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I was at a book store, 50% off coupon in hand...uh...on phone. When I saw a used (opened, but unplayed) copy of Guardians' Chronicles for $17.50, I decided to give it a try.
In short, this game features the superhero team, Liberty Patrol (LP for short), against the nefarious Doktor Skarov and his many minions. It's basically a mission-based dungeon crawl for 2-5 players, with one person playing as the evil Doktor.
Tonight's crew was Bill (Goldenboy), Jon Mark (Sgt. Liberty) and a face from the past, Chris (Super Nova). The mission? Rescue the hostage and get out the far side of the board. Sounds easy, but in the LP's way were nasty droids and a mean Lieutenant assassin.
The LP came into the game swinging for the fences. I managed to put a couple of dents on Goldenboy, but he still stood strong. The good guys made quick work of the less robust androids, but the two lieutenants put some stink on Goldenboy and Sarge before being dispatched.
Goldenboy got shot...twice...by this 'bot.
There's the ninja lieutenant, ready to gig someone.
In true superhero fashion, Goldenboy squares off against the ninja.
Super Nova refused to enter the rooms with guns. Super Wimp!
After Super Nova shot the doors off their hinges, Goldenboy rescued the hostage. He and Sgt. Liberty took a substantial amount of defensive fire from the automated machine guns Skarov used as a trap, but not enough to KO them before they completed the mission.
The end result? Only Super Nova completed her personal mission, while the team did win overall. The newspaper looked like this afterwards (great component to the game, in my opinion). That's a LOT of ads!
The team won, but only Super Nova fulfilled her mission.
As this was the introductory game and we were all new to playing, there were mistakes to be had. We noted them for the next time we play. Everyone said they'd give it another go. We'll see when that happens. It does take care of the itch I was wanting scratched, so maybe it'll happen sooner rather than later.


text:
Beginning to See the Light
by Jesse Palter
© Copyright - Jesse's House of Songs, LLC / SuperString Entertainment (181951000025)
A young vocalist puts a modern spin on jazz standards as well as originals. Anybody can quickly recognize Jesse's clear, natural talent for transforming a well worn song into one all her own, and enchanting listeners in ways few vocalists can.
Genre: Jazz: Jazz Vocals
Buy 2 or more of this title's physical copies and get 20% off
1. I'm Beginning to See the Light
2. Zing! Went the Strings of My Heart
3. It's Not Easy Being Green
5. One For My Baby (and One More For the Road)
6. Taking a Chance On Love
7. Change of Heart
8. There Will Never Be Another You
9. Some Other Time
10. Lovesick
How does one, in reality "see the light?" For many it is a spiritual element, while others have an epiphany or revelation about an aspect of life or relationships with something they may suddenly discover, have known all along and finally accept, or experience an event that changes them forever.
In the case of Metro-Detroit's up-and-coming jazz singer Jesse Palter, she is seeing the light while concurrently being surrounded by it. As the past few years of her young life have progressed, she is continually spreading the aura of her musical being to listeners in local night clubs, concert halls and festival performances. Her rising star has been meteoric, as anybody can quickly recognize her clear, natural talent for transforming a well worn song into one all her own, and enchanting listeners in ways few vocalists can.
Recently Palter has been duly recognized for her effort, winning the prestigious Detroit Music Awards for Best Jazz Vocalist. It's no small feat in a marketplace dotted with great singers and role models such as Bettye LaVette, Ursula Walker and of course the all time Queen Of Soul, Aretha Franklin.
Jesse Palter is a product of the well respected West Bloomfield school district in Oakland County, north of Detroit. Singing publicly since age 5 and playing piano at 6, she took up trumpet and oboe, instruments with completely different timbres & techniques, and a stark indication of her versatility. Her music studies at Abbott Middle School, West Bloomfield High School, and the University Of Michigan served as a prelude to becoming a jazz singer that has all the background and is gaining experience to reach lofty flights of swinging improvisational fancy.
In fact, Jesse held a unique place at U-Michigan in that she was accepted as a vocal student in their classical and jazz programs devoted solely to instrumentalists. There she toiled under the tutelage of ex-Count Basie trombonist Dennis Wilson, and veteran Detroit saxophonist/bandleader Donald Walden.
This debut CD demonstrates Jesse Palter's flexible, poignant, attractive vocal instrument, complemented by unique arrangements that surround that sweetest of sounds. What immediately grabs you though is that she challenges herself by using charts that are a departure from the norm. Check out the title track, using mixed meters, mostly in 7, or the 5/4 "Zing Went The Strings Of My Heart." She absolutely tears up "There Will Never Be Another You" starting in a quick waltz, moving to hard bop, and back again. Jesse scats with the verve and vigor of a vocalist wise beyond her years on several of these selections. She can sing succinct ballads as "It's Not Easy Bein' Green" and "One For My Baby" with ease and equal aplomb as her loping, soulful take on The Turtles pop tune "Happy Together," the funky original "Lovesick," or a delicate version of "Taking A Chance On Love." She'll break your tears into thin, misty dewdrops on another original "Change Of Heart" and the classic "Some Other Time."
Her yeoman peers/accompanists need to be mentioned in spades. Pianist/musical director Mike Jellick, bassist Ben Williams, and drummer Nate Winn are strong, supple & sensitive players who seem to be inside the pulse and at the heartbeat of Jesse's every phrase, nuance and quirk. They seem virtually telepathic in their ability to frame, shade and embellish what Jesse extracts, from the underbelly, to the soul, guts and glory of any lyric. This trio, much more than a "back-up" band, lends greatly to the sense of these tunes not being merely copied,but fully interpreted and realized.
Seeing the light might be easy for some, difficult or impossible for many others. But in the case of Jesse Palter's fine debut effort, with infinite promise down the road, an illumination of sorts should be something all listeners will surely be able to sense, feel, and actually hear!
-Michael G. Nastos; Senior Music Host/WEMU, 89.1FM (Ypsilanti, Mi.,) Cadence Magazine, All Music Guide, Downbeat Critics Poll
Jesse Palter started singing before she could talk. She hasn't stopped -- and she doesn't plan to any time soon. "There are videos of me when I was a baby -- I was barely getting the words out, but the melody was there," she says. "I can't tell you the time when I got "into" music because I was always into it. It was natural." At just 20 years old, through both training and pure instinct, Jesse has grown into one of the most accomplished and dynamic singers (and songwriters) in the Detroit jazz and overall music scenes. Her voice is a flexible, facile instrument wielded by an ambitious and visionary player; it can be sweet or salty, polished or raw, wide in range and broad in stylistic scope, channeling and combining influences such as Miles Davis, Ella Fitzgerald, Sarah Vaughan, Frank Sinatra, Joni Mitchell, Stevie Wonder and Kurt Elling. It's the voice of someone who has a voracious appetite for growth and is fearless in that pursuit -- the perfect equation for a promising future. "I've grown so much -- musically, harmonically, as a thinker in general," says Jesse, who took Outstanding Jazz Vocalist honors at the 2006 Detroit Music Awards. "Instead of just getting on the bandstand and playing off-the-cuff standards, we have our own unique interpretations of the classic songs as well as my original compositions. Working with such accomplished musicians, we are constantly pushing each other to expand outside of the box. This dedication has taken our group to the next level". It's fair to say that singing is in Jesse's blood. Her grandmother, Dorothea Ranier, was an opera prodigy in New York who continued singing throughout her life. Jesse's father, who harbored his own ambitions to be a DJ, was raised in a musical household, which he passed along to his family, keeping plenty of Motown, show tunes, Beatles, Michael Jackson, Prince, Carole King, Stevie Wonder and Tony Bennett on the home stereo. The precocious Jesse started singing publicly at age five and learning piano at six. She subsequently studied oboe and trumpet and attended a middle school that specialized in the performing arts, where she starred in a number of theatrical productions. In fact, the first public indication that jazz lay in her future came during rehearsals for "Joseph and the Amazing Technicolor Dreamcoat," when Jesse, playing the narrator, began "embellishing" the melodies; although the director admonished her, she also told Jesse's mother that Jesse had a natural inclination towards improvisational singing. "That's when I started listening to a whole bunch of jazz records," Jesse recalls, "and really immersing myself in the language of improvisation." However, she was also conscious of the parade of adolescent and teen stars soaring up the pop charts and decided that maybe she could do that, too. She began contacting producers such as Detroit's Jeff and Marky Bass (Eminem, 50 Cent) as well as Andrew Gold (Linda Ronstadt, Celine Dion). But despite some interesting sessions, Jesse's path was already taking her in different directions. "I never felt quite at home," she says, "until I finally started performing jazz." Her persistence paid off in getting the University of Michigan School of Music to allow her to be part of its jazz program as a vocalist -- a course of study the school didn't offer at the time. But after hearing Jesse audition, they struck a compromise in which she agreed to take classical voice classes ("Working on my vocal hygiene," she says) while studying jazz theory and improvisation with legendary artist/instructors such as Donald Walden and Dennis Wilson. During the past two years, Jesse has forged her reputation as a live performer throughout the Detroit area, racking up credentials by sharing stages with Marcus Belgrave, James Carter, Dr. Teddy Harris, Keith Hall, Paul Keller and others. Now on leave from school, she's been studying at "Mike Jellick University," working tirelessly with the music director and pianist of her Jesse Palter Quartet to develop arrangements and stylistic touches. The group (which also includes Nate Winn on drums and Ben Williams on bass) are regulars at the world renowned Baker's Keyboard Lounge, have performed extensively around the Detroit Metropolitan area, and also served as the house band for the official jam following the 26th Detroit International Jazz Festival. Jesse and company have just completed her first album, Beginning to See the Light, which includes originals such as "Change of Heart", a song inspired from a personal experience with misplaced love, along with standards like "One For My Baby (And One More For the Road)","Zing! Went the Strings of My Heart" as well as the Kermit The Frog classic "Bein' Green". "Sometimes I'm like, 'Oh my God, this is happening so quickly," Jesse says. "I'm real lucky to be playing these clubs and these festivals, especially with musicians I respect so much. On the other hand, I've been doing this for quite some time. People don't realize I "have" paid many of my dues. When you think about how long I've been trying to go for this, it's been a huge learning experience -- and I'm still learning about it every day of my life."
Darrell Garrett
Outstanding!!!!!!!!!!!!!!!!!!!!!!
If you haven't yet secured your copy, you need to do so right now. I was told to be sure and get it by someone else and had the opportunity to see her live first. I was blown away. This young lady can stomp with the best of them. Her smooth yet sultry voice also packs a whollup! Phenomonal is how I can best explain her. Get Yours Today!
Charles Latimer, Metro Times
A voice that's as delicate as a bee making love to a flower.
I listened to this jazz album more than any other this year. What a wonderful jazz vocalist, with a voice that's as delicate as a bee making love to a flower.
Bill Reed
Great artist, great album!
Solid jazz vocalist. Outstanding band. Jesse is definitely beyond the local scene... if you don't already own the ablum, buy it. You won't be sorry. She is a headline act.
Claude Gnocchi
Great CD
Great CD. Special kudos to the band....really hot and also to the amazing photography of Cybelle Codish!!! All in all - a class act!
Ed Shapiro
Jesse is a wonderfully talented singer looking forward to hearing her in person
this cd makes for great listening. the mixture of the songs brings back memories of other great jazz singers
mike barnard
great smooth kindof mel tormayish keep it up
flash back to old time jazz with a quick catchy beat first time i heard it i was hooked
Real Detroit Weekly
While Palter puts a personal touch to the cover songs on the album, her original
Jesse Palter
By Keith N. Dusenberry
For many, the days of jazz being part of mainstream music seems to be in the distant past. Hometown songbird Jesse Palter may just change that perception.
The youthful Palter sings with the skill of an old soul on her forthcoming album Beginning to See the Light, but she's not stuck in the past. "My original compositions have a more modern jazz sound," she said, "and my pianist/musical director Mike Jellick (who does the arranging for the album) does a beautiful job at putting a modern spin on classic tunes. We call him the aftermarket guy because he has the unique talent of taking a song that has been done so many times before and reinventing it with a contemporary flair, but still doing the original song justice. It's almost like going to your class reunion and seeing an old friend who you thought couldn't look any better, yet looks just as good, if not better, with age. I'm really lucky to have Mike as a collaborator. It has helped expand my mind and even though we are doing an eclectic mix of songs on this album, there is definitely a constant in our sound amongst all the songs."
While Palter puts a personal touch to the cover songs on the album, her original compositions really shine. Where does she find her inspiration? "I write about all sorts of things (relationships just so happened to be the subject matter behind the two originals that are on this CD) and I draw inspiration from not only my own experiences but from reading about other people's experiences or overhearing conversations, talking to friends, watching television or my own imagination." | RDW
Jesse Palter CD release party • July 29 • Centaur Bar
More info: www.myspace.com/jessepalter
Stephen D. Evans
Great Potential! She is ttremendous on this older standard material. I eaderly anticipate new material and writing and arranging team to do this rising star justice. I believe that she will be with us for a long time.
Jesse is simply wonderful
I just received my Jesse Palter CD and I would like to give my review . . . First of all let me precede this comment by saying that I dont know ms Palter personaly (unfortunatly) and am a jazz musician myself and have performed with some amazing and well known vocalists And I TRULY believe that Jesse is poised to be one of the greats. I thought that the the pieces on myspace were fantastic but the arrangements, musicians, and Jesses Playful, lyrical style on THE ACTUAL CD are of heavy hitter caliber. With phrasing reminscent of Nancy Wilson, she does as well to get a lyric across to the listener as any one out there. Big ups to the band as well the drummer really lays it down in the title track and really shows his stuff without being overbearing. The drum/vocal section in the opening tune is one of my favortie moments of the CD SO tasty! Her ballads are as soulful as any R&B singer and her passion comes across well. MY fdavorite arrangement is probably the remake of the classic "Happy Together" but her originals are just simply special. Honestly, I thought that this would be another take on overplayed standards . . but I truly believed that She breathed a new life into every one. Thanks to you and your team. I cant wait to share the stage with you! :o)

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Miyamoto hopes to succeed as 'bridge-builder' with U.S, military
Chiyomi Sumida
• • December 18, 2004
NAHA, Okinawa — The top official at the Japanese Foreign Ministry on Okinawa said Tuesday he is here as a front-line mediator between Okinawa and the U.S. military on the island.
Yuji Miyamoto, 58, the newest ambassador in charge of Okinawan affairs, replaced his predecessor, Sadaaki Numata, last week.
"One of my major missions … is to negotiate with the military on Okinawa as a representative of government of Japan," he said during his first news conference since assuming the post. "U.S. military-related problems are extremely delicate issues."
Through the long history of the U.S. military's presence on the island, various frameworks have been built one by one, creating the present system and situations, he said.
"Having said that," he said, "the reality that 75 percent of facilities and installations of U.S. forces in Japan are concentrated on Okinawa has … put a burden on the people."
"We are facing a crucial time for the security of entire Japan," he said. "It is also a very important time for Okinawa," as the United States and Japan work to realign U.S. forces in Japan. He said he would work to bridge a Tokyo-Okinawa perception gap over that realignment and other issues.
Miyamoto, a 35-year diplomat and former Japanese ambassador to Myanmar, is the fifth ambassador in charge of Okinawa.
The Japanese government created the post in February 1998 as part of its response to anti-military sentiment on Okinawa following the 1995 rape of a schoolgirl by three U.S. servicemembers.
Miyamoto said his office helped the U.S. military community on the island deepen its understanding of Okinawa and its people. "We are also making efforts to prevent any military-related incidents or accidents," he said.
"Whether or not my post was necessary — I ask you to judge on the day when I leave Okinawa," he said, saying he is committed to serve as a bridge-builder among the military, Okinawa and Tokyo.


Enjoy the luscious flavor of pink grapefruit with just a touch of sweet tupelo honey. It reminds us of a tall icy drink on a hot summer afternoon? refreshing and relaxing at the same time. Take a little two-minute escape and embrace the flavor.


text:
Michael Claridge's childhood centred around foreign languages and the Royal Shakespeare Company… which laid the foundations for the rest of his life! He started directing foreign-language (German) theatre while at university (St.Andrews, Scotland), switching to directing plays in English on arriving to teach in Germany in 1980 and establishing student-theatre troupes at three universities. He has directed 49 full-scale productions, many of them plays either by Shakespeare and his contemporaries or modern plays relating to Shakespeare.
Following many years as an EFL teacher at the universities of Bochum, Erlangen-Nürnberg, Bamberg, Chemnitz-Zwickau and Bremen, Michael finally arrived at the JGU in October 2019, where his major focus is on the performance of 16th- and 17th-century drama and stagecraft, especially
how the period, the culture, the time in history and (kinds of) people in the audience contributed to the plays of Shakespeare and his contemporaries,
how the theatre buildings and the theatrical conventions of that time are reflected in the plays,
how an interactive approach to the plays and their performance enables us to identify so many cues and clues regarding their staging and character development,
how it is only through actively engaging with the script that we can fully appreciate and perform it…
…and how Shakespeare is NOT as difficult as many people claim, as long as you are willing to take the risk of opening yourself up to the script – 'No ShakesFear', please!!!
In addition, Michael leads an annual one-week summer-school excursion to "Shakespeare's London & Shakespeare's Globe", walking through Shakespeare's London and enjoying performances, workshops and tours at Shakespeare's Globe and the Rose theatre. In 2016, he won Bremen University's annual Berninghausen Prize for excellent teaching for his theatre workshops.
Michael is a qualified secondary-school modern-languages teacher, experience that underpins his classroom work. His practical-language classes focus on translation (reflecting seven years as a professional translator), academic writing, and the teaching of grammar based on the systemic functional linguistics approach. The latter reflects the input of his wife, Claudia, Professor of English Linguistics at Augsburg University.
Michael Claridge
Room 01-629
55128 Mainz, Germany
Tel: +49 6131 39-23306
Email: mclaridg@uni-mainz.de
Wed 2-3 pm


text:
Q: Hibernate and MySQL connection - java.net.ConnectException: Connection refused: connect. The driver has not received any packets from the server I want to write a movie ticket booking system program in Java but i take these mistakes. I think there is a mistake about MySQL and Java connection. There is no any other mistake. How can I solve it? Thanks for help
Oca 13, 2015 10:29:50 PM org.hibernate.annotations.common.reflection.java.JavaReflectionManager <clinit>
INFO: HCANN000001: Hibernate Commons Annotations {4.0.5.Final}
Oca 13, 2015 10:29:50 PM org.hibernate.Version logVersion
INFO: HHH000412: Hibernate Core {4.3.7.Final}
Oca 13, 2015 10:29:50 PM org.hibernate.cfg.Environment <clinit>
INFO: HHH000206: hibernate.properties not found
Oca 13, 2015 10:29:50 PM org.hibernate.cfg.Environment buildBytecodeProvider
INFO: HHH000021: Bytecode provider name : javassist
Oca 13, 2015 10:29:50 PM org.hibernate.cfg.Configuration configure
INFO: HHH000043: Configuring from resource: /hibernate.cfg.xml
Oca 13, 2015 10:29:50 PM org.hibernate.cfg.Configuration getConfigurationInputStream
INFO: HHH000040: Configuration resource: /hibernate.cfg.xml
Oca 13, 2015 10:29:51 PM org.hibernate.cfg.Configuration doConfigure
INFO: HHH000041: Configured SessionFactory: null
Oca 13, 2015 10:29:51 PM org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl configure
WARN: HHH000402: Using Hibernate built-in connection pool (not for production use!)
Oca 13, 2015 10:29:52 PM org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl buildCreator
INFO: HHH000401: using driver [com.mysql.jdbc.Driver] at URL [jdbc:mysql://localhost:3306/cinema]
Oca 13, 2015 10:29:52 PM org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl buildCreator
INFO: HHH000046: Connection properties: {user=root, password=****}
Oca 13, 2015 10:29:52 PM org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl buildCreator
INFO: HHH000006: Autocommit mode: false
Oca 13, 2015 10:29:52 PM org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl configure
INFO: HHH000115: Hibernate connection pool size: 1 (min=1)
Exception in thread "main" java.lang.ExceptionInInitializerError
    at com.CMPE331.cinema.model.dal.SeanceDal.getAll(SeanceDal.java:17)
    at com.CMPE331.cinema.model.bll.AbstractBll.getAll(AbstractBll.java:17)
    at com.CMPE331.cinema.gui.view.SeancePanel.initializeComponents(SeancePanel.java:48)
    at com.CMPE331.cinema.gui.view.SeancePanel.<init>(SeancePanel.java:27)
    at com.CMPE331.cinema.gui.view.MainFrame.initalizeComponents(MainFrame.java:30)
    at com.CMPE331.cinema.gui.view.MainFrame.<init>(MainFrame.java:14)
    at com.CMPE331.cinema.gui.controller.Application.<init>(Application.java:10)
    at com.CMPE331.cinema.gui.program.Driver.main(Driver.java:21)
Caused by: org.hibernate.exception.JDBCConnectionException: Error calling Driver#connect
    at org.hibernate.exception.internal.SQLStateConversionDelegate.convert(SQLStateConversionDelegate.java:132)
    at org.hibernate.engine.jdbc.connections.internal.BasicConnectionCreator$1$1.convert(BasicConnectionCreator.java:118)
    at org.hibernate.engine.jdbc.connections.internal.BasicConnectionCreator.convertSqlException(BasicConnectionCreator.java:140)
    at org.hibernate.engine.jdbc.connections.internal.DriverConnectionCreator.makeConnection(DriverConnectionCreator.java:58)
    at org.hibernate.engine.jdbc.connections.internal.BasicConnectionCreator.createConnection(BasicConnectionCreator.java:75)
    at org.hibernate.engine.jdbc.connections.internal.DriverManagerConnectionProviderImpl.configure(DriverManagerConnectionProviderImpl.java:106)
    at org.hibernate.boot.registry.internal.StandardServiceRegistryImpl.configureService(StandardServiceRegistryImpl.java:111)
    at org.hibernate.service.internal.AbstractServiceRegistryImpl.initializeService(AbstractServiceRegistryImpl.java:234)
    at org.hibernate.service.internal.AbstractServiceRegistryImpl.getService(AbstractServiceRegistryImpl.java:206)
    at org.hibernate.engine.jdbc.internal.JdbcServicesImpl.buildJdbcConnectionAccess(JdbcServicesImpl.java:260)
    at org.hibernate.engine.jdbc.internal.JdbcServicesImpl.configure(JdbcServicesImpl.java:94)
    at org.hibernate.boot.registry.internal.StandardServiceRegistryImpl.configureService(StandardServiceRegistryImpl.java:111)
    at org.hibernate.service.internal.AbstractServiceRegistryImpl.initializeService(AbstractServiceRegistryImpl.java:234)
    at org.hibernate.service.internal.AbstractServiceRegistryImpl.getService(AbstractServiceRegistryImpl.java:206)
    at org.hibernate.cfg.Configuration.buildTypeRegistrations(Configuration.java:1887)
    at org.hibernate.cfg.Configuration.buildSessionFactory(Configuration.java:1845)
    at com.CMPE331.cinema.model.util.HibernateUtil.<clinit>(HibernateUtil.java:16)
    ... 8 more
Caused by: com.mysql.jdbc.exceptions.jdbc4.CommunicationsException: Communications link failure

The last packet sent successfully to the server was 0 milliseconds ago. The driver has not received any packets from the server.
    at sun.reflect.NativeConstructorAccessorImpl.newInstance0(Native Method)
    at sun.reflect.NativeConstructorAccessorImpl.newInstance(Unknown Source)
    at sun.reflect.DelegatingConstructorAccessorImpl.newInstance(Unknown Source)
    at java.lang.reflect.Constructor.newInstance(Unknown Source)
    at com.mysql.jdbc.Util.handleNewInstance(Util.java:408)
    at com.mysql.jdbc.SQLError.createCommunicationsException(SQLError.java:1137)
    at com.mysql.jdbc.MysqlIO.<init>(MysqlIO.java:356)
    at com.mysql.jdbc.ConnectionImpl.coreConnect(ConnectionImpl.java:2504)
    at com.mysql.jdbc.ConnectionImpl.connectOneTryOnly(ConnectionImpl.java:2541)
    at com.mysql.jdbc.ConnectionImpl.createNewIO(ConnectionImpl.java:2323)
    at com.mysql.jdbc.ConnectionImpl.<init>(ConnectionImpl.java:832)
    at com.mysql.jdbc.JDBC4Connection.<init>(JDBC4Connection.java:46)
    at sun.reflect.NativeConstructorAccessorImpl.newInstance0(Native Method)
    at sun.reflect.NativeConstructorAccessorImpl.newInstance(Unknown Source)
    at sun.reflect.DelegatingConstructorAccessorImpl.newInstance(Unknown Source)
    at java.lang.reflect.Constructor.newInstance(Unknown Source)
    at com.mysql.jdbc.Util.handleNewInstance(Util.java:408)
    at com.mysql.jdbc.ConnectionImpl.getInstance(ConnectionImpl.java:417)
    at com.mysql.jdbc.NonRegisteringDriver.connect(NonRegisteringDriver.java:344)
    at org.hibernate.engine.jdbc.connections.internal.DriverConnectionCreator.makeConnection(DriverConnectionCreator.java:55)
    ... 21 more
Caused by: java.net.ConnectException: Connection refused: connect
    at java.net.DualStackPlainSocketImpl.connect0(Native Method)
    at java.net.DualStackPlainSocketImpl.socketConnect(Unknown Source)
    at java.net.AbstractPlainSocketImpl.doConnect(Unknown Source)
    at java.net.AbstractPlainSocketImpl.connectToAddress(Unknown Source)
    at java.net.AbstractPlainSocketImpl.connect(Unknown Source)
    at java.net.PlainSocketImpl.connect(Unknown Source)
    at java.net.SocksSocketImpl.connect(Unknown Source)
    at java.net.Socket.connect(Unknown Source)
    at java.net.Socket.connect(Unknown Source)
    at java.net.Socket.<init>(Unknown Source)
    at java.net.Socket.<init>(Unknown Source)
    at com.mysql.jdbc.StandardSocketFactory.connect(StandardSocketFactory.java:258)
    at com.mysql.jdbc.MysqlIO.<init>(MysqlIO.java:306)
    ... 34 more

A: The primary error is in this line:
Caused by: java.net.ConnectException: Connection refused: connect

This tells you that the address you are trying to connect to is not accepting connections.

redpajama_set_name: RedPajamaStackExchange


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text:
Ellah Lakes Plc appoints Robert Grant as Chief Financial Officer
Ellah Lakes Plc has announced the appointment of Mr. Robert Grant as the Chief Financial Officer (CFO) of the Company.
Robert Grant is currently Head of Infrastructure Financing at First City Monument Bank and will transition into the role by the 1st of September. Robert who has an MBA from the NYU Stern School, has been in his current role for the last 14 years and was previously the CFO of Ghana Telecom.
Speaking on the proposed appointment, Mr. Chuka Mordi, Chief Executive Officer/Managing Director said
"We are extremely pleased to have such a seasoned professional like Robert Grant joining our team, and we are very excited at the wealth of experience and capacity that we now have at our disposal, for the next stage of growth at Ellah Lakes Plc"
Ellah Lakes is a diversified Agribusiness operator founded in 1980 and listed on the Main Board of the Nigerian Exchange. In 2019, The Company was acquired by new shareholders, and under a new management team has transformed into oil palm production through the acquisition of Telluria Farms in May 2019, as well its expansion into cassava farming.
The acquisition repositioned the Company's focus towards the production of Oil palm, Cassava, Maize, Soya Bean, and their derivative products. Ellah Lakes currently operates in Nigeria.
Ellah Lakes partners Ondo State Government for development of Oil Palm and Cassava Plantation
Shippers' council to bring NPA, NIMASA under its regulatory control
Union Bank partners LEAP to promote social innovation
Unilever Nigeria Announces Tea Business Separation
NSE honours FIRS Chairman with Digital Closing Gong Ceremony
Tags: Ellah Lakes Plc
How Chartered Institute of Stockbrokers, others revived the stock market
Union Bank reports N9.84bn as profit in HY 2021


text:
INSTANT ATTRACTION – 1975 TX Gemini
One word comes to mind when looking at Brodie De Aguiar's Gemini – impact! The car looks incredible in motion or standing still. The humble Gemini has never looked better, from the retina searing colour to the exquisite wheel choice, and of course, that aggressive stance. The car stands out at any event. His recent trip from Perth to the Summernats proved just that: "Everyone loved it! There wasn't a negative comment about the car all weekend. Being a four-cylinder and pink, I expected some ribbing but it was the exact opposite – I either got a thumbs up or a smile from most people. When I parked it up, people took photos of it non-stop. It was a fantastic experience for me," said Brodie.
Before 25-year-old Brodie had this Gemini coupe he had built himself a pretty tidy sedan: "My grey TE Gemini was my first real crack at building a car. I did the panel and paint with the help of my brother-in-law George and that came out pretty good. I built a carby-fed, turbo setup on the car which was half-decent and then there was the fully retrimmed interior featuring a big audio set up. I did most of the work at home in my spare time and it was a great introduction into the car scene. I learnt a lot from a young age with that build."
As cool as the sedan was, Brodie came to a crossroad – either continue tinkering with the TE or look at another option. "I was always thinking of going wild with my Gemini sedan but then the coupe popped up, and being an early model two-door, it was a lot more desirable than the later model sedan, so really, it was a no brainer for me to start there instead," says Brodie.
The 1975 TX Coupe was purchased as a rolling shell that was already painted that impressive 'Tech-Nine Pink'. It came with a few boxes of bits and pieces and a motor that didn't run. Over the last five years, the car has gone through a multitude of changes and upgrades. As I photographed the car, Brodie was busy telling me that he thinks the car will never really be finished: "Heading to Summernats gave me a goal to reach and I did the best I could to have the car completed to that standard, but everywhere I look there is room for improvement. I don't think that is bad thing though, it is actually quite motivating. I won't ever sell the car so I can't regret any time or money I put into it."
One of the largest changes over the years has been in the driveline department. Brodie might like the way his car looks but he was also interested in how it went too. "The car makes 356hp at the rears on 18psi with E85 fuel. Craig Dyson tuned the car and was pretty impressed with that number. For a little 1.6 litre it goes alright," he laughed. Galloway Engines in Pinjarra had a lot to do with the motor, especially the machine work. The Isuzu G161 block was O-ringed and fitted with ARP head studs which locate the ported head with oversized valves.
On the driver's side of the painted rocker cover is the gorgeous Taarks intake plenum that features an 85mm Plazmaman throttle body. On the other side is the high-mount, Precision 5858 ball bearing turbo bolted to the custom built steam pipe turbo manifold and stainless dump and screamer pipe from Nelg's Ali Mods. A three-inch stainless exhaust sends the spent gases packing. Regulating boost levels is a 46mm Precision wastegate and looking after the tuning side of things is a Microtech LT-10s ECU.
Mated up to the feisty four-cylinder is a 5-speed 'box from a 2.6 Rodeo with a lightened flywheel and a Cyrene ceramic-button clutch. Phil at Final Drive Engineering waved his wand over the Borg-Warner rear-end that features 31-spline axles and a 3.9 centre. The braking system has been enhanced by Commodore callipers with slotted DBA T2 rotors front and rear.
Considerable time has been invested in getting the car down into the weeds. "Last year I decided to get serious with how I wanted the car to sit. Peter Lucas at BNT Fabrication did the wheel tubs for me and installed the Competition Engineering Magnum series 4-link set up too. I did what I could by helping with the cutting and grinding but I think I was more of a hindrance to Pete," laughed Brodie. It doesn't take a genius to know that the car is airbagged too.
All of the suspension work was based around one very important accessory — the wheels — and what a gorgeous set of rims they are: "I truly believe that your choice of wheels makes a car. They set the theme for the whole package so when it came to finally choose my dream wheels I took my time. I needed something original and classy so I started mulling over options I saw on European cars." Brodie struck gold with the WatercooledIND LP1s. You would be hard-pressed to see another set on a Gemini or even in Australia for that matter. You would be right in thinking that they aren't cheap either, but the quality speaks for itself — the wheels are seriously top-notch in design and execution. The fronts measure 18 x 8.5 inches with a +30 offset and a 1.5-inch lip with the rears coming in at 18 x 10 inches with a -22 offset and a hefty 4.5-inch lip. The front camber is pretty savage, that's for sure, and the rear dish, well, that is plentiful. The wheels themselves are enough to make the Gemini unforgettable.
When Brodie bought the car, some of the interior was already done. The EK Civic bucket seats were fitted and trimmed and the hood lining was already installed. Brodie and his mates set about finishing off the rest themselves. The door trims were treated to the same material as the seats as was the custom console. The dash has been created from fibreglass and then painted body colour, along with the "50 buck special" wheel. Autometer gauges, a Hurst pistol grip shifter and the polished cage are also neat additions. "I haven't really made up my mind what to do with the back of the car yet. I painted all the tin work black and left it. I don't know whether to leave it or trim it all. If I do trim it, I will most probably clean up the boot too," explained Brodie.
"Over the next year or so, I will just tidy up a few things here and there and make sure everything is happy under the hood. I wouldn't mind re-tuning the car a little and then running some numbers down the quarter to see what she can do. In all honesty though, I would be happy to just drive the thing and see others enjoying my hard work."
PHOTOSHOOT PACKAGES – WHAT DO YOU GET?
ART OF THE VEHICLE – DAVE DUNCAN


text:
Die Meistersinger von Nürnberg {159} Metropolitan Opera House: 12/19/1925.
(Review)
DIE MEISTERSINGER VON NÜRNBERG {159}
Hans Sachs..............Clarence Whitehill
Eva.....................Marcella Röseler
Walther von Stolzing....Curt Taucher
Magdalene...............Marion Telva
David...................George Meader
Beckmesser..............Arnold Gabor
Pogner..................Léon Rothier
Kothner.................Carl Schlegel
Vogelgesang.............Max Bloch
Nachtigall..............Frederick Vajda
Ortel...................Paolo Ananian
Zorn....................Angelo Badà
Moser...................Max Altglass
Eisslinger..............Giordano Paltrinieri
Foltz...................James Wolfe
Schwarz.................William Gustafson
Night Watchman..........Paolo Ananian
Conductor...............Artur Bodanzky
Review signed B. L. D. in Musical America
The Third 'Meistersinger'
"Die Meistersinger" was given its third performance of the season on the evening of Dec. 19. Arnold Gabor, substituting for the indisposed Gustav Schützendorf, sang Beckmesser for the first time in his career and did it on such short notice that he had no rehearsal. His characterization was excellent in itself, and so scrupulously modeled on the Schützendorf reading as to be indistinguishable by the uninitiated. One's compliments go to an artist so adaptable to an emergency.
The Eva of Marcella Röseler was that singer's first Metropolitan assay at the role, and was not noticeably successful either in vocal art or histrionism. She was at her best in the second act, but that best left one regretting the absence of Elisabeth Rethberg.
Clarence Whitehill's Hans' Sachs was thoroughly enjoyable, as usual, for its dignity, quiet humor and tenderness. Curt Taucher sang Walther's iterations of the prize song with lyric vigor. Marion Telva as Magdalena and George Meader as David were familiar figures. Leon Rothier sang Pogner for the first time this season. Paolo Ananian took Gabor's place as A Night Watchman. Others in the cast were Messrs. Schlegel, Bloch, Bada, Altglass, Paltrinieri, Vajda, Wolfe and Gustafson. Artur Bodanzky conducted in a manner to delight all Wagnerites.
Die Meistersinger von Nürnberg: Conductor [Bodanzky, Artur]
Die Meistersinger von Nürnberg: Hans Sachs [Whitehill, Clarence]
Die Meistersinger von Nürnberg: Eva [Röseler, Marcella]
Die Meistersinger von Nürnberg: Walther von Stolzing [Taucher, Curt]
Die Meistersinger von Nürnberg: Magdalene [Telva, Marion]
Die Meistersinger von Nürnberg: David [Meader, George]
Die Meistersinger von Nürnberg: Beckmesser [Gabor, Arnold]
Die Meistersinger von Nürnberg: Pogner [Rothier, Léon]
Die Meistersinger von Nürnberg: Kothner [Schlegel, Carl]
Die Meistersinger von Nürnberg: Vogelgesang [Bloch, Max]
Die Meistersinger von Nürnberg: Nachtigall [Vajda, Frederick]
Die Meistersinger von Nürnberg: Ortel [Ananian, Paolo]
Die Meistersinger von Nürnberg: Zorn [Badà, Angelo]
Die Meistersinger von Nürnberg: Moser [Altglass, Max]
Die Meistersinger von Nürnberg: Eisslinger [Paltrinieri, Giordano]
Die Meistersinger von Nürnberg: Foltz [Wolfe, James]
Die Meistersinger von Nürnberg: Schwarz [Gustafson, William]
Die Meistersinger von Nürnberg: Night Watchman [Ananian, Paolo]
Altglass, Max [Tenor]
Bloch, Max [Tenor]
Bodanzky, Artur [Conductor]
Gabor, Arnold [Baritone]
Gustafson, William [Bass]
Meader, George [Tenor]
Paltrinieri, Giordano [Tenor]
Röseler, Marcella [Soprano]
Rothier, Léon [Bass]
Schlegel, Carl [Baritone]
Taucher, Curt [Tenor]
Telva, Marion [Mezzo Soprano]
Vajda, Frederick [Bass]
Whitehill, Clarence [Baritone]
Wolfe, James [Bass]


My father, a youngster from Salonika, Greece, has a blue number tattooed on his left hand. To be a son or daughter of holocaust survivor means to accept upon oneself a sacred testament, which you can never fulfill. This testament, which we, the second and third generation of holocaust survivors, have accepted - is a sacred one, in my opinion, as an educator of the young, I have the privilege of passing on this legacy and to try in the best of my ability, to fulfill the call to "remember and to forget".
During my tenure at Hankin School, I taught the holocaust and heroism to grades seven and eight. This is a subject which has been stressed since the Hrubieszow community was adopted by the school. Each year, I try to teach the subject in a different and special way, I try to ensure that the lesson is difficult to comprehend this subject.. I hope that I have in my own small way, brought the younger generation closer to this sacred subject, so that they too will be able to pass on the testament to their offspring, when the time comes.
In our times, when hatred toward different groups continues to exit around the world, because their leaders have deemed certain people unworthy of belonging to the human race, it is your duty and the duty of Israeli educators to remember and to remind our students that every person on earth has a mission to defeat the racism and there is no price too high to protect our future and dignity.
"…who hath commandenth our forefathers to tell their sons, in order they know until the last generation - sons will born, will stand up and will tell their sons" (Psalms 78/5-6).


text:
Burger King came to Coyne to help launch its brand repositioning. The brand wanted to move away from its heavily-male focused campaigns in order to gain further traction with moms. Our team was able to guide the brand through menu launches to reintroducing the kids meal with a little help from the Statue of Liberty, garnering billions of media impressions along the way.
Coyne PR conceived and executed a string of buzz-building efforts including the media-sensation, the bacon sundae.
To help increase Burger King's presence among competitors in social media, Coyne developed a social media strategy increased its Facebook page from 1.2 million to 5.2 million page likes; grew the Twitter followers by more than 25,000 and expanded into new channels including Google+ and YouTube.
To celebrate the new BK CROWNProgram, the team constructed a BK® crown large enough to fit the Statue of Liberty – 15-feet high by 19-feet wide with a circumference of 60-feet – and sailed the Guinness World Records®-setting sculpture down the Hudson River towards Liberty Island. In alignment with the charitable nature of the program, BURGER KING® also donated $125,000 to the Statue of Liberty's refurbishment project for her 125th birthday.


text:
Aplana Software Services
Gold Microsoft Partner in Applications Development
We were one of the first custom software development companies to transfer a client's business to the cloud, making it available to thousands of end-users. Today we continue to innovate and pioneer the use of new platforms and tools.
Aplana has unique expertise in complex cloud solutions; custom software, mobile, blockchain development; big data analytics.
We work with leading companies worldwide in industries ranging from transportation, oil, and gas to educational, finance and media, as well as government bodies.
Aplana is the Gold Microsoft Partner, Premier Business Partner of IBM and Oracle Gold Partner.
Originally part of one of Eastern Europe's largest system integrator companies, I.T. Group, Aplana is trusted and the solid partner for the long-term partner-like model.
2600 Philmont Avenue, Suite 305
47-4, Varshavskoye Shosse
The Landing, Blue Tower MediaCityUk
Manchester M50 2ST
48 Kaiserleistr.
Offenbach am Main 63067
Cloud Consulting & SI
Aeroflot, Amadeus Group, BP, Citation, GE Healthcare, GE Money Bank, Sberbank, Home Credit and Finance Bank, INRIX, Holstein UK, Starbucks.
To learn more about case studies please visit the official website.
$50,000 to $199,999 (1)$1,000,000 - $9,999,999 (2)
Web Development (1)Mobile App Development (1)Development (1)
Web & App Dev for Distribution System
"I felt confident in our decision to choose them, and I've never regretted it."
Oct. 2018 - Ongoing
In addition to a web portal with a Google-based cloud backend, Aplana Software Services developed Android and iOS apps that assist farmers in monitoring their water distribution systems for cattle.
CTO, AgTech Company
Aplana Software Services successfully delivered practical solutions that have received positive feedback in early rounds of beta testing. The team is thoroughly communicative and manages multiple tasks with ease. They contribute conceptually when necessary to enhance the product's final quality.
I am the CTO of an AgTech startup.
What challenge were you trying to address with Aplana Software Services?
We engaged Aplana Software Services to develop the mobile apps and web portal that we've designed to manage the distribution system for water given to dairy cows.
We had previously been working with an unsatisfactory offshore team, so I reopened the search for a quality partner. Upon finding Aplana Software Services, I transferred all of the development responsibilities to them.
They built Android and iOS applications using React Native and developed a web portal with a Google cloud backend. The product allows farmers to monitor their water distribution systems from anywhere. Instead of driving to a specific meter, our product is intended to make the process of reviewing water levels and other metrics more convenient.
What is the team composition?
Their CTO leads a team of 4–5 other employees, a group that includes frontend and backend developers and various designers.
How did you come to work with Aplana Software Services?
I contacted an old friend in the industry to ask if he had any good experiences with an offshore team. He recommended Aplana Software Services after having a successful project with them several years ago. We requested a tender and a price estimate and ultimately elected to hire them. I felt confident in our decision to choose them, and I've never regretted it.
How much have you invested with them?
We've spent about €70,000 to this point (approximately $78,700 USD).
Our engagement began in October 2018 and remains ongoing.
What evidence can you share that demonstrates the impact of the engagement?
The cloud backend is complete, but the apps need some final adjustments before we begin advertising their presence in the app stores. We're thrilled with the products they've delivered. We've conducted some beta testing with about 10 customers in the field, and we've received a lot of positive feedback.
How did Aplana Software Solutions perform from a project management standpoint?
We adopted an agile methodology featuring two-week sprints during the development process. We still have a couple of stand-up Skype calls per week, and we use a Jira-type board to monitor the backlog of tasks. We operate mostly through emails and Skype, and we've never had much trouble communicating that way.
What did you find most impressive about them?
Their attention to detail is second to none. Their focus is so refined because they put themselves in the client's shoes and try to think like the user. In our weekly meetings, they go above and beyond what I've asked of them. They regularly come up with new ideas, and I appreciate that passion and willingness to contribute.
Are there any areas they could improve?
No, I'm quite happy with them.
Do you have any advice for potential customers?
It's natural for us as clients to have a clear path and an idea of how we'd like the product to be, but we found it valuable to be open to new ideas. We liked that Aplana Software Services challenged us a little bit in the development process.
I'd recommend them to anyone.
Web Dev for Transportation Analytics Provider
"They have a tight-knit, capable team, and those personal relationships have a positive impact on their efficiency."
Sept. 2007 - Ongoing
Aplana built a complex platform that collects data from multiple sources and automatically compiles the information into reports. They continue to provide web development across multiple projects.
Director of Innovation Europe, Analytics Provider
Routine satisfaction reports find customers extremely satisfied with the data platform's efficiency. Aplana offers affordable prices compared with Western European competitors. Their tight-knit team takes pride in their work and immediately addresses any concerns, ensuring a successful outcome.
I'm the Director of Innovation for Europe with a company that provides traffic information to automotive manufacturers and public-sector agencies. This includes routing and parking information, fuel prices, accident analytics, and the origin/destination statistics of drivers.
What challenge were you trying to address with Aplana Software?
Our web development facility in Israel had become too expensive, so we needed a new outsourcing partner.
With Aplana, we've developed innovative and important solutions for our business.
Our largest project was the creation of our core, web-based incident platform, which is used to capture, curate, and publish our data to a variety of customers. It's a complicated platform that ingests data from multiple sources (XML and CSV feeds, as well as Twitter), some of which produce contradictory information about the same real-life phenomena.
The chief functionality is to merge these reports into a clear, unified picture of a single event. The system automatically generates textual descriptions of these events in over 12 different languages, though we also have complete flexibility to make edits.
Because much of the data is processed manually by our operators, we needed an intuitive UI to ensure a smooth workflow and cut down on operating costs.
The size of the team fluctuates depending on the amount of work we need each year, but generally ranges between 8–15 individuals. Aplana is flexible, allowing us to shrink or expand the team as necessary.
How did you come to work with Aplana Software?
They reached out to my boss during a conference.
We've invested around $4 million over the course of our ten-year partnership.
We started working with Aplana in September 2007 and our relationship is ongoing.
The platform they built is currently responsible for the successful ingestion of over 100 different feeds. We asses our client satisfaction on a quarterly basis, and they're consistently pleased with the data our platform provides.
They also manage to integrate themselves into the team of any new project we assign, working collaboratively to produce the best results.
How did Aplana Software perform from a project management standpoint?
They use Agile methodology. We work in two-week sprints, and they plan extensively through testing and review before implementing the actual functionalities. All work is managed through JIRA, and we have Skype calls at least twice a week.
Problems sometimes arise, but Aplana responds immediately and works to identify how the issue occurred to avoid it in the future.
They have a tight-knit, capable team, and those personal relationships have a positive impact on their efficiency. Because their team is personally invested in the project, they ensure it meets a very high standard.
In addition to their technical skills, they're also very creative in their designs and work methodologies.
They've never had a problem meeting deadlines.
They offer high quality at significantly cheaper rates than their European competitors.
Mobile App Dev for Hospitality Industry Solutions Provider
"Their team functions through a combination of stability and forward-thinking."
Aplana developed prototypes, UX, and architectural designs for both the database and services of an SaaS solution used for oversight of workflows and guest services. They also handled project management.
Former EVP, Software Development Firm
Aplana's contribution to the architecture helped yield Microsoft awards, and thousands of users still access the solution today. They adhered to timelines and budgets, and their collaborative abilities were favorable. A consistent staff with proactive thinking nurtured the long-lasting relationship.
I am the former EVP of a software development firm.
What challenge were you trying to address with Aplana?
We were having trouble sourcing qualified personnel in the U.S., particularly where we're located. We needed to quickly finish a project to scale, so we decided to offshore to Russia.
They did some prototyping on architectural aspects. They had input into the architectural design of the application, and they ultimately created the database architecture, services architecture, and the application's UX. They also handled project management.
The app is a workflow automation and guest service management tool for hotels. We were a very early multi-tenant SaaS [software as a service] solution.
What is the team dynamic?
Our team members worked with their team members on a daily basis.
How did you come to work with Aplana?
I was introduced to Aplana through an employee who was originally based in Moscow and worked with them in the past. We ultimately decided to work with them after interviewing other companies. We chose them because they were small and nimble as a team, yet part of a much larger organization, which gave them stability. We started with a small project and then moved onto a larger one.
We spent between $5,000,000–$6,000,000.
We began working together in 2002, and the engagement ended in 2017.
We won Microsoft awards early on for the work we did with Aplana. The architecture is still functioning today and is serving thousands of users on the databases. Everything is based on the foundational work which Aplana implemented in 2002. It has multiple clients, including web and mobile, on multiple platforms.
How did Aplana perform from a project management standpoint?
They were excellent with adhering to timelines and budget. We've had them working with other teams from other organizations and parts of the business, and they're all excellent team members. They collaborate well with other groups. We had some self-supported solutions pieces in Salesforce that we worked on together as well.
They were very proactive in regards to the technology. They had great consistency with team members, and we had little turnover in the group. Their team functions through a combination of stability and forward-thinking.
We had some missteps in cost reduction. We looked at growing some markets, and we were very progressive with them, but they weren't able to scale those markets.
They were consistent in delivering and communicating any issues along the way. Nothing is ever perfect.
We worked very well together containing costs.
The quality was excellent. They were diligent in testing.


text:
Kalvene socken (lettiska: Kalvenes pagasts) är ett administrativt område i Aizpute kommun, Lettland.

Referenser

Lettlands socknar

redpajama_set_name: RedPajamaWikipedia


text:
Seychelles to assist in drug fight
Shift from anti-piracy to anti-narcotics.
UNODC counts on Seychelles support to combat drug trafficking on the high seas
By: Sharon Uranie
The United Nations Office on Drugs and Crimes (UNODC) is looking at other opportunities to engage with Seychelles now that there is a decline in piracy off the Horn of Africa.
UNODC's outgoing country programme officer for maritime crime Shanaka Jayasekara said this in a press interview at State House this morning, after paying a farewell call on the Seychelles President James Michel.
Jayasekara has come to the end of his two-year posting to the Indian Ocean archipelago of 115 islands in the Indian Ocean with a population of around 90,000 people.
Seychelles' pivotal role in countering piracy in the Indian Ocean region
Pirate attacks off the vast coastline of Somalia have declined, from 236 in 2011 to two reportedly unsuccessful attacks in 2014, thanks to international counter-piracy cooperation efforts.
Seychelles ended up placing itself at the forefront of the fight against piracy as the scourge which began to plague the Indian Ocean since 2005 had a direct impact on the country's tourism and fisheries sectors.
Several groups of Seychellois fishermen were also held captive and subsequently released by Somali pirates, the last being a pair of elderly fishermen who were released in 2011 after over a year spent in captivity.
Working actively with international partners including UNODC, to apprehend and prosecute suspected Somali pirates over the last six years has seen the island nation prosecute more pirates than any other country in the region.
The country's role in combating piracy and other maritime related crimes which includes the trafficking of illegal drugs and weapons was further strengthened in April this year with the opening of a modern court complex that has special jurisdiction to hear cases related to such crimes.
"Seychelles has conducted 17 piracy trials, convicted 138 pirates tried 142 there is no other country that can give these statistics in terms of maritime piracy. Seychelles has established jurisprudence in maritime crime law…Seychelles has been at the forefront in counter-piracy prosecutions…to see these being achieved by Seychelles has been the greatest achievement I have been able to facilitate," Jayasekara told journalists.
UNODC seeks Seychelles support in counter-narcotics effort on the high seas
These achievements and collaboration between Seychelles and the UNODC were the main topics of discussions between Jayasekara and President Michel, at State House this morning.
The meeting was also an opportunity to highlight future areas of cooperation, including work which has already started on an anti-drug demand strategy with the government of Seychelles.
"There is a need to engage in drug demand reduction activities, so we will be looking at drug demand reduction, treatment counselling processes, training of counsellors," said Jayasekara.
Statistics indicate that the use of heroin is a major concern in the Seychelles. Figures released in a study carried out by the Seychelles Ministry of Health on drug users in 2011 showed that heroin was used in injection form by some 1000 heroin drug users in the country.
These statistics were used in a 2013 global report on drugs by the United Nations, which stated that Seychelles had one of the highest proportions of intravenous drug users worldwide.
In February 2014, the Deputy Chief of the National Drug Enforcement Agency (NDEA), the Seychelles' national anti-drug agency, Liam Quinn, estimated that due to national anti-narcotics measures, the number of intravenous drug users in Seychelles had decreased to around 600 addicts, but no official statistics have been released since the 2011 report to confirm this claim.
According to the Seychelles Ministry of Health, drug use in Seychelles is "causing significant health and social challenges."
Still concerning drugs, the UNODC is also counting on Seychelles to play an equal pivotal role in countering drug trafficking on the high seas following the recent trend of a large flow of drugs coming from the Makran coast of Pakistan and Iran to the East African coast that passes near the Seychelles economic zone.
This has been described as an alternative to the traditional opium trail via Central Asia and the Balkans.
UNODC committed to assist Seychelles in the fight against maritime crime
In a press statement issued this afternoon State House said President Michel took the opportunity to express gratitude "for the continuous support of the UNODC in developing capacity-building and ensuring the success of its programmes, particularly in the fight against maritime crime, such as piracy, drug trafficking as well as judicial proceedings."
It is to be noted that the UNODC had delivered grant assistance to Seychelles worth some 5 million US dollars in the last five years. This also include extension of prison facilities, equipment and training for law enforcement officers including helping to develop university accredited qualifications with the University of Seychelles in maritime crime and law enforcement, which is offered to four regional states.
UNODC's outgoing country programme officer for maritime crime Shanaka Jayasekara has said that the organization would continue to support the country in taking the lead role in ensuring regional maritime security.
Upon leaving Seychelles Jayasekara will be moving to Nairobi, Kenya where he will be taking up a post relating to counter-narcotics efforts.
Source: seychellesnewsagency.com
Tags: Indian OceanMaritime SecuritySomaliaUNODCdrug smugglersdrug smugglingdrug traffickingmaritime crimeseychellessomalisomali piracysomali pirate attackssomali pirates
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Milwaukee families with lead-poisoned children may not have gotten money they were eligible for to clean up their homes.
It's new out of City Hall Monday. A former lead program manager, Rich Gaeta, wants his job back after he was fired for a number of violations- including violating lawful and reasonable regulation.
In his appeal hearing, Angela Hagy, who briefly oversaw Gaeta, said she discovered Gata started some practices in the health department that weren't legal. Gaeta was fired from the health department by former commissioner Patricia McManus.
Before his termination, Gaeta oversaw distribution of Federal Housing and Urban Development grant funding. In Monday's hearing, Hagy revealed under Gaeta's supervision Milwaukee families who should have been eligible for help with that money didn't receive it.
"[The department] even rejected people if the home wasn't clean enough. If the person had a criminal record, stuff that would even violate fair housing rules. It was just excessive," Hagy said under oath.
She is now the Director of Disease Control and Environmental Health for the City.
HUD issued warnings to the City in 2008, 2012 and in 2017 Milwaukee's Health Department received three HUD Fail letters.


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How Emergency Mass Text Messaging or Group Text Message Alerts Work?
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Once you have signed up, you'll be directed to the Dashboard where you can create web sign-up form and set up a keyword for people to join the list. If you already have a mobile list and have a prior consent to send them text messages, you can start uploading your subscribers. For transaction alerts, you don't need writing permission but you must have some form of permission from the end users. The list can be as well imported from Constant Contact or MailChimp account.
Now add an authorized mobile phone from which you can send a broadcast text message as and when needed from anywhere, at any time. You can also broadcast text using online portal or Mobile Text messaging APP .


text:
E.D. Cal. Nixes Fraudulent Joinder of Defendant, but not Plaintiff
By Stephen McConnell on August 12, 2020
We're taking a timeout from our summer reading parade of baggy 19th Century novels. After gorging ourselves on Dickens, Dostoyevsky, Thackeray, Trollope, and Tolstoy, it was time for a palate cleanser. We kept Anna Karenina on the sideboard and picked up a slim volume of Bertrand Russell's essays.
Analytic philosophy always left us cold. Perhaps we were simply too stupid and impatient in our college days. Perhaps that "perhaps" was misplaced. Now we opened Russell's essays with guarded expectations. To our pleasant surprise, Russell was warm and witty. There was a lot more than icy theory in these pages. Russell occupied the public arena as well as the ivory tower. The British government jailed Russell during World War I for his pacifism. Interestingly, Russell looked back on his incarceration as a period of great productivity. He also stuck to his non-guns, arguing that if Great Britain had stayed out of the war and permitted a quick Kaiser victory, the 20th Century might have been spared the scourges of Lenin, Stalin, and Hitler.
Many of Russell's essays are "portraits from memory" of some of his era's great figures: G.B. Shaw, H.G. Wells, D.H. Lawrence, Joseph Conrad, George Santayana, Ludwig Wittgenstein, etc. Russell's era was long, indeed. He was born in 1872 and died in 1970. Russell's parents perished when he was young, so he was raised by his grandparents. His grandfather had been Prime Minister twice and had met Napoleon. (It is hard to think of an American equivalent. As a lawyer, we naturally think of Oliver Wendell Holmes, who shook hands with both John Quincy Adams and John F. Kennedy.)
We enjoyed our visit with Russell and recommend his company to any of you. Russell was a man of extraordinary talents and virtues. He was intelligent. He was honest. He was self-critical. Most refreshing of all to us, he was concise and clear.
Accordingly, it was our hope today to turn to a concise and clear case. Would you accept one out of two? Kline v. Mentor Worldwide LLC et al., 2019 WL 3245102 (July 19, 2019), is a short case (the very name of the plaintiff would seem to promise that) but hardly clear. Four plaintiffs sued three companies for injuries allegedly caused by breast implants. The lawsuit was filed in state court in Sacramento, though only one of the plaintiffs was a citizen of California. We'd call the other three plaintiffs litigation tourists, but we've never considered Sacramento to be a tourist destination. Whether one wants amusing diversions or generous juries, Los Angeles or the Bay Area are more inviting places for plaintiffs. (Plus, after watching "I'll Be Gone in the Dark," the HBO series about the Golden State Killer, who did much of his killing in the Sacramento area, does Sacramento really seem very appealing? Then again, San Francisco had Zodiac, and LA had Manson, the Hillside Strangler, and the Night Stalker … and now we are walking down a dark True Crime alley.)
Whatever the reason for the plaintiffs' decision to file the case in Sacramento, the defendants removed the case to federal court. But there was a problem. Actually, there were two problems. First, one of the defendants shared citizenship with the sole California plaintiff, thereby destroying diversity. Second, another of the defendants shared Pennsylvania citizenship with one of the plaintiffs. Was the Kline case headed for swift remand?
In the end, the answer is Yes.
The defendants argued that the California defendant was fraudulently joined. It was a mere holding company and had nothing to do with the manufacture or sale of the breast implants at issue. Further, the defendants argued that the plaintiffs' cases – certainly the California and Pennsylvania plaintiffs' cases – should be severed. In a sense, what we have in Kline is a case with both plaintiffs and defendants who have been improperly joined. The Kline court addressed the fraudulently joined defendant, but decided not to address the severance issue. Before we talk about what that means, let's talk about how the Kline court got to that result.
It is hard for a defendant to win a fraudulent joinder argument. The Kline court recognized a "general presumption against a finding of fraudulent joinder." It also held that "a removing party must prove by clear and convincing evidence that joinder was fraudulent" and that the district court must remand if there is a "non-fanciful possibility" of stating a claim against the non-diverse defendant. (Compare that to the Seventh Circuit's "any reasonable probability of success" standard about which we wrote last week and which seems more forgiving in theory, if not in practice.)
As if that isn't hard enough, a C.D. Cal. judge in a similar case had held that the selfsame alleged holding company had not been fraudulently joined. That is what we in the biz call a bad precedent. Nevertheless, the defendant prevailed on its fraudulent joinder argument in Kline because it presented a strong evidentiary record, consisting of affidavits and deposition testimony to the effect that the California company had ownership interests but no business activity. The earlier court did not have such an evidentiary feast placed before it. The most awkward fact for the holding company defendant was its filing with the California Secretary of State that it was engaged in the "Manufacture of Silicon Products." Oops. But the sworn statements submitted by the defendant established that the filing was a mere clerical error. The plaintiffs offered skepticism, but no contrary evidence. The one-sided presentation meant that the defendants had met their heavy burden for fraudulent joinder. The plaintiffs could not muster any "non-fanciful possibility" claim against the non-manufacturing/non-selling defendant, so that defendant had to be dropped from the case. Kudos to the defense side for learning from the earlier case and improving the state of the evidence. Facts might be stubborn things, but factual records need not be.
We still did not have federal diversity jurisdiction in Kline, because Pennsylvania citizens sat on both sides of the v. The defendants, quite rightly in our view, contended that the various plaintiffs should be severed because they were improperly joined under Federal Rule of Civil Procedure 20 and no plaintiff was necessary and indispensable under Rule 19. It is not as if the plaintiffs had anything to do with each other. They weren't involved in the same transaction, event, or occurrence. It is not as if they were all victims of the same bus crash. This analysis seems perfectly obvious to us. The logic is clear. If Bertrand Russell had extended his lifespan a mere 50 years, we feel sure he'd be with us on this point. But alas, Russell is dead and so is logic in California. Several federal courts in California had decided that California state courts were competent to decide the severance issue on remand. That is what happened in Kline. The court in Kline remanded the case, muttering (at least, that is how we read it) that "[i]t does not appear that doing so will frustrate defendant's statutory right if removal in the event that the state should subsequently sever [our copy said "severe," which is almost a Freudian slip] plaintiffs' claims." Really? Why is fraudulent joinder of defendants a federal issue, but misjoinder of plaintiffs is a state issue? How can it serve judicial economy to remand a case that must come back to federal court if the state judge is sentient and/or fair?
And just like that, we have been ousted from Russell's analytic philosophy and hurled back into Dickens, where the law is — well, you know.
Posted in Fraudulent Joinder
Tags: Fraudulent Joinder


text:
Q: Merging odd number of data frames with suffixes I am trying to merge a list of data frames, and I came across many different answers in this community like this R - reduce with merge and more than 2 suffixes (or: how to merge multiple dataframes and keep track of columns) . But after working out on these answers it works on even number of data frames but not odd number of dataframes.
myDF <- cbind(typecar = rownames(mtcars), mtcars)
rownames(myDF) <- NULL
df1 <- myDF
df2 <-  myDF
df3<- myDF
df4 <- myDF

for(i in head(seq_along(list.df), -1)) {

  res <- merge(res, list.df[[i+1]], all = TRUE,
               suffixes = sfx[i:(i+1)], by = "typecar")
}

Here the above code works as expected for even number of df, like following
list.df <- list(df1, df2, df3,df4)
sfx <- c(".df1", ".df2", ".df3", ".df4")

But when trying on odd number the last .df3 is not added as suffix
list.df <- list(df1, df2, df3)
sfx <- c(".df1", ".df2", ".df3")

here the colnames looks like this.
 [1] "typecar"  "mpg.df1"  "cyl.df1"  "disp.df1" "hp.df1"   "drat.df1" "wt.df1"   "qsec.df1" "vs.df1"   "am.df1"   "gear.df1" "carb.df1" "mpg.df2"
[14] "cyl.df2"  "disp.df2" "hp.df2"   "drat.df2" "wt.df2"   "qsec.df2" "vs.df2"   "am.df2"   "gear.df2" "carb.df2" "mpg"      "cyl"      "disp"
[27] "hp"       "drat"     "wt"       "qsec"     "vs"       "am"       "gear"     "carb"

what I want is
 [1] "typecar"  "mpg.df1"  "cyl.df1"  "disp.df1" "hp.df1"   "drat.df1" "wt.df1"   "qsec.df1" "vs.df1"   "am.df1"   "gear.df1" "carb.df1" "mpg.df2"
[14] "cyl.df2"  "disp.df2" "hp.df2"   "drat.df2" "wt.df2"   "qsec.df2" "vs.df2"   "am.df2"   "gear.df2" "carb.df2" "mpg.df3"      "cyl.df3"      "disp.df3"
[27] "hp.df3"       "drat.df3"     "wt.df3"       "qsec.df3"     "vs.df3"       "am.df3"       "gear.df3"     "carb.df3"

Tried with dplyr join but its the same case. Came across this https://github.com/tidyverse/dplyr/issues/1296 . Is there any approach to this that work on odd number of data frames ?

A: An easier option is to name the list element column names with the corresponding list names or object names as suffix except the column name used as by variable in the merge.
list.df <- Map(function(x, nm) {i1 <- names(x) != 'typecar'
            names(x)[i1] <- paste0(names(x)[i1], ".", nm)
            x
    }, list.df, names(list.df))

Then, we make use of Reduce/merge
out <- Reduce(function(...) merge(..., by = 'typecar', all = TRUE), list.df)
names(out)
#[1] "typecar"  "mpg.df1"  "cyl.df1"  "disp.df1" "hp.df1"   "drat.df1" "wt.df1"   "qsec.df1" "vs.df1"   "am.df1"   "gear.df1" "carb.df1"
#[13] "mpg.df2"  "cyl.df2"  "disp.df2" "hp.df2"   "drat.df2" "wt.df2"   "qsec.df2" "vs.df2"   "am.df2"   "gear.df2" "carb.df2" "mpg.df3"
#[25] "cyl.df3"  "disp.df3" "hp.df3"   "drat.df3" "wt.df3"   "qsec.df3" "vs.df3"   "am.df3"   "gear.df3" "carb.df3"

data
list.df <- mget(paste0('df', 1:3))

A: You can use:
do.call(rbind,list.df)


text:
Q: Algebra with inequalities, summation, and probability I am working on understanding a proof for a randomized algorithm from http://cs.brown.edu/~claire/Publis/sigactnews08.pdf I am looking at page 5, Lemma 5 which states:

Lemma 5. Let $x_t$ denote the probability over $\sigma$ that the vertex of $V$ of rank $t$ is matched by the algorithm. Then $1-x_t\leq (1/n)\sum_{1\leq s\leq t}x_s$

Then a few lines later:

We rewrite Lemma 5 as $S_t(1+1/n)\geq 1+ S_{t-1}$ where $S_t=\sum_{1\leq s \leq t}x_s$

I am attempting to reconstruct some intermediary steps in order to understand this rewrite. Here's what I have so far:
$1/n \sum_{1\leq s\leq t}x_s \geq 1-x_t$
$1/n \sum_{1\leq s\leq t}x_s + \sum_{1\leq s\leq t}x_s \geq 1-x_t +\sum_{1\leq s\leq t}x_s$
$S_t(1+1/n) \geq 1-x_t +\sum_{1\leq s\leq t}x_s$
So I have taken care of the left hand side of the equation, but the right hand side remains. There are a few facts that I know are true, which I am trying to piece together in order to complete the transformation.

*

*$1-t_{t-1}\leq 1-x_t$

*$\sum_s^n x_s = 1$
I am aiming to show $1+S_{t-1}\geq 1-x_t +\sum_{1\leq s\leq t}x_s$