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Just in time for Christmas, the exciting new online subscription platform from Digital Theatre features plenty of top-notch Shakespeare productions – and we are offering one lucky Shakespeare Magazine reader a month's free subscription!
Good news for Shakespeare lovers who aren't always able to get to the most prestigious productions in London and Stratford-upon-Avon. Digital Theatre (DT) has announced the launch of an online subscription platform to bring the best of live theatre, ballet, opera and classical concerts, to our own screens. Performances can be streamed anytime, anywhere, to any device – and the service is available now.
Subscribers will have access to over 65 productions, the majority of which are exclusive to DT, including: Simon Russell Beale in The Tempest, Paapa Essiedu in Hamlet, and Antony Sher in King Lear, all from the Royal Shakespeare Company; Zoë Wanamaker and David Suchet in All My Sons; Richard Armitage in The Crucible; David Tennant and Catherine Tate in Much Ado About Nothing; operas and ballets from the Royal Opera House and the English National Ballet; and concerts conducted by Sir Simon Rattle and starring the London Symphony Orchestra.
"Britain's performing arts are world-renowned for their outstanding breadth, quality and diversity," says DT's founder, the director and producer Robert Delamere. "This was the inspiration behind the launch of the world's first online performing arts platform. Digital Theatre collaborates with world-class producing houses to capture and curate their shows and stream them to the consumer in broadcast quality. Up close and personal, for a best-seat-in-the-house viewing experience."
For £9.99 per month, subscribers get unlimited access to all Digital Theatre's current and future productions. For non-subscribers, each production is available to rent online for 48 hours, at a price of £7.99.
"Our mission is to make the performing arts accessible to all," says Justin Cooke, Chairman of Digital Theatre, "irrespective of social, economic or geographic circumstances. The power of digital is providing people, who might not otherwise have the opportunity, with access to fantastic performances, at a fraction of the cost of a typical ticket. We're broadening access to these phenomenal productions, and preserving their impact for years to come. We aim to bring the drama and emotion of each live performance to the comfort of your home. And for me, this isn't a replacement for live theatre – it's a new art form altogether."
DT will continue to add high-profile shows to its platform, including six new DT captures (two of which are in post-production), and a further 50+ curated productions from some of the world's leading producers, all scheduled for release over the next six months.
Digital Theatre also has an educational arm called Digital Theatre+ which provides more than 1,150 schools, colleges and universities, and three million students, in 65 countries, with access to 795 hours of curriculum-linked, audio-visual content, and 8,150 pages of bespoke written resources. Digital Theatre+ was the recent winner of the Best Online/Live Streaming Platform Award at the Theatre and Technology Awards 2017.
Go here to sign up to Digital Theatre now.
For a chance of winning one month's free subscription to Digital Theatre, simply send us an email at shakespearemag@outlook.com and answer this question:
Who is on the cover of the latest issue of Shakespeare Magazine?
(In case you need some help, go here for a clue)
This competition is open to all our readers, everywhere in the world. The closing date is Friday 22 December 2017, and a winner will be picked after that date.
All the current Shakespeare productions available on Digital Theatre:
As You Like It (both The Courtyard Theatre & Shakespeare's Globe productions)
Berlioz: Roméo et Juliette
Hamlet (Maxine Peake)
Lovesong
From 11 December, the following productions from the Royal Shakespeare Company will be added to DT:
Henry IV, Part 1
Two Gentlemen of Verona
Filed Under: Shakespeare News Tagged With: Antony Sher, Catherine Tate, David Tennant, Digital Theatre, Hamlet, King Lear, live theatre, Much Ado About Nothing, Online subscription platform, Paapa Essiedu, Royal Shakespeare Company, Shakespeare Magazine, Shakespeare's Globe, Simon Russell Beale, The Tempest, William Shakespeare
Issue 07 of Shakespeare Magazine is out now, celebrating 425 years of Great Shakespeare Actors
Kenneth Branagh is cover star of Shakespeare Magazine 07, in keeping with the issue's theme of Great Shakespeare Actors.
The venerable Stanley Wells discusses his new book on the subject, handily titled Great Shakespeare Actors, while Antony Sher reveals what it's like to play Falstaff – the subject of his own new book Year of the Fat Knight.
We also go behind the scenes of the excellent My Shakespeare TV series, while British actress Zoe Waites chats about heading to the USA to play As You Like It's Rosalind with Washington DC's Shakespeare Theatre Company.
Other highlights include Shakespeare in Turkey, Shakespeare Opera, and the real story of Shakespeare and the Essex Plot.
All this, and the Russian fans who made their own edition of David Tennant's Richard II…
Go here to read Shakespeare Magazine 07 right now.
And don't forget, you can read all seven issues of Shakespeare Magazine here.
As always, Shakespeare Magazine is completely FREE.
Filed Under: Shakespeare News Tagged With: Anastasia Koroleva, Antony Sher, As You Like It, Cansu Kutlualp, David Tennant, Falstaff, Francis RTM Boyle, free digital magazine, free online magazine, Great Shakespeare Actors, Kenneth Branagh, Mary Finch, Pat Reid, Rebecca Franks, Richard II, Rosalind, Shakespeare in Turkey, Shakespeare Magazine, Shakespeare Magazine 07, Shakespeare Magazine ISSUU, Shakespeare Opera, Shakespeare Theatre Company, Stanley Wells, The Essex Plot, William Shakespeare, Year of the Fat Knight, Zoe Waites
Even people who aren't sure what a soliloquy is know that Hamlet's "To be or not to be" is the most famous soliloquy in theatre history. There's just one problem. It's not actually a soliloquy.
David Tennant played Hamlet with the RSC in 2008.
"To be or not to be…"
Spoken by the title character of Hamlet, the most famous speech in the history of theatre is 34 lines and 271 words long. Apart from providing titles for (or being quoted in) countless other plays, poems, novels, TV shows and movies, it has also appeared on posters, T-shirts, coffee mugs and keyrings. It's even been translated into Klingon ("taH pagh taHbe"). There are at least 379,000 hits on the internet for the first line alone.
This speech is many, many things. One thing it is not, however, is a soliloquy.
Maxine Peake's Hamlet debuted last year at Manchester's Royal Exchange Theatre.
The image of the 'lone prince', so endemic on the stage, duly made the transition to TV and motion pictures. Laurence Olivier's 1948 version placed Hamlet alone on a windswept tower of Elsinore. Grigori Kozintsev's 1964 version is another lone Hamlet, this time walking along the Danish shore. Franco Zeffirelli's 1990 film sees Hamlet alone in his father's sepulchre. Kenneth Branagh's 1996 film places Hamlet in a mirrored hall, practically alone but for Ophelia hiding out of sight. Peter Wellington's 2003 adaptation of the speech for the series Slings & Arrows features a seated, lone Hamlet. Gregory Doran's 2009 TV adaptation of the Royal Shakespeare Company's Hamlet has David Tennant's Hamlet all alone, with Ophelia scurrying off immediately before the speech and tromping back on just as he finishes saying "Soft you now."
New play 'Women Playing Hamlet' offers a fresh take on "To be or not to be" in 2015.
Despite the entrenchment of the lone Hamlet on our cultural understanding of Hamlet, when we study the six quarto and three folio printings that comprise the original texts, we find the following: one, that the famous speech cannot be a soliloquy; two, that the entering Hamlet should know he is being spied upon; three, that Ophelia's presence must be addressed; and, fourth and lastly, that Hamlet may be reading as he enters the scene.
My methodology does need some explanation. I believe in the primacy of the text: dramatic texts are the most important factor in creating a production. The words of a text are the skeleton of a play, and basing one's interpretation on elements not in the text is problematic at best. Now, I'm not trying to say there is only one way of doing any play or moment from a play. I only distinguish between two kinds of performances – those that agree with the text and those that do not.
Shakespeare Theatre Company's 2007 Hamlet.
Soliloquies feature lone speakers, but all nine original Hamlet printings agree that Hamlet is not alone, as Ophelia is also onstage throughout the speech. Therefore, the classical understanding of "soliloquy" does not apply.
Further, the "To be or not to be" speech features none of the characteristics of Hamlet's actual soliloquies. In those speeches, he follows a pattern – he speaks about Claudius, the late King Hamlet, and, usually, Gertrude. Hamlet does discuss his family with some other characters, but when he knows he is accompanied by potential spies, he stays away from the topic of his family. The "What a piece of work is a man" speech, delivered just after Hamlet discovers he cannot trust Rosencrantz or Guildenstern, is an elaborate deception. When Hamlet delivers his speech to appease his friends-turned-spies, he does not mention the circumstances of his father's murder. He only mentions the King and Queen as the people to whom Rosencrantz and Guildenstern must report.
"I will tell you why, so shall my anticipation prevent your discovery, and your secrecy to the King and Queen moult no feather."
Gamut Theatre's 2015 Hamlet.
Since "To be or not to be" takes place with others on stage, and since it deviates from the patterns Shakespeare established in Hamlet's actual soliloquies, it cannot be a soliloquy. Since the speech is not a soliloquy, it cannot be staged as a soliloquy and still be faithful to the text. Text-based stagings focus on what is written. For instance, Hamlet, entering into the scene, knows he is being observed. The original printings agree that, by this moment in the play, Hamlet has discovered that his schoolmates have been dispatched by the King to spy on him. Further, all but one of the printings agree that Hamlet enters into the scene because he has been sent for by the King. The remaining printing, the First Quarto, does not mention this at all. What happens next is a strange division; all folio printings agree that the King and Polonius hide before Hamlet enters, while all quartos state they exit after Hamlet enters.
Peter O'Toole's legendary 1957 Hamlet at Bristol Old Vic.
The quarto texts allow Hamlet to see the King and his crony hide; Hamlet would clearly know he is being spied upon. In all three folio printings, the King and Polonius exit before Hamlet enters the scene. Even if a director chooses the folio option, it is still reasonable that Hamlet knows he is being spied upon. Hamlet already suspects Claudius on some level before the action of the play, as evidenced by his response to the Ghost's news that Claudius murdered Hamlet's father: "O my prophetic soul! / Mine uncle?"
The King has just sent for Hamlet. If, as in the folios, Hamlet enters not seeing the King and Polonius, he still has another reason to be suspicious: the King is absent, but Ophelia is directly in his path.
Let's talk about Ophelia and the issue of the silent actor. In order to stage the scene, we must have a better understanding of Ophelia and her relationship with Hamlet. She has only appeared twice before, in scenes revolving around her relationship with Hamlet. Ophelia speaks on this subject with her father, Polonius, saying her relationship with Hamlet is an honorable and affectionate one that has included every promise, save that of matrimony. Polonius dismisses this as Hamlet merely wanting to master her chaste treasure and commands her to never see Hamlet again.
When Ophelia is placed in Hamlet's way, she is being used to provoke her boyfriend into showing why he is behaving so strangely. This is part of Polonius' plan to discover if Hamlet is mad for his daughter's love. Claudius accedes to the plan and, immediately before Hamlet's entrance, describes his plan to Gertrude, that Hamlet should "affront" Ophelia.
The meaning of the word "affront" is crucial: "to put oneself in the way of so as to meet; to accost, address." By strategically placing Ophelia onstage, Polonius and Claudius mean for her to come face to face with Hamlet so they can hear what follows between them. As a result, Ophelia could be Hamlet's audience, either in part or in whole.
Before this passionate meeting, there is one more discovery to address: what Hamlet is doing as he enters the scene. The First Quarto offers a fascinating option. In it, before Hamlet enters for "To be or not to be", the King says, "see where he comes poring upon a book." This is similar to Gertrude's statement in an earlier scene, "But look where sadly the poor wretch comes reading," which appears in all other printings of the story. It may be the First Quarto misplaces Hamlet's entrance, but this anomaly bears study. Hamlet does have a book in other scenes, so a Hamlet who enters reading can be textually valid. In fact, the book he reads may still exist.
Douce in 1839 and Hunter in 1845 noted that Girolamo Cardano's 1576 book Comfort includes passages very similar to a portion of Hamlet's speech:
"…saying, that [death] did not only remove sickness and all other griefs but… what should we accompt of death to be resembled to anything better then sleep… and to die is said to sleep."
Compare all this talk of death, the easing of griefs, and sleeping to this famous portion of Hamlet's speech:
"To die – to sleep,
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to: 'tis a consummation
Devoutly to be wish'd. To die, to sleep…"
A reading Hamlet opens up a new possibility to the speech. If Hamlet is reading about death, his speech might refer to the book. Shakespeare gives us a similar situation in Henry IV, Part One, where, examining a letter from a confederate, Hotspur reads a phrase and then makes a scathing response. If this formula were applied to Hamlet's speech, "the question" may refer to ideas raised in the book itself. A staging using this reading can allow the prop to help explain why Hamlet is in this frame of mind.
Studying the original texts with a respect for their primacy reveals that the cherished long-established vision of Hamlet simply does not agree with the text. The options revealed by the text and its established circumstances are many and must be explored in a production. After studying the evidence, I staged the scene two different ways. In the first, Hamlet entered reading, responded to the book like Hotspur in Henry IV, and discussed the contents with Ophelia. In the second staging, I took Hamlet's book away, allowed him to see Claudius and Polonius exit, and had him confess his dark thoughts to Ophelia.
The first staging was greatly intellectual. Hamlet mused about the ideas of death, sharing them on that level with Ophelia. This Hamlet is the consummate philosopher, matching wits with Ophelia and even referring to the book she is carrying. The concepts of death and release are explored with great cerebral impact, so much so that, in directing a full production, I can easily see Hamlet reading voraciously through the early stages of the play.
Haunting poster image for the upcoming Barbican Hamlet which will star Benedict Cumberbatch.
The second staging focused upon the circumstances of the characters. Hamlet, knowing he is spied upon, takes refuge in the arms of his forbidden love but is unable to tell her the whole truth of his problems. Ophelia, torn by duty to her father, her King, and her love, must react to Hamlet's considering death and suicide. This staging speaks to the troubles as written by Shakespeare and had great emotional and visceral impact. Similar to the first staging, I can see a full production of this sort of Hamlet.
These are two very different interpretations of the "To be or not to be" speech, but it is vital to remember they are both based on Shakespeare's texts.
"So what?" you may be thinking. "Why is this important?" Well, for hundreds of years the theatre world has embraced a version of Hamlet that does not agree with the words Shakespeare wrote. Elsewhere in Hamlet, Shakespeare commands "suit the action to the word", charging us to base our versions of his work on the words he left behind. He did the job of a playwright well, creating the skeleton of his plays. It falls to us to give that skeleton a heart, a soul, and scars.
This article originally appeared in Shakespeare Magazine Issue 6. Go here to see the original version.
Filed Under: Shakespeare News Tagged With: Claudius, David Tennant, Elsinore, Folio, Francis RTM Boyle, Franco Zeffirelli, Gertrude, Girolamo Cardano, Gregory Doran, Grigori Kozintsev, Guildenstern, Hamlet, Henry IV Part 1, Hotspur, Kenneth Branagh, Klingon, Laurence Olivier, Ophelia, Peter Wellington, Polonius, Quarto, Rosencrantz, Royal Shakespeare Company, Shakespeare Magazine, Slings & Arrows, soliloquy, To be or not to be, William Shakespeare


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By Roger Tennis - June 01, 2017
Diana (Gal Gadot), daughter of Queen Hippolyta (Connie Nielsen), has grown up on the island of Themyscira, where Amazons are trained to be warriors. Sheltered from training by her mother, she is secretly taught the art of combat by her aunt Antiope (Robin Wright). When hunted pilot Steve Trevor (Chris Pine) crashes near the island, Diana rescues him and learns about the raging war in the outside world. The warrior princess is determined to leave her island home with Trevor and seek out the Greek God of War Ares to kill him and put an end to World War I.
"Wonder Woman" takes flight with bursts of action, strong lead performances and witty dialogue. A slow deliberate opening sheds light on the upbringing of this superhero. The peaceful island existence is soon shattered by
a battle with German forces looking for the downed pilot. Once Diana leaves home, the pace quickly picks up. Credit director Patty Jenkins, who helmed the indy success "Monster" starring Charlize Theron, and her star Gal Gadot with waking up the tired and formulaic DC Comics movie series. Granted, there are a few sluggish moments and an over-the-top CGI laden ending battle that seems familiar, but the energetic cast and Allan Heinberg's story/screenplay (with help from Zack Snyder and Jason Fuchs) add depth to William Moulton Marston's female superhero creation. This movie is a far cry from the Lynda Carter/ Lyle Waggoner TV series that brought Diana Prince to the small screen. Gadot is more expressive and fearless in the role while Chris Pine nearly steals the show as the adventurous Trevor. Pine displays amazing actions and reactions to the superhero's powers and the chemistry is good between the two stars - even when romance is added into the mix. Danny Huston, as General Ludendorff, and Elena Anaya, as scarred chemist Dr. Maru, provide the necessary evil. Comic relief comes in the form of Lucy Davis as Steve's loyal secretary and Ewen Bremner as Trevor's hard-drinking ally. David Thewlis is a commanding presence as Sir Patrick, a member of the British War Cabinet who finances the secret mission to stop the German plot to gain control. Also of note is the adorable Lilly Aspell as the young Diana. But this film rests on the capable shoulders of Gadot, a former Israel Defense Forces combat trainer. She makes the action, romance and comedy believable. Gal power whips up a roaring adventure. (4 CAMS)
Rated PG-13 (sequences of violence and action, and some suggestive content)
#WonderWomanMovie review Chris Pine Diana Gal Gadot Steve Trevor

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The Financial Planning and Analysis (FP&A) unit oversees and coordinates the budgeting efforts of the system. The unit works to provide analysis and guidance to assist colleges and universities prepare budget, plan expenses, and allocate funds in a manner consistent with Board policies and system procedures. The unit provides a range of financial analyses and is responsible for the oversight of tuition and fee policy.
Funding from the State of Minnesota is obtained in response to legislative budget requests presented to the Legislature by the Board of Trustees. This funding is then allocated to the system institutions using the Allocation Framework. Detailed information is available through the Allocation Framework and Instructional Cost Study presentation.
Detail tables of annual allocations to each system institution below by fiscal year.
Once biennial funding is secured from the Legislature in even numbered years, annual operating budgets are proposed to the Board of Trustees, which is charged with approving the Minnesota State system budget. Supplemental budget request information.
The biennial operating budget is generated through a process of research and planning by committees that is presented to the Board of Trustees for approval. This request for funding is finally presented as a legislative budget request to the Department of Finance of the State of Minnesota.
Review 2018 Capital Request & Supplemental Budget.
The Financial Planning and Analysis unit maintains the system's official student full year equivalent (FYE) enrollment by college and university. As part of this process, current and future year projections are reported by each college and university. Student headcount and demographic data is available through the system's research and planning unit.
All colleges and universities within the system charge tuition & fees consistent with Minnesota statutes and policies. The current tuition structure includes, but is not limited to, resident/non-resident per credit, programmatic/course, and banded rates. Some of the mandatory and option fees include; senior citizen, parking, student association, activity athletic, health services, and technology.
In the fall of 2018 there was a fee study presented to the board which you can find along with the appendix here.
Below you will find documentation concerning the administration, policies and procedures governing the collection of tuition and fees as well as the reciprocity agreements with neighboring states.


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Employee retirement and savings benefits higher for union workers
In private industry, retirement and savings benefits costs in June 2003 were higher for union workers than for nonunion workers, both in dollar amount per hour ($1.76 versus 55 cents) and as a share of total compensation (5.6 percent versus 2.5 percent).
[Chart data—TXT]
Retirement and savings costs were higher in goods-producing industries than in service-producing industries for both union and nonunion workers.
The average cost in private industry for all workers (union and nonunion) for retirement and savings benefits was 67 cents per hour worked in June 2003. The average cost per hour worked for defined benefit plans, retirement plans that specify a benefit typically based on age, years of service, and earnings, was 26 cents. The average cost for defined contribution plans, retirement plans based on employer contributions to individual employee accounts, was 42 cents per hour worked.
These data are from the BLS Compensation Cost Trends program. Find out more in Employer Costs for Employee Compensation-June 2003 (PDF) (TXT), news release USDL 03-446. Retirement and savings benefits include defined benefit and defined contribution plans. Goods-producing industries include mining, construction, and manufacturing. Service-producing industries include transportation, communication, and public utilities; wholesale and retail trade; finance, insurance, and real estate; and service industries.
Compensation Costs
Earnings and Wages
Bureau of Labor Statistics, U.S. Department of Labor, The Economics Daily, Employee retirement and savings benefits higher for union workers on the Internet at https://www.bls.gov/opub/ted/2003/aug/wk4/art04.htm (visited January 16, 2021).
Recent editions of Spotlight on Statistics
Occupational Employment and Wages in Metro and Nonmetro Areas
Examines similarities and differences in employment and wages between metro and nonmetro areas.
Gulf War Era Veterans in the Labor Force
Examines the demographic, employment, and unemployment characteristics of civilians who served in the U.S. military during Gulf War era.
Using BLS Data to Match People with Disabilities with Jobs Presents data that can help increase access and opportunity for people with disabilities in the nation's labor market.
How Women and Aging Affect Trends in Labor Force Growth Examines how women's labor force participation and the aging of the U.S. population affect trends in labor force growth.
U.S. Bureau of Labor Statistics Postal Square Building 2 Massachusetts Avenue NE Washington, DC 20212-0001
Telephone: 1-202-691-5200 Federal Relay Service: 1-800-877-8339 www.bls.gov Contact Us


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Q: Copying LaTeX from Mathematica Is there a way to copy text with InlineFormula styles to the clipboard with the math section within the dollar signs?
Take this for example. The following screenshot shows part of a mathematica notebook:

I have duplicated the same cell to show the expression form. Now, when I right click on the text and click copy as LaTeX and paste it say here:
\text{I hope this inline text is copied within the dollar signs: }

f(x) = 3. \text{Did} \text{it} \text{work}?

I get that. If I were to save the file as latex I would obtain something like this:
I hope this inline text is copied within the dollar signs: \(f(x) = 3\). Did it work?

I have never used \( \) in latex. But I'm assuming this is another form of doing inline math since it worked when I compiled it with LaTeX
Sometimes I find myself typing some text in Mathematica and later pasting some text with inline text into some latex file. Is there some settings I can change so that I can obtain the inline math mode instead of the \text{} command?
Another related question is, Is it possible to do display math in Latex? The DisplayFormula style doesn't seem to work quite right.
Any knowledge about latex settings in Mathematica is welcome.

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Living room pop ceiling inspirations including awesome hall design idea ideas designs latest pictures are fantastic with charming hall ceiling design idea and decent wall pop designs home inspirations pictures. Here are a couple purposes and can nonetheless be a great method.
9 selection of hall ceiling design idea in this article to help out your complete the activity with no trouble.


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Q: The configuration section cannot contain a CDATA or text element I am working on a vb.net web application project. And I was stucked by the following error. I believe there is not syntax with my web.config. Please help me.
Server Error in '/TSCA' Application.
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Parser Error Message: The configuration section cannot contain a CDATA or text element.
Source Error:
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Version Information: Microsoft .NET Framework Version:4.0.30319; ASP.NET Version:4.0.30319.17929

A: I hads same issue, You should resolve in two simple steps.
1) verify by opening the URL of the Web Service in the Web browser and make sure it is properly responding. (IMPORTANT)
2) If step 1 turned out well, sure there are no typos in the web.config since (happened to me) what can happen is you have been a character "<" or ">" or misspelled most.


Please use the map to search car rental stations for Avis. - You simply click your preferred car rental Avis in France on the map. - The car rental station map also shows you Avis and the other rent a car companies around your area in France.


David Kotok of the investment fund Cumberland Advisors (quite a successful fund, by the way, and clients of ours back in the day) has a good description of the "sacrifice ratio" here. He thinks that the interpretation of a "high sacrifice ratio" means that the Fed will tend to raise its policy rates further than expected, to combat inflation now instead of allowing it to get out of hand. Apparently some gnomes in the Fed have been calculating the "sacrifice ratio" on a regular basis.
Yet it should be perfectly obvious by now that a proper base money adjustment response to a weak currency/inflation situation (if one has inflation, which one shouldn't if they've been doing their job right), produces lower interest rates and typically less unemployment. In other words, it fixes the problem, rather than leading, as the "sacrifice ratio" concept implies is the result of "fighting inflation", to higher interest rates and more unemployment, i.e. hard evidence that a mistake has been made.
A very good notion, of which Ronald Reagan was a fan, is this: an effective economic solution should result in a better economy, immediately, not a worse one.
Okay, one should already be cracking a bit of a smile at this Virgins-in-the-Volcano economics. But the "sacrifice ratio" concept is actually a little more dangerous than that. For it implies that, if one makes the necessary sacrifice (i.e. unemployment, aka a crap economy), then one indeed fixes the problem of inflation. But that doesn't work either. Throwing virgins in the volcano is just a waste of good virgins. Actually, it is entirely possible that raising a central bank's interest rate target will make inflation worse, because, as the economy crumbles in response, the currency falls further in value (as measured against the benchmark of monetary value, gold). Indeed, it is often the case that lowering a central bank's interest rate target can actually create more employment/better economy and a rising currency, i.e. less inflation! We have been seeing that in Brazil and Turkey recently. However, lest one think that the solution for the US is lower central bank interest rate targets, let me point out that this phenomenon tends to work best when starting interest rates are quite high, 8% or higher.
Behind the "sacrifice ratio" concept lies the concept that inflation is cured by unemployment. This is not entirely mistaken, as a recession does typically mean that businesses must clear inventories by cutting prices, or that workers will take a lower wage to get a job. The result is a depressive effect on the measured CPI. However, real inflation is a monetary adjustment to prices resulting from a decline in currency value. If the dollar goes to $0.50, then it will eventually tend to cost two dollars to buy what one dollar used to buy. It does no particular good to try to solve the problem of a change in currency value by burning down the economy.
It's amazing that academic economists continue to flog these ancient and long debunked Phillips Curve notions for generation after generation, occasionally dressed up again in new terminology such as the "sacrifice ratio." But then, if they didn't cling to the Phillips Curve, they might find that they don't have any ideas at all!


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Black. Tiartisan. Net bag. Folding tableware. Titanium outdoor cup. Anyone. Cutlery bag travel. Lc001. Travel basket gift. Edcgear. (d)139x(h)28mm,6g. Pot-700-d115. 90*20mm. Fiber wheat. Marinades grilling. Ninety-eight. Keith titanium mug. Wholesale 1.32 car. Nh17z012-l.
Ti6012. Two become one. Cookware. 0.5kg. Zh1143500. Portable folding water bottles. Bl200-c6. Retractable cup plastic. 1 x aluminum 0.8l portable outdoor coffee pot water kettle teapot. Wholesale set picnic basket. Camping cooker size: Package : Lady bug.
In the spring of 2014. Knife fruit. As987. Hiking picnic cookware. Wholesale brs crampones. Aihogard steel scraper. Box size: 12.8*12.8*17.5cm packing. Nightclub lighting led. Shovel storage. Wholesale camouflage tumbler. Steel lime. Hanging basket with water. Knife and fork spoon, the, chopsticks.. Bag one pieceFox wooden. Stainless steel hip 8 oz.


Happy Monday, lovelies! I'm at it again this week sharing lots of affordable and great finds! Today I'm sharing over 30 great finds from Walmart that you may need in your closet this spring! The best part is they're all UNDER $30!!
I've been scouring Walmart website and also in store for months now, attempting to find all of the best stuff to share with you ladies! I can't even believe all of the good stuff I've found! Walmart is TOTALLY stepping up their game. For about a year now, I've been finding the best stuff and no one can believe it's all from Walmart! I'm obsessed. They have lots of great dupes for Free People, Madewell, Sam Edelman and more! I love finding those!
First up, I wanted to share these really great striped tees along with these jeggings! I can tell you right now that this top will be worn on repeat, and I'm already looking into purchasing another color. It is SO SOFT and such great quality. I love that it looks like Free People, but it's definitely from Walmart with the price tag being a fraction of the cost!
The top is available in 8 colors and is currently under $6!
This striped top is precious and I love the ties on the sleeves. It comes in 2 different prints and runs true to size. I'm wearing a small and love that this top is $16! I have on the same Time and Tru jeggings. I would definitely go up a size in them as they fit small. I am wearing a size 2, however, would be more comfortable in a size 4. I love the distressing!
These shoes are only $28 and available in 6 color options!
Definitely grab these cognac slides that are dupes for Madewell! I'm loving them and they're so comfortable! Can't believe they're only $28 for the quality and they come in 6 colors! I'm grabbing the white ones next!
We are headed to the beach next month, so I've been looking for all of the bags to take with us! These beach bags are SO cute and so inexpensive that I can keep them all! The best part about this rainbow striped bag is that you can throw wet swimsuits in it and then just wipe it out since there is a liner inside. Definitely a great pool/swim bag.
This pom hat is adorable! I'm loving the fun detail and that it still protects me from the sun! The striped weekender bag is perfect and I foresee my girls stealing this one to pack for our weekend trips!
I can't believe I'm saying this but windbreaker jackets are BACK! I've been seeing them everywhere and how stinking cute are the leopard and rainbow ones? Seriously loving them both paired with these moto leggings.
If you are looking for some good swimsuits, this criss cross black swimsuit is a must! I have had it for a few years now and it's held up great.
Head to my Instagram to see all of my items and more! I will be sharing lots throughout the week, so check back! Also, these items tend to sell out quickly because of the prices…so if you see something you want, GRAB NOW!
Shop everything you saw in this post from Walmart and more here!
Thank you to Walmart for sponsoring today's post! All items are chosen by me as well as all content and opinions are my own!


I think I promised you another card for my next post but instead, I have scrapbooking pages. I've fallen a little behind with the scrapping so I'm trying to get back into it.
This was the first time I used the Letter It stamp set & I can see myself using it time and time again, especially for scrapbooking. I LOVE it but do you know what would make it the perfect stamp set? If it came with a matching punch! That said, the letters were very easy to cut out with scissors.
Our Little Neighbour Turns One!
My First Fancy Favour Box!


Home Colorado Plateau Archives Susie at outboard, Virgin Canyon, Lake Mead 9-1-56.
Susie at outboard, Virgin Canyon, Lake Mead 9-1-56.
Title Susie at outboard, Virgin Canyon, Lake Mead 9-1-56.
Post a Comment for Susie at outboard, Virgin Canyon, Lake Mead 9-1-56.


30/11/2018 · MuseScore for Mac OS X MusicScore is a program that offers to its users all the necessary tools to create, customize and share music. The moment you enter the program, you realize that in order to use it you need to have at least some basic music creation knowledge, such as notes, instruments…... MuseScore is also a great tool for music composers and also for people that want to write accompaniment music to rehearse their instrument. MuseScore features an extensive sound library used to playback (and loop) your score.
MuseScore is also a great tool for music composers and also for people that want to write accompaniment music to rehearse their instrument. MuseScore features an extensive sound library used to playback (and loop) your score.... MuseScore is also a great tool for music composers and also for people that want to write accompaniment music to rehearse their instrument. MuseScore features an extensive sound library used to playback (and loop) your score.
MuseScore is also a great tool for music composers and also for people that want to write accompaniment music to rehearse their instrument. MuseScore features an extensive sound library used to playback (and loop) your score.


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Drake main producer Noah "40" Shebib has stepped forward to address controversy over Kanye West involvement in "Two Birds, One Stone" a diss track aimed at Kid Cudi.
There are already tension between Kanye and Cudi inside their G.O.O.D. Music cap and this track only served to make things worst since Ye is on the production credits. 40 confirmed with Genius that he and Ye did co-produced the track but it was not a case where Ye deliberately sold out his label mate.
Although Kanye West is listed on the credits as a "Lyricist"/"Writer" it doesn't mean that he actually penned any of the actually lyrics. Producers are also listed in the credits as writers since they usually compose the beats and in a lot of cases mix and mastered the song.
Drake raised some eyebrows last week when he dropped the single on OVOSOUND Radio taking shots at Kid Cudi and Pusha T who are both G.O.O.D. Music artists.


Coincidently, I recently responded to a questionnaire about health care data. I've paraphrased the questions and my responses below. Perhaps the views of someone who's spent a lot of time in the health care engine room might provide some useful perspective.
In reading through the questions and my responses, picture a care management system that pulls patient, provider, and visit data from several different insurance companies and sends letters with helpful advice to patients with certain conditions.
1) What kinds of problems exist in collecting patient-centric data? What data quality issues are present?
In context, this question asked how well data from the patient-provider encounter (health care jargon for doctor visit) was recorded, including patient enrollment, data from the encounter, the diagnosis, and even matching patient encounter records to the right providers.
Being a "back end" developer, most often in an insurance company, my job is to integrate data from several different sources into a single database. Based on my experience, I'd characterize 5 to 10% of the records as incomplete or inconsistent in some way. A smaller percentage of the records feature errors significant to the mission of whatever system I'm involved in building.
The result of the latter might be multiple records for the same person or data for different people being "matched" into the same record incorrectly.
Missing data might cause a patient with diabetes to be omitted.
Invalid duplication of a patient record might result in duplicate letters for the same person.
Merging patient records incorrectly might cause someone without the given condition to receive a letter.
2) What steps are taken to improve upon the data or the collection methods?
Interpolate or estimate correct values.
The first two options are the most common. In most business applications the third option is frowned upon because it changes source data without any way of knowing the actual value.
3) What are the negative impacts of dealing with dirty-data?
A business process cannot be 100% accurate if its source data isn't 100% accurate. Each data quality measure introduced to the data integration process increases data integration cost and increases data transmission lag to the target system.
4) What efforts are in place to reduce the negative impacts? What kinds of processing or architecture helped make the difference?
Business process design and system improvements that introduce measures to correct data at the point of entry are the best way to insure quality data.
I believe the health care industry has a lot of potential improvement here. Why do I have to fill out a 10-page form for error-prone manual entry at the doctor's office when the insurance company they share data with has all of my detailed information available for download? Of course those kinds of solutions quickly raise Big Brother type questions, but for better or worse any insured person's health care details are replicated across many provider and insurer systems. Our records are already at risk without addition of this one very useful interface.
After entry, the data passes through the labyrinth of back end systems of large providers and insurance companies. Different systems, or even different locations, over time evolve different business rules and data definitions. It is critical that those developing integration processes understand the business aspects of all different sources and conform them to a common standard for proper interpretation for the particular target business process. Projects that skimp on business analysis and source data research pay the price as many of their implicit assumptions turn out to be wrong. Maybe that's what's happened at some of the back-end systems served by healthcare.gov.
It's possible to correct data after the fact. For example, data analysts on one project for a large health insurer tracked data errors on reports back to the incorrect data in source systems, and recommended the corrections needed. The 12-month effort resulted in significant data quality improvement after diligent work by the 10 or so skilled data analysts on the team.
I received this offline comment to this post: "My bet is that the Healthcare.gov project was recorded as "green" at every stage in the development cycle. In line with your position, if some of the tasks had been appropriately "yellow-lighted", the people in charge (whoever they were) could have made better decisions." Thanks for your message – as a frequent yellow-lighter I couldn't agree more!
1.	What factors in your opinion define quality in healthcare clinical data?
Assumptions: Clinical data is biometric data gathered by medical professionals or by machines (e.g. thermometer, X-ray, heart monitor).
Response: Criteria for measuring data quality are well documented (one graphical example here: http://prodataquality.com/DataQualityBasics.html). To me the primary factor that defines data quality is the business process used to collect it – data quality is directly proportional to the quality of the collecting business process. Data quality must be an identified goal of the business process, and process design must feature methods of collecting and evaluating data quality.
2.	If there were a model to define quality in healthcare big data, what aspects should the model address?
Assumptions: Big data is defined as representing a sufficient quantity of instances of a given business event – say, billions – such that it is impractical or even impossible to meaningfully process data about the events one-by-one.
Response: Due to the scale of big data, its users lose ability to evaluate it by some of the traditional quality criteria. For example, it is impossible at big data scale to evaluate accuracy of records with valid values that are independent of each other. Therefore, a quality model for big data must focus on validity rather than accuracy, and should exclude instances with out-of-bounds or inconsistent values.
While traditional systems prevent entry of invalid data into the database, the typical model for big data is to load all data, valid or invalid, and to apply quality processes upon extract to applications that use the data.
Finally, big data imposes serious security challenges, especially in the health care arena. Depending on the application, one should anonymize or eliminate personally identifying data. If that can't be done, then security and access controls should be carefully designed, applied, and monitored.
3.	How in your opinion could one enhance a quality model designed for traditional database (small data) to encompass big data?
Assumptions: See big data assumption for 2, above.
Response: From the perspective of data quality, their very scale hamstrings big data systems. One does not enhance a traditional quality model to work with big data, but rather pares down quality measures because they are impractical at big data scale. In addition, the two approaches are incompatible because traditional database processing involves keeping bad data out, while big data systems bring all data in and require a caveat emptor approach on the part of applications accessing the data.
4.	What did big data introduce to healthcare organizations?
I have not personally seen a big data application in a health care organization. While I have worked with databases with billions of claims, they were operational systems operating on a traditional DBMS.
5.	What tools could be used to analyze, study, or observe big data related to healthcare?
6.	What organizations could offer useful resources regarding healthcare and big data?
The best sources of information on big data utilization are big data pioneers, companies who have made big data core to their business processes. A second valuable source, albeit not totally objective, is vendors of big data tools and consultants with experience.
Big data is still new, and working with big data often means stringing together many immature products at version 0.x or 1.x. It also imposes a risk in procuring services due to the many firms looking for their first foothold in the field.
7.	In your country, or to your knowledge, what organization is considered to be a good example of handling big data in general, that we could study their approach to adopt into healthcare big data.
Netflix and Google stand out as examples.
8.	If a quality model is to be certified, what organization or individual could review it?
9.	To study big data and how to manage its quality, what is the advised approach in your opinion?
Thank you Mr. Lambert .
I was a bit surprised that big data are being processed on traditional DBMS.
What about quality performance indicators (QPIs) are they being used in hospitals to measure the hospital's data quality? Have they improved the data quality, like to what percent? Should each hospital have their own indicators or should they be standardized (unified) as one?
Thanks for your reply. Yes, it is interesting that in this case SQL Server was used as a source for an analytics process against a very large membership/claims database. The capability was developed about 10 years ago before big data techniques emerged and is now finely tuned to handle tens of millions of members and about 100 times the number of claims.
I would like to be able to answer your question about QPIs but I don't have experience in the clinical area, my experience in healthcare has focused on membership and claims at insurance companies, and, many years ago, in aggregating clinical data in a data warehouse. That said, I would think emergence of increased state management of national healthcare systems would promote emergence of standard QPIs.
Enjoyed the read! REALLY enjoyed your seminar at VCU on 9/6!
Bill, thanks very much, it was great to see you and I appreciate your participation!


Display components can be moved around, individually expanded or collapsed, deleted and have their configuration options changed right on the dashboard.
In some cases, there are sub-menus which are indicated by the next to them. If there are sub-menus, hover on the main menu item and then the sub-menus appear. In those cases, click on the sub-menus, not the main menu.
To add different components to the dashboard, see Dashboard Components.
The component will be positioned automatically on the layout (usually in the top left section), but then it can be moved. If you have a lot of components on the dashboard, you may have to scroll down or collapse the components to see it.
Components can be moved around on the dashboard, even into different sections of the dashboard.
If there is a lot of detail in your components or you have a lot of components on your dashboard, you may want to collapse all the components first and then move them (but that's not required).
To remove a component from the dashboard, click the Delete icon in the header bar for that component.
This doesn't delete the component entirely, it just removes it from the dashboard. It can be added back or added to other dashboards.
Each component may also have additional options. These appear in the title bar of the components. The options available will vary by component type.
For example, some components contain a Display Options icon which can be used to control what details are displayed.
There may be an option to start the add of that type of item right from the dashboard as well, see Adding Content.
Each component has its own separate settings and functions, for example a component on the dashboard can appear in either expanded or collapsed mode. If its expanded, the details of that section are displayed. If its collapsed, just the header section is visible. In the form below, the tasks components and the projects components are expanded while the To Dos, Issues, Approval Requests, Time Sheet & Expense Reports and Notifications sections are collapsed.


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EO Oklahoma City
Visit EO Oklahoma City on Facebook
2016, April 7, Funds For Learning CEO John Harrington Named Kathy Hurley Private Sector Champion
EDMOND, OKLA. (PRWEB) APRIL 07, 2016
John Harrington, CEO of Funds For Learning, received CoSN's Kathy Hurley Private Sector Champion Award for his work helping schools and districts access the E-rate program. Every year, this award highlights those in the private sector who are making important contributions to CoSN and education technology. Harrington received the award this week during CoSN's annual conference.
"John has been a tireless advocate for E-rate, working to meet the needs of school districts and helping them to utilize this valuable program," said Tom Ryan, CoSN16 conference chair and the new CoSN chair elect, before presenting the award. "He shines a light on ways that E-rate funds can improve digital learning. While the recent reforms have taken great strides to improve the E-rate program, there is still work to be done to ensure every student is receiving equitable access to Internet – and John is working to make this a reality."
To qualify for the Kathy Hurley Private Sector Champion Award, the honoree must go beyond what is required of his or her job description and provide high-quality and strategic value to CoSN and the education community. The award program began in 2000 and has recognized leaders from education and technology companies – and beyond.
CoSN acknowledged Harrington for his advocacy of the E-rate program and his work to ensure every student receives equitable access to the Internet. Harrington has been an integral member of CoSN and has dedicated countless hours to helping the community understand the need for the E-rate program and the impact of its changes.
"This award comes as a complete surprise to me, and is truly an honor," Harrington said. "Knowing I was considered among some of the most forward-thinking, selfless people in the CoSN and education technology space is very humbling. I share this honor with all of those who continue working to make Internet access available for every child."
Funds For Learning began in 1997 and provides high-quality consulting and support services to schools and libraries seeking connectivity. Driven to help clients understand and maintain compliance with E-rate rules and regulations, Funds For Learning guides participants through the regulatory process by successfully managing and preparing their E-rate paperwork.
To learn more about the Kathy Hurley Private Sector Champion Award, visit http://www.cosn.org/about/awards/kathy-hurley-private-sector-champion.
About Funds For Learning:
Funds For Learning, LLC, is an E-rate compliance firm specializing in guiding E-rate applicants through the E-rate regulatory process and is an advocate for the use of educational technologies and student Internet access. Formed in 1997, Funds For Learning provides professional advice and assistance relating to the E-rate program to clients in all 50 states. For more information, visit http://www.FundsForLearning.com or phone 405-341-4140.
Read the original article here: http://www.prweb.com/releases/2016/03/prweb13297742.htm
View the official award website: http://www.cosn.org/about/awards/kathy-hurley-private-sector-champion


With peace throughout the land and Joshua now well advanced in years, Joshua calls together all the elders, leaders, judges and officers of Israel to address and instruct them about following God. He reminds them of how they have seen and experienced God's goodness, provision and protection. ("The LORD your God has fought for you against your enemies" (vs 4)). Next, he charges them (as he had done many times in the past) to be very careful to follow God's Law, and to continue to hold tightly to and love God. He then concludes with a warning about the adversity and disaster that will come if the people turn away from God to follow the customs of the foreigners remaining within and around them.


text:
Erroll is an English male given name or surname that is synonymous to Earl. Notable people with the name include:

Earl of Erroll, Scottish title
Erroll M. Brown (born 1950), first USCG African-American admiral
Erroll Collins (1906–1991), British author
Erroll Fraser (1950–2002), ice speed skater
Erroll Garner (1923–1977), American jazz musician
Erroll Chunder Sen (c. 1899 – after 1941), Indian pilot in the Royal Flying Corps during the First World War
Frederick Erroll, 1st Baron Erroll of Hale (1914–2000), British Conservative politician

See also
Errol (disambiguation)
Erol, a Turkish male given name

redpajama_set_name: RedPajamaWikipedia


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Q: Change the dummy data jquery in inverted commas I don't know how to replace this dummy code for Jquery in the inverted commas
this is fine but if I replace the jquery dummy data to the razor code i got error...
jQuery('
<input class="data-cell data-category" /><input class="data-cell data-value" type="number" step="10" /><input class="data-button delete-button" type="button" value="X" /><input class="data-button addnew-button" type="button" value="V" />
').prependTo('#data-table');

to the following razor code

Role

            @Html.LabelFor(model => model.user, htmlAttributes: new { @class = "control-label col-md-2" })

                @Html.EditorFor(model => model.user)
                @Html.ValidationMessageFor(model => model.user)

            @Html.LabelFor(model => model.checkBox1, htmlAttributes: new { @class = "control-label col-md-2" })

                @Html.EditorFor(model => model.checkBox1)
                @Html.ValidationMessageFor(model => model.checkBox1)

when i try to do that The @ sigh of the razor code cause to error,how to overcome it and replace the code inside the  inverted commas to the razor code?

A: not sure is it compilation error or just warning in your code editor
this is how I combine javascript with value from Razor output
var html = '@Html.EditorFor(x=>x.Value)';
$(html).prependTo('#somewhere');

if your want to render whole HTML output from the Razor's View. You can do this
var html = '@Html.Partial("ViewName", Model)';
$(html).prependTo('#somewhere');

BTW this seem bad smells in design.
alternately, use ajax $.get to your Action url that return PartialView would be simpler
$.get('@Url.Action("ActionName")', function(html){
    $(html).prependTo('#somewhere');
});


text:
Merriment on Main
Vaca student arrested over post
Meadowlands Park input sought
California's most deadly tsunamis
BottleRock daily lineup
Custodian's equipment upgrade
Vacaville gathers to celebrate MLK's legacy
Kasie Hunt
Presidential candidates not resting as Election Day arrives
November 6, 2012 at 12:00 a.m.
COLUMBUS, Ohio -- The White House the prize, President Barack Obama and Mitt Romney raced through a final full day of campaigning Monday through Ohio and other battleground states holding...
President Barack Obama, Mitt Romney both seek mantle of change
DOSWELL, Va. -- Five days before the election, Republican challenger Mitt Romney and President Barack Obama vied forcefully for the mantle of change Thursday in a country thirsting for it...
Foreign policy jabs rule final Barack Obama, Mitt Romney debate
October 23, 2012 at 12:00 a.m.
BOCA RATON, Fla. -- President Barack Obama sharply challenged Mitt Romney on foreign policy in their final campaign debate Monday night, accusing him of "wrong and reckless leadership that is...
President Barack Obama, Mitt Romney play nice for a night
NEW YORK -- President Barack Obama and Republican challenger Mitt Romney poked gentle but sharp fun at one another Thursday night during an esteemed New York Catholic charity dinner that...
Mitt Romney rips Joe Biden on consulate attack in Libya
RICHMOND, Va. -- Broadening his attack on administration foreign policy, Mitt Romney accused Vice President Joe Biden on Friday of "doubling down on denial" in a dispute over security at...
Mitt Romney feeling confident after debate
October 5, 2012 at 12:00 a.m.
DENVER -- Buoyed by a powerful debate showing, Mitt Romney said Thursday he offers "prosperity that comes through freedom" to a country struggling to shed a weak economy. President Barack...
It"s Paul Ryan: Romney picks Wisconsin congressman for veep
NORFOLK, Va. — Mitt Romney introduced Rep. Paul Ryan of Wisconsin as his Republican vice presidential running mate today, turning to the architect of a deeply conservative and intensely controversial...
Obama, Romney shift focus to economy
May 12, 2012 at 12:00 a.m.
RENO, Nev. -- The presidential candidates tried to put aside politically risky talk of gay rights Friday and return to Americans'' top worry, the economy, in two states critical to...
Santorum drops out of GOP race
GETTYSBURG, Pa. -- Rick Santorum cleared the way for Mitt Romney to claim victory in the long and hard-fought battle for the Republican presidential nomination Tuesday, giving up his "against...
Romney sweeps 3 primaries
April 4, 2012 at 12:00 a.m.
MILWAUKEE -- Mitt Romney tightened his grip on the Republican presidential nomination Tuesday night, sweeping primaries in Wisconsin, Maryland and Washington, D.C., with time left over to swap charges with...
Open House Form


At Coomeva Medicina Prepagada, we promote self-care, mental health and well-being. For this edition, we tell you why WhatsApp conversations should not be equated to those that are physically engaged. In addition, we address fundamental issues such as the importance of developing fine motor skills in children and,also, why it is necessary to reach agreements in relationships.


Paramo Velez Waterproof Jacket - Mens. Analogy hill walking Coat.
The Paramo Velez Waterproof Jacket – Mens is a lightweight, waterproof Paramo jacket that's ideal for multi-use - hiking, biking and much more. With an active cut and plenty of ventilation and Paramo's excellent Analogy Waterproof fabric, this jacket is super-breathable and will perform whatever you are doing in the hills.
The Paramo Velez Waterproof Jacket – Mens is new in to us this year. It's designed as a 'do anything' waterproof jacket and it'll be capable for lots of different outdoor tasks.
There's much that's new about the Paramo Velez Waterproof Jacket – Mens – not just the name. The Velez jacket arrives on the back of several previous models of lightweight Paramo jackets that were designed to do a multitude of tasks. The Velez jacket has seemingly built on the design success and popularity of these jackets, incorporated the best bits and added several new ideas too.
First thing to say is that we've been testing the Velez jacket for a while now. We were lucky to get two jackets many months before launch to thoroughly test them and give some feedback too. We genuinely think the jacket is excellent and will serve very well if you are looking for something that'll do several different tasks.
The Paramo Velez Waterproof Jacket – Mens is also a first in that in features use of both the regular weight Paramo Analogy fabrics and the lighter weight fabric. It's designed so that critical areas of wear and weather get the slightly heavier fabric, with the lighter fabric used where you need greater breathability. In our experience, there's little to choose between the performance (in terms of breathability and waterproof) of the two fabrics. Warmth and weight benefit from the lighter fabric though.
As with more recent Paramo jackets, the cut has been revised and the Velez jacket is relatively fitted on the body and sleeves. This also helps weight and feel of the jacket when it's on but using the jacket, it's designed for the active user and doesn't impede you doing more active things in the jacket at all.
In many respects the lining of Paramo jackets is where the magic happens (!). The great thing about Paramo jackets is that the windproof outer (which sheds the majority of the rain) is backed up by a 'pump' liner that directs moisture out from the body and impedes water coming in. The two layers make a 'bulletproof' waterproof jacket and make it super-breathable. The lining on the Paramo Velez Waterproof Jacket has been revised using lighter fabrics across the back and in key areas – this cuts down the weight of the liner, improves breathability when you are working hard (and generating sweat and heat).
It's a shorter, active cut and features large vented front pockets (with 2 zippers so you can keep your pocket zippered up whilst still allowing ventilation) and arm vents too. It goes without saying that Paramo have included an excellent, stormtight hood with plenty of adjustment.
All in all we can thoroughly recommend that Men's Velez Jacket – it's a worthwhile investment for anyone who's an active outdoors multi-tasker looking for an ultra-breathable waterproof jacket.


On Friday I had a conversation with a friend about aging and the unexpected shifts in relationships that are occasioned by the fact that people are living longer now. It was one of those times when we could have said, "If I knew then what I know now…" as we mused on the choices that life had presented us. As it was not a deeply serious exchange, however, we were rather commenting on the idiosyncrasies that we notice both in ourselves and in our loved ones that didn't appear (or weren't there!) earlier in our lives. Our conclusion was that love covers a multitude and we're both lucky to have people who love us!
Today's gospel offers two choices for reflection on the same text that I mentioned yesterday – the one I like to call "breakfast on the beach." Presiders may take chapter 21 of John to verse 19 or, if this seems too long a story for the faithful, may stop at verse 14 when breakfast is served. I find it unfortunate for that to happen if the only hearing of this tract is in church this morning because verses 15 to 19 tell of Jesus asking Peter three times if Peter loves him. I can imagine myself as Peter in that situation wondering first why Jesus was asking at all but then remembering the horrific story of my denial on the evening of his arrest. By the time he got to the third repetition, however, I would probably be frustrated and wondering why he was humiliating me that way since it was not at all like him!
What point was Jesus trying to make in that moment? Precisely, I think, that we do not know what is to come later in life and occasionally we do need to assess what has been happening and recommit to whatever the future may bring to us. I feel Jesus as very tender in that moment, loving Peter more than he could ask or imagine and wanting Peter to know how special he was. The charge he gives him ("Feed my lambs; feed my sheep") is not an easy destiny. Peter, the impulsive one who loved so much, would need to remember this moment in the most dangerous and difficult situations in the future. And he would prove himself equal to the task.
Perhaps today is a day to hear that question of Jesus: "Lois, do you love me?" (not just once but three times for emphasis). Looking back and looking forward, may we all echo Peter who said with total certainty, "Yes, Lord, you know all things. You know that I love you." And in that answer, may we again walk confidently into life.
My favorite post-resurrection story in John's gospel is what I call "breakfast on the beach." (JN 21) It's the one that finds the disciples having fished all night long and caught nothing. Jesus appears and calls out to them from the shore to cast their nets to the other side for a catch. Although they don't recognize that it's Jesus making this suggestion and they do mention that they've been at it all night, they actually do what he asks! As soon as they do and have a great number of fish in the net Peter yells, "It is the Lord!" and jumps out of the boat to get to him as fast as possible. Then Jesus cooks breakfast for them – as if all is right with the world. I like that part because it makes Jesus seem so human, seeking out his friends and wanting to feed them with food and love. But that's not the end of the story.
There are two ways in which this statement is significant for me. We live in a time when we are living longer and often are alive because of the advances in medical science. Some of us are part of the "sandwich generation" – taking care of children or grandchildren as well as our aged parents, dressing and feeding and otherwise spending ourselves in love for them. It isn't easy but can be incredibly rewarding. At the same time, those of us in the middle of the sandwich are feeling our own aging process and need to "stretch out our arms" in surrender to what we know as diminishment of our capacities, both physical and otherwise. That can sometimes be more difficult than caring for others, since it involves giving up of control. We, in the United States, find it hard to admit advancing age because we are bombarded with products that will erase our wrinkles, dye our hair and restore bone growth assuring us that we can resist the onset of old age. Eventually we must look deeper for a solution and learn from those cultures who revere the wisdom of the old, celebrating the wrinkles and finding strength in acceptance.
Today my prayer will focus on gratitude for those elders who have given me good example of growing old gracefully and on willingness to accept the lessons that are coming to me in what I hope to call my "golden years" even though they are accompanied by challenges that I would rather not face.


text:
Q: How to remove field from a specific form Using jquery, i would like to remove a hidden input, based on a class name selector but I just want to remove this inside of one specific form?
something like this:
$('.addToCartButton').click(function () {

    var form = $(this).closest('form');

    //remove all inputs with class name "test" inside of the form object above.

});

What is the best way of doing this?
Update

As a follow up question, how can i
1. First read each input val() into a variable before i remove it?
2. Get the first element from the find method (as it could return multiple elements)?

A: this should do it
$(form).find('input.test').remove();  //remove all elements

http://api.jquery.com/remove/
follow up:
var firstItem=$(form).find('input.test')[0]; // only the first item

var arr=[];  //this will build an array of the values
 $(form).find('input.test').each(function(){
    arr.push($(this).val());
  });

var arr=[];  //this will build an array of the names andvalues with a comma between
 $(form).find('input.test').each(function(){
    arr.push($(this).name + "," + $(this).val());
  });

loop through all values in array
for(var i=0;i<arr.length;i++){
    alert(arr[i]);
}

A: Try this
$('.addToCartButton').click(function () {

    var form = $(this).closest('form');
    var inputValues = {};

    //remove all inputs with class name "test" inside of the form object above.
    form.find("input.test").remove();

    //This loop will put all the input name/value pair into inputValues object
    form.find("input.test").each(function(){
       inputValue[$(this).attr("name")] = $(this).val();
    });

    //This will give you the first input element
    form.find("input.test:first");

});

A:  var form = $(this).closest('form');
form.remove('.class_name');


text:
Halsey is thankful for teenage meltdown
by Hollywood Treatment January 29, 2019, 4:47 pm
Halsey is thankful she had her "meltdown" before she found fame.
The 24-year-old singer suffered a breakdown when she was a teenager in which she attempted to take her own life and was admitted to a psychiatric hospital for 17 days, where she was diagnosed with bipolar disorder.
And the 'Bad At Love' hitmaker says she's thankful she dealt with her mental health during her teen years, because she thinks it would have been a far worse experience if she'd gone through her breakdown in the spotlight.
She said: "It was a lot of things happening at once, with a complete lack of direction.
"Thank God I learned it then. Given what I've been experiencing the past couple of years if I hadn't already had my meltdown, who knows when it would have happened?"
Halsey's comments come after she's experienced a tough few years, which have seen her battle an endometriosis diagnosis, a miscarriage, and a very public breakup from her ex-partner G-Eazy.
And the 'Colours' singer says her failed suicide attempt made her realise she doesn't want to die, and gave her fresh perspective when it comes to how she creates her art.
Speaking to Glamour magazine, she added: "I have obviously been given this massive privilege and responsibility to effect change. At the end of the day, no matter how meaningless one person might consider my art, it could have meant the world to somebody else."
Meanwhile, Halsey previously took to Twitter to post a philosophical quote reminding herself to focus on her own happiness.
She wrote: "reminder to self: happiness is not a replacement for misery. it's an addition. pain will always be there. but that's okay. u allow happiness to join as another option. so when the time comes, it's there waiting, existing; a possibility for when you're ready to choose … @ me: life is not pain vs happiness. one does not replace the other. they exist together. happiness doesn't arrive as a replacement. it arrives to assist u in carrying the weight of the pain … @ me: now remember that u dummy (sic)"
G-EazyHalsey
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Czech Antique Dealers Association arranges Antique Fair twice a year – spring and autumn. Since 2010, the fair takes place at the Karlovo náměstí in Novoměstská radnice (New Town Hall).
Rudolfínská akademie is a two-year re-training program for antique dealers. Lectures take place from September to June in the city center. Applicants can fill out an application form online.


text:
Imagine U Partners with the National Theatre in Washington, D.C. for Special Virtual Children's Series
Northlight Theatre Offers Online Reading of NU grad's play, Mercy, directed by NU alum, Harry Lennix
Professor Noshir Contractor hosts new podcast series "Untangling the Web"
HCI+D Center Hosts Inaugural Roundtable
Remote Data Collection Study Offers Promise for Continuing Research During the Pandemic
SoC News
Pepper Lecture: CSD Professor Shares Research on Improving Early Intervention for Children with Language Delays
How can more children with language delays access early treatment and improved outcomes? If diagnostic tests are made widely available and parents take a more hands-on role with therapy, they can and will, says Megan Roberts, the Jane Steiner Hoffman and Michael Hoffman Assistant Professor of Communication Sciences and Disorders, who gave the 2019 Pepper Lecture in the Frances Searle Building on May 8.
From Left: Richard Pepper, Dean Barbara O'Keefe, Megan Roberts, Roxelyn Pepper
Roberts, a licensed speech-language pathologist with more than 10 years of clinical and research experience and the principal investigator of the Early Intervention Research Group in the Roxelyn and Richard Pepper Department of Communication Sciences and Disorders, presented findings that address the need to make early interventions work better for children who have language delays due to hearing loss, language learning disorders, or autism.
"If we want to move the needle on early access to high-quality interventions for kids with autism, we need to continue to think outside the box," she said. "We need to use existing measures in different ways and we need to borrow metric techniques from other fields."
Her research found that 40 percent of children with autism have language delays but only 10 percent of those children get early interventions before the age of 3, in large part because in Illinois, parents typically need an official diagnosis of autism in order to access intervention services. However, there are only 19 diagnostic centers and 32 pediatrician specialists statewide to make those determinations, so waiting lists often number in the hundreds. Families commonly wait six to 12 months for an official diagnosis, a loss of crucial treatment time. Her research looked at ways to use different diagnostics that could help streamline the process.
"Imagine a scenario where we could identify with certainty the kids who definitely didn't have autism, and imagine another scenario where we could identify the kids who definitely had autism," she said. "If we were able to do that, then you can imagine a scenario where the kids we weren't sure about, those would be the kids who'd be on the waitlist for the specialist developmental and behavioral pediatrician."
Her research found that there could be multiple ways this might happen, including using a "weighted" approach by pediatricians, who could score certain behaviors higher than others to make a more likely autism diagnosis. She also found accuracy with using a panel of five experts who viewed a couple of two-minute video clips showing a child's social interaction with a parent and with a stranger. This panel could potentially rule out autism or affirm it in definitive cases.
Roberts also presented findings on how teaching parents the techniques in early interventions for language development had the potential to reduce in-clinic therapy time and produce better results.
Jennifer Phelan, an audiologist at the Northwestern University Center for Audiology, Speech, Language, and Learning who attended the lecture, said Roberts' breakthroughs are essential.
"Her work is so important because it makes tough questions accessible," she said. "People use anecdotal evidence for treatments, but she shows you that you can get proof, you can do the research. She's a wonderful advocate for—whom she calls—the little humans."
Sumit Dhar, professor, Hugh Knowles Center fellow, and chair of the department, agreed.
"In a very short period of time, [Roberts] has been able to change the conversation about how we do early these early interventions and she's really changed lives," he said.
The annual lecture was made possible by a generous gift from Roxelyn Pepper (C53) and Richard Pepper (McC53), longtime donors to the University who in 2005 made a gift to endow the School of Communication Department of Communication Sciences and Disorders. The Peppers attended the lecture and were thanked for their continued support by School of Communication Dean Barbara O'Keefe.
"It's of particular importance that the Peppers have chosen to put their name on this department," O'Keefe said, adding that their support demonstrates how vital the work of CSD is to the University and beyond.
By Cara Lockwood
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3 Wheeler Band formed in 2010, hail from Monterrey, Mexico, and feature Adrian Giron on vocals and guitar, Jose Maldonado on drums and David Carrillo on bass guitar. The band's biography says they "aim to distribute their Rock on a global scale!" Having only played charity events, private functions and small shows, this is still a band at the beginning of their career.
Adrian Giron's vocals are as rough as sandpaper, and seem at odds with the Blues Rock approach of 'You Ain't That Lucky'. There is nothing inherently wrong with 'Me And My Jack', it's just predictable Pub Rock. The guys branch out a little on 'My Hangover' as the influence of early Led Zeppelin seeps in and gives the song some charisma.
'Beg For Mercy' reminded me of Black Oak Arkansas, while the intro to 'Break Me' is very similar to Deep Purple's 'Gypsy', before it changes lanes and gets all dense and grubby.
By the time I had got two or three tracks into this album my mind was wandering and I was reaching for the forward button. In every way imaginable, this is well played and executed Hard Rock, but the vocals though are an acquired taste, leaving the songs somewhat devoid of feeling and at odds with one another.


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text:
Latest Jio Phone Users Will No Longer Get Rs. 153 Prepaid Recharge Plan
Jio Phone users no longer have the Rs. 153 prepaid recharge plan that used to provide 1.5GB high-speed data benefit on a daily basis for 28 days. The Rs. 153 plan was introduced back in July 2017 and received an update in February 2018 — alongside the arrival of the Rs. 49 prepaid plan. It also provided unlimited voice calling and 100 SMS messages per day to Jio Phone users. The new change comes just days after Jio ditched charges on off-net domestic voice calls that it imposed as a result of the Interconnect Usage Charges (IUC) last year.
The Jio site is reflecting the removal of the Rs. 153 prepaid recharge plan. With the latest update, Jio Phone users have the Rs. 185, Rs. 155, Rs. 125, and the Rs. 75 as the four recharge plans to choose from.
Jio is offering the Rs. 155 prepaid recharge plan as the closest option to the Rs. 153 plan. However, the former brings 1GB high-speed data per day, that is unlike the latter that included 1.5GB daily data allocation.
Jio Android Phone Backed by Google May Arrive in Q1 2021
Details available on Web archives suggest that the Rs. 153 prepaid recharge plan existed at least until December 31. Some news outlets reported that alongside the Rs. 153 plan, Jio has removed the Rs. 99, Rs. 297, and Rs. 594 prepaid recharge plans. However, that isn't apparently the case as those plans aren't visible on Web archives at least until November 2019.
Gadgets 360 has reached out to Jio for clarity on the removal and will update this report when the company responds.
New Rule to Prefix '0' for Landline to Mobile Calls Starts Today
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At the beginning of this month, Jio started offering free voice calls to other networks again — after ditching its earlier off-net call charges at 6 paise per minute. That move came as a result of the Bill and Keep regime that the Telecom Regulatory Authority of India (TRAI) has implemented since January 1.
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text:
Q: How can I get clang-format to put the parameters of a brace-initialized construction on the same line? I'm running clang-format, with a .clang-format file which only specifies Language: Cpp, on this input (invalid C++, but that's unimportant for this):
const auto SOME_VARIABLE_NAME = {{"key", { {"key2", std::array{ 0, 0, 0, 0, }}, }}};

I get this output:
const auto SOME_VARIABLE_NAME = {{"key",
                                  {
                                      {"key2",
                                       std::array{
                                           0,
                                           0,
                                           0,
                                           0,
                                       }},
                                  }}};

I would something closer to the following output:
const auto SOME_VARIABLE_NAME = {{"key",
                                  {
                                      {"key2",
                                       std::array{0, 0, 0, 0}},
                                  }}};

I am not sure why clang-format puts a line break after each 0, around column 50.
What setting should I add to my .clang-format to achieve this?
I've tried a few specifiers that I thought might be relevant, to no avail:

*

*AllowAllParametersOfDeclarationOnNextLine: true

*AllowShortFunctionsOnASingleLine: true

*BinPackParameters: true

*BreakBeforeBinaryOperators: false

*ColumnLimit: 120

*ConstructorInitializerAllOnOneLineOrOnePerLine: true

*Cpp11BracedListStyle: false

*IndentFunctionDeclarationAfterType: true

*PenaltyBreakBeforeFirstCallParameter: 1000

*Standard: Cpp11
Edit: Still have this problem. Added a comment after the first brace to at least force the braces to the left more:
const auto SOME_VARIABLE_NAME = {  //
    {"key",
     {
         {"key2",
          std::array{
              0,
              0,
              0,
              0,
          }},
     }}};

A: The issue is with the trailing comma immediately before the closing brace. The trailing comma (which is optional in c++) tells clang-format to put each element on a separate line. I don't know where this convention comes from, and it does not seem to be documented. In your case, it seems to be getting in the way.
If you remove just the comma after the last "0", the default clang-format settings produce this:
const auto SOME_VARIABLE_NAME = {{"key",
                                  {
                                      {"key2", std::array{0, 0, 0, 0}},
                                  }}};

...which is not quite what you were asking for, but is fairly close.


Our annual yearlong Marty Center seminar generates careful and insightful scholarship that deploys conceptual tools and interpretive methods to advance thought within a discipline in the study of religion – and provokes new work at the intersection of disciplines.
The Marty Seminar is composed of junior fellows who are writing dissertations on religion in the Divinity School or in other departments of the University of Chicago, and senior research fellows who are in residence at the Marty Center while on sabbatical leave from their own universities. The goal of the yearlong seminar is to generate careful and insightful scholarship that deploys conceptual tools and interpretive methods to advance thought within a discipline in the study of religion, and to provoke new work at the intersection of disciplines. The seminar further challenges fellows to step back from the immediacies of specialized research to ask themselves how that research will contribute to the institutions and the society in which they pursue their scholarly vocations.
Both the Senior Research Fellows and Junior Dissertation Fellows will participate in the seminar, which is designed to advance interdisciplinary research in all areas of religious studies. Junior Fellows will be required to present their individual projects not only within the seminar, before their peers, but before public interlocutors at a special spring meeting. The seminar helps participants articulate their projects in ways that will be intelligible to specialists and non-specialists alike.
The seminar's format has varied slightly from year to year. Usually, however, a fellow distributes a paper in advance, and the seminar opens with a formal response by another fellow representing a different disciplinary specialization. This response is then followed by at least an hour of general discussion. Each fellow presents at least once and responds at least once. Dissertation fellows are encouraged to present papers directly related to their dissertations, while senior research fellows usually present some aspect of the research project in which they are currently engaged.
Over the years, many fellows have valued the seminar as a highly rewarding experience, and one difficult to replicate elsewhere. Criticisms, questions, suggestions, and encouragement from a broad range of perspectives give the participants a greater sense of potential audience response, as well as exposure to a variety of approaches. Many have reported that they have revised their work in light of the seminars, their ideas enhanced and refined by their experiences at the Center.