text:
1Life and career
1.22011–2019: Beginnings, The Golden Age, and other ventures
1.32019–present: Singles, S16 and collaboration with Paris 2024
2Directing and awards
4Discography
4.1Albums
4.2Soundtracks
4.3Extended plays
4.4.1As lead artist
4.4.2As featured artist
4.4.3Notes
4.5Music videos
5Videography as director
Yoann Lemoine
French music video director, graphic designer and musician
Lemoine performing live in 2014
(1983-03-16) 16 March 1983 (age 39)
Tassin-la-Demi-Lune, Rhône-Alpes, France
Pop[1]
chamber pop[2]
art pop[3]
neofolk[4]
Music video director
Instrument(s)
Green United Music
www.woodkid.com
Yoann Lemoine (French pronunciation: [jɔan ləmwan]; born 16 March 1983), known professionally as Woodkid, is a French music video director, graphic designer and singer-songwriter.[5][6] His most notable works include his music video direction for Katy Perry's "Teenage Dream", Taylor Swift's "Back to December", Lana Del Rey's "Born to Die" and Harry Styles's "Sign of the Times".
Lemoine is also a chamber pop musician.[7] On 28 March 2011, he released his first EP Iron EP.[8] On 18 March 2013, he released his first album titled The Golden Age, which is an autobiographical record.[9] He released his second album S16 on 16 October 2020, more than seven years later, following some single releases.
Life and career[edit]
Yoann Lemoine was born in Tassin-la-Demi-Lune, near Lyon to a mother of Polish-Jewish origin.[10] He studied illustration and animation at the Émile Cohl school, where he completed his diploma with honors. He then left for the UK to follow a silk screen printing process course at Swindon College. In 2004, Yoann moved to Paris. After a brief experience at H5, he joined Luc Besson's crew and worked on the project Arthur and the Invisibles for a year. In 2006, Yoann directed a series of roughs for Sofia Coppola's Marie Antoinette.[11][12]
Woodkid performing at the Kaufleuten in Zurich, 2013
2011–2019: Beginnings, The Golden Age, and other ventures[edit]
His first musical project is about the transition from childhood to adulthood and his countryside background. The songs can be described as 'organic' and wooden. The project is about a kid, who starts organic and later turns himself into marble.[8] One explanation as to why Lemoine became a musician is that guitarist Richie Havens gave him a ukulele during a video shoot he was directing.[13] Woodkid released the Iron EP on 28 March 2011.[8] For the music video for the single "Iron" (composed by Yoann Lemoine), he collaborated with English model Agyness Deyn.[14] The song was featured in trailers for Ubisoft's Assassin's Creed: Revelations[15] and the film Hitchcock as well as the TV series Teen Wolf.
On 6 October 2011, during a live performance in Brussels, he performed a cover of the Katy Perry song "Teenage Dream"[16] (whose official video he directed). On 15 October 2011, he sang on stage with Lana Del Rey in New York City.[17][18] He co-created the video for her song "Born to Die".[19] He performed at the London Jazz Festival on 15 November 2012.[20]
The French couture brand Dior Homme's fall-winter 2013 collection, "A Soldier on My Own", was inspired by Woodkid's "Iron", and is named after a phrase in the lyrics. The song was used as the soundtrack of the show.[21]
Woodkid and Philip Glass after their conference about New York Minimalism at the Opera de Saint Etienne in 2014
On 15 December 2012, Lemoine announced he was beginning recording of his debut album, to be named The Golden Age.[22] It was released on 18 March 2013 through independent label, Green United Music. Lemoine released the official album cover through a video he created himself on 14 December 2012[23] and released the album's corresponding track listing one week later on 21 December on his official Facebook page.[24]
"Run Boy Run" was directed by Lemoine himself[25] and was used in several O2 and Science Channel adverts (those voiced by Sean Bean).[26][27] It was also used in the teaser trailers for the BBC's series Musketeers, in January 2014.[28] The music video for "Run Boy Run" was nominated for Best Short Form Music Video at the 2013 Grammy Awards. The song was also used in the trailer for the game Dying Light. "Run Boy Run" and "I Love You" were featured on the soundtrack of the 2014 film Divergent. During his Golden Age tour, Woodkid performed at the London Brixton Academy with the BBC Concert Orchestra[29] in November 2013,[30] and was invited by the Montreux Jazz Festival to perform for the second time with the Sinfonietta de Lausanne at the Stravinsky Auditorium.[31] The Golden Age tour performances were marked by a well-coordinated light show and visual projections that included imagery from his music videos.[32] The song is also used in the Umbrella Academy, in connection to Number 5, and the episode was also called Run Boy Run.
In January 2014, Lemoine / Woodkid was invited to give a performance and talk about the New York minimalist movement with Philip Glass by the Opéra and Museum of Modern Art of Saint-Étienne.[33] In February 2014, Woodkid received the award for best stage performer at the French equivalent of the Grammy Awards, Les Victoires de la Musique.[34] In 2014, Woodkid / Lemoine worked as creative director for Pharrell Williams' 24 Hours of Happy music video concept, seen more than 600 million times on YouTube.[35][36] He also served as creative director of the video campaign for John Legend's album Love in the Future, produced by Kanye West, including videos for "Who Do We Think We Are", directed by Paul Gore[37] and "Made to Love", directed by Daniel Sannwald.[38]
In April 2014, Woodkid performed at Coachella.[39] On 26 June 2014, Woodkid opened the Montreal International Jazz Festival with a free outdoor concert to an audience of 100,000+.[40] In July 2014, Ubisoft released its second cinematic trailer for Assassin's Creed Unity, where "The Golden Age" was played. In August 2014, Woodkid performed at the FM4 Frequency Festival in Austria. In December 2014, Woodkid performed at Wonderfruit in Thailand. He also directed Pharrell Williams's Coachella show, featuring Jay Z, Gwen Stefani, Usher, Pusha T, Busta Rhymes, and Puff Daddy.[41] The Cavaliers Drum and Bugle Corps featured "Run Boy Run" as part of their 2015 repertoire, entitled "Game On".
On 15 July 2016, Woodkid performed at the Montreux Jazz Festival at a special "Woodkid and Friends" evening with a nearly all acoustic set. He was accompanied by the Sinfonietta de Lausanne orchestra and a choir of children from the Montreux Choral Festival. Among his friends who also performed at this event were Son Lux, The Shoes, Ed Droste, Thomas Bloch, and actress Elle Fanning singing for the first time live on a stage.[42] On 16 September 2016, Woodkid promoted Mykki Blanco's debut album on his Facebook page. He is featured on the single "High School Never Ends" and helped produce the album. In March 2017, the second episode of 13 Reasons Why aired, featuring "Run Boy Run". In February 2019, the second episode of The Umbrella Academy aired, which also featured "Run Boy Run" and used the song as the episode's namesake. In May 2022, the fifth episode of The Pentaverate aired, which also featured "Run Boy Run".
2019–present: Singles, S16 and collaboration with Paris 2024[edit]
On 7 May 2019, Woodkid released the EP Woodkid For Nicolas Ghesquière – Louis Vuitton Works One, featuring Jennifer Connelly and Moses Sumney.
On 12 December 2019, Woodkid announced the production of a new album set to release in 2020. On 24 April 2020, Woodkid released "Goliath", the first single from his upcoming album.[43] He released on 16 October 2020 his next album "S16".[44] In 2021, Woodkid teamed up with Paris 2024 to compose a new song called "Prologue", this song was featured in the closing ceremony of the Olympic Games Tokyo 2020 and the 2020 Summer Paralympics closing ceremony and was released on digital platforms on 8 August of that year.
On 27 October 2021, Woodkid announced on Twitter[45] that he had made an original song for the Riot Games series Arcane. The song in question, "Guns For Hire", was featured in the sixth episode of the series released in November 2021. On 30 November 2021, Woodkid made a post threatening legal action concerning the use of his music in propaganda from a group supporting politician Éric Zemmour. The post quickly gained popularity, gathering over 48,000 likes in just 7 hours.[46]
In 2022, Lemoine collaborated with French singer-songwriter Mylène Farmer on her twelfth album, "L'Emprise", producing more than half of the album. He also provided the artwork for the album.
Directing and awards[edit]
In June 2010, he received 5 Lions for his AIDS Awareness campaign Graffiti at the Cannes Lions Advertising festival.[47]
Lemoine's films are produced by Iconoclast.[48]
In 2012, Lemoine received the award for Best Director of the Year at the MVPA Awards in Los Angeles[49] and was nominated for 6 MTV Video Music awards for his videos for Lana Del Rey, Drake, and Rihanna.[50]
Lemoine is openly gay.[51][52][53]
Discography[edit]
Albums[edit]
Peak chart positions
(FL)
Released: 18 March 2013
Label: Green United Music
Format: CD, DL, LP, streaming
2 13 6 34 8 23 4 38 133 38
SNEP: Platinum[64]
BVMI: Gold[65]
IFPI SWI: Gold[66]
Released: 16 October 2020[67]
[68] 39 138 14 30 — 5 — — —
"—" denotes a recording that did not chart or was not released in that territory.
Soundtracks[edit]
Desierto (Original Motion Picture Score)
Released: 8 April 2016[69]
Label: CG Cinema, Green United
Format: CD, digital download
Extended plays[edit]
Iron EP[70]
Label: Green United / Island Universal
Format: CD, digital download, vinyl
Run Boy Run (Remixes)
Ellis EP[71]
(with Nils Frahm)
Released: 8 July 2016
Label: Erased Tapes
Woodkid for Nicolas Ghesquière – Louis Vuitton Works One[72]
(with Jennifer Connelly and Moses Sumney)
Released: 7 May 2019
Label: Island Records
As lead artist[edit]
"Iron"
2011 29 — 21 — — — 94 The Golden Age
"Run Boy Run"
2012 52 39 —[A] 55 11 60 44
BPI: Gold[73]
"I Love You"
2013 22 — —[B] 17 61 — —
"The Golden Age"
131 — — — — — —
"Never Let You Down"
(featuring Lykke Li)
2015 118 — — — — — — The Divergent Series: Insurgent
"Volcano"
— — — — — — — Non-album single
"Land of All"[74]
2016 86 — — — — — — Desierto – Original Soundtrack
"Winter Morning I"
144 — — — — — — Ellis EP
"L'aérogramme de Los Angeles"[75]
(with Louis Garrel)
2018 200 — — — — — — Génération(s) Eperdue(s)[76]
"Goliath"[77]
2020 22 — — — — — — S16
"Pale Yellow"[78]
70 — — — — — —
"Horizons Into Battlegrounds"[79]
As featured artist[edit]
"Clear"[80]
(Panteros666 featuring Woodkid)
2015 Non-album single
"Highschool Never Ends"[81]
(Mykki Blanco featuring Woodkid)
2016 Mykki
"Karma"[82]
(Mahmood featuring Woodkid)
2021 Ghettolimpo
^ "Run Boy Run" did not enter the Ultratop 50, but peaked at number 43 on the Flemish Ultratip chart.[56]
^ "I Love You" did not enter the Ultratop 50, but peaked at number 28 on the Flemish Ultratip chart.[56]
Music videos[edit]
2011 "Iron"[14]
2012 "Run Boy Run"
2013 "I Love You"
2014 "The Golden Age"
2016 "Land of All"
2020 "Goliath"
2020 "In Your Likeness"
Videography as director[edit]
2008 Yelle "Ce Jeu"[83]
2009 Nolwenn Leroy "Faut-il, faut-il pas ?"[84]
2009 Moby "Mistake"
2010 Mystery Jets "Dreaming of Another World"
2010 Katy Perry "Teenage Dream"[85]
2011 Taylor Swift "Back to December"[86]
2011 The Shoes[87] "Wastin Time"[88]
2011 Lana Del Rey "Born to Die"[89]
2012 Drake, Rihanna "Take Care"[90]
2012 Lana Del Rey "Blue Jeans"
2014 Black Atlass "Jewels"
2017 Harry Styles "Sign of the Times"[91]
2022 FKA twigs "Killer"[92]
Nominee(s)
Antville Music Video Awards
2011 Best Art Direction "Iron" Won [93]
Best Cinematography Nominated
2012 "Lolita Lempicka" Nominated [94]
"Run Boy Run" Nominated
Best Art Direction Won
Best Editing Nominated
Ariel Awards
2017 Best Original Music Desierto Nominated [95]
2018 British Video of the Year "Sign of the Times" Won [96]
2011 Best Music Video "Iron" Nominated [95]
2012 "Blue Jeans" Nominated
2013 "I Love You" Nominated [97]
2014 "The Golden Age" Nominated [98]
2016 "Highschool Never Ends" Nominated [99]
Best Cinematography Won [100]
Cannes Lions International Festival of Creativity
2009 Best Film – Silver "Tiji" Won [101]
2010 Cyber – Bronze "Graffiti" Won [102]
Best Film – Viral – Gold Won [102]
Eurobest European Advertising Festival
2010 Best Film – Bronze "Graffiti" Won [103]
2013 Best Music Video "Run Boy Run" Nominated [95]
2015 "The Golden Age" Nominated
Music Video Festival
2013 Best International Video "Run Boy Run" Nominated [104]
2020 "Goliath" Nominated [105]
UK Music Video Awards
2011 Best Pop Video – International "Iron" Nominated [106]
Best Styling in a Video Nominated
Best Visual Effects in a Video Nominated
2012 Best Indie/Rock Video – International "Run Boy Run" Nominated [107]
Best Visual Effects in a Video Won
Best Pop Video – International "Born to Die" Won
"Blue Jeans" Nominated
2013 Best Cinematography in a Video "I Love You" Nominated [108]
2014 "The Golden Age" Nominated [109]
2020 Best Alternative Video – International "Goliath" Nominated [110]
Best Color Grading in a Video Nominated
^ Lester, Paul (23 January 2013). "New band of the week: Woodkid". The Guardian. Retrieved 14 April 2016.
^ DeVille, Chris (26 March 2014). "Pharrell – "Happy (Woodkid Sad Remix)" (Stereogum Premiere)". Stereogum. Retrieved 14 April 2016.
^ Baggs, Michael (8 April 2014). "The 23 Coolest Bands And Artists on the 2014 Coachella Line-up". Gigwise. Retrieved 14 April 2016.
^ Harrington, Jim (28 April 2013). "Review: Montreal Jazz Festival, Days One and Two". JazzTimes. Retrieved 14 April 2016.
^ "Young French Director". wired.co.uk. 8 June 2011. Retrieved 8 June 2011.
^ "Official Website About". Archived from the original on 24 December 2011. Retrieved 8 June 2011.
^ "Official Youtube Page, About Me". YouTube. Retrieved 10 June 2011.
^ a b c Visco, Gerry (29 April 2014). "Woodkid is On Point". Interview Magazine. Retrieved 10 December 2018.
^ Fleischer, Norman (18 June 2013). "Interview: Woodkid – "I may call myself an entertainer"". NBHAP. Retrieved 25 June 2013.
^ "Woodkid fait feu de tout bois". Rfimusique.com. 18 March 2013. Retrieved 10 August 2014.
^ "YOANNmain". Archived from the original on 4 April 2011. Retrieved 20 February 2012.
^ "WOODKID live in Paris [video] | Grateful Grapefruit". Gratefulgrapefruit.com. 27 January 2012. Retrieved 29 March 2013.
^ "Le Ukulélé de Woodkid". Retrieved 18 February 2015.
^ a b "Work with Agyness Deyn". Vogue. 8 June 2011. Archived from the original on 18 August 2011. Retrieved 8 June 2011.
^ "Assassin's Creed: Revelations – Official E3 Trailer". www.youtube.com. Retrieved 24 January 2013.
^ "Woodkid – Teenage Dream". YouTube. Retrieved 10 August 2014.
^ Woodkid and Lana Del Rey performing "Iron" in NYC (Highline Ballroom) on October 15, 2011. YouTube (15 October 2011). Retrieved on 22 January 2012.
^ "Lana Del Rey signs with Interscope". 28 October 2011. Retrieved 6 November 2011.
^ Lana Del Rey – Born To Die. YouTube (14 December 2011). Retrieved on 22 January 2012.
^ "Woodkid". Retrieved 24 January 2013.
^ "Woodkid For Dior". Archived from the original on 28 May 2013. Retrieved 23 February 2012.
^ The Golden Age :.... Facebook. Retrieved on 22 January 2012.
^ "WOODKID – The Golden Age – March 18, 2013". YouTube. 14 December 2012. Retrieved 29 March 2013.
^ "Timeline Photos". Facebook. Retrieved 29 March 2013.
^ "Woodkid Run Boy Run". theinspirationroom.com. 16 December 2012. Retrieved 28 January 2013.
^ "Woodkid – Run Boy Run (Official HD Video)". Retrieved 24 January 2013.
^ "Science Channel Commercial". Commercial Tunage. Retrieved 26 November 2013.
^ Duong, Christine (26 December 2013). "Trailer: "The Musketeers" Comes to BBC One on Jan. 2014". popinsomniacs.com. Retrieved 3 April 2014.
^ Merry, Elspeth. "Woodkid at Brixton Academy". 1883 Magazine.
^ "Woodkid at Brixton Academy".
^ "Woodkid at Montreux Jazz Festival".
^ Bedian, Knar (20 October 2013). "Woodkid". Sound of Boston.
^ "Table Ronde en présence de Philip Glass et Woodkid".
^ "Les Victoires de la Musique". www.france.tv.
^ Interactive, Iconoclast. "Pharrell Williams - Happy". Pharrell Williams - Happy.
^ "Pharrell Williams 'Happy' by We Are From LA & Yoann Lemoine". promonews.tv. 27 November 2013. Retrieved 8 March 2014.
^ "John Legend - Who Do We Think We Are (Official Video) ft. Rick Ross" – via www.youtube.com.
^ "ELISE – Enhance Your Brand With UGC". ELISE.
^ "Coachella Weekend 2 on Revolt.tv".
^ "Jazz fest: City swoons to Woodkid's sound".
^ Garandeau, Coralie. "On y était: ASAP Ferg, Woodkid, Flume à Coachella - Les Inrocks".
^ "Woodkid and Friends at Montreux Jazz Festival".
^ "Goliath Music Video". YouTube.
^ "Woodkid: S16 new album available for pre-order now". Retrieved 2 February 2020.
^ @Woodkid (27 October 2021). "Very proud to be part of League of Legend's upcoming show Arcane on @netflix with a brand new song called «Guns For Hire »" (Tweet) – via Twitter.
^ Yoann Lemoine [@Woodkid] (30 November 2021). "[picture] Communiqué – Génération Zemmour, groupe de soutien à la candidature de Monsieur Eric Zemmour aux prochaines élections présidentielles a publié une vidéo de propagande utilisant, de manière totalement illicite, ma musique et j'entends donc clairement engager des poursuites dans ce cadre" [Press release - Génération Zemmour, a group supporting the candidacy of Mr. Eric Zemmour in the upcoming presidential elections, has published a propaganda video using my music in a totally illicit manner, and I therefore clearly intend to take legal action in this context.] (Tweet) (in French). Retrieved 8 February 2022 – via Twitter.
^ "Official Website Awards". 8 June 2011. Retrieved 8 June 2011.
^ "ICONOCLAST U.S." iconoclast.tv.
^ "2012 MVPA Award WINNERS". VideoStatic.
^ Kaufman, Gil. "2012 MTV Video Music Awards: The Nominations Are In!". MTV News.
^ Miguel Cullen (6 February 2013). "Paris Is Burning — Woodkid". Clash. Retrieved 27 January 2022.
^ Gerry Visco (29 April 2014). "Woodkid is on point". Retrieved 27 September 2016.
^ Jérémy Patinier (12 May 2017). "Woodkid se livre comme jamais : virilité, identité, homosexualité" [Woodkid opens up like never before: masculinity, identity, homosexuality]. Têtu. Retrieved 27 January 2022.
^ a b c "Discographie Woodkid". Les Charts (Hung Medien). Retrieved 16 October 2018.
^ a b "Discographie Woodkid". Austrian Charts (Hung Medien). Retrieved 16 October 2018.
^ a b c d "Discographie Woodkid". Ultratop. Retrieved 16 October 2018.
^ a b "Discografie Woodkid". Ultratop. Retrieved 16 October 2018.
^ a b "Discographie von Woodkid". GfK Entertainment. Retrieved 22 October 2020.
^ "Discografie Woodkid" (in Dutch). Dutch Charts. Retrieved 16 October 2018.
^ a b "Discographie Woodkid". Swiss Hitparade. Retrieved 16 October 2018.
^ a b "Woodkid". Official Charts Company. Retrieved 16 October 2018.
^ "Woodkid – Chart history (Billboard 200)". Billboard. Retrieved 16 October 2018.
^ "Woodkid – Chart history (Top Rock Albums)". Billboard. Retrieved 16 October 2018.
^ "Palmarès 2013 des certifications UPFI". UPFI. Retrieved 12 August 2014.
^ a b "Gold/Platin–Datenbank (Woodkid)". Bundesverband Musikindustrie. Retrieved 16 October 2018.
^ "The Official Swiss Charts and Music Community: Woodkid". Swiss Charts. Hung Medien. Retrieved 16 October 2018.
^ "S16 by Woodkid on Apple Music". Apple Music. 16 October 2020. Retrieved 12 October 2020.
^ "Top Albums (Week 43, 2020)" (in French). Syndicat National de l'Édition Phonographique. Retrieved 26 October 2020.
^ "Desierto (Original Motion Picture Score) by Woodkid on Apple Music". iTunes Stoe. 8 April 2016. Retrieved 16 October 2018.
^ "Iron EP iTunes page". apple. January 2013. Retrieved 9 July 2016.
^ "Ellis – EP by Woodkid & Nils Frahm on Apple Music". iTunes Store. 8 July 2016. Retrieved 16 October 2018.
^ "Woodkid For Nicolas Ghesquière – Louis Vuitton Works One on Apple Music". iTunes Store. 7 May 2019. Retrieved 25 March 2020.
^ "British certifications – Woodkid". British Phonographic Industry. Retrieved 27 August 2022. Type Woodkid in the "Search BPI Awards" field and then press Enter.
^ "Land of All (From "Desierto") – Single Woodkid on Apple Music". iTunes Store. Retrieved 16 October 2018.
^ "L'aérogramme de Los Angeles – Single by Woodkid & Louis Garrel on Apple Music". iTunes Store. 11 April 2018. Retrieved 16 October 2018.
^ "Génération(s) Eperdue(s) by Various Artists on Apple Music". iTunes Store. 30 March 2018. Retrieved 16 October 2018.
^ "Woodkid Returns with His New Single 'Goliath' – Part-Recorded in Studio Two". Abbey Road Studios. 24 April 2020.
^ "Pale Yellow by Woodkid". Spotify. 12 June 2020. Retrieved 12 October 2020.
^ "Horizons Into Battlegrounds by Woodkid". Spotify. 29 September 2020. Retrieved 12 October 2020.
^ "Clear (feat. Woodkid) by Panteros666 on Apple Music". iTunes Store. 10 July 2015. Retrieved 16 October 2018.
^ "Highschool Never Ends (feat. Woodkid) – Single by Mykki Blanco on Apple Music". iTunes Store. Retrieved 16 October 2018.
^ "Karma (feat. Woodkid) – Single by Mahmood on Apple Music". iTunes Store. 10 June 2021. Retrieved 12 June 2021.
^ "Interview with Yelle". Aural States. 8 June 2011. Retrieved 8 June 2011.
^ "Interview with Nolwenn Leroy". elle.fr (in French). 19 December 2009. Retrieved 6 November 2013.
^ "Katy Perry Talks 'Gorgeous' Video For 'Teenage Dream'". MTv. 8 June 2011. Retrieved 8 June 2011.
^ "Taylor Swift Breaks A Heart in Her 'Back To December' Video". MTv. 8 June 2011. Retrieved 8 June 2011.
^ THE SHOES | Gratis muziek, tourneedata, foto's, video's. Myspace.com (8 December 2011). Retrieved on 22 January 2012.
^ The Shoes – Wastin Time On Vimeo. Vimeo.com. Retrieved on 22 January 2012.
^ Volledige naam. "Twitter". Twitter. Retrieved 29 March 2013.
^ JJ lyfe. "Music Video News: IN PRODUCTION: Drake f/ Rihanna – Yoann Lemoine, dir". Video Static. Retrieved 29 March 2013.
^ "Harry Styles releases debut single 'Sign of the Times'". Sony Music UK. 7 April 2017. Retrieved 6 May 2020.
^ "FKA twigs Shares New Video for "Killer": Watch". Pitchfork. 20 July 2022. Retrieved 15 January 2022.
^ "The Antville Music Video Awards 2011". videos.antville.org.
^ "ANTVILLE MUSIC VIDEO AWARDS 2012 - POLLS". videos.antville.org.
^ a b c "Woodkid". IMDb.
^ "Brit Awards 2018 Winners: The Complete List". Billboard. 21 February 2018.
^ "MUSIC VIDEOS COMPETITION NOMINATIONS – EnergaCAMERIMAGE 2021". camerimage.pl.
^ "MUSIC VIDEOS COMPETITION NOMINATIONS ANNOUNCED – EnergaCAMERIMAGE 2021". camerimage.pl.
^ "MUSIC VIDEO NOMINATIONS ARE HERE! – EnergaCAMERIMAGE 2021". camerimage.pl.
^ "Archive – EnergaCAMERIMAGE 2021". camerimage.pl.
^ "Cannes Lions Advertising Festival Award List". DDB Paris. 8 June 2011. Retrieved 8 June 2011.
^ a b "Awards won by Aides Graffiti". Aides. 8 June 2011. Archived from the original on 15 March 2012. Retrieved 8 June 2011.
^ "Eurobest – Europe's Creative Advertising Festival and Awards". Archived from the original on 7 April 2011. Retrieved 23 April 2011.
^ https://www.musicvideofestival.com.br/en/awards/2013/
^ "UK Music Video Awards 2011: here are the nominations! | News | Promonews". Promonewstv.
^ "UK Music Video Awards 2013: here are the nominations... | News | Promonews". Promonewstv.
^ "UK Music Video Awards 2020: all the nominations!". Promonews. Retrieved 29 September 2020.
Wikimedia Commons has media related to Woodkid.
Woodkid on labelgum (Green United Music)
Woodkid's Discography on discogs
Retrieved from "https://en.wikipedia.org/w/index.php?title=Yoann_Lemoine&oldid=1136457256"
English-language film directors
French music video directors
French people of Polish-Jewish descent
French male singer-songwriters
French gay musicians
French pop musicians
French LGBT singers
French LGBT songwriters
Gay singers
Gay songwriters
21st-century French male singers
20th-century LGBT people
21st-century LGBT people
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Pages using infobox musical artist with associated acts


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The opening price is going to be a bit much for customers that want to get their first wireless camera. Because of that, there won't be many people that buy this as their main wireless camera even though it is an excellent choice. Although it is great with batteries, it still uses 12-that is 4 more than normal cameras of the same size. And without being able to use generic or low cost batteries, the cost of the batteries+camera from the start will be out of the range of a lot of people. To summarize, this is the best wireless camera on the market but also the most expensive.
Everyone shares the opinion that this is not only a great camera but an impressive camera period. The media capabilities of the product would sell the camera by itself if Covert wanted it to. When people list their dislikes of the camera it always comes down to the batteries and how long the antenna is. The tradeoff with the antenna is fantastic wireless reception, but it also limits the places that the camera can go. Customers have remarked that it is leagues ahead of any wireless camera they have ever owned, and that they would gladly pay the premium price for it again.
Even at such an expensive price, this is a good value for a wireless camera with HD capability. It is a top tier product and is priced as such. Power users that know how to manipulate the sim card capability will get an even better value as they can get away from ATT&T's network and onto a competing one. Currently this is the best value in wireless HD trail cameras and won't get beat anytime soon.
It is hard to gauge the lasting appeal of this camera because of the wireless capabilities. If going by just the resolution, it is very much good for the next 10 years with its 12MP. The ruggedness and durability of it will also guarantee an equally long lifetime, but where the real question comes in is where will the wireless market go? Wireless technology changes yearly, so it may also affect just how strong the signal is from state to state. Realistically because of the wireless, most users are looking at 5 years max with this camera before they have to consider an upgrade.
The high entry price may be hard to ignore, yet it is an attractive deal for anyone in a location where wireless is even average. Not having to move your camera to retrieve the media is a huge advantage, and can keep you from disturbing the environment. Make sure to pair it with a 32GB card and set the settings to overwrite old photos and you'll never have to take it out of position.
Customers should really considering putting up the money necessary to purchase this camera. Every other wireless camera plays second fiddle to its incredible out of the box features. Even if it is out of your price range, there is no better option for a wireless trail camera.


text:
Q: How to obtain three arrays containing three objects or less? I want to obtain three arrays containing three objects or less. I have a class named Product and an array who have 9 products or less downloaded form Firebase, so I want to generate three arrays, each one will have three different products in order. This is what I have:
var products = [Product]()
products = [product1, product2, product3, product4, product5, product6, product7, product8, product9]

And this is what I want to obtain:
array1 = [product1, product2, product3]
array2 = [product4, product5, product6]
array3 = [product7, product8, product9]

In some cases the array named product will have a number of products less than 9 so I have to create those arrays automatically with 3 or less products.
I'm doing this because my code have to generate an array that has three arrays inside, each one with three products or less to show in a collection view inside a tableview [[Product]].

A: You can slice an array by using the [] operator with a range.  Note that this returns a view into the original array, so if you want a copy you pass the slice to Array() to create a new copy:
let numbers:[Int] = stride(from: 1, to: 10, by: 1).map{$0}
print(numbers.count)
let first = Array(numbers[0...2])
let second = Array(numbers[3...5])
let third = Array(numbers[6...8])
print(first, second, third)

To convert an array of arbitrary length into a number of arrays with 3 elements or less:
let numbers:[Int] = stride(from: 1, to: 14, by: 1).map{$0}
var bins: [[Int]] = []
for index in stride(from: 0, to: numbers.count, by: 3) {
    let endIndex = min(index + 2, numbers.count - 1)
    bins.append(Array(numbers[index...endIndex]))
}
print(bins)

A: Gustavo expects the extra variables to contain empty arrays when there are fewer than 6 or 3 products.
this should do it:
    let productsBy3 = (0..<3).map{ i in products.indices.filter{$0/3==i}.map{products[$0]}}

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SATURDAY, MAY 25, 2018 — NAGAAA Cup games are underway in the Twin Cities! The menus on myGSWS.com are updated to reflect results and schedules. The skies are clear and the temperatures are in the 80's. Couldn't be a more beautiful weekend for softball!


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Home / Commentary / Bench Blog says 'goodbye' with review of Colorado baker case
Bench Blog says 'goodbye' with review of Colorado baker case
By: Bridgetower Media Newswires	June 15, 2018 12:17 pm
Judge Jean DiMotto retired in 2013 after
16 years on the Milwaukee County Circuit bench and now serves as a
reserve judge. She also is of counsel with Nistler Law office SC. She can be reached at jeandimotto@gmail.com
The U. S. Supreme Court sidestepped the issue of whether a Colorado baker discriminated against a gay couple seeking a wedding cake and instead decided that the baker had been treated unfairly by the commission adjudicating the discrimination charge.
The alleged discrimination
The facts of Masterpiece Cakeshop, Ltd. v. Colorado Civil Rights Commission may well be familiar given the extensive national media coverage since 2012.
Charlie Craig and Dave Mullins, a gay couple, planned on being married in Massachusetts since Colorado did not recognize gay marriage in 2012. They also planned to host a reception in Denver upon their return. To that end, they walked into Masterpiece Cakeshop and told Jack Phillips, the baker-owner, that they wanted a cake for their wedding.
Phillips replied that he does not "create" wedding cakes for same-sex weddings. "I'll make your birthday cakes, shower cakes, sell you cookies and brownies, I just don't make cakes for same-sex weddings."
Shortly thereafter the couple filed a discrimination charge against Phillips under the Colorado Anti-Discrimination Act.
The anti-discrimination agency
The anti-discrimination act prohibits discrimination based on sexual orientation, among other things, in "the full and equal enjoyment" of goods and services of any "place of business engaged in any sales to the public and any place offering services … to the public."
The couple's discrimination claim was first investigated by the Colorado Civil Rights Division. The investigation found that Phillips had declined to sell custom wedding cakes to six other same-sex couples for the same reason he refused to do so for Craig and Mullins.
The division therefore found probable cause and sent the matter to the Colorado Civil Rights Commission. The commission referred the matter to an ALJ for a formal hearing.
The facts were not disputed so the matter was decided on competing summary judgment motions. Phillips claimed he was not discriminating but instead exercising his First Amendment rights to free speech and the free exercise of religion.
Specifically, Phillips argued that baking the cake would compel him "to exercise his artistic talents to express a message with which he disagreed." The ALJ rejected the idea that preparing a wedding cake is a form of protected speech.
As to Phillips' free exercise of religion defense, the ALJ determined that the anti-discrimination act was a "valid and neutral law of general applicability" and therefore applying it to Phillips did not violate the Free Exercise Clause.
Therefore, the ALJ ruled in favor of Craig and Mullins. Phillips appealed the ALJ's decision to the commission.
Commission hearings
The seven-member commission held two public hearings. At each hearing, the commissioners opined on Phillips' claim that he could refuse to bake the cake on the grounds of religious freedom.
Several times during the first hearing, the commissioners endorsed the view that religious beliefs cannot legitimately be carried into the public sphere or commercial domain. One said that Phillips can believe "what he wants to believe," but cannot act on his religious beliefs "if he decides to do business in the state."
At the second hearing, a commissioner spoke even more sharply: "I would also like to reiterate what we said in the hearing or the last meeting. Freedom of religion and religion has been used to justify all kinds of discrimination throughout history, whether it be slavery, whether it be the holocaust, whether it be—I mean, we—we can list hundreds of situations where freedom of religion has been used to justify discrimination. And to me it is one of the most despicable pieces of rhetoric that people can use to—to use their religion to hurt others."
The commission voted to affirm the ALJ's decision.
Phillips appealed to the Colorado court of appeals. The court rejected Phillips' argument that the commission's order violated religious freedom. Consonant with the ALJ's decision, it relied on a U.S. Supreme Court case finding that the Free Exercise Clause "does not relieve an individual of the obligation to comply with a valid and neutral law of general applicability" on the ground that following the law would interfere with religious practice or belief.
The Colorado Supreme Court declined to take the case, so Phillips sought review by the U.S. Supreme Court.
Justice Anthony Kennedy delivered the opinion which reversed the Colorado court of appeals, thus finding in favor of the baker.
Seven members of the court were united on only one basis for the outcome – that the hostility toward religion evinced by the commissioners' statements during the public hearings impermissibly infected what should have been a neutral and impartial adjudicative process.
Deciding the case based on this procedural defect meant the court avoided the tougher question at the heart of the case — the question dealing with the tension between a state's power to protect its homosexual citizens from discrimination and the Free Exercise Clause of the First Amendment.
Fractures under the surface
Despite the fact that seven justices joined the 21-page majority opinion, five participated in three concurrences totaling 30 pages.
Justice Elena Kagan, joined by Justice Stephen Breyer, reconciled the commission's disparate decisions concerning Phillips' refusal to bake a cake for a same-sex couple and three other bakers who refused to make anti-gay cakes for anyone thus discriminating against no one.
Justice Neil Gorsuch, joined by Justice Samuel Alioto, believed the majority opinion didn't go far enough in its criticism of the commission's process.
And Justice Clarence Thomas, joined by Justice Gorsuch, wrote that the baker's free speech argument had merit.
Lastly, Justice Ruth Bader Ginsburg wrote a dissent, joined by Justice Sonia Sotomayor, in which she argued that the case was properly decided by the neutral and impartial court of appeals.
Despite the public disappointment in this case being decided on a so-called technicality, there is plenty in this 59-page decision for each side in the debate about religious freedom and the protection of the civil rights of gays and lesbians.
The majority opinion voices both sides of the debate, and each concurrence fleshes out one side or the other.
In the end, the court awaits "further elaboration in the courts, all in the context of recognizing that these disputes must be resolved with tolerance, without undue disrespect to sincere religious beliefs, and without subjecting gay persons to indignities when they seek goods and services in an open market."
Bench Blog says goodbye
After 5 years of writing this column, it is time to say goodbye. I have enjoyed the journey of analyzing and commenting on appellate court cases. I have found the four districts of our court of appeals to be vibrant and their opinions concise and free of posturing.
The same cannot be said of the Supreme Court. In addition, it has shown a sensitivity to criticism – so-called "tough talk" – complaining that criticism undermines respect for it as an institution, when it is its own ineffective, sometimes hostile, communication and processes that are really the issue. I look forward to the day when that court once again commands respect both in Wisconsin and nationally.
Bench Blog Jean DiMotto 12:17 pm Fri, June 15, 2018 Wisconsin Law Journal - WI Legal News & Resources
Bridgetower Media Newswires
Tagged with: Bench Blog Jean DiMotto
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BENCH BLOG: Cumulative evidence and a new form of recantation
BENCH BLOG: Three billboards in Dane County
Pro rata distributions amid insufficient policy limits

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text:
Qtoid
The Memory Card .23: It was all a dream?
Posted 14 years ago by Chad Concelmo
Super Mario Bros. 2
Sometimes videogame moments can be memorable without being very good. Take last season's StarTropics Memory Card induction, for instance: I will never forget that damned submerged letter for the rest of my life, but that doesn't change the fact that the whole concept left me a little confused.
This week, the dim, barely visible negative light of my memory shifts its focus to one of the strangest creative choices in videogame history.
Over the years, I can think of a handful of games that presented endings with unexpected and wholly fulfilling plot twists. While some of them may have been over-the-top, they still fit into the context of the established plot, making them at the very least mildly believable.
Even in the early retro days, when videogame stories weren't a huge focus of the overall experience, a poorly realized — or, even worse, lazy — plot point still stood out like a sore thumb. One of these unfortunate moments occurs at the end of the quirky Super Mario Bros. 2 for the original Nintendo Entertainment System. Learn what not to do at the conclusion of an otherwise decent little videogame.
Like the aforementioned StarTropics, I actually happen to love Super Mario Bros. 2, despite some of its shortcomings. In fact, it is one of my favorite games from the golden (and sorely missed) NES era.
The first thing anyone will notice when playing Super Mario Bros. 2 is the game's drastic change in style when compared to the original Mario hit. Gone are the classic brick-breaking and warp pipes of yore. All the stuff that made Mario, well, Mario was replaced with a strange new world filled with creepy masked enemies and a lot of … vegetable plucking?
This huge shift in aesthetics is perfectly explained once you discover Super Mario Bros. 2 is actually a remake of the Japanese game Yume KÅjÅ: Doki Doki Panic, but starring Mario characters (the true sequel to the first Super Mario Bros. released only in Japan).
In the game, for the first time, you can choose between four playable characters: the well-balanced Mario, the high-jumping Luigi, the hovering Princess Toadstool, or the strong Toad. Regardless of who is chosen, the basic plot remains the same: the evil toad Wart has cursed the world of Subcon and it is up to the heroes of the Mushroom Kingdom to stop him.
After playing through numerous, admittedly creative levels, you and your companions finally make it to the final boss, Wart himself.
While the battle is nothing special (you throw a lot of vegetables, dodge a lot of bubbles), it is what occurs after Wart's defeat that is a little … odd.
Once the malevolent toad falls, your chosen character makes his/her way through a magical door and into an open room. At the center of the room is a vase, sealed by an oversized stopper.
Immediately, your character hops on top of the stopper and pulls it from the decorated vase. From within, eight random fairies fly out, congratulating you for defeating Wart and saving Subcon from the horrible curse.
With no hesitation, a celebration in your honor begins (involving the morbid denizens of Subcon parading Wart's body around for all to see/gawk at). It is after this celebration when the next Memory Card moment occurs — one that I am still scratching my head about.
As you, the player, are waiting for the strange celebration to continue on, the scene suddenly cuts away to Mario asleep in bed, a cute nightcap sitting on top of his head. In the corner of the screen, the celebration you just witnessed is displayed in a large, white thought bubble coming from the snoring plumber's head.
After a few moments, Mario wakes up for a second, bursting the thought bubble and all of its contents. It is at this moment that you sadly realize the entire game you have been playing was only one of Mario's vivid (mushroom induced?) dreams. The entire adventure that established some pretty memorable characters (Birdo!) and encounters (riding on a magic carpet!) was all just in Mario's head.
To make matters more disappointing, instead of something dramatic happening after Mario wakes up, he just goes right back to sleep as the credits start rolling, revealing the "cast" of the game.
As the last cast member leaves the screen (Wart), a final, cursive "The End" forms above Mario's snoring face, sealing the fate of one of the strangest videogame endings of all time.
You can watch all the wackiness unfold here:
When I first saw the ending of Super Mario Bros. 2 as a child I never really thought twice about it. While I thought it was a little weird, it wasn't until years later when I truly realized how much of a copout it really was.
Looking back, it is a pretty big slap in the face that Nintendo didn't think the people of America would be able to handle a game as challenging as the original sequel to Super Mario Bros. Replacing some characters from an already established game with familiar Mario icons is one thing, but adding on an abrupt ending ludicrously trying to explain why the game is so different than previous ones in the series is just insulting.
When I say "insulting" I don't mean to sound so dramatic. It's not like I'm really that angry about this decision or anything. As mentioned before, I love Super Mario Bros. 2 and think the ending (while crazy) is still totally classic. I just think it was an odd creative choice that boggles my mind, even today.
Think about it: when has the "it was all a dream" scenario worked well. In all other forms of media (film, television, stage), this technique is rarely used because of the negative reaction it always (deservedly) garners. Is the result of putting it in a popular videogame any different? The answer is obviously no.
Mario games have never been known for their strong stories or mind-blowing endings, so it is a little hard to fault Super Mario Bros. 2 for doing something so shocking or unfair. Heck, I guess just the fact that the Mario series tried something new is reason enough for some form of praise. But the ending is obviously (in)famous for a reason. If you ask a bunch of videogame fans on the street about Super Mario Bros. 2, I bet the same amount that knows how the game ends (read: all of them) will agree that the ending was rather disappointing and ultimately out of place.
Although not a lot happens, the ending of Super Mario Bros. 2 is easily one of the most memorable videogame moments of all time. Let's just hope Mario doesn't have anymore of these zany dreams in the future …
The Memory Card Save Files
.01 – .20 (Season 1)
.21: Crono's final act (Chrono Trigger)
.22: Ganon's tower (The Legend of Zelda: Ocarina of Time)
Chad Concelmo
Filed under... #Classics#mario#Nintendo Entertainment System#The Memory Card
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The New Year brings open enrollment periods for employees. This is the time to make changes and additions to benefits packages. It's also a great time to think about setting up a flex spending account to cover out-of-pocket charges for medical and dental needs.
Flex spending accounts can be a great benefit. Employees determine what their upcoming expenses are likely to be, up to $2500, and then elect to have that money deducted from their paychecks before taxes are determined. Deductions are spread out with an equal amount taken from each paycheck. Depending on the amount selected, this may actually lower the employee's tax burden. The flex spending account can be used to cover things like office and prescription copays as well as uncovered dental expenses.
The cost of dental care is often a barrier for not pursuing needed or wanted dental procedures. Often, dentists require full payment for services at the time they are performed. This is where a flex spending account comes in handy because the total election is available day one.
A flex spending account can be used to pay for unexpected dental expenses like emergency root canals and crowns, or it can be used to help cover the cost of using Invisalign, which can be used to correct crooked or unevenly spaced teeth. Even if dental insurance plan does not specifically cover Invisalign, employees can use their flex spending benefits to mitigate the cost, which makes getting that perfect smile a little bit easier. Since the money is available on the first day of the plan, employees don't need to wait to schedule their appointment.
With the cost of uncovered medical and dental services growing, you might consider adding a flex spending account to your benefits elections. Flex spending accounts will help ensure that money for uncovered expenses is there when you need it.


You haven't seen Petco Park until you've gone behind-the-scenes on guided tour. Discover "writer's row" in the press box, learn about the historic Western Metal Supply Co. Building and explore the Padres dugout. The crown jewel of downtown San Diego, Petco Park serves up baseball Southern California style-complete with swaying palm trees and a sandy beach beyond center field.
PETCO Park Tours typically cover about a mile and a half, beginning with a behind the scenes viewpoint of the party suites in the Western Metal Supply building. The tour also takes you into other luxurious and exclusive suites on the Toyota Terrace level. You will eventually enter the press box, where announcers call out a play by play of your favorite games!
Most people's favorite part of PETCO Park Tours is entering the Padres dugout. You get to walk down the exact same tunnel that players take from their clubhouse to the field! You can walk up the steps, into the sunlight, along the warning track, and behind home plate for a fantastic view!


The Institute's Advanced Diploma in the Supervision of Family and Systemic Psychotherapy is a well recognised and reputable course. On completion of all elements of the programme you will be eligible for registration with the Association for Family Therapy and Systemic Practice (AFT) as a Systemic Supervisor and be able to work in a range of systemic practice and family therapy settings.
The aim of this course is to enable you to draw upon systemic, social constructionist and adult learning approaches in order to develop your knowledge and skills in undertaking supervision, training and consultation in a variety of environments. You will be supported in taking account of how your own beliefs, behaviour, gender, age, ethnicity, sexual orientation and other contexts impact on your supervision relationships and those of whom you work with.
The course outcomes draw on the second version of the Association for Family Therapy and Systemic Practice Red Book, and is accredited by this body.
The course runs fortnightly on a Friday from September to July, for 21 sessions.
Practice and knowledge will be enhanced and developed through a range of experiential, reflective, reflexive and teaching opportunities including seminar presentations and lectures, small group work, observation of supervision, role play and the supervision of supervision.
Visiting speakers contribute to the course and bring a valuable breadth and diversity to the learning experience.
Tutorials – each trainee has one hour of individual tutorial time.
Live Supervision Group – Each course member will be required to organise a live supervision group of no less than 3 people in their professional community/agency which will allow them to develop their supervisory skills. The people being supervised should include a range of professionals with different levels of systemic experience. The group should be ready to start by the beginning of the course. You will be expected to make audiovisual recordings of your individual and group supervision and bring these to the course days for supervision of supervision and peer review.
A range of supervisory models will be explored during the course.
A non-refundable administration fee of £40 is payable on application.
Closing date for receipt of application is 31st of May in any year for September start.


text:
Adventures of Poco Eco - Lost Sounds: Experience Music and Animation Art in an Indie Game 4+
POSSIBLE GAMES Kft.
#42 in Music
Get a full-length 7 track LP with your purchase bundled with this relaxing, exploratory audio-visual experience for all ages!
Experience a new world where there's a lot to see and even more to hear. Help Poco Eco, the curious explorer complete his mission. Your goal is to help Poco Eco and his tribe find their Lost Sounds that they've lost by solving the mini puzzles and completing all twelve 3D animated levels. By downloading Adventures of Poco Eco you also get free access to Iamyank's new LP.
LOSE THE SILENCE, WIN THE FUN
This experience is built around a mixture of electronic music, fine art and design, placing you into its unique atmosphere. Adventures of Poco Eco was designed and developed by POSSIBLE Games & it features Iamyank's newest LP - the Lost Sounds.
THE COMPOSER
Iamyank is a highly acclaimed multi-talented artist: designer, musician, producer and composer from Hungary, notorious for filling venues he's playing at the capital's nightlife. He describes his music genre experience as dreamy electronic - influenced by all kind of soulful music. His newest album, the Lost Sounds is already available on Bandcamp.
DESIGNERS & ENGINEERS
POSSIBLE Games creates quality mobile games that entertain and challenge gamers of all levels up until the edge. Adventures of Poco Eco was designed by visual artists with years of experience in 3D, fine art, street art, fashion, typography and of course mobile game design.
Download Adventures of Poco Eco, experience dreamy beats and help Poco Eco in his mission!
For more info visit us at
http://www.pocoecogame.com/
https://twitter.com/POSSIBLEgames
https://www.facebook.com/pocoeco
Tune in to Iamyank at
https://www.facebook.com/iamyankmusic
https://twitter.com/iamyank
We are excited to hear your opinion on Adventures of Poco Eco, please rate & review on the app page, or leave your comment at hello@possiblegames.com!
Poco Eco needs your help to find the Lost Sounds!
bexn01 , 07/25/2016
Fun, light game
Nice break from the thought-intensive puzzles out there. The graphics were beautiful! You'll either love or hate the music tracks. Most of them I enjoyed but I had to turn off the sound for one because it got on my nerves. I'm not a fan of that style of singing but YMMV.
Unless you have a FB account, you can't download the free exlusive [sic] track. They could have just as easily put it on something like Dropbox so everyone would be able to download the track. I absolutely despise companies that require FB use. IAMYANK, you lost a potential customer because of this.
Overall, I enjoyed the game. It was relaxing and I'll probably play it again at some point when I need a break.
Gunther Becker , 08/23/2016
Familiar game mechanics in a unique world with a nifty art style. Would have been cooler if the music and gameplay were integrated more than they are. Still, enjoyed the two hours I spent with this title. Simplistic enough for younger players but satisfying for an adult as well. Loved the soundtrack, save for the vocal tracks, which I absolutely hated.
Overall, solid little title that's easy to recommend to a large demographic. Great job to the developers.
P!ckle! , 08/25/2018
Lots of fun for adults and kids
My son, who is 7, and I had a good time playing this game. The puzzles we're only occasionally too challenging for him, and it was a good chance for him to immerse himself in some cool music, and learn a bit about beats beats beats along the way.
Requires iOS 5.1.1 or later. Compatible with iPhone, iPad, and iPod touch.
© POSSIBLE Games
The End: The Mayan Apocalypse
Tap Company: Startup in Miami
Merchants of Space: Intergalactic Space Outpost
Small & Furious: Challenge the Crazy Crash Test Dummies in an Endless Race
TheEnd Rush
Flick Champions Summer Sports
Socioball
Secret of Grisly Manor
Blown Away: Secret of the Wind
ElectronShock
Little Galaxy Family


text:
Q: Filtering works in Linux, but now Windows Issue In the code, I'm trying to take out all Z-Scores that are not between -3 and 3. In my Linux VM it runs without error, but when I try to run the exact same code in Windows it gives me the error: ValueError: Columns must be same length as key
I can't find why I would be getting the error in Windows, but not Linux.
Code:
df['Z-Score'] = df['price'] # Make the Column Z-Score and put the
df['Z-Score'] = stats.zscore(df['Z-Score'])
df['Z-Score'] = df['Z-Score'].between(-3,3)
countZ = df['Z-Score'].count()
print(df[['Z-Score', 'price']].head(5))
df['Z-Score'] = df[df['Z-Score']==True]
countZ1 = df['Z-Score'].count()
total=countZ - countZ1
print('Your total outliers were {}'.format(total))
dfCount = df.count()
df.dropna(inplace=True)
dfCount1 = df.count()
print('You dropped {}'.format(dfCount-dfCount1))
df.count()

Linux screenshot
Windows screenshot
Data:
      Z-Score    price
0     True  530000.0
1     True  740500.0
2     True  625000.0
3     True  595000.0
4     True  485000.0


Information and resources about the live music business for artists, musicians, DJs and bands.
These pages contain articles, posts, information and advice for all you musicians, bands, turntablists and singers. Its all stuff aimed at helping you when you go out and play live – from gig contracts and advice on music booking agents, to example tour book pages and advice on touring Europe.


SILVER SPRING, MD – The Montgomery County Planning Department, part of the Maryland-National Capital Park and Planning Commission, is launching a new online outreach tool, called the MCReactMap, on Monday, June 4 to allow residents and stakeholders to provide feedback through their smart phones about the Forest Glen/Montgomery Hills Sector Plan.
Using the hashtags #LoveIt, #FixIt, #NeedIt, property owners can text their concerns and comments about what they love about the Forest Glen and Montgomery Hills communities, what is missing or needs improvement in these areas. They can also access the MCReactMap from a computer and register their feedback online.
Clicking on the pins on the digital map reveals questions to answer about different neighborhoods within the plan area. Visitors can also respond to other comments they agree or disagree with. Other features include a language translation tool as well as street views of the plan area and social media sharing options.
On June 11, residents and visitors to the plan area will start seeing questions posted on bus shelters along Georgia Avenue and around the Forest Glen Metro Station to answer on the MCReactMap. Other map prompts will be posted throughout the plan area. Planners remind the public to text responses only when it is safe to do so. Standard message and data rates may apply.
From the map feedback, planners will collect all the information and use it to inform preliminary recommendations for the sector plan. User phone numbers will not be publicly displayed or given to third parties, but any information sent to the Planning Department may be subject to Maryland Public Information Act requests.
Launched in 2017, this sector plan reevaluates land uses, transportation strategies and redevelopment along the Georgia Avenue corridor as well as offering recommendations to improve the area's pedestrian and bicycle accessibility, connectivity and safety. The plan also looks to protect and enhance existing residential neighborhoods while balancing the region's evolving traffic demands. Read more about the plan here.
The Planning Department's updated schedule for the sector plan process includes developing preliminary recommendations this fall, delivering a first draft of the plan to the Planning Board in spring 2019 and sending the revised Planning Board draft to the County Council and the County Executive for their approval in fall 2019.
Twice a month, usually on the second and fourth Wednesdays. View the upcoming meeting agenda.


THE WEEKLY HIM) TRIBUNE, HIM), HAWAII, FRIDAY, MARCH n, 1904.
and is 150 feet deep.
THEO. H. DAVIES & GO.
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text:
Savior of Skin
It is one of the biggest issues that human beings face: acne. Whether it has to do with beauty or insecurity, nobody wants their face to have red bumps. Various treatments exist, but a lot of them do not seem to work, depending on the person's skin.
Senior Alyssa Serri has come up with a potential solution to everyone's acne problems. She has created a skincare cream that she feels is having a remarkable impact.
Serri came up with the idea after experiencing acne problems of her own.
"Acne has always been my number one insecurity," Serri said. "I was ticked because I was spending all this money on cleansers and spot treatments and different creams and gels that were supposed to take it away. I was upset because nothing worked long term and I'd get dry or oily skin as byproducts to whatever I was using at the time, which led to more acne."
From this, Serri got to work. She researched various acne products, the effects of different formulas on the skin and the chemistry behind all of it. This is when she made her formula.
The main formula consists of two strains of aloe and Vitamin E. Serri describes strains of aloe as different types of apples.
"It's all natural and there are literally no chemicals," Serri said. "It's unique because instead of fighting your skin, it works with it."
Serri is aware that not all skin types will work with her skincare, which is why she plans to make many more variations of it.
"Effectiveness all has to do with skin type and severity of acne, which is why I'm looking to add another formula or improve the one I have now for inclusivity," Serri said. "Every subject that I tested showed improvement."
Serri tested her product on a few of her friends and fellow classmates. Senior Tori Russell was one of her subjects. During trials, she used it for a month.
"During her experiment, it was the only thing I used after washing my face at night, and I'd also use it when I woke up," Russell said. "Then afterwards, I added it into my existing skincare routine before I moisturized and used it three times a day."
The formula has proven to be versatile with skin routines. Senior Jack Shoemaker was also one of Serri's subjects. He used it for two weeks, going off and on since then.
"After washing my face, I apply about a nickel-quarter sized amount to my entire face," Shoemaker said.
Both Russell and Shoemaker confirmed that the skincare was very effective. Russell reports that it is on par with other acne products she has used, while Shoemaker says that it worked better.
"Many other products that I've used have been harsher on my skin, and I feel that this has provided more long term benefits," Shoemaker said. "I would certainly rank it among the best products that I've used."
Russell also agrees that this is a phenomenal product.
"I liked how quickly it worked," Russell said. "I highly recommend it, because it calms down and evens out redness and texture and helps to quicken the healing process of current and past acne."
This skincare has proven to be a great solution to everyone's acne problems, and yes, it is available. Serri hopes to make this some kind of business some day.
"I'd like to develop some kind of clientele," Serri said.
Serri is currently worried about starting an Etsy shop, but in the meantime, anyone interested can message her on Instagram @alyssaserri or Snapchat @a_serri. Her product is $5 for 2 ounces, and only $4 for refills.


text:
L'université Bordeaux-IV, de nom d'usage « université Montesquieu Bordeaux IV », est une université française ayant existé entre 1995 et 2013. Consacrée au droit et aux sciences économiques, elle fusionne le  avec deux autres universités bordelaises pour former l'université de Bordeaux et devient par conséquent le Collège droit, science politique, économie, gestion de l'Université de Bordeaux composé de la Faculté de droit et science politique, la Faculté d'économie, gestion et AES, l'Institut d'administration des entreprises et l'Institut du travail.

Son plus gros site est situé dans le domaine universitaire de Talence Pessac Gradignan. Elle possède des sites délocalisés à Bordeaux (Caudéran, quartier de la Bastide, avec le pôle universitaire des sciences de gestion de Bordeaux), Mérignac, Agen, Périgueux et Mont-de-Marsan. Ses domaines principaux sont le droit et les sciences politiques, les sciences économiques et sociales, et les sciences de gestion et management.

Historique

Avant sa fondation

L'université de Bordeaux fut fondée en 1441 par une bulle du pape Eugène IV. Cette université comptait quatre facultés : art, médecine, droit et théologie.

L'université Bordeaux-I a été créée en 1971 à la suite de la division en trois de l'université de Bordeaux. Elle regroupait alors les Sciences, les Technologies, le Droit et les Sciences sociales et politiques. Les secteurs « sciences » et « droit » ont tout de même un fonctionnement séparé. Des vice-présidents sont notamment délégués aux facultés de droit et d'économie :

Fondation et disparition
En 1995, l'université Bordeaux-IV est créée. Elle est consacrée au droit et aux sciences économiques. L'assemblée constitutive provisoire du  a souhaité rendre hommage à Montesquieu en adoptant son nom.

En 2007 Bordeaux-IV est membre fondateur du PRES « Université de Bordeaux ».

Préparée depuis 2010, l'université de Bordeaux est en grande partie reformée le , résultat de la fusion des universités Bordeaux-I, Bordeaux-II et Bordeaux-IV, l'université Bordeaux-III restant autonome et prenant le nom d'université Bordeaux-Montaigne.

Présidence
 Marc Penouil (administrateur provisoire) : 1995-1996
 Jean du Bois de Gaudusson : 1996-2001
 Gérard Hirigoyen : 2001-2006
 Jean-Pierre Laborde : 2006-2011
  : 2011-2013

Composantes
Conformément au code de l'éducation qui fixe l'organisation légale des universités publiques en France, Bordeaux-IV se compose de plusieurs composantes. On trouve d'une part les unités de formation et de recherche (UFR) et d'autre part les « instituts et écoles » :

UFR

 UFR de droit et science politique,
 UFR économie, administration économique et sociale et gestion,

Instituts et départements
 Institut d'administration des entreprises, dont Institut universitaire professionnalisé de commerce de Bordeaux
 Institut universitaire de technologie de Bordeaux Montesquieu
 Institut universitaire de technologie de Périgueux-Bordeaux IV
 Institut d'études juridiques (IEJ)
 Institut du travail
 Institut d'études juridiques et économiques de Périgueux (IEJE)
 Département d'études juridiques d'Agen (DEJA)
 le Pôle universitaire des sciences de gestion qui a un statut de département.
 Médiaquitaine (centre de formation aux carrières des bibliothèques, situé à Gradignan)

ESPE

Intégré à partir du , l'Institut Universitaire de Formation des Maîtres devenu L'École supérieure du professorat et de l'éducation d'Aquitaine dispense un enseignement dans le cadre du master MEEF (Sciences pour les métiers de l'enseignement, de l'éducation et de la formation) et se décline en 8 spécialités d'enseignement, accessibles en formation initiale ou continue. Les 1200 étudiants en master sont répartis sur les six sites de formation implantés dans chaque département de l'académie. Le siège de l'ESPE d'Aquitaine est situé sur le site de Mérignac.

Les différents sites sont :
 Mérignac, au Château Bourran, avec un parc qui s'étend sur 17 hectares, classés monuments historiques.
 Bordeaux-Caudéran, dans un parc ancien de deux hectares, autrefois propriété de l'École normale de filles de la Gironde.
 Mont-de-Marsan, sur le site Universitaire Henri Scognamiglio qui regroupe, outre l'ESPE, l'IUT des Pays de l'Adour, l'École Supérieure du bois et le CDDP des Landes.
 Périgueux, au centre du pôle universitaire de la Grenadière, devenu Campus Périgord.
 Agen, à proximité du Centre Universitaire du Pin.
 Pau, à proximité du campus universitaire de l'Université de Pau et des Pays de l'Adour.

IEP
L'institut d'études politiques de Bordeaux est un établissement public à caractère administratif, rattaché à l'université de Bordeaux-IV

Écoles doctorales
L'université comporte trois écoles doctorales :
 École doctorale de droit
 École doctorale de sciences politiques
 École doctorale des sciences économiques, gestion et démographie

Campus

La majeure partie de l'université se situe au domaine universitaire de Talence Pessac Gradignan (desservi par la ligne B du tramway de Bordeaux : stations Montaigne Montesquieu et UNITEC). Elle y dispose de la bibliothèque universitaire de droit de Bordeaux pour la documentation de ses chercheurs et étudiants.

Depuis 2006 les formations des sciences de gestion, l'IAE et les départements Tech de Co et GEA de l'IUT se situent au pôle universitaire des sciences de gestion de Bordeaux (desservi par la ligne A du tramway : station Jardin Botanique).

L'université possède une antenne à Agen avec des formations en droit et en administration économique et sociale et un département d'études juridiques et économiques situé sur le site universitaire de Périgueux.

Formation

Diplôme Universitaire de Technologie

 Gestion des Entreprises et des Administrations
 Gestion Logistique et Transport
 Techniques de commercialisation
 Génie Chimique

Licence
La licence est délivrée dans un domaine qui se décline ensuite en mentions.
 Droit, économie, gestion
 droit et science politique
 administration publique
 économie et gestion
 administration économique et sociale

Licence professionnelle
Bordeaux-IV délivre les licences professionnelles suivantes :
 Gestion et Administration du Personnel
 Gestion Informatisée des Organisations
 Management Logistique et Transport
 Métiers de l'administration territoriale
 Négociation commerciale
 Commerce franco-ibérique
 Distech
 Banque, finance, assurance
 Transactions et gestion immobilières
 Gestion de la paie et du social

Master

Le master est délivré dans un domaine qui se décline ensuite en mentions puis en spécialités (non listées ici).
 Droit, économie, gestion
 droit privé
 droit international et européen
 droit public et sciences politiques
 économie appliquée
 économie et finances internationales
 ingénierie mathématique, statistique et économie
 management
 comptabilité et finance
 marketing et vente
 méthodes informatiques appliquées à la gestion des entreprises

Autres
 Préparation à certains concours (enseignement, école de la magistrature…)
 Formations de l'institut d'administration des entreprises
 Diplômes d'université
 Diplôme d'État médiation familiale
 Formation continue, validation d'acquis
 Institut du travail

Recherche
Plusieurs équipes de recherche travaillent à Bordeaux-IV.

Droit
 Centre de droit Comparé du Travail et de la Sécurité Sociale (avec le CNRS)
 Centre aquitain d'Histoire du Droit
 Institut de Recherche en Droit des Affaires et du Patrimoine
 Centre d'Étude et de Recherche sur le Droit administratif et la Réforme de l'État
 Centre de Recherche et Documentation Européennes Internationales
 Groupement de Recherches Comparatives en droit Constitutionnel, Administratif et Politique
 Institut de Sciences criminelles et de la Justice (ISCJ)
 Centre Européen d'Étude et de Recherche en Droit de la Famille et des Personnes (CERFAP)

Économie
 Groupe de Recherche en Économie Théorique et Appliquée (GREThA)(avec CNRS)
 Laboratoire d'Analyse et de Recherche en Économie - Économie et Finance Internationales

Gestion
 Institut de Recherche en Gestion des Organisations

Sciences politiques
 Centre d'étude d'Afrique noire (avec CNRS)
 Science Politique Relations Internationales Territoire (avec CNRS)

Personnalités liées

Enseignants

Étudiants

 Nicole Bricq, femme politique française ;
Hassan II, roi du Maroc de 1961 à 1999, diplômé de la faculté de droit de Bordeaux ;
Moulay Rachid, prince du Maroc.

Vie étudiante

Évolution démographique
Évolution démographique de la population universitaire

Notes et références

Voir aussi

Bibliographie

Liens externes

Articles connexes
 Système éducatif en France - Études supérieures en France - Université en France

Enseignement supérieur à Bordeaux
Pessac
Réseau Message
Université disparue en France

redpajama_set_name: RedPajamaWikipedia


text:
Ragnar Hellenius has decided to step down as CFO for the Unibet Group
Thu, 13 Mar, 2008 20:05 CET
Henrik Tjärnström taking over as interim CFO with effect from 31 March 2008.
"Ragnar Hellenius has been with the group since March 2007. Ragnar Hellenius contribution in connection with the Maria Holdings acquisition has been very valuable. Unibet would like to thank Mr. Hellenius for his contribution during a hectic and eventful year", says Petter Nylander Unibet CEO.
"We are on track with our financial targets for 2010 and will continue the organic growth strategy with focus on maximizing profits. The company will not focus on any major acquisitions but potentially minor in the short term future," says Petter Nylander
Henrik Tjärnström is 37 years old and a Swedish citizen. He holds an MSc in Industrial Engineering and Management from the Institute of Technology, Linköping University, Sweden. He has previously held a position as Senior Financial Manager at Skanska Infrastructure Development AB. Henrik Tjärnström has been a Unibet board member since 2003 and a member of the Unibet audit committee since 2004.
https://www.kindredgroup.com/pawjmw


78 Malone Rd, Belfast, BT9 5BW, N.I.
OHMG constructed Queen's Elms two storey Student Services Administration Building which provides a reception and security centre, a Student Services Centre and Queen's Elms Halls of Residence, consisting of 957 student en-suite bedsitting rooms together with warden and deputy warden accommodation, laundry building, drainage and site works.
The project consisted of two main contracts; the first at a value of £12 million was won by traditional competitive tendering and was carried out under the auspices of a partnering arrangement which included the design team and all major sub-contractors and suppliers. After a two-day seminar, partnering champions where chosen to represent the Client, Contractor and Design Team to guide the project to completion. Through the successful completion of the works and achievement of the extremely tight completion timescales we were able to successfully negotiate the second £14 million portion of the works with the University. The same partnering arrangement was put in place for the second section of the works and it was instrumental in ensuring the final successful delivery of the scheme.
Phase 1 included the construction of 14 three storey student accommodation blocks which provided a total of 462 en-suite rooms including warden and deputy warden accommodation.
Phase 2 included the construction of 15 three storey student accommodation blocks providing a total of 495 en-suite rooms including deputy warden accommodation.
Other works involved the demolition of four ten-storey tower blocks to make way for a series of attractive new low-rise residences complete with social hub building in the centre, set within a landscaped master plan.
The new social hub at the centre of the new Queen's Elms Halls of Residence development provides essential student community facilities for this residential island close to the heart of Belfast city centre. The hub makes provision for cafeteria areas, a walk-in coffee shop of retail standard, juice bar, franchised supermarket, ATM point, laundry and an extensive catering and conference facility.
A multi-functional room is located at lower ground floor level which can be sub-divided into smaller areas with a sound-reducing sliding partition.
The student services centre is a landmark building designed to enhance the student/visitor experience of the newly created Queen's Elms Village.
Major services diversions & new services infrastructure including new heating mains installation system fed from central boilerhouse.


Our "Ask Uncle Barky" feature makes a triumphant return -- hey, we're getting into self-congratulatory May ratings "sweeps" mode -- with a nice selection of your questions about national and local TV. Oddly enough, you can find it on the "Ask Uncle Barky" page.
Also, CBS correspondent Lara Logan has returned to work and will be on 60 Minutes Sunday to make the first public comments about the February beating and sexual assault she survived while covering February's revolution in Egypt. We have more details and a video excerpt here. And Wednesday's D-FW Nielsen ratings show surprisingly solid ratings for a two-hour repeat of NBC's The Voice, which had gotten off to a strong start on the previous night.


07 August 2018: Inflight Wi-Fi is is a key driver in forming customer loyalty and satisfaction among today's airline passengers, according to the industry's largest poll of passenger attitudes. The fourth annual global Inflight Connectivity Survey is published today by Inmarsat (LSE: ISAT.L), the world's leading provider of global mobile satellite communications, in association with market research company Populus.
Wi-Fi is already an essential part of everyday life on the ground with more than three quarters of those surveyed (78%) believing that it is "fundamental" to daily life. With more than half of passengers (55%) describing inflight Wi-Fi as crucial, meeting the demand for Wi-Fi in the skies is key to improving passenger experience and driving loyalty.
Wi-Fi is now so critical to passengers that two thirds (67%) would be more likely to rebook with an airline if high-quality Wi-Fi was on offer. Globally, passengers ranked inflight Wi-Fi as the fourth most important factor that they consider when choosing an airline, behind airline reputation, free checked baggage and extra leg room.
Onboard Wi-Fi could also lead to more productive business trips, as almost nine in ten business travellers (87%) would use inflight Wi-Fi to continue working on the plane. Access to Wi-Fi is also an important driver of choice for nervous flyers, as more than half (51%) said that they would use the technology to remain in contact with family and friends on the ground.
As demand for inflight Wi-Fi soars, uptake is similarly high as two thirds (65%) of passengers that had access to the service in the past year chose to use it. However, the demand for quality onboard Wi-Fi is significantly outstripping supply on the fleets of airlines across the globe, as less than half of passengers globally (45%) travelled on flights where it was offered.
Inmarsat is transforming the global aviation industry by bringing complete connectivity to every aircraft and flight path in the world. It is the first and only provider with a complete High-Throughput Satellite (HTS) network spanning the world. Inmarsat is also the only aviation broadband provider capable of connecting the complete aircraft from cabin to cockpit. Passengers can browse the internet, stream videos, check social media and more during flights, with an on-board connectivity experience on par with broadband services available on the ground. Inmarsat's high-speed, secure connectivity solutions for the flight deck combine cutting-edge satellite technology with secure IP broadband connectivity. Inmarsat is able to deliver incomparable protected data capacity to the cockpit, resulting in vastly improved operational efficiency and enhanced safety.
Share the post "Demand for inflight Wi-Fi is driving airline loyalty amongst passengers"
Populus interviewed 9,341 adults online between 18th April to 14th May 2018 in each of the following regions: Europe, NAM, LATAM, IMEA and APAC. Populus is a member of the British Polling Council and abides by its rules. For more information go to www.populus.co.uk.


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text:
Mirchi and Mime: A Unique Dining Experience
By SHREYA CHOWDHARY March 30, 2017 "Mirchi and Mime is a newly-opened Indian restaurant in Mumbai, India, which serves both delicious food and social inclusivity." At the surface, Mirchi and Mime seems like any other Mumbai restaurant. Every seat in…
Did La La Land Do Bollywood Better?
By MEHER MASALAWALA May 11, 2017 "Love. Career. Passion. Struggle. Music. Essentially the recipe for any good musical and La La Land has prepared it well." Did La La Land do Bollywood better? The short answer? No. The long answer?…
Badrinath Ki Dulhani: Another Glorified Stalker Romance Film
By MEHER MASALAWALA March 15, 2017 "A guy that thrives in the patriarchal society of a small city and a girl that wants to run away from it all, fall in love despite their incompatibility and the hero's stalker-ish behavior."…
Bollywood's Dangal "Wrestles" Its Way to the Top of the Box Office
By MEHER MASALAWALA January 18, 2017 "Dangal is based on the true story of former wrestler and Olympic coach, Mahavir Singh Phogat who trained his two eldest daughters, Geeta and Babita, to wrestle and win gold for India. " After…


When You're First To Spot Autism's Early Signs – Hi Blog! I'm Dad.
When I write about my son's Autism, the tone is usually pretty upbeat because we're usually pretty upbeat. Through the years, I've come to understand the similarities and differences that he has with other children. I've learned to navigate those differences and realize that things aren't as bad as I once feared they would be.
However, there was once a time when those fears were very real. Before anyone else ever noticed or joined me in my concerns, I silently watched as my child seemed to struggle with advances his sister easily made and displayed signs that, to me, were unmistakable.
Oh, he's so cute. I love the way he just flaps his little hands around when playing with his toy.
To my silent horror, she began to imitate the motions as if it was something to celebrate. I smiled a frozen response but in my head, I was screaming.
Stop that! Are you crazy!? How is that good!? I spend my days obsessing about him doing that! Don't you know anything about red flags!?
At that point, no one knew about the inner voice that was devouring me from the inside out. The fear I had that something was actually wrong couldn't be spoken out loud because then it would come true. If I could just pretend along with everyone else, then it would all be fine. Even if it's not fine, if I was the first person to mention it, then maybe it would somehow be all be my fault.
Of course, none of my logic made sense. Even worse was that the constant haze of worry I was in forced me into unwinnable situations that I never imagined I would be in.
A perfect example would be the Music Together classes that Lucas and I attended when he was about two. Each week, much like we did with his sister, we would go to a small music studio and sit in a circle while a teacher demonstrated instruments. I'd help him tap a drum and pay insanely inflated prices for CDs. It's something you're supposed to do with babies. We had babies, so that's something we did.
When the class would start, he would do very little in terms of participation. Kids half his size crawled over to strum the guitar while looking to their parents with a smile. My son would dart for the door or lay down on the floor with his hands cradling his head as if he was about to fall asleep. I would chuckle uncomfortably, sit him up, and say something like, "Come on, buddy. It's not bed time. It's music time." It was a struggle to keep him interested. I always felt all the eyes in the room on us.
One day, the teacher decided to tell a story about her own baby patting along to the rhythm of a song. The idea was to explain that children, even very young, can react to music. The message was nice. The way she presented it wasn't.
My heart sunk in my chest as the room erupted with young-parent laughter. In that moment, I didn't know what to do. A voice in my head told me to scoop Lucas up and dash from the room. The caveman cortex in my brain had all sorts of ideas that involved kicking Tupperware boxes filled with maracas at her on the way out.
Instead, I sat. I endured the rest of the class in stunned silence and never came back.
She hadn't directed her words at us or said it to hurt me. How could she? She didn't know. No one did. Sure, she should have thought for half a second before speaking to a group of people she knows next to nothing about. And yes, she should have been lectured about why her speech was offensive. But it wasn't my place yet. I wasn't ready to be an advocate for my son with Autism because, at that point, I still wasn't entirely sure I even had a son with Autism.
It takes a while to know that. Even after being diagnosed or going to a special school for children on the spectrum, you're given mixed signals. Teachers, doctors, and administrators still urge you to be hopeful that things could suddenly change and you do just that. I did. While I came to accept that something was off in his early years, I told myself and others that he was simply "delayed". Things would be just fine soon. He'll catch up all at once. It's just around the corner.
The same way that you don't realize how often people pat you on the shoulder until you get a fresh tattoo there, you don't realize how often you might encounter a mental slap in the face during these times of inner guilt and turmoil. You know who slapped me in the face? Judge Judy.
As I cooked dinner, I had my iPad set up with the Judge's program providing background noise. A plaintiff began to talk about her son, whom she claimed had been hurt by the defendant. The boy, slightly older than Lucas at the time, was five and didn't speak. When asked why, the mother mimicked my usual response.
Judge Judy's eyes grew wide.
Madam! If he's five years old and doesn't talk, that's more than just a delay!
Bam. Like a gavel to the face. All I needed was to drop an egg on the ground and have the yolk spell out, "Your kid has Autism". At the time, I felt I just couldn't escape it.
I did eventually escape it. Although, it turned out that it wasn't his Autism or special needs that I needed to escape. I needed to escape the darkness of uncertainty that convinced me things were going to be much worse than they turned out to be. It takes a while to realize that everything you fear isn't all that bad. But it isn't until those fears come true that you know that for sure. The days, months, and years before that finally happens can be maddening.
Sometimes worst-case scenarios become real-time realities. Even when things don't turn out "fine", they're still fine. You see it when you get there. No predicted cases of doom and gloom ever factor in the love you'll have for your child when those days finally arrive. No matter how dark your darkest days can be, the bond you have with your child will be the light that keeps you both moving forward.
Thanks for sharing James. My 3 year old daughter has autism and it looks like my 1 year old daughter doesn't. Your experience is very familiar!
Hi James, I knew my son was on the high end of the spectrum for quite some time but only managed to get it diagnosed in September just after he was 4.
How is it that all of our autism kids are so vastly different yet all so the same? How is it that us as autism parents 'get each other' without even having met? This blog spoke such truth to me. Our girl is 'low functioning' autism. With severe delays. I too played with words 'delay' meaning eventually she'll get there. And even worse the 'r-word' (at that time the docs were using it). But in my mind in meant just slower and eventually … getting there. We're okay now. We're settled and happy.


This Muddyfox Nite Jacket features full zip fastening and long sleeves. It is crafted with touch closure adjustable cuffs and is a 2 pocket design. This jacket is a lightweight construction in a block colour with reflective detail. It is designed with a printed logo and is complete with Muddyfox branding.


text:
Kulisusu é uma língua Celébica da família das Malaio-Polinésias  do Sudeste de Celebes, Indonésia.

É parte de uma cadeia de dialetos com duas línguas menores, Koroni e Taloki. Kulisusu é uma língua celérbica falada por cerca de 23 mil pessoas na ilha de Buton, na província do sudeste das Celebes.a. É falada principalmente nos distritos de Kulisusu do Norte e Kambowa na Regência de Buton do Norte, no distrito de Maligano da Regência de Muna e nos Distritos de Wawonii do Sul e Nordeste de Wawonii da Regência das Ilhas Konawe

Existem quatro dialetos do Kulisusu: Kambowa, Taloki, Wawonii e Ereke. Em Ethnologue, o dialeto Taloki é classificado como uma língua separada.
Kulisusu é escrito com o alfabeto latino, embora não haja um sistema de grafia padrão.

Escrita
A língua usa uma forma do alfabeto latino sem as letras F, Q, V, X, Y Z; Usam-se as formas Mp, Nt, Ngk, Ns, Ngg, Ng, Dh, Bh, đ; ɓ, ɗ

Nota: ɓ, ɗ , Bh e Dh,podem ser usados alternativamente em lugar B e D respectivamente

Amostra de texto
Rusa i Kolinsusu)
Cula-culano rusa i Kolinsusu te Amerika. Rusa i Kolinsusu te Amerika ipokana kaɗimo mosalano ka'ompoleno tanduno. Rusa i Kolinsusu kaɗi picu sampa tanduno. Rusa i Amerika, ɗate kumotanduno ikolaɓi hopulu sampa. Rusa i Kolinsusu cumpe-cumpeno kumotandu ngeeno tandu buo. Cuuna tandu buo, kai cumbu ngeeno tandu bulu.

Português (Cervo em Kulisusu)

A história dos cervos em Kulisusu e na América. Os cervos em Kulisusu são iguais aos cervos na América, a única diferença está no número de pontas de seus chifres. Os chifres de veado em Kulisusu têm apenas sete pontos. Na América existem cervos com mais de dez pontas. Quando um cervo Kulisusu tem chifres pela primeira vez, ele é chamado de chifre de espiga. Quando o chifre de espigão cai, surge o que é chamado de chifre de veludo+

Notas

Bibliografia
Mead, David. 1998. Proto-Bungku-Tolaki: Reconstruction of its phonology and aspects of its morphosyntax. PhD dissertation. Houston: Rice University.
Mead, David. 1999. The Bungku–Tolaki languages of south-eastern Sulawesi, Indonesia. Series D-91. Canberra: Pacific Linguistics.

Ligações externas
Kulisusu em Omniglot
Kulisusu em Ethnologue
Site Kulisusu
Kulisusu em Id.Wikiibooks

Kulisusu
Kulisusu


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text:
Samuel Bourne (British, 1834-1912). Print from Album of Photographs: Architecture in India. Albumen silver photograph, 8 1/4 x 11 13/16 in. (21 x 30 cm). Brooklyn Museum, Gift of Matthew Dontzin, 86.256.8 (Photo: Brooklyn Museum, CUR.86.256.8.jpg)
Samuel Bourne (British, 1834-1912). Print from Album of Photographs: Architecture in India. Albumen silver photograph, 8 1/4 x 11 13/16 in. (21 x 30 cm). Brooklyn Museum, Gift of Matthew Dontzin, 86.256.8 (Photo: Brooklyn Museum, CUR.86.256.8_detail1.jpg)
Samuel Bourne (British, 1834-1912). Print from Album of Photographs: Architecture in India. Albumen silver photograph, 8 1/4 x 11 13/16 in. (21 x 30 cm). Brooklyn Museum, Gift of Matthew Dontzin, 86.256.8 (Photo: , CUR.86.256.1-.23.jpg)
Samuel Bourne (British, 1834-1912). Print from Album of Photographs: Architecture in India. Albumen silver photograph, 8 1/4 x 11 13/16 in. (21 x 30 cm). Brooklyn Museum, Gift of Matthew Dontzin, 86.256.8 (Photo: , CUR.86.256.1-.23_detail1.jpg)
Place Made: Lucknow, India
DIMENSIONS 8 1/4 x 11 13/16 in. (21 x 30 cm) (show scale)
SIGNATURE Bourne, 1019
CAPTION Samuel Bourne (British, 1834-1912). Print from Album of Photographs: Architecture in India. Albumen silver photograph, 8 1/4 x 11 13/16 in. (21 x 30 cm). Brooklyn Museum, Gift of Matthew Dontzin, 86.256.8 (Photo: Brooklyn Museum, CUR.86.256.8.jpg)