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Chris Haines
iTheatre Collaborative Creative Director
Director's Corners
Civil Dis-
"Dis-" is a Latin prefix meaning "apart," "asunder," "away," "utterly," or having a privative, negative, or reversing force.
Mirroring the times we are living through, our 16th Season is one of civil dissonance and discord and disconnect and disobedience; thus a season called Civil Dis-.
Opening on September 7th is White Guy on the Bus by Bruce Graham; a no-holds barred and very disturbing play about the civil discord and disconnect in America. This is followed in October by the true story of the civil disobedience of nine individuals during the Vietnam era in The Trial of the Catonsville Nine by Daniel Berrigan. Civil dissonance is on full display in the regional premiere of Michelle Kholos Brooks' Hostage which is set during the Iranian hostage crisis in 1979. Our season of Civil Dis- concludes with Peter Morgan's play about a President trying to hide the truth and the TV personality wanting his confession; Frost/Nixon opens March 29.
iTheatre Collaborative is a Resident Company of the Kax Stage at the Herberger. Click on the links above for more info on each of our shows this season.
15th Season Highlights
Our 15th Season is pretty exciting. We have four very hot, very new plays; two of which just recently closed in New York in June. We start with The Effect by Lucy Prebble; a funny and poignant play about two patients in a clinical trial for a new anti-depressant drug. The two patients fall in love, but is it really love or just the drugs talking?
Next up, Building the Wall, looks into the future at what might happen if campaign rhetoric is made policy. Building the Wall has been in a rolling premiere all across the country, and iTheatre is very pleased to be bringing this incredibly current play to Phoenix.
Next, we present A Public Reading of an Unproduced Screenplay about the Death of Walt Disney by Lucas Hnath. Walt, the king of the Magic Kingdom, has written a movie about his death and he wants to read it to you with the help of his daughter and his brother, Roy. This is a funny, no-holds barred look into the dark side of the creator of Mickey Mouse.
Finally, we close the season with the political comedy/drama, Church & State by Jason Odell Williams. A southern Republican Senator, up for re-election, is having second thoughts about God and guns, in the wake of a local school shooting.Church & State asks if there is any room for truth and honesty in our current politics or will it just get you killed—at the polls?
Dark Comedy "Velocity" Arrives
The Velocity of Autumn is a dark comedy about Alexandra, an artist of 80 year who barricades herself in her Brooklyn Brownstone apartment and refuses to come out or let anyone in. Surrounding herself with enough Molotov cocktails to take out the block, it's a showdown with her family over where to place her as she becomes less independent. Her estranged son Chris returns after 20 years, crawls through Alexandra's second story window only to face the dilemma's that families are facing every day.
The Velocity of Autumn exposes the frustrations of realizing how one's sense of individuality leaves us as our body and minds grow older. I want to give the audience a powerful look at aging. A sense that we are not in this alone and as we gradually lose our individuality we still hold who we are inside, our soul and our passion to fight till the end. I dedicate this play to my mom who struggled with dementia, and to my family who stood by her as she gradually lost her individuality.
Presenting "Hostages" and Other Plays
What do you do when the lead actress in your upcoming show decides one beautiful day to go to a Farmer's Market, slips on a gravel walkway, breaks her foot in three places, has surgery a week later, and is told by her doctor to not put weight on the foot for at least four months? Well, if you're this Artistic Director, and that actress is Judy Rollings, and the show is Velocity of Autumn, you postpone the show.
So first of all, announcing the first show of our 2016/2017 Season at iTheatre Collaborative…Velocity of Autumn by Eric Coble starring Judy Rollings and Brad Bond! More on the rest of the season to come.
Second announcement, opening May 20th are three one-acts by Arab-American playwright Yussef El Guindi. We are calling the evening "Hostages" & other plays. I have known Yussef since around 1988, when he was teaching playwrighting at Duke University, and I was just a bright-eyed undergrad. The play of his I saw was "Hostages," and obviously, I never forgot about it. Since then, Yussef has gone on to become an accomplished playwright, and I have gone on to start a little theatre company. And the intervening years have been fruitful and productive for both of us.
Hostages is a play about two men, taken hostage, somewhere in the Middle East. It is a play not so much about politics or world affairs, but what it is like to be a hostage, the mental aspect of the ordeal. The other two plays are both monologues. "The Birds Flew In" is about an Arab-American mother whose son has been killed in the Middle East while in the U.S. Army serving his new country. The grief stricken mother is trying to bury her son and come to terms with what his death means to her. The final play, "The Tyrant," imagines if a recently deposed and arrested dictator was given the opportunity to speak to an American audience. What does his side of the story sound like?
Please join us May 20-29 for Hostages & other plays by Yussef El Guindi presented by iTheatre Collaborative.
We're a Resident Theatre Company!
Resident Company. This is something we have been waiting and working toward for many years. Proof of the old adage, "Good things come to those who wait." Well, we have been waiting thirteen years!
You may ask what does this mean for iTheatre? In terms of our work, the kind of theater we do will not be changing. We will still perform on the Kax Stage utilizing the best local artists possible. If you saw "Passing Strange" which just closed or "Grounded" at the beginning of this season, we will still be doing work of that caliber and quality. What it does mean for us is a new level of stature and presence both at the Herberger and within our community. No longer will we be "the best kept secret in Phoenix."
So, raise a glass to iTheatre Collaborative (the next time you have a glass in hand) and drink a toast to the Herberger's newest Resident Company.
More Performances for Cabaret
First of all, "Grounded." What a ride! Thank you to everyone who came. Critical and popular success. Incredible! Thank you Caitlin Newman, the star of the show. Thank you for sharing your talent. (She will also be sharing her talents with us at Christmas. Shhhhh ... you didn't hear that from me).
Ok, now the bad news. For several years now we have received a general operating support grant from the City of Phoenix. This season we are not receiving that grant. Oh well. We could wring our collective hands and cry, "Poor us!" We're not that kind of theater company. This is a business, after all. So, you lose a $5K grant (which, for us, is typically the budget for a show), we have to drop a show. Out of the five we were planning to produce this season, we decided that "Port Authority," our next scheduled play, would be the one we are dropping from the season. I hope you hadn't bought tickets yet. My apologies if you had (to make up for it, I'll come cook you dinner).
Now the good news. We are adding one more performance of the ever-popular Christmas Cabaret. Monday, December 14th at 8pm. It's a little awkward on a Monday, but it is certainly better than a sharp, pointy stick in the eye. Oh, by the way, the title of the show is "That's Christmas to Me."
"Port Authority" is Canceled
Is it me or did July just whip past?
August and we are rapidly approaching the opening show of our 13th season. That show, "Grounded," is already in rehearsal. Caitlin Newman is playing the Pilot in this one-woman show. Caitlin literally just moved to the Valley from New York. We hope you will welcome her to Phoenix by coming to see this gripping, contemporary play opening August 21st.
Next up, in October, will be...well, I'm not sure. We have "Port Authority," a play I've wanted to do for some time. Or there is a play by one of the best Arab-American playwrights writing today and also an old friend and professor from my college days at Duke. His name is Yussef El Guindi. The play is "Hostages" which is about two Westerners taken hostage somewhere in the Middle East. It is a play about the mental trauma of being a hostage.
Both are great plays. I thought since "Grounded" is about the mental aspects of our military drone program, "Hostages" would be nice companion piece. Yussef is very excited about our producing it (not surprising, since he wrote it), but I am waiting on word from his agent to finalize the agreement. Then, I'll pull the plug on "Port Authority." Well, actually, I'll probably put it back in my back pocket. Probably should do an entire season of those plays that are back there; my back pocket is getting pretty full.
Coming Soon: "Grounded"
Well, it's July. It's hot. And we're waiting for the next haboob to hit. For us at iTheatre, we are hunkered down in the iTC Command Center planning Season #13. Yes, you read that right, our 13th Season. And what a dozy of a season.
First off, we scored "Grounded." This play just closed at The Public starring Anne Hathaway, and rumors are that it may move to Broadway. But not before iTheatre has a crack at it. This play is a one-woman show about an Air Force fighter pilot who has a baby. When she returns from leave, she is grounded by the Air Force and stationed in a windowless trailer outside Las Vegas flying Predator drones in Iraq and Afghanistan. It is a harrowing examination of our country's drone program and the real costs of war. I wish I could tell you who the one-woman is, but we have auditions on July 13th. So check back in a couple of weeks.
I was drawn to this show mostly because of the subject matter. Our drone program is drawing more and more attention and it is not all good. While the idea of a drone going into combat instead of a human, sounds like a good idea, there is still a human being "driving" that drone. And in war there is always a price to be paid. Also, this play is beautifully written (by George Brant) and is more poetry than prose.
Next up, for this spot will be the second show in our season. Currently it is "Port Authority," but that might be changing. How's that for a teaser?


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Malhar is hosted annually by the students of St. Xavier's College, Mumbai, India. The Mascot for Malhar is a frog which is called Puddles.

Malhar began in 1979. The festival includes events cultural contests in literary, performing arts and fine arts categories, along with a number of workshops on different themes.

The festival is completely managed, organized and run by the workforce which consists of 1200 volunteers and 130 people in the organizing committee. Due to Covid lockdowns, Malhar festival had to be cancelled in 2020 and was held as a one-day online event in 2021.

Theme
Each year, the festival follows a specific theme. The theme for the year 2011 was "Labyrinth". The theme for the year 2012 was "Malhar Local", which is a play on the city of Mumbai's backbone - the railways. The theme for Malhar 2013 was "Zara Hatke", a popular phrase that encourages people to think outside the box and try something new or in a different way.

For 2014 the theme was "A Renaissance", the era of revival in the new age. In 2015, the theme of the festival is 'Malhar: A Chronicle', with an aim to serve as a perfect platform for thousands of people to voice their untold stories. In 2016, 'Malhar: The Junction' was the theme of the festival, signifying the common point where ideas, cultures and talent meet. The Theme for Malhar 2017 was "Upside Down - Ek Atrangi Andaaz".
The theme for Malhar 2018 was "A Time Turner". The theme for Malhar 2019 is "The Multiverse: A Nexus of Possibilities".

The theme for year 2021 was 'Parallax - The Legacy Re-routed'.

The theme for year 2022 was 'Malhar Aurora: Transcending Horizons' which was inspired by the Greek goddess of dawn, Aurora. Malhar 2022 aimed to be a catalyst for students who strive to soar beyond their potential.

Attractions

Conclave

Since 2009 the first day of Malhar has traditionally been the day of Conclave, a forum for interaction between eminent personalities and students. Conclave hosts a number of plenary sessions, as well as an annual Keynote address. With an array of distinguished speakers, Malhar Conclave promotes the exchange of innovative ideas, thoughts, and disciplines as well as a forum for dialogue and debate. It has hosted people such as APJ Abdul Kalam, The 14th Dalai Lama, Siddhartha Paul Tiwari, Mani Shankar Aiyar, Raghuram Rajan and many others.

Band Event
Bands from different colleges compete to play different kinds of genres.

Social Cause
In addition to being a college festival that aims to entertain, Malhar is also a socially conscious festival. From cleanliness drives to tree plantations, using the Malhar platform and its numerical strength of over a thousand, the workforce tackles and promotes awareness about social issues.

M.O.W.
Malhar On Wheels is a new publicity campaign that began in 2011. Two weeks prior to Malhar, students belonging to the P.R. department go to several colleges and perform publicity gimmicks and teaser campaigns to generate interest pre-Malhar.

References

College festivals in India
Festivals in Mumbai
Festivals established in 1979
1979 establishments in India

redpajama_set_name: RedPajamaWikipedia


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UK launch for Mitsubishi's blood thinner Exembol
Mitsubishi Pharma Europe has launched its bloodthinner Exembol in the UK for adult patients with Heparin-Induced Thrombocytopenia type II (HIT) who require parenteral antithrombotic therapy.
Heparin-induced thrombocytopenia (HIT) is an antibody-mediated adverse drug reaction that causes patients receiving the blood thinner heparin to develop a low platelet count.
The problem with this is that HIT actually predisposes these patients to developing blood clots, potentially leading to devastating thromboembolic complications, such as pulmonary embolism, acute myocardial infarction and stroke.
Treatment of the condition is thereofre two fold, aiming to protect patients from blood clots while ensuring that the subsequent anticoagulant used will not further reduce the platelet count.
Mitsubishi's Exembol (argatroban) is now available to patients in the UK and has an added advantage of being suitable for patients with renal problems as it is predominantly metabolised by the liver.
Touting the drug's benefits, the firm stressed that its anticoagulant effects are "produced rapidly with a predictable dose response effect", that it has a short half- life, and that its anticoagulant effects are "rapidly reversible".
Timely launch
Its introduction in the UK is certainly timely given the recent withdrawal of Celgene's Refludan (lepirudin) because of supply issues (not safety concerns), and that Exembol's closest remaining competitor, Orgaran (danaparoid) is not suitable for patients with renal impairment.
The NHS list price of Exembol is £248.50 for a vial, which contains 250 mg in 2.5 mL, a company spokesperson told PharmaTimes UK News.

redpajama_set_name: RedPajamaCommonCrawl


Queen Anne style. William Kimbrough Pendleton, architect. 2 and a half stories, frame, originally 2-story Frame Vernacular, hexagonal observatory tower and other features added (1886). Owner was a pioneer citrus grower from West Virginia. His home became a showplace of Central Florida. Rumored to be haunted?


Does Doctors Choice Home Care, Inc offer the following services?
Each ZIP code that Doctors Choice Home Care serves is highlighted on the map above.
The care provided, staff, and upper management is questionable. There were many service failures and nothing was done about it. The Director of the office was very rude to us and my doctors. No customer service skills at all. Staff was late and unknowledgeable. Corporate management is dismissive, rude, and unprofessional. I terminated our services and researched other providers to switch to. I do not recommend utilizing their services.
Excellent team! Knowledgeable Nurse, exceptional physical therapists .thanks.
Horrible service! Just not personal. Went with a different company.
Excellent care, very flexible, awesome nurses!. You can't go wrong!!
Doctors Choice Home Care serves ZIP codes that encompass all or part of each of the cities listed below.


Provisional patent for a meat and/or dog food can improvement. Received some interest in the final product provided that I can put it into production. Currently, I only have the resources to manufacture about 300 cans.
Any commercial canners interested in partnering, or marketing firms interested in working for a contingency fee?


The Baldwin County Economic Development Alliance is a 501-c-6 Private Non-profit that is in dedicated to grow the opportunities and quality of life in Baldwin County. Our partners understand the value of investing in our county for not only a stronger economy, but a brighter future. We ensure that our partners are cued in on the economic activity in terms of workforce, project activity, governmental affairs, special research conducted by BCEDA, and other factors that affect our community. Partnerships such as the ones we have with our investors make our efforts of diversifying and growing Baldwin County possible. If you would like more information about what it means to be an investor and what are the benefits thereof, please contact us.


Cupcake Bouquet Boxes complete with invisiTray™ to hold 7 cupcakes and Accessories.
Purchase different elements to make your complete cupcake bouquet. Select Box with invisiTray™ insert, then pull bow and tissue to finish off your stunning cupcake bouquet display.
Price does not include VAT or delivery charges, please do not make payment until your final invoice, thank you.
PLEASE NOTE: The Kraft box does not come with the ribbon as shown in the image, this is for illustration purposes only.


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Class Action Clinic
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Are Honorariums a Tool to Advance Justice or Just an Entrepreneurial Opportunity?
By Catherine Yue
On March 3rd, 2022, when Justice Akbarali approved an honorarium in Redublo v CarePartners, she added yet another chapter to the long-standing debate of whether honorariums are an appropriate element of the class action landscape in Ontario.
What are honorariums and what is their significance?
Every class action has at least one representative plaintiff who must be willing to step forward and be named as the plaintiff in the lawsuit. According to section 5(1)(e) of the Ontario Class Proceedings Act (CPA), a representative plaintiff must fairly and adequately represent the interests of the class, must not have conflicting interests with the other class members on any of the common issues, and must have a workable plan for how the action will proceed.
If the class action is successful, class counsel may recommend that the representative plaintiff receive an honorarium, a monetary reward for the work they have done to advance the litigation on behalf of the class. The judge tasked with approving the settlement ultimately decides if an honorarium should be paid. The reasoning behind the concept of honorariums is directly linked to the fact that representative plaintiffs are unlike other members of the class. They may have experienced the same wrongs as the class but the representative plaintiff is expected to perform additional duties without the anonymity enjoyed by other class members.
In Ontario, the representative plaintiff is the only class member who may be liable to pay the defendant's legal fees if the action is unsuccessful. Furthermore, the representative plaintiff must subject themselves not just to the defendant's cross-examination and scrutiny but also to potential media attention. The representative plaintiff is also tasked with additional duties such as reviewing documents produced for the litigation, leading communications with class members and directing class counsel. These are tasks that take considerable time and effort which theoretically could have been spent on income-generating activities instead. Yet, at the conclusion of the class action, the representative plaintiff is not entitled to receive more compensation than the class members – many of whom may only need to fill out a claims form to receive that compensation.
The Ontario courts have recognized the unique burdens of a representative plaintiff and have therefore exercised their discretion to order that honorariums be paid to the representative plaintiff. While payments can be as high as $50,000, Ontario courts have typically awarded between $5000-$10,000.
However, it is important to note that honorariums are not given to all representative plaintiffs and in fact, there is a certain threshold that must be satisfied. Justice Perell stated in Hodge v Neinstein that these monetary awards are only to be given in "exceptional circumstances" where a representative plaintiff has spent considerable effort and time to be actively involved in the litigation while also taking into account any significant hardships they may have experienced due to the case.
The debate around honorariums and their proper threshold
Pursuant to section 5(1) of the CPA, representative plaintiffs have a duty to protect the interests of the class members. According to Justice Perell in Doucet v Winnipeg Ballet, this duty is inherently inconsistent with the concept of being paid. Despite previously approving of honorariums, Justice Perell has decided that he does not believe the practice can continue for the following reasons:
Honorariums amount to paying the representative plaintiff for legal services which is contrary to the policy of the administration of justice
Awarding litigants for matters like being a witness is not allowed
Considering the phenomenon of entrepreneurial class counsel, a representative plaintiff must act as a check and balance and therefore, their instructions cannot be tainted by their own self-interest in receiving benefits which are not received by the class. The potential of collusion with class counsel is greater when individual benefits are involved.
Awarding honorariums can create repugnant competition and grading of the value of contributions from representative plaintiffs in other actions.
In contrast to Justice Perell, many academics and judges have argued that honorariums are an appropriate acknowledgement of the efforts of the representative plaintiff. Professor Vince Morabito has gone as far as to say that not awarding honorariums is irreconcilable with basic notions of fairness and risks undermining class actions because fewer people will step up to be representative plaintiffs. He further argues that honorariums can incentivize representative plaintiffs to be involved in a meaningful way and therefore act as a check and balance to entrepreneurial law firms. Catherine Piché (now a judge of the Quebec Superior Court) builds on this argument, noting that the quality of participation by the representative plaintiff can directly influence access to justice and the fairness of outcomes in the action.
Further proponents of honorariums can be found in the B.C. Courts which position themselves opposite from Justice Perell. The decision in Parsons v Coast Capital Savings concluded that a representative plaintiff does not need to perform services of special significance beyond their usual responsibilities to receive an honorarium. As long as they have fulfilled their duties in a successful settlement, a modest reward is appropriate, thereby utilizing a "competent" threshold rather than "exceptional".
Other judges in Ontario have also weighed in. In spite of Justice Perell's decision, Justice Belobaba subsequently awarded honorariums in Kalra v Mercedes Benz, making no mention of the Doucet case. In Redublo, Justice Akbarali directly addressed and refuted Justice Perell's arguments. Justice Akbarali ultimately concluded that honorariums should continue because they can directly advance the objectives of the CPA, particularly in terms of upholding access to justice and making sure the representative plaintiff is not unduly prejudiced.
Both Doucet and Redublo are decisions of the Superior Court of Ontario and thus, the law in Ontario remains uncertain with two opposing decisions. This may be the situation that remains until a higher court makes a ruling on the issue. With that said, if the actions of Justices Akbarali and Belobaba are any indication, it seems that the door to honorariums remains askew.
Author classactionclinicPosted on December 1, 2022 December 1, 2022
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Today we share the first post in a three part series featuring products from Coppercraft Distillery. Each post features tasting notes from three different reviewers - none of whom were in communication with each other while performing the reviews. The result is a series of tasting notes and observations that are unique to each reviewer and helps to illustrate the difference in how even experienced whiskey drinkers interpret and rate a whiskey. We hope you find this multi-review series interesting and informative. And of course, if you've tried any of the whiskeys reviewed please chime in the comments with your own tasting notes and opinions.
Barrels of 10+ year old whiskey are masterfully blended to create a rich taste. Flavors of sweet caramel and vanilla really stand out with each sip.
AGE: A blend of 10+ year old Bourbon barrels.
FINISH: The coffee turned sweet in a lasting finish.
SHARE WITH: People in a blind tasting where several $50 craft whiskeys are involved.
WORTH THE PRICE: The about $50 price range is crowded with craft whiskeys. There are better choices at this level.
BOTTLE, BAR OR BUST: Coppercraft Straight Bourbon is proof that age is just a number. It isn't a bad whiskey, but this is one I'd definitely try at a bar first so there's no buyer's remorse.
OVERALL: In the glass, the Bourbon presents as a very dark amber, leaving a medium-thick rim. Fat, slow legs of whiskey drop back to the pool.
When I brought my glass to chin level, an explosion of heavy vanilla permeated my nostrils. No matter how many times I tried, I couldn't pick up anything else. However, lifting it to lip level changed things up to caramel and brown sugar. Inhaling through my mouth brought back the vanilla. Raising the glass to just under my nose yielded an interesting rye spice.
The mouthfeel was very thin. At the front of the palate, flavors of vanilla rushed at me. Once I was able to get past the vanilla, I picked up peanuts and caramel, almost like a Payday candy bar. On the back of the palate was oak and coffee. The coffee lingered into the finish and then became sweet.
Coppercraft has been distilling since 2012. Simple math says that any 10-year Bourbon barrel is sourced. That's not a bad thing, but it also doesn't give much insight as to what Coppercraft distills. If you put it up on a blind tasting against many other "craft" Bourbons at the $50 price range, it would get lost. There just isn't anything special there, age-statement or not. In fact, this Bourbon is proof positive that age is just a number. Try this one at a bar before you commit to a bottle.
FINISH: The alcohol took several seconds to mellow before the caramels finally come out and was joined by some good old fashion white bread and a not-too-sweet sugar cane.
SHARE WITH: Craft whiskey enthusiasts seeking out the latest regional handcrafted premium spirit. Availability appears to be limited to Michigan markets for the time being, so anyone outside of that area might appreciate the opportunity to see what Western Michigan has to offer.
WORTH THE PRICE: At $49.96, it is in line with, or even slightly below the going rate for similar handcrafted, artisanal spirits.
BOTTLE, BAR OR BUST: Here's where it gets complicated… I would like to tell you to check this one out in a bar before committing to a bottle, but unless you happen to be in Western Michigan, your chances of finding it at your local watering hole, or on a store shelf for that matter, are pretty slim. For my preferences, this was just ok. I will concede that the redesigned bottle itself is a marked improvement over the previous one, but if you're like me, you're more concerned with the liquid inside the bottle. It's not bad, but it didn't wow me and there are just too many other bourbons at this price point that I like better.
OVERALL: To get a direct, head to head comparison, I sampled two Coppercraft bourbons side by side (the Straight Bourbon that I'm reviewing here and their Blend of Straight Bourbons – which we'll be reviewing next). It may be a product of my own expectations, but this Straight Bourbon left me a bit underwhelmed. While it is touted as their 'sipping whiskey', and the Blended Bourbon as their 'cocktail whiskey', I found the Straight Bourbon to be much hotter despite the lower ABV. It had more alcohol in both the nose and the palate, which made it rather difficult to appreciate the more subtle flavors lurking beneath the mighty vapors. It was quite crisp, but at the same time surprisingly shallow.
To give an analogy, if the Blended Straight Bourbon was a 60 watt floodlight, evenly and adequately illuminating a room, the Straight Bourbon is a 100 watt flashlight brilliantly lighting only where it is pointed. Had I tasted the two completely blind, I suspect I would have guessed this one was the younger, higher proofed of the two… but I would have been completely wrong.
While I do occasionally try a whiskey with water, I'm typically not a fan of adding those few drops of H2O to my pour. But in this case, it actually improved the profile somewhat. Beyond cutting the heat and reducing the excessive alcohol cloud, the oak and vanilla notes became richer and were able to stand out on their own. The candy corns turned to caramel chews and overall, the depth of the whiskey was improved.
NOSE: Initial Aroma of Baking Spice | Soft Ripe Apple | Hint of Cinnamon appears after allowing some air to mingle.
FINISH: An initial smoothness gave way to a lingering rye spice that hangs around the top of my mouth.
SHARE WITH: Friends who are looking for something new to the market. The $49.95 price tag may be a bit too high for a gamble but I think it is one that may be worth this small batch of 10+ year bourbons.
WORTH THE PRICE: Granted I sampled this bourbon as part of a media packet; however, I would most likely pull the trigger and add this to my collection at the retail price.
BOTTLE, BAR OR BUST: I think this is one that could find a spot on my personal bourbon shelves. If the near $50 price tag slows your decision, I wouldn't hesitate to ask your local barkeep for a pour if/when they have it in stock.
OVERALL: While this wasn't the most flavorful bourbon I have had lately I am glad that I received a sample bottle for review purposes. What I didn't pour into my Glencairn will most definitely be consumed in the near future.
Disclaimer: Coppercraft Distillery provided Bourbon & Banter with a sample of their product for this review. We appreciate their willingness to allow us to review their products with no strings attached. Thank you.
I happen to live close to Coppercraft and enjoy their offerings. I think it's fair to point out their blender is Nancy Fraley, whom some might enjoy her other blends. With that said the full sourcing of where the whiskey comes from isn't revealed, but at the distillery tour it was mentioned MGP was included (I'm under the impression it is the majority, if not the entire sourcing of this specific whiskey).
Thanks, Chris. I'm a big fan of Nancy's. Cheers!
This is a brilliant idea! I would like to ask that you do reviews like this as much as possible because it is very helpful to get multiple takes on a whiskey all at once in one convenient place! Very much appreciate it!


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Home Reviews The Beck Files
Braking Bad
Word Watch – October 2010
The Beck Files
Robert Chatfield October 1, 2010	 November 18, 2020 Leave a comment
Joe Overton was a well respected young leader at a Michigan-based thinktank. Tragically, he died in 2003 in an ultralight aircraft accident at the age of 43, but one of his enduring intellectual contributions was the development of a communications methodology to explain the role of free-market thinktanks.
Overton devised a simple scale to measure the level of freedom created or allowed by any particular public policy. In educational policy, for example, the least amount of freedom is represented by government-run schools with no parental choice, whereas the maximum freedom would be achieved if there was absolutely no government interference in the curriculum, teaching methods, or management of a school system.
For any policy issue, Overton observed that there is only a narrow "window of political possibilities" — everything else is literally outside a politician's view. The role of thinktanks
is to produce credible research on policy issues that are outside the window, with the goal of moving the window up the scale of freedom. After Joe's death, the window became widely known as the "Overton Window," and it was noted that the concept could be applied across many platforms to explain shifts in public attitudes.
Because libertarians and our policy proposals are often regarded as outside the window, the concept should be of interest to us. My own curiosity was piqued by the appearance of a work of fiction entitled "The Overton Window," which claims that its protagonist must save both the woman he loves and "the individual freedoms he once took for granted." So far, what's not to like here?
In this case, however, the author is much more famous than the concept — although I must confess that before reading this book I had never read, seen, or heard anything by him. It's not that I live under a rock; I just rarely watch Fox News or listen to talk radio, and I rarely read books by personalities who inhabit either of those airwaves. I therefore approached the book with no preconceived notions about its writer — only a great deal of historical background about the book's title. Call it my fair and balanced approach.
The protagonist is Noah Gardner, the son of a wealthy and powerful busi- ness owner. Noah works for his father at a giant public relations firm in New York. At the onset, Noah meets the strikingly beautiful Molly Ross in his firm's breakroom and is intrigued by her appearance, her attitude, and the bill she is posting on the breakroom wall inviting one and all to attend a radical libertarian event happening that evening.
Again, a matter of some interest to libertarians — despite the fact that Beck's prose reminded me of a bad junior high school creative writing assignment. The overuse of descriptors ("a lush abundance of dark auburn hair pulled back in a loose French twist") coupled with nonsensical emotive phrases ("though he'd been in her presence for less than a minute, her soul had locked itself onto his senses") almost caused an immediate return to the bookshelf.
Still, the first few chapters were short and, frankly, I wanted to find out more about the radical libertarian event, so I soldiered on. Beck turned out to be spot-on in describing an event that could easily be a transcript from any number of Tea Party rallies featuring fiery speeches given by rabble-rousing patriots.
When Noah Gardner cleverly pointed out that the room was filled with a bunch of fringe fanatics, I was immediately transported back in time to my first Libertarian Party convention. One speaker expounded the ideas of "Jews for the Preservation of Firearm Ownership." The doors were open and passersby would stop to listen, but not enter the room. Each time that would happen, the speaker would say "militia" into the microphone, which usually caused the passerby to flee. Another speaker, Irwin Schiff, passionately made his case for why citizens are not obligated to pay federal income taxes. For pushing this case, Schiff is, of course, now residing in the Terre Haute Federal Correctional Institution at the tender age of 82. Finally, Bill Baird
spoke on birth control and asked us all to join him in an attempt to get arrested by protesting in the streets. Protesting what? Nothing in particular, but Baird did mention that he needed a place to stay that night and he, too, considered prison a viable option. The room was filled with characters who would have been most at home in a comic book store. It was the best convention I ever attended.
But to return to Beck's book. We hear two speeches from characters who will play important roles in the story. One, Molly's mother, leads a (fictional) group called Founders' Keepers. The second runs an internet website called "Overthrow," which (guess what?) promotes radical change. We learn that he is Molly's former lover. Needless to say, he and Noah do not hit it off.
Given Noah's public relations acumen, it appeared that the story might be going in a useful direction. It would show libertarians how to craft messages that would be more likely to achieve public approval, moving the Overton Window so as to make libertarianism a politically acceptable choice.
Instead, we learn that a cabal of wealthy and powerful people is plotting to take over the world by shifting the Overton Window toward public acceptance of a totalitarian world run by wealthy and powerful people. I wouldn't want to spoil the ending for you, but Beck telegraphs this plotline by page 25.
And that's the biggest problem with the book: its cover claims it as "A
Thriller," but it's not a thrilling book. Not only are the characters shallow, but there aren't many plot twists, and the action is minimal. The story is tightly wound; there are not a lot of superfluous characters. And while both Molly's mother and Molly's former lover play key roles, they meet with predictable endings.
There are some redeeming qualities that may be of interest to Liberty readers. Throughout the book, Beck intersperses facts that are meant to remind people of real world events that might foreshadow a new, but not better, global order. He even devotes an Afterword to providing sources and links for further reading. And his general approach is sympathetic to individual freedom; its protagonists are the heroes of his tale.
I liked Beck's nods to some of my own favorite stories. For instance, Founders' Keepers are a direct take-off from Ray Bradbury's "Fahrenheit 451," in which the protagonist joins a group whose members have committed themselves to memorizing the classics in order to preserve them in an era in which books are being burned. In Beck's novel, the members each memorize a classic pamphlet, tract, or book from the American revolutionary period — in short, someone memorizes Thomas Paine, someone memorizes Thomas Jefferson, someone memorizes James Madison, etc., in case the powers that be destroy all current literature, and society must be started anew. Also, the movie "Ocean's Twelve" figures rather prominently in one of the storylines.
But such occasional evidence of intelligence simply emphasizes, by contrast, Beck's lack of creativity and writing acumen. His inattention to detail refuses to allow the reader to suspend disbelief. For example, the story mentions an upcoming presidential election, but it appears to be set in 2010. And Beck's partisanship is annoying. His characters emphasize the idea that both major parties are unfriendly to individ- ual freedom, but the Republicans get a free pass in this story, whereas popular Democrats become easy targets. Bill Clinton is identified as a past client of Gardner's public relations firm. Hillary and Bill are given some good-natured ribbing, but Bill is described as particularly ruthless when faced with political opposition. Eliot Spitzer makes a cameo in predictable fashion, and the plot centers on a fictional attack on the federal building in the district of Harry Reid. It would seem that if any author wanted to create a plot featuring a new world order developed by a wealthy and powerful elite, the Bush clan would figure prominently; yet they are never alluded to or mentioned by name.
Conspiracy stories have been told many times before, and this book will remind some readers of a poorly written "X-Files" episode. Indeed, conspiracy theorists will probably be disappointed because the book covers no new ground for them. Libertarians will be disappointed because the book provides no insights, after all, about how they might move toward more public acceptance. And people who don't like Glenn Beck aren't going to read the book anyway.
Joe Overton deserved better.
Celebrity Intellectuals
TSA Training Film


Summary: There is no fault in the Council increasing charges for parking because it followed the correct procedure.
Summary: Mr X complains about the consultation process for installing a speed hump. Mr X also complains about the Council's complaint handling. The Ombudsman does find evidence of some fault in the complaint handling and in the plans not being available to view. However, the Council has already provided an appropriate remedy. The Ombudsman does not find fault with when the work on the speed hump was started.
Summary: Ms D complains the Council failed to properly consult and consider objections about its Cycle Revolution Programme and changes to the road layouts during 2017 and 2018. The Ombudsman has found the Council did not fully consider matters in its initial assessment in 2017, however this did not result in a significant injustice because it then carried out a further consultation exercise in line with procedures. The Ombudsman intends to uphold the complaint, because of the Council's initial error, but complete the investigation because there is no outstanding injustice to Ms D.
Summary: There is no fault in the way the Council decided to make a Traffic Regulation Order to allow cars and lorries on to a traffic-free stretch of road.
Summary: Mr X complained about the way the Council is dealing with issues about heavy goods vehicles (HGVs) in the area where he lives. He also complained about the way the Council has restricted his way of communicating with officers and councillors. The Ombudsman finds no fault with the way the Council is making a Traffic Regulation Order to restrict HGV use of roads in the area. There is also no fault in the way the Council has restricted Mr X's communications.
Summary: Mrs X complains the Council failed to properly manage traffic restriction signs in her area. She says this has been disruptive as, being unable to rely on traffic signs, she has been unable to plan her movements. We find the Council at fault. However, we do not find this caused Mrs X a significant injustice.
Summary: Mr C complains the Council's 2015 consultation about university campus proposals affecting the highway was faulty. The Ombudsman has found no evidence of fault by the Council.
Summary: The complainant says the Council took too long to consider her request for extra street name plates showing residential numbers and a 'no through road' sign. The Council says it did not want to set a precedent but on reflecting decided to agree to the complainant's suggestion and will erect new street name plates with residential numbers and directional signs. The Ombudsman finds the Council at fault but that the Council has remedied that fault by agreeing to erect the signs.
Summary: Mr X complains the Council failed to enforce parking restrictions outside a school near to where he lives. He says this has devalued his property and reduced his quality of life. The Council has taken appropriate and proportionate steps to address the issues raised by Mr X. There is no fault in the Council's actions.
Summary: Mr B complains the Council wrongly withdrew his residents parking permit when he had not breached the conditions of the scheme. Mr B lives in a car free development and those residents are not entitled to residents parking permits. The Council therefore issued the parking permit in error. Withdrawing the permit when the Council realised its error is not fault.


The 2016 Dolcetto d'Alba is the result of a cooler and classic-style vintage, showing bright red fruits, minerality and floral notes in the nose. The mouthfeel is medium- bodied and shows good acid balance with ripe, structured tannin. This is a complex example of Dolcetto, rich and satisfying. This wine finds its best matches at the table, with first courses of prosciutto, salami, Alba beef tartare and vitello tonnato. The wine is excellent with pizza and pasta, with second courses of red meat in general, but also with aged cheeses.
Wine Spectator This red shows floral, black currant, earth and mineral aromas and flavors. Balanced and intense, yet more traditional in style and not as flashy as many of its peers. Decant. Drink now through 2021. 1,111 cases made.


On May 8, 1909, President William Howard Taft announced he would continue the conservation policies put in place by his predecessor, President Teddy Roosevelt.
Marc Anthony and Jennifer Lopez were among the luminaries photographed on the red carpet at the 17th annual Latin Grammy Awards ceremony in Las Vegas Thursday.
Lupita Nyong'o channels Enrique Iglesias in a preview clip for Wednesday's episode of Spike's hit music competition series, "Lip Sync Battle."
Pitbull and Enrique Iglesias snap photos with a bevy of models in the rapper's "Messin' Around" music video.
Enrique Iglesias and Nicky Jam won big during the 2016 Billboard Latin Music Awards.
Natalia LaFourcade and Juan Luis Guerra were multi-award winners on a night that also featured big political signs at the 2015 Latin Grammys.
Enrique Iglesias sliced the fingers of his left hand after he grabbed a camera drone at a concert in Tijuana, Mexico on Saturday.
Enrique Miguel Iglesias Preysler (born May 8, 1975), better known as Enrique Iglesias, is a Spanish pop music singer-songwriter. Iglesias started his musical career on Mexican label Fonovisa. This helped turn him into one of the most popular artists in Latin America and in the Hispanic or Latino market in the United States, and the biggest seller of Spanish language albums of that decade. Before the turn of the millennium, he made a crossover into the mainstream English language market, signing a unique multi-album deal with Universal Music Group for an unprecedented US$48,000,000, with Universal Music Latino to release his Spanish albums and Interscope to release English albums. In 2010, he parted with Interscope and signed with another Universal Music Group label, Universal Republic.
Iglesias has had five Billboard Hot 100 top five singles including two #1s, and holds the record for producing 22 number 1 Spanish-language singles on the Billboard's Hot Latin Tracks. Up until the release of his latest album, Euphoria, in 2010, he had sold more than 55 million albums in both English and Spanish. He has also had eight #1 songs on Billboard's Dance charts, more than any other single male artist. Altogether Iglesias has amassed 52 #1 hits on the various Billboard charts.
Iglesias was born in Madrid, Spain, the third and youngest child of singer Julio Iglesias and socialite and magazine journalist Isabel Preysler. His mother is a Filipina of partial Spanish/Basque descent, and his father is of Galician Spanish ancestry and once claimed to be partially Jewish. His parents divorced in 1988, and the following year Julio moved to Miami, Florida, in the U.S. to continue with his musical career.
It uses material from the Wikipedia article "Enrique Iglesias."


We have been learning all about life cycles in first grade this year. We watched caterpillars form chrysalises and turn into butterflies as we learned about the Monarch butterfly life cycle. We explored the life cycle of plants while we grew, pollinated, and then harvested the new seeds. What better way to end the year than hatching chicks in our class?
I decided I wanted to teach the students the real science behind hatching chicks instead of doing a cutesier version. I began the unit by getting the students excited about hatching chicks. I provided four pictures of the life cycle of a chicken and simply asked the students "What's happening?" As they examined each picture they wrote on a sticky note what they thought was happening. This was a great way for me to assess their background knowledge. We discussed some of the things they thought were happening. We also drew what we thought was happening inside the egg. I kept all of their drawings so they could compare the drawing later on in the unit. Then I told them throughout the next two weeks we would learn more about what is happening in each photo. They were so excited!
I taught them the order of the chicken life cycle and of course we had the conversation "What came first, the chicken or the egg?" We never figured it out… Together we made an anchor chart using the same images from the "What's Happening" lesson of the life cycle of a chicken. We did a fun cut-and-paste activity where I let them decide which stage of the life they wanted to start with.
As a class, we began by exploring the hen stage. I modeled how to closely read a text about a hen. We answered text dependent questions and defined unknown words together. My students were familiar with text coding by this point in the school year so I had them help code the text.
After coding the text together, the students coded their own text and took notes on their note sheet. We also added the new vocabulary words we learned on our domain specific vocabulary wall. Our next lesson was about the egg stage of the life cycle. By this point, our eggs had been in the incubator 8 days. I asked the students to draw what they thought was inside the egg on day 8. Together we closely read a text about the egg. Again we coded the text, answered text dependent questions, and defined unknown words. Then we looked at and discussed the Chick Embryo Development chart.
We also watched this awesome video.
I had the students draw a second drawing of what they thought was inside our egg so we could compare it to the first drawing. The difference was pretty amazing.
I hung the sheets from this day in our room so we could refer back to them throughout the unit.
Then we moved to the hatching stage. We read a text about how the chicks hatch and answered text dependent questions together. If you want to learn more about text dependent questions check out this blog post. Then the students coded their own text and defined any words that were new to them.
Our last close read was on the chick stage. After reading, our note sheets and vocabulary wall were finally complete.
For our final lesson, students wrote a literary nonfiction tab-book about the life cycle of a chicken. They used their note sheets and words from the vocabulary word wall to write their book. The results were simply amazing!
We finished just in time for our eggs to hatch. The students were in love!
You can download the The Life Cycle of a Chicken texts, text dependent questions, text coding poster, chicken images, note sheets, student version of the texts, vocabulary words, cut and paste activity, inside the egg activity, literary nonfiction tab-book, and detailed lesson plans so you can easily teach the real science about the life cycle of a chicken in your classroom. (You don't have to actually hatch chicks to teach this unit.) Click on the image below to visit our TPT store.


In miscible system, viscous fluid is triggered by viscous force due to the differences in fluid concentration, also the molecular diffusion and mechanical dispersion of the fluid system.
Phase-field models are becoming increasingly popular in hydrodynamics for modeling multi-phase fluid flow below Darcy scale. Instead of sharp interfaces, phase transitions appear as diffuse finite-thickness transition regions.
In this quarter-five spot problem, the injected solvent mixes with the resident hydrocarbons and the fluid mixture moves through the heterogeneous porous media.
Numerical models of intestinal edema help understand the processes behind the decrease of intestinal contractility and ileus.
Pore scale flow modeling enables scientists to predict fluid behavior in a network of pores at the micro-meter scale.
Energy applications: enhanced oil recovery, oil and gas production, CO2 sequestration.
Environmental applications: remediation of contaminated groundwater sites through rivers.
Bio-medical applications: single ventricle heart modeling, hemodynamics, cell motility, edematous intestine.
Processes in porous media are naturally complex as they relate to various engineering disciplines and span multiple space and time scales. Our research group Computational Optimization and Modeling of Porous Media (COMP-M) develops state of the art algorithms for modeling and optimizing physical phenomena occurring in porous media.


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The Resource Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource)
Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource)
The item Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in Bates College.
United States, Congress | House | Committee on Naval Affairs.
Delaney, John Joseph, 1878-1948.
Washington, DC, 1935
Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed.
Legislative Report - Public Bills
Paducah (Ship)
Paducah, Kentucky
Woman's Club of Paducah
Associations, institutions, etc
Report, 74th Congress, no. 1692
United States congressional serial set, serial set no. 9889
Readex
Delaney, John Joseph
United States congressional serial set;
House report / 74th Congress, 1st session. House
serial set no. 9889
NB00000236989
Electronic reproduction.
(Readex)11D0616566059CB0
©2007 by NewsBank, Inc. All rights reserved

 Data from Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource) - Bates College

Data Citation of the Item Authorizing the Secretary of the Navy, in his discretion, to deliver to the custody of the Woman's Club, of the City of Paducah, Ky., the silver service in use on the United States ship "Paducah." July 31, 1935. -- Committed to the Committee of the Whole House on the State of the Union and ordered to be printed., (electronic resource)


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HomeFeaturedSt. Rose woman goes public with horrifying story
St. Rose woman goes public with horrifying story
October 28, 2019 Anna Thibodeaux Featured, News
Trelva Wells with family while hospitalized from attack.
After nearly three years of silence, the St. Rose woman identified as the rape victim pushed out of a moving vehicle on the Crescent City Connection in New Orleans has gone public.
"I need women to know they're not alone," said Trelva Wells. "It could happen to anyone."
With Dave Turner sentenced to 15 years in prison in Orleans Parish, Wells is willing to speak out for herself and fellow victims of domestic violence.
On Feb. 2, 2016, she recounted how Turner showed up at her mother's house unannounced and attacked her.
"When I walked out my door I got hit and fell backwards," she said. "When I was able to open my eyes, he was standing over me and said, 'You made my life a living hell. I'm going to make your life a living hell.' He raped me. He choked me. The man did me in at my house. I gave a good fight until I couldn't fight anymore."
Turner overpowered her and flung her into his car, Wells said.
"At a certain point, when we went on the bridge, I knew he was taking me to this house and no one would see me again," she said. "I reached down and got the pepper spray and sprayed him with it. I just wanted to get him to stop the car. That's not what happened. He rolled down the windows, tried to get the pepper spray out my hand. I wouldn't let off on it. We started coughing and choking at the same time.
"I don't know how he did it, but he opened that door and pushed me out the car and that's all I remember."
Wells was discovered near the Loyola exit of the bridge. She awoke in the hospital surrounded by family and friends.
Turner was found guilty last year of attempted manslaughter and simple kidnapping by an Orleans Parish jury and sentenced to 15 years in prison. In St. Charles Parish, he faces charges of attempted first-degree murder and rape.
Turner was Wells' finance' and they have a son together.
"After my son was born, he became an entirely different person," she said of Turner's escalating jealousy over the child. "He called him 'That baby,' and we started arguing more than we ever did. After a while, he hit me and I left. I called him and said it was over."
But it was apparently far from over when she learned Turner had a restraining order placed on her alleging she was harmful to their son, she said. However, a judge restored custody, placing the child in her care Monday through Thursday and to Turner, Friday through Sunday.
Soon after, Turner attacked Wells in St. Rose and denied doing it,although he was filmed by camera on the bridge, she said.
Last year, after their son repeatedly asked about his father, she brought him to the courtroom to see Turner for the last time before he went to prison. It also represented closure for Wells.
But, during this time, she also recounted receiving numerous emails and messages from women describing their own experiences of domestic violence. Wells said it took time for her to face her trauma, but she was overwhelmed by how many women had reached out to her.
"It's almost like a silent killer," she said. "People don't talk about it, but it happens. It's not a happy home and I don't think we should be quiet about this anymore. Had I known more about this I might have seen the anger signs, and no one talked about it – it shouldn't be that way."
Although Wells struggled with these emotions, too, she concluded no one should be blamed for something they can't control.
And there were so many heartbreaking stories from fellow victims, she said. Until her attack, she didn't realize how prevalent the problem was and now these victims were confiding in her.
"There are too many women telling the same story," she said. "We need to be making this public and maybe it won't happen as much if we make this a big deal. It's not fair."
Wells organized a fundraiser Oct. 6 in Kenner to share her story with the public, as well as raise money for the St. Charles Parish Sheriff's Office's Crime Victims Assistance department, which helped pay her medical bills. A "Celebration of Life" party followed the event for fellow survivors of domestic abuse.
Now, as she recalls being in court and seeing Turner staring at her with no emotion, she has one lingering question about what happened to her.
"If I had the chance to talk to him, it'd be just to tell me why … help me to understand," she said. "The problem is that's a question I will never get the answer to, but I want to know why."
The Turner case
Feb. 1, 2016 – Dave Turner attacks his finance' in St. Rose and throws her out of his SUV on the Crescent City Connection.
July of 2018: Dave Turner was sentenced to 15 years in prison by an Orleans Parish jury after he was found guilty of attempted manslaughter and simple kidnapping. In St. Charles Parish, Turner faces charges of attempted first-degree murder and rape.
Oct. 6 – Trelva Wells goes public and is holding a fundraiser and "Celebration of Life" party for fellow survivors.
Jeffery Marc Templet
Jeffery Marc Templet lost his courageous battle with cancer on December 21, 2022, surrounded by his loved ones. […]
Access Health Louisiana re-opens newly repaired St. Charles Community Health Center in Norco
January 25, 2023 Monique Roth Featured, Norco, St. Charles Parish
Access Health Louisiana's St. Charles Community Health Center, located near the Shell plant at 16004 River Road in Norco, recently re-opened to welcome back patients after being shuttered due to damage sustained by Hurricane Ida. […]
'I loved to prove people wrong' – J.B. Martin alum was a trendsetter on football field
January 16, 2023 Ryan Arena Featured, News, Newsletters, Profiles
Aimee Melancon Bennett laughed as she recalled what got her out there on the football field during her middle school days at J.B. Martin in the late 90s. […]
I am so happy to see your doing better and taking your power back! Your one tough women, and I and many others are very proud of you. Stay strong and enjoy your life with your adorable son. Wishing you much happiness & success you deserve it! God Bless!
Mary Williams says:
Very beautiful woman! I dont think we never get the answer, as to WHY? Ive been through it all, But God has kept me! He allowed me,to experience the me I thought I lost! Keep the faith, Wiman of God, God loves you inspite of it all!


Are You Ready to Head Out on the Road?
After you take the time to check out the Airstream pricing offered in the Oconomowoc area you'll be able to enjoy the fun of heading to the destinations you want to enjoy around the country. What are your travel goals? Do you want to see the 48 connected states? Are you ready to see places that you thought you'd never see during your lifetime? If so, you need to pick out the right Airstream in order to have the ride you're looking for in the area.
Once you take the time to head over to Ewald Airstream in Franklin, WI you'll be able to enjoy the Airstream pricing offered at this dealership. You'll be able to enjoy one of these trailers and then take it to your Oconomowoc home in order to have the right trailer for you out on the road. Once you've done this, you can head to wherever you need to go and know you'll have your travel trailer for the adventures you want to take for the next several years out on the trails and roads around the country.
When you have one of these Airstream models that you picked up that offered you the great pricing you want, you can see any area of the country you want. Pick up a map in each state you visit and mark the different locations you drive to and see when you're out on the road. You can take some of the side roads and see things that you normally wouldn't all while pulling the home and the comforts you want to enjoy along with you behind your truck. This can be the right way to enjoy the road and the country after you start out in Oconomowoc.
Take your ride out on the road and see what's offered to you. You can see the coast on either side of the country, visit mountains to the east and to the west and head to the desert in the southwest. The benefit of taking advantage of the impressive Airstream pricing offered to you in the Oconomowoc area is the fact that you can enjoy the ride and the scenery. Make sure you plant to leave and never drive on the interstates; this will allow you to see much more of what you want out on the road.
Make your way to Ewald Airstream in Franklin, WI today and check out the Airstream pricing offered for the travel trailer you want. You'll be able to leave form Oconomowoc whenever you want and take a trip on the road to wherever you want to go so that you can see what you're looking for on the road. With your home away from home with you, it will be easy to stop and enjoy all the scenic views and other stuff in order to enjoy the quality drive you'll want to take advantage of and make the right choice on the road.


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VALKYRIE PROFILE : LENNETH / Square / Sony PSP
Valkyrie Profile is an experimental game, and like so many experimental games has elements both brilliant and befuddling. Ultimately it tries your patience a little too much by being too heavy on the level-grinding,.asking you to manage too many obfuscated and unruly systems, and having too many obscure yet important missables that you'd never discover without a guide. But it's certainly interesting, even if exactly how "good" it is on the whole is debatable.
First of all, this was originally released on the PS1 in 1999, with the PSP port not coming until 2006. It's pretty much a straight port, with the only major additions being a redone script apparently given a more literal translation from the Japanese (though the original English voice acting is retained and their dialogue lines are not changed) and a few incidences of censorship (such as pentagrams) restored. There are also all-new CGI cutscenes in the style of FF8 that take the place of the anime clips used in the original game.
If you're entirely new to the whole thing, it's Norse mythology ported over to an original world in which you step into the shoes of Lenneth, a mid-level god working as a foot soldier for Odin. Lenneth's job is to locate and recruit the recently-departed souls of worthy humans for Ragnarok, the ultimate battle between heavenly forces that apparently has snuck up on everyone and will take place in only a week.
So the game is divided into eight chapters, and time is kept in units called Periods. The game doesn't pass in real time -- you burn Periods for entering locations on the world map, and usually have an allotment of 24 periods per chapter. Entering towns takes 1 period, entering dungeons takes 2, and stopping to heal the party up can take from 1 to 3 depending on how thoroughly you want to restore them. But in order to find the human souls you require, you need to use Lenneth's "spiritual concentration" ability, which unlocks both the characters you can recruit and the dungeons you'll need to visit to power up your characters and retrieve Odin's stolen artifacts.
Aside from doing it for basic survival, you'll also need to train your party in order to make low-level gods out of them and pack them off to Valhalla to fight the unseen (and unplayed) parallel war going on between Odin and rival Surt. You can transfer up to two characters per chapter, but usually only one is needed to get the best ranking and get the biggest haul of goods from Odin and his secretary Freya. Freya leads off each chapter by giving you a list of requirements needed in their current hero du jour, so you'll want to train up the right sort of character based on what they ask for -- sorceror, swordfighter, archer, etc. But you also have to consider each character's personal attributes. When each character levels up, they get skill points that are used both to raise their statistics and learn new combat abilities, and also to improve their character traits to make them more heroic and worthy in the eyes of the gods. Sending up characters with the wrong traits doesn't really do much beyond reducing the amount of points and goodies you get in return, but sending up a character whose "Hero Rating" is lower than required can lead to them getting perma-killed in Valhalla. Which makes you feel like a dick for not giving them a proper education.
On the world map, you fly about in a style somewhat reminiscent of Actraiser without the civ-building elements. You use "spiritual concentration" to locate a character, then fly to their town to watch a vignette that usually resembles a tragedy of classic literature much more than the typical Japanese animu hijinks. This is not the game to play if you're in want of cheering up, as every character you recruit requires watching their death first, and most of them die badly -- some of them like literal dogs in the street. The world of Valkyria is cruel, hard and despairing, somewhere between Charles Dickens and George R.R. Martin in composition. It feels like a world that's about to explode under the weight of its own petty, shitty inhumanity.
Unfortunately that severe attitude seems to have extended to the overall design philosophy, as well. Valkyria throws you into its world without adequately explaining many of its elements, leaving you to just learn by experimentation (and more than a few system resets after unwittingly burning Periods to no purpose). The game is a somewhat dizzying ongoing process of leveling characters, creating new items, equipping the best possible items to optimize combo attacks in battle, transmuting existing items into better items, using stocks of XP granted by finding Odin's artifacts to quickly and strategically power-level characters, and keeping on top of your main character recruitment and Valhalla transfer duties, and the somewhat scanty tutorial dungeon at the outset doesn't cover nearly enough of it.
Even when you do understand how all the menu-based subsystems work, Valkyria still trips you up with obscurity continually. You quickly learn by experimentation that visiting towns is a waste of Periods unless it's been indicated to you that a character is there, since there's nothing to do in them ... with ONE isolated exception needed to begin the confusing "A Ending" chain that actually contains most of the game's main plot! Another requirement for this chain is that you play on Hard difficulty ... not only is there no in-game indication that you'll have to replay the whole 30-hour game to see the actual story, the game actually actively dissuades you from picking Hard mode with its description of it in the opening screens!
Aside from the game's main plot being buried behind a chain of insanely obtuse events and requirements, the dungeons also exist as discrete entities that never seem to have any bearing on the game's main story. They're just some random Pit O' Evil that appears from time to time while you're looking for characters, and serve no purpose other than as the only place to level your characters and to recover the Odin artifacts that grant you tons of XP from the boss . The dungeons sometimes contain their own interesting little isolated vignettes similar to the tragic mini-stories of each of your recruits, but had there been another means of leveling there would be no practical purpose to ever entering them in terms of the game's greater overall narrative structure.
The "Periods" system might initially make you think that time management is going to be a huge part of the game's challenge, but that's actually only an issue in the very early going when you don't know what the hell is going on. Later chapters find you with very little to do and as much as half your Periods sitting there for use on nothing more than level-grinding in dungeons you've already completed and looted. You'll find out you need to do that tedious level-grinding, though, or tough bosses in the next chapter will absolutely smash the shit out of your unprepared ass.
After all that complaining, what's good about the game aside from its unusual-for-Japan Homer/Shakespeare-ian tone? Well, it looks really nice, for one. Well-done sprites with detailed animation, detailed portrait backgrounds with parallax scrolling effects, and portrait art that makes characters look more human than the usual shonen anime idiots. It's also got a soundtrack done by Motoi Sakuraba in his keyboard-soloing peak, and I think it might be my favorite out of his work that I've heard so far. It also has an entertaining action-tinged battle system that helps leaven the grind a bit -- characters will attack differently with different types of weapons, and you have to time their strikes properly to break the enemy's defenses and rack up big unblockable combos.
As I said at the outset, however, it's an interesting game. It was experimenting heavily, and the experiment didn't entirely come off, but did enough that I'm now curious to play the later games in the series to see how they built on these ideas. The game is at least worth a shot for period RPG lovers, as if you end up digging it to the point of wanting to play it multiple times it has a lot of meat to offer. But the obscurity, complex unexplained systems and general difficulty is likely going to run off everyone but fairly hardcore JRPG vets.
* Character skill/trait system explained -- since the game does a poor job of explaining it
* Good general explanation of the overall game
* Good Yahtzee column on exactly the sort of structure this game uses, though it isn't about Valkyrie Profile at all


text:
Department of Information Technology - SGU - LMS
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Course categories: Inkubator Bisnis & Teknologi SGUTest CategoryEntrance TestBachelor of Information TechnologyBachelor of Information Technology / Academic Year 2019/2020Bachelor of Information Technology / Academic Year 2019/2020 / Semester 7Bachelor of Information Technology / Academic Year 2019/2020 / Semester 5Bachelor of Information Technology / Academic Year 2019/2020 / Semester 1Bachelor of Information Technology / Academic Year 2019/2020 / Semester 3Bachelor of Information Technology / Academic Year 2018/2019Bachelor of Information Technology / Academic Year 2018/2019 / Semester 8Bachelor of Information Technology / Academic Year 2018/2019 / Semester 6Bachelor of Information Technology / Academic Year 2018/2019 / Semester 4Bachelor of Information Technology / Academic Year 2018/2019 / Semester 2Bachelor of Information Technology / Academic Year 2018/2019 / Semester 7Bachelor of Information Technology / Academic Year 2018/2019 / Semester 5Bachelor of Information Technology / Academic Year 2018/2019 / Semester 3Bachelor of Information Technology / Academic Year 2018/2019 / Semester 1Bachelor of Information Technology / Academic Year 2017/2018Bachelor of Information Technology / Academic Year 2017/2018 / Semester 8Bachelor of Information Technology / Academic Year 2017/2018 / Semester 6Bachelor of Information Technology / Academic Year 2017/2018 / Semester 4Bachelor of Information Technology / Academic Year 2017/2018 / Semester 2Bachelor of Information Technology / Academic Year 2017/2018 / Semester 7Bachelor of Information Technology / Academic Year 2017/2018 / Semester 5Bachelor of Information Technology / Academic Year 2017/2018 / Semester 1Bachelor of Information Technology / Academic Year 2017/2018 / Semester 3Bachelor of Information Technology / Academic Year 2016/2017Bachelor of Information Technology / Academic Year 2016/2017 / Semester 8Bachelor of Information Technology / Academic Year 2016/2017 / Semester 6Bachelor of Information Technology / Academic Year 2016/2017 / Semester 4Bachelor of Information Technology / Academic Year 2016/2017 / Semester 2Bachelor of Information Technology / Academic Year 2016/2017 / Semester 7Bachelor of Information Technology / Academic Year 2016/2017 / semester 5Bachelor of Information Technology / Academic Year 2016/2017 / Semester 1Bachelor of Information Technology / Academic Year 2016/2017 / Semester 3Bachelor of Information Technology / Academic Year 2015/2016Bachelor of Information Technology / Academic Year 2015/2016 / 8th SemesterBachelor of Information Technology / Academic Year 2015/2016 / 6th SemesterBachelor of Information Technology / Academic Year 2015/2016 / 4th SemesterBachelor of Information Technology / Academic Year 2015/2016 / 2nd SemesterBachelor of Information Technology / Academic Year 2015/2016 / 7th SemesterBachelor of Information Technology / Academic Year 2015/2016 / 5th SemesterBachelor of Information Technology / Academic Year 2015/2016 / 3rd SemesterBachelor of Information Technology / Academic Year 2015/2016 / 1st SemesterBachelor of Information Technology / Academic Year 2014/2015Bachelor of Information Technology / Academic Year 2014/2015 / 8th SemesterBachelor of Information Technology / Academic Year 2014/2015 / 6th SemesterBachelor of Information Technology / Academic Year 2014/2015 / 4th SemesterBachelor of Information Technology / Academic Year 2014/2015 / 2nd SemesterBachelor of Information Technology / Academic Year 2014/2015 / 7th SemesterBachelor of Information Technology / Academic Year 2014/2015 / 5th SemesterBachelor of Information Technology / Academic Year 2014/2015 / 3rd SemesterBachelor of Information Technology / Academic Year 2014/2015 / 1st SemesterBachelor of Information Technology / Academic Year 2013/2014Bachelor of Information Technology / Academic Year 2013/2014 / 6th SemesterBachelor of Information Technology / Academic Year 2013/2014 / 4th SemesterBachelor of Information Technology / Academic Year 2013/2014 / 2nd 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2-2Bachelor of MechatronicBachelor of Mechatronic / Academic Year 2015/2016
System Administration and Cloud Computing
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Introduction to Pattern Recognition
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Understand cryptography principles and be able to apply cryptography
Understand the computer security threats and computer security principles
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Understand security principles and apply them to analyze and evaluate systems' security properties
Understand the source of common vulnerabilities and risk associated with them
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Health Within Wellness Center is conveniently located in Sunny Downtown Yakima on 208 N 3rd Ave. We're proud to offer a wide range of services to meet your many wellness needs including: Chiropractic Services, Nutrition, Massage Therapy, Weight Loss, Wellness Training, and and exclusive Brain Training program that is unique to the area.
We happily welcome walk-ins and first time patients.
Come in today and see what we can do for you!
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The SPECTROstar Nano is the next evolution in absorbance reader technology and BMG LABTECH is giving away five of these unique instruments for your ideas. Its proprietary ultra-fast UV-Vis spectrometer instantaneously captures a full spectrum in microplates, cuvettes and low volumes samples. It will redefine the most common absorbance assays such as ELISAs, DNA, RNA, protein (Bradford, BCA, Lowry), cell growth, and beta-galactosidase, while expanding your laboratory's capability with different sample formats.
For your chance to receive one of five free SPECTROstar Nanos, just submit a short 2-4 page research proposal on how your laboratory would use the SPECTROstar Nano. Proposals will be evaluated based upon uniqueness of research. Tell us how you would use the instrument in a unique way and/or use one of its many unique features, such as: full UV/Vis spectrum per well, gas vent for atmospheric control, 1536 well plate reading capability, incubation and shaking, reference corrections to existing assays to improve data, cuvette and plate kinetic capability, BMG LATECH's low volume LVis Plate, robotic interface mode or one of the other outstanding features that the SPECTROstar Nano offers. Winners will also be chosen by probability of success and thoroughness of the individual proposals. For more information visit BMG LABTECH's website or ask your local BMG LABTECH representative.


A news analysis published in last week's edition of Marketing Week stated that consumer Lauri Pastrone stored bottles of Volvic next to cleaning products for two months, causing the water to become contaminated. In fact, the Volvic was purchased two months before the contamination was reported. Mrs Pastrone is understood to have stored the water with the cleaning products for only a very short time.


Alchemy Software Development conducted a number of online polls lately across approximate 300 unique webinar attendees. One of the most important of these polls was setup up to make a first step towards advancing the tried and tested process of advanced pseudo localization by gauging this process's utilization across attendees.
To interpret these figures though we need to look further at the attendee base.
The attendee base was a very broad mixture of professionals with CTO's, Software Developers, Localization managers, Localization Engineers, Localization Project Managers and Translators all being in attendance. Additionally some of the above were from a Localization Service background, some freelance translators and freelance consultants and some were from development departments and localization departments within International Software Vendors.
I will follow with additional breakdown of the statistics.


People Matter: We build and maintain relationships that collectively make us stronger. We ensure women have the support and flexibility they need to be effective leaders.
Equity & Power-Sharing: Women and other under-represented people are essential to making change and must be part of making decisions and crafting solutions.
Meaningful Change: We commit to bringing about real and measurable changes to improve women's health through relentless investigation and action. We base our work on strong science and a precautionary approach to production and consumption.
Visionary: We challenge traditional ways of thinking and operating – centering women's rights and power – with courage, optimism, humor, and action.
Women's Voices for the Earth pledges to intentionally and openly join with all women to reclaim the health of our bodies from harmful chemicals in products developed for our use. We explicitly invite women of every category, grouping or assignment and all people concerned for their reproductive health, regardless of gender identity, race, age, ethnicity, or status under the law, to fully participate in the advancement of our mission to amplify women's voices to eliminate the toxic chemicals that harm our health and communities.
In order to holistically address the unique health issues women face as a result of toxic chemical exposures, we seek to dismantle the social, political, and cultural norms, and industry practices, that discount the impacts of toxic products and the processes by which they are created. We recognize that being a responsible and equitable ally means acknowledging both subtle and overt forms of privilege and consciously addressing the myriad ways it shows up in our work.
We further pledge to act with intention to disrupt that paradigm. We will do this by leveraging our access and resources to magnify the voices and participation of groups who have traditionally been marginalized. Women's Voices builds relationships based on equitable partnership and acknowledges differing and valid forms of knowledge, skill, and ability. We will follow the practices for coalition building outlined in the Jemez Principles for Democratic Organizing. We will achieve our pledge by leveraging our mutual interest in justice and equity into opportunities for dialogue to improve our processes and practices.
Adopted by the Board of Directors on October 17, 2016.
Women's Voices for the Earth (WVE) defines the environment as the places people live, work and play. It is estimated that between 80,000 and 85,000 chemicals are in use in the environment in the United States, yet only about 200 of these chemicals have been tested for safety. Of those chemicals that have been tested, most have been evaluated only for their acute impacts to adult males in industrial settings. The chemical exposure routes and health impacts on women – especially girls, women of color and women of reproductive age – are different and have historically been largely overlooked. Learn more.
Help us eliminate toxic chemicals from everyday products.


text:
Q: How to make cakephp session infinite I just want to inquire about how to make sessions in cakephp to last and be destroyed only when I click logout.
Currently, when I close the browser or just leave the computer, when I get back for like 1 hour, it prompts me to the login page, meaning the Session was deleted.
Facebook in a way does this - unless you logout, your session is stored, so even when you close your browser or leave your computer, you will always be logged in.

A: From the very top of Cake's Session docs:

Session.timeout - The number of minutes you want sessions to last.

and

Session.cookieTimeout - The number of minutes you want sessions to last. If this is undefined, the value from Session.timeout will be used.

Although you can't make them infinite, try increasingly bigger numbers until you're happy.
<?php
Configure::write('Session', array(
    'timeout' => 4320 //3 days
));

redpajama_set_name: RedPajamaStackExchange


text:
```
usage: pc [-h]
```
Windbg compatibility alias for 'nextcall' command.

| Optional Argument | Info |
|---------------------|------|
| --help | show this help message and exit |

redpajama_set_name: RedPajamaGithub


text:
Q: Symfony2 FOSUserBundle Invitation : 'inversedBy' mapping errors FOSUserBundle Invitation's installation was completed as the manual.
On the surface, it does work.
However, mapping errors is displayed by profiler.
I think that a setting of 'inversedBy' was set as prescribed in the manual.
How do you see it?
Entity
/** @ORM\Entity */
class Invitation
{
    /**
     * @ORM\OneToOne(targetEntity="User", inversedBy="invitation", cascade={"persist", "merge"})
     */
    protected $user;

    // ...

/**
 * @ORM\Entity
 * @ORM\Table(name="fos_user")
 */
class User extends \FOS\UserBundle\Entity\User
{
    /**
     * @ORM\OneToOne(targetEntity="Invitation", inversedBy="user")
     * @ORM\JoinColumn(referencedColumnName="code")
     * @Assert\NotNull(message="Your invitation is wrong")
     */
    protected $invitation;

    // ...

Profiler
FOS\UserBundle\Entity\User   Valid

My\SampleBundle\Entity\User
The field My\SampleBundle\Entity\User#invitation is on the owning side of a bi-directional
 relationship, but the specified mappedBy association
  on the target-entity My\SampleBundle\Entity\Invitation# does not contain
   the required 'inversedBy' attribute.

My\SampleBundle\Entity\Invitation
The field My\SampleBundle\Entity\Invitation#user is on the owning side of a bi-directional
 relationship, but the specified mappedBy association
  on the target-entity My\SampleBundle\Entity\User# does not contain
   the required 'inversedBy' attribute.

A: According to reference http://docs.doctrine-project.org/en/2.0.x/reference/association-mapping.html the inverse side (in this case Invitation) must refer to User as "mappedBy", not "inversedBy". Try
class Invitation
{
    /**
     * @ORM\OneToOne(targetEntity="User", mappedBy="invitation", cascade={"persist", "merge"})
     */
    protected $user;

    // ...


On this page, we are going to share Hema Malini Movies List, with her Age, Height, Weight, Daughter, Husband Names, her Family Photos and also her Biography.
Hema Malini is an Indian actress, writer, director, producer, dancer, and politician. In 1963, she made her acting debut in the Tamil film Ithu Sathiyam.
Hema Malini left her studies in 12th standard to begin her acting career. She started her career as a dancer in a Tamil film in 1961.
She is the highest-paid Bollywood actress from 1976 to 1980.
Malini first acted in the main role in Sapno Ka Saudagar and went on to feature in numerous Bollywood films, Telugu Movies, primarily as the lead actress.
She Totally acted in 145 Movies till now, her last movie was released in 2017, that is a Hindi Movie, directed by Gul Bahar Singh starring Hema Malini, who portrays Vijaya Raje Scindia.
Hema Malini is an ardent animal lover and supports PETA India. She also wrote to the Mumbai Municipal Commissioner in 2009 urging him to put a ban on horse carriages.
In 1999, she campaigned for Vinod Khanna (a BJP candidate) in Gurdaspur Punjab.
In 2003, she was nominated as the Rajya Sabha Member by the then President of India, Dr. A. P. J. Abdul Kalam. She served as the Rajya Sabha Member from 2003 to 2009.
In February 2004, she officially joined the BJP.
In 2010, she became General Secretary of BJP.
In 2014, she became a Lok Sabha Member from Mathura Constituency after defeating Jayant Chaudhary of RLD by 3,30,743 votes.
11 Filmfare nominations for Best Actress and won in 1972.
In 2000, won Filmfare Lifetime Achievement Award.
In 2000, awarded Padma Shri by the government of India.
A controversy was created when she was allotted a 2,000-square-metre plot for 70000 rupees only to run a dance class in the Andheri area of Mumbai by the BJP-led Government.
She was also criticized for her tweet about the Vrindavan widows in which she said widows from Bihar and West Bengal should not come to Vrindavan.
In 2015, she attracted a controversy when a 2-year-old girl succumbed to her injuries after Hema's Mercedes rammed into an Alto car on the Yamuna Expressway near Agra.
She has also been criticized for her low-attendance in the Parliament.
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text:
Le comté de Douglas, en , est l'un des 105 comtés de l'État du Kansas, aux États-Unis. Il a été fondé le . Son siège, et plus grande ville, est Lawrence. Selon le recensement de 2010, la population du comté est de  habitants. Il a été nommé en l'honneur de Stephen A. Douglas, sénateur de l'Illinois.

Géographie
Le comté a une superficie de , dont  en surfaces terrestres.

Géolocalisation

Politique
Avec le comté de Wyandotte, le comté de Douglas est l'un des deux bastions démocrates de l'État du Kansas, favorable dans l'ensemble au Parti républicain. Cela s'explique notamment par la présence de l'université du Kansas à Lawrence.

Notes et références


What Cork failed to discuss in his Introduction was Chambers' inclusion of artists' books into the Summer Exhibition. Chambers may not have been involved in the decision to make "raw" the theme for 2010, but displaying a group of these objects in the Large Weston Room could be seen as a maverick act entirely befitting the theme, reflecting the opportunity he had as Coordinator to introduce something unprecedented and distinctive, which might otherwise have been neglected or omitted entirely.
Chambers' decision to include artists' books was deeply personal. Although he was elected to the Academy as a printmaker and is best known for his distinctive figurative paintings, Chambers is an accomplished and regular maker of artist books. However, the difficulty for Chambers and other artists' book producers, is both getting them seen—and then how they are seen. Not only are they frequently categorised as illustrated books rather than as a distinctive work of art, but their very nature makes them difficult to display. As books they need to be handled, their pages need to be turned, their narratives read, and yet this makes it difficult when artists want the value of the artwork to be recognised as well. In exhibitions, where their visual, artistic qualities might be best celebrated, touching artworks is discouraged.
The very diversity of the Summer Exhibition, where architectural models are displayed alongside prints, paintings, photographs, sculptures, and videos therefore provided the perfect opportunity to promote these works, while Chambers' position as Coordinator circumvented any problems in getting them included. As well as his own artist book entry, he invited four other artists: John Dilnot, Ron King, Ken Campbell, and Les Bicknell, to be part of the Exhibition without having to submit to the usual selection process. For the artists, this was a unique and wonderful opportunity to have their work displayed in a very public art context, and for Chambers, this was a chance to celebrate the rawness of an art form that is usually relegated to the condition of craft or book publishing and often considered old-fashioned.
While the limitations of their display meant that the five artists' books couldn't be appreciated as originally intended, the wider context of the Summer Exhibition certainly accomplished Chambers' desire to provide new perspectives on their visual qualities. The quality of John Dilnot's and Ken Campbell's printmaking became all the more evident when surrounded by the prints that filled the Large Weston Room that year. Similarly, Ron King's Woodworm Book (Logbook No.10), part of a series begun in 1995 to explore the possibility of sawing a log into book pages that could then be reassembled into a log again, took on a distinctly sculptural dimension when seen near David Nash's sculptures (Fig. 2).
Although the majority of those visiting the Summer Exhibition in 2010 would have walked past and overlooked this small display cabinet and its contents, for Chambers this was one of the true sites of "rawness" in the show: five objects that were deliberately tactile, surprising, and made by artists who resolutely "ploughed their own furrows".
Richard Davey, "2010: Rawness and Artists' Books." In The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018, edited by Mark Hallett, Sarah Victoria Turner and Jessica Feather. London: Paul Mellon Centre for Studies in British Art, 2018.