text:
Stephanie Brind (* 8. Juni 1977 in Bexleyheath) ist eine ehemalige englische Squashspielerin.

Karriere
Stephanie Brind war von 1995 bis 2005 auf der WSA World Tour aktiv und gewann einen Titel bei insgesamt acht Finalteilnahmen. Ihre beste Platzierung in der Weltrangliste erreichte sie mit Rang vier im November 2001.

Mit der englischen Nationalmannschaft gewann sie von 1999 bis 2002 viermal in Folge den Titel bei den Europameisterschaften. Bei Weltmeisterschaften gewann sie mit England 2000 nach einem 2:1 gegen Australien im Finale den Titel. Brind gewann ihre Finalpartie gegen Robyn Cooper in vier Sätzen. 2002 stand sie mit der Mannschaft erneut im Endspiel, das dieses Mal Australien mit 2:1 gewann. Brind unterlag Natalie Grinham in vier Sätzen.

Zwischen 1998 und 2004 stand Stephanie Brind siebenmal in Folge im Hauptfeld der Einzelweltmeisterschaft. Ihr bestes Abschneiden war jeweils der Viertelfinaleinzug 1998, 2000 und 2001. Sie nahm an den Commonwealth Games 2002 teil und erreichte im Einzel und Damendoppel jeweils das Viertelfinale.

Erfolge
 Weltmeister mit der Mannschaft: 2000
 Europameister mit der Mannschaft: 4 Titel (1999–2002)
 Gewonnene WSA-Titel: 1

Weblinks

Squashspieler (England)
Weltmeister (Squash)
Europameister (Squash)
Teilnehmer an den Commonwealth Games (England)
Geboren 1977
Engländer
Brite
Frau

redpajama_set_name: RedPajamaWikipedia


text:
Els batracòidids (Batrachoididae) són una família de peixos teleostis, l'única de l'ordre dels batracoidiformes (Batrachoidiformes), coneguts popularment com a  peixos gripau. La majoria d'espècies són marines i molt comunes als oceans Atlàntic, Índic i Pacífic. Unes poques espècies viuen en hàbitats d'aigua dolça. Tant el nom comú com el nom científic (la paraula grega batrakhos vol dir gripau) al·ludeixen a la seva semblança física amb certs amfibis.

Són depredadors bentònics que utilitzen la seva coloració críptica en substrats sorrencs o fangosos per evitar ser detectats per les preses. També són coneguts per la seva capacitat de "cantar". En particular, els mascles utilitzen la bufeta natatòria com un instrument per produir sons que utilitzen per atreure altres individus.

Distribució i hàbitat
Les peixos gripau es troben arreu del món. La majoria d'espècies són marines, encara que algunes viuen en hàbitats d'aigua salabrosa i una subfamília, Thalassophryninae, es troba exclusivament en hàbitats d'aigua dolça a l'Amèrica del Sud. En particular, Daector quadrizonatus i Thalassophryne amazonica viuen al riu Atrato, a Colòmbia, i al riu Amazones, respectivament .

Descripció
Solen ser peixos sense escates, amb els ulls fixats en els caps grans. La seva boca també és gran, tant amb el maxil·lar com el premaxil·lar, i sovint està decorada amb bigotis. En general, són de color ocre pàl·lid, encara que els que viuen en esculls de corall poden tenir patrons més brillants. La seva longitud varia des dels 7,5 centímetres de Thalassophryne megalops fins als 57 de Batrachoides surinamensis.

Les brànquies són petites i només estan presents als costats de l'individu. Les aletes pèlviques estan més davant de les aletes pectorals, i generalment sota les brànquies. De les dues aletes dorsals separades, la primer és més petita i té espines. El nombre de vèrtebres varia entre 25 i 47.

Les espècies del gènere Porichthys tenen fotòfors i quatre línies laterals. Totes les espècies de peixos gripau tenen espines punxegudes a la primera aleta dorsal i a l'opercle. En les espècies de la subfamília Thalassophryninae, aquestes espines són buides i estan connectades a glàndules verinoses capaces de causar una ferida dolorosa als depredadors.

Ecologia
Els peixos gripau viuen al fons, tant a prop de la superfície com en aigües profundes. Tendeixen a ser omnívors, alimentant-se de cucs de mar, crustacis, mol·luscs i altres peixos. Sovint s'amaguen a les esquerdes de la roca, entre la vegetació, o fins i tot s'amaguen entre els sediments del fons, des d'on emboscen la seva presa. El peixos gripau poden sobreviure fora de l'aigua durant 24 hores, i alguns es poden moure pels fons fangosos durant marea baixa utilitzant les seves aletes.

Els mascles construeixen nius i, a continuació atrauen les femelles per mitjà d'una mena de "cant", que produeixen alliberant l'aire de la bufeta natatòria. Aquests sons s'han descrit com "brunzits" o "xiulets", i poden ser prou alts com per ser clarament audibles des de la superfície. Els ous són enganxosos per un costat, de manera que la femella els pot acoblar al niu. Cada mascle atrau nombroses femelles al seu niu, de manera que el conjunt d'ous del niu te diverses mares.

El mascle protegeix el niu dels depredadors. Durant aquest període, el mascle ha de sobreviure amb poc aliment, ja que pot allunyar-se del niu per caçar. Els ous es desenvolupen ràpidament en embrions, però aquests queden units al costat del niu fins a les tres a quatre setmanes d'edat. Després d'aquest temps, segueixen agrupats al niu amagant-se darrere del pare fins que són prou grans per defensar-se per si mateixos. Cal destacar, que aquest grau de cura dels pares és molt inusual entre els peixos.

Relació amb l'home
Són peixos apreciats en gastronomia, fàcils de trobar als mercats i que assoleixen preus elevats, per la qual cosa tenen importància comercial.

Han de ser manipulats amb cura, sobretot la subfamília Thalassophryninae que és molt verinosa, amb espines hueques a l'aleta dorsal i sobre l'opercle, connectades amb una glàndula verinosa que pot injectar verí si es punxa algú amb elles.

Classificació
S'han descrit unes 80 espècies, agrupades en 21 gèneresi 3 subfamílies:
 Subfamília Batrachoidinae - peixos gripau més comuns i de distribució mundial.
Allenbatrachus
 Amphichthys
 Austrobatrachus
 Batrachoides
 Batrachomoeus
 Batrichthys
 Bifax
 Chatrabus
 Halobatrachus  - peix gripau o gripau lusitànic (a Espanya)
 Halophryne
 Opsanus
 Perulibatrachus
 Potamobatrachus
 Riekertia
 Sanopus
 Triathalassothia
 Subfamília Porichthyinae -peixos gripau bioluminiscents, distribuïts per costes d'Amèrica.
 Aphos  - peje-bagre o bagre de mar (en Xile), pez frare (en Equador y Perú)
 Porichthys
 Subfamília Thalassophryninae - peixos gripau verinosos, distribuïts per costes d'Amèrica i alguns d'aigua dolça a Sud-amèrica.
 Daector
 Thalassophryne

Referències

Bibliografia

 CBC Radio Quirks and Quarks show podcast segment on unique toad fish habits with links to primary sources.

Enllaços externs
 FishBase entry on Batrachoididae

Paracantopterigis


text:
Martin William Dossett (born October 30, 1978) is a former NFL wide receiver who signed with the Green Bay Packers. He played college football & ran track at Baylor University. He has played in leagues such as NFL Europe and AF2 before playing in Corpus Christi, Texas for the Corpus Christi Hammerheads of the Intense Football League.

References

External links
 Baylor Bears bio

1978 births
Living people
People from Portland, Texas
American football wide receivers
Baylor Bears football players
Corpus Christi Hammerheads players


Telling stories through photography, music, and code.
Let's see what we can safely do with small stock on the table saw.
Starting to build a plant stand that's hexagonal from the top, front, and side.
Generating music with phrases and progressions that change over time with gibber, p5.js, the uncontext data feed and a lot of coffee.


In the beginning was the need for a player.
Play live and VOD streams.
Browse and play local multimedia files.
Share live streams directly with friends.
Display detailed info for the stream.
Fast and easy change of subtitles and audio tracks.
Easy creation of M3U multimedia playlists.
Play Internal and external subtitles.
XMTV enables you to play most popular media formats such as: AVI, MOV, MKV, FLV, AVI, ASF, WMV, MP4, M4V, TP, TS, MTP and M2T. Also, XMTV is equipped with Kids lock to keep your kids entertained without having to worry that they can make calls or touch other apps.
DMCA: If you believe that a plugin infringes your rights please feel free to contact us.
XMTV Player was added by Translator5 in Jan 2016 and the latest update was made in Jul 2017. The list of alternatives was updated Mar 2016 There is a history of all activites on XMTV Player in our Activity Log. It's possible to update the information on XMTV Player or report it as discontinued, duplicated or spam.
Alternatives to XMTV Player for Linux, Windows, Opera, Firefox, Mac and more. Filter by license to discover only free or Open Source alternatives. This list contains a total of 5 apps similar to XMTV Player.
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text:
Q: Script Content Type Actix Web The content type script does not exist in the actix web framework.
But is there any other way to tell the browser that the sent file is a script?
this would be the http response i used
        Response::JS => {
        HttpResponse::Ok()
        .content_type(ContentType::/*what needs to be here???*/)
        .insert_header(("X-Hdr", "sample"))
        .body(x)
        }

as cdhowie suggest
.content_type(mime::APPLICATION_JAVASCRIPT)

works thx

A: ContentType is a tuple struct with a single Mime value.  You probably want mime::APPLICATION_JAVASCRIPT, so you should be able to use .content_type(ContentType(mime::APPLICATION_JAVASCRIPT)).  It also looks like you can supply a Mime value directly: .content_type(mime::APPLICATION_JAVASCRIPT).

redpajama_set_name: RedPajamaStackExchange


text:
package io.github.jeddict.orm.generator.compiler;

import io.github.jeddict.orm.generator.util.ORMConverterUtil;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.AT;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.CLOSE_BRACES;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.CLOSE_PARANTHESES;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.COMMA;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.OPEN_BRACES;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.OPEN_PARANTHESES;
import static io.github.jeddict.orm.generator.util.ORMConverterUtil.getCommaSeparatedString;
import static io.github.jeddict.settings.generate.GenerateSettings.isGenerateDefaultValue;
import static io.github.jeddict.util.StringUtils.isNotBlank;

public class OneToManySnippet extends MultiRelationAttributeSnippet {

    private boolean orphanRemoval = false;

    @Override
    public String getType() {
        return "OneToMany";
    }

    /**
     * @return the orphanRemoval
     */
    public boolean isOrphanRemoval() {
        return orphanRemoval;
    }

    /**
     * @param orphanRemoval the orphanRemoval to set
     */
    public void setOrphanRemoval(boolean orphanRemoval) {
        this.orphanRemoval = orphanRemoval;
    }

    @Override
    public String getSnippet() throws InvalidDataException {

        if (!isGenerateDefaultValue()) {
            if (mappedBy == null
                    && orphanRemoval == false
                    && getFetchType() == null
                    && getCascadeTypes().isEmpty()
                    && (mapKeySnippet==null || mapKeySnippet.isEmpty())) {
                return AT + getType();
            }
        }

        StringBuilder builder = new StringBuilder();
        if (mapKeySnippet != null && !mapKeySnippet.isEmpty()) {
            builder.append(mapKeySnippet.getSnippet())
                    .append(ORMConverterUtil.NEW_LINE)
                    .append(ORMConverterUtil.TAB);
        }

        builder.append(AT).append(getType())
                .append(OPEN_PARANTHESES)
                .append(attribute("mappedBy", mappedBy))
                .append(attributeExp("fetch", getFetchType()));;

        if (isGenerateDefaultValue() || orphanRemoval == true) {
            builder.append("orphanRemoval = ")
                    .append(orphanRemoval)
                    .append(COMMA);
        }

        if (isGenerateDefaultValue() && isNotBlank(getTargetEntity())) {
            builder.append("targetEntity = ")
                    .append(getTargetEntity())
                    .append(COMMA);
        }

        if (!getCascadeTypes().isEmpty()) {
            builder.append("cascade = ");
            if (getCascadeTypes().size() > 1) {
                builder.append(OPEN_BRACES)
                        .append(getCommaSeparatedString(getCascadeTypes()))
                        .append(CLOSE_BRACES);
            } else {
                builder.append(getCascadeTypes().get(0));
            }
            builder.append(COMMA);
        }

        return builder.substring(0, builder.length() - 1) + CLOSE_PARANTHESES;
    }

}

redpajama_set_name: RedPajamaGithub


text:
16 pin Clarion Head Unit proprietary connector
This is the 16 pin Clarion Head Unit proprietary connector
The pinouts for the 16 pin Clarion Head Unit proprietary connector are:
Acura (1995-2000) audio connector pinout for Acura Vigor (1989, 1990, 1991, 1992, 1993, 1994, 1995), TL (1995, 1996, 1997, 1998), RL (1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003), SLX (1996, 1997, 1998, 1999), NSX (1998, 1999, 2000, 2001, 2002, 2003, 2004), Legend (1991, 1992, 1993, 1994, 1995), Integra (1997, 1998, 1999), CL (1997, 1998, 1999)
Honda 200R EON RDS pinout
Honda Accord (1991-1995) 2400 Head Unit pinout
Honda CR-V (1998-2000) 428TA Head Unit pinout for Honda CR-V (1998, 1999, 2000)
Honda MR527AO pinout
Honda CR-V (1995-2001) Head Unit pinout for Honda CR-V (1995, 1996, 1997, 1998, 1999, 2000, 2001)

redpajama_set_name: RedPajamaCommonCrawl


text:
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(Start for free)
Register or login with just your e-mail address
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New York, NY (Top40 Charts) GRAMMY Award-winning multi-platinum selling Atlantic recording artist Cardi B has announced today's release of her eagerly awaited new single. "WAP (Feat. Megan Thee Stallion)" is available now at all DSPs and streaming services; an official companion video - directed by Colin Tilley and featuring cameos from an all-female cast that includes Megan Thee Stallion, Normani, Kylie Jenner, Rosalía, Mulatto, Rubi Rose, and Sukihana.
"WAP (Feat. Megan Thee Stallion)," produced by Ayo & Keyz, marks Cardi's first release since her 2019 platinum certified single "Press." To further celebrate today's release, Cardi B is leading a very special Beats1 New Music Daily Radio takeover, highlighted by an exclusive roundtable conversation between the guest stars of the official video.
Cardi B's rambunctious spirit and brave tongue have made her one of the most iconic superstars of this or any other era - an adored entertainer, acclaimed actress, and of course, world-renowned rapper. "INVASION OF PRIVACY"- which was certified gold by the RIAA on its day of release, the first-ever album by a female artist to achieve that milestone - made an equally extraordinary chart debut atop the SoundScan/Billboard 200, further entering a number of additional charts at #1, including "Top R&B/Hip-Hop Albums," "Top Rap Albums," and "Top Digital Albums."
Named "Best Rap Album" at the 2019 GRAMMY Awards - establishing Cardi in the history books as the first solo female artist to win that prestigious category - the now 3x Platinum "INVASION OF PRIVACY" is highlighted by a truly remarkable string of chart-busting singles, including two #1 classics in the 9x RIAA platinum certified "Bodak Yellow" and the 8x platinum certified smash, "I Like It," featuring Bad Bunny and J Balvin, as well the 3x platinum certified "Bartier Cardi (Feat. 21 Savage)" and "Be Careful," the 2x platinum "Ring (Feat. Kehlani)," and the platinum certified "Best Life (Feat. Chance the Rapper)," "I Do (Feat. SZA)," and "Drip (Feat. Migos)." Furthermore, all of the LP's remaining tracks have proved gold certified or higher, affirming Cardi as the first female rapper to achieve that historic feat.
Cardi followed "INVASION OF PRIVACY" with 2018's 4x platinum certified "Money" and 2019's 3x platinum "Please Me," the latter her second collaboration with her longtime friend and labelmate Bruno Mars. 2019 also saw the platinum certified single, "Press," and a gold certified feature on Ed Sheeran's "South of the Border (Feat. Camila Cabello & Cardi B)." Along with new music, Cardi recently used her platform to partner with the NY census for a PSA on the importance of completing the census, streaming at Top40-Charts.com
The first female artist to have five top 10 singles simultaneously on Billboard's "Hot R&B/Hip-Hop Songs" chart as well as the first female rapper to boast two #1 hits on the "Hot 100," Cardi has been honored with a stunning range of prestigious awards and nominations, including eight total GRAMMY Award nominations, four BET Awards, 11 BET Hip-Hop Awards, four American Music Awards, four MTV Video Music Awards, six ASCAP Pop Music Awards, 20 ASCAP Rhythm & Soul Music Awards, seven Billboard Music Awards, four iHeartRadio Music Awards, three iHeartRadio Titanium Awards, three Soul Train Music Awards, two Teen Choice Awards, and five Guinness World Records thus far.
Cardi has graced the covers of countless publications in recent years, including but not limited to Cosmopolitan, Rolling Stone, The New York Times Magazine, i-D Magazine, CR Fashion Book, W Magazine's annual Art Issue, Harper's BAZAAR's Spring Fashion Issue, PEOPLE en Español (where she was named "Star of the Year"), to name but a few- and most recently Vogue alongside her 2-year-old daughter Kulture.
Furthermore, Cardi has made an unstoppable series of high profile appearances, including a hilarious installment of "Carpool Karaoke" on CBS' The Late Late Show with James Corden, ABC's Jimmy Kimmel Live! during their popular Brooklyn Week, a stellar performance on NBC's Saturday Night Live, and an historic installment of NBC's The Tonight Show Starring Jimmy Fallon, where she served as both musical guest and the first-ever co-host in show history. What's more, Cardi tore the house down at a number of major awards ceremonies, including the MTV Video Music Awards, the American Music Awards, the GRAMMY Awards, and both the BET Awards and BET Hip-Hop Awards.
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Snow day! And honestly, I'm so happy! Yes, I just said that. Though the downside is that it's freezing cold out, so we won't be able to get out to play in all of the fresh snow. Tomorrow, tomorrow.
Okay, did you watch the Grammys last night? I love the Grammys, though last night's show was a bit wonky. I dunno, I'd be totally into it and then they'd lose me for about 30 mins.
Don't get me wrong, she's one talented lady, but this tweet was awesome.
Honestly, Old Man Winter is angry, very angry. We got so much snow the past couple of days, it's been unreal. On Saturday we shovelled and shovelled and shovelled, though I have to admit, the entire family was out there and we all had a blast. Reminded me of being a kid and absolutely loving the tall mounds of snowing.
hubs says shovelling is a great workout, which I know is true but I can guarantee you that we will be purchasing a snowblower in the near future.
Remember the branches I spoke of last week and the hyacinths? Both are blooming like crazy and our house is slowly taking on the look and scent of spring, which is right.around.the.corner. right? Darn Old Man Winter.
So last week I headed to Toronto for #IDS14. First timer here and I had so much fun. I had the pleasure of meeting up with some amazing bloggers and interior designers that I absolutely adore, that alone was fabulous. I was given media access which allowed me to tour the show on Trade Day and I have a bunch of photos and a glorious recap to share, but that will come later in the week.
For now, I have a quick sneak peek of what you'll see in the recap.
since we used hubs hotel points to book the hotel, I had access to the executive lounge. note to self, always book hotel rooms with hubs points and leave him home with the kids. ha!
Cocoon furnishings launched Aerin Lauder's home collection at the show. The photos, no matter how many I took, did not do the chandelier justice. Honestly one of the most beautiful pieces I've ever seen in my life. The entire booth was just gorgeous.
Sarah Richardson and team got creative and designed a booth in which every piece was covered in her new fabric line by Kravet. Brilliant and beautiful!
I just about died when I saw this booth by Simply White.
If you're looking for a pretty faucet or tub filler, Delta Faucet is the place to go. Seriously.
Ikea amazed everyone, everyone. Gold tile, marble counters, chandeliers, I could go on and I will. More later in the week.
At least he put the pillows back on the bed, right?! haha! Hubs, I tell ya. Hilarious.
Happy Monday, friends. Have a good one.
Men just don't quite get throw pillows... my husband does the same thing. Looking forward to seeing more from the show!
(a) I PVR'd the Grammy's and can't wait to watch while folding my mountains of laundry.
(b) you look adorable in your winter gear.
(e) hubby's attempt at making the bed, the best!


text:
A 9929 McConnell (ideiglenes jelöléssel 1982 DP1) a Naprendszer kisbolygóövében található aszteroida. Az Oak Ridge Observatory fedezte fel 1982. február 24-én.

Kapcsolódó szócikkek
 Kisbolygók listája (9501–10000)

Jegyzetek

A Naprendszer kisbolygói


The two decades of the 30s and the 40s are considered the Golden Period of American Cinema. The year 1946, in fact, is till date the most profitable year for Hollywood. This was also the period of the Studio System – when a handful of filmmaking companies dominated the American film business. Close to 75% of the revenue was shared by the Big Five – MGM, Fox, RKO, Paramount, and Warner Bros. Then there were the Little Three – Columbia, Universal, and United Artists. Their oligopoly was based on some malpractices like 'block booking', and in order to ensure greater profits, studios adopted Vertical Integration (that is, the entire chain from film production, distribution, to exhibition, being controlled by respective studios). The much controversial contract system bound talent (stars, directors, etc.) to different studios and the studio executives controlled the films they made – directors were often not allowed in the post-production stage. Films were treated as commodities, produced through an assembly line, with respective studios specializing in specific genres. However, the most important and long-lasting contribution of the Studio System was how it helped in the aesthetic evolution of cinema by development of certain styles and conventions – the concept of continuity-editing, maintaining the sense of verisimilitude, closure-ending, etc.
By the 50s, though, this dominance had ended. Some legislations passed during this period brought an end to the malpractices and vertical integration. Stars began to seek greater independence from the studios. A rise in independent productions, import tariffs imposed on American films abroad, migration of Americans to sub-urbs, and rise of the TV were other important factors that cause this change. The Studios are still functional, and to some extent they still dominate film-business, but the scope for independent players and for artistic expression beyond the control of studio executives is much more.
One major contribution of the Studio era was the evolution of the Classical Narrative – the classical way of story-telling on film. The rules were simple – tell a story the audience wants to hear, and in an easy to comprehend way. The chronology of events should be linear, from beginning of the story to end, with the permissible use of flashbacks for specific elaboration or exposition. Everything should be connected in the thread of cause and effect. The characters should be believable and must have clearly-defined wants and functions. The protagonist should be likeable and motivated to achieve his/her want against all odds. In the end, there should be a closure that would fulfill the audience. I believe it was important for the evolution of this narrative to make cinema such an integral part of the popular culture it is. I would also like to add that the Classical Narrative can be understood better when compared to other alternative forms of narration, including some that totally defied the narrative approach.
The lecture on 20th June covered these topics. And it was followed by a discussion on the cinema of Alfred Hitchcock,'Vertigo' (1958) in particular. It was interesting to see how the students reacted to this movie. Some thought it was painfully slow and predictable, some thought otherwise, and defended its 'slow' pace. Most of them liked the film, some even loved it. However, the acting of James Stewart did not go down too well with the students. They thought it was hilariously theatrical. Perhaps I would have felt the same as a 19-year old. But I'm happy that they have been introduced to the cinema of Hitchcock so early. This is a discovery they will thoroughly enjoy. And they too will wait for those blink-and-you-miss cameos by the master, who stood tall amidst the dominating Studio System, one of those few filmmakers who exerted complete control over his film-expression, and rose to the status of a star himself.
and wow! teaching cinema! :) u have no idea how missed out i am feeling right now wishing if only i was in those classes.


text:
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Press Release | October 9, 2014
PRESS RELEASE: MOVE GUIDES ANNOUNCES $8.2 MILLION SERIES A FUNDING FROM NEW ENTERPRISE ASSOCIATES (NEA) AND NOTION CAPITAL
LONDON, October 9, 2014 /PRNewswire/ — MOVE Guides announced today that it has closed $8.2 million in Series A funding led by New Enterprise Associates (NEA). Existing investor Notion Capital also participated in the round. MOVE Guides has grown more than 10x in the last 12 months, and is working with companies like SurveyMonkey and lululemon athletica to deliver employee mobility across more than 150 locations around the world.
"Over the next 3-5 years, 75% of companies expect to increase their volume of mobile employees-yet just 2% consider their global mobility function world-class today," said MOVE Guides' Founder Brynne Herbert. "Talent mobility is a huge pain point for HR departments, and our market leading Talent Mobility Cloud is their answer."
MOVE Guides' Talent Mobility Cloud is the leading cloud solution for the $15bn talent mobility industry, an emerging area of HR that involves moving talent around the world for new jobs, relocations, projects and expatriate assignments. Companies spend $150bn annually moving talent, and the process is mired with complex and time-consuming processes, high compliance burdens when operating across many countries, and challenges to delivering a great employee experience.
Individual investors Andy Leaver (ex-VP EMEA and APAC, Workday) and David Windley (ex-CHRO Yahoo!) also participated in the round, signalling a growing interest in talent mobility within the broader HR space.
"The shift from on-premise to cloud in enterprise software has long been a core focus for NEA, with investments in category-defining companies like Salesforce.com, WebEx and Workday," said NEA partner Ravi Viswanathan, who joins Notion Capital partner Jos White on the MOVE Guides' Board. "Talent mobility management is a large and growing market that's ripe for disruption, and we're excited to partner with MOVE Guides as they seize that opportunity and deliver a mobility solution that enables companies to be more efficient, reduce costs, and increase employee satisfaction."
"MOVE Guides is transforming talent mobility with its market-leading software-as-a-service platform and, at the same time, meeting the expectations of a new generation of employees," said Jos White, Partner at Notion Capital. "We believe they have what it takes to disrupt their industry and build a very big business."
The Talent Mobility Cloud brings together companies, employees and global vendors (shipping, real estate, immigration, tax and more) to enable talent mobility both for companies who traditionally outsourced their mobility programs and for those who manage it with in-house teams. At outsourced programs, MOVE Guides replaces traditional incumbents, like Cartus and SIRVA, at just a fraction of the cost. MOVE Guides pairs the Talent Mobility Cloud with support for employees from their dedicated MOVE Advocate team. The company has proven its technology and service to deliver up to 30% more efficiency for HR teams and 99% employee satisfaction.
"With MOVE Guides, we now have decision quality information. The experience of our people has improved from our previous provider," said Susan Gelinas, Director of Reward at lululemon athletica.
Alongside the funding round, MOVE Guides announced expansion into Hong Kong and the hiring of Alex Wood as VP, Global Sales (ex-Complinet and Workshare).
MOVE Guides was founded in 2011 after Brynne Herbert's personal experience working abroad as an investment banker. Today, MOVE Guides operates across more than 150 locations with offices in London, New York, San Francisco and Hong Kong. The company has raised more than $10 million dollars to date.
About MOVE Guides
MOVE Guides makes it easy for companies, governments, universities and other institutions to move their talent around the world. Our award-winning Talent Mobility Cloud combines employee move planning, company mobility management and global vendors across more than 150 locations, to deliver dramatically improved employee experience and efficiencies. Visit our website athttp://www.moveguides.com and follow us on Twitter, Facebook and LinkedIn.
About NEA
New Enterprise Associates, Inc. (NEA) partners with entrepreneurs to build transformational businesses across multiple stages, sectors and geographies. With more than $13 billion in committed capital, NEA invests in technology and healthcare companies at all stages in a company's lifecycle, from seed stage through IPO. The firm's long track record includes more than 195 portfolio company IPOs and more than 320 acquisitions. For additional information, visithttp://www.nea.com.
About Notion Capital
Notion is an entrepreneur-backed venture capital firm focused on high potential businesses in the Cloud Computing and Software-as-a-Service (SaaS) markets. The Notion team has unique expertise and experience in the Cloud Computing market having founded, built and exited two highly successful businesses in the space – Star and MessageLabs. Companies within Notion's portfolio include Adbrain, Brightpearl, Duedil, eSellerPro, NewVoiceMedia, The Currency Cloud and Tradeshift. For more information go to: http://www.notioncapital.com
SOURCE MOVE Guides
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Thank you to everyone who assisted me in making sure my dress was gorgeous and delivered to me on time. I will be ordering another one very soon.
I received my dress and it is so beautiful. I am completely in love with the colour and the fabric. The lace is very soft as well. The only issues I have is that the one lace sleeve's hemming is undone but I can have that fixed and then - I wish it would come with some examples of how to arrange the dress as it is different from the usual infinity dresses and Google is not very helpful. But all in all, I would definitely recommend Infinity Dress South Africa to anyone.


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Q: Use factory method to construct base object for inherited class I have a class, something like this:
public class User {
  public User() {
    // this constructor creates an object representing a brand new user
  }

  public static User Get(MyDbObject dbObject) {
    // this factory method creates an object representing an existing user, from a database object
  }
}

and an inherited class, like this:
public class ExtendedUser : User {
  public object ExtendedProperty { get; set; }

  public static ExtendedUser Get(MyDbObject dbObj) {
    User usr = User.Get(dbObj);
    this = usr; // this does NOT work
    this.ExtendedProperty = "just an example";
  }
}

Originally this was all working using overloaded constructors which created an object from the MyDbObject record, so ExtendedUser had a constructor like this:
public ExtendedUser(MyDbObject dbObj) : base(dbObj) {
  this.ExtendedProperty = "another example, this is how it WAS working";
}

I want to get away from using constructors to create these objects in favor of factory methods, but I'm not groking how to assign the base instance/object without calling the constructor. Is this possible?

A: Factory methods know how to create specific instances of a class, not usually the base class. Instead you can have a protected constructor on the base class for this purpose:
    public class User {
      public User() {
        // this constructor creates an object representing a brand new user
      }

      protected User(MyDbObject dbObject) {
        // creates an object representing an existing user, from a database object
      }

      public static User GetUser(MyDbObject dbObject) {
        return User(dbObject);
      }
    }

    public class ExtendedUser : User {
      public object ExtendedProperty { get; set; }

      private ExtendedUser(MyDbObject dbObject) : base(dbObject)
      {
        //add extra data onto the base class here
      }

      public static ExtendedUser GetExtendedUser(MyDbObject dbObj) {
        return new ExtendedUser(dbObject);
      }
    }


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Home » Monaco
We have 21 races in the year and Monaco is the one that you want to win. Lewis Hamilton
Monaco officially the Principality of Monaco is a sovereign city-state and microstate on the French Riviera close to the Italian region of Liguria, in Western Europe. Bordered by France to the north, east and west, it is lapped by the Mediterranean Sea to the south. With an area of 2.1 km2 (0.81 sq mi), it is the second smallest sovereign state in the world, after Vatican City. Its 19,009 inhabitants per square kilometre (49,230/sq mi) make it the most densely-populated sovereign state in the world. Monaco has a land border of 5.47 km (3.40 mi) and the world's shortest coastline of approximately 3.83 km (2.38 mi); it has a width that varies between 1,700 and 349 m (5,577 and 1,145 ft). The highest point in the state is a narrow pathway named Chemin des Révoires on the slopes of Mont Agel, in the Les Révoires ward, which is 161 metres (528 feet) above sea level. The principality is about 15 km (9.3 mi) from the border with Italy. Its most populous ward is Larvotto/Bas Moulins with a population of 5,443 as of 2008. Through land reclamation, Monaco's land mass has expanded by 20 percent. In 2005, it had an area of only 1.974 km2 (0.762 sq mi). The principality is governed under a form of constitutional monarchy, with Prince Albert II as head of state. Although Prince Albert II is a constitutional monarch, he wields immense political power; the Minister of State is the head of government. The officeholder can be either a Monégasque or French citizen; the monarch consults with the Government of France before an appointment. The House of Grimaldi has ruled Monaco, with brief interruptions, since 1297. The state's sovereignty was officially recognised by the Franco-Monégasque Treaty of 1861, with Monaco becoming a full United Nations voting member in 1993. Despite Monaco's independence and separate foreign policy, its defence is the responsibility of France. However, Monaco does maintain two small military units.


text:
Home » Learn » Editing Sound
Editing Sound
in Learn
By Lyssa Rome
Most radio listeners don't realize how intensively the stories they hear have been edited. That's because with good editing, stories flow well and sound smooth.
Editing Ethics
The fact that listeners generally don't think about how what they hear was edited, combined with how easy it is to change sound bites, means we all have the obligation to think about the ethics of editing. Here's what the Corporation for Public Broadcasting's ethics guide for public radio, Independence and Integrity II has to say about it:
"Audio editing must be faithful to the news event in question while advancing our understanding of the story. Consider, for example, whether eliminating a pause within a soundbite, or making an internal edit, would alter the listener's perception. Ask yourself whether sources would recognize themselves in their soundbites. Be consistent in your editing."
Some General Hints and Tips
– Listen as you edit! Headphones are great for picking up details, but remember that most people listen to the radio while they're driving or cooking dinner. So listen through speakers too. Also, if you're editing digitally, remember that it doesn't matter what the sound waves look like, it matters what they sound like.
– Breaths: Breathing is good. If you edit out all the breaths, or don't maintain a natural rhythm to the breathing, it won't sound right. Most people breathe between sentences or ideas. Keep in mind that you can switch breaths around – substituting a shorter breath for a longer one, for example, to keep the pace of the actuality. Or a quieter one in place of a really noisy, distracting breath.
Button 1 – Whole cut. Notice background noises: cars, fluorescent lights. I was using a shotgun mic, with my back to the street.
Button 2 – No breaths. Sounds awful. Once listened to a book on tape and I almost had to turn it off because they had inserted pauses for breaths. It made me feel like I couldn't breathe either.
Button 3 – Next I took out the phrase "and I'm still doing it" from the middle of the cut. I left the breaths on either side of that phrase – and we're left with a weird and unnatural double breath.
Button 4 – I took out the same phrase, but this time I only left half a breath. It only sounds natural if you leave the entire breath in because that's what people generally do between sentences. They take whole breaths.
Button 5 – This is an example of a good edit – I left in a single, whole breath. And it makes the edit unnoticeable.
– Pauses: Pauses are natural too, and they can also help with pacing. But too many pauses and the listener gets bogged down. Remember to use room tone instead of blank space (or virgin tape, if you're editing analog) when you create pauses. Also, when you mix your story, make sure there's a little room between your actualities and your tracks – but not too much — otherwise your story will sound too rushed
– Ums/ahs/likes, etc: Filler words and noises are part of everyone's speech. But if they're too abundant, they can become annoying and slow the story down. Unless they convey something important — say you're editing a politician who's waffling in response to a tough question — it's usually best to take them out where you can in short news pieces. (The one exception is the President, whose actualities are never internally edited – not that B-Side will ever interview him.) But if you're putting together a portrait of a teenager, for example, you should leave some in so she still sounds like a real teenager. Keep in mind, though, that in radio a normal number of filler words might be distracting. Leaving a few in will sound natural but won't stand out.
Teen 1 – This is a cut Tamara recorded. The girl talks like a teenager. She's saying something really important about her life, but it's pretty roundabout and scattered with fillers.
Teen 2 – To make it sound better, she took out some of those fillers, but left a few in. You get the sense of the way the girl really talks, but you don't get bogged down in her speech pattern. And – and this is really important — she maintains the content of what the girl said.
– Upcuts: Beware of cutting off the first or last bit of a word. It's easy to do if you're relying on the visuals in Protools, especially with sounds like "s" and "f."
Garment 1 – I want to cut where he says "garment".
Garment 2 – This one's just right.
Garment 3 – The beginning of the next word is still there. It's not a clean cut.
Garment 4 – The end of the last word, "garment" is cut off.
– Digital clicks: Sometimes when editing digitally, there's a click. It usually happens at the edit, when the sound waves on either side don't match up, but it can also happen at the beginning or the end of an edit. Don't leave them there! Transom.org has some good advice on how to get rid of them if you're using Protools.
Pet – Digital click at the end
Teen – Digital click at the beginning plus two more.
– Smoothing ambience/using room tone If your actualities are hissy or there's a lot of room tone, your story will sound jumpy, especially if there are studio-recorded (or closet-recorded) tracks in between. It's important to smooth out the beginning and ending of every cut by adding room tone on to either end and fading in and out. Same goes for loud ambience – if there are cars driving by, or a jackhammer in the background, you can either hold the ambience under your tracks or fade into the ambience rather than starting it at full volume.
Sorry 1 – I was recording at a big church. My minidisk was plugged into the sound the system – you can hear the electric buzz of the sound system.
Sorry 2 – In order to minimize that sound and make it less jarring I put fades at the beginning and end of the cut.
Pet 1 – This is a much more extreme example. I was recording at a pet cemetery in the Presidio right underneath Doyle Drive. This is the background noise I was contending with – I recorded it at the end of my interview.
Pet 2 – There are a bunch of ways to deal with this. First, I should have been recording with a shotgun mic. Second, I should have interviewed him somewhere quiet to get the background – or even in his car so the sound would have been there but not so overpowering. The other way to deal with this situation is to write into it. So I tried to set a scene – and tell people why the ambiance was so damn loud. Even though I recorded my voice in the closet, where it was quiet, I mixed the ambiance underneath me to bring the listener into the place.
Pet 3 – Here's a bit of the story – just the guy I was interviewing, then me doing my tracks in the closet, then him. It's really jumpy. It sounds awful.
Pet 4 – This is how I dealt with it. It still isn't great – I still think it's distractingly loud, but it works better – it puts me there at the scene and it isn't jumpy. I added another track underneath me with the volume down much lower, and I even lowered the volume on the big bumps – so it's a little more even, and I faded everything in and out.
– Levels: It's important to make sure that your levels match – especially when you're making internal edits. If a person is quiet at the beginning of a sentence and loud or enthusiastic at the end, it will be hard to take the middle phrase out and still make it sound natural. Also: the tracks and acts should be at around the same volume so listeners don't have to constantly adjust their radios.
Writing for Radio, some new thoughts Part of an occasional series of posts on bsideradio.org about the art of making
B-Side Manifesto What is B-Side? Like its name implies, B-Side focuses on stories that don't necessarily
Tweets by @bsideradiorocks
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Visiting Services: Non-accredited visiting service for socially isolated older people.
Education: Providing education seminars and workshops for the public on subjects such as Positive Ageing, Enduring Power of Attorney, Carfit and Police safety in the home and the community.
Social Activities: Holding events that provide social connection between older people eg. drop in centre, outings, morning teas and films.
Exercise/Mobility: Holding exercise classes such as Tai Chi.
Representation: Providing representation and advice on older peoples' issues eg. Wairoa District Council, Government departments, Civil Defence Welfare Group.
Other services provided: Wairoa Community Transport Service, Management of Presbyterian Services Sheilton Retirement Village, Monthly Foot Care Clinic, Monthly Community Police Clinic.
Marion had been using Age Concern Wairoa's services for a short time when she was diagnosed with a rapidly progressing terminal illness.
We supported Marion though historical trauma issues, monitored her health needs, and ensured she had enough assistance to remain at home. We also guided the family through the application process for Te Puni Kokiri's Whānau, Innovation, Integration and Engagement Fund.
The family was able to pull together and support Marion. They were able to spend quality time with her and talk about the things that mattered to them all. Marion made her own decisions about the future for her whanau within the Whanau Ora process and we continued to support the whanau with grief counselling after Marion died.


Curious if anyone else managed to get out yesterday (Monday) along the NJ coast.
I ended up getting in a short solo session at Trixies in the afternoon. Absolutely classic summer thermal conditions. Sunny, warm, and windy. I arrived around 4:00 and the wind was S/SW at a solid 25 and gradually built to around 30 with higher gusts (check the kite island wind graph) and some nice starboard ramps rolling up the bay. Unfortunately the smallest size I brought was my 5.3 and I pretty much ended up getting blown off the water (I had to make my gear choice in the morning and the forecasts ended up being a little on the low end).
Anyway, I hope some other folks got out. It is truly amazing that this incredible resource that we have so often goes virtually unused. I thought for sure there would have been at least a couple folks at Trixies or Laurel Blvd. Hoping to hook up with some other sailors next time.
Johnny A, S/SW looks perfect for a DW for you ,Have not sailed or kited NJ shore at all . This would be the best direction for a visit ?
Was at Lakes Bay. 4.2 downhauled to max ... ended up been overpowered any way. There was normal size people on 3.2!
How is boat traffic at Laurel blvd?
Laurel blvd would be very similar to Trixies, it is maybe a mile south or so. It launches almost directly into the main boat channel. On summer weekends in the mid morning to mid afternoon it can be hectic. The best option is to sail across to the far side of the bay to get away from the main boat traffic. On the week days, traffic is pretty much a non-issue.
Regardless of where you launch in the bay, always keep your head on a swivel and never assume a power boater sees you or will avoid you. If one does slow down or alter course to give you way, be sure to throw them a wave as a sign of appreciation.
Thinking of heading up to NJ coast tomorrow (Thur) - from MD.
Is anyone else thinking of sailing one of: Laurel Blvd / Trixies / Allen Rd?
Also, if it is above 16kt (6.0 for me), I'd be up for ocean side sailing, even a downwinder, if anyone is interested.
Around Barnegat Light&inlet is where it looks to be the strongest, but of course it can all change tomorrow.
I am familiar with bayside LBI and IBSP launches, but not with the ocean side ones.


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Robert Lawrence Manahan (August 23, 1956 – June 30, 2000) was an American actor and member of the Sound Department of Hollywood film industry. He was most recognized for being the voice of Zordon in the later two and a half seasons of the Mighty Morphin Power Rangers,  Power Rangers Zeo, several episodes of Power Rangers Turbo and Power Rangers in Space. He had also done voice-over projects for other TV shows.

In honor of his death (due to an aneurysm of the heart), episode 21 "The Fifth Crystal" of Power Rangers Lightspeed Rescue was dedicated in his memory.

Partial filmography

Actor
You Light Up My Life (1977) as Ass't Engineer
Mighty Morphin Power Rangers: The Movie (1995) as Zordon (voice)
Mighty Morphin Power Rangers (1993-1996, TV Series) as Zordon (voice)
Power Rangers Zeo (1996, TV Series) as Zordon / Zordonicus (voice)
Turbo: A Power Rangers Movie (1997) as Zordon (voice)
Power Rangers Turbo (1997, TV Series) as Zordon (voice)
Power Rangers in Space (1998, TV Series) as Zordon (voice) (final appearance)

Sound department
 Jimmy Buffett: Live by the Bay (audio sweetening) (1986)
 The Return of Bruno (TV Movie) (post production audio) (1987)
 CBS Summer Playhouse (TV Series) (sound mixer - 1 episode) (1987)
 D.C. Follies (TV Series) (post-production audio - 1 episode) (1987)
 Funny, You Don't Look 200: A Constitutional Vaudeville (TV Movie documentary) (audio effects editor) (1987)
 Genesis: The Invisible Touch Tour (Documentary short) (audio sweetening) (1987)
 Caddie Woodlawn (post production sound mixer) (1987)
 Duet (TV series) (post production audio - 5 episodes) (post production audio - 5 episodes) (1987–88)
 The Making of 'The Little Mermaid' (TV Movie documentary) (post audio) (1989)
 McGee and Me! (TV Series) (post-production audio - 7 episodes) (1989-1990)
 American Dreamer (TV Series) (re-recording mixer) (1990)
 Red Hot and Blue (TV Movie) (audio) (1990)
 Crosby, Stills & Nash: Long Time Comin' (Video documentary) (audio) (1990)
 Goofy's Guide to Success (TV Movie) (post audio) (1990)
 Howling VI: The Freaks (re-recording mixer and sound editor) (1991)
 Supermarket Sweep (TV series) (re-recording mixer - 1 episode) (1991)
 Not of This World (re-recording mixer) (1991)
 Lifestyles of the Rich and Animated (TV Movie) (re-recording mixer and sound effects) (1991)
 Baby Talk (TV series) (re-recording mixer - 2 episodes) (1991)
 The Ride (re-recording mixer) (1991)
 Beakman's World (re-recording mixer - 78 episodes) (1991–97)
 Jack Benny: Comedy in Bloom (TV Movie documentary) (post-production sound mixer) (1992)
 Paramount Pictures Promotional Sampler Laserdisc (Video documentary) (audio mixer) (1992)
 Martin (TV series) (re-recording mixer (16 episodes) and post production sound (2 episodes)) (1992 - 1993)
 Doppelganger (digital sound effects) (1993)
Mighty Morphin Power Rangers (re-recording mixer - 112 episodes) (1993-1995)
 Sweet Valley High (TV series) (re-recording mixer - 6 episodes) (1994–95)
 Hudson Street (TV series) (re-recording mixer - 1 episode) (1995)
 Malcolm & Eddie (TV series) (re-recording - 11 episodes) (1996 - 1997)
 King of the Hill (re-recording mixer - 1 episode) (1997)
 The Tony Danza Show (TV Series) (re-recording -  14 episodes) (1997-1998)
 The Net (American TV series)  (re-recording mixer - 1 episode) (1999)
 V.I.P. (TV series) (1999) (re-recording mixer - 1 episode)
 L.A. Heat (TV series) (1999) (supervising sound editor - 12 episodes)
 Dilbert (TV series) (1999-2000) ((re-recording mixer - 17 episodes)
 Falcone (TV series) (re-recording mixer) (2000)
 The Linda McCartney Story (TV Movie) (re-recording mixer) (2000)
 The King of Queens (re-recording mixer - 3 episodes) (2000)
 Family Law (re-recording mixer) (2000)
 James Brown: Live from the House of Blues (Video documentary) (sound) (2000)

External links

Robert L. Manahan at Find a Grave

1956 births
2000 deaths
American male voice actors
Burials at San Fernando Mission Cemetery
Male actors from Palo Alto, California
20th-century American male actors


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Gene Kornman / Fox
Film: South side of the 6700 block of Hollywood Boulevard
Born July 4, 1910 in Santa Monica, CA
Died Sept. 26, 2010 of lung cancer in Los Angeles, CA
A Hollywood star of the 1930s, Gloria Stuart returned to the screen half a century later to portray Rose, the elderly shipwreck survivor and counterpart to Kate Winslet's character in the blockbuster 1997 movie "Titanic." The actress, still striking, was 87 at the time.
Born in Santa Monica on July 14, 1910, Stuart graduated from Santa Monica High School in 1927. Small roles at the Pasadena Playhouse and elsewhere quickly led to a contract at Universal.
She appeared in numerous films in the '30s and '40s, including "The Dark Old House," "The Invisible Man," "Roman Scandals," "Gold Diggers of 1935" and two Shirley Temple vehicles, "Rebecca of Sunnybrook Farm" and "Poor Little Rich Girl."
But the roles grew repetitive and Stuart left Hollywood, moving to New York with her husband, screenwriter Arthur Sheekman, to try her luck on Broadway. But the parts she hoped for didn't materialize and Stuart eventually left acting, becoming an accomplished painter and later, a book printer.
Stuart did not have an agent when she received a call from casting agent Mali Finn to ask if she'd be interested in reading for a part in James Cameron's "Titanic." Her performance in the film, a fictional romance framed by Rose's memories of the 1912 tragedy, would earn her a Screen Actors Guild Award and an Oscar nomination for best supporting actress.
A founding member of the Screen Actors Guild, Stuart's close friends have included Groucho Marx, who was her husband's mentor; Dorothy Parker, with whom she founded the League to Aid Spanish Orphans during the Spanish civil war; Charlie Chaplin; Bette Davis; and Humphrey Bogart.
— Rebecca Trounson for the Los Angeles Times July 7, 2010
Back in Bloom
Gloria Stuart / Actor
Gloria Stuart dies at 100
More from the archives about Gloria Stuart
1997 Best Supporting Actress Titanic Nomination
Four thoughts about Gloria Stuart
Gonna miss you Gloria Stuart!! You will always be a "Dish"!! Glad I have your films to watch and hope I can live to be a young 100 years too.
Bon Voyage, Gracious, Funny, Wonderful Lady!!
" — Mable, September 27, 2010 at 12:29 p.m.
What an AMAZING woman and actress you were!
" — -Kayla, September 27, 2010 at 10:37 p.m.
Gloria Stuart more then deserves the star on Hollywood Walk of Fame . She was so wonderful .
" — Shirley Carr, November 22, 2014 at 7:37 a.m.
Your acting skills were just as sharp as ever in the Titanic movie. I wish that more older actors were in films to remind the audience that we all grow old. Best to embrace older people now so a treasure is not lost without knowing it.........food for thought. Gloria you are wonderful.
" — Dayna Swan, September 26, 2015 at 12:03 p.m.
Share a thought about Gloria Stuart
Did you ever meet Gloria Stuart? Share your memory.
Which other stars on the Hollywood Walk of Fame have connections to Gloria Stuart?
Are other places in the world important to Gloria Stuart?
Does Gloria Stuart deserve this star on the Hollywood Walk of Fame?


Today on Fox & Friends, Eric Bolling suggested the January 2012 jobs report numbers were adjusted to make Obama look good. His evidence? Secretary of Labor Hilda Solis works for the Obama administration so that means there is "room for error", as Bolling puts it. Hey, it's just Fox News living up to one of their slogans "We report. You decide".
When reality is working against a narrative, an ideologue must resort to making outrageous claims to explain away the truth. It's certainly worked for Fox News hosts in the past. Why stop now?


This is a part-time, entry level position, looking to hire for long term. Requiring a minimum of 20-25 hours a week with the potential to pick up additional hours. All training will be provided. We are looking to hire someone to start within the next 4-5 weeks.
We are located in Crestwood, MO 63146.
-Marketing Interest- social media knowledge is a plus,familiar with Facebook and Instagram tactics and comfortable with keeping our pages up-to-date.
-Active Listening and Critical Thinking skills- able to take direction, follow office manuals/check-lists and work on your own.
-Maintain Saunas - change rooms over between each session, stock towels, ect.
-Committed and dedicated to learning and implementing chiropractic practices. Health conscious minded a plus!
Contact pursweat@gmail.com with the subject line: "Job Applicant from The Healing Arts Center"
The Big Island Spa and Wellness Center is looking for massage therapists who are motivated and passionate about sharing the unique healing and stress relief found in the art of massage therapy. Some specific duties involve meeting with clients and reviewing their individual needs and medical history, analyzing clients sore muscle areas and identifying solutions to correct problems, using the hands, arms, and fingers to relieve areas of stress and pain, and providing clients with information on how they can care for their muscles on a daily basis. We are looking for candidates who are purpose driven in their craft and who are looking to join a family based team and work in a positive environment. There is room for growth and opportunities at the Big Island Spa. We train our therapists on Hawaiian treatments and understanding of the Hawaiian culture. Our tropical inspired spa feels like paradise to many of our clients and employees.
Hours: Hours will vary. Big Island Spa is open from 10:00 a.m. to 7:00 p.m. daily.
Room Rentals: The Big Island Spa rents out massage rooms for an hour at a time based on availability. Room Rental Rate is $25.00 per hour.
If you are interested in this exciting opportunity, please contact owner Liza Soza at 618-806-9520 and e-mail resume to likakaiao@gmail.com.
Dream big, Relax big, Rejuvenate big, only at your Big Island Spa!
Smart Pain Solutions - Bridgeton is a growing conservative pain clinic offering Chiropractic, Acupuncture, Massage Therapy and Rehabilitation. We are looking for someone with a massage therapy background, who is willing to learn other administration and insurance billing skills. The position we have available is multi-faceted (you won't be bored). It starts out as part-time but has the potential to grow into full-time within 6-8 months, if desired.
Must have a Missouri Massage Therapy License or be able to obtain a license within two-three months of being hired.
Extremely friendly and a desire to help everyone that walks through the door.
Adaptable and able to work at a swift pace.
Confidence speaking with new people.
Previous experience in a professional office.
Room for rent inside Catalyst Strength and Functional Nutrition.
Weather you're just starting out or wanting to change your current business location this is a great spot.
Diversified Health and Wellness Center is looking for an enthusiastic licensed massage therapist to join our Center in Kirkwood, MO. You will be an integral team member of a dynamic and diverse health and wellness center offering a range of services for body, mind, and spirit.
LMTs will start out as independent contractors with future opportunities for employment. We provide various marketing and business resources to help you grow your business.
Hours are flexible. Massage rooms are available for a competitive flat rate or on a revenue share/percentage basis.


The Board of Christian Ed is sponsoring a two-day workshop entitled "The Changing Myth of Mary Magdalene", given by Dr. Cindy Caldwell. The sessions will be held at FIUCC on Friday, May 3rd, from 7 PM to 8:30 PM and on Saturday, May 4th, from 9 AM to 12:30 PM. A signup sheet is in the Narthex, or you can contact Susan Leveridge or Charnley Marsden with questions.
Centering Prayer - A heartfelt invitation to all to join us at Centering Prayer every Monday from 7:00 - 8:00 at FIUCC. We are a welcoming group who hold and pray for a deep culture of care and compassion for the universe. If you are called to join us please come. Peace and blessings, Patty Metzger.
Celebrate the wonder of Easter morning at the Fox Island Fishing Pier.
One of the most moving services of the year, as we remember Jesus' last night before his death.
For details, contact Carl Gann, Volunteer President, 2612 N 8th Street, Tacoma, WA 98406.
Book Discussion - Michelle Obama's "BECOMING"
A memorial for Bill is scheduled for Saturday, March 2 at 2:00 PM at FIUCC, with a Celebration of Life following at the Fox Island Yacht Club. Hawaiian shirts are highly encouraged! Bill had quite the collection of Hawaiian shirts and wore them regularly.
The family appreciates flowers but prefers that donations be made in honor of Bill Reetz to the Great Peninsula Conservancy online at www.greatpeninsula.org, or by mail at 423 Pacific Ave. Suite 401, Bremerton, Washington 98337. The funds will be directed toward the purchase of a portion of Camp Hahobas on the Hood Canal. This area holds many fond memories for the Reetz family and it means the world to them to be able to help preserve a portion of it.
Our February Birthday Lunch will be Wednesday, February, 27 at 12:00pm at O'Neille's Restaurant, (formally Tanglewood Grill, located at 3222 56th St NW, Gig Harbor, 98335, WA.
Each person is responsible for their own lunch. ALL members are welcome to join! Sign-up sheet is in the Narthex!


Implications and uses of cross price elasticities.
measured for the first good of the pair, and the percent quantity change is measured for the second good.
a. Explain the sign of each of the cross-price elasticities. What does it imply about the relationship between the two goods in question?
b. Compare the absolute values of the cross-price elasticities and explain their magnitudes. For example, why is the cross-price elasticity of McDonald's and Burger King less than the cross-elasticity of butter and margarine?
c. Use the information in the table to calculate how a 5% increase in the price of Pepsi affects the quantity of Coke demanded.
a. If two goods are substitutes, we should expect to see consumers purchase more of one good when the price of its substitute increases. Similarly if the two goods are complements, we should see a price rise in one good cause the demand for both goods to fall. Because the cross price elasticity measures the change in quantity demanded of one good, due to a price change of another good, we will have positive numbers if the goods are substitutes, and negative numbers if they are complements.


text:
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2020 ARSL Conference Keynotes & Events
The 2020 ARSL Conference will have four days packed full of engaging keynotes and events. Check back soon for some exciting keynote reveals!
All times are listed in Pacific Time (PT). Convert to your timezone. Schedule is subject to change.
Opening Keynote with William Ottens | 9:00–10:00 AM
William Ottens—creator of the hilarious blog Librarian Problems and the author of the forthcoming book Librarian Tales—enjoys research assistance, teaching computer classes, helping patrons find their next great read, and long walks through the stacks. He worked for three years at the Lawrence Public Library (which is a pretty hip place to work, even in Kansas), then as director at the Oskaloosa Public Library in Oskaloosa, Iowa—where his problems grew exponentially. He is now the Cataloging & Collection Development Coordinator back at LPL—where all his problems began! Hear about the good, the bad, and the ugly of his experience working behind service desks and in the stacks.
Break with Exhibitors | 11:15 AM–12:15 PM
Enjoy your break in our Exhibit Hall, where our vendors will be hosting live-streams, raffles, Q&As, giveaways, and more!
Keynote with Cassandra Campbell | 12:15–1:15 PM
Cassandra Campbell is a prolific audiobook narrator with over 800 titles to date. She had won 5 Audie Awards, most recently as part of the cast of Charlotte's Web with Meryl Streep and George Saunders' Lincoln in the Bardo. She is in the inaugural class of Audible's Narrator Hall of Fame and has consistently been an Audiofile Magazine Best Narrator and Best Voice.
Author Panel with Nadine Matheson, Joe Ide, Melanie Benjamin | 12:15–1:15 PM
Moderator Donna Seaman is the Adult Books Editor at Booklist.
Nadine Matheson has always been passionate about writing and storytelling. She was born and lives in London and is a Criminal Solicitor. In 2016, she won the City University Crime Writing Competition and completed the Creative Writing (Crime/Thriller Novels) MA at City University of London with Distinction in 2018. Her next novel, The Jigsaw Man, will be published in March 2021.
Joe Ide is of Japanese American descent. Growing up in South Central Los Angeles, Joe's favorite books were the Conan Doyle Sherlock Holmes stories. The idea that a person could face the world and vanquish his enemies with just his intelligence fascinated him. Joe went on to earn a graduate degree and had several careers before writing his debut novel, IQ, inspired by his early experiences and his love of Sherlock Holmes. Joe lives in Santa Monica, California. His next novel, Smoke, will be published in February 2021.
Melanie Benjamin is the New York Times bestselling author of Mistress of the Ritz, The Girls in the Picture, The Swans of Fifth Avenue, The Aviator's Wife, The Autobiography of Mrs. Tom Thumb, and Alice I Have Been. Her novels have been translated in over fifteen languages, featured in national magazines such as Good Housekeeping, People, and Entertainment Weekly, and optioned for film. Benjamin lives in Chicago with her husband. She puts her theatrical training to good use through her membership with the Authors Unbound Speakers Bureau. Her next novel, The Children's Blizzard, will be published in January 2021.
ARSL Business Meeting | 1:30–2:30 PM
Join us for the annual ARSL Business Meeting to meet our incoming 2021 Board Members and hear committee reports.
Closing Keynote: Nancy Pearl in Conversation with ARSL Director, Kate Laughlin | 12:15–1:15 PM
Nancy Pearl is a best-selling author, librarian, and literary critic, but first and foremost, she is a reader and has spent her life promoting reading as one of the most beneficial and joyful experiences anyone can have. She can be found on NPR's Morning Edition and KWGS-FM in Tulsa, Oklahoma talking about her favorite books. Her monthly television show on the Seattle Channel, Book Lust with Nancy Pearl, features interviews with authors, poets, and other literary figures. Among her many honors are the 2011 Librarian of the Year Award from Library Journal and the 2011 Lifetime Achievement Award from the Pacific Northwest Booksellers Association. Nancy is the creator of the internationally recognized program If All of Seattle Read the Same Book, and was the inspiration for the Archee McPhee "Librarian Action Figure."
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On the face of it there is not much that is new in this week's reading from the Torah. We have already been given a full description of how the Tabernacle was to be built. Now we are told how it actually was built.
What is new here is the idea of community. Moshe establishes the idea of Kehillah, a smaller unit within the broader one of the people. The Tabernacle was for the nation. The Kehilla, the community was for those with shared ideas within the wider unit.
It's like today. Jews span the complete spectrum from religious to secular, rich to poor, capitalist to socialist. We come from different backgrounds and cultures. We are Jews but we are also Persian, Moroccan, American or a melange of several. We often have very little in common with each other.
Most of us Jews live in much smaller Jewish units. The kehilla, the congregation, is a mechanism for uniting smaller units of people. And what unites people more often than not is shared experiences less how they think and more what they do.
After mentioning Kehilla the Torah talks about keeping Shabbat. The work on the Mishkan, the National shrine, stopped for Shabbat. Shabbat, the family, the community coming together, took priority. In fact our place in the Kehilla is defined by Shabbat. Why do we or don't we keep Shabbat? Is it an accident of birth, imposed on us, or is it a choice, freely embraced?
Shabbat in our world is a voluntary experience. Our particular community only comes together on a Shabbat or Festival. And even then only some of us do. Shabbat might not define us as a nation. But it does tell us how much Judaism is an integral or a peripheral part of our lives.


Kyle MacRae launched Scoopt, the world's first commercial 'citizen journalism' agency, in July 2005 to connect the media and members of the public who find themselves in the right place at the right time with a camera.
The core principle is simple: user-generated content can have value, and the user deserves a share. He sold Scoopt to Getty Images earlier this year and currently runs the business from Glasgow in his role as Director of Citizen Media with Getty. Prior to this, Kyle was a freelance technology journalist and author.


When Antonio was 16, he had bugs in his basement. While this sounds like a reason to call the exterminator, it was actually planned. Antonio's mother had been in touch with his science teacher and was brave enough to allow her son to hatch praying mantis eggs in their basement as part of his research.
Antonio was just one of the memorable students in my first science research class at Christ the King Regional High School, a parochial school in Queens, New York. Projects like this were not uncommon in the early years of developing our authentic-learning science program in the mid-nineties.
At the time, our school had a reputation for high standards, but its instructional model was very cookie cutter. Science classes were lecture-based with occasional labs, and each course culminated in a statewide Regents Exam.
By 1996 I had already been teaching earth science for 20 years. I enjoyed my work, but I was searching for something that would have more a lasting impact on my students' lives. I knew that I was teaching valuable learning skills and preparing students to become informed citizens, but was I really helping them see science as a possible career path?
Then I attended a six-hour workshop that radically changed my approach to teaching. At that workshop, I was introduced to a model that involved developing a 3-year program, a version of which I later adopted at my school.
Beginning in 10th grade, students would be taken through a process that would help them choose their own personal topic of interest. There would be a focus on research, writing and oral presentation skills. Students would have opportunities to develop collaboration and sharing skills throughout the program. In 11th grade students would develop their own unique experiment and carry it out with a mentor in their field of interest. In 12th grade students would write a formal research paper and use their findings to enter numerous competitions, including the most prestigious of all at that time, the Intel Talent Search. (This competition is still in existence today as the Regeneron Science Talent Search.) If they put in the requisite number of hours during the three years and summers, they could earn 12 college credits for their work.
It was an ambitious and daunting task. How could all of this fit in to a student's scheduled day? I decided we would use the before-school zero period. At 7 a.m. each morning a group of the most motivated students I have ever worked with would come together to work on their research. While many teenagers were just getting out of bed, these students would listen to presentations given by their peers and provide critical feedback on both the scientific methods used and their oral presentation skills. They would help each other with research techniques and fill out competition applications together.
Every two weeks I would conference with each student individually to learn about how their research was progressing. We would work on organizational skills and plan out next steps. We would identify mentors, people in the scientific community who would be willing to answer questions and hopefully guide the experiments of these budding scientists. That was probably the most difficult task in this development process. Christ the King was known for its wonderful athletic program, not its science program, so it was almost impossible to procure mentors. We didn't have the pedigree of Bronx Science or Brooklyn Tech. We still had to prove that we could compete with the big-name science schools in New York.
We persisted. After six years the results showed a program that had grown from eight students to 36. Our high school students had become experts in their field of interest, and had developed a broad range of research skills, like developing hypotheses and reading dense texts, as well as organizational and public speaking skills. They critiqued the work and presentations of their classmates with a positive approach and a level of maturity that belied their young ages.
My 15-year-old students had the confidence to email and call some of the top scientists in the country to ask questions about what they had read and seek advice for their own experiments. They competed alongside the top science students in New York City and walked away with their share of awards. They presented their work with the community at an annual symposium that became more impressive each year.
Did all of the students pursue science as a career? Of course not, but many found a career path that they didn't even know existed before they embarked on this journey.
They left this program with the ability to figure out what they were interested in because they had already experienced that process. They had actively participated in an instructional model that encouraged them to pursue projects fueled by their passions.
Now well into their thirties, many of my former students have kept in touch via social media. Antonio, the praying mantis hatcher (aka "bug boy"), now works as a forensic scientist. Gretchen, who researched the effect of urban sounds on coyotes, is now a zoo keeper at the same zoo where she conducted her research and experiment almost 20 years ago. Lenny, an Intel semi-finalist who launched rockets in a park and built a robot in his bedroom, is a technical staff member at MIT's Lincoln Laboratory where he provides analysis to the U.S. government to develop and maintain the national Ballistic Missile Defense System. Gina, who studied the genetic and environmental factors involved in forensic psychology, works at Cornell University focusing on chromosomal abnormalities and genetic testing and counseling.
Even the students who did not continue in scientific fields use what they learned in their professions. One student, Kelly, has contacted me several times to inform me that she was learning about institutional review boards and how to record data in graduate courses she was taking for her master's degree in education—something she reminded me I taught her in 10th grade. Jennifer has written to me about how she uses what she learned in our science research program to motivate her math students. She recalled being challenged to do things she did not think she could do and pushing herself to succeed.
This was a learning experience for me as well. I was in the middle of my career as an educator, but I learned valuable lessons about going beyond delivering a curriculum. I learned how to understand each learner so that I could teach them more than facts. I wanted to teach them not only how to learn, but how each of them learned individually.
As I look toward the end of my career in education, which has spanned over four decades, it's clear that the crux of my journey lies in the personal relationships I forged with students and the positive impact those relationships may have had on their lives and careers.
It's also pretty symbolic that as I'm about to retire, education researchers, journalists and politicians are buzzing about personalized learning. I hate to be the bearer of bad news, but it's not new. It's what good educators have done for a long time—or at least since the nineties.


Don't call it a comeback! No really...don't. We just did the dang thing and got all the boys together to record an episode (A minor miracle to be sure). We did our jobs. Speaking of jobs: this week's episode is a reflection on how weird being a pastor can be. From talking about the work to getting paid for it, Alex, Kyle and Lorne run the conversational gambit the way only they can. Rate! Review! Share! Subscribe! Buzzwords: We lost that rhythm, Big Bad Pastor Boy, Window man mix tape, Gettin' free stuff, Clergy perceptions, Theology of Compensation, But really; what do you do?, Adding up jobs, Compelled to share the Gospel, Submit a question Check out tohellwiththehotdish.com for show notes, to subscribe to the e-mail and more!


7:00am | Easter Sunrise Service at Market Square in Old Town, Alexandria located at 301 King Street followed by fellowship and hot tea and coffee.
Service includes APC choirs, Praise Team and instrumentalists, followed by fellowship and light refreshments.
Service includes APC Praise Team followed by fellowship and light refreshments.
Celebrating Christ's Resurrection at Sunrise!
Join Alexandria Presbyterian Church for our annual Easter Sunrise Service at Market Square in Old Town, Alexandria located at 301 King Street.
Our Easter Sunrise Service begins at 7:00am just as the sun is coming up. We will celebrate Christ's resurrection through singing, prayer, scripture reading and a special Easter Sunrise message from Pastor Tom Holliday.
Hot coffee and light refreshments will be provided.
For over 25 years, Alexandria Presbyterian Church has publicly proclaimed the gospel of Jesus Christ in Market Square, Alexandria—that the creator of the world became a man, was killed by his own creation, and then victoriously rose from the grave, so that we could find forgiveness and new life in him.
Why did Jesus have to die? The Bible teaches, "without the shedding of blood there is no forgiveness of sins" (Hebrews 9:22). And since all humans are sinners—imperfect people in need of redemption (Romans 3:23)—Christ's sacrificial death on the cross was the answer to our salvation. The Apostle Paul wrote, "If you confess with your mouth that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved." (Romans 10:9).
APC's prayer is that the people of Alexandria may experience the new life that Christ offers, seeing that Christianity is not just a set of abstract ideas about God, or a list of rules about how to reach Him, but rather a relationship with God that transforms our lives. Jesus said, "Whoever believes in me, as the Scripture has said, 'Out of his heart will flow rivers of living water'" (John 7:38). At APC, our prayer is that the current of Christ's living waters would flow ever stronger through the D.C. area and the world.
APC is a body of believers growing together in the love of God, and in deeper community with one another. We look forward to celebrating Christ's resurrection together!


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Q: Additional recipients on woocommerce invoice Is there way to add additional recipients to woocommerce invoice mail.
I have tried to use 'woocommerce_email_headers' hook, but it's not working:
add_filter( 'woocommerce_email_headers', 'mycustom_headers_filter_function', 10, 2);

function mycustom_headers_filter_function($headers, $object) {
    $headers = array();
    $headers[] = 'Bcc: My Name <me@gmail.com>';
    $headers[] = 'Content-Type: text/html';
    return $headers;
}

Any advice?

A: You can expand the function to include the order as well:
add_filter( 'woocommerce_email_headers', 'woo_cc_emails', 10, 3 );

function woo_cc_emails( $headers, $status, $object ) {
    return 'Bcc: your@email.here' . "\r\n";
}

A: Some months later, but I hope this will help someone.
add_filter('woocommerce_email_headers', 'woo_cc_emails');
function woo_cc_emails() {
  return 'Bcc: your@email.here' . "\r\n";
}

You can change "Bcc", with "To" or "Cc".

A: I needed help to add a BCC to a New Customer Account email. Here is what I came up with. It's slightly different than above. Hope this helps someone.
add_filter( 'woocommerce_email_headers', 'add_bcc_to_wc_customer_new_account', 10, 3 );
function add_bcc_to_wc_customer_new_account( $headers = '', $id = '', $wc_email = array() ) {
if ( $id == 'customer_new_account' ) {
    $headers .= "Bcc: my_personal@email.com\r\n"; // replace my_personal@email.com with your email
}
return $headers;
}


So you've set an ambition to get slender before summer. Now you need the steps drugs it a reality - and "The Doctors" show revealed how things that happen today. From green vegetable extract to melt mangue africaine fat effortlessly to seaweed bread, discover the surprising secrets showcased on the program.
I'm sorry to burst your trust bubble. Purchasing a brand name product never was and never will be VigRX a warranty green coffe pills of very good. Realize also that a large quanity of these low-quality products also contain ephedrine, which is added to offer you a man-made boost in energy. Like is can buy the added ingredients making them dangerous to the health.
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Indeed, coffee comes all the different application. There is no right or wrong choice; is actually always just a BioBelt subject of personal opinion. Sugar-free dessert instead of your coffee roast a known rule of thumb is this : as the sun rises regarding morning that time to find a light roast coffee because the sun sets, will be time to get dark roast coffee.


text:
Unofficial C# wrapper for the awesome XGBoost library (https://github.com/dmlc/xgboost).

The C# class calls a C++ class (to keep the interop interface simple); you may find the C++ to be directly useful as well.

The makefiles in this project assume xgboost is installed on your system.  As there isn't a 'make install' for that, you can do the following to ensure it is available on Linux (for Windows, I recommend using VC++ 2015 Community edition and letting the IDE handle your paths).

1. Clone xgboost from https://github.com/dmlc/xgboost
2. Compile xgboost following the instructions at https://xgboost.readthedocs.io/en/latest/build.html
3. Copy the lib and include files out to /usr/local.  From the directory you cloned xgboost to, run the following:

```bash
sudo cp lib/libxgboost.so /usr/local/lib/

# not actually sure if this is needed but xgboost itself references rabit/c_api.h so...
sudo cp lib/rabit/librabit.a /usr/local/lib/

sudo cp -R include/xgboost /usr/local/include/
sudo cp -R rabit/include/rabit /usr/local/include/
sudo cp -R rabit/include/dmlc /usr/local/include/
```

Assuming now that /usr/local is in your library and include paths (which seems like a safe assumption) you should be able to compile and run **this** project.

## Running on Windows
This *does* work on Windows, compiled with VC++ 2015 (tested on Windows 7, Windows 10, and Windows Server 2012).  I don't happen to have a Windows machine anymore, but I believe the following should get it working:
 * Change the .so to .dll in the C# wrapper
 * You may also need to remove the [return: MarshalAs(UnmanagedType.I1)] lines from the C# wrapper
 * Add **__declspec** to the C API functions

I'm happy to accept pull requests for adding Windows support, as long as I am able to continue having it work on Linux.


Question 1 The RRF is in and secured down. I can move it very eaily left to right. Is this normal?
Question 2 Should I tap another hole in the IC block off or Manifold.
1. There will be some gas spillage so get some rags to soak it up.
2. RXT skis pull the glove compartment access is real easy.
3. Cut the connector off as in the instructions, you have PLENTY of fuel line to work with.
I will have some picts later.
Last edited by bruinsrme; 05-11-2008 at 11:13 AM.
Left to right movement is normal. The stock regulator moves too.
Scotty, did you find the protusions on the intake manifold? The one toward the front of the ski, cylinder 3, is the one to tap into. It works fine and keeps the vacum hose out of the way of the boost guage, etc.
Installing the IC now. gonna stuff RXPblur in the hull.
'05 RXT/GTX RR IC install question... O-ring?


Mpts= Million Points. 43.7 Mpts is 43.7 million points.
It can be confusing, especially as in outdoor environments that would drop to almost 1/3 of those points. To be honest it's better to try and work out angular distance, and then vertical and horizontal surface point spacing at 5m and 10m. Once you've worked it out for a scanner, then you'll be able to confidently using the resolution settings in any environment and know that your point spacing will be sufficient regardless of overlap.
When we're training Police Surveyors, we teach then how to do this and apply it practically.
Thanks for your help so much. But I still confuse and wanna clarify. Following your meaning when we set resolution 1/4 then after finishing scan we will have total 43.7 milion points for one scan position!
Could you help me to understand this issue?
I appreciate your response so much.
I don't understand meaning of this sentence" in outdoor environments that would drop to almost 1/3 of those points". Could you explain it to me?
The Mpts is the maximum number of points you would get if you were to imagine yourself scanning inside a big closed box. there would be a point that exists everywhere that the laser hits and records a surface measurement.
When you are in an outdoor environment, you won't capture anything in the sky or where the laser doesn't provide a return. For example, along the roadway far away, the angle of incidence of the laser is quite low and points drop off.
When you unwrap the image in the planar view and if you were to count the number of points (similar to counting pixels in a jpg image), you would find it the same as the Mpts.