text:
The curation of discovery: Part 2
Rico Moore
This week's serialized installment of The curation of discovery begins with a continuation of the conversation between myself and Ava Hamilton, an Arapaho and relative of Peace Chiefs, Niwot and Little Raven. This particular conversation took place at the Boulder Dushanbe Teahouse. It dealt with not only the discovery and curation of the Mahaffy Cache now on display at the CU Museum of Natural History, but also the history of Native American people and my desire to expand the base of indigeneity to include Indigenous Mexicana/os in that history. Click here to read The curation of discovery: Part 1.
Cache/Artifact/Element: Ava Hamilton, Continued
"I have a friend in Wyoming who says that at some of the Wyoming archaeological sites, they found Macaw feathers," I tell her. "I've heard about the chocolate bowls they found at Chaco Canyon and it seems to me there's more knowledge about the long-standing and ancient relationship between Indigenous people of this area and Mesoamericans."
"We would like to know," replies Ava Hamilton.
"My ancestry and who I am—and if I have children—what is it going to look like for them—are they going to be discriminated against?" I ask. "This country's not against mass deportations and we all know what goes along with that. And so, this is about the connection to that journey—those people from Latin America, coming northward. This is as old as a lot of things and the way that those same people are often treated — aren't even noted at all — is difficult for me to see considering the context. The story these facts make is similar and linked to the story of your people, I believe."
Ava agrees
"And so," I continue, "I'm trying to find a way to bring them together."
"Well," she says, "That battle has never ceased. We have people now who speak English pretty well and if I don't understand a word I can look it up because I can read and write, but our people didn't, so through translators, we lost a lot of things because our people didn't speak that language.
"In the sixties, a lot of young Indians went to Law school and became attorneys. Some founded the Native American Rights Fund [in Boulder], where some of those early young attorneys still are. John Echohawk is the main one. They started to advocate for Indian rights according to the agreements that the government made with our peoples. There are five hundred and sixty-six tribes in this country who have a relationship with the United States Government. But we're still losing because of the things that happened throughout the years. We're still losing our languages and that's really sad to me."
She pauses as her thoughts resonate.
Ava Hamilton Courtesy of Native American Rights Fund
"I grew up hearing it every day but don't speak it. We were encouraged to speak English because all of our older people have been punished for speaking our language. The schools wouldn't let us speak it, though we didn't know that. We weren't punished. We were just encouraged to speak English. And so, I've taken some classes in the Arapaho language and some words come to me. I have an advantage in that I have a good accent and having a good accent is really important in how a word flows and how you feel about how you use it. I know phrases like, 'It's windy, it's cold' and all those kinds of things. I know the names of animals. I found this little notebook of Arapaho phrases and I look through it every now and again. I know those phrases but I don't speak Arapaho to other Arapaho people. We all speak English to each other, and I think that's because the old population—it's like a pyramid—the older you are the fewer and fewer you are and it just keeps getting wider down at the base with young people who are not interested in our history, who we are, or in speaking our language.
"As the tribes moved across the land," Ava continues, "My people, the Arapahos and Cheyennes, used to be in Northern Minnesota and they were gardeners. They weren't plains People, but as western expansion moved the tribes, the tribes moved as well, out from Northern Minnesota and probably Canada. The farthest back I can go is the seventeen hundreds with other people's observations from Arapaho peoples, but not from our people because they weren't writing, researching or recording. Some tribes still have that.
"What is done if one were to find something like the stone tool [Mahaffy] Cache?" I ask. "What is the traditional way of dealing with artifacts like that as you understand it?"
"Well, you know, Kirsten Wilson with Motus Theatre, who put on Rocks, Arrows and Karma? Ava asks. I affirm.
"It's about Chief Left Hand," she continues. "The story she uses in that play, about the forward motion of an arrow is based on a story I told her that I heard from one of my relatives. They were in Wyoming and were going where there was nothing — no vegetation — way out in nowhere and they had a flat tire. They didn't have a spare, so they were waiting for somebody to come by to help them. My relative went out walking and found an arrowhead — a lance head — which was pretty long. He picked it up and kept it. After they got home, he showed it to his dad who said, 'Oh no, you have to take it back.' So he took it back to where they found it. His dad said, 'Put it back in the same way you found it, facing the same direction because it's still in motion. It's still on its way, even though it's laying there. It's still on its way to where it's going.'
"So, when you find things like that," she says, "Like a cache, the common practice, which by now we're all used to is that scientists interpret what they see and what they've collected. They feel they have a right to touch it and to interpret it as to what they see as going on. I don't think they have that right. I think it was buried there for a purpose and they should leave it there. Maybe there's some way to study it. But, to lay claim for the people who left their items there — to lay claim to their lives — that they have a right to take something like that cache — is real disturbing to me. But that's common practice everywhere. Academia thinks they have a right to interpret, collect, touch and disturb any element of our worlds.
"One of the most disturbing things I think about is, 'Who was it, ISIL — destroying all those cultural elements?' she says. "Well, that's still happening here to us. It's very much happening all over to us.
"I went down to the University of Arkansas and they took me for a drive out in the country. They said, 'This is part of the Trail of Tears and this used to be a boarding school for Cherokee girls' — way out there in Arkansas. They took me out to a museum where there was pottery and all kinds of elements — 'figures,' are what they call them, 'art' and 'figurines.' They said that the farmers saw these mounds and ploughed them up for farming. In that way, a lot of our history is gone because of the approach of Manifest Destiny that comes from the Doctrine of Discovery. This country is still doing that. An example is of Senator McCain giving away land that holds Apache sacred sites."
"Relative to property ownership," I say, "it seems that one of the most important things to talk about is the difference between seeing the Earth as a living thing and seeing the earth as a non-living thing."
"Seeing the earth as a relative," Ava says, "because we are all related. All things are all related. It doesn't mean related like brother and sister, but that we have a symbiotic relationship to water and food — and other people. It's not that way out there — not in the way that's being taught at this university [CU]. If you read most magazines, they say things like, 'Get a good education, buy a lot of things and own things.' There's nothing in these slick magazines about humanity and how to be a good relative to everything living — to the gift of life. I'm in there too. I'm a consumer. I grew up learning how to be a good consumer."
Listening to her speak, it seems Ava was encouraged to consume the English language and its requisite worldviews and realities possible within the borders of our socioeconomic linguistic context.
"Why is consumerism such a big deal in America?" I ask. "Maybe because of brand identity — because no one has an identity that is permanent. That's to say they think they can buy or manufacture one. They think that their purchase will give them a sense of wholeness. I feel like a lot of people feel like they can buy a sense of wholeness. It is often sad, seemingly desperate. I don't know if you agree with that, or not."
"It's sad and could bring about the end of our world," she answers. "I'm talking about the world as we know it, the makeup of who we are — consumers buying more products that they don't need and driving globalization — is changing. We lived all these years without it.
"There are things we should have, however," she continues. "Women and children should be safe. Drinking water should be available for everybody. Food and housing should be available for everybody. We need to work on so much, but we don't need to work on becoming bigger consumers. Consumerism should not be above human rights."
It seems clear to me, in retrospect, that perhaps a reason why Indigenous voices are left out of the cultural narrative is that voices like Ava's don't reify the hegemonic, consumer driven narrative, nor do they re-enforce the present, tenuous power structure that legitimizes, perpetuates and protects such systems. People like Ava disrupt the notion that the interpretations of the Ancient people of this continent belong only to the hegemonic class and only as long as the hegemonic narrative is reified. The stories that are told in our culture, again and again, and are enforced to the culture at large, implicitly leave out and exclude the tremendously complex ancient histories of Native American peoples, as well as the atrocities and genocide committed upon them by the United States Government, pioneers, and conquistadores. It is by doing this that the architects of such narratives ensure that we remain unaware that these atrocities persist.
Without those atrocities, there would be no Colorado. The story—the true and whole story—is that the body of history—a historical identity and sense of belonging to a place—does not reside only with the conquerors, the conquistadors or the biggest earners, producers or consumers; nor does it belong to the academics, but also to the Indigenous people who are made of and carry strands of identity from the people who first inhabited this place.
Perhaps this place means to teach us a lesson by having unearthed the Mahaffy Cache. It is this lesson we work so hard to suppress that would free us into a deeper state of belonging to place.
We must deal with our complicated history in an honest and sophisticated way — not only articulating it and acknowledging its presence, but also, taking actions to correct it and so heal our relationships with the people, and history of this place. We must tell the wholeness of history. We must integrate the hegemonic historical narrative with the reality of genocide. We must tell the whole story to our selves and our children, again and again, until those stories are ingrained in us to the point that we stop re-enacting the atrocities of the past through direct action, and ignorance. Let us not be afraid of that as if it meant some sort of loss for us, but rather that it means greater gain for all through equality. To work toward telling a whole story we must become more connected to, and aware of, each other and thereby more wholly akin to this sacred Earth. It is by telling this story that we will fall in love with this place because we are no longer denying an aspect of its character, its history.
There's a place in New Zealand where they gave personhood to a river. The Whanganui River, after a century-long fight by the incredible people there, the Whanganui iwi established legal personhood for their River. Similar to how we have personhood for corporations, they now have personhood for a River.
I think a lot of environmentalists consider the environment to be very important, if not essential, but approach it from a scientific or economic perspective. For example, they ask, "How much is it worth, in terms of environmental services?"
I read an op-ed in the New York Times describing how a certain part of the brain lights up when a person is asked to value a consumer product, it said all such products light up the same part of the brain. But when researchers mentioned a nearby River and asked, 'How valuable is the River's health?' a totally different part of the brain lit up.
It reflects a different type of value — one that acknowledges there are elements that are valuable in a different way than consumer products. They are valuable in a primordial way. This is to say, these sorts of things are still relatively unknown in the realm of science, and my concern is that a lot of scientists who are in the place of protecting the Earth at this point, can see only through the lens of science and economics. When they sit to argue a lawsuit, raise money or win a political argument, they can't say that the Earth is alive because they have no data.
In the realm of science, there's no data that the earth is alive. So how can we talk about the Earth's life? In my mind, science in this way has become a dogma, almost like a religion, for a lot of people who consider themselves to be environmentalists. When I ask do you think the earth's alive? They say, "No, there's no data for that." And I think that fundamentally, until we accept the sentience of Earth, rivers and everything, we'll continue to destroy what we need to live until we're all gone."
When I share these thoughts with Ava, she says, "I totally agree with that anti-sentiment that they don't know that the Earth's alive. I saw something recently that said that water has memory and I thought, 'What, they don't know that?'
"You said something really important, something I really agree with, which is how scientists and their research believe that it's — and I'm interpreting — that theirs is the only proof that there is. They're not the only scientists. It's not the only proof. Who made them that authority? I didn't. The scientists need education about knowing and respecting.
"Someone asked me," she continues, "if I feel isolated being the only Arapaho — not having a big Indian community here. 'No,' I said, 'I never feel that because I am from here, and belong here.' And these other people, who live here now, don't act like they love it here. This is my relative. This is my relative all around here — not these buildings or disturbing things — things that disturb the Earth — but this place. It's an old, old place, very old. I'm glad to be part of that. Even though I'm here today, I'm a very old person. We all are.
"I made this documentary years ago," she continues, "called Everything Has a Spirit. I used to think that everything had a spirit but rocks. I'm not like that anymore. They have a memory as well. Everything has a spirit.
"I'm still learning and I'll be happy to learn more. I wish there were more people who were learning too; younger people. When I did public speaking, people would ask, 'Well, what can we do?' and I'd say, 'Well, how about giving us some land so we can have our own facility here in Boulder: The Indigenous Knowledge Center.'
"There are museums everywhere where they collect our stuff but what about if we have our own building, we have our own people run it and we interpret our own stuff. But, such a thing doesn't exist anywhere. Some tribes have their own facilities that their governments funded. But to have our own facility, something out in public where people could come and learn; we could show our videos, write books, offer fellowships and be together in a place where we could learn, together, in a facility in which we protect and pass on what we know. I would love that."
Ava's words echoed for days after our meeting. As I write, I imagine that Land, as a person, cannot be owned because to do so would be to enslave. The living Earth is a relative with whom we share our lives; who provides us life. It's voice and ours are ineluctably intertwined. What intertwines us is the life of relationship itself. That relationship has a voice. Its expression is our connection with the gift of life.
Something that Ava said strikes me in reflection. 'All things are all related.' I try to think exactly what she meant by considering literally what she said to discover anew an ancient relation, who generously offers a co-creative way forward. Beyond saying, 'We are all related,' which she also said and I believe to be true, Ava says, 'All things are all related.' In so doing, she says that all things are an expression of the relationships between all things and therefore, relationship itself has personhood in natural law.
Relationship is alive — passing from deep time to now. I imagine that her relatives speak with her. I imagine our common ancestor and relative, the Earth, speaking with her. As I write now, my ancestors speak with me. Their speech flows beneath language directly into your heart and speaks with your own ancestors. We embrace. Speaking in this way breaks a spell.
Ava's voice and my voice join with the memory of reflections of colorful light from designs on the ceilings and walls of the teahouse. Our voices join with the song of the fountain and mist casting light through the windows. Our voices join with the story's future.
The passion of Ava's knowledge, directed in her words, moves with her relatives through the course of history into now. She points out a mentality, or ideology, not any unchanging genetic trait or group of people as bringing about Earth's/humanity's destruction. Implicit in her words and her life is the fact that minds can change. We can change our minds. Our minds have changed.
(Click here to go The curation of discovery: Part 3)
Boulder Weekly is serializing The Curation of Discovery. Over the next several weeks, using a combination of our newspaper and website, we will publish this entire work which raises many critical and emotional questions about our current system of history curation, which too often leaves out the most important voices, namely, those of Indigenous peoples.
Return to The curation of discovery: Part 1
Oct 06 2016 issue
Previous articleTour de brew: Post Brewing Company
Next articleHeath care: A right or a privilege?


A little background- what are binary options?
How does Fast Cash Biz tie in?
Is Glenridge Capital a safe trading platform?
Binary options trading is RISKY.. yet Fast Cash Biz claims their success rate is 99%!
Binary options is a relatively simplistic trading system that operates in very specific, short time intervals and functions on an "all or nothing" basis. The price of commodities, stocks, and currencies fluctuates constantly every minute of every day. The trader either gains a fixed profit or gets nothing. To take an example, you would make a simple "yes" or "no" prediction to the price of something like Gold, Silver, Coffee or Oil on a particular time on a specific day.
The yes/no proposition typically relates to whether the price of a particular asset that underlies the binary option will rise above or fall below a specified amount. For example, the yes/no proposition connected to the binary option might be something as straightforward as whether the stock price of XYZ company will be above $9.36 per share at 2:30 pm on a particular day, or whether the price of silver will be above $33.40 per ounce at 11:17 am on a particular day.
Fast Cash Biz is a software program that acts like a trading robot. Their software supposedly accurately predicts the market to give you the best chance of winning (which is pretty impossible). They claim using their software and doing "exactly what they tell you" will give you a 99% chance of earning a seven figure income.
You sign up for "free", but must invest a minimum of $250 with their associated broker. Living in the United States, they wanted me to sign up with a broker called Glenridge Capital.
Since you can't do anything unless you invest the $250, it isn't really free at all.
Upon further investigation, Glenridge Capital is not on any list of brokers registered with the CFTC (US Commodity Futures Trading Commission) nor the SEC and appears to be simply an internet based trading platform.
It isn't recommended to use unregulated brokers for binary options trading because there's a much higher chance they are a fraudulent company.
Since Glenridge Capital has a $100 referral program, it seems perhaps Fast Cash Biz exists to make money on referring people to that particular broker instead of providing them any type of actual service, support or training.
I cannot back up the legitimacy of Fast Cash Biz nor any type of trading robot (let alone one that's free). You have no idea how their software works or what signals it's using to predict the good options. For all you know it could be manipulated to make you lose!
Would you hand your hard earned money to a complete stranger and trust they'd give you millions in return?
The reality of binary options trading is that it's not really much different from playing online poker – you're still just gambling with it. The CFTC advises anyone to only trade with money they can afford to lose because the market is volatile and there's significant risk. You can research the market and make educated guesses, but even the most advanced trader isn't going to be able to accurately predict market fluctuations in such small time intervals like that, at least not consistently.
It's rather hilarious they claim their success rate to be 99%, and users on average make 10,000 PER DAY just "clicking a few buttons". I'm not making it up, either. it's directly on their FAQ page.
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If you're interested in binary options trading, stay away from any get rich quick and robot trading sales pitches. Choose a broker regulated by the CFTC and learn the field. If you have the funds and are into gambling your money, then I can't tell you what to do with your money. Just don't say I didn't warn you.
For everyone else who doesn't have money to risk throwing away, I recommend learning a more practical, sustainable way to earn money online.


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Paul Alden Brinegar (* 19. Dezember 1917 in Tucumcari, New Mexico; † 27. März 1995 in Los Angeles, Kalifornien) war ein US-amerikanischer Schauspieler.

Leben
Brinegar studierte Schauspiel, Literatur und Kunst am Pasadena Junior College. Sein Spielfilmdebüt hatte er 1946 in einer kleinen Nebenrolle ohne Namensnennung im Abspann im Western Banditen ohne Maske neben Randolph Scott, Edgar Buchanan und Lloyd Bridges. Es folgten eine Reihe weiterer untergeordneter Filmrollen, daneben begann er ab Mitte der 1950er Jahre mit Auftritten in Fernsehserien. Unter anderem spielte er von 1955 bis 1958 die wiederkehrende Rolle des Jim "Dog" Kelly in der Westernserie Wyatt Earp greift ein. Eine seiner ersten größeren Filmrollen war schließlich für den Wendepunkt seiner Karriere verantwortlich. 1958 stellte er im Western Die Rache des Texaners neben Joel McCrea die Rolle des Koches Tom Jefferson Jeffrey dar. Diese diente ein Jahr später als Vorlage für die Darstellung des Koches George Washington Wishbone in der erfolgreichen Westernserie Tausend Meilen Staub mit Eric Fleming und Clint Eastwood, die er zwischen 1959 und 1965 in 216 Folgen darstellte, und durch die er Bekanntheit beim US-amerikanischen Fernsehpublikum erlangte. Nach dem Ende der Serie war er von 1968 bis 1970 in der weniger erfolgreichen Westernserie Lancer als Jelly Hoskins zu sehen. Zudem trat er an der Seite von Elvis Presley in dessen Western Charro auf. 1973 stand er noch einmal mit Clint Eastwood in Ein Fremder ohne Namen vor der Kamera. Anfang der 1980er Jahre spielte er die Rolle des Lamar Pettybone in der Krimiserie Matt Houston. Seine letzten Leinwandauftritte hatte er 1994 an der Seite von Mel Gibson und Jodie Foster in Maverick – Den Colt am Gürtel, ein As im Ärmel sowie im auf der Serie Wyatt Earp greift ein basierenden Film Wyatt Earp: Return to Tombstone, in der er noch einmal in die Rolle des Jim "Dog" Kelly schlüpfte.

Filmografie (Auswahl)

Film
 1946: Banditen ohne Maske (Abilene Town)
 1949: Schwert in der Wüste (Sword in the Desert)
 1950: A Ticket to Tomahawk
 1950: Der Mann ihrer Träume (Young Man with a Horn)
 1952: Pat und Mike (Pat and Mike)
 1952: Wir sind gar nicht verheiratet (We're Not Married!)
 1954: Ein neuer Stern am Himmel (A Star Is Born)
 1956: Planet des Grauens (World Without End)
 1956: Menschenraub (Ransom!)
 1957: Lindbergh – Mein Flug über den Ozean (The Spirit of St. Louis)
 1957: Immer bei Anbruch der Nacht (The Vampire)
 1969: Charro! (Charro!)
 1973: Ein Fremder ohne Namen (High Plains Drifter)
 1983: Trottel im Weltall (The Creature Wasn't Nice)
 1991: Das Leben stinkt (Life Stinks)
 1994: Maverick – Den Colt am Gürtel, ein As im Ärmel (Maverick)
 1994: Wyatt Earp – Das Leben einer Legende (Wyatt Earp)

Fernsehen
 1954: The Lone Ranger
 1955: Alfred Hitchcock Presents
 1955–1958: Wyatt Earp greift ein (The Life and Legend of Wyatt Earp)
 1956: Dragnet
 1959: Der Texaner (The Texan)
 1959–1965: Tausend Meilen Staub (Rawhide)
 1967: Bonanza
 1968–1970: Lancer
 1974: Cannon (Folge: Duell in der Wüste)
 1975: Der Sechs-Millionen-Dollar-Mann (The Six Million Dollar Man)
 1976: Unsere kleine Farm (Little House on the Prairie)
 1977: CHiPs
 1977: Der Mann in den Bergen (The Life and Times of Grizzly Adams)
 1982–1983: Matt Houston
 1985: Knight Rider
 1993: Die Abenteuer des Brisco County jr. (The Adventures of Brisco County Jr.)

Weblinks

Filmschauspieler
US-Amerikaner
Geboren 1917
Gestorben 1995
Mann

redpajama_set_name: RedPajamaWikipedia


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Янта́рное — село в Прохладненском районе Кабардино-Балкарской Республики.

Административный центр муниципального образования «Сельское поселение Янтарное».

География
Селение расположено в центральной части Прохладненского района, на правом берегу реки Малка, чуть выше впадения в него реки Шакой. Находится в 9 км к западу от районного центра Прохладный и 67 км к северо-востоку от города Нальчик. В 18 км от села находится железнодорожная станция Прохладная.

Граничит с землями населённых пунктов: Алтуд на юге, Черниговское на западе, Лесное на севере, Учебное на северо-востоке и с городом Прохладный на востоке.

Населённый пункт расположен на наклонной Кабардинской равнины, в равнинной зоне республики. Средние высоты на территории села составляют 236 метров над уровнем моря. Рельеф местности представляет собой в основном волнистые равнины, с общим уклоном с юго-запада на северо-восток, без резких колебаний относительных высот. Вдоль долин рек Малка и Шакой тянутся бугристые лесистые возвышенности.

Гидрографическая сеть представлена рекой Малка и её притоками Шакой и Неволька. На западе расположены две запруднённые озёра. У юго-западной окраины села имеются выходы горячих источников — Янтарненские термальные источники. К югу от села имеется залежи высококачественного песка, с площадью действующих карьеров в 4 га.

Климат умеренный влажный, с жарким летом и прохладной зимой. Среднегодовая температура воздуха положительная и составляет около +10,0°С. Средняя температура воздуха в июле достигает +22,5°С. Средняя температура января составляет около -3,0°С. Среднегодовое количество осадков составляет около 550 мм. Абсолютная среднегодовая влажность воздуха составляет около 10,0 мм.

История
В 1893 году переселенцами из Черниговской губернии — Николаем и Митрофаной Щербатенко, на месте нынешнего села был основан посёлок для обслуживания мельницы Рязанова.

К 1917 году в посёлке Рязанский проживало 83 человека. Однако в ходе Гражданской войны посёлок был разгромлен и впоследствии заброшен.

В 1926 году на базе мельницы Рязанова (впоследствии Шестопалова, а потом Райпотребсоюза) был организован посёлок Госплемзавод «Прималкинский». Этот год и считается официальной датой основания села.

20 июля 1962 года Указом президиума Верховного Совета КБАССР посёлку было присвоено наименование — «Янтарный».

Население

 Национальный состав
По данным Всероссийской переписи населения 2010 года:

 Половозрастной состав
По данным Всероссийской переписи населения 2010 года:

Мужчины — 398 чел. (46,1 %). Женщины — 465 чел. (53,9 %).

Средний возраст населения — 36,7 лет. Медианный возраст населения — 34,3 лет.

Средний возраст мужчин — 33,7 лет. Медианный возраст мужчин — 31,5 лет.

Средний возраст женщин — 39,2 лет. Медианный возраст женщин — 36,5 лет.

Образование
 МКОУ Средняя общеобразовательная школа — ул. Верхняя, 16.
 МДОУ Начальная школа Детский сад «Солнышко» — ул. Школьная, 13.

Здравоохранение
 Участковая больница — ул. Школьная, 7.

Культура
 МКУК Культурно-досуговый центр сельского поселения Янтарное — ул. Ленина, 7.

Улицы
На территории села зарегистрировано 9 улиц:

Ссылки
 Официальный сайт сельского поселения Янтарное

Примечания

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Finding aids (1595)
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Audiotapes (150)
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Smithsonian Institution. Center for Folklife and Cultural Heritage (46)
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Warshaw, Isadore (32)
Smithsonian Institution (29)
National Museum of the American Indian. Office of the Director (26)
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National Museum of the American Indian (16)
Jackson, William Henry (13)
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Calder, Alexander (11)
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Smithsonian Institution. Office of Public Affairs (11)
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DeVincent, Sam (10)
Hewitt, J. N. B. (John Napoleon Brinton) (10)
Holmes, William Henry (10)
National Museum of American History. Office of the Director (10)
Fewkes, Jesse Walter (9)
Mooney, James (9)
National Museum of the American Indian. Office of Public Affairs (9)
Curtis, Edward S. (8)
Gill, De Lancey (8)
Heye, George G. (George Gustav) (8)
Hrdlička, Aleš (8)
National Congress of American Indians (8)
National Museum of the American Indian. Office of Education and Museum Programs. Publications Office (8)
Smithsonian Institution. Bureau of American Ethnology (8)
Smithsonian Institution. Office of Exhibits Central (8)
Swanton, John Reed (8)
Indians of North America (493)
Navajo Indians (70)
Indians of South America (49)
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Pueblo Indians (48)
Hopi Indians (46)
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Query: Indians of North America -- Museums
Ethnogeographic Board (Washington, D. C.)
16.5 cu. ft. (2 record storage boxes) (29 document boxes)
Record Unit 87
Smithsonian Institution Archives
This collection includes records concerning the Board's projects, general correspondence, committee and organization work and information concerning specialized data and special subjects. Postwar regional administration records, geographic reports, country information files, photographs and uncompleted project records are also included, a...
Bridgewater Family Papers
Bridgewater, Herbert Ford, 1908-1970
Bridgewater, Leon Archibald, 1905-1968
Harrell, Charles Henry, 1878-1948
Harrell, Mary Bridgewater, 1893-1981
21 Cubic feet (64 document boxes, one oversize folder)
Papers and photographs documenting the lives and descendants of Samuel and Mamie Anderson Bridgewater of Helena, Montana.
Sheila Salo Gypsy Photographs
Salo, Sheila
0.2 Cubic feet (1 box)
This collection contains photographs of North American Rom Gypsies by donor Sheila Salo; also copy prints, negatives, and slides made from material in other collections.
James H. Doolittle Scrapbooks
Doolittle, James Harold, 1896-1993
10 Cubic feet (10 boxes)
NASM.XXXX.0501
National Air and Space Museum Archives
This collection includes twelve photograph albums and loose photographs covering Doolittle's varied aviation career.
Stanley Lomas Television Commercial Collection
Lomas, Stanley
7 motion picture films
The Stanley Lomas Television Commercial Collection consists of 226 television commercials for products including dishwashing soap, beer, cigarettes, soft drinks, and breakfast cereals. The collection also includes a short 1954 film demonstrating the DuMont Electronicam, a camera designed for simultaneous live broadcast and film recording. There is ...
Charles C. Adams papers
Adams, Charles C. (Charles Christopher), 1873-1955
1.2 Linear feet ((partially microfilmed on 4 reels))
0.5 Linear feet (Addition)
AAA.adamchar
Records kept by Adams while Director of the New York State Museum in Albany, mainly relating to his efforts to build the museum's collections. Included are correspondence, notes, printed materials and photographs.
George Herbert Girty Papers
Girty, George Herbert, 1869-1939
1896-1948 and undated
2.5 cu. ft. (5 document boxes)
Record Unit 7329
The 1879 act establishing the United States Geological Survey (USGS) declares, "And all collections of rocks, minerals, soils, and fossils, and objects of natural history, archaeology, and ethnology, made by the Coast and Interior Survey, the Geological Survey, or by any other parties for the Government of the United States, when no longer nee...
American Ethnological Society records
Eggan, Fred, 1906-1991
Ewbank, Thomas, 1792-1870
Fischell, A.
French, Kathrine S. (Kathrine Story), 1922-2006
7 Linear feet (14 boxes)
NAA.2007-11
The records of the American Ethnological Society (AES) document its activities from its founding in 1842 through the mid-1960s. The American Ethnological Society is the oldest anthropological association in America. It has been interested in publishing and promoting study of different cultures in the Americas from its founding in 1842 to the present. Materials include correspondence, reports, and financial records relating to the administrative functions of the organization.
Alexander Wetmore Papers
Wetmore, Alexander, 1886-1978
circa 1848-1983 and undated
50.21 linear meters.
The papers of Alexander Wetmore were received in the Smithsonian Archives in several different accessions between 1978 and 1987. The Archives would like to thank Mrs. Beatrice T. Wetmore for her help in transferring her husband's papers to the Archives. We also appreciate the assistance of the staff of the Division of Birds, National Museum ...
Broadcast Programs
Anacostia Community Museum
14 Video recordings (open reel, 1/2 inch)
15 Sound recordings (open reel, 1/4 inch)
ACMA.09-037
Anacostia Community Museum Archives
This collection includes news programs, television shows, and music recorded from local and national radio and television broadcasts as well as prerecorded programs, such as The Negro Texans and Alex Haley Lecture for the Doubleday Lecture Series. Anacostia Community Museum does not hold the copyright of the broadcast programs and prerecorded progr...

redpajama_set_name: RedPajamaCommonCrawl


MOGOLLON AIRPARK PROPERTIES II, an Arizona Limited Partnership, hereinafter called Declarant, as present owner of the second beneficial interest in TRANSAMERICA TITLE INSURANCE COMPANY as Trustee under Trust No. 84-616, being properly authorized so to act by the terms of the trust and TRANSAMERICA TITLE INSURANCE COMPANY as Trustee thereunder, hereinafter called Trustee, solely as bare legal title held and not personally and acting at the proper direction of said Beneficiary-Declarant, executes this declaration of reservations, covenants, conditions and restrictions to run with the following real property for the purpose as hereinafter set forth: Lots 178 through 213, inclusive, and Tracts B, E, F, G, H, I, J, K, L, and M MOGOLLON AIRPARK UNIT FOUR B, recorded in Book _ of Plats, page , records of Navajo County, Arizona.
1. Said lots are hereby restricted to single-family dwellings for residential use only. No business activities of any kind whatsoever shall be conducted upon any of said lots or improvements located thereon.
Any subsequent resale of any of the above aircraft storage tracts shall only be to owners of lots within Mogollon Airpark and who are members of the Mogollon Airpark Homeowner's Association.
The owners of tracts E, F, and G and lots 183, 184, 185, 190, 191, 192, 193, and 194 shall have a portion of the Tract B tiedown areas specifically reserved for their ingress and egress to a hangar or tiedown area contained on their respective lot. The width of this reserved area shall be sufficient to permit aircraft with a wi~g span up to 45 feet to safely ingress and egress the lot from or into the Tract B tiedown areas. This reserved area shall not be used either as a temporary or permanent tiedown area except by the respective lot owner. Any portions of the pedestrian easements associated with the Tract B tiedown areas may be cleared and improved as necessary to facilitate taxiway access to aircraft storage tracts E, F, and G, and to lots 184, 185, 190, 191, and 193.
3. All plumbing, including but not limited to toilets, bathing facilities, and kitchen facilities, shall be of the modern inside type.
4. SETBACK REOUIREMENTS. No structure shall be erected on any lot within 20 feet of the front or rear line of said lot or within 15 feet of either side line of said lot; except that for Tracts E, F, and G, the setback shall be 20′ from the front of the tract (taxiway side), 10′ on the back of the tract, and 5′ on each side of the tract; and for Tracts H through M, inclusive, the setback shall be 10′ on the front, back, and sides of the tract; provided, however, that the setback requirements herein provided may be amended or modified by the Mogollon Airpark Association, a non-profit association hereinafter defined and described and referred to herein as the "Association", upon written application by any owner, if the Association is of the opinion that the setback requirements would work and undue hardship, or where a variation thereof would be in the best interest of the lot owners and subdivision as a whole, without prior consent or approval of the other lo~ owners. Should a variance be required, it must be obtained through the Navajo County Planning Department by Board of Adjustment action. In the event a lot is served by a driveway and also fronts on the street, the street side of the lot shall be considered the front side of the lot. In addition, that lot can only use the driveway as a method of ingress and egress to the lot and cannot use another way from the street.
a. Siding material shall be log siding similar to that contained on the "hex" hangar located on Parcel B, Mogollon Airpark.
b. Roofing material shall be imitation cedar shake, aged cedar in color, similar to that contained on the "hex" hangar located on Parcel B, Mogollon Airpark.
c. The location of windows and doors shall be as illustrated in Figure #1.
e. The hangar shall be 46′ wide and 36′ deep as shown in Figure #1, and shall have a hangar door opening of 42′ wide and 12′ high.
The owners of tracts E, F, and G, shall have the option, but not the obligation, of constructing three hangars with common side walls on Tracts E, F, and G, and forming a Hangar Association for the management, care, and control, of the hangar complex. The specific plans for the hangar complex and the By-laws for the Hangar Association shall be approved by the Association. However, the types of siding materials, roofing materials, and architectural design shall be as close as possible to the requirements stated above for a single hangar. Similarly, the owners of Tracts J and K and the owners of Tracts L and M, may likewise form a Hangar Association and build a "duplex" hangar on the combined tracts. The restrictions, reservations, and architectural design specified above for Tracts E, F, and G shall apply to Tracts J and K, and to Tracts L and M for the construction of a common hangar.
Notwithstanding anything to the contrary above, the Declarant, Mogollon Airpark Properties II, does hereby exclusively reserve to itself until all of the lots in Mogollon Airpark Properties II (Units 4A, 4B, and 6) have been sold, to review and grant final approval for all plans and specifications that hereinabove require Association approval.
6. All lots which abut and share the use of a driveway shall contribute to the common maintenance of that driveway, including, but not limited to, grading, snow removal, graveling, etc. The maintenance shall be that agreed upon by the lots sharing the use of the driveway and should any lot owner fail to make its prorata contribution, that lot shall be subject to a lien for the amount due and, if the owner fails to pay the amount due, the court may assess him with a reasonable attorney's fee.
7. CORNER LOTS. In the event a lot is situated on the corner so that it abuts two streets or a street and a driveway, then the side facing the street shall still be considered the front; however, the elevation abutting the other street or driveway, as the case may be, shall also be considered a front only for architectural approval purposes when the Association considers the architectural treatment of the side of the structure facing the other street or driveway. In addition, that lot can only use the driveway as a method of ingress and egress to the lot and cannot use another way from the street.
8. No horses, cattle, sheep, goats, pigs or other livestock or poultry may be kept, boarded or maintained on any of said lots or any part thereof.
9. All clotheslines, equipment, garbage cans, incinerators and service yard shall be kept screened by adequate planting or fencing so as to conceal them from view of neighboring parcels and streets. No metal fence shall be erected on any lot. All rubbish, trash or garbage shall be removed from the premises and shall not be allowed to accumulate thereon.
10. No temporary house trailer, travel trailer, mobile type home, mobile home, or any temporary housing shall be placed or erected on any lot in said subdivision. "Mobile home" as used in these restrictions shall be defined in the Arizona Revised Statutes, Sections 33-1409. Manufactured housing shall be permitted within the subdivision, but only if the architectural design of such housing is approved by the Association prior to construction on a lot.
11. No elevated tanks of any kind shall be erected, placed or permitted upon any of said lots. Any tanks for use in connection with any residential construction on said property including tanks for the storage of gas or fuel oil, must be buried or walled in or kept screened b.y adequate planting to conceal it from the neighboring tracts, roads, and streets. It shall be the responsibility of the lot owners to cause a culvert to be installed on their lots prior to the ingress or egress of heavy trucks or construction equipment in order to prevent damage to the Navajo County road system serving Mogollon Airpark. Failure to comply with this provision shall make the lot owner liable for all necessary repairs to the roads caused by these heavy trucks or construction equipment. Vehicles and aircraft using the common area taxiways shall limit their speed to not more than 10 MPH.
Construction traffic is prohibited on the common area runway, taxiways, and tiedown areas. The failure of a lot owner to prevent construction traffic associated with his lot from entering upon the common area runway, taxiways, and tiedown areas shall make that lot owner liable for any necessary repairs caused by construction traffic upon these areas. Lot owners shall specifically include a clause in their construction contracts prohibiting contractor equipment from entering upon the common areas runway, taxiways, and tiedown areas.
12. No lot or lots shall be subdivided except with the permission of the Association and the Navajo County Board of Supervisors. Any ownership of single holding by any person compromising parts of two adjoining lots or the whole of one lot and parts of one or more adjoining lots shall, for the purposes of this Declaration of Conditions and Restrictions, be deemed to constitute a single lot.
13. In the event the owner of any lot shall fail to maintain the premises and the exterior of the improvements situated thereon in a manner reasonably satisfactory to the Association, or in the event the owner of any lot shall fail to keep a fire line cleared to the mineral soil around his lot, or permit litter and debris to accumulate on his lot, or fail to comply with any other reasonable fire preventive requirements, the Association, through its agents and employees, shall have the right to enter upon such premises and to repair, maintain, rehabilitate and restore the exterior of any improvements situated thereon and/or clean or clear any lot of litter and debris, or take any other steps necessary to meet litter and debris, or take any other steps necessary to meet reasonable fire preventive regulations; provided, however, that the Association shall first give written notice to the owner of said lot of its intention to make such repairs or of its intention to perform such cleaning, maintenance or rehabilitation work, affording the owner of said lot thirty days time in which to make said necessary repairs, maintenance or clearing work. If at the end of said thirty day period the work to be performed has not been done by the owner, then the Association shall have the right, as set forth herein, to make such repairs, rehabilitation, clearing or maintenance work. Nothing herein contained shall be construed to grant to the Association any right to enter into or inside of any building located on any lot without the consent of the owner thereof. Any costs incurred by the Association in enforcing and carrying out of the performance of this paragraph shall be charged against the owner of said lot, and a lien may be created on said lot until the Association has been paid in full for all costs incurred, which lien may be foreclosed in the manner set forth in Paragraph 35 of this Declaration.
14. Within twelve months after the date of the initial purchase of any lot, the lot owner shall cause said lot to be raked to the mineral soil and the vegetation thereon thinned to comply with reasonable fire preventive requirements. In the event the owner of the lot shall fail to have said lot raked and thinned within the period, the Association through its agents and employees, shall have the right to enter upon such premises and shall follow the same procedures for notice to the owner and shall be reimbursed for costs incurred as set forth in Paragraph 34 of this Declaration, and a lien may be created on said lot until the Association has been paid in full for all costs incurred, which lien may be foreclosed in the manner set forth in Paragraph 34 of this Declaration.
15. Fireplaces, at the time of their construction or installation, shall have spark arresters installed.
16. No individual water system shall be permitted on any lot in said subdivision. A duly franchised water company and its agent, or an agent of the improvement district provided for herein, shall supply all necessary water to lot owners.
17. Although there is no requirement that a residence or other improvement be constructed upon any lot, upon the commencement of the construction of any improvement, such construction of at least the exterior thereof shall be prosecuted with reasonable diligence to completion so that the aesthetics of the area are not disturbed by the appearance of an incomplete structure for an unreasonable period of time. For the purposes of this paragraph, a reasonable period of time to complete the construction of the exterior section of any structure shall be six months from the commencement of the construction of the exterior.
No signs, advertisements, billboards, "for sale or rent" signs or promotional signs of any kind shall be erected and/or exhibited in any manner on or above the property without prior written approval from the Association. The issuance of such approved "for sale" sign must be removed from any lot within thirty days after sale has been consummated. Promotional signs are defined as subdivision advertisement signs only. Notwithstanding anything to the contrary, the Declarant, Mogollon Airpark Properties II, shall have the right to install "for sale" signs and promotional signs on any unsold lots or upon the common areas.
19. Any exterior lighting caused or allowed to be erected on any lot by a lot buyer shall be shaded so as to not create a nuisance to any other lot owner or occupier thereof.
20. Easements for roadway slopes, drainage, sewers, water, cable television, electricity, telephone, and other utilities along, under, around, adjacent to, and across the lots which are subject to these restrictions are hereby granted, reserved and established; such shall include the right to excavate for, place, cover, repair, and do everything necessary or desirable to maintain the same in a workmanlike manner and proper condition. This right shall be exercised in such a manner as to preserve the greatest amount of natural growth and vegetation and do the least amount of injury to the lots, consistent with the most feasible location of, and proper construction of any improvements to, said easements. The location of these easements and the construction of any improvements thereto shall be as shown on the subdivision plat. Any such easement shall be within fifteen feet of any lot line. Within these easement areas, no structure, plants, or other material shall be placed or permitted to remain which may damage or interfere with the installation and maintenance of utilities. The easement areas of each lot and parcel of land and all improvements in it shall be maintained continuously by the owner of said lot and parcel of land.
21. All injuries or rights to assert damage to lots arising out of the construction of roads to grades or elevations other than the grades or elevation of such lots, are hereby waived, provided said roads or sewers are constructed in accordance with good engineering practice.
22. During the time of construction of the easement improvements referred to in Paragraph 20, easements for the construction of same, for the movement and storage of equipment and materials, and for entry and access for inspection and other incidental purposes are hereby granted, reserved and established in, over, under and upon each of said lots, in order to facilitate construction and completion of such improvements. This right shall be exercised in such manner as to preserve the natural growth and vegetatioh and do the least amount of injury to said lots, consistent with the economic construction of said improvements.
23. No trees or other native vegetation shall be cleared from any of said lots except to the extent that such clearing is necessary to allow construction of a residence, provide driveway access thereto, and to provide for reasonable fire protection or its removal if necessary as a safety precaution. All clearing and grading of lots must first have written approval of the Association.
24. A no-fee County Highway Department permit shall be required for all access to a County Highway and/or roadway accepted for maintenance by the County and for egress and ingress from subdivision lots and shall be obtained prior to any construction and/or installation of same. The permit will show the egress and ingress requirements and will include the specifications for driveway drainage culverts to subdivision lots, said culverts to be provided by owner and installed to county specifications and be installed by Navajo County Engineering Department. There shall be no ingress or egress from or to a county road or subdivision streets from subdivision lots until the proper culverts are installed to specifications. If ingress and/or egress control signs are required there will be a fee to cover their purchase and installation by the County Highway Department except for those as outlined in ART-ICLE IX of the SUBDIVISION REGULATIONS AND REQUIREMENTS as adopted by the County Board of Supervisors on April 5, 1971/ The required permit(s) may be obtained from one of the County Highway Departments or the County Engineer's office and shall be posted in view at the construction site.
25. All construction on subdivision lots shall require a Navajo County Building permit and shall comply with all established requirements.
26. The covenants, restrictions, reservations and conditions contained herein shall run with the land and shall be binding upon all persons purchasing or occupying any lot or lots in said subdivision after the date on which this instrument has been recorded. These covenants, restrictions, reservations and conditions may be enforced by the owner of any parcel in said subdivision or any one or more of said individuals and corporation; provided, however, that any breach of said covenants, restrictions, reservations and conditions or any right of re-entry by reason thereof, shall not defeat or affect the lien of any mortgage or deed of trust made in good faith and for value upon said land, but except as hereinafter provided, each and all of said covenants, restrictions, reservations and conditions shall be binding upon and effective against any owner of said premises whose title thereto is acquired by foreclosure, trustee's sale or otherwise and provided also that the breach of any of said covenants, restrictions, reservations and conditions may be enjoined, abated or remedied by appropriate proceedings, notwithstanding the lien or existence of any such deed or trust or mortgage. All instruments of conveyance of any interest in all or any part of said subdivision shall contain reference to this instrument and shall be subject to the covenants; restrictions, reservations and conditions herein as fully as though the terms and conditions of this instrument were therein set forth in full; provided, however, that the terms and conditions of this instrument shall be binding upon all persons affected by its terms, whether express reference is made to this instrument or not.
27. Unless otherwise provided herein, these covenants, restrictions, reservations and conditions shall remain in full force and effect for a period of thirty years from the date hereof. Thereafter, they shall be deemed to have been renewed for successive terms of ten years, unless revoked or amended by an instrument in writing, executed and acknowledged by the owners of not less than three-fourths of the lots in said subdivision, which said instrument shall be recorded in the office of the County Recorder of Navajo County, Arizona, within ninety days prior to the expiration of the initial effective period hereof or any ten year extension.
28. Wherever the terms "owner" or "owners" are used herein, such terms shall include purchase or purchasers under an agreement for sale or contract to purchase, and beneficiary or beneficiaries of any trust owning or purchasing any parcel within said subdivision.
29. Invalidation of any one of these covenants, restrictions, reservations or conditions, by judgment or court order, shall in no way affect the validity of the other provisions, and the same shall remain in full force and effect.
30. All restrictive covenants listed or contained herein are subject in all instances to compliance with the State of Arizona and the County of Navajo health ordinances, restrictions and regulations, zoning regulations or any other duly enacted laws or regulations.
31. Should it become necessary at any time that anyone authorized by this Declaration to enforce same, employ counsel to enforce any of the provisions, conditions, restrictions, or covenant contained, all costs incurred in the enforcement of such provisions conditions, restrictions or covenants herein contained including, but not limited to, a reasonable fee for counsel, shall be paid by the owner of a lot or lots who, through their breach, make it necessary for the Association to enforce such provisions, conditions, restrictions, or covenants herein contained. The Association shall have a lien upon such lot or lots to secure payment of such costs, which lien may be enforced in the manner specified in Paragraph 34 hereof.
32. None of the rights of the Association to enforce the covenants and restrictions contained herein shall be construed to be mandatory obligation or duty of the Association to enforce said covenants and restrictions.
33. The Association shall have the right to enter upon the land when a provision or provisions of this Declaration of restrictions has been violated and remedy such breach and bring about the proper aesthetics and sanitary conditions as are contained herein without deeming such entrance as trespassing.
34. Each property owner agrees that by the acceptance of the contract of purchase or deed to any lot within said tract that he will become a member of the Mogollon Airpark Association ("Association") and each of the above described lots shall entitle the owner or owners thereof to one membership in the Association. The owner thereof shall be entitled to the rights and privileges of such membership and shall comply with the duly promulgated rules and regulations of the Association. Each of said lots shall be assessable by the Association as provided in the Bylaws thereof, and any such assessment shall constitute, from the data of such assessment, a lien on each such lot to secure the payment of the assessment. In the event that any such assessment shall not be paid on or before the due date thereof, the Association shall have the right to foreclose in the manner prescribed by Arizona law for the foreclosure of liens on real property other than mortgage liens. In the event of any action to foreclose such lien, the lien shall be deemed to secure, in addition to all assessments then due and unpaid, all costs and expenses (including reasonable attorney's fees) incurred in preparation for or in connection with such foreclosure, together with interest on the unpaid assessment or assessments from the due date thereof until paid. The primary purpose of the Association shall be for the administration of those restrictions set forth in this Declaration (including the appointment of a committee to approve or disapprove proposed improvements as required by Paragraph 5 of this Declaration) not specifically committed to administration by another, to maintain and operate or contribute to the maintenance and operation of the improvements referred to in this Declaration which otherwise would be insufficiently maintained and operated, in the judgment of the Association. The execution of any agreement to purchase any of said lots or the acceptance of a deed to any such lot shall, without further affirmative act or accent by such purchaser or recipient, cause such recipient or purchaser and the lot so purchased or received, to be subject to the Bylaws of any promulgated rules and regulations of the Association and the provisions of the Declaration.
35. This agreement shall be construed under the laws of the State of Arizona.
36. Each party who acquires any interest in all or any part of the property described herein further agrees that upon such acquisition of any interest in all or part of the real property, said acquiring party shall look only to the other subscribed property owner or owners acquiring an interest in said property for any performance or relief deemed equitable or necessary for the enforcement of the covenants, conditions and restrictions contained herein.
Notwithstanding any of the restrictions and conditions above set forth, Tract B shall not be subject to the same conditions, reservations and restrictions, but shall be governed by this paragraph and shall be declared as a common area under the ownership thereof, to the Homeowners Association upon the sale of the last lot in Unit IV and Unit VI as shown on the master plan from Mogollon Airpark Expansion.
Tracts C and D are hereby reserved as drainage areas for the subdivision. There shall be no construction of any type whatsoever within these tracts and the Homeowners Association shall ensure the areas remain free of trash or debris and are properly maintained aesthetically.


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Biography: The Princes in the Tower (Edward V and Richard Duke of York)
On August 28, 2018 August 29, 2018 By hmalagisiIn Biographies
Edward V (Born November 2, 1470- Date of Death Unknown). Richard Duke of York (Born August 17, 1473- Date of Death Unknown). Sons of King Edward IV and Elizabeth Woodville. Richard was married to Anne Mowbray. Edward V and Richard Duke of York are known as "The Princes in the Tower". They were placed in the Tower of London after their father's death and were never seen again. Their disappearances and whether or not they were murdered has become one of the greatest mysteries in history.
Edward and Richard were both the sons of Edward IV and Elizabeth Woodville. Edward IV had married Elizabeth Woodville in secret, causing distrust between Edward and his biggest ally Richard Neville Earl of Warwick. With the rise of the Woodvilles, Warwick feared that they would overthrow his title of the second most powerful man in England.
Warwick decided to side with Edward's power hungry younger brother George Duke of Clarence, and Louis XI of France, who promised Warwick land in France if he overthrew Edward. Warwick's plan was to depose Edward and place George on the throne. Warwick had Edward imprisoned in the Tower, but when his reputation began to suffer, he released Edward in October 1469. Warwick and George both decided to reconciled with Edward but Edward never truly trusted either of them ever again.
Warwick knew that if he was going to restore his power, he had to discuss matters with Louis XI and Margaret of Anjou, which meant that he had to defect to the Lancastrian cause, which he did. In September 1470, Warwick and his rebellion made its way to England; Edward was unprepared and was forced to leave England on October 2 and seek aid from his brother in law the duke of Burgundy. His wife Elizabeth Woodville and their children were forced to seek sanctuary at Westminster Abbey. It was there on November 2, 1470 that the future Edward V was born.
Edward returned to England on March 11, 1471. His army defeated Warwick's army at the Battle of Barnet, where Warwick and John Neville were killed. On May 4, 1471, Edward faced off against the Lancastrian army at the Battle of Tewkesbury, where the Lancastrians were finally defeated and Edward of Westminster was killed. Edward V was created Prince of Wales in June 1471. In 1473, Edward V was moved to Ludlow Castle and was created president of the Council of Wales and the Marches. Edward was in the care of the queen's brother Anthony, Earl of Rivers, who was a renowned scholar.
Edward's brother Richard was born on August 17, 1473. In May 1474, he was made Duke of York and the following year, Richard was made a Knight of the Garter. From this point on, the second son of the king was created Duke of York. On June 12, 1476, Richard was created Earl of Nottingham. It was on January 15, 1478 that Richard was married to Anne Mowbray, 8th Countess of Norfolk. The groom was around 4 years old and the bride was 5 years old. On February 7, 1477, Richard was created Duke of Norfolk and Earl Warenne. Richard's brother Edward was arranged to be married to Anne of Brittany in 1480 to conclude an alliance between England and Brittany, but the marriage never happened. In November 1471, Anne Mowbray died and instead of her Mowbray estates passing onto the next heirs, William, Viscount Berkeley and to John, Lord Howard, Parliament ruled in January 1483 that the estates would pass onto Richard Duke of York.
On April 9, 1483, Edward IV died, leaving his eldest son Edward V to be king at the age of 12. Edward did not hear about his father's death until April 14, 1483 since he was at Ludlow Castle at the time. Edward IV's brother Richard Duke of Gloucester was named Lord Protector. On April 29, as previously agreed, Richard and his cousin, the Duke of Buckingham, met Queen Elizabeth's brother, Anthony Woodville, 2nd Earl Rivers, at Northampton. At the queen's request, Earl Rivers was escorting the young king to London with an armed escort of 2000 men, while Richard and Buckingham's joint escort was 600 men. The young king himself had been sent to Stony Stratford. Richard had Earl Rivers, his nephew Richard Grey and his associate, Thomas Vaughan, arrested. They were taken to Pontefract Castle, where they were executed on June 25 on the charge of treason against the Lord Protector after appearing before a tribunal led by Henry Percy, 4th Earl of Northumberland. Richard took the young king under his protection, escorted him to London, and placed him in the Tower for his protection. Elizabeth Woodville took her daughters and Richard Duke of York and fled to sanctuary at Westminster Abbey yet again.
The coronation for Edward V was scheduled for June 1483, but it was postponed. On June 16, it is said that Richard Duke of York joined his brother in the Tower. It was around this time that Richard Duke of Gloucester announced that he believed that Edward IV's marriage to Elizabeth Woodville had been illegal since Edward IV had a pre-contract marriage arrangement with Lady Eleanor Butler. This meant that his children with Elizabeth Woodville were considered illegitimate, including the young king Edward V and his brother Richard. This meant that the next in line to the throne, Richard Duke of Gloucester, was the rightful king. On June 25, 1483, King Edward V was deposed and Richard Duke of Gloucester became Richard III. We do not know if it is true if Edward IV did indeed enter into a pre-contract marriage with Lady Eleanor Butler.
Edward V and Richard Duke of York were last seen in the Tower in the summer of 1483. We do not know what happened to them. There are theories that they were murdered, which includes a list of suspects including their uncle Richard III as the main suspect. There are also theories that the boys somehow managed to escape the Tower and came back as pretenders like Lambert Simnel or Perkin Warbeck. The simple fact is right now, we do not know what happened to Edward V and Richard Duke of York, "the Princes in the Tower".
Anne MowbrayAnthony WoodvilleBiographyEarl RiversEdward IVEdward VElizabeth WoodvilleLady Eleanor ButlerLambert SimnelPerkin WarbeckPrince of WalesRichard Duke of GloucesterRichard duke of YorkRichard IIIThe Princes in the TowerThe Wars of the RosesWarwick
Biography: Perkin Warbeck


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Sometimes you just want what's familiar but with a hint of something different. Dating is one example in which this applies. You know what you like, what you enjoy and what you're hopeful to find in someone to share your life with, but you welcome those fun, little quirks, nuances and 'things' they bring to the table. When asked, 'What's your type?'... it's somewhat difficult for me to answer. I don't especially like categorizing people. There just has to be some kind of connection or synergy in all areas - intellectually, socially, emotionally, physically, etc. But it's those quirks that make someone stand out and keep me interested. I guess that's the whole tricky thing about dating. Talk about finding a needle in a haystack! Thankfully I'm in no rush and there's far too many things I want to do before getting into anything serious.
For this dish I used their Basil & Garlic penne. You don't even have to cook it to be able to taste how strong and flavorful it is. Once cooked, the pasta holds its own really well and the flavor truly stands out. To pair with the basil and garlic flavor, I made a traditional Vodka sauce which I added ground beef to. The complexity and depth of flavors from the sauce works exceptionally well with the pasta and I'm sure it will elevate any pasta you choose.
In a pot, heat oil over medium-high heat. Add onion and garlic and saute until soft and translucent.
Add celery and carrot and season with salt and pepper. Saute all the vegetables until soft.
Add tomatoes, basil, and bay leaves and reduce the heat to low. Cover the pot and simmer for 1 hour or until thick. Remove bay leaves and taste for seasoning. If sauce tastes too acidic, add unsalted butter, 1 tablespoon at a time, to round out the flavor.
Meanwhile, brown the ground beef in a pan and season to your tastes. Drain from any fat and set aside.
Pour half the tomato sauce into the bowl of a food processor and process until smooth. Continue with remaining tomato sauce.
Simmer the processed tomato sauce, vodka and ground beef in a heavy large skillet over low heat until the mixture reduces by 1/4, stirring often, about 20 minutes.
Stir the cream into the tomato vodka sauce. Simmer over low heat until the sauce is heated through.
Stir in the Parmesan cheese until melted and well blended.
Meanwhile, cook the pasta in a large pot of boiling salted water until al dente, tender but still firm to the bite, stirring occasionally.
Drain the pasta and transfer it to the pan with the sauce, and toss to coat.
To serve, garnish with Pecorino Romano cheese.
What a tasty dish using gluten free pasta, and I'm so happy that you are out there having fun dating guys. Because finding that needle in the haystack will be worth the trouble!!
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Eurovision Song Contest 2019: All this year's entries and their chances of winning
By Euronews •et; last updated: 17/05/2019
Twenty-six countries will battle it out to be crowned Eurovision champion on Saturday.
To warm-up for the annual music extravaganza, we've charted all the countries taking part and their chances of coming home with the title.
France, the UK, Germany, Italy and Spain qualify automatically for final, as do the hosts of the competition, Israel.
Earlier this week we had the first and second semi-final, which saw 15 countries bowing out, including seven-time winners Ireland.
Neither Bulgaria, for financial reasons, nor Ukraine, because of a contract dispute, will take part in the contest.
Chances of winning are according to bookmakers' predictions, as available here, and are subject to change.
Kate Miller-HeidkeJo Duck
Artist: Kate Miller-Heidke, who co-wrote the music and lyrics for the stage production Muriel's Wedding: The Musical – which also features, of course, music from Eurovision royalty Abba.
Song:Zero Gravity
Chances: 11% chance of winning
Public reaction: Kate was crowned the winner of Eurovision – Australia Decides after running away with the points from both public and jury.
Running order: 25
Katerine DuskaEfi Gousi
Artist: Katerine Duska, often referred to as the "Greek Amy Winehouse". This Greek-Canadian singer-songwriter based in Athens rose to fame with her cover of the Arctic Monkeys' hit Do I Wanna Know.
Song:Better Love
Chances: 1% chance of winning
Public reaction: Duska was very well received by bloggers after the first rehearsals in Tel Aviv, although Pink Floyd legend Roger Waters did ask her not to participate in the contest due to the conflict in the Middle East.
Ronen Akerman
Artist: Kobi Marimi, is an actor who began his singing career only recently. He won the sixth season of HaKokhav HaBa, an Israeli interactive reality singing competition, which earned him the right to represent the country in the Eurovision Song Contest 2019.
Song: &nbspHome
Chances: Less than 1%
Public reaction: Marimi won his place at Eurovision through a reality singing contest, Rising Star, so it's fair to say he's a hit with the public, becoming something of a nation's sweetheart. His song Home, however, received mixed reviews. In response to the criticism, last year's Eurovision winner Netta came out in support of the singer on social media, saying she had a similar experience with her contest-winning song Toy.
Jonida MaliqiEdvina Meta
Artist: Jonida Maliqi is also a presenter on Albanian television.
Song:Ktheju tokës
Reaction: After the first rehearsals in Tel Aviv, Eurovision bloggers said Maliqi had one of the best voices in the competition. The rehearsal was beset with technical problems however, so hopefully the team will have better luck in the semi-finals.
Running order: 2
ChingizAlexandr Porubaymykh
Artist: Chingiz, who was born in Moscow and moved to Azerbaijan when he was six years old. Chingiz won the Azerbaijani version of Pop Idol and participated in The Voice: Ukraine.
Song:Truth
Chances: 4%
Public reaction: Chingiz had tremendous support from the jury and viewers of the show.
ZENABTRC
Artist: ZENA, who is a social media star with more than 93,000 subscribers on Instagram and more than 15 million views on YouTube. She was a finalist at the 2015 Junior Eurovision Song Contest in Minsk and came in third place in 2016.
Song:Like It
Public reaction: Zena dances in her performance as well as singing, which has apparently won her many fans at home.
TamtaKynthia Kindeli
Artist: Tamta, who was born and raised in Georgia and moved to Greece at the age of 22. She first became popular participating in Super Idol Greece in 2004. By 2014 she was a judge on X Factor Georgia and judged The X Factor Greece in 2016, making her well known in both countries.
Song:Replay
Public reaction: A party song, perfect for a night out in Tel Aviv.
Lake MalawiTomas Gal
Artist: Lake Malawi are an indie-pop band, founded by Albert Černý in 2013. The band's name was inspired by a Bon Iver song, strengthening their indie credentials.
Song:Friend of a Friend
Public reaction: A clean performance at rehearsals had reviewers predicting the group will do well.
LeonoraThomas Cato
Artist: Leonora, a woman of many talents. As a figure skater, she has won the Danish championship three times and also participated in the Junior World Championship and Nordic Championship. She will sing her song Love is Forever in four languages.
Song:Love Is Forever
Public reaction: Audiences said the song was cute with a nice vibe and a positive message that we could all do with right now, but not quite catchy enough.
Victor CroneStina Kase
Artist: Victor Crone, who is actually a Swedish musician, but currently based in Estonia. He says he hopes to make his adopted country proud.
Song:Storm
Public reaction: Crone feels Storm should be open to the interpretation of the listener but says the song is about "weathering hard times, and knowing that they will eventually come to an end". Reviewers seem to agree that it has a deeper meaning than its lightness would suggest.
Bilal HassaniFifou
Artist: Bilal Hassani
Song:Roi
Public reaction: Bilal, 19, is already an online star with a huge community of followers and millions of song views. But since being selected for Eurovision he has been the target of cyber harassment over his sexuality as well as his wigs and makeup, and his Moroccan origins. But Bilal says the only thing that scares him is to sing in front of 200 million people.
Tamara TodevskaCedomir Popovski
Artist: Tamara Todevska, one of the best-selling female artists in her country. She says she will dedicate her song Proud to her two children.
Song: Proud
Public reaction: Both the song and Todovska's performance received excellent reviews from the audience.
S!stersNDR/Hendrik Lüders
Artist: S!sters, consists of Carlotta Truman and Laurita Kästel, who are not in fact sisters.
Song:Sister
Public reaction: The jury and public both voted for the song during the national competition to represent Germany in Tel Aviv, however, it gets mixed reviews among audiences. Some say it isn't a "Eurovision song" while others applaud its message about female friendship.
HatariLilja Jóns
Artist: Hatari, a BDSM, techno-dystopian, performance art collective founded in 2015 in Reykjavik are an ambitious bunch, saying they are entering Eurovision to bring down capitalism.
Song:Hatrið mun sigra (Hate Will Prevail)
Public reaction: Already easily the most extreme of Eurovision performances this year.
MahmoodAttilio Cusani
Artist: Mahmood, whose real name is Alessandro Mahmoud, was born in Milan to an Italian-Egyptian family and won the prestigious Sanremo festival with the song he will sing at Eurovision.
Song:Soldi
Public reaction: After Sanremo, the track immediately became a mega-hit in Italy, topping the charts.
MichelaJonathan Brincat
Artist: Michela, who has only just turned 18, performs in a wide range of genres from pop and country to soul.
Song:Chameleon
Public reaction: The colourful performance Malta has in store for the Eurovision audience this year is very likely to get its attention.
Duncan LaurencePaul Bellaart
Artist: Duncan Laurence, who won a talent show when he was 16, landing the opportunity to record his first demo.
Song:Arcade
Chances: 47%
Public reaction: The bookies' favourite to win.
KEiiNOJulia Marie Naglestad
Artist: KEiiNO was founded in 2018 specifically to compete for the chance to represent Norway at Eurovision, and consists of Sami songwriter and rapper Fred Buljo, and Norwegian singers Alexandra Rotan and Tom Hugo.
Song:Spirit in the Sky
Public reaction: Spirit in the Sky has rocketed to the top of the Norwegian charts.
Sergey LazarevDaniil Velichko
Artist: Sergey Lazarev, who will represent Russia for the second time. He started his music career as a child and later formed a popular duo called Smash! with his friend Vlad Topalov. Lazarev finished in third place at Eurovision 2016 in Stockholm.
Song:Scream
Public reaction: Bloggers say the performance is modern and well staged and the song has been well received by journalists in Tel Aviv.
SerhatCem Talu
Artist: Serhat, who is of Turkish origin, is a singer, songwriter, music producer, and television producer and presenter. He's back at Eurovision for the second time and wrote the song he performs this year.
Song:Say Na Na Na
Public reaction: The song has had very mixed reviews, but since Serhat's new album has been released in Sweden, Germany, Belgium and France, he'll be a familiar face to many.
Nevena BožovićAlek Živković
Artist: Nevena Božović, who took third place at the 2007 Junior Eurovision Song Contest and sang with the band Moje 3 which represented Serbia at the 2013 contest. Nevena was also a jury member in the Serbian national finals to choose the country's 2015 Eurovision entry.
Song:Kruna (The Crown)
Public reaction: Her confident voice has found her many fans, even if the bookmakers aren't convinced.
Zala Kralj & Gašper ŠantAna Šantl
Artist: Zala Kralj & Gašper Šantl are a singing duo and a couple, who first met on Instagram.
Song:Sebi
Public reaction: The song has had a mixed reception but reviewers think the couple are cute.
MikiJosé Irún
Artist: Miki, who is frontman of a cover band formed of his high school best friends.
Song:La Venda
Public reaction: An uplifting song, La Venda will certainly cheer up Eurovision, but critics say it's more suitable for a village fiesta than an international competition.
John LundvikJanne Danielsson/SVT
Artist: John Lundvik represents Sweden as a singer, and is also a songwriter and composer who worked on the United Kingdom's entry Bigger Than Us. He's also a former sprinter.
Song:Too Late For Love
Public reaction: The song hit number 1 in Sweden and is currently one of the most played on Swedish radio. When this year's participants were asked which song they would sing if not their own, this was a popular answer.
Luca HänniLukas Maeder/SRF
Artist: Luca Hänni, who won the Deutschland sucht den Superstar TV talent show. He was the first non-German and the youngest ever contestant to do so.
Song:She Got Me
Public reaction: Going on audience reaction we are highly likely to see Switzerland in the final this year, which is not the usual state of affairs.
Michael RiceJoe Giacomet/BBC
Artist: Michael Rice, who is known to the UK public as the winner of the first series of BBC Entertainment show All Together Now 2018. Growing up he worked at McDonalds, but always dreamt of being a singer. His career started when a video of him singing a Years & Years song went viral. Rice is currently working on his debut EP.
Song:Bigger Than Us
Public reaction: Rice's talent and his charm is well received by the public. But will the song stand out enough?
Countries that did not progress from the semi-finals
Artist: Joci Pápai, who is heading to Eurovision for the second time, after finishing in 8th place in 2017.
Song: Az én apám (My Father)
Public reaction: Both the professional jury and the public voted for this song in the national competition.
Artist: Ester Peony, who studied jazz in Bucharest. She composes for mainstream and underground musicians and is also famous for her covers. Her first single Sub aripa ta got 16 million views on YouTube.
_Song: On a Sunday_
Public reaction: Peony tells a sad love story with class, and Eurovision's audience might give it more love than the bookmakers.
Artist: Tulia's fame began in 2017, when Depeche Mode published the band's folk version of their Nineties hit Enjoy the Silence on their official fan page. The band sings in a unique style of Polish folk called śpiewokrzyk – which means screaming sing.
Song: Fire of Love (Pali się)
Public reaction: Audiences have been going mad for it.
Artist: Conan Osiris, a regular polymath, is a singer, dancer, songwriter, composer and producer.
Song: Telemóveis
Public reaction: Telemóveis won the competition with the maximum number of points from both the jury and the audience.
Artist: D mol is a young Montenegrin music group formed at a private music school. Their mentor Daniel Alibabic is a former member of No Name, Montenegro's participant for the 2005 Eurovision Song Contest in Kyiv.
Song: Heaven
Public reaction: The song doesn't seem to be making much impact on the audience or the bookmakers.
Artist: Anna Odobescu, who previously performed with a jazz orchestra before becoming a vocal coach.
Song: Stay
Public reaction: Odobescu's performance gets great reviews from the Eurovision fans and bloggers, however the song itself is not thought to be that strong.
Artist: Carousel, a band founded in 2015.
Song: That Night
Public reaction: According to bloggers, a beautiful tune and great lyrics still might not be enough to get Latvia to this year's final.
Artist: Jurij Veklenko, who rose to fame via a number of Lithuanian TV shows. It's not his first time at the Eurovision Song Contest either – he has twice performed as a backing vocalist.
Song: Run With The Lions
Public reaction: Run With The Lions gained the highest points from both the jury and the viewers in Lithuania's national competition.
Artist: Sarah McTernan
_Song: 22_
Public reaction: Audiences have enjoyed this memorable, positive song and McTernan's performance but, according to the odds, it doesn't stand much of a chance.
Artist: Oto Nemsadze, who won this year's Georgian Idol.
_Song: Keep on Going_
Public reaction: While a powerful song for the Georgian audience, this might not necessarily be the case for international Eurovision fans.
Artist: Eliot, who is 18, was discovered as a musician in season 7 of The Voice Belgique. A veritable Morrissey in the making, he says his passion is for English pop and melancholy songs.
Song: Wake Up
Public reaction: Eliot says Wake Up is a call to young people to rally together for a better world. Reviewers got his point, calling the song meaningful as well as catchy.
Artist: Roko, who has just turned 19, started his career at an early age, participating in Croatia's Got Talent.
Song: The Dream
Public reaction: The song might not be for everyone, but reviewers agree Roko sounds great.
Artist: Srbuk, a star of X Factor Armenia and The Voice: Ukraine, has become one of the most popular musical acts in Armenia, and is a familiar face at music festivals and public events.
_Song: Walking Out_
Reaction: Reviewers say Srbuk's voice is powerful – the song, however, has had mixed reviews.
Artist: PAENDA, whose style is a mix of electro, hip hop, pop and techno.
Song: Limits
Public reaction: Reviewers say the song, written by PAENDA, works well with her singing style. But critics think there is not enough going on in the song itself.
Anton Sucksdorff
Darude feat. Sebastian Rejman Anton Sucksdorff
Artist: Darude, one of the most successful of modern Finnish artists and writer of the 2000 international mega-hit Sandstorm will perform with singer and actor Sebastian Rejman.
Song: Look Away
Public reaction: This mutli-talented pair have been very well received by the Finnish public.
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2021 Women's Varsity Polls – Week 1/February 10 (Top 25 & CWPA Top 5)
2021 Women's Varsity Top 25 (Week 1/February 10)
Rank Team 2021 Preseason Poll
University of California-Los Angeles 3 93
5 (T) 81
Arizona State University 5 (T)
University of California 8 77
5 (T)
University of California-Santa Barbara
10 University of California-San Diego
11 Fresno State University 11
14 (T)
Long Beach State University
Wagner College 19
22 Bucknell University
24 Brown University
RV Azusa Pacific University
2021 Women's Varsity Collegiate Water Polo Association Top 5 (Week 1/February 10)
1 University of Michigan
3 Bucknell University
4 Brown University
5 Saint Francis University
RV George Washington University
Note: The Division III Top 10 and Collegiate Water Polo Association (CWPA) Division III Top 5 Preseason Polls will be released following confirmation of the Southern California Intercollegiate Athletic Conference (SCIAC) and CWPA Division III teams commitment to compete during the 2021 women's season.
Collegiate Water Polo Association Releases 2023 Women's Collegiate Club Northwest Division Schedule January 27, 2023


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