text:
Occupied Lives: Switching off hospitals
in Narrtives
Dr. Kamal Abu Obada, Deputy
Director of the Intensive Care Unit at al-Shifa hospital attends to one of his
The reality generated by Israel's
longstanding illegal closure, the international sanctions against Gaza's
authorities, and political in-fighting between the Ministries in Gaza and
Ramallah, has resulted in a fuel and electricity crisis in the Gaza Strip. Consequently,
water and sanitation installations, hospitals, and other healthcare facilities
are facing severe difficulties in providing basic services to the people of
Gaza, undermining the right to health and the right to life. Such problems have
been a consistent feature of life in the Gaza Strip since the current closure
was imposed in 2007.
In January 2011, due to an
unreliable supply and high costs, the authorities in the Gaza Strip stopped
importing industrial fuel from Israel. Since then the Gaza Strip has relied on
inherently unreliable smuggled fuel from Eypt. On 14 February 2012, a few days
after the fuel supply from Egypt through tunnels into the Gaza Strip was
stopped, Gaza's only power plant was forced to shut down, leaving large parts
of the Gaza Strip with only 6 hours of electricity daily. These electricity
shortages needlessly endanger patients' lives and well-being. During times of
intensified violence, like the past 5 days, hospitals struggle to cope with the
influx of wounded people. In the most recent Israeli attacks against the Gaza
Strip 24 Palestinians were killed and 70 were wounded, most of them civilians.
The Director of Engineering and
Maintenance in Gaza's al-Shifa Hospital, Eng. Bassam Ali al-Hamadeen, deals
with the consequences of the fuel and electricity crisis every day. "The
patients most at risk are those in the intensive care unit, the babies in the
nurseries, kidney dialysis patients and those in need of surgery. Thank God, no
patients have died until now. However, we face other types of losses due to the
electricity crisis. In the past two weeks generators of 6 basic health clinics
across the Gaza Strip broke. They are simply not built to operate for the
amount of time we need them. Generators are made for brief emergencies, of a
few hours, only. Besides that, our generators and other machines are damaged
and broken by the power being cut and returning constantly. Also, the
fluctuation in power levels is harmful to our equipment. Now we lack the spare
parts and oils to maintain the machines."
Kamal Abu Obada, the Deputy Director
of the Intensive Care Unit at al-Shifa hospital, is constantly aware of the
risks that the patients he cares for are facing. "For me as a doctor this is
all very depressing. All the time I'm working to keep the patients alive and
when the electricity is cut they are all at risk. If something happens to them
my efforts were all in vain."
During periods of critical shortage
of fuel and electricity the Ministry of Health declares a state of emergency,
like they did in February. During these periods, all surgery is suspended,
except for emergency operations. The air-conditioning is cut (cooling and
heating), and the water purification and laundry services are limited, with
evident hygiene and sanitation implications. Abu Obada explains: "During the
state of emergency everything stops. We are not able to send our patients for
surgery, unless it is absolutely necessary. We have to suspend other forms of
treatment as well as tests and diagnostics."
He continues: "The moment the
electricity is cut, we rush to the patients and provide them with oxygen
manually using oxygen bags. But we face two problems in doing this. Firstly, we
simply don't have enough manpower to attend to all the patients during the
cuts. Also, it is difficult to control the quantity of oxygen manually, risking
ruptures in the lungs when squeezing too much air out of the bag into the
patient's lungs. When the power comes back we have to reprogram all the
machines again."
Abu Obada is also confronted with
material damages as a result of the power cuts; "When there is a power cut the heart
and blood pressure monitors switch off. The internal sensors inside our
machines are broken by the cuts which causes the alarms to go off unnecessarily
and then for them to fail to kick in when something is wrong with the patient."
Patients too, feel the threat of the
electricity crisis: "Some of our patients are awake and are aware of the power
cuts when they occur. These patients can hear us in those moments and fear for
their own lives and those of the other patients," says Abu Obada.
PCHR Warns of Fuel Shortage at Gaza Hospitals
PCHR Warns of Medicine Shortage in Gaza Strip Hospitals
Fearing for Patients' Life, PCHR Warns of Medicine…
PCHR is Concerned that Health Sector Would Collapse…
PCHR Warns of Repercussions on Health Situation Due…


text:
Disaster strikes at the end of the first song when Cal's guitar string breaks, starting off a quite hilarious series of quips and tales of awkwardness. "Mr Soundman," Cal asks, "Can I turn up the distortion on my guitar to hide all the mistakes?" He asks bassist, Sophie, to fill in on the talking while he tunes up. She he looks discomforted by this prospect, but she goes on to tell us a story of how bad her day has gone, which has the entire audience in stitches. Their stage presence is delightfully awkward and works perfectly with their moody, introspective sound. The highlight of their set is Misery Movement, the title track from their album, which I recommend you all check out.
Tree House Fire are on tour with The JB Conspiracy, and you can tell they're super-comfortable and played in. It's by far the tightest I have ever seen them; their show is slick and proffesional. They incorporate a lot of samples and backing-tracks with synthetic horns into their dub-reggae performance, throwing in the odd rave-horn for good measure. They've clearly put a lot of work and planning into their set and it really pays off. The vocal is incredibly smooth, and the mood is incredibly sunny for a wet November evening.
The audience is a little sparse and static for the beginning of the night, but it really starts to heat up during Tree House Fire. My only slight criticism would be that the set might be a little too honed for a Wednesday night attic show in Norwich. They deserve to be getting out on tour with a band like The Bennies or playing to huge warmed-up festival audiences; they would excel in front of a giant party crowd.
As The JB Conspiracy are preparing to hit the stage, the audience seems to significantly grow. This Machine is a somewhat legendary album in the ska punk scene, and there's clearly a lot of excitement about getting to hear it played in full. As they build into the opening bars of the title track everything kicks off – a maul of 30-something ska punks ready to party like they're 20-something ska punks. Everyone's singing along and punching the air for every chorus, mimicking the brass sections and throwing elbows and boots around the keep up with the bouncy upstrokes.
They run through the album in order, apart from a few protracted bars of Drop Your Anchor thrown in to confuse us at the beginning of The Manhattan Project. There are songs like that and The Patriot that I don't think I've ever heard them play live before – it's unbelievably exciting. It's during The Patriot (a slower number) that there's the irresistable call for a human pyramid, which the band later congratulate us on. The whole set is a showcase for some of the best brass playing in the DIY scene; they've got all the skill and clever composition of a big brass band, but political sensibilities to transform it into a riot that would appeal to any punk fan.
Singer and guitarist, Lank, doesn't say a great deal, but he gets an huge laugh for saying, "Please everybody check out our Myspace page." He also gives us a few snippets of background on the band: how the song Superhero was inspired by some internet bullshit and how the band were already playing when they were in school in 1999. He briefly mentions their previous '90's ska-punk incarnation, Duff Muffin, inspiring a huge cheer from the audience, before disappointingly having to warn everyone that they're not actually going to play any Duff Muffin songs. However, for the encore, they do treat us to a 90's ska punk tune in the form of Less Than Jake's Scott Farcas Takes It On The Chin. They close out the show with The Escape from their second album, The Storm. The final highlight of the evening comes in their exit music for leaving the stage – the jangly key sample used on the secret track at the end of This Machine – a really beautiful touch.
It's been a brilliant, exciting evening. I want to say it's been nostalgic because we've been celebrating a 10 year old album, but This Machine has never felt old to me. Even tonight, The JB Conspiracy feel just as alive and vibrant as they did 10 years ago.
It's not too late to catch the end of the This Machine tour – this week The JB Conspiracy play Plymouth tonight and Bristol tomorrow culminating in a London show on November 17th. You can also pick up This Machine on vinyl for the first time ever, in a lovely shiny blue.
Author Sarah WilliamsPosted on November 15, 2017 January 12, 2018 Categories Gig ReviewsTags Gig Review, Jim Higgs, Norwich, Other Half, reggae, Sarah Williams, ska punk, The JB Conspiracy, The Waterfront, Treehouse Fire
3 thoughts on "Gig Review: The JB Conspiracy @ The Waterfront [09/11/2017]"
Carl Hudson says:
Great review. I was lucky enough to be in Norwich that night for work; the lads not venturing too far north on this tour!
I was a 40 something ska punk trying to be a 20 something😀
Great night and a canny venue there 👍
Sarah Williams says:
Thanks, Carl! I love the JB a LOT! Glad you were able to make the gig, it was a cracking night.
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Aston Villa starlet Jack Grealish has ended speculation about his future as he signed a new four-year contract with the club. Grealish turns 21 on Saturday and will remain under contract with Aston Villa until 2020. He is an England Under-21 international and has been considered as one of the most talented English players of his generation. He has scored five times in 37 appearances for Aston Villa and seems committed to help the club bounce back into the Premier League.
Grealish told the club's official website: "Everyone knows this is a club I love dearly - and it's the place I want to play my football. Bodymoor Heath provides a great environment in which to continue my football education and to call Villa Park home is something I will never take for granted. We're looking to return to the Premier League. I want to be a big part of that process and will be doing everything possible to make that a reality." The midfielder enjoyed a good start to the season, making five appearances in the Championship and scoring two goals.
However, Aston Villa didn't have the best of starts to life in the Championship as they only grabbed one win and two draws out of their first five matches of the season. They are currently 16th in the league table with five goals scored and five received. At the start of the season they had been the top favourites to win the Championship under new manager Roberto Di Matteo. Now they are 18/1 at Bet365 to win the division, while Newcastle are the new favourites at 13/8 while Norwich City are 9/2 to win the Championship.


So my rather large zit has become even bigger, if that's possible. This is not a case of self-indulgent melodrama (or maybe it is). I just came from the dermatologist and she said it is severely infected with a very good chance of permanent scarring. I am now on loaded up on antibiotics.
It never ceases to amaze me how bad skin can ruin my day and mess up my disposition. In the grand scheme of things, it should not matter. But for someone who has had bad skin since adolescence saw the light of day, this is a big deal. I'm 28 years old. Shouldn't I be past this?
Since bad skin, ill circumstances, and general feelings of insecurity cannot be avoided, it is best marry someone who will call you beautiful when you know for a fact that nothing can be farther from the truth.


Dollar General will store and distribute food at an abandoned warehouse in Westville that's undergoing a $24 million renovation.
The retail chain is asking for a five-year tax abatement on the $8 million in new equipment its planning to use in the 680,000 square foot structure.
Matt Reardon, director at the Office of Economic Development for LaPorte County government, said Dollar General will occupy almost 300,000 square feet of the building and create at least 80 jobs.


text:
Nocebo Effect—New Study Attributes COVID-19 Vaccine Symptoms to Phenomenon Nocebo Effect—New Study Attributes COVID-19 Vaccine Symptoms to Phenomenon
Unvaccinated 27-Year-Old Mother of Six Dies of COVID After Giving Birth Unvaccinated 27-Year-Old Mother of Six Dies of COVID After Giving Birth
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Novak Djokovic's Treatment Leaves Serbians Incensed: 'Outright Scandalous'
By Brendan Cole On 1/14/22 at 1:09 PM EST
World Coronavirus Serbia Australia Australian Open
Prominent Serbian diplomat and politician Vuk Jeremić has condemned the Australian authorities' treatment of tennis champion Novak Djokovic, and some of his fellow countrymen have reacted with anger after his visa was canceled for a second time.
Days before he was due to defend his Australian Open tennis title, Australia's immigration minister, Alex Hawke, said on Friday that he canceled Djokovic's visa "on health and good order grounds, on the basis that it was in the public interest to do so."
Djokovic could face deportation and is set to be detained on Saturday as his lawyers mount an appeal and the dispute over his right to remain in the country unvaccinated against the coronavirus rolls on.
Jeremić, who was Serbian foreign minister between 2007 and 2012 before serving as president of the United Nations General Assembly, told Newsweek that Djokovic had made a "mistake" by doing an interview with French sports daily L'Equipe after a positive test.
Please check & retry
But he said that "he unambiguously apologized for that" and that the "Australian Government's conduct towards him has been outright scandalous."
He said that Djokovic flew to Melbourne "only upon fulfilling all the predefined criteria for travel" having applied for and received a medical exemption.
"Certain politicians decided to jump on this, and escalated the situation in the media," said Jeremić, who also headed the Tennis Federation of Serbia between 2011 and 2015 in an emailed statement.
Novak Djokovic: Why His Visa Has Been Canceled and What Happens Now
Novak Djokovic's Visa Canceled Again by Australia as He Faces Deportation
Live Updates: Novak Djokovic's Visa Canceled for Second Time
Newsweek subscription offers >
Djokovic's lawyers said that he was held for eight hours at the airport by border guards before being sent to a detention center.
"If that's the way to treat people who are not on Interpol red warrants, sought for international crimes or traveling on fake documents, then after all my years in international relations, I don't actually understand the way the world works," Jeremić said.
"All the other tournament participants who got the medical exemption from the same medical panel got the same visa, and entered Australia without hindrance," he said, "Novak was picked as a scapegoat for brinkmanship by political opportunists."
Jeremić expressed dismay that a "bearer of a Serbian diplomatic passport, continues to be intentionally humiliated," adding that he expected the situation would adversely impact ties between Australia and Serbia.
When contacted for comment a spokesperson from the Australian Border Force referred Newsweek to Hawke's earlier statement, adding, "as the matter is the subject of ongoing legal proceedings, it would be inappropriate to comment further."
Djokovic is a hero in his native Serbia where his predicament has divided people.
"Australians are dragging him around like an old rag," Belgrade resident Aleksandar Petrovic told Reuters. "They are ready to burn world's number one because of politics."
Djordje Simic told the agency, "He won nine grand slams (in Australia) and they are treating him like some wretched migrant because of their own problems."
Another local told CNN: "We are Serbs, we are on his side, everything he said is right." Another told the network: "It's his personal choice, most people see it that way here."
However, Belgrade resident Jovo Tadic told Reuters, "Their country, their rules. If Australia tells you to get vaccinated to enter, do it, or face problems."
Earlier this week, Serbian Prime Minister Ana Brnabić had said no one was above public health regulations.
Meanwhile, Serbian President Aleksandar Vučić, who had said last week the tennis player was the victim of a "political witch hunt," told Serbian Public Television (RTS) "I do not think it is quite responsible not to get vaccinated, but I do not belong to those people who will start a hunt against those who are not vaccinated [...]."
Novak Djokovic of Serbia attends a practice session ahead of the Australian Open tennis tournament in Melbourne on January 14, 2022. His visa for Australia has been revoked for a second time.
Update 01/15/22, 3:55 a.m. ET: This article has been updated with response from the Australian Border Force.
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Film >
One Life Review
By Rich Cline
The camera work on this nature documentary is so staggering that it really is worth seeing on a very big screen. With razor-sharp clarity, we are given an intensely close-up tour of a wide range of animal life.
The central premise, intoned by Craig's authoritative and sometimes witty narration, is that all life is connected by its need to eat and procreate. So we watch an astonishing collection of creatures all over the world doing just that, often in unexpected ways that are not only astonishing on their own but captured by the skilled cinematographers in such a way that each segment almost seems staged for the cameras. And virtually every scene makes us gasp.
In the rainforest we follow silverback gorillas in Congo, Brazilian capuchins smashing palm nuts and Jesus Christ lizards walking on water. Up in trees there are Chilean stag beetles fighting off fellow suitors and tiny red frogs caring for their tadpoles. In the sea, dolphins work out a playfully clever way to catch fish, a mother octopus gives her life for her children, and the humpback whale indulges in complex mating games. In the sky, lammergeier vultures in Ethiopia work out a way to crack open bones. And on the land we watch snow monkeys jostling for position in Japanese hot pools, komodo dragons stalking a buffalo, cheetahs hunting ostrich and a fox stalking a cliff-dwelling ibex.
There's a lot more than this, and it's assembled with fluid editing that maintains a brisk pace as well as an openly emotional tone, thanks to George Fenton's surging score. To make sure we see every detail, much of the footage is shown in super slow-motion. And there's also a lot of time-lapse photography, which is perhaps not necessary but is pleasingly eye-catching.
It's the pureness of the images that makes this film so impressive, as we continually wonder how much time and effort went into capturing each of these scenarios. And the animal's eye viewpoint makes an Argentine leafcutter ant appear the same size as a Kenyan elephant. Watching these hunters and escape artists is genuinely thrilling, as is seeing these creatures' brainy inventiveness in the midst of nature's stunning diversity. This is a rare chance to see footage like this on a big screen, so don't wait for the video.
Genre: Documentaries
Run time: 85 mins
In Theaters: Thursday 21st February 2013
Distributed by: Screen Vision
Production compaines: BBC Earth
Contactmusic.com: 4 / 5
Rotten Tomatoes: 90%
Fresh: 19 Rotten: 2
Director: Michael Gunton, Martha Holmes
Producer: Martin Pope, Michael Rose
Screenwriter: Michael Gunton, Martha Holmes
Starring: Daniel Craig as Narrator (voice)
Also starring: Martin Pope
One Life Movie Site
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text:
Q: Any idea how to get my query to display record correctly? Per screenshot below, we are using dataList to display several records on a page.
The way it works currently is that a user selects a location from dropdownlist and records associated with that location are displayed.
Records include courses, instructors, dates, the capacitySeating and remainingSeatings for trainings per location.
Then on each row, there is a link that says, "Register for this training"
User clicks this link to register for that course for that location.
This stores the correct record on the db and displays the remainingSeating.
Let's assume that there are 45 Capacity seating for a particulare course for a particular location.
If user registers, the 44 will display as the remaining seats to be registered for.
The issue I am currently having though is that on the display page, the value for remainingSeating is the same for all courses.
We would like to have each course display the same capacitySeating but different remainingSeatings based on how many registered for that course.
Hope my explanation is clear.
Below is the code I am currently working with:
    <asp:SqlDataSource ID="SqlDataSource1" runat="server"
    ConnectionString="<%$ ConnectionStrings:DBConnectionString %>"
 SelectCommand="select l.LocationId,c.courseId, c.coursename,tm.trainingMode,Isnull(t.availableSeats,30) availableSeats,d.dateid,d.trainingDates, d.trainingtime, c.CourseDescription,i.instructorName, l.location,l.seating_capacity
                from tblLocations l
                left join tblTrainings t on l.locationId = t.LocationId
                Inner Join tblCourses c on l.locationId = c.locationId
                Inner Join tblTrainingDates d on c.dateid=d.dateid
                Inner Join tblTrainingMode tm on c.trainingModeId = tm.trainingModeId
                Inner Join tblCourseInstructor ic on c.courseId = ic.CourseId
                Inner Join tblInstructors i on ic.instructorId = i.instructorId"
      FilterExpression="LocationId = '{0}'" >
<FilterParameters>
 <asp:ControlParameter ControlID="ddlLocation" Name="LocationId"
  PropertyName="SelectedValue" Type="Int32" />
 </FilterParameters>
</asp:SqlDataSource>

Finally, below is the screenshop.
As you can see, once you update remainingSeat for one row, the rest of the rows show the same value. That's not what we want.
I believe the issue is with the query.
![enter image description here][1]

A: I suppose that  tblTrainings holds information about locations and courses but the apropriate join
left join tblTrainings t on l.locationId = t.LocationId

contains only locationId. It should by modified
left join tblTrainings t on l.locationId = t.LocationId and c.courseId = t.courseId

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Android vs. iOS: How to Choose the Right Platform for Your App?
Whether you have just initiated your startup journey or own a well-established business, whether you own a single-product/service or a multiple offerings venture, chances are you want to build an application to support your business or to be the face of your business. It's imperative for businesses to own an app in today's marketplace since that's where the users are – that's where the outreach and engagement and loyalty happens.
However, once you decide that you need a native app, based on your business needs, the question arises: which operating system to develop your application for – Apple's iOS or Google's Android? While there are other mobile platforms, but majority of app landscape is owned by these two giants. It's anyway too much of effort, cost and time involved in developing an app for a single platform – let alone two or three or more.
As mentioned above, Apple and Google take up more than 90 percent market share in the smartphone category. Volume-wise, Android now dominates the market share at 65 percent, followed by iOS at 32 percent. Other 3 percent is co-owned by Windows, Blackberry, Symbian, Java ME and others.
Logically so, most brands prefer to build their apps on either or both Android and iOS. While a majority of developers target one platform over the other, while others target both iOS and Android simultaneously.
Again, the decision boils down to the user demographics and their usage pattern and behavior in conjunction with other factors.
Understanding your target audience and the corresponding user demographic leads the way to decide the ideal platform to build your app on. If you already have a base of audience on your website, you should be able to use a web analytics tool to see and breakdown of incoming traffic and determine which platform users are using to access your website.
Once you determine the platform your major audience segment is on, you can also breakdown further upon the region/country they belong to. Some advanced analytical tools may also be able to capture more data for you to turn into useful insights.
Ultimately, you want to choose the platform with highest visibility or with highest revenue generating probability.
The question to ask here is: do you want to reach out to a wider audience or do you want to mint more money?
While there is no doubt that Android offers most visibility, it doesn't always signify higher revenues. Almost all market surveys indicate that iOS users are more likely to shell out the money for app purchases as well as in-app purchases after they have installed an application.
Again, user demographics play a significant role here. If you want to target a global audience or are focused towards APAC region, Android seems like a logical choice; whereas in Northern America and EMEA region, you would get a larger base on iOS.
Another signifier is the monetization model of your app. Apple's default business model has been crystal clear – the users find an app and purchase it for a small fee. Apple gets 30% of the money spent by the user, while the rest goes to the developer. The great thing about this model is that the revenue per download is higher. However the problem arises with whether a user would like to pay upfront without recommendations or demos to build their trust upon.
This is where the Android model steps in – users can download the app for free and interact with it as much as they want. However, either various functionalities of that app need a paid upgrade or your app has ads – either videos, or modals that need to be dismissed – which help you get revenue per view/click. If the user wants to avoid the nuisance of ads or they're really interested in the functionalities which are not available, they can upgraded to the paid version of the app.
iOS apps may bring more upfront revenue to a business but Android apps' monetization models can provide the same outcome over time. Most of the popular apps in the world are free with revenue being generated through in-app advertisements, in-app purchases, upgrades and fermium or subscription models.
Ideally, you should craft a strategy that balances visibility and revenues – the more visibility you get, the greater your chances of monetization.
For example, WhatsApp is available for free for the first year on the Android platform to gain massive traction and is at $0.99 on the iOS to bring in upfront revenues.
Android's operating system has more than 7 versions; iOS only 4. Needless to say, this discrepancy makes it developing for Android harder than developing for iOS. Understanding what features are supported by the types of operating systems your application intends to leverage would help you target users with a certain range of handsets. For instance, if your app integrates AirDrop feature of iOS7, it will only be available to users having iPhone 5 and later launched devices. Similarly, features available in the latest OS of Android, which can run only on high-end phones such as the Galaxy S or the Nexus series, will not be available to those phones on the lower end of the spectrum.
In general, you should develop, test and maintain either a mobile app that will work flawlessly for 80% of all your potential users.
For iOS, most users are on up-to-date versions of the OS, making it easier to form a decision. You either develop your app on the newest version, or you build it and test it for the top two versions and reach most of your users.
For Android, it poses a problem since Android users display a poor adoption rate. This increases the work for developers who have to build, test and support at least 5 or more version of operating systems at any given moment to reach maximum potential users. For any business launching an app on Android, this increases the operational cost of maintenance and updating the app over time. Simply put, the uncontested winner here is iOS, and that's by a long a shot.
Owing to the device fragmentation, developing for Android takes longer by default. Similarly, the cost of mobile app development comes down to the scope and complexity of the project; the larger and more complex a project is, the more it is going to cost.
Android's technology stack provides infinite flexibility, whereas iOS offers a restrictive yet easy to adapt development environment. Testing is usually where time (and hence, cost involved) is more imbalanced.
There is nothing inherent to iOS or Android development that makes one more expensive than the other. However, one engineer kept track of all the code written when building the same app on both platforms and showed that he had to write approximately 40% more code for Android than for iOS.
Despite the device fragmentation and comparatively longer and costlier development cycles, Android is a clear winner when it comes to the release, updates and approval processes. For iOS, the release, updates and approval process takes between 1-3 weeks. On the other hand, android apps typically take a day or two to get approved and updates can be pushed within hours.
By comparison, publishing an app on Android platform is an effortless process. You simply deploy your app to your Google Play store and it becomes available for downloads, usually within hours of your deployment. Secondly, Google Play allows you to update your app multiple times a day should there be critical issues you need to fix. Finally, Google Play allows you to publish an alpha and beta version to Google Play – that way you can actually publish your app on Google Play and do live testing on it, fix issues, and then launch it to the general public.
In strike contrast, publishing an app on iOS is next to a nightmare. . It requires various levels of approval from the iOS team with bureaucratic reviews with the app deployment taking up to one week. For most businesses, it's impossible to anticipate more than 2-3 deployments per month.
Moreover, Android's options for staggered releases wins the battle by providing companies with the flexibility to roll out and test their apps and new features to a subset of users before rolling out the release to all customers.
A staggered release allows you to deploy the app gradually to various percentages of users, observe their interactions, and then increase the percentage of users who can access it over time. For example, a new version of the app is released to only 5% of the users, then gradually increased to 25%, 50%, 75%, and finally 100% of the users. This ensures any problems only impact a small amount of users instead of all the users of their app. While Google Play offers the option for staggered releases; iOS does not.
While it is ideal for most of the businesses to have their app on both iOS and Android platforms, it doesn't necessarily mean that you have to absolutely pick both. Moreover, it's the norm (and a wise option) to pick one platform initially to build and launch your app and test it heavily, before developing your app for second platform.
While choosing only one platform to build your app upon, most of the developers opt for iOS owing to the ease of development, and higher revenues. Recently, a shift has been seen towards Android-first or Android-only development as well, owing to the growing penetration of Android handsets in global market and a comfortably easy release and updates policy.
Developing your app on both platforms simultaneously can help you reach up to 97 percent of global smartphone market, but it might not be a smart business move. Mobile app development has a methodical approach to follow – identify business needs, create wireframes, design high fidelity comps, perform user testing, develop the app based on final comps, perform quality analysis, release the app, monitor the performance of your app, and then iterate based on analytics.
Any deviations from this process often result in a chaotic loss of productivity, time and money, user confusion and loss of traffic and revenues. Building your app in parallel on both platforms might result in double work on post-release iterations and fixing bugs, as well as involve more cost and time.
Another reason to pick only one platform initially is to maintain and reduce churn. Customer retention is a critical issue in both Android and iOS. According to Quettra research, apps on Android lose 77% of their customer base in three days after an app is downloaded, and a staggering 95% of their users within 3 months. Building on both platforms simultaneously only to result in a churn will be a huge loss to incur.
Strategically, you should build your app on Android or iOS first, gather user feedback, collect analytical insights, make required changes and bring your app to a stable state where your app's critical flows have been heavily tested and approved by users. This would reduce your work when you built for the second platform.
For instance, Instagram launched the iOS app first and improved upon all the nuances before developing it for Android.
Once you have a stable built on your first platform, you can also use a cross-platform framework such as Appcelerator or, Sencha Touch or, Phonegap to limit the amount of code your developers have to write for both versions of an app.
Nevertheless, you must practice caution while using above mentioned tools, or steer clear of them if your app needs a number of native functionality or has a lot of data to manage.
Native apps take a lot of work, time and money. Invest wisely.
Last but not the least, your decision to build for iOS or Android first depends on what works for your business. Don't get influenced by media reports which prefer one platform over the other. Get as much information about your customer as possible to determine which platform is right for you to start with. Go where your customers are.


Madison, the home of the University of Wisconsin, is also one of the top towns for the gay and lesbian lifestyle in America. There is an amazing Gay Pride event every August. Madison GLBT club crawlers will find some fun gay Madison spots, plus a number of gay-friendly lounges, coffeehouses, and restaurant bars. Most non-gay bars and restaurants are at least friendly to the LGBT world. Madison's downtown is located in the picturesque isthmus between 2 lakes, Lake Mendota and Lake Monona.
Madison is Wisconsin's capital city - an exciting university town with rich cultural institutions set in a beautiful natural environment. Madison boasts a 30-mile web of paved trails that are lit, snowplowed, and biked year-round. Eco-friendly commutes are a dream with walkable streets and great bus service.
The downtown is often filled with students from the University of Wisconsin (41,000 students) congregate here. State Street, a car-free zone, links the campus with the capital square. The city has a reputation for its counterculture and liberal points of view, centered in the neighborhood of Mifflin and Bassett streets.
Retirees can either live with the general population or in a community designed for active adults.
Madison is one of the most stable housing markets in the country. The NAR reports that the median sale price of a home in Madison was $262,200 in the last quarter of 2017.
•	A downtown between 2 lakes •	University of Wisconsin - Madison •	Dane County Farmers Market on the capitol square •	Consistently one of the "Best Places to Live", #2 for Top Uniquely American City •	Great Taste of the Midwest craft beer festival •	Wisconsin Chamber Orchestra free concerts •	Mifflin Street Cooperative •	Art Museums Numerous awards as one of America's 10 Best Cities for... Educated Workers, Educated, Cycling, Healthcare, etc.
Madison is located on the isthmus between 2 lakes, with 3 more lakes located within the city limits.
Very few places in the U.S. can offer someone in retirement the cultural riches of Madison. There is the Wisconsin Chamber Orchestra, Madison Opera, Madison Repertory Theatre, Chazen Museum of Art, Madison Ballet, and the Madison Museum of Contemporary Art. Many of these companies are located in the Cesar Pelli designed Overture Center for the Arts.
The crime rate in Madison is below the national average.
Dane County Regional Airport is 6 miles away The Transit Authority offers good bus service around town.


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Debt Cash
Debt Company
Debt Finance
Debt Agency
OP-ED: Senseless Inaction on Pa's Transportation Disorder | Op-Ed
By Beverly J. Oaks Last updated Jan 25, 2022
The story has often been told of an intellectually deprived Pennsylvania legislature forcing the Pennsylvania Turnpike Commission into deep debt to help fund public transit in that commonwealth.
The result has been toll increases from year to year to cover this debt. And although the annual obligation has been reduced in recent times – from $450 million to $50 million (through 2057) – the debt remains massive, as a new analysis from the Allegheny Institute for Public Policy reports. .
"According to the last full annual financial report… the amount of principal debt outstanding to the (Turnpike Commission) was $14.31 billion, as of May 31, 2021," notes Frank Gamrat, executive director of the Pittsburgh think tank ( in Policy Brief Vol 22, No. 3).
"This represents an increase of more than 760% since the adoption of Law 44 of 2007," he says. It was legislative chicanery that, let's be honest, codified the intra-agency five fingers and was a major player in the commission's financial struggles.
And that's even though the Turnpike Commission has taken steps to cut costs, most notably with its decision to make all toll collections electronic.
However, the same cannot be said for at least one of the transit agencies that has come to depend on debt-fueled largesse from the toll highway to fund its operations. That would be the Allegheny County Port Authority.
"No serious consideration was given to reducing costs or improving efficiency in the way transport is provided," recalls Gamrat, who holds a doctorate. economist.
"Numerous policy briefs (from the Allegheny Institute) have documented the costly Port Authority…receiving a large allocation of state funding, but nothing has been done in this area to reduce the programs of wacky compensation system," he says.
And, we should note, the addition of employees at a time when ridership has plummeted largely due to issues related to the COVID-19 pandemic – but it's unclear when or even if the "normal" traffic might never return.
To wit, the Port Authority didn't lay off any employees during the pandemic, but added 32 jobs — 27 administrative — primarily to implement the agency's questionable $3.8 billion, 25-year strategic plan called Netransit.
One of the projects would extend the light rail system near the North Side and up to the North Hills. Never mind that the authority has no secure funding to do so, and never mind that light rail remains the least efficient means of moving the public in all but the densest urban settings.
It is a charade that is not sustainable. Yet public money, even borrowed and threatening another mode of transport, continues to be thrown at the Port Authority.
"And now, almost 15 years after the failed attempt to fix transport funding through Bill 44, the Commonwealth is back with the same problem," says Gamrat. "The latest proposed solutions consist of taxing vehicles per kilometer traveled and tolling interstate bridges to finance their replacement.
"Yet there is still no discussion about costs and effectiveness," he laments.
And the definition of insanity is?
Colin McNickle is director of communications and marketing at the Allegheny Institute for Public Policy ([email protected]).
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We are very proud of the academic achievement of our students. The attached link indicates all of our students who made the EHS academic honor roll for the first semester.
Please help me congratulate these students for their efforts from first semester.
Please join is on Thursday, January 24th for our annual Coffeehouse Night presented by the EHS music department. This event will take place in the cafeteria from 6:00-8:00 PM. Admission is free and refreshments will be sold that evening. All proceeds go towards the benefit of the Elmira High School music program. We hope you can join us Thursday evening.
Elmira High School will not be in session on Monday, January 21st in observance of Martin Luther King Jr. Day.


My oldest daughter is getting ready to start college next week, and we joined her for a family day/orientation today. Her little sister is already showing her the routine on the campus she learned to love after completing her own first semester there. I'm glad they were able to schedule one class together even though their plans are distinctly different.
I hope they have a wonderful semester!!
oh, I hope it all goes well. So exciting!
Hope everything goes smoothly! Are they sharing any classes?
:) My daughter (in her freshman year) is already talking about her little brother coming to college with her in a couple of years...though they fight like cats and dogs at times when they're together at home!
How exciting!! Best wishes to both of them!


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Florence Cadier was born in 1956 and is a journalist by profession. In 1995, inspired by her two children Bastien and Valentine, she began to write children's stories and young adult novels. Many of her books have been translated including Qui est Laurette? (Who is Laurette?), Les miens aussi (Mine too), Ils divorcent (They are getting divorced), 24 histories pour attendre Noël (24 stories for the lead-up to Christmas) and Dessine avec Mila (Drawing with Mila). She was awarded a number of prizes, including the town of Poitiers' historic novel award and the Literary Al Terre Ado prize, for Le rêve de Sam (Sam's Dream). Her most recent novel is L'été des amours (Summer of loves), published in March 2011 by Oslo.
Florence has already taken part in several writers' residencies both in France and abroad: In the Val de Nièvre, Tunisia and Bulgaria, and this year she studied screenplay adaptation in Paris. Florence is also an anthologist and a publisher, and holds writing workshops for children: "I find this work very invigorating. The young people really give it their all and their writing is of a high standard." Apart from writing while she is at Randell Cottage, Florence will also lecture, attend conferences and take writing workshops at Alliances Françaises, universities and schools. Finally, in conjunction with the Tjibaou Centre in Noumea, Florence Cadier will tour New Caledonia.
Creative NZ Randell Cottage Writers Residency – business as usual on the eve of its tenth birthday


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* In Virginia's 10th congressional district, widely seen as one of the nation's most competitive House contests, Democratic leaders got the candidate they wanted: state Sen. Jennifer Wexton (D) easily won her primary yesterday, and will take on incumbent Rep. Barbara Comstock (R) in the fall.
* Things were less encouraging for Democratic Party leaders in South Carolina, where Archie Parnell (D) also won his congressional primary in the 5th district, despite losing party support in response to revelations about spousal abuse in his past.
* The latest Public Policy Polling survey, released today, shows Democrats leading Republicans on the generic congressional ballot, 46% to 40%. That's roughly in line with recent national averages.
* Because Maine Gov. Paul LePage (R) dislikes his state's ranked-choice voting – a reform approved by his constituents – he's threatening not to certify the results of yesterday's primaries.
* On a related note, Mainers are keeping the system in place, at least for now.
* The National Rifle Association has apparently pulled its old scorecards, which give letter grades to lawmakers based on how often they voted with the NRA's position, from the group's website. Why hide them from public view? "I think our enemies were using that," an NRA source told the Washington Post.
* Members of the Democratic National Committee over the weekend agreed to not accept contributions from fossil fuel companies. The DNC's vote was reportedly unanimous.


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S.Y.BMS Diaries: Event's And Fests? Yes Please!
by Ami Pandya
The Best Songs Of 'RIHANNA'.
by harsh
The Reggae King: BOB MARLEY
Entertainment, Notes
by harsh 8 years ago 7 years ago
"I love the development of our music, that's what I
really dig about the whole thing. How we've tried
to develop, y'know? It grows. That's why every day
people come forward with new songs. Music goes on
–Bob Marley, August 1979
We remember the brilliant and evocative music Bob Marley gave the world; music that stretches back over nearly two decades and still remains timeless and universal. Marley has been called "the first Third World superstar," "Rasta Prophet," "visionary," and" "revolutionary artist." These accolades were not mere hyperbole. Marley was one of the most charismatic and challenging performers of our time.
Bob Marley's career stretched back over twenty years. During that time Marley's growing style encompassed every aspect in the rise of Jamaican music, from ska to contemporary reggae. That growth was well reflected in the maturity of the Wailers' music.
Bob's first recording attempts came at the beginning of the Sixties. His first two tunes, cut as a solo artist, meant nothing in commercial terms and it wasn't until 1964, as a founding member of a group called the Wailing Wailers, that Bob first hit the Jamaican charts.
The record was "Simmer Down," and over the next few years the Wailing Wailers — Bob, Peter Mclntosh and Bunny Livingston, the nucleus of the group — put out some 30 sides that properly established them as one of the hottest groups in Jamaica. Mclntosh later shortened his surname to Tosh while Livingston is now called Bunny Wailer.
Despite their popularity, the economics of keeping the group together proved too much and the two other members, Junior Braithwaite and Beverley Kelso, left the group. At the same time Bob joined his mother in the United States. This marked the end of the Wailing Wailers, Chapter One.
Marley's stay in America was short-lived, however, and he returned to Jamaica to join up again with Peter and Bunny. By the end of the Sixties, with the legendary reggae producer Lee "Scratch" Perry at the mixing desk, The Wailers were again back at the top in Jamaica. The combination of the Wailers and Perry resulted in some of the finest music the band ever made. Tracks like "Soul Rebel," "Duppy Conquerer," "400 Years," and "Small Axe" were not only classics, but they defined the future direction of reggae.
It's difficult to properly understand Bob Marley's music without considering Rastafari. His spiritual beliefs are too well known to necessitate further explanation. It must be stated, however, that Rastafari is at the very core of the Wailers' music.
In 1970 Aston Familyman Barrett and his brother Carlton (bass and drums, respectively) joined the Wailers. They came to the band unchallenged as Jamaica's HARDEST rhythm section; a reputation that was to remain undiminished during the following decade. Meanwhile, the band's own reputation was, at the start of the Seventies, an extraordinary one throughout the Caribbean. However, the band was still unknown internationally.
The Catch A Fire album was followed a year later by Burnin', an LP that included some of the band's older songs, such as "Duppy Conquerer," "Small Axe," and "Put In On," together with tracks like "Get Up Stand Up" and "I Shot The Sheriff" (which was also recorded by Eric Clapton, who had a #1 hit with it in America).
In 1975 Bob Marley & The Wailers released the extraordinary Natty Dread album, and toured Europe that summer. The shows were recorded and the subsequent live album, together with the single, "No Woman No Cry," both made the UK charts. By that time Bunny and Peter had officially left the band to pursue their own solo careers.
Rastaman Vibration, the follow-up album in 1976, cracked the American charts. It was, for many, the clearest exposition yet of Marley's music and beliefs, including such tracks as "Crazy Baldhead," "Johnny Was," "Who The Cap Fit" and, perhaps most significantly of all, "War," the Iyrics of which were taken from a speech by Emperor Haile Selassie.
In 1977 Exodus was released, which established Marley's international superstar status. It remained on the British charts for 56 straight weeks, and netted three UK hit singles, "Exodus," "Waiting In Vain," and "Jamming."
In 1978 the band released Kaya, which hit number four on the UK chart the week of its release. That album saw Marley in a different mood — Kaya was an album of love songs, and, of course, homages to the power of ganja.
Marley returned to Africa in 1980 at the official initation of the Government of Zimbabwe to play at that country's Independence Ceremony. It was the greatest honor afforded the band, and one which underlined the Wailers' importance in the Third World.
In 1979 the Survival LP was released. A European tour came the following year: the band broke festival records throughout the continent, including a 100,000 capacity show in Milan. Bob Marley & the Wailers were now the most important band on the road that year and the new Uprising album hit every chart in Europe. It was a period of maximum optimism and plans were being made for an American tour, an opening slot with Stevie Wonder for the following winter.
At the end of the European tour, Bob Marley & The Wailers went to America. Bob played two shows at Madison Square Garden but, immediately afterwards he was seriously ill. Cancer was diagnosed.
Marley fought the disease for eight months. The battle, however, proved to be too much. He died in a Miami Hospital on May 11,1981.
A month before the end Bob was awarded Jamaica's Order of Merit, the nations' third highest honor, in recognition of his outstanding contribution to the country's culture.
On Thursday, May 23,1981, the Honorable Robert Nesta Marley was given an official funeral by the people of Jamaica. Following the funeral — attended by both the Prime Minister and the Leader of the Opposition — Bob's body was taken to his birthplace where it now rests in a mausoleum. Bob Marley was 36 years old. His legend lives on.
By HARSHVARDHAN SINGH.
A fan of art,cinema,music and whatever is beautiful. currently a student. Creativity and innovation always draws me towards it. i am the one who reads books,hears music take pictures explore places and does whatever gives peace and pleasure and shares it .
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