Since my first consider in 1996, I have put together many top-10 lists on the biggest mistakes in Web site design. See backlinks to all these types of lists at the end of this article. This article presents the highlights: the very worst faults of Website development.
1 . Terrible Search Excessively literal search engines reduce usability in that they're unable to take care of typos, plurals, hyphens, and other variants within the query conditions. Such search engines like google are particularly complicated for older folk users, nonetheless they hurt everybody. A related problem is when ever search engines prioritize results strictly on the basis of just how many predicament terms they contain, instead of on each document's importance. Significantly better if your internet search engine calls away "best bets" at the top of the list – especially for crucial queries, including the names of the products. Search is the user's lifeline once navigation does not work out. Even though advanced search can sometimes help, simple search generally works best, and search needs to be presented to be a simple package, since could what users are looking for.
installment payments on your PDF Files for Over the internet Reading Users hate finding a PDF FORMAT file although browsing, as it breaks the flow. Possibly simple stuff like printing or saving records are complex because common browser commands don't do the job. Layouts are usually optimized for that sheet of paper, which rarely has the exact size of the user's browser window. Bye-bye smooth rolling. Hello tiny fonts.
Most detrimental of all, PDF FORMAT is an undifferentiated blob of articles that's hard to understand.
The best grasp of past nav helps you appreciate your current site, since it is the culmination of the journey. Being aware of your previous and present locations in turn makes it easier to choose where to go following. Links certainly are a key factor in this navigation procedure. Users may exclude backlinks that demonstrated fruitless in their earlier appointments. Conversely, they may revisit links they seen helpful in the past.
Most important, learning which webpages they've already visited slides open users from unintentionally revisiting the same webpages over and over again.
These benefits only accrue beneath one essential assumption: that users will be able to viagra sold in the united states, viagra sold in the united states, viagra sold in the united states, viagra sold in the united states, viagra sold in the united states, viagra sold in the united states, viagra sold in the united states, viagra sold in the united states. tell the difference among visited and unvisited links because the site shows all of them in different shades. When stopped at links can not change color, users display more navigational disorientation in usability examining and accidentally revisit similar pages often.
Search is the most important method users discover websites. Search is also probably the most important techniques users locate their method around specific websites. The humble page name is your main tool to attract new site visitors from search listings and help your existing users to locate the specific pages that they can need.
For additional pages compared to the homepage, begin the title with a few of the most prominent information-carrying terms that illustrate the details of what users will find on that page. Because the page name is used because the eyeport title inside the browser, it is also used for the reason that the label to the window inside the taskbar below Windows, which means that advanced users will move between multiple windows within the guidance in the first one or maybe more words of each and every page name. If your entire page titles focus on the same thoughts, you have greatly reduced usability for your multi-windowing users.
Unfortunately, users also disregard legitimate design elements that look like frequent forms of advertising. After all, as you ignore a thing, you don't research it at length to find out what.
Consistency is one of the best usability principles: when details always react the same, users don't have to worry about what will happen. Rather, they know very well what will happen based on earlier knowledge. Every time you release an apple more than Sir Isaac Newton, it is going to drop on his head. That may be good.
The more users' prospects prove proper, the more they will feel in charge of the system plus the more they may like it. Plus the more the system breaks users' expectations, the more they will look and feel insecure. Dammit, maybe should i let go of this apple, it will probably turn into a tomato and leap a mile into the sky.
Opening up fresh browser windows is like a vacuum cleaner sales rep who starts a visit by emptying an ash tray over the customer's carpeting. Don't dirty my display screen with any longer windows, thank you (particularly as current systems have gloomy window management).
Designers wide open new browser windows at the theory that it keeps users on their site. But possibly disregarding the user-hostile personal message implied in taking over the user's machine, the strategy is self-defeating since it hinders the Back switch which is the normal way users return to past sites. Users often is not going to notice that a brand new window comes with opened, particularly if they are using a small monitor where the house windows are maximized to fill the display. So a user who tries to return to the foundation will be perplexed by a grayed outBack key.
Links that don't behave as expected weaken users' knowledge of their own system. A link could be a simple hypertext reference that replaces the current page with new articles. Users hate unwarranted pop-up windows. If they want the destination show up in a new page, they can use their browser's "open in new window" command – assuming, of course , that the hyperlink is in your home piece of code that interferes with the browsera??s standard patterns.
Users are highly goal-driven on the Web. They will visit sites because there might be something they would like to accomplish – maybe even buy your product. The ultimate failure of a webpage is to cannot provide the data users are searching for. Sometimes the solution is simply not there and you burn the sale because users have to assume that the product or service will not meet the requirements if you don't inform them the specifics. Other times the specifics are buried under a thick level of marketing and bland slogans. Since users don't have time for you to read almost everything, such concealed info may well almost too not always be there.
The worst example of not answering users' concerns is to avoid listing the price of products and services. Simply no B2C ecommerce site will make this oversight, but is actually rife in B2B, in which most "enterprise solutions" are presented so that you will can't inform whether they are suited for 100 people or perhaps 100, 000 people. Price is the most certain piece of facts customers value to understand the aspect of an giving, and not rendering it makes people look lost and reduces all their understanding of an item line. We certainly have hours of video of users requesting "Where's the retail price? " although tearing their hair out.
Even B2C sites often associated with associated oversight of failing to remember prices in product lists, such as blog.tritvam.com category pages or search results. Knowing the price is key in both situations; it lets users distinguish among companies click before the most relevant ones.


You want more information about the Borden 180 B-80 tester? Please provide us with the information asked below and we will contact you as soon as possible.
Quality used 18 Stations incision testing machine for EOE.


In Heredia, several people have taken to directing traffic due to daily massive congestion. And help themselves out in the process, threatening drivers to give them money.
Local police have identified them from the cameras in the vicinity of the Paseo de la Flores mall, but have not been able to take action as their thinly stretched, having to answer multiple calls in various locations at the same time.
Authorities are asking drivers to call 911 to report any dangerous situation.


Metaphysics is a traditional branch of philosophy concerned with explaining the fundamental nature of being and the world that. encompasses it, although the term is not easily defined.... Papers by Peter van Inwagen. T his is a collection of philosophical papers by Peter van Inwagen, categorized somewhat arbitrarily. Eventually, I hope to make it complete.
Metaphysics: The Big Questions By Peter van Inwagen Dean W. Zimmerman This volume provides a vital student resource a collection of the essential classic and contemporary readings in metaphysics.


text:
package com.cloud.network.dao;

import java.util.UUID;

import javax.persistence.Column;
import javax.persistence.Entity;
import javax.persistence.GeneratedValue;
import javax.persistence.GenerationType;
import javax.persistence.Id;
import javax.persistence.Table;

import com.cloud.network.GuestVlan;

@Entity
@Table(name = "account_vnet_map")
public class AccountGuestVlanMapVO implements GuestVlan {

    @Id
    @GeneratedValue(strategy = GenerationType.IDENTITY)
    @Column(name = "id")
    private long id;

    @Column(name = "account_id")
    private long accountId;

    @Column(name = "uuid")
    private String uuid;

    @Column(name = "vnet_range")
    private String guestVlanRange;

    @Column(name = "physical_network_id")
    private long physicalNetworkId;

    public AccountGuestVlanMapVO(long accountId, long physicalNetworkId) {
        this.accountId = accountId;
        this.physicalNetworkId = physicalNetworkId;
        this.guestVlanRange = null;
        this.uuid = UUID.randomUUID().toString();
    }

    public AccountGuestVlanMapVO() {

    }

    @Override
    public long getId() {
        return id;
    }

    @Override
    public long getAccountId() {
        return accountId;
    }

    @Override
    public String getGuestVlanRange() {
        return guestVlanRange;
    }

    public void setGuestVlanRange(String guestVlanRange) {
        this.guestVlanRange = guestVlanRange;
    }

    @Override
    public String getUuid() {
        return this.uuid;
    }

    public void setUuid(String uuid) {
        this.uuid = uuid;
    }

    @Override
    public long getPhysicalNetworkId() {
        return this.physicalNetworkId;
    }

    public void setPhysicalNetworkId(long physicalNetworkId) {
        this.physicalNetworkId = physicalNetworkId;
    }

}

redpajama_set_name: RedPajamaGithub


Cactus Salon & Spa offers an array of bridal hair & makeup services, both on premises and off on Long Island, NY.
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Available in any of our Cactus Salon locations!


text:
Plans to redevelop Highgate Synagogue raise concerns of 'traffic chaos'
By Imogen Blake
Published: 9:00 AM June 26, 2014 Updated: 6:51 PM December 7, 2020
Plans to demolish and rebuild a synagogue in Highgate have been met with concerns that building works will cause traffic chaos for neighbouring residents.
The Highgate Synagogue, off North Road, wants to improve facilities and create more space for Sunday school classes.
The Highgate Society is worried that construction works will cause congestion in Grimshaw Close, which leads to the synagogue and is shared with adjoining flats.
The group is also worried about the lack of proposed parking spaces, which it said could cause vehicles to clog up Grimshaw Close.
Elspeth Clements, chairman of the society's planning group, said: "I think they are very nicely designed new buildings but it does raise some questions.
"I think first of all the building work is going to cause problems with the adjoining flats. We are slightly worried about the old building, which forms a complete whole with the existing buildings. We are also concerned about the number of parking spaces provided.
"We will be submitting a formal response soon."
A spokesman for architects C.F. Moller said the lack of parking spaces will decrease congestion in Grimshaw Close as fewer people will drive to the synagogue. Construction traffic will be managed, he added.
Under the new proposals, the existing synagogue would be knocked down to make way for a glass-fronted two-storey building with a larger worship room and social hall, a library, garden room and bigger classrooms. The rabbi's cottage would not be renovated.
The plans follow an application to redevelop the synagogue in 2012. This was withdrawn after neighbours said the designs were too bulky and would block light into their homes.
C.F. Moller have reduced the size of a proposed basement by 28 per cent since the last application in response to worries that the excavation could damage neighbouring properties.
Rabbi Nicky Liss, 38, who lives in the synagogue's adjoining cottage, said: "The community has grown over the last five years and so we need more space.
"We would like to reassure people that we are not having hundreds of extra people coming but we are having the right facilities for those are come already."

redpajama_set_name: RedPajamaCommonCrawl


text:
Posted on August 24, 2012 October 8, 2020
The book was right: I have survived
THE last of my Edinburgh Fringe Survival Guide: Live! shows was this morning and very well it went too. Had a great conversation with Camille O'Sullivan, Vicky Featherstone and Ben Harrison, and even did a bit of artistic matchmaking.
I hope to add some thoughts about the whole experience shortly – if you're impatient, you can read Philip Fisher's four-star comments about it in the British Theatre Guide or, indeed, my own in the Guardian. Or you can cut-out the middle man and take a listen to the podcasts here
In the meantime here are my butlers whom I commissioned to serve Tattie Shaw's fruit for the middle two shows:
We have lift off
THE first two instalments of The Edinburgh Fringe Survival Guide: Live! have gone swimmingly, with illuminating contributions on Thursday from Kath Mainland, Orla O'Loughlin, Aneke McCulloch and Tess Waters; and on Friday from Lyn Gardner, Brian Logan, Miriam Attwood and Finn Anderson.
The events have been sparking off lively post-show conversations and generating a bit of publicity, including this from Brian Ferguson in today's Scotsman, in which he reports Mainland's view that there are more reasons than money to appear on the Fringe, including "raising their profile within the industry, attracting media attention, seeing other world-class productions, and enjoying the opportunity to learn from other productions and performers".
The series continues on Thursday. Here's a reminder of the line-up:
Thursday 16 August
How to keep body and soul together
Essential advice about surviving week two and beyond from Maureen Beattie (pictured), star of Stellar Quines' The List, Guy Masterson, Oliver Award-winning director of Morecambe, Ian Fox, author of How to Produce, Perform and Write an Edinburgh Fringe Comedy Show, and Teresa Burns, co-director of How It Ended Productions.
Comics on comedy
How to have the last laugh as a Fringe comedian with Phil Nichol, Edinburgh Comedy Award winner, Josie Long (pictured), Edinburgh Comedy Award best newcomer 2006, and Jessie Cave, comedian, actor and Harry Potter star.
Riding the highs and lows of Fringe fortune
How to deal with disappointment and make the most of a hit with Hannah Eidinow (pictured), five-times Fringe First winning director, Judith Doherty, producer of the multi-award winning Grid Iron, Peter Michael Marino, writer of West End flop Desperately Seeking Susan, and Nicola Foxfield, assistant producer with Fringe first-timers Hecate Theatre.
Life beyond the Fringe
Expert advice on developing your post-Fringe career from Vicky Featherstone (pictured), artistic director of the National Theatre of Scotland, Camille O'Sullivan, singing star of the Fringe and the Edinburgh International Festival, and Toby Gough, Herald Archangel-winning director.


The Beacon Ridge Couples Golf Association is pleased to announce the 2019 Couples Golf Tournament Calendar for Beacon Ridge members. This year's event calendar is still being produced.
As in the past all events are shotgun starts. Lunch will follow golf. The cost of individual meals will be approximately $15.
There will be a $5 Tournament Fee for each couple.
Golf will be complimentary for all Full Members.
All other Membership categories will be charged a nominal $20 per couple Golf Fee.
The cost of golf for Guests of Members will be $25 per golfer.


As Freshly Pressed Beauty is labelled as a beauty & lifestyle blog I really want to introduce some more lifestyle content onto my blog now I have the time. I love food, and I'm sure you do to, right? So today I will be reviewing Newcastle's The Fat Hippo. I went to the Underground branch for the second time with Michael and I'm just obsessed!
The Fat Hippo serve American food: beef burgers, chicken burgers, ribs, potato skins. They have a happy hour on 5-6 Monday-Friday which entitles you to one course for £7.50 two courses for £10 and three courses for £12 (on selected meals) which is amazing given the quality of the food.
I opted for two courses. To start I went with the Dirty Skins which is: "Double fried potato skins, topped with bacon and Fat Hippo sauce." The Dirty Skins were divine, the bacon really complimented the potato skins and the Fat Hippo Sauce added a lot of flavour to the skins and bacon. Yum!
For the main I went for a Texas burger which is: "Double patty, topped with streaky bacon, cheese, onion rings and bbq sauce". Although I love bbq sauce I'm not a fan of it on beef so I asked for mayo instead which was no problem. The burger comes beautifully present with home-cooked season fries houses in a little red pot - which is a cute touch. The burger has an amazing smoky taste and the brioche bun adds to the taste. It's definitely the best burger I have ever had!
Michael didn't finish his burger so he asked for it to be wrapped up, one of the waitresses accidentally chucked his half burger away so the waitress asked the chef to make Michael a fresh one. So we got to take a whole chicken burger and chips away with us which was amazing. The customer service is brilliant!
The only fault I have with the Underground branch is that it does get really hot down there on a hot summers day. If you're next to the air con then you will be fine. The food on the other hand, no complaints as it was delicious.
If you're ever in Newcastle City Centre and fancy a bite to eat then definitely stop by The Fat Hippo. Have you been to The Fat Hippo before?


text:
Natsume Sōseki (; 9 de febrer de 1867 - 9 de desembre de 1916) fou un escriptor japonès. El seu nom real era Natsume Kinnosuke () i va néixer a Edo, a l'actual Tòquio. Era el fill d'una família de samurais emprobrits i per aquest motiu fou donat en adopció als dos anys a un dels servents de la família. El 1900 una beca del govern japonès li va permetre fer una estada d'estudis a la Gran Bretanya, on es va estar dos anys. Retornat al Japó es va dedicar a l'escriptura com a novel·lista i poeta. Les seves obres marquen l'inici de la literatura japonesa contemporània i l'han convertit en un clàssic que ha influenciat a molts escriptors japonesos posteriors: Yasunari Kawabata, Junichiro Tanizaki o Yukio Mishima, així com ser el referent de Haruki Murakami.

Obres

 Jo el gat (1905)
 La torre de Londres (1905)
 Botxan (1906) - Finalista del Premi Llibreter de narrativa de 2008.
 Coixí d'herba (1906)
 L'herència del gust (1906)
 El dia 210 (1906)
 La rosella (1907)
 El miner (1908)
 Deu nits de somnis (1908)
 Sanshiro (1908)
 I llavors... (1909)
 La porta (1910)
 Miscel·lània primaveral (1910)
 A l'equinocci de primavera i més enllà (1912)
 El camí del far (1912)
 Kokoro (1914)
 El meu individualisme (un discurs famós) (1914)
 Herba al costat del camí (1915)
 En les meves portes de cristall (1915)
 Llum i foscor (1916, inacabada)

Escriptors japonesos en japonès
Escriptors japonesos del segle XIX
Escriptors japonesos del segle XX
Alumnes de la Universitat de Tòquio
Alumnes de la University College de Londres
Morts a Tòquio
Professors de la Universitat de Tòquio
Shinjuku
Escriptors de Tòquio
Naixements del 1867
Morts el 1916

redpajama_set_name: RedPajamaWikipedia


Each one of us has this desire to live in a different country. We are curious about knowing different places. In this world of Internet and check-ins each one of us wants to document are experiences. Each one of us wants to share are tales of travel with the friends, family and acquaintances. Each one of us wants to travel and see the unknown.
I am fascinated about seeing people and their behavior across different cultures. Each of us learns to survive in our own ways. We all are bound by international terms and conditions. Our own country sometimes bounds us by so many restrictions that we cannot fly too high.
Seeking freedom is one of the important aspects that makes you leave your own country and follow your dream. Its not that you do not miss your family or times you have spent with them, its just that you choose to live your life differently then what they can imagine. Freedom is a sense of responsibility for our actions. It puts the responsibility of actions on ourselves. We are the ones responsible for everything we do no matter what. I actually love that feeling. I love that the mistakes I make are because I am trying for what I want in life. It actually teaches me a sense of responsibility that no textbook has ever taught.
Travelling through each country has made me realize that not a single country is out of problems. The only thing that differs in each one of us is the way we deal with it. Some people love to deal with it by praying or being religious andsome just want to be happy no matter what happens. Its just amazing to see how people react to problems so differently. Their cultures make them who they are.
I believe each of us can get rid of our problems by looking at other cultures and their way of living. Each of these cultures has something that they are doing the right way. Living and knowing these things makes us more stronger and better individuals. Hence don't just travel, live and breath in these places. You will not only love the people here but also respect your people back home.
So many questions, all revolve around our "passion". Our job performance depends on the passion we put in it. Our housekeeping skills depend on the "passion" we put in it. Tell me one place where they don't see the p word that you put in? Everyone sees. Everyone.
What is passion?Passion to me is that extra mile you go when you are dead tired and can't move. How passionate should we be to perform? Wikipedia says that – It is a very strong feeling for a person or a thing. Science suggests that its a chemical that we produce. Is it really that simple?No.
But how long should you wait for it, ages? Do you really have that much time? What about those people who still have not found it. Passion is the second name for hard work or mastery. You have to work to zero in on that one thing you really really want to die doing. It is that one way you achieve happiness. Its that one way you can perform and excel in what you do. Its in a small area of your heart which you can find only if you pump it up with sweat and hard work. You cannot go to these remote areas of your heart unless you pump it up with blood. The highest level of excellence doesn't come by money but it comes by sweat. Your sweat is your key to success. Your key to find that one area of your brain that works at maximum for a task. Thats passion and you gotta work for it!
Posted on February 22, 2015 March 1, 2015 Categories My JourneyTags JourneyLeave a comment on What is Passion?
Life changes when you realize you were wrong. You apologise yet you cannot make up for the loss. Mistakes that we all make in life are truly our pits we wish to fall into. Society does not like the road less travelled. They know the pits we will fall in. I want to tell them what they don't know is how we will come up from it. How will our life be affected by it. How and what way do we design for ourselves the way to come out from this pit. They don't realize that today the world wants to live on the edge. They dont fear dying, they fear not living. Life is so boring when its perfect! You need a reason to live, a reason to sweat, a reason to create that thing you wish to achieve. You need change. Once you realize what you are here for, why are you being given this day to live amongst such not so amazing people, you realize that you have a choice to stay or to change with time. You realize that you lack the effort and hard work to be with amazing people. You need to change for good and raise your level of understanding to the level that goes beyond your best. You are feeling this friction because your wave lengths differ from the ones you are talking to. You have a choice either to tolerate or raise your level of understanding. Society regards those Men who are extraordinary as stars and those that are less ordinary as friends. The winner stands alone. As there is only one of his kind in this world. He cannot make another him. He has to live with the ordinary and tolerate. Realization of every phase of your life will make you feel good and happy.


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text:
Home Immigration
Paris Attacks Push Technocracy Closer To Endgame
Posted By: Patrick Wood November 16, 2015
The Islamic terrorist attacks on France will radically change the face of Europe forever, as citizens now demand protection and security over any semblance of freedom and liberty. This vacuum will be filled with irreversible technocratic governance.
The great Christian philosopher of the 20th century, Francis Schaeffer, concluded in 1978 that the world would ultimately be faced with three outcomes as a result of shifting world views:
Hedonism – People would see pleasure and sensual self-indulgence as the highest good and principle aim of human life.
Tyranny of the 51% – As decisions are demanded based on popular opinion, society would suffer from a mob rule mentality.
Technocratic dictatorship – People would demand regulations and scientifically-enforced security to restore order to an otherwise increasingly chaotic world.
In fact, all three of these are clearly in play today.
As to hedonism, it was reported in Egypt that ISIS takes credit for Paris attacks in 'capital of adultery and vice'. The attack on the Bataclan concert hall where an American rock bank was playing was that "hundreds of apostates were attending an adulterous party." It is lost on the jihadists that murder ranks higher than adultery on the scale of human atrocities.
As to the tyranny of the 51%, massive anti-Islam protests are breaking out all over Europe, demanding the closing of borders to further Islamic migration and the expulsion of currently present migrants. Their concerns and demands are certainly heart-felt, but neither option is likely to be taken up by the technocrats currently in charge of the European Union.
Which leads to the third point. People demanding security and order will not care how it gets done. They won't care what they have to give up to get it. Nor will they care who does it. For all this, the technocratic elite are waiting in the wings to pounce on the opportunity to push their agenda of global domination toward the final endgame.
This requires a little background. My book, Technocracy Rising: The Trojan Horse of Global Transformation, documents the connections and progressions between historic Technocracy from the 1930s and the Trilateral Commission working to achieve its original goal of establishing a "New International Economic Order". Today, we see this as Sustainable Development, "Green Economy", Climate Change, Agenda 21, 2030 Agenda and other such programs being proffered by the United Nations at the instance of Trilateral Commission members.
Thus, enter Mr. Peter Sutherland, the honorary Chairman of the Trilateral Commission's European group. Sutherland has served as CEO of BP, Chairman of Goldman Sachs International and was Director-General of the World Trade Organization (WTO) from 1993-1995. Currently he serves at President of the International Catholic Migration Commission and most importantly, as the United Nations Special Representative of the Secretary-General for International Migration since 2006.
If there is one person we can point to who originally architected and then enforced Europe's migration policy, it is Peter Sutherland. The UN's own website quotes him as stating,"No other force—not trade, not capital flows—has the potential to transform lives in sustainable, positive ways and on the scale that migration does." He is on public record many times stating that only through migration can a multicultural society in Europe be established. Moreover, he claims that multiculturalism is the only viable path to implementing the UN's economic system of Sustainable Development.
In 2012, Sutherland stated that migration was a "crucial dynamic for economic growth… however difficult it may be to explain this to the citizens of those states". Those same states today should have a few questions for Sutherland.
All this is to say, if Trilateral Commission member Peter Sutherland has been the driving force behind the rampant migration from the Mideast in the first place, would the same Trilateral Commission have plans on solving the current crisis that is ripping Europe apart?
Consider that when Greece was melting down in 2011, the European Union summarily dispatched Trilateral Lucas Papademos to take the role of Prime Minister. At the same time Italy was headed for economic chaos, which prompted the EU to unilaterally send in Trilateral Mario Monte to assume the position of Prime Minister. No elections. The European press called these men "technocrats" as they were installed as quasi-dictators in two of the world's most historic bastions of elected representation.
I fully expect a "Rise of the Technocrats" in Europe as a result of the Paris attacks. They will assert themselves as the only ones who have a solution and they will make blathering pledges for security and safety while converting the region into a full-blown technocratic dictatorship.
Let it not be lost on the reader that the same Trilateral Commission-inspired migration policy is and has been in full play in the United States, and that this is the exact reason why the southern border with Mexico is wide-open and will never be closed. And, with increased waves of migration to the U.S., it is certain that Paris-like chaotic events will eventually occur here, leading to similar results as in Europe.
Trilateral Commission member Richard Gardner wrote The Hard Road to World Order in 1974, just one year after the Commission's creation. He stated,
"In short, the 'house of world order' would have to be built from the bottom up rather than from the top down. It will look like a great 'booming, buzzing confusion,' to use William James' famous description of reality, but an end run around national sovereignty, eroding it piece by piece, will accomplish much more than the old-fashioned frontal assault."
"Booming, buzzing confusion", indeed.
Paris Climate Agreement One Step Closer To Reality…
UN Push For Fast-Track Ratification As Signatories…
Flashback: Global Smart Grid Is Technocracy's Endgame
Leading Scholar Outs Global Elite Endgame As Technocracy
Bait For Technocracy: Environmentalists Push Global…
More Hack Attacks Coming As Microsoft Slams…
America Moves Closer To Being A Cashless Society
China Is One Step Closer To Becoming A Cash-Free Utopia
Brilliant..,.keep it up…on the money analysis.
Clint Wilkinson, DMD
Yes, Patrick, this is exactly what I was trying to figure out – how this could play into the hands of the Technocracy elite.. thanks. We need a world government now to protect us, and we have to let them search our stuff… thanks for citing Francis Schaeffer.
Thank you sir, for your brief, yet informative expose'. I have read and reread Mr. Shaeffer's books for many years. I especially appreciate "The Christian Manifesto", an extremely accurate offering of the history of and wise advice on civil disobedience. Keep up the good work and never sell your saddle.
Fare thee well.


Should have min 6-8 years experience.
Work as a techno-functional consultant in Oracle Demantra.
Should have excellent verbal, written, business communication.
Extensive Experience in Application maintenance and Support.
Good to have experience in DevOps, Agile.


text:
Q: Unable to get phone number and its type through phonegap contact plugin I need to fetch contacts in my android app that I am building with phonegap. I am using phonegap build. I have added plugin in my config.xml.
Here is my code:
document.addEventListener("deviceready", onDeviceReady, false);

    // PhoneGap is ready
    //
    function onDeviceReady() {
        // specify contact search criteria
        var options = new ContactFindOptions();
        options.filter="";          // empty search string returns all contacts
        options.multiple=true;      // return multiple results
       // filter = ["displayName","phoneNumbers"];  // return contact.displayName field
        var fields       = ["name", "phoneNumbers"];
        // find contacts
        // navigator.contacts.find(fields, onSuccess, onError, options);
        navigator.contacts.find(onSuccess, onError, fields, options);
    }

    // onSuccess: Get a snapshot of the current contacts
    //
    function onSuccess(contacts) {
        for (var i=0; i<contacts.length; i++) {
                $("#report_main_content").append('<li>'+contacts[i].displayName+' '+contacts[i].phoneNumbers[0].value+' '+contacts[i].phoneNumbers[0].type+'</li>');

        }
    };

    // onError: Failed to get the contacts
    //
    function onError(contactError) {
        alert('onError!');
    }

The problem is I am able to fetch display name only but not phone numbers and their type. I went through phonegap documentation but its useless. I must admit the phonegap documentation is very poor.
I tried to alert contacts[i].displayName, which gives correct value. But when I tried to alert contacts[i].phoneNumbers[0].value the code execution stops. So how can I fetch Mobile number and their types?

redpajama_set_name: RedPajamaStackExchange


text:
The Haywain Triptych is a panel painting by Hieronymus Bosch, now in the Museo del Prado, Madrid, Spain. A date of around 1516 has been established by means of dendrochronological research. The central panel, signed "Jheronimus Bosch", measures  and the wings measure . The outside shutters feature a version of Bosch's The Wayfarer.

History
The painting was part of a group of six acquired by King Philip II of Spain in 1570, and shipped to El Escorial four years later.  It was later sold to the Marquis of Salamanca, and divided into three paintings. In 1848, the central panel was bought by Isabella II of Spain and brought to Aranjuez, the right one was returned to Escorial and the left went to the Prado. The triptych was finally recomposed in 1914 in the latter museum. A copy exists at the Escorial.

Description

Shutters
The exterior of the shutters, like most contemporary Netherlandish triptychs, was also painted, although in this case Bosch used full colors instead of the usual grisaille. When closed, they form a single scene depicting a wayfarer. Around him is a series of miniatures including the robbery of another wayfarer and a hanged man. The man uses a stick to repel a dog.

According to the most recent interpretations, this figure may represent the man who follows his road in spite of the temptation of sins (such as lust, perhaps symbolized by the two dancing shepherds) and the evil acts occurring around him.

Main panels
The Haywain triptych follows a similar narrative to The Garden of Earthly Delights.  The left panel shows God giving form to Eve.  Unlike the Garden, though, a narrative sequence flows through the panel in different scenes.  At the top, the rebel angels are cast out of Heaven while God sits enthroned, the angels turning into insects as they break through the clouds. Below this, God creates Eve from the rib of Adam. Next, Adam and Eve find the serpent and the tree; the serpent offers them an apple. Finally, at the lowest part of the panel, the angel forces the two out of the Garden of Eden. Adam speaks with the angel; Eve, in a melancholic pose, looks ahead to the right.

The central panel features a large wagon of hay surrounded by a multitude of fools engaged in a variety of sins, quite apart from the sins of lust which dominates the Garden of Earthly Delights. In the center panel Bosch shows Christ in the sky, not paralleled in the Garden.  An angel on top of the wagon looks to the sky, praying, but none of the other figures see Christ looking down on the world.  The rightward bow of the figures around the wagon provides the force for the viewer's eye to move with them on their journey and the cart is drawn by infernal beings which drag everyone to Hell, depicted on the right panel.

The forward kinetic motion of the participants moves the viewer from present-day sin into unadulterated torture in the realms of Hell. The procession on the left side of this panel bends back into the middle ground, but the right side figures continue in a straight line with the wagon, a more evident progress into damnation.

Painting materials
The triptych was thoroughly investigated by the scientists at the Bosch Research and Conservation Project with the results published in book form. Bosch's palette was rather limited with pigments including azurite, lead-tin yellow, vermilion and ochres.

References

External links

The Haywain Triptych at El Escorial
Hieronymus Bosch, The Haywain Triptych, ColourLex

Paintings by Hieronymus Bosch in the Museo del Prado
Paintings depicting Jesus
Triptychs
1516 paintings
Paintings depicting Adam and Eve
Angels in art
Farming in art
Horses in art
Insects in art
Snakes in art
Dogs in art
Nude art


text:
Q: How to use the range (..) operator to find lines from "String" to "\n\n"? I'm trying to add a block of text to an output file, using:
File.foreach("#{options[:source]}") do |li|
    if (li['Exception:'] .. li["\n\n"]) then
            bufferBlocks.push(li)
    end
end

An example exception could be:
#^^ log continues prior to this ^^
words .. words .. words
words .. words .. words

words .. words .. words
words .. words .. words

Exception: ERROR 50001
File:  source.cpp
Line:  221
Msg: Encountered unknown server error!

words .. words .. words
words .. words .. words

words .. words .. words
#\/  log continues below this \/

And all I'd want in my output is the block:
Exception: ERROR 50001
File:  source.cpp
Line:  221
Msg: Encountered unknown server error!

A: I understand what you are trying to do.  It is important to remember that every "li" will just be a single line and end with a "\n", so you have to look for "\n" instead of "\n\n".  I have not tried it but this should work:
File.foreach(filename) do |li|
    if (li.start_with? "Exception:") ... (li == "\n")
        bufferBlocks.push(li)
    end
end

I can't find any good documentation on it, but I suppose it is called a flip-flop (thanks bjhaid).  If Ruby sees a range literal being used inside that part of an "if", then it will treat it very specially.  The first part of the range just has to be a bit of code that returns true when you want the condition (flip flop) to start being true.  Similarly, the second part of the range tells Ruby when the condition should stop being true.
By the way, you could accomplish the same thing with a simple local variable:
in_exception = false
File.foreach(filename) do |li|
    if in_exception
        in_exception = !(li == "\n")
    else
        in_exception = (li.start_with? "Exception:")
    end

    if in_exception
        bufferBlocks.push(li)
    end
end

A: Assuming li is the string containing input, you can do this:
li.scan(/Exception: .*?\nFile: .*?\nLine: .*?\nMsg: .*?$/m)

which returns an array of all the occurences. In your example:
["Exception: ERROR 50001\nFile:  source.cpp\nLine:  221\nMsg: Encountered unknown server error!"]


Located in forested land stretching as far as Switzerland, this area offers a wide range of activities. It provides cross-country skiing with trails accessing the "Grande Traversee du Jura", a 200 km cross-country trail across the Jura Massif, crossing from north to south the departments of the Doubs, Jura and Ain. Downhill skiing is also available with some ski lifts.
The city of Pontarlier, capital of Haut-Doubs (High Doubs) and the town of Montbenoit (15 km north), are both surrounded by ski areas and are just a few kilometers drive away. They offer a wide range of facilities and activities.


A common misconception regarding peristaltic pumps is that the tubing is a major failure point, a maintenance headache for users, and must be replaced every couple of weeks or even days. Another common misconception is that achieving practical tubing life severely limits pumping speed and flow rates — that the pump must operate at relatively slow speeds in order to realize adequate tubing longevity. With Masterflex® peristaltic pumps, the facts say different.
Years ago, conventional tubing materials could not hold up to the harsh demands of certain applications, and the lack of reliable tubing limited peristaltic pump capacities. But all that has changed with the development of today's high-tech tubing materials and new, advanced peristaltic pump head technologies. Masterflex tubing has been tested to last upwards of 10,000 to 15,000 hours, providing for extremely versatile liquid transfer, dispensing, and fluid handling with high reliability and long-term operation.
You don't have to sacrifice pump speed and flow rate to attain long tubing life with Masterflex pumps. Although the rated maximum rpm of many Masterflex pump models is 600 to 650 rpm, compared to between 165-250 rpm for most of our major competitor's pump models, Masterflex tubing life is equivalent to or outlasts theirs even at higher speed. This means higher flow rates and stronger vacuum/suction lift — better performance without sacrificing reliability or performance.
A major factor that can adversely affect tubing life is heat buildup in the pump head. The less heat generated, the longer the tubing life. Masterflex pump heads are uniquely designed to significantly reduce heat generation and buildup by greatly minimizing friction on the tubing.
Many of our competitor's pump head models use essentially a piece of self-lubricating plastic to serve as the shaft bushing. They consider their rotor a consumable part. Masterflex heads, on the other hand, are designed with either stainless steel or cold-rolled steel rotors and precision, shielded bearings. This reduces heat, friction and mechanical strain on tubing to increase tubing service life and achieve high repeatability at much higher operating speeds. The newest Masterflex pump heads also offer materials and more open designs that further dissipate heat. These factors, combined with 19 tubing formulations, provide for highly dependable Masterflex peristaltic pumps — with tubing life equivalent to or greater than that of our major competitor's pumps.
The engineered combination of advanced tubing technology and innovative pump head design allows Masterflex pumps to significantly outperform other peristaltic pumps on the market today. Put it all together and Masterflex offers you not only a lower initial cost, but a significantly lower lifetime cost.
Tubing is one of the single most important components in a peristaltic pump because the tubing is the pump chamber and the only wetted part. The elasticity of the tubing provides suction lift; its strength provides pressure handling ability; its flexibility determines pumping life; its bore determines the flow rate; and its wall thickness determines pumping efficiency. Masterflex offers 19 distinct pump tubing formulations — each with different chemical compatibility properties, agency approvals, and performance characteristics. All Masterflex tubing is custom-manufactured to tight tolerances matched to Masterflex pump heads to ensure accurate flow rates and maximum tubing life. The extensive variety of tubing sizes and formulations allow Masterflex pumps to perform well in virtually any application. We have specified, and tested each of these formulations to ensure consistent and repeatable performance.


Lay down vampires. Pave way for that literary genre known as historical fiction. With books so well written as Water for Elephants by Sara Gruen, readers will quickly become spoiled by clever plot (with embedded biblical symbolism), compelling backstories about circus folks, subtlety pleasing prose, robust dialogue, gripping cruelties, and the clincher - a love story to die for.
The tale is about Jacob Jankowski - a 90-something (he forgets) nursing home resident who is watching a circus set up across the street. He begins to reminisce events of his youth - unbelievable events as he found himself in the midst of a quagmire as a circus menagerie attendant.
Okay, I must admit that perhaps the movie trailers with the handsome lead may have motivated the read...but the first few paragraphs quickly had me hooked. And I'm not even sure if I want to see parts of the movie, because there were cruelties that were certainly difficult to digest. Again - another indication of the author's writing talent. But overall, I found the tale from beginning to end a complete indulgence.
I have a few indicators of great reads - compulsion and bookmarked prose. This book scored high on both of these. I was going to quote a sampling so readers could at least have a "taste." But guess what? I couldn't find a passage where I felt I could stop. I started reading the whole thing again. So get your own selves hooked at the Amazon's "Look Inside"section!


You Master the Manufacturing. We Take on the Technology.
The manufacturing industry is facing many challenges. Every one of them impact strategic initiatives such as global competition, regional expansion, complex supply chains, new business models, and more. To excel in this environment, manufacturers must stay innovative to improve operations and capture opportunities. Steartech IT Solutions knows how to evaluate your business needs and keep you competitive.
We have been reliably helping manufacturers simplify and standardize their business systems and technological support. We offer managed services that enable flexibility in operations, support transformational initiatives, and deliver value from technology investments.
Manufacturers seek to increase efficiency and performance by integrating and collaborating with suppliers. Yet, they are concerned about controlling and sharing external access without compromising internal access. Steartech IT Solutions works with you to elevate your business efficiency.
Manufacturers typically focus on the production process. But, regulatory and compliance issues are a necessary reality. They are critically important for consumer safety and protection. Manufacturers must show readiness and enforce compliance. At Steartech IT Solutions, we are committed to making sure you are in compliance at all times.
Manufacturers need a way to separate and secure the information they want to share with trusted partners and suppliers to reap the benefits of tighter collaboration. However, they don't want to expose themselves to the risk of unintentionally sharing sensitive and confidential material, such as their intellectual property. With Steartech IT Solutions, your business information and data is safe and secure.
Manufacturers must continuously ensure their applications are fully patched and kept current to remain secure. To do so, they take on the burden of checking for software patches, updates and security notices, across multiple products and vendors. Let Steartech IT Solutions do that for you so you can focus on running your business.


It enables you to operate the crane with limit load less than 5 tons.
ATTENTION!! For those who have the Crane License is only allowed to operate the crane and cannot handle the load.
For those who works operating the crane and moves the load, it is necessary to have the Slinging Certificate and vice versa.


State-of-the-art technology, first-class service, permanent further development: Hieber & Maier GmbH, or HIMA, is a specialist for flat rolling dies and a sought-after partner for the new and further development of rolling dies. Our worldwide customers supply their products to a wide range of industries, especially the automotive sector (examples). We produce high quality dies of all sizes and profiles according to individual customer requirements. We also develop innovative solutions for joining and fastening problems in close cooperation with our customers.
HIMA manages a well-stocked, extensive raw material warehouse with a wide range of materials in all dimensions. This allows us to respond quickly to customer requirements and guarantees fast delivery times. Our broad and yet specialized range reflects our decades-long market experience and is demonstrative for the high and long-lasting quality of all products, including renowned licensed products.
Depending on the requirements, all dies can be custom produced from a wide variety of materials and are available in different degrees of hardness. In order to further improve and extend service life, we offer a wide variety of coordinated coatings.


Varanasi presents a unique combination of physical, metaphysical and supernatural elements. According to the Hindu mythology, Varanasi liberates soul from human body to the ultimate. It is the Ganga Ghats of Varanasi that complement the concept of divinity. The Ganga Ghats at Varanasi are full of pilgrims who flock to the place to take a dip in the holy Ganges, which is believed to absolve one from all sins.


text:
Life Changing Experience
William Golding Life Works and Critique
Sir William Gerald Golding is one of the 20th century's greatest novelists. He is best known for his novels Lord of the Flies and Rites of Passage. He was born in Cornwall, the son of a school master, William Gerald Golding, attended Marlborough Grammar School before going up to Brasenose College, Oxford, to study sciences. Against his parents' wishes he change in his second year at university, to follow the course in English Literature.
However, Golding had always been interested in literature and had begun writing at the age of seven. On leaving he entered the teaching profession, where he remained until he enlisted in the Royal Navy at the start of the Second World War (1939-1945), during which he had a distinguished career, being promoted commander and seeing action which was shock him into questioning the horror of war. These experiences inform his writing, he was appalled at what human beings can do to one another, not only in terms of the Holocaust and other wartime atrocities, but also in their being innately evil.
When war was over Golding return to teaching, at Bishop Wordsworth School, and writing but his experience made him no longer believe in the innocence of human beings and he had come to believe that without the laws and social pressures that keep order in society, a dark and ruthless side of human nature emerges. The Lord of the Flies was published in 1954 and it was followed by The Inheritors in 1955 which overturned H. G. Wells's Outline of History (1920) and depicted the extermination of Neanderthal man by Homo Sapiens.
Neanderthals are first portrayed compassionate and communal, but when they meet the more sophisticated Cro-Magnons, their tribe is doomed. The Finnish professor of paleontology, Bjorn Kurten has offered in his novel Dance of the Tiger (1978) the explanation, that the Neanderthals disappeared because they fell fatally in love with their black and beautiful Cro-Magnon neighbours. In The Inheritors there is no understanding or love between these two races. Pincher Martin published in 1956, is the story of a naval officer who faces a struggle for survival after his ship is torpedoed.
Like in Ambroce Bierce's 'Occurence at Owl Creek Bridge', the protagonist imagines his survival and struggle against the sea and cold? Christopher believes he is on a rock island in Mid-Atlantic. The rock he clings is metaphorically analogous to his diseased tooth. The Free Fall (1959) was set in contemporary society. Sammy Mountjoy, the narrator, is an artist, who looks back over his past to find the crossroads of his life, and the moment he lost his freedom. Golding resigned in 1961 from teaching and devoted himself entirely to writing.
He lived quietly in Corwall, gaining the reputation of a mildly eccentric and reclusive person. In 1965 he received the honorary designation Commander of the British Empire (CBE) and in 1988 he was knighted. The Spire (1964), which shared some motifs with Iris Murdoch's novel The Bell (1958), concerned the construction of a cathedral spire. Jocelin, a medieval dean, has decided to erect a 400-foot spire to the top of the cathedral before his death. But its construction causes sacrifice of others, treachery, and murder; the Dean's own faith is tested.
From this novel Golding's work developed into three directions: novels dealing with contemporary society without mythical substructure, the metaphysical novels in which the theme of fall from innocence into guilt was central, and sea novels imitating an 18th-century style. Golding also used in his works ideas familiar from science fiction, such as the origin of man, nuclear holocaust, and highly advanced inventions. In the play The Brass Butterfly (1958), based on Golding's short story 'Envoy Extraordinary', an Greek inventor Phanocles tries to get his steam engine, gun, pressure-cooker, and printing press accepted by the Roman emperor.
He went on to write three short novels under the title The Scorpion God (1971) and various essays and autobiographical pieces. In 1980 he won the Booker Prize for his novel Rites of Passage, the first volume of a trilogy, which continued which Close Quarters (1987) and his last published novel, Fire Down Below (1989). In 1983 he was awarded the Nobel Prize for Literature and the Nobel Foundation cited:"his novels which, with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today".
He lived most of his life in Wiltshire with his wife and two children and he died in 1993. Two important elements of Golding's life (1991-1993) and experience are powerfully reflected in Lord of the Flies, his pessimism after the end of the Second World War and his insight drawn from his life as a schoolmaster, into the way children behave and function. Historically, the post-war was one of hope and optimism, but the events, which Golding had witnessed, did not allow him to see things so simplistically. The war alone was not what appalled him, but what he had learnt of the natural and original-sinfulness of mankind did.
It was the evil seen daily as commonplace and repeated by events it was possible to read in any newspaper, which, he asserted were the matter of Lord of the Flies. The war could be regarded an already present evil. People possessed this trait in a fundamental and permanent fashion that could emerge at any time and under any conditions. It was not just adults who had the capacity for brutality such as that seen in the German labour camps. Golding isolates young children on the island in Lord of the Flies and allows us to see them acting with as much barbarism as is revealed in the adult world.
They are in essence innocent but nevertheless budding adults and potentially evil and sadistic. It is said that children can be cruel and in Lord of the Flies we stark examples of their cruelty. His interests were present in his writings to a consider degree. He was keen and adventurous sailor, an amateur archaeologist and had a great love of classical Greek, which he taught himself to read. Several critics have noted that Golding's harsh austere novels share something of the spirit generated by Greek tragedy. Golding's war service, his knowledge of small boys, his love of sailing are clearly of importance to any understanding oh his work.
Golding's first novel is still his best-known work, and probably always will be, while The Inheritors is both his own favourite among his novels and the one with which readers most commonly experience difficulty. These two novels between them address issues such as rationalism, evil evolution and religion, themes that reappears throughout Golding's career. Lord of The Flies is one of the best books of the post-war years. A group of boys, the oldest whom is 12 and the youngest 6, are marooned on a desert island and almost immediately a battles for supremacy takes place among the principal characters. Violence and death follow.
Lord of the Flies can be seen as a dystopian (anti-Utopian) novel linked with a number of important novels like: George Orwell's Nineteen Eighty-Four or Anthony Burgess's A Clockwork Orange. Many novels deal with similar themes to Lord of the Flies, as Golding was addressing universal problems. Animal farm by George Orwell is a satirical sketch of Comunism at the time, as practiced on a farm taken over by its own animal. Golding drew on a tradition of adventure stories, many of which he had read when was a boy. A well known example is Robinson Crusoe by Daniel Defoe, involves Crusoe, the central character being wrecked on a desert island.
He is totally alone until a native man Friday arrives. Crusoe's despair at his loneliness is reminiscent of Ralph's homesickness. Contemporary critics use the term ' intertextuality ' to designate the various relationships that a given text may have with another text, and Lord of the Flies is a 'rewriting' of R. M. Ballantyne's The Coral Island. In 'Fable', Golding writes: 'It is worth looking for a moment at the great original of boys on an island. This is The Coral Island, published a century ago at the height of Victorian smugness, ignorance and prosperity '.
Ballantyne's book is optimistic in an imperialist Victorian manner. Evil lies firmly outside the English schoolboys in this book and is made manifest by savage black cannibals. In Lord of the Flies Golding has one of the boy say: 'After all, we're not savages. We're English; and English are best at everything. ' But throughout the novel, Golding overturns Ballantyne's optimistic portrait, which equates English with good and foreign with evil, and suggests that evil is more likely to reside within humanity, including the English, and the external evil is a protection of an inner evil.
In doing this Golding is offering a critique of Victorian Imperialism. In Lord of the Flies Golding uses the same names for his central characters as Ballantyne does for his trio of brave, clean, young Englishmen, which assists the comparison and eventual subversion of the beliefs central to Ballantyne's book. Golding's characters are also used to portray sharply differing points o view on the nature of evil and the means of placating this powerful force.
For Piggy, there is no such thing as evil, it is just people behaving irrationally, for Jack, evil resides outside humanity and must be placated by various forms of sacrifice; and for Simon evil expresses itself in the words of the Lord of the Flies: evil is inside humanity. Golding informs his readers immediately that the context of his characters lives is specifically Christian : 'I ought to be chief said Jack with simple arrogance 'because I'm chapter chorister and head boy''. The choir is a specifically religious institution and yet it is Jack and his hunters who become the most cruel and violent of all the boys on the island.
In Lord of the flies there is an adumbration of the disturbing connection between religion, violence and blood sacrifice that Golding examines in close detail throughout the first phase of his career, and which is realized most powerfully in The Spire . That Lord of the Flies moves us forward is something few readers would deny. It is as fine an adventure story as any published since the war, and yet Golding's ability to employ language which both provides narrative impetus and also evokes profounder and more theological implication.
The novel is spare, deliberate in its intentions; and Golding has little hesitation in referring to it as a 'fable'. Lord of the Flies is economical, so that the plane crash is not only a plausible device to isolate boys, but also essential as a commentary on the world outside the island. In his essays, The Hot Gates there is a piece about Lord of the Flies, called 'Fable', in which he says, 'before the Second World War I believed in the perfectibility of social man; that a correct structure of society would produce goodwill; and that therefore you could remove all social ills by a reorganisation of society.
It is possible that today I believe something of the same again; but after the war I did not because I was unable to. I had discovered what one man could do to another'. It is no accident that Jack and his choir come from a particularly rigid school background. Choir schools are by their nature elitist probably every bit as much as the more severe public or private schools. The organisation the boys were most familiar with would have been hierarchical, ordered and strict. Beatings, by boys and by masters, would have been commonplace.
Without that strict regime and following such past conditioning it is perhaps not surprising that Jack's deeper self is released in the way we witness. Not all of the boys are from this culture, however, but the manner and the tone of the boys is common in some marked respects. Another point of interest is Golding's choice of an island. By its nature it is isolated, there is no outside influence and nothing to distract the boys from their true natures. The island is self-sufficient and self-contained. It is a tropical Garden of Eden, complete serpent.
The Lord of the Flies is an examination not of the idiosyncratic nature of small boys, but of the essential nature of humanity itself, the heart of darkness. The island becomes a microcosm of the adult world, which is also destroying itself. Bewilder and frightened, the children yearn for a sign from the adult world but the sign is sent fraught with meaning, possessing a symbolic power, which persist throughout the novel. The dead parachutist is himself a scapegoat, a victim of the war which rages as the adult's madness increases on a scale microcosmically reflected by the boys on the island.
In his essay Crabbed Youth and Age, Golding refers to the millions of young men who were slaughtered during the First World War as the 'pure and blameless, the eternally sacrificed'. The dead parachutist, too, is invested with some of this eternal, mythic quality, and yet in this most economical novels he also gives the children the chance to externalise their apprehension of evil . It is baleful, rotting presence which allows them to ignore Simon's pregnant suggestion 'What I mean is…maybe it's only us'. Golding writes in another of his essays, 'Custodians of the Real': ' Inside a fairy tale or out of it, a severed head is powerful affair'.
This comment is dramatised in Lord of the Flies when the hunters place the severed head of pig in the clearing. To the hunters this suffering is one of propitiation; they have projected evil outside themselves. But Simon realizes that the severed head is a part of humanity: ' At last Simon gave up and looked back; saw the white teeth and dim eyes, the blood and his gaze was held by that ancient, inescapable recognition'. When Simon attempts to communicate his knowledge that the parachutist is a pathetic victim of a larger war and that the evil is internal, he is torn to pieces by Jack's tribe.
Similarity, when Piggy tries to reason with the boys he is killed Golding constructs a complex metaphorical system around Piggy; the conch shell and his glasses being paramount. For Piggy who has intelligence, but no intuitive powers, the conch is order and he fails to realize that the conch in itself is nothing, a literally hollow shell, unless the others agree on its symbolic powers. When Jack's tribe steal his glasses to make fire and piggy stands among them, blind, fat and trembling, his words, almost his last, are genuinely tragic in their uncomprehending innocence: 'I tell you, I got the conch'.
Completely alone Ralph runs for his life. He is crying for mercy, on the point of being murdered, when a naval officer appears to save him. Golding himself has described the ending as a 'gimmick'. As a technique, it is clearly indebted to the Greek concept of the 'deus ex machina', a supernatural intervention, and in Lord of the Flies the effect of his shift in perspective is considerable. Most importantly it reminds the readers that the characters we have been seeing as hunters and killers are only children, while the officer's patronizing air alerts us to the fact that precisely the same horrors are being re-enacted in the adult world.
Ralph is blinded by tears, his bitter understanding of the evil that resides within humanity both anticipates what is to be a consistent theme of Golding's novels and also provides a darkly ironic counterpoint to the officer's helpful comment: 'I know. Jolly good show. Like The Coral Island'. Taken at value, Lord of the Flies is a simple tale. Golding himself regarded it as a modern fable, which can be enjoyed on more complex levels. One way to appreciate this is by exploring some of the themes of the book, to throw light on what William Golding wanted to say and on the times he was writing in.
Themes and images in Lord of the Flies Cold war paranoia The first use of atomic weapon in war – at Hiroshima in Japan on 6 August 1945, undetermined many people's assumption about life. Suddenly it seemed possible for the whole of civilisation to be destroyed by a single conflict. This was not a practical problem until 1959, when the Soviet Union exploded its first A-bomb and the Cold war began in earnest. This was never an open war, although numerous conflicts, such as Korea, Vietnam and Afghanistan, were fought in its name.
Rather it was an ideological battle in which anyone suspected of being the enemy would be attacked. Through the late forties and early fifties the infamous McCarthy 'witch-hunts' were conducted in America. Many respected and influential people were destroyed by (often false) accusations that they were Communists. This paranoia imagining tha good, patriotic citizen were traitor is deeply reminiscent of Jack and of Hitler's Germany. In this context Golding wrote Lord of the Flies . A great deal of its stark confrontation, Jack against Ralph, savages against the conch group, even evil against good.
More specifically, the boys have been stranded by the Cold War turning into a real war. Their plane has presumably been shot down and the 'beast' is a pilot who has ejected from his warplane. On top of this, Golding was impressed by the Existentialist philosophy of writers such as Albert Camus, Jean-Paul Sartre and Samuel Beckett. Existentialism claimed that God did not exist and that individuals were solely responsible for their own actions. So if you kill someone, as the savage mob does Simon. Ralph as the force for good, tries to do this after Simon's death: 'That was murder', but even he fails.
Golding seems to be making several related points. He is saying that the world we know can be destroyed by atomic weapons. This island itself can be seen as a metaphor for the earth after a nuclear holocaust. Also he is showing that the response to the Cold War an hysterical and irrational desire to be on one side or the other, savage or conch can only bring this nuclear disaster closer. Golding provides a way forward, through individuals taking responsibility for themselves and not being manipulated by the mob mentality.
If this had happened on the island, Piggy and Simon would both be alive when the naval officer arrives, and Ralph would probably still be chief, exercising his influence for good. Good and evil The battle between good and evil is a central theme of Lord of the Flies. It appears in many conflicts between the conch group and the savages, between the boys and the terrifying 'beast' and between rescue from passing ship and imprisonment on the increasingly insane island. Golding gives the reader a warning about the power of evil that if the good in people is not fostered then evil will take place.
The human urge to destroy will be unleashed and in the modern age there seem to be no limits to the harm this can do. In this sense, Lord of the Flies can be seen as a cautionary tale, advocating change before it is too late. Law and order The boys have come from a society in which orderliness is the norm and they attempt to continue this when they first arrive on the island. Very quickly the conch comes to symbolise the values of this previous existence. The boys cannot talk at meetings unless they are holding the conch, and are thus forced to treat whoever is speaking with respect.
This means that Piggy in many ways a natural victim is able to air intelligent thoughts that lead to improvements in the boys' lives. The other symbol associated with Piggy, his glasses, exposes a different side f law and order on the island. Rightfully they belong to Piggy, who needs them to see properly. Jack at school a figure of authority and order as head of the choir, first punching him and breaking a lens then stealing the pair to start fires. In doing so, he challenges the law and order that has kept life on the island reasonable under Ralph.
When the boys no longer accept law and order after this, Ralph is powerless and darker, more evil forces take over. The island is like a laboratory in which Golding can analyse the tension that exist within a school. By removing the adults, he sets free the impulses and desires of the schoolboys and almost allows them to run their full course. So Jack and Piggy's sensible plans, then a dictator and finally a murdered. Piggy on the other hand is a permanent victim of Jack's bullying and is killed. Clearly these disasters could have been prevented by the normal orderliness of school life. Fear and the beast
The beast represents the way in which people make something outside of themselves evil, so that they can maintain an image of themselves as good. This allows them to avoid the responsibility of looking carefully inside themselves it allows them to avoid self-knowledge. Golding uses the boys's imagination, daydreams and nightmares to show us their fears and desires. These things illuminate the sense of loss in the children, and their need for security. The snake image is traditionally symbolic of evil and it is appropriate forGolding's argument that evil comes from within. The beast gives the boys' fear something to focus.
There are several kinds of fear depicted in the novel, aart from the obious physical fear of the rapped piglet at the start and the trapped Ralph at the end. Fear is often associated with guilt. There is no fear of the truth as when the boys do not at first want to accept that they may never be rescued. There is the spiritual fear of the beast that is themselves, which is why they will not listen to Simon. Defects exists in any human society and they are usually caused by defects in human nature, what Golding sees as the constant but undeveloped evil resident withing all humankind.
This is the best. What happens in the novel is an example of how, in the right set of circumstances, the beast will reveal itself. Nature Golding sets his novel on an unspoiled island which effectively isolates his characters from the world. He creates a microcosm( a mini-world) and by making us look closely at the nature of his microcosm he makes us consider the real 'whole' world and the condition of humankind. The sea represents the vast distance between the boys and the civilisation from which they are cut off. The contrast between the sea on one side of the island and the sea are cut off.
The contrast between the sea on one side of the island and the sea on the other side, echoes the divison between the two groups of boys. Similarly, the storm creates a background to the increasing tension and exploding with the moods and feelings of man is a common device in literature. It a sometimes known as 'pathetic fallacy' which is the crediting of nature or inanimate objects with human emotions. Golding's description of the vegetation and nature life on the island, work in two levels: they reinforce mood and reflect the continuing beauty in nature.
Nature is shown as balanced and unified, in contrast with the division appearing among the boys. Food is natural resource of the island but has painful repercussion: fruit gives the boys diarrhoea and pig meat comes to symbolise power. Interestingly the boys make little use of the sea as a source of food. Images of heat are also frequent. Heat is the first force to change the boys' usual behavior. It appears in two different forms: natural heat like the temperature of the island and the heat of fire. Both forms are often used t emphasise the emotional, 'primeval' heat in certain characters.
Savagery Play and 'fun'results from the boys' pleasure in having their own island. It is a daytime escape from night-time fears for the littluns. For the older boys, play is distorted into a sinister, devilish activity. Fun develops into irresponsibility, then into torture and murder. One of the movements traceable through the novel is in the choir, who change to hunters, to a tribe, to savages. This downward path is sometimes known as atavism. Each experience of killing changes the boys and widens the gap between the hunters and those who cling to civilised values.
The boys eventually descend to a primitive level of savagery ruled by an arrogant chief. At this stage they are no longer recognisable physically or mentally, as the boys described at the start of the novel. Golding leaves us to imagine what kind of adults they might become after their experience on the island. The first clear sign of the emergence of the savage is the mask. At first the mask is intended as camouflage, but it generates a strange and primitive freedom in the wearer. The mask contributes to the generation of the tribe. 'Tribe' is the word used by Jack to describe his band of followers.
At first the word suggested an element of play but the tribe quickly develops into a savage band of killers. Rituals offer security and reassurance and are used by societies to make events fell more important and permanent, whether there are the rituals of joining a gang, of a marriage service, or those of the church. Ritual emerges as a powerful force on the island. Through rituals of chant dance and superstition, the tribe is held together and commits atrocities. The chant of the hunters is a ritual which is repeated, growing in fierceness on each occasion.
The most extreme violence of the chant coincides with the breaking of the last barriers of the last barriers of civilised behaviour, when Simon is murdered. One way of looking at this novel is to consider it as being structured around six hunts. Each successful hunt brings the boys closer structured around six hunts. Each successful hunt brings the boys closer to the savage side of human nature. The pig is the object of the hunt, as a source of food. But the pig-hunt becomes a symbol of the decline of civilised values and the loss of innocence.
As Lord of the Flies , the sow's head illustrates the superstitious, ritualistic level to which the tribe of hunters has sunk. Crowd mentality At the start of the novel, we find a natural group already formed when Jack appears at the head of the choir. This group is disciplined, a fact, which is of a great help in hunting pigs, when good organisation is of paramount importance. The climax of this crowd mentality comes when Simon returns with news that the 'beast' is actually a dead pilot. He stumbles into the midst of the near-hysterical savages during a night-time thunderstorm, and is himself taken to be 'beast'.
The mob, including Ralph, 'leapt on the beast, screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws'. In a mob, everyday life loses its meaning. Individuals are swallowed up and the mob seeks out those who are weak or simply outsiders to vent its fury on. There have been pogroms, where mobs kill members of minority groups throughout European history, with Jews by far the most frequent victims. Foremost in Golding's mind however, when describing mob behaviour was Nazi Germany. Jack in many ways echoes Hitler.
At first charismatic and seeming to offer easy solution to difficult situations, both learnt to use the fury of the mob against their enemies. Hitler turned mobs against Communism, Jews and indeed, may of his own followers to eliminate opponents and terrify everyone else. Jack likewise kills and intimidates until complete control is almost in his hands. In William Golding's Lord of the Flies, Ralph asks Piggy, "[W]hat makes things break up like they do? " (127). It is a question that has given rise to much speculation in critical circles. What causes the societal breakdown on the island in Lord of the Flies?
Golding himself has said the cause is nothing more than the inherent evil of man; no matter how well-intentioned he is, and no matter how reasonable a government he erects, man will never be able to permanently contain the beast within. But other critics have offered alternative explanations, most of which are based on the assumption that the beast can, in fact, be contained. Bernard F. Dick argues that the suppression of this natural, bestial side of man results in its unhealthy eruption and the consequent societal breakdown. John F. Fitzgerald and John R.
Kayser suggest that, in addition to original sin, society's failure to reconcile reason with mystery causes the breakdown. Finally, Kathleen Woodward contends that when the beast is not suppressed strictly enough, when law and order is lax, evil erupts. Although we need not automatically accept Golding's explanation of his own text, when alternative views fail to provide an appropriate rationale, it is not unreasonable to assume the author's viewpoint. Golding's own explanation for the breakdown of civilization in Lord of the Flies was delivered in a lecture given in 1962 at the University of California at Los Angeles.
He describes the breakdown as resulting from nothing more complex than the inherent evil of man: "So the boys try to construct a civilization on the island; but it breaks down in blood and terror because the boys are suffering from the terrible disease of being human" (Golding, "Lord of the Flies as Fable" 42). For Golding, the structure of a society is not responsible for the evil that erupts, or, at least, it is responsible only insofar as the society reflects the nature of the fallen man. The shape of the society the boys create is "conditioned by their diseased, their fallen nature" (Golding, "Fable" 41).
Indeed, Golding claims to have intentionally avoided inserting some things into the novel that might have led readers to conclude that the society itself, rather than the fallen man, is responsible for the breakdown: 'The boys were below the age of overt sex, for I did not want to complicate the issue with that relative triviality. They did not have to fight for survival, for I did not want a Marxist exegesis. If disaster came, it was not to come through the exploitation of one class by another. It was to rise, simply and solely out of the nature of the brute. (Golding, Fable 42) Golding employs a relatively straightforward writing style in Lord of the Flies, one that avoids highly poetic language, lengthy description, and philosophical interludes. Much of the novel is allegorical, meaning that the characters and objects in the novel are infused with symbolic significance that conveys the novel's central themes and ideas. In portraying the various ways in which the boys on the island adapt to their new surroundings and react to their new freedom, Golding explores the broad spectrum of ways in which humans respond to stress, change, and tension.
Lord of the Flies has attracted an immense amount of both favourable and unfavourable criticism. Most vehement among the latter critics are Kenneth Rexroth, whose essay in the Atlantic Monthly castigated the author for having written a typical "rigged" "thesis novel" whose characters "never come alive as real boys. " In the same camp is Martin Green (1960), who criticizes Golding's early works, including Lord of the Flies, as "not importantly original in thought or feeling. " Otherwise admiring critics like James R.
Baker have claimed that the popularity of the book peaked by the end of the 1960s because of that decade's naive view of humanity and rejection of original sin. Among critics who admire Lord of the Flies, there is remarkable disagreement about the book's influences, genre, significant characters, and theme, not to mention the general philosophy of the author. Frank Kermode's early essay, excerpts of which appear in Baker & Ziegler's casebook edition of the novel, examines R. M. Ballantyne's Victorian boys' adventure story The Coral Island as Golding's primary influence.
He interprets Golding's book as a powerful story, capable of many interpretations, precisely because of the author's "mythopoeic power to transcend" his own allegorical "programme. " Bernard F. Dick, while acknowledging The Coral Island's influence, builds on Kermode's observation that the book's strength is grounded in its mythic level by tracing the influence of the Greek dramatists, especially Euripides, whose play The Bacchae Golding himself acknowledged as an important source of his thinking.
Dick notes that The Bacchae and Lord of the Flies both "portray a bipolar society in which the Apollonian [represented by Ralph] refuses or is unable to assimilate the Dionysian [represented by the hunters]. " Dick finds fault with the author's having profound thoughts come out of the mouths of children, especially Simon. The critic recognizes, however, that this flaw grew out of Golding's decision to model his characters on the children in Coral Island. Nevertheless Dick is an overall admirer of Golding's craft in producing a work whose "foundation is mythic" yet which is perhaps most accurately called a "serious parody. Using a psychoanalytic approach to the novel, Claire Rosenfield (1961) finds yet another source for Golding's ideas in psychoanalyst Sigmund Freud's Totem and Taboo.
Golding claimed in an interview that he had read "absolutely no Freud. " Even so, Rosenfield's close reading argues that Golding must have been influenced, directly or indirectly, by Freudian ideas. Rosenfield reminds us that according to Freud, gods and devils are basically human processes projected into the outer world. Specifically, "Ralph is a projection of man's good impulses from which we derive the authority figures — whether od, king, or father. Jack becomes an externalization of the evil instinctual forces of the unconscious. " Piggy, whose knowledge of science, thinning hair, and respect for adults make him the most adultlike child on the island, is both a father figure and a symbol of the progressive degeneration of the boys from adults to animalistic savages. The abundance of possible critical stances on Lord of the Flies is summarized by Patrick Reilly in his chapter "The Strife of Critics" from his study "Lord of the Flies ": Fathers and Sons.
Reilly notes that the book "has been read as a moral fable of personal disintegration, as a social fable of social regression, as a religious fable of the fall of man. " One critic is sure that civilization is victorious in the book, while another scoffs at the very idea that the book ends happily. Reilly himself puts Golding's work squarely in the tradition of the "dark epiphany" as used in Jonathan Swift's Gulliver's Travels. Both authors work under the notion that man is so thoroughly corrupted that his redemption as a species is hopeless, however gallant and inspirational individual attempts may be.
Thus the reader of Golding at the end of book is left wondering how, if the world has been destroyed by atomic war, the captain and his ship will be rescued after he has rescued the boys. Reilly, however, does find hope in the figure of Simon, whose slow death ennobles him as a "hero, saint, martyr," in contrast to Piggy's quick dispatch and equally sudden disappearance. Thus the darkness within man as a whole in the story is balanced by the "brightness within" individual hearts, and Reilly concludes that "if we cannot be certain of salvation, perhaps it is enough to sustain us if we know that the darkness need not prevail. Golding 'immense feeling of freedom' has its downside. Suddenly finding his days empty, after sixteen years of schoolteaching, gave limitless scope for perfectionism and self-doubt, and The Spire had a more tormented birth than any of his previous novels. The three years between mid-1961, when it was first conceived as a 'funny' short story, to the publication in April 1964 of what Rebecca West in The Sunday Telegraph greeted as a 'superb tragedy', were fraught with reconsideration, exasperation and near despair. Many people have interpreted Lord of the Flies as a work on moral philosophy.
The environment of the island, a paradise with food, water, and all the necessities, is a metaphor for the Garden of Eden. The first appearance of the "beastie" is in a form reminiscent of a serpent, as which evil appears in the Book of Genesis. One of the major themes of the book, on the very nature of evil, is brought to a head in a scene which Simon holds with the head of the pig, which is known as "The Lord of the Flies" (a literal translation of the Hebrew name of Ba'alzevuv, or Beelzebub, which is a powerful demon in hell, sometimes believed to be the devil himself).
The conversation held also points to Simon as the character representing religion and good will in the novel, which is reminiscent of the temptation of Jesus in the wilderness. Some Christian readers allude the British Naval officers' rescue of the boys as the second coming of Christ (Bible story in Revelation). The Lord of the Flies in the end reveals that evil and the terror of the "beastie" is not an external threat, but an inborn evil with the boys themselves. Others have looked at the novel as a work on political philosophy.
The stranding of the boys, without any adult supervision, represents a clean slate upon which they have the power to build a small society without reference to any past authorities (past governments, religion, etc. ). The abundance of food and water and all the necessities sets the stage for a utopia, or perfect society. The actions of the boys demonstrate the spectrum of governments, with Ralph and Piggy representing democratic ideals while Jack represents more authoritarian systems. Another analogy compares the three principal characters to the three Archangels of the Old Testament.
Ralph equates to St Michael, the general of the Armies of the Lord; Jack to Lucifer, the fallen angel who takes a hoard of lesser angels with him turning them into demons opposed to God in the process; and Piggy to Gabriel, whose trumpet call announces Judgement Day. Golding continues to fascinate . His work attracts critics like moths to a flame and provides the basis for theses, articles and books. But up to now critical approaches to the novel remained very conservative on the novels have remained very conservative.
There are hardly any new studies which take account of current developments in literary theory. Yet without new perspectives on the novels a saturation point must be reached, there must be a ceiling of meaning for criticism employing concepts such as 'fable', 'myth', 'source' and 'analogues'. William Golding extended the formal boundaries of fiction and made a significant contribution to England's literature. In its extraordinary control and ingenious use of narrative perspective Golding's work made his readers 'see'.
The Value of A Life
Relationships, Personality, Violence, and Manhood in the Third Life of Grange Copeland Short Summary
William Golding Life Works and Critique. (2018, Feb 18). Retrieved from https://graduateway.com/william-golding-life-works-and-critique/
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05 James Monroe
Term: 5th President of the United States (1817-1825)
Vice President: Daniel D. Tompkins (1817-1825)
Born: April 28, 1758, Westmoreland County, Virginia
Nickname: "The Last Cocked Hat," "Era-of-Good-Feelings President"
Education: College of William and Mary (graduated 1776)
Marriage: February 16, 1786, to Elizabeth Kortright (1768-1830)
Children: Eliza Kortright (1786-1835), James Spence (1799-1800), Maria Hester (1803-1850)
Career: Lawyer
Political Party: Democratic-Republican
Writings: Writings (7 vols., 1898-1903), ed. by S. M. Hamilton; Autobiography (1959), ed. by Stuart G. Brown and Donald G. Baker
Died: July 4, 1831, New York City, New York
Buried: Hollywood Cemetery, Richmond, Virginia
James Monroe Trivia:
Graduated College of William and Mary (1776) Secretary of State under Madison. Secretary of Was under Madison. Convention of 1818 fixed the boundary between the U.S. and British North America. In 1819 purchased Florida from Spain for the cancellation of $ 5 million in debts. On December 2, 1923 proclaimed the Monroe Doctrine, warning European powers not to interfere in U.S. affairs. First president to ride on a steamboat. First U.S. Senator to become president. First inaugural to be held outdoors. His daughter was the first to be married in the White House. The U.S. Marine ban played at his second inaugural and every inauguration since.
James Monroe Books:
05 James Monroe: Ebay