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A little more about us...
Prix Clarins Stylist Award 2018
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The story of Secret Sari Dress Project - Part 1
In 2014 I was working out in India setting up my social business, Secret Pillow Project. It was then that I heard this story which led me to create the Secret Sari Dress.
The northern frontier of India shares borders with Nepal and Bangladesh. Across these borders and from communities in the neighbouring states, young girls are trafficked into India's big cities and are forced to become sex workers. They each have their own unique story about how they ended up in the brothels but they all share the same fate: rape, isolation, hopelessness. There are a number of organisations working hard and, in many cases successfully, to rescue these young women. Once rescued, the women are detained in a women's shelter for their protection, during which time evidence is gathered and cases against their traffickers go to courts. The rescuing organisation will work hard to contact their families and try their best to ensure that the young women can return home. They can sometimes spend up to two years living in the shelter homes.
Over recent years this story has spread across the world, horrifying everyone who hears it. The part of the story that grips me the most was the length of time some of the young girls live in the shelter homes. My question was "what do they do whilst they wait to go home?"
In the Christmas of 2015 we were planning a huge pop up retail event in Old Street Tube Station in London. It was our biggest pop up yet. We decided to call the shop "Discover the Secret of the Pillows" and give it a South Indian paradise theme. At the time a lovely lady called Anita was volunteering with us. She is a Hindu and passionate about the empowerment of women. She offered us the most extraordinary thing: to come to her house and empty it of anything that would help make our shop appear more authentic. It was a brave move on her part, especially when we borrowed all sorts of beautiful Indian artefacts including a statue of the goddess Lakshmi which holds water and rose petals at her feet.
After the pop up I returned all the items to Anita and we sat had coffee and chatted about the next year and what it held for both of us and the project. As I got up to leave, Anita walked over to a suitcase on floor, sunk down, rested her hand on it and bowed her head. She looked so sad. I knelt down next to her and gently asked what was inside the suitcase. She looked up and told me it contained her late mother's saris. She told me she could not open the suitcase, the smell of the saris and their fabric patterns reminded her too much of her beloved mother. She told me that her mum was also passionate about women, and she asked me if I would make her a promise. She asked me to promise to take the saris away and use them to empower women in India. I promised I would because I was indebted to Anita and her generosity. I was unsure at that time how I would live up to the promise and my mind was rushing. All I managed to ask was if I was allowed to cut them up. Anita told me I could do anything I wanted with them.
After dragging the heavy suitcase to my car, I drove home. I was nervous to open the suitcase but when I did colours and sparkles dazzled me. I opened up one of the saris and marvelled at it. How was I going to live up to my promise? I quickly shut the suitcase and pushed it under my bed.
The saris must have started to work their magic on me while I slept because I began to think about the young women more and more. I decided to find out more about them. I discovered that whilst they waited in the shelters homes they were given basic skills training in beauty therapy and rudimentary tailoring skills. The main issue was that once they had learnt these skills, they had no chance to practise them. I knew that making Secret Pillows in the shelter homes would not work because the materials were too bulky. The shelter homes are in the centre of cities and there is very limited space. I knew I had to come up with a much smaller, foldable, useful, purposeful and charming product. But what?
Summer of 2016 was upon us and I was heading out to Portugal with some of my girlfriends. Amongst them was Amy, a leading handbag sampler from London. Amy is one of my oldest friends and we have forever shared a love of clothes, shopping, and sewing. There was a sewing machine at the place we were staying. I pulled out the suitcase and selected 4 saris from Anita's mother's collection. I stuffed them in my bag along with sewing scissors, a needle and thread. I had the beginnings of a plan…
Poolside one sunny morning, I made Amy and myself a strong coffee. I took it to her and told her I wanted to tell her a story. I told her about the young women in India, and that they needed work. I shared the frightening statistic that 60% of these rescued girls who return to their homes are re-trafficked within 1 month. I told her that money is key to preventing this from happening. If these women could earn their own money, they would be much less vulnerable to being retrafficked. I said I wanted to give them the experience of making something that would sell overseas. She immediately asked "how can I help?" I explained that if she could design a foldable beach dress out of a sari, we could run training workshops and produce them inside the shelter homes. She finished her coffee and told me to get her a sari, scissors and a needle and thread and leave her alone for 20 minutes. I ran to gather the items and impatiently waited.
20 minutes later she called me back up and threw a small ball of sari fabric towards me. She said "that's a Secret Sari Dress. Put it on!" She showed me how to release the dress from the pouch and wear it. It was the most perfect beach dress I have ever worn.
It was our girls' day out that day to a beach restaurant. So, I took Amy's sample and made one dress of each of us. I had to rush but managed to finish them just before the taxi arrived. We piled into the taxi and planned the photo shoot that commenced the second we arrived at the beach.
That was the day the Secret Sari Dress was born. I knew that we had create the perfect product for the women in the shelter homes. On my return from the beach I contacted one of the charities who support the women in shelter homes and arranged a meeting with them on my return to London.
Within two months, we had agreed a plan of action with the charity: I would run a crowdfunding campaign and generate as many pre-orders as possible and then we would, together, run training sessions on how to make a Secret Sari Dress in six shelters home across India.
I shot down to Cornwall to visit a friend who lives near the beautiful Daymer Bay. My idea was to take some footage of me putting the Secret Sari Dress on and off to edit into our crowdfunding film. My friend had to head out and do some jobs. So, she left me at home with her children. The sun began to shine so bright and I knew I that I had to head to the beach straight away. This was the perfect time to photograph and film! I looked around to see who could help me and was there was only Matilda, a gorgeous 7 year old. I ask her to help me and explained as best I could why it was so important. She jumped up and said she would help! We ran down the beach together and set up our photo shoot. Only 7 years old and she took the whole thing in her stride. She told me whether the photo was good enough and made suggestions of how we could make it better. What a team we were that sunny morning!
With Matilda's excellent footage I rushed backed to London and found somebody to help me with the crowdfunding film. Within a week I had announced that I would be launching a new crowdfunding campaign and started a list of customer pre-orders. I loaded the names onto two whiteboards in our office and I had 130 pre-orders within 24 hours! Everyone wanted to be on the white board. I was blown away.
I launched the campaign and we smashed our target within a few days. Lots of people shared the details of the campaign and it went viral. By the last day we had nearly 1000 orders. Hours before the campaign was to close, Crowdfunder.co.uk emailed their whole database with the campaign and hundreds more of orders flooded in. It was quite incredible.
The money poured into our bank accounts and we uploaded all the orders to our online shop system. We paid the charity 50% up front and they began to plan their training workshops and the production. We had promised customers that they would receive their Secret Sari Dresses in time for the British Summer time nine months later.
The workshops began and I was lucky enough to attend the one being held in the Mumbai Shelter home. The young women loved the concept of the dresses and were excited to be involved in the project. I enjoyed spending the afternoon with the young women. We talked about the different countries the Secret Sari Dresses might end up in. We played around with the dress sample that we had and put it on and off. There was lots of laughter.
The mood in the shelter home that afternoon was positive and everyone was light hearted. However, you can see that behind the laughing eyes of the young women that there is deep sadness and much stress caused by the traumatic experiences they have endured. One young woman in the training whispered to us as she was leaving to return home the next day. She was so happy. I will never forget her joy. I looked at the other young women training and I thought to myself, all these girls will also return home but they will have their earnings from making Secret Sari Dresses in their pockets. Money can protect these young women.
Production took place over the next six months. The employees of the charity were meticulous with their ongoing quality control and each safe house was supported to deliver their order as quickly and as efficiently as they could. (Thank you for the care and love you put into it.)
We set up an email group in our Mailchimp account to make sure we could keep our customers up to date with the production. It was all very exciting and we were determined to share the excitement with our customers. We decided on 20 May 2017 to be the day of The Big Choosing. This was the day when we would put all of the Secret Sari Dresses on our website for customers to choose their favourite. Because they were made from Vintage Saris, each dress was unique. Every single one had to be photographed and coded. The image had to be edited and added to the website with the correct size and fabric composition. We had wonderful team of volunteers who worked tirelessly to enable this time crushing process happen.
The Secret Sari Dresses arrived at our store in Bangalore, I opened them with nervousness and delight. The dresses were stunning and I felt triumphant because I knew how many people had worked so hard to make it happen, not to mention all the commitment from our customers.
Because of time constraints we flew the Secret Sari Dresses to London and the photography coding and uploading happened within 2 weeks. The day of The Big Choosing arrived. We all stood at our stations waiting for our customers to submit their choice of dress. What amazed me the most was how all our customers were waiting online to choose. Our Live Chat function had 8 chats going at one time! We worked so hard that day and hundreds of dresses were sent out across the globe. The young women were in my heart and head for the whole weekend. I constantly kept thinking this isn't enough to protect them and thousands of others like them but it's a start.
Thank you – this project would not have been possible without the commitment and hard work from
Amy Cowell of Turquoise Studios – the designer of the dress
The NGO that delivered the project – the care you put into it was incredible
The customers who purchased the pre orders
Customers who made donations towards the product development of the Secret Sari Dress
The Secret Pillow Project Staff team in India and UK
The Volunteers who helped deliver The Big Choosing - (Thank you Ngaire, Jo, Rachel, Sarah, Margaret, Olaf, and Antonia)
Crowdfunder.co.uk
Lucy Seigel – The Observer Ethical Fashion Journalist
Fritha Vincent
Back to Empowerment Blog
Secret Projects empowers women in India through the making and selling of clothing and homeware.
MEDIA & PRESS COVERAGE
Copyright © 2020 Secret Pillow Project USA.


Toys are the most popular Christmas gift for kids all over the world. Despite that, they are also the most quickly to get neglected, a survey shows.
The UK toy subscription service Whirli and Sapio Research carried out the survey in the UK. It shows that over 30 million toys gifted for Christmas are already neglected within three months, The National reports.
And that figure is for the UK alone! One of the reasons is the sheer excess of gifts. The survey shows that UK kids on average received 21 new toys. And that's despite 56% of parents saying toy prices are too high.
With such a toy overload is not surprising that kids quickly lose interest in some of the toys they get. It's expected that kids won't enjoy all toys in the same manner.
"The scale of gifts already neglected in the UK following the Christmas period indicates a huge disparity between Christmas gifting and what households with kids can actually handle or make use of," says Nigel Phan, founder and CEO of Whirli.
Parents agree. 77% of parents say toys clutter the home. 69% say they feel their kids have too many toys. So… maybe, don't buy so much toys? The survey also shows that during the year about 15% of all toys are neglected and forgotten within days. So, it's better to pick less toys and more carefully, so that the kids actually want them and enjoy them. Not just because the neighbor kid has that toy, too.


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Операція «Блеккок» () — військова операція британських та канадських збройних сил щодо зачищення від німецьких військ Рурського трикутника, що утворився внаслідок союзного наступу взимку 1945 року між голландськими містами Рурмонд і Сіттард та німецьким містом Гайнсберг. Головною метою операції, яка проводилася силами XII корпусу 2-ї британської армії, було витіснення німецької 15-ї армії генерала від інфантерії Густава-Адольфа фон Цангена за межі річок Рур та Вурм далі на схід та забезпечення прориву головних сил армії в Німеччину.

Історія

Передумови
Зважаючи на те, що німецький наступ в Арденнах за планом операції «Вахт-ам-Райн» все ще продовжувався, командувач 21-ї групи армій фельдмаршал сер Бернард Монтгомері скористався ситуацією, що утворилася та часткою сил своїх військ вирішив вибити вермахт з єдиної області, що утримувалася німецькою армією німцям західніше річки Рур. Це був так званий Гайнсберзький виступ, який по суті був рівностороннім трикутником зі сторонами завдовжки приблизно по 32 км і вершиною у Рурмонда. Оборону німецьких військ, котра спиралася на фортифікаційні позиції лінії Зігфрида, займали дві німецькі дивізії — 176-та піхотна генерала Крістіана-Йоганнеса Ландау та 183-тя фольксгренадерська генерал-лейтенанта Вольфганга Ланге зі складу XII корпусу СС генерала Гюнтера Блюментрітта (з 20 січня — генерал-лейтенанта Фріца Баєрляйна).

Підготовка
Для реалізації мети наступальної операції зі складу 2-ї британської армії виділялося ударне угруповання, кістяк якого становив XII корпус лейтенант-генерала Ніла Річі. Північніше цього корпусу оборонялися сили VIII корпусу 2-ї армії під командуванням лейтенант-генерала Е. Г. Баркера, а південніше — частини 9-ї американської армії генерал-лейтенанта Вільяма Х. Сімпсона. Головний удар в ході операції завдавала 52-га дивізія генерала-майора Р. К. Росса, яка мала просуватися через Бокет до ключового вузла німецької оборони біля Гайнсберга. 7-ій бронетанковій дивізії генерала Л. О. Ліна та 43-ій піхотній дивізії майор-генерала Г. І. Томаса (під тимчасовим командуванням бригадира Байдера Коада) були відведені другорядні напрямки наступу — відповідно ліворуч та праворуч від 52-ї дивізії. 7-ма бронетанкова повинна була наступати через Сустерен у напрямку до Рурмонда, а 43-тя — через Вальденрат до Дреммена та Лінденна. Захист правого флангу в районі Лінденн в ході операції «Блеккок» забезпечувала 102-га дивізія 9-ї армії США генерал-майора Френка А. Кітінга.

Розуміючи, що прорив потужної у фортифікаційному відношенні німецької лінії оборони, та звертаючи увагу на необхідність збереження життя людей для подальшого просування в Німеччині, Монтгомері забезпечив зосередження значного артилерійського угруповання з восьми полків польової артилерії, шести полків артилерії середніх калібрів та деяких важких і надважких гармат. Також в інтересах дій піхоти залучалася велика кількість спеціальної інженерної техніки, у тому числі, так звані «іграшки Гобарта», на кшталт мінних тралів, установок з підривними зарядами для пророблення проходів та подолання перешкод, вогнеметні танки «Крокодил» та бронетранспортери «Кенгуру» 79-ї бронетанкової дивізії майор-генерала сера Персі Гобарта. Наступною новинкою стала канадська 1-ша ракетна батарея з РСЗВ, яка могла здійснити одночасно залп приблизно 350 ракетами, кожна з яких була еквівалентна снаряду 140-мм калібру. Нарешті, атаку забезпечував прожекторний загін, промені яких відбиті від неба виробляли «місячне світло Монті» (), даючи достатньо світла, щоб війська, які атакували в темряві, бачили свій шлях. Усіх військовослужбовців забезпечили маскувальними костюмами під сніг; танки та інші транспортні засоби були пофарбовані в білий колір.

Кожен етап операції був дуже детально спланований та попередньо проведені навчання з відпрацюванням загального замислу операції, особовий склад відпочив та перед тим, як вступити в бій кожен військовик чітко усвідомив, яку роль він повинен зіграти.

До кінця 1944 року лінія фронту в голландській провінції Лімбург стабілізувалася вздовж кількох природних бар'єрів. Найважчою перешкодою для форсування була річка Маас, кордон між Бельгією та Нідерландами. Наступним бар'єром стала річка Рур, що простягалася від німецького району Айфель через Гайнсберг до Рурмонда, де вона впадала в Маас. На південь від Гайнсберга захисні споруди лінії Зігфрида або «Західного вала» простягалися вздовж берегів річки Рур.

Хід операції
14 січня 1945 року британські війська за планом операції перейшли в атаку. Британський наступ на трикутник здійснювався на трьох напрямках. На лівому фланзі наступала 7-ма бронетанкова дивізія, яка цілеспрямовано проривалася на важливий міст через річку Рур поблизу села Сінт-Оділіленберг. У центрі бойового порядку діяла 52-га дивізія, яка долаючи спротив 176-ї німецької дивізії рушила у північно-східному напрямку, глибоким обхідним маневром охоплюючи Гайнсберг після того, як прорвала німецьку лінію оборони біля Гонгена, відкривши шлях між Сіттардом та Гайнсбергом для введення в битву решти військ союзників. Правий фланг, 43-тя піхотна дивізія, наступав через прорив у німецькій обороні, створений 52-ю дивізією, на південний схід від Дреммена.

Вирішальним моментом операції «Блеккок» стали бої за маленьке голландське село Сінт-Джоуст. Сінт-Джоуст лежав на маршруті 7-ї бронетанкової дивізії на північ у напрямку Монфорта. Після чотирьох днів боїв німці повністю усвідомили той факт, що 7-ма бронетанкова дивізія, яка діяла проти них, сильно покладається на дороги. Здійснення маневру британською бронетехнікою в умовах тодішньої зими, і звідси надто м'якою землею для ефективного руху танків, напряму залежало від доріг між населеними пунктами.

20 січня в холодних та туманних погодних умовах бронетанкові та піхотні підрозділи британської дивізії розпочали першу атаку Сінт-Джоуста, яке як вважалося обороняли дві роти 2-го парашутного полку Губнера. Наступ не вдався, і британці провели ще декілька спроб розбити противника у вузловому опорному пункті, але невдало. Лише 21 січня, нарешті за підтримкою вогнеметних танків «Крокодил» вдалося очистити село. Ціною значних втрат, британці визволили Сінт-Джоуст, де захопили 60 німецьких десантників і нарахували понад 100 німецьких загиблих. Багато будинків Сінт-Джоуста були зруйновані внаслідок дії цих бронемашин.

Між вечором 19 і 23 січня голландське село Монфорт, на північний схід від Сінт-Джоуста, сім разів піддалося артилерійським обстрілам та авіаударам винищувачів-бомбардувальників «Тайфун» канадської та британської авіації маршала повітряних сил Артура Конінгама і віце-маршала повітряних сил Гаррі Бродгерста. Майже всі 250 будинків населеного пункту були пошкоджені, деякі перетворилися на руїни, загинули цілі сім'ї. Під час цих бомбардувальних нальотів союзної авіації німці укривались у підвалах серед мирного населення та у лісистих районах біля села.

24 січня, коли село було остаточно звільнене 7-ю бронетанковою дивізією, британські війська виявили врятованих жителів села сильно шокованими, оскільки авіаційні атаки коштували життя 186 мирних жителів, більшість з яких поховані під зруйнованими будинками.

До 27 січня 1945 року цілі операції «Блеккок» були досягнуті. Німецькі дивізії були витіснені з трикутника за винятком району, що знаходиться на південь від Рурмонда. Тут десантники парашутного полку Губнера спромоглися втриматися на західному берегу.

Британська 52-га дивізія зазнала 752 жертви, у тому числі 101 солдат загинув; ще 258 людей були визнані непридатними через хворобу, в основному від несприятливих погодних умов та сильних холодів. У 7-ій бронетанковій дивізії втрати становили трохи більше 400 загиблих, лише 20 танків були підбиті німцями, а ще 23 вийшли з ладу через механічні проблеми в ході боїв на виступі. Кількість німецьких втрат в операції «Блеккок» невідома, але її можна оцінити у понад 2100 осіб. 7-ма бронетанкова, 52-га та 43-тя піхотні дивізії узяли в полон 490, понад 1200 та близько 400 німецьких солдатів відповідно.

При проведенні операції «Блеккок» відзначилися британські командос 1-ї бригади. За проявлену мужність молодший капрал Генрі Гарден, військовослужбовець Королівського армійського медичного корпусу, що діяв разом з No. 45 Commando, був удостоєний хреста Вікторії.

Після завершення операції «Блеккок» плани щодо захоплення Рейнланда почали реалізовуватися. 8 лютого 1-ша канадська армія розпочала операцію «Верітебл», метою якої було пробиття німецької оборони у Клевер-Райхсвальді, приблизно в 60 км на північ від Рурського трикутника. 9-та армія США розпочала операцію «Гренейд», наступ на південному фланзі ударів, що охоплювали німецький фронт. У перші години 23 лютого 1945 року 9-та армія генерала Вільяма Гуда Сімпсона перетнула річку Рур на південь від Гайнсберга. Через дванадцять годин Сімпсон мав на східному березі 16 батальйонів разом із семи важкими мостами та низкою легких штурмових мостів. Американські втрати в перший день були легкими; водночас у полон було захоплено 700 німецьких військових. Передовий загін XVI корпусу 9-ї армії генерала Джона Андерсона поринув у бік Венло для з'єднання з британцями на півночі. 1 березня Рурмонд був захоплений розвідувальним загоном 35-ї піхотної дивізії США генерал-майора Пола У. Бааде без жодного пострілу.

Див. також
 Історія Нідерландів (1939–1945)
 Операція «Спрінг»
 Облога союзниками Ла-Рошелі
 3-тя бригада командос (Велика Британія)
 Операція «Інфатюейт»
 Центрально-Європейська операція

Примітки
Виноски

Джерела

Джерела

Посилання
 Operation Blackcock
 Operation Blackcock report

Операції британських командос за часів Другої світової війни
Битви Великої Британії в Другій світовій війні
Битви Німеччини в Другій світовій війні
Кампанія на Західному фронті (1944-1945)
Битви в Нідерландах
Військові операції за алфавітом
Січень 1945
Події 14 січня
1945 у Нідерландах

redpajama_set_name: RedPajamaWikipedia


Dirt spikes are used in hard soil regions to stabilize pool fences in areas without concrete. The dirt spikes are 24" in length and get driven into pilot holes drilled with an auger bit. The poles then go into the top of the dirt spike as if it were a drilled hole.
*The dirt spike is intended to be used for one or two poles in a planter area. Many customers have used them successfully for their entire fence, but be aware that your fence is only going to be as strong as your soil.
It is best to start out drilling a pilot hole with an auger bit. Using a rubber mallet usually does the trick after that. If no rubber mallet is available, use a hammer with a cloth or cardboard over the top to soften the impact. Getting them straight the first try is not as critical with dirt spikes because they can be adjusted after inserting them or re-inserted.
It is best not to. If using the gate, it should be put in cement. The gate is much heavier than the normal fence because of the materials used to make it durable enough for the constant banging of self-closing.
• I need dirt spikes. How many poles are per 12' section of 4' tall fence and 10' section of 5'?
The poles sit in the dirt spikes directly. So if you are ordering extra dirt spikes to be able to roll back the fence, then you only need extra spikes, not ground sleeves.
I know this seems like it would be a reasonable request, but we can't take them out of each of your boxes for a very good reason. We get the fencing in 12' sections pre-boxed with the sleeves and hook and eyes from the manufacturer. The labor to open each of these boxes and take out the sleeves will cost far more than the amount of money we would get from the sleeves. You, however, will be opening each box anyway, and if you would like to mail them back to us (sorry we can't pay for that either), we would gladly give you a credit for them.


Descargue o lea el libro de Organic Container Gardening: The facts about container gardening and a special how to guide for potato lovers heading (English Edition) de Matthew Colchester en formato PDF y EPUB. Aquí puedes descargar cualquier libro en formato PDF o Epub gratis. Use el botón disponible en esta página para descargar o leer libros en línea.
This book is a guide written to be used as a reference and to help people understand a little more bout container gardening. Truth be told, container gardening is an extremely popular topic at the moment and people love to talk about it, but they do not really understand it.
For the average person, I have included a small guide on how to grow your very own potatoes organically and how you could even have a self sustainable garden like me.


text:
Q: flex passing data to multiple views am building mobile flex application , that has 1 main view that .contain the list of names and 2 detail views ( one view in English and second detail in Arabic).
when i run the program and choose something from the list it would show the first detail view with some English text then when i click on switch button to it shows empty text area.
pushview in main view :
protected function list_changeHandler(event:IndexChangeEvent):void
        {
            navigator.pushView(Details,list.selectedItem);
        }

push view in 2nd view :
<s:Button label="switch"  click="navigator.pushView(ArabicDetails)"/>

A: A simple solution would be to expand the data you're pushing into the views. For example, you push the selectedItem into the Details view.  Instead you could push an object like this:
{ selectedItem: list.selectedItem,
  englishDetails: [ 'a', 'b', 'c' ],
  arabicDetails: [ '1', '2', '3' ]
}

Now when you navigate to any of the views, you always push the same type of object as above. The views can select what they need from it. The drawback is you're keeping slightly more in memory.

redpajama_set_name: RedPajamaStackExchange


It is time for another Free Sticker Friday post! I've been having a blast making these fun stickers for you all to use. If you haven't already checked out my YouTube channel, please pop on by to learn how to design your own stickers! This past weekend I reimaged my old MacBook in the hopes of offering some tutorials on programs that are offered on that OS. I think that InkScape is a little finicy on Mac OS so we shall see.
These cute little hand drawn fast food icons are great for marking cheat days, office donut days, ice cream dates, or cook outs when the weather is warmer. Oh and pizza parties. Are you really ever too old for a pizza party?
If you haven't joined the Cricut Ready Stickers Group on facebook, head over and request a join. There are a ton of free stickers posted there too - mainly multicolor options for icons and headers!
Find more Free Sticker Friday posts here. Find all Cricut Ready Stickers here.
Oh yea. Fav one so far. Well besides the foxes. I love my junk food. Especially little Debbie peanut butter cakes. Damn them for making those. Sooo good.


If you have never made a budget, it may seem like a daunting task. Budgeting isn't simple. It requires your time, a serious commitment, and a willingness to honestly assess your total financial picture. To gain control over your finances, you have to know where your money is going every month- right down to the smallest purchases and expenditures. For many people, this can be an eye-opening experience. But once you have a clear grasp of your financial situation and a forthright appraisal of your spending habits, you can begin to make positive changes.
Make it realistic. You may wish you only spent $300 a month on groceries, but if the actual number is twice that amount, be truthful. You have to be honest with yourself.
Learn to better manage your money. There are simple, everyday things you can do to save money. Find out how to get better credit and make your money work for you.
Adjust your budget, when necessary. Remember that your budget isn't written in stone. Review it regularly and see how it is working. Financial situations are fluid. Is your situation improving? Are you controlling your spending? A budget will only work if you can stick to it and see actual progress.
When you are just starting to create your budget, write down your financial expectations and goals for the future. These can range from " I want to be financially secure" to "I want to buy a home in the near future". Different people will have very different goals. Next, figure out your monthly income from all sources. This is your net pay- what you actually take home in the way of income. Now, you need to determine your month expenses. Take an entire month and track all of your expenditures. This means keeping receipts and writing down every cent you spend.
Fixed expenses are relatively easy to calculate. They would include your rent or mortgage, any auto loan payments, and any other type of fixed loan payment. Other monthly bills can vary from month to month- food, gasoline, utilities, telephone, credit card bills, cable, insurance etc. Remember to include entertainment expenditures, also. These could be restaurant expenses, movie tickets, sporting events, and the like.
Now you are ready to plan a realistic budget. The simplest way to do this is to write down all of your monthly expenses, leaving nothing out, and then balance it against your total monthly income. This is the easiest way to become aware of how much money you have, how much you are spending, and if there is any surplus. Many times there is no extra cash once you've balanced your income and expenses. There are also instances when the amount of money going out is greater than the amount of money coming in.
Dealing with financial matters can be a stressful and even frightening experience for many people. But ignoring the situation or just hoping for the best will not give you financial security or peace of mind. No matter what your circumstances are, the only way to successfully deal with them is head-on.
Successful budgeting requires you to keep precise, accurate records of what you take in each month as income and what you spend. The easiest way to do this is to keep your receipts. This not only tells you how much you spent, but also what you spent the money on. Whatever system works for you is what you should use. Save your receipts, keep a journal. It's your choice.
If you have a checking account, your bank will either send you monthly paper statements in the mail or you can access your account information through its online banking website. The important thing is to check your account statement carefully for any inaccuracies or unusual activity. This statement will also list all the transactions you have made over the past month, including checks, debit card purchases, or any automatic withdrawals you have set up.
Any time you use your debit card or credit card, or make an ATM withdrawal, you should keep the receipt for your records. Keep track of your account balance so that you can avoid overdraft and bounced check fees.
At the end of the month, go over your receipts and add them up. Compare what you actually spent to what you budgeted. See if there are ways to cut your expenses.
It may take a few months to get used to living on a budget. Don't be hard on yourself. If you accidently throw away a receipt, just estimate what you think the amount was and write it down. If your original budget isn't working for you, then make the necessary adjustments so that you can stick to it. If you are an impulsive shopper, avoid going to the mall or anyplace else that presents temptation. Instead of going to the cinema, rent a movie and make popcorn at home. All the positive changes you make, however small, can have a big impact on your financial situation.


Thanks to Adrian Stannard of the WALTHAM FOREST CIVIC SOCIETY for this latest planning update.
At last night's Planning Comittee there were many surprises. Firstly, the downstairs public gallery was full so I had to sit in the upstairs one [which I have not done for many years] - an indication of the publicwanting to engage in the political process - good news. Further good news was that the first two items, 154 - 160 Kings HeadHill and 454-458 Larkshall Road, both very similar and were rejected. Earlier schemes had been rejected but the developers, both housing associations supported by our taxes, have appealed.
We also recieved notice regarding the Whitehouse Estate, Leyton Green Road. L&Q want to demolish an existing housing estate and put in a largerone that will damage the current street scene. The existing 1920s estate is only 2 storeys but L&Q, using the same footprint, want to build a 6 storey development with no care about the street scene. Wewill be objecting.


text:
OpenWebGlobe was a project and technology for processing and interactively visualizing vast volumes of geospatial data in a 3D virtual globe, even the forks on GitHub are rather dead .
The OpenWebGlobe virtual globe can have several data categories like image data, elevation data, points of interest, vector data, and 3D objects. Before streaming such massive and complex data over the internet, this data must be pre-processed. Such pre-processing usually comprises a transformation from a local to a global reference system, creation of pyramid layers or levels of detail (LOD), tiling of the data, and optionally compression and encryption. Recently, these algorithms were ported to high performance compute cluster using OpenMP and MPI and are also released as open-source. Because data sets are usually large, containing several terabytes, advanced out-of-core rendering mechanisms with a level of detail approach are used for visualization.

OpenWebGlobe is an open-source project. It is written in WebGL. The lead developer is the Institute of Geomatics Engineering at the University of Applied Sciences Northwestern Switzerland ().

Developing Globe Applications

The OpenWebGlobe SDK is also a 3D engine on top of WebGL. With the OpenWebGlobe SDK it is possible to create custom virtual globe applications. This JavaScript "Hello World" example creates a virtual globe and adds an image and elevation layer:

function main()
{
   // (1) create an OpenWebGlobe context using canvas
   // first parameter is canvas-id and second is "fullscreen"
   var ctx = ogCreateContextFromCanvas("canvas", true);

   // (2) Create a virtual globe
   var globe = ogCreateGlobe(ctx);

   // (3) Add an image and an elevation layer

   var imgBlueMarble500 =
   {
      url     : ["http://www.openwebglobe.org/data/img"],
      layer   : "World500",
      service : "i3d"
   };

   var elvSRTM_CH =
   {
      url     : ["http://www.openwebglobe.org/data/elv"],
      layer   : "SRTM",
      service : "i3d"
   };

   ogAddImageLayer(globe, imgBlueMarble500);
   ogAddElevationLayer(globe, elvSRTM_CH);

   // (4) Set the background color
   ogSetBackgroundColor(ctx, 0.2,0.2,0.7,1);
}

Demos

Switzerland 3D
The demo version of a potential 3D Viewer for geo.admin.ch - the geo-portal of the Swiss Confederation - was online on the OpenWebGlobe's website until July 31, 2012. The scene covered the entire Switzerland and was based on high resolution data from swisstopo (SWISSIMAGE).

Source code

References

External links

 Demo: Switzerland 3D

Cross-platform free software
Geomatics engineering
JavaScript
Virtual globes
WebGL


Want to read reviews and information about the best-rated sewing machines? You're in the right place!
Hi, and welcome to my site which I've put together especially for those who are looking to buy a sewing machine. I've collated information and reviews from lots of different sources and put them all together, right here for you to read at your leisure.
That's why it made sense to me to gather this information and reviews and have them all in one place – to cut out the hassle of having to do it yourself!
As most people tend to stick with their sewing machine for years, it's easy to miss out on the best developments in the market. Plus, for a first-time buyer, there are so many different brands and types out there, and so many individual factors to consider that it really can be quite overwhelming to figure out which is the best option to buy.
When you take a look at each review of a sewing machine, you'll see that in each of the reviews, I've looked at details such as what materials the sewing machines are made of, what features they have, the accessories and attachments they include, plus the different specifications of the machines themselves. Obviously, I want to keep these sewing machine reviews as objective as possible so you'll also find the negative aspects alongside the best of each machine there. The idea is to help you choose the best match for you, personally.
As a relatively cheap option, the best I've reviewed is the Brother XL2600i. Even though it has a lot of features, it's not complicated at all to use. It's light weight and compact enough to be moved around without any real difficulties. Brother has one of the best reputations in the game and they've come up with a reliable, versatile and user-friendly entry-level machine right here.
If you're new to sewing, the best machine for you would be one that's easy to operate and simple to use. The Brother CS6000i really fits the bill in this case. Having said that, it also includes a nice variety of optional features which you can start to use when you feel ready. That, plus 60 different stitches, makes this sewing machine one of the best in all the reviews I've made for those new to sewing.
When I reviewed the Singer 4423, it became clear that this machine was able to handle a lot in terms of tough fabric. It stitches really quickly and has a nice, smooth feed. Even though this is a heavy duty machine, it still allows you to make precision adjustments, meaning you can still work with an exceptional degree of accuracy. All in all I would definitely consider putting this on my shopping list.
For the combination of a wealth of different features plus ease of use, look no further than my review of the Singer 9960. This highly modern-looking machine is not as expensive as it looks. It has 600 different stitches which are selected using an LED screen. These stitches can then be further edited to give you complete control of the exact look you want. This machine really gives a thoroughly modern sewing experience.
For those whose priorities are customization and achieving a high-end look, I reviewed the Brother SE400 as the best choice out there. This sewing machine allows you to import digital embroidery designs directly from your computer to add to the designs, stitches, and fonts already available within. If that sounds very technical, it includes tutorials, a LED-screen and other features which make it really easy to learn how to use.
People who want a machine for both quilting and sewing will do well to consider the Laura Ashley CX155LA. Built by Brother, this machine has 135 built-in stitches plus a wide range of features which make it one of the best options for those who are interested in home décor. You can combine the decorative stitches to prevent fraying and create your own curtains, pillows and whatever ideas you come up with.
If what you're looking for is a sturdy and durable, easy to use sewing machine that can handle more demanding projects, I think the best option out there is the Janome HD3000. It allows you to adjust the pressure used, being able to handle even multiple layers of tougher fabrics. Janome sewing machines are popular as they still use metal – giving their machines the weight needed to deal with thicker material.
If embroidery is your thing, then it would be best to take a look at the Brother PE770 – a dedicated embroidery machine which is just great for scrollwork and florals. There are 136 designs built in, plus the option to import and edit your own designs from a USB stick. The quick-set bobbin and automatic needle-threader make it easy to use, meaning even those new to embroidery can produce high-quality stitching.
For those looking for a high-quality serger, the Brother 1034D should be high up on your list of machines to consider. With both four and three-thread overlock, and 22 stitch functions, in my opinion, it's the best and most reliable machine out there at the moment. It's easy to learn to use, uses simple color coding to the thread and gives a professional finish on even the most difficult, thinner fabrics.
What information do you need to consider before you buy?
Materials – Most sewing machines on the market are either made mostly of plastic or metal. Metal machines are heavier and more difficult to move around, yet they are the best at dealing with tough layers of material that other machines might not be able to handle. Plastic machines, on the other hand, are often more suited to use at home as they are generally smaller and lighter, making them easy to get out and put away as and when you need them.
Options – there are perhaps more options available on the market than you would expect, ranging from more traditional manually-operated machines, to fully programmable, computerized appliances. In terms of price, you don't need to break the bank by any means, although there are plenty of high-end options out there.
Features – sewing machines come with various features which enable them to deal in the best way with different types of fabric. These include adjustment of the feed dog for embroidery, automatic needle threading, various different types of stitches and the machine's general responsiveness.
Accessories/ attachments –These range from the simplest of items such as bobbins and presser feet to memory cards with the latest designs and patterns from the manufacturer. That's why it's best to make sure that any future accessories you may need are readily available for your machine.
Specifications – the dimensions and weight of the machine will have an impact, not only on its portability but on the types of fabric you can easily work with. This is also partly determined by the size of needles used and they speed at which they operate. Other specs to look at are lighting, threading system, sewing speed, and control, plus the number and types of built-in stitches. Computerized sewing machines may have electronic displays with language specifications. Any type of USB or memory card will also need to be considered for compatibility.
Price – aside from the initial cost of the machine, don't forget to include those accessories and attachments which you will need to purchase separately. You may need spare needles and bobbins and to consider the prices of the types of thread you want to use for different fabrics.. Price is usually determined more by the materials and features of a sewing machine. A more durable, computerized and feature-rich sewing machine can cost several times more than a simple, plastic model designed for limited use.
How do you know which type will suit you best?
Simpler and more straightforward to use than electronic ones. As a result, absolute beginners tend to find them easier to deal with and more conducive to learning the best sewing techniques. The relative dearth of functions means that these must be performed manually, which some people prefer in order to maintain an element of control and personal connection with the fabric. Using a mechanical machine takes a lot longer to finish most projects, which means they are less favored by those who have a lot of sewing to do. They also don't provide the degree of accuracy that can be achieved by other types.
Used exclusively for cutting and sewing layers of cloth for edging and hemming. They run at very high speeds and are widely used in the manufacture of garments. It's these time-saving properties, plus the quality and accuracy of stitching, which makes them popular with people who like to make their own clothes, cushions etc. They only serve a limited number of purposes and are, therefore, not suitable for comparing reviews with standard sewing machines.
Typically used by people who do a lot of sewing, in order to save both time and effort. These can typically store hundreds of stitch types and other settings which are easily accessible and editable through the use of an LED screen. They are more efficient than their mechanical equivalents as they provide closer control over the accuracy and speed of stitching. They can also often take care of the more mundane tasks such as sewing in button holes according to the details inputted by the user. They're ideal for regular sewing enthusiasts.
Work by using a needle and a hoop, which can be moved in four directions to execute different designs as the needle sews. These designs are usually stored in the machine's memory. In addition to this, many machines allow the user to edit the designs as necessary. As the name gives away, they are most popular with embroiderers and those who want to add extra finesse to their sewing. Embroidery-only machines are not used for regular sewing tasks at all. These machines are used by specialist embroiderers.
Often synonymous with sewing machines – is possibly the most famous brand and is also the most popular in terms of sales. They have a wide range of models which cater to everyone from the novice right up to the expert, detail and quality-oriented tailors.
Brother is known for its incorporation of high technology into even its most basic sewing machines. Brother machines are often reviewed well for their high user satisfaction, with one of their most popular lines being the featured Laura Ashley line.
A well-known brand which builds sewing machines for everyone from beginners to experts, with the difference that they focus on the use of advanced technology. They are fun to use as there are a lot of different functions to explore.
Most sewing machines will contain a bobbin which is a spool used to hold the thread which makes the underside of a stitch. This is usually housed in the lower part of the machine. Feed dogs are the teeth that move the fabric through. A presser foot holds the fabric down and can be adjusted according to needs. These parts are found in pretty much every sewing machine, including the needle – of course!
How much maintenance do sewing machines need?
Follow the instructions in the manual to regularly clean your machine and keep it covered when not in use so as to prevent the build-up of dust and dirt in its inner workings. Cleaning can involve removing the plates, bobbins and other parts so make sure you set aside enough time to do this properly.
What advice do you have for absolute beginners?
I would recommend starting out by practicing your technique manually and using scraps of fabric that you don't need. It will take a bit of practice before you can sew confidently without the risk of making major mistakes, so do this as much as you can on the material you won't miss if it all goes wrong!
You should change your needle after each large project or between every five to eight hours of sewing, depending on the toughness of the fabric. You can calculate how many you need accordingly.
What does 'top loading' mean?
This simply refers to a machine in which the bobbin is found above, rather than below, the needle.
How can I get to grips with a new sewing machine?
Start with the backstitch, which you will need to tie the start and end of your stitch. Once you've got that down, just practice sewing in straight lines and then 'drawing shapes' to get used to how the machine responds to you. Once you're confident, try using the different stitches on your machine and sewing different types of fabric.
How do I stay safe when using the machine?
It's very important not to work while being distracted. Don't allow your children to use the machine unsupervised. Most obviously, keep your fingers away from the needle! Be careful not to trip over the cord and remember to unplug it when you're not using it as sewing machines can get surprisingly hot. Don't let young children or animals (especially cats) near your thread.
How can I find people to share tips and ideas with?
Sewing is a very popular hobby and a quick internet search should bring up local groups and clubs. Failing that, if you live in a very isolated area, there are numerous online sewing groups, blogs, and forums where you can download designs, have your questions answered and share your thoughts with other sewing lovers. Alternatively, why not invite your family members, neighbors, and friends over to show them your new machine and take turns to work on it together?
Hopefully, now you're ready to choose the right machine for you!
Once again, thanks for taking the time to peruse my page – I sincerely hope that the information and reviews I've put together are of use to you and that you're able to find a sewing machine that matches your needs down to a tee. Once you've made your decision, you'll open up a whole new world of creativity and learning which gives its own unique sense of satisfaction.


text:
92.5 The Beat and TSN Radio 990 show gains in ratings
Well it looks like the new 92.5 The Beat FM format is working out quite nicely. In its first Bureau of Broadcast Measurement (BBM) ratings period via the Personal People Meters (PPM) method since reinventing itself from The Q 92.5 FM to the Beat, the Cogeco station showed comfortable gains from the last survey. TSN Radio 990 (formerly TEAM 990 and soon to be TSN Radio 690) also showed improvements.
The survey was taken between August 29 and November 27.
In terms of the weekly reach of listeners in the anglo market, Virgin Radio (516,000) remained in the lead followed by The Beat (483,000 compared to 475,000 previously), CHOM (342,000), CJAD (304,000), TSN Radio (131,000 compared to 83,000) and CBC Radio One (121,000).
In the all important aged 25 to 54 demographic, Virgin Radio's morning show, hosted by Freeway Frank and Lisa Player, leads the pack between 9 am and 10 am (Andrea Collins does the final hour) with a 28.9 percent share. CJAD's Andrew Carter (22.3), Cat Spencer and Sarah Bartok at The Beat (21.4 up from 17.5), Rob Kemp and Chantal Desjardins on CHOM (20.5) and Elliott Price and Shaun Starr on TSN Radio (6.8 up from 5.0) follow.
"The Montreal radio landscape had more competition than ever this fall, which made things fun for everyone!" said Virgin Radio brand director Mark Bergman. "As the leader our plan was not to react, rather continue providing our loyal listenership with the biggest hits in Montreal, a fun personality filled line up, all wrapped up in a premium radio brand. We're thrilled with our results! Over two million listeners and number one again with adults aged 18 to 54."
Mitch Melnick
Between 10 and 4 pm, Virgin Radio (36.7) is in the lead followed by CHOM (24.6), The Beat (23.1 from 19.7), CJAD (8.8) and TSN Radio (6.9 up from 4.5). During the drive home, from 4 pm to 7 pm, Cousin Vinny at Virgin Radio is way out front (37.7) followed by AJ Reynolds at The Beat 20.2 (up from 19.0), Pirate" Pete Marier at CHOM (19.3), Mitch Melnick at TSN Radio (14.8 up from 9.0) and CJAD's Aaron Rand (13.9 up from 12.9).
"We are pleased with The Beat's first book," commented Mark Dickie, general manager and mastermind behind the new station. "We did very with females aged 35 to 54, which is the demo we need to own for our goal to own females aged 25 to 54. Virgin is the choice for 18 to 34 year olds and The Beat is quickly becoming the choice for adults. We aren't able to publish November's results, but the three-month trend is very impressive. It is nice to see them get rewards so early in the game.
In the overall standings, which takes into account every singer listener regardless of age, the presentation is a bit different. It shows CJAD in the lead (24.4), followed by Virgin Radio (18.3), The Beat (16.3), CHOM (12.3), CBC Radio One 88.5 FM (8.4) and TSN Radio (4.0). These are not the numbers, though, that advertisers take a particularly close look at.
"We know that Montrealers are embracing The Beat. Our mission every day is to make sure more and more people tune us in and sample our great radio station. We are hearing that once someone has sampled The Beat they are almost immediately making the station their preferred choice to listen to. We get feedback through our street team, Facebook postings, listener calls and emails."
For Wayne Bews, general manager of TSN Radio 990 he had one word to sum up his reaction. "Proud," he responded. "We knew getting the rights to the Montreal Canadiens would help us. But keep in mind that when this survey was taken, the Canadiens were only playing during six of the 13 weeks."
Bews says the most telling statistic is how the station performed with the male aged 25 to 54 demographic, where they were previously in fifth place with a 3.7 share. From 7 pm to 11 pm Monday through Saturday evenings, they are now number one with a 19.8 share ahead of Virgin Radio (17.3). "All of our staff worked really hard from the time we got the rights last June," he says. "This is really an excellent start."
The Beat spent a lot of money to promote the new station, via newspaper ads, billboards and bus stop posters. "Advertising does work," says Dickie. "It creates the awareness for sampling - then it is up to our on-air team, programming, music and promotions to deliver."
Labels: 925 The Beat FM, BBM radio ratings Montreal December 2011, Cat and Lisa, CHOM FM, CJAD, Cousin Vinny, Freeway and Lisa, Freeway Frank, Mitch Melnick, TSN Radio 990, Virgin Radio
Allan December 13, 2011
Looks like the big shakeup at CJAD has no fizz. Go figure.
I don't know where you get your information but I read the ratings as 92.5 down 1.9 and if you take into consideration the new call sign of the beat (CKBEFM)they are down by 3.9 points
Phase 1 of the CJAD Aaron Rand Experiment: Not working. Thus, Phase 2 of the Aaron Rand Experiment just announced: Chantal Desjardins, aka, pair up a 60 yr old lech with a young lady and see if his appeal grows. Phase 3: Cut your losses and him.
New Yangtze to open December 17
Virgin Radio seeking replacement for Lisa Player
Paul Karwatsky to be interim co-anchor on CTV Mont...

redpajama_set_name: RedPajamaCommonCrawl


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Located in the high Andean plateau between Peru & Bolivia, Uros Khantati is one of over 50 small islands in an extraordinary archipelago of floating reed islands populated by the Uros, an ancient indigenous people. This island, Khantati, is an authentic rural homestay you won't find anywhere else. Their goal is to provide you, the visitor, with a living hands-on experience there among the reed islands of Lake Titicaca. Their lives depend on the lake, so they strive to ensure their impact on the environment is minimal. Their island accommodations are clean, comfortable, and always ecologically friendly.
As well, the same islanders will teach you to create your own handicrafts made from totora. We will have our dinner and then rest in the floating islands of the Uros. The next day in the morning we will proceed to pick up our fishing net that we put the previous day and see the diversity of native fish of Lake Titicaca; then we take our breakfast and finally return to Puno.
Sun screen/hat Water and a snack for the stay Camera Money for souvenirs.


text:
Q: Multiple microservice symfony application share vendor folder We are working on a new web project, with a microservice architecture.
We will need around 5 Front Web project, and about 5 API microservice orchestrate with an API manager.
We plan to use Symfony2 Framework, but I think it will be too Heavy. I mean because by the instance of the composer that will download all around the same library from symfony component, core... and same library used for each project (phpmailer for example).
Actually, I was asking myself about a great sharing strategy for the vendor folder assuming that each SF2 project would use a share vendor folder and compute all library in a unique folder.
We need all the same version for each library in each project.
Does somebody have some experiment on this kind of sharing? Best practices? Is it preferable to have one vendor folder per project?
Open discution !
Cheers.

A: You can define the vendor dir to be a shares folder into your composer.json
{
    "config": {
        "vendor-dir": "/usr/share/php/composer/vendor"
    }
}

Can it help you ?

A: You should not share anything between microservices. This is because you would loose the main benefit of microservices: you can deploy every microservice independently.
They should also be loosely coupled. They should be agnostic of the other technologies. This means that if you change from PHP to Java in one microservice then the others would not be affected. In fact they should not even know or care. The same with the database.


text:
Actor needs £3k to bring West End play home to Banbury
Michael Stanley. Photo: Alex Winn NNL-180806-161510001
Jack Duggan
An actor who grew up in Banbury is placing his faith in the public's generosity in a bid for £3,000 to make a West End play and bring it back home.
Michael Stanley hopes to bring Love Lab, a drama he co-wrote and stars in about modern dating, to Banbury after its week-long run in at Tristan Bates Theatre in London.
But the 27-year-old's production company d'Animate needs to raise £3,000 to cover the costs and Michael is hoping his hometown will help make his dream come true.
"It's an amazing opportunity and I would love to bring it to The Mill because I did it before with a couple of Samuel Beckett plays which isn't everyone's cup of tea but this is different," he said.
"It's only an hour long, like a Netflix show, and we want it to be for the Instagram generation, so it needs to be accessible. I want to make people, who wouldn't normally come to the theatre, to come which is hard but hopefully it will be worthwhile."
Michael, who's stage name is Michael Rivers, grew up in Bodicote and Cherwell Heights, attending Banbury School and Stratford College.
He went on to study at prestigious acting school East 15 in London, before travelling all over the globe as an actor.
"I was a complete reprobate at school but acting was something that took my passion and energy and helped me realise there was something for me," he said.
Love Lab shines a light on how modern dating and social media are ruining people's sense of community and interaction.
Michael started writing the play with another actor he met while performing in Hamlet in the US, Harriet Barrow, six months ago and early showings have been received positively. Despite not having the funding organised, the theatre backed the play, which will run for six performances from August 13-18.
"The venue liked the idea of the show so much they want us to do the show and if they like it then they can develop it so that's why it's important to do it well," he said.
"They just think it's such an apt play right now that's what they are going for, asking the questions about what Facebook is doing for us."
To donate, visit indiegogo.com/projects/love-lab-sex-community.
Banbury United FC lottery result
Banbury PC attempted to obstruct the course of justice
Here's what £100,000 can buy you in different parts of Banbury
Teacher at Banburyshire school struck off for 'inappropriate behaviour'


text:
<?xml version="1.0" encoding="UTF-8"?>

<!DOCTYPE chapter [
<!ENTITY % entities SYSTEM "../common/entities.ent">
%entities;
]>

<chapter xml:id="doc-f6fa6643-0616-4a70-8172-86a000fc4da3"
         xmlns="http://docbook.org/ns/docbook"
         xmlns:xi="http://www.w3.org/2001/XInclude"
         xmlns:xlink="http://www.w3.org/1999/xlink" version="5.0">

    <title>Add Data to the Sandbox</title>

    <para>
        In order to make the most of your development work, you will
        need data to test with. This section describes how to import
        data to your Sandbox tenancy, a process &COMPANYABBR; calls
        <glossterm linkend="def-data_ingestion">data ingestion</glossterm>.
    </para>
    <warning>
        <title>Caution: Do not put real data in your sandbox!</title>
        <para>
            The inBloom Sandbox MUST NOT contain real data,
            particularly personally identifiable information (PII)
            or education records for real students and educators.
            Make sure to use only artificial or fabricated data in
            your sandbox. For your convenience, inBloom provides
            fabricated sample data sets that you can select and load
            into your sandbox.
        </para>
    </warning>
    <para>
        Before you ingest data to your Sandbox, you must choose what
        type of data you want to ingest. &COMPANYABBR; gives you the
        following options:
    </para>
    <itemizedlist>
        <listitem>
            <para>
                <emphasis role="bold">&COMPANYABBR;-provided data set</emphasis> &COMPANYABBR;
                provides data sets with typical education data. You can choose from the following
                &COMPANYABBR; sample sets: </para>
            <itemizedlist>
                <listitem>
                    <para>
                        <emphasis>Small Data Set</emphasis> A 4,000+ record dataset representing a
                        fictional Daybreak school district with 3 schools and 78 enrolled students.
                        This dataset contains high-fidelity, curated data meant to be displayed in
                        the educator Dashboard (see <xref
                            linkend="doc-4dd89e2c-3cac-4e79-94a4-1ededf5a27a7"/>). </para>
                </listitem>
                <listitem>
                    <para>
                        <emphasis>Medium Data Set</emphasis> A 40,000+ record dataset representing
                        one district with 5 schools and 500 enrolled students. This data set
                        contains auto-generated, medium-fidelity data which is best viewed using the
                        Data Browser application (see <xref
                            linkend="doc-6e954ad4-d3f3-454f-a57d-776c0b2ec6b9"/>), but can also be
                        viewed in the Dashboard. </para>
                </listitem>
            </itemizedlist>
        </listitem>
        <listitem>
            <para>
                <emphasis role="bold">Custom data set</emphasis> Custom data sets are those not
                provided by &COMPANYABBR;. These take some special consideration when you prepare
                the data, though ingesting and using the data works the same in the Sandbox as for
                the &COMPANYABBR; sample data. See <xref
                    linkend="doc-c85d7aba-e58c-4937-a387-6bf880765238"/> for details. </para>
        </listitem>
    </itemizedlist>
    <para>Developers can import multiple data sets into a tenancy. For example, you can add both the
        &PRODUCTABBR;-provided small and medium data sets. However, it is important that the
        information in each data set be unique and not overlap with other previously added data. If
        you load conflicting data, the old data will be overwritten with the new and the dataset
        could become unstable. The small and medium dataset do not contain overlapping data.</para>
    <para>Once data is added, all developers with access to the tenancy can access and test with the
        data.</para>
    <section xml:id="doc-19d3f129-1c43-40ba-92c7-2a43ec8e07fe">
        <title>Add &COMPANYABBR; Sample Data</title>
        <para> Use the following steps to sign in to the Sandbox and ingest &COMPANYABBR; sample
            data for use in your Sandbox: </para>
        <procedure>
            <step>
                <para> Log in to the Sandbox using your developer credentials. See
                    <link xlink:href="portal.sandbox.inbloom.org" /> </para>

            </step>
            <step>
                <para>Click <guibutton>Administer My Sandbox</guibutton>.</para>
                <para>
                    If this is your first access to the Sandbox, or if
                    you are accessing it after a recent upgrade to the software
                    license, click <guibutton>Agree</guibutton> to accept the
                    <guilabel>License Agreement</guilabel>.
                </para>
            </step>
            <step>
                <para> Click <guibutton>Admin</guibutton> to access the administration page for your
                    Sandbox. </para>
            </step>
            <step>
                <para>Click <guibutton>Create Landing Zone</guibutton> under <guilabel>System
                        Tools</guilabel>. </para>
                <para>A landing zone is a File Transfer Protocol (FTP) server location where you can
                    upload files to be ingested using the &PRODUCTABBR; data ingestion process. For
                    the Sandbox, sample data is automatically uploaded and ingested. </para>
                <figure xml:id="figure-sandbox-provision_landing_zone">
                    <title/>
                    <mediaobject>
                        <imageobject role="fo">
                            <imagedata align="center"
                                fileref="../common/images/sandbox-provision_landing_zone.png"
                                scalefit="1" width="7in"/>
                        </imageobject>
                        <imageobject role="html">
                            <imagedata align="center"
                                fileref="images/sandbox-provision_landing_zone.png" scalefit="1"
                                width="750px"/>
                        </imageobject>
                    </mediaobject>
                </figure>
            </step>
            <step>
                <para>Load the &COMPANYABBR; example data: </para>
                <substeps><step><para>Select <guilabel>Autoload &COMPANYABBR; example data</guilabel>.</para></step>
                    <step><para>Select the dataset to load from the <guilabel>Autoload &COMPANYABBR; example data</guilabel>
                            menu.</para></step>
                    <step><para>Click <guibutton>Select</guibutton>.</para></step></substeps>
                <para>The system begins to load the dataset you selected. The amount of time
                    it takes the data to load varies. You receive a confirmation email that
                    contains instructions on how to access the Data Browser.</para>
            </step>

            <step>
                <para> Verify that you can use the data you just ingested to sign in as a test user
                    (from the data set) and to access data as that user:</para>
                <substeps>
                    <step>
                        <para> Click your email address in the upper right and select
                            <guibutton>Exit</guibutton> from the drop-down menu to return to the
                            log in page. </para>
                        <figure
                            xml:id="figure-Adding-New-Admin-User-test">
                            <title>Test User Login</title>
                            <mediaobject>
                                <imageobject role="html">
                                    <imagedata align="center"
                                        fileref="images/sandbox_test_user_login.png"
                                        width="7in" scalefit="1"/>
                                </imageobject>
                                <imageobject role="fo">
                                    <imagedata align="center"
                                        fileref="../common/images/sandbox_test_user_login.png"
                                        scalefit="1"/>
                                </imageobject>
                            </mediaobject>
                        </figure>
                    </step>
                    <step><para>Log in as a test user. Select</para>
                        <itemizedlist>
                            <listitem><para><guilabel>Use Sample User</guilabel> to log in by selecting a sample user from your
                                dataset.</para></listitem>
                            <listitem><para><guilabel>Manually Specify a User</guilabel> to log in using a specific test user that you
                                know the credentials for.</para></listitem>
                        </itemizedlist>
                    </step>
                    <step> <para>If you selected <guilabel>Manually Specify a User</guilabel> enter the user's name and user's role and then click <guibutton>Test As This User</guibutton>.</para>
                    </step>
                    <step><para>If you selected <guilabel>Use Sample User</guilabel></para>
                        <substeps>
                            <step><para>Select the sample dataset you want to test with.</para></step>
                            <step><para>Select the user you want to use to test. Each user is associated with a role, so it is recommended that you select a user based on which role is most relevant to your test purposes.</para></step>
                            <step><para>Click <guibutton>Test As This User</guibutton>.</para></step>
                        </substeps></step>
                </substeps>
            </step>
            <step>
                <para>After you sign in, click the <guibutton>&COMPANYABBR; Dashboards</guibutton> application
                    under <guilabel>My Applications</guilabel>, and make selections to see some of
                    the sample data this user has access to. </para>
                <para>For example, if you're using the small &COMPANYABBR; sample data set and
                    signed in as <guilabel>linda.kim</guilabel> with the role
                        <guilabel>Educator</guilabel>, you can make the following selections to view
                    data about Ms. Kim's student, Matt Sollars: </para>
                <itemizedlist>
                    <listitem>
                        <para>
                            District and school are fixed (Ms. Kim is only associated
                            with one school in one district)
                        </para>
                    </listitem>
                    <listitem>
                        <para>
                            Course: <guilabel>6th Grade English</guilabel>
                        </para>
                    </listitem>
                    <listitem>
                        <para>
                            Section: <guilabel>6th Grade English - Sec 4</guilabel>
                        </para>
                    </listitem>
                </itemizedlist>
            </step>
            <step>
                <para> If this is your first time setting up your Sandbox, be sure you've also
                    registered an application in the Sandbox before going on to your application
                    development work. See <xref linkend="doc-909557d4-cf76-4144-8201-3f643664fb25"
                    />. </para>
            </step>
        </procedure>
        <note xml:id="doc-52499f3a-e2a5-4528-b4b6-7835849db21f">
            <title>Removing Data</title>
            <para>
                To remove a data set from your tenancy, use the <code>@purge</code> flag in your
                ingestion control file. Placing this file in your landing zone and ingesting it
                removes all previously ingested data. For full details, see the
                <link xlink:show="new" xlink:href="http://www.inbloom.org/resources/documentation/data-ingestion-specification.pdf">&PRODUCTABBR; Data Ingestion Specification</link>
                published by the &COMPANYABBR;.
            </para>
        </note>
    </section>

    <section xml:id="doc-c85d7aba-e58c-4937-a387-6bf880765238">
        <title>Add Custom Data to your Sandbox</title>
        <para> Instructions for adding custom data to your Sandbox are the same those for using the
            &COMPANYABBR; data sets except that you select <guilabel>Provide my own
                dataset</guilabel> as the data set to work with. Thus, you can use the procedure in
                <xref linkend="doc-19d3f129-1c43-40ba-92c7-2a43ec8e07fe"/> to ingest your custom
            data. The key distinctions are in how you prepare the custom data: </para>
        <itemizedlist>
            <listitem>
                <para>
                    <emphasis role="bold">Data sets must comply with the Ed-Fi v1.0.03
                        specification.</emphasis> To create these data sets, start with Ed-Fi schema
                    compliant XML interchange files that describe your data set. For full details of
                    the ingestion process and the specification for the ingestion control file, see
                    the <link xlink:show="new"
                        xlink:href="http://www.inbloom.org/resources/documentation/data-ingestion-specification.pdf"
                        >&PRODUCTABBR; Data Ingestion Specification</link> published by the
                    &COMPANYABBR;. </para>
            </listitem>
            <listitem>
                <para>
                    <emphasis role="bold">The top-level (state) education organization in your data
                        set must match that of your Sandbox.</emphasis> Specifically, the
                        <varname>StateOrganizationId</varname> value in the
                        <varname>StateEducationOrganization</varname> of your data set must match
                    that of the Sandbox. If the organization you select does not match an
                    organization in your data set, you will not have the correct contextual
                    permissions when you sign in. This could prevent your test users and
                    applications from retrieving or updating data from the &COMPANYABBR; REST API.
                    If you're uploading custom data to the &COMPANYABBR; hosted Sandbox, you can
                    adjust your data to use the same <varname>StateOrganizationId</varname> value
                    from one of the &COMPANYABBR; sample data sets described earlier. </para>
            </listitem>
        </itemizedlist>
    </section>

</chapter>


text:
Kill Before Dying (Tau Ceti Agenda #5) (Hardcover)
By Travis S. Taylor
This is book number 5 in the Tau Ceti Agenda series.
#2: The Tau Ceti Agenda, 2 (Hardcover): $32.20
#3: One Good Soldier (Tau Ceti Agenda #3) (Mass Market): $11.19
#4: Trail of Evil, 4 (Tau Ceti Agenda #4) (Hardcover): $35.00
#6: Bringers of Hell (Tau Ceti Agenda #6) (Hardcover): $32.20
BOOK #5 IN THE BEST-SELLING TAU CETI AGENDA SERIES, SEQUEL TO TRAIL OF EVIL. Humanity takes to interstellar space to face conflict and an extermination threat from an evil artificial intelligence, and an alien menace from beyond.
A century and a half after the Martian Separatist Wars, Alexander Moore returns to the stars with the Sienna Madira, a United States Navy supercarrier spacecraft outfitted with advanced FTL and endlessly strange, extremely effective, quantum-based weapons and remote sensing technology. And, of course, he's brought Marines, and lots of them. These are troops superbly trained for space battle, and equipped with advanced powered armor and artificial intelligence backup.
Moore's task: hunt down remnant weaponry platforms left by the brilliant, mad artificial intelligence known as Copernicus, the being ultimately responsible for the Solar System-wide civil war. Now Copernicus has formed an alliance with something else out there with a similar goal: wipe humanity from the galaxy forever.
About Travis S. Taylor
"[E]xplodes with inventive action.—Publishers Weekly on Travis S. Taylor's The Quantum Connection
"[Warp Speed] reads like Doc Smith writing Robert Ludlum. . . You won't want to put it down"—John Ringo
Dr. Travis S. Taylor heads up the cast of The Secret of Skinwalker Ranch and can be seen on The Machines that Built America on the History Channel. He has worked on various programs for the Department of Defense and NASA for the past twenty years. His expertise includes advanced propulsion concepts, very large space telescopes, space-based beamed-energy systems, future combat technologies, and next-generation space launch concepts. Taylor is also the author of pulse-pounding, cutting-edge science fiction novels, including the highly popular One Day on Mars, Tau Ceti Agenda, and the groundbreaking Warp Speed series. He is a regular on the History Channel's Life After People and The Universe series.
Series: Tau Ceti Agenda
Fiction / Science Fiction / Military
Fiction / Science Fiction / Hard Science Fiction
Kobo eBook (February 7th, 2017): $6.99
Mass Market (December 19th, 2017): $11.19
MP3 CD (May 2nd, 2017): $9.99


text:
Updated to: 27 June 2011
National Environmental Authority (ANAM)
Headquarters Bldg 2010 804 Albrook,
Panama Apartado C-0843-00793 Balboa,
Ancon-Rep. of Panama
Central America.
Fax: (507) 500-0814 or (507) 500-0815
Website: https://miambiente.gob.pa/
The Panamanian planning system is divided into the following state departments:
Ministry of Social Development (MIDES), responsible for promoting human development and ensuring social integration,
Ministry of Economy and Finance (MEF) responsible for the development and implementation of the state budget, public credit and modernization of the State,
Ministry of Government and Justice, assigned to the country´s political and administrative system to ensure peace and security, run the state prison system and control the state immigration policy.
The incorporation of SEA in regulation occurred in the context of the publication of ED-209, 2006, which defined its functions and scope. Later in the year 2009, a new executive order was published, ED-123, which repealed the ED-209 and considers, among other changes, a new definition of SEA.
SEA is mentioned in ED-209, which was later repealed by the ED-123.
The president is the one who approved the ED-123.
Article 77 (ED-123) describes the SEA procedure as follows: those responsible for the implementation of plans and programs can elaborate an SEA, from which emerges a final report to be submitted to the ANAM for review, which takes up to a maximum of three months, and a similar procedure applies (as outlined in the ED-123) on the EIS for requesting extensions. Guidelines for the SEA procedure shall be established by an ANAM Administrative Order.
Recent updates and additions to the SEA legislation
ED-123 in 2009 where aspects of SEA are mentioned in Articles 75 to 78.
No sector specific procedures are defined for SEA.
Guidelines on Strategic Environmental Assessment for Central America published by CCAD-IUCN, 2007.
According to Article 76 (ED-123), the implementation of SEA in plans and programs related to national development aims:
To introduce an efficient and effective environmental variable in development planning as a way to promote, facilitate, modernize and accelerate sustainable development in the country.
To enhance the resources of the State and society in general, so as to avoid excessive and systematic repetition of environmental procedures on human actions (projects) which, by their nature, correspond to a predictable pattern of effects and conditions on the environment which can be environmentally regulated through integrated and comprehensive analysis.
To develop, as a result of the application of SEA to plans, programs and policies, more effective tools and means of compliance, based on environmentally responsible commitments and obligatory application, that will allow a faster and easier systematic way for the environmental licensing procedures of individual human actions subscribed to such plans and programs.
As a result of the SEA on plans, programs and policies, it will be possible to identify human actions which by their size and nature, linked to the environmental significance or by their location in an environmentally fragile area, would require the development of a more specific and detailed EIA, as well as any other human actions that require this process.
According to Article 75 (ED-123), the following plans, programs and policies, public and private, national or regional, can be subject to a SEA:
Development of plans, programs and policies of social significance for all sectors, national or regional, promoted by the government and included in the governments national development plan.
Development of plans, programs and policies of social significance for all sectors, national or regional, promoted by the government with private sector participation, with a medium and long term perspective, within development areas such as energy, urban, industrial, mining, tourism, agribusiness, infrastructure, and others.
Plans, programs and policies for land use at local, regional or national levels.
The review of the Final Report of an SEA is carried out through the procedure outlined in the ED-123 on the EIS for expansion applications (Article 77, ED-123).
Article 76c (ED-123) mentions that, as a result of the application of SEA to plans, programs and policies, more effective tools and means of compliance will be developed, based on environmentally responsible commitments and obligatory application, that will allow a faster and easier systematic way for the the environmental licensing procedure of individual human actions subscribed to such plans and programs.
The ANAM is responsible for receiving and reviewing a final SEA report (Article 77 of ED-123).
SEA is not mandatory for plans, policies and programs. Exemptions are not specified.
There is no decentralization of the mandates for SEA, however, the ANAM promotes active management by the entities responsible for planning and evaluation of projects, both for sectors and supra-sectors, in terms of governmental plans, programs and policies in order to optimize resources and to streamline the technical procedures of SEA (Section 77, ED-123).
Those responsible for the implementation of plans and programs are those that can initiate the elaboration of an SEA (Article 77, ED-123).
Stages or processes for SEA are not specified, however, Article 75 (ED-123), establishes the development of plans, programs and policies, public and private, on a national or regional level, which may be subject to SEA.
According to Article 77 (ED-123), ANAM promotes active involvement of the entities responsible for planning and evaluation of projects, both sector and Supra-sector in terms of governmental development plans, programs and policies in order to optimize resources and streamline the technical procedure of SEA..
Furthermore, Article 78 (ED-123) establishes that in the case of governmental plans, programs and policies, whether sector or supra-sector, the SEA can be made by professionals in the environmental units of the different governmental institutions, and in the case of SEA for plans, programs and policies from the private sector, they should be prepared by environmental consultants registered on ANAM´s list of consultants that are duly authorized for such tasks.
Not specified, but Article 75 (ED-123), sets out plans, programs and policies, public and private, at a national or regional level, which may be subject to SEA.
According to Article 77 (ED-123), the Final Report of an SEA is delivered to the ANAM for review, within a maximum of three months, applying a similar procedure as outlined in the ED-123 on the EIS for requesting extensions.
Participation in review
The ANAM has a maximum period of three months to review the final report of a SEA (Article 77, ED-123).
The approval of the SEA is not obligatory in order to implement the plan. However, Article 77 (ED-123) determines that the ANAM makes recommendations on basis of the analysis of the plan or program, detailing the tools and means that must be met as part of that process and outlining the restrictions and limitations that it considers relevant for those human actions involved in the plan or program and for which it would be necessary to develop more specific environmental assessments.
Article 77 (ED-123), determines that the ANAM makes recommendations when the plan or program is been analyzed, detailing the tools and means that must be met as part of the SEA process and pointing out the restrictions and limitations that it considers relevant for human actions related to the plan or program for which it would be necessary to develop specific environmental assessment.
This information is not available on the official website of ANAM.
Central SEA database
ANAM is responsible for providing relevant data, however, the SEA data are not available on its official website nor on the page of the Government of the Republic of Panama.
Staff of the EIA project for Central America, a tool for sustainable development from IUCN and CCAD.
From 2006 onwards, officials have been receiving training through the EIA Project in Central America provided by UICN.
Non-governmental SEA guidance
Guidelines on Strategic Environmental Assessment for Central America (CCAD-UICN, 2007).
Official website of Government of the Republic of Panama, available at: http://www.mingob.gob.pa/
Other relevant links on SEA
General information on the Panama Republic :
http://www.panamatours.com/Facts/Facts_content_esp.htm
Contact information on the Government of Panama:
https://www.presidencia.gob.pa/
EIA project for Central America, a tool for sustainable development from IUCN and CCAD:
https://iati.openaid.se/docs/853900_1_0.pdf
Guidelines on Strategic Environmental Assessment for Central America. (CCAD-UICN, 2007)
Anne Hardon


The Hilton is a venue/hotel that will surprise you in many ways. This was my husbands and I 3rd venue to look at , but it felt like the most obvious choice to pick. Every bride has there check list , the Hilton Garden Inn Staten Island ( Nicotra's Ballroom ) will most likely fulfill them and more . Our Check list 1. Large venue ( fitting 275 guest + "comfortably " which is the key word) 2. Large Cocktail Room , with enough seating for guest. ( keep in mind venues will say they can fit 200+ , but in reality , there isn't enough seating for all of your guest , they will have tall tables and ladies ,we all want to sit down when we have those high heel on ) 3. Shots allowed – Some venues will not allow shots for your guest . 4. Pricing ( ladies and gentlemen one of the biggest cost with your wedding ) My biggest advice , don't go Hall hunting until you factor in the , Plate Cost( Including Tax and Gratuity ) x Guest Total = 1. Prices of Plates for the Weekend and Month ( Friday Saturday and Sunday ) – Wait for it , price does not change on the day/ month you pick at the Hilton ! You don't have to negotiate a price for a certain day you prefer . This was the biggest relief ever ! 1. Big Dance floor 2. 2-3 Bars 3. On site grounds to take photos 4. Top notch Food 5. Hotel connected to venue " very important to consider when you have guest out of town " , If this doesn't matter to you , understand this saves you a lot of money , we didn't have to worry about paying for a shuttle service . As also your guest could go right upstairs and fall asleep . 7. Breakfast / restaurant for the guest the next day . 8. Location ( my husband is from Staten Island and I was from Monmouth county NJ) Other things on our list that we didn't think to consider that the Hilton included – Wedding Cake / bakery included into price , Ice sculpture included , They assemble your sweetheart table , Tasting day with all meals My husband and I had a 320+ guest list , and the Hilton had more than enough room to seat the guest comfortable. We ended up with a 275 Guest Total in the end . Jennifer was our wedding coordinator and she has the patience of a Saint. She is on top of her game. Jennifer is there to remind you of all the things you need to do for the wedding to run smoothly . She is a very busy women , so always make an appointment to meet with her or email . The Hilton gave us the Trevi Garden for the cocktail hour , absolutely beautiful ! It fit all our guest and especially seated all our 250+ guest at a seated table . Amazing food ! I didn't have one complaint about the food and honestly you won't , the food at the Hilton is amazing . Cake was awesome ! Service was outstanding ! Price is amazing and you won't be able to beat it for the quality of food you are getting . Location awesome ! Venue is huge ! Grounds are absolutely gorgeous, we took pictures on site and it saved us so much time ! Hotel convenience was amazing ! Dance floor was huge ! Also we were given the Nicotra's ballroom ( 3 sections of it ) to fit all our guest. My husband and I paid for our guest breakfast the next morning .Service went well , my only negative comment would be about the Hilton is that the breakfast service waitress , were rushing me and my guest out . There might have been an event happening that day and I'm unsure if that was the reason. Don't hesitate to check it out , call up / make an appointment , and just get prices before making many final decisions.


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/ Global Outreach / Events / Upcoming Events / The Americas
California concerts to pay homage to late maestro Tyzen Hsiao
The National Taiwan Symphony Orchestra has been invited to participate in the 2018 Tyzen Hsiao Memorial Concerts in the United States this August. In memory of the eponymous Taiwanese composer, concerts will be held at the Center for the Performing Arts in San Jose on Aug. 4 and the Walt Disney Concert Hall in LA on Aug. 8 and 9. The latter will mark the first Taiwanese orchestra performance at the Walt Disney Concert Hall.
A recipient of both the National Awards of Art and the National Cultural Award, Hsiao created a rich and diverse repertoire of works during his lifetime, from large-scale symphonies, concertos, and chorales to pieces for piano and violin, and even hymns and poems. His was a life dedicated to Taiwanese music, and by the time of his passing in February 2015, his commitment had been recognized with a number of awards.
Hsiao's works have been described as Taiwan's most elegant and moving music, never failing to touch listeners on a deep level. In both Taiwan and the US, where he lived for a number of years, his works continue to be performed frequently. This summer, to commemorate this epitome of Taiwanese composition, Taiwanese artists in the US have organized the 2018 Tyzen Hsiao Memorial Concerts, inviting the NTSO to take part.
"Listening to Taiwan — 2018 National Taiwan Symphony Orchestra Tyzen Hsiao Memorial Concerts" will consist of several of Hsiao's most iconic works, including piano concertos, "The Most Beautiful Flower," "I Love Taiwan," "March of Democracy," "The Angel from Formosa," "Requiem di Formosa (The Beautiful Land)," and "1947 Overture."
The NTSO concerts will also include a performance of Czech composer Dvorak's Symphony No. 9, "From the New World."
The concerts will be conducted by Chen Mei-ann, current musical director for the Chicago Sinfonietta, with performances by Taiwanese-American artists pianist Gwhyneth Chen and vocalist Li-Chan Chen-Maxham. Through the focus on the works of Hsiao, this event aims to let the world hear Taiwan's distinctive voice.
For the choral sections, the organizers have called on the hundred-strong Southern California Taiwanese-American Choir, which comprises some of the best singers in the Taiwanese-American community. This August is sure to be an unmissable celebration of Taiwanese culture in the US.
'Listening to Taiwan' Repertoire
March of Democracy 出頭天進行曲
Concerto in C minor for Piano and Orchestra, Op.53 蕭泰然C小調鋼琴協奏曲
First Movement: Allegro moderato
Second Movement: Adagio
Third Movement: Allegro con fuoco
The Angel from Formosa 來自福爾摩沙的天使
Tyzen Hsiao Chorus Suite:
The Beautiful Land 美麗的國度
Love and Hope 愛與希望
Taiwan the Green 台灣翠青
How Lovely is Your Dwelling Place 祢居起的所在
The Fairest Flower 上美的花
Never Disregard Our Homeland 嘸通嫌台灣
Pianist Gwhyneth Chen.
Vocalist Li-Chan Chen-Maxham.
National Taiwan Symphony Orchestra.
Composer Tyzen Hsiao.