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saltwater animals adaptations
Adapted for grasping and crushing prey, crocodiles capture animals as large as buffalos. Red mangroves have prop roots descending from the trunk and branches, providing a stable support system. Most animals and plants must survive here, so of course they must adapt. Lots are the marine organisms that live in absence of light. The benthic zone is the ecological region at the lowest level of a body of water such as an ocean, lake, or stream, including the sediment surface and some sub-surface layers.Organisms living in this zone are called benthos and include microorganisms (e.g., bacteria and fungi) as well as larger invertebrates, such as crustaceans and polychaetes. Are There Alligators in the Florida Keys Coast of the Gulf of Mexico? A musk ox has two layers of fur. Encourage students to think about adaptations in marine animals related to obtaining food, providing camouflage or safety from predators, or dealing with changes in temperature, salinity, pressure, lack of sunlight, and need for oxygen. Other species o… This allows them to stay beneath the water surface and yet be able to see, smell, hear and breathe. © 2020 WILD SKY MEDIA. If so, you were looking at seaweed, which is actually a type of algae that lives in salt water habitats. Clam. They have strong shells that protect them from wave action, drying out and the prying beaks of predators. You may know animals that live in water. Organisms that are capable of dealing with varying salinities are euryhaline (like mangroves), and organisms that can only deal with small changes in salinity are stenohaline. Adaptations the action or process of adapting or being adapted The organisms that are found within the mangrove ecosystem have to be able to adapt to the different salinity levels that occur as a result of weather patterns and human impact. They love to live in the sea floor and … The high salt content found in the ocean can support the large bodies of giant squids and whales, which has allowed them to evolve without the use of strong limbs for support. Coastal plants need special adaptations to survive. By contrast, a 2013 study of Nile crocodiles (Crocodylus niloticus) -- a species that rarely enters saltwater -- by Nicholoas Di-Poi and Michael C. Milinkovitch, published in "EvoDevo," found that their ISOs were not sensitive to osmolality. A 2007 study by Kate Jackson and Daniel R. Brooks, published in "Amphibia-Reptilia," found that saltwater crocodiles possessed ISOs that were sensitive to osmolality. Salt Regulation. So the shark stays in balance with the saltwater outside its body and water doesn't constantly flow out. From outer space Earth looks like an awesome blue marble. Be Her Village. The results of the 11-year study, published in a 2012 issue of "PLoS One," show the bite force of these animals to be approximately 3,700 pounds per square inch -- the strongest bite force ever measured. Many of the animals, such as fish, have gills that allow them to breathe the water. To keep from sinking, some oceanic diatoms trade heavier salt particles, like calcium, for lighter ones, like sodium. Empower Her. Oysters and other bivalves, like mussels and clams, can live in the brackish waters of estuaries by adapting their behavior to the changing environment. Moreover, freshwater fish … A Possible New Type of Vertebrate Sensory Organ. Make a donation to support the Museum on this Giving Tuesday. Also detail of surface area to volume ratio and its importance to body shape. Students match animals to the correct category.There are 2 versions of the worksheet: the first one has pictures and words, the second version has only pictures.Freshwater Animals: ALL RIGHTS RESERVED. Sharks don't lose water the way bony fish do--their bodies stay in balance with the ocean in a different way, thanks to the chemical called urea. So albatrosses have evolved a way to drink seawater, which is too salty for most birds and land animals. The layer of blubber on their bodies serves as an effective insulation and helps them maintain a normal body temperature. The glands excrete a highly concentrated salt solution that drains out … 3. Estuaries are where freshwater from the land mixes with saltwater from the sea. 200 Central Park West Directions, ticket info, and visitor tips. Some of the fish species that live in a saltwater environment include the Achilles Tang, the Angelfish, the Blue Devil, Boxfish, Clownfish, … Saltwater crocodiles are the largest living reptiles on earth. At their largest, these saltwater crocodiles can grow up to 23 feet long! The eyes of crocodiles are exposed to a variety of threats, including struggling prey and submerged sticks and rocks. This migration is called the diel vertical migration. Many animals, such as cockles, are adapted to live in these conditions. During low tides when they are exposed to low-salinity water, oysters close up their shells and stop feeding. Antarctic Animal Adaptations Long days providing abundant light and copious nutrients brought to the surface layers by ocean upwellings along the Antarctic Convergence fertilize the growth of phytoplankton leading to very high productivity of the Antarctic Ocean during the summer months. Even if they don't dehydrate, they may be poisoned by an excess of salt in their systems. Skin coloration can have many functions. At sunrise, these same animals descend back to the depths to hide for the day. Saltwater crocodiles (Crocodylus porosus) are the largest of 23 living species and function as apex predators in the ecosystems in which they live. Great for young learners and ESL/EFL kids. Sackler Institute for Comparative Genomics, Resources For Educators: Water: H2O = Life. In fact, to solve this, they have developed various types of adaptation, which they can create light by themselves, throw bioluminescence. Species such as the j… They also help trap sediment loads near the coral. What are the Adaptations of a Crocodile to Survive Its Environment. This flap functions to keep water from entering the animal's lungs or stomach when the mouth is open underwater. The eyes and nostrils of many aquatic animals -- including snakes, frogs and turtles -- are on the dorsal, rather than lateral, surface of the head, just as they are in crocodiles. Professor Greg Erickson and his colleagues at Florida State University studied the jaw pressure of crocodiles and found that, while most crocodilians were capable of generating largely similar bite forces, the saltwater crocodile generated the strongest bite. To protect their eyes, crocodilians possess a third set of eyelids termed nictitating membranes. For example, many types of seaweed attach firmly to rocks so they are not swept away by waves. Adapted for grasping and crushing prey, crocodiles capture animals as large as buffalos. Instead of swimming around, diatoms--a type of single-celled algae--simply drift wherever the water takes them. A short documentary outlining some adaptations of pelagic and benthic fauna including many bony fish, nudibranchs, gastropods and even a marine reptile! Shallow widespreading roots, surrounds the trunks of black mangroves, adding to the structural stability of the tree. Water concentration inside a fish is higher than in the ocean itself because the ocean is so salty. There are more than 15000 species of clam in the world. As a result, most saltwater fish constantly lose water through their gills and skin. Phone: 212-769-5100. Finally, just as sea snakes, aquatic lizards and fish have laterally flattened bodies or tails, crocodiles use their flattened tails to propel themselves through the water. Ducks, geese and wading birds large and small come to feast on grasses, fish and insects. You see some of them every day. The jaws and teeth of saltwater crocodiles are essential to the survival of the species. Having developed an incredibly successful suite of adaptations, crocodilians have remained relatively unchanged over the last 200 million years. Stenohaline animals rely on behavioural adaptations such as moving out of the area, bu… Saltwater crocodiles are not the only animals that have adapted to a semi-aquatic existence; animals from a variety of lineages exhibit similar adaptations. In open water fish have adapted bodies to swim faster, but within the coral reefs fish have adapted bodies that are flat (like a pancake) and maneuverable. Instead of drinking water, the shark absorbs some seawater (and salt) through its gills. A power point detailing animal adaptations to their environment (marine, cold and hot climates). The nictitating membranes cover the eyes of crocodiles when they dive underwater and are somewhat transparent. They must find a way to breathe underwater and intake the salt water, so amimals have adapted and grown gills. To maintain osmosis balance and prevent salt loss, freshwater animals uptake water and some ions in food and excrete urine with large amount of water and very little amount of ions. Have students identify animal adaptations in … No matter how thirsty you are, drinking seawater will only make you thirstier. The air trapped between the layers helps it thrive in the cold climates. Fish can also have disruptive markings to hide body parts. Seawater is too salty for humans and most land animals--it's about 3.5 percent salt by weight. Animals in freshwater have an environment with too little salt. Crocodiles have muscular flaps that help them to close their ears and nostrils. In other words, there's as much salt in the seawater as there is urea (and other chemicals) in the water inside the shark's tissues. Animals of the Marine Biome The marine biome has the most biodiversity of all the biomes. And because seawater is so salty, they also must pump out the excess salt, both through their kidneys and using specialized cells in their gills. Aquatic: mammals trained to live in aquatic environments, both in fresh and salt water. Most fish that live in the ocean tend to lose water--the high salt content of the ocean causes water to constantly flow out through the fish's gills. Fish can drink salt water, and eliminate the salt through their gills. To get rid of excess salt from the water and food they ingest, albatrosses have salt glands just behind their eye sockets. Because the fish is losing water, it must drink a lot to stay hydrated-but salty seawater is the only water around. A special valve located at the backside of the throat permits the crocodile to keep its mouth open underwater, yet preventing water from entering the throat. A glandin the shark's digestive system gets rid of excess salt. Most animals have sleek bodies to swim through the water, the sleek bodies help cut down friction on the animal. Many fish have color patterns that help them blend in with their environment. These massive creatures are known by a slew of names, including sea crocodile, Indo-Pacific crocodile, saltie, marine crocodile, and estuarine crocodile.They also have an incredibly wide distribution, as they live in regions from India and Asia, to Australia. This substance, produced throughout the shark's body, counterbalances the salt in the ocean water. Marine biome is found in 5 main oceans: the Pacific, the Atlantic, the Indian, the Arctic and the Southern ocean. That's because most of Earth's surface—more than 70 percent—is covered by oceans. Enjoy! When diving underwater, crocodiles seal most of their body's orifices to keep the water out. The jaws and teeth of saltwater crocodiles are essential to the survival of the species. This may allow the fish to avoid being seen by a predator. Sea grasses have had to adapt to live in salt water. Flying mammals 2. These weak forces are easy for humans to ignore, but for very, very small creatures water is almost like a thick syrup. There's essentially as much urea and other chemicals in water inside a shark as there is salt in seawater. Equipped with 64 to 68, 3.5-inch-long teeth, few animals escape from the jaws of saltwater crocodiles. When you're splashing around in the ocean, you'd never guess that water molecules cling together like socks in the dryer. Some plants store the salt and later dispose it via their respiratory proces… Anatomical - Structures of the body. Each form of marine life has become adapted to a specific niche with a relatively narrow variation in salinity, temperature, and light. What Animals Live in a Tropical Rainforest? Fish display a wide variety of colors and color patterns. All the salt in the ocean can make life complicated for animals living there. A lot of class prediction possible. So albatrosses have evolved a way to drink seawater, which is too salty for most birds and land animals. New York, NY 10024-5102 2. Gills allow them to breathe in the ocean water. There are many different animals that live in saltwater including crocodiles, turtles, manatees, fish and sharks. Seabirds can drink water and the excess salt is eliminated via the nasal into the nasal cavity. Animal Adaptations There are 120 species of mammals including whales, dolphins, porpoises, seals and sea lions which have evolved to adapt to their aquatic environment by developing small appendages (ears and flippers), a generally large size, hydrodynamic (mechanical properties of liquid) body shapes and different methods to cope with extreme changes in temperature. The glands excrete a highly concentrated salt solution that drains out through the tip of the beak. Seawater dehydrates you because the amount of water needed to flush the excess salt from your body would be more than what you drank. They have developed adaptations to get rid of extra water and hold onto salt using an organ called the kidney. Some animals have made adaptation so that they do not drink the water, for example, whales get their water from the animals they eat. Part of the Water: H2O = Life exhibition. Whats the Difference Between the Nile Crocodile and the Florida Alligator? Their nostrils and eyes are located atop their heads. Oysters and blue crabs are good examples of animals that do this. Some fish, such as the flat fishes (Pleuronectiformes), can change their skin coloration to match the surrounding habitat. Mammals come too, drawn by the abundant seeds and leaves of the marsh plants or by the other animals. The shark gets rid of excess salt using a salt-excreting gland near its anus. Animal Adaptations: Due to the complex structures of coral reefs, with their many nooks, crannies, and hiding spaces, fish have adapted a body structure to easily maneuver through the coral. So sharks don't lose water the way fish do. Ponds, Lakes, Rivers are the examples of Fresh water Ecosystems Seas, Oceans are the examples of Marine Ecosystems As the living conditions are different we come across various adaptations in several organisms living in these ecosystems. Seabirds also … Other animals are mammals that need to come to surface to breathe, but spend much of their lives in the water. Crocodiles have a number of small skin organs -- called integumentary sensory organs, or ISOs -- on and just behind, their heads. The nasal is sometimes referred to as the salt glands and the bird sneezes or shakes out the salt from the nasal cavity. Equipped with 64 to 68, 3.5-inch-long teeth, few animals escape from the jaws of saltwater crocodiles. For example, just as crocodiles have webbed feet that help them to swim, animals as diverse as beavers, ducks and frogs also possess and use webbed feet. Ocean plants have adapted to the salinity by breaking down salt into chlorine and sodium ions. Water naturally seeks a chemical balance, or equilibrium. That is a phenomenon among algae, such as Dinoflagellate of the genus Noctiluca and in jellyfish Pelagia Noctiluca. Mammals with adaptations to jumping: The most prominent are the lagomorphs , their long hind limbs enable them to run and make great jumps. To do so, they store salt in their leaves so that there is more salt in their leaves then there is in surrounding waters. Visit http://www.meritnation.com for more videos for your class! Sea grasses provide great shelter for small animals.
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Categorising sports injuries in epidemiological studies: the subsequent injury categorisation (SIC) model to address multiple, recurrent and exacerbation of injuries
Caroline F Finch Centre for Healthy and Safe Sport (CHASS), University of Ballarat, Ballarat, Victoria, Australia PubMed articlesGoogle scholar articles
Jill Cook Department of Physiotherapy, School of Primary Health Care, Monash University, Melbourne, Victoria, Australia PubMed articlesGoogle scholar articles
Correspondence to Professor Caroline Finch, Centre for Healthy and Safe Sport (CHASS), University of Ballarat, SMB Campus, PO Box 668, Ballarat, VIC 3353, Australia; c.finch{at}ballarat.edu.au
Finch CF, Cook J
British Journal of Sports Medicine 2014;48:1276-1280.
Accepted February 13, 2013
First published March 16, 2013.
Previous version (16 March 2013).

redpajama_set_name: RedPajamaCommonCrawl


The simplest way to achieve sharp edges is to add the vertices for all the triangles in mesh and not use the addTriangle() function at all and then call the mesh.setupIndicesAuto() function, which sets indices automatically such that vertices (0, 1, 2) are used for drawing the first triangle, vertices (4, 5, 6) for the second triangle, and so on.
This is example 07-3D/04-PyramidSharpEdges. This example is a good starting point for drawing sharp 3D objects.
It is based on example 07-3D/03-PyramidLighting.


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                    Username o E-Mail
                    <input type="text" class="form-control" placeholder="Inserisci username o e-mail" ng-model="username" maxlength="50" required autofocus>

                    <input type="button" id="recoveryPassword" class="btn btn-primary" value="Reset password" data-ng-click="doRecoveryPassword()"></input>

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redpajama_set_name: RedPajamaGithub


Well, I finally seem to have a working(ish) demo online and I'm starting to think about trying to put together a 3 minute video showing how easy it is to create an application online.
One thing that has become apparent is that what I was considering to be user content, that I'm supplying by default, is actually pretty important not only from a demonstration perspective, but moving forward, having all the authentication code there to tweak without having to think too much saves a lot of time. So I know I said no framework, I think a degree of boilerplate available for the back-end is going to help a lot.
Feel free to give Authenticate a shot, it's harmless and just validates your current google credentials against Google oAuth, also watch out for the blocked popups featue of your browser which will stop the Google validation popup - until you allow the popup.


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Coyotes GM Don Maloney on Kyle Turris' contract demands: "It's illogical"
By Joe YerdonSep 16, 2011, 5:53 PM EDT
While Drew Doughty and the Los Angeles Kings and their contract negotiations for the restricted free agent are getting a ton of attention, what's going on in Phoenix with the Coyotes and Kyle Turris makes those talks seem normal by comparison.
Turris has said he wants a deal that pays him anywhere from $3 million -$4 million per season. For a guy that's scored 19 goals in 131 games over parts of three seasons, that either means Turris thinks the market is really crazy or he's got big brass ones. After all, the Coyotes are still without an owner and aren't exactly spend-crazy while waiting and hoping to get a new financial sugar daddy.
Coyotes GM Don Maloney is the guy in charge of trying to negotiate with Turris and his agent Kurt Overhardt on a new deal and while Turris' demands appear to have done the job we thought they would in making him a bit crazy, Maloney is more exasperated not knowing where Turris is coming from in asking for so much money as he said today at the start of Coyotes training camp (video).
"This is just so illogical, from our standpoint, the position he's taken it makes absolutely no sense to me," Maloney said.
"I have no intention of trading him whatsoever. We still think he's a young, developing player but he's still developing. Once you're a proven 30 or 40-goal, 80 point guy then, yes, you get the brass ring. But until you get there you have to settle… Well, again, that's what makes America great he doesn't have to settle. He can stay at home and watch Oprah."
Maybe Turris is at home hoping Maloney shows up to tell him there's a new contract under his chair. Oprah's good like that, so why not?
Maloney and the rest of the Coyotes' frustration in dealing with this rather amazing situation is incredible. While we've seen big deals given out to Tyler Myers and Shea Weber recently and to Steve Stamkos this summer as well, seeing Turris' demands come in so high comes off looking like a cry for help to get traded out of Phoenix where his career has been frustrating for him since making his debut as an 18 year-old in 2007 under Wayne Gretzky.
Is trading Turris a possibility though? Maloney explained his position on why they're not interested in trading him and why they're also not giving in to his demands.
"Well I think Kyle believes in himself. He believes he's a good player in this league and we'd certainly like more opportunity for him to show it," Maloney said.
"But we're not a developing team, we're here to win, we're here to win now. He showed a step forward in the playoffs last year. That's why we'd like to get him back. We'd like to show that process and that step forward and the production we need out of Kyle Turris to be a good offensive player. But it's not there yet… You have to perform before you get paid."
Proving his worth on the ice would be a great move for Turris before coming up with such big demands, but coach Dave Tippett's wont to use Turris is proving to be a problem. If Turris thinks that getting big money will help Tippett play him more, he's wrong. It's a curious kind of "chicken or egg" situation for Turris as he won't get the ice time he's looking for unless he plays things Tippett's way, but doing that might not help him score the goals he thinks he's capable of.
If you had to make a bet as to who blinks first in this battle, don't expect the NHL-run Coyotes to give in any time soon.
Tags: contract negotiations, Dave Tippett, Don Maloney, Kyle Turris, restricted free agent, Wayne Gretzky


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Top Things to do In Wellington 2021
Wellington Architecture & Landmarks
Family-Friendly Attractions
Must-Visit Museums
Amazing Natural Scenery
Observation DecksGardensSquares
Wellington Central
113 things to do in Wellington
Wellington Cable Car
"Observation Deck"
"Cable Car"
Ranked #8 in Wellington Can't Miss Attractions
264m from city centre
chinadesk1
"The Wellington Cable Car departs from Lambton Quay Street, with a total length of 612 meters, a crawling 120 meters, and an operating time of five minutes. Board the cable car from the bustling business district to get a bird's eye view of Wellington's city and the vast coast. The terminal is the entrance to the top of the Wellington Botanic Garden. Currently there are only two cable cars in opposite directions, which can carry 100 passengers in total. Passengers are local residents as a means of transportation, and most of them are tourists. The adult one-way fare is $4, and the price of buying 25 tickets at a time is half the price ($1 = 4.6RMB). The cable car runs every ten minutes, from 7:00 to 22:00 from Monday to Friday, starting at 8:30 on weekends and holidays and ending one hour earlier. In order to ensure safety, there are two manual brakes on each car, with overload warning function settings and earthquake protection functions. There is a cable car museum at the terminal on the mountain, which is also worth seeing, free of charge."
New Zealand Parliament
"Historical Architecture"
流动的水
"Free tour, the door needs security check, there is an hour to visit the inside explanation, need to send a bag. Very good, you can understand the government work and New Zealand history, there is a special room of Maori staff, which has Maori jewelry, very special. In addition, we visited the House of Lords and House of Commons and suggested that visitors visit it. There is a beautiful building next to it, creamy yellow, can do wedding photo background, superb."
Cuba Street District
"Featured Neighbourhood"
pxy0705
"Cuba Street in Wellington is a well-known commercial street, which is full of characteristics of South American culture. There are many Cuban hotels where you can taste rum and smoke authentic Cuban cigars. There are very beautiful and bright graffiti on the walls or door signs of the shops on both sides of the street, which are also the highlights of the whole street. Please pay attention to it."
Carter Observatory
"Science & Technology Museum"
Ranked #11 in Wellington Can't Miss Attractions
"Carter Observatory is one of Wellington's most famous attractions, this observatory has a history of more than 100 years. There are many astronomy-related books collected here, and there are also many interactive areas for tourists. You can easily and simply learn a lot of esoteric astronomy knowledge. It is definitely worth visiting."
old government buildings
"Exhibition"
DaisyYZU
"What is the red flower or tree in front of the door? Amazing! The all-wood structure, the old government building, has received the British royal family. No wonder there is a royal emblem that London has seen. It is now the Law School of the University of Victoria. Inside there are exhibition halls on the first and second floors to introduce the history and maintenance of the building. There is an old assembly hall on the second floor to restore the scenery. Such a beautiful building is worth seeing."
Wellington i-SITE Visitor Information Centre
"Modern Architecture"
"Wellington is a mature travel destination, and there are many tourist service information centers on the streets. There is a large tourist information center at the end of Cuba Street. The people inside are very enthusiastic and ask you what you need. A lot of free information, including maps, traffic information, sightseeing items, and bus tickets can be purchased there. The postcards inside are very complete, I bought a few."
Lady Norwood Rose Garden
"Garden"
1.1km from city centre
美丽的地球
"The garden is very beautiful, there are many roses in it, facing the sea and snow-capped mountains, the view is very wide, it really has the reputation of the garden of God."
City to Sea Bridge
"Bridge"
孔姐kkk
"It is a very casual place, there are couples walking, entertainers playing and singing, some people kayaking, there are also bars, restaurants, and clothing stalls. The whole bridge is very casual, suitable for sitting in a daze and watching the scenery. The bridge is very old. Can come here while hanging out."
Mount Kaukau
Civic Square
"Square"
千山任我行
"In Wellington, the capital of New Zealand is also the North Island of New Zealand. The Municipal Square is in the city center. A small square, but it is surrounded by beautiful old and new buildings. A very distinctive square."
Popular Types of Attractions in Wellington
Nature | Beaches | Lakes | Waterfalls | Mountains | National Parks | Forests | Islands/Peninsulas | Nature Reserves | Exhibition Centers | Museums | Libraries | Sightseeing Tours | Traditional/Cultural Experiences | Parks | City Parks | Zoos | Botanical Gardens | Amusement Parks | Theme Parks | Architecture & Landmarks | Observation Decks | Gardens | Lifestyle | Spas | Historic Sites | Religious Sites | Churches and Cathedrals | Sports | Hiking
Popular Restaurants in Wellington
The Thistle Inn | Ortega Fish Shack | Pizzeria Napoli | Hippopotamus | Logan Brown Restaurant | Boulcott Street Bistro | Shed 5 | Istana Malaysia Restaurant | Maranui Surf Lifesaving Cafe | Restaurant 88 | Olive Cafe | Fidel's Cafe | Hummingbird Eatery & Bar | Crab Shack | Hawthorn Lounge | Leeds Street Bakery | Sweet Mother's Kitchen | Cin Cin | Rock Yard Restaurant | TJ Katsu


As the Wimmera Football League and Wimmera Netball Association season draws to a close, we take a look at each club in action from throughout the season. Coming in at 5th spot is Warrack Eagles. Catch up on all of the action from some of their games this season. See the ladder from the regular season. 2018 WFL Seniors Position Team P W L D B FF For Agst % PTS 1 Horsham 16 14 2 0 2 0 1709 870 196.44 64 2 SM Giants 16 12 4 0 2 0 1651 878 188.04 56 3 Ararat 16 11 5 0 2 0 1364 1056 129.17 52 4 Horsham Saints 16 10 6 0 2 0 1230 921 133.55 48 5 Warrack Eagles 16 9 7 0 2 0 1406 1099 127.93 44 6 Minyip Murtoa 16 7 9 0 2 0 1289 1031 125.02 36 7 Stawell Warriors 16 7 9 0 2 0 1172 1352 86.69 36 8 Nhill 16 2 14 0 2 0 991 1727 57.38 16 9 Dimboola 16 0 16 0 2 0 454 2332 19.47 8 Each team has a gallery, so make sure to check back to find yours during the lead-up to and throughout finals. While you're with us, you can now receive updates straight to your inbox twice weekly from the Wimmera Mail-Times. To make sure you're up-to-date with all the news from across the Wimmera, sign up below.
Warrack Eagles v Horsham Saints, elimination final.
Warrack Eagles v Southern Mallee Giants.
Christopher Kellett, WE, Lou White, SMG. Warrack Eagles v Southern Mallee Giants.
Shannon Argall, WE, Riley Cook, SMG. Warrack Eagles v Southern Mallee Giants.
Brock Orval, SMG, Christopher Kellett, WE, James Wray, SMG. Warrack Eagles v Southern Mallee Giants.
Riley Cook, SMG, Shannon Argall, WE, Timothy Sanford, SMG. Warrack Eagles v Southern Mallee Giants.
Brock Orval, SMG, Charlie Wilson, WE. Warrack Eagles v Southern Mallee Giants.
Leigh Stewart, SMG, Charlie Wilson, WE. Warrack Eagles v Southern Mallee Giants.
James Wray, SMG, Ryan McKenzie, WE, Riley Cook, SMG, Shannon Argall, WE. Warrack Eagles v Southern Mallee Giants.
Reece McNally, SMG, Shannon Argall, WE. Warrack Eagles v Southern Mallee Giants.
Briodi McKenzie, WE, Maddelynne Foott, SMG, Megan Werner, WE, Courtney Williams, SMG. Warrack Eagles v Southern Mallee Giants.
Riley Cook, SMG, Timothy Sanford, SMG, Shannon Argall, WE. Warrack Eagles v Southern Mallee Giants.
Charlie Wilson, WE, Sam Weddell, SMG. Warrack Eagles v Southern Mallee Giants.
Jess Kelly, WE, Ruby Fisher, SMG. Warrack Eagles v Southern Mallee Giants.
Emma Koschitzke, WE. Warrack Eagles v Southern Mallee Giants.
Jess Kelly, WE. Warrack Eagles v Southern Mallee Giants.
Jess Kelly, WE, Kimberley Shannon, SMG. Warrack Eagles v Southern Mallee Giants.
Codie Robins, SMG, Jenna Schulz, WE. Warrack Eagles v Southern Mallee Giants.
Briodi McKenzie, WE, Maddelynne Foott, SMG. Warrack Eagles v Southern Mallee Giants.
Maddelynne Foott, SMG, Briodi McKenzie, WE. Warrack Eagles v Southern Mallee Giants.
Maddelynne Foott, SMG, Megan Werner, WE. Warrack Eagles v Southern Mallee Giants.
Zandria Malone, WE. Warrack Eagles v Southern Mallee Giants.
Briodi McKenzie, WE. Warrack Eagles v Southern Mallee Giants.
Riley Cook, SMG, Shannon Argall, WE. Warrack Eagles v Southern Mallee Giants.
Brandon Patterson, H, Travis Lawson, WE. Horsham v Warrack Eagles.
Jordyn Burke, H, Josh Bibby, WE. Horsham v Warrack Eagles.
Dane Stewart, WE, Riley Williams, H. Horsham v Warrack Eagles.
Connor Inkster, WE, Rhona Conboy, H. Horsham v Warrack Eagles.
Jordyn Burke, H, Shannon Argall, WE. Horsham v Warrack Eagles.
Brodie Mines, H, Ben Spicer, WE. Horsham v Warrack Eagles.
Ben Lakin, H, Nicholas Peters, WE. Horsham v Warrack Eagles.
Billy Carberry, H, Shannon Argall, WE. Horsham v Warrack Eagles.
Deek Roberts, H, Lachlan Stewart, WE. Horsham v Warrack Eagles.
Josh Bibby, WE. Horsham v Warrack Eagles.
Connor Inkster, WE. Horsham v Warrack Eagles.
Coming in at 5th spot is Warrack Eagles. Catch up on all of the action from some of their games this season.


We think that Pomme Grise originated in Europe sometime around the 17th century and then was transported tothe St. Lawrence Valley in Canada by French immigrants. We do know that it found its way into Maine about 150 years ago and can still be found in old Maine orchards today.
The greenish skin of this apple is completely covered with a chalky russet, sometimes with a red blush. Pomme Grise is one of "russets" grown in Maine. Russet is the skin condition that looks and feels a bit like un-glazed pottery or maybe suede. The combination of the chalky russet and the green ground color gives Pomme Grise its grey (grise) appearance. Technically russet is a layer of dead skin cells. That doesn't sound very appealing, yet russets are some of the most delicious dessert apples. The fruit is crisp, juicy, rich, sub-acid and aromatic. Take a bite and savor the anise/almond after-tastes. Keeps fairly well some years.
Years ago Cammy was teaching a class of third-graders how to plant apples from seed. Each child named his or her new tree. One boy planted a Pomme Grise seed. When asked what he would name it, he explained that since he would be about 13 when the tree fruited for the first time, he would name it "PG 13!"


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Video watch
In George Orwell's 1984, "Big Brother... was... Watching You". It was virtually impossible not to be under video surveillance. If you did something wrong or politically incorrect, the authorities would use the telescreen to shout orders at you. 1984 was a portrait of a repressive State modelled on Stalin's Soviet Union.
Here are two ways in which George Orwell's ideas for how telecommunication could be used for social control are only now being put into practice. They seek to control illegal or anti-social activity.
Texas Border Watch was a pilot project set up in 2006 to mobilize the citizens of Texas to keep a watch on illegal immigration across the Mexico-Texas border. During a month-long trial, more than 200,000 viewers subscribed to the Texas Border Watch website and more than 25 million hits were recorded.
This test involved putting video surveillance cameras in different locations along the 1,240-mile border, and using the internet to transmit the images.
During the month, over 13,000 emails were sent back – some alerting law enforcement officials to suspicious activity, others recommending improvements to the website or offering other comments. The website was then closed, whilst plans are being made to create a permanent Texas Border Watch web site.
www.texasborderwatch.com
Street offenders in Middlesbrough are being told off by seven talking TV cameras which have been placed in strategic locations in the town centre. The aim is to reduce anti-social behaviour and street crime.
For example, if an operative now sees someone dropping litter, they can tell them to pick it up. Or if they see an incident starting to get out of hand, they can give advice to try to calm things down. A similar "talking" system was piloted in Wiltshire in 2003.
The system is managed from a command centre in the town's main bus station and linked to Cleveland Police headquarters. A further three talking cameras are now being installed.
Big Brother Awards
Each year, the national members and affiliated organizations of Privacy International present the Big Brother Awards to the government and private sector organisations which have done the most to threaten personal privacy in their countries. Since 1998, over forty ceremonies have been held in sixteen countries and have given out hundreds of awards to some of the most powerful government agencies, individuals and corporations in those countries.
Check out Privacy International and their Big Brother Awards at: www.privacyinternational.org
Neighbourhood watch… with a webcam
You can use a webcam to keep watch on your house when you are away. This is what you do:
1. Install a webcam so that it is pointing at your house.
2. Put the video stream on your website.
3. Whenever you are away from home, find a cybercafe or internet access point. Log on, go to your website, watch to see if your house is OK.
Or find a partner who lives 12 time zones away, and agree to keep watch over his house at night, whilst he keeps watch over yours.
The world's most boring TV show!
Is this the most boring TV programme ever? It's a webcam where you can a cheese maturing. Mostly, it just sits on the shelf. But from time to time, someone will come and turn it or put a new label on it. If you log on, you will see a traditional hand-made cheddar cheese as it ages. In the first 100 days around 800,000 people logged on to CheddarVision to experience all this excitement. When the cheese reaches maturity, it will be auctioned off for charity.
www.cheddarvision.tv
From the US edition of "365 Ways to Change the World"
Humane Borders… saving lives of migrants crossing from Mexico to the USA
The news out of the Arizona desert could not have been more horrifying. Twelve people, migrants mostly from Veracruz, Mexico, had crossed the craggy desert into what they thought would be a promised land of new jobs and opportunity. But instead of the hoped-for new life in the United States, they met a terrible death in the desert, lost and abandoned by the "coyotes" who were supposed to guide them and finally succumbing to thirst and 115-degree temperatures.
Eleven others were rescued by the Border Patrol from the Cabeza Prieta National Wildlife Refuge and immediately hospitalized. Many of the survivors will never fully recover from their ordeal. Rescuers say many of the victims were discovered naked after discarding or losing their clothing, their bodies desiccated by the heat until they resembled mummies. The migrants were found scattered about 30 to 40 miles from the Mexican border and at least as many miles from their apparent target, Interstate 8 in Arizona. – reported in Salt of the Earth, an on-line resource for social justice, June 2001
Every year millions of people attempt to cross the border between the United States and Mexico. They are all looking for a better life.
There are hundreds of border crossing deaths every year, and these are just the bodies that are found.
Many are caught by the border patrol and sent back to Mexico. In one year alone, over 1.6 million people were apprehended attempting to cross the border illegally, and this was just the Southwestern section. But many do get through, and join the army of illegal migrants now settled in the USA.
There are currently 9,150 border patrol agents working along the 2,000-mile US-Mexico border who are there to try to put a halt to this flow of humans. By contrast, there are approximately 334 agents working along the 4,000-mile US-Canada border. No matter how much military presence is stationed along the southern crossing, Mexicans will continue to cross the border with the hope of a better life.
Humane Borders was founded in 2000 by Rev Robin Hoover to provide humanitarian relief to border-crossers. It has set up and maintains water tanks along the border. Dehydration is a major cause of death. It distributes health kits at migrant shelters. Their work has saved thousands of lives.
Action: You can help save lives. If you live anywhere near the Mexico-USA border, you can volunteer your time. Wherever you live, you can put together health kits and send them to Humane Borders who will distribute them to migrants.
Each kit should contain the following:
1 x hand towel
1 x wash cloth
1 x metal nail file or clippers
1 x bath-size bar of soap in original wrapper
1 x toothbrush in original wrapper
1 x tube toothpaste
6 x adhesive bandages
Place all the items in a one-gallon size zip-lock bag, and ship them to Humane Borders,740 East Speedway Boulevard, Tucson, AZ 85719
www.humaneborders.org
How to cross from Mexico to the USA
"The Guide for the Mexican Migrant" was published by the Mexican Ministry of Foreign Relations in 2005. Read the English translation at: www.borderhealth.org/files/res_282.pdf
The abolition of slavery
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Go wild with flowers
Consumers fight back
Ethical diamonds: sparkle with a clear conscience


The Rome Masters Series event arrives hot on the heels of the Madrid Masters and provides an opportunity for a clay double, as Djokovic did in 2011.
The courts in Rome are slower than Madrid and the crowd is right on top of the players, like a coliseum. Italians in the draw will get plenty of home support and there will at least be one Italian in the 2nd round as Andreas Seppi squares off against Fabio Fognini in round 1 with the winner a daunting encounter with Nadal in round 2. Italian wildcards go to veteran Potito Starace, Paolo Lorenzi, Filippo Volandri and Matteo Viola.
Masters series draws are never easy, but the hardest quarter falls to Djokovic with the red hot Wawrinka and Berdych in there. No real obstacles in Nadal's path, while Murray needs to prove he can be a factor on clay. Federer is suspect now, but will get some match practice in at least.
Defending Champion: Rafael Nadal – The Bull had reached the final in all six of his events played this year, winning four titles. He is chasing his 40th clay-court trophy.
Floater: Juan 'Pico' Monaco – In a quarter where there is little to separate them and could come through.
Veteran Watch: Tommy 'The Hitman' Haas – Could get Federer in the 3rd round and could quite possibly be the favorite.
Youngblood: Grigor 'Baby-Fed' Dimitrov – We've seen in his win over Djokovic, that the 21 yr old Bulgar has arrived. Nestled in the draw like a land-mine.
Slumping: Marin Cilic – Not a dirt-baller by any means, but he needs to at least live up to his seeding.
On Fire: Stan 'The Man' Wawrinka – A confidence boosting title in Portugal set the stage for a run in Madrid. That backhand is smoking.
Notable Wildcards: Filippo Volandri – A class act on clay and still enough of a threat for Gilles Simon to take seriously.
My pick: Rafael Nadal – Gotta do it. He's grooving, and his closest rival on the dirt Djokovic, is not.
Did You Know? Rome is one of the few ATP World Tour Masters 1000 titles that Roger Federer hasn't won.
Thanks for reading and check back next week for more!


A great album cover makes us want to hear the music; a poor album cover pushes us away. A great album cover we share with friends; a poor album cover we keep to ourselves. We've reviewed music because of covers. We've avoided music for the same reason. Great album covers are memorable, even iconic. They serve as entry point, invitation, and summary. The best covers have an edge, and we celebrate them here. We hope that you enjoy this year's selection of The Best Album Covers!
A special thanks to Nayt Keane for our amazing cover collage ~ if this were an album cover, we would have included it in our list!
As the narrative of each track condensed and clarified from the creative fog giving indication to how they should be named a play of norse mythic symbols became a common theme.
I was a familiar with Matt's sound as Wizards Tells Lies as I am in a band which was releasing sounds via the same label we were both involved in – First Fold Records, a Birmingham based label which is unfortunately no more.
We struck up a creative relationship and collaborated on some visual works. The artwork was formed by an online collaboration between myself and Matt; sharing and montaging images we had either illustrated or photographed. This led to Matt asking if I'd be up for him using one of our images for his and Simon's Amonism + The Revenant Sea release.
This series of split cassette tapes features 8 tapes in editions of 50 each. Each copy has unique hand-painted and numbered artwork and painted cassette labels resulting in a total of 400 individual paintings for the series as a whole.
The underlying themes sort of manifest during the process of creation. I like to work with the natural four "solar" stations or cycles (relating to seasons, directions, and stages of life). While choosing the final drawings and arranging them into pairs, I realized they fell somewhat abstractly into these groupings.
The first 2 represent naivety and childhood. They are the twins of creation, dressed in their celestial architecture. The second pair are the elders of the tribe. They are the enigmatic faces of the initiates upon reaching the pinnacle. Next come the personifications of death and decay, shining darkly in a bright room. The final pair are astral entities from beyond. They are astral twins of the oracles, galaxy-eyed and prophetic.
Another thematic aspect that runs through many releases of my label is one of binary pairs. Bicephalic means two-headed, so I often release split tapes with artists of a complementary nature. As part of the process, I asked each of the 16 artists to provide me with 2 words they enjoyed (or made up). One word from each artist on the tape was used to come up with the titles. That's how they ended up having names like "Immediate Shred", "Quantum Ouch", and "Infrared Dynamo".
The finished artwork emerged from an (ultimately failed) attempt to minimize the amount of time I spent working on album art for my label's releases. I had planned on printing each release in black ink on colored paper to simplify the design process. I began by creating drawings using black marker on cardstock paper. I created one or two drawings a day for a couple of months. The figures themselves are in a style that I often draw (it is about the only style in which I can draw). They are essentially large, improvised doodles.
It was around this time that I decided that while they looked good in black and white, they would look even better if colored using watercolors. Plus I felt this would ultimately create more unique and interesting finished pieces.
Eventually I set about selecting the final groupings. The pairings themselves sort of emerged organically according to the theme described above. These were then scanned into the computer and incorporated into the final layout for the tape artwork. Once the tape inserts were printed I began hand-painting and numbering each of the 400 pieces of artwork! The cassette labels were also printed first then hand-painted in a similar manner.
While writing the music for Daghraven #1, I deliberately wanted to externalize, musically speaking, the tension between life and death, present life and the afterlife. Creating new contemporary ambient pieces originating from old gramophone records I collected over the years, and vice versa.
. In my initial concept for the artwork, I thought of looking into Japanese kimono stencil art of the Edo Period, cells, childbirth contractions and most of all, the circular process of giving life.
Theme: False Readings On is linked to ideas relating to cognitive dissonance and takes on a darker mood than many of Eluvium's previous albums. I've been gradually moving in a different direction with my art and the idea of a minimal humanlike focal point appealed to me. I feel as though it compliments the music on the album as, much like this fractured silhouette, one who suffers from the mental stresses of cognitive dissonance can often feel torn between contrasting ideas and slowly ripped apart by the views of these colliding theories.
I found several aspects of how RVVR came together are reflected in that very picture. The mix – and antithesis – of acoustic and synthetic instruments was an important aspect. I was looking for a picture that carried the idea of two somewhat contradictory aspects. In that photo, I felt this is represented by being primarily bicolored, as well as by showing mostly some nature, but then, still, some human.
The photograph for the cover of Lulin is one that I took probably seven or eight years ago. It's a 120mm film photo, shot with a very old Yashica-Mat medium format camera. It was dusk, and the fog was slowly rolling in on the field. I didn't have a light meter and assumed it would probably be too dark, but took one picture anyway. Later, when I got the roll developed, this photo was indeed way too dark, but I managed to make it lighter after scanning it, which also brought out all these little dust particles which I thought added something to the atmosphere of the picture. The concept of Lulin, an album made entirely around the idea of a mystical creature living in the woods, was an idea we had had for a long time, and I always pictured this photo being its cover.
Jherek approached me with some very specific ideas in mind for visuals he wanted to represent the music. As an artist working with a client, being given such a clear brief is a dream. Given the grand, echoing instrumentals and darker themes present on Cistern, we sought to create an image that had a lot of 'space' and darkness to it. We wanted the subject to be isolated in this vast darkness, suspended in a moment, the only source of light or substance in an otherwise black hole. This decision was informed by Jherek's own process for creating the album, which involved him recording in a 2 million gallon underground water tank or 'cistern' in Washington state.
Musically, Byrds is an intuitive reflection on the Kyrie from William Byrd's mass for 3 voices. Cantus Firmish is an arrangement of the original piece and Kyrie is a fairly instinctive response to it, which includes some strong departures from the original whilst retaining choral and vocal elements as the dominant sound.
I first came across Lucille's artwork at the East London Comic Arts festival and I immediately connected with it. Her work combines intricate detail with structured form but retains an instinctive and informal feel and those elements all resonated strongly with me as they are important aspects in my compositional process.
This cover came after two others I did for Jim. He usually sends me samples or/and explains me the concept behind the sound. I listen to the samples again and again, and write the images that come to mind while listening. This part is very nice, It's very instinctive. I don't think about the result of the final image but only about a shape or concept that could be a visual translation of his music.
I was delighted when Drew and M.C. invited me to create artwork for Ultimate Care II. I was already a big fan of their music and their various approaches to making albums. Their idea to use the washing machine as visual raw material for the album cover meant that my working process could parallel theirs. They generously made their Ultimate Care II available to me as a photographic subject, so I packed up my camera and lights and took the Bolt Bus to Baltimore. When M.C. brought me in to their basement studio, i was struck when I saw the Ultimate Care II. At that point, I had been doing my research, which meant spending many hours ogling it online and reading about it on Whirlpool repair message boards.
M.C. did a load of laundry for me as I photographed, showing me his techniques for keeping white fabrics white (rinse twice). This tour into the specifics of the machine, its environs and routines was a gift; he and Drew wanted to give me a chance to see the Ultimate Care II as they experienced it. Listening to the album in their studio further animated the possibilities for me: its frenzied joyful violence and steely, sweaty ambience guided my way.
When writing the music that ended up on Intentions and Variations, I had often pretty vivid images in my mind that somehow guided me while making certain compositional choices. During my year in Edinburgh 2013-2014, studying digital music and composition, I got fascinated with questions about music and imagery. How can certain musical intervals and/or frequencies best be represented in visual form? This is nothing new – people have been battling with these questions for ages – but at a personal level, studying music and harmony alongside elementary geometry, biology and physics helped me develop my musical style. A piece of music can never faithfully represent an image – there is too much subjectivity involved here – but what an image can do is to trigger the musical imagination of the composer.
I've known Karolina's work from the many music projects she has been involved in over the years, and I have always admired her taste, imagination, and craft. So I was really excited when she asked me if she could use one of my pencil drawings of long female hair on her debut album cover.
Hair can be very expressive and also very symbolic. It can be seen as a symbol of submission to social expectations to look feminine, but it also evokes a sense of wildness and strength. Its complex texture and character make it something very interesting to draw. I personally find it more interesting than faces.
The idea behind this drawing was to suggest that there's a body underneath, but not to show any potentially protruding parts such as hands or legs. The hair was supposed to take on a life of its own, become less human, more abstract, more a part of nature. I wanted to make it recognizable but at the same a separate entity, with a weird and different shape, a form of life that doesn't actually exist. I also wanted to make its feminity an armour.
I aimed for simplicity, with an uneasy and disturbing visual effect.
The process of drawing simply involved layering strokes of pencil on paper, differentiating them with hand pressure and graphite hardness. Although the original piece is quite small, it was a pretty painstaking work, but this is the kind of work I enjoy; there's a somewhat meditative flow to it.
When I was approached by the art director from Forwind Publishing about a collaboration involving my work, I became intrigued as I set about trying to understand the music of Tomonari Nozaki.
To me his music is very cinematic and I kept imagining scenes and situations. The music itself creates images. It is story telling, and I feel that that is what I do with my paintings also.
My paintings are huge canvasses which tend to be of people and human related situations. With the lengthy sequences of the music and the tones, the album became a more abstract form of story telling than what I normally paint. I collaborated with Forwind's Hannes and Shane as we selected paintings and began to dissect each individual painting by photographing the large canvases up close.
During this process my personal story telling became less about actual motifs but more about the use of colours and different medias.
I feel that the final result reflects that our story telling hit a common abstract ground where it is explorative, new and vibrant.
This cover holds a special place in our heart. We knew it had to be something big to close out the 12 album subscription series from Fritch. Much of the series featured artwork from illustrator João Ruas and finding an artist with a similar vibe and high level of intricacy was no easy task. That's when came across the work of Sail and we were sold. The crazy thing about Sail's art that he rarely mentions is that everything you see is created by hand using pen and ink. It blew us away when we realized this, since most would think it was some sort of photoshopped creation.
Thanks for the reviews and also providing the purchase links. I loved the cover of Amonism + The Revenant Sea ~ The Hidden. I have already ordered a copy.


Animal Hero universe is a therapeutic videogame designed to improve and enhance certain cognitive abilities in children with Down's Syndrome as well as other disabilities.
Through games and books in the Animal Hero Universe, exercises reinforce cognitive skills such as memory, sustained attention, divided attention, executive functions, and so on.
Last January, we had the opportunity of participating in the Videogames and Education Workshops in Vitoria-Gasteiz, in Centro Cultural Montehermoso. We were invited to give a conference about Animal Hero, and a workshop for children about how to create a story for a videogame.


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Home Blog Digital check-ins improve quality of visitor interactions for Simplemente
Digital check-ins improve quality of visitor interactions for Simplemente
At Simplemente, a systems integrator to the media and entertainment industry in Mexico City, establishing a personal connection with each visitor that walks through its doors has been a top priority in the nearly two decades the company has been in business.
The company is no stranger to using technology to enhance the visitor experience, having replaced it's pen-and-paper registration notebook for a basic iPad-based sign-in system in the early 2010s.
But when it's needs for an even more modern visitor check-in system grew beyond the capabilities of its originally adopted app, the Simplemente team went searching for a solution, and found The Receptionist for iPad in the process.
"We wanted a system that could be managed completely remotely, integrated with services like Slack and Mailchimp, and also could be branded and customized," said Noah Kadner, Simplemente's Marketing Director. "It took us a bit of trial and error but we ultimately found The Receptionist and it fulfilled our wishlist perfectly."
In tandem with a friendly receptionist at the front desk, Simplemente uses The Receptionist for iPad to register in-person visitors to its facility, print visitor badges, notify employees they have a visitor, and also sign visitors up to its mailing list, as the company has a variety of customer-facing divisions within the office, including camera rentals, technical support, and training.
"The Receptionist makes it very easy for visitors to get to the person they need to get to in an organized and professional manner," Kadner said. "Having a good VMS (visitor management system) in place really makes a big difference to our efficiency. Business in Mexico is still done in a very face-to-face, interpersonal manner and The Receptionist helps make that activity as smooth and efficient as possible."
Kadner adds: "It also frees up our front receptionist for other key tasks versus having to jump on the phone every time someone visits the office. We love being able to administer and brand the system from the cloud and it makes on-boarding of new team members a breeze. We're very happy with The Receptionist and would recommend it highly."
Do you want to see how The Receptionist can help your organization? Sign up for a Sneak Peek webinar, or, start your free 14-day trial today.


At last, everything you ever wanted in a single App, and to top it off, with automatic scroll.
Continuous scroll for your sheet music.
Gradually incrementing the scope to other brass instruments and even non-brass with our frequent updates!"
No more PDF editing for repetitions.
Choose which repetitions you want to perform and they will appear concatenated where they should be.
In Blackbinder you don't need to save paper ;-)"
Add modify or delete notes, ligatures, lines, texts, metronome marks, etc.
Choose from a palette of colors to make all annotations you need.
Organize your annotations in different layers.
Share your annotations in real time with your colleagues, students or classmates.
With our SmartZoom your score with staff and notes is automatically reshaped and reconfigured properly.
The bars are reorganized so that you never lose a note of your score, keeping all the information always visible.
Organize your sheet music in "My Scores" creating, ordering and grouping your pieces in multiple playlists. You will have them ready for your exams or concerts.


Gym gear as streetwear is no passing fad, and EVISU's sweatpants will help you ace the look. Made from comfortable cotton-jersey, this slim-fitting pair features double Hannya skulls and Kamon on the back panel, whilst the duo-tone seagull can be found on the front. Team yours up with white T-shirt and sneakers.


On the 6th of March Loxon was the host and sponsor of the Case Solving Day, a special training day organized by Case Solvers. During the daylong event university students got acquainted with the general methodology of case solving for the first time, and also with the solutions of a complex case-study. In teams with 3-4 members students had to cope with the English version of the solution. The participants were supported by professional trainers who gave them advices and best practices to help the students to gain some experiences.


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Sometimes, when you have a hole, it can't be filled. As much as you would like to you can't replace what was in the hole. Like, take for instance, a hole in the ground. Once you take out the dirt out of the hole you can't put all the dirt back in the hole exactly the way it was. Why? because that's millions upon millions of little pieces of rock, sand and dirt that all have to go back in the same order and place. The same holds true for most other kinds of holes too.
Another frustrating thing about holes is that you can't make something that didn't fit into it in the first place go in. Take, for example, that funny block game that we all had as kids. It was the cube that had the holes of the different shaped blocks and you had to match the blocks with the holes. No matter how hard you tried you could never fit the square into the round hole and visa-versa.
So what, may I ask, happens when you have a hole such as these two examples? A hole that not only has to have all the right parts, but also the right order of these parts? Disaster.
What if you had a hole such as these and not only was it impossible to fill, but it also had been there for so long and was so deep that its very existence caused pain? What if every time you walk out the door you fall into this hole? So to fix this problem, you put up cement barricades, orange cones, caution tape and warning signs. But this doesn't fix the problem. Now, every time you look in the general direction of the hole you are reminded of how deep, dangerous and painful the hole is.
Still after all of this you must seek another answer. Maybe, perhaps, you could use force to remove the hole all together by forcing objects that do not fit the hole into the hole? A possibility. You try with all your might to push dirt, rocks, cement, water, mud, plastic, air, gasoline, molten metal, wood, scrap and carpet of all things into the hole. The results are abysmal. One after the other, each thing just blows up in your face making your hole all that more deep and ghastly looking.
All this has made you very tired and discouraged. You sit, taking a break from your labors. While you rest and without your knowing, a nasty, gnawing, darkness oozes forth from the pit. It surrounds you and before you can do anything, it, in one sweeping gesture, brings to memory all the joy there was when you didn't have a hole. With it's emptiness it mocks your feeble efforts at trying to erase the gapping maw. You try to deny it's logic, but you cannot.
"It's all your fault," the wicked voice whispers in your ear.
"But I was blind!" you exclaim in earnest. "I didn't know what it was doing!"
"That doesn't matter. You are the one to blame! If YOU hadn't have messed up, you would still have everything that you lost," the voice says with thundering power.
"That may be true, but nothing like that is meant to last. It would've have ended one way or another. With my help or no."
"But just think if you had been more careful!" the voice screeches, reaching some twisted crescendo. "You would have enjoyed more!"
"You are wrong, Demon. That is not what I regret. I regret something that you cannot understand."
"And what is this that you regret? I have my doubts that I won't understand."
"I regret not always having these memories. It was the best decision that I ever made to do these things so I could learn from my mistakes, and grow and change for the better. Sure I miss having the wholeness like I used to have, but I was so naive back then. I am much wiser now. And missing this doesn't make me a dammed soul as you would have me believe. It makes me stronger," you pause, choosing your next words carefully. "I command you to bother me no further, Devil. I am free from you!" you shout the last words in a triumphant call that shakes the ground, releasing the Demon's hold on you.
Rejected, the voice slinks back away into the darkness that it came from leaving behind a trail of memories, good memories that it could no longer hold from the light that is coming from within. But, although the light is coming from within, it did originate from there, it is coming from a greater source, somewhere higher, where all good comes from . . . . . . . . . . . .
LaShel February 16, 2010 at 9:50 AM
Wow, Bronson, very literary! I felt like I was reading excerpts from a classic book or something. You should write more often.
Although, not going to lie, when I first read that you can't use force to fill in the hole, I misread it as saying you couldn't use the Force to fill the hole. And I may have thought of Star Wars video games and my husband building useless staircases out of old engine turbines and laughed :)
Why . . . ?!
Work In Progress . . .
Now I Know Why Garfield Hates Mondays . . . .


Diving is an easy to learn and fascinating sport. To most dive centers your safety during diving is important. This includes a current medical medical statement according to the guidelines of the German Society for Diving Medicine (GTÜM eV) , which serves to minimize the individual risk of the diver especially those with comorbidities. The basis for the assessment of your diving fitness is a comprehensive questionnaire followed by individual examinations. The diver receives a multi-lingual and internationally recognized certification.


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Home » New college library continues stone tradition
New college library continues stone tradition
Jennifer Richinelli
The exterior walls of the library are built from solid pieces of rubble stone, while Indiana limestone and Vermont slate were used for architectural details such as arches and window surrounds.
Since its early days, stone architecture has always been held in high regard on the campus of Rhodes College in Memphis, TN. The institution, which was founded in 1848, was initially located in Clarksville, TN, but moved to Memphis in 1925. At this time, it was under the direction of President Charles Diehl, who as a graduate of Princeton University understood the relationship of architecture to academic reputation. And as a result, from the time of Diehl's leadership, limestone and rubble stone have remained primary building materials in the construction of campus structures. One of the most recent - and certainly notable - additions to the grounds of Rhodes College is the Paul Barret, Jr. Library, which stands as a testament to the institution's commit-ment to employ stone in its architecture.
The new library was a significant component of Rhodes 2000 campus master plan, which celebrated the history and patterning of the Rhodes campus, while positioning the college for future generations of students, according to Jane Wright, president of Hanbury Evans Wright Vlattas + Company of Norfolk, VA, the authors of the campus master plan and the architects of record for the new library. "The overall design goal was to place the building to enrich opportunities for student and faculty interaction," she explained. "During the master planning process, the selection of this site was reinforced by the opportunity to create a desired second campus entry and a new academic quadrangle. The siting of the library and the continued commitment to the Collegiate Gothic architecture as well as the use of stone are the most strategic physical decisions that the college will make in this century."
Following the initial planning, Hanbury Evans collaborated with Shepley Bulfinch Richardson and Abbott of Boston, MA, in the development of the library. "One of the challenges was to build this new library in the formal language consistent with the 'brand,' so to speak," said Ralph Jackson, FAIA, lead architect for Shepley Bulfinch. "But, the institution recognizes the need to create spaces. It's very driven by technology. It needed to have rooms for small group studies and digital classrooms. It was about bringing all these things together, but still maintaining the character and architectural history of the campus."
The rubble stone pieces were intentionally laid in a random pattern, and consideration was also given to the varying color of the stone during the installation process.
According to Jackson, the placement of the library became the new "front door" for the campus, which is comprised of 100 acres. "It was built on the back of the historical campus," explained the architect. "Because of the scale of the facility, we were creating a new sense of arrival. It has to act not only as a learning facility, but also as a new gateway."
During the planning stages, it was decided that the new library would sit on an existing parking lot, which was between the historic campus and larger buildings that comprise the community. The building had to be smaller on one side to blend with the buildings built in the 1920s, and much more grand on the side facing facilities such as the gymnasium.
"This building was going to be a mediator," said Jackson. "It became a transitional element. As it faced the historic campus, it needed to be intimate and finely detailed - more picturesque with towers and a cloister. When looking across the historic campus, you needed to see a building that was in keeping with the scale of the historic area. The idea was to blend seamlessly with the other elements. On the other side, the character of the library is more like a 'church scale.' It gives a sense of a large communal facility, and shows signs that it is a growing institution."
One side of the building features grand elements such as two large towers built completely of stone. Located at the back end of the campus, the Paul Barret, Jr. Library creates a new entrance for the college.
Designing a master plan with stone
Wright explained that the campus master plan reinforces the college's commitment to stone. The library is the third new stone building that Hanbury Evans Wright Vlattas + Company had recently complete for the college. "The campus is committed to materials with integrity, and stone is frequently used in public interior spaces as well," she said.
"The stone came from the same quarry in Arkansas as the [existing] stone on campus."
The rubble stone pieces measured 5 inches thick and were approximately 2 x 2 and 2 x 3 feet in size.
A total of 2,210 tons of rubble stone - quarried by Schwartz Stone Co. of Paris, AK - and 21,700 cubic feet of Indiana limestone - supplied by Christie Cut Stone - was utilized for the construction of the library, which encompasses 136,000 gross square feet of space, of which 108,000 square feet is occupied. Additionally, 375 tons of Vermont slate, which was quarried by Greenstone Slate of Poultney, VT, was employed for roofing and trim pieces.
In addition to extensive use of rubble stone for exterior and interior walls, stonework includes windows and arches that are framed with limestone, giving the new library a commanding presence on campus, while at the same time blending with its surroundings. "We constructed sample panels adjacent to the existing buildings to ensure that the texture and color [of the stone] were compatible with the existing [architecture]," said Wright. "We didn't run into any difficulties. We love working on stone buildings."
Contributing to the detailed architecture of the new library, stone symbols were carved into the limestone and integrated into the architecture. "A bust of the president was worked into the carved limestone," said the architect. "[Also], there are crosses, a Celtic knot and other symbols that represent the heritage of the campus."
One challenging aspect of the job was making sure that the stained glass window frames and the window surrounds carved from limestone were a match. The order was based on detailed limestone drawings that were created for the job.
Installing the stonework
Among the defining architectural elements of the new library are an apse with a copper dome and interior balcony, two towers - one standing at 120 feet tall and the other stretching 65 feet high - and a cloister. Inside, elaborate stone trim, columns, railings and moldings are incorporated into the design.
In total, it took approximately 18 months to complete the masonry, according to Project Manager Justin Grinder of Grinder Taber & Grinder in Memphis, TN, the General Contractor for the project. "At any point there were probably 50 masons on site daily - not necessarily the same ones," he said. "They were everything from piece workers to stone layers."
The stonework, which required a great deal of precision and team unity, was completed by W.A. Fortner Masonry, Inc. of Memphis, TN, which has installed the exterior stonework for the last 10 buildings at Rhodes College over the past 20 years. "We had never done anything like this," stated Tim Fortner, president of Fortner Masonry. "One core group of men trained the next. This type of work takes a real patient guy."
The rubble stone pieces were laid in a random pattern, and attention also had to be paid to color variations. "We had to mix color to match the rest of the campus," said Grinder, adding that the pieces consisted of fluctuating shades of red and brown. "The masonry superintendent would stand away from the building and direct where pieces went, so that one wall wasn't completely different [from the others]."
The rubble stone pieces measured 5 inches thick and were approximately 2 x 2 and 2 x 3 feet in size. Additionally, the slate pieces measured about 4 inches tall with widths alternating between 1 and 2 feet.
A covered pathway was built to make a transition between the exterior and interior stonework.
According to Grinder, the rubble stone pieces were mechanically anchored to the building. "To accommodate the 2-inch cavity wall insulation, 2-inch deep anchors connect vertical rods to the CMU backup," said the contractor. "Triangular anchors hooked to these vertical rods are then embedded into the grout joints of the rubble stone. The reason why we used this system is that the triangular anchors are adjustable by sliding up and down the vertical rods, allowing for the random pattern of the stonework."
Each piece of stone was chipped and put into place. The stonemasons had to make sure that each piece fit. "That's what gives Rhodes Library its look," said the contractor. "It's a very beautiful campus. The whole campus looks like this."
One challenging aspect of the job was making sure that the stained glass window frames and the window surrounds carved from limestone were a match. "The windows had to be manufactured to within 1⁄8 of an inch," said Grinder. "The order was based on the limestone drawings." The contractor explained that the window frames were constructed of pre-finished steel, so they couldn't be changed if the measurements were not correct. In the end, all those involved were relieved that the pieces were a fit. The limestone pieces were secured with stainless steel strap anchors.
Construction on the Paul Barret, Jr. Library began in March 2003 and was completed in June 2005. The building includes seminar rooms for small group studies, the Middle Ground 24-hour café, and a variety of open spaces that provide opportunities for informal social interaction.
An important part of the design was to bring the outside indoors. As a result, the use of stone continued into the interior design.
Paul Barret, Jr. Library
Original Campus Architect: Charles Klauder with Henry C. Hobbs
Primary Architect: Hanbury Evans Wright Vlattas + Company, Norfolk, VA
Collaborating Architect: Shepley Bulfinch Richardson and Abbott, Boston, MA
General Contractor: Grinder Taber & Grinder, Memphis, TN
Stonemason: W.A. Fortner Masonry, Inc., Memphis, TN
Stone Suppliers: Schwartz Stone Co., Paris, AK (rubble stone); Christie Cut Stone (limestone); Greenstone Slate, Poultney, VT (slate)
Recent Articles by Jennifer Richinelli
Working in the "new norm"
Selling natural stone
Drawing inspiration from the surrounding landscape
Stone Column: The allure of natural stone
As Group Editorial Director of Stone World, Contemporary Stone & Tile Design and TILE Magazine, Jennifer Richinelli has been covering the stone and tile industries since she launched her career at BNP Media in 1996. Throughout her tenure, she has visited and reported on numerous national and international quarries, stone fabrication shops, trade shows and other industry events. She has also collaborated with members of the A&D community, including many renowned architects, on articles about designing with stone and tile.
New Library Marries Tradition and Modernism
Report from Europe - Carraramarmotec 2001: The tradition continues
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The 10 biggest 3D movies of 2015
By Creative Bloq Staff ( 3D World ) published 27 February 15
2015 looks like being a bumper year for 3D movies - we look forward to the biggest and best.
When the history of cinema in the 2010s comes to be written, 3D movies are certain to form an important chapter. Once dismissed as a gimmick, stereoscopic 3D has now firmly entered the mainstream.
It's becoming the norm for cinema tickets to come with a pair of polarized glasses, and increasingly, special versions of films are being made in IMAX 3D too. As this list shows, though, 3D movies still seem to be limited to two genres: action blockbusters and children's animations. Will 2016 be the year when period drama, European cinema and the indie scene discover the opportunities of stereo 3D, we wonder?
In the meantime, check out our list of this year's biggest 3D movies and let us know in the comments whether you plan to see them in 2D, 3D or IMAX 3D...
01. Avengers: Age of Ultron
With 2012's The Avengers making over $1.5 billion worldwide and becoming the third-highest-grossing film in history, a sequel was inevitable, and Avengers: Age of Ultron is one of the most eagerly awaited 3D movies of 2015.
The film will have an astonishing 3,000 visual effects shots, provided by seven to 12 visual effects companies. Obviously this includes Lucasfilm's Industrial Light & Magic, which opened a facility in London last year to work on the film, which will be released in both 3D and IMAX 3D.
Intriguingly, ILM has developed a new motion capture system for use on Age of Ultron called Muse, which can better capture the actor's performance and combine different takes. Can't wait to see what that looks like...
02. Poltergeist 2015
A remake of the 1982 horror classic, Poltergeist 2015 will be directed by Gil Kenan, written by David Lindsay-Abaire and produced by Sam Raimi. While we're generally against pointless remakes of relatively recent films, Sam Rockwell is always a good turn, and we have to admit that the trailer looks pretty darn cool. Plus at least the addition of stereoscopic 3D brings something new to the table.
03. Terminator Genisys
Will any of the Terminator sequels ever match up to the superlative Terminator 2, the 1991 sci-fi epic with early CGI effects that still put many modern movies to shame?
This, the fifth in the installment, will "reset" the plot and start off a whole new trilogy. Now free from governership duties, Arnie is back in the titular role, with Alan Taylor directing and Legacy Effects responsible for bringing the Terminator endoskeletons back on to the big screen. The trailer looks promising, and the use of Imax 3D should provide a suitably epic experience to the viewer.
But we have to be honest here: it was this very unofficial teaser video, featuring a spoon and a tea cup, that really piqued our interest...
04. Mad Max: Fury Road
More post-apocalyptic unpleasantness comes with the first film in the Mad Max franchise in three decades. Tom Hardy, who played Bane in the last Batman film, takes over from Mel Gibson in the eponymous role, alongside a bald-headed Charlize Theron. The film's been in developmental hell for over 25 years, with constant start and stops, so here's hoping it was worth the wait.
But here's what's really exciting us. Rather than being retrofitted with stereo 3D as so many modern films are, Mad Max 4 will be shot using 3D rigs and cameras that are being specially developed by director George Miller, according to Inside Film. And that might, just might, be a total gamechanger.
05. Star Wars: The Force Awakens
Yes, the franchise that changed everything is finally back for 2015. Now under the Disney umbrella, a seventh installment in the series will be released this Christmas featuring stars of the 1977 original.
Set 30 years after Return of the Jedi, the film will be released in 2D, 3D and IMAX 3D. Director JJ Abrams has pleased fans with his decision to shoot on film rather than digital, and make greater use of practical effects and rely less on CG than the prequels did. Once again, John Williams will provide the music and ILM the effects.
This may be stating the obvious, but... We. Just. Can't. Wait.
Next page: 5 more 3D movies for 2015
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Home/14-Fayth
14-FaythNatalie2020-12-02T11:29:31-08:00
Fayth Rascon-Ryn
Three words to describe Coach Fayth would be: trustworthy, empathetic and fun! Fayth started coaching…
Three words to describe Coach Fayth would be: trustworthy, empathetic and fun! Fayth started coaching in 2017 where she went to Nationals while coaching at Mizuno Long Beach. The following year, her team returns to Nationals and won the Championship for the 13's Open division! Players would describe Fayth's coaching style as relatable, direct and calm.
Fayth has been playing volleyball since she was thirteen and is currently a senior at CSUSM. Her first two years of college volleyball were spent at Long Beach State. A fun fact about Fayth is that she has a pet gecko named Jinx, and a pet beta fish named #2.She chose to join the SoCal coaching staff because, "the environment was beyond welcoming, and the staff is so kind!"
Cameron Abril
Morgan Appleton
Kaylie Hansen
Stella Lloyd
Sofia Metzler
Bella Miller
Emma Newton
Hailey Peterson
Audrey Selsnik
Sienna Trinh
14-Fayth Local Practice
January 2, 2021 12:00 pm - 1:45 pm
SoCal Volleyball Club - San Diego, 1482 La Mirada Dr, San Marcos, CA 92078, USA, SD - Indoor-Court 2
Articles for you
College-Bound Student-Athlete Series: High School Timeline
Your Support Staff
Aimee Asebroek
Coaching Director
Ben Moselle
Member Finance Coordinator
Gwen Alden
Owner, Healthwest
Kristin Westermeyer
Linda Suster
Natalie Winn
Players would describe Aimee's coaching style as, "tough but fair, passionate, focused on technique and ball control, never mad or yelling but positive, smiling and nurturing."
Aimee Asebroek graduated with honors from the University of California, Irvine in 2005 where she received her Bachelor's degree in Spanish and her minor in Educational Studies. At UC Irvine, she was the president and captain of the women's club volleyball team for three years, earning the SCCVL Player of the Year award her last three years. Aimee was also the President of the Southern California Collegiate Volleyball league.
Aimee started her club coaching career with North County Volleyball Club's 12 and under team at the age of 19, and has since coached at SoCal Volleyball Club. She has coached teams at every age group and level for girls, and the 14s and 16s level for boys. She has also run camps and coached for the City of Vista, Club Strictly Volleyball and North County Volleyball Club.
Aimee has coached at San Marcos High School and assisted at AIAA Conference Champion Cal State San Marcos University, and worked closely with their head coach, A.I.I. Volleyball Coach of the Year, Andrea Leonard on both the coaching and recruiting side. She spent 4 years as the Varsity Coach at Vista High School. She has worked closely with her volleyball mentor, Olympian Mary Jo Peppler to develop a curriculum for SoCal that ensures a player will have the same technically driven experience from coach to coach and team to team.
Aimee believes that consistent technical work and feedback are a must for ALL ages and skill levels but that developing and maintaining teamwork skills and great attitudes are even more critical. For her, there is an overriding emphasis on enjoying the experience as a whole and creating a lifelong love for the game. Aimee also stresses consistent hard work and respect for one another and coaches. She teaches her coaches to be kind, fair, consistent and disciplined with their kids.
General Manager, B.A. Psychology UCSD, M.S. Applied Clinical Nutrition New York Chiropractic College
Audrey Green graduated from San Marcos High School in 2005. After high school, she moved on to be a dual sport athlete, where she began her collegiate career playing basketball on athletic scholarship at SDSU. The following year she transferred schools and sports to Palomar College in order to refocus on volleyball. In her sophomore campaign Green earned AVCA All-American, 1st Team All-State, and Pacific Coast Conference Player of the Year accolades while leading the Comets to a first place finish in the PCC. Green completed her athletic and undergraduate career at Division II powerhouse UCSD, earning a degree in psychology while competing for head coaches Tom Black (now at LMU and U.S. National Team) and U.S. Olympian Ricci Luyties. Green has over 10 years of experience coaching volleyball and basketball from ages 7 to adult.
https://www.socalvbc.com
Volleyball & Fitness Instructor, B.A. Economics from UCLA, M.B.A. from UC Irvine
NSCA Certified Strength & Conditioning Specialist
ACSM Certified Personal Trainer
AAHF "Jr.Fit" Youth Fitness Specialty Certification
Functional Movement Systems (FMS) Certified
Ben Moselle graduated from San Dieguito High School (Encinitas) in 1993, and played on three national championship teams at UCLA ('95, '96 and '98), earning AVCA All-American honors in 1998. When Ben graduated with a degree in economics that year, he shared (with Kevin Wong) the UCLA team record for most aces in a single match.
Moselle was volunteer assistant coach for the Rutgers University men's club team in 1999 while training for a stint playing professional volleyball in Holland. Moselle then went on to earn an MBA degree at UC Irvine in 2002. Since that time, Moselle has conducted small-group fitness classes and coached club volleyball in the San Diego area.
Ben's true passion is fitness. As a strength and conditioning specialist, his goal is to help SoCal players gain a physical advantage and stay healthy throughout their athletic careers and beyond. As a volleyball coach, Ben embraces players' individual talents and instincts, promoting "volley-I.Q." development rather than stressing technical X's, O's and angles.
Moselle has been a San Marcos resident since 2002. His full-time job is in publishing. In his spare time, he breeds saltwater clownfish "Nemos" and grows corals.
Gwen's players would describe her as soft-spoken yet intense and motivating. Specializing in the younger age groups, Gwen's teams have all undergone vast transformations. She has high expectations for her kids and they thrive in her team environment.
Gwen recently moved here from Atsugi, Japan. There, she coached girls teams in the Morale, Welfare, and Recreation volleyball leagues. Gwen was born and raised in Lawrence, Kansas where she was on a nationally ranked team her senior year in high school. She accepted a volleyball scholarship to the University of Missouri and played for the Tigers from 1991-1994. During her tenure, Gwen won several student-athlete awards, including NSCA All-American Strength and Conditioning Athlete of the Year, Phillips 66 All-Big Eight Team Awards and All-Big Eight Conference Team.
Since college, Gwen has worked in her career field as a physical therapist, raised three girls and traveled around the world with her husband and his career. She joins us at SoCal Volleyball club as the director of HealthWest Physical Therapy, where she works to strengthen our athletes in hopes of avoiding all injury during their volleyball careers and living long, healthy lives!
http://www.socalvbc.com
Linda Suster is originally from the Big Island of Hawai'i and was a SoCal mom for 12 years before taking over the store in 2017. Married to her husband, Mike, for 29 years, she's a mother of five adult(ish) kids and three dogs. Linda is always on the hunt for the coolest, most comfortable yet high quality apparel to add to the store. In her personal life, Linda does driftwood art which you will see hanging in the Peace Cafe. With her island background and SoCal spirit, she is striving to bring some girl power and aloha to the store.
https://store.socalvbc.com
A former SoCal player, Natalie pursued her dream of playing college volleyball at Widener University as an Outside/Middle Blocker. Natalie is a recent graduate with her Bachelors in Hospitality and Tourism Management, with a Minor in Event Management. Aside from living in Philadelphia to attend Widener, Natalie graduated from Mission Hills High School and has lived in San Marcos her whole life. Some highlights of Natalie's college experience were creating lasting friendships with her team mates, studying abroad for 6 months in Spain and being a part of the Eagles first ever Super Bowl win!
Natalie can be described by her friends and family as someone who loves to have fun and be goofy but also knows how to handle business. She is most looking forward to building relationships with the families at SoCal.


Rubbing alcohol or isopropyl alcohol is a liquid made for topical application and known for its cleaning and disinfecting properties. It's often shoved to the back of the shelf. It usually gets pulled out as a first-aid item for minor cuts and scrapes.
Here are a few ways to use Rubbing Alcohol.
Fill a spray bottle with rubbing alcohol and spritz the glass. Then wipe it away.
Fill a spray bottle with 1/2 water, 1/2 rubbing alcohol, spray on, and let air dry! Gets rid of dust.
Make a spray of rubbing alcohol and distilled water, and you spray it onto a soft cloth and then gently wipe the screen. Never spray directly onto any electronic equipment, and only use distilled water in the solution.
1 cup of distilled water 1/4 cup of rubbing alcohol 1 Tablespoon of shampoo. Swish brushes, rinse and dry.
Make your own cleaner at home. Pour into your spray bottle with a funnel.
When your blades are not cleaning the windows completely, if you take a cotton ball soaked in rubbing alcohol and wipe the blades down, you can make them "new" again. This works most times but not always. This doesn't work for blades that are cracked and split and falling off. You gotta replace those. Sorry.
If you need to clean deposits off your jewelry, let it soak in rubbing alcohol for a few minutes and clean with a cloth. According to Zales, Use on metals. For mountings, you can use rubbing alcohol to dissolve some of the stickier grime. However, don't use alcohol on any kind of pearl jewelry. Soap and water and a soft brush will take care of most of your cleaning needs. Make sure the brush is VERY soft when used on metal, especially gold, which can be scratched relatively easily. Use a soft cloth that won't leave fuzz or threads behind to dry and buff your jewelry once it's cleaned.
Use a microfiber cloth. Flannel works well, too. Dampen the cloth with either water or water diluted with vinegar or isopropyl alcohol.
To prevent damage, don't press hard or spray product directly on the screen.
To treat houseplants that have spider mites or white flies, spray with a solution of four parts water to three parts rubbing alcohol and add a squirt of dishwashing liquid.
Mix 8 ounces ammonia with 32 ounces rubbing alcohol.
When you are spraying hair spray, some of it inevitably winds up on the mirror. A quick wipe with rubbing alcohol will whisk away that sticky residue and leave your mirror clean again.
You can saturate the spot with rubbing alcohol, rinse and launder as usual.
Ink stains from a pen can be removed by applying alcohol and rubbing between the hands as though washing it. Apply alcohol about a dozen times and the spot will be gone. Can use hairspray, too. Rubbing alcohol works to remove permanent marker, too.
Apply a dab of rubbing alcohol on mosquito bites or poison ivy.
Soak a washcloth with rubbing alcohol and let that set on the decals or label. You'll need only a small edge to lift, and you can grab it and pull it off. The remaining adhesive can be removed with more rubbing alcohol and a nylon scrubber if needed. Rubbing alcohol will also work two remove the sticky residue left on your skin from surgical tape.
Freshen carpets, furniture or clothing.
Mix in a spray bottle. Test on inconspicuous part of fabric.
Rubbing alcohol cuts through all the marker buildup on your whiteboard. Pour a little on a paper towel, and wipe.
Helps heal and clean the ears after being pierced.
Mix together 3 parts rubbing alcohol and 1 part aloe vera gel.
Fill an empty spray bottle with rubbing alcohol, then spray your eyeshadow with the alcohol. Smooth out the moistened eye shadow with your finger. Then wait a few hours for the shadow to harden completely, and it will be together again.
With a lightly sprayed soft non-scratching rag of rubbing alcohol. Can do the same with your keyboard and phone, too.
Add 1/4 cup carrier oil (almond, safflower or mineral), 12 drops essential oil, and a splash of rubbing alcohol.


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Junior League directly impacts our community. Our outreach programs are designed to provide maximum benefit to our communities through our league volunteers, community partnerships, and direct financial support.
"The best way to find yourself is to lose yourself in the service of others." -Gandhi
What is Community Impact?
Community impact is the lasting result of initiatives that enhance people's quality of life through improvements in the conditions and environments that govern how people live, work and play.
The Junior League's primary purpose is to develop the potential of its members so that they can perform effective voluntary service and civic leadership in their communities. The community initiatives undertaken by Leagues, therefore, should fully utilize the capabilities of these trained volunteers by producing positive, long-lasting effects on the individuals who participate in or are served by these activities and on the wider community.
Community initiatives have genuine impact when they mobilize, empower, and equip community stakeholders to undertake long-term solutions that build on the community's assets, including the talents and diversity of its people. This means not only delivering strategies, including direct service, capacity building and advocacy approaches that bring about measurable outcomes on a defined issue(s), but also striving , through cross-sector collaborations to complement other efforts and fill gaps in service delivery.
An Issue-based community impact (IBCI) approach provides Leagues with the platform to effect lasting change in our communities and to develop the leadership skills and knowledge of our members. Issue-based community impact has a positive effect on member engagement. League members who feel they are learning about issues and making a lasting difference in their communities also tend to feel a deeper connection with the League and to participate more fully in the League's internal and external activities.
–From "Achieving Community Impact: Creating Lasting Change for Healthier Communities," by Vicki Clark, The Association of Junior Leagues International, Inc.
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Are you interested in joining the Junior League of Gainesville? Our new members complete a comprehensive training program during their first year which includes volunteer training, information about the Junior League's history and structure, and introduction to our community impact projects.
Applications for the new League year are now being accepted. Learn how to apply.
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