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South African Professor Unapologetically Defend His Comparison of Hitler and White People
May 25, 2016 | Posted by Ricky Riley
Last March, Mcebo Dlamini, South African Student Representative Council president of Wits University, resigned from his post after making a Facebook post praising Adolf Hitler for his organizational skills.
Dlamini talked about his comments on South Africa's eNCA last year. In the nearly 11-minute interview, he praises German dictator Adolf Hitler. He says Hitler should be recognized for bringing the nation together. However, this is not the highlight of the interview.
In the final minutes, Dlamini says that all white people have an "element of Hitler in them." To the surprise of the interviewer, she brings up "good" white people who were part of dismantling the country's Apartheid to counter his claim.
He defends his statement by stating that "white people have blood on their hands, white people colonized us, dispersed us and enslaved us … that is white people … they are racist and full of hate."
http://www.timeforanawakening.com/wp-content/uploads/2016/05/Wits-SRC-President-Mcebo-Dlamini-on-eNCA-about-his-Hitler-comments.mp4
New NAACP report details health impact of oil and gas industry on black communities
Fumes Across the Fence-Line examines the environmental justice impacts of the petroleum industry
by Patrick Sisson
The Valero Three Rivers Refinery near San Antonio, Texas. According to the new Fumes Across the Fence report, 10 percent of the African-American population in Texas lives within a half-mile of an oil and gas facility.
Michael S. Williamson/The Washington Post via Getty Images
Air pollution is equal opportunity when it comes to impacting human health. But when much of the infrastructure of the U.S. petroleum industry is concentrated near low-income communities, its effect on these communities and their residents becomes outsized.
A new report released today, Fumes Across the Fence-Line, for the first time directly quantifies the elevated health risk that million of African-Americans face due to this threat. Released as a joint project of the NAACP, Clean Air Task Force (CATF), and National Medical Association (NMA), the report chronicles the health and environmental justice issues that come as a result of a concentration of refineries and other facilities in lower-income neighborhoods, and also offers case studies and suggestions for community action.
The results suggest that oil and gas pollution are taking a serious toll on the African-American community. More than 1 million African-Americans live within a half-mile of existing natural gas facilities, more than 6.7 million African Americans live in the 91 counties with oil refineries, and more than 1 million live in counties that "face a cancer risk above EPA's level of concern from toxics emitted by natural gas facilities."
Due to heightened exposure to pollution, the report concluded that African-American children suffer from 138,000 asthma attacks and 101,000 lost school days each year.
Top 10 States by African-American Population Living within a Half-Mile Radius of Oil and Gas Facilities
African-American population within a half-mile
Percent of African-American population in state within a half-mile
Texas 337,011 10%
Ohio 291,733 19%
California 103,713 4%
Louisiana 79,810 5%
Pennsylvania 79,352 5%
Oklahoma 73,303 22%
West Virginia 13,453 17%
Arkansas 10,477 2%
Mississippi 10,448 1%
Illinois 10,227 1%
TOTAL 1,052,680 2%
Oil & Gas Threat Map
Historically, African-American are 75 percent more likely to live in what the report calls "fence-line" communities, those located next to a company or industrial facility and impacted by operations, whether it's from noise, odor, traffic, chemical emissions. Due to a number of factors—a low-level of political power, lower costs, and a corporation's ability to influence local government—companies have sited facilities in these communities.
One of the case studies showcased the disparity in how local government reacts to these types of environmental justice issues. At the end of 2015, a massive methane gas leak in the Porter Ranch neighborhood in Los Angeles became national news and led to a state of emergency and temporary housing for residents. But in other, lower-income and minority-majority parts of Los Angeles, such as Jefferson Park, where residents located near petroleum facilities also complained about health risks, the response was much more muted and delayed.
The resulting disparity has created an environmental health divide; black Americans are exposed to 38 percent more polluted air than white Americans. Roughly 13.4 percent of African American children, 1.3 million in total, have asthma, compared to a 7.3 percent rate for white children.
The report suggests that communities respond with concerted environmental justice campaigns, and push local, state, and national leaders to adopt and promote clean energy alternatives. In addition, the EPA finalized strong methane standards covering new and modified oil and gas facilities in 2016. Pushing for enforcement, as well as the continued existence of the EPA's environmental justice division, are key aspects in reducing the outsized health burdens faced by the African-American community.
READ MORE AT: http://www.naacp.org/latest/fumes-across-fence-line-new-study-naacp-clean-air-task-force-national-medical-association/
Calls to Action Featured
BLACK FARMERS PROTEST AT UNITED STATES SUPREME COURT
THE AMERICAN AGRICULTURALIST ASSOCIATION
Eddie Slaughter, President
ASHBURN, GA. 31714
SUBJECT: BLACK FARMERS PROTEST AT UNITED STATES SUPREME COURT
"Are Black Farmers in 2016 the New Dred Scott of 1857?"
On Friday, July 8, 2016 at 9:00 am, farmers from the Southern Region and others who believe in justice and equality will descend on the U. S. Supreme Court to once again seek and demand justice through the courts and to bring to light and awareness of the unfairness of the settlement of the Pigford Class Action, and the continued discrimination by the USDA, "The Last Plantation". The theme is "Are Black Farmers in 2016 the New Dred Scott of 1857?".
The protest will be held on the First Street NE sidewalk directly in front of the Supreme Court. The complaint at the Supreme Court is regarding Eddie and Dorothy Wise, farmers from North Carolina, who were foreclosed on and evicted from their 106 acre farm on January 20, 2016 by 14 militarily armed Federal Marshals and several Nash County, North Carolina deputy sheriffs without ever being granted a hearing. Farmers Eddie Wise is a retired Green Beret and his wife Dorothy Wise is a retired Grants' Manager. The Wise's situation is akin to the Dred Scott Decision of March 6, 1857 (http://www.ushistory.org/us/32a.asp) because Black farmers are still being denied full due process. This is one of the most important issues that should be brought before the United States Supreme Court.
While many people in this country think that Black farmers across the nation got justice during the Pigford Class Action (Pigford v. Glickman 1999), the opposite is the truth. Black farmers who have been discriminated against by the Farm Service Agency (FSA) formerly called Farmers Home Administration (FmHA) continue to be put out of farming, denied opportunities to make a living, and lose land that impacts the quality of life for them and the rural Black communities in which they live.
The time has long expired on the unremitting discrimination and breach of The Pigford Consent Decree. Black Farmers are continuously denied due process; in particular, a right to have a formal hearing on the merits of their case before the Administrative Law Judge of The USDA. Congress has expressed its intent for the Agency to hold the formal hearing on the merits in the 2007 Pigford Remedy Act which was incorporated in the 2008 Food Energy and Conservation Act or "Farm Bill." In addition, the USDA is denying all claims and hearings by Black Farmers, Women Farmers, Hispanic Farmers, and Native American Farmers. This denial of the formal hearing before the Administrative Law Judge allows 180 days for the Agency to correct its own mistakes is unlawful, unjust and contrary to Congressional Intent pursuant to the Administrative Procedures Act and The Pigford Consent Decree.
If you are a supporter of justice and equality, support Black Farmers, seek healthy and safe food, join with the Black Farmers and Eddie and Dorothy Wise, other speakers from the American Agriculturalists Association, the North Carolina-based national Black Farmers & Agriculturalists Association (BFAA), The Cowtown Foundation, Lawrence Lucas, President Emeritus, USDA Coalition of Minority Employees, and others to bring this issue before the United States Supreme Court. These farmers are asking the question… "Are Black Farmers in 2016 the New Dred Scott of 1857


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West Palm Beach Florida Form 1023 2020-2023
Form 1023 by City
West Palm Beach Florida Form 1023
West Palm Beach Florida Form 1023: What You Should Know
Form 1023-EZ (Rev. December 2017) — IRS Use the instructions to complete this application and for a definition of all bold items. The IRS Form 1023 application contains instructions and definitions for all items. For additional help, call IRS Exempt Organizations. Form 1023-EZ | Determination Letter | Templeton & Co — South FL CPA This is the first in a series of determination letters that will explain how the IRS will recognize the private foundation's use of a designated community asset (e.g., a tax-exempt facility). The letter explains how a private foundation may designate an additional community asset as a public community asset or a separate community asset. Form 1023-EZ | Determination Letter | South FL CPA Firm We recommend this is the first letter in the series; however, this process can be complicated without help and advice from Templeton & Co-South Florida CPA. G:\Former Employees\Kalyan\form 1023.tif 1. Application for Recognition of Exemption. Form 1023 (Rev. December 2017) — IRS Use the instructions to complete this application and for a definition of all bold items. If you use different language for different types of assets, make sure all the forms are identical. If the document is not available in all forms, do this. Form 1023-EZ | Determination Letter | Templeton & Co — South FL CPA Learn about the new IRS Form 1023-EZ filing requirements for private foundations and the importance of determination letters— Templeton & Co — South FL CPA If you're a person or business owner that owns tax-exempt property located in or affected by a community asset. You may qualify for community asset status as provided in section 501(c) of the Internal Revenue Code and Section 482(a) of the Internal Revenue Code. This includes a community asset that is an asset of, or within the limits of, a charitable organization or association. See examples below. EIN: If you own or have ownership interest in, or maintain control over, an asset. The EIN number should not be used when determining whether the private foundation is a tax-exempt organization.
Online methods assist you to arrange your doc management and supercharge the productiveness within your workflow. Go along with the short guideline to be able to complete West Palm Beach Florida Form 1023, keep away from glitches and furnish it inside a timely method:
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Form 1023 Renton Washington
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redpajama_set_name: RedPajamaCommonCrawl


The world of payments is changing fast – with mobile devices as the driving force. New technologies, standards and applications are emerging to create a vibrant, fast-evolving marketplace with significant opportunities for payment innovation for both banked and unbanked markets.
Any business that wants to deploy secure mobile payment services for its customers is faced with multiple challenges. First there are multiple security frameworks to choose from: where should you store and manage sensitive credentials? In tamper proof devices such as SE, SIMs, or in the cloud with HCE solutions? What about hybrid solutions, such as ApplePay? How can we ensure we reach the maximum number of end-users? How easy it is to deploy the mobile services across multiple networks and a huge variety of mobile device types, operating systems, and so on?
This is a complex puzzle to solve, but all those points need to be addressed. Any solution that can hope to scale with the demand we anticipate (up to $721bn by 2017 according to one forecast) needs to address this market fragmentation.
The fragmentation we see in the market is set to continue into the future, so for organizations to build on the promise of a contactless future, they need to reduce deployment complexity and upfront costs. In addition to this, a focus on end-user experience, offering speed and convenience and additional benefits such as discounts, complete security and freedom "pay anytime, anywhere" is absolutely key.
If you're interested in learning more about the hub approach, please visit our mobile payment offers site and have a play with our interactive Trusted Service Hub tool. Are there any other key trends, technologies or approaches you think will be helpful in addressing the fragmentation the market is facing? Let us know in the comments section below or tweet to us @Gemalto.


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Q: How to remove the yellow bar that shows your search term With the latest update of Chrome, some of the developer tools were changed as well, most notably visually was the addition of the big yellow bar (shown below), that pops up when you do a search in the Network Tab.  Does anyone know how to disable this, as it takes up valuable space I'd rather use for viewing Network traffic.
Thanks!
Andrew

redpajama_set_name: RedPajamaStackExchange


We sell a range of wax ribbons to fit Toshiba SA4T barcode printers.
Not sure which ribbon will fit your Toshiba printer? Looking for something that's not here? Phone us now on: 01205 820757 - we'll be happy to help!


These big league professionals have recognized that it is not enough to find remedies to patch up the chinks in their data security armor caused by Heartbleed. For this reason, they are coming together to pin down strategies to be proactive and prevent future instances in which their departments blindly accepting openly sourced solutions that may have programming mistakes. Ultimately, these IT professionals plan to heighten their vigilance, taking steps to avoid detrimental consequences resulting from similar bugs that could come along and put their operations in jeopardy.
According to NPR, a number of tech giants are collaborating, joining their funds and brain power so they can ensure that codes developed via open sourcing are kept secure and that tech teams do not rely too heavily on these resources so that problems can be contained to a limited number of solutions. For the most part, a major reason as to why Heartbleed had such an expansive and severe effect on the IT community was that professionals were too lax about OpenSSL, adopting codes with full yet unfound confidence.
There is no denying that offering free codes to companies has its share of benefits. Numerous companies, including those with notable names, have implemented these solutions throughout their processes, using this coding to encrypt online data. Because IT professionals at these firms were under the impression that this encryption would keep their sensitive information safe, they never considered the possibility that the code itself could be flawed. Rather than investing resources in maintaining and protecting these open-source programs, tech giants like Google relied on this complimentary software without even thinking about the potential problems that could arise from flawed programming.
To combat the current Heartbleed concerns and prevent additional problems further down the line, the Linux Foundation's executive director Jim Zemlin decided to gather forces throughout the IT community and unite the most recognizable firm, CNET reported. The major companies coming together to tackle this dilemma straight on include Facebook, Intel and Google, of course. That being said, the group keeps on growing, which has generated ample buzz about this bold effort.
Zemlin has named this movement as the Core Infrastructure Initiative, and it is going down on a global scale. The more tech giants that band together, the higher the likelihood of someone spotting an issue before it can generate any repercussions.
After pinpointing problems, IT professionals from these companies aim to isolate the issues and fix them before they can affect any portions of their programs, leaving gaps through which hackers can obtain confidential data. Teams of skilled experts will, "try to root out these problems before they become problems of the scale of Heartbleed and other holes that are probably lurking out there in the software we all depend on," Zemlin stated.
As CIOs can imagine, all of this requires resources in terms of monitoring and maintaining open-source software. This means that a generous amount of money will have to be invested to support this endeavor. The Linux leader has taken this into consideration as well, asking each participating company to pledge funds every year.


September Paper Pumpkin – Stampin' Up!
My September Paper Pumpkin Kit from Stampin' Up! arrived and I couldn't wait to put it together. This month is cute little burlap treat bags and tags!
The kit included three striped burlap bags, three polka dot burlap bags, Tangelo Twist sequins, Blackberry Bliss and Tangelo Twist clothespins, black Baker's Twine, two sheets of stickers (I have tons leftover), a Tangelo Twist Stampin' Ink Spot, a stamp set, twelve gift tags, and Stampin' Dimensionals. The only thing that I added were the two Petite Cafe Bags and two clothespins!
I love the way that these bags turned out! I can't wait to fill them with treats for the teachers and bus drivers.
I thought that the little Petite Cafe Gift Bags would work perfectly with these tags. I just used the leftover sequins and Black Baker's Twine along with a couple of the 2014-16 In Color Clothespins that I already had in my stash to finish these off.
And there are several tags leftover so that I can add them to other boxes and bags!
If you are interested in receiving a monthly Paper Pumpkin Kit for yourself, click here to subscribe. Did you know that you can also purchase Paper Pumpkin as a prepaid subscription? Click here to head over to see the details in my online store. The prepaid subscriptions count toward your order/party total (thinking about that Good Greetings stamp set with an order over $300???). They can also be purchased with hostess cash or as your half price item for an order/party over $400!
Use this hostess code when you order and receive a free gift from me! If your order is over $150, please do not use this code, but you'll still get the free gift. The free gift for September is your choice of any spool of ribbon or embellishment valued up to $8.95 in either the 2014-15 Annual Catalog or the 2014 Holiday Catalog!
Online Hostess Club Starting Soon!
Are you interested in building your Stampin' Up! supplies a little at a time and still want to be able to also receive hostess benefits? An Online Hostess Club might be the perfect solution for you! I have an online Hostess Club that is currently gathering members and will be starting up just as soon as we get the spaces filled!!
Click here to see the Weekly Deals from Stampin' Up! in my online store. The Weekly Deals are only while supplies last and only available at these great prices through September 22.
This entry was posted in Halloween, My Paper Pumpkin and tagged Amy Koenders, Atlanta, Atlanta GA, card making, card making supplies, Demonstrator, Duluth GA, Georgia, hand made card, Johns Creek, September Paper Pumpkin, stamp with amy k, Stampin Up, stampin up atlanta, stampin up blog, stampin' up amy. Bookmark the permalink.
← For All Things With Good Greetings – Stampin' Up!
I was so excited to get this month's paper pumpkin because I have very few actual Halloween sentiment stamps. That was a great idea to add the petite gift bags to the kit Amy 🙂 They turned awesome. Isn't it fantastic that we get extra pieces that we can use elsewhere 😉 Yay!


The generation of ideas using different creativity methods.
Project management supporting the practical implementation of ideas.
Establishment of a creative climate in companies and institutions.
Are you looking for an idea? We'll find it for you! We use a wide range of creative techniques and bring ideas to the surface that will help you to overcome the individual challenges you are confronted with.
We guide you through the entire process of ideas production and help you with the practical implementation of your ideas.


The NoVo Foundation, Education First, and Rockefeller Philanthropy Advisors are awarding grants to individual teachers and school systems for "teacher-led projects that foster social-emotional skills in students in grades PK-12." Grants of $5,000 will be awarded to individual teachers, and grants of $25,000 will be made available to districts and charters. The deadline is only 10 days away.
This is only the second year of the program — the Innovation in Social and Emotional Learning Awards — and the first year awards are being made to districts and charters. The awards will be given out for "individual teachers or groups of teachers to implement the project in their classrooms and schools in the 2017-2018 school year. Awardees will also have the opportunity to present their work to a group of national SEL practitioners, experts and advocates at a convening in October 2017," according to Education First.
It's unclear how many grants will be awarded in this year's program. Last year, 23 individual educators and teams received grants (out of 430 applicants).
Applications are due April 21 by 11:59 p.m. Pacific Time.
Complete details, an application form and descriptions of last year's winning projects can be found on the Innovation in Social and Emotional Learning Awards site.


(Nanowerk News) Researchers at North Carolina State University and the University of North Carolina at Chapel Hill have uncovered a novel approach to creating inhalable vaccines using nanoparticles that shows promise for targeting lung-specific diseases, such as influenza, pneumonia and tuberculosis.
The work, led by Cathy Fromen and Gregory Robbins, members of the DeSimone and Ting labs (see below), reveals that a particle's surface charge plays a key role in eliciting immune responses in the lung. Using the Particle Replication in Nonwetting Templates (PRINT) technology invented in the DeSimone lab, Fromen and Robbins were able to specifically modify the surface charge of protein-loaded particles while avoiding disruption of other particle features, demonstrating PRINT's unique ability to modify particle attributes independently from one another.
A paper describing the work, "Controlled analysis of nanoparticle charge on mucosal and systemic antibody responses following pulmonary immunization", was published in the Proceedings of the National Academy of Sciences.


Mitchell, Allison. "Let's Learn About Bees." Poster presentation for WVS 201-H: World View Seminar 2, Spr '16, Dr. Darr.
Manders, Amanda, Allison Mitchell, Sheridan Quick, & Alexis Strong. "JC Smith: Cultivating Campus Diversity." Exhibit for UDHS 122: World Civ II, Spr '16, Dr. Hallstoos.
Manders, Amanda, Allison Mitchell, Sheridan Quick, & Alexis Strong. "JC Smith: Cultivating Campus Diversity." Exhibit for UDHS 122: World Civ II, Spr '16, Dr. Hallstoos.ohnson.


Southern gospel music is a genre of Christian music. Its name comes from its origins in the Southeastern United States whose lyrics are written to express either personal or a communal faith regarding biblical teachings and Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. Sometimes known as "quartet music" for its traditional "four men and a piano" set up, southern gospel has evolved over the years into a popular form of music across the United States and overseas, especially among baby boomers and those living in the Southern United States. Like other forms of music the creation, performance, significance, and even the definition of southern gospel varies according to culture and social context. It is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace.
The date of southern gospel's establishment as a distinct genre is generally considered to be 1910, the year the first professional quartet was formed for the purpose of selling songbooks for the James D. Vaughan Music Publishing Company in Lawrenceburg, Tennessee. Nonetheless the style of the music itself had existed for at least 35 years prior although the traditional wisdom that southern gospel music was "invented" in the 1870s by circuit preacher Everett Beverly is spurious. The existence of the genre prior to 1910 is evident in the work of Charles Davis Tillman (1861–1943), who popularized "The Old Time Religion", wrote "Life's Railway to Heaven" and published 22 songbooks. Some of the genre's roots can be found in the publishing work and "normal schools" of Aldine S. Kieffer and Ephraim Ruebush. Southern gospel was promoted by traveling singing school teachers, quartets, and shape note music publishing companies such as the A. J. Showalter Company (1879) and the Stamps-Baxter Music and Printing Company. Over time, southern gospel came to be an eclectic musical form with groups singing traditional hymns, a capella (jazz-style singing with no instruments) songs, country, bluegrass, spirituals, and "convention songs". Because it grew out of the musical traditions of white musicians from the American South, the name Southern gospel was used to differentiate it from so-called black gospel.
Convention songs typically have contrasting homophonic and contrapuntal sections. In the homophonic sections, the four parts sing the same words and rhythms. In the contrapuntal sections, each group member has a unique lyric and rhythm. These songs are called "convention songs" because various conventions were organized across the United States for the purpose of getting together regularly and singing songs in this style. Convention songs were employed by training centers like the Stamps-Baxter School Of Music as a way to teach quartet members how to concentrate on singing their own part. Examples of convention songs include "Heavenly Parade," "I'm Living In Canaan Now," "Give the World a Smile," and "Heaven's Jubilee."
Southern gospel is sometimes called "quartet music" by fans because of the originally all-male, tenor-lead-baritone-bass quartet makeup. Early quartets were typically either a cappella or accompanied only by piano or guitar, and in some cases a piano and banjo in areas that were influenced by bluegrass music such as Appalachia. Over time, full bands were added and even later, pre-recorded accompaniments (soundtracks) were introduced.
In the first decades of the twentieth century, southern gospel drew much of its creative energy from the holiness movement churches that arose throughout the south. Early gospel artists such as The Speer Family, The Stamps Quartet, The Blackwood Family, and The Lefevre Trio achieved wide popularity through their recordings and radio performances in the 1920s, 1930s, 1940s and 1950s. On October 20, 1927, The Stamps Quartet recorded its early hit "Give The World A Smile" for RCA Victor, which become the Quartet's theme song. The Stamps Quartet was heard on the radio throughout Texas and the South. A handful of groups were considered pioneers in southern gospel music for a series of "firsts." The Blackwood Brothers, with James Blackwood and J.D. Sumner became the first group to travel in a bus, which is on display at the Southern Gospel Music Hall of Fame at Dollywood in Pigeon Forge, Tennessee. Sumner also was instrumental in creating the National Quartet Convention, an annual music festival where many groups, both known and well known perform for a week. The Speer Family was known for bringing blended groups to mainstream popularity where both male and female performers toured together. The best known group of the 1950s and 1960s was Statesmen Quartet, which set the trend for broad appeal of the all male quartets that would develop years later. The Statesmen were known for their showmanship and introduction of Jazz, ragtime, and even some early rock and roll elements into their music and their stage appearance with trendy suits and wide audience appeal and were known for their signature song, "Happy Rhythm" (Rockin and a'Rollin).
From the start of the genre, the predominant type of artist has been the male quartet. Notable examples from the past and present include, The Blackwood Brothers, Brian Free and Assurance, The Cathedral Quartet, Christian Troubadours, Ernie Haase & Signature Sound, The Florida Boys, The Gaither Vocal Band, Gold City, The Inspirations, Jake Hess and the Imperials, The Kingdom Heirs Quartet, The Kingsmen Quartet, Legacy Five, The Oak Ridge Boys, The Stamps Quartet, The Statesmen Quartet, and the Plainsmen Quartet.
Trios and duos have also been a vital element of southern gospel for most of the genre's history. From decades past, pioneer groups like Chuck Wagon Gang, The Smitty Gatlin Trio, The Happy Goodman Family, The Rambos, The LeFevres, The Lesters, Speer Family, and The Bill Gaither Trio paved the way for modern mixed quartets and family-based lineups such as The Crabb Family, The Hinsons, The Hoppers, The Isaacs, Jeff and Sheri Easter, The Martins, The McKameys, The Perrys, The Perry Sisters, and The Talley Trio.
All-male trios also are very popular. Groups such as Greater Vision and the Booth Brothers are immensely popular. Both have been nominated for numerous Grammy Awards.
The genre also has a growing number of popular soloists. Many of these gained their initial popularity with a group before launching out on their own as soloists. Some of the most well known have been Jimmie Davis, Jason Crabb, Ivan Parker, Squire Parsons, and Janet Paschal.
J.D. Sumner and The Stamps toured with Elvis Presley, who originally wanted to be a Gospel singer despite trying out for numerous groups and never receiving an offer to join. Sumner and Presley met when Elvis was 14 years old and the two forged a strong relationship. Sumner sang at Presley's funeral and debunked many myths about Presley's alleged substance abuse and also credited Elvis for saving his life when Presley confronted Sumner about his alcoholism. Sumner held the world record for the lowest bass note ever hit for a human being until 2002, four years after his death.
Anthony Burger was the main pianist for Gaither's Homecoming Series before passing away suddenly in 2006 during a performance. At the age of five, Burger was accepted at the Cadek Conservatory at the University of Tennessee at Chattanooga. A child prodigy, Burger was playing classical piano repertoire within a few years. In the latter part of his career and life, the world-renowned classical piano company Steinway & Sons announced that Burger was being added to their exclusive roster of endorsing artists, making him the first southern gospel pianist to ever hold that honor.
The Cathedrals were perhaps the most successful quartet of the 1980s and 1990s. The group had massive appeal and recorded their 1987 album Symphony of Praise with the London Philharmonic Orchestra and also made numerous appearances NBC's The Today Show. After the deaths of frontmen George Younce and Glenn Payne, the Cathedrals spawned off two current groups that are immensely popular, The Legacy Five and Ernie Haase and Signature Sound.
Several secular artists have expressed their love for and influence of the genre by recording southern gospel albums or performing gospel songs in concert. Among them are Johnny Cash, Patsy Cline, Bob Dylan, Larry Gatlin, Alan Jackson, Kentucky Thunder, Jerry Lee Lewis, Loretta Lynn, Willie Nelson, The Oak Ridge Boys, Brad Paisley, Dolly Parton, Carl Perkins, Elvis Presley, Ricky Skaggs, The Statler Brothers, and Travis Tritt.
Traditional southern gospel music underwent a tremendous surge in popularity during the 1990s thanks to the efforts of Bill and Gloria Gaither and their Gaither Homecoming tours and videos, which began as a reunion of many of the best known and loved SGM individuals in 1991. Thanks in part to the Homecoming series, southern gospel music now has fans across the United States and in a number of foreign countries like Ireland and Australia.
By the 1990s, the "old-timey" quartet-style music began to develop to include more soloists and duos. Although still mostly popular in the Southeast and Southwest, it has a nationwide and even an international audience. The music remains "more country than city, more down-home than pretentious".
In 2005, The Radio Book, a broadcast yearbook published by M Street Publications, reported 285 radio stations in the U.S. with a primary format designation as "southern gospel," including 175 AM stations and 110 FM stations. In fact, southern gospel was the 9th most popular format for AM stations and the 21st most popular for FM. Southern gospel radio promoters routinely service more than a thousand radio stations which play at least some southern gospel music each week. Recent years have also seen the advent of a number of internet-only southern gospel "radio" stations.
Two popular satellite stations that feature southern gospel are channel 34 on XM Satellite Radio and Channel 67 On Sirius Satellite Radio. Both play the same feed entitled, "Enlighten on SiriusXm". Enlighten plays southern gospel and has several featured programs which air weekly including Paul Heil's Gospel Greats and Bill Gaither's Homecoming Radio.
Over the last decade, a newer version of southern gospel has grown in popularity. This style is called progressive southern gospel and is characterized by a blend of traditional southern gospel, bluegrass, modern country, contemporary Christian and pop music elements. Progressive southern gospel generally features artists who push their voices to produce a sound with an edge to it. The traditional style southern gospel singers employ a more classical singing style.
Lyrically, most progressive southern gospel songs are patterned after traditional southern gospel in that they maintain a clear evangelistic and/or testimonial slant. Southern gospel purists view lyrical content and the underlying musical style as the key determining factors for applying the southern gospel label to a song.
Although there are some exceptions, most southern gospel songs would not be classified as Praise and Worship. Few southern gospel songs are sung "to" God as opposed to "about" God. On the other hand, southern gospel lyrics are typically overt in their Christian message unlike Contemporary Christian music (CCM) which sometimes has had "double entendre" lyrics, which could be interpreted as being about a devout love for God or an earthly love for a man or woman.
Becoming popular through songbooks, such as those published by R. E. Winsett of Dayton, Tennessee, southern gospel was and is one of the few genres to use recordings, radio, and television technologies from the very beginning for the advancements of promoting the genre.
One of the longest-running print magazines for southern gospel music has been the Singing News. They started in the early 1970s supplying radio airplay charts and conducting annual fan based awards. They also supply popular topic forums for southern gospel fans to meet and discuss the genre. The move to internet services has brought along companies such as SoGospelNews.com which has become a noted e-zine forum for southern gospel and has remained a supporter for the past twelve years. It too contains the music charts with forums and chat rooms available to the fans.
↑ "Gospel Music Association Hall of Fame site on Tillman".
↑ Edgar, Walter B. (2006). The South Carolina Encyclopedia. Columbia, S.C.: University of South Carolina Press. p. 385. ISBN 1-57003-598-9.
↑ Goff, James R. (2002). Close Harmony: A History of Southern Gospel. Chapel Hill: University of North Carolina Press. ISBN 0-8078-5346-1.
↑ See, e.g., J. Bazzel Mull.
Beary, Shirley L. "The Stamps-Baxter Music and Printing Company: A Continuing Tradition, 1926–1976." D.M.A. dissertation, Southwestern Baptist Theological Seminary, 1977.
Brobston, Stanley. "A Brief History of White Southern Gospel Music." Ph.D. Dissertation, New York University, 1977.
Downey, James C. "The Music of American Revivalism." Ph.D. dissertation, Tulane University, 1968.
Collins, Mike and Gaither, Bill "Hold On: The Authorized Biography of the Greenes, America's Southern Gospel Trio" Woodland Press LLC, 2004. ISBN 0-9724867-6-3.
Eskew, Harry. "Shape-Note Hymnody in the Shenandoah Valley, 1816-60." Ph.D. dissertation, Tulane University, 1966.
Fleming, Jo Lee. "James D. Vaughan, Music Publisher." S.M.D. dissertation, Union Theological Seminary (Richmond, VA), 1972.
Graves, Michael P. and Fillingim, David "More than Precious Memories: The Rhetoric of Southern Gospel Music" Mercer University Press, 2004. ISBN 0-86554-857-9.
Harrison, Douglas. Then Sings My Soul: The Culture of Southern Gospel Music. Urbana Champaign: University of Illinois Press, 2012.
Harrison, Douglas. "Why Southern Gospel Music Matter." Journal of Religion and American Culture. 18.1 (2008) pp. 27–58.
Terrell, Bob "The Music Men: The Story of Professional Gospel Quartet Singing in America" B. Terrell, 1990. ISBN 1-878894-00-5.


Egyptian Chief Scientist and Technical Manager of the IBM Innovation Exchange in Dublin Haytham Assem has been named in Forbes' annual 30 Under 30 in "Technology" sector.
Assem, IBM Master Inventor, has developed a new technology that he dubs "Temporal Functional Regions". He used Manhattan borough in the United States (US) as his laboratory and machine learning technique to mine massive amounts of social media data, according to IBM.
"I am incredibly honoured to be representing my home country Egypt on the Forbes 30 under 30 prestigious list which includes 30 [people] that are considered the most influential and change-makers in the Technology sector across Europe," Assem tells Egyptian Streets.
The new technology was developed by collecting a huge amount of data from popular applications including Twitter and FourSquare.
He further adds that Temporal Functional Regions will also be of a major assistance to home buyers. It will help them "understand, compare and contrast investment values for real estate".
The technology also uses social media activity to predict recurrent crowd mobility with various intensities in a large metropolitan area.
"Being able to predict where the crowd normally shifts throughout the day is very useful for public safety, traffic management, disaster management and urban planning," Assem tells IBM.
"My main passion is to develop innovative solutions using Artificial Intelligence for making our cities in the future more efficient and smarter. I believe that without continuously working on novel ways to improve our cities, our future cities will struggle to survive. I hope one day to find the solutions that I have been researching and developing are being utilized in several cities and helping as many citizens across the globe in improving their quality of life," Assem concludes to Egyptian Streets.
Aseem traveled to Ireland at 22 years old to pursue his graduate studies followed by his Ph.D degree in addition to working full-time in one of the biggest tech companies worldwide, IBM in Ireland. At the age of 26, Assem became the youngest person ever to be given a 'Master Inventor' title by IBM. Now, at 29, Assem made it to Forbes 30 Under 30.
"The road to being named as one of the 30 inspirational and disruptors in Europe for the Technology sector has never been easy.
"All of this has been very time demanding. However, I believe that it is is all about figuring out what you are willing to give up in order to do things that you really care about," Assem adds.
Forbes announcement included two more Egyptians in the Media and Marketing category, Mohamed Khairat and Mostafa Amin, the Founders of Egyptian Streets website.


How do the worlds best athletes combat ageing, and what you can do to keep up?"Encouraging reading for jocks who are late to the game but committed to the win all the same." Kirkus Review "An energetic romp" that "smartly separates science from quackery." Publishers WeeklySports are about challenging our physical limits. But the greatest limit of all remains undefeated: age. Not, though, for the likes of Roger Federer, Tom Brady and Jo Pavey. What are they doing that you can too?Play On teaches us that its not aging that causes a decline in fitness; rather, a decline in fitness causes aging.Full of cutting-edge science, technology and practical tips, Play On empowers you to reverse the ageing process, and stay younger for longer.


text:
Understanding the "Why" Behind Changes in Consumer Behavior
Naomi Morrice, Research Analyst, Brandwatch, Taylor Dickson, Research Consultant, Brandwatch
Understanding consumer priorities and behavior is a challenge at the best of times, let alone during a global pandemic. In order to understand and predict how consumer needs and wants are evolving – vital intelligence for any effective business change strategy – organizations must go beyond simply uncovering what the changes look like. In this webinar, we'll discuss how with the right tools and approach, organizations can discover the reasons and motivations behind these changes, marrying the "why" with the "what". Find out why blending data sources – social media intelligence and survey data – will provide a more nuanced, reliable, and timely account of consumer opinion, and the drivers of change. Join us to learn how you can harness data for insights that will help your business be more agile and proactive in meeting new customer expectations.
Digital Consumer Intelligence
Brandwatch
Brandwatch is the world's pioneering digital consumer intelligence suite, helping over 2,000 of the world's most admired brands and agencies including Unilever, Walmart and Dell to make insightful, data-driven business decisions. The company has made two acquisitions to date: PeerIndex (2013) and BuzzSumo (2017) as a standalone content marketing platform. Additionally, the company was bolstered by its merger with Crimson Hexagon (2018) to create the most comprehensive AI-powered social intelligence solution. Brandwatch has offices around the globe including Brighton, Boston, New York, London, Berlin, Stuttgart, Paris, Madrid, Sydney and Singapore. www.brandwatch.com | @Brandwatch…
Drive your business strategy forward with digital consumer intelligence…
How to Conduct Consumer Research in 2021…
Plant-Based Meat: Using Digital Consumer Intelligence to Guide Product Innovatio…
What does it mean to be Consumer Fit?…
How to Run an Effective Insights Team in Turbulent Times…
Uncover the competitive edge hidden in untapped data sources…
Diversifying data sources: How to get value from Reddit data…
Best practices: Bring digital consumer intelligence to life…
How To Save Your Business From Bad Reviews…
The future of market research…


Seminars designed to prepare students for academic and career success will be offered by Student Support Services during the fall semester. The academic seminars will focus on structuring money and time management, finding academic resources, and improving study skills. Navigating the job search process, developing a resume, and building a professional social network will be covered in the career seminar sessions.
Seminars last one hour and will be held on the Athens Campus in room H-759. There is no cost to attend. Pre-registration is encouraged, but not required. Students can also make individual appointments with Student Support Services.
October 1 @ 10:00 a.m.
October 14 @ 9:00 a.m.
November 19 @ 1:00 p.m.
December 2 @ 2:00 p.m.
September 24 @ 10:00 a.m.
September 24 @ 2:00 p.m.
October 7 @ 9:00 a.m.
October 7 @ 5:00 p.m.
October 29 @ 10:00 a.m.
October 29 @ 2:00 p.m.
November 11 @ 3:00 p.m.


We currently have around 900 members, and have banquet and party rental facilities to accomodate 125 people. We also have a picnic grove which we rent out for family and civic affairs. We also have a rifle range and archery range which is available to all members. Our dining facility is currently open to all members and their quests Tuesday thru Saturday nights, and Sunday afternoon.
Our current activities at the club to name a few are Band and DJ nights, we have dart teams that call the Gun Club home, The Hawks Baseball club plays on the fields during the spring, summer, and fall, Oaklane Race Club races at the track every Saturday during the summer. Oaklane Race Club also holds their monthly meetings at the club. The Trumbauersville Lions Club also meets at our facility twice a month. We also have a very active Ladies Aux. at the club. They hold many fund raising activities during the year to help support the club.


In 1954 an unknown truck driver from Mississippi got a chance to perform at one of the most famous concert venues in the world – Nashville's Grand Ole Opry. He got a polite response from the crowd but was dumped by the Opry's management. They said he was "not bad" but thought he wasn't good enough. That man was Elvis Presley. His story is one of constant effort and never giving up. And it paid huge dividends – despite his death over 36 years ago, he still manages to earn more than most of us put together – around $55 million in the year up to October 2013.
Of course not everyone can become a pop superstar, or gain status as a global icon. But we can all have success in business. Here are some examples of more mainstream businessmen and women who have triumphed, often in the face of considerable adversity, to become successful in business.
Sara Blakely was a door-to-door fax machine sales woman who had an idea. It came from a problem she experienced while working at Disney in Florida. She decided to solve the problem and while still working at the office supplies company she invented Spanx, an innovative foundation garment.
She obtained her own patent, set up her company and started pitching her idea, all while still selling fax machines. She was repeatedly turned down until she got the buyer from Neiman Marcus to try on Spanx. She got an order and other retailers started to follow suit. And then came a mention on Oprah. Sales then went through the roof and Blakely was eventually able to stop selling fax machines.
How far has she come? Blakely is nothing short of a phenomenon. She is the world's youngest self-made billionaire and in 2012, when she was just 41, Blakely made it on to the list of the top 100 most influential people in the world, as determined by Time Magazine. As well as running Spanx Blakely also operates a foundation that helps women in business.
John Vlagos, a Greek immigrant living in Chicago, wanted to show his son George how hard it is to work with your hands for a living. He was a cobbler so he made young George come into his shop every weekend to shine shoes. The plan backfired as George Vlagos is now a cobbler as well.
George is a bit more than that though – he is one of the most successful independent shoemakers in America.
He saw an opening in the market for top quality shoes made with traditional materials that could be bought at an affordable price. George Vlagos's shoes, known as Oak Street shoes, are sold in some shops but he mostly sells them online. He regularly has to operate a six-week waiting list.
Chad Mureta's life changed after he was involved in an accident that resulted in his arm being amputated. He was forced into becoming a tech entrepreneur when his previous real estate business struggled when he was in hospital recovering. But to get there he had to take a risk.
Mureta had been reading about mobile applications and although he had no experience with technology, he saw an opportunity. He borrowed money and developed Fingerprint Security-Pro. The app was one of the 50 most popular apps in the App Store. He earned $140,000, and then went on to make more apps. He now has 46 under his belt plus 35 million downloads.
Friends and business partners Liane Weintraub and Shannan Swanson are the perfect example of spotting an open goal and going for it. They are part of the huge and growing group of consumers who want organic ingredients in food. This did not change when they both became new moms. But there was a problem – there was a limited selection for parents who wanted to buy organic baby food.
The pair did two things. Firstly they made organic purees for their own babies. And then they developed new products based on the philosophies they believe in. This became a brand of organic baby foods called Tasty.
Their products are now stocked in several retailers and their business turns over millions of dollars a year. And it is profitable which shows that if you have the right idea and the right market, your business can be a success.
Now is a fantastic time to be running a business, and it doesn't have to be a circus or a Las Vegas hotel. Small businesses are holding the country together and many are thriving. In fact, there has never been a better time to be running a small business given the increased access to customers through technology, and the tools available to increase productivity and profits. So take some inspiration from the stories highlighted here and you'll make it…because of "The Wonder Of You." Elvis overload? Then it's time for a little less conversation – because the time for small business success is now.
Cloud Hosting – What is it?


Located in the extremely mountainous and northern area of the DPRK, Mt. Myohyang is one of the five most celebrated mountains of North Korea. Known to the locals as the "mysterious fragrant mountain". Famous for the inspiring views at and leading to its 1909 meter high peak. Multiple hiking trails around the mountain are graced with untouched floral fields, lending to the mountains visual charm. Rumor has it that King Tangun, the legendary father of the Korean people, once called this mountain home. Being only a day-trip from Pyongyang has helped this mountain become the home to many of the DPRK's tourist destinations. City dwellers and villagers alike come get in touch with their Buddhist roots at the Pohyon Temple. Manphok Valley offers an escape from civilization and a good overview of the countryside. Gifts from the world's officials, acting as symbols of support, are on display at the International Friendship Exhibition. Tourists often end the day at the Hyangsan Hotel, officially North Korea's best hotel, see for yourself.


text:
Q: How to run this differential eq MATLAB program Please kindly help I'm new at MATLAB. My lecturer give me MATLAB code for diff eq. question and it can show animation of pendulum and graph. but i dont know how to use his code, I know how to run it but dont know where can I input my diff eq. the code i copy has its own diff eq. but i dont know which one and also it doesnt have any comment so i would know how to use it. This is the code, maybe someone can teach me how to use it or maybe make the code more easy to read
clc
close all
clear all

a=1;b=-2;c=2;b=b/a;c=c/a;
dt=.001;tap=1;btsa=tap;btsb=-tap;
y0=0;y1=1;
y1=y0-y1*dt;
n=40;
for k=1:n;
    px(k)=(-1)^k*.1;
end
px=[0 0 px 0 0];
g0=0;
g=0;
for k=1:4000;

    t=k*dt;
    g=exp(-t);
    g=g/a;
    y=((2+b*dt-c*dt^2)*y0+g*dt^2-y1)/(1+b*dt);
    by=y+.3;
    py=linspace(by,tap-.3,n+1)-(tap-.3-by)/(2*n);
    py(1)=py(1)+(tap-.3-by)/(2*n);
    py=[y py tap-.3 tap];
    subplot(2,2,1)
    hold off
    plot([-2 2],[tap tap],'Color','k','LineWidth',4)
    hold on
    plot([0 4],[y y],'Color',[.8 .8 .8]);
    plot(px,py,'-r')
    plot(0,y,'--o','MarkerFaceColor',[1 0 0],'MarkerEdgeColor',[0 0 0],'MarkerSize',20)
    axis([-3 3 -tap+.1 tap+.1])
    subplot(2,2,2)
    plot([0 k*dt+10],[0 0],'-k')
    hold on
    gam=plot([0 (k+1)*dt],[y y],'Color',[.8 .8 .8]);
    plot([k*dt (k+1)*dt],[y0 y],'-b')
    btsa=max(max(btsa,g),y);btsb=min(min(btsb,g),y);
    axis([0 max(10,k*dt)+.5 btsb-.1 btsa+.1])

    y1=y0;y0=y;
    subplot(2,2,4)
    plot([0 k*dt+10],[0 0],'-k')
    hold on
    plot([k*dt (k+1)*dt],[g0 g],'-r')
    axis([0 max(10,k*dt)+.5 btsb-.1 btsa+.1])
    g0=g;
    pause(.1)
    delete(gam)
end


School is out! The boys are already letting their brains ferment in a steady brew of Spongebob Squarepants.
The last of the school material to come home today included a few awards for the school year. Very proud of these boys!
Congrats to the boys! I should say good job to Becky too! Another year of success! YES! I am proud of the words that the teacher said to Luke- wow! Cheers to all!
Good work guys! I know your Mom deserved an award too for all of her work at the school as a volunteer!


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No, you do not need a Paypal account to purchase from our store. If you proceed to the checkout it'll direct you to the Paypal page which under 'login' it will give you the option to pay via card. Though if you have a Paypal account, you may use it.
We accept Visa, MasterCard, American Express, or regular account payments via Paypal. We also accept eCheques however these take around 10-14 days to clear; your item will not be dispatched until this clears.
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You will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund even if you were eligible for 'Free Shipping'.


Who am I, Your Holiness, to dare ask you to pass judgement upon yourself  ? I am nothing, and you are everything. Even the insignificant position that I had ten years ago – that of country parish priest – is mine no longer for, suspended by the Bishop of Troyes since August 25, 1966, I have been deprived of the right to celebrate Mass or to preach, in the diocese in which I live – while you occupy the highest place of honour on this earth and, in the Church, a position of such responsibility that no greater can be imagined and one, moreover, which enables you to receive help and guidance from the Holy Spirit in a way open to no other human being.
How, then, dare I rise up against you  ?
There are, moreover, numerous supposed " revelations " current today which, claiming to come direct from Our Lord or His Blessed Mother, describe you as their child of predilection, the most beloved and worthy of Popes, who is undergoing a veritable martyrdom at the hands of the evil men around you, as well as through all those agents of disorder and instigators of heresy who are ravaging the Church in spite of you. If all this were indeed true, what comfort it would give us to think that, in spite of the appearances, we were suffering with Your Holiness rather than as a direct result of your acts  !
If, in spite of all this, I am yet bold enough to rise up against you, before the entire Church, it is because I draw the right to do so in that very Faith, Hope and Charity which the Holy Spirit bestows upon all the Faithful provided they do not themselves place obstacles in the way through heresy, schism or apostasy. For 25 years I have been a priest, and given to the study of theology. But I claim no basis for my action other than the simple, elementary Faith of our Baptism which is common to all who belong to the Catholic and Roman Church. For, as you must be aware, my total and open opposition to the present Reformation of the Church, which I reiterated at the conclusion of my Process at the Holy Office, against the formally expressed wish of Your Holiness, did not result in the imposition upon me of any canonical penalty. I was declared to have " disqualified " myself by my own extreme statements, but this does not in any way affect my continued membership of the Church. I remain one of the children of him who is the Father of all – one of Your Holiness's subjects. And a child has the right to complain to his father – even about the evil ideas and hateful acts of this very father himself.
As an insignificant member of the Ecclesia credens, I have no authority to judge anybody nor to declare any proceeding null and void. Nor can I claim to provide, myself, the authentic interpretation of even the least article of Faith. But I do have both the right and the duty to remember and call to mind that teaching which I received as the doctrine of the Ecclesia docens – a doctrine that is constant and universal, irreformable and infallible. For this teaching is binding upon all the faithful, and upon Your Holiness as much as upon the simplest of us, on pain of spiritual death.
Over the past ten years it has become overwhelmingly evident to me who, by virtue of my faith, " worship as a rational creature " (Rom 12.1) that what we are taught today is totally opposed to what we were taught in the past. The Catholic Credo that was engraved upon my soul as upon a tablet of virgin wax has always remained there, clearly defined, and nothing that was superadded to it ever caused any blurring of the characters. The Church spoke always in the same language. But these past ten years, she has been speaking, through your own mouth, and that of the Council and the Bishops, in an entirely new language which, though it has not the authoritative ring of the past, and is itself neither constant nor consistent, is the language of novelty and change, tinged with heresy, schism and apostasy. Against this I felt constrained to protest inwardly, and for the sake of honesty, openly and publicly also, submitting my protest to examination by Authority, until today it is being taken to the very highest Tribunal of all, at which you, the Sovereign Pontiff, preside as Judge and as the one ultimately responsible for the interpretation and safeguarding of Divine Truth – while you bear at the same time the responsibility for this abominable Reformation. If I, the most unworthy of Christ's faithful, am so keenly conscious of the contradiction between the Catholic religion and the reformed religion of today, then surely this realisation ought in yourself, as the most eminent member of the faithful, attain an infallible clarity and prophetic certainty. Tell us therefore, we beseech you, where the Truth is, and where the heresy, the schism and the scandal  ; proclaim it solemnly and we will believe your word.
I say " we " because I am speaking, not only for myself, but as one of the many faithful who are today suffering under this conflict. When I present myself at the feet of the holy See, I go accompanied by ten religious and fifty lay people who are themselves the express delegates of some 3,000 Catholics making up this " Roman Legion " whose thoughts and feelings are united to ours and the list of whose names is being handed to you on this April 10, 1973 together with the present Liber. These people love you, Most Holy Father, and place in you their last hope against the invasion of Satan into the Church. But, trembling, they also join with us in accusing you of being the one responsible, through complicity or collaboration. Amidst prayers and tears they beseech you either to justify yourself or to recant, or else to lay down the charge of your Sovereign Pontificate in favour of someone else. They can no longer endure this terrible suspicion culminating in their inward certainty of your guilt. The disorder spreading from the very Head of the Church into her members has become unendurable for them.
These several thousand Catholics are not in any way a sect apart, or a body separated from the rest of the faithful. They are linked to the rest of the Church by numerous ties and, to varying degrees and despite some differences in interpretation, their complaints reflect those of certain members of the Hierarchy, even among those in the highest positions and close to the Throne of Your Holiness.
That is why I, who am nobody, feel in conscience bound to ask Your Holiness, in the name of the Church and of the Catholic people whom you have misled into believing that the present Reformation was necessary for the Church, by abusing your own authority over them, that you should bring yourself to justice on a charge of heresy, schism and scandal, publicly persevered in. In bringing this charge l am but making myself the miserable but truthful echo of the indefectible Church herself. And you alone, Most Holy Father, are able to clear yourself of this charge if you can do it, speaking with the authoritative and infallible voice of the Faith of this same Church  ; if, speaking in this manner, you can show that you are right and we are wrong. To us this would seem impossible – for it would mean that the sum total of this Reformation could be assimilated into the Body of Divine Truths which express the Deposit of our revealed Faith…. No, this cannot possibly be.
Never has there been a conflict comparable to the present. The Church cannot continue in such a state of contradiction. It is your duty, Most Holy Father, to take note of our accusation, and to study and pass judgement upon this affair. The peace of the Church and her fidelity to Christ are at stake. I should wish – we should all prefer – to be proved wrong so that your August Person might be right. But the honour of God, the welfare of the Church and the salvation of souls speak louder than our human sentiments, and they tell us that it is you who are wrong. We pray for your spiritual conversion and for your change of heart, in order that the Church may be delivered from the yoke of Satan which holds her enchained and restored to Christ so that she may bring forth once more her fruits of life and holiness.


text:
Blond, aanduiding voor een lichte haarkleur

 Blond (band), een Zweedse band
 Blond (album), het enige album van deze band
 Blond (bier), een biersoort
 Blond (Haute-Vienne), een gemeente in het Franse departement Haute-Vienne

redpajama_set_name: RedPajamaWikipedia


text:
Reader's Diary #2163 - Christian Staebler and Sonia Paolini (writers), Thibault Balahy (artist): Redbone
A lot of fans will judge a biography, at least in part, on whether or not they learned anything new. On this measure, I would count Redbone: The True Story of a Native American Band to be a success. That said, I truly didn't know a lot to start. I only listened to a single Redbone album for the first time about a year ago, and even now I can just recall two of their songs: "Come and Get Your Love" and "Witch Queen (of New Orleans)." (Both of which are excellent, by the way.) The fact that they were an indigenous band wasn't that new to me as they were highlighted in the excellent rockumentary Rumble but I knew little else.
In this book, I heard for the first time about their time playing on the Sunset Strip, their encounters with the Doors and Hendrix, and more about their indigenous identity than I'd known. The two songs above certainly don't hint at that aspect of their culture, but they certainly embraced it. One of their albums was called Potlatch and one of their songs was called "We Were All Wounded at Wounded Knee," for just two examples. It's most likely no coincidence that their most successful work in the mainstream wasn't the stuff that a racist society would embrace but the writers don't delve into this to the extent that say Andrea Warner did in her recent biography of Buffy Sainte-Marie. Not that they hid it either but I felt it could have been expanded a little.
That's but a small criticism though as it was otherwise quite well done, including the art which had a sort of scrapbook feel that fits a biography perfectly.
Labels: 2020, Christian Staebler, Graphic Novels and Manga Challenge, IDW Publishers, Nonfiction, Redbone, Rock Book, Sonia Paoloni, Thibault Balahy
Reader's Diary #2165 - Tatsuki Fujimoto: Chainsaw ...
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Reader's Diary #2162 - Ben Fountain: Rules of Spec...
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Aloha! I am so happy to be back on the roads again. Don't get me wrong, I enjoyed the break and I put on a few extra pounds in the process, but I am so very happy to be back in the rhythm and training again.
I am feeling completely healthy. The right hip is no longer sore but I am staying on top of the contrast baths 3-4 days a week and stepping up my stretching routine. I really need to add yoga because I think it could really help with my overall health. I also can't wait to get back into the gym at Crossfit Oahu on April 1.
2 weeks ago I put in a nice easy 40 miles and i rocked out 50 miles last week. Most of the miles are in my brand new New Balance 890 v2—amazing shoe!!!!! I am running around 7:30-8:05 pace and feeling nice and relaxed. Actually put in a nice little 10k training run around 45 minutes on Sunday.
The next race on the calendar is the Diablo Trail Challenge 50k in Northern California. I am excited to get out and race again. I might have to readjust some goals for the next few months of training because I had to take a little more time to recover from the 100 miler than I had planned. I am also super excited to attend a post-race BBQ with some old friends. I hope we can make this a tradition because it is awesome to get together with old buddies every time I leave the island.
I look forward to taking you all with me on the trails!
Hey, I just bought those same shoes! They feel fast, don't they? They are definitely more flexible and lower heel than my foot is used to. Funny to finish a run and feel like your feet are more tired than your legs.
That is the exact reason that I love the shoes. I just picked up a few new pairs to add to the collection. See you tomorrow.


text:
Paradise Meow
Albums, collaborative
Confluence (with Jgrzinich)
Confluence is the companion album to Stria.
CD, 50 min.
Intransitive Recordings INTO22
Composed 1998 – 2000, released 2002
(Particle [Cell] > Wave [Body])
The following piece Confluence is the result of a continual two-year collaboration and exchange. Significant not only as final compositions, these pieces are nearly complete documents of our individual and collective output relating to sound experimentation, recording and composition during this period. Although the listener in the end is left to experience the acoustic presence created by these works, a survey of the elements that comprise what one hears along with some general information concerning our intent is presented here. Our primary thread of research over this time was to study evolutionary patterns of sound dynamics through various methods of live generation and recorded mediums that focus on multiplications and groupings. While this has been one of the fundamental bases of our work since the beginning, in these compositions a concentrated effort was made to explore how our artistic and conceptual ideas of sound experimentation affected the physical, perceptual influence of intensive listening. Much of this has to do with the idea of resonance; the phenomenon of natural vibrations that give rise to intensified or stable structures within sound bodies and fields.
Our use of resonance not only encompassed sound behavior but also included analogies of the phenomenon in group interaction and/or participation in the social context of sound generating activities. This originated with the observations of complex, naturally occurring, acoustical environments which were then transcribed or applied to a series of spontaneous sound-gatherings in Austin, Texas. These initial experiments were then developed by John into the 'Resonance Ensemble' concept carried out at the Stazione Topolo Festival in northern Italy. All of these experiments in one way or another dealt with challenging the role of the individual as either performer, or 'passive listener' through exercises in collective efforts. As "enactive" listeners, participants are encouraged to improvise according to a perception of sound-space created in a particular sound environment rather than to adhere to an imposed micro-structure. In our playing, an effort was made to de-emphasize the individual presence, being attentive instead to the collective sound body and one's place within, without need for self-expression. The situations and results varied and can be heard throughout the pieces, from intimate vocal chants and the scattering of dry beans or stones to the ringing of antiquated ceramic roof tiles or the bleating of plastic reeds.
In looking at the reasons for our curiosity we find in a letter from Seth from our correspondence: "What is the coherence of a pattern which arises from complexity through resonance? How do 'isolated' incidents become more significant through their relation to the larger whole?" Indeed, this project could be seen as a continual series of questions, the answers to which may be found only in the results themselves (which in turn lead to further investigation). These recordings were assembled through extensive studio manipulation and experimentation, along extended lines of multiplicative processes and resonance-seeking. Within the compositions, various stages of this exponential variation are revealed (in a non-linear fashion). Anywhere from one to over a thousand layers may coexist at any one moment, in a manner that can simultaneously operate as striations or confluxions. The differentiation of these layers is evidenced in their shifting movement through time, a correlation to the drawing together of source elements, and the way they were produced, transformed and composed. The image of an organism more or less accurately depicts the proposed unity of these compositions (thus the term "sound body"); a living matter which can be broken down into ever smaller components or synthesized into ever-larger wholes, being formed by cellular entities. – John Grzinich & Seth Nehil
John Grzinich and Seth Nehil's Confluence (Intransitive) does one thing over its three tracks and does it gloriously. Even without reading inside the "exponential variation….revealed (in a non-linear fashion)", the thick syrup slowly oozing from the speakers is a shifting mass of hundreds of layers of smaller sound nuggets. In both "Pneuma" and Lohme" individual characteristics of the sources are unrecognizable, congealing instead into gargantuan whooshes which flow like the circulatory system of Antione de Sainte-Expurery's mammoth snake digesting an elephant."The Distant Edge", the best and shortest track, uses field recordings from a demonstration in Belgrade, and the clamor of car horns and machinery remains more apparent than in the other songs. (songs?) The honks, shouts, and clangs are folded in upon themselves to the point of completely obscuring any relation to a field recording, resembling instead a discontented angelic choir singing hymns to passerby trying desperately to carry on their business in exaggerated oblivion.
– Alesandro Moreschi III, Bananafish #17
Released at the same time as jgrzinich and Seth Nehil's Stria (that one on the Belgian label Erewhon), Confluence presents three more electro-acoustic pieces resulting from their collaborations between 1998 and 2000. Their stated intent was to "study evolutionary patterns of sound dynamics through various methods of live generation and recorded mediums that focus on multiplications and groupings." In other words, the interaction and resonance taking place between smaller parts of a greater whole — a sound organism of sorts. These pieces involved a long process of gathering sound sources which included the use of group recording participants reacting to sounds played to them by playing themselves (on small percussion instruments and objects like bowls). This is an interesting concept, but you can choose to ignore it all and just listen. Each piece contains layer upon layer of sounds moving at different paces, creating rich but not too dense textures that allow you to focus on a different "region" of the sonic space each time you press the play button. Somewhere between musique concrète and very detailed drones, the music opens up and sucks you in. Both artists collected the material, but Jgrzinich composed "Pneuma" and "Lohme," two 20-minute pieces, leaving the 5-minute "The Distant Edge" as Nehil's sole contribution (the situation is reversed on Stria). The latter piece features car horns and other street sounds that make it sound more aggressive than the other two, so it works as a kind of interlude between JGrzinich's quasi-ambient pieces. In its last minutes, "Lohme" threatens to turn into one of Francisco Lopez's sound constructions. Recommended.
– François Couture, AMG (All-Music Guide)
With the proliferation of amazing software packages and ever more powerful machines, making electronic music today is, in theory, easier than it ever has been, and the recent slew of unimpressive (to say the least) remix albums seems to be depressing proof that increased sophistication of resources has not always led to a corresponding raising of the stakes when it comes to quality. It's comparatively rare to find composers of electronic music who are prepared to really take their time in working and reworking their sonic material, which makes these two exceptional companion albums by Seth Nehil and John Grzinich, one on the Belgian label Erewhon, the other on Howard Stelzer's Boston-based Intransitive imprint even more worthy of your attention.
Using sound material sourced from various objects played (Nehil prefers the word "manipulated") by large groups of people, the two composers "trade, treat and trade" sounds again until, as Nehil writes, "because of the very long composition time (more than two years) it becomes impossible to claim ownership." Rather than trying to fit their material into a pre-conceived architecture, Nehil and Grzinich "allow the sounds to dictate the overall form," and the end-product manages to combine a naturally breathing sense of form (in a manner not dissimilar to much electroacoustic improvisation) with a sound surface of extraordinary precision and complexity ("anywhere from one to over a thousand layers may coexist in any one moment"). Listening through headphones – recommended unless you happen to have a state-of-the-art stereo system and a listening space large enough to enjoy the music at the necessary volume – reveals the extraordinary lengths to which the composers go to interleave, crossmix and develop their sound material. At times the source sounds seem easily identifiable, but once the layers of crackles, rustles and clanging pots and dishes have been superimposed and set back into the middle distance of the mix through masterly and subtle panning, they assume different, multiple identities. What could start out as a gentle tap on a piece of wood ends up as distant thunder – or is it gunfire?
The steady accumulation of sonic events inevitably recalls the stochastic pile-ups of Xenakis, who, you will recall, in his 1966 interview with Marc Blancpain (which accompanies the Fractal reissue of his "Persepolis" – not the shoddy job released by Asphodel last year), explained his interest in mass phenomena as a means to obtain "form, a completely new plastic sonority that no longer behaves according to polyphonic or tonal or serial rules, but rather a completely new concept that can be found in calculating probability, or in theories such as the Kinetic Theory of Gases which [..] plays an important role in astrophysics today." Many composers today pay lip-service to Xenakis while apparently understanding neither the sheer difficulty and complexity of his music nor the compositional strategy behind it (I'm thinking particularly of those who participated in the disappointingly shallow above-mentioned Asphodel Persepolis remix project), but works such as Nehil and Grzinich's "Pneuma" (on "Confluence") and "Arboreal" (on "Stria") are the authentic descendents of "Bohor" and "Concret PH".
" The Distant Edge" (on Confluence) was sourced in recordings of a 1999 street demonstration in Belgrade, and superimposes recognisable sounds of mass protest – blaring car horns, chanted slogans and angry cries – to form a huge pulsing cloud of sound about an octave in range. If Xenakis comes to mind once more (and we should not forget that his experience of public uprising during the occupation of Greece during the war was a formative influence on his concept of mass sound), so at times does mid-period Ligeti (specifically a piece like "Clocks and Clouds") – the music appears to drift by slowly until you focus your attention in on the detail and find it to be teeming with activity like a beehive. Simply put, these two albums contain some of the most technically accomplished and awesomely beautiful pieces of music I've ever heard, as infinitely complex and infinitely simple as light. Any self-respecting new music enthusiast can't afford to pass them by.
– Dan Warburton, paristransatlantic.com, march, 2003
Belle musique de ces deux poètes du sonore qui vont faire résonner leurs drones organiques aux lisières d'un temps immobile. Les mouvements lents de ces sons, comme des coulées épaisses de matières offrent des paysages tendus et étrangement sereins, faits de grincements, de frottements, d'ondes vastes, de résonnances scintillantes, révélant majestueusement dans le temps leurs contours gracieux. On pénètre dans ces flots lourds comme un animal géant, prenant nos aises en se laissant porter par le courant, quittant une certaine pasanteur pour une autre, plus subtile. Le courant nous entraîne dans des cavités obscures, dans des cirques ouverts et gigantesques, d'autres échos apparaissent, habités de fantômes. Dense-musique de déplacement de masses titanesques, on s'y arrête timide et observateur, et au final on n'est pas déçu du voyage.
Beautiful music from these two sound poets who will make their organic drones resonate at the margins of an immobile time. Like thick currents of matter, the slow motions of these sounds offer strained and strangely serene landscapes made from creaking, gratings, broad waves and sparkling resonance majestically uncovering their gracious surroundings in time. You penetrate into this heavy flow like a gigantic animal, taking its ease, letting yourself being taken away by the current, leaving a certain heaviness for another, more subtle. The current takes us into obscure cavities, in the open gigantic pools other echoes appear, inhabited by phantoms. With this dense music of shifting titanic masses you stop, shy, observe and in the end you are not deceived by the voyage.
– Manu Holterbach, revue&corrigée no 54, december 2002
November 2, 2002 February 19, 2022 jgrzinich
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Galeon had an awesome presence at the Dusseldorf Boat Show.
With one of the biggest and most friendly stand in their hall, they had the attention of the important visitors. Dusseldorf Boat show is one of the most rewarding events for Galeon Shipyard in all international boat show calendar. All thanks to this special atmosphere of the hospitable stand, totally open for every customer. The exemplary cooperation between the most valued Galeon international team and the amazing German Dealers was appreciated.
Galeon displayed 6 unique middle segment models. All of them, including Galeon 430 HTC-the Dusseldorf Premiere and the Galeon 390 HTC – the 2013 Worldwide Premiere, are not more than 3 seasons on the market. The thrilling exterior design, as well as the semi customized, high quality interior finishing of our third generation boats, were equally admired by the growing group of Galeon friends.
Two Galia models were exposed just next to Galeon stand. Our popular Galia 670 MC-nominated to the Power of The Year 2012 and the 2013 World Premiere: Galia 750 HT, both of them, got a lot of positive comments….they certainly look good!


One thing we all have in common is a past. The good news is that your past doesn't have to determine your future. In our series, "Live Free," we'll discover how to get past our pasts, so we can be free to live.
We've created a discussion guide to go along with each video to assist your journey to living free. The guide includes key verses, questions, and resources for each week.
You can click the link below to download a pdf of the guide that you can print off or you can grab one from your Life Group Hosts when you're group meets for this series.
We invite you to join us for a 28-day reading plan to accompany our series "Live Free". We encourage you to take 3 minutes and begin your day by keeping God's truth in front of you as you journey to discover what living free really means.
We were made to live free, but too often we can find ourselves bound by habits, hurts, and hang-ups of the past. In this video, we'll begin the journey to living free.
Based on what Pastor Jeremy said, how would you de ne freedom? What does freedom mean to you?
Can you share a time when you tried to only change your actions (fruit vs. root)? Can you share a time when you actually discovered the root that was causing your actions and how you worked to change it?
Why is hearing the voice of God the foundation to experiencing deeper freedom?
Pray this prayer throughout this life group series as God takes each of us on a journey to deeper freedom.
For some of you, this journey to freedom in Christ will be a signi cant departure from the life you live now. For others, it will seem more like a course correction. In every case, it will liberate you to be who you are in Christ and do what you haven't done before. This path of freedom will impact your thoughts and emotions, your relationships with others, and your heart-to-heart connection with God. Stay committed to this journey and your group, and watch and see what God does in your life!
Our lives are moving in the direction of our strongest thoughts, and the fight for freedom is often won or lost in our minds. In this video, we'll learn practical steps to winning the battle of our minds.
If Jesus came to defeat the enemy, how does that change the confidence and authority you can walk in today?
As you think about your thoughts, can you identify areas of your thought life that are often led by the lies of the enemy? Thoughts that don't line up with what God says about you?
What is the opposite truth you need to find in God's Word to begin speaking over your life?
If so, how have you seen the power of God's Word transform your mind? If not, what are some things you can do to create space in your life for more of God's Word?
In the journey to find freedom from our past, forgiveness is a step that can be a painful one to take. In this video, we'll discover the true power of forgiveness and how we can take a step toward inner healing.
Take a moment to pause and think about what you've heard regarding what forgiveness is not. Ask God to pinpoint any myths you believe about forgiveness. Share with your group.
Who is someone in your life you've had to choose to Forgive?
Take a few minutes to pray and think of someone God is asking you to forgive today, and if you feel comfortable, share with your group.
You can use this prayer as a guide or use space in the guidebook to write your own prayer. Forgiveness is a journey that may take time to fully sink in. Pray this prayer every day this week.
God, I come before You now, and I ask that You would help me to forgive. Help me to be free from what has happened to me, as well as the pain and thoughts that come with this hurt. Lord, I pray that You would make a way where there seems to be no way. I choose to forgive ____________________________ for _____________________________________________.
I choose forgiveness in the Name of Jesus, I release them from their debt to me and place them in Your hands. I declare that this act of my will and obedience to You will produce in me a pearl of great value, a heart that is free, and wounds that are healed. In the Name of Jesus, I pray, Amen.
Freedom is not a destination that we arrive at, rather, it is a journey we travel as we pursue living and loving Jesus. In this video, we'll look at several keys to staying on the journey of living free.
What area did God reveal to you through this series that He wants to give you freedom in?
What would you say is your spiritual Achilles heel? How can you put up boundaries to avoid temptation?
As we wrap up this series, how can we as a group pray for you?
to experience the abundant life that is found in You. In Jesus' Name, Amen.


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text:
Stream: Roma Army
•19:30-19:30 CET•
https://roma-biennale.com/program/stream-roma-army/
At a time when Europe is at risk of drifting into neo-fascism, a group of actors is calling for a Roma army for the purpose of self-defence. A rapid intervention force to fight structural discrimination, racism and antiziganism, but also as emancipation from an internalized role of victims. The actors are Romnija, Roma and Romani […]
•Livestream
At a time when Europe is at risk of drifting into neo-fascism, a group of actors is calling for a Roma army for the purpose of self-defence. A rapid intervention force to fight structural discrimination, racism and antiziganism, but also as emancipation from an internalized role of victims. The actors are Romnija, Roma and Romani Travellers from Austria, Serbia, Germany, Kosovo, Romania, England and Sweden. They are also Israeli-German-Turkish-Berlin Gadjé – that means that the Roma Army is supranational, diverse, feminist, and queer. Initiated by the sisters Simonida and Sandra Selimović, they enter the stage at the Gorki in a collective act of self-empowering artistic action with resident director Yael Ronen. A joint research process, personal experiences, historical contaminations and contemporary incidents are all used to explore and develop the play. Together with visual artists Delaine and Damian Le Bas from England, they sketch out a vision for a Safe European Home in Gypsyland Europe, as the Le Bas call it.
An idea by: Sandra Selimović, Simonida Selimović
By: Yael Ronen & Ensemble
Directed by: Yael Ronen
With: Mehmet Ateşçi, Hamze Bytyçi, Mihaela Drăgan, Riah Knight, Lindy Larsson Forss, Orit Nahmias, Sandra Selimović, Simonida Selimović
To the stream: https://dringeblieben.de/videos/roma-armee
With the solidarity and friendly support of the Maxim Gorki Theater.
Browse Programme
Romaday
#Self-confession
Resistance Day
#Resistance & Resilience
#Remembrance
#Existence


A boater's and sailor's Delight in an affordable waterfront niche community with deep water dockage! Nature and families are the focus in this desirable community characterized by beautiful homes, parks, nearby golf, restaurants, shopping, and A Rated schools!
Almost every home has waterfront dockage available in an intricate network of deep water canals. Some select homes with wide views of the Saint Lucie River. A community boat ramp is also available. Everything a boater would want!
The homeowner's association is very reasonable at only $95 per year, most of which goes towards a number of great community get togethers throughout the year and for dredging the canals to a 5' or greater depth. These two neighboring communities are in the 'A' rated Martin County school system with local children currently zoned fir Bessey Creek Elementary, Hidden Oaks Middle and Martin County High Schools.
There are no fixed bridges to the open Ocean (Only high span 60' +). The canals are maintained and dredged to a 5'+ depth. In recent years sewer and city water have been brought to these communities which has resulted in the transformation starting to take place in this waterfront neighborhood as homes are being torn down or renovated to larger and more state of the art structures.
Those looking for affordable waterfront in the Martin County area may want to act sooner than later as current prices have been rising rapidly.


text:
Q: Should I eliminate inputs in a logic circuit design? Recently I had an exam where we were tested on logic circuits. I encountered something on that exam that I had never encountered before. Forgive me for I do not remember the exact problem given and we have not received our grade for it; however I will describe the problem.
The problem had a 3 or 4 inputs. We were told to simplify then draw a logic circuit design for that simplification. However, when I simplified, I ended up eliminating the other inputs and ended up literally with just
A

I had another problem like this as well where there was 4 inputs and when I simplified, I ended up with three. My question is:
What do I do with the eliminated inputs? Do I just not have it on the circuit? How would I draw it?

A: Apparently it not eliminating inputs but the resulted expression is the simplified outcome which you need to think of implementing with logic circuit.
As an example if you have a expression given with 3 inputs namely with the combination of A, B & c, possible literals can be 2^9 = 9 between 000 through 111. Now when you said your simplification lead to just A that mean, when any of those 9 input combinations will result in to value which contain by A.
An example boolean expression simplified to output A truth table is as follows,
 A B | Output = A
------------------
 0 0 |     0
 0 1 |     0
 1 0 |     1
 1 1 |     1

A: Typically an output is a requirement which would not be eliminated, even if it ends up being dependent on a single input.  If input A flows through to output Y, just connect A to Y in the diagram.  If output Y is always 0 or 1, connect an incoming 0 or 1 to output Y.
On the other hand, inputs are possible, not required, factors in the definition of the problem.  Inputs that have no bearing on the output need not be shown in the circuit diagram at all.


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text:
BP Indonesia gas plant expansion
BP has drawn up plans to quadruple the size of its USD 5 billion gas plant in Indonesia. The fourfold expansion of the Tangguh liquified natural gas facility is being considered in order to take advantage of future growth in Asia.
The move would form part of chief executive Bob Dudley's plan to replicate multi-billion projects made by Shell that could generate long term cash and profits and fund growth in other areas. Growth in demand for LNG in the growing economies of China and India as well as Japan's higher imports following the Fukishima nuclear disaster were both cited as potential reasons for the British supermajor to mount such a significant expansion.
Gde Pradnyana, a spokesman for Indonesian energy regulator BPMigas, told the wire service space was being prepared for eight trains at Tangguh, where there are two production lines with a combined capacity of 7.6 million metric tons of LNG a year. Gas resources for a third unit at Tangguh are "almost confirmed", Pradnyana said. A decision to build the 3.8 million-ton-a-year train may be made this year, he added.