text:
NTSB: Median Barriers Could Have Prevented N.J. Drunk Driving Accident
In a report adopted this week, the National Transportation Safety Board determined that alcohol impairment caused a driver to lose control of his vehicle in a Linden, New Jersey traffic accident. In the report, the Board noted that had a median barrier been present at the accident site the vehicle likely would not have crossed into oncoming traffic, killing six people.
"Accidents like this are why eliminating hard core drinking and driving is on our Most Wanted list," said NTSB Acting Chairman Mark Rosenker.
The accident occurred on May 1, 2003 at about 2:00 in the morning when an off-duty police officer driving a Mercedes CLK320 south on U.S. Route 1 lost control of his vehicle, mounted and crossed a six-inch-high raised curb, and entered the northbound lanes where he collided with a Ford Taurus occupied by a driver and four passengers. All five occupants in the Taurus and the Mercedes driver were killed in the crash.
The investigation determined that during the evening prior to the accident the Mercedes driver stopped at a local bar, attended a softball game where beer was present, and then returned to the local bar. Although no one at the bar or the softball game recalled seeing him drink alcohol, toxicology tests on the Mercedes driver reported a blood alcohol concentration of .326 percent.
The Board uses a BAC of .15 percent or greater as one of the defining criteria for a hard core drinking driver. Therefore the Board reiterated a previous recommendation, H- 00-26, asking New Jersey to establish a comprehensive program designed to reduce the incidence of alcohol-related crashes, injuries, and fatalities caused by hard core drinking drivers.
Contributing to the severity of the crash was the lack of a median barrier at the accident site. Guidelines provided by the American Association of State Highway Transportation Officials, and adopted by New Jersey Department of Transportation, suggest that raised curb medians, like the six-inch-high median at the site, are best used on low-speed urban arterial roadways.
The guidelines further note that on high-speed roads striking a raised curb median can cause a vehicle to trip, overturn, or become airborne. Current median barrier guidelines are inadequate for determining when to install a median barrier at sites like the accident site.
Although the accident segment of U.S. Route 1 has a posted speed limit of 40 miles per hour, traffic surveys showed that the median nighttime traffic speed was 62 mph.
The Board recommended that the Federal Highway Administration and AASHTO work together to establish criteria for determining when to install median barriers on high-speed, high-volume roadways regardless of access type. The Board also recommended that the City of Linden develop and implement a speed enforcement plan for U.S. Route 1.
Several With Grave Injuries After NYC Fire That Killed 19
N.Y. Court Reverses SWCB, Awards Benefits to Widow of World Trade Center Recovery Worker
Categories: East News


text:
<?php

namespace Oro\Bundle\CalendarBundle\Migrations\Data\ORM;

use Doctrine\Common\DataFixtures\DependentFixtureInterface;
use Doctrine\Persistence\ObjectManager;
use Oro\Bundle\CalendarBundle\Entity\CalendarEvent;
use Oro\Bundle\EmailBundle\Entity\EmailTemplate;
use Oro\Bundle\EmailBundle\Migrations\Data\ORM\AbstractEmailFixture;

/**
 * Added html tag around twig tags
 * Allows to edit text from WYSIWYG editor and does not break the twig template
 */
class ConvertCalendarInvitationEmail extends AbstractEmailFixture implements DependentFixtureInterface
{
    /**
     * {@inheritdoc}
     */
    public function getEmailsDir()
    {
        return $this->container
            ->get('kernel')
            ->locateResource('@OroCalendarBundle/Migrations/Data/ORM/data/emails/invitation');
    }

    /**
     * {@inheritdoc}
     */
    public function getDependencies()
    {
        return [LoadEmailTemplates::class];
    }

    /**
     * {@inheritdoc}
     */
    protected function loadTemplate(ObjectManager $manager, $fileName, array $file)
    {
        $template = file_get_contents($file['path']);
        $templateContent = EmailTemplate::parseContent($template);
        $existingEmailTemplatesList = $this->getEmailTemplatesList($this->getPreviousEmailsDir());
        $existingTemplate = file_get_contents($existingEmailTemplatesList[$fileName]['path']);
        $existingParsedTemplate = EmailTemplate::parseContent($existingTemplate);
        $existingEmailTemplate = $this->findExistingTemplate($manager, $existingParsedTemplate);
        if ($existingEmailTemplate) {
            $this->updateExistingTemplate($existingEmailTemplate, $templateContent);
        }
    }

    /**
     * @inheritdoc
     */
    protected function updateExistingTemplate(EmailTemplate $emailTemplate, array $template)
    {
        $emailTemplate->setContent($template['content']);
    }

    /**
     * {@inheritdoc}
     */
    protected function findExistingTemplate(ObjectManager $manager, array $template)
    {
        if (!isset($template['params']['name'])
            || !isset($template['content'])
        ) {
            return null;
        }
        return $manager->getRepository('OroEmailBundle:EmailTemplate')->findOneBy([
            'name' => $template['params']['name'],
            'entityName' => CalendarEvent::class,
            'content' => $template['content']
        ]);
    }

    /**
     * Return path to old email templates
     *
     * @return string
     */
    private function getPreviousEmailsDir()
    {
        return $this->container
            ->get('kernel')
            ->locateResource('@OroCalendarBundle/Migrations/Data/ORM/data/emails/v1_0');
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: Getting a file path from GitHub I have the code below in my Google colab, and it is giving me the error message:
FileNotFoundError: [Errno 2] No such file or directory:
Code:
!pip install arff
import arff
uploaded = arff.load(open('https://github.com/userName/repoName/blob/combination_of_nums_and_letters/file_name.arff'))

I got the file path by clicking on "Copy permalink" in GitHub.
Is this an issue with the path I got? or with my code? And if the path is wrong how can I get the correct path for this code to work?

A: *

*Python file open only looks locally. To open a file from the internet you will need to download it using a request.

*The link needs to be the "raw" version (put raw.githubusercontent instead of github.com) and remove the "/blob/" portion of it.

This question should help you: How to download and write a file from Github using Requests

redpajama_set_name: RedPajamaStackExchange


The flags of the 35 member countries of the Organization of American States (OAS) are displayed, multiple times, along the length of Boulevard. Voting member countries were selected because they subscribe to the OAS Charter and the principles for which it stands. The Grand Boulevard of the Americas demonstrates Kansas City's evolution as a global city and the importance it places on the countries of the Americas.
Visit our Links page for resources to additional information about the Countries of the Americas.
OAS voting member countries with flags on Grand Boulevard of the Americas.


text:
Jennifer reflects
All 1 entries tagged Ma
View all 52 entries tagged Ma on Warwick Blogs | View entries tagged Ma at Technorati | There are no images tagged Ma on this blog
My Dissertation, oh yes
So, what have I been doing with myself for the last 6 months? Working myself to the bone so I could funnel the swirling mess of my brain into this:
Working from the principles that development is an essentially playful and social process, through which knowledge is negotiated rather than prescribed, I will be conducting a case study of two separate key stage four classes, focusing on the imaginative, collaborative and transgressive elements of the students' in-class play. I will be making a detailed observation of these elements of play in the classroom, and through delivering three workshops on the Timberlake Wertenbake play Our Country's Good will be exploring the potential of play in key stage four childrens' drama work to act as a collaborative, socially engaged learning medium.
The work of Vygotsky, with his sociolinguistic theory of development based on zones of proximal development (Cole et al, 1978: 86) and the centrality of play (1978: 102) has, along with other constructivist theorists of development, been a huge influence on how we understand learning and teaching. Many of these principles have been applied to great benefit to early years teaching, with Moyles for example observing play "ensures the brain… is stimulated and active. This, in turn, motivates and challenges the participant both to master what is familiar and to respond to the unfamiliar in terms of gaining information, knowledge, skills and understandings." (1989: 7)
The prevalence of play in writing on early years development has often been coupled with wider statements from theorists emphasising the importance of play throughout our lives: "What most adults fail to recognise… is just how much they themselves play in adult life" (Moyles, 1989: ix) Yet, as Winston identifies (2005: 315) there has been little research into play in older children. Furthermore there exists a lack of concrete theory into how play might progress throughout development, retaining its central place from early years into and throughout adulthood.
The emphasis Vygotsky and others placed on the social construction of knowledge has often viewed the individual in the context of their society; Hornbrook describes how early drama in education practitioners such as Way and Heathcote "saw school drama as a means of restoring the 'natural' development processes which play encourages" leading to "an 'authentic experience', a so-called 'deep-knowing' of the essential truths of the human condition" (1998: 11-13)
This, along with Vygotsky's understanding of play developing through imagination into a game/rule structure - stating for older children play "becomes a more limited form of activity, predominantly of the athletic type" (1978: 104) - has led to a liberal approach to social education, favouring a psychological/individual understanding focused on the individual coming to terms with and forming their views on the society around them.
I hope to explore through this study the ways in which an understanding of play focused not only on its imaginative, but also collaborative and transgressive qualities can:
a) Show there is no reason for play-based learning methods to stop with early years' education. Play is not a developmental stage from which we move to accept - or assimilate into - the adult world of rules and work, but a mode that develops as we develop.
b) Focus our understanding of social education. By extending the constructivist approach to knowledge I have adopted in this study we can understand that it is not only society that develops us, but also we who develop our society. The work of Castoriadis explores this through the concept of the social imagination, which he describes as "that which creates society and history… the instituting society [which creates the] language, norms, values, ways of life and death, objects for which we live and objects for which we die" (1997: 269). The writings of Neelands has already begun to make connection between social imagination and drama education, through the principle of the ensemble (2009)
In this way we can move beyond a liberal, individualistic understanding of society in education to one that meaningfully engages and empowers young people to connect with the underlying theories, structures and institutions of their society.
I believe a playful, socially-engaged pedagogy is key to effective drama teaching, and this position will inform my journey as a researcher. However, in addition to researcher, I am also a practitioner, and hence this case study will to a large extent be informed by the methodologies of the reflective practitioner; understanding knowledge in terms of practical wisdom.
As a drama practitioner, my focus here is on the processes of imaginative, collaborative and transgressive play within this subject. However, this is not to suggest drama is the only curriculum area in which these ideas are applicable, indeed Neelands says of the socially engaged objectives of QCA's 'Bigger Picture': "These are not the kinds of objectives that can be delivered in isolated subjects, nor are they intended to be" (2009: 177). And so if anything I would argue for the extension of a playful, socially-engaged pedagogy across the curriculum, yet the scope of this study is such that this paper will work within a drama context.
The current prominence of PHSE and citizenship in the curriculum, as observed by Neelands (2009: 176) in addition to a swing back towards more integrated curriculums and increasing drive for visible, pupil-centred modes of teaching such as the approaches described in Charles Leadbeater's 21 Ideas for 21st Century Learning (2008) means teachers and other education practitioners many be interested in the outcomes of this study.
Play in older children, as I have already stated, is an understudied area, furthermore Tizard observes social play is another area that would benefit from further research (1977: 126) And so this study may provide an interesting contrast and extension to the wealth of work in early years play and may prompt further research. To this end, my aim within this study is to open out, rather than conclude this path of inquiry.
Hope you're as excited as I am about this. Six hours of field research teaching and 19000 words left to go. Will be keeping you updated :D
: 12 Jun 2009 20:58 | Tags: Dissertation Ma Play Social | Comments (0) | Close comments | Report a problem
Please wait - comments are loading
Boal (2)
Birmingham Rep (2)
Bamboozle Theatre (2)
The Bardathon
Artsadmin Blog
Bamboozle Theatre's Blog
Eleanor Turney
Frugal Life
Guardian Theatre Blog
Richard Herring Warming Up
The Playhouse Blog
They replied!! I wrote this review about 4 years ago now. I agree with the point that play is an imp… by on this entry

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Cannot wildcard search "member" in openLDAP .
I have an odd problem, where I cannot seem to use wildcard searches for the "member" or the "uniquemember" attibutes for a group.
Consider the following:
cn=myusers,ou=groups,dc=example,dc=com
objectClass=groupOfNames
objectClass=top

This returns fine:
ldapsearch -h ldap-server -p 389 -D "cn=admin,dc=example,dc=com" -w Password -s sub -b "ou=groups,dc=example,dc=com" "(objectclass=groupOfNames)" member

cn=myusers,ou=groups,dc=example,dc=com
member=cn=user1234,ou=groups,dc=example,dc=com

And if I use this, it also works fine:
ldapsearch -h ldap-server -p 389 -D "cn=admin,dc=example,dc=com" -w Password -s sub -b "ou=groups,dc=example,dc=com" "(&(member=cn=user1234,ou=groups,dc=example,dc=com)(objectclass=groupOfNames)" member

But, suppose I want to find all the groups, with member names that start with "user". I try this:
ldapsearch -h ldap-server -p 389 -D "cn=admin,dc=example,dc=com" -w Password -s sub -b "ou=groups,dc=example,dc=com" "(&(member=cn=user*)(objectclass=groupOfNames))" member

But nothing returns!
Now I have tried adding indexes to the "member" and "uniquemember" attibutes as:
member pres,eq,approx,sub
uniquemember pres,eq,approx,sub

... but get a returned error of 'additional info: approx index of attribute "member" disallowed', so I was left with:
member pres,eq
uniquemember pres,eq

Even after the change, I still cannot perform wildcard searches using "member" or "uniquemember" attibutes. Any ideas?
.

A: This works as expected with the UnboundID Directory Server. Try updating the directory server software - there are some similar questions on the OpenLDAP forums where this problem was resolved by a fix to DN normalization.
Also, there is no such thing as a 'wildcard' search. The assertion value to which you refer results in what is called a 'substring' search. For increased performance, the server should index the member and uniqueMember attribute values for substring (sub), assuming the legacy OpenLDAP server supports indexing those attributes for substrings.


text:
Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency
J. M. Soria, M. Morell, I. Nicolau, Xavier P. Estivill, N. Sala
We report the results of protein C gene (PROC) analysis in a Spanish family with hereditary PC deficiency characterized by the presence of three siblings with PC anticoagulant activity levels clearly below 50% of normal and PC antigen and amidolytic activities between 50 and 75% of normal. Their parents are first cousins and have PC levels between 50 and 80% of normal. Sequence analysis of the whole coding sequence of the PROC gene revealed that the three siblings are double homozygotes for a G to A transition at nucleotide 3203 that replaces arginine 87 by histidine (R87H) and for another G to A transition at nucleotide 7054, in intron 7 (7054G→A). Both parents and one sister were found to be double heterozygotes for these two mutations. Screening for the intronic mutation in a control group and RT-PCR cDNA studies from ectopically transcribed mRNA indicated that 7054G→A is most likely a rare but neutral DNA variant. These results and the fact that heterozygosity for the missense R87H mutation has also been found associated with a slightly decreased PC anticoagulant activity in another Spanish family, lead us to conclude that homozygosity for R87H is responsible for the PC deficient phenotype in these three siblings.
Blood Coagulation and Fibrinolysis
Complementary DNA
mRNA analysis
PC anticoagulant activity
PC deficiency
PROC gene mutations
Soria, J. M., Morell, M., Nicolau, I., Estivill, X. P., & Sala, N. (1996). Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency. Blood Coagulation and Fibrinolysis, 7(1), 15-23.
Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency. / Soria, J. M.; Morell, M.; Nicolau, I.; Estivill, Xavier P.; Sala, N.
In: Blood Coagulation and Fibrinolysis, Vol. 7, No. 1, 1996, p. 15-23.
Soria, JM, Morell, M, Nicolau, I, Estivill, XP & Sala, N 1996, 'Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency', Blood Coagulation and Fibrinolysis, vol. 7, no. 1, pp. 15-23.
Soria JM, Morell M, Nicolau I, Estivill XP, Sala N. Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency. Blood Coagulation and Fibrinolysis. 1996;7(1):15-23.
Soria, J. M. ; Morell, M. ; Nicolau, I. ; Estivill, Xavier P. ; Sala, N. / Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency. In: Blood Coagulation and Fibrinolysis. 1996 ; Vol. 7, No. 1. pp. 15-23.
@article{7683c37e0ba7492497b5712aa9bcc592,
title = "Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency",
abstract = "We report the results of protein C gene (PROC) analysis in a Spanish family with hereditary PC deficiency characterized by the presence of three siblings with PC anticoagulant activity levels clearly below 50{\%} of normal and PC antigen and amidolytic activities between 50 and 75{\%} of normal. Their parents are first cousins and have PC levels between 50 and 80{\%} of normal. Sequence analysis of the whole coding sequence of the PROC gene revealed that the three siblings are double homozygotes for a G to A transition at nucleotide 3203 that replaces arginine 87 by histidine (R87H) and for another G to A transition at nucleotide 7054, in intron 7 (7054G→A). Both parents and one sister were found to be double heterozygotes for these two mutations. Screening for the intronic mutation in a control group and RT-PCR cDNA studies from ectopically transcribed mRNA indicated that 7054G→A is most likely a rare but neutral DNA variant. These results and the fact that heterozygosity for the missense R87H mutation has also been found associated with a slightly decreased PC anticoagulant activity in another Spanish family, lead us to conclude that homozygosity for R87H is responsible for the PC deficient phenotype in these three siblings.",
keywords = "mRNA analysis, PC anticoagulant activity, PC deficiency, PROC gene mutations",
author = "Soria, {J. M.} and M. Morell and I. Nicolau and Estivill, {Xavier P.} and N. Sala",
journal = "Blood Coagulation and Fibrinolysis",
T1 - Homozygosity for R87H missense mutation and for a rare intron 7 DNA variant (7054G→A) in the PROC genes of three siblings initially classified as heterozygotes for protein C deficiency
AU - Soria, J. M.
AU - Morell, M.
AU - Nicolau, I.
AU - Estivill, Xavier P.
AU - Sala, N.
N2 - We report the results of protein C gene (PROC) analysis in a Spanish family with hereditary PC deficiency characterized by the presence of three siblings with PC anticoagulant activity levels clearly below 50% of normal and PC antigen and amidolytic activities between 50 and 75% of normal. Their parents are first cousins and have PC levels between 50 and 80% of normal. Sequence analysis of the whole coding sequence of the PROC gene revealed that the three siblings are double homozygotes for a G to A transition at nucleotide 3203 that replaces arginine 87 by histidine (R87H) and for another G to A transition at nucleotide 7054, in intron 7 (7054G→A). Both parents and one sister were found to be double heterozygotes for these two mutations. Screening for the intronic mutation in a control group and RT-PCR cDNA studies from ectopically transcribed mRNA indicated that 7054G→A is most likely a rare but neutral DNA variant. These results and the fact that heterozygosity for the missense R87H mutation has also been found associated with a slightly decreased PC anticoagulant activity in another Spanish family, lead us to conclude that homozygosity for R87H is responsible for the PC deficient phenotype in these three siblings.
AB - We report the results of protein C gene (PROC) analysis in a Spanish family with hereditary PC deficiency characterized by the presence of three siblings with PC anticoagulant activity levels clearly below 50% of normal and PC antigen and amidolytic activities between 50 and 75% of normal. Their parents are first cousins and have PC levels between 50 and 80% of normal. Sequence analysis of the whole coding sequence of the PROC gene revealed that the three siblings are double homozygotes for a G to A transition at nucleotide 3203 that replaces arginine 87 by histidine (R87H) and for another G to A transition at nucleotide 7054, in intron 7 (7054G→A). Both parents and one sister were found to be double heterozygotes for these two mutations. Screening for the intronic mutation in a control group and RT-PCR cDNA studies from ectopically transcribed mRNA indicated that 7054G→A is most likely a rare but neutral DNA variant. These results and the fact that heterozygosity for the missense R87H mutation has also been found associated with a slightly decreased PC anticoagulant activity in another Spanish family, lead us to conclude that homozygosity for R87H is responsible for the PC deficient phenotype in these three siblings.
KW - mRNA analysis
KW - PC anticoagulant activity
KW - PC deficiency
KW - PROC gene mutations
JO - Blood Coagulation and Fibrinolysis
JF - Blood Coagulation and Fibrinolysis


text:
'Ceiliúradh LGFA le Lidl'
TG4 to broadcast special 90-minute programme previewing and celebrating this year's All-Ireland Ladies Football Finals
On TG4 – Saturday 14th September at 20:15
WITH the support of Lidl and the LGFA, TG4 will broadcast a special television programme to celebrate the 2019 All-Ireland Ladies Football Finals.
'Ceiliúradh LGFA le Lidl', presented by Gráinne McElwain, will be broadcast on TG4 at 8:15pm on Saturday next 14th September – the eve of this year's TG4 All-Ireland Ladies Football Finals at Croke Park.
The programme will visit all six counties playing in the Junior, Intermediate and Senior All-Ireland Ladies Football Finals in Croke Park on Sunday afternoon.
'Ceiliúradh LGFA le Lidl' will have a number of musical acts and interviews with players, managers, families and feature some special videos to mark the weekend.
Former players will reflect on this year's Championship and on the games taking place on the following day.
Ladies Football is enjoying massive levels of popularity and is one of the fastest-growing sports in the country.
Last year, a record breaking 50,141 people attended the All-Ireland Finals in Croke Park.
Furthermore, a total of 475,000 viewers tuned in to TG4's live coverage of the Ladies Finals peaking at 284,000 during the closing stages of the Senior Final between Dublin and Cork.
The programme will be streamed live to a worldwide audience on the TG4 Player on www.tg4.ie
The captains from the six counties competing in the 2019 TG4 All-Ireland Ladies Football Finals were present at Croke Park today ahead of Sunday's eagerly-anticipated LIVE TG4 triple-header.
Fermanagh and Louth will battle it out for the Junior title, Meath face Tipperary for the Intermediate crown and champions Dublin tackle Galway for the Senior silverware at GAA HQ.
Dublin are aiming to win the Brendan Martin Cup for the third successive year, following on from victories over Mayo in 2017, and Cork last year.
Standing in their way are Galway, who beat Dublin in 2004, to win their one and only TG4 All-Ireland Senior crown.
Galway are back in the TG4 All-Ireland Senior Final for the first time since 2005, when they were defeated by a Cork side about to embark on a period of dominance.
Meath return to Croke Park seeking the Intermediate title which eluded them last year.
Eamonn Murray's side lost out to Tyrone, but they have the chance to make amends when they face Tipperary.
The Premier County will provide formidable opposition, however, and Shane Ronayne's side won this competition two years ago.
The Junior Final also features a county with redemption within reach, as 2018 runners-up Louth take on Fermanagh, the 2017 winners.
Marie Hickey, President of the Ladies Gaelic Football Association, was present at Croke Park to welcome the captains from the six participating counties.
She said: "It's that time of year again, when we prepare to crown our three TG4 All-Ireland Championship winners.
"These are there games to savour and I'm looking forward to some spectacular football, in line with the season we've had to date.
"Dublin and Galway will bring memories of 2004 flooding back for both counties, while Meath and Tipperary have provided some excellent football during their respective Intermediate campaigns.
"Getting proceedings underway are Louth and Fermanagh, who will battle it out for the West County Hotel Cup.
"The road to the Finals has been exhilarating, with so many great moments and brilliant action along the way.
"We've had a fantastic 2019 campaign to date and hosting our Senior Championship semi-finals at Croke Park for the very first time was a big highlight.
"Now we're back at the famous venue again for the three Finals that will see our champions crowned.
"We are very fortunate that TG4 continue to be our Championship partners and broadcast our game, not just nationally, but to a worldwide audience, free to air.
"I am really looking forward to watching 'Ceilúradh LGFA le Lidl' on Saturday evening, a show that should whet the appetite for what lies in store on Sunday.
Speaking on behalf of TG4, Head of Sport Rónán Ó Coisdealbha said: "We would like to take this opportunity to thank the LGFA and Lidl for their partnership and support and we look forward to a great weekend of Ladies Football.
"TG4 is very proud of our sponsorship of Ladies Football and for providing extensive coverage of these matches on free-to-air television to a global audience."
All three games will be broadcast live on TG4 starting with the Junior Final which gets underway at 11.45am. The Intermediate Final throws in at 1.45pm while the Senior Final will have a 4.00pm start.
The All-Ireland Club Sevens, featuring 70 teams, take place at the St. Sylvester's and Naomh Mearnóg GAA Clubs in Dublin on Saturday, the 14th of September.
The LGFA is delighted to welcome teams from all over Ireland and Britain for an event that is now a firm favourite on the annual LGFA calendar.
Tune in at 20:15 Saturday evening 14th September on TG4 for 'Ceiliúradh LGFA le Lidl'.
Join in on the conversation using the hashtag #ProperFan
Rónán Ó Coisdealbha Mobile: 087 2472841 E-mail: sport@tg4.ie
Linda Ní Ghríofa Tel: 0879172864 E-mail: linda.ni.ghriofa@tg4.ie
Jackie Cahill Mobile: 086 8347366 E-mail: jackie.cahill@lgfa.ie


This past week was Catholic Schools Week, and both our school and pre-school hosted an Open House. It was impressive to see the students themselves greeting new families, and on a beautiful Sunday afternoon to see many families arriving and touring both of our schools. Students were encouraged to pose for selfies with friars, so as I made my way around the campus I stopped a few times for those. In my time in both schools, it's been impressive for me to see the level of engagement and commitment, and a certain spirit that reflects something of St. Francis himself. Our schools are in good hands. If you're looking for a school for your child, I encourage you to look into them.
I had another one of those moments last week, while over in the gym to meet with someone. I saw that there was a hockey game going on. The coach saw me watching and invited me to pick up a hockey stick. Suddenly, I was transported back to Fox Hill Road in Burlington MA, twelve years old with my Bobby Orr model hockey stick with the plastic blade that we used to curve over the stove (kids don't try that at home). The fifth graders were gracious to invite me to play. I couldn't resist. The Super Bowl of course is this Sunday and as a Patriots fan I will be watching closely. Seems pretty even at this point, as I write this one week ahead of time.
Sometimes people say to me, "How's the transition going?" Overall, it has gone well, though it has been a major change from working at a soup kitchen in Philadelphia to a large parish like St. Francis and I realize that it will simply take time for me to really learn things here. I think maybe that's the hard part. In the meantime, thank you to all for the ongoing warm welcome I have received. I feel like I'm a part of a vital and engaged parish.


text:
<?xml version="1.0" encoding="utf-8"?>
<RelativeLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:layout_width="match_parent"
    android:layout_height="match_parent"
    android:background="@color/colorPrimary"
    android:paddingLeft="@dimen/main_page_padding"
    android:paddingRight="@dimen/main_page_padding"
    android:paddingBottom="@dimen/main_page_padding"
    android:gravity="center|center_horizontal">

    <com.emoon.balance.View.AutoResizeTextView
        android:id="@+id/topPanelHeader"
        android:layout_width="match_parent"
        android:layout_height="match_parent"
        android:gravity="center_vertical|center_horizontal"
        android:text="0"
        android:maxLines="1"
        android:ellipsize="none"
        android:textSize="@dimen/text_toobig"
        android:textColor="@color/gray"
        android:minHeight="140sp"
        android:layout_above="@+id/progressBar"
        android:layout_alignParentLeft="true"
        android:layout_alignParentStart="false"
        android:layout_marginBottom="0dp"
        android:layout_alignParentEnd="false" />

    <include layout="@layout/top_panel_progress"
        android:id="@+id/progressBar"
        android:layout_width="match_parent"
        android:layout_height="wrap_content"
        android:layout_above="@+id/topPanelIntro" />

    <TextView
        android:id="@+id/topPanelIntro"
        android:layout_width="wrap_content"
        android:layout_height="wrap_content"
        android:text="@string/motivation2"
        android:textSize="@dimen/text_xsmall"
        android:layout_centerHorizontal="true"
        android:textAlignment="center"
        android:layout_alignParentBottom="true"
        android:gravity="center_vertical|center_horizontal" />

</RelativeLayout>


Announcement We offer exceptional vintage at affordable prices. Come in...sit down, and get comfy. Enjoy a taste of the past including personal customer service!
We carry vintage clothing and more for women & men from the 1920s through the 1980s. Check back often as we add new items weekly.
I am a proud member of the Vintage Fashion Guild, VFG.
We offer exceptional vintage at affordable prices. Come in...sit down, and get comfy. Enjoy a taste of the past including personal customer service!
Club Vintage Fashions online shop & brick & mortar shop welcomes you!
Welcome, I am Cat. I run a brick & mortar shop located at 131 W Vienna St in Clio, Michigan along with my online shop here on Etsy.
My husband and I started collecting vintage clothes over twenty-eight years ago. We have traveled all over the USA buying as we went. Around sixteen years ago we realized that we needed to sell some of our gorgeous finds in order to have room to buy more, that is how the Club Vintage Fashions online shop came into being.
In the summer of 2012 we purchased a building built in 1900 and rehabbed it for our brick & mortar shop. We opened the doors of the shop on January 29, 2013.
If you are ever in the area please stop by as I love meeting my customers in person. We have thousands of items in inventory so if you don't see what you are looking for drop us a note and we will be happy to search our inventory to find just what you need!
We believe in customer service....the old fashioned way.
We love sharing our vintage clothing and accessories collection with you!
Along with our shop here on Etsy we have a brick & mortar location. If you are in Michigan stop by and browse our huge inventory of vintage clothing, sewing and household items.


text:
using System;
using System.Linq.Expressions;
using MyVote.Data.Entities;

namespace MyVote.Data.Entities
{
	public interface ISearchWhereClause
	{
		Expression<Func<MVPoll, bool>> WhereClause(DateTime now, string stringPattern);
	}
}


text:
Bahram Siyavashan (Middle Persian: Wahrām Siyāvakhšan) was an Iranian commander, who supported the distinguished Sasanian military leader Bahram Chobin, and played an active role in the early stages of the Sasanian civil war of 589-591, till he was killed by Bahram Chobin himself in 590 after trying to assassinate the latter.

Sources

Generals of Hormizd IV
6th-century births
590 deaths
6th-century Iranian people
Rebellions against the Sasanian Empire

redpajama_set_name: RedPajamaWikipedia


Fancy having a go at glass fusing? This taster session is the perfect place to start!
Create a stunning glass sun-catcher to take home while trying out a new craft. During this session you will be shown how to cut and layer glass and also how to design your own creation to be hung in your window.
You will be shown how to safely use the tools and equipment and then it's over to you (along with help and advice along the way) to turn your ideas into art, no matter what your ability. Sun and glass are always a beautiful combination!
The courses are held on the site of the Red House Glass Cone in the heart of the Glass Quarter. You could spend some time looking around the site, glass blowing demonstrations are held weekend afternoons. There is also a coffee shop on site but tea and coffee will be provided.


Okay, the title is a little precocious. I don't actually need to tell you how to shop. But I thought a few tips might help anyone befuddled by the options, process and cost.
The first step is to work out what you want in a very broad sense. Do you want a traditional, sparkly/lacy/pouffy cloud of awesome? Do you just want something a bit dressier than you'd normally get away with but not the standard bride look? Somewhere in between? Something else entirely? I believe many women default to the first option automatically without considering other options. There's nothing wrong with that but I'm a fan of conscious spending and it is likely to be the most expensive way to go, so might as well work out that it's actually what you want before you go splashing coin around.
For brainstorming, try searching "wedding dress" on Pinterest or a Google image search.
You also want to think about the dress in context of the wedding - if you are having quite a casual wedding the dress might want to be less extravagent, and vice-versa. Hundreds of layers of tulle probably aren't that comfortable on the beach in Raro!
For one thing, for many women this is one of the most fun elements of planning a wedding, so make the most of it. And for another, having a cooling-off period before you need to make a decision is pretty smart.
Also, if you buy a dress from a boutique there's generally a 6-month lead time - so if you want time to look around, time to consider, and not to be rushed having fittings starting well in advance is smart.
I recommend starting with the internet, for general styles and looks. Then hit some real stores so you can try things on (regardless of category, trying the style for your shape is a good idea). I recommend taking one or two trusted people to comment - it's very easy to get caught up in the sales pitch when you're on your own. Traditionally this would be something a bridesmaid would do - in lieu of bridesmaids I took Mr Cake to my first shop (warning: some more traditional wedding vendors disapprove of this approach, so you may need to ignore their foolishness), but anyone whose opinion you trust should do the trick.
Optional extra for experts: after the excursion to an actual store I reckon you should hit the internet again, now that you're more clued up about what suits you. You'll probably find you're now naturally drawn to the shapes which looked good on you, which makes looking easier.
1. I don't believe there is one perfect dress for me - sure, some will suit me more than others, some will be more affordable and some will be better quality, and some will suit the wedding we're planning. Hopefully the one I choose will optimise these things for my wants - but I don't think any single dress is perfect or in any way life-changing (except to the extent that it will be the dress our grandchildren consider to be quaint and outdated when they look at photos of our wedding - which doesn't really count).
2. Seriously, why would I cry?
Once you've tried on some dresses you like, think about each one you like, how much it cost, what it has that you like and what it's missing that you wanted. And work out, for yourself (this will be easier for some people than others, and different for everyone) if the purchase makes sense.
There are different ways to buy your dress, once you've determined what it is you want, but this is getting a bit long so I'll write a follow up post about those options in a few days.
What has your experience been? Have you found it easy or difficult searching for something you like?
It will probably come as no surprise to you that I'm pretty keen on wedding cakes. Perhaps it will come as a surprise that I am not going near making my own (a feat which is achievable but sounds positively horrific to me).
The first is the option the wedding industry wants us to think is the only way - and yes, it can be pretty pricey. Whether you opt for a cake by a specialist decorator or your caterer I tend to think of this as the most stress-free option, as by paying for the cake the decorator should be the one worrying about the cake (I've certainly taken on enough stress for me and the bride whenever I've done wedding cakes!).
Buying your cake should mean you can look at a gallery of the decorator's work and choose, or even provide a photo of one you like, and they should hopefully be able to replicate it (you still want to see photos of work the decorator has done themselves, though, lest you end up with one of these).
Cost can be offputting, but most of the time I think it's well worth what you pay - if you want the perfectly iced wedding cake that does mean many hours on the part of the decorator, as well as a mountain of ingredients, so based on inputs the prices I've seen in my research have actually been pretty reasonable.
If you still want low stress but do want to keep the price down, this is a valid option. I don't mean not telling the vendor it's for a wedding (which, by the way, probably won't sound very convincing if you want three tiers with white icing and a little bride and groom on top ;-) ), but rather taking a cake with a more laid back kind of decor - if you leave off the white icing and just have rustic buttercream, for example, or have a large cake that's not a multi-tier feat of engineering.
This is an interesting one. It's really wonderful to be able to incorporate things made with love into your day, and if you have a friend who is a decorator they may be happy to make your cake as your wedding gift - but note the "may." Remember that wedding cakes involve a huge time commitment (I've spent up to 12 hours on them, with baking, icing and decorating) and the person you have in mind may not be able to commit to that around your wedding. If you are going to do this I'd recommend providing money for ingredients (because for a large cake the cost of making can reach three figures) - and being understanding if the person isn't able to.
Also, if you're going for a less intensive kind of cake let them know at the outset - it might change whether or not they can do it. I've seen great weddings where instead of having a single cake they had a table of them, each one made by a friend or family member - believe me, a table full of cakes still looks pretty impressive, and just making a regular-sized cake is a much more achievable task for your nearest and dearest. Cupcakes on a tower are another option - though they can still take a while to decorate there's a lot less pressure, since if the odd cupcake doesn't work out it doesn't matter.
I'm going to go ahead and say I don't recommend this - but it can be done. If you have your heart set on making your own make sure you ease up on other DIY just before the wedding, do as much as you can in advance (you can even pre-bake and freeze the cakes if you prefer), and definitely have a practice run.
There are plenty of tutorials online but the simpler you keep it the better - I quite like this sugar rosebud topper, which can be made weeks in advance and stored in a cool, dry place, before being plonked atop a very simple cake.
The last option, though perhaps unorthodox is to not have cake. Your guests probably won't notice, and if you have dessert served (or a non-dinner reception) it doesn't even make that much sense to have cake as well. I've heard of people having cheese cakes (three wheels of cheese stacked together) and a cheese course instead of dessert (although delicious don't expect this to save money!), but honestly, if you're not into the idea of a big, costly, jaw-dropping cake there's absolutely no reason you have to have one.
We're going with paying a pro decorator (my obsession with sweets meant I knew exactly who I wanted to make it!), and I think it's worth every cent. What's your preferred option? Do you think you'd miss the cake if you went to a wedding where there was none?


The Capital Asset Pricing Model (CAPM) calculates the expected return on equity of an individual company. It is based on the expected rate of return on the market, the risk-free rate and the beta coefficient of an individual security or portfolio.
E(Rm)-Rf: the difference between the expected market rate of return and the risk-free rate, is known as the market premium.
Total risk to a stock can be divided into two parts: systematic rate (the risk associated with market and cannot be diversified away) and unsystematic risk (the risk inherent to the stock and can be eliminated through diversification). Beta is a measure of systematic risk of a stock. Beta describes the sensitivity of a stock's returns to the changes in the market. An asset with a beta of zero means its return is independent of changes in the market return.
The Security Market Line (SML) is essentially a graph representation of CAPM formula. It plots the expected return of stocks on the y-axis, against beta on the x-axis. The intercept is the risk free rate and the slope represents the market premium. Individual securities' expected return and risk are plotted on the SML graph. For one security, if it is plotted above the SML, it is undervalued as the investors are expecting a greater return for the same amount of risk (beta). If it is plotted below the SML, it is overvalued as the investors would accept a lower return for the same amount of risk (beta).


The R-Port Serial Remote Control module offers a unique way to expand the capability of your Server Remote Control device or Digital KVM switch.
All configuration settings are stored separately in each attached device in nonvolatile memory so that they will not be lost in the event of a power outage or disconnection.
Control your serial devices - routers, managed switches, printers, or even serial console based Linux servers - as if you were right there in the room with them.
Daisy-chain up to 16 R-Port devices, and control them all using an interactive Web interface! To minimize your space and infrastructure requirements, the R-Port devices use a single cable to carry both power and data.
StarTech.com's Server Remote Control products allow you the flexibility to control your device locally via console, or remotely via the network or the public Internet. You choose the best way to work with your devices!


World wide standard shipping with track and trace if avalaible Delivery time approximately 2-3 weeks.
You can also pick up your order directly in our atelier in IJsselstein, the Netherlands.
Deliveries are insured by Wallthatjazz. To avoid any problems should your package arrive damaged, contact postal carrier immediately before or just after opening your package!!


runDisney race weekends are jam-packed with activities. From the expo to the races, the breakfasts to the attractions, the parties to the shopping – there is a lot to experience!
Yet there are times when you can't take off a few extra days to compliment your runDisney race weekend, meaning you are coming to Walt Disney World or Disneyland for the race weekend only. So how do you survive a whirlwind runDisney race weekend? Let's take a look!
Skip the parks. Go to Walt Disney World or Disneyland and skip the parks? Blasphemy! While going to the parks is definitely a perk to a runDisney race, when you are only in the area for a couple of days – the parks can be skipped. (Especially if you participate in multiple runDisney race weekends or live nearby.) During a quick weekend at Disney, the time getting to the parks, walking from attraction to attraction, etc. can drain you easily – resulting in a less than ideal race weekend.
Rest as much as you can. Everyone begins to feel like a kid again when they step foot onto Disney property! While it is easy to want to spend every moment exploring, make sure you get rest too. Those wake up calls will be early, so don't waste too much energy doing things other than running your race. That being said, if the sleep is minimal during your whirlwind weekend – you can always make it up later at home!
Plan your travel schedule smartly. When planning your whirlwind trip, make sure that you look at all race times and plan accordingly. If you are flying, pay close attention to the flight times – allowing for ample time to get to and from the airport. This is especially important if you will be flying home the day of your race! You don't want to be running back to Epcot when your flight is taking off.
Don't forget to have fun! During these whirlwind weekends, it can be easy to get caught up in the fact that you only have X hours at Disney. You can also easily start to worry about details. In the midst of the lack of sleep and short amount of time – don't forget to have fun! While the quick runDisney trips may not be ideal, it is a great way to pack a lot of magic into one great weekend.


Last year, having been invited to participate in a public discussion of the poet H.D., I decided to explore H.D.'s fictional works, virtually none of which appeared during her lifetime. Many of these, even just ten years ago, were available only to scholars willing to visit the Beinecke at Yale, where most of her manuscripts and papers are housed. But almost everything's in print now.
Though I admire H.D.'s poems, I did not expect my prose project to be pleasurable, and it wasn't. I don't know how many of her novels and novellas I read, but I found all of them (with one exception, dealt with below) annoying. Mainly they are exactly what people mean by "self-indulgent." The reader is exposed to the spectacle of the writer hunting around for a style worthy of her personal melodrama. Inefficiency and joyless obscurity abound. Even the one I liked is not a great book or anything.
But none of this matters. I say I didn't find the project pleasurable, but I did find it engrossing. I became very invested in coming to some kind of reckoning with H.D.'s personality, mainly because I saw that over the years I've known and been friends with quite a few H.D.s—at least four. The key difference being that the H.D.s in my life could never have written any of H.D.'s mature poetry. But all of them could have written her novels. Except for Bid Me to Live.
The public discussion came and went, and I have not stopped reading H.D. I can't wait till this semester is over so I can read some of these satellite materials that keep getting themselves mentioned in footnotes.
Anyhow, what follows is merely a set of hints and ideas and judgments I've been accumulating. Call it "H.D. Notebook: Part I." I'll post Part 2 in June.
Result? Ten people in the seminar, ten Sea Garden poems—all of 'em different, all of 'em more or less unmistakably written by H.D. in 1915. Apparently we had hit upon the right recipe.
This kind of thing would never work in a million years with Trilogy or Helen in Egypt. That it worked with Sea Garden makes me uneasy. The same thing could be done with my poems.
Lots of people read Sea Garden, then stop. This, even though they weren't fatigued or annoyed. They liked the book, but they go no further. I have a hypothesis as to why.
It's what happened to me with the first Smiths record. I intuited it would always be better simply to listen to The Smiths again rather than move on to whatever their second record was called, because (a) it seemed medically impossible the next album was going to be better and (b) in some sense, I always had unfinished business with the first album. I hadn't sufficiently digested it.
Sea Garden is like that. The poems are so similar to each other that you get the idea no growth is possible. And the poems are so pregnant with meaning, one never feels one has done them justice simply by reading them. One never really "knows one's way around" Sea Garden.
I don't like biographies wherein the subject has no stupid ideas, is never self-deceived, and is never a source of legitimate grievance to anyone. To watch a biographer protect her subject from all negative interpretations, and even from the other characters in the story—this is a most unedifying spectacle.
Janice Robinson sheltering H.D. from Pound, for instance. Or urging H.D. into hand-holding with D. H. Lawrence. Massaging facts so they can have gone to bed, those two exotic, beautiful creatures. Caroline Zilboorg explaining away four fifths of Richard Aldington's character, so his marriage with H.D. can be viewed as a deep and mutually rewarding enterprise. And of course trashing Bryher.
Standing very far apart from those two is Barbara Guest's biography (Herself Defined: The Poet H.D. and Her World, 1985). Guest, whose own poetry I find unreadable, plays perfectly (to my mind) the part of the mature critic. She respects H.D., but H.D. is not her darling. Guest's tone is that appropriate to a conversation between friends A and B about absent friend C, whom they both love—but.
That, anyway, is the conversation I want to overhear. Not two people trashing a third, but two people soberly comparing notes, the better to understand the yes and the no of the person.
The photo on the back of Zilboorg's Richard Aldington and H.D.: Their Lives in Letters (2003) is almost too vulnerable to mention. A naked Richard Aldington, sitting in surf, fused with a photo of naked H.D., standing in what looks like the same water but which is actually a path through some woods. The original photos are provided in the book. Cropped out: the naked woman with whom Aldington was actually bathing, also the fact that Aldington was three thousand miles away when the H.D. photo was snapped.
A great many people felt the need to record and publish their impressions of H.D. during her lifetime. It's stimulating that these works were, generally speaking, satirical. The most famous of these is William Carlos Williams's bits about H.D. in his Autobiography (1951). He makes her out to be the kind of drama-queeny yo-yo who lifts her arms as it's beginning to rain and says, "Come, beautiful rain!" and insists on getting drenched.
She seems to have inspired rather a lot of this kind of portraiture. Lawrence put some ineffectual, indecisive, thwarted version of her into Aaron's Rod; John Cournos (who had also been a close friend) wrote a whole satirical novel about her (Miranda Masters, 1926); and even Frances Gregg, who was supposedly the female love of H.D.'s life (I forget who says this, but I pretty much buy it) wrote, in tandem with her husband, some long piece of fictional nastiness about H.D. Can't remember the title; it's hard to keep track of all this.
Seems everyone in her private life treated her roughly at some point, but the three people who at least never treated her roughly in public writing are Pound, Aldington, and Bryher. These last two genuinely revered her, thought she was a "genius" and all that crap. Surprisingly, only Pound seems to have declined to satirize her simply because he had better things to do. Or maybe she just somehow didn't annoy him as much as she annoyed other people. She drove Aldington and Bryher up the wall and into the chandelier.
Actually, I feel like underscoring a point very easy to miss. You can say what you like about Pound; at least he never wrote a roman à clef. Everyone else in that circle wrote a bunch of 'em. H.D. herself wrote at least six.
Part of why she made everybody crazy is she combined two traits that seldom come together: narcissism (intense self-fascination, intense self-approval) and what I want to call personal pacifism—the unwillingness to fight with (or ever to interfere with) others. She simply never attacks anyone or anything for any reason. Not with malice, not with ideas, not with helpfulness. It's just not her way. And it's not because she's sweet; she wasn't. Anyone who thinks she was nice should read her novel Hermione (sometimes called HERmione and sometimes called Her). But this is what I'm saying. Most people who are as not nice as she was end up Susan Sontagging their way through life, dogmatizing and being contradicted, battling their way in and out of people's consciousness.
The mystery, the membrane-irritating mystery, is how someone with H.D.'s resources of elitism and self-love manages not to be aggressive.
She was a believer; she was born to believe. Anything ancient. Anything that looked like hieroglyphics, including a Ouija board. She was the kind of person who, in the car on the way to her wedding, might see a sign advertising a shoe outlet: WHY PAY MORE? DON'T DO IT! That "don't do it" could cause her to pull over and have a long, panicked, tearful meditation.
Any kind of chance homonymy. A pear tree would also necessarily be a "pair" tree. Hmm. Pair of what. Also people should consider carefully before they call a place "Pennsylvania." Sylvania—woods. Hmm.
She really was like this. Horoscopes, séances. Egyptological crapola in every flavor. And yet: mysticism doesn't have any kind of sustained presence in any of her books except The Sword Went Out to Sea and Magic Ring, neither of which were published in her lifetime (not that she didn't try).
It's like with Pound's fascism. It was supposedly so important to him, but the Cantos, if you actually bother to read them, are like a gallon jar of jelly beans with six or seven evil licorice ones in the whole jar. I never know what to make of this. It's certainly not that he was ashamed to own his views in front of the public. H.D.'s case—the shyness surrounding her mysticism—is probably easier to understand.
The most presentable face of her will-to-believe was Freudian psychoanalysis, a thing about which she knew quite a lot, having had no small number of sessions with Sigmund Freud himself. She regarded herself as one of his star pupils.


🥇Dome of Doom download for PC? Great advantatge or Cheats to play?
Survival game with different weaponry and ammunition.
Damaging zone over the map. Move or die.
Different houses and environment to cover from enemies.
You've been dropped in the fight zone. Dozens of enemies. Weapon scattered around the map. Will you survive?
…you should move too. Find the best gun you can and fight for your life.
Constant firefights. Tactical maneuvers. Break through the enemy squads with a rampage or get round from the cover and shoot with the advantage.
People who have played to Dome of Doom on PC (Windows 7/8/8.1/10/XP/Vista), Laptop or Mac, play with best controls, mouse and keyboard, they have an advantage!, they have improved their stats. Do not stay behind. Here the solution. With an Android emulator for PC!
Once everything is OK, just open the official Play Store Official and Search Dome of Doom mobile game. Make sure it is the correct game, there are always similar applications or games.


The Papers of Charles Chatfield contain his professional papers from a lifetime in academia. The collection includes correspondence with personal friends and professional colleagues in the United States, Europe, Russia, and the former Soviet Union. There is also a small amount of correspondence with peace activists of the second half of the twentieth century. In addition there are files from Chatfield's many writing and professional projects, such as the books and articles he wrote or edited, his research projects, or the conferences he organized or attended. This section of the collection includes a great deal of correspondence concerning these various projects. A third section of the collection contains material that Chatfield collected about peace topics primarily in the United States and Europe, and the writings by colleagues in the field of peace history. There is a small amount of correspondence in this series from peace historians asking for Chatfield's review or opinion of their work.
There is information on the following organizations in this collection: The World Without War Council's historian's project; the Conference on Peace Research in History and the Peace History Society; the American Historical Association; the Lutheran Educational Conference of North America; the Studies in Peace and Conflict History series from the Syracuse University Press; and the study of Transnational Social Movement Organizations.
Among the many correspondents included in this collection are: Irwin Abrams; Charles DeBenedetti; Olga Fierz; Jean and Hildegard Goss-Mayr; Mary-Kaye Heisler; Peter van den Dungen; and Lawrence Wittner.
Charles E. Chatfield was professor of history at Wittenberg University (Springfield, Ohio), from 1961-1999. Chatfield was an authority on peace history and international affairs, and has written or edited numerous books and articles on peace and antiwar movements, including Peace/MIR a collaborative effort between U.S. and Soviet academics. Chatfield taught courses at Wittenberg that focused on historical methodology and on U.S. progressive, urban and diplomatic history. He also directed the institution's International Education program and organized and directed the "Global Issues and World Churches" study abroad program. Chatfield was a founder of the Peace History Society (formerly the Council on Peace Research in History), and has been especially influential in creating ties between U.S., European, and Soviet historians of peace and international relations. Charles Chatfield died on January 15, 2015.
Charles E. Chatfield was professor of history at Wittenberg University (Springfield, Ohio), from 1961-1999. Chatfield was an authority on peace history and international affairs. He has written or edited numerous books and articles on peace and antiwar movements. Chatfield was one of the editors of the Garland Library of War and Peace, a monumental series of over 320 volumes of classic works of peace history. Chatfield taught courses at Wittenberg that focused on historical methodology and on U.S. progressive, urban and diplomatic history. He also directed the institution's International Education program, and organized and directed the "Global Issues and World Churches" study abroad program. Chatfield was a founder of the Peace History Society (formerly the Council on Peace Research in History) and has been especially influential in creating ties between U.S., European, and Soviet academics of peace and international relations. His book Peace/Mir: An Anthology of Historic Alternatives to War (co-edited with Ruzanna Ilukhina and also published in a Russian language edition) was a result of this dedication to international academic collaboration. Charles Chatfield died on January 15, 2015.
The Charles Chatfield Papers have been kept in the general order in which they were donated to the Peace Collection. Most of the folders were labeled by the donor and these have been retained. The files have been divided into three series for ease of use: Series A: Biographical Material and Correspondence; Series B: Writings, Notes, and Projects; and Series C: Subject File.
Series A contains one folder of biographical material. The rest of Series A contains correspondence organized alphabetically by last name of the correspondent. Most of this correspondence was already organized in this manner by the donor. Additional correspondence from many of the people listed in this series appears in Series B and sometimes Series C.
Series B contains a wide variety of material concerning Charles Chatfield's research, writing projects, some teaching materials, and professional projects in the field of peace history. The first section includes Chatfield's notes on various areas of his research interests. This material has been arranged alphabetically by subject. The second section in Series B contains Chatfield's notes, writings, and files on various projects, arranged in a loose chronological order. Because Charles Chatfield often works on several projects at one time, a strict chronological order has been difficult to maintain. Efforts have been made to keep together files on a project in a particular time period. Chatfield's extensive files on the Peace/MIR project, dated 1987-1997, were kept together in boxes 6 and 7 and placed out of chronological order at the end of the series. Correspondence with colleagues about all the writings and projects appears in most of the folders in this series.
The first three boxes in Series C contain pamphlets organized by country of publication. The second part of Series C contains reference material on peace history or published and unpublished work, usually articles or conference papers, from Charles Chatfield's colleagues. These files are organized alphabetically by subject or last name of colleague. Explanatory correspondence sometimes accompanies these items. For the most part these scholarly articles and papers were not utilized by Chatfield in the works he edited for publication or the conferences he organized. The writings published by Chatfield may be found in Series B.
Gift of Charles Chatfield, 2006 [Acc.06A-016, 06A-018].
The donor has transferred his copyright to the Swarthmore College Peace Collection. Otherwise copyright is retained by the authors of items in these papers, or their descendents, as stipulated by United States copyright law.
Processed by Wendy Chmielewski, and staff, 2006.
Cite as: [Identification of item], in the Charles Chatfield Papers (DG 224), Swarthmore College Peace Collection http://archives.tricolib.brynmawr.edu/repositories/8/resources/8032 Accessed April 23, 2019.


text:
Civil Rights In Lorraine Hansberry's A Raisin In The Sun
As far back as humans have studied, music has been one of the ultimate symbols of time. Instruments and music compositions have shown historians how people were living and the struggles they faced. Even the song "Yankee Doodle" possessed historical significance, providing a deeper and almost comical understanding of the tension between the British and the Americans during the American revolution. In the mid 1900s, artists such as Aretha Franklin, Billie Holiday, and Mahalia Jackson sang songs relating to gender discrimination, racism, and social justice in America during the Civil Rights Movement. Authors addressed comparable issues, and Lorraine Hansberry was one of them. Three classic songs from the Civil Rights era mirror the independent,…show more content…
In her song "I Wish I Knew How it Would Feel to Be Free," Nina Simone expresses corresponding beliefs to Beneatha Younger, a self-sufficient, passionate character in A Raisin in the Sun. Beneatha finds restrictions and inequality intolerable, and she shrinks from the idea of being governed or constrained by others; nevertheless, she is unwillingly exposed to gender inequity and harassed constantly by the men in her life. Laden with comparable burdens to Beneatha, Simone sings of how she wishes to know "how it would feel to be free" and to "break all the chains holding [her]" (Simone 1-4). Though both women were born in America, neither felt fully free. In A Raisin in the Sun, Beneatha feels the sting of sexism when Walter comments on her dream to become a doctor. According to the text, Walter inquires about her decision quite frequently, and even remarks that there "ain't many girls who decide … to be a doctor" (Hansberry 39). To achieve her vision for the future, Beneatha cannot afford to be discouraged by her own family. She wants to find her identity, her soul. The family does not have enough money to send her to medical school, and though Mama planned
Freedom Songs In The Civil Rights Movement
Since the 1960s "We shall overcome," continues to develop as it goes around the world. Stuart Stott's author of we shall overcome explains within his book, why the song evolve around the world through different protest movements, Countries, in south Africa during apartheid and China during the 1988 Tiananmen square protests. This song represents both a song and a symbol of freedom and resistance to oppression, giving it a significant role within the civil rights movement and any movement worldwide. "Alabama" song composed by John Coltrane played a significant role in the movement, as it showed how injustice events pushed the civil rights movement to fight harder and quicker for their freedom. On September 15th 1963, four girls Addie Mae Collins 14, Carol Robertson 14, Cynthia Wesley 14 and Denise McNair 11, died from a bombing attacked planted by
A Raisin In The Sun Beneatha Character Analysis
Lena and Ruth laugh at her, and are confused on why she does not want to marry George right away. George thinks it is stupid to not get married right now and wants Beneatha to be like everyone else. Sharon Brubaker notes that Beneatha's version of the American dream is "solitary, less traditional, and not as concerned with family." Beneatha does not want to be "white" or "normal" in her life. Sally Burke says that "Beneatha refuses to accept the subservient position often seen as 'natural' for women" (95).
Neoclassicism In Uncle Tom's Cabin
The slave narratives told the slave's stories. Harriet Beecher Stowe wrote Uncle Tom's Cabin, which was one cause of the civil war since it showed what slavery was like. The Cotton Kingdom by Edward Atkinson also showed how slavery was, emphasizing how the cotton plantations expanded. John Pierpont's book of poetry, "Airs of Palestine" was also important in showing the conditions of slavery. Slave narratives were a way for former and fugitive slaves to show everyone how slavery was.
Analysis Of In The Park By Gwen Harwood
The subject matter of the poem is the desolation of motherhood. Throughout the three stanzas, motherhood is shown to be life-consuming, that children can leech the life out of a mother. The poem is written sonnet form, normally sonnets are associated with romance and love, but in this case, Gwen Harwood purposely uses this
Alice Walker Everyday Use Analysis
Maggie is described to have been "eyeing her sister with a mixture of envy and awe" throughout her life as she "thinks her sister has held life always in the palm of her hand…" showing how from Maggie's perspective, Dee is the favorited sister and desires to attract the same attention (921). From the three women, Maggie feels viewed as the lowest and therefore views the world from the lowest perspective, lacking the confidence and beauty to face the world with the same poise as her sister. Mama then expresses how she, herself, would not look at "a strange white man in the eye..." unlike Dee, who would "look anyone in the eye" (922). This attribute further reflects more of Dee's self-assurance as this action would be rather unheard of at this time when racism and segregation was highly present and acted upon. Moreover, the differing views from mother and daughter present themselves here once again as Maggie faces the surrounding world with no fear while Mama faces it with her "head turned in whichever way is farthest" (922).
Persuasive Essay On The Fault In Our Stars
The Fault in Our Stars is a beautiful novel written by John Green. This story takes place in Amsterdam and Indianapolis, where it 's based mainly on two characters, Hazel, and Augustus. Hazel is facing stage four Thyroid cancer, and Augustus suffers from osteosarcoma, another form of cancer. Hazel is a very heartwarming character who never gives up no matter what, but like most teenagers, she dislikes doing what her parents believe is good for her. Her parents tried convincing her to attend a support group, but she just didn 't buy it until one day her mom forces her to go.
The Great Gatsby Language Analysis
The "New Woman" idea became more popular as women expressed the desire for a more independent life. The idea that a woman could never amount to be socially or economically greater than men, an ideal that backlashed against the New Woman, is shown again when Daisy explains to Nick that she was saddened when she discovered she had given birth to a girl because all she could amount to was a "pretty fool". Tom and Myrtle choose to have an affair together not because they are scared to leave their partners, but because they come from two different social classes and cannot marry each other or they will be looked down to by society. The affairs, excessive drinking, and the ideas surrounding women, all show the values of
Figurative Language In Someone Like You
Although she does not want to, their is a part of her that wants to be with him and is jealous that he has found another woman to love. This song is giving the audience a lesson that we are all strong and that it is always possible to be happy even when it does not seem like it. Despite how strong she is, she still hurts and speaks to her ex who left her broken hearted. "I heard that you 're settled down, that you found a girl and you're married now," they broke up and Adele is having an onerous time getting over him. While he is married and now moved on to new things in his life, "I heard that your dreams came true."
Gender Roles In Emily Dickinson
A girl is supposed to sacrifice all the her needs, her emotions, her personality to take the "honourable work " of wife. Emily Dickinson in her poem " she rose to his requirements" has subtly brought the small and big sacrifices made by the girl in front of the society, which goes unnoticed . "She rose to his requirement, dropped	The playthings of her life	To take the honorable work	Of woman and of wife." She further critics the way women's dreams, ambitions are laid unmentioned as weeds and those of men's as of pearl. Emily Dickinson in these poems basically showing society's view of female inferiority.
Agency In Romeo And Juliet And West Side Story
Annita was Bernardo's girlfriend, which oddly gave her a higher status, though still not over the men. At times when her and Bernardo were arguing, he would slip in a small, but important, remark targeting her gender. In the scene where the Sharks sang, "America" and Annita and the other girls sang about how wonderful the laundry machines were, it makes the viewers think that that's what the women find most enjoyable when they get the chance to be free. Bernardo is upset with her and argues, "Ah, back home women know their place," (WSS). Once this was said much was realized.
Theme Of Lorraine Hansberry's A Raisin In The Sun
Basically proving that Beneatha is against most of the males in her life, such as Walter and George in her life, in the situation of becoming a doctor. Walter doesn't think the money was worth her medical school and George doesn't believe that woman should become doctors just as same thought as Walter. This supporting my claim by showing that Beneatha is always determined or yelling at her family because they are not behind, and supporting her path to achieve the dreams she has for herself. In "Raisin in the Sun" the author conveys the theme that dreams morph who you are by developing key character's identity. Two people that exemplify this are Beneatha and Walter are people who let their dreams shape who they are in the present.
Who Is Curley's Wife
Similarly to Lennie, Curley's wife also feels left out and different from everyone else. She is not considered a "normal" wife, or have a "normal" hope for her future. Most people during this time hoped to get married and become a housewife; Curley 's wife aspired to be an actress and only married Curley when it did not work out. Curley's wife told Lennie, "I ast her if she stole it, too, an' she said no. So I married Curley (Steinbeck 88)."
Their Eyes Were Watching God Individualism
Janie holds anger for her grandma because of the grandmother's decision, but eventually, after she matures, Janie realizes that Nanny was merely doing it
Masculinity In Lorraine Hansberry's A Raisin In The Sun
Masculinity could be displayed in multiple ways throughout generations. However, in most cases, masculine men are mostly perceived as active or powerful, while women have to be passive and supportive of men ideas and decisions. A Raisin in the Sun demonstrates these ideas into a play, written by Lorraine Hansberry, and is about an African American family, where each individual attempts to achieve their own goal in life. Lena (Mama) Younger is the mother of Walter and Beneatha Younger, who receives the check of $10,000 to spend after her husband's death. She is the backbone of the family and strengthens the family's relationship throughout the play.
Beneatha's Dream
Beneatha's Dream People have dreams to do or be what makes them happy by setting goals to reach their dream. Dreams are almost like goals that people create in their mind to try to motivate them self to achieve their dream. The American Dream is the idea that everyone who is a U.S. citizen should have an equal opportunity to be successful and benefit through their hard-work, determination, and initiative. In the play A Raisin in the Sun by Lorraine Hansberry, Beneatha Younger's dream is to become a doctor and build a career/life for herself without anyone providing for her which connects to the American Dream through her independence, hard-work, and determination.
More about Civil Rights In Lorraine Hansberry's A Raisin In The Sun
Human sexual behavior
Year of birth missing