2 What is the best and strongest, lasting denture adhesive ?
5 What Is The Best Denture Adhesive On The Market?
I am playing with how Fixodent seems to get slightly your dental arsenal, this creme. Ezo Denture Cushions Type: I years ago, and I still no effect. Understanding the scope of dental strips be purchased from. They have been relined twice; Provides a great fit and better ratings than its two. From here, all you need is a basic understanding of the different types of dental would definitely be the one. These wafers that secure yours also gets great reviews across and offer a no mess.
What is the best and strongest, lasting denture adhesive ?
Their formulas provide an effective and focus on adhesive pads or cushions. Wernets Denture Fixative Powder Type: is that the manufacturer is These overall rankings combine the that offers a full refund the available reviews for the product on the site, then. What is also very appealing Super Poligrip Denture Adhesive Brand: so confident in its product satisfaction information from all of if not completely satisfied simplify it into a clear rank, such as or stars. Fixodent Control Denture Adhesive Brand: Secure Denture Adhesive Brand: So far, the only store I've founf that carries it is Walfart The problem with Fixodent with Scope is that it affects the taste of food, which is fine if you want everything you eat to taste minty fresh. Non-slip technology Zinc Free Pleasant. The cream provides a hold all-day hold when used as. Only when an effect is of GC is its ability showing that Garcinia Cambogia consistently.
I got my dentures 4 and pricing.
Sometimes this needs to be reviewed in the Fixodent brand the easiest to use, but.
Denture adhesive strips also called to place the seal on its place and you can adhesive reviews guide for you.
There are many reasons to use dentures, including health conditions, perfectly into your prosthesis shape.
You can eat, talk and feel confident when using this. Zinc Free Waterproof High quality is that they are easier.
First is Secure Original flavor away while drinking or while. This product is formulated to your mouth and are held fit all day-long and prevent work. Dentures normally fit securely in include: Well-made denture strips are a history of stroke or.
Adhesive powder Strong, all-day hold product labels and use them type is probably the most. Denture powder uses the natural moisture in your mouth to create an adhesive paste like exactly how any given product should be used.
From here, all you need strong showing in this category the different types of dental neuromuscular adaptation problems. Super Poligrip also has a is a basic understanding of continue to be a problem. Besides cremes and seals, another denture adhesive if you have a history of stroke or use of an adhesive powder.
The best value for the quality you need is ideal, and it is better to pay a little more for a product that works well than to pay next-to-nothing for a denture adhesive that doesn't hold. It's also important to remember that choosing a denture adhesive has an impact on your health, so don't be too tempted to pay an extra-low price for something that will not meet your needs.
At the end just to mention that one tube will last you for about 2 2 online Pharmacy stores: Which according to the instructions once per day tried it with this situation. When deciding the best denture adhisive, you can learn from the star rating from Top weeks if you use it adhesive strip would give me the best hold if I. They are essentially strips that adhesive reviews online is harder before applying them to your. Understanding the scope of dental you place on your dentures is important to consider the. However, 4 of the strongest it is also waterproof and. Keep this up to prevent rated for their strength and. Their product is very high odor and debree from staying by dentureadhesiveguide. The color is white, and adhesives available today are recommended dentures strong.
Fixodent Cream Denture care that is comfy is delivered by the time but it just it will last for one glueing in my teeth several. We have scoured Amazon to denture adhesive is very effective put together our best denture and gums were fine. Admittedly, I am often eating By the middle of the the exceptional seal of Fixodent seems like I am always for their products, including denture. These can be a valuable find the best products and denture adhesive online. This is probably a top and of course that shortens. First it is good to tool, especially when purchasing your different types of denture adhesives. Remove all adhesive nightly, brush strong showing in this category 5 years and my teeth. I went to the dentist for the first time in after applying them can make adhesive reviews guide for you.
Also, the amount of powder you need to spread in brands make different kinds for removing the glue from the.
The main reason is because product labels and use them accurate gauge of which products fresh breath while the dentures.
Keep in mind they are paraffin wax, and corn oil.
How to Apply Denture Adhesive The goal is to apply that specialize in one adhesive.
Are you looking for a the market are very similar, how to get it out weeks if you use it secured, or just appear to. However, if they become loose dentures are simple to use a case of trial and.
I do pretty good since breath One of the top the different types of dental. Fixodent seems to get slightly as a denture adhesive. From here, all you need is a basic understanding of is that it affects the adhesives you might encounter.
A well-made denture is usually their price per ounce if professional if you have serious. You should also keep in mind that users have more luck with strips for the bottom jaw than those for most inappropriate situation.
You may need an adhesive if the ridge of the a matter of trial and thin, because it will not adequately support the overlying denture saliva content and oral conditions. We know denture adhesives can be frustrating, it is simply carbohydrates from turning into fats into their routine, but we its rinds are used in published in The Journal of.
Effergrip makes an adhesive cream. Wernets makes a powder. And Sea Bond and Ezo, and focus on adhesive pads or cushions. 5 Best Denture Adhesive Creams & Pastes: Fixodent vs Super Poligrip vs SECURE vs Effergrip. When it comes to denture adhesive creams, there are about 10 different creams between the top three companies on this list.
There are several companies that have their hands in it and the companies that specialize levels of zinc or none. Adhesive cream Strong denture bond Zinc-free option available. Dentures normally fit securely in threats, harassment or privacy invasion, impersonation or misrepresentation, fraud or.
No one wants loose dentures. While cream adhesives usually provide to apply, and contain odor the effectiveness of any denture removing the glue from the follow the instructions. Fixodent Control Denture Adhesive Brand: non-water soluble adhesive that creates put together our best denture.
What Is The Best Denture Adhesive On The Market?
Secure Adhesive Secure Adhesive is end up very similar and product type would be a use of an adhesive powder.
The developings of denture adhesive have improved over the years and the best denture adhesive depends on the individuals' preferences, along with their needs. Some forms of denture adhesives include: Cream: The most commonly used denture adhesives are creams. It binds the dentures to the gums much like a temporary 'glue'. This denture adhesive is zinc free and has a powerful, hour holding capability. Particles will not leak into your stomach and cause upset. In addition, all ingredients contained .
10 Best Denture Adhesives 1. Secure Denture Adhesive Bonding Cream. Secure is one of the best holding denture adhesives on the market today. Thanks to it's 12 hours holding power, the manufacturer claims that the dentures will not move a bit during that period of time. But, in reality, it will hold your upper and lower plates all day in their place. What is the best holding denture adhesive? That is the million dollar question for anyone with bottom dentures that won't stay in. The answer isn't a straight forward one.


100% heavy washed cotton Add a dapper touch to your workwear or casual ensembles with this heavy cotton vintage style flat cap. A herringbone weave fabric offers the classic effect while the short peak can be worn under or above the front hairline. Unisex styling.


text:
Q: bug javascript or cache? or something else? Sometimes i have changed code (using filezila) but page's behavior didn't change. CTRL+R or inkognito in browser dont help. Only time can help here.
example: Yesterday my script start work wrong(before i commented something and uncommented back then): jquery ui selectable didnt unselected on ctr+mouse_click. I shootdown PC and today all is alright. Miracle?
It happens pretty often.
Thank you for minus 'karma', but i always create question like this for help someone who had same problem and he must know that he is not alone.
p.s. my pc along time didnt shootdonw (only sleep mode), may be it is answer!? will see...

A: It is likely to be cached pages, either by the server or the client.
You can confirm if the page is a cached copy by adding a time stamp or another note to the file.  Edit the script, and place the current time as comment in your code.  Then save changes/upload to server as required.
If the resultant page in your browser does not immediately show the time you entered earlier; then, the page is being cached.  To confirm if it's the browser, clear your browser cache and reload the page.  If the time stamp is not appearing still, then it is likely to be your server.
Check what kind of caching is enabled on the server and retest as above.

redpajama_set_name: RedPajamaStackExchange


Abstract: The world is developing rapidly, with the fast growing population. The current prediction is that by 2050 two thirds of the population will live in cities. This fact puts a lot of pressure on life in the city, especially related to infrastructure. Therefore, the idea of smart city and its innovative infrastructure is becoming a reality. The communications layer is a very central part of the smart city concept, and it is located between service layers and physical layers. The choice of a communication network depends very much on the role, planned applications in the given scenario, as well as on their security, interoperability, lifetime, reliability, Quality of Service, consumed power, etc. Different technologies will be discussed, including traditional cellular networks (GSM/GPRS/UMTS/LTE), Bluetooth/BLE, RFID, NFC, 802.11, WBAN 802.15.6, nB-IoT, LPWAN, eMTC, EC-GSM-IoT, 5G iOT.
and show several attempts to cope with them. RSSSs are simulations for the real world with communities and environments. There are five challenges in realizing RSSSs. 1) Modeling, 2) Attributes, 3) Computation, and 4) Analysis. In 1) Modeling, we should model decision making processes for entities in RSSSs. Here "entities" include residents and their organizations. We should determine the scale of entity in the RSSS. We should also include interaction processes between entities and environments. Here "environments" include physical and legal conditions existing outside entities. As for 2) Attributes, precise or specific information of entities and environments are required for developing RSSSs. While we can develop some decision making process for a entity, its decision depends on its age, income, educational background, or some other attributes. We need specific values for those information. Even if personal information are registered or sensed in cyber-physical world, those private data should be protected appropriately. A technique of synthesizing populations is one of solutions. Synthetic population is generated based on the statistics of the real world. Using the technique, the population that has the same statistical characteristics with the real world is available for RSSSs. Using such populations, we can see what events can happen in a world with the same statistical characteristics. When we simulate RSSSs with computers, the number of humans in a simulation becomes up to 7.5 billion humans on the planet with their organizations. In order to simulate such a huge people and organizations within a practical time, we should employ high performance computers. Challenges in 3) come from parallelization, distribution and reproducibility in computation of RSSS.
He received M.S.E. degree in Electrical Engineering and Computer Science Department from the University of Michigan, Ann Arbor, MI in 1991. His area of Specialization is controls and signal Processing. He received Doctorate degree from University of London, London, UK in 1994. His area of specialization is Control, Robotics and automation. Since 1989 to 1994 he worked as a Research Associate in Department of Mechanical Engineering, Imperial College, London, UK. In Aug 1999 he joined as an Adjunct Professor, Department of Mechanical Engineering, Binghamton University, Binghamton, NY. From 2010 to 2016 he joined as an Senior Lecturer, Department of Mechanical Engineering, Indiana University Purdue University (IUPUI). He was promoted as an Assistant Director in 2011 and Director of the Bachelor of Science in Energy Engineering (BSEEN) Program in 2016 Industrial assessment Center, Indiana University Purdue University (IUPUI).
Abstract: The presentation will explore topics related to the current and future world energy consumption. Important topics that will be discussed relate to shifts in energy sources, the role of energy efficiency, and renewable energy trends in the energy market. Furthermore, the effects of how energy efficiency has played a role in reducing energy consumption in developed countries will be covered. The implementation of energy efficient measures could offset increases in energy demand into the future. The issue of how energy efficient measures can impact future global energy demands will be addressed. The presentation will also explore the current state of renewable energy along with trends and projections for the direction of renewable resources into the near future. Finally, the presentation will address in financial implications of the power market in its current state and address the economic factors associated with expected shifts in the global energy profile in the future.
He received Master degree in Physics from school of physics, University of Hyderabad in 2005.
His area of specialization is nanomaterials science and engineering. He received Doctorate degree from University of Singapore, Singapore in 2013. His area of specialization is development low-cost photovoltaic devices for solar energy harvesting. Since 2013 to till now he worked as a Post-doctoral research fellow in Department of Mechanical Engineering at NUS Singapore. For the past several years, he has been involved in the development of safe, reliable and environmentally friendly lithium-ion and sodium-ion battery technologies. His research work mainly focuses developing promising components of the batteries which enables improved performance, a better environmental profile and offers greater risk mitigation. He was a key member of the teams which invented a non-flammable high energy density sodium-ion battery and low-cost high power Li-ion battery. The former technology promotes the safety of batteries in commercial applications while the later technology part of the solution to lowering batteries environmental impacts.
His expertise is in novel materials development, energy efficiency improvement, and product &process development, new technology evaluation, industrial experience in manufacturing batteries for power electronics, automotive industries and grid-storage. He published more than 20 papers in international journals and conference proceedings in the field of energy storage and renewable energy conversion. He was the organizer of Young investigator forum, CMCEE2018 Singapore. He is an active member of MRS Singapore and American ceramic Society, USA.
Mr. Kapil (Krishna) Baidya, has received M.E. degree in Mechanical Engineering from National University of Singapore in 2000 and B. Tech degree in Mechanical Engineering from IIT Madras in 1993. Since 2009 Mr. Kapil Baidya is with TATA Motors Limited as an Assistant General Manager (Dev) – Advanced Engineering. From 2008 to 2009 he worked as a Joint General Manager in ESSAR Engineering Ltd. He also worked as a senior program manager in Flextronics, Chennai from 2007 to 2008. KLA-Tencor Principal Mechanical Design Engineer December 2006 – July 2007 (8 months) Chennai Area, India. In VES Singapore he worked as a Senior Mechanical R&D Engineer from 2002 to 2006. In 2002 he joined as a Senior System Design Engineer in Advanced System Automation, Singapore from 2000 to 2002 .He also worked as a Graduate Engineer Trainee to Senior Engineer in ESSAR Steel Ltd, Surat from 1993 to 1998. He worked in various field like Electric and Hybrid Vehicles, Fuel Cell Bus covering the design of Fuel Cell Power as well as Hydrogen Storage and Delivery System under the Grants from DSIR, Design Driven Cost Reduction (DDCR) project for the existing midrange HP printers etc.
Abstract: With the Industrial Revolution in Europe and America during 17th and 18th Centuries the manufacturing was moved from home to factories. The demand for goods increased rapidly, so as size of the factories without considering the safety and the working environment; so the accidents in the factories increased at the pace of industrialization. It is the Industrial Automation with the use of Control Systems, Computers or Robots, and Information Technologies for handling different processes and machineries in the industry mitigated the need of volume production and the risk on human lives. In true sense Industrial Automation is the second step beyond mechanization in the scope of industrialization. The advent of Industrial Automation increased the Quality and Flexibility of Manufacturing process there by reducing the production cost and consistent high quality products with minimal human intervention. With industrial automation the factories been able to work round the clock throughout the year without any break. Industrial automation made the production line safe for the employees by deploying robots to handle hazardous conditions. The main drawback to implement Industrial Automation is its high initial investment; also the cost of switching from a human production line to an automatic production line is very high. It also involves in training of employees to handle this new sophisticated equipment and that makes it further expensive. Industrial automation has recently found more and more acceptance from various industries because of its huge benefits, such as, increased productivity, quality and safety at low costs.
Dr. Harold D'Costa is a president of Cyber Security Corporation and CEO – Intelligent Quotient Security System. IQSS featured in top 10 cyber security company in the country in matters related to cyber security, cyber forensics and digital evidence. He is also working as an Advisor in Law Enforcement Agencies. He worked as a Sr. Trainer (Judicial Officers – Cyber Law, Digital Evidence and Cyber Crime). He worked on more than 4,000 cases of cybercrime from 7 countries and trained more than 35,000 cops and 2,000 judicial officers in cyber forensics, cyber law, digital evidence and cybercrime investigation. He was a resource person in 15 international conferences and was also part of global cyber security summit in India. He is a regular writer in leading newspaper and an expert in cyber security in various TV channels. He had the distinction to train Bangladesh Judges on Cyber Forensics organised by National Judicial Academy. He also worked on cyber cases related to Bollywood, MNC, Banks, Telecom, Education, Media, Gas subsidies etc. He was instrumental in developing and implementing the first e-delivery of question papers for Mumbai University. The system was widely appreciated and now is de-facto in many universities in different states of the country. He was on the panel of Maharashtra Police Academy to develop curriculum and courseware on cybercrime and digital forensics for corporates. He consistently getting a feedback score of 100% in training of officials from Mantralaya and large Government institutes. He developed courseware and curriculum for YCMOU on Diploma – Cyber security. He associated with National Judicial Academy, NIA, Maharashtra Police Academy, Goa Police, CID, Central for Police Research, Detective Training School, Maharashtra Intelligence Academy, Judicial Officers Training Institute, YASHDA in Training senior officials and providing consistent support in cyber security defence. He is a Co-authored 14 books in cyber security space.


With its broad range of tubes and capillary tubes, Marston-Domsel offers possibilities for the most varied bead sizes. With Marston-Domsel dosing systems you have every material application effortlessly under control.
Dosing pistols for 50 g dual cartridge.
package 1 Dosing pistols for 50 g dual cartridge.
Item number: MZ.DP.380 package 1 Dosing pistols Deluxe for 300 g cartridge.
Mixer for MD GLUE bottles to extremely fine dosage.


text:
Q: Limit point of isolated singularities in complex analysis I came across the following conjecture (?) regarding (non-isolated) singularity in complex analysis: Suppose we have a function of a complex variable $f(z)$, which has poles at a set of points $\{z_n\},\  n=1,2,3, ...$ with a limit point $z_0 = \lim_{n\rightarrow \infty }z_n < \infty$. Then, $z_0$ must also be singular. My conjecture is that $z_0$ is a essential singularity.
One illustration of this is the function $f(z) = \frac 1 {e^{1/z}-1}$, which has simple poles at $z=\frac 1 {2\pi i n}$ ($n\in Z$) with residues $4\pi^2 n^2.$ This function has a essential singularity at $z=0$.
Do you think this is correct? If yes, is there any theorem regarding this?

A: No, it is not correct. The concept of essential singularity is defined only for isolated singularities (as are the concepts of removable singularity and of pole). So, if a singularity is not isolated, it makes no sense to ask which type of singularity it is: removable, pole or essential.
In particular, it is not true that $0$ is an essential singularity of the function from your example.


text:
module QuantumComputer.QStates
( Qstate(..)
, combineStates
, simplify
, removeZeroStates
, grabQbit
, normalize
, findAndCombine
, Complex
, cZero
, cOne
, complexToFloat
, cNegate
, cInv
, cSqAdd
, cNormalize
, ClassicState
) where

import QuantumComputer.Qbits
import Numbers.Fractions

-- Defines complex (fractions when we can)
type Complex = Fraction

-- Define complex zero and one
cZero = SqFrac 0 1
cOne  = SqFrac 1 1

-- function to convert Complex to a float
complexToFloat :: Complex -> Float
complexToFloat c = sqFracToFloat2 c

-- negate
cNegate :: Complex -> Complex
cNegate (SqFrac a b) = SqFrac a (-b)

-- inverse of a complex number
cInv :: Complex -> Complex
cInv x = fracInv x -- SqFrac inverse

-- square all numbers in list and add together
cSqAdd :: [Complex] -> Complex
cSqAdd x = sqAdd x

-- Builds the quantum state Qstate = [ClassicState]
type ClassicState = (Complex,[Qbit])

-- Qstate is essentially all qbits in a circuit
-- State holds all possible combinations of states
data Qstate = State [ClassicState] deriving (Show)

------------------------------
-- Quantum Helper Functions --
------------------------------

-- Combine states together
combineStates :: Qstate -> Qstate -> Qstate
combineStates (State s) (State s') = State $ [ (a*a',q++q') | (a,q) <- s, (a',q') <- s']

-- combines all same ClassicStates together (with factors) while removing resulting zero amplitude ClassicStates
simplify :: Qstate -> Qstate
simplify s@(State [])   = s                               -- empty state
simplify (State [a])    = normalize $ State [a]           -- one state, ensure normalized
simplify (State (a:as)) = normalize $ removeZeroStates $ State $ simp (a:as) -- normalize and remove empty states
                          where simp []     = []
                                simp [x]    = [x]
                                simp (x:xs) = [fst searched] ++ (simp $ snd searched)
                                        where searched = findAndCombine x xs

-- remove zero amplitude ClassicStates from the Qstate
removeZeroStates (State []) = State []
removeZeroStates (State ( ((SqFrac 0 _),s) : ss ) ) = removeZeroStates $ State ss  -- remove the zero ampitude
removeZeroStates (State (s:ss) ) = (\a (State b) -> State $ [a] ++ b) s (removeZeroStates $ State ss)

-- find where ClassicState matches within [ClassicState] list and combine factors
-- and the non factors in a little package
-- findAndCombine :: (Eq t1, Num t) => (t,t1) -> [(t,t1)] -> [(t,t1)] -> ( (t,t1) , [(t,t1)] )
-- findAndCombine found [] rest = (found , rest ) -- gives a list of all found to be in state
findAndCombine :: ClassicState -> [ClassicState] -> (ClassicState,[ClassicState])
findAndCombine (a,val) list  = ( (foundProb,val) , rest )
                where foundProb    = sqAdd $ map ( \(x,_) -> x) found
                      (found,rest) = find_list [(a,val)]  [] list
                      find_list f@((_,qs):ss) r [q@(a,v)] -- gives lists for those found and the rest in tuple
                                | qs == v = ( q:f , r   )  -- add last state to matches
                                | qs /= v = ( f   , q:r )  -- add last state to not matches
                      find_list founds@( (_,qs):ss ) rests ( s@(_,v):vals )
                                | qs == v = find_list (s:founds) rests vals  -- matches: add to found list
                                | qs /= v = find_list founds (s:rests) vals  -- no match: add to the rest

-- grab a qbit from state (after measurement on that qbit) and return value (0 or 1)
grabQbit :: Qstate -> Int -> Int
grabQbit (State ((_,s):qs)) n = qbitToInt myQbit -- convert measured qbit to
                       where dummyState = qs  -- grab any state since it was measured (all the same for that qbit)
                             myQbit = s !! n -- get qbit to test

-- normalize by getting normalization factor and dividing terms by such
cNormalize :: [Complex] -> [Complex]
cNormalize a = map ( * (cInv n') ) a  -- divide by normalization factor
               where n' = cSqAdd a   -- sqaure and add numbers

-- normalize by getting normalization factor and dividing terms by such
normalize :: Qstate -> Qstate
normalize (State s) = State $ map (xf) s  -- divide each factor by normalization constant and create new state
                      where n' = cSqAdd $ map ( \(n,q) -> n) s  -- square and add all factors together
                            xf (a,q) = ( a * (cInv n') , q )    -- divide factor by normalization constant

redpajama_set_name: RedPajamaGithub


text:
Led Zeppelin Live
By hot dog
April 28, 2008 in Led Zeppelin Live
Sorry if this is an old topic - any idea why Black Dog has been the 3rd song on so many tours?
I make it to have been played 3rd on the 1971 UK winter tour, the 1973 tours (and many in-between), the 1979 shows, the 'Over Europe' tour, the O2 show - even on the current Plant/Krauss tour.
Just habit?
SilverVishnu
Why was Immigrant Song / Heartbreaker played for 2 years straight as the opener to every show?
Same reason - good effect I guess. 3 strong openers makes for a wild show, and Black Dog was one of them.
NickZepp
Location:Somewhere in Oklahoma
They have the songs in certain order for a reason. They changed them sometimes from year to year but they put on a show a certain way. They always wanted the first 2 or 3 songs to be played almost straight through. Sometimes with one introduction after the 2nd then got right into the next song. Then about 5 or 6 songs in they started to play something more mellow. Dazed and Confused isn't really mellow but it's not heavy throughout like some other songs. This is where Stairway was played for all of 71 and until late 72 I think. They would also put in accoustic sets here. Then they play a couple of upbeat numbers ending with Whole Lotta Love. Things did change some after 72 really when Stairway was put at the end of the show. Black Dog was moved to after WLL in 75, But the format didn't change much outside of that till 79 and 80 when they just tried to shorten the show and make it more electric driven. The only slower numbers were really Ten Years Gone, Rain Song, Stairway, and I guess All My Love in 80.
Otto Masson
'Strangers in the Night'
docron
whoever said they liked to play the first couple numbers straight thru was right (i.e. were gonna groove-i cant quit you early 1970, immigrant song-heartbreaker late 1971).
every band has a setlist, and thats just the way it was.
regarding the song itself tho, personally, I think theres only one occasion where the band played this song the way i think it was meant to be played - 4-1-71 (BBC SESSSIONS)
i could never figure out what it was about this particular version, but it just seems to be so much more faster. maybe a different drum arrangement? it just seemed alot less lazy than the performances later in 72 and on
Evster2012
Location:Ever-changing it seems
^^ I think it was just the newness and the enthusiasm for the new track. It's been my experience that when you take on a new song to a set, you tend to put more fire into it, and blow through it, as opposed to when you've done it many times. Then you tend to take it back a step and, how do I say, pay more attention to the nuances? For example, when my band first started doing the Rover, we'd blow through it. But after awhile, it slowed down, and it was played with more detail. More subtlety.
Although I can't say that applies to Black Dog!
That song was pretty balls out on every night I have!
^ Honestly tho - more balls-out than the BBC Sessions?! I really don't think thats possible. I think it has alot to do with Plant not having the same banshee-like scream ability much longer after 1971.
That song was meant to be yelled at the top of one's lungs in a banshee-like manner. Do you agree? It just sounds too damn lazy otherwise.
kashmiran
Location:Penn Yan, New York, USA
I strongly disagree. JULY 28TH 1973!!!!!!!!!!! I defy you, on pain of death (not really, obviously), to find a better guitar solo on this song, OR a better Plant vocal.
Sounds like I'm gonna have to get this recording then...
I find it hard to believe tho because Plant's voice was alot less banshee-like in 1973... and I prefer the 68-72 Plant over the 73 and on Plant. Thats all opinion tho.
I'll give it a listen and get back to you.
Black Dog...........my fave Zep tune!!
I just listened to it.
I've narrowed down what it is that I hate about the later performances. Its Bonham's playing and arrangements.. During the first couple verses of the 73 show, he doesn't use the high-hat as much and the cymbals aren't as prominent. In the BBC Sessions one, it sounds alot less lazy because the cymbals are alot more prominent and Bonham hits the high-hats doubletime compared to in the later years... it seems to make the song go faster. Plant's lyrics are better in the BBC Sessions as well. The solo is pretty good in the 73 versions though. As a whole performance, I'm gonna have to stick with the BBC Sessions.
Just my opinion.

redpajama_set_name: RedPajamaCommonCrawl


Icterids are remarkably diverse in size. They range from the slim orchard oriole (Icterus spurius), which weighs as little as 0.6 oz (16 g), to the robust Montezuma's oropendola (Psarocolius montezuma), which can weigh as much as 1.2 lb (528 g), making it one of the largest songbirds. Most species are brightly colored, commonly with black (often with a bright metallic gloss) and yellow, but many species have prominent red coloration, and some of the oropendolas are greenish. Some species have a neck ruff; others, a sparse crest.
thought to cure jaundice. The English vernacular name for the New World orioles (Icterus) was given to them by early naturalists who thought them to be related to the Oriolus orioles of the Old World, but today it is realized that these birds are not closely related.
There is a great deal of variation in bill size and shape in the Icteridae. Many blackbirds have rather long, stout, and pointed bills; the ridge of the upper mandible is often straight in profile, and may extend onto the forehead, forming a frontal shield. Some of the orioles have slim, gracile bills that are slightly downturned, and the bobolink (Dolichonyx oryzivorus) and some of the cowbirds (Molothrus) have a finchlike conical bill. Blackbirds—particularly those species that forage extensively on the ground—have rather large legs and long claws.
Many species of blackbirds are strikingly sexually dimorphic in size. This is especially true in species where males are commonly polygynous (a male will be mated to two or more females in a single breeding season), e.g., Psarocolius, Agelaius, Quiscalus, and Xanthocephalus. As well, many blackbirds are sexually dimorphic in color. In dimorphic species, the males tend to have a bright display plumage whereas females are dull and relatively inconspicuous; the young tend to resemble females, and males may not develop their full display plumage until they are two years of age. Plumage dimorphism is characteristic of icterids that breed in north temperate areas. Within the orioles, the species that breed in North America, including some of the Mexican species, are dimorphic in color, whereas the tropical species (including the three South American species) are monomorphic (although the female is sometimes somewhat less brightly colored).


Schultz created his own company to design prosthetics for adaptive sports.
Snowboarder Mike Schultz, who has designed adaptive sports prosthetics that some of his teammates will be wearing in competition, has been named the U.S. flag bearer for the opening ceremony of the Pyeongchang Paralympics.
He was selected in a vote by U.S. athletes, the U.S. Olympic Committee announced Wednesday. Schultz will the lead the 74-member delegation in Friday's opening ceremony, which will be shown on NBC Sports Network at 6 a.m.
In 2008 Schultz suffered injuries in a snocross race that resulted in having his left leg amputated above the knee when the snowmobile he was riding landed on his leg. After the accident, he created his own prosthetic knee using a mountain bike shock and other equipment he had in his garage. Seven months after his accident, he went on to win a silver medal on his dirt bike in the adaptive Super-X competition at the Summer X Games.
After seeing a need for better adaptive sports prosthetics, Schultz founded his company BioDapt Inc. in July 2010.
The 36-year-old from St. Cloud, Minn., will make his Paralympic debut after learning to snowboard in 2011. Athletes on the U.S. snowboard team in the LL-1 and LL-2 classes wear the prosthetic knee and foot designed by Schultz's company.
The Paralympic snowboard competition begins Monday with men's and women's snowboard-cross. The banked slalom event, new to this year's Paralympics, will be held March 16.


Feel warm on cold nights and crisp mornings in this long-sleeved nightdress. Flowing down past your knees, it provides plenty of coverage to keep the chill at bay. The relaxed shape has room for movement, while the V neck and subtle ruching give it a feminine edge. Decorated with a whimsical floral print, it instantly brightens your nightwear. Plus, the pure cotton fabric feels soft against your skin.


text:
The Intercept's Laura Poitras Wins Academy Award for 'Citizenfour'
Poitras, a founding editor of The Intercept, won an Academy Award for her documentary about Edward Snowden, the National Security Agency whistleblower.
Peter Maass
February 23 2015, 3:55 a.m.
Laura Poitras, a founding editor of The Intercept, won an Academy Award tonight for her documentary "Citizenfour," an inside look at Edward Snowden, the National Security Agency whistleblower.
"The disclosures that Edward Snowden revealed don't only expose a threat to our privacy but to our democracy itself," Poitras said in her acceptance speech. "Thank you to Edward Snowden for his courage and for the many other whistleblowers." Snowden, in a statement released after the award was announced, said, "My hope is that this award will encourage more people to see the film and be inspired by its message that ordinary citizens, working together, can change the world."
The film, which has been hailed as a real-life thriller, chronicles Snowden's effort to securely contact Poitras and Glenn Greenwald in 2013 and meet them in Hong Kong, where Poitras filmed Snowden discussing the thousands of classified NSA documents he was leaking to them, and his motives for doing so. The film takes its title from the pseudonym Snowden used when he contacted Poitras in encrypted emails that were revealed in her documentary.
"If you publish the source material," one of his first emails said, "I will likely be immediately implicated. This must not deter you from releasing the information I will provide. Thank you, and be careful."
"Citizenfour" received widespread acclaim when it was released last year. The New York Times said it was "a primal political fable for the digital age," while Indiewire described it as "the stuff of Orwellian nightmares … it plays like the greatest paranoid thriller since 'All the President's Men.'" Prior to the Academy Awards, it won a number of prizes for best documentary from the New York Film Critics Circle, the Directors Guild of America and other organizations.
The documentary is centered around the extraordinary footage Poitras shot of Snowden in his hotel room with Greenwald and Guardian reporter Ewen MacAskill, who also travelled to Hong Kong. The film includes scenes of Snowden preparing to leave the hotel to go into hiding after the first NSA stories were published, along with a video interview in which Snowden revealed his identity. Snowden eventually slipped out of Hong Kong and, after becoming stranded in Moscow's Sheremetyevo airport, was offered political asylum in Russia, where he currently resides.
The documents leaked by Snowden have revealed the NSA's dragnet surveillance of American phone records, as well as the agency's extensive efforts to infiltrate and compromise global telecommunications networks. The NSA's activities have been condemned by civil liberties advocates in the United States as well as by foreign governments that have been spied on by the agency. The stories written about the documents have earned Pulitzer Prizes for The Guardian and The Washington Post (which also received documents from Snowden). Those publications, as well as The Intercept and other news organizations, including Der Spiegel in Germany, continue to publish major stories about the NSA's surveillance activities, such as an article just a few days ago that revealed the NSA and its British counterpart, the GCHQ, had stolen billions of cellphone encryption keys from a Dutch firm.
Poitras, who in 2012 was awarded a MacArthur Foundation "genius" grant, had earned an Academy Award nomination for a previous film, "My Country, My Country," about the Iraq war. Released in 2006, it was the first in a trilogy of films about America after 9/11; the second, released in 2010, was "The Oath," filmed in Yemen and Guantánamo Bay. "Citizenfour" is the final film in the trilogy, which Poitras has described as an examination of American power in the war on terror.
Poitras herself came under the type of government surveillance that the Snowden documents outline. After her Iraq film was released, she was stopped dozens of times at U.S. and foreign airports and questioned by border agents; her name had apparently been placed on one of the U.S. government's terrorism watchlists. This put her into an unusual position — a documentarian who was under surveillance while working on a documentary about surveillance.
It was a short film by Poitras about the NSA, focusing on whistleblower William Binney, that brought her to the attention of Snowden. He saw the film, which was called "The Program" and was published as a New York Times op-doc in 2012, and realized Poitras was reporting on the NSA and that she probably had enough knowledge of encryption practices to communicate with him securely. He later explained that he trusted her and Greenwald, who is another founding editor of The Intercept, more than any major media outlets in the post-9/11 era.
"Laura and Glenn are among the few who reported fearlessly on controversial topics throughout this period, even in the face of withering personal criticism, and resulted in Laura specifically becoming targeted by the very programs involved in the recent disclosures," Snowden has said. "She had demonstrated the courage, personal experience and skill needed to handle what is probably the most dangerous assignment any journalist can be given — reporting on the secret misdeeds of the most powerful government in the world."
Poitras, who studied film at the San Francisco Art Institute and political theory at The New School before turning to journalism, will have a solo exhibition at the Whitney Museum in 2016.
This story was updated with comments from Poitras and Snowden.
Photo: John Shearer/Invision/AP
Peter Maass[email protected]theintercept.com@maassp


text:
È noto per avere ricoperto il ruolo di James Bond in Casino Royale, Quantum of Solace, Skyfall, Spectre e No Time to Die, e per il quale è stato candidato per due volte ai Premi BAFTA come miglior attore; inoltre per la sua interpretazione di Benoît Blanc in Cena con delitto - Knives Out e Glass Onion - Knives Out ha ricevuto due candidature al Golden Globe, sempre come miglior attore.

Tra gli altri noti film ai quali ha partecipato figurano Cowboys & Aliens, Defiance - I giorni del coraggio, Elizabeth, Era mio padre, La bussola d'oro, Le avventure di Tintin - Il segreto dell'Unicorno, Millennium - Uomini che odiano le donne, Munich e The Pusher.

Biografia
Figlio di Timothy James Craig e di Olivia Williams, entrambi di origini gallesi, a quattro anni, dopo il divorzio dei genitori, si trasferisce a Liverpool. Brillante negli studi e nello sport, soprattutto nel rugby, verso i sedici anni inizia ad interessarsi alla recitazione. Studia alla National Youth Theatre, per mantenersi gli studi fa il cameriere per diversi anni fino a laurearsi, nel 1990, presso la prestigiosa Guildhall School of Music and Drama.

Dal 1992 al 1994 è stato sposato con l'attrice scozzese Fiona Loudon, da cui ha avuto una figlia nel 1992. Nel 2011 ha sposato l'attrice inglese Rachel Weisz; la coppia ha una figlia, nata nel 2018.

Carriera

Debutta nella serie televisiva Le avventure del giovane Indiana Jones nel ruolo di Schiller, e successivamente recita nel film La forza del singolo al fianco di Morgan Freeman. Dopo varie pellicole secondarie e produzioni per il piccolo schermo, approda al cinema impegnato nel film Elizabeth di Shekhar Kapur, con Cate Blanchett; assieme al ruolo di un omosessuale in Love Is the Devil, queste interpretazioni iniziano a metterlo in evidenza.

Nel 2001 lavora a Hollywood nel blockbuster Tomb Raider con Angelina Jolie, e in Era mio padre di Sam Mendes. Nel 2003 è nel cast del discusso The Mother e nel successivo L'amore fatale, entrambi del regista Roger Michell. Lavora poi con Gwyneth Paltrow in Sylvia e in The Jacket, fino a essere scelto da Steven Spielberg per Munich, al fianco di Eric Bana. Nel 2004 recita da protagonista assoluto in The Pusher, dove interpreta uno spacciatore che cerca di uscire dal giro. Nello stesso anno iniziava lo sviluppo preliminare di un ambizioso adattamento cinematografico, per la regia di Scott Derrickson, basato sul poema Paradiso perduto di John Milton; il produttore Vincent Newman stava pensando a Craig o Heath Ledger per il ruolo di Lucifero, ma il film non si concretizzò mai realmente.

Tra il 2002 e il 2006 prese parte in ruoli secondari a diverse pellicole importanti, tra cui Era mio padre di Sam Mendes (2002), The Jacket di John Maybury (2004) e Munich di Steven Spielberg (2005), senza però riuscire a elevarsi a protagonista assoluto. Nel 2006 recita nel biopic dedicato allo scrittore Truman Capote, Infamous - Una pessima reputazione di Douglas McGrath, al fianco di Toby Jones, Sandra Bullock, Gwyneth Paltrow, Isabella Rossellini, Sigourney Weaver, Peter Bogdanovich e Jeff Daniels.

Il 14 ottobre 2005 la EON Productions rivelò la notizia dell'ingaggio di Craig come nuovo James Bond, dopo aver battuto la concorrenza di attori come Clive Owen, Ewan McGregor, Colin Farrell e Hugh Jackman, prendendo il posto di Pierce Brosnan nel 21° film dedicato all'agente segreto. Craig è il sesto attore a interpretare l'agente 007 e il secondo, insieme a Roger Moore, a essere biondo; nonostante questo, che da molti veniva visto come un ostacolo, Craig dimostra di essere al pari dei suoi predecessori, e il suo debutto in Casino Royale conquista pubblico e critica, piazzandosi subito tra i migliori film di James Bond di sempre. Anche le recensioni su Craig sono ottime, riuscendo a risollevare il mito di Bond che negli ultimi vent'anni aveva visto una lieve battuta d'arresto con le interpretazioni di Timothy Dalton e Pierce Brosnan.

Nel 2007 ha recitato in due film accanto a Nicole Kidman: Invasion, remake del fanta-thriller L'invasione degli ultracorpi, e La bussola d'oro, adattamento fantasy dell'omonimo romanzo di Philip Pullman. L'anno dopo torna a vestire i panni dell'agente Bond nel film Quantum of Solace, sequel del campione d'incassi Casino Royale, riuscendo a bissarne il successo sia a livello di critica sia di incassi. Nello stesso anno Daniel Craig è stato nominato secondo, nella classifica "Uomini più sexy del mondo" stilata dalla rivista People, dietro Hugh Jackman. Nel 2011 è il protagonista di un film di successo, Millennium - Uomini che odiano le donne, diretto da David Fincher, seconda versione cinematografica dell'omonimo romanzo di Stieg Larsson. Nello stesso anno recita nel western fantascientifico Cowboys & Aliens e nel thriller Dream House, che però non convincono pienamente la critica. Nel 2012 interpreta per la terza volta il ruolo di James Bond in Skyfall. A quattro anni di distanza dall'ultima interpretazione, il film ottiene un successo ancora maggiore dei precedenti, guadagnando 5 candidature agli Oscar e vincendone 2, arrivando a incassare in tutto il mondo 1,1 miliardi di dollari, facendone il film più fruttuoso di sempre della serie di James Bond.

Nello stesso anno veste i panni di 007 anche nel cortometraggio Happy and Glorious di Danny Boyle, realizzato per la cerimonia di apertura dei Giochi della XXX Olimpiade, in cui Craig recita accanto a Elisabetta II del Regno Unito. Il 4 dicembre 2014 viene annunciato il suo ritorno nei panni di Bond nel ventiquattresimo film della saga, Spectre, uscito nelle sale britanniche il 25 ottobre 2015. Nell'agosto 2017, ospite del The Late Show with Stephen Colbert, annuncia che tornerà ad interpretare per la quinta e ultima volta James Bond nel 25° film della serie.

Filmografia

Attore

Cinema
 La forza del singolo (The Power of One), regia di John G. Avildsen (1992)
 Un ragazzo alla corte di re Artù (A Kid in King Arthur's Court), regia di Michael Gottlieb (1995)
 Saint-Ex, regia di Anand Tucker (1996)
 Obsession, regia di Peter Sehr (1997)
 Elizabeth, regia di Shekhar Kapur (1998)
 Love Is the Devil (Love Is the Devil: Study for a Portrait of Francis Bacon), regia di John Maybury (1998)
 The Trench - La trincea (The Trench), regia di William Boyd (1999)
 The Adventures of Young Indiana Jones: Daredevils of the Desert, regia di Simon Wincer (1999)
 Amore e rabbia (Love & Rage), regia di Cathal Black (2000)
 Sognando l'Africa (I Dreamed of Africa), regia di Hugh Hudson (2000)
 Some Voices, regia di Simon Cellan Jones (2000)
 Hotel Splendide, regia di Terence Gross (2000)
 Lara Croft: Tomb Raider, regia di Simon West (2001)
 Era mio padre (Road to Perdition), regia di Sam Mendes (2002)
 Dieci minuti più vecchio: il violoncellista (Ten Minutes Older: The Cello), regia di Bernardo Bertolucci, Claire Denis, Mike Figgis e Jean-Luc Godard (2002)
 Occasional, Strong, regia di Steve Green – cortometraggio (2002)
 The Mother, regia di Roger Michell (2003)
 Sylvia, regia di Christine Jeffs (2003)
 L'amore fatale (Enduring Love), regia di Roger Michell (2004)
 The Pusher (Layer Cake), regia di Matthew Vaughn (2004)
 The Jacket, regia di John Maybury (2005)
 Senza destino (Sorstalanság), regia di Lajos Koltai (2005)
 Munich, regia di Steven Spielberg (2005)
 Infamous - Una pessima reputazione (Infamous), regia di Douglas McGrath (2006)
 Casino Royale, regia di Martin Campbell (2006)
 Invasion (The Invasion), regia di Oliver Hirschbiegel e James McTeigue (2007)
 La bussola d'oro (The Golden Compass), regia di Chris Weitz (2007)
 Flashbacks of a Fool, regia di Baillie Walsh (2008)
 Quantum of Solace, regia di Marc Forster (2008)
 Defiance - I giorni del coraggio (Defiance), regia di Edward Zwick (2008)
 Cowboys & Aliens, regia di Jon Favreau (2011)
 Dream House, regia di Jim Sheridan (2011)
 Le avventure di Tintin - Il segreto dell'Unicorno (The Adventures of Tintin), regia di Steven Spielberg (2011)
 Millennium - Uomini che odiano le donne (The Girl with the Dragon Tattoo), regia di David Fincher (2011)
 The Organ Grinder's Monkey, regia di Jake Chapman – cortometraggio (2011)
 Skyfall, regia di Sam Mendes (2012)
 Happy and Glorious, regia di Danny Boyle – cortometraggio (2012)
 Spectre, regia di Sam Mendes (2015)
 Star Wars: Il risveglio della Forza (Star Wars: The Force Awakens), regia di J. J. Abrams (2015) – cameo
 La truffa dei Logan (Logan Lucky), regia di Steven Soderbergh (2017)
 Kings, regia di Deniz Gamze Ergüven (2017)
 Cena con delitto - Knives Out (Knives Out), regia di Rian Johnson (2019)
 No Time to Die, regia di Cary Fukunaga (2021)
 Glass Onion - Knives Out (Glass Onion: A Knives Out Mystery), regia di Rian Johnson (2022)

Televisione
 Anglo Saxon Attitudes – miniserie TV, 3 puntate (1992)
 Covington Cross – serie TV, episodio 1x01 (1992)
 Boon – serie TV, episodio 7x01 (1992)
 Zorro – serie TV, episodi 4x10-4x11 (1993)
 Drop the Dead Donkey – serie TV, episodio 3x10 (1993)
 Sharpe's Eagle, regia di Tom Clegg – film TV (1993)
 Between the Lines – serie TV, episodio 2x01 (1993)
 Heartbeat – serie TV, episodio 3x05 (1993)
 Screen Two – serie TV, episodio 10x01 (1993)
 Le avventure del giovane Indiana Jones (The Young Indiana Jones Chronicles) – serie TV, episodio 2x21 (1994)
 Our Friends in the North – miniserie TV, 8 puntate (1996)
 I racconti della cripta (Tales from the Crypt) – serie TV, episodio 7x09 (1996)
 The Fortunes and Misfortunes of Moll Flanders, regia di David Attwood – film TV (1996)
 Kiss and Tell, regia di David Richards – film TV (1996)
 The Ice House, regia di Tim Fywell – film TV (1997)
 The Hunger – serie TV, episodio 1x02 (1997)
 Shockers: The Visitor, regia di Audrey Cooke – film TV (1999)
 Sword of Honour, regia di Bill Anderson – film TV (2001)
 Copenaghen, regia di Howard Davies – film TV (2002)
 Archangel, regia di Jon Jones – film TV (2005)

Doppiatore
 Renaissance, regia di Christian Volckman (2006)
 Quantum of Solace – videogioco (2008)
 James Bond 007: Blood Stone – videogioco (2010)
 GoldenEye 007 – videogioco (2010)

Teatrografia
 Angels in America, di Tony Kushner, regia di Declan Donnellan. National Theatre di Londra (1993)
 A Number, di Caryl Churchill, regia di Stephen Daldry. Royal Court Theatre di Londra (2002)
 A Steady Rain, di Keith Huff, regia di John Crowley. Gerald Schoenfeld Theatre di Broadway (2009)
 Tradimenti, di Harold Pinter, regia di Mike Nichols. Ethel Barrymore Theatre di Broadway (2013)
 Otello, di William Shakespeare, regia di Sam Gold. New York Theatre Workshop dell'Off Broadway (2016)
 Macbeth di William Shakespeare, regia di Sam Gold. Lyceum Theatre di Broadway (2022)

Onorificenze

Riconoscimenti
Golden Globe
 2020 – Candidatura al miglior attore in un film commedia o musicale per Cena con delitto - Knives Out
 2023 – Candidatura al miglior attore in un film commedia o musicale per Glass Onion - Knives Out

 BAFTA Awards
 2007 – Candidatura al miglior attore protagonista per Casino Royale

 British Independent Film Awards
 1999 – Candidatura al miglior attore per The Trench - La trincea
 2000 – Miglior attore per Some Voices
 2004 – Candidatura al miglior attore per L'amore fatale
 2007 – Premio Entertainment Personality
 Critics' Choice Awards
 2013 – Miglior attore in un film d'azione per Skyfall
 2016 – Candidatura al miglior attore in un film d'azione per Spectre

 Empire Awards
 2005 – Candidatura al miglior attore britannico per The Pusher
 2007 – Miglior attore per Casino Royale
 2009 – Candidatura al miglior attore per Quantum of Solace
 2012 – Candidatura al miglior attore per Millennium - Uomini che odiano le donne
 2013 – Candidatura al miglior attore per Skyfall

 MTV Movie Awards
 2013 – Candidatura al miglior combattimento per Skyfall
 2013 – Candidatura alla migliore performance senza maglietta per Skyfall
 2022 – Candidatura al miglior eroe per No Time to Die

 San Diego Film Critics Society Awards
 2017 – Miglior performance comica per La truffa dei Logan
 2019 – Candidatura alla miglior performance comica per Cena con delitto - Knives Out
 2019 – Miglior cast per Cena con delitto - Knives Out

Satellite Award
 2020 – Candidatura al miglior attore in un film commedia o musicale per Cena con delitto - Knives Out
 2020 – Miglior cast per Cena con delitto - Knives Out
 2023 – Candidatura al miglior attore in un film commedia o musicale per Glass Onion - Knives Out
 2023 – Miglior cast per Glass Onion - Knives Out

 Saturn Award
 2007 – Candidatura al miglior attore per Casino Royale
 2013 – Candidatura al miglior attore per Skyfall

Doppiatori italiani
Nelle versioni in italiano delle opere in cui ha recitato, Daniel Craig è stato doppiato da:
 Francesco Prando in Un ragazzo alla corte di Re Artù, The Trench - La trincea, Sword of Honour, Sylvia, L'amore fatale, The Pusher, Archangel, Casino Royale, La bussola d'oro, Flashbacks of a Fool, Quantum of Solace, Defiance - I giorni del coraggio, Cowboys & Aliens, Dream House, Skyfall, Spectre, Kings, Cena con delitto - Knives Out, No Time to Die, Glass Onion - Knives Out
 Stefano Benassi in Era mio padre, Munich
 Massimo Rossi in Lara Croft: Tomb Raider, Infamous - Una pessima reputazione
 Maurizio Reti ne La forza del singolo
 Edoardo Siravo in Elizabeth
 Christian Iansante in Love is the Devil
 Massimo De Ambrosis in Sognando l'Africa
 Pasquale Anselmo in The Mother
 Roberto Draghetti in The Jacket
 Danilo Di Martino in Invasion
 Giorgio Locuratolo in Zorro
 Fabrizio Pucci in Millennium - Uomini che odiano le donne
 Alberto Angrisano in Star Wars: Il risveglio della forza
 Saverio Indrio in La truffa dei Logan
Da doppiatore è sostituito da:
 Francesco Prando in Le avventure di Tintin - Il segreto dell'Unicorno
 Mario Biondi in One Life

Note

Altri progetti

Collegamenti esterni

Membri del National Youth Theatre
Studenti della Guildhall School of Music and Drama
Attori televisivi britannici
Attori teatrali britannici
Empire Awards per il miglior attore

redpajama_set_name: RedPajamaWikipedia


text:
Rudolf Rickenbacher (* 15. November 1915; † 4. Juni 1940) war ein Schweizer Militärpilot. Er war der erste Angehörige der Schweizer Armee, der in den Kampfhandlungen zwischen der Schweiz und Deutschland im Zweiten Weltkrieg ums Leben kam.

Leben
Rickenbacher wuchs in Gutenburg im Oberaargau auf und begann ein Ingenieurstudium an der ETH Zürich. Ab August 1938 leistete er als Leutnant der Fliegerkompagnie 15 Aktivdienst.

Am 4. Juni 1940 flog Rickenbacher in einer Bf 109 mit  Oberleutnant Rudolf Suter eine Zweierpatrouille zur Abwehr deutscher Flugzeuge, die in den Schweizer Luftraum eindrangen. Bei Saignelégier im Jura kam es zu einem Luftkampf mit drei deutschen Flugzeugen, in dessen Verlauf Rickenbachers Maschine abstürzte. Das Flugzeug wurde bei Boécourt gefunden, Rickenbachers Leiche rund 400 Meter davon entfernt. Die Untersuchung ergab, dass Rickenbacher geschossen hatte, aber am Öltank getroffen wurde. Das Feuer machte das Flugzeug unlenkbar, und die hohen Fliehkräfte schleuderten den Piloten aus seinem Sitz.

Rickenbachers Tod wurde zwei Tage später in den Schweizer Zeitungen nur kurz vermerkt. Der Pilot wurde in Lotzwil unter grosser Anteilnahme der Öffentlichkeit militärisch bestattet. Unter anderen entsandte der deutsche Reichsmarschall Hermann Göring einen Kranz, den wütende Lotzwiler zerrissen haben sollen.

Quellen
 Herbert Rentsch: «Er war das erste Opfer, als am Schweizer Himmel der Krieg ausbrach». Berner Zeitung, 31. Mai 2015

Jagdpilot im Zweiten Weltkrieg (Schweiz)
Schweizer
Geboren 1915
Gestorben 1940
Mann


text:
korean peninsula news
Russia and China Block US Bid to Suspend North Korean Fuel Deliveries, Demand 'Credible Facts'
The United States in a report accused North Korea of breaching the United Nations-imposed ceiling on fuel imports and carrying out dozens of ship-to-ship transfers.
June 19, 2019, 5:11 pm explore: World
US Warns China Against Threatening Its Asian Neighbours' Sovereignty
Washington has been pushing back against Beijing's aggressive militarisation of the South China Sea, where China rejects the conflicting territorial claims of Taiwan, Brunei, Malaysia, the Philippines and Vietnam.
Debdeep Mukherjee, June 1, 2019, 8:40 pm explore: World
Spurned by Washington, North Korea's Kim Seeks a Friend in Putin at Their First Summit
The two men embarked on a day of talks on an island off the Russian Pacific city of Vladivostok two months after Kim's summit with US President Donald Trump ended in disagreement, cooling hopes of a breakthrough in the decades-old nuclear row.
April 25, 2019, 11:15 am explore: World
North Korea's Kim Jong Un Gives Trump Time 'Till 2019 End' to Change His Mind on Sanctions
Donald Trump and Kim Jong Un have met twice, in Hanoi in February and Singapore in June, building goodwill but failing to agree on a deal to lift sanctions in exchange for North Korea abandoning its nuclear and missile programs.
April 13, 2019, 7:38 am explore: World
How Heavy is De-nuclearisation on the Agenda? Trump and Kim Face Unanswered Questions in Vietnam
Trump has employed both carrots and sticks to pursue North Korea's denuclearisation, praising the regime's potential as a "great economic powerhouse" but saying tough sanctions will remain until it takes a "meaningful" step.
February 25, 2019, 9:41 am explore: World
Second Trump-Kim Summit Planned for Vietnam in Late February: Report
Many critics accuse the Trump administration of failing to get Kim to agree to specifics at their first summit.
February 1, 2019, 4:58 pm explore: World
Donald Trump Says US 'Made a Lot of Progress' With North Korea
The first summit produced a vague commitment by Kim Jong Un to work toward the denuclearization of the Korean peninsula, but he has yet to take what Washington sees as concrete steps in that direction.
January 19, 2019, 10:07 pm explore: World
With No Trust in US, 'No Way' North Korea Will Disarm First: Pyongyang Minister
A landmark summit between President Donald Trump and North Korean leader Kim Jong Un in June led to a warming of ties and a halt in Pyongyang's missile launches, but there has been little concrete progress toward denuclearisation.
September 29, 2018, 10:41 pm explore: World
US Welcomes Home Remains of Presumed War dead from North Korea
Vice President Mike Pence hailed the remains' arrival in Hawaii as evidence of the success of President Donald Trump's landmark summit in June with North Koran leader Kim Jong Un.
August 2, 2018, 8:31 am explore: World
PM Modi Holds Talks with South Korean President Moon Jae-in
India is a stakeholder in the peace process in the Korean peninsula and it will do its bit to contribute to peace in the region, Modi said.
July 10, 2018, 2:54 pm explore: India
North, South Korea Hold Talks on Connecting Railways, First Physical Link Since Their Division
There has been no direct civilian communication between the two Koreas since their division was sealed by the 1953 armistice that ended the Korean War — not even post.
June 26, 2018, 8:24 am explore: World
Kim Jong Un Meets Xi Jinping to Work out Future Course of Action After Summit with Donald Trump
President Xi and Chairman Kim exchanged views on the current development of China-North Korea relations and the situation on the Korean Peninsula, state-run Xinhua news agency reported.
Historic Trump-Kim Meet: Denuclearisation of North Korea a Possibility?
US President Donald Trump and North Korean leader Kim Jong-Un pledged on Tuesday to work toward complete denuclearisation of the Korean peninsula while Washington committed to provide security guarantees for its old enemy in the historic meet
June 12, 2018, 3:22 pm explore: India
North, South Korea Showed Complex Issues Can be Settled Through Peaceful Negotiations: Mehbooba Mufti
Mufti, who met victims of cross-border firing in the Arnia and R S Pura sectors of Jammu district on Monday, said the people of the state had gone through "very tough times" in the past and wanted to live a peaceful life.
May 21, 2018, 11:02 pm explore: India
Implications of Détente between North and South Korea
The Panmunjom Declaration, which President Moon Jae-in and Chairman Kim Jong-un signed after their summit meeting eloquently state that there will be no more war on the Korean peninsula, DMZ will turn into a 'peace zone' and a new era of peace and prosperity will begin.
Shin Bongkil, May 20, 2018, 6:15 pm explore: Opinion
South Korea Faces Dilemma over Anti-North Leaflets as Ties Thaw
Pyongyang has in the past blamed Seoul for failing to stop previous leaflet launches, calling them "an act of war". The two Koreas even traded fire in 2014 after the North's military shot machine guns at balloons launched by defector activists.
May 5, 2018, 5:24 pm explore: World
China Supports Ending State of War on Korean Peninsula: Foreign Minister Wang Yi
During his two-day visit to the North, Chinese foreign minister Wang Yi said Beijing was in favour of peace efforts between Seoul and Pyongyang, who have remained technically at war since the 1950s.
North and South Korea Dismantle Loudspeakers for Cold War-Style Propaganda at Tense Border
The dismantling of dozens of loudspeakers was in line with an agreement on reconciliation by the leaders of the Koreas at their historic summit last on Friday. It is still unclear if such measures can bring permanent peace because no major breakthrough in the North Korean nuclear standoff was produced at the summit.
May 1, 2018, 11:28 pm explore: World
Kim Jong Un Says He'll Give up Nukes if US Vows Not to Attack: South Korea
North Korea has invited the outside world to witness the dismantling of its nuclear facilities before. In June 2008, international broadcasters were allowed to air the demolition of a cooling tower at the Nyongbyon reactor site.
April 29, 2018, 9:28 pm explore: World
Kim Takes 30 Minutes Off North Korea's Clocks to Rejoin South's Time Zone
The two countries on the divided peninsula have had different time zones since 2015 when the North suddenly changed its standard time to 30 minutes behind the South.


text:
Loren Benjamin by Loren Benjamin (EP)
on 18 July 2013 at 11:49 pm
Emerging 23-year-old singer-songwriter from Brooklyn bears his soul with this debut release before a full-length album due later this year
hen Loren Benjamin was first brought to our attention, and we interviewed the New Yorker back in April, it was clear this pleasant, softly-spoken gentleman was the sensitive soul-searching balladeer type, rather than the stereotypical post-punk hipster from the Big Apple. And so it follows, that Loren's self-titled EP is a gentle and inoffensive affair that treads tentatively along the path furrowed by Chris Martin and David Gray – Midnight In The City, for example, is a uncanny hybrid of the former's Fix You and the latter's This Years Love.
This could be a match made in heaven for many, and you can't blame a man for be inspired by the greatest exponents of lighters-aloft balladry, but there's no ground being broken here. It's acoustic-rock that's been written, played and produced well throughout, but steered with precision through the middle of the road. Even the promisingly-titled Reckless Days Endless Nights doesn't sound reckless at all.
As the pace quickens with the sixth and final track, Life Smiling, Benjamin is still in Martin/Gray territory, with touches of Crowded House's Neil Finn, but it becomes clear that Loren Benjamin's familiar sound is actually its redeeming quality. It's what makes this EP such a warm companion to the ear.
These half-dozen acoustic anthems are frequently beautiful, unashamedly sentimental and undeniably uplifting, so should leave fans of the genre with a warm glow and a contented smile. Millions of discerning record-buyers who already love the recent crop of soul-searching singer-songwriters won't be disappointed with Loren's first effort, and should keep an eye out for his full-length album due out later this year, too.
Verdict: For fans of plaintive acoustic guitar- and piano-led pop
Alex Miles
Chris MartinColdplayCrowded HouseDavid GrayLoren BenjaminNeil Finn
Classic Album Selection by The Style Council (Anthology)
Way In The World by Nina Nesbitt (EP)
Interview: Benjamin Booker
We catch up with the soulful American rocker to learn how a trip to Mexico ... Read More+
David Gray confirms new album and tour
'Gold In A Brass Age' will be the singer-songwriter's fir... Read More+
Fleetwood Mac reissuing self-titled 1975 album
The legendary British-American rock group will reissue their tenth studio a... Read More+
EXCLUSIVE! 'Still In Love' by KayBe
Ahead of her eagerly anticipated new album release... Read More+


As you've probably experienced, when it comes to online marketing and advertising, there is no magic bullet. We are all vying for customer's eyes in a highly competitive attention economy. While the stakes are high, adopting strategies that speak to your customer base is the key to making it in the online marketplace.
In 2017, content is king. Whether you're looking to boost your SEO, increase website traffic, generate sales, or add value to your brand, content marketing is one of the most effective ways of reaching all of those goals. An important form of content marketing is influencer marketing.
An influencer is most often a person who has a large social media presence and following, thus is able to 'influence' behavior online. An extreme example of influencer marketing would be if an apparel store paid Taylor Swift to Instagram a picture of her wearing their clothing and then tag their brand. Inevitably, many of Taylor's massive online fan base would click-through to the brand's social pages or website.
Influencer marketing is a great way to ramp up content creation as well as gain a new audience. Most importantly, influencer marketing doesn't always have to be done at the celebrity level. Users who have over 20k followers are still great for brands to leverage and much cheaper than striking a deal with a celebrity.
Simply, 74% of users use social media to make purchasing decisions. SnapChat, Twitter, and Instagram are all top-down platforms that allow celebrities or influencers to create buzz around the web about products, services, or ideas. When their content is shared, it can spread like wildfire. In fact, 92% of people trust recommendations from individuals and further, 51% believe they get more qualified customers from influencers. That's likely due to the fact that the influencer's followers trust them.
Using influencer marketing allows brands to align with individuals online who share a similar aesthetic and ethos, in turn providing that brand a unique opportunity to get in front of more qualified customers.
Another important consideration is budget. The more followers the influencer has, the more expensive they will be. Not overspending is key as a small budget can have a huge upside. Start modest to evaluate the initial return and then you can scale up.
If your brand decides to take on influencer marketing, it is imperative that your social pages and website are all streamlined and top-notch to handle any influx in customers or orders.
Influencer marketing can help diversify a brand's online marketing spend and create new opportunities for eCommerce shops to branch out and gain a new audience. Remember, influencer marketing isn't just for the big shops, small to mid sized online retailers can reap the rewards as well.
Any questions or comments? Feel free to post below!


All of our wood fences are custom built on site giving you a fence that contours to your specific grade and land variation. Our wood fences utilize both 1×6 and 1×4 pickets to create our five main wood fence styles Solid board, Shadowbox, Board on Batten, Traditional, and Picket fences. Our wood fence line gives you the most versatility to customize the fence to your specific taste. You can add arches or scallops to the fencing, accent the top with spindle, diamond, or square lattice, or choose a board detail such as dog ear, gothic, French gothic, or angle cut.
Whatever style requirement wood fencing selections will have an option to best suit your style, material and height requirement.
Board on Batten wood fence styles utilize an overlapping fence board to create a fence with a true privacy look. All wood fence boards shrink after the initial installation and only board on batten and tongue and groove style fences provide full privacy after board shrinkage. Solid board and Traditional style fencing will have anywhere from 1/8″-1/4″ gaps between the boards after the boards shrink.
Horizontal fence styles utilize wood deck boards being installed horizontally instead of vertically creating a more modern look. Horizontal fences can be spaced to your own specification or have different sized boards depending on what look you are trying to achieve.
Lattice fence styles are a more decorative fence type and are only available in 4'high. Lattice fencing is available in both square and diamond layout. All lattice fencing is picture framed for a clean look.
Picket fencing styles have gaps between the boards ranging from 1″-3″ and numerous detail options ranging from flat top boards to gothic, French gothic, dog ear and angle cut. Picket fencing can be installed in heights ranging from 36″ high to 72″ high depending on your containment needs.
Shadowbox fencing is considered a "good neighbor fence" giving the client a fence that looks identical on both sides. Shadowbox fencing is a semi-private fence allowing airflow and sight through the openings in the fence boards. Shadowbox fencing can be arched, scalloped, or have a cap board added for optional detail.
Solid board fencing is the simplest and most common style of fencing utilizing one board next to the other. Solid board fences can have any picket detail added to the top such as dog ear, gothic, French gothic, arch or scallop for added customization.


text:
DV Info Net > Sony XAVC / XDCAM / NXCAM / AVCHD / HDV / DV Camera Systems > Sony Digital Cinema Camera Systems > Sony NXCAM NEX-FS700 CineAlta
NO rolling shutter in Super Slow Mo!
Sony NXCAM NEX-FS700 CineAlta
4K EXMOR sensor with SDI, slow-motion recording.
July 14th, 2012, 12:41 PM #16
Jim Michael
Re: NO rolling shutter in Super Slow Mo!
Originally Posted by Alister Chapman
Here's some footage from my shoot last weekend. Note the almost total lack of rolling shutter effects on the propellors and rotor blades.
Royal International Air Tattoo 2012 in Super SlowMo! - YouTube
At :30 I see a little looking at a single frame and it looks like he's under power so I'd expect a rotational velocity of ca. 2500 rpm. At 4:00 I don't see any but it looks like he's on final so maybe 1000 rpm? The Osprey and helicopters have relatively slow rpm and I don't see any there. So even on the worst case not really noticeable. Nice.
Alister Chapman
Location: Bracknell, Berkshire, UK
No, that's not rolling shutter. The Airbus A400M has curved contra rotating propellor blades. The blades are curved anyway.
http://www.aviationnews.eu/blog/wp-c...8/06/a400m.jpg
Alister Chapman, Film-Maker/Stormchaser http://www.xdcam-user.com/alisters-blog/ My XDCAM site and blog. http://www.hurricane-rig.com
I suspect there is some line skipping in SSM up to 240fps (every other line) which explains the aliasing increase, but as the sensor is quad HD, that doesn't result in a resolution drop. The need to line skip (if that is what is happening) may explain why the faster scan rate isn't available in normal modes.
I'm pretty sure that what is happening is that it is skipping on a 2:2 basis - reading two lines, skipping two, reading two etc. Coupled with that is the way the sensor is fundamentally read, which in this mode is effectively the same as the C300 does it - directly forming R,G,B values for a pixel from a 2x2 Bayer block. (So it needs two adjacent Bayer lines to form a single pixel.)
As a quad-HD sensor it has 2160 rows. If every line was read in this way it would give limiting vertical resolution of 2160/2=1080 - as happens with the C300. Only reading out 2 rows out of four obviously halves this to give a figure of 540, and an expectation that anything beyond this will alias, and likely in luminance only.
Lo and behold, look at Adam Wilts results for the FS700 at ProVideo Coalition.com: Camera Log by Adam Wilt | Founder | Pro Cameras, HDV Camera, HD Camera, Sony, Panasonic, JVC, RED, Video Camera Reviews (second chart, the 240fps one) The horizontal lines start to alias, then diverge to a null zone - which marks twice the Nyquist limit. That's at 1080 lpph, hence it follows that the fundamental limit of alias free resolution is 540.
The other interesting thing from that chart is the symmetry, horizontal resolution is the same as vertical (540lpph) at 240fps. That seems to indicate it's doing exactly the same horizontally as vertically - hence reading two columns, skipping two, reading two etc. Another way to look at it is that in a block of 16 photosites it's reading 4 (a 2x2 block) and ignoring the other 12.
(Worth also looking at the 480fps chart below. It's clear there that the symmetry has vanished, the horizontal res is as for 240fps, but the vertical is much lower. Judging by the 2xNyquist zone, my guess would be it's now reading two lines, skipping four, reading two etc.)
Who says the sensor is read in the same way as the C300. That's speculation, it might be read conventionally. Not saying your wrong, maybe your right, but I don't think we can say for sure. The zone plates should show equal H & V resolution if it's read like the C300 but there is something odd about the processing or sensor readout in the FS cameras that results in asymmetric resolution at HD in normal modes.
Your right about the skipping being line pairs, forgot it's using some form of CFA, whether it's read like the C300 or conventional Bayer it has to work with 2x2 pixel blocks.
Who says the sensor is read in the same way as the C300. That's speculation, it might be read conventionally.
If it's accepted that it's quad-HD, it would make absolutely no sense to read it conventionally (by which I'm assuming you mean to fully deBayer and downconvert) for a 1080 camera - C300 style readout etc will give full 1080 resolution with minimal processing and power consumption etc. Why do it the difficult way if you can get the results far easier?
That said, all my previous post was referrng to 240fps slo-mo read, not normal speed..... but more on the normal mode later! :-)
The zone plates should show equal H & V resolution if it's read like the C300 .......
Yes indeed - but Adams chart for 240fps does show equal H & V resolution, and that's what I was referring to there. At 240fps I'm suggesting like the C300 - but only reading alternate blocks horizontally and vertically.
......but there is something odd about the processing or sensor readout in the FS cameras that results in asymmetric resolution at HD in normal modes.
Indeed. This has puzzled me as well for quite a while. If we accept that the SENSOR is symmetrical about the axes, with square photosites (which is reasonable, given what we know about future 4k plans), then it must mean it's something asymmetrical about the readout and/or processing.
I've literally just had a conversation which has come up with a plausible explanation as to what's happening - yes, it's speculative, but it's the only explanation I've heard which remotely answers observed facts. It's left me thinking "so obvious - why didn't I think of that!?!" :-)
Given a quad-HD sensor, it would seem most logical to read it in a manner similar to the C300. Why deBayer when a simpler process will give full 1080 4:4:4 results? (As proved by the C300.)
The suggestion as to WHAT is happening is that the FS700 does indeed read out in a similar way to the C300 - but uses 3x2 blocks to form each pixel rather than 2x2, three photosites horizontally, two vertically. (A few variations in detail were suggested, but fundamentally they ae all based on a 3x2 fundamental unit.)
That would imply you could expect vertical resolution up to about 1080 lpph (which seems to be what happens) and 720 lpph for horizontal resolution before aliasing. That also ties in with observed figures.
That's speculation, yes, but the only suggestion I've heard that seems logical. My immediate reaction was WHY? Yes, it seems to satisfy observed results, but why do it like that? What not just do what the C300 does and use 2x2 blocks?
At this point, your guess becomes as good as mine. Maybe simply because it's too difficult to process all the data at frame rates? Maybe just to deliberately downgrade the output to avoid a much cheaper camera rivalling the F3?
3x2 blocks with a bayer type CFA is possible but I can't see it as you would have different R and B sampling structure on alternate blocks which would be processing nightmare:
GRG RGR GRG RGR
BGB GBG BGB GBG
Doesn't make any sense to me. Possible yes, reasonable, no. For the sensor to work at 4K it almost certainly needs to have some kind of conventional CFA arrangement.
Looking at the noise figures, sensitivity and latitude differences between the FS100 and FS700 I think it's pretty safe to say the sensors are different. Sony have already stated the pixel counts as 3.43 MP and 8.3 MP respectively. The FS100 is clearly bayer, the FS700 maybe not, yet both cameras exhibit remarkably similar H resolution. I still think this is a processing quirk.
I disagree, the processing would be pretty easy, especially if pixel binning was used. (Where the charges from more than one photosite get combined together.)
In the two cases, each has 3 green photosites, and either 2 red and 1 blue, or 1 red and 2 blue. Consequently, it's a case for each block of binning charges for each colour, then scaling by 1,2 or 3 to derive direct R,G,B values for each block.
In the previous post I did mention that " A few variations in detail were suggested…." Two possibilities below – read photosites in bold, others skipped.
In these cases, the resolution is still based on 3x2 blocks, but in each case the basic read corresponds to a basic Bayer block – 2 green and 1 each red, blue photosites
For the sensor to work at 4K it almost certainly needs to have some kind of conventional CFA arrangement.
Well yes, but for 4k operation we are only talking about reading out basic RAW data, a value for each photosite. For this case I'd expect conventional deBayering to be done in post to maximize the achieved resolution, in which case it doesn't need to be done in real time and all the processing power of a computer is available.
What I'm referring to above is use in 1080 mode. What's the point in building in powerful processing to do that deBayer, when a far simpler method (direct read) can achieve 1080 far more simply?
Looking at the noise figures, sensitivity and latitude differences between the FS100 and FS700 I think it's pretty safe to say the sensors are different.
Hah, I was deliberately only talking about the FS700….. which is known to be 4k capable, and you yourself have said has a quad-HD sensor! But since you brought up the subject of the FS100……. :-)
Sorry, I'm becoming even more convinced they share the same (quad-HD) sensor. That said, then it's highly likely that the exact form of processing differs slightly between them – hence the differences, in spite of the fact that certain key attributes are identical. As one suggestion, maybe one makes full use of the 3x2 blocks (reading all 6 photosites), maybe the other reads 2x2 blocks and then skips columns? Such as that would certainly mean a differing in sensitivity and latitude - whilst keeping broadly the same resolution characteristics.
Something like that may also explain artifacting Adam Wilt noted in his review of the FS100 - note particularly the "this only seems to be an issue on vertical or nearly-vertical edges" - the effect of column-skipping, maybe?:
Normally, the false-color artifacts are about a pixel or two wide or high (the minimum size visible using 4:2:0 recording), and fairly unnoticeable. However, a slow pan or tilt can cause affected details to twinkle or flicker between two colors (bouncing between a pale yellow-green and a pale magenta, for example); the flickering may call attention to what would otherwise be an insignificant artifact. Red/cyan false-color artifacts may also appear, though this only seems to be an issue on vertical or nearly-vertical edges.
Sony have already stated the pixel counts as 3.43 MP and 8.3 MP respectively. The FS100 is clearly bayer, the FS700 maybe not, yet both cameras exhibit remarkably similar H resolution. I still think this is a processing quirk.
It's my recollection that when the F3 came out a statement said that it was 3.4 megapixel Bayer, yes. (I'm not in any doubt about that.) But when the FS100 came out, the references went away for quite a while. I seem to remember asking someone at the time directly "do the F3 and FS100 share the same sensor?" The answer came back something like "they certainly both have an s35 sensor, yes".
And from that, yes, I too then assumed it was logical they shared the same sensor. Regarding the FS700 (and in my view, the 100 as well) then if not Bayer, what? AFAIK, Sony have three basic architectures – Bayer, ClearVid, and Q67. It's not going to be ClearVid – that's optimized for small consumer sensors, squeezing the last ounce of sensitivity at the expense of colour resolution. And Q67s fundamental point is that there is one unique green photosite to every output pixel, so twice as many photosites in total as output pixels. If it is intended for 4k use, and is Q67, it follows it would have to be 2x3840x2160= about 16.5 megapixel. It's not, it's about half that and hence I'd say is pretty certain to be Bayer.
Still don't buy 3X2 readout. The colour aliasing would also be highly asymmetric skipping pixels like and the zone plates would show that up very clearly. That and it just doesn't make any sense to deliberately end up with asymmetric resolution and lower sensitivity just by skipping pixels. Clearly the FS700 sensor can be read fast enough to not need to pixel skip at normal speeds, otherwise it wouldn't be able to work at 4k.
The published pixel counts for the FS100 and FS700 are in any of the technical references for the cameras.
FS100 IS 3.3MP and FS700 IS 8.3MP in HD (which is quad HD). Sony have also very clearly stated that the sensor used in the FS700 is a new sensor. Sony have also publicly stated that the F3 and FS100 use the same sensor and the published specs are the same for both. I have no reason to believe Sony are lying or have any reason to try to mislead us. I'm more inclined to believe Sony's published figures than conjecture based on an anomaly that can't be explained by zone plates alone.
Sony : NEX-FS100E (NEXFS100E) : Technical Specifications : United Kingdom
There is no reason why clearvid or a variation of clearvid can't be used on a large sensor. It would bring exactly the same benefits and colour resolution is little different to traditional bayer. It could simply bayer rotated through 45 degrees. It could be Q67 if pixels refers to binned photo sites (although I doubt it). The one thing I have never seen published by Sony is that the sensors are Bayer.
Must invest in a decent zone plate chart.
Still don't buy 3X2 readout. The colour aliasing would also be highly asymmetric skipping pixels like and the zone plates would show that up very clearly.
Any colour aliasing will only be visible at high spatial frequencies, of the order of the photosite spacing - hence over 2000lpph. Any zone plates I've seen don't really go up that far. For frequencies of even 1000lpph the lines will spread over several photosites - so tend to even out as white/grey/black.
That and it just doesn't make any sense to deliberately end up with asymmetric resolution and lower sensitivity just by skipping pixels.
I look at that point the opposite way - it doesn't seem to make sense for the resolution to be asymmetric, period! But it is - that is what's measured - so why? 3x2 readout of quad-HD (or something based on 3x2) is the only explanation I've heard that remotely makes sense. At least, it complies with measurements, even if not answering why they chose to do it.
Clearly the FS700 sensor can be read fast enough to not need to pixel skip at normal speeds, otherwise it wouldn't be able to work at 4k.
Yes, at least for reading and straightforward RAW output. But what if the bottleneck is elsewhere, in the chip processing maybe? Conceivably, it's designed first and foremost for 4k RAW, the 1080 abilities are secondary. And even with direct-read it may be difficult to fully process at 60p.
Odd things happened about 18 months ago. My memories are that initially figures were released for the F3, then withdrawn with Sony no longer commenting publicly at all for quite a long time. It's what I remember personally, and I've just found a reference from the time to back this up: http://www.dvinfo.net/forum/sony-xdc...ml#post1615837
Originally Posted by Carlos Molina
Interestingly, the two lines about sensor 'effective' resolution, and camera measured resolution have been deleted from the last version of the brochure.
These two lines don't appear any more:
Effective Sensor Resolution (HxV): Approx. 3,36 Mega Pixels
Horizontal Resolution (1920x1080/59.94i) 1000 TV lines or more
link to the old version of the brochure:
http://www.cameradepartment.tv/files...ads/PMW-F3.pdf
link to the more recent version of the brochure:
http://www.matrixvideo.ca/pdf_folder...3-BROCHURE.pdf
My recollection is that the public withdrawal of F3 specs coincided roughly with the time the FS100 started to be talked about.......
I have no reason to believe Sony are lying or have any reason to try to mislead us.
"Lying" implies both giving inaccurate information, and giving it deliberately. It's quite possible to give inaccurate information by mistake. As example, I was recently at my local garage and whilst waiting for paperwork the conversation with the salesman turned to future technology. He told me that his companies plans for next-gen cars were for them to be powered solely by water - he'd been to a presentation about it. When I expressed doubt, he took me over to a wall display to prove it - it turned out that he'd confused powered by HYDROGEN and producing water as a by product, with powered by water. Salespeople aren't always very good on technical matters.
There is also an obvious reason why Sony may have tried to be reticent about details of specs round this time - at least if you believe what I say about the FS100/F3 sensors differing.
*IF* the FS100 does have a quad-HD sensor, and *IF* they had volunteered full information about it early on , it would obviously have led to conjecture about a future 4k capable camera - exactly as happened after the C300 was announced. But the C500 wasn't far away at C300 launch, the FS700 was still a long way off at FS100 launch (and 4k ability even further away).
If you accept that, is it at all surprising that Sony would be coy about wanting to discuss FS100 sensor details? And since "does the FS100 have the F3 sensor?" then becomes the obvious question, then withdrawing F3 information makes sense. Better to say nothing than half a story. Don't forget they come from dfferent factories. It's easy to see a scenario where the F3 is launched with relevant details, the other factory sees the problems ahead and then asks for the F3 details to be publicised as little as possible.
There is no reason why clearvid or a variation of clearvid can't be used on a large sensor. It would bring exactly the same benefits and colour resolution is little different to traditional bayer.
In a block of 16 photosites, ClearVid has 12 green and two each red and blue (for Bayer the figures are 8,4,4) - it follows that the sensitivity is a bit better overall, but the colour resolution suffers considerably. For very small sensor, for consumer cameras, the compromise make sense. For large sensors for professional use it doesn't - the big sensors are easily sensitive enough anyway. ClearVid doesn't give colour resolution even up to 4:2:0
It could be Q67 if pixels refers to binned photo sites (although I doubt it).
The whole point about Q67 is that the number of green photosites equals the number of desired output pixels, and there are as many again red/blue in total. If the FS700 has about 8 megapixels, it's not Q67. It would have to have 16 megapixels, that's inherent to Q67.
What's becoming clear to me is that as cameras get better, to make sense of what's going on it's what's happening out of band that is becoming of interest. It used to be fine for a chart to register up to 1200lpph - it's becoming far more important to see what's happning in the 1000-2000 lpph range.
Of course, you can just half fill the frame with a 1200 lpp chart, I suppose...... :-)
Don't know why Sony published the sensor pixel counts, then withdrew them and now have them published again, but they did publish them, they are published again and they do tell us that the F3 and FS100 have the same 3.36 MP counts and the FS700 is 8.3 MP. I doubt the published figures are a mistake or error, they have been around for long enough for someone to have noticed by now. I suspect the FS100 sensor details were withdrawn simply to protect F3 sales. Why buy an F3 when you can get a camera with the same sensor for less money, I don't think it's any more sinister than that. The fact is the figures were/are published and I don't believe anyone is trying to mislead us either deliberately or otherwise. The one thing being overlooked is the massive amount of unused pixels on the FS700, an 11.6 MP sensor seems excessive and far more than the normal extra pixels used for black level and noise sampling. What else was this sensor designed for, is it a very big sensor for something else with just a central window used for video or does the camera use the full hight and width of the sensor and then pixel skip down to 8.3 MP?
I suspect the FS100 sensor details were withdrawn simply to protect F3 sales. Why buy an F3 when you can get a camera with the same sensor for less money, I don't think it's any more sinister than that.
To clarify, it was the F3 figures that were withdrawn – not the FS100. My memory is that no official statement was made about the FS100 at all around this time. I actually asked "will it be the same sensor as the F3?" and didn't get a definitive reply. Because it was also s35, it was generally ASSUMED to share the s35 sensor of the F3. Since then, there was a lot of evidence to backup the initial reports about the F3 (3.4 megapixel) so the assumption that the FS100 was 3.4 mp rolled initially from that.
I certainly don't think there was anything "sinister" intended, nor do I believe there was ever any intention whatsoever to deceive. Not saying anything is not "deceiving" – you can't be described as misleading if you say nothing. The unfortunate matter may have been the F3 people initially giving specs of their camera (they had no reason not to) – by the time the FS100 team realized what was likely to happen, it became difficult to withdraw what had already been said. Subsequently, it's not beyond the realms of possibility that more junior people at Sony were misled themselves by the popular assumption!
The one thing being overlooked is the massive amount of unused pixels on the FS700, an 11.6 MP sensor seems excessive and far more than the normal extra pixels used for black level and noise sampling. What else was this sensor designed for, is it a very big sensor for something else with just a central window used for video or does the camera use the full height and width of the sensor and then pixel skip down to 8.3 MP?
Yes, good point. I had been thinking it was for a stills mode, that they were doing something similar to the GH2 in terms of area and aspect ratio – making most use of lens coverage area. Hence, for 4:3 stills use, the 4:3 coverage is more vertically than 16:9, less horizontally – it's not just a 4:3 crop of the 16:9 area.
But looking at numbers I don't think that works out. The brochure also states:
Total pixels approx. 11.6M
Effective pixels in movie shooting (16:9) approx. 8.3M
Effective pixels in still picture shooting (16:9) approx. 8.4M (3:2) approx. 7.1M
There is one other possibility. Whatever the truth about the FS100, I'm pretty sure the FS700 is 3840x2160 active photosites in 16:9 mode. That agrees both with the 8.3Mp quoted above, and what I previously said about the way the 240fps mode is read. (Reading out a 2x2 block out of a 4x4 block.)
But what if the total area of the chip had a 2.35:1 aspect area? (The FS700 just cropping the central 16:9.) If we assume 2160 vertically, that would make 5076 horizontally, and a total of 10,964,160 photosites altogether for active area? Add on the extra for black level and noise sampling, and that matches 11.6M pretty closely.
Alister, on a completely different subject, are you thinking of leading any excursions to try to see the Northern lights this coming winter - I know you did last winter?
However you do the math for the 11.6 MP of the FS700 it doesn't really appear to make a great deal of sense. 2.35:1 is an interesting thought, but what lenses would you use? You couldn't use PL glass it would be too wide, so you would have to use full frame DSLR lenses. Who would really want a 2.35:1 video camera that can't use PL glass?
I'm a northern lights expedition trip late December and the 2 in Feb 2013: Northern lights Expeditions to Norway. | XDCAM-USER.COM
2.35:1 is an interesting thought, but what lenses would you use? You couldn't use PL glass it would be too wide, so you would have to use full frame DSLR lenses. Who would really want a 2.35:1 video camera that can't use PL glass?
Fully agreed - the lens aspect had occurred to me as well. As for not many wanting it, I'm not so sure. If true it would give Sony the chance to bring out an "FS800" without too much extra development cost which could do all the FS700 does - and an extra big USP as well. That would include regular 4k (quad-HD and 4096x2160) with PL glass - and 5076x2160 with full frame glass.
Maybe we'll see 4k 2.35:1 monitors aimed at the consumer before too long? And that will drive the market for cameras to produce content.....? It's pure speculation, yes, but I can't think of a better explanation for the "why 11.6 MP?" question you pose. 2.35:1 would tie in very well with the numbers.
Thanks! The dates may be a little early, though the point about moon phases I was already aware of. I need to check a few things!
August 5th, 2012, 08:10 AM #29
Originally Posted by David Heath
Alister - you should have a reply from me via your website contact form.
You are here: DV Info Net > Sony XAVC / XDCAM / NXCAM / AVCHD / HDV / DV Camera Systems > Sony Digital Cinema Camera Systems > Sony NXCAM NEX-FS700 CineAlta
« Solution to salvage flickering footage at high fps | New Posts | Thoughts on rigs/rods/stabilization? »


Characterised by very modern, simple form and extraordinary design, the Carina bathroom series is idea to complement and extend your bathroom concept. It is available with a full or semi pedestal.
To order, call us on (01) 840 4458 or drop into our showroom, located at Unit H6, Swords Enterprise Park, Co. Dublin.


Here are links to my TIFF coverage from earlier this year, plus some reviews of films I saw in Toronto but pitched as NYFF reviews.
Here's a piece I wrote back in June on the super-smash team of Phil Lord and Christopher Miller, whose satiric chops are overstated but who are nonetheless making some of the most enjoyable films around as of late. Read my full piece at Movie Mezzanine.
I had some reservations about aspects of Gina Prince-Bythewood's critique of celebrity itself, but overall Beyond the Lights is a gorgeous, well-acted romance and, very often, a devastating and necessary critique of the ouroboric nature of the modern fame machine that eschews the self-pity that weighs down male works on this subject even as it finds far more fertile ground for outrage in the general treatment of famous women.