We kindly ask you to do a deposit in the amount of EUR 75,00 per person when you have fix booked your stay at our hotel. If you are using the IBAN and BIC (Swift) the bank transfer within the EU will cost the same as a domestic bank transfer.
The prices listed are per person and day including half board and the Lammwirt pamper package.
The children prices are only valid when the children are sleeping in the room of the parents and both are paying the full price.
The stay for children until their 3rd birthday is for free (except family studio "mountain crystal" and family room "Panorama").
For the third and fourth person we are giving a discount of 25% from the half board price.
Single room supplement of € 10,00 per person and day.
For an overnight with breakfast you are paying € 8,00 per adult and day (€ 4,00 per child and day) less from the half board price.
For dogs we charge € 10,00 per day without feed.
You can pay with ec card, Maestro, ATM or cash.
All rooms are non-smoking rooms! Smoking is only allowed on the balcony!
Your room is available from 3 pm on your arrival day. We kindly ask you to leave the room until 10 am on your departure day. If you arrive later than 6 pm please contact us. Otherwise your room will be offered to another person if possible.
For no show, late arrival or early departure, the total payment is due.
To avoid unnecessary cancellation fees, we recommend to conclude a travel insurance. We are offering a travel insurance in cooperation with the European travel insurance.


Abundant beaches,them continents second largest waterfall,emerging national parks and a diverse population.
Angola, the continent of Africa's largest country has loads to offer. Spectacular nature, beautiful Portuguese colonial era architecture, lions, elephants, springboks and gorillas.
A fast-growing economy with mining exports, the tourism industry is set to make a name on the global stage. The tourist industry is underdeveloped and hopefully, opens up its amazing splendor to the world.
Tourists are usually advised against exploring Angola, but following visa bureaucracy procedures can be made easier. Travelling to the mysterious, and beautiful landscape of Angola will definitely reward any travelling enthusiast.
Adventurers: Step into a dazzling highlight of Africa.
Mining exports make Angola a fast-growing economy and tourism is set to make it a global stage.
Luanda represents the stark contrasts of Angola, high-rise buildings and lean huts. The beauty of the Atlantic ocean with a disruption of busy ships. Luanda is a "must see" to experience "other side" of Africa.
A wildlife sanctuary 70km south from Luanda, Parque Nacional de Kissama has stunning natural settings that preserve and protect African species.
Moxico in eastern Angola holds the largest lake in Angola, Dilolo.It is a tourist spot of note. The lake is filled with rare bird species, aquatic life and wildlife.
The lake is filled with rare bird species, aquatic life and wildlife.
Twelve kilometres long and a thousand metres above the sea level. The mythic unusual waves are believed to be supernatural forces to scare away those who dare to fish in the lake according to folklore. September is the best time to take a dip in the lake at pleasant temperatures.
The Dala Waterfalls in Lunda Sol is 60m high, conjuring spectacular scenery with the mist, and splashing water that land on the rocks below. The comfortable view is possible from a bridge near the base of the falls or, for those who truly love the scene, a hotel is built is 50m away from falls.
The bustling city of Benguela is in the west of Angola, situated on the Benguela bay. It is a tourist destination of significant historical marks as the early Angola economy was established on mining and slave trade to Brazil. The city has an international railway. The major attraction is its location on the ocean side that is coupled with Portuguese architecture and breathtaking beaches to unwind at.
The Maiombe Forest, the "Ämazon of Africa" is a spectacular natural area boasts a forest area of more than 400 square km and it is fantastic for wildlife lovers. It has an abundance of unique rare species. Encounter elephants, gorillas, chimps, elephants, rare birds and butterflies.
It has an abundance of unique rare species. Encounter elephants, gorillas, chimps, elephants, rare birds and butterflies. The rare woods include mahogany and ebony. The reserves biggest town Buco Zau, has a guesthouse for all to fully immerse into nature.
The Tundavala Fissure is a spectacular natural sight in Angola. Between the Namibe and Lubango cities, it is 2,600m above the sea level with phenomenal views and visible vistas, some of the best on the continent of Africa. Tundavala with rock faces also has amazing savanna patches and forest landscapes.
The town of Lobito is in Benguela, part of tourist and export economy. The coastline is popular with anglers that try to land Giant Tarpon weighing up to 200lbs. The beach is a great place to relax in and watch the sunset with an abundance of restaurants and Portuguese era buildings that are worth exploring as well.
Angola's largest national park, the Iona National Park is the situated in southwest point of the country. It covers15,000 sq km. It is filled with a range of wildlife species and home to indigenous people that scientists claim are "culturally intact" people that exist on the continent of Africa, the motherland.


text:
using System;
using BenchmarkDotNet.Helpers;
using JetBrains.Annotations;

namespace BenchmarkDotNet.Portability.Cpu
{
    /// <summary>
    /// CPU information from output of the `sysctl -a` command.
    /// MacOSX only.
    /// </summary>
    internal static class SysctlCpuInfoProvider
    {
        internal static readonly Lazy<CpuInfo> SysctlCpuInfo = new Lazy<CpuInfo>(Load);

        [CanBeNull]
        private static CpuInfo Load()
        {
            if (RuntimeInformation.IsMacOSX())
            {
                string content = ProcessHelper.RunAndReadOutput("sysctl", "-a");
                return SysctlCpuInfoParser.ParseOutput(content);
            }
            return null;
        }
    }
}

redpajama_set_name: RedPajamaGithub


Furniture — This furniture, is one of the 12 designs published under the gallery: Glamorous Industrial Wall Lights 2017 Design. In the next page, we have the industrial wall lights industrial wall lighting with vintage green enamel shade [ ... ]. While in	the previous page, we have the industrial wall lights vintage industrial wall lights custom style green color mount [ ... ].


I was recently selected to host another House Party! This time, it was the Why Wait - Let's Celebrate! Pull-Ups® House Party.
My niece Sophia is two years old and starting to get interested in potty training, so this was a perfect chance to learn some potty training tips and, of course, a good excuse to have a party. We also celebrated my dad's birthday at the same time, so it was a 2-for-1!
We celebrated with our Pull-Ups House Party pack, which included: Party hats, noise-makers, stickers, training rewards charts, coloring sheets, awesome coupon books, and packs of Pull-Ups. We had a delicious meal, did some coloring, and played a game of "Toss the Ball in the Potty". My mom pulled out the vintage potty chair that she used as a child, so we used that for our game. Sophia also tried out the chair as practice. To end the fun party, we watched home videos of us as babies and potty-training age children. Oh, the memories!
Disclosure: I was selected as a House Party host and received a free party pack with some great things to try.


text:
Crew Pics
Tutorial Tuesdays
Scotland D. Barnes
By Laura December 30, 2015 December 30, 2015 Artists Interviews
What is your name and your current occupation?
My name is Scotland D. Barnes, and I am currently a freelance storyboard and character design artist and part-time instructor at the Academy of Art University, San Francisco.
What are some of the crazier jobs you had before getting into animation?
I worked in a recycling center and you had all sorts of under-handed people and sometimes blatant con-men trying to get away with stuff. Often trying to drop off material (such as chemicals that have to handled by the state), or were trying to steal material that had been dropped off (and had they been injured getting whatever it was they were getting, would have been an insurance issue). Several times I had to break up fights between people over redeeming their cans and bottles. I also worked in a bar for a bit. There you just see the worse of people. Guys too drunk to walk, urinating themselves at the bar, having to haul them outside to avoid them making a mess. Even at a bookstore I dealt with teens doing stuff like acid and then puking all over the children's books.
What are some of your favorite projects you're proud to have been a part of?
I just finished working freelance as a storyboard artist on a pilot for Cartoon Network Asia/Bogan Entertainment. It was the largest amount of boards I've done so far, and the show is really entertaining. Working on a Scooby-Doo direct-to-dvd was a lot of fun. Getting to work on such iconic characters was a great. It wasn't one of those things that I ever set as a goal, but when it happened it turned out to be really rewarding.
Where are you from and how did you get into the animation business?
I'm from San Diego County but I'm currently in San Francisco. I got my first break at Nickelodeon Animation Studios as an intern on "the Mighty B!". Since then it's just been a long process of hammering on doors and surviving. It's only been the last few years that I've been making any real progress.
What's a typical day like for you with regards to your job?
Unlike most artist at a studio job, I don't have a truly typical day. Each is a little different, as it comes in waves of time, distinct periods. Teaching is the majority of time, but then a freelance job comes along, which is great, but complicates everything, because everything is now double booked. Even with teaching, which has a routine to it, is still different because I don't teach one subject. Each class I have is usually different each day.
What part of your job do you like best? Why?
It's all fun and interesting. With storyboards it always the excitement of exploring a story, finding those moments that are going to be memorable scenes, and getting the characters to come to life. Doing character designs is always a great change of pace when I get to do it. It feels more like sculpting me these days to me. Storyboarding feels like an intense areboric exercise, which is awesome, but it leaves you drained just like exercise. The drawing alone can often be worth it. You can often get frustrated but then you remember – "hey, I'm going to get to draw all day!" Then you just have to smack yourself for complaining. Teaching was something I was not expecting to enjoy, but once you see a student make progress or even leap beyond what they were dealing with, it can be amazing. It's always about understanding a problem from a new point-of-view. You cannot explain something from one perspective, because it won't work for every student. Trying to come up those variations is challenging. And of course, you really have to listen to the student. They usually do not have the language (and a lot of pros do not either) to explain what they are struggling with. So you have to piece things together. I usually have to look at their drawings a bit before jumping in. By observing you can get at ideas and practices that the student has yet to realize. That can lead to these great "ah-ha!" moments when you hit on them.
What part of your job do you like least? Why?
As always, the constant juggling of everything. And then when the end of a job or semester hits, it can be really jarring to have time again. I can find myself absolutely lost just staring at walls trying to remember what I'm suppose to be doing. The money worries kick in at those time, and just gnaw at you. On the job and at teaching, I get really tired of the egos. Dealing with both art leads, and other instructors who list their resume at you as if it's a solution. What they are trying to do is give a reason to listen to them, but that does not explain what the problem is. A lot of the older instructors and art leads have forgotten how to explain something. I really hate the "it's magic" answer. Some instructors rely on "happy accidents" in their work. I'm not sure how that is ever appropriate, let alone "professional". Department rivalries are exhausting. On production I've heard of crews fighting each other for resources so it seems you can never escape some of this stuff.
What kind of technology do you work with on a daily basis, how has technology changed in the last few years in your field and how has that impacted you in your job?
Just about everything I do for freelance or teaching has to do with technology. What got me into teaching was my knowledge of software. And for freelance I'm rarely in the same city, and some times not even the same country as the rest of the team. So computer skills as much as drawing, painting, and camera skills are required for me. The bar is just much higher than it was 10, 15, even just 5 years ago. You just have to know far more than most people initially think these days to be truly competent at your profession. Both in teaching and with pros, I've dealt with people who do not know the software. Seen a couple of leads lose their jobs because they could not keep up. And it's not always the old and the gray – some of the young guys just know "tricks", they actually do not know the software.
What is the most difficult part for you about being in the business?
Juggling everything. At least right now, I don't have a great deal of steadiness in the work as far as freelance. That comes in waves. Even on the teaching, you lurch from one semester to another. As a part timer you have no guarantees – even if everyone likes you. So you have to take (or at least you should) preventive or consequence plans. I put as much as money as possible away, because I just can't trust situations to last. When freelance does come though, like I said, it's great – more experience, more money, the work is fun – but it complicates life, kills any social life.
If you could change the way the business works and is run how would you do it?
I suppose the biggest change to do would be distribution. I figure by changing the distribution or finding a way to make it cost less, then maybe that would improve the financing of films and shows. And in turn maybe that would make employment more steady in the industry. It's way beyond me how any of that could be done. More immediately I would like recruiters to get more accurate information from their art supervisors. Some recruiters are great and can really give you information about what they are really looking for, but all that hangs on how helpful the art leads are. Some job descriptions are really lacking, or asking for too much. Job descriptions can all sound the same but one storyboard job is not the equal to another. Some are more cartoony than others, some are more action related and it's not always clear in the job descriptions. Often I feel like I'm wasting not just my time, but everyone's time when I apply to some jobs, only to learn later that the portfolio I sent in was not appropriate.
As for teaching, it's the academic standards. I never knew as a student but there are all these academic institutions that set standards at universities. None of these institutions know anything about art it seems. Because the language we use to judge and understand art is so loose and un-specific at times it does not translate to other professions or even to the general public. Consequently, you see a lot of good instructors leave to form their own schools, or professionals get discouraged from teaching. I think that's part of why we have an explosion of all these small unaccredited art schools out there. For a lot of them, students are just paying to say I studied under "so-and-so-famous-artist". And they may be famous artist, but that does not mean they can explain what they do, let alone be helpful to others. For a lot of these schools class rooms are just to feed egos.
In your travels, have you had any brushes with animation greatness?
Not really huge, legendary names – like Glen Keane. But I have met a lot of great professionals who have all been really helpful. Guys like Ron Lemen, Louie Del Carmen, Octavio Rodriguez, Erik Weise, Jeff Snow and Rad Sechrist have all been really helpful to me. Easily the most helpful has been my teacher, Sherrie Sinclair. Meeting the "greats" is nice, but they may not be all that helpful.
Describe a tough situation you had in life.
I had one art lead that just could never please it seemed with any of my work. Even when it was "acceptable" it just did not seem good enough to him. And I wasn't the only one on the team feeling that way. It was never that crits I got were wrong, in fact they were all right and really helpful. But the personality was so exhausting. It just made working absolute drudgery. Genius' are great but they are almost never pleasant to deal with.
Any side projects you're working on that you'd like to share details of?
Not at the moment. Got a lot of work that I'm building to. So some day…
Any unusual talents or hobbies like tying a cherry stem with your tongue or metallurgy?
I know a lot of history. Pretty much from the Bronze Age on up I know a bit of it all. But I can really keep going on the Roman Empire. Lately I've been reading or watching whatever documentary I can get on the Dutch Republic, Common Wealth England, and the Inter-War Years of the 1930s.
Is there any advice you can give for an aspiring animation student or artist trying to break into the business?
There is always the classic of "draw all the time", but I would say be mindful that you can't draw all the time, because you'll get exhausted. It's training just like for a sport. So you can't beat yourself up and expect to get it in a day. When you hit a drawing problem you have to take it bit by bit. Sometimes that means it will take a lot of time. And no two artist are the same – one artist will get a drawing concept before another. The truth is that if you don't love it, then why are you doing it? As much as you try to avoid the exhaustion, it's going to be a part of it. You have to be in for the long haul.
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redpajama_set_name: RedPajamaCommonCrawl


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Positions Stix headlight just under the stem in front of the head tube for a super-clean, integrated look. Interlocking system between plastic mount & aluminum spacer allows the light & mount to quickly be removed from the bike. Works with 1-1/8th Aheadset style headsets & custom 10mm thickness spacer. Patent-pending.


text:
What's next for Juan Carlos Payano?
by B.A. Cass
The former champion Juan Carlos Payano made his Las Vegas debut last night against Alexis Santiago at Sam's Town Live. Payano looked the stronger, more determined fighter from the start. He let his hands go immediately. He used his pawing jab to distract the younger, less experienced Santiago before throwing combinations that came from all angles. And although he managed to slip many of Santiago's counters, Payano got caught by a straight right in the third round that snapped his head back and caused some bleeding above his right eye. His corner managed to control the damage, and Payano started the fourth round by getting in close to Santiago. But the frequency of Payano's punches decreased, and he was no longer coming at Santiago from different angles. By the end of Round 5, it looked like the fight was starting to even out.
Photos Andy Samuelson/Pbc
German Caicedo, Payano's trainer, understood what was happening and what Payano needed to do. Speaking of his work in the corner before the fight, Caicedo said, "I make it simple. I don't say, 'Give me a double jab, hook, left uppercut, step back and cross.' No, no. If what he did worked, I'll make it very simple. 'Just like that. Repeat that round. Do what you did but be careful because he's loading up an overhand right for you.'" Payano made the adjustment he needed, once again becoming the busier, more aggressive fighter. Payano's team had expected a good boxer— perhaps even a better one than Juan Carlos, Caicedo conceded. And the taller Santiago had a clear reach advantage over Payano. If there was any hope for Santiago, it was to stay long and try to outbox Payano. Instead, he tried to crowd Payano, a strategy that didn't work.
In the lower weight classes, many fighters don't have the power to put their opponents' lights out, and though he is a talented, aggressive fighter, Payano has never been a one-punch knockout artist. Casual observers tend to want to see that one devastating blow. But as Caicedo says, "Those aren't the ones that do the damage." By the end of the Round 6, Santiago was visibly bruised. And at one point during Round 7 , Santiago had to step back to take a deep breath—a brief, but startling moment that proved he was being outclassed.
"This fight is still yours to take," Santiago's trainer told him before the ninth round commenced, trying to motivate his fighter to at least even out the scorecards. He urged his fighter to give everything he had, but barring a clean right cross in the ninth, Santiago wasn't able to land any damaging shots.
Santiago deserves some credit for being tough, for simply remaining in the ring for all ten rounds. "I don't care who you are," Caicedo said. "You keep someone off for ten or twelve rounds, whatever the fight ends up being, and punching over 150 a round because that's Payano's output. He doesn't punch less than that. 95-100 punches per round. That's tough to keep off." But Payano was the superior fighter, and he won by unanimous decision.
What's next for Juan Carlos Payano? For a while, his team was contemplating fighting Roman Gonzales, but then Gonzalez lost to Wisaksil Wangek. Gonzales and Wisaksil face off again in September, and if Gonzales wins, perhaps a fight with Payano could happen. There's also the possibility of a third fight with Rau'shee Warren, but Warren recently went down to 115 and would need to come back up to 118. Caicedo thinks that Warren, Gonzalez, and Payano are the best fighters at 118 presently, but he also wonders about the possibility of a fight with Luis Nery, the kid who just beat the great Shinsuke Yamanaka. But until the next big fight is arranged, Caicedo just wants to keep Payano busy. "I wish we could be fighting three, four times a year. I make that very vocal to everyone at the Haimon 'Institute.' I let them know that this is a guy who needs to fight. And it's not even that it has to be for huge money and big opportunity. Just keep him busy until that opportunity arises."
Caicedo might be getting his complaints answered. There are rumors that Haimon will be putting Payano back in the ring as early as November. That would be good news for Payano because he's pissed and wants his titles back. And after dominating Santiago on Tuesday night, he's one step closer to making that happen.
Follow B.A. Cass on Twitter @WiththePunch


text:
Industry & Services >> Analyst Interviews >> May 4, 2009
Outlook For Residential Construction – Robert Stevenson – Fox-pitt Kelton Cochran Caronia Waller (usa) Llc
Robert Stevenson joined Janney Montgomery Scott LLC in 2015 as a Managing Director and Head of Real Estate Research. Prior to joining Janney, he was a Managing Director and the Head of the U.S. REIT Research team at Macquarie Capital following that company's acquisition of Fox-Pitt Kelton in 2009, where he had started the firm's REIT and homebuilding practice. Earlier in his career, Mr. Stevenson covered REITs and homebuilders for 12 years at Morgan Stanley, where he was an Executive Director and Senior Research Analyst. Mr. Stevenson earned a Bachelor of Science degree from the University of Maryland and a Master of Business Administration degree from the Johnson School of Business at Cornell University. Profile
TWST: Concerning residential construction, do you think we are at or near the
bottom, or at least in the process of getting there?
Mr. Stevenson: I think that the Pulte (PHM) management, by
Join for free to read a longer excerpt or purchase this article


text:
E-cigarettes are electronic cigarettes that evaporate an aromatic liquid instead of burning tobacco. E-cigarettes are a relatively new product on the market: After the first attempts in the 1960s, a breakthrough came in the early 2000s, when technological advances in the evaporation of aromatic liquids made it possible to launch the first e-cigarettes.
Since then, e-cigarettes have had the same design: A battery supplies power to an evaporator with a helical heater that heats an aromatic liquid in a container and converts the liquid into steam. The vapor may subsequently be inhaled via a nozzle. The liquid is also called e-liquid and e-juice. E-cigarettes are also called vapor cigarettes, electric cigarettes and vaporizers.
In comparison, IQOS is similar to an electronic "cigarette" but evaporates tobacco instead of liquid. In this way, IQOS combines the benefits of e-cigarettes (no fire, no ash, less smell and lower levels of toxins) with the authentic taste of real tobacco.
More about IQOS
No smell of cigarette smoke
Heating tobacco instead of burning it
Not an e-cigarette
Close alternative to cigarettes
IQOS is a better alternative to continued cigarette smoking. IQOS gives you a smoke-free tobacco experience and a cigarette-like satisfaction - without fire, ash and smell of cigarette smoke. When you use IQOS it produces a vapor, which smell dissapears quickly compared to cigarette smoke. Thousands of smokers in Denmark and 10 million worldwide have already switched to IQOS.
Important information: IQOS is not risk-free.
Try IQOS for 69 kr.
Free delivery and
Fast delivery within
Return when
Building an e-cigarette
There are four basic components of any e-cigarette needed to produce the inhalable vapor:
Fluid reservoir: A container for the aromatic liquid which is heated and converted to steam. Also called a tank, clearomizer or cartomizer.
Evaporator: A heater with a heating coil that heats the liquid in the liquid container. Also called a coil or atomizer.
Battery: A battery (usually rechargeable) that is the source of energy for the evaporator and the heating coil that heats the liquid.
Nozzle: An outlet from which the steam can be inhaled.
E-cigarettes have continuously improved over the past few years. In the past they were often heavy and unmanageable, but the new models are typically light, manageable and user-friendly.
E-cigarettes vs. cigarettes: What's the difference?
The difference between e-cigarettes and cigarettes is greater than the similar names immediately indicate. The difference starts with the fact that, unlike cigarettes, e-cigarettes do not involve "smoking" - after all, they produce steam and not smoke. Cigarettes burn tobacco and smoke from it is inhaled. E-cigarettes heat the liquid and the vapor from it is inhaled. This difference results in a number of positive characteristics of e-cigarettes versus cigarettes:
E-cigarettes, unlike cigarettes, produce neither fire nor ash.
E-cigarette vapor contains lower toxin levels than cigarette smoke1
E-cigarette vapor disappears faster and is less visible than cigarette smoke.
E-cigarettes emit less unpleasant odor than cigarettes.
For many people, however, health is the main argument for choosing e-cigarettes. Studies2 show that e-cigarette fumes contain lower levels of toxins than regular cigarette smoke. The reason is simple: E-cigarettes work by evaporation rather than combustion, and therefore no harmful combustion substances can occur.
Many smokers demand tobacco e-cigarettes as an alternative to smoking. Unlike regular e-cigarettes, IQOS does not evaporate a liquid. IQOS heats tobacco to produce a tobacco vapor, thereby combining the benefits of e-cigarettes (no ash, no cigarette smoke odor, lower levels of toxins) with the authentic taste of real tobacco. IQOS is the new way to enjoy tobacco - that's why many people think IQOS is a better alternative.
Benefits of e-cigarettes
More and more people appreciate the benefits of e-cigarettes. When comparing the advantages and disadvantages, the benefits of the new technology outweigh the disadvantages: they are easy to use, cause no penetrating odor, have significantly lower levels of toxins in the vapor and more. In contrast, you do not get the real taste of tobacco that ordinary cigarettes offer.
Tobacco is burned Liquids evaporate
Thousands of chemical substances are formed and released during combustion Lower concentrations of harmful substances in the vapor
Incineration with ash Evaporation without ash
Persistent smoke Easily perishable steamp
True tobacco taste Different flavors
Why are e-cigarettes so popular?
E-cigarettes have become increasingly popular in recent years. The reason is that when comparing cigarettes and e-cigarettes, clearly e-cigarettes have many advantages over ordinary cigarettes. Steam instead of smoke, fewer toxins and less odor. In addition, e-cigarettes have become technically sophisticated, easy to use and commercially available everywhere.
However, e-cigarettes are not the right alternative for all smokers. The liquids often have strong flavors, which can be daunting to many people. Unlike regular e-cigarettes with liquids, IQOS heats real tobacco - for a new, genuine tobacco flavor. IQOS is the new way to enjoy tobacco. Therefore, many people choose IQOS as a better alternative.
Are e-cigarettes harmful?
The technology behind e-cigarettes is still fairly new. Therefore, it has not yet been possible to clarify how harmful they are. Researchers, however, find it clear that incineration of tobacco produces significantly more toxins in larger quantities than evaporative fluids do.
About harmfullness
Are there e-cigarettes reminiscent of regular cigarettes ?
E-cigarettes heat liquids to convert them into inhalable vapor. Therefore, e-cigarettes are fundamentally different from regular cigarettes.
Unlike e-cigarettes, IQOS does not evaporate liquids but heats real tobacco. Thereby, many of the benefits of e-cigarettes are achieved while preserving the authentic taste of real tobacco. That is why IQOS is a given alternative to cigarettes for smokers, who still want to consume nicotine.


text:
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Investigative journalist Eddie Brock attempts a comeback following a scandal, but accidentally becomes the host of Venom, a violent, super powerful alien symbiote. Soon, he must rely on his newfound powers to protect the world from a shadowy organization looking for a symbiote of their own.
In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.
King T'Challa returns home from America to the reclusive, technologically advanced African nation of Wakanda to serve as his country's new leader. However, T'Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T'Challa assumes the Black Panther mantel to join with girlfriend Nakia, the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan 'special forces') and an American secret agent, to prevent Wakanda from being dragged into a world war.
Following the events of Captain America: Civil War, Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
All grown up in post-apocalyptic 2018, John Connor must lead the resistance of humans against the increasingly dominating militaristic robots. But when Marcus Wright appears, his existence confuses the mission as Connor tries to determine whether Wright has come from the future or the past — and whether he's friend or foe.
Following the events of Age of Ultron, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man or Captain America, which causes an epic battle between former allies.
Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart.
Three years after the demise of Jurassic World, a volcanic eruption threatens the remaining dinosaurs on the isla Nublar, so Claire Dearing, the former park manager, recruits Owen Grady to help prevent the extinction of the dinosaurs once again.
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I've been thinking lately about tactics versus strategy, about getting through the day and the pile of "gotta do it now" versus the long-term changes we'd really like to make. On a separate note, I have been thinking about treating QA projects like development projects, and chunking them up intelligently. On top of all that, there's estimates, and how much time we should spend estimating versus just saying, "this is the most important thing we have to do now, so let's go do it.".
Every day, leave working having made one thing better.
I'm a fan of small philosophies. They're attainable, they're simple. You don't have to spend a lot of time selling people on your grandiose vision. It's just your contribution to your world - one small day at a time.
So every day, I go into the office. I go to meetings. I deal with bugs and fires. I test things.
And in that quiet time at the end of the day, I ask myself what one thing I made better today.
In the end, that adds up. And I can do it every single day.
So change your world with me, one small day at a time.


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text:
Quest for the Lost Language of the Initiates
Published: Thursday, 20 January 2011 03:00
David Reigle – USA
["Quest for the Lost Language of the Initiates," by David Reigle, was published in the American Theosophist 69.1 (January 1981): 11-6; and reprinted in David and Nancy Reigle's collection Blavatsky's Secret Books: Twenty Years' Research (San Diego, CA: Wizards Bookshelf, 1999), pp. 6-19, from which it is reproduced here, with slight modifications for our house style.]
Introduction by David Reigle from Blavatsky's Secret Books (BSB):
This article was written in 1979, after returning from India, where my wife and I had spent three months. It was written in a somewhat lighter style than my later writings, since I had tried to make it read more like a travel account. Thus it originally had no notes. The reviewers for the American Theosophist, however, felt that some of my statements should be documented, such as, "This Vedic Sanskrit, though assumed by scholars to be more primitive because older, is yet richer in grammati¬cal forms than classical Sanskrit" (BSB, 10). So I then added twenty-seven references and notes, and have now added three more on Khshnoom, or esoteric Zoroastrianism, since it is so little known. I did not, though, document my above-quoted statement, since I felt that to do so would be too out of place for a nontechnical article such as this. In any case, it is well known among linguists that finite verb forms such as aorists and perfects abound in Vedic writings, while they have been largely replaced by participles in classical Sanskrit.
There is a statement of personal experience regarding Sanskrit, however, that should now be modified: "People warned us that Sanskrit is a most difficult language. However, we discovered that to be false; Sanskrit has been put together quite scientifically" (BSB, 9). In our youthful enthusiasm we were quite taken by the scientific structure of Sanskrit, but this does not change the fact that it is a difficult language to learn. This is because of its great number of forms.
Finally, our Theosophical Research Center, mentioned on BSB p. 11, was soon obliged to change its name, to avoid confusion with another Theosophical Research Center, working in the field of modern science. It has now become the Eastern Tradition Research Institute.
Quest for the Lost Language of the Initiates [part 1]
Reading H. P. Blavatsky's accounts of the vast secret librar¬ies in the safekeeping of certain occult brotherhoods provoked my interest, to say the least. She tells about the underground libraries of the Jainas in Rajasthan; the 999 "lost" works of Lao-tzu; the 76,000 "lost" tracts of the Buddhist sacred canon; the voluminous esoteric sections of the Upanishads, detached by the Brahmans at the time of Buddha; the "gupta cave near Okhee Math" containing the unabridged Hindu sacred books of which we have only "bits of rejected copies of some passages"; the complete Oriental Kabala, of which the Western version is only a distorted echo; etc., etc.; besides the numerous secret volumes in cave-libraries under lamaseries in Tibet, such as the Books of Kiu-te.1 If these books were anything like The Secret Doctrine, which is a translation of and commentary on one of them, I wanted to find them.
It was only Theosophical literature that had given any pur¬pose to my life to begin with. Previously, daily human affairs had left me so indifferent that at an early age I decided to retire from the world, seeking peace in the wilderness. As fate would have it, one of my last stops in civilization on my way out, namely a bookstore in Anchorage, Alaska, left me with a Theosophical book in my hands. You all know the story from there; and I ended up with quite a pile of such books, which eventually led me back to the beaten path of "civilized" life. This being the case, it is understandable that when I found that there were whole libraries of books like The Secret Doctrine, I was ready to do whatever might be required to gain access to them. Madame Blavatsky had even indicated that if people did the necessary work, some of these writings may become available at the very time in which we are living now, possibly through archeologi¬cal "discoveries."
There are evidently thousands of these volumes in exist¬ence, the originals being written in Senzar, the secret sacred lan¬guage of the Initiates. Since it would be of no use to see these books if you couldn't read them, it was obvious that I would need to do some language study. But I didn't know any Initiates, and it was very unlikely that a textbook of Senzar would be soon forthcoming. However, in the Proem to The Secret Doctrine I read an interesting statement about the contents of that book: "Extracts are given from the Chinese, Tibetan, and Sanskrit translations of the original Senzar Commentaries and Glosses on the Book of DZYAN—these being now rendered for the first time into a European language."2 This was what I needed to know: that there are at least three languages in which full translations of these Senzar works exist, so I had something to get started on. Besides, I wouldn't complain about having to read the Senzar in Chinese, Tibetan, or Sanskrit translation when these books become available; and learning any of those languages would be excellent preparation because they might provide a key for deciphering Senzar, like Greek and Egyptian demotic did for deciphering Egyptian hieroglyphics, thanks to the discovery of the Rosetta Stone.
My studies in The Secret Doctrine had informed me of some important considerations in choosing one of the three. It is there said that the grand panorama of the ever periodically recurring Law, reflected from the Universal Mind, can be rendered in no human language with any degree of adequacy except Sanskrit, which is that of the gods3 (devas, as is its alpha¬bet, the devanagari). Now, there was a recommendation worth taking note of! Elsewhere, speaking of the sacred language of the Initiates, Madame Blavatsky says that it is called, according to locality, Senzar, Brahma-Bhashya, or Deva-Bhashya.4 The latter appellation, of course, means "language of the gods." Why is it that both Sanskrit and Senzar are called the "language of the gods"? The answer is found in the Anthropogenesis volume of The Secret Doctrine, where speaking of the development of speech, it states that the inflectional speech, the root of the Sanskrit, was the first language of the Fifth Race, now the mystery tongue of the Initiates.5 Language, like the other sciences, was given to humanity by "Divine Instructors" ages ago but has changed with time and degenerated from its original purity since then. So, while Sanskrit may not be Senzar, the original "language of the gods," it is the direct outgrowth of it.
Knowing this, my wife and I undertook the study of Sanskrit. People warned us that Sanskrit is a most difficult language. However, we discovered that to be false; Sanskrit has been put together quite scientifically, incorporating much occultism in its very structure. For example, the basis of Sanskrit is the verb roots, on which both the verbs and the nouns are built, according to regular processes. Therefore the verb roots, representing action or motion, are the basis on which the whole language is formed, just as in occultism motion, or "Ceaseless Breath," is the basis from which the whole universe takes shape. So in both the Sanskrit language and the universe vibration is the root of all forms!
The difficult part in trying to learn Sanskrit is just to get through the archaic textbooks on it that are available in En¬glish. Most of them were written a century ago, at a time when anyone who would be studying Sanskrit invariably had years of Latin or Greek study behind them. Consequently, in explaining a particular Sanskrit usage, these books often just refer you to a parallel construction in Latin, with no further explanation. And coupled with unfamiliar grammatical terminology, these text¬books required a considerable amount of deciphering them¬selves! But learning the language is not all there is to the science of grammar, as it was propounded in ancient India.
An article in Five Years of Theosophy had informed us that Panini, author of what has been called the most perfect grammar in the world, was a Rishi, or Initiate.6 Therefore his Sanskrit grammar, the Ashtadhyayi, consisting of just under 4,000 terse verses, was the one we wanted; and it was available in English translation.7 Western scholars had not found the arrangement of Panini's grammar to be very usable, because the rules con-cerning a particular topic are found throughout, rather than gathered together in a single place. Besides which, it was very lengthy; so they devised their own Sanskrit grammars in a man¬ner thought to be more suitable to the Western mind. This, of course, did make the learning of the language easier, but In¬dian grammarians had long since come out with rearranged and shortened versions of Panini's grammar for that purpose.8 In the time of the Rishis, grammar, like other subjects, was a spiritual path; and the very arrangement of Panini's grammar which Western scholars had found so unworkable is one of its significant occult features. Madame Blavatsky had stated that you could tell Plato was an Initiate because in his writings he always reasoned from universals to particulars, the occult method, in contradistinction to his uninitiated pupil Aristotle, who reasoned from particulars to universals.9 Now Panini's whole grammar is so arranged that the most general rules are given first, gradually becoming more and more specific in their application until the end, a skillful embodiment of the occult method.
Panini's grammar, like many other old works such as the Bhagavad Gita, is written in what is called "classical Sanskrit." However, there is an even more ancient kind of Sanskrit known as "Vedic Sanskrit," in which the Vedas are written. This Vedic Sanskrit, though assumed by scholars to be more primitive because older, is yet richer in grammatical forms than classical Sanskrit. This supports the view that the further we trace San¬skrit back in time, the closer we get to the source, Senzar. An inquiry into its peculiarities was therefore definitely in order.
The most striking feature of Vedic Sanskrit is the accent or svara, which is marked in the manuscripts in red ink. It is not a stress accent, but a musical accent indicating relative pitch. T. Subba Row, the learned Vedantin occultist, says, "the Vedas have a distinct dual meaning—one expressed by the literal sense of the words, the other indicated by the metre and the svara (intonation), which are, as it were, the life of the Vedas."10 This is shown by the fact that all the verses of the Sama Veda (except 75 of them) are already found in the Rig Veda. The words are the same, but the svara, and therefore the nonliteral meaning, is completely different, the Rig Veda being chanted on three pitches, while the Sama Veda is sung on five or seven.
This ancient Vedic language is very closely related to the language called "Avestan," in which the old Zoroastrian scriptures, the Avesta, are written. Many of their words are almost identical. A very interesting feature, found in both the Vedic Sanskrit and the oldest form of the Avestan language, but having died out in their respective descendant languages, is the use of aorist verb forms. Aorist, from a Greek word meaning "not definable, without limits," is a type of verb which denotes completion of an action only, without reference to time. The Ageless Wisdom teaches that time, as we know it with its past, present, and future, is an illusion. Time is said to be the sequence of the modifications of the mind and is said to terminate upon the achievement of illumination, giving place to the "eternal now" (Patanjali, Yoga Sutra 4.33).11 Certainly the aorist verb forms fit this latter state, indicating that at one time spiritual consciousness was more prevalent.
While reading in H. P. Blavatsky's Theosophical Glossary one day, I came across the following: "What name should be given to the old Avesta language, and particularly to the 'special dialect, older than the general language of the Avesta' (Darmesteter), in which the five Gathas in the Yasna are written? To this day the Orientalists are mute upon the subject. Why should not the Zend be of the same family, if not identical with the Zen-sar, meaning also the speech explaining the abstract symbol, or the 'mystery language,' used by Ini¬tiates?"12 This was the clue we had been looking for!
[To be continued.]
References and Notes
1. From the Caves and Jungles of Hindostan, 75-7; The Secret Doctrine (original 1888 ed.) 1:xxiv-xxx, 269-71; H. P. Blavatsky Collected Writings 7:250-68.
2. Secret Doctrine 1:23.
3. Secret Doctrine 1:269.
4. Collected Writings 4:518.
6. Five Years of Theosophy (2nd rev. ed., 1894), 258.
7. The Ashtadhyayi of Panini, edited and translated into English by Srisa Chandra Vasu, 2 vols., Allahabad, 1891; reprint, Delhi: Motilal Banarsidass, 1962, 1977.
8. The Siddhanta-kaumudi of Bhattoji Diksita is a rearranged version of Panini's grammar, and the Laghu-kaumudi of Varadaraja is an abridged version of Siddhanta-kaumudi.
9. Secret Doctrine 1:493; 2:153, 573.
10. Five Years of Theosophy, 98.
11. According to the paraphrase of Yoga Sutra 4.33 given in The Light of the Soul, by Alice A. Bailey, p. 428: " Time, which is the sequence of the modifications of the mind, likewise terminates, giving place to the Eternal Now."
12. Theosophical Glossary, 386.


text:
Dimityr Metodiew, eigentlich Dimityr Metodiew Christow,  (* 11. September 1922 in Belowo; † 19. Juni 1995 in Sofia), war ein bulgarischer Politiker und Dichter.

Leben
Er beteiligte sich während des Zweiten Weltkriegs am Partisanenkampf gegen deutsche Truppen. Nach 1944 war er als Bürgermeister und Leiter eines Betriebes tätig. Von 1950 bis 1953 studierte er am Maxim-Gorki-Literaturinstitut in Moskau. Anschließend war er als Redakteur beschäftigt. Ab 1966 arbeitete  er beim Zentralkomitee der bulgarischen Kommunistischen Partei. 1971 wurde er dann Kandidat und 1976 schließlich Mitglied des Zentralkomitees.

Er wurde 1964 mit dem Dimitroffpreis ausgezeichnet.

Metodiew verfasste Gedichte und Poeme. Darüber hinaus trat er auch mit Nachdichtungen von Werken Alexander Trifonowitsch Twardowskis, Taras Schewtschenkos und Wladimir Wladimirowitsch Majakowski hervor.

Literatur
 Metodiew, Dimityr. In: Taschenlexikon Bulgarien, Bibliographisches Institut Leipzig 1983, Seite 120.

Autor
Literatur (Bulgarisch)
Lyrik
Person des Widerstands gegen die NS-Besatzung in Europa
Mitglied der Bulgarischen Kommunistischen Partei
Bulgare
Geboren 1922
Gestorben 1995
Mann

redpajama_set_name: RedPajamaWikipedia


Travel Net is a travel documents, payments and reservations management system providing a real-time access from different offices. This system incorporates booking, document and client management, giving you complete overview and control of the business processes. Control of financial flows, extensive analyses and reports for performance, markets, and cost centers. Easy tracking of the whole booking process – from request, through issuing the voucher, to the post service feedback for customer satisfaction.


Series Is Presented Here As Two Variables--(1)--Original Data, 1939-1946 (2)--Original Data, 1946-1969. Data Reflect Quarterly Totals At Annual Rates. Unadjusted Figures Were Multiplied By Four To Derive Quarterly Totals At Annual Rates. Source: Department Of Commerce, National Income, 1954 Edition, A Supplement To The Survey Of Current Business For Data Through 1945; Survey Of Current Business, Quarterly Tables For 1945.
This NBER data series q09072a appears on the NBER website in Chapter 9 at http://www.nber.org/databases/macrohistory/contents/chapter09.html.


text:
NASA releases photo of meteor blazing across Nevada skies
An image provided by NASA's Jet Propulsion Laboratory shows a meteor over Reno, Nevada on April 22, 2012.Lisa Warren / NASA-JPL via AP
April 25, 2012, 11:21 AM UTC
By David R Arnott
NASA has released a photograph of a flaming meteor that unleashed a powerful sonic boom Sunday morning, rattling houses in California and Nevada when its disintegration released energy equivalent to a 5-kiloton explosion.
The former space rock entered Earth's atmosphere around 8 a.m. PT on April 22 and exploded over California's Central Valley, according to NASA, which pinpointed the location in a map posted on its website.
According to space.com, several witnesses initially thought they had experienced an earthquake.
"An event of this size might happen about once a year," said Don Yeomans of NASA's Near-Earth Object Program Office. "But most of them occur over the ocean or an uninhabited area, so getting to see one is something special."
The Month in Space: Take a look at zero-gravity antics, rocket launches, planetary views and other spaced-out pictures from March 2012.Sergei Remezov / Reuters
Follow @msnbc_pictures
David R Arnott


text:
John Mogensen (døbt John Louis Hansen – efternavn blev ændret i 1936, da moderen giftede sig; født 5. maj 1928, død 10. april 1977) var en dansk sanger, sangskriver og komponist. Han startede i sangkvartetten Blue Boys i 1952, men dannede i 1956 Four Jacks sammen med Poul Rudi, Otto Brandenburg, Bent Werther. James Rasmussen afløste Otto Brandenburg i 1958. Gruppen oplevede stor succes og blev folkeeje i de 8 år gruppen bestod. Gruppen opløstes i april 1964. John Mogensen oplevede efterfølgende en nedtur og måtte tage mange mindre spillejobs. Han skrev også tekster og melodier til andre kunstnere. I 1971 udgav han singlen "Der er noget galt i Danmark", der blev starten på en succesfuld solo-karriere. Han indspillede flere album og havde succes med sin musik. Samtidig blev hans alkoholmisbrug større, hvilket resulterede i flere aflyste koncerter. I 1977 døde han af et hjertestop.

Biografi
I 1952 blev John Mogensen medlem af sangkvartetten Blue Boys. Gruppen fik for alvor sit gennembrud med "Oppe på bjerget" i 1954. Mogensen startede vokalgruppen Four Jacks i 1956 sammen med Poul Rudi, Otto Brandenburg og Bent Werther. Gruppen blev opløst i 1963, og John Mogensen fortsatte som pianist på Oslo-bådene, til familiefester og på mindre værtshuse. Han skrev også melodier til andre som "Du ser mig, når jeg kommer" til Grethe Sønck og et par melodier til Jørgen Ingmann. Det blev i 1964 til et enkelt forsøg med en single, der er John Mogensens formelle debut som solist.

Med "Der er noget galt i Danmark" (1971) tog en stor solokarriere for alvor fart via en kontrakt med Jørgen Kleinert. Stribevis af indspilninger i sin helt egen pop/country-stil gjorde lykke hos publikum op igennem 1970'erne, og han modtog i 1972 Nikolaj-prisen af Poul og Lise Reinau for sin originalitet og for sin kunstneriske indsats. John Mogensens største hit på Dansktoppen var "Fut i fejemøjet", der første gang blev indspillet af skuespiller Kai Løvring som b-side på singlepladen "Enkebal på kroen" i 1970. Sangen blev ikke noget hit, men året efter indspillede John Mogensen selv "Fut i fejemøjet", der udkom som b-side til singlen "Erhard". Sangen lå på Dansktoppens førsteplads i 11 uger, og har solgt 150.000 eksemplarer. I 1972 blev sangen indspilet i en svensk version, med titlen "Sofia dansar go-go", af Stefan Rüden.

John Mogensen mente ikke, at det var forkert at satse på det ugentlige radioprogram Dansktoppen som platform, selv om han ofte blev kritiseret for det. "Dansktoppen er dig og mig, den dejligste kop kaffe du drikker, bilen der kører forbi hver dag. Den er alt det og ingenting der sker hver eneste dag".<ref>Carsten Michael Laursen / covernoter til "John Mogensen. Samlede værker + bonus CD" (Kick Music).</ref>

John Mogensen havde problemer med alkohol. Det blev for alvor synligt hen mod slutningen af hans karriere, hvor han aflyste flere og flere koncerter. Det skyldtes også præstationsangst. Han lavede også sange som "Nede i møjet", der handler om, at han er fattig og sulten.

Måden, hvorpå John Mogensens foredrog sine sange, havde et samfundskritisk præg, som var meget unormalt at høre i den danske radio.

 Film
I 2018 udkom Ole Bornedals film om John Mogensens liv Så længe jeg lever med Rasmus Bjerg som Mogensen. Historien følger Mogensen fra hans barndom over det første gennembrud med kvartetten Four Jacks til den hårde rejse mod toppen af de danske hitlister som solist. På sidelinjen står hustruen Ruth, og deres ægteskab er sangerens eneste holdepunkt i en musiktilværelse, der domineres af lidenskab, angst og alkohol. Filmen har medført en "genopdagelse" af John Mogensens musik og har fået danskerne til at anerkende hans hårde arbejde i en branche som ikke var let at bryde igennem.

John Mogensens datter, Minna Mogensen, var dog meget utilfreds med filmen. Hun forklarede til Radio24syv, at hun udvandrede fra biografen, mens filmen spillede: "Jeg fik et chok og måtte gå, for den er så grim. Jeg har aldrig nogensinde set noget så grimt. Hæsligt, modbydeligt". Direkte adspurgt, hvad hendes problemer med filmen var, lød svaret: "Det er det hele, han [Ole Bornedal] har selv fundet på det". Hun hævdede også, at hun flere gange havde forsøgt at kontakte Ole Bornedal, men han svarede ikke.

 Sidste ord
John Mogensen gæstede stamværtshuset Færgegaarden for sidste gang 10. april 1977. Her sagde han til bartenderen Carsten Roslundh, "Old timer – jeg tror sgu jeg er færdig". Til dette svarede Roslundh "Gu' er du da ej færdig – du skal bare hjem til Ruth.". Kort efter faldt John Mogensen om og blev kørt hjem, hvor han døde af hjertestop.

 Fortolket efter sin død
Mogensens musik gik ikke af mode efter hans død. Talrige genudgivelser og opsamlingsalbum er udkommet siden.

Den enkle "Så længe jeg lever", der udkom i 1973, regnes i dag for en standardmelodi, der blandt andet er optaget blandt 12 evergreens i Kulturkanonen fra 2006. Sangen var den mest spillede sang på de danske radiostationer i 1980'erne. I 1980'erne var denne titel også udgangspunktet for Erik Thygesen og Jacob Christesens kabaret, der turnerede i 12 år med bl.a Jytte Pilloni og Troels Jensen som medvirkende.
Musicalen "Så længe mit hjerte slår" havde premiere i februar 1985 på teatret Københavneren. Forestillingen var en hyldest til John Mogensen, hans musik og det Danmark, han beskrev. Den tog sit udgangspunkt i John Mogensens sange, mens dialogen, der bandt de enkelte sange sammen, var skrevet af Erik Thygesen. Instruktør var Jacob Christesen, der også medvirkede i stykket i rollen som "John". Forestillingen turnerede landet rundt til langt op i 1990'erne.

Datteren Minna Mogensen har også udsendt et album med sin fars sange. Minna Mogensen afgik ved døden i 2019.

 Diskografi

 Album

 John Mogensen (1971, Oktav)
 Der er noget galt i Danmark
 Kom, kom til Klondike
 Hiv op og lad gå
 Mandag morgen blues
 Du ser mig når jeg kommer
 Sidder på et værtshus
 Hjemme igen, langt herfra
 Livet er kort
 Sæt dig ned i en vejgrøft
 Nede i møjet
 Syv, ni, tretten
 Ny Dragør vals
 Stop En Halv (1972, Play Records)
 Hvad pokker skal jeg gøre?
 To mennesker på en strand
 Automobil
 Mig og Margrethe
 Kom hjem igen
 Ursula
 Piraternes sang
 Mytteriet på H.M.S. Bounty anno 1789
 Mit kvindfolk
 Hjemme
 En fattig troubadur
 Erik Oluf Andersen
 John (1973, Play Records)
 Åh, hvilken herlig nat
 Mandalay
 Fut i fejemøget
 En lille pige i flade sko
 Solskinsdag
 Søndag morgen
 Så længe jeg lever
 Far er præst i Jylland
 Carsten Levin
 Skuld gammel venskab rejn forgo
 Skibshunden
 Danmarks jord
 Taurus (1975, KMF)
 Grufuldt mareridt
 Du si'r jeg ska' gi' dig en chance
 Vidste du det?
 Ensomhedens gade no. 9
 Kør langsomt
 Den gamle violin
 Nina kære Nina
 Hvilken herlig dag
 Mennesker bliver spist i Polynesien
 Conny bli'r hos mig
 Falmede roser
 Morfar
 Nordstjernen (1977, KMF)
 Når dit hår bli'r hvidt som sølvet
 Hva' skal jeg gøre?
 Man skal aldrig sige aldrig
 Karl & Ann-Cathrin
 Mary Celeste
 Den mand
 Karl Herman og jeg
 Hvad tænker de på
 Politipatruljen
 Brave soldiers

 Opsamlingsplader mm.
 John & Daimi (1974, Play Records)
1 Så længe jeg lever, 2 Åh, hvilken herlig nat, 3 Fut i fejemøget, 4 Mig og Margrethe, 5 Erik Oluf Andersen, 6 To mennesker på en strand (side 2 indeholder sange med Daimi)
 Johns bedste gennem 5 år (1976, KMF)

1 Fut i fejemøget, 2 Livet er kort, 3 Erik Oluf Andersen, 4 Mig og Margrethe, 5 To mennesker på en strand, 6 Så længe jeg lever, 7 Sidder på et værtshus, 8 Der er noget galt i Danmark, 9 Ursula, 10 Nede i møjet, 11 Hva' pokker ska' jeg gøre?, 12 Åh, hvilken herlig nat, 13 Ensomhedens gade no. 9, 14 Nina, kære Nina
 Johns bedste 2 (1978, KMF)
1 Karl & Ann-Cathrin', 2 Kom, Kom Til Klondyke, 3 Den Mand, 4 Automobil, 5 Grufuldt Mareridt, 6 Søndag Morgen, 7 Mytteriet På HMS Bounty Anno 1789, 8 Ny Dragør vals, 9 Falmede Roser, 10 Karl-Hermann og jeg, 11 Den Gamle Violin, 12 Hjemme igen, langt herfra
 John Mogensen & Papa Bue's Viking Jazzband med Liller (1980, Kleinetten)
A1 Der er noget galt i Danmark, A3 Så længe jeg lever, A5 Karl Herman og jeg, A7 Bonnie Og Clyde, B1 Sidder på et værsthus, B2 To mennesker på en strand, B4 Nina, Kære Nina, B6 Man skal aldrig sige aldrig (øvrige sange med Papa Bue's Viking Jazzband med Liller)
 Johns allerbedste (1994, Pool Records)
A1 Der Er Noget Galt I Danmark, A2 Så Længe Jeg Lever, A3 Erik Oluf Andersen, A4 Hva' Pokker Ska' Jeg Gøre, A5 Karl Herman Og Jeg, A6 Åh, Hvilken Herlig Nat, A7 Livet Er Kort, A8 Du Ser Mig Når Jeg Kommer, A9 Den Gamle Violin, B1 Fut I Fejemøjet, B2 To Mennesker På En Strand, B3 Mig Og Margrethe, B4 Nina Kære Nina, B5 Nede I Møjet, B6 Ursula, B7, Karl Og Ann-Cathrin', B8 Søndag Morgen, B9 Sidder På Et Værtshus
 Der Er Noget Galt I Danmark (1994, FLAP)
A1 Der Er Noget Galt I Danmark, A2 Erik Oluf Andersen, A3 To Mennesker På En Strand, A4 Sidder På Et Værtshus, A5 Du Ser Mig Når Jeg Kommer, A6 Man Skal Aldrig Sige Aldrig, A7 Nede I Møjet, A8 Ensomhedens Gade No. 9, B1 Så Længe Jeg Lever, B2 Karl & Ann-Cathrin', B3 Grufuldt Mareridt, B4 Den Gamle Violin, B5 Livet Er Kort, B6 Hva' Pokker Ska' Jeg Gøre, B7 Mennesker Bliver Spist I Polynesien, B8 Ursula, C1 Åh Hvilken Herlig Nat, C2 Mytteriet På H.M.S. Bounty Anno 1789, C3 Hva' Tænker De På, C4 Den Mand, C5 Kom Hjem Igen, C6 Hvad Skal Jeg Gøre, C7 Søndag Morgen, C8 Sæt Dig Ned I En Vejgrøft, C9 Mig Og Margrethe, D1 Karl Herman & Jeg, D2 Fut I Fejemøget, D3 Kom, Kom Til Klondike, D4 Mandag Morgen Blues, D5 Carsten Levin, D6 Danmarks Jord, D7 Du Si'r Jeg Ska' Gi' Dig En Chance, D8 Nina Kære Nina, D9 En Fattig Troubadur
 John som han var (1999, Pool Records)
1 Fut I Fejemøget, 2 Conny Bli'r Hos Mig, 3 En Lille Pige I Flade Sko, 4 Kom, Kom Til Klondike, 5 Mit Kvindfolk, 6 Nede I Møjet, 7 Carsten Levin, 8 Bonnie Og Clyde, 9 Mandag Morgen Blues, 10 Falmede Roser, 11 Livet Er Kort, 12 Søndag Morgen, 13 Hva' Pokker Ska' Jeg Gøre, 14 Vidste Du Det, 15 Solskinsdreng, 16 Karl Herman & Jeg, 17 Nina, Kære Nina, 18 Skibshunden, 19 Piraternes Sang, 20 Brave Soldiers
 John som han var 2 (1999, Pool Records)
1 Så Længe Jeg Lever, 2 Hvad Tænker De På, 3 Mennesker Bliver Spist I Polynesien, 4 Karl & Ann-Cathrin', 5 En Fattig Troubadur, 6 Man Ska' Aldrig Sige Aldrig, 7 Kom Hjem Igen, 8 Du Si'r Jeg Ska' Gi' Dig En Chance, 9 Ny Dragør Vals, 10 Den Gamle Violin, 11 Sidder På Et Værtshus, 12 Kør Langsomt,
13 Ursula, 14 Hva' Skal Jeg Gøre, 15 Mandalay, 16 Du Ser Mig Når Jeg Kommer,
17 Ensomhedens Gade Nr. 9, 18 Syv, Ni, Tretten, 19 Hjemme, 20 Hvilken Herlig Dag
 John som han var 3 (1999, Pool Records)
1 To Mennesker På En Strand, 2 Erik Oluf Andersen, 3 Grufuldt Mareridt, 4 Far Var Præst I Jylland, 5 Morfar, 6 Åh, Hvilken Herlig Nat, 7 Erhard, 8 Hiv Op Og Lad Gå, 9 Automobil, 10 Politipatruljen Kommer, 11 Der Er Noget Galt I Danmark, 12 Sæt Dig Ned I En Vejgrøft, 13 Hjemme Igen, Langt Herfra, 14 Mytteriet På H.M.S. "Bounty" 1789, 15 Mary Celeste, 16 Danmarks Jord, 17 Den Mand, 18 Mig Og Margrethe, 19 Skuld Gammel Venskab Rejn Forgo, 20 Når Dit Hår Bli'r Hvidt Som Sølvet
 John Mogensen. Samlede værker + bonus CD (2004, Kick Music) (indeholder samtlige John Mogensens studioalbums samt tributalbummet "Så længe mit hjerte slår - En nat med John Mogensen")
 Livet skal jo leves, vil du have en skrå? (2008, Universal Music)
1 Karl & Ann-Cathrinn, 2 To mennesker på en strand, 3 Fut i fejemøget, 4 Nina, Kære Nina, 5 Emsomhedens Gade nr. 9, 6 Der er noget galt i Danmark, 7 Ursula, 8 Nede i møjet, 9 Du ser mig, når jeg kommer, 10 Sidder på et værtshus, 11 Karl Herman & Jeg, 12 Så længe jeg lever, 13 Mig og Margrethe, 14 Erik Oluf Andersen, 15 Åh, hvilken herlig nat, 16 Sæt dig i en vejgrøft, 17 Der er noget galt i Danmark (Chuggy Cook & Sidel Boy Remix), 18 Livet er kort (Shazzman & Grandpa Chuggy Remix)
 Fut i Fejemøget - 36 af de allerbedsteCD 1: 1 Fut i fejemøget, 2 Så længe jeg lever, 3 Der er noget galt i Danmark, 4 Erik Oluf Andersen, 5 To mennesker på en strand, 6 Sidder på et værtshus, 7 Karl & Ann-Catrin', 8 Nina, kære Nina, 9 Du ser mig når jeg kommer, 10 Man skal aldrig sige aldrig, 11 Nede i møjet, 12 Karl Herman og Jeg, 13 Ensomhed-ens Gade nr. 9, 14 Grufuldt mareridt, 15 Ursula, 16 Mytteriet på H.M.S. Bounty Anno 1789, 17 Mennesker bliver spist i Polynesien, 18 Livet er kort,
CD 2: 1 Åh hvilken herlig nat, 2 Den gamle violin, 3 Hvad tæn-ker de på, 4 Den Mand, 5 Hvad pokker skal jeg gøre, 6 Kom hjem igen, 7 Søndag morgen, 8 Sæt dig ned i en vejgrøft, 9 Mig og Margrethe, 10 Kom, kom til klondike, 11 Carsten Levin, 12 Danmarks jord for de danske, 13 Du sir' jeg skal gi' dig en chance, 14 Mandag morgen Blues, 15 Hvad pokker skal jeg gøre, 16 Skibshunden, 17 En fattig Troubadur, 18 Skuld Gammel Venskab Rejn Forgo
 Hvad er der så mer'? - De allerbedste med John Mogensen (2014)
CD 1: 1 Der er noget galt i Danmark 2 Erik Oluf Andersen 3 Livet er kort 4 Danmarks jord for de danske 5 Ensomhedens gade nr. 9 6 Åh, hvilken herlig nat 7 Karl & Ann-Cathrin' 8 Så længe jeg lever 9 Nina, kære Nina 10 Sidder på et værtshus 11 Du ser mig når jeg kommer 12 Karl Herman og jeg 13 To mennesker på en strand 14 Kom hjem igen 15 Hvad tænker de på 16 Mig og Margrethe 17 Hva' pokker skal jeg gøre? 18 Carsten Levin 19 Du si'r jeg ska' gi' dig en chance 20 Fut i fejemøget 21 Ursula 22 Søndag morgen 23 Nede i møjet 24 Mytteriet på H.M.S. Bounty anno 1789 CD 2: 1 Balladen om "Bonnie & Clyde" 2 Erhard 3 Mennesker bliver spist i Polynesien 4 Man skal aldrig sige aldrig 5 Hva' skal jeg gøre 6 Kom, kom til Klondike 7 Mandalay 8 Conny bli'r hos mig 9 Automobil 10 Mandag morgen blues 11 Far er præst i Jylland 12 Falmede roser 13 Grufuldt mareridt 14 Hvilken herlig dag 15 Sæt dig ned i en vejgrøft 16 Ny Dragør vals 17 Hjemme igen, langt herfra 18 Den mand 19 Kør langsomt 20 En fattig troubadur 21 På loftet sidder nissen med sin risengrød 23 Bjældeklang/Kender I den om Rudolf 24 Mogensen-mix (bonus) 25 Hvad er der så mer'? (bonus)

 Hyldestalbums
 Så længe mit hjerte slår - En nat med John Mogensen (Soundtrack fra teaterforestillingen "Så længe mit hjerte slår") (2004, Kick Music)
1 Så længe jeg lever, 2 Falmede roser, 3 Sæt dig ned i en vejgrøft, 4 Ursula, 5 Sidder på et værtshus, 6 Fut i fejemøget, 7 Hvad er det så mer'?, 8 Søndag Morgen, 9 Åh, hvilken herlig nat, 10 Du ser mig, når jeg kommer, 11 To mennesker på en strand, 12 Hvad skal jeg gøre, 13 Den mand, 14 Nede i møjet
fremført af Benny Holst, Jytte Pilloni, Katrine Jensenius & Delta Blues Band

 Singler
 Cantina / South of the border (Instrumental) (1964, Odeon)
 Sæt dig ned i en vejgrøft / Mandag Morgen Blues (1966, Oktav)
 Kom, kom til Klondike / 7 - 9 - 13 (1967, Oktav) (John Mogensen & Vennerne)
 Balladen om Bonnie & Clyde / Hjemme igen, langt herfra (1968, Oktav)
 Livet er kort / Der' noget galt i Danmark (1971, Oktav)
 Nede i møjet / Du ser mig når jeg kommer (1971, Oktav)
 Ny Dragør vals /  Hiv op og lad gå (1971, Oktav)
 Søndag morgen / Carsten Levin (1971, Play Records)
 Erhard / Fut i fejemøget (1971, Telefunken / Play Records)
 Erik Oluf Andersen / To mennesker på en strand (1972, Play Records)
 Danmarks jord for de danske / Mig og Margrethe (1972, Play Records)
 Hvad pokker skal jeg gøre? / Ursula (1972, Play Records)
 Åh, hvilken herlig nat / Så længe jeg lever (1973, Play Records)
 Mytteriet på H. M. S. Bounty , anno 1789 / Mit kvindfolk (1973, Play Records)
 På loftet sidder nissen med sin julegrød / Bjældeklang / Kender I den om Rudolf (1973, Play Records)
 Hvad tænker de på? / Nina, Kære Nina (1974, Play Records)
 Ensomhedens Gade Nr. 9 / Falmede roser (1974, Play Recods)
 Du siger, jeg skal gi' dig en chance / Grufuldt mareridt (1975, KMF)
 Den gamle violin / Morfar (1975, Play Records)
 Karl Herman og jeg / Karl & Ann-Cathrin' (1976, KMF)
 Man skal aldrig sige aldrig / John's nr. 5 (1977, Play Records)
 Hvad er der så mer (Vocal version) / Hvad er der så mer (Instrumental version) (1979, Nordstjernen) (John Mogensens sidste indspilning, der blev optaget dagen før hans død)
 ''Der' noget galt i Danmark (Chuggy Cook & Sidel Boy Remix) / Livet er kort (Shazzman & Grandpa Chuggy Remix) (2008, CMC Entertainment)

Kendte sange
I alfabetisk rækkefølge
 Automobil
 Carsten Levin
 Danmarks Jord
 Den gamle violin
 Der er noget galt i Danmark
 Du si'r jeg ska' gi' dig en chance
 En fattig Troubadour
 En lille pige i flade sko
 Ensomhedens Gade nr. 9 (Gentle on My Mind)
 Erik Oluf Andersen
 Falmede Roser
 Fut i fejemøget
 Grufuldt Mareridt
 Hjemme
 Hva' pokker ska' jeg gøre?
 Hvad tænker de på
 Karl & Ann-Cathrin
 Karl Herman & jeg (Tjo och tjim och inget annat)
 Kom, kom til klondike
 Livet er kort
 Men ska' aldrig sige aldrig (Ruth Mogensen)
 Mig og Margrethe
 Mit kvindfolk
 Mytteriet på H.M.S. Bounty anno 1789
 Nede i møget
 Nina, kære Nina
 På loftet sidder nissen med sin julegrød
 Sidder på et værtshus
 Søndag morgen
 Så længe jeg lever
 To mennesker på en strand
 Ursula
 Åh, hvilken herlig nat

Referencer

Eksterne henvisninger

 John Mogensens hitlisteplaceringer

 120 kg kult - et radioportræt
 DR John Mogensen Special. Medvirkende: James Rasmussen (musiker fra Four Jacks), Sven Enevoldsen (Ejer af Cafe Halvvejen på Sejerø), Henrik Smith-Sivertsen (Seniorforsker, Det Kgl. Bibliotek)
 BT: "Så meget måtte John Mogensen drikke, før han turde gå på scenen" af Keenan Seeberg
 Danmarks jord for de danske - John Mogensen af seniorforsker Henrik Smith-Sivertsen, Det Kgl. Bibliotek
 John Mogensens discografi

Komponister fra Danmark
Sangere fra Danmark
Rockmusikere fra Danmark
Popsangere
Personer med enkeltværker i Kulturkanonen
Personer døde af hjertestop


text:
Home News Monroe Co. leads Ohio in well permits issued
Monroe Co. leads Ohio in well permits issued
SALEM, Ohio — Permitting is still moving slow in Ohio, but one county has definitely picked up the pace.
The Ohio Department of Natural Resources reported there were 17 new permits issued in Monroe County during May.
According to the ODNR data, five permits were issued in Washington Township to American Energy Utica, LLC. One permit was for the leg of a well already established and producing. The other four permits were for a separate well location, and the well is already in the drilling process.
Also in Monroe County, four permits were issued to Antero Resources Corporation for a well to be drilled in Franklin Township.
Eclipse Resources received four permits for a well site in Salem Township. Another well site is planned in Ohio Township and is to be drilled by Triad Hunter.
Belmont and Harrison
The ODNR issued six permits in both Harrison and Belmont counties.
In Harrison County, five of the permits were issued to American Energy Utica for the same property in Nottingham Township. According to the ODNR report, three of the wells are already being drilled.
Chesapeake Exploration received two permits for drilling in Harrison County on two different properties.
American Energy Utica received issued four permits for drilling in the Utica shale in Wheeling Township. All of the permits issued were for on the same piece of property.
Meanwhile, the ODNR issued three permits to XTO Energy for drilling on three different properties. The properties are located in Richland, Mead and Washington townships.
Six permits were issued in Guernsey County by the ODNR during May. All of the permits were issued to American Energy Utica, however the permits were for two different well sites.
Three of the permits were issued for Londonderry Township. The final three were issued to Wills Township and are already in the drilling phase.
Three permits were issued in Noble County, according to the ODNR. Two permits were issued in Marion Township to the CNX Gas Company, and a single permit was issued in Jefferson Township to Triad Hunter.
Portage and Carroll
Both Portage and Carroll counties had two permits issued each.
In Portage County, both permits were issued to Chesapeake Exploration for well sites in Suffield and Freedom townships.
Carroll County may lead the state in the number of horizontal drilling permits to date, there were only two issued during May. The ODNR issued two permits for wells to R E Gas Development for a drilling site in Harrison Township.
In all, the ODNR reported there are now 1,926 horizontal permits issued. So far, 1,497 horizontal shale wells have been drilled.
The ODNR issued no new Marcellus shale well permits in May. So far there are 11 producing wells in Monroe County, four in Belmont County, one in Carroll, and one in Jefferson County. There are currently 44 Marcellus shale well permits issued and 29 wells have been drilled since 2006.
The Pennsylvania Department of Environmental Protection issued 132 well permits during May and a total of 921 so far in 2015. In addition, the DEP reported 22 new unconventional shale wells were drilled during May.
The clear leader in the number of permits issued was Bradford County. The DEP issued 21 permits for new wells in Bradford County in May and 141 so far in 2015. There were three wells drilled in May.
Meanwhile, Washington County also appears to be gaining permits again. The DEP issued 19 permits for new wells during May, and the DEP has issued 152 permits since Jan. 1, 2015. The DEP report also showed that 22 unconventional wells were drilled during May 2015.
Greene County. Greene County wasn't too far behind, with the DEP issuing 16 permits during May.
Meanwhile, the DEP has issued a total of 145 during 2015. The DEP reported there were seven wells drilled during May.
In Beaver County, the DEP issued six permits with four of them issued for the original drillers to drill deeper and two for new wells. The DEP has issued 17 well permits in the county during 2015.
And in Butler County, a total of seven permits were issued, with three for new wells and four for permission to drill deeper in existing wells. The DEP has issued 59 permits so far this year. The DEP reported there were three unconventional shale wells drilled during May.
The DEP issued two permits in Allegheny County during May and 15 so far in 2015.
There were no permits issued for Mercer or Lawrence County by the DEP during May.
However, the DEP has issued a total of 13 permits in Mercer County and 18 in Lawrence County since the beginning of 2015. In addition, the DEP issued there were four shale wells drilled in Mercer County and one in Lawrence County.
The West Virginia Department of Environment Protection report shows that new well permits were issued in Brooke, Marshall and Tyler counties for new wells in the Marcellus shale.
In Brooke County, four permits were issued to the SWN Production Company, which appear to be set on the same piece of property owned by the same owner.
And in Marshall County, four permits were also issued by the West Virginia DEP. Two permits were issued to the Stone Energy Corporation. A single permit was issued to the Chevron Appalachia driller and one to the SWN Production Company.
The West Virginia DEP has issued six new permits in Tyler County during May.
Three were issued to Antero Resources Corporation for two different well locations. Two permits were issued to Statoil USA Onshore Properties for wells on two different properties. In addition, the DEP also issued a single permit to the EQT Production Company.
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