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Concert Review – Trivium & Arch Enemy (The Danforth Music Hall, Toronto, ON, 11/07/2017)
Posted on November 8, 2017 by Gustavo Scuderi
Over 1,500 metalheads headed over to Toronto's Greektown for a flammable night of modern and vibrant contemporary metal music, courtesy of the iconic Arch Enemy and the unstoppable Trivium.
OPENING ACTS: Fit For An Autopsy and While She Sleeps
Although it's getting colder and colder as the month of November begins to switch from the colors of fall to the monochromatic look of winter, I guess no one can complain about the clear and not-so-chilly weather yesterday in Toronto, turning the night into the perfect occasion to head to The Danforth Music Hall, located at the easternmost side of what's known as "Greektown", to watch the fulminant performances by two of the most important bands in contemporary metal music, Swedish Melodic Death Metal masters Arch Enemy and American Heavy Metal troopers Trivium, both promoting their brand new kick-ass albums. Not only that, weeks before the concert all tickets were already sold out, which means we were going to experience around 1,500 metalmaniacs screaming, jumping up and down and slamming into the pit together with the bands. It can't get any better than this, my friends.
The two bands chosen to warm up the crowd in a night of modern and aggressive heavy music were American Deathcore act Fit For An Autopsy and British Metalcore group While She Sleeps, with FIT FOR AN AUTOPSY being the first to hit the stage at 6:30pm. Formed in 2008 in Jersey City, in the state of New Jersey, United States, the band is supporting Arch Enemy and Trivium during their fall tour by promoting their latest album, titled The Great Collapse, released earlier this year. If Deathcore is your cup of tea, go check The Great Collapse in full on YouTube as their setlist was 2/3 formed of songs from that album, and also watch their official video for Black Mammoth, the closing song of their performance.
Heads Will Hang
Absolute Hope Absolute Hell
Still We Destroy
Iron Moon
Black Mammoth
Joe Badolato – vocals
Will Putney – guitar
Patrick Sheridan – guitar
Tim Howley – guitar
Peter Spinazola – bass
Josean Orta – drums
After that good start it was time for WHILE SHE SLEEPS to blast their Metalcore precisely at 7:15pm to all metalheads that were already at the venue (and the ones arriving a little late). Formed in 2006, this Sheffield-based squad is currently promoting their new album You Are We, with their setlist also being almost 100% based on it. New songs like the opening tune You Are We, Silence Speaks, and the closing one Hurricane kept the audience warm enough for the main attractions of the night, with lead singer Lawrence Taylor and bassist Aaran Mckenzie being absolutely on fire from start to finish.
You Are We
Civil Isolation
Silence Speaks
Lawrence Taylor – vocals
Sean Long – guitar
Mat Welsh – guitar, vocals
Aaran Mckenzie – bass
Adam Savage -drums
Finally, after over three long years (the last time the band was in town was in 2014 together with Kreator), Toronto had the pleasure of witnessing another bestial performance by ARCH ENEMY, precisely at 8:05pm (the punctuality of the concerts in Toronto always amazes me), and let me tell you that this time the whole band was even sharper and heavier than last time. Well, let's say that is most probably due to the fact that in their new album, the excellent Will to Power, Arch Enemy put the pedal to the metal, sounding less melodic and more ruthless, and when their new songs were transferred to the stage the result couldn't be different than some insane mosh pits, lots of growling and fists and horns in the air.
Frontwoman Alissa White-Gluz (with her always exotic and apocalyptic attire) seemed extremely happy and excited (as expected) to be with Arch Enemy once again in her homeland Canada, saying that it might be difficult for the band to cross the ocean to play in North America, but when they're able to finally come to Canada and the US, it's definitely worth it. She said that although she's originally from Montreal, Quebec, she nurtures a deep passion and respect for Toronto, and the fans responded to that statement with a lot of enthusiasm, banging their heads nonstop to each and every song played by Arch Enemy. As mentioned, the new songs worked extremely well, in special the high-octane Slayer-ish tornado titled The Race, which by the way Alissa said is her favorite of the new album (and mine too), and the classy and groovy Blood in the Water.
Sharlee D'Angelo and Daniel Erlandsson were as precise and competent as usual with their bass and drums, respectively, but I must say it's impressive how crystal clear, blazing and tuneful the guitars by Michael Amott and Jeff Loomis sounded during their entire performance. Those guys are true BEASTS with their cutting riffs and solos, sounding so perfect to the point you couldn't tell if they were playing live or if it was the studio version of the songs. Whoever adjusts their instruments prior to the shows is a technical genius, no doubt about that, and if you get to see Arch Enemy live anywhere during this tour simply close your eyes and let each note played by Mr. Amott during the classic instrumental piece Snow Bound penetrate deep into your soul. The only "complaint" I have about their concert was the presence of not-so-exciting songs in their setlist, like Stolen Life, You Will Know My Name and Avalanche, which worked well, I have to admit that, but imagine if they played some of their more obscure and scathing classic tunes, like what happened with Ravenous, Dead Bury Their Dead and especially Nemesis? Well, we'll have to wait for their next Canadian tour to see what they'll do to their setlist (and I can't wait for that).
Set Flame to the Night (Intro)
Stolen Life
War Eternal
My Apocalypse
You Will Know My Name
The Eagle Flies Alone
As the Pages Burn
Dead Bury Their Dead
We Will Rise
Enter the Machine (Outro)
Alissa White-Gluz – vocals
Michael Amott – lead guitars, backing vocals
Jeff Loomis – lead guitars, backing vocals
Sharlee D'Angelo – bass
Daniel Erlandsson – drums
After a short break, where the house DJ played some all-time classics on the speakers such as Iron Maiden's "The Prisoner" and Motörhead's "Born to Raise Hell" to keep the momentum created by Arch Enemy going, Orlando-based metallers TRIVIUM took the stage by storm at 9:45pm sharp already with the opening track of their superb new opus, The Sin and the Sentence, the title-track The Sin and the Sentence, which made the crowd explode in awe and ignited some serious mosh pits all over the venue. Matt Heafy, Corey Beaulieu and Paolo Gregoletto were as electrified and in sync as usual, with Matt leading the fans with his "meme-generator" faces and gestures, but it was newcomer Alex Bent who stole the spotlight. Holy shit, that guy is a relentless killing machine on drums, elevating the band's already heavy sonority to a whole new level. Needless to say, he played all songs to perfection, in special one of the best of the new album and a serious candidate to become a Trivium classic, the Black Metal-inspired tune Betrayer.
Surprisingly (at least for me), one of the songs with the strongest reaction from fans was Until the World Goes Cold, which is a pretty nice ballad but, let's be realistic, it's far from being as awesome as classics like Down From the Sky and Kirisute Gomen. Two of the other songs from The Sin and the Sentence, the radio-friendly The Heart From Your Hate and Thrown Into the Fire, also sounded and felt truly heavy and thrilling, proving once again that Trivium are one of the most effective bands in heavy music when composing both heavier and slower, more melodic songs. Just like what happened with Arch Enemy, I missed a few songs in their setlist, especially some of the more complex tunes from Shogun, but Matt & Co. know what they were doing when they put this setlist together, trying to encompass all of the band's phases in a little less than one hour and a half.
Last but not least, when the intro Capsizing the Sea started playing we all knew the show was coming to an end, but not before Matt thanked Toronto for another fantastic night of metal, promising to always return to the city with another blast of Trivium music, and asking everyone present at the venue to get down or kneel before one of their biggest classics, if not the biggest of all, In Waves. If you enjoy Slipknot you've already seen Corey Taylor and his bandmates do the same during their concerts, and with In Waves that Slipknot-ish formula worked extremely well like a precise time bomb, with all fans jumping up and down like maniacs while bursting their lungs screaming the two words from the song's name. I guess there wasn't a single fan that wasn't eager for more Trivium when the show was over, as both Arch Enemy and Trivium had shorter-than-usual time slots to play for co-headlining the tour, but again, we must learn to be patient and wait for Trivium to get back in town in a not-so-distant future, right? At least Matt promised to be back soon, and we must trust the man.
The Sin and the Sentence
Down From the Sky
Until the World Goes Cold
Like Light to the Flies
Dusk Dismantled
Strife
The Heart From Your Hate
Kirisute Gomen
Thrown Into the Fire
Capsizing the Sea (Intro)
In Waves
Posted in Toronto, ON	| Tagged aaran mckenzie, alex bent, alissa white-gluz, arch enemy, avalanche, betrayer, black mammoth, blood in the water, canada, capsizing the sea, corey beaulieu, daniel erlandsson, dead bury their dead, deathcore, down from the sky, fit for an autopsy, heavy metal, hurricane, in waves, jeff loomis, kirisute gomen, lawrence taylor, matt heafy, melodic death metal, metalcore, michael amott, nemesis, ontario, paolo gregoletto, ravenous, sharlee d'angelo, silence speaks, snow bound, stolen life, the danforth music hall, the great collapse, the heart from your hate, the race, the sin and the sentence, thrown into the fire, toronto, trivium, until the world goes cold, while she sleeps, will to power, you are we, you will know my name	| 1 Reply
Album Review – Trivium / The Sin and the Sentence (2017)
Fast and intricate riffs, poetic lyrics, a sensational new drummer and, above all, the return of Matt's trademark screams. That's the formula for best metal album of the year.
Finally, after two somewhat controversial albums (the technically excellent but not unanimous Vengeance Falls, from 2013, and the extremely tiresome Silence In The Snow, from 2015), Orlando-based Heavy Metal fighters Trivium are back on track with what's probably going to be the best metal album for most critics and fans worldwide, the sharp, dynamic and vibrant The Sin and the Sentence. This amazing release (the eight studio album in their solid career) features everything you learned to love in the music by Trivium, such as fast and intricate riffs, poetic lyrics and, above all, the return of the band's mastermind Matt Heafy's screaming vocals, by far the most important element that makes The Sin and the Sentence a million light-years better than Silence In The Snow.
Not only Matt's enraged growls are back, but it seems that the band has at long last found the perfect drummer for their music, the talented Alex Bent (Battlecross, Brain Drill, Dragonlord), who replaced drummer Paul Wandtke, and as soon as you hit play you'll be able to clearly see the humongous difference Alex makes to their sound. In addition, another interesting thing in The Sin and the Sentence is that the album wasn't going to be called this way if it wasn't for the cover art and design done by Matt's wife, Ashley Heafy, with whom he's married since January 2010. In a recent interview, Matt stated that the working title for the album was The Revanchist and that the album was going to have gold and neon colors; however, those plans were changed once Ashley presented the band with symbols for each accompanying song, and from there The Sin and the Sentence was born.
The opening track, The Sin and the Sentence, kicks off in full force, with newcomer Alex showing us all the wonders a high-skilled drummer can do to a band. This born-to-be-a-classic tune is extremely addictive and as heavy as hell, with an inspired (and recovered) Matt simply kicking fuckin' ass on vocals; and it seems that no matter how their music sounds, Matt & Co. definitely know how to craft beautiful lyrics ("I saw the dagger eyes staring back at me / I knew I'd never have a chance to bleed / Guilty, but in the sight of fallen men / They bury you before you speak / (The sin and the sentence)"). Then blending Death, Groove, Progressive and even Black Metal in an aggressive but very melodic manner, Beyond Oblivion, a technical tune that lives up to the band's legacy, showcases fun, uprising backing vocals in sync with the rumbling sound of the bass by Paolo Gregoletto, not to mention their once again hypnotizing lyrics ("These shadows sleep so soundly / Appalled, he now averts his eyes / Disgraced, he felt so empty / Entrusting us with our demise"). And Other Worlds feels closer to what they did in the albums In Waves and Silence in the Snow by focusing on the clean vocals by Matt, while Corey Beaulieu and Matt deliver sharp and very harmonious guitar lines and solos, presenting hints of modern Hard Rock in its rhythm.
The second single of the album, The Heart from Your Hate, is another great example of how Trivium can adapt from being a truly heavy machine to a more radio-friendly band, presenting a catchy chorus that goes along really well with the song's main riff; whereas Betrayer can be considered the most visceral and electrifying of all tracks in the album, a full-bodied, intricate composition that brings several elements from the band's first (and more ferocious) albums. Furthermore, do you also think the guitars sound a lot like the classic riffage by Black Metal titans Emperor, one of Matt's favorite bands of all time? Anyway, in The Wretchedness Inside, a song to bang your head like a maniac, Paolo sounds thunderous on bass, with the song's overall rhythm reminding me of the most recent albums by Slipknot mixed with Trivium's In Waves sounding. And, as usual, Matt provides us another blast of top-notch lyrics ("Submerged in dirt but it was never enough / To quell the fire in the back of my lungs / My bones are aching and my head is a mess / They said to run but I'm obsessed with the madness"). As a side note, this song was actually taken from a demo Matt ghostwrote for a different band in 2014; the song was never used though, so Trivium simply re-recorded it for The Sin and the Sentence. The following track, titled Endless Night, feels like some songs from Vengeance Falls, again with a higher focus on Matt's clean vocals, also bringing hints of Hard Rock to their heavy sonority. Moreover, the sound of bass guitar, which by the way is simply fantastic the whole album, ends up boosting the impact of this specific tune considerably.
Sever the Hand is a first-class composition that can be divided in two distinct pieces, the first presenting a more melodic, smoother musicality, while the second brings all Trivium's fury, in special the precise beats by Alex, the demonic riffage by Matt and Corey, and Matt's sick growling. More obscure but still heavy and metallic, Beauty in the Sorrow displays gripping guitars by Matt and Corey (as well as one of the best guitar solos of the whole album), again bringing hints of traditional Black Metal in its riffs; whereas The Revanchist, one of Trivium's most progressive songs of their past few albums and the longest in The Sin and the Sentence, brings forward powerful, metallic bass lines that will punch you in the head while Matt tells the story in a solid and entertaining manner, not to mention how Alex yet again steals the spotlight with his bestial, rhythmic drumming. Lastly, Thrown into the Fire is a song that showcases all elements from most of Trivium's phases, not to mention how superb Matt's screams sound. With the insane beats by Alex dictating the song's rhythm, the final result is furious and harmonious just the way we love it, ending this awesome album in a brutal, vile and piercing way.
After listening to The Sin and the Sentence, do you also agree with me it will most probably be the best metal album of 2017? Let's face it, there are tons of amazing albums launched this year, like the new ones from Kreator, Mastodon and Accept, but the new installment by Trivium is by far the most complete, creative and exciting of all (at least for me). Well, even if you think another album (or maybe albums) is better than The Sin and the Sentence, it's still worth the investment, so go grab your favorite version of it at the Warner Music webstore, and don't miss Matt & Co. when they take your city by storm in the coming months. And, obviously, let's hope the band keeps the momentum going for years to come in the same awesome vein as they just delivered us all with The Sin and the Sentence.
Best moments of the album: The Sin and the Sentence, Betrayer, Sever the Hand and Thrown into the Fire.
Worst moments of the album: None.
1. The Sin and the Sentence 6:23
2. Beyond Oblivion 5:17
3. Other Worlds 4:50
4. The Heart from Your Hate 4:04
5. Betrayer 5:27
6. The Wretchedness Inside 5:32
7. Endless Night 3:38
8. Sever the Hand 5:26
9. Beauty in the Sorrow 4:31
10. The Revanchist 7:17
11. Thrown into the Fire 5:29
Japanese Edition bonus track
12. Pillars of Serpents '17 (re-recorded version) 5:03
Posted in 2017 New Releases	| Tagged alex bent, ashley heafy, betrayer, black metal, corey beaulieu, death metal, florida, groove metal, hard rock, heavy metal, matt heafy, orlando, paolo gregoletto, progressive metal, sever the hand, silence in the snow, the heart from your hate, the sin and the sentence, the wretchedness inside, thrown into the fire, trivium, united states, vengeance falls	| 4 Replies
Album Review – Trivium / Silence In The Snow (2015)
Posted on October 3, 2015 by Gustavo Scuderi
Don't scream for me, Matt.
Can you imagine what would happen if Motörhead decided one day to stop playing their badass Rock N' Roll to start focusing exclusively on electronic music, or if Cannibal Corpse suddenly started playing only acoustic songs, singing about butterflies and unicorns, without a single drop of blood in their lyrics? That's something almost impossible to visualize, right? And the reason for that is because if those bands actually decided to do that, to completely change their music direction, they would simply lose their core essence, the main element that defines who they are. Once in a while we see our beloved bands following that horrible path, like Megadeth with their awful "Risk" and obviously Metallica with the worst "metal" album of all time, the annoying "St. Anger". Now it's time for American Heavy Metal band Trivium to leave an unfortunate scar in their solid career with the tiresome Silence In The Snow, their seventh studio album and by far their worst work to date.
And I'm not complaining exclusively about the fact that there aren't any unclean/harsh vocals at all from neither Matt Heafy nor Corey Beaulieu for the first time ever in a Trivium album, which is already a huge bummer, but also about the fact that the music itself is too generic, tasteless and pedestrian, despite being still technical and harmonious. In other words, it lacks so much energy to the point no one is saying anything about this being their first album with Mat Madiro on drums, and we all know how much fans of the band like to chat about which Trivium drummer is or was the best. Besides, where are the rumbling and complex bass lines by Paolo Gregoletto? Some people will try to defend the band saying they already changed their musicality in their latest albums In Waves (too weird?) and Vengeance Falls (too Disturbed-ish?), that they are evolving, but we cannot compare those electrifying releases with this ode to monotony. I listen to In Waves almost as much as to Shogun, without skipping a single song, because after all is said and done it's a fuckin' awesome Heavy Metal album. But Silence In The Snow, oh boy, I'm pretty sure I'll never listen to it again of my own free will. It's not Heavy Metal, Thrash Metal or even Metalcore.
The Star Wars-ish intro Snøfall is relatively good, but the problem is that after listening to the entire album it made me think a lot about Episode I – The Phantom Menace, which we all know is strongly abhorred by everyone that truly loves Darth Vader & Co. At least the title-track, Silence in the Snow, has its good moments, and albeit not brilliant it has an epic vibe mainly due to Matt's potent clean vocals. In addition, as I mentioned on the review to their concert here in Toronto last week, it gains a lot of vitality when played live. The same can be said about Blind Leading the Blind, which is Trivium without harsh growls (maybe some screams would have turned it into a classic), providing the listener their catchy and metallic riffs thanks to a great performance by all members, especially Matt and Corey. From this point on it's just downhill, starting with Dead and Gone, which is almost enjoyable if it wasn't for one minor detail: this totally feels like a SCREAMING tune, something we should be busting our throats off together with the band, where instead of a clean "Dead and goooooone!" it should have been "DEAAAAD ANNHH GAAAAAAHHHNNN!", you know what I'm saying? There's no punch!
The first few seconds of The Ghost That's Haunting You are promising, before it becomes a feast of generic noises including boring drums, even more boring riffs and a huge amount of "nothing" in its lyrics. This song desperately needed some screams to become decent, with its guitar solos saving it from a total disaster. Pull Me from the Void is yet another song with a favorable start, as fast as it should be, with its instrumental parts living up to Trivium's legacy. However, I can't explain why but it never really takes off, maybe it's because of its horrible chorus, but the overall result is no better than just average. Then we have the ballad Until the World Goes Cold, which I learned to enjoy, but the problem in this case is that if it was something like "Of All These Yesterdays" from In Waves it would have been a lot more efficient. I mean, if it was a COMPLEMENT to a powerful Trivium album I'm sure even the most diehard fan of the band wouldn't complain about it, but when an average ballad is one of the highlights of the album you know there's something wrong.
I don't know where to start so bad Rise Above the Tides is. This mediocre tune sounds pretty much like the biggest hit from a generic band that plays at a pop/rock radio station for a few weeks or months and then disappears forever. I hope Matt & Co. never EVER play this garbage live, because that would mean they wouldn't be playing something a billion times better instead, therefore wasting some precious time of the concert. And for a band that has crafted such bestial tunes like "Insurrection", "Through Blood and Dirt and Bone" and "Becoming the Dragon", the following track entitled The Thing That's Killing Me is 100% unacceptable. It's one more tricky song that begins in an exciting way but quickly turns into nothing remarkable again. Well, they can have this song played on any pop/rock radio station in the world, but is that what they really want for their career?
Anyway, Beneath the Sun feels like a double-edged sword: add screams and we would have a more than awesome tune; keep it the way it is and you might listen to it once or twice, but will surely never want to make that same mistake again. Not even the instrumental pieces remind me of the real Trivium, it's just a lazy version of some generic Alternative Metal band added to the album for a reason beyond my comprehension. Fortunately, in the excellent Breathe in the Flames it seems the "generic" virus hasn't killed all their essence yet, sounding (almost) like pure Trivium, just with the screams (unfortunately) missing, of course, and together with "Blind Leading the Blind" it's the only song worth listening in the future when the album is no longer a new release and the initial excitement of it is gone. In fact, it's the only one that sounds truly metal and that I want to see them playing live in their future concerts.
And that's the end of Silence In The Snow. Well, the special edition contains two other non-exciting tunes that don't add anything worth mentioning to the album (albeit Cease All Your Fire has its decent moments), so let's not worry about those. When the album is over, there's a strong feeling of void, you don't feel energized or anything positive, and all you want to do is any other activity, no matter what, as long as that doesn't include listening to it again. This is definitely NOT a good Trivium album, far from that, which makes me wonder if it wasn't a better idea for Matt to have released it as a solo project instead. Leastwise, if Matt had let Corey scream in most of the songs, we might not have been complaining so much about it, but that's just a distant dream now that the album is already released. I understand Matt's goal to evolve as a singer, not screaming anymore, and I respect that, but that doesn't mean we are forced to enjoy this below-average pop/rock album just because it is Trivium. In the end, I will always love their music, their previous albums and their ass-kicking live performances. But Silence In The Snow? Thanks, but no thanks.
Best moments of the album: Blind Leading the Blind and Breathe in the Flames.
Worst moments of the album: The Ghost That's Haunting You, Rise Above the Tides, The Thing That's Killing Me and Beneath the Sun.
1. Snøfall 1:28
2. Silence in the Snow 3:40
3. Blind Leading the Blind 4:25
4. Dead and Gone 3:41
5. The Ghost That's Haunting You 4:03
6. Pull Me from the Void 3:50
7. Until the World Goes Cold 5:21
8. Rise Above the Tides 3:50
9. The Thing That's Killing Me 3:25
10. Beneath the Sun 3:52
11. Breathe in the Flames 4:59
Special edition bonus tracks
12. Cease All Your Fire 5:00
13. The Darkness of My Mind 4:44
Matt Heafy – guitar, lead vocals
Corey Beaulieu – guitar, vocals
Paolo Gregoletto – bass, vocals
Mat Madiro – drums
Posted in 2015 New Releases	| Tagged blind leading the blind, breathe in the flames, corey beaulieu, florida, heavy metal, mat madiro, matt heafy, metalcore, orlando, paolo gregoletto, pop rock, roadrunner records, silence in the snow, thrash metal, trivium, until the world goes cold, usa	| 3 Replies
Concert Review – Trivium & Tremonti (Phoenix Concert Theatre, Toronto, ON, 09/22/2015)
Posted on September 24, 2015 by Gustavo Scuderi
There might be silence in the snow during this coming winter, but there was surely a lot of good noise and blazing hearts on the last night of the summer in Toronto.
OPENING ACT: Wilson
Unfortunately, due to traffic and working issues, I cannot say anything about the performance by American Hard Rock/Rock N' Roll band WILSON, who were in charge of warming up the crowd for the main attractions of the night at the Phoenix Concert Theatre as part of the 2015 HardDrive Live Tour. All I can say is that if you're curious to know how their music sounds, two very good songs are Give 'Em Hell and College Gangbang, both part of their setlist. And, in addition, in case your first or last name is "Wilson" I suggest you go after their merchandise right away. Who wouldn't love to have your own name on a cool T-shirt like this one? Maybe next time they're around I'll go check their live performances, but this time the Gardiner didn't allow me to do so.
Before I Burn
Give 'Em Hell
College Gangbang
Waiting on the World to Cave In
Windows Down
Right to Rise
Susan Jane
Chad Nicefield – vocals
Jason Spencer – guitar
Kyle Landry – guitar
James Lascu – bass
Puhy – drums
For those of you who don't know this excellent guitarist, award-winning American musician MARK TREMONTI is the lead guitarist and founding member of the famous rock groups Creed and Alter Bridge, and since 2012 he's been on the road with his solo project that takes his last name, being also responsible for the band's lead vocals. And that's probably the main reason why there were so many people eager to see Tremonti, I would say almost the same amount that were at the venue to see Trivium, because not only his music is clean and cohesive, but also fun.
Playing a mix of Hard Rock, Rock N' Roll, Speed Metal and Alternative Metal, this Detroit-based band did a pretty good job during their relatively lengthy setlist, which ended up extending their concert to past 10pm and therefore "forcing" some people to go home before Trivium started due to different reasons, such as work or classes the next morning. I'll be 100% honest and say that their music is not really my cup of tea, but I enjoyed their performance as much as I could while having a cold Rolling Rock. Perhaps the biggest issue with the concert was the huge amount of ballads, because when they played heavier stuff you could feel a much stronger reaction from everyone at the venue.
I'm not familiar with the names of the songs either, but if there were two that caught my attention were curiously the very first, Cauterize, and the very last, Decay, due to their strength and speed. In other words, if you're more into old school metal music (including really heavy stuff like Death and Black Metal) like I am you might consider Tremonti a bit too light for your taste, but as a straightforward rock band they more than deliver it on stage.
Cauterize
You Waste Your Time
All I Was
So You're Afraid
Another Heart
Flying Monkeys
The Things I've Seen
Radical Change
Tie the Noose
Dark Trip
Arm Yourself
Wish You Well
Mark Tremonti – lead vocals, lead and rhythm guitar
Eric Friedman – lead and rhythm, backing vocals
Tanner Keegan – bass guitar, backing vocals
Garrett Whitlock – drums
After a short pause to the sound of the entire Ace Of Spades album, by Motörhead, lights went down and like many bands do, the speakers played a classic song TRIVIUM truly love to ignite the hearts of the fans waiting for their performance. Well, they chose the all-time battle hymn "Run to the Hills" by Iron Maiden for that. Do I need to say more? After that brilliant demonstration of passion for metal music and after their own intro Snøfall, our already iconic and influential Orlando-based metallers hit the stage between two giant skulls from their new album with one of their brand new songs, the good Silence in the Snow. Matt was electrified as usual, wearing a Dio T-shirt and an Emperor vest, again showing his respect and admiration for his idols in music and his loyalty to his roots, while Corey Beaulieu, Paolo Gregoletto and Mat Madiro interacted with the fans as much as possible during and between songs to make things even better.
I know some people are complaining Matt doesn't want to scream anymore, but all three new songs (Silence in the Snow, Until the World Goes Cold and especially Blind Leading the Blind, which Matt dedicated to the unparalleled Ronnie James Dio while telling a story about food and friendship when they opened for Heaven & Hell in Japan in 2007) sounded truly powerful live, proving the harsh screams are not really necessary for them to work. However, as an old school metalhead I have to say it was when they played their classic assaults Throes of Perdition, Pull Harder on the Strings of Your Martyr and A Gunshot to the Head of Trepidation that things got really serious inside the mosh pits. Moreover, although Corey was incredible with his guitar, I think he seemed a little "lost" during the songs without the harsh screams. Let the guy scream, please!
And I was impressed (actually, the whole band was too) with the insane reaction of the crowd for each and every song of their setlist, in special their "newer" classics Strife (including a loud and awesome "Oh-oh-oh… Oooooh!" to its Iron Maiden-ish riffs, as demanded by Matt), Built to Fall (what a "built-to-fall" image seeing everybody singing the whole song at full force with Trivium!) and Black, showcasing how thrilling In Waves and Vengeance Falls are despite some diehard fans not digging those albums. Not to mention the amazing turmoil caused by the fans during the superb duo Capsizing the Sea/In Waves, which started with a decent wall of death just for you to have an idea of how crazy fans were. The band noticed that, enjoyed that and acknowledged that on their social media, saying Toronto was the best crowd of the entire tour. I have to agree with them, it was indeed a fantastic night, much better than their last concert back in 2013 at the same venue.
And in order to keep us all craving for more Trivium and more metallic tunes, the sound system played the masterpiece "Heaven & Hell" by Black Sabbath, which was sung by most fans so excited everybody got after Trivium finished their flawless performance. Now let's wait and see how their entire new album sounds like, if there won't be any screams at all or if they'll still offer us some harsher moments like the ones we learned to love from their music. It might have been the last night of summer in Toronto, but it was more than enough to keep our hearts on fire through the fall and the winter, even if there's total silence in the snow that's about to come soon.
Snøfall
Silence in the Snow
Becoming the Dragon
Pull Harder on the Strings of Your Martyr
Built to Fall
Throes of Perdition
Anthem (We Are the Fire)
A Gunshot to the Head of Trepidation
Blind Leading the Blind
Dying in Your Arms
Capsizing The Sea
Posted in Toronto, ON	| Tagged 2015 harddrive live tour, a gunshot to the head of trepidation, ace of spades, alter bridge, alternative metal, black, black sabbath, blind leading the blind, built to fall, canada, capsizing the sea, cauterize, college gangbang, corey beaulieu, creed, decay, emperor, give 'em hell, hard rock, heaven & hell, heavy metal, in waves, iron maiden, mark tremonti, mat madiro, matt heafy, motorhead, ontario, paolo gregoletto, phoenix concert theatre, pull harder on the strings of your martyr, rock n' roll, ronnie james dio, run to the hills, silence in the snow, snøfall, speed metal, strife, thrash metal, throes of perdition, toronto, tremonti, trivium, until the world goes cold, wilson	| Leave a reply


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HomeNewsTwo children dead in Alaska Highway crash
Two children dead in Alaska Highway crash
Monday, Sep. 24th, 2018
Photo: Energeticcity.ca
Two young people were killed in a crash on the Alaska Highway Sunday evening. RCMP says a total of 11 people in two vehicles were involved in the crash just north of the Kiskatinaw River Bridge on Highway 97 around 5:20 p.m.
B.C. North District RCMP says a southbound minivan was turning left into a pullout area when it was t-boned by a northbound pickup truck. According to Energeticcity.ca, two people in the van under the age of 18 were pronounced dead at the scene and a third child was taken by STARS Air Ambulance to a hospital in Alberta. They have since stabilized.
STAR-5 (Grande Prairie) has been dispatched for a scene call emergency in the Dawson Creek, BC area.
— STARS air ambulance (@STARSambulance) September 24, 2018
Constable Jaime Flikweert says all other people were also taken to hospital with unspecified injuries. The highway was closed in both directions for several hours.
Energeticcity.ca also reports that while the crash is still under investigation, speed and alcohol aren't believed to be factors. However, it's possible driver error may have played a part.

redpajama_set_name: RedPajamaCommonCrawl


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National Academic Advising Association recognizes two faculty members for outstanding advising /
Current page: National Academic Advising Association recognizes two faculty members for outstanding advising
Andrew Becker and Elaine Matuszek
The National Academic Advising Association awarded two Virginia Tech faculty members with Outstanding Advising Awards.
Andrew Becker, associate professor of ancient Greek, Latin, and classical studies and associate chair in the Department of Foreign Languages and Literatures in the College of Liberal Arts and Human Sciences, was named winner of the Outstanding Advisor Award – Faculty Academic Advising.
Elaine Matuszek, associate director of academic advising and orientation in University Academic Advising Center, received a Certificate of Merit of the Outstanding Advising Award – Primary Advising Role.
The organization's annual awards program honors individuals and institutions that are making significant contributions to the improvement of academic advising.
"Andrew and Elaine consistently support our students through clear and effective advising practices," said Kimberly Smith, director of university studies and undergraduate advising. "Students under their wing have a driving force to navigate them through the undergraduate process to go onto competitive graduate programs or careers."
All awards will be presented at the 2013 National Academic Advising Association Annual Conference being held Oct. 6 through 9, 2013, in Salt Lake City, Utah. The National Academic Advising Association has more than 10,000 members representing all 50 states and several countries outside the United States.
Andrew Becker
Becker joined the Virginia Tech faculty in 1988. Most recently, he received the 2013 Alumni Award for Excellence in Undergraduate Academic Advising. Becker works with more than 340 students with majors in the department, and an additional 800 students with minors in the department.
Beyond advising, Becker has been recognized for his excellence in teaching with three Certificates of Teaching Excellence, the Edward S. Diggs Teaching Scholars Award, the William E. Wine Award, and the college's Award for Excellence in International Initiatives (co-winner), and he was invited to appear on a panel for the Advising Matters conference last year.
Becker received his bachelor's degree from the University of Michigan, a bachelor's and master's degree from Cambridge University, and a Ph.D. from the University of North Carolina at Chapel Hill.
Elaine Matuszek
Matuszek most recently received Virginia Tech's 2013 Provost Award for Excellence in Advising.
She has more than 23 years of experience advising students with undeclared majors at the university, advising approximately 150 students each semester. Matuszek also manages the summer orientation program for University Studies majors, which brings in more than 1,400 students each summer. Through the rest of the academic year, Matuszek teaches Hokie Horizons, a first-year experience course for University Studies majors.
Matuszek earned a bachelor's degree and master's degree from Indiana University.
Dedicated to its motto, Ut Prosim (That I May Serve), Virginia Tech takes a hands-on, engaging approach to education, preparing scholars to be leaders in their fields and communities. As the commonwealth's most comprehensive university and its leading research institution, Virginia Tech offers 240 undergraduate and graduate degree programs to more than 31,000 students and manages a research portfolio of $513 million. The university fulfills its land-grant mission of transforming knowledge to practice through technological leadership and by fueling economic growth and job creation locally, regionally, and across Virginia.
Andrew Becker receives 2013 Alumni Award for Excellence in Undergraduate Academic Advising
Elaine Matuszek receives 2013 Provost Award for Excellence in Advising
Alison Matthiessen
College of Liberal Arts and Human Sciences


Looking to purchase online? Ask the dealer if it's available.
This antique fruitwood "armoire provencale," is truly exceptional. Crafted in France, circa 1760, this tall cabinet features exquisite carvings ... moreThis antique fruitwood "armoire provencale," is truly exceptional. Crafted in France, circa 1760, this tall cabinet features exquisite carvings including the top pediment with a pair of doves facing each other, and a nest with three birds surrounded by flowers, fruit, acorns and leaves. In addition, the carved apron on the bottom features the traditional pierced Provencal vase with flowers and leaves and is finished with elegant scrolled feet at the base. Both doors have hand-carved flowers, and are embellished with Louis XVI ribbon bows and laurel leaves. The bonnet top cabinet has its original shelving, lock, cremaillere and key and heavy forged hardware. This armoire is not only a useful, beautiful piece of furniture, it's a true museum quality piece. Excellent condition with rich walnut patina.


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Jan 19, 2021 - Technology
CES was largely irrelevant this year
Ina Fried, author of Login
Forced online by the pandemic and overshadowed by the attack on the Capitol, the 2021 edition of CES was mostly an afterthought as media's attention focused elsewhere.
Why it matters: The consumer electronics trade show is the cornerstone event for the Consumer Technology Association and Las Vegas has been the traditional early-January gathering place for the tech industry.
Details: Plenty of tech companies announced their latest wares last week, including new TVs, laptops and appliances from Samsung, LG, Lenovo, Acer and others. (You can see our wrap-up of highlights here.)
There were just a lot fewer people paying attention, especially among the non-tech press, whose focus was decidedly elsewhere.
Between the lines: While keynotes were broadcast online and organizers of both the main show and side events did their best to replicate things virtually, much of the show's draw is in getting to meet people face to face and touch and use the latest products.
There were already concerns the show had grown too large. While this can be a sign of success, it's also the case that conventions can grow too unwieldy and eventually fade from prominence. Just ask the organizers of CeBit and Comdex.
Our thought bubble: By going virtual, CES was able to potentially market itself to a bigger audience. But holding attention is tougher for virtual events, especially those that stretch over days.
When people force themselves on to a packed airplane and overpay for a couple nights at the Wynn, they are likely to be in full CES mode from morning to night.
At home, it's easier to move on to other things, especially given all that is going on right now.
Yes, but: There may be a bump in demand once travel is safe, which will be an important opportunity for CES to reassert itself.
Show organizers also deserve credit for increasing the diversity of their keynote lineup, with three female CEOs speaking on Tuesday alone. It was just a couple years ago that organizers scheduled an event where all the corporate keynotes were from men.
What they're saying: CTA said more than 2,000 companies debuted products during last week's digital event, but acknowledged that it isn't a substitute for the in-person gathering and it looks forward to a hybrid digital/in-person event anchored in Las Vegas next year.
"The digital CES 2021 was not meant to replace or recreate an in-person tradeshow. In-person events will remain key to furthering business and economic growth around the world," a CTA representative said in a statement to Axios.


Mengel Miniatures: Age of Sigmar Painting Competition Update!
There's one week to go before the Age of Sigmar painting competition is over and there are plenty of entries rolling in. Today I have a quick recap of where we are at and a reminder that you still have time to enter and get a chance at winning some of the great prizes.
It seems like a lot of people have been bitten by the Age of Sigmar bug, and I'm definitely one of them.
Here is just a small selection of some of the entries we have been receiving so far. Not all of them are done, but that's part of the fun, to get to see these projects develop in the Forums.
You get to see color scheme you may have never thought of.
As well as some unique conversions that really make great use of the model.
There is still one week to go to if you want to enter, all entries must be received by midnight Eastern Time on August 10th. Here is a quick recap of all of the prizes up for grabs as well as the competition rules.
Secret Weapon Miniatures is providing prize support for all of our winners! With Warhammer switching from square bases to round now is the perfect time to either rebase your existing army if you so choose or to start a brand new one. Secret Weapon Miniatures has 16 Fantasy themed round base lines with more themes and base sizes in the works.
Our Third place winner will receive their pick of any one base pack for free. Second place will receive their pick of any two base packs and our First place winner will receive a voucher for $50 to Secret Weapon Miniatures, enough to custom base one of the forces from the Age of Sigmar starter set or to get started on their own army. Not to be left out our People's Choice winner will also receive a voucher worth $12.99 to Secret Weapon Miniatures, enough to pick a 25mm base pack from amongst the many themes.
Not only is Secret Weapon Miniatures providing prize support, but so is Full Borer Miniatures. Our First place and People's Choice winner will each be getting one of his amazing Dryad sculpts. That's a whole lot of Fantasy themed prizes coming your way!
- All entries must be a Stormcast Eternal Liberator, either the free one from White Dwarf #75 or one from the Age of Sigmar boxed set. It can be any of the Liberator models (the ones with the shield and hammer), no angels or hero on dragon mount please.
- We are trying to celebrate the launch of the new game, so painting them up as a member of the Warhammer/Age of Sigmar universe is highly encouraged, but any and all conversions are allowed. If you want to convert yours to fit into the 40k universe that is perfectly fine, although the majority of the model must be a Stormcast Eternal Liberator.
- All participants must register on the Mengel Miniatures Forum. You must make at least one post on the W.I.P. board announcing your entry. I highly encourage keeping a log of your project on the forum, but beyond that first topic post you are not required to update it further if you do not want to. I also highly encourage you to post your progress on Twitter and/or Facebook with the hashtag #AoSPaintingComp.
- Final entries can be submitted on the Forum in the Gallery board with the words AoS Painting Competition somewhere in the title or emailed to me directly at TylerM@mengelminiatures.com with the subject line "Age of Sigmar Painting Competition Entry".
- All final entries must be received by end of day on August 10th.
So what are you waiting for? Have a model already done that you want to enter, have something you are currently working on? Just create a topic in the W.I.P. section of the forum and then be sure to get me the final submission. Be sure to spread the word on Facebook, Twitter, or even just amongst friends.


When it comes to alleviating the situations that a ceiling leak, flooding event, or any other form of water intrusion can cause 911 Restoration Ventura owner Zack Cohen and his water damage Oxnard team are the best in the business.
Eliminating the damages caused by water requires professionals with skill and years of field work, and this is why Zack and his water damage Oxnard team are licensed, insured, bonded and IICRC certified to handle any kind of water related situation.
Providing people with the highest quality restoration experience possible means not only being certified to do so, but also being quick to the scene to get the job done immediately and this is why Zack and his water damage Oxnard team will arrive within 45 minutes of a call for help.
Beyond arriving quickly and at any time a challenge comes up, Zack and the water damage Oxnard team also make sure to bring the latest drying technology to all of their projects. This gives them the ability to solve any challenge big or small for people and their homes.
If your place of business or house is experiencing the effects of a water damage disaster from a ceiling leak, water heater failure, or even a local area flood, then don't wait for it to grow mold too. Contact Zack and the water damage Oxnard team with 911 Restoration Ventura and get all the help you need today!
Zack and his water damage Oxnard crew know all there is to about what needs to be done after a water damage incident has already taken place, but they are also highly adept at helping people to prevent such scenarios at all too.
Take time to clean out the gutters and downspouts on your property to avoid clogs and overflows that may spread apart the roofing layers and introduce water damage inside the home.
Make sure that there aren't any branches overhanging your home or business that are dead and have the potential to fall in high wind or severe storms.
Never put anything into your drainage system that it was not designed to handle. This can include multi-ply as well as wipes that claim to be biodegradable.
Have a restoration professional or a trusted plumbing expert come and snake scope your whole system to check for any areas that may require more attention to avoid water damage.
Inspect the hoses, connectors, and fittings on your water-based appliances to see if there are any sections with wear and tear that may develop into ruptures under more pressure.
Don't let your home fall victim to a ceiling leak, water heater flood, or any other form of water damage. Contact Zack and the water damage Oxnard team for any restoration need today!
Zack and his water damage Oxnard team have seen all different kinds of water damage in their time in the field and that is what gave them all the know-how they needed to solve a collapsed pool challenge at one recent jobsite.
Zack and his crew arrived at the site with all the tools needed for a big water extraction job, and they got the place cleared out of excess water within a few hours.
Mold growth can happen really quickly after a water damage event and this is why Zack and his team worked tirelessly to prevent that from happening and causing the homeowner more stress.
If your home is inundated with flood water from a pool incident, and you want the best restoration company in the area to make your home like new again, then don't wait another minute to contact Zack and the water damage Oxnard team with 911 Restoration Ventura today!


Beijing has indicated that they will categorise a greater range of the country's financial institutions as systemically important amidst broader efforts to curb financial risk in China.
The People's Bank of China (PBOC) said in an accompanying statement that the basis for this categorisation would be regulatory frameworks and benchmarks adopted internationally in the wake of the 2008 Great Financial Crisis, in particular those outlined by the Financial Stability Board and the Basel Committee on Banking Supervision.
Analysts say the adoption of international risk standards will help to better integrate Chinese financial institutions with overseas markets.
PBOC said it would work with the China Banking and Insurance Regulatory Commission (CBIRC) and the China Securities Regulatory Commission (CSRC) on the drafting of detailed regulations.
Four of China's biggest banks are already designated as systemically important by international regulators, although the Financial Stability Board recently downgraded the risk rating of China Construction Bank following efforts to curb its exposure to the shadow banking sector.
This entry was posted in Finance, Macro and tagged Chinese banks, Chinese economy, Chinese finance, Chinese systemic financial risk. Bookmark the permalink.


Baguley Hall Primary School - Reading superstars!
At Baguley Hall, we all know just how important reading at home and in school is. Each evening children are expected to read for 20 minutes at home. If children can proce they have read 4 times in a week at home, their name goes on a raffle ticket at the end of the week, which gives them the chance to win a brand new book to take home! This is to recognise the hard work our pupils put into ensuring their learning potential is fulfilled. Well done to all our raffle entrants and to our prize winners too!
Our 1st Spring 2 winner!
Our Red Nose reading winner!


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Green Greeks work toward Sustainability at University of Washington
Posted by: Jean Lloyd - May 5, 2016
When Andrew Brasuk (University of Washington, 2016) learned about the Green Greek Representative program the through EcoReps program at the University of Washington he jumped at the chance to get involved.
Although the University of Washington is considered a leader in sustainability with a top 10 ranking among greenest universities named by The Sierra Club magazine and a place on the Princeton Review's Green College Honor Roll for 2016, not all constituents are leaders in sustainability. Now, the Greek community has stepped up with increased leadership through Green Greeks.
Founded in November 2015, Green Greeks is a network of representatives with the shared goal of tackling sustainability issues in the Greek community. The organization falls under the umbrella of EcoReps, a student-run organization that works with peers, faculty, and staff to make the University of Washington more sustainable. With 19 sororities and 32 fraternities, the UW Greek community represents more than 10 percent of the undergraduate population and has the opportunity to embrace significant long-term change as it works toward sustainability.
In the first year, Greek chapters pursued projects such as a lighting audit that led to fully transitioning one chapter house to LEDs. Some chapters have focused on recycling and composting education while others found ways to increase the efficiency, such as adjusting the schedule of an irrigation system which often ran even when it was raining.
Brasuk is working with the Delta Tau Delta chapter to create an official position of sustainability chairman to work on lessening the environmental impact of the chapter by implementing programs such as composting, water and waste reduction and conservation. He also sees the role as a source of education to raise awareness about sustainability not just at the Shelter, but in everyday life.
"The biggest thing that I've tried to do is to remind people about the little things that they can do to be more 'green.' There are signs posted throughout the house reminding members to take shorter showers, turn the water off when they are brushing their teeth or scrubbing their hands and to turn their lights off when they're not in their rooms. We compost all of our food waste; have a paper recycling bin for the study room and plastic recycling bins where every trash bin is. We also now have signs from the city of Seattle reminding people to compost and recycle and a group of us spends two hours every weekend picking up trash on the street in our community," said Brasuk.
"The brothers have been largely supportive of these efforts. They are voluntary, but I've been pleased with the acceptance the measures have received. For example, we have communal showers, and many members used to turn on multiple showerheads while showering. Now that has become essentially taboo. The amount of recycling and composting has also increased, which shows our chapter's increasing commitment to being more sustainable."
The movement for sustainability on college campuses is rapidly gaining momentum. While UW has the opportunity to be at the forefront, the UW Greek Community has had the opportunity to be the leaders for chapters nationwide and Brasuk encourages fellow Delts to explore sustainability steps on their own campus. He played a role in producing a Green Greeks video to share more about the evolution of Green Greeks and encourage other Greek communities to become involved in sustainability efforts.
Director of the Green Greek representative program Talia Grace Haller says it's difficult to implement change that is not cool on campus. "Sustainability is not sexy yet, but I've definitely seen a great push in the Greek system by people who care about this cause and want to get involved," she said.
Having leaders like Brasuk does make a difference. "Andrew has been amazing," said Haller. "He attends every meeting. He always shares information, has good ideas and is helpful and collaborative."
Although sustainability wasn't really talked about in the Greek system until recently it is only logical that Greeks take the message home on such an environmentally conscious campus. "With such a strong network, loads of resources, and tons of advocacy and philanthropy experience, Greek communities across the nation have the opportunity to lead the push for sustainable change on college campuses," said Haller.


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Summer Catch (2001)
June 25, 2020 · by lsbushey · in Comedy, Drama, Romance, Sports. ·
"I'm just trying to figure out what inning you're going to self-destruct."
Upon revisiting Summer Catch, a mediocre film I admittedly fell asleep to nearly every night during the break of 2002, I have to admit that, despite its occasional charms, some parts simply don't work. The movie doesn't know if it's a love struck romance, a raunchy comedy, or a sports drama, and so it simply takes all three and mashes them together without a binding agent. Things are passable when each component operates on its own, yet the film falls apart when it tries to bring them all together. It's not a horrible movie, nor is it a very good one either. I found myself laughing at it instead of with it.
The star of the film is the handsome heart-throb Ryan Dunne (Freddie Prinze Jr.), a Cape Cod local who cuts grass with his widowed Dad (Fred Ward) when he's not on the mound for the venerated Chatham A's club. Ryan's a hot-head lefty with a fiery fastball and some good off-speed pitches, struggling to find a zen place when things go awry. Normally he self-destructs and gets bailed out by the bullpen. But then one night he meets Tenley Parrish (Jessica Biel), the down to earth daughter of one of the highfalutin clients of Ryan's Dad, and the flowers of the romance bud almost immediately. He see her and she seems him. A relationship would be easy if antiquated social constructs didn't have to get in the way of their authentic love. They fight for each other.
To this day, I think there's an above average movie hiding in plain sight somewhere in the pages of Summer Catch. The romance clicks but has an air of phoniness it can't quite shake. The baseball sequences are better than most films of its kind. And the drama is similar to 2004's The Notebook yet noticeably less fulfilled. I think that's because the writer Kevin Falls tried to make a sports movie about everything instead about any one thing, which didn't help director Michael Tollin achieve a decisive tone from such a messy script. Is this supposed to be like Bull Durham, is it Minor League, is it Little Big League? Unfortunately the answer seems to be all of the above, just with squeamish subplots, underdeveloped characters, and a passion for histrionics. I like Summer Catch when it hits its target. But it sure is subpar when it airmails such a pedestrian pitch.
Summer Catch takes the time to introduce so many characters but doesn't bother to ever really develop them. The leads are fine, as are the disgruntled parents, and a few side players at least get one trick to play throughout. But it's just such a severely, at times blatantly underdeveloped film, full of bits that have either aged poorly or made little to no sense no matter the time. All of the fat shaming jokes land with a forced thud, especially since the actress embodying the unenviable role isn't the morbidly obese figure you'd expect. I still can't wrap my head around the creepy housemother who seduces and sleeps with the athletes. The plot line adds nothing, defies logic, and epitomizes all of the things wrong with Summer Catch, a movie that's as easy to tear apart as it is to blindly enjoy, and one that was so obviously written by a man. To this day, I can't keep myself from laughing when Jessica Biel pronounces "Let's be together!" during the emotional third act. Summer Catch is corny, kitschy, and an interesting at bat destined to result in a walk.
"You got a bag full of talent and a head full of crap."
Tags: Brian Dennehy, Brittany Murphy, Bruce Davison, Cedric Pendleton, Christian Kane, Comedy, Corey Pearson, Drama, Fred Ward, Freddie Prinze Jr., Gabriel Mann, Jason Gedrick, Jed Rhein, Jessica Biel, Kevin Falls, Marc Blucas, Matthew Lillard, Michael Tollin, Romance, Sports, Summer Catch, Wilmer Valderrama
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My Spy (2020) →


Warwickshire Mayors and other Civic Heads will be visiting the city on Sunday 14 April. The visitors will be showing solidarity and support following the incidents of last year.
On Monday 8 April, Salisbury City Council approved the application for a grant to be given to Salisbury Cathedral to support its Salisbury 2020: A City on the Move project which celebrates the 800th anniversary of the laying of the Cathedral Foundation Stone, and the development and growth of the City of Salisbury alongside the Cathedral. Salisbury Cathedral is planning a calendar of celebrations, in partnership with organisations across the city, to commemorate this momentous date and Salisbury City Council are delighted to lend its support to enable these activities. "800 years after its conception Salisbury Cathedral remains an iconic part of our City servicing both residents and vast numbers of visitors every year. It's vital that we support this historic building that is such a pinnacle in our society" said Cllr Liz Sirman in support of the application.
Salisbury City Council has taken the decision to close the Charter Market on Saturday 29 June 2019. Salisbury is the proud host of this year's National Armed Forces Day celebration and a military parade is planned for the city centre which will pass close to the Market Square. Working closely with Wiltshire Council to support this momentous occasion, it became clear that the combination of road closures, logistics of the event and the scale of the security surrounding the parade would mean that the Charter Market could not be held. Traders would be unable to enter the city to set up their stalls and the security measures required would prohibit normal trading.
Take part in the 2019 Summer Competitions!
Now that spring is truly here, Salisbury City Council is pleased to launch this year's summer competitions.
The St. George's Day annual celebration and family fun will take place in Salisbury on Sunday 28 April in the Market Place, Guildhall and Guildhall Square.
An exciting new event is planned this summer for the over 60's! Salisbury City Council are pleased to announce the launch of their "Senior Games", an Olympic style event designed to increase physical activity in older members of the community.
Salisbury City Council is extremely excited that Salisbury has been chosen to be the first entire UK city to have access to Openreach's new, future-proof, full fibre broadband technology. This ambitious project is hoped to be completed within a year and will reach over 20,000 premises in the city.
We are pleased to report that the Salisbury City Council phone lines are back to working as normal.
We are currently experiencing a fault with our phone lines so it may be difficult getting through to Salisbury City Council services. We hope to have this resolved shortly.
As the Great British Spring Clean approaches (23 March – 22 April 2019) Salisbury City Council wishes to encourage its residents to consider its environment carefully and remember not to drop litter. It goes without saying that litter is harmful – to the environment, animals and is a breeding ground for germs and so individuals are reminded to be extra vigilant.
Salisbury City Council held its Full Council meeting on 11 March 2019 where it was unanimously agreed to support the Future High Street Fund bid application which is being submitted by Wiltshire Council for Salisbury.
The popular French and Vintage Markets will be making a return to Salisbury Market Place on Friday 29 March! The French Market will be running from 9am until 5pm and the Vintage Market from 10am until 4pm.
In its continuing efforts to make Salisbury a cleaner City, Salisbury City Council launched an Environmental Enforcement Campaign in July 2018. Uniformed Enforcement Officers are out on Salisbury's streets concentrating on known litter hotspots within the City.


WHAT IS THIS ROLLINSVILLE COLORADO DEFENSIVE DRIVING SCHOOL ABOUT?
Most Rollinsville Colorado defensive driving courses are offered in a hotel room, restaurant or other location. The Driving University online traffic school is 100% online and can be done at any hour of the day. The Driving University online driving school can be done at your convenience. You can finish driving school at one sitting or log on and off and finish traffic school in small amounts.
HOW DOES DRIVING SCHOOL IN ROLLINSVILLE COLORADO WORK?
Now that Rollinsville Colorado drivers can take defensive driving online, more and more people are staying at home and achieving the same result. After you sign up and pay for the course, you immediately start the online defensive driving program. You can finish the traffic school program in one evening or you can start and stop whenever you want because it's a self-paced, online defensive driving course.
WHO TAKES ONLINE TRAFFIC SCHOOL IN ROLLINSVILLE COLORADO?
Drivers across the state of Colorado can take the Driving University defensive driving course for any reason they choose to. An Rollinsville Colorado traffic ticket can cause drivers to take defensive driving school online. Courts giving drivers a reduction in the traffic ticket fine or dismissing the ticket altogether causes many drivers to take driving school at Driving University. Defensive driving school in Rollinsville Colorado is user friendly and convenient at Driving University.
HOW IS THE ROLLINSVILLE COLORADO ONLINE DRIVING SCHOOL DIFFERENT?
All Rollinsville Colorado defensive driving schools are not created equal. Many defensive driving schools, both online and classroom, require you to memorize traffic laws in order to pass the driving school program. The Driving University online course has been created by and for Colorado drivers and it's user friendly no matter what your age or experience level. Sign up now and join the many people driving their way to success with the Driving University online traffic school course.
Whether you finish the Driving University online defensive driving program at 10am or 10pm, your Colorado certificate will automatically be generated. We will mail your Colorado certificate to you or you can have it delivered by FedEx. Be sure to give the Rollinsville Colorado traffic court or your insurance provider your driving school certificate.


Leonard Davis Excavating Excavating Contractors - Leonard Davis Excavating Berkshire, NY Heavy Construction Contractors Online.
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A SCHOOLGIRL is looking forward to switching on the TV to watch Holby City tomorrow night — she will be appearing on screen.
Ellie Darcey-Alden, 10, from Yarnton, has been acting for about two years and started dancing with the Kidlington dance school, Dance 10, four years ago.
Her big moment on screen comes as her dance school celebrates a golden haul of medals this year.
Each of the 29 dancers who took part in an event in Sadler's Wells took home at least two medals, while the school scored eight troupe trophies, 15 individual trophies and five special recommendation trophies.
After going to the Holby City audition with her mother in June, Ellie landed the part of Emma Walker for three episodes of the hospital drama.
The first will be screened on BBC1 tomorrow at 8pm.
During filming, she met Jade Jackson and Patsy Kensit.
She said: "They were really nice, funny and entertaining.
"I want to be like Patsy Kensit when I am older because she is such a good actress.
Ellie is not the only dancer with stars in her eyes — she will be joined by four others from the school in Chitty Chitty Bang Bang at Oxford's New Theatre in December.
Ilana Kneafsey, Charlee Pitts, Annie Bell and Melissa Fry have all picked up parts in the musical.
Charlee, 10, from Yarnton, said: "We're all really excited about Chitty because the car actually flies.
"I have done three adverts before and you have to be very patient when you are filming.
Two girls, Amy Gardner, 13 and Georgia Francis, eight, will be in Jack and the Beanstalk at Oxford Playhouse, also in December.
Dance school principal Jackie Crumell said: "It's amazing. I shall be going to see them all.
"I think they are the stars of tomorrow.
"They work very hard and we do have very high standards that we like to work to, because that's what dancing is all about.
The prize winners were: Annie Bell, Anastasia Burgess, Catherine Burgess, Charlotte Boyce, Joe Darcy-Alden, Ellie Darcey-Alden, Courtney Elsmore, Nicole Faux, Terri Fennell, Amy Gardner, Shanice Guiste, Cassandra Heathcote, Honor Kneafsey, Ilana Kneafsey, Pheobe Latham-Jackson, Aylssa Linstrom, Jacinta Linstrom, Hope Miles, Emily Mullins-Dean, Charlotte Pinker, Billy Pinker, Charlee Pitts, Shauna Pitts, Megan Tame, Chantelle Vircavs, Isabella Williams, Alisha Pitts, Lara Williams and Caitlin Fry.


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redpajama_set_name: RedPajamaGithub


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James Gaines has put together an impressively elegant flowchart for data stories which I wanted to share here.
What I particularly like is the focus on speaking to experts early on. James is coming at this from a science journalism perspective, where expertise is particularly vital, but this applies to other disciplines too. So many times you can find out about, or get to, data through simply talking to someone who deals with it, rather than going through FOI or spending hours on searches.
It also connects nicely with my own flowchart on finding data to which you can now add Import.io as James does, plus Kimono.
What is the diagramming software you used to create these flowcharts. Is it creately ?


text:
Argentina condemns British MEP's likening foreign fishing to Belgrano sinking
Royal Navy sends Type 45 destroyer to Persian Gulf amid escalating tension
Falkland Islands economy and Brexit…how tough will it be?
Blatter confident his six-year ban from football will be lifted
Friday, August 26th 2016 - 11:16 UTC
"My name wouldn't be Sepp Blatter if I didn't have faith, if I wasn't optimistic," he told reporters before entering the Court of Arbitration for Sport
Former FIFA president Sepp Blatter says he's confident his six-year ban from football will be lifted. Blatter resigned as the head of FIFA in June 2015 after 17 years at the helm and just four days after his reelection for a fifth term he was handed an eight-year ban along with European football chief Michel Platini for ethics violations.
"My name wouldn't be Sepp Blatter if I didn't have faith, if I wasn't optimistic," he told reporters before entering the Court of Arbitration for Sport Thursday morning.
"I'm sure at the end.... that the [CAS] panel will understand that the payment made to Platini was really a debt that we [owed] him and this is a principle, if you have debts, you pay them," Blatter said.
The FIFA appeals committee reduced the bans for both men to six-years for their services in growing the game of football around the world.
Platini has already taken his appeal to CAS that decided his ban would be further reduced to four years. He appeared at CAS on Thursday to provide testimony on Blatter's behalf.
Blatter is seeking a full pardon for his alleged ethics violations including a US$2 million payment to Platini in 2011 for work done a decade prior to the payment. CAS has not said when a decision will be made regarding Blatter's appeal.
Categories: Politics, International, Entertainment.
Tags: FIFA, Joseph S. Blatter.
He just doesn't know when he is not welcome, does he?
Bit like a turd in the swimming pool and just as annoying.
Aug 27th, 2016 - 12:38 pm 0


The Verkhovna Rada of Ukraine cut back on the length of registration of medicinal products up to 10 days and simplified the process of medicines for drugs that have already had the drug registration status in the United States, European Union, Canada, Switzerland and Australia.
Changes in the registration procedure are legislated under the bill №4448 «On Amendments to Article 9 of the Law of Ukraine "On Medicines" (with respect to the state registration (re-registration) of medicinal products)." 239 deputies (at a minimum – 226 votes) voted for the adoption of the bill.
Olga Bogomolets, Head of the Verkhovna Rada Committee on Health, stressed that the bill was created to remove the monopoly of companies in the Ukrainian pharmaceutical market and to facilitate the access of Ukrainians to high-quality medicines, which are available to residents of developed countries.
In the explanatory note to the bill, a proposal to reduce the period allocated to the decision on registration of medicines from one month to 10 days by the Ministry of Health is stated. It also indicates that a drug with the active ingredient, which has been registered in EU countries, the United States, Canada, Switzerland and Austria will be registered under the simplified procedure in Ukraine.
In addition, it was informed, that in a panel session on April 20, the Cabinet took several decisions aimed at creating competitive drug prices and filling the pharmaceutical market of Ukraine, in particular, the government passed a decree on deregulation of the medicines market.
Also the proposal to reduce the time of drugs expertise up to 20 days, to revise the limits on pharmaceuticals contracts that are under the control of transfer pricing, to exclude the possibility of the organization of parallel imports of medicines in Ukraine, as well as to revise the packaging requirements with the ability to use the original packaging – in the manufacturer's language has been received. However, on May 10, the draft law was withdrawn and the bill discussed yesterday replaced it.


text:
Die Grabstele der Hegeso ist ein antikes griechisches Relief der Hochklassik aus Athen. Das Artefakt vom Ende des 5. Jahrhunderts v. Chr. wurde im Grabbezirk des Koroibos auf dem Kerameikos gefunden. Es gilt als eines der bekanntesten und herausragendsten Stücke seiner Art. Heute befindet es sich im Athener Archäologischen Nationalmuseum.

Die Grabstele hat die Form eines Naïskos, der aus zwei seitlichen Pilastern und einem Pediment gebildet wird. Das Pediment ist mit einer zentralen Akroter-Palmette geschmückt, die den höchsten Punkt des Reliefs markiert. An den Seiten sind zwei weitere florale Akroter-Figuren angebracht. Das zentrale Motiv ist die Darstellung der verstorbenen, entspannt auf einem Klismos sitzenden Hegeso. Ihre Füße stecken in Sandalen, deren Riemen aufgemalt waren, und ruhen auf einer Fußbank. Hegeso trägt einen Chiton und ein dünnes Himation. Auf dem Kopf trägt sie einen durchsichtigen Kopfschmuck aus drei Bändern, die welligen Locken sind nach hinten zusammengefasst, hochgenommen und von einem Haarnetz bedeckt. Zwischen den Fingern der linken und der rechten Hand hält sie eine Kette oder ein Band, das vormals aufgemalt war, heute aber nicht mehr erhalten ist. Hegeso gegenüber, auf der linken Seite des Bildes, steht eine kleiner als Hegeso dargestellte Dienerin. Sie trägt ein "barbarisches" Ärmelgewand und kann somit wohl als Sklavin angesprochen werden. Mit ihrer rechten Hand reicht sie ihrer Herrin ein eckiges Schmuckkästchen, dem Hegeso soeben den Gegenstand zwischen ihren Fingern entnommen hat, und ist ihrer Herrin bei der Schmuckauswahl behilflich. Das Haar der Dienerin steckt zur Gänze unter einer Haube, ihre Schuhe sind geschlossen.

Das Relief gilt als herausragendes Meisterwerk. Die innere Perspektive, die Spiritualität, ist ebenso feinfühlig herausgearbeitet wie die äußeren Kunstfertigkeiten, die sich etwa in der feinen Ausarbeitung der Gewandfalten oder der Bogenführungen des Stuhls zeigen. Das Relief wird einem herausragenden Meister seines Faches zugeschrieben, wahrscheinlich handelt es sich um eine Arbeit des Bildhauers Kallimachos oder eines seiner Schüler. Nichts in der Arbeit erinnert an den Tod. Gezeigt wird hingegen eine typische häusliche Szene, das vertraute Miteinander von Herrin und Dienerin. Die zur Schau gestellte Ausstattung bezeugt den Reichtum der Familie, der sittsame, normgerechte Habitus zeigt das erwartete Verhalten einer attischen Hausfrau aus guter Familie. Eine andere Interpretation geht davon aus, dass das Bild im übertragenen Sinne den Besuch am Grab zeigt, bei dem der Verstorbenen Geschenke gebracht wurden. Wahrscheinlich repräsentiert das Grabdenkmal auch die anderen verstorbenen Frauen der Familie, die dort bestattet wurden. Das Relief ist fast ohne Beschädigungen erhalten, einzig an den Rändern gibt es mehrere leichte Bestoßungen und der Kopf der Hegeso weist einige leichte Beschädigungen auf. Nur die Plinthe weist größere Zerstörungen auf.

Auf dem Architrav des Giebels ist eine Inschrift (IG I², 1079) in altgriechischer Sprache angebracht: ΗΓΗΣΩΠΡΟΞΕΝΟ – Hegeso [Frau oder Tochter des] Proxenos. Sollte die Inschrift wie allgemein angenommen für Hegeso als Tochter des Proxenos gedeutet werden, hat Hegeso, Tochter des Proxenos aus Acharnai, in die Familie des Grabbesitzers Koroibos eingeheiratet. Sowohl der voreuklidische Genitiv der Inschrift wie auch die Gestaltung der Buchstaben sprechen für eine Datierung an das Ende des 5. Jahrhunderts v. Chr. Das passt zur stilistischen Datierung des Reliefs. Somit kann man davon ausgehen, dass das Grabrelief der Hegeso als letztes der drei Grabdenkmäler des Grabbezirks im letzten Jahrzehnt, also zwischen 410 und 400 v. Chr. geschaffen und aufgestellt wurde. Etwa 20 Jahre zuvor begann erneut die schon in archaischer Zeit übliche Sitte, Gräber reich zu schmücken.

Das links neben der Palmettenstele des Grabbesitzers des Grabbezirk des Koroibos gefundene Relief wurde aus pentelischem Marmor gefertigt. Es wurde wie die beiden anderen Reliefs des Grabbezirkes bei den Ausgrabungen der Archäologischen Gesellschaft 1870 unter der Leitung von Athanasios S. Rhousopoulos in situ gefunden. Seit der ersten Aufstellung wurde der Verband, in dem die drei Grabdenkmale standen, wohl nicht mehr verändert. Die Grabstele hat eine Höhe von 1,56 Metern und eine Breite von 0,97 Meter. Das Original wird im Archäologischen Nationalmuseum in Athen (Inventarnummer 3624, Ausstellungsraum 18) ausgestellt. Im Gelände des Kerameikos steht heute eine moderne Kopie, die in die originale Kalksteinbasis eingelassen wurde. In der Basis ist links neben dem Relief noch Platz für ein marmornes Gefäß, das nicht erhalten ist, für das aber eine Einlassung in der Basis erhalten ist. Martha Weber geht davon aus, dass es sich bei dem fehlenden Gefäß um eine marmorne Lekythos handelt, die heute ebenfalls im Archäologischen Nationalmuseum aufbewahrt wird (Inventarnummer 1044). Eine Loutrophoros schließt sie zudem aus, da die Henkel nicht zum Abstand zur Palmettenstele passen würden. Zum Teil wird davon ausgegangen, dass an der Stelle ein Spendenbehälter stand.

Die Traurigkeit im Gesicht der Hegeso, die Anmut sowie die hervorragende Erhaltung machten das Relief nach der Auffindung noch im 19. Jahrhundert ungemein bekannt. Marcel Proust schrieb über das Relief in einer Form, die die Kenntnis seiner Leser vom Relief voraussetzte. Kostis Palamas schrieb eine persönliche Interpretation des Kunstwerkes in Versform, auch Babits Mihály verfasste ein Gedicht auf das Grabrelief. Bis heute findet sich die Stele in vielen Kopien in weltweiten archäologischen Lehrsammlungen.

Literatur
 Albert Winslow Barker: The costume of the servant on the grave-relief of Hegeso. American Journal of Archaeology. 28 (1924), S. 290–292.
 Martha Weber: Koroibos, ein Architekt des Perikles und der Grabbezirk XVIII seiner Familie im Kerameikos. In: Thetis 8, 2001, S. 77ff.
 Nikolaos Kaltsas: Sculpture in the National Archaeological Museum, Athens, The J. Paul Getty Museum, Los Angeles 2002 ISBN 0-89236-686-9, S. 156–157.
 Martha Weber: Koroibos (II). In: Rainer Vollkommer (Hrsg.): Künstlerlexikon der Antike. Band 2: L–Z. Addendum A–K. Saur, München/Leipzig 2004, ISBN 3-598-11414-1, S. 424–425.
 Martha Weber: Die Lekythos in Athen NM 1044 auf der Basis mit der Hegesostele NM 3624 im Bezirk XVIII des Kerameikos. In: Thetis 18, 2011, S. 69–75. Digitalisat
 Jutta Stroszeck: Der Kerameikos in Athen. Geschichte, Bauten und Denkmäler im archäologischen Park. Bibliopolis, Athen 2014, ISBN 978-3-943741-04-9, S. 213–215.

Weblinks

 Hegeso-Stele beim Perseus Project (englisch)
 Bilder der Hegeso-Stele bei Europeana
 Hegeso-Stele auf der Webseite des Archäologischen Nationalmuseums Athen (englisch)
 Hegeso-Stele auf der Webseite des Griechischen Kulturministeriums (englisch)
 Hegeso-Stele bei Viamus
 Kopie der Hegeso-Stele bei Museum of Classical Archaeology Databases (englisch)
 Kopie der Hegeso-Stele auf der Webseite der Harvard University Library (englisch)
 Hegeso-Stele auf der Webseite der University of Edinburgh (englisch)
 Kurzfilm über die Hegeso-Stele bei der Khan Academy (englisch)

Einzelnachweise

Archäologischer Fund (Kerameikos)
Antikes Relief im Archäologischen Nationalmuseum (Athen)
Skulptur (5. Jahrhundert v. Chr.)
Marmorrelief
Antike Stele

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