This week on the InSession Film Podcast: Extra Film segment, honorary co-host Matt Oakes from Silver Screen Riot joins us to review Hayao Miyazaki's last film, The Wind Rises. It's a gorgeous film with a touching and heartbreaking story, but still a brilliant film. As a side note, we are discussing the original Japanese version and not the English-dubbed version. It's a great film though and one to check out if you like Miyazaki's movies. It's sad to see Miyazaki leaving the industry, but he's left an amazing legacy and went out on a very high note.
Thanks again to Matt for joining us as he's always a fantastic guest. Be sure to go and read his stuff, his reviews are really great. He'll be at SXSW next week so be sure to pay attention to him to get all the latest happenings at that film festival.


Unless you've been living under a rock, you've already heard about the miracle-working Aztec Healing Clay Mask. This highly coveted bentonite clay is apparently the clay mask to end all clay masks. The only problem? It's perpetually out of stock. But fret not! The BeautyMNL team has heard your requests and it'll be landing on our pages sooner than you think.
In the meantime, sit tight and try these 5 pore-clearing alternatives. Sure, they won't make your face pulsate like the Aztec mask will. But they do apply less pressure on the skin—so, you can use 'em on days when pumping out your pores just seems too intense. Peep the recos, below!
1. Innisfree Super Volcanic Pore Clay Mask, now on sale at P560 (limited time only) With 22 Global Beauty Awards under its belt, this Korean fave needs no introduction. It combines two powerful detoxifying ingredients: Jeju volcanic clay and AHA. Together, they purify your skin both internally and externally. While the clay works to draw out impurities from deep within pores, the AHA melts away dead skin cells and other surface grime. It makes for a thorough cleanse that leaves your face feeling brand new. A staple in our very own bathroom shelves, this is one formula that never disappoints.
2. Wildleaf 100% Natural Healing Clay Mask, P390 Made of 100% pure natural calcium bentonite clay powder (the same stuff that powers the Aztec clay), this unassuming tub proves that our local beauty scene does not come to play. It ticks off every box: it draws out toxins, absorbs excess oil, tightens the skin, and even delivers oxygen to your cells. According to reviews on their websites, real-life customers have seen results after just one use. Need we say more?
3. Origins Original Skin Mask with Rose Clay (100ml), P1,500 Can't get enough of facial scrubs? This 2-in-1 clay and scrub mask is by far one of our favorite exfoliants to date. Not only does it clear out congested pores with rose clay, it also smoothens out rough texture using natural jojoba beads. You can use it in 2 ways—leave it on to dry like a regular clay mask or simply massage it over your face if you're in a hurry. Either way, this millenial pink tube will leave your complexion looking instantly supple and more luminous. It's not marked a 5-star product for nothing!
4. Philippine Pure Philippine Bentonite Clay (200g), P300 Here's another bentonite-loaded superstar! Featuring 100% sodium bentonite clay imported from India, this vegan blend is a godsend for irritated skin. Its healing properties calm common skin infections, such as acne and contact dermatitis. Used in many industries as a waterproofing sealant, it contains potent absorbing properties that allow it to mop up excess oil and dead skin cells. (And, yes, it's perfectly safe to use topically on the skin.) Support local!
5. The Face Shop Jeju Volcanic Lava Pore Mud Pack, P695 If you're a frequent commuter, then this anti-pollution mask was made for you. Made with Urban Defense Complex, it fortifies the skin against environmental aggressors. This allows your skin to stay naturally protected in the long-term. But besides that, one user on their website claims it minimized their pores immediately after use. You know what that means? Less oil, less bacteria, less breakouts. Bye, pimples!
Which clay mask will you be copping?
Video and photos by Kathy Austria.


text:
JARROTT
Our Mission is present theatre that
inspires thought and conversation,
illuminates the human condition,
and lifts the spirit.
Jarrott Productions' goal is to present the highest quality product on-stage, utilizing the best and brightest talent available in the local theatre community. In our brief history, we have already been nominated for a total (8) Central Texas Excellence in Theatre awards, (7) Broadway World Austin Theatre Awards, (4) B. Iden Payne awards, and (2) Austin Critics table awards, and have won a total of (7) of those awards. (As of January 2018)
It is also our goal to mentor aspiring young theatre students. Toward that end we have employed students from St. Edward's University, Texas State University, University of Texas, Huntington-Surrey Prep School, and Cedar Ridge High School in paid positions as part of our production staff.
To find out more about how you can help us continue producing quality theatre in Austin, click here.
DAVID JARROTT, PRODUCING ARTISTIC DIRECTOR
David created Jarrott Productions in 2015 because, even though Austin has well over 100 theatre companies, he felt the audience for contemporary plays written in traditional form was being underserved. There are many extremely good productions of musical theatre, Shakespeare, American and other classics, and the avante garde being done by theatre companies every week in the Austin area. However, there are not many productions of late 20th/early 21st century comedies and dramas that deal with themes of love and redemption, forgiveness and reconciliation, and what playwright Rory Kinnear calls "the irresistible pull of family."
NATALIE GARCIA, MARKETING DIRECTOR
Natalie came to Austin from Chicago in 2016. During her tenure in Chicago she worked as an actor with Chicago Fusion Theatre, appearing in Proof (Catherine) and J.B. (Sarah) as well as serving as their Managing Director and Marketing Coordinator. Starting in 2012, she worked as a resident actor/playwright and Marketing and Casting Director for Wayward Productions, where her acting credits included Richard III (Queen Liz), and she later wrote and starred in Burn the Black Dog (Abigail). She also performed in Chicago with the Right Brain Project (RBP) as Rossignol in Marat/Sade and Claudia in Hesperia; with The Factory Theater in Street Justice: Condition Red (Sherry) and Hotel Aphrodite (Vickie Mae); and as The Maid in WildClaw Theatre's Motel 666. You may have seen her around the Austin area in Jarrott Productions' Significant Other (Vanessa), or in Bastrop as SheDevil in Lost Rabbit Collective's Flaming Guns of the Purple Sage. When she's not onstage or promoting what's onstage, she enjoys spending time with her amazing husband Carlo, and their two dogs Karate and DeeDee.
CRAIG BROCK, SOUND DESIGNER
Craig has worked as a recording engineer and music producer since 1989, and is the resident sound designer at ZACH Theatre. At ZACH: Million Dollar Quartet; In The Heights; Lady Day at Emerson's Bar and Grill; The Great Society; One Man, Two Guvnors; Sophisticated Ladies; Mothers and Sons; All the Way; Peter and the Starcatcher; A Christmas Carol; The King and I; The Who's Tommy; Vanya and Sonia and Masha and Spike; The Gospel at Colonus; A Christmas Story; Les Misérables; Rent; Metamorphoses; and many others. Regional: Freud's Last Session, The Price, The Herd, and Prodigal Son for Jarrott Productions.
Jarrott Productions' current home is the Trinity Street Playhouse located on the 4th floor inside the First Baptist Church in downtown Austin, at the corner of Trinity and East 9th St. The theatre can seat approx. 60 - 90 depending on how each production is configured.
TRINITY STREET PLAYHOUSE
901 Trinity Street
Denise Hodgson
David R. Jarrott
Mark A. Kiester
Stephanie Todd
© 2021 by Jarrott Productions.

redpajama_set_name: RedPajamaCommonCrawl


Things are returning to normal here in this mansion in Buenos Aires, and Susana is glad of it. The sun is shining, everything is bright, and it is just as it was before.
For the past two weeks, her mama and papa have been busy. She has spent most of that time with her nanny. Susana's nanny is a nice young woman of Italian descent, and her name is Mònica. She can speak French, Italian, and Greek as well as Spanish, and she has been teaching Susana these languages ever since she came to her post. Susana likes her nanny just fine, but she is worried about her mama.
Mama has been up in the bedroom she shares with Susana's papa. She has been sick. Anytime Susana has asked her papa how mama is, he has assured her that mama is sick but getting better. Even so, there is evidence to the contrary. In her room, after bedtime, Susana can occasionally hear weeping and anguished cries from their bedroom. She can tell that the language the cries are in English. Susana speaks English very well; her papa only speaks to her in English, French or Italian. He usually chooses English, simply because that is the language she is the most fluent in, other than her native tongue. Even so, she cannot understand all the words her mama cries out after bedtime.
Some of them, she thinks, are bad words. Mama doesn't ever say bad words. She has also been talking with a funny accent that Susana cannot place. Occasionally, before Mama got sick, she would occasionally listen to country music in English. The accent Mama talks with sounds sort of like that. It is hard to tell.
But he has been busy for the past several days. Susana misses him, but she knows he has to tend to Mama. Mama is sick. A few days ago, Susana crept into her parents' bedroom while her papa was out. He was getting medicine, he said. Mama needed lots of medicine. There, she saw herself how sick her mama was.
Mama had been lying on the bed. She had worn silk pajamas, and she had been limp and tangled in the sheets. At first Susana had thought she was sleeping until she had seen that Mama's eyes were open. They had been sightless and blank, like in a scary movie. Her mama had been lying on the bed like a life-size doll that wasn't being played with. Susana hadn't ever seen someone sleep with her eyes open before. It was scary.
Susana had tried to wake her mother up, but all her shaking and all her consistent calls for her mother had been to no avail. Mama was asleep with her eyes open. Her breath had smelled sour, like chemicals. There had been a mark on her arm. The only other time Susana had seen a mark like that was when she went to the doctor's and had to get a shot. Papa must've given her a shot. That was too bad. Shots hurt.
There had been books lying around the bedroom too. Papa liked to read books. He had taught Susana how to read when she was very little. She liked to read too, but she had never seen Papa read these books before. They were all in English. She could read English fairly well, but these books were impenetrable. There were many words in the titles of these books that she did not recognize. There was a book on something called MKULTRA. There were several written about cults. There was something called an interrogation manual written by someone in China. These words are ones she does not know. There were psychological articles written by doctors. Those had so many words she did not know that she had to put them down.
There was also a large binder sitting on the table near Mama's bed. The front of the binder had a clear plastic pocket so that you could put a card in it telling people whatever you had in the binder and what it was about. The word CLARICE was written across the card. Susana hadn't known what that word meant, either. Her papa had written that book. She could recognize his handwriting. She didn't recognize what was written in there. She only read one sample before giving it up. Clarice's therapy is moving along. Confronting her with her father's death has broken through an old barrier. She is coming to confront the fact that her quest to save the lambs is fruitless. Soon, I believe, she will be finally free.
No matter how I try, I cannot figure out a way to swap Clarice for Mischa. The equations simply do not hold up. Eventually, despite all my attempts, I may have to conclude that it cannot be done.
Then her mama had begun to stir, and Susana had fled. She was not supposed to sneak up to see her mama. That was supposed to wait until Mama got better. Her papa would have been mad at her. That, in the young world of Susana Alvarez, was the most horrible thing that could ever be imagined.
But now things are good again. Mama had come down for dinner last night, looking slightly pale and wan but acting more like herself. That made Susana happy. Tonight, her mama and papa are going to the opera to celebrate Mama getting better. Susana will stay home with her nanny. That'll be OK; it will be fun. Mònica has said they won't do any more foreign-language drills. Instead, they will make popcorn and watch a movie. The popcorn will have to wait until Mama and Papa leave. Papa does not approve of popcorn.
Susana can hear her mother in their bedroom, humming a tune under her breath. She walks up to the bedroom door and knocks. They will be leaving soon, and she wants to see her mama.
A moment's hesitation before her mama's voice answers. "Who is it?"
"Susana," the little girl answers.
Another moment's pause. "Come in."
To open the door takes only a moment. Once Susana is in the room, she sees why her mother hesitated. Mama is wearing a black bra and half-slip, black stockings, and high-heeled shoes. She is sitting at her makeup table staring into a lighted mirror. In one hand is a brush. She is putting on her makeup. The pleasant afterscent of perfume fills the air.
"I'm sorry, Mama," Susana says thoughtfully. "I didn't know you weren't dressed."
Her mother's painted lips curve up in a pleasant smile. "That's OK, honey," she says easily, in English. Susana tilts her head without thinking about it and observes her.
"Are you feeling better?" Susana asks, her eyes on her mother's reflection in the mirror.
Again, her mother smiles at her. "Oh, baby, I'm just fine," she assures her. "Better than fine."
"Good." Susana thinks her mother looks very glamorous. Papa ought to be happy. Papa likes when Mama dresses up.
For a moment, Susana wonders if she should say anything. Mama did what she did when she was sick. She may not remember. All the same, Susana is a curious thing. The question she wishes to ask is one she somehow knows better than to ask her father.
"Now that you're better, are we going to see Aunt Ardelia? You said she was sick and we had to go see her, but that was when you were sick too."
Her mother's hand shakes. For a moment Susana is alarmed, thinking her mother may gouge out her eye with the mascara brush. Her mother swallows nervously and looks at her.
"No," she says quickly. "Aunt Ardelia…Aunt Ardelia got better. It's okay, baby. Just leave it." For a moment a strange look flickers over her face, and Susana finds herself thinking of when she crept into her mother's sickroom before.
Who is Aunt Ardelia, and why does Mama react like that when Susana mentions her name? Ardelia is also Susana's middle name. Up until now, she has never met anyone else with the name in first or second position. Have Mama and Aunt Ardelia had an argument in the past? Maybe that is it.
A pleasant smile comes over her mother's face again, covering the troubled look like a mask. All is as it was before. She pats Susana's head calmly.
"Susana, would you be a sweetheart and get me my bracelet?" she asks brightly, changing the subject. "It's over there on my bureau."
Susana nods and looks. There are two, lying next to each other on a piece of black velvet. "The diamond one or the emerald one?" she asks, her voice high and questioning.
"The diamond one. Thank you, honey." Susana hands her the bracelet and she puts it on with a dexterous flip of the wrist. Mama stands up and grabs her dress. It is black and form-fitting, stopping just below the knee. Susana thinks her mother looks very pretty. When she is a big girl she will dress up like that, too.
Her papa knocks and is admitted, now that Mama is dressed. He looks tall and handsome in white tie, and Susana's heart swells to see him. There is no one in the world like her papa.
"Maria," he says to her mother, "please, we've got to get going. Ramon is ready with the limousine."
"Just a moment," her mother smiles, and then pulls her papa away for a moment or two. Hushed words are traded and Susana cannot make them out. Her papa nods and then beckons to her. She goes to him with some trepidation. Is something wrong?
He bends his knees to get on her level. His eyes meet hers; the same shade of maroon. She has always been proud of that. But now she is frightened, as if she has done something bad.
"Susana," he says calmly. "Aunt Ardelia and your mother have had…a falling out. A fight. Seeing Aunt Ardelia is…not something your mother is ready for. Please don't ask about her again."
A reproof from her father is enough to make tears rise to her eyes. She didn't mean anything bad. She bites her lip nervously.
"I'm sorry, Papa," she says. "I…I didn't know."
"Of course you didn't. Papa isn't mad, and neither is mama. But you mustn't mention these things. It upsets mama. You don't want her to get sick again, do you?"
Susana shakes her head and tries valiantly to fight the lump in her throat.
"There's a good girl. No, no, you needn't cry. We're not angry."
With that, Mama and Papa are off shortly to the opera, and Susana settles in with her nanny. To make popcorn is relatively easy. Mònica drizzles real melted butter and salt over the fluffy substance. The movie is a Spanish translation of The Secret Garden. The Alvarez family has a large-screen television and it is almost as big as the movies. In some ways, it is better; it is in their own home.
The story of Mary Lennox is entertaining enough, and Susana is absorbed by the story of a young girl sent to live with her uncle in a desolate old Scottish manor. Scotland is a great distance away. Mònica has showed her where it is on the map.
Halfway through the movie, the telephone rings. At first, Susana ignores it; Mònica gets up in a rustle of clothing. Perhaps it is Mama and Papa. She can hear her nanny's hushed voice behind her.
"Eehhh…este…perdone, no hablo inglès…¿habla usted español?"
Another moment's pause. Then Mònica calls for her quietly. Susana pauses the movie and comes as asked, looking up expectantly.
"Susana," her nanny says, "this person on the phone only speaks English. Can you talk to her?"
Now Susana understands. Mònica can speak four languages, but English is not one of them. Her papa was more interested in a nanny who could teach her French, Italian, and Greek; he had taught her English himself. Agreeably, Susana picks up the receiver and puts it to her ear.
"Hello?" she says. "This is Susana."
"Hello?" The voice seems puzzled to be talking to a little girl. "I'm sorry, can you speak English?" The woman on the other end is tense and rushed. Susana recognizes the accent as American almost instantly. Her small brow furrows. Why would an American be calling? She knows no one in the United States.
"Yes," Susana says, a bit miffed. "Can I help you?"
"Honey, I'm sorry…my name is Ardelia Mapp. I'm an agent with the FBI. From America. Is there an adult I can speak to there?"
Susana thinks for a moment. She knows what the FBI is. Papa likes to visit their web site. She has been with him at the computer when he's done it. But why would they call here?
"There's my nanny," Susana acknowledges, "but she can't speak English. Can you speak French?"
"OK, honey, I get the idea. No, I can only speak English."
"Then you have to talk to me, because I can speak English and Mònica can't," Susana says, and nods her head to underscore her logic.
"Is your mommy or daddy there?" Ardelia presses.
Susana shakes her head before realizing that Ardelia Mapp cannot see that. "No," she says. "They're at the opera, Mrs. Mapp."
A tense, frustrated exhalation follows. "Okay," she says. "I'm looking for my friend. Someone called me here from this number two weeks ago." Her throat clicks as if choking back a sob. "I'm looking for my friend. Her name is Clarice Starling. Have you ever heard that name before? Is your mommy named Clarice Starling, honey?"
Susana thinks. So this is Aunt Ardelia. The woman whose name is her middle name. Maybe she wants to make up with Mama. All the same, this is a weird way of going about it. Mama's name is not Clarice; it is Maria. No, it seems something is up.
"No," Susana says calmly. "My mama's name is Maria."
The woman on the other end of the line lets out a sigh. "Is there anyone else there who might have called me?"
"I don't think so," Susana says. "We have a maid named Flora, but she goes home at night."
Ardelia Mapp seems tense. "There's no one else there?" she persists. "I don't mean to be rude, honey, but I'm looking for my friend. I'm worried about her."
"I'm sorry about your friend," Susana says sympathetically, "but there's no one named Clarice Starling here. Maybe the phone company gave you the wrong number."
A frustrated sigh comes from the receiver. "All right," Ardelia says in a tone that suggests she knows she will get no further. "Can you tell your mommy and daddy I called? And can you write the number down for them so they can call me? I'd really appreciate it."
"Okay," Susana says, and obligingly writes the number down on a nearby notepad. She will not lie; she will tell her papa that Mrs. Mapp called. Papa will know what to do.
Papa always knows what to do.
"Thanks, honey," Ardelia says in a tone of resignation. "Good-bye."
"Bye," Susana says, and pockets the phone number. To rejoin Mònica on the couch and restart the movie takes only a moment or two.
The movie finishes quickly, and the popcorn is fresh and good. After the movie comes bath and then bedtime.
Susana obeys the letter of the law if not the spirit; she sits in her bed and waits. Papa will come check on her. He always does. After that, perhaps, Mama and Papa will dance on the terrace. They try to do so after she goes to sleep, but from her rom she can sometimes hear the ghostly music and the tap-tap-tap of her mother's high heels.
Finally, the door opens, and a male figure steps into the room. Susana sits up and looks at him, her maroon eyes shining. He looks at her with an amused look. She looks like her mother, and she knows this pleases him. She has his eyes, though, and she knows that pleases him too. For her part, she beams back at him, her own eyes alight with excitement.
"Papa," she says. "I have something to tell you."
Her papa seems surprised that she is still awake. "Susana, it's late. You should be in bed."
"But the lady called," Susana whispers in protest. "Ardelia. The one who had a fight with Mama."
Her papa freezes then. In the darkness, his maroon eyes gleam. For a moment, Susana finds herself thinking of the wolf from Peter and the Wolf. But this is her papa. The wolf is bad; her papa is good. Better than anything.
"I see," he says. "And what did she want?"
"She asked for some lady named Clarice Starling," Susana says eagerly. "And she gave me her phone number." She takes the piece of paper from her nightstand and gives it to him. It vanishes into the pocket of his pants.
"Very good, Susana," her papa says approvingly, and she is joyful under his praise. For a moment he thinks before speaking. "I do have a surprise for you," he says. "Tomorrow we will be going to our beach house. In Mar del Plata. An extended vacation, for a month or so. And we'll have Mònica come along as well." The family owns a mansion on the beach as well as this home here in Buenos Aires. Susana is thrilled. She loves the beach. It is right on the South Atlantic.
"That's great!" she says excitedly. "Will you take me swimming, papa?"
Her papa chuckles. "Yes, I will take you swimming," he says indulgently. He turns to leave, his wing tips silent on the carpeted floor. For a moment he pauses, and turns back to his daughter.
"Susana," he says slyly, "tell me…what exactly did you tell Ardelia when she called?"
Susana brightens. "I just told her the truth," she says perkily.
"I told her there was no one named Clarice Starling here."
Her papa smiles. "Very good. I'm proud of you."
Susana beams as her father pulls up the sheets over her and tucks her in before leaving the room. Mama is better again. They will go to the beach tomorrow and she will swim. Her mama will be there with her, as will Mònica and her papa. They will go swimming and she can play on her own stretch of private beach. Everything is good again just as it was. Above all, her papa is proud of her, and that is the best, the most wonderful thing a little girl like Susana can hope for.
After all, she is daddy's girl.


text:
VIGO Photonics' Detectors Selected for NASA's Critical Environmental Monitoring Systems
VIGO Photonics was selected as the provider of infrared detectors for the environmental monitoring system on NASA's Orion vehicle.
ST. PETERSBURG, Fla., June 14, 2022 (Newswire.com) - VIGO Photonics shared today that its infrared detector products have been selected to monitor critical environmental systems on board NASA's Orion spacecraft. Part of the Artemis program, Orion will serve as the exploration vehicle that will carry the crew to space, provide emergency abort capability, sustain the crew during the space travel, and provide safe re-entry from deep space return velocities. Orion will launch on NASA's new heavy-lift rocket, the Space Launch System.
VIGO Photonics shared that its infrared detector products have been selected to be used in NASA's spectrometer instrument, the Laser Air Monitor System (LAMS) crew habitable environment on board NASA's Orion spacecraft. VIGO's contribution to the project was providing qualified infrared detectors. LAMS was built by NASA to measure the concentration of CO2, H2O, and O2 in both the cabin and suit environments. VIGO conducted qualification tests for space environments, on standard detector products in their catalog to address the challenging launch requirements.
This is another chapter in VIGO's support of space exploration that began with the EXOMARS mission and included deployment on the Mars Curiosity Rover.
"We are excited and honored to support NASA on such a great project that will help to shape the future of space exploration to our moon and eventually Mars," said Adam Piotrowski, President and Chief Executive Officer of VIGO Photonics.
VIGO's detector products currently support the space, security, transportation, medical, manufacturing, and environmental monitoring industries around the world to expand condition-based maintenance practices. By partnering with OEMs and key stakeholders in target markets, VIGO is demonstrating how monitoring and measurement systems can be built without costly maintenance and calibration services.
About VIGO Photonics
VIGO Photonics is the leading European manufacturer of semiconducting materials and instruments for photonic and microelectronic, specialized in mid-infrared detectors, produced with the use of internally-developed technology. VIGO has a complete front-end and back-end production line for semiconductor high-capacity instruments - epitaxy of II-IV and III-V groups, the production of detector chips and lasers and their assembly and integration with electronics. VIGO Is headquartered in Ożarów Mazowiecki, Poland, and has offices in St. Petersburg, Florida and Taipei, Taiwan.
Source: VIGO Photonics
Categories: Optics
Tags: detectors, infrared, photonics
VIGO Photonics
360 CENTRAL AVE (STE 800)
VIGO Photonics Strengthens Global Presence With Opening of U.S. Office in St. Petersburg, Florida
VIGO Photonics - May 3, 2022


text:
import os
import glob
import sys
import gradeSettings
import re
import csv
import subprocess
import inspect
from openpyxl import Workbook
from webview import WebView
from quiet import quiet
from outputCon import outputControl
from gradeParser import gradeParser

try:
    from cStringIO import StringIO
except ImportError:
    from StringIO import StringIO
import signal
from contextlib import contextmanager

class TimeoutException(Exception): pass

@contextmanager
def time_limit(seconds):
    def signal_handler(signum, frame):
        raise TimeoutException("Timed out!")
    signal.signal(signal.SIGALRM, signal_handler)
    signal.alarm(seconds)
    try:
        yield
    finally:
        signal.alarm(0)

class Grader():
    """Summary:

    This is an Auto Grader for CS 301 Course in UW Madison. It will automatically check whether
    the script and output satisfies our requirement.

    """
    def __init__(self, submissionFolder, outputFlag):
        self.scriptRegPat = [re.compile(exp) for (exp,reason) in gradeSettings.SCRIPT_REG_EXP]
        self.stdResRegPat = [re.compile(exp)for (exp,reason) in gradeSettings.OUTPUT_RESULT_REG_EXP]
        self.scriptExistenceRegPat = [re.compile(exp) for (exp,reason) in gradeSettings.SCRIPT_EXISTENCE_REG_EXP]
        self.outputFlag = outputFlag
        self.partnerNamePat = re.compile('#[\s\S]*?[pP]artner(.*?)\n')
        self.name2sid = {}
        self.sid2email = {}
        self.gradeSettingsPreprocessing()
        self.submissionFolder = submissionFolder

    def gradeSettingsPreprocessing(self):
        for key, tests in gradeSettings.TEST_FUNC.iteritems():
            for i in range(len(tests)):
                if 'stdout_pat_file' in gradeSettings.TEST_FUNC[key][i]:
                    with open('../tester/' + gradeSettings.TEST_FUNC[key][i]['stdout_pat_file'],'r') as fr:
                        gradeSettings.TEST_FUNC[key][i]['stdout_pat'] = fr.read()[:-1]

    def loadNameTable(self):
        """Load NameTable in case student didn't put their name in scripts. Need nameTable.csv generated by Canvas."""
        self.sid2name = {}
        self.sid2section = {}
        with open('../NameTableNew.csv','rb') as csvfile:
            spamreader = csv.reader(csvfile, delimiter = ',')
            for row in spamreader:
                self.sid2name[row[1]] = row[0]
                self.sid2section[row[1]] = row[4]
                self.sid2email[row[1]] = row[2]
        sections = set(self.sid2section.values())
        if self.outputFlag:
            self.output = outputControl(sections, gradeSettings.ASSIGNMENT_NAME, self.submissionFolder)

    def partnerName(self, script):
        name = self.partnerNamePat.findall(script)
        if name:
            loc = name[0].find(':')
            return name[0][loc + 1:] if loc >= 0 else None
        else:
            return None

    def decomposeFileName(self, fileName):
        tokens = fileName.split('_')
        sid = tokens[2] if tokens[1] == 'late' else tokens[1]
        submissionNum = tokens[3] if tokens[1] == 'late' else tokens[2]
        return tokens[0], sid, submissionNum

    def loadFiles(self, fileList):
        self.loadNameTable()
        parser = gradeParser(gradeSettings.GRADING_RULES)
        for fileName in fileList:
            if fileName == '__init__':
                continue
            errorInfo = ''
            if self.outputFlag:
                studentName, sid, submissionNum = self.decomposeFileName(fileName)
                studentName = self.sid2name[sid]
                section = self.sid2section[sid]
            else:
                studentName = 'TEST'
                sid = '0'
                section = '0'
                submissionNum = '0'

            with open(fileName + '.py','r') as fr:
                script = fr.read()
                partner = self.partnerName(script)
            if '# -*- coding: utf-8 -*-' not in script:
                script = '# -*- coding: utf-8 -*- \n' + script
                with open(fileName + '.py','w') as fw:
                    fw.write(script)
            funcRes = self.testFunction(fileName, sid, submissionNum)
            scriptRes = self.testScript(fileName, sid, submissionNum)
            # print studentName, funcRes
            grading, errorMessage, stdOutput = parser.parse(funcRes, scriptRes)
            print '\033[94m--------------Report---------------\033[0m'
            print 'filename:' + fileName + '.py'
            print errorMessage.replace(';','\n').replace('<strong>','\033[95m').replace('</strong>','\033[0m')
            print '\033[94m-------------- Score --------------\033[0m'
            for name, score in zip(gradeSettings.GRADING_RULES_ORDER, grading):
                print name,':',score
            # print grading
            if self.outputFlag:
                self.output.insert(studentName, sid, submissionNum, partner, section, errorMessage, grading, stdOutput, fileName)
        if self.outputFlag:
            self.output.dump()
            self.output.emailSend(self.sid2email)

    def testScript(self, fileName, sid, submissionNum):
        res = {}
        old_stdin = sys.stdin
        for key, tests in gradeSettings.TEST_SCRIPT.iteritems():
            script = ''
            res[key] = {}
            try:
                sys.stdin = mystdin = open('../tester/default.txt','r')
                if key == 'main':
                    with open(fileName + '.py', 'r') as fr:
                        script = fr.read()
                else:
                    exec('from {0}.{1} import {2}'.format(self.submissionFolder, fileName, key))
                    exec('script = inspect.getsource({0})'.format(key))
            except Exception as e:
                res[key]['runtime_error'] = True
                res[key]['runtime_error_message'] = str(e)
                print 'catched exception:' + str(e)
            res[key]['test'] = []
            for test in tests:
                testRes = {}
                if 'script_pat' in test.keys():
                    if 'script_pat_setting' not in test.keys():
                        testRes['script_pat'] = re.search(test['script_pat'], script) != None
                    else:
                        testRes['script_pat'] = re.search(test['script_pat'], script,test['script_pat_setting']) != None
                if 'script_pat_count' in test.keys():
                    if 'script_pat_setting' not in test.keys():
                        testRes['script_pat_count'] = len(re.findall(test['script_pat_count'], script))
                    else:
                        testRes['script_pat_count'] = len(re.findall(test['script_pat_count'], script, test['script_pat_setting']))
                if 'selfdef-func' in test.keys():
                    if test['mode'] == 'whole':
                        testRes['selfdef-func'] = test['selfdef-func'](script)
                    elif test['mode'] == 'line':
                        with open(fileName + '.py','r') as fr:
                            tmpRes = fr.readlines()
                            testRes['selfdef-func'] = test['selfdef-func'](tmpRes)
                res[key]['test'].append(testRes)
        sys.stdin = old_stdin
        return res

    def testFunction(self, fileName, sid, submissionNum):
        old_stdout = sys.stdout
        old_stdin = sys.stdin
        res = {}
        returnVal = None
        stdPat = None
        systemExitFlag = None
        print fileName
        # quiet(fileName + '.py', '../temp/f' + sid + '_' + submissionNum + '.py', False)

        for key, tests in gradeSettings.TEST_FUNC.iteritems():
            sys.stdout = old_stdout
            # print 'Now Test:',key
            res[key] = []
            # if key == 'main':
            #    continue
            for test in tests:
                ret = None
                testRes = {}
                if 'prerun' in test.keys():
                    d = dict(locals(), **globals())
                    execfile('../prerun/{0}'.format(test['prerun']),d ,d)
                sys.stdout = mystdout = StringIO()
                if 'input_file' in test.keys():
                    sys.stdin = mystdin = open('../tester/' + test['input_file'],'rU')
                else:
                    sys.stdin = mystdin = open('../tester/default.txt','r')
                inputArgs = () if 'input_args' not in test.keys() else test['input_args']
                try:
                    with time_limit(3):
                        if key == 'main':
                            d = dict(locals(), **globals())
                            execfile(fileName + '.py',d ,d)
                        else:
                            exec('from {0}.{1} import {2}'.format(self.submissionFolder, fileName, key))
                            exec("ret = {0}(*inputArgs)".format(key))
                except TimeoutException:
                    testRes['runtime_error'] = True
                    testRes['runtime_error_message'] = 'Time out for running.(3s) Your program may fail into infinite loop.;'
                    sys.stdout = old_stdout
                    print 'TimeoutException Catched.'

                except KeyboardInterrupt:
                    testRes['runtime_error'] = True
                    testRes['runtime_error_message'] = 'Your program fails into infinite loop.;'
                    sys.stdout = old_stdout
                    print 'KeyboradInterrupt Catched.'

                except SystemExit as se:
                    if 'systemExit' not in test.keys():
                        testRes['runtime_error'] = True
                        testRes['runtime_error_message'] = str(se)
                    sys.stdout = old_stdout
                    print 'SystemExit Catched. Output:', mystdout.getvalue()

                except Exception as e:
                    sys.stdout = old_stdout
                    print 'OtherException Catched.' + str(e)
                    testRes['runtime_error'] = True
                    testRes['runtime_error_message'] = str(e)
                if 'ret_mapper' in test.keys():
                    exec('ret = gradeSettings.{0}(ret)'.format(test['ret_mapper']))
                if 'return_val' in test.keys():
                    try:
                        if ret != None:
                            if type(test['return_val']) is float:
                                testRes['return_val'] = abs(ret - test['return_val']) < 0.01
                            else:
                                testRes['return_val'] = ret == test['return_val']
                        else:
                            testRes['return_val'] = False
                        testRes['student_return_val'] = ret
                    except:
                        testRes['return_val'] = False
                        testRes['student_return_val'] = None
                if 'stdout_pat' in test.keys():
                    if 'stdout_pat_setting' in test.keys():
                        testRes['stdout_pat'] = re.search(test['stdout_pat'], mystdout.getvalue(), test['stdout_pat_setting']) != None
                    else:
			testRes['stdout_pat'] = re.search(test['stdout_pat'], mystdout.getvalue()) != None

                    testRes['student_output'] = mystdout.getvalue()
                res[key].append(testRes)

        sys.stdout = old_stdout
        sys.stdin = old_stdin
        return res

if __name__ == "__main__":
    submissionFolder = 'submissions'
    if len(sys.argv) >= 2:
        if (sys.argv[1] > 3 and sys.argv[1][-3:] == '.py'):
            submissionFolder = 'test'
            os.chdir(os.getcwd() + '/' + submissionFolder)
            a = Grader(submissionFolder, False)
            a.loadFiles([sys.argv[1][:-3]])
            exit()
        else:
            submissionFolder = sys.argv[1]
    os.chdir(os.getcwd() + '/' + submissionFolder)
    a = Grader(submissionFolder, True)
    a.loadFiles([name[:-3] for name in [file_name for file_name in glob.glob("*.py")]])

redpajama_set_name: RedPajamaGithub


text:
Le Rêve peut désigner :

Cinéma

 Le Rêve, film français de Jacques de Baroncelli sorti en 1921 ;
 Le Rêve, film français de Jacques de Baroncelli sorti en 1931 ;
 Le Rêve (Мечта), film soviétique de Mikhaïl Romm sorti en 1941 ;

Littérature

 Le Rêve, roman d'Émile Zola paru en 1888 ;
 Le Rêve (), nouvelle policière d'Agatha Christie parue en 1937 ;

Opéra

 Le Rêve, opéra d'Alfred Bruneau créé en 1891 ;

Peinture

 Le Rêve, peinture d'Édouard Detaille (1888) ;
 Le Rêve, peinture du Douanier Rousseau (1910) ;
 Le Rêve, peinture de Marc Chagall (1927) ;
 Le Rêve, peinture de Salvador Dalí (1931) ;
 Le Rêve, peinture de Pablo Picasso (1932) ;
 Le Rêve, peinture d'Henri Matisse (1935) ;

Autres

 Le Rêve, épisode de la série Les Sentinelles de l'air ;
 Le Rêve, spectacle du casino Wynn Las Vegas ;
 Le Rêve, tour résidentielle de Dubaï ;
 Le Rêve, cultivar de rosier obtenu par le rosiériste français Joseph Pernet-Ducher.

Voir aussi

Homonymie de titre

redpajama_set_name: RedPajamaWikipedia


Understanding White Collar Crime | Rubin, Glickman, Steinberg & Gifford P.C.
White collar crime is often a complex matter, and if you are facing charges, you will need strong legal representation to avoid serious consequences. At Rubin, Glickman, Steinberg & Gifford, we have protected the rights of numerous Pennsylvania clients accused of a broad spectrum of white collar crimes. We understand that a conviction can come with repercussions that seem unduly harsh.
For example, some of those convicted of crimes such as embezzlement or mortgage fraud have been sentenced to decades in prison, according to Forbes. Others who had allegedly been involved in white collar crimes ranging from identity theft to professional malpractice are serving life sentences in prisons that are already crowded.
White collar crime has been around for as long as professionals have been in business, but the subject is constantly changing due to business trends and improvements in technology. The rise in online commerce has particularly affected the growth of Internet crimes and identity theft.
Just how easy is it to get pulled into the trap of white collar crime? Many professionals can find themselves tempted to take some funds out of petty cash "just this once," but become drawn to this quick fix again and again, especially if they have easy access to accounts. Others might enjoy the rush of getting away with a seemingly innocent, small act of theft or forgery. Some might be persuaded to join co-workers in a scheme they didn't even realize was illegal. These actions often have the effect of gaining momentum until they are irreversibly out of control.


Brake is a road safety charity that works to prevent road deaths and injuries, make communities safer, and support families bereaved and injured in road crashes.
Brake launched in 2011 and since then has developed a number of projects and services. We have provided around 1,000 free support books to people bereaved in crashes. We coordinate national Road Safety Week each year, with over 800 organisations registering to take part.
By donating or fundraising for Brake you are helping us to continue providing free support books, and to develop further services to provide specialised support to people bereaved and injured in crashes. You're also helping to run educational initiatives like Road Safety Week.
Brake is part of the international charity Brake, started in the UK in 1995.


text:
Neighbors recall volatility of couple before wife found dead
Originally published July 28, 2015 at 7:00 am
PHOENIX (AP) — A Phoenix woman who police believe was decapitated by her husband was in a marriage that neighbors said was fraught with public fights.
The killing was discovered Saturday when a neighbor went to check on 49-year-old Trina Heisch.
Investigators say Heisch's 43-year-old husband opened the door nude and with several self-inflicted injuries, including a severed left forearm and a missing eye.
"I didn't realize his arm was cut off until probably a minute or two into the conversation,'" neighbor George Loney told The Arizona Republic (http://bit.ly/1etj1WB ). "He told me he killed three of his family members but that God had forgiven him so it was OK. 'Let me have a drag of your cigarette' he kept telling me."
The husband's identity hasn't been released by police, who say he will be arrested once he is released from a hospital where he was listed in serious condition.
No motive for the killing has surfaced.
"I don't think that we are going to know the answer to that," police spokesman Trent Crump said, adding that the suspect acknowledged in an interview with investigators that he killed his wife and mutilated himself.
Police were called to the couple's apartment five times in recent months.
Officers dealt with a June 20 argument between Heisch's husband and a neighbor. In another instance, the husband claimed Heisch had stabbed him, but officers learned that wasn't true.
Two weeks later, Heisch was booked on suspicion of aggravated assault but no charges were filed.
Neighbor Heather Enderton told the Republic that she often saw the couple outside yelling and had called police numerous times.
After five calls in three months, she said, a comment from a dispatcher about taxpayer dollars discouraged her from making further calls.
"He made me feel as though there was nothing to be done," she said. "I felt like if an officer told me there was nothing for him to do, that there was no reason for me to report it any more. They weren't protecting her or us."
Enderton heard yelling Saturday but didn't call police.
"I assumed it was them. That was their thing; that's what they did," she said. "But I didn't do anything about it."
Mark Vinci, a 20-year resident of the neighborhood, told The Associated Press that the small apartment complex where the couple lived has been a problem over the years, including being a site of a meth lab that was busted about six years ago.
Court records show that Trina Heisch was sentenced to 10 years in a state mental hospital for stabbing her 15-year-old son in 2000 while he was sleeping. Her son suffered injuries that weren't life-threatening.
A judge found her to be "guilty except insane" of attempted second-degree murder and felony child abuse. The verdict spared her a prison sentence.
Information from: The Arizona Republic, http://www.azcentral.com


Organising an exhibition is teamwork.
You can rest assured that we look for the right supplier for every construction detail. Essentially, this boils down to establishing clear communication lines between the different services and suppliers. Every member of our team knows what to do. If there is work to be done, we roll up our sleeves. We are proud to rely on an extensive, carefully established network to find and bring together the right professionals. You can be confident that we only recommend partners who add value to your project. Once the right team is set up, we get down to work.


January 20, 2017 in Signal Boost, Superversive, Uncategorized.
January 10, 2017 in Superversive.
September 28, 2016 in Superversive.
September 13, 2016 in Superversive.
September 3, 2016 in Superversive.
August 12, 2016 in Superversive.
April 19, 2016 in Superversive.
April 4, 2016 in Superversive.


Your Logan Square Family Jeweler Since 1980.
We are a family owned business that believes that by treating customers with respect and honesty we create long lasting relationships with our clients. We become advisors to our customers and we help them pick the perfect gift to create an unforgettable moment. With more than 35 years of experience we are the Jewelry you can trust.
All our gold is guaranteed to be 14 Kt.
Torres Omar Jewelers is a family-owned and operated business in the heart of Logan Square founded over 35 years ago, with the belief that unparalleled customer service, great prices, and a diversified inventory were the key ingredients to building a successful business.
Over the years, Torres Omar Jewelers have been very dedicated to giving back to the community through numerous sponsorships and volunteer work. Owners and family of Torres Omar Jewelers have even been recognized by State Representatives for their contributions to the community.


Register for the September 16-17 People's Congress of Resistance!
Registration is now open for the September 16-17 People's Congress of Resistance! This event will draw together grassroots resisters and diverse social movements from around the country for an exciting weekend of strategizing, deliberation and information-sharing.
The registration fees below are necessary to cover the enormous expenses that go with organizing an event of this magnitude.
The registration fee covers participation in the two-day event, not including housing, food and other personal expenses.
Make sure you've read the shared principles and media information for the People's Congress of Resistance!
Organizers will issue information on possibilities for housing, including more affordable hotels, church space, etc.
If you cannot pay the registration fee but are eager to attend the People's Congress of Resistance, please fill out this form. (We cannot guarantee a response to requests received after Sept. 9th). We are collectively fundraising so that no one will be unable to come on account of funds.
If you can't come but can subsidize the registration fee of a student or low-income person, make a donation today!
Online registration is now closed — please register at the door.


Callback to listen events from MediaLibraryService2.
Called when the list of items has been returned by the library service for the previous MediaBrowser2#getChildren(String, int, int, Bundle).
Called with the result of getLibraryRoot(Bundle).
Called when the search result has been returned by the library service for the previous MediaBrowser2#getSearchResult(String, int, int, Bundle).
Called when there's change in the parent's children.
Called when the item has been returned by the library service for the previous MediaBrowser2#getItem(String) call.
Called when there's change in the search result requested by the previous MediaBrowser2#search(String, Bundle).
Called when the session has changed anything related with the PlaybackInfo.
Prior to API 21, this will always be called whenever any of those two methods is called.
From API 21 to 22, this is called only when the playback type is changed from local to remote (i.e. not from remote to local).
From API 23, this is called only when the playback type is changed.
Called when the player state is changed.
Called when a playlist metadata is changed.
Called to report buffering events for a data source.
Use getBufferedPosition() for current buffering position.
Called when the shuffle mode is changed.
Called when the session refuses the controller or the controller is disconnected from the session. The controller becomes unavailable afterwards and the callback wouldn't be called.
It will be also called after the close(), so you can put clean up code here. You don't need to call close() after this.
Called when the repeat mode is changed.
Called when the allowed commands are changed by session.
Called when the session sent a custom command.
Called when a playlist is changed.
Called when the session set the custom layout through the MediaSession2#setCustomLayout(ControllerInfo, List).
Can be called before onConnected(MediaController2, SessionCommandGroup2) is called.
Called to indicate that seeking is completed.
When it's called, you should invalidate previous playback information and wait for later callbacks.
Called when the controller is successfully connected to the session. The controller becomes available afterwards.
Called when playback speed is changed.
rootMediaId and rootExtra can be null if the library root isn't available.
rootHints MediaBrowser2: rootHints that you previously requested.
Result can be null if there had been error.
result MediaBrowser2: result. Can be null.
This API is called when the library service called MediaLibrarySession#notifyChildrenChanged(ControllerInfo, String, int, Bundle) or MediaLibrarySession#notifyChildrenChanged(String, int, Bundle) for the parent.
extras MediaBrowser2: extra bundle from the library service. Can be differ from extras that you've specified with subscribe(String, Bundle).


From creating a website to a mobile-based application online food delivery has also conquered Facebook without a doubt.
Deciding as to what you want to eat and place an order accordingly is the easiest of tasks. Unless you are the one who is generally confused when asked to choose from a number of options, ordering food must be uncomplicated for you.
Facebook, as an organization is taking away the time which you had already wasted looking for what you need to eat by officially dispatching the ability to order food for pick-up or home-delivery, directly from its official app.
Individuals nowadays order online food on Facebook after reaching a conclusion of what to eat by studying about close-by restaurants and looking at the reviews given by their friends in regards to the restaurant.
You can now order food from the Facebook app on your mobile or even its official website.
Will you immediately start ordering food from Facebook?
Let's see what happens in the near future. We strongly hope that the Facebook food ordering trend doesn't go haywire in the long run.
Facebook's third-party online food ordering partners including ChowNow, Delivery.com, EatStreet, Olo and DoorDash as well as restaurants such as Denny's, Chipotle, Papa John's and Jack In The Box which serves food to most of the locations possible.
Now you don't have to look across a number of places to get what you exactly need.
From nearby locations to popular stores, Facebook associates you with ancient picks and new inventions with only a couple of tap on a specific button.
You can even look at what your friends need to say in regards to a restaurant before you order your meal.
How to use the feature of ordering food through Facebook?
The Facebook food ordering system is an uncomplicated process.
You can look for local food joints browsing through the Order Food segment in the Explore menu in your Facebook profile.
On this page, you can look for restaurant alternatives and select Start Order when you've discovered what you're searching for.
In case the restaurant offers takeaway options or food delivery with multiple services, you can choose which feature you are most likely to use.
In case you have registered with delivery.com, you can login and order food with your existing login credentials. You don't even have to leave the Facebook app in case you haven't registered with delivery.com. Rather, you can easily go ahead and create a new account on Facebook itself.
If you are looking to order food from restaurants Facebook will redirect you to their pages automatically rather than using a third-party online food ordering business.
You can find the "Order Food" option in your Facebook mobile application.
Click the three parallel lines on the top portion of your home page if you are using Android or to the bottom if using iOS which denotes the "More" button.
In case of a PC you can go ahead with the same steps with the only difference being the existence of an "Explore" button which would guide you to the best restaurants in your area.
Once you click on "Order Food" you would be able to choose from various restaurants.
The list will be long but what you need to notice is whether that joint has an option of ordering food through Facebook. If yes, then you will find a "Start Order" option next to the restaurant's page.
Upon tapping the "Start Order" button, Facebook will take you to a third-party food ordering website or else it will prompt you to choose an option where you want to place your order from.
Make a payment with the aid of Facebook food delivery partners such as Delivery.com or your credit card to get the confirmation of your placed order. Your food will be delivered to your doorstep within a short time.
Most people are unaware that one year back Facebook incorporated an easy technique of ordering food from restaurants featured on Facebook pages using services such as Delivery.com.
If you go through the article published on TechCrunch you will see them stating that Facebook does not make money from the "Order Food" option and it does not even divide whatever profits they make from the orders placed through Facebook.
Facebook clearly does not want to lose its users. Adding a new feature every year doesn't only improve its brand value but also makes Facebook as the most used social networking platform ever.
Such a feature where you can not only view the menu and place your order but also reserve a table for your meal is one which you cannot miss out on.
With more than a billion users globally it is natural for Facebook to explore different sectors and launch new services globally. Addition of these features certainly helps Facebook to generate better revenue than before.
Haven't you tried ordering on Facebook yet? If not, then place your order right away.


text:
Star Trek: Enterprise: Storm Front Rewatch
January 12, 2020 7:12 AM - Season 4, Episode 1 - Subscribe
[Season premiere; part 1 of 2] The Enterprise crew mysteriously arrives in an alternate WWII with quite different patterns of force. As it turns out, a hostile alien species is distorting the timeline for their own little killing game.
Hintergrundinformationen aus dem Speicher Eins:
- This episode takes place entirely in an alternate version of 1944, with no scenes set in the usual time period of the 22nd century. Along with TOS: "Assignment: Earth" (which takes place in 1968), this is one of only two Star Trek episodes based entirely in the 20th century. Both episodes also mostly take place in and around New York City.
- With the addition of this episode, Enterprise became the first Star Trek series to start a 4th season without having any change in the cast since its pilot episode.
- Tom Wright (Ghrath) previously portrayed Tuvix in the eponymous episode of Star Trek: Voyager.
- Ghrath's name – and the name of his species, the Na'kuhl – are taken from the original script and are not mentioned in the episode even though they were mentioned in the production report.
- Joe Maruzzo and Steve Schirripa, who play Sal and Carmine in this episode, were regular cast members on the HBO television show The Sopranos.
- Daniels' condition in this episode originally appeared in the Voyager episode "Shattered", where Chakotay was taken out of temporal sync and a state of temporal flux. The Doctor noted that Chakotay "has the liver of an eighty-year-old man, and the kidneys of a twelve-year-old boy."
- This marks the second time J. Paul Boehmer has played a German SS soldier in Star Trek, the previous time being in the Star Trek: Voyager episodes "The Killing Game" and "The Killing Game, Part II".
- The footage that Vosk shows the German Generalmajor is re-used footage. The building that the Na'Kuhl officer destroys with a plasma pulse rifle is the Nazi headquarters in Sainte Claire from "The Killing Game".
- This episode is the second time that a character from the past mistakes a character from the future for a naval officer due to their affiliation with the Enterprise, the first being Edith Keeler and Dr. McCoy in "The City on the Edge of Forever".
- Ending the story arc of the Temporal Cold War was partly due to Manny Coto deciding to bring it to an end. "I thought, you know, Manny, in season four, kind of set the Temporal Cold War aside, as best I could [determine]," Brannon Braga observed, frowning. He then laughed, "You know, I guess he wasn't that interested in it." ("In Conversation: Rick Berman and Brannon Braga", ENT Season 1 Blu-ray special features) Coto himself remarked, "I felt that everything that had been said about the Temporal Cold War had already been said. I felt a heavy reliance on time travel at the beginning of Enterprise. I wanted season four to be a relatively time travel free season and that's why I debated writing it into season four."
- According to actor John Billingsley, Paramount also bore some of the responsibility for ending the Temporal Cold War. Billingsley recalled, "I definitely felt as if there was a dictate on high from the network level, or from the studio level, to end the temporal time war, wrap it up immediately. I tended to concur on the broader point that the temporal time war never really got off the ground, the storytelling was too attenuated, and that it needed to die. At the same time I think the network forced them to tie it all up so abruptly that the way in which they had to do it was not as deft as it needed to be."
"I'm gonna ask you something – it's gonna sound a little strange..."
"What else is new?"
"When I was in a German medical tent, one of the soldiers who came in to see me...wasn't like the other ones. He had gray skin, red eyes... he wasn't Human..." (Telling by the look on her face) "This isn't the first time you've heard something like this..."
- Archer and Travers
"Like I said, neighborhood's gone downhill."
- Travers, to Archer after their run-in with a pair of Nazi soldiers
"What was that back there?"
"That was an extraterrestrial."
"A Martian?"
"I don't know what planet he was from."
"Where are you from?"
"Upstate New York."
- Sal and Archer
"Your colleague has managed to evade us. I assure you, whatever I want to know you'll tell me... gratefully."
- Vosk, to his new captives: Tucker and Mayweather
Did anybody else, ya know, kind of have to blink and remind yourself "This is fiction" when this shot came up?
Anyway, Jack rightly pointed out in last week's thread that we really didn't need to go back to the Nazi well in October 2004. These days, though, I'm inclined to welcome any number of "fuck the Nazis" storylines. In fact I actually hope we get to watch NuKirk or OldPicard waste some Nazis in STXIV or PIC. (Not so much DISCO. For there to still be Nazis in the thirty-second century…would suck.)
I always liked the notion of the mafiosos helping the resistance here—it feels historically-plausible. Less so is the fact that the mafiosos didn't change into more functional attire.
Here's the TV Tropes link for this two-parter's conceit. Some interesting stuff on that page for those interested in alternate-history scenarios.
I think maybe T'Pol's emotional-regulation-dysfunction is contagious, if Trip's attitude in the early scenes is any indication.
Judging from his skillful method of broaching the subject of nonhuman Nazis to Alicia, Archer is handling the oddity of time travel with the greatest of ease.
Pointless STO Comparison of the Week:
Daniels, including Vidiian-lookin' Daniels from this episode, is a major NPC in STO—so much so that, according to STO's wiki, "With 16 missions featuring the character, each including unique voiceovers by Matt Winston, Daniels is the most featured canon character voiced by the original actor in Star Trek Online."
Poster's Log, Supplemental:
Tim & Eric, Awesome Show! fans may recognize Carmine as the "My Eggs" guy. (He should've been in "Hatchery" instead!)
posted by CheesesOfBrazil (12 comments total) 3 users marked this as a favorite
Yeah, it was pretty good to see some Nazis get it. Although... I mean, you know I'm gonna quibble, right? One thing that bugged me is that, not only are we getting a lot of recycled bits from "The Killing Game" (to the point that I assume that J. Paul Boehmer's abbreviated appearance was a deliberate nod to that episode), but it's taken to a ridiculous extreme in that there's no real reason for the Na'kuhl to be wearing the SS uniforms, and one big reason not to: the SS were not only the elite of the Nazi uniformed forces, but their symbol of racial "purity", and I don't really buy that they would have allowed that. Not that the Nazis couldn't be flexible about race when it benefited them; they made allowances for their Japanese allies that they didn't extend to Asians generally. The Na'kuhl don't seem to have any particular allegiance to the Nazis (Vosk's pandering to the German general notwithstanding), and they operate away from the public eye, mostly. (Speaking of which, my other quibble: the Na'kuhl who's just kind of walking around with his face uncovered, even if it's at night, doesn't make a lot of sense; he could have had his human contact come see him in a building somewhere.) Aliens in Nazi uniforms made sense in "Patterns of Force" because John Gill deliberately introduced them as part of his whole failed "good fascism" experiment, and in "The Killing Game" because the Hirogen got into the whole cosplay/LARP aspect of the holodeck, albeit in a brutal, lethal way.
Anyway. Other than that, the episode was pretty good. Liked Golden Brooks as Alicia Travers, and the goombahs were also good, although I agree that those bright Dick Tracy suits didn't really work. (WRT their being in the resistance, in Earth-Prime, the Mafia cooperated with the war effort, not only for security on the homefront (especially the docks) but for the invasion of Sicily.) I perused the map of occupied America closely--in many alternate-history stories, a map quickly illustrates how things turned out differently, and even though the Nazis are occupying most of the Eastern Seaboard, and therefore a big chunk of the US' population, it's still interesting to see where they stopped (mostly along/around the Appalachians); even with their alien Wunderwaffe, there are limits to their ability to take over the world all at once (although Vosk's promise of a bioweapon is chilling). I also liked the use of Billie Holiday as a morale weapon.
posted by Halloween Jack at 11:08 AM on January 12 [1 favorite]
Vidiian-lookin' Daniels
I said, "Hey how did Werner Herzog get on the ship?"
posted by fleacircus at 4:18 PM on January 12 [1 favorite]
OH YEAH SPACE NAZIS
Some postives, I guess:
- At least the Temporal Cold War is (almost) over. I wasn't even really sure it was still going on? Like, I guess that whole Xindi arc, despite dealing with time-traveling space-shifters, wasn't part of the TCW? Or was it? I dunno. Either way, despite this apparently being the determined end of an extremely weak arc, I don't think it was really even necessary to try and end it. Just pretend it didn't happen. And the time travel in this one makes no sense at all, but hey, who needs to be consistent, right?
- The gangsters were fun as well. Didn't even realize they were Sopranos regulars. I thought they were hilarious and it's funny to think of them playing actual mobsters.
- When Archer returns to the bridge, the look on T'Pol's face was perfect. The subtle look that just gave away that she was the happiest Vulcan who has ever lived was perfect.
And some questions?
- So the plan is to go back to WWII times, and win the Nazis the war, and therefore that stops the Federation from happening? This I find remarkably unbelievable. Maybe it does end the Federation, but didn't anybody stop to think that the best rocket scientists in the world were part of the Nazi machine? I mean, it was former German rocket scientists who helped both the US and the USSR get to the moon. Now, imagine they were working together. Wouldn't it accelerate the space-travel timeline? Then we have a mirror universe where the Terrans are the actual space nazis and well, I think something like that is coming up this season. Either way: bad plan. You want a civilization that is both hateful and doesn't GAF about science to take over everything. Yes, that's right: go back and help the CSA win the Civil War.
- Uh, where are the Vulcans, anyway? Like, when Zefram Cochrane invents warp drive they show up like immediately and are like "Yo you can't do this yet" but a bunch of time-traveling aliens and the USS Enterprise are just hanging out in the solar system and they're nowhere to be seen? You'd think somebody in the neighborhood would notice something isn't right, just saying.
posted by General Malaise at 1:23 PM on January 17 [2 favorites]
So the plan is to go back to WWII times, and win the Nazis the war, and therefore that stops the Federation from happening? This I find remarkably unbelievable. Maybe it does end the Federation, but didn't anybody stop to think that the best rocket scientists in the world were part of the Nazi machine? I mean, it was former German rocket scientists who helped both the US and the USSR get to the moon. Now, imagine they were working together. Wouldn't it accelerate the space-travel timeline? Then we have a mirror universe where the Terrans are the actual space nazis
Yeah, I think the assumption (conscious or not) must have been that, since the Federation are the good guys and the U.S. w/r/t the Nazis are the good guys, therefore Nazis winning means no good guys in the Sol system, or something?
It might have been less muddy had we been given any sense of what these aliens are like, apart from Evil. Did they figure they could never make common cause with any humans, no matter how space-nazi-fied? Were they xenophobes? But if so, how can they be involved in a Temporal Cold War "faction"? etc.
You want a civilization that is both hateful and doesn't GAF about science to take over everything. Yes, that's right: go back and help the CSA win the Civil War.
Hah! Wait, but…they did. In the long run, I mean.
Uh, where are the Vulcans, anyway? Like, when Zefram Cochrane invents warp drive they show up like immediately and are like "Yo you can't do this yet" but a bunch of time-traveling aliens and the USS Enterprise are just hanging out in the solar system and they're nowhere to be seen? You'd think somebody in the neighborhood would notice something isn't right, just saying.
IIRC the NX-01 doesn't use its warp drive in this episode; First Contact establishes that it's the warp signature that the Vulcans detect in 2063.
Not to mention the fact that the Vulcans probably watched WWII begin and said "Yyyup, say goodbye to your Minshara classification, water planet, because you're about to be an irradiated wasteland."
And as far as temporal shenanigans, this show's lore re: Vulcans and time travel suggests that Vulcans of the 1940s probably aren't monitoring any part of their stellar neighborhood for chroniton flux or takyon whatevers.
posted by CheesesOfBrazil at 1:41 PM on January 17 [3 favorites]
Ah this is a good point. I didn't remember clearly the end of the last episode, but if they took the Xindi wormhole thing into the system, they wouldn't have been coming into the system at warp. Totally forgot that.
And I guess the aliens don't have ships? We've clearly established that, since, well, they'd be there. I just didn't think about that either.
posted by General Malaise at 2:01 PM on January 17
On my silly Vulcan derail: So, we've established that the Vulcans can detect warp signatures... T'Pol would know this: wouldn't it make sense for her to suggest making a "call for help" by signaling to the Vulcans by briefly going to warp?
posted by General Malaise at 3:23 PM on January 17 [1 favorite]
(Although I guess a subspace call to Vulcan would be more effective)
Interesting question! I can imagine it'd be a tough conversation to have:
"Hi, Vulcans? I'm T'Pol, a future Vulcan. Say, y'know how your official dogma states that time travel is impossible? Well, [proof it's not]. We need you to use some of your comparatively-advanced-by-1940s-standards technology to help us resolve this space-Nazi business, or else a Federation of United Planets or something that a time-travelling mystery man tells us will arise, will not."
Further data points for consideration:
- T'Pol knows she has a relative on Earth as of 1957—she's there to follow up on Sputnik, which confirms that Vulcans were indeed keeping half an eye on Earth by then, and likely at least a few years before.
- According to ENT: "Terra Prime," a later episode this season, Vulcans were aware of World War 3 but didn't intervene. This suggests that whatever means by which they were monitoring Earth (again, beginning likely a bit before 1957) allowed for detection of, at minimum, several surface detonations of nuclear weapons in addition to tiny beeping orbital satellites. Earth's first nuclear detonation, the Trinity test, is in July 1945—but this episode is in 1944.
- According to Quark in DS9: "Little Green Men," Vulcans didn't develop warp drive until 1947! This makes other Vulcan-tech-history iffy, so it's safe to conjecture that Quark's grasp on Vulcan history isn't great…
…But if we take it as gospel, this (and the other factoids above) indicates that the Vulcans, contrary to my joke in my previous reply, could very well not be aware of WW2 as of this episode. Which just makes enlisting their aid that much more laborious explanations-wise.
And more generally, the Vulcans seem pretty noninterventionist as a general rule, and T'Pol would know that. Add to that the possibility that their tech wouldn't actually be all that helpful, AND the good chance that bringing in a third party (Vulcan reinforcements or whatever) greatly increases the odds of screwing up the timeline even more? I could see not bothering to contact them.
One last thought: if the Vulcans of 1944 DID have, and use, automatic-temporal-shenanigan-detection technology, they'd have known about Edith Keeler in 1930 (or the 1916 stuff mentioned in "Storm Front, Part II"). Whether they would do anything about it is, well, the same big question as above.
posted by CheesesOfBrazil at 8:10 AM on January 19 [3 favorites]
P.S., on another topic: I just remembered that the head Nazi in this 2-parter very memorably played the villain of the Lucasarts game Jedi Knight, one Jerec.
posted by CheesesOfBrazil at 8:20 AM on January 19
CheesesOfBrazil: Just wow on that research and reporting.
posted by General Malaise at 12:32 PM on January 19
Vulcans not having warp drive before 1947 seems pretty wild. That doesn't feel like very long to learn any lessons as a space empire.
Agree. Although it does help explain why they're so bad at it.
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there seems to be a lot of waste in production but I believe every person can do their part in making a difference - craft service, set construction, office staff, transportation.
day to dispose of them appropriately. At the end of a job, all unwanted items are donated to organizations in need.
provide only recyclable serving containers, like aluminum pans. Avoid styrofoam at all costs.
In set design and construction reuse and recycle sets, and donate unwanted lumber, fencing and other supplies to local organizations. Use sustainable wood products. Purchase low-emission (low VOC) and less toxic alternatives of chemicals, paints, flooring, etc. Use sawdust to make sweeping compound, clean painting equipment like brushes and buckets, clean moisture spill, mix into plaster instead of sand, or sell as composting material to make natural fertilizer. Use canvas drop cloths instead of paper products to protect floor while painting. Clean and reuse paint brushes instead of throwing them away.
For transportation, encourage carpooling and the use of public transportation. Ask suppliers of trucks, buses/trailers if they have vehicles that run on natural gas, biodiesel or fuel cells. Turn off production vehicles when not in use. Utilize electric or hybrid vehicles if available.
Another thing you can do is to purchase with the environment in mind. Buy products from companies that provide technical assistance, products and/or services that conserve energy, reduce water consumption, preserve the quality of air and reduce the generation of solid wastes. And when possible utilize natural gas, biodiesel or solar generators and refrigeration systems.
More and more, shoots are going 'green' and it's a great thing. There are companies out there that hire out their services to help you do that. But we can all do our part to lessen the impact on our environment, and minimize our carbon footprint.
No mixer needed for this recipe. With wooden spoon mix butter to mashed bananas.
Mix in sugar, egg, and vanilla, then the spices.
Sprinkle the baking soda and salt over mixture and mix in.
Pour mixture into a buttered 4x8 loaf pan, or 2 smaller ones.
Cool. Remove from pan. Slice and serve.


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Well it is a good month to stop most of what you strive for and relax. An aggressive attitude could cause problems. The Sun and Mercury are square your sign. This is a good set of aspects for the Perfection of Patience. It is not a good time to be focused on personal goals. The reason is your mind has the possibility of being confused by the Mercury square.
Aries Buddhists love to be motivators. This month motivate to be quiet and peaceful. Be the true definition of a Buddhist, an inner person, and this means to focus on inner qualities and not on outer goals.
If Aries was told to slow down you can rely on the suggestion to move forward. Mars is well aspected to the Sun and Mercury for the first part of the month and then for 2 weeks by Uranus. All these planets sit in water signs that support the basic element of Taurus, earth. Be mindful that your emotional life is supportive of your goals.
Taurus Buddhists love to be grounded and practical. Use a strong emotion based goal like Bodhicitta or Metta meditation for this month. Those meditations support the power of the planets aspected to your Sun sign.
You have an interesting mix of support and agitation. Spiritually there is wonderful inspiration. Jupiter, Pluto Saturn and Neptune all support your spiritual activities and insights. Uranus makes you easily agitated as it is square your sign. Be mindful that when you have a revelation you don't jump off your meditation mat to pursue it. Slow down and digest the experience before you get up.
Well, you have a wonderful time ahead of you. Uranus and Mars five the Sun and Mercury lots to talk about. Uranus and Mars make you inspired and there just is not much to bring you down. That means that your lack of mindfulness is the only potential problem. It is like a sunny day for the whole month. Be careful not to get sun burnt.
Cancer Buddhists normally work with feelings. This month your emotional life is strong, so infuse it with Bodhicitta. The wish to benefit others has so many benefits to both others and yourself. Meditate constantly on the Bodhicitta and even your sleep will become a source of enlightenment.
Happy birthday. Your imagination knows no bounds. Saturn and Venus are in your sign and running directly opposite to Neptune. Think of a pendulum swinging back and forth between contemplation and intuitive imagination. You are practical and then you see new options and possibilities. You see possibilities and then you put them in practical terms. Back and forth you go! What is especially good with this month is the emphasis on faith. Pluto sits strongly aspected to Saturn and that means strong physical feelings. Therefore your spiritual practice may shift a little more toward faith (confidence in Buddhist terms) than to intuitiveness.
Leo Buddhists like to be motivators. Know you could convince anyone to look at spiritual practice. Your strong point is your depth of feeling and wisdom. Therefore be mindful of the amount of energy that comes out of you. Monitor it like a water hose, not too much water nor too little, just the right amount to moisten the minds of others.
If Aries was told to slow down you can rely on the suggestion to move forward. Uranus, Mars, the Sun and Mercury all sit in signs that support Virgo. That will translate into energy and intelligence as supportive factors helping you attain your goals.
Virgo Buddhists do things in an orderly manner. Move on activities that require clear minded energy. Any meditations involving decisiveness and intelligence are good this month.
This month things are quite empty. That means there are no planets in your sign. Of course there are always influences effecting you but at least there are no major astrological ones stimulating you. Be happy and do as you please. Be generous and kind, those activities are always beneficial.
Scorpio Buddhists are passionate. Your passion-o-meter is low this month. Just be mindful and exude happiness. What more could we ask of anyone?
Faith is still a strong feeling for you. Pluto and Jupiter are well aspected, so good will supports deep feelings. A Neptune aspect adds intuitiveness to the total package of spiritual joy and depth. Basically rely on Bodhicitta, "It transforms all base situations into gold" as Shantideva so eloquently says in the Bodhisattva's guide to a spiritual life.
Sagittarius Buddhists are inspired individuals. Meditate on Bodhicitta. This month inspiration comes from feelings mixed with ideals. Be aware of your feelings and don't think that a vision is just image related. Feelings are visionary too.
You have to deal with a powerful month of dualities. The Sun and Mercury sit in direct opposition. This means you have to weigh your actions carefully. If you over emphasize one direction you may find yourself deeply concerned about the opposite issues you did not at first see. It is a good month to be thoughtful. Do lots of contemplative meditations.
Capricorn Buddhists reflect and contemplate on decisions. A time of deep wisdom is here, so enter into this month by developing a thoughtful attitude.
Neptune, Pluto, Saturn and Jupiter have full impact upon you. That means visionary experiences, contemplation and deep feelings are lead by joy and vision. Remember that your imagination can be a positive or negative force for you. If you are worried about things, it is negative imagination. If you feel inspired, you are dwelling in positive images of what could happen. Work with a positive perspective and keep yourself grounded with a few mindful breaths.
Aquarius Buddhists are sociable beings. This month only do altruistic meditations, especially Bodhicitta related. Planetary aspects can help your realizations, but you have to do the meditations to reap the support. Don't daydream about meditating, do it!
This month has Uranus, the Sun and then Mars totally energizing you. If you have been feeling agitated or out of sorts it is because of these planets. The positive side of it is that the Sun, Mercury and Mars all support you. Therefore go after your goals. No more daydreaming. Seek to accomplish even the impossible, you have the support.
Pisces Buddhists are sensitive and introspective. This month drop all inhibitions and move on your visions. If you don't act now when there are supportive astrological aspects, then when could you do it? Reflect that life is impermanent and you don't want to be known as a procrastinator.


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