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Úvodní stránka » RECORDS » RECORDS II » Angaleena Presley
Angaleena Presley — American Middle Class
≈ Výborné metafory, krásné narážky, zkřížené vtipy. Písně A. Presley vykazují spousty humoru: "Musíš pracovat tak tvrdě, aby to vypadalo jednoduše." Celé album je naplněno bolavou melancholií, že někdo něco chce a nikdy to nedostane, nebo nikdy někoho nechtěl, protože tak či tak ho nikdy nedostane. Všichni jsou zlomení, poroucháni, zkorumpováni, trh selhal, hnije ode dna a mačkán je z vrcholu, to je zde zeširoka jazýčkováno. Radikální rozpolcenost, obklopující americkou politiku vs. kladení otázky, zda to něco znamená, že nejlepší v těchto písních jsou ženy. Je to součást emocionálního pozvednutí, že se od žen něco očekává? To naznačuje, že rovnováha mezi ambicemi a vyrovnáním se s reálem nebude nikdy vyřešen. Je to problém, že artikulace v písni je "něco mezi požehnáním a prokletím." Amerika je dům chudých i bohatých, který bude zbourán velmi brzy. A důkladně, podotýkám.
≈ Až se to začne dít, budete na to zírat s porozuměním.
≈ A savvy, perceptive country storyteller, Presley was the last of the Pistol Annies to release a solo album.
Birth name: Angaleena Loletta McCoy Presley
Born: September 1, 1976, Beauty, Kentucky, U.S.
Album release: October 14, 2014
Record Label: Slate Creek Records
01 Ain't No Man 3:44
02 All I Ever Wanted 5:27
03 Grocery Store 3:42
04 American Middle Class 3:47
05 Dry County Blues 4:01
06 Pain Pills 2:58
07 Life of the Party 5:24
08 Knocked Up 3:54
09 Better Off Red 3:38
10 Drunk 2:57
11 Blessing and a Curse 3:37
12 Surrender 3:39
Producer: Jordan Powell
≈ Angaleena Presley 1, 2, 4, 6, 9
≈ Lori McKenna / Angaleena Presley 3
≈ Angaleena Presley / Mark D. Sanders 5, 8
≈ Matraca Berg / Angaleena Presley 7
≈ Angaleena Presley / Sarah Siskind 10
≈ Bob DiPiero / Angaleena Presley 11
≈ Barry Dean / Luke Laird / Angaleena Presley 12
≈ 2014 American Middle Class Country Albums #29
≈ 2014 American Middle Class Top Heatseekers #14
≈ Kelly Archer Vocal Harmony
≈ Sarah Barlow Photography
≈ Matraca Berg Composer, Lyricist
≈ Charlie Brocco Engineer, Mixing
≈ Aden Bubeck Bass (Upright), Guitar (Bass)
≈ Barry Dean Composer, Lyricist
≈ Bob DiPiero Composer, Lyricist
≈ Fred Eltringham Bottle, Castanets, Drums, Main Personnel, Pans, Shaker
≈ Audley Freed Dobro, Guitar (12 String Electric), Guitar (Electric), Mandolin
≈ Keith Gates Banjo, Bazouki, Dobro, Guitars (Ac+El), Mandolin, Vocal Harmony
≈ Josh Grange Guitar (Steel)
≈ Brad Henderson Art Direction
≈ David Henry Cello, Violin
≈ Luke Laird Composer, Lyricist
≈ Patty Loveless Vocal Harmony
≈ Kam Luchterhand Assistant Engineer, Mixing Assistant
≈ Gale Mayes Vocal Harmony
≈ Lori McKenna Composer, Lyricist
≈ Taylor Pollert Engineer
≈ Jordan Powell Producer
≈ Angaleena Presley Composer, Lyricist, Primary Artist, Producer
≈ Angie Primm Vocal Harmony
≈ Emily Saliers Vocal Harmony
≈ Mark D. Sanders Composer, Lyricist
≈ Stephen Schofield Photography
≈ Sarah Siskind Composer, Lyricist, Vocal Harmony
≈ Chris Stapleton Vocal Harmony
≈ John Henry Trinko Hammond B3, Keyboards, Wurlitzer
≈ Glen Worff Bass (Upright), Guitar (Bass)
ANN POWERS, October 05, 201411:03 PM ET
≈ The temptation when confronting a serious problem is to either cry it out or laugh it off. This is true in country music, as in life. Even the greatest songs about heavy subjects either diffuse the tension with jokes or go entirely maudlin, providing catharsis without true clarity. Angaleena Presley, though, tackles the hard stuff head on.
≈ Take "Pain Pills," one of the beautifully frank and poignant portraits of small–town Southern life on the Pistol Annies member's remarkable solo debut, American Middle Class. In the first line, the local football hero is dead; by the last, the addiction that starts with a doctor's prescription has defeated half his neighbors, too. "Dry County Blues" tells a similar story of boredom and chemical indulgence. "Grocery Store" notices the spent potential in the face of a middle–aged clerk at the Winn–Dixie who "looks like a football coach who just lost his way." In the exquisitely tender ballad "Better Off Red," a college grad who realized her mother's dreams by leaving her rural home longs for her worker father: "He don't give a damn about these things in my head."
≈ This is real life, unresolved, its pain and modest hope coming in increments. It's also familiar ground for country songwriters, but in Presley's patient, exacting hands, the clichés fall away. Born and raised in coal–mining Kentucky, Presley was determined to make American Middle Class as honest a view into the place that made her as music could accommodate. Presley recorded her father speaking of his life in the mines for the title track, and a drug–addicted neighbor reading Scripture for the heretic's gospel song "All I Ever Wanted." These flourishes of audio–realism blend seamlessly with Presley's own gently powerful voice, an instrument made for determining what's true.
≈ Though they're never clichés, Presley's songs do exhibit plenty of humor, and they often play with classic country and Americana music forms. "Ain't No Man" strings together colorful metaphors in classic blues style to describe a woman whose choice to remain single confuses the status quo, while "Drunk" emulates Lucinda Williams in its hymn–like verses and dirt–kicking rock hook. But unlike songwriters who get stuffy when they feel they have to live up to tradition, Presley remains matter–of–fact. She has a right to live in these spaces.
≈ Fastidiousness elevates Presley's work; it's not easy to write a fresh–feeling song about an alcoholic ex–husband or a damaged party girl, but she does it by making sure every bit of wordplay gets weighted with actual insight. With many of Nashville's best players behind her (Keith Gattis and Audley Freed play guitar, while Patty Loveless, Chris Stapleton, Sarah Siskind and Indigo Girls' Emily Saliers appear as backing vocalists), Presley goes for a sound that's both traditional and richly immediate. But it's that other quality, the commitment to absolutely no B.S., that makes her music exceptional. "You gotta work so hard to make it look easy," she sings in "Blessing And A Curse," her anthem about the American disease of chronic dissatisfaction. Presley confronts what's tough so easily that it feels completely right. :: http://www.npr.org/ © Photo credit: Blu Sanders
Review by Stephen Thomas Erlewine; Score: ****
≈ The third and last of the Pistol Annies to deliver her own solo record, Angaleena Presley operates on a more intimate scale than either Miranda Lambert or Ashley Monroe. Lambert trades on her bravado, Monroe on her savviness, but Presley relies on subtlety on American Middle Class, her long–awaited 2014 solo debut. Attitude isn't of paramount importance here, nor is the kind of flashy production that would send her into the country charts. With its measured arrangements and deliberate, detailed narratives, what American Middle Class most resembles is Brandy Clark's acclaimed 2013 album 12 Stories ("Drunk" sounds like an unofficial prelude to Clark's "Hungover") but Presley is a distinctive songwriter in her own right, possessing a knack for conveying the fraying dreams of a middle America with empathy and sly humor. Sometimes, the jokes are front and center, as they are on the shambling "Knocked Up," but the nifty thing about American Middle Class is how Presley often blurs the line between sobriety and satire on her sketches of lives lived on the fringe of America. Perhaps Presley isn't a powerhouse of a singer but her lazy gait means her barbed sensibility goes down smooth, so it's only after the record has concluded that the depth and variety of American Middle Class sink in. This is a rich, deceptively relaxed portrait of working–class life in America in 2014 and it will linger for some time to come.
Artist Biography by Stephen Thomas Erlewine
≈ As the last of the Pistol Annies to release her own album, Angaleena Presley wasn't a superstar on the level of Miranda Lambert, nor was she quite the Music City survivor like Ashley Monroe. Instead, she was a behind–the–scenes songwriter who received a boost once she became part of the Annies. Once the group's 2011 debut Hell on Heels turned into a success, it was a matter of time before Presley received her own record contract, which she did in 2014, when she released American Middle Class.
≈ By the time that album came out in the fall of 2014, Presley had been working away in Nashville for the better part of 15 years. A native of Martin County, Kentucky, where she was born to a school teacher mother and coal miner father, Presley began playing music as a teenager but didn't pursue it seriously until she left Eastern Kentucky University. She moved to Nashville in 2000, landing a publishing deal not long afterward. It took her a while to land songs on records, but they started to come toward the end of the decade, with "Knocked Up" appearing on Heidi Newfield's 2008 LP What Am I Waiting For? and "Look It Up" showing up on Ashton Shepherd's 2011 album Where Country Grows. Her real break, though, was meeting Ashley Monroe, a singer/songwriter who was with the same publisher and brought Presley to the attention of Miranda Lambert. The trio formed Pistol Annies in 2011 and collaborated on the songs that became their debut Hell on Heels. A gold success in the U.S., the record generated a 2013 sequel called Annie Up, a record that didn't do quite as well as the debut but still performed respectably. A year after Annie Up, Presley finally released her long–awaited debut American Middle Class on Slate Creek; it debuted at 29 on the U.S. country charts. :: http://www.allmusic.com/
Rising country star speaks up for the 99 percent on sharp solo LP
BY Jonathan Bernstein | October 21, 2014 | Score: ***½
≈ Best known for her work with Pistol Annies, Angaleena Presley is the latest hard-nosed country traditionalist to challenge Nashville's frat–party tendencies. On the first half of her impressive solo debut, Presley fills her disappearing middle–class blues with sharp, compassionate tales of unfulfilled pensions and steep tuition bills. Later on, the bona fide coal miner's daughter changes gears with a series of vulnerable country–soul ballads that find her longing for some domestic stability. In "Better Off Red," she resigns herself instead to the life of a misfit songwriter: "'Cause a blade of bluegrass left a scar on my neck/And it ain't quit hurtin' yet." Fortaken: http://www.rollingstone.com/
By Anthony Easton 21 November 2014; Score: 8
Work, Church, Jesus, Pills and Other Country Melodramas
≈ Country music is in the middle of a boom in songwriters whose commitment mostly rests on narratives. Story songs were vital from the beginning, but lately, there are people who have these tiny writerly details: excellent metaphors, beautiful allusions, wry jokes. Delightfully, there are often songs about the genre, about how the landscape works to inform the genre, or how religion functions within both country music itself and within this landscape, or even about how vernacular music affects the creation of more formally constructed works. I am thinking about Corb Lund, Hayes Carll, Robert Ellis, Brandy Clark, Kacey Musgraves, and even Miranda Lambert or Taylor Swift before 1989. They also are marked by a structural ambiguity, a way of negotiating the constant instability of the genre, of the economy in general, of the dissolution of the middle class suburban family. Angaleena Presley fits into this discourse explicitly, but fascinatingly she might be the moralist of this group.
≈ Her solo album refuses the romantic sentiment of some of new Nashville's worst excesses, such as how the genre seems to now advertise small towns, drinking, Sunday church and Saturday fucking. There is something slippery in Presley's response to these excesses, and this unresolved quality establishes a difficult tension with how to love a place, where you are aware of its hypocrisy, and the genuine violence that occurs in that space, the reconciling could be seen to be impossible. This is especially true in the problems of the domestic, especially the intersection of domestic trauma and drugs or alcohol. If we are talking about moralism, this might be the best argument in favour of prohibition, while knowing how much of a disaster the war on drugs is. This is only one example of being caught between two middles.
≈ The whole album is filled with the aching melancholy of wanting something and never getting it, or never wanting someone because you will never get it. How everyone is both broke and broke down, the corruption and failure of the market rotting from the bottom and squeezing from the top, is profoundly realized here. I am thinking especially of the one–two punch of "American Middle Class" and "Dry Country Blues", which arrives in the middle of the album. "American Middle Class" begins with a taped interview with Presley's father, discussing his coal miners history. She calls herself a product of the "never give up, american middle class", and this might be the first mention in recent memory of a big label record extolling the ethics of Union history, but it also talks about how "scholarships went to the rich / and grants went to the poor", about shit jobs and bad degrees, and eventually becoming a part of the middle class. I keep thinking that the right and the left are collapsing among people Presley's age. This song, which talks about how her father didn't get a pension, works hard enough to pay for welfare families, but also about how the middle class sustains America, and how that sustaining class is dying, with the anthemic chorus about tearing down the poor house, but only if we can build it up again, suggests a radical ambivalence that surrounds American politics.
≈ If she is ambivalent about the current situation, her discussion about the problems of small towns and pills might as well come from Denis Johnson's Jesus' Son, it is a bleak discussion of the failures of economics. The connection of sex, drugs, and money to a failure of middle class aesthetics, is so plainly stated that it cannot even be thought to be bitter: "There is nothing illegal as long as the sheriff gets paid / there is good christian women locking their front doors / praying their daughters don't turn into meth whores / while their sons are out drinking and driving and trying to get laid."
≈ Everyone is taking pills, half the county is laid off, and the way she talks about addiction is almost reportage. She thinks about the rise of heroin overdoses due to the lack of OxyContin, and the recent changes to narcotics that make them more difficult to smoke or snort, and also how these addictions come from the body breaking down after shit retail or even shittier warehouse work. The recent pill problems are directly resulting in the move from those good union jobs, into service jobs that just cannot pay the rent. That country music is better at making these connections than most of the press, indicates that the genre still positions itself as a place where working class people get their commentary. That the next song, called "Pain Pills", has a series of riotous guitar solos, providing a Greek chorus against a set of first– or second–person stories, of construction–worker sons and preacher's daughter's made liars and thieves, collapsing and dying due to these barely legitimized medication. Consider these two songs by Presley, the Pistol Annie's "Taking Pills", and Brandy Clark's "Take a Little Pill", you have to wonder if it means anything that the best of these songs are by women. Is this part of the emotional lifting that women are expected to do, still?
This question of women's responsibilities in working class communities, are found throughout this work. Her cover of Heidi Newfield's "Knocked Up" is a little innocent after the references to meth whores, but one believes the shame here more than Newfield's cover, which was always a bit rollicking and not in an ironic sense. What happens after marrying the boy that knocks you up as a teenager, is the listing song "Drunk". The song begins with a slow, rolling guitar, and it is almost a cappella. Presley, after decades of doing all of the cleaning, raising babies, shopping for groceries, "whittling down the debt," being sexually available — everything she does ends with the line "when you were drunk." She talks about not keeping secrets anymore : "My daddy loved you like my son / because I kept your secret from everyone," so she leaves and he stays both in the house, and as a drunk, in an elegant parallelism, that ends on a hopeful note.
≈ It is not all bad news, all failures. The hope continue, in the gorgeously abstracted ballad, "Better Off Red", which provides this utopian vision that she already lost. When she sings about being strangled by bluegrass, or about how her "daddy don't give a damn about these things in my head," and how he "ain't hurting yet" or how she "wants the bank of the river instead of the sea" — that desire for a home that will never return, it is the small town that one desires, and one can never have. That one can desire this kind of faux–small town, even after knowing of the shamed teenage mothers, all of the pills, and meth, and corrupt cops, it suggests that the balance between ambition and settling is never resolved. It's a problem she articulates on the song "Somewhere Between a Blessing and a Curse". When she "thanks God for the moments in between," she articulates those moments with heartbreaking skill. :: http://www.popmatters.com/
Website: http://www.angaleenapresley.com/
Website: http://www.pistolannies.com/
Twitter: https://twitter.com/guitarleena
Facebook: https://www.facebook.com/angaleenapresley
Facebook: https://www.facebook.com/PistolAnnies
Tycho — Weather
Jefre Cantu~Ledesma
Khruangbin — Hasta El Cielo


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Search continues for missing hiker on Mount Charleston
by: Carolyn Williams
Posted: Sep 2, 2019 / 02:57 PM PDT / Updated: Sep 3, 2019 / 07:19 AM PDT
LAS VEGAS (KLAS) — Authorities are still searching for 35-year-old Daniel Reza, who Red Rock Search and Rescue says was last seen on a trail on Mount Charleston.
A missing persons report from Metro says Reza was wearing a long-sleeve blue shirt and blue jeans and may need medical attention.
Red Rock Search and Rescue, Metro and the Air Force 34th Weapons Squadron Rescue pararescue specialists were joined by local hikers and 4X4 drivers in the search.
Metro's Missing Persons section is asking all hospitals to check their registries for Reza and contact them immediately. Anyone with information is to contact Metro at 702-828-3111 or 702-828-2907.
Mount Charleston officials: Safety measures in place in case of avalanche
LAS VEGAS (KLAS) -- Avalanches are not too common at Mt. Charleston, but officials say they have safety measures in place in case one were to occur.
"The avalanche warnings are gonna come from the U.S. Forest Service, and will be issued through the county or Forest Service. That does not include the skiing area permit because we make our own assessments and we don't issue avalanche warnings for the greater public," Joshua Bean, Director of Mountain Operations for Mt. Charleston told 8 News Now.
ARNOLD, Mo. (AP) — A couple who had been together for nearly 65 years have died on the same day at a St. Louis-area nursing home.
Jack and Harriet Morrison's beds were placed next to each other in their final hours, allowing them to hold hands, the St. Louis Post-Dispatch reported.
by Lucas Wright / Jan 18, 2020
LAS VEGAS (KLAS) — Detectives are on the lookout for a man who robbed and punched an elderly woman in an elevator at The D Casino & Hotel on Fremont Street Wednesday night.
The video above shows the victim being beaten by the suspect in question. Viewer discretion is advised.
2 officers shot and killed in Hawaii, homes on fire
Local News / 39 seconds ago

redpajama_set_name: RedPajamaCommonCrawl


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10Х — беспилотный самолёт-снаряд (крылатая ракета) класса воздух—поверхность, с пульсирующим воздушно-реактивным двигателем (ПуВРД). Создан методом обратной разработки немецкой ракеты Фау-1 в КБ завода № 51, с сентября 1944 года.
Руководил разработкой Владимир Николаевич Челомей.

История создания
В качестве трофеев Советскому Союзу достались несколько ракет «Фау-1» при занятии территории испытательного полигона недалеко от города Близна в Польше.
Появилось соответствующее решение ГКО. В конце лета 1944 г. Челомей завершил эскизную проработку самолёта-снаряда со своим ПуВРД Д-3, получившего название 10Х, а 19 сентября 1944 г. его назначили главным конструктором и директором завода 51 НКАП. Прежде этот завод занимался проектированием и изготовлением опытных самолётов под руководством главного конструктора Н. Н. Поликарпова, скончавшегося 30 июля 1944 г. Из всех планируемых Поликарповым работ за заводом сохранили только летные испытания и доводку ночного бомбардировщика «НБ», а также проектирование и постройку ракетного истребителя «Малютка».

Ускорила создание 10Х доставка из Великобритании и Польши некомплектных V1. Однако о копировании аппарата полностью речь не шла. Например, при разработке чертежей на автопилот АП-4 для самолёта-снаряда 10Х в целях скорейшего освоения его в массовом производстве ОКБ-1 главного конструктора В. М. Соркина сделало упор на применении гироскопических узлов серийных советских приборов.

В отличие от Фау-1 10Х предназначались для запуска не только с наземных позиций и самолётов, .

Первоначально предназначался для пусков с земли по наземным целям, как и прототип, но, из-за низкой эффективности, такое применение было отвергнуто. Доработанный вариант предназначался для вооружения самолётов-носителей с целью поражения объектов противника на значительном удалении от рубежа пуска с самолёта.

Разработка самолёта-снаряда была задана решением ГКО от 13 июня 1944 г.

25 декабря 1944 года были успешно завершены заводские стендовые испытания ПуВРД Д-3.

20 марта 1945 года на испытательном полигоне в районе г. Джизак Узбекской ССР был проведён первый пуск с самолёта-носителя Пе-8.
Лётные испытания закончили в 1946 году. В 1948 году после проведения лётных испытаний на самолётах Пе-8 и Ер-2 самолёт-снаряд был рекомендован для принятия на вооружение ВВС.
Однако ВВС отказались принять эту ракету на вооружение, прежде всего из-за низкой точности системы наведения. Несовершенство инерциальной системы наведения приводило к большому рассеиванию — при стрельбе на максимальную дальность попадание в квадрат со сторонами 5 километров считалось хорошим результатом.
Также, ракета имела малую дальность, высоты и скорость полёта меньшие, чем у поршневого истребителя того времени.

В послевоенное время В. Н. Челомеем было разработано ещё несколько ракет на основе 10Х (14Х и 16Х), но в начале 1950-х разработки были прекращены, а разрабатывавшее их КБ закрыто.
В итоге самолёт-снаряд на вооружение Советской Армии так и не поступил.

Тактико-технические характеристики

Литература

Ссылки
 Челомей 10Х

Примечания

Ракеты «воздух-поверхность»
Крылатые ракеты СССР
Пульсирующие воздушно-реактивные двигатели

redpajama_set_name: RedPajamaWikipedia


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Q: Setup urlManager in Yi2 to work like twitter Ho can I set up urlManager patterns in a way that it works like twitter or any other social networks? for example I want to have the following routes:
http://www.example.com/[user_id]
http://www.example.com/[user_id]/[mycontroller]/[myaction]

*

*If users write their user_id it goes to their dahboard page.

*If user    write their user_id followed by a controller and action
name it    proceeds to proper controller action

A: Add the following two URLs.
The first rule will match any digit and execute the index action of the profile controller. The index action will receive the user ID, so the function will, most likely, look like public function actionIndex($user_id)
'<user_id:\d+>' => 'profile/index',

So /1 would execute actionIndex of the ProfileController and passing 1 as the $user_id.
The second rule will match any digit followed by two words, separated by a slash of course.
'<user_id:\d+>/<controller:\w+>/<action:\w+>' => '<controller>/<action>',

So /1/some/something would execute actionSomething in the SomeController. And the actionSomething would again receive the $user_id.

redpajama_set_name: RedPajamaStackExchange


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by Admin January 8, 2021 January 8, 2021 066
Cybersecurity has emerged as one of the biggest challenges for companies the world over in the last few months. The overnight transition to working from home from the secured environs of work places, because of the Covid-19 pandemic since March, has resulted in companies seeing a significant rise in cybersecurity challenges.
The pandemic has brought cybersecurity to the fore as companies, or anyone for that matter, had not foreseen a situation where the workforce would be working from dozens of different locations, and that too for an extended period. It is not surprising that many companies were not prepared for this kind of transition, and the cybersecurity challenges that it would lead to.
The digital landscape is far wider, and digital assets less secure than before, leading to newer complexities in cybersecurity management. Secure access, data privacy, data security, protection against malware, and cloud security have emerged as the top cybersecurity challenges before companies.
Cyber attackers have been working overtime in their efforts to exploit the security loopholes within vulnerable remote networks. Reports of hackers targeting top global companies, including technology giants and those engaged in developing Coronavirus vaccines, suggest that cyber attackers have been successful in multiple cases.
What we are also seeing is most companies are factoring in the risk of loss of operations in the event of a major cyberattack, and the growing realization about the need to build strategies accordingly, and to have robust cybersecurity systems.
Cybersecurity has emerged as a top priority for corporates, and a majority of them are increasing their funding in this direction. The good thing is that rather than looking at this as an expenditure, companies are seeing this as an investment, just like for any other measure to safeguard their business and assets.
Selecting a cybersecurity services provider is not an easy decision, but companies must keep three criteria in mind while making a decision about the same. The first is whether the security service provider is integrated enough to protect data, second whether it is agile to respond to new threats and foreseeing challenges, and the third its ability to communicate to all stakeholders when required. The security services providers becomes the partners to organization growth and have to act as that.
These aspects assume importance in the light of the most of governments and corporates are looking to shift their operations and overhauling the complete global supply chain
Even the emerging markets like India there is a rapid digitalization is taking place in manufacturing with the adoption of Industrial Internet of Things (IIoT), smart machines, artificial thinking, remote monitoring, etc.
Agriculture produce and supply chains are also getting digitized with the government launching Electronic National Agriculture Market (eNAM), while service industry is seeing emergence of edu-tech, health-tech, and fin-tech start-ups and adopting of technology for almost all processes.
In short, digitization is the order of the day for the companies to be more agile.
Recently the Indian government announce Atmarnirbhar Bharat where foreign companies are incentivizes to set up the manufacturing and partnered with Indian companies for economic growth. Data security and safety of digital assets would be among the critical prerequisites for the success such programs . One cannot expect a foreign company to invest in India or to source from India if it is not confident about the security of its data and its digital assets. Companies will require to put in place adequate safeguards by way of robust cybersecurity mechanisms to develop a certain trust level.
Cybersecurity challenges are here to stay, and are only likely to become more severe going ahead, but being prepared to face the challenges is what companies can and must do. Most devastating viruses are invisible and unknown, so the mechanism to guard against this unknown, unseen enemy and threats from it requires intuition, experience, commitment and determined efforts with a perfect synchronization of people processes and technology.
Jaydeep Ruparelia
The writer is Director, Co-founder & CEO of global Managed Security Services Provider Infopercept Consulting.
About Infopercept Consulting
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Benjamin Schoos Straps on His "Shoes" in New Single
By Scott DemersJanuary 31, 2020 No Comments
Benjamin Schoos is a busy person – not only is he running the label Freaksville Records, he also has put out a pretty significant amount of music. Just check out the number of releases in his Bandcamp page! Well, he's back with another upcoming album and has given us the opportunity to premiere his new music video! The aforementioned album will be titled Doubt in my Heart and will be taking a different approach this time around. Usually, Schoos helms the vocal roles in his music, but this time around he decided that he wouldn't be able to tell the story he wanted to tell properly, so he enlisted some help in the form of guest musicians. That's an admirable dedication to the craft he's presenting.
Today we will be taking a gander at the single "Shoes" which features guest vocalist Nicholas Krgovich. As always, Everything Is Noise is very proud to premiere this video today, but before we get into that, Schoos had this to say about the song itself:
'"Shoes" is a warm bath of a tune, full of evocative imagery and underpinned by an obvious devotion to sweet 70's soul records shared by two singers living nearly 5,000 miles apart. As winter approaches, this single promises subtle seduction with a sliver of subversion. 'Now things are wilder than you think,' the two men sing with a knowing wink, and the evening walk with the dog becomes the unlikely setting for the rekindling of fires of passion.'
'The idea in the video is the wandering of a man. The machine that is getting stuck, the fragile man faced with the immensity of a raw nature. Loneliness and finally contemplation. Filmed in 16mm Black and White, the rushes were developed and scanned manually. The assembly was largely done in 16mm.'
That quote was from the director of the video, Sebastien Alouf. I think, much like the video, the song is stripped back into an almost simplistic form – at least on the surface. It all sounds like a simple four-chord song or something similar, but then the layers start to reveal themselves the closer you listen. The intimacy in which it is presented is a nice and warm addition. It feels safe and welcoming all at once. All in all, I believe Schoos has successfully created something both familiar and personal at the same time. This is something that can reach a lot of people, yet it still manages to remain deep and meaningful on that personal level.
If you enjoyed what you have heard here today, please make sure to head over to the following locations to keep up to date with all of Mr. Schoos' goings on: Facebook, Instagram, Twitter, and his official website.
I'm just going to assume he was urinating at the end.
Benjamin ShoosDoubt in my HeartFreaksville MusicMusic VideoNicholas KrgovichShoessingle
Scott Demers
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Researchers from the laboratory of Gary Lamberti, professor of biological sciences and director of the Stream and Wetland Ecology Laboratory at the University of Notre Dame, were working on a federal Great Lakes Restoration Initiative project to assess, enhance and restore Great Lakes coastal wetlands, when undergraduate researcher Dayna Smith suggesting checking for contaminants in turtles that were incidentally captured in fish nets. The project, funded by the U.S. Environmental Protection Agency, involves a large consortium of universities and agencies in the Great Lakes area, including Notre Dame, collaborating in a 10-year monitoring program. The program involves assessing water quality, plants, invertebrates, fish, birds and amphibians, but not reptiles.
Smith, Lamberti, graduate student Matthew Cooper and research technician Jessica Kosiara found that painted turtles, which can live up to 20 years, and snapping turtles, which live up to 50 years and are harvested for food, were common inhabitants of these wetlands. They analyzed the muscle, liver, shell and claws of captured turtles in four wetland locations for cadmium, chromium, copper, iron, lead, magnesium, manganese and zinc. The researchers discovered that all turtle individuals carried all eight metals, and that concentrations broadly correlated with assessments of metals in the soil of the wetlands. They also found that tests on small samples of shell and claw yielded results similar to those on muscle and liver, meaning that the tests can be performed without killing the turtles. Because the turtles live longer than fish and are relatively high on the food chain, they could be a useful source for measuring wetland pollution. Along with being sentinels for pollutants, snapping turtles that are consumed by humans may also pose a health risk to those individuals similar to the health advisories placed on large Great Lakes fish.
A paper describing the research, which was conducted in association with Notre Dame's Environmental Change Initiative (ECI), appears in the journal Environmental Monitoring and Assessment. The paper can be found here: http://link.springer.com/article/10.1007%2Fs10661-016-5118-5.
Originally published by William G. Gilroy at news.nd.edu on June 07, 2016.


Holophane receives The Queen's Award for Enterprise, a most prestigious award in the UK.
Holophane UK recently received one of the UK's most prestigious business awards, The Queen's Award for Enterprise.
It's the UK's leading accolade for business success for all sorts of companies and then given to industrial or business unit as a whole and recognizes management and employees working as a team benefiting not only the enterprise, but also the local community and country.
Watch the Innovation 2017 Ceremony!


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Mikhail Grigorenko chats with Kevyn Adams today. ©2013, Dan Hickling, Olean Times Herald
Grigorenko makes Sabres' 23-man opening-day roster
BUFFALO – Not surprisingly, first-round pick Mikhail Grigorenko made the 23-man regular-season roster the Sabres announced this afternoon.
But will the 18-year-old center be in Sunday afternoon's opening-day lineup?
"I could've stepped up here and asked that question," Sabres coach Lindy Ruff joked as he began fielding questions this afternoon inside the First Niagara Center. "Mikhail's had a good week. Obviously, I'm not going to give you that decision right now. We got another practice day."
Is Ruff leaning one way?
"I'm not going to tip my hat right now," he said.
While the Sabres won't say it, all signs point to Grigorenko making his NHL debut Sunday here against Philadelphia. The Russian was still centering Ville Leino and Steve Ott during practice today.
They can play him five times before the first year of his entry-level contract kicks in.
"I don't think that somebody waits for me score … like five goals every game or something," Grigorenko joked.
So far, Grigorenko's enjoyed his five days of training camp.
"You really can see that it's such a good team, everybody helps each other, almost all the guys, they wanted to help me, support me," Grigorenko said. "They kind of made a good atmosphere for me."
Meanwhile, defenseman Adam Pardy and forwards Kevin Porter and Nick Tarnasky cleared waivers today. Pardy, a veteran of 183 NHL games, has been assigned to Rochester. Porter and Tarnasky are already playing for the Americans.
The Sabres reached the 23-man roster by placing forwards Nathan Gerbe (spine) and Cody McCormick (finger) on injured reserve. Both are practicing.
Sabres general manager Darcy Regier said Pardy, who was looking forward to a fresh start following a rough season in Dallas last year, handled the situation "very professionally." A short camp hurt Pardy's slim chances of making the Sabres.
"He's very disappointed," Regier said. "But given the amount of time we had, no exhibition games, familiarity with the group we have, level of confidence in that group, unfortunately, Adam became the odd man out.
"But on the other side of it, he'll have every opportunity in Rochester to play, to play a lot in situations that will benefit his style of play, and we'll keep an eye on him. He's someone with NHL experience, and organizationally that's a good thing to have."
Author Bill HoppePosted on 01.18.13 01.15.19 Categories Gerbe, Grigorenko, Leino, McCormick, Ott, Pardy, Porter, Regier, Rochester Americans, Ruff
2 thoughts on "Grigorenko makes Sabres' 23-man opening-day roster"
01.18.13 at 8:28 pm
I spent a wise $75! But in all honesty, I'm glad the kid made the team. I honestly didn't see that coming back in June. I hope the best for him.
Bill Hoppe says:
Wow, a $75 NHL jersey!
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Home > Book Reviews > General Fiction > A Theater For Dreamers by Polly Samson
A Theater For Dreamers by Polly Samson
One of the most pleasant tasks at the SMSA library is the inventory of books (or stock taking), as it not only allows the staff to familiarise with authors and books held in our catalogue, but also grants, to book lovers like myself, the opportunity to discover treasures that, magically and unexpectedly, transport us to other realms.
Only a few weeks ago, the latest release in 2020 by Polly Samson, A Theater for Dreamers, landed in my hands and immediately captured my attention, as it is closely related to the remarkable and talented Australian authors Charmain Clift and George Johnston, who lived in Hydra altogether for eight years.
Set on this small island in the Aegean, the narrative thread is conducted by Erica, an 18-year-old girl fleeing from London during the sixties, a pivotal transition period between the Post-War Era and the 70s. She is witness and participant of the joys and dramas of an expatriate community of bohemians and intellectuals who, having turned their backs to their western metropolis, settled there in the quest for Arcadia.
Although a fictional narrative, the book has been thoroughly researched and conveys very well the portrait of the characters of this constellation of artists and their entanglement. Not to speak that it also gives us the unusual chance to sense the magnetic and forceful personality of Charmian Clift, with her dark, deep voice, statuesque presence and sharp and opinionated insights. In fact, the community somehow revolved around the couple, who also happened to host a young Leonard Cohen before he was to become a legend; as well as other figures of that beat generation.
The recount is interspersed with the coming of age of the narrator, who in her own way, tries to discover role models in life.
A Theater for Dreamers is a real page-turner book that will have you spellbound with its blending of simple life in a yet undiscovered paradise for tourists and the twists and turns of inter-relationships of the characters of this enclave.
In any case, my aim is not to give away spoilers but to entice you to read this mesmerising and profound novel, which leaves you with a sense of nostalgia for past times and reflections about the natural romantic view of trying to find new paths and places in life.
Samson is a Fellow of the Royal Society of Literature, lyric composer of four Number One albums and, as a recently discovered piece of information, her husband is David Gilmore, musician and founder of Pink Floyd.
I look forward to commenting A Theater for Dreamers with you!
Find A Theater For Dreamers by Polly Samson in the SMSA Library
Further reading available at the SMSA library & Tom Keneally Centre:
The world of Charmian Clift by Charmian Clift
Strong-man from Piraeus and other stories by George Johnston and Charmian Clift
Half the perfect world : writers, dreamers and drifters on Hydra, 1955-19644 by Paul Genoni and Tanya Dalziell
Clean straw for nothing & Cartload of clay by George Johnston
My brother Jack by George Johnston
So long, Marianne: a love story by Keri Hesthamar
My old man: tales of our fathers by Ted Kessler
Written in History: letters that changed the world by Simon Sebag Montefiore
Reviewed by Liliana Navarro


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Phylogenetic tree highlighting the position of W. marina relative to the type strains of the neighboring genera Citreicella and Rubellimicrobium. The tree was inferred from 1,381 aligned characters of the 16S rRNA gene sequence under the maximum likelihood (ML) criterion as previously described . The branches are scaled in terms of the expected number of substitutions per site. Numbers adjacent to the branches are support values from 1,000 ML bootstrap replicates (left) and from 1,000 maximum-parsimony bootstrap replicates (right) if larger than 60% . Lineages with type strain genome sequencing projects registered in GOLD  are labeled with one asterisk, those also listed as 'Complete and Published' with two asterisks .
A representative genomic 16S rRNA gene sequence of W. marina DSM 24838T was compared with the Greengenes database for determining the weighted relative frequencies of taxa and (truncated) keywords as previously described . The most frequently occurring genera were Ruegeria (41.6%), Paracoccus (31.0%), Oceanicola (14.0%), Silicibacter (5.0%) and Loktanella (3.3%) (60 hits in total). Among all other species, the one yielding the highest score was Oceanicola granulosus (AAOT01000021), which corresponded to an identity of 94.7% and an HSP coverage of 99.6%. (Note that the Greengenes database uses the INSDC (= EMBL/NCBI/DDBJ) annotation, which is not an authoritative source for nomenclature or classification.) The highest-scoring environmental sequence was DQ640643 (Greengenes short name 'Rhodobacteraceae South China Sea oil field sediment isolate HY34 Rhodobacteraceae str. HY34'), which showed an identity of 99.8% and an HSP coverage of 100.0%. The most frequently occurring keywords within the labels of all environmental samples that yielded hits were 'microbi' (4.3%), 'coral' (3.6%), 'sea' (2.6%), 'diseas' (2.5%) and 'china' (2.4%) (190 hits in total). The most frequently occurring keywords within the labels of those environmental samples which yielded hits of a higher score than the highest scoring species were 'antecubit, fossa, skin' (13.9%) and 'china, field, oil, rhodobacteracea, sea, sediment, south' (8.3%) (3 hits in total). Some of these keywords fit well to the isolation site of strain HY34T .
Cells of strain HY34T form Gram-negative, ovoid or short rods (0.7–0.8 µm in width and 1.3 µm in length) [Figure 2]. Motility and sporulation were not observed. Cells are strictly aerobic and display a heterotrophic lifestyle. When cultured on Marine Agar 2216 colonies with a weak pink color became visible, but bacteriochlorophyll a was not detected. The strain grows in a temperature range of 15–42°C with an optimum at 34–38°C. NaCl is required for growth (0.5–9%) with an optimum salt concentration at 1–4%. Further, the strain grows in a range of pH 6.5–8.5 with an optimum pH of 7.5–8.0. The strain is oxidase- and catalase-positive. Nitrate is reduced to nitrite. Indole and H2S are not produced. Cells hydrolyze urea and Tween 20, and a weak hydrolysis of Tween 40 and Tween 80 was also detected. The strain does not hydrolyze agar, casein, starch, DNA or CM-cellulose. Strain HY34T accumulates polyhydroxyalkanoates in its cells. Tests for arginine dehydrolase and lecithinase were negative. Further, cells utilize sucrose, lactose, galactose, maltose, melezitose, L-rhamnose, L-fucose, trehalose, cellobiose, gluconate, lactic acid, malate, L-glutamic acid. The strain utilizes D-melibiose, inulin, methyl α-D-glucoside, glycerol, sorbitol, butanol, pyruvate, formic acid, L-alanine and L-proline weakly. Utilization of D-raffinose, mannitol, L-sorbose, dulcitol, adonitol, myo-inositol, methanol, ethanol, citrate, malonate, butyric acid and caprate acid was not detected. Cells produce acid from D-xylose, cellobiose, lactose, L-rhamnose, L-arabinose, D-raffinose, and weakly from sucrose, maltose, mannose, trehalose, and ribose. Strong activities for esterase (C8) and α- and β-glucosidases were detected, as well as weak activities for alkaline phosphatase, leucine arylamidase, valine arylamidase and naphthol-AS-BI-phosphohydrolase. No activity was found for acid phosphatase, N-acetyl-β-cysteine arylamidase, glucosamidase, α- and β-galactosidase, α-mannosidase, α-chrymotrypsin, β-glucuronidase, α-fucosidase and lipase (C14). Cells of strain HY34T are found to be resistant to norfloxacin, tetracycline and gentamicin as well as sensitive to neomycin, polymyxin B, streptomycin, ampicillin, carbenicillin, vancomycin, ciprofloxacin, rifampicin, chloramphenicol, benzylpenicillin, kanamycin, and erythromycin (all data from  and presented in Table 1).
The utilization of carbon compounds by W. marina DSM 24838T grown at 28°C was also determined for this study using Generation-III microplates in an OmniLog phenotyping device (BIOLOG Inc., Hayward, CA, USA) . The microplates were inoculated with a cell suspension at a cell density of 95–96% turbidity and dye IF-A. Further additives were vitamin, micronutrient and sea-salt solutions, which had to be added for dealing with such marine bacteria . The plates were sealed with parafilm to avoid a loss of fluid.
Analysis of the DSM 24838T genome sequence revealed the presence of gene sequences associated to quorum sensing (QS) [36–38]. QS is a bacterial communication system via chemical signal molecules called autoinducers, which are produced and released by QS bacteria to coordinate behaviors with respect to their population density . Interestingly and surprisingly, QS induces also individual morphologies and cell division modes, which was recently shown for D. shibae DFL-12, another representative of the Roseobacter group [39,40]. Regarding to QS the genome of DSM 24838T codes for, e.g., two N-acyl-L-homoserine-lactone synthetases (LuxI homologues, wenxma_01086 and wenxma_03269) and two genes possibly encoding QS-involved response and transcriptional regulators (LuxR homologues, wenxma_01085 and wenxma_03267).
The authors would like to gratefully acknowledge the assistance of Iljana Schröder for growing W. marina cultures and Meike Döppner for DNA extraction and quality control (both at the Leibniz-Institute DSMZ). This work was performed under the auspices of the German Research Foundation (DFG) Transregio-SFB51 Roseobacter grant and the US Department of Energy's Office of Science, Biological and Environmental Research Program and by the University of California, Lawrence Berkeley National Laboratory under contract No. DE-AC02-05CH11231, Lawrence Livermore National Laboratory under Contract No. DE-AC52-07NA27344.
Euzéby JP. List of prokaryotic names with standing in nomenclature. http://www.bacterio.cict.fr/s/wenxinia.html.


text:
Q: r - bar chart with color corresponding to the actual level of the data Is it possible to produce a bar chart and color the bar according to the level of each bar, just like the example below?

A: Yup:
example.data <- data.frame(time=1:100, value=rnorm(100))
ggplot(example.data) + geom_bar(aes(x=time, y=value, fill=value), stat='identity')


If a driver of a motor vehicle is injured, or their vehicle has been damaged in an accident on the roads, they are protected by the insurance companies.
A Cyclist, on the other hand, may rarely receive the same legal protection, & may often be left to fend for themselves, following an accident on the road that has left them with an injury & in need of medical attention/treatment.
In cases where another party may have been responsible for your accident & resulting injuries, you may be eligible to make a bicycle claim *.
Compensation that is awarded in such cases could help you to cover the cost of medical fees & repairs to your bike, as well as any potential loss of earnings from time spent out of work.
Accident victims only have a certain amount of time to file a compensation claim, so it is important to file as quickly as possible, and where necessary, to consult a solicitor.
Your health is your wealth and should be your first priority. Immediately after a bicycle accident *, take a second to assess yourself to determine if you have any injuries. If you have sustained a serious injury ensure that you contact an ambulance to attend the scene and treat you. For minor injuries, you must remember that minor injuries where you 'feel fine' could progress to a more serious injury in the future. In this case is always better to be safe than sorry and advisable that you go to your nearest accident and emergency (A&E) or local GP to be checked out.
Reporting the incident to the Gardaí should be your next port of call. Depending on the seriousness of the accident, they Gardaí may not attend the scene. In cases where they don't, it will be up to you to record the details of the accident and then you must go to your local Garda station as soon as possible after the accident to make a statement and report the accident.
In order to make a details statement to the Gardaí about the accident, you must take the time to record the details of the incident.
Once you have visual evidence of the accident, obtain the detail of the other person involved in the accident such as; full name, phone number, email address, address, and vehicle registration number (in cases of car/bicycle accidents).
If there were any witnesses to the event ask them if you can take their contact details (Name, phone number, email address) and their consent to use them as a witness to the accident if needed in the future.
If there are any CCTV recordings of the accident, like a camera nearby shop, for example, ask for a recording of the footage.
Many accidents between bikes and cars involve complex legalities that a professional cycling accident solicitor might be able to best advise you on how to. While there are routes that a person can take themselves if processing with an accident or personal injury claim *, there are some hurdles along the way that may delay your case – cycling road traffic accident solicitors will be aware of these hurdles and overcome them quickly for you. Remember, there is a certain amount of time you have to move forward with a claim before it is too late. These legal time limits are referred to as the statute of limitations.
The first thing a solicitor will need from you are the details of the accident. If you have documented the details of the incident, then you will be very well prepared when you start the bicycle accident claims * process. If you haven't been successful in gathering all information needed for your claim, your solicitor can help you gather information, such as CCTV, by issuing a data access requests, obtain medical records, a statement of damage to your bike from a garage etc.
Engaging a solicitor to help you make a claim will mean that you can focus on your recovery while your solicitor will focus on gathering all the information needed to determine liability at an early stage so that your case can progress quickly and smoothly.
Once the information has been gathered, the next step is to apply to the Injuries Board and a solicitor can do this on your behalf. The Injuries Board will assess the claim and then suggest an amount of compensation be paid to you from the person at fault for the accident. At this stage, if you both agree to the compensation amount then your case is settled and the person at fault is then ordered to pay compensation to you.
In cases where you or the person at fault do not agree to the amount of compensation suggested by the Injuries Board, then the case will move forward to the next stage of the bicycle accident claims * process and court proceedings will be issued.
Negotiating with an insurance company for compensation can be done by you personally or in some cases by a personal injury solicitor*. In negotiating for a bicycle accident insurance payout it is important that you have the full details of the accident, i.e. damage to the bike, the cost of repairs and a final prognosis of any injuries sustained.
Having a final prognosis of your injuries from a doctor and final statements of the damage to your vehicle is imperative in ensuring that your best interests are represented when it comes to settling your case. Settling your case before you have a final prognosis of your injury or final quote of the damage to your bike, may mean that compensation will be agreed will not meet the severity of your injuries or bicycle repairs.
In many cases, once court proceedings are issued, you will attend a settlement meeting with your solicitor who will help you negotiate a settlement amount. Your solicitor will guide you through each step of the court proceedings and settlement meeting. More often than not personal injury cases * are settled outside of court and compensation awarded before you have to step foot into a courtroom.
Bicycle accident compensation amounts will vary depending on the situation as each individual case will be unique, meaning that there is no quick and simple answer to this question. As every person's personal circumstances and injuries are different, speaking with a bike accident solicitor would be your best way forward to understanding your case.
When a case is assessed by the Injuries Board, they will review their Book of Quantum in order to get an insight into how past cases similar to yours has settled in order to come to a conclusion about how much compensation they will suggest. For an insight into bike accident settlement amounts see our compensation claims estimator to see how much compensation has been awarded in the past for different injuries to different parts of the body.
Cycling has become a common-mode of transport for people in Dublin. Safe cycling and adhering to the rules of the road becomes even more important. With more than 38% of all road traffic accidents in Ireland relating to cyclist injuries and other vulnerable road users, taking measures to ensure your safety on the road as a cyclist is very important.
There are certain measures you can take to help reduce your risk of being involved in a road traffic accident *. To help you stay safe while cycling in Dublin, we have put together the top tips to both understand your own safety on a bicycle, as well as several tips to increase your road safety awareness and decrease your risk of a cycling accident *.
Do you offer a test drive? This way you can get a feel for the bike and make sure it is the right bike for you.
Do you offer a fitting service? This will ensure that you are fitted to the bike that you buy, which will translate to a safer cycling experience for you.
Do you offer bike servicing? It is important to have your bike serviced regularly, buying a bike that includes services could save you money in the long run.
Tell me more about this bike? This is important as you can really get a feel for how informed the salesperson is and this will have an impact on your willingness to buy the bike.
How do I take care of this particular bike? Maintenance of bikes will differ from bike to bike, it is important that you know how to take care of the one you buy.
Can you do me a deal? Why not ask this question, you have nothing to lose and you never know, you might just get some money knocked off the cost of your bike.
If you are buying a used bicycle, on the other hand, get an expert to check it carefully before you buy.
Adjust the saddle to suit your height and ensure you can put your feet on the ground.
Check that the bike is functioning correctly; check the tires, brakes, lighting and any reflectors on your bike.
Ensure you are wearing reflective cycling gear and a helmet.
Take note of the weather conditions and adjust your speed accordingly.
Ensure you adhere to the rules of the road, always stay to the left, obey traffic lights and road markings.
Keep a safe distance between you and any cyclist/vehicles in front of you.
Be aware of vehicles opening their doors out onto the road.
Truck, buses and other heavy vehicles can have limited visibility at times, always be careful of heavy vehicles while they are turning as sometimes they may need to swing right before turning left.
Always be alert to what's happening around you, it is not advisable to wear earphone when cycling and this may serve as a distraction.
When signalling a turn, use your arm to indicate.
In the event of an emergency stop, ensure that you keep your weight on the saddle to avoid being thrown off your bike and make sure that you pull the front and back brakes evenly.
If cycling on across a Luas line, be aware of the tracks to avoid getting your wheel caught in the tracks.
Do not carry passengers on your bicycle as this may increase your risk of an accident.
A mandatory cycle track is bordered by a continuous white line on the right-hand side. It is only for bicycles and motorised wheelchairs, so no other drivers may use it or park in it.
a vehicle is parked in the track while loading or unloading (see Section 10).
Mandatory cycle tracks are reserved 24 hours a day, unless an upright information sign at the start of and/or the side of the track shows another period of time. A cycle track can also be a reserved part of a footpath or other area off the road. A cyclist must use a cycle track if it is provided.
If a cycle track is two-way, meaning bicycles traveling in opposite directions at the same time can use it, cyclists should stay as near as possible to the left-hand side of their track.
No vehicle (other than a motorised wheelchair) may cross into or over a mandatory cycle track unless the driver is entering or leaving a place or a side road.
No driver may park a vehicle in a mandatory cycle track.
A driver may park in a non-mandatory cycle track for up to 30 minutes, but only if they are loading or unloading their vehicle and there is no alternative parking available. Remember the basic duty of care and do not obstruct a cycle track. If a driver parks their vehicle in a cycle track that operates for only some of the day (shown on an information plate under the cycle track sign), they must move the vehicle by the time the next operating period starts.
If there is no information plate, it means the cycle track operates all the time and no parking is allowed.
If you were involved in a bike accident *, our team of local personal injury solicitors * in Dublin are available to answer any queries you may have.
Maria Lakes an experienced Accident Solicitor *, is on hand to assist. For a confidential discussion, please call Maria on 01 649 9900 or email ask@traceysolicitors.ie and tell her about your case.


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Questech
Questech is the world's leading manufacturer of premium stone and metal tile solutions for the kitchen and bath. Recognized for superior design, innovation and craftsmanship, Questech products are protected by Q-Seal - a permanent, factory-applied sealer that is guaranteed for life.The company's legacy of innovation comes from noted sculptor and founder, Roger Questel. Roger invented a breakthrough technology; a process for casting beautiful metal objects at a fraction of the weight and cost of solid metals. His discovery led to the launch of the industry's first mass-produced metal tiles, creating an important new category in the tile and home improvement markets.Today, Mr. Questel is chairman and creative director for the company, leading the design and development of new and innovative additions to the company's product lines. Questech's two collections; Dorset™ and Sandgate™, feature stunning premium cast metal accents, beautiful cast stone decoratives and accessories, and coordinating tumbled marble tiles. The company also works with companies to design exclusive collections of tiles that are "Cast in Questech". All Questech products are protected from water, stains, mold and abrasions by the revolutionary new sealing technology Q-Seal™ the world's first factory-applied lifetime sealer.The company, located in Rutland, Vermont, designs and manufactures its products in a new state-of-the-art facility, ensuring that each product is made with the highest levels of quality, craftsmanship, and design."By their nature, our tiles pay homage to the past, yet they beautifully adorn modern kitchens and baths. Our goal is to strike a balance between the past and the present, the natural and the man-made. Our dream is to help you create a more beautiful and welcoming home."Roger Questel, Chairman and Creative Director
Questech: Features
Retrofit (Flatback) Bath Accessories
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Metro Bath Accessories
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Plaza Deco Nickel
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12x16 Dorset Fruit Bowl Mural
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Cast Stone Switch Plate


The Manduca Baby Carrier is one of few ergonomic soft structured baby carriers that is designed to cater to newborns as well as toddlers without the need for any complex or bulky add-ons.
Elegantly designed to provide good neck support for infants that have yet gain neck control, its ergonomic structure also allows toddlers and pre-schoolers up to 20kg to be carried comfortably & painlessly.
Babywearers are also spoiled for options with the Manduca Baby Carrier allowing for front carry, back carry, side/hip carry plus the additional option to cross the shoulder straps for additional comfort.
The extensible body panel allows the Manduca to be used with taller pre-schoolers easily up to 5 years old.
The Manduca Baby Carrier is certainly one of the most versatile infant-baby-toddler ergonomic carrier in the market today.
The Manduca Limited Edition Baby Carriers are the same as the Manduca NewStyle Carrier in structure.
The key differences are the exclusive color mix & embroidery used and that Manduca Limited Editions are made from 100% organic cotton.
Only a fix number of each limited edition are made & each Limited Edition Manduca bears a serial number that is unique to that piece.
If you are looking for a baby carrier to make a fashion statement, it has to be a Limited Edition Manduca.


text:
So Close, Yet So Far Away: Joni Ortio's Career Takes a Humbling Turn for the Worse
For Joni Ortio, it was a fitting exclamation mark to a truly terrible 48 hours.
In Stockton on Friday night in Ortio's first start after going unclaimed on waivers and being demoted by the Calgary Flames, the 24-year-old got lit up for four goals on 12 shots and got yanked just 13:07 into the Heat's game against Bakersfield.
U-G-L-Y.
Now, some rust was certainly expected. Friday was the four-week anniversary of Ortio's last game action. However, it certainly wasn't the type of performance that left the 29 NHL general managers that passed on him feeling any regrets.
Harsh Reality of Going Unclaimed
Thursday was a very different day for Ortio.
In a season in which -- as Tom Petty put it -- waiting has been the hardest part -- waiting to dress for a game, waiting to make that first start, waiting for a chance to play again, the Flames goaltender had to persevere another 24 hours of intense waiting, this time wondering if another NHL team would claim him after Calgary put Ortio on waivers.
As it turns out, no team did and the Flames immediately assigned Ortio to Stockton.
Dress it up however you want, going unclaimed on waivers sends a very loud message about where Ortio's stock is at and what teams think the odds are that one day he'll develop into a full-time NHL goaltender.
If you're another NHL organization, there were a lot of very attractive things about Ortio:
Just 24 years old so approaching the age most goalies break out
On the last year of a two-year deal so he comes with no long-term commitment
Making only $600,000 this year (just slightly above the NHL minimum of $575,000) so was an affordable contract for even teams in a cap crunch
Has posted good numbers in his career in the AHL
Yet all 29 teams passed on him.
There he was, available for free. Ortio was that couch at the end of the driveway with the sign on it, 'Free - Help Yourself', and nobody bothered.
More Unknown Than Known Commodity
There was a lot of debate swirling this week around Ortio and whether or not he got a fair chance in Calgary. One could certainly argue he did not.
But the fact no other NHL team took him is an indicting indication that the Flames are not alone in their assessment that Ortio is just not good enough to play in the NHL right now and may never be.
Sure, for some teams there were obstacles that would have made it tricky for them to claim him. For one, they would have to keep him in the NHL so they needed a roster spot. Secondly and this will not come as breaking news in this city, there is a natural aversion to having three goaltenders.
That said, if Ortio is, indeed, a rising star loaded with untapped potential, who is on the verge of breaking through at the NHL level, surely at least one team would have done what they needed to do in order to put a claim in for him. Yet not one team did. That couch? Still there at the end of the driveway.
Ortio did have that great run of four straight wins on the road last January before losing (like a dozen Flames goalies before him) in Anaheim, games in which other NHL organizations would have had scouts at, games in which any team has access to viewing on video. Yet no one touched him on Thursday. Clearly the perception across the league is there isn't as much potential with this goaltender as many of us thought back in the summer.
Cloudy Future
I declared on Wednesday when Ortio was put on waivers that his time in Calgary was done. It was a strong statement, for sure. Too strong? Perhaps. But when a team tells a goalie that they're willing to lose them for nothing and puts him on waivers, that says a lot.
Two hurdles need to be crossed before Ortio gets another shot in Calgary.
An injury or a trade need to happen at the NHL level as the Flames are poised to move forward with the veteran tandem of Karri Ramo and Jonas Hiller.
Ortio needs to string together a really impressive body of work in the AHL to restore confidence in Bob Hartley so the Flames coach would be comfortable starting him again. Last night was not a step in the right direction.
It would not surprise me at all to see Ortio remain in Stockton the remainder of the season.
Come season's end and already looking at the probable departure of unrestricted free agents Ramo and Hiller, it's conceivable the Flames would be interested to keep Ortio -- a restricted free agent -- in the organization and try to re-sign him. However, perhaps the bigger and more pressing question is will Ortio be interested in re-signing in Calgary.
Before heading for the airport on Thursday, Ortio was asked what his emotions were. As he skirted the question, it's safe to say he didn't say what he was really thinking.
Put yourself in his position. Last contract negotiation, he fought for a one-way deal in year two of the two-year contract he signed. That was so he could get a shot this season at playing in the NHL. He made two starts -- game 9 and game 11. That's it. Two starts in seven weeks is probably not Ortio's definition of getting a shot.
Add in speculation that Ortio refused to go on a conditioning stint, which is his right if the team asked and surely they did considering how long he had gone without playing, and you get the sense that Ortio is understandably not all that enamored with how he's been treated. So again, will he have a desire to return to Calgary given all he's gone through this season.
Needs to Get Playing Again
While we can debate what Ortio's upside is and whether or not he'll re-sign with the Flames next year, one thing we can all agree on is he needs to play.
If you remember, Ortio suffered a high ankle sprain in an AHL game last February 20. That sidelined him for seven weeks. His first game back was Calgary's season finale in Winnipeg when Ortio and a lengthy cast of AHLers were shuttled into the line-up at MTS Centre while a bunch of Flames regulars rested for the playoffs. Naturally, he was rusty as he gave up five goals on 22 shots behind an AHL-calibre defence,
The following weekend back with Adirondack, who had been eliminated from playoff contention, he played two of the team's final three games as they played out the string and got ready for summer.
Fast forward to training camp and in addition to a relief appearance on September 21 (12 saves on 13 shots), Ortio got two starts. He shut out the Colorado Avalanche on 35 saves on September 24 and one week later stopped 23 of 26 shots in a loss in Winnipeg.
That's five games, although none of them I would categorize as meaningful games.
With the Flames goaltending and all-round defensive play in shambles and both Hiller and Ramo not getting it done, Ortio finally got a legitimate regular season start on October 26 in Brooklyn. It was his first start in nearly four weeks. He made 31 saves but lost 4-0 to the Islanders. A week later, he got back in against the Canadiens at the Saddledome and in what would be a lasting impression, he yielded six goals on 31 shots. He never played again.
All total, last night was only Ortio's eighth start in a span of over nine months and just the third that you could classify as coming in a meaningful game. For a guy used to playing a lot, that's not nearly enough action to settle into any type of rhythm and give him even a remote chance at being the goalie some still think he could become.
It's amazing to look back at how close Ortio might have been to this story unfolding completely different. Maybe.
It was earlier this calendar year when the Flames called up Ortio and his hot streak began with that 36-save shutout in Vancouver on January 10. As Ortio kept it going and defeated the Coyotes, Sharks and Kings, at the time it sure looked like a defining time in his career. Some were thinking he might never go back to the minors.
But of course, Anaheim happened -- he got pulled in the second period, and back he went to the AHL the very next day.
We know Ortio isn't as good as he showed last January in that stellar run, but we also know he isn't as bad as he's shown this season with last night being a total write-off. The real truth is somewhere in the middle, the question is where.
There is a lot of season left for Ortio to make a statement that the needle is a lot closer to what he demonstrated in the NHL in January, but to prove that, he'll have to be much better than he was last night.
The good news is at least this time, he won't have to wait four weeks for another chance. With Jon Gillies and Kevin Poulin both injured, the Stockton net is Ortio's and his shot at redemption will begin tonight when the Heat meet Bakersfield again.
You hope the kid bounces his back and turns his career around. But at this point, he sure has a lot to prove.
By the way, have you liked Flames From 80 Feet on Facebook yet? Go there and do so now. It's just another way to be alerted to new Calgary Flames articles that I've written.
Recent Flames Reading
Markus Granlund and the Risks of Giving him the Marty St. Louis Treatment - Scoring stars in the minors, used as fourth line players in the NHL, there is a similarity to how Granlund's career has begun and how St. Louis' time went in Calgary. (Nov. 28, 2015)
At the Quarter Mark and After Thumping Chicago, Eight Reasons for Fans to Smile: After an impressive win over the defending Stanley Cup champions on Friday, the Flames find themselves in a much better spot with 61 games still to go. (Nov. 21, 2015)
TJ Brodie's Rapid Rise to Becoming One of the NHL's Most Dynamic Defencemen: TJ Brodie wasn't even sure if he'd be drafted. Now he's one of the most exciting young defencemen in the NHL. Brodie talks about his career to date. (Nov. 18, 2015)
Putting Johnny Gaudreau's First 100 NHL Games into Perspective: A close up look at Gaudreau's first 100 NHL games and how it compares in Flames history as well as how it stacks up against other NHL stars. (Nov. 15, 2015)
I think the Flames brass have to draw a shaving cream line in the dressing room. Placing TJ, Geo and Hamilton on one side of the line. Adding our first and second line to that group next. They should ask that group to go for a skate for half an hour and let the rest stew over what appears to be a sense of dissatisfaction. At that time all Mgmt training staff etc should be ordered out of the room. After ten minutes Treliving should go back in and say that there are 23 hungry players in Stockton, a hundred free agents out there as well as the entire AHL that would love a chance at their positions. They need to forecheck with authority, they need to hit hard anything coming towards their zone. They need to communicate in their zone and help each other. They need to sharpen passing and shooting skills and they need to relocate their love for the game. They are highly paid for playing a game and as it sits right now, not one of them is honoring or earning their contract. For the fans, this looks like a lazy, disheartened group and they need to realize and act on what they have to do to be invited over that line
Hartley has lost the Roster. There are deficiencies in terms of rolling the lines and D pairings. A nucleus of players are heavily over worked and that needs to change. Systems have to be re-Inforced. Anyone from the top of the circle in the offensive zone needs to shoot more and the rest need to be there for tough goals. Playing a 60 second shift gives no opportunity to succeed.
The D need to play D and be restricted in regards to joining the attack.
We have some big bodies on D who are not clearing the net, they do not make offensive players pay and there are four guys with guaranteed contracts who should be gone or in the East Coast hockey league as the kids from Stockton need a chance. Treliving, it is time to move bodies for picks and give the kids a chance to play for the remainder of the year to see what you have.
To Management. There are lots of empty seats these days due to Patch related difficulties. There will be more as fans are not getting value for their entertainment dollars. Changes are necessary and they need to happen now. By the end of January, a combination of incoming trades and call ups from Stockton should be establishing their roles and confirming they deserve a spot in the NHL. Quit buggering around and re-affirm your understanding of what entertainment value is and what the issues are with this club. To the naked eye, it appears to be extremely poor and more importantly underachieving .
Eight From 80 Feet: Eight Dreadful Statistics That...
Markus Granlund and the Risks of Giving him the Ma...
So Close, Yet So Far Away: Joni Ortio's Career Tak...
By-the-Numbers look at Calgary's Futility at Anahe...
At the Quarter Mark and After Thumping Chicago, Ei...
TJ Brodie's Rapid Rise to Becoming One of the NHL'...
Putting Johnny Gaudreau's First 100 NHL Games into...
Step Aside Auston Matthews, Flames Playoff Hopes f...
Eight From 80 Feet: Eight Flames Thoughts on the E...
Mighty Fine: Big Night From Calgary's Kids Shows t...
Thirteen Games of Ugliness: A Statistical Look at ...
Eight From 80 Feet: Eight Random Musings on the Fl...


text:
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Ed Helms and Angela Kinsey Discuss amor triângulo
Ed and Angela talk about the bizarre Dwight/Angela/Andy amor triangle.
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Transcript of Brian Baumgartner Chat
Brian chats with OfficeTally.
Customer Survey - Deleted Scene #2 - Viewable Outside US
enviado por smoore23 over a year ago
Customer Survey: Conference Room Scene
Digg this on Digg.com to support the show! One of the best shows on televisão :D
enviado por matters5 over a year ago
frases listing from 'Customer Survey'
Feel free to add your thoughts to the episode Conference Room too. Cheers :)
The Office: Season 5 Episode 6 (SuperNova)
enviado por neeki over a year ago
Michael and Holly's Road Trip Mix
I don't know if this is already been posted (I searched but didn't find it) so if it is just tell me and I'll eliminar it. Anyway this is the songs in road trip mix seen in 'Employee Transfer' along with Michael reasons for choosing the songs
enviado por inespinto over a year ago
Employee Transfer - Deleted Scene #3 - Viewable Outside US
Darryl introduces Michael and azevinho, holly to a new game for their trip.
Angela & Andy's Wedding Registry
The items on Andy and Angela's registry list say so much about their relationship... especially the Deadbolt Bathroom Door Lock. ;D
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the office Related Sites
the office Clubes Relacionados
geléia, geleia
Jim Halpert
Viral vídeos
jenna fischer


The only complete kits with matching braided cables and brake lines.
Kits are available for most ABS and non-ABS models with 12in. to 20in. ape hanger style handlebars installed.
Kits include throttle and idle cables (except 08-15 Dressers), clutch cable or hydraulic clutch line, front brake lines, copper crush washers, hardware and correctly colored wiring extensions with OE-style connectors and shrink tube.
Two braid color choices to complement your bike: Sterling Chromite II or Black Pearl.
All fittings are highly polished chrome or black chrome.
All cables are a low-effort, high-efficiency design that meets or exceeds all OE specifications for fitment, construction, endurance.
NOTE: Kits are based on using ape hanger style handlebars with 2in. risers..
NOTE: Most ABS touring model kits are available with or without the front lower brake line assembly..


text:
Q: cordova windows phone 8 how to add a plugin Hello im trying to use the InAppBrowser in my cordova project.
But i dont get it working.
I have downloaded the files InAppBrowser.cs and InAppBrowser.js and put the .cs file inside the project root folder and the .js file inside the www folder.
I also add to the root folder config.xml file the plugin tag.
<widget>
    <access origin="*"/>
    <feature name="InAppBrowser" value="InAppBrowser" />
</widget>

Unfortunately it doenst work.
Someone knows what im missing?

A: Am i too late answering this ? Anyway.. i think you should make use of CLI.
First install node.js.
http://nodejs.org/download/
Then git installer.
http://git-scm.com/downloads
Then Hit Windows+R and type cmd to open command prompt.
After that follow these steps to create a new project, then add your platform(ie WP8)
http://docs.phonegap.com/en/3.0.0/guide_cli_index.md.html
Windows Phone 8 Plugin Resource.
http://plugreg.com/plugins#platform=wp8
Select any plugin
For eg, File plugin by apache.
just copy and paste the code to your command prompt.
Hit enter, the plugin will be installed automatically.
Then use it normally. or just read the plugin documentations.
:-)


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