eorge Du Maurier (1834-1896), illustrator and novelist, and grandfather of novelist Daphne Du Maurier, was born George Louis Palmella Busson Du Maurier in Paris. He was was brought up with the notion that his aristocratic grandparents had fled France during the Revolution, leaving vast estates behind to live in England as émigrés. The truth, however, is that George's grandfather, Robert Mathurin, a glass-blower by trade and a speculator by inclination, left France in 1789 to avoid fraud charges. To bolster his aristocratic image he added "Du Maurier" to his name. Initially, he worked for the Whitefriar's Glass Company in London, but his confidence schemes soon landed him in prison. By 1802, he had six children, but returned to France to escape his domestic responsibilities, and worked until his death in 1811 as a schoolmaster. His fourth son and Du Maurier's father, Louis, born in 1797, grew up in London, but when he was eighteen his mother moved the family back to Paris so Louis could study opera. Taking up inventing instead, in 1831 Louis married Ellen, daughter of a notorious regency courtesan, Mary-Anne Clarke.
George Louis Palmella Busson Du Maurier, born in Paris on the 6th of March, 1834, was raised on the myth that his family's lineage could be traced back to the 12th century. The grandchild of a Frenchman who had fled to England and the son of an Englishwoman exiled by society to France, George learned English and French simultaneously--it is no accident, then, that his novels embody the motif of split-personality. Soon after George's birth, his family moved to Brussels, where Louis became scientific advisor to the Portuguese embassy. To enable Louis to continue his scientific studies (which never amounted to much in terms of financial success), the Du Mauriers returned to Paris, living in various houses and apartments in the tranquil suburb of Passy between 1842 and 1846. From his schoolroom window at the Pension Froussard, George must have watched in awe as street fighting ushered in the 1848 revolution that deposed the "Citizen-Monarch," Louis Philippe. In 1851, having failed his Latin paper, George Du Maurier did not graduate, but his father quickly arranged for his son to complete his education by studying chemistry at the Berbeck Chemical Laboratory, University College, London. At the age of seventeen, George Du Maurier, accompanied by his entire family, settled into a Pentonville apartment.
"Depressed, he lost himself in the National Gallery, Covent Garden, and the British Museum." Left to Right: the National Gallery, Covent Garden, and the Britihs Museum.
Quickly giving up on chemistry, George temporarily aspired to be an opera-singer, just as his father had, but his voiced proved inadequate. Depressed, he lost himself in the National Gallery, Covent Garden, and the British Museum. In 1853 his sister Isabella introduced him to the beautiful heiress Emma Wightwick, who was to become his wife a decade later. In 1856, shortly after his father's funeral, George was off again, this time to study art in Paris; again, the entire family accompanied him. While attending the atelier of painter Charles Gleyre, he became friends with such talented young artists as the American painter James Whistler, Thomas Armstrong (later, Director of Art at the South Kensington Museum), and Edward Poynter (later, President of the Royal Academy). He continued his artistic studies in Antwerp, Malines, and Düsseldorf, returning to London in 1860 to seek employment as a magazine illustrator. In the fall, Once A Week agreed to publish his illustrations for the story "Faristan and Fatima," and then Mark Lemon agreed to publish his first cartoon for Punch.
In 1861, beginning to make a name for himself as a cartoonist and receiving constant commissions from Once A Week, George Du Maurier proposed to Emma Wightwick, and, despite his mother's objections, married Emma on the 3rd of January, 1863. Within two years, he was appointed to the staff of Punch, and remained a cartoonist and illustrator there until his death.
A page from A Legend of Camelot and two details from other pages.
In 1866, he submitted his first major work for the magazine, a series entitled "A Legend of Camelot" that satirized the aesthetic movement's leading figures (Dante Gabriel Rossetti, Charles Baudelaire, and Walter Pater in particular) and their "Cult of Beauty." Up until 1885, he continued this satiric assault by creating such memorable figures as Mrs. Cimabue Brown (a Philistine), Jellaby Postwaite (a poet), Maudle (based on Oscar Wilde), Prigsby (a sycophant), Grigsby (an ordinary chap trying to emulate the aesthetic movement's fashions), and those exquisite parodies of the nouveaux riches and patrons of the arts, Mrs. Ponsonby de Tomkyns and Sir Gorgius Midas.
In 1869, Du Maurier and his wife moved the Bohemian community on London's Hampstead Heath. Neighbours at Frognall included noted fairy and child artist Kate Greenaway (a link between Du Maurier and Ruskin) and Sir Walter Besant, the novelist, a friend since their days together at Cambridge (1855). The Du Mauriers' annual summer vacations at such French seaside resorts as Dieppe, Le Havre, and Étretat, as well as the social and artistic life of their little village, are often reflected in Du Maurier's Punch cartoons -- a special favourite of readers was the lovable family pet Chang, a St. Bernard; like Du Maurier himself, the readership was stricken when the great dog died in 1883. In 1874, now aged forty, Du Maurier moved his family into New Grove House, Hampstead, which would be their home for the next twenty years. Although the artist friends of his youth no longer called, he often exchanged visits with Pre-Raphaelite artist John Millais, the best-selling novelist George Eliot, and her partner, G. Henry Lewes, editor of the prestigious Westminster Review. During the early 1870s, Du Maurier began to suffer eye problems, for which his doctor recommended working on a larger scale. As a result, Du Maurier's work declined in quality.
Walter Besant persuaded Du Maurier to join the celebrated Rabelais Club, founded in 1879, which held literary dinners once every two months. Other high-profile members included novelists Henry James, Thomas Hardy, Bret Harte, and Oliver Wendell Holmes, and artists Lawrence Alma Tadema and John Millais. Between 1881 and the club's demise in 1889, three volumes of the club's literary proceedings appeared. Among the members' contributions to Recreations of the Rabelais Club were Du Maurier's "Aux poètes de la France," a poem in French inspired by an argument with Henry James over the relative merits of English and French verse (volume two), and a doggerel poem in English (volume three).
When Du Maurier illustrated Thomas Hardy's serialised The Hand of Ethelberta (plates) for the Cornhill magazine (July, 1875, through May, 1876) he and not the novelist was the more significant figure in the eyes of the reading public, in large measure because of his "English Society at Home" sketches in Punch, to which he had already contributed for fifteen years (ten of those as a staff artist). He was known, too, through his illustrations for W. M. Thackeray's Henry Esmond (1869), Foxe's Book of Martyrs and eight works by Elizabeth Gaskell: Sylvia's Lovers(1863); Cranford (1864); Lizzie Leigh, The Grey Woman, and Cousin Phillis (one volume, 1865); Wives and Daughters (1866); North and South (1867); and A Dark Night's Work(1867). His eleven Ethelberta drawings feature little of Thomas Hardy's Wessex countryside, being largely elegant visions of British high society as seen from the perspective of the servants' hall.
So impressed was Thomas Hardy by this pictorial programme of eleven drawings and eleven vignette initials that he specifically requested the publisher to contract Du Maurier to illustrate A Laodicean for Harper's New Monthly Magazine (December 1880-December, 1881; Discussion of plates). The volume of correspondence indicates that there was close collaboration between the pair, and that the artist felt constrained by the novelist's highly detailed instructions regarding a countryside with which Du Maurier was quite unfamiliar. Hardy even sent him two photographs to serve as models for the chief characters, and a photograph of the tumuli that are a peculiarity of the Wessex landscape. Du Maurier was the only artist to illustrate more than one of Hardy's novels; unluckily for Du Maurier, these are two of Hardy's slightest productions.
Other notable works that Du Maurier illustrated include M. E. Braddon's Lady Audley's Secret (1866: one picture for the "yellow back" edition's cover), Wilkie Collins's Poor Miss Finch, The Moonstone, The New Magdalen, and The Frozen Deep (1875: one plate each), and his own novels Peter Ibbetson (1892: 86 illustrations), Trilby (1894: 120 illustrations; selected plates), and The Martian (1898: 48 illustrations).
During the 1880s Du Maurier suffered a series of disappointments, most notably being passed over for the editorial post at Punch when ill-health occasioned Taylor's resignation in 1880. "Henry Harper, who, with Thomas Hardy, went to lunch at New Grove House [Du Maurier's Hampstead residence] on the day of the election, 21 July, to discuss the illustrations of Hardy's A Laodicean in Harper's Monthly Magazine" (Ormond 361) broached the possibility that Frank Burnand would be appointed by the owners. Du Maurier appeared nervous, probably thinking himself in the running and Burnand, a Catholic, out of it since Punch was known to have an anti-Papist bias. However, Burnand was chosen. On December 10, 1880, Harper's London agent, R. R. Bowker, visited New Grove House to discuss the Laodiceanplates, which both he and Hardy were finding disappointing. Du Maurier and Harper's consequently parted company for a time, until Bowker was succeeded by James Ripley Osgood, who persuaded Du Maurier to contribute cartoons in 1886, and eventually the novel Peter Ibbetsonin 1891. When Henry Harper accepted Peter Ibbeston for serialisation in Harper's it seemed logical to him that Du Maurier be commissioned to illustrate his own novel. Even Henry James, a critic generally severe about illustrated fiction, was lavish in his praise of the forty-eight plates in his 1897 review of the book.
Most of Du Maurier's illustrations appeared in the Cornhillfrom 1863 through 1886, including plates for R. E. Francillon's Zelda's Fortune (sample plate), William Black's Three Feathers, and Margaret Oliphant's Carità. He illustrated only two first-rate novels, George Meredith's The Adventures of Harry Richmond, which ran in the Cornhill from September, 1870, though November, 1871, and Henry James's Washington Square(1880). He contributed the frontispiece to the C. S. Reinhart-illustrated volume edition of The New Magdalen by Wilkie Collins, which had run serially in Temple Bar from October 1872, through July 1873. Despite his allegiance to the Cornhill and Punch, his illustrations appeared in a number of other London literary magazines from 1860 until his death: The Illustrated London News in 1860, Once a Week (1860-1867), Good Words (1861 and 1872), the Illustrated Times in 1862, London Society(1862-1868), the Sunday Magazine(1864), The Leisure Hour (1864-1865), Harper's Magazine(1880-1897), and the English Illustrated Magazine (1884 and 1887).
Five illustrations from The Martian.
In the 1880s Du Maurier turned his hand to water-colours, but his emphasis on line and his inadequate sense of coloration rendered them little more than tinted drawings. In his novel-writing Du Maurier was more successful, producing three novels: Peter Ibbetson (1889), the best-seller Trilby (1894), and The Martian (1897). The popularity of Trilby owes much to Du Maurier's handling of the theme of the fallen woman with a good heart, the romantic setting of Paris's Latin Quarter, and the Bohemian characters, the classic Victorian heroine, the Hungarian musician and mesmerist Svengali (under whose sinister influence the young singer falls), Little Billee (modeled on the illustrator and genre painter Frederick Walker, 1840-1875), and Mimi la Salope.
The critics and the public alike adored Trilby, the story of a vivacious French girl and a satanic hypnotist. Across England and America, it became the number one best-seller in 1894; indeed, by the end of that year it had sold 300,000 copies. Du Maurier's chief source (other than his own youthful Continental experiences) was Henri Murger's Scènes de la Vie de Bohème (1845)-- coincidentally, the basis for the Puccini opera La Bohème. However, Du Maurier's treatment of his materials differs so greatly from Puccini's because his English, domestic, and middle-class sensibilities make the morally prudish Little Billee the true protagonist.
This relationship is clearly drawn from the Sensation novels and stories that Du Maurier illustrated in the 1860s and 1870s, notably "The Notting Hill Mystery," published in Once A Week in 1861, and "The Poisoned Mind," published in that same periodical in 1862, although one may certainly detect the influence of Dickens's John Jasper and Rosa Bud from The Mystery of Edwin Drood (1870) on the relationship between Svengali and Trilby.
Svengali's intense hatred of his rivals for Trilby's affections –her old friends, the artists Little Billee, the Laird, and Taffy–precipitates a heart-attack, whereupon the singer awakes as if from a dream, unaware of her celebrated singing career and, indeed, unable to sing at all. Exhausted from years as Svengali's puppet, she dies shortly after her master, and Little Billee, broken-hearted, dies shortly after her.
Almost immediately after Du Maurier's death in 1897, the mania that had swept England and America regarding Trilby began to subside after having raged two years. At its height, Trilby boots, shoes, silver scarf pins, parodies, and even sausages flooded the market. Hollywood's first film based on the novel, Svengali, appeared in 1922, re-made as a talkie by the same director, Walton Tully, in 1931, with John Barrymore in the lead. Noel Langley, director of the incomparable black-and-white adaptation of Charles Dickens's A Christmas Carol (1951) with Alastair Sim as Scrooge, directed a British film adaptation of Trilby in 1954. The most recent version, made for television, starred Jodie Foster as a rock-star Trilby. Undoubtedly, so durable a creation is the villain Svengali, that we have not seen the last of him on stage and screen.
Late in 1894, Du Maurier began work on his third and final novel, The Martian, a romantic fantasy in which an earthling becomes possessed by the spirit of a female extraterrestrial. The first instalment ran in Harper's Monthly for the very month in which Du Maurier died, October, 1897. He passed away not in his beloved Hampstead, but in Oxford Square, near Hyde Park, where he and his wife had inexplicably moved in 1895. He was only sixty-two, his death the result (like Svengali's) of heart failure. Everyone of importance to him in life who still survived turned out for his funeral in Hampstead Parish Church, including many distinguished writers and artists, the Punch staff, and his old friends Armstrong, Lamont, Poynter, and Henry James. On his memorial panel in the Hampstead cemetery are inscribed the last two lines of Trilby, his own translation of a couplet from Léon Monté-Naken's "Peu de Chose": "A Little trust that when we die / We reap our sowing. And so — good bye!"
Goldsbury, Dennis. "Du Maurier, George." Victorian Britain, An Encyclopedia, ed. Sally Mitchell. New York: Garland, 1988. Pp. 230-231.
Kelly, Richard. George Du Maurier. Boston: Twayne, 1983.
Ormond, Leonée. George Du Maurier. London: Routledge and Kegan Paul, 1969.
Page, Norman. "Thomas Hardy's Forgotten Illustrators." Bulletin of the New York Public Library 77, 4 (Summer, 1974): 454-463.


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Fry Family Archive
Portrait miniatures, silhouettes, portraits & an omnium-gatherum of historical interest & character.
Enquiries and orders
cynthia@wigsonthegreen.co.uk
Home / Collections / Fry Family Archive
Samuel Metford silhouettes
The Fry Family belonged to the Quaker community and it is well recorded that early Quakers did not sanction portraiture, believing it to be vain. The plainness of black profiles was, however, acceptable to them and central to this extensive archive of family documents is a fine group of eight silhouettes cut and bronzed by the Anglo-American silhouettist Samuel Metford (1810-1896) who, as a Quaker himself, worked almost exclusively within that community.
The silhouettes cover four generations of the Fry family who lived at Woodgate, Culmstock in Devon. The Metford silhouettes are all signed and are further inscribed on the reverse with the sitter's name, the date, and often their height –
Jane Fry of Woodgate 174?-1825. Her maiden name was Coleman. She married Robert Fry. Painted bust-length on paper watermarked 1831, this was therefore painted posthumously.
And her son:
William Fry of Woodgate (1773-1860) seated holding a letter and his glasses; dated 1848.
And his son:
Robert Fry 5 feet 9½ in. 11 Mo: 1848 – wearing a frock-coat and holding a sealed letter. Robert was born 4 February 1800, died summer 1879. He was a corn and seed merchant.
Jane Parsons Fry 5 feet 3¼ in. 11 Mo: 1848 – wearing a fringed shawl and holding a reticule. Jane died in 1876 after a lingering and painful illness.
And their children:
Sarah Jane Fry 5 feet 2 in. 11 Mo: 1848 – holding a book. Sarah was born in 1829.
Edward Fry at Sidcot School 1849 – holding a cricket bat. Edward was born in 1834.
Lewis Fry at Sidcot School 1849 – holding a slate or book and pen. Lewis was born in 1835 and died in 1908.
Catherine Fry 4 feet 3 in. 11 Mo: 1848 – holding a basket. Catherine was born in 1838.
Isabella Fry 3 feet 7 in. 11 Mo: 1848 – holding a doll. Isabella was born in 1841.
The silhouettes are unframed and, bar the odd age-spot and slightly upturned corner, are in very good condition.
The boys were educated at the Quaker School of Sidcot. Edward moved to Ipswich where he too worked as a corn merchant. He married Annette Ransome from Jersey and with her had seven children. He died in 1892.
Lewis was apprenticed first to the grocery business of Josiah Newman in Cirencester and then in Leominster. He married Mary Cruickshank from Aberdeen but they had no children. Lewis was appointed to take charge of the Rowntree apprentices and assistants, but the strain proved too much for his health and in 1870 he moved to Newcastle where he was an accountant to a leather manufacturers. He is said to have given vocal ministry frequently in Newcastle Quaker meetings and taught in the adult school. He retired to Wensleydale in 1876, and died of pneumonia in 1908.
In the 1871 Census all three girls were unmarried and still living with their parents.
The silhouettes are accompanied by a treasure trove of family documents including, amongst much else:
Quaker marriage certificate hand-written on vellum for William Fry and Sarah Hancock, dated 25 April 1798 and signed in the Quaker tradition by all the wedding guests.
Birth certificates on vellum of Robert Fry (1800) and Edward Fry (1834)
Probate of the will of William Fry deceased, on vellum and dated the 16th day of July 1860.
Hand-written biographical account of Robert Fry who married Jane Parsons of Wellington in 1828.
Brief history of Woodgate Farm.
Watercolour of Woodgate house, dated July 1932.
Watercolour of Spiceland Meeting House near Wellington.
Printed sale catalogue for Woodgate, 1966.
Wedding photograph 1904
Various hand-written family trees
Samuel Metford left England for the United States when just 24 years old. He became an American citizen and worked there for about ten years before returning to settle in Lancashire but he returned to the United States in 1865 for a couple of years before finally returning home to his native Somerset. Metford had no children (his wife became mentally ill shortly after their marriage) but he adopted a son within the Quaker community in the north of England. He died in 1896 in his 86th year.
Item Ref. 5750
Size: silhouettes, 248 x 192mm (9¾ x 7½") and smaller
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Castlegate IT

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How to convert Array with N items into array with N objects Let's say we have an array like this one:
const arr = [2,3,'red', 'white', ...]; // With n items

I would like to push that array into an array with objects inside like the this:
[{a:2, b:3, c:'red', d:'white'}, {a: ..., b: ..., c: ...}, ...}

I'm getting the data from a CSV file which gives me just an array. I need to assign that values into an object with 13 properties each one, so each object will looks like:
{ a: ..., b: ..., c: ..., d: ..., e: ..., f: ..., g: ...,
  h: ..., i: ..., j: ...., k: ..., l: ..., m: ... }, ...

I broke my brain trying to make this operation as simple as possible but I need help guys.

A: You can do it using nested for loops.

const arr = [2, 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss'];

// array for storing result
var res = [];

// iterate over each 13 elements from the array
for (var i = 0, i1 = 0; i < arr.length; i += 13, i1++) {
  // define object
  res[i1] = {};

  // iterate over 13 properties a to m
  for (var j = 0; i + j < arr.length && j < 13; j++) {
    // define the property, property can be generate
    // using radix 36(which includes 0 to 9  and a to z)
    // where a to m is within ( 10 to 22 )
    res[i1][(j + 10).toString(36)] = arr[i + j];
  }
}

console.log(res);

A: If you want to avoid nested loops:
const arr = [2, 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss', 3, 'red', 'white', 'ss'];

resultArray = [];
tempObject = [];

for(i = 0; i < arr.length; i++) {
    // Get a letter to use as a key
    newKey = String.fromCharCode(97 + (i % 26));

    // Push that onto the object
    temp_obj[newKey] = arr[i];

    // If you've done 13, put that into the array
    if((i + 1) % 13 == 0) {
        res_array.push(temp_obj);
        temp_obj = {};
    }
}

redpajama_set_name: RedPajamaStackExchange


For years now Autorama has been separated into two levels – the main floor and the basement. The main floor is the area that most people used to think of when thinking of the Detroit Autorama. The basement is where the 'other' cars go… In the past this ranged from tuners to rat rods. I used to hate going into the basement, and getting past the thumping bass and laser lights of the tuner crowd just to see a couple of cool lead sleds. For the last four years or so, the 'rat rod' movement in the Detroit area has grown substantially, and with the embracing arms of show organizers (Rudi and Dennis), the basement has turned into a main event.
The high gloss facade, high buck cars with their mirrored displays and bright lights upstairs becomes a distant memory as you ride the escalator down. Greeting you at the bottom is neon lights, pinup girls and rockabilly music – and a plethora of traditional hot rods, led sleds, old school choppers/bobbers and antique bikes, with a few mini bikes, race cars and custom bicycles sprinkled in. Some vehicles are in the build stage, some are finished. And some are in between. There was even a '59 Chevy (belonging to your's truly) that allowed people to draw on the hood. And if you hit it right, you'll see bands like the Twistin' Tarantulas preforming on the stage.
Even the vendors have a different feel. There is Artist's Row, featuring such artists as Thom Metz, Julie Fournier (who painted the Gene Winfield backdrop), Chad Lambert and Brown Dog Welding. You can purchase vintage clothing, plasma cut scrap metal art from Speedcult and crude shirts from our friends at Singlefinger Speed shop. If you're looking for the 'right' cut and style, the Berkley Chop shop and Vanity Vixen folks will fix you up!
Instead of the high polished glass plaque trophies of the upstairs, Autorama Extreme trophies are handcrafted out of old junk parts by the Poor Boys Car Club, which are all pinstriped up and coveted as much as the upstairs awards. This year our buddies at Brother's Customs took home a few of the trophies. Leslie Dreist of Classic and Exotic out of Troy MI took home two awards with her 1942 French War bike, including the Throttle Gals Magazine Pick Award.
As the basement crowd grows in popularity, and with more people than ever coming to Autorama specifically for the Autorama Extreme, the main floor has been coined "The Attic". Singlefinger rolled out shirts stating "There's an Upstairs???' and the entire show has swelled to well over 200 cars. Rudi stated that he turned away multiple car clubs, and a large number of great vehicles, because they simply ran out of space. Thankfully the Dead Last car club got in, along with their valve cover race track, allowing yet another cool activity to participate in. Even the kids get involved, giving them a fun and challenging way to compete in the show.
The big event in the basement this year however, was the live chop top project, where the legendary Gene Winfield chopped a '39 Chevy in three days. The crowd was so thick at times, that you couldn't even see the car. Sparks were flying as Gene and his team of builders used a combination of MIG and gas welding to create the custom chop.
If you missed it in the past, make sure you make it to Autorama Extreme next year! And for more pictures from the 2013 Detroit Autorama Basement show, check the Pictures from the Basement here.


Viewed from the realm of the soul … well, Bapak says 'viewed from the realm of the soul', but for all of you this is just a story. Just listen to it, you do not need to think deeply about it; and do not ask for proof, because the proof is in the realm of the soul, and as yet you are not able to discover it in your latihan. Bapak is speaking about the earth, which has existed for millions of years: not one thousand or two thousand, not twenty-five thousand or fifty thousand; whereas the stories of human beings that have come down to us, that we can think about, that have been written down from the signs left behind, span at most twenty-five or fifty thousand years. So it is clear that all sorts of things must have taken place on the earth before that time.
And seen from the realm of the soul, it has happened – not just once or twice but over and over again – that the earth was inhabited by human beings who are not spoken about in our histories, only in the history of the soul. During that earlier time it happened repeatedly on this earth that there were human beings whose knowledge surpassed the knowledge of people today.
The same applies to the earth itself: the earth is always experiencing changes. Well, it did not happen yesterday or the day before yesterday, but a few hundred thousand years ago. About half a million years ago there was no dry land in Europe and Asia. All you could see was ocean. The dry land was then all to the south. Then a change came, with the result that now there is Europe, Asia and America; and there is you.
You have probably never guessed this, and are asking yourself, 'Is it true that such changes occur on the earth?' Indeed, the human thinking mind would not imagine this, but with the soul, as Bapak just said, you can receive something that is beyond human capability. And whose capability are we using? It is the capability of the Almighty: the Almighty can inform you when your state is beyond the human.
And you certainly wouldn't imagine that what are now called the south and north poles were once east and west, west and east. Here too, if you ask Bapak for proof, he cannot give you any, unless you are able to receive it for yourself. It is God who can give you this knowledge, not human beings, since it is beyond human ability.


While a serious injury can, in almost any situation, have devastating consequences for the victim and their family, children are particularly vulnerable to suffering extreme consequences as a result of an injury. Even relatively minor forms of harm can have dramatic effects on the health and well-being of a child, while major damages can be life-threatening.
At the Ausband & Dumont, we know how traumatizing it is for any family in Atlanta to deal with an injured or ill child, especially when the injuries are the result of someone else's negligence. In these situations, it is understandable for the parents of the injured child to feel as if they are owed compensation and justice for the undue harm their family has suffered, and due to personal injury law, many families are able to get both of these.
When your child is the victim of any of these injuries or losses, we at Ausband & Dumont believe you may be owed financial compensation and justice.
Our dedicated legal team at Ausband & Dumont has a wide range of resources and experience to draw on when we take up a child injury case, giving us a greater ability to fight for our clients and their rights.
If your child has been the victim of serious injuries caused by the recklessness or negligence of others, call (404) 812-0051 today. You shouldn't have to go through this difficult situation on your own.


2017 Global Festival of Ideas for Sustainable Development – The world's first Playable Policy Conference – Bonn, Germany.
The Global Festival of Ideas for Sustainable Development is brought to you by the UN SDG Action campaign and the Overseas Development Institute (ODI), together with Cepei, Data-Pop Alliance, Plan International, Salzburg Global Seminar, the World Food Programme (WFP) and the World Resources Institute (WRI). New partners are welcomed – the organisers are committed to working with many organisations from different regions and sectors to produce an event that is dynamic and innovative, and built on the best knowledge and experience.
Too often, policy-makers focus on one development objective, at the expense of others. But in the SDG era, a radically different approach must be found: we must be able to promote economic growth and prosperity with environmental sustainability; we must challenge inequality and exclusion in a rapidly globalising world; and we must find ways of protecting individuals and communities caught up in conflict or affected by mass migration; we must deliver effective health services, even though resources are limited.
Each day will also draw on the latest research and data on economic, demographic, technological and political transitions.
A live simulation game will lie at the heart of the festival, engaging participants in the trade-offs at the heart of SDG implementation.
It will foster practical collaboration, provide a safe space to trial ideas and offer an opportunity to reveal assumptions.
Participants will be asked to work together to make decisions on critical areas of resource allocation, with the implications of these decisions (on progress towards the goals) transmitted to others through data, audio-visual installations and the festival plenaries.
The game will interact with the conference sessions and be available for all delegates to play.
Previous articleGoogle Hash Code 2017 – Team-based Programming Competition for Students & Industry Professionals.


The protesters gathered in Kadıköy following the call of TKP, holding banners and chanting slogans in solidarity with Syrian peoples against the imperialist operation, including "Down with the US", "Down with NATO", "Invaders always lose", ""Killer US get out of the Middle East," "The people of Syria are not alone".
TKP Central Committee member Mehmet Kuzulugil gave a speech and said: "Fear the rage of the oppressed, the exploited and the toiling masses. They are fed up with your lies, fake images, provocations, disgusting interventions and conspiracies! Exploiting people, forcing people into imperialist wars, making them kill each other for the profit of your monopolies are outrageous crimes. You will definitely pay for these crimes. As the barbarian gangs scorch Syria, the heart of the great humanity is beating with the Syrian people."


Are you ready?! This Friday we're bringing back our award winning Hazy IPA that is already huge on juicy flavor and amped it up with tangerines! The sweet and tangy tangerines balance well with the Galaxy, Mosaic, and Citra hops resulting in a beer that is low on bitterness and packs a citrus punch! Available on tap and in cans at The Brewery this Friday at noon! Also available on tap at The Ale House at 11am! Stop in and enjoy a pint before #shegone for good!


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"It wasn't about purely output and income… it was a work of passion"
Wade Sander
Brunia Wines
Winemaker | Wine producer
In the industry since 2011
Featured in Winemag's Top Ten Sauvignon Blanc/Blend Report
The background to Wade Sander's early years was green. Although he was raised in Johannesburg, his grandparents maintained a smallholding in KwaZulu-Natal. His older brother, Brett, had also taken an interest in agriculture: permaculture and hydroponics. Wade became increasingly drawn to ideas around sustainability, food security, and organic farming.
So, by the time he had finished matric in 2010, his career path was clear. He packed his bags for Cape Town – and the Elsenburg Agricultural College – to complete a degree in viticulture and oenology. He found himself on a working farm, doing an informal crash course in Afrikaans. 'I don't think I knew exactly what I was getting into.' But Wade is invariably circumspect about the challenges that life presents. He sees them as necessary, even useful.
After graduating, he enrolled in the Cape Winemaker's Guild Protégé programme. There, he interned at several estates, including Mullineux & Leeu Family Wines. He also did his share of harvests abroad, including a large winery in California's Edna Valley. But it was in France that he found his soulmates, at Domaine de Roche Neuves in the Loire. They were pursuing a biodynamic model. 'And they were making fantastic wines.' Wade absorbed the culture, appreciated the food, and fell in love with the place. 'It wasn't about purely output and income… it was a work of passion.'
At the end of his internship, he joined Mullineux & Leeu as an associate winemaker position. He spent six good years with them, taking on as much responsibility as they'd give him. In 2019, Wade travelled to France again, this time to the ancient village of Jura. He harvested at Domaine de la Tournelle and, at the end of his stint, winemaker Pascal Clairet gave him some advice: 'It's time to get on the train.'
By that he meant commit to the wine journey, which is something Wade and his family had already begun preparing for. They had purchased Cold Mountain farm (in Sondagskloof in the Overberg), with an organic vision in mind. It was time for Wade to 'kick on'. The result is Brunia wines. Named for the rare fynbos found on the farm, it is produced according to the dictates of soil and climate. The Sander train is destined for great things, but in many ways it feels as if Wade has reached his destination.
Drink:I've always found Pinot Noir intriguing: its nuances, subtleties, complexities.
Think:Think: Reflect where you're from.
Do:Challenges? Confront them. Boundaries? Push them.
info@cultivatecollective.co.za
Salt Orchard, C3,
45 Yew Street, Salt River


text:
package org.bulldog.core.io.bus;

import java.io.IOException;

import org.bulldog.core.io.IOPort;

public interface Bus extends IOPort {

	public void selectSlave(int address) throws IOException;
	public boolean isSlaveSelected(int address);
	public BusConnection createConnection(int address);
}

redpajama_set_name: RedPajamaGithub


With its innovative force-absorbing quick release strap and multi-directional ring, the Acceleration Trainer gives athletes the resistance and quick release needed to increase speed and power.
Acceleration and first step speed are critical components of any sport. Using proven overload and release training methods, the Acceleration Trainer helps athletes at all levels build first step quickness and top-end speed.
From starting speed to acceleration to top-end power, athletes and coaches alike know speed is a must for serious performance. The Acceleration Trainer puts the dynamic resistance, overload and release method world-class racers use in your hands to add new levels of speed and power in any athlete.
The Acceleration Trainer lets your athletes build their lower body and leg power through proven overload training. And with its unique force absorbing quick release strap, you won't have to worry about over-pulling or having an erratic grip that can interfere with training sessions.
With its multi-directional ring and quick release design, the Acceleration Trainer gives you the power to train athletes in any direction. At the same time, it provides the instant feedback and seamless release athletes need to fine-tune performance.


text:
class BooklistController < ApplicationController
	def index
		@books = Book.where(user_id: session[:userid]).order(:updated_at).reverse_order
	end
end


text:
Q: Separate frontend- REST API architecture I dockerized my api backend (nginx as reverse proxy, express, and mongodb) and now I want to connect it with my frontend platform using Nuxt.js (actually, it could be anything).
Because I don't want to be overwhelmed by CORS policy, I want to put it on the same origin.
What is the best way to deploy it?
Is it by also dockerizing the platform (nuxtjs)?
Or, should I use pm2 to run the platform on port 3000 and configure the nginx on my dockerized api to proxy_pass everything to localhost:3000 ?
Please help, thank you

A: Just use nginx to proxy your frontend as well as your API.  Then they can all have the same origin.


Summer must be on the way out, as our tiny brown yard Mantis of June is now full size jade green.
From the side she is flat as a leaf.
Our elegant little lady likes to show off her party dress.
She is upper left on the hand rail. Btw, the porch is newly refinished.
The wooden rail was rubbed back with steel wool, and it and the slatting got new sealant/stain (this is the second time I've stripped and sealed it). The facing of the house on the porch was scrubbed down and rinsed off, and the bare concrete deck and steps were cleaned down and painted. This took about 3 days in nearly 100 degree heat.
Other upgrades: we put in the porch light our first summer in the house, as it had been a bare bulb, then I repainted the iron railing; two years ago I stripped and sanded down the old wooden door and refinished it, and this spring I stripped and refinished the inside of the door.
Stanley and I walked through a surprise hornet nest yesterday. The little buggers lit me up, and this a.m. I have a cartoon right hand, and a hard red left ankle. Note to self: if ever stung on L hand, remove wedding ring immediately. The image is after a morning of icing, anti-inflamitories , and elevating: it was too comical for pictures til now. The spider will have to wait a bit, but at least I wasn't bit by a spider.
Day 8: Yesterday's pointing looks good, so I put up a long run of new tongue & groove lumber to replace the board the horses had worn away.
If you ever had a big hundred year old barn come into your life, wouldn't you at some point think: I could use to paint me a barn! If so, there may not be a therapy or pills that can ever put a dent in you; so you might as well get at it.
The trim for the low corner needs replacing as well.
I made this ladder leveling platform back in SLC, knowing I'd have this long drop. It is a platform with a 2X4 backing board- these are joined with thick steel "L" brackets. On the back are two long black steel pointed posts that I welded cross handles of rebar to, slipped through lengths of pipe bound by metal sleeves screwed to the 2×4- and the posts are pounded into the ground. The lower stair platform is held in place by rebar posts pounded into the ground, they have welded cross handles as well- for pulling them back out.
The platform is a bit of overkill for the little ladder, but a must for the big old bent aluminum ladder.
The ladder is completely secure, which makes one-arming a power tool less dramatic.
Before running the paint stripper I whack every single nail with a big framing hammer. All the nails in reach on the back of the barn first, then all in reach on this W side, and now up on the ladder. It becomes a harder and harder job to make clean hits.
I've graduated up to the tall ladder, and to my L is a spot too tall for the little ladder and too short for the tall ladder. I am racing against the sun- watch the shadow line disappear as I move down the wall.
I finished just as the sun broke across the bottom of the ladder. I burned off the new grinding disk that E had started with for the low bit, and ran through the used up disk that had been on it before. That leaves one new disk for the big back face.
The ladder support is up on rocks and using all of it's stair boards- and that bit is not the steepest section. Using a level is key, as a few degrees off at the bottom make for far more at the top. That and the polymer end caps that grip the high wall. Stanley always pushes me on safety.
E has hand scraped up past waist high. I put on the new disk and rip along from where she left off.
It is a long long way from one end to the other.
From up at the barn we look across the corral to the house in the trees and the garage across the county road.
The little ladder is so stable compared to the big AL ladder, I try to get as high up as possible before switching over- the footing is set back the correct distance for the tall ladder (1′ out for every 3′ up), which explains the funny angle.
It is late in the evening and the sun is coming around to this side of the barn now- it hits all four sides of the barn this time of year- for those from Southern latitudes. It washes across my face shield and I can't see anything when up high (I'm stopping at the top of the windows) so I call it quits for the day.
Day 9: Before finishing the grinding I need to make a fix. I attach the ladder caddy to the truck workbench as I need to be center on the problem and the big ladder would push against the loose door- which is what needs fixing.
I've replaced the trim board along the door, and this last bit is a cedar plank. It holds the end of the long hinge, and the previous pine board had not only rotted out, but captured enough moisture to break down the barnwood behind it. Now the wind can't catch the door as the hinge is firmly attached again.
Back to grinding out yesterdays sun blind area. I also got a bit optimistic and taped off the windows and lower door.
Neither arm is really up for one-armed grinding this morning.
Three clamps hold things level and sturdy.
The truck is a bit bouncy for the big ladder, so back to doing it the right way.
One arm at full extension vs moving the footing again. Just lean into the burn and enjoy it.
E has vacuumed this side to remove paint flour and embedded dirt. Then she masked off the foundation and the windows, and covered the saddles & tack inside. I drive the truck down to the pasture gate to ward off overspray.
At noon we break for breakfast- early coffee was supposed keep me til 10am, but I kept going. Instead of breakfast Dave arrives up for the first time this visit, letting us know he is moving cattle through the corral for sorting tomorrow morning. Huh. Well, that means I have to put all 10 gallons on the barn today- and try to stretch it for the whole area we've prepped. Dave heads out after a chat til 1pm, then breakfast at last. My Hobbit schedule is way off- I should be on to supper by now and it looks like second breakfast is right out.
I give the 5 gallon bucket of special linseed oil red barn paint at least 300 stirs, then load the little electric sprayer that repainted the house white last summer, and begin the first of 4 layers for this lower section. Up to the L you can see how fast it has soaked in and turned dark- I waited for the sun to hit the wall to help the paint dive into the wood.
E has the front vacuumed and together we mask off the stones and hardware.
First blush on the face.
My initial coat is slow and heavy pointed directly at the wood, injecting the paint and creating a small wave of thick paint as I push along. From one end of the door to the other it has soaked in, and I hit it with another more finessed coat- so 2 coats for the front.
I started on the L, jumped to the far R and worked back to the center. Look how much the paint has already changed and darkened to the L compared to the freshly painted center door! It could all use another coat, but I only have two 5 gallon buckets for this trip and have to cover everything I've sanded back.
Whose up for one-armed ladder spraying? Just me.
This next bit will take as long as the whole paint job so far, or feel like it. Look for the shadow change up next.
E leaves the hot mess of the corral for the shade of the yard, and sees something above the cellar door.
It is another daytime bat, but a different guy from the under the eve of the ice house. E's googling says he is likely a Silver Haired bat, and the Ice House bat may be as well.
Somewhere along the wall the second drum of paint was given its 300 stirs.
I put on one last ladderless coat, as this side of the barn takes the brunt of weather and cattle. The upper portion has two coats, vs the lower section's 5.
Around 8pm and the N wall is in full sun. Perfect for painting.
E does some last minute scraping on the R end, so I start on the L, she finishes up and I track along low, then finish the corner of the W side where the fence leans downhill.
Day 10: This is where the paint ran out last night. We cleared all our gear out and I disassembled the paint gun and cleaned it out. We were home by 10pm for a late late dinner.
The paint is about 7′ up on the R and 10′ up on L. She is stripped up to the window tops, but I'm leaving it 'til next summer. This at least covers any snow line from drifts, and seals the first floor.
I would have liked to paint the trim white as well, but the red paint stayed wet through the day- slowly soaking in and curing out. Early in the morning one of the horses, the only Paint of the group, rubbed his head against the wet paint- but the buffers kept them all from getting it on their bodies. E got the trim ends on the front while I did the red back.
You can't even tell there was a roundup today.
Dave has a group of 20 late cows- the first calved out in the morning just before the roundup. The 20 mothers have mixed in with all the others over the course of summer fence fiascos and frisky behaviors on the spring cattle drive. Today they are all separated out and put in the horse pasture.
Two riders and 3 four-wheelers bring them in quick.
E watches the sorting begin. We are not firing on all thrusters yet, and let Dave and his crew handle the bovines.
Cut one group up, and the other down- or leave one group in and cut everyone else up & down. It seems today they are in a "down only" drama, so down they go.
The down-gate at the barn wasn't operating smoothly, so I'm salvaging this old pin-plate from a ghost-gate.
I think this is the moment I realize I'm going to go back to the house and get the sawzall.
This is the down-gate by the barn. I have cut the top board to let the pin swing by and cleaned the hole with a 3/4″ bit.
The strap needs widening to fit the new larger pole. Once in place it binds on the pin, making it hard to pull out- so I widen the hole with a file. Then it just isn't right still, so I take it off and flip it over. Much better.
It matches the post pretty well- better than new and shiny.
Ping! The pin jumps in the hole and pulls out easy- and no longer hangs up on the top board. Sorting the ladies is problem enough, without having the gate fight you as well.
On the swallow side of the barn E shows me a loose bottom board- backfilled with straw and debris that push it out more.
I pull the board out more to clear the debris, then nail it back in with a longer, better nail. Then do all the nails along the wall (following after E's diligent "Blessing Tap" salvo).
Knowing it is better than it was is sometimes hard to see.
E has other nails all around the corral for me to prang. And I run a big carriage screw through a loose top rail that had frustrated jumping over the fence for the barn painting.
By mid-afternoon I finally find a bit of motivation to get back on the big ladder and finish some work on the house. Like that black eye of a window looking out on the country road.
I'm wondering who is going to climb up that rickety old ladder and grind down the window frame.
Oh yeah, The Feller; from my father's chore list for me that always began, "A feller could…"..
When I try to scrape the white overspray off the glass from last summer (and from 1996) with a razor, E wisely tells me to quit screwing around.
Two screws and a bit of scrap from the barn triage and I have a brush extender.
Who knew a paintbrush could weigh this much?
I hear a bright little song behind me, and it is this little goldfinch perched in the tree top next to me.
oooh- the ladder is on the other side now!
The peeling white from the window upwards shows where the no-go line begins with the old bent swaying club-footed ladder.
Now the second floor doesn't look quite as haunted.
This cataract-eye seems as high, but is quite a bit shorter, which is good, because it houses quite a nest of wasps that need occasional ducking.
I'm beside the wasp entrance at the top of the window, but painting across to the other side- saving the danger zone for last.
The wasps are winding down for the day, and only buzz me to shove past to their hole.
Can I be done painting now? No.
One long minute passes- longer than the minute in The Yellow Submarine.
Hey, there is a door there. I hadn't quite noticed it before- thanks green trim!
Course, now that window up there looks sorta what, cataracty? haunted housish? dead-eyed? Well, Stanley doesn't notice, so neither do I. Our time is up and tomorrow we close her down and drive through endless smoke from CA wildfires to SLC.


Stress conditions result in global and gene-specific adjustments in RNA translation.
Stress conditions result in global and gene-specific adjustments in RNA translation. occupancy demonstrated solid positive correlations in cycloheximide-treated and neglected cells. Our outcomes demonstrate that cycloheximide will influence a number of the outcomes of ribosome profiling tests, although it isn't apparent if this impact is generally artefactual. Launch Ribosome profiling provides revolutionized the analysis of translation by giving a genome-wide, single-nucleotide quality view of the procedure1. The strategy is dependant on the house that mRNA-bound ribosomes guard a little mRNA fragment from degradation by nucleases2, 3. Treatment of cell components having a ribonuclease (typically RNase I) prospects towards the degradation of unprotected Demeclocycline HCl supplier mRNA. Ribosome-protected fragments (RPFs or ribosome footprints) are after that isolated and prepared for evaluation by high-throughput sequencing1. Ribosome profiling may be used to estimation overall translation prices aswell as asymmetries in the distribution of ribosomes on mRNAs4, 5. The main element assumption of ribosome profiling would be that the distribution of ribosomes on mRNAs during RNase digestive function faithfully reproduces their area distribution6, 7. Nevertheless, several recent research, mainly using the budding candida reported a growth of ribosome footprints in 5 innovator sequences upon Demeclocycline HCl supplier tension conditions, recommending higher usage Demeclocycline HCl supplier of translated upstream Open up Reading Structures (uORFs) in response to tension1, 11, 12. Nevertheless, a comprehensive analysis that examined the result of many concentrations of CHX on ribosome distribution upon tension figured these observations had been because of artefactual, CHX-induced rearrangements8. Additional research which used CHX reported a wide build up of ribosomal footprints within the 5 part of coding sequences in (in the ~300 preliminary nucleotides), that was highly improved by amino acidity hunger and oxidative tension1, 12 which was not seen in mammalian cells13. An in depth study of this trend in showed that peak was smaller sized both in cells neglected with CHX and in those preincubated with high concentrations from the medication8. Furthermore, the increases due to oxidative stress, warmth surprise and amino acidity starvation were discovered to become CHX-dependent8. This recommended a model where intermediate concentrations from the medication are slow to do something (possibly because of restricting diffusion); as translation initiation isn't inhibited, newly-initiating ribosomes would continue translating until they encounter the medication, thus artefactually raising ribosome denseness in the 1st few hundred nucleotides from the coding series8. However, a wide maximum of ribosome denseness in the 5 of coding sequences is actually within unstressed cells which have not really been treated with CHX1, 14, though it is only obvious when cells are flash-frozen1. In mammalian tissues lifestyle cells incubated with CHX, ribosome profiling provides revealed that high temperature surprise and proteotoxic tension trigger arrest/pausing of translational elongation at around codon 6515, 16. It had been also discovered that both remedies lead to boost ribosome thickness in 5 market leaders. The reliance on CHX of the two phenotypes is not analyzed. Finally, ribosome profiling continues to be used to research the comparative distribution of ribosomes on specific codons, which is normally predicted to reveal codon-specific translation rates of speed17C20. A recently available research re-examined multiple ribosome profiling tests (performed in in the lack or existence of CHX) to research codon-specific ribosome occupancies9. The writers figured translation elongation can continue for a couple codons in the current Rabbit polyclonal to KIAA0494 presence of CHX, although with codon-specific unphysiological prices, resulting in artefactual distributions of ribosomes9. A lot of the above research had been performed in activates an instant and complicated transcriptional programme22, 23, however the translational response that accompanies this technique is not examined. We completed ribosome profiling tests (as well as regular RNA-seq) in the existence or lack of CHX, and centered on four areas of translation: 1] Total ribosome thickness for coding sequences of specific genes (which really Demeclocycline HCl supplier is a proxy for just how much these are translated), 2] occupancy of 5 head sequences, 3] biases in ribosome distribution across coding sequences and 4] distribution of ribosomes on specific codons (likely to represent codon-specific translation prices). Our outcomes reveal that CHX impacts some, however, not all, of the parameters. However, it really is still unclear if many of these results are artefactual, or if in some instances cycloheximide might help protect the physiological distribution of ribosomes on some mRNAs. Outcomes and Debate Experimental style and reproducibility To examine the consequences of CHX on ribosome profiling tests we applied this system to cells developing exponentially (unstressed) and after 1?hour of nitrogen hunger (nutritional tension). Each lifestyle was split.


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Q: Append Datetime to filename in Python hoping you can help with the basic error.
I'm trying to add the current datetime to the filename after doing some basic formatting to a CSV file via DFs in pandas. The code searches for the column "DATETIME" and re formats it. The CSV is too large to open in Excel or another program to adjust it manually. However I cannot get passed the below error and I believe it has something to do with the variable "final" as the df1.to_csv line works if I parse an alternative variable.
I am aware that I could use the datetime/time libraries, although the nature of my environment does not have these available as part of the python build (hence using pandas).
Here is my code:
import os
import pandas as pd

csv1 = '(Compacted)_TrialCSV_08072020_113107.csv'
shortcsv = csv1[11:-19]
currenttime = pd.to_datetime('today').strftime('%Y-%m-%d %H:%M:%S')
final = shortcsv + currenttime

df1 = pd.read_csv(csv1)

# For debugging
#print(df1)

df1['DATETIME'] = pd.to_datetime(df1['DATETIME'], dayfirst=True).dt.strftime('%Y-%m-%d %H:%M:%S')

df1.to_csv('(Formatted)' + final, index=False)

print("Datetime Conversion complete")

error

A: Used strftime('%Y-%m-%d %H-%M-%S') instead


Wynberg fitness options to be fit, funky and fabulous!
Keep your body looking fabulous with excellent Wynberg fitness options!
Keeping yourself physically fit is one of the most important elements of maintaining one's health. A body that is in peak condition can help people to lose weight, while also decreasing their risk of diseases such as high blood pressure or type 2 diabetes. Physical activity is not limited ot any one form, and can include a huge variety of activities such as lifting weights at the gym, going for a run around a track or stretching your body in a yoga class. There are several outstanding Wynberg fitness options available to residents and visitors alike, who wish to take part in an activity that helps them to live a happy and healthy life.
For those of us who enjoy the revitalising rush of a high intensity workout, a gym membership is the way to go! Gym memberships allows one to make full use of the professional and specialised equipment available in the establishment, as well as have access to the training and guidance of the professional trainers found at many of these Wynberg fitness establishments. The gyms in the area are open from the early hours of the morning until late at night, which means that even those who work full time or longer hours are able to create and maintain a fitness regime.
Some people prefer the alternative route, and choose unique exercise classes as opposed to paying monthly gym fees, and in the Wynberg area there are several classes accessible to the public. These independent classes include activities such as challenging aerobics, calming yoga and interactive step classes. No matter that you choose to do, all physical activity benefits the human body and helps us to achieve optimal fitness in a positive and enjoyable manner!
If you would like more information on the various Wynberg fitness options available in the area, please feel free to read through the advertisements listed in this category.


Back in 1987 Tasland Developments company director, Ross Harrison purchased the Eastcoaster Resort at Orford and the Maria Island Ferry Service.
From 1987 to 2001, Ross ran the resort and the Maria Island Ferry very successfully. Back in those days the ferry ran direct from the Eastcoaster jetty and was hugley popular running at capacity numerous times every day.
From 2001 to 2015, the Eastcoaster management was leased out which unforunately lead to the business and the property deteriating to the point where a decision had to made to either sell the property or give it a complete make over.
In 2015, Ross decided to take back over the Eastcoaster and to undertake a full redevelopment and renovation of the entire property.
We have now completed 80% of our redevelopment plan and the Eastcoaster is today looking better than ever!
Last year we demolished the old tavern to make way for the construction of a spectacular over-water restaurant, the Spring Bay Seafood and Wine Bar.
The accommodation services have been given a huge make over with 40 rooms and 6 cabins all now fully renovated.
Both the indoor pool, spa and outdoor pool have been completely revamped and are very popular with guests.
A new gym and children's playground have also been installed and the list goes on and on.
We are currently building a new boat ramp, cleaning up the beach area and adding outdoor exercise areas along the top of our newly built sea walls.
It's great to see the Eastcoaster once again thriving as a fantastic family holiday destination as it did in years gone by.
There is also the possibility that the Maria Island Ferry Service may once again start to operate again from the Eastcoaster jetty soon.
Below is the web address where you can book your next getaway at the new and exciting Eastcoaster!


At Carmichael Lynch Relate, we build enduring relationships between people and brands by executing what we call "Unfair Ideas," ideas that fall well within the bounds of legal and ethical guidelines, but fundamentally shift the playing field and reorder client categories.
Unfair Ideas let us do more with less. They're contagious. They get talked about. Wherever we tell a brand's story — whether in paid, earned, shared or owned media — Carmichael Lynch Relate creates highly original work that gives consumers new ways to understand, embrace and experience your brand.
Our services include the right combination of critical, long-standing public relations services such as earned media relations, corporate communications, public affairs, brand journalism, reputation management, community and employee relations, leadership enhancement, crisis management as well as content creation, social channel strategy, influencer marketing, paid media, and digital and social engagement.
As a midsize public relations agency, Carmichael Lynch Relate has deep enough resources to provide best-in-class research, insights and service, but is also small enough to remain nimble and highly responsive to client needs. After several consecutive years of outstanding work for our clients and exponential growth, the agency was recognized as 2017's Midsize Agency of the Year by PRWeek, as well as Small Agency of the Year by the Holmes Report.
Carmichael Lynch Relate is a stand-alone agency that celebrates our adjacency to advertising powerhouse Carmichael Lynch. Our two agencies can snap together to provide a fully-integrated solution as needed. This collaboration offers clients a holistic, cross-discipline perspective on their businesses, taking into account paid, owned and earned strategies to deliver maximum results.


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Debut Trailer for Horror-Puzzler Little Nightmares II Shown at Gamescom
Face your inner fears in the follow-up to Tarsier Studios' charming horror adventure game.
By L.B. Lubomski
August 20, 2019, 6:25 PM EDT
At Gamescom Opening Night Live, the announcement of Little Nightmares II was made alongside its debut trailer. As the sequel to the horror puzzle-platformer game from 2017, this follow-up title will continue the story of young girl Six following her escape from the haunted vessel known as the Maw.
Six will get a companion to work with this time with the addition of the character Mono. Together, the pair will have to navigate through areas such as the woods and abandoned shacks on their way to reach the mysterious Signal Tower.
Based on glimpses from the trailer and comments made during the presentation, it appears the new open areas of Little Nightmares II, particularly the woods and being outside in general, will be a major departure from the original game, which was largely confined within the tight spaces of the Maw itself.
It was also revealed by senior narrative designer Dave Mervik that players will be able to utilize weapons such as kitchen utensils in order to defend themselves from attack, which is another new feature not present last time. Mervik described this as "combat," although it appears to be more like a self-defense system or last resort.
Little Nightmares II is slated for release sometime in 2020 for the Nintendo Switch, PlayStation 4, Xbox One, and PC. As always, we will update you when more information becomes available.
L.B. Lubomski
Lawrence "L.B." Lubomski is an avid horror movie fan, gamer, musician, historian, and aspiring author. Born and raised in Pittsburgh, Pennsylvania, L.B. was exposed to the works of local filmmaker and godfather of zombie cinema George A. Romero early on. He has since developed a particular fondness for Italian zombie/cannibal and slasher films. This passion for horror extends into other media, from survival horror video games such as Resident Evil to horror-inspired musical artists. In his spare time, L.B. pursues many interests including building his collection of vinyl records, action figures, and vintage video games as well as drumming in various local bands.
Gamescom Gameplay for Maneater is Pure Jaws-Style Carnage
Sink your teeth into twelve minutes of footage from the upcoming title.
Trailer: Metro Exodus' First DLC Goes Back to the Underground
Before you dive in, take a look at the Gamescom preview for the game's "The Two Colonels" content addition.
Latest Trailer for Man of Medan Introduces the Dark Pictures Anthology
Meet the Curator, a man who has a wide variety of different stories and myths to share with you, the player.
Predator: Hunting Grounds Gameplay Revealed at Gamescom
Illfonic, the studio behind Friday the 13th: The Game, opens the book on the upcoming new game.


text:
Government Movements
All posts tagged "Airports Authority of India"
Airports Authority of India appoints Arvind Singh as Chairman
Arvind Singh, 1988-Batch officer of Maharashtra cadre has been appointed as the Chairman of Airports Authority of India (AAI). He took the...
Airports Authority to revamp its air traffic management infrastructure
The Airports Authority of India (AAI) has signed a 15-year contract worth Rs 945 crores with Harris Corporation for its futuristic telecommunications...
AAI offers GAGAN to SAARC and Southeast Asian nations
In keeping with the Prime Minister's objective of using technology as a means of development and cooperation, Airports Authority of India has...
AAI participated in World ATM Congress, 2018 at Madrid, Spain
Airports Authority of India (AAI) recently participated in the World ATM Congress (WATMC) 2018, held at IFEMA, Feria de Madrid, Spain. This...
Government for big overhaul of Airports with UDAN
The Government of India plans to revive 50 unserved and underserved airports under Regional Connectivity Scheme– UDAN. An efficient network of airports...
Telangana Takes High Road to Urbanisation
Telangana government– with its major thrust on urban development – is in the process of constituting 24 new urban development authorities to...
B Pradhan replaces Anita Bhatnagar as NDMA Advisor
Bimadhar Pradhan, a 1987 batch IAS officer of Bihar cadre has been posted as Advisor, National Disaster Management Authority (NDMA). The Government...
DGCA launches 'Know Your Rights' portal for travellers
Minister for Civil Aviation Ashok Gajapathi Raju Pusapati launched on Tuesday a "Know Your Rights" (KYR) portal of the Directorate General of...
Mobile apps to ease travellers' travails at airports
With a view to easing the troubles faced by travellers, the Civil Aviation Ministry plans to initiate a series of measures, including...
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In August, 10 cents of every bulk apple sold will support Reach, Inc. We are thrilled to support this amazing non-profit that empowers adults with disabilities.
Reach serves more than 100 people in our community to attain their individual goals and aspirations by providing residential, vocational and transportation services.
Reach has a special place in our hearts here at the Co-op. Reach clients David (Co-op staff since 1991) and Damon (Co-op staff since 2006 - pictured below) have long been integral parts of our team.
Now the questions is: How much can our Co-op community raise for Reach?


It seems to be a very fascinating book; and the essence of it has been so succinctly captured in your introduction. Thank you. Will be on the look out.
Sahitya Akademi has a lot of fascinating books like this. Unfortunately, their marketing is very poor.


Designed and manufactured in Australia, the Gemini Series, CNC Lathe and milled from solid aluminium or solid brass. Both Aluminium or Brass fittings come with stainless steel components. Gemini is a contemporary style with a variety of standard and custom finishes to suit a range of applications for both house and garden.
Available with a 45 degree cut off, as an adjustable wall mount fixture, allowing flexibility in positioning for uplighting or downlighting in any amount of applications in and around the house & structures in the landscape.
Feature trees, shrubs, palms, hedges, urns, pergolas, gazebos, pool areas, stone walls, colonnades and feature walls.
Castlight has accessories which can easily be added before or after installation, an advantage when design requirements change or different effects are required.
LENS TYPE: High Temperature Boroscilicate.
LINEAR: Ideal for signs, paths, hedges, driveways.
SPREAD: To increase beam spread for a softer diffused effect.
HONEYCOMB BAFFLE: When peripheral glare control is an advantage.
Copyright © Castlight - Architectural Landscape Lighting 2019. All rights reserved.


Holabird & Root, in association with Tod Williams Billie Tsien Architects, designed the University of Chicago's new Reva and David Logan Arts Center for Creative and Performing Arts.
The 150,000-s.f. facility has a multi-story tower and includes one black box theater, a large recital space, a large auditorium, multiple music studios and practice rooms, and film archive storage.
Visual art studios provide space for painting, sculpture, and drawing classes.
The facility also houses a large-scale construction of art installations and theater set designs. A café, gallery and multiple exhibition spaces are also included.


text:
Author: Zurairi AR
Zurairi AR is a journalist and columnist for Malay Mail Online. He is an advocate of humanism and scepticism.
'Gusti ora sare'
Published by Zurairi AR on May 28, 2017
Basuki Tjahaja Purnama was the front-runner and set to be re-elected as Jakarta governor this year, before a blasphemy scandal cut his campaign, and ultimately his career, short.
The no-nonsense Chinese-Christian politician popularly called Ahok was charged with inciting religious and ethnic hatred in November last year, merely months before the gubernatorial election. Two mega rallies against him were mobilised by hardline Muslims.
By April, Ahok was trounced in the second round of the election by Muslim challenger Anies Baswedan. Just a day after his loss, prosecutors recommended only probation as punishment but he was still sentenced to a two-year jail term earlier this month.
With his life in shambles as the result of a blasphemy accusation, it must have been agonising for Ahok to finally withdraw his appeal this week. His wife, Veronica Tan, was in tears as she publicly read a letter hand written by Ahok from behind bars.
For his supporters, near and far, it was baffling for Ahok to throw in the towel so quick. But the letter betrays Ahok's thoughts, to show he never took the decision lightly.
"Jakartans would otherwise suffer great losses, in the form of traffic congestion and economic losses resulting from the rallies," said Ahok.
"It is inappropriate to rally and demonstrate during what I go through. I worry that there will be many parties that will manipulate the rallygoers, what more clashing with those who are against us."
Continue reading'Gusti ora sare'
Remember the three men from Turkey
It was nearly 10pm in windy Queenstown, and my wife and I were looking for some late-night nosh.
Being New Zealand, most shops were long closed by then except for some pubs… and one kebab shop along Mall Street.
The moment we went in, I straight away gave thanks to the owner for being the saviour of my tummy. As he grilled a fat roll of doner kebab, I noticed his TV was showing a Turkish news channel.
I immediately blurted: "What do you think of the Turkish referendum?"
Sensing my wife's embarrassment at such a heavy question at such a time to a stranger I just met, I added for good measure: "I'm a journalist." As if that made the question less awkward.
"I voted 'yes'," the kebab man answered.
Why? I asked. "Because 'no' is for other people. The outsiders, the West, the Americans. We're Turkish and we fully support Erdogan," he said confidently.
He grinned at me, and I felt slightly sheepish that I was that outsider who would disagree with him.
Not wishing to debate Islamist politics with this pleasant man who delivered me my scrumptious salvation, we chatted instead about Malaysia before I left the shop giddily with two rolls of kebab. His name was Mustafa.
Continue readingRemember the three men from Turkey
When tolerance is not the solution
Last weekend was the groundbreaking ceremony of the Dhammaduta Malaysia Buddhist Centre in Putrajaya, the federal territory's first Buddhist house of worship.
It will serve the roughly 2,000 Buddhists who live here.
The complex is only the second non-Muslim house of worship in Putrajaya, after the Devi Sri Lalithaambigai Alayam—a Hindu temple complex that is still under construction after almost a decade of consultation.
But if you live in Putrajaya, you will hardly notice the existence of these two sites.
In fact, some of the Malay-Muslim majority here believe that the federal territory is an exclusively "Muslim" area.
Continue readingWhen tolerance is not the solution
Notes from Aotearoa
Published by Zurairi AR on May 7, 2017
Just last week, glamour model Jaylene Cook posed naked while only wearing a hat, gloves and boots after climbing the 2,308-metre Mount Taranaki in New Zealand's north island.
WE DID IT!! This was BY FAR the hardest thing I have ever done! Both mentally and physically. 2 minutes out of the car park I was already hurting, sweating and ready to turn back 😂 But it's amazing what you can accomplish with the encouragement and support of your partner! I could not have done this without you babe @thejoshshaw! • 🏔 Mount Taranaki Summit 🔭 9000ft ❄ -11'C/35km winds 🏃🏻♀ 12.6km (1.6km elevation) ⏰ 2am – 6.30pm (12hr hike time) • This climb has forever changed me. I proved just how far I could push myself and I am truely proud of my accomplishment. This mountain was steep, rugged, ever changing and just pure brutal! Safe to say, I will never do it again 😅
A post shared by @ jaylenecook_ on Apr 28, 2017 at 4:48pm PDT
She reportedly told Daily Mail Australia that she did it on impulse, to "feel the cold air and embrace it a bit." Considering the photo was hardly candid and subsequently was liked by over 24,000 people on Instagram (where else?), one could not help but think the act was nothing but a publicity stunt.
But here is the problem. Some among the locals, especially the native Maori, regard Mount Taranaki as sacred. While the summit is open to the public, some Maori would not even dare climb the mountain.
According to Maori mythology, Taranaki was once in the middle of the island, before he was petrified in the West after being wounded, following a fight for the affection of another coveted mountain.
Continue readingNotes from Aotearoa
In Malaysia, Islamic spiritual healing seeks scientific recognition
Published by Zurairi AR on April 21, 2017
By Zurairi AR
KUALA LUMPUR, April 21 — In 2006, the Health Ministry started offering traditional and complementary medicine (T&CM) in public hospitals, ranging from traditional Malay massage, acupuncture, herbal therapy for cancer, to Ayurveda therapy.
While recognised in the National T&CM Policy, Islamic spiritual healing that mostly consists of reciting Islamic scriptures and supplications to heal illnesses, has yet to find mainstream acceptance.
Packaging the treatment as "Islamic psychospiritual therapy", several psychiatrists and religious experts are now lobbying for its inclusion along modern medicine. But a big barrier remains ahead of them: empirical scientific evidence.
"Islamic psychospiritual therapy must prove itself capable to help in rehabilitating emotional disturbance, anxiety and depression," said Datuk Prof Dr Azizan Baruddin, the director-general of the Institute of Islamic Understanding Malaysia (Ikim) yesterday.
"It must also prove itself capable in helping solve psychosis disorder, personality disorder, and problems involving the LGBT," she added, referring to the lesbian, gay, bisexual and transgender.
Continue readingIn Malaysia, Islamic spiritual healing seeks scientific recognition
Mahershala Ali's win shines a light on Ahmadis' plight
Published by Zurairi AR on March 5, 2017
Earlier this week, American actor Mahershala Ali bagged the Academy Award for Best Supporting Actor for his critically-acclaimed role in 2016's Moonlight.
Immediately he was celebrated across the world as "the first Muslim to win an Oscar."
But not everybody saw it that way. As covered by several news outlets, there were scores of Muslims online who denounced the honour.
Their reason? Ali is a member of the Ahmadiyya community, a much maligned religious movement that mainstream Muslims count as infidels and apostates. Ali, to them, is not a real Muslim.
The most public of this response was by the Pakistani envoy to the United Nations, Maleeha Lodhi, who deleted her tweet moments after she wrote "That's a first" celebrating Ali's win.
Lodhi was perhaps only protecting her reputation. After all, despite having the largest population of Ahmadis in the world, Pakistan is perhaps their worst hell. In 1984, Pakistan implemented Ordinance XX, effectively barring Ahmadis from practising their faith.
The ordinance kicked off decades of persecution against Ahmadis, and forced the community to move its headquarters to London in exile.
Continue readingMahershala Ali's win shines a light on Ahmadis' plight


Being an NRI isn't easy. And why would it be when people stop considering you as a normal human being. You're given special privileges, treated as a foreigner and a lot more. So, what if you end up in a situation where you are the only NRI, surrounded by a lot of many people who look up to you as a person who belongs to a place somewhere out of the world?
Read on to know how an NRI feels in India.
People will now see you like an alien.
Yes, they will. Despite the fact that you were born and brought up in India, people consider you a foreigner and thus end up asking things like: "How is it like being in India?" and "Do you like India or your NRI-country?" I was born here. I love India, and thus I'm here again. Duh.
People consider you as an ATM.
An NRI equals an ATM. Being an NRI directly infers the fact that I would be rich and must be having a lot to spend in this country; especially because, India is a lot cheaper than many other countries. Even if I have sufficient amount of money, it is meant for me. Stay away. It is in no way your property.
Just because you haven't stayed in India for the past few hours, people think that you do not value money and so you would somehow love spending money uselessly, without even once thinking about the amount of it that you spend on useless articles. Wait. Stop. That isn't necessary, okay? There definitely are people who are spendthrifts, but you cannot generalize people on that basis.
You do not understand anything.
Being an NRI means you do not understand our native language: Hindi and so people usually try explaining things to you with hand actions or at times in sign language. If they somehow know English, they translate things for you to comprehend. At times, they even abuse you in Hindi thinking that you won't be able to understand. I was brought up here. I've been speaking Hindi since my birth. Being in a foreign land does not make me forget my native language. Isn't that obvious?
You have lots of attitudes.
Oh yes! One more part of being an NRI is having a hell lot of attitude, and you might hear people accusing you of the same even if they haven't talked to you at all. So, you think I have an attitude because I stayed in some other country for a few years? Okay, cool. At least you'd stay away.
This sums it up for now. I guess, NRI's would pretty much be able to relate to this article. It might seem bizarre, but yes, people do consider all of these and at times, even weird things.
Let me know in the comments below if you've heard of any such statements elsewhere or have experienced the same.


I like how the perforations on the seat backs match the suspected split rear window treatment.
No offense intended... I am just perplexed why you would take the time to post this question here - it would have taken less finger strokes to type the search into google and immediately have the answer, than to ask here (a non-bmw forum), hoping someone knows... that is all.
Interior is looking good so far, those appear to be the competition seats. One thing to note, that beltline is pretty high and the rear window is even higher. The spy shot with Mark Reuss in the car looked like he could barely see out of the side window. That rear window is even higher. Makes sense that they are using the new rear camera mirror tech.
Yeah the seats have some kind of fabric on the thigh and torso bolsters which will increase grip. Very curious if they somehow slip in harness mounts to the bulk-head behind the seat. Probably won't for liability reasons. I too notices that Reuss' head barely stuck over the belt line and he's not a small guy.
Hopefully somebody can find a picture of him in a C7 so we can see just how much taller the C8 beltline is.
Right on! Nice to see some real detail starting to come out.
There are pics of the C7/8 in line... they appear similar in belt height. Probably driven by side impact testing. Gone are the days of crusing with your arm on the window sill.
Last edited by Tool Hoarder; 03-08-2019 at 02:48 PM.
That's for sure. I know that a higher beltline helps in side impact, especially in a low performance car... but its starting to get a little ridiculous. A 6'+ person shouldn't have their head just poking above the beltline.
I'm 6'3" and cannot comfortably rest my arm out my C7. C5 was fine.
In addition to the higher beltline, the C8 seats appear to be mounted lower in the chassis for better COG.
Is it just me or does anyone else think the name "Stingray" does not really fit the image of an ME?
Last edited by sunsalem; 03-09-2019 at 12:56 AM.
Not sure... if you look at the arm rest relative to the seat it's "normal" and the height of the door panel above the arm rest looks very tall. Maybe there's hope for my 6'3" self to fit in the car. That's a good thing.
Is it just me or does anyone else think the name "Stingray" not really fit the image of an ME?
Given they told us they brought back the Stringray name for the C7 because it was the first car in multiple generations "worthy" of the name, which is funny because it's fundamentally a nicer C5/C6 in terms of the structure of the car and layout, I would have expected something different for a change as radical as the ME. I figured it wouldn't have a name... just "Corvette" with the top dog being the "Corvette Zora".
As I stated in January, the Stingray name will apparently live on beyond the C7.
As I added, it's a link and where the interior pics are from! Looks like this is a rehash of an October 2018, the January 2019 articles they wrote and some new guesses!
OMG that looks so tacky, like why would anyone want "carscoops" embroidered all over their seats?
Why not? It is nothing more than an RPO code.
Although I do like Z06 and ZR1, it would be nice to have actual names. They already have Stingray and Grand Sport so all they need is 2 more names. Maybe they could replace ZR1 with Zora.
... One thing to note, that beltline is pretty high and the rear window is even higher. The spy shot with Mark Reuss in the car looked like he could barely see out of the side window. That rear window is even higher. Makes sense that they are using the new rear camera mirror tech.
the actual belt line will be much lower once the camo pads come off.


What type of meter reading would you like to send us?
Is this your first meter reading? ?
My meter has clocked ?
Do you have an economy 7 meter? ?
Evening / weekend meter read ?
Evening / weekend read ?
Why not get the app?


The flowers on the front are accented with valentine heart tinsel. The sweatshirt also comes with a wand for you to put love spells on whom everyou want. Im finally getting into the valentine spirit i had a slight holiday hangover from christmas but it has worn off and im decorating my house with lots of pink and red tonight i decided to design a few free valentines day printables to help decorate my house and yours i went.
The wand also has tinsel.
Valentines day ugly sweater. Even the sweaters that are not new we take extra time to rehab each of those sweaters from careful laundering to mending. All you have to do is print out these cuties on white cardstock paper cut them out and hand out your awards to the winners. People love a little competition and these ugly sweater awards make for just a little more fun at your ugly sweater party. Every sweater you get is clean and ready to wear right out of the package.
A collection of ugly valentines sweaters you can buy right now from all over the web. Etsy is the home to thousands of handmade vintage and one of a kind products and gifts related to your search. No matter what youre looking for or where you are in the world our global marketplace of sellers can help you find unique and affordable options. Find great deals on ebay for valentines day sweater.
Here are some of the fuglier selections we came across in a brief search today click on any image to see the full ebay listing. If you cant find the perfect ugly sweater for valentines day in our store why not check ebay. This sweater is actually a sweatshirt with a dozen flowers many hearts and a pair of removeable wings. See more ideas about sweater shop ugly sweater and sweaters for women.
A collection of ugly valentines sweaters you can buy right now from all over the web. Written by in good company on november 29 2017 print christmas can be a stressful time of making sure everything is picture perfect so people love the opportunity to let their hair down and wear a truly horrific christmas jumper. A cute valentines day gift for her features navy sweatergrey sweaters.


Delroy Edwards follows up his smashing "Aftershock" lp from 2018 with a new six track ep of pure old school 80s style Chicago House. While many may have moved on, Delroy Edwards steers the course, carrying the torch like not many cannot do, as he executes stripped down 808 beat tracks with a Gherkin bounce to perfection. (COMES WITH DOWNLOAD CODE!) Sounding like cuts from a lost WBMX tape, this timeless six tracker is sure to get the all house fiends mouths watering. Think of the primitive styles of Virgo meets Harvey Harris meets Saunders and you're on the right path.


"Unpacking the Human Genome". The basic science that is behind our current understanding of the human genome. This will be followed by the Research and Discussiom Forum with a refreshment interval between.
Lancaster University has announced an additional free public lecture on Gay Rights, on 15 February, as part of its celebrations for LGBT History Month.
Professor Bill DaviesLocal food producers and farmers have been working with Lancaster University to help tackle the problem of world hunger. More than a billion people globally go to bed hungry in 2014 yet population growth means there will be an extra two billion mouths to feed by 2050.
Lancaster University'sSocial Media Project Team Enactus are holding social media workshops for local business and charities. Unfortunately, we missed their posting on our own social media for today's event (but if you hurry, you might just make it!), but there are more planned through the year.


text:
Q: React I receive Infinite Loop on Error Boundry / Handling errors I try to have an Error Boundry for async actions, but then I get an infinite loop. Do you have any ideas about what I'm doing wrong? I tried to add my own hook to catch the errors - and it works but it probably provides an infinite loops unfortunatelly
Code:
import React, { Component } from 'react'
import Dialog from '@mui/material/Dialog'
import DialogActions from '@mui/material/DialogActions'
import DialogContent from '@mui/material/DialogContent'
import DialogContentText from '@mui/material/DialogContentText'
import DialogTitle from '@mui/material/DialogTitle'
import Button from '@mui/material/Button'

export class ErrorHandler extends Component {
  state = { error: false }

  static getDerivedStateFromError(error) {
    return { error }
  }

  componentDidCatch(error) {
    this.setState({ error: true })
  }

  handleClose = () => {
    this.setState({ error: false })
  }

  render() {
    return this.state.error ? (

        {this.props.children}
        <Dialog
          open={this.state.error}
          onClose={this.handleClose}
          aria-labelledby='alert-dialog-title'
          aria-describedby='alert-dialog-description'
        >
          <DialogTitle id='alert-dialog-title'>{'Error occured'}</DialogTitle>
          <DialogContent>
            <DialogContentText id='alert-dialog-description'>
              Error description
            </DialogContentText>
          </DialogContent>
          <DialogActions>
            <Button
              onClick={this.handleClose}
              autofocus
            >
              OK
            </Button>
          </DialogActions>
        </Dialog>

    ) : (
      this.props.children
    )
  }
}

ErrorHandling:
<ErrorHandler>
  <App />
</ErrorHandler>

Custom Hook to catch async errors:
import { useCallback, useState } from 'react'

const useAsyncError = () => {
  const [_, setError] = useState()
  return useCallback(
    (e) => {
      setError(() => {
        throw e
      })
    },
    [setError]
  )
}

export default useAsyncError

Using it:
function Dashboard() {
  const [data, setData] = useState([])
  const throwError = useAsyncError()

  useEffect(() => {
    try {
      reportService
        .getWelcomeReport(request)
        .then(
          (response) => setData(response.data)
        )
        .catch((e) => {
          throwError(new Error('Asynchronous error'))
        })
    } catch (e) {
    }
  }, [])

  return (

TEST

  )
}

export default Dashboard