Finite Element Analysis software is a computerized system that has the capability to predict, how a certain product will react to any forces in the real world, to heavy vibration, fluid low, hear or any other kind of physical effect. In other words, this will show you whether or not a product that you have designed will break. It can also indicate whether the product will wear out or whether it will continue to work in the way that it was originally designed. This is essentially the analysis but in the world of product development, this feature allows you to predict what will happen when the product is actually used.
Finite Element Analysis works through breaking down a real object into a finite number of really small elements, like cubes for example. In fea analysis software, mathematical equations will help you predict the behavior of each of the elements. The computer will the do the calculation for you and add up the individual behaviors in each of the elements to predict the actual and final behavior of the complete product as a whole. Some of the many physical effects that Finite Element Analysis lets you test out include mechanical stress and vibrations, motion, fatigue, fluid flow, heat transfer, electrostatics and molding of plastic injections.
What are applications of this analysis?
The applications of this analysis are many. However some of the most common ones can be divided into five main sections as stress analysis, seismic analysis, thermal analysis, vibration analysis and impact and crash analysis. Each of these are in turn divided into many subsections again. For example thermal analysis can be divided into conduction, radiation, convection and conjugate heat transfer. Seismic analysis can be divided into response spectrum, transient dynamics and equivalent static. Impact and crash analysis can be divided into equivalent static and short duration explicit stimulation. These are just a few of the subsections here and you can therefore understand how many areas this analysis can be applied in.
How has this analysis helped?
This a powerful and efficient design tool and is has helped to considerably improve the standards of engineering and also the methodology used in the designing process across many applications in the industry. The advent of Finite Element Analysis has considerably lowered the amount of time that is usually taken from concept to prototype and finally to manufacture. This analysis also primarily relies on improving the initial designs through prototype tests. This has also improved the delivery times over a long period of time. It has enabled manufacturers to enhance the integrity and the longevity of products that they make.
What part schools can play in career guidance?


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Information leakage
Find sources: "Information leakage" – news · newspapers · books · scholar · JSTOR (February 2013) (Learn how and when to remove this template message)
Not to be confused with whistleblowing.
Information leakage happens whenever a system that is designed to be closed to an eavesdropper reveals some information to unauthorized parties nonetheless. In other words: Information leakage occurs when secret information correlates with, or can be correlated with, observable information. For example, when designing an encrypted instant messaging network, a network engineer without the capacity to crack encryption codes could see when messages are transmitted, even if he could not read them.
Risk vectors[edit]
A modern example of information leakage is the leakage of secret information via data compression, by using variations in data compression ratio to reveal correlations between known (or deliberately injected) plaintext and secret data combined in a single compressed stream.[1] Another example is the key leakage that can occur when using some public-key systems when cryptographic nonce values used in signing operations are insufficiently random.[2] Bad randomness cannot protect proper functioning of a cryptographic system, even in a benign circumstance, it can easily produce crackable keys that cause key leakage.[3][citation needed]
Information leakage can sometimes be deliberate: for example, an algorithmic converter may be shipped that intentionally leaks small amounts of information, in order to provide its creator with the ability to intercept the users' messages, while still allowing the user to maintain an illusion that the system is secure. This sort of deliberate leakage is sometimes known as a subliminal channel.[4][5]
Generally, only very advanced systems employ defenses against information leakage.
Following are the commonly implemented countermeasures :
Use steganography to hide the fact that a message is transmitted at all.
Use chaffing to make it unclear to whom messages are transmitted (but this does not hide from others the fact that messages are transmitted).
For busy re-transmitting proxies, such as a Mixmaster node: randomly delay and shuffle the order of outbound packets - this will assist in disguising a given message's path, especially if there are multiple, popular forwarding nodes, such as are employed with Mixmaster mail forwarding.
When a data value is no longer going to be used, erase it from the memory.
Kleptographic attack
Side-channel attack
^ Kelsey, J. (2002). "Compression and Information Leakage of Plaintext". Fast Software Encryption. Lecture Notes in Computer Science. 2365. pp. 263–276. doi:10.1007/3-540-45661-9_21. ISBN 978-3-540-44009-3.
^ Rembovsky, Anatoly; Ashikhmin, Alexander; Kozmin, Vladimir; Smolskiy, Sergey (2009), "Methods and Equipment for Protection Against Information Leakage Via CEE Channels", Radio Monitoring, Boston, MA: Springer US, 43, pp. 471–496, doi:10.1007/978-0-387-98100-0_12, ISBN 978-0-387-98099-7, retrieved 2021-10-02
^ Schneier, Bruce; Fredrikson, Matthew; Kohno, Tadayoshi; Ristenpart, Thomas (2015). "Surreptitiously Weakening Cryptographic Systems". Schneier on Security. Archived from the original on April 14, 2019. Alt URL
^ Ron Rivest (October 3, 2002). "6.857 Computer and Network Security Lecture Notes 9 : DSA/DSS, RSA, chosen-ciphertext attack" (PDF). MIT. Retrieved 2012-09-14.
^ https://www.hindawi.com/journals/wcmc/2018/5823439/
Classical cryptography
Ciphers
Polyalphabetic
Trithemius
Vigenère
Polybius square
ADFGVX
Bifid
Tap code
VIC cipher
Two-square
Four-square
Atbash
Autokey
Chaocipher
Pigpen
Running key
Columnar
Myszkowski
Rail fence
BATCO
One-time pad
Rasterschlüssel 44
Reihenschieber
Reservehandverfahren
Slidex
Cryptogram
Index of coincidence (Units: Ban and Nat)
Kasiski examination
Retrieved from "https://en.wikipedia.org/w/index.php?title=Information_leakage&oldid=1048233469"
Articles needing additional references from February 2013
Articles with unsourced statements from September 2012
This page was last edited on 4 October 2021, at 22:58 (UTC).

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Catherine (Katy) Gardner - Brown Rudnick
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Katy Gardner represents domestic and foreign corporations, partnerships, and limited liability companies in their mergers and acquisitions, other business and financial transactions, and in their day-to-day operations. Katy has broad-based experience in structuring transactions, drafting and negotiating various transactional documents in connection with asset sales and acquisitions, stock acquisitions, mergers, private placements, venture capital transactions, hedge funds, and lending transactions. She represents entities in diverse industries, including life sciences, government contracts, hedge funds, media, technology, manufacturing, and trade associations.
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Represented Lupin Limited in connection with its $880 million acquisition of Gavis Pharmaceuticals and its affiliates.
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Marystell Ambrossi Molina (Ciudad de México, 18 de diciembre de 1943-Ciudad de México 26 de noviembre de 2020) fue una actriz mexicana.

Biografía
Nació en la Ciudad de México, y sus padres son españoles.

Debutó en 1960 en los teatros de Bellas Artes con las obras de Hugo Arguelles con Héctor Bonilla, Xavier Marc y Liza Willert.

Estudió dos años en Bellas Artes y posteriormente con el maestro Adolfo Ballano dos años y luego un curso intensivo con Carlos Catania en el grupo Tabasco 68, haciendo el estelar de Los cazadores de Paco Ignacio Taibo.

La Asociación Nacional le dio un reconocimiento por su trayectoria de 25 años de actriz con la medalla Virginia Fábregas. En el festejo de sus 25 años de carrera artística, llevó a escena la obra El hermoso indiferente bajo la dirección de Paco Roustand. Autor Jean Cocteau y escrito por Édith Piaf. Se presentó en el foro Isabelino del Centro Cultural Tecolote de la UNAM.
También dentro de su festejo de 25 años de trayectoria, presentó un recital en el teatro de la Embajada rusa, ubicado en las calles de Mérida.

Falleció el 26 de noviembre de 2020 a los setenta y seis años de edad, pasó sus últimos años residiendo en la Casa del Actor.

Filmografía
 Pasiones encendidas (1978-1979) - Elenita
 Una mujer marcada (1979-1980) - Gina
 Secreto de confesión (1980) - Emilia
 El derecho de nacer (1981-1982) - Hermana Amparo
 Tú eres mi destino (1984) - Karina
 Angelica (1985) - Srta. López y López
 De pura sangre (1985-1986) - Ángela
 Herencia maldita (1986-1987) - Rosa
 Un nuevo amanecer (1988-1989) - Nieves
 Hora marcada (1990) - Dora
 Yo compro esa mujer (1990) - Cecilia
 El vuelo del águila (1994-1995) - Paula de Anda
 Azul (1996) - Ana María
 La antorcha encendida (1996) - Josefina Aulle
 Desencuentro (1997-1998)
 Mujer, casos de la vida real (1988-2005) - Varios episodios
 El precio de tu amor (2000-2001)
 Heridas de amor (2006) - Malena Fernández
 Como dice el dicho (2011-2012) - Chloe / Médium / Abuelita Paula
 La rosa de Guadalupe (2008-2012) - Gertrudis / "La Madrina"

Referencias

Nacidos en Ciudad de México
Actrices de México
Actrices de cine de México
Actrices de teatro de México
Actrices de televisión de México
Fallecidos en Ciudad de México

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The specific meeting location at the airport will be listed in your confirmation email and voucher for this transfer. See the 'Redemption and Voucher Details' section below.


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Carbon Fibre Cost Per Kg 2018
The 2018 Lexus LC 500 coupe is a triumph, a gorgeous car that elevates its entire brand. Taken into consideration the. com ©2011 lan 4 00 es Carbon Fiber Reinforced Polymer (CFRP) Laminates - Aslan™ 400 series. That's only for the cable itself and the labor to install it. "Now you can see why [alloy wheel maker] Ronal is an investor," says Gass. Throughout the month of July we will be […]. The Global 6000 aircraft features an exceptional cabin with a large fully-equipped galley and crew rest area. The poles are very light (lighter than my previous carbon fiber poles) but feel robust and provide strong support. 1 billion USD per. The crystal alignment makes. Fast, yet extremely stable, this is a surfski that most kayakers should be able to hop right onto and paddle off. This is exactly what the Carbon Scooter MONO, DUO and TWIN series scooters provide for both recreational and technical diving. It is one of the strongest and most lightweight materials available on the market today. Aluminum is hard to work with, but it's cost per pound is still very good compared to carbon fiber. Right now, we offer Dell XPS 9350 and XPS 9360 skins (both the XPS 13 models) in a variety of finishes such as Zebra Wood, Mahogany, Carbon Fiber, Leather, True Colour, and Matte. Most carbon fiber is sold at this point and it has a tensile modulus of 33 million pounds per square inch (MSI). With the strength / mass comparison of aluminum and carbon fiber there are some other aspects that need to be considered, such as thermal resistance, water absorption, oxidation and durability. It also influences cloud formation and impacts regional circulation and rainfall patterns. The MetalMiner North American Carbon Steel Price Index (the graph) is a weighted average of all Carbon Steel prices submitted to our database. Carbon filaments produced from polymers such as polyacrylonitrile (PAN), rayon, and petroleum pitch, are the essential elements used in the manufacturing of CFRP. Carbon Fiber in an Automated Manufacturing World. March 2018 was tricky for the polyester pricing, wherein, end-product prices were mostly guided by their raw materials. The recyclability of carbon fiber has caused a demand-uptick across the global Carbon Fiber Market. The Danish hypercar was seen at the last Geneva Motor Show with a body made of carbon fiber and "other composite materials", which keep the total weight at only 3,296 lbs (1,495 kg). Carbon fibers have several advantages including high stiffness, high tensile strength, low weight, high chemical resistance, high temperature tolerance and low thermal expansion. Edmunds also has Porsche 911 GT3 pricing, MPG, specs, pictures, safety features, consumer reviews and more. Carbon fiber faced a series of challenges including an implementation to the market which was too soon and resulted in poor products. 60 offer price. 00 per kg, as opposed to $1. To maximize strength properties for your carbon part, use an epoxy like the Fibre Glast System 2000. Material E, GPa σ b, GPa ρ, kg/m3 E/ρ, MJ/kg b/ρ, MJ/kg cost, $/kg E-glass 72. I tested a well-optioned LC 500 that had the optional carbon fiber trim package, precollision alert and. Model 3 comes with the option of dual motor all-wheel drive, 20" Performance Wheels and Brakes and lowered suspension for total control, in all weather conditions. 0025) per kWh, petroleum and diesel is ₤0. Create Momentum As SGL Carbon, we think ahead to anticipate future developments. PSF Highlights from 14 Oct,2019 - 25 Oct,2019. There is a table of strength of materials and cost per kilogram. S, China, and Spain—has raised a bumper crop of new plants for manufacturing these composite parts. 6 kg of Resin minimum, say 25kg of resin to be safe. Today, carbon fibers in automotive are still expensive and exotic, known mainly for use race cars, but the composites industry continues to seek the holy grail of carbon fiber parts in mass-market. (2010 prices). Bugatti Veyron units 20/day First -time evidence Class-A. Carbon Fibre Sheet / Plate / Sandwich Panel Plaque en fibres de carbone. Dive tours of the Titanic wreck to begin in 2018 by Kathryn Curzon Apr 4, 2017 If you've got the cash — $105,129 to be exact — you can become one of only a few people to ever participate in a dive tour of the Titanic, starting in 2018. 5% VAT Unit of Average Gross Delivered Percentage Percentage 2. Figure 4: Door Component Materials Carbon 0. By Justin Hughes June 9, 2017. fabric also. With a carbon-fiber and magnesium-alloy body, the Dell Latitude E7450 is a sturdy and light business Ultrabook that does most things well. Announcing the arrival of a classic & famous turntable brand DUAL. 09 per foot to as little as $0. Strength-to-weight ratio of basalt fiber exceeds the strength of alloyed steel by 2. 3 $ per kg and polyolefin at 1. Style 284 carbon fiber fabric is the industry standard for automotive applications and features the 2x2 twill weave that has a diagonal pattern. ) with a weighted average material cost of less than $10/kg. Carbon fibre is finding many uses as a very strong, yet lightweight, material. On the above order, either of them might be $3 today. In India, a project to construct a 2. On the above order, either of them might be $3 today. 3p [20], but only 25% of this is fuel. Read a Halo Board review on some of the top tech ezines like Digital Trends, Gizmodo, DailyTekk or TechAeris — and afterward, try one for yourself!. The versatility of Spectra Fiber is virtually unlimited. Sequestering carbon is the process through which CO2 from the atmosphere is absorbed by plants through photosynthesis and stored as carbon in biomass (leaves, stems, branches, roots, etc. ACB1 ROHO AGILITY™ Carbon Back Upgrade(Click here to view the TiLite Seating Order Form. Monocoque torsional rigidity: 58,000 nm/degree. The car, introduced in 2018, weighs in at a hair over 3,000 pounds. Carbon Fiber vehicle wraps are probably one of the hottest, DIY vinyl wrap accessories on the market. The GFRC Construction Calculator makes it easy to estimate your material cost and weight of your GFRC (Glass Fiber Reinforced Concrete) projects. Simply the world's strongest fiber. 6 million, is below the imports of $ 990. 249 delivery miles. Fuel Tank: 17. With Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy. If you're not racing and want some ride comfort, you should invest in a forgiving carbon fibre seatpost and kiss your Fred-dom goodbye and buy some 25c (or larger) tires, rather than pretending that frame material can make anywhere near the same magnitude of difference (there are some exceptions to this in carbon-land, but they cost lots of. This presentation contains no proprietary, confidential, or otherwise restricted information. With a carbon-fiber and magnesium-alloy body, the Dell Latitude E7450 is a sturdy and light business Ultrabook that does most things well. You can alternatively multiply the per-pound rate, 88 cents, by 2. Department of Energy Presentation_name Mfg Cost $ per lb of CF. This is the same top quality carbon fibre fabric that we use in our workshop every day and also the same fabric that is included in our best-selling carbon fibre lamination starter kit. 6 kg per sq mt x 3mt (mould area) = 10. Hughes Brothers, Inc. Depending on the fibre type, surface weight and angle combination, various mechanical characteristics can be achieved. A carbon p rice is a cost applied to carbon pollution to encourage sources of carbon pollution to reduce the amount of greenhouse gas they emit into the atmosphere. Sustainability Report 2018 A LEADING BRAND 'Brand Finance Chemicals 10' 2019 report places SABIC among the top 3 companies in the chemical industry, and estimates its brand value at $3. applications of carbon fiber (i. com Page 1/2 2018-06-27 Tenax ® filament yarn Product Data Sheet (EU) Brand name Production site Fiber family & tensile properties. I believe that the cost of making a carbon fiber auto part — today, in the range of €85/kg (US$92/ kg) — will be reduced by 70% or more through better part design, automated near-net processing at an optimized scale, fewer processing steps and consumables, and lower-cost resins. Carbon pricing is designed to capture what are known as the external costs of carbon emissions. This presentation contains no proprietary, confidential, or otherwise restricted information. Cost is the main hurdle carbon fiber will have to overcome before it can provide a viable energy solution. 755710) are seamless cylinders comprised of a layer of graphene. Affordable, quiet and clean carbon fiber reinforced ceramic pads. 25", the V8 is unique in its class. Best prices on 1 Tripod with fast and free shipping. We explain what each material is suited for as well as it limitations and trade-offs. Sedans started disappearing from the U. R&D programmes have led to the development of recycled carbon fibre products for the compounding and composites industries. 7kg): Lighter than the laptop you're probably using right now. Lithium is sourced through either hard rock deposits, which are mostly in Australia, and through liquid brines,. battery protection, red calipers, satin graphite wheels, 2 tone seats, micro fiber seat inserts, exposed carbon fiber; tonneau inserts,wing, hood, ground effects,, carbon ceramic brakes, power convertible top, navigation pdr camera, low wing msrp $142,970 special sale price $* contact rick below! email rick here:[email protected] strength and stiffness of the polymeric aramid fiber is a consequence of the nearly perfect alignment of the molecular chains with the fiber axis. Carbon fiber twill cloth - 1270mm wide. TEIJIN CARBON EUROPE GMBH [email protected] 1 per 100g) but it (carbon fiber) is SO MUCH Stronger & lighter than Titanium Steel. We will take a look at what makes flexible filaments easier to print than it might seem, and how you can add flexible filament to your 3D printing material toolbox. The journal Carbon is an international multidisciplinary forum for communicating scientific advances in the field of carbon materials and carbon nanomaterials. Industrial grade fibers are expected to be available at $13. 75 Prefabricated Carbon Fiber KAFO Starting at $326. We specialise in all carbon fibre and Aramid products. In addition to PLA and ABS, we now have Makeshaper brand PETg for only $29. ) $70 TRW16 Spinergy Carbon Blade (Not available with Heavy Duty Frame, Natural-Fit or Natural-Fit LT with Standard Grip or Super Grip. sequestering carbon. ACB1 ROHO AGILITY™ Carbon Back Upgrade(Click here to view the TiLite Seating Order Form. Adjusted gross margin per metric ton was $50. hand lay-up, vacuum-bag composites). Carbon fiber costs $135 per kilogram, and 35 percent of the stuff must be scrapped — "you cut the fabric, and some of it you can't use," the SpaceX founder and CEO said. Monocoque torsional rigidity: 58,000 nm/degree. EPA and other federal agencies use estimates of the social cost of carbon (SC-CO 2) to value the climate impacts of rulemakings. has been serving your automotive needs since 2001. All are 12-speed, and the top three require an XD driver body on your rear hub. Custom Carbon Fiber Parts. A range of prepreg carbon fibre epoxy layups were subjected to a 10 m/s impact with 4 kJ of energy. These are costs incurred by everyone indirectly through the impact of greenhouse. 35 is the cost for the 2. The 1,360 PS power output is the equivalent of one megawatt, which Koenigsegg claims makes the One:1 the 'world's first megacar'. Breeding climate-friendly sheep. FACT, short for Functional Advanced Composite Technology, embodies our approach to carbon composites. Our environmental impact assessment shows that by using our fiber concrete and fiber shotcrete you will minimise your environmental impact using proven concrete reinforcement technologies. , may be signing contracts this year for 90 cents per pound but those prices only. | ID: 3056447648. Rubbing tears from his eyes in the cockpit, Lewis Hamilton struggled to absorb the feat he had just accomplished. Carbon fiber market volume by region, 2014 - 2025 (Tons) The rise in propylene production has driven the polyacrylonitrile demand, which is a primary raw material for carbon fiber production. Material E, GPa σ b, GPa ρ, kg/m3 E/ρ, MJ/kg b/ρ, MJ/kg cost, $/kg E-glass 72. Density of Plastics: Technical Properties Density measures the mass per unit volume. The installation of a full alarm system takes between $4 and $12 per each square foot in pre-existing building. Hughes Brothers, Inc. This is exactly what the Carbon Scooter MONO, DUO and TWIN series scooters provide for both recreational and technical diving. With conventional processing using a carbon fibre-grade (CF) PAN, precursor is slightly over 50% of the carbon fibre cost. The $1000 Sondors Fold is 55lbs. 260 per Kg 4 Hardener 'A' (Cemplast) Black liquid plasticizer Rs. 3p [20], but only 25% of this is fuel. This quick tech guide will show you step-by-step how to lay up carbon fiber the right way like a pro. The company presented its 360 carbon fibre tooling board and. Color: Carbon Fiber Sticker/Black. Valve System MultiAir2, SOHC, four valves per cylinder with silent chain driven timing drive Hollow assembled exhaust camshaft with end pivot roller finger followers and hydraulic lash adjusters Turbocharger Direct mount twin-scroll turbocharger with electric wastegate actuation. CARBON PRICING: What is a carbon credit worth? Purchasing high quality carbon credits is an effective way to contribute the transition to a low-carbon, climate secure world. The Markforged X3 is a plastic 3D printer that uses chopped carbon fiber filament reinforcement to produce parts that are 20% stronger and 40% stiffer than ABS. Many filament manufacturers are introducing blends of various plastics, inflused with Carbon Fiber. The new Bentayga Diesel is the first diesel in the marque's history. What is the price of carbon fiber per kg? today the cost to purchase commercial-grade carbon fiber is between $8 and $10 per pound" I'm trying to find the cost of carbon fibre for coursework. Proven more stable. The patented drivers, developed and manufactured in Germany, features a modern sandwich-type membrane. 39338 pounds [lbs] Activated carbon weighs 1. Naskar says that ORNL has not demonstrated the weaving of the low-cost carbon fibre as of yet. They will also look into a range of process energy solutions that can help improve the operating efficiency of facilities and maximize equipment performance. If purchasing just the cable, it can cost about $0. The i3, in particular, broke new ground for composites, as BMW has produced upward of 30,000 units per year, and it is sold at a price point well below the supercars. A range of prepreg carbon fibre epoxy layups were subjected to a 10 m/s impact with 4 kJ of energy. A carbon p rice is a cost applied to carbon pollution to encourage sources of carbon pollution to reduce the amount of greenhouse gas they emit into the atmosphere. Ford uses aluminum for the front and rear suspension subframes and then whips out more carbon fiber for the body panels. License : CC BY-4. High cost has been a major block to widespread use of carbon. Return to Search Results 2018 Ferrari California 3. ) and soils. For example, automotive OEMs demand carbon fiber within the range of $5 per pound, whereas the current price is approximately $10 to $15 per pound for automotive applications. R&D activities in major regions are likely to drive the regional growth for the product. 4 tons of carbon per ton of dry fiber. Sedans started disappearing from the U. The 2018 Lexus LC 500 coupe is a triumph, a gorgeous car that elevates its entire brand. You will also want to clean the air a certain amount of times per hours for proper removal off odor, and overall plants health. However, the quantity of carbon dioxide that might eventually go into chemicals, plastics, and carbon fiber would be too small—between 40 million and 90 million metric tons per year—to make an. Germany trades P120 booster production for Ariane 6 turbo pumps, upper stage carbon fiber research by Caleb Henry — May 30, 2018 The P120C booster will power the first stage of Vega C and serve. Many possible applications Zarabian would like to see the technology eventually installed at natural gas power plants. The Aero-X is our take on the next-generation tandem-duct platform. Fiber reinforced concrete using regular carbon fibers is advancing with long carbon fibers that are 500+ times better at resisting cracking and able to be 40% lighter. about 30 times as much as fiberglass. Carbon Fiber Rear Water Cup Holder Panel Cover Trim For Ford Mustang 2015-2018 USD 39. All of the scooter surfaces have been optimised using hydrodynamic flow simulations to optimise performance. Application: For Toyota Camry 2018-2019. 1,1,1,2,3,3,3-Heptafluoropropane (HFA227ea) LABA/ICS inhalers (eg, Flutiform) have a carbon footprint over 36 kg CO 2 e. So, you have 10. com Page 1/2 2018-06-27 Tenax ® filament yarn Product Data Sheet (EU) Brand name Production site Fiber family & tensile properties. How carbon fibre bike frames are made. This is a change of 2. Snell helped build the first LEED certified hemp house in the world in Asheville, North Carolina, which has sequestered 20,000 pounds of carbon. had more than doubled and the answer the answer to how much do nanotubes cost rose to ninety five cents per gram. Germany trades P120 booster production for Ariane 6 turbo pumps, upper stage carbon fiber research by Caleb Henry — May 30, 2018 The P120C booster will power the first stage of Vega C and serve. This is the same top quality carbon fibre fabric that we use in our workshop every day and also the same fabric that is included in our best-selling carbon fibre lamination starter kit. 1 per 100g) but it (carbon fiber) is SO MUCH Stronger & lighter than Titanium Steel. However it can seem complex – especially answering what seems to be a simple question, "How much should I pay for a carbon credit?". • There is great interest in use of carbon fiber composites for light weight automotive applications • Increased use of these materials for automotive requires: - lower cost fibers and intermediate products - low cost / high throughput manufacturing processes - increased design know-how. Produced each Friday, the average is normalized to. reduce the cost of carbon fiber: • Development of low cost and high yield precursors for manufacture of commercial (heavy-tow) carbon fibers which will significantly reduce the carbon fiber cost. The Decatur facility houses the world's largest single carbon fiber production line, with a nominal capacity of 4 million pounds per year (1,800 tons per year), which will be expanded to 8 million pounds per year (3,600 tons per year), by early 2006. 00 EDT Last modified on Wed 14 Feb 2018 the first mass-produced car with a carbon fibre passenger cell. Today, carbon fibers in automotive are still expensive and exotic, known mainly for use race cars, but the composites industry continues to seek the holy grail of carbon fiber parts in mass-market. Carbon Engineering is building technologies to capture CO₂ directly from the atmosphere, and to use that CO2 in the synthesis of clean transportation fuels that displace crude oil. Depending on the fibre type, surface weight and angle combination, various mechanical characteristics can be achieved. This article details scrap carbide prices per pound as well as everything else you need to know prior to making the sale. Style 284 carbon fiber fabric is the industry standard for automotive applications and features the 2x2 twill weave that has a diagonal pattern. License : CC BY-4. However, the quantity of carbon dioxide that might eventually go into chemicals, plastics, and carbon fiber would be too small—between 40 million and 90 million metric tons per year—to make an. It's Darwinism in action. Though carbon fiber prices is higher per unit mass than glass fiber, less. The SC-CO 2 is a measure, in dollars, of the long-term damage done by a ton of carbon dioxide (CO 2 ) emissions in a given year. Here, the carbon reacts with oxygen, creating carbon dioxide, which creates the insulating bubbles in the (material). Thus, it's fair to say that the value of a carbon wheelset has increased in recent years simply because of falling prices, however there are still a number of drawbacks to composite wheels that. 7 m (12 ft) payload fairing and $35 million with a 5. Color: Carbon Fiber Sticker/Black. 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Stream Sediment, Float, and Bedrock Sampling in the Porcupine Mining Area, Southeast Alaska.
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Have you ever dealt with a Cu/Pb/Zn ore which has a lot of carbon in its composition?Can someone provide some ideas of how to deal with carbon? We have been trying to float carbon using MIBC, and only after stage this we were able to generate adequate results.
1. Float Zn first followed by bulk float of Cu/Pb with Cu flotation from Cu/Pb bulk concentrate. 2. Bulk float Cu/Pb then float Zn from Cu/Pb tailing and separate Pb from bulk Cu/Pb concentrate. 3.


You've heard from the heroes. You've pitied the princesses. Now, the villains are speaking out.
Seven authors. Seven fairy tales...all told from the villain's perspective.
Discover the truth of these familiar fairy tales from the antagonists of The Snow Queen, Rumpelstiltskin, Goldilocks, Snow White, Cinderella, The Princess and the Pea, and The Wizard of Oz.
Owner of A Novel Connection. Fiction author.
C. Penticoff lives in the Pacific Northwest with her husband and two young children.
When she isn't writing, she is working her business, A Novel Connection, in hopes of helping to #SupportIndieAuthors.
I am a multi-genre author who hails from Redding, California. I live with my husband and children. Reading and Writing are my passions. If I am not engrossed in a book, or writing my next book, then I am either hanging out with my family or spending time with friends. As a writer, it is my hope to bring fascinating worlds to life for readers of all ages!
McCallum discovered the Institute of Children's Literature and enrolled in their writing course, Writing for Children and Teenagers. For their second, advanced, course, he rewrote those bursting notebooks. Now McCallum is twenty-one with three books published and working on one or two more. It's not just a pile of notebooks anymore, it's a dream come true.
My name is Sondra Hicks and I am in my 30s. I am a mother of 4 wonderful children. I am an Independent Author of The Edge of Night Trilogy (Vampires), The Kloe & Gavin Adventures (Vampires, Werewolves and other Creatures) which I love to write. Most would find me inviting, happy, and social. I love to make people smile and even laugh.
I am dabbling in different genres of writing such as Fantasy, Paranormal Thrillers, Fiction, Jokes, Poetry and soon sci-fi. Honestly, I don't limit myself to one category of writing because I love to branch out and poke my toes in the water of other genres. I hope others enjoy my books as much as I did writing them.
Supernatural and Fantasy author Carol Gilby is devoted to giving her young readers fast-paced magical adventure stories.


text:
What Is Asian American Music, Really?
Seeking more than representation, a critic tries to make sense of a fragmented, disparate musical tradition
By Cat Zhang
Graphic by Drew Litowitz. From left: Karen O (photo by Bob Berg/Getty Images), No-No Boy's Julian Saporiti (provided), Vijay Iyer (Ebru Yildiz), Chris Iijima and Nobuko Miyamoto (Bob Hsiang), Yaeji (James Emmerman), Arooj Aftab (Soichiro Suizu), United Front (courtesy of Anthony Brown), and Mitski (Scott Dudelson/WireImage/Getty Images)
The weekend that six Asian women were murdered in Atlanta, Georgia, I gathered with hundreds of strangers at a rally in Chinatown, weeping silently as two dogs with "Stop Hating" signs around their necks cluelessly wagged their tails next to me. I'd been to plenty of similar events, but none that felt this viscerally personal, and I was embarrassed to be standing there, glasses blurring, in such open need of solace. I wondered what it would have been like, over 50 years ago, to see the concept of "Asian America" as the flutter of something exciting and new. Roused by the rebellions of the sixties—the Civil Rights Movement, Black Power, anti-Vietnam protests—some people of Asian descent made the conscious decision to free themselves of the marker "Oriental" and embrace a prouder, more unified political identity. "Asian American" broadcast not just what they were, but what they stood for. Following the lead of the Black Arts Movement, Asian American activists expanded their energy into artistic avenues, establishing their own cultural institutions and aesthetic priorities. They wrote poems, staged plays, choreographed dances—and, of course, they made music.
At the rally, I couldn't imagine what songs we'd use to voice our protest in the future—and whether there was a corpus of music somewhere out there that could adequately reveal the complexity of our own experiences and identities. It is evident, from the news and lived experience, that many people cannot see Asian Americans as fully-realized human beings—deserving of care, capable of passion and complexity. Instead, we are characterized as foreign threats, soulless nerds, mute seductresses, vectors of disease. This extends to the music industry, which has a history of assuming that Asian Americans don't have the interiority to generate interesting art, or the sexiness to sell it. For decades, the number of visible Asian American musicians were so few and far between that you clung onto the rare few who broke through: Karen O of the Yeah Yeah Yeahs, Tony Kanal of No Doubt, the part-Indonesian Van Halen brothers. It didn't matter how prominent the artists were, whether you really understood their relationship to identity, or even liked their music. Far East Movement topping the Billboard charts felt like a personal victory, even though my friends and I had no clue what it meant to be "getting slizzard."
In recent years, Asian and Asian American musicians have moved to prominence in certain scenes, from Mitski's cathartic indie rock to Yaeji's rewiring of house music to 88rising's attempts to market global Asian hip-hop. This year Michelle Zauner of Japanese Breakfast released Crying in H Mart, a memoir about rediscovering her Korean heritage through food, which became an instant New York Times bestseller. Still, I can feel an absence of language with which to think about Asianness in the music industry beyond the dry terms of representation politics. In 2018, NBC Asian America ran a year-end essay proclaiming that "Asian-American music shined"; tellingly, in this case "Asian American music" simply meant "music by artists who have Asian heritage"—anything from MILCK's empowerment anthems to songs off Drake's Scorpion, produced by Filipino-American Illmind.
The strategy of aggregating and promoting music based on artists' common racial identity has been adopted widely by publications; streaming platforms have done the same while attempting to show solidarity to the Stop Asian Hate campaign and during AAPI Heritage Month. It is an efficient, even understandable tactic, one that often yields laughably unimaginative results: Some of the first selections on Apple Music's "Celebrating Asian American Voices" playlist include "Leave the Door Open" by Bruno Mars and Anderson .Paak, "Deja vu" by Olivia Rodrigo, and "Taste" by Tyga feat. Offset—a selection that illuminates more about the current Billboard charts than the "different traditions, histories, and points of view" within a "vast AAPI family," as Apple suggests. (And what about the songs that are not by Asian artists, but have become anthems for Asian American communities nonetheless?)
Again and again, I see coverage that touts how rich and varied the Asian diaspora is, while falling short of reflecting any real eclecticism or intentionality—overlooking artists who may be revamping cultural traditions and, while doing so, underscoring a deep-seated musical history, or ones cultivating anti-racist ideals in their musical practice. I've been irked to see the same obvious pop, R&B, and hip-hop acts featured in lieu of someone like Arooj Aftab, the Brooklyn-based Pakistani composer whose winding, melancholic music reinterprets old Urdu ghazals. I'd rather listen to a heritage month playlist curated by ska-punk trailblazer Mike Park—founder of Asian Man Records and frontman of bands like the Chinkees—instead of Hollywood actresses. Over the years, I've come to wonder how Asian American perspectives might be better articulated holistically—especially considering that Asian instruments and musical styles have long been absorbed into Western music—and whether it's possible to excavate a meaningful Asian American musical history at all.
The history of Asian immigrants and their offspring in American music is long— though, as I've noticed, it often survives in fragments, uncovered sporadically in news articles or academic texts. During World War II, the only swing band in Wyoming was the George Igawa Orchestra, formed by Japanese-Americans detained behind barbed wire at the Heart Mountain internment camp. In the '60s, Indian sitar virtuosos like Ravi Shankar and his disciples not only introduced ragas to the Beatles, but also helped bring Hindustani rhythms and temporalities to jazz. A decade later, Chinese restaurant owners ushered in California's punk scene, and Filipino DJ crews like Invisibl Skratch Piklz helped pioneer turntablism in the '90s. "The idea of a Asian American musical tradition is interesting, because all it can ever be is a collection of scraps," says the musician and historian Julian Saporiti, aka No-No Boy. His heartfelt indie folk album, 1975—the latest release on Smithsonian Folkways Asian Pacific America series—narrates little vignettes of personal history: the George Igawa Band, a Khmer painter, his own Vietnamese heritage.
Saporiti is often compared to Yellow Pearl, a trio of New York-based activist-musicians who recorded what is considered to be the first "Asian American" album in 1973. A Grain of Sand: Music for the Struggle by Asians in America is a collection of folk songs that consist mostly of a few voices harmonizing over guitars, with occasional conga, bass, and a Chinese flute (di-zi) folded into the music. Its style is loping and conversational, but many of its ringing declarations—"We are the yellow pearl/And we are half the world"—could be cried out at a march. Shaped by years of activism and community-building, the members strive for a purposefully pan-Asian consciousness on A Grain of Sand; their most famous anthem, "We Are the Children," proudly proclaims Asian Americans as the offspring of Filipino migrant workers, Japanese camp survivors, and Chinese railroad laborers. When two of them played the song on national television in 1972, at the invitation of John Lennon and Yoko Ono, the director of The Mike Douglas Show worried that Midwestern housewives would be scandalized by their confession of "watching war movies and rooting for the other side."
Yellow Pearl got its start in 1969, as part of the nascent Asian American movement. Chris Iijima and JoAnne Miyamoto (now known as Nobuko) met at a drab office space in the Garment District, where the civil rights group Asian Americans for Action (or Triple A) was planning a demonstration against the Vietnam War. Activism was Iijima's inheritance—his mother had founded Triple A, one of the first pan-Asian organizations on the East Coast—but he'd also embraced music outside of rallies, studying french horn and guitar, emulating blues singers like Howlin' Wolf and Sonny Terry. Miyamoto, a relative novice to politics, had performed as a Broadway dancer, Hollywood actress, and lounge singer, eventually becoming disillusioned by commercial entertainment. One day, while helping shoot a documentary of the Black Panthers, she felt a tap on her shoulder. It was none other than the legendary activist Yuri Kochiyama in her classic horn-rimmed glasses, inviting Miyamoto to the meeting that begat Yellow Pearl.
Iijima and Miyamoto wrote and performed their first song in the summer of 1970, while trying to push the Japanese American Citizens League to take a stance against the Vietnam War; they'd also paid respects to the local Black Panther Party and befriended Native American protesters squatting for better housing. "Being in those spaces together stimulated emotions about who we were, what we related to, and what was important to us," says Miyamoto, who is now in her 80s. When they returned home, they started drafting more music in her basement apartment. They traveled through churches, rallies, and prisons with their songs—sleeping on friends' floors on the West Coast, becoming like "Asian American griots." By late 1970, the duo had met their third member, William "Charlie" Chin—of Chinese, Caribbean, and Venezuelan descent—at a conference advocating for Asian American Studies. They kept their music simple, gravitating toward folk not only because of its protest history, but also because its set-up was portable, just a couple of guitars and their voices.
"When we saw Chris and Nobuko for the first time, it was like wow, people are writing songs about us," says Peter Horikoshi of Yokohama, California, a '70s folk and pop quintet from San Jose that branded itself as "the second Asian American movement band." Horikoshi—who attended UC Berkeley during the Third World Liberation strikes and saw Yellow Pearl at least twice in the early days—was struck not only by their racial pride but also their solidarity with other minority communities. Their Spanish-language song "Somos Asiaticos" ("We Are Asians"), came out of their camaraderie with Latino activists involved in the squatters rights movement Operation Move-In; "Free the Land" is a tribute to the Republic of New Afrika, featuring backing vocals from RNA members including Mutulu Shakur, the stepfather of rapper Tupac.
Yellow Pearl initially had very little interest in a record deal, believing it would compromise their people-oriented ethos. But after three years of touring, they were already on the brink of parting ways. So as final hurrah, over two and a half days in 1973, they recorded A Grain of Sand in a modest, 16-track studio for Paredon Records, a scrappy activist label that documented protest music from liberation struggles around the world.
Around the same time, more Asian and Asian American artists were carving out their presence in the music world. There was the Latin jazz-rock band Dakila, a group of Filipino-Americans in San Francisco's Mission District that assembled from the remains of a Santana cover band; their only release, featuring songs in Tagalog, was put out via Epic/Columbia Records in 1972 but developed a cult following decades later. There was also the fusion band Shakti, a collaboration between an English guitarist and Indian musicians playing violin, tabla, and ghatam, which resulted in a striking blend of jazz and both Hindustani and Carnatic music. One of the most commercially successful Asian American groups of all time was Hiroshima, a Grammy-nominated fusion band that incorporated Japanese instrumentation, like koto playing and taiko drumming, into their blend of jazz, R&B, pop, and Latin music. Named after the first Japanese city bombed during World War II, their goal was to show that Asian Americans were "real people with really real lives."
What distinguished the members of Yellow Pearl as musicians was their explicit dedication to Asian American self-determination and liberation. While their folk and blues songs were not all that sonically adventurous, later musicians would toy with structure and instrumentation to create a "new Asian American music." Still rooted in Third World activism, the loosely Bay Area-based scene drew from Asian folk musics and also free jazz—music that, to quote saxophonist Archie Shepp, strove to free America "aesthetically and socially from its inhumanity."
In 1981, the Kearny Street Workshop, the longest-running Asian American arts organization in the country, staged the first annual Asian American Jazz Festival in San Francisco. As the story goes, the producers were tired of hearing their friends grumble about a lack of performance opportunities. The festival sold out during its first run, helping to coalesce an Asian American "creative music" movement that bloomed in the '80s. By and large, the main musicians associated—Mark Izu, Anthony Brown, Glenn Horiuchi, Fred Ho, Francis Wong, and Jon Jang, among others—were activists. Several were involved early on in the League of Revolutionary Struggle, a Marxist-Leninist movement formed out of the merger between Black, Asian, and Latino communist groups, although they reject the militancy and didacticism often demanded by "political art." The pianist Jon Jang, now in his late 60s, describes it simply: "We were playing music that sought to liberate us, and liberate our communities."
These Asian American improvisers found a breakthrough in Black radical politics and music—the poems and essays of Amiri Baraka, the speeches of Malcolm X, and the avant-garde jazz of artists like John Coltrane and Max Roach. Jang and Francis Wong, a saxophonist, met at an Asian American Music Workshop at Stanford in the early '80s, where Jang would talk endlessly about Coltrane and Baraka. Jang was a mail worker and labor organizer; Wong kept flunking out of school because he was too devoted to community activism. After an hour of patiently listening to Jang, Wong pulled out a copy of Unity newspaper with an article written by Baraka in it. "I had a feeling that Francis was in the know," Jang reflected.
For Wong, the concept of an "Asian American jazz" had crystallized several years earlier. At Stanford, he and a friend would discuss McCoy Tyner's Sahara, DownBeat's 1973 album of the year; its cover features Tyner holding a Japanese koto. "We'd talk about what an Asian American jazz would be like," he remembers. "Not just Asian Americans playing jazz standards—but what would we actually contribute?"
The Bay Area was especially ripe for cross-cultural exchange. The saxophonist John Handy, who rose to fame as a member of Charles Mingus' band, was playing gigs with the sitar player Ali Akbar Khan. The famous jazz district the Fillmore, known as the "Harlem of the West," bordered Japantown. Headlining the first Asian American Jazz Festival was the Afro-Asian quartet United Front—which, according to member Anthony Brown, was one of the first ensembles to incorporate traditional Asian instrumentation and sensibilities in a progressive jazz format, while also foregrounding lyrics that spoke directly to racial injustice. They integrated concepts of breathing and space that bassist Mark Izu had learned from studying gagaku, or ancient Japanese court music. "In gagaku, everyone takes a group pause called the ma," Izu says. "You can't monitor, like in Western music, whether you've added a sixteenth note."
The mid '80s were also a high-water mark for the Asian American consciousness movement, which provided momentum for new musical works. Activists rallied around the murder of Vincent Chin, a Chinese American who was beaten to death by two white auto workers; the Jesse Jackson presidential campaign; Redress and Reparations for Japanese-Americans; and more. In 1987 and 1988, Jang and Wong co-founded Asian Improv Records and Asian Improv aRts, an independent label and a performance arts organization advancing "new directions in music by Asian Americans." Asian Improv quickly became a primary organizing body for the Asian American creative music scene, embracing a new, more wide-ranging cohort of artists in later years, including the Indian-American pianist Vijay Iyer, the Iranian-American saxophonist Hafez Modirzadeh, and the Japanese-American experimental composer Miya Masaoka.
Iyer first encountered Wong and Jang in his early 20s, when he was starting a graduate program in physics at UC Berkeley and hadn't yet decided to be a lifelong artist; one of his first major gigs was at the Asian American Jazz Festival, and Asian Improv released his first album, 1995's Memorophilia. "They welcomed me into their community, when it wasn't clear South Asian Americans would be counted as Asian American," he said. "And their public way of making music, and locating it as political discourse, was really foundational for me."
Iyer was moved by how deeply other artists engaged with Black creative music while offering critical perspectives from their own heritage. He admired how Miya Masaoka "kind of fucked shit up" with her mutant kotos; she create a hulking 6-foot-long, 21-string version of the traditional Japanese instrument outfitted with motion sensors and effects pedals, and later a laser version played by passing her hands over light beams. For over 30 years, Modirzadeh studied dastgah, a Persian musical system, under the instruction of the Iranian violinist Mahmoud Zoufonoun, eventually developing his own chromatic language. And Iyer himself was seeking out rhythmic ideas from Carnatic music, but integrating them in more subtle ways, like playing a rhythm on piano recognizable to tabla players. He admits, though, that he still felt like an outlier among the Asian Improv artists. "It's nice that my album might be sold in a bookstore in Chinatown, but how do we get it to South Asian communities in the South Bay?," he reflects. "I felt like it'd be my work to figure it out."
Iyer's artistic project, as he's described it, is "considering, enacting, testing, and perhaps critiquing notions of community." This particular phrasing comes from a keynote speech he gave in 2014, in which he asks that we interrogate our own notions of belonging, and stay alert to how ethnic and racial pride, even among minorities, can harden into another form of oppression. I've returned to this speech over and over, as it became clear to me that the "Stop Asian Hate" campaign—and mainstream Asian American politics more broadly—primarily focuses on a certain kind of person, and a certain type of violence. The regard for Asian lives has not fully extended to Filipino nurses at the frontline of the pandemic, or the Sikh victims of the Indianapolis shooting, or the families suffering from COVID in India and Malaysia. It has not really extended to East and Southeast Asians elders who, rather than being openly assaulted, have been subjected to a slower death incurred by gentrification and inhumane working conditions.
In the decades since its establishment, the term "Asian American" has become depoliticized; once a coalition that sought to collectively mobilize against injustice, it has calcified into a demographic category—and one marked by cavernous contrasts. After the passage of the Immigration and Naturalization Act of 1965, an infusion of Asian immigrants came to the United States—both high-skilled laborers like my parents, whose entry in the '90s was contingent on graduate school admission, and less privileged refugees fleeing war and repression. "To me, it's interesting how early Asian American activists, mostly college-educated Chinese, Japanese, and sometimes Filipino Americans, created this identity around protesting against the Vietnam War, and decades later, Southeast Asians still don't really have a seat at the table," says Saporiti. I wonder sometimes whether it's even worth holding onto the ideal of pan-Asian unity, pining for another "We are the Children"-type anthem. Contemporary appeals to a shared Asian American identity often invoke shallow signifiers—bubble tea, for example—to foster an artificial sense of belonging. Meanwhile, many of the artists I spoke to dislike the phrase "Asian American music" out of concern that it could be essentializing, or imply a unified aesthetic. There will never be a singular notion of who or what "Asian America" is, and that makes theorizing the music so endlessly challenging.
For one, it's worth remembering that "Asian America" is a construction forged, to a substantial degree, by war and colonization. Because of the U.S. military's omnipresence in Asia, so much contemporary music, from the pioneering electronica of Yellow Magic Orchestra to psychedelia-driven Thai molam, could be said to possess "Asian" and "American" elements. The "original K-Pop stars," a winsome South Korean trio known as the Kim Sisters, started their career singing American folk, jazz, and country standards to soldiers during the Korean War. Years later, the Vietnam War would not only lead to the creation of Vietnamese rock'n'roll, but also Cambodian rock, as U.S. military radio floated across borders. "Asian American jazz is cool, but honestly, the best 'Asian American music' is on the other side of the Pacific," Saporiti says, citing favorites like the legendary Indonesian singer-songwriter Iwan Fals and Cambodian singer Ros Sereysothea.
It's even more common now for music to swerve through national borders, to sample from a hodgepodge of cultures and languages. Consider M.I.A., the brazen Sri Lankan-British rapper who made "world music" in the greatest sense—recording in India, Trinidad, and Australia, plucking from UK grime, Bollywood, punk, soca, Missy Elliott, and more. Or think about Yaeji, who oscillates seamlessly between English and Korean in her laid-back club tracks; instead of feeling like a barrier, the Korean adds an inviting textural element. On the company level, one of the more significant transnational forces is 88Rising, which, for better or worse, has attempted to rebrand Asianness into a glossy commercial product, like an Adidas campaign for the East. Despite the company's many oversights and gaffes, it has opened up unforeseen avenues for global artists, via flashy music videos and PR rollouts, a global radio station, and now a sister label focused on Filipino music.
There are also contemporary musicians who, like the aforementioned Asian American creative musicians, have embraced and reworked long-standing folk traditions, absorbing them into their own distinct perspectives. Pantayo, a quintet of queer, diasporic Filipinas based in Toronto, combines kulintang music—featuring eight, horizontally-laid gongs, amid a larger ensemble—from the Southern Philippines with pop, R&B, and punk. (As one critic cheekily described it, it sounds like "Carly Rae Jepsen if CRJ had generational trauma from centuries of colonialism.") On Lucy Liyou's recent album Practice, the experimental musician utilizes text-to-speech technology to clumsily recreate the vocal patterns in Korean pansori, a type of operatic folk storytelling. The awkward rhythms of the speech attest to a fraught relationship with one's family, a common theme in immigrant households. It reminds me of my childhood: the tedious hours of piano practice, the sense that my elders will always be somewhat unknowable to me.
When I was younger, I felt like "Asian American" was an itchy and cumbersome inheritance. I didn't know about the decades of activism and history; all I knew is that I didn't like having strict parents or being subjected to casual racism. I wanted to be spontaneous and brash, go to parties, express my political convictions, indulge in the fantasy of making serious art—and I didn't see that freedom as available to me. I was hungry for role models, any who could rattle the rigid, tyrannical ideas I'd absorbed about what Asian Americans were allowed to be. Over time, I've become wary of rhetoric that assigns too much radicalism to an artist's existence—they're visible; we are the same race; thereby I am empowered. There is plenty of music by Asian American artists that I find uninspired and even embarrassing.
If we say a piece of music makes us "feel seen," then we also owe it to ourselves to parse what about it is so invigorating, what it reveals to us about our own subjectivities. We should ask what new language it offers us, in the subtler details of rhythm, tone, metaphor, phrasing. I want more art, and our processing of it, to help assemble our personal experiences into something more than just isolated narratives. A persistent form of dehumanization against Asian Americans is the erasure of our longstanding involvement in this country, including its music. By looking to the past, and to each other, we might be able to strengthen our collective sense of belonging. We might recognize ourselves anew.


The 2006 Vega Sicilia Valbuena 5º Año ($147.99) is a red wine made by Vega Sicilia from the region of Ribera del Duero that is based on the best of tinto fino, tempranillo, merlot, malbec and cabernet sauvignon of 2006 and has an alcoholic content of 14%. The 2006 Vega Sicilia Valbuena 5º Año is the ideal red to combine with hard cheese and foie. Uvinum users evaluate this red wine with 4,1 out of 5 points and in guides it has been reviewed: robert parker: 91 and peñín: 95.
The Valbuena is obtained from plots located in concave slopes gently sloping down from the slopes of the moor.
Valbuena shows us a direct and understandable vision of the greatness of this "terroir" with the direct influence of each vintage.
The fermentation is done with indigenous yeast. After fermentation it aged in oak and bottle, five years, hence the name of the wine Valbuena 5th. French and American oak barrels 225l, new and used, vats 20,000l, a long and complex process for a great wine.
- View: Vega Sicilia Valbuena 5º Año 2006 has a cherry-red color with orange trim.
- Nose: The nose is dominated by ripe red fruit aromas.
- Palate: The palate is very balanced, tasty, fresh and elegant. In passing, velvety, round, soft tannins and wood straight. Persistent. A great wine.
PAIRING: Grilled Foie, ham and sausages, cheese, meat, cheese, red meats, grilled meats.
A great wine, which is absolutely not to be considered as a second wine. One of the rare domain to put wines on the market after years of cellar aging. It can be drunk today or keep still in the cellar for a few years.
We enjoyed it together with friends. An ideal wine to give as gift.
Violet red colour of a young wine. On the nose, red fruit and green pepper. Licorice flavour.
Shows an intense ruby red colour red. Smells good, like a mix of raspberry und strawberry. A very long aftertaste.
A 2016 goes fine with snacks.
Bright ruby red colour with reddish brown highlights. This Vega Sicilia Valbuena with its raspberry aromas might be considered as delicacy. It left a long taste.
- View: Color bruised pillory.
- Nose: spicy aroma, sweet spices, ripe fruit, complex, expressive, wax.
- View: 2006 Vega Sicilia Valbuena has a bruised cherry color.
- Nose: Nose: spicy, sweet spices, ripe fruit, complex, expressive, wax.
If you want to buy 2006 Vega Sicilia Valbuena 5º Año, at Uvinum you will find the best prices for Ribera del Duero red wine.	On sale at Uvinum, easy and 100% safe. We offer a large catalog of wine, beer and spirits which makes us the leading marketplace for wine, beer, and spirits in Europe with more than 38.000 customers trusting us.


This treatment is continuous. Your doctor will advise you how long to take the treatment for. Do not stop taking olaparib capsules without telling your doctor.
Take orally TWICE a day on an empty stomach, at least two hours before food or one hour after food. May be taken with food if you get nausea and vomiting.
Swallow the capsules whole with a glass of water. Do not break, crush or chew.
Olaparib is available as 50mg capsules. Do NOT replace with olaparib tablets as the doses are different, unless advised by your doctor.
Do not try to get pregnant or father a child during this treatment. Contraception should be used during treatment and for 1 month after stopping treatment. Ask your doctor or nurse about what type of contraception you should use.


Alpaga: A Tool for Solving Parity Games with Imperfect Information. Alpaga is a solver for two-player parity games with imperfect information. Given the description of a game, it determines whether the first player can ensure to win and, if so, it constructs a winning strategy. The tool provides a symbolic implementation of a recent algorithm based on antichains.
Authors: Berwanger, Dietmar; Chatterjee, Krishnendu; De Wulf, Martin; Doyen, Laurent; Henzinger, Thomas A.


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Abstract Acrylic Painting by British Artist Matthew Withey.
Copper Ripples is an abstract Acrylic painting inspired by rust and corrosion on metals.
Acrylic Paint on wooden panel and sold ready to hang with a fixed Black Frame and clip on reverse.
- Signed and dated on front and sold with a Certificate of Authenticity.


York Associates - Architectural Design Services . Planning Consultants - Case study a new delvelopment project.
A two bedroom dwelling within an established town. "We gained full planning permission .. .. Building Regulations approval and undertook .. .. full project management through to completion"
We designed a two bedroom dwelling within an established town within Hampshire for our Development Company. We initially gained full planning permission, Building Regulations approval and went on to undertake full project management services through to completion. This was achieved within time scale and budget, offering a ten year NHBC guarantee.
This project involved work in our specialist area 'Housing Development' and 'New Houses'.


18 Then Jehu gathered all the people and said to them, "Ahab served Baal a little; Jehu will serve him much. 19 "Now, summon all the prophets of Baal, all his worshipers and all his priests; let no one be missing, for I have a great sacrifice for Baal; whoever is missing shall not live." But Jehu did it in cunning, so that he might destroy the worshipers of Baal. 20 And Jehu said, "Sanctify a solemn assembly for Baal " And they proclaimed it. 21 Then Jehu sent throughout Israel and all the worshipers of Baal came, so that there was not a man left who did not come. And when they went into the house of Baal, the house of Baal was filled from one end to the other. 22 He said to the one who was in charge of the wardrobe, "Bring out garments for all the worshipers of Baal." So he brought out garments for them. 23 Jehu went into the house of Baal with Jehonadab the son of Rechab; and he said to the worshipers of Baal, "Search and see that there is here with you none of the servants of the LORD, but only the worshipers of Baal."
24 Then they went in to offer sacrifices and burnt offerings. Now Jehu had stationed for himself eighty men outside, and he had said, "The one who permits any of the men whom I bring into your hands to escape shall give up his life in exchange." 25 Then it came about, as soon as he had finished offering the burnt offering, that Jehu said to the guard and to the royal officers, "Go in, kill them; let none come out." And they killed them with the edge of the sword; and the guard and the royal officers threw them out, and went to the inner room of the house of Baal. 26 They brought out the sacred pillars of the house of Baal and burned them. 27 They also broke down the sacred pillar of Baal and broke down the house of Baal, and made it a latrine to this day.


The world's first water-based metallic paint for vehicle repairs has been launched by ICI Paints. It will enable refinishing businesses to reduce emissions of volatile organic compounds (VOCs) by roughly 50%.
The new product is an addition to ICI's Aquabase water-based metallic vehicle basecoat paints. The range was launched in 1985 (ENDS Report 132, pp 9-11) and is now in use in eight vehicle manufacturing plants. About 50% of the vehicles coated with water-based technology to date have used ICI's paints, the company claims.


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Larry's Country Diner
Clay Cooper Theatre (Map) Phone: 1 (800) 504-0115 · Local: (417) 544-1944
Book Now! Show + Hotel Packages Available!
Larry Black brings his famous "Larry's Country Diner" TV show LIVE to the Branson stage for a series of shows you can't miss this year!
"We really enjoy your Country Dinner Shows."
– Arnold M.
"I can't believe there will be less than 5 star reviews, EVER."
– Ruth M.
"...we loved the show and will be looking forward to attending Larry's show once again..."
– Nancy P.
Larry's Country Diner!
Larry's Country Diner in Branson!
Bill Anderson!
Your Favorite Country Stars!
Gordon Mote & Nadine!
Dailey & Vincent!
Larry Gatlin!
Jimmy Fortune!
Charlie Daniels Band!
Neal McCoy!
Hilarious Comedy!
Great for All Ages!
LIVE Music, Stories, & Songs!
Ricky Skaggs!
Bill & McKenna Medley!
Billy Dean!
7:30 pm (Gene Watson)
7:30 pm (Rhonda Vincent)
7:30 pm (Malpass Brothers)
7:30 pm (Jimmy Fortune)
7:30 pm (Mo Pitney)
Booking tip: Larry's Country Diner is very popular, advance reservations are recommended!
Package Specials! HUGE Savings With Tickets + Hotel + More!
You can also customize by adding nights, shows, and more people!
Larry's Country Diner 2-Night Package
3 Days/2 Nights Lodging (Hotels Available)
(2) Larry's Country Diner LIVE! show tickets
Free Inspiration Tower tickets (for everyone traveling)
Free Mini-Golf (for everyone traveling)
Free Branson Guest Card ($29.95 value)
Free Old-Time Photo (up to 6 people!)
Free Breakfast each morning
Questions or ready to book? Call us: 1 (800) 504-0115
$119Sale!
per couple
(total for 2 nights!)
You save up to: $241.90 (67%) off!
Special price when you attend a 90-minute travel club sales presentation (this is not a timeshare) Terms & Qualifications
No strings attached, catches, or gimmicks!
Have questions or ready to book?
Give us a call: 1 (800) 504-0115
Have package questions or ready to book?
Call now: 1 (800) 504-0115 Book My Package!
Larry's Country Diner LIVE on Stage!
One of the biggest lineups to ever be seen in Branson, Missouri – Larry's Country Diner welcomes many of your favorite country music stars for a show filled with fun, music, and one of the best live entertainment shows to be seen anywhere!
Your host for the shows will be none other than the famous Larry Black himself!
Set up in the style of the popular show – catch the stories, comedy, and music that you have come to love as Larry shares some of his favorite guests and stars in this not-to-be-missed limited engagement show!
The popular "Larry's Country Diner" makes its way to the Branson stage for an experience you won't ever forget!
With a similar look and format to the popular television show that airs on RFD-TV (and is seen by 2+ million people each month), Larry and his superstar friends invite you to take part in the music, stories, laughs, and memories in an incredible, unforgettable production.
Many of your favorite stars will take to the stage including Larry Black himself, Bill Anderson, Joey & Rory, and many, many more!
Share an evening (or an afternoon) with some of your favorite country stars in a show that is unlike anything performing anywhere in the world!
Hear some of the best music, relive some of the old stories and tales by the stars of the show, and laugh along on this two-hour musical production that you won't want to miss on your next visit to Branson.
Featuring Music Superstars!
The show will showcase the talents, music, and tales of some of the most popular acts in country (along with a few other styles of music as well) – bringing an amazing array of performers' songs to life with each show.
Recreating the popular style and format of the TV show, Larry's Country Diner in Branson will provide audiences with an up-close and personal setting for some of the most memorable performances you will ever see.
Just a few of the stars who have taken to the Branson stage with Larry and his cast has included: Billy Dean, Paul Harris & The Cleverlys, Jimmy Fortune (of the Statler Brothers), Gene Watson, Dailey and Vincent, Joey and Rory, and dozens of others!
It is a family-friendly show of unmatched proportions that every country music fan will love!
4 reviews for Larry's Country Diner
Sam & Colene Guyer – March 31, 2013
We love and watch "Larry's Country Diner" often on the RFD channel. Our favorite is Nadine. She's hilarious to watch. And we always watch the "Joey & Rory" show. They are so good and Joey has such a good country type voice. Wish their show was longer.
Also enjoy hearing all the old timers music on the "Country Family Reunion".
We are excited to be attending your show in April.
Arnold Maples – February 28, 2014
Thanks to Larry Black for bringing Country music back to our living rooms which the Grand Old Opry will not do. We really enjoy your Country Dinner Shows.
THANKS Larry!
Ruth Macdonald – March 30, 2016
My hubby and I are hopeful, his cancer will be gone and the treatments will be over by September. We love Larry and his friends! We travel to visit family and friends @ the end of April. We will be home for the Mark Lowry show, but can't see that show on Saturday, due to a tight budget. We will, however, be able to see the show in September".
And ohhh, what a show time fun we will have. Looking forward to a card reading, and a song, joke or just some down home fun! It would be an added treat if the owner of PFI was there too! I can't believe there will be less than 5 star reviews, EVER.
Nancy Pitcher – May 17, 2016
We drove from Ct. to Branson, Mo. to see several shows. We went to see Larry's Country Diner at the Starlight with Mo Pitney and his sister and brother. It was a wonderful show. However, all the other shows we attended made a point to honor the Military and we were a bit disappointed that there was no mention of our men and women retired, serving or in the reserves. We feel it is an important part of our American safety and history to have these brave people serve and they should be honored if only for a moment. Other than that complaint, we loved the show and will be looking forward to attending Larry's show once again hopefully in the near future.
Shepherd of the Hills
Down Home Country
Raiding the Country Vault
Conway Remembered
Clay Cooper Theatre
3216 W 76 Country Blvd, Branson, MO 65616


We had a disaster over the w/e and had to restore about a dozen servers from backups/replicas. All seemed to go well, except for a DC which had the PDC and RID and the other Op Master role which I can't remember.
It came back (apparently worked for about 24 hours) but now seems to be in a non-replicating state (DSA Not Writeable=4 in HKLM\System\CurrentControlSet\Services\NTDS\Parameters). Microsoft refer to this as 'USN rollback' problems, frequent when restoring from a snapshot or similar image backup . . .
Before I restored the DC I trawled these forums, and the general view was that restoring a DC was not now a problem, only requiring perhaps a few reboots etc. . . . but not in our case.
I restored from backup (not replica). Microsoft suggest that my backup should have included the 'System State' . . does this mean that I should have ticked a particular box on the backup job (which perhaps I didn't)?
Just trying the forum again, in the hope that someone might have come across this, and have some solution or suggestions (the Microsoft suggestions seem, as always, extremely complex).
We don't really want to demote and promote this back to a DC, as it has masses of other tasks like SYNC to Office 365 etc., and ADFS service.
Ah - I have found that my backup job was not 'application aware'. I am now completely lost, or is there a manual process to put things right?
I believe I recall from my past life that there was a recovery process from USN rollback that included a number of manual steps. Basically, you need to remove the bad DC completely from AD by manually cleaning up references in a few places. Try Googling for the exact process.
Yep, this was the very first link in Google searching for "recover from usn rollback"


Volkswagen AG (VOWG_p.DE) and Ford Motor Co (F.N) will unveil a deeper alliance next week that goes beyond cooperating in commercial vehicles in a move meant to save the automakers billions of dollars as they develop new technologies, two people familiar with the plan said on Wednesday. Ford and VW have been exploring closer cooperation as trade frictions force carmakers to rethink where they build vehicles for Europe, the United States and China, and as software companies prepare to launch their own self-driving cars.
The expanding alliance highlights the growing pressure on all global automakers to manage the costs of developing electric and self-driving vehicles, as well as technology required to meet tougher emissions standards for millions of internal combustion vehicles they will sell in the years to come.Slowdowns in the world's largest auto markets – China and the United States – have ratcheted up the pressure to cut costs.


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redpajama_set_name: RedPajamaGithub


You can now play Weather Forecast App for PC on a desktop/laptop running Windows XP, Windows 7, Windows 8, Windows 8.1, Windows 10 and MacOS/OS X. This can easily be done with the help of BlueStacks or Andy OS Android emulator.
Weather Forecast App For PC can be easily installed and used on a desktop computer or laptop running Windows XP, Windows 7, Windows 8, Windows 8.1, Windows 10 and a Macbook, iMac running Mac OS X. This will be done using an Android emulator. To install Weather Forecast App For PC, we will use BlueStacks app player. The method listed below is set to help you get Weather Forecast App For PC. Go ahead and get it done now.
Download and use Weather Forecast App on your PC & Mac using an Android Emulator.
Once everything is done, just open the Market in Play Store and Search for the 'Weather Forecast App'.


ODESSA - Despite falling behind early, UT Permian Basin fought back with five unanswered runs to defeat Texas A&M - Kingsville 5-4 to split their weekend series.
Both teams traded zeroes in the first before the Javelinas (25-15, 9-7) got on the board in the second with three unearned runs. The Falcons (14-22, 5-7) threatened in their half of the innings but stranded runners at second and third. The Javelinas added an insurance run in the fourth on a sacrifice bunt, but the inning ended after the trailing runner slipped rounding third and was thrown out. Trailing 4-0 the Falcon bats went to work in the bottom half of the inning.
Skyler Palermo continued his hot hitting with a lead-off single and moved to third on a double down the left field line by William Bierlein. Tyler Vlasek doubled to left to drive in the pair and made it 4-2. The Falcons tied the score at four in the fifth on a two-run home run by Bierlein with two outs, once again scoring Palermo. The teams exchanged zeroes in the sixth before the Falcons took the lead in the seventh.
Andrew Donovan started the inning with a single into right field. Pemron Burrows followed and laid down a perfect sac bunt, but the throw by the third baseman sailed down the right field line, scoring Donovan and moving Burrows to third and the Falcons leading 5-4. Nick Bartley came out of the bullpen and threw 3.1 perfect innings for the 5-4 victory and his first win of the season.
"Extremely proud of our guys battling back and being able to beat a really good team and Will Bierlein with a huge home run," said Head Coach Brian Reinke. "Can't say enough about the job Tanner Rhodes and Nick Bartley did on the mound today. Next is a quick turnaround and get ready for West Texas A&M."
Bierlein and Vlasek led the offense with a pair of hits and RBI. Bierlein and Palermo scored twice on the afternoon. Tanner Rhodes tossed 5.2 innings, striking out seven and allowed just one earned run before departing for Bartley who shut the door.
The Falcons are on the road this weekend to take on No. 16 West Texas A&M in Canyon starting Thursday evening.