text:
Council to invite expressions of interest for construction of new sport and recreation precinct
A new 100-hectare sport and recreational facility on Redlands Coast is another step closer, with Redland City Council set to invite Expressions of Interest (EOI) for construction of the first stage of the Redlands Coast Regional Sport and Recreation Precinct at Mount Cotton.
Stage 1 will include construction of the Bike Activity and Recreation sub-precincts and associated works, part funded by $4.5 million from the Queensland Government's South East Queensland Community Stimulus Program in association with Redland City Council.
Mayor Karen Williams said the EOI process, which would open in early 2022, would allow for early contractor involvement and collaboration with the design consultancy team led by Bligh Tanner, who was recently awarded the contract to deliver the Preliminary and Detailed Design.
"The Brisbane 2032 Olympic and Paralympic Games has created genuine excitement across south-east Queensland and this project will ensure our sporting stars of tomorrow have somewhere to play the sports they love," Cr Williams said.
"This milestone brings this fabulous community sport and recreation precinct another step closer and I'm looking forward to seeing designs for the new home grounds for Redlands BMX Club, Redlands Cycling and Multisport Club, Redlands Touch Association and Redlands Rugby League Club.
"We will also see plans developed for a regional level play area with water play and pump track; boardwalks around rehabilitated wetland areas; walking, horse riding and cycling trails and a kick-about area that could be used for small community events or fitness classes."
Member for Springwood Mick de Brenni said the Stage 1 works would create or support an estimated 53 local jobs and provide an intergenerational community infrastructure project.
"I've long said that local families shouldn't have to leave our neighbourhood to take part in sport, and with this investment they won't have to," Mr de Brenni said.
"This project builds on the first round of the South East Queensland Community Stimulus Program which funded the development of the Eastern Escarpment mountain bike trails and facilities.
"It will provide sporting and active recreation assets, as well as conservation benefits for our local community."
Cr Williams said the regional sporting facility was an example of true collaboration, with the State Government helping to fund the Master Plan and Stage 1 of the project.
"With Redlands Coast named as a venue city for the 2032 Olympic Games, Council is investing heavily in sporting infrastructure across the city," she said.
"We have already invested more than $6 million in designing this exciting new facility, with the Queensland Government assisting with a Get Planning Spaces grant of $100,000."
For more information about the EOI process and Council Tenders and Contracting, visit www.redland.qld.gov.au/info/20164/tenders_and_contracting.
For more information about the Redlands Coast Regional Sport and Recreation Precinct, and to see a fly-through video of the concept design, visit yoursay.redland.qld.gov.au
Posted in Community, Council, Parks and tagged .
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This year's party had an especially electrifying feel with the theme "Eurotechno Disco Rave"... Featuring amazing lighting, brilliant strobe effects, lasers, a DJ desk pumping out sweet techno, smoke and hundreds of multi-coloured glow sticks to adorn the party goers!
Some of our mad party goers.
The dance floor in action!
Futuristic sweet dispensing units. They looked awesome!
Thanks very much to Rachael Keen for the photos!


text:
Nice Things (4)
1: Wagner, Gotterdamerung, Act III Scene 2 "Brunnhilde, heilige Braut"/funeral march
2: Wagner, Die Walkure, Act III Scene 1 "Fort denn eile, nach Osten gerwandt..."
3: Bob Dylan,"When the Ship Comes In."
4: Lennon-McCartney "I Am the Walrus."
5: Woody Guthrie: "Grand Coulee Dam"
6: Loesser, "Luck Be A Lady"
7: Boublil/Schoenbeg "Javert's Suicide"
8: Mike Batt "Remember You're a Womble."
Record: Wagner, Gotterdamerung
Book: The Silmarillion
Luxury: Teapot, tea, kettle, cow. Tea making facilities
Labels: Blog, Bob Dylan, Nice Things
A little more thought needed here maybe- what are you going to milk the cow into?
Paper and pen would have been of practical use.
nickpheas said...
Well you can use a sheet of paper to hold a pint of milk. Tommy Cooper used to do it.
And if you could only save one record from being swept off in a wave?
That's the one marked "record" at the bottom. Two copies of the death of Siegfried would be an indulgence. I don't think I would be allowed paper, pens and tea making facilities, and since I can't write without a hot drink, I thought I might as well be in a good mood for whoever eventually rescues me. Do the people from foriegn have the faintest idea what we are talking about, I wonder?
Mill Hill.
dhx said...
Mill Hill?
I thought you were talking about the ten things you would take on a desert island...
So I guess this foreigner doesn't have an inkling.
1: Radio 4 is the BBC's talk radio station.
2: "Desert Island Discs" and "I'm Sorry I Haven't A Clue" are programmes on Radio 4.
3: "Desert Island Discs" is a talk show in which some celebrity is asked what he would take with him to a desert island. This week's guest is Yoko Ono.
4: The rules of "Desert Island Discs" are specifically "You may take eight records, one luxury (of no practical use whatsoever) and one book, on the assumption that the Bible and Shakespeare are already there; and you must also say which record you would save if the waves came and swept away the other seven.
5: A popular genre on Radio 4 is the "panel game" -- a kind of quiz or game show in which the quiz or game is merely a pretext for witty or clever celebs to have witty or clever conversations. "Just a Minute", "The News Quiz" and "Quote, Unquote" are three examples.
6: "I'm Sorry I Haven't a Clue" styles itself "The antidote to panel games" -- the games are completely pointless, and although there is a said to be a scorer (a glamorous, scantily clad girl: this is on the radio, of course) there doesn't seem to be any scoring system.
7: The rules of panel games can be quite oblique and complicated.
8: "I'm Sorry I Haven't a Clue" contains a round called "Mornington Crescent" of which the rules are so oblique and convoluted that only the players understand them, and they not well, and they change every week, in any case. "We're playing millennium rules, Cockfosters is wild.". However, it appears to involve constructing routes on the London Tube (subway) the winner being the first person to reach Mornington Crescent.
8: Mornington Crescent is the best place to get off for Camden Town, which is where Withnail and I lived. And, not uncoincidntally, it is opposite a nightclub which used to be the BBC Radio Theater.
9: It was, as you say, internally clear that I was making a list of records to take to a desert island, whether or not you were specifically familiar with Desert Island Discs.
10: However, Nick's reference to the "the waves taking the records away" was and in-joke which wasn't immediately clear to non Radio 4 listeners.
11: The words "Mill HIll" were thus to be interpreted as "Let us play a game of Mornington Crescent, a game whose whole raison d'etre is to be impenetrable to outsiders; but let's not say that that is what we are doing, so the whole thing is doubly impenetrable: an in-joke about an in-joke. In so-doing, we will ironically acknowledge that this thread has become insular and Anglocentric.
12: It would have been funnier if Nick had immediately responded "Leicester Square", which I think is a permissable move after Mill Hill in the standard rules, provided you are not in nip.
13: But not much funnier.
Here richly, with ridiculous displayThe Politician...
I thought I had better say it before someone else ...
normal service will be resumed as soon as possible...
In case you didn't hear it, this week's "Clue" inc...
If Hilary Clinton were to become president of the ...
"And I was like 'something, something, something',...
Daily Express reader in "a bit right wing" shock

redpajama_set_name: RedPajamaCommonCrawl


7 times a year in Feb., April, June, August, Sept., Oct., and Dec.
I thought only students looked forward to the last day of school!
Mr. Weatherbee helps Archie and Jughead shoot their short experimental film.
Jinx asks her father if he is going to grow a mustache.
Mr. Weatherbee thinks Archie has taken up bird watching but the "cardinals" he is watching are a baseball team.
Archie borrows the schools bandages so he and Jughead can make a mummy for the school's ancient history exhibit.
Credits from the reprint in World of Archie Double Digest (Archie, 2010 series) #57.
Mr. Weatherbee makes Archie clean up a doodle on a book and later on the report he needs to turn in to the superintendent.
Probably reprinted in Archie Annual Digest (Archie, 1975 series) #33 but needs confirmation.
Archie finds Mr. Weatherbee running on the school's track.
Archie isn't late to school because he walked instead of driving his car.
Archie and Jughead see a cloud that looks like Mr. Weatherbee.
Russ asks Jinx what she is doing.
Various words that start with W that have something to do with Mr. Weatherbee's day.
It's the last day of school and Mr. Weatherbee doesn't have time for Archie's problem.
4. A Wrapping Session with a Dummy!
11. W Is for Mr. Weatherbee!


I am delighted to be here to join with my colleagues as we approach the opening session of the 13th International AIDS Conference. For those of us who have been doing this work since the beginning � and for the growing army who have joined along the way � these gatherings have always helped to chart a way forward. And each conference provides a fresh opportunity to assess both where we are and where we are going � each time, departing with new information, new energy, and a renewed commitment to fighting on.
But somehow -- this conference is different. For the first time since this pandemic began, the International AIDS Conference has come to the developing world � the frontlines of the battle against AIDS. And as we bear witness to the impact this plague is having on communities likes this one � as I did this morning at King Edwards Hospital and the Ark Christian Ministry � our sense of urgency mounts. Today, as I looked into the eyes of countless children � I was reminded that they do not need more talk � they need action. Now � before it's too late.
At this conference � I believe a few themes will continue to surface, and will frame the challenges that lie ahead.
First, despite the celebration that surrounded the announcement of new and effective therapies made at the last AIDS conference in Geneva � the stark reality is that this pandemic is out of control � and far from over. In 1999 alone � nearly 6 million people became HIV infected � and nearly 3 million died of AIDS. Here in Africa, AIDS claimed more lives than all armed conflicts waging on the continent combined. In just a few short years, AIDS in Africa has wiped out decades of hard work and steady progress in development and will soon double infant mortality, triple child mortality, and slash life expectancy by 20 years or more. And yet, what we are seeing in Africa is just the tip of the iceberg.
Second, while AIDS is the most devastating public health disaster since the bubonic plague -- AIDS is much more than a health crisis. AIDS is a fundamental development crisis, with staggering economic, stability, and security implications. And consequently, it will take all sectors of all societies � public and private � working together � to turn this tide.
Yet my message today is not one of hopelessness. In fact, at this point in the pandemic � the good news is that we know what works. From Kansas City to Katmandu � and from Kampala to Capetown � communities have come together and made a difference � helping to stem the rising tide of new infections and to care for the growing number of individuals and families caught in the path of this relentless pandemic. With little or no resources � communities have give life and generated hope. Their courage and compassion, their spirit and their strength light our way forward.
Our challenge now is to find ways to support these struggling efforts and to bring these successes to scale. To make this vision a reality, we must work together � donor nations and host countries, policy makers and people living with AIDS � to weave our small individual projects and pieces into a tapestry that begins to resemble a comprehensive strategy for dealing with one of the greatest human tragedies in centuries.
UNAIDS has said that in Africa alone it will require a minimum of $1.5 billion a year to begin to provide a comprehensive HIV prevention program and an additional $1.5 billion to provide even the most basic care and treatment to those already living with AIDS. To date, our collective action falls far short of the mark.
Finally, we cannot win the battle against AIDS unless we deal with the basic vulnerabilities brought on by poverty and discrimination. Access to basic education for girls is in fact an AIDS issue. Access to micorcredit loans and opportunities for women is in fact an AIDS issue. Fighting racism, homophobia, longstanding gender inequality, and the exploitation of children are all AIDS issues. And protecting the dignity and human rights of people living with HIV and AIDS and all people with disabilities is a cornerstone AIDS issue. If we are going to be successful � we must ensure that we are not only pushing stand alone AIDS programs but also are including an HIV/AIDS component in each and every one of these other efforts as well.
There is no time to rest. For the sake of the millions who lives are in our hands � we must fight on. As Archbishop Desmond Tutu said: "This is a holy war � and for the sake of the children � we will win".


Spring can cause sniffles, coughs, and sneezes all around—but before you reach for the medicine cabinet, check out some of these tried-and-true natural allergy remedies.
Harness the allergy-fighting power of nettles in two different ways: a green soup, or a tea infusion.
Antioxidant-rich elderberries have helped alleviate the symptoms of allergies, colds and the flu for ages—make this syrup for your at-home pharmacy!
Head feel like you're in a cloud? Use these DIY vapor-releasing shower tablets to help clear things up, pronto.
Harness the power of essential oils to bring healing and relief to an inflamed nasal system.
Honey and turmeric are powerful anti-inflammatory/anti-microbial agents, providing your immune system with extra support during allergy season.
Apply this balm around eyes and under the nose—the essential oils will help to relieve irritation.
Save some cash on this popular remedy by making your own saline wash—this DIY has helpful usage tips as well!
Stop itchy and dry throats in their tracks with these homemade raw honey and cinnamon cough drops.
Relieve itchy, red eyes with this easy and healing eye wash.
Parsley and lemon combine to create a powerful allergy-fighting juice that you can sip on all day long.


Our hair care collections are based on traditional family recipes that we have improved with extensive research on ancient Greek herbal therapy & aromatherapy. They were named after muses and figures of Greek mythology to honor this valuable heritage. They consist of 9 intensive treatments, enriched with clinically proven ingredients, precious essential oils, extracts from seeds, fruits & herbs, vitamins, organic plant oils and natural butters that offer conditioning and therapeutic properties for the hair and scalp.


All Everton FC News In One Place!
Everton will probably want to forget their match against Fulham fairly quickly.
The Blues travelled to Craven Cottage in strong form and right back in the race for potential European football – and were looking to continue that against a side already relegated from the Premier League.
However, the travelling supporters were not teated to the kind of performance they had become accustom to over previous victories against Chelsea, West Ham and Arsenal.
Instead, Marco Silva's side were lethargic and lacklustre as they fell to a 2-0 defeat, thanks to second half strikes from Tom Cairney and Ryan Babel.
While every Everton fan will still remember the goals, there are a few moments that might have slipped you by in Saturday's match.
Even in defeat, it is quite nice to see a good show of sportsmanship.
And, once again, Bernard stepped up to the task and proved just how well-natured he is at his core.
With the game still in the balance at 1-0, Everton were still trying to break down what was proving to be a solid Fulham defence.
Fulham's Timothy Fosu-Mensah (left) and Everton's Bernard battle for the ball during the Premier League match at Craven Cottage, London.
But, shortly following the hour mark, the hosts suffered a bit of a blow at the back.
Off the ball, Timothy Fosu-Mensah went down with a scream, suffering an injury that was certainly bound to end his afternoon at Craven Cottage at least.
And Bernard made absolutely sure the referee was aware, shouting at the official and making sure the Fulham defender was alright as Everton were in possession and looking to build an attack.
It was all-smiles in royal blue as Everton were warming up.
Tom Davies was laughing and joking with the match officials, the starting XI all looked focused as they completed their tasks and the substitutes in general were off by themselves.
One specific part of their warm-up seemingly involved them booting the ball high in the air and seeing who had the best close control when it eventually landed back to earth.
Theo Walcott managed it impressively, Cenk Tosun had a great touch – and then it was Davies' turn.
On one occasion he mis-timed his touch and the ball cannoned off the midfielder's foot.
Tosun took great delight in laughing at his teammate after that one.
In general, however, Everton didn't take much delight from the afternoon.
If any at all, actually.
The Blues were second-best throughout as Fulham dominated the match, but they especially looked dangerous down their left flank with former Liverpool man Ryan Babel.
The winger eventually found himself on the scoresheet midway through the second half, capitalising from a positional error from Phil Jagielka and bursting beyond the rest of the defence to score.
But the signs of danger down that side were there well before the Dutch international lifted the ball beyond Jordan Pickford .
One particular moment saw Seamus Coleman and Jagielka get in each other's way as they attempted to stop a Fulham attack and set Everton on the counter themselves.
The ball eventually worked its way back to Pickford in goal, but the right back showed his frustration to his captain very clearly by shouting at him to stay in position.
Everton needed a bit of a rocket at half time.
Intensity levels in the first half were well below what the side had been producing over previous weeks, and it was clear to see for all the travelling supporters.
Silva revealed in his post-match press conference he told his players to up their levels massively in the second half, but unfortunately that didn't happen.
In fact, the squad seemed to sheepishly trudge back out of the tunnel and into position for the start of the second half – when supporters might have wanted to see a vibrant and confident set of players.
Less than a minute after the restart, they were 1-0 down.


Another comic strip type image, for Sunday, with only a vague connection to video game development (I've actually drawn a couple of comic pages over the Christmas break, but I haven't coloured them in yet, so they'll appear some time in the new year).
This is a panel for a comic strip I drew written by, and starring, my friend Paul. I was experimenting with inking with a brush - like all the great artists do - and the experiment was only partially successful. Inking with a brush is really hard! This was probably the best panel, which is why I've posted it, rather than the whole strip.
I've always used fibre tip pens or Rotring drawing pens to ink with. I'm not used to the unpredictability and subtlety of brushes. I guess that's their strength, but for a novice like me, that's their weakness.
I also have to draw larger than I'm used to (this was from a 9 panel page, drawn at A3 size). I'm more comfortable drawing at a really small size (all the previous strips I've posted on this blog were drawn at an A5 page size). I get a bit lost and scared when faced with the acres of blank page you get working at A3.
The video game connection? Paul (the guy above) is an old friend who I've published fanzines with in the past, and who's not only also a really good comic artist but a veteran video game developer too!


text:
United StatesArizonaLake PleasantPassenger Boat
65' Passenger Boat In Peoria, Arizona United States
Enjoy Peoria, Arizona United States by boat! Charter a 65' Passenger Boat for up to 150 people. Rates as low as $950 per hour (minimum of 2 hours). Other rates available below: Rates: • Monday to Thursday: $950.00 per hour • Friday to Sunday: $1,150.00 per hour • Rates are Two hour minimum rental. Includes all taxes. What You Can Expect: Enjoy a 90-minute scenic cruise on beautiful Lake Pleasant, available year-round. Narration of the lake's history and wildlife is provided. Cruisers will learn about Lake Pleasant, The Agua Fria River, The HoHoKom Tribe, The Old Waddell Dam, The New Waddell Dam, area wildlife and recreational activities at Lake Pleasant. You may see wild burro, deer, javalina, coyote, foxes, bald eagles, or other bird species. Lake Pleasant is a man-made Lake. The reservoir is 10,000 acres and boasts 116 miles of shoreline. The Agua Fria River features extensive canyon walls and is accessible only at certain times during the year. Come experience our oasis in the desert on this cruise. Drink specials, snacks and a full bar available (cash only). What To Expect Onboard: The 65-foot-long Phoenix is a one-of-a kind custom-built twin-engine-diesel 150-passenger boat with all-steel construction. It was designed and built to commercial U.S. Coast Guard standards for passenger vessels. The enclosed, climate-controlled main deck features seating for up to 100 guests. The top deck is open air and can also seat up to 100 guests. A canopy is currently being constructed to allow for inclement weather. For client pleasure, The Phoenix is equipped with a state-of-the-art sound system and a full-service bar.
Luxury, Events & Large groups
Owner:Captain
We offer a variety of both public and private cruises: Daily sightseeing cruises year-round. Take a 90-minute cruise for a relaxing way to experience the lake while listening to the narration of the lake's history and wildlife. On any given day, one might see mule deer on Barker Island, wild burro, and bald eagles. Dinner cruises. Wine and dine on the lake during sunset, while enjoying an appetizing meal provided by local catering companies. Live music cruises. Whether you want to get your groove on or just kick back, enjoy the entertainment of local musicians while cruising.
Galley Stove & Oven
Watersports Equipment
Wheel steering
Inboard Engine
Twin Engine


text:
Q: QtScript: how to reload current script? QScriptEngine has evaluate() method that can be used to load script, execute it and to run a specified function from already loaded script. But how to clear current script and load a new one? For example, i use evaluate() to load a script from file and then evaluate() to get a script functions and call them. But what can i do to clear current script and load a new one from a different file? Deleting and creating QScriptEngine seems like a solution, but it likes to be created in GUI thread (due to QScriptEngineDebugger) while all script operations are performed in separate thread. So is it any way to clear current script without re-creating QScriptEngine object?

A: engine.pushContext();
engine.evaluate("...");
engine.popContext();
engine.pushContext();
engine.evaluate("...");
engine.popContext();

Calling pushContext() before evaluating a script and calling popContext() before evaluating a new script will effectively clear all script data.

A: I ran into this problem, and would like to improve Eye of Hell's answer (thanks, by the way!), as it leaves out an important detail.
I'll use a cut down version of my problem, where I am reusing a QScriptEngine object and wanted to ensure that nothing was left behind between evaluations. In particular, I wanted to ensure that the onEquipped function was not called for the "RC Helicopter Controller" entity, as it doesn't change its sprite when it is equipped and hence doesn't define an onEquipped function in its script file. Simply using pushContext() and popContext() results in nothing being called at all:
#include <QtCore>
#include <QtScript>

int main(int argc, char *argv[])
{
    QCoreApplication app(argc, argv);

    QScriptEngine scriptEngine;

    scriptEngine.pushContext();
    scriptEngine.evaluate("function onEquipped(entity) { print('changing pixmap to equipped sprite for ' + entity); }").toString();
    QScriptValueList args;
    args << QScriptValue("Pistol");
    scriptEngine.globalObject().property("onEquipped").call(QScriptValue(), args);
    scriptEngine.popContext();

    scriptEngine.pushContext();
    args.clear();
    args << QScriptValue("RC Helicopter Controller");
    scriptEngine.globalObject().property("onEquipped").call(QScriptValue(), args);
    scriptEngine.popContext();

    return 0;
}

The function call seems to happen on the original context, not the current one. Upon looking at QScriptEngine::pushContext() documentation, I saw that you need to explicitly use the context returned from it, and on top of that, you must use QScriptEngine::activationContext() to access any variables:
#include <QtCore>
#include <QtScript>

int main(int argc, char *argv[])
{
    QCoreApplication app(argc, argv);

    QScriptEngine scriptEngine;

    scriptEngine.pushContext();
    scriptEngine.evaluate("function onEquipped(entity) { print('changing pixmap to equipped sprite for ' + entity); }").toString();
    QScriptValueList args;
    args << QScriptValue("Pistol");
    scriptEngine.currentContext()->activationObject().property("onEquipped").call(QScriptValue(), args);
    scriptEngine.popContext();

    scriptEngine.pushContext();
    args.clear();
    args << QScriptValue("RC Helicopter Controller");
    scriptEngine.currentContext()->activationObject().property("onEquipped").call(QScriptValue(), args);
    scriptEngine.popContext();

    return 0;
}

changing pixmap to equipped sprite for Pistol

A: You could try to set an empty object to http://qt.nokia.com/doc/4.6/qscriptengine.html#setGlobalObject
Maybe that works.

redpajama_set_name: RedPajamaStackExchange


text:
Niger er en vigtig flod i Vestafrika, hvor den løber 4.000 kilometer igennem eller på grænsen af landene Guinea, Mali, Niger, Benin og Nigeria. Niger er Afrikas tredjelængste flod kun overgået af Nilen og Congofloden.

Floden har givet navn til landet Niger, og det stammer sandsynligvis oprindeligt fra betegnelsen Egerou n-Igereou, som betyder "flodernes flod", et navn som Tuareg-folket (en beduingruppe) har givet floden, eller fra Gher n-Gheren i Tamashek-sproget (et andet beduin sprog), som betyder det samme.

Vandløb i Afrika
Guineas geografi
Malis geografi
Flod
Benins geografi
Nigerias geografi

redpajama_set_name: RedPajamaWikipedia


1 /* app-piv.c - The OpenPGP card application.
47 * used tag structure.
290 * requested, remove the outer container.
770 * n >= 0 = Number of verification attempts left.
1067 * (0x0B). Note that Yubico calls this key the "management key"
1448 * layer can then get the key by reading the matching certificate.
1663 result = xtryasprintf (_("%s"
1877 * APP_CHANGE_FLAG_CLEAR Clear the PIN verification state.
1879 * allowed with PIV.80.
2009 /* Perform a simple verify operation for the PIN specified by PWIDSTR.
2034 * OID to the indata or checks that it is consistent.
2829 * not used for PIV cards.
2832 * APP_WRITEKEY_FLAG_FORCE Overwrite existing key.
2929 * 0x7f49, into a gcrypt s-expression object and store that R_SEXP.
3007 * 0x7f49, into a gcrypt s-expression object and store that R_SEXP.
3050 * "rsa2048", "nistp256, or "nistp384".
3053 * APP_GENKEY_FLAG_FORCE Overwrite existing key.
3055 * Note that CREATETIME is not used for PIV cards.
3061 * generated public key in the local context for use by app_readkey.
3172 /* Write the certificate (CERT,CERTLEN) to the card at CERTREFSTR.


Learn how to cook a healthy Vietnamese meal that meets our recommendations for a Parkinson's diet.
Join us for a cooking class with Lisa Tran of Tan Tan Cafe and Delicatessen. In this class you'll learn how to prepare a healthy Vietnamese meal that meets our recommendations for a Parkinson's diet. After we eat dinner you'll hear a special presentation on the latest treatments for Parkinson's.
You'll also get a chance to meet other people with Parkinson's. Together you'll learn more about our dietary recommendations for helping to manage symptoms of the disease.
Our recommendations for eating a healthy diet with Parkinson's include lots of plants! This includes fruits, vegetables, nuts, beans and spices and healthy fats. Examples of healthy fats include olive oil, avocados and nut butters. The meal that we will be making at this class will include a healthy dose of plants made from whole foods.
Thanks to the Hedinger Family Foundation Scholarship Fund a limited number of scholarships are available for this class. Email info@briangrant.org for more information.


This Excel file can be used to search the various administrative entities linked to a postal code (electoral divisions - municipalities - MRC - administrative regions). Instructions are included in the file.
This very compact tool can be used to conduct searches for a single item or in a batch or to extract postal codes by electoral division. It is intended for those working with office automation tools.


text:
Q: How to implement multicast sockets? How can I implement multicast sockets in C#? Any code snippet along with a simple explanation is highly appreciated.
Thanks in advance.

A: Google it: http://osix.net/modules/article/?id=409


text:
School opens food pantry to help feed hungry students
Posted: 12:37 PM, Feb 09, 2019
Thousands of Hoosier children rely on their schools when it comes to finding their next meal. Belzer Middle School in Lawrence Township is no different, which is why they recently opened a food pantry.
Lawrence, IN ( WXIN ) -- Thousands of Hoosier children rely on their schools when it comes to finding their next meal. Belzer Middle School in Lawrence Township is no different, which is why they recently opened a food pantry.
What sits behind a door in the back of the school could change a child's life.
"Most of the kids are very appreciative," said Lakeitha Patterson, the Community and School Liaison for Belzer Middle School.
Principal Andy Harsha said in just the first week, out of 1,200 kids, 37 kids were sent home with food.
"I never realized that we had students here were in that much need and how can I help?" questioned Harsha.
Kids line up each week to fill their backpacks.
"Sometimes food may not be reliable for those families, so here we talk a lot about students who do rely on getting breakfast and lunch," said Harsha. "That's something they know they're going to get every day when they come to school, but on the weekends and on breaks sometimes that food is not quite so reliable."
In a discreet way, the children meet in a hallway to grab what they need for the weekend or break ahead. At first shy, Patterson and Harsha say, the kids have opened up about the pantry. Patterson works one-on-one with them and their families. She determines what items a child needs and how the school can help.
Patterson mentioned an encounter she had with a parent over the phone.
"Her student was absent on Friday, so she had called and was like we didn't get food, can I come?" she said.
There's cereal, snacks, and milk.
"Could we get some more pasta or pop tarts? They've sort of opened up a little bit," said Harsha when talking about how the kids interact with the pantry.
Three quarters of Belzer students are on free or reduced lunches. That means of every four kids walking down the halls, three of them need assistance.
"All the food we have in the pantry right now is 100% donated, some of those donations came from our staff, said Harsha. "In fact, the first week we sent food home with students we were able to tell them everything you're taking home today came from your teachers."
And teachers are helping across the township. At Fall Creek Valley Middle School, the Paw Pantry serves approximately 27 students per week. Lawrence Central High School just started their pantry, named the LC War on Hunger Food Pantry. They serve about 10 students. Also, at Lawrence North High School, the …And Go Cats Food Pantry serves approximately 30 students per week.
Harsha added, "They're constantly keeping their eyes open and listening to students who might be in need."
Belzer isn't alone in this fight; this is a Central Indiana issue.
At Indianapolis Public Schools, they partner with Gleaners Food Bank to support 26 school-based pantries, serving more than 21 thousand children. In Noblesville they're supporting 500 students through a 'Fuel for School' program.
Hamilton Southeastern students at all schools can donate any uneaten, pre-wrapped food from their lunches that can be re-used and served again. Food pantries in Hamilton County pick up those items from our schools and use them to serve their clients.
At Southern Hancock, there's the New Palestine Junior High Dragons Giving Closet. The junior high teams collect food items, toiletries, and other household items for families in need. Along with Stacy's Sharing Closet that's run by an elementary teacher. Between the two, Southern Hancock estimates they've helped about 40 to 50 families.
Harsha says it takes a community to serve the whole student.
"We know that if students are coming to school and they don't feel safe, or they're hungry, or whatever their immediate real needs are, we can't expect them to learn and be creative," said Harsha.
Belzer Middle School created an Amazon Wish List, where they're now receiving donations from out of state to their food pantry. Click here to see what items they need.
"They click on a link, they chose some items, they pay with their credit card and an Amazon box shows up at our front office with Belzer food pantry on it – it just makes it so easy to give," said Harsha.


text:
#include "vimvsPCH.h"
#include "ChildProcessLauncher.h"
#include "Utils.h"

namespace cz {

ChildProcessLauncher::ChildProcessLauncher()
{
	//m_hStdIn = NULL;
	m_hChildProcess = NULL;
	m_bRunThread = TRUE;
}

ChildProcessLauncher::~ChildProcessLauncher()
{
	/*
	std::vector<String> lines;
	cz::stringSplitIntoLines(m_output.c_str(), m_output.size(), &lines);
	for(auto &l : lines)
	{
		//
		// Simply doing  CZ_LOG(logDefault, Log, l.c_str())  will crash, if 'l' itself has any printf like stuff.
		// so, doing this thing below...
		CZ_LOG(logDefault, Log, "%s", l.c_str());
	}
	*/
}

int ChildProcessLauncher::ErrorMessage(const char* funcname)
{
	if (m_errmsg.size())
		return 1;

	m_errmsg = getWin32Error(funcname);

	return 1;
}

void ChildProcessLauncher::addOutput(const std::string& str)
{
	for(auto c : str)
	{
		if (c == 0xA)
		{
			if (m_tmpline.size() && m_tmpline.back() == 0xD)
				m_tmpline.pop_back();

			m_tmpline.push_back(c);
			m_output += m_tmpline;
			if (m_logfunc)
				m_logfunc(false, m_tmpline);
			m_tmpline.clear();
		}
		else
		{
			m_tmpline.push_back(c);
		}
	}
}

int ChildProcessLauncher::launch(const std::string& name, const std::string& params, const std::function<void(bool, const std::string& str)>& logfunc)
{
	m_name = name;
	m_params = params;
	m_logfunc = logfunc;

	HANDLE hOutputReadTmp, hOutputRead, hOutputWrite;
	HANDLE hInputWriteTmp, hInputRead, hInputWrite;
	HANDLE hErrorWrite;
	//HANDLE hThread;
	//DWORD ThreadId;
	SECURITY_ATTRIBUTES sa;

	// Set up the security attributes struct.
	sa.nLength = sizeof(SECURITY_ATTRIBUTES);
	sa.lpSecurityDescriptor = NULL;
	sa.bInheritHandle = TRUE;

	// Create the child output pipe.
	if (!CreatePipe(&hOutputReadTmp, &hOutputWrite, &sa, 0))
		ErrorMessage("CreatePipe");

	// Create a duplicate of the output write handle for the std error
	// write handle. This is necessary in case the child application
	// closes one of its std output handles.
	if (!DuplicateHandle(GetCurrentProcess(), hOutputWrite,
		GetCurrentProcess(), &hErrorWrite, 0,
		TRUE, DUPLICATE_SAME_ACCESS))
		ErrorMessage("DuplicateHandle");

	// Create the child input pipe.
	if (!CreatePipe(&hInputRead, &hInputWriteTmp, &sa, 0))
		ErrorMessage("CreatePipe");

	// Create new output read handle and the input write handles. Set
	// the Properties to FALSE. Otherwise, the child inherits the
	// properties and, as a result, non-closeable handles to the pipes
	// are created.
	if (!DuplicateHandle(GetCurrentProcess(), hOutputReadTmp,
		GetCurrentProcess(),
		&hOutputRead, // Address of new handle.
		0, FALSE, // Make it uninheritable.
		DUPLICATE_SAME_ACCESS))
		ErrorMessage("DuplicateHandle");

	if (!DuplicateHandle(GetCurrentProcess(), hInputWriteTmp,
		GetCurrentProcess(),
		&hInputWrite, // Address of new handle.
		0, FALSE, // Make it uninheritable.
		DUPLICATE_SAME_ACCESS))
		ErrorMessage("DuplicateHandle");

	// Close inheritable copies of the handles you do not want to be
	// inherited.
	if (!CloseHandle(hOutputReadTmp)) ErrorMessage("CloseHandle");
	if (!CloseHandle(hInputWriteTmp)) ErrorMessage("CloseHandle");

	// Get std input handle so you can close it and force the ReadFile to
	// fail when you want the input thread to exit.
	//if ((m_hStdIn = GetStdHandle(STD_INPUT_HANDLE)) ==
	//	INVALID_HANDLE_VALUE)
	//	ErrorMessage("GetStdHandle");

	PrepAndLaunchRedirectedChild(hOutputWrite, hInputRead, hErrorWrite);

	// Close pipe handles (do not continue to modify the parent).
	// You need to make sure that no handles to the write end of the
	// output pipe are maintained in this process or else the pipe will
	// not close when the child process exits and the ReadFile will hang.
	if (!CloseHandle(hOutputWrite)) ErrorMessage("CloseHandle");
	if (!CloseHandle(hInputRead)) ErrorMessage("CloseHandle");
	if (!CloseHandle(hErrorWrite)) ErrorMessage("CloseHandle");

	// Launch the thread that gets the input and sends it to the child.
	/*
	hThread = CreateThread(NULL, 0, GetAndSendInputThread,
		(LPVOID)hInputWrite, 0, &ThreadId);
	if (hThread == NULL) ErrorMessage(TEXT("CreateThread"));
	*/

	// Read the child's output.
	ReadAndHandleOutput(hOutputRead);
	// Redirection is complete

	// Force the read on the input to return by closing the stdin handle.
	// if (!CloseHandle(m_hStdIn)) ErrorMessage(TEXT("CloseHandle"));

	/*
	// Tell the thread to exit and wait for thread to die.
	m_bRunThread = FALSE;

	if (WaitForSingleObject(hThread, INFINITE) == WAIT_FAILED)
		ErrorMessage(TEXT("WaitForSingleObject"));
		*/

	if (!CloseHandle(hOutputRead)) ErrorMessage("CloseHandle");
	if (!CloseHandle(hInputWrite)) ErrorMessage("CloseHandle");

	DWORD exitcode=0;
	if (!GetExitCodeProcess(m_hChildProcess, &exitcode))
		ErrorMessage("GetExitCodeProcess");

	if (!CloseHandle(m_hChildProcess))
		ErrorMessage("CloseHandle");

	if (m_errmsg.size())
		addOutput(m_errmsg.data());

	// If for some reason the last output wasn't a EOL, then write one, so the caller gets all the output
	if (m_tmpline.size())
		addOutput("\n");
	CZ_CHECK(m_tmpline.size() == 0);

	return m_errmsg.size() ? 1 : exitcode;
}

int ChildProcessLauncher::PrepAndLaunchRedirectedChild(
							HANDLE hChildStdOut,
							HANDLE hChildStdIn,
							HANDLE hChildStdErr)
{
	PROCESS_INFORMATION pi;
	STARTUPINFO si;

	// Set up the start up info struct.
	ZeroMemory(&si, sizeof(STARTUPINFO));
	si.cb = sizeof(STARTUPINFO);
	si.dwFlags = STARTF_USESTDHANDLES | STARTF_USESHOWWINDOW;
	si.hStdOutput = hChildStdOut;
	si.hStdInput = hChildStdIn;
	si.hStdError = hChildStdErr;
	// Use this if you want to hide the child:
	//     si.wShowWindow = SW_HIDE;
	// Note that dwFlags must include STARTF_USESHOWWINDOW if you want to
	// use the wShowWindow flags.

	std::string cmdline = std::string("\"") + m_name + "\" " + m_params;

	m_logfunc(true, cmdline + "\n");
	// Launch the process that you want to redirect (in this case,
	// Child.exe). Make sure Child.exe is in the same directory as
	// redirect.c launch redirect from a command line to prevent location
	// confusion.
	if (!CreateProcess(NULL, (LPWSTR)widen(cmdline).c_str(), NULL, NULL, TRUE,
		CREATE_NEW_CONSOLE, NULL, NULL, &si, &pi))
		ErrorMessage("CreateProcess");

	// Set global child process handle to cause threads to exit.
	m_hChildProcess = pi.hProcess;

	// Close any unnecessary handles.
	if (!CloseHandle(pi.hThread)) ErrorMessage("CloseHandle");

	return 0;
}

///////////////////////////////////////////////////////////////////////
// ReadAndHandleOutput
// Monitors handle for input. Exits when child exits or pipe breaks.
///////////////////////////////////////////////////////////////////////
int ChildProcessLauncher::ReadAndHandleOutput(HANDLE hPipeRead)
{
  CHAR lpBuffer[256];
  DWORD nBytesRead;
  //DWORD nCharsWritten;

  while(TRUE)
  {
	 if (!ReadFile(hPipeRead,lpBuffer,sizeof(lpBuffer),
									  &nBytesRead,NULL) || !nBytesRead)
	 {
		if (GetLastError() == ERROR_BROKEN_PIPE)
		   break; // pipe done - normal exit path.
		else
		   ErrorMessage("ReadFile"); // Something bad happened.
	 }

	 /*
	 // Display the character read on the screen.
	 if (!WriteConsole(GetStdHandle(STD_OUTPUT_HANDLE),lpBuffer,
					   nBytesRead,&nCharsWritten,NULL))
		ErrorMessage(("WriteConsole"));
		*/
	 std::string s(lpBuffer, lpBuffer + nBytesRead);
	 addOutput(s);

  }

  return 0;
}

} // namespace cz

redpajama_set_name: RedPajamaGithub


The Force is the mystical energy that surrounds and bind the Star Wars Universe. Many people think that, even if the concept of the Force is a wonderful artistic idea, it has nothing to do with real magic. This is an interpretation. Another interpretation is the one that considers the Force as a sort of space magic. Real magic, projected in a space-fantasy opera.
In Star Wars Universe, the Force is something that allows people who use it to perform extraordinary acts. Behind this performance, apparently, there is a long training. But if we go deeper in the old trilogy movies, we will discover that there was not a real training for Luke Skywalker.
Luke used the Force for the first time on the Millennium Falcon, guided by Obi Wan Kenobi. The only teaching that he received at that time was to trust his instinct ("I suggest you try it again, Luke. Only this time, let go your conscious self and act on instinct. Your eyes can deceive you. Don't trust them. Stretch out with your feelings"). In the next movie Luke was trained by the Jedi Master Yoda, and, beside the physical part of the training, the biggest part of the many lessons that Luke received was focused on "believing" and on "There is no try. Do or not do".
In the recent movies, The Force Awakens and The Last Jedi, Rey becomes very strong with the Force with no training at all. All that she needs is to realize the power that she has and use it. Even during her training with an old Luke, all the concept transmitted were about awareness. To be conscious of what you are, and to act consequently to make your dreams come true.
The moment in which Rey faces the dark side, in the cave, reflect the Luke's one in The Empires Comes Back and shows to Rey only herself. The Dark Side way appears to Rey only when she has doubts on who her parents are, and consequently who she is. By knowing that her parents were no one, Rey is free to define herself, to write her story into the Universe and control the power that is inside her. The path is free for the self-realization. In The Last Jedi, Luke is about to burn down the sacred Jedi texts and then ghost Yoda does it instead. When Luke bemoans the loss, Yoda tells him that Rey possesses all the knowledge already.
There is no need for training to use the Force. The training is more directed to control it, or to use the light saber in a proper way or with a certain style. Meditation, martial arts, mystical vision, are just tools that the Jedi use to better perform their magic. This is exactly the same that a magician does. In this sense, the Force is a sort of space-magic, because is strictly related to the willpower. It is an energy that we have inside us, the energy that allows us to change the reality in which we live according to our will. The only way we have to use it is to truly discover ouselves.
There is no need for training to use magic. Yoga, meditation, self-control practics, the creation of magical systems, spells, conjures are not part of the training of the magician, but just tools that a magician can use to strengthen his willpower. The power of the Jedi comes from the Force; the power of a magician comes from his Will.
Is the wizard a warrior of the light?


Google's MVNO: What's Behind it and What are the Implications?
How will getting into the MVNO business help Google shore up its business model? We examine Google's objectives, how it could price the service, and the implications for telcos and other players.
Google, the undisputed leader in online advertising and tech industry icon, has more problems than you might think. The grand narrative is captured in the following chart, showing basic annual financial metrics for Google, Inc. between 2009 and 2014.
This is essentially the classic problem of commoditisation. The IT industry has been structurally deflationary throughout its existence, which has always posed problems for its biggest successes – how do you maintain profitability in a business where prices only ever fall? Google is growing in terms of volume, but its margins are sliding, and as a result, profitability is growing much more slowly than revenue. Since 2010, the operating margin has shrunk from around 35% to around 25%, a period during which a major competitor emerged (Facebook) and Google initiated a variety of major investments, research projects, and flirted with manufacturing hardware (through the Motorola acquisition).
Google is very, very dependent on selling advertising for revenue. It does earn some revenue from content, but most of this is generated from the ContentID program, which places adverts on copyrighted material and shares revenue with the rightsholder, and therefore, amounts to much the same thing. Over the past two years, Google has actually become more advert-dominated, as Figure 2 shows. Advertising revenues are not only vastly greater than non-advertising revenues, they are growing much faster and increasing as a share of the total. Over- reliance on the fickle and fast changing advertising market is obviously risky. Also, while ad brokering is considered a high-margin business, Google's margins are now at the same level as AT&T's.
The growth rate of non-advertising revenue at Google has slowed sharply since last year. It is now growing more slowly than either advertising on Google properties, or in the Google affiliate network (see Figure 3).
At the same time, the balance has shifted a little between Google's own properties (such as Google.com) and its affiliate network. Historically, more and more Google revenue has come from its own inventory and less from placing ads on partner sites. Costs arise from the affiliate network because Google pays out revenue share to the partner sites, known as traffic-acquisition costs or TACs. Own-account ad inventory, however, isn't free – Google has to create products to place advertising in, and this causes it to incur R&D expenditures.
In a real sense, R&D is the equivalent to TAC for the 60-odd per cent of Google's business that occurs on its own web sites. Google engineering excellence, and perhaps economies of scale, mean that generating ad inventory via product creation might be a better deal than paying out revenue share to hordes of bloggers or app developers, and Figure 4 shows this is indeed the case. R&D makes up a much smaller percentage of revenue from Google properties than TAC does of revenue from the affiliate network.
Note, that although TAC might well be rising, the spike for Q4 2014 is probably a seasonal effect – Q4 is likely to be a month when a lot of adverts get clicked across the web.
What do you need to make a mini-carrier?
How low could the Google MVNO's prices be?


text:
AN Interior
City Terrain
Late Edition: East
Late Edition: West
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Facades+ Conference
Facades+ AM
Events Competitions Products Jobs
Facades+ Conferences
Tech+ Expo
Arts + Industry
Theaster Gates project gets $10 million to revitalize Chicago's South Side
By Audrey Wachs (@gridwachs) • September 9, 2016
(Courtesy Chicago Arts + Industry Commons)
Artist Theaster Gates is getting $10.25 million to grow a network of arts institutions on Chicago's South Side.
Chicago Arts + Industry Commons (CAIC), a collaboration between Gates's Rebuild Foundation, University of Chicago's Place Lab, and the City of Chicago, will receive $5 million from four major foundations: JPB Foundation, the John S. and James L. Knight Foundation, the Kresge Foundation, and the Rockefeller Foundation to use the arts as a tool for neighborhood revitalization. The rest of the money will come from individuals and philanthropic organizations (contributing organizations will be announced in a few days).
Ultimately, the CAIC will be self-sustaining: "[The] Chicago Arts + Industry Commons employs an evolving cultural reinvestment model that uses the revitalization of sleepy assets as part of an engine that spurs new development and new capital, a portion of which is used to support the civic commons," the project description explains.
The Stony Island Arts Bank, a community hub and art center that the Rebuild Foundation opened last year, will anchor a network of design studios, an industrial arts center, and public gardens in Grand Crossing. A West Side power plant next to the Garfield Park Conservatory will be converted into Garfield Park Industrial Arts, a warren of art galleries and the industrial arts center, surrounded by an amphitheater, cafe and plaza, while a shuttered Catholic school on the South Side will host art and design studios, as well as a "design accelerator" that will offer workshops to residents, DNAinfo reports. Finally, 13 vacant lots, on Kenwood Avenue between 68th and 70th Streets, will be turned into Kenwood Gardens, a park filled with art and sculpture.
Construction begins soon and programming is slated to begin late next year or early 2018.
Audrey Wachs (@gridwachs)
Audrey Wachs writes about buildings, old buildings, and cities. You can find more of her work at audreywachs.com
Chicago Place Lab Theaster Gates
July 12, 2019 Robert E. Somol pens an open letter to the departed Stanley Tigerman
July 3, 2019 Ross Barney Architects debuts Lincoln Park Zoo's new visitor center
July 3, 2019 Chicago's Thompson Center is up for sale
June 26, 2019 Chicago moves to modernize as city overhauls building codes
Trending Most Popular Most Recent
Kanye West is designing Star Wars–themed affordable housing
Amazon will build its tallest office tower ever in Bellevue, Washington
SOM will join O'Hare expansion with two new $1.4 billion concourses
Barry Bergdoll showcases a new wave of modern architecture on Long Island
World's first underwater hotel opens in the Maldives
Before the 2028 Olympics, L.A. embarks on its most transformative urban vision in a generation
Snøhetta reveals a Honolulu arts complex sculpted by water
Hashim Sarkis announces the 2020 Venice Architecture Biennale theme
Resident Alien will chronicle the contributions of Austrian-American architects
Investors blame Isay Weinfeld's design for the closing of the new Four Seasons Restaurant
Divvy up office spaces with these highly adaptive modular systems
For season three of Stranger Things, they built an entire mall
The Architect's Newspaper, LLC
The Architect's Newspaper, LLC | 21 Murray Street, 5th Floor | New York, NY 10007 | tel. 212.966.0630


text:
Moravany (Hongaars:Morva) is een Slowaakse gemeente in de regio Košice, en maakt deel uit van het district Michalovce.
Moravany telt 1040 inwoners.

Gemeente in Michalovce


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We can not thank Emma @ Coppenwall enough for her amazing service. Emma has made buying our first home a delight, she was always on hand throughout the whole process and was always willing to answer any queries we had. We would highly recommend Coppenwall to anyone wanting to buy or sell their home.


text:
require 'irrc/irr'

module Irrc
  module Irrd
    module Api
      private

      def persist_command
        '!!'
      end

      # Public: Returns a IRR command to specify authoritative IRR source.
      #
      # sources - Array object containing IRR source names.
      def set_source_command(sources)
        if sources && !sources.empty?
          "!s#{sources.join(',')}"
        else
          '!s-*'
        end
      end

      def expand_set_command(as_set)
        "!i#{as_set},1" if as_set && as_set != ''
      end

      def parse_aut_nums_from_as_set(result)
        case result
        when success_code
          result.gsub(/^#{$1}$/, '').strip.split.grep(/^AS/).uniq
        when error_code
          raise $1
        end
      end

      def parse_prefixes_from_route_set(result)
        case result
        when success_code
          result.gsub(/^#{$1}$/, '').strip.split.reject {|p| p =~ /^A\d+$/}.uniq
        when error_code
          raise $1
        end
      end

      def expand_aut_num_command(autnum)
        "-K -r -i origin #{autnum}" if autnum && autnum != ''
      end

      def parse_prefixes_from_aut_num(result, protocol)
        result.scan(Irrc::Irr.route_tag(protocol)).flatten.uniq
      end

      # See http://www.irrd.net/irrd-user.pdf for return codes
      def success_code
        /^(C.*)\n$/
      end

      def error_code
        /^(D|E|F.*)\n$/
      end

      def return_code
        # Query with ripe option commands like "-i origin AS2515" returns doubled blank lines.
        # And we can't easily tell whether it succeeded or not.
        Regexp.union(success_code, error_code, /^\n\n$/)
      end
    end
  end
end


text:
Q: How to type a record of generic interfaces with related constraints? I'm using a parser toolkit (Chevrotain) to write a query language, and would like to allow users to expand its functionality. I have all the pieces I need to do this, but am struggling with defining types for this expansion behavior. I'd like to be able to type the config object such that users using Typescript will have convenient IDE assistance asserting that their input is correct; it seems possible (or very close to possible), so I've been trying to write the types (rather than assert at runtime).
A (trivial) example of some config:
ops: {
  equal: {
    lhs: {
      type: 'string',
      from: v => String(v),
    },
    rhs: {
      type: 'number',
      from: v => v.toString(),
    },
    compare: (lhs, rhs) => lhs === rhs,
  }
  equal: { /*...*/ }
}

I'd like the following things to be true:

*

*The type of the argument to from is related to the string literal value of the type property. I've managed to accomplish this a few ways, the cleanest of which is a simple type such as:

type ArgTypes = {
  string: string,
  number: number,
  ref: any, // the strings don't have to be typescript types, and the types could be more complex
}

*The lhs and rhs fields may receive different types than each other, and produce different types than each other.

*The compare function takes as input the output of the lhs and rhs properties and returns a boolean.
I've been able to type things at the level of a single operator (equal), but I haven't been able to extend this into an object-bag of operators. Here's one Playground link where I tried to build it up a piece at a time, using generics and child types: attempt N. In this attempt, I can't seem to hold on to the narrow types once I get to the object-map bit; it might not be possible to have a type signature for Ops at line 105 that works?
And another (inspired by Preventing object literals type widening when passed as argument in TypeScript) where I tried to do it all at once, just adding type arguments for every damn thing: attempt N+1. This almost works, but the moment you uncomment the "compare" line in the type signature, the (previously-working) narrow types become general. (e.g. the literal "number" becomes string)
Is it possible to do this or should I give up? If so, how?

A: The underlying problem here is that TypeScript has a limited ability to simultaneously infer generic type parameters and contextually type function parameters.  The inference algorithm is a set of reasonable heuristics that works in a lot of common use cases, but it is not a full unification algorithm guaranteed to assign the proper types to all generic type arguments and all unannotated values, as proposed (but not yet or possibly ever implemented) in microsoft/TypeScript#30134.
So generic type parameters can be inferred:
declare function foo<T>(x: (n: number) => T): T
foo((n: number) => ({ a: n })) // T inferred as {a: number}

and unannotated function parameters can be inferred:
declare function bar(f: (x: { a: number }) => void): void;
bar(x => x.a.toFixed(1)) // x inferred as {a: number}

and there is some ability to do both at once, especially if you are asking to infer from multiple function arguments and the flow of inference goes from left to right:
declare function baz<T>(x: (n: number) => T, f: (x: T) => void): void;
baz((n) => ({ a: n }), x => x.a.toFixed(1))
// n inferred as number, T inferred as {a: number}, x inferred as {a: number}

But there are cases where this doesn't work.  Before TypeScript 4.7, the following variant where you have a single function argument would fail to infer as desired:
declare function qux<T>(arg: { x: (n: number) => T, f: (x: T) => void }): void;
qux({ x: (n) => ({ a: n }), f: x => x.a.toFixed(1) })
// TS 4.6, n inferred as number, T failed to infer, x failed to infer
// TS 4.7, n inferred as number, T inferred as {a: number}, x inferred as {a: number}

This was fixed in TypeScript 4.7 with microsoft/TypeScript#48538.  But it's still far from a perfect algorithm.
For example, this sort of inference breaks down when combined with inference from mapped types.  Simple inference from a mapped type looks like this:
declare function frm<T>(obj: { [K in keyof T]: (n: number) => T[K] }): void;
frm({ p: n => ({ a: n }) });
// T inferred as {p: {a: number}}

But try to combine that with simultaneous contextual inference of function parameters, and it fails:
declare function doa<T>(
    obj: { [K in keyof T]: { x: (n: number) => T[K], f: (x: T[K]) => void } }
): void;
doa({ p: { x: (n) => ({ a: n }), f: x => x.a.toFixed(1) } });
// TS 4.8, T failed to infer
doa<{ p: { a: number } }>(
  { p: { x: (n) => ({ a: n }), f: x => x.a.toFixed(1) } }); // okay

So, unfortunately, if the relationship you're trying to express with your types involves a lot of complicated inference paths involving contextual typing, it's probably going to fail.

Your example code is trying to do inference from mapped types and callback parameter inference at the same time, so it fails.  Well, a call signature like
function ops<T extends { [key: string]: any }, O extends Ops<T>>(spec: O): O {
    return spec;
}

would never work, because generic constraints do not serve as inference sites; see microsoft/TypeScript#7234.  The compiler cannot infer T from the fact that O extends Ops<T>.  We need to change it to something like
function ops<T>(spec: Ops<T>): Ops<T> { // infer from mapped type
    return spec;
}

then we can get inference... although he error messages are a bit weird because you replace the type with never in InferArgs:
const okay = ops({
    one: { // okay
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compare: (lhs: string, rhs: string) => lhs !== rhs
    }, two: { // error!
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: string) => v.toString()
        },
        compare: (lhs: string, rhs: string) => lhs !== rhs
    },
    three: { // error!
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compare: (lhs: number, rhs: string) => lhs !== rhs
    },
    four: { // error
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compere: (lhs: string, rhs: string) => lhs !== rhs,
    }
})

I think I'd probably try to make it so that failures are replaced with "the right" type instead of never, which might look like
function ops<T>(ops:
    T & { [K in keyof T]: T[K] extends {
        lhs: { type: infer KL extends keyof ArgTypes, from: (arg: any) => infer RL },
        rhs: { type: infer KR extends keyof ArgTypes, from: (arg: any) => infer RR }
    } ? Args<KL, KR, RL, RR> : Args<keyof ArgTypes, keyof ArgTypes, unknown, unknown> }
): T { return ops };

which results in this, with slightly better error placement:
const okay = ops({
    one: { // okay
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compare: (lhs: string, rhs: string) => lhs !== rhs
    }, two: {
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: string) => v.toString() // error, wrong v
        },
        compare: (lhs: string, rhs: string) => lhs !== rhs
    },
    three: {
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compare: (lhs: number, rhs: string) => lhs !== rhs // error, wrong lhs
    },
    four: { // error. missing compare
        lhs: {
            type: 'string',
            from: (v: string) => String(v)
        },
        rhs: {
            type: 'number',
            from: (v: number) => v.toString()
        },
        compere: (lhs: string, rhs: string) => lhs !== rhs,
    }
})

And that's about the best I can do, if you need to have a single object literal with all the properties inline, all at once.

Assuming this isn't already-existing code that you're giving types to, though, you don't need to go this route.  As you mentioned, you could use a builder pattern or the like to let users build up their object in stages, where each stage requires just a bit of inference to succeed, like using args() multiple times.  For example:
class BuildOps<T extends Record<keyof T, Args<any, any, any, any>>> {
    constructor(public ops: T) { }
    add<K extends PropertyKey, KL extends keyof ArgTypes,
        KR extends keyof ArgTypes, RL, RR>(
            key: K,
            args: Args<KL, KR, RL, RR>
        ): BuildOps<T & Record<K, Args<KL, KR, RL, RR>>> {
        return new BuildOps({ ...this.ops, [key]: args } as any);
    }
    build(): { [K in keyof T]: T[K] } {
        return this.ops;
    }
    static emptyBuilder: BuildOps<{}> = new BuildOps({})
    static add = BuildOps.emptyBuilder.add.bind(BuildOps.emptyBuilder);
}

Which could be used like:
const myOps = BuildOps.add("one", {
    lhs: { type: 'string', from: v => String(v) },
    rhs: { type: 'number', from: v => v.toFixed(2) },
    compare: (lhs, rhs) => lhs !== rhs
}).add("two", {
    lhs: { type: 'number', from: v => v > 3 },
    rhs: { type: 'boolean', from: v => v ? 0 : 1 },
    compare(l, r) { return (l ? 0 : 1) === r }
}).build();
/* const myOps: {
    one: Args<"string", "number", string, string>;
    two: Args<"number", "boolean", boolean, 1 | 0>;
} */

That works with the capabilities of the inference algorithm instead of against it.
Playground link to code


text:
A Conversation with Martha Shane (NARROWSBURG)
Views 1.59k
I spoke with director Martha Shane (Picture Character) by phone a few weeks after DOC NYC to discuss her latest documentary, Narrowsburg (which I also reviewed). This was my second conversation with her in the past year (I previously interviewed her at the Tribeca Film Festival), and she had, as before, tons of interesting things to say about her work. Narrowsburg tells the fascinating story of how two big-city grifters arrived in the small town of Narrowsburg, NY, in 1998, and upended the community by first starting a film festival and then planning a film shoot. Richard Castellano and Marie Jocelyne Plante were their names, and this is their story, as told by the those who lived through the debacle. What follows is a condensed digest of our conversation, edited for length and clarity.
Hammer to Nail: This film has been long in gestating, has it not? Could you tell the story of how you started working on it?
Martha Shane: So, trying not to give too much away, the whole thing started when my co-producer on the film, Dan Nuxoll, who runs a company called Rooftop Films, had rented some equipment to a woman who was running the Queens International Film Festival, and he never got paid. She wasn't responding to emails, her phone went dead, and so we started reaching out to a few people just to say, "Do you know where we can find this person?" And we kept running into people who said, "You know, I don't know where to find her. She seems to have disappeared, but she owes me a lot of money. And if you find her, please let me know."
And so, it turned out there was this person running the Queens Film Festival at the time who seemed to be scamming a lot of people. Initially, the film started out about this woman, Marie, and the Queens Film Festival and sort of this question of why would anyone run a scammy film festival? I think a lot of the film-festival programmers and people I've talked to have been, like, "What a weird thing to do."
But, yeah, that was how it all began. And through that process of research around this woman, we found out that she had been involved with a guy named Richard Castellano and that they had run a small film festival and shot a gangster movie in upstate New York in a tiny town called Narrowsburg. And as I started to spend more time in Narrowsburg and talk to people there, it just felt like a gathering of all the themes that I was really interested in exploring around the power of cinema, the allure and romance of filmmaking and Hollywood, and this question of how do we know when we are giving people a dream to believe in versus committing fraud, essentially. And over time, the film just became more and more focused on what happened in Narrowsburg.
HtN: When did you first start making the film, then?
MS: So, the earliest footage, believe it or not, was shot in 2009, and at that point we did not have access to Marie Jocelyne or to her husband, Richard Castellano, who's the other main subject of the film. And so we were sort of doing these interviews and hearing people's stories, but not sure that it could really happen unless we could get access to those two main people.
And around 2012, I believe, we got access to Marie. And then in 2015, we were able to film with Richie as well. And that's when it really felt like we had the footage that we needed to tell the story the way it needed to be told. And then there were a few years of editing; it was a crazy process. I thought a lot about how my documentary tells a story of this gangster movie that they were shooting in Narrowsburg. And I kept thinking about how cursed that project was. And then I kept thinking, maybe the curse has been passed down to my film, and that's why it's so difficult. And maybe someone's going to come along and make a movie about me trying to make a movie about this. (laughs) But yeah, I felt like once we screened my documentary in Narrowsburg for those people there, it felt like the curse had finally been lifted.
HtN: You shoot your interviews in this really interesting way, with a varied use of rear projection of the speakers' own images where you have, I think, at least two other projections of the person you're photographing. You've got a primary camera that we're seeing of your talking-head interview subject, but then behind them or to the left or the right, we have additional images, which you are projecting live as they talk and sometimes there's a slight lag because of how the feed works. How did you come up with this technique and why use that for these interviews?
Filmmaker Martha Shane
(photo credit Chris Reed)
MS: Yes, so the technique of using these live projections came about through a process of experimentation. As I mentioned, my co-producer runs a film festival, so he had a lot of projectors and we sort of started playing around with what might be possible. And my feeling with interviews is that most films take a fairly conservative approach to how they're shot. And we wanted to try something different.
With every interview setup, there are many visual choices that inform how the audience interprets things. The amount of light, if it's a low angle or high angle, the location, everything about it is determined. So, I feel like by using these live projections that are so stylized, it sort of draws attention to the manipulation that we're doing and it's not trying to make the hand of the filmmaker invisible. It's extremely visible. And I also think that, for this particular film, it made sense to have projections because a lot of the story is about people's desire to be in the movies, to sort of see themselves on the big screen. And so what better way to incorporate that into the visual design of the film than to have them actually projected within the interview setup?
HtN: Yes, it's very effective and it's interesting to hear your rationale. Speaking of the interviews, since you started 10 years ago, I'm curious about the challenges of keeping up with technology. You had no way of predicting in 2009 which way technology was going to go, so how did you navigate that over the years?
MS: So that's a really good question and our post-production people would probably appreciate you asking it because we shot this film with practically every camera. In a way, it's like a history of not just the past 10 years that I've been making it, but probably going back to 1998-99 when the Castellanos went up to Narrowsburg, because we have so much archival footage in the film. We have every camera from Digital Super 8 to MiniDV, 35mm in terms of the film that they were shooting up there. And then the Sony EX1 HD camera – an early HD camera – that we started using in 2009, then the Sony FS7, and the Canon C300 that we started using further down the road.
So yeah, I think it was really a challenge to try to make everything look as if it came from the same world or came from the specific world that we wanted it to be from. And I don't know, I kind of love seeing the progression through the past 20 years in terms of cameras and how technology has changed. And I love those different textures that each camera's footage has.
HtN: And the different aspect ratios too.
MS: Exactly.
HtN: So, Zac Stuart-Pontier, that former student of Richie Castellano's, who's also an actor in the movie within the movie, Four Deadly Reasons, and now himself a filmmaker, seems to have some conflicted feelings about the past. There's stuff that he clearly feels nostalgic about and stuff that he feels bitter about. Did you find that to be the case with most of the people in Narrowsburg? I mean, it was exciting while it lasted, right?
MS: Yes. I think most of the people in Narrowsburg acknowledged that there was a period of real excitement when the Castellanos first came to town. And one of my favorite things about interviewing them was to sort of really bring them back to that moment, to try to, as much as possible, help them forget everything that they know now, all the aftermath and really capture that time when it seemed like Narrowsburg was on the verge of becoming the next Hollywood or something like that. It was a really exciting time. And I remember talking to Dr. Paul Salzberg, a local doctor who ended up being conned by the two of them. And when I asked, "Can you do some impressions of Richie? What would he say to people?" And he got so caught up in it and had so much joy in remembering what it was like to meet Richie for the first time.
And in those early days it was just really fun. I always feel like it's important that even if something goes terribly, terribly wrong, that sometimes there was still an experience of joy or belonging or something that you can take that you can preserve and that just because something goes wrong doesn't mean that it wasn't real. So yeah, I think a lot of people did have complicated feelings. Zac was a kid and so for him it was his introduction to the movies, which as you mentioned, has become his life. And I think he values that. I think some of the people who lost a lot of money or who had loved ones who lost a lot of money and didn't necessarily take something like that away from it are angrier. And I think there's so much shame associated with being conned or tricked in any way, that I just felt lucky that they were willing to talk to me and explain how they were feeling, whether that was rage or gratitude, whatever that might be.
HtN: Sure. And speaking of interview subjects, Brian Vincent, that actor who attended year two of the long-since defunct Narrowsburg Film Festival was a great find. How did you, in fact, find him?
MS: You know, I think it was Zac who had mentioned to me that I should talk to him or to another actor who had been at the film festival. And so I started researching, trying to figure out how to get ahold of him. And when I did, I was completely blown away. In our first phone call, he was just so funny and so charismatic. I was incredibly excited to have found him and it was just amazing that he had kept this notebook and had written down exact lines that people had said over the course of that weekend. And so he was really able to remember it better than a lot of people. I remember some of the funniest lines he had written down, such as Richie saying, "We can't have any bums in this town. We've got a film festival to run here," after punching someone. (laughs) Meeting Brian was just a complete stroke of good luck. I think that's what makes it fun to make documentaries, meeting people like that who are just incredibly great natural storytellers.
A still from NARROWSBURG
HtN: And he really is very engaging. So, your film ends on a pointed note about the questionable fees that some smaller film festivals charge filmmakers to screen their work. Most often the filmmaker/film festival relationship can be a win-win for both parties, but apparently not always. Have you had any bad festival experiences, yourself?
MS: You know, it's interesting. I have primarily been very lucky, and I can't say that I've had a terrible or disastrous film-festival experience, myself. I almost feel like, in some ways, it would be so much fun to screen Narrowsburg at all kinds of borderline film festivals. But I'm not sure I can afford it because I think I'd have to pay a lot of submission fees. (laughs)
But yeah, to me the whole discussion around film festivals and what's a scam is really interesting. What does a film festival owe a filmmaker; when is a filmmaker being exploited? I do know people who have really made careers based around making one film and screening it at a kind of scammy or borderline film festival where you're paying for a lot of it yourself. And then you get the photos and you can post that on Facebook or other social media. And someone sees that, and they say "Hey, you know, I want to make a film. Maybe I should get that guy to direct it or that person." So who am I, really, to say that that's not valuable or that's not real?
So much of film festivals and filmmaking and the film marketplace is about perception and so, yeah, I think it's a really interesting and important conversation to have in our industry. And there was a Hollywood Reporter article just recently that talked about this question of film festivals exploiting filmmakers, charging for awards and stuff like that. So hopefully that's just the beginning and people will keep talking about it.
HtN: Martha, thank you so much. I really enjoyed the film and wish you all good things with it. May it far surpass the dreams of the people who tried to make Four Deadly Reasons in Narrowsburg.
MS: Thank you so much. I really appreciate you covering it.
2019 DOC NYCAnalyze ThisDan NuxollDOC NYCDon QuixoteHollywood Film FestivalJean-Luc GodardKeith FultonLost in La ManchaLouis PepeMartha ShaneNarrowsburgNarrowsburg International Independent Film FestivalPicture CharacterQueens Film FestivalRichie CastellanoTerry Gilliam


Rekindle the feeling the first time you set eyes on your better half when you visit one of these romantic places.
A small main island and several offshore islets compose this British Overseas Territory. It is a quiet and secluded place that is perfect for those who would like to bask in the sun or enjoy the clear waters of the Carribean.


text:
10 Best Places to Hear Live Music on the Las Vegas Strip
Pitch Perfect: Las Vegas' 10 Best Live Music Venues
Photo courtesy of MGM Resorts International
MGM Grand Garden Arena
Type: Live Entertainment, Live Music, Venue
Barbra Streisand was the first performer to grace the stage at the MGM Grand Garden Arena, which was a sign of the great entertainers to come. The venue has been home to major awards shows and music... Read More
Barbra Streisand was the first performer to grace the stage at the MGM Grand Garden Arena, which was a sign of the great entertainers to come. The venue has been home to major awards shows and music festivals including the Academy of Country Music Awards and the iHeartRadio Music Festival, making the MGM Grand Garden Arena one of the Strip's top music venues. The multi-purpose venue has hosted numerous world-class concerts over the years, including U2, Madonna, Paul McCartney, Bon Jovi, Reba McEntire, Tina Turner, Bruce Springsteen, The Rolling Stones, Whitney Houston and Justin Timberlake. It's also the site of several major sporting events, including championship boxing, UFC and NBA preseason basketball.
mgmgrand.com
Live Music on the Strip: "Save yourself the headache of driving and parking if you're going to an event at the MGM Grand Garden--after the show is over, it takes hours for the parking garages to clear out. Take a taxi or Uber instead."
Best for Live Music on the Strip Because: The MGM Grand Garden Arena brings in headline acts as well as awards shows, sporting events and festivals.
EXPERT TIPS BY: Heather Turk
Live Music: "Given that the arena holds 16,800 people, traffic can be a nightmare when trying to park for an event. Use the back entrance off Koval versus the side entrance off Tropicana, as it's usually less crowded."
Best for Live Music Because: One of the Strip's top music venues, the MGM Grand Garden Arena has welcomed everyone from Madonna to Paul McCartney to its stage.
View This Business
Brooklyn Bowl Las Vegas
The Colosseum at Caesars Palace


After receiving her degree, she attended St. George's University School of Veterinary Medicine on the Caribbean Island of Grenada and then transferred after two years to Iowa State University. In May of 2009, Dr. Greenwood obtained her veterinary degree from Iowa State University.
Dr. Greenwood has a special interest in dermatology and soft tissue surgery. She also actively serves on the board of directors for the Prince William County Humane Society.
She lives in Dumfries with her husband and two daughters enjoys boating, fishing, traveling, and spending time with her kids.
On June 4th, 2018, Dr. Greenwood became the new owner of Minnieville Animal Hospital.


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text:
/**
 * ag-grid - Advanced Data Grid / Data Table supporting Javascript / React / AngularJS / Web Components
 * @version v9.0.2
 * @link http://www.ag-grid.com/
 * @license MIT
 */
"use strict";
var __extends = (this && this.__extends) || (function () {
    var extendStatics = Object.setPrototypeOf ||
        ({ __proto__: [] } instanceof Array && function (d, b) { d.__proto__ = b; }) ||
        function (d, b) { for (var p in b) if (b.hasOwnProperty(p)) d[p] = b[p]; };
    return function (d, b) {
        extendStatics(d, b);
        function __() { this.constructor = d; }
        d.prototype = b === null ? Object.create(b) : (__.prototype = b.prototype, new __());
    };
})();
Object.defineProperty(exports, "__esModule", { value: true });
var utils_1 = require("../utils");
var beanStub_1 = require("../context/beanStub");
var Component = (function (_super) {
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        _this.visible = true;
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            _this.setTemplate(template);
        }
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        for (var i = 0; i < childCount; i++) {
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            }
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                if (childNode.childNodes) {
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    Component.prototype.swapComponentForNode = function (newComponent, parentNode, childNode) {
        parentNode.replaceChild(newComponent.getGui(), childNode);
        this.childComponents.push(newComponent);
        this.swapInComponentForQuerySelectors(newComponent, childNode);
    };
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        var metaData = this.__agComponentMetaData;
        if (!metaData || !metaData.querySelectors) {
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        this.eGui = element;
        this.eGui.__agComponent = this;
        this.addAnnotatedEventListeners();
        this.wireQuerySelectors();
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        var _this = this;
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                if (backingComponent) {
                    thisNoType[querySelector.attributeName] = backingComponent;
                }
                else {
                    thisNoType[querySelector.attributeName] = resultOfQuery;
                }
            }
            else {
                // put debug msg in here if query selector fails???
            }
        });
    };
    Component.prototype.addAnnotatedEventListeners = function () {
        var _this = this;
        this.removeAnnotatedEventListeners();
        var metaData = this.__agComponentMetaData;
        if (!metaData || !metaData.listenerMethods) {
            return;
        }
        if (!this.eGui) {
            return;
        }
        if (!this.annotatedEventListeners) {
            this.annotatedEventListeners = [];
        }
        metaData.listenerMethods.forEach(function (eventListener) {
            var listener = _this[eventListener.methodName].bind(_this);
            _this.eGui.addEventListener(eventListener.eventName, listener);
            _this.annotatedEventListeners.push({ eventName: eventListener.eventName, listener: listener });
        });
    };
    Component.prototype.removeAnnotatedEventListeners = function () {
        var _this = this;
        if (!this.annotatedEventListeners) {
            return;
        }
        if (!this.eGui) {
            return;
        }
        this.annotatedEventListeners.forEach(function (eventListener) {
            _this.eGui.removeEventListener(eventListener.eventName, eventListener.listener);
        });
        this.annotatedEventListeners = null;
    };
    Component.prototype.getGui = function () {
        return this.eGui;
    };
    // this method is for older code, that wants to provide the gui element,
    // it is not intended for this to be in ag-Stack
    Component.prototype.setGui = function (eGui) {
        this.eGui = eGui;
    };
    Component.prototype.queryForHtmlElement = function (cssSelector) {
        return this.eGui.querySelector(cssSelector);
    };
    Component.prototype.queryForHtmlInputElement = function (cssSelector) {
        return this.eGui.querySelector(cssSelector);
    };
    Component.prototype.appendChild = function (newChild) {
        if (utils_1.Utils.isNodeOrElement(newChild)) {
            this.eGui.appendChild(newChild);
        }
        else {
            var childComponent = newChild;
            this.eGui.appendChild(childComponent.getGui());
            this.childComponents.push(childComponent);
        }
    };
    Component.prototype.addFeature = function (context, feature) {
        context.wireBean(feature);
        if (feature.destroy) {
            this.addDestroyFunc(feature.destroy.bind(feature));
        }
    };
    Component.prototype.isVisible = function () {
        return this.visible;
    };
    Component.prototype.setVisible = function (visible) {
        if (visible !== this.visible) {
            this.visible = visible;
            utils_1.Utils.addOrRemoveCssClass(this.eGui, 'ag-hidden', !visible);
            this.dispatchEvent(Component.EVENT_VISIBLE_CHANGED, { visible: this.visible });
        }
    };
    Component.prototype.addOrRemoveCssClass = function (className, addOrRemove) {
        utils_1.Utils.addOrRemoveCssClass(this.eGui, className, addOrRemove);
    };
    Component.prototype.destroy = function () {
        _super.prototype.destroy.call(this);
        this.childComponents.forEach(function (childComponent) { return childComponent.destroy(); });
        this.childComponents.length = 0;
        this.removeAnnotatedEventListeners();
    };
    Component.prototype.addGuiEventListener = function (event, listener) {
        var _this = this;
        this.getGui().addEventListener(event, listener);
        this.addDestroyFunc(function () { return _this.getGui().removeEventListener(event, listener); });
    };
    Component.prototype.addCssClass = function (className) {
        utils_1.Utils.addCssClass(this.getGui(), className);
    };
    Component.prototype.removeCssClass = function (className) {
        utils_1.Utils.removeCssClass(this.getGui(), className);
    };
    Component.prototype.getAttribute = function (key) {
        var eGui = this.getGui();
        if (eGui) {
            return eGui.getAttribute(key);
        }
        else {
            return null;
        }
    };
    Component.prototype.getRefElement = function (refName) {
        return this.queryForHtmlElement('[ref="' + refName + '"]');
    };
    return Component;
}(beanStub_1.BeanStub));
Component.EVENT_VISIBLE_CHANGED = 'visibleChanged';
exports.Component = Component;