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DispatchTrack Acquires Beetrack and Expands Operations in Latin America
Strengthens company's global footprint with the addition of more than 850 customers across 20 countries in Latin America
Campbell, CA, December 2nd, 2021
DispatchTrack, a global last mile logistics software-as-a-service leader that powers positive, predictable, and visible experiences for shippers, drivers, and recipients, today announced the purchase of Beetrack, the Latin American leader in logistics software. The acquisition will expand DispatchTrack's global footprint with the addition of more than 850 customers across 20 countries in Latin America including Chile, Peru, Argentina, Colombia, Mexico, and Costa Rica.
DispatchTrack was founded in 2010 and received $144M in a first round of growth equity funding in May 2020 from Spectrum Equity. The company powers over 60 million deliveries every year for thousands of customers globally. Its state-of-the-art SaaS platform simplifies complex last mile deliveries and service operations for major B2B and B2C brands and their delivery partners so they can provide high-touch, frictionless, and delightful delivery experiences to their customers.
DispatchTrack serves leading global brands across a broad range of industries including retail, CPG, furniture and appliance, construction, grocery, restaurants, food and beverage, and third-party-logistics firms (3PLs). Its robust platform and proprietary hybrid routing algorithm automatically and dynamically determines the optimal delivery route and truck loads, and provides end-to-end delivery tracking — from the moment an item leaves the warehouse to the moment it is delivered or installed at its destination. With DispatchTrack, retailers and delivery companies can give their customers the ability to self-schedule a convenient delivery window, receive proactive real-time updates about the shipment's progress, and experience true predictability and visibility every step of the way.
"Beetrack is well-known and well-regarded for its leadership in last mile logistics for the Latin American market. With incredible technology, customer growth, and momentum, Beetrack powers deliveries for top brands across the region. This acquisition represents a massive expansion and market opportunity for DispatchTrack in this fast-growing geography," said Satish Natarajan, DispatchTrack co-founder and CEO. "We share the same commitment to delivering stellar innovation and new efficiencies to brands, and a superior delivery experience to their customers. Sebastian Ojeda, Beetrack's CEO, and the leadership team bring invaluable domain expertise to DispatchTrack. We're thrilled to welcome Beetrack's team and customers and look forward to ongoing growth and success together."
Beetrack is headquartered in Santiago, Chile with offices in Mexico, Peru, and Colombia, offering innovative logistics technology for optimal route planning, traceability, and control of last mile deliveries. The company's revenues, operations and customer base have grown rapidly since its inception. Beetrack now has over 100 employees and manages more than 55,000 deliveries per hour for leading brands including Walmart, Coca Cola, and Cencosud.
"DispatchTrack has developed the most impactful and scalable last mile delivery solution on the market. We have a very like-minded approach to today's extremely complex last mile logistics challenges with highly complementary technologies," said Sebastian Ojeda, Beetrack's CEO. "We're proud to be joining DispatchTrack's team and excited to provide Beetrack customers with added functionality and efficiencies so they can better serve their customers."
About DispatchTrack
DispatchTrack is the leading provider of state-of-the-art high-tech software solutions for high-touch last mile deliveries. Since its founding in 2010, DispatchTrack has partnered with leading brands to make even the most complex deliveries predictable and visible while enabling seamless positive experiences in the last mile for shippers, drivers, and recipients alike. DispatchTrack's SaaS platform simplifies scheduling for both shippers and customers, determines the best delivery route and load for each truck, tracks each shipment at every step of the way, and keeps everyone, including customers, proactively informed on the shipment's progress. Our real-time engine turns the unpredictable into automated, fully-optimized events. From the warehouse to that "wow" moment for recipients, DispatchTrack delivers delight more than 180 million times a year.
About Beetrack
Beetrack is a provider of technology solutions designed to provide the best delivery experience. The company was born in Santiago de Chile in 2013 with the purpose of improving the quality of the dispatch service and shipments of its clients, and thus be able to deliver with them, moments of happiness to final consumers, reducing their uncertainty and increasing their satisfaction with the post-purchase experience.The company develops innovative products for optimal route planning, traceability and control of last-mile deliveries. The planning and monitoring software developed by Beetrack allows optimizing all the distribution logistics of the companies. Today, Beetrack monitors over 55,000 shipments per hour and its client portfolio is made up of more than 850 companies, in more than 20 countries in the world.
For press inquiries, email brian@dispatchtrack.com


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Q: TCP IP Header Malformed Packet I am attempting to send a message using an IP Header. This is my IP Header
struct iphdr constructIpHeader(struct in_addr dst, char if_name[], int sockfd, int bufSzie){
    printf("constructing IP header...\n");
    struct iphdr ip_hdr;
    ip_hdr.ihl = 5;
    ip_hdr.version = 4;
    ip_hdr.tos = 0;
    ip_hdr.tot_len = htons(IPHDRSIZ + bufSzie);
    ip_hdr.id = htons(0x0400);
    ip_hdr.frag_off = htons(0x000);
    ip_hdr.ttl = 0x40;
    ip_hdr.protocol = 6;
    ip_hdr.check = 0;

    ip_hdr.saddr = get_ip_saddr(if_name, sockfd); // source ip
    ip_hdr.daddr = dst.s_addr;
    ip_hdr.check = ip_checksum(&ip_hdr, IPHDRSIZ); // checksum good
    printf("IP header complete\n");
    return ip_hdr;
}

This is how I construct and send the data
    memset(&sk_addr,0,sk_addr_size);
    struct iphdr ip_hdr;
    ip_hdr = constructIpHeader(dst_ip, interfaceName, sockfd, strlen(buf));

    char ip_payload[IPHDRSIZ+strlen(buf)+1];
    char *ip = (char *)&ip_hdr;
    memcpy(ip_payload, ip, IPHDRSIZ);
    memcpy(&ip_payload[IPHDRSIZ], buf, strlen(buf));

    send_message(interfaceName, sk_addr, dst_mac, ip_payload, sockfd, 1, if_hwadd

This is what my Wireshark looks like

This is all really new to me, so any advice would be helpful. I've been digging around forums and I think I am constructing the header correctly, which is why I am confused on why the packet is malformed. I thought it could be something to do with the memcpys before I send the message, but I am not sure of another way to approach this.

redpajama_set_name: RedPajamaStackExchange


iderdider....: in sickness & in health.
I will always remember 2007 as the New Years where we all got sick and wanted our mommies. Last night was wild. All three of us have the flu. All three of us puking and shivering. Two of us cleaning up and rocking the girl. Two of us praying together as our little one cried between us. Two of us huddled together with buckets beside our bed. Claire is resting now and is definitely still sick. Nate is curled up on the couch watching infomercials and trying to feel better. I have successfully eaten crackers and drank some broth, so that makes me the most well of our pitiful trio. If you are inclined, please pray for us. I'll hopefully be able to post an update with good news in the morning.
Poor things! :( I hope you all get better soon.
Poor thing. I will pray for you guys.


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HomeAnalysisGates Tells Another Whopper About Vaccine Production
Gates Tells Another Whopper About Vaccine Production
May 12, 2021 This article was posted by TLB Staff Analysis, COMMENTARY, FREEDOM, HEALTH, WORLD 1
Bill Gates Tells Another Big Lie About Vaccine Production
Story at-a-glance:
About 75% of COVID-19 vaccines have been administered in high-income countries, while more than 100 countries haven't administered even one dose.
Lifting the patent protection on them would open the doors for generic versions to be manufactured, increasing supplies and lowering costs — and ultimately getting more vaccines to middle and low-income nations.
Gates, who has been adamant since the beginning of the pandemic that the only way to end it is by vaccinating the global population, told Britain's Sky News that lifting patent protections on COVID-19 vaccines would not be useful.
He stated it's not a matter of intellectual property but because "there's only so many vaccine factories in the world" and "It's not like there's some idle vaccine factory, with regulatory approval, that makes magically safe vaccines."
A number of vaccine factories have the capacity to produce hundreds of millions of COVID-19 vaccines if given the recipe to do so.
Analysis by Dr. Joseph Mercola
Bill Gates has been adamant since the beginning of the pandemic that the only way to end it is by vaccinating the global population. In an April 2020 blog post, he stated, "We need to manufacture and distribute at least 7 billion doses of the vaccine" … "or possibly 14 billion, if it's a multidose vaccine." He also said, "I suspect the COVID-19 vaccine will become part of the routine newborn immunization schedule."1
Coincidentally, Gates also personally supported and participated in Event 201,2 which simulated a worldwide pandemic triggered by a novel coronavirus.3 The primary response to the simulated pandemic, which turned into reality just months later? Developing and distributing patentable antiviral medications and a new wave of vaccines.
Now that COVID-19 vaccines are here, however, Gates isn't too keen on the idea of lifting the patent protection on them, which would open the doors for generic versions to be manufactured, increasing supplies and lowering costs — and ultimately getting more vaccines to middle- and low-income nations.
That was Gates' stated goal, after all, so it's ironic, then, that Gates told Britain's Sky News that lifting patent protections on COVID-19 vaccines would not be useful4 — a statement that Krystal Ball, host of The Hill's "Rising With Krystal and Saagar" morning show calls an outright lie driven by one word — greed.5
Bill Gates Lied About Vaccine Patents
About 75% of COVID-19 vaccines have been administered in high-income countries, according to Ball, while more than 100 countries haven't administered even one dose.6
While there are many reasons to think carefully before getting the vaccine — the criminal past of vaccine manufacturers, no long-term safety testing or informed consent, and under-reporting of adverse reactions and death, for starters — going from Gates' goal of vaccinating the world, the lack of vaccine availability in most of it is glaring.
The U.S. just lifted an embargo on raw materials needed to help make COVID-19 vaccines in India at the end of April 2021,7 which would increase vaccination rates. Then there were Gates' own comments about whether he thought lifting patent protections on COVID-19 vaccines would be helpful, to which he responded no:8
"The thing that's holding things back, in this case, is not intellectual property. It's not like there's some idle vaccine factory, with regulatory approval, that makes magically safe vaccines. You've got to do the trial on these things. And every manufacturing process needs to be looked at in a very careful way.
There's only so many vaccine factories in the world, and people are very serious about the safety of vaccines. Moving a vaccine, say, from a [Johnson & Johnson] factory into a factory in India, it's novel, it's only because of our grants and expertise that can happen at all."
An Associated Press (AP) investigation, however, found three factories on three continents that have the capacity to produce hundreds of millions of COVID-19 vaccines "if only they had the blueprints and technical know-how."9 One such factory in Bangladesh, with "gleaming new equipment imported from Germany" and "immaculate hallways lined with hermetically sealed rooms," is operating at only 25% capacity.10
In Canada, pharmaceutical company Biolyse has a similar story and is actively trying to get the recipe to make COVID-19 vaccines from AstraZeneca and Johnson & Johnson so they can start production and provide millions of doses to the global south. They even asked the Canadian government to give them emergency authorization to produce the patented products, with no success. Speaking to The Guardian, vice president John Fulton said:11
"We've been passed over. We've got this production capacity and it's not being put to use. If we had started this last year, we could have shipped millions of doses by now. This is supposed to be like a wartime effort, everyone in it together. But that doesn't seem to be the case."
US Tax Dollars Funded Every New Drug From 2010 to 2019
Big Pharma's goal is to keep their profits high. They lobby heavily in the U.S. and E.U. to protect patent monopolies so generic versions of their products cannot be manufactured. According to Corporate Europe Observatory:12
"Many pharma companies have pledged to put global health before profits during the pandemic, but documents released to Corporate Europe Observatory — after long delays — reveal that the European Federation of Pharmaceutical Industries and Associations (EFPIA) lobbied against a tool designed to facilitate equitable access and pricing for pandemic treatments in Europe."
They claim that patents are necessary to protect their intellectual property rights so they can continue to research and produce lifesaving treatments, but they're largely reaping the profits of taxpayer-funded research. In a working paper released by the Institute for New Economic Thinking, it's revealed that funding from the U.S. National Institutes of Health (NIH) — $230 billion in total — contributed to research associated with every new drug approved in the U.S. from 2010 to 2019.13
What's more, 22,000 patents resulted from the taxpayer-funded research, which allowed for marketing exclusivity for 8.6% of the new drugs approved during the study period. "It also demonstrates the limited mechanisms available for recognizing the value created by these early investments and ensuring appropriate public returns," the paper noted.14
Even the mRNA technology that's being used in COVID-19 vaccines is the result of federally funded basic research conducted by the NIH and the Department of Defense.15 "This is the people's vaccine," Peter Maybarduk, director of Public Citizen's Access to Medicines program, told Scientific American. "Federal scientists helped invent it and taxpayers are funding its development. … It should belong to humanity."16
Pfizer's COVID vaccine has already generated $3.5 billion in revenue in the first three months of 2021,17 and the company said it expects "durable demand" for the vaccine to continue in coming years, similar to flu vaccines. Estimates suggest revenue will reach $26 billion for Pfizer's COVID vaccine by the end of 2021.18
Gates' Immense Power Protects Profits Over Public Health
Gates' COVAX, a program co-led by WHO, Gavi (founded by the Gates Foundation in partnership with WHO) and the Coalition for Epidemic Preparedness Innovations (CEPI), is intended to accelerate the development and manufacture of COVID-19 vaccines and to "guarantee fair and equitable access for every country in the world."19
It sounds good in theory, but in practice, as Ball said, it's been a joke.20 While COVAX pledged to distribute 2.27 billion vaccines to 92 poor countries by the end of 2021,21 only 38 million doses have been distributed so far.22 "Even in December 2020, it was already clear that such equal access would never come about through the limited toolbox provided by COVAX. And today the claim rings completely hollow," Corporate Europe Observatory noted, adding:23
"38 million doses, an undisclosed number of which have reached the most disadvantaged countries, is unimpressive to say the least. A disaster in slow-motion would be a more apt description. And there doesn't seem to be light at the end of the tunnel. At the moment, the prediction is that come June, COVAX will reach a mere 20 percent of its target for 2021."
Meanwhile, Gates continues to lie about the reasons why he believes the recipes for COVID vaccines being held by drug companies should remain protected. As Jacobin reported, Gates could, arguably, be considered the most disruptive force in ensuring that drug company profits come before public health:24
"Though untold public investment played a key role in the development of vaccines, shareholders in private pharma companies have raked in huge fortunes while rollout has overwhelmingly benefited the richest 16 percent of the global population — many poorer nations not expected to achieve effective vaccination levels for another two years, the most significant reason being inadequate supply.
Gates, who incidentally owes much of his own fortune to monopolistic intellectual property laws, has been more than a passive actor in the pandemic — having, among other things, convinced Oxford University to renege on its original promise of a no-patent vaccine and partner with the profit-driven AstraZeneca instead.
Arguably more than any other single figure, the billionaire has mobilized his immense personal wealth and power to ensure that the interests of for-profit drug companies prevail over global public health."
Gates Owns Investments in COVID Vaccine Stocks
While continuing to recommend against COVID vaccine companies releasing their patents, Gates is personally invested in at least one of the companies, BioNtech. "In September of 2019, Bill Gates spent $55MM on a pre-ipo equity investment into BioNtech, which later partnered with Pfizer to make its mRNA vax. That Gates investment is now worth over $550 million dollars," independent journalist Jordan Schachtel tweeted in April 2021.25
"In Q4 of 2020 Gates inc. dropped another $85MM into BioNtech stock. That investment is now worth about $200MM … I am kind of fascinated by some critiques of this claiming that Bill Gates is super rich so the fact that he made $500MM is not a big deal. If it's not a big deal, why doesnt he advocate that vax companies he has equity in just release their patents for good of public health?" he added.
It's a fair question, but one with a simple answer: again, greed. Gates morphed from a ruthless technology monopolizer into a saintly, generous philanthropist in 2000 when he launched the Bill & Melinda Gates Foundation.26 But cracks are continuing to emerge in his carefully constructed image. As The New Republic put it:27
"COVAX presents a high-stakes demonstration of Gates's deepest ideological commitments, not just to intellectual property rights but also to the conflation of these rights with an imaginary free market in pharmaceuticals — an industry dominated by companies whose power derives from politically constructed and politically imposed monopolies.
Gates has been tacitly and explicitly defending the legitimacy of knowledge monopolies since his first Gerald Ford-era missives against open-source software hobbyists. He was on the side of these monopolies during the miserable depths of the 1990s' African AIDS crisis.
He's still there today, defending the status quo and running effective interference for those profiting by the billions from their control of Covid-19 vaccines."
What's perhaps most disturbing of all is, despite the immense power he yields, Gates wasn't elected into this position. Nick Dearden, executive director of Global Justice Now, called Gates' defense of vaccine patents "disgusting" and poignantly added, "Who appointed this billionaire head of global health? Oh yeah, he did."28
Sources and References:
1 Gates Notes April 30, 2020
2, 3 The Defender, March 11, 2021
4, 8 Observer April 28, 2021
5, 6, 20 YouTube April 28, 2021
7 Republic World April 25, 2021
9, 10 AP News March 1, 2021
11 The Guardian April 24, 2021
12 Corporate Europe Observatory September 21, 2020
13, 14 Institute for New Economic Thinking September 2020
15, 16 Scientific American November 18, 2020
17 The New York Times May 4, 2021
18 BBC News May 4, 2021
19 WHO, COVAX
21 The Wall Street Journal April 19, 2021
22, 23 Corporate Europe Observatory April 19, 2021
24 Jacobin April 26, 2021
25 Twitter April 29, 2021
26 Britannica, Gates Foundation
27 The New Republic April 12, 2021
28 Salon April 26, 2021
Dr. Joseph Mercola is the founder of Mercola.com. An osteopathic physician, best-selling author and recipient of multiple awards in the field of natural health, his primary vision is to change the modern health paradigm by providing people with a valuable resource to help them take control of their health.
In my newest book, "The Truth About COVID-19," I investigate the origins of this virus and how the elite use it to slowly erode your personal liberty and freedom. I'll also show how you can protect yourself against this disease and what you can do to fight back against the technocratic overlords. Preorder Now
COVID-19 is just the beginning, but there is still hope. I urge you to take a stand now for future generations.
This article (Bill Gates Tells Another Big Lie About Vaccine Production) was originally created and published by MERCOLA and is republished here with permission and attribution to the articles author Dr. Joseph Mercola as well as the originating website, mercola.com. (© Dr. Joseph Mercola)
TLB recommends you visit MERCOLA for more great articles and information.
Read more articles by Dr. Joseph Mercola
Image Credit: "Bill Gates – Caricature" by DonkeyHotey is licensed under CC BY 2.0
Read more about Big Pharma
Stay tuned to …
Event 201
low-income nations
mRNA technology
newborn immunization
Profits Over Public Health
vaccine factory
vaccine patents
vaccine production
The CDC Versus Common Sense
Why Fear and Self-hatred Destroy Human Sharing and Solidarity
Big Win! Monsanto Reports $156 Million Loss in Q4 as Farmers Abandon GM Crops
1 Comment on Gates Tells Another Whopper About Vaccine Production
Sink May 13, 2021 at 8:17 am
Why is it when Billy Gates speaks of vaccines it is AOK but when Joe Rogan suggests that teens may not need the vaccine he is skewered for not being a medical professional?

redpajama_set_name: RedPajamaCommonCrawl


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Q: How to forward between processes with named pipes? The /tmp/in, /tmp/out and /tmp/err are named pipes, already created and opened by some process (for reading, writing and writing, respectively).
I would like to create a new process that pipes its stdin into /tmp/in, and writes the contents of /tmp/out to its stdout, and the contents of /tmp/err to its stderr as they become available. Everything should work in a line buffered fashion. The process should exit when the other process, that created /tmp/in, stops reading and closes /tmp/in. The solution should work on Ubuntu, preferably without installing any extra package. I would like to solve it in a bash script.

mikeserv pointed out that without an SSCCE, it is hard to understand what I want. So, below is an SSCCE, but keep in mind that it is a minimal example so it is pretty silly.
The original setup
A parent process launches a child process and communicates with it through the child's stdin and stdout line-by-line. If I run it, I get:
$ python parent.py
Parent writes to child:  a
Response from the child: A

Parent writes to child:  b
Response from the child: B

Parent writes to child:  c
Response from the child: C

Parent writes to child:  d
Response from the child: D

Parent writes to child:  e
Response from the child: E

Waiting for the child to terminate...
Done!
$

parent.py
from __future__ import print_function
from subprocess import Popen, PIPE
import os

child = Popen('./child.py', stdin=PIPE, stdout=PIPE)
child_stdin  = os.fdopen(os.dup(child.stdin.fileno()), 'w')
child_stdout = os.fdopen(os.dup(child.stdout.fileno()))

for letter in 'abcde':
    print('Parent writes to child: ', letter)
    child_stdin.write(letter+'\n')
    child_stdin.flush()
    response = child_stdout.readline()
    print('Response from the child:', response)
    assert response.rstrip() == letter.upper(), 'Wrong response'

child_stdin.write('quit\n')
child_stdin.flush()
print('Waiting for the child to terminate...')
child.wait()
print('Done!')

child.py, must be executable!
#!/usr/bin/env python
from __future__ import print_function
from sys import stdin, stdout

while True:
    line = stdin.readline()
    if line == 'quit\n':
        quit()
    stdout.write(line.upper())
    stdout.flush()

The desired setup and a hackish solution
Neither the parent's source file nor the child's source file can be edited; it is not allowed.
I rename the child.py to child_original.py (and make it executable). Then, I put a bash script (a proxy or a middle man if you wish) called child.py, start the child_original.py myself before running python parent.py and have the parent.py call the fake child.py which is now my bash script, forwarding between the parent.py and the child_original.py.
The fake child.py
#!/bin/bash
parent=$$
cat std_out &
(head -n 1 shutdown; kill -9 $parent) &
cat >>std_in

The start_child.sh to start child_original.py before executing the parent:
#!/bin/bash
rm -f  std_in std_out shutdown
mkfifo std_in std_out shutdown
./child_original.py <std_in >std_out
echo >shutdown
sleep 1s
rm -f  std_in std_out shutdown

The way of executing them:
$ ./start_child.sh &
[1] 7503
$ python parent.py
Parent writes to child:  a
Response from the child: A

Parent writes to child:  b
Response from the child: B

Parent writes to child:  c
Response from the child: C

Parent writes to child:  d
Response from the child: D

Parent writes to child:  e
Response from the child: E

Waiting for the child to terminate...
Done!
$ echo

[1]+  Done                    ./start_child.sh
$

This hackish solution works. As far as I know, it does not meet the line buffered requirement and there is an extra shutdown fifo to inform the start_child.sh that child_original.py has closed the pipes and start_child.sh can safely exit.

The question asks for an improved fake child.py bash script, meeting the requirements (line buffered, exits when the child_original.py closes any of the pipes, does not require an extra shutdown pipe).

Stuff I wish I had known:

*

*If a high-level API is used for opening a fifo as a file, it must be opened for both reading and writing, otherwise the call to open already blocks. This is incredibly counter-intuitive. See also Why does a read-only open of a named pipe block?

*In reality, my parent process is a Java application. If you work with an external process from Java, read the stdout and stderr of the external process from daemon threads (call setDamon(true) on those threads before starting them). Otherwise, the JVM will hang forever, even if everybody is done. Although unrelated to the question, other pitfalls include: Navigate yourself around pitfalls related to the Runtime.exec() method.

*Apparently, unbuffered means buffered, but we don't wait until the buffer gets full but flush it as soon as we can.

A: If you get rid of the killing and shutdown stuff (which is unsafe and you may, in an extreme, but not unfathomable case when child.py dies before the  (head -n 1 shutdown; kill -9 $parent) & subshell does end up kill -9ing some innocent process),
then child.py won't be terminating because your parent.py isn't behaving like a good UNIX citizen.
The cat std_out & subprocess will have finished by the time you send the quit message, because the writer to std_out is child_original.py, which finishes upon receiving quit at which moment it closes its stdout, which is the std_out pipe and that close will make the cat subprocess finish.
The cat > std_in isn't finishing because it's reading from a pipe originating in the parent.py process and the parent.py process didn't bother to close that pipe.  If it did, cat > stdin_in and consequently the whole child.py would finish by itself and you wouldn't need the shutdown pipe or the killing part (killing a process that isn't your child on UNIX is always a potential security hole if a race condition caused due to rapid PID recycling should occur).
Processes at the right end of a pipeline generally only finish once they're done reading their stdin, but since you're not closing that (child.stdin), you're implicitly telling the child process "wait, I have more input for you" and then you go kill it because it does wait for more input from you as it should.
In short, make parent.py behave reasonably:
from __future__ import print_function
from subprocess import Popen, PIPE
import os

child = Popen('./child.py', stdin=PIPE, stdout=PIPE)

for letter in 'abcde':
    print('Parent writes to child: ', letter)
    child.stdin.write(letter+'\n')
    child.stdin.flush()
    response = child.stdout.readline()
    print('Response from the child:', response)
    assert response.rstrip() == letter.upper(), 'Wrong response'

child.stdin.write('quit\n')
child.stdin.flush()
child.stdin.close()
print('Waiting for the child to terminate...')
child.wait()
print('Done!')

And your child.py can be as simple as
#!/bin/sh
cat std_out &
cat > std_in
wait #basically to assert that cat std_out has finished at this point

(Note that I got rid of that fd dup calls because otherwise you'd need to close both child.stdin and the child_stdin duplicate).
Since parent.py operates in line-oriented fashion, gnu cat is unbuffered (as mikeserv pointed out) and child_original.py operates in a line oriented fashion, you've effectively got the whole thing line-buffered.

Note on Cat: Unbufferred might not be the luckiest term, as gnu cat does use a buffer. What it doesn't do is try to get the whole buffer full before writing things out (unlike stdio). Basically it makes read requests to the os for a specific size (its buffer size), and writes whatever it receives without waiting to get a whole line or the whole buffer.  (read(2) can be lazy and give you only what it can give you at the moment rather than the whole buffer you've asked for.)
(You can inspect the source code at http://git.savannah.gnu.org/cgit/coreutils.git/tree/src/cat.c ; safe_read (used instead of plain read) is in the gnulib submodule and it's a very simple wrapper around read(2) that abstracts away EINTR (see the man page)).

A: With a sed the input will always be read in on a line-buffer, and the output can be explicitly flushed per line with the w command. For example:
(       cd /tmp; c=
        mkfifo i o
        dd  bs=1    <o&
        sed -n w\ o <i&
        while   sleep 1
        do      [ -z "$c" ] && rm [io]
                [ "$c" = 5 ]   && exit
                date "+%S:%t$((c+=1))"
        done|   tee i
)

44: 1
44: 1
45: 2
45: 2
46: 3
46: 3
47: 4
47: 4
48: 5
48: 5
30+0 records in
30+0 records out
30 bytes (30 B) copied, 6.15077 s, 0.0 kB/s

...where tee (which is spec'd not to block buffer) writes its output to the terminal and to sed's i pipe simultaneously. sed reads i line-by-line and writes each line it reads to its out pipe as soon it does. dd reads the out pipe a byte at a time, and it shares a stdout with tee, and so they both write the output to the terminal at the same time. This would not happen if sed didn't explicitly line-buffer. Here's the same run but without the write command:
(       cd /tmp; c=
        mkfifo i o
        dd  bs=1    <o&
        sed ''  >o  <i&
        while   sleep 1
        do      [ -z "$c" ] && rm [io]
                [ "$c" = 5 ]   && exit
                date "+%S:%t$((c+=1))"
        done|   tee i
)

48: 1
49: 2
50: 3
51: 4
52: 5
48: 1
49: 2
50: 3
51: 4
52: 5
30+0 records in
30+0 records out
30 bytes (30 B) copied, 6.15348 s, 0.0 kB/s

In that case sed block buffers, and doesn't write a thing to dd until its input closes, at which point it flushes its output and quits. In fact, it exits when its writer does in both cases, as is witnessed in dd's diagnostics being written at pipeline's end.
Still though...
(       cd /tmp; c=
        mkfifo i o
        dd  bs=1    <o&
        cat >o      <i&
        while   sleep 1
        do      [ -z "$c" ] && rm [io]
                [ "$c" = 5 ]   && exit
                date "+%S:%t$((c+=1))"
        done|   tee i
)

40: 1
40: 1
41: 2
41: 2
42: 3
42: 3
43: 4
43: 4
44: 5
44: 5
30+0 records in
30+0 records out
30 bytes (30 B) copied, 6.14734 s, 0.0 kB/s

Now my cat is a GNU version - and GNU's cat (if called without options) never block buffers. If you are also using a GNU cat then it seems pretty clear to me that the problem is not with your relay, but with your Java program. However, if you are not using a GNU cat, then there is a chance that it will buffer output. Lucky for you, though, there is but only one POSIX spec'd option to cat, and that is for -unbuffered output. You might try it.
I'm looking at your thing, and after playing around with it awhile I'm pretty sure your problem is a deadlock situation. You've got the one cat hanging on input there at the end, and if the JVM process is also waiting for someone to talk to it, then probably nothing will ever happen. So I wrote this:
#!/bin/sh
die()   for io  in  i o e
        do      rm "$io"
                kill -9 "$(($io))"
        done    2>/dev/null
io()    while   eval "exec $((fd+=1))>&-"
        do      [ "$fd" = 9 ] &&
                { cat; kill -1 0; }
        done
cd /tmp; fd=1
mkfifo   i o e
{   io <o >&4 & o=$!
    io <e >&5 & e=$!
    io >i <&3 & i=$!
}   3<&0  4>&1  5>&2
trap "die; exit 0" 1
echo; wait

It's kind of sloppy about handling return codes, unfortunately. With more work it could be made to do so reliably though. Anyway, as you can see it backgrounds all of the cats, writes an empty line to stdout, then waits until one of the cats quits, which should set off a chain that kills all of them in all cases, I think.

A: In bash, you could try:
forward() { while read line; do echo "$line"; done; }
forward </tmp/out &
forward </tmp/err >&2 &
forward >/tmp/in
wait

and then run the script with stdbuf -i0 -oL.
The forward function is basically your the pipe method from your python code with src and dest defaulting to stdin and stdout and without the explicit flushing, hoping that stdbuf might do it.
If you're already concerned about performance and want it in C code, put it in C code. I'm not familiar with a stdbuf friendly cat alternative but here's a C++ one liner (almost) for catting stdin to stdout:
#include <iostream>
using namespace std;
int main() { for(string line; getline(cin,line); ){ cout<<line<<'\n'; }; }

Or if you absolutely must have C code:
#include <stdlib.h>
#include <stdio.h>
int main()
{
  const size_t N = 80;
  char *lineptr = (char*)malloc(N); //this will get realloced if a longer line is encountered
  size_t length = N;
  while(getline(&lineptr, &length, stdin) != -1){
    fputs(lineptr, stdout);
  }
  free(lineptr);
  return 0;
}

Neither the C nor the C++ example do explicit flushing after each line, because I think leaving that to stdbuf is a better design decision, but you could always add that by calling fflush(stdout) in the C example after each line, replacing '\n' with endl in the C++ example, or more efficiently, by pre-setting the buffering to line buffering in both cases so you don't have to make those "expensive" C/C++ function calls.


text:
Pixar's midlife crisis: Why the world's greatest animation studio went soul searching
Robbie Collin Oct 26, 2020
'Inside Out' gave its director the Oscar-winning hit he'd always dreamt of - and an existential crisis. Can he see it off with 'Soul'?
Pete had been persuaded by Inside Out's success that younger viewers would be able to grapple with Soul's big existential themes
A month after the release of Inside Out, Pete Docter arrived back at Pixar Animation Studios with a plan in mind for his next film. The director's two children had reached their late teens, and he had found himself in what he calls a "looking-back phase" – poring over baby pictures, and reminiscing about watching the first sparks of their personalities emerge.
His next film, he thought, would follow two of those sparks: a pair of souls-in-training who are having a pre-existential crisis, but decide to face their fraught and uncertain lives on Earth side by side. This was a strong idea with one obvious drawback; it felt an awful lot like Inside Out, in which Joy and Sadness – two emotions inside the head of an 11-year-old girl – learn to accept their differences and appreciate each other's worth.
It was 2015, halfway through a decade at Pixar in which sequels had outnumbered original films by almost two to one. That creative change of direction had profoundly irked Docter, who had always gone out of his way to avoid repeating himself artistically, and took particular pride in the studio's innovative early output. (When Docter took over as Pixar's chief creative officer in 2018 after his predecessor John Lasseter's departure over a series of MeToo-related 'missteps', any further sequels were instantly outlawed.)
Soul is surely the boldest CG-animated feature ever made by a major studio
Courtesy Pixar
And so Docter wrestled with his latest project, trying to find an angle that felt like genuinely new ground, but his last one hadn't yet let go of him. Inside Out had become an awards season juggernaut, and went on to win a Golden Globe, a Bafta and an Oscar. It was the kind of success Docter had always dreamt of as his life's crowning achievement, yet he returned to the studio oddly deflated.
"I fell in love with animation when I was nine, made my first film when I was 11, and started working professionally at 15," he says on a Zoom call from his home close to Pixar's headquarters outside San Francisco. Now 51, he has a cartoonist's face, elastically expressive, and a voice that calls to mind Michael Keaton. "So it had always felt like my calling, and I think in the back of my head I'd always expected that once I'd achieved some arbitrary level of success, I'd find happiness and fulfilment, and all my anxieties would vanish."
Instead, he continues, "I found myself thinking, 'Wait a minute – what if that really was the be-all and end-all of my time here? And if so, what am I doing here still?'" Then it hit him. The soul in crisis he should be making a film about was his own.
Working with his co-writer Mike Jones and Pixar's team of storyboard artists, Docter turned his idea on its head. "The narrative we've all heard a thousand times before is that if you chase your dreams, or find the one thing you love, that's what brings joy and fulfilment," he says. But – and hear him out, folks – what if a family film dared to explore the idea that human life was fundamentally meaningless, and all the more beautiful because of it?
"I don't know if it's quite fair to describe this as Pixar's midlife crisis movie," laughs producer Dana Murray, who has been working with Docter since she was layout manager on Up. "But what I do know is that when Pete started asking himself these big questions, he didn't just go and buy himself a Porsche. He made this film."
Soul is surely the boldest CG-animated feature ever made by a major studio: think of it as a Sartrean spin on It's a Wonderful Life; or A Matter of Life and Death seen through a Looney Tunes lens. Its story centres on Joe, a frustrated jazz musician voiced by Jamie Foxx, who lands what he senses is going to be his big breakthrough gig, then promptly falls down a manhole. With his body on life support, his soul finds its way into a cosmic realm known as The Great Before, where human consciousness is forged. Here he meets a novice soul called 22 (Tina Fey) who's long been reluctant to head off and start her life on Earth, but is inspired by Joe's determination to get back to his, considering how unspectacular it seems in every respect. So the two join forces in order to return Joe's soul to his body, in time for the concert he's convinced will bring meaning to his as-yet-unfulfilled existence.
Pixar held a test screening for families part-way through production — not to solicit advice so much as just to watch the audience respond
Docter had toyed for a while with making Joe an animator, but felt that even in a film this personal, it might be too niche. So two years into production, the studio approached Kemp Powers, the playwright behind One Night in Miami, to help flesh out their lead. On a Zoom call from his Los Angeles home, 46-year-old Powers recalls the "cloak and dagger operation" by which he was whisked to Pixar headquarters and presented with an early draft of the film – comprised of animators' sketches. "Then Pete and Dana came in and said, 'So, what do you think?' And I told them all the things that would make it more interesting to me, and Pete got his little pad out and took a bunch of notes. Then they said 'Thanks for your input,' and sent me home. And a week later I was the writer on the project." (His input became so vital, he was later promoted to co-director.)
Like Docter, Powers saw himself in Soul's main character: "I only had my first play produced at 39 and got my first job in television at 41, so I understood where he would – emotionally be," he says. Like Joe, Powers had grown up in New York City, and brought his local knowledge to bear on Soul's second act, in which an unexpected turn of events allows Joe to see his old life through fresh eyes.
Docter had been persuaded by Inside Out's success that younger viewers would be able to grapple with Soul's big existential themes. But to be on the safe side, Pixar held a test screening for families part-way through production - not to solicit advice so much as just to watch the audience respond. (Docter had read in a book of Buster Keaton interviews that the great silent comedian would repeatedly rework his own two-reelers depending on exactly when and for how long his test audiences laughed.)
"The parents said afterwards, 'I loved it, but I don't know if my kid's going to understand it'," Docter recalls. "And then their kid would come up and explain the whole thing better than they did. We often think about children as if they're just tiny, dumb adults, but they're really not. They're pretty smart."
An almost childlike return to first principles was also required by Pixar's artists and animators to create the two worlds of Soul: one of which was an ebullient caricature of a real-life metropolis, the other a dreamscape on the edge of pure abstraction. Even working out how to draw a soul in the first place proved a challenge, since they're incorporeal by definition – during his research, Docter had found that virtually the one thing every religion in the world agrees on is they don't look like anything at all. Murray held lunchtime workshops in the studio canteen where employees could come and doodle their ideas in exchange for pizza slices. The design they eventually settled on was a chirpy, Pixar-ish spin on the kodama spirits from Princess Mononoke, the animated masterpiece by Japan's Hayao Miyazaki, a lifelong hero of Docter's.
Soul's Joe Gardner is voiced by Jamie Foxx
There were also the 'counsellors' to worry about: the kindly if slightly weird nursery-teacher types who shepherd souls towards existence. Docter and Jones had conceived of these as personifications of the metaphysical principles that underpin the universe: ingenious stuff to be sure but, again, not the easiest thing to draw. Story artist Aphton Corbin took inspiration from avant-garde Swedish sculpture and came up with a character made of a single, infinitely malleable line – which character art director Deanna Marsigliese then turned into wire sculptures, which she brought to life in an early design meeting with her iPhone's torch, like cubist shadow puppets.
Late in production, a delegation from Cannes came to the studio to check on Soul's progress and invited the film to play at the 2020 edition of the festival, in the same out-of-competition berth Inside Out had taken five years before. Yet just two months before the premiere, Covid-19 struck, the state of California went into lockdown, and Docter and his team had to complete Soul remotely, in bedrooms and studies across the state, while its release was thrown into disarray. At the time of writing, Soul is scheduled to open in cinemas in late November after premiering at a handful of socially distanced screenings at the London Film Festival, before most of its American creators have had a chance to see it.
It's far from the glamorous unveiling planned. Yet for a film that suggests any meaning life has can only be found in the everyday living of it, it's also strangely fitting. Docter recalls wrestling with a subtle yet pivotal scene in which Joe stares at a row of odds and ends on the lid of his piano and suddenly sees a wonder in their ordinariness. He'd first envisioned the sequence as a silent drama set to music, in the style of the famously moving 'Married Life' prologue to his 2011 film Up.
"We stripped out the sound effects and dialogue, and I was expecting it to work exactly the same way," he explains. Instead, he found the opposite: the nondescript background clicks and clunks gave the scene a tactility that allowed the viewer to share in Joe's moment of transcendence.
"People make rules about this stuff, but there are no rules," says Docter. "Or rather, there's only one that matters: make me feel."
In streaming services era, indie film-makers star in the new normal
The 'next Meryl Streep'? Meet the 10-year-old rising star from the UAE
On the way to Hollywood, the world is her stage


text:
Phthiridium toungooense är en tvåvingeart som först beskrevs av Oskar Theodor 1968.  Phthiridium toungooense ingår i släktet Phthiridium och familjen lusflugor.

Artens utbredningsområde är Burma. Inga underarter finns listade i Catalogue of Life.

Källor

Lusflugor
toungooense

redpajama_set_name: RedPajamaWikipedia


text:
Is a plastic bag ban coming to Park City?
By: Brittany Green-Miner
PARK CITY, Utah - Park City may join a handful of cities across the country in banning plastic bags because of environmental concerns.
Park City Mayor Dana Williams says that a plastic bag ban could come some time this year. He says that both paper and plastic bags come with their own environmental concerns, but plastic is worse.
They're so lightweight, Williams says, that with just a little wind, they can become urban tumbleweeds.
"One is their lack of ability to biodegrade, and two because of their weight, they become one of the symbols of the area because they're always hanging around fences and trees," Williams said.
Williams says that the plastic bag ban could really send a message that Park City is trying to do something to reduce its carbon footprint.
"We think this is just another one of those chips that might make people think, 'Gosh, that's a town that's really trying to do something. Let's go there rather than Colorado,'" he said. "It's the kind of thing that if you can get the community and especially the businesses to buy in, it makes quite a statement."
Matthew Varoz says that the ban could be helpful, but in the short run, it might be controversial.
"I think it will help, but at first it will stir up a lot of havoc," Varoz said.
Other consumers say they don't really care about whether they use paper or plastic.
"It doesn't really make a difference. I think that plastic is just more common place or what we're used to," said Michelle Laabs.
"I don't care. As long as I can get something to put my groceries in to get home," said Keith Wentland.
Jessica McCleary with Mountain Town Olive Oil says that she uses paper bags exclusively.
"We give them everything in a paper bag that is reusable. We have a lot of customers who bring them back when they bring in their bottles for refills," McCleary said. "I felt that paper represented the company more and elevated the brand more. Plastic is just something I'm personally against. Plastic bags pose a huge environmental concerns here in Utah and around the world."
Recycle Utah says that only 5 percent of plastic bags get recycled and the rest end up in landfills or elsewhere, and it can take years for them to biodegrade compared to just a couple months for paper bags.


In the summer of 1888, Creedmoor, in Granville County, was the site of a thriving tobacco market. Then a disease, later named the Granville wilt for the location where it was found in the country, struck. The market later closed; farm values went down, and many farmers lost their property. Debnam recounts the story of E. G. Moss and Dr. Thomas E. Smith, who were largely responsible for solving this agricultural problem which threatened the area's tobacco economy.


text:
Six days ago, Mexican revolutionary leader Pancho Villa raided the New Mexico border town of Columbus, sparking instant outrage across the United States. The next day, General Frederick Funston, commander of the Southern Department, recommended that a punitive expedition pursue Villa into Chihuahua state with the objective of killing or capturing him and reducing his forces. President Woodrow Wilson immediately agreed, appointing General John 'Blackjack' Pershing to command it. His terse press release is clear on both the military and diplomatic goals of the mission.
An adequate force will be sent at once in pursuit of Villa with the single object of capturing him and putting a stop to his forays. This can and will be done in entirely friendly aid to the constituted authorities in Mexico and with scrupulous respect for the sovereignty of that Republic.
Indeed, Wilson has the grudging agreement of Mexican President José Venustiano Carranza Garza, who lacks the means to oppose an American incursion of Villa's territory. But Carranza withholds permission to use the Mexico North Western railway for the deployment, forcing the United States Army to support the expedition with its very first motor columns ever. Today, the first 6,600 men cross into Mexico at or near Columbus organized into three brigades. Heavy on cavalry, they are a much larger force than Villa's. But while they will kill hundreds of his men and disrupt his operations, the Mexican Expedition will not achieve Wilson's first objective of ending Pancho Villa's career altogether.
Motorcycles, machine guns, and an armored car: backwards by European standards, the US Army is modernizing at last
The American land forces are deploying for the first time with modern kit. Traveling in a Dodge touring car, by the end of the day Pershing's headquarters is set up Colonia Dublán and the Signal Corps is set up to communicate with Columbus via wireless telegraph. In four days, the buzz of Curtiss biplanes in the sky announces the arrival of an Army aviation element. The six aircraft will carry messages, conduct reconnaissance, and help Pershing wield a dispersed force across a territory almost as large as New Mexico.
It is also a debut for the Militia Act of 1903. An achievement of then-Secretary of War Elihu Root, who remains a key advocate of military 'preparedness' even as an opponent of Wilson and the Democrats today, that legislation regularized the constitutional militias of the states into a National Guard and reserve. Thanks to a bipartisan interest in resolving the Mexican crisis, Wilson will succeed in passing a National Defense Act that federalizes the state militias, formally ending the days of amateur American soldiering. The border states have already had their National Guard components activated, and during the Mexican Expedition, recruiting and training will enlarge the cadre of men ready for military service. Even without finding Pancho Villa, the mission succeeds as a proving ground for the new US Army.
A Curtiss JN-3 operated during the Mexican expedition. An improved version known as the JN-4 or 'Jenny' will be used to train almost all American pilots during the Great War; none will see combat, but a postwar surplus will popularize flight
The force sent into Mexico is mostly mounted, but this does not increase mobility as much as one would think. Despite the advent of motor transport, throughout the Great War horse-mounted cavalry has proven to be a surprisingly potent combat arm in places far removed from good roads and the wire-tangled deadlock of the Western Front. North America is not exceptional in this regard, as Villa's forces have always consisted mostly of cavalry. Villa's trail is quite cold, for the wily bandit has split up his force into small groups to lead them away in all directions and throw off pursuit, and despite their material advantages, the US Army lacks good intelligence on his whereabouts. Cavalry will therefore perform the lion's share of patrol and assault duties during the hunt for Villa's bands.
In the sense that Villa never attacks the United States again, the Punitive Expedition succeeds in "putting a stop to his forays." In the sense that Wilson has created an unrealistic expectation of ending Pancho Villa's career, however, the expedition will fail. Either way, the United States is finally fielding a modern, professional Army, learning lessons that will later be applied to mobilize for war in Europe.
Troopers of the legendary colored 10th Cavalry ('Buffalo Soldiers') ride into Mexico
09 March 1916 - Lion Of The North
Pancho Villa, El León del Norte, has been smoldering with resentment against the United States for months. Convinced that the US Army took part in his defeat at the border town of Agua Prieta in November, incensed that President Woodrow Wilson has recognized his rival José…
07 March 1916 - Question Time
The United States does not have a parliamentary legislature, so the president is directly elected and not subject to votes of confidence or 'question time.' But the Democrats who run Congress in 1916 have still weighed their support of President Woodrow Wilson, especially since…
14 October 1915 - Be Prepared
August is the silly season in Washington, DC, and during August of 1915 fanciful rumors of war made headlines in the nation's capital. First, the Washington Post reported that the General Staff was preparing to send a million-man army overseas; three days later,…
aircraft, cavalry, communications, General Pershing, Mexico, motor transport, radio, reconnaissance, United States, Woodrow Wilson
1916 - Brave New World, 21 - March Lions, American Front
16 March 1916 – Deck Shuffle


text:
Madamon is a village located in Ranni-Perunad Panchayat of Ranni Taluk, Pathanamthitta District of Kerala. It is situated in the Western Ghats and has undulating terrain. The place is blessed with Pamba, a holy river which flows through it.

Hrishikesha Temple
The village boasts of the "Hrishikesha Temple" which is a stop over for many pilgrims who pass through this village to the holy shrine Sabarimala, 60 km away. The main festival of this temple is that of Pathamudayam, meaning the 'tenth sunrise'. This occurs generally on 23 or 24 April, when the sun is exactly over this latitude. This is a 10-day festival which is the main attraction for the folks around this village. Similarly the temple celebrates the Sabarimala festive season during mid November to mid January.

Schools
The village has a government-run upper primary school (classes till Seventh Standard) and a post office. The village also has co-operative bank as well as a private bank. There is a library (Granthasala)also that exist in the village.

Economy
Agriculture is the mainstay of the population. The area has extensive rubber plantation. The villagers also tend cows and produce milk which is collected by the Milma Co-operative outlet in the village. Many young people have started plying auto-rickshas and taxis as a source of employment and livelihood.

Tourism
The village has attained prominence amongst the Sabarimala pilgrims as a stopover place. They take a break for a holy bath in Pamba river as well as for refreshments. The local temple also forms an added attraction.

Agriculture
The village folks are generally farmers growing food items like tapioca, bananas, vegetables, and cash crops like coconut and rubber. They produce Betel nut as well as black pepper. As with most other villages, a large number of the locals work outside the state, even abroad and support the families back in this village.

Transportation
Madamon is divided into Madamon Vadekkekkara and Madamon Thekkekkara. The main Sabarimala Road is going through Vadekkekkar on the other hand Thekkekkara connected to Ranni and Vadasserikkara. The main attraction of Vadekkekkara is the Church of God Madamon a Christian church started in 1960. Also another attraction is the Madamon convention by Ezhava Community conducted on a yearly basis.

References

Villages in Pathanamthitta district


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Bicycle accidents happen quite often and usually occur between two types of people.
The first type involves children who ride their bikes recreationally after school or on their way home from school. The second type involves the fairly large adult population who rely on bicycle transportation to and from work and home.
What Are Some Common Injuries From Bicycle Accidents?
Injuries from bicycle accidents include everything from minor soft tissue bumps, bruises, scrapes, abrasions to serious fractures, and head injuries.
Is There A Specific Time Of Day Most Accidents Occur?
Most accidents probably occur during the high traffic hours. However, most people would think it would be more dangerous at night because of the darkness.
People are typically more distracted in high traffic or rush-hour type of traffic because there are so many people on the road. These people are all trying to get to where they are going rather than paying attention to those around them.
Is A Bicycle Injury Closer To A Pedestrian Injury Or A Motorcycle Injury?
The injuries that are sustained are sort of hybrids.
With the bicycle, there's the force of the bicycle if it was moving at the time of the accident. This makes it more similar to a motorcycle type of accident.
However, often there are cyclists who are actually at a stop, waiting to cross a street or waiting to merge over. They get struck while they are in a stationery position, which becomes more similar to a pedestrian accident.
Are There Any Helmet Laws With Bicycles?
Yes. There are helmet laws for minors, with the cut-off age at 16. They would be required to wear helmets.
What Are Some Common Misconceptions About Bicycle Accidents?
The most common misconception involves bicyclists who ride on the sidewalk. These people feel that they should be treated like pedestrians and have the right of way, regardless of their sidewalk riding.
This is a misconception because people must realize when they are riding a bicycle on a public roadway that they must act like a car. Cars are not allowed to ride on the sidewalk.
We often find that bicycles riding on the sidewalk rather than the street are hit by cars coming in and out of driveways. A car preparing to make a turn into or out of a driveway is looking for oncoming traffic, like vehicles. They're also looking for pedestrians.
Bicycles can move a lot quicker than pedestrians. Therefore, bicyclists might be several yards away from the driveway on the sidewalk, and the person driving the vehicle might believe it's all clear because no vehicles are coming. They might think there were no pedestrians immediately in the driveway.
However, by the time the car made the turn, the higher-speed bicyclists would have collapsed into the side of the vehicle.
Do Some Clients Become Scared To Ride A Bicycle Again After An Accident?
This is generally not a very big factor. It's not something I hear about commonly, and the contrary often occurs.
A couple of clients actually use their bicycles as their means of transportation. They have had multiple accidents, but this issue has not come up. This is not like a dog bite situation in which the person has an ongoing fear of animals.
This isn't even like an automobile accident, after which people grow apprehensive after their accidents. For example, if they were hit from behind at a red light, they might have apprehension every time they're stopped at a red light after that.
In my experience and in my practice, bicyclists are a little more resilient. This could be the result of the type of people who ride bicycles. It might just be my personal experience with my clients.
For more information on Bicycle Accidents, a free initial consultation is your next best step. Get the information and legal answers you're seeking.


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HomeReviewsOdem Arcarum "Outrageous Reverie Above The Erosion Of Barren Earth" (2010)
Odem Arcarum "Outrageous Reverie Above The Erosion Of Barren Earth" (2010)
22. June 2020 Thor Joakimsson Reviews 0
The Essence of majestic black metal – on the one hand unapproachable in its claim to power, in his massive sonic outfit somehow disturbing, on the other hand fascinating in its quest for power and intoxicating in its forceful sound – that's what the German band ODEM ARCARUM has internalized with its second album. It opposes the "old school" cult of primitiveness with its own version of black metal, which, with its epic arrangements, reminds of Emperor's "Anthems …" era, but consistently refuses catchiness in a similar, although technically more assiduous way like Lunar Aurora. No doubt the southern German band has with "Outrageous Reverie Above The Erosion Of Barren Earth" succeeded in placing itself on a rugged island in the midst of the ever-faster-flowing mass flow of records that can be easily listened to while passing.
Whoever wants to climb upon the bank has to overcome some obstacles, because ODEM ARCARUM constantly challenge the listeners and do this in concentrated and solid manner, lining a merciless riff to the next and basically never slipping into a defensive position. "Outrageous Reverie Above The Erosion Of Barren Earth" is peppered by arrangements that reveal their intricate depth even after the tenth listening session in new details, and which transport a form of aggression that indeed doesn't run down in common structures, but affects directly while seeming hardly palpable. To describe the lively atmosphere and musical extravaganza of this album, I could point out endless details, or make it simple and write that the six sometimes extremely long compositions truly exhibit no gross weakness – unless you judge by the standards of catchy pop music scheduled for easy listening.
ODEM ARCARUM deserve it, however, that their passionate and consistently sophisticated arrangements are assessed in their many facets, because the band doesn't really follow the usual worn-out paths, but every musician is at any time in the service of each composition.
That might seem a trivial observance, but it does not sound that way – to the contrary: in this nightmarish maze of art almost everything is possible, thus a song could constantly change its form without losing the thread (yes, the thread exists). Each section is so headstrong and played energetically to the point, creating an overriding feeling that all of this could only sound this specific way. Any variation of the song, any keyboard arrangement, each slowing down or tightening of the pace by the rhythmic section, as well as the countless brusque riffs and epic melodies – all this makes sense, even if "Outrageous Reverie Above The Erosion Of Barren Earth" is anything but easy listening. I have to mention the role of the keyboard in particular, since it is used so sublime and effective that it is a pure – dark – delight. Yes, although in regard to structure and length of songs very different, ODEM ARCARUM in fact is similar to Code and it's a pleasure to listen to some passages again and again, or, for example, to only concentrate on the drums for some time and always to discover something previously unheard. Even in the quieter passages it seems as if there's hardly any air to breathe, for the tight grip of nightmarish melodies takes the stumbling listener through dark dreamscapes in which questions about his existence torment him relentlessly – isn't he in his mortal shell already handed over to hell?
In comparison with the former emperors of black metal, ODEM ARCARUM abstains from grandiose symphony, but not from a similarly sublime artwork to encase its music. And anything else wouldn't do justice to this 65 minutes long opus.
It remains the astonished reviewer's duty to point out that a compulsive realization of this music a few days before the deadline could only be tackled with megalomania. A respectable analysis of such a magnificent record needs temporal distance.
(this review is translated from Legacy #66.6)
-Thor Joakimsson
Avantgenre: Sophisticated Black Metal
Official site: http://www.myspace.com/odemarcarum666
01 – Gate
02 – Oceans
03 – Worlds Of Barren Land
04 – Loss
05 – Hell & Revelation
06 – The Body & Perpetual Imagination
07 – A Darker Kind Of Dreaming
Obsidian Kingdom "Mantiis" (2012)
Omainen "Routes to Nowhere" (2009)


The overarching goal of this four-phase, in-service project-Girls Engaged in Mathematics and Science-was to change attitudes, behavior, pedagogy, and curriculum for girls through the provision of a vibrant, engaging, digital portal program with media that extends learning beyond the traditional classroom. Described here, Phases I and II were designed for work with mathematics and science teachers across a southern state to develop 250 lesson plans incorporating technology as well as hands-on activities that could be accessed by other teachers nationwide. © Taylor & Francis Group, LLC.


Growth, development and the sharing of knowledge are the core principles behind our team at Love Hair. The application of these principles has helped us to create one of the busiest salons in Hong Kong. Our stylists are consistently booked but always strive to be better.
We do this by taking classes, listening to our clients and learning from one another, taking the time to educate ourselves. Education allows us to stay on trend with the latest techniques and motivates us to raise the benchmark amongst each other.
But, overall we have found the continuing education scene in Hong Kong to be a bit lacking. With that in mind, we have created a series of classes and workshops to share what we have learned from our collective experiences. We hope that by creating these courses on the latest in colour, cut and style we can grow the stylist "community" in Hong Kong and continue to educate one another.
Since the first Balayage Queens was such a success we will be adding extra dates for the year.
The next course is on Monday May 20th 2019 It will be hosted by LoveHair's founder, Toni, and taught by two of our senior stylists, Grace, and Chloe. Click here for more information & to book your place on the course.
Sign up to receive updates on our courses as spaces are limited!
We also offer a bespoke In salon package where we can tailor make a course for you and your team specifically on the areas you would like to focus.
Bespoke education courses bring unique benefits as they are specifically formatted and customised to fulfil your individual salon's requirements.
Guide you through the principles of highlighting with classic foil techniques that will revolutionise your highlight application.
Priced per day with 6 students.
I started working on a Saturday at age 13! Truly since I started my training it's been 16 years.
What made you want to be involved in Education?
To build a community of Stylists and encourage personal growth within the industry in Hong Kong.
To share the fundamentals of our success in hope that every stylists can take home tips they can implement in their own unique way.
What do you love about education?
Seeing and hearing stylists get passionate and refresh their energy through learning.
Why do you love being part of Love Hair?
Nothing better than working in an environment surrounded by stylists who share the same passion and care about the work they produce & the clients sitting in their chairs.
My strengths are multi-tasking, communication and consultation.
I believe that 95% of unhappy clients leaving a salon comes down to not extracting the right information during the consultation. It's your job to gain the right info and to make sure you and your client are visually on the same page before you even think about mixing any colour or washing their hair.
Building a rapport and connecting personally with your client and their needs.
What can your students expect to take away from your class?
We want students to feel like it's a creative space to feel safe to try out techniques they have learnt. We will be showcasing a lot of tips about sectioning, placement and techniques.
Helping stylists grow in confidence and improving in any areas of weakness they need to be more confident on a daily basis in the salon.
I stared straight out of school, so 16 years!!
From a selfish reason it pushes me to always strive to be better. To be able to share knowledge and techniques, with passionate people in the industry is the best way to continue to grow myself. You can learn something from everyone. I'm excited to start educating in HK.
Iv have been educating for about 3 years now and the thing I love the most is the excitement. If that's a beginner getting to grips with something for the first or a stylist wanting to continue to grow and you help them to get there. When that 'light bulb' moment hits, it's so rewarding!
Colour is my thing! I love it. I love the difference it can make to someone. Techniques continue to change and evolve which stops me from getting bored. Courses and social media are great these days to keep us evolving! Developing your own style is key.
A new lease of hairdressing life ! There's nothing better than getting back to the salon to put new things into practise!! If that be one new technique, section pattern, or even meeting a new person in the industry. We aim to share as much as we can!
I started beauty college when I was 19, so 10 years!
I feel like as a hairdresser you can never stop learning, with constant new techniques coming into to the industry, it's the perfect way to share and learn from each other. We all need support no matter how many years experience we have. Education is the key to success.
I personally love going on courses myself! I love meeting other stylists in the industry. Learning new placement patterns and techniques. I am so excited that now I can share my own tips and tricks!
I don't really have a specialty , I really enjoy both cutting and colouring, I love completing the whole look from start to finish. I do a lot of lived in blondes in the salon which I love creating with smudging techniques. Blurring our lines to give my clients future proof colour.
Feeling more confident with balayage and trying different placement patterns. When and why to do it on different hair types. Hopefully feeling inspired to take what they have learnt and put it into practise!


text:
AIADMK, Kamal conduct interview of candidates
The ruling AIADMK and Kamal Haasan's Makkal Needhi Maiam today started the process of interviewing aspiring candidates of their respective parties for the upcoming Lok Sabha elections.
Chief Minister Edappadi K Palaniswami and Deputy Chief Minister O Panneerselvam, the joint coordinator and coordinator of the AIADMK, interviewed wannabe candidates at the party headquarters at Royapettah in Chennai.
At the headquarters of Makkal Needhi Maiam at Alwarpet in the city, Kamal, accompanied by party seniors including the recently joined actress Kovai Sarala, interviewed aspiring contestants.
On Sunday, while the AIADMK forged alliance with Vijayakanth's DMDK and allotted four seats to it, Kamal's party received torch light as its symbol. In a tweet, Kamal said, "MNM thanks the Election Commission for granting us the 'Battery Torch' symbol for the forthcoming elections, So appropriate. MNM will endeavour to be the 'Torch-Bearer' for a new era in TN and Indian politics."
Speaking to reporters, Kamal said that for a party that had, right from the start, sought to shed light on society's ills, the allotted symbol was apt, adding that it would 'shine'. "Our alliance is an extremely strong one, as it is with the people," he said.
Meanwhile, State Fisheries Minister and senior AIADMK leader D Jayakumar said "AIADMK is a beacon light for the world. Torch-light can only light up a very small area."
#Aiadmk, #Kamal, #Makkalneedhimaiam, #Kamalhaasan, #Lokabha, #Elaction2019


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text:
Will Canada give Iran a free pass?
by Candice Malcolm
Toronto Sun
Canadians can be forgiven for missing Iran Accountability Week on Parliament Hill last week.
Between the tragic fires in northern Alberta, Justin Trudeau's celebrity meet-and-greets with Prince Harry and Alex Trebek, and startling ethical revelations about Kathleen Wynne's Liberal government in Ontario, Iran Accountability Week was easy to miss.
Conservative foreign affairs critic Tony Clement and Conservative Senator Linda Frum hosted the program in hopes of bringing greater awareness to the problematic elements of re-engaging with Iran.
They aimed to shine a light onto the nefarious activities carried out by the Iranian regime.
Greater attention should be given to the world's biggest state sponsor of global terrorism.
Financing is the lifeblood of any terrorist organization, and Iran is notorious for enabling jihadists and aiding their capacity to carry out murderous attacks.
In 2012, the Harper government designated the Islamic Republic of Iran as a state-sponsor of terror and expelled Iranian diplomats from Ottawa — regime members suspected of spying in North America.
The feds named Iran's Islamic Revolutionary Guards Corps, known as the Qods Force, as being instrumental in creating, training and arming terrorist organizations including the Taliban, Hezbollah, Hamas, and Palestinian Islamic Jihad, among others.
The Harper government listed the Qods Force as a terrorist entity under the Criminal Code and adopted the Justice for the Victims of Terrorism Act — allowing families and victims of terrorism to take legal action against perpetrators of terrorism, including Iran.
This gave families a legal avenue to seek damages against the Iranian government, and dozens of cases were brought to the Ontario Superior Court.
An Ontario judge ordered the seizure of $7 million in Iranian assets located in Canadian bank accounts and properties, allowing victims to seek financial compensation for their losses.
Harper was unequivocal in his criticism of the Islamic Republic of Iran.
His foreign affairs minister at the time, John Baird, did not mince words when he said, "Canada views the government of Iran as the most significant threat to global peace and security in the world today."
At a time when both the U.S. and United Nations were cosying up to Iran in pursuit of a nuclear agreement, the Harper regime called out Iran's bad behaviour.
Canada refused to look the other way on Iran's illegal nuclear program, its egregious human rights record, its blatant racism and anti-Semitism and its bankrolling of global jihad.
But that was then and this is now.
Prime Minister Justin Trudeau is taking a different approach.
Trudeau's global affair's minister, Stephane Dion, implied Harper was wrong to stand up to Iran's terrorism and announced Canada will soon re-open diplomatic ties with Iran.
As a part of this re-engagement, Canada may have to withdraw its designation of Iran as a state sponsor of terrorism.
The Canadian Coalition Against Terror, a non-partisan organization that helps the victims of terrorism, has created a petition urging the Trudeau government to maintain the designation for Iran.
This is why Iran Accountability Week was important.
Islamist terrorism remains the greatest threat to peace and stability around the world, and Iran is the biggest financier of global terrorism.
Over the next few months, we will learn whether the Trudeau government listens to the Canadian Coalition Against Terror or to the Ayatollahs in Iran.
Will Canada stand up to Islamist terrorism, or will we cower in the face of it?
Photo: THE CANADIAN PRESS/Sean Kilpatrick


text:
The Harney Basin duskysnail, scientific name Colligyrus depressus, is a species of freshwater snail, an aquatic gastropod mollusk in the family Hydrobiidae.

This species is endemic to the United States, specifically to the Harney Basin area of Oregon.

References

Hydrobiidae
Gastropods described in 1999
Taxonomy articles created by Polbot


True beauty… the stuff of legend. It is said that one may find true beauty in the fountain of youth. Or, for lack of magical enchantment, at your local Bath and Body Works. Or the tanning salon. Or maybe if you got the perfect outfit… right down to the color of the paint on your toenails or the style of your socks. But all these things miss the mark.
People know they can make a ton of money when you believe that outside beauty matters most, so they sell you on the idea any way they know how. In the TV show, they cast a girl with outside beauty to be the girl who gets the hunk. They sell their products as ways to perfect and showcase your body so that you can get your own hunk. But what is a hunk except a male with shallow outer beauty? You know, the guy who has muscles a foot thick but his character is shallower than a mud puddle? Yeah, hunk.
It's not that outside beauty is wrong, it's just that it is worthless when you ask it to stand alone. Outside beauty needs inside beauty to back it up – to make it real. That's why beauty pageants ask their competitors questions about character, ideals, and such; this is where true beauty lies. Character traits such as honesty, kindness, true humility (see, "Mice and Lions"), generosity, and faithfulness are the building blocks of true beauty. True beauty stands on its own, whether you have the perfect body or whether you are a burn victim, you can have the same inside beauty.
True beauty is an inside job; it requires the heart and soul to exude a glow.
Take, for example, Cinderella and her stepsisters. Cinderella has a heart of service and faithfulness that outshines any pearls and fancy dresses her stepsisters may wear. When the prince gets a chance to meet Cinderella, he knows he has stumbled upon someone valuable, and when she goes AWOL on him, he searches the kingdom to find her again. He did not go in search of the other glass slipper; he was interested in the girl who had worn the slippers.
But, in my opinion, the most beautiful person in history is Jesus… Why? He didn't look any different from any other Jew who was alive at the same time He walked the earth; but His actions, His attitudes, and His priorities proved that His heart motives, attitudes, and character were absolutely flawless. That is beautiful.
So, how do you get true beauty to back up your outside beauty? Well, you become like the people you hang out with the most, so I figure if you spend a lot of time with someone who has inside beauty, those traits will rub off on you. And there is only one person I know who has an absolutely flawless inner beauty. Jesus.
And being resurrected, He's alive today. Being the Son of God, He's available all the time. When all your friends are busy or sleeping, He's ready to have a chat with you. It's easy to end up spending a lot of time with Him. So, the best way I know to gain true beauty is to be in a real relationship with Jesus, the prototype of true beauty.
It's not easy (just think of what Jesus had to go through!) but I have found it totally worth it.
I can think of several others with "flawless ineer beauty." Buddha for one. Lao-Tzu, Ghandi, and the Dali Llama would be other excellent examples. I do not for onee minute dispute that Jesus was an inspiring mystic and prophet, but I think it is important to widen our spiritual lense and look at the teachings of other amazing leaders.
Sorry, inner, and one. My key board is really small so it's hard to type.
That was great. I love your analysis of Cinderella and her prince, as well as your description of the hunk. Great artical. Keep writing.
Hades, all those other prophets were sinners. None of them could truly claim to live an absolutely FLAWLESS life. None of them loved you, none of them cared enough to die for you, none of them conquered death FOR you, and none of them promise perfect peace and everlasting life.


text:
Q: using uniform for passing texture objects In this page of learn openGL we define and use uniform variables like this:
int vertexColorLocation = glGetUniformLocation(shaderProgram, "ourColor");
glUseProgram(shaderProgram);
glUniform4f(vertexColorLocation, 0.0f, greenValue, 0.0f, 1.0f);

Basically you:

*

*get the uniform variable location and

*assign the value to that location
This is the part in the text where we hadn't learnt about textures, but,

When it came to textures, the page says:

The fragment shader should also have access to the texture object, but how do we pass the texture object to the fragment shader? GLSL has a built-in data-type for texture objects called a sampler that takes as a postfix the texture type we want e.g. sampler1D, sampler3D or in our case sampler2D. We can then add a texture to the fragment shader by simply declaring a uniform sampler2D that we later assign our texture to.

and does this to the fragment shader:
#version 330 core
out vec4 FragColor;

in vec3 ourColor;
in vec2 TexCoord;

uniform sampler2D ourTexture;

void main()
{
    FragColor = texture(ourTexture, TexCoord);
}

So my confusion is: where is the uniform location fetching and data binding done in here, how does the fragment shader know which texture object is the uniform for?
Below is the codes for quick reference:
Firstly we load/generate the texture using this code:
unsigned int texture;
glGenTextures(1, &texture);
glBindTexture(GL_TEXTURE_2D, texture);
// set the texture wrapping/filtering options (on the currently bound texture object)
glTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_WRAP_S, GL_REPEAT);
glTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_WRAP_T, GL_REPEAT);
glTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_MIN_FILTER, GL_LINEAR);
glTexParameteri(GL_TEXTURE_2D, GL_TEXTURE_MAG_FILTER, GL_LINEAR);
// load and generate the texture
int width, height, nrChannels;
unsigned char *data = stbi_load("container.jpg", &width, &height, &nrChannels, 0);
if (data)
{
    glTexImage2D(GL_TEXTURE_2D, 0, GL_RGB, width, height, 0, GL_RGB, GL_UNSIGNED_BYTE, data);
    glGenerateMipmap(GL_TEXTURE_2D);
}
else
{
    std::cout << "Failed to load texture" << std::endl;
}
stbi_image_free(data);

The vertex shader is like this:
#version 330 core
layout (location = 0) in vec3 aPos;
layout (location = 1) in vec3 aColor;
layout (location = 2) in vec2 aTexCoord;

out vec3 ourColor;
out vec2 TexCoord;

void main()
{
    gl_Position = vec4(aPos, 1.0);
    ourColor = aColor;
    TexCoord = aTexCoord;
}

The fragment shader is like this:
#version 330 core
out vec4 FragColor;

in vec3 ourColor;
in vec2 TexCoord;

uniform sampler2D ourTexture;

void main()
{
    FragColor = texture(ourTexture, TexCoord);
}

and the drawing in the mainloop using this:
glBindTexture(GL_TEXTURE_2D, texture);
glBindVertexArray(VAO);
glDrawElements(GL_TRIANGLES, 6, GL_UNSIGNED_INT, 0);