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redpajama_set_name: RedPajamaGithub


text:
Al-Burhan: We are keen to appoint a civilian prime minister
While calls continue to renew the demonstrations in light of the continuation of the UN initiative, the head of the Sudanese Sovereign Council, Abdel Fattah Al-Burhan, affirmed today, Tuesday, that the transitional government is keen to complete the institutions of the transitional period and appoint a civilian prime minister.
The council said in a statement that Al-Burhan's statements came during his meeting with the envoy of the President of South Sudan, Costello Garang Ring, who was briefed on the overall political situation in the country.
The Sudanese envoy also stressed that Khartoum "is able to overcome the current issues and challenges."
Earlier today, a member of the Council, Al-Hadi Idris, announced the formation of a committee headed by Malik Agar (also a member of the sovereign) in order to communicate with all political components in order to achieve full consensus.
Involvement of the African Union
In a statement yesterday evening, the Sovereign Council welcomed the United Nations initiative, calling for "involving the African Union to support the initiative and contribute to the success of the Sudanese dialogue efforts, while ensuring its Sudaneseness."
He also touched on the demonstrations, stressing that "demonstration is a right guaranteed to all, calling for a commitment to peace," noting that the role of the police and security services is limited to guarding, protecting and ensuring the peace processions.
From the Khartoum demonstrations (Associated Press)
It is noteworthy that the past days witnessed several regional and international mediations in order to launch a comprehensive dialogue in the country between all political components to reach a solution to the escalating crisis for more than two months.
Yesterday, the United Nations Special Envoy, Volker Perthes, launched talks or consultations, as he called them, in order to open the way to resolving the crisis. He affirmed in a press conference that everyone "including political parties, armed movements, civil society, women's associations, resistance committees and others have been invited to participate in preliminary consultations."
Prior to him, the envoy of the President of South Sudan and his security advisor, Tut Galwak, sought to open the door for dialogue between the parties.
escalating crisis
He mentioned that the country has plunged since last October 25 (2021) into a severe crisis after the armed forces dissolved the government and the former Sovereignty Council, which prompted many civilian groups to demonstrate, calling for the non-participation of the military component in governance.
Despite Al-Burhan's pledge to hold general elections in mid-2023, the demonstrations continued in protest of the settlement in which Prime Minister Abdullah Hamdok agreed to return to his position on November 21, before returning and submitting his resignation in early January, stressing that he tried to find consensus, but failed.
But the calls for protest did not stop, insisting on the necessity of the military's departure from power, even during the transitional period.
Since October, these demonstrations have resulted in nearly 60 deaths, according to the Sudan Doctors Committee.

redpajama_set_name: RedPajamaCommonCrawl


text:
Wrong Side Of The Traxx, DJ BJ Interviews Martin Atkins of Pigface
DJ BJ: All right this is DJ BJ with a special interview of Martin Atkins for the Wrong Side of the Traxx Radio Show. How are you doing Martin?
Martin Atkins: I'm OK, the weathers kind of horrible in Chicago, but there's a lot of amazing stuff going on so I'm not complaining.
BJ: Yeah, it gives you a reason to stay inside and listen to some great music, right?
MA: Yeah
BJ: So, I'm gonna hit you with some questions about music and music you enjoy. So thinking back to your childhood, what is the first song you can remember as being your favorite song?
MA: I don't know that I do remember that. Uh, I was born in 1959 so, you know when I was ten The Beatles still existed! I remember this strange British soup of pop music that seemed to be so broad in its influence from reggae and dub and almost Vaudeville BS that kind of mixed itself together in the juke box at the pub. And the Pub was where families, you know families went to the pub. It wasn't just like serious drinking and drugs, but families would go to the pub. So granddad would put on some bizarre Vaudeville banjo music hall song and there'd be the up to the minute music, and cover versions of all of this stuff all mixed up together. All of that is mixed up together for me still.
BJ: You mentioned The Beatles. Did they play any part in your love of music or where they just… Some people absolutely love The Beatles, others are not so…
MA: Well, the instrumentation for sure. I mean, I sit and think about this sometimes when I'm printing or spray painting something. If you hear the sitar that's throughout Pigface, Allie Jeffrey*, Bob Dog (Robert "BobDog" Catlin) sometimes, often times two sitars on stage. I trace that back to Norwegian Wood from The Beatles. The orchestration with cellos and strings that are prominent within Pigface, I would trace back The Beatles as well.
BJ: That makes sense! Is there a particular song that can bring you to tears?
MA: Oh my goodness, I would say yeah, music can bring me to tears but its also the context. Chickesaw in 2016 when Lesley Rankine flew over for the first time to perform with Pigface. Even though she had performed that song with us on Notes From the Real Underground* she'd never sung it with us live, it was just her in the studio with me, and when she came and sang that, she said, "I've been waiting for 23 years to sing that song live". We were all crying, and I think the next day was Gaelynn Lee's* first rehearsal with us and her voice just makes me cry… and her voice hits a note which resonates something in my head or heart or both. Gaelynn Lee can bring me to tears.
=====BREAK=====
DJ BJ: Is there a particular artist or drummer that made you want to play the drums, and was the drums your first choice in instruments to play?
MA: Well, my dad bought me a drumkit, that's what made me play the drums. If my dad bought me a xylophone, I'd be a crazy xylophone player. If he bought me a lawn mower, I'd be a landscape gardener. That's fathers and sons.
BJ: Was your father a drummer?
MA: No. He played banjo and trombone in his own band. I think he'd heard that I was given the snare drum in music class. Instruments were given out. Somebody said to my mom or my dad that "I hear Martin's really good on the snare drum". I think the following week he saw a really beaten up drum kit at the market and bought me a drum kit and I'd play for four hours a day.
BJ: So you come from a musical family…
MA: No, it makes sense for you to say that but there's no evidence of that in the home. My dad went to night school and worked his way up from the factory floor in a textile mill to end up being the manager of 3000 people in a factory in the north of England. So, my upbringing was more business and creative solutions than it was music. Although I would go and see bands with my dad, the house itself didn't feel like a musical household. Which is crazy because my drumkit was set up in the hallway.
BJ: I'm gonna switch it up and talk about some bands and projects you've been in. Is there one particular project or band that you played with that you wish would have gotten more attention, that didn't get the attention that it deserves?
MA: Well, I've played on a lot of things. I think that the China Dub Soundsystem album is basically a Pigface, the lost Pigface album. It was made in exactly the same way that a Pigface album is made, just with Chinese musicians, orchestra, scratch djs, punk bands, street gangs. I like that that album has a different identity. But I think that we should have called it Pigface made in China. There is a project called Spasm that was really encompasses what was really going on in the label in the early 90s. Mark Spivey was on his way to a Download show with Cevin Key. Curse Mackey was in town working on Evil Mothers probably. I'd set up the studio, I bought Steve Albini's ½" recording machine his 1/4" and his console and patch bay. I just said one day "lets make an album". We'll invite 20 people for a performance. So that was the first Spasm album. The second Spasm album I thought was really ground breaking. It was the beginning of me not giving a "F" about being in the studio and owning the studio. At first when you are in the studio you're trying to get to the point where you are emulating things that you'd listened to, trying to get "that" bass drum sound or that overall sound or that level of distortion. The second Spasm album which is called Smear, I was just… I am actually very excited to pull those sessions up, perhaps remix them or rerelease them or do something with them. But those are two that come to mind.
BJ: What song are you the most proud of, if you can't pick just one name a couple songs that you are really proud of that you're involved with.
MA: I'd have to back to the Flowers of Romance album with Public Image. Where for a 21 year old to be in the same studio that Phil Collins used or Queen used, and to be so creative along with engineer producer Nick Lorne*, to be able to be creative in that environment at that age feels pretty miraculous to me. And that album is still difficult and dangerous today. There is also that Killing Joke album that I worked on just because of the context and the timing was so much more than a musical endeavor. The band was a chaotic mess at the time and had completely eroded its fan base by delivering a midi masturbation album called Outside the Gate. Two members had quit and asked to have their names taken off the album so I mean, there's been a lot.
BJ: As a fan, I just think about all the stuff that I've listened to for so many years, it blows my mind how much of that you're involved with. Speaking of which you've played with some of the biggest acts in the industrial and post punk genres, is there any particular story that stands out on how you came to play with any of those acts?
MA: If I'm talking to students I like describing how I ended up with PiL. I spent two years trying to get that gig, I wanted that gig I'd been playing drums for 10 years. I was bored but pretty good. I thought that even though the whole idea of punk was, join a band now start playing now. Its easy to say that, its easy to be a guitarist or a bass player or a singer like that if your drummer is just rock solid. I wanted to be in PiL, I spent 2 years working to get that job. Staying vigilant, calling people. I kind of like that story. I'd given up on the music business when I got the call to fly to England and join Killing Joke. It was a stressful hopeful move to get on a plane and join Killing Joke. It is those kinds of activities like packing up a suit case and moving to NYC, getting on a plane to go join Killing Joke without any guarantee of success that gives me very little time for people who won't make that sacrifice or jump off a cliff to fulfill their ambitions. That is what it took for me.
DJ BJ: You've mentioned students a couple of times here and I want to make sure that the listeners know, you are a college professor, instructor and what school are you teaching at?
MA: Yeah I've been teaching for almost 20 years now. I teach at Milikin University, where I'm the music industry supervisor, responsible for the music industry program. We've done some pretty interesting things with that program over the last few years. The one thing is we've removed the barriers to entry. Most programs that mention music in a university setting have an audition requirement for people to enter. We have no audition requirement. I have my master's degree now which was not true when I first started teaching at Columbia College in Chicago. I've since written three books on the subject. We've taken students on the road. We had a 2nd tour bus with Pigface with students on an internship on the bus with mentors like Wendy Day who's credited with getting Eminem his deal. Lee Morrin* an music business attorney, we have a label at the university. We are doing some pretty interesting different things with the program; putting our own music conference together.
BJ: I'm glad you brought up Pigface because that segues perfectly into my next question. Its kind of a joke in the Industrial genre anyway, pretty much everybody has been in Pigface because there is such a rotating crew of people who've come in and out of Pigface over the years. Is there one or two or three people that haven't partaken or participated with Pigface that you would actually really love to have work with Pigface?
MA: That's an interesting question. There are, I think close to 600 people, not including people who have jumped onto stage, and people are welcome to do that. The thing I like most about Pigface is that it's the people who I don't know, so how can I regret or hopefully want to work with artist "X" or Performer "Y" because that's still limited by my frame of reference. So my most favorite example of that at the moment is Rhandy Blythe* from Lamb of God. I mean, I know of the band of course, and I wouldn't have thought of him as one of 5 or 6 vocalists to come out with Pigface. And I think perhaps, that neither would he. But Greta Brinkman*, one of our bass players, suggested Randy when Mary Byker had to go back to England for a PWEI Festival that he'd forgotten about. She's like, "I know this guy, he'd be really good". Well that would be interesting, no harm no foul. We had Chris Connelly, Curse Mackey, Lesley Rankine, Dirk Flanigan*, En Eshe, its almost like marching band theory. If you've got 7 people playing trumpet, people can hit a bad note if there are 6 people playing the good note to drown out the bad note. When Randy came to rehearsal, we were like, ok, lets do Tapeworm. It wasn't one of Mary's songs but Randy wanted to do it. He absolutely shredded that song and made it his own. After two days on the road with Pigface, Mary Byker is coming back and Randy just said, "yeah, I'm not leaving I'm gonna stay and do all 19 shows". What an amazing individual. That's the amazing thing about Pigface, within the band, the extended band between the band and the fans, we're just family.
BJ: You recently the Museum of Post Punk and Industrial Music in Chicago. Was there an "ah-ha" moment that made you want to do this?
MA: I've thought about this for a while. One of my slides in one of my "be a better band" presentations, start the museum of you. What I try to say to bands is invest in your own future. Think about the long term. The show you have next week may have sold 10 tickets and it may not sell many more. Because its early, and maybe you think it doesn't need a flyer. It certainly doesn't need an extravagant screen-printed flyer. But, if you are running the museum of you, the museum needs a flyer for that first gig because you are building the myth of your project. Trying to get people to have a different attitude towards you. So I have all of this accumulated stuff; you've seen it. I'm still… what's this with the rubber band? Its 12 polaroid snaps from the first 1 hour of the existence of The Damage Manual, when it was me, Geordie Walker and Jah Wobble in a studio in London. I started two years ago to do lots of Zoom events, I'd be in the basement near the studio talking to people about Killing Joke so I'd wander into the studio and pull up the faders on something. Instead of talking about all the scenery I made, I'd put a bunch of the scenery up in the basement! I just thought it will never be easier for me than to take these objects and put them up in the space downstairs. I started to move things into the building and hang them on the walls and pull things out of boxes. I don't know that those were a-ha moments. When people started to send things, and you would be one of those people. I think you were very nervous about having Ogre's stage suit out of your hands if you like. I sensed that you were, felt that the suit wasn't being enjoyed in your closet. Maybe it was selfish of you to do that. But of course, it is like having a child, I mean I get it. You were nervous about sending that suit to a museum. We put that suit in front of the Fook backdrop which Ogre sung in front of. I put hand written lyrics from the Process album next to it. Handwritten lyrics from the Ritalin album. Tim Gore worked on that backdrop, designed the latex part. And then Steven Gilmore sent two posters, one from The Process the album I worked on with Puppy. The event that you were at, Logan Sholtz* came out and brought the Rabies subway poster. Somebody else is donating a place setting, knife and fork with a plate with a cover over it. Somebody has a piece of intestine from a tour where Ogre's intestines exploded all over the audience. And I just received this signed microphone from I think that same tour 2015 from. So, I think that suit you sent out magnetized other pieces, and all of that then makes somebody else more able, relaxed, less stressed about sending us an important piece. And it just keeps happening…
BJ: It's the snowball effect.
MA: Yeah! So, I think your suit was an ah-ha moment. I also like how when you came to visit the suit and you confided in me that, "you know, this is all really cool, and you're cool Martin, but Charles Levi is a hero of mine", and then Charles walks into the museum. Just a few days before he collapsed and ended up in hospital, where he still is by the way. But he's doing really quite well and should be out in a few weeks; fingers crossed. Touch wood.
BJ: Let me interject here real quick. You mentioned Charles in the hospital. I know you've put plenty of items up for sale to raise funds for Charles. Would you like to plug anything, is there anything, gofundmes, or any more items that people can buy?
MA: Yeah, his gofundme is still up. You can search for Charles Levi Medical gofundme started by a guy called Wolfie*. There is a Black from the Dead, kind of, almost ironically horrible, but now ironically triumphant I think, that he is almost Black from the Dead. So, you can find that on my Big Cartel. There is also the Charles Levi Voodoo doll which goes to him, made by the same people who make my voodoo doll in Louisiana. So that's pretty cool. You know, Paul Fergeson* the drummer from Killing Joke makes the Pigface solid silver logo ring. I had one made for Charles. It wasn't until it arrived a couple of months ago that I realized, oh my goodness, when I ordered this ring, I was going to put it in his coffin.
BJ; You mentioned how I seemed apprehensive to send my suit to you, or Ogre's suit. I can tell you who wasn't apprehensive is my wife. She was happy to see the thing go.
MA: You know, that's a strange thing. There's a resonance to all of these items that have been touched by people that have been important to people that have been loved by people. And sometimes that vibrations upsets some other people who don't get the weird wonderful world of post punk and industrial music. I think it is really triumphant that your suit is now surrounded by a bunch of stuff and now will have a microphone, a signed microphone, in front of it. And who knows what's next? Its pretty interesting. I think a lot of people are thinking about donating items after they've passed. Which is a tiny bit strange. I understand it completely. I guess it is just a little bit heavy to think about. Its becoming a really special place to have all of these items. All of the boxes of things that have to be displayed.
BJ: so you mentioned that I did come out to the museum there back in October I believe, and that was for a special event with Chris Connelly. And I know you've had some other special events. Some sleep overs, some pancake and whiskey breakfasts, making your own remix of Suck. Do you have any other events lined up or Covid really kind of keeping everything down, what are you able to do?
MA: it got so difficult. I had Michael Alago* who signed Metallica at the age of 23. Crazy, lunatic, photographer, A&R person who also worked with White Zombie, PiL, and Nina Simone; has a book and documentary. We had a week with him arranged for, just a fantastic hotel. An exhibit of his photographs, a reading, just all kinds of stuff. Then he became ill for a little while. We were going to have an event before Chris Connelly's David Bowie tribute event. Its so much effort to put these things together just to have them not happen. I think we are ready to start doing a very small events, you know we still have Michael Alago* on the schedule for 2022. I'm hoping that Lesley Rankine will come out and spend a week with us doing some really tiny super cool events. But it has been very difficult. We have a benefit for Charles Levi booked at the Metro with Pigface. We're licking our wounds a little bit at the moment but still preparing for the next 5 or 6 things for sure. I've got to tell you, that we had a pop-up haircut thing with Gil Sharon* and Randy* who are just amazing. You can't get into their salon; its overbooked. They came in cut hair the day before Cold Waves. We did a whiskey pancake mimosa brunch. We had to do to sittings of that the last day of Cold Waves. Just really great, different events. As you mentioned going downstairs and mixing a version of Suck to cassette. Sometimes I'll DJ, sometimes we'll tell stories, sometimes we'll make pancakes. Its very special.
BJ: Its overwhelming to walk in there and see all the stuff, hanging on the walls, the clothing. Its like watching a movie and seeing something new every single time. I just can't imagine how much time it would really take to see everything in your museum.
MA: We just got three projectors, but there's also some kind of nice flat screen technology and programs to be able to be able to flip through books. We wanted to get the spectacle together which I think we are definitely there. We have the crazy expresso machine, our own coffee, our own whiskey. But once the scanning starts to take place, where you can type in Ministry, or Chris Connelly, or William Tucker, or April or Houston and you start to call everything up. From receipts to itinerary pages to photographs, reviews. Then, I mean, people are going to spend days there. We're only just scratching the surface.
BJ: fast forward to when we finally get past Covid. Do you see this as a museum that would have regular hours, that people off the street can come in and check everything out for a fee? Or do you want to keep this more special events?
MA: well, you know I'm honestly not sure. I originally intended to open it up at some point. But I like the idea of founders only. And if someone doesn't have money to be a founder, they can donate an item. There are 600 founders at the moment. I need to make sure that they feel honored and respected for the belief and the faith and the trust that they've shown. I just had a small delegation come up from Sao Paolo Brazil; and they really loved the fact that it wasn't open to the public, and they'd been allowed to come and visit. I think there'll be days where people can wander in, but that may be a year from now. We've had 3 people so far spend the night. For somebody, someone like yourself, somebody who gets all this, understands all these pieces of the puzzle. I can't imagine what it would be like to spend the night in the museum. You know, I don't know, maybe this belongs fully in a hotel, or maybe it will become a hotel. I don't know where its going, but I like that we are not being a traditional "hands off, keep your voice down, don't touch the drum kit" kind of museum. It's a, "hey, go and have a go at my drums. Go downstairs and solo Trent's voice and do your own mix of Suck. Walk away with a cassette tape. I love the kind of museum that it is, I call it a theme park.
BJ: I get that, 100%. One of the things you said about the scanning and everything, made me think of the catalog you are about to put out. How close to being done is the catalog, and when can people that bought it expect it to arrive in their mailbox?
MA: Amongst everything else I guess I'm now a magazine editor. The catalog is DONE. The only thing that is not finished, that I'm leaving open for perhaps another few days is the founders' list. And that is for 2 reasons. One is, because I just had something today where, hold on a minute, you are a founder because you are donating a copy of the Research Industrial Music Handbook, which is quite rare, and your name says one thing on my sheet, but there's another name on the return address envelope. So that's an email. First you have to see that difference, then you have to send the email, then you have to track the response. I'm going through everybody's name, every package at the museum. There were a few people, I think, who didn't want to go on-line and fill out the order form for the founder's package, and just gave Molly cash. You know like, hold on! Or just gave an item. People were contacting me via Twitter, Instagram, like Oh my God! So the catalog is 100 pages. It is just stunning. It comes with a free flexi disc, and the flexi-disc itself comes in its own hand screened then spray painted signed and numbered sleeve.
BJ: Yeah, I actually played the flexi, cuz I ordered the catalog and I got a flexi early. For a flexi, I can't believe how good it sounds. It just sounds amazing.
MA: Yeah! Yeah! And now I think, its on my list for today, to order, they are called Stay Flat Craft cardboard envelopes for the magazine to go in. and now I'm thinking that those need to be screen-printed. I remember when Wax Trax had their mail order. Their mail order packages for vinyl, were these like, industrial hazard black and yellow striped bags that the orders went into. And its like, oh my goodness, the thrill of mail from the mailman. And its like, if there ever was a time to do way to much inefficient crazy S#!T it would be now! So people can be like, Oh my goodness, there's a huge envelope from the museum! "How do you know it?" Because there's a 12" high screen-print on the envelope. So we're perpetuating this idea… There's an envelope from the first Wax Trax catalog in one of my stand-up cases. I'm creating the museum of the museum! So I'm making a collector's item out of the first catalog of the museum, that 20 years from now someone might say, "I've got all 10 editions of the catalog, one's unopened and one comes in its own envelope"! I can't believe that all of these things exist, but they do. Just as I was describing getting on the plane to NYC, in 1982 was scary prospect for a 21- or 22-year-old. Opening the museum has been that same leap, and so many people have been there to support and encourage this undertaking. Its very exciting. I've actually consciously tried to stop talking about stuff over the last month as the catalog became nearer to completion. The amazing photographs in there! I feel like, anybody I'm talking to about the museum, there just like, "oh yeah yeah yeah. Martin's got like 10 scrapbooks and a couple of suits and some scenery and some photographs, and yeah, its going to be a very interesting room, a back room of a bar…". I'm just consciously, I'm just waiting instead of calling a few people, I'm waiting to send them the catalog. It's a very exciting week here.
BJ: Going back to the physical space of the museum. It was really cool to walk into a room… I live in San Diego, so I come into Chicago from San Diego, where I don't know anybody. But the community is so strong… Logan who you mentioned earlier is a FB friend of mine because we bump into each other in all the music pages on FB, and Lorie and I are friends on FB and I got to actually become real friends with two people. And I got to meet you, and I'm not trying to brown nose but it was really really really cool cuz you know, I've been a fan for years. But its such a tight community of the people that want to come to the museum as well.
MA: Well thank you. I don't think we had our own whiskey at that point did we?
BJ: There was, but I quit drinking in '98 after blowing $20 grand on beer in Germany the two years I was stationed there.
MA: Well there you go! I'm a few days away from my… I had 16 years sober, I'm a few days away from my first year back in the saddle.
BJ: Well congratulations!
MA: Thank you! Dark Matter, not only came up with this amazing new blend of the museum coffee, but they gave me this, like, ridiculous $5.5k expresso machine! So now, imagine being able to be hospitable, to like, "hey would you like expresso, a glass of whiskey, a mimosa"? It just keeps exponentially growing. I have a photograph of the PiL wall, I call it, when it was just the rain coat. I remember thinking, "yeah!! I like it just the rain coat". And now, its like you can't see, you can't see the backdrop for everything in front of the backdrop.
BJ: Its got to be such a good feeling to know, that 1, the things that you've kept over the years are appreciated so much by so many people. And then there are so many people that want to share THEIR items with you and everyone else as well.
MA: I like the deal. You know, I like the… If you can't afford the founder's package, donate something. Everybody has something! I love the story of you and the suit. I got the sense that two months or three months ago you were having a conversation with some people. I got the impression that they were saying to you, "you F-ing idiot, why would you send that suit to some guy? Sure its Martin, but, you could have sold that suit for blah blah blah". And I think right as that conversation was happening, I'm like I should send Brad a picture so he can see the posters from Steven Gilmore and all the other stuff. I just like it. It is like a trust, belief, leap of faith, its all of these things. Its exactly as it should be. At the moment, you don't get to come and see the stuff. For the moment the people who this stuff is important to, get to bathe in it. I'm smiling. It's a lot of work, and its not without risks and stress, really really terrific things so far.
BJ: is there anything else you wanted to cover or talk about before I wrap it up?
MA: No I don't think so, just to say, hey, thanks! I think you that you started the ball rolling. Somebody sent me a couple of press clippings from a Ministry show in Houston. That's cool, and along with 40 other items of Ministry things, collectively its really cool. The importance of that suit, really I think made a few people go, holy S#IT. So thank you for that.
BJ: Well you are welcome. I had no idea that's how you felt about that suit. It was nerve wracking to send the suit off. But I think I told you that the suit was going to stay in that closet until I died, and then it was going into the dumpster with the rest of my stuff. Well, I think we've covered everything and I cannot thank you enough for spending all this time discussing your history, your career, your museum. I really appreciate all of your time Martin. Hopefully the listeners of the Wrong Side of the Traxx radio show appreciate it too. Thank you very much.
MA: Thanks Brad, its good to talk to you man.
BJ: and great talking with you too.
Below are links to check out on topics mentioned in the interview
Petition to make the old WAX TRAX! shop a Chicago landmark
Martin Atkins' Big Cartel shop (A portion of funds raised also go to help with Charles Levi's medical expenses)


The Hamburg higher education act (Hamburgisches Hochschulgesetz, HmbHG) and the Universität Hamburg Statutes require that every faculty provide students with a complaints office for exam matters. Generally, a member of teaching staff or a student representative is available to act as ombudsperson.
Complaints offices mediate and seek solutions to conflicts arising with regard to examination matters.
This gives you, the student, a neutral point of contact in cases of exam-related conflicts.
Of course, you may still submit a formal appeal to the examination board. These complaints offices are not authorized to make decisions. This remains the sole responsibility of the reconsideration proceeding.
Should any of the above information no longer be accurate, please contact Section 31: Quality Management and Legal Affairs.


text:
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export function addArticle(title, content) {
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export function deleteArtcile(rk) {
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The price of Amy – have your say.
I'll confess, if there's something that doesn't get old it's survival games. I play games for the thrill and have always found myself migrating towards titles which not only stretches my imagination to the limits but also scares the word-which-rhymes-with-trap out of me. I was very excited when Naughty Dog and Sony announced their release of the game 'The Last of Us' at the Spike VGA's. It's definitively something to look forward to from the creators of UNCHARTED but the game is still a long way down the road.
Closer to home is the release of AMY – another horror survival game which centres around the players character Lana needing to escourt an autistic girl called Amy through a hostile city filled with victims of a comet crash which brought a deadly virus to earth. Together the two need to escape the town while trying to avoid monsters, the infected and the military. It will be released to the Xbox Live Arcade and Playstation Network exclusively on the 10th of January. On the 5th of January, Amy's developers VectorCell and Lexis Numérique announced the price of the game, pricing the XBLA version at $10 and the PSN game at $12.99. The price difference, they say, is due to the difference in value of MS points across different countries. However, they gave PSN players the opportunity to vote for a drop in price of the title to $10 on the network.
The game will be delayed as the price change is approved across the network.


The Chief-of-Staff, and Chief Private Secretary to the General Overseer (Pastor Enoch Adeboye), Pastor Adetokunbo Abayomi Olorunnimbe is dead.
According to the statement announcing his demise, Olorunnimbe died on Saturday, March 30th 2019, at the age of 60.
Tokunbo Olorunnimbe was born on May 26th, 1958, in the United Kingdom, to Ishola Adekunle Olorunnimbe and late Simisola Adetoun Olorunnimbe.


This topic contains 1 reply, has 2 voices, and was last updated by Dan 8 years, 10 months ago.
I just read on line that Mike Hannon's My Beamish Boy screens on RTÉ One, Bank Holiday Monday June 7th at 7pm. Congrats, Mike. I saw the doc during the Cork Film Fest and I thought it was excellent.
wow that sounds great, well done, saw the doc and thought it was very well crafted, and a great story well told..


Last night's interview with renown cardiologist Pim van Lommel is considered worth listening to particularly for fledgling NDE researchers.
The first hour of the interview involved basically discussion of van Lommel's book titled " Consciousness Beyond Life: The Science of the Near-Death Experience" while the second final hour consisted of call-ins with questions as well as some reporting their own near death experience.
- Doctor van Lommel cited lots of statistics derived from one of his studies based on 344 cardiac arrest cases. In addition, Doctor van Lommel stressed that NDE discussion is still verboten in the medical community (which includes medical institutions such as hospitals, medical schools and universities) along with treatment doctors themselves. Thus, it is not surprising that so many experiencers (eg, 50%), refuse to discuss their NDE.
- Doctor van Lommel cited as hallmarks of the NDE pretty much the classic features which most of us are familiar with such as the experience being described as "realer than real" along with after effects such as no longer fear of death as well as undergoing subsequent significant life changes typically as a result of changed values. Somewhat surprising was cited the commonality of meeting deceased relatives (and in some cases ones in which they did not know that the relative had already died), experiencing post NDE super rapid/miraculous healing of the source injury as well as reporting seeing/identifying events and/or objects in the immediate environment when the subject patient clearly was not registering any brain function.
- Regarding this latter phenomenon, Doctor van Lommel described his theory regarding the nature of consciousness which has been an outgrowth of his many years of experience as cardiologist. Mainly, that consciousness seems to be non-local (may be a fundamental property of the universe) and that the brain is better regarded as a receiver versus a sole source (or deriver) of consciousness. That a damaged brain simply does not allow proper translation/interpretation of the non-local source from which it is receiving.
- Call-ins who related their personal NDE along with questions which were being asked were interesting and worth listening to.
Below is the C2C program summary for the van Lommel interview.
Cardiologist Dr. Pim van Lommel revealed why he believes that near-death experiences are authentic and cannot be attributed to imagination. In 1969, one of van Lommel's patients was brought back from a death by heart attack. He recalled that the patient was "very very disappointed" that they needed to return to life. In the mid-1980s, van Lommel began asking other patients about their experiences and decided that he would conduct a study of the phenomenon which culminated in a report which was published in the prestigious British medical journal The Lancet. The research created "a sensation." The patients with NDEs reported out of body experiences which were verified by objective observers, as well as "no fear of death, unconditional love for yourself and others, and a connection with everything and everybody." Many also felt that their near death state was "more real than life."
The transformation that occurs to people who experience a near-death state is often traumatic for others, as van Lommel said that 70% of the experiencers ended up getting divorced because their partners believe that the patient is "not the person they knew" before the event. According to his medical training, van Lommel was not supposed to think in terms of the human mind being able to process information when it was clinically dead, but his "scientific curiosity" allowed him to consider things which went against conventional wisdom. He now believes that our consciousness is not located in our brains, but is "non-local," that is we are more like receivers where our minds function as intermediaries between spirit and body. Based on his studies and conversations with countless patients, van Lommel has concluded that "dying is not the end of our consciousness." In the last hour, listeners called in with their own NDE reports.


What is an Absolute Divorce?
Absolute divorce is the term used for a simple divorce in North Carolina. Since N.C. is a No-fault state, the plaintiff doesn't need to prove any wrongdoing of the other spouse to file for absolute divorce.
Either spouse can obtain an absolute divorce provided they meet the requirements.
In order to get a divorce in North Carolina, the court only requires two things: 1) that the couple has lived apart for at least 12 months without the need to show proof of the separation and 2) that at least one party to the divorce has lived in NC for at least 6 months prior to filing the divorce complaint. The only information needed to show separation is the date when the couple started living apart and that at least one party in the marriage intends the separation to be permanent.
The marriage must not have resumed during the 12-month separation period. If the court finds out that the marriage has resumed within the separation period, the time will be reset to another 12 months in order to obtain a divorce.
How Long Does it Take to Get an Absolute Divorce?
The first step is filing a complaint. Once the complaint is filed, it needs to be served on the opposing party. Service can take up to two weeks. If you do not know where your spouse lives service will take much longer. Once your spouse has been served, you must wait 30 days before requesting the court hear your case. Generally, your case will be heard within 30 days of your request for a hearing. The divorce judgment will be signed at the hearing. The entire process usually takes 90 days.
Immediate filing for divorce is not a requirement in North Carolina, and you may want to remain married while being separated due to beneficial reasons such as social security and health insurance. Our team of experienced attorneys can help you determine the proper timing for filing the divorce in such a way that your rights are protected.
Can I file for Absolute Divorce Without an Attorney?
Yes, you can file for divorce without an attorney, but you may not want to do it alone. You can view an example packet here. It's best to consult with an NC divorce lawyer. If you've been served with divorce papers or a divorce complaint and you're concerned about whether your rights are protected or waived, contact us right away to schedule a consultation.
Remember, that a divorce judgment voids all claims for alimony and equitable distribution. This means that once the court grants your divorce, you cannot go back and ask the court to provide you with support or to divide your property or debt. You can resolve these types of issues in a separation agreement even during the one-year waiting period.
To get an absolute divorce, one of the parties only needs to prove the following: (1) The plaintiff or defendant have resided in North Carolina for six months preceding the filing of the complaint for absolute divorce; (2) The parties are married; (3) The parties have been living separate and apart for one year preceding the filing of the complaint for absolute divorce; and (4) The parties do not intend to resume marital relations.
For filing an absolute divorce in N.C. on your own, we have available forms in our forms bank for you to view. You may file for a divorce yourself but if you want to make sure you won't waive any of your rights, it's best to consult with an NC divorce lawyer. If a complaint for divorce has already been filed and you're concerned about whether your rights are protected or waived, contact us right away to schedule a consultation.
Is Divorce Ruining Your Finances?


This is a case study of how the Canadian Radio-television and Telecommunications Commission (CRTC) approved a proposal by cable and satellite service providers to distribute the Arabic-language TV news channel Al Jazeera. Pro-Israel lobbyists opposed it. Unprecedented restrictions in the CRTC's July 2004 decision required Canadian carriers to block any possible abusive comment found within Al Jazeera programming before distributing it. Despite demand for daily news from the Arab world, Canadian carriers have yet to offer the channel to any would-be subscriber. This thesis suggests that the Commission calculated such a result to avoid violation of Canada's hate laws and to protect the regulator against a Charter of Rights and Freedoms challenge based on freedom of expression by those wishing to receive Al Jazeera. Losing such a challenge could have weakened CRTC power when changing global technology and market development were leading many to question its role and relevance.
Mass media policy -- Canada.
Television broadcasting of news -- Law and legislation -- Canada.


FCA US debuted eight commercials online last week as part of its "Big Game Blitz" digital and social strategy. One of the commercials, the Jeep®brand's "More Than Just Words" has smashed the Company's record for most online views, with over 106 million, more than the audience size for the Super Bowl broadcast. In addition to breaking Company records for most views, "More Than Just Words" has been shared across Facebook, Twitter and YouTube over 200,000 times cumulatively with over 50,000 comments combined reflecting overwhelmingly positive sentiment from fans across social media.


Charlie Rose sits down with Andrew Ross Sorkin to discuss the global economic crisis and the players who inhabited the story. Ross Sorkin is an award-winning American journalist and author of a new book Too Big to Fail. He is a financial columnist for The New York Times and is the newspaper's chief mergers and acquisitions reporter. He is also the founder and editor of DealBook, a financial news service, published by The Times. Ross Sorkin began writing for The Times in 1995 under unusual circumstances; at the time he started writing for the paper, he hadn't yet graduated from high school.
Source: Charlie Rose, October 19, 2009.


text:
Q: iPhone: Phonegap: Audio Playing in Background I'm using this Code to stream an MP3 audio file in background mode in Phonegap. But the Problem is: With this Code there is no way to get the current position and all the other phonegap functions with this Code.
I tried the native quicktime/childbrowser method to play the file. This works great and shows timeline etc. BUT there is no way to hide the quicktime player and browse in the app and there is also no way to save the position and set the position in the audio files. Any Ideas to solve the issue?

A: One other option (if you are not scared of code in development) is a plugin for streaming audio (including fixed length files like mp3's) for PhoneGap on iOS.
https://github.com/devgeeks/phonegap-plugins/tree/AudioStreamer/iPhone/AudioStream
It's currently in development and may have bugs, but it is fairly feature rich.
I also have an example iPhone project that uses it:
https://github.com/devgeeks/ExampleAudioStreamer
If you give it a try and find any bugs let me know. I am pretty quick to squash them as I am trying to get it ready to fold in to the main PhoneGap plugins repo.

redpajama_set_name: RedPajamaStackExchange


text:
Anna Von Reitz: "The Enemy For Over 2000 Years"
Regarding copyright, see Legal Notice on the linked page:
http://www.paulstramer.net/2020/04/the-enemy-for-over-2000-years.html
The Enemy For Over 2000 Years
A couple weeks ago I wrote a couple articles that exposed the fact that:
(1) The total atmosphere of this planet has lost five percent of the free oxygen it had available only 60 years ago. This means that oxygen accounted for 21% of the atmosphere back then and accounts for less than 16% now. That is a huge loss of available oxygen in less than the blink of an eye in geologic time. Ice and deep core soil sampling show that a 120,000 years ago, oxygen made up about 28% of the atmosphere, and during the days of the dinosaurs made up an even larger percentage of the atmosphere. We have been steadily losing plant life and oxygen for thousands of years and its only getting worse.
(2) The remaining oxygen we have available is being damaged and electronically denatured as a result of 5G resonance fields that are generated when the 5G towers are booted up to 61.8 GHz. Just like you can denature water or blood or alcohol by exposing it to strong electromagnetic fields, you can denature oxygen and render it less able or not able at all to properly bond to hemoglobin.
(3) Finally, the hemoglobin molecule and its oxygen carrying capacity can be changed and rendered less effective, too, so even though you are breathing in
air your entire oxygen transfer system is disrupted and not fully functioning, which leaves toxins behind and causes pneumonia-like symptoms and additional inflammatory response. You get sick not only because of, effectively, oxygen deprivation, but because of the toxins and inflammatory response that follows.
This last bit of information is much more extensively explained in this article by Natural News:
https://www.naturalnews.com/2020-04-06-5g-alter-hemoglobin-coronavirus-patients-oxygen-deprivation.html
But, as I was already familiar with these points, what really caught my attention was this almost off-hand comment:
"Just as the Romans built their aqueducts out of lead linings and thereby poisoned their own citizens, driving them insane with load poisoning, the modern world of Big Tech and telecommunications is mass poisoning humanity with electropollution."
Wait a minute, folks. Did you just take that in? Romans. What are we dealing with now? Municipal corporations of the City of Rome. Romans. The "Holy Roman Empire" which, as Voltaire observed, "Isn't holy, isn't Roman, and isn't an Empire" --- but which nonetheless derives from Rome and Roman history.
Put that together with another Roman tradition --- poisoning wells in Great Britain with loads of toxic metallic ores.
Sounds like poisoning both our land and water with incendiary industrial metallic waste products via Chemtrails, doesn't it?
And another Roman practice of pouring tons of salt on arable land to render it useless and infertile forever afterward.
Sounds like packing artillery shells with spent but still highly radioactive nuclear fuel and exploding them all over the Middle East, doesn't it?
There is no doubt about the fact that when the Romans were defeated they were sore losers, petty, cruel, spiteful, arrogant, and wasteful. And they didn't spare their own citizens, either. They regarded their citizenry as totally expendable.
So, should it surprise us that when dealing with these Roman Municipal Corporations, they adopt a Burnt Earth policy, and even though they intellectually, logically, know they are in the wrong, they nonetheless seek to inflict further damage on their victims as they withdraw and leave the poisoned and smoking earth behind?
The reply of the so-called "elites" that if they can't rule the world and own it as their own plenary oligarchy, they will destroy it, now makes total sense.
And we can stop hoping for them to see reason or relent, because, at least since the end of the Roman Republic, they were never acquainted with any sense of reason or justice. They have instead been full of a vain spirit of depravity and selfishness and destructive violence.
Like two year-olds stuck in the "Me, me, me" and "Mine, mine, mine!" phase of life, they have no more mature response to offer, and like two year-olds with a hammer in a room full of glass, they have no imagination other than to destroy.
They haven't changed. They haven't learned to care for or nurture anyone or anything in over 2,000 years--- including themselves.
Their answer to being thwarted and thrown from power-- to pollute and poison and sterilize-- is still the same.
We are dealing with the same incorrigible, incomprehensible, infantile "will to power" that both built and destroyed the Roman Empire, and all the subsequent attempts of those aspiring to rebuild the purported "glories of Rome" as the Holy Roman Empire and then the various Reichs and now, here in America, found infesting the Defense Intelligence Agency, too.
Let everyone take note. The enemy of humanity has not changed one iota. They still think the same way. They still believe the same things. They still have the same limitations and strengths. They still do the same things and have the same responses.
And the enemy is still "Rome", just as it was in the time of Jesus.
Think of that.
And the Other Enemy, is also associated with Rome. The bar attorneys and the Inner City of London and the Lords of the Admiralty are none other than the Galli, the priests of Isis, the Bill Collectors for the Caesars of Rome. Still doing the same thing the same way, too.
No wonder current events have the stench and feel of Rome, the war-mongering of Rome, the oppression of Rome, the depravity of Rome --- because, even 2000 years later and expressed in the form of Municipal Corporations, we are still dealing with the same mindset and methods as Rome.
Now, that we know the mentality of the monsters we are dealing with, it should make it easier to recognize their works and all their ways no matter which religion they adopt today or change next week. This is an old, familiar Enemy of freedom and humanity, dressed up in a new suit---just using more modern means to kill and poison and pollute and castrate and render infertile.
They haven't learned a thing in 2000 years. Their hearts are just as hard. Their minds are just as deluded. Their spirit is just as vain and contrary. And they are still prone to depravity, deceit, and criminality.
Anna Von Reitz: "Emergency Public Service Announcement"
hobie -- Thursday, 9-Apr-2020 02:51:59
Anna Von Reitz: "Emergency Shut Down Order / Emergency Arrest Order"
Nourishing Plot: "The Shocking Facts Of Eating Borax For Your Health"


text:
POLITICS CHATTER: Sex talk, pornography, and the Tom Flanagan uproar
BY Mark Bourrie
POSTED March 1, 2013 2:33 pm
President Lyndon Johnson once said that the best thing that could happen to one of his political enemies was being found in bed with a dead woman or a live boy.
And the old horn-dog was right. That would finish anyone's political career.
Because bad sex – and sex talk – can be lethal, Tom Flanagan, a former advisor to Stephen Harper, found out Thursday.
Flanagan is supposed to be some sort of political genius. He was a mentor to Preston Manning, Harper, and the Alberta Wild Rose Party. He was a tenured prof at the University of Calgary, with a regular spot on the CBC's Power and Politics. The opinion pages of The Globe & Mail and several prestigious magazines were open to him.
That all ended Thursday, the day after he told a crowd of students in Lethbridge that he had an ideological problem with people – invariably men – being sent to jail for looking at pictures of sexualized children.
The core of the libertarian argument that Flanagan tried to make, before he was hooted down, is this – that no one is inherently harmed by images of children. Some take it farther and say that no one is inherently harmed by artistic renderings of kids, images that in no way involved children in their creation.
The latter is slightly tricky. The former argument, the creation of images involving real children, is not anything like a victimless crime.
The artistic argument is a red herring. Police regularly bust people for possession of images of real children, some of them babies. Quite often, as in the case of Nova Scotia Roman Catholic bishop Raymond Lahey, who was caught at the Ottawa airport, they're arrested while returning from third-world countries where child sexual tourism is endemic.
For years, I interviewed a pedophile who, as a teenager, had become a serial killer. He had been locked up at the maximum security psychiatric hospital in Penetanguishene. In the 1990s, while on his first day pass without institution staff, he had raped and killed a young man, bringing his body count to four.
And he really had no idea why he did it. Researchers at his institution wrote paper after paper saying pedophiles are untreatable, and arguing that the only thing that slows them down in old age. Yet Bishop Lahey was 71 when he was caught.
At the end of 1977, Toronto writer Gerald Hannon wrote a piece called Men Loving Boys Loving Men for the gay newspaper Body Politic. Toronto, which was still in the grip of shock from the horrific murder of a 12-year-old shoeshine boy, Emmanuel Jaques, reacted in horror as Toronto Sun journalists like Claire Hoy demanded, day after day in the winter of 1978, that Hannon and the paper be punished. Hannon was charged under obscenity laws, but was acquitted in lower courts, a decision that was upheld all the way to the Supreme Court.
But the core of Hannon's argument was wrong. Boys cannot be involved in a consenting relationship with a man. Maybe that's a little fuzzy when the "boy" is 17 and the "man" is 19, but when it comes to real children, any sex with them is, by definition, rape.
So Flanagan got swept up in one of those tsunamis of horrendous publicity and condemnation that can end a career in a day.
Not only was Flanagan inarticulate, stupid, and the author of an argument that was strange in a very creepy way, he was one of the brains behind a government whose public safety minister, Vic Toews, accused opponents of his Internet snoop bill of siding with child pornographers.
Toews knew child pornography is a third-rail. A few, like Hannon, can still have a career among the "progressive" crowd in downtownToronto. But for Tom Flanagan, even hinting that he was tolerant of any kind of child porn was enough to send him to Old Sparky.


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Enso is the Zen practice of drawing a circle with a single brush stroke. This artwork depicts an Enso drawn as Spatial Calligraphy. The brush stroke is suspended in space but the viewpoint changes to reveal the circle Enso. teamLab has been working on Spatial Calligraphy since the collective formed. A new interpretation of traditional calligraphy, Spatial Calligraphy reconstructs calligraphy in three-dimensional space and expresses the depth, speed and power of the brush stroke.
In Zen, ensō is a circle that has since ancient times been written with canes or sticks in midair. It is said to represent enlightenment, truth, the entirety of the universe, and equality. The circle also reflects the hearts and minds of those who view it, with its interpretation left to the individual.


text:
AUSTIN L. MILLER Staff writer
OCALA – The Marion County Sheriff's Office and the former head of Marion County Fire Rescue are in negotiations over the retired chief working as an independent contractor for the law enforcement agency.
In an interview with the Ocala Star-Banner, Stuart McElhaney said MCSO officials had reached out to him about their plans and they're hammering out a deal under which he would give them advice on areas such as planning, budgeting and staffing.
Both McElhaney and sheriff's officials said McElhaney would be paid $50 an hour for his services.
McElhaney, whose last day as MCFR chief was July 31, said he would be solely working as an independent contractor.
Lt. Ryan Robbins, a spokesman for the MCSO, said officials felt with McElhaney's background with both the department and county government – having been an assistant county administrator – he would provide vital experience for the agency.
"He's a well-respected leader in the community and he has experience in developing budgets and long-range planning," Robbins said.
McElhaney's $50-an-hour fee would only be for services provided, Robbins said.
Giving advice to the MCSO is nothing new for McElhaney. He said a couple of years ago, he spent a half a day with the senior leadership and staff of the MCSO talking about budget, planning and other issues.
Before his July departure, McElhaney had been with MCFR for 21 years.
The former chief had joined MCFR as chief in 1994. He was promoted to the dual role of fire chief and bureau chief in 2003, and then to fire chief and assistant county administrator in 2009.
He oversaw the transition from a mostly-volunteer department to an agency staffed predominantly with career personnel. Under his leadership, Marion County Fire Rescue also assumed countywide ambulance services in 2008.
Some of McElhaney's accomplishments include developing a 10-year master plan for the department in 2002. He was also one of three assistant county administrators for several years.
Before coming to Marion County government he worked for Shell Oil for 14 years as a staff geologist.
Upon hearing the news, Arthur Oubre, president of the Fraternal Order of Police Lodge 145, said his group is "going to take a wait-and-see attitude" as to how much the overall cost will be and whether or not it's a good investment. Oubre said he wants to see what more McElhaney "will bring to the table."
County Commissioner Kathy Bryant was noncommittal about the move. She said as a constitutional officer, the sheriff can hire whomever he wants and commissioners can't tell him how to spend his money.
One of Bryant's colleagues, Earl Arnett, welcomed the potential addition, saying McElhaney understands budget constraints and would be a great asset to the MCSO.
"He did a good job while at the county," Arnett said.
Since leaving county government, McElhaney has formed his own company, McElhaney Enterprises, LLC, through which he provides consulting on anything relating to government.
McElhaney said he landed an independent contracting job with the Department of Justice.
Aside from those jobs, McElhaney works for Almond Associates, which also provides consulting for public safety communications, fire rescue, ambulance services, emergency management and other areas of public safety.
Contact Austin L. Miller at 867-4118, austin.miller@starbanner.com or @almillerosb.


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Q: Time complexity to sort array when size of the array is a constant value What is the time complexity to sort an array of 10 elements?
I'm familiar with sorting algorithms. However, when we have the size of array already defined as a constant value suppose n=10, can we say that it requires constant time to sort the elements?
Is the same true for some another array of size n=100 or 10000?

A: Complexity is always expressed as some kind of growth in relation to one or more variable. When you only have constant values, there is no growth. Thus, you are only interested in the real run time of your algorithm.
If the question is if there are better sorting algorithms for small sample sizes: Yes there are.
For example, typical quick sort usually uses other sorting algorithms on small subsets because they perform better on say 10 or 3 elements (eg. insertion sort).


The second installment of Rad Movie Production's movie Circum Volution is all about that cherry cherry. Can it stop being spring in February now please?
In the second chapter of Circum Volution 'White Faces' (2/4) the crew is going for some serious powder-snorkeling! It's all about sprays, steep lines and air-time! Enjoy the Show!


All this running around ahead of Christmas works up quite an appetite. Pair that will the natural gluttony of the season and it can be handy to just reach for something sweet to give me a quick boost. I never thought I'd say this but I think I may have peaked too soon on the chocolate front and am starting to flag! I came across a recipe for cheddar and cranberry cupcakes I thought I'd give it a go. I'm glad I did!
Cranberries are everywhere at the moment and if you are a regular baker you'll probably have the rest of the ingredients already in your larder or fridge. My first attempt came out pretty well so I'm hoping they'll taste even better the more I make them. If you can't find fresh cranberries you can use frozen ones – no need to thaw them first – although you'll probably come across these easier once the season ends. The festive jewels add a tartness to this normally sweet treat and the cheese comes through more and more with each bite. Really tasty for a weekend breakfast or when you're just craving something savoury.
* In a large bowl combine your dry ingredients – flour, sugar, cheese, baking powder, bicarbonate of soda, salt and spices. Stir until well blended and make a well in the middle.
* In a small bowl whisk together the buttermilk, yogurt and egg yolk. In another small bowl beat the egg white until soft peaks form.
* Pour the buttermilk mixture into the well and, using a fork, stir just until the dry ingredients are moistened. Don't overmix it – you ought to have a lumpy mixture. Then fold in the egg white and cranberries. You are best using a spoon or plastic spatula for this rather than the fork.
* Spoon the batter into the holes or paper cases until each one is about 2/3 full, allowing the buns space to rise. Bake for around 20mins or until a skewer comes out clean. Another way to test if they are ready is by gently pressing your finger in on the middle of the bun. Your bun should bounce back. If it sinks they need to go back in the oven.
* Transfer your buns to a wire rack and allow them to cool. Enjoy warm or cold.
If you've cranberries left over why not make yourself a festive liqueur? Admittedly you can't drink it straight away but if you're planning to give up alcohol for January you can look forward to this tipple in February. All you need is 500g cranberries, 1 bottle of vodka, 2 cinnamon sticks, 500g sugar and this recipe.


There are three ways to view your project list, in the Grid view, in the Folder view, or in the Dashboard view.
Use the filters or search function to find particular types or groups of projects.
Click on a project to review or update project details, review, update or add deliverables, download or add documents, read or add comments.
Select a dashboard. If you have no customised dashboards created, you will see the Project dashboard by default.
The projects listed in Related projects below the charts, are the projects that correspond to the data shown.


text:
Drivable RV
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RV Rental American Fork, UT
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1-27 of 900+
Popular RV Rentals Near American Fork, Utah, for Any Budget
Snag an American Fork, UT recreational vehicle rental to explore the city and surrounding area. The most popular RV is the travel trailer which can sleep up to 10 for about $100 per night. If you love luxury, you can rent a Class A RV for about $250 per night. These RVs are top-of-the-line and offer all the amenities you need for a comfortable vacation. You can also register for a popup camper starting at around $75. The fifth-wheelers provide ample space for a family and can be hitched to the back of a truck. These RVs start at about $125 nightly.
RVshare's Top Vacation Destinations Near American Fork, Utah, No Matter the Duration
Provo to Rio Grande National Forest is a scenic drive with plenty of attractions along the way to keep you entertained. If you are interested in history, the town of Green River is home to the John Wesley Powell River History Museum. This museum chronicles the famous explorer's expedition down the Green and Colorado Rivers. Make a stop at The Maze, a geological formation of red rock canyons and mesas. Rio Grande National Forest offers over three million acres of wilderness to explore if you want to get off the beaten path.
The Provo to Albuquerque road trip is a great way to see some of the best that Utah and New Mexico have to offer. Starting in Provo, explore Brigham Young University, one of the largest private universities in the country. The journey takes you through southern Utah's scenic red rock country before arriving in Albuquerque. In Albuquerque, involve yourself in the famous Balloon Fiesta, the world's largest hot air balloon festival.
Provo to Duluth is a 1,416-mile journey that takes you through some of the best scenery in the United States. This trip starts in Provo and takes you north through the majestic Rocky Mountains. You will pass through Salt Lake City, where you can explore the Great Salt Lake. From there, continue north through Yellowstone National Park, home to geysers, waterfalls, and wildlife. After Yellowstone, the journey takes you through Badlands National Park before arriving in Duluth.
Explore American Fork, Utah in an RVshare RV Rental
American Fork, Utah was first settled in 1850 by Mormon pioneers. The settlers chose the site for its American Fork River, which provided them with ample water supply for irrigation. They began to grow crops and raise livestock, and the community slowly began to grow. In 1852, the settlers built a fort to protect themselves from hostile Native Americans. The fort was later replaced by an enclosure, which became the town's first permanent building. In 1854, the town was officially incorporated and named after the nearby river.
American Fork continued to grow during the late 19th and early 20th centuries, particularly after the Denver and Rio Grande Western Railroad construction in 1881. Today, American Fork is a thriving community with a population of over 33,000. It is home to several schools and businesses, and it is a popular destination for outdoor recreation. American Fork is truly a unique place to call home, thanks to its rich history and beautiful setting.
Visit the Rotary Park for a day of picnicking. You can check out the Timpanogos Cave National Monument, which features a beautiful network of caves. The caves are only open from May to September, so plan your visit accordingly. For a taste of history, check out the Daughters of the Utah Pioneers Museum, which features exhibits on the history of American Fork and the surrounding area.
American Fork campgrounds offer various options if you are looking for a place to stay. Timpanogos RV Park is located just minutes from the Timpanogos Cave National Monument. The Utah Lake State Park campground is situated on the shores of Utah Lake, offering beautiful views and access to various outdoor activities. For a more rustic experience, the Pleasant Grove Campground is located in the Uinta-Wasatch-Cache National Forest.
Discover Nearby Towns and Cities
Provo, Utah - This city has a population of about 117,000 and is the county seat of Utah County. Explore Brigham Young University to learn about college life, paleontology, and art.
20+ Restaurants within 50 miles
10 Museums
10+ Gas Stations within 20 miles
6 Nearby Campgrounds
Salt Lake City, Utah - Explore some of the best that Utah has to offer in its capital city. Visit the Hogle Zoo, the Natural History Museum of Utah, and the Temple Square.
9 Parks
2 Nearby National Forests
50+ Restaurants
3 Dump Stations
10+ Nearby Trails
Ogden, Utah - Visit the Ogden Botanical Garden for a peaceful feel. The George S. Eccles Dinosaur Park is perfect for some fun with the kids.
7+ Restaurants
10+ RV Parks within 10 miles
9 Gas Stations
Best National Parks Near American Fork, Utah
Capitol Reef National Park is located in south-central Utah, 182 miles from American Fork. It is known for its stunning sandstone formations. The park gets its name from the white caprock that resembles a reef. Explore a variety of geological features like canyons, cliffs, and rivers. Visit one of its many historic orchards and view the over 2,700 fruit-bearing trees.
Arches National Park is home to more than 2,000 natural sandstone arches, hiking trails, cliffs, and canyons. You can enjoy stunning views of the landscape from their campsites, and there are also plenty of opportunities for wildlife watching. The park is open all year round, although the best time to visit is between April and October when the weather is milder.
Canyonlands National Park is located in southeastern Utah and is known for its dramatic landscapes. The park is divided into three distinct areas: the Island in the Sky, the Needles, and the Maze. Explore the Island in the Sky, which features numerous canyons and mesas, and rock spires and fins that characterize the Needles. Follow through the Maze, a remote and rugged area with few trails and no developed roads. You can also find desert flowers, petroglyphs, and wildlife such as bighorn sheep and pronghorn antelope.
Popular State Parks Near American Fork, Utah
With its miles of shoreline and stunning mountain views, Utah Lake State Park is a popular destination for RVers. Indulge in opportunities for recreation, including boating, fishing, hiking, and biking. There are also several sandy beaches where you can relax and enjoy the scenery. Utah Lake State Park is also home to wildlife, including eagles, ospreys, and pelicans. Enjoy some fun cross-country skiing or snowshoeing during winter.
Utah's Jordanelle State Park is a scenic spot that offers plenty of activities for outdoor lovers. The park is situated in the Wasatch Mountains and includes miles of hiking and biking trails, boating, and fishing on the reservoir. Renters can also camp at one of the park's three campgrounds. The Hideout Golf Club is one of the most popular spots, offering breathtaking mountain views.
Wasatch Mountain State Park in Utah is 33 miles from American Fork. The park is located along the Wasatch Front, a range of mountains that stretch from central Utah to the northeastern part of the state. Explore attractions such as Heber Valley Railroad and the Deer Creek Reservoir.
Must-See Monuments and Landmarks Near American Fork, Utah
Timpanogos Cave National Monument offers RVers the chance to explore a series of three caves located in the Wasatch Mountains. The caves are accessible through a strenuous 1.5-mile hike, and park rangers lead tours. Discover information about the geology, history, and biology of the caves.
Explore Pony Express National Historic Trail, a 2,000-mile-long trail used as a long-distance communication trail. The trail stretches from Missouri to California and passes through eight states.
The Mormon Pioneer National Historic Trail is a 2,170-mile long trail that covers five states. It commemorates the journey of the Mormon pioneers, who were the first group of settlers to move to Utah.
Upcoming Events Near American Fork, Utah
Sugar High Desert Festival - Enjoy some unique samples of deserts from different vendors at this upcoming event in October.
Park City Wine Festival - Taste some food and wine samples at this three-day event held in late September through the beginning of October near American Fork.
Salt Lake City Family Christmas Gift Show - This upcoming event will have you choose to shop from any of the 485 booths with entertainment in November.
Popular POI Activities Near American Fork, Utah
American Fork Canyon - You will enjoy hiking while enjoying the beautiful views of waterfalls and caves at this canyon in the Wasatch Mountains.
The Haunted Forest - Enjoy some scary games and thrilling entertainment in this family-friendly haunted forest.
Silver Lake - Enjoy hiking and kayaking on this breathtaking lake.
RVshare's Top Picks for Nearby RV Parks and Campgrounds
One of the best RV Parks near American Fork is the Springville / Provo KOA Journey, which has a dog park and sites with full hookups. Lakeside RV Campground has 138 sites that are both back-in and pull-through enabled. Mountain Shadows RV Park has a convenience store with RV supplies and snacks.
Best RV Dump Stations Near American Fork, Utah
Visit Maverik, a free dump station open year-round near American Fork. Brigham City Sewer Treatment Plant is also a free site that provides non-potable water. Cherry Hill Camping Resort is free for registered users and charges for dump station use only.
Popular RV Storage Facilities Near American Fork, Utah
Store your RV near American Fork at the Big RV Storage, which offers large units with a fireproofing system. Protection Self Storage has state-of-the-art surveillance and incredibly clean facilities. Marina Cove Storage gives you 24/7 access, and a tall gate protects the facility.
RV Rentals Near American Fork, UT
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National Parks Near American Fork, UT
View all National Parks near American Fork, UT
State Parks Near American Fork, UT
Jordanelle State Park
View state parks near American Fork, UT
National Forests Near American Fork, UT
Manti-La Sal National Forest
Uinta-Wasatch-Cache National Forest | Idaho
Uinta-Wasatch-Cache National Forest | Wyoming
View national forests near American Fork, UT
National Sites and Monuments Near American Fork, UT
Timpanogos Cave National Monument
Pony Express National Historic Trail
Mormon Pioneer National Historic Trail
View national sites and monuments near American Fork, UT
RV Parks and Campgrounds Near American Fork, UT
Buckhorn RV Park and ResortSpringville/Provo KOA HolidayLakeside RV CampgroundUtah Lake State ParkMountain Shadows RV ParkMountain Valley RV ResortRiver's Edge RV ResortPleasant Creek RV ResortJones High Country RV CampCamperWorld Lakeside
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Road Trips Starting from American Fork, UT
Provo to Rio Grande National Forest
Provo to Albuquerque
Provo to Duluth
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RV Dump Stations Near American Fork, UT
Provo, UT is near lots of interesting sights to explore in an RV, and there are plenty of RV maintenance resources throughout the state of Utah. This list is a collection of the best RV dump stations in Utah based on outstanding customer service. You can find free non-potable water at a large portion of these locations also. Here are the most popular Provo, UT dump sites for you to keep an eye out for during your trip. There are a few storage businesses in the area that let you use their dump stations at no cost too. You'll also find dump stations at campgrounds, rest areas, and wastewater treatment plants.
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RV Storage Near American Fork, UT
Nestled at the base of the Wasatch Mountains, Provo is a hub for outdoor adventure in Utah. Provo RV self storage keeps your motorhome close to the state's top attractions, so you're never far from the Great Salt Lake and gorgeous mountain campsites. These facilities, which are presented in no particular order, offer safe and secure RV storage. Each one provides its own advantages, so you can find everything from outdoor parking spots to high-end enclosed storage for Utah's cold and snowy winters.
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Why Rent with RVshare?
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Frequently Asked Questions About Renting an RV Near American Fork, UT
How much does it cost to rent an RV in American Fork?
Motorhomes are divided into Class A, B, and C vehicles. On average expect to pay $185 per night for Class A, $149 per night for Class B and $179 per night for Class C. Towable RVs include 5th Wheel, Travel Trailers, Popups, and Toy Hauler. On average, in American Fork, UT, the 5th Wheel trailer starts at $70 per night. Pricing for the Travel Trailer begins at $60 per night, and the Popup Trailer starts at $65 per night.
Do you need to be a certain age to rent an RV in American Fork?
Yes. The minimum age is 25 to be eligible to get an RV Rental in American Fork from RVshare.
Does RVshare have emergency roadside assistance?
Yes. Every RV rental booked through RVshare receives 24/7 emergency roadside assistance.
Does RVshare offer one way RV rentals in American Fork?
Yes. Prior to renting any RV, check with the owner since not all will offer this particular option.