Scammell Routeman Classic Commercial Vehicle Advert.
Free adverts for Routeman parts wanted and on sale.
The main OldClassicCar Site has been online for some time, and this service added in for old lorry fans, allows anyone to advertise for rare Scammell Routeman classic commercials spares wanted, or spare parts for sale, online and for FREE, no strings attached.
Have you got some vintage Scammell lorry or van parts that you'd like to part with to make some room? Or perhaps you are hunting down hard-to-find Scammell commercial vehicle spares or literature, to assist with restoring an old Routeman? If you are restoring one or more early Scammells, please feel free to place your own advert on this new lorries & vans section at OCC, and put the word out to other Scammell owners and drivers around the world? You can also leave details of a previously-owned Scammell that you'd like to trace the history of, or maybe you're wondering what actually happened to the creaky Routeman you once owned or drove commercially years ago!
To advertise your FREE Scammell spare parts for sale, parts wanted, literature or information request, please complete the form further down this page - No complete Routemans for sale please, unless they're scrappers being sold for parts only - thankyou! This service is ideal for anyone parting out, or breaking, a classic Scammell. As of November '08, only ads with contact telephone numbers will have their contact details published, to ward off email scammers.
I recommend never, ever, sending payment for any Routeman part without seeing it first, and verifying the identity of the seller, and the Scammell item, in person. Sadly, as in all walks of life, not everyone online is as honest as we'd like (Caveat Emptor).
Still interested in Parts and Memorabilia for classic Routemans? the items below are being sold today on ebay and available to bid on. Please scroll further down to view complete vehicles for sale.
Routeman - Literature For Sale Ad. (Lincolnshire) (20/6).
Routeman - Information Ad. (Eastyorkshire) (1/3).
Routeman - Parts For Sale Ad. (Essex) (13/10).
Routeman - Parts For Sale Ad. (Coventry,West midlands) (15/12).
Routeman - Parts Wanted Ad. (Kent) (18/6).
Routeman - Parts Wanted Ad. (Essex) (29/7).
Routeman - Parts Wanted Ad. (Hull/East yorks) (27/2).
Routeman - Parts For Sale Ad. (East sussex) (18/4).
Routeman - Parts Wanted Ad. (Hatfield) (27/10).
Routeman - Parts Wanted Ad. (Reading) (23/11).
Routeman - Parts Wanted Ad. (London) (31/1).
Routeman - Parts Wanted Ad. (East yorks) (20/9).
Routeman - Parts For Sale Ad. (Sussex) (13/2).
Routeman - Parts For Sale Ad. (Eire) (15/6).
Routeman - Parts Wanted Ad. (London) (25/10).
Routeman - Parts Wanted Ad. (Essex) (18/12).
Routeman - Literature For Sale Ad. (Cornwall) (9/2).
Workshop manual, Parts list & Drivers Handbook.Good condition. £30.
Routeman - Parts Wanted Ad. (London) (26/2).
Routeman - Parts For Sale Ad. (West Midlands) (9/5).
Windscreens available for Scammell Routeman, please call for details or complete cab for sale, twin round headlamp model.
Routeman - Parts Wanted Ad. (Surreh) (10/6).
Routeman - Parts Wanted Ad. (Dorset) (16/12).
Routeman - Parts Wanted Ad. (Souh yorkshire) (31/12).
Routeman - Parts For Sale Ad. (Northants) (7/4).
Routeman - Parts Wanted Ad. (NR34 8LX) (29/4).
Place your free Scammell Routeman advert.
Scroll down this page to see what Routeman parts are being sold on Ebay auctions today.
Click here to look at Amazons range of Scammell books. You can buy general Scammell titles, and search for model specific Routeman titles in their online catalogue.


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Four Hole Kitchen Faucets
Four Hole Kitchen Faucets - For most people, the kitchen isn't just a place for cooking. In the actual life, we utilize our kitchens for comfort, socializing, studies. Modern kitchens are also arranged accordingly to allow for several activities.
They now adapt not just the items we need for washing and cooking but also TVs, music centers, bookshelves, flexible furniture and many more. The kitchens are somewhat different, and so are the items they're equipped with.
But there's 1 thing that nearly every modern kitchen has. It's always there, quiet and unpretentious. We generally take its presence for granted. Yet there's hardly any other thing that has as huge an impact on the overall quality of the kitchen.
A successful faucet makes the kitchen look great and work well. We love to remain longer in such a kitchen and return more frequently. Or, on the contrary, once the faucet is a collapse, we cannot love the kitchen quite as much.
I did an internet study, compared the most well-known versions, read the product descriptions and customer testimonials, and I found the seven items that make a great Four Hole Kitchen Faucets.
1. A great industrial kitchen faucet has a brand
I don't understand why should anyone even look at a non branded faucet as an alternative. Do people think they're saving? But that isn't correct. In fact, they're squandering big. The non branded taps wear out soon. They break, drip, leak, squander the water and maintain their owners occupied and spending once and for all.
It isn't just the title we're paying for. It's reliability, the new technologies implemented, client service prepared to help if we run into problems, guarantee that for most faucets is lifetime. Save a couple bucks and shed all these. Willing to go?
There's an extensive selection of brands and producers that make beautiful, efficient and dependable faucets. Just pick one according to your preference and requirements. Just bear in mind the "Made in China" isn't a brand name.
2. Wonderful commercial kitchen faucet harmonizes well with the interior of the kitchen
Well, you could think this facet would have to come considerably lower in the listing. Aren't the performance and reliability much higher priorities? Yes, they are. However, being functional and dependable is now really normal for the taps from all the respected brands.
So layout has become among the most important factors determining the selection. Being convinced in different things, we might now afford to see the taps with much more relaxed attention and pay more attention to the appearance.
The shapes are countless. At a closer look, however, five classes may be distinguished:
A fusion of the top two
The modern industrial design mainly is composed of strict cylindrical or conical shapes. Nature inspired designs resemble plants and nature items. Not a lot of faucets, however, feature such a pure style. Most frequently we meet a fusion of these two.
Retro taps are always popular and employed for interval style kitchens while modernist ones are equipped with unexpected combinations of springs, springs and tons of other daring accessories and attributes. They both require a corresponding style kitchen and are much less of universal usage compared to simpler versions.
3. A great commercial kitchen faucet is easy to install and function
Installation should not take more than 10 minutes for a individual with quite basic DIY skills, dismantling of the old faucet not included. Basically, it is putting the hoses through the hole at the sink or the countertop, putting the faucet at its own place, fastening it from beneath with screws on a nut (or nuts) and attaching the ends of the hoses to the heat and cold water supplies.
{There's usually no mess with tightening, rubber gaskets and similar items since the links are now watertight as they are. The handle adjusts temperature and also the strength of the flow smoothly and precisely. {It's possible to direct the flow all over the sink and even beyond.
From the taps with a detachable spray head the hose slides outside with no attempt. It does not touch the body of the faucet on the interior and readily runs throughout the bearings installed at the spout. {The spray head reconnects with certainty, and there's never the feeling of it being loose. Some faucet versions even use a strong magnet to hold the spray head set up.
Pull-down faucets normally use a spring that makes them return back to the holder when having been pulled out. At a good faucet, the spray head will tend to return back to the holder with no led by the individual.
The swiveling range is wide enough to place the spout at the exact place you want it to be.
4. A Fantastic commercial kitchen faucet is leak free for lifetime
The business with changing washers and gaskets belongs to the past. The valves have evolved. Tough ceramic discs, in some cases covered with diamond, make the taps practically impossible to wear out.
They don't leak all through the course of their life, and also the handle adjusts the temperature and flow very accurately.
5. A Fantastic industrial kitchen faucet has a clearance Which Allows even the largest pots and pans move under it
If a faucet is reduced, it does not automatically indicate that it is bad. Depending upon the thickness of the sink you may be still able to put quite large baskets beneath it and clean. {However, due to restricted height of the tap, you might have to get it out of your way now and then.
Not a big deal, I agree. But because you're now after a very great faucet, it may be worthwhile to acquire the most significant kitchenware thing that will be washed under this faucet, and measure how large the arch of the faucet needs to be to enable you the freedom of movement even when you're washing these big items.
But take care not to overdo. As in all situations, commonsense is a good adviser too here. If you, for example, have one enormous size frying pan and all the other things are much smaller, picking a faucet for the pan dimensions may be an overkill.
6. The flow from a great industrial kitchen faucet could be directed to any stage in the sink and even beyond
It's convenient and speeds the washing up quite a lot if you are able to direct the flow of the water where you need it. Instead of juggling the pot beneath the spout, a good faucet will let you direct the flow itself.
The technology used to achieve that may differ. I discover that there's no uniform definition across the Web as to what a pull-out or pull-down faucet is. I would call a faucet pull-out if its spray head can be detached from the spout and the nozzle slides out of it whereas a pull-down permits you to bow and bend the spout itself in the direction you desire.
Just be careful because, as I said before, I discover that the Internet stores don't use these terms consistently. Consult the accessible pictures instead. They'll inform you at times much more regarding the tap than its merchandise description.
You will ask what to do if the store hasn't provided a picture for the thing you consider purchasing. My response is: "Run!" Only run from there and never return.
In addition, there are taps, the lower arch versions as a rule, that manipulate the management of the flow by turning a area of the nozzle. In certain situations, they too can be a good alternative.
It's, after all, not the technology that determines whether the tap is excellent or not. It's its capacity to reach together with the water flow all the areas you'd need.
7. A great commercial kitchen faucet is easy to clean
With just a couple of wipes of a sponge or cloth, we ought to be able to acquire the tap clean. A good faucet does not develop stains that may be removed only with specific cleaners. Fingerprints don't remain on it either.
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Join us to engage the brightest minds in local government! This page contains the potential partnership opportunities with ELGL. Whether you want to be the title sponsor of our national conference, or if you want to host a webinar – this is your one stop location to learn about all of the exciting events, content, and activities that ELGL offers. To discuss partnership options, please email Kirsten or set up a meeting to discuss further.
This is ELGL's take on a regional conference format – with a twist. We conference in four cities on one day, bringing ELGL members together coast-to-coast. Conferences held on October 12, 2018 in Portland, Los Angeles, Milwaukee, and Miami.
#ELGL19 is ELGL's annual conference, to be held in Durham, North Carolina on May 16 and 17, 2019.
These on campus programs inspire undergraduate students to local government public service careers. Each event is a half day learning session with local government practitioners.
ELGL anticipates continuing the Diversity Dashboard project, which measures the gender, race, age, and veteran status of local government leaders. And, increased research focus on paid family leave policies.
Each month, ELGL will focus its prodigious online resources on a specific local government topic, including podcasts, blog series, and webinars.
Each year, ELGL recognizes the best local government vendors, buildings, leaders, and selfies. This year we're also awarding innovation grants.
The GovLove podcast is produced weekly and features the people, policies, and places in local government.
Supper Clubs are casual meet-ups for our members around the country.
ELGL gifts interesting and useful "stuff we all get" at our events and activities.
Conferences held on October 12, 2018 in Portland, Los Angeles, Milwaukee, and Miami. The conference theme is "Choose Your Own Local Gov Adventure." Sessions will focus on the wide variety of public service challenges and opportunities at the local level. Each location will have a very diverse agenda focusing on everything from policing, to elected service, to libraries… and everything in between. Local gov is a delightful adventure!
Named, title sponsorship of the social hours at each of the four locations. Includes four comped attendance tickets, four GovLove ads. 3/4 available.
Named, title sponsorship of the lunch at one of the four locations. Includes three comped attendance tickets, three GovLove ads.
Named, title sponsorship of the breakfast at one of the four locations. Includes two comped attendance tickets, two GovLove ads. 4/4 available.
Available to local government partners. Includes two comped attendance tickets and new/renewed annual All-In membership.
#ELGL19 is ELGL's annual conference, to be held in Durham, NC on May 16-17, 2019.
Named, title sponsorship of the Thursday or Friday mixers, plus topic track sponsorship. Includes five comped attendance tickets, four GovLove ads. 2/2 available.
Named, title sponsorship of the Thursday or Friday lunches, plus meet-up session topic/coordination on Thursday afternoon. Includes three comped attendance tickets, four GovLove ads. 2/2 available.
Named sponsorship of the Thursday or Friday breakfasts, plus logo inclusion on all pre-conference materials. Includes four comped attendance tickets, two GovLove ads. 4/4 available.
Named sponsorship of conference coffees or snacks. Includes three comped attendance tickets, three GovLove ads. 4/4 available.
Named sponsorship of the conference plus swag sharing opportunity at event. Includes three comped attendance tickets, four GovLove ads. 6/6 available.
Available to local government partners. Includes two comped attendance tickets and new/renewed annual All-In membership. 10/10 available.
Ohio State University – March 2019.
Title sponsorship of the lunch. 7/7 available.
Named sponsor of the event. 14/14 available.
Title sponsorship of the research. 5/5 available.
10 ads on the GovLove podcast, either recorded by hosts or provided by sponsor. Each ad is 20 seconds long and airs during GovLove podcasts.
Named, title sponsorship of #CityHallSelfie day including participation with all outreach and engagement efforts. 0/1 available.
Named, title sponsorship of the #ELGLKnope contest of best municipal parks. Includes full participation through the bracketed voting system process. 1/1 available.
Named, title sponsorship of the #ELGLTraeger contest of best municipal employees. Includes full participation through the nomination and voting process. 1/1 available.
Named, title sponsorship of the #ELGLHaverford contest of best municipal vendors. Includes full participation through the nomination and voting process. 1/1 available.
Named, title sponsorship of the #ELGLInnovation grant program. Includes participation in grant proposal review and selection. 2/2 available.
Supper Clubs are casual, member-organized meet-ups for our members around the country.
Named Supper Club sponsorship. Pay-as-you-go sponsorship – you pick when and where you'd like to host and we'll do the rest. A minimum commitment of two Supper Clubs or $500 total. Each additional club at $250.
ELGL gifts interesting and useful "stuff we all get" at our events and activities. Past swag includes socks, mobile phone stands, concert t-shirts, wine glasses, pub glasses.
Co-branded ELGL swag at #ELGLPopUps, #ELGLInspire, or #ELGL19. 3/3 available.


As ruggedly beautiful as the circumpolar north in which it evolved, the Canadian Inuit Dog has been a vital partner to the Arctic's indigenous people for millennia, helping them navigate, hunt and survive their frozen world. "The Canadian Inuit Dog: Icon of Canada's North" is an in-depth look at this ancient landrace, which predates modern breeds like the Siberian Husky and Alaskan Malamute. A deft and deeply researched exploration of this aboriginal canine's history, genetics, form and function, this new book by Kim Han also chronicles the Inuit Dog's clashes with modernity, which threaten its existence more ominously than any Arctic blizzard.
Canadian Inuit Dogs are some of the toughest working dogs on the planet. They are interwoven into the history of the Arctic. Kim Han pulls this all together for a fascinating read.
Kim Han's passion for this aboriginal landrace — bred for millennia solely on its ability to work and survive -— will resonate with enthusiasts of all working dogs.


So much shopping. Just not before 10:00am, when we were there. D%&#$!
While we were in Montréal, we enjoyed utterly perfect weather – warm, sunny, breezy. It framed the city in such a favorable light, it was difficult to imagine the brutal winters which settle early on this island. In 1966, a major initiative began to build an underground network to connect downtown buildings, and allow the city's weather-beleagured residents to get in out of the cold.
Today, the world's largest underground pedestrian network, known as RÉSO, is 22 miles of malls and shops, office buildings, 14 hotels, three universities, the World Trade Centre, The Bell Centre hockey stadium, and16 Metro stations.
We found ourselves in and out of the network several times during our trip, although it was never really our true and final destination.


Children First America Delaware County is a fully qualified Educational Improvement Organization. Children First America Delaware County Educational Improvement Organization will award tuition scholarships only to those individuals who meet the eligibility criteria specified by EITC program. Eligible students residing within the boundaries of a low-achieving school, specified by the state as (a public elementary or secondary school ranking in the bottom 15 percent of their designation as an elementary or secondary school based on combined math and reading scores on the previous school years PSSA, as listed online) who apply for a scholarship to attend another public or nonpublic school.
Contact Children First America for more information or Download the Application to get the process started.
Follow this link for the complete and latest EITC Program regarding Business Application Guidelines and Timeline, Uses, Funding, Eligibility, Terms, How to Apply, and Frequently Asked Questions.
Tax credits to eligible businesses contributing to a Scholarship Organization, and Educational Improvement Organization, and/or a Pre-Kindergarten Scholarship Organization.
The Educational Improvement Tax Credit (EITC), provides companies with a 75% tax credit for donations to a non-profit scholarship or educational improvement organization. The tax credit increases to 90% if the company commits to making the same donations for two consecutive years. A business paying taxes in Pennsylvania can receive up to $300,000 in tax credits annually. More importantly, the EITC provides children and families with a choice in their education and a chance in life.
The EITC has accomplished what many in Pennsylvania have been advocating for years: to get the business community more involved in education. The EITC enables companies to support local non-profit charities, at a minimal cost, instead of sending their tax dollars to Harrisburg. It's that simple.


The metallic colors of the throw pillows and the touch of purple on the sofa adds a more luxurious feel to the space.
One highlight of the living room is this beautiful chandelier and of course the decorative ceiling. The ceiling has so much details that extends even to the dining area.
The dining area has purple velvet chairs too. Suspended above it is this glass chandelier. You can also see here the details of the columns on the wall that is actually part of the fireplace.
Instead of glass, the sliding doors have screens with a pretty design to match to the Art Deco theme of the home.
I'm honestly not sure where this space is but it looks very comfy and sophisticated with a day bed in purple, mirrored side table and that geometric details on the ceiling.
The garden looks beautiful too that makes dining more enjoyable with the view from this area.
This working area and home library is located at the attic based on the sloping ceiling on both sides. It has metallic colors in it too.
Wood paneling has a design that shoo away the look of a boring wall. It extends to the bookshelves too. While skylights allow the entry of natural light to the area.
A bedroom with a mirrored wall and pretty warm tones of brown and bronze.


A shoe with a heart of gold. Literally. Navy punch leather upper with shimmering rose gold underneath, like a just discovered bounty of treasure. Luxurious leather and memory foam insoles for soft touch comfort. Versatile enough for work or play. Who says navy shoes have to be plain? Make any outfit sparkle (oh, there we go being literal again).


The Federal Aviation Administration (FAA) proposed a $417,500 civil penalty against FedEx for allegedly operating an aircraft that was not in compliance with federal aviation regulations. The FAA alleged that FedEx failed to rebalance a horizontal stabilizer tab control surface on a Boeing 727 after repainting the part. The FAA alleged that FedEx's failure to perform the rebalancing rendered the aircraft unairworthy, and that the company operated the aircraft on at least 133 flights in that condition.


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Monday, January 3, 2022 Latest PDF issue | Give to the Voice | Search
Coaching duo makes history with 200th win
By Sarah Packingham
UW-River Falls head men's hockey coach Steve Freeman made history Saturday night at Hunt Arena.
The historical landmark has been 10 years in the making. In the final three games of last season, all Freeman needed was one win to hit the 200 wins mark. The Falcons fell to the UW-Stout Blue Devils in three straight games to end the season, stalling Freeman's coaching record at 199 career victories.
In the season opener Friday night against UW-Eau Claire, Freeman and assistant Robert Ritzer were looking again to win their 200th game. With the Falcons falling to the Blugolds 3-2, celebration would have to wait.
On Saturday night, the Falcons put the previous night's loss behind them and took it to Lawrence University. Dominating the game with 61 shots on net, the Falcons went on to win the game 6-4, giving the coaching duo their 200th win.
"It's an honor, the ceremony itself with the fans sticking around to cheer and the congratulations from the players. It meant a lot to me," Freeman said. "With 200 wins in just over 10 years, the thanks have to go out to the players."
Freeman went on to comment on how much help Ritzer had been over the course of the last 10 years. As assistant coach, he did a great deal of recruiting and was obviously a great help on the ice.
"It's certainly a team award," Freeman said.
Even though the Falcons lost the season opening game against UW-Eau Claire, the team still has high spirits about the remainder of the season.
"We have a lot of potential to be a great hockey team," sophomore Devin Underwood said. "We get along really well."
During the Friday night game, the Falcons had their opportunities, but were still a little bit flat on the ice.
"I think we might have come in a little unprepared," Underwood said. "The bounces just didn't go our way."
For experienced returning players, losing the opener was sort of a surprise.
"I think Friday night was kind of an eye-opener," junior TJ Dahl said. "Every team can come out and beat us, and to tell you the truth everybody wants to beat us because we're known as one of the better teams."
Friday night was the first chance for a number of the new members of the Falcon squad to make their debut.
In his first game as a Falcon, freshman Mitch Kerns got a better feel for the college ranks, scoring one of the two goals against the Blugolds.
"It was a little bit faster and more physical than juniors," Kerns said. "I was nervous the first game."
On Saturday night, Freeman and Ritzer changed the lineup around a bit to get some of the new members some playing time.
"Coach wants to get a look at some of the young guys," said Underwood, who sat out Saturday. "It helps to know that playing hockey is a privilege and not a right."
Junior AJ Bucchino started in goal on Friday night, and freshman Tony Stoehr got his first taste of action in the net on Saturday. Starting out a little shaky in the first period, Stoehr responded to keep the Falcons in the game until the third period when Bucchino relieved him. With Bucchino securing the win, Stoehr was able to record his first victory as a Falcon goalie.
The 6-4 victory against Lawrence University wasn't the blowout that was expected, but it was an all around good effort by the Falcons.
In the first victory of the season, UWRF dominated the ice, attempting over 100 total shots on goal during the game.
"We responded on Saturday and showed a great effort throughout," Dahl said.
Dahl and senior Jared Sailer are the captains of this year's squad, and Bucchino is the assistant captain. Dahl said he believes that he and his two teammates will be a solid core of captains.
"I feel very honored," Dahl said of being named captain. "To be a junior and to step up and take charge, I'm always open."
This season the Falcons are looking to make it all the way to the Div. III National Championship.
"I love the team chemistry," Dahl said. "That's what it takes to build a championship."
The Falcons will be on the road once this weekend against Gustavus on Friday for a 7:05 p.m. showdown.
River Falls will return home Saturday night for a 7:05 p.m. matchup against another Minnesota opponent, St. Olaf.


Francois worked here last year.
That's all Billy thinks about.
Spike watches TV all the time.
It would be good if Jaime did a little more exercise.
Jan wished he had remembered to buy flowers for Merton.
I said such horrible things about Russell. I feel awful.
Are you sure Ramsey can swim?
I wanted to ask Kenn why he had never gotten married.
Pierre is a promising young man.
Mayo was very proud of that.
I'm taking it to Ronald.
When her uncle died, Jerald came into fortune.
Rupert and Shamim were waiting for us.
Gideon got a part-time job to help pay for his tuition.
I saw Caroline in the parking lot when I left.
Is it true that Bradley is dating a Japanese girl?
Jean wanted Ima to read him a story.
Jeffrey's trial will continue on Monday.
Ernest called Pilot and found out she wasn't planning on coming.
I'll help Paola do that after supper.
I heard about what happened to Alfred.
How did you discover Novorolsky's hiding place?
Cecilia read it out loud.


A STUNNING FAMILY HOME located within this popular rural location close to excellent schooling within HURWORTH. OFFERING SPACIOUS INTERNAL ACCOMMODATION, briefly comprising entrance hallway leading through into the living room, family room with double door leading through into the extremely impressive open-plan kitchen/dining areas. Also benefiting from ground floor WC and separate utility area. To the first floor there are three good sized bedrooms with the master bedroom having a dressing area and impressive en-suite bathroom. Also having a bathroom accessed off the first floor landing. To the second floor there are a further two double bedrooms and separate shower room. Externally, the property benefits from block-paved driveway leading towards a good sized garage, with lawned gardens to the front and rear with sociable patio area within the rear garden.


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ppti.info Personal Growth Principles Of Bioinorganic Chemistry Lippard Pdf
PRINCIPLES OF BIOINORGANIC CHEMISTRY LIPPARD PDF
Principles of bioinorganic chemistry: By S J Lippard and J M Berg. pp University Science Books, Mill Valley, California. $30 ISBN 0‐‐73‐ 3. Title. Principles of bioinorganic chemistry / Stephen J. Lippard, Jeremy M. Berg. Also Titled. Bioinorganic chemistry. Author. Lippard, Stephen J. Other Authors. Bioinorganic chemistry: principles and practice. Chemistry & Biology March l 38 principles of Bioinorganic. Chemistry by Stephen J. Lippard and.
Author: MADISON SAINTAMAND
Language: English, Spanish, Portuguese
Uploaded by: ASUNCION
LIPPARD; BERG: "Principles of Bioinorganic Chemistry", , UNIVERSITY SCIENCE BOOKS. • BASOLO; PEARSON: "Mechanisms of Inorganic Reactions", . Stephen J. Lippard The topics were chosen to represent those areas of bioinorganic chemistry that are What we have attempted to do in each chapter is to teach the underlying principles of bioinorganic chemistry as well as outlining the. Bioinorganic Chemistry - Metalloproteins and their The course will begin with the principles of coordination chemistry ppti.info -. Excellent Principles of Bioinorganic Chemistry, S. J. Lippard and J. M. Berg,
Share full text access. Please review our Terms and Conditions of Use and check box below to share full-text version of article. Volume 23 , Issue 2 April Pages Figures References Related Information. Email or Customer ID. Forgot password?
Old Password. New Password. Your password has been changed. Other Authors Berg, Jeremy M.
Subjects Chemistry, Bioinorganic. Animal Biochemistry. Bioinorganic chemistry. Summary "As one of the most dynamic fields in contemporary science, bioinorganic chemistry lies at a natural juncture between chemistry, biology, and medicine.
This rapidly expanding field probes fascinating questions about the uses of metal ions in nature. Respiration, metabolism, photosynthesis, gene regulation, and nerve impulse transmission are a few of the many natural processes that require metal ions, and new systems are continually being discovered.
The use of unnatural metals - which have been introduced into human biology as diagnostic probes and drugs - is another active area of tremendous medical significance. Accessible to undergraduates, the book provides necessary background information on coordination chemistry, biochemistry, and physical methods before delving into topics that are central to the field: What metals are chosen and how are they taken up by cells?
How are the concentrations of metals controlled and utilized in cells? How do metals bind to and fold biomolecules? What principles govern electron transfer and substrate binding and activation reactions? How do proteins fine-tune the properties of metals for specific functions?
For each topic discussed, fundamentals are identified and then clarified through selected examples. This introductory text, written by two pioneering researchers, is destined to become a landmark in the field of bioinorganic chemistry through its organized unification of key topics.
An extraordinarily readable writing style combines with chapter-opening principles, study problems, and beautifully rendered two-color illustrations to make this book an ideal choice for instructors, students, and researchers in the chemical, biological, and medical communities. Contents Ch. Overview of Bioinorganic Chemistry Ch.
Properties of Biological Molecules Ch. Physical Methods in Bioinorganic Chemistry Ch. Electron-Transfer Proteins Ch. Atom- and Group-Transfer Chemistry Ch.
The Frontiers of Bioinorganic Chemistry. Notes Bibliographic Level Mode of Issuance: Includes bibliographical references and index. Principles of bioinorganic chemistry.
Mill Valley, Calif: View online Borrow Buy Freely available Show 0 more links Other links Knovel at http: Set up My libraries How do I set up "My libraries"? These 24 locations in All: Australian National University Library.
Open to the public. Casuarina Campus Library. Open to the public ; Ian Wark Library. Each chapter is complete of itself, including a selection of appropriate review references.
The material is presented with enough background that the reader can understand the current research literature, and uses the same formats and presentation. This is no watered-down student text. For example, Chapter 1, on transition-metal storage, transport, and biomineralisation, summarises the func- C3 tions of the principal "biological" transition metals, then discusses the chemical behaviours of the individual elements, and next presents the current data on storage and transport.
The discussion of zinc enzymes which follows in Chapter 2 seems comprehensive and up-to-date, but it introduces N M R line-shape analysis for studying exchange between two sites, the use of relaxation rates to study water binding, and the use of substitution of zinc by paramagnetic ions.
This is all within the context of zinc enzymes, though not related solely to them. Further chapters deal with calcium, dioxygen carriers, dioxygen reactions, electron transfer, iron-sulfur proteins, metal-nucleic acid interactions, and metals in medicine. This leaves gaps. There is little about sodium and potassium, and molybdenum enzymes do not attract the usual coverage.
The favourite of organometallic chemists, vitamin B l 2 , is dealt with only cursorily. However, in so far as bioinorganic chemistry is not clearly defined, this is not unreasonable, and, given the breadth of material in this book, to be encouraged.
Other books: FUNDAMENTAL ACCOUNTING PRINCIPLES VOLUME 1 PDF
The perspective of the editors seems to me to be right.You also may like to try some of these bookshops , which may or may not sell this item. Ian Wark Library.
The contributing authors were recruited to the project shortly thereafter. Lists What are lists?
Share Give access Share full text access. University of Sydney Library. University of Adelaide. Forgot your username?
MALORIE from Missouri
Also read my other articles. I'm keen on ultimate frisbee. I fancy reading novels thankfully.
PRINCIPLE OF BIOCHEMISTRY PDF
BROWN PRINCIPLES OF LANGUAGE LEARNING AND TEACHING PDF
PRINCIPLES OF ALGEBRAIC GEOMETRY PDF
PRINCIPLES OF ATHLETIC TRAINING PDF
PRINCIPLE OF BIOCHEMISTRY BOOK
LABORATORY MANAGEMENT PRINCIPLES AND PROCESSES 3RD EDITION PDF
PRINCIPLES OF APPLIED GEOPHYSICS PDF
BOSCH HANDBOOK PDF
CASK OF AMONTILLADO BY EDGAR ALLAN POE PDF
PAULO COELHO ADULTERY NOVEL PDF
ASSEMBLY LANGUAGE FOR INTEL BASED COMPUTERS PDF
HANDBOOK OF DATA STRUCTURES AND APPLICATIONS PDF


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text:
Home / ENewz / Wizkid Reveals His 2020 Resolutions, Speaks About Getting Married, Realeasing His Last Album As "Wizkid" And More
Wizkid Reveals His 2020 Resolutions, Speaks About Getting Married, Realeasing His Last Album As "Wizkid" And More
Starboy Wizkid is seriously planning for a total change of lifestyle in 2020. He took to twitter to reveal a good number of resolutions in the year 2020. Wizkid said he would be a completely new person next year.
He revealed that he will also be getting married in 2020 adding after "Made in Lagos" album, he will be giving his fans one last album as Wizkid.
See screen shots of his resolutions and what he will look like below:


text:
namespace blink {

namespace {

// Walk up from the local transform to the ancestor. If the last transform
// before hitting the ancestor is a fixed node, expand based on the min and
// max scroll offsets.
void ExpandFixedBoundsInScroller(const TransformPaintPropertyNode* local,
                                 const TransformPaintPropertyNode* ancestor,
                                 FloatClipRect& rect_to_map) {
  const TransformPaintPropertyNode* current = local->UnaliasedParent();
  const TransformPaintPropertyNode* previous = local;
  while (current != nullptr && current != ancestor) {
    previous = current;
    current = current->UnaliasedParent();
  }

  const auto* node = previous->ScrollTranslationForFixed();
  if (!node)
    return;

  DCHECK(node->ScrollNode());

  // First move the rect back to the min scroll offset, by accounting for the
  // current scroll offset.
  rect_to_map.Rect().Offset(node->Translation2D());

  // Calculate the max scroll offset and expand by that amount. The max scroll
  // offset is the contents size minus one viewport's worth of space (i.e. the
  // container rect size).
  gfx::Size expansion = node->ScrollNode()->ContentsRect().size() -
                        node->ScrollNode()->ContainerRect().size();
  rect_to_map.Rect().Outset(0, 0, expansion.width(), expansion.height());
}

}  // namespace

GeometryMapper::Translation2DOrMatrix
GeometryMapper::SourceToDestinationProjection(
    const TransformPaintPropertyNode& source,
    const TransformPaintPropertyNode& destination) {
  bool has_animation = false;
  bool has_fixed = false;
  bool success = false;
  return SourceToDestinationProjectionInternal(
      source, destination, has_animation, has_fixed, success);
}

// Returns flatten(destination_to_screen)^-1 * flatten(source_to_screen)
//
// In case that source and destination are coplanar in tree hierarchy [1],
// computes destination_to_plane_root ^ -1 * source_to_plane_root.
// It can be proved that [2] the result will be the same (except numerical
// errors) when the plane root has invertible screen projection, and this
// offers fallback definition when plane root is singular. For example:
//

//

//

//

//

// Both A and B have non-invertible screen projection, nevertheless it is
// useful to define projection between A and B. Say, the transform may be
// animated in compositor thus become visible.
// As SPv1 treats 3D transforms as compositing trigger, that implies mappings
// within the same compositing layer can only contain 2D transforms, thus
// intra-composited-layer queries are guaranteed to be handled correctly.
//
// [1] As defined by that all local transforms between source and some common
//     ancestor 'plane root' and all local transforms between the destination
//     and the plane root being flat.
// [2] destination_to_screen = plane_root_to_screen * destination_to_plane_root
//     source_to_screen = plane_root_to_screen * source_to_plane_root
//     output = flatten(destination_to_screen)^-1 * flatten(source_to_screen)
//     = flatten(plane_root_to_screen * destination_to_plane_root)^-1 *
//       flatten(plane_root_to_screen * source_to_plane_root)
//     Because both destination_to_plane_root and source_to_plane_root are
//     already flat,
//     = flatten(plane_root_to_screen * flatten(destination_to_plane_root))^-1 *
//       flatten(plane_root_to_screen * flatten(source_to_plane_root))
//     By flatten lemma [3] flatten(A * flatten(B)) = flatten(A) * flatten(B),
//     = flatten(destination_to_plane_root)^-1 *
//       flatten(plane_root_to_screen)^-1 *
//       flatten(plane_root_to_screen) * flatten(source_to_plane_root)
//     If flatten(plane_root_to_screen) is invertible, they cancel out:
//     = flatten(destination_to_plane_root)^-1 * flatten(source_to_plane_root)
//     = destination_to_plane_root^-1 * source_to_plane_root
// [3] Flatten lemma: https://goo.gl/DNKyOc
GeometryMapper::Translation2DOrMatrix
GeometryMapper::SourceToDestinationProjectionInternal(
    const TransformPaintPropertyNode& source,
    const TransformPaintPropertyNode& destination,
    bool& has_animation,
    bool& has_fixed,
    bool& success) {
  has_animation = false;
  has_fixed = false;
  success = true;

  if (&source == &destination)
    return Translation2DOrMatrix();

  if (source.Parent() && &destination == &source.Parent()->Unalias()) {
    has_fixed = source.RequiresCompositingForFixedPosition();
    if (source.IsIdentityOr2DTranslation()) {
      // We always use full matrix for animating transforms.
      DCHECK(!source.HasActiveTransformAnimation());
      return Translation2DOrMatrix(source.Translation2D());
    }
    // The result will be translate(origin)*matrix*translate(-origin) which
    // equals to matrix if the origin is zero or if the matrix is just
    // identity or 2d translation.
    if (source.Origin().IsOrigin()) {
      has_animation = source.HasActiveTransformAnimation();
      return Translation2DOrMatrix(source.Matrix());
    }
  }

  if (destination.IsIdentityOr2DTranslation() && destination.Parent() &&
      &source == &destination.Parent()->Unalias()) {
    // We always use full matrix for animating transforms.
    DCHECK(!destination.HasActiveTransformAnimation());
    return Translation2DOrMatrix(-destination.Translation2D());
  }

  const auto& source_cache = source.GetTransformCache();
  const auto& destination_cache = destination.GetTransformCache();

  has_fixed |= source_cache.has_fixed();

  // Case 1a (fast path of case 1b): check if source and destination are under
  // the same 2d translation root.
  if (source_cache.root_of_2d_translation() ==
      destination_cache.root_of_2d_translation()) {
    // We always use full matrix for animating transforms.
    return Translation2DOrMatrix(source_cache.to_2d_translation_root() -
                                 destination_cache.to_2d_translation_root());
  }

  // Case 1b: Check if source and destination are known to be coplanar.
  // Even if destination may have invertible screen projection,
  // this formula is likely to be numerically more stable.
  if (source_cache.plane_root() == destination_cache.plane_root()) {
    has_animation = source_cache.has_animation_to_plane_root() ||
                    destination_cache.has_animation_to_plane_root();
    if (&source == destination_cache.plane_root()) {
      return Translation2DOrMatrix(destination_cache.from_plane_root());
    }
    if (&destination == source_cache.plane_root()) {
      return Translation2DOrMatrix(source_cache.to_plane_root());
    }
    TransformationMatrix matrix;
    destination_cache.ApplyFromPlaneRoot(matrix);
    source_cache.ApplyToPlaneRoot(matrix);
    return Translation2DOrMatrix(matrix);
  }

  // Case 2: Check if we can fallback to the canonical definition of
  // flatten(destination_to_screen)^-1 * flatten(source_to_screen)
  // If flatten(destination_to_screen)^-1 is invalid, we are out of luck.
  // Screen transform data are updated lazily because they are rarely used.
  source.UpdateScreenTransform();
  destination.UpdateScreenTransform();
  has_animation = source_cache.has_animation_to_screen() ||
                  destination_cache.has_animation_to_screen();
  if (!destination_cache.projection_from_screen_is_valid()) {
    success = false;
    return Translation2DOrMatrix();
  }

  // Case 3: Compute:
  // flatten(destination_to_screen)^-1 * flatten(source_to_screen)
  const auto& root = TransformPaintPropertyNode::Root();
  if (&source == &root)
    return Translation2DOrMatrix(destination_cache.projection_from_screen());
  TransformationMatrix matrix;
  destination_cache.ApplyProjectionFromScreen(matrix);
  source_cache.ApplyToScreen(matrix);
  matrix.FlattenTo2d();
  return Translation2DOrMatrix(matrix);
}

bool GeometryMapper::LocalToAncestorVisualRect(
    const PropertyTreeState& local_state,
    const PropertyTreeState& ancestor_state,
    FloatClipRect& mapping_rect,
    OverlayScrollbarClipBehavior clip_behavior,
    InclusiveIntersectOrNot inclusive_behavior,
    ExpandVisualRectForCompositingOverlapOrNot expand) {
  bool success = false;
  bool result = LocalToAncestorVisualRectInternal(
      local_state, ancestor_state, mapping_rect, clip_behavior,
      inclusive_behavior, expand, success);
  DCHECK(success);
  return result;
}

bool GeometryMapper::LocalToAncestorVisualRectInternal(
    const PropertyTreeState& local_state,
    const PropertyTreeState& ancestor_state,
    FloatClipRect& rect_to_map,
    OverlayScrollbarClipBehavior clip_behavior,
    InclusiveIntersectOrNot inclusive_behavior,
    ExpandVisualRectForCompositingOverlapOrNot expand,
    bool& success) {
  if (local_state == ancestor_state) {
    success = true;
    return true;
  }

  if (&local_state.Effect() != &ancestor_state.Effect()) {
    return SlowLocalToAncestorVisualRectWithEffects(
        local_state, ancestor_state, rect_to_map, clip_behavior,
        inclusive_behavior, expand, success);
  }

  bool has_animation = false;
  bool has_fixed = false;
  const auto& translation_2d_or_matrix = SourceToDestinationProjectionInternal(
      local_state.Transform(), ancestor_state.Transform(), has_animation,
      has_fixed, success);
  if (!success) {
    // A failure implies either source-to-plane or destination-to-plane being
    // singular. A notable example of singular source-to-plane from valid CSS:
    //

    //

    //

    //

    //

    //

    //

    //

    // Either way, the element won't be renderable thus returning empty rect.
    success = true;
    rect_to_map = FloatClipRect(gfx::RectF());
    return false;
  }

  if (has_animation && expand == kExpandVisualRectForCompositingOverlap) {
    // Assume during the animation the transform can map |rect_to_map| to
    // anywhere. Ancestor clips will still apply.
    // TODO(crbug.com/1026653): Use animation bounds instead of infinite rect.
    rect_to_map = InfiniteLooseFloatClipRect();
  } else {
    translation_2d_or_matrix.MapFloatClipRect(rect_to_map);
    if (has_fixed && expand == kExpandVisualRectForCompositingOverlap) {
      ExpandFixedBoundsInScroller(&local_state.Transform(),
                                  &ancestor_state.Transform(), rect_to_map);
      // This early return skips the clipping below because the expansion for
      // fixed-position is to avoid compositing update on viewport scroll, while
      // the clips may depend on viewport scroll offset.
      return !rect_to_map.Rect().IsEmpty();
    }
  }

  FloatClipRect clip_rect = LocalToAncestorClipRectInternal(
      local_state.Clip(), ancestor_state.Clip(), ancestor_state.Transform(),
      clip_behavior, inclusive_behavior, expand, success);
  if (success) {
    // This is where we propagate the roundedness and tightness of |clip_rect|
    // to |rect_to_map|.
    if (inclusive_behavior == kInclusiveIntersect)
      return rect_to_map.InclusiveIntersect(clip_rect);
    rect_to_map.Intersect(clip_rect);
    return !rect_to_map.Rect().IsEmpty();
  }

  // TODO(crbug.com/803649): We still have clip hierarchy issues with fragment
  // clips. See crbug.com/1228364 for the test cases. Will remove the following
  // statement (leaving success==false) after LayoutNGBlockFragmentation is
  // fully launched.
  success = true;

  rect_to_map.ClearIsTight();
  return !rect_to_map.Rect().IsEmpty();
}

bool GeometryMapper::SlowLocalToAncestorVisualRectWithEffects(
    const PropertyTreeState& local_state,
    const PropertyTreeState& ancestor_state,
    FloatClipRect& mapping_rect,
    OverlayScrollbarClipBehavior clip_behavior,
    InclusiveIntersectOrNot inclusive_behavior,
    ExpandVisualRectForCompositingOverlapOrNot expand,
    bool& success) {
  PropertyTreeState last_transform_and_clip_state(
      local_state.Transform(), local_state.Clip(),
      EffectPaintPropertyNode::Root());

  const auto& ancestor_effect = ancestor_state.Effect();
  for (const auto* effect = &local_state.Effect();
       effect && effect != &ancestor_effect;
       effect = effect->UnaliasedParent()) {
    if (effect->HasActiveFilterAnimation() &&
        expand == kExpandVisualRectForCompositingOverlap) {
      // Assume during the animation the filter can map |rect_to_map| to
      // anywhere. Ancestor clips will still apply.
      // TODO(crbug.com/1026653): Use animation bounds instead of infinite rect.
      mapping_rect = InfiniteLooseFloatClipRect();
      last_transform_and_clip_state.SetTransform(
          effect->LocalTransformSpace().Unalias());
      last_transform_and_clip_state.SetClip(effect->OutputClip()->Unalias());
      continue;
    }

    if (!effect->HasFilterThatMovesPixels())
      continue;

    PropertyTreeState transform_and_clip_state(
        effect->LocalTransformSpace().Unalias(),
        effect->OutputClip()->Unalias(), EffectPaintPropertyNode::Root());
    bool intersects = LocalToAncestorVisualRectInternal(
        last_transform_and_clip_state, transform_and_clip_state, mapping_rect,
        clip_behavior, inclusive_behavior, expand, success);
    if (!success || !intersects) {
      success = true;
      mapping_rect = FloatClipRect(gfx::RectF());
      return false;
    }

    mapping_rect = FloatClipRect(effect->MapRect(mapping_rect.Rect()));
    last_transform_and_clip_state = transform_and_clip_state;
  }

  PropertyTreeState final_transform_and_clip_state(
      ancestor_state.Transform(), ancestor_state.Clip(),
      EffectPaintPropertyNode::Root());
  bool intersects = LocalToAncestorVisualRectInternal(
      last_transform_and_clip_state, final_transform_and_clip_state,
      mapping_rect, clip_behavior, inclusive_behavior, expand, success);

  // Many effects (e.g. filters, clip-paths) can make a clip rect not tight.
  mapping_rect.ClearIsTight();
  return intersects;
}

FloatClipRect GeometryMapper::LocalToAncestorClipRect(
    const PropertyTreeState& local_state,
    const PropertyTreeState& ancestor_state,
    OverlayScrollbarClipBehavior clip_behavior) {
  const auto& local_clip = local_state.Clip();
  const auto& ancestor_clip = ancestor_state.Clip();
  if (&local_clip == &ancestor_clip)
    return FloatClipRect();

  bool success = false;
  auto result = LocalToAncestorClipRectInternal(
      local_clip, ancestor_clip, ancestor_state.Transform(), clip_behavior,
      kNonInclusiveIntersect, kDontExpandVisualRectForCompositingOverlap,
      success);
  DCHECK(success);

  // Many effects (e.g. filters, clip-paths) can make a clip rect not tight.
  if (&local_state.Effect() != &ancestor_state.Effect())
    result.ClearIsTight();

  return result;
}

static FloatClipRect GetClipRect(const ClipPaintPropertyNode& clip_node,
                                 OverlayScrollbarClipBehavior clip_behavior) {
  // TODO(crbug.com/1248598): Do we need to use PaintClipRect when mapping for
  // painting/compositing?
  FloatClipRect clip_rect =
      UNLIKELY(clip_behavior == kExcludeOverlayScrollbarSizeForHitTesting)
          ? clip_node.LayoutClipRectExcludingOverlayScrollbars()
          : clip_node.LayoutClipRect();
  if (clip_node.ClipPath())
    clip_rect.ClearIsTight();
  return clip_rect;
}

FloatClipRect GeometryMapper::LocalToAncestorClipRectInternal(
    const ClipPaintPropertyNode& descendant_clip,
    const ClipPaintPropertyNode& ancestor_clip,
    const TransformPaintPropertyNode& ancestor_transform,
    OverlayScrollbarClipBehavior clip_behavior,
    InclusiveIntersectOrNot inclusive_behavior,
    ExpandVisualRectForCompositingOverlapOrNot expand,
    bool& success) {
  if (&descendant_clip == &ancestor_clip) {
    success = true;
    return FloatClipRect();
  }
  if (descendant_clip.UnaliasedParent() == &ancestor_clip &&
      &descendant_clip.LocalTransformSpace() == &ancestor_transform) {
    success = true;
    return GetClipRect(descendant_clip, clip_behavior);
  }

  FloatClipRect clip;
  const auto* clip_node = &descendant_clip;
  Vector<const ClipPaintPropertyNode*> intermediate_nodes;

  GeometryMapperClipCache::ClipAndTransform clip_and_transform(
      &ancestor_clip, &ancestor_transform, clip_behavior);
  // Iterate over the path from localState.clip to ancestor_state.clip. Stop if
  // we've found a memoized (precomputed) clip for any particular node.
  while (clip_node && clip_node != &ancestor_clip) {
    const GeometryMapperClipCache::ClipCacheEntry* cached_clip = nullptr;
    // Inclusive intersected clips are not cached at present.
    if (inclusive_behavior != kInclusiveIntersect)
      cached_clip = clip_node->GetClipCache().GetCachedClip(clip_and_transform);

    if (cached_clip && cached_clip->has_transform_animation &&
        expand == kExpandVisualRectForCompositingOverlap) {
      // Don't use cached clip if it's transformed by any animating transform.
      cached_clip = nullptr;
    }

    if (cached_clip) {
      clip = cached_clip->clip_rect;
      break;
    }

    intermediate_nodes.push_back(clip_node);
    clip_node = clip_node->UnaliasedParent();
  }
  if (!clip_node) {
    // TODO(crbug.com/803649): We still have clip hierarchy issues with
    // fragment clips. See crbug.com/1228364 for the test cases. Will change
    // the following to "success = false" after LayoutNGBlockFragmentation is
    // fully launched.
    success = true;
    return InfiniteLooseFloatClipRect();
  }

  // Iterate down from the top intermediate node found in the previous loop,
  // computing and memoizing clip rects as we go.
  for (auto it = intermediate_nodes.rbegin(); it != intermediate_nodes.rend();
       ++it) {
    bool has_animation = false;
    bool has_fixed = false;
    const auto& translation_2d_or_matrix =
        SourceToDestinationProjectionInternal(
            (*it)->LocalTransformSpace().Unalias(), ancestor_transform,
            has_animation, has_fixed, success);
    if (!success) {
      success = true;
      return FloatClipRect(gfx::RectF());
    }

    // Don't apply this clip if it's transformed by any animating transform.
    if (has_animation && expand == kExpandVisualRectForCompositingOverlap)
      continue;

    // This is where we generate the roundedness and tightness of clip rect
    // from clip and transform properties, and propagate them to |clip|.
    FloatClipRect mapped_rect(GetClipRect(**it, clip_behavior));
    translation_2d_or_matrix.MapFloatClipRect(mapped_rect);
    if (inclusive_behavior == kInclusiveIntersect) {
      clip.InclusiveIntersect(mapped_rect);
    } else {
      clip.Intersect(mapped_rect);
      // Inclusive intersected clips are not cached at present.
      (*it)->GetClipCache().SetCachedClip(
          GeometryMapperClipCache::ClipCacheEntry{clip_and_transform, clip,
                                                  has_animation});
    }
  }
  // Clips that are inclusive intersected or expanded for animation are not
  // cached at present.
  DCHECK(inclusive_behavior == kInclusiveIntersect ||
         expand == kExpandVisualRectForCompositingOverlap ||
         descendant_clip.GetClipCache()
                 .GetCachedClip(clip_and_transform)
                 ->clip_rect == clip);
  success = true;
  return clip;
}

void GeometryMapper::ClearCache() {
  GeometryMapperTransformCache::ClearCache();
  GeometryMapperClipCache::ClearCache();
}

}  // namespace blink

redpajama_set_name: RedPajamaGithub


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text:
Q: In bookshelf.js, I don't understand how to retrieve attribute from targets in hasOne() relationship for my template I have a task object, the belongs to a job object.  It is a belongsTo() relationship, but I'm using a hasOne() relationship because I just couldn't figure out belongsTo().
My models are:
var job = Bookshelf.Model.extend({
    tableName: 'jobs',
    idAttribute: 'id'
});

var task = Bookshelf.Model.extend({
    tableName: 'tasks',
    idAttribute: 'id',
    job: function() {
        return this.hasOne(Job);
    },
    job_summary: function() {
        return this.job().fetch().get('summary');
    }
});

I've tried a few combinations of the .job_summary() function, but nothing seems to work.  When I create a task object, I just want to be able to get the job summary of the related task, like:
var task_jobsummary = task.job_summary();

What am I missing?
EDIT:  I actually have 2 hasOne() targets I need to get data for.
EDIT:  I think my problem is not understanding promises.  If I were doing this in PHP, I'd do something like:
$myvar = stdClass();
$myvar->somefield = $task->getSomefield();
$myvar->anotherfield = $task->getAnotherField();
$myvar->jobfield = $job->getSomeJobField();
// ... etc

I want to simple return values from a then() after a fetch().
EDIT: Here is my code from my router:
var route_task(req, res, next) {
    res.locals.username = 'debug_username';
    res.locals.userpic = '/img/tmpuserpic.png';

    new Model.Task().fetch({id: req.params.id, withRelated: ['job']})
    .then(function(task) {
        task.related('job').fetch().then(function(job) {
            res.locals.somefield = job.get('somefield');
        });
    })
    .then(function() {
        res.render('task');
    })
}

The two vars before the Model are set, and my template sees them.  However, the template doesn't see the res.locals.somefield setting.

A: You are a little bit confused, you need to have the belongsTo where you have the key and the hasOne where basically it is pointed.
For example a post has many (but is equal in concept) comments and a comment belongs to a post.
In the model you just need to say what relationship are, when you want to retrive it (maybe in the controller) you need to do something like this
new Model({id:4})
  .fetchOne({withRelated: ['thing']})
  .then(function(model) {
       // retrive the relation
       var things = model.things(); // you already had the query done
  });

You need to elaborate this but with the concept in mind the documentation helps a lot

redpajama_set_name: RedPajamaStackExchange


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The role of the Baby in 'Dirty Dancing' 2017 went to Abigail Breslin, Colt Prattes plays Johnny and Debra Messing plays the mother Marjorie Houseman. The film will also feature Bruce Greenwood and Billy Dee Williams.
Abigail published a photograph on her Instagram profile which shows her and Colt reviving the cult dance scene, which was originally performed by Jennifer Gray and Patrick Swayze. The movie also captured all other iconic moments from the original, is special and everyone will surely enjoy it.
In her interview for BBC, Bergstein pointed out that ""Dirty dancing" characters are unique. She wants to explore the depth of their relationship because what is special and modern movies rarely manage, is to make us fall in love with characters like we did with Baby and Johnny.
Bergstein also emphasized the important message of the film "Dirty Dancing" which remains unnoticed so far. Although many experienced it as a sweet, romantic movie without a deeper meaning, Bergstein says she is proud of the fact that illegal abortion is actually the thing that gives force to all actions of the movie.
All these things are current again. All the battles we thought were won, are back to be fought all over again. "Dirty Dancing" is a reminder of how important it is for women to be entitled to having an abortion in safe conditions.
In the new film, Baby joins protests for women's rights and the rights of black Americans. Protests across America motivated the producer to incorporate them into the movie plot. She says that she was deeply inspired by the fact that everyone instinctively came out on the streets ready to fight for their rights.
Debra Messing confirmed for ABC News that the remake of the cult film differs from the 1987 classic. She also revealed that the original movie actually inspired her to become an actress. As a child, Debra watched the movie in the cinema and for the first time in her life thought that some actresses are simply perfect. It was the turning point where she knew she would become an actress. She said that this movie is also a tribute to Patrick Swayze who died of pancreatic cancer in 2009. The premiere is scheduled on ABC May 24th.
In any case, fans will enjoy this remake of the popular movie. It will be very interesting to see our favorite movie with all these new characters that will surely make it look absolutely stunning.


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Fracking fight in Denton
Associated PressMike Reitinger pulls weeds from a row of squash growing at the Shiloh Field community garden in Denton, Texas, Thursday, May 29, 2014. Unlike most Texas communities that have embraced the lucrative oil and natural gas booms, Denton leaders are considering a petition to ban hydraulic fracturing. Although sitting on top of the Barnett Shale, believed to hold one of the largest natural gas reserves in the U.S., Denton would rather be known for having the largest community garden in the U.S. (AP Photo/LM Otero)
Associated PressIn this Oct. 15, 2013 photo, crews work at an EagleRidge Operating natural gas well in Denton, Texas. A petition with more than 2,000 signatures that was presented at City Hall in an attempt to force the city council to consider a ban on hydraulic fracturing, Wednesday May 7, 2014, in Denton. A recently adopted temporary ban is in place until September, but fracking opponents want to make that permanent through an ordinance that would prohibit the practice in Denton. (AP Photo/The Denton Record-Chronicle, David Minton)
Associated PressNatural gas well holding tanks sit next to a subdivision of homes in Denton, Texas, Thursday, May 29, 2014. This North Texas city wants less gas and more hot sauce. Unlike most Texas communities that have embraced the lucrative oil and natural gas booms, Denton leaders are considering a petition to ban hydraulic fracturing and are trying to persuade Sriracha to move its massive pepper-grinding operations from California. Although sitting on top of the Barnett Shale, believed to hold one of the largest natural gas reserves in the U.S., Denton would rather be known for having the largest community garden in the U.S. (AP Photo/LM Otero)
Associated PressMayor Chris Watts, holds a hand full of comment cards left by area residents and attendees at a public hearing to ban hydraulic fracturing as city attorney Anita Burgess looks on Wednesday, July 16, 2014, in Denton, Texas. The council governing the north Texas city that sits atop a large natural gas reserve rejected a bid early Wednesday morning to ban further permitting of hydraulic fracturing in the community after eight hours of public testimony. (AP Photo/Tony Gutierrez)
Associated PressEleven-year-old Riley Briggs of Denton, Texas, draws a reaction from council members as he makes comments supporting a ban on hydraulic fracturing during a public hearing at City Hall, Wednesday, July 16, 2014, in Denton, Texas. The council governing a North Texas city that sits atop a large natural gas reserve rejected a bid early Wednesday morning to ban further permitting of hydraulic fracturing in the community after eight hours of public testimony. (AP Photo/Tony Gutierrez)


Canadian glass artist Gundi Viviani-Finch has been creating exquisite glass sculptures for over twenty years in her studio in the Norhtumberland Hills, just east of Toronto. Through a meticulous technique of bonding small pieces of plate glass with a powerful adhesive, she builds large works of art that dance in the light, an effusive blending of nature and technology – an organic pixillation. Galleries and private collectors worldwide have commissioned these works that are at once modern and timeless.
For more information on Gundi Glass visit www.Gundi.com.


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Mei Mei Luo, one of South Florida's finest violinists, played selections from the ballet Romeo and Juliet by Sergei Prokofiev. Cellist Aaron Merritt, winner of numerous awards, played Beethoven accompanied by Rinaldi on piano.
Violist Richard Fleischman, a graduate of the Juilliard School and winner of the Windsor Prize, played Prokofiev.
The Woodwind Quintet played Francis Poulenc. Those musicians included Elissa Lakofsky, flute; Erika Yamada, oboe; Richard Hancock, clarinet; T. Geoffrey Hale, bassoon; and Sharon Janezic, horn.
Orchestra Miami will perform a Holiday "Pops" Concert at 8 p.m. Dec. 19 at Pinecrest Gardens, 11000 SW 57th Ave. Get the family into the spirit of the season with holiday favorites and an old-fashioned sing-a-long at this event. Seats are $25, $20 seniors, and $10 students 17 and younger. Free on-site parking. For tickets go to https://www.orchestramiami.org/holiday-pops-concert.html.
FREE HOLIDAY CAROLING
Let's set the scene. Giant lion statues wear very large red and white Santa hats. A very tall tree made of vibrant poinsettias is presented to the community. And the sounds of children's voices and holiday music fill the air.
It's that time again. Starting at 7 p.m. Dec. 2, you can listen for free to choristers from local schools compete in the Merrick Festival's 2015 Caroling Competition at 550 Biltmore Way in Coral Gables. The singing continues for five nights through Dec. 6 when the last concert is held at 6 p.m.
The Caroling Competition has been held for 29 years, since 1987, said Sally Baumgartner, president and executive director of the Merrick Festival.
"That was the first year that 550 presented the poinsettia tree to the community," she said in email. "It's designed for the 550 Building."
Thirty middle and high school choirs, with more than 1,500 young people, sing their hearts out for cash prizes, Baumgartner said.
"It is the only publicly held competition in South Florida. It's free and guaranteed to put you in the holiday spirit," she said.
To learn more about the Merrick Festival's 2015 Caroling Competition at 550 Biltmore Way visit http://www.coralgableslove.com/event/2015-caroling-competition/
MUJERES GIVING BACK
The Women's Fund honored eight Hispanic women philanthropists at the second annual Mujeres Giving Back Recognition luncheon held at Jungle Island.
Executive Director Marilyn March opened the program to honor the "trailblazers, setting a new standard for our community and truly making history in the process."
The awardees give of their time, talent or treasure and more than 200 persons at the event applauded them. They include: Cristina Mas, Rachelle Metcalfe, Rosa "Rosi" Alvarez, Karyl Argamasilla, Katherine Fernandez Rundle, Diana Brooks, Laura Munilla, and Rachel Eugenia Pinedo.
"The energy and excitement in the ballroom were palpable. We laughed, we cried and we celebrated. It was significant!" said The Women's Fund board member Leticia Carrazana, who co-chaired the event committee in a release.
The mission of The Women's Fund Miami-Dade is to empower women and girls "through advocacy and funding for innovative initiatives that build equality, foster social change and create community partners."
Established in 1993, the group directs its energy toward creating equal opportunity, access and influence through research, collaboration and grant making. For more on how to get involved, visit http://www.womensfundmiami.org/.
LGBTQ GALA
More than 750 lesbian, gay, bisexual, transgender and queer (LGBTQ) advocates and allies raised more than $600,000 to advance justice and equality for local groups. The annual National LGBTQ Task Force Gala – Miami was presented by Wells Fargo and held at the Fontainebleau Miami Beach.
The fundraiser included awards too. Attorney Mary L. Bonauto was honored with the 2015 National Leadership Award. Bonauto serves as the Civil Rights Project director at Gay & Lesbian Advocates & Defenders and was one of three attorneys who successfully argued for same-sex marriage before the U.S. Supreme Court.
Honorees also included Juan Bosco Talavera, who received the 2015 Eddy McIntyre Community Service Award for "20 years of work dedicated to expanding basic rights for LGBTQ people."
The event was hosted by Emmy award-winning actor Leslie Jordan, who is best known for his role as Beverley Leslie on "Will and Grace." Charles Million and Josue Santiago served as co-chairs.
"Every year, South Florida's premier LGBTQ social event helps raise critical funds to continue the National LGBTQ Task Force's work of creating a world free from discrimination, hate, and violence," said Rea Carey, National LGBTQ Task Force executive director, in a release.
"And while we have our work cut out for us, we must also make time to celebrate the recent strides we've made that have brought us closer to full equality. It is thanks to the resilience and dedication of individuals such as Mary L. Bonauto and Juan Bosco Talavera that we have witnessed a number of significant victories in the last year alone," Carey said.
The fun celebration included many surprises and even a marriage proposal.
"This year's Miami gala is one I will remember for the rest of my life," said co-chair Santiago. "As of Saturday night, I am happy to announce that Matt Dzwonkiewicz and I will soon be joining the millions of same-sex couples who are now able to access the right to marry." Santiago surprised his now-fiancée by proposing at the event in front of hundreds of attendees.
To learn more visit http://thetaskforcegala.org/.
If you have news for this column, please send it to Christina Mayo at christinammayo@gmail.com.
Quite the high note — music professor donates 271-year-old violin to UM
By BY CHRISTINA MAYO
University of Miami Frost School of Music Professor Maestro Charles Castleman donated his 1748 Joannes Baptista Guadagnini violin, with a scroll the work of Francesco Stradivari, circa 1735, to UM's music school.
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This is a very special spiritual energy disc. It is to be used while meditating. This disc will meet you where you are and will guide you to what you need from the Universe. This disc is all about Universal energy and manifestation.