletion in articular cartilage. (a) Representative fluorescence cross-sectional intensity ratio images, LT images, and histology images of untreated and treated bovine articular cartilage. ROIs highlight the region of GAG depletion in histology images of cABC treated sample. The corresponding region in FLIm LT and intensity ratio images are highlighted by stars. The GAG depletion region appears in FLIm maps with higher intensity ratio and lower LT in channel 3 as well as lower intensity ratio in channel 1. No GAG depletion is observed for control sample. Scalebar=1 mm (n≥6 per group). (b) Box plot of ROI average LT from all samples in control and high cABC group. Significant LT differences are observed in channel 2 (450 to 485 nm) *p<0.05 and channel 3 (530 to 565 nm) **p<0.01. Significant differences in intensity ratio are observed in all channels. ****p<0.0001.
A segmentation algorithm based on channel 1 intensity ratio was able to identify regions of GAG depletion in both low and high cABC treated FLIm images [Fig. 4(a)]. The untreated control group had an average depleted layer thickness of ∼0.1 mm, whereas low (1 U/mL) and high (2 U/mL) C-ABC concentration treatment resulted in an average depletion layer thickness of 0.3 mm and 0.7 mm, respectively. Average depletion thickness from high cABC treatment group was significantly higher than that of control (untreated) (p<0.01) and low cABC (p<0.01) treatment group. However, no significant difference was observed in average depletion region thickness between control and low cABC treatment group [Fig. 4(b)].
(a) Representative cross-sectional FLIm LT and intensity ratio images of cartilage without treatment and cartilage treated with high (2 U/mL) and low (1 U/mL) concentration of cABC. The depleted region is segmented using channel 1 intensity ratio of 0.25. Scalebar=1 mm. (b) Box plot of the thickness of the GAG depleted layer calculated from segmentation result **p<0.01 (n≥6 per treatment group).
This study demonstrated that (1) fluorescence LT of articular cartilage varies across its depth; shorter LT values were observed for the superficial zone of cartilage when compared with the middle and deep zones and (2) the depletion of GAG can be detected using FLIm and the level of GAG depletion in articular cartilage can be inferred using fluorescence-based parameters. Both of the above points demonstrate that FLIm can detect biochemical changes in cartilage tissue and has great potential for early detection of cartilage disease.
To our knowledge, this is the first study to map the fluorescence features of native bovine articular cartilage across its full thickness. The cross-sectional imaging protocol allowed us to study changes in FLIm parameters as a function of depth. The comparison of LT distribution obtained from cross-sectional imaging and that from conventional en-face imaging cross-validated the results. Given the complex zonal variation of cell morphology, collagen fiber orientation, and biochemical composition in articular cartilage,8 the change of fluorescence LT across the thickness of cartilage is expected. Current results are in agreement with earlier studies conducted on articular cartilage that showed shorter LT for the superficial layer relative to middle and deep zone of the cartilage28 and a previous study that validated en-face FLIm parameters with biochemical assays.29 These results, in conjunction with the fiber-based platform, allow for ease of translation into imaging in humans via augmentation of the current clinical practice of arthroscopy. By incorporating the optical fiber into a conventional viewing scope, this technique would enable straightforward visual evaluation of the integrity of the cartilage surface and inner structures, allow spatial or temporal monitoring during disease development, and allow clinicians to monitor the biochemical changes occurring within the patient.
Apart from the change of fluorescence LT as a function of depth, macrostructures presented in both cross-section (shape of tunnel) and en-face (round shape) exhibit shorter LT when compared with the surrounding cartilage mass. Since cartilage from juvenile bovine condyles was used in this study, these microstructures could be cartilage canals that present only in the early stage of cartilage development.30 Since cartilage canals have different biochemical composition when compared with the collagen-rich cartilage ECM, it is expected that these microstructures exhibit a different LT. This demonstrated that FLIm could be a potential tool for studying basic biochemical properties associated with structural heterogeneities of cartilage as well. To date, much is known about articular cartilage organization and ECM, but less is known about its developmental biology. How articular cartilage grows and matures into a complex, functional, and multifaced structure is still unclear. FLIm could help advance our knowledge in these research areas by monitoring the change of biochemical properties of native articular cartilage during its development and along its depth. The advances will have significant impact for basic science and potential translational value to the design of superior cartilage regeneration and rapier strategies.
The finding that the depletion of GAG significantly altered the fluorescence features of articular cartilage tissue and the change could be detected using our FLIm instrumentation is of critical importance for the research of OA diagnosis, as GAG loss is the first indicator for early OA development. This could enable early diagnosis of OA before clinical symptoms like pain and the appearance of cartilage loss.
We acknowledge that the freeze-thaw cycles of the cartilage tissue before imaging lyse the cells and could alter cartilage fluorescence properties. Thus, the experimental conditions reported in this study might not fully mimic conditions encountered in the clinical application. In a separate study conducted on articular cartilage using the same FLIm instrumentation, we showed that the freezing process results in decreases in channel 1 LT (Δ=0.14; p=0.003) and significant increases in channel 2 LT (Δ=0.11; p=0.003) and channel 3 LT (Δ=0.22; p=0.003) compared to fresh tissue. However, the changes were small compared to those induced by the loss of GAG, which resulted in a significant decrease of fluorescence LT values in channel 2 (Δ=0.44 ns; p<0.05) and channel 3 (Δ=0.75 ns; p<0.01). The small differences in FLIm LT values with cell lysis could be attributed to the very low (∼10% by volume) composition of cells within cartilage tissue.
Interestingly, collagen was more densely packed in the region of GAG depletion post-cABC treatment. This was represented in PSR stained histology as an increase in color saturation in the ROIs. In healthy cartilage, the collagen network is slightly stretched due to the Donnan osmotic pressure caused by GAG content that provides its compressive stiffness.8 Thus, the loss of GAG would lead to a slightly denser collagen matrix.
GAG loss resulted in a significant decrease in the intensity ratio of channels 1 and 2, which represents collagen and a significant increase in the intensity ratio of channel 3, which represents GAG. This nonintuitive change could be attributed to the conformational change of collagen structure inside cartilage tissue. It is well known that collagen cross-links strongly fluoresce. The loss of GAG could result in the breakdown of collagen cross-links, which was not quantified in this study. Thus, the loss of GAG very likely resulted in the loss of absolute intensity in all spectral channels, but the loss in channels 1 and 2 was more prominent due to the high quantum yield of collagen and its cross-links. As intensity ratio characterizes the relative intensity contribution of each channel instead of absolute intensity, a higher absolute loss in channels 1 and 2 will result in a decrease in channel 1 and channel 2 intensity ratios and a higher channel 3 intensity ratio.
The decrease of fluorescence LT in channel 2 and channel 3 is a result of the intensity ratio change. Collagen is the dominant fluorophore in cartilage and has the highest fluorescence LT (∼5.5 ns) of the major constituents.21 The decrease of intensity ratio in channel 1 and channel 2 indicates a lower contribution from collagen, which would result in a significant decrease of fluorescence LT in all channels. There is no significant change of fluorescence LT in channel 1 as collagen fluorescence completely dominates this channel. Channel 3 had the largest LT decrease as it sits at the tail of collagen emission spectrum and the collagen contribution is less dominant.
A threshold-based segmentation algorithm could distinguish high levels of GAG depletion in our cABC-treatment group from the control group using one of the many fluorescence parameters. However, intensity measurement is highly sensitive to the excitation and collection geometry. Any change of excitation and collection geometry could lead to significant measurement error. On the other hand, fluorescence LT is robust to the change of measurement conditions. Thus, the effectiveness and robustness of our instrumentation to detect early OA could be further improved by including more FLIm parameters. Nonetheless, we demonstrated that parameters from noninvasive FLIm imaging can successfully detect GAG depletion in articular cartilage.
We acknowledge that the cross-section imaging approach used in this study is different from an arthroscopy imaging situation. Future en-face imaging will be required to properly assess the performance of FLIm instrumentation for detection of OA and its usefulness in clinical environment. Furthermore, we acknowledge that FLIm is only a surface imaging modality with a penetration depth of ∼300 μm and is not able to provide any structural information regarding the integrity of articular cartilage. However, FLIm can be adapted to tissue interrogation in endoscopic-like configurations,33,34 thus, it can complement other structural imaging modalities like ultrasound and OCT. This study serves as an important step toward early diagnosis of OA and encourages further investigation into the feasibility of in vivo FLIm arthroscopy.
This study demonstrates that GAG degradation in articular cartilage can be detected by rapid, nondestructive, fiber-based FLIm. This technique could be utilized as a potential tool for basic research of cartilage. In addition, the size of the miniature fiber probe, the clinically compatible high imaging speed, and the potential for multimode imaging, such as FLIm-OCT,35 make it a promising tool for the early diagnosis of OA. This technique has a great potential to facilitate a paradigm shift from palliation of late disease toward OA prevention and early intervention.
This work was funded by the California Institute for Regenerative Medicine, Award no. RT3-07981.
Xiangnan Zhou received his BS degree in applied physics in 2013 from Hong Kong Baptist University, Hong Kong, China and his MSc degree in biophotonics in 2014 from Imperial College London, United Kingdom. He is currently a PhD candidate in the Department of Biomedical Engineering at the University of California, Davis. His research interests include time-resolved fluorescence imaging and spectroscopy, optical coherence tomography, and their clinical applications.
Anne K. Haudenschild is a postdoctoral fellow at the University of California Davis Department of Biomedical Engineering. She received her PhD from the UC Berkeley/UC San Francisco joint graduate group and her BS from Brown University. Her research focuses on the detection and repair of osteoarthritic cartilage through the development of functional tissue engineered cartilage and multimodal optical tools to characterize tissue maturation and health.
Jerry C. Hu received his doctorate degree in bioengineering in 2005 from Rice University of Houston, Texas. His research is focused on tissue engineering cartilage and fibrocartilages to restore joint function. Currently, a principal development engineer at University of California, Irvine, and his translational activities has included collecting data for multiple FDA-approved product lines and leading industry-sponsored animal studies.
J. Kent Leach is a professor of biomedical engineering and orthopedic surgery at University of California, Davis. His research is focused on the design of biomaterials to instruct cell fate for the purpose of engineering replacement tissues and promoting the repair of nonhealing wounds. He is also interested in the temporal changes that occur within developing tissues as biomarkers for construct maturation.
Laura Marcu is a professor of biomedical engineering and neurological surgery at University of California Davis. She received her doctorate degree in biomedical engineering in 1998 from the University of Southern California, Los Angeles. Her research interests include fluorescence- based techniques for biomedical diagnostics and clinical translation of optical technologies. She is a member of SPIE.


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Alsatian conductor Charles Munch was one of the most widely recorded symphonic conductors of the twentieth century. Here is a partial list of his recordings.

Partial list of sound recordings by Charles Munch

Recordings made with the Amsterdam Concertgebouw Orchestra for Decca and Eloquence Australia
 1948 Brahms: Violin Concerto in D major, Op.77 Violinist: Ossy Renardy, also released by LYS
 1948 Saint-Saëns: Danse macabre Violinist: Ossy Renardy

Recording made with the Bavarian Radio and Television Orchestra for Deutsche Grammophon and Eloquence Australia
 1968 Berlioz: Requiem, Op. 5 with the Bavarian Radio and Television Orchestra Chorus and Soloist: Peter Schreier

Broadcasts from Tokyo of the Boston Symphony Orchestra released by Altus
 1960 Samuel Barber: Medea Meditation and Dance of Vengeance
 1960 Ludwig van Beethoven: Symphony No. 5
 1960 Hector Berlioz: Rackoczky March
 1960 Hector Berlioz: Symphonie Fantastique
 1960 Easley Blackwood: Symphony No. 1
 1960 Claude Debussy: La Mer
 1960 Georg Frideric Handel: Water Music, Andante and Alla Pipehorn
 1960 Japanese National Anthem: Kimi Ga Yo
 1960 Felix Mendelssohn: Octet, Scherzo
 1960 Walter Piston: Symphony No. 6
 1960 Maurice Ravel: Daphnis et Chloé, Suite No. 2
 1960 Albert Roussel: Bacchus and Adriane, Suite No. 2
 1960 Francis Scott Key: Star Spangled Banner
 1960 Richard Wagner: Die Meistersinger – Act III Excerpts

Broadcasts from Moscow of the Boston Symphony Orchestra released by Ars Nova
 1956 Dukas: The Sorcerer's Apprentice
 1956 Haydn: Symphony No. 102 in B-flat Major, Hob.I-102
 1956 Ravel: Daphnis et Chloé, Suite No. 2, same as Arte release
 1956 Richard Strauss: Don Juan, Op. 20

Broadcast from Moscow of the Boston Symphony Orchestra released by Arte
 1956 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
 1956 Ravel: Daphnis et Chloé, Suite No. 2, same as Arts Nova release
 1956 Schumann: Symphony No. 2 in C Major, Op. 61, Adagio

Broadcasts of the Boston Symphony Orchestra from Symphony Hall Centennial Set released by the Boston Symphony Orchestra
 1953 Auber: La Muette de Portici Overture, same as West Hill Radio Archives release
 1953 Prokofiev: Love for Three Oranges March and Scherzo
 1958 Roussel: Suite in F Op. 33
 1959 Fauré: Pénélope Overture, same as Music & Arts release
 1959 Franck: Le Chasseur Maudit (The Accursed Hunter)
 1962 Debussy: La Mer
 1962 Ravel: La Valse

Broadcast from Tanglewood of the Boston Symphony Orchestra released by the Boston Symphony Orchestra
 1953 Richard Strauss: Don Quixote, Op. 35  Cellist: Gregor Piatigorsky, Violist: Joseph de Pasquale, and Violinist: Richard Burgin

Broadcast from Edinburgh of the Boston Symphony Orchestra released by ICA
 1956 Haydn: Symphony No. 102 in B flat Major, Hob.I-102

Broadcast of the Boston Symphony Orchestra released by Living Stage
 1958 Honegger: Symphony No. 3

Broadcasts of the Boston Symphony Orchestra released by Memories
 195? Brahms: Violin Concerto in D Minor, Op. 77 with Joseph Szigeti
 1952 Mozart: Symphony No. 41 in C, K. 551, Jupiter, same as West Hill Radio Archives release
 1954 Mozart: Symphony No. 31 in D major, K. 297, Paris
 1956 Beethoven: Piano Concerto No. 3 in c, Op. 37 with Clara Haskil, same West Hill Radio Archives and Music & Arts releases
 1958 Bruckner: Symphony No. 7 in E Major, WAB 107
 1958 Mozart: Symphony 35 in D major, K. 385 "Haffner"
 1959 Mozart: Symphony 38 In D Major, K. 504, "Prague"
 1959 Mozart: Symphony 40 In G Minor, K. 550
 1961 Berlioz: Roméo et Juliette, Op. 17 with the Berkshire Festival Chorus and Soloists: Florence Kopleff, Donald Gramm, and John McCollum
 1961 Ravel: La Valse
 1962 Mozart: Requiem in D Minor, K. 626 with Phyllis Curtin, Florence Kopleff, Blake Stern, Mac Morgan, and Berkshire Festival Chorus
 1962 Mozart: Symphony 36 In C, K 425, "Linz"
 1962 Ravel: Daphnis & Chloe with Berkshire Festival Chorus

Broadcast from Prague of the Boston Symphony Orchestra released by Multisonic
 1956 Brahms: Symphony No. 2 in D Major, Op. 73
 1956 Honegger: Symphony No. 3

Broadcasts of the Boston Symphony Orchestra released by Music & Arts
 1956 Beethoven: Piano Concerto No. 3 in C minor, Op. 37 with Clara Haskil, same as Memories and West Hill Radio Archives releases
 1956 Mozart: Piano Concerto No. 9 in E-flat, K. 271 with Clara Haskil
 1956 Wagner: Die Walkure, Act One: Margaret Harshaw, Albert Da Costa, and Jan Pierce
 1959 Fauré: Pelléas et Mélisande Suite, Op. 80
 1959 Fauré: Pénélope Overture, same as BSO release
 1959 Franck: Le Chasseur maudit (The Accursed Hunter)
 1960 Fauré: Ballade for Piano and Orchestra with Nicole Henriot-Schweitzer
 1961 Franck: Symphonic Variations with Vlado Perlemuter
 1961 Franck: Symphony in D minor
 1961 Ravel: Daphnis et Chloé, with chorus of Berkshire Festival
 1962 Debussy: Nocturnes
 1962 Debussy: Printemps
 1962 Debussy: La mer
 1962 Ravel: La valse

Recordings made with the Boston Symphony Orchestra for Pristine Classics (RCA recordings, unless noted)
 1949 Beethoven: Gratulations Menuet W.o.O.3
 1949 Schubert: Symphony No. 2 in B-flat Major, D.12
 1950 Brahms: Symphony No. 4 in E Minor, Op. 98
 1951 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
 1953 Auber: La Muette de Portici Overture, Symphony Hall Broadcast
 1953 Carl Nielsen: Symphony 5, Symphony Hall Broadcast
 1955 Wagner: Tannhäuser, Elisabeth's Aria - 'Dich Teure Halle' Soprano: Margaret Hershaw, Symphony Hall Broadcast
 1955 Wagner: Der Fliegende Hollander, Senta's Ballad - 'Jo ho ho hoe!', Soprano: Margaret Hershaw, Symphony Hall Broadcast
 1955 Wagner: Götterdämmerung - Brunhilde's Immolation, Soprano: Margaret Hershaw, Symphony Hall Broadcast
 1956 Benjamin Britten: Variations on a Theme by Frank Bridge, Symphony Hall Broadcast
 1956 Debussy: Prélude à l'après-midi d'un faune with Flutist Doriot Anthony Dwyer
 1957 Bloch: Schelomo Cellist: Gregor Piatigorsky
 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist:  Nicole Henriot-Schweitzer
 1958 Alexei Haieff: Symphony No. 2
 1958 Ravel: Piano Concerto in G Major Pianist:  Nicole Henriot-Schweitzer
 1957 Walton: Cello Concerto Cellist: Gregor Piatigorsky
 1957 Wagner: Götterdämmerung - Brunhilde's Immolation Soloist: Eileen Farrell
 1958 Vaughan Williams: Symphony No. 8 in D minor, Tanglewood broadcast
 1959 Mendelssohn: Violin Concerto Violinist: Jascha Heifetz
 1960 Dvořák: Cello Concerto in B Minor, Op. 104  Cellist: Gregor Piatigorsky

Broadcast of the Boston Symphony Orchestra released by Tahra
 1951 Tchaikovsky: Violin Concerto in D Major, Op.35, (1st movement only)  Violinist: Michèle Auclair
 1956 Barber: Adagio for Strings, Op. 11
 1956 Ludwig van Beethoven:  Symphony No. 3 Eroica in E
 1956 Brahms: Symphony No. 2 in D Major, Op. 73
 1956 Claude Debussy: La Mer, L. 109
 1961 Brahms: Variations on a Theme by Haydn, Op. 56
 1961 Tchaikovsky: Symphony No. 6, "Pathetique", Op. 74
 1962 Mozart: Requiem: Phyllis Curtin, Florence Kopleff, Blake Stern, Mac Morgan, and Berkshire Festival Chorus

Broadcasts of the Boston Symphony Orchestra released by West Hill Radio Archives
 1951 Richard Strauss: Tod und Verklärung
 1952 Beethoven: Concerto No. 5 in E-flat, Emperor, Pianist: Lélia Gousseau
 1952 Honegger: La Danse des Morts, Soloist: Betty Allen, Mariquita Moll, Arnold Moss and Gérard Souzay with New England Conservatory Chorus
 1952 Mendelssohn; Symphony No. 4 in A, Italian
 1952 Mozart: Symphony No. 41 in C, K. 551. Jupiter, same as Memories release
 1952 Schubert: Symphony No. 5 in B-flat
 1952 Schubert: Symphony No. 8 in B minor, Unfinished
 1952 Wagner: Tristan and Isolde – Prelude & Liebestod
 1953 Auber: La Muette de Portici Overture, same as BSO release
 1953 Beethoven: Symphony No. 2 in D
 1953 Beethoven: Symphony No. 3 in E-flat, Eroica
 1953 Brahms: Piano Concerto No. 2 in B-flat, Pianist: Claudio Arrau
 1953 Debussy: Ibéria
 1953 Lalo: Symphonie Espagnole, (Missing Movement III), Violinist: Ruth Posselt
 1953 Ravel: Le Tombeau de Couperin
 1953 Richard Strauss: Divertimento (after Couperin)
 1953 Wagner: Die Meistersinger – Act III Excerpts
 1954 Beethoven: Symphony No. 7 in A, Op. 92
 1954 Beethoven:  Violin Concerto in D, Op. 61, Violinist: Zino Francescatti
 1954 Berlioz: Beatrice and Benedict Overture
 1954 Berlioz: Harold in Italy Violist: Joseph de Pasquale
 1954 Brahms: Variations on a Theme by Haydn
 1954 Dvořák: Symphony No. 9 in E minor, From the New World, Op. 95
 1954 Ibert: Flute Concerto, Flutist: Doriot Anthony Dwyer
 1954 Saint-Saëns:  Symphony No. 3 in C minor "Organ", Organist: E. Power Biggs
 1954 Richard Strauss: Allerseelen, Wiegenlied, Morgen, Ständchen, Soprano: Irmgard Seefried
 1954 Wagner: Eine Faust Overture
 1955 Beethoven:  Violin Concerto in D, Op. 61, Violinist: Jascha Heifetz
 1955 Beethoven:  Die Weihe des Hauses, Op. 124: Overture
 1954 Berlioz: Les nuits d'été Soprano: Victoria de los Ángeles
 1955 Brahms: Symphony No. 2 in D, Op. 73 (9/30/55)
 1955 Debussy: La Damoiselle élue Soprano: Victoria de los Ángeles with Radcliffe Choral Society
 1955 Milhaud: Symphony No. 6
 1955 Ravel: Introduction and Allegro for Harp, Flute, Clarinet, and Strings, Harp: Bernard Zighera, Flute: Doriot Anthony Dwyer, and Clarinet: Gino Cioffi
 1955 Ravel: Rapsodie espagnole
 1955 Roussel: Suite in F
 1955 Schumann: Symphony No. 2 in C
 1955 Richard Strauss: Don Juan, Op. 20
 1956 Beethoven:  Leonore Overture No. 2, Op. 72
 1956 Beethoven:  Piano Concerto No. 3 in C minor, Op. 37, Pianist: Clara Haskil
 1956 Beethoven:  Symphony No. 3 Eroica in E
 1956 Beethoven: Symphony No. 6 Pastoral in F, Op. 68
 1956 Brahms: Concerto for Piano and Orchestra No. 1 in D minor, Op. 15, Pianist: Rudolf Serkin
 1956 Brahms: Concerto for Violin, Cello and Orchestra in A minor, Violinist: Zino Francescatti and Cellist: Samuel Mayes
 1956 Fauré: Requiem, Adele Addison, Donald Gramm, Harvard Glee Club and Radcliffe Choral Society
 1956 Schumann: Symphony No.4 in D minor, Op.120
 1957 Beethoven: Piano Concerto No. 5 Emperor in E flat, Op. 73. Pianist: Claudio Arrau
 1957 Brahms: Academic Festival Overture, Op. 80
 1957 Debussy: Images pour orchestre
 1957 Franck: Symphony in D Minor
 1957 Schumann: Cello Concerto in A minor, Op. 129, Cellist: Pierre Fournier
 1957 Richard Strauss: Ein Heldenleben, Violinist: Richard Burgin
 1958 Berlioz: Le Corsaire Overture
 1958 Debussy: Jeux
 1958 Debussy: La Mer
 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist: Nicole Henriot-Schweitzer (the Conductor's niece)
 1958 Ravel: La Valse
 1958 Ravel: Piano Concerto in G Major Pianist: Nicole Henriot-Schweitzer
 1958 Ravel: La valse
 1955 Ravel: Rapsodie Espagnole
 1958 Ravel: Valses nobles et sentimentales
 1960 Beethoven: Creatures of Prometheus - Excerpts
 1960 Beethoven: Piano Concerto No. 1 in C Major, Op. 15  Pianist: Sviatoslav Richter
 1960 Brahms: Piano Concerto No. 2 in B-flat, Op. 98  Pianist:  Sviatoslav Richter

Recordings made with the Boston Symphony Orchestra for RCA Victor
 1949 Beethoven: Symphony No. 7 in A Major, Op. 92, same as Tahra release
 1949 Beethoven: Gratulations Menuet W.o.O.3, same as Tahra release
 1949 Schubert: Symphony No. 2 in B-flat Major, D.125
 1949 Berlioz: Beatrice et Benedict Overture
 1950 Beethoven: Symphony No. 1 in C Major, Op. 15
 1950 Brahms: Symphony No. 4 in E Minor, Op. 98
 1950 Haydn: Symphony No. 103 in E-flat Major, Hob.I-103
 1950 Haydn: Symphony No. 104 in D Major, Hob.I-104
 1950 Handel arranged by Sir Hamilton Harty: Water Music Suite
 1950 Ravel: Rapsodie Espagnole
 1950 Ravel: La Valse
 1950 Lalo: Le Roi d'Ys Overture
 1951 Bruch: Violin Concerto No. 1 in G Minor, Op.26 Violinist: Yehudi Menuhin
 1951 Mozart: Le nozze di Figaro Overture
 1951 Saint-Saëns: La Princesse Jaune Overture
 1951 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
 1951 Schumann: Genoveva Overture, Op. 81
 1952 Brahms: Piano Concerto No. 2 in B-flat, Op. 98  Pianist: Arthur Rubinstein
 1952 Honegger: Symphony No. 5, Di tre Re
 1952 Ravel: Pavane pour une Infante Defunte
 1952 Roussel: Bacchus et Ariane, Suite No. 2
 1953 Berlioz: Romeo and Juliet, Op. 17 with the Harvard Glee Club and Radcliffe Choral Society and Soloists: Margaret Roggero, Leslie Chabay, and Yi-Kwei Sze
 1953 Honegger: Symphony No. 2
 1953 Richard Strauss: Don Quixote, Op. 35  Cellist: Gregor Piatigorsky, Violist: Joseph de Pasquale, and Violinist: Richard Burgin
 1953 Tchaikovsky: Violin Concerto in D Major, Op.35  Violinist: Nathan Milstein
 1954 Berlioz: La damnation de Faust with the Harvard Glee Club and Radcliffe Choral Society and Soloists Suzanne Danco, David Poleri, Martial Singher and Donald Gramm (added to the National Recording Registry for 2005)
 1954 Berlioz: Symphonie Fantastique
 1954 Chopin: Piano Concerto No. 2 in F Minor, Op. 21  Pianist: Alexander Brailowsky
 1954 Menotti: Violin Concerto Violinist: Tossy Spivakovsky
 1954 Saint-Saëns: Piano Concerto No. 4 in C Minor, Op. 44  Pianist: Alexander Brailowsky
 1955 Beethoven: Violin Concerto Violinist: Jascha Heifetz
 1955 Beethoven: Symphony No. 5 in C Minor, Op. 67
 1955 Beethoven: Symphony No. 6 in F major, Op. 68
 1955 Berlioz: Nuits d'été, soprano Victoria de los Ángeles, also released by Testament
 1955 Brahms: Symphony No. 2 in D Major, Op. 73
 1955 Brahms: Tragic Overture, Op. 81
 1955 Chausson: Poème Violinist: David Oistrakh
 1955 Debussy: La Damoiselle élue with the Radcliffe Choral Society Soloists Victoria de los Ángeles and Carol Smith, also released by Testament
 1955 Ravel: Daphnis et Chloé, with the New England Conservatory Chorus
 1955 Ravel: La valse
 1955 Saint-Saëns: Introduction and Rondo Capriccioso Violinist: David Oistrakh
 1955 Schubert: Symphony No. 8 in B minor, D 759 The Unfinished
 1955 Tchaikovsky: Symphony No. 4 in F Minor, Op.36
 1956 Beethoven: Coriolan Overture, Op. 62
 1956 Beethoven: Fidelio Overture, Op. 72b
 1956 Beethoven: Leonore Overture No. 1, Op. 138
 1956 Beethoven: Leonore Overture No. 2, Op. 72
 1956 Beethoven: Leonore Overture No. 3, Op. 72a
 1956 Berlioz: L'Enfance du Christ (issued in mono only on RCA Victor Red Seal LP; issued in stereo on RCA Victrola LP and CD), with the New England Conservatory Chorus and soloists Florence Kopleff, Giorgio Tozzi, Cesare Valletti and Gerard Souzay
 1956 Brahms: Symphony No. 1 in C Minor, Op. 68
 1956 Debussy: La Mer
 1956 Debussy: Le Martyre de Saint Sebastien with the New England Conservatory Chorus Soloists Florence Kopleff, Catherine Akos, Phyllis Curtin, and Charles Münch
 1956 Debussy: Prélude à l'après-midi d'un faune with Flutist Doriot Anthony Dwyer
 1956 Ibert Escales
 1956 Martinů: Symphony No. 6 Fantaisies Symphoniques
 1956 Mozart: Mozart at Tanglewood: Clarinet Concerto, and Quintet, with Clarinetist: Benny Goodman, Cellist: Samuel Mayes, Violist: Joseph de Pasquale, and Violinist: Richard Burgin and Alfred Krips
 1956 Piston: Symphony No. 6
 1956 Ravel: Bolero
 1956 Ravel: Rapsodie Espagnole
 1956 Tchaikovsky: Francesca da Rimini, Op. 32
 1956 Tchaikovsky: Romeo and Juliet Fantasy Overture
 1957 Johann Sebastian Bach: Brandenburg Concertos  No.1 - 6, BWV1046-1051
 1957 Barber: Medea's Meditation and Dance of Vengeance, Op. 23a
 1957 Barber: Adagio for Strings, Op. 11
 1957 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
 1957 Bloch: Schelomo Cellist: Gregor Piatigorsky, also released by Testament
 1957 Debussy: Images pour orchestre
 1957 Dukas: The Sorcerer's Apprentice
 1957 Elgar: Introduction and Allegro for Strings, Op. 47
 1957 Franck: Symphony in D Minor
 1957 Mendelssohn: Symphony No. 3
 1957 Mendelssohn: Symphony No. 5
 1957 Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16  Pianist: Nicole Henriot-Schweitzer
 1957 Prokofiev: Romeo and Juliet - excerpts, Op. 64a/b and Op. 101
 1957 Rachmaninoff: Piano Concerto No. 3 in D Minor, Op. 30 Pianist:  Byron Janis
 1957 Saint-Saëns: Omphale's Spinning Wheel, Op. 31
 1957 Smith, John Stafford: Star Spangled Banner
 1957 Tchaikovsky: Serenade for Strings, Op. 48
 1957 Walton: Cello Concerto Cellist: Gregor Piatigorsky
 1957 Wagner: Götterdämmerung - Brunhilde's Immolation Soloist: Eileen Farrell
 1957 Wagner: Götterdämmerung - Siegfried's Rhine Journey
 1957 Wagner: Tannhäuser - Overture and Bacchanale (Paris Version)
 1957 Wagner: Tristan and Isolde - Prelude and Liebestod Soloist: Eileen Farrell
 1957 Wagner: Die Walküre - The Magic Fire Music
 1958 Beethoven: Symphony No. 8 in F Major, Op. 93
 1958 Berlioz: Beatrice et Benedict Overture
 1958 Berlioz: Le carnaval romain Overture, Op. 9
 1958 Berlioz: Le corsaire Overture, Op. 21
 1958 Berlioz: Harold in Italy, Op. 16, Violist: William Primrose
 1958 Easley Blackwood: Symphony No. 1
 1958 Brahms: Piano Concerto No. 1 in D Minor, Op. 15  Pianist: Gary Graffman
 1958 d'Indy: Symphonie sur un chant montagnard français (Symphony on a French Mountain Air) Pianist:  Nicole Henriot-Schweitzer (the Conductor's niece)
 1958 Alexei Haieff: Symphony No. 2
 1958 Mahler: Kindertotenlieder Soloist: Maureen Forrester
 1958 Mahler: Songs of the Wayfarer Soloist: Maureen Forrester
 1958 Ravel: Mother Goose Suite
 1958 Ravel: Piano Concerto in G Major Pianist:  Nicole Henriot-Schweitzer
 1958 Mendelssohn: Symphony No. 4
 1958 Schubert: Symphony No. 9, D 944 The Great
 1958 Beethoven: Symphony No. 9 in D Minor, Op. 125 The Choral with the New England Conservatory Chorus and soloists Leontyne Price, Maureen Forrester, David Poleri, and Giorgio Tozzi
 1959 Berlioz: Benvenuto Cellini Overture, Op. 23
 1959 Berlioz: Requiem, Op. 5 with the New England Conservatory Chorus and Soloist: Léopold Simoneau
 1959 Berlioz: Les Troyens - Royal Hunt and Storm Music
 1959 Mendelssohn: Violin Concerto Violinist: Jascha Heifetz
 1957 Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63  Violinist: Jascha Heifetz
 1959 Schumann: Symphony No. 1 in B-flat Major, Op. 38, Spring
 1959 Schumann: Manfred Overture, Op. 115
 1959 Tchaikovsky: Violin Concerto in D Major, Op.35   Violinist: Henryk Szeryng.
 1959 Saint-Saëns: Symphony No. 3 (Organ Symphony) Organist: Berj Zamkochian
 1959 Bach: Violin Concerto No.1, BWV1041, Violinist: Jamie Laredo
 1960 Beethoven: Creatures of Prometheus - Excerpts
 1960 Beethoven: Piano Concerto No. 1 in C Major, Op. 15  Pianist: Sviatoslav Richter
 1960 Chopin: Piano Concerto No. 1 in C Minor, Op. 11  Pianist: Gary Graffman
 1960 Dvořák: Cello Concerto in B Minor, Op. 104  Cellist: Gregor Piatigorsky
 1960 Mendelssohn: Capriccio Brillant in B Minor, Op. 22  Pianist: Gary Graffman
 1960 Mendelssohn: Octet - Scherzo in E-flat Major, Op. 20, arranged for strings
 1960 Milhaud: La Création du Monde Op. 81
 1960 Milhaud: Suite Provençale Op. 152b
 1960 Poulenc: Concerto for Organ, Strings, and Timpani  Organist: Berj Zamkochian and Timpanist: Everett Firth
 1960 Schubert: Symphony No. 2 in B-flat Major, D.125
 1960 Stravinsky Jeu de cartes
 1961 Berlioz: Romeo and Juliet, Op. 17 with the New England Conservatory Chorus and Soloists: Rosalind Elias, Cesare Valetti, and Giorgio Tozzi
 1961 Dvořák: Symphony No. 8 in G Major, Op. 88
 1961 Ravel: Daphnis et Chloé, with the New England Conservatory Chorus
 1961 Richard Strauss: Till Eulenspiegel's Merry Pranks, Op. 28
 1961 Tchaikovsky: Romeo and Juliet Fantasy Overture
 1962 Tchaikovsky: Symphony No. 6 in B Minor, Op.74
 1962 Berlioz: Symphonie Fantastique
 1962 Chausson: Symphony
 1962 Debussy: Nocturnes - Nuages and Fetes
 1962 Debussy: Printemps
 1962 Debussy: Prélude à l'après-midi d'un faune Flutist: Doriot Anthony Dwyer
 1962 Franck: Le Chasseur Maudit (The Accursed Hunter)
 1962 Ravel: Bolero
 1962 Ravel: La Valse
 1962 Ravel: Pavane pour une Infante Defunte
19?? Schumann: Piano Concerto, Pianist:  Van Cliburn (Never Issued)

Broadcasts of the Chicago Symphony Orchestra released by the Chicago Symphony Orchestra's From the Archives Series
 1963 Rameau orchestrated by d'Indy: Dardanus Suite
 1966 Roussel: Bacchus et Ariane, Suite No. 2
 1967 Roussel: Symphony No. 3 in G Minor, Op. 42

Recording made with the Czech Philharmonic for Multisonic
 1957 Honegger: Symphony No. 2

Recording made with the Czech Philharmonic for Praga
 1957 Franck: Symphony in D minor

Recording made with freelance orchestra of London musicians for HMV, Naxos, and Warner
 1935  Saint-Saëns: Piano Concerto No. 4 in C Minor, Op. 44  Pianist: Alfred Cortot

Recording made with freelance orchestra of Paris musicians for , also released by A Classical Record, HMV, and Warner
 1941 Georg M. Hoffman: Meine Seele Ruhmt und Priest Soloist: Pierre Bernac

=Recording made with the Hungarian Radio and Television Orchestra for Philips and Eloquence Australia
 1966 Berlioz: Symphonie Fantastique

= Recordings made with London Philharmonic for Decca and Eloquence Australia
 1947 Roussel: The Spider's Banquet, also released by LYS
 1947 Roussel: Suite in F Op. 33, also released by LYS
 1947 Bizet: Symphony in C
 1947 Bizet: Jolie Fille de Perth - Danse bohèmienne

Broadcast of the NBC Symphony released by Memories, same as Music & Arts set
 1954 Debussy: Ibéria
 1954 Ravel:  Le Tombeau de Couperin
 1954 Roussel: Bacchus et Ariane, Suite No. 2

Broadcast of the NBC Symphony released by Music & Arts, same as Memories set
 1954 Debussy: Iberia
 1954 Ravel:  Le Tombeau de Couperin
 1954 Roussel: Bacchus et Ariane, Suite No. 2

= Recordings made with the New Philharmonia Orchestra for Decca and Eloquence Australia
 1966 Offenbach, arranged by Manuel Rosenthal: Gaîté Parisienne
 1966 Bizet:  L'Arlésienne Suite
 1966 Bizet: Carmen Suite
 1967 Respighi: Fontane di Roma
 1967 Respighi: Pini di Roma

Recordings made with the New York Philharmonic for Columbia Records
 1947 Saint-Saëns: Symphony No. 3. Soloist: E. Niels-Berger
 1948 d'Indy: Symphonie sur un chant montagnard français Pianist:  Robert Casadesus
 1948 Mozart: Piano Concerto No. 21 in C Major, KV 467 Pianist:  Robert Casadesus

Broadcast of the New York Philharmonic issued by LYS
 1948 Chabrier:  Bourrée fantasque
 1948 d'Indy: Symphonie sur un chant montagnard français Pianist: Robert Casadesus
 1948 Liszt: Piano Concerto No. 2 Pianist: Robert Casadesus
 1948 Mozart: Symphony No. 35 in D Major Haffner

Broadcasts of the New York Philharmonic released by Music & Arts
 1949 Chausson: Poème Violinist: Ginette Neveu
 1949 Ravel:  Daphnis & Chloé, Suite No. 2
 1949 Ravel: Tzigane Violinist: Ginette Neveu

Recordings made with the New York Philharmonic for Pristine Classics
 1947 Saint-Saëns: Symphony No. 3. Soloist: E. Niels-Berger, same as Columbia release
 1948 d'Indy: Symphonie sur un chant montagnard français Pianist:  Robert Casadesus, same as Columbia release
 1948 Mozart: Piano Concerto No. 21 in C Major, KV 467 Pianist:  Robert Casadesus, same as Columbia release
 1948 Chabrier:  Bourrée fantasque, same as LYS release
 1948 Liszt: Piano Concerto No. 2 Pianist: Robert Casadesus, same as LYS release
 1948 Mozart: Symphony No. 35 in D Major Haffner, same as LYS release

Recordings made with the Orchestre de l'Association des Concerts Lamoureux for Erato and Warner
 1965 Dutilleux: Symphony No. 2, Le double
 1965 Lalo: Cello Concerto in D Minor  Cellist: André Navarra
 1965 Roussel: Suite in F Major, Op. 33
 1965 Roussel: Symphony No. 3 in G Minor, Op. 42
 1965 Roussel: Symphony No. 4 in A Major, Op. 53
 1965 Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33  Cellist: André Navarra

Recordings (Live) made with the Orchestre de Paris on Altus
 1967 Berlioz: Symphonie Fantastique
 1967 Debussy: "La Mer"
 1967 Stravinsky: Requiem Canticles

Recordings made with the Orchestre de Paris for EMI/Angel and Warner
 1967 Berlioz: Symphonie Fantastique
 1967 Brahms: Symphony No. 1 in C Minor, Op. 68
 1967 Honegger: Symphony No. 2
 1967 Ravel: Bolero
 1967 Ravel: Daphnis et Chloé Suite No. 2
 1968 Ravel: Pavane pour une Infante Defunte
 1968 Ravel: Piano Concerto in G Major Pianist:  Nicole Henriot-Schweitzer
 1968 Ravel: Rapsodie Espagnole

Recordings made with the Orchestre national de France for Auvidis-Valois, previously issued on Disques Montaigne*
 1962 Debussy: La Mer*
 1962 Debussy: Iberia*
 1962 Debussy: Fantasy for Piano and Orchestra Pianist:  Nicole Henriot-Schweitzer*
 1962 Dutilleux: Symphony No. 2Le Double*
 1962 Honegger: Symphony No. 1*
 1962 Honegger: Le Chant de Nigamon
 1962 Honegger: Pastorale d'été
 1962 Roussel: Bacchus et Ariane, Suite No. 2*
 1963 Beethoven: Symphony No. 7 in A Major, Op. 92
 1963 Beethoven: Consecration of the House Overture, Op. 124
 1963 Berlioz: Symphonie fantastique
 1964 Beethoven: Symphony No. 4 in B-flat Major, Op. 60
 1964 Honegger: Symphony No. 2
 1964 Honegger: Symphony No. 5, Di tre Re
 1964 Roussel: Symphony No. 3 in G Minor, Op. 42
 1964 Sibelius: Lemminkäinen Suite (The Swan of Tuonela, Lemminkäinen's Return), Op. 22
 1965 Brahms: Symphony No. 2 in D Major, Op. 73
 1966 Berlioz: Benvenuto Cellini Overture, Op. 23
 1966 Fauré: Pelléas et Mélisande Suite Op. 80
 1966 Roussel: Symphony No. 4 in A Major, Op. 53
 1966 Roussel: Bacchus et Ariane, Suite No. 2
 1966 Schumann: Symphony No. 4 in D Major, Op. 120
 1967 Berlioz: Le corsaire Overture, Op. 21
 1967 Franck: Symphony in D Minor

Broadcast made with the Orchestre national de France for Cascavelle
1953 Berlioz: Roméo et Juliette Op. 17., Soloists: Irma Kolassi, Joseph Peyron, Lucien Lovano with National Orchestra Chorus of Radio France

Broadcasts of the Orchestre national de France for Euromuses
 1958 Schmitt: Symphony No. 2
 1962 Debussy: Fantasy for Piano and Orchestra, Pianist:  Nicole Henriot-Schweitzer

Recordings made with the Orchestre national de France for HMV
 1949 Berlioz: Symphonie Fantastique, also released by A Classical Recording, LYS, TAHRA, and Warner
 1957 Schumann: Piano Concerto, Pianist: Samson François

Recordings made with the Orchestre national de l'O.R.T.F. for Accord
 1961 Barraud: Symphony No. 3
 1961 Roussel: Bacchus et Ariane, Suite No. 2
 1962 Debussy: Ibéria
 1962 Debussy: La mer
 1962 Debussy: Trois Nocturnes

= Recordings made with the Orchestre national de l'O.R.T.F. for Eloquence Australia
 1961 Barraud: Symphony No. 3
 1961 Roussel: Bacchus et Ariane, Suite No. 2

Recordings made with the Orchestre national de l'O.R.T.F. for Erato and Warner
 1965 Roussel: Suite in F Op. 33
 1967 Dutilleux: Métaboles
 1967 Honegger: Symphony No. 4 Deliciae basiliensis

Broadcast made with the Orchestre national de l'O.R.T.F. for Music & Arts
 1951 Saint-Saëns: Violin Concerto No. 3 in B minor, Op. 61, Violinist: Zino Francescatti

Recordings made with the Orchestre national de l'O.R.T.F. for Turnabout(?) and Scribendum
 1966 Albéniz: Iberia
 1966 Debussy: Iberia
 1966 Debussy: La Mer
 1966 Debussy: "Prelude a l'apres-midi d'un faune
 1967 Bizet: Jeux d'Enfants
 1967 Bizet: Patrie Overture
 1967 Bizet: Symphony in C
 1967 Borodin: In the Steppes of Central Asia
 1967 Mussorgsky: Khovanchina - Introduction and Persian Dance
 1967 Rimsky-Korsakov: Golden Cockerel
 1967 Rimsky-Korsakov: Russian Easter Festival Overture

Broadcast of the Orchestre Philharmonique de la R.T.F. for Euromuses
 1962 Roussel: Suite in F, op. 33

Recordings made with the Orchestre de la Société des Concerts du Conservatoire for Decca and Eloquence Australia
 1946 Berlioz: Benvenuto Cellini Overture, Op. 23
 1946 Fauré: Pavane, Op. 50
 1946 Franck: Symphonic Variations, with Eileen Joyce, also released by LYS
 1946 Franck: Symphony in D minor, also released by LYS
 1946 Ravel: Boléro, also released by LYS
 1946 Ravel: Daphnis et Chloé Suites 1 and 2, also released by LYS
 1946 Roussel: Petite Suite Op. 39, also released by LYS
 1946 Saint Saëns: Omphale's Spinning Wheel, Op. 31, also released by LYS
 1947 Beethoven: Symphony No. 8 in F major
 1947 Debussy: Ibéria, also released by LYS
 1947 Debussy: Berceuse héroïque, also released by LYS
 1947 d'Indy: Fervaal Prelude, Op. 40, also released by LYS
 1947 Fauré: Pelléas et Mélisande Suite, Op. 80
 1947 Mendelssohn: Symphony No. 5, Reformation, also released by LYS
 1947 Prokofiev: Symphony No. 1, Op. 25, also released by LYS
 1948 Berlioz: Le corsaire Overture, Op. 21
 1948 Tchaikovsky: Symphony No. 6 in B minor, Op. 74, also released by LYS
 1949 Berlioz: Romeo and Juliet excerpts, Op. 9
 1949 Berlioz: Les Troyens - "Royal Hunt and Storm Music"
 1949 Ravel: Piano Concerto, pianist: Nicole Henriot-Schweitzer

Recordings made with the Orchestre de la Societe des Concerts du Conservatoire for HMV and Warner
 1939 Bloch: Violin Concerto in A minor, Violinist: Joseph Szigeti
 1939 Ravel: Concerto for the Left Hand, Pianist: Alfred Cortot, also released by LYS
 1939 Vivaldi orchestrated by Dandelot:  Violin Concerto in D Major, Op. 3, No. 9, Violinist: D. Soriano
 1939 Mozart: Violin Concerto No. 7 in D major, K. 217a, Violinist: D. Soriano
 1939 Gabriel Faure: Bercuse for Violin and Orchestra, Violinist: D. Soriano
 1941 Delannoy: La pantoufle de vair : Danse des négrillons et Apothéose (Grand Suite on the ballet, Cinderella) Violinist: Henri Merkel, also released by A Classical Record, Malibran, and LYS
 1941 Delannoy: Sérénade concertante for Violin Violinist: Henri Merkel, also released by A Classical Record, Malibran, and LYS
 1941 Franz Liszt: Piano Concerto No. 1 in E-flat major, S. 124, Pianist: Joseph Benenuti
 1941 Gustave Samazeuilh: Le Cercle des heures, Mezzo Soprano, Eliette Schenneberg
 1941 Gustave Samazeuilh: Nuit, also released by A Classical Record
 1941 Ernesto Halffter: Rapsodia Portugesa Pianist: Marguerite Long, also released A Classical Record and LYS
 1941 Honegger: La Danse des Morts with Jean-Louis Barrault, Odette Turba-Rabier, Charles Panzera and Elaine Schenneberg with chorus, also released by LYS
 1941 Mozart: Violin Concerto No. 5, K. 219, Violinist: Jacques Thibaud
 1942 Debussy La mer, also released by A Classical Record and LYS
 1942 Honegger: Symphony No. 2, also released by A Classical Record and LYS
 1942 Mozart: Piano Concerto No. 20, K. 466, Pianist: Jean Doyen, also released by A Classical Record and LYS
 1942 Ravel: La valse, also released by A Classical Record and LYS
 1942 Ravel: Pavane for a Dead Princess, also released by A Classical Record and LYS
 1942 Ravel: Concerto for the Left Hand, Pianist: Jacques Février, also released by LYS
 1942 Tchaikovsky: Piano Concerto No. 1, Pianist: Kostia Kostantinov, also released by LYS
 1944 Beethoven: Piano Concerto No. 5, Op. 73,The Emperor, Pianist: Marguerite Long, also released by A Classical Record
 1946 Louis Aubert: Habanera, also released by A Classical Record and LYS
 1946 Chopin orchestrated by Louis Aubert: La Nuit ensorcelée (Enchanted Night), also released by A Classical Record
 1946 Jolivet: Les Trois complaintes du soldat vaincu (Three Laments of the Defeated Soldier) Soloist: Pierre Bernac also released by A Classical Record

Recordings made with the Orchestre de la Societe des Concerts du Conservatoire for Oiseau-Lyre
 1938 Haydn:  Sinfonia Concertante for Violin, Viola, Cello, Oboe and Basson, also released by A Classical Record

Recording made with the Paris Philharmonic for Polydor
 1938 Ravel: Concerto for the Left Hand, Pianist: Jacqueline Blanchard
 19?? Widor: Fantasy for Piano and Orchestra, Pianist: M. Herrenschmidt

Recordings made with the Philadelphia Orchestra for Columbia Records
 1963 Berlioz: La Damnation de Faust - excerpts
 1963 Fauré: Pelléas et Mélisande Suite, Op. 80
 1963 Ravel: Valses nobles et sentimentales

Broadcast of the Philadelphia Orchestra released on the Philadelphia Orchestra's Centennial Set
 1963 Ravel: Daphnis et Chloé Suite No. 2

Recordings (Live) made with the Prague Radio Symphony Orchestra issued by Panton
 1967 Martinů: Symphony No. 6 Fantaisies Symphoniques

Broadcast of the RAI Symphony Orchestra released by Tahra
 1951 Beethoven: Symphony No. 6 Pastorale
 1951 Debussy: La Mer

Recording made with the Rotterdam Philharmonic for Turnabout(?) and Scribendum
 1962 Franck: Symphony in D minor
 1967 Beethoven: Symphony No. 6 Pastorale

Recording made with the Royal Philharmonic Orchestra for Reader's Digest
 1963 Bizet: Symphony in C
 1963 Tchaikovsky: Francesca da Rimini, Op.32

Broadcast of the Symphony of the Air released by Music & Arts
 1957 Debussy: La Mer

Recording of the USSR State Academic Orchestra released by Meloydia
 1965 Debussy: La Mer
 1965 Honegger: Symphony No. 2
 1965 Rameau orchestrated by d'Indy: Dardanus Suite
 1965 Roussel: Bacchus et Ariane, Suite No. 2

Recordings Lacking Full Information

19?? Debussy: La Mer, one movement, Orchestra:?, Suppraphon
19?? Martinů: Symphony No. 6 Fantaisies Symphoniques, one movement, Orchestra:?, Suppraphon

The Suppraphon recordings were part of "45" record that was a bonus insert in a booklet-length biography(?) of Munch in Czech issued by Suppraphon. The Boston Symphony Orchestra Archives has the booklet and recording with the details.

Video of Charles Münch on DVD

DVD with the Boston Symphony on ICA
 1958 Anton Bruckner: Symphony No. 7 in E Major
 1958 Claude Debussy: La Mer
 1958 Felix Mendelssohn: Symphony No. 4 in A Major, Op. 90
 1958 Wolfgang Amadeus Mozart: Symphony No. 36, "Linz"
 1958 Ravel: Mother Goose Suite
 1959 Beethoven: Symphony No. 5 in C minor, Op. 67
 1959 Fauré: Pelléas et Mélisande Suite, Op. 80
 1959 Joseph Haydn: Symphony No. 98 in B flat Major, Hob.1:98
 1959 Felix Mendelssohn: Symphony No. 3 in A minor, Op. 56
 1959 Wolfgang Amadeus Mozart: Masonic Funeral Music K477/479a
 1959 Wolfgang Amadeus Mozart: Symphony No. 38, "Prague"
 1959 Robert Schumann: Symphony No. 2 in C Major, Op. 61
 1960 Beethoven: Creatures of Prometheus, excerpts, Op. 43
 1960 Johannes Brahms: Symphony No. 2 in D Major, Op. 73
 1960 George F. Handel/Hamilton Harty: Water Music Suite
 1960 Richard Wagner: Die Meistersinger – Act III Excerpts
 1961 Beethoven: Symphony No. 4 in B flat major, Op. 60
 1961 Johannes Brahms: Symphony No. 1 in C minor, Op. 68
 1961 Claude Debussy: Ibéria
 1961 Franck: Symphony in D Minor
 1961 Robert Schumann: Overture to Genoveva, Op. 81
 1962 Franz Schubert: Symphony No. 5 in B flat major, D485

DVD with the Boston Symphony on NHK
 1960 Japanese National Anthem: Kimi Ga Yo
 1960 Smith, John Stafford: Star Spangled Banner
 1960 Beethoven: Symphony No. 3 in E-Flat Major, Op. 55
 1960 Ravel: Daphnis et Chloé Suite No. 2

DVD with the Boston Symphony on VAI
 1962 Berlioz: Symphonie Fantastique
 1962 Debussy: La Mer
 1962 Ravel: Daphnis et Chloé Suite No. 2
 1966 Berlioz: L'Enfance du Christ with the Harvard Glee Club and Radcliffe Choral Society and Soloists Donald Gramm, Florence Kopleff, Donald Meanders, John McCollum, and Theodore Uppman

DVD with the Chicago Symphony Orchestra on VAI
 1963 Berlioz: Les Troyens - Royal Hunt and Storm Music
 1963 Rameau orchestrated by d'Indy: Dardanus Suite
 1963 Ravel: La Valse
 1963 Ravel: Valses nobles et sentimentales

DVD with the Orchestre National de l'ORTF on EMI
 1966 Brahms: Symphony No. 1 in C Minor, Op. 68 (Movements II through IV only)
 1966 Ravel: Daphnis et Chloé Suite No. 2

DVD with the Orchestre de Radio-Canada on VAI
 1963 Berlioz: Symphonie Fantastique

DVD The Art of Conducting Volume II on EMI
 1957  Franck: Symphony in D Minor - excerpts with the Czech Philharmonic
 1962 Berlioz: Symphonie Fantastique - excerpts with Boston Symphony
 1962 Debussy: La Mer - excerpts with Boston Symphony
 1962 Ravel: Daphnis et Chloé Suite No. 2 - excerpts with Boston Symphony
 1966 Berlioz: Symphonie Fantastique - excerpts with the Hungarian Radio and Television Orchestra

Discographies of classical conductors
Discographies of American artists

redpajama_set_name: RedPajamaWikipedia


X-Seal & Go is a range of collapsible food containers with airtight seals. The threaded lids are simple and easy to operate, and provide peace of mind against leaks. When not in use each container collapses to a minimal height, taking up significantly less space when stored. Available in four different sizes or in 2 sets, the X-Seal & Go containers are perfect for culinary adventures on the trail, as well as taking lunch to school or the office.The X-Seal & Go Small Set includes 1 size small container and a large one and the large set consists of 1 medium and 1 XL container which nest into each other creating one compact package.


text:
Home Medtech News + Medtech Regulatory News Front Line receives FDA clearance for COBRA-OS device
Front Line receives FDA clearance for COBRA-OS device
Front Line Medical Technologies has received Food and Drug Administration (FDA) for its COBRA-OS (Control of Bleeding, Resuscitation, Arterial Occlusion System). The COBRA-OS is the first 4 French REBOA (Resuscitative Endovascular Balloon Occlusion of the Aorta) device and it is the smallest on the market.
It is an aortic occlusion device with a low profile for temporary haemorrhage control and resuscitation.
The COBRA-OS is capable of providing full occlusion, intermittent occlusion, or partial occlusion depending on the patient's need, and also has a unique Safety Shoulder Reservoir incorporated into the device to help prevent aortic rupture during inflation. The medical device allows front-line personnel to control patients' bleeding in fewer steps and less invasively, potentially decreasing complications.
REBOA is a minimally invasive procedure used in emergency situations, that deploys an endovascular occlusion balloon in the aorta to temporarily stem blood flow below the device and increase blood flow above it to the brain and heart.
Dr Adam Power, practicing vascular surgeon and co-founder of Front Line Medical Technologies, said: "With the extremely low profile of the COBRA-OS, we can hopefully help to reduce REBOA procedure times and access site complications. With the time saved and fewer complications, we have the potential to increase the benefits of REBOA for trauma patients and beyond. Our goal is to increase access to life-saving REBOA procedures and ultimately decrease the rates of preventable deaths due to blood loss."
Typical REBOA procedures can take between five to 10 minutes or longer; the COBRA-OS has taken just over a minute in studies. Because of its significantly smaller size, health care personnel can quickly and easily deploy the COBRA-OS, reducing the time of the procedure and potentially improving patient outcomes.
Dr. Asha Parekh, co-founder and CEO of Front Line Medical Technologies, added: "REBOA is still an evolving procedure, and the COBRA-OS is the latest device to push the limit further in terms of practicality, especially for out-of-hospital cases. The COBRA-OS provides medical professionals with a simple and effective device, which can expand REBOA use and help more patients survive traumatic injuries. FDA clearance is a major milestone and with North America now covered, we will continue to grow and expand into other countries."
The medical device can be used in multiple situations, including non-compressible torso haemorrhage in trauma, postpartum haemorrhage and gastrointestinal haemorrhage. While it has been primarily performed in-hospital, it is currently also being deployed in pre-hospital settings and military environments and being investigated for nontraumatic cardiac arrest.
FDA Front Line Medical Technologies bleeding COBRA-OS Top Med Tech Stories haemorrhage resuscitation
LATEST MEDTECH REGULATORY NEWS
LATEST MEDTECH REGULATORY INSIGHTS AND ANALYSIS
FEATURED INSIGHTS, ANALYSIS & OPINION

redpajama_set_name: RedPajamaCommonCrawl


text:
Maureen Corrigan
"My own book is my attempt to figure out some of the consequences of my prolonged exposure to books."
Bio PDF
Maureen Corrigan is America's most trusted and beloved book critic. Her distinctive voice is at once incisive and accessible, like a well-read friend who always sends you home with a good book to read.
For more than twenty years Maureen has been the book critic for NPR's Fresh Air. She is also a columnist for The Washington Post and The Nicky and Jamie Grant Distinguished Professor of the Practice in Literary Criticism at Georgetown University where her courses are very popular. As a lecturer she's been described as "brilliant," "hilarious," "passionate" and "eloquent." She is the author of two books of her own; Leave me Alone I'm Reading and So We Read On: How the Great Gatsby Came to Be and Why it Endures, which was named one of the ten best books of the year by Library Journal.
Aside from her writings for The Washington Post and The Village Voice, Maureen has also written reviews for TheNew York Times, The Boston Globe and The Nation among others. She is an associate editor of and contributor to Mystery and Suspense Writers and the winner of the 1999 Edgar Award for Criticism. She has served as a juror for the Pulitzer Prize in Fiction.
Maureen Corrigan "So We Read On"
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344 Eastern Daylight Time 22nd January 1:36pm (GMT-5)
Calcio Lecco Goaaal! [2-0]
Metropolitan Police - Beaconsfield Town 14.01.2020
Livescore >
Southern Football League, Premier Division South >
Live | Today | Yesterday | Not Started | Finished
Refresh | Game Time: Postponed 14/01 14:45
League: Southern Football League, Premier Division South - Southern Football League, Premier Division South 19/20
Beaconsfield Town
H2H Statistics - League Tables
- Score -
The competition of Metropolitan Police and the team of Beaconsfield Town is held within the tournament of Southern Football League, Premier Division South.
Time of the match: 14.01.2020 14:45
Summary of previous confrontations between the team of Metropolitan Police and the team of Beaconsfield Town:
The match of Beaconsfield Town and Metropolitan Police on 26.08.2019 ended with the score of 0:0.
The opposition of Beaconsfield Town and Metropolitan Police on 22.04.2019 ended with the score of 0:0.
The match of Metropolitan Police and Beaconsfield Town on 02.01.2019 finished with the score of 3:1.
Scheduled matches between the team of Metropolitan Police and the team of Beaconsfield Town:
Statistics of participants:
Team: Metropolitan Police
Team: Beaconsfield Town
Follow the results of the matches Metropolitan Police - Beaconsfield Town. Football online, schedule of matches of Southern Football League, Premier Division South on fscore.sl
2020 fscore.sl


Typically CSS media queries are used to change the layout and design, when hitting certain breakpoints. That approach does have its limitation and can get quite custom depending on different layouts. The limitations, for React, come from not every prop can be configured in CSS and the structure of a render method might need to widly differ passed the point of legible CSS.
This approach does have its pitfall when hydrating statically rendered templates from build time or dynamic server side rendering.
Both of these types of static rendering happen before the viewport rending the React application are known. During Reacts hydration stage the initial template can differ from the one that has been optimised for that viewport. This can give the user a jarring experience if the application initialisation takes a long time and the templates widly differ.
It's best to keep entry points as similar across breakpoints as possible and/or the app initialisation time as quick as possible.


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/Fishing and aquaculture
/Sustainable fisheries
/Strengthening fisheries management
/Revitalising the Hauraki Gulf: Government action on the Sea Change Plan
Strengthening fisheries management
Monitoring and observing fishing activity
Digital monitoring of commercial fishing
How we manage New Zealand's fisheries
Revitalising the Hauraki Gulf: Government action on the Sea Change Plan
Bottom trawling
Managing the impact of fishing on protected species
The health of New Zealand's fisheries
Snapper 1 management plan
National Blue Cod Strategy
Review of the CRA2 rock lobster fishery
The Southern Scallop Fishery (SCA 7)
East coast tarakihi: rebuilding numbers
The National Rock Lobster Management Group
Revitalising the Gulf provides Government leadership across how we manage one of the country's most valued and intensively used coastal spaces. It sets out a package of marine conservation and fisheries management actions to restore a healthy Hauraki Gulf.
17 January 2023 – Draft Hauraki Gulf Fisheries Plan Consultation now open
Fisheries New Zealand is seeking public feedback on the draft Hauraki Gulf Fisheries Plan.
One of the key actions in Revitalising the Gulf, the plan sets out an ecosystem-based approach to managing fisheries, and the effects of fishing, within the Hauraki Gulf.
If approved, it will be New Zealand's first area-based fisheries plan.
The consultation is open until 3 March 2023.
More details on the consultation
28 October 2022 – Marine protection consultation closed
From 14 September to 28 October 2022, the Department of Conservation (DOC) sought feedback on the marine protection proposals developed from Revitalising the Gulf.
This included proposals to establish 19 new protected zones in the Hauraki Gulf, using 2 new marine protection tools established through new legislation.
DOC's website has details about the closed consultation.
Revitalising the Hauraki Gulf – DOC
Restoring the health and mauri of the Hauraki Gulf
Revitalising the Gulf provides Government leadership across how we manage one of the country's most valued and intensively used coastal spaces. It sets out a package of marine conservation and fisheries management actions to restore a healthy Hauraki Gulf.
Revitalising the Gulf is the Government's strategy in response to the call for action made by the 2017 Sea Change – Tai Timu Tai Pari – Hauraki Gulf Marine Spatial Plan.
The Sea Change Plan set out over 180 recommendations to improve and protect the waiora (health) and mauri (life force) of the gulf, created by a group representing mana whenua, communities, and local government.
Plan for action
The Department of Conservation (DOC) and Fisheries New Zealand (FNZ) are leading implementation of the actions contained in the strategy, which focuses on supporting recovery and protecting habitats and species, developing sustainable management and industry, and working together with mana whenua and local communities to deliver a healthier gulf for generations to come.
Revitalising the Gulf: Government action on the Sea Change Plan [PDF, 4.7 MB]
At a glance: Summary of Revitalising the Gulf [PDF, 2.1 MB]
Draft Hauraki Gulf Fisheries Plan
One of the key actions in the Revitalising the Gulf strategy is the development of a fisheries plan for the Hauraki Gulf.
This is New Zealand's first area-based fisheries plan to be approved under section 11A of the Fisheries Act and is tailored to the needs and challenges of the gulf and its communities.
It will set out new proposals for managing and sustaining healthy fisheries for customary, recreational, and commercial uses. This includes progressing an ecosystem-based fisheries management approach, which looks at understanding the bigger picture in managing a marine environment, including all the ways it is valued and the people that use it.
As part of this inclusive, unified approach, a monitoring and indicator framework is being developed, with tangata whenua and the Sustainable Seas National Science Challenge
The draft plan will contribute to the following outcomes in the Hauraki Gulf:
locally abundant fish stocks
restoration of important habitats
strengthened fisheries management
improved understanding of stocks, fisheries, and ecosystems.
Following public consultation, if approved by the Minister, the Hauraki Gulf Fisheries Plan will become operational in 2023.
Establishing bottom trawl and Danish seine access areas (Trawl Corridors)
One of the most significant changes proposed for the Hauraki Gulf is the removal of bottom trawl and Danish seine fishing methods, except within carefully selected access areas or "trawl corridors".
We acknowledge there is significant interest in this initiative, and the wide range of views on the extent to which bottom contact fishing should be permitted in the Hauraki Gulf. Recognising this, Fisheries New Zealand has been progressing the Trawl Corridors Project in parallel with developing the wider Fisheries Plan.
Establishing trawl corridors is a management action in the draft Fisheries Plan, signalling the commitment to progressing this key piece of work. This action is part of a suite of measures within the plan to help achieve the objectives and long-term desired outcomes for fisheries. We welcome feedback on these, including the proposal to establish trawl corridors, during public consultation on the draft plan.
To ensure an informed and evidenced-based approach, Fisheries New Zealand commissioned a research project to support development of optimal trawl corridors options. This research commenced in 2022 and a Hauraki Gulf specific spatial planning tool is now in place.
In early 2023, Fisheries New Zealand will work to finalise options for trawl corridors, using this spatial planning tool. We will also seek input from treaty partners, key stakeholders and the Hauraki Gulf Fisheries Plan Advisory Group.
A critical part of establishing optimal trawl corridors will be seeking people's views on the best way forward, and we aim to publicly consult on trawl corridors options in mid-2023.
Following public consultation, the Oceans and Fisheries Minister will be provided with advice and submissions from the public to support making final decisions on where bottom trawling and Danish seining will be permitted in the Hauraki Gulf.
A regulatory process will then be required to bring the finalised trawl corridors into effect.
More information on other initiatives underway to manage the effects of bottom trawling in New Zealand
Working with our Treaty partners and stakeholders
Many individuals, groups and communities have an interest in the Hauraki Gulf. The draft Fisheries Plan has been developed with input from a wide range of partners and stakeholders, including mana whenua.
We heard a range of views from iwi during two rounds of engagement, between June 2019 and September 2020, and between October 2021 and June 2022, to help shape final proposals in the draft plan. Following consultation, Fisheries New Zealand will continue to work with our treaty partners to finalise and implement the plan.
Hauraki Gulf Fisheries Plan Advisory Group
This was established in May 2022 to support the development and implementation of The Fisheries Plan. Members have expertise in fisheries management, fisheries science and environmental policy and represent a range of fisheries management interests:
Martin Cryer – Chair
Mark Ngata (Moana NZ)
Laws Lawson (Fisheries Inshore NZ)
Raewyn Peart (Environmental Defence Society)
Geoff Keey (Forest and Bird)
Rowan Ashton (New Zealand Sports Fishing Council)
Tony Orton (Offshore Adventures)
Mark Morrison (NIWA)
Dave Allen (Auckland Council)
Chris Staite (Waikato Regional Council)
Members are supported by representatives from Fisheries New Zealand and the Department of Conservation.
If you have questions about Revitalising the Gulf, email seachange@mpi.govt.nz


The Beat-series is designed to separate bass tones, slap tones and ghost notes. It is made out of wood with high-end sound response.
The 5-ply sitka spruce playing surface provides dry sound and deep bass.
The 7-ply African sapele resonance box is finished in a transparent dark brown color. The 120mm diameter bass duct helps to produce deep bass.
Two pairs of V-shaped snare wires are attached to the back of the playing surface with Velcro. You can make various tones by attaching and detaching the Velcro and adjusting the tension.
At the bottom of the box is a lightweight, durable compression felt feet and a tensioning socket that uses a 3mm hex wrench.
The trimmed edges of the box help your legs relax when you play for a long time, and the contrast between the dark box and the bright edges gives you a sense of attractiveness.
Slightly low height and deep depth will help you perform comfortably. It was designed to produce even sound from bass to treble.
The bag is designed to store and move the cajon upright in order to keep it secure. You can attach the strap to your shoulder or carry it with your hand.
Updated on 2017-10-09T21:49:31+00:00, by hexguitars.


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HomeNewsShip OperationsNew Hamburg cruises for AIDAnova in varied winter 2023/24 program
New Hamburg cruises for AIDAnova in varied winter 2023/24 program
From Hamburg, AIDAnova will alternate cruises to major European cities and to Norway/Denmark from November 2023 until May 2024
Anne Kalosh | Jan 23, 2023
AIDA Cruises' winter 2023/24 program includes new AIDAnova sailings from Hamburg plus voyages to the Canary Islands, Caribbean, Arabian Gulf, Seychelles and Asia.
AIDAnova is to depart from Kiel for Norway and Denmark from Oct. 21 to Nov. 4, 2023. Starting Nov. 11, AIDAnova will alternate cruises to major European cities and to Norway/Denmark until May 2024. These offer Christmas shopping in London, Paris and Amsterdam or a visit to the Advent markets of Copenhagen and Oslo. The ship will spend New Year's Eve and New Year's Day in Copenhagen.
World cruise then far north
AIDAsol will set off on its 117-day world cruise in October 2023. Afterward, from February 2024 the ship will offer three 'winter in the far north' voyages from Hamburg to the land of the aurora borealis.
After summer in the Mediterranean, AIDAcosma will offer voyages around the Canaries and to Madeira for the first time from November 2023 to April 2024. The seven-day cruises will depart either from Gran Canaria or Tenerife. Travelers can see Madeira's famous New Year's fireworks at Funchal.
AIDAstella will sail from Palma de Mallorca to the Canary Islands or to Civitavecchia (Rome) or Barcelona in the Mediterranean.
AIDAprima will sail from Dubai or Abu Dhabi to Muscat (Oman) and Doha (Qatar) or to the Bahrain and the beach destination of Sir Bani Yas. These weeklong cruises can be combined.
Indian Ocean and Asia
AIDAblu will cruise in the Indian Ocean to Mauritius, Seychelles, La Reunión and Madagascar.
AIDAbella sets course for destinations in Thailand, Malaysia, Vietnam and Singapore. In addition, three new 21-day 'Selection' cruises from Laem Chabang (Bangkok) are in the program: the Christmas/New Year's features ports in Vietnam and New Year's in Hong Kong.
In January 2024, AIDAbella will call at Indonesia's Surabaya, Lombok, Bali and Java, as well as Vietnam and Cambodia. In March 2024, the ship's 21-day cruise, over Easter, visits Taiwan, Hong Kong, Vietnam and Singapore, with five stops in Japan including maiden calls at Tokyo, Nagasaki and Kochi.
Three Caribbean ships
In the Caribbean, AIDAdiva, AIDAluna and AIDAperla will offer itineraries that include the ABC islands, Costa Rica, Panama and Mexico. AIDAdiva will alternate cruises to Mexico and Belize with the Lesser Antilles. Passengers can embark in the Dominican Republic, Jamaica, Martinique or Barbados.
AIDAmar's 43-day Caribbean cruise round-trip Hamburg cuts out the flights and spends New Year's Eve at Bermuda.
Early booking savings
Passengers who choose the 'AIDA Premium' rate get savings on the 2023/24 winter cruises when booking by April 30, 2023 or June 30, 2023, depending on the trip.
TAGS: Ports & Destinations AIDA Cruises AIDAnova Hamburg world cruise Canary Islands Arabian Gulf asia Seychelles Caribbean
Riverside Luxury Cruises appoints Jon Knight as UK head of sales
Tropical cyclone Gabrielle disrupts sailings in the South Pacific


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Montigny-la-Resle är en kommun i departementet Yonne i regionen Bourgogne-Franche-Comté i norra Frankrike. Kommunen ligger i kantonen Ligny-le-Châtel som tillhör arrondissementet Auxerre. År  hade Montigny-la-Resle  invånare.

Befolkningsutveckling
Antalet invånare i kommunen Montigny-la-Resle

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 Lista över kommuner i departementet Yonne

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Kommuner i Yonne


We believe that God's justifying grace must not be separated from His sanctifying power and purpose. God commands us to love Him supremely and others sacrificially and to live out our faith with care for one another, compassion toward the poor, and justice for the oppressed. With God's Word, the Spirit's power, and fervent prayer in Christ's name, we are to combat the spiritual forces of evil. In obedience to Christ's commission, we are to make disciples among all people, always bearing witness to the gospel in word and deed.
The term "Evangelical" refers to our theology. Specifically, our commitment to the proclamation of the good news in the Gospels, and to the authority of the Scriptures as being inerrant in the original writings and the only safe and sufficient guide to faith and practice.
The term "Free" refers to our form of congregational church government. We are an interdependent denomination, united in our overall mission, while allowing each local church to determine its own organizational structure. Evangelical Free Churches depend upon the active participation of lay people in the decisions and directions of the church.


In 2016, I've been living in Iceland for over nine months, studying, hitchhiking, trekking and working on various farms and assorted projects all over the country. I connected with people in rural areas and captured their close relationship to nature.
In 2012, I spent various times working with Austria's last wandering shepherd and his family. The flock counted approximately 1000+ sheep. Starting in their winter camp in the flat lands of Lower Austria the animals had to be moved into the Styrian Alps for summer and herded back for the autumn-shearing with the help of their shepherd dogs and volunteers.
Analogue Summer questions the topic of traditional masculinity by blending the borders between documentary photography and visual poetry. It has been shot on Revolog 600 nm effect film.
An experimentally illustrated travel report of my pilgrimage on the Way of St. James in Spain' based on my journal from 2008. Walking distances can be retraced by fitting the bookmark (= map of the trail) to the page numbers, which show the kilometers travelled.
Queens of Vienna is an ongoing project about the drag-party-subculture in Vienna. Drag-performers from all ages and stages gather at the nightclub Marea Alta to celebrate love, diversity and beauty.
Artist book documenting my journey through the Danube National Park realized during my residency in 2017.
Situated between the European capitals Vienna and Bratislava, the Donau-Auen National Park preserves the last remaining major wetlands in Central Europe. Here, the Danube's course has not been restricted by man and is the lifeline of the national park. It creates a habitat for numerous animals and plants, some of which are rare species.
The book is a fictional dialogue between fascinating personalities – searching for freedom in the untouched, mystical forest – and the surrounding nature. It contains still lifes, portraits and landscapes.
There are no page numbers but coordinates linking the pictures to their exact locations on the map attached.
With Katharina Mohn and Christoph Schütz.
Hearing about Baunti, you'll probably think about white beaches and coconuts. In reality however, Baumgartner brewery from Schärding, Austria has been brewing Baunti for many years. Sold in 0.33l bottles, Baunti needed a new look to complement its great taste.
We decided to give it a try, and came up with a clean and fresh-looking design incorporating traditional Austrian styles, showing that the beer is aware of its heritage and not afraid to show it. To emphasize its Austrian roots and offer a playful distinction to the well-known chocolate bar, we developed a fun slogan to go with the modern design: "Sounds like the Caribbean, tastes like Schärding".
For the university project Meeting Tokyo's Creatives we met photographer Takashi Homma in his studio for an Interview about his work and philosophy. Inspired by his recent series Tokyo Obscura shot in an elaborate camera-obscura-technique we designed this booklet, using strong graphic and typographic contrasts.
Editorial design and infographics for a magazine-article about power napping at the office.
In October 2015 the class for Graphic Design and Advertising took part in the VIENNA+TOKYO students exchange exhibition. The task was to design posters referring to the overall topic: "Aging Population".
This interactive poster was designed to raise awareness for the problem of "Ageism" (= discrimination of the elderly). It shows the most common prejudices against seniors. By pulling off the paper strips and tearing apart the keywords, the counterarguments are revealed.
This series for a fictitious client and sponsor Kerrygold merges advertising for butter with key pieces of Modern Art in an entertaining and sophisticated manner.
…, please pass the butter.
at the University of Applied Arts Vienna.
Invitation folder and posters for the Margarethe Schütte-Lihotzky conference at the University of Applied Arts Vienna in cooperation with the Forschungsstelle für Zeitgeschichte Hamburg.


Wood Plastic Composite is not as susceptible as timber to changing moisture levels inherent properties of timber whilst having a number of additional benefits.
Jul 2, 2013 The Reiwood WPC profile without hollow chamber sinks or facia cladding Reiwood also offers significant advantages when mounting.
The benefits are not always clear though, as there are many trade-offs to consider .. Comparing values between different profiles, WPC formulations and.
An update on Wood Plastic Composites (WPC). Ed Suttie, BRE Window profiles and door profiles What are the advantages and disadvantages of WPC?
In India, Wood Plastic Composite Production Line, WPC Profile Extrusion Line, Wood Plastic Composite Doors, WPC Furniture. ADVANTAGES of WPC.


text:
The Women's Royal Army Corps (ePub)
Regimental History Women of History Military
Imprint: Pen & Sword Military Classics
File Size: 7.2 MB (.epub)
eBook Released: 28th May 2014
£4.99 Print price £9.99
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When the history of the Twentieth Century is written let us hope that the few nobel ideals of our era are not entirely submerged by the scientific miracles and horrors which increasingly dominate our lives. High among such ideas must rank the recognition of women in more and more walks of life as equal partners with men, and in no area was the battle for recognition fought with greater determination then or more evident ultimate justification in the righteousness of their course then in the Women's Army Auxiliary Corps, later to become the WRAC. As Brigadier Bidwell puts it: "At the heart of the question was not so much doubt about the ability or reliability of women, but an unformulated but powerful fear of the consequences of their intrusion in strength into an entity so exclusively and aggressively male as an army in the field'. He goes on to demonstrate how they managed not only to dispel that fear but but to replace it with admiration and respect which few could have dared to envisage at the outset. The Corps must be warmly congratulated upon their decision to ask Brigadier Bidwell to write their history. As an experienced military historian but nevertheless a detached observer, he brings to his task an objectivity and balance of judgement which exonerates his book from any taints of hagiography but nevertheless constitutes a record of which even the oldest regiments would be proud.
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Champion è il quarto album di inediti del cantante e drag queen RuPaul. È stato pubblicato su iTunes il 24 febbraio 2009. L'album è un misto di dance, electro pop, R&B, e hip-hop.

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