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Home › Opinion › The week in review: Cullen's value is soaring, the history makers are heading towards history, and City's home record deserves to be shouted about
The week in review: Cullen's value is soaring, the history makers are heading towards history, and City's home record deserves to be shouted about
By Width of a Post on January 10, 2017 • ( 14 )
Image by Thomas Gadd (copyright Bradford City)
Josh Cullen is not only showcasing his potential, he's boosting Bradford City's reputation as a club tomorrow's stars can thrive at
Stuart McCall's comment on Josh Cullen that "it would have been a blow to have lost him" must rank as the understatement of the season. Last week the 20-year-old West Ham midfielder extended his second Valley Parade loan until the end of the campaign, just when his performances and influence on the team are reaching a new peak.
Cullen has been the pick of Bradford City performers over Christmas and early January. He just keeps getting better and better. The way in which he breaks up opposition attacks and drives City forwards deserve comparisons with a young Stuart McCall. He rarely seems to waste a pass, and has an impressive vision to spot openings. These qualities so often set him apart from almost every other player on the field. McCall would have found it very difficult to replace him.
Cullen's first loan spell was outstanding, but this season he has been even better. He has taken on more responsibility and heavily influences the way City play. The future looks so bright for Cullen, who is capable of breaking into the West Ham side within a couple of years.
And if he does, it will be to Bradford City's credit. The success of Cullen follows excellent loan spells at Valley Parade for two other bright Premier League youngsters – Jordan Pickford and Reece Burke. City's reputation as a good club to loan out young players to continues to be enhanced.
Pickford has broken into Sunderland's first team and won rave reviews for a string of impressive performances. Jamie Carragher named him in his Premier League team of the season so far. Big clubs are said to be keen to buy him. Gareth Southgate has even called him up into an England squad.
Bradford City have clearly played a part in Pickford's rise and rise – and our unusual status in League One was a key reason. Playing in front of 17,000+ plus people, with huge pressure, helped him to grow in stature. Pickford has a rocky start at Valley Parade but turned it around. His success at Bradford City gave him assurance and steel when it came to lining up at the Stadium of Light.
Cullen is on that same path. He is playing below his natural level but the pressures of turning out for a relatively big club like Bradford City will have taught him so much. To be playing week in week in competitive games that have big meaning is far more rewarding than staying in West Ham's development squad. The encouragement he is getting will be giving him so much confidence.
If Cullen – and Reece Burke – can break through at West Ham and make an impression similar to Pickford, more top clubs will look at Bradford City's role in their development and they'll be keen to send their brightest young players to Valley Parade. And as Cullen is proving, it can make a big difference to Bradford City's on-the-field fortunes.
Ched Evans looked good, but do the benefits really outweigh the baggage?
After all the headlines over the last few years, it was interesting to watch Ched Evans line up for Chestefield at Valley Parade – especially with plenty of speculation that City might be interested in signing him.
Evans was certainly the best player in a very poor Chesterfield side. He was physically strong in the air, fast in his running and skillful on the ball. His best moment was a shot from distance that smacked the outside of Colin Doyle's post.
For the second home game in a row McCall was asked about Evans post-match – and he once again played a straight bat. Whether he is interested in signing the player is unclear, though others on the transfer committee might be pushing his name. It's rumoured that plenty of clubs are considering making a bid for his services.
But is he actually worth it? For sure he would score more often in a better side, but he's still only netted one league goal for Chesterfield since August 16th. He has five league goals from 19 league appearances, with 63 shots on goal. For comparison' sake, Jordy Hiwula has seven league goals from 24 league appearances – but he has had 39 shots on goal.
Look at it another way: if City were to sign a striker from a struggling League One club with such a dreadful record – who wasn't such a well-known name – would we supporters be excited or disappointed?
And that brings us onto those reasons why Evans is a well-known name. Yes, Ched has been proven to be innocent, and the moral arguments over whether he should be allowed to play football have gone away. But even so, what he did was shocking and hardly makes him out to be a good character. Signing him would understandably upset a lot of supporters and it would clearly undermine the Bantams Family hashtag the club are promoting. Why divide your fanbase?
If Evans was guaranteed to score a hatful and deliver success, it might be worth the risk. But he isn't. Throw in the fact he's going to command a large transfer fee, and you have a massively over-valued player with horrendous baggage.
I liked what I saw of Evans the player on Saturday, but he's not worth signing in my opinion.
The remaining History Makers head in to their final months of their contracts with uncertain futures
The week of the League Cup semi finals will forever be a opportunity for us Bradford City fans to reminisce fondly. It's now four years since the astonishing two-legged victory over Aston Villa that took the club to a first major cup final in over a century. It was one of the peak moments we've all experienced supporting the club, and yet this year we can also look back on it and reflect on how far we've since come.
Of the 20+ band of brothers that made up the History Makers squad, only four are still at Valley Parade – and they're all out of contract in the summer. For differing reasons, they all might not be playing for Bradford City next season. They are the foundations of City's modern day success, but at least two of them are no longer as relevant.
Over Christmas Stephen Darby lost his place in the team to Tony McMahon, following the latter's return to fitness. It was telling that Darby – who missed the start of the season – was not given back the captain's armband when he returned from injury in September. It showed he was no longer a sure-fire starter. McMahon's early season displays at right back showed the merits of having two attack-minded full backs, and his set piece deliveries were a threat.
Darby has always been such a solid defender, but struggled to offer a lot going forwards. It's ironic that this side of his game has actually come on leaps and bounds over the last two months. McMahon is arguably a weaker defender, but straightaway has provided a lot more in the final third. City look to have more balance going forwards.
It is very tough on Darby. But just like Rory McArdle's demotion, it's a sign of just how high the standards have risen. McArdle and Darby both lined up at Northampton last week and performed really well, but the fact both were culpable for the Cobbers' goal made it easier for McCall to leave them both out again on Saturday.
Make no mistake, Darby and McArdle are good League One players. They would walk into most teams in this league. They are not going to want to stay around as back ups forever, and it will be difficult to retain them for next season.
Meanwhile it is rumoured the club are struggling to agree a new contract with James Hanson, who is thought to be amongst the highest earners. City's isues in front of goal this season are well documented, and whilst Hanson hasn't been at his best he has still outshone others. His recent performances against Bury and Northampton were excellent.
With Alex Jones arriving, Billy Clarke edging closer to fitness, Hiwula scoring more regularly and another striker being targeted, it remains to be seen if Hanson will remain first choice over the second half of the season.
The last of the history makers has no such concerns over his place. James Meredith is up there with Nicky Law and Josh Cullen for player of the season, and the Aussie must be a strong contender for a spot in the PFA League One Team of the Season. Other clubs have recently watched him and rumours of interest from Leeds have been aired.
As James told WOAP's Katie Whyatt on the eve of this season, he wants to move back to Australia when he is 31 to finish his career. That means his next contract is a big one. He has talked of wanting to remain at Valley Parade, but will understandably harbour ambitions to play in the Championship.
City's hopes of keeping may depend on which division we find ourselves in next season.
Alex Jones fits the owners' vision, but there's one small concern
It wasn't a debut to threaten a place in the Bradford City top 10, but Alex Jones made a promising start to life at Valley Parade in the home win over Chesterfield. Jones produced some good touches and had an obvious eye for goal. He struggled at times to read team mates; but given he had only trained once with them this was more than forgivable.
Jones' arrival from Birmingham is a real coup and a sign of the owners' intent. When they spoke during the summer it was evident how much they believe in signing young players who can prosper and have a resale value. That older players were brought in during the summer was very much viewed as a one-off, due to the short-term issues of a thinbare squad. They promised us they'd be ready for this January.
Jones had a good first half of the season on loan at Port Vale, which in view of the Valiant's struggles is no mean feat. The dismay Vale fans have aired over losing his services suggests City have brought in a player who can deliver much needed improvement in front of goal.
There's just one concern though – is he definitely a striker? The Stoke Sentinel's Mike Baggaley wrote that Jones played on the right wing for Vale. Both McCall and the player himself said similar things after the Chesterfield game. Jones played for West Brom and Birmingham under 21s as a striker, but his actual first team experience playing down the middle is very limited.
We've signed a few strikers over the years who struggled in their supposed best position – ultimately they ended up playing in midfield and eventually leaving. Let's hope Jones can succeed where they failed.
21 home games unbeaten is an outstanding achievement, can City set a new club record?
Remember the days when City always lost at home? It's hard to believe that last March's wretched home defeat to Colchester was the last time we were beaten at Valley Parade in the league. On that evening we were so woeful. I wrote one of my angriest ever WOAP match reports on the train home.
Saturday's victory made it 21 unbeaten at home in the league since. 13 victories, eight draws, 13 clean sheets and just 10 goals conceded. Valley Parade is truly a fortress.
The excellent Goodbrand Stats tells us that City's club record unbeaten home run is 25; achieved in between May 1976 to August 1977. So five more unbeaten home games will see more history made in the modern era. If City avoid defeat to Millwall, Gillingham, Bolton, MK Dons and Peterborough, they'll set the new record.
Whatever happens, the home form is outstanding. Valley Parade was unusually quiet on Saturday, but the atmosphere all season has been fantastic – continuing on from recent years. During McCall's first spell – with City just relegated to League Two – the mood around the place could so often be mute. Boos were aired very quickly.
Now, Valley Parade is such a positive environment. A special place to be. We supporters have played a big part in the fact City are one of only six teams in the four divisions to remain unbeaten at home.
‹ Doing the (January) business
Who is Bradford City's greatest ever goalkeeper? ›
Tags: Alex Jones, BCAFC, Ched Evans, James Hanson, James Meredith, Jordan Pickford, Josh Cullen, Reece Burke, Rory McArdle, Stephen Darby
Steve Whittaker
Another great article. Not seeing much of City these days as having an extended holiday with my grandkids in Oz at the moment. I am hoping I haven't seen my last game but should we sign Ched Evans my season ticket will be returned. I have 2 daughters and though he was found not guilty (on appeal) I can not condone his actions or support a team which employs him. I have supported City now for 56 years and will miss my days at Valley Parade but if he is signed so be it as my family club will have ceased to exist.
Luke Lockwood
I'm not fussed about the signing of Ched Evans. If Greg, Stuart and the guys in charge think he is the right man to continue the push then I'm happy for him to come on board.
As the point has been repeatedly made we have taken Lawrence to our hearts as a hero of this football club and looked beyond incidents in his past. We have also employed other less than reputable characters and I believe we have only taken against this case as it was so high profile. Ched Evans won't be the only 20 odd year old footballer to have cheated on his girlfriend but we are not judge and jury for what happened that night.
The point is how he would behave as a Bradford City footballer – the reason I really took against Lee Hughes was that he seemed to relish the limelight and did not appear to be at all remorseful. Whatever happened Evans was young, dumb and stupid but should count himself very fortunate to be back playing football. My hope with Ched is that McCall would consult the dressing room before such a signing and ensure the squad would be happy to have him as part of it as they appear to be a tight group now.
Otherwise I'm not at all concerned with Jones having played from the right hand side at Vale. One of our greatest goal scorers Dean Windass played a large proportion of his career as a midfielder and he didn't do too bad when we resigned him as an out and out centre forward. Thierry Henry, Cristiano Ronaldo and Lionel Messi haven't done badly from the transitioning from wide player to central striker either.
He didn't end up in court because he cheated on his girlfriend. He ended up in court because he followed his mate back to a hotel room who had picked up a drunken woman, and then sneaked into their hotel room
So you wouldn't want to see Rooney, ferdinand and lampard at city? ?
They've all broken the moral code
Lukao
January 10, 2017 • 12:03 pm
The idea of Ched Evans signing reminds me of your article about James Hanson, and whether supporters have different responses when celebrating the achievements of different players.
Could I support a city team that had Evans in it? I'm sceptical, though maybe, at a push, my love for the club would overrule my brain, but could I celebrate a Ched Evans goal in the same way I do a James Hanson goal? Not a chance.
The Evans case was complicated and the moral argument extends far beyond the wilfully simplistic brigade's 'he's been proven innocent' (see this, for one example https://www.theguardian.com/commentisfree/2016/oct/17/the-guardian-view-on-ched-evans-reconsider-the-law).
I don't think I could go as far as Steve's commendable approach above if he were to sign. I'd probably still call myself a fan, but it would be with nowhere near the same level of pride.
Fair and balanced comments, there. I most certainly will only applaud Evans scoring on the pitch, not off it. On the Jones front ? Let's give the lad some game time before passing judgement. If he's a successful N0 9, then great – we have yet another player who can play in two positions.
A case of time will tell in both instances.
We've had our fair share of bad boys down the line … Jamie Lawrence (Armed Robbery), Peter Beagrie (Indescent Assault), Jake Speight (Domestic Assault), and Gavin Grant (Murder) to name a few. A few of those were legends amongst many fans.
Woody makes a good point.
Beagrie and Lawrence who were both found guilty and didn't have their convictions quashed are considered as Legends by many of the same people who are now saying that we shouldn't sign Evans due to his past.
Because of that the decision should be made for footballing reasons only in my opinion.
I was on the fence regarding Evans before the weekend but having seen what he has to offer I think he's worth going for if the price is right.
I can't say I'd return my season ticket if we signed Evans, but I say our hard-won reputation as a family club with squad and team united by a common spirit would be damaged, maybe beyond repair.
He was convicted for a horrible crime, did not serve his time, has never shown any remorse or sympathy for the victim, and seems to have succeeded with his appeal thanks to a one-sided website run by his supporters, and some amazing bending of the usual rape-case conventions.
If one considers a young person suffering for a bad decision, then what about the girl, forced to move and change identity due to internet hounding?
Finally, I would hate to hear the vile songs I heard Sheff Utd fans singing about Evans and the girl from any City fans.
No, Evans is not our kind of player.
Steven J
Ched Evans did serve his time. He was sentenced to five years and served two and a half years, having been granted remission.
Nick White
Get Evans signed. I think the dust as settle now with his signing for Chesterfield and him being found innocent. Him and Jones up front could be dynamite.
Don Kiddick
Agree Nick,the guy spent 2 1/2 year in prison, later to be found not guilty and people still choose to hound him. Now settled with a family, its time for people to move on, let him live the rest of his life. As for signing him, if the chance is there then get it done. Quality player at a knockdown price.
Wolfysmith
Regardless of whether he was or wasn't innocent of the crime he served time for, or his abilities as footballer, I wouldn't want to see him wearing the claret & amber.
And that's simply because Ched Evans polarises opinion. You only have to see that on here and other websites.
We want players we can all get behind. Not players who some will want to fail simply because of who he is and what he represents.
And there we have yet another conundrum. It's OK to say Jones and Evans could be a great partnership, but who really knows. What if ……. the changing room was as divided as all those views on social media. No-one has asked if Alex Jones would be happy to have Evans as a team 'mate'.
I know I'm not alone if I suggest I have worked with a person I disliked immensely – that 'partnership' was strained, and saw limited success. If Jones were a lad of high morals, then would it work ?


Furthermore, the hope is to make this a sustainable effort by putting in place the means for the public — residents and visitors, hikers, campers, picnickers, fishermen, loggers, mountain bikers, forest planners, ecosystems managers, bear biologists, etc. – to continue the work in future years.
In addition to his field ecology and sound recording work, Wilkes will offer several public programs, including workshops that will provide residents and visitors with information on contributing to the ongoing sound file collection on the White Mountain NF.
Mead Base is the southernmost entry to the WMNF. The Base includes an old farmhouse, several outbuildings and cabins and three campsites on 11 acres. Friends of Mead Base Conservation Center, through a lease from the US Forest Service, preserves and maintains this historic property for the public's use.


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A new life for Kalpana!
April 1, 2019 | By wildlife@dmin
The poaching of wild elephants for captivity is not only unimaginably cruel to the individual elephants poached, it severely threatens the future of elephants in India. Following the capture from their natural habitat, abuse and suffering become an everyday life occurrence for these captive elephants.
Kalpana's story is representative of the life of many begging elephants in India, whose owners view them only as money-making machines. Kalpana was a victim of this cruel commercial exploitation, and has been left with a lifetime of painful disabilities at the young age of just 35 to 40 years.
Life for Kalpana was a long continuous nightmare, from which she had no respite in sight. There was always more money to be earned, more places to be begged at and more processions to attend. Every ounce of strength that she had in her had a monetary value. Every day after a torturous session where her master would paint designs on her trunk, her strenuous routine of navigating through towns and villages to beg for alms would begin. It did not matter if walking on hot concrete were damaging her feet or if the sharp stones were leaving her with painful wounds, for if she resisted, she knew the consequence would be dire. Kalpana had learnt from a young age that if she expressed pain, she would be punished with even more pain.
Co-founder Kartick Satyanaryan befriending Kalpana before attempting to load her on the ambulance.
This complete submission of Kalpana was a boon for her owner: he could make her work as much as he liked. Even after a long, tiring day, Kalpana was booked to go to weddings, religious ceremonies and processions. Jam-packed spaces and blaring sounds from the loud-speakers would add to her mental stress.
About half a year ago, Kalpana was adorned with heavy decorations to "grace" a wedding. The drill was simple: Kalpana would walk to the venue, stand there as people took photos of her, and then be walked back to wherever her keeper liked. However, things took a horrible turn that day. Under the influence of alcohol, Kalpana's keeper made her step into a ditch. The uneven ground, coupled with the weight of the decorations over her, caused Kalpana to lose balance and injure her right front leg. However, instead of receiving immediate veterinary attention, her owner and keepers brushed the injury aside, deeming it nothing too serious. The owner was ready with his arsenal of tools to keep her walking. He would not shy away from poking the bull-hook behind her sensitive ears and/or poking it on her body. Despite the excruciating pain that she was in, Kalpana walked for hours and hours. Her painful injury never healed properly, and it subsequently led to the fusing of the joint in her front leg.
Kalpana very cooperatively stepped onto the ambulance to embark on a kinder future.
The world was literally a dark place for her: she is completely blind in her left eye and her right eye too has started to cloud. The only way she could navigate through her surroundings was through her strong sense of touch. For nearly four decades, there was nowhere she found comfort and repose. In fact, with every change of hands, a fresh new bout of cruelty came along. Kalpana was yet to meet kind hands. Hands that would understand her plight and put her misery to an end.
The journey to the WSOS Elephant Hospital lasted nearly 4 hours.
When our team found Kalpana in Firozabad, Uttar Pradesh, they saw this neglected pachyderm walking on tarred roads in the blazing sun, with her keepers sitting atop her. She was a sorry sight as she was wobbling to balance the weight on her back while walking with a stiff wrist. Her nails were overgrown and cracking, while her foot-pads appeared to be thinning. In fact, as she was eating the dirt and mud surrounding her, our team suspected that perhaps her gut was host to worms. Her sunken temples indicated that she was dehydrated as well. She needed urgent help and we worked quickly to bring it to her.
Kalpana arrived at the WSOS Elephant Hospital early in the morning.
The Wildlife SOS Elephant Ambulance was en-route to bring Kalpana to the Wildlife SOS Elephant Hospital on the evening of March 31st, 2019. The ambulance was packed with watermelons, pumpkins, ripened bananas and sugarcane for dear Kalpana. The team comprised of our keepers, veterinarians and our co-founder Kartick Satyanarayan, who reached the site at midnight.
Kalpana was extremely calm and cooperative throughout the process of loading her onto the ambulance in the middle of an open field, as the keepers quickly found out that she had a soft spot for ripened bananas. Once loaded onto the truck, Kalpana's journey towards a kinder future lasted nearly 4 hours, and she arrived at the breaking of dawn on the 1st of April.
Kalpana enjoying a serving of soft green fodder inside the WSOS Elephant Hospital.
At the WSOS Elephant Hospital, Kalpana will be subjected to a series of physical and serological examinations to better assess her health status. Following this, our team of veterinarians will develop an intensive treatment plan for her.
From the bottom of our hearts, we want to thank all our supporters who stood by Kalpana throughout this journey.
Tags: abused elephant, animal cruelty, asian elephants, begging elephant, Elephant Ambulance, Elephant Conservation, Wildlife SOS, Wildlife SOS Elephant Hospital
Elephant of the Month: Suzy
Jai Makes His Way Home: Updates From the Field

redpajama_set_name: RedPajamaCommonCrawl


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Dunmow Union Workhouse
[S.l. : s.n., 1839?
Building sites > Sanitation > England > Great Dunmow (Essex)
A letter to the land owners and other contributors to the poor's rates in the Hundred of Dangye, in Essex /
by: Wakefield, Edward, 1774-1854
A report on the sanitary condition of Plymouth
by: Odgers, W. J. (William James)
An account of the tenures, customs, &c. of the manor of Great Tey in the county of Essex in a letter from Thomas Astle, Esq., to the Right Honourable the Earl of Leicester ...
by: Astle, Thomas, 1735-1803
Sanitary ramblings being sketches and illustrations of Bethnal Green, a type of the condition of the metropolis and other large towns /
by: Gavin, Hector
Speech of the Marquess of Normanby in the House of Lords, on Friday, the 26th of July, 1844 on moving an address to the crown on the sanatory condition of the people.
by: Normanby, Constantine Henry Phipps, Marquess of, 1797-1863
Bennett & Brachman's hospital infections /
National granaries versus "union workhouses"
by: Gale, Robert
Letter to Lord Morpeth on the health of towns billan
by: Townsman
Sanitary economy its principles and practice, and its moral influence on the progress of civilisation.
A statement and calculation of the various expenses incident to the entering upon a farm of 200 acres, of wet heavy land ... to which is added, an estimate of the returns, at the expiration of the first year.
by: French, Joseph
Lord Western's practical remarks on the improvement of grass land by means of irrigation, winter-flooding, and drainage, originally published by him in the year 1824, in a letter to the owners and occupiers of land in the county of Essex.
by: Western, C. C. (Charles Callis), Baron Western, 1767-1844
Remarks upon prison discipline, &c., &c in a letter addressed to the lord lieutenant and magistrates of the county of Essex /
At a generall asse[m]blie of the iustices of the pea[ce] ...
Two reports from the Committee appointed to enquire into the condition of the poor at Saffron Walden in the county of Essex and some account of the cottage allotments in the adjoining parishes of Littlebury and Wenden /
by: Braybrooke, Richard Griffin, Baron, 1783-1853
A proposal or plan for an act of Parliament for the better paving, Lighting and Cleansing the Streets, Lanes, Courts, Alleys, and other open Passages, and for removing of Nusances as well within the several parishes of the city and liberty of Westminster, as of St. Mary le Bone, St. Giles's in the Fields, St. George the Martyr, St. George Bloomsbury, that Part of St. Andrew Holbourn which lies in the County of Middlesex, the several Liberties of the Rolls and Savoy, and that Part of the Duchy of Lancaster which lies in the County of Middlesex. By John Spranger, Of Covent-Garden.
by: Spranger, John
An account of the tenures, customs, &c. of the manor of Great Tey, in the county of Essex, in a letter from Thomas Astle, Esq. to the Right Honourable the Earl of Leicester. President of the Society of Antiquaries.
The landed society and the farming community of Essex in the late eighteenth and early nineteenth centuries /
by: Shrimpton, Colin
Report of the committee appointed to carry into effect a plan for ameliorating the condition of the poor at Saffron Walden, in the county of Essex and some account of the cottage allotments in the adjoining parish of Littlebury.
Suggestions for improving the sanatory state of London & its environs slightly modified from the scheme submitted to the metropolitan Commissioners of Sewers in 1849 /
by: Netherway, Robert
Report on the state of Newcastle-upon-Tyne and other towns
by: Reid, D. B. (David Boswell), 1805-1863
Sanitary rules and regulations for the cities of Panama and Colon Reglamentos generales de sanidad y construcciones para las ciudades de Panama y Colon.
Microbiological clinical hygiene /
The control of infections in hospitals : with special reference to a survey in Ontario /
by: Le Riche, W. Harding (William Harding), 1916-2010, et al.
A rural society after the Black Death : Essex, 1350-1525 /
by: Poos, Lawrence R. (Lawrence Raymond)
Regenerative Sanitation : a New Paradigm For Sanitation 4.0.
by: Koottatep, Thammarat
Report of Henry Austin, Esq., C.E., honorary secretary to the Health of Towns Association on the sanatory condition of the city of Worcester : with an appendix by Edwin Chadwick.
by: Austin, Henry, 1809 or 10-1861
Report on the state of large towns in Lancashire
by: Playfair, Lyon Playfair, Baron, 1818-1898
Supporting improving primary schools : the role of heads and LEAs in raising standards /
Infection control IC.
The right to sanitation in India : critical perspectives /
Report on the state of Birmingham and other large towns
by: Slaney, Robert A. (Robert Aglionby)
PBS NewsHour.
Development and validation of an analytical method for determination of polyhexamethylene biguanide level in the presence of quaternary ammonium compounds in recreational water
by: Rowhani, Touraj
A letter to a memeber of Parliament concerning Dagenham-breach occasion'd by the late ruin of the works there /
by: Gillmore, Joseph
Essex pauper letters, 1731-1837 /
First report of the commissioners appointed to inquire whether any and what special means may be requisite for the improvement of the health of the metropolis with minutes of evidence /
The past, the present, and the probable future supply of water to London with observations in respect of improved sanitary measures : accompanied with a financial scheme for carrying the long-desired reform into effect, and entirely subverting water-rates : with illustrations, showing the geological formation of the London basin, and some of the principal artesian wells now in operation in and about the metropolis : in a letter (by permission) to the Right Hon. Viscount Morpeth, M.P., chief commissioner of Her Majesty's woods and forests /
by: Tabberner, John Loude
First-[third] address of the committee of the Liverpool Health of Towns' Association to the working classes.
Report on the supply of water to the metropolis /
A report on the sanatory condition of the borough of Sheffield also, an appendix to the first edition, containing a report on baths and wash-houses, &c. /
by: Haywood, James


As of this writing, the jury is still out. I refer to the six men and six women tasked with making sense of the Paul Manafort trial and reaching a verdict on whether he deliberately violated tax and banking laws.
I've said many times that I wish President Trump would think twice before hitting the "Send" button on Twitter.


Printed on Fujicolor Crystal Archival Photo Paper.Frame not included. Actual color might differ depending on your screen's calibration. Prints ship within 3 business days.
Printed on Fujicolor Crystal Archival Photo PaperFrame not included. Actual color might differ depending on your screen's calibration. Prints ship within 3 business days.


In Two Years Below the Horn, engineer Andrew Taylor vividly recounts his experiences and accomplishments during Operation Tabarin, a landmark British expedition to Antarctica to establish sovereignty and conduct science during the Second World War. When mental strain led the operation's first commander to resign, Taylor—a military engineer with extensive pre-war surveying experience—became the first and only Canadian to lead an Antarctic expedition. As commander of the operation, Taylor oversaw construction of the first permanent base on the Antarctic continent at Hope Bay. From there, he led four-man teams on two epic sledging journeys around James Ross Island, overcoming arduous conditions and correcting cartographic mistakes made by previous explorers. The editors' detailed afterword draws on Taylor's extensive personal papers to highlight Taylor's achievements and document his significant contributions to polar science.
Andrew Taylor (1907–1993) was one of Canada's foremost polar explorers. An immigrant to Canada from Edinburgh, Taylor earned his engineering degree from the University of Manitoba in 1931. Before joining the Canadian Army, he was Town Engineer in Flin Flon. MB.
Daniel Heidt is a Research Fellow as well as the Research and Administration Manager at the Centre on Foreign Policy and Federalism, St Jerome's University.
P. Whitney Lackenbauer is a Professor in the Department of History at the University of Waterloo.


Lion is one of Australasia's largest food and beverage companies, employing approximately 6,700 people across Australia and New Zealand. With a proud history extending back to 1840, they market premium brands in the dairy, juice, soy, beer, cider, fine wine and non-alcohol beverages categories.
They are proud to be home to the number one beer in Australia, XXXX GOLD, and six of the top 10 beer brands in New Zealand. Their brands are also market leaders across the dairy and juice categories.
This diverse portfolio, produced across 34 sites, collectively generates revenues of around $5 billion each year.
Visit 'For the Long Term – Lion's sustainability and shared value microsite.


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Behind The Gear at The Record Shop Part 3: Tube Tech CL1B
In part 3 of Behind the Gear at The Record Shop, we take a look at the Tube-Tech CL1B Opto Compressor; a device that has become a studio standard since its release in 1987. The CL1B was developed by Tube-Tech founder, John Peterson. John began his career as a maintenance engineer at the Danish Broadcasting Company. Educated as an electrical engineer, he could usually be found refurbishing gear in his spare time. In the early 80's his interests turned to tube driven devices such as the Pultec EQ and the Teletronix LA2A. As was the case with many of today's audio manufactures, John witnessed the growing market for vintage equipment as the quality of modern products was, believed by many, to be declining. He began designing his own renditions of classic equipment, and the rest is history. Tube Tech is now a mainstay in the world of audio, and they continue to produce superior quality tube equipment that has been utilized by everyone from The Rolling Stones to T-Pain.
The design of the CL1B was modeled after the Teletronix LA2A, a classic tube limiter that has been a standard in recording studios since its release in 1965. John set out to build a device that offered the warm, musical compression of the LA2a Limiter, but with the added features of a compressor. The LA2a has only two controls, Gain and Peak Reduction. The attack and release times are fixed. The CL1B features a fixed attack and release mode, but also provides additional ratio, threshold, attack, and release knobs. This allows us greater flexibility to achieve the perfect settings for a variety of applications. The Cl1B has another unique setting called Fixed/Manual Mode. This setting has a fixed, fast attack and variable release. You would think that this compressor would come with a two week class to learn how to utilize all of these options. However, the operation is fairly simple and always produces great results.
We lean on this compressor mainly for Vocals and Bass. On vocals we often use the CL1B, in conjunction with an 1176 or Distressor, to add a smooth, warm compression that helps the voice find its space in the track. In the bass world, the CL1B is great at taming the tone, but if you're going for punch, we lean on some of our other options such as the 1176. From time to time, we will throw a snare or kick through the blue monster to give it some extra warmth as well.
One trick that we have found to be pretty exciting on vocals, is an extreme compression setting that can result in some pretty wicked tube saturation. We start by setting the attack all the way to the left, with a medium release and 10:1 ratio. Next we increase the threshold to hit -10 or so DB of gain reduction; tweaking the ratio and release to taste until the vocal starts to drive. The result is an analog tape like compression that can be perfect for a rocking vocal.
Thanks for dropping by! Check back next week for our next installment of "Behind The Gear at The Record Shop", where we take a look at a throw back to Abbey Road, the Chandler TG1 Limiter. In the meantime, feel free to drop by our Gear Page for more information on our vast array of equipment.
October 14, 2011 /0 Comments/by The Record Shop
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Behind The Gear At The Record Shop Part 2: Purple Audio MC 77
Welcome back to behind the gear at The Record Shop. Are you ready to roocccck!?!?!? (cue stadium of screaming fans) This week we take a look at the Purple Audio MC77. The MC77 is a superior recreation of the legendary URIE 1176 Peak Limiter. This piece of gear bleeds rock and roll. If it was magically transformed into a person it would make Slash look like Yanni. From Drums to guitars to vocals, this thing will give you clarity, punch, and attitude for days. Let's start by giving you a quick back story on the MC77's estranged father, the URIE 1176.
The 1176 was designed by audio legend, Bill Putnum in 1967. Bill was a revolutionary in the audio world. He is noted to have been the first cat to use artificial reverb, double a vocal recording, and develop a multi-band equalizer. So it is no surprise that he was also the dude that created what is arguably the most commonly used limiter in modern recording. The 1176 became the first true peak limiter with solid state circuitry. It was popular for its super fast attack time, resulting in a signature tone that can be heard on countless records.
In 1997, a new audio company called Purple Audio released their first product, the MC76 (If you paid attention in roman numeral class you'll get it). Designed by Andrew Roberts, the MC76 looked like an 1176 that Barney got a hold of in the restroom, and it sounded like one that hung out with Jose Canseco (if your not hip to baseball or the news, he did a lot of steroids). It had all the vibe of a vintage 1176 without the price tag, and it quickly became a highly sought after piece of gear. The MC77 is an update of the original with a few extra features.
Aside from the paint job, the MC77 really stands out in the crowd. It has the sonic characteristics of the classic, vintage 1176 with an improved high frequency response and added grit. We've used it on just about everything when we are looking for something to give a track some attitude. If we want to add some punch to drums, smooth out guitars, round out a bass, or put some rock in a vocal, the MC77 delivers every time.
We have one trick in particular that produces some really unique results. But in order to explain clearly, let's start with a story. At some point back in the day, there was an audio engineer who spent way to much time playing with the gear in the studio. One day he said, "Hey, I wonder what would happen if I pressed down all of the ratio buttons on this limiter at the same time?" Once he had all four of the ratio buttons locked in place, he cranked the input and the rest is history. There are a few different names for this trick; all buttons in, nuke, British mode; but the result is a super compression that has been used to create some really unique sounds. I'm a big fan of smashing the drum room mics with this setting. The setting creates a lag in the attack time, resulting in extra punch, and a drastic compression slope, resulting in a quick drop in level. As this push and pull repeats with each transient hit we can achieve a rhythmic pumping of compression that breathes with the track and amplifies the "room sound". Listen to any modern rock record and your bound to find this effect in play.
And that concludes this evenings presentation. Check back next week for our next installment of "Behind The Gear at The Record Shop", where we take a look at another colorful device, the CL1B tube compressor. In the meantime, feel free to drop by our Gear Page for more information on our vast array of equipment.
October 5, 2011 /0 Comments/by The Record Shop
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News!!!!
The Record Shop teams up with The Funky Umbrella
A little over a year ago I was out catching a set with one of our artists. I noticed a guy with a camera darting back and forth across the front of the stage in what looked like gymnastics maneuvers, but what was most likely his valiant efforts to catch the best shot he could in the crowded venue.
We were looking for a new addition to our video production team so I asked the club owner if he knew the guy. He said, "Oh ya, that's Kaz, he's here all time. He films all of the bands and offers them a great deal on the footage after their set." I thought, "What a great concept. This is the type of dedicated, big picture work ethic that we're looking for." Of course before I was able to grab his attention, I got sidetracked with some friends, and we were headed to the next venue.
I was disappointed that I didn't have a chance to chat with him. From what I could tell, this Kaz character was the hardest working videographer in Nashville. However, the disappointment was short lived. Sure enough, the next night I ran into him at a different venue. Or maybe it was his clone. I swear the dude is everywhere.
As our video department expanded we brought Kevin on for a few gigs and he nailed the project every time. He was always ready to work, but if he was ever tied up with another gig, Kevin would make some calls and have a crew ready for us right away.
So you can imagine that I was floored when he told me about his involvement in a new multimedia company called The Funky Umbrella. It is essentially a team of Kazanaters that have an unwavering dedication to their work and a genuine support of their clients. Could it be true? Did I finally find our match made in heaven? The Funky Record Umbrella Shop? While the name is a work in progress, I'm blessed to have the pleasure of working with these guys.
The Funky Umbrella is a unique media company that offers a wide variety of services under…….. (wait for it) one umbrella. They provide video, photography, web design, branding, and much more. But this ain't the "one man, one stop shop" you're used to. The Funky Umbrella has an amazing team of professionals, each with a specific skill set, working collectively to offer a comprehensive package of services for everyone from musicians to executives. (After reading that I realize I sound like I could be narrating their latest commercial, but what the hell, these guys are great!) But I'll get off the soapbox and let you see for yourself.
Check out Thefunkyumbrella.com
The Funky Umbrella has teamed up with The Record Shop to handle the production of Balcony TV as well as our live video shoots and artist press kits.
We are stoked to be providing audio recording and mixing for The Funky Umbrella's productions as well.
I am very excited about this new partnership (can you tell?) and look forward to continue offering our friends valuable resources in the development of their projects. Among our recent work, The Funky Umbrella and The Record Shop have teamed up with Lightning 100 to produce a video compilation of the Live On The Green Concert Series featuring Will Hoge, Los Lonely Boys, Edwin McCain, Ten out of Tenn, Here Come The Mummies, Brett Dennen, and many more. You can catch the videos here…. Don't forget to check out The Funky Umbrella on Facebook to see their latest work and viral resources!
Catch you next time
therecordshop1 (@) gmail . com
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Behind The Gear at The Record Shop: Part 1 – Empircal Labs Distressor
If I was stuck in a studio on a desert island, and could only choose one compressor to bring with me, I'd grab a Distressor. The Distressor is without question the most verstile compressor on the market. If you walk into any professional recording studio in Nashville, or around the world, you're bound to find at least one of these pieces in the room. If you drop by The Record Shop, you'll find four of them. Why, you might ask? One, because its a bad mama jama. Two, because it adds a classic sound to digital recordings. Three, because we work on such a wide range of projects, we are often going after a different "sonic vibe" from song to song. The Distressor gives us the ability to shape the sound to fit the song. In this segment of "Behind The Gear" we'll discuss how we utilize the Distressor here at The Record Shop, and offer some tips for using it on your own. So where did this magical piece of studio gold come from? Read on…..
Empirican History EL8X
The Distressor was developed in 1995 by Dave Derr. Dave started Empirical Labs as a recording studio and electronics consulting firm. He was also part of the design team at Eventide that created the H3000, a legendary effects processor. It's clear that this experience played a big role in the innovation of functions on the Distressor. Simply put, Dave took the best features from a number of classic studio compressors, added modern functionality, and ease of use, while maintaing a "vintage" tone. As The Empirical Labs motto says, "We want to make products that work a little easier, a little better, and a lot longer – and make sure they are fun to use." I think they've hit their mark.
-If you are interested in learning about the history of the Distressor and Empirical labs, check out this article at Mercenary Audio. The guys have a great story about how they helped Dave name the Distressor-
Vintage Features
Back in 1997, Mix columnist Paul White said this about the Distressor, "If you're one of those people who believe only tube technology can deliver the true classic sound, a few minutes spent using the Distressor might cause you to re-think your position." While digital recording technology continues to improve, we still turn to analog gear for its "musical response" and "warmth." Usually, the word "warmth" refers result of tube saturation that creates a round, full sound. However, in the case of The Distressor, warmth is more like an adjective. Here are some of the features that make the Distressor so unique.
–Distortion Modes
The Distressor has two distortion modes that emit a warm, harmonic distortion to the audio signal. The Dist 2 mode enhances the second harmonics, similiar to the saturation of a Class A Tube. The Dist 3 mode features a third harmonic that has the qualities of a Class B tube, or analog tape machine. We often use the Distressor for these modes alone. By setting the ratio to 1:1, you can process the sound using these settings without compressing the signal.
-Detector Modes
The Distressor also features two audio modes that vary the response of the device. The first detector mode is the High Pass Filter mode (HP). In the HP mode the Distressor does not react to low frequency energy in the sound source. This keeps the Distressor from reacting irrationally to a sudden rise in low end, such as a "b" or "p" sound from a vocalist. The second detector mode, called the "band emphasis" mode, makes the compressor react more drastically to harsh sounds in the high-mid frequency range. This mode can be useful on a vocalist that has a piercing tone to their voice on high notes, or to offer an smooth "analog" texture to an instrument.
Another unique design feature of the Distressor is the Ratios and Curves. Compressors generally have seperate threashold and ratio controls. The threashold sets the volume level at which the compressor starts to work, while the ratio determines how drastically it reacts. In the case of the Distressor, the threshold has been strategically determined within the ratio that is selected. The Distressor has eight ratio options to choose from. Each setting provides a unique response to the signal, exhibiting a musically pleasing effect on everything from subtle compression to dynamic destruction.
-For more detailed information on the Ratio settings of the Distressor, check out the Empirical Labs website here….-
At The Record Shop, we use our Distressors mainly on Vocals, Drums, Guitars, and anything that calls for a "classic" or "gritty" vibe. We love the "Nuke" mode, a setting that makes the distressor act as a "brick wall" limiter, with a unique release slope. This setting is great for big room sounds. We also make use of an option called "Brit Mode" that simulates the effect of the classic 1176 Limiter set to "all buttons in." (a setting that became popular in 70's for aggressive drum compression.) The Distortion modes are an invaluable assest to the Distressor and can be heard on nearly every recording that comes out of The Record Shop. The most useful feature of the Distressor is its overall tonal cahrecteristics. It is a great option for anything that needs to be smoothed out, warmed up, or given some edge. If you would like to hear more examples of how we utilize the Distressor, leave us a comment and we'll send you our favorite settings.
Check back next week for our next installment of "Behind The Gear at The Record Shop", highlighting the legendary 1176 Limiter. In the meantime, feel free to drop by our Gear Page for more information on our vast array of equipment.
September 19, 2011 /0 Comments/by The Record Shop
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Sonoma Wireworks teams up with Terence Higgins for DrumCore
Sonoma Wire Works Releases HigginsPack, a New DrummerPack for
DrumCore
–New Orleans funk drum grooves by Terence Higgins of The Dirty Dozen
Los Altos, CA – August 19, 2010 – Sonoma Wire Works has launched the
HigginsPack DrummerPack for DrumCore. Terence Higgins, drummer for
The Dirty Dozen Brass Band, brings DrumCore users unique New Orleans
marching style drum loops, variations, fills and drumkit sounds with
a dash of hip hop, funk, R&B, and soul. Higgins says this DrummerPack
is "guaranteed to add a little grease to your tracks."
HigginsPack was recorded by the original Submersible Music team, and
was pre-configured by them with metadata for use with the DrumCore
search engine, which will help you find content based on feel
(straight, shuffle, etc.), time signature, tempo and other criteria.
Songwriter-friendly "GrooveSets" group related beats, variations
and fills to serve as a construction kit for song creation. All audio
is 48kHz/24-bit and created in a pro studio using state-of-the-art
digital (ProTools HD3) and analog (Neumann, Neve, etc.) recording
equipment. DrumCore works with all the major audio applications and
supports dragging audio and MIDI directly to tracks in applications
such as ACID® 7, Digital Performer® 6, Live 6 and up, Logic Pro® 8
and up, Pro Tools® 7.4.2 and up, Cubase® 4 and up (32 bit), and
Sonar™ 8 (32 bit).
HigginsPack includes 3.5GB of content including 7 DrumKits (24 pads
each) that match 7 GrooveSets (360 audio loops, 427 audio fills, 97
MIDI loops and 41 MIDI fills).
HigginsPack GrooveSets:
Bourbon Street Strut – A traditional slice of New Orleans march.
Intricate rolled snares with some bouncing toms thrown in for good
measure. 70 – 130 BPM
Dirty Dumpster – A trashy, choppy breakbeat groove with funky snare
work and sloppy hats. Great for Hip Hop. 70 – 120 BPM
Fix The Levee – Funky rhythms played on a poppy kit. Sounds great at
the faster tempos. 70 – 130 BPM
Go Go Grease – Upbeat and swingy, this groove is perfect for multiple
genres including Pop, Hip Hop, and R&B. 70 – 120 BPM
Nolafied – A laid back, funky breakbeat that only "The Big Easy"
could provide. 70 – 130 BPM
Swampburn – Thick and murky Nawlins' march beats. Snare heavy with
some great tom sections. 70 – 130 BPM
Zigawho – Another funky beat with some great snare variations. Start
and Stop breakdowns and splashy cymbals. 60 – 110 BPM
HigginsPack is priced at $79.99, is available at drumcore.com,
sonomawireworks.com, and will be available via most music software
retailers. Demo tracks and HigginsPack info:
https://drumcore.com/TemplateMain.aspx?contentId=100
Requires DrumCore (2 or above) and 3.5 GB of disc space for
installation.
About Terence Higgins and his Drum Kit:
Born and raised in NOLA, Higgins is well versed in the New Orleans
funk style. He is currently touring with The Dirty Dozen Brass Band,
John Scofield's Piety Street Band, and Swampgrease. In the past, he
has played with Widespread Panic, Dr. John and Norah Jones to name a
few, appears on dozens of albums, and has just released his solo "In
the Bywater" CD. Terence used the following drum kit to record
HigginsPack: Pearl MRX Masters Series Vintage Sunburst with black
hardware, 22×18 bass drum, 8×8 tom, 10×9 tom, 12×10 tom, 16×14 tom,
14×6.5 snare drum (Steve Ferrone Signature), 13×6.5 snare drum (Joey
Jordison Signature), and a 14×6.5 snare drum (Sensitone).
About DrumCore:
DrumCore gives songwriters and composers access to grooves and
instrument sounds of over a dozen famous drummers and percussionists.
It includes a groove library of both audio loops and MIDI files plus a
VST/AU/RTAS software instrument for Mac and PC. DrumCore is expandable
with add-on DrummerPacks. https://www.drumcore.com
About Sonoma Wire Works:
Incorporated in 2003 and headquartered in Los Altos, California,
Sonoma Wire Works develops products and services that help musicians
enjoy playing, recording and sharing music. Sonoma Wire Works'
flagship product is RiffWorks™ guitar recording software with
InstantDrummer, effects, RiffLink™ online music collaboration, and
the RiffWorld.com online community. These products have received
multiple awards for performance and innovation. FourTrack™ and
InstantDrummer™ iPhone Apps, AudioCopy/AudioPaste technology for
the iPhone, the GuitarJack™ audio input device, and the
StudioTrack™ multitrack for the iPad are also by Sonoma. Drum
products by Sonoma include the DrumCore and KitCore plugins and
DrummerPack library, as well as the Discrete Drums multitrack drum
library. https://www.sonomawireworks.com
August 30, 2010 /0 Comments/by The Record Shop
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Barry Rudolph Reviews SoundToys Pan Man
Barry has teamed up with For The Record to share his reviews with the latest in recording products. Barry is a recording engineer/producer and contributing editor for MIX Magazine, 'New Toys' columnist for L.A.'s Music Connection Magazine, and writer for www.prosoundweb.com. He also is editor/writer of Gear Lust, his online special review section at www.barryrudolph.com.
PanMan is a rhythmic auto-panner plug-in with a groove control feature. In stereo mixing, changes in the basic nature of a vocal or instrument track are limited to the level or loudness of a track, its equalization/tone, whatever added effects (reverb, chorus, flanging delays etc), and it's panoramic position–it's placement across the stereo field as created by left and right placed loudspeakers.
PanMan addresses and allows full access to this important aspect of mixing with tools that offer new panning treatments that go way beyond the abilities of classic hardware analog panners such as PanScan or Spanner. PanMan will control the pan type, reaction time, pan position, and pan width–even beyond the physical position of your stereo speakers.
PanMan has six modes including two rhythm modes complete with a user-programmable rhythm editor and numerous parameters for precisely determining the way any mono or stereo track in your mix can "dance" across the speakers. Some of the panning actions possible are: ping-pong triggered panning and random triggered panning with user-definable trigger divider as found in the PanScan hardware unit; and LFO-style continuous panning with selectable pan shapes and precise dynamics control. After installing PanMan into my Pro Tools HD rig I was panning everything as if I was discovering stereo sound for the first time! I would suggest going through the big collection of presets and modifying one of them that is close to what you're looking for.
I seemed to gravitate towards the Rhythm Step panning modes where you can designate multiple "hard" pan positions (up to five positions) that change in locked session tempo fashion. Leave it to SoundToys to also provide controls called Feel and Rhythm to further sync the panning action to the feel of the music. Borrowed from SoundToys' Tremolator and FilterFreak is the Custom Rhythm Editor–actually two editors for two different panning approaches–break point editors for designing complex modulation waveforms. These are brilliant features!
I also liked using the LFO-based panners for more dreamy-sounding treatments. You have complete control over the LFO's speed or rate and the direction of the pan movement: Left-to-Right, Back-and-Forth, and Right-to-Left. I used one of the wider panners for a reverb return I mixed with another instantiation of the same reverb patch. This animated the reverb "cake" I was cooking up for a big vocal harmony stack. The Tweak button opens a whole LFO dynamics GUI for setting up modulation of the rate, changing the pan offset (shifts the left and right panorama itself anywhere–leaning to the left or right), defining the panning width (Width Mod) and panning rate (Rate Mod) depending on the level. The Threshold, Attack, and Release knobs control the envelope detector that determines dynamics modulation.
I did find the triggered panning very accurate and foolproof for causing a track to reposition itself predicated on it exceeding a certain level as set with the Threshold control. I also like the Width control for setting how far or wide to the left and right a track pans–all the way beyond 180 degrees (hard left and right) to 210 degrees or outside of the speakers.
Auto panning has the potential to be a distraction for the listener and the Smoothing control will set the transition from position to position anywhere from an instant and super hard "snap" to much slower, lazier or liquid movement.
An unexpected feature in PanMan are the different Analog modes where you can change from the clean digital operating mode to any of seven different analog distortion characteristics whose amount is controlled by the Input and Output I/O knobs. Dirty up any panned track using: Clean, Fat, Squash, Dirt, Crunch, Shred, or the ridiculously sounding Pump characteristic models. These sound like they may have been borrowed from SoundToys' FilterFreak and other SoundToys plug-ins.
As with most of the SoundToys plug-ins, the programming detail and feature sets go on and on and PanMan is no different in that regard. But I'm a beginner and I have had no problems getting beautifully ornate panning treatments very quickly. This is a sound designer's dream tool that pays off more and more as I learn more about the internal tweak controls. Like Decapitator, PanMan is a big winner for me here at my Tones 4 $ Studios!!
There are demo versions posted at www.soundtoys.com. It sells as a single plug-in for $349 in TDM and $179 Native. The SoundToys TDM Effects Version 4 bundle sells for $1,195 and includes eleven plug-ins. Both Decapitator and PanMan are exclusive to V4 along with a new preset management system, and many new presets. The Version 4 upgrades cost $99 for Native and $199 for TDM. Check: www.soundtoys.com for more information.
July 8, 2010 /0 Comments/by The Record Shop
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Q&A: Ask The Record Shop
What is the best recording program?
Flimingo Productions: I've used cubase 4,pro tools le and sonar 8 producer edition to record and i was wondering in your opinion,which is the most user friendly and best program to use?
Thanks for your question! Deciding which DAW is more "user-friendly" is really a matter of preference and application. They are all worthy recording applications. When used with high end audio conversion, each one can produce professional results. The type of music you produce can also play a big part in which program is "best." Pro Tools is usually favored for sessions where extensive arrangement and editing is needed. Their editing capabilities are very user friendly and fast. For sessions with a lot of midi programming, Logic is often a first choice. Their sound engine is designed to support a ton of virtual processing and their bussing system (how each track is combined into the main stereo track) is believed by many to be far superior of most DAW's. Sonar, Neuendo, and Cubase were once considered the "consumer" DAW's by most professionals. However, these programs have stepped their game up and offer a great all around recording platform. Some engineers prefer these applications due to their comprehensive support of third party products, plug-in stability, and console/analog "feel."
We use Pro Tools HD and Logic Pro, powered by Apogee Converters. I have worked in studios that utilize every DAW and these are the two that I personally prefer. While other DAW's have become more popular, Pro Tools is still widely considered the "industry standard" In order to accommodate the majority of the market, it is necessary for a major recording studio to offer a Pro Tools HD rig. The ability to edit and arrange quickly using quick keys (no pun intended) is another big reason I prefer the program. I use Logic as my main sequencing/programming DAW. It has a great selection of built in sounds, supports all of my virtual instruments, and is very stable. Logic has recently improved their editing and drum quantization processes. Combined with a revered bussing system, they are really giving Pro Tools a run for their money.
It's great browse google and review everyones opinion on their favorite DAW. You could listen to me talk for days on what I prefer. But in the end, the only way to really judge which program is most "user-friendly" for you is by learning how to use each one and deciding for yourself.
I hope this article provided you with the information you need to take the next step in choosing the recording program that is best for you. . We would love to hear your questions, comments, and feedback! If we can be of any assistance, feel free to drop us a line!
Giovanni-
therecordshop1 (@) gmail.com
May 29, 2010 /0 Comments/by The Record Shop
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Choosing a Pro Tools system for your studio
Pro Tools, AVID/Digidesign's benchmark digital recording software, is synonymous with the production of hit records. Since its introduction into the professional recording industry in the mid 90's, Pro Tools has remained a frontrunner for audio production. When Pro Tools was introduced in 1991, four channels of audio were available at a price tag of $6000. Thankfully for us, Pro Tools' capabilities continued to grow alongside the steady advancements of computer technology. As the audio industry began to stray away from major recording facilities, into home studios and bedrooms, Digidesign began developing Pro Tools systems that catered to all levels of audio production. Today, Digidesign offers Pro Tools systems affordable on nearly any budget. In this article, we take an in depth look at three levels of Pro Tools studio systems: The M-Box studio ($250-$1000), The 003 studio ($1200-$2,500), and the HD studio ($10,000+). We will also discuss some important add -on's that can be a great addition to any Pro Tools System. These include, system upgrades, a master clock source, converters, and control surfaces. First, let's check out the hype behind the Pro Tools software and the advancements in Digidesign's latest version, Pro Tools 8.
Introduction To Pro Tools
Pro Tools is a Digital Audio Workstation (DAW). A DAW is comprised of two elements, audio recording software and audio conversion hardware. The software allows for recording, editing, mixing, and midi arrangement. The hardware provides analog to digital and digital to analog conversion of the audio. Pro Tools LE software requires a Digidesign hardware interface in order to operate. Pro Tools HD utilizes Digidesign PCI cards for processing and uses a separate hardware device for conversion.
The Pro Tools workspace is comprised of two main windows. Mix and edit. The mix window contains a vertical channel strip for each track in the session. It is set up much like a typical mixing console. Each channel has inserts, busses, input/output selections, a pan pot, record enable, solo, mute, and a fader. The edit window contains the same options as well as waveforms for each track in the session. The edit window allows you to view the waveforms for each track, edit and arrange the audio, as well as set up markers, and control the transport (play, stop, rec, etc). The editing workflow is one of the most impressive aspects of the software. There are several tools and editing modes that make editing and arranging a breeze. Pro Tools offers a number of playback and record options as well. These include: loop playback, punch record, and loop record. The software also provides comprehensive midi and video capabilities.
In the latest version of the software, Pro Tools 8, Digidesign maintained their user-friendly workflow that helped to make the software an industry standard. There are several new features such as elastic audio, the off spring of the popular audio quantization application, Beat Detective. They have also added more tracks for LE systems (48 mono or stereo), several virtual instruments and plug-ins, and a hip, new design for the workspace. Now, lets take a look at the options for Pro Tools studio set-ups.
Mbox Series ($250-$700)
The Pro Tools Mbox series hardware is a great option for those who are looking for a simple, portable device for recording. The price for these interfaces range from $250 to $700 and includes the latest Pro Tools Software. The latest Mbox hardware consists of the Mbox 2 micro, Mbox 2 Mini, Mbox 2, and Mbox 2 Pro.
The Mbox 2 Micro is a 24bit/48k, output only USB device that is about the size of a jump drive. It was designed for engineers who want the ability to work on sessions anywhere. There are no inputs on the device. It is equipped with a 1/8″ jack for monitoring.
The Mbox 2 Mini is 24bit/48k, 2 channel USB interface. It is a great option for new Pro Tools users or songwriters who want a simple device for basic recording applications. The Mbox 2 Mini is equipped with one XLR input with 48v phantom power, two 1/4″ inputs, two 1/4″ outputs, a headphone output, and combined volume control. There are a few downsides of the Mini. It does not include a midi I/O or separate volume controls for monitor and headphone outputs.
The Mbox 2 is a 24bit/48k, 4in/2out USB interface. It offers a few more features than the mini. It is a good choice for someone looking for a basic interface that includes midi capability and more extensive input options. The Mbox 2 features two preamps with 48v phantom power, two analog inputs (XLR or 1/4″), two digital SPIDIF inputs, two 1/4″ outputs, midi I/O, a headphone output and separate volume controls for monitors and headphones.
The final piece in the Mbox series is the Mbox 2 Pro. It is a 24bit/96k, 6in/8out fire wire interface. The Mbox 2 Pro is a great buy for beginners looking to get into more advanced sessions and professionals who need a reliable device for remote recording. It offers two preamps with 48v phantom power, four analog inputs (XLR or 1/4″), two digital SPDIF inputs, six 1/4″ outputs, midi I/O, two headphone outputs, and separate volume controls for monitors and headphones.
The M Box series hardware is a solid option for mixing on the run, portable recording, and basic demo sessions. However, if you are looking for a more advanced device with the ability to handle larger sessions, the Digidesign 003 could be what you are you are looking for.
Digidesign 003 Series ($1200-$2500)
The Digidesign 003 is 24bit/96k, 16 channel Pro Tools interface. It can be found in countless project studios, as well as the B rooms of several major facilities. It is an effective workhorse, offering a wide range of amenities for those not ready to take the leap to HD. The 003 interfaces range from $1200-$2500.
The 003 provides four pre amps with 48v phantom power, 4 XLR inputs, 4 1/4″ inputs, 8 1/4″ outputs, 2 1/4 monitor outputs, 8 channels of adat I/O, word Clock I/O, midi I/O, two headphone outputs, and separate volume controls for headphones and monitors. The 003 also includes 8 motorized faders, led/lcd displays, solo, mute, record enable, and pan knobs for each channel. It offers a transport, a jog wheel, and insert/send assignment as well. The 003 is also available in a rack mount version. The 003 rack has the same capabilities as the 003, but the control surface is excluded. Before we get into Pro Tools HD, there a few add-ons for Pro Tools LE systems that are worth considering.
Pro Tools LE Upgrades
Digidesign's Pro Tools LE software is stocked with many great plug-ins. But, as we all know, you can never have enough options. So Digidesign developed a couple upgrades that offer a comprehensive bundle of additional options for Pro Tools LE users.
The Music Production Tool Kit offers an upgrade to 64 tracks of audio, multichannel beat detective, and a killer plug in selection. The plug-ins include TL Space (convolution reverb), Smack (compressor/limiter), Eleven (guitar amp emulator), and a few more great tools.
Digidesign also offers an upgrade package for Pro Tools users who utilize the software for video production. The DV Toolkit offers an upgrade to 64 tracks of audio, Digibase (file management tool), Digitranslator (OMF, AAF, and MXF conversion), and Time Code/ Feet and Frames capability. The upgrade also includes a number of plug-ins, including: DINR (noise reduction), TL Space, and X-Form (TCE and pitch shifter).
Adding a set of high-end audio converters is one of the most effective ways to instantly improve the sonic clarity of your Pro Tools LE Studio, if you utilize outboard recording gear or digital audio devices. The sonic clarity of an external clock source and high-end audio conversion can drastically help take your Pro Tools LE studio to the next level. If this is something you are considering, I suggest trying out a few options to see what sound appeals to you. Some high-end clocks and converters include Apogee, Antelope, Lynx, and Prism.
Pro Tools HD Studio ($10,000 +)
The final option for a Pro Tools studio is Pro Tools HD. Pro Tools HD systems are catered toward the professional audio and video industry. It has become a near necessity for every commercial recording studio to house a Pro Tools HD system. HD set-ups start at around $10,000.
As we outlined earlier, Pro Tools HD hardware operates a bit differently than LE. The processing and audio conversion is integrated into a single interface for LE systems. HD systems utilize Digital Signal Processing cards (DSP) and digital converters. The DSP cards are installed in the PCI slots of the computer. These cards are connected to audio converters via a Digilink cable. There are two steps to purchasing a Pro Tools HD system: Selecting a core system and choosing your interface/s
There are three Pro Tools HD Core systems: Pro Tools HD 1, Pro Tools HD 2 Accel, and Pro Tools HD 3 Accel. The Pro Tools HD 1 system includes one HD Core card. The HD 1 system will support 32 channels of A/D and D/A conversion and up to 96 digital audio tracks.
The Pro Tools HD 2 system offers one HD Core card and one HD Accel card. A HD 2 system is capable of handling 64 channels of conversion and up to 192 digital audio tracks.
The Pro Tools HD 3 system is comprised of one HD Core card and two HD Accel cards. HD 3 systems support 96 channels of conversion and 192 digital audio tracks.
Each of these systems can be upgraded by adding additional cards. If you run out of PCI slots you can connect and expansion chassis to house the extra cards. Once you have your HD Core System, you will need to add a Pro Tools HD I/O interface or third party converter in order to route audio to and from the HD DSP cards.
Digidesign has a number of options for Pro Tools HD interfaces. Lets take a look at the two of their more favored interfaces. The Digidesign 96 I/O is a 16 channel, 24bit/96k audio interface. The 96 I/O offers 8 channels of analog I/O (TRS) and 8 channels of optical I/O (ADAT). It also includes an expansion feature, which allows you to connect multiple interfaces together. The 96 I/O is a good option for HD users who are looking for a basic, overdub/mix set up. If you need more than 8 channels of analog I/O or plan to expand your system in the future, you may want to consider the 192 I/O.
The Digidesign 192 I/O is 16 channel, 24bit/192k audio interface. The 192 I/O has 8 channels of AES/EBU I/O, 8 channels of TDIF I/O, and 16 channels of ADAT I/O. There are a number of expansion card options for the 192 I/O. The AD and DA expansion cards give the 192 I/O the ability to support up to 16 channels of analog I/O. The digital expansion card adds an additional 8 channels of AES/EBU, TDIF and ADAT I/O. The 192 I/O also includes an expansion feature, which allows you to connect multiple interfaces together.
Pro Tools HD systems also support third party I/O interfaces. As we discussed earlier, there are many high-end options for third party converters. Each brand offers its own unique "color" to the audio. I would recommend listening to the different options in order to decide which converters are right for you.
Pro Tools HD Upgrades
A control surface is a great addition to a Pro Tools HD System. Control surfaces are digital mixing boards that provide hands on control of your session. They are set up like an analog mixing board and allow for recording, mixing, and editing functions. Digidesign offers a number of excellent control surfaces, including: C24, D Command, and Icon.
Whether you are just delving into the world of recording or are a seasoned professional, there are many great options for putting together an exceptional Pro Tools recording studio. If you are interested in learning more about Pro Tools, visit www.avid.com. They have documentation, reviews, and videos that offer excellent advice on choosing the right system for your needs and budget.
I hope this article provided you with the information you need to choose the right Pro Tools system for your application . We would love to hear your questions, comments, and feedback! If we can be of any assistance, feel free to drop us a line!
https://therecordshopnashville.com/wp-content/uploads/2018/10/nashville-recording-studio.png 0 0 The Record Shop https://therecordshopnashville.com/wp-content/uploads/2018/10/nashville-recording-studio.png The Record Shop2010-05-24 23:59:112010-05-24 23:59:11Choosing a Pro Tools system for your studio


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Booze Mike Rampton November 2, 2019
Five Lies You've Been Told About Tequila
Will eating the worm make you trip balls? Is that really even tequila you're drinking? Let's find out the truth.
The world is full of lies, and it's hard to get through life without taking a few on board. Luckily, we're here to sort the fact from the fiction, and find the plankton of truth in the ocean of bullshit. This week: Tequila. Are we just licking up salty lies and biting the lime of untruth?
Lie #1: Eating the Worm Will Make You Loco
There's a lingering idea that certain types of tequila come with a worm in the bottom of the bottle, and that eating it will fuuuuuck you uuuuup. That's probably why Axl Rose used to sport an "Eat The Worm!" shirt, which a surprising number of websites offer knockoff versions of. The worm — actually, the larvae of the moth Comadia redtenbacheri, aka "maguey worm," which are also eaten in various ways — can occasionally be found in bottles of mezcal from the state of Oaxaca, but not tequila. The worm is basically a solid marketing gimmick, but serves no other purpose — despite rumors that an intact worm is a sign of a high-quality spirit, its only true value is in being able to shout, "Hey guys, watch me eat this worm!"
Rumors of hallucinogenic worm properties, meanwhile, came from some confusion between the words mezcal and mescaline. Mescaline will absolutely make you hallucinate: Hunter S. Thompson was a big fan, and it's what caused Jean-Paul Sartre to believe he was being constantly pursued by crabs, the mad, lazy-eyed bastard.
Lie #2: Tequila Only Exists For 2 A.M. Shots
While it could definitely be argued that there's no objectively "wrong" way to drink any sort of booze (unless, like Ted Stryker from Airplane!, you have a drinking problem), there's nothing "authentically Mexican" about downing shots. Tequila is traditionally sipped, neat, the drinker alternating it with sips of sangrita. Sangrita (not to be confused with sangria!) means "little blood," and while there are quite a few variations, it's generally a tart, peppery mix of fruit juices and spice. Also not traditional: throwing up all over yourself.
Lie #3: Ask For Tequila And You'll Get Tequila
A lot of what's sold as tequila really shouldn't be called tequila. Tequila has an Appellation of Origin: Just as sparkling wine made outside the Champagne region of France isn't technically allowed to proclaim itself champagne, and you can't grow Idaho potatoes or Florida oranges in Hawaii, a 1977 Mexican law — the Declaración de Denominación de Origen Tequila — specifies that tequila has to be made from a specific plant (blue Weber agave, aka agave tequilana) grown in a specific area (the Mexican state of Jalisco and its neighboring principalities in Nayarit, Tamaulipas, Michoacán and Guanajuato).
One hundred percent Blue Agave Tequila is what it sounds like, while the cheaper Tequila Mixto can contain up to 49 percent other plants and sugars. Anything with less than 51 percent blue agave — and a lot of shitty, cheap rail "tequila" is anything but — isn't legit. It might be "agave elixir," "distilled agave," "destilado" or another mezcal (a group of drinks of which tequila is one subcategory, and which can be made from any agave). Sure, you might think it all tastes the same at 4 a.m., but your hangover sure as hell knows the difference.
Lie #4: Doing Tequila With Salt and Lemon Enhances the Flavor
Sandwiching tequila between two fairly unpleasant experiences is actually intended to mask the flavor of bad tequila (or as above, tequila-adjacent beverages), and likely stems from the early days of distillation. A "tequila suicide" — in which you snort the salt, down the tequila, then squeeze the lemon into your eye — is even less traditional, but ultimately probably not that much more unpleasant.
Lie #5: Tequila Will, Like, Fuck You Up
Yes, alcohol is bad for you, and the only doctor likely to prescribe tequila is Dr. Inkingproblem. That said, there are loads of health benefits to tequila, at least in moderation. It can be used as a sleep aid — not just in the "pass out in the road" sense, but an actual one — and is also thought to aid digestion and lower cholesterol. In the 1930s, Mexican doctors even recommended drinking equal parts tequila, agave nectar and lime juice to treat colds, because you can't have a cold and be drunk at the same time — that's just science.
Mike Rampton
Mike Rampton is a freelance writer who lives in London. He enjoys making aggressively difficult puns, drinking on trains and pretending to be smarter than he is. He would like to own a boat one day but accepts that he probably won't.
An Ode to Drunkenly Running Home From the Bar
Vodka Is the Only Drink
Five Lies You've Been Told About Dieting


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Local vet charters Suffolk chapter of American Legion Riders
Virginian-Pilot Correspondent
More than 50 motorcycles and 120 people were in attendance for the chartering ceremony. Courtesy of Bob Christie
Bob Christie has been riding motorcycles since he was 15, and has no intention of stopping any time soon.
Christie, now 73, recently set up a chapter of the American Legion Riders in Suffolk.
The American Legion Riders are known for charitable work in their respective communities — raising money for schools, hospitals and veterans organizations, among other good deeds.
"It's the ability to get out and be out in the breeze, but it's more than that. With the legion, it's the things we do in the community," said Christie, who lives in the Harbour View area of Suffolk.
Christie, the chartering director of the new Suffolk chapter, served in the Navy during the Vietnam era, when he was posted to Newfoundland. He is fourth-generation military and grew up in Norfolk, attending Norview High School.
He joined the American Legion Riders seven years ago, and helped charter another legion of riders in Midlothian in 2014.
"My daughter — who is a doctor at CHKD — moved and relocated, and asked if we would help with the grandchildren. We moved to Suffolk three years ago," he said. "I was looking for another post and rider chapter."
Christie said few chapters of the American Legion Riders exist in south Hampton Roads.
"We had several in Newport News and Hampton but not in the Suffolk-Chesapeake corridor," he said.
From left are Larry Proper, Joe Garlitz, Bob Christie, Mike Silba, Kelly Butterfuss, Lance Butterfuss and Jimmie Opelia. They were seven of the nine chartering riders at the ceremony. Courtesy of Bob Christie
He vowed to set up a chapter in Suffolk when he attended the dedication of the Road Warrior Statue in La Grange, Kentucky.
The life-size bronze statue in La Grange celebrates hometown hero and World War II Marine veteran E. Bruce Heilman, who sits astride a Harley-Davidson Electra Glide motorcycle.
Heilman saw action in the Pacific Theater of Operations during World War II. He nearly lost his life in a plane crash on Iwo Jima. He later served as president of the University of Richmond, and rode his motorcycle across the country in his 80s after he retired.
"When I saw local riders there, I decided Suffolk needed to have a riders chapter," Christie said. "I had just joined Post 88 of the American Legion. It was founded in 2008. I brought it to their attention. They said, let's do it."
The riders chapter was approved in June. Christie said it had to have a minimum of six riders. The chapter chartered on Nov. 13 with nine riders at a swearing-in ceremony at the Ruritan Club in Suffolk. It now boasts 10 members.
Christie said the new chapter is Virginia's 41st. The American Legion Riders is the fastest-growing sector of the organization, he said, appealing to a slightly younger clientele than the legion itself. Riders in the new chapter range in age from their mid-50s to 74.
Christie is eager to get out and do what American Legion Riders has forged a reputation for, supporting military families and other great causes.
"We have taken on more and more charity responsibilities. We work with VA hospitals. We send escorts to take VA patients to cookouts," he said.
He cites the American Legion Legacy Run, a major national ride that raises money for the families of veterans who were killed. "Now we are giving scholarships to their children and funding for parents who are more than 50% disabled," he said.
The run is an annual cross-country fundraising ride from National Headquarters in Indianapolis to the national convention city. More than 110,000 American Legion Riders meet in more than 2,000 chapters nationwide and in at least three foreign countries, the American Legion states on its website.
"In Virginia, we have our own Legacy Run," Christie said, "For three days, the riders will ride from post to post around certain areas of the state. The Virginia event raises about $50,000 a year toward the national legacy run."
He wants to keep riding as long as possible. "I started out with scooters and bikes and went to motorcycles," he said. "In 2012, I stopped riding for a while due to health reasons."
He switched from two to three wheels when he invested in a trike. He now rides a Harley-Davidson Dyna Super Glide trike. "I can ride it with my bad back," he said.
Christie hopes the chapter will grow. "We are always open to new members if you can ride and have a motorcycle and are a vet or the spouse of a veteran," he said.


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Depressed About Caspases?
Elizabeth M. Adler
Science Signaling 08 Jun 2010:
Long-lasting changes in the efficacy of glutamatergic synaptic function can be effected through changes in the number of AMPA-type glutamate receptors (see Bateup and Sabatini). For instance, N-methyl-D-aspartate (NMDA)–type glutamate receptor–dependent long-term depression (LTD) in the CA1 region of the hippocampus involves the internalization of synaptic AMPA receptors. Intriguingly, Li et al. found that this form of synaptic plasticity depended on the activity of caspase-3, a cysteine protease known for its role in apoptosis. A comparison of the effects of peptide inhibitors active against different caspases indicated that inhibition of caspases-3 and -7, or -9, blocked LTD in rat hippocampal slices without affecting long-term potentiation (LTP) of synaptic function. Overexpression of XIAP (X chromosome–linked inhibitory apoptosis protein), which inhibits caspases-3, -7, and -9, or Bcl-xL, which prevents mitochondrial release of proapoptotic factors, such as cytochrome c, that lead to activation of caspase-9 and caspase-3, blocked LTD—but not LTP—in hippocampal slice cultures. LTD was also blocked by overexpression of a mutant form of Akt that is resistant to cleavage by caspase-3. Analyses of hippocampal slices from mice lacking caspase-3 revealed a specific deficit in LTD. Exposure to peptide inhibitors of caspases-3 and -7, or -9; overexpression of XIAP or Bcl-xL; or caspase-3 knockout all inhibited NMDA-induced internalization of AMPA receptors. NMDA treatment of cultured hippocampal neurons led to transient increases in cytosolic cytochrome c and in activation of caspase-3. The NMDA-mediated activation of caspase-3 was of lesser magnitude than that elicited by staurosporine, which induces neuronal apoptosis, and was not associated with neuronal death. The authors thus propose that elements of the mitochondrial apoptosis pathway are used to mediate LTD.
Z. Li, J. Jo, J.-M. Jia, S.-C. Lo, D. J. Whitcomb, S. Jiao, K. Cho, M. Sheng, Caspase-3 activation via mitochondria is required for long-term depression and AMPA receptor internalization. Cell 141, 859–871 (2010). [PubMed]
H. S. Bateup, B. L. Sabatini, For synapses, it's depression not death. Cell 141, 750–752 (2010). [PubMed]
You are going to email the following Depressed About Caspases?
By Elizabeth M. Adler
Science Signaling 08 Jun 2010 : ec170
Elements of the mitochondrial apoptosis pathway are used to mediate long-term depression of synaptic function.


This is an occasional smattering of various musings, cool finds and things I'd like to share with you about belly dance.
Belly dance classes in Selah/Yakima Valley, WA can change your life for the better in so many ways. We all lead such busy lives these days. As women, our attention is drawn in so many different directions. It's easy to lose yourself in all that you must get done on a day to day basis. It can leave you feeling frazzled and worn out. You've got to recharge your batteries in order to stay healthy and take care of every thing without going bonkers.
What if there was a way to "get back" a little bit of "YOU" each week? Something that you can look forward to. Something that makes you smile (or even chuckle : ) every time you think of it. THERE IS!
Relieve STRESS.....Belly dance is a fabulous stress reliever. It's a great way to energize and change up your workout to help keep it from becoming the same old routine. It's fun and doesn't quite seem like exercise.....ohhh, but it IS! You'll sweat, but it's the kind of exercise that makes you feel great. Or maybe you don't have a routine and you'd like to do something to improve your physical fitness and emotional well-being. It's low impact, easy on the joints and is appropriate for all ages, shapes, sizes and fitness levels. Feminine curves are a plus!
Do something just for YOU.... For all that you do, you deserve a treat don't you? For just one hour a week you can "check" all of your aggravations at the door of our studio space. Come on in and recharge with the sounds of glorious music. Meet new friends or bring some along. When you leave....you just might find that you leave those aggravations right where you left them.....at the door.
MORE! Visit the reviews page to find out more.
We develop friendships that are cultivated and enjoyed outside of belly dance classes too!
Belly dance is for women of all ages, shapes and sizes. Classes are held in a supportive, non-competitive environment. Celebrate your femininity and beauty. Do something great for yourself.
Share this message with friends. Meet new friends. Come shimmy with us!
NEW classes begin September 1, 2015. Get the scoop at www.YakimaValleyDance.com and come shimmy with us. You'll be glad you did!
I am a professional Oriental dancer (belly dancer) in the Yakima, WA area. My goal is to share with and help inform the public about this wonderful, empowering art form that celebrates women of all ages, shapes and sizes. Along with my friends and students, I endeavor to help make a difference in the lives of others in our community with"Dance That Makes A Difference!"


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Of the saturday dec 12 scheduled game
: In order to maximize Justin Houston's effectiveness, given his age and health, I am sure the Staff will structure his pre-season, practice and game time.
It is a classic damned if you do, damned if you don't situation.
Both were content to work hard and unassumingly behind the scenes, thankful for the opportunity and whatever rewards might come of it.
Philadelphia TNT • Dec.
5 in rushing offense averaging 120 yards per game and Ryan was sacked 37 times, 11 less than he was in the 2019 season.
Each club nominates one player.
With Anthony Castonzo, custom jerseys Kelly, Kenny Moore II, Jabaal Sheard, Eric Ebron, Jack Doyle, Rigoberto Sanchez and others entering contract years, the Colts will likely want to try to begin the negotiation process with at least some of these players in the days and weeks following the NFL Draft to get them locked in for the future.
I've seen several parts of the custom baseball jerseys and think our fans are going to love it.
The iHeartRadio Music Awards programmed between Turner's exclusive coverage of the Final Four and National Championship games will make for an incredible weekend for sports and music fans alike, Kevin Reilly, president for TBS and TNT and chief creative officer for Turner Entertainment, said in a statement.
I think the passing game continues to build off of that.
He's probably my No.
So, for instance, we practiced in the Don Hutson Center the last two weeks of the season since we had games in domes for both games.
And potentially leverage the broader intellectual property of all 160 teams together.
Overall I thought it was a good week of preparation and we came out and played a good complementary game.
Our partnership with Verizon will help us to deliver on our promise of celebrating Super Bowl 50 in an unprecedented way.
Walker: So, according to Spotrac.com: left tackle Anthony Castonzo, right guard Mark Glowinki and right tackle Braden Smith's contracts all expire after the 2021 season; left guard Quenton Nelson's contract technically expires after the 2022 season, but as a first-round pick, the team could very well exercise its fifth-year option on him to extend that deal one more year; and center Ryan Kelly is currently in a contract year.
Here are 20 other small towns that look like they're frozen in time.
New season.
If it's a hot day, you want a moisture-wicking fabric.
-The defense forced a four-and-out on the first possession and the offense would respond with a boost from a great play design by Josh McDaniels to get Rex Burkhead wide open on a wheel route.
Prior to trading away Mike Moustakas, it was arguably him.
in its bid for the opportunity to host the 2024 Olympic and Paralympic Games.
We're confident with our position.
Plumlee played 18 games for the Atlanta Hawks last season, averaging 4 points and 2 rebounds per game.
• Everything will be okay in the end.
In 2011, to honor his memory and commitment to his teammates, Rebeor's family and Russell Athletics created the Fight Like Dylan Award to donate apparel and equipment via a $50 grant to one high school team that has demonstrated determination through sports.
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Shearman & Sterling Advises Hyperion Therapeutics on Acquisition by Horizon Pharma
Shearman & Sterling is advising Hyperion Therapeutics, Inc. on its acquisition by Horizon Pharma plc in a deal valued at $1.1 billion. The transaction was unanimously approved by both boards of directors, and it is expected to close in the second quarter of 2015.
Horizon Pharma plc is a specialty biopharmaceutical company focused on improving patients' lives by identifying, developing, acquiring and commercializing differentiated products that address unmet medical needs. The company markets a portfolio of products in arthritis, inflammation and orphan diseases. The company's U.S. marketed products are ACTIMMUNE® (interferon gamma-1b), DUEXIS® (ibuprofen/famotidine), PENNSAID® (diclofenac sodium topical solution) 2% w/w, RAYOS® (prednisone) delayed-release tablets and VIMOVO® (naproxen/esomeprazole magnesium). Horizon's global headquarters are in Dublin, Ireland.
Hyperion Therapeutics is a commercial-stage biopharmaceutical company committed to developing and delivering life-changing treatments for orphan diseases. The company's first commercial product, RAVICTI® (glycerol phenylbutyrate) Oral Liquid, was approved in February 2013 and is currently being marketed in the United States. The company also owns worldwide rights to BUPHENYL® (sodium phenylbutyrate) Tablets and Powder, which it markets in the United States. BUPHENYL is also marketed internationally through business partners. In addition, the company is developing RAVICTI for the potential treatment of hepatic encephalopathy.
The Shearman & Sterling team included partners Gus Atiyah (Washington, DC-Finance), Richard Hsu (Menlo Park-Intellectual Property Transactions), Larry Crouch (Menlo Park-Tax), and Robert Evans (New York-Capital Markets); counsel Daniel Stellenberg (Menlo Park-Compensation, Governance & ERISA); and associates Lisa Lopshire (San Francisco-Mergers & Acquisitions), Christine Huang (San Francisco-Mergers & Acquisitions), Yoav Simchoni (San Francisco-Mergers & Acquisitions), Nathan Wood (Menlo Park-Finance), Stephanie Monastra (New York-Compensation, Governance & ERISA), Antonio Fusco (New York-Finance), Kelly Karapetyan (New York-Antitrust), Ryan Bray (Menlo Park-Tax) and Ben Petersen (Menlo Park-Intellectual Property Transactions).
Gus Atiyah
Laurence Crouch
Nathan Wood
Ryan Bray
Benjamin Petersen