text:
Q: Data is changing in properties file after changing 2 rows from UI I am changing 2 fields in properties file from UI,i thought every thing is working fine,but now i had problem that when i change the 2 fields and click submit ,the whole file is jumbled and at top some lines are missing.this is my actual userdata.properties file.
!**
! * Sahi - Web Automation and Test Tool
! *
! * Copyright  2006  V Narayan Raman
! *
! * Licensed under the Apache License, Version 2.0 (the "License");
! * you may not use this file except in compliance with the License.
! * You may obtain a copy of the License at
! *
! *    http://www.apache.org/licenses/LICENSE-2.0
! *
! * Unless required by applicable law or agreed to in writing, software
! * distributed under the License is distributed on an "AS IS" BASIS,
! * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
! * See the License for the specific language governing permissions and
! * limitations under the License.
! **
# dirs. Relative paths are relative to userdata dir. Separate directories with semi-colon
scripts.dir=scripts;
# default log directory.
logs.dir=logs
# Directory where auto generated ssl cerificates are stored
certs.dir=certs

# Use external proxy server for http
ext.http.proxy.enable=true
ext.http.proxy.host=192.168.10.63
ext.http.proxy.port=8063
ext.http.proxy.auth.enable=false
ext.http.proxy.auth.name=kamlesh
ext.http.proxy.auth.password=password

# Use external proxy server for https
ext.https.proxy.enable=true
ext.https.proxy.host=
ext.https.proxy.port=
ext.https.proxy.auth.enable=false
ext.https.proxy.auth.name=kamlesh
ext.https.proxy.auth.password=password

# There is only one bypass list for both secure and insecure.
ext.http.both.proxy.bypass_hosts=localhost|127.0.0.1|*.internaldomain.com

But after changing the proxy=192.168.10.73 and port=8073.those values are changing but file looks like this
#hostchanged
#Tue Jun 19 10:53:00 IST 2012
ext.https.proxy.auth.password=password
ext.http.proxy.host=192.168.10.73
ext.https.proxy.auth.name=kamlesh
ext.http.proxy.auth.password=password
ext.http.proxy.port=8073
ext.http.proxy.enable=true
certs.dir=certs
ext.http.proxy.auth.enable=false
ext.https.proxy.host=
ext.http.proxy.auth.name=kamlesh
scripts.dir=scripts;
logs.dir=logs
ext.https.proxy.auth.enable=false
ext.https.proxy.port=
ext.https.proxy.enable=true
ext.http.both.proxy.bypass_hosts=localhost|127.0.0.1|*.internaldomain.com

This my controller class that i am using for this functionality,i am not able to find my mistake,please help me to correct this.
@Controller
public class MobeeProxyChangeController {

    private @Value("${filePath}")String fileDir;

    @RequestMapping("/proxy")
    public String ProxySettings(Model model) throws Exception {

        File f = new File(fileDir);

        Properties properties = new Properties();

        try {
            properties.load(new FileInputStream(f));

            String getHost = properties.getProperty("ext.http.proxy.host");
            String getPort = properties.getProperty("ext.http.proxy.port");

            model.addAttribute("proxyHost", getHost.trim());
            model.addAttribute("proxyPort", getPort.trim());
        } catch (Exception e) {
            e.printStackTrace();
        }

        return "proxyFile";

    }

    @RequestMapping("/saveProxy")
    public String SaveProxy(Model model, HttpServletRequest request,
            HttpServletResponse response) throws Exception {

        File f = new File(fileDir);
        Properties properties = new Properties();

        properties.load(new FileInputStream(f));
        OutputStream outFile = new FileOutputStream(f);

        System.out.println("output file-------------:"+outFile);

        try {
            String httpHost = request.getParameter("proxyHost");
            String httpPort = request.getParameter("proxyPort");

            if (properties.get("ext.http.proxy.host") != null
                    && properties.get("ext.http.proxy.port") != null) {

                properties.setProperty("ext.http.proxy.host", httpHost.trim());
                properties.setProperty("ext.http.proxy.port", httpPort.trim());
                properties.store(outFile, "hostchanged");

            }
        } catch (Exception e) {
            e.printStackTrace();
        } finally {
            outFile.close();
        }

        return "redirect:/mainPage";

    }

}

A: When you use Java Properties, it will skip the commented part of the code. Hence the commented part is missing when you write it back.
Java Properties is designed to extract only key value pairs from the properties file. All comments are for human readability only.
So properties object in your code does not have any information about the commented code.
So when you do properties.store() it saves only the key value pairs and not the previous comments.
I would not recommend to change content of a properties file programatically. But In case you do you can use FileWriter and write to the file like a normal text file. You see examples here.

redpajama_set_name: RedPajamaStackExchange


text:
<?php
/**
 * Created by PhpStorm.
 * User: gabriel
 * Date: 16/11/15
 * Time: 12:51
 */
?>

                        <? echo $usuario->nombre ." ". $usuario->apellido; ?>

                              <? echo $usuario->empresa; ?>

 Mi Perfil

 Salir

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                    <?php
                        if ($this->ion_auth->is_admin()){
                    ?>

Administración

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                    <?php } ?>

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                    <li <?php if( $controlador == 'clientes' ){ ?> class="active" <?php } ?>>
                         Clientes
                        <ul <?php if( $controlador == 'clientes' ){ ?> style="display: block;" <?php } else { ?> class="hidden-ul" <?php } ?>>

Listado de Clientes

Agregar Cliente

Presupuestos

                    <li <?php if( $controlador == 'productos' ){ ?> class="active" <?php } ?>>
                         Productos
                        <ul <?php if( $controlador == 'productos' ){ ?> style="display: block;" <?php } else { ?> class="hidden-ul" <?php } ?>>

Listado de Productos

Agregar Productos

                    <li <?php if( $controlador == 'servicios' ){ ?> class="active" <?php } ?>>
                         Servicios
                        <ul <?php if( $controlador == 'servicios' ){ ?> style="display: block;" <?php } else { ?> class="hidden-ul" <?php } ?>>

Listado de Servicios

Agregar Servicios

                    <li <?php if( $controlador == 'paquetes' ){ ?> class="active" <?php } ?>>
                         Paquetes
                        <ul <?php if( $controlador == 'paquetes' ){ ?> style="display: block;" <?php } else { ?> class="hidden-ul" <?php } ?>>

Listado de Paquetes

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SEM

 Formularios Astex

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text:
\section{Introduction to the ANDROIDS Project}

The Andromeda Galaxy (M31) is a special laboratory for testing our understanding of galaxy formation and evolution.
Its close proximity enables detailed mapping of the star formation histories imprinted in resolved stellar populations, while our external vantage point permits detailed decompositions of galaxy structures.
Here we present the Andromeda Optical and Infrared Disk Survey (ANDROIDS): a homogeneous mapping of the entire Andromeda Galaxy from near-UV to near-infrared (NIR) wavelengths with imaging that simultaneously resolves stars and accurately recovers surface brightness.
This survey is being carried out with the MegaCam ($u^*g^\prime r^\prime i^\prime$) and WIRCam ($JK_s$) instruments on the Canada-France-Hawaii Telescope.
ANDROIDS improves upon previous all-disk star catalogs \citep[e.g., the Local Group Galaxy Survey;][]{Massey:2006} with sharper seeing, superior $u^*$ sensitivity and incorporation of deep NIR bands.
Previous surface brightness investigations of the M31 disk have either barely reached the 10~kpc star forming ring in SDSS optical imaging \citep{Tamm:2012} or the bulge in 2MASS NIR imaging \cite{Beaton:2007}.
The ANDROIDS survey uses rigorous background subtraction strategies to obtain robust surface brightness measurements out to $R=40$~kpc along the disk.

A prime motivation for ANDROIDS, besides mapping M31's structure and stellar content, is to understand the systematics of stellar population synthesis, particularly in the NIR.
Combining NIR and optical data is invaluable for alleviating the well-known degeneracy between the stellar metallicity, age and dust content on a galaxy's colors.
However, the wide-spread use of NIR bands has been stunted by our inability to consistently include them in spectral energy distribution (SED) fits, as shown nicely by \cite{Taylor:2011}.
This failure may be due either to inadequate modelling of star formation histories and dust, or because the NIR light itself is dominated by asymptotic giant branch (AGB) stars whose light is a challenge to most population synthesis models.
The ANDROIDS survey is well suited to identify and resolve tensions in NIR stellar population synthesis since a region's SED can be measured, while the resolved stars that contribute to that SED are also measured.

\section{Low Surface Brightness Imaging of M31}

\begin{figure}[t]
\centering
\includegraphics[width=\columnwidth]{figure1}
\caption{ANDROIDS $J$-band mosaic (top) and MegaCam mosaics (bottom). The optical mosaics are stable down to $\mu_g<28.5$~mag~arcsec$^{-2}$, and reveal outer disk features such as the northern spur.}
\label{fig:mosaics}
\end{figure}

Covering the Andromeda Galaxy's disk requires fourteen 1-square degree pointings with MegaCam, but the background in these fields cannot be directly measured.
For our CFHT/MegaCam optical mapping we have used a new method called Elixir-LSB that enables calibrated surface brightness maps via real-time background monitoring  using a sky-target-target-sky nodding pattern.
This yields optical mosaics with modest integrations (15~minutes in $g^\prime r^\prime i^\prime$, 45~minutes in $u^*$) that reach surface brightness levels of $\mu_g \lesssim 28.5$~mag~arcsec$^{-2}$, while also having a pixel scale of 0.7~pc on the disk of M31.
The optical mosaics (Fig.~\ref{fig:mosaics}) have stable surface brightness calibration out to the mosaic edge at $R=40$~kpc, and for the first time, the northern spur in the M31 disk is seen in \emph{integrated} light, after first being detected by \cite{Ferguson:2002} in stellar density maps.

Producing equivalent surface brightness maps at $J$ and $K_s$ is far more difficult, as outlined by \cite{Sick:2013}.
NIR sky glow is both bright---$10^3\times$ M31's NIR surface brightness at $R=20$~kpc---and variable in space and time.
\citeauthor{Sick:2013} find that nodding across a target as large as M31 introduces background level uncertainties at a level of 2\% of the NIR background.
However we can produce NIR mosaics (Fig.~\ref{fig:mosaics}) stable to $<0.1$\% of the background level by solving for a set of background level offsets for each image that minimize image-to-image surface brightness discontinuities.
Since the background corrections are so large, absolute surface brightness must be calibrated by appealing to star counts.

\section{Near-Infrared Stellar Populations}

\begin{figure}[t]
\centering
\includegraphics[width=\columnwidth]{figure2}
\caption{Near-infrared color magnitude diagrams with $\log Z/Z_\odot=0.2$ metallicity Padova isochrones overlaid for various ages.
Tight RGB sequences in the disk-halo transition (right) are nearly mono-abundance, while those in the outer optical disk (left) are broader due to multiple stellar populations and are redder than expected, likely due to additional extinction.}
\label{fig:cmd}
\end{figure}

Our ANDROIDS NIR color magnitude diagrams are sensitive to AGB and upper red giant branch (RGB) stars in M31.
A great advantage of NIR over optical photometry is that M31 NIR RGB/AGB sequences have distinct colors compared those of the Milky Way foreground.
Indeed, this is why previous resolved stellar population analyses of M31 \citep[e.g.,][]{Williams:2003} have been restricted to young ($<500$~Myr) populations.
In Fig.~\ref{fig:cmd} we plot high metallicity ($\log Z/Z_\odot = 0.2$) Padova isochrones \citep{Marigo:2008} against two $J-K_s$ CMDs in the outer M31 disk.
We find that our outer-disk NIR stellar populations are consistent with predominantly intermediate-age ($>1$~Gyr) high-metallicity population in agreement with HST observations by \cite{Brown:2006}.

\section{Future Work}

ANDROIDS is synergistic with the high-resolution, but spatially-limited, Panchromatic Hubble Andromeda Treasury Survey \citep{Dalcanton:2012}, and the extended halo star counts by the Pan-Andromeda Archaeological Survey \citep{McConnachie:2009}.
We will combine these surveys with ANDROIDS to fully characterize the stellar mass distribution of the bulge, disk and halo \citep[e.g.,][]{Courteau:2011}, and map star formation histories and dust content in M31.
By confronting SED fitting with resolved stellar populations, we will identify the tensions in NIR stellar population synthesis.

\acknowledgements We thank Marc Seigar for organizing a wonderful conference. JS and SC acknowledge the support of NSERC.

redpajama_set_name: RedPajamaArXiv


text:
Brexiteer says it's too soon to be celebrating 'like idiots' leaving the EU
PUBLISHED: 14:30 08 January 2020 | UPDATED: 14:30 08 January 2020
Iain Dale on Jeremy Vine on 5. Photograph: Channel 5.
A Brexiteer has argued a pro-Brexit political commentator by claiming it was wrong to celebrate Brexit Day.
Marion called Jeremy Vine's Channel 5 programme to claim that she voted Leave but was not going to be celebrating the result on January 31st.
She said that people won't know 'for years' whether the result was the right one or not, so it was not a cause for celebration so soon.
The East Sussex caller said: "We don't know if we are going to be better.
"Having said that, I will tell you that I did vote to come out of the EU.
"But we don't know and won't know possibly for years whether Brexit is totally beneficial.
"We don't know if it was a sheer waste of time.
"So why ring bells and dance about like idiots celebrating something that we don't know the result of?"
MORE: Sir Ed Davey bookies' favourite to become next Lib Dem leader
MORE: Mark Francois' bid to get Big Ben ringing on Brexit day is scuppered
Her remarks angered pro-Brexit political commentator Iain Dale who said her stance had "baffled" him.
"Well why did you vote Leave then? Why did you vote Leave if you are being so negative about it?", he asked.
"I was living in Scotland then," responded the caller.
"I voted early on to Leave because I was worried about the amount of immigrants coming into our country."
"I am not against immigration obviously but they have been causing problems with our medical services, housing for our own people.
"I know they are suffering terribly but it has to be slowed down. Now it's years on and we're going to be dancing in the streets because we're getting out and I would gladly celebrate if we knew for certain that it is going to benefit us."
A dumbfounded Dale hit back: "I am completely baffled because that is totally illogical."
Presented Jeremy Vine interjected to point out that "it is not always about logic".
But Dale continued: "A lot of times we do vote with our hearts and not our heads, but on this particular issue nobody can say, of course, what is going to happen.
"Those that voted Leave believed that we would be a better country for leaving.
"I don't 100% know that but I am as a confident as I can be".

redpajama_set_name: RedPajamaCommonCrawl


text:
LG's weird new TV rolls, rotates and comes with a built-in battery
By Brian Westover published 14 December 21
LG's new lifestyle TVs are very unique
LG is set to take on Samsung in a new way, with its own line of design-focused TVs that bring some artistic flair to the uniform world of smart TVs. Competing with the likes of Samsung's Lifestyle TVs, such as The Frame and Sero TVs, LG's first Objet Collection TVs are named the Objet and the StanbyMe (no, those aren't typos, they are spelled correctly). While they are definitely premium products, they don't look anything like the sets on our best TVs list.
Officially numbered as the 65Art90 and the 27Art10, the Objet and StandbyMe are two very different takes on the traditional TV. Set to be shown off at CES 2022 in Las Vegas, the two new TVs are part of LG's Objet Collection of designer appliances, which already includes high-end devices for kitchens and home. The new models take TV design in two very different directions, but retain the emphasis on premium design, high-quality materials and finishes and a focus on personalized use.
The first new Lifestyle TV from LG is the LG StanbyMe 27Art10, a 27-inch do-anything display that has a built-in stand with wheels and an integrated battery, for truly wireless use anywhere in the home. The small display is meant for close, personal use by one viewer, instead of the multiple-viewers that most modern TVs are built around.
Between the battery-powered mobility and the versatile stand – which includes swivel, rotation, tilt and height adjustment – the StanbyMe is meant to be used throughout the home, for everything from TV viewing to video calling, virtual class lectures, and more. Screen mirroring is seamless for both Android and iOS phones with an NFC tap-to-pair function and optional phone cradle. It's also built to be far more hands-on than LG's regular smart TVs, with touch and gesture controls in addition to the standard remote control.
And, as part of LG's Lifestyle TV lineup, design is at the forefront, with the sleek white stand matched by a beige fabric rear cover on the TV chassis and a base that conceals the built-in wheels that let you easily move the set around the house. The design is meant to let you use the StanbyMe as comfortably in bed or at a desk as you would watching a regular TV from the couch.
Between the easy NFC pairing and the swiveling screen, the StanbyMe looks to be competing most directly with the Samsung Sero, which also has an integrated stand and rotating display.
The LG Objet TV is made to let a big screen TV hide itself away when not in use, with a fabric cover that can be lowered to expose the 65-inch 4K TV underneath, or raised to hide the TV screen behind a panel of designer fabric that is made to blend seamlessly into the most sophisticated room designs.
Made to be leaned against a wall like art on an easel, the slim Objet 65Art90 has a built-in frame stand, and a minimalist style that extends to the TV's cable management and streamlined design. The fabric cover is made by Danish textile firm Kvadrat, and comes in three distinct colors (Kvadrat Beige, Kvadrat Redwood, Kvadrat Green), each chosen to match and blend with a wide color palette.
Behind the cover is a pretty capable TV, as well. The Objet is a 65-inch OLED TV – similar to the Editor's Choice LG C1 OLED or the premium LG G1 OLED, which uses a slimmer Gallery design – and boasts the same advanced OLED evo technology that LG introduced on the LG G1. Paired with an advanced processor (no word on which, since it's part of LG's not-yet-announced 2022 lineup), the TV also packs powerful sound into its slim design, with 80 watts of 4.2-channel sound.
It even borrows a feature from the absurdly expensive LG Rollable OLED with Line View – LG's name for a screen mode that uses only the top third of the display – with the fabric cover only retracted part way. In Line View mode, you'll be able to use the TV as a Date & Clock display, or use it as an audio player without powering the TV on fully. The display can also display artwork when it's not being used for regular viewing, with LG's Gallery mode.
LG has not yet announced the availability or pricing for the LG Objet TV (model 65Art90) and LG StanbyME (model 27Art10), but will be unveiling the new models fully at CES 2022 in Las Vegas.
An early report from our sister site What Hi-Fi? explains that the LG Objet TV will begin selling in South Korea starting December 15, with a 9.9 million Won price tag, which would convert to $8,355 US dollars. Meanwhile, the LG StanbyME has actually been selling in Korea since July, with a price of 1,040,000 Won, ($877 US dollars).
We'll wait to see if LG has any word of global availability when the TV is announced at CES.
The best LG TVs
LG OLED65G1
LG QNED MiniLED 99 Series 8K TV


"To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking".
Dance has a long history in India. A large amount of material related to dance, dating from as early as the 2nd century BCE up to the 21st century CE, is available. India is so diverse that at present it has eight classical dance forms recognised by the Sangeet Natak Akademi and the Ministry of Culture, Govt of India; among them Sattriya represents Assam.
'Saptaswa...the rays of performing art,' a socio cultural organisation of Tezpur, Assam, is also nurturing the classical dance forms of India in the form of a national dance festival since 2011. Saptaswa celebrated the 8th edition of Nrityakalpa on 16th and 17th March 2019 in the heritage Baan Theatre, Tezpur. The first day's program was inaugurated by chief guest Gopal Krishna Goswami, Principal, Aviyatri Sangeet Mahavidyalaya. As per tradition, the program began with a Gayan Bayan performed by the students of Saptaswa. The performers Megh Mallika Bora, Swati Bayan, Samriti Bora, Namrata Gogoi, Mrigashree Baruah, Mayurakshi Das, Niharika Nath, were interestingly all female. The next item was a Swahid Sradhanjali performed by junior students of Saptaswa dedicated to the brave jawans of our country who protect us at the cost of their lives. This item was choreographed by Prerona Baishya and Irani Mahanta.
Sattriya was presented by prominent Sattriya dancer Ranjumani Saikia, disciple of the legendary maestro Rasheswar Saikia Barbayan. She started her preliminary training in Sattriya at age 5 and has received many awards. Her first item was a Krishna Vandana on four slokas set to Thukani taal, Chutkala taal and Ek taal. This was followed by a Borgeet abhinaya based on "Mai hero Gokulo chando..." of Sri Madhavdeva, followed by a pure lasya recital, Melan nach of Chali nach set to ek taal.
Odissi was presented by Vinod Kevin Bachchan, a senior disciple of Guru Ranjana Gauhar, from West Indies. Bachchan presented his first item on lord Visweshwara. The poet says, "If you pray to him with love, He, the compassionate one, will surely cut asunder the cycle of birth and death for you." This was based on raag Asavari, taal Khemta, choreographed by Ranjana Gauhar and music composed by Saroj Mohanty. This was followed by Pallavi considered the most lyrical presentation in Odissi.
Kathak was presented by Aligunjan Kalita Mudiar, a disciple of Guru Surendra Saikia of Lucknow Gharana for twenty five years in guru-sishya parampara as a "ganda-bandh" sishya. Aligunjan started her program with a Ganesh Stuti followed by a pure dance in teentaal - presenting upaj, thaat, uthan, amad, tihai in vilambit laya followed by paranjori amad, tukra, paran and tihai in madhya laya. Then she presented Ras Ranjan, the abhinaya part of Kathak showing the two different rasas, karuna and shringara. She concluded with some tukras, parmelu, gat and paran in drut laya. It was a fantastic performance. The final program of day one was presented by Dr. Pratibha Sharma, backbone of the festival. She started with a Krishna Vandana in Kaliyadaman story followed by Sutradhari Nach and an abhinaya piece on Kunti Katha based on the story of Mahabharata, choreographed by Guru Jatin Goswami with music by Dhrubajyoti Baruah.
Second day's program was inaugurated by Dr. Purneswar Nath, Rt. Professor of Darrang College. The program began with a beautiful traditional dance form of India, Devadasi. In every Indian classical dance form, the tradition of Devadasi is reflected. In the scriptures and books of Srimanta Sankaradeva, he mentioned that he has seen this special dance form in the temple of Sri Jagannatha. In Assam, the culture of Devadasi was found in Parihareswar temple, Dubi, which is reflected by Bhaskaravarman in his metal scripts and as per that the tradition of Devadasi is at least 1420 years old. In the Ahom dynasty this traditional dance form was also practised in the Baneswar temple of Biswanath and Negheriting temple of Golaghat. For practising the dance, the king created some ranks like Gayan Baruah, Bayan Baruah, Sattriya Baruah etc. Now, in this modern era there is no culture of Devadasi but it has a bright history. To reflect this forgotten history, Saptaswa presented a Devadasi performance by Meghmallika Bora, Swati Bayan, Mayurakhi Das, Prerana Baishya, Niharika Nath and Irani Mahanta. The accompanying musicians were Ranjan Mahanta (khol), Hirak Nath (flute), Sonit Mahanta (violin) and Mrigashri Baruah (taal).
The second item was a Mati Akhora. Mati Akhora is the base of Sattriya and is the first step towards the grammatical correction of Sattriya dance form. With this the famous colourful Lobonuchuri Nritya was also presented. In the Jumura created by Sri Madhavdeva he introduced this fantastic dance of lord Krishna depicting his childhood days. This eye catching item was performed by the youngest learners of Saptaswa. Bharatnatyam was performed by the students of Jyoti Kalakendra Sangeet Mahavidyalaya, Tezpur - Debarathi Saha, Navaparna Dhar, Gayatri De, Sanchita Das, Rituparna Gupta and Amisha Kundu. The item was directed by Sonali Sarkar, a renowned Bharatanatyam artiste of Assam.
The concluding item of the second day was a Sattriya dance drama based on the famous Sonit Kuwari, the first drama of Rupkonwar Jyoti Prasad Agarwala, depicting the story of Usha and Aniruddha. It was portrayed in a very smooth manner. This was directed by Dr. Pratibha Sharma assisted by Irani Mahanta and Prerona Baishya. The artists were Nayammani, Swati Bayan, Jujutsu Bhuyan, Nayanmoni Hazarika, Prerona Basihna, Meghamallika Bora, Imon Nath, Mrigashree Baruah, Namrata Gogoi, Sampriti Bora, Mayurakhi Das, Niharika Nath, Diganta Deka, and Hrishikesh Saikia. Musicians were Ranjan Bora, Kusha Mahanta, Tarun Kalita. Voice was by renowned artist Pankaj Bordoloi and Mridul Kumar Sarma, music arrangement by Gautam Medhi, stage direction by Prafulla Chandra Bora, with Bipul Nath on the lights.


text:
There She Is (Part II), 2019 by Nina Mae Fowler – Colour pencil
FML, 2022 by Hayden Kays – Unique artwork
HomeARTISTSHayden KaysFact, 2022 by Hayden Kays – Unique artwork
Fact, 2022 by Hayden Kays – Unique artwork
Edition: Unique artwork.
Dimensions: – 75 x 75 x 4 cm
Signed + dated in pencil on verso.
Materials: Acrylic paint in Belgian linen, stretched on Bird & Davis
Includes a hand-embellished certificate of authenticity made by Hayden Kays.
Category: Hayden Kays Tags: Hayden Kays for sale, No Idea, Untitled Is The Title
Hayden Kays (British – b. 1985)
Hayden Kays is a London-based artist whose practice encompasses painting, sculpture and printmaking. He is widely described as one of the most provocative artists of his generation for his celebration and critique of the culture industry which demonstrates classically trained sensibilities mediated by thoroughly contemporary concerns.
Kays' work is characterized by bold imagery, often drawn from popular culture and art history, acerbic word-play, traditional craftsmanship and deadpan humor. Using everyday references and pithy witticisms, his work relates to and subverts the canon of the Pop Artists of the 1950s and the Young British Artists movement of the 1990s.
Kays has been touted as the YBA's heir for the street art generation, spearheading the evolution of the movement in the UK today. His hard-hitting messages, which blur the lines between capitalism and culture, human sensibility and the machine age, have caught the eye of patrons and supporters such as contemporary art bad boy Jake Chapman, who describes the artist's practice as, "acerbic, witty, shallow and subversive… quite brilliant."
His work is held in the private collections of such luminaries as Jake Chapman, James Birch, Harry Styles, Jude Law and The Groucho Club, and has enjoyed international exposure from the platinum-selling band The Kooks, who used Kays' work 'Sending My Heart' as the cover artwork for their latest album.
Recent exhibitions include The Hot 100 (2013), This is Not a Bomb (2014) and The Top Ten (2015), which has enjoyed critical and commercial success on its ongoing global tour, having so far called in London, Paris and Dubai.
His latest exhibition, This Is Not A Brillo Box (2016) saw the second part of a collaboration between himself, Cob Gallery and Jealous Print Studio – presenting the latest manifestation of the Warhol inspired Brillo series.
THE ETERNAL DREAMER
As part of his tireless commitment to charitable causes, Kays has been honored to exhibit his gloriously witty take on the classic design of a Stormtrooper helmet in Art Wars at the Saatchi Gallery during Frieze London in 2013, alongside celebrated artists including David Bailey, Damien Hirst and Yinka Shonibare, MBE. 'The Eternal Dreamer' achieved £2,531 on Paddle8 with all proceeds going to Save The Children. His work 'The Eternal Dreamer' was made for the Disney BFGMovie Dream Jar Trail across London. Displayed at Victoria Embankment Gardens it was then sold via Paddle 8.
Kays has been guest editor of the Arts & Culture pages of Hunger magazine, has been featured in TIRADE, and had cover stories with both Stylist and the FT Wealth section. Most recently he interviews Sir Peter Blake at Waddington Custom Gallery in 360° technology.
Mourning Glory, 2017 by Hayden Kays
I Need A Dollar (Skull Doodles), 2016
Pouring Out My Art by Hayden Kays, 2017
The Lucky Unlucky, 2017
I Need A Dollar, 2016 by Hayden Kays
A Dog's Dinner by Hayden Kays – Artist Proof
Lipstick Kiss Of Death, 2018 by Hayden Kays


In charge of programming, web-design, technical customer support and solving hosting provider problems. Provides for the existence of the family. Hates any and all plants, therefore happily destroys any plants. Must not be shown the location of the herbicides.
Likes to talk the phone and encourages others to do the same on CallWithUs.
Likes warmth, but prefers cool nights. Optimal growing temperature range is 23-27C (71-80F) during the day and 18-22C (67-22F) at night under two comforters. Needs regular watering with beer, but without overdrinking. In hot weather, prefers to be in the jacuzzi. Easily reproduces without artificial pollination, but only one case has been known of propagation in home conditions.


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Laidlaw Capital Markets served as Financial Advisor on the $115,000,000 Follow-On Offering for EyePoint Pharmaceuticals
The Team at Laidlaw Capital Markets is pleased to have acted as Financial Advisor on the $115,000,000 Follow-On Offering, alongside Guggenheim and Cowen. This is the third transaction Laidlaw has been a part of with the company and we look forward to their continued success.
See full Press Release
Laidlaw Capital Markets served as Financial Advisor on the $115,000,000 Follow-On Offering for EyePoint PharmaceuticalsStephen DeLorme2021-02-10T14:34:06+00:00
Laidlaw served as Co-Manager on the $115,000,000 Offering for Affimed (AFMD)
Laidlaw Capital Markets is pleased to have Co-Managed Affimed's $115,000,000 financing alongside Jefferies, SVB Leerink, and Credit Suisse.
Laidlaw served as Co-Manager on the $115,000,000 Offering for Affimed (AFMD)admin2021-01-15T22:28:56+00:00
Laidlaw Wealth Management Acquires Naples Wealth Planning
Laidlaw Wealth Management is pleased to announce its acquisition and partnership with Naples Wealth Planning.
NEW YORK, NY, USA, October 19, 2020 /EINPresswire.com/ — Laidlaw Wealth Management is pleased to announce its acquisition and partnership with Naples Wealth Planning a well-recognized and respected RIA based in Naples, Florida.
The agreement will add four new offices in Naples, Tampa, Stuart, and Miami to Laidlaw's existing Florida location in Boca Raton. In addition, this launches a new platform at Laidlaw to service and expand the 1099 model for advisors. This is an area Richard Calhoun, CEO of Laidlaw Wealth Management, knows well as he was instrumental in the growth of the Wells Fargo Advisors Financial Network from 245 offices to 642 offices, as Managing Director of Growth and Innovation.
See Press Release Here
Laidlaw Wealth Management Acquires Naples Wealth Planningadmin2020-10-20T21:17:59+00:00
Laidlaw Venture Partners Continues Strategic Growth with Addition of Mr. Anthony Zook to its Investment and Operations Committee
Laidlaw Venture Partners ("LVP"), the venture capital arm of Laidlaw & Company (UK) Ltd., today announced the addition of Mr. Anthony ('Tony') Zook to its newly formed Investment and Operations Committee. As a global industry leader, Zook brings years of strategic experience to Laidlaw Venture Partners and is expected to be instrumental in the further development and evolution of the LVP portfolio of companies.
Laidlaw Venture Partners Continues Strategic Growth with Addition of Mr. Anthony Zook to its Investment and Operations Committeeadmin2020-10-18T19:28:09+00:00
Laidlaw Venture Partners Continues Strategic Growth with Addition of Jeff Conroy and George Serafin to its Board of Advisors
Laidlaw Venture Partners, the venture capital arm of Laidlaw & Company (UK) Ltd., today announced the addition of Jeff Conroy and George Serafin to its Board of Advisors. As industry leaders in Business Development and Regulatory/Compliance, both Conroy and Serafin bring years of strategic experience to Laidlaw Venture Partners and will be instrumental in the development and evolution of our innovative companies.
Laidlaw Venture Partners Continues Strategic Growth with Addition of Jeff Conroy and George Serafin to its Board of Advisorsadmin2020-06-25T19:00:05+00:00
Laidlaw Venture Partners Adds Industry Leading CEOs Jeffrey O'Donnell and Dr. Ann Marie Sastry to its Board of Advisors
Laidlaw Venture Partners Adds Industry Leading CEOs Jeffrey O'Donnell and Dr. Ann Marie Sastry to its Board of Advisorsadmin2020-10-18T19:22:42+00:00
Laidlaw served as Sole Book-Runner on the $5mm Follow-On Offering for Hoth Therapeutics (HOTH)
Laidlaw Capital Markets is pleased to announce yesterday's pricing of a $5,000,000 Follow-On Offering for Hoth Therapeutics (HOTH). Laidlaw proudly served as the Sole Book Runner on the transaction.
Laidlaw served as Sole Book-Runner on the $5mm Follow-On Offering for Hoth Therapeutics (HOTH)admin2020-06-01T15:13:22+00:00
Laidlaw served as Introducing Broker on the $10.8mm financing for Biosig Technologies (BSGM), through its subsidiary ViralClear.
Laidlaw Venture Partners client Biosig Technologies (BSGM) through its newly formed subsidiary ViralClear, closes $10,800,000 financing. Laidlaw is proud to have acted as am Introducing Broker on this financing.
Laidlaw served as Introducing Broker on the $10.8mm financing for Biosig Technologies (BSGM), through its subsidiary ViralClear.admin2020-06-01T15:29:30+00:00
Laidlaw served as Co-Lead Manager on the $22mm financing and uplisting for Delcath Systems (DCTH)
Laidlaw Capital Markets is pleased to have acted as Co-Lead Manager on Delcath Systems' (DCTH) $22,000,000 financing and uplisting to NASDAQ. Laidlaw proudly served as the Sole Book Runner on the transaction.
Laidlaw served as Co-Lead Manager on the $22mm financing and uplisting for Delcath Systems (DCTH)admin2020-06-01T15:25:48+00:00
Laidlaw served as Financial Advisor on the $70mm Follow-On Offering for Arcturus Therapeutics (ARCT).
Laidlaw Capital Markets is pleased to announce today's pricing of a $70,000,000 Follow-On Offering for Arcturus Therapeutics (ARCT) around its Covid-19 vaccine and platform for other diseases. Laidlaw proudly served as Financial Advisor alongside Guggenheim, who was Sole-Book Runner on the transaction.
Laidlaw served as Financial Advisor on the $70mm Follow-On Offering for Arcturus Therapeutics (ARCT).admin2020-06-01T15:21:16+00:00


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Sarah Walter (born 5 May 1978 in Schiltigheim) is a retired French athlete, who specialised in the Javelin. She has held, since 2003, the French javelin record with a throw of 62.53 m.

Biography
Second in the 1997 Junior European Championships, she won four French national javelin titles  in 1997, 2002, 2003 and 2005.

On 12 June 2002, in Bordeaux, she set a new France Javelin record of 62.48 m, improving by 32 cm the former best national mark held since 2000 by Nadine Auzeil. On 27 June 2003, in Strasbourg, she bettered this record to 62.53 m.

Prize list

National
 French Championships in Athletics:
 winner in the javelin 1997,  2002,  2003 and 2005

Records

Notes and references

External links
 Sarah Walter on the site of the French Athletics Federation

1978 births
Living people
French female javelin throwers
People from Schiltigheim
Sportspeople from Bas-Rhin
20th-century French women
21st-century French women

redpajama_set_name: RedPajamaWikipedia