The Iron Bridge - office23s jimdo page!
The Iron Bridge crosses the River Severn at the Ironbridge Gorge, by the village of Ironbridge, in Shropshire, England. It was the first bridge in the world to be made out of cast iron.
In the early eighteenth century the only way to cross the Severn Gorge was by ferry. However, the industries that were growing in the area of Coalbrookdale and Broseley needed a more reliable crossing.
In 1773, Thomas Farnolls Pritchard wrote to a local ironmaster, John Wilkinson of Broseley to suggest building a bridge out of cast iron. By 1775, Pritchard had finalised the plans, and Abraham Darby III, an ironmaster working at Coalbrookdale in the gorge, was commissioned to cast and build the bridge.
Shares were issued to raise the £3,200 required, and Darby agreed to fund any overspend. Although it had been predicted that 300 tons of iron would be needed (costing £7 a ton), in the end 379 tons were used, costing Darby and his company nearly £3,000. There would be many other costs to bear (masonry abutments, assembly etc), so that the project was far more expensive than first envisaged. Darby bore most of the cost over-run, and was in debt for the rest of his short life.
Being the first of its kind, the construction had no precedent; the method chosen to create the structure was therefore based on carpentry. Each member of the frame was cast separately, and fastenings followed those used in woodworking, such as the mortise and tenon and blind dovetail joints. Bolts were used to fasten the half-ribs together at the crown of the arch. Very large parts were needed to create a structure to span 100 feet rising to 60 feet above the river. The largest parts were the half-ribs, each about 70 ft long and weighing 5.25 tons. The bridge comprises more than 800 castings of 12 basic types.
The bridge was raised in the summer of 1779, and it was opened on New Year's Day 1781. In 2001, the BBC screened a documentary in which a half-sized model of the bridge was built to test recent research over the construction. Instead of large timber towers, a pair of uprights with a crosspiece was used to erect each of the ribs in sequence. The abutments were built afterwards.
Just a few years after the construction of the bridge, cracks were appearing in the masonry abutments, caused by ground movement. Some of the cracks in the cast iron may date from this time, although others are probably casting cracks. They were pinned with wrought iron straps. By 1802, the southern stone abutment had to be demolished, and replaced with temporary wooden arches, before eventually being replaced by iron arches. Many of the cracks visible today in the bridge have been left untouched, however. The bridge was over-designed, and subsequent bridges such as those built by Thomas Telford used much less cast iron. For example, his cast iron arch bridge at Buildwas upstream from Iron bridge, used less than half the weight for a greater span (130 ft span, 170 tons of cast iron). However, it suffered similar problems of abutment movement and was replaced in 1902. The cast iron bridge at Coal port downstream, built in 1818, is even more impressive because of its lean, streamlined design, and still carries vehicular traffic. It was renovated in 2004.
In 1972 a program of major repairs took place on the foundations of the bridge. It involved creating a ferro-concrete counter arch under the river. The bridge has been renovated again in 1999-2002, with replacement of the cast iron road plates with steel plates, and a lightweight top surface. Further information on the manufacture of the cast iron parts has emerged. While the smaller parts were cast using wooden patterns, the large ribs were cast freely into excavated molds in the casting sand.
The Iron Bridge became an 18th century tourist attraction, and the settlement of Ironbridge grew up beside it. Although described by many as a town, it falls within the parish of The Gorge. The bridge was finally barred to vehicular traffic in 1934, but tolls for pedestrians were still collected until 1950, when ownership of the bridge was transferred to Shropshire County Council.
The bridge is a popular tourist attraction, and part of the UNESCO Ironbridge Gorge World Heritage Site. It is a Grade I listed building and a Scheduled Ancient Monument.


11 days after they voted on the current millage rate, which will result in a property tax increase, the Lumpkin County Board of Education announced that they will hold a called meeting on August 24. The announcement came after local media and local citizens questioned the integrity behind previous public hearings that involved the millage rate vote.
In a separate post on social media, Superintendient, Dr. Robert Brown, released the following statement, "It is ridiculous for anyone to suggest that our school board is not welcoming of public input or attempted to avoid feedback provided at the millage hearings. Our school board members receive phone calls and emails from concerns and supportive citizens on a regular basis. They welcome and seek feedback from a variety of sourced in our community, all in an effort to continue providing a premier education for all students in Lumpkin County." However, according to a local Dahlonega resident, several attempts at contacting members of the board and the superintendent were all left unanswered.
FYN also called and emailed each board member, as well as the superintendent, but did not receive a response.
The meeting will be held at the Lumpkin County Central Office at 6pm.


Where are all my health nuts at?! Listen up, you won't want to miss this! For all my health conscious fanatics and coffee enthusiasts, a new place has opened up on King Street West, a little west of Blue Jays/Peter Street. Calii Love has (finally) opened recently this week during the last few days of … Continue reading [FOOD] Calii Love Co.
TIFF 2016 Roundup: The Year (Sandi's favourite) Talents don't show!
Y'know it's that time of the year again in September when the crazies, the hounds, the fans, and everyone else comes out… MERRY TIFFMAS. TIFF is probably one of the most, if not THE most stressful event of the year for everyone. TIFF is a time when all your favourite celebrities and talent come to … Continue reading TIFF 2016 Roundup: The Year (Sandi's favourite) Talents don't show!


When you hear the word meeting, do the words LOOOOOOOONG and BOOORING spring to mind?
You can add a jolt of energy to any business meeting by leaving the daily grind behind. Take a look at why off-site meetings work better and the most innovative ways to stage yours.
Walk into any office across America, and you"ll find a meeting in progress. Stay long enough and you"re likely to see that meeting interrupted by a ringing cell phone or another employee just stopping by. Not to mention the mental distraction among attendees who are ever mindful of the pressing office needs waiting outside the conference room door.
While many day-to-day business operations can be handled with a routine meeting, sometimes you have to step out of the office – and escape the daily distractions – to get energized and focused.
Kathy Smart, president and CEO of SmarterIdeas Inc., a Gwinnett company that offers business coaching and consulting, agrees that productivity increases when participants leave the office behind. Smart has trained and consulted business professionals in the United States and around the world.
"Productivity gets a boost because people are able to get away from their environment. Participants get their minds clear and become focused on the objective of the meeting," Smart says. "If the meeting is planned well and objectives are well-established, the company will benefit from the renewed commitment of the staff and their strengthened teamwork abilities."
Many companies hold yearly meetings to establish company and personal goal setting – and that"s a good first step. But just heading off site won"t fix a poorly planned event.
Smart warns that if one critical detail in meeting planning is missed along the way, the entire event can collapse.
For this reason, off-site meetings must be carefully orchestrated. "In addition, the leaders must maintain the agenda and make it clear that this is not an excuse to play," Smart adds.
According to the UGA Center for Continuing Education, more than 20 million conferences and meetings are held in the United States each year with billions of dollars spent.
Team building outdoor events remain popular, says Smart, as well as improvisational theatre that is based on work experiences. "There"s no limit to the imagination, and there are many corporate event planning companies that have great ideas and venues for this," Smart says.
She says it is wise to use a professional event planner or business coach. "I would definitely bring in a professional to ensure your objectives are being met," she adds.
When planning a successful off-site meeting, start early! If you"re using a professional, have the planner onboard from the start. One meeting format does not fit all, so create an event unique to your company and your business culture. Make the mission or goal of the meeting clear and ensure that everyone is able to participate on some level. Avoid meetings that are heavy on lectures and make sure there is time planned for fun and entertainment – time that won"t get cut or squeezed as the agenda develops!
"I think off-site meetings can work better [than on-site], if they are properly planned," says Smart. "Getting away from the office and allowing people to open up and relax stimulates creative thinking."


Welcome to the Deadman Peaks Trail Run!
For 2018 we will have a 53 mile ultramarathon, a 26.5 mile marathon, and a 18 mile run. All events are entirely on the Continental Divide Trail south of Cuba, NM.
Proceeds will benefit the Nacimiento Community Foundation in helping youth's pursue an active and healthy lifestyle.


?As Manchester United prepare for a difficult end of season run-in, former Arsenal defender Martin Keown predicts that their fixtures could cost them a place in the top four come May.
?Speaking to the Metro about their chances for a ?UCL spot, Keown said: " I think they're just going to miss out.
Going on to predict how many points he thinks Man Utd will finish on, Keown added: " 75 points I think they'll get, same as Arsenal but they'll finish above on goal difference."
"I've gone through the fixtures and I just think they're just too tough for Man Utd.
As Arsenal travel to Vicarage Road on Monday night to face ?Watford, Keown's prediction could certainly begin to take shape if the Gunners can produce an away win.
With ?Chelsea suffering a 2-0 defeat to ?Liverpool on Sunday, fourth spot certainly remains in touching distance for Man Utd and ?Arsenal.


Congratulations! As many of you know, we have a new State Film Office with a new Director, Mathew Earl Jones. Officially named "Studio 48," The Office of Film and Media has been established by the Arizona Commerce Authority, the state's leading economic development organization.
As President of the Arizona Production Association, I want to commend everyone in the Arizona Production Association and other industry leaders who have worked so hard over the years to see this dream finally become a reality. On behalf of the board and the members of the APA, I want to thank Governor Ducey for his commitment to our industry, its members, and all of the businesses it touches. I want to thank Bob Parsons for helping create this partnership by funding from the private sector, and board member Steve Brain for his tireless efforts.
Now, it's our job to be sure that this new opportunity will be used to the best advantage for our members, and I can assure you that your APA Board of Directors will continue to work to this end and in keeping with our mission statement.
Please join with me in welcoming Mathew Earl Jones as Director of Studio 48.
Editor's Note: You can read the article about Studio 48 in today's issue of The Arizona Republic online HERE, and the joint press release issued by the Arizona Commerce Authority and YAM Worldwide appears below.
PHOENIX (December 1, 2016) - The Arizona Commerce Authority (ACA) announced today the official establishment of an Arizona film and digital media office. Known as Studio 48, the Arizona Office of Film and Media will work to showcase the state as a premium destination for entertainment industry productions.
With the state's rich surplus of talent, resources, unique architecture and scenery - ranging from desert to forest landscapes - Studio 48 will elevate Arizona as a premium location that can challenge the likes of California, Nevada and New Mexico. The film and media office will offer location scouting, traffic assistance, talent sourcing and coordination with local and state agencies as needed. Moreover, productions coming to Arizona would positively impact the local economy by creating job opportunities and increasing tourism dollars by driving business to Arizona hotels, restaurants and more.
The venture was made possible in part through a sponsorship that includes more than $250,000 in financial contributions from Scottsdale, Ariz., corporation, YAM Worldwide, Inc., owned by American entrepreneur and philanthropist Bob Parsons.
"Supporting the establishment of a state film and digital media office will bring movie-making back to the great state of Arizona, and that's good for the economy," said Parsons. "The office gives all of us in Arizona the opportunity to show the rest of the world what a powerhouse we are in the film and media industry."
The ACA has appointed Matthew Earl Jones as Director of Studio 48. Earl Jones has flourished on both sides of the camera in film and television, as well as the music industry. As the new Director, Earl Jones will bring his more than 30 years of production experience in major markets to Studio 48 and Arizona.
One of Earl Jones' first tasks as Director for Studio 48 is leading a delegation of Arizonans headed to FOCUS, an international production conference taking place in London December 6 and 7. This show is a prime opportunity to introduce Studio 48 to professionals around the globe, from all sectors of the creative community. "Thanks to the support from our business community, city film offices, and the Arizona Commerce Authority, Studio 48 is ready to revitalize and grow our industry," said Mathew Earl Jones, Director, Studio 48. "It's time to place Arizona back on the map as an optimal location destination."
The Arizona Commerce Authority (ACA) is the state's leading economic development organization with a streamlined mission to grow and strengthen Arizona's economy. The ACA uses a three-pronged approach to advance the overall economy: recruit, grow, create - recruit out-of-state companies to expand their operations in Arizona; work with existing companies to grow their business in Arizona and beyond; and partner with entrepreneurs and companies large and small to create new jobs and businesses in targeted industries. Visit azcommerce.com for more information.
Studio 48, the Arizona Office of Film and Media, was established in 2016 with a focus on establishing Arizona as an ideal filming and digital media destination for the entertainment industry. Made possible in part by a sponsorship contribution from YAM Worldwide, Inc., the office works to bring productions that will positively impact state and local economies through job creation, travel and tourism. Visit www.azstudio48.com for additional information.
Based in Scottsdale, Arizona, YAM Worldwide, Inc. is home to the entrepreneurial operations of Bob Parsons, American entrepreneur and philanthropist. YAM Worldwide's core businesses include: SNEAKY BIG STUDIOS, BIG YAM, The Parsons Agency, Harley-Davidson of Scottsdale, GO AZ Motorcycles, Spooky Fast Custom Finishing, Southern Thunder Harley-Davidson and alternate retail outlets Graceland Harley-Davidson and Blues City Harley-Davidson, Scottsdale National Golf Club, YAM Capital, YAM Properties, Parsons Xtreme Golf (PXG) and The Bob & Renee Parsons Foundation.


Chinese President Hu Jintao met here on Friday with visiting Japanese Prime Minister Yasuo Fukuda, calling for more efforts to build bilateral strategic and mutually beneficial ties.
• "Sino-Japanese Treaty of Peace and Friendship"
Dec 27 Arrives in Beijing.
Dec 28 Meets with Chinese leaders; gives a speech at Peking University..
Dec 29 Attends a breakfast meeting held by China-Japan Friendship organizations along with Chinese Premier Wen Jiabao. Visit Tianjin Economic Zone..
Dec 30 Heads for Shandong and pay a visit to Confucius Temple. Leaves for Japan.
• ■Japanese government has provided China with 3, 270.2 billion Yen ODA by March 2007.
■By February 2007, there are 322 pairs of sister cities between China and Japan.
■The personnel exchange between the two countries reached 4.73 million person-time in 2006.
■In 2006, China-Japan trade volume exceeded 200 billion USD. Japan had been China's No. 1 trade partner for 11 consecutive years by 2003. At present, Japan is the 3rd biggest trade partner of China.


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Home FACT Reviews Recursive Voyeurism
Recall, Retention, Recognition
Barely Bearable
Recursive Voyeurism
by Michael Hayward
108-manhattan-project-380x300
The Manhattan Project (Sylph Editions), described as a "literary diary," is a slim hardcover in which the Hungarian novelist László Krasznahorkai (author of Sátántangó, and frequent collaborator with the Hungarian filmmaker Béla Tarr) "chronicles his attempts to fathom the life of Herman Melville." During the period covered by The Manhattan Project Krasznahorkai was on a fellowship at New York Public Library's Cullman Center for Scholars and Writers, ostensibly "working on a novel about Melville after the publication of Moby Dick." Krasznahorkai's attempts at research are regularly side-tracked by the ghosts of those who have walked earlier versions of the same Manhattan streets: the poet Allen Ginsberg, the visionary architect Lebbeus Woods, and the author Malcolm Lowry, who lived in Manhattan for a while during the 1930s, and who was also obsessed with Melville's time in that city (Lowry's Manhattan experiences later formed the basis for his novella Lunar Caustic). The Manhattan Project is illustrated with black and white photographs by Ornan Rotem, who observes in an afterword that "Every place you've ever been, someone else has been before you." Reading The Manhattan Project makes you feel a bit like a voyeur, or the latest in a long, recursive sequence of noir literary detectives, each following the faint traces of their predecessors.
Endnotes Geist 108 reviews

redpajama_set_name: RedPajamaCommonCrawl


text:
Borowica är en by i Gmina Łopiennik Górny i distriktet Krasnystaw i Lublins vojvodskap i sydöstra Polen. Borowica är beläget omkring 8 kilometer öster om Łopiennik Górny, 8 kilometer norr om Krasnystaw och 45 kilometer sydost om Lublin.

Referenser

Byar i Lublins vojvodskap

redpajama_set_name: RedPajamaWikipedia


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Q: How to use OOP in Kivy Python? Please help me, my competition is around the corner
I tried to use OOP in Kivy. This is my simple Python code for testing:
class location:

    def __init__(self, total_house, total_land):
        self.total_house = total_house
        self.total_land = total_land

class test(BoxLayout):

    def addNum(self):
        App.get_running_app().x.total_house += 1

class testApp(App):
    x = location(NumericProperty(10),NumericProperty(5))

testApp().run()

this is my kv file:
<test>:
    orientation: 'vertical'
    Label:
        text: str(app.x.total_house)
    Button:
        text: 'add'
        on_press: root.addNum()

This is the output
I want the output to be 10 and when the button is pressed the number is added by one.
Please help me, I am new to KIVY

A: One way of getting pure value from Kivy Property is to use the built-in .get(EventDispatcher obj) method from the kivy.properties.Property class:
class test(BoxLayout):
    def addNum(self):
        App.get_running_app().x.get(EventDispatcher()) += 1

But before that, you need to import the EventDispatcher class first:
from kivy._event import EventDispatcher

Also please note that while this works in theory and it will indeed change the value of the x variable, I would recommend directly changing the label's own text, something like this:
.py
def numberify(*args):
    # This functions is for universally changing str to either int or float
    # so that it doesn't happen to return something like 8.0 which isn't that great
    a = []
    for w in range(0, len(args)):
        try:
            a.append(int(args[w]))
        except ValueError:
            a.append(float(args[w]))
    return a if len(a) > 1 else a[0]

class test(BoxLayout):
    def addNum(self):
        self.ids.label1.text = str(numberify(self.ids.label1.text) + 1)

.kv
<test>:
    orientation: 'vertical'
    Label:
        id: label1
        text: str(app.x.total_house)
    Button:
        id: button1
        text: 'add'
        on_press: root.addNum()

Learn more about Kivy Property here and understand how it's not always necessary to use them :)

redpajama_set_name: RedPajamaStackExchange


The inaugural issue of the new journal published by the Salt Lake Pagan Society, Enheduanna contains 28 authors from many Pagan traditions living across the world. With poetry, book reviews, short stories, creative non-fiction, flash fiction, essays, and memoirs, volume 1 is packed full of spectacular new content from brilliant writers. The highlight of the journal is the first part in a historical series memoir of a gay activist fae who was at the 20th anniversary of the the Stonewall Riots in New York City in 1989.
Featuring famous Pagan authors: Druid Philip Carr-Gomm, head of OBOD; Druid Ellen Evert Hopman, co-founder of the Order of WhiteOak; and author Raven Digitalis, co-founder of Opus Aima Obscuræ (OAO).
Reissued as 2nd Edition Imbolc-January 31, 2019.
Contains English, Spanish, and Japanese Languages.
Also available at Ken Sanders Rare Book and Elemental Inspirations in Salt Lake City.


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Q: The cell of jupyter notebook is not running. FileNotFoundError Hi my name is Sahil Imran and I am stuck in a problem in jupyter-notebook
DATA ANALYSIS:
df=pandas.read_csv("C:\\out\\supermarkets.xlsx")
df

I don't know why it says FileNotFoundError.
I actually put this file in (C:).
I wanted to solved this for a long time.
I copied it from "The Python Mega Course: Build 10 Real World Application Udemy"
Can you solve this problem?

A: The best practice is to keep the dataset in the same directory as that of your notebook , no need to include path in that case just include the name in inverted commas.


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// Generated by the protocol buffer compiler.  DO NOT EDIT!
// source: google/cloud/aiplatform/v1beta1/featurestore_service.proto

package com.google.cloud.aiplatform.v1beta1;

public interface DeleteFeaturestoreRequestOrBuilder
    extends
    // @@protoc_insertion_point(interface_extends:google.cloud.aiplatform.v1beta1.DeleteFeaturestoreRequest)
    com.google.protobuf.MessageOrBuilder {

  /**
   *
   *
   *

   * Required. The name of the Featurestore to be deleted.
   * Format:
   * `projects/{project}/locations/{location}/featurestores/{featurestore}`
   *

   *
   *
   * string name = 1 [(.google.api.field_behavior) = REQUIRED, (.google.api.resource_reference) = { ... }
   *
   *
   * @return The name.
   */
  java.lang.String getName();
  /**
   *
   *
   *

   * Required. The name of the Featurestore to be deleted.
   * Format:
   * `projects/{project}/locations/{location}/featurestores/{featurestore}`
   *

   *
   *
   * string name = 1 [(.google.api.field_behavior) = REQUIRED, (.google.api.resource_reference) = { ... }
   *
   *
   * @return The bytes for name.
   */
  com.google.protobuf.ByteString getNameBytes();

  /**
   *
   *
   *

   * If set to true, any EntityTypes and Features for this Featurestore will
   * also be deleted. (Otherwise, the request will only work if the Featurestore
   * has no EntityTypes.)
   *

   *
   * bool force = 2;
   *
   * @return The force.
   */
  boolean getForce();
}

redpajama_set_name: RedPajamaGithub


Contact a specialist advisor for Orissa!
Orissa: A Land of Artists and Craftsmen. It offers to you adventurous wildlife, beautiful golden sand beaches which are still virgin and unexplored, magnificent temples full of history and tribal tours. This is one of the best places to explore the tribal life of different tribes like Bondo, Didayi tribes, Barogadaba tribe and Kondhs. Orissa celebrates so many festivals and fairs round the year but the most famous and much awaited are the Jagannath Puri Rath Yatra ,Durga Pooja and Konark Dance festival which is the most colorful festival In Orissa. Eminent and most talented classical dancers from all over the country get together to showcase their tribute in Konark sun temple. Famous tourist spot to visit are: Konark sun temple, Bhubaneshwar, Puri, Raghurajpur Handicrafts Village, Chilika lake, Ratnagiri, Udayagiri, Lalitagiri and Chandipur beach. Being located on the east coast of India by the Bay of Bengal the state has 482 km long coastline with virgin beaches, gushing waterfalls, blue hills of Eastern Ghats allures and fascinate tourist from across the globe.
Though Orrisa or Odisha was seen slipping off the radar of tourists after the death of hippy hangouts in the region but soon the state was seen re-establishing itself as a favourite tourist place for several elements. Those you find time and efforts to be at this place, they end up exploring a number of things, which include the intricate patchwork of history, natural beauty and its rich culture along with getting the view of the old fashioned sprinkling of sand and sun.
Orissa is known as spiritually and religiously rich place in India for having a number of exquisite temples along with mighty monuments. This makes this state one of the prominent place for skilled craftsmen and artists. Some of these temples include the stunning Sun Temple of Konark, the mighty temple of Jagannath at Puri and several other glorious temples based in Bhubaneswar. All these temples are known to have some of the best festivals including the spectacular Rath Yatra Chariot Festival at Jagannath Temple at Puri.
This state is still the most undiscovered travel destination by many travellers. Apart from carrying a number of religious and spiritual places, Orissa also boats with possessing beaches, natural landscape and wildlife sanctuaries. You can find forested hills over the southern part of the state both over the plains and at the coastal areas. Together these become the fabulous nature reserves wherein you can keep a watch on the six meters long crocodiles, endangered sea turtle and rare dolphins. It has enchanting beauty, apart from being the place of great delicacies and cuisines. The foodies can enough opportunity to relish upon with some of the best regional flavours being prepared inside the local kitchens. The tribal people are also known to make a number of traditional stuff, which can be easily accessed at their weekly markets.


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Album Reviews WEGL Sessions
Events Image Festival Underwriting
Get Involved Staff
Stay Late by Lady Legs
By Alex Mueller
April 5, 2018 | 1:44pm CDT
Image courtesy of Communicating Vessels
It's very much what you would expect from the debut release of a band that's finding its niche. I don't mean that they're searching for an identity, because they definitely have that. But they haven't yet found the best way to show it. There's a lot of good elements here, but for the most part, they haven't put it all together yet.
There's too much going right to simply write them off as "just another indie rock band". For example, there's the menacing reverbed bass intro to "Stay Late," which unfortunately sets the tone for an EP we didn't get. Or the loungey, dreamy guitar on "I Don't Care," perfectly complimented by some jazzy percussion. What I'm getting at here is these guys are really good at their intros. Unfortunately, for most of the EP, the vocal performance is lacking. On "Stay Late," the higher vocal register doesn't quite mesh with the bass-driven instrumental, and "I Don't Care" has a melody which is far too wordy for its own good. There's also a sort of coda to "Stay Late," but it doesn't really flow very well out of the rest of the song, and it's not fully formed enough to stand as its own song.
While the first two songs were more or less mixed bags, it's on closing track "Nasasaw" where the whole band finally seems to be on the same page and stay there. Though I don't like the guitar quite as much as I do on "I Don't Care" or the bass quite as much as I do on "Stay Late," the two work together much better here. It's also the strongest vocal performance of the
EP. Even the transition to this song's coda works well, even if the closing vocal keening doesn't quite work for me.
Album Reivew: Nick Prosper doomsday
By Henry Roden | May 1, 2020
Nick Prosper's newest album is about the feelings associated with quarantine, and I think you should listen to it
Honesty Shines: Skinny Dipping Album Review
By Jefferson Deery | January 16, 2020
The Australian quartet, Stand Atlantic, crashed onto the scene in the third wave of pop-punk back in 2017 with their punchy single, "Coffee at Midnight". After touring with contemporaries such as Waterparks and State Champs, Stand Atlantic entered the studio to record their first full length album.
Døves - Glass EP
By Henry Roden | February 1, 2019
GothBoiClique's most underappreciated rapper, Døves, shows why he deserves more spotlight in his newest EP, Glass.
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Adam Sandler Replaces Mark Wahlberg in 'Three Mississippi,' and it's All 'Battleship's Fault
Posted on Thursday, May 31st, 2012 by Angie Han
Whatever its flaws, The Other Guys boasted a crackling comedic duo in Mark Wahlberg and Will Ferrell, so we were excited to hear about a re-team for the two stars in the football comedy Three Mississippi. But alas, it's not meant to be. Adam Sandler has just replaced Wahlberg in the film, which centers around rival families engaging in an annual tackle football match. Surprisingly, it'll be the first time that comedy heavyweights Sandler and Ferrell have starred in a feature together. More details after the jump.
Writer/Director Team Join 'Three Mississippi,' Will Ferrell and Mark Wahlberg's Football Comedy
Posted on Thursday, April 12th, 2012 by Germain Lussier
Sean Anders and John Morris, the writing team behind Hot Tub Time Machine, She's Out Of My League and Mr. Popper's Penguins, are in negotiations to rewrite and eventually direct Three Mississippi, a football comedy starring Will Ferrell and Mark Wahlberg. Originally called Turkey Bowl, the film – which will be produced by Adam McKay – is about about rival families, lead by Ferrell and Wahlberg, who've played a very heated, neighborhood game of tackle football every year for 50 years. It's also rumored to star Alec Baldwin, Rob Riggle and Jeremy Renner.
Anders and Morris are best known as a screenwriting duo but, Anders also directed Sex Drive (which the pair co-wrote) and the upcoming That's My Boy with Adam Sandler. Read more about the film and the new team behind it after the jump. Read More »
Adam McKay Talks Mark Wahlberg/Will Ferrell Football Comedy
Posted on Thursday, May 26th, 2011 by Germain Lussier
When news broke that Mark Wahlberg and Will Ferrell would soon be beating each other's heads in on a football field, comedy fans hopefully took notice. The original story was that The Other Guys co-stars would star in a Warner Bros. movie called Turkey Bowl about rival families who play a very heated game of neighborhood tackle football. Little else was revealed except that Robert Carlock and Scott Silveri would write the screenplay and that producers Ferrell and partner Adam McKay wanted it to be a huge, comedy ensemble. Curiously, the film also shared a title and plot points with a festival darling that had just been picked up.
We now know so much more. McKay, talking to Entertainment Weekly, says the title has tentatively changed to Three Mississippi (to avoid confusion with other Turkey Bowl) and will also feature Alec Baldwin, Rob Riggle and possibly Jeremy Renner. Plus, he laid out the whole plot of the movie. Read about it after the break. Read More »


Located in downtown Cleveland, on the Eastern bank of the Cuyahoga River, is the first phase of the mixed-use Flats East Bank Project. Centered on the construction of the Ernst & Young Office Tower, an attached Aloft Hotel, and space for retail and restaurants. Construction of Flats East Bank Phase 1 was completed in the second quarter of 2013.
CiF Regional Center Update: New Approvals!


Great combination Mairi, orange and olive, yum!
These are utterly fabulous! I am nuts about lamb (and lamb shanks) and love love love sweet/fruity and savory meat dishes. They are the best and yes the best in the deep of winter. The blend of flavors here is wonderful and this recipe is bookmarked! Even for summer!


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St Barnabas' Anglican Church Broadway
Meredith Lake
http://dictionaryofsydney.org/entry/st_barnabas_anglican_church_broadway
Lake, Meredith, St Barnabas' Anglican Church Broadway, Dictionary of Sydney, 2016, http://dictionaryofsydney.org/entry/st_barnabas_anglican_church_broadway, viewed 22 Jan 2022
cite web | url= http://dictionaryofsydney.org/entry/st_barnabas_anglican_church_broadway | title = St Barnabas' Anglican Church Broadway | author = Lake, Meredith | date = 2016 | work = Dictionary of Sydney | publisher = Dictionary of Sydney Trust | accessdate = 22 Jan 2022
cite web | url = http://dictionaryofsydney.org/entry/st_barnabas_anglican_church_broadway | title = St Barnabas' Anglican Church Broadway | accessdate = 2016 | author = Lake, Meredith | date = 2016 | work = Dictionary of Sydney | publisher = Dictionary of Sydney Trust
St Barnabas' Anglican Church
[media]St Barnabas' Church on Broadway, known to many as Barney's, was established in the mid-nineteenth century and has a long tradition of ministering to the disadvantaged and to students from local universities. It became renowned in the 1990s as the vicar and the publican across the road sparred via notice board slogans. The original building was destroyed by fire in May 2006 but the church was rebuilt and opened on 3 June 2012. The first new church built in the City of Sydney in 40 years, it was designed by the firm Francis-Jones Morehen Thorp to provide 'an oasis of gathering and worship within the busy noise of the city', and to convey 'the great sense of openness, welcoming and joy' that characterised the St Barnabas' Church community. [1]
A working class church
[media]The original St Barnabas' Church was established on the north side of 'Parramatta Street' in the mid nineteenth century. The area was then one of the most undesirable parts of the city, subject to the periodic flooding of Blackwattle Creek and dominated by industries including slaughterhouses, boiling down works, soap works and breweries. [2] In December 1857 the Anglican Bishop of Sydney, Frederic Barker, licensed Thomas Smith to work as a catechist among its working-class population. [media]Smith, a former tradesman and reformed drunkard, was well suited to the role. Within a year, his congregation had outgrown its meeting place in a rented shack 'in a most uninviting lane out of Parramatta Street', known popularly as 'Parson Smith's barn.' [3] Accordingly, Barker laid the foundation stone for a church and schoolhouse. [4]
St Barnabas' was a [media]stark contrast to the impressive Gothic revival buildings of the newly established University of Sydney, then under construction a few hundred metres away. It was 'not on a hill, to be viewed merely as a picturesque feature in the landscape.' Rather, as Barker explained, it was placed
…in the neighbourhood of squalor and where offensive sights and sounds continually arrested the senses of passers by...where it would be useful, and where the influences emanating from it were needed, and would be likely to be felt. [5]
Parson Smith [media]had uncommon success with the neighbourhood's working poor so extensions were soon required. During the summer of 1863-64, St Barnabas' was enlarged to accommodate a further 250 people, and extra land was acquired to provide a direct entrance from the main street. [6] In 1869 Smith claimed a congregation of 1200 and a Sunday school of 1000 pupils. [7] By the time of his departure from the parish in 1873, St Barnabas' was well established as a focal point for the local Glebe community.
The church's success continued through the late nineteenth century. In 1898 its annual Sunday school picnic attracted 1700 children, who made a noisy and colourful procession stretching all the way from the church to Central Railway Station. [8] Its working men's bible class, held weekly from the early 1890s, had a far more modest attendance but nevertheless underlined the uniqueness of St Barnabas' congregation in the mainly middle-class Diocese of Sydney.
The radiating church
[media]Early in the twentieth century St Barnabas' fell upon hard times. The population of the neighbourhood dropped dramatically, due to the resumption of lands by the City of Sydney and the closure of the Blackwattle Bay abattoir. The congregation shrank too and by 1912 its minister, Canon Charlton, felt the need to give up a portion of his stipend to help cover the shortage of revenue. [9]
The church continued its ministry to local working men but it was not until 1918, when the Rev RBS Hammond arrived as St Barnabas' new rector, that its ministry and reputation were revived. Hammond was an endlessly generous and energetic man in his late forties. He had previously worked as a parish minister in Surry Hills and as leader of the Mission Zone Fund, the Anglican effort to reach the slum population of Sydney. A witty speaker and compelling evangelist with considerable experience ministering to the lower classes, Hammond quickly transformed St Barnabas' from a struggling local church into one of Sydney's primary centres of poor relief.
[media]By the 1920s St Barnabas' social service outlay exceeded that of the rest of the Anglican Diocese. During the crisis of the 1930s depression its services included a busy soup kitchen, emergency furniture and clothing depot, an employment bureau and a series of 'Hammond Hotels' for unemployed men. The St Barnabas' Brotherhood of Christian Men, which Hammond formed from the remnant of the working men's bible class in 1918, regularly attracted 200 to 300 people to its Wednesday night meetings. [media]By the early 1940s the Brotherhood's formal membership exceeded 4000, including 'Eternity man' Arthur Stace, who converted to both Christ and temperance through Hammond's ministry.
Hammond's uncompromising commitment to temperance helped shape the work and profile of St Barnabas' Church. He and numerous volunteers from the congregation made regular visits to the 'drunks yard' at Central Police Court, where they urged people waiting to make their appearance to sign a temperance pledge. He also used the St Barnabas' notice board to promote the cause to the tens of thousands of people who travelled along Parramatta road each day. His remarks on temperance included
Alcohol makes your mind stagger long before your feet do
Drink and trouble are like petrol and fire
You married men look out – booze makes you see double but feel single.
Hammond also addressed other subjects
Do not nurse a grievance, teach it to walk
Divorce is the hash we make from domestic scraps
Give a politician a free hand and he is sure to put it in your pocket
God help the rich! The poor can manage on the dole. [10]
[media]An estimated 90 percent of passers-by read Hammond's message board. [11] Not all of them liked what it said. One Sunday in April 1938 it carried the slogan 'A few drinks may turn mans laughter into manslaughter.' At 2.00 am in the morning, a car pulled up outside the church, several men leaped out and tore down the calico notice from the board. They bundled it into the car and drove off at high speed. [12] Undeterred, Hammond continued to challenge and entertain Sydney with his one-liners until his retirement from St Barnabas in 1943.
A university church
Through the second half of the 20th century, St Barnabas' had a significant influence on the life and community of Sydney University. A post-war boom in tertiary enrolments, the increasing number of students resident in the area and the arrival, in 1949, of Howard Guinness as St Barnabas' new minister, reshaped St Barnabas' congregation. Guinness, a warm and vibrant evangelist, was a former travelling representative of Britain's Inter-Varsity Fellowship. During his first trip to Australia in 1930 he had established the Sydney University Evangelical Union, amongst other religious groups for secondary and tertiary students. [13] Guinness had continued his campus ministry during a second tour, in 1933-34. Then as parish minister of St Barnabas' from 1949 to 1957 he fostered a large and enthusiastic congregation of students.
The university connection remained significant even after Guinness's departure. St Barnabas' continued its active encouragement of the Evangelical Union and each successive rector served formally as Anglican chaplain to the University of Sydney. The church also developed an accommodation service centered on 'The Terraces', Glebe Point Road, which catered for students of Sydney University and, from the early 1990s, the new University of Technology Sydney (UTS). It also began providing informal support to Credo, the student Christian group at UTS. In 2012, approximately 14 percent of people resident within a five-kilometre radius of the church were tertiary students. St Barnabas' sought to cater for them with contemporary-style weekly services, including one specifically for overseas Chinese students, conducted in both Mandarin and English. [14]
St Barnabas' long-standing ministry to students helps explain its influence within and beyond the Diocese of Sydney. Generations of its student members have graduated and moved on to other parishes where, as well-educated adults, they have often assumed positions of responsibility and leadership. This contribution to the religious culture of the city should not be underestimated, but in the popular imagination, St Barnabas' is perhaps best known for its Broadway signboard and the witty slogans it exchanged with the pub across the road.
The priest and the publican
[media]The now-famous repartee began one day during the 1990s, when St Barnabas' minister Robert Forsyth used the church notice board to advertise a famous 'bikie pastor' as guest preacher: 'Hear John Smith this Sunday 7.15pm.' The Broadway Hotel then had a Jack Smith among its regular customers so its manager, Arthur Elliott, replied with a sign of his own: 'hear Jack Smith here every day.' [15]
The banter continued over subsequent months and years, and many commuters along Parramatta Road made a habit of first reading St Barnabas' notice board and then looking for a reply across the street.
CHURCH: You have nothing that God did not give you.
PUB: I know I have nothing – but I'm not sure who gave it to me!
CHURCH: Anyone wrapped up in themselves makes a very small package.
PUB: Good things come in small parcels.
CHURCH: God made sex for marriage not for money.
PUB: Wish he had made money for marriage! [16]
Sometimes, the priest and the publican offered pointed comments on the values and beliefs of the other.
CHURCH: If God offered you heaven or hell, which would you choose?
PUB: I'd choose a hell of a good time in heaven.
CHURCH: The liquor bar – a bar to heaven, a gateway to hell, whoever named it, named it well!
PUB: A bar in heaven, a long way from hell, with a barman called Jesus who will serve you well. [17]
Over time, a genuine friendship developed between the rival sign writers. Forsyth later said they found they
…had more in common than just operating on the same street and presiding over places where people meet for reflection and solace. We are both fascinated by the same extraordinary man, Jesus. [18]
Elliott was serious enough to invite Forsyth to conduct the wedding of his daughter, and to self-publish a booklet of reflections on the Jesus of the Gospels
I like to remind people that Jesus was a real man. I even said to Rob once 'If Jesus walked down Broadway he'd come into my pub and have a drink and meet the blokes'...and Rob agreed with me. [19]
Fire and recovery
[media]The church signboard survived the fire that, in the early hours of 10 May 2006, gutted most of the building. Over subsequent days many Sydneysiders who had celebrated baptisms, witnessed marriages, mourned loved ones or worshipped God at St Barnabas' paid a farewell visit to the burnt-out site. Church member Rowena Whittle said 'It was like losing the family home, all the memories and historical belongings lost in the fire'. [20]
[media]Reconstruction took six years, during which time the St Barnabas congregation met at Moore Theological College, Newtown. The congregation continued to reflect the transience of the area's population and the turnover in its members remained high. Perhaps half of those who went 'back to Barneys' had never worshipped in the old building. The new church catered to a transient, multicultural congregation with an average age of 27 as well as a wider neighbourhood marked by rapid change and development.
[media]The new building expressed some continuity, nevertheless. Some of its internal spaces were named for former rectors Smith, Hammond and Guinness. Outside, a heritage wall featured bricks from the old building and seats made from surviving pews. The old church gates, through which 'Eternity man' and thousands of other Sydneysiders had once walked, were rebuilt in the side garden. [21] The new building also expressed St Barnabas' vision of its ongoing contribution to the city. Strikingly modern, open and accessible, it provides a number of versatile community spaces under a simple but soaring cross.
Arthur Elliott. The Publican and the Priest. Sydney: Artway Publications, 1992.
Stephen Judd and Kenneth Cable. Sydney Anglicans: a history of the Diocese. Sydney: Anglican Information Office, 1987.
Meredith Lake. Proclaiming Jesus Christ as Lord: a History of the Sydney University Evangelical Union. Sydney: EU Graduates Fund, 2005.
Meredith Lake. Faith in Action: HammondCare. Sydney: UNSW Press, 2013.
[1] 'Our Building', Barneys [St Barnabas Church], https://www.barneys.org.au/who-we-are/our-building/, viewed 8 July 2015; 'Projects', Frances-Jones Morehen Thorp, http://www.fjmt.com.au/projects/projects_stb.html, viewed 13 June 2012
[2] See Shirley Fitzgerald, Chippendale: Beneath the Factory Wall (Ultimo: Halstead Press, 2008), 26-42 for details of the evolution of this area
[3] 'My life and the Rev Smith', The Empire, 17 October 1858, 3
[4] The foundation stone was laid 27 August 1858
[5] 'The Episcopalian church society' The Empire, 26 October 1859, 5
[6] 'St Barnabas' Church', Sydney Morning Herald, 3 December 1863, 5
[7] Ruth Teale, 'Smith, Thomas (1829–1882)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/smith-thomas-4618/text7603, viewed 28 June 2012
[8] 'St Barnabas Sunday School Picnic', Sydney Morning Herald, 14 October 1898, 5
[9] 'Anglican Synod: the church and freeholds', Sydney Morning Herald, 10 Oct 1912, 13
[10] RBS Hammond, 290 'Sermons in Slogans' from Archdeacon Hammond's famous 'Weekly Message Board' at St Barnabas Church, Broadway, Sydney, NSW Australia', nd
[11] 'Famous Church notice board', Cairns Post, 27 December 1948, 1
[12] 'Weekly Message Board torn down' Sydney Morning Herald, 25 April 1938, 9
[13] Stuart Braga, 'Guinness, Howard Wyndham', in Australian Dictionary of Evangelical Biography, ed Brian Dickey, http://webjournals.ac.edu.au/journals/adeb/g_/guinness-howard-wyndham-1903-1979/, viewed 22 June 2012
[14] Statistic from 'Our Vision', Barneys [St Barnabas Church], http://www.barneys.org.au/page/120/Our+Vision,accessed 22 Nov 2012
[15] Arthur Elliott, The Publican and the Priest, (Sydney: Artway Publications, 1992), 8-9
[16] Arthur Elliott, The Publican and the Priest, (Sydney: Artway Publications, 1992)
[18] Robert Forsyth, Foreword to Arthur Elliott, The Publican and the Priest, (Sydney: Artway Publications, 1992), 4
[19] Arthur Elliott, The Publican and the Priest, (Sydney: Artway Publications, 1992), 39
[20] Barneys [St Barnabas' Church] website, http://www.barneys.org.au/page/163/The+Fire, viewed 22 November 2012
[21] Russell Powell, 'Barneys turns a friendlier face towards Broadway', Sydney Anglicans Gateway to the Anglican Church in Sydney, 5 June 2012, http://sydneyanglicans.net/news/stories/barneys-turns-a-friendlier-face-towards-broadway, viewed 8 July 2015
Anglican Religious building
St Barnabas's Anglican church Broadway
Lake, Meredith
Meredith Lake is a professional historian, broadcaster and writer with a particular interest in religion. Her book The Bible in Australia won the Australian History prize at the 2019 Prime Minister's Literary Awards, and the 2019 NSW Premier's History awards. It was also named CHASS Book of the year, & 2018 Australian Christian Book of the Year. She is also the author of Faith in Action: HammondCare, a history of the independent Christian charity that developed from Rev RBS Hammond's ministries to the poor of Sydney.
St Barney's forecourt 11 May 2012
Newtown graffiti
[https://www.flickr.com/photos/newtown_grafitti/7176192764]
(CC BY 2.0)
Francis-Jones Morehen Thorp
Architectural firm and design company responsible for several significant public buildings in Sydney in the 21st century.
St Barnabas' Church 1870
Charles Percy Pickering
[a089064 / SPF/64]
Blackwattle Creek
Tidal watercourse that flowed through a valley thick with the wattle that gave the area its name.
Barker, Frederic
Second Anglican bishop of Sydney and a founder of Moore Theological College.
Smith, Thomas 1829-1882
Anglican clergyman whose drunken and dissolute youth helped equip him in establishing a church in one of the poorest and roughest areas of Sydney.
Under his stewardship St Barnabas claimed a congregation of 1200 and a sunday school for 1000 in the 1860s.
The Rev Thomas Smith, incumbent of St Barnabas' church 1869
[TN115]
(Illustrated Sydney News, 21 January 1869 p125 (detail))
St Barnabas' church, Parramatta Street, Sydney 1869
University of Sydney Camperdown Darlington campus
Australia's first university established by legislation in 1850 which operated from Sydney College, now Sydney Grammar School, before moving to its current site in 1859. It now operates from several campuses across the city.
Sunday school, St Barnabas's Church, Broadway, December 1856
[a5521001 / SPG/115]
Inner-city suburb named for its original status as Anglican church land granted to Richard Johnson, chaplain of the first fleet in 1790. The Glebe Point area became fashionable in the nineteenth century, while the southern part of Glebe became a working class district.
Central Railway Station, opened in 1906, is Sydney's main rail terminus. Built on the site of the Devonshire Street Cemetery, it replaced a nearby terminus on Devonshire Street.
St Barnabas CE Church, Glebe c1905
Broadhurst Post Card Publishers
[a105294 / PXA 635/292]
City of Sydney Council
Governing body of the City of Sydney, incorporated as a city in 1842. Boundaries of the city have changed over the years, although it has always focused on the old centre of Sydney.
Charlton, William Apedaile
Anglican minister.
Hammond, RBS
Anglican minister who worked with drunks and the poor, and founded a number of charitable enterprises aimed at rehabilitating the destitute of Sydney.
Mission Zone Fund
Anglican care program aimed at meeting both the physical and spiritual needs of people in the inner city through parish-based welfare services.
Official opening of Hammond's Hotel, November 1930
[nla.news-article16733389]
(Sydney Morning Herald, 26 November 1930, p18 via Trove)
Arthur Stace writing his message, Eternity
[nla.pic-vn3107050]
Stace, Arthur
The man who wrote Eternity on Sydney's pavements for over thirty years.
Central Court House and Police Station Liverpool Street
Court complex at 98 Liverpool Street in the city. Constructed in 1893 to a design by James Barnet with construction overseen by Walter Liberty Vernon, the building lies between Central and Liverpool streets, with access from both sides.
St Barnabas' Church, Broadway (photographed for Canon Hammond) August 1937
Sam Hood
[ON 204 Box 75, 52]
Guinness, Howard
Anglican minister who pioneered student ministry and became chaplain at the University of Sydney.
Sydney University Evangelical Union
Interdenominational student run group on campus at the university.
University of Technology, Sydney
Formed at the beginning of 1988 from the former New South Wales Institute of Technology, and the amalgamation in 1990 with the Kuring-gai College of Advanced Education, the School of Design, and the Institute of Technical and Adult Teacher Education.
Christian student group at the UTS Sydney who are multicultural, inter-denominational and inter-faculty.
The Publican and the Priest, intersection of Shepherd Street and Broadway 5 November 2010
Forsyth, Robert
Anglican Bishop of South Sydney between 2000-2015. At St Barnabas Anglican Church prior to that he continued the tradition of pithy sayings and responses across Broadway with the Broadway Hotel.
Inter-war functionalist style hotel designed as the Hotel Broadway by architect Sidney Warden, it is indicative of the first phases of development after the widening of Broadway in the 1930s. It became famous for the billboard banter between its publican and the rector of St Barnabas church opposite.
Elliott, Arthur
Publican who devised many of the witty sayings to answer the billboard of St Barnabas church across Broadway.
St Barnabas Church begins to rise again November 2010
Remnants of original St Barnabas church which burnt down in 2006, Broadway, Sydney 2016
Graham Rendoth
[https://www.flickr.com/photos/graham_rendoth/30689938580]
(CC BY-NC-ND 2.0)
Moore College
Anglican theological college that has trained Anglican ministers in Sydney since 1856.
Inner-west suburb which developed along the main road south from Sydney. It became a prosperous shopping district in the late 19th century, and later a working-class and migrant suburb, now gentrified.
Elevation. Side of St Barnabas church, built by architects Francis-Jones Morehen Thorp, Broadway, Sydney 2016
Religious building
Inner-city church built in the mid-nineteenth century to minister to a slum area. Burnt down in 2006, it re-opened in a new building on the same site in June 2012. Famous for its duelling signboards across Broadway.


text:
OCTOBER 17 - Determined, Angry and Striking Back Against Gove's Attacks
Right across London, the South of England and in the North-East, tens of thousands of striking teachers took to the streets today to show their determination to stand up for education and to strike back against Gove's attacks on pay, pensions and conditions.
The size of the turnout answered anyone who might have thought that the mood of teachers was weakening. On the contrary, the atmosphere at the demonstrations showed that the mood is hardening.
2000 marched in Brighton and Durham, 3000 in Bristol, anything up to 15000 in London, where the march thronged down Whitehall and past the Department of Education. There were also other vibrant local rallies in towns like Plymouth and Canterbury too. The age of many of the marchers was also significant - many young teachers were to the fore, determined to march for their futures, and for the future of education too.
Teachers have had enough of being so denigrated, bullied and overworked that they end up having to leave the job they chose to enter. They have had enough of ideological attacks from a Secretary of State who wants to cut the costs of our pay and pensions to help his privatising friends - and, as all of today's chants made clear, they want Gove to go!
Today's determined mood and excellent turnout, building on the earlier regional strikes on June 27 and October 1, will help keep up the pressure on both the NASUWT and NUT Executives to carry out what we have promised - and call a one-day national strike before Christmas. Any delay would be a huge mistake - and a huge letdown after the buoyant mood of today's strike.
As I wrote in a campaign leaflet that was handed out to teachers at all today's rallies: "Further hesitation would invite further attacks. Gove needs to know that we aren't stepping back. The strong support for the regional strike action shows that teachers are determined to defend their pay, pensions, conditions - and children's education. Teachers would prefer to be teaching, not striking. However, our campaign is part of a wider struggle to defend genuinely free, comprehensive education. We have a responsibility to teachers, and to the children we teach, to make sure that Gove retreats".
ON THE PICKET LINE IN LEWISHAM
Gove CAN be beaten back - as long as we hold our nerve and step up our action. That's why I am campaigning for the following strategy:
Work to get every school out on a united one-day national strike in November
Call on other unions - like firefighters, postal workers, civil servants - to strike alongside us
Build united NUT/NASUWT school committees to keep up the pressure for joint action
Sharpen-up our communications - make sure that every colleague, every parent, understands why teachers are taking action to defend education
Campaign in our communities to broaden the support for our fight against's Gove's attacks
Collect for hardship funds so that no colleague feels unable to join our strike action
Continue our action next term; if Gove won't step back, then we should step up to a two-day strike
For a video of today's London march and rally, see my youtube channel via: http://youtu.be/ZZH3Bqk52Bk
... and there's even a picture of me on the Channel 4 news website ! :
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text:
Башки́рський державний університет (БашДУ) — головний університет Башкортостану, Росія, розташований в столиці республіки — Уфі.

Історія

1905 року центр Оренбурзького навчального округу був перенесений з Оренбургу до Уфи, тоді ж було підняте питання про створення тут першого педагогічного вузу. 2 липня 1909 року міністр народної просвіти Олександр Шварц віддав розпорядження про дозвіл відкрити в Уфі трирічний Уфимський учительський інститут. Першим директором було обрано Олександра Лісовського. Відкриття відбулось 4 жовтня того ж року, він розташовувався у будинку № 9 по вулиці Телеграфній (нині тут один із корпусів Уфимської академії мистецтв імені Загіра Ісмагілова). Перший випуск із 24 учителів відбувся 1912 року, 4 червня вони отримали звання учителя міського училища. Золоту медаль здобули Михайло Борткевич та Микола Самарін, срібну — Йосиф Антонюк, Микита Младенцев, Йосиф Панков, Микола Проскуряков та Дмитро Толмачев. У вересні 1917 року 2 курс вперше був розподілений на 2 відділення — фізико-математичне та природничо-географічне. Прийом на 1 курс здійснювався вже на 3 відділення, до вже існуючих додалось історико-літературне. 1919 року учительський інститут був перетворений в Башкирський інститут народної освіти. 1923 року інститут отримав тип практичного і став готувати спеціалістів сільського господарства. 1929 року на його базі був створений Башкирський державний педагогічний університет імені Тимірязєва. 1930 року відділення отримали назву факультетів, їх було 4 — фізико-математичний, природничий, географічний та історико-філологічний. Усі факультети мали 15 кафедр. Того ж року були відкриті заочне, а наступного року — вечірнє відділення. 1957 року інститут був перетворений в Башкирський державний університет. Першим ректором було призначено Шайхуллу Чанбарісова.

Структура

Факультети:
 Факультет математики та інформаційних технологій
 Хімічний факультет
 Біологічний факультет
 Географічний факультет
 Історичний факультет
 Філологічний факультет
 Факультет романо-германської філології
 Факультет башкирської філології та журналістики
 Інженерний факультет
 Факультет філософії та соціології
 Психологічний факультет

Інститути:
 Фізико-технічний інститут
 Інститут права
 Інститут управління і безпеки підприємництва
 Інститут економіки, фінансів і бізнесу

Викладацький склад
В університеті працюють понад 1 тисяча викладачів, з яких 161 доктор наук, 477 кандидатів наук, 111 професорів, 283 доценти. У різні роки у вузі працювали видатні вчені:
 фізик та математик, академік АН СРСР Микола Боголюбов
 математик, академік АН СРСР Арлен Ільїн
 член-кореспонденти АН СРСР Олексій Леонтьєв та Валентин Напалков
 доктора фізико-математичних наук, професора Л. І. Рубінштейн, А. Б. Шабат, К. П. Краузе, Є. Н. Грібанов та В. І. Романов
 мовознавці та літературознавці, доктора філологічних наук, професора Габдулхай Ахатов, Джаліль Кієкбаєв та Лев Бараг
 історики, член-кореспондент РАН Раїль Кузеєв, доктора історичних наук, професора Шайхулла Чанбарісов та Йосиф Кіссельгоф
 біохімік, академік ВАСГНІЛ Василь Конарєв
 ботаніки, доктора біологічних наук, професора Ю. З. Кулагін та Г. В. Заблуда
 фізіолог, доктор біологічних наук, професор А. С. Дмитрієв
 фізик, доктор фізико-математичних наук, професор М. М. Фарзтдінов
 хіміки, доктора хімічних наук, професора Є. Ф. Журавльов та Ю. В. Свєткін
 геолог, доктор геолого-мінералогічних наук, професор Д. Г. Ожиганов

Ректори
 1909–1917 — Лісовський Олександр Миколайович
 1917-? — Яворський Я. С.
 1929-1930 — Сюнчелей (Сунчаляєв) Шаріф Хамідулович
 1953–1981 — Чанбарісов Шайхулла Хабібуллович
 1981–1999 — Гімаєв Рагіб Насретдінович
 1999–2010 — Харрасов Мухамет Хадісович
 2010–2013 — Мустафін Ахат Гагізьянович
 2013-нині — Морозкін Микола Данилович

Випускники
 Газетдінова Ільсіяр Ібрагімівна — народна артистка Башкортостану, народна артистка Татарстану, заслужена артистка Росії
 Каждан Олександр Петрович (1942) — історик Візантії та Вірменії, доктор історичних наук, редактор «Оксфордського словника Візантії»
 Янгузін Рим Зайнігабітович (1964) — етнограф, доктор історичних наук, професор, заслужений діяч науки Росії та Башкортостану, почесний працівник вищої професійної освіти
 Назар Наджмі — народний поет Башкортостану, член спілки письменників СРСР
 Мустай Карім — народний поет Башкортостану, член спілки письменників СРСР
 Мустафіна Фатіма Хамідівна — кандидат філософських наук, Міністр Освіти БАРСР, Перший секретар Башкирського обкому ВЛКСМ
 Рамазанов Гілемдар Зігандарович — башкирський поет та літературознавець
 Савельєв Ігор Вікторович — письменник, літературний критик
 Чанбарісов Шайхулла Хабібуллович — перший ректор університету
 Чванов Михайло Андрійович — письменник, заслужений працівник культури Башкортостану
 Чудов Максим Олександрович — біатлоніст, багаторазовий чемпіон світу, учасник Олімпійських ігор
 Хабіров Радій Фарітович — кандидат юридичних наук, працівник адміністрації президента Росії
 Хасанов Марс Магнавійович — доктор технічних наук, професор, один із директорів «Роснефть»
 Іскандарова Ханіфа Сіражівна — Герой соціалістичної праці, депутат Верховної ради СРСР двох скликань, народний учитель СРСР, заслужений учитель школи Росії

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World Cup holders Germany are in good shape to defend their title after being unbeaten in all games in 2017 and definitely the team to avoid in the draw.
Germany will find out who stands between them and a successful defence of the World Cup as the draw for the 2018 finals in Russia is held in a glitzy ceremony within the Kremlin in Moscow on Friday.
After beating Lionel Messi's Argentina in the final at the Maracana in Rio to lift the World Cup in 2014, the aim for Joachim Loew's side now is to become the first nation since Brazil in 1962 to retain the trophy.
Having already won the Confederations Cup in Russia earlier this year with a fringe squad, the Germans are leading favourites for glory in 2018, a status that Loew himself has said there is no avoiding.
"I don't like how Germany play. They have a structure and a well organised project but they don't have the kind of stars that the other powers do," Argentina coach Jorge Sampaoli said this week.
Certainly, the Germans can expect stiff competition from the Brazil of Neymar – revitalised after their nightmare 7-1 loss to the Germans on home soil – and Spain in particular.
The first step, though, is discovering who they will meet in the group stage as the focus turns to the State Kremlin Palace, where the snow and freezing temperatures of a Russian winter will greet the footballing world for a ceremony starting at 15.00 GMT (6pm local time).
For all the talk of the controversial awarding of the tournament in the first place, of the friction between Vladimir Putin's Russia and the west, and of fears over hooliganism and potential terror attacks, the draw marks the moment when excitement really starts to build towards the actual competition.
Coaches, players and fans will get an idea of who their teams will face, when and where in this enormous country which will see games staged at venues in 11 different cities, often thousands of kilometres apart, between June 14 and July 15, 2018.
But if those nations are certain of avoiding each other, danger lurks in pot two, where the Spanish – rebuilt into a formidable force by Julen Lopetegui, a former Spanish goalkeeper, and the current manager of the Spain national team, after poor showings in 2014 and at Euro 2016 – lie along with England.
"Whatever happens we will accept it gladly and sportingly. I don't waste energy thinking about who I prefer and who I don't," Lopetegui recently said, but Spain and England will surely be crossing their fingers in the hope of being paired with Poland or the Russians.
This will be the penultimate 32-nation tournament before FIFA's grand plan for 48 teams comes into effect for 2026 and world football's governing body will keep apart sides from the same continent with the exception of Europe, which has 14 representatives to go into the eight groups.
As a result, most of the sections will contain two European nations, raising the prospect of England or Spain meeting Germany or France in heavyweight contests right from the start.
Alternatively, there is the possibility of Gareth Southgate's side being drawn with Iceland in a repeat of the Euro 2016 clash in Nice that ended in humiliation for Roy Hodgson's England.
"It will be difficult to repeat the ride of 2016 in France but we don't want to set any limits," said the Iceland coach Heimir Hallgrimsson in an interview with Italy's Gazzetta dello Sport.
Quarter-finalists at the Euros, Iceland join Central American outsiders Panama in making their World Cup debut in Russia. Also eagerly awaiting the draw will be Peru, in the finals for the first time since 1982, and Egypt, back after a 28-year absence.
Those sides will add something new to a tournament that will be deprived, amongst others, of Italy for the first time since 1958, 2014 semi-finalists the Netherlands, and the United States.


I always think 'kindness' is one of those vague, bland words. It's a word that describes a wide spectrum of behaviour, and it is so drastically overused that it tends to lose meaning. Too often, I think, we substitute 'kindness' for 'niceness'.
We use small gestures to justify our busyness; to ease the guilt of snapping as we rushed out the door this morning, or for failing to meet up with that old friend as yet another week goes by. These small acts of human decency are important and help to keep us sane – but there's a massive difference between donating the change in your pocket to a homeless person on the street and actually carrying through an act of kindness which requires some sort of sacrifice on your part, even if it means swallowing your pride to give someone a second chance.
Very recently, I was forced to re-evaluate my perception of kindness. During a sermon at my local church, the priest told a story of a man with violent tendencies and substance addictions; an outcast by society. This man came to the priest for help – both spiritual and financial – and that help was freely given. For a period of time, it seemed as if tentative friendship had been formed. And then, during one visit, the man seeking guidance shattered all they had built by stealing from the priest, betraying the trust of the one person who had tried to help him.
Relaying this story to us a year after the theft, the priest told us how he was back in contact with the man and how he was giving him another chance.
In the eyes of most people, this man is an individual – a thief – who didn't, and doesn't, 'deserve' kindness. But this story forced me to think about the value of true kindness. How many of us could truthfully admit that we would give a stranger like that a second chance when everyone else turned them away?
It's easy to be kind to people who seem like they 'deserve' it. It takes true strength of character to show kindness to the more unsavoury ones.


A battle against cancer can be one of the fiercest fights we undergo in our lifetime. We want a team beside us that will support us through this process and never waver in their dedication to providing us with the highest quality care. The right oncologist and cancer care treatment center are paramount in this regard because the right doctors and medical staff will ensure that we have access to the most state-of-the-art diagnostic tools and treatments. When you go into battle you want to know that you are armed with the best weapons. And your cancer care team will be just that for you.
So, what should you look for in a cancer care treatment center and oncologist?
Experience and standing in the cancer care community. First and foremost, reputation should be one of the leading factors in choosing an oncologist and team. Look to other cancer patients – either in person through cancer support groups or online through support forums – to find out what doctors stand above the rest in terms of expertise and bedside manner. You'll likely see a few names come up over and over again and these are the names you want to research further.
Treatment philosophies. You likely have a certain medical care style that appeals to you and makes you feel the most comfortable. Maybe you're someone for whom direct talk works best. Or you do best with doctors who have a warm and fuzzy treatment style. There is no right or wrong answer here. It just comes down to personal style and because you'll be spending so much time with your oncology team you want to know that it is a place that speaks to your individual needs.
Commitment to cutting-edge cancer care. Regardless of the style that you prefer from your medical team, you surely want an oncologist that is committed to providing their patients with the latest advancements in cancer care. Look for cancer care treatment centers that are sophisticated in their technology and dedicated to putting their patients' comfort first.
Ultimately, the right oncologist and medical team will give you all the tools you need to fight your battle against cancer with confidence. Do your research and never underestimate the importance of aligning yourself with a team that meets your personal standards of care.


My heart goes out to Robert Culp's family and friends.
(I hope I wasn't tempting fate with my previous meditation on Valve and death).
The flags are flying at half mast today at Valve as they commiserate the resignation of South Australian Attorney-General Michael Atkinson. Luckily for some, they are also flying the Attorney-General's greatest legacy at half-price: the gore free, censored Australian edition of Left4Dead 2. Even this cheap, I'm not tempted by the artistically dismembered version Valve have been forced to sell down under.
Momento mori, Mr Atkinson, momento mori.
Parts of the blogosphere are abuzz with the news of the release of Civilisation V this year. I'm cautiously optimistic for a couple of reasons: that Firaxis are willing to trust the lead designer role to a relative novice to professional game development (but long time modder) Jon Shafer; and that what has been revealed of the design so far appears to be heavily influenced by Civilisation Revolution.
I periodically update my Civilisation Revolution house rules, so you may want to check back and have a look at the original article. The design is almost complete: I've solved the dilemma I had with allowing partial capture of cities by adding in an additional civic category (Philosophy) whose starting civic Superstitious prevents you from having your cities captured, and went from there. The inspiration for this is Norman Spinrad's Mexica, a novelisation of the conquest of the Aztecs which is well worth reading even if you're not a fan of historical novels. Cortez doesn't so much capture cities as bypass them to hold Moctezuma hostage.
In passing, I addressed a fundamental problem I had with Civilisation Revolution and the Democracy civic: a) it doesn't feel like how Democracy operates in real life - the myth of that democracies never go to war being part of the dark heart of America and b) once I choose Democracy in Civ Rev, I never consider another government civic. Democracy in these house rules becomes a slightly more historically accurate turtling strategy.
All that is left* is a balancing mechanism to make playing with less cities an effective strategy. I suspect this will end up being a culture boost of some kind, or perhaps making when your civilisation advances to the next age dependent on the inverse of the number of cities you have.
The other Civilisation news of the moment is summed up neatly in Soren Johnson's Fear and Loathing in Farmville where both sides of the argument have valid points. If you prefer the discussion in an audible form, the latest Three Moves Ahead podcast covers the same ground (Congratulations to them for reaching their first anniversary). Of the podcasts I listen to, Three Moves Ahead features the highest ratio of intelligent discussion to noise, mostly because its a relatively specialist area and features panelists with extensive knowledge of the strategy genre.
* With the minor exception of the fact I have no easy means of implementing these house rules. Civilisation in general has been strongly encouraging of modding with the notable exception of Civ Revolution. It theoretically should be simple enough to code from scratch - and there's at least one roguelike developer who's released a roguelike Civilisation game - or FreeCiv may be an easier path. The problem will be getting permission to release a game which is mostly designed by someone else.
You may want to start this series with part one, two, three, four, five or six.
What do we mean by failure in games? Let's start with a simple enumeration of the ways we can experience failure in a game.
The first is losing: a subset of all games - mostly those which are multi-player - are competitive and it is possible to win or lose such games (The rankings may be more sophisticated than the binary state, but assume for the moment that anything except coming first is a loss). Whether a player loses is defined by the rules of the game: this initially appears an important characteristic because most failures I'll be talking about are meta-game; that is fall outside of what would normally be considered part of the game.
But this lack of meta-game component is an incorrect assumption, because the game rules say nothing about the attributes of the players. Take a simple game, like rock, paper, scissors, where the rules are entirely proscribed and easily understood. In a single game of rock, paper, scissors against an opponent you have no other information about there is nothing outside game to influence your decision. But as soon as you play more than one game of rock, paper, scissors against the same opponent you have meta-game information: namely the history of your opponents decisions. It is entirely possible to gain significant advantage through analysis of these decisions - as well as any other information about the opponent - and there are a number of AI programming competitions for similar simple games which take advantage of this fact. In this instance, losing a single game can not be considered a failure, because the information derived from a loss can be used to improve the chance of successive wins.
Paradoxically, it is also possible to play two losing games alternately, and still end up winning overall (See this wikipedia article on Parrondo's paradox). So our intuition that losing in a game is equivalent to failure is incorrect for even simple games against another player.
Is it possible to lose against a computer opponent in the same sense that you can lose against another person? This is an important question, because if this is the case, it means we can lose in a single player game - the significance of which we'll look at later.
Now if this binary string is perfectly random, there is no information that can be derived from the string - it's just noise. However, if the string is less than random - that is, there is information that can be derived because the string is compressible and an underlying set of rules is used to generate the string - then it is possible for one of the player's to derive the underlying system generating the other player's decisions and then start to win successive games. If player 1 is a set of rules, and player 2 is a perfect AI, then once the rules have been derived, player 2 will win consistently when it is possible to do so. If player 2 is less than a perfect AI - such as an actual human being, he may not be able to derive the rules perfectly, in which case successive plays can be used to refine the ruleset and improve the winning ratio.
Not there may still be random inputs to player 1's strategy, which prevent player 2 winning perfectly. But once player 2 has derived the underlying system of rules to player 1's choices, or has done so to the best of their capability, the game degenerates into application of the counter to the ruleset derived: it becomes a mechanical process.
This is the second failure in games: where player understanding of the game degenerates to a rote process which requires no analysis. Take tic, tac, toe. The entire game tree (the combination of all possible decisions) has been mapped and so any rational approach to playing the game is will result in a draw.
But people are not rational, which is why a game like tic, tac, toe still exists and is considered a game. You may choose to play it to explore the game tree and confirm that a draw is the logical outcome. You may choose to play against an opponent who is not aware of the correct decisions at each juncture of the tree, to prove your superior rationality, or to lose deliberately as a sop for their ego. On one level, people enjoy rote, mechanical processes because our brains are wired to enjoy a mix of novelty and mundane, as opposed to complete novelty the entire time - some pleasure in rote processes have enabled our ancestors to survive and evolve. The presence of grinding in so many games is testament to this.
Denigrating degenerate games and grinding is as much about game design snobbery as it is about the game itself. I dislike rule sets that result in degenerate game play, but I have to acknowledge that these games exist and are successful, and are an important part of many more sophisticated games. Organising your cards in Solium Infernum, clicklets in Bunni Game: How we First Met and kiting in Torchlit are all examples of mechanical processes which contribute to the feel of the game.
In the discussion so far, I have assumed that the player is capable of improving their ability to play the game as they play successive games or progress through successive decisions in a single game. That is not necessarily the case: and the third example of failure is failure to learn.
Failure to learn is about treating the game as a pedagogical instrument - a teaching device. In parts eight and nine, I'll be talking about how games teach, and more types of failure in games, and what other game designers and the wider world have been saying about failure.
The Unangband 0.6.4 final release is taking a long time to finish. The number of bugs appears to be multiplying and I'm stuck trying to tweak the line of fire algorithm so that it handles some not uncommon edge cases while avoiding breaking it completely.
The problem is that the line of fire algorithm must trace as permissive a path as possible between the source and target - permissive in the sense of avoiding to collide with walls when possible - while allowing for line of fire attacks which are intended to collide with walls e.g. stone to mud. The code I have is based on an earlier version of Sangband's line of fire algorithm. Updating it to the latest version doesn't work.
This is taking what spare time I have available at the moment.
Also David Sirlin's blog features some unmissable writing this week - his own coverage of GDC and more importantly pre-GDC, and someone else's compelling story.
1. Independent developer starts releasing messages to his fans using a mix of obscure encoding schemes which decrypt to text, images, programs and other codes.
2. The independent developer is hired by Valve.
3. Some time later, Valve starts a marketing campaign by releasing messages to their fans using a mix of obscure encoding schemes which decrypt to text, images, programs and other codes.
That independent developer is, of course, Adam Foster.
There is an unfeasibly large number of roguelikes being developed this year for the 7 day roguelike challenge - 84 at last count.
For more coverage, see Temple of the Roguelike, TIGSource and rec.games.roguelike.development.
For everyone in their final coding hours, I wish you good luck and salute you!


The simple pleasure of stitching with needle and thread produces pieces of lasting beauty you will treasure forever. From cross-stitch, to embroidery, to crewel and needlepoint, Skein Lane offers classes to help you explore the world of stitching. If you have never stitched before, join us to learn a new way to paint with yarn.
View and print the current complete Class Schedule.
Learn sixteen different needlepoint stitches as you create the Sweet Sixteen Sampler. This is a great class to learn new ways to create line and texture in your work, moving your interpretation of needlepoint designs to a new level. We will work with some interesting fibers, including multicolored threads, metallic braids and pearl cotton to do the sixteen. Stop by the shop to view the instructor's sample.
Materials list provided upon registration. During the first part of class we will choose materials at Skein Lane.
Join veteran needleworker, Gayle King, in exploring new stitches and advanced needlepoint techniques.
Crewel Work is a traditional and beautiful form of embroidery using wool to create a slightly raised feature on a linen background. Join Skein Lane to learning the techniques to do these beautiful designs from Phillipa Turnbull.
We are proud to offer several classes at the Skein Lane Studio.
Phillipa is the designer and owner of The Crewel Work Company and her kits are sold throughout the UK and worldwide. From her headquarters in Appleby, Cumbria, her company specializes in traditional crewel work from Scottish and English Castles and Country Houses. Phillipa's mission is to make historic Crewel Work accessible and enjoyable for all levels, which she achieves through her kits and also her popular talks and workshops held worldwide.
Contact the shop by email or phone at (510) 525-9276 to be notified when classes are confirmed.


A site for the missionary alumni of the Canada Montreal Mission.
Send a Care Package, a little taste of home to your missionary. Several to choose from. Please check it out --We're new.
Japan Fukuoka Mission Alumni Web Site.
The purpose of this page is to provide a space where Missionary Moms can share their ideas of what they are doing to sustain their missionaries while in the field.
A website supportive of full-time LDS missionaries and their families. Helpful information shared, nitty-gritty details of getting your missionary ready for the mission, how to encourage and prepare him/her after the call and during the mission, and valuable advice shared. Current information about a mission available.
Serving warm, gooey, fresh baked cookies, cinnamon rolls, bread baskets, and other heartwarming treats to your missionary in the MTC and around the world daily. Serving your missionaries since 1996.
Providing Free Personalized Email to LDS Missionaries and Members, helping to establish more Effective Communication to build and strengthen caring relationships, enduring friendships, and shared memories for continued spiritual growth.
The oldest and most comprehensive online mission resource, built by and for returned missionaries of The Church of Jesus Christ of Latter-day Saints.
Your one-stop shopping missionary wholesale store. With three locations to serve you, and a friendly staff of RM's, this is the only stop you need to make for your missionary shopping.


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Come join hundreds of local Tallahassee citizens for an evening of incredible food, great wine's from around the world and spirited conversation. Big Bend Hospice provides care to patient's and their loved ones as they deal with life limiting illnesses. Hopewell is proud to be a sponsor of the event because the wonderful care Big Bend Hospice doctors, nurses, social workers and other staff provide to their patients.


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With her mother With her father A chance meeting with an ad director who asked Preity to audition on the spot at a friend's birthday party in 1996 led to her first television commercial for Perk chocolates.
Soon, she also appeared in an ad for Liril soap in which she is drenched under a waterfall.
In 1997, Preity Zinta accompanied a friend to an audition where she met the director Shekhar Kapur. Upon seeing that she was a natural actress, he offered her a role in Tara Rum Pum Pum opposite Hrithik Roshan.
After its filming was cancelled, the former recommended her to director Mani Ratnam for his film Dil Se (1998) a Shahrukh Khan and Manisha Koirala starrer.
Although Preity only had a small supporting role in the movie, her perky persona made her instantly famous and earned her a nomination for the Filmfare Award for Best Supporting Actress. All this greatly contributes to her style of acting." Perhaps this friendliness off camera led her into trouble—we can only speculate.
That year, she won the Filmfare Award for Best Female Debut for her performance in both Dil Se and her first leading role in the action drama Soldier. In Chori Chori Chupke Chupke with Rani Mukherjee & Salman Khan Abbas-Mustan's romantic drama Chori Chori Chupke Chupke (2001) was the first film to deal with the topic of surrogate childbirth.
Although later on, Preity did gave a magazine an interview in which she said that the breakup was mutual and she is still friends with Wadia.
But the 40-year-old is all set for the dance moves and groves in her new role as a judge on Star Plus' reality show 'Nach Baliye 7′ along with the judges' panel of choreographer Marzi Pestonji and author Chetan Bhagat.
She settled down with a blond Californian executive Gene Goodenough who helped her get over her breakup.
On such was in the drama Kya Kehna (2000), which addressed the topic of single parenthood and teenage pregnancy. For her convincing portrayal, she received a second Best Supporting Actress nomination at the Filmfare Awards.
Her portrayal of a teen single mother who fights social prejudice earned her several award nominations, including her first nomination for Best Actress at the Filmfare Awards. And a tomboyish streak too" According to film critic Sukanya Verma, Preity's "energetic nature extends from her real-life into her appearances in films and is an integral part of her technique. Rakesh Roshan's science-fiction Koi…Mil Gaya (2003), about a developmentally disabled young man played by Hrithik Roshan who came in contact with an alien followed. Not only did it garner her another Filmfare Best Actress nomination in addition to winning the Filmfare Award for Best Movie, but it also became her highest-grossing film, with a domestic total equivalent to million.
On being asked, who this man might be, Preity said that the time is not yet right to reveal her lover. Seems like Preity has finally landed up with the man of her dreams.
In time, she will tell everyone about him, but for now, all we need to know is that he is a very ecstatic man who makes her laugh. Her fans are dancing with joy after her announcement as she had been really upset after her bitter breakup with Ness Wadia some time back. My glass is always full, never half empty and will remain that way." She said when asked about her breaking-up with Ness Wadia.
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After breaking up with her former boyfriend Ness Wadia, Preity has revealed that she is back in the dating circle and is in a relationship with a man who makes her truly happy.
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Alexandra Nicole Chando is an actress, noted for her portrayal as Maddie Coleman in the television soap opera As the World Turns and identical twins Emma Becker and Sutton Mercer in The Lying Game.
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In part 2 of their series on the Brador Trojan horse for the Pocket PC, Cyrus Peikari, Seth Fogie, Ratter/29A, and Jonathan Read take us on a detailed tour of exactly how this nasty piece of business works.
Now that we've done a macro analysis in part 1, we get to the fun part: reverse-engineering the first Pocket PC Trojan. To perform micro analysis, you should be familiar with assembly language. In addition, you have to know the specific assembly registers used by the ARM processor. We've included a few paragraphs here from Security Warrior (O'Reilly, 2004) to give you an overall review.
The Advanced RISC Microprocessor (ARM) is a low-power, 32-bit microprocessor based on the Reduced Instruction Set Computer (RISC) principles. In particular, the ARM is used in small devices that have a limited power source and low threshold for heat, such as PDAs, telecommunication devices, and other miniature devices that require a relatively high level of computing power.
There are a total of 37 registers within this processor that hold values used in the execution of code. Six of these registers are used to store status values needed to hold the results of compare and mathematical operations, among others. This leaves 31 registers to the use of the program, of which a maximum of 16 are generally available to the programmer. Of these 16, Register 15 (R15) is used to hold the Program Counter (PC), which is used by the processor to keep track of where in the program it is currently executing. R14 is also used by the processor as a subroutine link register (Lr), which is used to temporarily hold the value held by R15 when a Branch and Link (BL) instruction is executed. Finally, R13, known as the Stack Pointer (Sp), is used by the processor to hold the memory address of the stack, which is used to hold all values about to be used by the processor in its execution.
For more on Windows CE reverse-engineering, as well as software reversing in general, check out Security Warrior.


Most portrait sessions last up to 2 hours. For babies and small children, the shoot may last longer due to frequent breaks for rest, food etc. However this will all be agreed in advance of the shoot.
What happens if it's raining / my child is sick etc?
If it's raining, there may be an opportunity to shoot inside or under cover. If there is no alternative, or if a child is sick, then the shoot will be rescheduled at no additional cost.
What should I / my child wear for the portrait session?
It's not up to me to dictate what anyone can or can't wear to a photo session, but here are a few suggestions for what usually works best. Plain coloured, classic clothes work best. If children or families are being photographed together, they don't have to dress identically, but the images will look better if the clothes are co-ordinated. Busy patterns and wording on clothes are best avoided, as is anything else that will date easily. Remember that for black and white images, all colours will appear grey, so it's less of an issue.
Once children are old enough to have an opinion on what they want to wear, it becomes difficult to persuade them otherwise. In this case, let them have both outfits and switch part way through the shoot. That way, you'll both get images you are happy with.
Do you offer make-over sessions?
Yes, we can organise a make-up artist for you, subject to availibility. Please contact us with your requirements.
Yes, see our pricing guide for further details.
I do not charge expenses for any shoot location within an hour's drive of Bath. Beyond that would be considered on a case by case basis.
I have both public liability and professional indemity insurance. I am pleased to note that to date I have not needed either.