text:
Title 40 - Protection of Environment
CHAPTER I - ENVIRONMENTAL PROTECTION AGENCY
SUBCHAPTER D - WATER PROGRAMS
PART 141 - NATIONAL PRIMARY DRINKING WATER REGULATIONS
Subpart Y - Revised Total Coliform Rule
§ 141.853 General monitoring requirements for all public water systems.
40 CFR § 141.853 - General monitoring requirements for all public water systems.
(a) Sample siting plans.
(1) Systems must develop a written sample siting plan that identifies sampling sites and a sample collection schedule that are representative of water throughout the distribution system not later than March 31, 2016. These plans are subject to State review and revision. Systems must collect total coliform samples according to the written sample siting plan. Monitoring required by §§ 141.854 through 141.858 may take place at a customer's premise, dedicated sampling station, or other designated compliance sampling location. Routine and repeat sample sites and any sampling points necessary to meet the requirements of subpart S must be reflected in the sampling plan.
(2) Systems must collect samples at regular time intervals throughout the month, except that systems that use only ground water and serve 4,900 or fewer people may collect all required samples on a single day if they are taken from different sites.
(3) Systems must take at least the minimum number of required samples even if the system has had an E. coli MCL violation or has exceeded the coliform treatment technique triggers in § 141.859(a).
(4) A system may conduct more compliance monitoring than is required by this subpart to investigate potential problems in the distribution system and use monitoring as a tool to assist in uncovering problems. A system may take more than the minimum number of required routine samples and must include the results in calculating whether the coliform treatment technique trigger in § 141.859(a)(1)(i) and (ii) has been exceeded only if the samples are taken in accordance with the existing sample siting plan and are representative of water throughout the distribution system.
(5) Systems must identify repeat monitoring locations in the sample siting plan. Unless the provisions of paragraphs (a)(5)(i) or (a)(5)(ii) of this section are met, the system must collect at least one repeat sample from the sampling tap where the original total coliform-positive sample was taken, and at least one repeat sample at a tap within five service connections upstream and at least one repeat sample at a tap within five service connections downstream of the original sampling site. If a total coliform-positive sample is at the end of the distribution system, or one service connection away from the end of the distribution system, the system must still take all required repeat samples. However, the State may allow an alternative sampling location in lieu of the requirement to collect at least one repeat sample upstream or downstream of the original sampling site. Except as provided for in paragraph (a)(5)(ii) of this section, systems required to conduct triggered source water monitoring under § 141.402(a) must take ground water source sample(s) in addition to repeat samples required under this subpart.
(i) Systems may propose repeat monitoring locations to the State that the system believes to be representative of a pathway for contamination of the distribution system. A system may elect to specify either alternative fixed locations or criteria for selecting repeat sampling sites on a situational basis in a standard operating procedure (SOP) in its sample siting plan. The system must design its SOP to focus the repeat samples at locations that best verify and determine the extent of potential contamination of the distribution system area based on specific situations. The State may modify the SOP or require alternative monitoring locations as needed.
(ii) Ground water systems serving 1,000 or fewer people may propose repeat sampling locations to the State that differentiate potential source water and distribution system contamination (e.g., by sampling at entry points to the distribution system). A ground water system with a single well required to conduct triggered source water monitoring may, with written State approval, take one of its repeat samples at the monitoring location required for triggered source water monitoring under § 141.402(a) if the system demonstrates to the State's satisfaction that the sample siting plan remains representative of water quality in the distribution system. If approved by the State, the system may use that sample result to meet the monitoring requirements in both § 141.402(a) and this section.
(A) If a repeat sample taken at the monitoring location required for triggered source water monitoring is E. coli-positive, the system has violated the E. coli MCL and must also comply with § 141.402(a)(3). If a system takes more than one repeat sample at the monitoring location required for triggered source water monitoring, the system may reduce the number of additional source water samples required under § 141.402(a)(3) by the number of repeat samples taken at that location that were not E. coli-positive.
(B) If a system takes more than one repeat sample at the monitoring location required for triggered source water monitoring under § 141.402(a), and more than one repeat sample is E. coli-positive, the system has violated the E. coli MCL and must also comply with § 141.403(a)(1).
(C) If all repeat samples taken at the monitoring location required for triggered source water monitoring are E. coli-negative and a repeat sample taken at a monitoring location other than the one required for triggered source water monitoring is E. coli-positive, the system has violated the E. coli MCL, but is not required to comply with § 141.402(a)(3).
(6) States may review, revise, and approve, as appropriate, repeat sampling proposed by systems under paragraphs (a)(5)(i) and (ii) of this section. The system must demonstrate that the sample siting plan remains representative of the water quality in the distribution system. The State may determine that monitoring at the entry point to the distribution system (especially for undisinfected ground water systems) is effective to differentiate between potential source water and distribution system problems.
(b) Special purpose samples. Special purpose samples, such as those taken to determine whether disinfection practices are sufficient following pipe placement, replacement, or repair, must not be used to determine whether the coliform treatment technique trigger has been exceeded. Repeat samples taken pursuant to § 141.858 are not considered special purpose samples, and must be used to determine whether the coliform treatment technique trigger has been exceeded.
(c) Invalidation of total coliform samples. A total coliform-positive sample invalidated under this paragraph (c) of this section does not count toward meeting the minimum monitoring requirements of this subpart.
(1) The State may invalidate a total coliform-positive sample only if the conditions of paragraph (c)(1)(i), (ii), or (iii) of this section are met.
(i) The laboratory establishes that improper sample analysis caused the total coliform-positive result.
(ii) The State, on the basis of the results of repeat samples collected as required under § 141.858(a), determines that the total coliform-positive sample resulted from a domestic or other non-distribution system plumbing problem. The State cannot invalidate a sample on the basis of repeat sample results unless all repeat sample(s) collected at the same tap as the original total coliform-positive sample are also total coliform-positive, and all repeat samples collected at a location other than the original tap are total coliform-negative (e.g., a State cannot invalidate a total coliform-positive sample on the basis of repeat samples if all the repeat samples are total coliform-negative, or if the system has only one service connection).
(iii) The State has substantial grounds to believe that a total coliform-positive result is due to a circumstance or condition that does not reflect water quality in the distribution system. In this case, the system must still collect all repeat samples required under § 141.858(a), and use them to determine whether a coliform treatment technique trigger in § 141.859 has been exceeded. To invalidate a total coliform-positive sample under this paragraph, the decision and supporting rationale must be documented in writing, and approved and signed by the supervisor of the State official who recommended the decision. The State must make this document available to EPA and the public. The written documentation must state the specific cause of the total coliform-positive sample, and what action the system has taken, or will take, to correct this problem. The State may not invalidate a total coliform-positive sample solely on the grounds that all repeat samples are total coliform-negative.
(2) A laboratory must invalidate a total coliform sample (unless total coliforms are detected) if the sample produces a turbid culture in the absence of gas production using an analytical method where gas formation is examined (e.g., the Multiple-Tube Fermentation Technique), produces a turbid culture in the absence of an acid reaction in the Presence-Absence (P-A) Coliform Test, or exhibits confluent growth or produces colonies too numerous to count with an analytical method using a membrane filter (e.g., Membrane Filter Technique). If a laboratory invalidates a sample because of such interference, the system must collect another sample from the same location as the original sample within 24 hours of being notified of the interference problem, and have it analyzed for the presence of total coliforms. The system must continue to re-sample within 24 hours and have the samples analyzed until it obtains a valid result. The State may waive the 24-hour time limit on a case-by-case basis. Alternatively, the State may implement criteria for waiving the 24-hour sampling time limit to use in lieu of case-by-case extensions.


Can a 5 1/2-Hr Workday Work for You?
The nine-to-five grind has created a cult of workaholics. Unfortunately, the eight-hour workday hasn't budged in 100 years. Never mind that the Information Age represents the biggest shift since the Industrial Revolution and that family structures have changed dramatically since the early 1900s.
Workers still get in their cars every morning and clog up the freeways and do it again at night. Mondays are dreaded. Wednesdays are "hump days." Friday mornings bring relief because they're the final push before the weekend.
The idea that workers are expected to endure 70 percent of their week so they can enjoy the other 30 percent is collective insanity.


Our Story — Professional Image Landscaping, Inc.
Professional Image Landscaping, Inc. began in 1995 when Kurt decided to start his own landscaping company. He had been working full time at a hotel in Sacramento as the Customer Service Manager and installing landscaping jobs after work. As the demand for his landscaping services increased, Kurt had a decision to make: either stay with the hotel or start his own company. Thus, Professional Image Landscaping, Inc. was born.
Since 1995, Kurt has worked hard to build the company slowly and to mold it into the business that it is today. His love for designing, creating, and transforming a property is evident in the masterpieces he creates. His clients can feel his passion for their yard and they know that he is devoted to them during their project. His background in customer service enables him to develop a wonderful working relationship with each client.
Kurt also works with his team to make sure they have the same level of commitment, respect, and appreciation for each client. From the design team to the installation crew, you will feel the difference with Professional Image Landscaping, Inc.


A game based on James Cameron's new movie about an ex-marine who occupies an alien body and becomes embroiled in conflict on an alien world. This game supports stereoscopic 3D. ..
Pure Football is a new and unique vision of soccer video games, emphasizing the intense, physical and spectacular aspects of the sport. ..
Developed by Ubisoft, Rocksmith is an all new rhythm action game featuring a fully-functioning electric guitar and songs by big names such as David Bowie, Nirvana and The Rolling Stones. "Guitar Hero is a party game, Rocksmith is a music experience." said Ubisoft's senior VP of marketing Tony Key Rocksmit..
Driver San Francisco puts the wheel back into your hands in the next installation of the classic racing saga. In this battle of good and evil, your car is your weapon; and with a huge arsenal of more than 130 vehicles to choose from, you have endless power within your grasp. Handle your cars with the unique style that established the Driver series ..


text:
The Old Lady and New Technology
by admin-rockwills • blog
Just as expected, Son No 3, Jimmy Chin, swaggered into the lawyer's office and plonked himself on the empty seat. All the rest of his siblings had arrived and he was 45 minutes late.
Elder brother, seated next to lawyer Ng gave him a look of contempt but Jimmy was not bothered.
He reached across the table to shake the hand of the only outsider in the room other than lawyer Ng. Jimmy turned to lawyer Ng and said, "He's my lawyer, here to represent my interest."
Lawyer Ng then in an officious manner began the will reading which was why the Chin siblings were gathered that morning. He just rambled on, listing out what their late mother had left for each and every one of the siblings.
Then, he came to the bequest for Jimmy and the words in the will began with: "Jimmy, you have been a spendthrift, not knowing how to manage money. It has been your father's fault and mine too, to have spoilt you.
"You have not worked a single day in your life and you have been able to get just about anything that you wanted. I will leave you a substantial amount of money but before you can touch that money, you must learn how to earn your own keep. Until you reach the age of 50, you will get RM1,000 a month from the trust that I have set up…"
Jimmy slammed his fist on the table on hearing that and shouted: "That is ridiculous. I demand my share now." He glared at his lawyer and screamed, "Say something!"
Lawyer Ng interjected and told everyone present that Matriarch Wong had anticipated this and had instructed that he show a video recording should matters at the will reading become disruptive.
Madam Wong came on the big screen and directly addressed Jimmy, saying that she knew that he would object to her will. The video recording will show the will signing process in the presence of two witnesses and that she was of sound mind and not under duress or influence by any parties.
The video ended with Madam Wong saying that Jimmy's lawyer would agree that there were no grounds to stand on to challenge the validity of the will.
Jimmy looked at his lawyer, who nodded in agreement and in a huff, he marched out of the room.
The Wills Act 1959 stipulates that the will must be in writing and signed by the testator (one who writes the will) at the foot or end of the document in the presence of two or more witnesses in the presence of the testator and each other. The testator must be at least 18 years old and of sound mind.
Matriarch Wong appears to be aware of this and knowing that a video recording cannot replace a written will in terms of its validity, carried out the due process of signing a hard-copy document in the presence of witnesses. She opted to have a video recording of the will signing just to make it water-tight in the event of any of the beneficiaries challenging its validity.
While video recording cannot legitimately replace the last will and testament in writing, it is increasingly being used to complement the document in leaving last words and also terms of endearment for the loved ones.
This article is contributed by Rockwills Trustee Berhad, a licensed Trust Company which specialises in Estate Planning.
« Willing But Too Late	» Register Your Marriage or Your Family Loses

redpajama_set_name: RedPajamaCommonCrawl


It will show that shipping cost only as a separate shipping option at checkout (next to any other ones that are setup).
It would be great if there was also an option to add the $5.50 cost on top of the other methods, instead of as it's own method (this is available in Per Product Shipping(https://www.woocommerce.com/products/per-product-shipping/) itself, but not the included functionality within this extension). So, using the example screenshot above the "FedEx Standard Overnight" cost would go to $41.76 and the "FedEx 2Day" cost would go to $30.88 (or have that influence any flat rates, etc. that are setup).


We have completed "International Poultry Science Congress of WPSA'2018" with your honorable supports. The Abstract Book will be published as soon as possible. If you have any correction in your article by reviewing the draft, please correct it according to the following "Instruction to authors" and send it to mustafa.duman@ohu.edu.tr The cases in which we can identify but do not have the possibility of correcting are marked yellow in draft. Thank you for your interest.
1. The extended abstract should be written in English and the Turkish abstract is optional.
2. Extended abstracts should be no more than 3 pages. Invited speakers should send at least 6 pages of full text, including references, tables and figures.
3. Use single-spaced Times New Roman font across the text.
4. The title should be written in uppercase first letter, 12 pt., bold and center.
5. There should be an 11pt. space between the title and the name of authors.
6. Author's name and surname should be written in 10 pt., centered and bold without abbreviation. A comma must be placed between the author names. For addresses, the suffix "a, b, c ..." must be placed at the end of the name of each author.
7. There should be an 11pt. space between names and addresses.
8. Addresses should be written in 9 pt.
9. There should be an 11pt. space after the addresses, and then 11 pt., dark and centered "Abstract" statement should be put.
10. Abstract should be written in 11 pt. After abstract, a space of 11 pt. should be left and at least 3 and no more than 5 keywords should be written along with the phrase "Key Words:".
11. If the abstract is to be written in Turkish; Turkish title, abstract and key words should be written in accordance with the above rules without the names and addresses of the authors.
12. Leave a space and start with "Introduction" and write the text. Main titles should be written in bold and the first letters should be capitalized. A space must be left before the main title, but no space after the main title.
13. Check the example abstract for writing references.
The Congress Scientific Committee thanks you for agreeing to present a poster at the upcoming "International Poultry Science Congress of WPSA'2018".
The poster size should be 70 cm wide and 90 cm long and be legible from a distance of at least 2 meters. The secretariat will prepare a panel with your poster number. Pins will be provided along with the board. Please note that all the presenters are asked to bring their posters to the venue by themselves, and we do not offer printing service. Participants with Poster Presentation will prepare their Posters and hang them on the poster panels separated by the date and poster number specified in the Program.
Please note that the proposed abstract will be included in the scientific programme only if at least one of the authors is registered. Participants who have not paid their registration fees by 16 APRIL 2018 will not be included in the Symposium Programme and Proceedings.
We look forward to welcoming you to Turkey in May.
Speakers may decide on the language of oral presentations to be either Turkish or English. However, the presentation text should be prepared in English. There will be simultaneous translation at the congress.


Kate's Senior Session was a true delight! A stunning girl in a beautiful setting with perfect conditions, that's all a photographer can ever ask for. A typical German Summer Session I'd say! We went to Eulenbis where you have a great view over the rolling hills of the KMC area.


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//TODO: Add back buttons from everywhere
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redpajama_set_name: RedPajamaGithub


Wound care nurses and healthcare providers are encouraged to submit wound care related educational resources.
Description: Discussing Basic concepts in Wound Care.
Comprehensive Review: Clinical Assessment & Management.
Comprehensive Review: Assessment & Management Strategies.
Description: Assessment & Management Strategies of Wounds.
Learn more about wound debridement in depth and different methods.
Description: A Comprehensive Review of Different Types of Burns.
Description: Assessment & Management of Surgical Wounds.
Description: Assessment & Management Review of Biofilm.
Description: Longterm Care Wound Care Practice Model.


Kartell toobe floor lamp. Toobe designed by Ferruccio Laviani. thanks to the special color technology toobe is the first product from kartell that is faded, this gives the light inside a special glow. There is a handle that is cut out of the lamp making the lamp easy to move.


After a three-year hiatus, it looks like the cartoon band Gorillaz will be swinging back soon.
On Friday, Gorillaz' co-creator and Tank Girl artist Jamie Hewlett posted two new pieces of art to Instagram featuring band members Noodle and Murdoc, and followed up on a comment in one of the posts, confirming that: "Yes Gorillaz Returns."
No official date has been announced for Murdoc, Noodle, 2D and Russell's return, but the new art suggests that Hewlett and Damon Albarn have worked past the rift that put the band on hiatus since 2012.
Both Gorillaz creators have kept busy since then, with Albarn, the ex-Blur frontman, working on side projects and solo work, and Hewlett returning to his comic book creation Tank Girl, along writer/co-creator Alan Martin, for 21st Century Tank Girl, also featuring the art of Philip Bond, Jim Mahfood and others.


This wearable bass solution packs a serious punch, working well to enhance drum monitoring both on and off the stage.
After beginning life as a Kickstarter campaign, the SUBPAC came to market in 2013 as a tool aimed at music producers, allowing them to feel realistic club-bass frequencies whilst working within their own studios.
SUBPAC has since expanded into many areas of technology including video games, virtual reality, cinema, fitness and even motoring - it has teamed up with Peugeot to work on a concept car, which includes SUBPAC technology in the seats.
More recently the SUBPAC has been presented as a great accompaniment to stage monitoring for performing musicians; the concept has already been embraced by a number of pro drummers.
We've been sent the freshly-released M2X model to put through its paces behind the kit.
Available as a seat-back version or wearable backpack, the SUBPAC uses haptic, proprioception and bone conduction technology to deliver bass frequencies between 1Hz and 200Hz directly to the body. This allows the low-end to be felt rather than just heard.
By means of a small module attached to the 'PAC, the signal is sent directly to the unit via the 3.5mm line-in port or wirelessly through the in-built Bluetooth 4.0. The original signal is then sent to headphones through the mini-jack out. This means you still hear the bass frequencies, rather than them being routed exclusively to the SUBPAC.
The intensity of the pack can be dialled in via a pot on the module, which works independently from the headphone volume (this can be adjusted from the sound source only). There are limited options for positioning the module so it's tricky to see the controls without having to remove the pack first. This can prove frustrating during initial setup.
The M2X is the third generation of SUBPAC's wearable model, after the M1 and M2. Identical in appearance to the M2, the latest version boasts an increased dynamic range and over seven hours of battery life - more than enough for even the most gruelling of gigs.
The pack has a cool, slimline look and is extremely lightweight at just 5lbs. It's built to a very high standard and features a combination of hard matte plastic for the main outer section and breathable textile materials for the inside and shoulder straps.
The SUBPAC also features a built-in chest strap, and an optional waist strap is included. Also in the box is a charging cable with multiple region adaptors and a mini jack-to-jack cable for the aux-in.
The SUBPAC is designed for music, home cinema, VR and gaming too, so we start our testing here before heading to the kit. After listening to some of our favourite tunes by connecting to my smartphone via Bluetooth, we sit down and watch a movie and then indulge in some X-Box.
Across the board the SUBPAC performs outstandingly well and never fails to immerse me fully in the moment. We also checked out some 'SUBPAC optimised' audio online, which really takes the experience to the next level. Even watching drum videos on YouTube is a whole new ballgame.
Now to test it on the drumkit. We tried out the M2X with triggers for a couple of gigs, hooked up through a Roland TM-2 module. This worked wonders at reinforcing the sound of the kick and tom triggers through the connected in-ear monitors, as well as adding a rather satisfyingly low punch through the backpack.
Starting with the intensity turned all the way down (off), we set a comfortable listening volume on the headphones and dial in the bass frequencies to our preference. At a moderate listening volume, even half intensity is enough to deliver extreme, gut-punching bass.
It feels rather artificial at first but starts to become the norm after a while. The real test is to turn it off whilst playing - it soon becomes apparent how much the SUBPAC is adding. Even with no headphones or monitors connected, the feel alone is enough to greatly enhance the playability of the kit; perfect for drummers who play small gigs where there are no bass bins to be found.
Although the SUBPAC works best with all the straps pulled tight for consistent body contact, it does start to feel somewhat restrictive (not to mention a little sweaty) after two hours of straight playing. And depending on your desired style, the backpack look won't be for everyone.
One major benefit of the SUBPAC is that it can pack the equivalent punch of a multitude of sub-woofers with comparably little volume to the outside world. The price tag may seem a little steep, but that money goes a long way when compared to the cost of high-end speakers or even headphones.
The SUBPAC will undoubtedly appeal to those practising on e-kits where noise needs to be kept to a minimum. It has amazing applications when mixing drum tracks or other audio too. But while the SUBPAC is described as silent in use, this is not quite the reality. It actually creates a fair rumble, similar to the noise heard when walking past a nightclub. This isn't a problem for stage use, but in a recording scenario there is the risk of some noise bleed.


The Arctic Air personal cooler is simply a mini USB portable air conditioner. This was advertised on TV and has gone on to make a lot of sales. The beauty of this one is that it quite literally can be used almost anywhere.
It can be plugged into a wall outlet or into any device where you have a USB port, and that does make it unique. It measures only 6.5"X 6.5"X 6.7 so if you are pushed for space on a desk, a bedroom locker or even at your work desk, then this Arctic Air cooler is well worth your consideration.
This cooler comes with a water tank that you simply fill up with water. You can then plug it into a USB port or a power bank, and the three speed fan will start to blow. With the tank filled with water, it will last for 8 hours, on the lowest setting.
Who Would Buy the Arctic Air Personal Space Cooler?
We are tempting to say anyone can buy this as it is a versatile type of product. In our opinion this one works well as a replacement for a desk fan, a bedroom fan and even an office fan.
It is really for anyone who wants to cool a personal space. It isn't powerful enough to cool down a room or any space with a larger size, but it is great for cooling down a personal space.
It's ideal for a bedroom to help keep you cool. It also comes with a night light with 7 color options. One of our guys here at our website uses this in his workshop during the summer, just to keep himself cool when working on his projects.
This air cooler is also a good choice for anyone who travels and likes to stay cool. As it is small and portable it is easy to carry this around, as long as you have access to a USB connection, or have a power bank.
This is a simple cube with soft lighting, that is quiet and does a good job.
As we mentioned earlier this air cooler uses water in the tank. It draws in the hot air in your personal space, and then passes it through the wet filter on the tank. When it comes out the other side of the filter, it is cool and refreshing air. As it passes through a filter the air is also purified, and that makes it healthier to breathe.
There are plenty of buyers for this interesting "As seen on TV" product. Many of those TV products we don't like, but this one is actually pretty good. Here at "The Icy Spot" we think it is over priced and would sell much better at around $20.
Just below we have summarised what buyers have to say about this personal cooler. Quite a few buyers did say that it doesn't cool a room. To be fair to the manufacturer they do not claim that it does that.
This cooler is simply about cooling a personal space such as your office desk, or to be set on a nightstand when you are going to sleep.
The breeze it creates is very good and it is according to buyers quiet enough.
One of the negatives is that the LED is only on one side and some buyers didn't like that.
We have rated this with an 80% buyer satisfaction rate. Had it been cheaper (around $20) we would have had this at around 90%.
It is light, portable and very easy to use. It also does a really good job at cooling a small personal space, and it does help purify the air.
Ideally we would have liked to see an LED light option on both sides of the cube. We also think they could have improved the way the water gets spilled if moved.
It does however do what it is supposed to do, and for under $40, that is a reasonable price point, without being exceptional. There are plenty of personal fans out there, and this one is better as it can be plugged into the wall and also via a USB.
As long as you understand that this is a personal space cooler, then you will not be disappointed. This is not made to cool down a room, an RV or a large space. It is, as the name would suggest a personal space cooler.
It does a good job of that, and the night light makes it a good choice for the bedroom.


Online Application Details for West Bengal Co-operative Service Commission WEBCSC Recruitment of 1 Assistant Accountant and 2 Accounts Officer/Passing Officer is given below.
Candidate's minimum education qualification for the Vacancies in West Bengal Co-operative Service Commission WEBCSC should be Graduate Degree in Commerce. Basic Computer Knowledge .


Yeah I think for me the presets aren't great as they are geared towards the mainstream so finding ones I like takes a while. But no doubting there's a powerful synth here to play with so am happy with it's potential.
While I think SM 1 has its own sound that some may not like, some of my initial reservations comes from the presets. They seemed pretty much designed towards more modern styles of music (which is fair). Just dabbling with a few presets and making a few sounds, it's easy to make the sounds I want from this.
An OS, on which many hundreds of programs are expected to run, cannot be compared to anything that does just one job. BTW, about 18 years later, Microsoft still has a rubbish OS and still can't make a browser worth using!
if I remember right). KV331 seems to have a small team (they may not be as big as Steinberg) but the synth is impressive.
No one is saying otherwise.
Loving that example, Mr Bat.
Are we likely to see an update for a full screen AU view soon?
It does the same for me in all hosts AB3 (beta) AUM and ApeMatrix and can't be seen. But I can see the full screen view is there just not working as it popped up once then disappeared in Audiobus.
Is AUM pr ApeMatrix supporting full screen AU?
How can I get a betatester license for AB3?
Hi yes, they both support full screen AUs and work for all the others so far, so not sure what might be wrong.
If you contact @Michael for testflight access. There's also a link at the top of the forum with a beta thread with a link.
If you could make a video of you reading the manual in realtime, that would be great too.
I prefer both. I flip back and forth until it sticks.
Why not give it a like in this forum?!?
Thanks for pointing out that I can.
I didn't realize I can like anything other than (DJT) tweets.
But, with knowledge about program this wonderful synth you can come up with stunning results!
@MobileMusic hi this functionality is already there. You have to create the bank in attributes and then it shows up in the browser after some kind of refresh.
It should be straight process forward to create folders/banks/favorites/etc. when we create them for the first time - instead of changing the attributes. Or at least, the refresh should work without having to close/relaunch the app after changing the attributes.
Attributes for factory/IAP presets should be locked/read-only. They should be editable only for user/other presets.
Save As should allow you to choose an existing bank or create a bank to save to. That's pretty standard across OS's. Then I would get into editing Attributes. I find the current system non-intuitive. The synth itself has a lot to offer but IMHO it's let down by the current file management system.
So It's probably been posted before, but how do you add a favourites preset bank?
Click on save button -> "Add to favourites"
ok thanks, but I can't see the save button in the AU (small version) is it there or only in large AU version?
on the desktop version when you save the preset to a subfolder under presets the subfolder name becomes the bank name. I will have to add a "create folder" feature to the file dialog. on the desktop the file dialog is provided by the OS, but on iOS we don't have anything near.
No that is not the workflow for adding a preset to favourites list. I explained it above.
I am planning to add feature where you can add a "star" next to a preset to mark it as favourite. I guess that might simplify the workflow.
But the gentleman was asking how to create a favourites 'bank'. I took that to mean a bank within the browser which is standard workflow. So this seems to be the only way at present.
Does anyone know how to set different velocity for each step on a ARP sequence please?
Oh I see, my bad. anyhow, would letting user create folder under presets make the workflow simpler?
Yes absolutely. So you Create folders or banks within the preset browser so the user can organise their own presets in their own way.
Then when saving presets, a 'save to bank' option.
Would be good if the save as name automatically defaults to whatever the preset was and you can ammend it from there, rather than currently having to type the whole name in from scratch, as sometimes the new saved preset is a simple variation, so you might just want to append the name with .1, .2 etc.
Also an option to export a whole bank as opposed to currently single presets.
Agree. Exporting a whole user bank is great for back up purposes and sharing.
Right. But we are comparing 65,000+ issues on Win2K to barely a few dozen issues on SM1. The ratio and the magnitude is humungous.
User involvement was huge in making vB 5 what it is today.
Large wave table view - that becomes visible under ROUTING tab when you turn the Index, Tone and Phase knobs on the top-left.
SUGGESTION: The dev could add an exclusive WAVETABLE tab next to ARP/SEQ tab to "always" show the wavetable inside this tab area instead of showing it temporarily in the same ROUTING tab area while twisting the knobs.
That's the default way it is implemented in other synths - Kauldron, Sunrizer, etc. Also, add the Favorites to the Banks instead of as a dropdown.
is this strange, maybe a bug?
i'm trying to setup midi to work with the digitakt (synthmaster one is going to be a perfect partner app for the dt).
there are some controls that are already mapped, for example PB for pitch bend, MW for the mod wheel. However when i try to map something in SM1, for example Attack (AMP envelope) I can get it mapped but the slider is constantly shaking up and down.
i've also noticed that when i setup the midi mapping everything is linked to cc70. but, see the Tone control for OSC1, which is already setup, this is set to cc2.
not really an expert on midi settings, i might be missing something or overlooked some info from the videos.
ps - i love this app, love the desktop version also. but this app is something else. i really can't beleive this is available on ios.
The easier and more familiar you can make this process, the more inclined I think users will be to create and share new sounds for your synth. It's clearly very powerful and capable of a lot, which makes streamlining this process all the more important.


text:
Q: React-native-camera face recognition isn't working for iOS, RNCamera.Constants.FaceDetection.Mode.accurate is undefined I have a react-native application that uses react-native-camera with its FaceDetection functionality and was working smoothly for quite some time.
Lately it started to shut down unexpectedly every time you try to open camera in this app. Code wasn't change. And for android it still works fine.
I saw that react-native-camera became deprecated, but I'm not sure why it started causing this issue. Looks like some FaceDetection support broken or is missing.
I'm testing on iPhone 13 with iOS 15 (both device and simulator)
Here's the exception itself:
    ...
    in ForwardRef
    in RCTView
    in RCTView
    in o
    in Unknown
    in RCTView
    in RCTView
    in C
2022-05-01 16:38:35.567685+0200 AppName[34604:2942356] *** Terminating app due to uncaught exception 'RCTFatalException: Unhandled JS Exception: TypeError: undefined is not an object (evaluating 'p.RNCamera.Constants.FaceDetection.Mode.accurate')

Here's usage:
import React, {useState, useEffect} from 'react';
import {
  View,
  StyleSheet,
  TouchableHighlight,
  Platform,
  Alert,
} from 'react-native';
import {SVGIcon} from '../common/svg/SVG';
import {useNavigation} from '@react-navigation/native';
import DropDownPicker from 'react-native-dropdown-picker';
import Svg from 'react-native-svg';
import LinearGradient from 'react-native-linear-gradient';
import {CitySelect} from '../common/Types';
import {StyledText} from '../common/StyledText';
import {useUser} from '../common/UserData';
import {fontName, cities, isHigherDimension} from '../common/common';
import {RNCamera} from 'react-native-camera';
...
<RNCamera
          ref={rnCamera}
          style={styles.preview}
          trackingEnabled
          captureAudio={false}
          useNativeZoom={true}
          type={RNCamera.Constants.Type.back}
          flashMode={flashMode}
          androidCameraPermissionOptions={{
            title: 'Permission to use camera',
            message: 'We need your permission to use your camera',
            buttonPositive: 'Ok',
            buttonNegative: 'Cancel',
          }}
          androidRecordAudioPermissionOptions={{
            title: 'Permission to use audio recording',
            message: 'We need your permission to use your audio',
            buttonPositive: 'Ok',
            buttonNegative: 'Cancel',
          }}
          onFacesDetected={facesDetected}
          faceDetectionMode={
            RNCamera.Constants.FaceDetection.Mode.accurate
          }></RNCamera>

Dependencied in my package.json
    "@react-native-community/masked-view": "^0.1.10",
    "@react-native-firebase/analytics": "^7.6.2",
    "@react-native-firebase/app": "^8.4.2",
    "@types/react-native": "^0.62.2",
    "react": "16.11.0",
    "react-native": "0.62.2",
    "eslint": "^6.5.1",
    "react-native-camera": "^4.2.1",

What I tried to do
First of all, I tried to check those RNCamera.Constants Options that appears to be undefined. Here's the value
this one is empty
   "FaceDetection":{
   },
but this one is present
   "GoogleVisionBarcodeDetection":{
      "BarcodeMode":{
         "ALTERNATE":1,
         "INVERTED":2,
         "NORMAL":0
      },
      "BarcodeType":{

      }
   }

As well I tried to remove the line that is calling RNCamera.Constants.FaceDetection.Mode.accurate constant. Then I get Exception thrown while executing UI block: -[FaceDetectorManagerMlkit setTracking:queue:]: unrecognized selector sent to instance 0x281eb18e0.
I started to migrate to latest react-native, I got too much errors, it failed in many places so I decided to put this option aside.
I do have the line pod 'react-native-camera', path: '../node_modules/react-native-camera', subspecs: [  'FaceDetector'] in my pod file. I tried to reinstall pods/rebuild multiple times.
Somewhere I saw recommendations to use Xcode "legacy build system" - no luck.
I tried manual linking of react native camera, still no success, as well as unlinking and reinstalling.
I'd really like to keep the functionality of face detection, so I'm looking forward to any suggestions! What could be the reason, has something in iOS changed that might've caused it?

redpajama_set_name: RedPajamaStackExchange


Luxury independent farmhouse situated in the heart of a land estate with 62 hectares of ground with vineyards, olive-groves, woods of oaks and holms and rich of small waterfalls with a lake.
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The garden is provided with a barbecue. On request breakfast can be served to guests apartment. Moreover Internet connection is at guests disposal.


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I was a mentor for a young lady, who was confirmed on Pentecost Sunday. I gave her the descending dove pendant from Jim Morris. It was meaningful for her, and very appropriate, hanging from a 20 inch sterling silver chain, which I purchased as well.
Click the button below to add the Descending Dove to your wish list.


text:
11:00 Gyvai / DELFI TV Gyvai premjera: Eglė Jakštytė – ELEY pristato naujausią savo vaizdo klipą "Su Tavim" +
Lithuanian-American writer Sepetys receives British literary award
BNS EN,
2017 m. june 19 d. 16:27
Rūta Šepetys (A.Martinonytės nuotr.)
Ruta Sepetys, a US writer of Lithuanian decent, was presented on Monday with the Carnegie Medal, a British literary award that annually recognizes one outstanding new book for children or young adults, the Lithuanian Culture Institute said.
"The author, who lives and writes in the US, received the award for her latest novel, Salt to the Sea, which was published in 2016. It has been ranked as a number one bestseller by the New York Times," it said in a press release.
The novel, which was translated into Lithuanian last year, follows the fates of four young people -- a Lithuanian, a Pole and two Germans -- trying to flee the advancing Soviet army in the winter of 1945.
"This award confirms that through characters and story, historical statistics become human," Sepetys was quoted as saying in the press release.
The writer was born in 1967. Her books have been published in more than 50 countries and translated into 36 different languages.
Copy link	Send with e-mai
Rekomenduojame:
World Lithuanians
Expats in LT


text:
Estimated Equivalency Of Genghis Kahn Essay
The Central Asian plateau (north of China) around the time of Temüjin was divided into several tribes or confederations in the early 1200s, among them Naimans, Merkits, Uyghurs, Tatars, Mongols, Keraits that were all prominent in their own right and often unfriendly toward each other as evidenced by random raids, revenges, and plundering. Temüjin began his slow ascent to power by offering himself as an ally (or, according to others sources, a vassal) to his father's anda (sworn brother or blood brother) Toghrul, who was Khan of the Kerait, and is better known by the Chinese title Ong Khan (or "Wang Khan"), which the Jin Empire granted him in 1197. This relationship was first reinforced when Börte was captured by the Merkits; it was to…show more content…
As he defeated rival tribes, he didn't drive away enemy soldiers and abandon the rest. Instead, he took the conquered tribe under his protection and integrated its members into his own tribe. He would even have his mother adopt orphans from the conquered tribe, bringing them into his family. These political innovations inspired great loyalty among the conquered people, making Temüjin stronger with each victory.[10] Toghrul's (Wang Khan) son Senggum was jealous of Temüjin's growing power, and his affinity with his father. He allegedly planned to assassinate Temüjin. Toghrul, though allegedly saved on multiple occasions by Temüjin, gave in to his son[11] and became uncooperative with Temüjin. Temüjin learned of Senggum's intentions and eventually defeated him and his loyalists. One of the later ruptures between Toghrul and Temüjin was Toghrul's refusal to give his daughter in marriage to Jochi, the eldest son of Temüjin, a sign of disrespect in the Mongolian culture. This act led to the split between both factions, and was a prelude to war. Toghrul allied himself with Jamuka, who already opposed Temüjin's forces; however the internal dispute between Toghrul and Jamuka, plus the desertion of a number of their allies to Temüjin, led to Toghrul's defeat. Jamuka escaped during the conflict. This defeat was a catalyst for the fall and eventual dissolution of the Kerait tribe. The next direct threat to
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text:
Last edited by Gardagal
Sunday, May 3, 2020 | History
2 edition of employment status of individuals in non-standard employment found in the catalog.
employment status of individuals in non-standard employment
Brendan Burchell
by Brendan Burchell
Published 1999 by s.n. in [Great Britain? .
Contracts for work and labor -- Great Britain.,
Independent contractors -- Great Britain.,
Labor laws and legislation -- Great Britain.
Statement Brendan Burchell, Simon Deakin, and Sheila Honey.
Contributions Deakin, S. F., Honey, Sheila.
LC Classifications KD1638 .B87 1999
Open Library OL97439M
Employment status acts as a gateway to various rights and protections. Ensuring the correct classification of workers (and tackling misclassification) is therefore a key step to ensure that those in non-standard forms of work have access to labour and social protection, collective bargaining and lifelong learning. Learn chapter 2 employment law with free interactive flashcards. Choose from different sets of chapter 2 employment law flashcards on Quizlet.
Nonstandard employment is defined by its contrast to short-lived period in the a relatively immediate post-war period of good and improving employment conditions for manyworkers, commonly referred to as the standard employment relationship. Despite its short duration, the roots of the standard employment relationship reach far back in Size: KB. Employment is a relationship between two parties, usually based on a contract where work is paid for, where one party, which may be a corporation, for profit, not-for-profit organization, co-operative or other entity is the employer and the other is the employee. Employees work in return for payment, which may be in the form of an hourly wage, by piecework or an annual salary, depending on the.
Burchell, B., Deakin, S. and Honey, S. The Employment Status of Individuals in Non-standard payment Non-standard forms of employment. By: What better peace of mind indeed can you give to a worker than a regular status of employment? But can the world of work guarantee everyone to be given.
No road from Lilliput
Art of Thomas Hardy.
The mercy rule
The heart in the pocket
An Educational Abduction
Scotch, Irish, and --
My lady of the Indian purdah
Richard Currey Interview with Kay Bonetti
Great musical composers
Aaron C. Perry.
Mr. Marvel
Honey in the horn.
Fireman Sam and his friends.
Uterine contractility
Personnel Directors Legal Guide 1990 Supplement
Sele Plain geographical studies in Campania, southern Italy
The reluctant musketeer
Employment status of individuals in non-standard employment by Brendan Burchell Download PDF EPUB FB2
Employment Status and the Experience of Non-standard Work 78 Reasons for choosing particular forms of employment 78 Advantages and disadvantages of forms of employment: perceptions of. The Employment Status of Individuals in Non-standard Employment. The self-employed and a number of other groups (such as agency workers) tend to find themselves excluded from employment protection law.
The research was aimed at discovering how laws relating to the 'status' of employees and the self-employed work in practice. The research was prompted by a number of concerns relating to the present law.
Definition: Status in employment refers to the status of an economically active person with respect to his or her employment, that is to say, the type of explicit or implicit contract of employment with other persons or organizations that the person has in his/her job.
Labour laws are therefore directed at contracts of employment as the paradigm that merits regulation. The problem addressed in this chapter is whether these laws should also apply to other kinds of contracts involving the performance of services when the contracts Author: Hugh Collins, K.
Ewing, Aileen McColgan. Buy The employment status of individuals in non-standard employment (Employment relations research series) by Brendan Burchell, Simon Deakin, Shelia Honey (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible : Brendan Burchell, Simon Deakin, Shelia Honey.
Non-standard employment features prominently in crowdwork and the gig economy. The increase in non-standard forms of employment in the past few decades has been driven by a variety of forces, including demographic shifts, labour market regulations, macroeconomic fluctuations, and technological changes.
The Growth of Nonstandard Employment in Japan and the United States about 10 percent of net employment growth in the s, according to the U.S. Bureau of. Non-standard employment is an umbrella term for different employment arrangements that deviate from standard employment.
They include temporary employment; part-time and on-call work; temporary agency work and other multiparty employment relationships; as well as disguised employment and dependent self-employment.
The dramatic increases in non-standard employment in the s have been driven by sharp increases in contingent workers (especially temporary workers) while the incidence of part-time employment has increased only slightly (by per cent in ).
Non-standard forms of employment—including temporary work, part-time work, temporary agency work and other multi-party employment arrangements, disguised employment relationships, and depende Author: International Labor Office.
- (5) (Aggregate) Non-standard employment rate = sum of (2, 3 and 4) as per cent of working age population; or as share of total employment.
The statistical analysis uses a special data set of EUROSTAT which allows, by using a filter, to put the three components of non-standard employment together to an aggregate figure of non-standard employment. Interpreting Employment Contracts: Judges, Employers, Workers Article in International Journal of Comparative Labour Law and Industrial Relations 20(wp) January with 74 Reads.
September | EPI Study NONSTANDARD WORK, SUBSTANDARD JOBS Flexible work arrangements in the U.S. by Arne L.
Kalleberg, Edith Rasell, Ken Hudson, David Webster, Barbara F. Reskin, Naomi Cassirer, and Eileen Appelbaum Purchase this publication Executive Summary For the past two decades, employment arrangements in the United States have been undergoing.
individuals often mix formal, informal, and non-standard work—for example, working a second job or moonlighting, sometimes "off the books." This brief describes informal and nonstandard employment and explores the policy implications for low-skilled workers in those arrangements.1 Individuals in both informal and nonstandard.
Standard employment refers to a situation where a worker has a full-time job and can presume an ongoing relationship with the employer.
Non-standard employment describes other kinds of. The edition of the OECD Employment Outlook presents new evidence on changes in job stability, underemployment and the share of well-paid jobs, and discusses the policy implications of these changes with respect to how technology, globalisation, population ageing, and other megatrends are transforming the labour market in OECD countries.
This report examines developments in non-standard employment over the last decade. It looks at trends in the main categories of non-standard employment – temporary, temporary agency and part-time work and self-employment – based mainly on data from the European Union Labour Force Survey.
Direct Sales Franchises in the UK. Stewart Brodie, John Stanworth, and Thomas R. Wotruba () rhe Employment Status of Individuals in Non-Standard Employment, Employment Relations Research Series, No.
London () 'Self-Employment Career Dynamics: The Case of "Unemployment Push" in UK Book Publishing', Work, Employment and Society Cited by: Individuals who personify the business and function as principals rather than agents Scope of employment Actions performed by employees relating to the kind of work that they were hired to perform; taking place substantially within the workplace during work hours; and serving, at least partially, the interests of the employer.
arrangements (e.g., Guest ; Green and Heywood ). Further, while non-standard forms of employment are usually equated with low wages, Green and Heywood () point to evidence suggesting that workers in some forms of non-standard employment (notably seasonal work) are paid more than otherwise comparable workers, thus potentially offsetting.What is Non-Standard Employment?
Definition of Non-Standard Employment: Working with temporary contracts or part time schedule instead of full-time and permanent contracts.
× To Support Customers in Easily and Affordably ProQuest's E-Book Central, or EBSCOhost at a 50% discount.non-standard worker, non-standard employment These terms refer to forms of employment that lack the job-stability and entitlement to fringe benefits, union membership, and the social security of full-time, stable ('standard') employees.
Non-standard employment includes part-time work, temporary work, fixed-term contracting and subcontracting, self-employment, and homework.
wiztechinplanttraining.com - Employment status of individuals in non-standard employment book © 2020


text:
$:.push(File.dirname(__FILE__))

require 'world'

class Play

  # @@ makes this a private class variable
  @@World_Width  = 150
  @@World_Height = 40

  def self.run
    world = World.new(
      width: @@World_Width,
      height: @@World_Height,
    )

    puts world.render

    total_tick = 0
    total_render = 0

    while true
      tick_start = Time.now
      world._tick
      tick_finish = Time.now
      tick_time = (tick_finish - tick_start)
      total_tick += tick_time
      avg_tick = (total_tick / world.tick)

      render_start = Time.now
      rendered = world.render
      render_finish = Time.now
      render_time = (render_finish - render_start)
      total_render += render_time
      avg_render = (total_render / world.tick)

      output = "##{world.tick}"
      output += " - World tick took #{_f(tick_time)} (#{_f(avg_tick)})"
      output += " - Rendering took #{_f(render_time)} (#{_f(avg_render)})"
      output += "\n#{rendered}"
      puts "\u001b[H\u001b[2J"
      puts output
    end
  end

  def self._f(value)
    # value is in seconds, convert to milliseconds
    "%.3f" % (value * 1000)
  end
  private_class_method :_f

end

Play.run


text:
Human Bio-Diversity (HBD)
General Anthropology
Cultural & Linguistic Anthropology
Is Speaking a Germanic Language Necessary to Be Considered Germanic?
View Poll Results: Do you have to speak a Germanic language to be Germanic?
Page 19 of 19 First ... 9141516171819
Thread: Is Speaking a Germanic Language Necessary to Be Considered Germanic?
Saturday, October 9th, 2021 #181
2 Days Ago @ 09:04 AM
North Western Europe
Originally Posted by Gegenschlag
Nah. These countries didn't just "go to war with each other", as you conveniently word it to try to escape an uncomfortable situation. England started the war.
England declared war on Germany, not for invading Manchester, the Isle of Man, Belfast or even a colony. England declared war on Germany for invading Poland, a Slavic country bordering Germany far away in Eastern Europe, that had absolutely nothing to do with the well being of the British Empire and that was ridiculously small in comparison.
There is a name for that. It was an unprovoked declaration of war. The media instigated it? It doesn't matter. Germans don't own the British media. It was an absurd continuation of the same war when it was clear that Germany had won in 1940, despite the obvious numerical and economic superiority of the Western powers. But the British carried on regardless, no matter how much Hitler appealed to their senses, and the results and fruits of this gigantic stupidity (carried out by some Bruenn mestizo lard named Churchill) can be seen everywhere around us today......
If you read the Anglo Polish carefully, especially the secret protocol being added... The purpose of that protocol was nothing else, but getting a war against Germany going. Of course that wasn't about England, Britain or even the Empire. It was entirely about German industrial power and well, the example of NS that put banksters and middlemen of international trade out of business. Not all British shared that sentiment of course, but once the Jingoism gets going warphoria trumps reason.
Subject here is however the linguistic requirement for being considered Germanic.... I'd say it at least rounds of the picture. Imagine a person with e.g. full Danish ancestry speaking only Chinese... Would be odd to be considered Germanic, while the ancestry def. isn't irrelevant.
The Following User Says Thank You to Theunissen For This Useful Post:
Wednesday, October 13th, 2021 #182
Funding Member
"Friend of Germanics"
Funding Membership Inactive
17 Hours Ago @ 12:13 AM
Prolonged Absence
Originally Posted by Chlodovech
I think one always needs to look at issues like this at face value, it's the only thing that makes sense. The fact that this question is or can be raised about someone already means the person is not fully Germanic to begin with (and at worst a confused Slavic Nordid may be wondering whether he's Germanic too, for instance). People may very well be Germanic by blood and perhaps culturally in part, but not speaking any Germanic language anymore. There are enfrenched Flemings, enfrenched Germans and Finnish Swedes who lost their mother tongue. Are these people Germanic? The answer is that they are in-betweens. And bringing in-betweens into the national community again is always a political, future-oriented choice, primarily theirs.
Frans_Jozef on here with maternal Italian ancestry was fine by everybody because he didn't worship Classical Roman Italy or subordinate his Dutch pride before the Latins. He would be against enfrenchment, of course, when enfrenchment meant Franks willingly despoiling their own honour by transforming themselves into puppets of the Vatican (first, by substituting Latin for Dutch) in the false promise of glory once so debased into adopting the trappings of Constantinople, the only true Rome into 1453. The way our ancestors should have dealt with Italy, is to have reinforced the Germanics there and supported Byzantine control of the Church, i.e. the Pentarchy as an organisation, even if disallowed Italian soil due to it belonging to the Longobards. Frans was proud of his Longobard roots for good reason. It's self-defeating to harp on the Lombards and French for their diminished Germanic culture, because that is the position that the Vatican wanted them in to begin with, as less 'threatening' to men in Oriental dresses. Trousers are much more appropriate attire for Germanics.
The way in which I reconcile F_J's divergent heritages is by the model of Lothringen or Middle Frankia. It's unfortunate that the Iron Crown of the Longobards is a symbol of Germanic speakers whose tongue has gone away, or been subsumed within Hochdeutsch in such a way that the Papacy stressed how the Longobards were 'foreign' to their own kingdom--when the Exarchate of Ravenna was the actual eyesore and it's led to so much internal division amongst us that needn't ever have been so overwhelming. In an ideal world, all the lands of the Volkerwanderung coulda/shoulda/woulda stayed Germanic in culture and not suffered Latinisation due to the delusions of glory they had in taking over Rome, to do in Rome as the Romans did--it was, however, a problem of the HRE to not merely agree to Papal demands in Italy, but to export and enforce his domination throughout all Germanic lands. Destroying the Longobards for the Pope was the biggest mistake our Frankish ancestors made, because not long after, France spoke Latin instead of Dutch: the Frankish tongue became lingua franca.
We should not be phobic of our own Nordic blood and wistful for Mediterraneanisation to come again with the Renaissance and Neoclassicism. How many times and in how many ways must we suffer an inferiority complex for the egos of dead foreigners? Personally, I would hope all 'Romance peoples' rejuvenate themselves with their own true Germanic identity, no matter how lost, than waste another second living in shame and fear of what the Pope thinks of them embracing their 'barbarian' Goth and Vandal natures. It bothers me that the Merovingian legacy is smothered by later compromises, like the Donation of Pepin. Apart from simply adopting Christianity, Frankish essence of the Merovingians was unspoilt and laudable. Since 'enfrenchment', much of their material imprint in the ground is now disconnected from those still speaking Frankish. It must be stressed that being Frankish is great, but French not so much. There is potential in the French, but they deny their own Frank blood every time they open their mouths. Lombards all the same should be Longobards speaking Hochdeutsch.
In short, France/Gaul should speak Istvaeonic/Dutch and Lombardy/Italy should speak Irminonic/German. Spain/Portugal and Romania/Moldova are East Germanic, so Gothic should be spoken instead of Latin.
Last edited by Rodskarl Dubhgall; Wednesday, October 13th, 2021 at 04:44 PM. Reason: ...
5 Days Ago #183
Brief Absence
Anglo-Australian
West-Country English mixed with Holsteiner German.
Eastern Australia
Married parent
Self-employed & Semi-retired.
Nationalist & Imperialist.
Atheist.
The Normans were a Germanic people that spoke their very own dialect of Old French, called, you guessed it, Norman-French.
Between the devil and the deep blue sea.
Originally Posted by Ingvaeonic
You've made this advocacy before on their behalf, but if Normandy/Anjou is welcome, why not Russia/Ukraine? I'd say that blood isn't the issue, so much as the wholesale abandonment of Germanic identity that those folks wilfully engaged in, unlike the Danelaw. Speaking of the Danelaw, Normandy did their utmost to destroy our way of life even worse than merely humiliation as experienced by Wessex, because they were such wannabe Latins like their French overlords, they just had to obliterate our identity for not being on board with the same sellout agenda, hence; Harrying of the North. The wanton destruction of our lives and livelihoods made it possible for the Lancastrians, Yorkists and Tudors to be enfeoffed with our lands and they used us as cannon fodder in their feuds between each other, before the Crown left England again, for our ancient enemies the Scots to come down upon us.
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Coldy Reloaded
What Are Considered Dominant Germanic Haplogroups?
By BMWkid in forum Population Genetics
Last Post: Tuesday, August 11th, 2020, 03:11 PM
Is Wavy or Curly Hair Considered Non-Germanic?
By tisme in forum Physical Anthropology
Last Post: Wednesday, February 22nd, 2012, 08:02 PM
ethno linguistic, linguistic culture


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COOPERSVILLE — Ground has been broken for a new picnic pavilion at Sheridan Park in Polkton Township, and now the park committee is looking for help shouldering the cost.
Officials say the actual "barn raising" will be held in the spring, once the large beams are available for construction.
The estimated cost of the pavilion is $30,000. A committee member said that just over $2,000 had been raised for the project as of September.
Area residents have been able to use the park, located on 64th Avenue north of Cleveland Street, since the land was donated in 2003.
The late Dr. Harold "Red" Sheridan, a longtime local veterinarian and former Polkton Township trustee, donated this 57-acre parcel to the township with the understanding that the land would be used to establish Sheridan Park. Sheridan wanted to provide a place where the community could participate in physical activity while enjoying the natural beauty of the area.
In 2008, a Sheridan Park Committee was established to plan and develop the park. The committee has focused on fulfilling Sheridan's wishes by coordinating the construction of boardwalks and bridges, which permits access to the entire park; developing pedestrian trails for exercise; establishing picnic areas; and installing benches along the paths.
The park holds scenic features such as Deer Creek, Beaver Creek, Fox Creek, abundant wildlife, unique plants and wild flowers, wooded areas, and grassy highlands. A 50-foot suspension bridge spans Deer Creek and connects the lower portion of the park with the highlands.
The parking lot off 64th Avenue is plowed during the winter and the trails are groomed for walking, snowshoeing and cross-country skiing.
Access to the park is available from the 64th Avenue parking lot and Cleveland Street pedestrian entrance. Limited access is available through a pedestrian entrance in the back of the Coopersville/Polkton Cemetery.
Funds may be donated through the Grand Haven Area Community Foundation/Coopersville Foundation or the Coopersville Chamber of Commerce. Donate online at www.ghafc.org, or send donations to: Coopersville Area Community Foundation, P.O. Box 205, Coopersville, MI 49404-0205. Direct the gift to the Sheridan Park Pavilion.


text:
The Butterfly Sign: Human Error CD Key For Steam
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The_Butterfly_Sign_Human_Error_STEAM
This product is a brand new and unused The Butterfly Sign: Human Error CD Key for Steam.
About The Butterfly Sign: Human Error:
The Butterfly Sign: Human Error is the second chapter of the first person detective video game in which we are playing as a sole survivor of a serious terrorist attack. Protagonist is the only witness of the incident and his fate depends on his memories. That's why he goes in for a desperate measure: he takes the experimental medication called "Rammex", which immerses him in the depths of his mind and makes him accurately recollect a chain of events, which had happened. While wandering through his own memories, the protagonist has to look for evidences and learn bits and pieces to find the guilty persons…
The main feature of the second chapter of the game is the concept of multilevel memories. Drug effect of Rammex makes the protagonist remember everything he has ever known, while maintaining freedom of action and choice inside his memories. This means that if the protagonist finds the device with Rammex in his memories, then theoretically he may use it…
The second distinctive feature of this episode is the spatial confusion inside the memories or, put simply, looped space. Some of the memories will cause errors in memory, thus creating looped space: while trying to leave the location by all means, the protagonist will make it into it again and again and so on ad infinitum. You will have to put your thinking cap on in order to solve this puzzle, to break the loop and to get out.
Explore Memority hospital and its premises, learn its secrets and restore the chain of events that took place here. Solve the puzzles and murders committed at Memority. Find clues, compare the facts and avoid tricky obstacles in your way. Penetrate into the new, previously inaccessible memories. Make conclusions and choose the correct route, because all your decisions affect the outcome of the game and influence the fact whether you can get to the truth. Thuth that was lost in your own mind…
- Excellent graphics achieved with Unreal Engine 4 – the most advanced game engine in the world. We used photogrammetry technology and high-resolution textures to create the world of The Butterfly Sign as beautiful as possible.
- Non-linear dialogues and the ability to make choices which will affect the course of the story and the ending. The progress of the dialogue always depends on your location. And you always have the opportunity to make choices, sometimes insignificant, sometimes important for the further story.
- Brainstorm your head with investigation of murders, puzzles and mysteries. The Butterfly Sign develops the player's skills of criminology and deduction. For those players who prefer the story, there is always the easiest difficulty level, but if you are really up to the true detective, you have a variety of other levels, including the hardest one causing the game restart after a single death.
- In The Butterfly Sign, the events take place in the past and in the present simultaneously.
- The atmospheric sound. We have paid a great attention to sound effects in The Butterfly Sign. Every lamp, every water drop falling from the ceiling has its own sound. Each room boasts of its own unique ambience corresponding to its style and mood.
The action takes place in present. The protagonist, Jack, was found not far from Memority hospital, where an experimental drug called Rammex had been developed. It was created to help patients recover their memories. But the hospital was attacked. The drug was stolen, and all the staff and patients were killed. Explosion and conflagration destroyed a part of the hospital. And Jack was the only survivor. As a result of a strong explosion, Jack lost some of his memory, he remembers only small fragments of what have happened.
Jack is helped by Dr. Romanov – the chief scientist of Memority hospital and the mastermind behind the drug. During the whole game, the protagonist will be staying in a hospital bed, and all the gameplay will occur in his memories restored with Rammex. The game world is divided into two parts: the real world, where the hero is confined to a hospital bed, and the world of his memories, where he will spend most of his time. The Butterfly Sign also has non-linear dialogues, and all your decisions will affect the outcome of the story at the very end.
The Butterfly Sign is divided into three chapters. In the first chapter, Jack, walking through the alley of his own memory, becomes the eyes and ears of Dr. Romanov. The drug "Rammex" helps him do it. The main character tries to recover the fragments of his memory in order to find the ones responsible for the attack on Memority. Hovewer, the further he goes, the more he realizes that everything that happened was the necessary evil...
Human Error
Memority had been developing "Rammex" to help sick patients recover their lost memory. According to the Memority scientists, "Rammex" was able to quickly restore human nerve cells. It would have been a real revolution in medicine, a cure for many illnesses. But turning over the pages of his own mind and investigating the incident, Jack begins to realize how unreal his world is, and what a beautiful lie all this is...
Wreck of my Warship
In the end, to find the one responsible for the attack on Memority, Jack has to collect all the pieces of his memory together. He goes to the dam, where he last saw the mercenaries, but instead finds only one person who jumps down from the dam trying to commit suicide. Realizing that he has already been there, and the answer is in his head, Jack follows the self-murderer and jumps, because it's the only chance to remember ...
26.53 YTL
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text:
Early Sound Recording Collection and Sound Recovery Project
Note: The news release about these recordings is now available.
Background on the Early History of Recorded Sound
In 1877, Thomas Edison invented the phonograph, the first machine that could record sound and play it back. On the first audio recording Edison recited: "Mary had a little lamb. Its fleece was white as snow. And everywhere that Mary went, the lamb was sure to go." Edison recordings were made on tin foil and could sustain replaying only a few times. Nevertheless, Edison's little machine was an immediate sensation, widely demonstrated and covered by the press.
After the initial excitement around his invention, Edison turned from work on his "talking machine" to improve the electric light bulb. He would not work on the phonograph again until the late 1880s, when wax cylinders replaced tin foil as his recording medium.
Sound recording instruments before Edison's did exist, but they were not intended to replay what had been recorded. Notable among these was Frenchman Leon Scott's phonautograph.
Inspired by Edison's work with sound recording, other inventors sought to improve the phonograph. Among the most noted were Alexander Graham Bell and Emile Berliner. Bell and his associates experimented with disc and cylinder recordings, and their graphophone, which employed wax cylinder records, became a popular dictating machine. Berliner had commercial success with disc records and the machine to play them—the gramophone. The material evidence of this invention story can be seen—and now heard—through artifacts at the Smithsonian's National Museum of American History.
The Smithsonian Collection of Early Sound Recordings
Edison, Bell and Berliner vied to invent records and machines to play them on. Each inventor offered objects and supporting documents to the Smithsonian, where they became part of the permanent collections. The National Museum of American History has about 400 of the earliest audio recordings ever made. These recordings were made using a variety of methods and materials such as rubber, beeswax, glass, tin foil and brass, as the inventors tried to find a material that would hold sound. They date from the first decades of sound recording and reproduction, from 1878 to 1898.
Beyond vague notes written on old catalog cards, the content of most of the Smithsonian recordings has remained a mystery, until now. A newly invented sound recovery process is beginning to make hearing these recordings possible. The recordings provide insights into the invention process of their designers and shed light on speech and hearing at the end of the 19th century. These sounds promise a wealth of new material for scholarly analysis.
The Sound Recovery Process
The museum's recording collection has begun to benefit from a noninvasive sound recovery process developed at Lawrence Berkeley National Laboratory. A test of six recordings has undergone the process on imaging equipment installed by Berkeley Labsat the Library of Congress. These imaging methods protect the records from damage and can circumvent many aspects of pre-existing damage. Details on the process can be found on the Berkeley Labs fact sheet http://irene.lbl.gov/.
This sound recovery activity has been a collaborative effort of Lawrence Berkeley National Laboratory, the Library of Congress and the Smithsonian. The Institute of Museum and Library Services and the Jackson Fund at the National Museum of American History have provided funding. The National Museum of American History has received additional support from the Grammy Foundation and the museum's Lemelson Center for the Study of Invention and Innovation.
Pilot Project Preliminary Findings: Smithsonian Recordings from Bell's Volta Laboratory
The six recordings, tested for sound recovery to date, are examples of experiments conducted by the Volta Laboratory Associates—Bell, his cousin Chichester Bell and Charles Sumner Tainter—roughly between 1880 and 1885.
Bell and Tainter began research on sound in Washington, D.C., in 1879. A year later, with the Volta Prize—funds awarded by the government of France to Bell for his work on the telephone—they set up a new laboratory, added the chemistry skills of Chichester Bell, and continued work on sound research of all sorts until the association dissolved early in 1886. The Smithsonian collections contain experimental apparatus, recordings and documents from Bell's Volta Laboratory. The Library of Congress holds the home and laboratory notes for both the Bells from this period.
On three occasions—Feb. 28, 1880, April 6, 1880, and Oct. 30, 1881—the Volta Associates deposited sealed tin boxes with the Smithsonian. The first two contained objects and documents pertaining to the photophone, a device invented to carry sound on light waves. The third contained apparatus and notes pertaining to a new kind of sound recording device—the graphophone. Already undergoing numerous challenges to his telephone patent, Bell sought to avoid future disputes about his photophone and graphophone work. These sealed deposits would, if necessary, serve as evidence of priority of invention. No patent dispute arose, and the boxes remained confidential and unopened for nearly 50 years. Smithsonian officials unsealed them in the presence of Bell's daughters and a grandson in 1937.
The recordings:
Electrotyped copper negative disc of a sound recording, deposited at SI in October 1881 in sealed tin box
Content: Tone; male voice saying: "One, two, three, four, five, six"; two more tones
Glass disc recording, produced photographically on November 17, 1884
Inscription: "Exp. III Nov. 17 1884/Style vibrations to word/ Barometer/H. G. Rogers"
Content: male voice saying: "ba-ro-me-ter"; each syllable is distinct and the word is
Glass disc recording, produced photographically on March 11, 1885
Content: male voice saying names, recording date, "Mary had a little lamb" repeated twice
Disc recording in green wax on brass holder, probably 1885
Content: male voice reciting opening lines of "To be, or not to be" soliloquy from Hamlet
Recording in wax on binder's board, probably 1885
Content: in two segments with a gap in between; first segment is a male voice reading a story. At 51.8 seconds the voice suddenly changes to a high pitched "child imitation." In the second segment a man is reading from a description of a New Hampshire factory.
Content: Unidentified long passage
The National Museum of American History collects and preserves American heritage in the areas of social, political, cultural, scientific and military history. For more information, visit the museum's Web site at http://americanhistory.si.edu or call Smithsonian Information at (202) 633-1000, (202) 633-5285 (TTY).
Valeska Hilbig
hilbigv@si.edu
Kate Wiley
wileyk@si.edu
Photo: Rich Strauss, Smithsonian
Shari Stout with Volta Records
National Museum of American History curator Shari Stout examines disc-shaped recordings made more than 100 years ago in Alexander Graham Bell's Volta Lab.
Volta Record 1
Electrotyped copper negative disc of a sound recording, deposited at the Smithsonian in October 1881 in sealed tin box.
Content: male voice saying: "ba-ro-me-ter"; each syllable is distinct and the word is repeated
Disc recording in green wax on brass holder, probably 1885.
Carl Haber
Experimental physicist Carl Haber of the Lawrence Berkeley National Laboratory, working in a newly designed preservation laboratory at the Library of Congress, analyzes audio extracted from Smithsonian provided recordings made more than 100 years ago in Alexander Graham Bell's Volta Lab.
Carlene Stephens with Volta Record
National Museum of American History curator Carlene Stephens examines a glass disc recording containing the audio of a male voice repeating "Mary had a little lamb" twice, made more than 100 years ago in Alexander Graham Bell's Volta Lab.


text:
Blagoweschtschenka (von russisch  für (Mariä) Verkündigung) ist der Name folgender Orte in Russland:
 Siedlung städtischen Typs in der Region Altai; siehe Blagoweschtschenka (Region Altai)
 Dorf in der Republik Baschkortostan; siehe Blagoweschtschenka (Baschkortostan)
 Dorf in der Republik Kabardino-Balkarien; siehe Blagoweschtschenka (Kabardino-Balkarien)
 Dorf in der Oblast Kemerowo, siehe Blagoweschtschenka (Kemerowo)
 Dorf in der Region Krasnojarsk; siehe Blagoweschtschenka (Krasnojarsk)
 Dorf in der Oblast Nowosibirsk; siehe Blagoweschtschenka (Nowosibirsk)
 Dorf in der Oblast Orenburg; siehe Blagoweschtschenka (Orenburg)
 Dorf in der Oblast Saratow; siehe Blagoweschtschenka (Saratow)

Blagoweschtschenka ist der Name folgender Orte in Kasachstan:
 Dorf im Gebiet Pawlodar; siehe Blagoweschtschenka (Pawlodar)
 Dorf im Gebiet Nordkasachstan; siehe Blagoweschtschenka (Nordkasachstan)

Siehe auch:
 Blagoweschtschensk
 Blagoweschtschensk (Baschkortostan)

redpajama_set_name: RedPajamaWikipedia


Talk to Bert in Yanille near the sandpit.
Description Bert the Sandman in Yanille is in a spot of bother. A mysterious severed hand has appeared in his sand box. Help find out whose hand it is and, more to the point, how it got in Bert's sand box.
Access to Fairy rings is a big help, but if not, teleports and moving your house to Brimhaven (needs 40 Construction) and using the spirit trees will also help.
A ring of dueling and a charged amulet of glory will be very useful running back forth between Yanille and Brimhaven.
Scroll of redirection can be used to go to Yanille and Brimhaven quickly.
Start the quest by talking to Bert in Yanille (in the building just east of the housing portal) and you will receive a sandy hand. He's afraid it will cause him some kind of trouble, and wants you to investigate it. He'll tell you to go talk to the captain of the guards. He hangs around the inn in Yanille.
Take the hand and a beer to the captain of the guards in the Ye Olde Dragon Inn. Give him the beer. He will ramble on, and then, he'll take a look at the hand and simply drop it in his beer, turning it into a beer soaked hand.
Go to the Wizards' Guild, just east of the bar, enter if you meet the requirements (66 Magic), or ring the bell at the eastern entrance to make Zavistic Rarve come out. Talk to him and explain the situation. He will tell you that this is the hand of one of his wizards, Clarence. He'll ask you to see if Bert's working schedule has changed recently.
Return to Bert's home, and talk to him again. He'll tell you that he works for Sandy Sand Co, which is based in Brimhaven. He'll give you a copy of his schedule and tell you that it hasn't changed recently, or so he thinks. Now, you need to head to Sandy in Brimhaven. You can go to Ardougne (If you have Fairy Rings unlocked you can use code b-l-r to get to the Legends' Guild and head SouthWest to Ardougne.) and pay 30 coins to get to Brimhaven. Sandy is located in the office just north-west of the Dead Man's Chest bar.
In Brimhaven, you'll see Sandy in his office. You can talk to him first if you want, but this isn't necessary. Search his desk in the house to get Bert's old schedule. Read it and compare it to the other schedule to see that Bert has indeed been working longer hours. While you're here, pickpocket Sandy to find some sand in his pocket — this may take multiple attempts. Keep it; it will become important later on in the quest.
Items Needed: Bert's rota, Sandy's rota, white berries, redberries, lantern lens, sand (pickpocketed from Sandy), 2 empty vials.
Now, you need to visit Bert once more. Talk to Bert in Yanille to find a magic scroll that appeared in his house recently. It appears normal, but do not throw it out.
Take the scroll to Zavistic Rarve at the Wizards Guild to learn that it's a mind-altering scroll, and it was a trick to change Bert's hours without having to pay him more money. Now that you know that Sandy is behind it, you need to first get Betty in Port Sarim to make you a truth serum, and then record Sandy using the magical orb he gave you.
Take two vials, the redberries, the white berries, and a lantern lens, as well as the sand pickpocketed from Sandy's pocket with you to Zavistic Rarve. With your second vial, he will teleport you to Betty's shop after selecting the chat option "Can you help me more?".
Speak to Betty about the quest, and she will take the vial and give you a bottled water. You need to add redberries to make redberry juice, then add white berries to make pink dye. Once you've made some, use it on your lantern lens to create a rose tinted lens.
Talk to Betty again. Then, stand in the doorway while the door is open, and shine your lens at the counter (click on it in your inventory, then use it on the counter) to fill up a vial with truth serum. You now need a personal item from Sandy to fill up the vial. Talk to Betty again to use the sand you previously found in Sandy's pocket. Give it to Betty to finish the serum.
Sandy confesses to killing Clarence, thanks to the truth serum.
Back in Brimhaven, talk to Sandy. Get him distracted (try all the options, as there is no guaranteed one that will work). Once he looks out the window, use the serum on his coffee. Then, activate your Magical orb and talk to him. He'll confess that he bribed a wizard to put a mind-altering spell on Bert. He then changed Bert's schedule so that he'd work longer for the same pay. Afterwards, Sandy killed the wizard so that he wouldn't have to pay him; then, he buried parts of him in all of the sandboxes around RuneScape.
And Sandy said, "Drat- foiled again!"
Items needed: 5 earth runes, a bucket of sand.
The sand magically refills, thanks to Zavistic Rarve.
If you have not already filled up your bucket with sand, stop by Bert's sand pit and fill it up before you talk to Zavistic. Back in Yanille, talk to Zavistic Rarve with the Magical orb in your inventory - it is proof of Sandy's confession. Give him five earth runes and a bucket of sand. He will then cast a spell on Bert's sandbox so that it'll fill itself to compensate Bert for his troubles. Then, go to Entrana (there is a bank deposite box at Port Sarim to deposit all armour and weapons before going to Entrana). Talk to Mazion by the sandpit to get the dead wizard's head. Give this to Zavistic Rarve. He'll confirm that it belongs to Clarence, and gives you a reward for your help.
A secret reward from Bert - He simply loves sand, and wasn't in the job for the money. He will ship 84 buckets of sand to your bank if you talk to him after the quest. This can be done once per day (UTC).
Medium Ardougne Diary task - Claim buckets of sand from Bert in Yanille.
After handing Zavistic Rarve the wizard's head he will say "Alas poor Clarence, I knew him well" which is a reference to the often misquoted line in Shakespeare's Hamlet which says "Alas poor Yorick! I knew him, Horatio."


We did not invent leadership.
We just believe it matters.
And we want to help people do it better.
We love leaders. We love them because they translate ideas into inspired action.
They help the people around them live their best lives and do their best work, unleashing talent and passion.
We strive to provide services that help people lead better. But more than that, we want to raise the bar on the way people think about leadership and connect to one another every day, and to help promote a leadership revolution, one that brings leadership to life.
The power of leadership is rooted in our ability to shift from self to others.
When two or more people come together, something bigger can happen. Hearts and minds can connect in ways that move them forward with unified momentum.
Yet often reality falls short of this promise, and so we decided to help people do it better. The result is our methodology to help keep you connected, engaged, motivated, and inspired in pursuit of living and working in ways that make a difference.


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This giclée print celebrates Architect George Oatley's soaring building that has towered over the city skyline since 1925.
The artist starts with a hand-drawn sketch to celebrate the building's unique architectural beauty, which is then explored and enhanced using a simple digital colour palette.
Whether you want to celebrate a specific event, evoke happy memories or simply marvel at the city's architectural beauty, this is a true celebration of Bristol.
All prints are hand-signed by the artist.
Unframed Mounted Print – The print itself is A4 but with the included mount it becomes A3 overall.
Bristol has an amazing range of architectural building styles. We live, work and socialise in special places and our lasting memories are created there. My artwork is about celebrating the relationship we develop with these incredible buildings throughout our lives.
This series of landmark cards takes inspiration from the lines and curves of the buildings themselves, each architectural line-drawing drawn by hand, using sketches and photographs to capture every detail. The final work is then put together in a digital collage with a simple colour palette.
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Mike joined the BCC in February 2011 and became Director of Research and Economics in January 2014. He directs the BCC's policy research and survey programme. Mike represents the BCC externally on business policy and matters relating to local economic development.
Mike joined the BCC in February 2011 and became Director of Research and Economics in January 2014. He directs the BCC's policy research and survey programme. Mike represents the BCC externally on business policy and matters relating to local economic development. Before coming to BCC, Mike spent over five years as an economist and in senior research and strategy roles at the East of England Development Agency (EEDA). He led EEDA's strategy development work during the 2008/9 recession and oversaw the economic appraisals for multi-million pound projects with RDA and EU funding. Prior to EEDA, Mike worked as an economist and econometrician at the forecasting house Cambridge Econometrics and property services company Jones Lang LaSalle. Mike holds a BSc in economics from Bath University and an MSc (also in economics) from the University of Warwick.