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Matchroom announces early 2022 schedule
Eddie Hearn and Matchroom are delighted to announce a stacked start to 2022 in the USA and UK with seven blockbuster events to kick off a huge year on DAZN.
• Saturday, February 05: Jessie Vargas vs. Liam Smith
Headlining the event is former two-weight World Champion Jessie Vargas vs. former WBO Light-Middleweight champion Liam Smith with Srisaket Sor Rungvisai vs. Carlos Cuadras clashing for the vacant WBC Super-Flyweight title also on the card at the Gila River Arena in Glendale, Arizona. The show will be live worldwide on DAZN (excluding Thailand).
• Saturday, February 12: Daniel Jacobs vs. John Ryder
Super-Middleweight John Ryder looks to step up in 2022, taking on two-time Middleweight World Champion Daniel Jacobs at the famous Alexandra Palace in London. The event will be live worldwide on DAZN (excluding New Zealand and Australia).
• Sunday, February 27: Lawrence Okolie vs. Michal Cieslak
WBO Cruiserweight World Champion Lawrence Okolie will defend his belt for the second time at the end of February against Poland's former World Title challenger Michal Cieslak. The event will be live worldwide on DAZN (excluding New Zealand and Australia).
• Saturday, March 05: Estrada vs. Chocolatito III
Juan Francisco Estrada and Román 'Chocolatito' González run it back once more for a highly anticipated trilogy fight for the WBA, WBC Franchise and The Ring Magazine Super-Flyweight titles at the Pechanga Arena San Diego in San Diego, California. The event will be live worldwide on DAZN.
• Saturday, March 12: Leigh Wood vs. Michael Conlan
Leigh Wood defends his new WBA belt for the first time after producing a stunning 12th-round knockout against Xu Can at Matchroom Fight Camp in July, now facing WBA 'Interim' Featherweight champion Michael Conlan on home soil at the Motorpoint Arena Nottingham. The event will be live worldwide on DAZN (excluding New Zealand and Australia).
• Saturday, March 19: Vergil Ortiz Jr. vs. Michael McKinson
Knockout artist Vergil Ortiz Jr. looks to make it 19-0, taking on flawless British world rated contender Michael McKinson in the first defence his WBO International Welterweight title. The Golden Boy Promotions event will be live worldwide on DAZN.
• Saturday, March 26: Kiko Martinez vs. Josh Warrington II
Spanish two-weight World Champion Kiko Martinez puts his newly acquired IBF Featherweight belt on the line against old foe Josh Warrington at the First Direct Arena in Leeds. Warrington outpointed Martinez in a close contest at the same venue back in May 2017. The rematch will be live worldwide on DAZN (excluding New Zealand and Australia).
Eddie Hearn, Matchroom Boxing Chairman, said: "We ended 2021 with a bang and I can't wait to get started in 2022. It's going to be such an exciting year for Matchroom and DAZN with massive events all over the world, and I'm delighted with the early schedule we've put together – unifications, World title action and career-defining nights; there's so much drama packed into these nights, and we've got plenty more to add soon."
Ed Breeze, EVP Rights at DAZN, said: "After a stacked fall fight schedule on DAZN to close out 2021, we're committed as ever to maintain that pace with our partners and thrilled to announce an unrivalled start to 2022 – a year that will see new matchups constantly added as we continue to deliver nonstop boxing action to subscribers and fight fans all around the world."


The big difference is that federal crime is prosecuted by federal agencies such as the CIA, the FBI and the DEA. Therefore, most federal crimes are serious criminal offenses that will be tried by highly specialized and expert federal prosecutors. In the federal justice system, crimes deemed to be Federal offenses are prosecuted by the United States Attorney's Office.
Consequently, federal crimes are likely to be more complex than any state crimes and require specialized knowledge in conducting a competent defense. There is also a different set of rules for presenting evidence and differences in trial procedures that would confuse even experienced state defense lawyers.
It is due to the technical differences in the judicial procedures that federal crime lawyers need to be licensed to work in a federal court. A state criminal lawyer would need to either get a license to practice in the federal judicial system or get special dispensation on a one-off basis. It is for that reason that should you find yourself under investigation of committing a federal crime and waste no time in hiring an experienced federal crime lawyer.
If you are under investigation but not yet charged then a competent federal crime lawyer can mount your defence against federal crimes but thiswill certainly require a lawyer with extensive experience in working in the federal legal field. They will also need to act quickly before the federal judgement moves into gear. This is because once the Federal investigation agencies and federal prosecutors overcome their initial inertia they will deploy their vast resources toquickly build, develop, and present their case. So aggressive and skilled federal prosecutors are said to have a 93% success rate back in 2011. Against that sort of opponent your only hope of defence is to secure the representation of a federal crimes defence lawyerthat is knowledgeable and skilled in defending against this serious type of crime as soon as possible.
However, make sure you get the right federal crime lawyer, one that specializes in the crime that you have been indicted for and not just any federal lawyer. For example if you are under investigation or indicted for suspected computer hacking do not hire a lawyer that specializes in kidnapping or tax evasion. Make sure you match your lawyers experience to the charges you will be facing, because you can guarantee they will be up against an aggressive and expert prosecution.


The Nigeria Governors' Forum (NGF) on Monday said no money was stolen or embezzled from the Paris Club debt refunds to states or from any other source.
The Head, Media and Public Affairs at NGF Secretariat, Mr Abulrazque Barkindo, said this in a statement in Abuja.
Barkindo denied allegation that Gov. Abdulaziz Yari of Zamfara and Chairman of the Forum, was building a three-million dollar hotel from monies stolen from refunds to states.
Barkindo said that the false allegation gave cause for worry.
"The reports contain harmful, damaging and libelous insinuations which remain largely unsubstantiated, despite the fact that it attributes the leaks to the Economic and Financial Crimes Commission (EFCC) officials in Lagos.
He said some EFCC officials in Lagos claimed that "they have found a hotel being constructed by Gov. Yari with three million dollars he stole from London-Paris Club loan refund to Nigerian states".
Barkindo described all the claims as wrong, harmful, libelous and misleading disclosures.
Bakindo said that an online medium quoted the EFCC extensively as its source.
He said that the NGF was alarmed that the EFCC continued to feed the media fibs at the expense of its hard-earned reputation as anti-graft agency that Nigerians used to respect.
"This is perhaps why the EFCC has lost most of the high-profile corruption cases at the law courts after it had unfairly stage-managed media trials and caused their victims personal pain and public umbrage.
"This report, typical of most of the exclusive leaks that are becoming characteristic of the sources that court some sections of the media, lacks detail and compelling evidence to be fit to print.
Barkindo said that the sources were courageous enough to mention a hotel in Lekki area of Lagos but gave neither a street name nor any specific information on the property to give credibility to the allegations.
"This does no service to any investigation nor does it help the development of our country Nigeria.
"The media, we all know, is entitled to perform its duties as watchdog of society, which is enshrined in the Constitution of the Federal Republic of Nigeria.
Over 24 Killed In Fresh Attack By Herdsmen In Benue And Many Other Interesting Newspaper Headlines Today.


Baks' publications on Indonesian social and economic issues are not included.
1961 & J.C. Breman, A.T.J. Nooij, Slavernij: een onderzoek naar de relatie tussen slavernij en sociale stratificatie bij niet-westerse volken, University of Amsterdam. – typescript.
1965 Et al., "De betrouwbaarheid van informatie in een kastesamenleving in Gujarat, India." Sociologische Gids 12,3: 167-174.
1966 & J.C. Breman en A.T.J. Nooy, "Slavery as a system of production in tribal society." BTLV 122,1: 90-109.
1967 "On the social aspects of land reform in India." Paper, First European Conference on Modern Asian Studies, June 1967, Heidelberg, Germany.
1969 Afschaffing van pacht: een onderzoek naar de sociale gevolgen van de afschaffing van pacht in twee dorpen van Zuid-Gujerat, India, Amsterdam (Publikatie Universiteit van Amsterdam, afd. Zuid- en Zuidoost-Azië 13). – Also published as PhD thesis Amsterdam.
– & J.J. Meijer, "Field work training in de vorm van leeronderzoeken." Sociologische Gids 16,3: 183-189.
– Review of: A.J.N. den Hollander et al., De plurale samenleving, Meppel 1966. BTLV 125: 151-153.
1970 "An annotation on the subject of small scale industries in Bulsar (Valsad), South Gujarat." Paper, Dumas Conference of the South Gujarat University, Surat, India.
– "Chinese communities in eastern Java: a few remarks." Asian Studies 8,2: 248-259.
– Review of: J.F. Boissevain, Netwerken en quasi-groepen, inaugural lecture University of Amsterdam, Assen 1968. BTLV 126: 167-170.
1971 "Does the Gujarat agricultural lands ceiling act lead towards a socialist society?" In: Buiten de grenzen: sociologische opstellen, aangeboden aan prof. dr. W.F. Wertheim, 25 jaar Amsterdams hoogleraar, 1946-1971, Meppel, pp. 13-30.
1972 "Should municipal octroi be abolished?" Paper, Third European Conference on Modern Asian Studies, May 1972, Heidelberg, Germany.
1974 Review of: O.H.K. Spate, A.T.A. Learmouth and B.H. Farmer, India Pakistan and Ceylon: the regions, 197x. BTLV 130: 386.
1976 & Enno Hommes (eds), Modernization, stagnation and steady decline: sociological contributions on social change in South Gujarat, India, [Utrecht]. – A pre-publication about some of the results of a field work carried out by a team of Indian and Dutch scholars in South Gujarat from 1970 till 1972.
– "Dualism and power in a municipal administration." In: S. Devadas Pillai (ed.), Aspects of changing India: studies in honour of Prof. G.S. Ghurye, Bombay, pp. 224-232.
– "Regionale planning en landbouwbeleid in India." Landbouwkundig Tijdschrift/PT 88, oktober 1976: 330-333.
– Review of: L. Dumont, Religion, Politics and History in India; collected papers in Indian Sociology, The Hague 1970. BTLV 132: 166.
1978 Maar je moet veel vrienden in je leven maken: vijftien reisbrieven uit Zuid-Gujerat, India, over de periode 1970-1971 en in het jaar 1977 , Universiteit van Utrecht, Faculteit der Sociale Wetenschappen (Komparatieve Sociaal-Ekonomische Studiën 3).
1979 & S. Devadas Pillai (eds), Winners and losers: styles of development and change in an Indian region, Bombay.
– "Bureaucracy and citizens." In: Chris Baks & S. Devadas Pillai (eds), Winners and losers: styles of development and change in an Indian region, Bombay, pp. 302-319.
1981 Land reform, certainly but for whom , Bogor (Indonesia)-The Hague (Policy Workshop on Agrarian Reform in Comparative Perspective, te Sukabumi, 17-30 May 1981, paper 18).
1983 Review of: W. van Schendel, Peasant mobility: the odds of life in rural Bangladesh, Assen 1981. Sociologische Gids 30: 399.
1984 & A. Ploeg, "De antropologie vermaatschappelijkt." Sociodrome 1984,4: 10.
– "De algemene bestuursambtenaar." Sociodrome 1984,5/6: 6.
1985 "Government interference and loss of land: an interpretation of growing landlessness among Adivasis of South Gujarat, India." Studies in Third World Societies 33: 265-293.
– & A. Ploeg en C. Slot, "Over marginalisering." Antropologische Verkenningen 4: 1-25.
– "Thoda shabd (Some observation to the memory of prof. I.P. Desai)." In: A short biography, Aryamu, 4,12: 22-23.
– "Labour, social differentiation and agricultural involution." Paper (comment by prof. J. Hinderink), workshop on the Concept of Agricultural Involution by Clifford Geertz, University of Utrecht, September 1985, the Netherlands.
– "Beperkingen van landhervorming: enkele opmerkingen over India." In: F. Strijbosch (ed.), Een leven lang verbonden met de grond: colleges van en collega's over Mr. H.W.J. Sonius, Universiteit van Nijmegen, pp. 199-209.
1986 & P. Streumer, "Adivasis in South Gujarat: a process of partial integration." Paper, Ninth European Conference on Modern Asian Studies, Heidelberg, Germany.
2003 "The inevitable decline of the small farmer's social position: eastern Surat District, India." In: Arvind N. Das and Marcel van der Linden, Work and social change in Asia: essays in honour of Jan Breman, New Delhi, pp. 31-54.


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Agnès Bernet, née en 1968, est une biologiste cellulaire française.

Carrière

Elle enseigne à l'Université Claude-Bernard-Lyon-I et elle est membre du laboratoire récepteurs à dépendance, cancers et développement dirigé par Patrick Mehlen au sein du Centre de recherche en cancérologie de Lyon. Elle est également directrice du conseil scientifique et cofondatrice de la société Netris Pharma. Elle est nommée membre junior de l'Institut universitaire de France en 2008, pour une durée de cinq ans. En 2015, elle a reçu le prix Irène-Joliot-Curie dans la catégorie Parcours Femme et entreprise pour l'ensemble de son activité à l'enseignement et à la recherche contre le cancer. Ses travaux portent sur une cible thérapeutique nouvelle que sont les récepteurs à dépendance. Il s'agit de couples de récepteurs/ligands qui sont dérégulés dans les cancers. La première molécule thérapeutique prototype est un anticorps contre le ligand nétrine 1, surexprimé dans de nombreux types de cancers. Cet anticorps induit la mort des cellules tumorales.

Notes et références

Liens externes

Femme biologiste
Cancérologue français
Enseignant à l'université Claude-Bernard-Lyon-I
Naissance en 1968
Lauréate du prix Irène-Joliot-Curie
Biologiste français
Membre honoraire de l'Institut universitaire de France

redpajama_set_name: RedPajamaWikipedia


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Das Kabinett von Hassel I bildete vom 11. Oktober 1954 bis zum 27. Oktober 1958 die Landesregierung von Schleswig-Holstein.

Einzelnachweise

Hassel I
Kabinett mit CDU-Beteiligung
Kabinett mit FDP-Beteiligung
Kabinett mit GB/BHE-Beteiligung
Kai-Uwe von Hassel


As an interpretive writer, I really enjoy reading panels and exhibits as I travel across the country for my work. Occasionally, of course, I spot something that makes the writer-editor in me really cringe.
Um, who was built originally?
I really sympathize with writers whose errors end up in interpretive panels. It's one thing to see your mistake online, and rush to correct it. It's quite another to see your mistake immortalized in high-pressure laminate—you know it's going to be staring back at you for at least ten years; usually 30. Yikes.
That's why every single word needs to pass before the eyes of a good editor/proofreader. The mistake you see above is a common one, but it's a pretty easy one to avoid.
What is the subject of the sentence? "Nine distinct First Nations and Métis peoples." Therefore what was built originally to trade with the Piegan et al? Of course we understand the intent—we're talking about the fort—but the execution is doubly awkward for implying First Nations and Métis were built here.
I know it's not the end of the world, and I know there are those who roll their eyes at picky grammar police like me. But when you're spending $2000 on a panel that will speak to thousands of people over many years, getting it right really doesn't cost a whole lot extra.
Posted in Interpretive Media, Oops!, Visitor Experience and tagged editing, panels, proofreading.
← Do you need a new interpretive plan?


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University Health Network>Corporate>Newsroom>Press Releases>Minimally-invasive device to treat abdominal aneurysms used for the first time in North America at Peter Munk Cardiac Centre
Minimally-invasive device to treat abdominal aneurysms used for the first time in North America at Peter Munk Cardiac Centre
Toronto (May 6, 2012) - In a North American first, vascular specialists at the Peter Munk Cardiac Centre used a new stent graft system to treat a patient with an abdominal aortic aneurysm. With this new device, patient wait times are reduced from months to weeks, the risk of complications is reduced and patients are able to come home earlier.
The patient, 72-year-old Harry Zegas of Toronto, was diagnosed with a five point eight centimetre (larger than a golf ball) abdominal aortic aneurysm – an outward bulging or ballooning of the large blood vessel supplying blood to the abdomen, pelvis and legs – in December 2011. An aneurysm can rupture and if it does, about 80-90 percent of individuals will die. After undergoing a five-hour procedure on March 1, Mr. Zegas was sent home less than a week later and is doing well.
"When my doctors told me, I was surprised. I knew I had issues with my blood pressure, but I wasn't in any pain," says Mr. Zegas.
Abdominal Aortic Aneurysms (AAA) are among the leading causes of death in Canada because they rarely show symptoms before they rupture and the person is often unaware of the problem until it is too late. About five percent or one in 20 male Canadians over 65 has an AAA, many of whom are former or current smokers, have high blood pressure or have a genetic predisposition to developing these aneurysms.
The device that Mr. Zegas received, known as the Fenestrated Anaconda, is the world's first fully repositionable stent graft system, meaning that it has technical advantages that allow surgeons greater freedom and accuracy when positioning the device inside the patient. Given that the abdominal aorta has vessels that feed blood to the kidneys, the stent graft must fit inside the aorta perfectly. Even millimetre (about the width of a hair) inaccuracies where the fenestrations, or punctures on each side of the device that allow blood to flow to the kidneys, are situated inside the body can result in kidney problems.
The device takes two to three weeks to manufacture, compared to two to three months for the older device that is currently being used at the Centre. Patient wait times are important because aneurysms can rupture while patients wait for surgery.
Each stent graft device is custom made for each patient. This device also comes with a plastic, life-size 3D model of each patient's aneurysm that is created based on their CT scan. This model allows surgeons to practice deploying a prototype of the device prior to surgery to iron out any problems ahead of time. In Mr. Zegas' case, Dr. Tse and the team were able to identify a hazard on one of their practice deployments prior to his surgery, and therefore avoid a serious complication.
"This is truly an example of personalized medicine. The 3D model allows visualization that is simply not possible on a 2D screen," says Dr. Leonard Tse, vascular surgeon at the Peter Munk Cardiac Centre and Assistant Professor of Surgery at the University of Toronto that performed the first procedure. Dr. Tse also holds a biomedical engineering degree from the University of Toronto, a degree he earned six years into his vascular surgery practice so that he could design stent grafts that can be used in emergency cases when AAAs rupture.
Endo-Vascular Aneurysm Repair (EVAR) is a minimally invasive procedure in which a vascular surgeon and interventional radiologist place a stent graft inside the aneurysm through two small incisions in the groin. The stent graft acts as conduit for the blood to flow through the artery rather than into the ballooned portion. The patient is usually sent home within two days. Since 2001, over 600 EVAR procedures have been performed at the Peter Munk Cardiac Centre with one of the lowest mortality rates in Canada, even in high risk patients.
"The 3D model allows vascular specialists to anticipate how the graft will deploy and sit inside the patient – something that previously only came with experience and intuition," says Dr. KT Tan, Chief of the Division of Vascular and Interventional Radiology, who is one of the most experienced radiologists with advanced endovascular stent grafts in Canada.
Special access from Health Canada allows PMCC to provide this device, as each is custom made for each patient. The fenestrated anaconda device has been used in about 80 patients in Europe.
About The Peter Munk Cardiac Centre
The Peter Munk Cardiac Centre is the premier cardiac centre in Canada. Since it opened in 1997, the Centre has saved and improved the lives of cardiac and vascular patients from around the world. Each year, approximately 17,000 patients receive innovative and compassionate care from multidisciplinary teams in the Peter Munk Cardiac Centre, and the Centre trains more cardiologists, cardiovascular surgeons and vascular surgeons than any hospital in Canada. The Centre is based at the Toronto General Hospital and the Toronto Western Hospital - members of University Health Network, which also includes Princess Margaret Hospital and the Toronto Rehabilitation Institute. All three sites are research hospitals affiliated with the University of Toronto. For more information, please visit http://www.uhn.ca/PMCC.
Email: UHN.News@uhn.ca

redpajama_set_name: RedPajamaCommonCrawl


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Review: The Awakening, or L double-E D S wot wot!
On 9 January 2023 By Jeremy Morton
Anyone who thought Leeds couldn't put on a show should have been at Headingley Stadium on Saturday (7 January 2023) to witness The Awakening, a smorgasbord celebrating the many-faceted cultures of Leeds and kicking off LEEDS 2023 Year of Culture.
This opening film set the tone for the evening:
The audience was made up ten thousand artists who had submitted a piece of artwork in return for tickets. That artwork became part of the show, either hanging as an exhibition in the stands, on the stage, or as part of a series of short films.
Some of the 10,000 artworks. Photo: Zoe Mitchell
Songs born in Leeds from Something Good (Utah Saints) to Tubthumping (Chumbawamba) to I Predict A Riot (Kaiser Chiefs) all got an outing, but a makeover too.
I particularly enjoyed seeing the chorus of Opera North singing the repeated refrain "Pissing the night away" with broad grins on their faces in a team effort with Hope & Social and Dunstan Bruce from the band on Tubthumping. "I get knocked down, but I get up again" really is Leeds semi-official motto now.
I Predict A Riot was set off by a rock band of ten year olds and about a hundred young dancers (and was that one of the Kaisers at the back on tambourine?) before morphing into a Caribbean stylee complete with carnival dragon costumes.
Spoken word came from a number of artists including a piece by the Poet Laureate, Simon Armitage with his band LYR. He may not be a Leeds lad (he's from and still lives in Marsden near Huddersfield) but he clearly knows Leeds. Other spoken word artists (poets? Rappers?) including Testament, Graft and Denmarc Creary also spoke about our city in way only locals can.
Nessun Dorma was a well chosen operatic aria, having been popularised by Italia 90, everyone knows the tune. The words "None shall sleep" and the concluding "I will win" were particularly appropriate. It was performed beautifully by Opera North reminding me once again that you really cannot beat live music.
The show's finale was provided by Corrine Bailey Rae, interrupted by a Look North report of a giant emerging from the River Aire and heading for Headingley. Sure enough he appeared over the stadium in the form of drone lights (I think). He was of course the sleeping giant that is the city and its culture.
Did the show finish with pyrotechnics? Alan Lane (Artistic Director of Holbeck's Slung Low) was co-director of the event, so of course it did.
The show was inclusive and participatory. I don't just mean the wheelchairs on stage, or CBeebies' George Webster's hilarious double act with his dad. As well supplying the artwork, the audience were given what appeared to be white maracas, but turned out to be remote controlled lights for the finale.
The Awakening wasn't the Year of Culture, it was a taster of some of what is to come this year. It was exciting, inspiring, funny and moving by turns. Those lucky enough to attend, and I spoke to a few excited families on the number 1 bus back to Beeston, were enthused and entertained.
I must confess that I was prepared to be underwhelmed, but thoroughly enjoyed the evening. It was the perfect start to what promises to be an exciting year in the city.
South Leeds Life is published by a not-for-profit social enterprise. We keep our costs as low as possible but we've been hit by increases in the print costs for our monthly newspaper – up 83% this year.
Header Carousel Section South LeedsLeeds 2023The Awakening
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Farro is one of those whole grains that I became acquainted with when I moved to Italy. While it is often referred to as Spelt, it is not entirely accurate to call it so.
Italian Farro is Emmer, a hulled wheat grown in the regions of Tuscany and Abruzzo and has a similar texture to barley. It has a nutty flavour and retains a firm texture when cooked.
This ancient grain dates back to Roman times and fueled Caesar's army on their quest to conquer the empire. It is extremely nutritious, very high in protein, fiber, vitamins and has a very low glycemic index.
Here in Italy, you find Farro used in soups during the cold winter months and salads during the warm summer months. You may also find it used to make Farrotto, a modern adaptation of the beloved Italian dish, risotto, made with Farro instead of rice.
Farro comes in various forms including whole, hulled, semi-pearled, and pearled. The difference is in how refined the Farro is and how many layers of husk are removed. The more "whole" the Farro is, the more nutritious it is, the longer it takes to cook and the longer it needs to soak before hand.
I typically use hulled or semi-pearled farro. Hulled farro is the more nutritious of the two and needs to be soaked 6-8 hours before cooking. Semi-Pearled farro on the other hand does not need soaking, as the outer husk/brand has been removed and so it cooks a lot faster than hulled farro. Unlike rice which loses most of its nutritional value once the husk/bran is removed, semi-pearled farro retains a lot of its nutritional value. So if you're strapped for time or haven't planned ahead, you can use the semi-pearled variety without giving up much.
I try to eat whole grains for at least two meals a day if I can and I like to switch it up. I have every whole grain imaginable in my pantry, including Farro.
Here's a great way to use this versatile whole grain.
Sautee diced shallots and sundried tomatoes in EVOO for 2-3 minutes until shallots are transparent.
Add carrots and edamame beans and sautee for 2-3 minutes until carrots are softened and edamame beans are warm.
Add zucchini and sautee an additional 2-3 minutes until slightly softened. Remove from heat and transfer to a salad bowl and let cool at room temperature for 10 minutes.
Serve at room temperature or chill in the refrigerator and serve cold.
Sounds and looks so good, especially the sound of that dressing! I didn't know that about the different farros, thanks for the info!
Thanks so much! I've learned a lot about whole grains over the past year and I've become addicted to them. The dressing goes on anything from this salad, to mixed greens, pasta salad or veggies. Would love your feedback if you try it out. Thanks for stopping by.
Hey, Nissrine! I just wanted to let you know that I nominated you for the Dragon's Loyalty Award. If you haven't heard of it, you can google it or you can head over to my blog to get an idea of what this is all about. Hope you decide to participate and congratulations on becoming a FBC member too!
Hi Anna, thank you so much for taking the time to visit my blog and nominate me. I hope you enjoy the salad an dressing if you try them.


Gloria Trevi & Alejandra Guzman in concert on Friday, March 9, 2018 at Smart Financial Centre at Sugar Land, located at 18111 Lexington Boulevard, Sugar Land, TX 77479.
Los Lonely Boys & Los Lobos in concert on Saturday, March 10, 2018 at House of Blues Houston, located at 1204 Caroline St., Houston, TX 77002.
J Balvin in concert on Tuesday, March 13, 2018 at NRG Park, located at Three NRG Park, Houston, TX 77054.
Grupo Niche in concert on Saturday, March 17, 2018 at House of Blues Houston, located at 1204 Caroline St., Houston, TX 77002.
Romeo Santos in concert on Tuesday, March 20, 2018 at Toyota Center, located at 1510 Polk St., Houston, TX 77002.
Alicia Villarreal in concert on Saturday, March 24, 2018 at Arena Theatre, located at 7326 Southwest Fwy., Houston, TX 77074.
Ricardo Montaner in concert on Sunday, April 1, 2018 at Arena Theatre, located at 7326 Southwest Fwy., Houston, TX 77074.
Aida Cuevas in concert on Wednesday, April 4, 2018 at Hobby Center for the Performing Arts, located at 800 Bagby St., Houston, TX 77002.
Marco Antonio Solis and Jesse & Joy in concert on Friday, April 13, 2018, at Toyota Center, located at 1510 Polk St., Houston, TX 77002.
Antony Santos in concert on Saturday, April 14, 2018 at Arena Theatre, located at 7326 Southwest Fwy., Houston, TX 77074.
Maluma in concert on Thursday, April 19, 2018 at Smart Financial Centre at Sugar Land, located at 18111 Lexington Boulevard, Sugar Land, TX 77479.
Juanes in concert on Friday, May 4, 2018 at Smart Financial Centre at Sugar Land, located at 18111 Lexington Boulevard, Sugar Land, TX 77479.
Gipsy Kings in concert on Sunday, May 13, 2018 at House of Blues Houston, located at 1204 Caroline St., Houston, TX 77002.
Caifanes in concert on Sunday, May 20, 2018 at Arena Theatre, located at 7326 Southwest Fwy., Houston, TX 77074.
Luis Miguel in concert on Sunday, May 27, 2018 at Toyota Center, located at 1510 Polk St., Houston, TX 77002.
Timbiriche in concert on Saturday, June 9, 2018 at Smart Financial Centre at Sugar Land, located at 18111 Lexington Boulevard, Sugar Land, TX 77479.
Shakira in concert on Wednesday, August 22, 2018 at Toyota Center, located at 1510 Polk St., Houston, TX 77002.
Pepe Aguilar in concert on Friday, November 16, 2018 at Toyota Center, located at 1510 Polk St., Houston, TX 77002.


South Gate, California is the 328th largest city in the United States as of 2017.
South Gate, California is a city.
South Gate, California is currently 1.1% smaller than it was in 2000, the year of its peak recorded population.
South Gate, California's growth is extremely below average. 92% of similarly sized cities are growing faster since 2000.


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Time to walk: Looking at everything there is to see & popping into a couple of places, a leisurely couple of hours
Difficulty: Easy & all on street paths. There are a few steps at the end leading up to the cathedral, but nothing too strenuous
Parking: We were working nearby so parked at our hotel, but there's plenty of car parks & on-street parking
Public toilets: Cafes etc on the way
This walk comes courtesy of the Bradford Heritage trail with our own additions & slant thrown onto it.
Bradford in West Yorkshire, lies in the foothills of the Pennines, 8.6 miles west of Leeds. In Roman times it was a crossing point of a large stream on the road between Elslack & Castleford. The name therefore probably comes from 'Broad Ford' . The stream is now hidden under the city
Historically a part of the West Riding of Yorkshire, Bradford rose to prominence during the 19th century as an international centre of textile manufacture, particularly wool. It was a boomtown of the Industrial Revolution & amongst the earliest industrialised settlements, rapidly becoming the "wool capital of the world". The area's access to a supply of coal, iron ore & soft water facilitated the growth of Bradford's manufacturing base, which, as textile manufacture grew, led to an explosion in population & was a stimulus to civic investment
The textile sector in Bradford fell into decline from the mid 20th century. Since this time, Bradford has emerged as a tourist destination, becoming the first UNESCO City of Film with attractions such as the National Media Museum, Bradford City Park, the Alhambra theatre & Cartwright Hall
However, Bradford has faced similar challenges to the rest of the post industrial area of Northern England, including de-industrialisation, social unrest & economic deprivation. It's a place that isn't easy to like on a first visit & is somewhere you have to dig beneath the facade to get the true picture
It also has a very diverse community & some superb curry restaurants! In 2016 Bradford retained the Curry Capital of Britain title for six years in a row
1. Our walk starts in the vast square outside the City Hall…
On the right's the Magistrates Court which was designed & built in 1972 using local Bolton Wood stone. Compared to the other ornate buildings which surround it, the Court building is more modern & feels somewhat out of place
As with any large city square there's always something going on…
2. Walk down the right side of the building & use the underpass to walk under the road. It's a little bit daunting & something we wouldn't like to do after dark
There's plenty of great street art in the underpass. On reaching the junction advertising the Media Museum take the right passage
3. The National Museum of Photography, Film & Television is at the top of the slope. It was in the news the day after we did this walk. It's already part of the Science Museum & there is to be more focus on this element to try & stop falling attendance numbers
The museum has seven floors of galleries with permanent exhibitions focusing on photography, television, animation, videogaming, the Internet & the scientific principles behind light & colour. It also hosts temporary exhibitions & maintains a collection of 3.5 million pieces in its research facility. The venue has three cinemas, operated in partnership with Picturehouse Cinemas, including an IMAX screen, & hosted popular film festivals, including the Bradford International Film Festival until 2014
4. Outside's a statue of playwright & novelist J.B Priestley who was born in the city & learnt his trade as a columnist at the local newspaper…
John Boynton "J.B." Priestley's Yorkshire background is reflected in much of his fiction, notably in The Good Companions (1929), which first brought him to wide public notice. Many of his plays are structured around a time slip, & he went on to develop a new theory of time, with different dimensions that link past, present & future
In 1940, he broadcast a series of short propaganda radio shows that were credited with strengthening civilian morale during the Battle of Britain. His left wing beliefs brought him into conflict with the government, & influenced the birth of the Welfare State. The programme was eventually cancelled by the BBC for being too critical of the Government
He is perhaps best known for his 1945 play An Inspector Calls
5. Walk over the busy road towards the impressive Alhambra Theatre…
In front of the theatre's the large Victoria Memorial – it actually weighs 3 tons
The memorial was sculptured by Alfred Drury & unveiled by the future George V in 1904. It shows Queen Victoria in the attire she wore at her jubilee in 1887. The war memorial is next to it…
6. Let's have a look at the Alhambra Theatre…
Bradford Alhambra is named after the Alhambra palace in Granada, Spain, which was the place of residence of the Emir of the Emirate of Granada. It was built in 1913 at a cost of £20,000 for theatre impresario Francis Laidler, & opened on Wednesday 18 March 1914. In 1964, Bradford City Council bought the Alhambra for £78,900 & in 1974, it was designated a Grade II listed building. It underwent extensively refurbishment in 1986
The 1400 capacity theatre is a major touring venue & hosts a wide range of stage shows from ballet & opera to variety & comedy, musicals, drama &, of course, the annual pantomime. Regular visits are made from prestigious companies such as Opera North, the Royal Shakespeare Company, Birmingham Royal Ballet, Northern Ballet Theatre, the Royal National Theatre to complement spectacular West End musicals
7. Next door's the former Odeon Cinema was completed in 1930 as the New Victoria & sits on the site of William Whittaker's brewery & malting, which had closed in 1928. It's a Renaissance Revival building designed by the architect William Illingworth, with copper covered cupolas on two corners complementing those on the neighbouring Alhambra theatre. The New Victoria combined a 3318 seat auditorium, ballroom & 200 seat restaurant
As a cinema it was the third largest in Britain when it opened, with only the Trocadero at Elephant & Castle & Davis Theatre at Croydon being larger. By 1930 cinemas had converted to screen sound pictures, which had been introduced in 1927, but the New Victoria was the first cinema in Britain to be purpose built for "talkies". In 1950 the complex was renamed the Gaunt &, in 1968, was sold to Odeon Cinemas
It was also a distinguished venue for live music. The main auditorium was the largest concert venue in the north of England. Frankie Laine, Bill Haley & His Comets, Buddy Holly, Paul Anka, Count Basie, Gene Vincent, Eddie Cochran played there. In February 1963 Helen Shapiro headlined a concert there, with supporting performances by Danny Williams & Kenny Lynch. At the bottom of the bill was a new band called The Beatles, who were about to release their first LP record Please Please Me. In October The Everly Brothers headlined a concert with supporting acts by Bo Diddley & another new British band, The Rolling Stones
In December The Beatles returned, headlining a concert playing to two packed houses with supporting performances from The Barron Knights, Tommy Quickly, Billy J. Kramer & Cilla Black
The Rolling Stones returned in 1965, this time heading the bill. The building is currently under renovation & it's hoped will once again be opened as a major music venue
8. Walk back across the road into Centenary Square…
Bradford City Hall is a quite magnificent building. It was designed by Lockwood & Mawson & opened in 1873. Winston Churchill gave his first speech after the Second Battle of El Alamein outside the hall in which he called for the people to 'go forward together & put these grave matters to the proof'. In 1992 the bells stopped due to decay of the bell frame, but in 1997 were repaired with National Lottery funds
In 2007 the City Hall filled in for Manchester Crown Court for the duration of the trial of Tracy Barlow in Coronation Street. The bells have played "The Star-Spangled Banner" to mark the three minutes' silence for those who died due to terrorism. At the memorial in 2005 of the 1985 Bradford City stadium fire, dozens of people broke down in tears as the City Hall bells played "You'll Never Walk Alone" & "Abide with Me" in tribute to the victims
The bells can now be programmed to play any tune, subject to musical arrangement & technical limitations. The bells played "No Matter What" several times in 2001, when 'Whistle Down the Wind' was playing at the Alhambra – the operator of the bells was able to see the theatre steps from the bell tower & timed the peals with the audience's exit
9. Walk across Aldermanbury towards the red building on the corner of Sunbridge Road…
This is the Prudential Assurance building & is the only one built out of red brick & terracotta. Built in 1895, it was designed by Manchester architect, Alfred Waterhouse
10. Walk up the side of the building along Sunbridge Road. There are many original Victorian buildings along this road in many different styles including Gothic
Queen Anne Chambers were built in 1880 probably in a Queen Anne style but with various amendments including the highly decorative windows…
11. Cross over the road & walk up the narrow Upper Millergate…
At the top of the street's the Kirkgate Centre. This area is one of the oldest parts of the city & was originally the site of the Market Cross. In 1251 the city was granted market rights by the King. Prior to that date the market was held in the churchyard
12. Turn left & walk up Westgate…
…turning right at the top into Godwin Street
There's more modern buildings in this area, but many of them have still been built from the same local stone used in Victorian times
13. Turn second left into the most interesting Rawson Quarter…
The domed building at the end on the corner with John Street is the Rawson Hotel. It was built in in 1899, but was severely damaged by bombs in World War II. The property once formed part of the frontage of the market. The dome is a local landmark known to all
14. Head straight over the crossroads to arrive at another lovely little square containing an impressive statue
This is Richard Oastler, "the Factory King" who was a "Tory radical", active opponent of Catholic Emancipation & Parliamentary Reform & a lifelong admirer of the Duke of Wellington. However he was also an abolitionist & prominent figure in the "anti-Poor Law" resistance to the implementation of the "New Poor Law" of 1834
Most notably, he was at the heart of the campaign for a ten hour working day in its early years. Moved by pity & indignation at the long hours worked by young children in factories, he devoted his life to their emancipation & was a tireless champion of the Ten Hours Factory Bill
15. Walk back to the crossroads, turn left & then left again up the beautiful North Parade…
Yeah Man!!
On the left have a look at the "art deco" of numbers 15-17…
…whilst on the other side of the road is some of the finest architecture in Bradford, including Gothic, Jacobean & Dutch Renaissance
16. At the end of North Parade is the magnificent Yorkshire Penny Bank…
The property was built in 1895 to Ledingham's design & was then remodelled & redesigned in a French / Italian Renaissance style. Unfortunately it's now a pub…
17. Walk round the Bank & then back down the other side along Manor Row
The buildings along here are rather grand. On the right's a group of 19th century town houses
Opposite is the magnificent Kenburgh House which was built about 1820
Back on the right's the former County Court which was originally built in 1859 & later added to
Finally at the bottom of Manor Row, on the left's, the Register Office which was built in 1877 as Poor Law Offices
18. Time to move back into the less "eye-pleasing" areas of the city so turn right along Upper Piccadilly…
…turning left down the hill that is Darley Street which has fine Victorian buildings on both sides
At the bottom of Darley Street at the junction with Duke Street is the Bradford Library & Literary Institute. Originally built in 1827 as a two storey private dwelling, it was bought by the library in 1854 as a subscription library
19. Continue along Darley Street…
Pass the shops above to arrive at the junction with Bank Street. There's some imposing buildings here. Firstly on the left's the old Bradford Banking Company building, now a branch of Santander. It was designed by Andrews & Delauney & built in 1858 as a prestige bank for the city
Have a look inside at the beautiful interior
20. Across from the Bank's the old Talbot Hotel…
Turn left past the Talbot Hotel down Kirkgate
About halfway down make a short detour up Piccadilly to have a look at the Exchange Rooms on the left. These were built in 1828 in a Greek revival style as a public newsroom, billiard hall & a ballroom. Later they became a wool exchange & then a post office
21. Walk back & continue along Kirkgate. At the bottom on the corner of Cheapside's a gorgeous building with a combination of styles that was built in 1885 for Beckett & Co…
…& then over the road's a Bradford institution…The Midland Hotel
The original Midland Hotel built in 1885 had 115 bedrooms & is of particular architectural interest. The quality ornate plasterwork in the Princes & French Ballrooms is rivaled only by similar examples in London. The high ceilings, glittering chandeliers & the architecture of the building is both breathtaking & inspiring, blending to make you appreciate the opulence of an era unfortunately long past
There's a significant amount of history attached to the Midland Hotel due principally to the fact that it played host to the rich & famous during its heyday, including Laurel & Hardy, The Beatles & the Rolling Stones. In 1905, the famous Shakespearean stage actor, Sir Henry Irving died on the main staircase after his appearance at the nearby Theatre Royal. He was attended by his manager Bram Stoker, better known as the originator of Dracula. A small plaque erected in the reception records the stay of another great entertainer, George Formby who performed at the Alhambra Theatre from 23rd – 28th September 1940. Almost every Prime Minister up to Harold Wilson has stayed in the hotel
We've stayed there with work & you can feel the history – it is rather in need of an update though to return it to its former glory
22. Continue straight ahead along Cheapside…
…to arrive at Forster Square where ahead is the Cathedral which we'll visit at the end of this walk. Turn right here to arrive at the Shopping Centre entrance…
The statue at the entrance to the centre is of William Edward Forster who was an English industrialist, philanthropist & Liberal MP for Bradford, as well as Minister for Education. His main achievement was driving through the 1870 Education Act to provide schooling for all children. His staunch advocacy of lethal force against the Land League earned him the nickname "Buckshot Forster"
23. Enter & walk through the Shopping Centre…
…to emerge back on Market Street, turning left towards the Wool Exchange
The Wool Exchange Building was built as a wool trading centre in the 19th century. The grandeur of its Gothic Revival architecture is symbolic of the wealth & importance that wool brought to Bradford
The commission to design the building was given great importance in Bradford & John Ruskin was invited to give his advice. In his lecture, Ruskin famously declared "I do not care about this Exchange – because you don't". Ruskin argued that good architecture could only emerge from a pious, paternalistic society & that the Exchange represented the worst form of exploitative capitalism
There was a competition to design the building. Entries included one from Norman Shaw, but it was won by the local architects Lockwood & Mawson. The foundation stone was laid by the then Prime Minister, Lord Palmerston. The architectural style employed is Venetian Gothic with some Flemish influence in the tower. Ruskin was dismayed by the use of a Gothic revivalist style in that it imitated the aesthetic, but not the spiritual conditions of Medieval society. He had expressed similar displeasure after the construction of the Oxford University Museum of Natural History in a Gothic revivalist style in 1861
The trading on the Exchange was by verbal contract only, each party keeping a separate note of the price, quantity & delivery date. Members only (holding tickets authorised by the Committee, usually sponsored by an employing firm) were allowed on the trading floor, but there was a walk around the floor where freelance salesmen & independent traders were allowed to wait in an attempt to catch a member's eye & close a deal "off floor". "Off floor" you took your chance on the wool delivered being up to sample. All "on floor" deals involved the wool being delivered via the conditioning house on Canal Road where the wool was checked for quality (staple length) & dry weight, since adding water was a favourite swindle. To be a member & to "have a ticket" was a social distinction in the old wool trading Bradford
The building has not been used for trading wool since the 1960s. Waterstones uses the ground floor area for book sales. The best views of the interior are available from the coffee shop on the mezzanine floor – pop in & have a look. Modern plate glass windows on this side of the building let in plenty of natural light, something that was lacking in the old days of wool trading
24. Having past the Exchange, turn right up the side of it…
…& then left into Hustlegate
Hustlegate was another of Bradford's commercial districts, based in Victorian buildings. Pass under the archway to arrive in Ivegate where we turn left…
25. At the bottom of Ivegate stands a gate known as The Ivegate Arch. This fabulous structure represents various aspects of the history & character of Bradford. Take time to have a look at the details on it…
26. Cross Market Street & turn down Bank Street to Hall Ings
Ahead are the Telegraph & Argus buildings. The modern extension can be seen above, but look to the right to see the original offices that were built in 1853 as a warehouse for merchants Milligan & Forbes. It was built in the style of an Italian Palace. Past that is St George's Hall that's built in the style of a classic temple – another example of how this city's architectural styles sit side by side
27. Cross over Hall Ings & up the hilly Bridge Street
At the top, built on the site of the former Exchange Station is the Crown Court
Have a walk around the square as there's some amazing sculptures…
28. Once finished having a look around walk down the left side of the court building…
…& down the steps to reach Vicar Lane aka Leeds Road…
Across this road is an area of Bradford known as Little Germany. The buildings within this area date back to the 19th century & are the legacy of Jewish merchants from mainland Europe who spent large sums of money constructing imposing warehouses for the storage & sale of their goods for export
A large proportion of the merchants came from Germany hence the name 'Little Germany'. This area is still one of Bradford's busiest commercial areas, with over 110 businesses & organisations with 3,000 workers
29. Cross the road & make a brief diversion up Vicar Lane. The impressive building standing on the corner of Aked Street's the old American & Chinese Export Warehouse, built in 1871 in an Italian 'palazzo' style
Walk back down, turn right & then right again up Well Street…
Most Well Street properties were designed by Eif Milnes around 1865. Before reaching the shopping centre again turn right up Church Bank
On the right there's a great little mural – the stone is real
30. Climb the steps on the left up to the Cathedral Church of St Peter. The first church on the site was built in Anglo-Saxon times & fell into ruin during the Norman invasion in 1066. The Norman Lady of the Manor, Alice de Laci, built a second church that 300 years later would be destroyed by raiding Scots. It stood in a forest & was known as the 'Chapel in the Wood'
During the 14th century the church was rebuilt & some of the older masonry may have been used in the reconstruction of the nave. The nave arcades, the oldest parts of the present building, were completed in 1458. A clerestory above them was added by the end of the 15th century. Chantry chapels were founded, on the north side of the chancel by the Leventhorpe family, & on the south by the owners of Bolling Hall. The tower in the perpendicular style was added to the west end and finished in 1508
So our walk ends in Cathedral Close which gives a fine view across the rooftops of the city.
As we said at the start, on first impression Bradford's not the prettiest of cities, but once you get under the skin & start to appreciate the buildings it's well worth a look
Now…about that curry!


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Gus Poyet: Sunderland need a miracle for Premier League survival
Written By Peter Thompson
https://images.performgroup.com/di/library/omnisport/50/66/gus-poyet_1re4j5168bzks1suqmb6an5kpj.jpg?t=1039978613&w=500&quality=80
The Wearside club suffered another major setback in their battle to avoid the drop when they were thrashed 5-1 at White Hart Lane on Monday.
MORE: Premier League: Tottenham fire up to slam Sunderland | Tim Sherwood unsure of Tottenham future
Lee Cattermole's long-awaited first goal for the club had put them in front, but Tottenham came roaring back with Emmanuel Adebayor scoring twice and Harry Kane, Christian Eriksen and Gylfi Sigurdsson also on target.
A fourth consecutive top-flight defeat for Sunderland leaves them bottom of the table and seven points behind 17th-placed Norwich City.
Poyet's side do have two games in hand on the three teams directly above them, but the Uruguayan pulled no punches with his verdict over their latest defeat and admitted their chances of preserving their Premier League status are remote.
He told Sky Sports : "It's very hard to take. I imagine how hard it is for the fans who travelled and everybody at the club. But there's no place to hide, I'm responsible because I'm in charge and I'll take full responsibility.
"(It is) definitely more difficult now. We need a miracle probably, something very unique. If not it's going to be practically impossible."
Sunderland still have to play the likes of title contenders Chelsea and Manchester City, as well as Everton and Manchester United, before the end of the season, meaning they will have to upset the odds in order to avoid dropping into the Championship.


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Morgan Truck Body Opens Manufacturing Facility in Connecticut
November 28, 2018 • by HDT Staff
Morgan Truck Body opened a new manufacturing facility in Plainfield, Connecticut on Nov. 14, and celebrated the grand opening with state and local officials.
Photo courtesy Morgan Truck Body
Morgan Truck Body has opened a new 175,000-square-foot manufacturing facility, the company's 13th facility in North America.
The truck body plant is located in Plainfield, Connecticut. It is capable of supporting production of more tan 3,000 dry freight and refrigerated truck bodies annually and is expected to employ around 140 people.
Morgan also indicated plans for a 14th truck body facility in the Midwest in the near future.
"Morgan continues to set revenue records, so the need to increase capacity, as well as locate production closer to our customers, is an important part of improving customer service," said Norb Markert, Morgan's president and chief operating officer.
Related: Trailers Orders Score Record Third Quarter
Originally posted on Trucking Info
Read more about Morgan Corporation Truck Bodies New Facility Trailers Medium-Duty Trucks
Utilimaster Designs Highly Specialized Walk-In Vans
At ICUEE 2019, Utilimaster showcased two customized walk-in vans. Here's how those vans were designed to meet the needs of utility crews.
Chassis Shortages and Installation Backlogs Slow Upfitter Order-to-Delivery
Strong demand for light- and medium-duty trucks in the 2019 model-year resulting in widespread backlogs at upfitters delaying some ship-thru units, impacting order-to-delivery times for both light- and medium-duty trucks.
Masterack Updates Leadership Team
Masterack, manufacturer of commercial grade van and pickup cargo management solutions, announced the addition of three key leadership roles reporting to the company's president.
Spartan Acquires Royal Truck Body
Spartan Motor Inc. acquired Royal Truck Body, which will continue to go to market under the Royal Truck Body name.
Wabash Opens Supreme Upfit Center in Florida
Supreme's new Upfit Solutions and Service business is a one-stop shop for commercial vehicle upfitting, parts, and service for all makes of commercial truck and van bodies.
Auto Truck Group Expands Indiana Footprint
Auto Truck Group will build a new facility in Fort Wayne, Ind., that will help it nearly double its capacity to build and install equipment for commercial fleet vehicles.
Fontaine to Offer Pre-Wire for Lytx Video Telematics
Fleets can purchase a vehicle pre-wired for Lytx fleet solutions from Fontaine Modification, making it easier to install a DriveCam SF Series event recorder.
Morgan Body Details New Ohio Plant
Morgan Truck Body, LLC, manufacturer of light- and medium-duty truck bodies, announced the expansion of its manufacturing footprint in the Midwest in Orrville, Ohio, about 30 minutes west of Canton.
Paratransit Upfitter TransitWorks Changes Name to Driverge
TransitWorks has changed its name to Driverge, the paratransit vehicle modifier has announced.
Spartan Motors Receives Large Step Van Order
Spartan Motors has received an order for 2,237 Utilimaster step vans from a leading North American online e-commerce and fulfillment company, the Charlotte, Mich.-based upfitter announced.


H H the Dalai Lama's Visit to TCV Gopalpur, Himachal, April 29, 2014.
Basic Tibetan Education Policy, Documentary Film.
Basic Tibetan Education Policy, Documentary Film. 2007.
Highlighted the significance of learning logic and espistermolog.
Students from different religious background highlighted the significance of learning logic and espistermolog.


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Q: Error al recuperar dato mediante función Python desde formulario HTML post Me devuelve error al querer recuperar el dato value, que como se ve en el ejemplo debería llegar el valor 123. A la función def simple_function sí que llega, pero una vez ahí no consigo recuperar el valor.

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A: Cambia esta línea:
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por esta:
id = request.POST.get('tagValue')

redpajama_set_name: RedPajamaStackExchange


text:
Antique Georgian Solid Silver Snuffer / Pen Tray - Paul Storr 1819
We are delighted to be able to offer this fabulous solid silver snuffer tray made by Paul Storr in London, 1819. Paul Storr was the most celebrated English silversmith of the early 19th Century and was receiving commissions from the British Aristocracy and Royalty (more info below). Unsurprisingly, his wares are of the finest quality and his legacy lives on today with many of his works exhibited in museums and in the Royal Collection Trust. In fact, an identical snuffer tray (less the engraved Royal crest) is present in the Royal Collection Trust at this time of writing and a quick internet search will present you with their records/website listing. This tray features Storr's iconic and extravagant design of a fully gadrooned border with alternating cast foliate anthemion/palmette accents and two fabulous volute handles on each end. The tray is raised by four applied-cast silver feet that are also decorated with regency-style motifs.
This snuffer tray would originally have been used to place a silver snuffer (for putting out candles) on top however, due to its versatile size and design, in the modern day, it is equally suitable for practical uses. Why not indulge and get creative with ideas of how to serve your favourite treats or perhaps as an opulent way of offering and enjoying a cigar in company with your guests? Other uses may include a pen tray, jewellery stand, cutlery holder, etc.
The tray is fully hallmarked with Georgian English marks on the side base. The marks are worn however, the "P.S" Paul Storr's maker's mark is unmistakably present.
*Please note all other items photographed are for display purposes only and this listing is for the tray only.
Further on Paul Storr (1771-1844)
Paul Storr, England's most celebrated early 19th-century silversmith was born in London, 1771. He began his career in 1792 and quickly built up a reputation for his fine crafts and by the beginning of the 19th century, he had become one of London's most renowned silversmiths, producing silverware for King George III and King George IV.
In 1807, Storr worked with Philip Rundell and became a partner in 1811 for the workshops for Rundell, Bridge and Rundell, the finest goldsmiths and retailers of the period. Although he kept his own hallmarks and maintained his own workshop, this partnership further accelerated his rise to prominence and provided more exposure allowing him to display his finest skills.
His works can now be found in the finest art institutions and Royal palaces none less than Windsor Castle, Buckingham Palace, the V&A and the Metropolitan Museum in New York.
Size (cm) L:27.5cm W:12.5cm H:3.5cm
Size (inches) L:10.8 W:4.92 H:1.37
Weight: 360 grams (11.57 Troy oz)
Good Condition - The tray good antique condition with no major damage or issues. Due to its age, there is some wear on the high points of the decoration and the marks are worn.
Due to the wear, the reverse side shows some of the original cast lines however they are not significant and cannot be seen when in use.
We aim to overemphasize and state these issues to avoid disappointment and thus please rest assured they are not significant nor affect usage of the items.
Please refer to the photographs to examine the condition in further detail.
Artisan Antiques offers free global shipping with professional, secure and discreet packaging.
We will always ensure your items are packaged with the utmost care and see the delivery through to the end. In the very rare and unfortunate case of non-delivery/courier loss, you are fully covered with us and we will fully refund you.
*All parcels are insured - please rest assured all shipping liabilities other than import/customs duty are covered by Artisan Antiques.
*Colours of the product may slightly differ from the photos due to different computer screens & lighting conditions*
- Price negotiations may be possible under certain criteria, please contact us via telephone (07578761640) or email (info@artisanantiques.net) -


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Posts tagged "TheBurningTrain"
R. D. Burman – Baby, let's dance together – Shalimar (OST)
Polydor Cat# 2221 334 India 1978
Track 1- Let's Dance Together https://seven45rpm.files.wordpress.com/2015/12/s45-rdburman-babyletsdance.mp3 Track 2 – Cha Cha Cha! https://seven45rpm.files.wordpress.com/2015/12/s45-rdburman-chachacha.mp3
Rahul Dev Burman was born on June 27, 1939 in Kolkata, to the Bollywood composer/singer Sachin Dev Burman and his lyricist wife Meera Dev Burman. According to some stories, he was nicknamed Pancham da because, as a child, whenever he cried, it sounded in the fifth note (Pa), G scale, of music notation (the word Pancham means five, or fifth, in Bengali, his mother tongue). Another theory says that little Rahul received the nickname because he could cry in five different notes.
When Burman was nine years old, he composed his first song, Aye meri topi palat ke aa, which his father used in the 1956 film Funtoosh. Sar jo tera chakraaye was included in Guru Dutt's 1957 soundtrack for Pyaasa, and was also another father/son collaboration this time sung by Gumnaan singer Mohammed Rafi. In Mumbai, Burman learnt to play the sarod by classical musician Ali Akbar Khan and also the tabla by Samta Prasad . He also considered composer poet and a playwright, Salil Chowder as his guru. He served as an assistant to his father, and often played harmonica in his orchestras.
RD Burman's first released film as an independent music director was Chhote Nawab (1961). Popular Bollywood comedian Mehmood was the producer and first approached Burman's father for the music, however he had to turn down the offer, saying that he did not have any free dates available. At that very meeting, Mehmood noticed Rahul playing tabla in a back room, and signed him up as the music director for the film. Burman's first hit movie as a film music director was Teesri Manzil (1966), which starred Shammi Kapoor, who is hailed as one of the most entertaining lead actors that Hindi cinema has ever produced, and was married to actress beauty Geeta Bali. The scored had six songs, all of which were written by Majrooh Sultanpuri, and sung by Mohammed Rafi. Four of these were duets were with his future wife and superstar Asha Bhosle (apparently they first met when she was the mother of two and he was in 10th grade having dropped out to pursue music). I advise you to search for the brilliant Hassina zulfo walli clip, where you witness some amazing set designing, which is actually quite typical in this wonderful film genre. Nasir Hussain went on to sign RD Burman and lyricist Majrooh Sultanpuri for six of his films.
In 1971, Burman composed the music for Dev Anand's Hare Rama Hare Krishna. Asha Bhosle won the Filmfare Best Female Playback Award for the infamous electrifying Dum Maro Dum (Take Another Toke), from this film, which was a huge hit and proved to be a seminal rock number in Hindi film music. Dev Anand did not include the complete version of Dum Maro Dum in the movie, because he was worried that the song would overshadow the film. The hit film was a star-making vehicle for the model and beauty queen, Zeenat Aman, who won over the heart's of world audiences, in her role as the westernized hippie, Janice. [1] The film was a huge success for her, going on to win the Filmfare Best Supporting Actress Award, as well as the BFJA Award for Best Actress. She would become one of the highest paid Hindi actress between 1976-80 and appeared on every Hindi film magazine's cover during the 1970s. Hare Rama Hare Krishna dealt with the decadence of the Hippie culture. It aimed to have an anti-drug message and also depicts some problems associated with Westernization such as divorce, and is said to be loosely based on the 1968 Richard Rush movie Psych-Out.
Bombay to Goa is a 1972 Bollywood adventure-comedy film directed by S. Ramanathan, and is actually a remake of a 1966 hit Tamil film Madras to Pondicherry. The movie is known particularly for its catchy tunes and includes Usha Iyer's incredible Listen To The Pouring Rain which is a cool mashup of tunes such as Temptation, Fever and ends with a frenzied Be-Bop-A-Lula! In 1976, the Vijay Anand directed spy thriller, Bullet was released with yet another exciting soundtrack. This time Asha Bhosle is back providing the vocals on the trippy Peene Ke Baad Aati Hai Yaad Bhooli, again with suitable bizzaro film sets to match! Oh to be on that set when this was all happening!
The 1978 Hollywood and Bollywood joint production film Shalimar starred Dharmendra, Shammi Kapoor, Prem Nath, Aruna Irani and once again Zeenat Aman (pictured right). Also in supporting roles in their first and only Bollywood film was, English actor Sir Rex Harrison, and American actors John Saxon and Sylvia Miles. The film was released in two versions; Hindi in India and also an English version in the US, known as Raiders of the Sacred Stone (and supposedly also as The Deadly Thief). All versions however were unsuccessful, although later gaining cult status. In this Indian crime adventure, the world's best jewel thief invites his illustrious peers to try to steal the world's most priceless jewel, the Shalimar ruby, from his home on a remote private island. If they fail, they will die.
The Shalimar soundtrack is packed with Burman gems! While the credibility of the film plot may be somewhat questionable, Burman's work on the score is genuinely masterful and simply like nothing else. The Title Music has to be the number one all time opener to come from the Bollywood genre, and how I wish it was circulated on a 7". Intense off beat jazz constructions, over operatic vocals, this masterpiece is a tip of the hat to greats like Morricone and John Barry, and I don't say that lightly.
One of the film's o n going musical themes, is the delightful Hum Bewafa Hargiz Na Thay, which at one time comes with a pretty extraordinary beach tribal dance scene filmed at night. And Mera Pyar Shalimar with Asha Bhosle's dreamy vocals is pure ecstasy. Sylvia Miles who had won two Oscar nominations for Best Supporting Actress in the movies Midnight Cowboy and Farewell My Lovely, apparently snatched the role of Countess Rasmussen, from the intended Gina Lollobrigida, Italian sex symbol of the fifties and sixties. She plays a far fetched trapeze artist-master thief, who seems to have a love for doing an over excessive amount of somersaults and cart wheels that's really ever necessary. In one scene where the countess is attempting a break in and theft of the Shalimar jewel, one of Burman's big jazz tracks Countess' Caper, plays over the top, doing it's best to add drama, but really only adding even more lunacy to the moment.
Moving on to the feature 7", of the 2 tracks, Baby Let's Dance Together, sung by the mysterious Kittu, is the standout for me. A laid back super chic funk oozing pure class, this song criminally only gets a brief look in during the film, as a background track to an enticing bedroom scene from Sheila Enders to S.S. Kumar, that quickly ends in an argument. Who the vocalist Kittu is, I can't really tell you, as the only other song credit I could find from her, was for the track I Have a Crush On You from the 1980 Ek Baar Phir, film directed by Vinod Pande. The second track on offering is the quirky work out, One Two Cha Cha Cha, which actually has the responsibility of opening the film even before the aforementioned diabolical Title Music. Vocals provided by Usha Uthup, accompanied nicely with the expected Burman Moog and sitar, the opening set up brings us into a day lit seedy gambling club, with Sheila Enders approaching an eager flare filled dance floor, who she will provide a personal instructional dance routine for. What a way to open a spy thriller. That's the way ah ha, ah ha, I like it!
Burman's genius workings for this soundtrack did not go unnoticed, resulting with 3 Filmfare nominations…Best Music – R.D. Burman, Best Male Playback Singer – Kishore Kumar for the song Hum Bewafa Harghiz Na, and Best Female Playback Singer – Usha Uthup for One Two Cha Cha, which funnily enough ended up being won by Asha Bhosle for the Kalayanji Anandji track Yeh Mera Dil Yaar Ka Diwana from the exceptional Don score. The highly regarded LP comes in a few variants, the best in my view is the fold out cover with the intricate die-cut inserts nicely formatted with film stills. If you need to have a few important Bollywood soundtracks in your collection, this one's on the top of the list and isn't too difficult to find, although as with most Indian records, it pays to hold off until you can find a nice conditioned record.
Burman would go on to release more killer soundtracks, and a handful with accompanying 7″s. Getting into some serious stuff, I want to bring up The Burning Train score. When I first heard the opening score I really struggled to believe it wasn't a contemporary production. I love this period of Burman! Released in 1980, directed by Ravi Chopra, the film featured a huge all-star cast [2]. The plot revolves around a train named Super Express that catches fire on its inaugural run from New Delhi to Mumbai. It's out of control, the drivers are dead, and many lives will certainly expire if somehow the burning train isn't stopped. I'll be a bit more elaborate on this film when the time comes (and it will) to post that particular soundtrack. But this is R.D. Burman on FIRE as the title track clearly displays, as well as the Latin flavoured Meri Nazar Hai TujhPe if you even needed more proof.
If it was one Bu rman really excelled at, it was drawing in audiences into films with exciting title tracks, and Hindi action thrillers such as the 1980 Shaan (Pride) provided the perfect platform. This film was directed by Ramesh Sippy after the super success of his previous venture, Sholay. He drew inspiration from the American Western and spaghetti western films, and took its lead from the James Bond films with fancy sets and beautiful costumes. Shaan took three years to make and it was expected to match the success of Sholay but failed to do so, however, it ran to packed houses in its re-runs and ended up making a lot of money. Eventually, it was declared to be the highest grosser of 1980 by IBOS. Once again the opening track Doston Se Pyar Kiya with the mighty Usha Uthup on vocals, is exciting and abstract, and perfectly wigged out! Thanks to Burman, the film recieved a Best Music nomination at Filmfare, this being its sole nomination. For the Bollywood Rocky film, also released in 1980, Burman gave us some killer breaks and spaced out "borrowing" with the War of the World's inspired Aa Dekhen Jara.
In 1983, Chor Police, the directorial debut movie of Bollywood actor Amjad Khan, includes one of my all time favourite Bollywood dance numbers, Aaj Mera Dil. In yet another Bhosle-Burman classic, we have once again another killer dance sequence, this time it's the Indian beauty Parveen Babi as Seema, drawing the audience right in with her hypnotizing moves. Audacious and daring, starting with a slow and wonderfully psychedelic intro, simple exotic moog lines are soon swooped over by spaced out guitar riffs, perfectly syncopated percussion and Asha's "from another world" vocal lines…this is one of Burman's best!
Burman also made an international "non-film" album not many know about, a Latin-American-Indian monster, nowadays quite sort. Released in '87, Pantera was financed by his father, and as well with his friend Pete Gavankar, who wanted the aspiring musician to explore the music scene outside India. The idea at first didn't really appeal to the reluctant Burman, for it was well known those days that producing a record usually took months in that part of the world, and he wasn't sure he wanted to move away from his home land. In 1981, Gavankar borrowed 15 tunes from RD, who had composed them in a matter of seven days and handed the tapes to his sister Nilu, who was connected to pop groups in San Francisco. Nilu played the tunes to an upcoming musician Jose Flores who immediately liked five compositions and recorded them. Back in India, Burman heard the tracks, and it charged him up enough to go to San Francisco and record an album. It was carnival season when Pancham landed in San Fran'on June 15, 1984. The atmosphere there inspired him so much that he composed the tracks Carnival and Caminando almost immediately. One evening, they visited a disco where Burman's and Jose's joint collaborated In Every City was played. He recalls how all the people started dancing, and then how they all clapped at the climax. He was so moved he almost cried. All the artists on Pantera were significant musicians, and it also included vocalists from diverse backgrounds – a Japanese, a Puerto Rican and an African-American.
Rahul Dev Burman was quite ahead of his time, and his music came with a harmony, uniqueness and an integrity. Often been credited for revolutionising Bollywood music, he successfully blended Latin sounds, cabaret, psychedelic vibes and disco and funk styles. He experimented with an array of new sounds with great execution, and developed songs that went to become massively popular with the audience. But even after 331 released movie scores, he was awarded a total of only three Filmfare Awards, one of which was awarded posthumously (for 1942: A Love Story). [3]
In 1995, Filmfare Awards constituted the Filmfare RD Burman Award for New Music Talent in his memory. Pancham da's death in 1994, after a massive heart attack, left a void in the Indian film music industry, but even over two decades later, his lilting melodies and soulful tunes continue to inspire and influence musicians and music aficionados alike. Hindi film music is forever indebted to him.
Referencing and recommendations…
thebigindianpicture.com
thequint.com
indiaToday Arindam Mukherjee
Top picture…Sachin Dev Burman with his son, Rahul Dev Burman. Image owned by Penguin India (rediff.com)
B&W picture…Hare Rama Hare Krishna Director-Actor Dev Anand with Rahul Dev Burman (thequint.com)
[1] Zeenat Aman did her schooling in Panchgani and went to University of Southern California in Los Angeles for further studies on student aid, but she could not complete her graduation. Upon her return to India, she first took up a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea in 1966. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.
Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of his sister in Hare Rama Hare Krishna. Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz) and she opted out. Zeenat Aman was chosen as a last-minute replacement. Her hip looks in Yaadon Ki Baaraat (1973) as the girl carrying a guitar, singing Churaliya Hai Tumne Jo Dil Ko (over Asha Bhosle's voice) has won her more popularity and the hearts of millions of fans.
Zeenat Aman unfortunately had to deal with domestic violence in both her marriages. Sanjay Khan, her first husband, had reportedly bashed her up leaving a permanent scar on her eye, and vision problems. Her second husband Mazhar Khan also reportedly harassed the actress physically. A brave Aman dressed up as a village girl with a burnt face when she approached Raj Kapoor's office, when he was finalising his heroine for Satyam Shivam Sundaram. He was so impressed and proud of her dedication, that he signed her right then.
[2] Dharmendra, Hema Malini, Vinod Khanna, Parveen Babi, Jeetendra, Neetu Singh, Vinod Mehra, and Danny Denzongpa.
[3] Out of RD Burman's 331 released movie scores, 292 were in Hindi, 31 in Bengali, 3 in Telugu, 2 each in Tamil and Oriya, and 1 in Marathi. RD also composed for 5 TV Serials in Hindi and Marathi.
February 3, 2016 | Categories: Indian, Soundtracks | Tags: AshaBhosle, BabyLetsDanceTogether, BombaytoGoa, Bullet, ChhoteNawab, ChorPolice, DumMaroDum, EkBaarPhir, Funtoosh, GeetaBali, GinaLollobrigida, Gumnaan, HareRamaHareKrishna, JoseFlores, KalayanjiAnandji, Kittu, MohammedRafi, OneTwoChaCha, Pancham, Panchamda, pantera, ParveenBabi, RahulDevBurman, RaidersoftheSacredStone, RDBurman, Rocky, SachinDevBurman, Shaan, Sholay, TeesriManzil, TheBurningTrain, TheDeadlyThief, ZeenatAman | 1 Comment
Bappi Lahiri – Mausam Hai Gaane Ka (Gun Master G9) Surakksha O.S.T.
Columbia 16540 Year 1979 Indiahttps://seven45rpm.files.wordpress.com/2015/10/s45-gunmasterg9.mp3
So I just recently returned from a short but incredible trip into country India, which I'm just refusing to let go of at the moment. The experience was one I'll never forget because of the people I met, the things I saw, and the sounds I heard.
Somehow, in the little city known as Pushkar, a small record shop appeared, something I was not expecting to see, and a lovely man named Shashi, sat behind the counter. Now my knowledge of Indian music is very thin, especially in the Bollywood genre, which is what a lot of the shop stock consisted of. But after a few days of drop-ins, and some great recommendations from the shop keeper, I started to comprehend the realisation that there were certainly some records that needed to come back home with me! While most of my wins were marvelous, colourful outlandish soundtrack LP's, I did also manage to bring home a few 7″s, including this one by prolific and renowned "disco king" Bappi Lahiri, that I thought I should share.
Bappi Lahiri was born in Calcutta, West Bengal in 1952 into a family with a rich tradition in classical music. His father, Aparesh Lahiri was a famous Bengali singer and his mother, Bansari Lahiri was a musician and a singer who was well-versed in classical music and Shyama Sangeet. His parents were determined to teach their only child in every aspect of music, and by the tender age of three, Bappi began to play the tabla. At the young age of 19, Bappi began his career as a music director, and received his first opportunity in a Bengali film, Daadu in 1972. The first Hindi film he composed music for was Nanha Shikari in 1973, and only 2 years later it was Tahir Husain's Hindi film, Zakhmee that brought him to the heights of Bollywood fame, also bringing forth a new era in the Hindi film industry. Bappi rose from strength to strength, and the music for his subsequent films Chalte Chalte and Surakksha were tremendously popular, placing Bappi on the pedestal of stardom, and making him the youngest music director of his time to have attained such intense success in such a short duration.
Surakksha, which I think translates as "Protection" in Hindi, was directed by Ravikant Nagaich and released in 1979. The film stars Mithun Chakraborty as CBI Officer Gopi, Ranjeeta Kaur, Jeevan, Jagdeep, Iftekhar, and Aruna Irani. Based as a spy thriller (with the hero's code of Gunmaster G9, as opposed to 007), it was the first of a two of such films with Chakraborty in the lead, the other being the sequel Wardat. The success of Surakksha made Chakraborty a huge commercial star.
I have yet to watch this film in it's entirety, so I'm just summarising the plot through other sources here. The evil Shiv Shakti Organization (SSO) intends to spread terror in India. The trouble starts when a plane manned by Captain Kapoor is attacked by a stream of deadly signals forcing the plane to land. The missing agent gets replaced by a look alike, but Officer Gopi, aka Gunmaster G-9, who was assigned by the Central Bureau of Investigation, is on to it! But there are obstacles, including Priya Varma, played by Ranjeeta Kaur, who's out to investigate her father's death, supposedly by Gopi, and who's determined to seduce and enslave him. Gunmaster G-9 must also battle other women, venomous snakes, gangsters, kidnappers and even a robot-human. The fast adventures continue with wild stunts and car chases, but of course there's always an opportunity to dance with scantily-clad girls, before there inevitable meeting with the patchy-eyed SSO chief Doctor Shiva .
Actress Prema Narayan who plays Maggie, is quite the attractive star who has quite an established Bollywood movie career, appearing in close to seventy films. Originally an English teacher in a convent school, she later opted for a modelling career and was crowned Femina Miss India World in 1971. Besides being noticed for her acting prowess she was also appreciated for her western-style dance numbers. A fine example of those said dance moves can be witnessed during the song Tere Jaisa Pyara Koi Nahin in Hotel. She was also a regular feature in lower-grade horror films including Mangalsutra, Saat Saal Baad and Ghabrahat. Mithun Chakraborty made his acting debut with the art house drama Mrigayaa (1976), for which he won his first National Film Award for Best Actor, and to this day has appeared in more than 350 films. Most famous for his lead role as dancer Jimmy in the 1982 super-hit film Disco Dancer, he is particularly recognised as one of the best "dancing-heroes" in Bollywood with his unique "Disco and Desi" fusion-style dancing that is immensely popular among the masses. The 1981 Gunmaster sequel Wardat, was even more high action with giant locust plagues attacks (brought on by evil men who plan to black market farmer's grains), a new hunch backed super villain called Jambola, more gadgets and even flying cars!
The title track Mausam Hai Gaane KaAlong, includes the popular singer Annette Pinto, who would provide her voice talents on the Gunmaster sequel a few years later as well. Her dynamic voice really delivers a huge cinematic, almost Morricone-like characteristic quality to this opening titles track, and has to be the perfect introduction director Nagaich could have wished for! She went on to release many more sizzlers with other producers also, including Handsome Man from Mr. Bond in 1992 (composer-duo Anand-Milind and brother Anand Chitragupth), the hot disco Love Me Now for Hemant Bhosle and the film Barrister in 1982, and the cheeky Hello Darling with Rajesh Roshan, from the film Telephone in 1985. She also stars on the absolute incredible title track for The Burning Train from composer Rahul Dev Burman, where you feel like she's channeling Yma Sumac! I will feature that one soon!
Surakksha also marked Bappi Lahiri's entry as a singer, where he would provide his voice talents onto four of films compositions, including the second track on this EP, Dil Tha Akela Akela, which incredibly sounds like The Stones' As Tears Go By! In fact throughout his career Lahiri has been accused of plagiarizing music produced by other composers without giving them any credit or royalties. I was actually surprised at first, when listening to a bunch of his records, at just how many covers he did, not realising that they were apparently original compositions. Ironically portions of his song Thoda Resham Lagta Hai were included in the song Addictive by American R&B singer Truth Hurts in 2002. Copyright holders sued Interscope Records and its parent company, Universal Music Group to the tune of more than $500 million. But lets not take any praise away from this talented producer/musican. His interpretation can sometimes be wonderful takes on well worn classics (have a listen to Meri Jaisi Mehbooba from Baadal) that can only make you squeal with delight.
Bappi Lahiri would go on to release literally stacks and stacks of LP's, and so far my standouts-latest discoveries include Karate, Wanted Dead or Alive, Morchha and Dance Dance…or big sounding soundtracks! Along with Biddu (who had the international breakthrough in 1974 with Kung Fu Fighting with eleven million records sold), Lahiri helped popularise disco music Indian style. The pioneer of disco beats with his refreshing, vibrant, and rhythmic music had the entire nation dancing for decades. He has also worked with renowned singers like Lata Mangeshkar and Asha Bhosle, had paved the path to fame for Alisha Chinai and Usha Uthup through his compositions, and has sung alsongside Mohammed Rafi and Kishore Kumar. In fact a barrage of popular singers have sung songs composed by Bappi Lahiri in a career spanning for 40 years in over 600 films in over 5000 songs. Bappi received an award in 1990 from the then Indian President Giani Zail Singh for the best musical score in the film Thanedaar and was invited by Ex-Prime Minister of India, H.D. Deve Gowda, to compose a song for the World Football Tournament in Calcutta.
Lahiri disappeared from the Indian film industry in the 1990s though he tried a brief comeback in the Prakash Mehra produced Dalal starring Mithun Chakraborty with the song Gutur Gutur which was a big hit although it had its share of controversies due to its suggestive lyrics. Thereafter he focused on bringing out albums with remixes of his earlier songs, and to this day appears on guest spots for popular TV shows, with the occasional film role. Lahiri is famous for his constant desire to reinvent himself and face the challenge to keep up with the rapidly changing preferences of current generations. He is the complete entertainer and superstar with his multiple talents as a singer, music director, and percussionist! I feel I have only scratched the surface of what this man has done for Bollywood music, and the damage to dance floors he is responsible for all around India.
References and recommendations…
Bappi Official
Prema Narayan – Interview
October 15, 2015 | Categories: Funk, Indian, Soundtracks | Tags: AnnetPinto, AnnettePinto, ApareshLahiri, AshaBhosle, BansariLahiri, Bappi, BappiLahiri, Barrister, Biddu, Bollywood, Daadu, Dalal, GunmasterG9, GuturGutur, Hindi, Karate, MithunChakraborty, Morchha, MrBond, PremaNarayan, Pushkar, RanjeetaKaur, ShivShakti, Surakksha, Surakshaa, Thanedaar, TheBurningTrain, UshaUthup, WantedDeadorAlive, Wardat, Zakhmee | 1 Comment


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← Mon 11 Feb: Brooke Sharkey (trio show)
Sat 12 Jan: Double Bill! James Riley / Daisy Chute →
December 23, 2018 · 9:20 pm
Weds 13 Feb: Robin Elliott with support from Jinnwoo
Venue: The Green Note, Camden NW1 7AN Ph 020 7485 9899
Doors open 7.00 pm, nearest tube Camden, three mins walk.
Tickets £10.00 adv £12.00 door
Robin Elliott returns to the Green Note with a special preview of material from his forthcoming full-length debut, 'There is a Land', performing with a hugely impressive new backing group as a three-piece/vocal trio. Robin's last show at the Green Note was the sell-out launch of 2017's stark and stunning At Sunset EP, which caused For Folk's Sake to dub him "one of the purest songwriting talents in music today."
'There is a Land' marks a move to a richer, full-band sound, encompassing Robin's love for daring, dazzling vocal harmonies, and showcasing his remarkable ability to unite seemingly disparate elements and forms of song in utterly coherent new ways, finding new roads across the old landscape. The record, like his live shows, mixes folk with pop and jazz, traditional forms with modern narrative subversions, absurd performance-art moves with a gruff Northern comedic sensibility. This is an artist hitting his stride, and should not be missed.
Brighton-based visual artist and singer-songwriter Jinnwoo's critically-acclaimed debut 'Your Baby' E.P. resulted in his being named one of The Independent's 'Faces to Watch 2015'. His long-awaited debut album 'Strangers Bring Me No Light.' was released on the much respected Cargo label on 2nd Sept 2016. The album features collaborations with Malcolm Middleton, Alasdair Roberts, Kami Thompson (The Rails) and Kylie La Grange. His sparse atmospheric folk-soundscapes, laced with ghostly string arrangements and his exceptional acoustic guitar work, offer a kind of 'spooked' 'gothic' folk that sounds like no other. 'Strangers Bring Me No Light' is nothing short of a seminal record and Jinnwoo a true original.
The Independent – "jinnwoo is the most singular new folk talent in some time" 4/5
The Guardian – "Jinnwoo's gothic folk-croak is a confessional reel unspooling from his innards, a tale of circling doom"
The Line of Best Fit – "A rising talent in the folk world, Jinnwoo has been setting hearts ablaze with his off-kilter guitarisms and distinct, emotive vocals."
New Roots is committed to promoting events that shine a light on up and coming talent in the UK alt-folk scene. It's committed to providing artists with an environment that is sympathetic to what they do, giving musicians the respect they and their music deserves – for this reason we ask for no talking and no use of mobile phones while artists are performing. Our music policy comes from the kitchen table, the roots of public performance- intimate, acoustic based, high quality musicianship with as little interference between performer and listener as possible.
Website: http://www.newrootsevents.com
New Roots Radio: https://www.mixcloud.com/RadioNewRoots/


text:
package org.apache.hyracks.storage.am.lsm.btree.perf;

import java.io.File;
import java.text.SimpleDateFormat;
import java.util.Date;

import org.apache.hyracks.api.dataflow.value.IBinaryComparatorFactory;
import org.apache.hyracks.api.dataflow.value.ITypeTraits;
import org.apache.hyracks.api.exceptions.HyracksDataException;
import org.apache.hyracks.api.io.FileReference;
import org.apache.hyracks.storage.am.btree.exceptions.BTreeException;
import org.apache.hyracks.storage.am.btree.frames.BTreeNSMInteriorFrameFactory;
import org.apache.hyracks.storage.am.btree.frames.BTreeNSMLeafFrameFactory;
import org.apache.hyracks.storage.am.btree.impls.BTree;
import org.apache.hyracks.storage.am.common.api.IFreePageManager;
import org.apache.hyracks.storage.am.common.api.ITreeIndexAccessor;
import org.apache.hyracks.storage.am.common.api.ITreeIndexFrameFactory;
import org.apache.hyracks.storage.am.common.api.TreeIndexException;
import org.apache.hyracks.storage.am.common.datagen.DataGenThread;
import org.apache.hyracks.storage.am.common.datagen.TupleBatch;
import org.apache.hyracks.storage.am.common.impls.NoOpOperationCallback;
import org.apache.hyracks.storage.am.common.tuples.TypeAwareTupleWriterFactory;
import org.apache.hyracks.storage.am.lsm.common.freepage.VirtualFreePageManager;
import org.apache.hyracks.storage.am.lsm.common.impls.VirtualBufferCache;
import org.apache.hyracks.storage.common.buffercache.HeapBufferAllocator;
import org.apache.hyracks.storage.common.buffercache.IBufferCache;
import org.apache.hyracks.storage.common.file.TransientFileMapManager;

public class InMemoryBTreeRunner extends Thread implements IExperimentRunner {
    protected IBufferCache bufferCache;
    protected FileReference file;

    protected final static SimpleDateFormat simpleDateFormat = new SimpleDateFormat("ddMMyy-hhmmssSS");
    protected final static String tmpDir = System.getProperty("java.io.tmpdir");
    protected final static String sep = System.getProperty("file.separator");
    protected String fileName;

    protected final int numBatches;
    protected BTree btree;

    public InMemoryBTreeRunner(int numBatches, int pageSize, int numPages, ITypeTraits[] typeTraits,
            IBinaryComparatorFactory[] cmpFactories) throws HyracksDataException, BTreeException {
        this.numBatches = numBatches;
        fileName = tmpDir + sep + simpleDateFormat.format(new Date());
        file = new FileReference(new File(fileName));
        init(pageSize, numPages, typeTraits, cmpFactories);
    }

    protected void init(int pageSize, int numPages, ITypeTraits[] typeTraits, IBinaryComparatorFactory[] cmpFactories)
            throws HyracksDataException, BTreeException {
        bufferCache = new VirtualBufferCache(new HeapBufferAllocator(), pageSize, numPages);
        TypeAwareTupleWriterFactory tupleWriterFactory = new TypeAwareTupleWriterFactory(typeTraits);
        ITreeIndexFrameFactory leafFrameFactory = new BTreeNSMLeafFrameFactory(tupleWriterFactory);
        ITreeIndexFrameFactory interiorFrameFactory = new BTreeNSMInteriorFrameFactory(tupleWriterFactory);
        IFreePageManager freePageManager = new VirtualFreePageManager(bufferCache.getNumPages());
        btree = new BTree(bufferCache, new TransientFileMapManager(), freePageManager, interiorFrameFactory,
                leafFrameFactory, cmpFactories, typeTraits.length, file);
    }

    @Override
    public long runExperiment(DataGenThread dataGen, int numThreads) throws Exception {
        BTreeThread[] threads = new BTreeThread[numThreads];
        int threadNumBatches = numBatches / numThreads;
        for (int i = 0; i < numThreads; i++) {
            threads[i] = new BTreeThread(dataGen, btree, threadNumBatches);
        }
        // Wait until the tupleBatchQueue is completely full.
        while (dataGen.tupleBatchQueue.remainingCapacity() != 0) {
            Thread.sleep(10);
        }

        long start = System.currentTimeMillis();
        for (int i = 0; i < numThreads; i++) {
            threads[i].start();
        }
        for (int i = 0; i < numThreads; i++) {
            threads[i].join();
        }
        long end = System.currentTimeMillis();
        long time = end - start;
        return time;
    }

    @Override
    public void init() throws Exception {
    }

    @Override
    public void deinit() throws Exception {
        bufferCache.close();
    }

    @Override
    public void reset() throws Exception {
        btree.create();
    }

    public class BTreeThread extends Thread {
        private final DataGenThread dataGen;
        private final int numBatches;
        private final ITreeIndexAccessor indexAccessor;

        public BTreeThread(DataGenThread dataGen, BTree btree, int numBatches) {
            this.dataGen = dataGen;
            this.numBatches = numBatches;
            indexAccessor = btree.createAccessor(NoOpOperationCallback.INSTANCE, NoOpOperationCallback.INSTANCE);
        }

        @Override
        public void run() {
            try {
                for (int i = 0; i < numBatches; i++) {
                    TupleBatch batch = dataGen.tupleBatchQueue.take();
                    for (int j = 0; j < batch.size(); j++) {
                        try {
                            indexAccessor.insert(batch.get(j));
                        } catch (TreeIndexException e) {
                        }
                    }
                }
            } catch (Exception e) {
                e.printStackTrace();
            }
        }
    }
}

redpajama_set_name: RedPajamaGithub