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Iman: I am hopeful that one day we will eliminate AIDS in Africa
Editors note: Model & actress Iman spoke to the Larry King Live blog about her support of "The Lazarus Effect" campaign and documentary. More than 20 million people have died of HIV/AIDS in Africa, despite the fact it is now a preventable and treatable disease. "The Lazarus Effect" campaign features dozens of celebrity artists helping to raise awareness of the value of 40 cents – the cost of antiretroviral medicine needed for people with HIV/AIDS in Africa to survive – by comparing trivial items worth the same amount (a stick of gum, a smear of lipstick, etc). For a preview of "The Lazarus Effect" documentary, click here
What is "The Lazarus Effect" – tell us about the documentary and (RED) campaign?
THE LAZARUS EFFECT is a beautiful film by (RED), directed by Lance Bangs, executive produced by Spike Jonze, that illustrates the incredible transformative effect of ARV (antiretroviral) medicine on people living with HIV in Africa.
Just eight years ago, this medicine, that was broadly available in the west, cost over $10,000 a year and was out of reach of most people in Africa who make less than $2 a day. Today, ARVs – two pills a day - cost just 40 cents and can bring someone from near death to health in as little as 40 days.
This life-restoring medicine is provided through organizations like the Global Fund and PEPFAR to more than 3 million people across Africa today. The film shows the incredible human impact of this investment - just 40 cents to bring someone back from death's door – it's incredible.
The PSA campaign I'm involved in for (RED) is designed to help raise awareness of this film and get as many people as possible to tune in and take action. We want people to watch the film on HBO on May 24th or catch it on YouTube.com starting that same day at 9:30 PM EST.
Some 20 million people have died of AIDS in Africa since 1981…and 67 percent of all people living with HIV worldwide are in Sub-Sarahan Africa. It's the leading cause of death in that part of the world. Why have they been hit so hard?
ARV treatment was available much later in Africa than it was in the rest of the world. It was just a few years ago that the Global Fund and PEPFAR began to make ARV treatment available to millions who needed it. Before this time, few people would get tested for HIV because it was simply a death sentence. They could not afford the medicine the needed to stay alive. Today, increased access to ARV medicine brings people into the clinics, they can get tested – know their status – and either take the measures necessary to stay healthy if they are positive or make educated decisions to stay negative.
A lot has obviously changed in the past 5 to 10 years – it now only costs 40 cents a day for the necessary antiretroviral (ARV) medication to keep a person with HIV alive in Africa. How far has the world come in helping and treating those with HIV in Africa?
There has been incredible progress in treatment over the past ten years. Just eight years ago, when this treatment cost as much as $15,000 a year, there were only 50,000 people on the continent who were on treatment. Today, thanks to the efforts to bring that cost down and to organizations like the Global Fund, PEPFAR and (RED), to help fund this medicine there are now more than three million people on treatment.
Still, there are millions more who need access and there are still 3,800 people who die a day from this preventable, treatable disease. So, while we have made great progress, there is still much more to be done and we need to continue our commitment and our fight to ensure the momentum doesn't wane.
How and why did you become involved with The Lazarus Campaign?
I am African. I have seen first hand the devastation of AIDS on families and communities across the continent.
THE LAZARUS EFFECT shows the human side of what smart, targeted aid can achieve and how it can help people get back on their feet, take care of themselves and their families and contribute to their communities.
What do you want people to take away from the HBO film "The Lazarus Effect" and from the campaign?
That smart, targeted aid works. It is because governments, business, individuals around the world have stepped up and made financing commitments to fund medicine – that costs just 40 cents a day! – that there are now 3 million people alive who would have otherwise died from a preventable, treatable disease. We've reduced the number of people dying a day from over 6,000 to 3,800. This means millions more mothers and fathers alive to take care of their children and many more people alive to work and build successful economies and communities.
I want people to take action to ensure that this success continues. Get involved politically at http://www.one.org/. Make smart shopping choices and learn more about the Lazarus Effect at http://www.joinred.com/.
You've been working for years to help people with HIV in Africa. How hopeful are you that there will be a day when this is no longer the issue that it is right now?
I am very hopeful that one day we will eliminate AIDS in Africa. I would love to not have to talk about this and for all of the organizations focused on it to be obsolete. But, in order to make that happen, we have to continue and increase our commitment. Now is the time. We've seen what incredible progress can be made if there is strong commitment and investment – we have to stay focused and build on that success if we are truly going to eliminate this devastating disease.
Filed under: Africa • LKL Web Exclusive
JIM CARROLL May 24th, 2010 4:16 pm ET
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IKHAN May 24th, 2010 4:53 pm ET
this is a pertinent topic. Hope & pray you are right Iman.
These are the menaces we have to wage war against.
Disease,poverty,illiteracy, social injustice, economic imbalances,destruction of enviornment, apartheid,racism,prejudices. These are the enemies of mankind.
We don't have to find excuses to use our military hardware to defend humanity.
Smith in Oregon May 24th, 2010 5:23 pm ET
A 'cure' for the HIV AIDs disease is either going to be found or the entire BLACK race is going to be eliminated from Earth because of that disease.
While Hispanics, Caucasians, Oriental races can be victims of HIV AID's wasting diseases, it appears the Black race is specifically and particularly vulnerable. This seems to be found in the genetic level where sickle cell diseases somehow seem to tie specifically into the Black Race being more vulnerable and being more largely infected by this terrible disease.
HIV and the resulting AID's wasting diseases could very well spell the doom of the entire Black race on Earth not just across Africa. Humanity on Earth should be united in doing everything it can to find and perfect a genetic patch or cure for this terrible disease.
40 cents a day? I rather doubt anyone in America suffering from this disease is only being charged 40 cents a day for their treatment. Republican party led Big Pharma is likely gouging the American Taxpayers for a huge amount of money per month in treatment alone.
Zenrahim May 24th, 2010 6:12 pm ET
Hello Mr. Larry – It is such a pleasure to write this to you. The gulf oil spill if you use flour (use in making breads) it will help to suck up the oil in to a pool of thick pockets which can than be picked up and or sometime the fish can also consume it.
Joe G. (Illinois) May 24th, 2010 6:26 pm ET
When you cough you are supposed to cover your mouth as an inherent basic form of consideration for others. Same thing when you sneeze.
But do people in Africa oblige? How about African Americans?
And do they respect the sanctity of marriage? Theirs and those of others?
Borak Obama is all for liberal progressive immorality.
How much responsibility does he claim about this moral/social sickness? And how much funds does he contribute to this effect of yours?
Anne D May 24th, 2010 8:36 pm ET
@Smith in Oregon,
I believe you underestimate the good of pharmaceutical companies. I would post a website but it would probably be deleted, so instead I would suggest you search Merck, Gates, HIV/AIDS as an example.
Also, some of these drugs are now generic which certainly benefits the patient financially especially for the triple cocktail. Additionally, millions and millions of dollars of free drug are given away. More important, the development of these drugs has saved many, many lives and has allowed many to live fairly normal lives.
In no way is this disease considered a "cash cow" by the AMA or pharma as you stated nor is it a cash cow. I would like to acknowledge the pharmaceutical companies for their good work and generosity in treating this devastating disease.
Idzan Ismail, Kuala Lumpur, Malaysia May 24th, 2010 11:42 pm ET
This is one lady who used her fame to contribute to world cause like AIDS among her people.
I have always admired her. so much so, I name my youngest girl after her.
Iman means faith in Islam.
I pray Iman has the faith to carry on this noble cause.
Jessie from Auckland, NZ May 25th, 2010 4:16 am ET
@ IKHAN May 24th, 2010 4:53 pm ET
Well said and agree.
I commend Iman and what she is doing in helping her own African people in their fight against this terrible disease that is taking a toll on their people. She is a beautiful person inside and out.
This is good news to hear of the help they are getting. I hope Iman's wish comes true in the future to eliminate AIDS in Africa. I have seen documentaries and the devastation that this disease is causing is just heartbreaking to watch. Entire families wiped out, countless children left orphaned and have to fend for themselves. The list goes on........
I know there are efforts being made and going on in African communities, to educate them about AIDS. They need all the support and help that they can get. It is a huge problem and our prayers go out to them all.
Ted May 25th, 2010 8:43 am ET
Sure Imam, sure, right after you killed the very last tsetse fly!!
The sex parctices of a whole continent must be changed first what may take centuries.
Dodie May 25th, 2010 11:14 am ET
This is a tragic disease that takes people down slowly and often a loss of dignity to their humanness.
@Ted, I see you are bright and sunny this morning. You are correct.
As Benny Franklin once stated..... "An ounce of prevention is worth a pound of cure"
@ Dodie
We must upgrade the quality of LKL blogs, they sure need attention.
Best of the day for you and a shot of good Jameson irish whiskey.
Gail May 31st, 2010 10:59 pm ET
It's not just the African people. I admire your dedication Iman but it also frightens me. Everybody is talking about HIV/AIDS in Africa. What about the United States. My daughter has aids. What about her?
Hayden Christensen on "The Lazarus Effect"


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The Innovation Accelerator Podcast
Tech Business Rich Levin Team Innovaccer Innovation Analytics Bigdata Cloudcomputing Healthcare Healthcareit
By Rich Levin and Team Innovaccer. Discovered by Player FM and our community — copyright is owned by the publisher, not Player FM, and audio is streamed directly from their servers. Hit the Subscribe button to track updates in Player FM, or paste the feed URL into other podcast apps.
The Innovation Accelerator Podcast « »
SDoH's Missing Link?
Today's medical care often misses the life story of a patient and its link to behaviors and context that can negatively affect health outcomes.
The context of one's life—personal, family, community, environmental, financial, psychosocial—is an integral part of the individuals' healthcare experience. These contextual challenges are not the same as social determinants of health, though they are connected to and compounded by SDoHs, such as economic inequality, poor housing, access to care, and more.
Despite more than a decade of positive research featured in respected medical publications and journals, contextualization has remained off the radar of many healthcare organizations. But now that value, health equity, and SDoH have become paramount for providers, contextualization is finally emerging as a key need for driving better outcomes.
Today's guest, Dr. Zeev Neuwirth, explains the value of contextualizing care, and how organizations can integrate it into today's care. Dr. Neuwirth is Atrium Health's Clinical Chief of Care Transformation and Strategic Services, and hosts one of the top healthcare podcasts, Creating a New Healthcare. A nationally recognized thought leader, he is also the author of Reframing Healthcare - a roadmap for creating disruptive change, which has earned a 4.7/5 rating on Amazon, and continues to be read and used by healthcare leaders and organizations across the country.
Joining Dr. Neuwirth on the show is Innovaccer's Chief Population Health Officer, Dr. Brian Silverstein. Here's what they discussed:
3 catalysts that drove Dr. Neuwirth from clinician to change agent
Why contextual and non-clinical determinants of health are highly relevant to improved care outcomes and patient experience
Non-clinical providers: why they're crucial in the shift to home-based care
7 underlying factors that impact contextualized care
The importance of recognizing and addressing patients' emotions in our processes and workflows.
The whole-person reframing of healthcare from "what's the matter with you" to a "what matters to you" approach
The aligned opinion on payment that Dr. Neuwirth's podcast guests all share
3 critical factors for successful and sustainable healthcare payment reform
The gap that still exists in integrating SDoH and contextualized care into workflows and medical records
Why dialectic thinking is a must for changing our payment system in healthcare
How the aging American demographic (the so-called "silver tsunami") is transforming healthcare delivery
The Innovation Accelerator Vodcast
The Innovaccer Health Cloud
The Innovaccer Data Activation Platform
Get a Health Cloud Demo
Visit the Innovaccer Website
Subscribe to the Innovation Accelerator Podcast
Similar to The Innovation Accelerator Podcast
Let's Talk About Tech
BBC Radio 5 live's award winning gaming podcast, discussing the world of video games and games culture.
Josh Muccio
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redpajama_set_name: RedPajamaCommonCrawl


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About Turning Left
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Daily archives: August 22nd, 2009
12 Charged With Running Major Marijuana Ring; Who Cares?
August 22, 2009	TL
DrugsHealth Care
From the Pittsburgh Post-Gazette:
For the last five years, John Duzicky and James Gleason have been dues-paying members of the Sewickley Heights Manor Homes Association, leading quiet lives in the upscale Aleppo housing development with manicured lawns and tennis courts.
At the same time, they played leading roles in a drug ring that smuggled thousands of pounds of Mexican marijuana from Arizona to Allegheny and Beaver counties, bringing more than $2 million worth of the drug here between 2007 and 2009, according to a grand jury presentment.
State Attorney General Tom Corbett yesterday announced that Mr. Duzicky, Mr. Gleason, and 10 other men face charges of conspiracy, drug possession and possession with intent to deliver.
"The drug organization dismantled today represents just one of thousands of criminal enterprises across the country involved in the illegal trafficking of narcotics across the border form Mexico," Mr. Corbett said during a news conference at the Sewickley police station, with 30 pounds of marijuana on a table in front of him.
Mr. Duzicky, 37, is being held at a prison in Arizona, as are Larry and Richard Catlin, brothers who routinely carried marijuana from the southwest to Pennsylvania in trucks with secret compartments, Mr. Corbett said.
According to the attorney general, Mr. Duzicky was the leader of the drug ring, and he had been smuggling pot from Arizona, where he also has a home, since 1990.
Who cares? Why are we locking people up for marijuana-related offenses? Stop the madness already!
Stephen Amidon: Why I Love Britain's Socialized Healthcare System
AmericaCongressHealth Care
British National Health ServiceLondonNHS
Stephen Amidon, an American from New Jersey, learned to appreciate the U.K.'s socialized healthcare system when his newborn daughter was born very sick in London.
From Salon.com:
I was initially skeptical about the NHS. I'd grown up comfortably in suburban New Jersey; good private healthcare was always immediately available through my father's insurance. When my English wife became pregnant soon after we settled in London, I was alarmed by the idea of having our first child born in a system I had been told was underfunded, overstressed and inefficient. After all, healthcare in the UK was free. How good could it be? Friends and relatives back in the States were spending thousands to have children. If you get what you pay for, I was about to get a whole lot of nothing.
This, I learned, is what the NHS is about — common decency. It is about the shared belief that all the people who live in the United Kingdom constitute a society, and a decent society provides certain necessities for its members. Freedom from hunger is one. Police protection is another. Free healthcare from the cradle to the grave is simply one more item on this list.
I saw this decency at work countless times over the following decade, until my return to the United States. I saw it with the twice-daily home visits by community midwives for the fortnight after each of our newborn children's release from hospital, and in the vouchers for free milk we were given for those babies. I saw it when our GP paid us a house call early one Sunday morning to treat our son's spiking fever.
I saw it most clearly, however, in the treatment my in-laws received at the end of their lives…
Read more here at Salon.com.
Republicans Still Without a Working Web Site
Anti-ScienceBarack ObamaCongressDemocratic NewsRepublicans
Since May of this year, the Republican Party has been promising us a newly redesigned Web site. Each week, believe it or not, I go online looking for the Republican Party's response to President Obama's Weekly Address.
Each week, I come up empty-handed.
Now, the Republican Party is asking your help, publishing a plea for Web designers to get involved and be part of the next generation GOP site. The link on the Home Page opens a simple form asking your level of expertise: PHP, iPhone, Flash, .NET, Facebook or Blackberry.
Apparently they don't need anyone with HTML experience.
There is another link where you can "Tell Us What You Think" of their new Web site.
Here's what I think: The last time the Republican Party published their own GOP Response to the President's Weekly Address was on February 7, 2009: RNC Chairman Michael Steele Delivers Weekly Republican Address. The headlines to the stories on the GOP Blog are not linked to the story. Instead, readers have to search for the tiny "…FULL POST" to read stories.
The most current blog post is still this breaking news from April 30, 2009, "The State of the Website," with an update from May 15, 2009:
5/15/09 Update: What you see here is a placeholder between what was and what is to come for GOP.com. Don't get too used to this page–the complete rebuild is around the corner. Soon we'll have a new look and a more enjoyable, modern, open and participatory way to share our ideals with the Country.
On Friday of last week, we chose a vendor to rebuild our website and digital presence; the two are not the same and the distinction matters—a lot. It matters especially so for us.
The website you see today is difficult to update, hard to use, and locked in a Web 1.0 environment. It is also stale. It is in need of a massive spring clean. To be fair, my predecessor and good friend, Cyrus Krohn, and his team were on the way to changing all of this. Then, we elected a new Chairman, re-grouped, re-staffed and then, finally, we locked & loaded.
The project is underway.
You will soon witness some preliminary changes and, less soon—though, faster than I have ever seen done—you will see the new GOP.com in its entirety. This is where you come in.
I know for some of these guys and gals, the Internet is still a series of tubes, but, dammit, the GOP needs to step up. In addition to being the party of, "No!" they're also the party of, "No Useful Web site!"
If the GOP can't build a simple, working Web site with articles less than three months old, why exactly is anyone listening to them on any issue much more complicated, like the economy, education, global warming, or, heaven forbid, health care reform?
11-year-old Adonis Bell Saves His Family
ChicagoChicagolandGeneralHousing
Roselind
Adonis Bell saved the lives of his family early Wednesday morning when a fire broke out in his grandma's Roselind two-flat.
From the Chicago Sun-Times:
At 3:30 a.m. Wednesday, the 11-year-old woke up when a fan started pushing heavy black smoke into the room where he slept.
He was the only one in his grandma's Roseland two-flat to notice.
Barefoot in a tank top and jogging pants, Adonis went to the kitchen where he saw the ceiling on fire near his bedroom — billowing black smoke and orange flames that were gnawing a giant hole above the kitchen stove.
The boy remained calm.
"I knew what to do," Adonis said. "A fireman came to our school."
He ran to wake his mother, who told him to get his 2-year-old godsister, Jordan Hobbs, out of the house.
That's what the fireman at school said, too. "Get myself and everybody out. He told us not to grab any stuff," Adonis remembered. "Just get out."
Firefighters tell us every second counts in a structure fire. I saw a controlled demonstration of such a fire once in Park Forest. The flames grew tall and hot very fast.
Quick thinking, Mr. Bell. Kudos to you, sir. You saved the lives of every member of your family in the house that night.
Mayor Daley, this young man deserves official recognition from your office. He's one of Chicago's finest.
Will Trump's Senate Trial Be a Southern "Good Ol' White Boys" Sham or a Real Trial?
Republican Group Airs Ad Slamming Trump: "Corruption Won't Make America Great Again"
The Trump Administration's Plan to Dismantle Climate Science
Woman Arrested in Poland for Painting Virgin Mary with a Rainbow Halo
Undocumented Immigrants Working for Trump Are Tired of His Abuse & Insults
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The religion of Jesus softens whatever is hard and rough in the temper, and smooths whatever is rugged and sharp in the manners. It makes the words gentle and the demeanor winning. Let us learn from Christ how to combine a high sense of purity and integrity with sunniness of disposition. A kind, courteous Christian is the most powerful argument that can be produced in favor of Christianity.


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Superheroes > Other Publishers
The Boys Omnibus vol 4 back
Garth Ennis & Darick Robertson, John McCrea, Keith Burns, Richard P. Clark, Russ Braun
Page 45 Review by Stephen
Collects what was The Boys vol 7: The Innocents and The Boys vol 8: Highland Laddie.
The Boys vol 7: The Innocents
You've got to worry with a title like that and I've been worrying about Wee Hughie and Starlight for a while now. Against all odds and following some serious personal nightmares, these two angels in a world full of self-interested, power-hungry and sexually depraved horrors have finally found love in each other's arms. But they haven't been straight with each other.
Starlight hasn't told Wee Hughie that she's a superhero in the top-tier team called The Seven. Wee Hughie hasn't told her that he's one of Billy Butcher's boys whose sole purpose it is to expose superheroes as the degenerate bastards they mostly are, or that The Seven are top of their quite literal hit list. Wee Hughie has told Starlight that his last girlfriend was slaughtered by a member of The Seven (hit-and-run-at-superspeed); she hasn't told him that she was forced to give that very member's member a servicing of sorts in order to join the Seven.
No one has told Billy Butcher anything, but he's about to find out.
'Traumatic' is the word I'd use to describe this instalment.
Meanwhile Starlight and The Seven's supercilious Homelander are press-ganged into appearing at Believe, a farcical faith festival designed purely to exploit gullible Americans' religious beliefs in order to extract money from them. Lord knows where Ennis dreamt that one up from.
The Boys vol 8: Highland Laddie
Change of pace and change of scenery for wee Hughie, who retreats home to the relatively tranquil Scottish seaside town of Auchterladle, in order to sort his head out.
His adoptive parents are both sound and doting and delighted to see him. His old friends too whisk him straight down the pub. Unfortunately Hughie soon realises that he'd idealised them in their absence* for they can't resist resurrecting old humiliations and it rubs him up the wrong way. Fortunately as Hughie wanders down the beach on his first night, he discovers a man painting the simmer dim - the evening's permanent summer twilight there - who turns out to be a very good listener, and as the days wander on Hughie finds he's drawn to the sympathetic stranger who lets him offload. But what was done in New York doesn't stay in New York and very soon there's a visitor…
There are some truly touching scenes here, particularly those involving Hughie's adoptive Dad, but also some early traumas as Hughie reflects not just on the circumstances of his leaving New York, but his childhood too. That's quite the tapeworm! But if you think Ennis has left the burlesque behind, think again: a mad Scottish vicar, an enormous woman which gardening sheers who's quite prepared to use them, a smuggling sub-plot and his two friends are… unusual individuals.
I've never seen art like this from McCrea: full of light and space and - thanks to Tony Avina - colour. He works well with Keith Burns. I wonder when Hughie's deception is going to catch up with him?


The Sick Turn To Crowd Funding To Pay Medical Bills : Shots - Health News Crowd funding isn't just for hipster artists anymore. In 2012 alone, users of the site GoFundMe have raised more than $6 million for personal medical causes.
Fundraising for medical causes is getting easier with sites like GoFundMe.
Surely you've heard of crowd funding sites like Kickstarter that have helped thousands of filmmakers, musicians and painters leverage Facebook and Twitter to raise money for creative projects.
But crowd funding isn't just for hipsters anymore; it's moving into all kinds of other spheres, from startups to research to personal causes. And increasingly, people felled by illness or injury are using these sites to raise money for their health care.
One site that's capitalized on personal-cause crowd funding is GoFundMe. CEO Brad Damphousse says in 2012 alone, the site's users have raised more than $6 million for medical causes, and Medical, Illness & Healing is the site's most popular category, attracting 17 percent of the site's total donations.
In exchange for help with creating a donation Web page and making it easy to share it on social media, GoFundMe takes an 8 percent cut from all money raised, including credit card fees. GiveForward and YouCaring are two other sites in the business of medical crowd funding. GiveForward charges a 7 percent fee on money raised, but allows donors to donate the fees so that 100 percent of the gift goes to the recipient.
Damphousse says most users raise funds through people they know and their friends because the site makes it easy for them to broadcast their cause on Facebook and Twitter. And the bigger the social network, the easier it is to reach the goal. But not everyone succeeds. People with small social networks tend to have more trouble meeting their fundraising goals, he says. When Shots reviewed the site, it appeared that the people who are closest to their goals have at least 200 Facebook friends.
Media coverage can also make a big difference. The story of Farrah Soudani, one of the victims of the Aurora theater shootings, attracted enough publicity that thousands of strangers were inspired to donate. So far 6,800 strangers have sent Soudani money through GoFundMe, much of it in $5 to $20 increments, according to Victoria Albright, a family friend who created the GoFundMe page the night of the shooting.
"It's a very easy vehicle to raise money," Albright tells Shots.
Soudani's page has gotten her $171,540 in donations, still shy of the $200,000 goal. The money so far has gone to pay Soudani's cellphone bill and a shower chair while she recuperates in the hospital; the rest will go toward any medical expenses Soudani incurs that aren't covered by public assistance.
One reason Damphousse thinks strangers help each other on his site is that people like to see the direct impact of their dollars. "If you're donating to a big nonprofit, you don't know exactly how your money will be utilized, but on our site you might be thanked personally by the recipient," says Damphousse.
A previous version of this story incorrectly said that GoFundMe takes a 5 percent cut from all money raised. In fact,GoFundMe takes an 8 percent cut from all money raised, including credit card fees.


The Nikon Coolpix P7700 offers numerous function buttons to change image parameters and exposure modes very quickly and efficiently. On the top side of the large body are three dials. The first dial on the left-hand side allows the user to set up the most important image parameters like ISO speed, white balance, and image quality (resolution and JPEG compression) directly. The LCD shows the chosen image parameter setting on the screen when the photographer turns the setup dial and presses the center button.
The Nikon Coolpix P7700 is a compact camera that records images with 12MP resolution and videos in Full HD mode. With its swivel LCD and numerous setup dials it offers a very comfortable handling and full image control experience.
The 3" swivel LCD offers a high resolution of 921,000 RGB dots. It has two setup dials on the back: the first can be reached with the thumb of the right hand, the second is integrated into the cursor field, which allows for very fast set up of all parameters.
The camera has a 7.1x zoom lens which offers wide-angle shots at 28mm and tele shots at 200mm (35mm film equivalent). There's a built-in flash and a hot shoe for adding an external flash.
The swivel LCD can be flipped up- and downward and to the side and front. It can also be flipped with its front to the camera back to protect the screen.
The camera has many setup dials on the top, which all add up to very fast, intuitive, and efficient set up of image parameters.
The second dial on the top side offers all standard exposure modes (P, S, A, M), a scene mode selector with 19 choices, including "portrait," "landscape," and special modes such as "panorama photography" or 3D mode. In addition, it offers three user-defined settings (U1, U2, U3) and two video modes. The first video mode will set up all parameters automatically while the second video mode allows users to work with manual exposure settings, aperture priority mode, or special effect modes like "painting," "nostalgic sepia," or "cross process." The camera records Full HD video with 30 frames per second.
The third mode dial on the top allows the user to alter the automatic exposure settings by +/- 3 EV stops. Three additional setup dials are used to change all image parameters. The first is located on the front (near the shutter release button). The second setup dial is located on the back (near the top) and the third setup dial encircles the cursor field.
The camera has a large swivel LCD which can be tilted and flipped (even to the front side for self-portraits). It offers 921,000 RGB dots and shows a very crisp and bright image even under bright light conditions. Nevertheless, an optical or electronic viewfinder would add to the usability of the camera. One likeable feature is the inclusion of an integrated ND filter.
The model shot shows a good reproduction of skin tones, but a slight shift of brighter nuances toward more yellow- and green-colored areas. Differentiation of red colors is very good (see fabric of the T-shirt) because the camera reproduces color with slightly lower saturation.
Color: The automatic white balance system showed a good performance for darker colors under all lighting conditions. Lighter colors, like the light gray test patterns of the GretagMacbeth chart, are reproduced with a little shift into the more yellow- and green-colored areas. Color errors are on a low level. The camera reproduced the test chart with a slight undersaturation (96.04 percent). This effect is also visible in the standard test box shot.
The Nikon Coolpix P7700 creates crisp-looking images. Even details in the image corners yield a very sharp look. This image shows a very slight yellow shift in the neutral gray areas.
Sharpness: The camera showed average performance in our resolution tests. It gains a maximum of 2465 lines per picture height (nominal resolution: 3000 lines). Nevertheless, real life images have a very crisp and sharp look, noticeable in our model shot. Fine details like the eyelashes and the fabric of the T-shirt are clearly visible. The lens system works fine: even in the image corners the pictures display a sharp look, observable in the test box shot.
Noise: The camera uses a large image sensor (for a compact camera) and offers 12MP resolution. This helps keep image noise on a low level. The luminance noise factor stays under 1.0 up to speed settings of ISO 400, which is a good result for a compact camera. Even at the highest ISO speed settings the luminance noise y-factor is only 1.33, which is on the same level as in images taken with bridge cameras. While the luminance noise results are very good, the color noise is visible in images taken with ISO 800 and higher.
Color errors are on a low level. The camera reproduced the test chart with a slight undersaturation (96.04 percent).
The result in the dynamic range test is extremely good: the camera gains a maximum of 11.4 f/stops, which is a better result than found in many SLR cameras.
The Nikon Coolpix P7700 has a list price of $499. For more information, visit www.nikonusa.com.


If you have lost one or more of your teeth, you'll know how inconvenient it can be and how it can affect the way you feel about yourself. If your heart sinks when you look in the mirror or you think twice before smiling, then you might like to know how dental implants in Leicester can help. As well as detracting from your appearance, missing teeth can make it hard to eat or speak properly, which leads to self-consciousness. At Ralston Dental and Cosmetic Clinic, we have helped many of our patients in Leicester deal with tooth loss using dental implants.
The implant itself is a small metal screw that is fitted into the jaw during a minor surgical procedure. This is carried out using a local anaesthetic to make it as comfortable as possible for you. The bone and blood vessels in your jaw mesh around the implant to stabilise it. When the implant has settled, it can be used as a solid base for crowns, bridges, single artificial teeth or dentures. This offers a far more secure option than removeable dentures or other replacements that attach to existing teeth. Our patients who have experienced dental implants in Leicester have found that they are very durable. With the correct care, they can last for several decades.
Dental implants are invisible as they are hidden in the jaw. The crowns, bridges or replacement teeth you choose will be carefully made to match the appearance of your remaining teeth. If you need a whole new set of teeth, these will be designed to complement the shape of your mouth and enhance your appearance. If you have dental implants in Leicester, people may admire your beautiful smile but won't have a clue about the secret behind it. You will be able to eat and speak as normal, so you'll stand out for the right reasons, not the wrong ones.
We are proud of the services we offer in Leicester. Dental implants could be the solution to your missing teeth, enhancing your smile and restoring your quality of life.
This entry was posted in Dental Implants on 14th March, 2017 by Ralston Dental.


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Edward James House ("Son"), Jr. (1902-1988)
Posted on June 16, 2009 May 19, 2021 by contributed by: Austin Barney
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Eddie James House Jr., better known as "Son House," was an influential blues performer born in Lyon, Mississippi to Eddie House, Sr. and Maggie House. He was the middle child of three siblings, with an older brother, Rathel House, and a younger brother, Lee Jackson House. He was married to Evie McGown and had two daughters, Beatrice and Sally.
Born into a family of musicians, Eddie had an early inclination toward the church and became a devoted gospel singer who initially shunned instruments and rejected blues music. After his family moved to Louisiana, he became a preacher at age 15. Later he returned to Mississippi and became pastor in the Baptist Church, and later in the Colored Methodist Episcopal Church. By 1927 he acquired a passion for blues from James McCoy and Willie Wilson, whose slide guitar work inspired him to become a blues performer himself. In a short time he became a proficient performer, with his own bottleneck guitar style and a vocal approach deeply influenced by his experience in the church. The tension between his church obligations and musical lifestyle led him to give up his pastorate.
After a two-year stint in Mississippi's Parchman Farm prison for murder (House stated that the homicide was in self-defense), Eddie was exiled from Clarksdale, Mississippi, and found himself in the nearby small town of Lula, Mississippi. Coincidentally, Charlie Patton was living and performing there at the time with his musical partner Willie Brown, the former having been temporarily exiled from his base of Dockery Plantation. Patton and Brown, who were both Delta blues stars, observed the relatively unknown but passionate House and became close friends and performing partners with him.
When Paramount Records sought Patton to record additional sides in 1930, he decided to bring House, Brown, and pianist Louise Johnson with him to the sessions in Grafton Wisconsin. The resulting recordings are considered blues classics. After Charlie Patton's death in 1934, House kept a lower profile while continuing to perform. He recorded for Alan Lomax in 1941 and 1942, including some songs with Willie Brown, Fiddlin' Joe Martin and Leroy Williams. In 1943, he moved to Rochester, NY and all but ceased playing music.
In 1964, House was relocated and contacted by blues and folk music enthusiasts, and after relearning his music style he became one of the most celebrated artists of the blues and folk revival of the 1960s and 1970s. He performed for large audiences at major folk festivals including Newport and elsewhere throughout the U.S. and toured Europe with other rediscovered Delta blues artists including Booker "Bukka" White and Skip James. House recorded extensively during this period and provided invaluable firsthand information about prewar Delta blues including figures such as Patton and Robert Johnson, the latter having been influenced by the older House. House placed equal emphasis on blues and gospel music, and advocated the definition of blues as primarily music of the heart, distinguished from "so-called" blues, which he saw as potentially dangerous.
Eddie House died on October 21, 1988 in Detroit Michigan, from complications caused by laryngeal cancer. He was 86.
African American History, People
United States - Mississippi, United States - Michigan, United States - Louisiana, United States - New York, United States - Wisconsin, Musician-Blues
Barney, A. (2009, June 16). Edward James House ("Son"), Jr. (1902-1988). BlackPast.org. https://www.blackpast.org/african-american-history/house-eddie-james-son-jr-1902-1988/
Daniel Beaumont, Preachin' the Blues: The Life and Times of Son House
(Oxford: Oxford University Press, 2011); Robert Palmer, Deep Blues (New
York: Penguin Group, 1981); Gayle Dean Wardlow, Chasin' That Devil Music
(San Francisco: Miller Freeman Books, 1998).
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jamea richmond-edwards
past/upcoming exhibitions
article written about me by the IRAAA.
http://iraaa.museum.hamptonu.edu/page/Family-Turmoil-Was-The-Creative-Spark-For-A-Young-Artist
Family Turmoil Was The Creative Spark For A Young ArtistWomen drug addicts are transformed in her owl seriesMarlisa SandersWhen Jamea Richmond was about seven years old she and her older brother and his best friend were walking home from school, and passed a "beautiful abandoned" church. But that day, they saw something no child should ever see. "I remember a prostitute giving a man 'favors' on the side of the building," Edwards recalls. The other children laughed and, trying to fit in, she laughed too. "It was maybe two years ago I registered what we were laughing at," says Edwards.
There were many times when Richmond thought that she might never escape the ghetto. But drawing from traumatic aspects of her experience was part of her escape and is distinguishing her as an artist.
Today, Jamea Richmond Edwards is recognized as an outstanding emerging artist who is represented by galleries and whose work is eagerly collected by private individuals and museums.
She's currently working on a series of drawings utilizing black ink on black paper in response to the murder of women drug addicts in Cleveland, OH. Edwards felt a strong connection to the 11 women who were murdered and their family members. Her own mother was a drug addict and her aunt was gruesomely murdered.
The troubled lives of these women is the basis of artwork which shows their potential.
In one way, her success is not surprising because of her family's history of achievement. Her mother's father was one of Detroit's most successful black entrepreneurs; he owned diamond and bread businesses. The cause of the downturn in the family's situation was her mother's early and continuing drug addiction. Edwards accompanied her mother on a long but ultimately successful road to recovery.
Mean StreetsLiving across from a drug dealer… seeing women fight in the street over men… men beating women in their front yard and onlookers laughing… hitting the floor at the sound of gun shots… childhood friends being murdered. Such horrific scenes were the everyday normal while Edwards was growing up.
But it was also fun growing up there because it was such a lively neighborhood. As she grew older, however, Jamea realized just how much her environment affected her. She jokingly self-diagnoses herself with "post traumatic ghetto syndrome" and admits that the environment was very unhealthy.
"I believe we lived in those neighborhoods because of comfort," explains Edwards. "We had family nearby, a drug store on every corner and everyone knew one another." It was like a large family -- a large family stricken by drugs, crime and poverty.
Edwards used her love of drawing to escape the turmoil of her environment. She began to draw at the age of three and soon knew she wanted to be an artist.
At this time, the news out of Detroit was mostly bad. The city had one of the highest homicide rates and lowest high school graduation rates in the nation. But the auto industry still offered good jobs to some and her mother worked at Chrysler. Her stepfather also had a good job so the family was financially stable, and eventually they purchased a house closer to the safer Dearborn suburb.
When Jamea was 15, she went to a Renee Cox exhibition at Wayne State University. This was the first time she had seen work by an African American woman artist. Because some of Cox's self-portraits were full-frontal nudes, at that time she was known as one of the nation's most controversial African American artists. She used her own body, both nude and clothed to critique a society she often viewed as racist and sexist.
"I remember being so mesmerized by her piece The Liberation of Lady J and U.B," Edwards remembers. "She was so beautiful and confident which sort of validated the ideas I had in mind about developing as an artist."
Jamea had heard that "artists only make money when they die," so she knew it wouldn't be easy. "But being the stubborn individual I am, that only encouraged me to work harder."
She studied art at Jackson State University in Mississippi. Being around students that didn't grow up like her made her realize just how extreme her background had been. Because the lives of her female relatives and neighbors were so troubled, she focuses on the female subject as a way to show their possibilities.
The Owl SeriesEdwards' aunt was murdered six years ago. She didn't begin to openly mourn her aunt's passing until three years later when she began to create art work about her aunt's life. She's done the same to cope with her mother's issues and continues to create in this style of reversing tragedy to beauty.
She uses the same "models" in all of her works, which is why her subjects look alike. She's even been told that some her subjects look like her.
Some of her subjects wear an owl headdress. The owl imagery was inspired by the Medusa myth, which she studied in grad school. "Medusa's forces were symbolized by the female figure positioned in holy postures and gestures of empowerment," explains Edwards. Noticing that sometimes birds were nestled among the serpents that formed Medusa's hair, Edwards began putting birds in her own subjects' hair and exploring the archetype in relationship to the women's stories in her paintings.
As with Medusa who was typically seen as a dark, evil character, but was actually a goddess, Edwards says that she wants to banish her subjects' personal demons by connecting the women to their goddess origins.
This understanding of women's potential began when Jamea was seven years old and went with her mother and siblings to rehab meetings. Hearing the stories her mother and others in drug counseling shared helped Edwards learn about redemption at an early age.
"I truly admire my mother for her resilience," Edwards says now. "I have always looked up to her and one of the ways I knew I could honor her was by telling her story and the story of many others," Edwards explains.
For her current series inspired by the murders of women drug addicts from Cleveland, Edwards drew the 11 victims from profile pictures that were used in the media or from the actual jail mug shots. "The drawings represent the obscurity the women faced; it forces the viewer to come close to the surface due to the dark iridescent quality of the black ink on black paper," Edwards says. "What's unique about this series is that the images are almost impossible to photograph, you have to see the works in person to truly experience them."
Edwards' absentee father also battled drug addiction. His battle has not yet motivated her work but she says she's sure she will address it in the future.
Edwards received the MFA in painting from Howard University where she worked with some "amazing professors" including AfriCobra members Akili Anderson and James Phillips. She was so inspired by the history of AfriCobra (an artist collective founded in 1968 with a social and political mission) that she and a few friends formed their own collective. Other members of the "Delusions of Grandeur" (www.arewedelusional.com) collective include Wesley Clark, Shaunt? Gates, Amber Robles-Gordon and Stan Squirewell. The group exhibited at the 39th Street Gallery in Brentwood, MD, Dec. 15, 2012- Feb. 23, 2013.
"I'm really excited about this group because I realized I feel more comfortable challenging myself both conceptually and aesthetically," says Edwards.
All the turmoil in Jamea Richmond Edwards' early life has proven to be a catalyst for learning about human frailty and strength, and for empowering her artwork. Today she lives in suburban Maryland with her husband Geoffrey who has a background in art therapy and is currently studying Chinese medicine. They have two sons, Jeremiah, eight and Yikahlo, six.
Marlisa Sanders is an IRAAA editorial assistant.
review from Washington Post
The story behind Delusions of Grandeur
By Michael O'Sullivan
"You have to be delusional to want to be an artist," says Amber Robles-Gordon, who, with Shaunte Gates and Jamea Richmond-Edwards, debuted as the art collective Delusions of Grandeur with two back-to-back exhibitions in the summer of 2011. Originally funded by a grant from the D.C. Commission on the Arts and Humanities, the group has expanded to five members with the addition of Wesley Clark and Stanley Squirewell.
As tough as it is for anyone to make it as an artist, Robles-Gordon says it can be tougher for artists of color. It's also tough, she believes, for artists struggling to balance careers and parenthood. (Several members of the group have young children.)
Having first come together as a kind of art salon, with the goal of fostering dialogue among its members, the collective has now set its sights on somewhat loftier goals. Its name may be tongue-in-cheek, but Robles-Gordon admits that "we do want to be in the history books."
Subtle attention-seekers without strings
By Michael O'Sullivan
Delusions of Grandeur seems about right for the name of an artists' collective showing in a hole in the wall in Brentwood.
Located on the second floor of the Gateway Arts Center, the 39th Street Gallery is a 450-square-foot box that has been known to put on pretty cool little shows, including a recent micro-retrospective of the great D.C. painter Manon Cleary, who died last year. But the National Gallery of Art it is not.
Still, who knows where the five artists who make up Delusions of Grandeur will be showing 40 years from now? That is sort of the point.
The exhibition, "No Strings Attached," features a mere two artworks by each of the five artists (with the exception of Wesley Clark, whose contribution is a handsome installation of 50 plywood boxes, scored with a kind of crudely beautiful, graffiti-like calligraphy). The small sampling is enough to get a sense of the individual artists, whose diverse styles -- true to the show's name -- have little to do with one another.
Among the most arresting pieces are two portraits by Jamea Richmond-Edwards. Virtually unreproducible in photographs, the drawings depict the faces of two black women. The manner in which they're made -- mostly dark ink, chalk pastel and colored pencil on dark black boards -- render their subjects all but invisible, unless one stands in just the right place, with the gallery lights hitting the surface just so.
It's an apt metaphor for the theme of visibility that Richmond-Edwards's works seem to traffic in. The larger show takes on that theme, too. The young artists featured in "No Strings Attached" are African American. The question of race, in the context of the art establishment, seems to percolate just below the show's surface.
Take Stanley Squirewell's digital prints. In each, a naked black man can be seen posing, almost hiding, behind works of modernist geometric abstraction. The implication -- that the African American artist has a fraught, and perhaps contentious, engagement with the art canon -- is clear.
That theme is echoed in the work of Shaunte Gates, whose surrealistic collage "Bull's Eye" features a gun-toting black youth against a dreamlike landscape populated by classical statuary.
Like Clark's scarified wooden cubes, the work of Amber Robles-Gordon doesn't seem particularly concerned with race. Her two assemblages of dangling ribbon and brightly colored string suggest an interest in gender over skin color. They're tied -- albeit loosely -- to the legacy of the Washington Color School, though in a medium often associated with the so-called women's work of sewing.
The five artists here have few delusions. Their work is clear-eyed, but so is their determination to be taken notice of.
http://www.washingtonpost.com/gog/exhibits/no-strings-attached,1245339/critic-review.html
Mustafa Maluka!!! love love love
Sorry it's been so long since I last wrote. The fact is, I hate sitting in front of a computer....but I want to change. I've been studying Kerry Jameas Marshall and I am very inspired by his work and philosophy. He stated(not in these exact words), "Why create pieces of work that is virtually impossible to understand. The works that takes you 45 minutes to grasp only somewhat of what the artist is trying to convey. Instead, keep the intentions and message up front, so that the real challenge is actually creating a compelling piece".
I am most inspired by his 'LOST BOYS' series:
So occasionally, I'll post artist that inspire me. 1st off; Gustav Klimt. His sense of composition and use of color is amazing. What am I taking to the Gumbo from Gustav? 1.Composition 2. That gold is screaming Jamea. 3. Background color. I bought some lace style gold paper, incorporated it slighting in a piece of canvas, but I want more gold!!!
MFA???
I have been accepted to an MFA program!!!!!


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Domain exceptions are country codes like .us, .pk and .uk. They are used to identify and take out search results geographical wise. Research indicates that they do not have much impact but psychologically they have an impact as the users are more familiar with the domain like .com, .org and .net. They exhibit reliability and authenticity as compare to other extensions. Choosing a wrong domain extension will lead to low ranking website which ultimately affects credibility of business.
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Bundy Trial: Partial Verdict, Jury Deadlocked on Four Defendants.
The first Bundy trial has ended in a mistrial after finding a federal informant guilty of eight charges and one of the defendants guilty of two lesser charges. The jury was hopelessly deadlocked on sixty more charges, even after federal judge Gloria Navarro sent the jury back to deliberate further….
Videos courtesy of Valley Forge Network.
The Bundy's trial is scheduled to begin June 26, 2017. A third trial for six others is expected in the fall 2017.
For updates, you can follow Kit Perez/Gab or at LibertyNation.com. Perez at this moment is still posting updates on Gab. H/t Western Rifle Shooters Association.
What a farse! The whole deal! Clintons should be on trial and in prison! NOT Bundys!


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England and Wales Court of Appeal (Civil Division) Decisions
You are here: BAILII >> Databases >> England and Wales Court of Appeal (Civil Division) Decisions >> Bowe v Mersey Rewinds Engineering Ltd & Ors [2018] EWCA Civ 72 (31 January 2018)
URL: http://www.bailii.org/ew/cases/EWCA/Civ/2018/72.html
Cite as: [2018] EWCA Civ 72
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Neutral Citation Number: [ 2018] EWCA Civ 72
Case No: B3/2015/0832 & 1137 & 1168
IN THE COURT OF APPEAL ( CIVIL DIVISION)
ON APPEAL FROM LIVERPOOL CIVIL AND FAMILY COURT
3YK54788
Royal Courts of Justice
Strand, London, WC2A 2LL
31/01/ 2018
B e f o r e :
LADY JUSTICE THIRLWALL
LORD JUSTICE MOYLAN
LADY JUSTICE ASPLIN
MR ADRIAN BOWE
MERSEY REWINDS ENGINEERING LTD & ORS
Mr John Benson QC and Mr Ivan Woolfenden (instructed by Norman Jones Solicitors) for the Claimant
Ms Catherine Foster (instructed by Weightmans LLP and BLM) for the Defendants
Hearing date: 11th July 2017
HTML VERSION OF JUDGMENT
Crown Copyright ©
LADY JUSTICE THIRLWALL :
This appeal arises in a claim for damages for personal injury sustained in the workplace. The appellants are three defendants who employed the claimant at different periods during the years 1985 to the date of the trial. I shall refer to the respondent as the claimant and to the appellants as the defendants.
It was the claimant's case that each defendant was in breach of its duty to take reasonable care to protect him from sustaining injury during the course of his employment. He alleged that frequent and prolonged use of vibrating tools caused him to suffer from vibration white finger (VWF) and carpal tunnel syndrome. The defendants admitted each owed a duty of care to the claimant as claimed. It was agreed at trial that none of the defendants took any steps at any time to warn, advise or monitor the claimant in respect of the potential effects on his health of working with vibrating tools. Each defendant denied that the claimant was subject to frequent or prolonged exposure to vibrating tools as alleged. Breach of duty was denied. Causation was also in issue. The first and third defendants pleaded a limitation defence.
A trial was directed of two issues: limitation and breach of duty. The trial took place over 4 days some months apart - 15 and 16 October 2014 and 16 and 17 February 2015. The recorder gave an extempore judgment on 18 February 2015. He dismissed the limitation defence on the grounds that the claimant's date of knowledge (as defined in Section 14 Limitation Act 1980) was within the three years before the issue of proceedings. There is no appeal against that determination.
The recorder also concluded that each defendant was in breach of its duty of care to the claimant because over many years it "transitorily" exposed the claimant to vibration speeds above what is known in the industry as "the threshold level" but took no steps to warn him about the potential effects on health of working with vibrating tools, or to monitor his exposure or otherwise to advise him about working with vibrating tools. It is against the finding of breach that the defendants appeal.
It was the claimant's case that he began working with vibrating tools from about 1986. The British Standard relevant to the facts in this case is the Guide to Measurement and evaluation of human exposure to vibration transmitted to the hand, BS 6842; 1987. It provides guidance to those who manufacture vibrating tools as to how vibration likely to cause injury should be measured. The assessment of vibration exposure is primarily based on the measurement of daily exposure. To facilitate comparisons between different durations of exposure to different tools with different vibration speeds, the daily exposure is expressed in terms of the 8 hour energy equivalent frequency weighted acceleration: A8. This is set out at Table 5 of the document which for ease of reference I have set out below. It shows that where 100 people are exposed daily to vibrations of an acceleration magnitude of 2.8m/s2, 10 of them are likely to suffer symptoms within 8 years. Where the acceleration magnitude is half that ie 1.4m/s2 the period of exposure after which 10% are likely to have symptoms is 16 years. The effect is linear and cumulative thus where the daily exposure (A8) is 15 minutes then the level of acceleration magnitude which would be likely to produce symptoms in 10% of those using the tools after 8 years is 16m/s2. After 16 years the figure is 8.0m/s2. Three notes precede the table. These are:-
Note 1 : The values presented in table 5 are based on exposures which are regularly repeated on a daily basis
Note 2 : If, for a specific daily exposure duration and life-time exposure, the acceleration is in excess of that required to produce 10% prevalence, a higher incidence of symptoms may be expected. There will be a complex relationship between vibration exposure and prevalence of symptoms. When the vibration exposure is high (eg after many years of exposure) the prevalence may be particularly dependent on the rate at which persons join and leave the vibration exposed group. While there have been useful attempts to relate prevalence to vibration exposure these findings are currently restricted by the shortage of available data.
Note 3: A prevalence of 10% has been chosen as a convenient example. The scientific literature can be consulted to discover some exposures which have given rise to other prevalence rates.
Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed Table 5. Frequency weighted vibration acceleration magnitude (m*s-2 r.m.s.) which may be expected to produce finger blanching in 10% of persons exposed
Daily exposure Life-time exposure Life-time exposure Life-time exposure Life-time exposure Life-time exposure Life-time exposure
6 months 1 year 2 years 4 years 8 years 16 years
15 min 44.8
256.0 22.4
Two of the three notes which follow the table are relevant here:
i) with short duration exposure the magnitudes are high and vascular disorders may not be the first adverse symptoms to develop.
ii) …
iii) Within the 10% of exposed persons who develop finger blanching, there may be a variation in severity of symptoms.
Each item of vibratory equipment has a recognised vibration level. What it is depends on the age and condition of the equipment, the material against which it is vibrating and so forth. New equipment is designed to have a lower level of vibration. Manufacturers should be guided by table 5 when designing machines. That is not to say that a level of A8 2.8m/s2 is a safe level of vibration given that it leads to injury in 10% of workers.
At paragraph 2.1 of the guide under the heading "General considerations" there is a list of factors which were and are believed to influence the severity of the effects of hand-transmitted vibration. In addition to the frequency spectrum of vibration are included the length and frequency of work and rest spells, whether the tool is laid aside or held idling during breaks in work etc, the duration of exposure per working day, the cumulative exposure to date.
There was also before the court the publication HS(G) 88, Hand-Arm Vibration, produced by the Health and Safety Executive in 1994. It was part of a series of documents with the purpose of providing guidance for those who have duties under the Health and Safety at Work etc Act 1974. From the opening chapter under key points and throughout, it is made plain that employers must be aware of and guard against the risk of injury where people regularly work with vibrating tools for prolonged periods. This is explicit at paragraph 21 of the document where the following appears "Programmes of preventive measures and health surveillance are recommended where workers' exposure regularly exceeds an A(8) of 2.8m/s2."
The recorder set out at paragraphs 13 and 14 of the judgment the agreed position as to the risk of injury caused by vibration. He observed that throughout the period that the claimant was employed by the three defendants it was agreed that there was a foreseeable risk of injury to a person exposed to levels of vibration of 1m/s2 [A8]. This is generally described as the threshold level. Below that level there was no foreseeable risk of injury resulting from exposure to vibrating tools and employers owed no duty of care at common law. Above that level there was a duty upon an employer at common law and, later, pursuant to the Control of Vibration at Work Regulations 2005, to take some steps to alert employees to the potential risk of injury by warning, monitoring and advising those using vibrating tools. Above the action level ie 2.8m/s2, active steps such as reduction of exposure by modification of tools, job rotation and the like was required. What was omitted from the agreement, but should be taken as read for it accurately to reflect reality, was that isolated exposure to levels above the threshold or action level does not lead to a foreseeable risk of injury. What is required is regular (or, more accurately, frequent) exposure to those levels.
In a decision of this court in Armstrong v British Coal Corporation No 2, 31 July 1998 unreported, it was held that there was a duty to warn employees in the coalmining industry about the risk of developing VWF from vibratory tools. Judge LJ as he then was, suggested the following would be suitable, "If you are working with vibrating tools and you notice that you are getting some whitening or discolouration of any of your fingers, then in your own interests you should report this as quickly as possible. If you do nothing, you could end up with some very nasty problems in both hands." That suggested form of words echoes the advice in BS 6842; 1987 at B3 of Appendix B which is headed "Guidelines on preventive procedures."
"(a) All individuals who use vibrating equipment should be advised of the risk of exposure to hand arm vibration."
At B4 under the heading "Advice to individuals who use vibrating tools" was this
(d) Should attacks of white or blue finger or long periods of tingling and/or numbness occur, seek medical advice."
The guidance does not say in terms that the advice should be given when individuals use vibrating equipment on a regular or frequent basis but that is implicit from the context. In Doherty and others v Rugby Joinery (UK) Ltd [2004] EWCA Civ 147 Hale LJ as she then was reviewed BS 6842: 1987 and the much earlier BS DD43: 1975. It is not necessary to set out the latter. At paragraph 52 of her judgment Hale LJ said "It is clear from both documents that the state of knowledge was not sufficient to lay down a safe standard of exposure. The variables were too complex, and included individual susceptibility. Thus it could be suggested that any employer whose employees regularly used hand-held vibratory tools should at the very least take steps to warn them of the possible dangers and advise them to report any symptoms when they occurred."
Expert Evidence
The experts' evidence was agreed and so they were not called. They agreed that if the claimant's account of his usage of vibrating tools was accepted then it was very likely that he had been exposed to "a hand/arm vibration dose exceeding the action level on a regular basis dependent upon the actual duration of his average working day". They also agreed that if the defendants' account (as set out in their employees' witness statements) of his usage of vibrating tools was accepted "then it is highly likely that the claimant was not exposed to significant hand/arm vibration." Mr Taylor was asked to define "significant" in this context. It meant exposure to a hand/arm vibration dose exceeding the threshold level.
Some of the defendants' witnesses' statements conceded that the claimant used vibrating tools, including needle guns (as to which see below) but only occasionally. Unsurprisingly the experts did not suggest that this occasional use meant that the claimant had been exposed to significant hand/arm vibration.
The recorder's findings
The recorder found that the claimant had worked for the first defendant between 1985 and 1990/91, in 2003 for six weeks and again from 2009 up to the date of trial. He did not work with vibrating tools until 1986. He had worked for the second defendant between 1995 and 2003, the third defendant between 1991 and 1994. Between 2003 and 2009 he worked again for the second defendant during which time he spent two years performing clerical duties and only some maintenance work. It was the claimant's pleaded case which he maintained in evidence that each of his employers had exposed him to excessive levels of vibration on a continuous basis for 70—80% of his working life. The recorder rejected that case in robust terms. He was satisfied that the claimant was deliberately exaggerating the extent of his exposure. No criticism is made of that finding, which was plainly correct. The recorder found that the claimant was an armature winder. Armature winding is a highly skilled job which does not involve the use of vibrating machine tools. He found that the claimant also carried out other tasks more usually carried out by fitters but he did so much less frequently than armature winding. The other tasks did require the use of vibrating tools, including needle guns and air chisels, both of which reached the threshold level in a relatively short period of time of use (3 minutes according to the table produced by Mr Taylor at page 494):
Vibratory Tool Estimated Magnitude m/s2 dom axis Mins trigger time per day to reach 1 m/s2 Mins usage time per day to reach 1 m/s2 based on 50% Mins trigger time per day to reach 2.8 m/s2 Mins usage time per day to reach 2.8 m/s2 based on 50%
Impact wrench 6 13 26 104 208
Needle gun 12 3 6 26 52
Angle grinder 4 30 60 240 480
Air drill 4 30 60 240 480
Die grinder/buffer 4 30 60 240 480
Air chisel 12 3 6 26 52
The recorder referred to the evidence of Mr Hannigan, employed by the first defendant who confirmed that a needle gun was used by the claimant, albeit on an irregular basis, for removing heavy corrosion from motors, for periods of ten minutes at a time, then a break would be taken and the work would continue. The recorder observed (paragraph 23) that "Mr Woolwich [who gave evidence for the second defendant] conceded tool usage at a level which led Mr Worthington (the defendant's expert) to suggest that if all the tools mentioned… were used equally for the period of time mentioned then the threshold level would be exceeded but not the action level". The recorder made no finding about that.
At paragraph 29 the recorder found (and clarified the finding at 31) that the claimant used needle guns throughout his employment by each defendant and, until 1999, air chisels (except when employed by the second defendant which did not use air chisels.). It is plain from the context that the recorder considered the use of needle guns (throughout) and air chisels (up to 1999) occasional but it took place over many years. He concluded at paragraph 30 that "to the extent the claimant used the needle gun and the air chisel with all the defendants there was a breach of duty "in that he was transitorily…exposed to levels above the threshold." He concluded, "I appreciate that this is probably not helpful to either party – and we have already discussed the constraints within which I have to deal with these matters caused by the splitting of the trial into two parts and the absence of the experts – but there it is. Therefore, to that limited extent, there was a breach of duty in relation to the exposure and there was, therefore, accordingly, a breach of duty in relation to the requirements either at common law or later pursuant to statute following such a breach of the threshold limit". I am quite satisfied that in saying "there was a breach of duty in relation to the exposure" the recorder meant that from time to time the exposure exceeded or breached the threshold level and accordingly, given the absence of any warnings or other advice or monitoring, breach of duty followed.
The recorder did not determine what the consequences would have been had the claimant received an appropriate warning or advice or there had been some monitoring. This was because of earlier case management directions which the parties did not invite him to review. Whilst I understand the reasons for leaving the question of causation of injury to a separate hearing, it is not clear to me why the question of what would have happened had the warning, advice or monitoring been undertaken, could not have been answered at this hearing. Be that as it may the recorder characterised his finding of breach as limited. Its effect was likely to be very limited; given that the claimant was still working at the time of the trial, knowing of his condition, knowing the medical advice and knowing of the basis of his claim. Since the recorder made no findings I say no more about it.
The Grounds of Appeal
Miss Foster developed a number of grounds before us. First she submitted, as she had before the recorder, that this was an all or nothing case. The claimant having failed to prove his case could not succeed on a version of the facts different from his case and that of the defendant. There was evidence before the recorder, called by the defendants, upon which he was entitled to rely, that the claimant had indeed used vibrating tools, albeit very much less frequently than he had asserted, see above. It is not unusual for a judge to make findings of fact that reflect the case of neither the claimant nor the defendant. The question is, was the evidence available to justify his findings? The answer to that is plainly yes. Indeed permission to appeal was sought (and granted) on the specific basis that there was no challenge to any of the recorder's findings of fact.
The question of law, as the single judge identified, is whether, having found that the claimant was transitorily exposed to levels above the threshold, the recorder was entitled to conclude that this (combined with the admitted failure to warn etc) meant that each of the defendants was in breach of duty. Ms Foster submits that "transitory" (and I would add for the purposes of the argument, occasional) exposure to levels above the threshold does not automatically lead to a finding of breach of duty. I agree.
During the course of closing submissions Mr Woolfenden had submitted that the recorder could make findings of fact which reflected neither the claimant's nor the defendants' case and conclude that the exposure, while not at the action level, was above the threshold level and so, in the admitted absence of any warning etc, tortious. The recorder expressed the view that this would require him to constitute himself an expert and apply expertise to a different set of facts from the two put before the engineers and upon which they had come to their agreed position. Miss Foster argued against Mr Woolfenden's proposal. In the course of his judgment the recorder made clear that he had decided that the existing expert opinion was sufficient for him to conclude that the threshold level had been breached on occasion and so there had been a breach of duty. He explained his approach thus "I feel able to depart, however, from my initial comments to Mr Woolfenden about not being able to constitute myself an expert because, in relation to chisels and needle guns, there is a simple table [drafted by Mr Taylor – see paragraph 10 above] to which I can apply the evidence of Mr Hannigan. I accept that that is in relation to needle guns. In relation to air chisels, it seems that in the early years of the claimant's career he would have to chisel the heads off the cores on the motor before he could begin his work."
Ms Foster submits that the recorder misunderstood the basis upon which Mr Taylor's table was compiled ie that the assessment of vibration exposure is primarily based on the measurement of daily exposure. There is nothing in the judgment to suggest that the recorder did not understand the basis of the assessment of exposure and he was not wrong to conclude that if a needle gun was being used, the threshold level was reached after 3 minutes. However whether there was a breach of duty depended on the frequency of the use of the needle gun and/or the air chisel and he made no findings about that. He did find that the tools were used over many years.
Mr Woolfenden's submission, repeated before us by Mr Benson QC, was that 30 minutes exposure to a needle gun once a fortnight equates to 3 minutes per working day. Mr Woolfenden urged the recorder to make a finding that the needle gun was used once a fortnight, at least with the first defendant. To that should be added, Mr Benson reminded us, the exposure to the air chisel at or above the threshold level and the fact that the claimant was exposed to these tools over many years.
There are two problems with the approach in respect of the fortnightly use of the needle gun: first there is no expert evidence to suggest that a single occasion of 30 minutes exposure equates to 3 minutes on 10 occasions. Second, and more importantly, the recorder made no finding that the claimant used the needle gun once a fortnight or at any other level of frequency or regularity nor did he make any findings about the frequency of use of the air chisel. Having re-read the whole of the lay evidence I am not surprised by this. At its highest the recorder found "transitory" exposure above the threshold. In the absence of any finding as to frequency and any expert evidence about the effect of intermittent use at such a frequency it was not open to the recorder to move from a finding of transitory exposure even over many years to a conclusion that this constituted a breach of duty by the defendants. To come to that conclusion he would have had first to find that the claimant was using the needle gun and/or the air chisel at or above the threshold level on a regular/frequent basis and it was in that situation that there had been no warning, advice, monitoring etc. He did not do so because he was rightly not satisfied on the evidence that the use of vibrating tools was either regular or frequent. The evidence was all the other way.
It follows that the recorder's conclusion as to breach of duty cannot stand. I would allow this appeal.
I also agree.
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Electrical Information If in doubt regarding the electrical connection of this appliance, consult a qualified buts. Please enter the details on the appliance rating plate below for reference, to assist CDA Customer Care in the event of a fault with your appliance and to register your appliance for guarantee fs223.
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Clean the shelves and balconies separately by hand with soap and water. Before First Use Important Never store inflammable or explosive items and strong corrosive acids or alkalis in the appliance. Ensure that the plug socket is situated in an easily accessible place. This is a household appliance, which is produced in accordance with the national standard. If the power supply cord is damaged, it must replaced by a CDA authorised agent. Troubleshooting Troubleshooting If you have any problems with your appliance, you should check the troubleshooting prior to calling CDA Customer Care to prevent unnecessary service calls and potential cost.
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Integrated under counter larder fridge with ice box 28 pages. Reversing the door It is possible to reverse the door on this appliance, if required. Page 9 Installation Fig. Warm food should be allowed to cool to room temperature before being put into the refrigerator.
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