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Rental Corner: The puzzlement of "Spirited Away"
Disclaimer: The version reviewed for this post was the English-dub and thus much will be referred to on that cut and not the original Japanese cut. Regardless of the translation differences, it doesn't change my opinion.
While I'm not a fan, Studio Ghibli has made a unique filmography. The majority of their movies deal with the unknown fantasy realm while keeping in tune with nature as seen in My Neighbor Tororo and Princess Mononoke while others like Kiki's Delivery Service are simple fun. Unfortunately, those mentioned three are the only ones I have seen but I do admire their compassion to keep hand-drawn animated films alive. But of all the movies to make a mark, the one I always hear that is their crown jewel is Spirited Away. For the longest time, I never really had a moving interest to see this one or even a notion to do so. But yet, everyone couldn't stop talking about it. Heck, it even won the Academy Award for Best Animated Feature. However, will all this praise and after finally getting the courage to see it for the first time, all the magic and wonder everyone was hyped up on just left me feeling underwhelmed. Needless to say, I don't hate this movie but I felt more disappointed in the end.
The story is a basic dark fairy tale as little Chihiro is moving from her old home. We never see what this old home or town looks like as we focus on her and the parents already leaving. The father dumbfound of where to go stumbles across a set of ruins he and the mother mistake as an abandoned amusement park. As with most folklore, this takes the trope of blind parents lead to misfortune as they consume food that turns them into pigs (displayed in a rather uncomfortable scene as the eating sounds really got under my skin.)
As it turns out, Chihiro is left in the middle of a place where spirits go to relax and replenish themselves. From what kind of activity or work they do before a day of relaxing, we don't know. All we know is that spirits at night go to this place just to kick back and relax. But here is one of the biggest concerns I have and it happens to be the setting and placement of this movie. Everyone who has talked about it praised the visuals and where the whole movie is set. So imagine my disappointment when I find out the whole story takes place within an enchanted bathhouse. You heard me right. A bathhouse were odd frogmen greet and seemly normal women (never specified if they are ghosts or creatures in disguise) are to wash the beasts after their long day. Already, I found it more perplexing as to why set the story here.
Maybe there can be something unique with a simple place like this? Is there a room or two that looks wonderful and glorious? Nope. Its just a bathhouse. Visuals like a man with spider-arms in the boiler room to a grand office that would make Mr. Burns jealous are the only highlights. Its a shame because I admit the animation looks unique with the shadings and shadows when it needs to feel menacing and bright. But I ask of all the places to set a fantasy movie, why this one? When watching the story unfold, I found nothing unique or eye-popping outside of the beastly clients that range from fat turnip creatures in a fundoshi to giant ducks. Charming indeed.
The plot, that is if you call it one, has Chihiro under the servitude of the place's owner, Yubaba who could is very much a cross between the mythos of Baba Yaga and a bobble head of the Red Queen from Alice in Wonderland. Chihiro has to wash and work the place in order to free her parents, who I guess remain in the form of pigs for the remainder of the movie. But most of the time, our focus is placed on the strange imagery that lay within the walls and occupy the screen. Throughout the duration, I felt there was never a single breath to allow us to look about or even take a break from such bizarre scenes like a creepy giant baby or a monster that is covered in sludge. And by the time we get to the most-talked about moment when it does get quiet on a train, all I felt was very fatigued than relaxed.
How can a movie like this pack so much material and yet everyone praise it as "originality"? You could argue its a mesh of traditional fairy tales like Cinderella (girl washes the place under control) while crossing it with traditional Japanese folklore like how dragons represent a river. But most of the time, I found myself predicting and knowing what was going to happen more than letting the story unravel itself. Perhaps being well resourceful of fairy tale tropes, I was really irked to see these "simple things" being praised as genius. These are elements that have been done before but in better tales. Entrapment under a witch like Hansel and Gretel, strange puzzles and clues to solve riddles or curses like in The Snow Queen and even a bit of Beauty and the Beast tossed in as our main girl has to wash off a monster covered in (what I HOPE looks like but I know it isn't) sludge and mud.
Most of the time, I felt bad for the character Chihiro and all the stuff she goes through. Her character is only reduced to coming across a bizarre animation set piece or shouting dialogue once in a while. Even if she starts off wise like the choice to not to eat the magic food, the rest of movie has her brain taking a back seat as she gets lost in the world of spirits. I understand a place like this is new to her but why not be smart about it? For example, there is a scene when she has to give up her identity to the bathhouse owner in order to work there. Why not give a fake name so your true self can be kept from the clutches of the witch? But no, they explain she can remember her name thanks to a farewell card she got before moving from her old home. She is told by an ally of hers to keep it so she doesn't loose her name and identity all together. But even that doesn't pay off in the end. We never go back to the card or even feel like her own personality that she sold off is at risk.
Instead of being amazed by this world, I felt frightened to the point I barley got any sleep after watching it (true story). But even more stranger is the underlying message of how bad prostitution is. And no, this is not something that I'm looking too deep into. I did my research to see if I missed any symbolism prior to this blog post and found it has a possible underlying message on this adult subject. The fact the little girl sacrifices her name in order to gain a new identity so she can work on serving clients. The first one she has to service is dirty from head to toe and in the end she gets really greasy and grimmy after washing the monster off. One of the monsters tries to buy her service in gold. Its all there black and white. Clear as crystal. Now you could argue these are stuble underlying elements but I'm sorry. After being reminded of Deepa Mehta's Water and reading on an interview with director Hayao Miyazaki himself, I can confirm this is another "double meaning" movie. One to serve as a fantasy for kids and the other to make a statement that really gives me uncomfortable goosebumps.
So yeah, this sounds like I really didn't have a good time seeing this one. And, yeah its very true. For something that has grand designs, I expected something more like a grand adventure or something bigger. The simplicity of the plot and the over abundance of weirdness really killed the enjoyment. I guess what I expected was this grand and original fairy tale when what I get is more of a patchwork of traditional elements reworked into a small story. I'm okay with that but there was nothing interesting to me with the story or these characters. The more it continued, the more I wanted the film to end. I was done with the twisted place of monsters and its buffet of strange scenes that went on like no end in sight.
To compare, there is a movie that does a similar aspect but far different called Wolf Children. In my view, that is a much better movie because the story fits the simple animation and the characters have simple motives we connect to more. We got the mother Hana who has the challenge to raise her new kids but doesn't know how. And even if she has no exact information on how to raise half-human and half wolf kids like her's, Hana is really smart about her choices like debating on consulting a veterinarian or a doctor when one of her kids get sick. And not to mention the kids themselves trying to find a place in the world while one wants to be with nature while the other wants to be more social and open with the world. My god, why isn't that movie getting more attention as opposed to the crazy roller coaster I had to endure?
I feel like Spirited Away was created more for the crazy and insane visuals and I'm sure a lot of them will be implanted in my brain for a while. But sadly, this was not a case when I thought words got perfectly married with the animation. I understand many of you are rather upset at this point to hear my underwhelming and disappointing thoughts but no matter how much I wanted to enjoy this movie, I felt like I was getting nothing in return. An episode of Jim Henson's The Storyteller gave more to offer than this two hour "epic" of unfocused insanity.
I am sorry. Very, very, very sorry. Deeply sorry. Sorry that I feel very indifferent to those who have a higher opinion about this movie than I do. Sorry for those who see this as a sacred cow as I walk by and question why. Sorry that I couldn't get into a film that boasts grand images but yet has a very disappointing plot. Sorry that a good movie like this just didn't amaze me as you did.
Spirited Away is a not a bad movie. It is just one that didn't get my interest that much. This is a common thing that has happened once before when I had to watch Crouching Tiger, Hidden Dragon during a college course on Asian Cinema. All I saw in my view were sword fights, balancing acts on trees and a underwhelming story of past fairy tale tropes clogged together to make an original story with similar beats. Let me tell you after watching that "martial arts classic," I was furious see a movie that everyone praised gave me nothing in return aside from imagery that belonged in a Cirque Du Soleil performance. On the other hand, perhaps history has a way of repeating itself…
Posted in Rental Corner, Uncategorized
Tags: Anime, Baba Yaga, bathhouse, bizzare, Chihiro, Disney, dragons, fairy tales, Grimm's Fairy Tales, Japan, Japanese, Kiki's Delivery Service, My Neighbor Totoro, Princess Mononoke, Spirited Away, Strange, Studio Ghibli, surreal, Weird
"Fantastic" dud
zzzzzzzzzzzzzzzzzzz…..no, I didn't hit anything on accident. That is how I feel about this one.
I recall last year seeing a high school performance of the "Beauty and the Beast" musical with a friend of mine. It was a study for play performances and this was a last minute choice. Let me tell you, everything looked like an Ed Wood movie. 75% of the cast wore wigs, 75% of the cast was mostly female and the beast costume looked like the Cowardly Lion's twice removed cousin. But you know what, it was entertaining. Something about seeing the cast trying to perform under all the bad make-up and cheap sets was far more entertaining then the junk I had to see today.
The plot (that is if you can call it one) involves a science prodigy named Reed Richards (Miles Teller) who creates a machine in his garage that transports matter to another dimension. A scientist named Franklin Storm (Reg E. Cathey) notices this at a science fair Reed attends and uses not just the machine but Reed's skills to perfect his similar creation. The craft in general looks like a bunch of radioactive barrels with two solar panels hovering above it. This is only a sample of how "fantastic" the look of this movie gets.
Upon learning some government executives plan to send other scientists in, one of the creators Victor Von Doom (Toby Kebbell) convinces Reed and two other colleges to be the first to try it out. As one would expect, mayhem ensues with them gaining bizarre abilities after their disastrous visit. Again, its hard to say if there is a real story here as the rest of the movie has our main characters cooped up in an army bunker as Reed and the survivors of the accident are coaxed into working for the government.
The story as a whole meanders so much it makes me wonder how can you not deliver a single storyline with something like this. Then again, the Fantastic Four adaptions do have a strange history of their travels to the big screen ranging from Roger Corman's produced and (as of this review) infamously unreleased affair to Tim Story's two films. It appears the idea of taking a team of people getting superpowers and using something with them could make for an interesting film. But only this latest reboot proves that executives and writers make it hard for themselves thinking there is no material to work with when their could be.
Last year's "Guardians of the Galaxy" worked by having no origin story and only focusing on how the team members got together while delivering a fun and unique ride thanks to James Gunn. "Fantastic" seems to focus on the main characters and where they stand but it doesn't go anywhere until the last 30 minutes when an actual plot happens but its far too soon. Most of time, the team is being manipulated by an evil government agent (or a possible scientist. either way, he's dressed like an evil government agent so why not? Also he is played by Tim Blake Nelson) or trying to pick around for something to do. It appears there are ideas for spin-off films here and there as Ben Grimm (Jamie Bell) is off fighting in other nations in news reports, Reed Richards is playing "Borne Identity" in Panama while trying to find a cure and Victor is very much forgotten in the other dimension until the last half-hour. The amount of space is at a waste.
The biggest crime of all has to be the acting performances. Not a single human being in this movie emotes or even acts interested. Most of the time, everyone (and I mean EVERYONE) talks in a robotic manner while keeping a hush tone. I barley remember a moment when one solitary person gave a smile or cared for another when in danger. Even the romantic chemistry between Reed and Sue Storm (Kate Mara) is interesting as toast as they try to share some interest of science but have odd John Hughes quirks. Some like Jamie Bell try but it feels like they know there is nothing to work with in a story that is so next to nothing. Reg E. Cathey gets a much deserved examination for how that actor never breaks his dull performance. I guess he's trying to be Samuel Jackson-ish by being serious and dead pan. But when he carries this trait throughout the whole movie, it makes me want to cut every scene he is in to avoid such an annoying delivery. When words came out his mouth, I wanted to sleep.
Even more bizarre is the tone as the opening of the movie is reminiscent to Joe Dante's "Explorers" as young Reed and Ben try out the homemade dimension jump device but then things keep changing throughout. First, it tries to be a serious science fiction movie then cranks up the intensity in spots that look more brutal than passable for viewers when its not needed.
Sure enough, it all ends in a climax that looks vaguely similar to "Man of Steel" as Doom shows up and plans to somehow destroy both Earth and the new planet in the dimension. How can such a travesty be averted? They have a fight scene on the uninteresting, CGI laden set while throwing debris and junk at Doom. Its formulaic and doesn't have flair. Again, "Guardians" had risk with Star Lord, Drax and Groot making their way to stop the villain who was floating his way down to the planet to obliterate it. For support, you had Rocket and a team trying to prevent the ship from touching the planet and Gamora trying to shut down the security system while dealing with her sister. Sounds complex on paper but those two sentences described an energetic, engaging, on the edge climax that build and builds. Once the big fight happens, it evaporates like celluloid dust in hopes the film will end sooner.
Even prior to the release, "Fantastic Four" has been slammed by fans for being inaccurate to the source by changing certain things like the Human Torch being portrayed by an African American and certain character relationships. Most strange is how Sue Storm is adoptive but is never fully discussed. Something that wasn't elaborated on that lead me to believe Doom and Sue were siblings when they weren't. It was just information that wasn't heavily addressed. Still, that didn't bother me as much but what really did was the workings of the script, the performances and the overall movie in general. Why bank on Doctor Who and Rick and Morty with dimension jumping? Is outer space not interesting enough? Because that is how our leads got those powers in the process with the exception of Doom getting his from a lab accident. I went in with an open mind thinking this movie would be ok but it turned out to be worse than I imagined.
This is not an adaptation that reflects the source while giving viewers of new something to appreciate. It does the opposite by giving nothing to both parties in return. Even the character motives are standard and dull as an expedition to the new world is crafted from Doom's drunk escapade as the evil government agent exploits the team for every other reason why this kind of guy would. Because this team has ultimate powers and as always in these kind of scenarios, the government wants control of that power. Yawn, yawn, yawn, double-yawn and deep sleep. I hope viewers who read this review are smart enough to see a more "fantastic" movie in the theater next door. At least "Howard the Duck" was far more inventive, creative and unique in comparison.
Tags: 2015, Adpataion, comic book movie, dud, Fantastic Four, Jamie Bell, Marvel Studios, Miles Teller, Mr. Fantastic, Reed Richards, Reg E. Cathey, Science Fiction, Stan Lee, Sue Storm, Summer Blockbuster, The Human Torch, The Thing, Tim Blake nelson, Toby Kebbell, Worst
Why the Hate?: Cabin Boy
Aside from the stormy box-office, it sailed on to a better life….kind of
This is one of those movies I remember hearing about as a kid and always been curious to see how it plays out. It had a lot that interested me. An adventure on the sea, all sorts of strange and cool monsters as well as some neat looking visuals. Again, I never saw "Cabin Boy" but knew of its existence. And when the dawn of the Internet came into my reach and began expanding my knowledge of film history, I would learn that the cult following for this one was relatively small. In fact, this movie today is decreed as so bad that many disregard it as the worst or even straight bad. Which is a shame seeing there is clearly a lot of talent behind it. Chris Elliot not only stars but also writes the screenplay, Tim Burton (who couldn't direct due to duties with Batman Returns) produces and there is clearly a lot of effort in trying to make this a grand eye-visual please. At least in where it tries to be grand on a small scale. So what is it about this movie that rubs people the wrong way?
Chris Elliot is the innocent Nathaniel as he talks to one of the locals played by David Letterman. Chris and David used to work on the Late Night show together
Chris Elliot plays Nathaniel Mayweather, a self-centered snob with rich folks and crass dialogue that is sarcastically harsh but funny from time to time. And I know what your going to ask, it is one of those movies. The jerk goes on a journey of self-discovery and later learns to be a better person. The character arch isn't that interesting but you have to give Chris Elliot credit. He really tries with the material even when the scenes he's in are hit and miss. What works best of the character in my opinion in just how crass he is to not just the poor but even the higher-class too. It shows that he's not the kind that is into his rich lifestyle but perceived as a grown up spoiled brat. Again most of the comedy works from his child-like antics but I can see this being done better with someone like Paul Reubens (Pee Wee Herman) or even Martin Short.
The crew of the Filthy Whore. And if that didn't make you laugh….
Anyway through a huge misunderstand with a direction sign, he boards a fishing boat on accident thinking at first its a theme boat. But as the captain and crew get annoyed of his snotty attitude, the salty sailors appoint him as a cabin boy and try to find a way to get rid of him. All the while, Nathaniel tries to make things work with the grumpy fishermen as he tries to find his way to Hawaii in order to meet with his father or something like that. I guess you can sort of see the big problem here. There is little to no plot to keep an interest from time to time. Most of the movie takes part on the boat and trying to find something funny with the characters. And to be honest, a comedy can work that way but viewers like to have a story to follow or at least something engaging. This is really the weakest problem as the snobby lad goes from serving fish stick kittens for dinner to swabbing the deck with nothing but soap and his tongue. Its a movie that really feeds on jokes and gags than really giving a compelling story.
Honestly when the comedy works, it does work. There's a scene when Nathaniel is set adrift on a small raft and has these weird illusions which does take a weird but funny turn. Chris's material shows his innocent comedy by trying to keep positive despite the harsh conditions from using cooking oil as sun screen to going bonkers. And that's sort of this movie in a nutsell. Its one gag after another and you wait for the next to come by. Dare I say, its one of those kind of movies you watch with a friend just to see how they react. You either laugh along or pray there is a good joke.
Chocki, half-man and half -shark. One of many unique monsters that shows how great a practical make-up job can be.
Also for a movie that was given a low budget, I'm surprised to see how much effort they tried to put into the special effects. In an interview, director Adam Resnick mentioned how he had a hard time trying to make this movie as it was originally meant for Tim Burton to direct. And yeah, I can see where he is coming from. Trying to attempt one's vision is not easy unless you have someone who understands what he or she had in mind. But I think it was a good attempt. Some of the designs in the monsters have a Burtonesque quality even if they feel simplistic. The visual look does have a Burtonesque quality even right down to those curtain backdrops. Again, "Cabin Boy" was made on a very low budget but you can tell they really tried to make something out of it. You still get some creative visuals like a ship in a stormy sea or a stop-motion ice monster. Even the make-up job on creatures like a half-man, half-shark being or a six armed goddess really shows what can be done with practical work. A testament to how well something real and in front of the camera can work compared to CGI.
Even the performances are not that bad either. Brian Doyle-Murry plays on the shipmates who knows his mythology and despite the movie he's in you know he tries. There's also some cameos by David Letterman and Andy Richter who get a funny line or two as well as some small running gags that are cute. I can't say there is a bad performance or even one that was painful annoying. There were all around ok.
The Hallucinogenic Floating Cupcake…one of many iconic scenes that viewers remember
The only reason I can see why some viewers hated "Cabin Boy" on arrival was by how mismanaged the production was from the studio and what they didn't know what to expect from its bizarre comedy. As a whole, the comedic tone is sort of a demented Popeye cartoon crossed with the surreal nature of Spongebob Squarepants. If this was done in better hands like Henry Selick, perhaps "Cabin Boy" would be molded into a better film. But from what I saw, I felt it was alright. I'm glad I finally got around to seeing it considering the continuing mixed reception that's been building. It feels like a throwback to those fantasy movies of the 1930s with really cheap effects and silly stuff from time to time. But if that's not your kind of fun, I understand. I just think its a silly comedy that really tried. Nothing too horrible or insulting to the eyes bad but far from perfect. Give it a rent and judge for yourself.
Posted in Rental Corner, Why the Hate?
Tags: Andy Richter, Cabin Boy, Chris Elliot, Comedy, Cult Classic, David letterman, Fantasy, Popeye, spongebob squarepants, Strange, surreal, Tim Burton, Weird, Why the Hate
"MI: Rogue Nation" is the best one yet
The stakes are raised and its for the better!
The "Mission Impossible" franchise is far different from the ordinary spy thrillers or even the Bond films for that matter. For the past entries, there is a certain formula it has been following even right from the first film. Have one intense set piece after another and care little of the plot. This is very clear in the first film as most of the story is hard to follow but it depends on how well you pay attention in order to connect the dots. "Rogue Nation" is a step up as it doesn't take a rocket scientist to see where it improves.
Tom Cruise is back as Ethan Hunt and honestly, the series is nothing without him. Tom's commitment to the stunt work really shows that no matter what hurdle his character comes across, there's a way to achieve it. This is clear in the opening heist when Ethan finds himself hanging on for dear life to a cargo plane taking off into the air. There is something very refreshing to see a practical stunt at play and shows how brave some actors can be to ditch the blue screen. Dare I say Ethan's character feels more like a daredevil than a spy at times but how many moments he puts this life on the life. Truly a vast improvement of the character.
Another big highlight that is worth the admission price is Simon Pegg as Benji. The tech wiz is back and more prominent than ever. What works well is Simon's chemistry between Tom as comedy clashes with action in a beautiful yet very entertaining way. When these two banter on screen, it never drags and establishes where they stand. Benji is almost like Ethan's conscious trying to veer him from this dangerous stuff even when he knows the only way to perform the dangerous task is to do it. There is never a moment that went by when I wished the comedy between them would end. It perfectly blends solid character depth and comedy that is better than any buddy cop movie to date.
The plot is a near improvement but I still feel less is more. A mysterious man known as the Syndicate (Sean Harris) plans to cause an uproar around the world even when he's already doing it. Despite the amount of build up to this antagonist and a near chilling performance, I felt there should have been more scenes with him to establish the menace more. I also say near chilling because at times Sean's voice feels like a whispery Marlon Brando that is trying to be eerie and sinister. It just came off a touch bothersome but then again, the focus is on our leads more than the problem.
Rebecca Freguson also joins the ride as Ilsa Faust, a spy that is attempting to gain back her place in the world while serving as help to Ethan. The chemistry between these two is sleek and sexier than Mr. and Mrs. Smith by how much they play off each other. One or the other knows they are in for a double cross as they try to remain one step ahead while showing how much they care for each other. As Ilsa fights for an identity, you keep asking just who side she is one while admiring the romance and how clever she can be in a tight situation.
The biggest highlight of these movies are the stunts and boy, they outdo every single one from the past films. To mark down each one would be ruining a child's Christmas gifts the day before so I will only use one as an example. There's an scene when Ethan and Benji have to stop an assassination at a opera house in Vienna, Austria. In a sense, the way its filmed rivals the finale to The Godfather Part III (which I feel is criminally underrated thank you very much) as the fist fights and operatic score match the action on screen. A perfect blend of art and blockbuster fun that rivals Mad Max: Fury Road.
From each action set piece that comes by and for every gadget that is seen, I never wanted "Rogue Nation" to end. In fact, the climax is far different from the usual "blow up" as we get a much quiet alternative. Some might want something to top the helicopter subway tunnel chase from the first film, but this ending works too. I won't spoil too much but it leaves the door open for another entry than rather end with a bang and wonder how they will think of a way to top the last entry.
Let me tell you, this summer has been an explosive one and if I had to pick three movies that were the "cream of the crop," they would be Mad Max: Fury Road, Jurassic World and this one. In terms of which one delivered more, surprisingly this one. While I was highly satisfied with an amusement park of dinosaurs and an artistic apocalypse, I felt there was more to "Rogue Nation" that had me sold. You have great performances, a perfect balance between humor and drama along with the right amount of explosions and intense stunt work to give you the perfect summer movie. Should you choose to accept that ticket to this must see flick is on your part but I couldn't be more happy to see a nearly flawless action film.
Tags: Action, Ethan Hunt, Mission Impossible, Mission Impossible: Rogue Nation, Simon Pegg, Spy, Summer Blockbuster, Thriller, Tom Cruise


A criminal complaint unsealed in Manhattan says the Russians, who are protected by diplomatic immunity, illegally obtained $1.5 million in benefits.
NEW YORK (Reuters) - U.S. prosecutors have charged 49 current and former Russian diplomats and their family members with participating in a scheme to get health benefits intended for the poor by lying about their income.
The secretary of state discussed security arrangements that could be put in place in the West Bank and the Jordan Valley.


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25 de Mayo es un departamento ubicado en el sur de la provincia de Río Negro, Argentina, siendo una de las 13 unidades departamentales de la provincia.

Superficie

El departamento tiene una superficie de 27.106 km² , lo que lo convierte en el más extenso de la provincia. Es, además, mayor que toda la provincia de Tucumán (22.524 km²) y ligeramente inferior que la de Misiones (29.801 km²). A pesar de ello, representa sólo el 12,6 % de la superficie de la provincia.Comparado con países,su superficie es mayor a la de Ruanda,en Africa

Límites

Limita al norte con el Departamento El Cuy, al este con el Departamento Nueve de Julio, al sur con la Provincia de Chubut, y al oeste con el Departamento Ñorquincó.

Población

Según estimaciones del INDEC para el año 2010 tenía 14.294 hab. La capital del Departamento es Maquinchao, mientras que la ciudad de Ingeniero Jacobacci es la más poblada y relevante en la región.

Organización administrativa

Los departamentos rionegrinos tienen un mero fin estadístico-censal, por lo que la administración de las localidades es llevada a cabo por municipios y comisiones de fomento. Dentro del Departamento se encuentran organizados tres municipios (Ingeniero Jacobacci, Los Menucos y Maquinchao), cuyas autoridades son elegidas mediante elecciones, y cinco Comisiones de Fomento (Aguada de Guerra, Clemente Onelli, Colán Conhue, El Caín y Pilquiniyeu, etc), cuyas autoridades son determinadas por el gobierno provincial.

Localidades y Parajes

 Aguada de Guerra
 Barril Niyeo
 Clemente Onelli
 Colán Conhué
 El Caín
 Ingeniero Jacobacci
 Corral Choique
 Los Menucos
 Llama Niyeo
 Maquinchao
 Mina Santa Teresita
 Pilquiniyeu
 San Antonio del Cuy
 Paraje Yuquiche

Referencias

Departamento Veinticinco de Mayo (Río Negro)

redpajama_set_name: RedPajamaWikipedia


Using Bernat's Mosaic Vivid Yarn, you can create this amazing looking scarf by being strategic with your double crochet stitches. I am using front and back posts in a particular order to make this appear to be a woven design.
The scarf dimensions is about 68″ long x 5″ wide.
2 ball of Bernat Mosaic Yarn, 3.5 oz or 100 g ball. Colour used is called "Vivid".
Repeat STEP 3 – STEP 6 for the remainder of this project. Use two balls of Bernat Mosaic Vivid. Fasten off and weave in ends when done.


Jamie Dimon, the CEO of JPMorgan Chase, tells TODAY's Matt Lauer in an exclusive interview that his company's $100 million investment in the city of Detroit isn't about public relations.
"The cynic would be wrong," Dimon told Lauer when asked if the investment was in response to a $13 billion fine levied against the company in an exclusive interview.
Detroit, the largest U.S. city to seek bankruptcy protection, is $19 billion in debt and currently has an unemployment rate of about 14%, more than double the national average.


Anjali Devi is a veteran Telugu actress and producer. She is well known for her mythological role as Sita in Lava Kusha. She hails from Peddapuram, East Godavari district in Andhra Pradesh, India, and later settled in Chennai. She was a theater artist before entering into movies. Her film debut was as Lohitasya in Raja Harishchandra in 1936.
Her first movie as heroine was Kashtajeevi by L. V. Prasad 1n 1940 but that movie was abandoned after three reels shooting.Later C.Pullayya found her given opportunity hevenly beauty Mohini in Gollabhama.Her expepressions and looks she became star over night in 1947 after that she never looked back. She eventually acted in more than 350 Telugu films and also in a few Tamil and Kannada films as the heroine.
She married P. Adinarayana Rao, a music director, in 1940. They have two sons. Together they produced many Telugu films under the banner of Anjali Pictures. Her granddaughter Saila Rao is also an actress. In 1955 she produced the film Anarkali, in which she herself played the lead role of Anarkali, with Akkineni Nageswara Rao as Salim. Then she produced V. Madhusudan Rao's Bhakta Tukaram and Chandipriya. Bollywood and Tollywood actress Jayapradha played the lead role in her film Chandipriya alongside Shobhan Babu and Chiranjeevi.
She received the Raghupathi Venkaiah Award in 2005 for her lifetime service to the Telugu film industry.


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S:ta Maria kyrkoruin kan syfta på:

Korsholms kyrkoruin, Gamla Vasa
Lemmeströ kyrkoruin, Börringe socken
S:ta Maria kyrkoruin, Lödöse
Vår Frus kyrka, Tjörn

Se även
Lista över kyrkor uppkallade efter Maria, Jesu mor
Maria Magdalena kapell


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Степно́е — село в Энгельсском районе Саратовской области, в составе Терновского муниципального образования.

Основано в 1767 году как немецкая колония Шталь.

Население -  чел. ()

История
Основано в 1767 году. Названа по фамилии первого старосты И. Шталя (Русское название — Степное, также Лопатино). Основатели — 76 семей из Гольштейна, Пруссии и Дании. Вызывательская колония Леруа и Питета. До 1917 году немецкая колония Тарлыцкого округа (с 1871 года — Тарлыцкой, с 1881 года — Степновской волости) Новоузенского уезда Самарской губернии. Колония относилась к лютеранским приходам приходы Варенбург, Куккус.

В 1774 году колония разграблена пугачёвцами. К 1775 умерло до 180 человек

В 1834 году в селе была построена деревянная лютеранская церковь.

В начале XX века имелись кооперативный маслозавод, земское училище, больница.

В голод 1921 года в селе родилось 120, умерли 258 человек. В 1926 году в селе имелись сельсовет, сельскохозяйственное кредитное товарищество, начальная школа, детдом. В 1928 году селу Степное Зельманского кантона официально присвоено название Шталь.

В сентябре 1941 года немецкое население было депортировано. Село, как и другие населённые пункты Куккусского кантона, было включено в состав Саратовской области, впоследствии вновь переименовано в Степное.

Лютеранская церковь была разрушена. В конце 1950-х годов Волгоградское водохранилище начало затапливать село, и большую часть современных домов построили на новом месте, чуть повыше и дальше от воды. В 1957 году был построен дом культуры. В этом же году построена 8-летняя школа. В 1991 году школа преобразована в среднюю.

10 июня 2014 года в Степном открыли новый детский сад (старый уже не функционировал) на 35 мест. Летом 2015 года был построен новый фельдшерско-акушерский пункт.

В селе имеются: школа, детский сад, ФАП, почта, Дом досуга. Главное предприятие — учебно-опытное хозяйство «Степное» имени Н. И. Вавилова.

Физико-географическая характеристика
Село находится в Низком Заволжье, относящемся к Восточно-Европейской равнине, на восточном берегу Волгоградского водохранилища. Имеется пруд. Высота центра населённого пункта - 51 метр над уровнем моря. В окрестностях населённого пункта распространены тёмно-каштановые почвы. Почвообразующие породы - глины и суглинки.

По автомобильным дорогам расстояние до районного центра города Энгельс составляет 49 км, до областного центра города Саратова - 58 км. У села проходит региональная автодорога  (Волгоград - Энгельс - Самара)
Климат
Климат умеренный континентальный (согласно классификации климатов Кёппена - Dfa). Многолетняя норма осадков - 407 мм. Наибольшее количество осадков выпадает в июле - 42 мм, наименьшее в марте - 23 мм. Среднегодовая температура положительная и составляет + 6,8 °С, средняя температура самого холодного месяца января -9,9 °С, самого жаркого месяца июля +22,7 °С.
Часовой пояс

Население
Динамика численности населения

Фотогалерея

Примечания

Ссылки

Населённые пункты Энгельсского района
Немецкие колонии в Поволжье


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CRI-O holistic security audit engagement
6th June, 2022
David Korczynski,
Security Research & Security Engineering
Adam Korczynski,
Security Engineering & Security Automation
Ada Logics Ltd. recently performed a holistic security audit of CRI-O. CRI-O is an implementation of the Kubernetes Container Runtime Interface and is used as a core component in Kubernetes clusters for orchestrating containers on each node. This makes it an important software package as issues in CRI-O can have far reaching consequences as it's a key part of many Kubernetes Clusters.
The key security finding from the engagement is a high-severity denial of service issue. It's a node-level denial of service attack for anyone with the ability to create a pod on a Kubernetes cluster. In essence, if one can create a pod on a node in a given Kubernetes cluster then one can cause a denial of service attack by way of memory exhaustion. This is for nodes that rely on the CRI-O runtime, and, interestingly, the vulnerability is also existing in another popular container runtime, Containerd.
We would like to thank the CRI-O maintainers for the collaboration. This engagement was funded by the CNCF and facilitated by OSTIF. In addition to ou work Chainguard participated in the audit to conduct a software security supply chain audit. We would like to thank all of the collaborators.
In this blog post we will give an overview of the engagement and full details can be found in the report on the CRI-O repository here.
Summary of audit and results
The goal of the engagement was to perform a broad analysis of the security posture of CRI-O, divided into the tasks:
Threat model formalisation of CRI-O
Security auditing of the code
Fuzzing integration of CRI-O, including continuous fuzz integration by way of OSS-Fuzz
Review of documentation and testing
The primary security finding of the work is a single high-severity issue. A few minor issues were found as well, however, our view from completing this audit is that CRI-O is a well-written project that has a high level of security assurance.
Cluster denial of service by way of deployments
The high severity finding is a denial of service attack on a given cluster by way of resource exhaustion of nodes. The attack is performed by way of pod creation, which means any user that can create a pod can cause denial of service on the given node that is used for pod creation. The CVE for the this vulnerability is CVE-2022-1708 and Github advisory can be found here: https://github.com/cri-o/cri-o/security/advisories/GHSA-fcm2-6c3h-pg6j
Interestingly, the denial of service attack also occurred in other container runtime interface implementations, most notably Containerd. Specifically, the exact same attack that exhausts memory in CRI-O can be used to exhaust memory of Containerd. The CVE for the containerd issue is CVE-2022-31030 and the Github security advisory for containerd can be found here: https://github.com/containerd/containerd/security/advisories/GHSA-5ffw-gxpp-mxpf.
In the Kubernetes world, for both CRI-O and Containerd this issue can cause a denial of service of nodes by way of deployments without any user interaction, effectivelly enabling a Cluster DOS if the cluster uses any of these container runtimes interface implementations. Patching is highly recommended.
Continuous fuzzing integration of CRI-O
We integrated an extensive fuzzing suite targeting the CRI-O infrastructure. The main challenge of this was to set up infrastructure to make fuzzing of CRI-O work, which is difficult because CRI-O is an interconnected system and relies on many components, e.g. binaries on the system and is mainly communicated with by way of Kubelet which constrains the data sent t CRI-O, and also uses a fairly complex testing framework that involves many many mocks.
In summary, we implemented 14 fuzzers targeting the CRI-O code, as well as the containers/image repository and containers/storage, and integrated the project into OSS-Fuzz. The fuzzers are available at https://github.com/cncf/cncf-fuzzing/tree/main/projects/cri-o and the OSS-Fuzz integration is available at https://github.com/google/oss-fuzz/tree/master/projects/cri-o.
The primary focus of the fuzzing was to target the gRPC handlers. This is mainly done by fuzz_server which is a fairly large fuzzer consisting of 900 lines of code. This fuzzer initiates a gRPC server and sends sequences of random messages to the server. In this way, the fuzzer has a significant reach throughout the code of CRI-O.
Full PDF report: https://github.com/cri-o/cri-o/blob/main/security/2022_security_audit_adalogics.pdf
CRI-O security advisory: https://github.com/cri-o/cri-o/security/advisories/GHSA-fcm2-6c3h-pg6j
Containerd security advisory: https://github.com/containerd/containerd/security/advisories/GHSA-5ffw-gxpp-mxpf
OSTIF announcement: https://ostif.org/our-audit-of-cri-o-is-complete-high-severity-issues-found-and-fixed/
ADA Logics is committed to delivering the highest quality software security training and services.

redpajama_set_name: RedPajamaCommonCrawl


As I rapidly approach my 38th birthday, I can't help but to look in the mirror and size up what I see. For the most part, I'm happy with what I'm looking at. Genetics have smiled upon me, and so far I'm holding up well in the wrinkle and lines department. If anything, 38 has brought me the beginning of smile lines, and to be honest, I'm pretty okay with those. I've started calling them the scars of a happy live, so how can I complain? I could do without those dark under-eye circles, but it could be worse...what can I say? I work a lot! When I look in the mirror, I can almost see the face I had in my twenties...a little older and wiser, but physically I am still so familiar with who I am. It's the inside that's a different story. I sometimes try to envision running into my twenty-year-old self in my almost-40-year-old skin, and I wonder how the two of us would connect. I have a feeling that we wouldn't get along all that well.
When I attempt to remember my thought processes back then, it's like delving into the mind of a stranger. Oh, I'm still basically the same person; I'm still creative and quirky and have the sickest sense of humor around. I still have many of the same fears and desires. Yet, age has been a good thing for me. It has tempered my selfishness, my quickness to join a cause for the sake of appeasing others, my desire to hide my deepest, truest self behind a guise of fun and entertainment. Back then, I judged myself based on the judgment of others. I couldn't be happy unless I had succeeded in my mission of making everyone else around me happy. I thought I was confident, but that was all just show-true confidence doesn't depend on the opinions of others. It's the ability to be content with showing every side of yourself-even the parts that aren't so pretty-and just being easy in your mind regardless of how others perceive you.
I used to think that confidence was an external concept. I thought that it was walking into a room with your head held high, approaching every situation exuding absolute certainty that you are going to get what you want, knowing that everyone is regarding you with a certain degree of respect and admiration. It's not. It's quieter than that. Confidence is the ability to be comfortable with yourself even if you're not the center of attention, even if you're feeling exhausted and overwhelmed and unproductive. Confidence is looking past all that, and still enjoying the skin that you are in, despite it all.
I'm so much more honest now than I was in my twenties. Not just with others, but with myself, as well. I don't need to delude myself to feel better; I simply accept what is and either embrace it or move on. And I seem to have lost much of the fear surrounding my flaws and shortcomings. I'm not perfect, and I'm fine with that. No one is. Looking back, I can't believe how much my happiness revolved around validation from others. I lived and died by the compliments and insults of those around me. I so clearly remember being 21 or so, running late to work, and not having time to do my makeup. Back then, I would never leave my house without a full face of makeup: foundation, powder, shadow and liner, mascara, lipstick, bronzer. Going to work without makeup was akin to showing up just wearing underwear. Yet, that day, I had no choice. I showed up, and one of the snarky guys I worked with couldn't wait to make a comment: "No wonder you always wear so much makeup. You look awful without it!"
I laughed it off, but I didn't leave my house without makeup for the next ten years. I couldn't imagine showing my bare face to the world, when clearly I was unacceptable without it. It wasn't until around 31 that I, exhausted from grad school and work and interning, started going without. Ironically, I found that I got far more male attention without makeup, wearing a ponytail, than I did when I was fully done up. All that time, hiding out until I had "my face on," all because one person who was truly insignificant in my life stated a negative judgment about me.
I'm sure that when I'm 50 I will look back and shudder at how little I knew right now, and that's also okay. Because we are all works in progress, and when we stop growing and changing, we die. For now, though, I will cherish another year past, another year of learning and growing.
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Local computer network is connected to the Internet through the POZMAN network, operated by the Poznań Supercomputing and Networking Center.
The free wireless Internet access is offered to the participants of meetings in the assembly hall of the Institute.
The guests accommodated in the guest's rooms are offered the password protected access to the Internet (local resource excluded). The necessary password one may found on the label of the room keys.
The connection of any personal device to the computer network of the Institute with the full access to the local resources and services requires former registration of the device MAC address at the desk of Scientific Computing Laboratory. The visitors may request registration of their devices in advance by e-mail.
The users of local network are offered access to the scientific literature data bases and alsoMathematica (v.10) and Origin (v.8) program packages. Please, use the necessary number of licenses only.


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Men's Basketball Drops Road Contest at Albany
Albany College of Pharmacy and Health Sciences
Five Towns College (1-1, 1-1) 27 37 64
Albany College of Pharmacy and Health Sciences (3-1, 2-0) 43 39 82
Pts: Kyree Sawyer - 20
Reb: Robert Williams - 12
Ast: Kyree Sawyer - 5
Pts: Nate Beltran - 38
Reb: Jordan Simmons - 10
Ast: John Ambert - 8
Albany, NY - Men's basketball moves to 1-1 (1-0 HVIAC) on the season after an 82-64 loss on the road to Albany College of Pharmacy and Health Sciences.
Five Towns shot 41.3% in today's game. The team went 26-63 from the field, including 4-17 from three-point range. Albany Pharmacy shot 43.2% and converted on 10 of 30 shots from behind the arc.
Albany's leading scorer from last season, Nate Beltran, was the game's high scorer with 38 points. Beltran shot 14-24 overall, including 5-10 from three-point range. Beltran averaged 15.7 points per game for the Panthers last season.
Albany held the advantage around the basket with 42 points in the paint compared to Five Towns' 30. The Panthers outrebounded Five Towns 45-37. Albany's defense caused 23 Five Towns turnovers, which the team converted into 26 points. Five Towns turned 18 Albany turnovers into 23 points.
Junior guard Kyree Sawyer led the scoring for Five Towns for two games in a row. After scoring 29 points against Word of Life/Davis yesterday, Sawyer scored 20 points in today's contest, to go along with seven rebounds, five assists, and one steal.
Newcomer Damani Merritt scored double-digit points for the second game in a row with 10 points and two rebounds, two assists, two steals. Freshman Eric Romero scored 16 points on 6-14 shooting, including three from behind the arc. Freshman Robert Williams controlled the boards for Five Towns, grabbing 12 rebounds. Williams also totaled eight points, four steals, two blocks, and one assist. Lloyd Middlebrooks contributed eight points, and Nigel Braithwaite Jr. scored four points off the bench.
Albany controlled the game from tip-off and started with a 13-2 scoring run. Five Towns would not have the lead through the entire game.
Men's basketball returns to action next weekend as the team travels to Pennsylvania for the Penn State Scranton Tip-Off Tournament.
Follow Five Towns College Sound Athletics on Instagram and Twitter @FiveTowns_Sound


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Home>where is tide detergent made in the world
where is tide detergent made in the world
Is Tide detergent banned in Europe? - Answers- where is tide detergent made in the world ,Jun 19, 2014·Tide laundry detergent is made by Proctor and Gamble and makes up 30 percent of the detergent market. ... Oxiclean Was Rewarded For The Best Stain Remover In The World. But Technically Tide Is Better.Tide vs Gain: Who Makes The Best Laundry Detergent?With washing powders becoming the fad in the 1880s, it wasn't until over a century later, in 1946, that the Procter & Gamble company brought in Tide as the world's first heavy-duty laundry detergent. After a few years of testing their product, a formula invented by Procter & Gamble scientist David Byerly, Tide reached the entire nation in 1949.
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Oct 25, 2006·Tide, the first heavy-duty synthetic detergent, was not just a new product, but a new kind of product. It was based on synthetic compounds rather than natural products. Although initially targeted for marketing in areas of hard …
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Jan 27, 2019·In eastern Europe, where powders are still in the majority, liquids are catching on as well, he notes. Last year Henkel added a liquid production line at its detergent plant in Racibórz, Poland, to meet growing customer demand in central and …
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7 Is Tide detergent banned in Europe? 8 Who created tide? 9 Is Tide made in the USA? 10 How long has Gain detergent been around? 11 What is the white part of a Tide pod? 12 When did Tide change its formula? 13 When was Tide invented? 14 Is Tide made in China? 15 Does Tide have alcohol in it? 16 Where does the tide go when it goes out? 17 What ...
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Mar 03, 2022·Tide is a detergent company owned by P&G, a multinational company with many fast-moving consumer products to supply to the market. Tide powder is the most popular and loved brand in America. We can offer Pringles wholesale at the best prices: infoggfmcg or via WhatsApp: +84 855 264 488
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Feb 21, 2022·Tide laundry detergent is one of the most familiar consumer brands there is: It was launched in 1946 and has been the top-selling detergent in the country ever since. Tide laundry bars are decidedly less familiar. Parent company Proctor & Gamble markets them overseas, especially in India (the world's third-largest detergent market), where fewer ...
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Jun 02, 2021·Tide Laundry Detergent, manufactured by Procter and Gamble, has been a part of American culture since 1946.The evolution and innovations of Tide products mirror many of the changes in America's culture. During the …
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Tide is the world's biggest selling detergent brand, as well as Procter & Gamble's #1 brand in its core market, the US. Although Pampers outsells it globally, no other brand in the company's portfolio is as important in a single territory, or has been as significant historically. In fact the so-called "washing miracle", the world's first synthetic detergent, has been the main motor for the ...
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Who Makes Gain Laundry Detergent (The Tide vs Gain – Truth!)
Often, Gain ranks neck and neck with Tide, Persil, and another top-ranking laundry detergent in terms of effectiveness but beats them out in fragrance. Detergent Lines One of the benefits of selecting a highly known laundry detergent brand like Gain is that there are tons of detergent lines to choose from.
Where Was Tide Invented - Worldanalysis
Oct 20, 2021·Introduced in 1946, it is the highest selling detergent brand in the world, with an estimated 14.3 percent of the global market. Is Ace the same as Tide? ACE detergent (also known as TIDE)- The original Tide laundry detergent was a synthetic designed specifically for heavy-duty, machine cleaning.
Who invented tide detergent? - Answers
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History & Marketing Strategies of Tide Brand - Brandyuva.in
Tide products in India include Tide Detergent and Tide bars. All Indian products have Fabric Whitening Agents that clean the fabric without the need of bleaching them. The brand is one of the oldest detergent brands and could be considered as the world market in 23 countries. Tide's Marketing Strategy and Interesting Reasons behind Its Grand ...
Jun 25, 2020·Tide is made by Procter & Gamble, which also owns laundry brands like Gain, Cheer, Dreft, Era, Bounce, and Downy. That doesn't mean that other brands, or even other formulas of Tide, will ...
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Jones Had Turinabol In System As Early As August
The big news of the week has been Jon Jones testing positive with a residual trace of Turinabol in his system on December 9th. That news uprooted the UFC from Las Vegas to Los Angeles the same way the Colts moved from Baltimore to Indianapolis, quick, sudden, and leaving people wondering what happened.
Now, less than 36 hours until fight night, it has come out that Jon Jones tested positive for similar levels of Turinabol even earlier than December 9th, multiple times.
As it turns out, those "atypical findings" started as far back as August 29th, where the former light heavyweight champion tested positive for 8 picograms.
A picogram is 0.000 000 000 001 of a gram, and could be a sign of microdosing or the sign of a prior use of the performance enhancer. On September 18th, Jones would be found with 19 picograms of turinabol in his system, the last dirty test he would have between then and December 9th, where he would pass four tests on September 21st, October 2nd and 11th, and November 14th.
"I think it was December 6th, [USADA] sent a letter to us and they sent a letter to the Nevada state athletic commission saying, 'Just you're aware, over the last six months, early in this six months we've seen a reemergence of this long-term in Jon's samples,'" UFC Vice President of Athlete Health and Performance, Jeff Novitzky, told Joe Rogan on Thursday's edition of the Joe Rogan Experience.
"That's all good, Nevada gets this. I talk with them, they're like, 'Whoa, this is concerning, but we don't see anything in our jurisdiction here, so I certainly hope that no subsequent tests show up positive because that could be an issue.'" Novitzky said.
"And sure enough, USADA collects a sample from Jon on 12/9, they expedited the results because they knew a fight was coming up and they do that now when fights are close or the collections are done close to a fight, and here he pulses back up to between 60 and 80 picograms."
The final drug test, where the number jumps to between 60-80 picograms, is what caused the investigation into Jones' tests and forced UFC 232 to Los Angeles, where the Athletic Commission there has been keeping their eye on Jones due to his failed 2017 test falling under their jurisdiction for UFC 214 in Anaheim.
Jon Jones headlines against Alexander Gustafsson at UFC 232 on December 29th for the UFC light heavyweight title in Los Angeles, California.
Alexander GustafssonFIGHT SPORTSJeff NovitzkyJon JonesMMAUFCUFC 232
WATCH: PFL 2018 Championship Presser
WATCH: UFC 232 Weigh-In


Dennis Crowley is an American Internet entrepreneur best known for co-founding the popular social networking sites Dodgeball and Foursquare.
After graduating from Syracuse, Crowley worked as a researcher for Jupiter Communications. In 2000, he joined mobile app provider Vindigo as a product developer. In 2003, he worked on MTV's wireless product development side, and held stints at PacManhattan and ConQwest 2004.
Crowley co-founded Dodgeball with fellow student Alex Rainert in 2003 while attending New York University. Dodgeball was subsequently acquired by Google in 2005, after which Crowley along with Naveen Selvadurai developed a second version of the original Dodgeball service called Foursquare in late 2008 and launched the service at SXSW in 2009. Foursquare, offering location-based social networking services via mobile devices, had over 6 million users worldwide as of January 2011, 10 million users as of June 2011 and 25 million users reportedly in August 2012.


Aimee, was born in September 2005 and for the first few months of her life appeared completely normal, however, this all changed just before she was 4 months old when she had the first of what would be many, many seizures. This particular seizure lasted 45 minutes and resulted in her being intubated and retrieved by Guys and St Thomas's paediatric paramedics. We were blue-lighted to the Evelina Children's Hospital in London and Aimee spent 2 days in Paediatric Intensive Care where she had a CT scan, EEG, MRI, lumber puncture and various blood tests. Everything came back clear and after spending a few days on the neurological ward we went home hoping that it was just one of those things and it would never happen again. She was put on the anti-epileptic drug, Phenytoin, but it was explained to us that it was quite unusual for babies of Aimee's age to have epileptic seizures.
Over the next five weeks life went back to normal, although we did notice Aimee 'twitching' every so often. She looked just like she was being shocked; her arms would fly out, her head drop and her eyes roll. We would soon learn this was seizure activity known as myoclonic jerks. Then on 23rd February 2006 the seizures started coming thick and fast. We had been given rectal diazepam to administer as soon as a seizure began and had been instructed to dial 999. The seizures always went into status, meaning they simply last too long. She was averaging 2-3, 45 minute seizures a week and after a few weeks the diazepam ceased to be effective. More tests were carried out but no answers found.
We then started to do our own research and I began trawling through various epilepsy websites. I came across a young boy in Australia whose story was identical to Aimee's. He had been diagnosed with a very rare and life-limiting form of epilepsy called Dravet Syndrome, previously known as Severe Myoclonic Epilepsy in Infancy. We requested the genetic testing, which Aimee was eligible for, as clinically she fit the diagnosis. 5 weeks later a positive result came back.
Having a diagnosis made a huge difference to Aimee's care as Phenytoin, the drug she was still taking, is often shown to have negative results for children with Dravet Syndrome. The diagnosis has also enabled us to access appropriate therapy and services for Aimee.
Aimee is now on a number on anti-epileptic medications, which control the seizures to a degree. Unfortunately as a result of the various side effects of these drugs Aimee is now 100% tube fed. At almost 5 years old Aimee has no speech, yet can sign around 30 words and although she did learn to walk for a brief time, has since regressed and is no longer walking. When she has a big seizure it is not uncommon to see some form of regression in Aimee. As well as being diagnosed with Dravet Syndrome Aimee has a diagnosis of ASD and a moderate to severe learning disability. Aimee's care is shared between our local hospital and Evelina Children's Hospital in London.
Even with all the difficulties that face Aimee, she is one of the happiest children you could ever wish to meet. She loves to colour, go to the park, look at books and she LOVES Mr Tumble and Peppa Pig. She is a wonderful daughter and a brilliant little sister to Katie, who just loves her to bits.
Since the above was written Aimee now attends our local special needs school, which she loves. She currently has around 3 small seizures a week and although she still has no words she has around 70 signs and is making lots more sounds.


Qualcomm is ushering in a new category of extended reality (XR) headsets — "Boundless XR for PCs" — that negate the need for cables and tracking sensors. For context, Qualcomm includes VR, AR, and AI under the umbrella term XR.
The company optimized its existing Snapdragon 845 VR Reference Design intended for stand-alone headsets to include the "Boundless XR for PCs" headset category. Manufacturers can use Qualcomm's reference design to build their own Boundless XR for PC headsets: Pico, for example, has already started doing this with its Pico Neo 2 device, which is expected to be released in the second half of this year.
The hybrid nature is a sweet spot, combining the best of mobile and PC-powered headsets. Devices in this new category will be able to support the more immersive and high-quality experiences associated with PC-powered headsets, while also offering the benefits that come with stand-alone headsets. And since the stand-alone VR headset category captured nearly 21% of all VR headset shipments in Q3 2018, after only being introduced in the previous quarter, the ability to operate these new devices as stand-alone headsets should be attractive to consumers.
It resolves some of the chief issues with PC-powered headsets on the market today because it's portable, lightweight, and has an easy set up process. The headset category eliminates the friction associated with device set up since it removes the need for cords, connectors, and accessories, which previously likely dissuaded consumers from repeatedly using their headsets. Moreover, consumers can now freely and easily move the device since they aren't tied down.
Lower latency from split processing should help enhance the user experience. The Boundless XR for PC headsets will offer motion to photon latency under 20 milliseconds. The addition of the on-board Snapdragon 845 enables it to take on some of the processing from the PC.


"I don't want to be good for a girl, I don't want to be good for just having one hand, I just want to be good, period." That's climber Maureen Beck. Born without her lower left arm, Beck scales overhanging boulders, takes whippers off of 5.12s and wins competitions. But she's not here to be a role model, shrugging off the clichéd coverage of disabled athletes. "We don't climb to be special, we don't climb to win some silly awards. We climb because we love climbing just like everybody else." Fueled by that love, Beck tackles an ambitious goal. What unfolds is a lesson in pure grit.


Qatar Beauty Show is the leading event in doha for the professional beauty sector and an international platfrom for the cosmetics and wellness industry. A powerful tool to help your company gain visibility to high-quality bayers from all different distribution channels and to a variety of domestic and International media.
The Trade Show is dedicated to the various sectors of the beauty industry: Perfumery and Cosmetics, Natural, Health, Packaging and Contract Manufacturing, Beauty Salon and Spa, Hair Nails.
Secure your chance to exhibit at Qatar Beauty Show 2019 today.


Part of the Monkey Mix series by Canadian favourites Twelve Monkeys. MacaRaz is a raspberry macaron flavour. An authentic French macaron, which is light and airy with that sweet meringue taste. Filled with a sweet raspberry filling and covered with flaked almonds, it's a lighter bakery taste that's a perfect all day vape.
French macaron, nutty almonds with a sweet and tart raspberry filling that comes through on the exhale.


text:
'use strict';

const React = require('react');
const ReactDOM = require('react-dom');
const classnames = require('classnames');

const Lists = require('../stores/Lists');
const CurrentListStore = require('../stores/CurrentListStore');
const Columns = require('../columns');

const CreateForm = require('../components/CreateForm');
const FlashMessages = require('../components/FlashMessages');
const Footer = require('../components/Footer');
const ListColumnsForm = require('../components/ListColumnsForm');
const ListControl = require('../components/ListControl');
const ListDownloadForm = require('../components/ListDownloadForm');
const ListFilters = require('../components/ListFilters');
const ListFiltersAdd = require('../components/ListFiltersAdd');
const ListSort = require('../components/ListSort');
const MobileNavigation = require('../components/MobileNavigation');
const PrimaryNavigation = require('../components/PrimaryNavigation');
const SecondaryNavigation = require('../components/SecondaryNavigation');
const UpdateForm = require('../components/UpdateForm');

const { Alert, BlankState, Button, Container, Dropdown, FormInput, InputGroup, Pagination, Spinner } = require('elemental');

const { plural } = require('../utils');

const TABLE_CONTROL_COLUMN_WIDTH = 26;  // icon + padding

function showCreateForm() {
	return window.location.search === '?create' || Keystone.createFormErrors;
}

const ListView = React.createClass({
	getInitialState () {
		return {
			checkedItems: {},
			constrainTableWidth: true,
			manageMode: false,
			searchString: '',
			showCreateForm: showCreateForm(),
			showUpdateForm: false,
			...this.getStateFromStore()
		};
	},
	componentDidMount () {
		CurrentListStore.addChangeListener(this.updateStateFromStore);
		if (!this.state.ready) {
			CurrentListStore.loadItems();
		}
	},
	componentWillUnmount () {
		CurrentListStore.removeChangeListener(this.updateStateFromStore);
	},
	updateStateFromStore () {
		this.setState(this.getStateFromStore());
	},
	getStateFromStore () {
		var state = {
			columns: CurrentListStore.getActiveColumns(),
			currentPage: CurrentListStore.getCurrentPage(),
			filters: CurrentListStore.getActiveFilters(),
			items: CurrentListStore.getItems(),
			list: CurrentListStore.getList(),
			loading: CurrentListStore.isLoading(),
			pageSize: CurrentListStore.getPageSize(),
			ready: CurrentListStore.isReady(),
			search: CurrentListStore.getActiveSearch()
		};
		state.showBlankState = (state.ready && !state.loading && !state.items.results.length && !state.search && !state.filters.length) ? true : false;
		return state;
	},

	// ==============================
	// HEADER
	// ==============================

	updateSearch (e) {
		clearTimeout(this._searchTimeout);
		this.setState({
			searchString: e.target.value
		});
		var delay = e.target.value.length > 1 ? 150 : 0;
		this._searchTimeout = setTimeout(() => {
			CurrentListStore.setActiveSearch(this.state.searchString);
		}, delay);
	},
	handleSearchClear () {
		CurrentListStore.setActiveSearch('');
		this.setState({ searchString: '' });
		React.findDOMNode(this.refs.listSearchInput).focus();
	},
	handleSearchKey (e) {
		// clear on esc
		if (e.which === 27) {
			this.handleSearchClear ();
		}
	},
	handlePageSelect (i) {
		CurrentListStore.setCurrentPage(i);
	},
	toggleManageMode (filter = !this.state.manageMode) {
		this.setState({
			manageMode: filter,
			checkedItems: {}
		});
	},
	toggleUpdateModal (filter = !this.state.showUpdateForm) {
		this.setState({
			showUpdateForm: filter
		});
	},
	massUpdate () {
		console.log('Update ALL the things!');
	},
	massDelete () {
		let { checkedItems, list } = this.state;
		let itemCount = plural(checkedItems, ('* ' + list.singular.toLowerCase()), ('* ' + list.plural.toLowerCase()));
		if (!confirm(`Are you sure you want to delete ${itemCount}?`)) return;

		// TODO: implement mass deletion

		console.log(`Deleted ${itemCount}:`, Object.keys(checkedItems));
		this.toggleManageMode();
	},
	handleManagementSelect (selection) {
		if (selection === 'all') this.checkAllTableItems();
		if (selection === 'none') this.uncheckAllTableItems();
		if (selection === 'visible') this.checkAllTableItems();
		return false;
	},
	renderSearch () {
		var searchClearIcon = classnames('ListHeader__search__icon octicon', {
			'is-search octicon-search': !this.state.searchString.length,
			'is-clear octicon-x': this.state.searchString.length
		});
		return (
			<InputGroup.Section grow className="ListHeader__search">
				<FormInput ref="listSearchInput" value={this.state.searchString} onChange={this.updateSearch} onKeyUp={this.handleSearchKey} placeholder="Search" className="ListHeader__searchbar-input" />
				<button ref="listSearchClear" type="button" onClick={this.handleSearchClear} disabled={!this.state.searchString.length} className={searchClearIcon} />
			</InputGroup.Section>
		);
	},
	renderCreateButton () {
		var props = { type: 'success' };
		if (this.state.list.autocreate) {
			props.href = '?new' + Keystone.csrf.query;
		} else {
			props.onClick = this.toggleCreateModal.bind(this, true);
		}
		return (
			<InputGroup.Section className="ListHeader__create">
				<Button {...props} title={'Create ' + this.state.list.singular}>

						Create

						Create {this.state.list.singular}

				</Button>
			</InputGroup.Section>
		);
	},
	renderManagement () {
		let { checkedItems, items, list, manageMode, pageSize } = this.state;
		if (!items.count || (list.nodelete && list.noedit)) return;

		let checkedItemCount = Object.keys(checkedItems).length;
		let visibleCount = items.count > pageSize ? pageSize : items.count;
		let buttonNoteStyles = { color: '#999', fontWeight: 'normal' };

		// action buttons
		let actionUpdateButton = !list.noedit ? (
			<InputGroup.Section>
				<Button onClick={this.toggleUpdateModal} disabled={!checkedItemCount}>Update</Button>
			</InputGroup.Section>
		) : null;
		let actionDeleteButton = !list.nodelete ? (
			<InputGroup.Section>
				<Button onClick={this.massDelete} disabled={!checkedItemCount}>Delete</Button>
			</InputGroup.Section>
		) : null;
		let actionButtons = manageMode ? (
			<InputGroup.Section>
				<InputGroup contiguous>
					{actionUpdateButton}
					{actionDeleteButton}
				</InputGroup>
			</InputGroup.Section>
		) : null;

		// select buttons
		let selectAllButton = items.count > pageSize ? (
		<InputGroup.Section>
			<Button onClick={this.handleManagementSelect.bind(this, 'all')} title="Select all rows (including those not visible)">All ({items.count})</Button>
		</InputGroup.Section>
		) : null;
		let selectButtons = manageMode ? (
			<InputGroup.Section>
				<InputGroup contiguous>
					{selectAllButton}
					<InputGroup.Section>
						<Button onClick={this.handleManagementSelect.bind(this, 'visible')} title="Select all rows">{items.count > pageSize ? 'Page' : 'All'} ({items.results.length})</Button>
					</InputGroup.Section>
					<InputGroup.Section>
						<Button onClick={this.handleManagementSelect.bind(this, 'none')} title="Deselect all rows">None</Button>
					</InputGroup.Section>
				</InputGroup>
			</InputGroup.Section>
		) : null;

		// selected count text
		let selectedCountText = manageMode ? (
			<InputGroup.Section grow>
				{checkedItemCount} selected
			</InputGroup.Section>
		) : null;

		// put it all together
		return (
			<InputGroup style={{ float: 'left', marginRight: '.75em' }}>
				<InputGroup.Section>
					<Button isActive={manageMode} onClick={this.toggleManageMode.bind(this, !manageMode)}>Manage</Button>
				</InputGroup.Section>
				{selectButtons}
				{actionButtons}
				{selectedCountText}
			</InputGroup>
		);
	},
	renderPagination () {
		let { currentPage, items, list, manageMode, pageSize } = this.state;
		if (manageMode || !items.count) return;

		return (
			<Pagination
				className="ListHeader__pagination"
				currentPage={currentPage}
				onPageSelect={this.handlePageSelect}
				pageSize={pageSize}
				plural={list.plural}
				singular={list.singular}
				style={{ marginBottom: 0 }}
				total={items.count}
				limit={10}
				/>
		);
	},
	renderHeader () {
		let { currentPage, items, list, pageSize } = this.state;
		return (

				<Container>

						{plural(items.count, ('* ' + list.singular), ('* ' + list.plural))}
						<ListSort />

					<InputGroup className="ListHeader__bar">
						{this.renderSearch()}
						<ListFiltersAdd className="ListHeader__filter" />
						<ListColumnsForm className="ListHeader__columns" />
						<ListDownloadForm className="ListHeader__download" />
						<InputGroup.Section className="ListHeader__expand">
							<Button isActive={!this.state.constrainTableWidth} onClick={this.toggleTableWidth} title="Expand table width">

							</Button>
						</InputGroup.Section>
						{this.renderCreateButton()}
					</InputGroup>
					<ListFilters />

						{this.renderManagement()}
						{this.renderPagination()}

				</Container>

		);
	},

	// ==============================
	// TABLE
	// ==============================

	checkTableItem (item, e) {
		e.preventDefault();
		let newCheckedItems = this.state.checkedItems;
		let itemId = item.id;
		if (this.state.checkedItems[itemId]) {
			delete newCheckedItems[itemId];
		} else {
			newCheckedItems[itemId] = true;
		}
		this.setState({
			checkedItems: newCheckedItems
		});
	},
	checkAllTableItems () {
		let checkedItems = {};
		this.state.items.results.forEach(function(item) {
			checkedItems[item.id] = true;
		});
		this.setState({
			checkedItems: checkedItems
		});
	},
	uncheckAllTableItems () {
		this.setState({
			checkedItems: {}
		});
	},
	deleteTableItem (item, e) {
		if (!e.altKey && !confirm('Are you sure you want to delete ' + item.name + '?')) return;
		CurrentListStore.deleteItem(item);
	},
	toggleTableWidth () {
		this.setState({
			constrainTableWidth: !this.state.constrainTableWidth
		});
	},
	renderTableCols () {
		var cols = this.state.columns.map((col) => <col width={col.width} key={col.path} />);
		// add delete col when applicable
		if (!this.state.list.nodelete) {
			cols.unshift(<col width={TABLE_CONTROL_COLUMN_WIDTH} key="delete" />);
		}
		// add sort col when applicable
		if (this.state.list.sortable) {
			cols.unshift(<col width={TABLE_CONTROL_COLUMN_WIDTH} key="sortable" />);
		}
		return <colgroup>{cols}</colgroup>;
	},
	renderTableHeaders () {
		var cells = this.state.columns.map((col, i) => {
			// span first col for controls when present
			var span = 1;
			if (!i) {
				if (this.state.list.sortable) span++;
				if (!this.state.list.nodelete) span++;
			}
			return {col.label}	;
		});
		return

{cells}

;
	},
	renderTableRow (item) {
		let itemId = item.id;
		let rowClassname = classnames({
			'ItemList__row--selected': this.state.checkedItems[itemId],
			'ItemList__row--manage': this.state.manageMode,
		});
		var cells = this.state.columns.map((col, i) => {
			var ColumnType = Columns[col.type] || Columns.__unrecognised__;
			var linkTo = !i ? `/keystone/${this.state.list.path}/${itemId}` : undefined;
			return <ColumnType key={col.path} list={this.state.list} col={col} data={item} linkTo={linkTo} />;
		});
		// add sortable icon when applicable
		if (this.state.list.sortable) {
			cells.unshift(<ListControl key="_sort" onClick={this.reorderItems} type="sortable" />);
		}
		// add delete/check icon when applicable
		if (!this.state.list.nodelete) {
			cells.unshift(this.state.manageMode ? (
				<ListControl key="_check" type="check" active={this.state.checkedItems[itemId]} />
			) : (
				<ListControl key="_delete" onClick={(e) => this.deleteTableItem(item, e)} type="delete" />
			));
		}
		return
 this.checkTableItem(item, e) : null} className={rowClassname}>{cells}
;
	},
	renderTable () {
		if (!this.state.items.results.length) return null;

		return (

					{this.renderTableCols()}
					{this.renderTableHeaders()}

						{this.state.items.results.map(this.renderTableRow)}

		);
	},

	// ==============================
	// COMMON
	// ==============================

	toggleCreateModal (visible) {
		this.setState({
			showCreateForm: visible
		});
	},
	renderBlankStateCreateButton () {
		var props = { type: 'success' };
		if (this.state.list.nocreate) return null;
		if (this.state.list.autocreate) {
			props.href = '?new' + this.props.csrfQuery;
		} else {
			props.onClick = this.toggleCreateModal.bind(this, true);
		}
		return (
			<Button {...props}>

				Create {this.state.list.singular}
			</Button>
		);
	},
	renderBlankState () {
		if (!this.state.showBlankState) return null;
		return (
			<Container>
				<FlashMessages messages={this.props.messages} />
				<BlankState style={{ marginTop: 40 }}>
					<BlankState.Heading>No {this.state.list.plural.toLowerCase()} found…</BlankState.Heading>
					{this.renderBlankStateCreateButton()}
				</BlankState>
			</Container>
		);
	},
	renderActiveState () {
		if (this.state.showBlankState) return null;

		let containerStyle = {
			transition: 'max-width 160ms ease-out',
			msTransition: 'max-width 160ms ease-out',
			MozTransition: 'max-width 160ms ease-out',
			WebkitTransition: 'max-width 160ms ease-out',
		};
		if (!this.state.constrainTableWidth) containerStyle['maxWidth'] = '100%';

		return (

				{this.renderHeader()}
				<Container style={containerStyle}>
					<FlashMessages messages={this.props.messages} />
					{this.renderTable()}
					{this.renderNoSearchResults()}
				</Container>

		);
	},
	renderNoSearchResults () {
		if (this.state.items.results.length) return null;
		let matching = this.state.search;
		if (this.state.filters.length) {
			matching += (matching ? ' and ' : '') + plural(this.state.filters.length, '* filter', '* filters');
		}
		matching = matching ? ' found matching ' + matching : '.';
		return (
			<BlankState style={{ marginTop: 20, marginBottom: 20 }}>

				<BlankState.Heading>No {this.state.list.plural.toLowerCase()}{matching}</BlankState.Heading>
			</BlankState>
		);
	},
	render () {
		return !this.state.ready ? (

<Spinner size="md" />

		) : (

					<MobileNavigation
						brand={this.props.brand}
						currentListKey={this.state.list.path}
						currentSectionKey={this.props.nav.currentSection.key}
						sections={this.props.nav.sections}
						signoutUrl={this.props.signoutUrl}
						/>
					<PrimaryNavigation
						brand={this.props.brand}
						currentSectionKey={this.props.nav.currentSection.key}
						sections={this.props.nav.sections}
						signoutUrl={this.props.signoutUrl} />
					<SecondaryNavigation
						currentListKey={this.state.list.path}
						lists={this.props.nav.currentSection.lists} />

					{this.renderBlankState()}
					{this.renderActiveState()}

				<CreateForm
					err={this.props.createFormErrors}
					isOpen={this.state.showCreateForm}
					list={this.state.list}
					onCancel={this.toggleCreateModal.bind(this, false)}
					values={this.props.createFormData} />
				<UpdateForm
					isOpen={this.state.showUpdateForm}
					itemIds={Object.keys(this.state.checkedItems)}
					list={this.state.list}
					onCancel={this.toggleUpdateModal.bind(this, false)} />

		);
	}

});

ReactDOM.render(
	<ListView
		appversion={Keystone.appversion}
		backUrl={Keystone.backUrl}
		brand={Keystone.brand}
		createFormData={Keystone.createFormData}
		createFormErrors={Keystone.createFormErrors}
		csrfQuery={Keystone.csrf.query}
		messages={Keystone.messages}
		nav={Keystone.nav}
		signoutUrl={Keystone.signoutUrl}
		user={Keystone.user}
		User={Keystone.User}
		version={Keystone.version}
	/>,
	document.getElementById('list-view')
);

redpajama_set_name: RedPajamaGithub


text:
Common Announces New Album 'Nobody Smiling'
TLSR Staff
Common is bringing attention to the violence in his hometown, of Chicago, on his upcoming album, "Nobody Smiling."
The rapper told Revolt TV that his 10th studio album, executive produced by No I.D., was inspired by the state of the inner cities of the U.S., including Chicago.
"'Nobody Smiling' was really a thought that came about because of all the violence that was going on in Chicago, or that is going on," he says. "It happens in Chicago, but it's happening around the world in many ways… It's happening in the inner cities all over America. We were talking about the conditions of what's happening when I said 'Nobody Smiling,' but it's really a call to action."
October 2019 | Nick Christophers
ACTRESS FROM THE EAST PAVING HER WAY TO WIN OVER THE WEST
April 2019 | Nick Christophers
It is without question in recent years that Asians are quickly making a mark in the entertainment world whether it is musically or through acting. The recent blockbuster...
August 2019 | Nick Christophers
The international artist, Eliya Rodeh, who hails from Israel, always had a positive outlook on her God given talent and knew she would put it to good use. As a young...


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A simple XY model for cascade transfer
セミナー NEW WGセミナー
田之上 智宏 (京都大学 大学院理学研究科)
Cascade transfer is the phenomenon that an inviscid conserved quantity, such as energy or enstrophy, is transferred conservatively from large (small) to small (large) scales. As a consequence of this cascade transfer, the distribution of the transferred quantity obeys a universal scaling law independent of the details of large (small) scales. For example, in the energy cascade in fluid turbulence, the energy spectrum follows Kolmogorov's power law [1]. Such behavior is observed even in systems different from ordinary fluids, such as quantum fluid, elastic body, and spin systems. Here, we aim to establish the concept of a universality class for cascade transfer. As a first step toward this end, we propose a simple model representing one universality class [2]. In doing so, we regard cascade transfer as a cooperative phenomenon of unidirectional transport across scales and ask how it emerges from spatially local interactions. The constructed model is a modified XY model with amplitude fluctuations, in which the spin is regarded as the "velocity" of a turbulent field in d dimensions. We show that the model exhibits an inverse energy cascade with the non-Kolmogorov energy spectrum. We also discuss the relation to spin turbulence [3,4] and atmospheric turbulence [5].
*If you would like to participate, please contact Hidetoshi Taya.
U. Frisch, Turbulence, Cambridge university press (1995)
T. Tanogami and S.-i. Sasa, A Simple XY Model for Cascade Transfer, (2021), arxiv: 2106.11670
M. Tsubota, Y. Aoki, and K. Fujimoto, Spin-glass-like behavior in the spin turbulence of spinor Bose-Einstein condensates, Phys. Rev. A 88, 061601 (2013), doi: 10.1103/PhysRevA.88.061601
J. F. Rodriguez-Nieva, Turbulent relaxation after a quench in the Heisenberg model, (2020), arxiv: 2009.11883
G. D. Nastrom, K. S. Gage, and W. H. Jasperson, Kinetic energy spectrum of large-and mesoscale atmospheric processes, Nature volume 310, pages 36–38 (1984), doi: 10.1038/310036a0


Thread: How do I scan my Linux system for rootkits, worms, trojans, etc.?
Either with ckrootkit or with rkhunter.
to download the latest chkrootkit/trojan/worm signatures (you should do this regularly).
The question is do you really need to? Maybe.
I think the danger isn't necessarily to the Linux box itself, but in it's ability to become infected and possibly passing that on. Zombies and such ya know...Always gotta have a good firewall at the very least.
lokkit is also a good firewall and can be customised a lot. Clam AV can be a good antivirus!!! just do a sudo about it.