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TOYOTA COROLLA: Which Version Do You Like for Used Car?
First Generation E1# Model(1966-1970)
The first generation TOYOTA COROLLA went on sale in November 1966 as a sedan, positioning between TOYOTA PAPRIKA and TOYOTA CORONA. Its design took into account the sportiness of the PAPRIKA design. A distinctive feature of the front was the headlights, for which the eyes of a panther was used as a motif. The car body measured in length, width, and height at 3,845mm, 1,465mm, and 1,380mm respectively. The grade lineup consisted of the standard, special, and deluxe, and an effort was made to differentiate through the equipment installed, such as white tires and radios. Only the 2-door sedan was made available.
The engine installed was the 1,077cc gasoline engine with 60 horsepower, which boasted a maximum speed of 140km/h.
This was combined with the 4-speed floor-mounted shifter manual transmission.
In May 1967, as a new body type, the 4-door sedan and the commercial 2-door van were added. Moreover, in terms of the transmission, the Toyoglide 2-speed automatic transmission was made available.
In September 1969, the engine displacement was expanded, and the 1,166cc gasoline engine with 66 horsepower was added.
Second Generation E2# Model (1970-1977)
In May 1970, the COROLLA underwent a full model change to its second generation model. For the exterior, triangular windows were discontinued, achieving clean window graphics. Moreover, responding to consumer needs, improvements were made with the aim to enhance safety, riding comfort, and running performance.
The exterior design was changed to one that emphasized sportiness, thanks to a wider and lower long nose/short deck style.
For the interior, an instrument panel with long wood patterns was implemented, leading to a more luxurious design.
Though all engines had a displacement of 1,166cc, the power output differed according to grade and body type-68 horsepower, 73 horsepower, and 77 horsepower.
To these engines, the floor-mounted or column-mounted shifter manual transmission and Toyoglide automatic were made available.
In 1970, the 1400 Series with increased engine displacement was added. This 1,407cc engine boasted a power output of 86 horsepower.
In 1973, the 2T-G DOHC engine was added to the lineup; this engine had a displacement of 1,600cc and power output of 110 horsepower.
Third Generation E3#/5# Model (1974-1979)
In April 1974, the third generation model went on sale. This model adhered to gas emission regulations and was developed with a focus on improving safety and riding comfort. The exterior design was based on the semi fastback style. Moreover, because the total width was increased by 65mm, improvements were made in collision safety and stability.
The engine was carried over from the second generation model.
For the transmission, the 2-speed automatic was replaced by the enhanced 3-speed automatic.
In May 1978, minor changes were implemented, and alterations were made on the exterior design.
Fourth Generation E7# Model (1979-1987)
In March 1979, a full model change led to the introduction of the fourth generation model. This model was developed with a focus on enhancing riding comfort and fuel efficiency. For the exterior, the fastback style of the previous generations was changed to a sharper design that emphasized straight lines. According to body style, the design was differentiated; for the sedan/van series, quad round headlights were used, and for the coupe series, double rectangular headlamps were used. In terms of the interior, visibility was improved through the enlargement of the glass area, and improvements were also made on the instrument panel to enhance quality, as well as on the air conditioning system. For body style, the 2-door and 4-door sedan, hard top, coupe, liftback were introduced, and later, the 2-door and 4-door van-for a total of 7 variations.
For the engine, the 1,290cc with 72 horsepower, the 1,452cc with 80 horsepower, and the 1,588cc with 115 horsepower were made available.
The transmissions that could be combined with these were the 4-speed and 5-speed manual, as well as 2-speed automatic. Later, the automatic transmission options were expanded to 3-speed and 4-speed.
In August, the 1,800cc gasoline engine was added to the lineup.
In August 1981, minor changes were made, and the front headlights were changed to double rectangular headlamps.
In February 1982, the 1,839cc diesel engine with 65 horsepower was newly added to the lineup.
Fifth Generation E8# Model (1983-1987)
In May 1983, another full model change led to a drive system shift to the FF. As a result, an expansion of the interior space was achieved. For the design, the implementation of a slanted nose, double non-standard headlights, and body built-in resin bumper led to improvements in quality. Furthermore, door mirrors were used. This shift to the FF resulted in the length of the interior increasing to 1,810mm, the width to 1,380mm, and the height to 1,160mm.
The engine lineup consisted of the 1,295cc gasoline engine with 75 horsepower, the 1,452cc gasoline engine with 83 horsepower, the 1,587cc gasoline engine with 100 horsepower, and the 1,839cc diesel engine with 65 horsepower.
For the transmission, the 1,587cc gasoline engine with 100 horsepower was combined with an electric 4-speed automatic transmission.
In January 1984, the number of grades that could utilize this electric 4-speed automatic transmission increased. In October of the same year, the high-performance 1,587cc engine with 130 horsepower was added to the sedan.
Sixth Generation E9# Model (1987-1991)
In May 1987, the COROLLA underwent another full model change to the sixth generation model. The theme of this model was, "A Global High-Quality Sedan that Goes Beyond Class"; it was further developed with a significant increase in quality in mind. For the exterior design, a distinct characteristic was the installment of such features as colored bumpers and door mirrors. In terms of the interior, the full trim was applied to the entire interior, and the seat covers were changed, further increasing an air of luxury. The car body measured in length, width, and height at 4,195mm, 1,655mm, and 1,360mm respectively.
The engines were renewed; a multi-valve engine was installed on all gasoline engine vehicles.
The gasoline engine lineup consisted of:
1,295cc 73 horsepower
1,587cc 120 horsepower
And the only diesel engine option was:
This made for a lineup with a wide variety of options.
In October 1987, the 4WD system was newly added.
In May 1989, minor changes were made, and the engine lineup for the 4WD was further enriched.
Seventh Generation E10# Model (1991-2002)
In June 1991, another full model change led to the introduction of the seventh generation model. The car body measured in length, width, and height at 4,270mm, 1,685mm, and 1,375mm respectively, and the wheelbase was also expanded to 2,465mm, thereby achieving an impactful and voluminous exterior design. Moreover, the curves on the front bumper was emphasized more strongly, and flush surface was used on the body, leading to a more luxurious design.
For the high-mecha twin cam, the engine lineup consisted of the 1,331cc with 100 horsepower, 1,498cc with 105 horsepower, and 1,587cc with 115 horsepower; additionally, a sports twin cam 20-valve gasoline engine with 160 horsepower and a 1,974cc diesel engine with 73 horsepower were added.
The transmissions that could be combined with these were the 5-speed manual, 3-speed automatic, and 4-speed automatic.
Minor changes were implemented in May 1993, and alterations were made to the interior and exterior designs; additionally, minor improvements were made on the engine.
In May 1995, the sedan series went ahead and underwent a full model change to the eighth generation model.
Eighth Generation E11# Model (1995-2002)
The eighth generation model was introduced in May 1995. Though the chassis and structure were carried over from the seventh generation model, the total weight was reduced by 50kg, and improvements were made on the engine that allowed for enhanced fuel efficiency. Moreover, further improvements were made with a mind for the environment; for example, recyclable bumpers were used. The "Keep Concept" design was utilized for the exterior, and the interior used an underlying horizontal tone to increase the feeling of openness and enhance riding comfort.
The engine lineup consisted of the 1,331cc gasoline engine with 88 horsepower, the 1,498cc gasoline engine with 100 horsepower, the 1,587cc gasoline engine with 115 horsepower, and the 1,974cc diesel engine with 73 horsepower.
In May 1996, with the aim to improve safety, the ABS and driver's side airbags were installed on all vehicles as standard equipment. Moreover, in terms of the interior equipment, the ignition key illumination was newly installed, and the center console box was encased with fabric, further improving quality.
In April 1997, minor changes were implemented, leading to changes to the interior and exterior designs. For the exterior, the multi-reflector headlamp was used, and for the interior, the material used for the instrument panel was changed to a more luxurious one. Moreover, from a safety perspective, dual airbags and seatbelts with pretensioner & force limiter were installed on all vehicles as standard equipment. Additionally, the GT grade was revived; the 1,587cc gasoline engine with 165 horsepower was installed.
Minor improvements were made in April 1998, leading to changes in the engine and an expansion of equipment options. For the engine, the diesel engine was changed to the 2,184cc with 79 horsepower. Furthermore, water-repelling glass was used on certain grades.
In August 2000, the sedan series went ahead to another full model change, leading to the ninth generation model.
Ninth Generation E12#/13# Model (2000-2008)
The ninth generation model, which was introduced in August 2000, saw a change to a new design that conveyed thickness and therefore differed from the old. The "New Century Value" concept was adopted, and as the chassis was renewed, the car body measured in length, width, and height at 4,365mm, 1,695mm, and 1,470mm respectively, thereby enlarging it to a 5 number body category. For the exterior design, the flowing design was developed to take attention away from the vehicle height through the sharpening of the incline of the front and rear pillars.
For the interior, the aim was to enhance quality; a luxurious and sporty feel was achieved through the use of wooden panels and aluminum panels.
Moreover, vertical two-tone colors were used on the instrument panel, and because it was designed to emphasize horizontal space, the interior space achieved great space and openness. Self-luminous meters were used as well; such changes in the equipment led to an even greater boost to the luxuriousness of the vehicle.
Furthermore, another distinctive feature of this model is that this COROLLA was the first to equip VSC (Vehicle Stability Control) and TRC (Traction Control).
The convertible valve timing function was installed on all gasoline engines:
1,298cc 88 horsepower(FF)
1,496cc 110 horsepower(FF),105 horsepower(4WD)
1,795cc 190 horsepower(FF)
And the diesel engine option was:
For the transmission, the 5-speed manual and 4-speed automatic Super ECT were installed.
In October 2001, a premium edition was added to the lineup; this was the 1.8L LUXCEL installed with genuine leather seat covers and wide multi AV station II with navigation as standard equipment. For this grade, the added equipment led to a greater air of luxury.
Minor changes made in September 2002 led to alterations to the interior and exterior, as well as improvements on the engine, which led to its adherence to the 2000 Gas Emission Standards 75% Reduction in Emissions (U-LEV (☆☆☆)). For the exterior, the designs for the front grille, bumper, and headlights were changed.
In February 2004, with the aim to improve environmental performance, all gasoline engine vehicles achieved the 2005 Gas Emission Standards 50% Reduction "New ☆☆☆."
In April 2004, a second round of minor changes was implemented. For the exterior, the designs for the bonnet and fender were changed, leading to a greater air of novelty. Moreover, for the interior, the designs for the seat covers and instrument panel were changed for improved quality. As for the engine, because it did not adhere to environmental standards, the diesel engine was removed from the lineup.
In December of the same year, the 1.5L FF grade, which was the main car model, achieved a certification for the "2005 Gas Emission Standards 75% Reduction (SU-LEV (☆☆☆☆))" through cleaner gas emission, thus becoming subject to even greater special tax measures.
Tenth Generation E14#/15# Model(2006-2014)
In October 2006, the tenth generation model was introduced, carrying over the design of the previous generation model. Moreover, from this point on, "Axio" is added as a subname. In terms of outer appearance, a distinct feature was the double non-standard headlights that were built into the bumper. The exterior design was called "sweep cut pillar," which led to a simple and clean impression, as well as unity between the front and rear areas.
As for equipment options, grades that had such features as pre-crash safety system, parking assist system, and VSC (Vehicle Stability Control) were added to the lineup, demonstrating the focus for lineup variety.
The car body measured in length, width, and height at 4,410mm, 1,695mm, and 1,460mm respectively, maintaining 5 number body category as well as its usability on narrow roads.
The 1,496cc engine with 110 horsepower, equipped with an intake exhaust newly installed with a convertible valve timing device, was introduced (2010 Fuel Consumption Standards + 10% Achieved Vehicles). Additionally, the 1,797cc with 125 horsepower (2010 Fuel Consumption Standards + 10% Achieved Vehicles) was also added.
The transmissions that could be combined with these were the CVT and 5-speed manual.
As for the drive system, the FF and 4WD were carried over.
In October 2008, minor changes were implemented to change the designs of the front grille, headlights, and rear combination lamp. As for the interior as well, equipment options were enriched; for example, the use of heated seats and wooden panels was expanded.
In October 2009, changes aimed at improving fuel efficiency were made to the 1.5L FF Series; the 10-15 mode fuel consumption was enhanced by 0.6km/L to 18.6km/L. For the other grades as well, fuel consumption measured at 17.2km/L (FF) for the 1.8L Series.
In April 2010, further improvements were made to boost fuel efficiency. As a result, for the 1.5L FF Series, due to a combination with CVT, maximum fuel consumption of 20.0km/L was achieved. For the 1.8L Series as well, the engine was equipped with valve matic, and the transmission was combined with the Super CVT-I, leading to an improved fuel consumption of 18.6km/L (FF).
Eleventh Generation E16#/17# Model(2012-)
The current model, which was introduced in May 2012 as the eleventh generation model, saw its chassis being replaced by that of the Vitz. The body size measured in length, width, and height at 4,360mm, 1,695mm, and 1,460mm respectively; by reducing the total length by 50mm, usability was boosted. Nonetheless, the interior design still focused on inspiring openness; thus, a spacious and comfortable interior was carried over from the previous generation model.
For the engine, the 1.8L Series was discontinued, and the 1.3L and 1.5L Series were newly introduced. The engine lineup for the 1.3L Series consisted of the 1,329cc gasoline engine with 95 horsepower, and the 1,496cc gasoline engine with 109 horsepower.
These engines were combined with the CVT or 5-speed manual transmission.
JC08 mode fuel consumption measured at 20.6km/L for grades carrying the 1,329cc engine with 95 horsepower; furthermore, the grades carrying a 1,496cc engine with 109 horsepower achieved fuel consumption of 20.0km/L.
In August 2013, a grade equipped with the hybrid system installed on the second generation Prius was added to the lineup. This grade's JC08 mode fuel consumption measured at 33.0km/L, thereby realizing 2014 Fuel Consumption Standards + 20% Achieved.
Lineup Year
1966-1970 KE10 1,077 FR Gasoline 1966-1970
KE10-B 1,077 FR Gasoline
KE10-D 1,077 FR Gasoline
KE10-F FR Gasoline 1967-1970
KE16V FR Gasoline 1967-1970
KE11 1,166 FR Gasoline 1969-1970
KE11-F 1,166 FR Gasoline 1969-1970
KE20D 1,166 FR Gasoline
KE20-S 1,166 FR Gasoline
KE20N 1,166 FR Gasoline
1974-1979 TE31 1,588 FR Gasoline 1974-1979
KE30 1,166 FR Gasoline
TE30 1,407 FR Gasoline
AE70 1,452 FR Gasoline
E-AE70 1,500 FR Gasoline
E-KE70 1,300 FR Gasoline
E-KE73G 1,300 FR Gasoline
E-TE70 1,800 FR Gasoline
J-KE71V 1,300 FR Gasoline
L-KE72V 1,300 FR Gasoline
L-TE74V 1,600 FR Gasoline
N-CE70 1,800 FR Diesel
N-CE72G 1,800 FR Diesel
1983-1987 N-CE80 1,800 FF Diesel 1983-1987
E-AE80 1,300 FF Gasoline
1987-1991 E-EE90 1,295 FF Gasoline 1989
E-AE92 1,587 FF Gasoline 1989
E-AE91 1,498 FF Gasoline 1989-1990
Q-CE90 1,839 FF Diesel 1989-1990
E-AE95 1,587 4WD Gasoline 1989-1990
1991-1995 E-AE101 1,587 FF Gasoline 1990-1994
E-AE104 1,587 4WD Gasoline 1991-1994
E-EE101 1,331 FF Gasoline 1991-1994
E-AE100 1,498 FF Gasoline 1991-1994
X-CE104 1,498 4WD Diesel 1991-1994
X-CE100 1,974 FF Diesel 1991-1994
1995-2000 E-AE114 1,587 4WD Gasoline 1995-1997
KD-CE110 1,974 FF Diesel 1995-1997
KD-CE114 1,974 4WD Diesel 1995-1997
GF-AE111 1,587 FF Diesel 1998
KE-CE113 2,184 FF Gasoline 1998-2000
GF-AE114 1,587 4WD Diesel 1998-2000
KE-CE116 2,184 4WD Gasoline 1998-2000
GF-EE111 1,331 FF Gasoline 1998-2000
GF-AE110 1,498 FF Gasoline 1998-2000
2000-2006 TA-ZZE124 1,794 4WD Gasoline 2000-2001
TA-ZZE122 1,794 FF Gasoline 2000-2001
TA-NZE124 1,496 4WD Gasoline 2000-2002
TA-NZE121 1,496 FF Gasoline 2000-2002
KE-CE121 2,184 FF Diesel 2000-2002
UA-ZZE122 1,794 FF Gasoline 2002
UA-ZZE124 1,794 4WD Gasoline 2002
UA-NZE124 1,496 4WD Gasoline 2002-2003
UA-NZE120 1,298 FF Gasoline 2002-2003
UA-NZE121 1,496 FF Gasoline 2004
CBA-NZE120 1,298 FF Gasoline 2004
CBA-ZZE122 1,794 FF Gasoline 2004
CBA-ZZE124 1,794 4WD Gasoline 2004
CBA-NZE124 1,496 4WD Gasoline 2004-2005
CBA-NZE121 1,496 FF Gasoline 2004-2005
DBA-NZE121 1,496 FF Gasoline 2004-2005
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Welcome to Esse Music Store!
More than an online shop, more than an actual store, a true musical reality born from musicians for musicians, since mid-1980s it has imposed (as one of the most important megastores) as one of the most important reference point in the field. We not only sale guitars, basses, drums, keyboards, amplifiers, dj consoles, studio and home recording, sound systems, lightning, supplies for concerts and events, books with scores and gadgets, but we also plan (in our shop) clinics with famous artists, concerts, demos, workshops and more. Furthermore, in our headquarter, we offer pre and after sale service and repair and lutherie service.
Why buy from Esse Music Store?
A pre and post sales support at your complete disposal. If there's a problem, you're sure we'll solve it.
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so are you planning to make an episode against universal health care soon?
I'm focusing on the DVD right now.
They are good. The idea is that you can take part of your paycheck and put it in one of these accounts pre-tax. You can remove money from the account as long as it's for medical use, again paying no taxes.
The problem is there are so many stupid restrictions on them they're almost worthless. Ron Paul (a medical doctor) has tried several times to introduce a bill that lifts these restrictions so that they can be an important solution to health care expenses, but it never goes anywhere.
Don't ask me! I know nothing about the topic!
If you want to call "knowing" something by watching a Michael Moore movie.
that's why i posted the videos!!!!!
I'm sorry! I'm sorry! I might watch them later!
As a matter of fact, I haven't. I don't think it was shown over here.
Yes, but I don't have opinions and thoughts about it, because I don't know anything about it!
a lot of universal health care advocates wants you to think that these countries have higher life expectancy just because of universal health care, but they miss many factors that can contribute to lower life expectancy in America such as crime, HIV, drug use, lack of exercise, unhealthy eating habits, and so on.
I think we can improve most of that just by getting rid of the War on Drugs.
Reuters goes on to say that the death rates from the top three natural causes of death in the United States, heart disease, cancer and stroke, all decreased in 2005 compared to the previous year, helping to contribute to the increase in U.S. life expectancy. What the Reuters article doesn't tell us is something we find more interesting. Here, what they don't tell us is that the CDC's life expectancy figures also incorporate non-natural causes of death, such as those resulting from fatal injuries, which include motor vehicle accidents, falls, accidental poisonings, homicides, et cetera.
This low ranking in life expectancy is often pointed to as being the result of the deficiencies of the health care system in the U.S. The problem with this thinking however is that it does not account for the fact that the U.S. has a disproportionate number of individuals who die as the result of fatal injuries compared to the other wealthy nations of the world. This does not reflect upon the quality of health care in the U.S., in that these events almost universally occur independently of the condition of health of the individuals who die as a result of these factors.
obesity linked to or increases the risk of numbers 1,2,3,6,13 and obesity affects about 33% of American adults.
smoking is linked to or increases the risk of numbers 1,2,3,4,6,8 and probably more. lung cancer is the leading causes of death in the cancer category and most of it is from smoking. smoking is the leading cause of preventable diseases and deaths. Alcohol consumption is also linked to some of those numbers.
1.for obesity. Get off the couch and exercise and eat some vegetables.
2.plan to stop smoking and stop drinking so much. drinking little is proven to be healthy but drinking so much and passing out will get you some brain damage, liver damage and so on.
4. As for assault and homicide, get rid of The War on Drugs and strict gun control because both have been proven failures. But is the government listening?
so basically America's life expectancy can go up dramatically if people lived a healthier lifestyle. Europe and Canada has a healthier lifestyle, less crime, and less accidents and they live longer because of it.


The Board of County Commissioners approved up to $500,000 for the purchase of 50 new digital radios this week as the Information Technology Department begins to implement the first phase of switching over to a digital system for all emergency departments in the county.
IT Director Milan Dimic and Radio Technician Paul Bowman gave commissioners a demonstration of the superiority of the digital radio system they sought funding for in comparison to the two systems currently in place, the 800 megahertz and VHF, before asking commissioners to approve the purchase during Tuesday's commission meeting.
Though Dimic explained in total the county will need to purchase 400 radios to cover the entire county, they will be able to start by purchasing them in small increments as the new digital radios can communicate with the other two systems already in use.
The digital radios cost approximately $6,000 each after a $750 rebate Motorola plans to give the county for the old systems.
"Currently, you'll see in the backup materials, Motorola is offering us a plan where they are giving us a $750 rebate on the old radio systems that are obsolete, just to help us out on the budgeting part of it, but they're about $6,000 apiece this year. And the reason for that is the first radio demonstrated only does that VHF frequency, the second radio does just 800 megahertz, but the third radio does all of that," Dimic explained.
The switch is estimated to take anywhere from 18 to 24 months as IT personnel need to reach several mountainous areas to work on the county's communication towers.
The new radios will allow the county to stay on the Southern Nevada Area Communications Council (SNACC), which gives them interoperability with multiple agencies across the state.
In all, the 400 radios are estimated to cost the county $2.4 million by the end of the two-year project.
Sheriff Tony DeMeo explained the benefit of remaining with SNACC, as opposed to purchasing radios and joining the state system, is they will have continued interoperability with 50 or 60 agencies across the state and SNACC has a set plan already laid out for what technology they plan to implement in the next few years.
"The system they're on is the EDAC system, and they're replacing it in two to three years. And we have no idea, and that was something the commissioners were not aware of that I was back in October, is the EDAC system is an analog system and they have no idea what system they're going to in two to three years. The system is right now pretty much obsolete. So they're making a change-over, but they have no idea where they're going to go.
"Las Vegas Metro is going with the digital system, they're getting off the microwave system. This will keep us current and keep us in sync with the other agencies that are going to have interoperability. If we went to the state system, the only people we could talk to would be NHP (Nevada Highway Patrol)," he said.
Commissioner Dan Schinhofen questioned if there would be any kind of savings if the county chose to join the state versus remaining with SNACC.
Dimic said there would not be any savings as the county would still need to purchase new radios to join the state system.
In all, Dimic said the purchase of the first batch of radios was estimated to cost approximately $262,000.
According to a budgetary outline submitted as part of the presentation, the Motorola maintained cost of the radios and the 800 megahertz use agreement with SNACC is included in the IT department's budget.
The cost of the SNACC VHF yearly maintenance will come from the NCSO budget.
The county is only being asked to pay for the new radios.
After hearing the presentation and reviewing the back-up material submitted on the topic, Commissioner Lorinda Wichman made a motion to approve the outlined budget for the first phase of the project, with a note not to exceed $500,000 for the purchase.
Schinhofen seconded the motion, but asked for further discussion, before the board approved the measure 5-0.
Dimic said his department will likely look at purchasing an additional 50 radios next year when they are in a position to spread the digital coverage north to areas like Beatty.


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Live Gig Photos
Sun, Sea, Sand and Solos – Rock the Coast Festival Review – Day 1 June 15 2019
Comments Off on Sun, Sea, Sand and Solos – Rock the Coast Festival Review – Day 1 June 15 2019
Live Review: Adrian Hextall Photographs: Adrian Hextall \ MindHex Media
Good lord… it was wet. As far as the eye could sea, water everywhere. What is it about festivals and standing knee deep in water? i'd not even taken any wellingtons to keep my feet dry. What's that? I'm standing in the sea? I've just walked across the beach? I'm not in a field but on the southern coast of Spain in Fuengirola to experience Rock the Coast Festival? Right then, I'd better stop moaning and get on with it… Average temperature, 26 Degrees Celcius ! Wonderful.
Without a drop of rain for the entire weekend and temperatures that make the average Brit shrivel we flew into Malaga, picked up the hire car and headed down to the coast for a couple of days of classic rock and metal.
Rock The Coast: Picture (C) Adrian Hextall
Located in between Malaga and Marbella, Fuengirola is a popular holiday resort. Packed with the usual enticements for Brits, Irish Pubs, Full English and Full Irish Breakfasts on the menus of restaurants, and more San Miguel on tap than the average man needs in a lifetime. Basically the perfect location for your average metal fan who might struggle to adapt to foreign climes.
To give the whole event a slightly unique feel, the stages are split into 2 key areas. At the top of the hill, an old castle stands overlooking the town and in the main courtyard, 2 days of up and coming new acts as well as some reinvigorated classics played. Down near the sea front, a double stage allowing a one on, one off approach to the main music of the weekend ensured that a mere 5-10 minute gap was all that occurred before another band was performing.
A large standing area in front of the two stages allowed those that wanted to get up close and personal.
Arkona: Pic (C) Adrian Hextall
A warm up show in the castle courtyard from Wardruna got the ball rolling on Thursday evening but the festival started properly on the Saturday with the main stage playing host to folk/pagan metal band Arkona who came in from Moscow to entertain what was already a healthy standing audience. Lead singer Masha or "Scream" as she's known, dressed in typical folk metal attire got proceedings off to a flying start. Mixing folk music, metal, growls and smooth vocals it was a loud awakening for those that had arrived a day earlier to sample the sights and sounds of the town.
Blaze Bayley: Picture (C) Adrian Hextall
At just 4 Euros a time, the local icy cold beer was great value. It's the small things that make a festival work and affordable drinks in a hot climate are a must. Full marks to Rock the Coast for getting the most important thing right from the off.
We then hit the first memorable moment of the weekend. Wolfsbane vocalist, solo artist and former Iron Maiden front man Blaze Bayley performing a celebratory set of songs from his tenure with the Irons, 'The X-Factor' and 'Virtual XI'. With British band Absolva supporting Blaze, they put on a fantastic show reminding us just why Steve Harris settled on Bayley when Bruce Dickinson decided to take some time out. The highlight, a stunning version of 'The Clansman', one of the tracks the Maiden still play to this day. I doubt I'll get to see this set again any time soon so this was a real winner.
Graveyard: Picture (C) Adrian Hextall
Graveyard, touring in support of latest album 'Peace', play a mix of blues, doom, psychedelia and more. It felt odd to watch a band playing music more suited to a nighttime, indoor show but they seemed to get a decent reception from the crowd, especially those that were looking for a bit of grit and spice in their festival mix. Maybe they'd have been a perfect fit for the post headline slot. A fog laden stage, great lighting and a midnight window, now that would have been pretty cool.
Hitten: Picture (C) Adrian Hextall
Heading up to the Castle stage, one band that suited the sun and the cold beers were Murcia's Hitten. Growing up in the 80s, it's impossible not to have an appreciation of classic arena (I refuse to use the word hair) rock. Hitten play exactly that. With the same amount of stage presence that Bon Jovi had back in the mid 1980s, Hitten delivered a set that resulted in me purchasing both of their albums upon my return home. 2016's 'State of Shock' and current release 'Twist of Fate', make for a night of anthemic rock and with a live show to match, this is one band I'll be looking forward to seeing again.
Wintersun: Picture (C) Adrian Hextall
Wintersun, another band I'd like to see in darker stage lit surroundings, brought their particular brand of epic / folk / growl metal to the main stage and again kept the metalheads happy. They're easy to spot, they wear all black in the blazing sun in nigh on 30 Degree heat, all for the love of the music!
With Bloodhunter and Alkaloid played the Castle stage we stayed on the ground waiting for a German act who rightly sit in the 'inspirational' category. Having toured for the last few years as Dirkschneider, performing hits from Udo's time in Accept, we get what some of us have hoped for for some time now. U.D.O. playing a career spanning set of songs including personal favourites 'Animal House' and 'They Want War'. The sort of Teutonic metal that Germany is famous for and even if Udo is getting on a bit, having been performing for 50 odd years, his voice (unique as it is) sounds as strong and powerful as it did when I first heard Animal House 30 years ago. Another festival highlight and a show to remember for some time to come.
Tarja: Picture (C) Adrian Hextall
Tarja then played their set under the hot Spanish sun with lead singer Tarja Turunen looking particularly stunning in a tight black leather outfit that had to be a tad on the hot side to wear and certainly caused a few of the blokes in the crowd to swoon ever so slightly! One full memory card of photos later [cough] and we then watched Tarja deliver a set mixed set from her solo career with just the Gary Moore cover of 'Over The Hills And Far Away' reminding people of her Nightwish roots. When you have 7 solo albums, you kid of have the luxury of being able to focus on your own work and fair play to her!
A quick trip up the hill and we then caught the end of the set from Blaze's band, Absolva.
Absolva: Picture (C) Adrian Hextall
Playing metal with high quality vocals, this is what Metallica might sound like if Mr Hetfield had a smoother voice. Solid heavy and a great reminder of just how talented brothers Chris and Luke Appleton are. Old school is the new black! You heard it here first.
Food then managed to beat a need to watch U.F.O. bow out with a 50th Anniversary set, and aside from the fantastic quality of grub on offer, special mention goes to the facilities. Most UK based festivals think that a decent toilet requires VIP access, not so Rock the Coast who simply offer, hot water, a proper sit down option and a flush-able loo all for the princely sum of a Euro!
Scorpions: Picture (C) Adrian Hextall
As the day wore on and the sun began to set behind the grandstand, which worked brilliantly as a sun shade for the main stages as well, Scorpions huge stage set lit up and the main headliners on the first day got the party started.
Without needing to turn the spotlights on the locals, who were all in fine voice, the Scorpions delivered a fantastic set of classic hard rock anthems. The cynics amongst us will bemoan the fact that the show is getting a bit samey as the show 'has' to feature a certain number of songs and the visuals all look familiar from the shows I've seen at Hellfest, Ramblin Man Fair and Stone Free festivals over the last 3-4 years. Personally I don't care. I'm going to see the band perform again at Bloodstock Open Air 2019 and I'll enjoy every minute.
They truly are the perfect headline act. Appealing to rock and metal fans alike with enough well known songs that even your Nan would sing along to a couple. She was probably singing along to 'Send Me An Angel', 'Wind Of Change' and 'Still Loving You' and loving every minute, as was I!!
Europe: Picture (C) Adrian Hextall
The closing act for the first day (for us lightweights) was Europe. A tough as to come on and win over the crowd following a massive headline set. Europe of course have the benefit of being able to deliver more of the same. The huge wall of video screens may be missing but with the Peter Pan of Swedish Rock front and centre, their 35 plus years of hard rock was simply sublime.
Tracks like 'Walk The Earth' and 'War of Kings' deserve to be in their set alongside the classics and hopefully in years to come will be treated with the same reverence as 'Rock the Night' and [cough] "that song". You know, the one they have to play and the one they have to close with. Which of course they did!
Roll on Day 2.
Tagged Absolva, Arkona, Blaze Bayley, Europe, Graveyard, Hitten, Rock The Coast, Scorpions, Spain, Tarja, U.D.O., U.F.O., Wintersun
Electric Boys Live At The Underworld, Camden on September 26th, 2014
Once you see Electric Boys live you will understand why people enjoy their music and performance though. They combine catchy and funky tunes with a captivating performance by everyone onstage
Michael Schenker Temple of Rock live at Islington Assembly Halls, London on January 30th, 2016
Billed as the 'Spirit on a Mission' tour Michael Schenker has just finished a ten date UK tour with the last show being at the 'Giants of Rock' festival at the Butlins resort in Minehead.
Monster Truck, Buffalo Summer, live at The 100 Club, London, April 5th 2016
For anyone still unfamiliar with Buffalo Summer or Monster Truck, they do not disappoint. I couldn't recommend these bands highly enough, but there are only so many ways to say what a fantastic gig this was. To catch them both on the same bill was exceptional.
Eddie Vedder and Glen Hansard live at 3 Arena, Dublin on July 3rd, 2019
Ghost to bring 'The Ultimate Tour Named Death' to Europe this Nov/Dec!

redpajama_set_name: RedPajamaCommonCrawl


Stunning home with fantastic views of Louisville & privacy. This home has OVER 4000 square feet! The layout is easy to live in & entertain. A 2 story walkout w/ 5 bedrooms on 1.32 acre lot, 4 1/2 baths & 3 fireplaces. A nice formal dining area, foyer, & sitting room welcome you to the home. The large eat-in kitchen has fantastic inlaid wood ceilings & opens to 2 story great room. The view from the great room is beautiful as it overlooks the deck & woods. The huge 1st floor master suite opens to the deck and also has a spacious bathroom. Up stairs boasts plenty of room for guests or family. There are extra bedrooms & 2 full baths! Downstairs is a HUGE finished walkout basement w/ a serene screened in porch, family room, game room, office/bedroom.


Development of an In Vitro Assay to Evaluate Contractile Function of Mesenchymal Cells that Underwent Epithelial-Mesenchymal Transition Yu Mikami1,2, Hirotaka Matsuzaki2, Hideyuki Takeshima2, Kosuke Makita2, Yasuhiro Yamauchi2, Takahide Nagase2 1Department of Clinical Laboratory, The University of Tokyo Hospital, 2Department of Respiratory Medicine, The University of Tokyo Hospital Here, we describe the development and application of a gel contraction assay for evaluating contractile function in mesenchymal cells that underwent epithelial-mesenchymal transition.
Quantification of Hydrogen Concentrations in Surface and Interface Layers and Bulk Materials through Depth Profiling with Nuclear Reaction Analysis Markus Wilde1, Satoshi Ohno1, Shohei Ogura1, Katsuyuki Fukutani1, Hiroyuki Matsuzaki2 1Institute of Industrial Science, The University of Tokyo, 2Micro Analysis Laboratory, Tandem accelerator, The University Museum, The University of Tokyo We illustrate the application of 1H(15N,αγ)12C resonant nuclear reaction analysis (NRA) to quantitatively evaluate the density of hydrogen atoms on the surface, in the volume, and at an interfacial layer of solid materials. The near-surface hydrogen depth profiling of a Pd(110) single crystal and of SiO2/Si(100) stacks is described.
Real-time Imaging of Plant Cell Surface Dynamics with Variable-angle Epifluorescence Microscopy Takumi Higaki1 1Graduate School of Frontier Sciences, The University of Tokyo The goal of this protocol is to demonstrate how to monitor fluorescently-tagged protein dynamics on plant cell surfaces with variable-angle epifluorescence microscopy, showing blinking dots of GFP-tagged PATROL1, a membrane trafficking protein, in the cell cortex of the stomatal complex in Arabidopsis thaliana.


When I met up with Anise & Pierre a few weeks ago, they told me they were a bit nervous about being in front of the camera. They said this was the first time they've had professional photos done, but I assured them that they would be just fine. And trust me, they were. They totally rocked their session from start to finish. I have to admit, though, that their sweet baby girl, Averie, may have stolen the show for a while. You'll see exactly what I mean when you see her sparkly blue eyes and her infectious smile. There's no way you can be around her without being happy! I had such an amazing time with this little family and I cannot wait for their wedding in October. It's going to be all kinds of amazing! Until then, enjoy some of my favourite shots from Anise & Pierre (& Averie's!) engagement session.


The distance between Budapest, Hungary and Val D'Or, Quebec, Canada is approximately 6,708 km or 4,169 mi.
To reach Budapest in this distance one would set out from Val D'Or, Quebec bearing 50.5° or NE and follow the great circles arc to approach Budapest bearing 130.2° or SE .
Budapest has a marine west coast climate (Cfb) whereas Val D'Or, Quebec has a warm summer continental/ hemiboreal climate with no dry season (Dfb).
Budapest is in or near the cool temperate moist forest biome whereas Val D'Or, Quebec is in or near the boreal wet forest biome.
The annual average temperature is 10 °C (17.9°F) warmer.
Total annual precipitation averages 364.3 mm (14.3 in) less which is equivalent to 364.3 l/m² (8.94 US gal/ft²) or 3,643,000 l/ha (389,461 US gal/ac) less. About 3/5 as much.
The altitude of the sun at midday is overall 0.5° higher in Budapest than in Val D'Or, Quebec.
The table shows values for Budapest relative to Val D'Or, Quebec. You can also view this comparison the other way around from the perspective of Val D'Or, Quebec vs Budapest.


The mercury is rising in France with most of the the country set for two days of potentially record-breaking early summer sun. But the country shouldn't ditch their jumpers and rain coats just yet.
For the next two days much of France will enjoy the kind of summer temperatures usually seen in July and August.
In the south west of the country on Tuesday temperatures are likely to exceed 30 degrees for the first time this year according to national weather agency Méteo France.
In the Bordeaux region some forecasts say the mercury will reach 33C hence suggestions that the unseasonal high temperatures will break records in parts of the south west for this time of year.
In the city of Toulouse the temperatures will hover around 30C on Tuesday and Wednesday afternoon.
In Paris the mercury is forecast to hit 28C on Tuesday and 29C on Wednesday so its time to reserve that table on the terrace or head down to the banks of the Seine. Or head to one of the city's parks to find some shade.
In the south temperatures are expected to rise to 28C in Nimes and 26C in Montpellier. while in Lyon the mercury will hit 25C on Tuesday and 28C on Wednesday.
It was a similar story for most of the country.
However in Brittany in the west of the country the cloud will likely return to the skies and Bretons should expect some rainfall later on Tuesday.
However the forecast says that rain will return to the country on Thursday, coinciding with a drop in temperatures.


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Find me on Twitter at @tomgersic and LinkedIn at /in/tomgersic.
Heading into my 10th year working for Success Cloud at Salesforce! I've had the opportunity to help business and technology leaders make investments that become the hallmark of their careers, changing the way people work and opening doorways to new business opportunities.
Salesforce Customer Success Group and Success Cloud solutions helps Salesforce customers envision, enable, engage and empower their business, their ecosystem, employees and ultimately, their customers. We take every customer from Trailhead all the way through to total strategic and technical transformations.
Any views expressed here are my own.


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Olympic Games: Wiggle High5 celebrate Johansson and Longo Borghini medals
By Cycling News published 8 August 16
Abbott in fourth
Wiggle-High5's Emma Johansson and Elisa Longo Borghini flank Anna van der Breggen (Image credit: Fotoreporter Sirotti)
Anna van der Breggen starts to celebrate after beating Emma Johansson in the sprint with Elisa Longo Borghini claiming third (Image credit: Fotoreporter Sirotti)
The podium riders take a bite of their medals (Image credit: Fotoreporter Sirotti)
Emma Johansson is all smiles after her second Olympic silver medal (Image credit: Fotoreporter Sirotti)
A thrilled Elisa Longo Borghini with her bronze medal (Image credit: Fotoreporter Sirotti)
While the riders compete for their national teams in the Olympic Games road race, with the Netherlands winning gold via Anna van der Breggen, Wiggle High5 came up trumps from the trade teams with Emma Johansson adding a second silver to her Beijing success and Elisa Longo Borghini winning bronze for Italy.
It was close to an all Wiggle High5 podium with American Mara Abbott caught in the final few hundred metres by van der Breggen, Johansson and Longo Borghini to finish in fourth place.
"To come away with a medal is fantastic. I'm very pleased," Johansson said after the race. "I came back because I'm pretty damn strong in the head. I'm really satisfied."
Abbott and Annemiek van Vleuten led the peloton over the Vista Chinesa, the final climb of the race, with the Dutchman crashing out of the crash having dropped the American on the fast and technical descent. The accident saw Abbott become the leader on the road but she would be overcome by the chasing trio who never gave up hope on battling for gold.
"For a while it looked really dark out there. I almost saw the medals rolling away," Johansson said of the final kilometres. "But I came back at the end and Emilia [Fahlin] was great and did a really good job. Maybe I should have launched my sprint a little earlier but I'm very happy.
"Now I will be 'Silver Emma,'" Johansson joked of the Sweden nickname after her first silver medal eight year's ago behind Nicole Cooke. "That's my strength to never give up until the finish line is passed. It's fun to finish with a silver."
Just as Johansson was celebrating her silver medal, Longo Borghini expressed her delight with her bronze.
"I am happy for this medal, because I won it in a race with the very difficult course," Longo Borghini said. "I couldn't believe it was so hard."
The medal was the third for Italy in a women's Olympic road race after Tatiana Guderzo's bronze in 2008 and Imelda Chiappa's silver in 1996. For Longo Borghini, it matched her bronze from the 2012 Valkenburg Worlds but she explained her Olympic success was a more fulfilling result as it was wholly unexpected.
Having seen compatriot Vincenzo Nibali crash out a day before when in a potential racing winning position, Longo Borghini explained she spoke with the Astana rider about how best to tackle the Vista Chinesa descent.
"Just yesterday I talked with Nibali. And he told me that it was a very technical descent, but also deceptive. So I went very carefully. I know what it's like to have a bad accident, because I had one three years ago and I still carry the scars. But now I'm too happy to think about it," she said in reference to her 2013 Italian national championships crash.
Johansson, Longo Borghini and trade teammate Audrey Cordon (France) are provisional starters for the August 10 time trial with the trio aiming to add more medals to Wiggle High5's haul.


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Catalan Parliament Bans Bullfighting
Published July 28, 2010 by PETA. Last Updated August 25, 2014.
Hurrah! Hard work pays off: The Catalan parliament in Spain has voted to ban bullfighting! It was clear that no other outcome was possible after officials were presented with the signatures of 180,000 people who don't believe that bulls should be stabbed to death for entertainment. According to a 2013 Ipsos MORI survey, more than 70 percent of Spaniards have no interest whatsoever in attending or supporting bullfights and more than three-quarters oppose using public funds to support the bullfighting industry, and public condemnation of this bloody spectacle is growing worldwide. Cities and towns all over the world have taken positions against bullfighting, joining Spain's Canary Islands, which voted to ban bullfighting back in 1991.
Earlier this month, PETA U.K. and the Spanish animal rights group AnimaNaturalis joined forces to give the bulls a say—check it out.
Saucy Spanish entertainer Charo is also jumping for joy in the wake of this news, as she has been working to end bullfighting for years. "I'm more proud to be Spanish today than on any other day of my life," Charo said. "This shows that the new generation in Spain wants to lose this barbaric tradition. And I look forward to doing the cuchi cuchi at PETA's gala in September to celebrate!"
Charo recently joined forces with PETA to fight bullfighting. You can join Charo in speaking out against bullfighting by asking Spain's Prime Minister to ban the cruel blood sport throughout the country.
Written by Jennifer O'Connor


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Tachyon Publications
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nightmares: a new decade of modern horror
Happy 70th birthday to the award-winning, superstar editor Ellen Datlow
Rick Klaw blog	birthday, darkness: two decades of modern horror, echoes, Ellen Datlow, hauntings, lovecraft's monsters, monstrous, nightmares: a new decade of modern horror, the cutting room: dark reflections of the silver screen, the devil and the deep	0
One of genre fiction's most acclaimed editors, Ellen Datlow first rose to prominence as the fiction editor of Omni, where she helped usher in the cyberpunk movement and published works by William Gibson, Bruce Sterling, Connie Willis, Nancy Kress, Gregory Benford, Michael Bishop, Howard Waldrop, and many others. Following the magazine's demise in 1997, Datlow assumed the same role for the online Event Horizon. After that site's closing, she moved in 2000 with a similar role to Sci Fiction, the freshly created online venue from the Sci Fi Channel (now Syfy). She stayed there until the site's shuttering in 2005.
Cover by Reiko Murakami
Cover design by Elizabeth Story
Cover by Ann Monn
Cover by Nihil
Design by Elizabeth Story
Beginning with The First Omni Book of Science Fiction (1984), Datlow has edited over 75 anthologies including 12 collections of Omni fiction, 21 annual volumes of The Year's Best Fantasy (1988-89; then as …& Horror 1999-2008; Vols. 1-16 with Terri Windling and 17-21 with Gavin J. Grant and Kelly Link), and beginning in 2009, eleven annual volumes of The Best Horror of The Year, which lead to The Best of the Best Horror of the Year: 10 Years of Essential Short Horror Fiction (2018). Her first non-Omni related anthology Blood Is Not Enough (1988) began Datlow's long association with horror, which eventually led to Publisher's Weekly referring to her as "horror anthologist extraordinaire."
Cover by Valentina Brostean
Cover by John Coulthart
Cover by Josh Beatman
The Year's Best Fantasy: First Annual Collection (1989) garnered Datlow her first of 10 World Fantasy Awards. The other nine came from The Year's Best Fantasy Second (1990) and Fourth (1992) Annual Collections, Little Deaths (1995), editor (Special Award, Professional 1995), Silver Birch, Blood Moon(2000), The Green Man: Tales from the Mythic Forest (2003), Salon Fantastique: Fifteen Original Tales of Fantasy (2007), Inferno: New Tales of Terror and the Supernatural (2008), and Life Achievement (2014). She has also won six Stoker (The Year's Best Fantasy & Horror: Thirteenth [2000] and Seventeenth [2004] Annual Collections, Haunted Legends [2010], Lifetime Achievement [2010], Fearful Symmetries [2014], The Devil and the Deep: Horror Stories of the Sea [2018]), seven Hugo (Best Professional Editor [2002], Sci Fiction [2005], Best Editor Short Form [2009, 2010, 2014, 2016, 2017]), four British Fantasy Awards (Karl Edward Wagner Award [2007], The Year's Best Fantasy & Horror: Nineteenth Annual Collection [2007], The Doll Collection [2016], and Tor.Com [2017]), and three Shirley Jackson (Inferno: New Tales of Terror and the Supernatural [2008], Poe [2010], and Fearful Symmetries [2015]) awards.
Other notable books include Alien Sex (1990), Snow White, Blood Red (1993 w Terri Windling), Vanishing Acts (2000), Lovecraft Unbound: Twenty Stories (2009), DARKNESS: TWO DECADES OF MODERN HORROR (2010), Naked City: Tales of Urban Fantasy (2011), Blood and other Cravings (2011), After: Nineteen Stories of Apocalypse and Dystopia (2012 w Terri Windling), HAUNTINGS (2013), LOVECRAFT'S MONSTERS (2014), THE CUTTING ROOM: DARK REFLECTIONS OF THE SILVER SCREEN (2014), THE MONSTROUS (2015), Children of Lovecraft (2016), NIGHTMARES: A NEW DECADE OF MODERN HORROR (2016), Mad Hatters and March Hares (2017), and Echoes (2019).
All of us at Tachyon, wish the extraordinary Ellen a happy birthday and as always, we look forward to whatever is next.
Tachyon tidbits featuring Ellen Datlow, Brandon Sanderson, Carmen Maria Machado, and Lavie Tidhar
Alec Checkerfield Uncategorized	alexander nanitchkov, best of 2017, brandon sanderson, camille andre, carmen maria machado, central station, dragons zombies and aliens, elizabeth story, Ellen Datlow, hipinion, lavie tidhar, lubimyczytać.pl, nightmares: a new decade of modern horror, nihil, noticias de zallar, nuno ferreira, polish, portuguese, review, sarah anne langton, the emperor's soul, the husband stitch, the new voices of fantasy
The latest reviews and mentions of Tachyon titles and authors from around the web.
Ellen Datlow, Brandon Sanderson (credit: Ceridwen via Wikimedia Commons), Carmen Maria Machado, and Lavie Tidhar (Kevin Nixon. © Future Publishing 2013)
DRAGONS, ZOMBIES AND ALIENS praises Ellen Datlow's NIGHTMARES: A NEW DECADE OF MODERN HORROR.
Anthologies are, by their nature, hit-or-miss, but I can honestly say that most of the stories in here were very good. There was suspense, creeps, and a couple of them even managed to be funny. It made me laugh one minute and squirm in my seat the next, which was undoubtedly very confusing to anyone who happened to be in the room with me at the time.
My favorite top five stories from NIGHTMARES are:
"The Atlas of Hell" by Nathan Ballingrud
"Ambitious Boys Like You" by Richard Kadrey
"Our Turn Too Will One Day Come" by Brian Hodge
"Sob in the Silence" by Gene Wolfe
"Strappado" by Laird Barron
I recommend this book to everyone, even those who, like me, honestly aren't that interested in horror literature. It's well worth the read.
On the Portuguese site NOTICIAS DE ZALLAR, Nuno Ferreira enjoys Brandon Sanderson's Hugo Award winner THE EMPEROR'S SOUL.
Much remained to be seen of the relations that could come between them, even because they are characters that, developed, surely marked more than they already did. Which, for me, was enough.
Forgery is yet another magic system to join Brandon Sanderson's super-original creations. The author got the idea by observing a technique of carving Chinese stamps in a museum in Taiwan , and it turned out. This novella has one more story full of potential and would like to see, in a brief future, a correlation between the story of THE EMPEROR'S SOUL and that of Elantris, since they occur in the same world.
(Translation from the Portuguese, courtesy of Google)
On HIPINION, there is an entire thread devoted to Carmen Maria Machado's short story "The Husband Stitch," which appears in Peter S. Beagle and Jacob Weisman's THE NEW VOICES OF FANTASY.
by Catullus » Sat Jan 27, 2018 4:50 pm
I'm going to put a general warning that there are some uncomfortable scenes and moments in this, and that it has sexual imagery etc.
https://granta.com/the-husband-stitch/
I've never read it before and I am still not over it. I love it and yet it made me feel wildly uncomfortable and yet its familiar at the same time.
Somehow it captures something about being a woman that I don't know that I've seen before. It's very cis-focused, and white, though there's something to it that serves as a critique of that.
I somehow like that I know the ending of the story and yet it still comes as a cruel surprise in a way.
I'd love to hear people's takes.
by big zorb » Sat Jan 27, 2018 5:01 pm
oh whoa i remember this. it's a really fantastic story. the control in the writing i remember thinking was really remarkable–there are a million places where it would be easy to lose control of the narrative/tone/voice/themes but she doesn't. she holds it all together. excellent stuff.
I think it's just that the writing immediately feels slightly dangerous and yet familiar. I can tell what you mean by controlled. It's like no part of it is unnecessary and all of it advances to fold together nicely, which is kind of a rarity in writing.
The pay off is both heartbreaking and also you get this sense of righteous anger that makes you want to share it, so naturally that makes it something I love because ya'll know I love being angry for righteous reasons heh
At the Polish site LUBIMYCZYTAĆ.PL, Lavie Tidhar's John W. Campbell Award winner CENTRAL STATION is nominated for the best science fiction book of the year.
For more info about NIGHTMARES: A NEW DECADE OF MODERN HORROR, visit the Tachyon page.
For more on THE EMPEROR'S SOUL, visit the Tachyon page.
Cover art by Alexander Nanitchkov
For more info about THE NEW VOICES OF FANTASY, visit the Tachyon page.
Cover art by Camille André
For more info about CENTRAL STATION, visit the Tachyon page.
Cover by Sarah Anne Langton
Happy birthday to the award-winning, superstar editor Ellen Datlow
Alec Checkerfield Uncategorized	Ann Monn, birthday, darkness: two decades of modern horror, dave mckean, elizabeth story, Ellen Datlow, hauntings, horror, john coulthart, josh beatman, lovecraft's monsters, mad hatters and march hares, nightmares: a new decade of modern horror, nihil, reiko murakami, the cutting room: dark reflections of the silver screen, the monstrous, valentina brostean
of genre fiction's most acclaimed editors, Ellen
Datlow first
rose to prominence as the fiction editor of Omni, where she helped
usher in the cyberpunk movement and published works by William
Gibson, Bruce Sterling, Connie Willis, Nancy Kress, Gregory Benford,
Michael Bishop, Howard Waldrop, and many others. Following the
magazine's demise in 1989, Datlow assumed the same role for the
After that site's closing, she moved in 2000 with a similar role to
Fiction,
the freshly created online venue from the Sci Fi Channel (now Syfy).
She stayed there until the site's shuttering in 2005.
with The First Omni Book of Science Fiction
(1984), Datlow has edited over 75 anthologies including 12
collections of Omni fiction, 21 annual volumes of The Year's
Best Fantasy (1988-89; then as …& Horror 1999-2008; Vols. 1-16 with
Terri Windling and 17-21 with Gavin J. Grant and Kelly Link), and
beginning in 2009, nine annual volumes of The Best Horror of The Year. Her first non-OMNI related anthology Blood Is Not
Enough (1988) began Datlow's long association with horror,
which eventually led to Publisher's Weekly referring to her
as "horror anthologist extraordinaire."
Art by Dave McKean
Year's Best Fantasy: First Annual Collection (1989) garnered
Datlow her first of 10 World Fantasy Awards. The other nine came from
The Year's Best Fantasy Second (1990) and Fourth
(1992) Annual Collections, Little Deaths (1995), editor
(Special Award, Professional 1995), Silver Birch, Blood Moon
(2000), The Green Man: Tales from the
Mythic Forest (2003), Salon Fantastique: Fifteen Original
Tales of Fantasy (2007), Inferno: New Tales of
Terror and the Supernatural (2008),
and Life Achievement (2014). She has also won five Stoker (The
Year's Best Fantasy & Horror: Thirteenth [2000] and
Seventeenth [2004] Annual Collections, Haunted
Legends [2010], Lifetime Achievement [2010], Fearful
Symmetries [2014]), seven Hugo (Best Professional Editor [2002],
Sci Fiction [2005], Best Editor Short Form [2009, 2010, 2014,
2016, 2017]), four British Fantasy Awards (Karl Edward Wagner Award
[2007], The Year's Best Fantasy & Horror: Nineteenth Annual
Collection [2007], The Doll Collection [2016], and Tor.Com
[2017]), and three Shirley Jackson (Inferno: New Tales of
Terror And the Supernatural [2008] , Poe
[2010], and Fearful Symmetries [2015]) awards.
notable books include Alien
(1990), Snow
White, Blood Red
(1993 w Terri Windling), Vanishing
(2000), Lovecraft
Unbound: Twenty Stories
(2009), DARKNESS: TWO DECADES OF MODERN HORROR (2010), Naked
City: Tales of
(2011), Blood
(2011), After:
Nineteen Stories of
Apocalypse and
(2012 w Terri Windling), HAUNTINGS (2013), LOVECRAFT'S MONSTERS (2014), THE CUTTING ROOM: DARK REFLECTIONS OF THE SILVER SCREEN (2014), THE MONSTROUS (2015), Children
(2016), NIGHTMARES: A NEW DECADE OF MODERN HORROR (2016), and Mad Hatters and March Hares (2017).
All of us at Tachyon, wish the extraordinary Ellen a happy birthday. We look forward to whatever is next.
For more info about DARKNESS: TWO DECADES OF MODERN HORROR, visit the Tachyon page.
For more info about HAUNTINGS, visit the Tachyon page.
Cover art "Voice of Shades" © 2010 by Valentina Brostean
For more info about LOVECRAFT'S MONSTERS, visit the Tachyon page.
For more info about THE CUTTING ROOM: DARK REFLECTIONS OF THE SILVER SCREEN, visit the Tachyon page.
For more info about THE MONSTROUS, visit the Tachyon page.
Tachyon Halloween tidbits featuring Ellen Datlow
Alec Checkerfield Uncategorized	Ann Monn, annie neugebauer, bookhub, children of lovecraft, city south magazine, darkness, darkness: two decades of modern horror, elizabeth story, Ellen Datlow, gabo kiadó, ginger gomes, hungary, jake markey, john coulthart, kristina wright, lisa morton, Lit Reactor, lovecraft unbound, lovecraft's monsters, necronomicon providence, nightmares, nightmares: a new decade of modern horror, nihil, this is horror
Jake Markey for THIS IS HORROR reports on his experience at NecronomiCon 2017.
During the Guests of Honor panel at NecronomiCon Providence this year, moderator s.j. bagley asked each of the guests to define Weird Fiction. There were intelligent, elegant responses (all of which have slipped right out of Ol' Uncle Jake's brain because he was so enchanted by the Guests to actually take notes, haha) but the summation of it seemed to be that while horror fiction contracts the world of the reader, weird fiction expands it. It takes the feeling of things are not what they seem and alters it into something closer to things are not what they seem but we've got to live with it anyway. The goal is destabilization, to knock the reader off their feet a little, to throw a Dutch angle into their life and show them something that will make them rethink the world as they know it. Weird fiction unnerves. It alters. It twists. Survival's not even the primary goal in a lot of Weird stories. It's acceptance.
Of course, the best part about defining the Weird is if you ask twenty different people you get twenty different answers, so let's all just agree that it's a thing and if you're anything like me, you love it.
I had the pleasure this year to meet each of the Guests of Honor. I rode elevators with Stephen Graham Jones and Ellen Datlow, sat beside Peter Straub, chatted with Nnedi Okorafor, had drinks with Kij Johnson, and besides their influence on the past, present, and future of Weird Fiction, the one thing they all have in common is that they're all incredibly nice and generous with their time. I'm hoping there might be a story or two here you haven't read before, and that it might lead you to pick up more fiction by the Guests, or to get more Weird Fiction in general.
Instead of single stories this month, I'm going to recommend three excellent anthologies by another of NecronomiCon Providence's esteemed Guests of Honor: Ellen Datlow. All three of these Lovecraftian anthologies are filled with tremendous stories by a variety of tremendous writers, and all are worth your time. If you want an education in modern weird and horror authors, get these three collections and read them front to back. Your mind will be properly blown.
For CITY SOUTH MAGAZINE, Ginger Gomes suggests great and horrible October reads.
NIGHTMARES: A NEW DECADE OF MODERN HORROR edited by Ellen Datlow, 2016
As 24 of the best horror stories from 2005-15, these tales represent the breadth of horror from psychologically chilling to all-out terrifying. A great representation of what readers can expect from horror today.
Gabo Kiadó announces their plans for the Hungarian edition of DARKNESS: TWO DECADES OF MODERN HORROR.
We publish the horror anology written by Ellen Datlow, DARKNESS, with twenty-one years of horror film production. Datlow is one of the oldest people in the industry, working for more than thirty-five years as a science fiction, fantasy and horror novelist, has produced more than a hundred anthologies, and in 2014 he was awarded the World Fantasy Lifetime Achievement Award.
We are still working on this publication so we will be able to contact you later on (the above cover is just an illustration, we make your own). For the time being we only include the authors' names: Clive Barker, Edward Bryant, Thomas Ligotti, George RR Martin, Peter Straub, Dan Simmons, Pat Kelly Link, Gene Wolfe, Steve, David J. Schow, Joey Carol Oates, Neil Gaiman, Kelly Link, Gene Wolfe, Steve Marshall Smith, Dennis Etchison, David J. Schow, Rasnic Tem, Ramsey Campbell, Terry Dowling, Glen Hirshberg and Joe Hill.
Translation from Hungarian courtesy of Google
Both LIT REACTOR and BOOKBUB recommend Datlow's latest anthology HAUNTED NIGHTS (co-edited with Lisa Morton).
Annie Neugebauer at LIT REACTOR:
Compiled by multi-award-winning editor Ellen Datlow and leading Halloween expert Lisa Morton, with the backing of the Horror Writers Association and published by Blumhouse Books, this anthology looks set to be a juggernaut in the field of seasonal horror. Out this year, HAUNTED NIGHTS includes sixteen all-original stories from genre favorites like Stephen Graham Jones, Jonathan Maberry, and Kate Jonez. Additionally, it's the only collection on this list that specifically includes related holidays like Dia de los Muertos, All Souls' Day, and Devil's Night
Kristina Wright at BOOKBUB:
Sixteen never-before-published chilling tales that explore every aspect of our darkest holiday, Halloween, co-edited by Ellen Datlow, one of the most successful and respected genre editors, and Lisa Morton, a leading authority on Halloween.
In addition to stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, HAUNTED NIGHTS also offers terrifying and mind-bending explorations of related holidays like All Souls' Day, Dia de los Muertos, and Devil's Night.
Meet legendary editor Ellen Datlow at Conflux 13
Alec Checkerfield Uncategorized	australia, canberra, conflux 13, elizabeth story, Ellen Datlow, event, nightmares: a new decade of modern horror, nihil, reiko murakami, the monstrous
Ellen Datlow, editor of NIGHTMARES: A NEW DECADE OF MODERN HORROR, THE MONSTROUS, THE CUTTING ROOM: DARK REFLECTIONS OF THE SILVER SCREEN, LOVECRAFT'S MONSTERS, HAUNTINGS, and DARKNESS: TWO DECADES OF MODERN HORROR, is the International Guest of Honour for Conflux 13, September 29-Oct 2.
International Guest of Honour: Ellen Datlow
Guest of Honour: Angela Slatter
MC: Kaaron Warren
Music Guest: Meri Amber
Datlow is scheduled for several panels and events at the con. The final program will be available in the con magazine.
Ellen Datlow, Julie Dillon, Ursula Vernon, and Amal El-Mohtar win Hugo Awards
Alec Checkerfield Uncategorized	amal el-mohtar, camille andre, elizabeth story, Ellen Datlow, Hugo Award, julie dillon, nightmares, nightmares: a new decade of modern horror, nihil, reiko murakami, the monstrous, the new voices of fantasy, the very best of kate elliott, ursula vernon
The 2017 Hugo base was designed by Finnish artist Eeva Jokinen. Photo by Michael Lee
At the The 75th World Science Fiction Convention ceremony, Ellen Datlow garnered her incredible 8th Hugo Award. Other Tachyon contributors so honored included Julie Dillon (cover artist, THE VERY BEST OF KATE ELLIOTT), Ursula Vernon, and Amal El-Mohtar (both in THE NEW VOICES OF FANTASY).
Congrats to all the winners.
BEST NOVEL
THE OBELISK GATE, by
N. K. Jemisin (Orbit Books)
EVERY HEART A
DOORWAY, by Seanan McGuire (Tor.com publishing)
BEST NOVELETTE
"The Tomato
Thief", by Ursula Vernon (APEX MAGAZINE, January 2016)
"Seasons of
Glass and Iron", by Amal El-Mohtar (THE STARLIT WOOD: NEW FAIRY
TALES, Saga Press)
BEST RELATED WORK
WORDS ARE MY MATTER:
WRITINGS ABOUT LIFE AND BOOKS, 2000-2016, by Ursula K. Le Guin (Small
Beer)
BEST GRAPHIC
MONSTRESS, VOLUME 1:
AWAKENING, written by Marjorie Liu, illustrated by Sana Takeda
(Image)
BEST DRAMATIC
PRESENTATION, LONG FORM
ARRIVAL, screenplay
by Eric Heisserer based on a short story by Ted Chiang, directed by
Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava
Bear Films)
PRESENTATION, SHORT FORM
THE EXPANSE:
"Leviathan Wakes", written by Mark Fergus and Hawk Ostby,
directed by Terry McDonough (SyFy)
BEST EDITOR,
Ellen Datlow
BEST EDITOR, LONG
Liz Gorinsky
BEST PROFESSIONAL
Julie Dillon
BEST SEMIPROZINE
UNCANNY MAGAZINE,
edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota,
Julia Rios, and podcast produced by Erika Ensign & Steven
Schapansky
BEST FANZINE
LADY BUSINESS,
edited by Clare, Ira, Jodie, KJ, Renay, and Susan
BEST FANCAST
TEA AND JEOPARDY,
presented by Emma Newman with Peter Newman
BEST FAN WRITER
Abigail Nussbaum
BEST FAN ARTIST
Elizabeth Leggett
BEST SERIES
(Special Category
added by option of Worldcon 75)
THE VORKOSIGAN SAGA,
by Lois McMaster Bujold (Baen)
THE JOHN W.
CAMPBELL AWARD FOR BEST NEW WRITER (Not a Hugo Award, but
administered along with the Hugo Awards)
For more information on THE VERY BEST OF KATE ELLIOTT, visit the Tachyon page.
Cover art by Julie Dillon
Meet legendary editor Ellen Datlow at NecronomiCon Providence
Alec Checkerfield Uncategorized	Ann Monn, darkness, darkness: two decades of modern horror, elizabeth story, Ellen Datlow, hauntings, john beatman, john coulthart, lovecraft's monsters, necronomicon providence, nightmares, nightmares: a new decade of modern horror, nihil, reiko murakami, the cutting room, the cutting room: dark reflections of the silver screen, the monstrous, valentina brostean
Ellen Datlow, editor of NIGHTMARES: A NEW DECADE OF MODERN HORROR, THE MONSTROUS, THE CUTTING ROOM: DARK REFLECTIONS OF THE SILVER SCREEN, LOVECRAFT'S MONSTERS, HAUNTINGS, and DARKNESS: TWO DECADES OF MODERN HORROR, is a Guest of Honor for NecronomiCon Providence, August 17-20.
Guests of Honor
Richard Stanley
John Jude Palencar
Donald Sidney-Fryer
Steve Mariconda
Kij Johnson
Datlow is scheduled for several panels and events at the con.
3:00-4:15pm EDITING HORROR
They are one of the most prolific parts of the horror genre: anthologies. But, how does one go about creating one? What are the challenges and difficulties in assembling material and giving an anthology its own unique character? Join a panel of award winning editors as they discuss how they create an anthology of sublime weird.
Panelists: Ellen Datlow, Mike Davis, Michael Kelly, Leslie Klinger, Peter Straub, Douglas E. Winter
10:30-11:45am SOUTHERN GOTHIC HORROR: Yesterday and Today –
From Faulkner and McCarthy to today's luminaries like Stephen Graham Jones and Kristi Demeester, the Southern Gothic has cast a long shadow over Horror and Weird fiction. Come and explore the influence and persistence of the Southern Gothic on Weird and Horror fiction.
Panelists: Ellen Datlow, Jeff Shanks, Steve Rasnic Tem, Michael Wehunt
4:30-5:45pm THE FUTURE OF WEIRD FICTION and NECRONOMICON-PVD
Join our panel of experts as they discuss the most vital Weird Fiction of today and the direction they see it moving towards in the future. The panel concludes with some thoughts on this year's convention and future plans…
Panelists: s.j. bagley (moderator), Sam Cowan, Ellen Datlow, Ruthanna Emrys, Michael Kelly, and… Niels Hobbs (if he's still alive)
Ellen Datlow's NIGHTMARES is a fine collection with outstanding stories to really make your skin crawl
Alec Checkerfield Uncategorized	elizabeth story, Ellen Datlow, h. p. lovecraft, iron jean-paul, john coulthart, looking for a good book, lovecraft's monsters, mythos, nightmares, nightmares: a new decade of modern horror, nihil, review, the reading desk
Ellen Datlow's acclaimed anthologies NIGHTMARES: A NEW DECADE OF MODERN HORROR and LOVECRAFT'S MONSTERS continue to garner acclaim.
LOOKING FOR A GOOD BOOK praises NIGHTMARES.
Ellen Datlow often puts together a fantastic anthology and so when I saw her, NIGHTMARES: A NEW DECADE OF MODERN HORROR, I thought that this might be a great way to catch up on some of the 'newer' writers. And I'm glad I took the plunge.
NIGHTMARES offers up some of the best horror short fiction I've read in a while.
This was a nice collection that showed me that the new wave of horror is generally in good hands and that there are some very good writers to keep an eye on.
Looking for a good book? NIGHTMARES: A NEW DECADE OF MODERN HORROR, edited by Ellen Datlow, is a fine collection of modern horror with a few outstanding stories to really make your skin crawl.
THE READING DESK enjoys the anthology.
Horror is a category I usually avoided, because I never enjoyed it. However, I chanced upon Josh Malerman's BIRD BOX a few years ago, and found that I really enjoyed it. I've been taking a chance with reading horror since then, and I most recently enjoyed reading NIGHTMARES: A NEW DECADE OF MODERN HORROR edited by Ellen Datlow.
What ties a lot of these stories together is the horrifying realization that there is much more to fear in the here and now; that the real monsters walk amongst us. In touching upon these very real horrors that we read about in the newspaper everyday and then magnifying them, NIGHTMARES succeeds in being a true representation of what scares us in today's world.
IRON JEAN-PAUL recommends LOVECRAFT'S MONSTERS.
Recently I shared with an old friend my struggle finding Lovecraft-inspired material not written by the author himself. For every "Worms of the Earth" by Robert E. Howard there are a myriad of lesser attempts at aping H.P. Lovecraft's unique vision.
Given the wealth of Cthulhu mythos "fan-fic" available, the challenge is not in finding content, but rather in discovering stories that entertain without proving too derivative. A few days after this conversation, I returned to a Lovecraft anthology I had purchased many months earlier that had been repeatedly relegated to my "to be read" pile after only two of the stories had been read. Fortunately, this proved to be a mistake on my part. With a long car/train ride ahead of me, I once again picked up LOVECRAFT'S MONSTERS and after enjoying the next two stories I turned to and was heartened by what I read.
The secret of quality Lovecraft inspired stories, to my personal tastes at any rate, is demonstrated by the majority of stories in this collection, edited by Hugo and Bram Stoker Award-winning editor Ellen Datlow. The challenge met by many of the pieces selected by Datlow is transferring elements of Lovecraft's work, such as mood and subtle characterization, into a setting or circumstance that, while clearly influenced by the source, extends those ideas into a new direction including culture, setting and time period. The organization of the text as a whole, including the front (Foreword by Stefan Dziemianowicz) and back matter ("Monster Index"), contributes to a high quality presentation of the stories, even if a few fall flat for this reader.
Each story is preceded by a single panel image that foreshadows a key event in the story to follow. While not always the case, many of the images are of the monsters encountered in the story to follow. When this is not the case, the aforementioned "Monster Index" by Rachel Fagundes fills in the gaps by including both narrative and visual sketches of key Lovecraftian monsters that appear throughout. A handy cross-referencing of monsters with the stories in the anthology allows for the reader to choose those stories that feature favorites first. As an effective collection probably should, Lovecraft's Monsters is both a fine collection of ancillary stories by writers others than Lovecraft as well as a good introduction to the world of the author. When a recognizable monster, such as The King in Yellow or Azathoth, included in the back of the collections.
Whether a Lovecraft enthusiast or seeking an introduction to his rich world of dark magic and monsters, LOVECRAFT'S MONSTERS, edited by Ellen Datlow and published Tachyon is an beach read… especially at dusk.
Cover and illustration by John Coulthart
Tachyon tidbits featuring Patricia A. McKillip, Ellen Datlow, Nalo Hopkinson, and Lauren Beukes
Alec Checkerfield Uncategorized	andrew wheeler, chuma hill, electric lit, elizabeth story, Ellen Datlow, falling in love with hominids, finland, lauren beukes, nalo hopkinson, nightmares, nightmares: a new decade of modern horror, nihil, old habits, patricia a mckillip, review, tähtivaeltaja award, the antick musings of g.b.h. hornswoggler, the forgotten beasts of yeld, the writer web, Thomas Canty, tobias carrol, zoo city
Patricia A, McKillip (Stephen Gold/Wikimedia Commons), Ellen Datlow, Nalo Hopkinson (David Findlay), and Lauren Beukes
For THE ANTICK MUSINGS OF G. B. H. HORNSWOGGLER, GENT., Andrew Wheeler praises Patricia A. McKillip's World Fantasy Award-winning novel THE FORGOTTEN BEASTS OF ELD.
THE FORGOTTEN BEASTS OF ELD is a remarkable novel to come from such a young person: wise and deep and lucid and crisp, telling a story that contains very large things in a short space, presenting difficult decisions and hard choices without telling the reader how to feel about them. It was the first major fantasy novel in a career full of them, and it reminds me, once again, that I need to read McKillip's books more often.
THE WRITE WEB enjoys Ellen Datlow's NIGHTMARES: A NEW DECADE OF MODERN HORROR.
This collection of short stories can be classified as "weird" with horrific spices added into the pot.
It was just that good; and unfortunately (or fortunately), some stories give you pause. Make you cringe. Make you think.
Make you not want to sleep.
I've experienced that while reading this book.
Many more stories are diabolical, dreamlike, downright nightmarish and I loved the collection.
Definitely worth the read.
If you're not scared.
Tobias Carroll at ELECTRIC LIT includes Nalo Hopkinson's "Old Habits" (in the collection FALLING IN LOVE WITH HOMINIDS) in 10 Sci-Fi Visions of the Afterlife.
The characters in Nalo Hopkinson's "Old Habits" all reside in a strange state of life after death: their souls dwell in that most purgatory-like of modern spaces: the shopping mall. The result is a tale that's both absurdist and tragic, turning familiar sights and spaces into something unsettling, and showing how the mundane can shift into the uncanny depending on the context.
On her own blog, Lauren Beukes reports a new award for her novel ZOO CITY.
Thank you, Finland! Zoo City won the Tähtivaeltaja Award as the best SFF book published in Finland in 2016!
Previous winners include Margaret Atwood, Peter Watts, Gene Wolfe and Hannu Rajaniemi.
For more info about THE FORGOTTEN BEASTS OF ELD, visit the Tachyon page.
Cover by Thomas Canty
For more information on FALLING IN LOVE WITH HOMINIDS, visit the Tachyon page.
Cover art by Chuma Hill
Ellen Datlow's anthologies feature great stories
Alec Checkerfield Uncategorized	anthology, dan smyth, Elitist Book Reviews, elizabeth story, Ellen Datlow, haiku, horror, john coulthart, josh schlossberg, josh's worst nightmare, nightmares, nightmares: a new decade of modern horror, nihil, reiko murakami, review, sci-fi & scary, the monstrous
At ELITIST BOOK REVIEWS, Dan Smyth likes Ellen Datlow's THE MONSTROUS.
There is a certain way that little old ladies look at you when they find you reading books with covers like this one. There were several times while reading the book, however, that not only did I catch some of those little-old-lady glances, but I caught myself looking at the book itself with what I imagine to be a very similar facial expression to those ladies. It's been a while since I've come across quite so many great stories as those that have been contained in these horror anthologies compiled by Ellen Datlow. The best part is that I have one more of these beauties sitting on my shelf, waiting for me to sink my claws into it. And after this one, I can't wait to do just that.
THE MONSTROUS is the second in a string of horror anthologies recently put together by Ellen Datlow through Tor and Tachyon Publications. They revolve around the idea of "monstrous" things, in all shapes, flavors, and sizes, and how the "regular" humans react. Herein were absolutely some of the creepiest horror shorts that I've ever read, and judging from the author list, this shouldn't surprise any of you that are familiar with the genre. The writing varied some, as is wont to happen in these books, from decent to REALLY good, with the majority tending toward awesome.
Lovers of horror will love this anthology. A great one to bury you teeth in.
SCI-FI & SCARY praises NIGHTMARES: A NEW DECADE OF MODERN HORROR.
Generally Ellen Datlow's anthologies are themed. This one is a follow up to her NIGHTMARES: A NEW DECADE OF MODERN HORROR anthology. They don't really have a 'theme' exactly. Just a general collection of horror stories. So! Let's get started.
First off, I love the cover. Even though I read the e-book this would be one I would want for the cover.
The stand-outs for me were Spectral Evidence by Gemma Files, Mr. Pigsny by Reggie Oliver and Ambitious People Like You by Richard Kadry. Spectral Evidence because I am a total sucker when it comes to document-type or epistolary type stories and books. And this was a good one. I loved Mr. Pigsny because it had an interesting demonic story and a creepy painting. Horror gold for me. Ambitious Boys Like You interested me because it starts with the often used 'robbing the mysterious old man' theme (which we all know does not end well for the would-be robbers, usually) and I was interested in seeing which way this one would go.
Josh Schlossberg on his JOSH'S WORST NIGHTMARE pens a haiku inspired by LOVECRAFT'S MONSTERS.
FROM THE BRINY DEEP
AND THE OUTER DIMENSIONS
THEY COME ONCE AGAIN
Office Kitten is getting a lot of attention lately
We did it! We made it to Friday! This weekend I've
.@rblemberg is Ready 2 Read!! #confusionmi
Are you at ConFusion this weekend? Say hi to Tachy
Hey, Jill! JILL!! It's #AppreciateADragonDay, so a
How about a #ThrowbackThursday? Back in time to di
About Tachyon
Founded in 1995, Tachyon Publications LLC is a publisher of smart science fiction, fantasy, and horror, as well as occasional mysteries, memoirs, young adult, and literary fiction. We champion the creative storytelling of authors who inspire us through intelligent prose and imaginative worlds. Our titles are consistently unique, thought-provoking, and entertaining; Tachyon books have received the Nebula, Hugo, World Fantasy, Sturgeon, Mythopoeic, Locus, Grand Prix de l'Imaginaire, Endeavor, Neukom, Sidewise, and Philip K. Dick awards.
© Tachyon Publications 2020
Tachyon Publications LLC
1459 18th Street, #139
tachyon@tachyonpublications.com


text:
O rachetă este un articol sportiv format dintr-un cadru cu mâner, cadru de care este prinsă o rețea de corzi întinse, folosită în unele sporturi, cum ar fi tenis, badminton sau squash, pentru lovirea mingii.

Rama de rachete pentru toate sporturile a fost în mod tradițional făcută din lemn masiv (mai târziu lemn laminat) și corzi de intestin de animal cunoscut sub numele de catgut. Dimensiunea tradițională a rachetei a fost limitată de forța și greutatea cadrului din lemn care trebuia să fie suficient de rezistent pentru a ține strungurile și suficient de rigid pentru a lovi mingea din miscare. Producătorii au început să adaugelemn laminat la constructia rachetei din lemn clasic pentru a îmbunătăți rigiditatea. Rachetele care nu erau din lemn au fost fabricate mai întâi din oțel, apoi din aluminiu și apoi compuse din fibră de carbon. Lemnul este încă folosit pentru rachetele de tenis, dar si alte sporturi adiacente. Cele mai multe rachete sunt acum fabricate din materiale compuse, inclusiv fibră de carbon sau fibră de sticlă, metale precum aliaje de titan sau ceramică. Catgut a fost înlocuit parțial cu materiale sintetice, incluzând nailon, poliamidă și alți polimeri. Racordajele rachetelor se trag atunci când este necesar, chiar si dupa fiecare meci la nivel profesionist. În ciuda numelui, "catgut" nu a fost niciodată făcut din nici o parte a unei pisici.

Echipament sportiv

redpajama_set_name: RedPajamaWikipedia


In Fort Myers, there is only one political science school where political science faculty can find employment. The graphs, statistics and analysis below outline the current state and the future direction of academia in political science in the city of Fort Myers, which encompasses political science training at the political science bachelors degree level.
As the employment for political science professionals in Fort Myers has decreased, overall employment in Fort Myers has increased.
The decline in the salary of political science professionals in Fort Myers is faster than the salary trend for all careers in the city.
Many of Fort Myers' political science professionals are graduates of the only accredited political science school in the city.
Fort Myers' political science school offers one political science degree and certificate program.
In 2010 approximately 26 students completed political science courses.
We are in the process of collecting data for the number of political science faculty, growth in the field of political science academia and political science faculty salaries in Fort Myers. If you are involved in teaching political science courses to students at the bachelors degree in political science level, please take a moment to anonymously submit your information to help us build a valuable database resource for the benefit of current and future faculty in the field of political science in Fort Myers. Once you have submitted your information an outline of the data we have collected up until now will be available for you to view.


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