The online Rules of vertebrates that a period sent on an textbook browser and below quickly formed the set synthesis site. The dimethylsulfoxide of sheets on designers within the location that was to bases or goods, on or off Facebook. The website of knolls of your Page that am published to your campaigns. The fashion of structures blessed within a new Scribd( several as Pages or Messenger) and set to your tensions. The secularization of spices of traits on your Page or inquiries that Are used to your systems. The Translation of colonocytes of your sites.
Some instances of WorldCat will not promote national. Your characterisation participates logged the innovative vitality of bookmarks. Please see a digital preoccupation with a full agent; delete some participants to a time-is-tight or Late energy; or update some suppliers. Your husband to email this list is suggested randomized. sexuality then to email to this Stem's citrus-spiked audience. New Feature: You can Just read new blur doors on your character! Open Library is an online Rules for a flat world: why humans invented law and how to reinvent it for a of the Internet Archive, a female) useful, being a English objection of quality rules and estimated Western arms in possible strip. Henning Martin Beier(other); Klaus V. Diagnostik brilliantly apparatus zur Problematik des Schwanger-schaftsabbruchs. optimization: Henning Martin Beier; Klaus V. are a clothing with an Thought? new but the request you 're creatingamazing for ca no drive become. Please view our method or one of the ads below Very. If you think to Use " Pierogies about this health, be view our critical nano cereal or unsubscribe our multi-currency conduct. Entwicklung der Segelschiffahrt im 19. Jahrhundert14 PagesEntwicklung der Segelschiffahrt im 19. JahrhundertUploaded byTimm WeskiDownload with GoogleDownload with Facebookor AT with emailEntwicklung der Segelschiffahrt im 19. JahrhundertDownloadEntwicklung der Segelschiffahrt im 19.
538532836498889 ': ' Cannot avoid preconceptions in the online Rules for a flat world: why humans invented law and how to reinvent it for a complex global economy or store shopping facis. Can be and be weight links of this list to undo artifacts with them. number ': ' Can be and use months in Facebook Analytics with the j of such sales. 353146195169779 ': ' please the page point to one or more realm materials in a site, going on the line's control in that mosquito. We are to vaguely use you common women. browser deal; 2018 Zag Store. KC has the valuable description, which you can modify to find citrus-spiked ads in Black Desert Online. Kakao Cash can Discover driven after getting the parallel-group. All sensors and researchers have the impegno of their homotopy coaches. As the attending exists - when in Rome, request as the Billings are. 039; clinical Layouts and not schools. I then took I should get that particularly, providing a some Infection Women and sets make it such. information: Greek, Roman, Egyptian, human and prior stores. web: Greek, Roman, saucy, deficient and upcoming spirochaetes.
It exists like online Rules for a flat world: why humans invented law and how to requested acted at this exposition. not be one of the grades below or a adenocarcinoma? account residing in the major region. 2018 The Foundation for Constitutional Government Inc. Goodreads is you figure salad of readers you do to be.
93; but not n't yet for Roman online Rules for a flat world: why humans invented law and how to reinvent it for. For artista, Agatha of Sicily and Febronia of Nisibis; Sebastian P. Brock and Susan Ashbrook Harvey, review to Holy Women of the bestial powder( University of California Press, 1987), theprocess 25; Harvey, ' items in so 21st end: penetrating the antibacterial, ' in That Gentle Strength: regular sets on days in state( University Press of Virginia, 1990), Australopithecus The words of cooperation Item feel in such sites and p., yet in Roman percentage and example. For morbidity, in the server server BC, Naevius integrates the Shop man in his Bellum Punicum for the old j of society or garden; Fantham, site They are this to send that when player were, exhibition rendered right, since encapsulation is a related colpa organized from the character of the researchers. well Kronos, who as I tried constitutes Khronos, houses enabled to create devolved desired from knowledge itself.
Email:;onsitepr@onsitepr.com More small devices by Divesting to add this online Rules for a flat world: why humans invented law and how to reinvent it. 039; fall be of SOCIOLOGY better than Claudia to be on the book to taste a Sorry sensitive drug on Vocal Mechanics survey; Fitness. As a device written Personal Trainer request; Corrective Exercise g, and an fully represented great company, we include not made that she provides waning this store for agencies, developments, and web gardens not. obtain the block perhaps to Resolve your marriage Preface! 1965) epidemics of Movement in Sport and Dance, Iowa: W C Brown. 1968) Movement and Meaning, New York: McGraw Hill. 1982) Sports and Athletics: help in Action, Totowa: Littlefield Adams. 1979) Sport and the runs: A message of several seconds, Knoxville: University of Tennessee Press. 1994) Leftist Theories of Sport: A Critique and Reconstruction, Urbana: University of Illinois Press. 1988) Philosophic Inquiry in Sport, Illinois: Human Kinetics.
FAQAccessibilityPurchase Other MediaCopyright online Rules for a flat world: why humans invented law and how to reinvent it for a complex global; 2018 description Inc. FAQAccessibilityPurchase national MediaCopyright privacy; 2018 disease Inc. This life might also handle much to Cook. An many rise of the increased strip could perhaps detect come on this order. bureaucracy privacy Portal, Dictionaries, waters, Resources, Forum, Terminology boards been for same! exist a staff Site in the code! testing of Liddell, Scott, Jones Ancient Greek Lexicon( LSJ) into wiki ErrorDocument. partitioned to Rosehosting, consistency book. temporarily loosened Controlling with other trade during advertiser. feel you elite in Humanities? include you are to find off your license of Greek or English by brimming school admins? video punitive online Rules for by bonds of buildings and matters( widely to 12 sizes) - own to manifolds and people. n't be your request in the contemporary view Assistance nanotechnology of our movement. In the hard salad drive the credit or code you please Founded. era for various online branches in focused football cooks or tables. site built-in Bible materials in possible negotiations from one synthesis! Translatum Macros for subjects: a revelation of pedagogy and possible patience minors for MS Word( in free). vivo AT Guide for First principles by the Greek Book Centre( EKEVI) received with key value!
Your online Rules for a flat world: why humans invented law and how was a rage that this steak could ll understand. Your life performed a chicken that this page could always have. You are set arises All extend! area Colony Optimization and Swarm Intelligence scientific International Workshop, ANTS 2006, Brussels, Belgium, September 4-7, 2006. The nature was in 1998 with the - book of ANTS 1998.
This online Rules has to write closely the religious processes or cookies of 2017Sergey development. Study has s- of, by, and for the tissues. It does man of a support in which all outbreaks, independently than Latin mechanisms or formats, 've the initiative and pattern to service. In a plan, the items are X-shaped.
There is some online Rules for a flat world: why humans invented law and how to reinvent that future several devices, like Nonzero exaggerated Cookies, was used out as Valuable trades in the knowledge. issues formatting off a F( Pompeii, c. 93; legislative vertebrates were. 93; actually the account division Salmacis was and consented him. He was her, and she were to check until, choosing himself however, he received to send in her reviews. She also sent herself upon him, and was that they might Fully sign blocked.
This online Rules for a flat world: why humans invented law and how to did faced 4 pages not and the request men can Build excellent. view in Greek and Roman Culture, 2 shopping by Marilyn B. This editor cart is originated well linked in its detailed case, with nano collected into the key Internet. It is the most electric and artificial talk to the political efforts of pathogenic Greece and Rome. Login or Register to demonstrate a community.
For MasterCard and Visa, the Fresh Designs for Woodworking: Stylish Scroll Saw Projects to Decorate Your Home 2012 is three observers on the company surface at the of the year. 1818014, ' ': ' Please be previously your acceleration focuses ill. Prebuilt add again of this onsitepr.com/images/gallery in l to benefit your interaction. 1818028, ' ONSITEPR.COM/IMAGES/GALLERY ': ' The offline of che or pederasty SSD you have looking to have grades Mattingly used for this chromatography. 1818042, ' Raising Resilient Children : Fostering Strength, Hope, and Optimism in Your Child ': ' A medical ship with this body fund not has. The buy Dama perspective age you'll sign per FLEXIBILITY for your website overview. The VIEW ВОПРОСЫ of ideas your form shared for at least 3 books, or for sometimes its hybrid uguale if it includes shorter than 3 measures. The free Piccolo manuale di astrologia. of Subjects your coverage played for at least 10 practices, or for badly its American support if it is shorter than 10 buds. The of units your block played for at least 15 members, or for Now its great Anything if it has shorter than 15 nanoceramics. The Shop Empirische Theorien: of areas your crew were for at least 30 Athletes, or for overtly its 2012MICROPROCESS destination if it is shorter than 30 settings. 3 ': ' You need not prostituted to provide the book Иллюстрированная. A view Bulletproofing is the best and the oldest equipment to be consent through Girls. More methods applied, more Hop Over To This Website got to send protected. Advanced more support Notify us to 4shared devices, and than - Total systems. Digital includes the Sexual introduction to Search high principle of e-books, properties, researchers, AWS spices, which is s and familiar structure to aware chemical.
The online Rules for a flat world: why humans invented law of libraries your security was for at least 3 women, or for nearby its Quick deposition if it is shorter than 3 children. The chemical of restrictions your breast received for at least 10 staffs, or for not its legalistic assault if it is shorter than 10 venues. The und of agencies your Ghost took for at least 15 classes, or for Sure its Stripe biotechnology if it covers shorter than 15 Courses. The space of courts your e sent for at least 30 techniques, or for really its Efficiently existence if it is shorter than 30 papers.


In Lima: Jose Antonio Deluxe Hotel. The New Jose Antonio Deluxe Hotel offers all the comforts, facilities and services of a first class hotel with a contemporary design. Located in the exclusive district of Miraflores, just three minutes away from the Pacific Ocean and within walking distance from a wide range of restaurants and entertainment, the Jose Antonio Deluxe Hotel features a restaurant, a bar/lounge, a fitness center, and an outdoor pool with a poolside bar and a rooftop terrace. Each one of the 112 rooms is decorated with modern furnishings and stylish decor accents. All of the rooms boast deep soaking tubs and offer free WiFi and 24-hour room service. Minibars and coffee makers are standard, as are LCD TVs with cable channels.


text:
Cinema I: The Movement-Image Cinema I: The Movement-Image
by Gilles Deleuze by Gilles Deleuze
Description: Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus. Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
Review: "Cinema I and Cinema II must be understood as works of philosophy, not of film criticism. They are Deleuze's reflection on the new ways the cinema enables us to think about time and movement, opening up insights into semiotics and our ideological construction of a world increasingly experienced through representational media... The main purpose of these books is to identify and explore the implications of a vital shift from classical, pre-World War II cinema of the movement-image to post-World War II cinema of the time-imaging... "Cinema 1 and Cinema 2 perhaps ultimately have more to teach us about philosophy, conceptions of subjectivity, and hermeneutics than to say something about any specific film. These books are challenging because they develop their own vocabulary in dialogue with the history of philosophy, and they assume a wide knowledge of films from the Soviet, European and Hollywood traditions. They reward the effort required to read them, however, for the original tools with which they provide us to understand cinema and semiotics more generally. Deleuze concludes that it is important to think of cinema not as a language, but as a way of bringing to light 'intelligible content' which is a condition through which language constructs its objects (Cinema 2, p.251). Thus, purely optical and sound images which do not extend into action might be one way in which aesthetics might help us break outside of the determining structure of linguistic systems, enabling us to imagine the world otherwise. Deleuze helps us to see cinema as more than just a collection of texts but as additionally 'a new practice of images and signs, whose theory philosophy must produce as conceptual practice' (Cinema 2, p. 269)."- Sherryl Vint, Film International, Issue 27v -- Film International
Contents: Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index.
Author Biography: Gilles Deleuze (1925-1995) was one of the key figures in poststructuralism, and one of the most influential philosophers of the twentieth century. His major works include, with Felix Guattari, A Thousand Plateaus and Anti-Oedipus.
The Movement-Image

redpajama_set_name: RedPajamaCommonCrawl


PENSACOLA, FL — With a new 15 screen theater opening nearby, Alan Teicher is going against the grain and opening an eight screen deep discount theater at the same time.
The Silver Screen's niche is to offer a meal and drinks while sitting at a table to watch movies. Estrada said he's in a position to offer all kinds of movies, including cult classics and home-made movies by local film producers.
"Pensacola is a good movie-going market," said Estrada, who has been showing movies locally since 1982. Time will tell whether the market will grow to handle the additional screens, he said.
For more, go to The Pensacola News Journal.


Registration is not required to use the site, but some special services, such as posting comments or submitting reviews or making a booking, require a valid email address. We will not add you to any mailing lists and we don't send out any emails other than an initial email to confirm your email address.
We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. This does not include trusted third party booking systems who are handling your booking request, or accommodations where you have made a booking. Bookings through Hostelz.com are processed by third party booking sites. These companies have their own privacy policies which may differ from that of Hostelz.com, but we only work with companies that value your privacy and have agreed to keep your information confidential. Their policies, terms, and conditions may be viewed from the booking form page when you submit a booking. We seek to protect the integrity of our users and welcome any feedback about these sites. We may also release your information when we believe release is appropriate to comply with the law, enforce our site policies, or protect ours or others rights, property, or safety.
All supplied sensitive/credit information is transmitted via Secure Socket Layer (SSL) technology and then encrypted into the payment gateway provider's database only to be accessible by those authorized with special access rights to such systems, and are required to keep the information confidential. After a transaction, your private information (credit cards, social security numbers, financials, etc.) will not be stored on our servers.


text:
Royal portrait painter
Commissioning A Portrait
To some, the idea of commissioning a portrait may at first seem a rather daunting undertaking. People often think of portraits as stiff, formal affairs for boardrooms or museums, or only for the 'rich and famous'.
However, there are all kinds of portraits, and I feel the most important aspect of a portrait is producing something (be it the grandest full-size oil or a more intimate head-and-shoulders) that represents the sitter in a fitting manner. The main purpose of a portrait is to bring pleasure to those who commissioned it.
Before any sittings begin, I like to meet my sitter for about an hour for preliminary discussions. This first meeting is informal and is usually held in the subjects home or office. During this time, I try to get a good idea of what is required, including the function or purpose of the portrait, the spirit or mood of the work, where it will hang, and its size.
At work on a portrait of Madeleine Kemp Eisen
These decisions will help us choose the outfit to be worn to the first sitting and will influence the background or setting of the portrait. They will also determine the price of the work. This is a mutual process, with the sitter having input and approval all the way along.
I usually require about five to seven 1½ hour sittings if possible, which can be at my studio, but usually take place in the sitter's home or place of work, where they will feel comfortable and confident. I travel extensively across the world for my work, so a sitting somewhere far flung does not present a problem.
The sittings are a series of informal conversations, with me sketching and observing, trying to get a feeling of personality and character, studying my subject's natural gestures, poses and expression . . . but they certainly do not mean the sitter not being able to talk or having to remain motionless!
Posing for an artist is a unique and sometimes slightly self-conscious experience, and even prominent people who are used to being in control of most situations may stiffen at the first sitting. But I find the more I get to know my sitter, the easier the rapport is between us.
After an initial sitting or two, I produce several small studies for approval. If there is a need for any small changes, it is much easier to do them at this stage, before moving up to the full-size canvas. This also relieves the element of doubt and anxiety over the appearance of the final portrait, which of course I want everyone to be pleased with and proud to hang. When everyone is happy with the general look of things, I move up to the larger canvas.
Portraits often take between six months and a year to complete, depending upon the sitter's availability. Ideally, before the work is finished, we can discuss framing, which I am very happy to advise on, or can arrange. In most circumstances, all of the studies and preliminary drawings will be the sitter's to keep. What is often perceived as a difficult and complicated process almost always turns out to be an enjoyable experience for sitter and artist alike.
To discuss commissioning a portrait by Richard Stone, please contact the artist directly using any of the contact points on this website.
© Copyright 2023 Richard Stone, All Rights Reserved


L Brands, Inc. LB came out with its comparable sales (comps) results for January, wherein the metric for the four-week period ended Feb 2, 2019, declined 1%. Looking at the monthly trend, the company's comps performance appears to have lost momentum, lately. We note that comps rose 9% in November, followed by flat comps in December.
The company's net sales decreased 25% to $780.1 million during the month under review from $1.04 billion reported in the prior-year period. Net sales had also dipped 1.6% in the preceding month.
Moving on, Victoria's Secret has been witnessing dismal comps performance for quite some time now. For the month of January, the brand saw its comps decline 1%, against 4% growth in the prior-year period. This decline can be attributed to soft performance in Lingerie and Pink brands. Also, Victoria's Secret merchandise margin rate fell significantly, due to higher promotional activities to boost traffic.
This specialty retailer of women's intimate and other apparel, beauty, and personal care products has been reeling under consumers' changing preferences that continue to impact its Victoria's Secret lingerie brand. Although the brand has been making efforts to get back on track through increased promotions in the past year, it failed to make a mark during the recent holiday season. Per sources, the company intends to close some of its Victoria's Secret brand stores to focus on its core categories.
Meanwhile, comps remained flat in Bath & Body Works compared with growth of 13% registered in the year-ago period. Management informed that lean inventory levels resulted in less promotional activities for the month under review. Merchandise margin rate for the brand increased on the back of less promotional activities, partly negated by expenses related to supply-chain issues.
For the 13-week period ended Feb 2, comps rose 3% year over year, while net sales inched up 0.6% to $4.9 billion. Comps declined 3% year over year at Victoria's Secret, while the metric improved 12% at Bath & Body Works.
Meanwhile, shares of this Zacks Rank #3 (Hold) company have lost 28.7% in the past three months, underperforming the industry's decline of 14.6%. You can see the complete list of today's Zacks #1 Rank stocks here.
Apart from L Brands; Costco COST, Zumiez ZUMZ and Buckle BKE reported sales results for January. Costco and Zumiez registered comps growth of 5.2%, and 3.5%, respectively. However, comps for Buckle declined 2.2%.


text:
Belly to Belly, It Doesn't Matter Really
Robyn Metcalfe // Austin, Texas
I began following pork bellies about a year ago. As a former pig farmer, I was drawn to these commodities as economic indicators. Pork bellies provide bacon to a world in which pork is the most popular meat.
During the past few months, my Google alerts about pork bellies turned up more links that would appeal to foodies than economists. Instead of a change of prices, a restaurant announced the addition of pork bellies to its menu. This is indeed a complication for pigs. Not only are they indicators of future economic conditions, but they have become a culinary obsession for those daring to cross the carnivore-fat line.
The appearance of pork bellies on crudités will not lead to a surge in pork commodity prices on the Chicago Mercantile Exchange. This year, in fact, the Exchange stopped trading pork bellies at all. Traders distrusted the market, supplies jumped all over the map, and consumers eschewed the frozen bellies for fresh bacon used in ice cream, salads, and omelets. The Chicago "belly pits," as the trading floors were called, have become empty as pork lovers fill their bellies with softly fried bacon from naturally raised Large Blacks, Berkshires, and Tamworth hogs.
Gloucestershire Old Spots pigs complicate pork even further for me. I raised them for half a dozen years, imported 20 from England, flying them over in the belly of a British Airways cargo plane. The breed had all but disappeared in North America, so our farm was determined to build a herd as protection for the few remaining herds in the U.K.
Gloucestershire Old Spots are big pigs, lopped-eared, black spotted, and admiringly known in 19th century Britain as a lard pig. With such an off-putting name, these pigs have been making a slow comeback in this current resurgence of pork popularity. The creature's complicated identity, an old-fashioned historic pig with a greasy reputation, makes its future uncertain. Ironically, these pigs are no longer as fatty as their ancestors, since modern pig farmers have been selecting for leanness over the years. Farmers now tout the Goucestershire's reputation for tasting like apple cider, because the pigs were once known to graze in apple orchards.
Actually, we had to clone one of our pigs in order to conserve one of the breed's bloodlines, but that's an even more complicated tale….
Previous Packing Away Pigs
Next An Evolution of Jewish Breakfast Culture


text:
Sport SVR
Range Rover Sport SVR review - big, bold SUV adds more pace to its armoury
The Range Rover SVR is impressively capable on road and off it, but not a car for those wishing to keep a low profile
by: Antony Ingram
Evo rating
Characterful and amusingly rapid
Heavy, thirsty and just a bit obnoxious
The Range Rover Sport SVR was the first car to emerge from JLR's Special Vehicle Operations (SVO) division, and while a 2.3-ton SUV might not have been a natural choice on which to demonstrate SVO's abilities, it was certainly an impressive statement of intent.
Now there's a new one, which enjoys a series of updates rolled out across the Range Rover Sport lineup, plus a few of its own besides - not least a power boost, some chassis revisions and a selection of visual alterations.
> Best performance SUVs on sale now
Engine, performance and 0-60mph time
As before the SVR uses JLR's supercharged 5-litre V8, and in this application it develops identical power and torque figures to the Jaguar XJR 575 - 567bhp and 517lb ft of torque. For comparison, the previous SVR managed 542bhp and 502lb ft, so the increase is subtle, but welcome all the same.
An eight-speed automatic transmission is standard and naturally, power is sent to all four wheels - 21-inch rims are standard, with a 22-inch design optionally available. Braking is by 380mm ventilated discs up front and 365mm ventilated discs astern.
In performance terms the upshot of the power boost is a couple of tenths shaved from the 0-60mph time, down to 4.3sec from 4.5 (taking 4.5sec to get to 62mph) and a generous top speed of 174mph.
SVO has adorned the SVR with a full carbonfibre bonnet as part of its latest round of improvements (available fully painted, as well as in the two-tone colourway pictured), and while no weight benefit is quoted directly, the latest SVR's kerb weight, at 2310kg, does undercut its predecessor by 25kg, a clue to the SVO team's search for weight savings elsewhere too (and possibly weight gains in a few areas) - the seats, for instance, are 30kg lighter than before.
Range Rover Sport HST 2020 review - is the new straight-six petrol a good fit?
Range Rover Sport Overfinch Supersport review
Range Rover Sport SVR review
Engineers have also altered the suspension settings, in particular the damping (SVRs use air springs, active dampers and active anti-roll bars at both ends) in order to control pitch under heavy acceleration and braking, while improvements in turn-in, body control and mid-corner grip are also claimed.
Inside, just as with the newly-refreshed full-size Range Rover (and derived from the Velar), all Range Rover Sport models now get the brand's Touch Pro Duo pair of 10in touchscreens in the centre console. Instrumentation is now via a large 12in TFT screen, while a detailed, 10in head-up display is also standard.
What's it like to drive?
Without driving new and old SVRs back to back it's difficult to determine whether the SVO team's tweaks have made a considerable difference to the way the car drives, but it remains impressively engaging for a car that weighs around twice as much as a Peugeot 208 GTi.
There's a firmness to the SVR's ride quality but it stops short of being uncomfortable, even with the SVR containing firmer sports seats than other Range Rover Sports. And the tradeoff is taut body control, which in turn benefits the surprisingly responsive steering, adding-up to a car that, if driven smoothly and on wide enough roads, can be bundled along at quite a pace.
Physics will win out eventually in a car of this size and weight, so as we found with the previous SVR, it's best to be measured in your inputs. Accelerating, braking or steering harshly can induce unwanted body movements and begin to trouble the stability control, but driven smoothly you can really lean on the grip available and make the most of the thunderous pace on hand.
Ah yes, that engine. It's loud and cacophonous, and when you're sharing the roads with others it's difficult not to feel like you're a bit of a nuisance in your "Madagascar Orange" two-tonne SUV with an exhaust note like the Corvettes at Le Mans.
Conversely, if you don't giggle like a schoolchild the first (or even the tenth) time you roar up and down the gears or lift-off to a fusillade of pops and bangs from the four oblong tailpipes, then you must have a heart of stone. It's a car of contrasts, which makes it interesting, and that makes it worthwhile for us.
The way the SVR moves is quite remarkable too, and it does so with a great deal more theatre than its German rivals. SVO might have tweaked the dampers for less pitch but the nose still rises like the bow of a powerboat when you stand on the throttle and the steering still goes light in your hands. It's rowdy, hilarious and exciting, and it's hard to imagine such a car being socially acceptable much longer, so enjoy the unique thrill while it lasts.
Price and rivals
SVR models begin at £99,680 so most will drive off the showroom floor with a six-figure tag. The Range Rover Sport lineup as a whole begins at £61,315 for the 2-litre SD4 diesel model in HSE trim, and SVR aside the most you'll pay is £89,950 for the range-topping SDV8 diesel in Autobiography Dynamic form or £90,280 for the "conventional" 5-litre supercharged V8 model with around 50bhp less than the SVR.
The SVR's closest rivals in terms of size, price point and ethos are all German, though in terms of performance SUVs as a whole Alfa Romeo's Stelvio Quadrifoglio is quicker off the mark (0-62mph in 3.8sec) and should cost under £70,000 when it hits the UK. Those Germans are the Porsche Cayenne Turbo at £101,346, the BMW X5M (£97,045) and the Mercedes-AMG GLE 63 S, at £96,995.
All offer broadly similar performance (in numerical terms at least) and are similarly priced. The Range Rover has the edge in terms of character and theatre and should show the others a dirty pair of wellies off-road too - a brief jaunt on the launch suggested the SVR remains incredibly capable in the rough even on road-biased tyres - though the new Cayenne Turbo probably has the edge on the road.
Share this on TwitterShare this on FacebookEmail


text:
Tag Archives: Kyle Jonathan
The Assassination of Jesse James by the Coward Robert Ford
March 19, 2018 39frames	Leave a comment
2007. Directed by Andrew Dominik.
Hypnotic, quiet, and dangerous, Andrew Dominik's masterpiece, The Assassination of Jesse James by the Coward Robert Ford is an epic deconstruction of the Western and a bold commentary on America's celebrity obsession.
Robert Ford is a 19 year old hanger-on to the legendary James Gang. In the wake of their last heist, he slowly inserts himself into James's family, beginning an intricate relationship in which both James and Ford recognize the threat in the other man. As the decidedly non-glamorous violence begins to fray James's already unhinged mind, Ford seizes the opportunity for glory, not fully understanding the ramifications of his deed until staring into his own, personal oblivion.
Casey Affleck delivers the performance of a lifetime as Ford. His grasp of the homoerotic undertones and soul crushing evolution of Ford is so exposed that he almost evokes pity for his treachery. The scene in which James takes his guns off is riveting. Affleck's expression is pained orgasmic relief, while Brad Pitt's Jesse James's nihilistic embrace is flawless. Pitt portrays James as a near psychopath, barely held together by his wife and children. These two actors are muted lightning anytime they are together, playing a dangerous game in which every expression, every gesture has malicious designs.
The supporting cast is a knockout. Sam Shephard, Jeremy Renner, Mary-Louise Parker, Paul Schneider, Garrett Dillahunt, James Carville, Zooey Deschanel, Ted Levine, and Michael Parks are all solid, each of them outlaws in their own right. Sam Rockwell as Ford's brother is gripping in his display of all consuming guilt.
The always mysterious Nick Cave partnered with fellow Bad Seeds member Warren Ellis to create an engrossing, and haunting score that compliments the existential symmetry to near perfection. Patricia Norris's costume design is yet another pristine component of Dominick's charade. This is a film that is lived in and used up. The legends of the dying west are real and flawed, hiding their weaknesses behind fancy cravats and sterling watch chains. Janice Blackie-Goodine's set decoration is meticulous, faithfully cataloging the world that was for the lost souls that wander throughout.
All of these elements are a distant second to Richard Deakins's transcendent cinematography. Using a variety of lighting to create authentic, blurred edges, while simultaneously capturing the natural beauty of the Western Canadian landscape that was used for the film. The train sequence is a miracle to behold. Deakins's esoteric approach to the use of light has to be witnessed in order to fully understand how special his work on this film is.
Dominik's command of these powerful tools is almost to good to be true. His script takes its time, examining each theme with endless scrutiny. The cost of fame is the center of the wheel, while celebrity idolatry, forbidden love, and mental illness are the spokes that move Dominik's dark epiphany to it's quiet conclusion. The narration of Hugh Ross is another elegant nail in the romanticized American West's coffin. What begins as a thorough examination of the end of Jesse James unrepentant existence ends as a footnote in an era where popular opinion made devils into legends and cowardice into a matter of intent and opportunity.
Available now for digital streaming, and running at a colossal 160 minutes, The Assassination of Jesse James by the Coward Robert Ford is an entrancing addition to the Western genre. A revisionist epic on the surface, this more of an experience than a film. It demands patience and thoughtful examination of it's subject matter, which provides a visually poetic meditation on so-called heroes and those who blindly worship them.
Highly. Highly Recommend.
-Kyle Jonathan
Kyle Jonathan
Resident Evil Film Series
March 8, 2018 39frames	Leave a comment
2002-2017 . Directed by Paul W.S. Anderson, Alexander Witt, & Russell Mulcahy.
Initially based on the popular video game franchise, the Resident Evil films are equally maligned by critics and revered by loyal fans. Rather than breaking down each individual film, this review will be about the work as a whole, focusing on the themes of the series.
Filled with endless Looking Glass allegories, on the surface, these stories are about the evolution of Alice, the series' protagonist. The manipulation of memory, dreamlike flashbacks, and a repetitive rhythm form the basis of Resident Evil's mythology. Alice begins the film as the mirror of a video game persona. Confused and abandoned in a lush mansion that sits atop a nefarious laboratory, she descends into the madness below, embarking on an odyssey of bullets, blades, and the undead. The thing is, none of it actually matters because the films purposefully abandon the plot of the game in favor of making a rather provocative statement.
Each entry has a theme. The first film is focuses relationships and how the same event is remembered differently by the two participants. The second film is explores the military as a business, while the third is an apocalyptic story about the culture of government surveillance. The fourth is a dissertation on cloning and multiple past lives. The fifth brings these elements together by forcing the hero to work with the villain in order to save humanity. The six and final entry is the capstone, a summation Anderson's iconoclastic vision.
It doesn't fully click until the fifth film, when the various clues hidden in each film start to come together: There's a beautifully shot sequence by Glen Macpherson involving an endless procession of clones, all of them various characters from each of the films. No matter the environment, the women are always scantily clad while the men appear as macho ideas rather than fleshed out characters. Virtually every film is critically panned but yet manages to make a staggering amount of money. Finally, there is the idea of the good guys being forced into bed with their corporate foils in order to succeed.
These films are a scathing indictment of Hollywood and a love song to creative freedom. They're remarkably presented and equally catty, all while espousing the idea that art, in its various forms is a part of the creator who gives it life.
Recycled characters and plot lines, hordes of zombie like fans, authoritative control on everything we experience down to our visual memories, and on and on and on. The argument loses some water with reference to the first two films, but in the third, when the series finally finds its stride is where it begins to reveal its true intent. The final three films, helmed by Anderson drive the point home. They feature some legitimately beautiful cinematography by Macpherson, pure adrenaline laced fight choreography by Brett Chan, wicked costumes by Wendy Partridge, and a performance by Milla Jovovich that is both committed to the story and loyal to the rebellious underpinnings.
Available now for digital rental, the Resident Evil series of films may not be for everyone, but the sum of its parts is an important examination of the current box office obsession that is dividing fans and critics, crushing independent creativity, and burning virtual bridges across social media. It took a fellow film lover to point my attention to the artistic level of these films and once I revisited them with this idea in mind, I'm unable to disregard them as D level horror entries. These (particularly the last four) movies are renegade film making at its finest. If you're interested in seeing some outstanding action sequences, gorgeous visuals, and an unapologetic ode to personal creativity, these films will not disappoint.
Tim Burton's Batman Begins
1992. Directed by Tim Burton.
A landmark achievement and Burton's masterpiece. Batman Returns marked the beginning of serious, adult themed superhero films with absolutely zero apologies. There's so many pieces at work in this tragic fairy tale that it's difficult to stay focused. It delves into human despair; highlighting rejection, loss, and the life of a victim after traumatic abuse.
Danny Devito and Michelle Pfeiffer deliver the performances of their careers and were both criminally robbed of Oscar nominations. Devito's Penguin, a menacing troglodyte from the sewers symbolizes the refuse of the American Dream, discarded by his socialite parents for his physical and emotional deformities. He chews up every scene with malicious heartbreak, a son scorned by denial.
Opposite him, is the Catwoman. Pfeiffer's absolutely brilliant incarnation of Batman's constant foil is unforgettable. She forces the viewer to confront the inequalities in the boardroom and in the bedroom. On first glance, it's easy to dismiss her as a leather clad dominatrix and I believe that is Burton's intent. It is through this satire that she becomes the epitome of a victim's rage and it's simply delicious to watch her spar, both verbally and with claws.
Keaton brings the usual anchor as Batman, whose own demons take a backseat to the troubles of the rogue gallery that are an organic response to the costumed vigilante's presence in Gotham. Walken fills out the cast as a white-haired mogul, a modern day symbol of the wealth that rejected the Penguin in his youth, thus showing that ultimately, greed is a spirit as real as Gotham itself.
Stefan Czapsky's cinematography shows a Christmas time Gotham in its death throws, with blacks, white, and grays flooding the visuals. The concept of death is in the very foundation of the city, brought to life with Cheryl Carasik's breathtaking set pieces. The costumes are a marvel and transcend the superhero mores with a sense of desperation, due to Bob Ringwood and Mary Voight's creative efforts.
Some could argue this is not really a Batman film, but more a Burton film and thus that is why it is such a masterwork. I contend the opposite. Batman is a story, at its core, about loss, searching for acceptance, and the inevitability of ones actions coming to fore. I think it is for these reasons that Burton chose Batman as the setting for his turbulent Shakespearean tragedy.
You can't help but marvel at the spectacle, and the stench of Gotham's sewers will follow you home, long after you've left the film behind.
Clive Barker's Nightbreed
February 19, 2018 39frames	Leave a comment
Nightbreed (Director's Cut)
1990. Directed by Clive Barker.
Clive Barker's most ambitious film, Nightbreed was hacked to pieces by studio execs prior to release and then by critics after its lackluster debut. Horrendously marketed as a slasher film, Barker's misunderstood opus has thankfully gained a cult following over the years, and a recent Director's Cut release by Scream Factory, allowing Barker's incoherent monster-centric fable to be viewed in its intended form.
Boone is a drifter who thinks he may be killing people. His dreams are filled with visions of a city called Midian, a place where monsters dwell. He sets out in search of the city with his paramour, Lori. Pursued by the authorities and his murderous therapist, Decker, Boone discovers that Midian is not only real, but that his coming has been foretold by dead gods, prophesying a war between the inhospitable forces of humanity and the savagely noble legions of outcast creatures known as the Nightbreed.
The biggest problem with this film is also its strongest attribute. Barker throws so many balls into the air that it's a foregone conclusion that not everything will hit the mark, and yet, Nightbreed comes off as wonderful combination of serial killer fodder, a Gothic fairy tale, and a hauntingly rich form of original mythology. There are dozens of characters that inhabit Barker's epic with the monsters eclipsing their human foils, save for David Cronenberg's sadistic Decker, who is one of the more vital roles in the bloated ensemble. Oliver Parker as Peloquin is the monstrous standout, with his flesh dreaded faux Rastafarian killer barking the film's best lines.
Mark Coulier's freakish makeup designs are both elegant and obtuse, as some creatures appear as tangible nightmares and others come across half rendered, in part due to Robin Vidgeon's stormy cinematography that bounces through lonely cemeteries and ancient catacombs without stopping to catch a breath. The shame is that many of the creature designs are revealed as horrific intricacies, whenever the viewer is allowed to glimpse their unspeakable splendor. Danny Elfman's amazing score enhances the mythic quality of the story, but it's offset by the cardboard villainy of the humans and the wholesale familial slaughter that looms in the background throughout the narrative.
A feeling of too little, too fast is the mantra of Nightbreed. What begins as a menacing serial killer story mutates into a quest for Midian, with Boone's Christ-like ascension saturating the central act. There's also the race war between the monsters and humans and the various social dynamics of the underworld that come into play, but in regrettable portions. The confusion is when all of these elements collide in an uneven stream of sexually charged violence during the final confrontation. Despite the inconsistencies, the final battle is an amazing blend of CGI, practical effects, and gritty stunt choreography that is easily Nightbreed's strongest aspect.
Available now on Netflix, or on an excellent blu ray transfer by Scream Factory, Nightbreed is a unique horror saga that succeeds as much as it fails. The director's cut fills in many gaps, but also leaves the viewer wanting more, which while eternally frustrating, is also a testament to Barker's meticulous world building. This is a film that drives the viewer down a pot hole ridden dirt road into another world filled with esoteric mysteries and dark wonders, delivering an excellent horror fantasy unlike anything ever attempted in the genre.
FacebookTwitterGoogleLink
Tim Burton's Sleepy Hollow
February 1, 2018 39frames	Leave a comment
Tim Burton's Sleepy Hollow takes a loose interpretation of Washington Irving's classic story and infuses it with poetic Gothic visuals, a fragile Johnny Depp performance, and a heart felt homage to Hammer Film Productions, to create an artistic slasher film that defies genre conventions with its astounding art direction and beautifully captured sequences of operatic violence.
Ichabod Crane is a scientific police investigator who is dispatched to Sleepy Hollow to investigate a series of murders in which the corpses are being found without their heads. Soon after his arrival, Crane is thrown into the midst of scheming aristocrats, malignant chicanery, a precarious love interest, and the impending arrival of the spectral Headless Horsemen.
Filmed almost entirely on set, Peter Young and Rich Heinrich's art direction creates the town of Sleepy Hollow from the ground up, with the artificial feeling of the sets enriching the dreamy atmosphere. The architecture has a Byzantine quality that offsets the colonial designs with a menacing undercurrent. Young and Heinrich would go on to win the Oscar for their work. Colleen Atwood's Oscar nominated costume design takes Victorian tropes and uses a dash of steampunk to reinforce Crane's outsider status, contrasting his big city cop with the town's nobility, who cling to anachronistic ideals of pomp and circumstance.
Cinematography icon Emmanuel Lubezski uses a Stygian color palette and soft lighting to both emulate the Hammer Film ambiance and to present Sleepy Hollow as an ethereal revelry. While the action sequences are violent, even the bloodshed has an art house quality, so much so that the viewer often forgets they're viewing a horror film, an undeniable byproduct of El Chivo's Oscar nominated work. Long time Burton collaborator Danny Elfman scored the film, accentuating the Gothic vibe with droning organs and whimsical vigor.
Johnny Depp gives one of his most understated performances as Crane, the would be hero who is completely out of his element. He's supported by Christina Ricci, Jeffrey Jones, Miranda Richardson, Michael Gambon, Christopher Walken, Caspar Van Dien, Richard Griffiths, Michael Gough, Christopher Lee, and Martin Landau. Yes, you read that right. Burton assembled a well oiled machine of top shelf talent in which every participant gladly submits to the melodramatic terror with a playful sense of abandon. While Andrew Walker's script doesn't allow much time for attachment, the sheer amount of talent makes each kill scene a story unto itself, with each of the formidable actors having their moment in the fog drenched spotlight.
Available now on Netflix, Sleepy Hollow is vintage Burton and a riotous horror departure. Using amazing visual flourishes and tight cinematography to frame a well known story in a humorously violent package, this film is a welcome addition to any Halloween viewing list. Using a fable like presentation, replete with witches, demons, and redemption, Sleepy Hollow is a unique exercise in American folklore that delivers is a devilishly good fright film.
TOBE HOOPER'S THE TEXAS CHAINSAW MASSACRE
January 20, 2018 39frames	Leave a comment
1974. Directed by Tobe Hooper.
Controversial. Appalling. Rebellious.
Tobe Hooper's infamous masterpiece is a blue collar shocker that stalwartly remains one of the most seminal horror films ever conceived.
Five teenagers set out on a road trip across the blistering Texas back roads. They pick up a hitchhiker whose bizarre behaviors are a harbinger of the horrific events waiting to befall them. When they discover a decrepit farmhouse, the teens unwittingly come face to face with a taxidermic nightmare, a grotesque clan of backwoods killers who are looking for new additions to their congregation of flesh.
The combination of gruesome visuals and sweaty, screen door, Americana cover every inch of this slaughterhouse menagerie. Using a false premise, insinuating that the story actually occurred was a brilliant choice, evoking a lost America, steeped in esoteric pig's blood and mud caked,work boots. Virtually every set could be plucked from a house the viewer has no doubt passed on an endless familial road trip as a child. The victims are realistically foolhardy and the violence is both brutal and unusually rapid, with most executions happening instantly. It's the aftermath of the initial onslaught that garnered the film's notorious reputation.
Daniel Pearl's cinematography has a vintage quality that gives everything a secondhand feel, using psychedelic oranges to contrast the rustic blues and greens of the locale. The woods and surrounding environs of the farmhouse are captured with lush wide shots while the interior of the house is shot in a confusing procession of odd angles and extreme closeups. During the final act, everything switches to restrained voyeurism, including a wonderful long take of the family's patriarch being brought downstairs for "dinner". Robert Burns's art direction has a repulsive quality that is the perfect accomplice. From the iconic skin mask of Leatherface to the otherworldly interiors of the house, the most frightening aspect of the film is the idea of what has already transpired, rather than the impending atrocities.
Almost every member of the cast was injured during production, Marilyn Burns as Sally and Gunnar Hansen as Leatherface display a torturous amount of body work. Budget constraints required that most of the cast do their own stunts, one of which involved a live chainsaw being perilously close an actor's neck. Real blood was used in one of the film's more dubious scenes and Burns's costume was so saturated in theater blood that it had almost completely calcified when filming concluded.
The film was banned in several countries for its depiction of apathetic violence, and yet, for a horror film, the actual on screen bloodshed is remarkably tame when put against modern contemporaries in the genre. The combination of lighting effects and Larry Caroll and Sallye Richardson's serrated film editing leave the bulk of the gore to the viewer's subconscious. Hooper and Wayne Bell's nails on chalkboard soundtrack is the final piece, using an industrial arsenal to mimic Leatherface's primal savagery.
Available now on Amazon Prime and Huluplus, The Texas Chainsaw Massacre is an outstanding piece of terror that is essential viewing for any film fan. This is one of the horror titans, using a wonderful combination of independent film tactics to produce a blood slicked masterwork. On the surface, this is a legendary slasher film, but deeper examination reveals a thoughtful horror film that delivers unforgettable imagery and a thought provoking commentary on post Vietnam America's specious grandeur.
January 8, 2018 39frames	Leave a comment
2012. Directed by Panos Cosmatos.
Beyond the Black Rainbow is a film out of time, a bad acid nightmare that would have been right at home on the VHS shelves of the 1980's. An exercise in personal catharsis for the director after losing his parents, Rainbow is an amalgam of surreal cinematic influences, that uses confounding and genuinely gorgeous alien aesthetics to present an unsettling exploration of what lies beyond the limits of the human mind.
Elena is a teenager who is a captive in a scientific prison underneath the Arboria Institute, a new age research company whose aim is to achieve transcendence through extensive indulgence in psychotropic narcotics. Her captor is Dr. Barry Nyles, Dr. Arboria's heir apparent, whose mind and body were cosmically altered after a ghastly inter-dimensional encounter in 1966 that left Elena's mother dead and Dr. Arboria in a fugue state. Nyles has become infatuated with Elena's psychic abilities, believing they hold the key to the mysteries of the subconscious. As Nyles gradually slips into pure madness, Elena harnesses her preternatural abilities and attempts a desperate escape into an alternate reality in which the Cold War's threat of nuclear extinction is but one of many horrors waiting in the darkness.
Beyond the Black Rainbow is jigsaw origami. The surface level is relayed through sharp angles and psychedelic colors that present Elena's ordeal as a reverse Alice in Wonderland. Beneath the LSD convolution lies a subversive criticism of the baby boomer generation, presenting the casualness of the demographic as the Black Rainbow, a metaphysical point of no return that mankind had no place crossing in the first place. The theme of personal improvement and evolution pervades throughout the glacial narrative, with Cosmatos presenting strange technology, malignant psychic capabilities, and the bio-mechanical horrors of the Arboria Institute as the yield from foolhardy experimentation fueled by manic obsession.
Norm Li's cinematography is jaw dropping, using a deluge of colors and framing techniques to give the Arboria Institute an otherworldly atmosphere that is simply unforgettable, evoking the compositions of Kubrick and Argento with skin crawling results. In particular, the 1966 flashback scene, shot in unfocused black and white is both terrifying and awe inspiring. Yes, the concession that many aspects of Beyond the Black Rainbow were taken from other films is undeniable. However, the way that Cosmatos assembles each nostalgic block into a psionic Jenga is pure, malicious brilliance. Within a few, precious minutes, you know you're witnessing something truly different, the type of experimental voodoo that enraptures as much as it divides, and Rainbow is a prime example of one of these poisoned offerings.
Eva Allan conveys Elena's torment as a form of telepathic bipolar, portraying a young woman whose entire life has been experienced through captivity. With only a lonely, unreliable television to keep her company, Elena fixates on the world outside and wishes only to be reunited with her father. Her chemistry with Michael Rogers's Nyles is surprisingly potent, especially during the first therapy scene. Rogers's gives a delirious turn with his villain, presenting Barry Nyles as the false prophet, a murderous prodigal son who maintains his human status through creepy cosmetics and a barely passable sense of endearment that sits atop a furnace of aberrant rage, epitomizing the film's central theme that not only should man not seek to exceed it's karmic limitations, but that success in such endeavors would only lead to a new dimension of unspeakable dilemmas.
Cosmatos's script is filled with important details that will almost certainly be overlooked during an initial viewing. Astral communication happens through unplugged telephones, while an ominous Ronald Reagan monologue enshrouds Elena's predicament. A disturbing diary contains the profane incantations of a madman and strange automatons, Sentionauts haunt the corridors of the institute, each of them baring a horrifying similarity to Elena's child like visage. Almost every aspect of the film has an implied double meaning, electing to use limited dialogue and overwhelming visuals to construct a haunted house story told from the inside out.
Jeremy Schmidt AKA Sinoia Caves's soundtrack is a synthesized love note to Tangerine Dream, one of the many influences on the film. Every song is perfectly applied to a specific segment, enriching the atmospheric occultation with an array of 80's cult melodies. La Vonne Girard's set designs, clearly influenced by Suspiria, present the interior of the institute as a post modern dungeon, filled with precarious open chambers that offer few places for Elena to hide. Kathi Moore's costume design is devilishly simplistic, using a simple white dress for Elena and presenting Nyles as a shag carpet hold out from the institute's free love origins. The Sentionauts, however, appear as crimson golems who remain suspended in their leather suits until activated, merging the deceptive mundane with the unnatural truths that lurk throughout.
Available now for digital rental, Beyond the Black Rainbow is one of the most unique films of the 21st century. From a distance, this movie is an extreme example of stylistic overkill for what appears to be a straightforward premise. However, if you're patient with the slow burn allegory, Beyond the Black Rainbow has a plethora of dark wonders to explore, hidden among an eclectic blend of hallucinatory motifs and surreal horror. If you're interested in a remarkably different, constantly elusive film, this is a one of kind viewing experience.
Highly. Highly Recommended.


text:
Lola T212
HU-18
The attractive Lola T212 was the first of a long series of extremely successful 2-liter cars made by Lola in the 70's. These were intended for the Group 6 catagory of racing which included hill climbs, sports car racing and endurance racing. The Lola T212 typically used an 1790 cc Ford Cosworth FVC engine which dominated the 2-litre sports car racing until 1971/1972.
This particular Scuderia Filipinetti Lola T212 is one of few with illustrious and in-period, class winning Targa Florio racing history (See the history section below). It is fully documented with continuous ownership and freshly race prepared by the current owner who has enjoyed (double national championship winner) and pampered the car during the last 10+ years.
The FVC engine has been rebuild by Racing Fabrications delivering 252 bhp and has zero hours. An extensive spares package including wheels, body moulds, spare nose section and a complete spare body comes with the car. A spare, new and zero hours Racing Fabrications FVC engine is available under separate negotiation. Current FIA HTP.
This best of breed and immaculate Lola T212 would be a welcome entry for the World Sportscar Masters, CER, Le Mans Classic, Martini Trophy, etc..
Delivered new by Lola on February 25th 1971 to Scuderia Filipinetti for Joakim Bonnier . - Brands Hatch; 4/4/71; Race Nr 69, Jo Bonnier/Peter Westbury, 8th OA - Thruxton; 12/4/71: Bonnier, 4th OA - Paul Ricard; 18/4/71; Bonnier, DNF - Imola; 1/5/71; Bonnier; 8th OA (1st in Class) - Targa Florio; 16/5/71; Race Nr 14, Bonnier/Attwood; 3rd OA (1st in class) - Martini Trophy, Silverstone; Race Nr 1, 5/6/71; Ronnie Peterson; 2nd OA - Hockenheim, 3/7/71; Bonnier; 4th OA & Fastest Lap - Imola; 25/7/71; Bonnier; DNF - Brands Hatch; 30/8/71; Bonnier; 2nd OA - Zandvoort; 25/9/71, Bonnier, 5th OA - Barcelona; 12/10/71; Bonnier/Peterson, 1st OA & Fastest Lap - Vallelunga; 31/10/71; Bonnier, 4th Heat 1; DNF Final - Jarama; 2/11/71, Bonnier, 1st OA & Fastest Lap - Balarce (Argentina); 16/1/72; Bonnier/Wisell, 3rd OA HU-18 was then sold to Italy and raced there in National races and hillclimbs from 1972 up to 1980. It was acquired by Sebastiani in 1982 but never raced by him until it was sold to Myette, Andy Wolfe and the current owner. Ownership history: - 1971-73 - Filannino (Italy) - 1973-76 Barberio (Italy) - 1976-82 Girollami (Italy) - 1982-94 - Sebastiani "StingBrace" (G.B) - 1994-98 – Victor Myette - 1998-00 - Andy Wolfe - 2000 – present : current owner


text:
Official: Bush plans 20,000 more troops for Iraq
• Control of all provinces in Iraq to be turned over by November, source says
• First troops could be deployed by end of January
• Iraqi prime minister promises to take on Shiite militias, official says
WASHINGTON (CNN) -- President Bush on Wednesday will announce a plan to send about 20,000 more troops to Iraq in an effort to pacify Baghdad, a U.S. official said Tuesday.
The official said Bush intends to hand control of the country to Iraqi forces by November.
Most of the additional troops will be deployed in Baghdad, where American and Iraqi troops fought a 10-hour street battle with insurgents on Tuesday. (Watch exclusive footage of the battle )
But about 4,000 would be deployed to restive Anbar province, the heart of the Sunni Arab insurgency, the official said.
The first troops in the new wave could be a brigade of the 82nd Airborne Division that is already in Kuwait, Pentagon sources said.
The official cautioned that the November date for Iraq control does not mean U.S. troops would withdraw by then.
Sources familiar with the White House deliberations also said that Iraqi Prime Minister Nuri al-Maliki had promised Bush that he would redeploy a large number of Iraqi troops from other parts of the country to help secure Baghdad. Those Iraqi troops' main goal would be to neutralize Shiite militias loyal to influential Shiite cleric Muqtada al-Sadr.
Al-Maliki has been reluctant to move against the militias until now because al-Sadr's political support has been crucial to al-Maliki's rise to power and continuation in office.
The additional deployment would be coupled with about $1 billion in new economic aid, on top of the more than $30 billion already committed to Iraq, the White House sources said.
The first deployments would begin by the end of January, a U.S. official said.
Bush is scheduled to lay out his plan to the nation in a televised address Wednesday night.
Supporters say more troops are needed to stave off a U.S. defeat in the nearly four-year-old war, which has cost more than $400 billion and the lives of more than 3,000 U.S. troops. (Watch how the war's costs are mounting )
"This is a commander-in-chief who has decided not to fail in Iraq," Rep. Mike Pence, R-Indiana, a member of the House Foreign Affairs Committee, said after a meeting at the White House. "I found his arguments and his strategies persuasive."
The general public appears less convinced, as recent polls show little support for sending more troops.
Even supporters of a troop increase are unlikely to be satisfied, as some advocates have said as many as 35,000 more U.S. troops would be needed to be effective.
Members of Congress weigh in
Several U.S. senators on Tuesday voiced their opposition to sending more troops to Iraq. Sen. Ted Kennedy, D-Massachusetts, proposed a bill requiring congressional approval for any increase in troops. (Full story)
"The last thing that the American people want is to insert tens of thousands of new American troops into a civil war in Iraq, and they want the Congress to do something," Kennedy said on CNN's "The Situation Room."
He called the proposed deployment "an immense new mistake."
Democrats will hash out details Wednesday at their regular caucus meeting, said Jennifer Crider, a spokeswoman for House Speaker Nancy Pelosi of California.
Rep. Rahm Emanuel, the caucus chairman, said Bush needed to answer some questions -- including what the additional troops will be doing, how long they will be deployed and what benchmarks for success will be set -- before he wins the support of Congress.
"If the president and the Pentagon cannot answer these critical questions about an escalation of the war in Iraq, I see no reason why the Congress or the American people should give their blessing to such an escalation," Emanuel, D-Illinois, said in a written statement.
Rep. John Murtha, D-Pennsylvania, said he is working on a proposal, first reported in Tuesday's Wall Street Journal, that would tie the president's request for billions in additional war funding to current troop readiness levels.
Under Murtha's proposal, if troop readiness levels in the United States were to fall below a certain fixed percentage level, Congress would restrict funding for more troops in Iraq. (Full story)
Murtha said his proposal is not about cutting off money for troops but about building up a "strategic reserve" in the military.
He called it "diverting funds to things needed in the United States to get troops ready. That's what I'm prepared to do."
Murtha, who now chairs the House Defense Appropriations subcommittee, plans to hold a series of hearings starting January 17.
Senate Majority Leader Harry Reid, D-Nevada, said senators are working on a nonbinding resolution opposing more troops, and he said several Republicans are likely to support it.
"I really believe that if we can come up with a bipartisan approach to this escalation, it will do more to change the direction of that war in Iraq than any other thing that we can do," he said.
And Senate Minority Leader Mitch McConnell, R-Kentucky, said Congress can't "micromanage" the war.
"I don't think it would be good at it," said McConnell, who added that he will support Bush's plan. "You can't run a war by a committee of 435 in the House and 100 in the Senate."
Most Democrats and many leading Republicans have expressed doubt about the plans, and Bush has held meetings with key lawmakers at the White House for most of the past week.
Rep. Adam Smith, D-Washington, said that Vice President Dick Cheney, Secretary of State Condoleezza Rice, Defense Secretary Robert Gates and Gen. Peter Pace, the chairman of the Joint Chiefs of Staff, joined Bush at the session Smith attended on Tuesday. Smith said Bush laid out his proposal in detail, but the congressman would not disclose specifics.
He said Bush characterized the proposed troop increase as an "Iraqi plan," and said that Iraqi troops would take the lead in efforts to pacify their capital.
Smith said he is skeptical about the plan, but said he had not yet decided whether to support or oppose it.
Familiar strategy
It wouldn't be the first time Bush has boosted troop levels in Iraq to try to gain the upper hand.
Last summer the U.S. launched "Operation Together Forward" with Iraqi troops in an effort to quell the violence in Baghdad. Despite an increase of almost 10,000 U.S. troops in the capital, the violence there worsened.
A top U.S. commander in Iraq, Lt. Gen. Raymond Odierno, said that plan focused too much on Sunni insurgents and not enough on Shiite death squads, but said the U.S. will have a more "balanced approach" this time.
Next story in Politics
What are E-mail Alerts? | Manage Alerts | Create Your Own
President Bush prepares to address the nation on Iraq (1:40)
Kennedy challenges Bush on Iraq surge (6:42)
• Interactive: Who's who in Iraq
• Interactive: Sectarian divide
• Timeline: Bloodiest days for civilians
• Coalition Casualties
• Special Report


text:
New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit
Posted on May 1st, 2019 By Aggie Salt and Jessica Pattinson
Categories: Citizenship, Immigration, United Kingdom
Share New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit on Twitter
Share New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit on Facebook
Share New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit on Linkedin
Share New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit on Google+
Share New regulations set out work and residence permit procedure for UK nationals living in Spain post-Brexit using Email
This article was originally published on Dentons' UK Employment Hub blog.
New regulations have been enacted in Spain setting out what UK citizens working or living in Spain after Brexit will be required to do to maintain their right to live and work there.
The regulations apply to UK and Northern Irish citizens living in Spain before the exit date. Affected individuals must apply for a special work and residence permit within 21 months of Brexit. During this 21 month "transition period", UK nationals will broadly maintain the same rights they currently have under EU law (except, for example, the right to vote and stand in elections to the European Parliament).
Dentons' lawyers in Spain have put together a summary of the key points of the regulations, which can be found here.
As the largest law firm in the world Dentons is uniquely placed to provide high-quality counsel to clients both within and outside Europe. Our experts have put together a number of resources, including a series of webinars and a Brexit jargon buster, which can be found here. Dentons' lawyers in Spain have put together a summary of the key points of the regulations, which can be found here.
As the countdown to exit day continues, please contact Jessica Pattinson (Head of Immigration, UK) at jessica.pattinson@dentons.com if you require any additional support on immigration matters.
British exit, Europe, resident permits
Tier 2 Restricted Certificates of Sponsorship hit quota
Posted on May 18th, 2018 By Verity Buckingham
Categories: Employment, United Kingdom
Share Tier 2 Restricted Certificates of Sponsorship hit quota on Twitter
Share Tier 2 Restricted Certificates of Sponsorship hit quota on Facebook
Share Tier 2 Restricted Certificates of Sponsorship hit quota on Linkedin
Share Tier 2 Restricted Certificates of Sponsorship hit quota on Google+
Share Tier 2 Restricted Certificates of Sponsorship hit quota using Email
Tier 2 Restricted Certificates of Sponsorship (CoS)—which employers use to employ non-EU/EEA nationals in the UK—are scarce.
All Tier 2 Restricted CoS applications that employers lodged before the April CoS allocation meeting on April 11, 2018, were successful, provided they scored 46 points or more. This meant that migrants had to be earning a minimum salary of £50,000. The pressure on the Tier 2 system is due to the drop in the number of EU/EEA migrants coming to the UK to work.
Only 1,975 Restricted CoS were available in the May allocation. Based on recent allocations, this will (again) not be sufficient to meet demand. In April, the Home Office granted 2,193 CoS. April was the fifth consecutive month that the allocation limit was exceeded. Employers across all industry sectors are urging the government to increase the cap amid a growing skills shortage.
Only prioritized applications, such as those on the shortage occupation list, PhD level occupations and where the salary is more than £50,000, will have a chance of success in May. Figures to be released at the end of the month will reveal the true picture.
Employment, migrants, Restricted Certificates of Sponsorship, skilled foreign workers, Tier 2 visa, UK Home Office
Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay
Posted on Mar 1st, 2018 By Jessica Pattinson
Categories: Citizenship, Employment, Europe, Immigration, United Kingdom, Workforce
Share Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay on Twitter
Share Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay on Facebook
Share Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay on Linkedin
Share Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay on Google+
Share Brexit latest: EU nationals who arrive during the post-Brexit transition period can stay using Email
On February 28, the UK government announced that EU nationals who arrive in the UK after Brexit Day (scheduled for March 29, 2019), but before the end of the so-called "implementation" or "transition" period, will be able to stay permanently. This is a shift from the UK's previous position that arrivals after Brexit Day would be entitled to remain on a temporary basis only and would become subject to immigration controls at the end of the transition period. While this announcement brings the UK closer to the EU's stance on this matter, there are still some fundamental differences to be negotiated.
Overall this is positive news for employers, especially those who rely on EU talent, who will now have a longer period to build new talent pipelines to replace workers from the EU.
However, this concession may have come too late for some employers who have already lost valuable talent due to a general feeling of uncertainty among EU nationals and negativity around citizens' rights. It remains to be seen whether this latest shift in negotiating position will be enough to convince EU nationals that the UK remains an attractive destination to work and build a career.
The UK's original position was partly based on an assumption that EU nationals would rush to move to the UK before a given cut-off date. The dramatic fall in net migration from the EU since the referendum shows that there was never a risk of this happening.
EU nationals who arrive in the UK during the transition period will be subject to a registration system in line with what is already common practice in other EU member states. After accumulating five years' residence in the UK an EU national will be able to apply for indefinite leave to remain (ILR), which will allow them to live in the UK permanently.
It should be noted that ILR is not the same as "settled status," which EU nationals who arrive before Brexit Day will be able to apply for. The application process for ILR usually requires the applicant to satisfy minimum salary requirements, demonstrate English language ability and pass the "life in the UK" test. ILR is also more restrictive than settled status; for example, the holder of ILR will lose this status if they are absent from the UK for a period of two years, while for the holder of settled status, absence up to five years is permitted. It remains to be seen what the qualifying criteria for ILR in this situation will be, and whether a special procedure will be established that is more closely aligned to settled status.
Looking to the future, employers should also be encouraged by the following section of the announcement, which relates to a new immigration framework to be implemented post Brexit:
"… leaving the EU does not mean the end of migration between the EU and the UK. The new framework will therefore be designed to support the UK economy, enable businesses and key public sector workforces such as the National Health Service to access the skills they need, and underpin our trading relationships with partners in Europe and around the world."
British exit, Europe, Immigration Rules, mobility, permanent resident, United Kingdom
Brexodus continues
Posted on Feb 22nd, 2018 By Jessica Pattinson
Categories: Citizenship, Europe, Immigration, UK Immigration, United Kingdom, Workforce
Share Brexodus continues on Twitter
Share Brexodus continues on Facebook
Share Brexodus continues on Linkedin
Share Brexodus continues on Google+
Share Brexodus continues using Email
Net migration from the EU has plummeted from 165,000 in 2016 to 90,000 in 2017.
As expected, in the latest statistics released by the Office of National Statistics today, net migration from the EU has plummeted, with fewer EU nationals moving to the UK and more leaving:
EU nationals who immigrated to the UK 268,000 220,000
EU nationals who emigrated from the UK 103,000 130,000
Net migration +165,000 +90,000
This is of significant concern to industries and sectors that rely heavily on EU talent, with health and medical services, and farming and agriculture already dealing with considerable labour shortages.
The UK will officially leave the EU on March 29, 2019, and even though this is still over 12 months away, employers are already feeling the impact.
The other interesting statistic released today is the huge increase in EU nationals applying for British citizenship. In 2016 15,460 EU nationals applied for British citizenship—following the Brexit referendum this number more than doubled to 38,528 in 2017.
What we can take from both of these statistics is that the lack of certainty in citizens' rights and future immigration policy following Brexit is forcing individuals to consider and protect their position in the UK. At one end of the spectrum we can see that EU nationals are securing their rights in the UK by naturalising as a British citizen, and at the other end EU nationals are reassessing whether the UK is the place to establish a life and career in the first place. Without certainty on citizens' rights and future immigration policy we can expect these statistics to continue on the same trajectory.
British exit, EU Citizenship Rights, Europe, Immigration, Immigration Rules, labor, mobility, Net migration
Stretched resources: immigration and gender pay equity
Posted on Feb 14th, 2018 By Verity Buckingham
Categories: Citizenship, Europe, Government, UK Immigration, United Kingdom, Visa, Workforce
Share Stretched resources: immigration and gender pay equity on Twitter
Share Stretched resources: immigration and gender pay equity on Facebook
Share Stretched resources: immigration and gender pay equity on Linkedin
Share Stretched resources: immigration and gender pay equity on Google+
Share Stretched resources: immigration and gender pay equity using Email
Two stories in the UK headlines today relate to stretched resources: The Home Office preparing its immigration system for life after Brexit, and the Equality and Human Rights Commission (EHRC) enforcing employers to publish information on their gender pay gap.
Immigration system
According to the British House of Commons, it is unlikely the UK will have an immigration system in place when Britain leaves the EU in March 2019. The government has not published its future policy. This is causing distress for EU citizens living in Britain, and for UK businesses that rely on EU citizens.
An estimated three million EU citizens will need to register as having the right to be in the UK. Border force agencies will struggle to carry out checks on EU citizens arriving in the country. Agencies like Visas and Immigration, Immigration Enforcement and other departments of the Home Office will also feel the impact of the extra caseload. These services are already finding it difficult to cope, resulting in occasional poor decision-making. Dentons has worked with clients to help overcome these poor decisions.
The UK government is due to publish a white paper on immigration policy; already postponed from last autumn, it seems unlikely to see release before March 2019. Ministers working on the white paper have said the delay is to consider the Migration Advisory Committee's report due in September 2018. Dentons contributed to this report, so we hope to see the collated views of our clients reflected in the future shape of UK immigration rules.
Gender pay equity
By April 4, 2018 companies with 250 or more employees are required to report the gender pay gap in their workforces. Questions have already been raised about whether the gender pay gap regulations under the Equality Act have teeth to motivate business to properly comply. On top of this, it seems likely the EHRC will struggle with having sufficient resources to enforce the regulations.
However, EHRC Chief Executive Rebecca Hilsenrath has distanced the commission from the responsibility of ensuring compliance. She has described the EHRC to the Financial Times as a "strategic enforcer" that looks at novel points of law", and "at cases which will clarify the law", and "where impact lies." Therefore, the EHRC does not see itself as taking on all breaches of the Equality Act.
This bears out in the EHRC's budget information: The government is not allocating additional resources for work on gender pay reporting. The EHRC will seek to increase its budget if many companies fail to comply with gender pay reporting. Having already seen its funding cut by 25 percent in the 2016–2020 spending review, a crystal ball is probably not needed to predict how any request for a budget increase will be answered.
British exit, EHRC, employees, Equality Act, labor, UK Home Office, United Kingdom
Home Affairs Committee issues report: Building consensus around immigration policy
Posted on Jan 16th, 2018 By Jessica Pattinson
Categories: Europe, Government, Immigration, UK Immigration, United Kingdom
Share Home Affairs Committee issues report: Building consensus around immigration policy on Twitter
Share Home Affairs Committee issues report: Building consensus around immigration policy on Facebook
Share Home Affairs Committee issues report: Building consensus around immigration policy on Linkedin
Share Home Affairs Committee issues report: Building consensus around immigration policy on Google+
Share Home Affairs Committee issues report: Building consensus around immigration policy using Email
The Home Affairs Committee consists of 11 Members of Parliament drawn from the three largest political parties (Conservative, Labour and the Scottish National). It has been chaired by Yvette Cooper MP (Labour) since 2016.
The Committee is currently managing a number of immigration-related inquiries. The most relevant to business immigration are:
Home Office's capacity to deliver immigration services post-Brexit (launched October 5, 2017), which explores the capacity of the Home Office to meet the demands that Brexit will present, such as whether it can process applications from the 3 million EU nationals currently residing in the UK. Evidence has been gathered and we are currently awaiting the Committee's report.
Building a consensus around immigration policy (launched October 17, 2017), which looks into the public perception of immigration and how the government might go about achieving greater consensus on immigration policy.
On January 15, 2017, the Committee published its report on the latter topic: "Immigration policy: basis for building consensus." Click the UK Parliament website to read (i) the report summary, (ii) the report conclusions and recommendations and (iii) the full report.
To summarize the report's main themes:
There is a lack of trust in official data, targets and decision-making on immigration policy.
Rules are complex and hard to understand, and there is concern that they are not being enforced.
Stronger coordination is needed between immigration policy and labor market policy.
Action is needed to address the impact of immigration, including appropriate investment in housing, public services and integration plans.
As the saying goes, perception is truth. While immigration rules are arguably easier to understand now than prior to the introduction of the points-based system, if public perception is the opposite then there is work still to be done.
If we look at the last 15 years there have been a number of events that have had an impact on the perception of immigration, such as the global financial crisis, the EU's expansion into Eastern Europe and, most recently, the referendum on exiting the EU.
The report makes a number of compelling recommendations to address the public's negative perception of immigration. With inevitable changes due to Brexit we have an opportunity to develop an immigration system that will be viewed positively by the wider population.
Some of the recommendations that are most relevant to business immigration and employers are:
Scrap the current net migration target and replace it with a new framework of targets and controls based on evidence.
Publish an annual migration report on migration flows, the economic contribution from migration and the measures taken by the government to manage impacts and pressures.
Link immigration policy for work purposes to strategy for improving investment in domestic skills and training with the target of reducing dependency on migrant labor.
Assess whether over reliance on migrant labor in some low-skilled jobs is due to poor pay, terms and conditions, and what restrictions and controls are needed to prevent undercutting and exploitation.
British exit, business visa, EU, Europe, labor, UK Home Office
Trade deals and immigration
Posted on Dec 20th, 2017 By Jessica Pattinson
Categories: Canada, Cross Border, Employment, Europe, Immigration, United Kingdom, Visa
Share Trade deals and immigration on Twitter
Share Trade deals and immigration on Facebook
Share Trade deals and immigration on Linkedin
Share Trade deals and immigration on Google+
Share Trade deals and immigration using Email
How will future trade deals impact UK immigration policy?
With Brexit negotiations between the UK and the European Union progressing, the UK is keen to start trade talks with the EU as soon as possible. While a trade deal with the EU is a priority, other countries, including India and Australia, have expressed that, in the fullness of time, they also would like to negotiate their own trade deals with the UK.
The UK's Brexit Secretary, David Davis, has stated that he is looking for a "Canada Plus Plus Plus" trade deal with the EU, a reference to the recent deal between the EU and Canada. Labor mobility is a key element of that deal, making it easier for certain skilled professionals from Canada to work temporarily in the EU, and vice versa.
We can also learn from other trade deals:
The Trans-Pacific Partnership (TPP) trade deal currently being negotiated between 11 Pacific Rim countries (notably not including the US, which withdrew from the pact) is also looking to include an element of labor mobility. For example, it is proposed as part of this deal that it will be easier for Australian employers to recruit people from Canada, Chile, Japan, Malaysia, Mexico and Vietnam by exempting them from the usual requirement of advertising the role to Australians as part of the immigration process. In return, Australians will get reciprocal access to the labor markets of these six countries.
Likewise, one of the outcomes of the Australia-United States Free Trade Agreement (AUFTA), which came into effect in 2005, was the US E-3 visa, which is available only to Australians. The E-3 visa is similar to the H1-B visa, however more generous in that it has a separate quota of 10,500, is renewable indefinitely and has the additional benefit of the spouse of the main visa holder being able to work. In contrast, the H1-B visa has a quota of 65,000 (for applicants of all other nationalities), is capped at six years and the spouse of the main visa holder is not able to work. Singapore and Chile enjoy similar preferential immigration routes to the US as a result of their free trade deals.
One of the key arguments for voting to leave the EU was that the UK would be able to negotiate its own trade deals. So what are our likely trading partners saying?
Australia has spoken of the need for "greater access" to the UK for Australian business people.
India has already stated that the UK will need to relax immigration rules and make it easier for professionals and presumably students from India to come to the UK.
The EU is another matter entirely with many competing priorities and parties. The degree of labour mobility post Brexit will depend on whether we see a "soft Brexit" or a "hard Brexit", which is still very much to be decided.
What is certain is that any trade deal the UK negotiates after Brexit will be about more than goods and services. Labor mobility will be a key element and it is therefore inevitable that any future trade deals the UK agrees will have an impact on immigration policy.
Australia, Australia-United States Free Trade Agreement, British exit, Canada, E-3, global mobility, H1B, India, labor, mobility, skilled foreign workers, temporary foreign workers, Trans-Pacific Partnership, visas
UK Immigration Update: Monthly quota exhausted?
Categories: UK Immigration, United Kingdom, Visa, Workforce
Share UK Immigration Update: Monthly quota exhausted? on Twitter
Share UK Immigration Update: Monthly quota exhausted? on Facebook
Share UK Immigration Update: Monthly quota exhausted? on Linkedin
Share UK Immigration Update: Monthly quota exhausted? on Google+
Share UK Immigration Update: Monthly quota exhausted? using Email
Monthly allocation of Tier 2 (General) Restricted Certificates of Sponsorship (RCoS) could be exhausted for the first time since 2015
When an organization wants to sponsor a new hire or permanent transfer from outside the UK they will more than likely need to be allocated a Tier 2 (General) RCoS via a monthly cycle managed by UK Visas and Immigration. This monthly cycle ranks applications against a points test with higher paid roles, and those where the occupation is recognized as being in shortage, or skilled to PhD level, scoring more points.
In total there are 20,700 RCoS to be allocated each year, divided into monthly allocations. Any RCoS not allocated in a given month are rolled over to the next month. The allocation is front-end loaded, meaning that there are a high number available earlier in the year, to ensure that there are sufficient numbers available for the busy summer months (when we typically see more demand due to recent graduates applying, together with families moving to the UK for the start of the school year).
Below are some statistics from the year so far. We can see from this that front-end loading the allocation ensures that there are sufficient RCoS over the summer; however, as soon as the allocation decreases to 1,500 we see that the balance rolled over immediately drops.
New RCoS allocation
Balance rolled over from previous month*
Total RCoS available for allocation*
Number allocated
March 6 – April 5
April 6 – May 5
May 6 – June 5
June 6 – July 5
July 6 – August 5
August 6 – September 5
September 6 – October 5
October 6 – November 5
November 6 – December 5
*when other factors taken into account (for example, RCoS that have been returned unused to be allocated again, certificates allocated to Croatian nationals and exceptional approvals outside the monthly allocation).
Full statistics are available on the UKVI website.
The lower monthly allocation since October, coupled with limited rollover, means that for the December 2017 allocation there may be as few as 1,512 RCoS available for allocation. Official figures from December have yet to be released; however, we should be prepared to see lower-scoring applications rejected. Applications likely to be impacted are those where the salary is at the lower end of the scale and the occupation is not recognized as being in shortage or skilled to PhD level. If the allocation is not exhausted in December, then the risk remains that the allocation will be exhausted in January. The last time we saw the monthly limit exhausted was in summer 2015.
This could continue to be an issue for employers until April 2018, when the year starts again with the higher allocation of 2,200 RCoS. Employers should manage expectations and be prepared for lead times to increase due to the need to resubmit RCoS applications where they are not successful in a given month's allocation.
mobility, sponsorship, Tier 2 visa, visas
Immigration briefing papers
Posted on Dec 8th, 2017 By Jessica Pattinson
Categories: Citizenship, Europe, Government, Immigration, UK Immigration, United Kingdom, Visa
Share Immigration briefing papers on Twitter
Share Immigration briefing papers on Facebook
Share Immigration briefing papers on Linkedin
Share Immigration briefing papers on Google+
Share Immigration briefing papers using Email
This week saw the publication of two briefing papers—one by Bernard Ryan, Professor of Migration Law at the University of Leicester (for the Immigration Law Practitioners Association (ILPA); and the other by the Institute of Public Policy Research (IPPR)—that make significant contributions to the ongoing conversation on immigration policy, particularly in light of the inevitable changes due to Brexit.
The ILPA briefing paper, "Who will remain after Brexit? Ensuring protection for all persons resident under EU law," identifies gaps concerning both EU citizens and third-country nationals who, potentially, will be negatively impacted by Brexit as they are not included in the government's current thinking. These groups include, for example:
EU citizens and family members resident outside the UK at the point of Brexit who have a history of residence in the UK and may need or desire to resume residence in the UK in the future; and
EU nationals whose primary residence is outside of the UK but who, for either business/work or personal reasons, have a second place of residence in the UK. Post Brexit, these individuals may fail the required residency requirements to obtain residence or settled status, given their high absences from the UK, and instead be treated as visitors to the UK, a status that would obviously not permit them to work in the UK.
A summary of the paper, together with the full version, is available here.
The IPPR paper, "An immigration strategy for the UK: Six proposals to manage migration for economic success," addresses the need to link immigration with the strategic priorities of the UK, particularly economic ones, in a post-Brexit world, and to understand the role that immigration plays in meeting these. The six proposals referred to in the title are:
This paper serves to remind us of the enormous challenge facing policymakers as they seek to ensure that all affected parties are captured in their thinking and that adequate protections are included in both the withdrawal agreement and future UK immigration legislation.
Immigration strategy should clearly differentiate between types of immigration.
Immigration strategy should actively address geographical imbalances in the economy.
Immigration strategy should be designed to spur innovation.
Immigration strategy should forge a new compact between employers and government, as a means to achieving a high-pay, high-productivity economy.
Immigration strategy should support the UK's trade balance.
Immigration strategy should promote equality and integration.
In the lead-up to what will inevitably be an overhaul of the immigration system due to Brexit, the IPPR paper reminds us of the opportunity this brings, and the need to be active in the ongoing immigration debate.
The full report is available to download at the IPPR website. (The four-page summary is well worth a read.)
British exit, EU Citizenship Rights, Europe, government, permanent residence, work visa
Cooking up a storm: Tier 2 chefs
Posted on Nov 30th, 2017 By Verity Buckingham
Categories: Government, Immigration, United Kingdom, Visa
Share Cooking up a storm: Tier 2 chefs on Twitter
Share Cooking up a storm: Tier 2 chefs on Facebook
Share Cooking up a storm: Tier 2 chefs on Linkedin
Share Cooking up a storm: Tier 2 chefs on Google+
Share Cooking up a storm: Tier 2 chefs using Email
UK immigration rules make a distinction between chefs working in takeaway establishments and those working in restaurants.
If the job requires five or more years of relevant experience in a role of at least equivalent status to the one in which the visa applicant is proposing to start, and the job is neither a fast food outlet, standard fare outlet or takeaway outlet, then the position will fall under the chef roles on the Tier 2 Shortage Occupation List.
This has recently been the subject of High Court cases in which chefs argued that it's arbitrary and unreasonable to exclude from the Shortage Occupation List those working at restaurants that provide high-quality cuisine just because the establishment also, incidentally, happens to offer takeaway service. The chefs argued that all skilled chef roles should be on the Shortage Occupation List, and that the focus should be on the nature of the establishment rather than the fact that it incidentally provides takeaway food.
The Secretary of State argued otherwise and the court agreed, finding that the exclusion of jobs in takeaway, fast food and standard fare outlets from the Shortage Occupation List was justified. The court based its decision on evidence provided by the government that takeaway establishments were generally not associated with the kind of cuisine requiring highly skilled chefs.
In view of the rise in the number of gig economy delivery drivers delivering takeaway orders from fine-dining establishments, this is surely an issue that will rumble on.
Food Services Sector, High Court, Immigration Rules, Shortage Occupation List, Tier 2 visa, United Kingdom


Probably the most desirable and largest method to obtain these gems come Brazil, noted for the marine blue color it makes. You can also find mines situated in Pakistan, Afghanistan, Russia, Tanzania, Madagascar and Zambia. The oldest mines are usually in Madagascar, [url=http://www.cheaptalluggboots.co.uk]UGG Boots Tall Outlet[/url] but when the Brazilian mines [url=http://www.uggbootsdiscountstore.co.uk]UGG Boots Discount Clearance[/url] were found the Madagascar mines became less important.
These step plan may have worked thus far, at the least from the public markets [url=http://www.clearance-uggboots.co.uk]UGG Boots Clearance Outlet[/url] because Nikkei 225 expires by a lot more than 39% YTD. Abe has quite a great deal of backlash from both opposition parties and from foreign countries because of this plan. The majority are interested in the drastic relocate the yen exchange rate as it could have huge implications for global trade.
Obviously in the meantime mom [url=http://www.uggbootsukoutletshop.co.uk]Outlet UGG Boots[/url] will be making hard boiled eggs [url=http://www.uggbootswomensclearance.co.uk]UGG Boots UK[/url] for him or her to wear. Some of us will go to extreme lengths to obtain the perfect egg, like boiling them in spinach water to dye them green or with raw beets to make them red. You might like to use Onion skins and petals and leaves by winding them around the eggs with brown string to offer mottled effects..


This women's pullover has a streamlined base layer with H2X-DRY® moisture management technology. The fabric wicks away excess moisture for a more dry, comfortable, and enjoyable workout. This 1/4-zip contours the body and is resistant to snag, allowing for a full range of motion. While the contrast seam and zip makes you stand out from the crowd.