text:
Q: How to use swipe gesture in a view pager's page with android? I need to take a view pager in an application which consist of three pages.
I am new to android view pager.
I have one view named TestSwipingView in second half of the screen and another view for the top half of the screen.
How do I configure only TestSwipingView as swipe-able?

A: This is how I implemented it. It may give you some idea too.
Step 1 : In my main activity, I have made my page adapter and called it in onCreate().
public class SomeActivity extends FragmentActivity {

    WebView mWebView;
    private boolean mFromDropdown = false;

    @Override
    protected void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        requestWindowFeature(Window.FEATURE_NO_TITLE);
        setContentView(R.layout.tutorial_activity);

        Window window = getWindow();
        DisplayMetrics metrics = getResources().getDisplayMetrics();
        window.setGravity(Gravity.CENTER);
        int width = (int) (metrics.widthPixels * 1);
        int height = (int) (metrics.heightPixels * .85);
        window.setLayout(width, height);

        mFromDropdown = getIntent().getBooleanExtra("fromDropdown", false);

        MyPagerAdapter adapter = new MyPagerAdapter();
        ViewPager myPager = (ViewPager) findViewById(R.id.pager);
        myPager.setAdapter(adapter);
        myPager.setCurrentItem(0);

    }

Step2: This is my Custom Adapter for your example:
private class MyPagerAdapter extends PagerAdapter {
            public int getCount() {
                return 3;
            }

            public Object instantiateItem(ViewGroup container, int position) {
                LayoutInflater inflater = (LayoutInflater) container.getContext()
                        .getSystemService(Context.LAYOUT_INFLATER_SERVICE);

                // Using different layouts in the view pager instead of images.

                int resId = -1;

                       //Getting my layout's in my adapter. Three layouts defined.
                switch (position) {
                case 0:
                    resId = R.layout.tutorial1;
                    break;
                case 1:
                    resId = R.layout.tutorial2;
                    break;
                case 2:
                    resId = R.layout.tutorial3;
                    break;

                }

                View view = inflater.inflate(resId, container, false);
                ((ViewPager) container).addView(view, 0);
                return view;
            }

            @Override
            public void destroyItem(ViewGroup container, int position, Object object) {
                container.removeView((View) object);
            }

            @Override
            public boolean isViewFromObject(View view, Object object) {
                return view == object;
            }

        }

    }

Step 3 : My Layouts:
Main Layout :
<?xml version="1.0" encoding="utf-8"?>
<LinearLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:layout_width="match_parent"
    android:layout_height="match_parent"
    android:background="#F3F3F4"
    android:orientation="vertical" >

    <RelativeLayout
        android:id="@+id/tutorial_actionbar"
        android:layout_width="match_parent"
        android:layout_height="48dp" >

        <TextView
            android:id="@+id/tutorial_header"
            android:layout_width="wrap_content"
            android:layout_height="match_parent"
            android:gravity="center"
            android:paddingLeft="25dp"
            android:paddingRight="9dp"
            android:text="Your Text"
            android:textColor="#666666"
            android:textSize="16sp" />
    </RelativeLayout>

    <android.support.v4.view.ViewPager
        android:id="@+id/pager"
        android:layout_width="match_parent"
        android:layout_height="0dp"
        android:layout_weight="1"
        android:paddingLeft="9dp"
        android:paddingRight="9dp" >
    </android.support.v4.view.ViewPager>

</LinearLayout>

Layout to put inside the ViewPager in MainLayout:
<RelativeLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:id="@+id/linearLayout"
    android:layout_width="fill_parent"
    android:layout_height="fill_parent"
    android:background="#F3F3F4"
    android:orientation="vertical" >

    <LinearLayout
        android:layout_width="match_parent"
        android:layout_height="match_parent"
        android:background="#F3F3F4"
        android:orientation="vertical" >

        <LinearLayout
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:orientation="vertical"
            android:padding="18dp" >

            <TextView
                android:id="@+id/tutorialText2"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:background="#F3F3F4"
                android:text="title1_secondscreen"
                android:textColor="#666666"
                android:textSize="16sp"
                android:textStyle="bold" />

            <TextView
                android:id="@+id/tutorialText3"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:background="#F3F3F4"
                android:text="header1_secondscreen"
                android:textColor="#666666"
                android:textSize="16sp" />
        </LinearLayout>

        <ImageView
            android:id="@+id/image2"
            android:layout_width="match_parent"
            android:layout_height="0dip"
            android:layout_weight="0.60"
            android:scaleType="centerInside"
            android:src="@drawable/page2" />

        <TextView
            android:id="@+id/tutorialText4"
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:layout_gravity="center"
            android:background="#F3F3F4"
            android:padding="10dp"
            android:text="footer1_secondscreen"
            android:textColor="#666666"
            android:textSize="32sp" />
    </LinearLayout>

</RelativeLayout>

Layout to put inside the ViewPager in MainLayout:
<RelativeLayout xmlns:android="http://schemas.android.com/apk/res/android"
    android:id="@+id/linearLayout"
    android:layout_width="fill_parent"
    android:layout_height="fill_parent"
    android:background="#F3F3F4"
    android:orientation="vertical" >

    <LinearLayout
        android:layout_width="match_parent"
        android:layout_height="match_parent"
        android:background="#F3F3F4"
        android:orientation="vertical" >

        <LinearLayout
            android:layout_width="wrap_content"
            android:layout_height="wrap_content"
            android:orientation="vertical"
            android:padding="18dp" >

            <TextView
                android:id="@+id/tutorialText2"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:background="#F3F3F4"
                android:text="title1_thirdscreen"
                android:textColor="#666666"
                android:textSize="16sp"
                android:textStyle="bold" />

            <TextView
                android:id="@+id/tutorialText3"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:background="#F3F3F4"
                android:text="header1_thirdscreen"
                android:textColor="#666666"
                android:textSize="16sp" />

            <ImageView
                android:id="@+id/image1"
                android:layout_width="fill_parent"
                android:layout_height="wrap_content"
                android:scaleType="centerInside"
                android:src="@drawable/page3" />

          <!--   <TextView
                android:id="@+id/tutorialText4"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:background="#F3F3F4"
                android:text="@string/tutoril_text3"
                android:textColor="#666666"
                android:textSize="16sp" /> -->
        </LinearLayout>

    </LinearLayout>
    <TextView
                android:id="@+id/tutorialText5"
                android:layout_width="wrap_content"
                android:layout_height="wrap_content"
                android:layout_alignParentBottom="true"
                android:layout_centerHorizontal="true"
                android:background="#F3F3F4"
                android:gravity="center"
                android:padding="10dp"
                android:text="footer1_thirdscreen"
                android:textColor="#666666"
                android:textSize="32sp" />

</RelativeLayout>

Hope this helps you..:)..Good Luck..:)


Some are self taught. Others, extensively schooled. Some use traditional tools. Others, glitter.
The works of some of Haiti's top contemporary artists — who come from a variety of backgrounds and employ many forms of media — are now on display at the Stonehenge-Luce Non-Profit Annex, located 1159 Second Ave.
The 52 works — all up for sale — will stay on display until Feb. 18 and can be viewed from 9:30 a.m. until 7:30 p.m., said Raynald Leconte, CEO of the Haitian Cultural Foundation and the show's co-organizer.
Some of the pop-up exhibition's highlights include Frantz Zephirin, a painter whose work appeared on a New Yorker cover, Leconte said.


text:
import path from 'path';
import test from 'ava';
import execa from 'execa';

test(async t => {
	t.is(await execa.stdout('./cli.js', ['fixture/foo']), path.resolve('fixture'));
});

redpajama_set_name: RedPajamaGithub


text:
Last Update June 3, 2015
Inside the Mind of Accused Killer Bobby Cutts, Jr.
This is a partial transcript from "Hannity & Colmes," June 25, 2007, that has been edited for clarity.
ALAN COLMES, CO-HOST:
UNIDENTIFIED MALE: Case number 2007-CRA-802: the State of Ohio v. Bobby Lee Cutts, Jr. Mr. Cutts is charged with two counts of murder.
COLMES: That was the scene today in Ohio, as Bobby Cutts was officially arraigned for the murder of Jessie Davis and her unborn child. We continue now with our own Laura Ingle, who was in the courtroom today. And joining us now with an inside look at the man accused of this gruesome double murder, the ex-girlfriend of Bobby Cutts, Nikki Giavasis, and her attorney, Crystal Boultinghouse.
We thank you both very much for being with us.
NIKKI GIAVASIS, EX-GIRLFRIEND OF BOBBY CUTTS: Thank you.
COLMES: Were you surprised when you heard about this? What was your reaction when you first heard about what happened to Jessie Davis?
GIAVASIS: I wasn't surprised, just because, knowing that she dated him, I was obviously hopeful that she was found alive. But from what I dealt with, with him, I wasn't surprised that he would be the suspect.
COLMES: Could you shed some light on his behavior with you? What was your relationship like? And was he abusive? And, if so, in what way?
GIAVASIS: He terrorized me for almost 11 years.
COLMES: How so?
GIAVASIS: Verbally abusive, showing up unannounced, breaking my door in, pinning me down, putting me in a neck brace, abusing my daughter, just terrorized me.
COLMES: So he was physically abusive, as well?
GIAVASIS: Yes.
COLMES: He abused your daughter, as well?
COLMES: Physically abused?
COLMES: How so? Could you tell us a little bit about that?
CRYSTAL BOULTINGHOUSE, NIKKI GIAVASIS' ATTORNEY: We'd rather not get into too many details, because of her privacy.
COLMES: Sure.
BOULTINGHOUSE: But there was allegations of verbal, physical and emotional abuse, and we brought those to the court in January of '07 and got the full custody of her and a restraining order protecting her.
COLMES: How did you, I mean, how long were you in the relationship?
GIAVASIS: Four months.
COLMES: And you decided to end the relationship. Was it because of this kind of behavior?
GIAVASIS: Yes, he was very jealous and possessive and controlling. And he was also a womanizer back then. I found out he was cheating on me with a girl that was in high school.
COLMES: This is a guy who's had what would be four different children with three different women. And can you shed some light also on how he's treated your client? And what can you — I don't want to take you to a place where you can't go or things that you can't say.
BOULTINGHOUSE: Well, I know the physical abuse has been from 1998 until 2003. And it's been escalating. And he, each time, he sort of got away with it. He only got probation, and he was able to become a cop two years later. It seemed to give his sense of entitlement, it would grow.
COLMES: Laura Ingle, you're on the scene there. Are you picking up similar kinds of stories about a certain pattern of behavior about this man, who some of the people you're seeing day to day have dealt with and know?
LAURA INGLE, FOX NEWS CORRESPONDENT: We're hearing a couple — we're getting really more of a mixed picture about him, because the family members and the people that knew him that stood up for him while Jessie Davis was missing have sort of changed their tune a little bit. Some people that stood up for him are now saying, "I'm not really sure what to think anymore with this new evidence and the discovery and the arrest."
One of our producers went over and knocked on the door of his current wife. They are estranged and separated right now. But she said through the door that she is not doing well. She sounded like she was a bit shaky and said that she doesn't know what to think anymore, either. So some telling words from her, as well.
SEAN HANNITY, CO-HOST: Nikki, let me go back — I want to look through this in a little more detail. You dated him four months, but you say he terrorized you for 11 years thereafter.
HANNITY: Explain the process. And how is it possible that you weren't able to stop this, or get some assistance, legal assistance, you know, assistance from the courts or, you know, the police?
GIAVASIS: Well, that's my biggest regret was, because in 1998 when he broke my door in, he was going to be charged with breaking and entering, which is a felony. But I was basically begged to not press charges. So not pressing charges, he was able to plead it down to a misdemeanor of criminal trespassing.
HANNITY: Now, you mentioned that he hurt you physically, pretty severely at one point. What did he do?
GIAVASIS: Well, he put me in a neck brace, and I fled to California.
HANNITY: What did he do? How did he put you in a neck brace? What did he do physically?
GIAVASIS: Well, he acted like he was joking. That was his guise, always acting like he was joking when he would do things to hurt me. And came unannounced, picked me up against my will, and put me in a neck brace.
HANNITY: You mentioned to me as you were coming on the air here, for all his womanizing, he was not a nice person. He was like rude and mean and insulting. And, you know, the things — so what was some of the things he would say and do to you?
GIAVASIS: Well, he always put me down for all of my aspirations, you know, anything I wanted to do personally, telling me that I wasn't the most attractive person he'd ever dated, basically trying to break down my self- esteem.
HANNITY: Yes, it just seems like a pattern here. You've got to wonder, have the court system — is this one of these instances where, you know, we had opportunities to catch somebody early on, the signs of abuse, you know, escalating, we miss it again, is that what we're going to find at the end of this? What do you think, Crystal?
BOULTINGHOUSE: That's a very good question. I think there certainly were — he was very good manipulator. And so he did fool a lot of people, a lot of people that were involved in her custody case were siding with him. And so that just goes to show what a good persona these people can put on.
HANNITY: How many times, Nikki, specifically, did you go to the court system, did you go to the legal system to try and get their assistance to help you stop this abuse?
GIAVASIS: Three times.
HANNITY: Three times. And what happened? How was it resolved each time, quickly?
GIAVASIS: Well, he was able to plead down in 1998. And in 2005, I got a temporary restraining order. And in 2007, we got the emergency protection orders.
HANNITY: And he ignored them even still?
HANNITY: When you heard this news on Saturday that he was a suspect from early on, this did not surprise you at all. You felt he was capable of this type of brutal murder?
GIAVASIS: Yes, and that's why I felt I had to speak up, because of what he'd done to me. And I felt most people didn't know that dark side of him.
HANNITY: Yes, and it was really dark. I mean, capable of murder, to say that about somebody is a pretty incredible charge.
GIAVASIS: It's horrible, and horrible that that was his child.
HANNITY: Do you have any regrets — you know, now that you knew this about him — I mean, you seem like you're beating yourself up here a little bit. I'm looking at you, and I can tell. You're not responsible for what he did. Why would you be hard on yourself about that?
GIAVASIS: Well, if I would have pressed charges...
HANNITY: But you did three times. You went after this guy.
GIAVASIS: But it didn't stick.
HANNITY: But that's not your fault. You didn't do anything here.
COLMES: You really can't take personal responsibility for his horrible behavior.
HANNITY: You're not responsible for that. I know. I understand.
COLMES: We really appreciate your coming on with us tonight and helping shed some light on this, which is important for us to understand. Thank you so much for being with us. We really appreciate it.
Crystal, thank you.
Laura, we thank you.
Watch "Hannity & Colmes" weeknights at 9 p.m. ET!
Copy: Content and Programming Copyright 2007 Fox News Network, LLC. ALL RIGHTS RESERVED. Transcription Copyright 2007 Voxant, Inc. (www.voxant.com), which takes sole responsibility for the accuracy of the transcription. ALL RIGHTS RESERVED. No license is granted to the user of this material except for the user's personal or internal use and, in such case, only one copy may be printed, nor shall user use any material for commercial purposes or in any fashion that may infringe upon Fox News Network, LLC'S and Voxant, Inc.'s copyrights or other proprietary rights or interests in the material. This is not a legal transcript for purposes of litigation.

redpajama_set_name: RedPajamaCommonCrawl


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HighGround sponsored a webcast in March that featured Sam Stern, Principal Analyst, Forrester Research, Inc. and Michelle Rashid, Director of Culture and Organizational Development at leading travel company, Virtuoso.
In each of their presentations, the speakers used well-known books as a jump off point. Sam referenced two books that seek to explain what motivates us, Drive and The Progress Principle, to connect employee experience to customer success. Michelle shared that her company used The Advantage, which talks about organizational health, as the basis for developing Virtuoso's new engagement program.
Sam looked at the employee experience through different lenses. From the highest bird's eye level, he discussed the importance of empowering employees – to do their best work, solve their own problems and find purpose in their roles. If organizations can do this, they'll likely create loyal employees who stay longer and serve as company advocates.
Sam also tackled employee experience as it relates to the customer experience. Empowered employees deliver great customer experiences, and business leaders can enable this by identifying high achievers and emerging behaviors, automating mundane tasks where employees don't create high value, providing feedback and recognition, training and coaching employees and providing tools for personalizing experiences.
What's the manager's role in creating the employee experience?
Sam shared eight attributes of high-performing managers: skilled coaches, not micromanagers, interested in employees on a personal level, productive and results-oriented, good communicators, focused on career development, clear on their team's vision and strategy, technically skilled.
Creating a strong employee experience is easier said than done, but Sam provided examples of companies who get it right. One firm used crowdsourced feedback – both internal and external – to help managers better coach their employees. Another company had a 'pay it forward' program, where each recognized employee is then asked to pay it forward to someone else who may have helped them behind the scenes. Data from recognition programs like these becomes more tangible when it's used to identify and create intentional behaviors.
Virtuoso transforms the employee experience, slashing turnover rates and boosting business by 12 percent.
Michelle shared how Virtuoso reimagined its employee experience to address three main challenges: top down communication, feedback and recognition. With nearly 300 employees spread out in offices throughout the world, Virtuoso relied on surveys to get to the heart of its organizational health. In the end, the executive team knew they could do better.
With that anchor deployed, they focused on engagement and communication through all levels of the company. At the highest level, they developed a playbook that holds the purpose and values in one place. It serves to help employees understand what Virtuoso was doing, what they were focused on, and how each of them impacted the greater mission. This was communicated and reinforced in various ways and at different cadences, from daily conversations to formal quarterly meetings, cascading down through all levels of the organization.
Virtuoso used HighGround to address its recognition, feedback and review processes. On the recognition front, employees virtually award each other badges associated with core company values, creating an atmosphere of happiness and gratitude. In 2017 the organization averaged the distribution of 50 badges per week, earning employees points via value badges that align to its core behaviors or small spot bonuses via achievement badges for reaching specific goals.
Virtuoso's feedback and review process is focused on enabling authentic quarterly check-ins that are employee-driven conversations about the future. These are conducted on top of a continual feedback loop as a result of the company's ongoing coaching environment. In 2017, 95 percent of employees set objectives, up from less than 40 percent with the old process.
The results speak for themselves. Virtuoso's turnover is 14 percent - roughly half the average for the travel industry. In 2017, they achieved 12 percent business growth, and have predicted 15 percent for 2018.
WATCH the full webinar, Supercharge the Employee Experience: Plan your EX Initiatives to Advance Customer and Financial Outcomes, online.
We all know engaged employees are happier, but how exactly does happiness impact a company's bottom line? We set out to answer this question in our current collaboration with Lighthouse Research and Advisory, a human capital research and advisory services firm focused on talent and learning technology, strategy and innovation.


text:
10. bataljon za mednarodno sodelovanje Slovenske vojske (kratica 10. bMS SV) je bila motorizirana formacija Slovenske vojske.

Zgodovina

Bataljon je nastal z Odlokom MORS leta 1996. Organiziran je bil z namenom izvajanja celovite obrambe domovine s posebnim poudarkom na mednarodnem sodelovanju.

Prvi pripadniki so bili prostovoljci iz vseh enot SV, ki so se odlikovali z željo po udejstvovanju in dokazovanju v mednarodnem okolju ter uvajanju novitet v Slovensko vojsko, skladno s standardi NATO.

Enota in njeni pripadniki so v Slovensko vojsko vnašali nove organizacijske pristope, nova pravila delovanja, novo podčastniško strukturo in nove štabne procese.

Pripadniki enote so kot prvi v Slovenski vojski, skupaj s pripadniki sanitetne enote, sodelovali na mednarodni misiji Alba v Albaniji. Prav tako so kot prvi v Slovenski vojski sodelovali na eni izmed misij združenih narodov na Cipru - UNFICYP.

Znak enote
Pripadniki bMS so izdelali svoj lik in znak enote.
Lik pripadnika se glasi:
Moj poklic je častnem in odgovoren
Izrek » Ne stori drugemu tistega, kar ne želiš, da drugi stori tebi«, je moje vodilo pri delu s soborci.
Skrbim, da mi bosta orožje in oprema služila v trenutku, ko ju bom najbolj potreboval.
Moj videz je meni v čast in moji enoti v ponos.
Od mene pričakujejo več in bolje.
Poklicu , svoji enoti, Slovenski vojski in domovini sem popolnoma predan in zato jih nikoli in nikdar ne bom izdal in ne bom dovolil, da bi to storili drugi.
Rad delam v skupini in vem, da smo skupaj močni in nepremagljivi.
Vodim s primerom zato skrbim za svojo telesno in psihično pripravljenostjo ter se nenehno učim izobražujem in urim.
Iskren sem do sebe in do drugih ... v strahu in pogumu!

Znak enote je predstavljal kratki meč, ki naj bi izhajal iz časov Karantanije, postavljen v obrambni položaj čez obris Slovenije, simbolizira odločenost pripadnikov enote ubraniti Slovenijo pred vsakršno nevarnostjo. Kovinska viteška rokavica simbolizira oklep motoriziranega bataljona in viteško čast bojevnikov, s katero smo se pripadniki poistovetili. Lipova vejica simbolizira zvestobo slovenski zgodovinski tradiciji – upornost in sposobnost preživeti, čeprav ti viharji ruvajo korenine. Oljčna vejica simbolizira usmerjenost nalog bataljona v prinašanje miru državam, v katerih divja vojna. Tako kot se vejici prepletata, se prepleta tudi poslanstvo bataljona: s prinašanjem miru nestabilnim območjem sveta zagotavljati mir in obstanek svoji domovini. Izbiri mota v latinščini je botrovalo mednarodno okolje delovanja bataljona. Latinščina je namreč eden izmed nevtralnih jezikov za mednarodno sporazumevanje predvsem v strokovnem izrazoslovju.

Bataljon se je leta 2001 preimenoval v 10. motorizirani bataljon Slovenske vojske (10. MOTB).

Poveljstvo
 Poveljnik
 podpolkovnik Dobran Božič (5. marec 1999 - 2003)
 stotnik Josip Bostič (1996 - 5. marec 1999)

Organizacija
 poveljniško-logistična četa
 transportni vod
 vod za vzdrževanje
 vod za oskrbo
 vod vojaške policije
 proti oklepni vod
 izvidniški vod
 Motorizirana četa:
 Poveljstvo čete
 1. motoriziran vod
 2. motoriziran vod
 3. motoriziran vod
 Motorizirana četa
 Motorizirana četa
 minometna četa
 poveljniški vod
 izvidniški oddelek
 1. minometni vod
 2. minometni vod
 3. minometni vod

Glej tudi

 seznam enot Slovenske vojske

0010
0010
0010
0010
0010

redpajama_set_name: RedPajamaWikipedia


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WATCH: First Trailer for Mamoru Hosoda and Studio Chizu's 'Belle'
The music-driven and reality-bending animated film from the Oscar-nominated 'Mirai' director boasts a talented Japanese and international crew that includes 'Frozen' and 'Tangled' concept artist Jin Kim.
By Laurén Alexa | Friday, April 2, 2021 at 10:24am
In 2D, Anime, Art, Business, CG, Digital Media, Films, People | ANIMATIONWorld, Headline News | Special Events: Academy Awards, Annie Awards | Geographic Region: All
Mamoru Hosoda has a musical ace up his sleeve! The Oscar-nominated and Annie Award winning Mirai director is helming a top team of Japanese and international artists for Belle, an animated, music-driven film being produced by Studio Chizu (Mirai, The Boy and the Beast).
According to an exclusive Variety report, Belle mixes reality and fantasy as it "follows Suzu, a 17-year-old high school student living in a rural village with her father. For years she has only been a shadow of herself. One day, she enters U,' a virtual world of 5 billion members on the Internet. There, she is not Suzu anymore but Belle, a world-famous singer. She soon meets with a mysterious creature. Together, they embark on a journey of adventures, challenges and love, in their quest of becoming who they truly are."
Watch the debut trailer for the beautiful, lyrical, and reality-bending Belle, which includes the first music track from the film:
Hosoda has previously stated, "Belle is the movie that I have always wanted to create and I am only able to make this film a reality because of the culmination of my past works. I explore romance, action and suspense on the one hand, and deeper themes such as life and death on the other. I expect this to be a big entertainment spectacle."
Among the film's impressive crew is character designer Jin Kim (Frozen, Tangled, Big Hero 6, Moana), who created the look of Belle, and concept artist Eric Wong. Also joining the team are Oscar-nominated Wolfwalkers directors Tomm Moore and Ross Stewart of Cartoon Saloon (Song of the Sea, The Secret of Kells). Belle is produced by Studio Chizu president and Hosoda collaborator Yuichiro Saito. The film is being represented by film agency Charades (I Lost My Body, Bigfoot Superstar, The Queen's Corgi).
File this under "Can't Wait to See!"
Cybersecurity specialist by day, investigative journalist by night.
Belle-adonna
Eric Wong
Yichiro Saito
Tomm Moore
Animated Feature Films
feature film animation
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Mamoru Hosoda and the Magical World of 'Mirai'
New Trailer Arrives for Mamoru Hosoda's 'Mirai'
GKIDS Bringing Hosoda's 'Mirai' to North America


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'I've reached out numerous times': Student leaders disappointed with University communication on campus sexual violence
Pamela Smith | Visual Editor
Pitt students embrace during a protest against sexual violence outside of the Cathedral of Learning in October.
By Alexandra Ross, Senior Staff Writer
After a meeting between student leaders and Dean of Students Carla Panzella about sexual violence at Pitt, Megan Sharkey said she has mixed emotions.
"It was promising, but also I'm still very frustrated with the lack of follow-up and the lack of prioritization that the Dean has shown since the meeting, because I've literally heard nothing about any of the changes being made since," Sharkey said.
After months of voicing their concerns to administrators in response to a reported sexual assault in the Cathedral of Learning in early October, student leaders told The Pitt News they feel as though they can communicate with the University about their concerns openly, but aren't getting open communication back from the University on the progress it has made.
Panzella hosted the meeting at the end of October in response to student demands to improve the University's sexual violence response and prevention programs. At the time, Chancellor Patrick Gallagher said the renewed sense of urgency around sexual assault "increase[d] our resolve to move forward" and that "actionable and useful information is a necessary but not sufficient condition" without corresponding progress.
Sharkey, the vice president of the Take Back the Night club, attended Panzella's meeting alongside student representatives from Sexual Assault Facilitation and Education, Planned Parenthood Generation Action, Student Government Board, Project Healing Sideways, Girl Up and more. Karin Asher, the assistant dean of student engagement and professional development, also attended the meeting and took notes.
Students raised a variety of concerns, according to the minutes, including University transparency, survivor resources, prevention education programs, crime alerts and fraternity and sorority life. They also posed a variety of solutions such as enhancing existing relationships with Pittsburgh Action Against Rape, using trigger warnings in crime alerts, hosting a second town hall with higher-up administrators on the panel and changing the structure of first-year prevention education.
Student leaders also criticized the Oct. 19 town hall hosted by Student Affairs, the SGB, OEDI and Pitt Police. Alexa Pierce, the president of Planned Parenthood Generation Action, said she was unable to attend the student leaders meeting but would like to see Pitt host another town hall with a new panel.
"A lot of students weren't getting their questions answered by the right people, or they were just being thrown resources that they already knew about that weren't working, and that's what they had issues with," Pierce said. "But at the same time, an open forum like that, where students are allowed to criticize University and be open and vocal about that, is a good thing too."
After the meeting, email communications between attendee Katie Emmert and Panzella show a continual effort by Emmert, a member of SGB and a co-writer of an open letter to Pitt on equitable sexual violence prevention, to initiate further conversation with Panzella. Emmert, who sought updates on how Panzella was turning students' concerns into action, said she is frustrated by what she sees as a lack of initiative from the Dean.
"I've reached out numerous times," Emmert said. "Why am I the one who has to reach out? Like, the University could easily make a statement on what progress they're making."
Emmert emailed Panzella and Asher on Oct. 26, the day after the meeting, to request a copy of the meeting notes taken by Asher. Asher told her Panzella would send the notes early the next week. The following Monday morning, Oct. 31, Emmert thanked Asher for her response and said she looked forward to reading the meeting notes. Asher did not respond. By Nov. 3, students still had not received the meeting notes, so Emmert emailed Panzella and Asher again to request a copy. Finally, Panzella sent students the meeting notes alongside a joint message from herself and Asher on Nov. 4.
In that message, Panzella and Asher assured students updates would come in the following weeks.
"There is much to review and move forward and work to do so is underway," Panzella and Asher wrote. "We look forward to providing you with an update in a few weeks as well as bringing folks from these areas to meet with you directly as we discussed."
Sharkey and Pierce each said they did not receive any communication or updates from Panzella or Asher between the Nov. 4 message and Dec. 4.
Emmert emailed Asher and Panzella on Nov. 17 asking to schedule a follow-up meeting with students to discuss progress and action plans, as she said Panzella agreed to at the Oct. 25 meeting. The next day, Asher responded and said Student Affairs was "working to identify dates for a next meeting, and targeting the week of Dec. 5 … Please stay tuned for a meeting invitation coming shortly after the [Thanksgiving] break."
As of Sunday, Dec. 4, neither Panzella nor Asher had reached out to students to schedule this follow-up meeting, according to Sharkey, Pierce and Emmert. Emmert said she planned to email Panzella again to schedule the meeting, but felt upset by Panzella and Asher's inability to commit to a date.
"It's frustrating to hear that they're shooting for this week, because just create, like, a date and a time, set a date and time," Emmert said. "It just seems like a tactic to delay any sort of progress."
Panzella said in a written statement on Dec. 8 that a follow-up meeting has been scheduled.
"Both offices [the Office for Equity, Diversity and Inclusion and Student Affairs] are actively working on their action items," Panzella said. "A follow-up meeting with the Office for Equity, Diversity and Inclusion as well as Student Affairs and students has been scheduled to share more information on work now underway and to identify direct contacts."
Following the sexual assault inside the Cathedral, which vice chancellor for equity, diversity and inclusion Clyde Pickett said in an email to the Inclusion Network in November "shined a light on some of [the] challenges our university community faces around sexual misconduct," the Office of Civil Rights and Title IX plans to hire a new full-time director position and an additional outreach and response specialist. According to the OEDI website, Inclusion Network members include DEI professionals and volunteers, though faculty, staff and students may apply to join the network.
However, Sharkey said this was not an effective way to communicate the changes with students. In fact, Sharkey learned about the changes not through the University, but through The Women's Law Project, a local advocacy nonprofit.
"I thought that was something that students would want to see, is that they're making proactive changes," Sharkey said. "That level of transparency, I feel like, is something that should be addressed by Pitt and improved upon by Pitt … I don't know why that's something that's sent to outside organizations and not the student body and staff that are directly affected by it."
Pickett said the Inclusion Network allows OEDI to communicate with the University at the broadest level. He said he didn't know how many students are a part of the Inclusion Network. Pickett also said the network is not the only way the University has shared information about the Title IX changes with students, who do not respond well to email communications.
"We've heard loud and clear from students that typically email is not the best way to share information with them," Pickett said. "They have asked us to share the information in different ways, and so we did share the information with SGB, and we work, of course, with our colleagues in Student Affairs to help us distribute information directly to different stakeholder groups."
When asked what proactive actions or plans the University has put into place since the heightened awareness that came with October, Pickett pointed out that OEDI has "long been committed to this work" and will continue to put effort into listening to students. For example, Pickett said he held a luncheon with SAFE Peer Educators the week after Thanksgiving to hear their ideas and concerns.
"One of the ways the University is taking action is to listen and continue to amplify efforts and where appropriate to make adjustments," Pickett said. "If we need to expand the number of programs, which we're working proactively to do, we will do so and we will continue to do so and prioritize this at the highest priority of the University."
A Pitt student searching for resources regarding sexual assault might start with the web page for University's Sexual Violence Prevention and Education Office, which operates within OEDI — however, the office has not updated several of these online resources in months or sometimes years. For example, the Upcoming Trainings and Events page lists only events held during the Spring 2022 semester, the Meet the SAFE Peer Educators and Peer Survivor Support Network Member Bios pages contain student bios from one or two years ago, and the office has only shared news articles from April 2019 to June 2021 under the Prevention in the News tab.
These websites have gone without updates because OEDI did not have any communications professionals until three weeks ago, an unnamed University spokesperson said in a statement, leaving OEDI staff to update web pages themselves on top of other responsibilities. The spokesperson said OEDI recently hired a communications manager, and a thorough review of OEDI websites is in the early stages.
Sharkey said she knows about more resources and programs at Pitt because of her active involvement in on-campus advocacy. But between the University hesitating to share specific steps it has taken with students and outdated resources on Pitt's website, the average student might not have access to all the same information.
"If I wasn't in Take Back the Night as VP and, like, had the opportunity to meet with the Dean or, like, be involved in the Sexual Citizen programs or anything like that, I would not know about half the stuff that's going on, unless I really dug into it," Sharkey said.
This story has been updated to reflect the full list of organizations that hosted the Oct. 19 town hall and Karin Asher's updated job title.
Cathedral assault
cathedral of learning
sexual assault awareness
Alexandra Ross, Senior Staff Writer


Map of Bradford and surrounding townships, 1835.
At this time Bradford is a rural market town, not much bigger than nearby Keighley, and significantly smaller than nearby Halifax and Huddersfield. Bradford is a hub for the nearby townships of Manningham, Bowling and Great and Little Horton.
At this time wool-spinning and cloth weaving is carried out predominantly in local farms, but Bradford is on the cusp of the industrial revolution, with steam power about to displace water and horse power. The first steam engine arrived in Bradford in 1798, and the first steam-powered spinning mill opened in 1800.
The rural population begins to pour into the rapidly expanding city, eager for the higher wages offered in the new manufacturing industries. As most were soon to discover more money went hand in glove with appalling working conditions, danger and disease, cramped insanitary housing and for many an early grave.
Salt was born into a family headed by his father. His father was initially a drysalter – a dealer in gums, dyes, drugs, spices and pickles, and would move into farming later when Salt was 10 years old.
Salt grew up in an environment were he was guided very much by his father's strong ethical principles, which were based on hard work and staunch Nonconformist worship. The young Titus was soon influenced by this virtuous atmosphere which helped to form his own moral view of life and led to his later philanthropic endeavours.
From these inauspicious beginnings Salt would eventually grow to be a major figure in Bradford civic life as we shall see shortly.
Bingley Five Rise Locks, a major engineered feature of the Leeds-Liverpool Canal. By Wikipedia user Boerkevitz, CC-BY-SA 3.0 License.
First envisaged in 1766, the 127-mile long canal revolutionised the transportation of goods within the North of England. The canal would later prove to be a major factor in Titus Salt's decision to build his mill at Saltaire.
Investors ultimately reaped large profits from the cargoes of cotton, wool and grain conveyed on the canal.
As we shall soon see, railways rather than canals were soon to become the preferred method of transportation in during the accelerating industrialisation of Great Britain.


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Wera Iwanowna Zinzius (auch Vera Ivanovna Tsintsius, Vera Ivanovna Cincius, ; * 1903; † 1981), war eine russische Ethnographin und Linguistin, die auf tungusische Sprachen spezialisiert war. Sie arbeitete am Institut für Nordvölker, nach dem Zweiten Weltkrieg arbeitete sie im Linguistischen Institut in Leningrad.

Werke
 K.M.Myl'nikova, V.I. ZinZius: Materialy po issledovaniju negidal'skogo jazyka. Tungusskij Sbornik I, Leningrad 1931.

Siehe auch
 Negidalen

Weblinks
 Biographie bei Ljudi i Sud'by (russisch)
 Einträge im Katalog der Staats- und Universitätsbibliothek Göttingen

Einzelnachweise

Ethnologe
Linguist
Sowjetbürger
Russe
Geboren 1903
Gestorben 1981
Frau


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Study finds cognitive enhancers do not improve cognition or function in people with mild cognitive impairment but may cause gastrointestinal issues
Toronto, September 16, 2013
By Leslie Shepherd
Cognitive enhancers—drugs taken to enhance concentration, memory, alertness and moods—do not improve cognition or function in people with mild cognitive impairment in the long term, according to a new study by researchers at St. Michael's Hospital.
In fact, patients on these medications experienced significantly more nausea, diarrhea, vomiting and headaches, according to the study published today in the Canadian Medical Association Journal.
"Our findings do not support the use of cognitive enhancers for mild cognitive impairment," wrote Dr. Andrea Tricco and Dr. Sharon Straus, who are both scientists in the hospital's Li Ka Shing Knowledge Institute. Dr. Straus is also a geriatrician at the hospital.
Mild cognitive impairment is a condition characterized by memory complaints without significant limitations in everyday activity. Between 3 and 42 per cent of people are diagnosed with the condition each year, about 4.6 million people worldwide. Each year about 3 to 17 per cent of people with mild cognitive impairment will develop dementia, such as Alzheimer's disease. Given the aging population, it's estimated the number of Canadians with dementia will double to more than 1 million in the next 25 years.
It has been hypothesized that cognitive enhancers may delay the onset of dementia. Families and patients are increasingly requesting these drugs even though their efficacy for patients with mild cognitive impairment has not been established. In Canada, cognitive enhancers can be obtained only with special authorization.
Drs. Tricco and Straus conducted a review of existing evidence to understand the efficacy and safety of cognitive enhancers. They looked at eight randomized trials that compared one of four cognitive enhancers (donepezil, rivastigmine, galantamine or memantine) to a placebo among patients diagnosed with mild cognitive impairment.
While they found short-term benefits to using these drugs on one cognition scale, there were no long-term effects after about a year and a half. No other benefits were observed on the second cognition scale or on function, behaviour, and mortality. As well, patients on these medications experienced significantly more nausea, diarrhea, vomiting and headaches. One study also found a higher risk of a heart condition known as bradycardia (slow heartbeat) among patients who received galantamine.
"Our results do not support the use of cognitive enhancers for patients with mild cognitive impairment," the authors wrote. "These agents were not associated with any benefit and led to an increase in harms. Patients and their families should consider this information when requesting these medications. Similarly, health care decision-makers may not wish to approve the use of these medications for mild cognitive impairment, because these drugs might not be effective and are likely associated with harm."
This study was funded by the Drug Safety and Effectiveness Network/Canadian Institutes of Health Research.
Another St. Michael's study published in the CMAJ in April found no evidence that drugs, herbal products or vitamin supplements help prevent cognitive decline in healthy older adults. That review, led by Dr. Raza Naqvi, a University of Toronto resident, found some evidence that mental exercises, such as computerized memory training programs, might help.
About St. Michael's Hospital
St Michael's Hospital provides compassionate care to all who enter its doors. The hospital also provides outstanding medical education to future health care professionals in 27 academic disciplines. Critical care and trauma, heart disease, neurosurgery, diabetes, cancer care, care of the homeless and global health are among the Hospital's recognized areas of expertise. Through the Keenan Research Centre and the Li Ka Shing International Healthcare Education Centre, which make up the Li Ka Shing Knowledge Institute, research and education at St. Michael's Hospital are recognized and make an impact around the world. Founded in 1892, the hospital is fully affiliated with the University of Toronto.
For more information or to arrange an interview, contact:
Leslie Shepherd
Manager, Media Strategy
shepherdl@smh.ca
On Sept. 16, please contact:
Kendra Stephenson
St. Michael's Hospital
stephensonk@smh.ca


It might be nice to be playing the track She Makes My World Go 'Round from Voice Of Love as you read this. It's available at iTunes, Spotify and CD Baby or on CD at my gigs.
I had previously only ever written songs on my own but had wanted to do a collaboration for some time. Having enjoyed the songs of Guildford singer songwriter Francis Greene I asked if we might try and write some songs together. Obviously worrying about the "paparazzi" interest 😉 we got together in a secret location and got to work! She Makes My World Go 'Round is one of two songs we wrote.
We were brainstorming a song idea and I think I came up with the song title and we wrote it from there. From what I remember Francis came up with the chords and structure then we worked together on the lyrics. I made suggestions such as repeating the chorus as it seemed to have quite a "hook" to it. We were both very pleased with the result and the song seemed very natural to write.
I enjoyed writing with Francis, our musical influences definitely cross over and because we both play guitar and piano it gives lots of musical possibilities. We both perform the song independently and together at open mic's and gigs and it's lovely when the audience join in on the repeat line of the chorus. Francis sings backing vocals on my version and he has also recorded his own version of the song.
What can I do to make her see the way I feel?
How can I show her that my love for her is real?


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Supreme Court on Cell-Phone Searches: 3 Things You Should Know
By Brett Snider, Esq. on June 25, 2014 12:07 PM
The U.S. Supreme Court laid down the law on warrantless cell-phone searches today, giving mobile users slightly more privacy when arrested.
The High Court unanimously held that warrantless cell-phone searches upon arrest are generally not permitted, recognizing how important our phones have become in our everyday lives. As USA Today reports, Chief Justice John Roberts opined that cell phones are so integral to daily life that Martians "might conclude they were an important feature of human anatomy."
Essential or not, here are three things you should know about the Supreme Court's ruling on warrantless cell-phone searches:
1. It Settles the Issue of Warrantless Cell-Phone Searches Incident to Arrest.
The Supreme Court looked at two separate cases, one from California and the other from Maryland, which reached opposite conclusions about whether police could, without a warrant, look at the data on a cell phone seized from an arrestee.
Coming down on the side of privacy, the High Court determined that police could not search cell phones incident to arrest without a warrant, thus settling the disagreement among state and federal courts.
2. Cell Phones Can Still Be Seized Upon Arrest.
The Supreme Court's 9-0 ruling in Riley v. California does not change the ability of police to legally seize a cell phone from a suspect who's been arrested.
A police officer is still legally permitted to search an arrestee, without a warrant, and can seize any items which could potentially pose a threat to officer safety or contain evidence of a crime. This is known as a "search incident to arrest." Police may still search and seize items within the area of a suspect's immediate control, including a cell phone.
Know someone who has been arrested or charged with a crime? Get in touch with a knowledgeable criminal defense attorney in your area today.
3. There Are Still Warrantless Search Exceptions.
The Supreme Court noted that warrantless cell-phone searches after arrest are generally not permitted. However, there will always be exceptions based on the particulars of each case that may allow officers to search a suspect's mobile device without a warrant.
For example, warrantless cell-phone searches performed under "exigent circumstances" (i.e., a bombing suspect who is texting an accomplice) may be legal. This requires a court to examine the circumstances, as opposed to making a cell-phone search legal simply by dint of a suspect's arrest.
The Riley decision certainly strengthens the rights of cell-phone users, but the Supreme Court hasn't hamstrung officers from investigating just yet.
Major Ruling Shields Privacy of Cellphones (The New York Times)
When Can Police Search Cell Phones, Laptops? (FindLaw's Blotter)
Are Warrantless Cell Phone Searches Legal? (FindLaw's Blotter)
Supreme Court Rules on Aereo, Warrantless Cell-Phone Searches (FindLaw's Decided)


Gold leaf on the turkey, caviar on the squash, and the most expensive stuffing you'll find.
Thanksgiving dinner is a meal rooted in tradition. Across the country, those traditions vary, of course. In the South, the turkey may be deep fried. Up in the Northeast, it wouldn't be out of place to find oysters in the stuffing. And in the Midwest, get ready for some crispy fried onions, cream of mushroom soup and green beans all crammed together in one casserole dish.
At America's oldest continuously operating steakhouse, a new tradition has emerged. Old Homestead, which has been searing beef on Manhattan's west side since right after the Civil War, has made a point of creating the most ludicrously extravagant and expensive Thanksgiving dinner each of the last few years. In 2017, that meant a $76,000 meal featuring dipping sauce infused with Louis XIII cognac, and mashed potatoes covered in caviar.
This year, in honor of the restaurant's 150th anniversary, it has created a $150,000 meal for wealthy New Yorkers who don't want to eat at home, but are still magnanimous enough to give their private chef a day off.
There are all the usual trappings of a restaurant trying to inflate the price of a meal: gold leaf on the turkey, caviar on the squash, and $2,500-per-lb white truffles in the stuffing. There were also some creative flourishes to tip the scales, including making the oyster mignonette with Opus One, finding a $35-per-oz. olive oil to baste the turkey, and using a $75-per-loaf sourdough bread from the UK to build the stuffing.
However, despite using expensive delicacies from around the globe to push the bill for the 12-person-meal skywards, there's some artificial inflation happening with the price here. Among other non-turkey-feast-related items, the dinner comes with tickets to a Billy Joel concert, dance lessons at the Fred Astaire studio, a horse-drawn carriage ride in Central Park, access to the viewing stand for the Macy's Thanksgiving Day Parade, and seats at a Dancing with the Stars filming. Oh, and the keys to a 2018 Maserati Levante are stuffed into the turkey. Honestly, it makes you wonder if there's any honor left in the absurdly priced, gimmick-meal game.
We're going to pass on purchasing the package this year. But if we were considering it, we'd tell them to keep the Billy Joel tickets and negotiate the price down to $149,950.


Dougie Freedman paid tribute to Joe Mason and Craig Davies, after watching his Bolton side beat Rotherham United 3-2 at Macron Stadium.
Bolton beat Rotherham United 3-2 on Tuesday. Here are the full classified results and updated league standings.
Rotherham United make their first ever trip to Macron Stadium on Tuesday, as they face a Bolton side still looking for their first league win of the season.
Neil Swarbrick will referee Tuesday's Championship fixture between Bolton and Rotherham United at Macron Stadium.
Andy Lonergan has been voted as Bolton's Man of the Match in Saturday's goalless draw with Sheffield Wednesday.
Video highlights of Bolton's 0-0 draw with Sheffield Wednesday, courtesy of The Football League and BWFC's official YouTube channel.
Dougie Freedman praised his side's defending, but bemoaned a lack of cutting edge in the final third - after watching Bolton draw 0-0 with Sheffield Wednesday.
Bolton drew 0-0 with Sheffield Wednesday on Saturday. Here are the full classified results and updated league standings.


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Not fair to give fewer Tests to South Africa : Anrich Nortje
CricketLondonMelbourne
By Sports Halchal Last updated Aug 16, 2022
London : South Africa pace spearhead Anrich Nortje has criticised the International Cricket Council (ICC) for giving fewer Test matches to his country in the World Test Championship (WTC) cycle, saying getting just six games in a year when other are playing 15 is unfair.
Dean Elgar's side will begin its three-Test campaign against Ben Stokes' England at Lord's on August 17 hoping to garner maximum points in order to seal a spot in the WTC Final scheduled next year.
South Africa are marginally ahead of Australia at the top of the WTC rankings with 71.43 percentage points and, despite getting fewer games, are in pole position to secure a place in the 2023 final.
"If we play six (Tests) in a year and you guys (England) play 15 in a year, I don't see that being fair," Nortje, who will have a key role in the three-Test series against England, told Daily Mail.
"Our guys are not going to be as well-known as previous generations if we play 18 games in three years, or something like that," he added.The 28-year-old fast bowler also urged the cricket authorities to give his country the number of Tests befitting its current status.
South Africa have got fewer opportunities than the big three comprising England, India and Australia."We want to be the No. 1 team in all formats. It's unfortunate the way it's gone but we are very keen to make a mark.
It would be nice to be able to play more Test cricket, not just two-match series," he added.The anomaly in the numbers can be gauged from the fact that South Africa have played 26 Tests over the past four years, while England and India have played 53 and 41 games respectively.
Australia, who barely left home during more than 18 months of Covid isolation, also played 34 Tests.With bilateral series not involving the three wealthy cricket-paying nations not a lucrative proposition, it is believed the Proteas lose out on more Test-playing opportunities.
South Africa have only two home Tests lined up in two of the four years of the next Future Tours Programme (FTP)."The players themselves are really excited and want to play Test cricket," said Nortje.
"We're excited to play, excited to be here and go head-to-head with one of the better teams at this stage."
Anrich NortjeBatsmanBowlerCricketCricketerICCInternational Cricket CouncilPlayer
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What does it cost to fish here?
Fishing Times are Sunrise to Sunset. Please don't ring the bell before 8am - just go fishing and we will catch up with you when we do our daily walk around.
£ 8.00 - 1 rod per day.
£10.00 - 2 rods per day.
£22.00 per night (24 hours using a bivvy or tent) per person; Night Fishing by prior appointment only.
For each Night Angler the price allows fishing with two rods in any 24 hour period.
This is important, specific Night Fishing Rules that we rigoursly apply and you are strongly recommended to read them here.
All Trout fishing is Fly ONLY with a single Fly, NO droppers or Boobies. During July and August worming or spinning may be allowed (please see management for permission).
Catch & Release, Barbless/De-barbed Hooks ONLY - 4 hours fishing £15. Please, NO fish to be taken out of the water when un-hooking them.
For "Catch and Take" Fishing our Trout average 2.50lb each.
First 2 fish or a maximum of 4 hours fishing - £22.
First 3 fish or a maximum of 6 hours fishing - £29.
First 4 fish or a maximum of 8 hours fishing - £36.
Each additional fish, over the initial purchased Ticket Limit, will be charged at £8 each.
After reaching your catch limit, provided you de-barb each fly used or only use barbless flies you will be permitted to continue fishing on a "Catch and Release" basis for the same number of fish as on your ticket. i.e a ticket for 3 fish enables you to continue fishing for a further 3 fish "Catch and Release" only within the remaining time limit of your ticket. Once the time-limit has been reached regardless of your ticket limit you must stop fishing, or purchase another ticket.
£12 for a Sport ticket on a "Catch and Release" basis is 4 hours fishing using a single fly and barbless or de-barded hooks only. All fish to be un-hooked in the water and not removed from the water for un-hooking.
All Trout fishing is by Single Fly only and NO Droppers, Boobies or spinner flies.
All tickets allow fishing on any Trout Lake. However, from time to time, one lake may be designated with signage as "Catch & Release" only. Please obey these signs.
However, during the warmer months of July and August we may allow Worming or Spinning for Trout on a "catch and take" basis only.
Coarse rod, disgorger, Landing net and bank stick £5.00 per day. Should you lose or damage a disgorger or a float there is a £1 charge for each broken item. Hooks will be replaced for free.
Trout rod, line and leader and Landing net + 6 flies £5.00. You are welcome to change the flies at no additional cost, and no cost for an additional leader. However, each lost fly will cost the hirer £1!
Fishing Umbrellas are available at £3 each per day. Broken or damaged brollies will have to be paid for!
A £5 deposit is required on all items. Any broken or lost items e.g. Float or Fly charged at £1 each item.


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THINGS-TO-DO
The Gaston Gazette
Gastonia Toastmasters: 7 to 8 a.m., Warlick Family YMCA, 2221 Robinwood Road, Gastonia, Intergenerational Room. Visit gastontoastmasters.org or call Dan Stinson, 704-461-8243.
Gaston County Republican Women: Noon, Jackson's Cafeteria, 1453 E. Franklin Blvd., Gastonia. Republican candidates running for municipal offices throughout the county have been invited to meet, mingle and share.
Advance Directives Clinics: 4 p.m., Gaston Hospice, 258 E. Garrison Blvd., Gastonia. Gaston Hospice offers free advance directive clinics to discuss living wills, health care powers of attorney and the new MOST form, Medical Orders for Scope of Treatment. A medical social worker will explain these forms and help participants complete them, then notarize them. Call or email Beverly Lutz for more information 980-834-4519, or Beverly.Lutz@caromonthealth.org.
Bikefest: 10 a.m. to 1 p.m., George Poston Park. The park is home to more than 10 miles of mountain bike trails and was named a National Recreation Trail in 2015. Event will feature the grand opening of pump track, live music, food trucks, beverages, bike demos, 20+ bike shop vendors, free guided trail rides, and more. This year's event will be in conjunction with the Red Bull World Championship Qualifier Event taking place on Sunday. Bikes will not be provided for the guided rides, so riders must bring their own bikes. The pump track is for all ages and skill levels. The guided trial ride will cover 10 miles, and is a no-drop ride, but the difficulty of the ride will be moderate. There will be helper riders there to assist anyone along the trail, and to help take short cuts if riders want to end the ride early. Call 704-922-2164 or visit gastongov.com/parksrec
Dinner-Dance: 6 p.m., Gaston Citizen's Resource Center, 1303 Dallas-Cherryville Highway, Dallas. Doors open at 6 p.m. Admission to $10. Food and drinks are free. General public invited. Dinner served at 6:15 p.m. Menu includes barbecue, baked beans, cold slaw, hush puppies, vanilla cake with butter cream icing, soft drinks, coffee, tea, and water. Kitchen and drink tables close at 7:30 p.m. The band Crimson Rose performs from 7 to 10 p.m. No alcohol allowed. Call 704-865-5663 or 704-517-5273.
Singer/songwriter Kevin Church in concert: 7 p.m., First United Methodist Theatre, 162 E. Main Ave., Gastonia. The Gastonia native performs free but a love offering will be received.
Miss Gastonia/Miss Gaston County/Miss Mount Holly and Outstanding Teen competition orientation: 3 p.m., Mount Holly City Hall, 400 E. Central Ave., Mount Holly. Anyone interested in entering the pageant is encouraged to attend to learn more about the program, ask questions, and enjoy refreshments. Presented by the Miss Gastonia Scholarship Association. Women ages 18-25 are eligible to compete for the titles of Miss Gastonia, Miss Gaston County, and Miss Mount Holly 2020 and represent the area in the Miss North Carolina competition next June in Raleigh. Girls ages 13-17 are eligible for the Outstanding Teen division. The pageant is Saturday, Nov. 23 at 6 p.m. at Stuart W. Cramer High School. Call Delores Cox, executive director, 704-827-7277 or visit missgastoniapageant.com.
South Point High School barbecue sale: 9 a.m. to 7 p.m. Sept. 27, 906 South Point Road, Belmont. Plates include barbecue slaw, rolls, chips and dessert. Cost is $8 per plate and Hillbilly's BBQ is catering. Curbside service is available all day. Deliveries are available to businesses with a 10 plate minimum. Call 704-836-9612.


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class AddUserIdToRage < ActiveRecord::Migration
  def change
    add_column :rages, :user_id, :integer
  end
end


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Tag: Jakub Roszak
Review – Retrospective – RE:SEARCH – by Progradar
"Nobody who loved life and new experiences that much was ever going to get old, not really. Wiser and eventually dead, but not old…" – C.E.Murphy.
Don't you find that sometimes you seem to stick to what you know, you are loath to try anything new or different because you may not like it or it may take you out of your comfort zone?
The problem with this way of life is that you can grow old and eventually die without having tried something that may well have enriched your life and changed it very much for the better. How can we truly say whether we like something or not unless we actually try it?
This can be applied to music just as much as anything else and even us music journalists can be guilty of this. We only listen to music we are comfortable with and will not go out of our comfort zone for anything. By doing this we then lose the right to criticise or critique music which we have only a passing interest in. We must embrace it, or at least try it, before we have the right to an opinion.
I have spent so much time recently listening to the pastoral and traditional progressive rock that I have neglected other music to a degree. I have redressed this recently with my delving in depth into Scottish folk and Americana and it was due to a good friend of mine, Aloys Martens, that my old love of a more metal approach to Progressive Rock has been rekindled.
Aloys introduced me to the Polish band Retrospective and their label Progressive Promotion Records, led by the uber-enthusiastic Oliver Wenzler, and a copy of the band's new album 'RE:SEARCH' was soon winging its way to Progradar Towers for review.
Retrospective represents a young generation of Polish ProgressiveRock bands. Their music is inspired by different artists covering a broad spectrum of musical genres (Porcupine Tree, Tool, King Crimson). The band is not restricted to a particular music style either. They search for different kinds of rock, ranging from Art to Hard. Lush musical atmospheres, full of emotions, are complemented by thunderous riffs, to enthrall the listener and create asound that makes them stand out among their contemporaries.
They have released one previous album, 'Lost In Perception'
which won the award as "Best Polish Progressive Album 2012".
The band are: Jakub Roszak (Vocals), Beata Tagoda (Keys, Vocals), Maciej Klimek (Guitars), Tukasz Marszatek (Bass), Robert Kusik (Drums) and Alan Szczepaniak (Guitars).
I still get that same buzz every time I start playing this album (it must be 25 or 30 times now) and Rest Another Time once again opens with that thundering riff and dynamic drumming. The vocals are powerful but laced with pathos and the sound is as addictive as anything. Funky bass lines add some swagger but it's that energetic guitar work allied with Jakub's vocals that give this song efficacy and intensity. A really great central section to the song that just racks up the tension brings in mind Creed to my delicate ears, it's a positive rock-fest of thunderous proportions and gets the album off to a very auspicious start. A great piano line opens Right Way with an almost hushed feel, matched by the stylish vocals that increase the anticipation. Beata adds her feminine wiles to the track and the tension just increases with a great keyboard heavy melody that gives the impression of flight and then Beata's vocal opens up like a great bird opening its wings to be set free from its mortal coils, the vocal interplay is brilliant and gives an overwhelming symphonic prog overtone to proceedings. A passionate song that really tugs at the heartstrings and the musicianship is superb, these guys are at the top of their game here and there is a classy and stylish feel to every note that is played.
Crashing the scene like Lemmy on a Harley Davidson, bottle of JD in hand, The End Of Their World is a riff-heavy masterpiece of progressive metal. A sultry verse with husky vocals, underpinned by some delicate drumming, keys and bass, builds up to the huge, granite hard chorus dominated by the grooviest riff you'll hear this year. Sit back and enjoy the ride and sing along to that addictive chorus, I know I did! There's more serious mid section with mysterious overtones and wildly cackling voice overs that make you wonder if illegal substances may have been involved but, overall, it is a hugely enjoyable slice of heavy rock infused prog-metal. A nicely strummed guitar opens Rollercoaster before the plaintive vocals begin, Beata imparting poignancy and feeling and Jakub adding some urgency and steel to provide a perfect combination. You get a feeling of floating on air as this track seems to dance along your aural receptors but wait, the pace is lifted and the energy increases, mirrored by the insistence of Jakub's voice. The softer edge has been replaced with some stylish metal and a cool melody runs right through the middle giving import and imperativeness to that harder feeling that now pervades all. A cleverly worked song of two halves that fit together well.
Time for a breather and the more laid back side of Retrospective. There's a delicate aura to the opening of Heaven is Here, a chilled laid back nostalgic feel that gives lightness to your being. The vocals are smoother than silk and full of emotion and love and you find yourself losing yourself in the wistful atmosphere. The classy drumming and piquant guitar add dignity and style and layers of sophistication. I can feel a growing maturity in this band, a confidence to deliver what they want and what they know you will like and it is most evident in the swagger of the powerful chorus with the vocal harmonies that soar into the heavens, aided and abetted by the superb guitar playing. There's a philosophical tone to the opening of Look in the Mirror, contemplative and thoughtful and this is reflected in the gravitas of Jakub's opening vocal with his meaningful intonations. Beata joins him on the chorus sections to add even more class and sophistication to this intelligent track. I really like the purposeful beat and melody kept by the rhythm section and the resolute guitar work, it's a single-minded and cultured song.
Compelling and energetic, Last Breath opens with an authoritarian riff that drives the song on at a demanding pace, influences abound all over and get drawn into a huge melting pot before firing out with what is becoming a signature sound for this impressive band. There's almost a feeling of organised chaos to the song, anarchy barely held back but there is a primeval intelligence that is coordinating everything. Standby has a much more relaxed atmosphere to it, almost pop-rock but in a much more dynamic way. The vocals from Jakub and Beata are composed and easy going giving the song a laid-back and serene nature. There's definitely a touch of Porcupine Tree and even The Pineapple Thief to this track as it goes a bit darker at the end with a fantastic riff and fiery solo adding real menace to it.
The longest and heaviest song on the album is also the final track and boy does it blow you away! The Wisest Man on Earth starts to crank up the tension with eerie keyboards and bass adding an ominous feel, very Tool like. Bass is really king at the start and Tukasz gives it his all, making the tension almost unbearable. Jakub's demonic vocal just adds even more shade and darkness before a monstrous riff erupts from the bowels off the earth and nearly takes your head clean off. This is proper heavy rock with a touch of doom metal thrown in just because they can and I really like it. Never mind blowing the cobwebs away, this riff will eviscerate the spiders! Jakub shows the incredible versatility to his voice and I get the impression he really enjoys giving it large on this song. There's a quieter section, Jaukb's vocals still low down and brooding, before a superbly dark and delicious guitar solo fires from the dark pits of Hades and the song closes out in a sinister and portentous way, brilliant stuff!
Retrospective produce music that is aggressive and forceful and yet knowledgeable and perceptive in places, this is progressive rock at its heaviest and most intense. There is something for everybody and it is a release that will restore your faith in Progressive Metal. 'RE:SEARCH' is chock full of compelling and intelligent music that makes you feel alive again and I cannot recommend it highly enough.
Released 10th February 2017
Buy 'RE:SEARCH' from Progressive Promotion Records
Featured image by Arek Kulasik Larido.
Posted on 15th March 2017 15th March 2017 Categories UncategorisedTags Alan Szczepaniek, Beata Lagoda, Jakub Roszak, Lukasz Marszalek, Maciej Klimek, Martin Hutchinson, Oliver Wenzler, Progradar, Progressive Promotion Records, Re:Search, Retrospective, Robert KusikLeave a comment on Review – Retrospective – RE:SEARCH – by Progradar


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