text:
Model trains 1 32 1.2
Metropolis train table & set kidkraft espresso trundle
Model railway layouts to visit 04,model train layout generator myspace,echo g scale track templates,new york city hudson train - .
If you are thinking about building a model train set up, then looking at some model train layouts is probably one of the best things that you can do to get ideas and inspiration.
If you would like to be able to create high quality and professional looking model train layouts such as the ones above, then our best recommendation for learning the skills to be able to do this, is to find a high-quality model railway layout building guide. If you are interested in following this up, the guide that we recommend as the best resource for learning the specific skills and special tips when it comes to building your own model railway layouts, is known as model train help. If you would like to find out more about this high-quality guide, then simply click here to go to the main webpage.
Model railroad layouts can vary from extremely complicated designs, all the way down to simple garage based mini model sets. The new and improved model train help step-by-step guide, will show you many expert model train set and model layout building tips, which you will find very difficult to access anywhere else, unless you are willing to scour the Internet for several days or maybe even weeks. An example of the high-quality material that this guide can help you with, is in the area of building tunnels for your model train set. If you want to find out more about this fantastic guide, and get all the step-by-step instructions, and special tips, then simply click here to find out more. In 1901, Frank Hornby applied for and received a patent for his Meccano construction toy idea.
Manufacturing was moved to Guangdong province in China in 1995 to cut costs and improve quality because of competition from Dapol, Lima and Bachmann Industries. Bachmann Brothers was founded in Philadelphia, Pennsylvania, USA it is now owned by a Chinese company called the Kader Group.
In 2001, Graham Farish was absorbed by Bachmann who were originally an American company, are now owned by Kader Industries of Hong Kong, China. For that reason, we have included several great, and professional looking model train layouts below. There are many of these now online, which can teach you not only the specifics of how to create high quality and professional looking scenery, but also on the correct concepts of planning and building a professional looking layout. When choosing a model railroad layout that is correct for you, it is a good idea to find someone who has already had a good amount of experience with building good quality model train layouts.
This is a very specific and detailed guide includes many special tips and tricks which you can use to build your model railway environment.
Even just this one piece of constructing a high-quality model railroad layout can be very troublesome, if you do not know what you are doing, which tools to use, and which materials work best. They span from early steam engines of the Victorian times to the modern high speed intercity express locomotives. He formed the Meccano Ltd company based in Liverpool to produce his soon to be successful new product. They lead to the adoption of 00 gauge as a broadly accepted modeling standard in Britain, whereas much of the rest of the world had adopted HO gauge. The former Hornby line was discontinued in favour of Tri-ang's less costly plastic designs. Hornby tried to become more profitable by producing licensed train sets to increase its appeal to a younger customer.
This manufacturing company has been around since 1833 but it was only in 1966 with the sudden popularity of N scale model railroading in the USA that Bachmann entered the Model railway market.
To cut production costs Bachmann immediately closed the Poole facility and moved production to China. Look at the attention to detail, and how the general flow of the model train layout works well and integrates. Robert Anderson, the author, has built tons of different railway layouts over the last 30 or 40 years, and definitely knows his stuff.
The model train help guide was written by an avid hobbyists of model railroading, Robert Anderson. This is just one of the myriad of subjects that is covered in detail in the model train help guide. Hornby is the main company specialising in British model railways but others like Lima Marklin Peco Mainline Roco Graham Fraish and Bachmann are available. He then used his surname Hornby to as a trading name to launch a line of clockwork O gauge trains in 1920. The railway sets based on Thomas the Tank Engine and Friends and Harry Potter's Hogwarts Express have been particularly profitable ventures.
In 1968 Bachmann launched its N gauge products and in 1970 it entered the HO scale toy train market.
As demand decreased after the end of the war they decided to enter the model railway business. Bachmann improved the model range robustness by redesigning them as they reintroducing the entire range. This is a tell-tale sign of a model train layout that has been built by a professional, or a so-called expert.
This guide will teach you the overall planning which you should have in place when you are building your own model train layout, and it will also teach you the very specific details on what is needed to build high-quality and professional looking things such as scenery, trees and hills.
There are a large variety of excellent resources available for someone who is looking to design their own model railroad layouts. The guide in simplistic terms, is one of the greatest shortcuts you can find to building a successful and high-quality layout, without having to go through all the trouble, when you run into inevitable problems. On top of that, Robert does not only just go into the finer details of is constructing certain parts of your model layout, but he also gives you detailed instructions on the best way of planning your overall layout, so that you can end up with a model railroad set that you can truly be proud of, and that matches your ideal vision of what you originally wanted to create. Hornby was slow to realise the potential of plastic unlike some of its competitors who could produce cheaper but still good quality products like Triang-Rovex.
Hornby decided to acquire it's competitor Lima, an Italian model railway equipment manufacturer that had previously acquired Jouef, a French manufacturer. They started to sell British OO gauge railway layout track, wagons and other supporting items. If you want to hear our recommendation as to what we think is the fastest and most effective way to build a professional looking model train railroad layout, then continue reading below the images. Probably one of the best ways to get these top resources and special tips for building a model railroad is to find a high-quality model railroad building guide.
The former Tri-ang Hornby was sold to Dunbee-Combex-Marx, becoming Hornby Railways in 1972. Originally the OO railway locomotives were powered by an 2 pole DC electric motor which was an unconventional choice. British made Graham Farish models is sought more by model railway collectors because it is 'older' and 'British'.
There are quite a few of these guides available, although many of them are pretty inadequate in terms of getting any good information. By 1976 Hornby was facing challenges from Palitoy and Airfix, both of which were producing high quality detailed models.
In 2007 Bachmann purchased the Williams Electric Trains company, which has allowed the company to expand into the O scale market.
The company suffered at first from faults with some of its models due to its uses of impure mazac which is an alloy of Magnesium, Aluminum, Zinc and Copper similar to Zamak. New model railway enthusiast generally prefer the more robust and detailed Chinese-built models.
Detail on the models was upgraded to make the product line more attractive to adult hobbyists. This acquisition also included the Rivarossi line of HO-scale products, also originally from Italy, and the Arnold brand of N-scale products.
Because of dwindling interest in model railroading, the Brothers decided, in 1981, to sell to their manufacturer, the Chinese Kader Group. The way to tell these two types apart is that UK built models have a yellow sticker on the ends of the box and models built in China have a white sticker on the end.
By 1980 the market was extremely tough and Dunbee-Combex-Marx was liquidated, placing Hornby in receivership. In November 2006, Hornby Hobbies acquired Airfix and Humbrol paints for the sum of ?2.6 million. The company name was changed to Bachmann Industries and the new owners started to expand the brand worldwide.
In 1980 Hornby became Hornby Hobbies and in 1981 a management buyout saw the company back on a sound footing. It is also part of the strategy to take over other failing companies in Europe and put them under one single name for example the British model railway company Graham Farish. In May 2008, Hornby announced the acquisition of Corgi Classics Limited, one of the world's oldest makers of collectable die-cast models of trucks, buses, cars and airplanes.
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G gauge train track width measurement. © All rights reserved 2015.


Removed a reply by audriaircanartenh5332 in Refill internet on Postpaid with Internet Boosters & Special Packs.
Changed reply in topic of Auto retweeting of rss feed by Justin to Yes, pluggio does that. Any paid plan should do it. Thanks!.
Changed reply in topic of what's going on over there? by Justin to Yes, apologies for that. The email is not bogus. The support ticket should now have been answered.

Thanks,
Justin.


text:
Shackling Pregnant Women Poses Risks to Mother and Fetus
December 29, 2015 December 29, 2015 Administrator
Image source: Flickr user Crawford Learmonth on Flickr, under Creative Commons
By Danielle Dallaire, PhD (Associate Professor in the Department of Psychology at the College of William and Mary) and Rebecca Shlafer, PhD (Assistant Professor in the Department of Pediatrics (Division of General Pediatrics and Adolescent Health) at the University of Minnesota)
Since 1990, the number of women incarcerated in the United States has more than doubled. Although much has been written about the overall poor health of incarcerated individuals, most of this work has focused on incarcerated men, perhaps understandably, since the overwhelming majority of incarcerated adults are male. Far less is known about the health of incarcerated women, despite high rates of mental health problems, substance abuse, and trauma histories documented in this population. Furthermore, many women involved with the criminal justice system are of reproductive age.
Of the more than 200,000 incarcerated women in U.S. prisons and jails, it is estimated that 6%-10% of those women are pregnant. Although there is a dearth of research data on these women, we do know that, when compared to women in the general population, pregnant prisoners are more likely to have risk factors associated with poor perinatal outcomes, including preterm and small-for-gestational-age infants. These outcomes are likely a result of exposure to a combination of risk factors, including lack of access to or failure to attend prenatal care, substance use, toxic stress, domestic violence, poor nutrition, and sexually transmitted infections. In addition, African American, Native American, and Hispanic women – three groups that are also at highest risk for poor birth outcomes – are disproportionally represented in the prison system.
These risks for poor birth outcomes may be exacerbated by the care and treatment pregnant women receive during their incarcerations, including the dangerous practice of restraint. Despite strong evidence of danger to mother and child, 13 U.S. states allow indiscriminate use of restraints on incarcerated women and adolescent girls during pregnancy, labor, and recovery, even though the vast majority are incarcerated for nonviolent offenses.
Shackling has negative physical and mental health effects on mothers and their infants:
Shackling women and adolescent girls in transport to prenatal care and during labor and delivery can obstruct necessary medical care and, during labor, lead to extreme physical pain and complications because of the mother's inability to move freely.
Shackling increases the likelihood of falls, inability to break a fall, life-threatening embolic complications, and impediments to epidurals, emergency caesarian section, and other interventions, all of which may also affect the fetus.
In one documented case, a woman shackled during labor experienced a hip dislocation that caused permanent deformities and pain, stomach muscle tears, and an umbilical hernia.
Mental health problems exist among incarcerated women in higher rates than the general population; pregnancy and the postpartum period bring increased risk of symptoms of mental health problems, such as depression and post-traumatic stress disorder.
Women subjected to shackling during childbirth report severe mental distress, depression, anguish, and trauma, and use of shackles during or immediately following childbirth can cause or exacerbate pregnancy-related mental health problems.
The presence of shackles after delivery may inhibit or interfere with a mother's ability to bond with and safely handle her infant, to initiate breastfeeding, and may negatively affect the infant's health.
These risks clearly compromise women's health, and also have important implications for the health of their future offspring. We know very little about this population and what happens once they return to their families, making intervention and research with pregnant incarcerated women a priority. This also reflects a pressing need for gender-responsive and trauma-informed policies in the nation's jails and prisons.
APA anticipates legislative action on this issue in the early part of 2016. Please check back or sign-up for our Federal Action Network, to participate in this important public policy advocacy effort.
Danielle Dallaire, PhD is an Associate Professor in the Department of Psychology at the College of William and Mary. She received her PhD in developmental psychology from Temple University. Dr. Dallaire's research examines children's social and emotional development in the context of risk, including research on how children cope with the multifaceted risk of parental incarceration.
Rebecca Shlafer, PhD is an Assistant Professor in the Department of Pediatrics (Division of General Pediatrics and Adolescent Health) at the University of Minnesota. She received her PhD in child psychology from the Institute of Child Development at the University of Minnesota. Her research focuses on understanding the developmental outcomes of children and families with multiple risk factors. She is particularly interested in children with parents in prison, as well as the programs and policies that impact families affected by incarceration. In addition to her academic work, Dr. Shlafer also volunteers as a guardian ad litem.
Copyright 2015 American Psychological Association
Categories: Health and Wellness, Human Rights and Social Justice, Public Policy, Women and GirlsTags: incarceration, public policy, women's health
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redpajama_set_name: RedPajamaCommonCrawl


Good things come in small packages and your home is no exception. Living large in a small space is all about utilizing every bit of space to the maximum. Space-saving solutions for small homes begin with smart storage, a bit of creativity and out-of-the-box thinking thrown in for good measure.
A small space feels safe and comforting. Instead of fighting a small space, embrace it. Furnish your small space with multi-tasking pieces, such as storage benches and ottomans. These can double as extra seating when needed and can be tucked underneath tables to save space. Garden stools serve as convenient extra seating and can double as side tables.
In a tight kitchen, take off top cabinet doors or use shelves in lieu of cabinets to make the space appear more open. Invest in risers and adjustable shelves for lower cabinets to make full use of storage space.
In the bedroom, take off the closet door and hang fabric panels or roman shades instead. Use the same fabric as the windows to keep the look uniform. Without a door on the closet, you gain the space that is left for the open door.
Instead of using a nightstand, build a tall armoire next to the bed that can double as a night table and extra storage for clothing. Wall lamps can be mounted on the side next to the bed for task lighting.
Place the bed on risers to gain more storage space underneath. The extra space can be hidden with a bed skirt.
Consider every space a possibility for additional storage, including the walls. Install shelving and use baskets or other decorative containers for neatly storing items. Turn pieces meant for another purpose into extra storage options, such as a wine rack for a towel holder or magazine rack.
Take a look around your space and assess everything with a new eye. There are space-saving solutions waiting to be discovered.


text:
Deja Vu...all Over Again
American Prospect: Unchastened by the catastrophe of the Iraq war or the setback delivered to the White House and Republicans in the midterm election
By Nicole Belle
American Prospect:
Unchastened by the catastrophe of the Iraq war or the setback delivered to the White House and Republicans in the midterm elections in part as a result of it, Iran hawks have organized new efforts to promote U.S. support for regime change in Tehran.
Among the latest efforts is the creation earlier this month of the Iran Enterprise Institute, a privately funded nonprofit drawing not just its name but inspiration and moral support from leading figures associated with the American Enterprise Institute. The Iran Enterprise Institute is directed by a newly arrived Iranian dissident whose cause has recently been championed by AEI fellow and former Pentagon advisor Richard Perle. Amir Abbas Fakhravar, 31, served time in Iran's notorious Evin prison before arriving in Washington in May, with Perle's help. Fakhravar, who advocates U.S. intervention to promote secular democracy in Iran, now seeks Washington's backing to lead an organization that would unite Iranian student dissidents. Read on...
Iran, Middle East


text:
Russia remembers journalists who lost their lives in line of duty
110 journalists were killed around the world in 2015, including 67 cases in which the deaths were proven to be related with professional activities
People bring flowers at the VGTRK building to pay tribute to journalist Igor Kornelyuk and sound engineer Anton Voloshin who were killed in a mortar attack near the city of Lugansk, eastern Ukraine on June 17, 2014
© Mikhail Metzel/ITAR-TASS
MOSCOW, December 15. /TASS/. December 15 is the day when Russia remembers journalists who lost their lives while performing professional duties. The memorable date was introduced by the Russian Journalists' Union back in 1991.
Remembering journalists killed in conflict zones
On September 1, 1991 a TV crew of the Soviet Union's Central Committee for Television and Radio Broadcasting - special correspondent Viktor Nogin and cameraman Gennady Kurennoi - who at that time were on a foreign assignment covering the civil war in Yugoslavia, left Belgrade for the area of the Serbian-Croat conflict with the task of filming a story for the main evening TV news Vremya. The journalists went missing in an area held by Croatian militias near the town of Kostajnica (currently the Croat city of Hrvatska Kostajnica and Bosnian city of Kostajnica), which at that time lay on the line of disengagement between Serbian and Croat armed units. Nogin and Kurennoi failed to contact either the news desk and or their relatives when expected. The search for them produced no results. Both Yugoslav and Russian officials had been investigating the incident. On May 24, 1994 the former chief of the special commission of Russia's Supreme Soviet, Vladimir Mukusev, told the daily Izvestia in an interview that according to the inquiry's findings the journalists were killed while doing their job. No official announcements the Prosecutor General's Office had terminated the investigation and closed the case were published.
Journalists' Remembrance Day in Russia
On December 11, 1991 the relatives, friends and colleagues of killed journalists gathered for a remembrance ceremony. On all subsequent occasions the ceremony was held on December 15. Many Russian regions on that day arrange special events devoted to media workers killed while on duty. In Moscow, the Central House of Journalists usually hosts the main activities.
According to the Russian Journalists' Union since 1990 more than 360 Russian journalists died a premature and violent death at work. The Glasnost Defense Foundation says that in 1991-2016 more than 260 media workers perished on duty.
The highest profile cases:
Russian journalists killed near Luhansk
The Moskovsky Komsomolets daily's reporter Dmitry Kholodov was killed by a trap mine disguised as a briefcase inside the newspaper's office (Moscow, 1994); the CEO of Russia's Public Television Vladislav Listiev was gunned down at the entrance to his apartment building in central Moscow in 1995; the editor-in-chief of the Sovetskaya Kalmykia Segodnya (Soviet Kalmykia Today) daily Larisa Yudina was killed in Elista, the Republic of Kalmykia, in 1998; the Novaya Gazeta daily's investigative reporter Anna Politkovskaya was killed on the stairway inside an apartment building near her rented apartment; special photographer of the Rossiya Segodnya news agency Andrey Stenin, Channel One's cameraman Anatoly Klyan, and VGTRK TV correspondent Igor Kornelyuk and sound engineer Anton Voloshin were killed in southeastern Ukraine in 2014.
According to the Russian Journalists' Union and the Glasnost Defense Foundation, six TASS staffers have been killed since 1991: Andrey Solovyov (1993), Nadezhda Chuikova and Valery Zufarov (both in 1996), Vadim Biryukov (1997), Vladimir Zbaratsky (1998) and Vladimir Yatsyna (2000).
Journalists' remembrance days around the world
Killing journalists should be classified as war crime — AP president
November 2 is the International Day to End Impunity for Crimes against Journalists, which the UN General Assembly session introduced on December 18, 2013 with the aim to draw the public's attention to the problem of attacks on journalists and media workers.
According to the international organization Reporters without Borders, 110 journalists were killed around the world in 2015, including 67 cases in which the deaths were proven to be related with professional activities. The Committee to Protect Journalists mentions the names of 72 journalists who were killed in the line of duty 2015. In all, 1,216 journalists died by violence around the world since 1992.


No previous experience is required, but only the physically fit should attempt this challenging peak to enjoy an unbeatable view of the city and the surrounding fjord system.
This circular route starts from sea level near the new jail (under construction) to cross the Paradise Valley with its coastline and alpine terrain with clear streams, small waterfalls and lakes to ascent Ukkusissat Kangilequtaat hiking and scrambling on steep terrain to ascent the mountain by a technical (but not extreme) and beautiful route to the top and its unbeaten views of the fiord system that surrounds Nuuk.
From the top, we descent to the lake Qallussuaq following the west summit ridge until we reach the less rugged terrain to descent to the big lake. From there we will follow the trail to Qinngorput (the new Nuuk area) where we will pick up and transfer by car to Nuuk downtown.
What to bring*: Day backpack (40 liters), waterproof jacket and pants, wool socks, base layer (pants and long-sleeved t-shirt (not cotton) fleece or thermic middle layer, an extra and warm but packable jacket for breaks and in case weather conditions turn colder), hat or similar (for example a buff to cover the head and specially the ears), warm gloves, sun cream, sunglasses, mosquito net, mosquito repellent and knife or multitool.
*If you don't have balaclava, warm gloves we have some extra for you.
Transfer from the tourist office and return.
Physical conditions: You should be in very good physical and mental condition and be physically active on a regular basis (2-4 hours per week).
Previous experience: The participant has to be familiar on hiking 15 km. per day on non-marked trails and mountain terrain carrying their personal equipment, and be able to scramble on a steep but not vertical terrain (over 600 meters of elevation gained).
Please inform in advance if have any illness, lesion or problem that can condition the development of the activity.
As typically outdoor activity, the schedule, its duration and the itinerary (including breaks) can be shortened or changed on the way because of the weather, terrain conditions or group skills, etc. It relies solely on the guide, who decides how the excursion gets through in terms of safety and comfort.
Nuuk Adventure reserves the right to cancel the activity before the departure in case of bad weather and in any situation beyond the control of Nuuk Adventure that will prohibit the execution of the excursion in a safe manner. It is respectively the captain of the boat and the certified hiking guide who decides if the weather permits the execution of the excursion or not.
All adventure trips are undertaken on the responsibility of its participants. Nuuk Adventure does not assume any responsibility for accidents which are caused by its customers or can be traced to their own actions. Participants must sign a waiver before undertaking all trips stating that they realize that all outdoor activities carry an inherent risk.


This is the fourth successive year that we have been able to take advantage of the Gloucestershire County's Safeguarding Boards funding of this theatre workshop as part of our Year 8 PSHE programme. The play, delivered by Alter Ego Theatre Workshop, enacts the true story of Chelsea, a fifteen year old girl who, through her vulnerability, is groomed and sexually abused.
Whilst the play focusses on a teenage girl, the subsequent Q&A session encourages students to understand that boys too can be vulnerable and that, sadly, it can happen to anyone.
The story is told through a GCSE Drama production. As the story unfolds, between the acting of the scenes, the "students" discuss the issues with their Drama tecaher. The message is hard hitting whilst the pace and acting engaging and entertaining.
We hope this will provide a useful opportunity for parents and tutors to engage in further discussion about these issues of internet safety, grooming and child sexual exploitation. By encouraging open discussion we will hopefully help to keep our young people safe from these dangers.
If you would like any further details about these matters or have any concerns you wish to discuss please contact me on slj@strs.org.uk.


text:
Diabrotica olivacea is een keversoort uit de familie bladkevers (Chrysomelidae). De wetenschappelijke naam van de soort werd in 1882 gepubliceerd door Martin Jacoby.

olivacea

redpajama_set_name: RedPajamaWikipedia


Chicago: "Jazz Decades," 04/17/1986, WGBH Media Library & Archives, accessed April 20, 2019, http://openvault.wgbh.org/catalog/A_4FBFC56582DE420AB82B0E00F74107E8.
MLA: "Jazz Decades." 04/17/1986. WGBH Media Library & Archives. Web. April 20, 2019. <http://openvault.wgbh.org/catalog/A_4FBFC56582DE420AB82B0E00F74107E8>.


text:
"""Views for events application."""

from django.views import generic
from django.utils.timezone import now
from django_filters.views import FilterView
from utils.mixins import RedirectToCosmeticURLMixin
from events.models import (
    Event,
    Location,
)
from events.filters import UpcomingEventFilter, PastEventFilter
from events.utils import create_filter_helper, organise_schedule_data

class HomeView(generic.TemplateView):
    """View for event homepage."""

    template_name = 'events/home.html'

    def get_context_data(self, **kwargs):
        """Provide the context data for the event homepage view.

        Returns:
            Dictionary of context data.
        """
        context = super().get_context_data(**kwargs)
        future_events = Event.objects.filter(published=True).filter(end__gte=now()).order_by('start').prefetch_related(
            'organisers',
            'locations',
            'sponsors',
        ).select_related(
            'series',
        )
        raw_map_locations = {}
        for event in future_events:
            for location in event.locations.all():
                key = location.pk
                if location.pk not in raw_map_locations:
                    # Create basic location information
                    raw_map_locations[key] = {
                        'coords': {'lat': location.coords.y, 'lng': location.coords.x},
                        'title': location.name,
                        'text': '
{}
'.format(location.name),
                    }
                raw_map_locations[key]['text'] += '
{:%-d %b %Y} - {}
'.format(
                    event.get_absolute_url(),
                    event.start,
                    event.name
                )
        context['raw_map_locations'] = list(raw_map_locations.values())
        return context

class EventUpcomingView(FilterView):
    """View for listing upcoming events."""

    # TODO: Add pagination
    filterset_class = UpcomingEventFilter
    context_object_name = 'events'
    template_name = 'events/upcoming_events.html'

    def get_context_data(self, **kwargs):
        """Provide the context data for the upcoming events view.

        Returns:
            Dictionary of context data.
        """
        context = super().get_context_data(**kwargs)
        context['filter_formatter'] = create_filter_helper("events:upcoming")
        return context

class EventPastView(FilterView):
    """View for listing past events."""

    # TODO: Add pagination
    filterset_class = PastEventFilter
    context_object_name = 'events'
    template_name = 'events/past_events.html'

    def get_context_data(self, **kwargs):
        """Provide the context data for the past events view.

        Returns:
            Dictionary of context data.
        """
        context = super().get_context_data(**kwargs)
        context['filter_formatter'] = create_filter_helper("events:past")
        return context

class EventDetailView(RedirectToCosmeticURLMixin, generic.DetailView):
    """View for a specific event."""

    model = Event
    context_object_name = 'event'

    def get_queryset(self):
        """Only show published events.

        Returns:
            Events filtered by published boolean.
        """
        return Event.objects.filter(published=True).prefetch_related('locations')

    def get_context_data(self, **kwargs):
        """Provide the context data for the event view.

        Returns:
            Dictionary of context data.
        """
        context = super().get_context_data(**kwargs)
        context['sponsors'] = self.object.sponsors.all()
        context['organisers'] = self.object.organisers.all()
        context['schedule'] = organise_schedule_data(
            self.object.sessions.all().prefetch_related('locations')
        )
        context['locations'] = self.object.locations.all()
        return context

class LocationDetailView(RedirectToCosmeticURLMixin, generic.DetailView):
    """View for a specific location."""

    model = Location
    context_object_name = 'location'

redpajama_set_name: RedPajamaGithub


text:
Coma Witch is the seventh studio album by American metalcore band The Acacia Strain. It was released on October 14, 2014, through Rise Records. It is the band's first album to feature new guitarists Devin Shidaker and Richard Gomez, and the first album to not feature original guitarist Daniel "DL" Laskiewicz due to his departure from the band in May 2013. It is also the band's final album to feature bassist Jack Strong prior to his departure in May 2015.

History
On May 20, 2013, it was announced that original and longtime guitarist Daniel "DL" Laskiewicz would be departing the band. He was replaced by guitarists Devin Shidaker (ex-Oceano) and Richard Gomez (ex-Molotov Solution).

On January 13, 2014, the band announced they would begin recording their upcoming album in March, which would be produced by Will Putney from Fit for an Autopsy. The band completed recording the album on April 17.

On August 12, the band revealed the upcoming title of the album to be Coma Witch, which is set for release on October 14. The band also released the music video for the first single of the album, "Cauterizer".

Track list

Personnel

The Acacia Strain
Vincent Bennett – lead vocals
Devin Shidaker – lead guitar, programming, backing vocals
Richard Gomez – rhythm guitar
Jack Strong – bass
Kevin Boutot – drums

Production
Produced, Mixed & mastered by Will Putney
Engineered by Will Putney, Randy Leboeuf & Tom Smith, Jr
Editors: Randy Leboeuf & Tom Smith Jr.
Additional artists: Sven Avernus & Abra Bigham

References

2014 albums
The Acacia Strain albums
Rise Records albums
Albums produced by Will Putney


text:
GingerSnaps Blog
Connecting businesses to opportunity on a massive scale
Node mines the vast frontier of the internet to facilitate deeper and wider-reaching connections between businesses and people. The company's proprietary Artificial Intuition platform makes large-scale linkages to identify total market opportunity and deliver data-driven insights to maximize leads, revenues, and new business for its clients.
Node was founded in 2015 by Falon Fatemi, a business development consultant in Silicon Valley who started her career with a six-year stint at Google, where at the age of 19 she was hired as its youngest employee. Node works with fast-growth startups and has generated more than $100 million in revenues for its clients to date.
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Falon Fatemi, Founder & CEO
Artificial Intuition Wants to Guide Business Decisions. Can It Improve on 'Going With Your Gut'?
AI as a service, democratising AI, seeing into the future, and Artificial Intuition
A founder who raised $23 million for her startup and convinced Mark Cuban to invest always takes the same 2 steps after a pitch goes wrong
4 Ways AI Is Transforming Sales Organizations: Falon Fatemi
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LAUNCHING A STRATEGIC MISSIONAL PARTNERSHIP BETWEEN PARK PLACE BAPTIST CHURCH, PEARL, MISSISSIPPI, AND NUEVO PACTO BAPTIST CHURCH, TEGUCIGALPA, HONDURAS Chad Timothy Hunsberger, D.Min. The Southern Baptist Theological Seminary, 2013 Dr. Jeffrey Walters Chapter 1 is an introduction to the project. It contains general information about Park Place Baptist Church and the rationale behind the creation of the project itself. It also includes the ministry context and demographic information for Rankin County as well as the goals of the project. Chapter 2 gives a biblical basis for the project. There are four choice passages found within this chapter including, Matthew 28:19-20, Luke 5:1-11, 2 Timothy 2:2, and Philippians 4:14-20. Chapter 3 provides a thorough explanation of the concept of short-term mission trips. The intent is to provide evidence as to whether or not short-term mission trips are beneficial to those hosting teams. Chapter 4 contains the details of the project and the meetings, travel, and training therein. The launching of this partnership included several training meetings in Mississippi as well as in Honduras. These training meetings provided opportunities for the missions team and the leadership of Nuevo Pacto to study the significance, biblical importance, and practical application of such a partnership. Chapter 5 evaluates the effects of the project and its outcomes. It gives explanation toward the responses of both congregations as well as the leadership teams from each.


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Michigan nursing home workers win statewide seat with new Council for Industry Change
Move a big step forward to improve care for Michigan's rapidly aging population and to advance racial and gender justice
Following years of organizing and workers raising the alarm about the growing crisis in the nursing home industry, Michigan Governor Gretchen Whitmer issued an executive order establishing the Nursing Home Workforce Stabilization Council, a table bringing workers, employers, and government officials together to address long-standing problems, collaborate on solutions and lay the groundwork for a sustainable, equitable nursing home industry.
The council is an innovative approach to ensure workers have a meaningful voice in decisions about how to raise wages and standards industry-wide.
Michigan's nursing home workers, who are majority women, many women of color, applauded the move as a big step forward to improve care for Michigan's rapidly aging population and to advance racial and gender justice.
"Over the last nineteen months, our demands to be respected, protected and paid fairly have only become more urgent, which is why I'm thrilled that Governor Whitmer has answered our calls by bringing workers and industry together to collaborate on solutions to the issues that impact both our workforce and our residents. Together, on equal footing, the members of the Nursing Home Workforce Stabilization Council have a real opportunity to enact long-term, meaningful change within the industry," said Mary McClendon, a Detroit nursing home worker of over 37 years and SEIU Healthcare Michigan member.
This comes on the heels of another victory last month in Detroit where essential workers fought to pass an ordinance establishing Industry Standards Boards so Detroit workers have a seat at the table and a say in the conditions of their work.
Read news coverage here, find out more from SEIU Healthcare Michigan and Gov. Whitmer
McDonald's workers in 16 cities strike for $15 minimum wage the day before company's annual shareholder's meeting
Bernie Sanders and Alexandria Ocasio-Cortez join strikers virtually to offer support
Ohio Mom, Union Leader Shares Story of Stability
Hear Beverly talk about building her life from grief, drugs and abuse to stability for herself and her two daughters
10 Steps to Preventing Coronavirus (or COVID-19)
Here are 10 steps you can take to help prevent the spread of COVID-19.
1800 Massachusetts Ave NW Washington, DC 20036
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text:
Harold Pinter, né le  et mort le  à Londres, est un écrivain, dramaturge, scénariste et metteur en scène  britannique. Il a écrit pour le théâtre, la radio, la télévision et pour le cinéma. Il a reçu le prix Nobel de littérature en 2005.

Biographie

Jeunesse
Harold Pinter naît dans une famille juive du faubourg populaire de Hackney à Londres. Il s'y familiarise avec la langue populaire et le cockney qu'il mettra plus tard à l'honneur dans ses pièces. Son père était tailleur pour dames. Durant sa jeunesse, l'auteur a été confronté au chômage, à la misère, au racisme et à l'antisémitisme qui sévissaient au Royaume-Uni à l'aube de la Seconde Guerre mondiale. Selon ses dires, ce contexte troublé a largement nourri sa vocation future. Durant la Seconde Guerre mondiale, il quitte la capitale britannique à 9 ans et y revient trois ans plus tard. Il reconnaît plus tard que .

De retour à Londres, il entre à la Hackney Downs Grammar School où il s'illustre notamment dans les rôles de Macbeth et de Roméo mis en scène par Joseph Brearly. Il intègre ensuite brièvement la Royal Academy of Dramatic Art en 1948 et publie, deux ans plus tard, ses premiers poèmes.

En 1949, il est objecteur de conscience au service militaire. Il s'acquitte d'une amende pour éviter un procès et la prison.

Carrière
En 1951, Pinter est admis à l'École centrale des arts de la scène. La même année, il est engagé dans la troupe théâtrale ambulante irlandaise d'Anew McMaster spécialisée dans Shakespeare.

Entre 1954 et 1957, il entame une tournée en tant que comédien sous le nom David Baron. Sa première pièce, The Room (La Chambre) est interprétée en 1957 par les étudiants de l'université de Bristol. Il dit être entré en dramaturgie , étant issu de la classe ouvrière.

The Birthday Party (L'Anniversaire, 1958) n'intéresse pas le grand public, malgré une bonne critique publiée dans le Sunday Times. Mais à la suite du grand succès rencontré par The Caretaker (Le Gardien) en 1960, huis clos à trois personnages (un clochard, un fou échappé d'un asile et son frère), la pièce est rejouée et reçoit cette fois-ci un accueil triomphal. Entre-temps, Pinter écrit plusieurs pièces radiophoniques qui obtiennent un certain succès. Les œuvres de cette période, telles que The Homecoming (Le Retour) en 1964, sont parfois étiquetées comme mettant en scène une « comédie de la menace ». Avec une intrigue réduite au minimum, elles prennent souvent comme point de départ une situation en apparence anodine mais qui devient rapidement menaçante et absurde par le biais des acteurs dont les actions semblent inexplicables aux yeux du public et des autres personnages de la pièce. L'auteur est alors rapproché de la génération des Jeunes gens en colère, comme ses collègues John Osborne, Arnold Wesker et Edward Bond. L'œuvre de Pinter est marquée, dès le début, par l'influence du théâtre de l'absurde et de Samuel Beckett. Par la suite, les deux hommes deviennent amis.

Pinter a également publié plusieurs poèmes. On peut parler, dans sa production, d'une première phase consacrée à l'absurde (les « comédies de la menace ») et d'une seconde qualifiée de « réalisme psychologique » ou de « néo-naturalisme » dans la lignée des « drames de cuisine » de Wesker. Elles sont suivies d'une période plus lyrique avec Landscape (1967) et Silence (1968) puis d'un cycle consacré à la communication (ou la non-communication) que caractérise une parcimonie extrême des répliques avec No Man's Land (1975) et Betrayal (Trahisons, 1978). À cela, s'ajoute une cinquième phase politique avec One for the Road (1984), Mountain Language (1988) et The New World Order (1991). Cependant, cette classification simplifiée semble problématique aux yeux de la critique, chacune des époques débordant sur l'autre. Elle oublie de surcroît certains des textes les plus forts de l'auteur comme Ashes to Ashes (1996).

À partir des années 1970
Dans les années 1970, Pinter s'intéresse de plus en plus à la mise en scène et devient directeur associé du National Theater en 1973. Ses pièces récentes tendent à être plus courtes. Elles portent aussi sur des sujets plus politiques et sont souvent des allégories de l'oppression. Plusieurs de ses pièces sont traduites et adaptées en France par Éric Kahane.

Dans la même période, Pinter commence à prendre parti sur des problèmes politiques, s'affichant distinctement à gauche. Il mène un combat continu pour porter à la connaissance du public les violations des droits de l'homme et la répression. Ses courriers sont souvent publiés dans les journaux britanniques, comme The Guardian ou The Independent.

En 1985, Pinter voyage en Turquie en compagnie du dramaturge américain Arthur Miller et rencontre de nombreuses victimes de l'oppression politique. Lors d'une réception à l'ambassade des États-Unis d'Ankara, donnée en l'honneur de Miller, Pinter, au lieu de plaisanter et de se livrer aux mondanités habituelles, raconte des histoires de personnes torturées avec du courant électrique, appliqué à leurs parties génitales. Choquant l'assistance, il est renvoyé de la réception et Miller le suit par solidarité. L'expérience de Pinter, sur la répression en Turquie et la suppression de la langue kurde, lui inspirent sa pièce de théâtre de 1988 intitulée Mountain Language.

En 1999, Pinter critique ouvertement le bombardement du Kosovo par l'OTAN. Il prend position contre l'embargo déclaré par les États-Unis contre Cuba. Il s'oppose aussi à l'invasion par les États-Unis de l'Afghanistan en 2001, ainsi qu'à l'intervention militaire en Irak deux ans plus tard. En 2005, il annonce qu'il n'écrira plus de pièces de théâtre afin de se consacrer à la politique. Il exprime par ailleurs régulièrement son soutien à la cause palestinienne.

Pinter, nommé commandeur de l'ordre de l'Empire britannique en 1996, devient un membre de l'Ordre des compagnons d'honneur en 2002, ayant précédemment refusé le titre de Knight Bachelor. Il devient le  auteur contemporain à entrer au répertoire de la Comédie-Française en décembre 2000 et assiste à la représentation à Paris, salle Richelieu, de sa pièce Le Retour. Pinter est sympathisant du parti politique de gauche britannique RESPECT The Unity Coalition.

En octobre 2005, il fait scandale lors de meetings et de manifestations publiques contre la guerre d'Irak en lisant des poèmes qui s'en prennent violemment à Tony Blair. Dans le même temps, l'Académie suédoise décerne à Pinter le prix Nobel de littérature au motif que :

Début décembre 2005, il enregistre sur vidéo une déclaration pour la remise du prix Nobel, ne pouvant se rendre à Stockholm car un cancer de l'œsophage à un stade avancé l'en empêche. Son discours concerne beaucoup plus la politique que la littérature. Il y déclare :

Il y prend position contre les États-Unis d'Amérique, qui ont

En 2006, il a reçu le X Prix Europe pour le théâtre, en Turin. A cette occasion Roger Planchon met en scène, au Teatro Gobetti de Turin, The New World Order (1991), Press Conference (2002), Precisely (1984), Mountain Language (1988), One for the Road (1984) e Party Time (1991) : six courts textes politiques d'Harold Pinter, dans la traduction française inédite de Jean Pavans. Au Teatro Carignano de Turin Pinter Plays, Poetry & Prose a été mis en scène par Alan Stanford, avec Charles Dance, Michael Gambon, Jeremy Irons, Penelope Wilton, textes de Harold Pinter, Gate Theatre de Dublin.

Il meurt le réveillon de Noël 2008, à 78 ans, à l'hôpital Hammersmith en Londres des suites de son cancer. Il est enterré dans le cimetière de Kensal Green le dernier jour de 2008.

Vie privée
En 1977, Harold Pinter provoque un scandale public en quittant sa femme, l'actrice Vivien Merchant, avec laquelle il était marié depuis 1956, pour s'établir avec Lady Antonia Fraser qu'il épouse en 1980, après que son divorce a été prononcé.

Sa pièce Betrayal (Trahisons, 1978) a la réputation d'être une description de cette liaison. En réalité, elle se base sur la longue relation amoureuse qu'entretint l'auteur avec la présentatrice de télévision Joan Bakewell.

Pinter a aussi eu une dispute publique avec le metteur en scène Peter Hall portant sur sa description dans les Hall's Diaries, publiés en 1983, où il était dépeint comme abusant de l'alcool. Néanmoins, les deux hommes se sont réconciliés par la suite.

Prix et distinctions

Prix
 2005 : Prix Nobel de littérature
 2006 : Prix Europe pour le théâtre

Distinctions
 1966 : Commandeur de l'ordre de l'Empire britannique (CBE)
 2002 : Membre de l'Ordre des compagnons d'honneur
 2007 : Chevalier de la Légion d'honneur
 Docteur honoris causa de l'université de Londres-Est

Théâtre
Les créations de Pinter sont appréciées pour leurs recherches stylistiques, leur mélange de bouffonnerie et de noirceur et leur précision presque maladive. Elles renvoient généralement le théâtre à sa base élémentaire avec des dialogues qui basculent de manière inattendue et des pièces closes où les êtres sont livrés les uns aux autres. Le masque des convenances sociales tombe. La vacuité de la société bourgeoise est vite notifiée. Les personnages, fondamentalement imprévisibles, révèlent sans spectaculaire une faille ou une étrangeté dans leur identité, due à leur passé insaisissable qu'ils tentent vainement de reconstituer à travers des récits flous et contradictoires. Les êtres sont sans contour clairement dessiné. Ils semblent coupés de tout ancrage sociologique même s'il peut exister entre eux des liens sociaux ou familiaux ou qu'ils exercent parfois une profession permettant de les rattacher à un certain milieu. Cependant, ces éléments ne suffisent jamais à les caractériser entièrement.

Le dramaturge situe presque toujours ses pièces dans des intérieurs très fournis, minutieusement décrits, mais saturés d'éléments disparates dont l'inutilité n'a de cesse d'être soulignée, comme dans Le Gardien. Très vite le décor chaleureux et rassurant d'un foyer, comme celui de The Collection (1961), produit un climat d'insécurité et laisse place à d'étranges intrusions, avec un retour de pulsions refoulées.

Les conversations les plus banales se révèlent être l'espace privilégié de stratégies de domination physique, psychologique et sexuelle. Des rapports de forces brutaux resurgissent dans le glissement progressif des répliques. Les dialogues de Pinter mélangent un certain naturel d'expression (courtes répliques, formules simples, notations grivoises, utilisation de l'argot) à un dérapage verbal à la limite de l'onirisme, empli de saturations et de répétitions (monologues, suspensions, coupes, ellipses, silences). L'idée de communication est ainsi mise à mal dans un univers où le faux et le véridique se télescopent sans pouvoir être démêlés.

Le rapport à l'autre ne fait que renforcer le sentiment de solitude et de violence. En ce sens, Pinter se veut le commentateur de l'absurdité et de l'horreur cachée du monde moderne tel qu'il apparaît après la Seconde Guerre mondiale. À partir des années 1980 et 1990, l'auteur trouve un nouveau souffle grâce à la contestation  politique, se livrant à de virulentes critiques de l'ère Thatcher, de l'invasion de l'Afghanistan, du libéralisme, de la guerre du Golfe, de la dictature de Pinochet et plus tard du blairisme.

Pinter jouit aujourd'hui d'une posture de « classique moderne ». Il est considéré comme la figure la plus illustre du théâtre anglais de la seconde moitié du . Ses pièces sont depuis longtemps devenues des monuments incontournables pour les études de théâtre et d'art dramatique. Le style inimitable de l'auteur, empli de perturbations langagières absurdes d'où sourd un certain humour, a même donné naissance à un adjectif couramment utilisé dans le domaine artistique : « pinteresque ». On peut aussi parler de « pinteresquerie » pour définir une pièce de théâtre à l'atmosphère oppressante ou située dans un milieu particulier.

En anglais, ce mot a rencontré un tel succès qu'il a intégré le dictionnaire en 1966 : «  » désigne

Filmographie

Scénariste
Le premier scénario de Pinter, The Servant, est écrit en 1962 d'après le roman de Robin Maugham. Le film est réalisé par Joseph Losey avec Dirk Bogarde dans le rôle-titre. Losey réalise également Accident et Le Messager (The Go-Between), toujours d'après les scénarios de Pinter. Ce dernier signe par la suite le script du Dernier Nabab d'Elia Kazan, tiré du roman inachevé de Francis Scott Fitzgerald, avec Robert De Niro dans le rôle principal puis celui de La Maîtresse du lieutenant français (The French Lieutenant's Woman) d'après le roman de John Fowles, mis en scène Karel Reisz et interprété par Meryl Streep et Jeremy Irons. À la demande de Joseph Losey, Pinter publie une adaptation cinématographique du cycle romanesque de Marcel Proust, À la recherche du temps perdu, qui ne sera jamais portée à l'écran. Il a été nommé deux fois à l'Oscar de la meilleure adaptation sans succès : en 1982 pour La Maîtresse du lieutenant français et en 1984 pour Trahisons conjugales, d'après sa pièce Betrayal.

Plusieurs de ses pièces ont été adaptées pour le cinéma : The Caretaker (1963), The Birthday Party (1968), The Homecoming (1973) et Betrayal (1983).

Il a également écrit le scénario du remake de Sleuth (Le Limier) de Joseph L. Mankiewicz, tiré de la pièce d'Anthony Shaffer et réalisé en 1972 avec Laurence Olivier et Michael Caine. Ce remake a été mis en scène par Kenneth Branagh, avec Michael Caine (reprenant le rôle de Laurence Olivier dans le film original, et Jude Law, reprenant celui tenu par Caine à l'origine). Pinter fait d'ailleurs une courte apparition dans le film.

Acteur
En 1967, Pinter interprète le rôle d'un producteur de télévision dans Accident, film dans lequel joue également sa femme de l'époque Vivien Merchant. Il joue, en 1996, dans le film Breaking the code de Herbert Wise, qui retrace la vie d'Alan Turing.

Il interprète le rôle de Sir Bertram dans Mansfield Park de Patricia Rozema, sorti sur les écrans canadiens en 1999 et britanniques en 2001.

Il interprète également le rôle de l'Oncle Benny dans le film Le Tailleur de Panama de John Boorman en 2001.

Pinter joue le rôle du père de Vivian Bearing, rôle interprété par Emma Thompson, dans le téléfilm Bel Esprit réalisé par Mike Nichols en 2001.

Œuvre

Théâtre

Prose et poésie

Notes et références

Voir aussi

Articles connexes

Liens externes

Naissance en octobre 1930
Naissance à Hackney (borough londonien)
Décès en décembre 2008
Décès à Hammersmith
Écrivain britannique du XXe siècle
Écrivain britannique du XXIe siècle
Dramaturge anglais du XXe siècle
Scénariste britannique de cinéma
Élève de la Royal Academy of Dramatic Art
Docteur honoris causa de l'université de Leeds
Lauréat du prix Franz-Kafka (Prague)
Lauréat du Tony Award
Décès à 78 ans
Parrain du Tribunal Russell sur la Palestine
Lauréat du prix Nobel de littérature
Lauréat britannique du prix Nobel
Membre de l'ordre des compagnons d'honneur
Commandeur de l'ordre de l'Empire britannique
Chevalier de la Légion d'honneur
Membre de l'Académie serbe des sciences et des arts
Élève de la Central School of Speech and Drama
Personnalité inhumée au cimetière de Kensal Green
Mort d'un cancer au Royaume-Uni
Objecteur de conscience britannique


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text:
Fate/Strange Fake
Page 2 of 10 First 12347 ... Last
Thread: Fate/Strange Fake
Fuckin' chicken grill!!!
He should have called himself Condiments or something.
terraablaze
*ors*
But Touko= info dumps
It makes so much sense.
Araya, what do you seek?
「アラヤ、何を求める」
------True wisdom.
「――――真の叡智を」
Araya, where do you seek it?
「アラヤ、何処に求める」
Only within myself.
「――――ただ、己が内にのみ」
Araya, what is your favorite color?
「アラヤ、好きな色は?」
Blue. No, ora-- Auuuuuuuugh!
「青、いや、オレンジイイイイイアアアっ!」
March 11th, 2012, 12:06 AM #23
TetsuoS2
Some place
Well, I hope chapter 1 comes out.
ok dad
Lancer (1/3)
The forest was deep as the abyss –
Running within it was almost like falling into a bottomless swamp.
–Sprint –Sprint
–Sprint –Sprint –Spint
Tearing through the wind, he dashed within the forest in the darkness of the night.
Why was he running? He did not even know himself.
Although "escape" was a simple concept that could be conveyed through one sentence, he did not have the capacity to realise this while running.
There was meaning in the act of "escape".
In other words, it was traversing the earth beneath you with all your might, for the sole purpose of "to survive".
It was not a product of thoughts, but instinct.
It was not the result of reason, but impulse.
He did not even know where he was running towards. He merely threw his body forward without pause.
How long had it been?
His feet shrieked with every step. The pain radiated throughout his body without remorse.
Even so, he did not stop. Neither body nor mind sought to halt this mad dash.
He must have consumed all the endorphins in his brain, as only pain assaulted his body –
---------Hisss.
It was truly a testament to his bestial instincts, as he was able to endure such pain.
The trees bowed as if to meet a gust of wind. He almost became the wind itself while traversing this forest in the darkness, but -----
The gust of wind was struck down by a bullet infused with magical energy.
"Hisssss!"
What hit him first was not pain, but the force of the bullet's impact.
The forward momentum was not lost, so his body crashed onto the ground. As if to punish his relentless kicking and dashing just a moment ago, the ground bashed against his body like a weapon.
"~~~~~~~~~Hissssss!"
A silent cry.
The spasm assaulting his body prevented him from getting up even if he tried.
While the shrieks of pain from his body reverberated within his skull, a calm voice reached his ears.
"….. This is troublesome indeed."
Even though the voice was that of reason, the rage hidden behind the cool tone was apparent.
The magus-looking man lowered his ornate pistol, and slowly stamped on the abdomen of the fugitive --- then he stabbed at the bullet wound on the fugitive's foot with a still hot gun barrel.
The sound of searing and the odour of charred flesh began to spread within the forest.
The fugitive opened his mouth beyond its limit, and moist air came from the depth of his throat.
"Even you received the Command Spells…. What kind of nonsense is this!?"
The fugitive's body convulsed with its silent scream. On his body, Command Spells seemed to emerge as a chain-like pattern.
"Think about why did I create you against all odds? Think about why did I 'expand' your Magic Circuits to the limit? Think about why did I let you live until now?"
The magus shook his head coldly, and kicked the head of the fugitive like a ball.
"… In order to achieve victory in the Holy Grail War, one must acquire an existence that transcends Heroes."
He walked close to the fugitive, and gave him another kick in the face.
"If one failed to acquire a 'God' that transcends Heroes, then one cannot expect to defeat Heroes who were 'Kings'."
Another kick.
"In other words… I must summon something more ancient than the Origin of Heroes ---- an existence Egyptians called 'God'."
Another stamp.
"Your purpose is a Catalyst! Why deny the honour to be the Catalyst for summoning a God!? You return my kindness with spite."
The fugitive could not even scream. His sight was stained with blood and darkness.
Still----
Even when breathing had become a torture ---
He swallowed the blood rushed up into his throat, and stood up.
Seeing the tenacity of the fugitive, the magus gasped---
He placed his foot on the fugitive's spine, and mercilessly bore down with all his weight.
"That will do it. I have prepared other substitutes… You will die after I extract the Command Spells. You will never be free. I will toss you back into the furnace, and make new lab rats from you."
The man's right hand reached for the Command Spells.
However, to the fugitive, the Command Spells were meaningless.
Let alone the meaning of "Holy Grail War", he did not even know his name.
--- Survive.
He was merely a creature that followed the instinct that boiled within him.
---Survive. ---Survive.
Furthermore, this impulse had not waned a bit, even now.
---Survive. Survive. Survive.
And he only knew this much.
--- Survive. Survive. Survive. Survive. Survive. Survive. Survive.
--- Survive!
It was not "I do not want to die".
And it was also different from "I want to live".
It was not a wish, but something purely born out of instinct.
It was merely a desire to "survive".
Did he even know the difference? ----
No. It was questionable that he even understood the sentence "I do not want to die".
His dying body---
His dying body screamed for survival. The bellow was louder and stronger than any creature in this land called Snowfield.
However, the meaning of this "scream" was not something the magus could understand ---thus, he did not sense it.
In that instant, the "Ritual" was complete.
This scream which no one else could mimic, was his magecraft and summoning spell.
The magus did not know.
Just a moment ago, the fifth Servant was summoned in the valley up north---
The False Grail wished for the materialisation of the sixth Servant, even through brutal force.
Really, from the summoning of Rider, one could see that the definition of "Summoning Rituals" in this Holy Grail War was vague at best.
Regardless, at that very instant ---
The sixth Servant finally descended in the forest of Snowfield.
Dazzling light pierced the forest, whirlwind shook the surrounding trees.
The magus was blown away by the wind for several meters, and raised his gun without a second thought. In that instant, he felt an overwhelming amount of magical energy which paralysed the magical circuits that coursed through his body.
A person appeared before the magus --- wearing a plain tunic.
Such an overwhelming amount of magical energy could only mean one thing: "that" was a Heroic Spirit.
However, something was still not quite right.
This person appeared too unremarkable to be called a Heroic Spirit.
He was not equipped with any items, and his clothing did not look like anything valuable. Although a Hero's worth was not determined by his wealth, it was still strange for one to appear completely barehanded.
The magus calmly surveyed the Heroic Spirit.
---A woman?
---No, no, a man…? Which is it….?
The face of the Servant seemed androgynous, yet it was definitely beautiful and elegant no matter which sex it belonged to.
--- Wait… hold on… is this thing even human?
Sensing the strange and uncomfortable atmosphere, the magus felt intimidated.
The face of the Servant definitely looked human, but somehow, it also appeared inhuman in a way that could not be put to words. Was it because it was too perfect? It was not immediately apparent to the eye, but the Servant evoked a similar feeling in the observer as a mannequin or --- a "puppet" constructed by a magus.
Due to the loose garment, the physique of the Servant was not visible. This further obscured the sex of the Servant, and even made it difficult to discern whether he was human at all.
The Heroic Spirit appeared to blend into the forest behind him. The lingering breeze caressed his beautiful hair---.
He approached the wounded fugitive lying before him and asked:
"Are you… the Master who summoned me?"
His tone was really soft.
Even his voice was neutral; the magus could not tell who or what this Heroic Spirit really was.
Although the fugitive was knocked down by the sudden light and wind, he was able to immediately recognise this presence before him.
--- This person was not an enemy.
The fugitive suppressed the impulse to escape and stared at his saviour.
It was a penetrating gaze that seemed to read the heart of the other person.
The Heroic Spirit returned the gaze, and calmly kneeled down to lower himself to the same level as the fugitive, who was struggling to stand up ----
"----- ---- -----"
The Heroic Spirit spoke in a language the magus could not understand.
After hearing the sentence, the fugitive quietly replied:
"------- ---------"
The Heroic Spirit then calmly reached out his hands, and held up the battered body of the fugitive.
"Thank you. The Contract is now complete."
As if hearing the words of an old friend, the fugitive finally felt relieved.
He was allowed to live. His heart was filled with content.
The fugitive relaxed after realising he no longer had to escape.
"This is stupid… stupid! What the hell is this!"
The magus could not understand what just happened before him. He raised his gun as he shouted.
"You expect me to accept this foolishness?!"
The magus screamed as he pointed the gun barrel forward.
Before him---
A wolf held up by the Heroic Spirit, his silver fur stained by blood and dirt.
"You damnable creature! A chimera without special power can become a Master just like that!? Let's stop this farce!"
Even though the magus kept his gun trained on the Heroic Spirit with trembling hands, the Heroic Spirit spoke serenely.
"Please lower your weapon. My Master wishes you no harm."
Although the polite manner surprised him, what was said shook him more.
"Nonsense! All nonsense…"
"I can understand their language… What you have done to my Master, I can imagine by just looking at him."
The magus was about to mock the Servant for what was said, but the Servant continued in a serious tone---
"However, my Master holds no malice against you. …. I hope you understand this."
With that said, the Servant turned his back against the magus and slowly walked into the depth of the forest.
"Wait, wait a moment. You too wish for the Holy Grail, right?! Don't you think you would have a better shot at the Holy Grail teaming up with me, rather than that mongrel?"
The Heroic Spirit suddenly stopped after hearing what the magus said.
He turned his head.
And he only did that.
"Yiiiiip….". The magus squealed and ran out of the forest in the opposite direction as the Heroic Spirit and the beast.
The eyes of the Heroic Spirit were trained on the magus --- and they were saturated with a crushing sense of "rejection".
After making sure the magus was gone, the Heroic Spirit instantly dissolved the malice in his eyes. He walked towards the river in order to treat his Master.
There was no sound of water, nor was there any water visible ---
However, he absolutely felt the "presence" of water from that direction, how it caressed the land ----
Gently cradling the beast in his arms, the Heroic Spirit leaped amongst the trees with the speed of a falcon.
Last edited by food; March 15th, 2012 at 03:22 PM.
Wasn't the Lancer chapter like the last one?
You're skipping all the interesting Servants people don't know about in favour of the trap bait, you sellout :|
March 15th, 2012, 01:31 PM #26
The Hero certainly had the form of a human being.
However, he was not human.
In the ancient past, he descended onto the earth as a mud puppet sculpted by the Gods. He was neither male nor female, but merely a monster made of mud that appeared in the forest.
He did not have the intelligence of man, and only played with the creatures in the forest.
However, his might was beyond human comprehension. Rumour had it that when he unleashed his wrath, he was more powerful than the Hero who ruled the nation.
The King dismissed this entirely. He considered "having a contest of strength with a beast" to be complete nonsense.
The King had absolute faith in his own might, and was certain that no one was stronger than he. Because of this, he merely laughed at the rumour.
However --- after the encounter between the divine harlot and this beast, the fate of everyone was altered.
The asexual lump of clay fell for the beauty of the woman, which transcended the bound between man and woman.
During the six days and seven nights they spent together, the mud puppet slowly allowed his form to approximate that of a human.
His form seemed to become that of the beautiful harlot, who shared his food and bed.
Finally, the puppet who acquired the form and wisdom of a human stood before the great King.
After an epic melee that shook the heaven and earth, they became friends.
The Golden King and the mud puppet. Although the views of the two could not be more different, they became inseparable friends. The duo went on innumerable adventures, and shared each other's joy and sorrow.
Those were the golden days of the past.
It seemed fate, was about to be altered once again ---.
The Heroic Spirit and beast reached a small river after travelling ten kilometers. After administrating minimal treatment, the Heroic Spirit allowed the silver wolf, his Master, to lay on the field of grass.
"Hmm… that's a relief. Although the world is covered by cities like Uruk, it is still beautiful as ever."
He spoke to his Master in "animal language" before the magnificent natural landscape.
The wolf did not reply. He seemed to be sleeping soundly.
The Heroic Spirit smiled, and quietly sat down. For now, he allowed himself to enjoy the song of the river---
Suddenly he shifted his sight to the north west.
His special ability – the highest rank of "Presence Detection" altered him of a familiar presence to the north, far away.
It was the Heroic Spirit in the golden armour, exiting the cave that was covered by a magus' Bounded Field.
"Could it be –"
He calmly opened his eyes, could not believe this turn in fate---
"Is it really… you?"
He slowly stood up. The Heroic Spirit was certain that the presence in the north was his King.
A brief silence.
At the same time, what was this feeling rampaging in his breast?
Confusion. Frustration. And finally, overwhelming joy.
It was destiny that he and the King would battle once again in this Holy Grail War.
The tapestry woven between Enkidu and his King would not tear just because a fight or two.
No. It would remain as strong as ever, even after a thousand melees.
The Heroic Spirit smiled, and silently opened his arms –
"Let us continued the duel on that plaza once again… Let us relive that joy."
He opened his arms, as if to bear his heart to the world ---
With his soft voice, he began to sing.
The Hero Enkidu.
His song shook the earth --- the beautiful landscape resonated to his song. The entire land of Snowfield sung with him.
This was the proof that the Servants had assembled ---
It was also the signal that the War had begun.
The magi and Heroic Spirits had assembled on this false stage.
Although they knew this was a false Holy Grail War, they would continue to dance to this tune.
Authenticity mattered little in the face of earnest desires.
They were fighting not for the Holy Grail, but for their very own beliefs.
This, was their Holy Grail War.
The curtain had risen.
End of Lancer
Sherrinford
闇色の六王権 The Dark Six
UPDATEEEESSSS!!!
And it's about ENKIDUUUUUU!!!
Hell yeah, Enkidu.
"… In order to achieve victory in the Holy Grail War, one must acquire an existence that transcends Heroes. If one failed to acquire a 'God' that transcends Heroes, then one cannot expect to defeat Heroes who were 'Kings'. In other words… I must summon something more ancient than the Origin of Heroes ---- an existence Egyptians called 'God'."
N00b, you should know there's a more ancient civilisation than the Egyptian that you should fear. >:3
This being said, his course of thought is surely interesting. I wonder what kind of being he wanted to summon. Too bad he doesn't show up again, I would have liked to see his eventual second choice (kind of like El-melloi did in F/Z).
The first thing that comes to mind is "Anubis", with the wolf catalyst and all.
Mh, probably.
But wait, Snowfield's Grail lets you summon actual gods? Either it's the most OP Grail ever, or the magus is even more n00b than what he seemed.
Or maybe, you can now summon gods because they're just elementals now, and lol loophole (just like Moon Cell has some loopholes build in it)?
Thanks,food!
死徒二十七祖 The Twenty Seven Dead Apostle Ancestors
Distraction land
Thanks food, hope you keep at it.
Yay, thank you! ^^
Part of me was hoping Narita would explain why he picked Lancer, of all classes, for him... but the Presence Detection skill is interesting and I really like how he characterized him. Especially the ironic reaction to "mongrel." For some reason I didn't realize Enkidu got his appearance from that event and I thought he re-mimicked someone he saw after he got summoned.
Caster section added. Complete.
Also added Notes.
The identity of Caster is unknown.
The Japanese fans deduced that Caster is Alexandre Dumas, from the dialogue between Caster and his Master.
Note how the dialogue revealed that there is rumour that Caster is good at rearranging and rewriting tales and scripts. And how he took great offense when his Master capitalises on his ability to rewrite the legends of Noble Phantasms and make them even grander than the original.
Alexandre Dumas had been accused of plagarising stories and rewriting them to his own taste during his time. Notice in the story, Caster warned his Master not to crack jokes about how his re-written version is more interesting than the original.
Now Caster!Dumas makes a lot more of sense then just "writing objects into reality"... not to mention that now he's a full-fledged interesting character.
Thanks, food.
Kirgin Vitchen
Sinister Pthumeru Ihyll
Yeah, when I first found out about Strange Fake I thought he was a ripoff of gradation air.
[Fate/Fiction] [Apple Draws with Brain Waves]
partyinpurple
死者 The Dead
Thank you so much for this!!!
Gilgamesh and Endiku ;~~~~;
+Assassin
Be surprised by how Zero slavishly followed the ideas introduced in this Act.
地獄待ち
I love you, Food.
AMA-GI
屍食鬼 Ghoul
Thanks! This chapter was pretty interesting again.
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Beast's Lair


It doesn't sound like Casper. It is no good waiting for him to come. From a social perspective, menarche is typically considered the central event of female puberty - but menarche does not necessarily signal that ovulation has begun occurring. You have made only a few spelling mistakes. Maybe you'd like to drink some tea? He cut down a tree in the garden. You learned English from Miss Long, didn't you? I tried to talk a friend of mine out of getting married. Is that a fair share? What Space did is wrong.
That guy's incredible. How long will you need to get ready? There are a lot of questions I need to ask you. I can't help wondering about what Dory might be doing. He turned 16. Why doesn't he watch movies with me anymore? Do you have any tax-free articles? Given her complete lack of gratitude after all that I had done for her, I told myself that I would have done better by banging my head against the wall. The company manufactures electrical goods. Among the manufacturers of so-called "consumer electronics", there exists ruthless cut-throat competition.
I didn't mean to make you feel bad. Rituals were performed in churches. Dad, are you still upset with me? Niall was impressed by Michel. I am quite pleased with you. Tell me again what happened. It is virtually impossible to discuss the Thai Royal Family in English without offending native Thais: the special honorific forms of reference that exist in Thai simply have no counterparts in English. He came here to help me. They do everything for each other. I'll knock three dollars off the price per unit.
No need to point out the obvious. I know I just lost an arm. All right? The medicine had a wonderful effect on him. A widow is a woman whose spouse has died. I acknowledged the receipt of your letter. The ceremony has ended. Milo ran a red light. Donal will go to Boston next month. It's quite a mess. We made sure of it. Thomas and Edmund are students.
All right. How many? Why else would I be talking to you? The neighbouring house was destroyed, but mine survived just a bit of cost for repair. Kuldip won't be going anywhere for a while. We'll go ahead as planned. Edith is one of the best singers I've ever heard. I think they really enjoyed themselves. I've got reservations for dinner. His courage went down in history. Who was that on the phone?
Go and find Laurie. I drew this picture myself. It was a hard sentence. Tah dah! I met Teacher Dolkun through Alexander. What do you think of Caroline's nose ring? The police think Spass has been kidnapped. What a rip off! Everything he said so far should be treated as evidence. I had always wanted a son.
Farmers separate good apples from bad ones. That's the man I mean. A lack of exercise is bad for your health. I wish I could give up smoking. I always wanted to see an Esperanto convention before I die. I pay you well. He hit the mark. They've located him. Do you have any idea why Rogue gave it to you? Ask me something easier.
We need a safety net. I know who's on the list. Are these candles? What type of job are you looking for? That's just as bad. She gave me a strange look. I don't want her to come. Shane told me a lot of things other people wouldn't tell me. He is longing for city life. How many black and white movies have you watched?
Weren't you here yesterday? Masanao used to be punctual. I missed my usual train. None of his students could solve the problem. I had to see Bert. My watch gains thirty seconds a month. I bet it won't be long before Kee gets here. That desk is too small for Meg. I won't come. Whatever shall be will be.
The parking lot attendant confirmed your alibi. She's better than me. Let him take a look at it. I like that twisted look on his face. Take her upstairs. The concert was a great success. Pasta is called pasta because it's the Italian word for "dough" from which it is made. Have you ever dreamt about Taninna? I'll have to check with her. I have a lot more.


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Clearcorrect Invisible Braces—Not Seeing Is Believing!


Multiple Teams · Sep 26 6th Grade Volleyball Takes both a win and loss against Tippey Valley Tonight!
Tonight, on 9/25/17, MMS 6th grade volleyball played Tippey Valley at MMS and the A team lost to Tippey Valley with 2 close game scores of 23-25 for both! Zoe Moore lead the A team with a total of 10 serve points, Hallie Maiben with 7, Kinzie Stouffer with 5, and Emma Landrum and Emma Roberts with 3.
During the B game, MMS took the win over Tippey Valley in 2 games with ending scores of 25-13 and 25-11. During both games, Leah Kaiser took the lead with 11 serve points, Gabby Atkinson with 7, and Thea Tyra with 5.
Great Job Lady Braves! Tomorrow, 9/26/17, 6th Grade Volleyball will travel to Oak Hill to play an A & B game starting at 6pm.


Henry Crabb Robinson, 20 November 1812; Diary, Reminiscences, and Correspondence (1870; 1872) 1:209.
It is said that Lady — invited H. Twiss to dinner, and requested him to introduce an amusing friend or two. He thought of the authors of the Rejected Addresses, and invited James and Horace Smith and his brother to come in the evening of a day on which he himself was to dine with her ladyship. Smith wrote, in answer, that he was flattered by the polite invitation, but it happened unluckily that both he and his brother had a prior engagement at Bartholomew Fair — he to eat fire and his brother to swallow 200 yards of ribbon.


text:
A Last Chat with Jim McEwan on Sunday 23rd May
Before he takes a step back from public life, Jim McEwan will be raising a toast to support Scotland's Charity Air Ambulance. This will be an evening of Film, stories and conversation which will take you on a journey through the life and whiskies of Jim McEwan for one final event in aid of one of Islay's most valuable services.
The Water of Life Director Greg Swartz enjoying a dram with Jim McEwan
After a lifetime spent creating some of the world's finest whiskies, Jim has decided it's now time to take a step back and be a full-time husband and grandfather. Jim has inspired a generation of distillers, blenders, and fans. He feels that it's now time for them to carry the message forward. So, join us for one more chat with the man himself. One more night with Jim, his stories, insights… and a raise a toast to the man who has touched so many lives.
Over the past four months Jim McEwan's story has been told through The Water of Life – a whisky film; through drams with Dramfool's Jim McEwan Signature Collection; and in print with Jim's biography, A Journeyman's Journey, co-authored by Udo Sonntag and published by Plassen Verlag.
Today the companies who have helped share Jim's story with the world have come together with Jim to help support Scotland's Charity Air Ambulance.
The event has two ticket options. Both tickets include access to The Water of Life Film for 48 hours (May 22nd & 23rd), a link to join a virtual online chat with Jim on Sunday, May 23rd, and tasting kits you can enjoy while watching the film. The Gold Collection ticket also includes a copy of The Journeyman's Journey which includes a letter signed by Jim.
This is not a tasting or a masterclass. These drams are meant to be enjoyed while viewing the film or reading the book. Or kept as souvenirs. This event is a celebration of Jim, including a wee surprise or two.
Alternatively you can also access the event for only US$20 with 25% of the proceeds going to charity.
Tickets for sale on wateroflifefilm.com/partners/alc
Gold Collection Ticket (SOLD OUT) – Available to purchase through Dramfool
Limited to 50 tickets – £185 (£25 from each ticket will be donated to Scotland's Charity Air Ambulance)
With this collection you'll receive access to The Water of life Film, a copy of The Journeyman's Journey (German or English edition) along with a signed letter from Jim, a Gold Collection tasting kit and access to a zoom link to join the chat with Jim McEwan on Sunday, May 23rd.
The tasting kit has 6 drams which are a liquid timeline of Jim's career – from his era at Bowmore, through some of his unique Bruichladdich drams (including Jim McEwan Signature Collection Journey's End dram and a rare Lochindaal), and ending with Jim's newest and yet to be bottled single malt from The Cape Byron Distillery in Australia. This will be a unique opportunity to taste the dram that Jim says will be his final whisky. It's not going to be bottled for at least another year, but he's eager to share an advanced taste with you all.
Bowmore 20 – 50.7% ABV – 20 year old David Simpson, Double Matured in Oloroso and PX Sherry Casks
Bruichladdich – 46% ABV – Resurrection 2001/2008
Bruichladdich – 40% ABV – 10 year old, 1990's bottling pre reopening
Jim McEwan Signature Collection – Journey's End – Islay Barley 2010 – 55.9 ABV – 16/09/2010 1st fill Banyul Cask
Dramfool – Lochindaa l 2009 – 62.1% ABV – 01/09/2009 1st fill Bourbon
Cape Byron – 48% ABV – Cask #17, Ex Bourbon Cask
Silver Collection Ticket – Available to purchase through Dramfool
Limited to 300 tickets- £50 (£10 from each ticket will be donated to Scotland's Charity Air Ambulance)
This collection includes access to The Water of Life film, a Silver Collection tasting kit and access to a zoom link to join the chat with Jim McEwan on Sunday, May 23rd.
The tasting kit has 4 drams which takes you through Bowmore and some of Bruichladdich's finest drams:
Bowmore 15 year old – 43% ABV
Bruichladdich Islay Barley 2012 – 50% ABV
Port Charlotte Islay Barley 2012 – 50% ABV
Octomore 11.1 – 59.4% ABV – 5 year old 136.9PPM
Click here for information about of The Journeyman's Journey
Click on link to find out more about Dramfool
Click on link for information on the film https://www.wateroflifefilm.com/
About The Water of Life – a whisky film
The Water of Life is a feature documentary that focuses on the craftsmen, chemists, and renegades at the heart of the whisky revolution that turned the stagnant scotch whisky industry of the 1980s into the titan it is today.
Starting behind the locked gates of an abandoned distillery, Jim McEwan and Mark Reynier share their personal experiences of the risk-taking and wild experimentation they used to turn Bruichladdich into a creative and financial powerhouse.
The film also takes you on the journeys of visionaries like Gordon & MacPhail, Billy Walker, Rachel Barrie and David Stewart, whose mixture of talent, chemistry, hard work, grit, and a little sprinkle of magic paved the way for the next generation of innovators like Adam Hannett, Kelsey McKechnie, Liam Hughes, Iain Croucher, and Eddie Brook.
The Water of Life is a uniquely personal perspective on the evolution of whisky by those who lived it – the story of those who played a key part in rediscovering the crafting of the ancient spirit.
About the Scotland's Charity Air Ambulance (SCAA).
SCAA currently operates two helicopters, both EC135-T2is, and two rapid response vehicles – taking expert paramedic care to the scene of time-critical emergencies. SCAA then transports patients to hospitals all over Scotland to receive the most appropriate medical care.
Working in partnership with the Scottish Ambulance Service (SAS), SCAA is an integral part of Scotland's frontline emergency response network, responding to trauma incidents and medical emergencies across the country, covering an area of more than 30,000 square miles.
As Scotland's only charity air ambulance, SCAA is funded by the people of Scotland, primarily through donations, fundraising, events and our life-saving lottery.
Andre de Almeida appointed as MD at the Secret Garden Distillery
Rodney Gray
I met with Jim personally back in May 2001 just prior to the official reopening of Bruichladdich distillery at his upstair Office. Still have his personal card with me. Now a prized possession.
I revisited the Island on 2011 but was overwhelmed with the presentation of the sales area in comparison to the original area. Went on up the hill to Conisby to scatter Aunt Anne's ashes with other family. Felt sorry to have missed the opportunity to re acquaint with Jim.