Comment [7inpCis+PJyav6OsYwsmfA==]: Output power is maximum Peak conducted. This device has integrated PCE and DTS licensed transmitter certified under the same FCC ID.
Comment [aBPo5aEFMa7oVooS4jY2CA==]: Output power is maximum EIRP/ERP. This device contains functions that are not operational in U.S. Territories; this filing is only applicable for U.S. operations. SAR compliance for body-worn operating configurations is limited to the belt-clips, holsters or similar accessories that have no metallic component in the assembly and must provide at least 1.0 cm separation between the device and the user's body. End-users must be informed of the body-worn operating requirements for satisfying RF exposure compliance. The highest reported SAR values for head, body-worn accessory, hotspot and simultaneous transmission use conditions are 0.63 W/kg, 1.27 W/kg, 1.39 W/kg and 1.47 W/kg, respectively. This device has integrated DSS and DTS transmitter certified under the same FCC ID.
Comment [rFW6EscC9gm2a2ch9L/66g==]: Output power is maximum peak conducted. . SAR compliance for body-worn operating configurations is limited to the belt-clips, holsters or similar accessories that have no metallic component in the assembly and must provide at least 1.0 cm separation between the device and the user's body. End-users must be informed of the body-worn operating requirements for satisfying RF exposure compliance. The highest reported SAR values for head, body-worn accessory, hotspot and simultaneous transmission use conditions are 0.84 W/kg, 0.13 W/kg, 1.39 W/kg and 1.47 W/kg, respectively. This device supports 20MHz channel bandwidth. This device has integrated DSS and PCE transmitter certified under the same FCC ID.


I saw a couple thread of about Names and its type.
then just take the initial out of the names to create your own custom initials. Also feel free to add captions to make the initials sound good.
"Letter of the start to its last"
Sounds pretty neat, don't you agree?
IGN: Cynthia, first name.. Cynthia.
Cynthia Cynthia, CC or CC, but CC looks best.
(Diclonius) Cynthia wrote: IGN: Cynthia, first name.. Cynthia.
NT or TN but my last name is Nguyen so = w=..
On PSN and xbox my gamer name is RKBallaz.
Or as you see now, my forum name is RyRy.
Location : Home; My mom's restaurant.
No, LDDC is my Internet name; Derp is just shortened.
I'm the third guy from top left to bottom right, horizontally.
Location : Not behind you.
I found in the street.


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Home >> World Map >> North America >> United States or U.S. States >> Hawaii >> Honolulu Harbor, Oahu
Honolulu Harbor, Oahu
Floatilla September 2011 Waikiki Beach GoPro
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RAW VIDEO: Humpback Whales in Honolulu Harbor
view - 0:55
A 100-yard security zone has been established at Honolulu Harbor after humpback whales were discovered Thursday morning. Video courtesy of Christopher Kojima
The Oddysey SEA LAUNCH In Honolulu Harbor - October 07, 2011
view - 15:3
Officially, my 382nd video.
After watching about this behemoth on the evening news, I GOT to check this out!
This is the Oddysey Sea Launch, a floating rocket launching platform. It stopped by Honolulu Harbor for fuel and supplies before heading for Singapore for drydock work.
view - 10:22
Our first trip to America's 50th state, our experience was beyond phenomenal. Staying on the island of Oahu, we were able to enjoy the creature comforts of the big city (Honolulu) while at the same time explore the astounding beaches, the extraordinary beauty of the topography, the quaintness of the countryside. We jam-packed our weeklong voyage with snorkeling at Hanauma Bay, hiking the 700+ foot high Diamond Head, parasailing up to 1000 feet up in the air, jetskiing, visiting the somber Arizona Memorial at Pearl Harbor, attending a luau and driving to Kailua (where I believe I found the best postcard perfect beach) and the north shore all the way to Waimea Bay. This of course, still left us with laying-out-in-the-beach time at world famous Waikiki by our hotel. Indeed, this will not be our last visit to Oahu.
The BOAT from Aloha Tower
The BOAT's one hour trip from Aloha Tower to Barbers Point with view of Wai'anae/Makaha coastline.
Honolulu Harbor Whales
Whales in Honolulu Harbor near Aloha Tower Pier 8 on 5 January 2012
SURFING HAWAII: BIG PIPELINE FIRST SWELL! [???:??????]
????????? NOVEMBER 15, 2010 VIDEO AT BANZAI PIPELINE. WATER SHOTS OF PROFESSIONAL SURFERS SURFING HUGE WAVES. C.J HOBGOOD, JOEL PARKINSON, DEAN MORRISON, FLYNN NOVAK, KALANI CHAPMAN, TAKAYUKI WAKITA, NAOYA KIMOTO. HIGH SURF ADVISORY FOR NORTH/WEST SHORES. NORTH SHROE HAWAII. GO-NAMINORI BY KIRBY FUKUNAGA
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Honolulu Harbor and Aloha Tower, Part 1 of 2
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April 25, 2012 - Honolulu Harbor* and Aloha Tower** Marketplace*** in Downtown Honolulu on Oahu Island in Hawaii
*Honolulu Harbor, also called Kulolia and Ke Awa O Kou, is the principal seaport of Honolulu and the State of Hawai?i in the United States. It is from Honolulu Harbor, located on Mamala Bay, that the City & County of Honolulu was developed and urbanized, in an outward fashion, over the course of the modern history of the island of O?ahu. Surrounding Honolulu Harbor is downtown Honolulu.
More: http://en.wikipedia.org/wiki/Honolulu_Harbor
**The Aloha Tower is a lighthouse that is considered one of the landmarks of the state of Hawaii in the United States. Opened on September 11, 1926, the Aloha Tower is located at Pier 9 of Honolulu Harbor. It has and continues to be a guiding beacon welcoming vessels to the City and County of Honolulu. Just as the Statue of Liberty greeted hundreds of thousands of immigrants each year to New York City, the Aloha Tower greeted hundreds of thousands of immigrants to Honolulu. At 10 stories and 184 feet (56 m) of height topped with 40 feet (12 m) of flag mast, for four decades the Aloha Tower was the tallest structure in Hawaii. It was built in the Hawaiian Gothic architectural style.
More: http://en.wikipedia.org/wiki/Aloha_Tower
***The Aloha Tower Marketplace is a waterfront shopping center in Honolulu, Hawai?i. Located at the Honolulu Harbor, the Aloha Tower Marketplace features several declared national landmarks including the Aloha Tower, Falls of Clyde and Hawai?i Maritime Center. Aloha Tower Marketplace was completed in 1994 as part of a Honolulu Harbor commercial revitalization project. It now features under a hundred stores and popular restaurants and facilities for conventions.
The architecture of the building creates a welcoming feel. There are benches & tables located in each wing. Some of the stores feature interesting details, such as sandy floors. A good view of a section of the Honolulu Harbor can be had from riding the elevator to the top of the tower.
The Marketplace has never been profitable, has been bankrupt and litigation between the management entity and the land-owner, state controlled Aloha Tower Development Corporation has occurred. Isolation from other tourist areas, lack of parking and mismanagement have been cited as reasons for the operating revenue losses.
The museum at the Falls of Clyde focused on historic sailing as well as Polynesian sailing customs. Occasionally, outrigger canoes were at the Hawaii Maritime Center as well. The museum closed May 1, 2009 due to lack of revenue, there are currently no plans to reopen the facility.
Source: http://en.wikipedia.org/wiki/Aloha_Tower_Marketplace
Floatilla September 2011, Waikiki Beach in front of the Royal Hawaiian hotel. Beer, Floats, Girls, and Friends. All around great time!
Honolulu City Lights Helicopter Tour Over Waikiki Beach
This spectacular narrated Night Tour takes you over Waikiki... add on a romantic Dinner Cruise to complete your evening!
"Taking Romance To The Skies" is more than a slogan at Heli USA. This fun, romantic night tour is the ultimate evening -- Waikiki style! Surrounded by Hawaiian-themed music, you will rise into the air, as if on a magic carpet, as the lights of Waikiki appear before you. You will cruise along Waikiki Beach, past the famous hotels such as the Royal Hawaiian, Renaissance Ilikai, Surf Rider and more. The white sand beaches, swaying palm trees and the spray of surf contrast sharply against the majestic volcanic crater of Diamond Head in the distance. On your return tour you will see the exclusive Kahala district, Pearl Harbor and Downtown Honolulu.
Honolulu Harbor
A lazy day at the docks.
Renovations complete at Honolulu Harbor pier
A deteriorating Honolulu harbor pier went through a multi million dollar facelift and is now ready for operation.
Tug Mamo - up close - docking a huge cargo ship
In Hawaii, almost everything arrives by ship, and docking that never ending succession of vessels is the job of the mighty tug s.
Few people ever give a thought to these hard working boats and captains who bring ships in and out of Honolulu Harbor on a never ending basis. And fewer still will ever ride on one.
Mamo is of the latest design with her props amidships instead of at the stern and this makes for some very surprising capabilities as you can see.
Waikiki Beach Sand Replenishment Widening Project 2012
The Waikiki Beach Sand Replenishment project began in January of 2012 to widen eroding beaches in Waikiki. An off shore barge pumps in sand to the beach that has been washed out to sea over the years. The sand is pumped to one section of the beach that is closed off. Once pumped in, it is "dewatered" and piled high with heavy equipment, preparing it to be moved further down the beach where the erosion has occured. This video shows the beginning of moving the enormous mountains of sand via dump trucks down the beach to it's final destination. This project will widen the beaches from the famous Duke Kahanamoku statue to the famed pink hotel, The Royal Hawaiian. This project is paid for with state and private (the hotels) funds at a cost of about 2.2 million dollars.
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EUROPE—- ANOTHER FRONTIER: PRIVATE BRANDS REDISCOVERING THEIR NICHE OVERSEAS
FRANKFURT, Germany-Aftermarket brand positioning throughout Europe is in upheaval as private brands, house brands and ``off-shore'' non-European brands vie for a share of a relatively stable market. Private brand tires-on the verge of extinction in Europe only a few years ago-are flourishing in the difficult European economic climate.
Parallel to the re-emergence of private brands is growth of house brands by the major manufacturers to defend the lower end of their product spectrum. These moves come at a time when industry-wide utilization of capacity is below 80 percent, prospects for a market rebound are not favorable and aftermarket pricing is in a period of instability.
The private brand revival can be traced to 1990-1991, when major tire makers implemented price hikes averaging 10 to 12 percent on their main lines, creating a market opportunity for lower priced, bargain tires, according to Mike Cartwright, director of the United Kingdom wholesaler Tyreco Trading Ltd.
Tyreco created the ``Southern'' brand two years ago exclusively for export, and is starting up a second line, ``Suburbanite,'' this year for the U.K. market.
Initially, this low-end niche was filled by ``off-shore'' brands from South Korea, Taiwan and other Far East nations. Sales of off-shore imported brands have been climbing steadily and represent between 20 and 30 percent of the S- and T-rated segments of major markets, as well as a growing share of the H segment, industry representatives said. This category includes brands from the Pacific Rim as well as from eastern Europe.
While private and house brands account for half of the North American aftermarket, it is believed the share in Europe is not significantly more than 10 percent, although reliable numbers are not readily available. The European passenger car tire replacement market is estimated at between 118 million and 128 million units, depending on the definition of Europe and passenger car vs. light truck.
More recently, though, European wholesalers and large retailers have taken the initiative to capture a share of this segment for themselves, and this movement has coincided with some manufacturers' aim to increase factory utilization, thereby keeping employment steady, and reclaim market share from non-European producers.
Perhaps most aggressive in this regard is Goodyear, the largest maker of private and house brand tires in North America. The company is in the throes of setting up a ``custom brand' division in Europe similar to that which operates under its Cumberland, Md.-based Kelly-Springfield Tire Co.
``Custom brands represent a big opportunity for us in Europe,'' said William J. Sharp, executive vice president, Europe. ``They give us the chance to get additional value out of the existing assets.''
Goodyear is not alone in this observation, however.
Pirelli Tyre Holding N.V. recently added two private brand accounts representing several hundred thousand units, and Continental A.G. has begun its first out-of-house account, using its Gislaved A.B. unit in Sweden.
In the past few years, Goodyear has stepped up marketing in Europe of its own Kelly and Lee house brands, and raised a few eyebrows in 1992 by agreeing to make up to 1 million units a year for France's Arc-en-Ciel retailing group under its ``Rainbow'' brand.
The company also makes tires for the Swiss ESA buying group, part of the expanding five-nation TECAR buying cooperative. Representatives of ESA are interested in expanding their private brand deal to the entire TECAR group, which consists of 5,500 partners in Germany, Denmark, Italy, Austria and Switzerland.
The other private brand account of note is the Kingstone brand, also being marketed in France. Later this summer Goodyear will start production in the U.K. of the Suburbanite brand for Tyreco. The Fulda brand, representing about 15 percent of Goodyear's European turnover, is distributed through an independent marketing organization, and maintains its own identity and pricing structure.
For now, Goodyear is limiting the production of private brand tires in Europe primarily to S- and T-rated summer and winter passenger car tires, with some H-rated units in development, according to Marco Molinari, director of sales and marketing in Europe, who is overseeing the development of the custom branding business.
Custom branding of performance tires is not currently part of the program, but demand for 4x4 off-road tires will lead to private brand production of such units in the near future, Mr. Molinari said.
While custom brands for now come from European plants, Goodyear takes into account its global resources when considering a private brand account, and currently is evaluating its Latin American plants for such production.
Private branding in Europe for now is a mixed bag of options, ranging from sharing a manufacturer's tread pattern to using an older one.
Another consideration for a manufacturer in opting to make private and/or house brands is the market position of the main brand, according to Helmut Kasner, director of marketing and sales for Pirelli Reifenwerke GmbH in Hoechst, Germany.
``A top-of-the-line brand like Pirelli will never or only seldom be an option for the `price-conscious' consumer,'' he said. ``And we don't particularly want this to happen.
``However, we also don't want to overlook this price-sensitive market segment, leaving it to bargain suppliers.''
As a result, Pirelli has expanded the market reach of its second-line ``Ceat'' and ``Courier'' brands to countries beyond their traditional markets-Italy in Ceat's case and the U.K. for Courier. It also intends to increase use of the Armstrong brand name in Europe, primarily for off-road and other specialty applications, a spokesman said.
Concurrently, Pirelli has taken on two large volume private accounts-the ``Eurostar'' brand for the 450-outlet Point S organization, and ``Axxium'' for the newly established Axxium International.
Conti's first venture into private branding is the ``Tyfoon'' brand for the Dutch wholesaler Inter-Sprint Banden B.V.; this brand previously was made in the Far East, but Conti recently took over its production at its Continental Daeck plant in Gislaved, Sweden.
Conti is European champion of the multi-brand strategy, however, with nine in-house brands-Barum, Continental, General, Gislaved, Mabor, Sava, Semperit, Uniroyal and Viking.
Conti management is reviewing this quiver of options, plus private brand demand, and plans to begin implementing a more concerted strategy for the rest of 1994.
Bridgestone/Firestone Europe S.A., traditionally the most active in this sector, has been shifting more capacity into its mainstream product lines.
With the exception of one private brand account in the U.K., Sumitomo Rubber Europe is sticking to its Dunlop lead line.
Groupe Michelin has yet to finalize its approach in Europe toward private brands, a spokesman said, but management is formulating a strategy for use of the firm's in-house brands-Michelin, Klø¢eber, Goodrich and Riken.
Up to now, the separate brands within the Michelin group have been given a high degree of autonomy, but management is now leaning toward a more orchestrated use of its brands.
As for private brands, Michelin in Europe is at a stage similar to what Michelin North America went through five years ago with the assimilation of Uniroyal Goodrich Tire Co. and its strong house and private brand business unit.


The Fiji Airways Drua will be banking on its home support to provide the extra lung power as they take on Queensland Country in the National Rugby Championship this weekend.
With a lot at stake for the Drua, the Fiji Rugby Union is challenging the locals in the Western Division to witness an exciting clash.
FRU Chief Executive, John O'Connor says this is something Fijians should be proud of – as this is the first outside Australian team to appear in the NRC final.
The Drua lost 57-21 to Queensland Country in last year's NRC semi-final and then were hammered again 66-5 in round three of the competition this season.


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Quality Rollup for .NET Framework 4.6, 4.6.1, 4.6.2, 4.7 for Windows 7 SP1 and Windows Server 2008 R2 SP1, and .NET Framework 4.6 for Windows Server 2008 SP2 (KB 4041778)
Applies to: .NET Framework 4.7.NET Framework 4.6.2.NET Framework 4.6.1.NET Framework 4.6 More
This update is included in the Security and Quality Rollup that's dated November 14, 2017. This update was previously released as part of the Preview of Quality Rollup on October 17, 2017.
This Quality Rollup for Windows 7 SP1 and Windows Server 2008 R2 SP1 includes cumulative reliability improvements in the .NET Framework 4.6, 4.6.1, 4.6.2, and 4.7. Additionally, this update includes cumulative improvements in .NET Framework 4.6 for Windows Server 2008 SP2. We recommend that you apply this update as part of your regular maintenance routines. Before you install this update, see the Prerequisites and Restart requirement sections.
All updates for .NET Framework 4.6, 4.6.1, 4.6.2, and 4.7 require the d3dcompiler_47.dll update to be installed. We recommend that you install the included d3dcompiler_47.dll update before you apply this update. For more information about the d3dcompiler_47.dll update, see KB 4019990 (or for Windows Server 2008 SP2, see KB 4019478).
Note This update also contains cumulative updates that were released previously starting on October 11, 2016.
Description of the improvements
CLR1
Fixes an issue in the JIT in which incorrect code could be generated for C# expressions that involve multiple calls to System.Math functions.
On touch and stylus-enabled devices, repeated use of popups in WPF applications can cause loss of touch and stylus support.
On touch and stylus-enabled devices, WPF applications may throw a NullReferenceException in WispLogic.ProcessInputReport exception.
On touch and stylus-enabled devices, WPF applications may sometimes corrupt memory and crash in the GetPenEventMultiple internal function.
1 Common Language Runtime (CLR)
2 Windows Presentation Foundation (WPF)
The following article provides information about supported .NET Framework versions for this Windows version. This includes the month and year of release, update replacement information, and help and support information for the update.
For Windows 7 SP1 and Windows Server 2008 R2 SP1
4049016 November 2017 Security and Quality Rollup for .NET Framework 3.5.1, 4.5.2, 4.6, 4.6.1, 4.6.2 and 4.7 updates for Windows 7 SP1 and Windows Server 2008 R2 SP1 (KB 4049016)
4042076 October 2017 Preview of Quality Rollup for .NET Framework 3.5.1, 4.5.2, 4.6, 4.6.1, 4.6.2 and 4.7 updates for Windows 7 SP1 and Windows Server 2008 R2 SP1 (KB 4042076)
4043766 October 2017 Security and Quality Rollup for .NET Framework 3.5.1, 4.5.2, 4.6, 4.6.1, 4.6.2, and 4.7 for Windows 7 SP1 and Windows Server 2008 R2 SP1 (KB 4043766)
4041083 Security and Quality Rollup for the .NET Framework 3.5.1, 4.5.2, 4.6, 4.6.1, 4.6.2 and 4.7 for Windows 7 SP1 and Windows Server 2008 R2 SP1: September 12, 2017
4049019 November 2017 Security and Quality Rollup for .NET Framework 2.0 SP2, 4.5.2 and 4.6 updates for Windows Server 2008 SP2 (KB 4049019)
4042201 October 2017 Preview of Quality Rollup for .NET Framework 2.0 SP2, 4.5.2 and 4.6 updates for Windows Server 2008 SP2 (KB 4042201)
4043768 October 2017 Security and Quality Rollup for .NET Framework 2.0 SP2, 4.5.2, and 4.6 updates for Windows Server 2008 SP2 (KB 4043768)
4041086 Security and Quality Rollup for the .NET Framework 2.0 SP2, 4.5.2, and 4.6 for Windows Server 2008 SP2: September 12, 2017
This update is available through Windows Update. When you turn on automatic updating, this update will be downloaded and installed automatically. For more information about how to get security updates automatically, see Windows Update: FAQ.
To get the stand-alone package for this update, go to the ?Microsoft Update Catalog? website.
For Windows 7 SP1 or Windows Server 2008 R2 SP1, go here.
For Windows Server 2008 SP2, go here.
Windows Software Update Services (WSUS)
On your WSUS server, follow these steps:
Select Start, select Administrative Tools, and then select Microsoft Windows Server Update Services 3.0.
Expand ComputerName, and then select Action.
Select Import Updates.
WSUS opens a browser window in which you may be prompted to install an ActiveX control. You must install the ActiveX control to continue.
After the ActiveX control is installed, you see the Microsoft Update Catalog screen. Type 4049016 for Windows 7 SP1 and Windows Server 2008 R2 SP1 or type 4049019 for Windows Server 2008 SP2 in the Search box, and then select Search.
Locate the .NET Framework packages that match the operating systems, languages, and processors in your environment. Select Add to add them to your basket.
After you select all the packages that you need, select View Basket.
Select Import to import the packages to your WSUS server.
To return to WSUS, select Close after the packages are imported.
The updates are now available for installation through WSUS.
To apply this update, you must have .NET Framework 4.6, 4.6.1, 4.6.2, or 4.7 installed.
This update does not replace any previous update.
How to obtain help and support for this update
Help for installing updates: Windows Update FAQ
Help for protecting your Windows-based products and services from viruses and malware: Microsoft Secure
Microsoft .NET Framework 4.6, 4.6.1, 4.6.2, and 4.7 when used with:
Microsoft .NET Framework 4.6 when used with:


Conventional Mortgage Down Payment : How Much Do I Need?
You want the best mortgage for your lifestyle and your pocketbook. Whether to choose a conventional mortgage or a government-backed loan such as a Federal Housing Administration (better known as FHA) may seem a little ambiguous and confusing.
The FHA offers 3.5 percent down payment loans. That sounds great especially if you don't have a lot of money. But did you know that conventional loans now give borrowers the opportunity to put just 3 percent down for a mortgage? How can you decipher all this and choose the right one?
Click here to check today's conventional loan rates.
Low Down Payment Conventional Mortgage Better than FHA?
FHA loans are backed by the government and issued by participating lenders. When you get a conventional loan, there are no such governmental guarantees. That means the risk, if you default on the loan, is assumed by the lending bank or loan company.
What that means to you is these low-down payment conventional loans aren't just given out to anyone. The underwriting guidelines are tougher, requiring a pretty good credit score, lower loan-to-value ratio, good income and future income, and a nearly unblemished credit history.
If you plan on getting one of those 3 percent down payment conventional loans offered by Fannie Mae or Freddie Mac, you need at least at 680-700 credit score, and you need to pay your bills on time, Stevenson says.
Click here to check your 3% down eligibility.
Stevenson works with all kinds of borrowers who have everything from more than 20 percent down to those who have nothing to pay for a down payment. Believe it or not, there are loans for those who have saved zero dollars. Plus, there are lots of down payment assistance programs to help people across the country to buy a home.
USDA and VA loans require no down payments, but you have to be eligible for them such having a low to moderate income and buying a house in designated rural or suburban areas for the USDA loans. And of course, to receive a VA loan, you have to be a current or retired military person or spouse.
"Conventional loans are very popular still. Older people usually have 20 percent down because they are downsizing or upsizing, and they sell a house. They put that money towards a new place," Stevenson says.
But she usually sees the majority of people putting somewhere between five and 10 percent down. With at least 5% down, conventional loan rates drop compared to the 3% down option.
For many people without 5% down, the dilemma is whether to get a conventional loan over a FHA loan when they only have a little down payment.
Both loans require mortgage insurance. Conventional loan borrowers making a down payment of less than 20 percent will need to get Private Mortgage Insurance (PMI). The good news is that once you reach a loan-to-value ratio of at least 78 percent, you can cancel the insurance.
The bad news for FHA loans is that the mortgage insurance stays on it for as long as you have the loan. That can add some big bucks each month to someone's bill.
Stevenson says that if someone is buying a $200,000 home with a conventional loan at 3 percent down payment, the interest rate might be about 4.62 percent – higher than an FHA loan of about 3.5 percent. And remember, all of this really hinges on your credit score – if it's in the 700s, you get a lower interest rate.
Fannie Mae charges points – AKA extra fees – to do their 97 percent loans. Typically borrowers pay those fees by accepting a higher rate rather than paying out of pocket. So the rate ends up quite a bit higher than that of the FHA option.
The monthly PMI for the conventional loan will be $151 a month.
With an FHA loan on the same $200,000 house, PMI will be a little lower ($137 a month) than the conventional loan. Before taxes, you would pay $1,148.43 for the conventional loan each month. The FHA would be a little less at $1,018.82. The upfront mortgage insurance for FHA is rolled back into the loan and the monthly mortgage cost is reduced, she says.
But remember that once you hit that 78% loan-to-value point (in other words, have 22% equity), that $151 a month PMI goes away on the conventional loan.
And with a conventional loan, you can put down as much as you can afford, which will help lower your monthly payments. But remember not to leave yourself without any money for emergencies such as a busted water heater or broken window. Stuff happens, and you need a fund set aside for such purchases and repairs.
It's hard to tell if an FHA or conventional loan is best option for you just by reading an article. You can receive live quotes from real lenders now.
Click here to start the rate quote process.


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Chronicle-express. (Penn Yan, N.Y.) 1926-current, October 31, 1990, Image 6
Image and text provided by Yates County History Center & Museums
r'. i\ Page 6 - The Chronicle-Express, Penn Yan.N.Y., October 31,1990 G u b e r n a torial r a c e on tap Candidatea opposing Democratic incumbent, Gov. Mario Cuomo and hia running- mate Stanley Lundine, who are also running on the Liberal Party line, are Republicans Pierre Rinfret and Geroge Yancey, Jr.; Conservative Party candidates Herbert London of New York and Anthony DePema of Commack; Right to Life candidates Louis Wein of Staten Island and Gertrude Manning of Baldwin; Socialist Workers Party can didates Craig Gannon of Brooklyn and Susan Anmuth of Brooklyn; New Alliance Party candidates Lenora Fulani of New York and Ada Vazquez of Brooklyn; and Libertarian Party candidates W. Gary Johnson of New York and Dottie-Lou Brokawof Lake Hill. Gubernatorial candidate Pierre Rinfret of New York said he accepted the challenge to run for governor for "one primary reason: New York State is a disaster." Chairman and chief executive officer of Rinfret Associates, Inc., an international economics, finan cial and political intelligence and trading firm, Rinfret says that he is running for governor, "Because I genuinely believe that I have the ideas, the ability and the guts to do what needs to be done." Rinfret also is chairman and CEO of Rinfret Holdings, Inc., which consists of two financial services subsidiaries: Rinfret Securities, Inc. and Rinfret Futures, Inc. In their operations, these organizations use the Rinfret Associates expertise in forecasting interest rates and foreign exchange rates. Rinfret's experience as an economist spans more than three decades, and his financial analyses have been employed by both Republican and Ltemocratic Administrations, he notes. In ad dition to providing economic counsel to Presidents Kennedy, Johnson and Nixon, Rinfret ser ved as chief economic spokesman for Nixon's 1972 presidential campaign. In his campaign, Rinfret has proposed a New York Tbx Revolt Plan for the state's budget. The plan involves "three important stages," he notes, including: "In the first year, lW l-'92, we will freeze almost all state spending at the levels of this year, 1990-'91. This will mean a one-year freeze on the salaries of all state employees. Departmental spend ing will also be held at 1990-'91 levels. The only prc^rams that will increase will be welfare, Medicaid, and capital construction projects," he said. The second stage involves clos ing the remaining "$2.4 billion budget gap (even after the freeze), by using a "seven-point program of selected economies and efficiencies that will not cut ser vices but will achieve $1.5 billion in savings," Rinfret notes, and \from there, we can rely on nor mal revenue growth of $900 mil lion to close the rest of the budget gap." Third is Rinfret's three-year plan for permanent tax reductions in New York. My ultimate goal is to reduce New York's taxes to within 10 percent of the national average," he adds, noting that the current rate is 60 percent above the national average. Rinfret also supports the death penalty for convicted murderers and drug kingpins. -I a U e Levels— KEUKA LAKE WA'^R LEVELS RinCret's running mate, George (Geff) Yancey, Jr. of Sodus, who began working in the cheese business at the age of 12 and run ning the family business, Heluva Good Cheese Com^ny, which his family purchased in 1956, in the mid-1970s. He notes that as president and chief executive officer of a company that does business throughout New York and the Eastern United States, "I know how to make tough decisions and I have the courage to cany them out. With the tax payers of New York facing a mounting fiscal crisis, we can't af ford anything less," he adds. In supporting Rinfret's fiscal proposals, Yancey notes "Pierre Rinfret and I will rdl up our sleeves on day one and apply proven business methods to get New York's fiscal house in order." Likewise, Yancey supports the death penalty and notes that "We must take back our streets and neighborhoods from the criminals and drug pushers who threaten our safety and poison our youth." While this is his first run for office, Yancey's political involve ment has included being chairman of the Wayne County Republican Party for eight years (1981-'89), being a state Republican committeeman, and being the Upstate coordinator for the Bush-Quayle campaign in 1988. He is also active in the com munity, serving as the first Private Industry Council chairman for the Finger Lakes area; being board member and former president and campaign chairman for the United Way; and being a board member for the Newark-Wayne Community Hospital. Gov. Mario Cuomo was first elected as New York State's governor in 1982. He has strongly supported creating more jobs for New Yorkers; taking criminals off the streets; saving lives on New York State roads; creating housing for New York families; increasing State Aid for education; and help ing create a clean environment for the state's future. Cuomo strongly supports the 21st Century En vironmental Quality Bond Act on this year's ballot. Cuomo attended Queens public schools and St. John's Prep. He was graduated summa cum laude from St. John's University and later tied for top honors at St. John's University School of Law. For 17 years, Cuomo taught law while at the same time working full time as a trial lawyer, taking many public advocacy cases. He formally began his career in public service in 1975, being ap pointed secretary of state. Cuomo's running mate, Stan ley Lundine of Jamestown, was elected in November 1986 with 65 percent of the vote, the highest percentage vote for the offices in state history. Lundine's many duties as lieutenant governor include: at tending senior staff meetings with the governor, joining the governor in negotiating sessions with legis lative leaders, and conferring with the governor to help formulate m^jor policies and strategies. Lundine also serves as presid ing officer of the state Senate, in volving him directly in the legisla tive process and allowing him to help guide the governor's program bills through the Legislature. He meets re^larly with legislators, state officials and representatives of many groups to discuss pending legislation and state policies. First elected to Congress in 1976, becoming the first Democrat to represent the Southern Tier in the House of Representatives since 1874, Lundine "quickly es tablished a reputation as hard working and effective advocate for New York interests." Lundine was the principal sponsor of the Labor-Management Cooperation Act of 1978, the West Valley Nuclear Waste Demonstra tion Act of 1980, and the State and Local Government Cost Es timate Act of 1981. He also co authored the Urban Development Action Grant pro^am, the Small Citizens Community Development Block Grant Program, and the Science and Math Education Act of 1983. While serving on the House Committees on Banking, Finance Urban Affairs, Science and Ibch- nology, and Aging, Lundine at tracted national attention for bringing Democrats and Republicans together to find bipartisan solutions to key issues. Lundine's first elective office was as mayor of his hometown of Jamestown, serving from 1970 to 1976 as the youngest person ever elected mayor of a dty in New York State. A graduate of Duke University and New York University Law School, Lundine practiced law and FESTIVAL OF 'y - BOOTHS at Second Milo Baptist Church ILJI H NOV 17 1980 1989 1985 Oct. 22... ... 714.00 713.45 713.45 Oct. 23... ... 714.00 713.40 713.60 Oct. 24... ...714.10 713.46 713.50 Oct. 25... .:. 714.20 713.45 713.60 Oct. 26... ... 714.10 713.46 713.50 Oct. 27... ... 714.10 713.46 713.60 Oct. 28... ... 714.10 713.40 71340 Come help us c e lebrate \Halloween" a n d c a s t a s p e ll on the beginning o f your h o liday shopping w ith 25% OFF Storewide Oct. 31st excluding sale items, gift certificates and layaways a t the Bobbie Lou Shop 3 drawings - Come sign up for gift certificate ROBBIE LOT T U S • H • O • P OPEN Monday through Saturday • 9:30 am - 5 pm Lake Street Plaza, P enn Van • Gift Certificates ♦ Free Gift Wrap • Lay Aways Welcome; Cash, Visa, MasterCard was a public defender before be coming Jamestown's mayor. 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I Celebrate wmp REGISTER AT: NEWARK Radio Shack PFMN VAN Bobbie Lou Shop Hillcrest Horticulture J & S Liquor Lowns Department Store Mill End Fabrics 850A M RADIO Second Anniversary A Florida V a c a tion Airfare For Two ( provided by A merican airlines ; 6 Days - 5 Nights a t Coco Beach Hilton O th e r Prizes Weekend Escape a t Roche^ter^grriot Gift Certificates CANANDAIGUA Lynn's hashionsasnions Lynn s h Morris Office Products Radio Shack ^ Village Green Bookstore ^ GENEVA Lynch humiture McCurdys VICTOR Radio Shack at Eastview Mall ATKINS n i FM amous Brands Outlet Momans Grocery McGovern Wallpaper Papa Carmine's Flestaurant Monaco's Grocery P.J.'s Unique's Pumpemickle Restaurant- True Value Hardware Radio Shack The Yates County Women's Republican Club Encourages All RegisterecJ Voters to VOTE ON ELECTION DAY TUESDAY, NOVEMBER 6, 1990 Please join us for refreshments at election headquarters in the auditorium of the Yates Co. Office Building as the election returns I «. come in. 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The geeks fight off an impending robot take over with your donations.
Welcome to BeatlesTube! Purpose of this site is to organize all videos about The Beatles that you can find on Youtube. There are plenty of Beatles-related footages spread on the tube but it's difficult to have them in a logical sequence. BeatlesTube will help you to do that. Enjoy it!
This is the world's first development of a robot car that can travel in a group by sharing the position and information of others within a group via communication technologies.
While Nissan's ongoing research aims at creating collision-free vehicles based on its safety concept "Safety Shield*6," new technologies used in EPORO also aim to improve migration efficiency of a group of vehicles and contribute to an environmentally friendly and traffic jam-free driving environment.
AT&T Inc. said late Tuesday that it will begin allowing iPhone owners to use Internet calling services on its wireless network.
Try to determine if the name is of a cheese or a font. Harder than you think.
The thin array of ice and dust particles lies at the far reaches of the Saturnian system and its orbit is tilted 27 degrees from the planet's main ring plane, the laboratory said.
JPL spokeswoman Whitney Clavin said the ring is very diffuse and doesn't reflect much visible light but the infrared Spitzer telescope was able to detect it.
This page is a condensed look at White Zombie, an electric 1972 Datsun 1200. It gives the vital statistics of one of the world's quickest accelerating street legal electric cars, (both 0-60 and in the 1/4 mile). For a much more detailed look, click on the button 'White Zombie History' and take a tour spanning 14 years. The history pages are a large file and may take a moment to fully open, but this is the best place to see everything 'White Zombie' from the latest design changes to the latest racing results and more. If you're hungry to see the most up to date version of the car you can jump from year to year using the page links and can skip right to it. Another interesting area can be accessed by clicking on the 'Photos' button, then navigate to 'Plasma Boy's various Electric Vehicles, then the sub album 'White Zombie'. If that's still not enough White Zombie info, click on the 'Videos' button and watch this high powered electric car take out muscle cars and hot import drag racers. Want more? Visit 'YouTube' and search 'electric drag racing' to find even more videos of White Zombie.
The USB Jellyfishes Mini Aquarium with Moody Light illuminates FIVE soft colors circularly. Watching the lifelike Jellyfishes swimming, let your stress fading away and gives you sensation of relaxation. It is so simple in the operation! Just add water into the tank, connect the USB cable to the USB port. A small motor generates a current in the water, encouraging the jellyfish to swim gently and freely. The Jellyfishes won't starve or make a mess, they just swim and sleep whenever you want. If you hate your messy desk and feel tired of your busy day, get one USB Jellyfish Mini Aquarium with moody light. It brings harmony to your workplace and calms your mind.


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Update: U.K. Innkeepers Fined for Turning Away Gay Couple
by Al Webb | Feb 15, 2012 | News
LONDON (RNS) Britain's Court of Appeal has ordered a pair of Christian innkeepers to pay 3,600 pounds ($5,800) in damages to a gay couple that was told they could not share a room in the couple's guesthouse. The three-judge panel rejected an appeal by the...
Washington Becomes Seventh State to Legalize Gay Marriage
by Tracy Simmons | Feb 14, 2012 | News
SPOKANE, Wash. (RNS) In an emotional ceremony Monday (Feb. 13), Gov. Chris Gregoire signed legislation that makes Washington the seventh state to legalize gay marriage. "Today is a day that historians will mark as a milestone for equal rights," she said to...
Appeals Court Strikes Down California Ban on Same-sex Marriage
by David Finnigan | Feb 8, 2012 | News
LOS ANGELES (RNS) In a decision that likely will set the stage for a high-stakes showdown at the U.S. Supreme Court, the 9th U.S. Circuit Court of Appeals struck down California's Proposition 8 ballot measure that banned gay marriage, saying there is no...
Christian Group Wants Religious Exemption to Bully Teens
by Ed Sunday-Winters | Feb 6, 2012 | Opinion
Did you know that in the state of Tennessee there is a law against bullying in schools? It allows local school districts to develop policies to ensure that students are protected from physical harm, threats of physical harm, and actions that would create a hostile...
Court Says Student's Faith May Have Led to Expulsion
by Adelle Banks | Jan 30, 2012 | News
(RNS) A counseling student who declined to advise a gay client might have been expelled from her university because of her faith, a federal appeals court ruled on Friday (Jan. 27). Citing her evangelical Christian religion, Julea Ward disagreed with professors at...


A lifetime of experience in NHS practice is offered under the modest title Homeopathy in General Practice. From the detailed presentation of 129 cases one can sense the difficulties encountered when one is faced with the task of combining homeopathy and general practice. Dr Jack has just achieved this feat. His book is a treasure trove for all, students and practitioners alike.
This book is a practical guide to the use of homeopathic medicine over a wide range of the illnesses and conditions that arise in the normal course of general practice. The author demonstrates how homeopathy can be used to great advantage in place of, as well as in conjunction with, conventional medicine. The book is structured conventionally in relation to the systems of the body, but the supporting analysis of patient management is given in homeopathic terms within the context of each patient's life and personal characteristics. The text is reinforced by the inclusion of a hundred and twenty-nine cases from the author's practice, many of which are described in considerable detail. There are also numerous discussion sections in which he explains his treatment strategies.


The Linwood Middle School Community dedicated one week of homeroom time to address Summertime Wellness and Safety. Below are the links to the information presented to the entire student body. Please encourage your children to revisit this information throughout the summer.


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Upper Helmsley – wieś i civil parish w Anglii, w North Yorkshire, w dystrykcie Ryedale. W 2001 civil parish liczyła 38 mieszkańców. Upper Helmsley jest wspomniana w Domesday Book (1086) jako Hamelsec/Hamelsech.

Przypisy

Linki zewnętrzne
 British history

Wsie w hrabstwie North Yorkshire
Civil parishes w hrabstwie North Yorkshire

redpajama_set_name: RedPajamaWikipedia


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Fashion Music Art Community Beauty Milk Next-Gen
By Ella Jayes
Photos By Michel Oscar
Ones to Watch: Vegyn
Joe Thornalley, more commonly known as Vegyn, is a 25-year-old producer based in South London. Having briefly studied design in university, Thornalley made the shift to music and began making beats in his room. In 2014, those beats made it to BBC Radio via James Blake. Through production with Frank Ocean and Travis Scott, Vegyn's name has been known and respected within the internal music community for a moment.
Through his label, PLZ Make It Ruins, Thornalley, as both an artist and industry member, reevaluates the role of the middleman; by offering a "decent advance, better split, [and lease on his signee's masters,]" to mention a few things, he commits to democratizing and supporting the artists he believes in.
This November, Vegyn is dropping his debut album, Only Diamonds Cut Diamonds, with visuals sprinkled throughout the interim. With moments from UK artist Jeshi, French rapper Retro X, and US rapper/producer JPEGMAFIA, the producer describes his record as a combination of "sadness and optimism… It's not like happy being sad, but happy to have been sad."
After getting his first tattoo, Thornalley stopped by Milk Studios NY to chat about overcoming his fears, video games, his upcoming record, and the importance of taking a break.
So, New York. What are you doing here? How's it going?
Good question. I'm here, I'm soaking up the sun, the last remnants of it. Maybe a holiday of some kind, on the official list.
Do you want to talk a bit about your label?
Sure. So PLZ [PLZ Make It Ruins] was kind of born out of frustrations that I've had with other independent labels. I never really set out for it to make money. I got offered some completely normal deals when I was younger, and I was kind of shocked at how unfair they paid. You know, the company would own your masters forever, they're still taking 50%. They weren't going to clear any samples, and sure they're going to promote it, but I got some offers from labels that I really looked up to when I was younger, and then when the deal actually came around, it was like, "Oh, this is not a good deal."
So I guess PLZ kind is meant to kind of fill that void. I've been quite lucky in where I am in my career and the opportunities that I've had presented to me, and so the way I see it is that it's a way to invest in younger artists, especially when they don't have a particular buzz or clout. You can find someone who's doing really cool stuff and can offer them a decent advance, better split, it's a lease on their masters, so at the end of the period, everyone gets their stuff back; I can offer them a decent marketing budget, get the opportunity to work with good graphic designers, and help them brand their whole thing.
The idea was to create a platform that other artists that I like could be able to get their foot in the door, and still kind of maintain the creative control. They can get that push that they deserve. Because like I said, for me, the point isn't really to make money; I can make my money elsewhere. It's more, how can I help curate this good brand? If you do good things, it'll come around and help you where you're going.
It's karma! I studied music in college, and initially, I want to work in the music industry because I want to change how horrible it is, but it's heavy how horrible it can be…
But that's exactly it…I have an opportunity to be able to offer something different. I have to look at it and be like, "Well, I've existed as an independent," and so, "What's the point of a label? Today, what's really the point of it?" Before there were more gatekeepers to success or to distribution, and that's still definitely the case, but the internet democratized the platform a lot more. I realized I could still make some money from this, ultimately any project is really only one sync deal away from breaking even, but I want to help however I can; that's usually how I start the conversations with artists.
Who are you really excited about at the moment?
So we're just going through a new round of signs. We just signed this kid, OTTO, who is based in New York; very excited about his stuff, it's quite eclectic, electronic stuff, but very much still within the poppy thing; kind of fun, experimental.
How do you find these people?
Well, OTTO is from Sydney. Sydney kind of does A&R, and all of that. And then, someone like Louis Culture, who's back in London, that was through exposure from friends of friends. I don't really go on SoundCloud, so I'm not really looking for it. You can just get a sense for people, a lot of times it's just conversations. Usually, you can tell when something's good. Usually when you hear a song, you can hear it from the first 30 seconds or whatever, you can tell it.
It can be such a gut feeling.
Yeah, well, that's kind of the key; trusting your gut or, at least, trusting your subconscious. I get called an empath, so I got a kind of try to base a little bit my judgment off of that, especially if you get like the little shivers down the spine. There are little tells, for me, that are like, "Hey, this is cool. This is making me feel a certain way." It's the same with making music as well. They're very different processes, but for music, at least, I'm just trying to trust my subconscious.
Do you meditate? What are the things you do to connect to your subconscious?
I used to smoke a lot of weed, and that definitely helps with that. This record's ['ONLY DIAMONDS CUT DIAMONDS' ], current curation, was kind of just like real stoner energy.
Making music is a quite reactive thing for me, and I tried my best to kind of play off of subconscious. I've been producing for like seven years now, and I've been on the same kind of digital workstation the whole time. It's quite easy if I have an idea, there's not much umming and ahhing about it. I can kind of implement that idea quite quickly.
I was always quite fearful of the idea of doing a record, especially an electronic record. I was in a bit of a weird part of my life, where I was trying to figure out what I wanted to do. I hadn't made music for myself in a really long time; it's what I did when I first started, but when you kind of get tied into the production stuff, a lot of the time, for better or worse, you end up making compromises, because you feel like, and a lot of times it's true, people kind of want what they've already heard. They want the same thing, but a little bit different, you know? And I guess, I tried to employ those same thoughts, at least in terms of familiarity and kind of focus, and playing with different kind of styles on the record. I was kind of focusing in on making music for myself really.
And when you said that you were kind of deciding what you wanted to do, was it always going to be in the music realm? Or were you like, "Maybe I'll go into banking?"
No, no. I wanted to do art when I first started, but I think I would have made a really bad artist. I did a brief year of design school, where I met some good friends and kind of good teachers, but it wasn't for me. It's been quite funny, because I stopped doing that for a while, and then about a year ago, I started doing graphics again; that's become quite a fun little balance where cool if I'm sick of music, I can go and make some visual for bit, or, "I fucking hate computer graphics right now, I'm going to go and make some music." I've seen with other people, if your job is also your passion or your hobby, it's kind of difficult to relax a lot of the time. And I found by splitting up these two things, if I can get sick of one, I can go to the other one.
Is there ever a time that you fully step away from it? What do you do in your free time?
Yeah, of course. It's good to take time away because otherwise, you don't have any experience to draw on. Mark Kozelek said something quite funny recently, where he's like, "if you can't walk down the street and find something to talk about or write a song about that, then you're a fucking shitty songwriter." But he also writes very insanely weird songs…
But what do I do to relax? Good question… I play video games…
When I was little, I always played this game called Fable pretty religiously. I really liked that art style of it. It's very kind of "Hero's Journey RPG", but I think as a young white man growing up, it kind of like checked all the boxes.
Other things that really kind of stood out when I was younger were Shadow of the Colossus, that's pretty beautiful, Katamari Damacy, that's pretty funny. Just anything with a great sense of escapism to it. That was usually what look for, GTA4 [Grand Theft Auto IV.] A lot of games kind of provide you with this power fantasy; they provide a bit of control. The most frustrating thing in life, in a lot of ways, is not having control. Here, you truly are the master of your own domain. And so, it allows you to have escapism; I'm not going to like shoot someone in the fucking face, but in GTA, this is the objective here, you know?
I'm kind of regressing, now I play Tetris, that's pretty much all I play. There's been a few other bits and pieces. I can't really play competitive games anymore. It's much more of like a solo-fare. But even still I've been taking a break from that, to be honest. I've been reading more. I finished the MaddAddam trilogy, which is by Margaret Atwood; it's this kind of teen drama, it's a really easy read; very dystopian sci-fi. Again, the typical rule of thumb, is that because sci-fi is such a male dominated genre, and especially in book publishing, so if you see some a woman getting a claim, it usually means that it's fucking insanely good. So that's the case with Margaret. Right now, I'm reading a book on Tarot called the Seventy-Eight Degrees of Wisdom by Rachel Pollack.
And what have you learned about tarot?
That sometimes they're not necessarily going to tell you the truth, but they might tell you what you need to hear.
Anything that incites a period of self-reflection is a good thing, regardless of what it is, sometimes it's drugs, sometimes it's tarot, sometimes it's going to the movies, or going to a therapist.
A new perspective.
I'm just trying to spend more time off, you know? I've got a lot of pressure, especially in today's society, to always be working, no matter; this whole "rise and grind attitude." I hate that, I feel like that's mad unhealthy.
You're promising yourself to burn out…
It's not actually productive to work at that scale. A lot of the time, you kinda like lose track of why you're kind of pursuing something in the first place. For me personally, I've gotten a lot of the things that I really wanted when I was younger, so it's not taking that for granted, and almost kind of allowing myself to relish in that. Even if it's just like, taking a day off or maybe cooking an elaborate meal or something like that.
Let's chat about your most recent visuals, the videos you did for "Devilish/Nauseous" and "Blue Verb."
I was working with my friend, Joshua Gordon, he's a really cool sort of photographer/videographer/visual person. Those were his idea. He doesn't do music videos, so I really appreciate him taking the time. He made an exception for me, which I'm very appreciative of. I like them a lot because it's kind of like that same thing of escapism or whatever. It's just someone dancing in the street listening to the songs, or in a weird location.
And they're dancing in such a way, that you really can't look away from the screen.
Well, Joshua did a great job finding these particular people. They're really good. It helps with that initial goal; I wanted to make something that feels familiar, but not nostalgic. Everything was an attempt to be of the future. I feel like when we like to look back at stuff, especially with nostalgia, we have a habit of cherry-picking the nice elements of it, as opposed to the actual real thing. In a weird way, it's this idea of fantasy, like a real good acid trip, or something that kind of pulls you out; a lot of the time, dance is just a good form of expression. It's pretty integral, it's that and music, a bit of synergy there.
Can you discuss the different components of the record? There are a bunch, but what were some of the samples?
There are a lot things in there. With the record, I was trying to pull out little elements, like tidbits, or bliss points, right? I think about listening through something for the first time; at least when I consume something, I'm quite apathetic about it because I can't really input information like that. But I've kind of given things to go back and listen to, and certainly the kind of moments that maybe only happen one time; ways to create this kind of little world.
Most of the time, the lyrics or voice in a song, kind of help to direct; that's typically the focal point for how you're supposed to be feeling. And so with these, it's like, "How can I kind of put that in?" and maybe it's something really fucking stupid, but I kind of felt like there was also a bit of a lack of that in electronic music. At least right now, it feels like there's a lot of, I don't know how to describe it…self-seriousness or irony, and I don't really like either of those. I mean, we're all desperate to be taken seriously, but here, I can carve my own little niche, and I don't really care about what other people are doing.
How do I make this feel how I want it to feel? A lot of the time, I'm just cherry-picking little pieces of me. If I can make someone laugh, with Cowboy ALLSTAR, for example, when I used to play that to people, there is a horse in the track and it used to always make people laugh. Mission accomplished. It's good to make people feel good, or sad, or whatever.
So when there are moments of people speaking in your tracks, did you have them say something specific in mind or was it candid?
Sometimes, somebody would say something quite poignant. I obviously wouldn't be recording people without them being aware because that's a federal offense, so there's no way I'd ever do that. But you know, if you ever want to write a script, it's like, "it doesn't make any fucking sense. This is not how people talk." The way that you think people talk, is not how they actually talk. There are lots of ums and ahs, and people cutting themselves off. There's a couple of bits in there, of me, right, where sometimes I'll forget that I'm recording something, and I'll just be talking and then I'll reply to someone and it's so disingenuous. Someone will ask like, "How are you?" "I'm so good." You're wearing a mask or something…
There's a sample that I can't tell if it's someone getting home and jingling their keys or if it's a dog's leash…
But that's cool, and that's where I kind of feel like it's best not to tell. I do quite a good job of making the credits list for this as well-rounded as possible, to give people an insight into who's playing because that to me, is what's actually important. In the same way, that when I'd listen to tracks as a kid at school, I'd be like, "Man, this guy, he fucking understands me like, he fucking gets it." Then you look up the lyrics and you're like, "Oh, it's completely different. This is about something completely different." And then it kind of spoils the song for you.
It's so true. Sometimes, when I sing songs to myself, I look at the lyrics and realize I'm making it all up.
But you singing it wrong, you imbue it with your own sense of meaning. And that's kind of exactly what I'm looking for. It's like, you know, you know, it's like, when you view when you look at, like a piece of art or whatever, you know, there's only so much that you can do to kind of infer what you mean, and the rest is kind of left up to the viewer to decide for themselves. The record is kind of about a couple of different, specific things for me, but it's better if I don't say what, because then it might be about something for somebody else. A lot of the time, it's better to just kind of just leave it open to interpretation.
Are you so excited for this record to come out?
Yeah, it's great! I mean, it's been done for like a year. I was usually such an anxious person, and now this is really nice because I've had a lot of time to change things if I wanted to. I'm happy, I'm ready for other people to get to experience it, or enjoy it, hopefully.
Because you mentioned that you've accomplished a lot of the things that you would have been very happy to accomplish when you're younger, what are some pieces of advice you have for people that are on a similar path?
Setting realistic expectations, which is often the hardest thing to do; having your ultimate goal, and then having some other, more achievable things up the ladder. The more you can figure out for yourself, in terms of what you want, what the difference between a good deal and a bad deal is, and what a manager should be, what a press person does; the more you know, the less you can be taken advantage of.
What did you find were some of your biggest resources for that?
Oh God, making mistakes. Horrible, horrible mistakes. (Not that bad.) You just gotta try. The world is your oyster, and in the words of Ronan Keating, "Life's a roller coaster, just gotta ride it."
That's an excellent point to end on.
No, no that, haha. Taking breaks, it's not the worst thing in the world to get a job, and experience life through that. My dad made me get a job when I was like 16, as soon as I could. It kind of sets you out like, "Damn. This is how much my time is worth to other people." I did quite a few years in retail, nothing really that exciting, other than learning how to kiss ass in the name of commission.
It's more the value…It's one thing to think that you're better than minimum wage, but it's another thing to experience that and then really know it. A lot of wealthy people and kids skip out on that kind of experience, and you can't hate on anyone for their upbringing or where they come from, but it's just really important. Life is about experience, and it's about fessing up to things that you might not necessarily want to deal with. I never would have gotten a tattoo a year ago, it's something that really scared me. I never wanted to make an album, it's something that really scared me. I never wanted to do a live show, but guess what I'm working on right now?
Stay tuned to Milk for more Ones to Watch.
#Michel Oscar
#Ones to Watch
#Vegyn
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Gould, 24, joined Moors in the summer of 2018, filling the number one spot following the exit of Dan Lowson and Jordan Porter. He is the son of former Celtic and Scotland shot stopper Jonathan Gould and the grandson of FA Cup winning manager Bobby Gould. He began his career in New Zealand under the stewardship of his father at Hawke's Bay, before returning to the UK where he has enjoyed spells at Cheltenham and Livingston. Gould was in goal when Moors defeated Stourbridge 1-0 in the 2017 Evo-Stik Northern Premier Division Play-Off Final.


My English Tongue, My Irish Heart, Act One. Photographed by Ruth Gonsalves Moore.
My English Tongue, My Irish Heart is a research-based play that tells the story of Irish emigration to Britain through the generations. Funded by a Follow-on Funding Award from the AHRC, the play was written by the highly respected Irish playwright Martin Lynch, who drew on the first-person testimonies in my book, The Literature of Irish in Britain: Autobiography and Memoir, 1725-2001 (Palgrave Macmillan, 2009), to create a drama that explores the challenges and perplexities of living with, and between, two worlds.
The play toured arts venues and community centres in Ireland and the UK in May 2015 to popular and critical acclaim. The tour opened in Roddy McCorley's Social Club in Belfast on 1 May and ended with three sold-out performances at the London Irish Centre in Camden Town, London on 29, 30 and 31 May.
Author Dr Liam Harte (left) and playwright Martin Lynch (right).
This collaborative project with Martin was driven by my desire to connect my research with audiences beyond academia, including those people and communities my work is about, so as to prompt them to reflect more deeply on the nature, meaning and effects of migration.
My English Tongue, My Irish Heart, Act Two. Photographed by Ruth Gonsalves Moore.
I also wanted to explore with Martin the capacity of research-based drama to deepen understandings of the lived experience of Irish migrants in Britain at different times and places, while at the same time allowing him the artistic freedom to respond creatively to the testimonies in my book. Research-based theatre is usually associated with research in the social and medical sciences, where it is often credited with engendering a new layer of audience engagement and participation on an embodied level. Working on this project with Martin proved that recasting the outcomes of humanities research in dramatic form can offer an alternative and more vivid way of presenting non-academic audiences with socially relevant knowledge.
Participants in the Manchester creative writing workshops read from their work at a screening of My English Tongue, My Irish Heart in Z-Arts, Manchester in July 2015.
The touring production of My English Tongue, My Irish Heart was accompanied by a community engagement programme in Belfast, Manchester and Castlebar, County Mayo. This programme consisted of creative writing workshops held over a six-week period in each of these venues. The workshops were facilitated by three accomplished writers – novelist Mike McCormack (Castlebar) and poets Moyra Donaldson (Belfast) and John McAuliffe (Manchester) – each of whom enabled the participants to put narrative form on their perceptions, memories and experiences of emigration. A selection of the workshops outputs will be published by the Liberties Press in 2017.
As part of my project's commitment to social responsibility and community outreach, a substantial portion of the tour proceeds was donated to two emigrant welfare charities, the London-based Aisling Return to Ireland Project and the Safe Home Programme in Mayo.
Read Liam Harte's Irish Times article about the play.


text:
Chase, who refuses to wear mask, stressed COVID safety in failed lawsuit to stop GOP convention
By: Ned Oliver - February 19, 2021 3:32 pm
Virginia State Sen. Amanda Chase, R-Chesterfield, arrives in the temporary Senate chambers at the Science Museum of Virginia prior to the start of the Senate session at the facility Tuesday Aug. 18, 2020. Chase is the only member of the Senate who refused to wear a mask during the legislative session. (AP Photo/Steve Helber/Pool)
Republican gubernatorial hopeful Amanda Chase, who has previously bragged about being the only state senator who refuses to wear a mask, put COVID-19 safety concerns front and center as she unsuccessfully sought to force the Virginia GOP to switch its nomination method from a convention to a state-run primary.
"We are on a collision course with 10,000 people assembled in the time of COVID, and that's just unacceptable," Chase's lawyer, Tim Anderson, argued during a hearing before a Richmond judge Friday. "That should be unacceptable to a court, not just because it violates the governor's order, but it's unsafe. It is unsafe, it is reckless."
Richmond Circuit Court Judge Margaret Spencer rejected Chase's request for an injunction barring the state GOP from holding a convention, not because doing so would be unsafe, but because she said Chase lacked standing to enforce Gov. Ralph Northam's executive order.
Chase, the frontrunner in early polls of the GOP field who describes herself as "Trump in heels," has been pushing for a primary since she announced her campaign last year, briefly threatening to run as an independent after the state party's central committee instead opted for a convention. Chase has said she believes a convention would be rigged against her.
Her public stance on COVID-19 safety measures and strong opposition to Northam's executive order limiting large gatherings stood in stark contrast to the legal argument her lawyer raised on her behalf Friday, the same day she went viral on Twitter after The New York Times published a photo of the plexiglass box Senate staffers erected around her desk because she refuses to wear a mask.
This caption and photo… https://t.co/PL8psyqfh4 pic.twitter.com/GSc3svProS
— Nick Confessore (@nickconfessore) February 19, 2021
Chase has touted her stance on face coverings during campaign events. During a rally late last year, she told cheering supporters, "I don't do COVID. … I'm the only legislator in the General Assembly who does not wear a mask." She's also voiced strong objections to Northam's executive orders limiting gatherings.
Asked about the apparent disconnect between her legal strategy and her public position on pandemic safety, Chase said Friday she had her supporters in mind. "I still don't do COVID," she said. "I just don't. But that said, there are people who do. My parents do. A lot of my voters do."
As for her concern about potentially violating the executive orders she has railed against, she said she just wanted to make sure "no tricky business happens," positing that Northam might attempt to make arrests.
Lawyers for the Republican Party of Virginia countered in court that they haven't definitively decided to hold an in-person convention yet and that Chase has no idea what restrictions will be in place this summer. Even if she did, they argued, it's not her job to enforce them. They said possibilities still under consideration include a virtual convention or unassembled caucus, which function like traditional primaries but are planned and run by the party.
And even if the party, which has been deadlocked for weeks on the issue, can't reach an agreement, they said the GOP could always hold the event at a large outdoor venue, noting 20,000 people attended the Super Bowl earlier this month.
"This is a manufactured crisis," the GOP's lawyer, Lee Goodman, said. "The party has months to make its decision."
Anderson, Chase's lawyer, retorted that even outdoors the convention would be "completely unsafe." He went on to call the decision to allow fans attend the Super Bowl "wrong."

Chase, who refuses to wear mask, stressed COVID safety in failed lawsuit to stop GOP convention

by Ned Oliver, Virginia Mercury
February 19, 2021

After 12 years in the wilderness, Virginia GOP's… by Bob Lewis March 15, 2021
Virginia Republicans stick with convention as messy… by Ned Oliver January 24, 2021


Dump you hungry and thirsty after a busy day flying in a strange town to let you fend for yourself, when all you only want to do is to be taken care of after a long day flying! The price you pay is all inclusive, of ALL food, water, coffee etc. (If you choose to drink beer, wine etc then this is at your own expense). There is a delicious Italian meal every night, cooked by local cooks. This is prepared for you from locally sourced, fresh local ingredients. We only employ local people who can walk to work, we are committed to supporting the local community. We always go to the most local supplier first. We believe that a corner stone of our business is our relationship with our staff and town, and this only works when they need us and we need them.
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The new 4e Dark Sun setting books are pretty good. They've changed up their format a little bit, and rather than doing a GM's book and a Player's book, they just did one setting book and one monster book. I was a little bit skeptical of this approach, but as it turns out, I like it very much. It made Dark Sun pop in a way that the previous settings hadn't quite managed to.
Now, some of this may be all about legacy. The first two settings are both thoroughly documented beasts from previous editions which had to get distilled down into some manner of workable version for the much more minimalist 4e presentation. Dark Sun had different parentage.
For those unfamiliar with it, Dark Sun was one of the Boxed Set setting released in support of second edition D&D, along with Planescape, Birthright and Spelljammer. Like Planescape, it was in large part defined by its art style (courtesy of Brom) and it was well-loved and mechanically interesting, trying to express ideas like tougher PCs, ubiquitous psionics and bone weapons without he fairly crude tools 2e provided. It wasn't always a great match, but it more than made up for its shortcomings with its clear, brutal style and creativity in presentation.
Dark Sun suffered a bad fate at the hands of a revised edition that showcased all the worst parts of novelization. Basically, the setting had been changed over the course of the books as a troupe of heroes had gone around and killed all the big bad guys who had a large role in defining the setting. Revised Dark Sun kind of hinged on how awesome those guys were and how much you were getting their sloppy seconds.
The 4e version kind of rolls back the clock on that, picking a moment of change (just after the death of one of the Dragon Kings) and taking a snapshot there. It's a good choice because it puts a nice level of tension and potential change into things without mandating anything. Players could be at the center of changing the world, or they could just go off in their own direction without things changing drastically. That's good design.
The art is…well, it's maybe unfair to pick on the art. It's ok – too clean in places but excellent in others. The problem is that in my mind it's being compared to some truly iconic art, and much of it suffers by comparison. Still, the good is quite good, and some of the monsters really shine.
And monsters bring me to the part that I found most impressive. The monster book _is_ the GMs book. A lot of the hooks in the main book are fleshed out in one monster entry or another. There's no easy way to document these connections, which is perhaps a bit frustrating, but at the same time the fact that the reader can make the connection as they go draws him in a little more, so I think it's a net positive.
I'm not sure I can state strongly enough how good an idea this is. Putting the material in the monsters book basically imbeds the setting elements right into the tools. There's no abstract layer between them required to bring them together – it just happens. These monsters are associated with this setting feature. Done.
I really like this direction for setting books. Where Eberron and the Forgotten Realms were well enough put together, they are not setting that lend themselves well to overview. There's just too much stuff. Dark Sun, on the other hand, is actually a fairly small setting, for all that it contains bigness within. It's a limited geographic area on a world that might otherwise be dead, with civilization clustered in only a few places. The volume of text in these books really feels like it's just about the right amount.
Now, no books are going to be completely flawless, and a few weaknesses pop up in the main book. The bulk of the book is setting information, usually 2 or 4 page spreads on each area of interest, with a larger spread for Tyr, the theoretical hub of any campaign. Sadly, Tyr is probably the least interesting part of the setting. In and of itself that's no problem – something has to be least interesting – but why it (and a few other entries) fall flat struck me as very interesting.
See, the dullest entries in the book are the most normal. The ones that fill in names of locations with a line or two of detail. They're very clearly written in accordance with a specific format which hearkens back to older adventure design, and the weakness of it ends up standing out more strongly in a book that mostly eludes it. The pattern is this: where a writer assigns two lines apiece to outline five "normal" parts of a setting (shops, NPCs, stuff like that) it feels like filler. But when that same writer takes 10 lines to talk about, well, almost anything, the setting comes alive with hooks and interesting elements.
It's very curious to me, since it seems to be no shortage of talent on the writer's part. Rather, I think the bullet-point location format proves to be a bit of a lead weight because things like the name of a cheese shop are the parts the GM can most easily fill in on her own. Giving the same writers a little more breathing room produces much better results.
So I'm filing that one away as potentially useful down the line. I don't think it's a blanket condemnation of short summaries – there's plenty of evidence that you can put a compelling hook in a single sentence – but it definitely warns against small details purely for the sake of small details (at least for me).
All in all, I'm pleased I picked it up, and a little worried that just as WOTC hits their stride on a setting book, the entire idea of setting books is tossed up in the air by the emergence of the Essentials line. But such are the vagaries of the hobby.
1 – I believe there may also be a mega-adventure for it as well but I, er, kind of don't care.
2 – Of these four settings, three of them were brilliant and evocative. One was very stupid, but evocative.
3 – Many of the Dark Sun adventures were physically unlike any other published adventures, including folders of flip-top books with information for players on one side and the GM on the other. Even if they weren't great adventures they were bold experiments.
4 – And I mean that literally, some entries go from flat to snappy at the drop of a hat.
This entry was posted in 4e, setting on October 6, 2010 by Rob Donoghue.
They have at least one more on the schedule, Ravenloft. Although the format is going to be a completely stand-alone volume; and I hope it's as impressive and satisfying as Dark Sun.
One note I think should be added to the above is that Wizards made one other very important decision about the reboot that flies a bit under the radar: they didn't really say the one dead Sorcerer King was dead. His body disappeared and some heroes said they killed him. It leaves open the possibility that something else might have happened or be happening if the group wants it.
Given the painful publishing history of the setting in terms of ramming plot/story down players' throats, this intentional sleight-of-hand over that event is a much appreciated design tactic.
I wasn't sure about the monsters book–I almost never pick them up because, meh, more monsters–but you've described it as having something interesting that other monster tomes don't, and that definitely encourages me to grab it.
Except I'm wondering now how useful the book will be mechanically if coupled to Essentials, which I just purchased as more accessible for myself and the kids than the big 4E tomes.
@raven It _looks_ like the stuff is compatible – as far as I can tell post MM3 monsters should be able to be used with essentials without much of a headache. But I can see the reason to be hesitant, at least until the essentials monster book comes out to provide a yardstick.
That said, still totally worth a preview.


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'Megamind' Stays on Track, 'Unstoppable' Holds the Denzel Washington Line...
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Studio Estimates
Screens & Showings
<<Last Weekend <Last Year View Index: By Year | By Weekend Next Year> Next Weekend>>
TW LW Title (click to view) Studio Weekend Gross % Change Theater Count / Change Average Total Gross Budget* Week #
1 1 Megamind P/DW $29,120,461 -36.7% 3,949 +5 $7,374 $88,822,635 $130 2
2 N Unstoppable Fox $22,688,457 - 3,207 - $7,075 $22,688,457 $100 1
3 2 Due Date WB $15,419,042 -52.8% 3,365 +10 $4,582 $58,897,308 $65 2
4 N Skyline Uni. $11,692,415 - 2,880 - $4,060 $11,692,415 $10 1
5 N Morning Glory Par. $9,203,266 - 2,518 - $3,655 $11,809,321 $40 1
6 3 For Colored Girls LGF $6,517,280 -66.6% 2,127 - $3,064 $30,687,468 $21 2
7 4 Red Sum. $4,973,539 -42.5% 2,878 -351 $1,728 $79,677,396 $58 5
8 6 Paranormal Activity 2 Par. $2,980,201 -58.0% 2,403 -765 $1,240 $81,930,657 $3 4
9 5 Saw 3D LGF $2,862,449 -63.0% 1,976 -832 $1,449 $43,580,310 $20 3
10 7 Jackass 3-D Par. $2,235,457 -54.9% 1,607 -558 $1,391 $114,643,266 $20 5
11 8 Secretariat BV $2,205,163 -45.8% 2,019 -595 $1,092 $54,747,037 $35 6
12 10 The Social Network Sony $1,770,077 -48.3% 1,088 -772 $1,627 $87,807,502 $40 7
13 9 Hereafter WB $1,318,493 -67.1% 1,691 -674 $780 $31,448,842 $50 5
14 11 Life as We Know It WB $1,294,110 -57.8% 1,239 -711 $1,044 $50,754,729 $38 6
15 15 Fair Game (2010) Sum. $1,020,654 +56.8% 175 +129 $5,832 $1,919,640 $22 2
16 12 Conviction FoxS $610,847 -62.5% 493 -179 $1,239 $6,022,823 $12.5 5
17 14 The Girl Who Kicked the Hornet's Nest MBox $520,085 -30.3% 208 +16 $2,500 $2,821,932 - 3
18 24 Inside Job SPC $478,767 +79.7% 250 +184 $1,915 $1,566,031 $2 6
19 25 127 Hours FoxS $438,539 +65.6% 22 +18 $19,934 $811,528 $18 2
20 13 The Town WB $438,397 -62.3% 375 -426 $1,169 $90,626,556 $37 9
21 21 Despicable Me Uni. $363,090 +10.5% 273 -34 $1,330 $248,815,410 $69 19
22 16 Golmaal 3 Eros $253,586 -59.5% 86 - $2,949 $1,027,355 - 2
23 22 Inception WB $234,514 -26.1% 262 -29 $895 $291,832,593 $160 18
24 19 Waiting for "Superman" ParV $215,210 -45.5% 204 -38 $1,055 $5,891,879 - 8
25 23 Toy Story 3 BV $207,778 -28.7% 241 -23 $862 $414,638,013 $200 22
26 29 Hubble 3D WB $192,850 -0.7% 56 -4 $3,444 $18,078,260 - 35
27 17 Legend of the Guardians: The Owls of Ga'Hoole WB $170,047 -64.7% 240 -500 $709 $54,362,501 $80 8
28 18 Easy A SGem $162,833 -66.0% 197 -271 $827 $57,539,405 $8 9
29 20 Wall Street: Money Never Sleeps Fox $155,691 -53.3% 249 -104 $625 $52,147,789 $70 8
30 32 The Other Guys Sony $119,256 -28.9% 182 -53 $655 $119,219,978 $100 15
31 27 You Will Meet a Tall Dark Stranger SPC $103,109 -53.2% 75 -68 $1,375 $2,927,962 $22 8
32 33 Takers SGem $101,374 -34.3% 176 -39 $576 $57,744,720 $32 12
33 28 You Again BV $85,543 -59.3% 153 -130 $559 $25,258,991 $20 8
34 30 Stone Over. $74,071 -58.0% 87 -22 $851 $1,640,496 $22 6
35 34 Alpha and Omega LGF $71,655 -50.6% 123 -165 $583 $24,589,793 - 9
36 35 Nowhere Boy Wein. $67,145 -53.1% 111 -64 $605 $1,330,952 - 6
37 26 Devil Uni. $64,210 -71.4% 120 -164 $535 $33,583,175 - 9
38 37 The Switch Mira. $57,438 -30.1% 118 -2 $487 $27,758,465 $19 13
39 36 Mao's Last Dancer Gold. $56,911 -43.1% 55 -26 $1,035 $4,664,095 - 13
40 46 Let Me In Over. $55,084 +70.4% 143 +48 $385 $12,067,397 $20 7
41 43 Under the Sea 3D WB $50,973 +17.5% 14 - $3,641 $24,795,606 - 92
42 48 Monsters Magn. $48,680 +70.3% 25 +12 $1,947 $122,919 $0.5 3
43 31 It's Kind of a Funny Story Focus $44,842 -74.0% 67 -134 $669 $6,309,874 $8 6
44 45 Four Lions Drft. $40,153 -3.3% 14 +6 $2,868 $100,117 - 2
45 53 Vision Zeit. $33,992 +60.0% 10 +4 $3,399 $136,202 - 5
46 38 Case 39 ParV $30,028 -57.4% 106 -51 $283 $13,248,477 $26 7
47 57 Client 9: The Rise and Fall of Eliot Spitzer Magn. $29,931 +76.5% 15 +12 $1,995 $54,932 - 2
48 40 Tamara Drewe SPC $27,401 -47.2% 21 -6 $1,305 $268,027 - 6
49 51 Avatar: Special Edition Fox $27,212 +6.7% 6 -3 $4,535 $10,738,708 $9 12
50 N Cool It RAtt. $26,847 - 41 - $655 $26,847 - 1
51 44 Never Let Me Go FoxS $24,680 -41.1% 32 -19 $771 $2,331,348 $15 9
52 42 Catfish Rog. $23,875 -52.0% 25 -30 $955 $3,201,213 - 9
53 N Tiny Furniture IFC $21,235 - 1 - $21,235 $21,235 - 1
54 47 Howl Osci. $19,209 -40.5% 16 -13 $1,201 $484,659 - 8
55 41 The Salvation Poem (Poema de Salvacion) CZ $15,981 -68.6% 11 -3 $1,453 $431,610 - 12
56 52 Get Low SPC $15,977 -25.9% 26 -10 $615 $9,062,454 $7 16
57 63 The Wildest Dream NGE $15,919 +21.4% 9 -1 $1,769 $639,700 - 15
58 49 Space Station 3-D (IMAX) IMAX $14,520 -47.0% 3 - $4,840 $82,316,658 - 448
59 54 Welcome to the Rileys Gold. $13,500 -25.9% 7 -3 $1,929 $100,881 - 3
60 39 N'Secure Free $13,089 -76.9% 20 -85 $654 $2,592,808 $1.6 5
61 65 Enter the Void IFC $11,911 -1.4% 8 +1 $1,489 $272,502 $16 8
62 73 Deep Sea 3D (IMAX) WB $11,588 +32.4% 4 - $2,897 $43,802,534 - 246
63 - The Man From Nowhere CJ $11,531 -66.9% 6 -4 $1,922 $528,175 - 7
64 62 Jack Goes Boating Over. $10,913 -21.6% 34 +3 $321 $512,183 - 9
65 59 Inspector Bellamy IFC $10,316 -32.7% 2 - $5,158 $64,865 - 3
66 71 Sea Monsters: A Prehistoric Adventure (IMAX) NGE $9,325 +2.3% 3 - $3,108 $23,405,352 - 163
67 67 Last Train Home Zeit. $9,309 -20.3% 6 -4 $1,552 $241,321 - 11
68 - Marwencol CGld $8,859 - 1 - $8,859 $24,461 - 6
69 64 The Tillman Story Wein. $8,364 -35.5% 21 -3 $398 $782,600 - 13
70 74 Waste Land Arth. $8,271 -4.4% 5 +3 $1,654 $38,729 - 3
71 55 What If... 5&2 $8,240 -54.4% 12 -10 $687 $752,437 - 13
72 - Enemies of the People ICir $8,216 - 6 - $1,369 $36,327 - 16
73 N Every Man for Himself (2010 re-issue) FDesk $7,926 - 1 - $7,926 $7,926 - 1
74 66 Machete Fox $7,427 -38.1% 19 -13 $391 $26,589,953 $10.5 11
75 69 Wild Target Free $6,901 -37.1% 5 - $1,380 $54,820 $8 3
76 56 Leaving IFC $6,391 -62.7% 6 -1 $1,065 $115,391 - 7
77 58 A Film Unfinished Osci. $6,222 -59.8% 10 -5 $622 $311,542 - 13
78 61 Heartbreaker IFC $6,021 -58.2% 19 -1 $317 $473,254 - 10
79 104 The Cremaster Cycle (re-issue) ICir $5,999 +642.5% 1 - $5,999 $133,667 - 31
80 - Boxing Gym Zipp. $5,583 - 5 - $1,117 $25,768 - 4
81 70 Strange Powers: Stephin Merritt and the Magnetic Fields Vari. $5,073 -49.6% 3 - $1,691 $35,396 - 3
82 - The Trouble with Terkel (2010) Indic. $4,924 - 4 - $1,231 $19,656 - 5
83 95 Metropolis (2010 re-issue) Kino $4,908 +179.0% 3 - $1,636 $527,918 - 28
84 84 Kings of Pastry FRun $4,236 +1.6% 5 - $847 $150,474 - 9
85 113 Dogtooth Kino $4,073 +1,529.2% 2 +1 $2,037 $63,072 - 21
86 87 Genius Within: The Inner Life of Glenn Gould Lorb. $3,920 -1.0% 4 +1 $980 $133,473 - 10
87 68 The Girl Who Played with Fire MBox $3,659 -67.4% 12 -7 $305 $7,621,388 - 19
88 91 Nine Nation Animation Shorts $3,489 +37.3% 2 +1 $1,745 $12,973 - 7
89 86 Freakonomics Magn. $3,447 -13.8% 7 - $492 $96,215 $2.9 7
90 72 Animal Kingdom SPC $3,437 -61.0% 8 -4 $430 $989,764 - 14
- - Aftershock (Tangshan Dadizhen) CL $3,015 -79.3% 3 -20 $1,005 $56,247 - 3
- - House (re-release) Jan. $2,894 +1,923.8% 1 - $2,894 $191,183 - 44
91 N Helena From the Wedding FM $2,692 - 1 - $2,692 $2,692 - 1
92 79 My Dog Tulip NYer $2,573 -62.6% 3 -1 $858 $111,659 - 11
93 89 Mesrine: Killer Instinct MBox $2,477 -26.3% 4 - $619 $522,462 - 12
94 83 Winter's Bone RAtt. $2,427 -42.9% 10 - $243 $6,222,365 $2 23
95 102 The Taqwacores Strand $2,294 +169.6% 2 +1 $1,147 $8,756 - 4
96 88 I Am Love Magn. $2,266 -40.5% 4 -2 $567 $4,999,234 - 22
97 80 Mademoiselle Chambon Lorb. $2,153 -66.2% 3 -3 $718 $512,655 - 25
98 90 Guy and Madeline on a Park Bench Vari. $1,739 -46.2% 1 - $1,739 $6,389 - 2
99 96 A Woman, A Gun and A Noodle Shop SPC $1,707 -0.5% 6 -3 $285 $184,066 - 11
- 81 Violet Tendencies Embr. $1,595 -69.7% 1 - $1,595 $8,591 - 2
100 109 Mesrine: Public Enemy No. 1 MBox $1,426 +293.9% 5 +3 $285 $252,586 - 11
101 98 Breathless (2010 re-issue) Rialto $1,384 +4.7% 2 +1 $692 $341,263 - 25
102 - Feed the Fish Strand $1,358 -12.0% 3 +1 $453 $75,660 - 30
103 - Army of Crime Lorb. $1,356 - 3 - $452 $33,507 - 13
104 107 Around a Small Mountain CGld $1,287 +154.3% 1 - $1,287 $31,005 - 19
105 99 The Kids Grow Up Shad. $1,267 -0.4% 1 - $1,267 $9,641 - 3
106 - Alamar FM $1,146 - 1 - $1,146 $49,649 - 18
- - Budrus Bal. $1,067 -47.1% 1 - $1,067 $42,624 - 6
107 93 The Concert Wein. $997 -51.3% 3 -1 $332 $657,194 - 16
108 112 Eichmann Reg. $986 +235.4% 1 - $986 $2,706 - 3
109 105 Restrepo NGE $915 +14.4% 1 -1 $915 $1,328,725 - 21
110 92 Lebanon SPC $824 -63.3% 7 -2 $118 $361,966 - 15
111 94 The Girl with the Dragon Tattoo MBox $776 -59.4% 5 -11 $155 $10,086,093 $13 35
112 77 Piranha 3D W/Dim. $712 -91.1% 8 +2 $89 $25,002,872 $24 13
113 75 Red Hill Strand $689 -92.0% 1 -4 $689 $16,341 - 2
114 - Rosencrantz & Guildenstern Are Undead Indic. $520 - 2 - $260 $70,115 - 22
115 108 Magnificent Desolation (IMAX) IMAX $430 +11.7% 4 +2 $108 $34,053,982 - 269
116 101 I Spit on Your Grave Anch. $323 -68.1% 1 -1 $323 $92,401 $2 6
117 116 Shake Hands with the Devil Reg. $250 +115.5% 1 - $250 $594 - 3
- - Brutal Beauty: Tales of the Rose City Rollers CP $145 - 1 - $145 $7,409 - 15
118 117 The Magician (2010) Reg. $22 -70.3% 1 - $22 $406 - 3
TOTAL (123 MOVIES): $121,393,329 -20.3% 38,406 +958 $3,161
* Production Budget in millions. On average, studios earn approximately 55 percent of the final gross.
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Smithtown Appliance in Smithtown, NY is an authorized dealer of Broan Products. Broan-NuTone LLC leads the industry with forward-thinking residential ventilation products, customized climate, communications and storage solutions and superior customer service. Broan-NuTone is proud to acknowledge that over 80% of homeowners in the United States rely on one or more BROAN®, NuTone®, or BEST® products every day to provide them with superior indoor air quality and lifestyle conveniences.
So if you are looking for Broan products in Smithtown, St James, Stony Brook, Commack, Northport, Dix Hills, Huntington, Centereach, Port Jefferson, Lake Grove and Hampton Bays, or if you have any questions about Broan products, please feel free to call us at (631) 265-2270 or simply stop by Smithtown Appliance at any time and we would be glad to help you.


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