text:
Hmm. Chemistry. I ended up doing well with the revision. Hayls came in and I pointed to maths stuff. "Explain!" all gentle. It's funny how I can stare at maths for an eternity but my brain has closed itself off to the subject, yet if someone comes in and opens it up gently it'll acquiesce and take in the maths. We didn't get to concentrations and dilutions 'cause she hadn't done them for a while.
Went in for the exams. When Batgirl and I got up the stairs in Palmer we both said, "Chemistry. F*** my life" at the very same time. It was hilarious. Put us in high spirits.
I think it went well. I answered every question 'cause it was a paper exam and we don't get negative marking, but I know quite a bit of it's wrong. The concentration and dilutions bit definitely. If I got all the marks I'm reasonably confident with I'll get a 66, but I doubt that, so hopefully I'll get up to a 60.
Getting myself to revise for ecology was a disaster. I just woke up in the morning and read through my stuff. I knew all the concepts anyway, it was just remembering the facts.
Hung out with Batgirl outside Palmer for a while. Ellen joined. Jojo joined. Went over with Pip, Emma and Jojo. Pip held her hands like she was holding a frog and told me to take it. I expected something strange. I screamed when it was beads, because it was so normal. If it had been a slimy worm I would have been more prepared. We laughed. It was a really neat green and orange beaded necklace that she had made a long time ago but never worn. UV-light too.
I hid from the sun by hiding behind them. Hate the sun and how I feel sick/burning in it. They laughed.
Went in. Looked through the paper, smiled. The first page had ridiculous questions but I knew all of them toward the end. It was a doss for me because my mind remembers facts well. I can see it being a nightmare for my friends. It included the Latin names and the names of the people who had the ecology rules (Rapoport's rule, Hanski's rule, etc.) and my mind was able to point them out. Sometimes I don't even remember the words, just the shape of the words. But because it was a MCQ exam I knew it was acceptable to leave my understanding at that.
Hung around outside on the Green with the circus society for a while, then came back to retrieve an umbrella because it was just too sunny for me. Then I went back. We hung around until half five or so. Pirate was a prick and Batgirl ended up leaving. I took up some of the stuff--I twirled around one of the stick things the way I taught myself to with my cane, especially after I saw Watsonii do some of the moves (she used to do colour guard). I never knew it was anything special. Everyone was really impressed that I could do "hand rolls" well. I did the defence thing Acer taught me junior year, for some martial art or another. Someone asked if I could juggle and apparently I can a lot better than I thought I could. They had me try out one of the balance mover things--just two pedals that we stand on and alternate weight back and forth on the legs to move. I picked it up quickly and decided I wanted to go backwards instead. It made me giggle. Other people just looked at me with wide eyes.
So apparently I should have joined Circus Society a lot earlier, because apparently I'm cut out for that sort of stuff, laughter.
Came back, hung 'round, ate, was tempted to not go out. Batgirl was getting a taxi by herself anyway and didn't mind that I didn't have any money to pay because she was going to anyway. I got ready and we went out. Very few people were there when we first showed up. People came in about a half-hour later. Eventually Siege/CJ came and was shocked to see me there. We ran to each other and I lifted her up and spun her around. (She had tried to do it to me after the Eco exam and I had said, "CJ, I'm heavy, don't do that!" and then pointed to the ground, "Plump people are meant to stay on the ground. Firmly on the ground." Even though I'm not really plump.) So I spun her around and then she started licking my cheek (I had been warned). What I wasn't prepared for was her mouth crashing into mine and tongue, soooo I stepped back and started laughing (uncomfortably) and going "Well, what the frak!" She had also crashed her lip piercing into mine, given her precision was...off. I will blame that on the ample supply of alcohol and drugs going through her body.
So that was ick and left me a bit unhappy. Now it's more comical to me but I was upset at the time. Batgirl didn't have to suffer tongue. At this point I'm guessing it's 'cause I'm not straight. Sigh. Silly Siege.
I had fun dancing. Made friends with Becky again. Batgirl was having a bad time because Pirate decided to show up and start drinking, but whenever she went over to him he ignored her. Then she tried to kiss him at one point and he said, "Do you mind? I'm trying to order a drink here." He then went off to a corner and literally sulked. Batgirl demanded she buy me drinks. The first time I let her go alcoholic and had a green apple sourz. I liked the taste but, thankfully, there was no effect. I hate the feeling of when anything starts affecting my mind. One never does that, so that's where I draw the line. When she wanted to again and wouldn't take "tap water" as an acceptable answer, I went with coke. We danced more and she loosened up a bit but not much. Pirate eventually left. He sent texts asking why he hadn't received any attention. Apparently he had been sitting in the corner waiting for attention. So he wants attention in the corner, but not at the bar? Then he started sending texts about how he's going to kill himself. Batgirl wasn't going to go because I was there having a good time, but I told her I was only there for as long as she wanted to be there, and I was ready to go any time. We said goodbye to Siege and everyone was leaving anyway.
We walked back to the taxis. The chavs all made lots of comments. "Oh, look at these pretty ladies!" and then about Batgirl, "Look at the one with the pink hair!" from someone else and his friend said, "Naw man, she's with a hobbit." I laughed and told Batgirl I was impressed they knew their fantasy well enough to know what a hobbit was, let alone pinpoint the beautiful traits in a person that make them like a hobbit! I was flattered. Batgirl laughed--apparently she wasn't used to reactions like mine. More boys started calling, "Oh girls! Have a look? Oh, come now." We kept walking and whispered about how pathetic they were. She was spooked but she calmed down when I got her laughing, so I think she was better with that.
We talked about what to do in a situation of rape and, as is our nature, put a spin of hypothetical amusement into it. (Note: We know rape isn't amusing. Nor, really, are death, war, hunger, poverty, world destruction, sexually-transmitted infections, etc. We are aware. Sometimes we still joke about things that are hard and things that matter.) I had just said, "I would add, 'And sorry about the Herpes, it's a bit of an inconvenience but you'll get used to it.'" (That actually wasn't much of a joke.) A kind boy stopped in his tracks and laughed, and turned to say, "What, Herpes?" and we explained we were talking about rape and he joined in the conversation a little--my intuition markers weren't going off--and then asked if we knew where some specific food joint was. Batgirl pointed to the left and told him she didn't know where his one was, but that place was great. He thanked us, we told him to have a greet weekend, and we parted ways. Talked about Sass on on the way home. Batgirl went off to rescue Pirate from the doldrums.
I came up and did my post-it-ripping ritual, stacked everything on my bed and then on my trunk and got into bed. Slept late today. Skipped dinner. Supernoodles for tea. I'll figure something out for tomorrow night, maybe a walk to the store for cup noodles.
We still ended up having a nice night, somehow. I enjoyed myself. This weekend and Monday it's back to my Studious Self. After last exam I'm going to Hungerford to have a night out with Jojo and her friend Zoe. That Friday night it's Spectrum, the uni LGBTQ dance night. Saturday I don't know. Sunday lots of groups to meet up with, probably.
As usual, this entry went on way longer than I intended. Rock on.
Curious.
Sin and Sinner
I'm trying to be patient and kind and compassionate. I really am.
I was making noodles today and Harry followed me to the kitchen, back from the fields. He said he went to a Pure meeting, run by the Christian Union. I just smiled.
He told me, "And we were going over Godly relationships, and homosexuality."
Insert groan here. I nodded and listened. I watched the microwave as he said, "And I was wondering if we could, you know, have a conversation about homosexuality some time."
I turned and asked as kindly as I could, "What is there to say, Harry? What can I say?"
He then went on to tell me about all they had been learning and how he wanted to tell me the beliefs and I believe I let slip something like, "Oh, so you want to tell me things. Alright, that works."
He tried to explain something they had talked about. "And how we're not supposed to like it, and..."
I fervently wished the microwave would bing. It didn't. I said softly, "Hate the sin, not the sinner."
He was utterly shocked. He said, "Whoa, that's exactly the line! I didn't know you would know that!" and gave more astounded words. I sighed and turned to him again. "Harry, when you're someone groups of people hate for something you can't control nor want to, you have to research and understand who hates you." He looked more shocked.
Then he told me how the CU (Christian Union) didn't agree with the "Hate the sin, love the sinner" because they didn't think you could do that. So he told me he wants to tell me his beliefs on it all.
I will sit down. I will listen. My head will explode, but it will all be hidden. We parted amiably and he left.
I looked out the window and started rambling about how this certainly wasn't the type of stuff I face back home, it's so very foreign to me. I said, "Godly relationships. You shouldn't hate me for my homosexual relationships, you should hate them for not being godly--they can't because I don't believe in God, and this is driving me mad!" The microwave blinged right as I finished. I said, "Thank you Mistress Fate, Universal Force, thank you for the sign and more importantly my meal! And thank you for letting me not go mad unless I'm on my own!"
Now I'm going to enjoy my noodles and, my goodness gracious green earth, I am going to TRY to be patient with naive little Christian boys and religion in general and awkward pauses.
Less than a month until I'm back in my Queer bubble, making jokes about Sinners and Sins, and how delightful they are.
History of Everything - Bare Naked Ladies.


text:
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We set out to build Symbiome with sustainability as a core tenet.
From ingredients to formulation to packaging, we have sought to minimize our footprint without compromising the quality and efficacy of our products.
Corollary to sustainability is simplicity. One of the most important things we can do is consume less — a principle that informs everything we do as a company.
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Offering Details Title reflects the content of the piece, which will be an article featuring the storyteller reflecting on her life wistfully. It is a positive piece that is about the power of memory.
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Манчестерская школа () — группа экономистов, сторонников фритредерства, из Манчестера, развившая до логического завершения концепцию экономического либерализма физиократов и классиков. По мнению представителей манчестерской школы, государству необязательно устанавливать монополию на что бы то ни было, не рекомендуется устанавливать запретительные таможенные пошлины, регулировать длительность рабочего дня, формировать фабричное законодательство и т. п.

Заметные представители школы: Ричард Кобден, Джон Брайт, Уолтер Бейджхот, сэр Роберт Гиффен, Франческо Феррара.

С 1932 года выходит журнал The Manchester School, посвященный развитию учения Манчестерской школы.

Ссылки
Информация о Манчестерской школе на англ. яз.

Экономические учения, направления и школы
Капитализм
Манчестерский университет
История Манчестера

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Cpl. Johnathan W. Brown, an administrative clerk with Headquarters Battalion, Marine Forces Reserve, describes the Combat Fitness Test and the requirements for an 18-year-old male Marine taking the CFT, at Marine Corps Support Facility New Orleans, Dec. 21, 2018. The CFT is a test taken annually by every Marine and is a tool used by the Marine Corps to measure an individual Marine's combat readiness.


The USA swept the major awards at the 2017 World English Sporting Championship, with Bobby Fowler winning top individual honors as World Champion and USA Sporting Clays Team members winning each concurrent. 917 shooters from 17 countries competed in the event, April 25-30 at the National Shooting Complex in San Antonio, Texas.
Fowler and George Digweed entered the Super Final in a tie at 189; followed by Gebben Miles, Bill McGuire, and Ben Husthwaite at 185; and Derrick Mein and 2016 World Champion Anthony Matarese at 184. Fowler's 21 in the shoot-off landed him three targets ahead of runner-up Husthwaite, followed by Gebben Miles. Desirae Edmunds and Hunter Dreher repeated their 2016 World Championships in the Ladies and Junior concurrents. Other gold medalists were Payton Meyer, Sub-Junior; Dan Carlisle, Veteran; Gary Walstrom, Super Veteran; and Gene Sherrod, Senior Super Veteran.
The USA Sporting Clays Team also won gold medals in every category — Open, Lady, Junior, Veteran, and Super Veteran.
You can see complete scores and results at Winscoreonline.com.


In December 1922, Ernest Hemingway was in Switzerland, on assignment as a correspondent for the Toronto Daily Star, covering the Lausanne Peace Conference. The journalist and editor Lincoln Steffens, whom Hemingway had met in Genoa, was also there. Apparently, Steffens was impressed with Hemingway's writing and asked to see more. Hemingway's wife, Elizabeth Hadley Richardson, always known as Hadley, was in Paris, where they were living at the time. She packed up all of Hemingway's papers in a suitcase, to take them to him in Switzerland. She packed everything she could find.
While the train was still standing in the Gare de Lyon, Hadley went to buy a bottle of Evian water for the trip. She left the suitcase unattended on the train while she did so. When she came back, it was gone.
At that point, nothing of Hemingway's fiction had been published. In Paris, there was nothing left. With touching thoroughness, Hadley had packed both the originals and their carbons. Only two short stories survived the disaster. "Up in Michigan", which he had buried in a drawer because Gertrude Stein had said it was unpublishable, while "My Old Man" was out with an editor at a magazine.
But maybe he did reach that mood. "The first and most important thing of all, for writers today," Hemingway later said, "is to strip language clean, to lay it bare down to the bone." Juvenilia (or Juvenalia in Hemingway's misspelling) are often just that – rambling, unstructured, wayward pieces of adolescent hopes and dreams. Which of us would gladly publish our teenage love poetry?
Hemingway had his language stripped clean all right. Indeed, with the loss of the manuscripts, and with time pressing to replace those vanished words in his bid to become a respected writer, Hemingway may have adopted and adapted the lean prose style for which he became famous.
Hemingway never bothered to run a newspaper advertisement seeking the return of the manuscripts. When he considered one, he thought of offering a reward of 150 francs. About ten dollars. Grace under pressure? Or a sign that the manuscripts were not so valuable?
They would be valuable today, of course. If they survived. If they ever turned up.
What did the thief do, on realising that the stolen suitcase contained paper, worthless paper with the juvenile scribblings of an unknown writer? No gold, no diamonds, no lucrative passports to be traded on the black market. Throw them in the Seine? Burn them? Bury them in an attic?
Of course, if they do turn up in an attic, these lost manuscripts of a Nobel prize-winning author, they will be worth more than their weight in gold.
This entry was posted in Stolen manuscripts and tagged Hemingway on 31 July, 2010 by Horatia.
i have the manuscripts. i'm in switzerland. will sell them in 2016 for a billion dollars.
It's 2016. I got the cash. Meet you halfway? Haha!


Our 2018 diets just went out the window. Cheesecake Factory announced that they'll start selling their famous "brown bread" online and in grocery stores around the country.
If you've ever eaten at a Cheesecake Factory (if you haven't, what are you waiting for?!?), you know that the most exciting part is sitting down and devouring their delicious bread while you look over the extensive menu and decide what you're going to order. If you're like us, you even ask your waiter to put an extra loaf in with your leftovers ... if there are leftovers.
The "brown bread" has become of a staple at the factory. It always comes out warm and melts the butter as you spread it. It's nearly impossible to resist.
Now that we can purchase it at our local grocery store, stay-at-home dinners just got a whole lot better. The "brown bread" will come in three different types: dinner rolls, mini baguettes, and a sandwich loaf. Whatever your preference is, it'll taste just as if you're at the restaurant.
You can also make your home-cooked meal feel even more like a night out at the Cheesecake Factory with their cheesecake mixes. You can make either their classic, strawberry, or salted caramel versions!


Croatia Development offers a comprehensive, architectural and design solutions for the design, construction and equipping of your interior, regardless of its purpose. We provide many opportunities for all of those who want a complete, professional service and high quality of aesthetic criteria.
Croatia Development has experience in designing and equipping residential spaces – design of kitchens, hallways, living rooms, bedrooms, bathrooms, in a word complete apartments and family houses, as well as shops and business premises.


text:
Brigham Young (film)
1940 theatrical release poster
Henry Hathaway
Louis Bromfield
Screenplay by
Lamar Trotti
Darryl F. Zanuck
Tyrone Power
Linda Darnell
Dean Jagger
Brian Donlevy
Arthur C. Miller
Robert Bischoff
Alfred Newman
20th Century Fox
September 27, 1940 (1940-09-27)
$2.5 million[1]
Brigham Young (also known as Brigham Young – Frontiersman) is a 1940 American biographical western film starring Tyrone Power, Linda Darnell and Dean Jagger that describes Young's succession to the presidency of the Church of Jesus Christ of Latter-day Saints after founder Joseph Smith was assassinated in 1844. The supporting cast features Brian Donlevy, Jane Darwell, John Carradine, Mary Astor, Vincent Price and Tully Marshall.
The story begins in frontier-town Nauvoo, Illinois, in 1844. It follows the main body of the church as they are forced to leave Illinois, choosing to settle temporarily in Nebraska and then to travel by wagon train to the Great Basin. Much of the story's plot revolves around two of the group, Jonathan Kent and Zina Webb.
Tyrone Power as Jonathan Kent
Linda Darnell as Zina Webb – The Outsider
Dean Jagger as Brigham Young
Brian Donlevy as Angus Duncan
Jane Darwell as Eliza Kent
John Carradine as Porter Rockwell
Mary Astor as Mary Ann Young
Vincent Price as Joseph Smith
Jean Rogers as Clara Young
Ann E. Todd as Mary Kent
Willard Robertson as Heber Kimball
Moroni Olsen as Doc Richards
Marc Lawrence as Prosecutor
Stanley Andrews as Hyrum Smith
Dickie Jones as Henry Kent
Selmer Jackson as Caleb Kent
Arthur Aylesworth as Jim Bridger
Chief John Big Tree as Big Elk
Claire Du Brey as Emma Smith
Tully Marshall as Judge
Dick Rich as 1st Mob Leader
Edwin Maxwell as 2nd Mob Leader
George Melford as John Taylor
Russell Simpson as U.S. Army Major
Tom London as Raider (uncredited)
Charles Middleton as Mob Member (uncredited)
Parts of the film were shot in Lone Pine, California, in the plains west of Parowan Gap, and in Utah Lake for the seagull scenes.[2]: 287 The Salt Lake City sequences were filmed in California, while the trek across Nebraska and Wyoming was shot in southern Utah.[3]
Michael and Henry Medved included Brigham Young in their 1984 book describing film financial failures, The Hollywood Hall of Shame, stating "Twentieth Century-Fox tried to emphasize its star power and to downplay the religious elements (eventually re-titling it Brigham Young, Frontiersman), but the picture still failed, even in Utah."[4]
List of American films of 1940
George D. Pyper
^ "'Brigham Young' Cost Reported to be $2,500,000". Los Angeles Times. September 3, 1940. p. 8.
^ D'Arc, James V. (2010). When Hollywood came to town: a history of moviemaking in Utah (1st ed.). Layton, Utah: Gibbs Smith. ISBN 9781423605874.
^ "Ten movies that speak to Utah's history and character". The Salt Lake Tribune.
^ Medved & Medved, The Hollywood Hall of Shame (1984), p. 205
Brigham Young at IMDb
Brigham Young at the TCM Movie Database
Brigham Young at AllMovie
Brigham Young—Frontiersman at the American Film Institute Catalog
Brigham Young Souvenir Program Reprint. MSS SC 388; 20th Century Western and Mormon Manuscripts; L. Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University.
Films directed by Henry Hathaway
Heritage of the Desert (1932)
Wild Horse Mesa (1932)
The Thundering Herd (1933)
Under the Tonto Rim (1933)
Sunset Pass (1933)
Man of the Forest (1933)
To the Last Man (1933)
Come On Marines! (1934)
The Witching Hour (1934)
The Last Round-Up (1934)
Now and Forever (1934)
The Lives of a Bengal Lancer (1935)
Peter Ibbetson (1935)
I Loved a Soldier (1936)
The Trail of the Lonesome Pine (1936)
Go West, Young Man (1936)
Souls at Sea (1937)
Spawn of the North (1938)
The Real Glory (1939)
Johnny Apollo (1940)
Brigham Young (1940)
The Shepherd of the Hills (1941)
Sundown (1941)
Ten Gentlemen from West Point (1942)
China Girl (1942)
Home in Indiana (1944)
Wing and a Prayer (1944)
Nob Hill (1945)
The House on 92nd Street (1945)
The Dark Corner (1946)
13 Rue Madeleine (1947)
Kiss of Death (1947)
Call Northside 777 (1948)
Down to the Sea in Ships (1949)
The Black Rose (1950)
You're in the Navy Now (1951)
Fourteen Hours (1951)
Rawhide (1951)
The Desert Fox: The Story of Rommel (1951)
Diplomatic Courier (1952)
O. Henry's Full House (1952)
Niagara (1953)
White Witch Doctor (1953)
Prince Valiant (1954)
Garden of Evil (1954)
The Racers (1955)
The Bottom of the Bottle (1956)
23 Paces to Baker Street (1956)
Legend of the Lost (1957)
From Hell to Texas (1958)
Woman Obsessed (1959)
Seven Thieves (1960)
North to Alaska (1960)
Circus World (1964)
The Sons of Katie Elder (1965)
Nevada Smith (1966)
The Last Safari (1967)
5 Card Stud (1968)
True Grit (1969)
Raid on Rommel (1971)
Shoot Out (1971)
Hangup (1974)
Old San Francisco (1927)
The First Auto (1927)
The Jazz Singer (1927)
Tenderloin (1928)
The Show of Shows (1929)
Three Faces East (1930)
The Doorway to Hell (1931)
Little Caesar (1931)
Illicit (1931)
The Public Enemy (1931)
The Man Who Played God (1932)
The Rich Are Always with Us (1932)
Doctor X (1932)
Life Begins (1932)
The Cabin in the Cotton (1932)
Three on a Match (1932)
20,000 Years in Sing Sing (1932)
Parachute Jumper (1933)
42nd Street (1933)
The Working Man (1933)
Ex-Lady (1933)
The Bowery (1933)
Blood Money (1933)
Moulin Rouge (1934)
Looking for Trouble (1934)
Born to Be Bad (1934)
Bulldog Drummond Strikes Back (1934)
The Mighty Barnum (1934)
Folies Bergère de Paris (1935)
Les Misérables (1935)
Cardinal Richelieu (1935)
Call of the Wild (1935)
Metropolitan (1935)
Thanks a Million (1935)
The Man Who Broke the Bank at Monte Carlo (1935)
Professional Soldier (1935)
It Had to Happen (1936)
A Message to Garcia (1936)
Under Two Flags (1936)
The Road to Glory (1936)
Poor Little Rich Girl (1936)
Sing, Baby, Sing (1936)
Pigskin Parade (1936)
Seventh Heaven (1937)
Slave Ship (1937)
Wake Up and Live (1937)
Thin Ice (1937)
Lancer Spy (1937)
In Old Chicago (1938)
Happy Landing (1938)
International Settlement (1938)
Kentucky Moonshine
Always Goodbye (1938)
Rebecca of Sunnybrook Farm (1938)
Just Around the Corner (1938)
Little Miss Broadway (1938)
My Lucky Star (1938)
Jesse James (1939)
Tail Spin (1939)
Wife, Husband and Friend (1939)
The Story of Alexander Graham Bell (1939)
Rose of Washington Square (1939)
Stanley and Livingstone (1939)
The Rains Came (1939)
Hollywood Cavalcade (1939)
Swanee River (1939)
The Little Princess (1939)
Little Old New York (1940)
The Man I Married (1940)
The Return of Frank James (1940)
The Great Profile (1940)
Down Argentine Way (1940)
The Mark of Zorro (1940)
Hudson's Bay (1941)
The Great American Broadcast (1941)
Blood and Sand (1941)
A Yank in the R.A.F. (1941)
Son of Fury: The Story of Benjamin Blake (1942)
Sex Hygiene (Short) (1942)
To the Shores of Tripoli (1942)
This Above All (1942)
Thunder Birds (1942)
The Purple Heart (1944)
Winged Victory (1944)
The Razor's Edge (1946)
Gentleman's Agreement (1947)
Fury at Furnace Creek (1948)
The Snake Pit (1948)
Pinky (1949)
Twelve O'Clock High (1949)
No Way Out (1950)
All About Eve (1950)
David and Bathsheba (1951)
People Will Talk (1951)
Viva Zapata! (1952)
The Snows of Kilimanjaro (1952)
The Egyptian (1954)
The View from Pompey's Head (1955)
The Man in the Gray Flannel Suit (1956)
Island in the Sun (1957)
The Sun Also Rises (1957)
The Roots of Heaven (1958)
Crack in the Mirror (1960)
Sanctuary (1961)
The Big Gamble (1961)
The Longest Day (1962)
The Chapman Report (1962)
The Visit (1964)
as Mark Canfield
The Desired Woman (1927) (story)
Maybe It's Love (1930)
Baby Face (1933) (story)
as Melville Crossman
Tenderloin (story) (1928)
State Street Sadie (story) (1928)
Thanks a Million (story) (1935)
A Yank in the R.A.F. (story) (1941)
Thunder Birds (original story) (1942)
China Girl (story) (1942)
The Purple Heart (story) (1944)
as Gregory Rogers
Find Your Man (Rin Tin Tin story) (1924)
The Lighthouse by the Sea (Rin Tin Tin story) (1924)
Three Weeks in Paris (story, screenplay as Darryl Zanuck) (1925)
The Midnight Taxi (story) (1928)
A Broadway Butterfly (1925)
Red Hot Tires (1925)
Hogan's Alley (1925)
The Caveman (scenario) (1926)
The Little Irish Girl (adaptation) (1926)
The Social Highwayman (1926)
Footloose Widows (1926)
Across the Pacific (adaptation) (1926)
The Better 'Ole (screenplay) (1926)
Tracked by the Police (Rin Tin Tin story) (1927)
The First Auto (story) (1927)
Good Time Charley (story) (1927)
Noah's Ark (story) (1928)
My Man (story) (1928)
Hardboiled Rose (story) (1929)
Madonna of Avenue A (story) (1929)
Say It with Songs (story) (1929)
The Life of the Party (1930)
Little Caesar (story – uncredited) (1931)
The Dark Horse (story) (1932)
Lady Killer (story – uncredited) (1933)
Folies Bergère de Paris (contributing writer – uncredited) (1935)
G Men (story) (1935)
This Is My Affair (story – uncredited) (1937)
Alexander's Ragtime Band (contributing writer – uncredited) (1938)
The Great Profile (story – uncredited) (1940)
Virginia Fox (wife)
Richard D. Zanuck (son)
Dean Zanuck (grandson)
This page was last edited on 15 January 2023, at 14:51


I have a COMM5 communication module, which was originally used on the CGA series machine. I need to change it to the RTH machine. When I am configuring the ROVER software, I can't select the third step. Who knows what the reason is?
Even though he needs TechView to bind the comm 5 module on the CH530 end, he still needs Rover to flash the RTH image into the comm 5 module from the BAS end of the card.
I have used TechView to bind comm5 to the device. The comm5 module originally used Rover to load the program of the CGA series machine. Now I want to replace the Comm5 module with Rover and become the RTH, but the change is not successful.
Are you selecting the correct firmware from the Rover firmware database?
Yes, it is selected from the rover, but there are other models in it, so it cannot be reloaded now.


text:
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Wilful neglect, Benefits fraudster, Trial date set for men accused of murder
Wirral care home Manager found guilty of wilful neglect
Belita Howell, the manager of Mother Redcaps Nursing home in Wallasey, failed to make sure an elderly resident had a secure bed and then tried to cover it up when he fell out and broke his hip, a court heard.
Walter Witcherley, 86, who died a month after the accident, had been clinically assessed as having a high risk of falling but was left in a bed with only one secure side and no working brakes.
Liverpool Crown Court heard that care staff at the home had registered the problem but felt Howell, 58, didnt take the matter seriously until their patient had been badly injured.
Andrew Ford, prosecuting, told jurors: Everybody knows that management is hard. You are spinning lots of plates. But this was important.
After Mr Witcherleys fall a care assistant checked the maintenance log and found the repair had been signed off as done the week before but Mr Ford said the log was doctored. He said that Howell told maintenance man John Murphy to change the log entries.
Mr Ford said: He (John Murphy) changed the record under some pressure from somebody senior who is in the dock.
The jury took just 2 hours to find Howell guilty of wilful neglect of a person lacking capacity by a unanimous decision. The Judge at the trial acknowledged that while there was no evidence that the injury sustained by Mr Witcherley was the cause of or precipitated his death, his final few weeks were made considerably more difficult than the weeks preceding the injury as he was left bed bound as a result of Howells neglect. Sentencing will take place on 7th November and the Judge warned a custodial sentence was likely to follow.
Article Sources: Liverpool Echo and Liverpool Post
Trial date set for 3 men accused of the murder of Jason Osu
Three men will face a lengthy trial next year over the murder of 31 year old Jason Osu, a trained pilot and father of 2.
Paul Croxton, 21, Thomas White, 29 and George McGovern, 54, are all accused of the murder of Jason Osu who was gunned down outside his home in Wavertree, last year.
Croxton and McGovern are also facing other charges including conspiracy to commit criminal damage in relation to a firework attack on a house in Aughton in March and a spate of shootings in Maghull between March 13 and March 27 which damaged five properties. Croxton was also due to enter a plea on a charge of the attempted murder of Darren Alcock after shots were fired at a car in Broad Green in April but that hearing was pushed back to tie in with the murder trial.
David McLachlan, prosecuting, was granted a court order preventing the Liverpool ECHO from publishing the mens addresses because of a fear of reprisals.
Article Source: Liverpool Echo
Taxpayers will have to bail out benefits fraudster
Mother of 7, Cleo Embley, 37, from Blackburn, was found guilty of benefits fraud at Burnley Crown Court. She illegally received more than £94,000 by claiming that her handyman boyfriend, and father of 6 of her children, Paul Harwood, did not live with her.
Gerald Jones, prosecuting, said Embley began making benefit claims in 2001. She told the Department for Work and Pensions she was living alone but investigators found Mr Harwood was living under the same roof.
Mr Jones said: Random surveillance showed Mr Harwood taking the children to school, returning with the shopping Ð effectively living as man and wife. When arrested she accepted she did not tell the DWP that the father of six of her seven children was living with her.
From February 2008 to March 2012 Embley illegally obtained £76,584.54 in income support, £13,248.88 in housing benefit and £4,230.13 in council tax benefit Ð a total of £94,063.55.
Had Embley told the truth she would have been entitled to £50,955 over that four-year period in Working Families Tax Credits.
A court order is now expected to be made to recover around £43,000 from Embley. However, the judge in the trial was astonished to learn that mother-of-seven Cleo Embley can carry on claiming £237 a week even though she fiddled the welfare system for four years.
When Embleys barrister said she knows she is going to have to pay the money back, Judge Beverley Lunt replied: But she isnt. The taxpayer is going to have to pay it back.
Embley, who is unemployed, burst into tears in the dock as she was jailed for 22 weeks.
Article Source: The Express
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A unique and unexpectedly revealing English language debut.
CONVENIENCE STORE WOMAN
by Sayaka Murata ; translated by Ginny Tapley Takemori ‧ RELEASE DATE: June 12, 2018
A sly take on modern work culture and social conformism, told through one woman's 18-year tenure as a convenience store employee.
Keiko Furukura, a 36-year-old resident of Tokyo, is so finely attuned to the daily rhythms of Hiiromachi Station Smile Mart—where she's worked since age 18—that she's nearly become one with the store. From the nails she fastidiously trims to better work the cash register to her zeal in greeting customers with store manual–approved phrases to her preternatural awareness of its subtle signals—the clink of jangling coins, the rattle of a plastic water bottle—the store has both formed her and provided a purpose. And for someone who's never fully grasped the rules governing social interactions, she finds a ready-made set of behaviors and speech patterns by copying her fellow employees. But when her younger sister has a baby, questions surrounding her atypical lifestyle intensify. Why hasn't she married and had children or pursued a more high-flying career? Keiko recognizes society expects her to choose one or the other, though she's not quite sure why. When Shiraha—a "dead-ender" in his mid-30s who decries the rigid gender rules structuring society—begins working at the store, Keiko must decide how much she's willing to give up to please others and adhere to entrenched expectations. Murata provides deceptively sharp commentary on the narrow social slots people—particularly women—are expected to occupy and how those who deviate can inspire bafflement, fear, or anger in others. Indeed, it's often more interesting to observe surrounding characters' reactions to Keiko than her own, sometimes leaving the protagonist as a kind of prop. Still, Murata skillfully navigates the line between the book's wry and weighty concerns and ensures readers will never conceive of the "pristine aquarium" of a convenience store in quite the same way.
Publisher: Grove
Kirkus Reviews Issue: April 1, 2018
Categories: LITERARY FICTION
More by Sayaka Murata
LIFE CEREMONY
by Sayaka Murata ; translated by Ginny Tapley Takemori
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
Publisher: Knopf
More by Donna Tartt
THE GOLDFINCH
by Donna Tartt
THE LITTLE FRIEND
Podcast Will Explore Bennington College Lit Trio
'The Secret History' Is New 'Today' Book Club Pick


text:
Q: Visual C++ - Function call with a function as parameter: change leads to unresolved external The last line I keep getting the error, unresolved external.
bool checker(string roman);
// Adds each value of the roman numeral together
int toDecimal(string, bool (function)(string));
int convert(string roman, int i);

int main(){
    string roman;
    cout << "This program takes a roman numeral the user enters then converts it to decimal notation." << endl;
    cout << "Enter a roman numeral: ";
    cin >> roman;
    transform(roman.begin(), roman.end(), roman.begin(), toupper);
    cout << roman << " is equal to " << toDecimal(roman,  *checker) << endl;
}

If I change the prototypes to
int convert(string roman, int i);
int toDecimal(string, bool* (*function)(string));

and last line to
cout << roman << " is equal to " << toDecimal(roman, *checker(roman)) << endl;

I get

illegal indirection, "Error   2   error C2664: 'toDecimal' : cannot convert parameter 2 from 'bool' to 'bool *(__cdecl *)(std::string)'"

and

Operand of (*) must be a pointer

A: This is how you should use a pointer to funciton:
bool (*pToFunc) (string) = checker;

This is mean that pToFunc is a pointer to function that return bool and get string as a parameter, and points to checker.
Now send this pointer to function to your function this way:
cout << roman << " is equal to " << toDecimal(roman,  pToFunc) << endl;

Don't forget you have to implement checker
But, you are writing in C++, and there is a much better way to achieve what you are looking for. It could functor.
This is how you should do it, using functor:
define functor:
class romanFunctor {
   public:
     bool operator()(string roman) {\\ checker implementetion}
};

example how to use:
romanFunctor checker ;
string roman;
cin >> roman;
if (checker(roman) == true) {...}

A: You have a problem here:
int toDecimal(string, bool (function)(string));

You're declaring function as a parameter of function type.  But functions can't be passed by value (how do you make a copy of a function?).  Instead, you need to accept a pointer to a function.
int toDecimal(string, bool (*fnptr)(string));

Just one *, next to the argument name.  The return type is still bool and not bool*.
Then, you need to pass a pointer to the function.  This is wrong:
toDecimal(roman,  *checker)

To make a pointer, you use & to get the address and * later to dereference.  Functions aren't much different in this regard, except that conversions between functions and function pointers are implicit in some circumstances.  I prefer to be explicit.  So that call should be:
toDecimal(roman, &checker)

redpajama_set_name: RedPajamaStackExchange


text:
Start-ups race to develop Covid-19 immunity passports
As the search for a vaccine for coronavirus continues, start-ups are racing to build digital ID systems to assign health statuses to individuals and identify those safe to reintegrate into normal life.
So-called immunity passports work by linking a person's identity to their coronavirus test results. Those deemed immune or clear of the virus can prove their status to authorities and employers by showing a code typically generated by an app. This is linked to some form of biometric identification such as a photograph or fingerprint.
At a press conference on Thursday, UK health secretary Matt Hancock said that the government was looking at "systems of certification" for those who had antibodies, though he added that he was not yet in a position to say that this group was necessarily immune from coronavirus.
Though the government is yet to release details of which company or companies it plans to work with, a number of start-ups across Europe are rushing to retool their existing identification-based technologies for use in health passes.
Among those leading the race is Onfido, a digital identity start-up founded in 2012 by three Oxford university graduates, which last month announced that it had raised $100m in equity financing.
Husayn Kassai, Onfido's co-founder and chief executive, said the company was considering how to adapt its existing anti-fraud systems for immunity passports. Its technology uses artificial intelligence to verify a photo ID, before comparing it with biometrics in the form of a video.
"Privacy and the protection of individuals must be at the forefront of this initiative," said Mr Kassai, adding that third parties would only able to see users' health status. "No one needs to know your address, eye colour or other things about you."
Other companies have eschewed talk of immunity passports, instead using terms such as "digital health passes" to reflect doubts among medical professionals about the extent to which immunity is conferred by infection. Among them is UK company Yoti, which since 2018 has been the official provider for the government of Jersey's digital ID scheme.
Among Yoti's key properties are its fraud-prevention measures, said chief executive Robin Tombs. "Pieces of paper can be faked, screens on phones could be faked," he said. Yoti's system counters this threat by offering single-use QR codes and digital holograms that prevent users from taking screenshots or photographs of other people's codes and attempting to use them as their own.
Manchester-based VST Enterprises, meanwhile, has developed a health pass system called the V-Health Passport, whose proprietary VCode allows it to be scanned from a greater distance than those of competitors, helping to effectively ensure social distancing, according to Gerard Franklin, head of public relations. He said the company was in conversation with the UK government over its proposal.
Adam Palmer, chief operating officer of Centre Pass Entreprises, whose COVI-PASS system is built on the V-Health Passport, said that the system was built to minimise the risk of surveillance. "We don't track Bluetooth, we don't track movements — the only time we track location is when we geofence tests [to specific centres]."
However, civil society groups remain wary about such systems, with immunity passports coming under particular criticism over their potential risk to privacy. "Once we put this mass surveillance infrastructure in place, it creates these incredibly intrusive records," said Ella Jakubowska, policy and campaigns officer at advocacy group EDRi.
"We have serious concerns about who gets to access this data, how else it may be used and the threats that it poses to many of our fundamental rights," she added.
Dr Tom Fisher, a senior researcher at campaign group Privacy International, said those without the correct certification could also face financial hardship, arguing that there was even a risk of the healthy being incentivised to infect themselves in order to later receive immunity certification.
Mr Kassai acknowledged the risks of the technology, but said he was hopeful that the benefits of immunity passports in allowing some return to normality would outweigh them. "If there are five of us in the house and one of us has had it and is immune, at least they can go out and work," he said.
A further challenge for the technology is the potential Balkanisation of the health pass landscape between different providers. While start-ups have sent proposals to governments, their piecemeal work with different sectors risks creating interoperability issues.
Onfido, for instance, is working on an app for the hospitality industry with Swiss hotel booking start-up Sidehide, through which guests would download the app and upload their immunity results.
Meanwhile, Yoti said it was in talks with the UK government and businesses, including sports leagues and airlines, about its health pass, while the V-Health Passport recently received public backing from Richard Caborn, former sports minister, as a way to reopen the Premier League.
The Financial Times is making key coronavirus coverage free to read to help everyone stay informed. Find the latest here.
"As someone who wants to scan people at a care home, I don't want to have to install six different scanning apps to verify passports from various different issuers," warned Joe Tallett, a software engineer and cyber security expert. Instead, he proposed the creation of a common document format, which would allow a single scanning app to read data from different passports.
But even those who are sceptical of the short-term practicality of immunity passports acknowledge that they could have value in the future. "Will a passport help you get out of lockdown? I don't think it will be developed in a timeframe to assist with that," said Louis Lillywhite, former surgeon-general of the British armed forces and a senior research consultant at Chatham House. "But there is definitely merit in it in the longer term, and in particular for international travel."
← French Open quiz: How well do you know Roland Garros?
Premier League coronavirus testing: Bournemouth player one of two new positives – BBC Sport →
Stacey Abrams: the political strategist who won Georgia
Sam Allardyce: West Brom boss calls for football 'circuit break'
Coronavirus latest: Greece bans UK, US and French tourists but allows in 'low-risk' citizens


Aggcon Waste Management, Landscape Contractors & Designers, listed under "Landscape Contractors & Designers" category, is located at Woodstock NB, E7M 1A1, Canada and can be reached by 5063286409 phone number. Aggcon Waste Management has currently 0 reviews.
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Project CARS Official Forum > Other Games > Project CARS > Project CARS on Playstation 4 > Not being able to adjust car settings!?
View Full Version : Not being able to adjust car settings!?
surely that is in the game if it is such a sim?
i deleted my career to start again as i feel i may have put it to amateur but now the option to choose amteur, proffesional etc is not there, just create new driver?
Some cars setups are locked, like they would be in real life, meaning you can only adjust the things you would be able to adjust in real life, and in line with the classes regulations.
really? seems nearly everycar i have used has been locked, obv most roadcars wont, but the clio's, formula rookie, em gt40 just to name a few?
i was sure i read a post about this in here and it was to do with your initial difficulty level?
i may be wrong though.
You have to Switch to the Vehicle Tab. You are probably on the Overview Screen.
Thanks guys i got it working, with the tabs, thanks for all the advice!
under first page of TUNING SETUP when looking at TIRES & BRAKES...to click L2 or R2...to go to various other settings! thanks all!


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Of course, the riva of Split was busy as always!
The boat show is mostly about luxury yachts. Very few equipment suppliers and traditional vessels. Even very few sailing boats! The show should be renamed to Motor or Power boat show… Among only a few dozen sailing boats, this one was standing out. Did not get it name but it looks sharp and quite exclusive.
My favorite boat/ship of the show was the replica of 15th century galleon from Dubrovnik. Wonderfully done, it is just an attention grabber. The visitors were able to walk on it and experience, to some extent, the beauty of the old days of "true" sailing and seamanship.
I also liked the "traditional" houses that were on sale on the Boat Show. These little houses are built for souvenir stands or for small shops but I am thinking about getting them for a camp site we have.
The funniest thing is that they are made of plastic! Looking absolutely real, I had to touch and scratch to make sure that was not stone!
There was just a symbolic number of stands with marine equipment, generators, GPSs… Most of the show is just for the big motor boats and the biggest and the most prestigious location was for Sunseeker yachts. I got and invitation from Ana, their sales manager, to take a tour of their boats for our upcoming Luxury Croatia Travel web site.
Their boats are nice but you can see only so much of flashy interiors and shiny hulls. After a third boat, I was not in a mood for looking over the rest so we just discussed the cooperation.
Conclusion: more variety would help. More traditional and more wooden boats would be the icing on the cake of this show. And we have something to show with our traditional boats and ships like this one.
Instead of that beauty, we were stuck with shiny and soulless motor boats targeting primarily nouveou riches.


Tom had said something very simple but made so much more sende and I always remember it..He said it's not "why" you bought something, that matters, but "how" it is used..
So now I'm wondering if there is another "simple" way to answer this question about weather something is time/space % or % of business use.
1.Would I be correct in assuming that if something in your home "could" be used for personal, it would be time/space?
2. If the item is used MORE for business than personal, we would then use the % business use?
but if I am using that item more for business than personal, it could be a 90% business use item?
Tom, I sure hope you are out there tonight, because I have alot of tax questions!
Honestly, I just use time/space, Mine is at like 44% and I find that sufficient, figuring out the actual percentage, I dont know, That alot, for every item, I know I use childrens toothpast more with all the daycare kids, I use it on 5 other children every morning vs the two I have, but its just not worth putting that one item at an extra percentage, I would not want to go through every individual item and figure out the actual percentage, bleach I use 90% toilet paper, 60% milk 55% dvd player 10%........that just seems like a lot of work, unless its a big item like a computer maybe.
Same here. I just use t/s % for everything unless I know it's 100%. It's just not worth the hassle to me to figure out the details of everything else.
I have 2 PT kids, so my t/s is really low...I guess I can see your point, but if you have alot of FT kids, you are making out with t/s..Like I have this DCB who has allergies pretty bad, and his nose is constantly running, and I go through a box of tissues for the 2 days he's here(we may use a couple for personnal)...but if I write it off as t/s, I get like a.26 write off for a $2.00 box of tissues!! So it doesnt seem right that I am spending all this money on tissues for him, and I get sooo little back. So thats why in my case, t/s is screwing me!


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