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Voyage Of Discovery In Berlin – Tourist Attractions In Berlin
Come to Berlin and enjoy this great city of Berlin has many attractions which are visited every day by locals as well as tourists. Berlin offers fascinating places and buildings, in which man you should have seen. Berlin has not only more but a centre and the attractions are widely distributed. In the western part, between the Ku'damm and the airport Tegel is Charlottenburg Palace, the baroque castle with English gardens, which built Friedrich I. for his wife Sophie Charlotte has let. The Egyptian Museum and Papyrus collection located in the famous Museum Island in Berlin Mitte. Other cultural gems are in the Dahlem museum complex or concentrated in the Cultural Forum. The Dahlem complex is located in a quiet neighborhood near Southwest of the University of Berlin, and has art museums with works of old masters and ethnographic museums with artifacts from all over the world.
The Cultural Forum is located in the District of Tiergarten Park includes the new National Gallery by Mies van der Rohe, the Museum of decorative arts, Kupferstichkabinett, new State Library and the Philharmonic. The House of world cultures, which is located in the former Congress Hall contemporary art exhibits from around the world, and is an architecturally interesting building. The real historical centre of the city is located in the eastern half. Probably most easily recognizable by the Brandenburg Gate, the main meeting place for celebrations after the fall of the wall in 1989. On its East side is the Pariser Platz. The most notable buildings are found, such as the State Library, Humboldt-Universitat, new guard, Zeughaus (German Historical Museum), and dieStaatsoper at the eastern end. The Berliner Dom, which Krypta contains the remains of the German Emperor located right at the Castle bridge. The Cathedral is located on an island, better known as Museum Island.
The Museum Island is the home of the famous Pergamon Museum, which contains the Pergamon altar, the gate of Miletus, and the Bode-Museum, Altes Museum, Alte Nationalgalerie and the new Museum. These Group is the reason why Berlin is sometimes called "Athens on the spree" of neo-classical buildings. The Alexanderplatz square, known as Alex, is one of the most vibrant places of Berlin. This place is also the 365m Berlin TV Tower – the tallest building in Berlin, which can be used for an excellent view over the city. They are still looking for a suitable accommodation near some tourist attractions, try it once with a Berlin apartment.


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BWXT Advancing Microreactor Design Project
U.S. Department of Energy ARDP Contracting Finalized; On Track to Deliver TRISO Fuel for Testing
(LYNCHBURG, Va. – April 11, 2022) – BWX Technologies, Inc. (NYSE: BWXT) is proceeding apace to deliver microreactors to commercial power and industrial customers in cooperation with Idaho National Laboratory and Oak Ridge National Laboratory.
The company's BANR (BWXT Advanced Nuclear Reactor) is a transportable microreactor using TRISO fuel and was selected to participate in the U.S. Department of Energy's (DOE) Advanced Reactor Demonstration Program (ARDP). BWXT is focusing on aggressive cost reductions for deploying this transportable microreactor through performance improvements and lower delivery costs. Subsidiary BWXT Advanced Technologies LLC (BWXT AT) has finalized its formal cost-sharing contracting with the DOE and is on track to deliver the first round of BANR's TRISO fuel for testing at Idaho National Laboratory's Advanced Test Reactor in 2024 as scheduled.
Testing at Idaho National Laboratory will provide important operational data on the performance of TRISO fuel particles. When complete, the project will have matured technologies related to key reactor safety systems in order to improve the overall economics for deployment.
This data is critical for approval by the U.S. Nuclear Regulatory Commission (NRC) and transition to deployment. BWXT AT is also partnered with Oak Ridge National Laboratory for the development of advanced modeling and simulation tools and manufacturing processes.
"We're making a lot of progress in this program, and I'm very proud of the engineers and technicians who are keeping our reactor design and fuel development processes focused on deployment and stimulating demand in the advanced reactor market," said Joe Miller, BWXT AT president. "Our collaboration with the national laboratories represents a longstanding commitment to delivering cutting-edge technologies that improve reactor performance and operation."
The DOE Office of Nuclear Energy's ARDP cost-share arrangement is designed to help domestic, private industry demonstrate commercially viable advanced nuclear reactors in the U.S. The DOE expects to invest approximately $600 million over seven years in the ARDP's risk reduction pathway.
About TRISO Fuel
TRISO refers to a specific design of uranium nuclear reactor fuel that can withstand extreme heat and has very low environmental risks. A single TRISO particle is tiny – about the size of the tip of a ball-point pen. Every TRISO particle carries its own layered containment system to protect the environment and the public. Thousands of these particles are pressed into 'compacts' similar in size to a tube of lip balm. BWXT is the only U.S. company to manufacture irradiation-tested uranium oxycarbide TRISO fuel using production-scale equipment.
Forward Looking Statement
BWXT cautions that this release contains forward-looking statements, including statements relating to the performance, timing, impact and value, to the extent contract value can be viewed as an indicator of future revenues, of the microreactor design project and future investment. These forward-looking statements involve a number of risks and uncertainties, including, among other things, modification or termination of the project and delays. If one or more of these or other risks materialize, actual results may vary materially from those expressed. For a more complete discussion of these and other risk factors, please see BWXT's annual report on Form 10-K for the year ended December 31, 2021 and subsequent quarterly reports on Form 10-Q filed with the Securities and Exchange Commission. BWXT cautions not to place undue reliance on these forward-looking statements, which speak only as of the date of this release, and undertakes no obligation to update or revise any forward-looking statement, except to the extent required by applicable law.
About BWXT
At BWX Technologies, Inc. (NYSE: BWXT), we are People Strong, Innovation Driven. Headquartered in Lynchburg, Virginia, BWXT is a Fortune 1000 and Defense News Top 100 manufacturing and engineering innovator that provides safe and effective nuclear solutions for global security, clean energy, environmental remediation, nuclear medicine and space exploration. With approximately 6,600 employees, BWXT has 12 major operating sites in the U.S. and Canada. In addition, BWXT joint ventures provide management and operations at more than a dozen U.S. Department of Energy and NASA facilities. Follow us on Twitter at @BWXT and learn more at www.bwxt.com.
About Idaho National Laboratory
Battelle Energy Alliance manages INL for the U.S. Department of Energy's Office of Nuclear Energy. INL is the nation's center for nuclear energy research and development, and also performs research in each of DOE's strategic goal areas: energy, national security, science and the environment. For more information, visit www.inl.gov. Follow us on social media: Twitter, Facebook, Instagram and LinkedIn.
Chris Dumond
cmdumond@bwxt.com
Commercial Nuclear Commercial Nuclear Equipment Investors Nuclear Fuel Services Organizational Announcement Press Release
Show All393
Babcock and Wilcox Co. Archival82
BWXT Canada Ltd.30
Commercial Nuclear50
Commercial Nuclear Equipment15
Commercial Nuclear Services15
Contract Announcement123
Corporate Announcement95
Government Services43
Government Solutions41
Investors164
Nuclear Energy Canada1
Nuclear Fuel Services25
Nuclear Medicine7
Organizational Announcement73
Public Recognition7
BWX Technologies, Inc.
Jud Simmons
hjsimmons@bwxt.com
Sean Speiran
srspeiran@bwxt.com
BWXT Nuclear Energy Canada Inc.
creyes@bwxt.com
Laura Bailey
lebailey@nuclearfuelservices.com

redpajama_set_name: RedPajamaCommonCrawl


Auto injuries are an expensive and painful problem around the world. Experts estimate that we spend over $30 billion per year in treating the pain and disability that can result from a rear-end crash. We see many of these cases each year in our West Palm Beach, FL office.
If you've already been injured in a crash, it's important to get treatment right away. The staff at Lake Clarke Chiropractic Group has helped many people recover from such injuries. Give our West Palm Beach office a call today at (561) 966-6171 to learn more or to make an appointment.


masvoz, a pioneer operator in cloud communications solutions for companies, presents its offer to provide companies with predictive analytics and the acquisition of valuable information thanks to the integration of new advanced analytical technologies.
The company, which has a staff of 55 people, has just moved to new offices in Barcelona to be able to take on the more than 20 additions planned for this year.
masvoz has doubled its business objective in the last 3 years. In 2019 it expects to bill 25 million euros, thanks to the growing adoption of cloud communications solutions in companies.
This year masvoz is committed to the incorporation of Big Data technology based on Artificial Intelligence to optimize data processing between companies and their customers.
masvoz, operator of cloud communications with more than 16 years of experience in communications services for companies, will be present, for the fifth year in a row, in a new edition of the Mobile World Congress (MWC), which will take place between the 25th and February 28th in Barcelona. masvoz has been selected by the public entity Red.es to form part of the Spanish Pavilion as a benchmark company in intelligent communication solutions and will be located at stand 19 of the site.
The company, which has contributed to the growth and consolidation (national and international) of some innovation-led start-up and scale-ups of the main Spanish capital cities thanks to its smart pay-per-use communication solutions, will take advantage of the event's strong global impact to go a step further and present its commitment to communication solutions in the cloud for companies, which help organizations to perform predictive analysis and obtain high value information thanks to the integration of new advanced analytical technologies.
With this new participation in the MWC, masvoz wants to take advantage of the visibility provided by the largest global technology appointment to show visitors (more than 107,000 professionals from more than 200 countries in its latest edition) the importance of integrating new capabilities of advanced analytics thanks to the integration with the sales systems. "Integrations that allow making and receiving calls from the CRM of the companies, so that the client's information is present in all their communications with the company," explains Alfred Nesweda, CEO of masvoz.
"The professional telephone support tools, facilitate the optimization of the communications and allow to take advantage of the impulse of new technologies of artificial intelligence to improve the tasks that the customer service centers realize daily. Thus, companies will have easy access to predictive analytics and obtaining more information in real time and automatically," adds Nesweda.
masvoz has developed solutions adapted to omnichannel and digitalization (self-service) such as Click&Talk, which allows improving the user experience while browsing the website of a company while talking with the application from your browser in any country, without any need to install any plug-in or application, or buy headphones or other additional devices. In this way, users are satisfied in the resolution of their queries, at zero cost and without waiting. Throughout 2019, the company's IT and product team will continue to work on the creation of this type of solutions adapted to the digital era and with a single objective: to offer an excellent user experience.
According to the report 'Digital Economy and Society in the EU 2018', prepared by Eurostat, in Spain 19% of companies have migrated to the cloud, ranking above countries such as France and Germany.
Among the advantages offered by an SMB, a startup or a scaleup, the use of services in the cloud is the reduction of costs (capital investment is eliminated from the acquisition of hardware and software); the increase in the speed of services; the scalability of resources; or the increase of the productivity, the yield and the reliability thanks to the simplification of processes. Likewise, the payment for use gives the platforms of services in the cloud a great flexibility.


In Transformers: The Last Knight, Optimus Prime finds his home planet, Cybertron, now a dead planet, which he comes to find he was responsible for killing. He finds a way to bring the planet back to life, but in order to do so, he needs to find an artifact – which is on Earth. The movie, the fifth installment in the series, will be in theaters June 23, 2017.


MASH to CHIP in 7 steps.
GRATE to CRUSH in 6 steps.
FOUL to ICKY in 9 steps.
GRIMY to SLIMY in 5 steps.
MIXER to SIXTY in 7 steps.
BOXER to TUXES in 5 steps.
DEAD to POOL in 5 steps.
ANT to MAN in 5 steps.
BRO to CUZ in 5 steps.
OLD to PAL in 7 steps.
MASK to BURY in 5 steps.
KISS to RATT in 5 steps.
KORN to RUSH in 6 steps.
TRAIN to PRIME in 6 steps.
TEST to PREP in 5 steps, then PREP to PLAN in 4 steps.
YARD to MILE in 5 steps.
INCH to FOOT in 9 steps.
FULL to NAME in 5 steps.
FULL to MOON in 5 steps.


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Stan Douglas with Jason Rosenfeld
Monday, March 15, 2021 to Monday, March 15, 2021
Multimedia artist Stan Douglas joins Rail Editor-at-Large Jason Rosenfeld for a conversation. We conclude with a poetry reading from I.S. Jones.
Stan Douglas © Evann Kheraj. Courtesy the artist, Victoria Miro and David Zwirner
Since the late 1980s, Stan Douglas has created films and photographs—and more recently theater productions and other multidisciplinary projects—that investigate the parameters of their medium. His ongoing inquiry into technology's role in image making, and how those mediations infiltrate and shape collective memory, has resulted in works that are at once specific in their historical and cultural references and broadly accessible. Douglas was born in 1960 in Vancouver, where he continues to live and work. Douglas was one of the first artists to be represented by David Zwirner, where he had his first American solo exhibition in 1993.
Jason Rosenfeld
Distinguished Chair and Professor of Art History at Marymount Manhattan College Jason Rosenfeld, Ph.D., has curated the exhibitions John Everett Millais (Tate Britain, Van Gogh Museum), Pre-Raphaelites: Victorian Avant-Garde (Tate Britain and the National Gallery of Art, Washington, D.C.), and River Crossings (Olana and Cedar Grove, Hudson and Catskill, New York). He is a co-author of the monograph Cecily Brown (Phaidon, 2020), and a Senior Writer and Editor-at-Large for the Brooklyn Rail.
In the Rail: Jason Rosenfeld
More on Jason Rosenfeld
@jmrnyc1
The Rail has a tradition of ending our conversations with a poem, and we're fortunate to have I.S. Jones reading.
I.S. Jones
Queer American Nigerian poet and music journalist, I.S. Jones is a Graduate Fellow with The Watering Hole and holds fellowships from Callaloo, BOAAT Writer's Retreat, and Brooklyn Poets. I.S. hosts a month-long workshop every April called The Singing Bullet. She is an editor at 20.35 Africa: An Anthology of Contemporary Poetry. Her works have appeared or are forthcoming in Guernica, Washington Square Review, Hayden's Ferry Review, Hobart Pulp, The Rumpus, The Offing, Shade Literary Arts, and elsewhere. Her chapbook Spells Of My Name is forthcoming with Newfound in 2021.
More on I.S. Jones
isjones.com


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San Diego Toreros vs Gonzaga Bulldogs 2/27/2020 Picks Predictions Previews
San Diego Toreros vs Gonzaga Bulldogs 2/27/2020 Picks Predictions Previews More College Basketball Picks Predictions Previews The San Diego Toreros will proceed to Washington to clash with the Gonzaga Bulldogs at the McCarthey Athletic Center in Spokane on Thursday evening. The Toreros are on a 3-game slump after the Saint Mary's Gaels trampled them to a score of 63-92 at the University Credit Union Pavilion in Moraga, CA, Saturday night. Toreros G Braun Hartfield delivered 15 points, F Yauhen Massalski had 13 while G Joey Calcaterra pitched in 11 in the loss to the St. Mary's Gaels. San Diego is…
San Diego Toreros vs St. Mary's Gaels 2/6/2020 Picks Predictions Previews
San Diego Toreros vs St Mary's Gaels 2/6/2020 Picks Predictions Previews More College Basketball Picks Predictions Previews In late West Coast conference action this Thursday, the San Diego Toreros welcome the St. Mary's Gaels at the Jenny Craig Pavilion. San Diego are coming off their third straight loss and they want to get back on the winning track while St. Mary's had their four-game winning streak last Saturday. The Toreros are just 1-8 in the conference this season and 8-16 overall while the Gaels are tied for second place with a conference record of 6-3 and 19-5 overall. San Diego…
San Diego Toreros vs. Memphis Tigers 3/19/2019 Picks Predictions Previews
San Diego Toreros vs. Memphis Tigers 3/19/2019 Picks Predictions Previews More College Basketball Picks Predictions Previews The NIT first round matchup will take place at the FedEx Forum in Memphis, Tennessee on Tuesday where the San Diego Toreros will play against Memphis Tigers. San Diego had dropped overall to 21-14 in their semifinals of the West Coast Conference Tournament after suffering a loss from Saint Mary's on Monday. San Diego came close to 2 points with 32 second remaining but Saint Mary's managed to stop them with a final score of 69-62. Isiah Wright took the lead for his team…
San Diego Toreros vs. Saint Mary's Gaels 3/11/2019 Picks Predictions Previews
San Diego Toreros vs. Saint Mary's Gaels 3/11/2019 Picks Predictions Previews More College Basketball Picks Predictions Previews Saint Mary's Gaels and San Diego Toreros will face-off in a West Coast Conference at Orleans Arena in Las Vegas, Nevada. San Diego Toreros seem to be in good shape after their victory over BYU Cougars on Saturday. The Cougars scored 57 points while San Diego scored 80 points winning the quarter-finals. Isaiah Pinero took the lead for his team with 27 points and 12 rebounds driving San Diego to their third straight victory. Saint Mary's Gaels have been doing well in the…
San Diego Toreros vs. San Francisco Dons 2/28/2019 Picks Predictions Previews
San Diego Toreros vs. San Francisco Dons 2/28/2019 Picks Predictions Previews More College Basketball Picks Predictions Previews San Diego Toreros are all set to square-off with San Francisco Dons at the War Memorial Gymnasium in San Francisco, California on Thursday. San Diego has dropped this season to 17-12 overall and at the West Coast Conference they stand at 6-8 following their 66-46 defeat to Saint Mary's. Isaiah Pinero took the lead for his team with 13 points and out of the last 7 played San Diego lost their 5th game. San Francisco has also dropped this season overall to 21-7 and…
Gonzaga Bulldogs vs San Diego Toreros 2/16/2019 Picks Predictions Previews
Gonzaga Bulldogs vs San Diego Toreros 2/16/2019 Picks Predictions Previews More College Basketball Picks Predictions Previews The Gonzaga Bulldogs continue its rampage with a 15-game winning streak after it attacked the Loyola MaryMount Lions and left at a score of 73-60, Valentine's night. The Bulldogs are now 24-2 in the League and with an 11-0 win/loss cap in the West Coast Conference. Junior Forward Rui Hachimura delivered 22 points while fellow Junior Forward Brandon Clarke followed with with 17 points for the Bulldogs. Gonzaga has the best record in NCAA Basketball history by outscoring its opponents to an average of…


Working with Australia's leading pet supplies retailer, we worked to develop a unified, organisational thought to help ensure a leadership position in the category.
The 'For Better Humans' campaign centres on the positive impact pets have on human lives - in making us healthier, happier, kinder and better. Recognising that the more Petbarn can help look after pets, the more pets can help look after people.


Wheat Gluten is a protein component in which wheat is used to strengthen dough and give it structure and flavor. You can combine wheat gluten with millet or corn meal to make satisfactory baked products. Use three tablespoons per loaf of bread. This can also be used to make meat substitutes such as tofu or seitan.
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RTM Distributors is the only authorized seller of Medley Hills Farm Products. For your protection, select only "Sold by RTM Distributors" as the seller.
Vital Wheat gluten is similar to soybean based products. This can be used to make meat substitutes such as tofu or seitan. It can also be used as a thickening agent in sauces and condiments.
Vital Wheat Gluten is the natural protein found in wheat. A small amount added to yeast bread recipes improves the texture and elasticity of the dough. Vital Wheat Gluten can also be used to make a vegetarian meat substitute known as seitan.
When mixed with with water and spiced, our Vital Wheat Gluten will make seitan, a vegetarian "meat" that is rich in protein. Our Vitor Wheat Gluten, which contains 71% protein, can also be added to regular flour to increase the content, resulting in high-gluten flour, which is ideal for baking chewier breads.
If you have any questions about this product by Medley Hills Farm, contact us by completing and submitting the form below. If you are looking for a specif part number, please include it with your message.


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Musical evening – Diaspora version
Dr R Neerunjun Gopee | June 24, 2011 | Entertainment | No Comments
By Dr R Neerunjun Gopee
The programme started with a bhajan from the film Lagaan written by Javed Akhtar and composed by AR Rahman, opening with the words –
Tu Paalanhare nirguna aur nyare
Tumrebin hamra kauno nahin
Humri uljhan suljhao Bhagwan
Tumrebin hamra… sang as a duet by Karuna and Nalini, the initiators of this musical evening on the occasion of World Music Day, which was celebrated at national level in a multitude of colourful ways by schoolchildren in particular.
The lyrics mean – 'You my Protector, Divine Essence close to me, I have no one but You, Pray Lord relieve me of my sufferings…' The original song is in the evergreen voice of Lata Mangeshkar, but the combined voices of Karuna and Nalini made it as soul-stirring as Lataji's version. A great thanks to them for setting the tone of the evening and building up expectations which were fully met over the ensuing three and a half hours, with Safar and Zeenat as well as a few others joining in as the programme unfolded. The lead vocalist was their seasoned Guruji whose renderings and the skills of the accompanying instrument players enriched the atmosphere of enjoyment that pervaded the entire evening.
On the menu were, in addition to Lata Mangeshkar already mentioned above, Mohamud Rafi, Mukesh, Hemant Kumar, Kishore kumar, Pankaj Udhas, Runa Laila, Jagjit Singh amongst others, with songs from films as varied as Shri 420 and Nagin. All present were lovers of old Hindi film songs, but it was a also a pleasure to find some youngsters too in the audience – perhaps they will catch on and learn to be as appreciative of the oldies as of newer compositions, hopefully kuch kuch hojayega… as they grow up and mature.
As happened to me, and I am sure many others too who may, like me, have initially been put off by what we considered to be 'effeminate' songs! Such as those from Nagin, of which Mera dil yeh pukare aaja is among the best known. I remember how I used to get irritated when my Didi (elder sister) used to hum or sing this song when it would be playing on our box-like radio set of those days (Murphy? Phillips?), or afterwards as the tune perhaps reverberated in her head. I used to ridicule and sometimes even pick a fight so as to get her to stop, stop, stop!
After all, how could that compare with the upcoming pops we were increasingly being exposed to, carrying exotic names like Cliff Richards, Elvis Presley, Helen Shapiro, Englebert Humperdinck, Dalida, Enrico Macias… and a long list of others.
It did not take me a passage to India to be pricked by the oldies bug – in fact by the time the transformation took place I was still in secondary school, and those soulful songs were yet to become oldies! I think it was the first stirrings of blushful love that triggered the change, though I cannot remember for certain. But never mind, what does it matter now at this stage and age? The important thing is that I discovered that all forms, styles, languages in which music was rendered could coexist happily within me, and depending on mood and company I could enjoy them all. I still almost swoon when I hear Elvis's It's now or never, and Edith Piaf can freeze me into instant but alas transient eternity!
Among the classicals a favourite of mine remains Mozart's Symphony No. 40 in G minor which our music teacher Mrs Brooks introduced us to. I still remember the thrill I felt on listening to Handel's Messiah that she made us listen too, in what appeared then to be the cavernous hall of the Royal College Curepipe. She drew the black curtains, put off the lights, asked us to remain silent and placed the needle on the 33-disc. Celestial sound emanated from that gramophone, and lifted us to the stratosphere. Words will ever fall short of describing the feeling.
On Saturday night then, it was youthful Zeenat who made us travel down the lane to Nagin, and a flood of memories came back. One of them is a Sunday evening, in Kolkata during my medical student days. A few classmates, all girls, turned up at my hostel and almost ordered me: 'Chalo, what are you doing? Let's go to Sheila's place and spend some time.' And barely out of my afternoon slumber, I quickly freshened up and followed them. After some hot chai followed by gup-shup, we had a singing session. When my turn came I was persuaded to croak my way through, and they were polite enough to clap their hands, but more memorable for me was their interpretations. All of them were amateur singers, but the sound that came out of their throats bore the imprint of their millennial origin: it is as natural for them to sing as it is to breathe, so I felt as I listened to these talented friends. Wherever they are today, bless them!
Those who sang during that musical evening too were not professionals, only dedicated music lovers. As Oudesh, who gave the welcome address, remarked, there will perhaps be shortcomings and we will have to show indulgence, but the whole point of the evening was to sit back or participate, and enjoy in good company and to the sound of music. And that's exactly as it turned out to be.
But the more original aspect of this meet is revealed when we consider it from the diaspora angle. Here was a group of fourth or fifth generation Indians, many of whom have perhaps never been to India, gathered to sing Hindi songs written, composed and sung by maestros whom they were all inspired by. Most likely none of them spoke Hindi on a daily basis or with great ease when they have to – I apologise in advance if I making a wrong assumption here – and yet they were so familiar with the words and the language, which all understood perfectly. Oudesh's welcome was in French à la métropole and rounded it off with 'if music be the food of love…', the singers introduced their themes in English or French and during the break the conversation was in Creole, French and English.
Welcome in French-cum-English, introductions in English or French, the interlude a mix of Creole, French and English, refreshments included petits fours, and the singing in Hindi! Plus Mauricien que ça tu meurs!
And yet there was an unmistakeable Indianness that infused the gathering, as Indian as one would see in any salon in India. No wonder Mrs Indira Gandhi, if I am not mistaken, said of Mauritius that it is a Little India beyond the seas. And I look forward to yet more such musical evenings, because the repertoire of oldies is almost inexhaustible.
Thanks Karuna and Nalini for organizing, and their fellow-singers for giving us so much to be grateful for. As for those who did not make it this time, be sure you respond to the next invitation…
Tags:AR Rahman, Diaspora, Dr R Neerunjun Gopee, Hemant Kumar, Indira Gandhi, Jagjit Singh, Javed Akhtar, Kishore Kumar, Lagaan, Lata Mangeshkar, Mohamud Rafi, Mukesh, Musical, Nagin, Pankaj Udhas, Runa Laila, Shri 420
Sports Biopics: Hockey Wizard Dhyan Chand May Score a Hit
No Comments | Oct 17, 2014
The Pure Beauty of Movie – 'Masaan'
Bonto Bazaar


Opener "Living Well's the Best Revenge" sets the tone, with a prominent lead guitar figure from Peter Buck, thumping, melodic bass lines and backing vocals from Mike Mills and a rapid stream of lyrics from frontman Michael Stipe. The track almost seems like a musical cousin to "Just a Touch" from 1986's "Life's Rich Pageant."
The up-tempo approach extends to "Supernatural Superserious," a video for which was shot earlier this week on Manhattan's Lower East Side. "You realize your fantasies are dressed up in travesties / enjoy yourself with no regrets," Stipe instructs on the track, which should hit radio sometime next month.
Elsewhere, "Hollow Man" begins as a piano ballad but quickly morphs into a revved-up chorus, while "Horse To Water" is a noisy, angular rocker with the unmistakable stamp of R.E.M.'s pre-major label days.
Among the slower departures are "Houston," which is vaguely reminiscent of the vintage "Swan Swan H," and the politically charged "Until the Day Is Done" ("The verdict is dire / the country's in ruins," Stipe sings).
A number of the "Accelerate" tracks were premiered last summer during "working rehearsal" shows in Dublin. The album was produced by Jacknife Lee, best known for his work with Snow Patrol and U2.


Fernando Torres - June 19 - Press Conference. Fernando Torres - June 19 - Press Conference. Wallpaper and background images in the Fernando Torres club tagged: spain national football team fernando torres fifa world cup south africa press conference spain 9 nando.


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Hot Wax Mealworms
Colin Panetta needs to get all the thoughts about movies and comics out of his head. Since he doesn't own an axe, this blog will have to do.
My Appointment Comic Book Reading
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Zombie World: Champion of the Worms #3
Posted: August 7, 2013 | Author: Colin | Filed under: Comics, Horror |Leave a comment »
Comic book, 1997
There are three Pat McEwons known to us, and they've appeared in this order. Work for hire Pat McEwon, who, early in his career, turned out many issues of work for creative interests other than his own. Then came Pat McEwon the auteur, who released a few inventive short stories from anthologies such as Dark Horse Presents and Dave Cooper's Weasel. Then came milk carton Pat McEwon, who's been largely absent from the comics scene for years, apart from one short story (for the Madman 20th anniversary book) and one graphic novel (Hair Shirt). Zombie World: Champion of Worms #3 (the only issue of the series I've read) occurs at a bridge between work for hire McEwon and auteur McEwon, being a work he created for someone else while still possessing many of the hallmarks of his auteur work. In it he's paired with an early instance of Mike Mignola as a writer only, and the result is a Hammer horror tinged take on Tintin. It's a good match, but not a perfect one- McEwon's layouts and characers pack the appropriate amount of whimsy, but his ghouls are too cartoony to be truly menacing. As for Mignola's side of things, this is writer-only Mignola pre-John Arcudi, so seemingly all consideration is given to plot, with none apparently given to characters. But if you'be got a kid edging up on feeling too old for Tintin and might respond to something a little darker, I imagine this would work like a charm.
Super Inside Baseball, How The Sausage Is Made Bonus Round: Zombie World appears to be an attempt on the part of a comics company (Dark Horse) to create a franchise while sharing the rights with the hired talent (Mignola and McEwon), and the indicia is fittingly tangled, giving copyright for the text and illustrations to the creators and the publisher, the title trademarked to the publisher, the characters trademarked to the creators, and so on. It seems like Dark Horse planned for the series to continue without its original creators. From the editor in this issue's letters page: "Thanks to Pat McEwon and Mike Mignola for getting this series off to such and interesting start. The books in coming months, from a lineup diverse enough to include…" continuing into a list of future contributors, many if not all of whch I believe were actually released. I'd be curious to check the indicia of future issues for McEwon and Mignola's names. Interesting, and I assume an experiment on the part of the publisher in creating a franchise while keeping the creators properly in the loop. If this is true, their hearts were certainly in the right place. But, to go out even further on a limb, I'd guess that the franchise, concept and all, was publisher mandated. ("Make us a world of zombies, we'll call it Zombie World!") Catching lightning in a bottle can be tough, but you couldn't hire two better creators to attempt it with.
Autobio


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Organic Cane Sugar, Organic Cocoa Liquor, Organic Cocoa Butter. Packaged in the same facility as peanuts, tree nuts, wheat, soy, and milk products.


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Broadband drops below £20 a month barrier
From next week, UK Internet users can sign up for broadband for £19.99 per month, including VAT. There's just the small matter of a £200 upfront payment
By Graeme Wearden | July 26, 2002 -- 11:55 GMT (04:55 PDT) | Topic: Networking
Internet users will be able to sign up for a home broadband connection for a monthly cost of only £19.99 from next week. Subscribers must agree to take the service for at least one year, though, and pay an initial one-off fee of over £200, which includes payment for two months' in advance, the according to the company offering the service.
Starting on 1 August, V21 -- a UK ISP -- will start selling its new home broadband ADSLHome User package. This is the first ADSL product in the UK to cost less than £20 per month including VAT.
Some of the UK's smaller ISPs, such as Pipex and Nildram, have been offering broadband for less than £20 per month, but excluding VAT. This means that the retail price paid by customers is around £22.
Customers who subscribe to V21's ADSLHome User service must sign a 12-month contract.
V21 will also charge a total of £164 including VAT for installation costs and for an ADSL modem. This is around £15 more than some other ISPs charge.
Customers must also pay two months' subscription -- £39.98 -- up front, pushing their initial payment to V21 up to £204.
V21 has been accepting pre-registrations for ADSLHome User since April. Interested users can still register for the service at V21's Web site.
See the Broadband News Section for the latest on cable modems, ADSL, satellite and other high-speed access technologies, including a comprehensive guide to the best deals out there.
Have your say instantly, and see what others have said. Go to the Telecoms forum.
Let the editors know what you think in the Mailroom.
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text:
#include "webrtc/video_frame.h"

#include <math.h>
#include <string.h>

#include "testing/gtest/include/gtest/gtest.h"
#include "webrtc/base/bind.h"
#include "webrtc/base/scoped_ptr.h"

namespace webrtc {

class NativeHandleImpl {
 public:
  NativeHandleImpl() : no_longer_needed_(false) {}
  virtual ~NativeHandleImpl() {}
  bool no_longer_needed() const { return no_longer_needed_; }
  void SetNoLongerNeeded() { no_longer_needed_ = true; }

 private:
  bool no_longer_needed_;
};

bool EqualPlane(const uint8_t* data1,
                const uint8_t* data2,
                int stride,
                int width,
                int height);
bool EqualFrames(const I420VideoFrame& frame1, const I420VideoFrame& frame2);
bool EqualTextureFrames(const I420VideoFrame& frame1,
                        const I420VideoFrame& frame2);
int ExpectedSize(int plane_stride, int image_height, PlaneType type);

TEST(TestI420VideoFrame, InitialValues) {
  I420VideoFrame frame;
  EXPECT_TRUE(frame.IsZeroSize());
  EXPECT_EQ(kVideoRotation_0, frame.rotation());
}

TEST(TestI420VideoFrame, CopiesInitialFrameWithoutCrashing) {
  I420VideoFrame frame;
  I420VideoFrame frame2;
  frame2.CopyFrame(frame);
}

TEST(TestI420VideoFrame, WidthHeightValues) {
  I420VideoFrame frame;
  const int valid_value = 10;
  EXPECT_EQ(0, frame.CreateEmptyFrame(10, 10, 10, 14, 90));
  EXPECT_EQ(valid_value, frame.width());
  EXPECT_EQ(valid_value, frame.height());
  frame.set_timestamp(123u);
  EXPECT_EQ(123u, frame.timestamp());
  frame.set_ntp_time_ms(456);
  EXPECT_EQ(456, frame.ntp_time_ms());
  frame.set_render_time_ms(789);
  EXPECT_EQ(789, frame.render_time_ms());
}

TEST(TestI420VideoFrame, SizeAllocation) {
  I420VideoFrame frame;
  EXPECT_EQ(0, frame. CreateEmptyFrame(10, 10, 12, 14, 220));
  int height = frame.height();
  int stride_y = frame.stride(kYPlane);
  int stride_u = frame.stride(kUPlane);
  int stride_v = frame.stride(kVPlane);
  // Verify that allocated size was computed correctly.
  EXPECT_EQ(ExpectedSize(stride_y, height, kYPlane),
            frame.allocated_size(kYPlane));
  EXPECT_EQ(ExpectedSize(stride_u, height, kUPlane),
            frame.allocated_size(kUPlane));
  EXPECT_EQ(ExpectedSize(stride_v, height, kVPlane),
            frame.allocated_size(kVPlane));
}

TEST(TestI420VideoFrame, CopyFrame) {
  uint32_t timestamp = 1;
  int64_t ntp_time_ms = 2;
  int64_t render_time_ms = 3;
  int stride_y = 15;
  int stride_u = 10;
  int stride_v = 10;
  int width = 15;
  int height = 15;
  // Copy frame.
  I420VideoFrame small_frame;
  EXPECT_EQ(0, small_frame.CreateEmptyFrame(width, height,
                                            stride_y, stride_u, stride_v));
  small_frame.set_timestamp(timestamp);
  small_frame.set_ntp_time_ms(ntp_time_ms);
  small_frame.set_render_time_ms(render_time_ms);
  const int kSizeY = 400;
  const int kSizeU = 100;
  const int kSizeV = 100;
  const VideoRotation kRotation = kVideoRotation_270;
  uint8_t buffer_y[kSizeY];
  uint8_t buffer_u[kSizeU];
  uint8_t buffer_v[kSizeV];
  memset(buffer_y, 16, kSizeY);
  memset(buffer_u, 8, kSizeU);
  memset(buffer_v, 4, kSizeV);
  I420VideoFrame big_frame;
  EXPECT_EQ(0,
            big_frame.CreateFrame(buffer_y, buffer_u, buffer_v,
                                  width + 5, height + 5, stride_y + 5,
                                  stride_u, stride_v, kRotation));
  // Frame of smaller dimensions.
  EXPECT_EQ(0, small_frame.CopyFrame(big_frame));
  EXPECT_TRUE(EqualFrames(small_frame, big_frame));
  EXPECT_EQ(kRotation, small_frame.rotation());

  // Frame of larger dimensions.
  EXPECT_EQ(0, small_frame.CreateEmptyFrame(width, height,
                                            stride_y, stride_u, stride_v));
  memset(small_frame.buffer(kYPlane), 1, small_frame.allocated_size(kYPlane));
  memset(small_frame.buffer(kUPlane), 2, small_frame.allocated_size(kUPlane));
  memset(small_frame.buffer(kVPlane), 3, small_frame.allocated_size(kVPlane));
  EXPECT_EQ(0, big_frame.CopyFrame(small_frame));
  EXPECT_TRUE(EqualFrames(small_frame, big_frame));
}

TEST(TestI420VideoFrame, ShallowCopy) {
  uint32_t timestamp = 1;
  int64_t ntp_time_ms = 2;
  int64_t render_time_ms = 3;
  int stride_y = 15;
  int stride_u = 10;
  int stride_v = 10;
  int width = 15;
  int height = 15;

  const int kSizeY = 400;
  const int kSizeU = 100;
  const int kSizeV = 100;
  const VideoRotation kRotation = kVideoRotation_270;
  uint8_t buffer_y[kSizeY];
  uint8_t buffer_u[kSizeU];
  uint8_t buffer_v[kSizeV];
  memset(buffer_y, 16, kSizeY);
  memset(buffer_u, 8, kSizeU);
  memset(buffer_v, 4, kSizeV);
  I420VideoFrame frame1;
  EXPECT_EQ(0, frame1.CreateFrame(buffer_y, buffer_u, buffer_v, width, height,
                                  stride_y, stride_u, stride_v, kRotation));
  frame1.set_timestamp(timestamp);
  frame1.set_ntp_time_ms(ntp_time_ms);
  frame1.set_render_time_ms(render_time_ms);
  I420VideoFrame frame2;
  frame2.ShallowCopy(frame1);

  // To be able to access the buffers, we need const pointers to the frames.
  const I420VideoFrame* const_frame1_ptr = &frame1;
  const I420VideoFrame* const_frame2_ptr = &frame2;

  EXPECT_TRUE(const_frame1_ptr->buffer(kYPlane) ==
              const_frame2_ptr->buffer(kYPlane));
  EXPECT_TRUE(const_frame1_ptr->buffer(kUPlane) ==
              const_frame2_ptr->buffer(kUPlane));
  EXPECT_TRUE(const_frame1_ptr->buffer(kVPlane) ==
              const_frame2_ptr->buffer(kVPlane));

  EXPECT_EQ(frame2.timestamp(), frame1.timestamp());
  EXPECT_EQ(frame2.ntp_time_ms(), frame1.ntp_time_ms());
  EXPECT_EQ(frame2.render_time_ms(), frame1.render_time_ms());
  EXPECT_EQ(frame2.rotation(), frame1.rotation());

  frame2.set_timestamp(timestamp + 1);
  frame2.set_ntp_time_ms(ntp_time_ms + 1);
  frame2.set_render_time_ms(render_time_ms + 1);
  frame2.set_rotation(kVideoRotation_90);

  EXPECT_NE(frame2.timestamp(), frame1.timestamp());
  EXPECT_NE(frame2.ntp_time_ms(), frame1.ntp_time_ms());
  EXPECT_NE(frame2.render_time_ms(), frame1.render_time_ms());
  EXPECT_NE(frame2.rotation(), frame1.rotation());
}

TEST(TestI420VideoFrame, Reset) {
  I420VideoFrame frame;
  ASSERT_TRUE(frame.CreateEmptyFrame(5, 5, 5, 5, 5) == 0);
  frame.set_ntp_time_ms(1);
  frame.set_timestamp(2);
  frame.set_render_time_ms(3);
  ASSERT_TRUE(frame.video_frame_buffer() != NULL);

  frame.Reset();
  EXPECT_EQ(0u, frame.ntp_time_ms());
  EXPECT_EQ(0u, frame.render_time_ms());
  EXPECT_EQ(0u, frame.timestamp());
  EXPECT_TRUE(frame.video_frame_buffer() == NULL);
}

TEST(TestI420VideoFrame, CopyBuffer) {
  I420VideoFrame frame1, frame2;
  int width = 15;
  int height = 15;
  int stride_y = 15;
  int stride_uv = 10;
  const int kSizeY = 225;
  const int kSizeUv = 80;
  EXPECT_EQ(0, frame2.CreateEmptyFrame(width, height,
                                       stride_y, stride_uv, stride_uv));
  uint8_t buffer_y[kSizeY];
  uint8_t buffer_u[kSizeUv];
  uint8_t buffer_v[kSizeUv];
  memset(buffer_y, 16, kSizeY);
  memset(buffer_u, 8, kSizeUv);
  memset(buffer_v, 4, kSizeUv);
  frame2.CreateFrame(buffer_y, buffer_u, buffer_v,
                     width, height, stride_y, stride_uv, stride_uv);
  // Expect exactly the same pixel data.
  EXPECT_TRUE(EqualPlane(buffer_y, frame2.buffer(kYPlane), stride_y, 15, 15));
  EXPECT_TRUE(EqualPlane(buffer_u, frame2.buffer(kUPlane), stride_uv, 8, 8));
  EXPECT_TRUE(EqualPlane(buffer_v, frame2.buffer(kVPlane), stride_uv, 8, 8));

  // Compare size.
  EXPECT_LE(kSizeY, frame2.allocated_size(kYPlane));
  EXPECT_LE(kSizeUv, frame2.allocated_size(kUPlane));
  EXPECT_LE(kSizeUv, frame2.allocated_size(kVPlane));
}

TEST(TestI420VideoFrame, ReuseAllocation) {
  I420VideoFrame frame;
  frame.CreateEmptyFrame(640, 320, 640, 320, 320);
  const uint8_t* y = frame.buffer(kYPlane);
  const uint8_t* u = frame.buffer(kUPlane);
  const uint8_t* v = frame.buffer(kVPlane);
  frame.CreateEmptyFrame(640, 320, 640, 320, 320);
  EXPECT_EQ(y, frame.buffer(kYPlane));
  EXPECT_EQ(u, frame.buffer(kUPlane));
  EXPECT_EQ(v, frame.buffer(kVPlane));
}

TEST(TestI420VideoFrame, FailToReuseAllocation) {
  I420VideoFrame frame1;
  frame1.CreateEmptyFrame(640, 320, 640, 320, 320);
  const uint8_t* y = frame1.buffer(kYPlane);
  const uint8_t* u = frame1.buffer(kUPlane);
  const uint8_t* v = frame1.buffer(kVPlane);
  // Make a shallow copy of |frame1|.
  I420VideoFrame frame2(frame1.video_frame_buffer(), 0, 0, kVideoRotation_0);
  frame1.CreateEmptyFrame(640, 320, 640, 320, 320);
  EXPECT_NE(y, frame1.buffer(kYPlane));
  EXPECT_NE(u, frame1.buffer(kUPlane));
  EXPECT_NE(v, frame1.buffer(kVPlane));
}

TEST(TestI420VideoFrame, TextureInitialValues) {
  NativeHandleImpl handle;
  I420VideoFrame frame(&handle, 640, 480, 100, 10, webrtc::kVideoRotation_0,
                       rtc::Callback0<void>());
  EXPECT_EQ(640, frame.width());
  EXPECT_EQ(480, frame.height());
  EXPECT_EQ(100u, frame.timestamp());
  EXPECT_EQ(10, frame.render_time_ms());
  EXPECT_EQ(&handle, frame.native_handle());

  frame.set_timestamp(200);
  EXPECT_EQ(200u, frame.timestamp());
  frame.set_render_time_ms(20);
  EXPECT_EQ(20, frame.render_time_ms());
}

TEST(TestI420VideoFrame, NoLongerNeeded) {
  NativeHandleImpl handle;
  ASSERT_FALSE(handle.no_longer_needed());
  I420VideoFrame* frame = new I420VideoFrame(
      &handle, 640, 480, 100, 200, webrtc::kVideoRotation_0,
      rtc::Bind(&NativeHandleImpl::SetNoLongerNeeded, &handle));
  EXPECT_FALSE(handle.no_longer_needed());
  delete frame;
  EXPECT_TRUE(handle.no_longer_needed());
}

bool EqualPlane(const uint8_t* data1,
                const uint8_t* data2,
                int stride,
                int width,
                int height) {
  for (int y = 0; y < height; ++y) {
    if (memcmp(data1, data2, width) != 0)
      return false;
    data1 += stride;
    data2 += stride;
  }
  return true;
}

bool EqualFrames(const I420VideoFrame& frame1, const I420VideoFrame& frame2) {
  if ((frame1.width() != frame2.width()) ||
      (frame1.height() != frame2.height()) ||
      (frame1.stride(kYPlane) != frame2.stride(kYPlane)) ||
      (frame1.stride(kUPlane) != frame2.stride(kUPlane)) ||
      (frame1.stride(kVPlane) != frame2.stride(kVPlane)) ||
      (frame1.timestamp() != frame2.timestamp()) ||
      (frame1.ntp_time_ms() != frame2.ntp_time_ms()) ||
      (frame1.render_time_ms() != frame2.render_time_ms())) {
    return false;
  }
  const int half_width = (frame1.width() + 1) / 2;
  const int half_height = (frame1.height() + 1) / 2;
  return EqualPlane(frame1.buffer(kYPlane), frame2.buffer(kYPlane),
                    frame1.stride(kYPlane), frame1.width(), frame1.height()) &&
         EqualPlane(frame1.buffer(kUPlane), frame2.buffer(kUPlane),
                    frame1.stride(kUPlane), half_width, half_height) &&
         EqualPlane(frame1.buffer(kVPlane), frame2.buffer(kVPlane),
                    frame1.stride(kVPlane), half_width, half_height);
}

bool EqualTextureFrames(const I420VideoFrame& frame1,
                        const I420VideoFrame& frame2) {
  return ((frame1.native_handle() == frame2.native_handle()) &&
          (frame1.width() == frame2.width()) &&
          (frame1.height() == frame2.height()) &&
          (frame1.timestamp() == frame2.timestamp()) &&
          (frame1.render_time_ms() == frame2.render_time_ms()));
}

int ExpectedSize(int plane_stride, int image_height, PlaneType type) {
  if (type == kYPlane) {
    return (plane_stride * image_height);
  } else {
    int half_height = (image_height + 1) / 2;
    return (plane_stride * half_height);
  }
}

}  // namespace webrtc

redpajama_set_name: RedPajamaGithub


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Fluoride essay
Stephen spender my parents
Home computer homework help An examination of the personality theory by freud
An examination of the personality theory by freud
By Gerald Schoenewolf, Ph. Can a childhood bully develop into a mild-mannered librarian? Psychologists have debated for a hundred years whether our personalities develop mainly in early childhood or continue to change and grow throughout our lives. Sigmund Freud was the first to state that personality is formed in early childhood and basically stays the same throughout adulthood.
Below is his diagrammatic attempt to represent this integration and his discussion of the diagram. What you see here is "poor me" or "poor you"at the center of enormous forces. At top, we have history, society, and culture, which influence us primarily through our learning as mediated by our families, peers, the media, and so on.
At the bottom, we have evolution, genetics, and biology, which influence us by means of our physiology including neurotransmitters, hormones, etc. Some of the specifics most relevant to psychology are instincts, temperaments, and health.
As the nice, thick arrows indicate, these two mighty forces influence us strongly and continuously, from conception to death.
There is, of course, nothing simple about these influences. If you will notice the thin arrows a and b. These illustrate some of the more roundabout ways in which biology influences our learning, or society influences our physiology. The arrow labeled a might represent an aggressive temperament leading to a violent response to certain media messages that leads to a misunderstanding of those messages.
There are endless complexities. I also put in a number of little arrows, marked c. These represent accidental influences, physiological or experiential.
Not everything that happens in our environment is part of some great historical or evolutionary movement! Sometimes, stuff just happens.
You can be in the wrong place at the wrong time, or the right place at the right time: Hear some great speaker that changes the direction of your life away from the traditional path, or have a cell hit by stray radiation in just the wrong way.
Last, but not least, there's dwhich represents our own choices. Even if free will ultimately does not stand up to philosophical or psychological analysis, we can at least talk about the idea of self-determination, i.
Boeree is doing here is attempting to represent the various levels studied by personality theorists and show the complex interaction of forces impacting any individual at any point in time, and how the dynamics within each individual interact with those influences.
Personality Theories Research Paper Starter - monstermanfilm.com
This is a very profitable approach because it is paying attention to multiple factors impacting on, and being influenced by the individual. Another attempt to represent this complexity is used by this writer in teaching personality theory and is presented below.
The way to understand this diagram is to view the three blue circles as representing the inner structure of personality. It incorporates the Freudian structures of id, ego, and super-ego along with the concepts of conscious, preconscious, and unconscious.
Areas that belong to the conscious level and the ego are the phenomena Freud and the ego-psychologists described, such as rational judgment, the ability to delay gratification of impulses, and other such executive functions. However, the phenomena studied by modern cognitive psychologists, social psychologists, and experimental psychologists also belong to this level.
Things like perception, attitudes, interpretive schemas, personal constructs, aspects of the self-concept etc. Aspects of the inner personality that serve as guiding principles that are concerned with morality and ethics and that deal with the ideals one holds for oneself, belong to both conscious, pre-conscious, and unconscious aspects of the super-ego.
This would include the self-concept and self-evaluation that humanistic psychologists like Carl Rogers were very concerned with, as well as self-talk that has been studied by cognitive psychologists like Aaron Beck, Donald Meichenbaum and many others.
However, there are biological aspects of personality that human beings are quite conscious of, those described by Maslow as basic physiological needs.
End of Quiz (Exam Mode) Freud's psychoanalytic theory of personality focuses on all the following except. A. Methods used to cope with sexual and aggressive urges. B. According to Freud's theory, the developmental periods that leave their mark on adult personality are. A. Through examination of individual personalities, we can gain an understanding of a culture. There were two main themes in this theoretical school. One was about . (Personality theory). Past traumatic experiences highly influence personality development. At particular points in the developmental process, he claimed a single body part is particularly sensitive to sexual, erotic Psychoanalytic Theory Sigmund Freud () Author.
These inner dynamics are in flux, but they must come into interaction with environmental external factors in order to be satisfied. This is the area in which the interactionist and behavioral schools have much to contribute, as well as theories which are more internally focused.
If you look at the diagram you will see a double line between the inner person and the external world. This represents the perceptual filters we all use to interact with reality.
We all process and decode external stimuli a bit differently.PSY -PERSONALITY THEORIES Final Exam. Question PSY -PERSONALITY THEORIES Text: Theories of Personality: Understanding Persons 5th Edition, Compared to Freud, Jung's theory is more concerned with early childhood experience.
mystical. less . Sigmund Freud is considered to be the father of psychiatry. Among his many accomplishments is, arguably, the most far-reaching personality schema in psychology: the Freudian theory of monstermanfilm.com has been the focus of many additions, modifications, and various interpretations given to its core points.
Feist−Feist • Theories of Personality, Seventh Edition Front Matter 2 Preface 2 I. Introduction 7 Introduction 7 1.
Introduction to Personality Theory 8 II. Psychodynamic Theories 21 Introduction 21 2.
View of Human Nature
Freud: Psychoanalysis 22 3. Adler: Individual Psychology 70 4. Jung: Analytical Psychology 5. Klein: Object Relations Theory 6. Excerpt from Mechanism, Life and Personality: An Examination of the Mechanistic, Theory of Life and Mind This book consists of four lectures which were delivered in the Physiological Laboratory of Guy's Hospital, during May of this year, as a London University course for senior monstermanfilm.com: J.
A Student of Psychology: A Walk Through the Human Mind: Psychoanalytic Personality Assessment
S. Haldane. According to Freud's psychoanalytic theory of personality, the id is the personality component made up of unconscious psychic energy that works to satisfy basic urges, needs, and desires.
The id operates based on the pleasure principle, which demands immediate gratification of needs. Psychoanalytic theory is the theory of personality organization and the dynamics of personality development that guides psychoanalysis, a clinical method for treating psychopathology.
First laid out by Sigmund Freud in the late 19th century, psychoanalytic theory has .
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The Neighbourhood // Wiped Out! - Review
The Neighbourhood are a lucky band. When they released a demo of 'Sweater Weather' and 'Female Robbery' back in early 2012, they couldn't possibly have known the rise to popularity they were going to experience. Now, their gigs are full of girls screaming their name. Putting aside the topic of love and romance that pleases their screaming majoritarily female fanbase, they had to follow up their debut 'I Love You' with a more mature record, one that can both expand their fan base and tell everyone that doubted their dark pop, indie credentials that they really mean business.
Credits: @thenbhd Instagram
The lead single 'RIP 2 My Youth' certainly sends a message out. The dark topics of loneliness and the feeling of youthfulness escaping Jesse, the singer, continues. Bleak and entirely unabstract, the song details how they are willing to move on from the opportunities life presents in the teenage years, and accept adulthood - even if they admit this by referencing Channel perfume. Accepting "there's only so much I can do", the band decide to present this concept-inducing single right at the end of the album. I for one cannot remember the last album I listened to that had it's lead single finishing the album. Before listening to the album, I fully expected this to hinder the flow of the album, as what was coming was known. However, it draws a fulfilling close to the album's theme and auditory experience. They pull this off because a) it isn't the best song on the album and b) they haven't stuck it in the third quarter, which usually serves to provide an inkling of hope that the rest of the album is utterly brilliant. The Neighbourhood need not, this album doesn't need gimmicks.
But, apparently they do. 'The Beach' was the next single to be released off the album, and with it came a weird, heavy-handed promotion of a production duo that worked on the song. This always strikes me as odd, as it is an album and should be a package; not bits tied together with different authors and handlers. Did they just boost the bass on the song? We'll never know, perhaps. It doesn't really matter, as 'The Beach' is easily one of the most catchy and interesting songs on the album lyrically and sonically, with a very dark exterior. Darker topics have always been their favourite, whether it be cloaked in minor key music or cloaked underneath lyrically. The theme of losing someone, and trying to keep that person in the first place, runs throughout the record. The opening lines express concern for the level of lust between the two of them: "If I told you that I loved you, tell me, what would you say? If I told you that I hated you, would you go away?" The concern for his love going unoticed is entirely unselfish, and a nice touch to add to a commercially packed album.
The album has far less of an electronic tinge to it than their previous releases. Perhaps their mixtape released last year was done as they knew the direction they were heading in and got out of the way their samples and beats lined up. Whilst slightly disappointing, the album has more of a pop feel to I than expected. Guitars are far more prominent I would say, creating a rhythmic ocean-like sound, with rolling melodic lines, successfully creating the image the title is going after. They've hit the jugular, here. The album perhaps isn't as catchy, too. The lyrics do not always rhyme or flow in an obvious way, creating far more intrigue and processing than before.
The overall package is more pop, but how many pop albums have you heard that so transparently talk about death? 'Daddy Issues' couples together the traditional issue some women face of having daddy issues, the sort that litter American movies, with an open discussion about his father leaving him and dying. It's dressed up in quite an upbeat fashion, indeed, so is the whole album - very surprising considering what they have evidently experienced. The album even has a subtle love song to Jesse's partner, 'Single', which is entirely open in nature and I'm sure will be cherished by both the couple, and heartthrob fans alike. It takes courage and skill to do so, something they have achieved magnificently.
'Ferrari' and 'Greetings From Califournia' are the closest tracks to the previous albums sound. 'Ferrari' starts off with a viciously distorted guitar line, before returning to a more mellow sound. But neither of them are childish in nature or thrown in to keep some fans happy. The bass is certainly more prominent this album, and the drums receive a bit more unique experimentation. Acoustic guitar matches low-key percussion on several tracks, which is a brilliant relief from a full-on attack of the senses when hearing the main tracks off the album. 'Cry Baby' in particular is driven by bass, but cuts back right at the end to hear just Jesse and an acoustic guitar. A gentle, caring touch.
A progression rather than an overhaul, this album presents them as serious indie members of music culture. Their black and white imagery may be here to stay, but their colourful music has expanded its horizons.
'Wiped Out!' is out now.
Check out: Cry Baby // Single // The Beach
Labels: Harry Barnes, Reviews, RIP 2 My Youth, Sweater Weather, The Neighbourhood, Wiped Out!
Adele // Hello - Single
Adele is back, and so is inarguably the most powerful voice in the industry. I did wonder when she broke her vocal chords whether she would make a full recovery, as she is reliant on the sheer velocity of her voice breaking ear canals. My concerns were dumbfounded, it seems.
On this new track 'Hello' taken from her third album '25', we hear about another tragic story. Except, it isn't meant to be. We were promised this album would be more positive, a make-up record in fact. What we have got is something definitely not upbeat, but what remains to be seen in whether she will deliver this promise. We will know when the album comes out in under a months time.
Adele hasn't released an album in over 4 years; so little other artists could get away with this. So little other artists could get away with her musical progression, too. There's been virtually no progression since her first album, with ballad after ballad providing a soundtrack to teenage heartbreak globally. Having sold over 21 million copies of '21' worldwide, I think it is a safe assumption to say she won't feel any pressure to progress, or indeed promote the album before it comes out too much. There's been, I imagine, suspense with the fans that have been looking forward to more material for years. By leaving less than a month before it comes out, it almost is more promotion than leaving the traditional 8-12 weeks.
'Hello' remains lugubrious in nature and withheld inability, but ultimately this is a great comeback track for Adele. There's something different in the delivery of the chorus, and realistically this will go on to sell millions. So really, who cares what I think about it? I could think it is the shittest thing since unsliced bread, but Adele wouldn't bat an eyelid. She can afford not to.
You can listen to 'Hello' below:
Labels: 25, Adele, Hello, Reviews


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Ставропольское калмыцкое войско — военно-административная единица, существовавшая в Российской империи с 1739 года по 1842 год.

История
В 1739 году для правительницы крещённых калмыков княгини Анны Тайшиной, близ Волги, в урочище Куней Волоши была выстроена крепость, называемая Ставрополь. Поселенные близ этой крепости крещёные калмыки составили особое Ставропольское калмыцкое войско, разделённое в 1745 году на 5 рот.

В 1756 году войску было пожаловано войсковое знамя (такое же, как пожалованное в этом же году Оренбургскому войску, но с видом Ставрополя и надписью Ставрополь) и 5 сотенных значков.

В 1760 году к войску были причислены выходцы из киргиз-кайсакского плена, джунгарские крещёные калмыки, образовавшие еще 3 роты.

Ставропольское калмыцкое войско участвовало в русско-шведской войне 1788—1790 годов.

В 1798 году войско было преобразовано в 1 кантон, вошедший в общую систему управления командами оренбургских нерегулярных людей.

В 1803 году управление войском было преобразовано, и состав его был определен в один Ставропольский калмыцкий полк тысячного состава, состоявший на положении Оренбургского непременного полка. Он участвовал в войне 1807 года с французами.

Во время Отечественной войны 1812 года Ставропольский калмыцкий полк был в составе 2-й Западной армии. Он также участвовал в Заграничном походе 1813-14 годов.

В 1842 году Ставропольское калмыцкое войско было присоединено к Оренбургскому казачьему войску.

Ссылки

Калмыки
Иррегулярные войска Российской империи

redpajama_set_name: RedPajamaWikipedia


The Long Island City boom is not doing any favors for car owners seeking street parking.
Think you know the Queens neighborhoods where you'll have some luck finding on-street parking, and where you'll be circling the blocks with little to no success? Then you'll want to test your experience against our third and latest look at at street parking in the five boroughs (previous installments of this series focused on Brooklyn and Manhattan).
To determine the lists, as we've done previously, we partnered with Localize.city—a new AI-powered website that helps renters and buyers predict what life will be like at any address in New York City by examining current and future construction, livability, community and safety. And again, the Localize data-science and urban planning teams considered the same weighted factors to identify the Queens' neighborhoods' scores: street parking regulations, which vary from district to district (alternate side, no parking or standing rules, meters); parking ticket rates (the number of parking tickets per capita in the last six months); parking complaints (calls to 311 regarding blocked driveways, double-parked cars, blocked hydrants), and car ownership based on 2016 census data.
Unlike our other boroughs, Queens is more of a portrait of "haves" and "have nots." In some neighborhoods, due to transit hubs and commercial and residential activity, street parking is problematic, and others, thanks to a very suburban nature, street parking is relatively easy.
While we doubt our "good" parking list will shock anyone familiar with these suburban-esque neighborhoods, it's possible residents of some areas—we see you, Astoria—will be incredulous that their home turf didn't make the cut for the "bad" parking list. As with our Brooklyn list, you may have it bad, but other people have it even worse.
Finally, if a neighborhood in Queens is calling you and you need a place to park your car: read our lists, and then hit the road and check it out yourself.
The areas where it's easiest to park a car on the street in Queens are also the areas that you kind of have to own a car, thanks to limited access to public transportation. On the bright side, if you live here, chances are you don't even need to park it on the street because you likely have your own driveway, garage, etc.
"The best in Queens are all in the same area, southeastern corner of the borough. It's basically Long Island. Houses have private garages. There's barely any commercial activity. Even street signs are very friendly," says Alon Goldstein, Localize.city urban planner. "And the chance to get a parking ticket here is close to zero." In the top neighborhood of Rosedale, even stores provide customers spots in parking lots.
There are essentially two stories behind the worst parking in Queens. In the case of the front-runner Long Island City, it's one of booming residential and commercial activity, not unlike the conditions in downtown Brooklyn, the reigning champ for horrible street parking conditions in that borough.
"When residential and commercial activity collide, parking woes tend to skyrocket," says Localize.city data scientist Michal Eisenberg.
But the confluence of planes, trains and automobiles, thanks to major transportation hubs, likely contributes to on-street parking difficulties in areas such as number two-ranked East Elmhurst. The neighborhood is near LaGuardia Airport and may experience parking scarcity because of drivers leaving their cars and taking the airport shuttle.
Another area probably impacted by similar activity is Jamaica, one of the borough's busiest business and transit hubs, with access to the Long Island Rail Road, AirTrain to JFK Airport and home to a big MTA bus depot. In addition to all of that activity, the neighborhood's downtown suffers from a lack of free street parking.


It was 1957 when the visionary Mauricio Mochkovsky and his son Jorge started the company, operating jukeboxes and Bally bingos in bars and sports clubs in Argentina.
Later sons Alex and Ricardo joined in, and after several years of operation, bingos were banned. In 1969 the company opened its own entertainment center in Mar del Plata, which was a huge success. This was the first Sacoa family entertainment center (FEC), before the term FEC was ever used in the States.
Jorge's sons Sebastian, Pol, and Andres later joined the business, making their mark on the evolution of a company that quickly became the largest entertainment operator in the country, with over 20 centers in Argentina.
Sebastian explained that Sacoa has become a household name in Argentina, synonymous with family entertainment. Lately this is beginning to take root in other countries as well.
The system's hardware and software were developed and manufactured by a sister company, Sacoa PlayCard Systems, which initially sourced all Sacoa FECs and soon started exporting to other countries. The first overseas installations were made in 1994 and currently there are several hundred installations in 37 countries.
Sebastian explained that the PlayCard System is THE solution to optimize the operation of FECs, amusement parks, and arcades. It uses a rechargeable magnetic debit card with centralized management from a remote corporate office.
The player buys a card with the amount of credit desired. Then, to play a game or activate a ride turnstile, he swipes the card through the reader. There is no chance of customers or cashiers cheating the operator or other customers.
Sebastian added, "We developed the whole thing, software and hardware. The date we made history was March 1993 when we installed the PlayCard System in one of our centers to evaluate customers' reactions and to make sure it was working properly.
"It worked better than we dared dream and the best part was that collections went up 30 percent. We saw that and asked ourselves what kind of magic was going on. It turned out that no magic was involved, just the use of the correct tool to run the business at peak efficiency. We were so excited and anxious to install the system as soon as possible at all of our centers around the country that we completed the job in less than a year. Sure enough, revenues rose at each venue that got the new system.
"We had another surprise: At certain locations where there was heavy competition we saw a rise in revenue of up to 100 percent. I'm talking about an area of about six or seven blocks with eight or nine amusement centers. Again, it seemed like magic when our slice of the cake grew."
Sebastian told us that it was an advantage for Sacoa to have its own locations to test the system. "Nothing replaces having your own centers to test the product. You can see the results immediately. We can develop new features and see if they are good because we are experienced operators ourselves. If the feature needs tweaking or modification we can always make a new version. You can't do that if you don't have control over the centers."
He added that being operators brings customer operators a sense of trust and comfort when contemplating the use of the PlayCard System. "We have a high quality product backed by a prestigious company with an exemplary track record. We show prospective customers real-life cases that demonstrate how quickly they can recover their initial investment. We also point out some of the operational possibilities open to them with a system like ours, which are completely impossible to achieve without one. None of our customers have been disappointed."
In 1994 Sacoa sold the system to its first customer, who operated in Brazil. In 1995 one of the most popular restaurant/FECs from the United States bought the card system for one location and was going to test it for six months. After just three weeks the owner called Jorge and wanted to have the system installed in all of his stores. Sacoa installed the system in eight stores in just three months. That chain now has more than 40 centers and are all using the PlayCard Debit Card System."
In fact, Sebastian said that nearly everyone who tried the PlayCard System in one location came back for more. Every custom development made for a particular customer is then made available to all customers. Such has been the case with party programs, e-tickets, redemption/inventory control programs, etc.
The PlayCard Debit Card System which for years has increased revenues for hundreds of locations in a number of countries now has another advantage: wireless operation. Sebastian noted that one customer saved over $16,000 in a 100 game center because they did not have with the hassle of running wiring and now they can change their layout as easily as moving furniture around.
The wireless version makes economic sense for any kind of FEC or outdoor park. "It's never been easier to switch to a card system. I think operators are ready for this but are a bit reticent if they really haven't had the opportunity to glimpse the 'inside story' or the level of flexibility and control that you can achieve with a cashless system," noted Sebastian.
From Mauricio's and Jorge's vision, Sacoa Entertainment and PlayCard System have evolved from the early days to a three-generation family business with 650 employees. There have been over 400 PlayCard System installations all over the world.
According to Sebastian, "Over the years we have garnered a seemingly loyal following among our competitors. Our innovative features seem to always find their way into other companies' specifications. We are flattered."
Sebastian talked about the fourth generation waiting in the wings for their opportunities at Sacoa. However, that may be awhile because they are likely more interested in watching cartoons right now. Sebastian has a son Ezequiel, who is three, and a daughter who they will name Victoria when she makes her debut to the world sometime this month; Pol has a daughter Martina, who is five. With the advances in technology and the talent already seen in the company, we can't wait to see what happens 20 years from now!
In the operations field, besides managing its wide chain of FECs in Argentina, Sacoa went abroad and partnered in the operation of Vulqano Park, part of a major touristic destination in Quito, Ecuador, called the TeleferiQo de Quito project (www.teleferiqo.com).
The 200,000-square-foot park includes 30 rides, a central midway building with a food court, an arcade, and a special events room.
Pol Mochkovsky, CEO of the project, said, "This was a great experience for us. We designed the concept; selected the rides and games; and set up the whole amusement park with the valuable knowledge of our engineers, technicians, and managers."
This is the first permanent amusement park in Quito; since it opened its doors in summer 2005, it has changed the way Ecuadorians have fun. Pol added, "We have just ended a great summer season. Using the debit card system we have introduced several cross-promotions with major local retailers that resulted in increased customer routing and brand recognition. In a very short time Vulqano Park has become one of Quito's most important entertainment options."
This experience set the milestone for Sacoa's consulting services in operations, now offered worldwide.


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Some cheer, some hiss, but one thing is for sure: Uber will transform Oakland, and our city will become ground zero for not only a discussion of growth and displacement, but of the pitfalls of the "sharing" economy."
This year, my partner and I needed to move out of our one-bedroom place to make room for our growing family. We were priced out of our neighborhood. It was hard to say goodbye to the home that we decided to get married in, and bring our newborn son into.
A few months later, the nonprofit I work for got the notice that our building was sold, and we'd be forced to move because of a dramatic rent increase. Ironically, our mission is to ensure that low-income people of color make enough money so that they can stay in their homes. It will be sad to say goodbye to the home in which we've gathered hundreds of community members; shared stories, struggles, and victories; and raised wages for tens of thousands of workers.
Nonprofits, like the low-income people of color we support, are being pushed out of Oakland. And with the announcement of companies like Uber moving in, this will accelerate and continue to exacerbate income inequality. Not only will there be an influx of new wealth, but also an influx of poverty-wage jobs.
As the "sharing economy" has rapidly expanded, Bay Area consumers have rejoiced with how app-based companies are revolutionizing the marketplace, creating more choice for consumers and flexibility for workers. But as we welcome innovation, let's also address new challenges.
Uber and other "on demand" companies classify their workers as independent contractors instead of employees. The companies do not have to pay minimum wage or provide benefits, which leaves many drivers struggling to pay the bills.
So in one fell swoop, as Uber moves in, the cost of housing and offices for nonprofits will skyrocket, while at the same time the number of people who cannot afford to live here will grow.
Oakland has a deeply rooted sense of community and a legacy of institutions that care for those who are struggling. With more companies that use this independent contracting model, I fear we will shift from a culture that supports each other to a culture of "you're on your own."
As we forge ahead in the sharing economy and shed the confines of traditional corporate culture, we must also innovate policies that ensure our communities truly benefit and receive our fair share. Let's follow the lead of places like Seattle, which is crafting legislation to allow "on demand" workers to bargain collectively, or Oregon, where regulators ruled that Uber drivers are employees.
Oakland's elected leaders, businesses, nonprofits, unions, and community members need to come together and harness our ingenuity to make this exciting new sharing economy an economy that benefits us ALL.
We call on our city leaders to follow through on their commitment to ensure Uber and similar companies help make Oakland a more equitable city by creating new rules for the housing and job market, so that the sharing economy provides a fair share to Oakland's workers and residents.
By Jennifer Lin, EBASE Deputy Director
Read a condensed version of this oped-ed in the East Bay Express.
< Oakland Gentrification: Coliseum City 10-15 We Stand With the Muslim Community >


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Upcoming faith events
BLESSING OF ANIMALS AND PETTING ZOO: Registration is at 8:30 a.m., with blessing at 10 a.m. at Hope Lutheran Church, 250 Avenida Los Angelos in The Villages. Bring pets on a leash or in a carrier. Free event. Donations of pet food, blankets and towels to be given to the Humane Society/SPCA of Sumter County. Go to hope2all.org or call 352-750-2321.
GRIEF SUPPORT GROUP: From 3 to 5 p.m. at First Presbyterian Eustis, 117 S. Center St. GriefShare meets every Sunday to help people face challenges and move toward rebuilding their lives. Go to www.fpceustis.com.
DIVORCE CARE GROUP: From 6:30 to 8 p.m. every Sunday Through Dec. 18 at Oxford Assembly of God, 12114 N. U.S. Highway 301. $20 charge for book costs. Nursery is provided. Call 352-748-6124.
GOD CONNECTS SERIES: At 11:30 a.m. every Sunday through Dec. 4 at in the Fellowship Hall at Faith Lutheran Church and School, 2727 S Grove St. in Eustis. Light refreshments will be provided and babysitting will be available. Call 352-589-5433.
BIBLE STUDY AND FELLOWSHIP: Mercy Church is a new ministry in the Mt. Dora area currently offering Bible study and fellowship every first and third Sunday of the month at 10 a.m. at the home of Pastor Joe Tassell. Go to www.mercychurchfl.org.
ANNIVERSARY CELEBRATION: AT 9 AND 11 A.M. at First Presbyterian Church of Mount Dora, 222 West 6th Ave. 30th anniversary of Rev. Dr. Thomas J. Biery's. Call 352-383-4089 or go to www.fpcmtdora.org.
SUNDAY, OCT. 16 to MONDAY, OCT. 31
PUMPKIN PATCH: From 10 a.m. to 7 p.m. daily at the Community United Methodist Church, 309 College Ave. in Fruitland Park. Pumpkins for sale, a story teller and pumpkin carving.
TOASTMASTERS MEETING: From 7 to 8:30 p.m. every Monday at FaithPoint Church, 290 Citrus Tower Blvd., Suite 200 in Clermont. Call 352-234-6495.
CROHN'S AND COLITIS SUPPORT GROUP: From 7 to 9:30 p.m. every third Monday of the month at New Life Presbyterian Church, 201 La Vista St. in Fruitland Park. Call 561-218-2929, option 1, ext. 8.
BIBLE STUDY: From 6:30 to 7:30 p.m. every Wednesday through Dec. 21 at Fairway Christian Church, 251 Avenida Los Angelos in The Villages. John Penn will lead a study entitled "The Big Picture of Scripture," a 12-week overview of the Bible from Genesis to Revelation. All welcome. Call 352-259-9305 or go to www.fairwaycc.org.
BIBLE STUDY: From 6:30 to 7:30 p.m. every Wednesday through Oct. 26 at Fairway Christian Church, 251 Avenida Los Angelos in The Villages. Mark Fessler will lead a four-week study on 2 Thessalonians. All welcome. Call 352-259-9305 or go to www.fairwaycc.org.
BOOK STUDY: At Corpus Christi Episcopal Church, 3430 Country Road 470 in Okahumpka. Deacon Jacquie Guernsey will lead the five-week study. "When Bad Things Happen to Good People", a book by Harold S. Kushner. Call 831-915-3688.
CHILI COOK-OFF: From 6 to 9 p.m. at Faith Lutheran Church and School, 2727 S. Grove St. in Eustis. Tickets are $5 in advance, $7 at the door. Email myurk@flcse.org.
MOVIE NIGHT: At 6:30 p.m. at in the Worship Center Fairway Christian Church, 251 Avenida Los Angelos in The Villages. Showing "Joey+Rory: Hymns that are Important to Us." Free. Refreshments at 6 p.m. in the Fellowship Hall. Call 352-259-9305.
ALL ABOUT FAIRWAY CLASS: From 9 a.m. to 2 p.m. at Fairway Christian Church, 251 Avenida Los Angelos in The Villages. Lunch provided. Find out what the church is all about. Register at the church or call 352-259-9305.
6TH ANNUAL TRUNK OR TREAT: From 5 to 7 p.m. at Epiphany Celebration Anglican Church, 1724 South Bay Street in Eustis. Free. Raffle, carnival games, bounce house, face painting, gospel crafts, coloring pages, best trunk contest and pie baking contest. Cash prizes for trunk and pie winners. Call Tami Kupchick at 352-308-9124 or email tamikupchick@gmail.com.
SATURDAY, OCT. 22 AND SUNDAY, OCT. 23
STAINED GLASS TOURS: From 9 a.m. to 4:30 p.m. on Saturday, Oct. 22 and from 12:30 to 4:30 p.m. at the First United Methodist Church of Mount Dora, 439 E. Fifth Ave. Free tours of their stained glass windows highlighting their construction and the themes portrayed in the windows. Call 352-383-2005 or go to www.mtdorafumc.org.
SUNDAY, OCT. 23 TO FRIDAY, OCT. 28
REVIVAL: At 6 p.m. each night at the Yalaha Community Church, 9050 Citron St. Call 352-408-4517.
SUNDAY, OCT. 30
TRUNK OR TREAT AND OKTOBERFEST: From 3 to 7 p.m. at Faith Lutheran Church and School, 2727 S. Grove St. in Eustis. Live music, food and fellowship. Cost is $5. Call 352-589-5433.
TRUNK OR TREAT: At 6:30 p.m. at the Community United Methodist Church, 309 College Ave. in Fruitland Park. Families decorate their car trunks and costumed children walk from car to car collecting Halloween treats.
WEDNESDAY, NOV. 2
SUMTER MINISTERIAL ASSOCIATION: Meets on the first Wednesday of every month at 7:30 p.m. at the Oxford Assembly of God, U.S. Highway 301 in Oxford. Call 352-748-6124 or email to oxfordassembly@embarq.mail.com.
SUNDAY, NOV. 6
PATRIOTIC CONCERT: At 3:30 and 6 p.m. at the Community United Methodist Church, 309 College Ave. in Fruitland Park. Featuring the Community UMC Music Ministry and local school choirs. Free. All Welcome.
SUNDAY, NOV. 6 TO WEDNESDAY, NOV. 9
REVIVAL SERVICES WITH DONNA SCHAMBACH: At 6 p.m. on Sunday, Nov. 6 and at 7 p.m. Monday, Nov. 7 to Wednesday, Nov. 9 at Cross Connection Church, 1451 W. County Road 476 in Bushnell. Schambach has been an educator, lecturer, pastor and evangelist. She is known for bringing a powerful word of the Lord everywhere she goes, often prophetic in nature. Go to www.ccbushnell.org or call 352-793-2240.
MONDAY, NOV. 14
REAL WOMEN OF JESUS: From 6:30 to 8:30 p.m. at theCross Mount Dora, 18800 U.S. Highway 441. Childcare is available from 6 to 8:30 p.m.
REAL MEN OF JESUS: From 6 to 9 p.m. at theCross Mount Dora, 18800 U.S. Highway 441. This group typically meets on the second Monday each month and will also be doing service projects throughout the year. Email jgranger@ridgeoutdoors.com.
LAUGH OUT LOUD COMEDY SHOW: Seating at 7:30 p.m., with show at 8 p.m. at the Eustis Community Center, 601 Northshore Drive. Presented by Christian Night Out Comedy Experience. Hosted by Demetrius Meech-Dawg Wheeler, Bennie Mac and Terry Moore. Tickets are $10. Call 352-602-0258 or 305-632-3797.


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William Clen Mattocks Jr.
William Clen Mattocks, Jr., known as Clen Jr., was born March 12, 1961, to Clen Sr. and Christine Mattocks at Onslow Memorial Hospital. He was called home with his family by his bedside on December 28, 2018. Clen Jr. was raised in Belgrade, NC., and educated at Tabernacle elementary, Tabernacle Middle School, and White Oak High school. He excelled at Baseball, Football, and Basketball. In 8th grade, he won MVP in all three sports and was named the male athlete of the year. In baseball, he won the Babe Ruth championship in 1977 and won back to back high school state championships in 1978 and 1979. Clen Jr. attended North Carolina Wesleyan College and earned his Bachelors in Business Administration. During his time in college, he played baseball and became a member of the Alpha Phi Alpha Fraternity. After graduation, Clen Jr. worked as a mechanic at Amital Spinning and delivery driver for UPS. He met his beautiful wife, Bernice Dixon at Amital Spinning, and they married on September 11, 1999. They shared their love and friendship for 19 years. He loved the responsibility of working and providing for his family. One of the highlights of his day was sitting at the dinner table and telling stories of his workday to his family. He also enjoyed spending time with family and close friends. He leaves to cherish his memories: his devoted wife, Bernice Mattocks; sons, Christopher Mattocks and Warren Smith, Jr., and daughter, Lasharn Evans; Mother, Christine Mattocks; Sisters, Cathy Brown and Samantha Wilkerson; Brothers Richard Mattocks and Jimmie Lee Thompson; grandsons, Richard Evans III, Ryann Evans, Tymir Smith, Micheal Smith, and Kyleith Smith; granddaughters, Alyssa Evans, Aaliya Evans, and Tristyn Smith.
Funeral service will be held at 2:00 pm on Saturday January 5, 2019 at St. Luke AME Zion Church in Maysville.
Interment will immediately follow the service at the Mattocks Family Cemetery in the Belgrade Community.


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Motion capture actors, Voice actors
Masakazu Morita
Masakazu Morita (森田 成一, Morita Masakazu, born October 21, 1972) is a Japanese actor, voice actor and singer from Tokyo, Japan. He works for Aoni Production. He voiced Tidus from Final Fantasy X and Shuyin from Final Fantasy X-2.
His first involvement in the series was as the motion capture actor for Zell Dincht in Final Fantasy VIII.[1]
1 Roles
1.1 Related games
Tidus 2001
Shuyin, Tidus 2003
Dissidia Final Fantasy
Dissidia 012 Final Fantasy
Final Fantasy X -Will-
Related games[edit | edit source]
Kingdom Hearts series - Tidus
He is best known for providing the voice for Ichigo Kurosaki in the Bleach series and Auel Neider in Gundam Seed Destiny. He also voiced Whis in Dragon Ball Super.
↑ Final Fantasy X Ultimania Omega , p.574
Masakazu Morita on Wikipedia
Retrieved from "https://finalfantasy.fandom.com/wiki/Masakazu_Morita?oldid=3250352"


Crosby J*, Peloso GM,* Auer PL*, TG and HDL Working Group of the Exome Sequencing Project, National, Heart, Lung, and Blood Institute, Reiner AP*, Boerwinkle E*, Kathiresan S*.
In a large-scale population-based exome sequencing study for plasma lipids, we discovered that people who carry rare mutations that reduce the production of the APOC3 protein have very low levels of plasma triglycerides, along with a dramatically reduced risk for MI. These findings are analogous to the PCSK9 gene and set up APOC3 as a bona fide therapeutic target with compelling human genetics validation.