text:
Q: Pre-loading image(s) with JavaScript & jQuery I'm using the following code to insert some HTML into a div, and to preload any images that might be contained in that HTML (the html var's data is actually fetched from an AJAX request in the real code). This is to prevent the browser from loading the fetched HTML's images upon showing the div (using the slideDown event) - because this results in the effect's fluidity being broken as it loads image mid-transition. I suppose I could use an interlaced JPEG so that the dimensions of the image are known almost immediately, but obviously it'd be nice to get a cleaner method worked out. :P
var html = '';

$('div.content').hide().html(html);

$('div.content img').each(function(){

    var img = new Image();

    img.src = $(this).attr('src');

    $(this).attr('src', img.src);

});

$('div.content').slideDown('normal');

I'm using the Image object and its subsequent assigning as per the advice given here, but unfortunately the image still isn't cached by the browser using this method, because the sildeDown() effect is still interrupted as the image loads.
Any help or alternative methods? Many thanks.
Edit - 21st Sept 09

Progress! Turns out the browser was caching the image, I just wasn't giving it time to do so (it just needed a second to load with an alert() or setInterval()). Now introducing what is probably the messiest code ever - I am using an infinite loop to create that pause.
The new method extends the old code above by binding a function (that adds each image's src to an array) to that image's successful load event. It then gets stuck in an infinite loop as it waits until all the images have loaded and therefore appeared in the array. This seems to work as a way to synchronously pre-load images - but a problem remains; the while() loop for some reason cycles infinitely even once all the images are loaded, unless I add an alert() to pause it for a moment.
The new code:
var html = '';

$('div.content').hide().html(html);

// define usr variables object
$.usrvar = {};

// array of loaded images' urls
$.usrvar.images = [];

// boolean for whether this content has images (and if we should check they are all loaded later)
$.usrvar.hasimages = false;

// foreach of any images inside the content
$('div.content img').each(function(){

    // if we're here then this content has images..
    $.usrvar.hasimages = true;

    // set this image's src to a var
    var src = $(this).attr('src');

    // add this image to our images array once it has finished loading
    $(this).load(function(){

        $.usrvar.images.push(src);

    });

    // create a new image
    var img = new Image();

    // set our new image's src
    img.src = src;

});

// avoid this code if we don't have images in the content
if ($.usrvar.hasimages != false) {

    // no images are yet loaded
    $.usrvar.imagesloaded = false;

    // repeatedly cycle (while() loop) through all images in content (each() loop)
    while ($.usrvar.imagesloaded != true) {

        $('div.content img').each(function(){

            // get this loop's image src
            var src = $(this).attr('src');

            // if this src is in our images array, it must have finished loading
            if ($.usrvar.images.indexOf(src) != -1) {

                // set imagesloaded to trueai
                $.usrvar.imagesloaded = true;

            } else {

                // without the pause caused by this alert(), this loop becomes infinite?!
                alert('pause');

                // this image is not yet loaded, so set var to false to initiate another loop
                // (ignores whether imagesloaded has been set to true by another image, because ALL
                // need to be loaded
                $.usrvar.imagesloaded = false;

            }

        });

    }

}

$('div.content').slideDown('normal');

A: I made the following solution but it hasn't been tested, so you're warned ;)
// HTML (any formatting possible)
// no src for the images: it is provided in alt which is of the form url::actualAlt
var html = "

Some Text

";

$(document).ready(function() {

    // Reference to the content div (faster)
    var divContent = $("div.content");

    // Hide the div, put the HTML
    divContent.hide().html(html);

    // Webkit browsers sometimes do not parse immediately
    // The setTimeout(function,1) gives them time to do so
    setTimeout(function() {

        // Get the images
        var images = $("img",divContent);

        // Find the number of images for synchronization purpose
        var counter = images.length;

        // Synchronizer
        // will show the div when all images have been loaded
        function imageLoaded() {
            if (--counter<=0) $('div.content').slideDown('normal');
        }

        // Loading loop
        // For each image in divContent
        $.each(images,function() {
            // Get the url & alt info from the alt attribute
            var tmp = $(this).attr("alt").split("::");
            // Set the alt attribute to its actual value
            $(this).attr("alt",tmp[1]);
            // Wire the onload & onerror handlers
            this.onload = this.onerror = imageLoaded;
            // Set the image src
            this.src = tmp[0];
        });

    },1);

});

A: Create an interval/timeout and let it check your compterGenerated css-height, if it's autosized it'll begin from 0 and end to 100 (for example). But in Safari it loads the height before the image, so it'll propably not work in all browsers...

A: I was playing with this and I created a slightly different solution.  Instead of pushing images onto an array when they are loaded, you push them all onto an array in the loop, then in the load event you remove them from the array and call a 'finished' function.  It checks if the images array is empty, and if it is then it clears up and shows the content.
var html = '< animg src="images/test.jpg" alt="test" />'; // not allowed to post images...

$('div.content').hide().html(html);

// preload images

// define usr variables object
$.usrvar = {};
// array of loaded images' urls
$.usrvar.images = [];
// initially no images
$.usrvar.hasimages = false;
$('div.content img').each(function() {
    // if we're here then this content has images..
    $.usrvar.hasimages = true;
    // set this image's src to a var
    var src = this.src;
    // add this image to our images array
    $.usrvar.images.push(src);
    // callback when image has finished loading
    $(this).load(function(){
        var index = $.usrvar.images.indexOf(src);
        $.usrvar.images.splice(index,1);
        finish_loading();
    });
    // create a new image
    var img = new Image();
    // set our new image's src
    img.src = src;
});
if(!$.usrvar.hasimages) finish_loading();

function finish_loading() {
    if($.usrvar.hasimages) {
        if($.usrvar.images.length > 0) return;
    }
    $('div.content').slideDown('normal');
}

Edit: Looking at Julien's post, his method is better.  My method works in a similar way but like the original solution keeps track of images by an array of srcs rather than just a count (which is more efficient).
Edit 2: well I thought it was a better solution, but it seems it doesnt work for me.  Maybe something to do with the load event getting called too close to each other.  Sometimes it will work but sometimes it will hang when loading images, and the image counter never reaches zero.  I've gone back to the method in my post above.
Edit 3: It appears it was the setTimeout that was causing the problem.

A: This is what I use.  As you can see by my points, I'm no pro, but I found this somewhere and it works great for me and seems much simpler than everything posted.  Maybe I missed a requirement though.  :)
    var myImgs = ['images/nav/img1.png', 'images/nav/img2.png', 'images/nav/img3.png', 'images/nav/img4.png', 'images/expand.png', 'images/collapse.png'];

    function preload(imgs) {
        var img;
        for (var i = 0, len = imgs.length; i < len; ++i) {
            img = new Image();
            img.src = imgs[i];
        }
    }

    preload(myImgs);

redpajama_set_name: RedPajamaStackExchange


text:
Christianity Meta
Christianity Stack Exchange is a question and answer site for committed Christians, experts in Christianity and those interested in learning more. It only takes a minute to sign up.
How does Catholic Church reconcile the time of and the manner in which Jesus' resurrection was disclosed to Apostles?
We read in Mk 16:1-8, the the Angel's instruction to the women who visited the tomb of Jesus on the day of his Resurrection, and its outcome:
When the sabbath was over, Mary Magdalene, and Mary the mother of James, and Salome bought spices, so that they might go and anoint him...... As they entered the tomb, they saw a young man, dressed in a white robe, sitting on the right side; and they were alarmed. But he said to them .... . go, tell his disciples and Peter that he is going ahead of you to Galilee; there you will see him, just as he told you. So they went out and fled from the tomb, for terror and amazement had seized them; and they said nothing to anyone, for they were afraid.
We read a somewhat different account of what the women did on returning from the tomb, in Lk 24:9-10:
Then they remembered his words, and returning from the tomb, they told all this to the eleven and to all the rest. Now it was Mary Magdalene, Joanna, Mary the mother of James, and the other women with them who told this to the apostles.
There is an apparent contradiction in the time of and the manner in which the news of Jesus' resurrection was disclosed to the Apostles, going by the account given by Mark vis-a-vis that given by Luke. My question therefore, is: How does the Catholic Church reconcile the apparent contradiction in the time of and the manner in which the news of Jesus' resurrection was disclosed to the Apostles?
catholicism life-of-jesus gospels apostles resurrection-of-jesus
Ken Graham♦
Kadalikatt Joseph SibichanKadalikatt Joseph Sibichan
I don't see the contradiction.
– Mike Borden
Please focus on Mk 16:8 :".. they said nothing to anyone, for they were afraid " and Lk 24: 9 :"..returning from the tomb, they told all this to the eleven and to all the rest." . You will find the difference.
– Kadalikatt Joseph Sibichan
I suggest Mark leaves room for the meaning to be "they said nothing to anyone (else)" or "nothing to anyone (on the way to tell the disciples). Otherwise they disobey the command of verse 7 and contradict the other account.
Interestingly, Mk 16: 8 of AKJV reads : "And they went out quickly, and fled from the sepulchre; for they trembled and were amazed: neither said they any thing to any man; for they were afraid. " . They may have told the Blessed Mother and other ladies who in turn would have informed the Apostles.
But Luke tells us, "Now it was Mary Magdalene and Joanna and Mary the mother of James and the other women with them who told these things to the apostles". "Man" in Mark is any person, not a male specifically. Matthew 28:8-10 records Jesus appearing to them on the way and telling them not to be afraid. When you collate all of the accounts it makes sense.
Browse other questions tagged catholicism life-of-jesus gospels apostles resurrection-of-jesus .
Like any library, Christianity Stack Exchange offers great information, but does not offer personalized advice, and does not take the place of seeking such advice from your pastor, priest, or other trustworthy counselor.
How can these inconsistencies about Jesus' tomb be explained?
Where was Jesus' tomb?
How widely held among Protestants is the belief that the authors of the books of James and Jude were half brothers of Jesus?
How do the church fathers reconcile the accounts of Jesus calling Peter and Andrew to be apostles?
How does the Catholic Church narrate the seal which was put on the tomb of Jesus?
What were the ages of the Apostles Peter and John when Jesus was crucified?
What are the basis and larger connotations of the term "untimely born" as St. Paul refers to himself in 1 Corinthians?
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The users in the digital field will be able to transmit the information through corporate communication. The messages.
Digital world offers exciting ways to earn money, but without proper planning it can quickly burn your hand. It.
When you start a new business on internet then acquiring more new customer and to make them as regular client is.
Let's just discuss here which happens to be the most difficult part of earning from YouTube and to begin with everyone has to take care and get the right technique that can offer you the highest views. Well, whatever channel you are working on it will always be hard for you to get the first 100 views, the first 200 and followed by the next few hundreds until you get your channel established..
The users in the digital field will be able to transmit the information through corporate communication. The messages can be transmitted by the customers in an effective and direct way. It is essential to concentrate on your daily work when you will be able to consider the target audience. The community manager at Agencia will be able to make everything as possible through social networks..
If you're a businessman, you're more likely than not to encounter the word "Search Engine Optimization" or SEO. You've probably heard your friends doing business in another market or even your competitors say that they owe their business' success to SEO. If you find yourself wondering how search engine optimization can help you out, that's a good sign that you're on your way.
The ability to act on behalf of another person is called a trustee. An example is the vote by proxy of another person who cannot attend the polls. The proxy browser is very similar, since it can act instead of another computer. This works so that the server hosting the proxy browser opens the URL of the source computer so that the user can remain protected while browsing the Internet. The.
Many people start to panic if they have deleted some important files from their flash drives. One of the common answers they usually think of is hiring a company to help them recover the deleted files, accidentally or by mistake. Why do you need to spend a fortune if you can recover deleted files from your flash drive easily and cheaply? Do you want to know simple ways of how to easily recover.


text:
Alternative News Gone Mainstream
Prep & Survival
CIA Director Mike Pompeo: Trump's "An Avid Consumer" Of Intel, Will "Punish Leakers"
Posted by Tyler Durden on June 24, 2017 10:05 pm
Tags: AL QAEDA, American Presbyterians, Business, central intelligence agency, China, Communist Party, donald trump, FLORIDA, Geography of Asia, Hezbollah, Hizballah, Iran, ISIS, Mike Pompeo, MSNBC, NBC, new york city, north korea, Politics, Real estate, Saudi Arabia, Saudi Arabian government, Trump Administration, Trump's government, united states, white house
Categories: Al Qaeda American Presbyterians Business central intelligence agency China Communist Party donald trump Economy Florida Geography of Asia Hezbollah Hizballah Iran ISIS Mike Pompeo MSNBC NBC new york city north korea Politics Real estate Saudi Arabia Saudi Arabian government Trump Administration Trump's government United States white house
In his first interview since becoming the head of the CIA, Mike Pompeo pushed back against accusations that President Donald Trump doesn't read his daily intelligence briefings, claiming that the president is "very interested" in what's happening at the intelligence communities and that his daily in-person briefings with the president typically run longer than their allotted time.
Pompeo tells MSNBC that Trump is a demanding boss who asks "great questions" and is trying to enable the CIA to take a more active "operational" role in countering threats posed by the US's enemies.
Pompeo began by responding to criticism that some say Trump is "uninterested in facts":
"I cannot imagine a statement that is any more false than one that would attribute President Trump of not being interested in the intelligence community. He is an avid consumer of the products the CIA provides he thinks about them and comes back and asks great questions and perhaps most importantly relies on them."
As the Hill pointed out, Pompeo acknowledged that the CIA has been harmed by information leaks in recent years, but said that he and Trump are focused on shutting down the leakers.
"There have been failures," he said. "You have not only nation states trying to steal our stuff but … folks like Wikileaks."
He went on to say that he believes under Trump, the intelligence community will be able to both stop and punish leaking.
"We and all of President Trump's government are focused on stopping leaks," he said, "and I think we'll have some successes both on the deterrence side, that is stopping them from happening, as well as on punishing those who we catch who have done it."
When asked about cooperation within the intelligence community, Pompeo said he suspects it has improved since the pre-9/11 era, though imperfections remain.
"I think we're in a much better place today whether we've connected them all or not I suspect perfection cannot be achieved. The intelligence community have taken answers to today's problems and applied them in really interesting ways."
As Pompeo's interviewer, NBC's Hugh Hewitt, noted, the intelligence community almost universally assumed that Clinton was going to win November's election.
But now that Trump is in power, how is the administration triaging the US's enemies? Pompeo says he and the president spend the most time discussing the threat posed by North Korea. Trump scored a major foreign policy victory this week after Chinese state media reported that the Communist Party has agreed with the US that the Korean peninsula needs to undergo "complete, verifiable and irreversible" denuclearization.
Chinese state media described the talks, the first of their kind with the Trump administration, as an upgrade in dialogue mechanisms between China and the United States, following on from President Xi Jinping's meeting with Trump in Florida in April.
"North Korea is a very real danger. I hardly escape a day at the White House without the president asking me about North Korea and how the US is responding to that threat. For the past 20 years, the US has whistled past the graveyard hoping on hope that North Korea would see a change of color."
"They have the capacity to put America at risk with a nuclear weapon."
Countering Iran, ISIS and Hezbollah also rank highly on the president's list of priorities. When comparing Hezbollah to Iran, Pompeo said that the latter's resources increase its capability to threaten the US.
"Iran is a powerful nation state with wealth and resources an organized government and an established piece of real estate of which they have complete control…I would say Iran poses the larger challenge, though I hesitate to rank them. ISIS is an enormous risk to the US today and we need to do everything to defeat them."
In a sudden, unexpected turn, Hewitt asked Pompeo about Saudi Arabia and the allegations that radical elements within the kingdom's government helped aid and abet the 9/11 hijackers. While Pompeo wouldn't comment on these claims, he offered something almost as telling.
Pompeo said he believes the Saudi Arabian government values the cooperation and friendship of the US, and that the kingdom has made "a fundamental decision" not to condone acts of terror, or terrorist groups like Al Qaeda.
"They welcomed an American who wasn't on the side of the Iranians for coming to visit with them. They've come to understand that America will support them when pushing back against enemies that we share and support them to expand their economies as well."
"The Saudis have made a fundamental decision not to engage in that kind of activity that has led to all kinds of trouble in past decades…I think they understand that it's not in Saudi Arabia's best interest to not support terrorism."
Of course, Pompeo's response carefully sidestepped any acknowledgment of whether Saudi Arabia once collaborated with Al Qaeda to launch acts of terror against the US. Maybe Pompeo was trying to reassure executives at Saudi Aramco, who have argued against bringing the impending IPO of a 5% stake in the state-owned oil giant to New York City, fearing a lawsuit. Don't worry, he seemed to suggest: All has been forgiven.
< The Fringe News home


The National FFA Organization recently awarded a $1,000 AGCO Dealer scholarship to Garrett Hagler of Miami Trace High School.
The scholarship is sponsored by AGCO Dealer Mayer Farm Equipment, LLC. Hagler plans to use the funds to pursue a degree at Wilmington College.
This scholarship is one of 1,829 awarded through the National FFA Organization's scholarship program this year. Currently 114 sponsors contribute more than $2.5 million to support scholarships for students.
For 34 years, scholarships have been made available through funding secured by the National FFA Foundation. This generous funding comes from individuals, businesses and corporate sponsors to encourage excellence and enable students to pursue their educational goals.
The 2018 scholarship recipients were selected from 8,831 applicants from across the country. Selections were based on the applicant's leadership, academic record, FFA and other school and community activities, supervised agricultural or work experience in agricultural education and future goals.


This striking cast metal lamp and end table - shelf will be the visual centerpiece of any room.
The twisted base of this floor lamp-end table combo is made from wood and is finished in a heavily distressed burnished light cherry. Aged bronze details are featured, also with heavy distressing. An attached, beveled, tempered glass tray turns this light into an instant end table. The shade is a beige linen fabric with natural slubbing for added texture. From Uttermost.
65" high overall. Base is 9 1/2" square. Tray table is 19" wide x 24" high. Beige linen shade 12" across the top x 18" across the bottom x 11" high. Weighs 33 lbs.
A traditional end table floor lamp. Designed by Carolyn Kinder for Uttermost.
Burnished, light cherry finish with aged bronze accents.
Wood, glass and cast metal construction. Beige linen shade.


Here is a recipe for homemade car upholstery cleaner.
Mix the soap flakes and borax together and then slowly add the boiling water, allowing all the ingredients to dissolve together.
Then, let it cool and use your mixer to whip up the solution until it creates a foam.
You can then brush on the car upholstery foam onto the cloth seats of the vehicle and then wipe it away with a damp sponge.
Do you have another good recipe for cleaning car upholstery? If so, you can share your own recipes and home remedies for upholstery cleaner here, or read additional recipes that have already been submitted.
In addition, you can share your car upholstery cleaning tips here, or read others that have already been submitted.


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text:
package org.apache.commons.vfs2;

/**
 * A {@link FileSelector} that selects everything.
 */
public class AllFileSelector implements FileSelector {
    /**
     * Determines if a file or folder should be selected.
     *
     * @param fileInfo The file selection information.
     * @return true if the file should be selected, false otherwise.
     */
    @Override
    public boolean includeFile(final FileSelectInfo fileInfo) throws Exception {
        return true;
    }

    /**
     * Determines whether a folder should be traversed.
     *
     * @param fileInfo The file selection information.
     * @return true if descendants should be traversed, false otherwise.
     */
    @Override
    public boolean traverseDescendents(final FileSelectInfo fileInfo) throws Exception {
        return true;
    }
}

redpajama_set_name: RedPajamaGithub


Beautifully framed 50th Anniversary Green Eggs and Ham print. This is a hand-pulled, limited edition serigraph on paper authorized by Dr. Seuss Enterprises, L.P.
Artwork donated by Chase Art Companies, Exclusive publisher of Authorized Dr. Seuss Estate Editions.
Framing donated by Fingerhut Galleries: www.fingerhutart.com Nationally recognized and Authorized dealer for the Art of Dr. Seuss.


text:
Sinking of sailing yacht Ouzo after encounter with ro-ro passenger ferry Pride of Bilbao with loss of 3 lives
Location: South of the Isle of Wight, England.
Merchant vessel 100 gross tons or over, Recreational craft - sail
Read our marine accident investigation report, which includes what happened, actions taken and subsequent recommendations:
OuzoReport.pdf (1,444.82 kb)
Annexes (2,790.76 kb)
Radar Reflectors Report (2,180.00 kb)
The yacht Ouzo sailed from Bembridge, Isle of Wight (IOW), bound for Dartmouth, Devon on the evening of 20 August 2006. She had her three regular crew members on board who were intending to take part in the Dartmouth Royal Regatta. The body of one of the crew members was found in the sea just before midday on 22 August about 10 miles south of the Nab Tower. At about 1900 on the following day, the bodies of the other two crew were recovered from the sea. They had all been wearing inflated lifejackets and good quality yachting clothing. Despite extensive surface and sub-surface searches no trace of the yacht has been found.
Ouzo was not seen or otherwise detected by the bridge team on Pride of Bilbao until it was too late to take effective avoiding action
the crew of Ouzo did not effectively warn Pride of Bilbao of their presence
Pride of Bilbao did not raise the alarm or stop and assist the yacht Ouzo after the incident because the watchkeeper was unaware that Ouzo was in distress
after the incident with Pride of Bilbao, the crew of Ouzo had no means to raise the alarm
the last minute helm action taken by the second officer to avoid the yacht was ineffective
Recommendations have been aimed at preventing glasses with photochromic lenses being used by bridge lookouts; improving the handover procedures between watchkeepers; and improving bridge night time blackout procedures. Further recommendations are aimed at improving the effectiveness of yachts' radar reflectors, navigation lights and lifesaving equipment.
This report was published on 12 April 2007.


text:
What Is Sea Salt Ice Cream?
B. Chisholm
Sea salt ice cream is ice cream flavored with salt. While there are some commercial versions available, it is not always an easy flavor to find, so making it at home may be the best option. The flavor was made popular after a video game, Kingdom Hearts II, featured its main characters eating sea salt ice cream lollies after many of the levels were completed. The ice cream combines a slightly salty taste with the sweetness of ice cream.
There are many variations on the recipe for sea salt ice cream, as with any ice cream recipe. The method used depends on whether it is being made with an ice cream maker, or from scratch. Most recipes include eggs, sugar, milk, cream and of course salt. The simpler, less creamy versions, may leave out the eggs, making the ice cream slightly less custard-like.
Sea salt ice cream can be made at home with common ingredients such as sea salt, eggs, sugar and milk.
The basic recipe involves whisking the eggs well with the sugar, until the mixture is a creamy consistency. Using a wooden spoon to stir it and prevent the bottom from burning, the milk should be heated in a pot over medium heat. It should be brought up to just before boiling temperature. The egg and sugar mixture should be added to the hot milk slowly, while stirring.
It is important that the milk does not boil. If it begins to do so, the heat should be turned down. The mixture is stirred constantly until it thickens slightly, to the consistency of custard and is then removed from the stove and cooled. Once cool, cream and vanilla essence is added. If fresh vanilla is used, the pods may be added during the cooking process, and then removed.
At this point the most important step in making sea salt ice cream is taken - the adding of the salt. This should be done by taste, as different salts have different strengths and tastes. In the video game, the ice cream is colored a blue-green color. If the color is desired, blue, green or a combination of the two food colorants may be added at this stage and well mixed in.
The sea salt ice cream can now be completed in an ice cream maker, frozen into ice lollies or placed in a cake tin or dish to freeze in the freezer. Variations of the recipe include the use of skim milk, and less cream, for a less calorie-filled option. Whichever recipe is used, sea salt ice cream provides a surprising taste sensation.
What Are the Different Types of Ice Cream Novelties?
What is Rock Salt?
What is the Difference Between Kosher Salt and Regular Salt?
By: bit24


text:
Roko Leni Ukic (Split, Croàcia, 12 de maig de 1984) és un jugador de bàsquet professional que actualment juga al KK Split. Mesura 1,96 metres i pesa 86 quilos i la seva posició en el camp és la de base.

Carrera esportiva
La seva carrera com professional va començar al KK Split de Croàcia, en on va estar des de la temporada 2000/2001 fins a la 2004/2005 amb mitjanes de punts per partit de 18,5 i mitjana d'assistència de 4'3 en el seu últim any allí. Amb aquestes bons nombres
va propiciar que fos participant del Draft de l'NBA de 2005 en el qual va aconseguir un notable 41è lloc pels Toronto Raptors. No obstant això davant el risc de començar de reserva i tenir poques opurtunitats va decidir rebutjar l'NBA i optar per jugar amb el TAU Ceràmica, equip de l'ACB espanyola, el qual ja li havia proposat una oferta. Va estar solament un any en aquest club, en on va tenir bones actuacions i va participar en la consecució de la Copa del Rei pel TAU, encara que no va tenir tota la confiança del tècnic Velimir Perasović.

L'estiu de 2006 fitxa pel Winterthur Barcelona, un dels rivals directes del TAU.

En les seves actuacions destaca per la seva desimboltura i la bona quantitat de punts que anota, a més de la característica de tenir la sang freda amb la pilota en les mans en els últims segons de final possessió, quart o partit, amb fins i tot bona estadística d'anotació en aquests espais de temps.

Palmarès
 3 x Lliga croata de bàsquet: (2003, 2015, 2018)
 2 x Lliga turca de bàsquet: (2010, 2011)
 2 x A1 Ethniki: (2013, 2014)
 3 x Copa croata de bàsquet: (2004, 2015, 2018)
 2 x Copes del Rei: (2006, 2007)
 2 x Copa turca de bàsquet: (2010, 2011)
 2 x Copa grega de bàsquet: (2013, 2014)
 1 x Supercopa eslovena de bàsquet: (2020)
 1 x Supercopa adriàtica de bàsquet: (2017)

Enllaços externs
 Roko Ukić  a acb.com
 Roko Ukić a esake.gr
 Roko Ukić a euroleague.net
 Roko Ukić a legabasket.it

Jugadors de bàsquet croats
Esportistes d'Split
Jugadors del KK Split
Jugadors del KK Cedevita
Jugadors del Saski Baskonia
Jugadors de bàsquet del FC Barcelona
Jugadors dels Toronto Raptors
Jugadors dels Milwaukee Bucks
Jugadors de l'AEK Atenes BC
Jugadors del Panathinaikos BC
Jugadors de bàsquet del Fenerbahçe
Esportistes croats als Jocs Olímpics d'estiu de 2008
Esportistes croats als Jocs Olímpics d'estiu de 2016

redpajama_set_name: RedPajamaWikipedia


William C. Tracy is a North Carolina native and a lifelong fan of science fiction and fantasy. He has a master's in mechanical engineering and has both designed and operated heavy construction machinery. He has also trained in Wado-Ryu karate since 2003 and runs his own dojo. He is an avid video and board gamer, a reader, and of course, a writer.
Sam is surrounded by aliens, both strange and familiar. Soon, he meets sister and brother twins, also new to the Nether, who support him during his anxiety attacks. Sam finds he is attracted to both of them and does not want to choose.
Calm down. Stillness evaded him, left him unsteady. Everything is going dark in the middle of the day. At least the watch was working. He made sure to keep it wound and kept it safe in his room.
Aunt Martha will know what to do. Get to safety. Sam weaved through the precise stacks of boxes, trembling. She would be in her sewing shop. Sam wiped sweaty hands on his shorts before pulling a coat from the closet and socks from a drawer. He dropped his watch in a pocket of the coat but kept one hand on it. If the power outage kept up, he couldn't log in for his shift in technical support. What will they think? Will they fire me? He couldn't get his ethics essay done either, and he had to email it in by tomorrow night for the ethical theories class at his online community college.


text:
To: James B.Comey, J'accuse…!
Posted on May 7, 2017 by jsawrite
Prologue: As Director of the Federal Bureau of Investigation, James Comey supervises 50 state field offices in large cities and San Juan, Puerto Rico. His responsibilities are broad and significant. He reports directly to the United States Attorney General at the Department of Justice. His job is to oversee the development and completion of appropriate investigations. The next step is to give his findings to the U.S. Attorney General. James Comey was appointed to his current position in 2013 by President Barack Obama. During the hard fought 2016 presidential campaign between Hillary Clinton and Donald Trump, Director Comey became a controversial figure.
Act One: As the presidential campaign unfolded, it became known that Secretary Clinton had used a private server for emails, following the practice of former Secretaries of State Madeline Albright and Colin Powell. Bernie Sanders, her opponent in the Democratic primary, said in a debate, "The American people are sick and tired of your damn emails!" This brought much laughter and a hug from Clinton who agreed and thanked him for his good natured response. However, when Donald Trump became her opponent in 2015, the email issue emerged as one of his favorite attack lines, calling her "Crooked Hillary" and inviting a chant of "Lock her up!" from his supporters at the Republican convention and rallies that followed.
The F.B.I. interest in Clinton's emails began in July 2015 when the intelligence community learned that classified information had been found on certain e-mails. On July 10, the F.B. I. opened an investigation into Clinton's handling of classified information. The investigation lasted into the summer of 2016. By the end of June, agents finally interviewed Clinton aides and Hillary, who was interviewed for over three hours on July 3. On the morning of July 5, Comey called Attorney General Lynch and said he was going to hold a news conference. He did not tell her what he planned to say. As his superior, she did not insist he tell her.
The F.B.I. summoned reporters to their headquarters in D.C. for the briefing from Director Comey. A few blocks away, Hillary was about to give a speech. At the Justice Department, prosecutors and F.B.I. agents watched anxiously. All Cable TV stations carried Comey's conference live. Comey strode into a large room in the F. B. I. building and stood in front of two American flags and two royal blue F.B.I. flags. At six foot 8, he was a commanding figure. He read his remarks from a script in a firm, clear voice for fifteen minutes. Comey said F.B.I. agents had reviewed 30,000 emails and found 110 that contained classified information. He added that computer hackers may have compromised her emails. He criticized the State Department's lax security culture and Secretary Clinton directly. He called Clinton and her aides "extremely careless" in their handling of the emails. This became the most quoted phrase by TV and press reporters. Many listeners said later they expected him to announce criminal charges as Trump had been urging for months. That did not happen. In the last two minutes, Comey explained that the agents had found no criminal "intent". Therefore, Comey said, "no charges are appropriate in this case."
Comey had broken established Justice Department rules of procedure. His job was to give the F.B.I. investigation findings to Attorney General Loretta Lynch. She would then decide if further action was warranted. Donald Trump called the system " rigged" and rejected Comey's failure to bring criminal charges. Comey followed it up with a meeting a few days later with angry Republicans in the House of Representatives. He assured them he would keep them abreast of any further revelations. Throughout the rest of the heated campaign, Trump wielded Comey's remarks as a constant refrain. Hillary had been "extremely careless" and could not be trusted as president.
Act Two. October 28, 2016 was only eleven days before November 8, Election Day. The polls showed Clinton with a clear lead. Almost all forecasters predicted she would have a strong victory in the Electoral College. Then, James Comey called a second press conference to announce that thousands of emails from Anthony Weiner , husband of Clinton's top aide had included some involving Hillary Clinton. Therefore, he was reopening the investigation into Clinton's emails. This BREAKING NEWS on all cable stations was immediately lableled a violation of a long standing tradition in the political world: There could be no information or introduction of news that would roil the campaign within sixty days of the election. This tradition, that had been followed for 50 years, was inscribed in writing by Attorney General Eric Holder during the Obama years. It was FORBIDDEN by Justice Department rules to do what James Comey did that day.
In the days that followed, it became known that Loretta Lynch and her deputies had urged Comey not to reopen the investigation into Clinton's emails. Donald Trump chortled and embraced Comey after castigating him for months. Hillary Clinton kept to her schedule of rallies and speeches. She even moved into red states that appeared to be turning blue. The polls continued to show she was leading Trump in both Electoral College votes and the Popular Vote. But the margin had narrowed.
Act Three: On Sunday, November 6, two days before Election Day, Director Comey sent a final letter to Congress. He said his agents had worked their way through thousands of emails and "Based on our review, we have not changed our conclusion that we reached in July." James Comey did not vote on Election Day, records show. The first time he ever skipped a national election. Hillary Clinton said, "Our analysis is that Comey's letter, raising doubts that were groundless, baseless… stopped our momentum." She pointed to polling data that showed late deciding voters choosing Trump in large numbers.
Epilogue: We have learned since the election that James Comey and the F.B. I. were beginning their investigation of possible collusion between the Russians and the Trump Campaign in July, 2016 when he held his first News Conference about Hillary Clinton. This investigation continues and has become a major news story during the First Hundred Days. When asked why he didn't say anything before the election about this, he answers that it was not completed at the time. Comey continues to stand by his news conferences and letters to Congress about Clinton's emails. He told Senate Judiciary members he is "mildly nauseous" at the idea he swayed votes and caused Hillary Clinton to be the loser in the election, making Donald Trump president! Each citizen can make his or her own judgment on that question. I have made mine as reflected in the title of this blog.
2 thoughts on "To: James B.Comey, J'accuse…!"
Adri on May 8, 2017 at 6:28 pm said:
A hard hitting piece. I love the title and the last sentence!
Faith Anderson on May 12, 2017 at 6:05 pm said:
I feel like we are all learning a new playbook about Politics and the Art of the "Contact Sport". These are difficult times for all with so much conflict , turbulence , and lack of professional boundaries with our so called Leaders.


Could you elaborate a bit on the company's background, its target markets and the specific needs of these markets?
Here at the IXOLIT group, we've been watching the payment space closely for many years and from many perspectives; firstly, from the merchant perspective, integrating and maintaining countless solutions for our clients, providing them with compliance tools and also optimising risk and fraud setups for them. Secondly, from the technical PSP perspective, handling acquiring relationships and trying out many white-label products, none of which ever satisfied our quality standards (or those of our merchants).
With our IXOPAY gateway offering, we try to fill the niche located exactly in the "golden middle" between these two points of view, creating win-win scenarios for merchants and their PSPs / Acquirers by providing them with maximum flexibility and true, global, scalability potential.
How do PSD2 and GDPR affect the payments industry?
I believe that the growing regulatory pressure has led to a consolidation of the market in recent years; we see the many cooperations between traditional banks and young fintechs, we see a growing number of mergers and acquisitions in the larger player segment, and personally, I also see a trend of professionals moving from the merchant to the processing side and vice versa.
Simultaneously, we see more and more merchants expand their acquiring portfolio and switch processing solutions more often than they used to. I'm also under the impression that merchants concern themselves more with regulation and compliance in principle due to the relatively extensive media coverage of these topics.
All of this results in the lines between merchants, processors and solution providers becoming more fuzzy and know-how being transferred quickly in all directions. I'm convinced that the near future will bring an evolution away from classical competition towards mutually beneficial cooperation.
As the number of fintechs grows, what do they need to keep the upper hand and what can they do to survive in the sea of competitors and regulations?
I think it's safe to say that the most agile, the most flexible players will be the ones that survive (putting aside the wave of "grey area" ICOs, which are a separate, more complex topic). As is the case with any evolutionary stage, those who bring the toolset needed to quickly adapt to the ever-changing conditions will have a strong advantage - I feel that co-operation with (not exits to) traditional players can be part of a successful strategy, but also putting an emphasis on ecosystems and creating services that can be somewhat easily embedded in them (SCA/XS2A, Robo-Advising, KYC, real-world blockchain applications, etc.).
Merchants need to lower costs while at the same time driving conversion. What type of partnership can help them hold their ground, be more flexible and avoid the stress that comes with complying with the regulations?
As merchants become more knowledgeable, they also require more and better tools to drive optimisation; for example, once you gain insight about inter- and intra-regional fee structures, you are only then in a position to utilise smart routing functions to save on them (and on a certain level of transactional volume, the savings can be significant). Or you're only able to identify certain fraud patterns and expansion potentials with things like error messages being handled transparently and easily accessible in your BI and reporting tools.
More traditional approaches, like partnerships with 3rd party risk and KYC solutions providers can be very helpful as well, but the foundation of any sustainable payment setup should be a scalable (also in terms of upcoming payment methods!) gateway that includes easily applicable volume balancing functionalities and a provider-independent PAN-vaulting solution.
You will soon be attending Money 2020 – can you share some expectations on the event and what you plan to debate upon while there?
We expect to do a LOT of networking. We already have a "Preferred Partner Program" for Acquirers and Payment Facilitators in place and we are planning to roll out a similar system for Solution Providers - Money2020 Europe is a great place to discuss these efforts with our industry peers, face to face. So, the focus will surely be on cooperations and partnerships, but I might just do some hiring as well.
Gox Mailer looks back on a strong consulting background in various positions in the IT, Film and Advertising spaces, both on the agency and the client side and, in the last decade or so, has put a strong focus on online payments. He's joined the IXOLIT group in 2010 to help it enter this space, advised enterprise clients, handled strategic business development of the internal PSP, created the brand for the purchased.at joint venture and spawned the development of the IXOPAY gateway.
Being part of the IXOLIT Group, IXOPAY GmbH has created its gateway to ease typical payment processing pain points for both Enterprise Merchants and PSPs/ISOs. The modern, easily expandable architecture provides intelligent Routing & Cascading functions for the former, as well as state-of-the-art Risk and Reconciliation Engines for the latter.


text:
Q: Xcode continuous integration stack on "building sources"
I don't know how to solve this. Is it a bug of Xcode or did I miss something?
The following are the settings of my Bot:

Does repository git path is correct?
Because I have it in Apps/DirectBistro/.git.

Something is not right here but I do not know what.

The error is the following:

Build Service Error Running task was terminated because it produced no activity for more than 600 seconds (use sudo xcrun xcscontrol --configure-integration-timeout to increase this timeout)

A: In our case it was due to broken permissions. It usually happens after Xcode Server or macOS update.
This can be fixed with:
$ sudo xcrun xcscontrol --fix-permissions

In case it won't help, try resetting Xcode Server (NB! this will delete all your bots and history):
$ sudo xcrun xcscontrol --reset

A: I had the same bug and solved it using the following steps:

*

*Save all files in your project

*Remove all files and commit

*Add all files, commit and push

*Remove the contents of the file .gitignore

*Add all the files using git add .

*Commit and push

A: For my case,

*

*Xcode 10

*my build time is more than 600 seconds

Running task was terminated because it produced no activity for 600 seconds

In Preferences > Server & Bots > Integration timeout
Increase it to more than 10 minutes


text:
Larry Postaer Shares 50 Years of Advertising Tales in New Book, 'Pickett, Plunkett and Puckett.'
Santa Monica, Calif., Sept. 11, 2011 — A penchant for the written word early in life foreshadowed an accomplished advertising career spanning six decades and a bounty of anecdotes, as told in the new memoir "Pickett, Plunkett and Puckett. My 50 Years in Advertising." Author Larry Postaer recounts his first three clients, whose alliterative surnames comprise the book title, as well as encounters with some of marketing's most illustrious names along the journey that led to co-founding RPA, one of the largest independent advertising agencies on the West Coast.
Postaer's prose tells of his humble beginnings as an ad salesman on the University of Missouri Journalism School's daily and his first professional copywriting job in the advertising sweatshop of a Chicago department store. Postaer's next career move, where he cranked out Sears catalog pages teamed up with a layout person on the other end of a pneumatic tube, eventually led to his first agency experience, where he soon found himself in the unlikely position of being the youngest creative director in America.
Postaer was later recruited by a large national agency to work on major brand names, including McDonald's and Bud Light. Finally, after a move to L.A., he partnered with Gerry Rubin to form RPA, supervising creative on the ever-growing Honda car brand, a client he calls "once-in-a-lifetime."
Says Postaer, advertising provided him "an attainable avenue of self-expression," a point he illustrates with examples from his long career, along with musings about the value of mentors, finding work in a tough job market, working with and selling creative to clients and winning new business.
"Pickett, Plunkett and Puckett. My 50 Years in Advertising" is available at bookstores and Amazon Kindle.
About RPA RPA, headquartered in Santa Monica, Calif., is a leading independent advertising agency. RPA builds momentum for brands by offering its clients truly integrated campaigns that resonate throughout its disciplines, which include traditional advertising, interactive, and direct and event marketing. RPA's client list includes American Honda, both the Honda and Acura brands, California Department of Public Health, La-Z-Boy, Farmers Insurance Group and Mandalay Bay Resort and Casino. For more information, visit http://www.rpa.com.
back to all press releases


The item EREN network news, Energy Efficiency and Renewable Energy Network (EREN), U.S. Department of Energy, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Oklahoma Libraries.
Available also by email delivery; enter subscription request to EERE via Internet. Address as of 2/11/2004: http://www.eere.energy.gov/news/; current access is available via PURL.


The human body is crudely analogous to a machine. Yet there is a rift between the cold silicon of artificial robots and the breathing tissue of biological organisms. With the rise of nanorobots, however, the dividing line between humans and machines is becoming fuzzier and fuzzier. Nanorobotics is a subfield of nanotechnology that deals with the development of molecular machinery designed to diagnose, treat and even prevent various illnesses from the inside-out rather than from the outside-in. Just as an artificial defibrillator can correct an irregular heartbeat, nanorobots can be inserted into the body to treat a host of maladies.
But how do nanorobots work? Picture a hexagonal tube a nanometer in size. The ends of the tube are connected by a latched hinge. The nanorobot is inserted into the bloodstream where it coasts along the murky waters looking for signs of distress. The nanorobot latches onto the surface of cells, which consist of a lipid bilayer embedded with protein molecules. If the nanorobot recognizes an abnormal protein molecule that is associated with a specific cancer, its latches swing open and administer a lethal cocktail of drugs that cause the cell to self-destruct.
RECOMMENDED: It's New. It's Improved. It's Synthetically Modified Food.
a syringe. The antibiotic becomes dilute as it travels through the bloodstream so that only some of the drug reaches the infection. In contrast, a nanorobot–or a team of nanorobots– could travel through the bloodstream and deliver the same drug at the site of the infection. The patient would suffer fewer side- effects and the drug would be able to better treat the infection.
That's just the tip of the iceberg. Nanorobots could also assist in spinal surgeries by mending and re-attaching severed nerves. Furthermore, by working inside the body, nanorobots could perform various surgical procedures without requiring patients to go under the knife. Last, nanobots could also be used to break-up blood clots, dissolve kidney stones, clean wounds and destroy parasitic intruders. These ideas are preliminary. Nevertheless, they shed insight on the stupendous possibilities nanorobots might have to offer.
Sounds good in theory but do nanobots work in practice? Engineers face the daunting challenge of designing a minuscule machine that can effectively navigate through a maze of veins and arteries in order to deliver a specific drug on site. Although nanorobots are still in the early stages of development, preliminary trials on cockroaches and rats have shown promising results. According to two studies published in the journals Science and Nature, nanorobots were able to kill half the cancer cells in cockroaches in three days without causing damage to neighboring, noncancerous cells. Researchers plan to conduct the first nanorobotic trial on humans this year. The patient selected only has a few months to live. The researchers hope to remove the cancer cells inside the patient within one month.
One challenge about treating cancer is the multiplicity of cancers that plague the humanity. Unlike HIV and Polio, which have diverse though similar strands, cancer is a beast of many rather than a beast of its own. Cancer occurs whenever a mutated cell makes copies of itself that fail to die. As a corollary, the cells conglomerate into masses or tumors. The tumors feed off the energy of neighboring cells, therefore depleting the body of nutrients. But the human body is made up of many different kinds of cells, meaning there is a vast range of shapes that cancer can take, from brain cancer on one end to pancreatic cancer on the other end. As of right now, nanorobots are capable of detecting twelve different types of cancer cells, including solid tumors and white blood cells associated with leukemia.
Using machines to treat various illnesses is sure to spark debate within the public square. Philosophers and theologians have spent centuries debating whether man is purely a material being or whether there is a ghost in the machine. Now, advances in health technology have given us something new to ponder: the machine within the machine.


text:
Girl in Red creates Pride flag Fender for LGBTQ+ charity Kaleidoscope
By Mothy Muyobo
"As a privileged queer person, I feel it is important that I am as loud as possible."
Girl in Red, in partnership with Fender, has created a one-of-a-kind Fender Player Series electric guitar.
The guitar is self-painted by Girl in Red, covered in the iconic Pride flag colours. The Fender has been put up for grabs through a raffle auction, with 100% of the proceeds going to Kaleidoscope Trust.
Kaleidoscope works to uphold the human rights of lesbian, gay, bisexual and transgender people in countries around the world, where they are discriminated against or marginalised due to their sexual orientation, gender identity and/or gender expression.
"As a privileged queer person, I feel it is important that I am as loud as possible," said Girl in Red.
"Music can create an incredible and safe space for those who need it the most and this feels like an authentic way I can help others in the community."
The winner of the raffle will receive the exclusive electric Telecaster® guitar and three months free guitar lessons via Fender Play, giving them all of the tools they need to create their own sound.
Entries close Sunday 2 August at 23:59.
Related: Girl in Red's big quarantine interview: "I just want to go out and have a f**king beer."


Deborah den Dulk Events works with you to create a concept that will leave everlasting memories with your guests. Whether you want to organise a festival, a company party, a wedding or a private party, we're here to see the whole thing through!
Deborah den Dulk Events provides management for several artists. Our broad network consists of ceremony masters, DJs, artists, photographers and make-up artists. We work with all the right people to make your experience magical!
Deborah den Dulk is passionate about event management. You'll notice this in her commitment, dedication and hard work towards a great result with a positive impact. She has sincere attention for people and has a broad network. A hard working and passionate event planner who reaches for the moon and actually catches it! And all done with a radiant smile and humor. Deborah's help was of great value!
For Deborah, every event is important. She crawls into the skin of the customer and looks for the ultimate event objective of the client. These qualities create a magical event that impresses guests. The event has an everlasting impact on guests. Deborah understands the art of 'moving people' and guarantees goose bumps. How does she do it? Perfection in every detail and especially making the right choices for an extremely successful event. Deborah not only provides a special experience, she also gives every event an infectious 'meaning'. It's magical.
Deborah volunteered with WereldOuders during the Angels Of Light gala. She contacted her network to provide access to auction items for the Gala that we would've never dreamt of. Her very positive energy and decisiveness ensure a very pleasant cooperation. She has helped WereldOuders enormously.
Many thanks for your enthusiasm and we hope that you want to keep helping us in the future.
Deborah is an incredible event planner. With her enormous network of diverse contacts, her creativity and a good dose of positive energy she manages to lift every event to a higher level. Through her years of experience, she automatically takes advantage of all opportunities and avoids all pitfalls. Deborah likes to roll up her sleeves, invariably conjures up surprises, shines on the work floor and during the event itself. In fact, every successful event needs a "Deborah"!
I am Deborah den Dulk. I've worked in media for years (TV, music) and that's where I earned my credits. I organize, think and create, but above I bring an element of surprise to each and every event.
I am creative, intuitive and resourceful. It's about the result and the fun, both in the preparation and on the day of the event.
Thanks to my broad and large network, I can connect people quickly and bring the right parties together. There's no greater satisfaction than to see happy people at a successful party that I have been able to organize with passion. That makes me choose this wonderful profession! An everlasting memory for my customers and their guests.
By listening to the underlying questions, I turn organizing an event into more than simply performing an assignment. Realizing your objective requires both empathy and decisiveness.
Achieve maximum magic. My mission is to make your guests your ambassadors.
Creating everlasting memories. I want to make sure that your guests, customers and colleagues still remember your event with pleasure and amazement weeks later, and that your guests, customers, colleagues share this even with those who were not there.


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text:
How to watch AC Milan v Cagliari in Serie A: Start time, TV channel, streaming and more
Date:27th August 2021 at 1:58pm
Written by: Forza Italian Football Staff	 Forza Italian Football
AC Milan might not have Zlatan Ibrahimovic available just yet, but the Rossoneri got off to a winning start in Serie A, and will be looking to continue that trend against Cagliari on Sunday evening at the Stadio San Siro.
Stefano Pioli's men haven't been beaten by Cagliari since May 2017, and have not conceded in the last five matches when facing the Sardinians in Serie A. Overall, Milan have only lost three of 39 games against Cagliari in the Italian top flight.
WHEN DOES MILAN V CAGLIARI START?
Milan are set to welcome Cagliari to Stadio San Siro on Sunday, August 29 with kick off set to take place at 20:45 CEST (local time).
• GMT: 19:45
• Eastern Time: 14:45
• Pacific Time: 11:34
• AEST: 04:45 (Monday)
Should Milan win the match against Cagliari, it will be the first time since 2004, when the Rossoneri have taken maximum points from their opening two Serie A games.
WHERE CAN I WATCH MILAN V CAGLIARI IN SERIE A?
Serie A can be followed all over the world with Paramount+ holding the rights in the USA, and CBS Sports Network broadcasting one game per week as well. In the UK, BT Sport have the rights to Serie A and will show around 200 games over the course of the season. Meanwhile in Australia, beIN Sports is the official broadcaster.
HOW TO FOLLOW MILAN V CAGLIARI IN THE USA LIVE?
If you're living in the USA, you can view the Milan v Cagliari fixture on Paramount+, with the station having signed a deal which gives them a significant portion of Serie A broadcasts for the 2021/22 season.
HOW TO FOLLOW MILAN V CAGLIARI IN THE UK LIVE?
If you're living in the UK, you can view the Milan v Cagliari fixture on BT Sport 2, with the subscription service having retained the rights to broadcast Serie A in 2021/22.
How to follow MILAN V CAGLIARI in the Australia LIVE?
Viewers in Australia can watch the Milan v Cagliari clash on Monday morning on beIN Sports, which is the official broadcaster of the Italian top flight in Australia. You can also get access to Serie A matches on beIN Sports through either Foxtel, Telstra, Foxtel Now or Kayo Sports.


ACTION: Reproposed rule; extension of comment period.
SUMMARY: The Securities and Exchange Commission is extending the comment period for a release reproposing books and records requirements for broker-dealers under the Securities Exchange Act of 1934 (Release No. 34-40518) which was published in the Federal Register on October 9, 1998 (63 FR 54404). The comment period for Release No. 34-40518, is being extended to December 9, 1998.
DATES: Comments must be received on or before December 9, 1998.
ADDRESSES: Comments should be submitted in triplicate to Jonathan G. Katz, Secretary, Securities and Exchange Commission ("Commission"), 450 Fifth Street, N.W., Mail Stop 6-9, Washington, D.C. 20549. Comments also may be submitted electronically at the following E-mail address: rulecomments@sec.gov. Comment letters should refer to File No. S7-26-98; this file number should be included on the subject line if E-mail is used. All comments received will be available for public inspection and copying at the Commission's Public Reference Room, 450 Fifth Street, N.W., Washington, D.C. 20549. Electronically submitted comment letters will be posted on the Commission's Internet web site (http://www.sec.gov).
FOR FURTHER INFORMATION CONTACT: Michael A. Macchiaroli, Associate Director, (202) 942-0131; Thomas K. McGowan, Assistant Director, (202) 942-4886; or Deana A. La Barbera, Attorney, (202) 942-0734, Division of Market Regulation, Securities and Exchange Commission, 450 Fifth Street, N.W., Mail Stop 10-1, Washington, D.C. 20549.
SUPPLEMENTARY INFORMATION: On October 2, 1998, the Commission issued for comment Release No. 34-40518 soliciting comment on reproposed amendments to the Commission's books and records rules, Rules 17a-3 and 17a-4 under the Securities Exchange Act of 1934. Specifically, the reproposed amendments are designed to clarify and expand recordkeeping requirements with respect to purchase and sale documents, customer records, associated person records, customer complaints, and certain other matters. The reproposed amendments also specify the books and records that broker-dealers would have to make available at their local offices. The reproposed books and records rules are specifically designed to assist securities regulators when conducting sales practice examinations.
addressed by the release. Therefore, the Commission is extending to December 9, 1998 the comment period for Release No. 34-40518 (Books and Records Requirements for Brokers and Dealers Under the Securities Exchange Act of 1934).


Current transportation practices are not sustainable as greenhouse gas (GHG) emissions from the transport sector are increasing at a faster rate than any other energy using sector, especially in urban environments. Technology based behavioural change interventions towards adopting transportation habits that rely more on the use of public transportation, bicycles and walking and less on private cars can provide the means to reduce GHG emissions, mitigate the effects on the environment and improve the quality of life in urban areas. In this paper, we present our approach to support sustainable transportation decisions and nudge users to select more environmental friendly routes through a set of personalized persuasion services which are embedded in route planning applications. The proposed services leverage a multitude of relevant information elements including user profile characteristics and contextual information in order to nudge users to follow green transportation routes.


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Fervor Records Helps Spur Gene Pool Reunion
Two decades after their last stint on the legendary Mill Avenue 1990s alt-rock scene, Tempe trio Gene Pool is reconvening for a series of 25th anniversary performances. These shows are driven, in part, by the recent reissue of the group's debut album "Time & Place" by Fervor Records.
Guitarist/vocalist Ronnie Winters, bassist/vocalist Jeff Owens and drummer/vocalist Kevin Lofton had been casually considering a reunion since 2015. Fervor's serendipitous reissue of Gene Pool's 1992 debut helped make the reunion a reality. "We'd actually been thinking about doing a gig for a while and we were all really enthused about it, but it never got past the phone-calls-and-texting stage," Winters said. "When we heard that Fervor had reissued our first album, it hit us that it'd been 25 years since it came out, and that realization was a big inspiration to actually go through with it."
Gene Pool's first gig since August 1997 is with another popular 1990s band with a 25 year anniversary. They'll share the stage with major label chart toppers Dada, who are best known for their 1992 breakout hit "Diz Knee Land." Get your 90s on March 8, 2017, at the Rogue Bar in Scottsdale with Dada and Gene Pool! Tickets on sale now, and hit the event's facebook page for details!
← Colony Has Gotta Get Away The Arrangement With Fayuca →
©2017 Fervor Records | Website magic by inventiveWebs


As a photographer I have some pet peeves for sure. One of them concerns "portrait" lenses.
For me a portrait lens is a lens I use to take a photo of a person. I have used 15mm and 200mm, but prefer a couple of focal lengths in between those extremes.
My all time favourite is probably the Canon EF 35mm f/1.4L. This is a perfect focal length for the type of environmental portraiture I do day to day. (That means showing the subject in their environment.) 35mm is just a bit wider then the eye sees, and the 1.4 aperture allows me to really blur the background as is my style (or schtick).
Which brings me to my peeve. In so many of these online photography forums you have people saying that 85mm is "the perfect portrait lens". Don't get me wrong, 85mm is one of my other go-to focal lengths, along with the 135mm. But to limit yourself to this kind of thinking hobbles your efforts before you even take a shot.
Don't worry about what others tell you to use. Use your eyes, then the gear. Don't worry about these ridiculous camera club rules.
Here are a few samples of my work with the 35L.


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Home Blog Loughinisland Verdict, Families' Vindication
Loughinisland Verdict, Families' Vindication
By Mike Ritchie
Finally, finally!
The families of those killed and injured in the Heights Bar have official vindication of the fact that RUC collusion facilitated the murder of their loved ones. A ruling by Mrs Justice Keegan in the High Court, Belfast, this morning also confirms that collusion was a factor in the failure to bring those responsible to justice.
Justice Keegan's ruling quashed an application by former head of RUC Special Branch Raymond White (on behalf of the Retired Police Officers Association, RPOA), seeking to restrict the powers of the Police Ombudsman to publish the facts and her/his conclusions arising out of investigations into complaints against the RUC.
By implication, her ruling suggests that restriction of the Police Ombudsman's wide discretion to publish what s/he sees fit to publish would undermine the peace process and the outcome of negotiations that concluded the conflict in the late 1990s and brought about the new dispensation in the north of Ireland.
Adrian Rogan, 34, Malcolm Jenkinson, 53, Barney Green, 87, Daniel McCreanor 59, Patrick O'Hare, 35, and Eamon Byrne, 39 were all killed by the UVF when one of their units pushed open the door of a quiet country bar where the occupants were watching Ireland playing in the soccer world cup in 1994. The killers opened fire with automatic weapons with cruel indiscrimination killing the six men and injuring five others seriously.
The complaint by the Loughinisland families against the RUC handling of the investigation was first lodged in 2001. The matter is now concluded an incredible 17 years later. (While an appeal is possible, such a step would simply confirm the views held by many of Raymond White as someone committed to undermining an important institution of the peace settlement in the north of Ireland. It is to be hoped he will accept the logic of today's ruling.)
Mrs Justice Keegan summarily dismissed the argument that:
the Ombudsman cannot make findings against the RUC as an organisation; and
the Ombudsman is unable to comment on collusion between the RUC and other organisations, in this case loyalists.
She pointed out that, despite the fact there is no consensus on the definition of collusion and that the fact that it is not anywhere defined in law or as a criminal offence, it is nevertheless "an issue of the utmost gravity" involving "high political and societal stakes". It is an issue, therefore, that needs to be addressed. The Police Ombudsman is perfectly entitled so to do.
She stressed that the legislation establishing the office flows from the peace process inasmuch as it was the Good Friday negotiations which lead to the Patten Commission on the future of policing. It was the Patten Commission which established the new architecture for policing. She referred to para 6.42 of the Commission's report which is worth quoting as follows:
"We cannot emphasize too strongly the importance of the office of Police Ombudsman in the future policing arrangements proposed in this report. The institution is critical to the question of police accountability to the law, to public trust in the police and to the protection of human rights."
After this powerful affirmation of the function of the Police Ombudsman, Mrs Justice Keegan set out the wide discretion which parliament gave to the institution in its statutory basis. In a withering put down of attempts to curtail its remit, she said: "I am not attracted to a narrow view of the Ombudsman's functions".
She was also live to the implications of her judgment for other reports into other controversial cases. Her findings should allow the Ombudsman to carry out the functions envisaged for it in holding the police to account without fear or favour by carrying out independent investigations into current activities and the role of the RUC in legacy cases.
Provided the office of the Ombudsman carries out its functions lawfully, with procedural fairness and was cautious in its use of language when compiling its reports, it now has a wide discretion in how to carry out its work and what to report on.
It remains to be said that the relatives of the victims of the terrible attack at Loughinisland have carried themselves throughout with fortitude, dignity and patience. Their poise is in stark contrast to former RUC personnel seeking to cover-up past failings with a smothering blanket of secrecy.
National Security veto and Dealing with the Past
BBC Newsline Legacy Series


A wonderful opportunity to photograph the Havana Sevens tournament whilst in Cuba this December.
Unfortunately Cuba was hit by torrential storms lasting 3 days, this caused extensive flooding around Havana and cut the 2 day tournament down to one day which now had to be played on a heavily sodden pitch.
Three Women's teams and Five Men's teams, from Canada, Cuba and Italy now had to squeeze around 6 games each into an 8 hour day.


Napoli owner Aurelio De Laurentiis has made an outrageous claim about Liverpool FC and AS Roma following the transfer of Alisson Becker.
Conspiracy theories are rife in the footballing world but this surely has got to take the cake from Napoli owner Aurelio De Laurentiis.
La Gazetta dello Sport has quoted the Serie A chairman sensationally claiming that Liverpool and AS Roma are owned by the same entity.
De Laurentiis reasoning comes back round to the transfers of Mohamed Salah last summer and most recently goalkeeper Alisson Becker – who joined the Reds for an eye-watering £65m fee in July.
De Laurentiis is quoted as saying: "Roma? They've changed a lot and I don't know if that's good.
I agree that the Reds have done well to take the pair of players they have from Roma for the combined sum of £100m but De Laurentiis is certainly mistaken in his outlandish claims.
Both clubs are owned by Boston-based companies – Roma's president James Pallotta is an executive board member of Boston Celtics while the Reds of course are owned by Boston Red Sox owners Fenway Sports Group – but that is where the similarities end.
I like a good football conspiracy theory as much as the next guy but this is actually ludicrous.


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Sony DCRSR100
Sony has joined JVC in offering a camcorder with a built-in hard drive instead of tape or DVD media. Frank McLeod takes it out to play.
The Sony DCR-SR100E is a small brick-shaped camera, dominated by the rather large circular housing holding the optics and tiny flash. Behind this is an automatic leaf-type lens cover which protects the Carl Zeiss Vario-Sonnar T* (F=1.8-2.9) lens when not in use.
A single one-third inch CCD (5.9mm for the purists) uses 3,310,000 effective pixels to record video in the 4:3 mode and 2,050,000 when shooting in 16:9 aspect ratio. The fold-out 2.7 inch LCD monitor is in the 16:9 configuration, which means that when in 4:3 mode, the image is unfortunately quite small. Like a lot of Sony camcorders, the LCD monitor, with its touchscreen menu system, is a central feature. The menu icons are of good size, and scrolling through the various options is simple. At the left-hand edge of the LCD screen are additional separate controls for record/pause and zoom in and zoom out. The optical zoom is rated at 10x while the useless digital zoom claim of 120x is emblazoned on the camera body.
At the rear of the camcorder are the primary controls, with the power on/off switch protected by a secondary lock-off button. Once turned on, switching between video, still and playback modes is by repeatedly rocking the power switch, and a small nearby LED indicates the mode selected. Below the power switch is the Record/Pause button, and a tiny button next to this controls the (also tiny) flash. This contributes to the still photography capability of the SR100, with images up to 3 megapixel resolution. The disk access warning light is close by. The focusable viewfinder can be slid out about 15 mm, just clearing the standard battery and – surprise, surprise – it's designed for use by right-eye dominant users. It does not tilt, which is becoming the norm rather than the exception these days sadly.
On the top of the camcorder is a hot shoe for Sony accessories – flashlight, microphone and video light. The 5.1 surround sound microphone and built-in flush is located on the top of the camera.
Hidden by the closed LCD are four buttons on the side of the camera. One switches from 16:9 to 4:3 mode, a second displays battery information on screen, a third allows the selection of the one touch DVD burn when connected to a PC and the last selects the 'Easy' mode which is sort of like a 'Super Auto' mode allowing the absolute minimal controls to operate the camcorder.
Below the LCD are the back light button and night shot on/off. These are just in front of a covered collection of ports – AV input, USB port and the AC adaptor socket. Another port, for an optional corded remote control is on the other side of the camera behind its own hatch.
A nice feature in the SR100 is the shock protection system called the 'drop sensor', activated by acceleration occurring during a fall. This aims to protect the hard disk drive from the effects of being dropped. I was tempted to test this, but then thought better of it. It is, after all, a fall back position for a (warning: cliché coming!) worst-case scenario. This needs to be turned off when using the camera in bumpy situations to enable the camera to continue to function.
The SR100 has a 30GB non-removable hard disk which at its highest quality setting will allow 7 hours of recording. This would seem to be more than enough for the average family holiday or even a short OS trip without needing recourse to a computer, however, you would need to re-charge the supplied battery a number of times.
Video images are recorded in MPEG2, as mentioned, which, in HQ setting, was at an impressive 9,100 kbps variable bit rate, while its accompanying 5.1 sound was at 448 kbps. After DVD creation, while compatibility problems with some DVD players could occur with MPEG files with a combined bit rate of 9,500 kbps, this did not occur during testing.
The SR100 is a piece of cake to use, being very intuitive for obtaining basic video images. In either the Easy or Automatic mode, it really is point and shoot. After a delay for self-test, initial start-up is acceptably quick and as expected, start-up from standby is much quicker. The camera fully closes down after a selectable time has elapsed without user activity.
Access to manual adjustments – disabled in the Easy mode – is quite quick once you are used to the menu, the item order of which, in a nice touch, can be altered to suit the user's personal preferences. All the common manual adjustments that might be needed are quickly accessible and all the options can be displayed in no more than four taps on the touchscreen. Focus, spot focus (where a particular part of the visible image can be selected as the auto-focus reference point), soft skin tone and program auto exposure with various presets for lighting and activity conditions all allow alterations while continuing to record. However, I could find no manual setting for white balance.
Personally, I found it awkward to power up the SR100 one-handed. The hand strap limits movement towards the rear and that is required to get at the power/mode switch. The zoom control is rather small but is rate variable depending on the amount of its movement. The viewfinder extends about 1.5 cm past the standard battery which rather limits its use in bright light and surprisingly, the eye cup tapers in, rather than the more usual flaring out and this certainly makes it more limiting in bright ambient light. The LCD screen was crisp and sharp and a delight to use.
The supplied battery should give over an hour and a half recoding from fully charged, but has to be charged on camera. It takes at least the same time to recharge, so an additional battery or two would be sensible.
After seeing the documentation that comes with the software, I suppose its shortcomings should not be surprising. The 'manual' is really an A5 pamphlet of 26 pages, one third of which is taken up with disclaimers, the index, installation instructions and a potted description of the software functions. In summary there are four – DVD creation with one touch straight from the camera, copying and viewing images on the computer and, finally, 'editing' and creating a DVD with 'edited' images.
I am sure there might be occasions that it would be handy to dump the contents of your videocamera directly to a DVD. However, given the limited on-camera editing (more or less simple date manipulation, file protection or deletion) the quality of what would be burned to disc would be variable at best. That concept reminds me of days of long ago and 8 mm film rolls straight from the developing lab.
When the 'editing' software, Image Mixer for HDD, is used, it simply allows straight cuts in the recorded clips to be made and then compiles them for burning to DVD. No titling, no filters, no audio editing and no transitions! It really doesn't do much at all.
Samsung smart locks for a smarter secure home
Of interest, there is no need to install any software to access the clips recorded on the SR100. Simply plug in the USB 2.0 cable and any Windows XP-based computer will recognise the camera as an additional hard drive. You can then simply browse to the appropriate spot and by double clicking play the selected file in Windows Media Player.
If this was my camera, I would be importing the clips into something like Womble MPEG Video DVD, Ulead Video Studio, Vegas Movie Studio or the like and do a far better job of tarting up my original footage.
Having taken a number of clips in a variety of situations, I used the One Touch DVD Burn menu option to make a DVD and then watched it on a standard 4:3 TV. Once read by the DVD player, all the clips were presented as chapters on a bland background and I could select any one and those following it would then play.
In good light, the SR100 performs quite satisfactorily for a single CCD camera. Colours were bright and there was little bleeding that I could see. The auto focus hunted a bit, but when that happened, I was fully zoomed in on a small grey kangaroo about 70 metres away, against a low contrast bush background, so I could not really hold that against the camera. When pausing a shot, there was a noticeable distortion of the image and I suspect I was too quick in moving the camera after pressing the pause button. In more subdued outside light, I thought the colours suffered in saturation and were just a touch muddy. In low light, however, it was much worse.
Maybe I expect too much, but with Nightshot selected, an inside shot at dusk of a brown boxer dog made him appear almost grey. I had to move the camera to make sure I was not somehow shooting in black and white. With Nightshot selected by the external switch, Super Nightshot can be turned on in the menu. At this stage, forget about taking any action shots. Breathing is about all this can cope with without serious movement artefact due to the low shutter speed. With both these options turned off, colour slow shot can be menu selected and while the colour picks up, movement again is an issue. The only type of subject I could think of where I might use this last setting would be to obtain images of a baby sleeping, or say, the birth of puppies or similar, where movement is not great but dim light is beneficial or necessary.
The on-camera surround microphone is very sensitive to hand movements while recording and there seems to be little in the way of motor hum. In the Setup menu, the main direction of the recorded sound can be indicated to better target that sound. The hot shoe socket is Sony-specific, a feature I never find attractive, as it excludes the purchase of more utilitarian external microphones, like the Rode VideoMic as an add-on. Becoming more common on newer model camcorders, strangely I think, is the ommision of a headphone socket.
One aspect that was rather impressive was the close-up ability of this camera. With no specific macro mode, I could bring the camera to within 2 cm and clearly focus on the subject. A shot of a wedding ring recorded to DVD using the One Touch DVD option almost filled our standard 4:3 TV screen. This camera would be great for close up of nature subjects and with a couple of spare batteries, a walk in the bush could provide a lot of great images. The extreme close-up ability of this camera lends itself well to videography of plants, flowers and insects.
The Sony DCR-SR100E is a small compact camcorder that takes pleasant pictures and is aimed fairly and squarely at the no-fuss videographer. The ability to record seven hours on its best setting makes it very convenient for travel, and the drop sensor HDD protection system adds some practical security to this idea. My betting is that 'Mum, Dad and the Kids' will buy this camera, with its limited software, and be very happy with it.
The addition of a more fully featured MPEG editing software package would take this camera to another level, but it remains a one-chip camera that records in MPEG and will remain limited by those characteristics.
Ease of use, length of video recording, simplicity of recognition of unit by XP computer, extreme close up ability.
Average images, next-to-useless editing software, small image in 4:3 on the LCD monitor, on-camera battery charging, no manual white balance.


Other Ingredients: Allantoin, Aloe Barbadensis Leaf (Aloe Vera Gel), Aqua (Deionized Water), Calendula Officinalis Extract, Camellia Sinensis Leaf (Green Tea) Extract, Carbomer, Chamomilla Recutita (Chamomile), Cyclomethicone, Dimethicone, dl-Panthenol, DMDM Hydantoin, Glycerin, Glycol Stearate, PEG-100 Stearate, Propylene Glycol, Sodium Hyaluronate (Hyaluronic Acid), Tetrasodium EDTA, Triethanolamine.
Warning: Only apply at night prior to bed. This product is photosensitive and can burn the skin if worn out in the sun. Never use around the eyes. Will cause dryness and irritation if not used properly.
Apply a very thin coat of Fix Zit to the affected area at night after you've exfoliated and washed. Let it dry completely before laying down to prevent bleaching of your pillowcase. Treat singular pimples for 2 consecutive nights and then take 1 night off. Treat areas with multiple pimples every other night for 10 days. Rinse off in the morning before using Aloe Vera Exfoliant.


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Critic Antwaun Sargent Joins Gagosian as Director and Curator
Postmasters Gallery to Open Permanent Space in Rome
By Claire Selvin
Claire Selvin
Associate Editor, ARTnews
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June 12, 2019 3:35pm
Interior view of PostmastersROMA.
COURTESY POSTMASTERS
New York's Postmasters Gallery, headquartered in a space in the city's Tribeca neighborhood, will unveil its first international outpost this month in Rome. The new space, located near the Colosseum and helmed by Paulina Bebecka, the gallery's director-at-large in Europe, will open on June 20 with an exhibition of haiku paintings by Rafaël Rozendaal.
Magda Sawon, co-founder of Postmasters, told ARTnews that, for the last two years, the enterprise has functioned as a sort of "nomadic gallery" in the Eternal City, staging pop-up exhibitions in three different locations. A recent show titled "Role Play," which Postmasters organized in collaboration with the Rome-based Orange Garden gallery, took place at what will be PostmastersROMA's permanent home at Via G. Mario Crescimbeni, 11.
"It doesn't follow obvious patterns of where galleries open branches," Sawon said of the expansion to Rome. "But we have this very firm belief that the city has vitality and that it also needs to be vitalized by a gallery like ours, which is super-contemporary. It's a bit of an intervention, but we have great hopes."
Paulina Bebecka
Postmasters gallery
Rafael Rozendaal