text:
Eclipse Awards Tickets On Sale
LOS ANGELES, Calif. (Wednesday, October 29, 2014) – Tickets for the 44th annual Eclipse Awards, presented by Daily Racing Form, Breeders' Cup and The Stronach Group, and featuring the announcement of 2014 Horse of the Year, will go on sale Monday at 9 a.m. EST. The Eclipse Awards are set for Saturday, January 17, at Gulfstream Park Racing & Casino in Hallandale Beach, Fla.
Most of the Eclipse Awards remain up for grabs entering this weekend's Breeders' Cup World Championships. The most prestigious of them, Horse of the Year, could still go to one of the top 3-year-olds – Kentucky Derby and Preakness winner California Chrome, undefeated Shared Belief or speedy multiple Grade I winner Bayern – if they win Saturday's $5 million Breeders' Cup Classic. Should an outsider upset the Classic, there could still be hope for recently sidelined two-time defending Horse of the Year Wise Dan, undefeated in 2014, or even a top female like Close Hatches or Untapable if they can dominate Friday's $2 million Breeders' Cup Distaff.
Eclipse Awards tickets are available for $400 each or $4,000 for a table of 10. A block of rooms have been reserved at the Westin Diplomat Resort and Spa, located on the ocean and only a short distance from Gulfstream Park. For ticket purchases and room reservations, please contact Michele Ravencraft of the NTRA at mravencraft@ntra.com, or call (859) 422-2657.
The "black-tie optional" Eclipse Awards highlight a full weekend of events, several of which will be tied to charitable causes. A Friday night, Jan. 16, party in the Gulfstream Park paddock benefitting Gulfstream Thoroughbred Aftercare will have a "Havana Nights" theme. Saturday, Jan. 17, is Sunshine Millions at Gulfstream with five major stakes races for Florida-breds cumulatively worth more than $1 million. Sunday, Jan. 18, features a "First Chance/Last Chance" qualifier for the National Handicapping Championship.
Eclipse Awards voting is conducted by the National Turf Writers and Broadcasters (NTWAB), the National Thoroughbred Racing Association (NTRA) and Daily Racing Form. The Eclipse Awards ceremony is produced by the National Thoroughbred Racing Association.
The Eclipse Awards are named after the great 18th-century racehorse and foundation sire Eclipse, who began racing at age five and was undefeated in 18 starts, including eight walkovers. Eclipse sired the winners of 344 races, including three Epsom Derbies.

redpajama_set_name: RedPajamaCommonCrawl


Situated along the western rim of the Las Vegas Valley in the shadow of the Spring Mountain Range and Red Rock Canyon National Conservation Area, Summerlin is framed by some of the valleys most spectacular scenery. In addition to a higher elevation that delivers slightly cooler temperatures and a greater variety of naturally occurring desert vegetation, Summerlin enjoys unparalleled mountain and city views.
Developed by Howard Hughes Corporation, an affiliate of The Rouse Company of Columbia, Maryland, the 22,500-acre community is unfolding in villages, each with it's own park or golf course. Today, there are more than 30 home builders developing more than 50 neighborhoods with nearly 130 model homes available to tour.
The Summerlin lifestyle revolves around nearly 100 neighborhood and village parks, more than 90 miles of trails for recreation, eight golf courses, including Nevada's only two Tournament Player's Club courses that host two major PGA Tour events each year and the worlds first Jack Nicklaus Bears Best course. The community is also home to shopping centers, medical centers, business parks, cultural centers, 16 schools, both private and public, as well, as a Community College of Southern Nevada campus. The communitys strong social infrastructure is nurtured by a full calendar of special events, seasonal celebrations, enrichment classes and sports leagues organized exclusively for residents by the Summerlin Community Association.
Siena is an age qualified, guard gated village within Summerlin, America's best-selling master planned community. The Mediterranean-themed project is in the foothills of the scenic Spring Mountains southwest of Las Vegas. Siena has amenities of a world-class golf resort combined with the charm of an Italian village. The Las Vegas strip is only about 20 minutes away, easily seen from the golf course and many homes. With a Tuscan tower at its manned entry, Siena has security officers patrolling its neighborhoods 24-hours a day. One-third of the 1,900 homes will be located on the golf course meandering through the 665-acre Siena village. Although it is a private, age qualified community, Siena's daily fee, par-72 golf course is open to all ages. Residents are given special rates and preferred tee times. In addition to the championship golf course, Siena has the recreational amenities America's active adults enjoy most, swimming pools, spas, lighted tennis courts, bocce ball courts and more. The 15,900 square foot fitness center has a cardiovascular and weight room, saunas, steam rooms, massage rooms, and a 25-meter indoor pool and spa. There is a full-service beauty salon and day spa and a wellness center hosted by Summerlin Hospital and Medical Center.
Queensridge, the shining star of Peccole Ranch, is an 840-acre community located in the Northwest part of Las Vegas. This guard-gated community is home to a clubhouse, fitness center, five private parks and Badlands, a 27-hole golf course. Plus, many modern conveniences are a part of the community. Just outside the gates of Queensridge are grocery stores, restaurants, professional buildings, movie theatres and schools within walking distance.
Rhodes Ranch Golf Club is a 1,300 acre community featuring executive, semi-custom and custom homes around an 18 hole, semi-private, Ted Robinson designed golf-course. From the guarded-gate entry, the water feature, fountains and lakes, and the hundreds of palm trees and shrubs, Rhodes Homes, visionary Jim Rhodes has created ann oasisin the desert. Established in 1997, the development will include 3,200 homes at built-out.
A master planned masterpiece, Southern Highlands is 2,300 acres set in the foothills just 10 minutes from the Las Vegas Strip. With beautiful tree-lined streets, Southern Highlands is an active community with planned amenities such as bike and jogging trails, miles of hiking, public and private schools, community parks, a marketplace for every day shopping and a business center housing commercial and professional offices.
For those seeking private living, Southern Highlands offers The Estates at Southern Highlands Golf Club. Tucked into the foothills of the surrounding mountains lies The Estates, a limited number of ultra-exclusive, custom home site neighborhoods strategically placed among the rolling terrain of the nationally ranked Southern Highlands Golf Club. Prices for home sites within The Estates range from $250,000 to more than $1 million. The Villages at Southern Highlands are a showcase of impressive home more than a dozen of Las Vegas¿ premier builders. Each home is a successful union of style and value, recognized for meticulous craftsmanship and high standards of quality.
With a Mediterranean theme reflected in the overall design and ambiance. Lake Las Vegas Resort is a $5 billion, 2,500 acre residential and resort community surrounding a privately owned, 320 acre lake with 10 miles of shoreline. Internationally recognized as one of the 10 significant projects that will define contemporary urban life in the 21st century, Lake Las Vegas Resort will, at full build-out, include up to six luxury hotels, at least five championship golf courses, world-class shopping and dining, estate and single-family custom and semi-custom homes and a 20 acre wet-lake park.
Two Villages ¿ an age qualified retirement neighborhood and a traditional family village. These two villages make up the 1,905 acre master planned community developed by North Valley Enterprises, a partnership between American Nevada Corp., and Del Webb Communities. Positioned to have beautiful mountain views, Aliente¿s amenities also include a 20-acre park with a lake and trails, new schools, a library and a fire station. In addition, more than 420 acres in the area have been designated as open space and approximately 100 acres have been designated for commercial development, including shopping centers, offices and a 40-acre resort gaming hotel.
This 3,000-acre master-planned community celebrates the rich history of the valley. Within the community¿s boundaries lies a portion of the Old Spanish Trail from which explorers first discovered the Las Vegas Valley. Several famous explorers traveled that path through southern Nevada. All of the parks planned for Mountain¿s Edge will be named in tribute to those explorers and others who first settled the area. Mountain¿s Edge master plan allows for more than 500 acres for public facilities, including parks, trails, four schools and a fire station. The focal point of Mountain¿s Edge is Exploration Peak, which rises to 2,846 feet at the entrance to the community. Exploration Park, the western-themed park sitting at the base of Exploration Peak, will include an Old West town, Native American play structures, an archeological dig area, a water play area and other attractions. Mountain's Edge will also be home to a 300-acre regional park located near the center of the community. More than 1,900 acres of land will be dedicated to approximately 12,000 units of residential development in 71 single and multi-family subdivisions. Mountain¿s Edge has zoned 98 acres of land for general commercial and 42 acres as office professional.
One of the most successful master-planned communities in the country, American Nevada Corp.'s 7,100 acre Green Valley has population of 74,000. The community features luxury apartments, affordable townhouses, single family residences, custom homes and estates, public and private schools, golf courses, and a wide array of shopping, dining and entertainment possibilities.
Also a development of American Nevada Corp., Green Valley Ranch is proving to be a popular choice with home buyers. This 1,310-acre master planned community offers a carefully planned mix of land with 775 acres of residential neighborhoods and 310 acres for retail, office, medical, research and development facilities and a resort gaming hotel. More than 200 acres are reserved for community amenities like parks, schools, recreational centers, open space areas, pedestrian bike paths and churches.
Seven Hills is a 1,300-acre master planned community being developed by Silver Canyon Partnership. The community will comprise of more than 3,000 homes, including an estimated 300 custom homes. The master plan includes 25 distinctive neighborhoods, city parks, quaint neighborhood parks, landscaped open space areas and miles of trails and walk-ways.
Henderson¿s fastest growing master planned community is Anthem - A Del Webb Corp. development. Located in the foothills of the Black Mountains, the 5000-acre Anthem community's project is to have 30,000 residents when completed. Anthem celebrated its grand opening in 1998. Del Webb is currently building two distinctive communities in Anthem: Anthem Country Club, a guard gated country club community and Sun City Anthem, for active adults 55 and better. Anthem's common amenities include commercial centers, nature trails, 55-acre city park and landscaped common areas. The private Anthem Country Club is home to the first Keith Foster/Hale Irwin-designed golf course in Southern Nevada. The Revere at Sun City Anthem was designed by Greg Nash and Billy Casper.
Southern Nevada's first hillside community, the new luxury village of MacDonald Highlands is designed around Dragon Ridge, a private golf and country club featuring an 18-hole championship golf course. Developed by MacDonald Companies, MacDonald Highlands is a low-density community designed to emphasize the natural features of the foothills it sits upon by preserving natural rock formations within the mountain edge. MacDonald Highlands offers custom home sites from one-third acre to two acres with prices ranging from $160,000 to more than $2 million. Home sites offer a variety of elevated views, including the Las Vegas Valley and Strip, the golf course and the surrounding nature of the McCullough Mountains. In addition, semi-custom homes are now being built.


If you are looking for insurance in the Fort Worth, Texas area, you have a lot of choices. These days an insurance quote is available at a local agent's office, by phone or over the internet. Some agents represent only one insurance company. Independent Insurance Agencies represent multiple insurance companies and insurance programs. Northside Insurance Agency is an independent insurance agent serving the North Texas area since 2002.
Whether you are looking for Car Insurance, Home Insurance or Business insurance in Fort Worth, it pays to shop several insurance companies to make sure you get the best price for the insurance coverage you need. Northside Insurance Agency represents multiple insurance companies and insurance programs to get you the best price for your insurance.
We offer free insurance quotes by telephone and in person. There is no obligation to buy. Call us at (817) 626-3100.


text:
Bird watching and mental health - Martin George
Starling on bird feeder (c) Ben Hall/2020VISION
We're living through an unusually stressful time, and many of the common coping mechanisms that people use – meeting with family, playing team sports, going out for a meal, booking a holiday – are no longer available to us. Fortunately the natural world is still there for us, not just during Mental Health Awareness Week (18-24 May), but always.
Martin George is a local birder and regular contributor to our own members magazine, here in his blog he describes how the natural world can help us all.
For many of us, going for a walk "to clear our heads" is an obvious way of coping with stress. Given the choice, most will choose a quieter route away from roads and busy streets, preferring to walk in parks, footpaths through green spaces or the countryside, or perhaps along a river or canal. Greenery helps (in enclosed spaces there's evidence that just one plant in a pot can be calming) and if we see some wildlife, which in most settings will typically be birds, so much the better.
For most of our species' history we have lived in close proximity to nature, mostly in low density rural settlements, a situation that has only changed in the fairly recent past. Before 1850 over half of the population of England and Wales lived in the countryside, and the 170 years since then are just a blink compared to the 200,00 to 300,000 years that our species has existed.
The reason we like open views of the countryside with lots of flowers, clumps of trees and the sound of running water isn't just one of aesthetics, it's where we feel safe and where we instinctively know that we will be able to find food, water and shelter.
As hunter-gatherers our ancestors would have constantly been on the move, gleaning or hunting, and the hours worked by the bulk of the population until fairly recently, perhaps the 1970's, continued that trend. In essence we're at our naturally most comfortable when we are outside, moving around and able to use our dominant sense – vision – to constantly scan our surroundings for threats and opportunities.
The modern world creates an unhappy, unhealthy environment for us of largely sedentary lifestyles; invisible threats such as financial worries; travel delays and looming meetings; working in an open plan office with large teams and our backs exposed. Stress hormones make us crave energy-rich food which is now readily available, but chronic stress combined with restricted opportunities to exercise can make us overweight, with all the attendant risks to our physical and mental health. Suddenly, going for a walk or some other form of exercise seems like a very obvious way to re-set ourselves.
For those of us with an interest in wildlife there's the added dimension of not just taking in our surroundings, but engaging in another very natural human behaviour: cataloguing. At it's most basic that assigns whatever we see to one of three categories: Can it eat me? Can I eat it? Can it be ignored? I'm told that this process becomes very obvious, in a hairs-on-the-back-of-the-neck sort of way, if you go for a walk in areas where large predators such as bears, lions or tigers may be present!
Beyond immediate threats to our safety, it's nice to add layers to that basic cataloguing, starting with names. Detail is key, as it can add more layers of knowledge, and more layers of enjoyment. The great physicist Richard Feynman said "You can know the name of a bird in all the languages of the world, but when you're finished, you'll know absolutely nothing whatever about the bird... So let's look at the bird and see what it's doing — that's what counts. I learned very early the difference between knowing the name of something and knowing something"
Swallows in the rain
It's nice to enjoy the grace of a bird as it swoops past us. It's nicer to know that the bird is a Swallow, but the real enjoyment starts when we know that Swallows are birds that travel the length of Africa to reach us and only share our skies for a few months before heading back to southern Africa again; that the bird we are watching is swooping so gracefully because it's an aerial feeder catching insects to feed to its young, and that the chicks will be in an open nest that the bird has made from mud; or that the open nest affords no protection from rain or mud so has to be sited or sheltered in a sheltered place such as a cave or garage… The layers of enjoyment only increase.
When we are looking at our surroundings and taking in as much detail as possible we can become absorbed in the moment and temporarily forget about life's worries. This taking notice, ideally using as many of our senses as possible, is a form of mindfulness, a recognised technique for improving our wellbeing. In fact it's one of the The Five Ways to Wellbeing that were identified by the New Economics Foundation in 2008 and are now used by the NHS and mental health practitioners to improve the population's mental health and wellbeing.
The Five Ways to Wellbeing are
· Connect
· Be Active
· Keep learning
· Help others
· Taking notice
It's quite easy to include all five in a gentle walk from home or workplace.
It's still possible within social distancing guidance. We can talk to family and friends by phone, video chat or social media about what we've seen, how it made us feel, how that compares with what they've seen and how they've been feeling. Obviously we can also connect with a walking companion who lives with us, and it can provide new opportunities for conversation and thoughts away from the home environment.
Light physical exercise is good for us in lots of ways, benefitting bone density and joint movement, increasing muscle tone, providing a useful boost of Vitamin D, maintaining the health of our heart and, crucially, it consistently scores highly for boosting our mood and increasing our ability to concentrate
About what you're seeing, and its context. Now you know the name of that bird what else do you know? Is it a resident or a migrant? Is this its normal habitat or is it passing through? If it's a migrant is it early, late, or just when you would expect to see it? What does it feed on, and what is it likely to be eating right now? There are hundreds more questions, and most animals and plants can provide a similar source of fascination.
You can share your sightings with one of the many recording schemes to add to our collective knowledge. Sadly some people are socially isolated by circumstances or by having to shield during the pandemic, but you may be able to help them – and yourself – by connecting with them through SWT's Feed the Birds project, a befriending service for bird lovers that pairs volunteers with a suitable person in their local area. The project is still ongoing in a modified format and benefits both the supported person and the volunteer - you can find out more about it here.
Bird track, the bird recording app which logs observations and contributes towards research.
Taking notice
Noting details of the way the clouds move over the horizon on one scale, or the texture of a lichen at another. We can also note the species present; their numbers; the weather conditions or vegetation types. That sort of mindfulness can be good for our mental health on its own, but we can combine Taking Notice with Helping Others by submitting records to a recording scheme such as BirdTrack, iSpot or one of the specialist county recording schemes listed by the Shropshire Ecological Data Network. [ https://www.bto.org/our-science/projects/birdtrack https://www.ispotnature.org/ https://www.shropshire.gov.uk/natural-shropshire/ecological-data-networ… ]
As a birder I am a regular contributor to BirdTrack and love the way that, over time. I can compare records and determine whether the Swallows really are late this year, or when we last heard a scarce local visitor such as Lesser Whitethroat in the area
Shelducks and chicks
Since the lockdown started I have made a point of walking from the house every day, noting the birds I see and adding the records to the national and county dataset via BirdTrack.
To my shame I discovered a flooded area viewable from a local track that must have been very impressive during the winter, and recorded birds in a number and variety I hadn't thought possible within a ten-minute walk from home. Since my first walk in late March the "My Patch" display on the BirdTrack webpage tells me I've seen 65 species, which I know include Pintail, Wigeon, Gadwall, Shelduck, Oystercatcher, Lapwing, Curlew, Greenshank and Snipe, plus passing Yellow Wagtails and Wheatears and a resident flock of almost thirty Mute Swans.
Wigeon
It's also been interesting to see how the landscape has changed, from bare soil to growing crop, or watching the oil seed rape gradually go from green to yellow and now back to green again. The blackthorn has flowered and gone; now the hawthorn blossom is slowly being replaced by elder flowers, and the foxgloves will soon be out. Observing all these changes gives me a connection to a world that is carrying on as normal, which provides a welcome sense of continuity and reassurance. The current worries that many of us have about our loved ones and our livelihoods are real and shouldn't be diminished, but they're easier to bear if we can get outside, or at least look outside, and remind ourselves that the world is still turning and we will, in time, move on from this to happier times again. Try it!
Martin George
A variety of birds visit garden bird feeders, but which ones have you spotted?
Covid19 blog
Nature & Health - Holly Jones
Holly is currently on a traineeship with us, monitoring wildlife across Shropshire.
In her inspiring blog, she describes how…
Mud for martins
The house martin is a common summer visitor to the UK, arriving in April and leaving in October. Sarah explains more about them below:…
Feed the Birds project update
Feed the Birds is a project we have been running for several years. It connects those who are socially isolated with a volunteer who…


text:
La rivière Little Pomahaka  (en ) est un cours d'eau situé dans l'Île du  Sud de la Nouvelle-Zélande.

Géographie
C'est un affluent de la rivière Pomahaka, qu'elle rejoint à l'est de la chaîne de « Whitecoomb Range » .

Voir aussi

 la liste des cours d'eau de la Nouvelle-Zélande

Notes et références

Notes

Références

Cours d'eau de la région d'Otago en Nouvelle-Zélande

redpajama_set_name: RedPajamaWikipedia


Immediate calendar sync with Outlook?
This article (https://community.canvaslms.com/docs/DOC-10578) says that it may take up to 24h before new or updated events are available in de calendar feed. Our current experience is that it updates actually almost immediately. This is a good thing off course, but we are wondering what we can communicate to students? What is your experience with the calendar feed sync to outlook? Thanks for your feedback!
Our experience is that it is almost immediate, but we communicate to our students exactly what is in the document. That it COULD take up to 24 hrs for new items to appear. We just don't want to set up expectations that aren't covered by the software.


TUCSON, AZ – On Dec. 8, Tucson Sector Border Patrol agents working at the Arivaca immigration checkpoint Thursday seized a truck and horse trailer containing 740 pounds of marijuana worth an estimated $370,000.
When a white Ford truck pulling the trailer entered the primary inspection area, Tucson Station agents used a Border Patrol canine to sniff around the vehicle and trailer. The canine alerted to the front of the trailer where agents discovered a hidden compartment containing 31 bundles of marijuana.
As agents arrested the driver, the passenger jumped from the truck and fled the area on foot. Agents from the Special Operations Detachment immediately responded to the area and located the subject.
The driver and passenger, both U.S. citizens, remain in Border Patrol custody and face prosecution. The narcotics, along with the truck and trailer, were seized.


CONCORD, N.C. — While he's on the hunt for his next win and championship trophy, Jimmie Johnson has been nominated for another award: a 2016 Kids' Choice Sports Award.
The six-time NASCAR Sprint Cup Series champion is competing in the Need for Speed category. He's up against other professional athletes including Usain Bolt (Jamaican track and field Olympian), Billy Hamilton (MLB center-fielder for the Cincinnati Reds), Candace Hill (American track and field athlete), Chloe Kim (American professional snowboarder) and Ted Ligety (American alpine ski Olympian).
The awards show will air Sunday, July 17, at 8 p.m. ET. Make sure to vote for Johnson before the show here.


text:
Q: I have rendered some dummy data from an array but when i try to update it and then render it dynamically, it goes wrong. I have the code here below I have  started learning React.js and i have covered basic concepts like React States, working and events.
just encountered a problem in rendering my data on the screen dynamically
here is the code.
Description: I am trying to create a very small SPA in which the user can enter the name of expense(title), the amount spent(amount), and the date of expense(date).
the user can then add these expenses using the add expense button and it should then be updated as a new expense component in the SPA.
problem: The dummy data(static data from an array) is rendered on the screen.
when I try to add a new expense, this new expense is displayed with the title from the DUMMY_DATA array.
what I want: whenever a user enters a new expense, then this new expense should be added with the entered data, not from DUMMY_DATA.
----APP.JS-----

import React, { useState } from "react";
import Expenses from "./components/Expenses/Expenses";
import NewExpense from "./components/NewExpense/NewExpense";
const DUMMY_EXPENSES = [
{
 id: "e1",
title: "Toilet Paper",
amount: 94.12,
date: new Date(2020, 7, 14),
},
{ id: "e2", title: "New TV", amount: 799.49, date: new Date(2021, 2, 12) },
{
id: "e3",
title: "Car Insurance",
amount: 294.67,
date: new Date(2021, 2, 28),
},
{
id: "e4",
title: "New Desk (Wooden)",
amount: 450,
date: new Date(2021, 5, 12),
 },
 ];
const App = () => {
const [expenses, setExpenses] = useState(DUMMY_EXPENSES);

const addExpenseHandler = (expense) => {
setExpenses((previousExpenses) => {
  return [expense, ...previousExpenses];
 });
 };
  return (

  <NewExpense onAddExpense={addExpenseHandler} />
  <Expenses items={expenses} />

    );
      };

     export default App;

-----NEW EXPENSE------
 import React from "react";
 import "./NewExpense.css";
 import ExpenseForm from "./ExpenseForm";
 const NewExpense = (props) => {
 const saveExpenseDataHandler = (enteredExpenseData) => {
 const expenseData = { ...enteredExpenseData, id: Math.random().toString() };
 console.log("------new expense-------");
 console.log(expenseData);
 props.onAddExpense(expenseData);
   };

   return (

  <ExpenseForm onSaveExpenseData={saveExpenseDataHandler} />

    );
     };
      export default NewExpense;

------EXPENSES------
 import "./Expenses.css";
 import ExpenseItem from "./ExpenseItem";
 import Card from "../UI/Card";
 import ExpensesFilter from "./ExpensesFilter";

  const Expenses = (props) => {
  const filterChangeHandler = (selectedYear) => {
   console.log("in expenses.js");
  console.log(selectedYear);
   };
  return (

  <Card className="expenses">
    <ExpensesFilter onChangeFilter={filterChangeHandler} />

    {props.items.map((expense) => (
      <ExpenseItem
        title={expense.title}
        amount={expense.amount}
        date={expense.date}
      />
    ))}
  </Card>

     );
    };
    export default Expenses;

------EXPENSE FORM------
import "./ExpenseForm.css";
import React, { useState } from "react";

const ExpenseForm = (props) => {
const [enteredTitle, setEnteredTitle] = useState("");
const [enteredAmount, setEnteredAmount] = useState("");
const [enteredDate, setEnteredDate] = useState("");

const titleChangeHandler = (event) => {
setEnteredTitle(event.target.value);
// console.log(event.target.value);
};
const amoundChangeHandeler = (event) => {
setEnteredAmount(event.target.value);
};
const dateChangeHandeler = (event) => {
setEnteredDate(event.target.value);
};

const submitHandler = (event) => {
event.preventDefault();

const expenseData = {
  title: enteredTitle,
  amount: enteredAmount,
  date: new Date(enteredDate),
};

console.log("--------expense form---------");
console.log(expenseData);
props.onSaveExpenseData(expenseData);

setEnteredTitle("");
setEnteredAmount("");
setEnteredDate("");
};
return (
<form onSubmit={submitHandler}>

  Title
  <input type="text" value={enteredTitle} onChange={titleChangeHandler} />

  Amount
  <input
    type="number"
    value={enteredAmount}
    min="0.01"
    step="0.01"
    onChange={amoundChangeHandeler}
    />

  Date
  <input
    type="date"
    value={enteredDate}
    min="2019-01-01"
    max="2022-12-31"
    onChange={dateChangeHandeler}
  />

    <button type="submit">Add Expense</button>

   </form>
   );
  };
   export default ExpenseForm;

------EXPENSE ITEM------
import userEvent from "@testing-library/user-event";
import React, { useState } from "react";
import "./ExpenseItem.css";
import ExpenseDate from "./ExpenseDate";
import Card from "../UI/Card";

const ExpenseItem = (props) => {
  const [title, setTitle] = useState(props.title);

const clickHandeler = () => {
setTitle("Updated!");
 };

 return (
 <Card className="expense-item">
  <ExpenseDate date={props.date} />

{title}

${props.amount}

  <button onClick={clickHandeler}>Change Title</button>
  </Card>
   );
  };
  export default ExpenseItem;

here are some snapshots.
1-> initial state
this is the initial state after saving the code and opening it in the browser
2-> here is the data i am going to add
3->error state. i want a a new expense to be formed(abcd) and to show the title amount and date with it

A: ------EXPENSES------
syntax error in rendering title in  block
it is props.title instead of just title
import userEvent from "@testing-library/user-event";
import React, { useState } from "react";
import "./ExpenseItem.css";
   import ExpenseDate from "./ExpenseDate";
import Card from "../UI/Card";

const ExpenseItem = (props) => {
const [title, setTitle] = useState(props.title);

const clickHandeler = () => {
setTitle("Updated!");
   };

 return (
 <Card className="expense-item">
 <ExpenseDate date={props.date} />

{props.title}

${props.amount}

  <button onClick={clickHandeler}>Change Title</button>
  </Card>
   );
   };
  export default ExpenseItem;

redpajama_set_name: RedPajamaStackExchange


text:
Saints sign Stormers scrum-half
Monday 2 May, 2016
Northampton Saints has today announced the signing of scrum-half Nic Groom from South African Super Rugby franchise The Stormers.
Groom will swap Cape Town for the East Midlands ahead of the 2016/17 season.
The 26-year-old has spent all his professional career to date at Newlands, playing 59 times for Western Province in the Currie Cup and hitting the half-century of appearances for the Stormers in Super Rugby in their recent win over Queensland Reds.
A double-Currie Cup winner, his personal form in 2015 also earned him a call-up into the star-studded Barbarians squad that faced Samoa at the Olympic Stadium in the run-up to the Rugby World Cup.
Director of rugby Jim Mallinder says that Groom has the abilities to succeed in the Aviva Premiership.
"Nic is a talented player and we believe he will be a great addition to our squad next season," he said. "He has shown over the last few years that he has the ability to manage a game and to captain and lead a team.
"He has a lot of experience in Super Rugby, coming up against some of the world's best players every week, and this will be invaluable as he competes for the scrum-half position with Lee Dickson and Tom Kessell."
"I'm extremely excited to be joining up with Northampton next season," Groom said. "It's a top club with a proud history and personally it's a big honour to sign with them. I'm hoping to continue growing as a player and as a person and to contribute to what will hopefully be a very successful period at the club.
"Leaving Cape Town and the Stormers is going to be tough and a big change, but I'm looking forward to embracing new experiences both on and off the field. I have many happy memories playing in Cape Town; it's where it all started for me. I've been here my whole career and I'm so thankful for everyone who has played a role in my journey so far. The coaches, players as well as the passionate fans will always have a special place in my heart."


text:
Western officials visit Ukraine after deadly school bombing!!
(AP) — Dozens of Ukrainians were feared dead Sunday after a Russian bomb flattened a school sheltering about 90 people in its basement, while Ukrainian troops refused to surrender at a besieged steel plant that Moscow's invading forces sped to seize before Russia's Victory Day holiday.
The governor of Luhansk province, one of two areas that make up the eastern industrial heartland known as the Donbas, said the school in the village of Bilohorivka caught fire after Saturday's bombing. Emergency crews found two bodies and rescued 30 people, he said.
"Most likely, all 60 people who remain under the rubble are now dead," Gov. Serhiy Haidai wrote on the Telegram messaging app. Russian shelling also killed two boys, ages 11 and 14, in the nearby town of Pryvillia, he said.
The largest European conflict since World War II has developed into a punishing war of attrition due to the Ukrainian military's unexpectedly effective defense. Since failing to capture Ukraine's capital, Kyiv, Moscow's forces have attacked cities, towns and villages in eastern and southern Ukraine but not gained much ground, according to Western military analysts.
To demonstrate success in time for Victory Day on Monday, the Russian military worked to complete its takeover of Mariupol, which has been under relentless assault since the start of the war. The sprawling seaside steel mill where an estimated 2,000 Ukrainian fighters made a last stand is the only part of the city not under Russian control.
All the remaining women, children and older civilians who were sheltering with the fighters in the Azovstal plant were evacuated Saturday. The Ukrainian troops rejected deadlines given by the Russians who said the defenders could leave with their lives if they laid down their arms.
Capt. Sviatoslav Palamar, the deputy commander of the Azov Regiment, a Ukrainian National Guard battalion holding the steel mill, told an online news conference Sunday that the site was targeted overnight by three fighter jet sorties, artillery and tanks.
"We are under constant shelling," he said, adding that Russian infantry tried to storm the plant — a claim Russian officials denied in recent days – and to lay landmines.
Palamar said there was a "multitude of casualties" at the plant.
Lt. Illya Samoilenko, another member of the Azov Regiment, said there were a "couple of hundred" wounded soldiers at the plant, but he declined at the same news conference to reveal how many abled-body fighters also remained in the plant.
He described the situation as dire because they didn't have life-saving equipment in their tunnels. He also said fighters had to dig out people by hand when some bunkers collapsed under the Russian shelling.
"The truth is, we are unique because no one expected we would last so long," Samoilenko said. "Surrender for us is unacceptable because we cannot grant such a gift to the enemy."
After rescuers evacuated the last civilians, Ukrainian President Volodymyr Zelenskyy said he was trying to secure humanitarian corridors for residents of Mariupol and surrounding towns to leave.
The Ukrainian government has reached out to international organizations to try to secure safe passage for the fighters remaining in the plant's underground tunnels and bunkers.
The Ukrainian leader was expected to hold online talks Sunday with British Prime Minister Boris Johnson, U.S. President Joe Biden and leaders from other Group of Seven countries. The meeting is partly meant to display unity among Western allies on Victory in Europe Day, which marks Nazi Germany's 1945 surrender.
Canadian Prime Minister Justin Trudeau made a surprise visit to Irpin Sunday, which had been damaged by Russia's attempt to take Kyiv at the start of the war, according to Ukrainian media outlet Suspilne and Irpin Mayor Olexander Markushyn.
Markushyn posted images of Trudeau on social media, saying that the Canadian leader was shocked by the damage he saw at civilian homes.
Canadian officials said the prime minister would meet with Zelenskyy and "reaffirm Canada's unwavering support for the Ukrainian people."
Zelenskyy also met Sunday with the German parliament speaker, Bärbel Bas, in Kyiv to discuss further defense assistance as well as sanctions against Russia, according to Zelenskyy's press office.
Trudeau is the latest Western leader to visit Ukraine to offer their support to the war-ravaged country. The prime ministers of the U.K., Poland, the Czech Republic and Slovakia traveled there earlier, as did the U.N.'s secretary-general.
U.S. first lady Jill Biden also made an unannounced visit to western Ukraine Sunday for a surprise Mother's Day meeting with Zelenskyy's wife, first lady Olena Zelenska. They visited a village school as Russia pressed its punishing war in the eastern regions.
Elsewhere, on Ukraine's coast, explosions echoed again Sunday across the major Black Sea port of Odesa, which Russia struck with six cruise missiles on Saturday, while rocket fire damaged some 250 apartments, according to the city council.
Ukrainian leaders warned that attacks would only worsen in the lead-up to Victory Day, the May 9 holiday when Russia celebrates Nazi Germany's defeat in 1945 with military parades. Russian President Vladimir Putin is believed to want to proclaim some kind of triumph in Ukraine when he addresses the troops on Red Square on Monday.
Zelenskyy released a video address Sunday marking the day of the Allied victory in Europe 77 years ago, drawing parallels between Russia's invasion of Ukraine and the evils of Nazism.
The black-and-white video, published on social media, showed Zelenskyy standing in front of a ruined apartment block in Borodyanka, one of the Kyiv suburbs pummeled before Russian troops withdrew from the capital region weeks ago.
"Every year, on May 8, along with the whole civilized world, we pay our respects to everyone who defended the planet against Nazism during World War II," Zelenskyy said, adding that prior generations of Ukrainians understood the significance of the words "Never again," a phrase often used as a vow to never allow a repeat of the horrors of the Holoucaust.
"We knew the price our ancestors have paid for this wisdom. We knew how important it was to protect it and pass it on to our descendants. … But we hadn't any notion that our generation will witness the abuse of these words," he said.
In neighboring Moldova, Russian and separatists troops were on "full alert," the Ukrainian military warned. The region has increasingly become a focus of worries that the conflict could expand beyond Ukraine's borders.
Pro-Russian forces broke off the Transnistria section of Moldova in 1992, and around 1,500 Russian troops have been stationed there since, ostensibly as peacekeepers. Those forces are on "full combat readiness," Ukraine said, without giving details on how it came to the assessment.
Vadim Krasnoselsky, the president of the unrecognized territory, denied those claims, saying it "does not pose a threat to neighboring states, observes neutrality and remains committed to the principle of resolving all issues at the negotiating table."
Moscow has sought to sweep across southern Ukraine both to cut off the country from the Black Sea and to create a corridor to Transnistria. But it has struggled to achieve those objectives.
In a sign of the dogged resistance that has sustained the fighting into its 11th week, Ukraine's military struck Russian positions on a Black Sea island that was captured in the war's first days and has become a symbol of Ukrainian resistance.
Satellite photos analyzed by The Associated Press showed Ukraine targeting Russian-held Snake Island in a bid to impede Russia's efforts to control the sea.
A satellite image taken Sunday morning by Planet Labs PBC showed smoke rising from two sites on the island. On the island's southern edge, a fire smoked next to debris. That corresponded to a video released by the Ukrainian military showing a strike on a Russian helicopter that had flown to the island.
The most intense combat in recent days has taken place in eastern Ukraine. A Ukrainian counteroffensive near Kharkiv, a city in the northeast that is the country's second-largest, "is making significant progress and will likely advance to the Russian border in the coming days or weeks," according to the Institute for the Study of War.
The Washington-based think tank added that "the Ukrainian counteroffensive demonstrates promising Ukrainian capabilities."
However, the Ukrainian army withdrew from Luhansk province's embattled city of Popasna, Haidai, the regional governor, said Sunday. In a video interview posted on his Telegram channel, Haidai said that Kyiv's troops had "moved to stronger positions, which they had prepared ahead of time."
Rodion Miroshnik, a representative of the pro-Kremlin, separatist Luhansk People's Republic, said its forces and Russian troops had captured most of Popasna after two months of fierce fighting.
The Russia-backed rebels have established a breakaway region in Luhansk and neighboring Donetsk, which together make up Ukraine's industrial heartland known as the Donbas. Russia has targeted areas still under Ukrainian control.
One million residents in Luhansk, including those in separatist-held territory, were left without running water Sunday after Russian shelling damaged a local water utility, the region's Ukrainian governor wrote on social media.
To the west in Dnipropetrovsk province, the governor said a 12-year-old boy was killed by a cluster munition that he found after a Russian attack. An international treaty bans the use of those kind of explosives, but neither Russia nor Ukraine have signed the agreement.
The regional governor, Valentyn Reznichenko, said the boy was the sixth local child killed by cluster munitions.
"This war is treacherous," he wrote on social media. "It is near, even when it is invisible."
Gambrell reported from Lviv, Ukraine. Yesica Fisch in Bakhmut, David Keyton in Kyiv, Yuras Karmanau in Lviv, Mstyslav Chernov in Kharkiv, Lolita C. Baldor in Washington and AP staff around the world contributed to this report.
Gut-wrenching video shows plane moments before fatal Nepal crash killing 68
Moments after an aircraft crashed in Nepal Sunday morning, killing at least 68 of the 72 passengers aboard, gut-wrenching footage showed the plane engulfed in flames, and black smoke billowing above the wreckage.… Continue reading Gut-wrenching video shows plane moments before fatal Nepal crash killing 68
90% of people in China province Henan infected with COVID: official
As China battles an unprecedented COVID surge, nearly 90% of Henan — the third most populous province — has now been infected with the virus, a top health official said Monday. Kan… Continue reading 90% of people in China province Henan infected with COVID: official
by Queenie's Blog January 9, 2023
The World's First Floating Hotel Abandoned In North Korea
Continue reading The World's First Floating Hotel Abandoned In North Korea
by Khaos Iam November 28, 2022 November 27, 2022
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The Sayville Running Company has signed a lease to occupy space at 91 E Main St. in Smithtown.
Pinterest, the online pinboard for sharing everything from wedding china ideas to travel inspiration, is now letting users add location to their pins.
After a couple of years angling for the right location, Bonefish Grill has landed a prime spot for its first foray into the lucrative Long Island market.
A new developer has entered into contract to purchase and demolish the Long Island Science Center building in downtown Riverhead, making way for apartments.
Tried and true foundations for building a successful business.
Decide what is important to your business before choosing where to book a reservation.


text:
def jsonb_initializations!
  # Supports the fixtures with initializations it can't do

  # My implementation of doing it in an overall `before_suite` block.
  drop_chats!

  init_schools!
  init_chats!
end

def drop_chats!
  ChatRecord.all.map &:delete
end

def init_schools!
  # school 1: student 1
  # nocounselor_school: uncounseled_student

  u = users :student_1
  p = u.profile
  p.contact_details['school_id'] = schools(:school_1).id
  p.save

  u = users :uncounseled_student
  p = u.profile
  p.contact_details['school_id'] = schools(:nocounselor_school).id
  p.save

  u = users :counselor_empty_school
  p = u.profile
  p.contact_details['school_id'] = schools(:school_no_students).id
  p.save
end

def init_chats!
  u = users :student_1

  cr1 = ChatRecord.new(
    sender: u,
    receiver: User.find_by_email('couns_1@valid.com'),
    message: 'hey',
    written_time: Time.now - 2.hours,
    skip_callbacks: true
  )
  cr1.save

  cr1 = ChatRecord.new(
    sender: u,
    receiver: User.find_by_email('couns_1@valid.com'),
    message: 'when do i go',
    written_time: Time.now - 1.hours,
    skip_callbacks: true
  )
  cr1.save

  cr1 = ChatRecord.new(
    receiver: u,
    sender: User.find_by_email('couns_1@valid.com'),
    message: 'go now',
    written_time: Time.now - 1.minute,
    skip_callbacks: true
  )
  cr1.save

  r = User.find_by_email('couns_2@valid.com')
  3.times.each do |idx|
    cr = ChatRecord.new(
      sender: u,
      receiver: r,
      message: "when do i go Mr 2 #{idx}",
      written_time: Time.now - (idx + 1).hours,
      skip_callbacks: true
    )
    cr.save
  end
end

redpajama_set_name: RedPajamaGithub


text:
What is Casual Income? What are the tax implications for the same?
Casual income, as the name suggests, is non-recurring in nature. It's an income which is earned by chance and not likely to occur again in a year. This earning is neither anticipated nor provided for in any agreement. Incomes from winning lotteries, card games, game shows, horse races, crossword puzzles or any other games come under casual incomes. Lotteries include winning money through prizes, by drawing of lots or by chance. Card games or other games include any game show, be it an entertainment programme on television or electronic medium in which people take part in a competition to win prizes.
The frequency of casual income is uncertain and not fixed. Apart from these, any income which is unanticipated and unplanned is also called casual income. The question is, do you have to pay tax on casual income? Yes, like most other types of incomes, casual income is also taxable.
What's not Casual Income: Any income that occurs as a part of an agreement and has a likelihood of recurring in future will not be treated as casual income. Similarly, money received from the sale of property or investments, receipts from business or occupation and bonuses given to employees is not casual income.
Tax implication for Casual Income
Casual income is chargeable under the head 'Income from other Sources' under section 115BB of the Income Tax act. You have to pay tax on casual income at a flat rate of 30% which, after adding the cess, amounts to 31.2%. For example, if your casual income is ₹2 lakh, then a tax of ₹ 60,000 will be applicable on the amount along with the education cess. Casual income is included in the gross and total income, but while assessing tax liability of an individual or firm, it is separated from overall total income.
If the prize money is more than Rs, 10,000 and received in cash, cheque or demand draft, then the winner will get the winning amount after the TDS (Tax Deduction at Source) at 31.2%.
If the prize is received in kind, say a car, the distributor of the prize must ensure that the tax is paid before awarding the prize.
If the prize money is received in both cash and kind, then the total tax will be calculated according to the money received in cash and on the market value of the prize given in kind.
Other Conditions for Tax on Casual Income:
No expenditure is allowed as a deduction from casual income
No deduction under the section 80C or 80D of the Income Tax Act is allowed from such income.
The winner cannot avail the benefit of basic exemption limit because it is not applicable for this type of income.


text:
/*
 * fpage.c
 *
 *  Created on: 25.09.2011
 *      Author: myaut
 */

/* -------------------------------------
 * Fpage && fpage chain functions
 * ------------------------------------- */

#include <types.h>
#include <memory.h>
#include <fpage.h>
#include <fpage_impl.h>

#include <error.h>
#include <debug.h>

DECLARE_KTABLE(fpage_t, fpage_table, CONFIG_MAX_FPAGES);

/*
 * Helper functions
 * */

int fp_addr_log2(memptr_t addr) {
	int shift = 0;

	while ((addr <<= 1) != 0) ++shift;

	return 31 - shift;
}

void fpages_init(void) {
	ktable_init(&fpage_table);
}
/**
 * Insert chain of fpages into address space
 * @param first,last (first, last) - fpage chain
 * @param as address space
 *
 * NOTE: Not checks if as and this chain overlapping
 * */
void insert_fpage_chain_to_as(as_t* as, fpage_t* first, fpage_t* last) {
	fpage_t* fp = as->first;

	if(!fp) {
		/*First chain in AS*/
		as->first = first;
		return;
	}

	if(last->fpage.base < fp->fpage.base) {
		/*Add chain into beginning*/
		last->as_next = as->first;
		as->first = first;
	}
	else {
		/*Search for chain in the middle*/
		while(fp->as_next != NULL) {
			if(FPAGE_BASE(last) < FPAGE_BASE(fp)) {
				last->as_next = fp->as_next;
				break;
			}

			fp = fp->as_next;
		}

		fp->as_next = first;
	}
}

/**
 * Insert single fpage into address space
 * @param fpage fpage
 * @param as address space
 *
 * NOTE: Not checks if as and this chain overlapping
 * */
void insert_fpage_to_as(as_t* as, fpage_t* fpage) {
	insert_fpage_chain_to_as(as, fpage, fpage);
}

/**
 * Remove fpage from address space
 * @param fp fpage
 * @param as address space
 *
 * If fpage is not exist in as fpages list, does nothing
 * */
void remove_fpage_from_as(as_t* as, fpage_t* fp) {
	fpage_t* fpprev = as->first;

	while(fpprev->as_next != fp) {
		/*Fpage from wrong AS*/
		if(fpprev->as_next == NULL)
			return;

		fpprev = fpprev->as_next;
	}

	/*Remove from chain*/
	fpprev->as_next = fp->as_next;
}

/* FIXME: Support for bit-bang regions! */
/**
 * Create and initialize new fpage
 * @param base base address of fpage
 * @param shift (1 << shift) - fpage size
 * @param mpid - id of mpool
 * */
fpage_t* create_fpage(memptr_t base, size_t shift, int mpid) {
	fpage_t* fpage = (fpage_t*) ktable_alloc(&fpage_table);

	assert(fpage != NULL);

	fpage->as_next = NULL;
	fpage->map_next = fpage; 	/*That is first fpage in mapping*/
	fpage->fpage.mpid = mpid;
	fpage->fpage.flags = 0;
	fpage->fpage.rwx = MP_USER_PERM(mempool_getbyid(mpid)->flags);

	fpage->fpage.base = base;
	fpage->fpage.shift = shift;

	if(mempool_getbyid(mpid)->flags & MP_MAP_ALWAYS)
		fpage->fpage.flags |= FPAGE_ALWAYS;

	return fpage;
}

void create_fpage_chain(memptr_t base, size_t size, int mpid, fpage_t** pfirst, fpage_t** plast) {
	int shift, sshift, bshift;
	fpage_t* fpage = NULL;

	while(size) {
		/* Select least of log2(base),log2(size). Needed to make regions with correct align*/
		bshift = fp_addr_log2(base);
		sshift = fp_addr_log2(size);

		shift = ((1 << bshift) > size)? sshift : bshift;

		if(!*pfirst) {
			/*Create first page*/
			fpage = create_fpage(base, shift, mpid);
			*pfirst = fpage;
			*plast = fpage;
		}
		else {
			/*Build chain*/
			fpage->as_next = create_fpage(base, shift, mpid);
			*plast = fpage;
			fpage = fpage->as_next;
		}

		size -= (1 << shift);
		base += (1 << shift);
	}
}

fpage_t* split_fpage(as_t* as, fpage_t* fpage, memptr_t split, int rl) {
	memptr_t base = fpage->fpage.base,
			 end = fpage->fpage.base + (1 << fpage->fpage.shift);
	fpage_t *lfirst, *llast, *rfirst, *rlast;
	split = mempool_align(fpage->fpage.mpid, split);

	if(!as)
		return NULL;

	/*Check if we can split something*/
	if(split == base || split == end) {
		return fpage;
	}

	if(fpage->map_next != fpage) {
		/*Splitting not supported for mapped pages*/
		/*UNIMPLIMENTED*/
		return NULL;
	}

	/*Split fpage into two chains of fpages*/
	create_fpage_chain(base, (split - base), fpage->fpage.mpid, &lfirst, &llast);
	create_fpage_chain(split,(end - split),  fpage->fpage.mpid, &rfirst, &rlast);

	remove_fpage_from_as(as, fpage);
	ktable_free(&fpage_table, fpage);

	insert_fpage_chain_to_as(as, lfirst, llast);
	insert_fpage_chain_to_as(as, rfirst, rlast);

	if(rl == 0) return lfirst;
	else return llast;
}

int assign_fpages_ext(int mpid, as_t* as, memptr_t base, size_t size, fpage_t** pfirst,
		fpage_t** plast) {
	assert(size > 0);

	/*if mpid is unknown, search using base addr*/
	if(mpid == -1) {
		if((mpid = mempool_search(base, size)) == -1) {
			/* Cannot find appropriate mempool, return error*/
			return -1;
		}
	}

	dbg_printf(DL_MEMORY, "MEM: fpage chain %s [b:%p, sz:%p] as %p\n", mempool_getbyid(mpid)->name, base, size, as);

	create_fpage_chain(mempool_align(mpid, base), mempool_align(mpid, size), mpid, pfirst, plast);

	if(as)
		insert_fpage_chain_to_as(as, *pfirst, *plast);

	return 0;
}

int assign_fpages(as_t* as, memptr_t base, size_t size) {
	fpage_t *first = NULL, *last = NULL;
	return assign_fpages_ext(-1, as, base, size, &first, &last);
}

int map_fpage(as_t* src, as_t* dst, fpage_t* fpage, map_action_t action) {
	fpage_t* fpmap = (fpage_t*) ktable_alloc(&fpage_table);

	/*FIXME: check for fpmap == NULL*/
	fpmap->as_next = NULL;

	/*Copy fpage description*/
	fpmap->raw[0] = fpage->raw[0];
	fpmap->raw[1] = fpage->raw[1];

	/*Set flags correctly*/
	if(action == MAP)
		fpage->fpage.flags |= FPAGE_MAPPED;
	fpmap->fpage.flags = FPAGE_CLONE;

	/*Insert into mapee list*/
	fpmap->map_next = fpage->map_next;
	fpage->map_next = fpmap;

	/*Insert into AS*/
	insert_fpage_to_as(dst, fpmap);

	dbg_printf(DL_MEMORY, "MEM: %s fpage %p from %p to %p\n", (action == MAP)? "mapped" : "granted", fpage, src, dst);

	return 0;
}

int unmap_fpage(as_t* as, fpage_t* fpage) {
	fpage_t* fpprev = fpage;

	dbg_printf(DL_MEMORY, "MEM: unmapped fpage %p from %p\n", fpage, as);

	/* Fpages that are not mapped or granted
	 * are destroyed with it's AS */
	if(!(fpage->fpage.flags & FPAGE_CLONE))
		return -1;

	while(fpprev->map_next != fpage) fpprev = fpprev->map_next;
	/*Clear flags*/
	fpprev->fpage.flags &= ~FPAGE_MAPPED;

	fpprev->map_next = fpage->map_next;
	remove_fpage_from_as(as, fpage);

	if(as->lru == fpage)
		as->lru = NULL;

	ktable_free(&fpage_table, fpage);

	return 0;
}


text:
news, national
Labor leader Anthony Albanese says he's waiting for modelling on the latter stages of the government's tax plan, as the finance minister continues to pressure the opposition into supporting the package. While Labor supports the first tranche of the tax package - geared toward low and middle-income earners - it's not keen on the government proposal to flatten the tax structure in 2022 and 2024 under the plan's second and third stages. Mr Albanese says he doesn't know what impact the third stage will have on the budget for various income groups. "We are still waiting for that information from the government," he told Nine's Today program on Friday. "We will make a sober assessment based upon the facts. What we don't do also, is disregard the impact on the economy." Finance Minister Mathias Cormann is again warning against any attempt to split the package. "Any attempt by the Senate to split the package would be rejected by the government in the House of Representatives," he wrote in an opinion piece in The Australian on Friday. "So the way for Labor to help deliver income tax relief for low-income earners quickly is by voting for our entire plan both in the house and in the Senate in the first week of July." Not flattening the tax structure will see more Australians pushed into higher income tax brackets due to inflation, he added. Senator Cormann has been locked in negotiations with the Senate crossbench over the 10-year income tax relief plan. One Nation is demanding action on power prices and water storage in return for its support, while the Centre Alliance wants more help for pensioners. Without Labor's support, the Morrison government needs support from four of six crossbenchers to legislate the cuts when parliament resumes in three weeks. Australian Associated Press
https://nnimgt-a.akamaihd.net/transform/v1/crop/frm/silverstone-feed-data/a29ced51-a40d-4a31-87b5-ebf4fdf0980c.jpg/r0_74_800_526_w1200_h678_fmax.jpg
June 14 2019 - 9:22AM
Labor awaits coalition tax plan modelling
Rebecca Gredley
Matthias Cormann is continuing to put pressure on Labor to pass the government's tax plan.
Labor leader Anthony Albanese says he's waiting for modelling on the latter stages of the government's tax plan, as the finance minister continues to pressure the opposition into supporting the package.
While Labor supports the first tranche of the tax package - geared toward low and middle-income earners - it's not keen on the government proposal to flatten the tax structure in 2022 and 2024 under the plan's second and third stages.
Mr Albanese says he doesn't know what impact the third stage will have on the budget for various income groups.
"We are still waiting for that information from the government," he told Nine's Today program on Friday.
"We will make a sober assessment based upon the facts. What we don't do also, is disregard the impact on the economy."
Finance Minister Mathias Cormann is again warning against any attempt to split the package.
"Any attempt by the Senate to split the package would be rejected by the government in the House of Representatives," he wrote in an opinion piece in The Australian on Friday.
"So the way for Labor to help deliver income tax relief for low-income earners quickly is by voting for our entire plan both in the house and in the Senate in the first week of July."
Not flattening the tax structure will see more Australians pushed into higher income tax brackets due to inflation, he added.
Senator Cormann has been locked in negotiations with the Senate crossbench over the 10-year income tax relief plan.
One Nation is demanding action on power prices and water storage in return for its support, while the Centre Alliance wants more help for pensioners.
Without Labor's support, the Morrison government needs support from four of six crossbenchers to legislate the cuts when parliament resumes in three weeks.


text:
Passionate about British Heritage
Castles in England
Castles in Scotland
Castles in Wales
Thatched Cottages
And many more prints ...
Home > England > West Sussex > Towns and Villages > Tangmere
Tangmere, West Sussex
History, tourist information, and nearby accommodation
BY DAVID ROSS, EDITOR
HERITAGE RATING: ?
HERITAGE HIGHLIGHTS: St Andrew's church may date to the 7th century
St Andrew's church, Tangmere
Tangmere is a small village two miles from Chichester. The village is very closely associated with the nearby RAF base, famous for its role in the Battle of Britain. RAF Tangmere is now closed but the base has become the home of the Tangmere Military Aviation Museum, which tells the story of military flying through photographs, models, memorabilia, and replica aircraft, plus a number of authentic military aeroplanes.
The village takes its name from an ancient pool, or mere. The mere was filled in and now forms the village green.
The village dates to at least AD 680, when King Caedwalla granted 10 acres of land at Tangmere to the church. The village was recorded in the Domesday Book by which time the church of St Andrew had been built. In AD 1100 that timber building was replaced with a more substantial church of stone and timber.
The Norman church incorporates pieces of Roman bricks and fragments of pre-Norman carved stone. The font is Saxon, and the timber roof is at least 13th century. There is a 13th-century piscina, and a 15th century stone reredos behind the high altar.
Outside the church is an ancient yew tree, suggesting that the site was sacred for a very long time before the church was built. Another ancient artefact is a Saxon carving near the window on the south wall.
In 1341 Edward II granted Tangmere the right to hold an annual fair on St Andrew's Day. The fair is still held today.
The manor of Tangmere was held by the powerful Archbishop of Canterbury until 1542 when Henry VIII seized it for the crown. It was later granted to Sir Richard Sackville and eventually passed to the Duke of Richmond.
RAF Tangmere was established in 1917 as a training centre for the Royal Flying Corps. It was used by the American Air Force, and after WWI by the Fleet Air Arm. In 1939 the RAF expanded the airfield as part of their efforts to counter Luftwaffe attacks on the south coast. To enable the expansion of the airfield many houses in the village were destroyed.
Most of the others were commandeered by the air force, with only a handful of families allowed to stay on. Throughout the war, RAF Tangmere served as an essential first line of defence for the south coast. The Special Operations Executive also operated secret flights from Tangmere, carrying agents into occupied Europe. The airfield was closed in 1970.
A tangible reminder of those terrible times can be found in the graveyard of St Andrew's church, where the Commonwealth War Graves Commission tends the graves of hundreds of airmen from both sides of the conflict.
In 1982 the Tangmere Military Aviation Museum opened on the site of the former airfield. Displays cover WWI, the Cold War, and WWII, with exhibits of aircraft, aviation engines, and helicopters. In addition to historic aircraft, there are flight simulators and a wealth of historical material exploring the history of the RAF base and those who flew from Tangmere.
One of those men was Sir Douglas Bader, the legless fighter pilot who flew from Tangmere. Bader's exploits are remembered in the name of the local pub; The Bader Arms.
About Tangmere
Address: Tangmere, West Sussex, England
Attraction Type: Village
OS: SU 9043 0639
Photo Credit: Charlesdrakew, licensed for reuse under the Creative Commons Licence
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NEARBY HISTORIC ATTRACTIONS
Heritage Rated from 1- 5 (low-exceptional) on historic interest
Tangmere Military Aviation Museum - 0.2 miles (Museum)
Boxgrove Priory - 0.8 miles (Abbey)
Goodwood House - 1.8 miles (Historic House)
Chichester, St John the Evangelist - 2.7 miles (Historic Church)
Pallant House Gallery - 2.8 miles (Museum)
The Novium Museum - 3 miles (Museum)
Chichester Cathedral - 3 miles (Cathedral)
Fishbourne Roman Palace - 4.2 miles (Roman Site)
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Woodend Annexe, Fontwell - 2.9 miles
Fontwell, West Sussex
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Goodwood Cottage, Lavant - 3.2 miles
Lavant, West Sussex
Cowdary, Lavant - 3.2 miles
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The Dean Inn - 4.4 miles
Stay from: £70.00
The Aldwick Rooms & Restaurant - 5 miles
Bognor Regis, West Sussex
Rustington Manor Hotel - 9.4 miles
Rustington, West Sussex
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Nightingale Cottage - 0.7 miles
Boxgrove, West Sussex
The Nags Head - 2.4 miles
Cherry End Bed And Breakfast - 2.7 miles
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Thanks for this Frank, some fantastic work gone into this one. Great to have the release available in so many of the standard repos now, and with Cmake support getting bedded in it should be a lot easier for people to build from scratch as well (big thanks to Victor for all the effort on that one).
Huge amount of other work in there as well, so thanks to all the contributors along the way.
Note that for the first time, a OpenMAMA generally available release is now available via Maven Central, Microsoft's vcpkg and yum repositories (via Cloudsmith).
Documentation will be coming in the following weeks with more details including how to use our new experimental cmake build system!


Trigger points are described as hyper-irritable spots in skeletal muscle that are associated with palpable nodules in taut bands of muscle fibers. Trigger point researchers believe that palpable nodules are small contraction knots and a common cause of pain. Compression of a trigger point may elicit local tenderness, pain elsewhere, or local twitch response.
When I was studying [trigger point therapy], I read the two volumes by Travell & Simons.
I recall that they said besides the ordinary trigger points that develop from muscle strain, if one has a diseased organ (e.g. heart, gallbladder, etc.), sometimes it can prompt development of a trigger point in a muscle nearby….
It might be that if you could release one or more trigger points it could make a big difference. Once they arise, they can be self-perpetuating.


text:
Jeff Dellow
The 80's part 2…
Allopa, Frank Bowling, Acrylic on canvas, 182.2 x 71 cm., 1979
Who were the 'winners' and (possibly the 'losers' !?) in 1980's "British Abstract Painting" then? It was a decade that started boldly enough for abstraction when John Hoyland was asked by the Arts Council to select the Hayward Annual in 1980. Its worth a glance back at the Annual's history. And worth recalling that in the late seventies the English contemporary art scene (and general public interest in it) was much enfeebled compared to that of the past few decades. Consequently with seemingly fewer opportunities for substantive national or international exposure, backbiting and grumbles were all the more the norm (yes far worse than today!). The annual began in 1977 and the first two years were Committee jobs whilst the 79 offering gave five 'young' (ie. under 35!) artists the opportunity to select a like minded grouping each and a curious 'ancillary' programme of four video/performance artists. In this 1979 five ring circus abstraction did reasonably well, James Faure Walker, then of Artscribe, was chosen to represent "abstraction" and he put his impressionistic colour fields into the arena with Jennifer Durrant, William Henderson, Bruce Russell & Gary Wragg. (And Nicholas Pope threw in a dose of abstract sculpture too with Richard Rome, Katherine Gili & Jeff Lowe). No matter that none of these first three 'annual' shows seemed to impress the critics or the gallery going public that much, probably the fate of almost every 'survey' type show in history, but the Arts Council, stung by the various gripes from the earlier iterations thought it a good idea to give over selection to a single artist to choose work, as the AC Director of Art put it "from a position of deep personal conviction".
Hence Hoyland. His selection was an unabashed apologia to abstraction split into the 'old guard', established heavies, dead and alive, and a younger generation grouped around those artists operating in the various East London studio complexes. (This latter generation feature substantively in Matthew Macaulay's exhibition that accompanies his seminar in Coventry). The established group (as Hoyland included Caro, Scott & Tucker's sculpture) representing a diverse painting practice from figuration in the persons of Matthew Smith, Patrick Caulfield and Frank Auerbach to an equally eclectic mix of abstraction drawing in Ben Nicholson, several of the St. Ives group (Heron, Hilton, Frost & Lanyon) by way of others as different as Hitchens, Hodgkin, Stephenson & John Walker. The 'younger' group (quite a number of whom were older than Walker…) whilst exhibiting a breadth of abstraction were more homogeneous and would go on to feature significantly in the art of the decade. Whilst still being dominated by males it did include two (yes two!) women artists – Gillian Ayres and Mali Morris and one artist of colour, Frank Bowling. A foot (albeit a very small one) in the door. Much of work was large scale, loose and painterly ranging from light staining (John McLean, Morris, Richard James, Geoff Rigden) through to heavier impasto, knife work and mixed media (Gillian Ayres, Terry Setch, Anthony Whishaw, Michael Moon and Michael Bennett). In between there was a deal of vigorous mark making and sloshy brushwork (Basil Beattie, Frank Bowling, Jeffrey Dellow, Brian Fielding, Clyde Hopkins, Albert Irvin, Patrick Jones, Fred Pollock, & Paul Tonkin). There was relatively little in the way of solid clearcut formal organisation other than in the delineation through colour and much in the way of scumbling, all over colour and expressive handling. For a certain kind of abstraction it was a fairly comprehensive grouping albeit missing some obvious fellow travellers (Gary Wragg & Bill Henderson – for example – missing presumably because they had been selected the previous year).
But what else was happening in British Art in 1980? Well one place to look is in what we export; the 1980 Exxon International Exhibition (remember Exxon…oh by the end of the decade well dodgy!) British Art Now: An American Perspective is of interest. Selected by Diane Waldman, the show at the Guggenheim, New York featured an eclectic mix of painting, sculpture and photographic work yet all the four painters (Alan Green, John Edwards, Hugh O'Donnell and perhaps (definitions again) we might include Keith Milow were all pretty much resolutely abstract (again whether Milow's intriguing Cross pieces are abstract might be debatable). On arrival in the US the critics were not especially kind. Some of their criticism, particularly of the painting, centred around the belief that it was a pale reflection of trends in the US and whilst that might arguably have applied to Green and Edwards to some degree it could decidedly not be to O'Donnell or Milow.
Trojan, Hugh O'Donnell, Oil on canvas & wood, 80 x 72 ins., 1978
And also taking place for the very first time the very grandly titled The British Art Show had opened back in December 1st 1979 in Sheffield. Going on through winter and into late spring 1980 it visited both Newcastle & Bristol. Significantly it specifically came nowhere near the capital. Whether or not selector William Packer's valiant attempt to reflect not only London's dominance but reach all parts of the nation (nearly…there was nowt from N.I.) was a reflection of, or consequence of, this is a moot point. What was clear (and of course all the exhibits were produced in the late 70's) was that for Packer at least, abstraction was a significant force accounting (with painting & sculpture) for roughly half the hundred plus exhibitors. Contrast this with the second 'edition' of the show (back to a 'committee' of sorts again) in late 1984 where abstraction (both painting & sculpture) accounted for less than a quarter of those selected. Packer's selections brought a host of lesser known abstract painters to a wider audience alongside already established figures. A goodly number of those already mentioned above and those listed below were joined by recognised 'stars' like Bridget Riley on the one hand and relatively unknown painters like Michael Mayer (a personal favourite) on the other. The eclectic nature of the mix emphasised by other abstract painters as diverse as Sean Scully and Edwina Leapman (both showing trademark early minimalist all over stripes) and other more eccentric figures several of whom are now much less remembered (such as Harry Snook, Janet Nathan and Will Rogers, all of whom might rightly be considered as makers as much as painters, deploying construction and collage as much as more traditional painting materials) and all of whom deserve greater recognition.
Ancon, Janet Nathan, Mixed media, 142.5 x 149.8 x 10.2 cm., 1978
Turning to back to other 'domestic' issues. Somewhat less lavish than any of the previous shows was a Kettle's Yard touring show (where it toured I don't know?) simply titled Paintings and drawings by Martin Ball, Graham Crowley, Jeff Dellow, Clyde Hopkins, Joan Key, Bruce Russell & David Wiseman. It was a self selecting group and they invited Bill Packer to write an introduction to this show too. Packer suggested that even at this early point in their careers, five of the exhibitors were "consciously, if tentatively, (to) embrace figuration". The painters themselves issued a statement reasserting the art of painting and sculpture and went as far as to proclaim that "there is no need to defy that tradition [of painting as a medium], or to avoid reference to it, in order to achieve 'New Art'." Much of the work was characterised by loose or hazy references to either landscape or geometry, there was a good deal of strong colour and plentiful evidence of paint handling. Several of artists (all around thirty at the time) were still evolving their personal languages, indeed the works chosen clearly showed significant movement of this kind. Most of this group were still operating outside of the 'academy' as visiting or sessional lecturers and others had only recently taken up tenured jobs. It is interesting to speculate that as they all transitioned to full time posts with the concomitant additional duties (gathering pace as these institutions, already mostly Polytechnics rather than Art Schools, moved towards the University status they would acquire in 1992) on the impact on careers in many cases (something also discussed by Bill Packer in his British Art Show catalogue). Also happening in the summer of 1980 were the Serpentine Summer Shows, an opportunity to view a diverse selection of what emerging talents were working on at the time. This gave valuable 'prime location' exposure to a host of artists drawn from across the UK. That summer I saw Terry Setch for the first time, austere yet beautiful minimalist works by John Mitchell & Christine Floyd alongside a diverse mix of other art of all kinds.
Something that seems significant looking back is the emergence in the latter seventies of cheaper colour printing. For example, contrasting the two Hayward Annual's in 79 and 80 the catalogue of the former is exclusively in b&w whilst in 1980 the 'younger' group are all represented in colour (albeit a single image). Given the nature of the work this is pretty vital for all the abstract painters. As we shall see there are several publicly subsidised venues and commercial galleries that were beginning to take advantage of these new less expensive colour card and brochure print outfits to the advantage of artists and to painters in particular.
The Hayward curation in 1980 marked a key moment in Hoyland's career, that would be cemented by winning the biannual John Moores Painting Prize a couple years later. It was a bold enough statement in a premier venue of what ought – one imagined- to dominate the painting landscape in the decade ahead. What could possibly go wrong? See part three (hopefully posted with a week or so)…
October 12, 2018 David Manley
1980'sAlbert IrvinartBasil BeattieBrian FieldingEdwina LeapmanGillian AyresHugh O'DonnellJeff DellowJohn HoylandJohn McLeanMali MorrisMatthew MacaulayMichael BennettMichael Moompaintingsean scullyTerry SetchWilliam Packer
Deft and Joyful
We've all experienced those times when making the effort to get to a show is tough. After a round trip to Grimsby (210 miles) another hike down to Coventry as the evening drew in wasn't favourite. But I really wanted to see Visual Stream, a solo show by the painter Jeff Dellow. And it was a real pleasure. Over recent years I can count on the fingers of two hands (and I see a lot of shows) outings of abstraction by individual artists (they tend to be as rare as hen's teeth given the predilections of our current curatorships) and fewer still that give one the rarer still feeling of complete satisfaction and – joy – an extremely precious commodity in the contemporary art world.
It's the first thing that comes at you in this well selected (by fellow painter Matthew Macaulay) show that presents a small selection of Jeff's little panel paintings and a goodly number of the larger canvases is a joyfulness and playfulness in the opportunities that abstraction offers. And the colour palette is as joyful, vibrant, diverse and equally as exuberant as the handling.
There are a range of tropes at work of course, but these are varied and diverse…just sufficiently repeated to bring the stylistic consistency to the whole but never dull or lazy. Every so often you spot another, different and original painterly handle, a flick of the wrist, a smear, another kind of grid played off against a box or a plane, and so on. An endless variation of the painters thinking, an expansive repertoire based on quite a few decades of concentrated looking and absorbing what paint can do and how it can be deployed without resorting to mimesis. There is deep time locked into these pictures, that despite their alarming freshness, also embed a lifetime of intensity in the consideration of abstraction. The show runs in the Lanchester Research Gallery, in the Graham Sutherland building on Cox Street, Coventry until 2nd February 2018 – if you care about abstract painting in the present you need to get along there!
January 14, 2018 David Manley
abstract artCoventryJeff DellowMatthew Macaulay
Sevens Autumn Store, 72 x 48 cm., acrylic on aluminium, 2017
it (the making) is something I've not thought about for, oh, about thirty five years or more. I do recall being concerned that it might be happening to the large paper panel pieces I was making in 1980 as I was also fretting over the use of fibre glass to back them (it was the coughing up blood that finally persuaded me to abandon that idea!). But earlier today I was working on my Paintings Standing Up (still far too early to post here yet) and realised that I had put several vocal performance albums to accompany the activity. I've written before that when painting I normally only listen to instrumental music and it got me to thinking why did moving into 3D suggest I could make the change? Did I value the work less, did it require less focus?, is it a different order of thinking? Sitting making some more components for these new pieces it struck me that perhaps my ongoing feeling of dissatisfaction with much of my recent painting process (rather than the pictures themselves) comes from over thinking them. As a young painter I'd just crack on with the work but over the years I've taken to thinking hard about each stage of the process – even those parts of it that are intuitive or seemingly random have gone through a deal of soul searching. Enough already methinks…from now on I'll put on whatever tunes I damn well like and try to actually enjoy painting!
Six Mile High, 72 x 48 cm., acrylic on aluminium, 2017
In any event, as is my habituation, I'm stepping away from the Geo series for a bit. The two above are the most recent, whilst three of the earlier pieces are slated for exhibition at The Crypt in Marylebone soonish. Invite below, get along there if you get the chance.
February 28, 2017 March 1, 2017 David Manley
andy parkinsonartchatterColour:A Kind of BlissFreya PurduehabituationJeff DellowJulian BrownLucy Coxmusicover-thinkingpaintingPaintings Standing UpThe Crypt
A Kind of Bliss…
Nine Lives Of Fives, Acrylic on aluminium, 72 x 48 cm., 2017
no…not the painting you fool! Even I'm not delusional enough to think it's that spectacular (though I'm not unhappy with it). You can't quite see it in the photo but the interference red over the mucky blue does pull it together reasonably well. No I'm thinking how fortunate I am to be in the position to be dabbling with these pictures this morning rather than (as my wife is) stuck in traffic on my way to paid work. And though that's pretty gruelling she's fortunate to have reasonably decent paid work so what about all those without that? We often forget that for many people decent living conditions, regular food & water, healthcare and so on are a permanent struggle and thats just in the so-called 'first world'…let's not even go on to ponder the 'bottom forty percent', over a billion people living on less than a pound a day.
Confused Fives, Acrylic on aluminium, 48 x 98 cm., 2017
So today I'm focussing on my good fortune to be in the 'top ten' percent of wealth across the globe (and before you run away with the idea I'm rolling in it to qualify only requires assets in excess of a couple thousand pounds). Indeed this morning its blissful here…I've got some of my favourite music playing, I'm tinkering with the pictures, the dog is relaxing and I've just made a good coffee (with a smidgen of brandy in it) And to top it off I'm sorting my recent work out for selection by Lucy Cox and Freya Purdue for their upcoming show – Colour: A Kind Of Bliss – at The Crypt in Marylebone Parish Church where its my good fortune to be exhibiting in a few months time. They are showing their work with mine, and with three others. Its a privilege to have been asked to exhibit alongside the two of them and the also really talented trio of Julian Brown, Andy Parkinson and, well bless my soul, Jeff Dellow (with whom I was a 'Cheltenham Fellow' way way back in time). Of course like everyone else I'm trying not to think too hard about what's happening in the news but, right here, right now, I'm a happie chappie.
andy parkinsonartBlisschatterFreya PurdueJeff DellowJulian BrownLucy CoxMarylebone Parish Churchpoliticsteaching


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