We are a diligent, forward thinking, dynamic, property business who pride ourselves in excellence and quality of letting, buying, sales, redevelopment, refurbishment and maintenance of properties. We currently manage a unique portfolio of high spec properties to let, reaching the demand of the current property market and continues to grow.
We believe that our continuing success is because of our attention to detail, commitment to quality, excellence, professionalism, and our friendly attitude delivering a first class service straight from our hearts. We will go that "extra mile" for you!
The Prasads was birthed out of a desire to launch a property business with a unique portfolio of high spec properties to let, reaching the demand of our current property market. This letting portfolio is managed by The Prasads. The Prasads are keen to invest in acquisitions and has the ability to remodel, modernise and refurbish as appropriate creating high quality properties for resale or lettings. The Prasads sponsor and facilitate global charitable missions.
It is our vision and strategy to increase our property portfolio over the coming years through good management and progressive business development. All property acquisition, development and regeneration opportunities are explored and exploited as they become available. We aim through property development to improvement and raised the standard and quality of the local area impacting and benefitting the local community.
We offer maximum security to all our client in all areas.
The Prasads offers new studios and offices (size range: 200 - 600 sq ft.), ideal for new and growing businesses and is situated in a buzzing location, in Bell Green Trade City, which has a variety of shops, restaurants, McDonald, Sainsbury and next to Mercedes Benz newest south London dealership. The property is just a walk from Sydenham BR, which has direct links into Central London and a ten minute walk to Sydenham High Street.
A homely 3 bedroom detached cottage style house, with modern refurbished interior and extended rear conservatory, with a large private sunny tree lined garden, modern kitchen and bathroom. Recently re-wired and new central heating boiler installed. The complete house is computer networked to every room with a hub in a central cupboard it has diverse capabilities. Local access to all amenities and tramline direct to East Croydon. £1850.00/ per month.
A beautifully newly built five bedroom bungalow, minutes walk away from Croydon University Hospital.
A large kitchen diner with bifolding doors looking out into the large garden. Tiled main bathroom down stairs with bath, shower, heated towel rail, toilet and wash basin. Also a tiled upstairs shower room with heated towel rail, toilet, wash basin & Shaver socket. Two large carpeted bedrooms upstairs decorated in a calming light blue complete with their own individual sinks, sky lights and Juliet balconies overlooking the balcony and garden.
The hardwood oak flooring flows from the front door into the living room through an open archway. The living room is spacious with two frosted windows for natural light and privacy and a glass panelled oak door leading into the kitchen.
All rooms have internet access socket (Internet service line not provided by the landlord) , multiple double sockets on each wall, TV and FM aerials sockets, central heating and key locked windows and doors. The house is installed with an intruder alarm system and fire alarm system. In addition to the beautiful reinforced doors and windows there are CCTV cameras around the property for added security.
email: Info@theprasads.co for more Information.
With own entrance, Kitchenette, shower room and soundproofing to audio industry spec.
A beautifully built five bedroom bungalow.
A large kitchen diner with bifolding doors looking out into the large garden.
Tiled main bathroom down stairs with bath, shower, heated towel rail, toilet and wash basin.
Tiled upstairs shower room with heated towel rail, toilet, wash basin & shaver socket.
Two large carpeted bedrooms upstairs decorated in a calming light blue complete with their own individual sinks, sky lights and Juliet balconies overlooking the balcony and garden.
Downstairs has two spacious front bedrooms that are carpeted with large window alcoves lit with spotlights to create a subtle atmosphere. The back bedroom is a room with a view to the garden.
All rooms have Ethernet sockets for internet access, multiple double sockets on each wall,TV and FM sockets, central heating and key locked windows and doors.
The house is installed with an intruder alarm system and fire alarm system.
In addition to the security reinforced doors and windows there are 6 CCTV cameras around the property for added security.
A large tiled kitchen diner complete with ceramic hob and electric oven, with a glass panelled French door looking out into the large garden. Tiled shower room with a shower, toilet, wash basin, heated towel rail and shaver socket. Two carpeted rooms decorated in a calming light blue complete with their own individual sky lights to allow natural light in in addition to the LED spotlights. Fitted with a video intercom and intruder alarm system. All rooms have Ethernet sockets for internet access, multiple double sockets on each wall, TV and FM sockets, central heating and key locked windows and doors.
We seek opportunities for redevelopments and modernisations. Managing all projects from start to finish, buying, redesigning, obtaining architects drawing, apply for planning permissions, manage building control inspection liaison, carrying out redesign and rebuild works. We arrange all service relocations as necessary with electricity, gas and water companies. We provide and manage skilled workers; plumbers, electricians, network engineers, carpenters, bricklayers, plasterers, steel fabricators, carpet and flooring installers, painters/decorators, tilers, gardeners and builders.
We carry out all types of maintenance and repairs with our own skilled and reliable team of contractors, plumbers, electricians, network engineers, carpenters, bricklayers, plasterers, steel fabricators, carpet and flooring installers, painters/decorators, tilers and gardeners. We manage the efficient repairs of all maintenance needs from routine maintenance to fire alarm systems, heating and plumbing and electrical emergency.
Please do not hesitate to contact us to discuss your maintenance requirements.
Feel free to contact us and we will gladly assist you in any way possible.
All rights reserved. The Prasads. © 2015.


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Azure and IaC: Azure Bicep vs Hashicorp Terraform
English Introductory and overview DevOps
In this presentation, Jack Lee (Microsoft MVP) will talk about Azure and Infrastructure as Code (IaC). You will learn about Azure Bicep and Hashicorp Terraform -- the two most popular IaC tools for deploying resources in your Azure environment. We will compare Azure Bicep and Hashicorp Terraform and share some tips and tricks to help you make the most informed decision for your solution. This presentation is intended for cloud engineers, DevOps practitioners, software architects and developers. Please RSVP at https://www.meetup.com/NorthTorontoUG/events/283227572/
North Toronto Cloud & DevOps User Group
Microsoft MVP, Senior Azure Certified Consultant, Microsoft Azure Solutions Architect
Jack Lee is a Microsoft MVP and a Senior Azure Certified Consultant with a passion for software development, cloud, and DevOps innovations. He is an active Microsoft tech community contributor and has presented at various user groups and conferences, including the Global Azure Bootcamp at Microsoft Canada. Jack is an experienced mentor and judge at hackathons and is also the president of the North Toronto Cloud & DevOps User Group (NorthTorontoUG.com) which focuses on Azure, DevOps, and software development. Jack is the co-author of "Azure for Architects", "Azure Strategy and Implementation Guide", and "Cloud Analytics with Microsoft Azure". He has been recognized as a Microsoft MVP for his contributions to the tech community. You can follow Jack on Twitter @jlee_consulting and his user group @NorthTorontoUG.

redpajama_set_name: RedPajamaCommonCrawl


The Dementia Friends activity launches tonight (7 May) with a 60-second DLKWLowe created ad across 40 channels. It features celebrities singing the McCartney-penned The Beatles track 'With a Little Help From My Friends' with dementia sufferer Gina.
The campaign aims to get 1 million people to sign up to become a "Dementia Friend" via www.dementiafriends.org.uk and receive tips to help people with dementia. The site also details local sessions providing information on the condition.
A series of films will run online on social media, YouTube and on partner charity The Alzheimer's Society's site. The clips attempt to explain what goes on in the mind of dementia sufferers. Television and online activity will be supported by an outdoor campaign featuring dementia sufferers including Gina, who will explain her own experience of the disease.
Public Health England marketing director Sheila Mitchell says studies show that there is a lack of understanding of dementia, which leads sufferers and friends and family of sufferers to avoid tackling the subject. It is hoped becoming a 'dementia friend' will increase levels of understanding, she adds.
Mitchell describes the celebrity-filled campaign as "Live Aid for the 21st century" because of the volume of celebrities involved. Ray Winstone, Amanda Holden and Terry Pratchett also appear.
"This is a coming together of popular culture to say this is an important issue," she says.
'With a Little Help From My Friends' will be available for free via iTunes. PHE is in discussions with iTunes because chart rules prohibit free singles appearing in the top 40.
Elsewhere, partners including M&S, Easyjet and Starbucks will run training courses for staff to help them deal with customers with dementia better.
The campaign is the latest stage in meeting Prime Minister David Cameron's 2012 'challenge on dementia'. Initiatives aimed at delivering improvements in care and research have already launched.
Carling's return to the laddish humour it became know for in the 1990s in its advertising has helped reverse declining sales, according to industry data.
Brands including IBM, Google and Procter & Gamble are in talks with government to set up a new digital marketing apprenticeship, planned for launch by next January.


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Anthoxanthum pallidum är en gräsart som först beskrevs av Hand.-mazz., och fick sitt nu gällande namn av Nikolai Nikolaievich Tzvelev. Anthoxanthum pallidum ingår i släktet vårbroddssläktet, och familjen gräs. Inga underarter finns listade i Catalogue of Life.

Källor

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pallidum

redpajama_set_name: RedPajamaWikipedia


The Savox SA-1230SG Monster Torque Steel-Gear digital servo is the servo that is ideal for those requiring extra torque, but not using high voltage as..
The Savox SA-1231SG High Torque Steel-Gear digital servo is the servo that is ideal for those requiring extra torque, but not using high voltage as a ..
The SC1256TG servo is a great servo for those looking to replace a standard servo with one that has superior specifications.Features:Titanium gears e..
The SA-1258TG servo is a high torque servo and is perfect for those who are looking for a minimized backlash to use on flying surfaces of RC planes. ..
The strong unique steel gears and all aluminum case ensure long-life and durability. Features:Combines leading edge technology with super high 12..
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Features:- Leading edge digital servo technology- High efficiency Brushless motor- Accurate and fast response- Super high resolution- Aluminium case f..
Features:Metal gear train ensures durability under harsh situationsIdeal for 1/10 on road cars requiring a high speed servoSpecifications:Torque @ 4.8..
which is suitable for many applications . Features:Metal gear train ensures durability under harsh situations.Slightly taller case design.Ideal for a..
A great replacement for standard, plastic-geared servos with less torque.Features:Metal gear train ensures durability under harsh situations.Higher t..
A great replacement for standard, plastic-geared servos with less torque.Features:Metal gear train ensures durability under harsh situations.Hi..
The Savox SC-0352 is considered a 'standard' servo, but outperforms other standard servos with more torque and dual bearing support.Features:Dual ball..
Features:Metal gear train ensures durability and longevity.Great replacement for RTR servos and other 1/10 off road vehicles.Great Performance which i..
which combines leading edge technology with super high 12 bit (4096) resolution. Features:Metal gear train ensures durability under harsh situations..
which combines leading edge technology with super high 12 bit (4096) resolution. Ideal for 1/10 on-road cars where space is limited and speed is..
Features:Titanium gears ensure long life,durability, and lighter weight.Aluminum middle case to help with cooler operating temperatures.Great replacem..
With good speed and torque, this servo makes a great replacement for those looking to upgrade from a standard servo.Features:Super strong and pr..
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The Prayner Conservatoire (Prayner Konservatorium des Herrn Mag. Josef Schmid) for Music and Dramatic Art in Vienna is pleased to welcome you as an internationally renowned educational centre for music studies with long-standing tradition and historical significance.
The privately-run Prayner Conservatoire has equal status to state-led Austrian institutions ("Öffentlichkeitsrecht"), as authorised by the Austrian Ministry of Education, Science and Research.
The conservatoire offers well-grounded and practical Artistic Diploma courses which prepare our students for professional careers in Classical and Jazz music. In addition, the conservatoire offers Pedagogical Diploma courses for both Instrumental and Vocal Pedagogy.


We've analyzed 1312 reviews of Wagner paint sprayers and compared them side-by-side, scored according to a range of factors.
If you are a hobbyist or a professional painter, the chances are high that you might have already heard about Wagner paint sprayers a lot of time. Known for delivering high quality and durable paint sprayers, Wagner is a reputed brand in itself.
In this article, we will have a closer look at the Wagner paint sprayers and what makes this brand one of the best paint sprayers producing brands in the world.
Who Should Be Interested in Buying Wagner Paint Sprayers?
Wagner produces paint sprayers that are suitable for small and large projects, DIYers and professionals alike, and this is the reason why Wagner is a big name in the industry today.
Wagner has something for everyone. From providing a complete range of air paint sprayers to airless and HVLP paint sprayers and frontend kits, Wagner has an array of solutions for varied projects.
If you are looking to finish your job quickly, Wagner paint sprayers again take the credit. The Optimus dual tip of the sprayers helps in super-fast painting, up to 3 times faster than the conventional brushes.
Premium paint sprayers from the house of Wagner are capable of expelling 6 gallons of paint per hour, thus providing professional finishing.
What Makes Brand Products Different?
Wagner is a popular brand, all thanks to the quality it offers. Tungsten carbide tips provided by Wagner is one such exemplary example.
The brand provides the best results and yield by using linear motors instead of rotator motors.
Additionally, the spray guns from Wagner produce a fine mist of paint with settles down itself, thus producing a perfect finish.
However, there are certain areas which need improvement. For instance, the sprayers are a bit heavy on hand when compared to other sprayers of the same range. Additionally, it has also been noticed that, at times, the spray guns tend to overspray thus creating a mess in the surrounding areas.
Wagner was founded by Josef Wagner, a German electrical engineer, in 1953. The major aim behind the creation of Wagner was to create an amazing tool which would help the painters in painting easily and perfectly.
Today, Wagner has 70+ owned branches and 1700+ employees worldwide. The company is known to provide the best services and quality products.
It is important to mention here that Wagner is not just about painting sprays. Instead, the company is also known for painting and decorating business. They have a well-established research and development team which takes care of manufacturing, engineering, and distribution.
Wagner has developed itself into a worldwide enterprise and has 19 operating companies and around 50 international agencies!
Wagner provides warranty on all its paint sprayers. However, there is a trick here. You need to ensure that the guns made for indoor purposes are used for indoor purposes only. In an event, you used the gun for the outdoor purpose; your warranty will be void.
Wagner products are warranted against any defects that might arise due to poor workmanship or material within 1 year from the date of purchase. Wagner replaces or repairs the products as per the need.
However, the warranty will be void if any negligence is noticed from the user's ends.
Email the customer support of Wagner to request a return authorization number.
If your requests are valid and are in line with the terms and conditions of the company, an RA is provided to by the email along with the specific address you need to send the defected product too.
Next, you need to ship the concerned product to the address provided. It is necessary that you mention your contact information like name, address, phone number, and email id along with.
You need to ship the products at your own cost, and the shipping cost is non-refundable.
Up next, Wagner will inspect your product and would notify you via email confirming the receipt of the item. They will also notify you regarding the approval and rejection of refund.
If approved, the refund would be processed to the original mode of payment.
Wagner 0518050 paint sprayer is a right pick if you are on a budget and looking for some affordable yet reliable paint sprayers. This HVLP (high volume low pressure) is an easy to use a sprayer and works fine with a range of materials like sealers, urethanes, lacquers, and varnishes.
That said, this paint sprayer is a right choice for your DIY projects and home renovation tasks. Additionally, one of the best parts of this paint sprayer is its small and compact yet sturdy built which is easy on your hands. The sprayer has the capacity to expel 4.9 fl. Oz. /minute.
Are you looking for an all-rounder product which can be a perfect pick for your large projects while also providing the great finishing to small surfaces? Well, Wagner 0529021 is at your service!
The sprayer, like most others, is capable of producing vertical and horizontal patterns with utmost finishing, all thanks to its iSpray nozzle. Also, it is also equipped with a Detail Finish nozzle which helps you in providing an ultimate finish to those hard to reach and small spots!
What's more? You don't need to dilute your paint while using this sprayer. It works just flawlessly with regular paint. Additionally, the sprayer makes sure that your hands are not tired of holding it. And so, you can put the turbine on the ground and work comfortably.
Looking for a super-fast paint sprayer? Look no further than Wagner 0525027! It is capable of finishing projects 3 times faster than normal paint sprayers.
One of the best parts of this sprayer is its EZ tilt suction tube which draws in the paint, no matter, which angle you hold the sprayer at. Additionally, the sprayer is equipped with an Optimus dual tip which provides better coverage, great finish and creates a lesser mess.
Further, you won't need to refill your sprayer, all thanks to its suction capacity. The sprayer is superior to a range of nozzles and tips. The dual tip works by creating a low pressure between the two spray jets and thus draws more paint. Thus, as a result, the sprayer provides a uniform and even coverage in a single go!
Wagner 0520000 paint sprayer is a powerful paint sprayer that uses an air turbine to fill the paint into the spray gun. Instead of using a compressor, the turbine is installed on the back side of the sprayer and helps in expelling the paint out. This turbine helps in generating enough air flow to provide professional texture on the walls and other hard surfaces.
What's more? This sprayer from the house of Wagner rules out any need for adapters. It features a two-position hopper which can be configured as per the needs.
Additionally, the sprayer is easy to clean, all thanks to its Lock-N-Go technology. The sprayer is capable of producing professional looking textures like Orange feel finishes, knockdown and acoustical popcorn.
No matter if you are a professional painter or a DIY enthusiast, this paint sprayer kit from the house of Wagner is a must-have! Developed using the best innovative techniques and built using the best quality materials, this Wagner paint sprayer is developed to end all your woes related to painting.
The kit comes equipped with an iSpray nozzle and a container and is capable of spraying unthinned paints on the go. This means that you no more need to dilute the paint before using.
You can switch between the 4 patterns that the sprayer provides – horizontal, narrow, vertical and wide. The kit can be used with most HVLP Wagner sprayers like Flexio, READY sprayer and the like.
We hope this article would have helped you in understanding the Wagner products closely. Are you an existing Wagner user? Which is your favorite product? Do let us know in the comments below.
My paint sprayer started just spraying a single line of paint like a water gun, then lost all power. I tested it in different sockets and still no power.


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Some "choice" is no choice at all
The Conservative Party would like you to believe that their proposal to
relax the laws prohibiting the opening of new grammar schools is about equality of opportunity and about choice. Where is the choice for the parents of the child who fails the 11 Plus examination? Have you ever heard of a family opting for a Secondary Modern School and a Secondary Modern education?
The equality of opportunity argument is just as illusory. All the educational research shows that those from more disadvantaged backgrounds make up a small percentage of the overall intake of the existing grammar schools. To pretend that all children start off with an equal chance of gaining a grammar school place is therefore a fallacy. When the children who are deemed more academically able at the age of 11 are skimmed off, what impact does that have on the confidence and self-esteem and the education of the children who are literally and metaphorically left behind? Is the testimony of generations of people scarred by their failure to pass an exam at the age of 11, not sufficiently strong enough evidence for us to see this as a retrograde step?
How would this policy promote social cohesion? Children would be taken out of their communities to be educated elsewhere, whilst their peers are left to attend schools which have the potential to very quickly become sink schools. Which type of school are the best teachers likely to opt fo r? In the quest to secure places at the local grammar school, which parents are more likely to be able to afford the extra tuition and the crammer sessions - so much for equality of opportunity. As our education system becomes increasingly commercialised with the advent of multi-academy trusts, which model is likely to attract investment?
By 2019 Nottinghamshire schools are set to see an eye-watering reduction of £39 million pounds. Education funding through the Conservatives is being diverted into its pet Free School project, with the Department for Education sanctioning spends on property at up to twice the market value - as reported by the Public Accounts Committee. (This at a time when public services continue to cut in the name of austerity). Some of these properties, as in the case of the former police station in Hackney, aren't even fit for purpose!
We must not allow our children's education to be sacrificed on the altar of Tory free-market ideology. It is simply too important for our children's futures and for ours.


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Sad Demise of Rajiv Ranjan Das
Ad Id : 454456 07-08-21 331 Views
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In Loving Memory of Rajiv Ranjan Das
January 26th, 1959 – July 6th, 2021
Rajiv Ranjan Das, of Okemos, MI passed on from this world unexpectedly at the age of 62 on July 6th, 2021. A loving husband, selfless father, and an unparalleled source of strength for his community, he will be missed dearly by his family, friends, and colleagues across the world.
Rajiv was born in Ranchi, India to Salil Ranjan Das and Nisha Sinha and attended Church Missionary Society School in Bhagalpur, India. He went on to graduate from Bhagalpur College of Engineering in Bihar with his BSE in Mechanical Engineering. He married the love of his life, Amita Das (née Sinha), on July 7th, 1987 and they welcomed their first son, Mohnish in 1988.
The young family immigrated from India to the United States, initially living in Orlando and Jacksonville, Florida before relocating to metro Detroit and settling in Okemos, Michigan where they welcomed their second son, Abhijit in 1996 and Rajiv received his MBA in Integrative Management from the Eli Broad Graduate College of Business at Michigan State University.
Rajiv worked as a Mechanical Engineer, Management Consultant, Director of Information Technology, where he eventually rose to the rank of Chief Information Security Officer / Deputy Director of State of Michigan. Most recently, he served as a Principal of the Cyber Security Management Consulting practice at Plante Moran.
His professional accomplishments include:
Chair of the Board of Trustees – Bharatiya Temple of Lansing, Adjunct Faculty – Oakland University School of Business Administration, Panel Judge, Speaker, and Instructor – Eli Broad Graduate College of Business, Member of the Governing Body – Detroit CISO & CISO Chicago Summit, and Founding Board Member – Cloud Security Alliance, Detroit.
He will be remembered for his love of classic automobiles, letter writing, literary works and films, lighthouses of the Great Lakes, and exploring the world with his family by his side. In his later years, Rajiv was an accomplished painter and poet who took pride in depicting his favorite landscapes such as Mount Rainier and Hindu deities with the stroke of a brush.
Preceded in death by his father, Salil Ranjan Das and is survived by his wife of 34 years Amita (Sinha), sons Mohnish Raj Das (Sahar Banisafar) and Abhijit Das, mother Nisha Rani, and brothers Jayant Ranjan Das and Sanjay Ranjan Das.
Visitation will be held on Thursday, July 8th from 5-8pm at Gorsline Runciman Funeral Home in East Lansing, MI.
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Allow him to warm your cold heart on this *very* special day of love.
Even those who consider Valentine's Day just a "normal day" can't deny the sweet love that goes around on February 14—and yes, that includes Barack Obama and Michelle Obama. The 56-year-old former president posted an adorable message to wife Michelle, 54, in honor of the holiday with the caption, "Happy Valentine's Day, @MichelleObama. You make every day and every place better."
The post comes just two days following the unveiling of the former president and first lady's official portraits at the Smithsonian's National Portrait Gallery in Washington, D.C.—an annual tradition and honor for former presidents. The Obama portrait unveiling was one of the most anticipated to-date—made possible by artists Kehinde Wiley (who painted Barack Obama's) and Amy Sherald (who painted Michelle Obama's).


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Join us at IKLECTIK for the launch of The Political Possibility of Sound: Fragments of Listening a publication by Salomé Voegelin. Seven artists, authors, theorists and practitioners will respond and engage each with one of the seven essays that form the book, expanding and challenging the writing beyond its pages into the imagination of the listener.
Nina Power teaches Philosophy at the University of Roehampton and is the author of many articles on politics, philosophy and culture.
Nisrine Mansour is a researcher and documentary filmmaker. Her work seeks to document the voices of people living at the political, social, and cultural margins in the Middle East.
Angus Carlyle pursues research that responds to inhabited environments through film, soundworks and textual practices, shifting between collaborative and solitary endeavours, the documentary and the poetic.
Thomas Gardner is a cellist, musician and sound artist. His current work considers the ways in which the post-war ruptures of art-music, as exemplified by the Darmstadt school, are met by an increasingly political understanding of sound art.
Aura Satz is an artist whose practice encompasses film, sound, performance and sculpture. She has performed, exhibited and screened her work nationally and internationally. She is Reader and Tutor at the RCA (Royal College of Art).
Mikhail Karikis creates work that embraces moving image, sound and other media to create immersive audio-visual installations that emerge from his long-standing interest in the voice as a material and a socio-political agent.
Kevin Logan is a cross-disciplinary artist/researcher/teacher based in London. His work foregrounds sonic practice using a speculative blending of writing, performance, moving-image, and installation.


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Home Biography Abby Martin
Abby Martin Biography
Updated On 14 Dec, 2017 Published On 14 Dec, 2017
In Relation
Facts of Abby Martin
September 6 , 1984
Relationship short Statistics of Abby Martin
What is Abby Martin marital status ? ( married,single, in relation or divorce):
How many children does Abby Martin have ? (name):
Is Abby Martin having any relationship affair ?:
Yes1 affair
Is Abby Martin Lesbian ?
1 Affair
American journalist, Abby Martin is currently working as a presenter of The Empire Files on teleSUR network. Martin also worked as a host in different programs in TV and radio. She hosts her own show called, Breaking the Set in RT America. Martin is currently in a relationship with her journalist boyfriend and yet to marry.
Abby Martin was born Abigail Suzanne Martin on 6th September 1984 in Oakland, California. Martin is American by nationality and is of White ethnicity. She grew up along with her sibling Robbie Martin.
She finished her schooling in 2002 at Amador Valley High School. Later, Martin earned a bachelor's degree in Political Science from the San Diego University.
Abby Martin developed her interest in journalism while in college when her then-boyfriend was enlisted in the military after the 11th September 2011 attack. In 2004, she got engaged in the John Kerry's presidential campaign and became the supporter of the 9/11 Truth movement.
In 2009, she established an organization Media Roots, a platform for the citizen journalism. During the Occupy Wall Street movement, Martin covered the Occupy Oakland in California as an independent journalist.
In 2012 she moved to Washington D.C. and joined RT America, a TV channel as a correspondent. From September 2012, Martin began to host her own show called, Breaking the Set where she mixed media critics with the investigative journalism.
In 2015, Martin launched a news program, The Empire Files produced by Michael Prysner, an activist. Telesur or teleSUR, a socialist and satellite TV network broadcasted her show.
Abby Martin is in a committed relationship with her boyfriend, Mike Prysner, also a journalist and a social activist like her. Martin made her relationship public via her social media by posting a cozy picture together.
Martin has interest in graphic arts and photography. She also enjoys painting about nature, psychedelia, and politics. As per Jeremy Koss, Martin is, "vibrant, artistic and outspoken."
In 2015, Martin got threats of rape and death from Chris Kyle fans after she posted a picture wearing a T-shirt that read, F**K Chris Kyle. After the threats, she tweeted saying,
''Getting pummeled with death and rape threats night for foe saying Fuck Chris Kyle.''
'' Time to put on our raping shoes & find this bitch.'' I hope ISIS cuts your clit off w/ a dull knife.
Martin has a bold attitude and is never afraid to speak her mind.
Abby Martin, 33, is currently working on her show, The Empire Files. She worked in RT American as a correspondent earning $47k-$63k annually.
Besides this, she also appeared as a director and actor in some of the documentaries and short movie like Project Censored The Movie: Ending the Reign of Junk Food News and 99%: The Occupy Wall Street Collaborative Film.
Martin's makes much from the books which she released in 2011 and 2015 named, Censored 2012: The Top 25 Censored Stories of 2010-11 and Emergency Hearts, Molotov Dreams: A Scott crow Reader.
Apart from this, she also has her own YouTube channel named, Empire Files which has more than 68k subscribers. Considering her sources, Abby Martin must have an estimated net worth of seven-digit number.
Abby Martin Affairs
First Affair with Mike Prysner
Since several years, Abby Martin is in a relationship with Mike Prysner. Martin announced the relationship with her journalist boyfriend in 2015 by posting a picture together.


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Back to Rumor Mill >
Magic! stays #1 at Pop radio and Tinashe does the same at Rhythm, while Big Data seizes the top of Modern Rock.
YOUR RADIO CHART PREVIEW
What to Expect at Three Key Mediabase Formats
It may be Friday, but it feels like Tuesday. Why? Because we know what next week's key Mediabase charts will look like. Let's travel slightly into the future, and then we'll enjoy a round of Romulan ale.
RCA's Magic! remains in the #1 slot with "Rude," followed by "Am I Wrong" by Warner Bros.' Nico & Vinz and "Stay With Me" by Capitol's Sam Smith. The rest of the Top 10 looks like the shuffling of deck chairs. This week's Greatest Gainer is definitely "Bang Bang," the smash collab track from Republic's Jessie J + Ariana Grande + Nicki Minaj, and it climbs all the way up to the Top 20. Republic also has two of the other big gainers inside the Top 20 with Ariana Grande f/Zedd's "Break Free" and Enrigue Iglesias f/Descemer Bueno, Sean Paul & Gente De Zona's "Bailando." Iggy Azalea f/Rita Ora's "Black Widow" (Grand Hustle/Def Jam) also has a strong week inside the Top 20. Big increases inside the Top 30 include Epic's Meghan Trainor with "All About That Bass" and Capitol's 5 Seconds of Summer with "Amnesia." Def Jam's Jeremih will debut on the chart this week "Dont Tell 'Em" f/YG.
RCA is red-hot right now. Team Nipper's got the #1 record, Tinashe f/ScHoolboy Q's "2 On," and the #2, Kid Ink f/Chris Brown's "Main Chick." Warner Bros.' Nico & Vinz are making a hard push for the top and will come in at #3 this week. Def Jam's Jeremih will once again be one of the Most Increased records, as it moves to #6. Def Jam also has Iggy Azalea f/Rita Ora's "Black Widow" leaping into the Top 20. Epic's TeeFlii also moves into the Top 20 with "24 Hours," and Lil Jon's "Bend Ova" will have an increase of over 300 spins. Look for "She Came to Give It to You" by RCA's Usher f/Nicki Minaj to debut this week.
The chat will have a new #1 on Monday as Big Data's "Dangerous" (Crush Music/Warner Bros.) surges to the top spot. Warner Bros. will have the top two records, as The Black Keys move back to #2 with "Fever." Republic's Weezer arrives in the Top 10 with "Back to the Shack." Meanwhile, Columbia's Hozier is up another 100x with his buzzing "Take Me to Church," which will rise to #16. Epic's KONGOS will make a nice move (#25-21) with "I'm Only Joking." Warner Bros. has another hot one with newcomer Priory's "Weekend," which makes an impressive #30-22 move. Bastille's new single, "Flaws" (Virgin) zooms #34-27. Meanwhile, Matador's Interpol will debut on the chart with "All the Rage Back Home."
BACK TO RUMOR MILL


In the past, Croatia was a favourite holiday destination of royalty on the Adriatic Sea, with Italy only a few hundred kilometres away. Until about 20 years ago, most people didn't really know where Croatia was. It was a lost place in Cold War Europe, part of "the eastern bloc", and that was roughly the extent of Western knowledge for nearly four generations. Not any more Croatia has become the must see destination in Western Mediterranean sea.
Croatia has become a true tourist destination. All you need to see this extraordinary place is a good instinct for the unique travel experience, some good travel insurance and an appreciation for one of Europe's lost worlds.
The brutal horrors of the break up of Yugoslavia in the 90s were the first sign of the re-emergence of Croatia. After this unspeakable experience, the Croats set to work to rebuild and modernize their country. The new travel boom is a good indication of how successfully they've achieved those goals.
It hasn't been easy, though. Croatia, like most of eastern Europe, was severely under-capitalized and also had to deal with the strange effects of Soviet-era infrastructure, which in most cases has been an expensive liability. The Croatians have been relentlessly getting rid of these dinosaurs and replacing them with modern facilities, but removing 50 years of old junk has been to put it mildly an acquired taste.
Getting Dubrovnik airport up to its modern capacity couldn't have been simple. It was a local/provincial airport in Yugoslavia, now it's a major portal for the whole region.
The Croatians have taken a very practical approach to their new status as a tourist destination. They've done the right thing, keeping the character of their country and not inflicting themselves with the lethally expensive cost bases of the very high maintenance resorts of the West.
When you come to Croatia these days, you see the country as the Croats are trying to make it, their homeland, constructed their way. That alone makes Croatia a must-see destination, and with any luck the rest of the region will follow the same approach.
To get around Croatia, Dubrovnik is the main starting point, and it's also the place from which it's easiest to reach the rest of the country. That's actually pretty handy, too, because although the distances aren't great, the travel arrangements may require some management, and you can get good local knowledge in Dubrovnik about the best ways to get where you want to go.
This country is a truly incredible place. With the Adriatic to the west and the mountains to the east, it's a land of major contrasts. The Adriatic islands, particularly the Dalmatian Archipelago to the south, are likely to become major tourist centres like the Greek and Spanish islands.
They're fabulous places, and the coastal trips are well worth the effort. Unlike the Mediterranean, the climate is more temperate and the sea isn't as crowded and grotesquely polluted as it is around the big Western Mediterranean centres. You can fish, swim and snorkel in peace.
The other good news for tourists is that Croatia is actually pretty cheap, particularly by European standards. If you've got some cheap travel insurance, you can cover all your travel costs and still have extra cash in your pocket to spend. Come to Croatia, and see for yourself.


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Q: Jquery remove '/' from  tag? I have:

and after:
avatar_img.attr({src: "/site_media/avatars/" + this.userid + ".jpg", title: this.username});

I get:

As you can see, slash "/" from end of tag has disappeard. How can I fix it? It seems to make some problem with render my site...
Doctype and others...
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">

    <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />

A: When viewing generated source, it doesn't necessarily follow the XHTML standards.  The way the browser reads the DOM at runtime is different than how you see it in the XHTML code.  How does this actually affect the rendering of your site?  It shouldn't make a difference.

A: Funny, I just had and solved this problem yesterday!
The issue is that even though you specify the XHTML doctype, the DOM (at least in FireFox) will only follow XHTML rules if the Content-Type header is set appropriately, like application/xhtml+xml. This includes manipulating the DOM with JavaScript, including jQuery. As an experiment, consider the following code:
var foo = $('

');
foo.html('');
console.debug(foo.html());

This code will have different results depending on what Content-Type is set. If the Content-Type is text/html, you'll get back , because with plain-ole HTML, that is correct. However, if the Content-Type is application/xhtml+xml, or any of the other acceptable MIME content types for XHTML, you should get back .
So, whatever server-side framework you're using, you'll need to add that header to the response. If it's a static file, you should be able to do it with a meta tag:
<meta http-equiv="Content-Type" content="application/xhtml+xml" />

You can check the headers for the page load using the NET tab in FireBug.
I had the additional issue with ASP.NET MVC where it wouldn't set content type, even though I was specifically setting it. The trick is that you need to set it after the call to view. So, this should work:
public void ActionResult Index()
{
   var result = this.View();
   this.Response.ContentType = "application/xhtml+xml";
   return result;
}

EDIT: I just saw your edit and you're setting the wrong Content-Type with your meta tag. See the rest of my answer for more details.

A: It depends on the browser as to what gets generated. Internet Explorer will mostly generate whatever it likes, often unclosed image tags in upper case. That's often how it will look if you inspect the DOM directly, even though it may render correctly.
Firefox is more likely to do what it's told. However, in both browsers if you have invalid XHTML somewhere in your page you may be throwing the rendering engine into Quirks Mode - in which case it will do its best to render the page in the way the old-style browsers would, in being able to deal with virtually any markup you give it and at least present something to the user. The side-effect is that your efforts at standards-compliant elegance may be ignored and rendering won't appear as you expect it.
So I'd look to the rest of the page first and make sure it's fully XHTML compliant, and then JQuery and the DOM should play along nicely.

redpajama_set_name: RedPajamaStackExchange


Most lenders require the loan applicant to be employed when seeking a loan. Lenders are reluctant to lend money to unemployed applicants. The reason is simple. Unemployed persons are considered as high risk to the lenders. They will reject the loan applications from unemployed persons or charge a very high interest on loan.
The trouble is the need for money is especially high when unemployed. For such individuals, installment loans offer the perfect solution to fulfill financial needs during the difficult times. Sums of about $5,000 are within reach of the loan applicants. However, there are certain conditions that must be considered when applying for installment loans.
Installment Loans: What are they?
Installment loans are especially designed for the benefit of unemployed individuals. However, it can be obtained by anyone that is need of instant cash. The amount is borrowed to fulfill expenses until the individual finds a stable source of income.
The duration of the loan can be as little as 30 days or as long as 30 years. The installment loans can be obtained against IRA, 401(k), home, and other personal assets. A problem with withdrawing amounts from certain saving accounts is that in some cases it incurs a penalty. In certain cases, the amount is also taxed by the tax collection agency. So, obtaining installment loan is the best option in such a situation.
The lender is protected because the loan is offered against savings or a personal property. Moreover, the borrower is also expected to find an new source of income that increases the likelihood that the loan amount will be paid on time.
The term installment loans is generally associated with consumer loans that is serviced locally and repaid over a specified period of time in installment. Mortgage, student, and car loans are some of the common examples of installment loans. These loans are generally considered safe and more 'affordable' as compared to credit card, payday and title loan.
However, a drawback with installment loans is that obtaining the loan involves a lot of paperwork and is a timely process.
What to Look For When Applying for Installment Loans?
You should carefully read the terms and conditions when applying for installment loans. The important factors that you must look for when applying for installment loans include fees and charges, duration of payment, and assets uses as collateral for the loan.
Note that longer duration loans have lower installment amounts. However, the net cost of the loan also increases with the increase in the loan duration. You can be able to secure lower rate on installment loans by improving your credit score or offering higher value collateral against the loan.
On a final note, installment loans are probably the cheapest, and in some cases the only option to obtain loans to fulfill financial requirements. The terms of conditions on installment loans are usually more lenient as compared to other types of loans such as payday and car title loans.


Moon phase on 8 April 2005 Friday is New Moon, 1 day young Moon is in Aries.
New Moon is the lunar phase on 8 April 2005, Friday . Surface of the Moon disc is not illuminated. The 1 day young Moon is in ♈ Aries.
Lunar disc is not visible from Earth. Moon and Sun apparent angular diameters are ∠1895" and ∠1916".
Next Full Moon is the Pink Moon of April 2005 after 15 days on 24 April 2005 at 10:06.
4 days after point of perigee on 4 April 2005 at 11:10 in ♒ Aquarius. The lunar orbit is getting wider, while the Moon is moving outward the Earth. It will keep this direction for the next 8 days, until it get to the point of next apogee on 16 April 2005 at 18:41 in ♋ Cancer.
Moon is 378 252 km (235 035 mi) away from Earth on this date. Moon moves farther next 8 days until apogee, when Earth-Moon distance will reach 404 304 km (251 223 mi).
12 days after its descending node on 27 March 2005 at 05:15 in ♎ Libra, the Moon is following the southern part of its orbit for the next day, until it will cross the ecliptic from South to North in ascending node on 9 April 2005 at 02:59 in ♈ Aries.
7 days after previous South standstill on 1 April 2005 at 10:19 in ♑ Capricorn, when Moon has reached southern declination of ∠-28.372°. Next 6 days the lunar orbit moves northward to face North declination of ∠28.381° in the next northern standstill on 14 April 2005 at 16:38 in ♊ Gemini.


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About Farfetch
F-Tech
From the first line of code to a platform
By Cipriano Sousa
Cipriano Sousa
FollowingFollow
At FARFETCH since the beginning. Over 20 years of experience in tech and e-commerce industries and at FARFETCH. Gucci admirer.
1 - From the first line of code to a platform2 - Inside FARFETCH's collaboration culture
I was the one who wrote the first line of code of Farfetch. I still remember when José Neves wrote me an email saying he had an idea and wanted to discuss it with me. We met the next day. I thought it was a rather ambitious idea when I heard it, perhaps even impossible, but I decided to be part of this challenge. I already knew José for many years, and we had worked together before, and he had an evident vision. He knew what he wanted.
In the beginning, we were a startup with ambitions and a few people. I knew the priority was to build a functional, pleasant to use solution, with the capacity to host different boutiques, each one of them with a distinct identity, different owner and employees. We always knew we needed a platform.
At first, the technology team had just one person in it - me! As time went by, I understood that these tools weren't enough. To follow our business requests, we needed to build a more complex platform, to support all the boutiques, items and visitors to be the worldwide business we were aiming to be, and it would demand profound changes to our architecture and technology.
We needed to grow. Our back-office became more elaborated, and we started hiring more people.
Our team got named around six years ago, after Farfetch and its technical side: F-Tech. We are a big group of Product and Technology teams combined. As we grew, we made sure we hired both Product and Technology experts who had deep knowledge of their fields. The luxury retail industry requires more attention to detail, fast solutions, and new products quickly.
Our Product side is more connected to our clients: design, user experience, meeting our customers' needs with our business needs. Our Product specialists know no limits to creativity, are analytical, and have a sharp eye for detail. Our Technical part is more related to building the structure of the machine that connects our clients to Farfetch, and vice-versa. It is our database, systems, release, architecture, agile, security, and so much more. Our team members analyse, develop, and investigate cutting-edge solutions, and have the full stack ambition, and the sustainability to create a new operating system that will reinvent fashion for customers, brands and boutiques.
When I look back, I am very proud of what Farfetch has achieved as a whole, and the F-Tech has played a significant part. We create the tools that connect Farfetch to customers and partners.
Today I want to make sure we have the right people, the right structure, and that we are becoming even more agile. My priority is our people.
We started as a small startup, and now we are a decade old, but I want to keep our startup environment. Therefore, we organised F-Tech in domains, and each domain has a particular mission towards Farfetch, Product and Technology wise. Domains contain clusters, and we split each cluster into teams. My goal is that each cluster works like a startup, which means that if a cluster wants to choose a specific programming language or tool, they are free to do it. This is because we want to have autonomous groups to keep being agile and fast because it guarantees we continue developing.
I also believe that having a startup spirit within Farfetch is the best way to maintain our values and culture, especially with new people joining us every month: team spirit, to never be satisfied with what you have already done, and to always keep in mind more and better can be done, be informal, be friendly, be agile, have better products in the market, and keep the mindset that there will always be new things and different things to do.
We started in a small office in Guimarães in Portugal, and now are have offices in several locations in the world, and our people don't stop to surprise me. We continue to look for ways to innovate, and I am excited with what the future holds for us, and the opportunities it will bring. We keep focused on doing what's never been done.
Farfetch People
Where do you buy your clothes?
By Eilidh Bremner
Eilidh Bremner
First job in a fashion company, have always aspired to own a Chanel handbag, but for now working from home in my stylish pyjamas.
1 - Where do you buy your clothes?
Fun and Meaningful Retrospectives
By Pedro Costa Pereira
Pedro Costa Pereira
When not programming, may be sculpting stone, fishing, or exploring nature with Camper boots.
1 - Fun and Meaningful Retrospectives
A Good Path Is a Weighted Path
By Luís Carvalho
Luís Carvalho
Helping build great software and loving it, while rocking Adidas Stan Smith.
1 - Architecture @ FARFETCH2 - A Good Path Is a Weighted Path
'FARFETCH', 'FARFETCH f-tech', and the 'FARFETCH', 'FARFETCH f-tech' logos are trademarks of FARFETCH UK Limited and are registered in numerous jurisdictions around the world.
©Copyright 2021 FARFETCH UK Limited. All rights reserved.


Sarah Saxton-Frump is a Story Team editor, freelance editor, and the Director of College Completion at PelotonU. Sarah came to Texas from the east coast and has been a great addition to our team. This weekend Sarah answered a few questions about her work editing our latest story, Filled with Grace and Peace. You can find Sarah on Instagram and Twitter.
Story Team: Describe your role as an Editor on Story Team. What are your duties, and why is your role necessary?
Sarah Saxton-Frump: Every written story has a writer, first editor, second editor and photographer assigned to it. As the first editor, my role is to partner with the writer to best tell and convey God's powerful movement in his children's lives. If I'm using my skills well, then we end up with an incredible, moving story with God at its center, and the writer has grown in his/her love of God and skill in storytelling and communication.
Practically, that looks like two cycles of feedback: one focused on storytelling, and one focused on copyedits, syntax and style. I think of this a lot like building a house—or at least, what I think it'd be like! Before you can paint and decorate (copyedits), you have to ensure the house was built right (storytelling). This means I submit one round of longer form revisions and suggestions focused on exalting God, clarifying plot and engaging the reader. After the writer has finished their structural changes, we go through another round of copy edits. Both rounds obviously include changes, but it's important to note that all changes are accompanied with notes and explanations. I never offer a change without explaining why.
The role is necessary emotionally and practically. When God sends the Holy Spirit to Bezalel to design and build the temple, God also appoints Oholiab—and then a whole team of workers. Creativity is often sneakily collaborative, but obviously lonely; we think we can do it on our own, but God has designed us to need each other—for ideas, for subject matter, for help when we get stick, for seeing what we can't see. I have yet to find a writer who isn't overwhelmingly grateful to have a thoughtful, kind, smart editor as a partner. The results are the most beautiful, God-glorifying stories we can write, writers who have grown their skills, and children of God who live out the church as body.
What is the first thing you do when you receive the initial draft of a story?
Read it! I know, I know—seems obvious. But the temptation for editors can be to simply dive in without stepping back to look at the whole story. When I read it the first time, I note my reactions to parts mentally. Where am I confused? Where do I get goosebumps—or do I get goosebumps? How do I relate with the story? Do I finish it having learned about God? Do I love him more? There's probably a million-and-one other "active reading" questions that race through my mind, but those are the main ones. Once I've mentally catalogued my initial response, I also ask myself a few more questions… Who's driving the change in the story—man or God? Has the writer chosen breadth at the expense of depth? Does the conflict seem surface-level or have we gotten to the messy, deep wrestling-in-the-mud-with-God stuff?
Then, I note where the story is strong, and I think about how the writer could capitalize on those strengths to improve the weaknesses. From there, I write up feedback at the top of the story. I share my goals for the writer as their editor, I describe the strengths (if I've worked with the editor before, I'll also note growth in previous weaknesses), and then I detail my questions about and/or suggestions for the story.
What are your goals with the writer as an editor?
Mark up the page with as much red as I can… Totally kidding!
My goal is to help create an honest, compelling story that glorifies God, reminds his children of his faithfulness, and enables the writer to grow.
A large part of your role is providing feedback to Story Team writers. What is challenging about this, and how do you balance being helpful with being pastoral?
I think the first thing is to reject the common assumption that you can EITHER be a great editor OR you can be pastoral. These two things are 100% compatible, and if you were catching me on a sassy day, which you are, I'd actually say you can't be a great editor without being pastoral.
That being said, there are certainly some challenges, and the first is running all our feedback cycles online. Providing difficult feedback (like "hey, so, you kind of left the gospel out of this story…") entirely online to writers who you may not actually know in person is incredibly difficult. You don't know them, their prior experiences with editors (Good? Bad? Ugly?), their personality, how they respond to feedback, etc—and they don't know you, your heart, your intentions, your skill level, etc. The opportunities for hurt, miscommunication and resentment abound; God has been incredibly gracious, thus far, to have allowed me to balance this well.
The primary way I do this is by just straight-up stating my intentions: "my goal in this round of editing is always to develop the story into an even more beautiful version itself." I also leave an open invitation for push-back, questions and feedback. Writers make themselves incredibly vulnerable by opening up to feedback on both the structure of their story and the words which compose it. Editors rarely do. Reciprocating the vulnerability creates trust and allows the editor to grow in his/her craft, too. After all, if the writer can't hear your feedback because you're abrasive, unclear or unkind, then you're really not doing much good as an editor.
If I'm really unsure how to give a piece of feedback, I will reach out to another lead editor (another role I serve in— see Lindsey's post) and ask for their feedback on my planned approach.
The second major challenge is figuring out how to offer feedback which preserves the writer's voice, but also complies with effective storytelling techniques or correct syntax. In the first round of feedback, my approach is to state the issue or ask a question, and then offer a possible solution. Writers can then decide to incorporate the solution I offered, or they can choose to solve it their own way. But in either case, the issue in the story is resolved. During the second round of edits, this is a little trickier, as I'm doing more direct changes to the story. When making syntax changes, I often ask myself if is this really necessary for clarity and understanding, or if this is this just my preference. If it's the former, I make the change, add a comment as to why, and ask them to confirm that it sounds like them. If it's the latter, then I'll add a comment with the text of how I'd rewrite it, and let the writer decide if it helps the story or not.


The Jimmie Johnson Foundation was launched in 2006 by 7-time NASCAR Cup Champion Jimmie Johnson and his wife, Chandra. The focus of the Foundation is to support K-12 public education in the United States through a variety of programs and activities.
The Blue Bunny Helmet of Hope program is a partnership between the Jimmie Johnson Foundation and Blue Bunny Ice Cream which encourages individuals to nominate a charity (including PTA/PTO groups) that supports K-12 public education in the U.S. for the opportunity to receive a $25,000 grant, a Blue Bunny Ice Cream party, and to have their logo featured on Jimmie's helmet during the NASCAR Cup race on July 14th at Kentucky Speedway. Ten (10) non-profits will be selected from the nominations as semi-finalists and will be put to a public vote the week of May 8-May 15. The five (5) semi-finalist charities that receive the most votes during that week will each be awarded the grant package mentioned above!
We have struggled to reach Parent Teacher Associations to let them know about this program, and were wondering if you promote grant opportunities that are available to your members. We'd love to get the word out to as many PTA's as possible!
The nomination process only takes a few minutes – details can be found at www.helmetofhope.org. Nominations will be accepted until 5:00pm EDT on Friday, April 20th. It is important to note that individuals may only submit one nomination, however, non-profits can be nominated by multiple people so feel free to share this opportunity!
← JC/DC ACTION ALERT: Urge Your Members of Congress to Keep Our Children and Our Schools Safe from Gun Violence!


text:
Book OpernCard25
Select seatsClose
Our online shop is not working properly right now. We hope to fix it as soon as possible and apologize for the inconvenience.
Our call center is there for you and will be happy to help you with your booking.
Please call +49 (30) 47 99 74 00
Mon-Sat 9 am-8pm | Sundays and holidays 2-8pm
Or contact us via messenger or send us an email karten@komische-oper-berlin.de.
Productions 2022/23
Coronavirus Safety Measures
Ensemble and Staff
Dear Audience,
After the initial shock of Covid-19 things have begun to settle down a bit. Happily so! But it looks like we're going to have to live with this virus for a while, which also means we'll need to follow the hygiene and safety regulations. Amidst all the uncertainty, one thing's for sure: we're not going to be returning to business as usual by the end of the year.
Barrie Kosky presents the news programm for the 2020/21 season.
Or are we? In fact, there is no business as usual in a theater. Surprises and unpredictability are part of the job. At an opera house, finding creative solutions to sudden changes and unforeseen challenges is business as usual.
I consider myself very fortunate as Artistic Director of the Komische Oper Berlin where we're blessed with an ensemble of 24 curious and adventuresome singers, where the around 100 talented musicians in our orchestra are used to playing a diverse repertoire, and where our 60 choir soloists are among the most versatile and best performers in the world. This is indeed the perfect starting point for navigating through uncertain times and braving untrodden paths.
Thus we enjoyed developing an imaginative new program for the months from September to December 2020 that both respects the constantly changing safety regulations and manages to get some fun out of the unexpected circumstances. There will be new formats – I'll be restaging four productions, among other things – which were not previously planned and have never been seen before at the Komische Oper. Our productions will reflect the need to adapt and we'll be improvising more than usual – yet always to the highest standards. Naturally we're making every effort to get back to our usual mode of operations as soon as possible. But until then, we'll be making the most of these circumstances, thinking on our feet and working day to day like a bona fide travelling troupe.
In September the doors of the Komische Oper will open once again to receive our audiences. I'm deeply convinced that it will be particularly good for all of us during this time to experience musical theater together, to be carried away by emotion, to laugh and cry together.
After all, it is possible to think outside the box!
Barrie Kosky
Intendant und Chefregisseur
And this is how it's going on ...
Here you can download the programm for September until December 2020.
Die (verzauberte) Zauberflöte
Die Großherzogin von Gerolstein
Mondnacht
Repertoire und Guest Performance
SUPER NIGHT SHOT
Eine Frau, die weiß, was sie will!
IGOR I
IGOR II
IGOR III
Lonely House
Farges mikh nit
Eine kleine Sehnsucht
Das kleine Ich bin ich
Kostümverkauf
Staatsballett Berlin
LAB_WORKS_COVID_19
Auf die Tickets, fertig, ...
Der neue Vorverkauf für die kommende Spielzeit startet am Di, 30. Juni, 11 Uhr unter (030) 47 99 74 00 oder an unserer Opernkasse Unter den Linden 41, 10117 Berlin. Der Online-Verkauf startet nach dem Sommer ...
Sie haben bereits Karten für die kommenden Spielzeit gekauft?
Informationen zu Umtausch, Rückerstattung, Spende und mehr finde Sie ...
Tell your friends about us!
Spielplan-Übersicht Sep bis Dez 2020 (PDF)
Masterclass Directors
Ensemble & Staff
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daniela martino via YouTube
# in limbo
Immigrant council demands rights for stateless to work and access social services
In Ireland campaigners want the government to introduce clear, transparent and accessible determination procedures to allow the swift identification of stateless persons.
THE IMMIGRANT COUNCIL of Ireland (ICI) is joining more than 50 groups from across Europe in demanding action to regularise and support an estimated 600,000 people forced to "live in the shadows of European societies".
Stateless people do not have the right to work or access social services and do not have a PPS number or a passport. They also do not have the right to vote.
In Ireland campaigners want the government to introduce clear, transparent and accessible determination procedures to allow the swift identification of stateless persons followed by a clear pathway for them to regularise their position and to access citizenship. Hilkka Becker, Senior Solicitor with the Immigrant Council said an online petition is being launched in 30 countries for people to show their support.
"It is unacceptable that people are still being left in limbo six decades after an international commitment was given to respond to this problem," Becker said.
"Being a citizen of a country guarantees us some of our most basic rights and entitlements – it is our access to social services, our right to work and travel, the right to a passport and the right to vote. When people find themselves with no citizenship they have no security, protections or certainty."
The dissolution of the Soviet Union in 1991 has led to statelessness of hundreds of thousands of persons in the Baltic states and in Eastern Europe.
In the past week the Immigrant Council of Ireland secured a declaration of statelessness for one man who endured six-years without access to a nationality.
Natig Sadygov was left stranded in Ireland for six years without documentation or right to a passport after a bureaucratic dispute unexpectedly arose over whether he was a citizen of Lithuania or the Republic of Azerbaijan.
Becker explained what happened to the man:
In Natig's situation, he had travelled to Ireland as a citizen of Lithuania but, almost three years after arriving in Ireland, was suddenly informed that his citizenship was being revoked in the mistaken belief that he was a citizen of the Republic of Azerbaijan, a country which did not exist as an independent state when he was born in the old USSR in 1966 and when he left his hometown to move to the Lithuanian part of the USSR in the 80s.
Legal action seeking to reinstate his Lithuanian citizenship failed to resolve the situation and it was established that he was also not entitled to the citizenship of Azerbaijan. Since then Natig has been campaigning to have his rights as a stateless person recognised in Ireland.
"While many people may be familiar with statelessness through the movie 'Terminal', starring Tom Hanks, they may not be aware that for hundreds of thousands of individuals and families it is a harsh reality which they have to cope with every day," Becker commented.
"We want 2014 to be the year that Ireland and other European Countries respond to this issue and guarantee basic rights for everyone."
Read: After six years living in limbo, Natig Sadygov declared stateless>
Read: 23 years after being declared an alien, Ireland declares Roman Uustalu stateless>
Michelle Hennessy
michelle@thejournal.ie
@michellehtweet
EUROPE ICI IMMIGRANT COUNCIL OF IRELAND IN LIMBO LEGISLATION PPS SOCIAL SERVICES SOCIAL WELFARE WORK
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Victoria officer injured while arresting suspect at Santa Claus parade, police say
(Greater Victoria Festival Society)
A Victoria police officer was injured while trying to arrest a man at the Santa Claus parade Saturday, according to the department.
Authorities say officers were marching in the Peninsula Co-op Santa Claus Parade and handing out candy canes when they were alerted to a disturbance.
"A parade spectator approached members of the VicPD contingent to report that a man had assaulted a member of the crowd and was walking through the crowd trying to instigate additional fights," a statement from the department said.
"Officers approached the man and escorted him away from the parade route in an effort to effect a safe arrest in a safe location away from bystanders and children in the area. When officers moved to arrest the man, he began to fight with them."
The man was ultimately taken into custody but an officer was injured in the course of the arrest, police said. No other injuries were reported.
Anyone with information or video of the incident is asked to call 250-995-7654.
'The stuff you see on a daily basis, it's not normal': A night inside Vancouver's busiest fire hall
B.C. Health Minister Adrian Dix was at Camosun College on Thursday to unveil a new ultrasound clinic that's designed to fast-track specialized care for thousands.
NEW | 'I've only got one set of hands': Last remaining ER doctor in B.C. town wants to hire assistant with own money
Hardy Hospital's emergency room is headed for life support, says the only ER doctor expected to be available as of July 1.


The Association of Private Sector Colleges and Universities released a report Wednesday detailing best practices for higher education institutions serving military and veteran students via its Blue Ribbon Taskforce for Military and Veteran Education.
Among the recommendations in the report--broken down into categories of consumer information, institutional support, student services and institutional-research guidelines--include being transparent and accurate in recruitment efforts, providing active institutional support and faculty training, and improving measurements and success.
The report's recommendations are directed at all higher education institutions because thousands of veterans are expected to use their Post-9/11 GI Bill benefits in the coming years, but it is particularly noteworthy because APSCU is the main lobbying group for for-profit colleges, some of which have been criticized during Washington's efforts to crack down on deceptive recruitment practices.


text:
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'Californication': Punch, drunk, love
December 14, 2009 | 6:41 am
For the first time in too long, the show about the artist felt inspired. It felt original. It again made you feel.
Then, too soon, it was over. The old friend you hadn't seen in so long was gone again. And now, you don't know when or even if he'll return.
Yes, there will be a fourth season of "Californication" next year. No, we don't know which version will arrive. Will it be the show we saw Sunday night, with such soul, such life, such artistry? Or will it be what we saw for the better part of this season, a show that seemed to accept and even embrace the reputation given to it by those who never watched, or only casually -- nothing more than a guilty pleasure in which David Duchovny jumped from bed to bed? Even the star, Duchovny himself, said this on Page 68 of a September issue of Rolling Stone: "The show is more intelligent than people give it credit for, because they're blinded by the [sex]. But that's just human nature. In the business, you have 10 seconds to advertise your show. You can say (a) it's about a guy who is trying to get back to his first love, or (b) it's about a guy who [has sex] every week. OK, we're going with (b). That's it's calling card."
Those of us who'd invested in the first two seasons knew there was more. In Season 1, there were those Hell-A blogs, the hilarious but dead-on musings of a New York writer trapped in Los Angeles. In Season 2, there were episodes so fully infused with artistic references both subtle and not that I had to devote a separate section of this blog just to keep track of them and do them justice. "The Great Gatsby" provided the outline for the season, but in a rock-n-roll world, we got such diamonds as "In Utero," a beautifully written and shot flashback episode in which the show borrowed both the title and themes from Nirvana's final studio album to creatively introduce us to how the Hank-Karen-Becca dynamic began 14 years earlier.
Then came the stumble. Season 3. Which was perhaps foretold by an advertising campaign that included badly Photoshopped posters of Hank Moody (Duchovny) surrounded by faceless, leggy blond coeds, the tagline reading: "Meet Professor Moody. He's easy." So was the whole concept. What followed was a whole lot of Eva Amurri's cleavage, a professor-student dalliance that was a foregone conclusion from the moment we saw those posters and then, worst of all, Kathleen Turner and Rick Springfield. Nothing against those two, just their characters. They had little (Turner's Sue Collini) to no (Springfield) redeeming qualities, and their story lines never really went anywhere other than the gutter.
In between, there were glimmers of hope in the form of Karen (Natascha McElhone) and Becca (Madeleine Martin), anchors to Hank Moody and -- obvious to me now -- anchors to this show. When they weren't around is when the show seemed to suffer most. Case in point: an episode in which Becca goes off to visit Karen in New York, leaving us with nothing but a boys' weekend with Hank and a man named Zloz, Hank's buddy from Long Island. The episode sputtered, giving us another actor intruding upon our story for little to no reason. I also remember Peter Fonda coming into one show for some reason, though I'm trying to forget.
For me, this was all beginning to add up to a painful decision. Though there were those glimmers of hope, they seemed too few and far between. I didn't recognize the show anymore. We'd grown apart. And so I entered this season finale thinking a little bit like Hank Moody. "So here's the thing ... "
I was contemplating a breakup. Beyond this season, I just wasn't sure if I could stick with it.
Then, Sunday. In short, it was a 30-minute-long exhale. My baby was back.
Inspired instead of indulgent, we saw breathtaking dream sequences, dialogue that was honest and heartfelt and then, ultimately, a heart-wrenching final few minutes that couldn't have been more wonderfully shot. A shaky camera followed a bloodied Hank back into his home, past the boxes packed for New York and into the kitchen, where Karen awaited. "I have to tell you something," he said, kissing her hand. And for the next few minutes. we saw Karen's heart break even if we didn't hear her words. The long-kept Mia secret was out, and for those last few minutes of the last episode of Season 3, we heard only a remixed version of Elton John's "Rocket Man" playing over the tears, the screams, the curses, the punches, drowning us, drowning Hank, as he ultimately found himself being shoved into a police car and taken away.
For those viewers who latched onto only this season -- and judging by the ratings, there must be many -- this episode and this ending might have seemed entirely off, a different show than what you'd seen for the better part of the last few months. But for those of us who have been with this story from the start, this felt like a nod to a better time. In fact, you fellow long-timers probably recall that "Rocket Man" was also the song that played over the final scene of the pilot, Hank tapping the keys of his laptop, a certain curse word appearing on our TV screen before we cut to black.
Complemented also by an amazing monologue by Madeleine Martin's Becca and a superbly evil guest-starring turn from James Frain ("The Tudors"), this was an episode that was by far better than anything else we've seen this season and easily one of the best episodes in the series' history. But where it puts the series as a whole remains a little gray, though of course that's no surprise given the way these finales end. Show-runner Tom Kapinos usually doesn't know whether a green light is in store for another season while filming, and so he smartly opts for finales that could serve as adequate series finales.
The first season ended "Graduate"-style with Karen escaping her own wedding and jumping into the car with Hank and Becca. The second ended with Karen going off to New York, leaving Hank and Becca to fend for themselves in L.A. And now this, the third, Hank leaving in the police car on the darkest of notes. In a weird way, I think this, too, could serve as an adequate series finale, for the complete demise of a man is just as real to me as his redemption, even if we don't see the former story line played out nearly as much on TV and in film.
But we already know that we're coming back now for Season 4, and Kapinos has hinted at a possible fifth season as well. The trouble with the road ahead is that, at this point, the only way this story will remain truly compelling is if something significantly changes. If, say, we begin with Hank getting out of jail and then drowning himself in more women and booze because Karen and Becca have turned away, then what will be the point? It'll be the same lonely story, though we'll somehow know that at the end of this whole thing, he'll get his family back. He has to, doesn't he?
But episodes like this give me hope. If "Californication" can find a way to further tap into the creativity that flowed through this finale and also through much of the first two seasons, then maybe there is a way for it still to swim. But if Hank Moody just ends up in the same place again, left only with more booze and beds and bar fights, then it might again find itself in mud.
For all of its popularity and success, HBO's "Entourage" has earned somewhat of a reputation for being a show that really doesn't go anywhere. It's just the never-ending rise and fall of Vincent Chase, albeit often entertaining. This show is in danger of finding itself in a similar plight, but we've seen glimpses in the past and then on Sunday night of just how good "Californication" can be. It has the potential to elevate itself above being just another one of cable's late-night guilty pleasures, especially with one of the biggest weapons on television in David Duchovny. The guy is so gifted at hitting every single note that's been asked of him -- but perhaps not enough has been asked.
Duchovny's Hank is a character many of us have grown to love so much that we might watch regardless, even if it's just for those few great moments amid all the rest. But the question now is whether we'll continue to swim in this same pool or whether we'll actually find something different next season, something truly new and exciting. The magic is there. And if the show can somehow find a way to take itself as seriously as it did for this finale, then perhaps these glimmers of hope will finally widen into brighter days.
-- Josh Gajewski
David Duchovny, literarily speaking
Evan Handler, grateful
Photo: David Duchovny as Hank Moody in "Californication." Credit: Showtime


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Q: how can taking advantage of Mule Lifecycle i am exercising Mule
i read here
i want to try  this sample and i create a project and create  a java class in Mule Studio
after that i copied  this code:
package org.mule.module.twilio;
import org.mule.api.annotations.Configurable;
import org.mule.api.annotations.Module;
import org.mule.api.annotations.Processor;
import org.mule.api.annotations.lifecycle.Start;
import org.mule.api.annotations.param.Optional;
import org.mule.api.callback.HttpCallback;
 @Module(name = "twilio")
public class TwilioConnector {

    /**
     * The account sid to be used to connect to Twilio.
      */
     @Configurable
     private String accountSid;
     /**
      * The authentication token to be used to connect to Twilio
      */
     @Configurable
    private String authToken;

    private TwilioClient twilioClient;

     @Start
     public void createTwilioClient() {
         twilioClient = new TwilioClient(accountSid, authToken);
     }
   }

but i have a lot of error:
  all
The import org.mule.api.annotations.Configurable cannot be resolved
The import org.mule.api.annotations.Module cannot be resolved
The import org.mule.api.annotations.Processor cannot be resolved
The import org.mule.api.annotations.lifecycle cannot be resolved
The import org.mule.api.annotations.param.Optional cannot be resolved
The import org.mule.api.callback cannot be resolved

all clsaa imports are not knew
near  all annotation is: Configurable cannot be resolved to a type

A: Did you add the mule devkit annotation jar to your classpath?
Once you hava built your cloud connector you can add it to studio following the instruction available here


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Aaron Wan-Bissaka: Do Manchester United need an upgrade?
Happy New Year folks! It's 2021 and Manchester United are second in the Premier League behind only Liverpool, whose defeat at Southampton left United with an advantage. Latest in the string of positive results was a hard fought 2-1 win at home against Aston Villa. It was a close game as reflected by the scoreline and central to the scoreline was United's right-back Aaron Wan-Bissaka. He assisted the first goal for Anthony Martial with a clever run and cross but was culpable along with others in Villa's first goal. Childishly trying to stop Villa from taking a quick free-kick thus allowing Jack Grealish with time and space to cross in the box.
These defensive lapses are happening too often and then there is the lack of attacking contributions. Martial's goal was his first assist and just his 16th cross (joint 41st in the division amongst just defenders) of the season.
There is no question that when it comes to tackling and facing an attacker one on one, there are few better than Wan-Bissaka. But expectations around United are changing. They need to play less and less as an underdog and on counter and more on the front foot, dominating possession and creating chances. For this to happen, can they continue to have a right-back who is comfortable facing an attacker in his own half rather than charge forward and create chances at every opportunity? Let's look for the answer.
Wan-Bissaka was part of the Crystal Palace academy, where he started out as a winger. Initially getting his chance as a wing-back, he was quickly moved to full-back due to his defensive capabilities. Thrust into the first team on 25 February 2018 in the midst of an injury crisis, he quickly became a mainstay for the Palace defence. Such was his impact in the first full season that he was named Crystal Palace Player of the Year for the 2018-19 season.
His performances at right back prompted Manchester United to sign him on a contract of five years for a fee of £49.5 million. Signed on to replace United's departing right back Antonio Valencia, Wan-Bissaka was being looked at someone who will own the right-back spot for years to come.
Defensive Capabilities and Recent Lapses
Known for his tackling and defensive awareness, he has been a key cog of the new Manchester United defence under manager Ole Gunnar Solskjaer.
He was a key part of the defence which conceded only 36 goals on the way to third place in the league last season. His performances in key games caught the eye where he was able to nullify highly rated opposition attackers. Such commanding performances in key games have continued this season with the performance against Paris Saint Germain away in Matchday one of the Champions League group stage, being the highlight. He is top of the tackles chart for defenders in both last and current Premier League season.
But there have been lapses and some poor performances in crucial games like the semi-final defeat to Sevilla in last season's Europa League Semi-final and the defeat in the crucial last group game away to RB Leipzig in this seasons Champions League. Communication with fellow defenders seems to be lacking resulting in getting blindsided by runs in behind. He also tends to get sucked into the centre thus allowing an attacker to creep in at the back post. In summary, though there are no equals when it comes to tackling and defending one on one situations, there are definite areas of improvement.
Attacking limitations
Attack is where Wan-Bissaka is severely lacking and has massive scope for improvement. He's just had the one assist and one goal in the league this season and ranks joint 41st for crosses and joint 84th for shots amongst just defenders in the league. Too often passes are either sideways or backwards. Majority of United's attack are coming from the left side causing asymmetrical attacking. This allows opposition teams to focus more on that area knowing that quick switch of play to the other wing won't be disastrous.
One reason for the low attacking output is that United lack a naturally right sided winger and end up playing either Rashford, Greenwood, James or Mata amongst others in front of Wan-Bissaka on the right side. This means it's tough to form a partnership on the right side and additionally there's lack of defensive help for Wan-Bissaka on the right.
All things considered though Wan-Bissaka needs to improve his attacking contribution and there's no reason it can't happen. He has good composure on the ball and has a history of playing as a winger. Having a naturally right sided player might help him develop a partnership and get in the penalty area more thus increasing his attacking output but the onus will be on Wan-Bissaka.
Evolution of the position, expectation and Conclusion
The best teams in all of Europe have attacking full-backs. The best full-backs are all known for their attacking output. The game has evolved such that the full-backs are considered an important attacking outlet. Expectation is that the full-back overlaps the winger, provides crosses into the box, is available for through balls from midfield and finally create chances on a regular basis.
In addition to all of the above, Manchester United find themselves in the midst of an unlikely title challenge. Solskjaer's reign at United till now has been marred with inconsistency and labelling of the team being comfortable with counter-attacking. But with the recent consistency in form, expectation swiftly shifts for United to dominate possession and take the game to opponents. For that to happen, they need a balanced squad and a balanced attack. Sorting out the right-back spot is one of the key priorities for both to happen. Providing competition for the spot will be a good starting point. United only need to look at the left-back position for evidence. Since the signing of Alex Telles, Luke Shaw's form has been improved drastically and Solskjaer is able to rotate between them both, thus reducing chance of fatigue and injury. Links with Norwich City's Max Aarons are welcome. Aarons averages 1.3 key passes and 1.3 dribbles per game this season which are both considerable improvements on Wan-Bissaka's 0.5 key passes and 0.8 dribbles per game.
Wan-Bissaka is a very good defensive right-back and has the best years in front of him. But from United's point of view, it's crucial that attacking output from the right-back spot increases, by a lot. Hopefully that will be achieved by Wan-Bissaka's own improvement aided by the competition provided by a more attacking right-back. Else they will have to look for an upgrade.
Written by Sandeep Jalui
Predicted XI: [4-1-2-1-2] Wan-Bissaka and Telles to provide width with Pogba controlling the midfield and Fernandes supporting the attack? Does Manchester United have the best squad depth in the Premier League?
Ratings: Ronaldo and Sancho combine to give Carrick his first victory as interim manager; United though to the knockout stages of the Champions League
Manchester United beat Villarreal 2-0 in the Champions League, securing a round of 16 place in the competition this season, which is an improvement on last season. Mic…	Read more
Peter Schmeichel told Gary Neville that he was not good enough and Steve Bruce ripped him to shreds – brutal
First Team, History, Managers, News, Opinion	0
Manchester United legend and Class of 1992 graduate, Gary Neville has spoken recently about a torrid time at the Old Trafford club during his first season in the senio…	Read more
Preview: Solskjaer seeking to do the league double over City; Martial, Ighalo and Fernandes to make their mark in the big game?
Feature, First Team, Managers, Match Previews, News, Opinion	0
Manchester United -v- Manchester City Premier League Old Trafford, Manchester Sunday 8 March 2020, KO 16:30 GMT Referee: Mike Dean Assistants:&nb…	Read more
Manchester United to switch to a 4-3-3 formation against Leicester City with Angel Gomes and Mason Greenwood starting?
Feature, First Team, Managers, Opinion, Starting XI	0
Manchester United welcome Leicester City to Old Trafford on Saturday afternoon in their fifth Premier League match of the season. After a great start at home resulting…	Read more


text:
Q: Write ejs variable in jQuery I am appending some html to a div using jQuery:
public/js/writeInputs.js
$("#myDiv").append("<input type='search' value='<%= filters.title %>' name='filters[title]' class='form-control'>")

In this case filters is an object that I'm passing from my node express backend, the value of which I want to display in my input. However, the above renders the ejs variable as the string literal:
<%= filters.title %>

If I hardcode this value into the html it works as expected:
views/partials/inputs.ejs
<input type="search" name="filters[title]" value="<%= filters.title %>" class="form-control">

How can I write an ejs variable in jQuery?
I've tried these approaches in my append, but none work:
value="<%= filters.title %>"
value=${<%= filters.title %>}
value='"<%= filters.title %>"'

A: Node express first renders HTML and then browser do some requests based on HTML to get scripts, images, etc. For this reason <%= filters.title %> is not interpreted by EJS.
As an alternative render some data into HTML and rewrite JavaScript to read filters.title from HTML, like this:
<input type="hidden" id="filter" value="<%= filters.title %>" />

<script src="yourScript.js"></script>

yourScript.js:
    var filter = document.getElementById("filter").value;
    $("#myDiv").append("<input type='search' value='" + filter + "' name='filters[title]' class='form-control'>");

A: Only ejs files inside your views folder are rendered from the server so you will have to create the variable in that file instead. Here is an example:
view.ejs
<script>
    var ejsVal = <%= val %>; // You have to use var to make it global
</script>
<script src="script.js"></script>

script.js
console.log(ejsVal);

A: can you try like this?
var temp = <%= test  %>;
$("#myDiv").append("<input type='search' value='"+temp+"' name='filters[title]' class='form-control'>");