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THURSDAY'S SCRIPT TIP:
CHALLENGING THE ELEMENTS
In my Secrets Of Story Blue Book I break down story in 10 key elements - Ideas, Conflict, Concept, Character, Plot, Location, Time, Tone, Genre and Arena. You may be wondering why anyone in their right mind would ever do such a thing - shouldn't we be FEELING story rather than THINKING about it? I think we should be doing both. Using our hearts to make sure our screenplays have emotional resonance and our minds for craft. So we're going to look at the craft side of your story (I trust you have a heart, and I implore you to get in touch with your emotions and use them when writing scripts). Craft is all about effective storytelling... and telling effective stories. Our screenplays aren't only written for ourselves, they are written for a global audience of 600 million people. How can we get all of those people interested in our stories?
One way to make sure your story works is to take it in for a tune up. When you take your car to a mechanic, the first thing he's going to do is pop the hood and examine the engine. Your car trouble may be spark plugs, carburetor, the electrical system, the distributor, the computer, the cooling system, the oil & lubrication system, or any number of other elements. The mechanic is going to check out each element starting with the most likely to cause whatever problem you may be having. We're going to do something similar with our stories - we're going to examine each element to make sure it's in optimum working condition before we spend a big chunk of our lives writing the script. If any piece of our story can be improved, we want to do it before we've written 110 pages. The more pre-writing, the less rewriting.
BEST LEAD ACTOR?
Our story is about an ex-police detective living in a retirement home who investigates the death of a fellow resident and discovers it was murder.
The bad news about this good idea: it's a movie for old people, and movie audiences tend to be between 15-25 (dating age). So a script has to appeal to that age group. It doesn't have to be ABOUT 15-25 year olds, but it has to be about something they understand. Retirement? Old folks homes? Adult diapers? I'd suggest you either find a way to tell this story so that it appeals to people under 65, or make the film yourself independently.
So let's recast the lead - instead of Kirk Douglas our story is going to star Michael Douglas - the character element is going to appeal to more people, so we'll be able to get our story to more people. A recurring theme in many of my scripts is the "has been" who gets back into game - that's basically what this story is. We have a detective who has been put out to pasture by society - forgotten or disgraced - who has the chance to return to his old job and takes it. He's been beaten down but he's picking himself up. Once we realize that's the essence of the story (it's a personal theme for me) we can find the way to recast with Michael Douglas...
Our story is about a drug addicted ex-detective in rehab who investigates the death of a fellow resident and discovers it was murder.
BEST LOCATION?
Hey - it doesn't have to be Michael Douglas, that could be Mel Gibson or Russell Crowe or Gerard Butler. I'm still telling the same basic story and exploring my personal theme but we aren't alienating the core film audience. Plenty of 15-25 year olds see Gerard Butler movies - and so do people my age and people my parent's age (retired). You may not think this is an improvement on the original story, but by making the character younger many more people will understand his problems - our story will touch more people. From a pure business perspective - the old version didn't have a snowball's chance in hell of ever selling, this version does. (Actually, it did - the script was called D-TOX and Stallone plays the lead).
But let's look at another element - location. Though we've already changed it from an old folks home to rehab, is "rehab" the most exciting location we can come up with? What makes this location interesting? Okay, there is the murder - but that's part of PLOT not LOCATION. There are hundreds of rehab centers, what makes this one special? What if the rehab center was a huge old mansion that was rumored to be haunted? Or if the mansion was built by an eccentric millionaire and has secret passages and trap doors? Or what of this is the "rehab center of the stars" and our victim and the suspects are all famous? Here's a better idea along those lines - what if it's the rehab center for government employees with Top Secret clearance? We can't have these guys detoxing someplace where they might accidentally spill a secret while going through withdrawals, so they ship them here. The Betty Ford Center For People Who Know Too Much - I think that's a great location!
BEST SUPPORTING ACTORS?
Our ex-detective probably becomes an ex-FBI agent... and think of the fun you'll have with all of the other residents/suspects! In our old folks home scenario we probably had ex-car salesmen and ex-insurance salesmen... here we have ex-Senators and ex-spies and ex-astronauts and maybe even an ex-President! These are more interesting characters to write about - and more interesting characters to see on screen. I'd pay to see a movie about the location even if there wasn't a murder mystery!
Which is the point of breaking your story down into elements and trying to improve each element separately - if every element of your story is intriguing and interesting it's another reason for the audience to see your film (and another reason for a producer to buy your script). I think Location is the most mundane of these elements, but that simple improvement has made our script more exciting. The most important element is probably Conflict - that's the engine for your story and if it's not running at optimum power your whole story will break down. Look at each element of your story and make sure it's exciting and involving before you type up the 110 page version. A little brain work up front will save you a lot of rewrite work later... and insure that every element of your script is exciting.
More on this in the STORY Blue Book!
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All Six Movies analyzed! All of the mission tapes, all of the �that�s impossible!� set pieces and stunts, the cons and capers - and how these scenes work, the twists and double crosses, the tension and suspense (and how to generate it), the concept of each film as a stand alone with a different director calling the shots (broken in the sixth film), the gadgets, the masks, the stories, the co-stars and team members (one team member has been in every film), the stunts Tom Cruise actually did (and the ones he didn�t), and so much more! Over 120,000 words of fun info!
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OUTLINES & THE THEMATIC!
OUTLINES & THE THEMATIC Blue Book.
ARE YOUR SCENES IN THE RIGHT ORDER?
AND ARE THEY THE RIGHT SCENES?
Your story is like a road trip... but where are you going? What's the best route to get there? What are the best sights to see along the way? Just as you plan a vacation instead of just jump in the car and start driving, it's a good idea to plan your story. An artist does sketches before breaking out the oils, so why shouldn't a writer do the same? This Blue Book looks at various outlining methods used by professional screenwriters like Wesley Strick, Paul Schrader, John August, and others... as well as a guest chapter on novel outlines. Plus a whole section on the Thematic Method of generating scenes and characters and other elements that will be part of your outline. The three stages of writing are: Pre-writing, Writing, and Rewriting... this book looks at that first stage and how to use it to improve your screenplays and novels.
Only $4.99!
DESCRIPTION & VOICE Blue Book!
DESCRIPTION & VOICE Blue Book.
IS HALF OF YOUR STORY IN TROUBLE?
Most screenplays are about a 50/50 split between dialogue and description - which means your description is just as important as your dialogue. It just gets less press because the audience never sees it, the same reason why screenwriters get less press than movie stars. But your story will never get to the audience until readers and development executives read your script... so it is a very important factor. Until the movie is made the screenplay is the movie and must be just as exciting as the movie. So how do you make your screenplay exciting to read? Description is important in a novel as well, and the �audience� does read it... how do we write riveting description?
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NEW AND HOT!
*** STRUCTURING YOUR STORY *** - For Kindle!
William Goldman says the most important single element of any screenplay is structure. It�s the skeleton under the flesh and blood of your story. Without it, you have a spineless, formless, mess... a slug! How do you make sure your structure is strong enough to support your story? How do you prevent your story from becoming a slug? This Blue Book explores different types of popular structures from the basic three act structure to more obscure methods like leap-frogging. We also look at structure as a verb as well as a noun, and techniques for structuring your story for maximum emotional impact. Most of the other books just look at *structure* and ignore the art of *structuring* your story. Techniques to make your story a page turner... instead of a slug!
Only $4.99 - and no postage!
NO KINDLE REQUIRED! Get the *free* app (any device, except your Mr. Coffee) on the order page on Amazon!
LEARN SUSPENSE FROM THE MASTER!
*** HITCHCOCK: MASTERING SUSPENSE *** - For Kindle!
Alfred Hitchcock, who directed 52 movies, was known as the *Master Of Suspense*; but what exactly is suspense and how can *we* master it? How does suspense work? How can *we* create �Hitchcockian� suspense scenes in our screenplays, novels, stories and films?
This book uses seventeen of Hitchcock�s films to show the difference between suspense and surprise, how to use �focus objects� to create suspense, the 20 iconic suspense scenes and situations, how plot twists work, using secrets for suspense, how to use Dread (the cousin of suspense) in horror stories, and dozens of other amazing storytelling lessons. From classics like �Strangers On A Train� and �The Birds� and �Vertigo� and �To Catch A Thief� to older films from the British period like �The 39 Steps� and �The Man Who Knew Too Much� to his hits from the silent era like �The Lodger� (about Jack The Ripper), we�ll look at all of the techniques to create suspense!
KINDA NEW!
*** THE BOURNE MOVIES
All five "Bourne" movies (including "Legacy" and it's potential sequels) - what are the techniques used to keep the characters and scenes exciting and involving? Reinventing the thriller genre... or following the "formula"? Five films - each with an interesting experiment! A detailed analysis of each of the films, the way these thrillers work... as well as a complete list of box office and critical statistics for each film. This book is great for writers, directors, and just fans of the series.
Strange Structures!
*** HITCHCOCK: EXPERIMENTS IN TERROR! *** - For Kindle!
Contained Thrillers like "Buried"? Serial Protagonists like "Place Beyond The Pines"? Multiple Connecting Stories like "Pulp Fiction"? Same Story Multiple Times like "Run, Lola, Run"?
HITCHCOCK DID IT FIRST!
This book focuses on 18 of Hitchcock's 52 films with wild cinema and story experiments which paved the way for modern films. Almost one hundred different experiments that you may think are recent cinema or story inventions... but some date back to Hitchcock's *silent* films! We'll examine these experiments and how they work. Great for film makers, screenwriters, film fans, producers and directors.
GOT IDEAS?
*** YOUR IDEA MACHINE *** - For Kindle!
*** YOUR IDEA MACHINE *** - For Nook!
Expanded version with more ways to find great ideas! Your screenplay is going to begin with an idea. There are good ideas and bad ideas and commercial ideas and personal ideas. But where do you find ideas in the first place? This handbook explores different methods for finding or generating ideas, and combining those ideas into concepts that sell. The Idea Bank, Fifteen Places To Find Ideas, Good Ideas And Bad Ideas, Ideas From Locations And Elements, Keeping Track Of Your Ideas, Idea Theft - What Can You Do? Weird Ways To Connect Ideas, Combing Ideas To Create Concepts, High Concepts - What Are They? Creating The Killer Concept, Substitution - Lion Tamers & Hitmen, Creating Blockbuster Concepts, Magnification And The Matrix, Conflict Within Concept, Concepts With Visual Conflict, Avoiding Episodic Concepts, much more! Print version is 48 pages, Kindle version is over 175 pages!
*** HOOK 'EM IN TEN *** - For Kindle!
Your story doesn't get a second chance to make a great first impression, and this book shows you a bunch of techniques on how to do that. From the 12 Basic Ways To Begin Your Story, to the 3 Stars Of Your First Scene (at least one must be present) to World Building, Title Crawls, Backstory, Starting Late, Teasers and Pre Title Sequences, Establishing Theme & Motifs (using GODFATHER PART 2), Five Critical Elements, Setting Up The Rest Of The Story (with GODFATHER), and much more! With hundreds of examples ranging from Oscar winners to classic films like CASABLANCA to some of my produced films (because I know exactly why I wrote the scripts that way). Biggest Blue Book yet! Print version was 48 pages, Kindle version is over 100,000 words - 312 pages!
WHAT IS A SCENE?
*** SCENE SECRETS *** - For Kindle!
What is a scene and how many you will need? The difference between scenes and sluglines. Put your scenes on trial for their lives! Using "Jaws" we'll look at beats within a scene. Scene DNA. Creating set pieces and high concept scenes. A famous director talks about creating memorable scenes. 12 ways to create new scenes. Creating unexpected scenes. Use dramatic tension to supercharge your scenes. Plants and payoffs in scenes. Plus transitions and buttons and the all important "flow"... and more! Over 65,000 words! Print version was 48 pages, Kindle version is around 210 pages!
DO YOU WRITE PICTURES?
*** VISUAL STORYTELLING *** - For Kindle! (exclusive)
Show Don't Tell - but *how* do you do that? Here are techniques to tell stories visually! Using Oscar Winning Films and Oscar Nominated Films as our primary examples: from the first Best Picture Winner "Sunrise" (1927) to the Oscar Nominated "The Artist" (which takes place in 1927) with stops along the way Pixar's "Up" and Best Original Screenplay Winner "Breaking Away" (a small indie style drama - told visually) as well as "Witness" and other Oscar Winners as examples... plus RISE OF THE PLANET OF THE APES. Print version is 48 pages, Kindle version is over 200 pages!
GREAT SUPPORTING CHARACTERS!
*** SUPPORTING CHARACTER SECRETS *** - For Kindle! (Exclusive)
Expanded version with more techniques to flesh out your Supporting Characters and make them individuals. Using the hit movie BRIDESMAIDS as well as other comedies like THE HANGOVER and TED and HIGH FIDELITY and 40 YEAR OLD VIRGIN and many other examples we look at ways to make your Supporting Characters come alive on the page. Print version was 48 pages, Kindle version is around 170 pages!
Over 400 Pages!
*** BREAKING IN BLUE BOOK *** - For Kindle!
Should really be called the BUSINESS BLUE BOOK because it covers almost everything you will need to know for your screenwriting career: from thinking like a producer and learning to speak their language, to query letters and finding a manager or agent, to making connections (at home and in Hollywood) and networking, to the different kinds of meetings you are will have at Studios, to the difference between a producer and a studio, to landing an assignment at that meeting and what is required of you when you are working under contract, to contracts and options and lawyers and... when to run from a deal! Information you can use *now* to move your career forward! It's all here in the Biggest Blue Book yet!
Print version was 48 pages, Kindle version is over 400 pages!
$4.99 - and no postage!
*** THE TERMINATOR MOVIES *** - For Kindle!
He's back! The release of "Terminator: Genisys" (now on BluRay) is set to begin a new trilogy in the Terminator story... 31 years after the first film was released. What draws us to these films about a cybernetic organism from the future sent back in time? Why is there a new proposed trilogy every few years? This book looks at all five Terminator movies from a story standpoint - what makes them work (or not)? What are the techniques used to keep the characters and scenes exciting and involving? How about those secret story details you may not have noticed? Containing a detailed analysis of each of the five films so far, this book delves into the way these stories work... as well as a complete list of box office and critical statistics for each film. This book is great for writers, directors, and just fans of the series.
NEW BUT OLD!
*** VINTAGE #1: HOW TO WRITE PHOTOPLAYS *** - For Kindle!
Screenwriting books have been around as long as films have. This series reprints vintage screenwriting books with a new introduction and history, plus new articles which look at how these lessons from almost 100 years ago apply to today�s screenplays. Anita Loos book is filled with information which still applies. In addition to the full text of the original book, you get the full screenplay to Miss Loos' hit THE LOVE EXPERT, plus several new articles on the time period and women in Hollywood.
SCRIPT SECRETS STORE
Start The Day The Coffee Way!
MAKES A GREAT GIFT!
*** THE SECRETS OF ACTION SCREENWRITING *** - For Kindle!
*** THE SECRETS OF ACTION SCREENWRITING *** - For Nook!
Why pay $510 for a used version of the 240 page 2000 version that used to retail for $21.95? (check it out!) when you can get the NEW EXPANDED VERSION - over 500 pages - for just $9.99? New chapters, New examples, New techniques!
"SECRETS OF ACTION SCREENWRITING is the best book on the practical nuts-and-bolts mechanics of writing a screenplay I've ever read." - Ted Elliott, co-writer of MASK OF ZORRO, SHREK, PIRATES OF THE CARIBBEAN and the sequels (with Terry Rossio). (ie; 4 of the top 20 Box Office Hits Of ALL TIME.)
HOW YOU TELL IT
*** STORY: WELL TOLD *** - For Kindle!
This book takes you step-by-step through the construction of a story... and how to tell a story well, why Story always starts with character... but ISN'T character, Breaking Your Story, Irony, Planting Information, Evolving Story, Leaving No Dramatic Stone Unturned, The Three Greek Unities, The Importance Of Stakes, The Thematic Method, and how to create personal stories with blockbuster potential. Ready to tell a story? Print version was 48 pages, Kindle version is over 85,000 words - 251 pages!
STUCK IN THE MIDDLE?
*** ACT TWO SECRETS *** - For Kindle!
Expanded version with more techniques to help you through the desert of Act Two! Subjects Include: What Is Act Two? Inside Moves, The 2 Ps: Purpose & Pacing, The 4Ds: Dilemma, Denial, Drama and Decision, Momentum, the Two Act Twos, Subplot Prisms, Deadlines, Drive, Levels Of Conflict, Escalation, When Act Two Begins and When Act Two Ends, Scene Order, Bite Sized Pieces, Common Act Two Issues, Plot Devices For Act Two, and dozens of others. Over 67,000 words (that's well over 200 pages) of tools and techniques to get you through the desert of Act Two alive! Print version was 48 pages, Kindle version is over 208 pages!
THAT STAR PART!
*** CREATING STRONG PROTAGONISTS *** - For Kindle!
*** CREATING STRONG PROTAGONISTS *** - For Nook!
Expanded version with more ways to create interesting protagonists! A step-by-step guide to creating "take charge" protagonists. Screenplays are about characters in conflict... characters in emotional turmoil... Strong three dimensional protagonists who can find solutions to their problems in 110 pages. But how do you create characters like this? How do you turn words into flesh and blood? Character issues, Knowing Who Is The Boss, Tapping into YOUR fears, The Naked Character, Pulp Friction, Man With A Plan, Character Arcs, Avoiding Cliche People, Deep Characterization, Problem Protagonists, 12 Ways To Create Likable Protagonists (even if they are criminals), Active vs. Reactive, The Third Dimension In Character, Relationships, Ensemble Scripts, and much, much more. Print version is 48 pages, Kindle version is once again around 205 pages!
THEY SOUND DIFFERENT!
*** DIALOGUE SECRETS *** - For Kindle!
*** DIALOGUE SECRETS *** - For Nook!
Expanded version with more ways to create interesting dialogue! How to remove bad dialogue (and what *is* bad dialogue), First Hand Dialogue, Awful Exposition, Realism, 50 Professional Dialogue Techniques you can use *today*, Subtext, Subtitles, Humor, Sizzling Banter, *Anti-Dialogue*, Speeches, and more. Tools you can use to make your dialogue sizzle! Special sections that use dialogue examples from movies as diverse as "Bringing Up Baby", "Psycho", "Double Indemnity", "Notorious", the Oscar nominated "You Can Count On Me", "His Girl Friday", and many more! Print version is 48 pages, Kindle version is over 160 pages!
FINAL DRAFT SOFTWARE
Use your creative energy to focus on the content; let Final Draft take care of the style. Final Draft is the number-one selling application specifically designed for writing movie scripts, television episodics and stage plays. Its ease-of-use and time-saving features have attracted writers for almost two decades positioning Final Draft as the Professional Screenwriters Choice. Final Draft power users include Academy, Emmy and BAFTA award winning writers like Oliver Stone, Tom Hanks, Alan Ball, J.J. Abrams, James Cameron and more. * * * Buy It!
copyright 2019 by William C. Martell
SECRETS OF ACTION SCREENWRITING
IT'S BACK! SECRETS OF ACTION SCREENWRITING
Over 460 pages packed with tips and techniques. How to write a plot twist, the four kinds of suspense (and how to create it), reversals, ten ways to invent new action scenes, secrets and lies, creating the ultimate villain, five kinds of love interests, MORE! CLICK HERE!
CLASSES ON CD
CLASSES ON CD! Take a class on CD! GUERRILLA MARKETING - NO AGENT? NO PROBLEM! and WRITING THRILLERS (2 CDs). Full length classes on CD. Now Available: IDEAS & CREATIVITY, WRITING HORROR, WRITING INDIE FILMS, more!
Take classes on CD!
B MOVIE WORLD
Cult Films, Exploitation, Bikers & Women In Prison, Monster Movies.
FIRST STRIKE PRODUCTIONS
Producing my own scripts, investment possibilities, pipe dreams.
NAKED SCREENWRITING CDs
The NAKED SCREENWRITING CLASS ON CD! The 2001 London Class on 8 CDs! Recorded *live* the morning after the Raindance Film Festival wrapped. The two day class on 8CDs, plus a workbook, plus a bonus CD.
The 2 Day Class on CD!
Every screenwriting book in the world!
SCREENWRITER'S BOOKSTORE
From the latest screenwriting book to guides for finding agents and producers... all with at the Amazon.com discount!
SCRIPT SECRETS STORE From Typing Monkey coffee cups to messenger bags to T shirts - everything a screenwriter needs to look sharp while working on that Oscar nomination! Get your Script Secrets Coffee Cup today!
BILL'S CORNER
My nineteen produced films, interviews with me in magazines, several sample scripts, my available scripts list... And MORE!
...............................BILL'S CORNER
E BOOKS PAGE
E BOOKS: New Blue Books and Novelettes!
I am expanding all of the Blue Books from around 44 pages of text to around 200 pages! Some are over 250 pages! See what is availabale and what is coming soon!Also, I've been writing Novelletes and there will soon be novels.
E BOOKS: BLUE BOOKS & NOVELLETES
BOOKLETS & PRODUCTS
FIRST STRIKE BLUE BOOKS
Each Blue Book is 48 pages and focuses on a different aspect of screenwriting. Dialogue. Visual Storytelling. Your First Ten Pages. Act 2 Booster. Protagonists. Great Endings.
Seventeen Blue Books now available!
THE SECRETS OF ACTION SCREENWRITING OUT OF PRINT!


Rupert Pupkin Speaks: A Year in Film: My Favorite's of 1980 ""
What a year! Comedies(some true classics), slasher films, sci-fi & dramas! Lots of fun Italian horror too. So much good stuff!! Woody Allen, Brian De Palma, Robert Altman, Louis Malle, Ken Russell, Nicolas Roeg... the list goes on. A remarkable, magical time to be sure. Such a formative time for me and with the rise of VHS(the medium I saw most of these films on), I can say that this was the time that my obsession with movies kinda began. Things are quite different now, but so many of these films endure for one reason or another.
I really enjoy THE BLUES BROTHERS and STIR CRAZY to this day as well, and while CHEECH AND CHONG'S NEXT MOVIE is no masterpiece, it has a lot of sentimental value as one of the "R"s I did get into.
One 1980 film I haven't revisited since then is WHOLLY MOSES! I wonder how it would hold up now?
The Stunt Man is one of my favorites, but wow is there a lot of (good) junk on that list! I had to look up Humanoids from the Deep, because I didn't believe it was as late as 1980 - McClure starring makes it seem older, I guess. Maniac was made (I've heard)just so Tom Savini could use one effect he created (a head filled with blood-filled condoms!); I saw it by mistake, looking for the 1934 film of the same name.
Hal- Yeah I was amazed just what a year it was. So much fun! I need to see STIR CRAZY again, been years. Recall enjoying it. Never been the world's biggest BLUES BROS fan which I realize is blasphemous. Not sure if I've ever seen C&C's NEXT. WHOLLY MOSES is another I've been meaning to watch for some time. Always looked interesting at the very least. CHEAPER TO KEEP HER certainly has me fascinated on cast alone!
Steve-Yeah the STUNT MAN is absolutely one of O'Toole's finest. Wow, I imagine watching MANIAC by mistake must have been quite enlightening.
Wow! What a year! I love Hopscotch and Flash Gordon.
What's funny is we got hbo in the early 80's and that's where i fell in love with CARNY,FLASH GORDON,OUT OF THE BLUE and SERIAL.
i have to say my all time favorite comedy was released that year..USED CARS!!!! i have seen it 50 times atleast and even have it on my ipod!!
Robert-Yeah HOPSCOTCH gets overlooked a lot. Great Matthau. I like CHARLEY VARRICK more but it's quite solid.
Gene-USED CARS is one of the greatest comedies of all time!
WOW! What a list. I think I might just have nightmares from some of those posters. It's unbelievable these films are that old. i mean, 1980 doesn't sound like it was 30+ years ago!


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Fabiano Monteiro de Oliveira (Seropédica, 6 de março de 1987), conhecido por Fabiano Oliveira, é um futebolista brasileiro que joga como atacante. Atualmente, joga no Portuguesa da Ilha.

Carreira
Fabiano Oliveira foi revelado nas divisões de base do , onde era cercado de cuidados e tinha status de promessa. Fez sua estréia como profissional durante a última rodada do Campeonato Brasileiro de 2004, entretanto, como tinha idade para atuar no time de juniores, reforçou a equipe comandada por Adílio e faturou o Campeonato Carioca de Juniores de 2005. Depois disso, permaneceu mais duas temporadas no rubro-negro, até que, no início de 2007, acabou sendo emprestado ao . Oscilando bons e maus momentos no Goiás, deixou o clube no início de 2008, quando teve seu nome especulado no , mas acabou mesmo transferindo-se para o , de Portugal. Foi depois emprestado ao Giresunspor do Campeonato Turco. Em junho de 2010, durante a pausa para a disputa da Copa do Mundo, acertou a sua volta para o . Mas foi novamente emprestado, agora para o Boluspor do Campeonato Turco. Na pré-temporada de 2012 esteve com o elenco principal do  na expectativa de receber uma nova chance. Sem chances, Fabiano Oliveira foi afastado e passou a treinar separado do elenco principal. No mês de novembro de 2012, Fabiano Oliveira foi emprestado ao .

Estatísticas
Até 18 de abril de 2015.

Clubes

 a. Jogos da Copa do Brasil, Taça da Liga, Taça de Portugal e Copa da Turquia
 b. Jogos da Copa Libertadores da América
 c. Jogos da Copa Finta Internacional, Partida amistosa, Copa Record Rio, Campeonato Carioca, Troféu Coliseu e Copa Rio

Títulos
 Flamengo
 Troféu da Paz: 2005
 Copa Record: 2005
 Campeonato Carioca de Juniores: 2005
 Copa do Brasil: 2006

Portuguesa RJ
Copa Rubro-Verde

Artilharias
 Troféu da Paz de 2005: 1 gol

Ligações externas
 Perfil de Fabiano Oliveira  em Goal
 Perfil de Fabiano Oliveira  em Soccerway
 Perfil de Fabiano Oliveira  em Sambafoot

Naturais de Seropédica
Futebolistas do Rio de Janeiro (estado)
Futebolistas do Clube de Regatas do Flamengo
Futebolistas do Goiás Esporte Clube
Futebolistas do Clube Desportivo Nacional
Futebolistas do Giresunspor Kulübü
Futebolistas do Boluspor Kulübü
Futebolistas do Boavista Sport Club
Futebolistas do Adanaspor
Futebolistas do Esporte Clube Tigres do Brasil
Futebolistas da Associação Atlética Portuguesa (Rio de Janeiro)
Jogadores da Seleção Brasileira de Futebol Sub-20

redpajama_set_name: RedPajamaWikipedia


The article discusses the initiative to measure the quality improvement efforts in assisted living facilities in the U.S. In 33,000 assisted living centers, there are roughly 800,000 residents who are under their care. However, there are continuing research to determine the efficient services offered in nursing homes to assist facilities in developing their care quality and to provide consumers with guidance.
Aud M., Rantz, M.J., Zwygart-Stauffacher M., Flesner M. (2007). Measuring quality of care in assisted living: A new tool for providers, consumers, and researchers. Journal of Nursing Care Quality, 22(1), 4-7.


The super model of Engel fridge-freezers. The Engel portable fridge freezer MT45G-P includes the new swing compressor, a new generation of the famous Engel swing compressor that allows for this fridge to be more efficient and quieter than other models. This fridge occupies the same surface area as all MT35 models, but it is 10 cm higher, and therefore offers a total capacity of 40 litres, which turns it into the perfect choice for long trips. Besides, this Engel fridge freezer has got energy-saving LED interior lights and digital temperature control, two features which only this model and the MT35G-P include. The MT45G-P runs both at 12/24V DC and at 110/230V AC and it includes an automatic priority circuit, so you will be able to take it to all your adventures.


This GDPR Data Processing Addendum, including the Standard Contractual Clauses referenced herein ("DPA"), is dated amends and supplements any existing and currently valid service agreement (the "Agreement") either previously or concurrently made between you (together with subsidiary(ies) and affiliated entities, collectively, "Merchant") and Cleverific, Inc (together with subsidiary(ies) and affiliated entities, collectively "Processor") and sets forth other terms that apply to the extent any information you provide to Processor pursuant to the Agreement includes Personal Data (as defined below).
This DPA is effective on the later of (a) the start of enforcement of the GDPR or (b) the date Processor begins to process Personal Data on behalf of Merchant.
Exhibit A to this DPA describes the data exporter, data importer, data subjects, data categories, special data categories (if appropriate), the processing operations and the technical and organizational measures implemented by Processor to protect the Personal Data. For the purposes of the Standard Contractual Clauses, (a) Merchant is the data exporter, and Merchant's execution of this DPA shall be treated as Merchant's execution of the Standard Contractual Clauses and appendices in this DPA; and (b) Processor is the data importer, and Processor's execution of this DPA shall be treated as Processor's execution of the Standard Contractual Clauses and appendices in this DPA.
process the Personal Data only on documented instructions from Merchant unless required to do so by European Union or Member State law to which Processor is subject; in such a case, Processor shall inform Merchant of that legal requirement before processing, unless that law prohibits such information on important grounds of public interest.
taking into account the nature of the processing, assist Merchant by appropriate technical and organizational measures, insofar as this is possible, for the fulfilment of the Merchant's obligation to respond to requests for exercising the data subject's rights set forth in Chapter III of the GDPR. Processor may charge a fee (based on Processor's reasonable costs) for responding to data subject requests under this Section 4(b)(iv).
assist Merchant in ensuring compliance with the obligations pursuant to Articles 32 to 36 of the GDPR, taking into account the nature of processing and the information available to Processor.
at the direction of Merchant, delete or return all the Personal Data to Merchant after the end of the provision of services relating to processing, and delete existing copies unless European Union or Member State or United States law requires storage of the Personal Data; provided, however, that Processor may retain Personal Data for the length of any applicable statutes of limitations for the purposes of bringing or defending claims. Processor may charge a fee (based on Processor's reasonable costs) for any data deletion under this Section 4(b)(vi).
make available to Merchant all information necessary to demonstrate compliance with the obligations set forth in Article 28 of the GDPR and allow for and contribute to audits, including inspections, conducted by Merchant and immediately inform Merchant if, in its opinion, an instruction infringes the GDPR or other European Union or Member State data protection provisions. Processor may charge a fee (based on Processor's reasonable costs) for any audits under this Section 4(b)(vii).
Processor shall notify Merchant without undue delay after becoming aware of a Personal Data breach. [Article 33(2)] Such notice will, at a minimum, (A) describe the nature of the Personal Data breach including where possible, the categories and approximate number of data subjects concerned and the categories and approximate number of Personal Data records concerned; (B) communicate the name and contact details of the data protection officer or other contact where more information can be obtained; (C) describe the likely consequences of the personal data breach; and (D) describe the measures taken or proposed to be taken by the controller to address the personal data breach, including, where appropriate, measures to mitigate its possible adverse effects. [Article 33(3)] Processor's notification or response under this Section 4(g) shall not be construed as an acknowledgement by Processor of any fault or liability with respect to such Personal Data breach.
Merchant acknowledges and agrees that Processor is located in the United States and that Merchant's provision of Personal Data to Processor for processing is a transfer of Personal Data to the United States.
All transfers of Merchant Personal Data out of the European Economic Area, Switzerland and the United Kingdom to countries that do not ensure an adequate level of data protection within the meaning of applicable data protection laws shall be governed by the Standard Contractual Clauses. The Standard Contractual Clauses, and Appendices 1 and 2 to the Standard Contractual Clauses set out in Exhibit A to this Addendum, are incorporated in this DPA by this reference solely as required with respect to Personal Data. Execution of this DPA by both parties includes execution of the Standard Contractual Clauses with respect to the processing of Personal Data.
Merchant represents and warrants that the Personal Data provided to Processor for processing under the Agreement and this DPA is collected and/or validly obtained by Merchant in compliance with all applicable laws and regulations, including without limitation the EU Data Protection Laws, including without limitation Chapter II of the GDPR.
To the extent that it is determined by any data protection authority that the Agreement or this DPA is insufficient to comply with the applicable EU Data Protection Laws, or to the extent required otherwise by any changes in the applicable data protection laws, Merchant and Processor agree to cooperate in good faith to amend the Agreement or this DPA or enter into further mutually agreeable data processing agreements in an effort to comply with any EU Data Protection Laws applicable to the Processor and Merchant.
This DPA is without prejudice to the rights and obligations of the parties under the Agreement which shall continue to have full force and effect. In the event of any conflict between the terms of this DPA and the terms of the Agreement, the terms of this DPA shall prevail solely to the extent that the subject matter concerns the processing of Personal Data. This DPA does not confer any third-party beneficiary rights, is intended for the benefit of the parties hereto and their respective permitted successors and assigns only, and is not for the benefit of, nor may any provision hereof be enforced by, any other person. This DPA only applies to the extent Processor processes Personal Data on behalf of Merchant.
Except as required under the GDPR, this DPA and any action related thereto shall be governed by and construed in accordance with the laws of the State of California, without giving effect to any conflicts of laws principles. Except for disputes subject to arbitration as described in the Agreement, which provisions are incorporated herein by this reference, the parties consent to the personal jurisdiction of, and venue in, the courts of Santa Barbara, California.
This DPA together with the Agreement is the final, complete and exclusive agreement of the parties with respect to the subject matter hereof and supersedes and merges all prior discussions and agreements between the parties with respect to such subject matter.
Data exporter is Merchant, a user of services provided by Processor, the entity that has executed an Agreement and assented to the Standard Contractual Clauses as a data exporter.
Cleverific, Inc, a provider of a platform that facilitates the management of customer orders and transactions and processes Personal Data upon the instruction of the data exporter in accordance with the terms of the Agreement and the DPA.
Data exporter may submit Personal Data to Cleverific, Inc, the extent of which is determined and controlled by the data exporter in its sole discretion, and which may include, but is not limited to Personal Data relating to the following categories of data subjects: the data exporter's representatives and end-users including employees, contractors, business partners, collaborators, and customers of the data exporter. Data subjects may also include individuals attempting to communicate or transfer Personal Data to users of the services provided by Cleverific, Inc.
Data exporter may submit Personal Data to Cleverific, Inc, the extent of which is determined and controlled by the data exporter in its sole discretion, and which may include, but is not limited to the following categories of personal data: (a) First and last name; (b) email address; (c) Shipping and Billing Address; (d) Phone number; (e) abridged payment information; (f) Connection data; (g) Localisation data; and (h) other data in an electronic form used by Merchant in the context of the services.
The objective of the processing of personal data by data importer is the performance of the contractual services related to the Agreement with the data exporter. The processes may include collection, storage, retrieval, consultation, use, erasure or destruction, disclosure by transmission, dissemination or otherwise making available data exporter's data as necessary to provide the services in accordance with the data exporter's instructions, including related legitimate internal purposes (such as quality control, troubleshooting, product development, etc.).


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Gallery: These buildings are made of … bamboo?
Plunge into the deep Balinese jungle and you might suddenly find a bamboo building soaring above you. Made from the frankly unlikely building material, the ethereal structures are the brainchildren of designer Elora Hardy and her team at Ibuku (TED Talk: Magical houses, made of bamboo). The one-of-a-kind houses are curving, magical and utterly stunning. Take a look.
Sharma Springs, a private home in Sibang Gede in Bali, has four bedrooms and stretches over six floors. It's one of the tallest bamboo buildings in Bali; its design is intended to make you think of the petals of a lotus flower. Photo courtesy of Rio Helmi.
This fifteen-meter tunnel (shown under construction) leads into the ground-level entrance of the Sharma Springs home. Things can get very complex when building with bamboo. Photo courtesy of Ibuku.
23 meters long, the Millennium Bridge in Sibang Kaja is one of the largest bamboo bridges in Asia. It's shown here under construction — sitting on top of the roof is no longer an option. Photo courtesy of Green School.
This three-bedroom home, in Sibang Gede in Bali, was built in the shape of a leaf. It faces east, earning it the nickname "Sunrise House." Photo courtesy of Rio Helmi.
With a spectacular view out over the surrounding trees, Palm Villa in the Green Village boasts some unique design traits. "Why are doors so often rectangular?" asks Elora Hardy. "Why not have it pivot on the center where it can stay balanced?" Why not, indeed. Photo courtesy of Rio Helmi.
"This is the meeting room at our workshop in Bali," says Elora Hardy. She's now working to export the design elsewhere. "It has been designed to fit into a container and be assembled without skilled craftsmen." (Cold-climate offices need not apply; the building is not insulated.) Photo courtesy of Agung Dwi.
Hardy's team works from physical models rather than blueprints, because it's difficult to adjust the software typically used by architects to account for the curves of the bamboo. Says Hardy, architecture students who come to work with her have to go through a process of "unlearning." Photo courtesy of Ibuku.


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Often regarded as the First Lady of Malaysian Theatre, Datuk Faridah Merican has dedicated her life to cultivating Malaysian theatre in the hopes of showcasing local talents to the world. She co-founded both KLPAC and Performing Arts Centre of Penang (PenangPAC) alongside artistic director and husband, Joe Hasham in 2003 and 2011 respectively. For more than five decades, Faridah is considered a pioneer of the Malaysian theatre industry.
Her passion for theatre was instilled in her from a young age, and her influence stemmed from watching regular stagings of bangsawan and Chinese opera. Before she became Malaysian Theatre's First Lady, Faridah was a school teacher, newsreader and radio talk show host.
"I wanted to become a PE teacher, but I couldn't because I wasn't a university graduate, but I did become a primary school teacher. I've come to realise that primary school teachers are probably some of the most important people in the education field, because they are the people who lay the foundation for the children."
When TV Malaysia found its footing in 1963, Faridah, who was already doing freelance radio work, felt that it was the right time to move on to the next chapter of her life. "After being in radio, TV was like a very natural step to take next. And when it came knocking on my door, I left my job as a teacher. The salary then was ridiculously low. But life then was easy, so the small salary didn't quite matter. So I became a freelance broadcaster for both radio and TV."
Upon reflecting on an era where gender equality wasn't a priority, Faridah was never shaken by it. "I think because I'm not the kind of person who was actively looking on whether there's discrimination in my life or not, be it in my personal or professional life." The doyenne in Malaysian theatre thinks that it's because she never wavered from her focus in life.
The arts in Malaysia are still growing, struggling, and looking for ways to do better and be greater—not necessarily to compete with our neighbours, but to express our stories, Malaysian stories.
Datuk Faridah Merican
"Because I've always enjoyed what I do. I enjoyed being a teacher; I enjoyed very much being in the broadcasting industry; I enjoyed being in the advertising industry. My philosophy in life is that if you do not enjoy yourself in doing what you do, you might as well not do it. You always have a choice, you can focus on the negatives, but it may not take you where you want to be."
When asked on whether she's satisfied with the local performing arts scene's current state, the First Lady of Malaysian Theatre thinks that we could do better. "The arts in Malaysia are still growing, struggling, and looking for ways to do better and be greater. Not necessarily to compete with our neighbours, but to express our stories, Malaysian stories." To her, it is absolutely vital that the stories of Malaysia get recognised. "It is our image that we want to put forward and show to the world. Unless and until we are happy to say that we are happy being recognised, we have not been recognised."
Despite boasting an illustrious legacy, Faridah thinks that it is absolutely important that she stays motivated and passionate in whatever that she does. "I believe that perhaps I should tell myself over and over again; I must continue to do what I believe in, I must improve my skills, I must try to pass down whatever little knowledge I have to the next generation."
(Photo credit: KLPAC)
Farah Ann Abdul Hadi
National Artistic Gymnast
Puan Sri Normala Samsudin
Claire Sancelot
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redpajama_set_name: RedPajamaCommonCrawl


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Five years on from those naked red honey-covered men, poking around East London and what's left of First Thursday…
seanworrall / September 6, 2016
Last Thursday, September First Thursday was five years on from the birth of Cultivate, we didn't make a big noise about it, we're too busy getting on with the next shows and events, but here's a piece I wrote for the Organ page…
Vyner Street, Sept 2011
Five years on from that infamous September First Thursday with the naked honey covered red men, the messy punk band in the back of a truck, the opening of Cultivate in a space that 24 hours before had been a storage room for a junk shop and full of old beds and all kinds of diabolical rubbish (we picked up the keys in the afternoon, cleared it out and three hours later we had a First Thursday exhibition open and a group show hung on the walls of a new gallery. We'd put the word out and invited artists the night before, people turned up with art and drills, rolled up their sleeves and it all came together), it wasn't the greatest art show ever, of course it wasn't, but it was so exciting to just make it happen and to be part of something that was so alive, to be open and engaging and have hundreds (thousands?) of people coming in. The whole street was alive that night (and for the next two or three brilliantly busy years of First Thursdays until the developers started to really bite). A street alive with people, art, laughter, engagement, galleries and art spaces up and down Vyner Street – fifteen or twenty or so galleries, spaces and such on that first night, people traveling from miles around to be part of it, First Thursday and the East End was alive, not just Vyner Street, all over the East End – Redchurch Street, along the Hackney Road, up at Whitechapel, spaces here and there, spaces seemingly everywhere, just take a walk and find a show, no need for a map or an app, oh look there's another. There really was a whole load of energy, attitude and exciting art, where did it all go?
Cultivate, Vyner Street…
Fast forward five years and oh how things have declined, there's still art shows here and there in East London, it is still worth exploring, sometimes the art is exciting, but now the openings and events exist in (mostly uninviting) isolation. First Thursday, if it does actually still exist in terms of anything other that an unenthusiastic website, is little more than a show here, a show somewhere over there twenty minutes away and the sad truth is the first Thursday evening of the month is pretty much just like any other Thursday night. Art shows still happen but they happen in isolation now and First Thursday is no more significant that the second, third of fourth Thursday of the month, shows are mostly hidden in unclear venues, art is mostly aloof and unwelcoming, exhibitions hidden behind closed doors and meaningless artschool-induced show statements.
We're desperate for some art on this First Thursday of September, the start of Autumn, the start of the supposed art season, we really want art to engage with us tonight, we're actively out there trying to find it. The official First Thursday website isn't promising that much, nothing really jumps out and as usual several of the shows we know to be happening aren't listened (getting past official apathy and getting your show listed officially was always at best very very frustrating),
The exploring starts at New Art Projects, Fred Mann's gallery just behind Broadway Market down by…. For the rest of the piece, our adventures around East London last Thursday and more head over to Cultivate's sister blog Organ for the full nine yards, a bag load of on the rest of the article and the galleries we got to…
September 6, 2016 in ART, CULTIVATE, FIRST THURSDAY. Tags: cultivate, FIRST THURSDAY, sean worrall, vyner street
Right then, First Thursday at Cultivate and down Vyner Street is almost upon us once more, this time things are extra special
TWO YEARS, POLICE SHUT DOWNS, SEPTEMBER FIRST THURSDAY, DID CULTIVATE FAIL? SOME THOUGHTS….
CULTIVATE: WE ARE THREE, A BIRTHDAY CELEBRATION AND A FINAL SHOW?
← Debased, back to that Dalston basement again….
Cultivate goes to the dogs (again) this Sunday… →


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Most of the original portraits reproduced in the "One World" book are crafted in watercolor; a few are in oil. The artist, Faye Sepahban, finds working in watercolor exciting because it is an unforgiving and challenging medium. Her work with Editions Sandelius in Paris, where she had a slew of tight delivery schedules, solidified her passion for watercolor. Through all of her travels, she also found watercolor to be a more portable medium.
The inspiration for these portraits started many decades ago when Faye's main hobby as a child was to look for interesting images of countries and their people, cut them out, and make scrapbooks. She also became interested in ethnic costumes, which she would adopt for her daughter, Sonya, on special occasions like her birthday. Years later, Faye and her daughter journeyed together to many parts of the world — including China, Egypt, and other far-away places. Memories of ethnic people she met and photos she took during these trips, along with beautiful images in books, travel guides, magazines, and other media pieces, have all provided bits and pieces to inspire the portraits in the "One World" book. "With every portrait," says Faye, "I've travelled in my imagination to the region where it is set. I've experienced the joy of the people and their culture, as well as the oneness of this world."
Veteran freelance writer, Maureen McDonald, and her talented team bring the portraits to life with well researched and documented cultural facts and information. The book is beautifully designed and published by Ed Peabody and his expert team at Hour Media, the respected publisher of "Hour Detroit" and other well-known publications.
ACCOMPLISHED WATERCOLORIST and world traveler Faye Sepahban shares the fruit of two decades of hard work and dedication to her art with this collection of original portraits representing 45 regions of the world. Her hope is to promote oneness, peace, and harmony among people of the world.
THE AMAZON
THE SERENGETI
$49.95 One World: Portraits of Diversity	By: Faye Sepahban


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We guarantee the authenticity of these Manolo Blahnik Suede Leopard Print Pump Size 8 (IT 38) crafted from smooth black suede with a leopard printed pointed-toe. Featuring a an adjustable ankle strap and a self-covered stiletto heel.
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Home Post Script
Karimeen. Cari. And Rekha
Posted By: Atul Takle March 17, 2021
The sun glinted off the wings of my aircraft.
I love window seats when landing at an airport on the sea, and the flight to Kochi was one such.
Those days, the approach into Kochi airport was nothing short of spectacular.
I was in the midst of my induction with the new business group I had recently joined, and the trip to Kerala was to be able to meet officials of the group company with major interests in tea and rubber.
In Kochi, I was put up at the fabulous guest house the company had.
Better than the guest house was the culinary ability of the chef.
He used to magically produce food (whose names I still cannot pronounce, but which were divine on the palate). And among the many meats, and curries that I sampled, the highlight was the fried Karimeen. 🙂
To the uninitiated, The Karimeen is a fish unique to Kerala, and not dissimilar to the famous 'Ilish' of Bengal.
Both had copious quantities of bones and could be eaten properly only if you were a native.
But our wonderful chef, had ensured that the fried Karimeen he served me was a filet…no bones. He refused to reveal either the recipe, or how he had deboned the fish.
Seventh heaven in Kochi for 3 days, quickly gave way to the 4th day, when my adventure began.
The destination: Mooply Rubber plantation, and then Munnar.
That was my first tryst with NH 47 (it's now been renamed NH 544).
What struck me during the drive was the huge population density in Kerala. One village blended into the next town, then another village, and another town…and so it went on, with no place to make even a 'pit stop'.
A few hours later, we turned off the highway, and onto a small road passing through dense forests. A 40 km drive through these forests, and we reached our destination: the rubber plantation called Mooply.
That's where I met Cari – the plantation manager, and his wife Rekha – who redefined hospitality for me. Their abode was a HUGE bungalow from the British era and had 20 bedrooms!
Over a sumptuous repast, Cari explained to me that the two of them were the only inhabitants of the house.
I would be the third, and that too, for two nights only.
This was the first time that I was coming into contact with 'loneliness', when Rekha said that the only outing they had was a weekly get together with other planters at a club all of 50 kms away from their house.
After a very comfortable night, Cari took me to the rubber plantation the next day. The man's knowledge was amazing. He knew every tree, including the year it had been planted. What was more wondrous was that Cari had names for all the trees he had planted!
As we were walking around, we came to a clearing where we saw a demonstration of sorts taking place.
This had been organised by one of the labor unions, and as Cari explained, he had to contend with 14 of them.
Those days, and even today, Kerala has two major coalitions of political parties – the LDF (the Left dominated group) and the UDF (the centrists), and each coalition had approx. 6-7 individual parties, each with their individual unions. So effectively, Kari had to deal with 14 unions and their leaders and get them aligned to the common cause!
During the course of our walk, Cari mentioned the time, union unrest was at it's peak, and how bombs had been thrown at his house. Thankfully no one was injured. But Rekha was scared. Cari was not.
He spent the next two days as though nothing had happened. No police were called. Instead, Cari invited each union leader for discussions across the table. And, over the next two days, peace reigned once again. I was quite taken aback and asked Cari how he had achieved what he did.
He smiled and said, 'I just listened to their demands. They all needed an outlet, and I let them vent. That's all. Plus, I respected their individuality by calling them by their name.'
Needless to say, this left a very lasting impression on me. It also took my mind back to the fabulous Karimeen, and how deboning it had imparted a new flavor.
Two wonderful days with Cari and Rekha, and I was off again. I have never met them since, but what I learned from them has stayed with me.
Thank you, Cari. And Rekha.
Aspire to build your skills, and then master them. The deboning of the Karimeen by the chef taught me that.
Be satisfied in the hand you have been dealt. Rekha was a classic case in point, where she came to terms with being alone.
Leadership has a lot to do with being able to listen to your teams. Hear them out and make them feel that they are on the same side, working to achieve common goals.
Each person is an individual and has a name. Call them by their names and see how well they relate to you.
The views and opinions published here belong to the author and do not necessarily reflect the views and opinions of the publisher.
Atul Takle
German interpreter. Advertising executive. Client. PR partner.
Lintas. Indian Express. RPG. TCS. Accenture. Future Group. SKS Microfinance. Adfactors PR.
International guest lecturer. Avid Traveler.
Pet friendly. Music friendly. Movie friendly. Book friendly.
Generally friendly.
Covid times cook. All times a foodie.
Mad about soccer. Mad about F1 racing. Mad about cricket.
Mad with Trump.
Sometimes writer.
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Takes a moutain to change the world
November 17, 2015 Written by missjill
Climb The Musical Mountain With Professor Louie & The Crowmatix
Music From Hurley Mountain Out On January 15th
A Barn Burning Collection of Americana
"Prof. Louie's upstate ensemble is an old school Americana template that jams out timeless rock, country, blues and New Orleans influenced originals." – Village Voice
ATLANTA, GA – Woodstock Records recording group Professor Louie & The Crowmatix present their 12th release, Music From Hurley Mountain, set to release on January 15, 2016. Recorded and produced in their small town of Hurley near Woodstock, NY, 100 miles north of the Big Apple, this grouping of all-stars bring the right amount of Americana to the band's sound.
The band's latest release Music From Hurley Mountain showcases music written by Louie and his songwriting partner, vocalist, pianist and percussionist, Miss Marie (Rick Danko). Drummer Gary Burke (Bob Dylan, Joe Jackson), guitarist/vocalist John Platania (Van Morrison) and bassist/vocalist Frank Campbell (Steve Forbert, Levon Helm) complete the talented and versatile quintet.
The Grammy-nominated Woodstock, NY ensemble, plays 150 shows every year in the U.S. and worldwide. Led by recording engineer and producer, Aaron "Professor Louie" Hurwitz on vocals, keyboards, and accordion, their repertoire is steeped in rock 'n' roll, blues, Gospel, to the early sounds the American roots music genre. The Crowmatix bring fans inside the musical heritage that has shaped their sound and made them one of the Hudson Valley's most beloved bands.
The music was inspired by the beautiful farmlands next to their recording studio in the Catskill Mountains. It's a spirited collection of 11 originals and three select cover tunes (including Jimmy Reed's "You Got Me Dizzy") that create a musical short story that brings listeners along on a day spent on Hurley Mountain. Professor Louie's accordion opens up the album with a tranquil sunrise "Golden Morning" that flows throughout til the end of the day with the aptly titled "Goodnight Hurley Moon."
Music From Hurley Mountain is divided up into scenes as you may, starting with daybreak, a small history lesson about the rural town as it evolved and some historical events that occurred in Hurley. The songs reflect different stories and relationships of the various people who settled throughout the decades. Even the sound of the tractor can be imagined as a farmer goes to the barn for a dance. As time goes on, the Rock'n'Roll Barn, LRS Recording Studio, is built in the middle of the farm on Hurley Mountain where engineers and producers continue to record with legendary & local musicians.And finally as sun sets and the moon rises, the barn still stands, and the family sits down for supper. These various tales and stories are woven into melodies that are traditional sounding like Celtic and Gospel to the recent of early sounds of rock 'n' roll. Whether you have two left feet or can't carry a tune in a bucket, you can still be moved by it.
Professor Louie & The Crowmatix began as the studio backing band for Hurwitz's musical productions with the Rock 'n' Roll Hall of Fame Inductees, The Band, another band based out the Woodstock area. Louie produced their albums from 1993 until 2000 when the members disbanded. "Working with Rick, Garth and Levon for 15 years was a great honor – and a lot of fun – and we're proud of the music we created together," says Louie. "Their love of crafting musical stories based on American history had a strong influence on us, and I like to think we're continuing that tradition in The Crowmatix recordings."
Each member of the Crowmatix worked in a wide variety of musical genres and different stages ranging from Bob Dylan to Joe Jackson to Van Morrison. Their level of professionalism and experience gives Louie a jumpstart with a band that still carries its small town etiquette wherever they go.
For more information and to purchase their CD please the website: www.woodstockrecords.com
To listen to a song from the CD: https://soundcloud.com/professor-louie/hurley-mountain-road
Funkaliciously Yours, Cyril Neville
Andy Frasco is one happy you know what…


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Baltimore Archbishop Lori hits highs and lows with editorial
by Pat Perriello
perriellop@aol.com
Archbishop William Lori of Baltimore continues to insist that the government is inhibiting the religious freedom of Catholics. In a strong editorial in The Baltimore Sun, Archbishop Lori makes his case for the threat we live under in the United States.
The editorial is well done, but a number of things need to be pointed out. First, the over-the-top headline: "Religious freedom under threat at home." Lori also adds that the threat to faith and religious liberty is growing, and he asserts the need to resist the erosion of religious liberty. These expressions go far beyond any legitimate disagreement the archbishop may have. They suggest some sort of attack on religious liberty that just doesn't exist. They also serve to dilute the value of whatever else he may say.
The bulk of his argument is well-reasoned and deserving of careful review, but his analysis still distorts the status of religious liberty in the United States. He talks about a number of issues that he says lessen the influence of religion in the marketplace. People don't want to talk about their faith anymore. Some may be discouraged from bringing their faith into the public square. It has become countercultural for believers to openly discuss their faith.
He may well be correct, though there are significant differences in the way believers behave in different regions of the country. In any case, these issues have little or nothing to do with an erosion of religious liberty. They are more related to a change in the culture and a lessening of the influence of religion within American society today. Society may be becoming more secular and Lori may decry that fact, but it is not the province of government to make the American people more religious.
He also makes a credible case for all the good that religion has done in society over the years, especially through Catholic Charities. I suspect few would question the generosity and value involved in such activities.
Where the archbishop makes his mistake is in assuming that such efforts somehow entitle the church to special privileges. He continues to see the concept of religious freedom as applying only to the Catholic church. For Lori, freedom of religion requires the government to permit the church to do whatever it wants, even when these practices infringe on the rights of others.
It may help the archbishop to recognize that the religious liberty clause in the Constitution has two sections. One allows everyone the free expression of their religion. The other forbids the government from making any law that establishes religion. This means that any law that shows favoritism or gives any church or denomination an advantage over the rest of society in any demonstrable way is unacceptable.
None of these issues is definitively settled precisely because they are complicated. Even the issue of contraceptive coverage in insurance plans is yet to be finalized. How these conflicting issues can and should be decided will need to work its way through legislative and judicial forums to an ultimate decision.
Thus, the church has every right to continue to advocate for its position and make the best case it can for what it believe. That means, however, that it must play by the same rules as every other societal group. The usual church practice of stating a position and deciding it represents the only possible position because the church has a corner on the truth is not the way it works in a democracy. The church's narrow perspective leads it to see unwarranted attacks on religious freedom from every side. It needs to desist from the idea of the church as victim. It needs to stop believing that every time its position is not fully subscribed to, it's another attack on religion. As difficult as it will be, the archbishop will need to understand that in the give-and-take of democracy, he will not win every argument he puts forth.
While Archbishop Lori does a reasonable job of highlighting what he sees as the religious liberty issues for Catholics, or at least for the hierarchy, I would be more impressed if I could find him articulating the freedom of conscience and religious rights of others in the community. Advocating for the rights of workers, particularly non-Catholics at Catholic institutions, would be a good place to start. What about the rights of workers to a living wage and job protections? What about the rights of children to be free of abuse from the clergy that serves them? These are real tangible actions that too often impact the lives of individuals in a negative way.
Unfortunately, the church continues to seem concerned only with advancing its own interests, which are often not even the true interests of the church. The real interests of the church should be feeding the lambs, as Pope Francis would tell us. I would urge the good archbishop to focus the church in Baltimore more fully on such issues.


text:
Great Italian Movies on Netflix to Watch in 2020
April 24, 2020 By Mathieu Gasquet Go to Comments
There is no better way to immerse yourself in the Italian language than by watching an Italian film made with an Italian cast and shot in locations around Italy!
The selection on Netflix isn't huge, about a dozen films for now, but more content is coming soon.
Note: This post is about Italian films. Head over here if you're looking for films available to watch in Italian.
How to find Italian films on Netflix
The best way to look for Italian films is to type Italian in the search bar and then click the suggestion Italian-language films (or search for Italian-language films directly). This way you're sure to have a list of native language films from Italy. If you have set up your Netflix profile in Italian, search for Italiano and Film in italiano.
Among the Netflix suggestions, there is also Italian for Beginners (Parla Italiano?) which displays a mix of films, TV series and documentaries available in Italian.
Below are our recommendations on Italian films that you can watch on Netflix with Italian audio and subtitles.
Tip: If you really want to improve your Italian, choose Italian for both audio and subtitles!
Benvenuto Signor Presidente / Welcome Mr President
Giuseppe Garibaldi, or Peppino to his friends, lives in a small village and works in a library. When frustrated politicians can't decide on who to elect as the next president of the republic, they jokingly write Giuseppe Garibaldi (the Italian general who contributed to the Italian unification and the creation of the Kingdom of Italy in the 19th century) on their voting sheet. Since Peppino is the only Italian citizen with that name and the minimum requirements (older than fifty, no criminal records), the law makes him the new president.
Benvenuto Signor Presidente is a typical Italian comedy that doesn't take itself too seriously. A relaxed and entertaining film, which is perfect to practice your Italian. The main actor, Claudio Bisio, is a famous comedian, actor and TV presenter in the country.
Lo Spietato / The Ruthless
Lo Spietato is a crime story following the rise and fall of Santo Russo, a gangster and yuppie in 1980s Milan. It is inspired by the real criminal Saverio Morabito.
This is a Netflix Original, and stars Riccardo Scamarcio as the main protagonist, a talented Italian actor who is known in his birthplace for his work in cinema and television.
L'Uomo Senza Gravità / The Man Without Gravity
Another Netflix Original, this feature film by Mirco Bonfanti tells the story of a man who can levitate, a characteristic he has had since he was born. His mother manages to hide the secret during his childhood, but once he becomes an adult, Oscar decides to reveal his extraordinary talent to the world.
This curious plot makes for a moving film starring Elio Germano, an actor who often collaborates with independent productions and is among the most talented artists in the country.
Slam – Tutto per una ragazza / Slam
Sam (shorten for Samuele) is a sixteen year old with a passion for skateboarding. He dreams of moving to California but when he meets his first girlfriend Alice, she becomes pregnant and Sam has to deal with the idea of becoming a young father, which is exactly what happened to his mum.
Based on a book, this coming of age film features a cast of young Italian actors and Jasmine Trinca, known in Italy for her roles in independent films.
Numero Zero: Alle Origini del Rap Italiano / The Roots of Italian Rap
This documentary directed by Enrico Bisi retraces the golden age of hip hop in the nineties, how this culture arrived in Italy and how it has evolved.
Something a bit different but interesting to watch if you like music and want to hear what Italian rap sounds like!
Are you looking for more recommendations on films and series to watch in Italian? Then check out the articles below!
Italian TV Series on Netflix to Watch in 2020
Series made in Italy.
Best Movies to Watch in Italian on Netflix in 2020
Movies available in Italian.
Best TV Series to Watch in Italian on Netflix in 2020
Series available in Italian.
How to Get Italian Subtitles and Audio on Netflix
Filed Under: Italian Movies


SunMaxx Solar announces their new logistics center located in the Binghamton, NY triple cities area near IBM's original headquarters!
The new logistics center will bring added savings and improved deliverer times to all customers located in the Northern states. In 2011, SunMaxx Solar will maintain larger inventory levels of all items based on feedback from our customers in 2010.
Mr. Farrell, CEO of SunMaxx Solar and Mr. Mischensky, CEO of GEO-TEC Solar Industries will continue to develop their northeastern operations to improve logistics and customer support. The facility will be in full operation December 27th, 2010.


text:
home paintings works on paper early work bio contact
Copyright © 2020 Marlene Vine
Marlene Vine
Solo and Two-Person Exhibitions
2009 Points and Lines, OK Harris Gallery, New York City
2002 The Vine Girls, ART Resources Transfer, New York City (Two-Person)
2001 Levels, Deborah Berke Partners, New York City
2000 Systems and Structures, Saint Peter's Church at Citicorp, New York City
2000 Small Grids, Art Resources Transfer, New York City
1999 Conversation, Art Resources Transfer, New York City (Two-Person)
Recent Group Exhibitions
2013 Summer Exhibition, DM Contemporary Gallery, New York City
2013 On Your Mark, Cheryl McGinnis Gallery, New York City
2012 The Summer Show 2012, DM Contemporary, New York City
2011 Obsession and Will / A Fine Line, DM Contemporary, New York City
2010 Group Show, OK Harris Gallery, New York City
2009 Summery View, OK Harris Gallery, New York City
2008 A Passion for Pixels, Islip Art Museum
2008 By Invitation, Kim Foster Gallery, New York City
2007 The Measure of a Few Notes, Windows / PS11 Gallery, Long Island City, NY
2006 Select Encounters, Broadway Gallery, New York City
2006 Small Works, 80 Washington Sq. East Gallery, Jack Shainman, curator, New York City
2006 Art/Basel / Miami Beach, Miami Beach, Fl
2005 Parallel Realities, Broadway Gallery, New York City
2001 Winter Paper, Catherine Moore Fine Art, New York City
2001 Art in Embassies Program, Vienna, Austria
1999 Summer Paper, Catherine Moore Fine Art, New York City
1998 What's on the Wall, Margaret Thatcher Projects, New York City
1997 Current / Undercurrent, The Brooklyn Museum, curator: Charlotta Kotik, Brooklyn, NY
1997 Limit / Less, Victoria Anstead Fine Art, New York City
1997 The Gramercy International, Pierogi 2000, New York City, Gasworks, London, England
and Cornerhouse Gallery, Manchester, England
1997 Plateaus and Crossings: A View of Geometric Painting, Stephen Westfall, curator, Annandale-on-Hudson, NY
1997 Art on Paper, Weatherspoon Museum, The University of North Carolina, Greensboro, NC
1997 New York Papper, Carrie Haddad Gallery, Hudson, NY
1996 2nd Biennial, A.I.R. Gallery, Charlotta Kotik, curator, New York City
1995 The Gramercy International, dealer: Craig Cornelius, New York City
1994 Isn't it Romantic, On Crosby Street Gallery, Michael Walls, curator
1994 Little Things, Art in General, New York City
1993 Small Works, Warren Street Gallery, Stephen Westfall, curator, Hudson, NY
1993 Contemporary Art on Canvas, Maryland Federation of Art, Annapolis, MD
1993 Depth and Diversity, Museum Without Walls International, Bemus Point, NY
1992 America 500, The City College of New York, CUNY, New York City, and Centro-Cultural
Ciudad de Buenos Aires, Buenos Aires, Argentina
1991 Electrum XX, Holter Museum, Helena, MT
1991 Paper in Particular, Columbia College, Columbia, MO
1991 Sensibilities Contemporaines, Cie Moderne et Contemporaine, Paris, France
1990 Chapelle de la Sorbonne, Paris, France, and Musee de la Commanderie, Bordeaux, France
2009 Pollock-Krasner Foundation, New York City
2006 80 Washington Sq. East Gallery, Jack Shainman, curator, New York City
Selected Permanent Collections
Pollock Gallery, Southern Methodist University, Dallas, TX
Islip Art Museum, Islip, NY
Progressive Insurance Art Collection, Albany, NY
Deloitte & Touche, Dallas, TX
King & Spalding, Inc. New York City
York Cambridge Consultants, Weston, MA
The Vendome Press, New York City
UJA Federation, New York City
Hoggard Wagner Art Collection, New York City
Werner H. Kramarsky, New York City
NY Arts Magazine, Select Encounters, Steven Psyllos, May / June 2006
560 Broadway: A New York Drawing Collection at Work, 1991 - 2006 (Sarah-Ann & Werner H. Kramarsy) 2008
Baltimore Sun, Contemporary Art on Canvas, John Dorsey, May 1995
Carnegie Institute of Technology, College of Fine Arts, Pittsburgh, PA
School of Visual Arts, New York City
Pratt Institute, Brooklyn, NY
Art Students' League, New York City


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Ireland praise historic 'Yes' vote on abortion
People from the"Yes" campaign react as the results of the votes begin to come in, after the Irish referendum on the 8th Amendment of the Irish Constitution at the RDS count centre, in Dublin, Ireland. (AP Photo/Peter Morrison)
ABORTION rights activists proclaimed victory for social justice Saturday as exit polls and early results indicated Ireland had voted overwhelmingly to repeal a 1983 constitutional ban on abortions.
Prime Minister Leo Varadkar, speaking Saturday before official results were announced, said it appeared that voters chose to liberalise Ireland's strict laws on abortion - only allowed when a woman's life is at risk - by a more than two-to-one margin.
"The people have spoken," said Varadkar, a medical doctor who campaigned for repeal in Friday's historic referendum.
There are a lot of happy faces. / AFP PHOTO / Paul FAITH
"The people have said that we want a modern constitution for a modern country, that we trust women and we respect them to make the right decision and the right choices about their health care."
Calling the result a culmination of a "quiet revolution" that had been gaining strength in the last 20 years, Varadkar said the large margin of victory will give his government a greater mandate when enacting new abortion legislation through parliament.
Sinn Fein leader Mary Lou McDonald reacts with a member of the "Yes" campaign. (AP Photo/Peter Morrison)
Campaigners who have fought for more than three decades to remove the eighth amendment abortion ban from Ireland's constitution hailed the referendum vote as a major breakthrough in a largely Catholic nation that has already seen a wave of social liberalisation in recent years.
"This is a monumental day for women in Ireland," said Orla O'Connor, co-director of the Together for Yes group.
"This is about women taking their rightful place in Irish society, finally."
The vote is a "rejection of an Ireland that treated women as second-class citizens," she said, adding: "This is about women's equality and this day brings massive change, monumental change for women in Ireland, and there is no going back."
Official counting for Friday's referendum on whether or not to liberalise Ireland's abortion laws was still under way, and final results are not expected until Saturday afternoon.
This will be a historic vote for Ireland / AFP PHOTO / BARRY CRONIN
But opponents of the repeal movement have conceded they have no chance of victory.
John McGuirk, spokesman for the Save the 8th group - which refers to the eighth amendment in the constitution which effectively bans terminations - told Irish television Saturday that many Irish citizens will not recognise the country they are waking up in. But he said the vote must be respected.
"You can still passionately believe that the decision of the people is wrong, as I happen to do, and accept it," said McGuirk.
"I don't think you'll find many people on our side of the referendum who don't accept the result. That would be wrong."
The Irish Times and RTE television exit polls suggest the Irish people have voted by nearly 70 per cent to repeal the 1983 constitutional amendment, which requires authorities to treat a foetus and its mother as equals under the law.
If the projected numbers hold up, the referendum would be a landmark in Irish women's fight for abortion rights. It would also likely end the need for thousands of Irish women to travel abroad - mostly to neighbouring Britain - for abortions they can't get at home.
Ireland appeared to move away from its conservative Roman Catholic roots and embrace a more liberal view. (AP Photo/Peter Morrison)
Ireland's Minister for Children and Youth Affairs Katherine Zappone said Saturday she is confident new abortion legislation can be approved by parliament and put in place before the end of the year.
"I feel very emotional," she said. "I'm especially grateful to the women of Ireland who came forward to provide their personal testimony about the hard times that they endured, the stress and the trauma that they experienced because of the eighth amendment."
If the "yes" forces seeking a constitutional change prevail, Ireland's parliament will be charged with coming up with new abortion laws. The government proposes to allow abortion in the first 12 weeks of pregnancy with later terminations allowed in some cases.
People are confident new abortion legislation can be approved by parliament and put in place before the end of the year. / AFP PHOTO / Paul FAITH
The magnitude of the predicted victory exceeded the expectations of abortion rights activists. Surprisingly, they also suggest that supporters of more liberal abortion laws may have triumphed throughout the country, not just in the cosmopolitan capital, Dublin, where a strong youth vote had been anticipated.
The RTE exit poll of 3,779 voters predicts support for the "yes" vote in urban areas to be about 72 per cent, with rural support at about 63 per cent. It indicates about 72 per cent of women voted "yes" along with about 66 per cent of men.
The strongest backing came from youthful voters - the exit poll says the only age group in which a majority voted "no" were voters who are 65 or older. The poll has a margin of error of plus or minus 1.6 per cent.
Not everyone could contain their emotions. (Photo by Jeff J Mitchell/Getty Images)
Sign at centre of national divide about abortion
The video game too explicit for Australia
IRELAND: Unexpected twist to historic vote
abortion editors picks ireland referendum
Striking gold in the Mary Valley trails
Sewer works well under way
News New 480m sewer line at Sunshine Beach
Lots of fun at Park Sounds
News Music event at Eumundi
This bird loves walking on water in Noosa
News Noosa Nature is always a treat
Making inroads in to major Noosa projects
News Noosa Council's capital effort


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Review: Netflix's "Cowboy Bebop" Misses on Multiple Levels
WARNING: SPOILERS ahead. A few weeks ago I had middling but also what I felt were reasonable expectations of Netflix's "live-action" Cowboy Bebop adaptation. I never once thought this could……
Continue reading Review: Netflix's "Cowboy Bebop" Misses on Multiple Levels
Top 5: Jazz, Taiko Drums, and Hurdy Gurdies. My Favorite TV Intros.
It was not long ago when most streaming sites began offering a "skip intro" option for TV show content. Hell, it seemed some intros to the Netflix, Hulu and Prime……
Continue reading Top 5: Jazz, Taiko Drums, and Hurdy Gurdies. My Favorite TV Intros.
Categorized as Culture
"Enter the Florpus" Review: Bow before ZIM!!
Directed by Jenny Goldberg and Jake Wyatt Written by Jhonen Vasquez Starring: Richard Steve Horvitz, Andy Berman, Melissa Fahn, Rosearik Rikki Simons "Invader Zim: Enter the Florpus" is almost 50……
Continue reading "Enter the Florpus" Review: Bow before ZIM!!
"Stranger Things 3″: The Pain and Love of Nostalgia
(Warning: SPOILERS ahead for "Stranger Things 3″) "Stranger Things" most obvious core appeal has always been its campy 80's throwback. From the bright neon clothes, its brilliant synthesizer-based soundtrack, use……
Continue reading "Stranger Things 3″: The Pain and Love of Nostalgia


text:
package com.google.security.zynamics.binnavi.Gui.Debug.ToolbarPanel.Actions;

import java.awt.event.ActionEvent;

import javax.swing.AbstractAction;
import javax.swing.Action;
import javax.swing.JFrame;

import com.google.common.base.Preconditions;
import com.google.security.zynamics.binnavi.Gui.Debug.ToolbarPanel.Implementations.CDebuggerFunctions;
import com.google.security.zynamics.binnavi.Gui.GraphWindows.Panels.IFrontEndDebuggerProvider;
import com.google.security.zynamics.binnavi.debug.debugger.interfaces.IDebugger;
import com.google.security.zynamics.binnavi.yfileswrap.zygraph.ZyGraph;

/**
 * Action class that can be used to send Step End requests to the debug client.
 */
public final class CStepEndAction extends AbstractAction {
  /**
   * Used for serialization.
   */
  private static final long serialVersionUID = 872431992019785107L;

  /**
   * Parent window used for dialogs.
   */
  private final JFrame m_parent;

  /**
   * The debugger that executes the step operation.
   */
  private final IFrontEndDebuggerProvider m_debugger;

  /**
   * The graph where the step operation happens.
   */
  private final ZyGraph m_graph;

  /**
   * Creates a new step end action.
   *
   * @param parent Parent window used for dialogs.
   * @param debugger The debugger that executes the step operation.
   * @param graph The graph where the step operation happens.
   */
  public CStepEndAction(
      final JFrame parent, final IFrontEndDebuggerProvider debugger, final ZyGraph graph) {
    m_parent = Preconditions.checkNotNull(parent, "IE00309: Parent argument can not be null");
    m_debugger = Preconditions.checkNotNull(debugger, "IE01541: Debugger argument can not be null");
    m_graph = Preconditions.checkNotNull(graph, "IE01537: Graph argument can not be null");
    putValue(Action.SHORT_DESCRIPTION, "Step to the end of the function");
  }

  @Override
  public void actionPerformed(final ActionEvent event) {
    final IDebugger debugger = m_debugger.getCurrentSelectedDebugger();

    if (debugger != null) {
      CDebuggerFunctions.stepEnd(m_parent, debugger, m_graph);
    }
  }
}

redpajama_set_name: RedPajamaGithub


Social media today was filled with the news that Vice President-elect Mike Pence had attended a production of Hamilton, the smash Broadway musical about Founding Father Alexander Hamilton, with the cast delivering a post-show message to Pence about his policies on the rights of gays and minorities. Although he's no fan of Pence, Steven Van Zandt of the E Street Band felt that the action crossed a line and spent the day on Twitter arguing his case with fans.
Following the show, Brandon Victor Dixon, who stars as Aaron Burr, thanked Pence for attending the musical, which has a largely black and Latino cast and whose titular character is played by Javier Munoz, who is gay. Then Dixon said, "We, sir, are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights, sir. But we hope this show has inspired you to uphold our American values, and work on behalf of ALL of us." The statement was co-written by the cast, Miranda and director Tommy Kail.


4. Under Getting paid and managing my risk click Update next to "Managing Risk and Fraud"
5. Click "Edit Your Filter Settings"
6. Select "Deny" Next to Country Monitor and then click "Edit"
You're all set! Now anyone who tries to make a purchase outside of the countries you've designated will not be able to complete the transaction.


text: Belarus Free Theatre Against TTIP! Red Line June 30, 22:39 This week a European petition against TTIP has reached a record 2 million signatures a few days ahead of a crucial vote on the deal by MEPs in the European parliament. Red Line Campaign Red Line June 07, 18:48 The facts: The accident at the nuclear power station in Chernobyl in Ukraine in 1986, affected 60% of the landmass of Belarus and turned the forest red. Radioactive contamination led to a massive rise in birth defects and cases of thyroid and other life-threatening cancers and related deaths – though the exact numbers are contested. A new nuclear power station is now being built in Belarus on the border of Europe. It has failed to meet international and European safety standards of assessing environmental impact and public involvement in the consultation process. People fear that another Chrenobyl is in the making, but Lukashenko is going ahead in the face of protest from within the country and from neighbouring countries. more