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How to Choose a Field of Study for College
Navigating Countless Options to Make A Confident Decision
According to a study by the Federal Reserve Bank of New York, only 27 percent of college graduates work in fields related to their majors. With so many bachelor's degrees available to students, finding the perfect fit can feel extremely overwhelming — especially if you don't already possess a clear idea of what you want to do professionally. Whether you're currently enrolled in college or still making plans to attend, the following guide exists to help answer some of the common questions about choosing a major, calm anxieties about making the "right" choice and provide concrete resources for finding information and support along the way.
Top 7 Tips to Help You Choose Your Field
With so many options available, it can be tough to narrow down what academic field you want to study. We've rounded up expert tips to help give you the confidence to make an educated and informed decision.
Eliminate options slowly. "Students can begin a productive mindset by choosing a general major area such as social sciences, health professions, humanities, STEM, education or business that contains narrower major options within it," says Terri Carroll, the executive director of academic advising at the University of North Georgia (UNG). "By doing so, students can feel somewhat focused while keeping their options open, which will reduce stress."
Cross out options. "A helpful exercise is to pull up a list of the university's majors and cross out the ones that you don't want," says UNG academic adviser Julie Higbee. "For the ones that remain, look them up on the college's website and search the internet for 'Careers with a major in (the one you are considering).'"
Find the right academic adviser. "Another way students can reduce stress is to speak with a professional adviser who specializes in advising undeclared students," says Carroll. "Just expressing yourself to someone who is there to help can be calming and help you move forward."
Ask for advice. "Don't forget to talk to people about all the possibilities," Higbee says. "Ask family, friends, classmates, professors, and advisers about the majors you're considering — especially if they majored in one of those subjects. Higbee stresses that whether or not you agree with their assessments, having these conversations can help generate ideas.
Gain experience in different fields. "One of the best experiences a student can have is an internship to provide real-world experience in a profession the student is interested in pursuing," encourages Carroll. "Shadowing people in the field is another option."
Find creative ways of learning about different majors/paths. "Learners may want to join student clubs or organizations for particular careers or majors they are considering," Higbee suggests. "When they are around other students who are making similar choices, they may feel more confident in their own choices and will have opportunities to talk with other students who share their interests."
Consider your emotions throughout the process. Higbee is quick to point out that the process of selecting one major over another can feel overwhelming — especially when no one knows the future. "Students experiencing severe anxiety and paralysis in a decision about a major and initial career will probably find it useful to talk to a professional counselor, or another trusted person, who may help them work with decision-making and fear of failure," she says.
Expert Q & A on College Majors
Terri Carroll
Executive Director of Academic Advising,
University of North Georgia
Julie Higbee
Academic Adviser,
Q: What should college students know about researching and choosing fields of study for their college careers? Carroll: Students need to ask for help in assessing their interests and abilities in relation to various majors and careers. If professional advisers who specialize in advising undeclared students are available, as they are at UNG, students should meet with these advisers to express their goals and dreams, talk about options and learn about the many resources available to find out more about themselves and their options. Higbee: Colleges usually provide students access to a career, values, and interests assessment, and students should complete those assessments early and read through the career ideas provided. The general education curriculum is also a good way to help students learn more about possible majors. Students' experiences in these classes may give them a sense of what they find interesting and what they dislike. If a student is in a class he or she enjoys, that student should go to the professor's office hours to talk about that major and the types of internships and jobs possible with that major.
Q: What factors should they consider when making their decisions? Carroll: Students need to self-assess not only their interests, but also their abilities. For example, a career in medicine may interest a student, but if science is something the student continually struggles with, a biology major may not be a good fit. In that case, a student may realize that a medical career was appealing because he or she was interested in helping people, and there are other careers out there that have that quality without requiring a major that involves years and years of science coursework. Higbee: A student may also be very strong in an academic subject but may struggle in some of the day-to-day aspects of the working environment for the related career fields. For example, students may earn straight-A grades in history, but if he or she is painfully shy, the day-to-day social requirements of being a high school or college history teacher may make those jobs unenjoyable. In those cases, students may still major in those subjects but will need to expand their knowledge of possible internships and pathways for students with those majors. Students may also need to consider logistical issues, such as the types of jobs available in the areas where they plan to live, whether they are willing to move and how far they are willing to commute.
Q: How big of a decision is it, really? What if they feel like they made the wrong decision years later? Carroll: Many people are very content in careers that have indirect ties to their actual college majors, because many employers look for soft skills like creativity, excellent communication, and leadership qualities, and not specific college majors. You learn something from every experience you have, and if the profession you are in is not fulfilling, there are always skills you can transfer to another career path. Also, there is always the option of returning to school to earn a certificate in another field, or taking prerequisite courses to enter graduate school for a different profession.
Q: On campus, who is available to help students make this decision? Carroll: Professional advisers and career services centers. Faculty are another great resource, as they are experts in their fields and knowledgeable about graduate schools and possible careers.
The 10 Most Common College Majors
According to the National Center for Education Statistics, approximately 1.92 million degrees were conferred in the U.S. throughout the 2015-2016 academic year. The most popular degrees from the NCES study are highlighted below to give students who select them a sense of what to expect.
Business: An undergraduate degree in business provides graduates with a broad base of knowledge in fields such as finance, accounting, marketing, ethics, operations and human resources. Some learners elect to complete a concentration in one of these topics to further build their skills, while others opt for a general overview of the field. Graduates of business programs compete for a wide spectrum of jobs as marketing coordinators, accounts payable professionals, business development managers, sales directors and financial analysts.
Health professions and related programs: As jobs for those working in health professions continue to grow each year, degrees in this field tend to offer stability and reasonable salaries. While some individuals opt to pursue roles as nurses, nurse educators, physician assistants or even medical doctors, others decide to pursue administrative roles in areas of health care management, medical records technology or health care information technology. Those on the medical side can expect to take classes in topics such as human physiology, pharmacology, biology and anatomy, while those in the administrative side take classes such as medical terminology, ethics of health care and understanding the billing procedure with insurance companies.
Biological and biomedical sciences: A popular option for individuals planning to go into medicine or research, this field includes studies in areas of biological chemistry, cell biology, developmental and regenerative biology, molecular pharmacology, genetics and genomics, and immunology. As with other undergraduate degrees, programs at this level tend to provide an all-encompassing view of the field without going into great detail in any topic. Those hoping to move into work upon graduation find positions as biotechnologists, lab technicians, research assistants, educators, health directors or environmental professionals.
Visual and performing arts: This wide-ranging field encompasses many different creative expressions. Visual arts include things like drawing, painting, printmaking, sculpture, ceramics, photography and videography. Performing arts, meanwhile, include disciplines such as music, dance, theater, puppetry and performance pieces. Visual and performing arts degree classes tend to offer little overlap outside of general education requirements. Upon completing their degrees, graduates go on to work as artists, business owners, traveling performers, musicians, educators and technicians.
Education: A perfect degree for individuals who enjoy helping others to learn, education degrees prepare students for roles at the elementary and secondary levels in both public and private schools. In addition to learning about education theories, serving diverse populations and working with gifted and exceptional students, degree seekers also hone their knowledge in particular school subjects such as math, science, English and history. In addition to taking on teaching roles, education majors may work as consultants, curriculum coordinators, school counselors or principals.
Social sciences and history: The social sciences cover topics such as anthropology, economics, geography, history and sociology and provide graduates a plethora of positions to consider after gaining their degrees. While many find work as educators or continue into advanced study, others use their bachelor's degrees to work as researchers, writers, museum professionals, archivists, consultants, travel managers or sales professionals. Some of the classes one might encounter in these programs include U.S. history – 1865 to present, intro to sociology, the history of economic theory and anthropological methodologies.
Psychology: Bachelor's programs in psychology provide degree seekers with an overarching understanding of the many different branches and subdisciplines of the field. While programs at this level do not typically allow for specialization, students get a good sense of different methodologies and frameworks. Common courses may include cognitive psychology, developmental psychology, psychology of women, social psychology and industrial/organizational psychology. To practice psychology, individuals must at minimum possess master's degrees, although most call for a doctoral diploma. Individuals who want to use their four-year degrees typically find roles as researchers, case managers, sales directors, training managers, psychiatric technicians or school counselors.
Engineering: Individuals pursuing degrees in this arena typically focus on aeronautical, civil, chemical, electrical or mechanical engineering while in school. Each of these programs provides the baseline knowledge needed to take on entry-level roles upon graduation — some of which provide six-figure salaries. Other types of engineering include environmental, electrical, biomedical, industrial and nuclear, although some of these may require advanced study. While some students plan to use their engineering knowledge directly in the field, others decide to work towards managerial and/or leadership roles that require administrative skills.
Communication, journalism and related programs: For individuals who enjoy communicating information to others, bachelor's degrees in journalism or communication offer many options when it comes to professional paths. While in school, learners cover topics such as communication strategies, public relations, journalistic ethics, communication theories and different styles of writing. After graduating, they qualify for roles as newspaper and digital media writers, investigative journalists, communication coordinators and press secretaries. They can find work in the for-profit, nonprofit and governmental worlds.
Computer and information sciences: Computer and information sciences provides a perennially popular path for individuals who enjoy working with hardware and software and who want to earn higher-than-average salaries. Roles for graduates of bachelor's programs include computer network architects, computer programmers, computer systems analysts, database administrators, information security analysts and software developers. According to the Bureau of Labor Statistics, all of these positions are set to grow in the coming years. Depending on their chosen areas of focus, students cover topics such as network security, coding languages, IT ethics, app development and the user experience.
12 Signs You're in the Wrong College Major — even if it doesn't feel like it
Business Insider offers some ways students can figure out if they're studying the wrong topics — including signs that you might not otherwise consider.
12 Ways to Know if You Chose the Right College Major
Vista College reviews some of the ways students can assess their courses of study to know whether they fit with students' goals and lifestyles.
7 Tips for Choosing a College Major You'll Love
Huffington Post shares this insightful article from Gianna Sen-Gupta about the steps students can take when trying to ensure they study the right subject areas.
4 Steps to Choosing a College Major
The New York Times offers a few unique points of consideration for students who are struggling to define their interests and find majors that align with their wants and needs.
How to Choose a Major: 5 Key Factors to Consider
PrepScholar offers this step-by-step article that helps undecided students take concrete steps to narrow their options and find suitable degrees.
I'm Graduating with the Wrong Degree – Now What?
Monster answers this question with advice that can help soon-to-graduate students make the most of their educations and transfer what they have learned into other careers.
Kevin O'Leary Shares His Top Advice for Picking Your College Major
This CNBC article features wisdom from the Shark Tank host about what students should consider before declaring their majors.
Six Reasons Why Your College Major Doesn't Matter
Taking a unique approach, Forbes highlights some of the ways students can use any degree they have gained to find meaningful careers — provided they do some important legwork along the way.
Where Students Get Advice in Picking a Major
Inside Higher Ed takes a look at some of the places students can go if they're unsure how to choose their majors and want some advice.


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9 Best Outpatient Rehab Centers In New York
1. ACI Chemical Dependency Treatment Centers
2. Arms Acres
3. Ascendant Detox
4. Lower Eastside Service Center
5. Mountainside Treatment Center
6. New York Center For Living
7. Phoenix House
8. Seafield
9. START Treatment And Recovery Centers
Find Outpatient Treatment In New York
There are a number of outpatient programs in New York for those with addiction. These treatment facilities offer a variety of options to ensure the best plan for the people they serve.
Outpatient treatment is a good option for those with a drug or alcohol addiction who don't have the ability to remain full-time in an inpatient rehab facility.
It offers recovering individuals structure, counseling, and medical assistance with the flexibility of maintaining regular activities like work, school, and other aspects of daily life.
There are a number of outpatient programs for addiction treatment in New York.
We've selected these top nine outpatient treatment programs based on:
positive testimonials
proven evidence-based treatment
other selection criteria
Read more about the different types of outpatient treatment programs
New York Outpatient Treatment Centers
1. ACI Chemical Dependency Treatment Centers, New York City, New York
With over 40 years of experience in assisting those struggling with addiction, ACI is the oldest private addiction treatment center in the U.S.
Their outpatient programs are designed to help adolescents, adults, and seniors.
The outpatient programs at ACI are backed by:
OASAS and Joint Commission accreditation
patient and family testimonials
At ACI, rehab program options include:
outpatient chemical dependency
outpatient detox
specialty tracks
Find the right New York outpatient treatment program today.
2. Arms Acres, Multiple Locations
Arms Acres cares for those with a chemical dependency, co-occurring medical and mental health disorders, and the friends and family members of recovering individuals.
Rehab facilities are available in Carmel, Queens, and The Bronx.
This treatment facility is supported by:
Joint Commission accreditation
membership of the Addiction Treatment Providers Association of New York (ATPA)
2019 participation in ATLAS
Outpatient treatment programs include:
day, evening, and weekend sessions
adolescent addiction treatment programs
Latino programs
21 Old Rt. 6,
Carmel, NY 10512
3. Ascendant Detox, New York City, New York
Outpatient programs are available throughout NYC in Manhattan, Queens, Brooklyn, The Bronx, and Staten Island.
A few of the top features of the Ascendant Detox outpatient programs are:
a 4.4-star Google rating
evidence-based addiction treatment
accreditation by the NAADAC, NAATP, the OASOS, and The Joint Commission
They have options such as:
outpatient clinic therapy
yoga, meditation, and acupuncture
113 E. 60 St.
4. Lower Eastside Service Center, New York City, New York
This treatment center is a not-for-profit organization that aids those with an opioid addiction.
Their goal is to adapt to the needs of those with substance use disorders and mental illness by providing both behavioral health and social services.
The Lower Eastside Service Center has:
CARF accreditation
success stories from previous clients
Outpatient services include:
multicultural and multilingual counselors
opioid treatment
46 & 62 East Broadway
5. Mountainside Treatment Center, Multiple Locations
Outpatient programs for alcohol and drug abuse are available throughout the state of New York in New York City, Huntington, and Chappaqua.
At Mountainside, you can expect:
accreditation from CARF International and The Joint Commission
Outpatient programs feature:
cognitive behavioral therapy for co-occurring disorders
women's-focused programs
teen-focused programs
education on stress-coping and relapse-prevention skills
6. New York Center For Living, New York City, New York
This treatment facility is designed for teens and young adults.
Features of NYCL include:
membership with the National Association of Addiction Treatment Providers (NAATP)
NYCL has a variety of outpatient programs, such as:
the young adult college-bound program
a young professional program
a signal program, which is created for prevention and early intervention
226 E 52nd Street,
7. Phoenix House, Multiple Locations
This rehab facility has locations in 10 states, with eight New York facilities including in
Brentwood, Brooklyn, East Hampton, and more.
Trusted features of this outpatient program include:
positive testimonials from previous clients
998 Crooked Hill Road
Brentwood, NY 11717
8. Seafield, Multiple Locations
This alcohol and substance abuse treatment center is available in Westhampton Beach, Amityville, Medford, Mineola, East Patchogue, and Riverhead.
Features of this outpatient program include:
positive testimonials from former patients in recovery
Clients can choose between different specialty groups within the outpatient program, including:
adolescent treatment (for ages 13–18)
young adult groups (for ages 18–25)
groups for professionals
relapse prevention groups
37 John St
Amityville, NY 11701
9. START Treatment And Recovery Centers, Brooklyn, New York
START has seven different outpatient medication-assisted treatment programs for those struggling with opioids, and an outpatient treatment program for all other substance addictions.
Trusted features of this treatment facility include:
CARF International accreditation
Licensing through NYS OASAS, New York State Department of Health (NYSDOH), and New York State Office of Mental Health (NYSOMH) for START's teen program
All outpatient programs feature:
English and Spanish services
individual, family, and group counseling
HIV/AIDS and Hepatitis C medical treatment
New York Outpatient Drug Rehab FAQs
Listed below are a few of the most commonly asked questions about outpatient rehab centers in New York.
❓ Does New York Have Free Rehab Centers?
✔ New York does offer free outpatient rehab programs. Free services can be hard to come by, however, due to long waitlists to get in.
❓ Do New York Outpatient Rehab Centers Accept Medicaid?
✔ There are a number of rehab facilities in New York that accept Medicaid.
Individuals seeking Medicaid must be in a qualifying group, such as low-income families, pregnant women and children, and those receiving Supplemental Security Income.
Addiction treatment centers will require proof of medical necessity in order to receive Medicaid coverage for an outpatient program.
❓ Are New York Outpatient Treatment Centers Open During COVID-19 Restrictions?
✔ Many outpatient treatment programs for substance abuse in New York are open for in-person treatment.
There are also programs offering telehealth services for those who cannot physically go into the facility.
❓ Do All New York Rehab Centers Offer Outpatient Treatment?
✔ Outpatient rehab programs are one of the most-needed programs across the nation, so most rehab centers will offer outpatient treatment.
Though most will, not every drug rehab center will have outpatient services.
❓ Does New York Have Residential Drug Rehab Centers?
✔ New York has several inpatient and residential rehab centers. These programs are more intense and allow the individual to recover in a safe place away from the triggers that lead to substance abuse.
❓ How Long Do Outpatient Rehab Programs Last In New York?
✔ Outpatient programs vary depending on the treatment center and type of plan chosen, but most programs last about 70–90 days.
Find Outpatient Drug Treatment In New York
If you're ready to begin your road to recovery or to help a loved one begin theirs, call our helpline and we'll talk through the treatment options available in New York.
An addiction specialist will connect you with the best treatment center for your needs. Call us today to get started.
National Institute on Drug Abuse (NIDA) — Types of Treatment Programs
Substance Abuse and Mental Health Services Administration (SAMHSA) — Treatment Services Locator
https://findtreatment.samhsa.gov/
Home > Outpatient Treatment > New York
Types Of Outpatient Drug And Alcohol Treatment Programs 7 Best Rehab Centers In New York Free New York Rehab Centers Rehab Centers That Accept New York Medicaid (Managed Care)

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The European Union has been talking about abolishing mobile roaming charges between the member states for a long time now and it's likely to go ahead with the move by mid-June. The European Comission, parliament, and representatives of the 28 member states have come to an agreement on wholesale roaming charges that will make life easier for mobile users moving freely across Europe.
There are TVs, and there are monitors, but it looks like Acer has plans for some sort of hybrid with TV monitors when they released their M2 Series of displays, and adding to that list are the M222HQML, M242HML and the M272HML and they are expected to make their European debut soon.


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My Cherie Amour by Stevie Wonder
Wight Is Wight - Michel Delpech
In the Ghetto - Elvis Presley
#6 in 1969
Ich sing' ein Lied fuer dich - Heintje
Ruby Don't Take Your Love to Town - Kenny Rogers
Put a Little Love in Your Heart - Jackie DeShannon
Son of a Preacher Man - Dusty Springfield
Oh Well (Part 1) - Fleetwood Mac
The Isley Brothers - It's Your Thing
Barry Ryan - Love is Love
Stevie Wonder Top Songs in the Charts Top One Hit Wonders of the 1960s Top Pop One Hit Wonders
My Cherie Amour was the #79 song in 1969 in the Pop charts. The song was performed by Stevie Wonder. Comment below with facts and trivia about the song and we may include it in our song facts!
Top 10 Richest Rock Stars Net Worths
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Q: Javascript effects painfully slow with Firefox 3.5.5 When browsing sites that uses javascript effects (example is Wordpress' backend. The sliding left menus/panes) are really really slow. Also my local sites that uses jQuery are slow as well.
I got Firefox 3.5.5 running on a WinXP SP2 machine. The specs are Athlon XP 5200+ with 4gb of ram.
I ran Firefox in safemode and disabled all my addons and plugins but nothing has changed.
What do you guys think I should do?

A: First, let's make sure it's not just a profile issue. Create a new Firefox profile and see if things are still slow without any additional add-ons. (Win+R>firefox.exe -ProfileManager) If it's not, start removing add-ons and restarting until you find the culprit/culprits. (this should be a similar test to safemode, but sometimes profiles get all wonky and you just need a new one)
Okay, if that wasn't it, how about it being a local Firefox issue? Go grab a copy of PortableFirefox and see if it's slow in there.
If that works, check to make sure you are using tracemonkey in your local copy (though your examples shouldn't require the JIT). about:config search for jit make sure javascript.options.jit.content is set to true also search for javascript and see if anything isn't default. You could also just need to backup your Firefox profile and do an uninstall/reinstall.
Check to see if you've got some invasive script checking anti-virus making your life difficult (or several anti-virus/malware packages running at the same time). Disable any and all and try again. Is it also slow in IE (we know it's not in Chrome, how about Safari, Opera), because maybe the sandbox in Chrome is hiding it from something on your system.

A: try firefox beta: http://www.mozilla.com/en-US/firefox/all-beta.html
may need to disable extension compatibility checking.

A: Do you only have problem when you a lot pages with Javascript opened?
I normally install no-script first thing when I get ff on a new computer / accounts.
It lets me enable JS selectively.   Ad serving sites such as doubleclick always disable.
I seldom see website performance problem with > 15-25 pages open all the times for me.
I disable Java.   no-script also block flash which help system performance.

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Karis focuses on leading successful execution of ARBA's projects. She brings extensive experience in digital marketing, enterprise project management, & data analytics performance.
Prior to joining ARBA, Karis was project management specialist at Green Tomato, & iProspect.
She holds a Master Degree of Commerce in Marketing & Bachelor Degree of Commerce in Accounting at Macquarie University, Australia.
Karis strives to stay in shape physically & mentally; she particularly enjoy weight training, Thai boxing, & traveling to new cities.


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Don't know which web host to choose? Web site hosting is one of those beasts with so many variables that most get lost in trying to decide which way to go. In the following infographic, HostingFacts.com have pointed out main differences between Shared, Dedicated, VPS and Cloud hosting.


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NewOne Exclusives | woldcnews Staff
Holtzclaw Victims' Lawyer "Shocked & Dismayed" At 20/20 Interview, Says Prison Officials Refuse To Reveal His Location
In an email interview, Solomon-Simmons condemned the Oklahoma Department of Corrections for denying his team access to Holtzclaw, but granting access to 20/20. In February, a spokesman refused to disclose his whereabouts to NewsOne, saying it's common practice for the department to conceal the whereabouts of high-profile prisoners for their protection.
Oklahoma City Schools Settle Federal Racial Bias Complaint
The U.S. Department of Education announced that Oklahoma City Schools settled a complaint over racially biased student discipline. The school district agreed to modify its policies. This follows a civil rights investigation into unfair treatment of African-American students.
National | Kevin Lankford
Man Shoots Himself In Penis, Then Gets Cuffed!
Tavares Donnell Colbert (pictured) of Oklahoma City, Okla. accidentally shot himself in the penis with the same gun he planned on selling at a convenience…
National | Bobby B.
15th Anniversary Of Oklahoma City Bombing Commemorated
VIA CNN: Fifteen years ago, a bomb ripped through a federal building in Oklahoma City, Oklahoma, in the worst homegrown terrorist attack on U.S. soil. The April 19, 1995, attack killed 168 people, shattering the notion that America was largely immune to domestic terrorism. On Monday, Homeland Security Secretary Janet Napolitano traveled to to Oklahoma […]
Netflix's 'The Upshaws' Are In Trouble In…
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20 January 202 – The Collective Voices against Health Xenophobia condemns Operation Dudula's recent illegal attacks on patients at Jeppe Clinic in Johannesburg that not only endanger individual health, but also public health.
The Collective is a consortium of progressive civil society organisations, activists, healthcare workers, and researchers working on issues of social justice and challenging xenophobia within the healthcare sector. We uphold South Africa's comprehensive human rights legislation and international obligations that recognise and facilitate the right to health for all.
Migrants have been made scapegoats for a public health system in crisis and are targeted to divert attention from severe challenges facing the governance of public health. South Africa's health care system is not buckling because of the provision of services to a small minority of patients who were born outside South Africa's borders, but because of massive government corruption, mismanagement, state capture and apathy over many years.
This is not the first time Operation Dudula has infringed on people's right to access health care which is a right enshrined in Section 27 of the country's Constitution. Nor is it the first time that non-nationals have been scapegoated for the failures of the state to address challenges with service delivery and the critical state of many of the country's key institutions. However, the misrepresentation of data and anecdotal evidence not only fuel xenophobic rhetoric and violence but can increase the burden on the health care system as those seeking treatment are turned away and placed at risk of falling sicker and thus needing higher levels of care.
We are in the middle of a drawn out COVID-19 pandemic. Operation Dudula's illegal actions result in foreign nationals staying away from public health facilities including preventing them from accessing the COVID-19 vaccine. This will impact the ability of our country and the region to bring the continued spread of COVID-19 and other communicable diseases including TB and measles under control. This is putting everyone's lives at risk.
We also note with extreme concern the escalation of public comments supporting health xenophobia that have been met with little condemnation or government action. Examples include Limpopo Health MEC Dr P.hophi Ramathuba who in 2022 publicly chastised a migrant patient for "killing health care system", and Minister of Home Affairs Aaron Motsoaledi who stated that non-South African patients "cause overcrowding, infection control starts failing. " Civil society organisations, such as the Helen Suzman Foundation and Socio-Economic Rights Institute, have also come under attack, sometimes by government officials and politicians, for challenging xenophobia.
The state opportunistically remains silent allowing these acts of vigilantism to take place with impunity. We believe we should all be mobilising to hold the state to account by demanding the eradication of corruption by government officials, more investment in public health care, and increasing the number of health care and social workers.
The coalition therefore calls on:
The Gauteng Department of Health to open criminal cases against Operation Dudula for its illegal disruptions of health services at Jeppe Clinic and Kalafong Hospital.
The Minister of Health to publicly condemn the actions of Operation Dudula and uphold the country's constitution, domestic and international legal obligations which ensure the right to health for all.
The South African Police Service to condemn and quickly act to prevent groups such as Operation Dudula from violating people's rights to health and fuelling xenophobia.
The Minister of Health to set up a mechanism for health care facilities and patients to anonymously report any form of xenophobia and interference with health services and receive a rapid response.
All health care facilities to ensure that all staff – medical and non-medical – recognise the right to health for all, as well as that all migrants, refugees and asylum seekers – regardless of documentation status – have the same access to health care services as South Africans as set out in the Uniform Patient Fee Schedule (UPFS).
All health care facilities to increase security and provide training to security personnel on how to deal with those who act illegally and ensure that everyone living in South Africa can access health care facilities safely and without fear.
All health care facilities to ensure that anyone who prevents a person from accessing their facility, or who tries to illegally remove anyone from the premises, be dealt with immediately by the facility's security and the police.
The Department of Justice and Correctional Services to train all public servants to eradicate institutionalised xenophobia as set out in South Africa's National Action Plan (NAP)to Combat Racism, Racial Discrimination, Xenophobia a,nd Related Intolerance.
We call on all who live in South Africa to denounce vigilantism and xenophobia.
We stand in solidarity with migrants, asylum seekers and refugees.
Endorsed by:
Africa Revival Foundation
African Solidarity Campaign (AfriSoC)
Africa Solidarity Network
African Legal Students Association and Justice Chapter
Ahmed Kathrada Foundation
Amnesty International South Africa
Botshabelo unemployed movement
CCC- Students for Change, Diaspora (SA)
Congolese civil society of South Africa
Consortium for Refugees and Migrants in South Africa (CoRMSA)
Doctors Without Borders South Africa (MSF)
Equal Education Law Centre
Health Justice Initiative
HURISA
Inchanga Community Resource Centre
International Commission of Jurists
Johannesburg Migrant Health Forum
Kopanang Africa Against Xenophobia (KAAX)
Lawyers for Human Rights
PASSOP
People's Health Movement South Africa (PHMSA)
Refugee Social Services
Scalabrini Centre of Cape Town
School of Public Health, University of the Western Cape
Socio-Economic Rights Institute of South Africa (SERI)
Sophiatown Community Psychological Services
South African Jewish Board of Deputies
UTRS
For more information or to request an interview please contact:
Marlise Richter, Health Justice Initiative, Cell: 082 858 9927 o
Jo Vearey, African Centre for Migration & Society, 072 392 7034
Isaiha Mombilo, Congolese Civil society of South Africa, 0735767773
Federica Micoli, Sophiatown Community Psychological Services, 0725099450
Alana Baranov, South African Jewish Board of Deputies, 0832752184
Musa Ndlovu, MSF, +636842206
Dale McKinley, KAAX, 0724294086
Daniel Dunia, ASONET, 0619201622
James Chapman, Scalabrini Centre of Cape Town, 0214656433
Education Is Power School Enrolment Important Information


text:
Get Free Service Like Calendly – #1 scheduling
Today we are going to be discussing Free Service Like Calendly…I have actually utilized Calendly in a handful of various methods. My number of conferences increased when I was making use of Calendly.
Today comes news from a startup that has belonged of that pattern: Calendly, a popular cloud-based service that individuals use to set up and validate meeting times with others, has closed an investment of $350 million from OpenView Venture Partners and Iconiq.
The financing round includes both secondary and main money (somewhat more of the latter than the previous, from what I comprehend) and values the Atlanta-based startup at over $3 billion.
Okay for a company that before now had actually raised just $550,000, consisting of the life savings of the founder and CEO, Tope Awotona, to at first get off the ground.
Calendly is a freemium software-as-a-service, built around what is basically a really simple piece of performance.
It's a platform that supplies a fast way to manage open spaces in your calendar for individuals to book visits with you in those spaces, which then also books out the time in calendars like Google's or Microsoft Outlook– with a growing number of tools to enhance that experience, consisting of the capability to pay for a service on the occasion that your appointment is not a business meeting but, say, a yoga class. Prices varieties from free (one calendar/one user/one occasion) to premium ($ 8/month) and pro ($ 12/month) for more calendars, events, functions and integrations, with larger packages for business likewise available.
Its development, meanwhile, needs to date been based primarily around an extremely natural method: Calendly invites become links to Calendly itself, so individuals who use it and like it can (and do) start to utilize it, too.
The vast array of its use cases, and the virality of that development technique, have been winners. Calendly is currently lucrative, and it has actually been for many years. And more just recently, it has seen an increase, specifically in the last twelve months, as brand-new Calendly users have actually emerged, as a result of how we are living.
We may not be doing more conventional "service meetings" per week, however the number of conferences we now require to establish, has increased.
All of the serendipitous and impromptu encounters we utilized to have around a workplace, or an area coffee shop, or the park? Those likewise require invitations for online meetings.
And so do sessions with therapists, virtual supper celebrations, and even (where they can still happen) in-person meetings, which are frequently now happening with more timed precision and more record-keeping, to keep social distancing and possible contact tracing in better order.
Presently, some 10 million of us are utilizing Calendly for all of this on a regular monthly basis, with that number growing 1,180% in 2015. The army of service users from business like Twilio, Zoom, and UCSF has been joined by instructors, freelancers, professionals, and business owners, the company states.
The business last year made about $70 million yearly in membership revenues from its SaaS-based company design and seems confident that its aggregated earnings will not long from now get to $1 billion.
So while the secondary funding is going towards providing liquidity to existing investors and early employees, Awotona stated the strategy will be to use the primary capital to buy the company's organization.
That will consist of building out its platform with more tools and integrations– it started with and still has a significant R&D operation in Kiev, Ukraine– expanding its operations with more skill (it currently has around 200 staff members and strategies to double headcount), more organization development and more. Free Service Like Calendly
2 significant proceed that front are likewise being revealed with the financing: Jeff Diana is coming on as primary individuals officer with a mission to double the company's worker base. And Patrick Moran– previously of Quip and New Relic– is joing as Calendly's first chief income officer. Significantly, both are based in San Francisco– not Atlanta.
That focus for building in San Francisco is currently a big change for Calendly. The startup, which is going on eight years of ages, has actually been rather off the radar for years.
That remains in part due to the fact that it raised extremely little money already (just $550,000 from a handful of financiers that consist of OpenView, Atlanta Ventures, IncWell and Greenspring Associates).
It's likewise based in Atlanta, a significantly notable city for technology start-ups and other business but most of the time short on being credited for its heft in that department (SalesLoft, Amex-acquired Kabbage, OneTrust, Bakkt, and many others are based there, with others like Mailchimp likewise not too far away).
And perhaps most of all, proactively courting publicity did not seem part of Calendly's growth playbook.
In fact, Calendly might have closed this big round quietly and continued to get on with service, were it not for a short Tweet last autumn that indicated the business raising money and shaping up to be a peaceful giant.
" The company's capital effectiveness and what @TopeAwotona has actually constructed should have method more credit than they get," it read. "Maybe this will begin to change that recognition."
Does Calendly have a free option? Free Service Like Calendly
After that short note on Twitter– flagged on TechCrunch's internal message board– I made a guess at Awotona's email, sent out a note introducing myself, and waited to see if I would get a reply.
I ultimately did get a response, in the form of a short note agreeing to chat, with a Calendly link (naturally) to pick a time.
( Thanks, unnamed TC author, for never discussing Calendly when Tope originally pitched you years ago: you may have whet his hunger to respond to me.). Free Service Like Calendly
Get What Does Event Type Mean In Calendly – #1 scheduling
Get Set Time As Unavailable Calendly – #1 scheduling


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TPG Week 179: Don't Bore The Reader Into Submission
Steven Forbes | May 30, 2014
Welcome back, one and all, to The Proving Grounds! This week, we have a new Brave One in Micah Bryant. I'm by myself this week, as Sam is taking care of some personal stuff. So, it's just Micah and myself. Insert tones of doom here. Let's get started!
Page One – Four Panels (Hey, a panel count at the top of the page! I like it. The only thing about these is that you have to keep the panel count straight as you continue to write. Let's see if Micah can keep count as the story goes on.)
1. Panel 1 –
We open the comic with a man staring into his reflection in a bathroom mirror. It's a slight over the shoulder shot that shows the back of his head. This is MARK YOUNG. He is a 30 year old computer programmer at a large corporation. He is a tall, somewhat slim man with dark black hair that is short but long enough to have a slight messed up style to it with a trimmed up beard that runs along his angular jaw. He is wearing a black business suit with a red shirt and tie. The tie is loosened but not all the way undone. He is a man who has reached the end of his rope. He has given up on life. He has no emotion on his face as he stares into the mirror. He looks more disappointed in himself than despondent. He also had a noticeable red mark on the right side of his face. (Needlessly wordy. Most of this ican be cut, and should either be in a character description document, or just not added since it isn't doing anything for the panel description except add words that don't need to be there.)
2. Panel 2
We pull out a little bit to see his hands on the sink with him in a leaning position. He isn't slouched over but he keeps a slight straight poster while leaning over. His right hand is resting on a large revolver. On this hand is a silver bracelet. It looks like a power balance bracelet but a little bit more dress like than sport like. The number 1000 is written on the circular plaque in the middle. There are also plaques on the bottom and sides of the bracelet that have the number 1000on them also (How about some ending punctuation? I have no idea why, after harping on it over and over again in different scripts, that I'm still saying this… Anyway, this panel cannot be drawn. Do this experiment: grab someone and take them to a mirror. Preferably a bathroom mirror, but that might be strange depending on whom you grab. Arrange them as you described, then stand behind them so that the first panel is replicated. Then, take a step or two back and look down. Could you see a gun? Sure, even though it's mostly obscured by the person's arm/hand. Can you see the bracelet they're wearing? Not at all. Or, if you can, not well enough to make out any words on it. The angle is wrong. This cannot be drawn.)
He picks the gun up and gives it a look. He doesn't have his hand on the trigger he has it resting in his hand. The gun doesn't need to look too fancy or anything and it doesn't need to look like and particular gun. It is just a simple revolver with a decently long barrel. It should be pretty obvious at this point what the man is about to do. (You can't have your hand on the trigger. For regular-sized guns, the trigger is too small to have a hand on it. A finger, definitely. I don't care about what you meant to say. This is a comic script, and I'm not here to try to read your mind. It's supposed to be in the script so I won't have to. Anyway, you go on to say it doesn't need to look like any particular type of gun, then say it's a revolver. There is a difference between a revolver and an automatic. Make up the artist's mind, and they'll give you what you ask for. All of that, and this is a moving panel.)
He puts the gun up to his head. A slight click is heard from the gun as he puts his thumb on the hammer of the gun. He has his finger fully on the trigger. He still has no emotion on his face. He has no tears or look of anguish on his face. He lets out a simple sigh. (Another moving panel. And where's the sound effect for the click? Don't make the letterer scour through the script, looking for sound effects. That isn't their job. That's why we have the SFX element. Also, do you know how revolvers work? I'm sure you've seen it a billion times in movies. The gun doesn't cock just because there's a thumb on the hammer…)
Mark – <sigh….>
P1 is down, and Micah commits one of the ultimate sins that a new writer can: he has a silent opening page.
Generally, I hate opening silent pages for a new series/story. The reason for that is simple: there's too much worldbuilding and storytelling that needs to be done in order to have a silent opening page. I hate them.
Then there's the moving panels. Those are easy to correct, but you have to be cognizant of them. I think we're going to be seeing more of them as the story continues.
The big thing, though, is visualization. You have to be able to visualize the panel that can be drawn. Panel 2 cannot be drawn as described because of the camera placement. It can be easily fixed by moving the camera to a better vantage point, but as described, it doesn't work.
As the writer, your job is to tell the artist what you see in your head, so they can come as close as possible to replicating it. If they tried to replicate panel 2 as you described it, it wouldn't work, because it's impossible.
Know what can be drawn.
Page Two – Two Panels
He pulls the trigger. The bullet flies straight through his head snapping his head violently sideways. The bullet is followed by chunks of skull, pieces of brain, a massive splatter of blood and chunks of skin and hair. (Moving panel, and death porn. Got it.)
SFX – KABLAMMMM!!!! (Hey! A sound effect! Where's the previous one, then?)
Mark's lifeless body falls with what is left of his head awkwardly hitting the bathtub. Blood is all over the place and more splatters when his head hit's the side of the bathtub. You see his hand hit the ground with the gun falling out of it. The bracelet has to be shown here with the number "1000" clearly shown. (Moving panel, and more death porn.)
SFX – THUD!
Okay, so there's P2.
P1, for its flaws, sets up a minor mystery: is he or isn't he? The last panel of P1 is placed nicely, so that the reader has to turn the page (thus, going deeper into the book) in order to find the answer to the mystery. That's great. I love it.
What I don't love, though, are the moving panels. What I detest is death porn. That's all what these two panels are.
I went and bought the Final Destination series of movies. (I love film, as anyone who pays attention knows, and I love horror movies—especially bad ones within a certain era.) I bought it as a four set, and bought the final one as a single, because it was a good deal. Do you know what the FD series of movies are? Death porn. The filmmakers want to see just how gory and realistic they can get with each movie. FD is death porn in a way that other horror movies aren't. Sure, films like Hostel and Saw are torture porn, but movies like Friday the 13th and Halloween aren't.
Michael Myers scares the hell out of me. He's this huge, silent force of nature that just refuses to die. He only kills if you're in his way. However, the filmmakers (especially John Carpenter) understood that the killings are scarier if they're implied. Sure, Michael kills on film, but most of them either cut away before the killing is done, or someone finds the body later. Implied.
You don't need death porn. You could have had the camera hold position for these two panels, probably about mid-body, with the first panel having the shot being heard, and the second panel with the body dropping.
So, we have another silent page. Know what this is doing? It's making the reader pause for maybe five seconds before they turn the page. That's lightning fast. There's the picture to see, but nothing to read.
And that last panel… Which is more important, the body placement, or seeing the bracelet? You can't have it both ways. You either have to pull out to show the body, or push in to show the bracelet.
The bracelet is supposed to be important, yes? How is the reader supposed to know that? The page is silent, and as such, you're not giving any reason at all as to why the bracelet is supposed to be important.
If the artist were to draw this the way you described it, the reader would never understand that the bracelet is supposed to be important. They'd just think it a piece of jewelry.
Page Three – Splash Page
In this full splash page Mark's body is shown from an overhead perspective with his body lying in an uncomfortable position with what is left of his bloody pulp of a head up against the bathtub. His head has a huge hole in the side of in it. Blood is pouring from what is left of his nose, mouth, eyes and everything else. It is a gruesome and bloody scene. Chunks of brain, skull, and skin litter the bathroom. (More death porn.)
P3, and there's no story here. Right now, with this page, I can tell that Micah doesn't have enough story to carry his page count. What does this page do to push the story forward? Not one damned thing. The reader has now put this back on the shelf. Three silent pages that don't tell anything means no sale.
This page isn't placed correctly. Time for a lesson in counting and placement.
When you open the cover, P1 is on the right. You then have to turn the page to get to P2, which is on the left, but you only have to move your eyes over in order to get to P3, which is on the right. This means that your splash page loses effectiveness because it isn't "hidden" by the page turn. The reader can see it while they're still on P2.
Since there's no story here, time for me to tell one of my own.
I joined the Marine Corps right out of high school. When you're going through something as intense as boot camp with other people, you get to bond with them pretty quickly. Things get personal.
There were, of course, the Dear John letters. Guys lost their girls during boot camp, and tears were shed. I was dating a girl from high school, and I wasn't any different from most as I got my Dear John letter. I didn't cry, though. I was expecting it.
Like I said, you get close with others when you're all going through something intense together. Not with everyone, of course, but there was a small group of us that grew close. About six of us. We had some down time, and we were telling personal stories.
One of the guys started talking about a nice memory he had about cooking with his grandmother. I then told mine: how my grandmother had moved in with us because she had colon cancer and couldn't live by herself in her large house anymore. How she had taught me to make the butternut squash pie she had made my entire life, and was making sure my mother paid attention because she was really passing the secret on to her. And then I told them about how she had passed away about 2 weeks after that day.
I wanted them to feel what I had felt. I told them about that night, and how she was in so much pain. She was crying and making a sound that was terrible to hear. I tried to replicate it, so they could understand.
A couple of them laughed. They laughed! And so did I. It was a poor attempt at the sound. It sounded funny, even to my ears. So I laughed a little. One of the guys said to leave out the sound effects, and I said he was right, and I continued with the telling. I told them about how I didn't want to go to school the next day, but my mother had made me, even making me go to the track meet after school; about how I came home after the meet, wanting to show off the medal and noticing the cars on the street but not understanding why they were there; about how I literally ran away after I found out she was gone, and how my cousin whom I couldn't stand followed me to my not-so-secret place and climbed a tree with me and stayed with me as I cried.
I shed a few tears during that telling, as did a few of the other recruits. They felt something of what I felt. It was a good night.
See what I did there? I told a story, beginning, middle, and end, and it had more pathos in it than these three pages. Micah's wordiness in the panel descriptions does not translate to any kind of empathy toward the character, even though he kills himself. I told more story in my anecdote than this entire scene. Not good.
Page Four – Five Panels
We now see an overhead shot of a rather large office. It has a large number of cubicles. The panel should be angled to where it looks like the cubicles go off into the horizon. The few cubicle residents we see are not happy to be there. This is a sad and depressing office.
Caption – 25 Hours Earlier (I'm not going to ding him on the lack of a period here. This is a timestamp, and as such, I'm looking at it as a writer's stylistic choice to not have a period here. The capitals, though? Totally unnecessary.)
Inside of Mark's cubicle is just as sad. He is sitting at his desk with a still somewhat emotionless look on his face. It is almost as if he has lost his ability to feel ANY emotion as he bears the weight of the world on his shoulders. Despite all of this he still sits up straight. It's as if it is engrained in him not to slouch over. His life has been sucked out of him due to a massive number of reasons that will be explored in later issues. This man has a story and it is not a happy one. A CO-WORKER is popping his head in to give Mark some information. (Needlessly wordy, and then you devolve into telling what's happening instead of describing what people are doing. That last sentence turns this into a moving panel. Also, where's the camera?)
Co Worker – Hey, man. I ran into Simmons in the hallway. He wants to see you in his office.
Mark – Sigh. What for?
Co Worker – No idea. Couldn't really tell if it was good news or not…
Mark – How often does he call you into his office for good news?
Co Worker – Not that often. Good luck man… (Your first balloon tells me you know how to use a comma. Here? Comma-fail.)
(Too much back and forth here. Remember that the word balloons need to take up space, and with five panels here, you're going to have a cramped panel.)
Mark rubs his face in frustration. (Moving panel.)
Mark – Gaaahhhhhh……
Mark heads down the opening separating the rows of cubicles. It's as almost he is heading towards certain doom. (Moving panel.)
Mark makes his way to his boss' office. The door is open and Mark is walking through. His boss, MR. SIMMONS, is sitting at his desk with his hand locked together in front of him on his desk. He is a big bad boss man type with a balding head and strong jaw. (Sam. Sam Read. Please tell me everything that's wrong with this panel. Then explain why clarity is important.)
Mark – Uh, you wanted to see me sir?
Mr. Simmons – Yes, Mark, please have a seat.
P4, and we've changed locations, both physically and temporally.
We start off decently. We're in an office building, starting inside. I don't mind that at all. Do I need to know where this building is? Not necessarily. There's no need to go outside-in here. This is good enough.
However, making it so that there are cubicles as far as the eye can see means the office that was called for has to be somewhere else. Since there's no camera placement, it's going to be a challenge for the artist to know exactly where to place the office that Mark has to go to.
Now, Mark and Mr. Simmons have been described, but the person passing the information wasn't. They deserve something.
At least you got Mark's name in there in an organic way. I like that.
The moving panels… They've gotta stop. This is a static medium. Learn to write static images.
Page Five – Five Panels
Mark is sitting across from Mr. Simmons. The wall behind Mr. Simmons has various certificates and diplomas on it.(Those wall hangings are magically delicious. They should have appeared when we first saw Simmons.)
Mr. Simmons – Mark, you're a valued member of this company…
Close up of Simmons (GAH! Where's the ending punctuation? And what's Simmons doing?)
Simmons – …which is why I hate to have to inform you that the corporate office is retroactively making it a prerequisite for computer programmers at your pay grade to have a college degree.
Close Up of Mark with a knowing "fuck" expression on his face (I know that expression well. I have it on my face right now because there's no ending punctuation.)
NO COPY
Close Up of Simmons (Every time you forget to put in ending punctuation, an angel drop-kicks a puppy. Just letting you know. So, if Mark is given an expression, why not Simmons?)
Mr. Simmons – I fought for you, Mark, but–
The panel shows Mark with a look of frustration on his face.
Mark – Sir, I have been with this company 10 years. I worked my ass off to get from the mailroom to get where I am today. How could they do this to me? (This is awkward due to too many "gets.")
Mr. Simmons – They want to have a reason to justify what they are paying you. They believe a degree would justify that.
Mark – And the quality of my work doesn't?
6. Panel 6 – (Hm. I coulda sworn the top of the page said there were only five panels on this page…)
The panel shows Mr. Simmons still sitting at his desk with his hands clenched together.
Mr. Simmons – Not in their eyes. You could always go back to school.
Mark – To get a degree in a job I have already proven myself to be more than capable of doing? I know more than most of the guys here who do have degrees.
Mr. Simmons – Mark, there's nothing I can do.. (An ellipsis has three periods, not two.) I'm sorry. Please clean out your desk.
5. Panel 5 – (Not only did you lose count, but you have an extra panel here!)
Mark leaves the office with his box of office supplies.
So, P5. I'm still bored, because there's no story. I do like the time compression in panel 5, though. At least we're not tortured with watching him clean out his desk.
I've spoken before about my dream: to win an Eisner, an Emmy, and an Academy Award for writing a comic and its adaptations. Hell, my adaptation was so good that they created a new Oscar category just for comics, and I win the inaugural trophy. Not only that, I win all these awards in the same year, for different projects.
I then take my gaggle of statues to my local college to one of the deans, and tell them I want to create a class that teaches comic book writing. However, the dean should be prepared for a lot of complaints and drops, because my grading system is going to be a bit backwards.
Forgotten/incorrect punctuation is an automatic failure for the assignment. Incorrect spelling in the panel descriptions is an automatic failure for the assignment.
I've said before how there are two different types of creators: writers, and storytellers. Writers know the use and power of words and punctuation, while storytellers just want to tell their story and are unused to putting their thoughts to written words. However, as soon as you sit down to write, you're a writer.
The editor's main job is to make sure the story is as good as you can make it. You can make their job a lot easier by doing your part when it comes to spelling and punctuation. It isn't hard.
Oh, and in my dream, the first person who brings up Brian Bendis as not having great spelling or punctuation would fail the course. He has a job, and you're trying to get one. You have to do it better than the best in order to get to the bottom of the barrel.
Page Six – Four Panels
Mark walks out of the front sliding doors into the city. (Where's the camera?)
Mark lets out a loud and graphic expletive. (This is not a panel description. Alyssa. Alyssa Crow. Please make this into a panel description.)
Mark – FUCK!!!!!!
He notices a bar across the street. (This is not a panel description. This cannot be drawn. Secondly, if he's been at that job long enough to know he knows more than those with a degree, he should know there's a bar in the vicinity. So not only is this not a panel description, "notices" is the wrong word.)
He starts to head towards the bar. (Yannick, here's a softball for ya.)
Mark – Well, if I'm not working, I might as well be drinking… (Because that's what everyone who gets fired does: they spend money.)
We are six pages in, and no sign of any story yet…
Page Seven – Two Panels
Mark is sitting at the corner of a medium sized bar. Being that it isn't even noon yet there isn't a whole lot of business.
This is a close-up shot of Mark sitting at the bar with numerous empty shot glasses and beer bottles lying around him on the bar. He is surprisingly emotionless for a guy that just got fired from his job.
Okay, I'm calling it quits, as soon as I go over this page.
First, this page isn't doing anything. It's padding. Two panels? For what? What are these two panels really doing that more couldn't be added here? This entire thing reeks of elderberries, there's so much padding.
Now, panel 2. It does one thing right, and it does the same thing wrong.
The first thing it does is that it compresses time. It's telling us that Mark has been there for a while, because there's a pile there of beer bottles and shot glasses. It's a widely-used visual to show the passage of time in a single location: pile stuff up. Want to show someone's been at a desk for a while? Stack up books/papers on it and have them looking haggard. Want to show someone's been at a bar for a while? Have them at a table and pile up bottles.
Why is this also wrong?
The bar is mostly empty. How hard is it to keep the bar clean of bottles and glasses? Most people, when they drink, they'll stick with one or two different types of drinks. For guys, usually a favored type of beer and a favored liquor. Know what that means? One bottle, one glass. If it's the same drink, why dirty another glass? Remember those movies you've seen where the guy is sitting at the bar, crying into his drink, and the barkeep comes by and pours some dark fluid into the empty glass? Same thing.
I like the idea, but the execution is lacking.
Now, to run this down.
Format: Flawless Victory! Just watch your panel counts.
Panel Descriptions: These need a lot of work. You have two extremes—they're either moving panels, or they can't be drawn. Cut down on the needless words that aren't doing anything besides making the artist hunt for what's relevant, and learn to write static images.
I've said it before and I'll say it again: the trick to writing still images is to imagine the panel as a picture and describe that still image. Don't say what a person is going to do, don't try to get into their heads overmuch. Just describe what you see.
What you're seeing are actions that have just happened, so write in the past tense. Every action is just one picosecond in the past. Writing in the present tense makes it a moving panel. Keep that in mind.
Pacing: Nothing happens in seven pages. These seven pages are really more like three, so more than half of this is padding.
I feel like a broken record. Pacing, from largest to smallest, is the number of scenes in a book, the number of pages in a scene, the number of panels on a page, and the number of words in a panel. The first scene, the guy kills himself. The second scene, he gets fired. You needed seven pages for that?
Nothing here draws the reader in. They don't care, nor are they intrigued. You could have worked to intrigue them in the first scene, but instead you opted to go the silent route. Those three pages, no words (well, one), and they put the book back on the shelf.
If you had a good artist that understood storytelling and they tried to help you out with the pacing of this, they wouldn't be able to. Usually, an artist would either add panels or remove panels. In order to help the pacing here, they'd basically be rewriting the entire story. (Add a panel to the first page with the gun going off, cut P2 entirely, rework P2 into the new P2 where the bracelet is prominent, cut the entire "you're fired" scene and go to the bar… That's a rewrite, and you'd wonder what happened to your story.)
Dialogue: There isn't enough here. People come for the art but stay for the story, and the story is generally in the dialogue. I didn't read one interesting word of dialogue in these seven pages. Talk about terrible, from an interest point of view. The dialogue itself was readable. Just watch your back and forths. Usually, it's Person A, then Person B, then Person A. Usually. That's something to try to stick to.
Content: There's no story here. From a reader's perspective, they have no reason at all to read this story, because nothing of interest happens. The mystery of why he killed himself is overwhelmed by the fact that there's no movement to the story. Any interest the first three pages may have garnered was squandered by the next four.
Editorially, this needs a rewrite. Dialogue needs to be added to the first few pages (viable dialogue, not just words slapped on paper), and then you have to keep the interest with the next scene. Don't bore the reader into submission. They'll repay you with a sales number that is very close to zero.
And that's it for this week! Check the calendar to see who's next!
Also, we're getting close to the end of our scripts! Submit now, because the wait isn't long!
Like what you see? Sam and Yannick are available for your editing needs. You can email Sam hereand Yannick here. My info is below.
Click here to make comments in the forum!
TPG Week 218: Writing Challenge Entry 3
TPG Week 190: Artist Turned…Writer? (Only the Shadow Knows!)
TPG Week 215: Muddled Storytelling
TPG Week 188: Nothing Good To Say
TPG Week 183: A Clinic In Wrong
Tags: Critique, dialogue, featured, format, full script, full-image, moving panels, pacing, panel description, panel descriptions, punctuation, Writing
Category: Columns, The Proving Grounds
Steven is an editor/writer with such credits as Fallen Justice, the award nominated The Standard, and Bullet Time under his belt, as well as work published by DC Comics. Between he and his wife, there are 10 kids (!), so there is a lot of creativity all around him. Steven is also the editor in chief and co-creator of ComixTribe, whose mission statement is Creators Helping Creators Make Better Comics. If you're looking for editing, contact him at stevedforbes@gmail.com for rate inquiries.
« B&N Week 179: Mix 'n Match–Which Genres Can Be Mixed To Best Effect?
B&N Week 180: Are You A Misunderstood Creator? »


Across the globe, governments and institutions face increasing threats to their legitimacy and authority.
Geopolitical tensions will continue to escalate over the course of the next seven years.
Governments and institutions will be tested by considerable challenges over the next decade as the international order is restructured and global trends converge.
All forms of government in every region will face increasing tensions both domestic and foreign. In the short-term, these global trends will increase the threat posed by all types of terrorism, and the ability for asymmetrically-powerful state and non-state actors to adversely affect the International order and the global balance of power.
Tensions are rising because citizens around the world are raising questions about the relationship that exists between governments and themselves. The social contract that exists between society and their governments is unraveling as people demand increasing levels of security and prosperity. Globalization means that domestic conditions are shaped, to an ever-greater degree, by occurrences overseas.
Growing populism in the West threatens an international order governed by rule-of-law. Tensions between governing elites and their citizens are reshaping global geopolitics. A weakened United States would mean less of an emphasis on human rights and maintenance of global order.
In the short term, the U.S. will have a diminished presence abroad due to domestic political divisions. These political divisions compounded by with the Trump administration's preference for unilateral action, which threaten to isolate the U.S. diplomatically.
Economic crises and inequality have contributed to widening societal and class divisions. The number of men who are not working and not seeking work is at its highest since the Great Depression. However, incomes have risen slowly, and investors see high rates of return on both domestic and foreign investments.
Politically, the country is still profoundly divided. However, growing solidarity and activism around critical issues such as healthcare have been useful in checking executive and congressional power.
The Brexit vote of 2016 and rising popularity of far-right nationalist political parties in Western Europe has led many observers to question the long-term viability of a united Europe. In the aftermath of the 2016 U.S. presidential election, many were concerned that European far-right politicians like Marine Le Pen would gain traction in their electoral contests.
However, despite considerable attempts by Le Pen's campaign—and the Kremlin—Emmanuel Macron led a stunning rebuke of the populist trend circumventing the globe. Europe initially seemed to be trending away from the right as the United States Government continued to be paralyzed by the competing factions of the governing Republican Party. In light of a slew of populist and right-wing victories across E.U. member state, however, it's clear that politics on both sides of the Atlantic are increasingly polarized.
Rising ethnic, demographic, and economic tensions will make European integration more difficult. Furthermore, Europeans must repair the structural problems in E.U. institutions.
For example, E.U. agencies set monetary policy for members of the Eurozone; however, member states retain control over their financial and security obligations. This leaves poorer E.U. states like Greece with vast amounts of debt and decreasing growth prospects. There is no unified E.U. security policy; each member state determines its national security strategy.
3. Ongoing uncertainty surrounding the future North Korea's nuclear program threaten East Asian security.
In North Korea, Kim Jong Un has consolidated his grip on power through patronage and fear and has doubled down on his nuclear and missile programs, developing long-range missiles that may soon endanger the continental USA.
Beijing, Seoul, Tokyo, and Washington have a shared incentive to handle security risks in Northeast Asia, but a history mutual distrust, warfare, and occupation makes cooperation between the different parties difficult.
A resumption of North Korean provocations, such as nuclear and missile tests, may destabilize the balance of power in the region and result in the North's immediate neighbors potential taking unilateral action to defend their security interests. Kim is determined to secure international recognition of the North as a nuclear power, for security, prestige, and political legitimacy.
Contrary to his father and grandfather, he's had substantial success in terms of achieving those goals. He codified the North's nuclear status in the party constitution in 2012 and reaffirmed it during the Party Congress in 2016.
Beijing faces a continuing strategic conundrum about the North. Pyongyang's behavior both undermines China's argument that the US army presence in the region is anachronistic and demonstrates Beijing's lack of influence–or perhaps lack of political will to exert influence—within its neighbor and customer.
North Korean behavior leads to tightening U.S. alliances, more assertive action by US allies, and, on occasion, greater cooperation between these partners themselves—and might lead to a change in Beijing's approach to North Korea with time. However, long-simmering tensions between South Korea and Japan fueled by the South's historical grievances may hinder Washington's efforts to present a united front against North Korea.
Leftist governments have been kicked out in Argentina, Peru, and Guatemala. Venezuela's left-wing populist government is stripping the country of its democratic institutions in a sharp slide towards authoritarianism, leading to a sharp increase in lawlessness across the country.
Furthermore, while Venezuela doesn't produce drugs, it's become a major transport hub for drugs going to Europe or Africa before being routed to Europe. Drug trafficking increases under as the rule of law decreases. After a 2009 coup in Honduras, the country was run by a fragile government—lawlessness increased dramatically.
Honduras now has one of the highest homicide rates in the world. Countries like the United States are seeing a significant increase in the number of people arriving from countries like Honduras that are plagued with violence.
5. Expect increasing assertiveness from Beijing and Moscow as both governments seek to lock in competitive advantages.
Beijing and Moscow will seek to lock in competitive advantages and also to right what they perceive as historical wrongs before economic and demographic trends can present impediments and the West regains its foundation.
Both have moved aggressively in latest years to exert more considerable influence in their regions, to contest the U.S., and also to force Washington to accept exclusionary regional spheres of influence—a situation that the US has historically opposed.
6. The standoff between Russia and the West will continue throughout 2019.
Diplomatic spats, strategic political and political tensions will last between Russia and the U.S. In Washington, U.S. President Donald Trump's administration may have few choices for relieving the strain because of increased checks on the president's power and enlarged sanctions from the U.S. Congress.
In Moscow, meanwhile, forthcoming local and national elections will prevent the Kremlin from creating significant concessions. Consequently, sanctions enacted on Russia from the US along with the European Union probably will stay through the end of the year. Depending upon how investigations into Russia's role at the 2016 U.S. Presidential election shape upward, Washington might even ramp up the political and financial pressure on Russia.
Similarly, North Korea will remain a factor in determining the direction of U.S.-Russian relations over the next several months. Russia will keep going along with the overtures that Washington has made to Pyongyang, but will skirt sanctions requirements and continue provide economic aid to North Korea as it sees fit.
7. China, for its part, may have domestic concerns to grapple with this year.
The Chinese Communist Party's careful preparation for a change of direction was realized in the October 2017 party congress. The event reshuffled the highest ranks of the party and was a proof of President Xi Jinping's near-absolute consolidation of power.
To date, all indications point to the Xi's success in strengthening his grip over top decision-making bodies of both the Party and the state. Xi has already achieved the status of core leader of the Communist Party, the Chinese state and People's Liberation Army (PLA).
Xi has also managed to quickly promote a lot of his partners to prestigious positions in 2017 and 2018. Even more significant, party members nearly unanimously endorsed the addition of Xi's philosophy of the Communist Party Constitution at the Party Congress, positioning him alongside the venerated figures of Deng Xiaoping and Mao Zedong.
Nuclear deployment requirements for naval-based delivery vehicles remove a safety valve that, until now, has kept atomic weapons stored separately from missiles in South Asia.
At-sea deployments of atomic weapons by India, Pakistan, and perhaps China, would increasingly militarize the Indian Ocean throughout the next two decades.
The presence of multiple nuclear powers with uncertain doctrine for controlling your stresses at sea incidents between nuclear-armed vessels increases the potential risk of miscalculation and inadvertent escalation.
New Delhi, however, will continue to offer smaller South Asian nations a stake in India's financial growth through development assistance and increased connectivity to India's economy, contributing to India's broader effort to assert its role as the predominant regional power.
India will be the world's fastest-growing economies throughout the next five years as China's economy cools and growth elsewhere sputters, but internal tensions over inequality and religion will complicate its expansion.
The threat of terrorism, from Lashkar-e-Tayyiba (LET), Tehrik-i-Taliban Pakistan (TTP), and al-Qaeda and its affiliates as well as the Islamic State's expansion and sympathy for associated ideologies—will remain prominent in the area.
Competition for jobs, coupled with discrimination against minorities, might contribute to the radicalization of the region's youth, especially given unbalanced gender ratios favoring males in several nations.
Populism and sectarianism will intensify if Bangladesh, India, and Pakistan fail to provide employment and education for growing urban populations and officials continue to govern principally through identity politics.
10. The Middle East and North Africa will see continued, if not escalating instability.
With oil prices unlikely to recover to levels of the petroleum boom governments may have to limit cash payments and subsidies. In the meantime, social networks have provided new tools for citizens to vent their political frustrations. Conservative religious groups—including Brotherhood affiliates and movements—and ethnically-based organizations like those based on Kurdish identity are poised to be superior alternatives to weak governments in the region.
Such groups typically supply social services better than the nation and their politics resonate with a general public that is more conservative and religious than the region's political and economic elites.
The threat of terrorism is likely to increase as the means and the motivations of states, groups, and people to impose harm diversify. Prolonged conflicts and the info age allow terrorists to recruit and operate on a large scale, demonstrating the evolving nature of the threat.
Terrorism kills fewer people globally than crime or disease, but the potential for new capabilities reaching the hands of people bent on apocalyptic destruction is all too real. This ultimate low-probability, high-impact event underscores the imperative of international cooperation and state attention to the issue.
Terrorists will continue to justify their violence by their very own interpretations of religion, but several underlying drivers are also in play. Within nations, the breakdown of state structures in much of the Middle East carries on to create space for extremists.
The post-World War II international order that enabled today's political, economic, and security arrangements and institutions is in question. As power diffuses worldwide, seats at the table of global decision making are reshuffled. Today, aspiring powers seek to adjust the rules of the game and international context in a way beneficial to their interests.
Norms that were believed to be settled will be increasingly threatened if present trends hold, and consensus to build standards can be elusive as Russia, China, along with other actors such as the Islamic State seek to shape regions and international norms in their favor.


text:
The Arena México 60th Anniversary Show was a major professional wrestling show produced by the Mexican lucha libre professional wrestling promotion Consejo Mundial de Lucha Libre ("World Wrestling Council"; CMLL) and took place on April 29, 2016, in Arena México, Mexico City, Mexico. The annual event commemorates the 1956 opening of Arena México, nicknamed "The Cathedral of Lucha Libre", CMLL's main venue and the largest arena ever built specifically for professional wrestling.

The show featured the finals of a three-week-long annual Torneo Nacional de Parejas Increibles tournament which saw the team of Místico and Mephisto defeat Carístico and Cibernético to win the entire 16-team tournament. On the undercard Rey Cometa defeated Cavernario, the reigning Mexican National Welterweight Champion in a non-title match.

Production

Background
In 1933 professional wrestling promoter Salvador Lutteroth held his first Lucha Libre show as Empresa Mexicana de Lucha Libre ("Mexican Wrestling Enterprise"; EMLL) at Arena Modelo. Lutteroth would later move EMLL to Arena Coliseo, but that venue turned out to be too small in the long run and Lutteroth funded the creation of Arena México on calle Doctor Lavista #203, Colonia Doctores. on the intersection of Dr.Rafael Lucio, Dr. Carmona and Valle. The building was completed in 1956 and is to this day the largest arena built specifically for professional wrestling. The arena opened in April, 1956 and ever since then EMLL has celebrated the Aniversario de Arena México in April of each year. In 1991 EMLL was renamed Consejo Mundial de Lucha Libre ("World Wrestling Enterprise"; CMLL), only three years after it became the oldest, still-active professional wrestling promotion in the world. The 2016 version of the Anniversary show will be the 60th show, making it the third longest annual professional wrestling show, after the CMLL Anniversary Shows that began in 1934 and the Arena Coliseo anniversary show that began in 1944.

Over the years the Aniversario de Arena México show has hosted significant headline matches including several Lucha de Apuestas, or bet matches, where the loser of the match was forced to unmask or have their hair shaved off. The first documented example of a Lucha de Apuesta match headlining a show was at the 12. Aniversario where Huracán Ramírez defeated El Enfermero, forcing him to unmask. In the main event of the 19. Aniversario, on May 25, 1975, Perro Aguayo defeated long time rival Ray Mendoza to force Mendoza to be shaved bald afterwards. Two years later, at the 20. Aniversario, Fishman gained one of the biggest victories of his career when he defeated El Faraón, forcing El Faraón to unmask and reveal his real name. Two years later (22. Aniversario) El Faraón and Ringo Mendoza successfully defended their hair as they defeated Alfonso Dantés and Sangre Chicana in the main event Lucha de Apuestas match. The most recent major mask match took place on April 3, 1992 at the 36. Aniversario, in the main event Blue Panther defeated American Love Machine when Love Machine was disqualified for using an illegal move that he did not realize was illegal in Mexico, forcing himself to unmask and reveal that he was actually Art Barr under the mask. The most recent major Lucha de Apuesta hair match was at the 44. Aniversario show where Shocker defeated Vampiro Canadiense, leaving the Canadian bald as a result.

In recent years the Aniversario shows have hosted part of all of one of CMLL's annual Spring tournaments. The 38. Aniversario show, hosted the 1994 International Gran Prix tournament where Rayo de Jalisco Jr. defeated King Haku in the finals of the 16-man tournament. The 39. Aniversario featured the 1995 Gran Alternativa tournament, which was won by Shocker and Silver King when they defeated Astro Rey Jr. and Dr. Wagner Jr. The focal point of the 43 Aniversario show was the first of that year's Gran Alternativa tournament. The tournament was won by Último Guerrero and Blue Panthera as they defeated Atlantico and Mr. Niebla. It would be 11 years later before the Aniversario shows would host another tournament, as the 2010 Gran Alternativa was part of the 54. Aniversario show. That year the team of Pólvora and Héctor Garza defeated Diamante and La Sombra to qualify for the Gran Alternativa tournament two weeks later. The following year (55. Aniversario) CMLL held two matches in their Forjando un Ídolo tournament series, Hijo del Signo defeated Puma King and Diamante defeated Hombre Bala Jr. In 2012, at the 56. Aniversario show, CMLL held a round of their En Busca de un Ídolo ("In search of an Idol") tournament, where Tritón defeated Puma King and Pólvora defeated Dragon Lee.

Storylines

The event will feature six professional wrestling matches with different wrestlers involved in pre-existing scripted feuds, plots and storylines. Wrestlers were portrayed as either heels (referred to as rudos in Mexico, those that portray the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they followed a series of tension-building events, which culminated in a wrestling match or series of matches.

The show is slated to feature the final match of CMLL's annual Torneo Nacional de Parejas Increibles ("National Incredible Pairs Tournament"), the seventh annual tournament held by CMLL. The Parejas Increibles concept is a long-standing tradition in lucha libre and is at times referred to as a "strange bedfellows" match in English speaking countries, referring to the fact that a Pareja Increibles consists of a técnico and a rudo are teamed up for a specific match, or in this case for a tournament. The finalist will be determined on April 15 and April 22, 2016 where CMLL will hold Blocks A and B of the tournament. The qualifying blocks are all one-fall matches while the tournament finals will be a best two-out-of-three falls tag team match.

Results

Footnotes

References

2016 in professional wrestling
CMLL Aniversario de Arena México
April 2016 events in Mexico

redpajama_set_name: RedPajamaWikipedia


What better way to attempt to learn the forums than to post a new picture?
This is the first RTS prototype that GM Truck & Coach built. Very much a modified RTX/Transbus, as evidenced by the common styling of the front fascia and the side skirts. I could tolerate the RTX's styling, and actually liked the Transbus's modifications, but this just looks awkward.
Ignore the '1970' date on the image. This coach was really built early in 1973, and was temporarily abandoned as a project until late '74, when it became obvious to GM that the RTX/Transbus design wouldn't pan out once again. That design was what we all know as the RTS-II.
My father remembers working on this coach, and seems to recall that it was named 'RTS-I'. I've heard conflicting reports on whether the RTS-II nomenclature referred to the number of axles, or the coach's generation. I really think it was the latter.
Makes you kinda appreciate the styling GM gave us all with the production coach in '78, huh?
As far as I know, the RTS-I, along with the 3 Transbus demonstrators, were all sent to the scrapyard a long time ago. I haven't yet seen record of their existance, but knowing GM's policy with prototypes, it wouldn't surprise me at all.
What I don't know is whether the RTX prototype was scrapped, or if it was 'updated' to be one of the 3 Transbuses. Aside from some variation in styling, layout, powertrain, and accessories, the Transbus was almost like an 'RTX 2.0'. GM possibly could have simply brought it's design up to date to become one of the three.


text:
Q: Why does camera app work fine without the needed permissions? I have FileProvider:
        <provider
            android:name="androidx.core.content.FileProvider"
            android:authorities="com.bignerdranch.android.criminalintent.fileprovider"
            android:exported="false"
            android:grantUriPermissions="true">

            <meta-data
                android:name="android.support.FILE_PROVIDER_PATHS"
                android:resource="@xml/files"/>

        </provider>

files.xml:
<paths>
    <files-path name="crime-photos" path="."/>
</paths>

also i have the following listener:
            public void onClick(View v) {
                Uri uri = FileProvider.getUriForFile(getActivity(),
                    "com.bignerdranch.android.criminalintent.fileprovider",
                    mPhotoFile);
                captureImage.putExtra(MediaStore.EXTRA_OUTPUT,uri);

                List<ResolveInfo> cameraActivities =
                    packageManager.queryIntentActivities(captureImage,
                        PackageManager.MATCH_DEFAULT_ONLY);

                for(ResolveInfo activity : cameraActivities){
                    getActivity().grantUriPermission(activity.activityInfo.packageName,
                        uri,Intent.FLAG_GRANT_WRITE_URI_PERMISSION);
                }

                startActivityForResult(captureImage, REQUEST_PHOTO);

            }

It works fine. I press the button, then i can take a photo and then i get back to the activity. But then i tried to comment some lines:
            public void onClick(View v) {
                Uri uri = FileProvider.getUriForFile(getActivity(),
                    "com.bignerdranch.android.criminalintent.fileprovider",
                    mPhotoFile);
                captureImage.putExtra(MediaStore.EXTRA_OUTPUT,uri);

//              List<ResolveInfo> cameraActivities =
//                  packageManager.queryIntentActivities(captureImage,
//                      PackageManager.MATCH_DEFAULT_ONLY);
//
//              for(ResolveInfo activity : cameraActivities){
//                  getActivity().grantUriPermission(activity.activityInfo.packageName,
//                      uri,Intent.FLAG_GRANT_WRITE_URI_PERMISSION);
//              }

                startActivityForResult(captureImage, REQUEST_PHOTO);

            }

I expected that my app will crash after taking a photo because the activity that do this doesn't have the FLAG_GRANT_WRITE_URI_PERMISSION permission. But it still works fine as if i didn't comment that lines. Why ?


OK so we've touched on foundation and blush brushes, now it's time to have a little look at the different kind of powder brushes available.
The type of brush you need is dependent on what kind of powder you are applying; face, bronzing, body, etc. With so many brushes on offer, large powder, mineral powder and kabuki just to name a few, it can get very confusing choosing the right one for the job. So then which one do you need for what? Well lets start with the product you want to apply and we can go from there.
Before we start it's worth noting that face powder should never be applied with a brush. No I'm not kidding, don't believe me? Have a look at this tutorial by the amazing Wayne Goss. In short you should always apply your powder, loose or pressed with a powder puff, sweeping your brush over your foundation will only disturb your perfectly blended base. Instead press the powder into your face and then knock the excess off with your brush.
Always opt for a soft, lose bristled brush with a long handle where possible. Some MUA's prefer the finish of natural fibre brushes claiming they give a better finish, as opposed to synthetic fibres that can be rough on the skin. Personally I love synthetic brushes and find if you get hold of the right one it will be softer and give you a beautiful finish.
My favourite synthetic brush is this face & body brush from the Body Shop. It cost £16.00 and is one of the softest brushes I have ever used. If you are looking for reasonable, good quality, cruelty free brushes then the Body Shop is your best starting point. I'm not in love with their eye brushes but their face brushes are some of the best I have ever found.
If however you're looking for a brush made with natural fibres then this one by Guerlain is beautiful. Made with tibetan goat hair, still not sure what that means, it will last you a long, long time. You may have seen I was raving about this little brush in my Cult Classics series.
Applying mineral powder is all about blending, for this you will need a dense brush. Personally I prefer a flat top brush like this one from Eco Tools. I find these brushes help me to blend and buff mineral makeup perfectly. If you prefer something a little more traditional check out this range from Crown.
Bronzing powder can be very tricky to apply correctly. Get it wrong and you can end up with terrible brown/orange stripes all over your face and body. The key is definitely in the blending and for this job you have two options…a kabuki or long bristled powder brush. The days of contouring are drawing to an end, Kim Kardashian are you listening? It's all about drawing light to the centre of the face now. To achieve this you just need to create that perfectly subtle 33 shape…click the picture for Trick or Chic's great tutorial.
Another thing that is gaining more popularity is bringing the two 3's into the centre of the face so you have an 8 shape, or as Dior's Jamie Coombs taught me…a 33 kissing! Right so we've got the technique down, which brush will do the job perfectly?
Personally my favourite brush is this one from NARS. It may be £42.50 but man it's gooood! Made from pen goat hair it's mega soft and apply's product beautifully. It can be used for dusting off excess face powder but I think it's better suited for applying bronzing powder. It's bristles are so long and soft that it acts like a M.A.C. 217 blending brush for the face. Lightly sweep across your chosen bronzer, tap and get to work lightly applying your product. If you have been a little heavy handed, which is hard with this brush, then simply blend out the bronzer like you would an eyeshadow, and voila…perfectly bronzed features…without looking like you've been tangoed!
If however you prefer something with a bit more weight behind it then a Kabuki is what you're looking for. Soft dense bristles that usually form a rounded top, or occasionally a flat top, help you to buff products into your skin perfectly and avoid harsh streaks. This one from Sephora is a purchase I made 8 ago years in New York and it is one of the best brushes I have ever used. Thank the lord that Sephora are now shipping to the UK!
If you are applying powder to a large area it goes without saying you need a big brush. I mean lets be honest, applying the body powder is usually the last job we do, and it's usually accompanied by a soundtrack of people heckling us to hurry up…or is that just me? To avoid wasting more time grab a massive, good quality brush and sweep over the desired area.
My favourite brush for this job is Daniel Sandler's Kabeauti Brush. As this is a duo fibre brush it will not pick up too much product and leave you looking streaky. What he say's about this brush "Take the fear out of applying powder and bronzer and instead make it a simple step within your makeup routine, avoiding over powdering or under blending by using this BIG brush." I have to admit that he's right, not only will you get the job done fast but it will leave you looking perfectly groomed. Also for the boys out there looking for a brush to apply bronzer to the whole face…this is your best bet!
Fan brushes are generally used to sweep away excess product or correct mistakes. You can get anything from a delicate little fan brush to a huge kabuki. I personally love the little delicate fan brushes to sweep away my under eye setting powder. This one from Laura Mercier is a beautiful brush.
That's it for this installment, I'll be looking at contour, highlight and blending next so don't forget to follow me on here, bloglovin or twitter so you don't miss it :O) If you guys have any questions, or have found even better brushes please leave a comment below.
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