text:
Q: how to use npm package from private github? I create a new npm package example test in project exist example server. And i add this package test in dependancy at server.
 "package_name":"git+https://x-oauth-basic:<github_token>@github.com/<user>/<repo>.git"

when i run npm install the console displays an error premature close.
npm ERR! premature close

npm ERR! A complete log of this run can be found in:

npm ERR!     xxxxxxx\xxxxx\2021-06-09T14_25_10_140Z-debug.log

2021-06-09T14_25_10_140Z-debug.log
0 info it worked if it ends with ok
1 verbose cli [
1 verbose cli   'C:\\Program Files\\nodejs\\node.exe',
1 verbose cli   'C:\\Program Files\\nodejs\\node_modules\\npm\\bin\\npm-cli.js',
1 verbose cli   'install'
1 verbose cli ]
2 info using npm@6.9.0
3 info using node@v12.0.0
4 verbose npm-session 0409e58ecfce8f4a
5 silly install runPreinstallTopLevelLifecycles
8 silly install loadCurrentTree
9 silly install readLocalPackageData
10 timing stage:loadCurrentTree Completed in 2438ms
11 silly install loadIdealTree
12 silly install cloneCurrentTreeToIdealTree
13 timing stage:loadIdealTree:cloneCurrentTree Completed in 16ms
14 silly install loadShrinkwrap
15 timing stage:loadIdealTree:loadShrinkwrap Completed in 419ms
16 silly install loadAllDepsIntoIdealTree
17 silly fetchPackageMetaData error for package_name@git+https://x-oauth-basic:<github_token>@github.com/<user>/<repo>.git premature close
18 timing stage:rollbackFailedOptional Completed in 1ms
19 timing stage:runTopLevelLifecycles Completed in 20557ms
20 silly saveTree +-- @firebase/rules-unit-testing@1.2.7
20 silly saveTree | +-- @firebase/component@0.4.0
20 silly saveTree | | +-- @firebase/util@0.4.1
20 silly saveTree | | | `-- tslib@2.2.0
20 silly saveTree | | `-- tslib@2.2.0
20 silly saveTree | +-- @firebase/logger@0.2.6
20 silly saveTree | +-- @firebase/util@0.4.1
20 silly saveTree | +-- firebase@8.3.3
20 silly saveTree | | +-- @firebase/analytics@0.6.8
20 silly saveTree | | | +-- @firebase/analytics-types@0.4.0
20 silly saveTree | | | `-- @firebase/installations@0.4.24
20 silly saveTree | | |   +-- @firebase/installations-types@0.3.4
20 silly saveTree | | |   `-- idb@3.0.2
20 silly saveTree | | +-- @firebase/app-types@0.6.2
20 silly saveTree | | +-- @firebase/app@0.6.19
20 silly saveTree | | | +-- dom-storage@2.1.0
20 silly saveTree | | | `-- xmlhttprequest@1.8.0
20 silly saveTree | | +-- @firebase/auth@0.16.4
20 silly saveTree | | | `-- @firebase/auth-types@0.10.2
20 silly saveTree | | +-- @firebase/database@0.9.8
20 silly saveTree | | | +-- @firebase/auth-interop-types@0.1.5
20 silly saveTree | | | +-- @firebase/database-types@0.7.1
20 silly saveTree | | | `-- faye-websocket@0.11.3
20 silly saveTree | | |   `-- websocket-driver@0.7.4
20 silly saveTree | | |     +-- http-parser-js@0.5.3
20 silly saveTree | | |     +-- safe-buffer@5.1.2
20 silly saveTree | | |     `-- websocket-extensions@0.1.4
20 silly saveTree | | +-- @firebase/firestore@2.2.3
20 silly saveTree | | | +-- @firebase/firestore-types@2.2.0
20 silly saveTree | | | +-- @firebase/webchannel-wrapper@0.4.1
20 silly saveTree | | | +-- @grpc/grpc-js@1.2.12
20 silly saveTree | | | | +-- @types/node@14.0.23
20 silly saveTree | | | | +-- google-auth-library@6.1.6
20 silly saveTree | | | | | +-- arrify@2.0.1
20 silly saveTree | | | | | +-- base64-js@1.3.1
20 silly saveTree | | | | | +-- ecdsa-sig-formatter@1.0.11
20 silly saveTree | | | | | +-- fast-text-encoding@1.0.3
20 silly saveTree | | | | | +-- gaxios@4.2.0
20 silly saveTree | | | | | | +-- abort-controller@3.0.0
20 silly saveTree | | | | | | | `-- event-target-shim@5.0.1
20 silly saveTree | | | | | | +-- extend@3.0.2
20 silly saveTree | | | | | | +-- https-proxy-agent@5.0.0
20 silly saveTree | | | | | | | +-- agent-base@6.0.2
20 silly saveTree | | | | | | | | `-- debug@4.3.1
20 silly saveTree | | | | | | | |   `-- ms@2.1.2
20 silly saveTree | | | | | | | `-- debug@4.3.1
20 silly saveTree | | | | | | +-- is-stream@2.0.0
20 silly saveTree | | | | | | `-- node-fetch@2.6.1
20 silly saveTree | | | | | +-- gcp-metadata@4.2.1
20 silly saveTree | | | | | | `-- json-bigint@1.0.0
20 silly saveTree | | | | | |   `-- bignumber.js@9.0.1
20 silly saveTree | | | | | +-- gtoken@5.2.1
20 silly saveTree | | | | | | +-- google-p12-pem@3.0.3
20 silly saveTree | | | | | | | `-- node-forge@0.10.0
20 silly saveTree | | | | | | `-- jws@4.0.0
20 silly saveTree | | | | | |   `-- jwa@2.0.0
20 silly saveTree | | | | | |     `-- buffer-equal-constant-time@1.0.1
20 silly saveTree | | | | | +-- jws@4.0.0
20 silly saveTree | | | | | `-- lru-cache@6.0.0
20 silly saveTree | | | | |   `-- yallist@4.0.0
20 silly saveTree | | | | `-- semver@6.3.0
20 silly saveTree | | | +-- @grpc/proto-loader@0.5.6
20 silly saveTree | | | | +-- lodash.camelcase@4.3.0
20 silly saveTree | | | | `-- protobufjs@6.10.2
20 silly saveTree | | | |   +-- @protobufjs/aspromise@1.1.2
20 silly saveTree | | | |   +-- @protobufjs/base64@1.1.2
20 silly saveTree | | | |   +-- @protobufjs/codegen@2.0.4
20 silly saveTree | | | |   +-- @protobufjs/eventemitter@1.1.0
20 silly saveTree | | | |   +-- @protobufjs/fetch@1.1.0
20 silly saveTree | | | |   | `-- @protobufjs/inquire@1.1.0
20 silly saveTree | | | |   +-- @protobufjs/float@1.0.2
20 silly saveTree | | | |   +-- @protobufjs/inquire@1.1.0
20 silly saveTree | | | |   +-- @protobufjs/path@1.1.2
20 silly saveTree | | | |   +-- @protobufjs/pool@1.1.0
20 silly saveTree | | | |   +-- @protobufjs/utf8@1.1.0
20 silly saveTree | | | |   +-- @types/long@4.0.1
20 silly saveTree | | | |   +-- @types/node@13.13.48
20 silly saveTree | | | |   `-- long@4.0.0
20 silly saveTree | | | `-- node-fetch@2.6.1
20 silly saveTree | | +-- @firebase/functions@0.6.6
20 silly saveTree | | | +-- @firebase/functions-types@0.4.0
20 silly saveTree | | | `-- @firebase/messaging-types@0.5.0
20 silly saveTree | | +-- @firebase/installations@0.4.24
20 silly saveTree | | +-- @firebase/messaging@0.7.8
20 silly saveTree | | +-- @firebase/performance@0.4.10
20 silly saveTree | | | `-- @firebase/performance-types@0.0.13
20 silly saveTree | | +-- @firebase/polyfill@0.3.36
20 silly saveTree | | | +-- core-js@3.6.5
20 silly saveTree | | | +-- promise-polyfill@8.1.3
20 silly saveTree | | | `-- whatwg-fetch@2.0.4
20 silly saveTree | | +-- @firebase/remote-config@0.1.35
20 silly saveTree | | | `-- @firebase/remote-config-types@0.1.9
20 silly saveTree | | `-- @firebase/storage@0.4.7
20 silly saveTree | |   `-- @firebase/storage-types@0.3.13
20 silly saveTree | `-- request@2.88.2
20 silly saveTree |   +-- aws-sign2@0.7.0
20 silly saveTree |   +-- aws4@1.10.0
20 silly saveTree |   +-- caseless@0.12.0
20 silly saveTree |   +-- combined-stream@1.0.8
20 silly saveTree |   | `-- delayed-stream@1.0.0
20 silly saveTree |   +-- forever-agent@0.6.1
20 silly saveTree |   +-- form-data@2.3.3
20 silly saveTree |   | +-- asynckit@0.4.0
20 silly saveTree |   | `-- mime-types@2.1.27
20 silly saveTree |   |   `-- mime-db@1.44.0
20 silly saveTree |   +-- har-validator@5.1.3
20 silly saveTree |   | +-- ajv@6.12.3
20 silly saveTree |   | | +-- fast-deep-equal@3.1.3
20 silly saveTree |   | | +-- fast-json-stable-stringify@2.1.0
20 silly saveTree |   | | +-- json-schema-traverse@0.4.1
20 silly saveTree |   | | `-- uri-js@4.2.2
20 silly saveTree |   | |   `-- punycode@2.1.1
20 silly saveTree |   | `-- har-schema@2.0.0
20 silly saveTree |   +-- http-signature@1.2.0
20 silly saveTree |   | +-- assert-plus@1.0.0
20 silly saveTree |   | +-- jsprim@1.4.1
20 silly saveTree |   | | +-- extsprintf@1.3.0
20 silly saveTree |   | | +-- json-schema@0.2.3
20 silly saveTree |   | | `-- verror@1.10.0
20 silly saveTree |   | |   `-- core-util-is@1.0.2
20 silly saveTree |   | `-- sshpk@1.16.1
20 silly saveTree |   |   +-- asn1@0.2.4
20 silly saveTree |   |   | `-- safer-buffer@2.1.2
20 silly saveTree |   |   +-- bcrypt-pbkdf@1.0.2
20 silly saveTree |   |   | `-- tweetnacl@0.14.5
20 silly saveTree |   |   +-- dashdash@1.14.1
20 silly saveTree |   |   +-- ecc-jsbn@0.1.2
20 silly saveTree |   |   | `-- jsbn@0.1.1
20 silly saveTree |   |   +-- getpass@0.1.7
20 silly saveTree |   |   +-- jsbn@0.1.1
20 silly saveTree |   |   +-- safer-buffer@2.1.2
20 silly saveTree |   |   `-- tweetnacl@0.14.5
20 silly saveTree |   +-- is-typedarray@1.0.0
20 silly saveTree |   +-- isstream@0.1.2
20 silly saveTree |   +-- json-stringify-safe@5.0.1
20 silly saveTree |   +-- mime-types@2.1.27
20 silly saveTree |   +-- oauth-sign@0.9.0
20 silly saveTree |   +-- performance-now@2.1.0
20 silly saveTree |   +-- qs@6.5.2
20 silly saveTree |   +-- tough-cookie@2.5.0
20 silly saveTree |   | `-- psl@1.8.0
20 silly saveTree |   +-- tunnel-agent@0.6.0
20 silly saveTree |   `-- uuid@3.4.0
20 silly saveTree +-- @googlemaps/google-maps-services-js@3.1.16
20 silly saveTree | +-- agentkeepalive@4.1.4
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20 silly saveTree | +-- axios@0.21.1
20 silly saveTree | | `-- follow-redirects@1.13.3
20 silly saveTree | +-- query-string@6.14.1
20 silly saveTree | | +-- decode-uri-component@0.2.0
20 silly saveTree | | +-- filter-obj@1.1.0
20 silly saveTree | | +-- split-on-first@1.1.0
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20 silly saveTree | `-- retry-axios@2.4.0
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20 silly saveTree | +-- @sendgrid/client@7.4.2
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20 silly saveTree | | | `-- deepmerge@4.2.2
20 silly saveTree | | `-- axios@0.21.1
20 silly saveTree | `-- @sendgrid/helpers@7.2.0
20 silly saveTree |   `-- chalk@2.4.2
20 silly saveTree |     +-- ansi-styles@3.2.1
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20 silly saveTree |     +-- escape-string-regexp@1.0.5
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20 silly saveTree | `-- @types/express@4.17.7
20 silly saveTree |   +-- @types/body-parser@1.19.0
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20 silly saveTree |   | +-- @types/qs@6.9.3
20 silly saveTree |   | `-- @types/range-parser@1.2.3
20 silly saveTree |   +-- @types/qs@6.9.3
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20 silly saveTree |     `-- @types/mime@2.0.2
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20 silly saveTree | +-- @typescript-eslint/experimental-utils@4.26.1
20 silly saveTree | | +-- @types/json-schema@7.0.7
20 silly saveTree | | +-- @typescript-eslint/scope-manager@4.26.1
20 silly saveTree | | | +-- @typescript-eslint/types@4.26.1
20 silly saveTree | | | `-- @typescript-eslint/visitor-keys@4.26.1
20 silly saveTree | | |   `-- eslint-visitor-keys@2.0.0
20 silly saveTree | | +-- @typescript-eslint/types@4.26.1
20 silly saveTree | | +-- @typescript-eslint/typescript-estree@4.26.1
20 silly saveTree | | | +-- globby@11.0.3
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20 silly saveTree | | | | +-- dir-glob@3.0.1
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20 silly saveTree | | | | +-- fast-glob@3.2.5
20 silly saveTree | | | | | +-- @nodelib/fs.stat@2.0.4
20 silly saveTree | | | | | +-- @nodelib/fs.walk@1.2.6
20 silly saveTree | | | | | | +-- @nodelib/fs.scandir@2.1.4
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20 silly saveTree | | | `-- @typescript-eslint/visitor-keys@4.22.0
20 silly saveTree | | +-- @typescript-eslint/types@4.22.0
20 silly saveTree | | +-- @typescript-eslint/typescript-estree@4.22.0
20 silly saveTree | | | +-- semver@7.3.5
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20 silly saveTree | |   `-- eslint-visitor-keys@1.3.0
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20 silly saveTree +-- chai-subset@1.6.0
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20 silly saveTree | +-- eslint-import-resolver-node@0.3.4
20 silly saveTree | | +-- debug@2.6.9
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20 silly saveTree | | |   | `-- p-limit@1.3.0
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20 silly saveTree | | |   `-- path-exists@3.0.0
20 silly saveTree | | `-- read-pkg@2.0.0
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20 silly saveTree | |   | |   `-- is-arrayish@0.2.1
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20 silly saveTree | |   +-- normalize-package-data@2.5.0
20 silly saveTree | |   | +-- hosted-git-info@2.8.9
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20 silly saveTree | |   | `-- validate-npm-package-license@3.0.4
20 silly saveTree | |   |   +-- spdx-correct@3.1.1
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20 silly saveTree | |     `-- pify@2.3.0
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20 silly saveTree |   `-- strip-bom@3.0.0
20 silly saveTree +-- eslint@7.24.0
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20 silly saveTree | | | +-- acorn-jsx@5.3.1
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20 silly saveTree | | | +-- argparse@1.0.10
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21 verbose stack Error: premature close
21 verbose stack     at PassThrough.onclose (C:\Users\Andromalala\AppData\Roaming\nvm\v12.0.0\node_modules\npm\node_modules\end-of-stream\index.js:47:67)
21 verbose stack     at PassThrough.emit (events.js:201:15)
21 verbose stack     at emitCloseNT (internal/streams/destroy.js:68:8)
21 verbose stack     at processTicksAndRejections (internal/process/task_queues.js:83:17)
22 verbose cwd
23 verbose Windows_NT 10.0.18363
24 verbose argv "C:\\Program Files\\nodejs\\node.exe" "C:\\Program Files\\nodejs\\node_modules\\npm\\bin\\npm-cli.js" "install"
25 verbose node v12.0.0
26 verbose npm  v6.9.0
27 error premature close
28 verbose exit [ 1, true ]


The Hawaiian secret ritual has been practised for thousands of years perhaps as far back as Atlantis. The practice belongs to the ancient Hawaiian teachable called the Huna.
Ho'oponopono works from your mind.
Wisdom is revealed by what a person does, not by what they know.
Known as Ho'oponopono (ho-o-pono-pono) is a ritual of forgiveness. It comes from the understanding of everything in your life are united, even though you may feel separated. Because of this unity (oneness), nothing can happen in your life without creating a resonance in yourself.
Ho'oponopono comes alive when it is used. This is a new world of wisdom, wonder and beauty, a world you knew existed but could never grasp.
Confused, read further and let me explain in a way that will make it incredibly easy for you to understand and implement in your life immediately for incredible results.
The error of humankind thinking came about when we stepped away from one power and believed there are two powers; good and evil.
Ho'oponopono is a simple way of arriving at unity, inner peace and returning to harmony. Ho'o means 'to make' and pono means 'right or correct'. This means to join oneself again to your Higher Self and the Source, to have balance in your life, realign your environment and reshape reality. Ponopono is an intention after veering off your path, to bring yourself onto the correct path, becoming sound in body and spirit and achieving happiness and wellbeing.
Ho'oponopono is a spiritual method of purification, cleansing you from fears, worries, destructive relationship patterns. It cleanses blockages in your thoughts and at a cell level, as your thoughts are made manifest in your body. This is the paradigm change or shift.
This method is based on understanding that we live in a Universe of abundance, what obstructs us from experiencing real abundance, loving relationship, inner wealth, health and happiness.
We have a persistent attachment to fears, cares and judgements, doubt and trying to be perfect.
Imagine if you have a cell phone in each hand, I come along and give you some money, how are you going to take the money with both hands being full.
The key to being able to receive, is your ability to let something go, in the faith that you will not suffer any harm or loss in letting go.
The forgiveness ritual of Ho'oponopono is love in action. You forgive yourself and others for having inflicted hurt, harm or failure to help you in need.
Making things right by saying 'I am sorry. Please forgive me. I love you and Thank you'. This helps you forgive yourself unconditionally and to make things better. It's like switching your computer off then back on again, it wipes out the unnecessary and makes the flow so much easier.
If you are feeling irritated, annoyed, not feeling yourself say the four sentences to yourself.
If you feel disturbed, you feel disharmony within yourself, have a problem or a conflict use the four magic sentences. It does not matter which order you say the sentences.
It is all about forgiving yourself, it ensures resolution of personal problems and challenges within yourself. It works in any area of your life; partnership, family, professional, health and finance, both physically and spiritually.
Physical illnesses are seen as inner conflict and the inner tensions are released through the Ho'oponopono ritual. When the soul is healed the body will follow.
You can say 'I love you' continuously to yourself throughout your day. You will start feeling and seeing great results in your life.
It is so simple, please take part and see the magic work in your life.
These sentences when said to yourself operate through time and space transmitting directly to your Higher Self, your subconscious and your waking consciousness. After a while you achieve inner peace and move towards harmony. You move yourself from separation to union whilst saying 'I am sorry. Please forgive me. I love you and thank you.
Forgiveness releases you from the conflict, it frees the burden that you don't want to carry or cannot carry in your life. Who wants to carry a backpack full of problems, conflicts and fears? Forgiveness heals and makes life so much easier.
How do you forgive?…………….By saying the four sentences. If it feels like it is not working, act as if it has worked. It works like an affirmation, if you say it enough times you start believing it and feeling it. Other people will start seeing it in you too, the great relief, the burden has been lifted. We experience what send out into the world with our thoughts and feelings.
The world seems to resemble a great mirror, it reflects whatever it is we feel deep in our hearts.
Ho'oponopono has a two-fold. When faced with a situation look within yourself to understand what is within you that could have caused this situation that you are no way connected to. You will find plenty, not in the sense of you having caused it, but in finding how your perceptions could have been negatively responsible. Once you say your four sentences over and over, you will notice a significant reduction and accepting of the situation.
At a personal level you will experience a sense of relief in letting past negative memories go. In the book Zero Limits co-author Hew Len talks about shedding emotions of negative memories and expanding in potential to forgive yourself and be healed.
Previous ArticleManifesting: What does it Mean?


Noel S. Tonneman is a partner in the firm of Tonneman & Connors, LLC. Prior to forming that firm, she was a partner in the firm of Tonneman, Vuotto, Enis & White, LLC after spending 20 years in the Family Law Department of Wilentz, Goldman & Spitzer, P.C. She has been engaged exclusively in the practice of matrimonial law since 1988, practicing primarily in Monmouth and Ocean Counties. Before entering law school, she taught elementary school from 1976-1981.
Ms. Tonneman is a Certified Matrimonial Law Attorney. She is a Fellow of the American Academy of Matrimonial Lawyers and current Second Vice President of the New Jersey Chapter of the AAML. She has been certified as a Family Law Arbitrator by that national organization and is Secretary of the New Jersey Divorce Arbitrators Association.
Ms. Tonneman is qualified by the Supreme Court of New Jersey to mediate family law matters. She is a member of the Matrimonial Lawyers Alliance, has been selected by her peers for inclusion in Best Lawyers of America ®*, has been recognized as one of the Top 50 Female Super Lawyers in New Jersey in 2005, and has been regularly selected as a Super Lawyer in the area of Family Law since then. Ms. Tonneman has served as a panelist in the Early Settlement Program in Monmouth County as well as a Blue Ribbon Panelist and Arbitrator of family law disputes. She is a former member of the Supreme Court Family Law Practice Committee. She has participated in seminars on family law issues and has appeared on local cable television shows discussing issues of domestic violence and adoption.
Ms. Tonneman has served as trustee of the Monmouth Bar Association and chair of the Monmouth Bar Association Family Law Committee, is treasurer of the Monmouth Bar Foundation, and a former member of the District IX Ethics Committee and of the District IX Fee Arbitration Committee. Other bar association memberships include the New Jersey State Bar Association, Family Law Section, the American Bar Association, Family Law Section, and the New Jersey Association for Justice.
Harrington v. Harrington, 281 N.J.Super. 39, cert. denied 142 N.J. 455 (1995) (App. Div. 1995). On the brief and oral argument.
Carr v. Carr, 264 N.J.Super. 191 (Ch. Div. 1991), aff'd 262 N.J. Super. 10 (App. Div. 1993), cert. denied, 135 N.J. 476 (1993). On the briefs and oral argument.
Roe v. Roe, 253 N.J.Super. 418 (App. Div. 1992). On the brief.
Carr v. Carr, 229 N.J.Super. 370 (App. Div. 1988), cert. granted 114 N.J. 520 (1989), aff'd and remanded, 120 N.J. 336 (1990). On the brief and oral argument, Appellate Division. On the brief, Supreme Court.
Christopher-Frederickson v. Christopher, 223 N.J.Super. 303 (App. Div. 1988). On the brief.
Ball v. New Jersey Bell Telephone Co., 207 N.J.Super. 100 (App. Div. 1986), cert. denied 104 N.J. 383 (1986) On the brief and oral argument.


What small New York City nightclub saw the origin of the twist?
Who wrote The Prince and the Pauper?
Who was acquitted of giving her parents a total of 81 blows with an ax?
What's the dramatis personae of a play?
Who was a member of both The Dirty Dozen and The Magnificent Seven?


text:
61 Days of Halloween- Village of the Damned (1960)
Posted on October 9, 2012 by bernardovillela
Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.
Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.
Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment, I will try and suggest something worth while as well.
The original Village of the Damned is an exercise in dealing with a lot of story with quick, precise strokes and keeping the pace moving. If one were to contrast it to its remake, what this film does it keeps a lot of the mystery about why these children are gifted and terrifying for as long as possible.
It examines aspects of mob mentality but addresses its central issue mostly with a few characters only. Its implications are far-reaching but it never gets bogged down or spreads itself too thin. Similar incidents elsewhere are alluded to in dialogue but not touched upon and the moralistic struggle, is rendered with the same tautness as the horrific concluding struggle is.
This film also excels in using the mind, mind-control and telepathy as its fear factors. The possibilities that it allows story-tellers are nearly endless and it set the stage for many other tales of the like to follow suit. The clandestine nature of the killings: the odd circumstances combined with the unproveable assumption of the children being responsible, are what give the film a lot of its drive.
The compromised nature and moralistic quagmire that the protagonist finds himself is aided not only by the fact that he is the man who knows the case of these mysterious simultaneous births, and supernaturally gifted children so well, but one of them is his own child.
George Sanders plays the lead and is perfectly sympathetic in this scenario. We see him as a man, husband, scientist and patriot; be challenged. He's a man of reason, which allows for the situation and its ramifications to be debated intelligently and for his uncovering of the fact, those he does get to hit home harder and to make his battle that much more engaging.
The Village of the Damned does a lot with not much in terms of effects, techniques and outlandish production value. Its biggest boon is the successful and fully wrought implementation of its ideas in a brisk, efficient manner.
Rewind Review- Where the Wild Things Are (2009)
Posted on May 8, 2012 by bernardovillela
As those who know me, and if such a person exists, cyberstalk me, know I created this blog after writing on another site, which shall remain nameless, for a while. The point is, I have material sitting around waiting to be re-used on occasion I will re-post them here. Some of those articles or reviews may have been extemporaneous at the time but are slightly random now, hence the new title and little intro, regardless enjoy!
Those who don't like superlatives should stop reading this right now. Those of you who are still reading please believe that it is not for simplistic reasons alone that I am all but ready to anoint Where the Wild Things Are as the best film of the year. It is unquestionably a complete cinematic experience that, for the most part, paralyzed my pencil from note-taking and here are some reasons why.
It lives up to the old manic depressive statement of "I laughed, I cried" but goes so far beyond that. The beginning of the film sets up Max's home life and imagination in simple, beautiful terms with nary a word wasted, which goes for the whole film. The dialogue was carefully chosen and all lines were simply set traps which if sprung would take you into the deeper meaning of the film.
This is the kind of film that does require multiple viewings for the inquiring mind, and it is the best kind of film because it works on multiple levels without any of those levels interfering with the other. Some argue that some parts of the film are too frightening for children. That is a parent's decision, not a critic's, and frankly the book has scared many children while others read it and remain unaffected. It has always been that kind of tale. So to think that Spike Jonze was cavalier or somehow remiss in his filmmaking is ridiculous. Two words of wisdom to keep in mind are first Maurice Sendak the writer of the tale wanted the film "not to condescend to children" as he stated in a featurette released about a month ago. Films have been known to scare kids but kids will watch them anyway. The first film I remember seeing at the theater was a re-release of Bambi and almost off the bat Bambi is orphaned. Is it terrible? Yes. Did everyone keep watching? Yes. Yet people haven't shouted about Bambi's inappropriateness as loudly as about this film. The other quote would be Sondheim's as related by David Poland on his blog "Children will listen…"
Ultimately, that will be what they do – listen and watch as they see a boy be angry with his mother, run off find new friends, but ultimately find that home is the better place. He returns home and is welcomed back, again almost without words. Histrionics are not needed at that point either for dramatic or moralistic purposes. The lesson is learned by all, you have no reason to run from home and you can always go back there and be accepted. A little hard to misconstrue that, and perhaps you need to boil it down for them, but one angry incident or a little yelling and growling shouldn't deprive a child of this experience. It's PG for a reason…be a parent and guide your child through the film. Don't expect it to do all the work for you.
Back to the aesthetics – while CG needed to be implemented on the Wild Things' faces, you'd be hard pressed to tell. And amen to the practical suits which just add that much more realism. Also, adding tremendously to the mood and overall effect is the score/soundtrack, written by Karen O. and Carter Burwell, which always sets the tone with absolute precision. There is never any doubt as to the intention and correctness of the score and it is almost as wondrous as the film.
The refracted tale, of course, is that of a child trying to cope with the divorce of his parents. Pull the dialogue from some of those scenes and just read them and you heard homely and very parental type battles. In the Wild Things you see various interpretations of those relationships. Again the separation of these layers of the film must be stressed. It is not the kind of tale in which missing on such details would ruin it but perceiving it will only enhance it.
For as large or small as the part was, the cast both voice and actual couldn't have been better-chosen. Whether it be Katherine Keener in her limited screen time as Max's very endearing mother, Mark Ruffalo as the cause of Max's ire, Max himself played by newcomer Max Records, a surprisingly sensitive and complex James Gandolfini as Carol, or Catherine O'Hara as Judith.
This film is proof that you don't need a lot of pomp and circumstance to elicit emotion. With the imagination everything can expand like the lecture of a teacher. It is a tale sure to delight the child within us all and also profoundly move adults. A "must see," and likely the best film of the year.
Thankful for World Cinema- Le Petit Nicolas
Posted on November 1, 2011 by bernardovillela
When looking for a theme in which to select films from the start of November until Thanksgiving being literal is not the best option. Films centered around Thanksgiving tend to be overly obsessed with dysfunctional families. So in thinking about the nature of the day which was initially a celebration of survival in the New World, I thought why not focus on foreign films.
Maxime Godart, Vincent Claude, Victor Carles, Germain Petit Damico, Charles Vaillant and Benjamin Averty in Le Petit Nicolas (Wild Bunch)
Firstly, I must say that the availability of this film in the US is virtually non-existant. I managed to acquire a Canadian DVD (Also a Region 1) on Amazon. The film didn't really see distribution here because it is based on a book series by René Goscinny that doesn't have tremendous cultural impact in the US.
His other major contribution is as one of the architects of the Asterix series of books, which some here do know so the terrible first cinematic adaptation did come here. All this is brought to the fore because its non-distribution in the US really is confounding. The adaptation angle needn't be used to sell the film. The humor and themes of the film really are universal.
While being familiar with the book, I'm sure, helped some appreciate it. It is a delightfully simple and accessible story that can be enjoyed by audiences of all ages. There are little treats for those in the know like, for example, the boys get inspiration for a scheme from an Asterix strip but it isn't necessary to enjoy it.
This film is also very funny and while it does test your suspension of disbelief it should pass. Much of the film hinges on misconceptions that Nicolas has about his home life, which could be clarified if he talks to his parents but a child's fears aren't always relayed to his parents especially these.
This was a wonderful discovery and hopefully there are others in the offing as the series of books is quite lengthy.
Review- Judy Moody and the Not Bummer Summer
Posted on June 28, 2011 by bernardovillela
Garrett Ryan and Jordana Beatty in Judy Moody and the Not Bummer Summer (Relativity Media)
The first thing I have to say and I mean this in all honesty is that this film is nowhere near as bad as I feared it would be, however, it's still not very good at all sadly. It's not the worst film in the history of the medium and not even of the year, however, a lot of its issues were so correctable it makes it quite a frustrating venture.
Secondly, I feel I should state that my dislike for this film does not stem, as it seems to for some, from the mere fact that it's a children's film. I have frequently had films from the genre in my year-end best films list and some have had staying power like Max Keeble's Big Move. So I can accept a film with a younger target audience if done properly. This isn't.
The characterization across the board is rather thin. It's acceptable, in my mind, to have parents be something of a caricature in a children's film so long as they at certain points reflect actual parents. In their limited screen time Judy's parents get a rare chuckle but have the aloofness of glue sniffers about them and more parenting, though not quite enough, is done by "crazy" Aunt Opal.
Then there's Judy, of course, with the not-so-subtle surname of Moody. She is beyond moody, however, and rather a pain in the posterior.
The universe of this film is a very strange one wherein Judy, while not the "popular girl" does have her own cabal of friends yet she has her own distinct vocabulary that no one really adopts despite the fact that she's clearly the alpha of the group. She leads a club and the only thing we really see her impress on her friends is the concept of a thrill points race to try and make summer "less boring."
After one attempt to earn thrill points you quickly see what the resolution of the film will be and what she needs more than anything is an attitude adjustment. However, this uptightness is not called out for far too long and when one of her friends does call her out she doesn't come to realize the error of her ways herself or get the nudge from her loci parentis. Instead the epiphany comes in a photo montage accompanied by lazy voice over.
Granted some of her feelings of inadequacy are exacerbated by the fact that two of her best friends are far off having a thrill a minute but still the singularity of her focus gets a bit annoying without more challenges to her perception.
However, the singularity is preferable to shoehorned subplots. The Bigfoot subplot works and gives Stink, her brother, his own obsession and plays into her modus operandi just fine. The one that doesn't is that of the teacher, Mr. Todd (Jaleel White, yes, from Family Matters, who is difficult to accept in any other role). The issue with this subplot is how it is thrown in the mix. It starts with an awkward last day of school scene where his summer plans are made mysterious and hints are dropped through an even more awkward and ill-fitting sing-along. It also dovetails very annoyingly at the climax, so annoyingly that I could go on about that alone for quite some time.
There is an excessive use of animated graphics and titles in the film but while some actually work few do and none are as awkward as the sing-along.
My feelings about the parents as characters is lower than my opinion of their performance. Heather Graham does a lot to keep this film from wallowing into oblivion. Paradoxically by being a comedic oddball character she keeps it grounded and fun as much as she can. Judy's brother (Parris Mosteller) and friends (Preston Bailey, Garrett Ryan and Taylar Hender) all contribute greatly and do quite well in their parts especially Bailey, whose fight with Judy is the best scene such that it's almost as if it was taken from another film.
The most impressive thing Jordana Beatty does is lose her Australian accent. Her task is a difficult one in as much as she has to be annoying yet sympathetic and that doesn't come across. I will grant that she was handcuffed by the script in some regards but the end result is insufficient.
This film is based on a series of books and considering that there's much material to pull from I wouldn't rule out Judy's big screen return, pending its box office, I also wouldn't write the films off. Yes, this film failed and miserably so but the parts of there in terms of concept and most of the cast but the vehicle was wrong. The actors given a different script may yield different results.
Review- In a Better World
Markus Rygaard and William Jøhnk Nielsen in In A Better World (Sony Pictures Classics)
In a Better World is a Danish film which won Best Foreign Language Film at the most recent Academy Awards and that is a moniker which can carry a stigma for many. The two that come foremost to mind are that either it's an inaccessible by the masses art film or that it's essentially an American film transplanted and taking place overseas. None of these notions apply to this film at all.
However, this film did vaguely bring to mind the Best Picture winner The King's Speech in as much as its accessibility and relatability are part of its appeal. However, there is still an artistry and at times poetry in the way the simple subject of this film is handled that makes it excel just beyond being something passable and there's still that European sensibility to it that's just a little more deft even when handling things in a very straightforward manner.
This film is really telling two stories most of the time: it tells of Elias's struggle to deal with bullying (which is quite relevant to the current climate) and his father Anton's struggle as a doctor working in Africa who has to treat a malicious man who has sent many women to his hospital tent clinging to life and the locals beg him not to. These narratives only truly intersect once, otherwise the film shifts, as Anton does, from location to location.
The third factor, one who starts on his own but becomes involved in Elias's story and dominates that, is Christian. After the initial images of Africa grace the screen, Christian is heard reciting a poem in English (this is one of the longest L-Cuts I've ever seen). As the film frequently does it conveys information visually showing us he is at his mother's funeral. Following her death he moves from London back to Denmark and meets Elias. He has a very different, more confrontational way of dealing with bullies and sticks up for Elias who gets picked on about his teeth and anything else they can think of. Eventually Christian's way of seeing the world catches on with Elias and his father Anton struggles to show both of them otherwise.
This is the kind of narrative that could get quite preachy and pedantic but it doesn't do so. It does take the opportunity and has the narrative to serve as a teachable moment but the characters never talk at us but to each other and each of them throughout prove themselves to be far too imperfect to be self-righteous. In the past employing children in meaty dramatic roles had been the sole purview of the foreign film, specifically those from Europe, while there are are now more opportunities here there's still something a bit more genuine in the portrayal of the positive and negative aspects of youths overseas.
With the themes and plots that this film has it makes doubly sure to make all of its characters engaging, interesting and human and yet also makes most of them likable as well. In doing so these simple struggles which balloon to massive issues with each decision carry more and more weight due to the investment we've made in each of them and their well-being. While dealing in the philosophical it still has that emotional pull we need.
This identification made all the more easy by the cast which is nothing short of superb. The kids, of course, deserve first mention. Between the two of them they shoulder a lot of the burden of bringing this tale to life and each one of them has their own journey, and aside from one hiccup which I'll attribute to willful misdirection, they make nary a misstep. What that misstep is doesn't bear mentioning beyond the above. The bottom line is both Markus Rygaard as Elias and William Jøhnk Nielsen as Christian are fabulous in it and I was not surprised to learn that the latter was nominated as Best Actor in Denmark's national film award (Zulu) and may factor greatly in mine (BAMs).
Furthermore, you have supporting them the very talented actors who play Elias' parents: Mikael Persbrandt, whose own moral dilemma occupies much of our time and he shows the great range to be both tremendously sensitive and caring and extremely enraged and Trine Dyrholm whose despair drives this movie into your core and makes you feel it if you haven't already.
The only thing I thought was consistently off was one theme from the score, which played quite frequently and seemed the most discordant of all the pieces. This is a shame because many sections were quite effective but are rendered less memorable by the repetition of the most unpleasant section.
In a Better World is certainly the kind of film which could improve with a second viewing and was most definitely worth not only of its awards but of your viewership.

redpajama_set_name: RedPajamaCommonCrawl


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Former BBC reporter names son after St Albans
Debbie White
FORMER BBC reporter Siobhan Courtney has named her first baby after the city in honour of the "many happy memories" it has given her.
Siobhan, 28, formerly a reporter for BBC Newsnight, BBC Breakfast, One and Six O'clock News, gave birth to Alban Gyles, who weighed 7lb 12oz, on March 25 in Barnet Hospital.
The birth of Alban was described as "against the odds and unbelievable" by Siobhan, who suffers from polycystic ovary syndrome (PCOS) and had been told that it was unlikely she would have children.
The condition is one of the leading causes of fertility problems and affects millions of women in the UK.
Siobhan became one of the BBC's youngest presenters at just 25 after securing her own weekly show, broadcast on BBC World News to an international audience of 65 million viewers. She also made history as the corporation's first interactive reporter and presenter after being asked to be the face and voice of BBC News Interactive across national television and radio. Although no longer at the BBC, the broadcaster and presenter now freelances.
Siobhan explained that her son was named Alban as she and her boyfriend Keith Gyles, "wanted something a little bit different and something that had meaning to us both.
"I thought that's really unique and had a lovely feeling to it. Also, when my boyfriend and I started dating we spent many happy hours in St Albans enjoying all the wonderful, historic places the city has to offer.
"The fact that Saint Alban was the first British Christian martyr makes the name even more special. I'm a Catholic and I love the fact that Saint Alban continues to be venerated in Catholic communions. However, we're waiting to see whether our little man's sleeping habits will be saintly – I suspect not."
She described baby Alban as a very "sweet-natured" boy and while on maternity leave, said she was looking forward to showing Alban the city and the likes of "beautiful" Verulamium Park.
Family and friends are already abbreviating the name Alban for the six-week-old baby, with Albie and Alb proving popular, but Siobhan prefers, "the original Alban, and his daddy and I are sticking with that."


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Atomic Power in Britain
With the Calder Hall reactors feeding into its national power grid and several other stations nearing completion, Britain leads the world in the peaceful application of atomic energy
By Sir Christopher Hinton
The Fire Ant
An imported species of this insect has become a serious pest in the South. It is studied both to find means to control it and to learn how a species adapts itself to a new environment
By Edward O. Wilson
Norman Castles
When the Normans invaded England in the 11th century, their first fortresses were made not of stone but of wood. Recent excavations have shown what these wooden castles looked like
By Brian Hope-Taylor
Particle Accelerators
The evolution of these huge machines is still proceeding at a lively pace. They are used for two purposes: to "see" fundamental particles of matter and to create new ones
By Robert R. Wilson
"Imprinting" in Animals
When ducklings are hatched, the first moving object they see is usually their mother. They proceed to follow her. If they see another moving object, however, they follow it instead
By Eckhard H. Hess
This 19th-century German was a deep and versatile investigator. Although he had been trained as a physician, he made important contributions to physics, physiology and the theory of knowledge...
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Artificial lowering of body temperature is becoming a useful medical technique. Already it has made possible unusual heart operations and has proved valuable in the treatment of shock
By Benjamin G. Covino and Raymond J. Hock
The Microsome
This small particle is found in a fraction of living cells which have been broken up for biochemical investigation. It now seems to be a fragment of an intracellular system which makes proteins...
By Paul C. Zamecnik
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News Archive /
Angel Witch to release new studio album "Angel of Light" on November 1st 2019
Submitted by newseditor on Aug 31, 2019
On November 1st, 2019, Angel Witch will release their fifth full-length, "Angel of Light", via Metal Blade Records. Angel Witch's 1980 eponymous debut on Bronze records created shockwaves that would resonate throughout the nascent realm of thrash, doom and death metal. Now, nearly four decades… Read More
Rings Of Saturn to release new studio album "Gidim" on October 25th 2019
Alien themed tech-death masters, Rings Of Saturn, arrive back on the scene to release their fifth full-length studio album. "Gidim" will be released on October 25th, 2019, via Nuclear Blast Records. Watch the music video for the first single "The Husk", which was directed by Scott Hansen of Digital… Read More
Mayhem to release new studio album "Daemon" on October 25th 2019
Norwegian black metal legends Mayhem release the highly-anticipated first single from their forthcoming album, "Daemon" (October 25th, Century Media): "Worthless Abominations Destroyed". Check out the visualizer video for the new single below. "After teasing you guys for over 6 months, it's… Read More
North Of South releases lyric video for new single "Ember Remains"
Spanish prog project North Of South are glad to announce that they have signed a deal with WormHoleDeath for the release of their new EP, "The Dogma and the Outsider" (TBA). The first single of the upcoming EP, "Ember Remains", is out now via Wormholedeath / The Orchard worldwide. "Ember Remains"… Read More
Fit For An Autopsy release music video for new single "The Sea of Tragic Beasts"
New Jersey six-piece Fit For An Autopsy have just dropped the video for the title track from their upcoming fifth studio album, "The Sea of Tragic Beasts". The album will be released on October 25th, 2019, via Nuclear Blast Records worldwide and Human Warfare (AUS). Watch the new video for "The… Read More
Municipal Waste to release new EP "The Last Rager" on October 11th 2019
Partiers, you've been taught the "Art" and now it is time for an advanced lesson. Virginia speed metal punks Municipal Waste are proud to announce their latest offering "The Last Rager", which will be released on October 11th, 2019, via Nuclear Blast. Back with 4 ripping tracks that embrace all of… Read More
King's X cancel Fall 2019 European Tour due to family emergency
King's X were forced to cancel their Fall 2019 European tour due to family emergency. The band stated: "It is with our deepest apologies that we must announce that due to a family emergency, King's X will be cancelling their upcoming European Tour, including their appearance at the Veruno Prog Rock… Read More
Tool announces Fall 2019 North American Headlining Tour
"Fear Inoculum", Tool's fifth studio album and 2019's most anticipated release, is available now. Listen here. The news arrives as the band announces a six-week North American tour, launching the trek on Oct. 13 at the Aftershock Festival. Tickets are on-sale Sept. 6 at 10 am local time, with a… Read More
Unleash The Archers release music video for new single "Northwest Passage"
Having just announced the release of their upcoming EP "Explorers", Unleash The Archers top up this week's news by dropping their new single "Northwest Passage". The original song was written and performed by Canadian musician Stan Rogers, but even though the song has been covered by several bands… Read More
Electric Mary announces November 2019 European Tour
Following the release of their fourth studio album "Mother" via Listenable Records in February of this year, Aussie rockers Electric Mary have confirmed dates and details of the upcoming European segment of their 'Gimme Love' worldwide tour! In the past, Melbourne's most explosive classic rock… Read More


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Metal Commodities
Currency Futures
Interest Rate Futures
This Tiny Nation Could Be a Gold Trading Hub
Rajeshni Naidu-Ghelani
Published 3:34 AM ET Wed, 12 June 2013 Updated 8:17 PM ET Wed, 12 June 2013 CNBC.com
show chapters
Catering to the Gold Bugs 1:58 AM ET Wed, 12 June 2013
The tiny Southeast Asian city-state Singapore has transformed itself into one of the world's top financial hubs and has now set its sights on turning the wealthy island into a gold bullion center.
A step in that direction came this week when Deutsche Bank opened its second-largest gold storage facility in the world in Singapore.
"If you look at the existing primary locations of London, Zurich and New York, these are clearly Western-centric," Mark Smallwood, head of APAC wealth planning at Deutsche Asset &Wealth Management said Wednesday. "The launch is really part of the story of Singapore, and about a story of evolving storage facilities for gold bullion."
(Read More: Gold Going Above $1,488, Says Former Gold Bear)
The opening of the vault, which has the capacity to store up to 200 tons of the precious metal, comes after the Singapore government removed a sales tax on gold in October.
JPMorgan already has a gold storage facility in Singapore which it opened in 2010, according to Reuters. And in April this year BullionVault, an online precious metal exchange, opened a gold vault in the country.
Singapore is already the fastest growing wealth center in the world with $550 billion in assets under management, according to research firm WealthInsight and now aims to become a gold trading hub.
(Read More: Singapore Will Replace Switzerland as Wealth Capital)
The government trade body International Enterprise Singapore said the city state aims to expand its share of the global gold market to 10-15 percent from the current 2 percent over the next decade, according to a report on its website.
And to achieve that, a high security storage facility called the Singapore Freeport was launched in 2010, which subleases space to storage management companies.
According to Smallwood, this facility is one of the leaders in precious metals storage and logistics and Deutsche Bank's vault is located there.
He added that the bank's vault in Singapore is targeting institutional and private clients as physical demand for gold in the region remains very strong.
"Asian investors are very gold-centric and the reason for it as we have seen had to be put in the context of where the gold price has gone in the last 10 or 12 years," Smallwood said, adding that the price of gold moved from around $250 an ounce in 2002 to peak at the $1,900 mark and is now down to the $1,377 level.
(Read More: Pain May Come Before Gain for Private Banking in Singapore)
The metal has been under pressure this year, down over 17 percent, as funds flow out of gold-backed exchange-traded funds (ETFs), central banks dump holdings and a strengthening U.S. dollar underpins weakness in commodity markets.
The recent rout in gold prices has resulted in a shift in the way people want to own gold in the market, said Tom Price, global commodity analyst at UBS.
"The opening of a warehouse for gold shows a shift in the market in the last few months, where people have some concerns over ETFs and they'd rather own a gold brick than an ETF," Price said.
Smallwood backed that sentiment saying that clients want to see their gold inventory by the bar in the storage facility.
— By CNBC.com's Rajeshni Naidu-Ghelani; Follow her on Twitter @RajeshniNaidu
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70CM (H) x 40CM (W) APPROX EACH.
ACRYLIC, RATTAN (COLLAGE) AND MATTE VARNISH ON CUSTOM MOUNTED PLYWOOD PANELS.
HAND PAINTED BY SKOUNT IN CANGGU, BALI, INDONESIA.
ARTWORK SERIES TITLED 'BALIDIVERSITY' INSPIRED BY BALINESE NATURE AND TROPICAL LANDSCAPE.
SIGNED AND NUMBERED BY SKOUNT ON SIDE AND BACK OF EACH PANEL.
FIND OUT MORE ABOUT SKOUNT ON HIS ARTIST PROFILE PAGE HERE.
Note - Price is for each individual painting. Discounted price available if you would like to purchase the whole series of 3.


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2017-mexican-grand-prix-reaction articles archive
Ricciardo won't have to be number two at Red Bull – Horner
29th October 2017, 22:00 29th October 2017, 22:03 | Written by Keith Collantine
Daniel Ricciardo knows he won't have to play second fiddle to another driver if he stays at Red Bull, says team principal Christian Horner.
Verstappen hails 'perfect' race after dominant win
2017 Mexican Grand Prix
29th October 2017, 21:19 29th October 2017, 22:03 | Written by Will Wood
Max Verstappen says he enjoyed the 'perfect race' as he dominated the Mexican Grand Prix to take his second victory of the season.
Fourth world title 'doesn't feel real' – Hamilton
Newly crowned four-time Formula One world champion Lewis Hamilton says that winning his fourth title 'doesn't feel real'.
Hamilton wins his fourth world championship title
Lewis Hamilton has become world champion for the fourth time. Here are pictures from his post-race celebrations in Mexico.


JACKSONVILLE, FL--(Marketwire - October 4, 2007) - GeoScopix, Inc. (PINKSHEETS: GSPX) announced today the latest-discovered manifold capabilities of the Gator, a University of Florida-patented, stereoscopic, GPS-based, handheld digital geographic data manager.
Some of the markets for the Gator are disaster recovery, military surveillance, construction, first responders, police, crime scene investigation teams, insurance companies and others. Specific agencies that would find this technology especially useful include the Army Corps of Engineers, the Bureau of Land Management and the Department of Homeland Security / FEMA.
The patent for the Gator covers the combination of positional telemetry with a stereo camera, which is required to measure the distance and size of an object without bouncing laser or radar. The Gator gives the accurate location of the camera using GPS technology. By collecting several points of an object in the stereo image, the actual dimension and physical location of an object is be determined.
Furthermore, real image surface texture is applied to the objects to give them the "real" look and mapping programs. These objects may then be used for several applications such as adding them to Google Earth. They can also be used in real 3-D scenes for video games. Many industries could leverage this "Real 3-D" information, leading to increased Gator sales.
The Gator can also be used as a tool for estimators to give quick measurements where close approximations are required to determine costs and pricing of construction projects.
The "Gator" uses a state-of-the-art "stereo" camera system to take high-resolution photographs. The 3-D photos can then be used to map relevant details such as elevation, distance, height, width and location.
Gunther Than, President of Geoscopix, states, "Our market development team continues to come up with relevant, cutting-edge uses for this extraordinary tool. As the appropriate target market segments continue to increase, spanning from law enforcement to video game design, it clear to me that the Gator will be a popular item on several agencies' budget request lists once it becomes available later this year."
GeoScopix is a state-of-the-art technology company based in Jacksonville, FL. The company was formed with the goal of discovering, nurturing, and selling innovative new technologies. The company's founders have decades of experience running high tech firms and dealing with challenges facing emerging technologies. The company currently has one product developed and is currently expanding its manufacturing capability to adjust to expected demand. GeoScopix, Inc. specializes in development and marketing of integrated GPS stereo camera products (GPS Stereoscopic) for applications in insurance, emergency management, and first response markets.
About this company GeoScopix, Inc.


There are three standard kinds of spring mattresses. A constant spring mattress is made from a single piece of wire woven into many springtimes. The springtimes are linked in a vertical pattern. The wire is soft and the coils are little. This generates more response from the mattress. An open coil mattress is the most usual type of mattress. The springtimes are organized horizontally and connected at their tops and on the bottom by a twisting wire. The rods that run around the edge of the coils add strength. A pocket spring mattress has coils that are put in fabric coverings. Instead of working as an unit, these springtimes function separately. As an outcome motion in between partners on the same bed can not be felt by the various other.
Duvets the most fundamental part of your bedding collection. The duvet is what keeps your guest warm, and for that reason have to be bought with factor to consider. A duvet's capability to insulate heat is defined by its tog. The normal tog for a winter duvet is thought about to be 13.5, however the warmth of the duvet can additionally be determined by its filling. Hollofibre has the capability to recover which accomplishes a comfy, plump search for your duvets, extremely inviting when it's cold exterior. Organic fillings such a down and feathers are at the more luxurious end of the scale. They do, nonetheless, provide the best source of insulation for the sleeper. For those with allergic reactions, there are manmade options available.
A tastefully created bedroom is one that highlights appeal in simplicity. Keeping this in mind, choose a minimalistic design that requires bedroom sets, that include essentials like a bed, nightstand and armoire. Of these crucial furniture products, beds use up most of the bedroom area, so it is very important to think about the bedroom measurements and pick the right kind of bed frames that are best suited to your requirements. Bed frames form the framework of your bed. The durability of the bed depends on the underlying bed frame, so you have to ensure that you choose a robust frame that sufficiently supports the bedding. A bed frame is available in numerous sizes like queen, king, double, and twin. You can choose from an assortment of bed frame finishes like wood, metal, and leather offered in appealing designs. Luxurious looking furniture created in an attractive pattern goes incredibly well with a bed frame.
There must be a substantial quantity of idea going into the purchase of bedroom furniture because there are so many bedroom sets that can reflect your personal style. You likewise require to consider such aspects as the merchant and brand of bedroom sets.
The color scheme of your paint works need to not be neglected, because your kids bedroom sets need to blend well with it. Probably not, which is why you desire to attempt to get it right, right from the beginning. Now, if you desire to guarantee that you are getting the finest value for your money and that you are getting to choose from the greatest selection, you are going to desire to go shopping around online.
In terms of mattresses, inexpensive mattresses are envisioned as those that do not belong to the famous brands of mattresses. Cheap mattresses are subsidiary requirement in obtaining the right quantity of rest, however does a mattress requirement to be expensive or inexpensive? With the growing number of mattress producers, unknown brands of inexpensive mattresses though they are of high quality are sold at less expensive prices while those famous brands stay in their sky rocketing prices.
These are available in a large spectrum of styles, colors, textiles and patterns. The different textiles utilized to make such coverlets are cotton, poly cotton, cotton blends, linen, silk, satin, velvet etc. While the cotton bed coverlets are suitable for regular usage, the various other textiles like silk, satin, velvet are better for any formal occasions in the house so regarding produce a major focal point in the space.
Most of us know now that for a mattress to be capable to give us appropriate help, it actually needs to have the appropriate firmness. The mattress has to be neither too tough nor also soft a mattress that is too tough will not conform at all to the shapes of our body whilst a mattress that is likewise soft will give us the feeling of presently being swallowed, for that reason constricting our movements. Nonetheless, exactly what comes about when you by now have a mattress that is even now outstanding however does not have the perfect firmness as proposed? If you are rich lots of, you can always toss it out and purchase a new one. But most of us can not conveniently manage to throw away a thing worth 700 to 1000 dollars. In that scenario, you might well have to purchase on your own a mattress pad.
The at first and most apparent is as huge as the bed that you need, as well as how big that can be in the space in mix making use of the other components of the bedroom set. A standard sleigh fashion bed in empress or king volume is considerably larger than a operating system or harry potter fashion of bed, simply due to the fact that of the design of the sleigh bed itself. A reduced report bed space set can be smaller sized general, allowing a lot even more wall location to be noticeable.
Before the fitted sheets were introduced in the market, it was the flat textiles which were utilized and covered around the foam in the exact same way that medical interns in medical facilities made use of to deal with these things onto the bed mattress. Individuals discover it hard to copulate the flat sheet since it does not remain put. The good news is, Bertha Berman had the ability to create a much better bed cover with the use of a flexible garter. All the ends of the sheet were sewn and made to fit the size of the bed.


Expires 4 months after purchase. Limit 1 per person, may buy 1 additional as a gift. Booking required by phone on 07508 637365, provide Groupon codes. Present printed Groupon on arrival. 24-hour cancellation policy. Must be 18 or older. Valid Mon-Fri 8am-6.30pm and Sat 8am-4pm. £29 surcharge for synthetic, low-ash and specialist oils. Excludes class 7 commercial vehicles. £35 surcharge for engines of 2000cc and over. No additional work to be carried out without customer's approval.
The team at Deniz Auto Servicing offer a range of solutions for cars of all makes and models. Servicing and repairs are available alongside air conditioning maintenance and MOTs. Located in Enfield Highway, the garage aims to go that extra mile with collection and delivery services, a waiting room and complimentary Wi-Fi.


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Q: Measuring latency of requests in a Netty server I want to measure the latency of requests on the server side of a Netty HTTP server. I want to capture the time spent by requests in the server since the requests are received at the server until the reply is sent out the server. I want this to include even the time requests spend waiting for resources (Ex. Threads) as well. Basically, capture the latency of requests on the server as much as possible.
I use Dropwizard metrics and started the timer at the overridden initChannel(SocketChannel ch) method and stopped it after ctx.flush() at the overridden channelReadComplete(ChannelHandlerContext ctx) method.
Is this correct?

A: You usually would start it in channelRead(...) when the first byte for a request was received and would stop it in the last ChannelFutureListener that belongs the response.

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This is a harder material grade to provide an stronger fit but requires heating prior to fitting.
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SCAI THE BATHHOUSE in Tokyo will hold Darren Almond's exhibition "Within The Shadow of The Sun" from February 5th. Since early in his career, Almond has used a diverse range of media and techniques -from manufactured flip-clocks to moonlit, long-exposure photographs- to deploy the notion of time and the way it is perceived.
Many of his works are conceived during his expeditions to remote and often inaccessible locations such as the Arctic Circle, Siberia, and the mystic Hiei mountains in Japan. Though concurrently reflecting on the world's geology, ecology and realities of the human condition within these landscapes, Almond's work induces evocative meditations on time and duration activating both personal and collective memory.
The exhibition "Within The Shadow of The Sun" links together a constellation of his newest works made as a result of such explorations with a focus on celestial environments. Explicit in these works are the tools and language that have facilitated our greater understanding and comprehension of our being in relation to the infinite void of space and time. Central to the exhibition is "Hand-held Sun", a projection of a low-fi iPhone video stretched to the full expanse of a high wall. The video was taken by the artist through the eyepiece of a solar telescope at the Griffith Observatory, Los Angeles. Almond's oeuvre explores the emotional impact of waiting and anticipation, between arrival and departure, imbuing his works with a quiet, mystical and daring quality.


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Q: what is the best way to join tables when key(s) are not normalized in R? Say, I have two tables, name and age  like this:
> name
    key   name
1 a,b,c   jack
2     d daniel
3     e    foo
4   f,g    bar
> age
  key age
1   b  13
2   d  21
3   e  24
4   k  34
5   f 100

I am trying to join these two tables using the key column, which is present in both tables. The challenge here is that  key column in the name table is not normalized. My question is, what is the best way to combine the above two tables in a way that all of rows in the name table is present and intact as original in the joined table(like "res" table)?
> res
    key   name age
1 a,b,c   jack  13
2     d daniel  21
3     e    foo  24
4   f,g    bar 100

Here is the necessary table information
> dput(name)

structure(list(key = structure(1:4, .Label = c("a,b,c", "d",
"e", "f,g"), class = "factor"), name = structure(c(4L, 2L, 3L,
1L), .Label = c("bar", "daniel", "foo", "jack"), class = "factor")), .Names = c("key",
"name"), class = "data.frame", row.names = c(NA, -4L))

> dput(age)

structure(list(key = structure(c(1L, 2L, 3L, 5L, 4L), .Label = c("b",
"d", "e", "f", "k"), class = "factor"), age = c(13L, 21L, 24L,
34L, 100L)), .Names = c("key", "age"), class = "data.frame", row.names = c(NA,
-5L))

> dput(res)

structure(list(key = structure(1:4, .Label = c("a,b,c", "d",
"e", "f,g"), class = "factor"), name = structure(c(4L, 2L, 3L,
1L), .Label = c("bar", "daniel", "foo", "jack"), class = "factor"),
    age = c(13L, 21L, 24L, 100L)), .Names = c("key", "name",
"age"), class = "data.frame", row.names = c(NA, -4L))

A: Perhaps you can coerce the "key" column from the "name" data.frame to a regex pattern and use sapply as follows:
sapply(gsub(",", "|", name$key), function(x) grep(x, age$key))
# a|b|c     d     e   f|g
#     1     2     3     5

The above basically returns the row number from the "age" data.frame where a match was found, in the order in which it was found.
You could then use this information to extract the "age" value from the "age" data.frame using basic [row, col] extracting as follows, assigning the result to age$age:
age[sapply(gsub(",", "|", name$key), function(x) grep(x, age$key)), "age"]
# [1]  13  21  24 100

A: For each row, I would split each complex key with the stri_split_fixed function from the stringi package and then try to match one of the keys from the second dataset.
library(stringi)
res <- name
keys <- stri_split_fixed(name$key, ",") # returns a list of individual keys in each row
res$age <- sapply(1:nrow(name), function(r) {
   keys <- keys[[r]] # get the keys in rth row
   age$age[which(age$key %in% keys)]
})

This gives the result you asked for.
If the keys contain (or may contain) spaces, then a regex search would be more appropriate:
stri_split_regex(name$key, ",\\p{Z}*")

or even the extraction of sequences of word characters
stri_extract_all_regex(name$key, "\\w+")

A: I you don't mind using 2 joins:
library(plyr)
# factors to character vectors:
name <- as.data.frame(sapply(name, as.character), stringsAsFactors=F)

# split comma-seperated ids into named list:
(tmp <- setNames(strsplit(name$key, ","), name$name))
# $jack
# [1] "a" "b" "c"
#
# $daniel
# [1] "d"
#
# $foo
# [1] "e"
#
# $bar
# [1] "f" "g"

# list to long 2-column data frame:
(tmp <- setNames(ldply(tmp, matrix), c("name", "key")) )
#     name key
# 1   jack   a
# 2   jack   b
# 3   jack   c
# 4 daniel   d
# 5    foo   e
# 6    bar   f
# 7    bar   g

# join data frame with age table (1st join) &
# add original comma-seperated key column (2nd join)
join(join(age, b, type="inner"),
     name, by="name")[-1]
#   age   name   key
# 1  13   jack a,b,c
# 2  21 daniel     d
# 3  24    foo     e
# 4 100    bar   f,g


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Val's Blog - #ChooseToChallenge for International Women's Day
By Val Kelly
Val Kelly Blog
#ChooseToChallenge
#IWD2021
Sometimes you are challenged to think about who you are and who you aspire to be. This particular challenge came to me from our office marketing director in hopes that I would #ChooseToChallenge by writing a blog entry about my experiences in higher education and share my thoughts and experiences with women who want to move into leadership in higher education.
Today, March 8th is International Women's Day. The website features many inspirational stories which encourage women to embrace the challenges they encounter.
A challenged world is an alert world and from challenge comes change.
So let's all choose to challenge.
How will you help forge a gender-equal world?
Celebrate women's achievements. Raise awareness against bias. Take action for equality.
As a woman in a professional career thinking about the challenges involved in getting to where I am now, I thought that I should look back and appreciate the journeys of the women before me. Starting with my own family, my mother, following in my grandmother's footsteps, attended college and became a high school teacher. She was one of those teachers who if spotted outside of school, would elicit hugs and excited conversations from former and current students. I was always amazed at her joyful connection with her students.
I recently had to clean out my old family home and now have many boxes waiting for me to immerse myself in their memories. Writing this article prompted me to look at some of my mother's childhood books and I was struck by a string of coincidences. In The Adventure Girls in The Air by Clair Blank, teenage girls often described as "rebellious" help solve a mystery involving a pilot who crashed on a foggy island. "Best book printed" is written in pencil on the first page to let me know my mother's high opinion of this literature. It was published in 1938 in Akron, Ohio, not far from where I live now. My Mom would have been eight years old when this was published. The age of my granddaughters for whom I am currently writing a mystery book. I send them a chapter to read and then read them aloud to them over a video chat. It is a connection that perhaps transcends generations.
It was not common for women of previous generations to go to college, but when they did and became confident and capable of earning their own living, they were often subjected to a world that did not believe that was possible. My mother, as a teacher, often earned more than my father did as a farmer. This was a fact that local businessmen or bankers seemed unable to comprehend as they insisted on her husband's signature on financial transactions. I can remember some heated encounters and her sheer stubborn determination in dealing with those who assumed she was incapable of handling her own money. I witnessed many such encounters throughout her life and I'm sure that her "rebelliousness" shaped me and formed my sense of self.
Women often encounter situations that require that "rebelliousness" just to accomplish what should be an ordinary goal. In some situations, that "rebelliousness" is needed just to get an education.
I was recently involved with work being done in Nigeria to encourage education for girls. In 2014, Boko Haram, a jihadist terror group, kidnapped 246 girls from their school in northeastern Nigeria. This created a chilling effect on the education of girls in an area where educational opportunity was already very limited.
Nigeria is Africa's most populous nation and has its largest economy. Over 62% of the population is under the age of 24 and only 1 in 4 Nigerian high school graduates can find a desired seat in a university. It is an emerging nation with a young population who yearning for education.
On my first trip to Nigeria, my Kent State colleague and I visited several Nigerian universities and met with the political and religious leaders who had an earnest desire to improve educational opportunities for all children but especially for girls who were often denied the opportunity to go to school. As I visited the schools for girls, I was welcomed with bright eyes and wide smiles. I was in awe of the determination of the girls who must overcome so much just to attend school.
Although we were able to obtain a USAID grant which allowed several Kent State professors to work with teachers in some of the states most traumatized by militant extremists, I am left with the realization of the immense educational resources available at Kent State, the exceptional potential but lack of resources in Nigeria, and the seemingly insurmountable chasm that separates resources from need. It will be through the efforts of "rebellious" women that the chasm will be bridged.
I was not denied the opportunity to attend school and I grew up in a time when education was highly valued by society and well-funded. Growing up in a low-income, rural area, the school was the most modern building in town. Although there were some mixed messages along the way, there was an expectation that I would go to college.
As I thumb through my mother's old Adventure Girls book, I found several index cards stuck in the back flap. They were my high school graduation speech note cards. In the speech, I mention that graduation is one of the few times in life that we receive recognition of our achievements and that most rewards in life must come from within. I concluded my speech by saying that we had received so much, it was now time for us to start giving and ended with a quote from John Steinbeck stating that "The quality of the gift is the measure of the man."
I was relieved and happy to have found that my words from long ago still matched quite well with my current views, although now I'd have been more clear that the quote applied to both men and women.
As I've grown older, I've realized that I have been very lucky, and although my childhood dreams might have conjured up a more exotic life story, I believe one of my greatest gifts has been my ability to find joy in all that I do and to appreciate and take pleasure in the success of others. It is part of the culture of an institute of learning to view helping others succeed as an essential component of your own success. This is a culture in which I have found a rewarding career.
There are so many historical examples of women who did #ChooseToChallege and so many who still do, every day, to make the world a place where gender is not a barrier. My challenge to myself is to find the joy in all that I do and to truly appreciate and facilitate the success of others. I hope to continue my mother's Adventure Girl "rebelliousness" wherever it is needed and pass it along to my children and grandchildren so that they will never hesitate to #ChooseToChallenge in their quests to make the world a better place.
Kent State Online Among 2023 Best Online Programs in Nursing, Business, and Education
U.S. News & World Report has named five Kent State programs as U.S. News Best Online Programs for 2023. Kent State is recognized in the Best Online Master's in Nursing Programs, Best Online Master's in Nursing Education Programs, Best Online Master's in Business Programs, Best Online MBA Programs,…
What can I do with a Master's in Public Administration? Find your career with an MPA
A Master of Public Administration career, and others in the nonprofit sector, present incredible opportunities to identify specific needs in a community and find ways to solve them. What can you do with a master's in public administration? Regarded as the core professional credential for a management…
Meet Tim Culver, Interim Director in the Hugh A. Glauser School of Music at Kent State University
Congrats to Tim Culver! Diane Petrella, dean of the College of the Arts, announced that professor and Vocal Area coordinator Timothy Culver would serve as the Interim Director of the Hugh A. Glauser School of Music effective July 1, 2022.  Timothy Culver is a staple in the Great Lakes music scene. He…
NEW ONLINE PROGRAM – Design a One-of-a-Kind Education! Learn more about an Online Associate of Technical Study in Individualized Program at Kent State University
You may have a unique career goal, one that requires a special course of study, and Kent State Online and Kent State's College of Technology can help design a degree program to fit your individual needs. Kent State's Online Associate of Technical Study in an Individualized Program allows you to combine…
What Careers Are Associated with Health Informatics?
Health informatics is a vast and rapidly growing field that encompasses many areas of the healthcare industry. The U.S. Bureau of Labor Statistics predicts that health occupations should experience job growth of 18% from 2016-2026. About 2.4 million new jobs will be created by 2026, making this a great…
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Lightspeed Announces Direct Selling and Advertising on TikTok via Ecwid – KPVI News 6
February 7, 2022 Advertising
Merchants can link their account to TikTok and grow their business via integration
NEW YORK, Feb. 7, 2022 /PRNewswire/ – Lightspeed Commerce Inc. (NYSE: LSPD) (TSX: LSPD), the one-stop commerce platform for merchants around the world to simplify, scale, and create exceptional customer experiences, today announced that Lightspeed eCommerce merchants using the recently acquired Ecwid integration can sell to consumers directly through TikTok.
"Lightspeed acquired Ecwid in 2021 as part of a vision for a powerful single platform for headless, omnichannel commerce," said Lightspeed eCommerce GM Ruslan Fazlyev. "Social commerce is a key element of that, and TikTok is the hottest platform for social selling. We're looking forward to seeing our merchants take advantage of this integration to scale their business and customer base."
With users starting viral product trends with the #TikTokMadeMeBuyIt and #AsSeenOnTiktok hashtags, TikTok is creating a new paradigm shift in shopping behavior. According to an Adweek-Morning Consult survey, 49% of TikTok users said they've purchased something after seeing it advertised, promoted or reviewed on the platform. This partnership empowers merchants to seamlessly tap into TikTok's power of community commerce and reach their ever-growing consumer base.
"The shopping experience on TikTok is all about discovery – we've seen businesses of all sizes use our platform as a creative outlet to engage new audiences, and ultimately drive sales," said Melissa Yang, head of ecosystem partnerships at TikTok. "We're thrilled to be working with this innovative group of partners and making it easier than ever for their merchants to be discovered by our community."
This announcement comes months after an initial integration with Ecwid that powered advertising management on TikTok directly through the Lightspeed platform. Direct selling on TikTok For Business is now available to limited Ecwid by Lightspeed customers in the U.S. and the UK.
About Lightspeed
Powering the businesses that are the backbone of the global economy, Lightspeed's one-stop commerce platform helps merchants innovate to simplify, scale and provide exceptional customer experiences. Our cloud commerce solution transforms and unifies online and physical operations, multichannel sales, expansion to new locations, global payments, financial solutions and connection to supplier networks.
Founded in Montréal, Canada in 2005, Lightspeed is dual-listed on the New York Stock Exchange (NYSE: LSPD) and Toronto Stock Exchange (TSX: LSPD). With teams across North America, Europe and Asia Pacific, the company serves retail, hospitality and golf businesses in over 100 countries.
For more information, see www.lightspeedhq.com
Follow us on social media: LinkedIn, Facebook, Instagram, YouTube, and Twitter.
This news release may include forward-looking information and forward-looking statements within the meaning of applicable securities laws ("forward-looking statements"). Forward-looking statements are statements that are predictive in nature, depend upon or refer to future events or conditions and are identified by words such as "will", "expects", "anticipates", "intends", "plans", "believes", "estimates" or similar expressions concerning matters that are not historical facts. Such statements are based on current expectations of Lightspeed's management and inherently involve numerous risks and uncertainties, known and unknown, including economic factors. A number of risks, uncertainties and other factors may cause actual results to differ materially from the forward-looking statements contained in this news release, including, among other factors, those risk factors identified in our most recent Management's Discussion and Analysis of Financial Condition and Results of Operations, under "Risk Factors" in our most recent Annual Information Form, and in our other filings with the Canadian securities regulatory authorities and the U.S. Securities and Exchange Commission, all of which are available under our profile on SEDAR at www.sedar.com and on EDGAR at www.sec.gov. Readers are cautioned to consider these and other factors carefully when making decisions with respect to Lightspeed's subordinate voting shares and not to place undue reliance on forward-looking statements. Forward-looking statements contained in this news release are not guarantees of future performance and, while forward-looking statements are based on certain assumptions that Lightspeed considers reasonable, actual events and results could differ materially from those expressed or implied by forward-looking statements made by Lightspeed. Except as may be expressly required by applicable law, Lightspeed does not undertake any obligation to update publicly or revise any such forward-looking statements, whether as a result of new information, future events or otherwise.
US Contact
Jennifer Fugel
Newsmaker Group
Victoria Baker
Cydoney Curran
Lightspeed Media Relations
View original content to download multimedia:https://www.prnewswire.com/news-releases/lightspeed-announces-direct-selling-and-advertising-on-tiktok-via-ecwid-301476198.html
SOURCE Lightspeed Commerce Inc.
Source: https://www.kpvi.com/news/national_news/lightspeed-announces-direct-selling-and-advertising-on-tiktok-via-ecwid/article_d9885b7f-677b-5315-a977-2d4c0386cfb5.html
Smart cybersecurity budgeting in the age of ransomware – Cybersecurity Dive
Raiven Capital Arrives in Riyadh to Judge $600,000 Startup Competition at LEAP, One of the Mideast's Largest Tech Conferences – Yahoo Finance
History repeats itself with Big Tech's misleading advertising – Brookings Institution
American Advertising Federation Honors Mālama Hawai'i Visitor Education Series with 2022 Best of Show Award – Hawaii Tourism Authority
National Advertising Division Finds Certain Global Medical Response, Inc. Air Ambulance Transport Advertising Claims Supported, with Qualification – Yahoo Finance


Last evening I hand crafted these wooden knitting needles. I decorated them with coconut shells and glass beads. İt makes knitting more enjoyable and it's so funny to notice people staring at my needles but ignoring my project.
I really appreciate your thoughts and pattern postings here. This wooden needles seems to sound good.
Those are lovely! What a great project.
I love these! What kind of glue did you use?
this is great ! thankx for sharing and im sure u will enjoy it !