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The Exploratorium is a museum of science, technology, and arts in San Francisco, California. Characterized as "a mad scientist's penny arcade, a scientific funhouse, and an experimental laboratory all rolled into one", the participatory nature of its exhibits and its self-identification as a center for informal learning has led to it being cited as the prototype for participatory museums around the world.

The Exploratorium was founded by physicist and educator Frank Oppenheimer and opened in 1969 at the Palace of Fine Arts, its home until January 2, 2013. On April 17, 2013, the Exploratorium reopened at Piers 15 and 17 on San Francisco's Embarcadero. The historic interior and exterior of Pier 15 were renovated extensively prior to the move, and are divided into several galleries mainly separated by content, including the physics of seeing and listening (Light and Sound), Human Behavior, Living Systems, Tinkering (including electricity and magnetism), the Outdoor Gallery, and the Bay Observatory Gallery, which focuses on the local environment, weather, and landscape.

Since the museum's founding, over 1,000 participatory exhibits have been created, approximately 600 of which are on display at any given time. The exhibit-building workshop space is contained within the museum and is open to view. In addition to the public exhibition space, the Exploratorium has been engaged in the professional development of teachers, science education reform, and the promotion of museums as informal education centers since its founding. Since Oppenheimer's death in 1985, the Exploratorium has expanded into other domains, including its 50,000-page website and two iPad apps on sound and color. It has also inspired an international network of participatory museums working to engage the public with general science education. The new Exploratorium building is also working to showcase environmental sustainability efforts as part of its goal to become the largest net-zero museum in the country.

The Exploratorium offers visitors a variety of ways—including exhibits, webcasts, websites, and events—to explore and understand the world around them. In 2011, the Exploratorium received the National Science Board's 2011 Public Service Science Award for its contributions to public understanding of science and engineering.

History

Founding and early years

The Exploratorium is the brainchild of Frank Oppenheimer, an experimental physicist and university professor. Oppenheimer, who worked on the Manhattan Project with his brother J. Robert Oppenheimer, was diverted from an academic career when he was forced to resign from his position at the University of Minnesota in 1949 as a result of an inquiry by the House Un-American Activities Committee. He was blacklisted from academic positions across the country and withdrew with his family to run a Colorado cattle ranch for almost a decade.

Oppenheimer also began assisting local high school students with their science projects, eventually becoming the only science teacher at the high school in Pagosa Springs, Colorado. The field trips and experiments he did with his high school students would become a blueprint for the hands-on methods of teaching and learning he would later bring to the Exploratorium.

When Oppenheimer was invited to join the University of Colorado's physics department in 1959, he found himself less interested in traditional laboratory research and much more interested in exploring methods of provoking curiosity and inquiry. He received a grant from the National Science Foundation, which he used to build models of nearly a hundred scientific experiments. This "Library of Experiments" would become the core of the Exploratorium's exhibit collection, and was the forerunner of the Exploratorium Cookbook, a manual explaining how to build these basic science exhibits.

Convinced of the need for public museums to supplement science curricula at all levels, he toured Europe and studied museums on a Guggenheim Fellowship in 1965. Three European museums, encountered during that year, served as important influences on the founding of the Exploratorium: the Palais de la Découverte, which displayed models to teach scientific concepts and employed students as demonstrators, a practice that directly inspired the Exploratorium's much-lauded High School Explainer Program; the South Kensington Museum of Science and Art, which Oppenheimer and his wife visited frequently; and the Deutsches Museum in Munich, the world's largest science museum, which had a number of interactive displays that impressed the Oppenheimers.

Back in the United States, Oppenheimer was invited to do the initial planning for a new branch of the Smithsonian, but he turned it down to work on what he called his "San Francisco project." In 1967, the Oppenheimers moved to San Francisco with a view towards opening an independent museum of their own. Oppenheimer sought funding and support for the endeavor using a grassroots approach, bringing a written proposal and some handmade exhibits with him as he visited scientists, businesses, city and school officials, relatives, and friends. Many prominent scientists and cultural figures endorsed the project, and the offers of support, in conjunction with a $50,000 grant from the San Francisco Foundation, made the museum realizable.

In late August 1969, the Exploratorium opened with little fanfare at the Palace of Fine Arts. Oppenheimer "simply opened the doors." Although the building needed many improvements, Oppenheimer couldn't afford to make the changes, and decided to allow the public to come and watch exhibits being built and changes being made as part of the participatory ethos of the institution. An early proposal would have erected a wall between the workshop where exhibits were being developed and the main visitor areas. Instead, Oppenheimer insisted that the workshop be placed without a wall, right next to the main entrance so that visitors could experience "the way a shop smells when you burn the wood in a saw, or smell the oil from a lathe." Above the workshop was a sign, made by the wife of George Gamow, a physicist, educator, and friend of Oppenheimer who had died just a year before the opening of the Exploratorium. "Here Is Being Created the Exploratorium a Community Museum Dedicated to Awareness" the inscription said. (Today, a copy of this motto is inscribed above the main entrance to the new Exploratorium at Pier 15.)

Oppenheimer served as the museum's director until his death in 1985. Dr. Robert L. White served as director from 1987 to 1990. Dr. Goéry Delacôte served as executive director from 1991 until 2005. Dr. Dennis Bartels served as executive director of the Exploratorium from 2006 to 2016. Chris Flink served as director from June 2016 through February 2022, when he was replaced by the former Chancellor of the University of North Carolina School of the Arts (UNCSA) and PBS executive, Lindsay Bierman. The museum has expanded greatly since the 1980s, increasing outreach, expanding programs for educators, creating an expanded Web presence, and forming museum partnerships around the world.

Move to Piers 15 and 17
The Exploratorium relocated from the Palace of Fine Arts to Piers 15 and 17, located between the San Francisco Ferry Building and Pier 39 along the San Francisco Embarcadero, in April 2013. The Piers location was identified by Goéry Delacôte and then-board chairman Van Kasper as a potential space for relocation in 2004. In 2005, the San Francisco Board of Supervisors passed a resolution exempting the museum's lease of the piers from San Francisco's competitive bidding process due to its unique nature as a cultural and educational institution. Groundbreaking for the project, which required substantial construction and renovation, occurred on October 19, 2010. The Exploratorium holds a 66-year lease on the piers with the Port of San Francisco. Exhibits are only viewable at the Pier 15 campus; Pier 17 houses some staff, with the option for future expansion.

Piers 15 and 17 are historic piers that were constructed in 1931 and 1912, respectively. In 1954, the area between the piers was infilled and paved over. This infill was removed as part of the construction phase, restoring the space between the piers to public plazas, a pedestrian bridge, and open water.

Architecture and design

Renovation of Piers 15 and 17

The Exploratorium campus comprises  of indoor and outdoor exhibit space and includes  of freely accessible public space. The exhibits are housed in and around Pier 15, which extends over  over the Bay.

The Exploratorium at Pier 15 was designed by architectural firm EHDD. The General Contractor was Nibbi Brothers, and the Glazing Contractor was AGA (Architectural Glass and Aluminum). The piers had been neglected for decades prior to the Exploratorium's move, and extensive renovation and repair were required. Nearly two thirds of the pilings under Pier 15 were repaired, including almost every piling needed to provide structural integrity, and new pilings were sunk. The removal of the parking lot between the piers was done slowly over the two years of construction, and the debris from the removal was captured and recycled. Several pilings were left in the water between the piers, both for aesthetic reasons and to support future exhibits.

An effort was made in the construction of the new location to preserve the historic elements of Pier 15. The Bay Observatory was the only new structure added to the site. The east end of the pier was cleaned of lead paint, revealing historic lettering underneath; designers chose to preserve the lettering rather than paint it over. As a result, the traces of the shipping lines that originally frequented the pier can still be seen. Some of the preservation efforts presented challenges in design, however; historic windows created energy losses that had to be offset elsewhere, and the historic interior trusswork was mainly restored rather than removed, meaning that the upper-level staff offices had to be built around them.

Other challenges to the design of the facilities were presented by the museum's sustainability initiatives. The use of natural light whenever possible challenged exhibit designers relying on carefully controlled light levels; this was solved by using curtains and glare-reducing paint colors. Other conflicts between construction and energy use included the glass in the observatory, which would have presented a problem in cooling the building on warm days. This was overcome by adding fritted glass to the windows in thin horizontal lines through the panes to decrease the transparency without affecting the views. The fritting also makes the reflective surfaces of the Bay Observatory safe for birds.

Pier 15 incorporated two seismic joints as part of its seismic retrofit, one separating the Bay Observatory from the Pier 15 shed and the other separating the entire pier from the land. This second joint ensures that the entire pier will move independently from the land mass in the event of an earthquake, significantly reducing the potential torsional stress. The café at the west end of the Exploratorium is named the Seismic Joint in honor of the joint, that cuts through the area of the building where the café is situated.

The aesthetic of the project was defined as "industrial naval chic" in keeping with the pier's history.

Restaurant

The design aesthetic for both the Seismic Joint and Seaglass Restaurant was created by designer Olle Lundberg and based on the exhibit Color of Water. The bar at Seaglass features a specially designed version of Exploratorium artist Shawn Lani's exhibit Icy Bodies.

Sustainability
The Exploratorium at Pier 15 has a net-zero energy goal as part of its overall sustainability efforts. Setting this net-zero goal means that, while in operation, The Exploratorium will produce more energy on-site than it will consume on an annual basis. The museum highlights its sustainability efforts in visible ways throughout the museum as part of a stated intention to lead by example.

The Exploratorium, in order to reach its net-zero energy goal, produces energy with a roof-mounted array of photovoltaics.  There are 5,874 PV modules on the roof, totaling , with a projected year-1 yield of 1.3 MW-AC/square foot (13.9 MW-AC/m2), or a total year-1 yield of 2,113,715 kWh. Any surplus energy generated is intended to be fed back into the utility grid, as the projected annual energy use for the building totals at 1,275,936 kWh.

In addition to solar power, the museum makes use of an HVAC system that takes advantage of the relatively constant, moderate temperature of the bay water under the piers, which is , to heat and cool the building. The bay water is filtered and sterilized before it is brought into a  cistern below the pier, where it is held for use. When needed, the bay water is moved to a titanium heat exchanger, of which the building has two, where it is either used to heat or cool water that is cycled through a system of thermally activated radiant slabs. There are  of plastic tubing in the radiant heating system in the floor, creating 82 different heating and cooling zones with distinct control systems. After the bay water passes through the heat exchangers, it is returned to the San Francisco Bay as allowed by a permit issued by the California Regional Water Quality Control Board.

Most of the energy savings are expected to come from using the bay water as a heat sink for the building's cooling needs.  When the temperature of the bay water is below that of the chilled water return from the radiant pipes, which is the case for most of the year in the Bay Area's temperate climate, the system works in waterside economizer mode. In this mode, the cooling loads are met either entirely or partially through passive heat exchange between the colder bay water and the warmer return water, greatly reducing the building's energy needs.

The Exploratorium at Pier 15 has a separate system for its ventilation needs, pairing a dedicated outdoor air system (DOAS) with displacement ventilation distribution to bring outdoor air into the building. By integrating radiant heating and cooling and displacement ventilation, the Exploratorium has greatly reduced the portion of its HVAC system that relies on forced air.  Reducing the size of a building's forced air system has the associated benefits of both lower energy loads as well as reduced ductwork, both of which are cost-saving.

The Exploratorium has multiple features designed to reduce its water consumption. Two large cisterns under the structural beams connecting the southeast pilings capture up to  of rainwater and fog runoff for reuse in the facility. The plumbing is designed for water conservation, with waterless urinals and dual-flush toilets projected to save an annual million gallons of water. Additionally, the bay water heating and cooling system is estimated to save two million gallons of potable water a year by eliminating the need for traditional evaporative cooling towers.

The Exploratorium at Pier 15 also makes use of natural light in the effort to reduce energy loads. The existing building had many clerestory windows and an overhead skylight that runs the length of the interior space. In compliance with historic preservation requirements, the building's façade was left mostly unchanged, allowing for much of the interior space to benefit from the existing architecture's ample daylight. The retrofit did include the addition of high-performance glazing to the existing windows.

In January 2014, the Exploratorium was awarded LEED Platinum certification. According to the New York Times, "After a two-year post-opening shakedown period of monitoring and adjusting the systems, the Exploratorium hopes to become the largest net-zero-energy-use museum in the United States and possibly the world."

Layout
The new site contains over 600 exhibits, 25% of which were developed specifically for the Pier 15 site. With the exception of some art installations, all exhibits are developed and made onsite. The indoor and outdoor spaces are divided into six galleries, each highlighting a specific content group. Many exhibits are mobile, however, and move among different galleries; similarly, not all exhibits fall into distinct categories.

Exhibits cover a range of subject areas, including human perception (such as vision, hearing, learning and cognition), the life sciences, physical phenomena (such as light, motion, electricity, waves and resonance, and magnetism), local environment (water, wind, fog, rain, sun, and other elements, as well as cityscape, landscape, and the flora and fauna of the Bay) and human behavior (such as cooperation, competition, and sharing).

Osher West Gallery: Human Behavior

The West Gallery focuses on human behavior. Its signage and exhibits encourage visitors to play with perception; investigate memory, emotion, and judgment; and experiment with how people cooperate, compete, and share. It holds exhibits such as Poker Face (partners try to assess when someone is bluffing), Trust Fountain (an experimental exhibit from the museum's National Science Foundation-funded Science of Sharing project, this two-person drinking fountain is based on the Prisoner's dilemma, a classic scenario centering on negotiation and trust), and the Tactile Dome, a pitch-black environment visitors explore by touch, which was originally designed by Carl Day, August Coppola, producer. The West Gallery also included the temporary exhibition The Changing Face of What is Normal: Mental Health, which showcased the personal artifacts of patients from the now-decommissioned Willard Psychiatric Center, which was on view through April 2014.

The West Gallery also houses the Kanbar Forum, a cabaret-style theater that hosts music events, science lectures, and other programs.

South Gallery: Tinkering
The South Gallery is a workshop area where visitors can engage in hands-on making, located directly across from the Exploratorium's own internal exhibit workshop, which is also open to their view. Oppenheimer wanted visitors to be able to "smell the oil" and insisted that the usually hidden exhibit-building activities be on display as an exhibit in its own right. Exhibits in the South Gallery highlight a DIY aesthetic, and include Animation Stations where visitors can make their own stop-motion films.

Artworks on display include the Tinkerer's Clock (a 22-foot-high clock constructed by artist Tim Hunkin, with figurines in his noted cartoon style that can be manipulated by visitors and unfold into a clockface on the hour); and Rolling Through The Bay (a sculpture made by artist Scott Weaver over the course of 37 years, utilizing over 100,000 toothpicks and depicting many of the Bay Area's iconic landmarks, through which a ping-pong ball can roll on one of several different "tours").

Bechtel Central Gallery: Seeing and Listening

The Bechtel Central gallery houses many of the "classic" Exploratorium exhibits, including many of those that have been on display since the very earliest years of the museum. It includes a mix of new and old exhibits that investigate physics and the perception of light, color, and sound, such as Sound Bite (a demonstration of hearing with the jawbone instead of the ears) and Bright Black (a trick of perception convinces viewers that an object is white when it is almost entirely black).

East Gallery: Living Systems
The East Gallery houses a much-expanded selection of life sciences exhibits. Many exhibits relate directly to the immediate local environment, such as the Glass Settling Plate (barnacles and other creatures are grown on a plate in the Bay, then put live under a mobile microscope to be observed from both above and below) and the Algae Chandelier (visitors can pump air to nourish overhead tanks of colorful phytoplankton). Other exhibits explore different biological systems and processes, such as the imaging station with mouse stem cells, the live cow's eye dissections, and the Live Chicken Embryo (one of the oldest of the Living Systems exhibits, showing live chicken embryos at different stages of development).

Fisher Bay Observatory Gallery
The Bay Observatory building is the only new building constructed on the Exploratorium's campus. It holds the Seaglass restaurant on its lower level and exhibits on the upper level relating to the waterfront and the cityscape. The gallery focuses on what visitors can see in real time, including the movement of clouds and tides, the changing waterfront, the movement of ships, and interpretation of oceanographic data. The Observatory has glass walls on all four sides to facilitate observation. Many of the exhibits were developed specifically for the location, such as Oculus (a circular opening in the ceiling that allows the entire gallery to be used as a timepiece, tracking seasons, solstices, and the sun's movement), Visualizing the Bay (a 3-D topographic map of the Bay Area that allows visitors to see real data mapped over the landscape, such as the movement of fog and the salinity of the Bay over the course of days or years), and the Map Table (an assortment of historic and contemporary maps and atlases displaying different views and perspectives on the landscape).

The Bay Observatory also houses the Wired Pier project, which consists of more than a dozen sensors on and around the Bay Observatory that stream real-time data about the surrounding environment, such as quality of air and bay water, weather, tides and pollution, and compile it into interactive visualizations.

Outdoor Gallery

The Outdoor Gallery comprises the north, south, and east aprons of Pier 15, and extends through both ticketed and un-ticketed space. Focus is on direct interaction with the Bay environment, which can be seen in exhibits such as Color of Water (an installation of 32 distinct color swatches suspended below the rail surrounding the pier so that visitors can investigate the changing colors of the Bay's water). Another notable exhibit is Remote Rains, which allows visitors to choose a past rainstorm as profiled by the Hydrometeorology Testbed, which is then recreated by a rain machine that duplicates the frequency, size, and velocity of the raindrops, giving a tangible experience of NOAA research data on storms.

Along the publicly accessible bridge connecting Piers 15 and 17, artist Fujiko Nakaya created an installation called Fog Bridge #72494 that creates bursts of fog for six minutes every half-hour as the first in a series of large-scale temporary installations called Over the Water. The Fog Bridge is  long and makes use of 800 nozzles to create the fog, which Nakaya hopes will inspire visitors to pay attention to the nature of one of San Francisco's best-known weather patterns. Although originally slated to be temporary, it is now on permanent display. A desalination system, located in Pier 17, conditions bay water for use in the artwork.

Public space
The Exploratorium campus includes  of publicly accessible open space. This includes the plaza facing on the Embarcadero, the connector bridge between Piers 15 and 17 where Fog Bridge # 72494 is installed, the south apron of Pier 17, and the east and south aprons of Pier 15. This public space overlaps with the Outdoor Gallery, and includes some notable exhibits, such as the Aeolian Harp (an expanded version of the original installation by Doug Hollis on the roof of the Exploratorium at the Palace of Fine Arts, first created in collaboration with Frank Oppenheimer in 1976) and the Bay Windows (visitors spin disks filled with samples of Bay mud, sand, and gravel gathered from five distinct regions of the Bay itself).

Restaurant
The lower level of the Bay Observatory Building houses the Seaglass Restaurant, which, like the Seismic Joint Cafe, is open to unticketed members of the public. Both the Seismic Joint and Seaglass are run by Loretta Keller, chef-owner at Coco500, in partnership with Bon Appetit Management Company.

Educational programs
The Exploratorium seeks to bring hands-on inquiry to education, including training teachers in the teaching of science. Between 1995 and 2012, an estimated 6,400 educators from 48 states and 11 countries directly participated in Exploratorium workshops.

Teacher Institute

The Teacher Institute, founded in 1984, is an Exploratorium-based professional development program geared towards middle and high school science teachers. In addition to providing workshops at the museum that teach hands-on and inquiry-based teaching methods, it provides coaches and support for novice teachers. Studies have shown that while 30 to 50 percent of new teachers leave the profession within five years, the retention rate for teachers who go through the Teacher Institute is 85 to 90 percent.

The Teacher Institute is also home to the Iron Science Teacher, a national competition that celebrates innovation and creativity in science teaching, which originated at the Exploratorium in San Francisco. Parodying the cult Japanese TV program, Iron Chef, this competition showcases science teachers as they devise classroom activities using a particular ingredient — an everyday item such as a plastic bag, milk carton, or nail. Contestants are currently or formerly part of the Exploratorium's Teacher Institute and compete before a live audience for the title of "Iron Science Teacher". Shows are also archived on the Exploratorium's website.

Two out of three teachers applying were being turned away due to space limitations, by the time the Exploratorium closed at its former location; following the move to the Piers, the Exploratorium has been expanding its professional development for teachers through the Teacher Institute. , two MOOC courses were also being made available through MOOC provider Coursera. One course integrates engineering into middle and high school STEM classrooms, and the other integrates making and tinkering activities into elementary and middle school classrooms.

Informal learning programs
The Exploratorium operates several programs centering on informal learning. The Institute for Inquiry (IFI) is a professional development program of the Exploratorium geared towards educators, scientists, administrators, and policymakers. The institute is a recipient of National Science Foundation funding and designs programs, materials and tools to help leaders in the science education community further the role of inquiry in elementary science education and strengthen reform efforts. It consists of workshops and an online library of resources available to participants in the institute.

The Institute for Inquiry partnered with the Sonoma Valley Unified School District on a program combining science education with English Language Development (ELD). Data from the two-year pilot study showed that a professional development program designed to help teachers integrate ELD strategies into science lessons had a significant, measurable impact on the achievement of students in both ELD and in science.

The Center for Informal Learning and Schools (CILS) is a collaboration between the Exploratorium, the University of California Santa Cruz, and King's College London. CILS studies the intersection between museums and schools as centers of informal learning with the intention of understanding how informal science learning occurs and how informal educational centers such as the Exploratorium can contribute to science education reform.

The Tinkering Studio began in 2008 as an in-house program geared towards maker culture and a "think with your hands" approach. It is housed within the museum in a dedicated space in the South Gallery, where it runs free do-it-yourself activities for museum visitors; it also shares its work with a larger audience of educators in afterschool programs, schools, museums and other learning environments. It is being cited as a prototype for similar programs across the globe, including South Korea, Canada, India, and Saudi Arabia. The Exploratorium also operates as afterschool tinkering program in partnership with San Francisco chapters of the Boys and Girls Club. In 2012 the Exploratorium was awarded a grant to create the California Tinkering Network, in collaboration with the Community Science Workshops, Techbridge, the Discovery Science Center, the California Afterschool Network, and the California STEM Learning Network. These organizations partner with over 20 local afterschool or summer programs to provide STEM-enriched activities for children in underserved communities. The initiative was designed to test an adaptable model for providing tinkering activities to promote learning and development in an afterschool setting.

The Exploratorium also houses a number of other educational resources. These include the Learning Commons, a library and media resource center that houses a collection of print and digital science teaching resources for use by regional educators; a webcast studio, located in the Central Gallery, which produces 75 educational Webcasts from the museum and locations around the world annually, including a live webcast of the Mars Curiosity Rover launch and landing; and Lifelong Learning, which creates educational programming for children, teens, family groups, and adults. Lifelong Learning programs further the Exploratorium's stated dedication to informal learning and the museum as teaching tool, and include day camps, workshops for families, the Homeschool Science series (in-house classes geared specifically towards homeschooled students), the Girl's Science Institute (multi-day workshops geared towards girls 9–11), and excursions for adults. The Exploratorium has also published a number of books, and many of the 50,000 pages on its website are hands-on activity ideas or science experiments in the museums' signature open-ended style.

Educational outreach
The Exploratorium operates several educational outreach programs. The Community Outreach Program works with community organizations to provide exhibit-based educational activities for underserved children and families in the local community. The Exploratorium is also home to XTech, a science education program for underserved middle school students. Begun in 2006, XTech was primarily funded by a National Science Foundation grant and provided afterschool activities in science, engineering, and technology in partnership with two community-based organizations in the Bay Area. XTech serves over 100 students a year in addition to 10-15 youth facilitators.

Explainers
The Exploratorium Explainer program, which has been operating since the museum opened, hires and trains high school students and young educators each year. The program tripled its capacity, hiring 300 Explainers, following the relocation to Pier 15 in 2013. The Explainers function essentially as docents. There are two types of Explainers: High School Explainers, who are teenagers, and Field Trip Explainers, who are college students and young educators. The program was conceived by Frank Oppenheimer in the early days of the museum. He wanted to provide a visitor experience that was a learning experience in a museum context and allowed for guesswork and the absence of "correct" answers. He felt young people would be more capable than adults at conveying the open-ended experience he was looking for. His plan with the Explainers was to "loosen up the whole feeling of learning." Oppenheimer also intended the program to allow students to experience learning outside the framework of their school systems. The Explainers come from a highly diverse array of socioeconomic backgrounds, and he hoped they would bring families and friends who would not otherwise be likely to visit a museum. Both the High School and Field Trip Explainers are paid positions.

The Explainer Program was inspired by the staff demonstrations Frank observed at the Palais de la Decouverte, although the facilitators at the Palais when Oppenheimer visited were either graduate students or practicing scientists. The success of the Exploratorium's Explainer program led the Palais to eventually hire teenage explainers of their own. Former Explainers often cite their experiences at the Exploratorium as defining elements of their success, including several notable tech CEOs.

Arts

Despite being generally thought of as a science museum, the Exploratorium has always incorporated both science and art. As early as 1966, Frank Oppenheimer presented a paper discussing the connections between art and science, and the role of a museum in appealing to both casual visitors and serious students of all ages.

The formal artist in residence program was started in 1974, but artworks such as Bob Miller's Sun Painting were commissioned shortly after the museum was opened in 1969. Since the founding of the artist in residence program, over 250 artworks in various disciplines have been created.

Each year, the museum invites ten to twenty artists to participate in residencies ranging from two weeks to two years. Artists-in-residence work with staff and the visiting public to create original installations, exhibits, or performances. Artists are given a stipend, housing, travel expenses, and technical support, and they have at their disposal the Exploratorium's full array of metal and woodworking shops and materials. Two artists-in-residence who went on to become staff members have been awarded MacArthur Fellowship "genius" grants: Walter Kitundu and Ned Kahn.

The new Embarcadero campus opened with more than 40 pieces by prominent artists, including Douglas Hollis, Golan Levin, Lucky Dragons, Amy Balkin, and Fujiko Nakaya. The Center for Art and Inquiry, a new project at the new location, is an initiative to catalyze and orchestrate art across the museum.

The Exploratorium has an equally long history with musical, film and other performances. Participating artists and performers included Laurie Anderson, John Cage, Philip Glass, Steve Reich, Brian Eno, Ali Akbar Khan, Trimpin, and The Mermen.

In addition to the artists in residence, the museum's Osher Fellows Program hosts 4-8 resident scholars, scientists, educators, and artists every year. Notable Osher Fellows have included Walter Murch, James Crutchfield, Christian de Duve, Arthur Ganson, Tim Hunkin, Lewis Hyde, Evelyn Fox Keller, Guillermo Gómez-Peña, Rosamond Wolff Purcell, Oliver Sacks, Mierle Laderman Ukeles, and Juan Felipe Herrera.

Influence

Impact
It has inspired science museums worldwide, including the Reuben H. Fleet Science Center in San Diego, the Garden of Archimedes in Florence, Italy and the Exploratory (museum) in Bristol, UK. In 2003, The Oxford Companion to the History of Modern Science noted that about 400 science centers in 43 countries were established after the example of the Exploratorium.

Website
Online since 1992, the Exploratorium was one of the first museums to build a site on the World Wide Web. The site serves 13 million visitors each year. It has received six Webby Awards since 1997, including four for Best Science Website and one for Best Education website, and has been an honoree an additional ten times.

Events
Community π Day started at the Exploratorium by Larry Shaw and is celebrated annually on 3/14 (March 14). Iron Science Teacher competition (like Iron Chef) showcases science teachers as they devise classroom activities using a particular ingredient. Monthly events include "Full-Spectrum Science with Ron Hipschman". Every Thursday is "After Dark" for adults.

Related points of interest
The Exploratorium maintains exhibits in public Bay Area spaces. The Outdoor Exploratorium consists of 14 different exhibits relating to the local environment, all placed outside in the Fort Mason area and accessible to the general public.

Read also
Oppenheimer, Frank (July 1972). "The Exploratorium: A Playful Museum Combines Perception and Art in Science Education". American Journal of Physics. 40 (7): 978–984. Bibcode:1972AmJPh..40..978O. doi:10.1119/1.1986726.

Oppenheimer, Frank, (December 1973) "Teaching and Learning," American Journal of Physics. 41: 1310-1313

Oppenheimer, Frank, (July 1974) "The Study of Perception as a Part of Teaching Physics" American Journal of Physics. 42: 531-537

References

External links

 Exploratorium official site
 Official website for the Exploratorium's Tinkering Studio
 Guide to the Exploratorium Records at The Bancroft Library
Jennifer Frazier, Exploratorium Curator, Short Talk: "Science Museum Curator"

Institutions accredited by the American Alliance of Museums
Museums in San Francisco
Museums established in 1969
1969 establishments in California
Culture of San Francisco
Mazes
Domes
Science museums in California
Children's museums in California
Science and technology in the San Francisco Bay Area
Science centers
Webby Award winners
Association of Science-Technology Centers member institutions
Articles containing video clips

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Outreach tours are here! Did you know MYC will sing for more than 8,000 people next week? Thank you for supporting your singer's participation--our alumni consistently mention outreach tours among their favorite MYC memories.
Britten is touring on Thursday, April 28.
The buses will leave Westgate Mall main parking lot promptly at the time noted on the itinerary. Please be on time as the entire schedule depends upon our timely departure! Traffic in the morning is always unpredictable--thank you for planning ahead. When arriving at Westgate, please go directly to the bus, check-in, and climb aboard.
Our lunch stop will be McKee Farms Park in Fitchburg. Please send a packed lunch with your singer along with a water bottle for the day.
Pick up at the end of the day is at Westgate Mall at the time noted on the itinerary.


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Commentary Money Opinion
Netflix says, 'We're here, we're queer'
Michael Brown flays open LGBT agenda of internet movie giant
Published July 26, 2019 at 6:49pm
In a letter sent by Netflix to leaders of a Straight Pride event, the internet giant said, "You should know that we're unafraid of bullies. Our legal department is here, it's queer, and it's telling you to steer clear."
Netflix, we hear you loud and clear! You are here and you are queer.
Apparently, the organizers of a Straight Pride parade in Boston had listed Netflix as a potential sponsor, even using the Netflix logo, something the clearly pro-LGBT company did not take lightly.
As reported by PinkNews, "Netflix sent a cease-and-desist order to Super Happy Fun America, the group organising the [Straight Pride] parade, which has several ties with far-right and white nationalist organisations."
The Straight Pride organizers responded with a post titled, "Netflix Hates the Straight." In it, they accused Netflix of being a "heterophobic company steeped in hatred and bigotry."
They added, "Obviously, Netflix has no qualms about using their position of power to threaten marginalized groups who are exercising their 1st amendment rights. It appears that their legal department is staffed by gay supremacists who are so accustomed to privilege that our goal of equality for straights feels like oppression to them. In fact, it is Netflix that is acting like a bully. We have every right to inform the public about our attempts to gain sponsors for our parade and their hate will not stop us."
Personally, I have no interest in the Straight Pride parade, and none of my pro-family colleagues are involved with it.
That being said, it is clear that Netflix is the bully here. And it is even clearer that Netflix is proudly queer.
As to Netflix saying "we're unafraid of bullies," that would be like the United States military saying to the army of Haiti (perhaps 200 strong?), "We're not afraid of you! We're not intimidated by bullies!"
Netflix has a reported annual income of more than $17 billion, whereas the Straight Pride budget can only be in the thousands (and I would imagine low thousands rather than high thousands). Yet the Straight Pride organizers, with their silly name ("Super Happy Fun America") are the bullies. Right.
Of greater interest, though, is Netflix's open, bold, even boastful statement that "Our legal department is here, it's queer, and it's telling you to steer clear."
Not that long ago, gay strategists suggested that, to turn the tide in America, it was important to distance themselves from the militant homosexual zappers who proclaimed, "We're here, we're queer, get used to it."
Representing the conclusions of other gay strategists, Marshall Hunt and Kirk Madsen wrote in their 1990 book "After the Ball," "The gay revolution has failed."
For them, the whole "in your face" approach had failed to change American hearts. Instead, those images needed to be replaced by a new image, one that "must, of necessity, be carefully tailored to be free of absolutely every element of the widely held stereotype of how 'faggots' look, dress, and sound."
That was a long time ago.
Today, Netflix lawyers can boast about their queerness, and it's totally part of the mainstream: "We are here and queer indeed!"
But it's not just the Netflix legal team which is openly queer. The company as a whole has been blazing an openly queer path for years.
There is not only a plethora of gay-themed movies on Netflix, but a 2018 article pointed to "30 Netflix original shows with LGBT characters."
Yes, "Netflix has quite the history with LGBT representation, with two of their earliest shows ('House of Cards' and 'Orange Is the New Black') featuring queer leads. The company hasn't shied away from these characters since, with LGBT characters appearing in the main casts of shows like 'Sense8' and 'One Day at a Time,' to name a few. Dramas, comedies, thrillers – whatever the genre, Netflix has featured an LGBT character in it."
In keeping with this emphasis, now that "The Designated Survivor" is a Netflix production, it not only introduced the F- word to the show. But by the third episode, it focused on "transgender rights."
And last year, Netflix released "Super Drags," an "adult animated series" in which "three gay co-workers lead double lives as drag queen superheroes, saving the LGBTQ community from evil nemeses." How delightful.
So Netflix, yes, we hear you loud and clear. You are here and you are queer. Quite so.
(Christian families looking for a very wholesome alternative might want to consider Pure Flix.)
Dr. Michael Brown (www.askdrbrown.org) is the host of the nationally syndicated "Line of Fire" radio program. His latest book is "Jezebel's War With America: The Plot to Destroy Our Country and What We Can Do to Turn the Tide." Connect with him on Facebook, Twitter or YouTube.
@DrMichaelLBrown
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redpajama_set_name: RedPajamaCommonCrawl


Learn how to say Create, Work, Need, or Provide in Korean!
Words Covered : Create, Work, Need, Provide.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill, Twist, Insert, Repair, Assemble.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill, Twist, Insert, Repair, Assemble, Split, Wipe, Balance, Equip.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill, Twist, Insert, Repair, Assemble, Split, Wipe, Balance, Equip, Pack, Store, Waste, Mount.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill, Twist, Insert, Repair, Assemble, Split, Wipe, Balance, Equip, Pack, Store, Waste, Mount, Bend, Print, Swing, Drag, Restore, Preserve, Lock, Pour, Bind, Fix, Alter, Mix, Transfer, Ride, Attach, Wash, Deliver, Measure, Retain, Handle.
Words Covered : Create, Work, Need, Provide, Boil, Carve, Crush, Rip, Decorate, Explode, Scatter, Spill, Twist, Insert, Repair, Assemble, Split, Wipe, Balance, Equip, Pack, Store, Waste, Mount, Bend, Print, Swing, Drag, Restore, Preserve, Lock, Pour, Bind, Fix, Alter, Mix, Transfer, Ride, Attach, Wash, Deliver, Measure, Retain, Handle, Pay, Produce, Offer, Require, Buy, Develop, Build, Spend, Sell, Increase, Maintain, Share, Depend, Gain, Collect, Employ, Settle, Acquire, Own, Contribute, Generate, Afford, Earn, Gather, Lack, Permit, Possess, Invest, Owe, Purchase, Retire, Finance, Resign, Compete, Negotiate, Borrow, Distribute, Lend, Trade, Fund.
Verbs - Activity With Objects, Part 9 - Learn how to say Deliver, Measure, Retain, or Handle in Korean!
Verbs - Activity With Objects, Part 10 - Learn how to say Transfer, Ride, Attach, or Wash in Korean!
Verbs - Activity With Objects, Part 11 - Learn how to say Bind, Fix, Alter, or Mix in Korean!
Verbs - Activity With Objects, Part 12 - Learn how to say Restore, Preserve, Lock, or Pour in Korean!
Verbs - Activity With Objects, Part 13 - Learn how to say Bend, Print, Swing, or Drag in Korean!
Verbs - Activity With Objects, Part 14 - Learn how to say Pack, Store, Waste, or Mount in Korean!
Verbs - Activity With Objects, Part 15 - Learn how to say Split, Wipe, Balance, or Equip in Korean!
Verbs - Activity With Objects, Part 16 - Learn how to say Twist, Insert, Repair, or Assemble in Korean!
Verbs - Activity With Objects, Part 17 - Learn how to say Decorate, Explode, Scatter, or Spill in Korean!
Verbs - Activity With Objects, Part 18 - Learn how to say Boil, Carve, Crush, or Rip in Korean!
Verbs - Economic Activity, Part 1 - Learn how to say Create, Work, Need, or Provide in Korean!
Verbs - Economic Activity, Part 2 - Learn how to say Pay, Produce, Offer, or Require in Korean!
Verbs - Economic Activity, Part 3 - Learn how to say Buy, Develop, Build, or Spend in Korean!
Verbs - Economic Activity, Part 4 - Learn how to say Sell, Increase, Maintain, or Share in Korean!
Verbs - Economic Activity, Part 5 - Learn how to say Depend, Gain, Collect, or Employ in Korean!
Verbs - Economic Activity, Part 6 - Learn how to say Settle, Acquire, Own, or Contribute in Korean!
Verbs - Economic Activity, Part 7 - Learn how to say Generate, Afford, Earn, or Gather in Korean!
Verbs - Economic Activity, Part 8 - Learn how to say Lack, Permit, Possess, or Invest in Korean!
Verbs - Economic Activity, Part 9 - Learn how to say Owe, Purchase, Retire, or Finance in Korean!
Verbs - Economic Activity, Part 10 - Learn how to say Resign, Compete, Negotiate, or Borrow in Korean!
Verbs - Economic Activity, Part 11 - Learn how to say Distribute, Lend, Trade, or Fund in Korean!
Verbs - Economic Activity, Part 1 -- Added to http://www.EarthFluent.com.


Throughout Vietnam, there are a few great places to enjoy the atmosphere as well as surroundings while immersing yourself in a wide range of adventures. There are a large number of outdoor activities to get involved in.
Vietnam has recently become a favorite tourist destination for many holidaymakers all over the globe, especially for those who want to travel the world with nomad lifestyle. The food there is delicious, the atmosphere is exciting and vibrant. There are always some types of adventure to be had, and the local people are very friendly.
After many effective changes and intentions to immerse in international market, Vietnam has become one of the most active countries in Southeast Asia. As many years ago, New Zealand citizens had to apply visa application through the Vietnam Embassy and waited for a long time to be able to visit this country. However, with the new online visa regulations, New Zealanders can apply for Vietnam visa through online to obtain Vietnam visa nz with ease.
To be honest, Vietnam is one of the countries which have a well-known and diverse cuisine. When traveling to this country, gourmets will realize that it is such a food paradise for them. Many visitors agree that Vietnamese food is some of the most delicious and freshest in Asia. Some of the famous Vietnamese dishes are Pho and Banh mi influenced by French cuisine.
Besides, tourists who like outdoor activities will be satisfied with several adventurous places in Vietnam. They can enjoy many amazing activities such as canyoning in Da Lat, kayaking in Halong Bay, going sand boarding in Mui Ne and trekking the rice paddies in Sapa. Plus, they also have an enjoyable feeling when riding a motorbike or crossing the streets in Vietnam especially in rush hour for a real adventure.
Vietnam is known as a great coffee culture which is the second largest coffee's producer all over the world. Some of the coffee drinks they can taste are drip coffees, lattes, too cold brews, condensed milk coffee or even egg coffee. Therefore, tourists should give it a try at least once when coming to Vietnam. All of them are really popular in Hanoi's street; travelers should not miss out the chance to taste it.
Another aspect that country has to offer to tourists is its rich and profound history. Thus, when traveling to this country, they can learn more about it by exploring the museums. In addition, almost cities in Vietnam have historical sites, so tourists who want to have more understanding about these places can choose among a bunch of options such as Cu Chi Tunnels, Vietnam Military Museum, The War Museum, the Prisons in Hanoi and the Temple of Literature, etc.
It is possible that the bustle has become a specific trait of Vietnam. Visitors can easily recognize that motorbikes are everywhere, people are in markets, street food on most of the corners. Moreover, the local people are very friendly with travelers. For these reasons, Vietnam has become a country where almost foreigners would like to visit.
Green Visa Vietnam is one of the top travel agencies which specialize in many traditional services at Vietnam International Airport for foreigners all over the world. Moreover, with ten years of experience in processing Vietnam visa on arrival for global residents, this company will help travelers with all of the Vietnam visa on arrival procedures with Vietnam Immigration Department and ensure that they can obtain the approval letter quickly.
Information relating to Vietnam online visa processing services such as Vietnam visa policies, requirements, and procedures are well-presented on Green visa's website. Concerned tourists can visit their homepage here.


provided for under this Note and the Pledge Agreement, shall be due and payable.
payable without defense, set off or counterclaim.
any and all payments under this Note.
Borrower without the written consent of the other.
this Note which would violate any applicable law.
of this Note, and then only to the extent specifically set forth therein.
installments or by any indulgence granted by the holder to Borrower.
holder hereof to exercise any rights under this Note or the Pledge Agreement.
a defense to a demand under this Note to the fullest extent permitted by law.
assignee, to the extent of the interest assigned to them.
without limitation those relating to the charging of interest.


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A Titanic Metaphor
The Titanic disaster was the bursting of a bubble. There was such a sense of bounty in the first decade of the 20th century. Elevators! Automobiles! Airplanes! Wireless radio! Everything seemed so wondrous, on an endless upward spiral. Then it all came crashing down."
- filmmaker James Cameron
This mother of all shipwrecks, is, among other things, a motherlode of metaphor: the sinking of the "unsinkable," the flagship of industrial engineering and fantastical luxury, the very vessel of technological hubris; the once largest moving man-made object on Earth, too massive and cruising too fast to pull out of a collision course with a large, cold, hard fact of nature, of which the humans could only see the tip.
A hundred years and hundreds of dives later, this ship still holds many haunting metaphors, depths to be plumbed. I want to spend this anniversary thinking about the lifeboats.
A lifeboat is an interesting presence. A reminder that the much bigger boat on which it rides could fail, and that survival could depend on this much simpler, radically scaled-down version of the big ship. What other institutions carry such overt warnings and preparations for their own demise? Imagine a school, or a government, a business or a church openly prepping its students, citizens, customers, parishioners: There is a chance that this will all come undone. In the event of our institution's collapse, the essentials needed to preserve life are the following....
Noah built a boat like that once, much to the ridicule and chagrin of his neighbours. The ark was an embarrassment to their civic faith, their belief that their society had grown too big to fail.
But the sea suffers no fools, and sailors have learned that times do come to abandon the big ship, and get into those little boats.
The Titanic, famously, had far too few lifeboats. The White Star Line gave meticulous attention to the design of the Turkish baths and to the ten course dinner menus on their luxury cruise ship, but not to the essentials of preserving life. In the more than two hours it took for her to sink, desperate, painful decisions had to be made. Some women would not to get in the life boats, refusing to leave their husbands, for whom there was no room. One man dressed as a woman so he could jump the cue. Few third class passengers, male or female, ever made it onto the boat decks.
Now that I think about it, the interesting thing about the Titanic lifeboats is not that there were too few, but that there were any at all. There persisted a seafaring culture of caution, a humility before the sea, that even the opulent and overconfident "unsinkable" Titanic could not completely cast aside.
What are the traditions still carried in the DNA of the wider culture that caution and prepare us for cataclysm? Well, the biblical tradition, handmaiden to Empire though it has admittedly been, is really one of the most honest and sober accounts we have of the corruption and the collapse, again and again, of Empire: the Egyptians, the Syrians, the Assyrians, the Babylonians, the Romans - sometimes their machinations benefit the Jews, most often they hurt them, but never do they last.
The Bible contains a history of the Fertile Crescent's "cradle of civilization" as seen from the underside of the great powers. From this view is revealed not only the ugly violence of these grand civilizations, but also their vulnerability. Even Israel's own national history is often told in a way most unflattering to its officials and their schemes. Again and again, the Bible warns against seeking security in the designs of "the nations." Security, counterintuitively, is to be sought in an unseen God, and in compliance to a covenant of justice, drawn up with a people much smaller and poorer than their come-and-go imperial neighbours.
Is this our culture's lifeboat?
Wes Hartley, the leader of band that played on while Titanic went down, at first played showtunes, at the captain's behest, to mollify the nervous passengers. But then, when the unthinkable turned inevitable, he turned to hymns. The final song, with which Hartley prepared himself and the others left on board to enter the deep was, "Nearer My God, To Thee."
I was thinking about the Titanic nine years ago, when Ploughshares Community Farm was not yet a place, and barely a notion. Drawn to do something rural and agrarian, and ready leave behind more urban, more activist pursuits, I journalled, "I am giving up on shouting over the orchestra or winning the ear of the captain. But maybe some of us could see about improving the seaworthiness of those lifeboats."
Ballad of the Brokenhead
Big O, little o... (Part II)


One of the best things about tailgate parties is using fresh ingredients to make your dishes truly memorable ones. Paw Paws are still available, but the season if fading. Grab some up and get ready for a remarkable Barbeque Sauce!
When the experts speak of Paw Paws, they describe the taste as banana with mango and pineapple. I've been making Paw Paw recipes for two weeks now, and never did get that "pineapple" thing – until Charlie made this killer Barbeque Sauce. I do not know if it was the addition of the tomato acidity, or just the cooking process but the citrus flavors really shine through in this recipe.
We usually do chicken wings, but I found these "drummies" at an incredible price. Grill your chicken low and slow to preserve moisture then slather on this flavorful sauce. This really gives a beautiful glaze to chicken and works well on gourmet hamburgers as well. Your mouth with thank you!
1. In a heavy saucepan combine all ingredients.
2. Mix with an immersion blender (boat motor) until smooth.
This makes almost 1 Quart of Sauce. You could make the day ahead and store in refrigerator. It will keep up to a week if refrigerated properly.
This is good with a little splash of bourbon added. Paw paws are sometimes found at local farmers markets. They are not shelf stable and should be used soon after foraging or buying.


text:
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Home / / Archives: health reform
Affordable Care Act: What Native Youth Need To Know Toolkit
With the passing the Affordable Care Act, American Indian and Alaska Native individuals (AI/AN) received unprecedented access health care systems. Special benefits and protections specifically codified for improved access to quality healthcare systems were put in place for AI/AN's. The National Indian Health Board works daily with a variety of...
Tagged health reform
The Importance of Medicaid Coverage for Criminal Justice Involved Individuals Reentering Their Communities
The purpose of this issue brief is to highlight the importance of health insurance coverage for criminal justice involved individuals, particularly the importance of the expansion in Medicaid coverage made available through the Affordable Care Act. This issue brief explains why Medicaid and access to the health benefits the program...
Tagged health reform, medicaid
Achieving Health Equity via the Affordable Care Act: Promises, Provisions, and Making Reform a Reality for Diverse Patients
Since its creation by the Institute of Medicine (IOM) in 2007, the Roundtable on the Promotion of Health Equity and the Elimination of Health Disparities has been fostering dialogue on racial and ethnic disparities in health and health care, examining the development of programs and strategies to reduce disparities, and...
Lifelong Disparities among Older American Indians and Alaska Natives
The rapidly growing number of older American Indians and Alaska Natives warrants the attention of researchers, policy makers, and service providers. This report uses American Community Survey data to provide a national overview of the sociodemographic characteristics of this growing population. American Indians and Alaska Natives ages 50 and over...
Tagged data, health reform
2014 National Healthcare Quality and Disparities Report: Chartbook on Health Care for Hispanics
This Hispanic Health Care chartbook is part of a family of documents and tools that support the National Healthcare Quality and Disparities Report (QDR). The QDR includes annual reports to Congress mandated in the Healthcare Research and Quality Act of 1999 (P.L. 106-129). This chartbook includes a summary of trends...
Blueprint For a Better America: Ensuring Our Immigration System Advances the Health and Well-Being of Asian Americans, Pacific Islanders and All Immigrants
As the country continues to grow and prosper, the participation and progress of our nation's nearly 20 million Asian Americans and Pacific Islanders (AAPIs) are crucial to the health and welfare of the nation as a whole. Over the past decade, more immigrants have come to the U.S. from Asia...
Opportunities to Promote Children's Behavioral Health: Health Care Reform and Beyond
The Patient Protection and Affordable Care Act (ACA), which was signed into law in 2010, has several provisions that could greatly improve the behavioral health of children and adolescents in the United States. It requires that many insurance plans cover mental health and substance use disorder services, rehabilitative services to...
Health Insurance Disparities and the Affordable Care Act: Where Could Inequality Decline?
In 2014, the Patient Protection and Affordable Care Act (ACA) increased access to health insurance for millions of Americans. Based on income, some people may receive subsidies and tax credits to buy insurance, while others may qualify for Medicaid in certain states. Could these changes help to reduce disparities in...
Tagged health reform, infographic
Improving Access to Coverage for Children with Special Health Care Needs in the Face of Health Inequities
This brief presents findings from interviews with family leadership organization staff in Colorado, New Jersey, Oregon, Rhode Island, and Vermont about health insurance coverage and health care financing and the experiences of children with special health care needs (CSHCN), their families, and their communities. Topics include coverage and financing barriers...
Affordable Care Act Enrollment Assistance for the LGBT Community
This toolkit is designed to increase provider awareness of issues that particularly affect the lesbian, gay, bisexual and transgender (LGBT) population, provide information on key provisions of the Affordable Care Act, provide information specific to enrollment for LGBT communities, and offer resources to support LGBT individuals who have questions or are ready to...
Project THANKS: Examining HIV/AIDS-Related Barriers and Facilitators to Care in African American Women: A Community Perspective
The Power of Parenting: How to Help Your Child After a Parent or Caregiver Dies
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The Cape Town producer heavyweight Hipe has opened the doors of his studio to aspiring local producers. Hipe founded Hiperdelic in 2014 and has since worked with the likes of Proverb, Youngsta, Ill Skillz and Nonku Phiri.
find the right fit" says Hipe.


Two dozen premium estate-grown cool climate wines delivered to your home or office each year, for a special members' only price of $270 per dozen.
Wine is delivered in November and May, just in time for the holiday season or the winter months. Each dozen is hand picked by Sarah and Mark Hirst.
During the year, members receive 20% off sales at cellar door and free freight on orders of one dozen and over.
Membership can be cancelled at any time after the third Wine Lovers' Club Shipment has been received.
To join our Wine Lovers Club today, please download and complete the form below. We look forward to delivering a crate of premium Leaning Church wines to your door!


The release of the early techno classic Covert Action on Retroactive (Reissued on Planet E) and Urban Tribe's debut album The Collapse of Modern Culture on Mo Wax sparked much interest in his work. Since 1999 Ingram has toured internationally playing in numerous cities across Europe and further afield. In 2008 he formed the label; Micron Audio Detroit to release the work of fresh, upcoming talent from across the globe. The label's first release Next Wave featured the debut release of innovative, young artist's such as Belgium's, Mariska.
It is not by imitation, but by remorseless innovation that Sherard Ingram has been known to create matchless electro sound encounters.


Just a half off-topic. "Half" because that's not about a Studio Girin production, but this is still about a former project of Aryeom Han, that you may know by now as our Art Director. "Grandma Ocean" was her finale project at Sangmyung University, along with Kang Hui-jin.
"Grandma Ocean" is an 5-minute animated documentary, telling the story of Haenyo. Haenyo are diver-fisherwomen in Jeju Island, south of South Korea. These people are an important cultural piece of Jeju and Korean history.
Well this short movie has been in quite many festivals already. And it will be presented again during the Korean Film Festival in Paris, happening between 29th of October and 5th of November 2013. Unfortunately Aryeom cannot be present at the event, because in New Zealand right now.
Next PostNext Stable bugfix GIMP 2.8.10 released!


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4. Rajd Mazurski – 4. edycja Rajdu Kormoran. Był to rajd samochodowy rozgrywany od 5 do 6 marca 1971 roku. Była to pierwsza runda Rajdowych Samochodowych Mistrzostw Polski w roku 1971. Rajd składał się z dziesięciu odcinków specjalnych (wyniki dwóch OS-ów anulowano z powodu zamarzających stoperów) i 1 próby szybkości płaskiej. Został rozegrany na nawierzchni asfaltowej i szutrowej. Zwycięzcą rajdu został Włodzimierz Markowski.

Wyniki końcowe rajdu

Przypisy

1971
Rajdowe Samochodowe Mistrzostwa Polski 1971


Mississippi is probably most famous in the rest of the United States for the spelling of its long, tongue-twister name. It is located at the southern end of the Mississippi River where it dumps into the Gulf Coast. Mississippi is a great place for people who don't like winter weather. The state enjoys extremely mild temperatures during the winter and long, hot summers with high humidity.
Car insurance isn't cheap in Mississippi, so it's a good idea to learn more about your car insurance options in the state. You'll need to understand the basic insurance requirements. If you're moving to Mississippi, you'll also need to understand the laws regarding licensing and registration transfers. In many cases, you'll need insurance first. Do yourself a favor and compare online insurance quotes to be sure you get the best deal. Even if you're already a resident, checking rates at least once every year, preferably every six months, will save you a bundle.
Optional UM coverage can be no less than the required bodily injury liability coverage. UM coverage cannot be more than the bodily injury liability coverage owned.
If you would like to learn how much you could be paying for car insurance in Mississippi, enter your zip code in the form on this page for more information.
A new resident must transfer their vehicle registration and driver's license within 30 days of moving to Mississippi. Failing to register on time can lead to expensive fines based on how late the registration is. If you are an active member of the military or a student attending college from out of state, you do not have to transfer your license or registration because you qualify as a temporary resident. Registration and license transfers fall under the jurisdiction of the Mississippi Department of Revenue.
Where you register your vehicle in Mississippi depends on the weight of the vehicle and whether you plan to drive it across state lines regularly. The most common registration type is for a vehicle that weighs less than 10,000 pounds that usually stays within the state lines. These registrations are done at you nearest local county tax collector's office. The tax collector's office also handles registration transfers for vehicles that weigh more than 10,000 pounds and will stay within the state. If you have a vehicle that weighs more than 10,000 pounds that will drive across state lines on a regular basis, you must go to Clinton, at the Department of Revenue office.
You will be charged a 5% fee if you register your vehicle within 15 days after the due date. If you register between 15 and 30 days after the due date, you will pay an additional 5% fee for every 30-day period that lapses after the due date. The maximum allowable penalty is 25%. If you would have qualified for a Legislative Tag Credit, you will lose your qualification if your late registration fee reaches the 25% penalty level. New residents who fail to register within 30 days of moving to the state will pay the standard late fees as well as a flat $250 fee. Regardless of the date you transfer your registration, you will not qualify for the Legislative Tag Credit if you did not have proper tags in your former state.
Mississippi requires that each vehicle registration transfer include specific original documentation. You will need to provide the title from the state in which the vehicle was formerly registered. You will also need to provide an official odometer disclosure statement for the vehicle. If you do not have an out of state title for the vehicle, you will need to present the manufacturer's statement of origin proving that you are the legal owner of the vehicle. Identification documents such as a social security card or driver's license with your current Mississippi address will be required as well. You can use a utility bill, paycheck stub, or other official document with your legal name and address to prove that you are a current Mississippi resident.
When you transfer your registration from another state to Mississippi, you will be required to pay a standard 5% sales tax on your vehicle. The Department of Revenue will not apply taxes that you may have paid in your previous toward your Mississippi taxes. The 5% tax rate is based on the latest value of your vehicle as listed in the most current assessment schedule available. If you bought the vehicle within the last year, your tax rate will be based on the dealer's price before any applicable rebates.
New residents can apply for a Mississippi driver's license at any local driver's license office. You must transfer your license within 30 days of becoming a Mississippi resident unless you are a part-time resident as outlined above. Driver's license centers are located throughout Mississippi, and you do not have to visit an office within your home district in order to transfer your license successfully. Once you have transferred your license, you can utilize the online license renewal system to renew your license when it expires the next time. The initial license transfer must be done in person at a driver's license office.
When you apply for a license transfer, you must give the driver's license office your out of state license. You will also need to provide proof that you are in the United States legally through a social security card, naturalization papers, or any other official documentation of your presence in the country. You can prove that you are a Mississippi resident by presenting an original document that came from an external source and lists your name and your Mississippi address. A paycheck, mortgage agreement, school paperwork, or any other similar documentation is acceptable to the licensing office as proof of residency.
Drivers under the age of 17 have special restrictions and requirements they must meet before they can earn a Mississippi driver's license. You must present a school attendance form that proves that you have attended at least the minimum legally required sessions of school within the last school year. You must fill out a separate license application and pass a written driving exam in order to qualify for your Mississippi license. Licenses for drivers under the age of 17 expire within two years of their issue date. Once you turn 18, you can qualify for a standard license.
In most cases, you will not need to take any tests in order to transfer your out of state license to a Mississippi license. The clerk at the driver's license office has the authority to request any type of test they feel is necessary at any time, however. Drivers under the age of 17 will be required to pass a written exam before they can receive a Mississippi license, even if they already hold a valid license from another state. If your license has expired, your likelihood of being required to pass at least a written test will increase.


My name is Brendan McWilliams and I am a recent graduate of the Top Tier Program. Currently I am a freshman at Salisbury University in Maryland and I play lacrosse there. One of the main reasons I am playing lacrosse at such a good school is because of Top Tier. I have been a part of the Top Tier program since my sophomore year of high school. I have been both a player and a coach. I was a player for the high school travel team for three years and was an assistant coach this past summer. Steve Schattner, who is the President of Top Tier, was my coach for all of those years. I have had lots of experiences with the Top Tier program and have enjoyed every moment of it.
Also when I say it is a program, I really mean it is a program. Kids of all ages are treated the same, from middle school kids to high school juniors and seniors. Even though Coach Schattner is mainly a high school coach he works with the younger kids. The coaches don't only focus on the high school team because those are the best kids and that is where a program gets its recognition. The coaches know that in order for Charlotte to become known for lacrosse throughout the country it has to start with the youngest kids and work itself up. They are devoted to making Charlotte be known for its lacrosse.
I have many friends who I have made because of Top Tier. All of those friends only have good things to say about it. I think the number one reason for that is because of the coaches. The coaches are very important. Top Tier and the coaches know how to coach lacrosse at all levels. Coach Schattner and the other coaches are very smart coaches and know how to win. He is the bestcoach that I have ever had. They have very good leadership skills and know how to get the best out of the players. Coach Schattner especially does a very good job at leading the entire program. He keeps good discipline and demands a lot out of his players and assistant coaches in order to succeed. Through this they are able to teach all the players what they know about lacrosse to make the players better. The coaches are also dedicated to their players and always treat them with respect. The coaches will never say anything or make the players do something that is not right. Some coaches of other programs will tell their players to be dirty or cheat in order to win. I believe that Top Tier is a great program because they do what is right. They will always bring out the best of their players on and off the field. On the field, practice is intense, but it is always fun. They know how to make us better lacrosse players while still having fun. That for me is very important. Having fun is the overall goal.
One thing about Top Tier and the coaches is that they don't only teach the players about lacrosse. They also teach the players lessons for life and the real world after they have left the program and are no longer playing lacrosse. One thing that Coach Schattner always talks about is being the best you can be on and off the field. He says that you need to be your best in the workplace in order to keep a job. Coach Schattner also always makes us show up to games on time. We also always walk in two lines with all our pads on. All of this teaches discipline which is very important. He holds the players accountable for all of their actions because he knows that is how it will be in college and in the workplace. Another thing that he has taught my teammates and I at the time is the 10/90 rule. This is where ten percent of your life is out of your control and the other ninety percent is how you react to it. I took this rule to heart and still believe it to this day. There are many other things that the coaches teach the players. Almost everything we learn from the coaches can be applied to something outside of lacrosse.
Once the players have gone through the program, and they reach the high school teams, the coaches will help the players get recruited who they think can play in college. A bunch of my friends are going through this now and they all say that Top Tier is very helpful. The coaches will recommend schools for the player and will call and contact college coaches for the player. This was very helpful for me to get recruited. Coach Schattner called multiple college coaches for me and he has done the same for other players. He does whatever it takes to help players play in college. One thing he wont do is lie to the coaches. He tells them exactly what is true about a player. He doesn't embellish the player or make him sound better he really is. He wants to keep a good reputation for the program so all the other players will have the opportunity to be recruited.
The program know how to take a lacrosse program and grow it into something more. You will not be disappointed with Top Tier. They will be able to teach the kids how to play lacrosse and many skills for life. If you pick Top Tier, the kids will always remember these experiences they had.


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Mike Hintze, CIPP/C, CIPP/E, CIPP/G, CIPP/US, CIPM, CIPT, FIP
Hintze Law
Mike Hintze is a partner at Hintze Law PLLC and a recognized leader in privacy and data protection law, policy, and strategy. He advises a wide range of companies, industry associations, and other organizations – from startups to largest global technology companies. With more than 20 years of experience in privacy and data protection, Mike emphasizes pragmatic and actionable advice that enables his clients to meet their objectives while complying with the law and managing risk.
Mike also teaches privacy law at the University of Washington School of Law, is a Senior Fellow with the Future of Privacy Forum, serves as an adviser to the American Law Institute's project on Information Privacy Principles, and has served on multiple advisory boards for the International Association of Privacy Professionals and other organizations. Mike has testified before Congress, state legislatures, and European regulators; and he is a sought-after speaker and regular writer on data protection issues.
Mike was previously Chief Privacy Counsel at Microsoft, where, for over 18 years, he counselled on data protection compliance globally, and helped lead the company's strategic initiatives on privacy differentiation and public policy. Prior to joining Microsoft, he was an associate with Steptoe & Johnson LLP, which he joined following a judicial clerkship with the Washington State Supreme Court. Mike is a graduate of the University of Washington and the Columbia University School of Law.
Mike can be found on LinkedIn: www.linkedin.com/in/mhintze/ and on Twitter: @mhintze.
Contributions by Mike Hintze
Managing Privacy Risk for the Enterprise
In life sciences research, 'informed consent' isn't enough
Pseudonymization and Anonymization Under the GDPR
Does anonymization or de-identification require consent under the GDPR?
From Sacramento to DC: CaCPA and Its Implications for Federal Privacy Regulation
Are there risks of using public clinical trial data under GDPR?
Pseudonymization and Anonymization Under the GDPR 3:30-5:30
Workshop on Privacy Statement Creation
Practical Data De-Identification 9:30-11:30
Anatomy of a Privacy Statement
U.S. Federal Privacy Legislation: Is a New U.S. Consumer Privacy Law on Its Way?
Speaker at IAPP Global Privacy Summit 2013
Speaker at IAPP Academy 2012


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Castellafiume is een gemeente in de Italiaanse provincie L'Aquila (regio Abruzzen) en telt 1075 inwoners (31-12-2004). De oppervlakte bedraagt 24,6 km², de bevolkingsdichtheid is 44 inwoners per km².

Demografie
Castellafiume telt ongeveer 389 huishoudens. Het aantal inwoners steeg in de periode 1991-2001 met 6,3% volgens cijfers uit de tienjaarlijkse volkstellingen van ISTAT.

Geografie
Castellafiume grenst aan de volgende gemeenten: Capistrello, Cappadocia, Filettino (FR), Tagliacozzo.

Gemeente in L'Aquila


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Q: Remove all characters after the first occurring integer I need to remove everything after the first occurrence of a number in a string, but the number must remain. I'm having trouble keeping the number when I write this:
preg_replace('/[0-9].*/', '', $string);

It removes everything including the number.

A: If your first replacement already works but removes too much, you can capture the number and put it back in:
preg_replace('/([0-9]+).*/', '$1', $string);
               ^      ^       ^^ put the captured value back

A: In your while loop, try using mb_substr($string, $i, 1) to get the character instead of $string[$i]. I think the latter only returns the single byte at byte index $i instead of the number $i character of a string with multibyte characters.

A: Sample code:
$str = "abc123efg567jjjj";
echo preg_replace("/([^0-9]*[0-9]*)(.*)/", "$1", $str);

Sample output:
abc123

A: You don't need capture groups or backreferences.  Just forget the digits with \K after matching them.  The .* will match the rest of the string and only this part will be removed.
$trimmed = preg_replace('/\d+\K.*/', '', $string);

redpajama_set_name: RedPajamaStackExchange


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Home/Rays Prospects
The Undercards: Wil Myers Laces Go-Ahead Hit As Bulls Win in 14
By Robbie Knopf
The way he has been playing lately, there is no one that Durham Bulls fans would want up in a clutch situation more than Wil Myers. How long will it be before we say the same thing about him on the Rays?
Triple-A International League: Durham Bulls 6, Indianapolis Indians (PIT) 2 (14 innings)
For 13 innings, this was a game of pitching dominance and offensive ineptitude. In the first 13 frames, the Bulls went just 1 for 8 with runners in scoring position while Indianapolis was just 1 for 14. But in the 14th inning, the Bulls finally broke through, getting back-to-back singles by Mike Fontenot and Brandon Guyer before Wil Myers scored Fontenot with a single (and an error) to give Durham the lead. The Bulls weren't done, with Vince Belnome drilling a 2-run double and Cole Figueroa notching an RBI triple as the Bulls won 6-2. Alex Colome started for Durham in his first game back in the minors after his scintillating MLB debut, and it didn't go very well as he went 4 innings allowing 2 runs on 5 hits, striking out 2 while walking 3. In relief of Colome, though, the Bulls bullpen was unbelievable. Steve Geltz, Josh Lueke, and Juan Sandoval all tossed 2 shutout innings before Adam Liberatore nailed down the win with 3 shutout frames to end it. On the offensive side, Guyer, Belnome, and Figueroa all had multiple hits while Juan Apodaca scored the Bulls' first two runs with a 2-run single in the 5th. Marathon game for the Bulls, but it's always nice when you find a way to win.
High-A Florida State League: Dunedin Blue Jays 8, Charlotte Stone Crabs 5
A bullpen collapse ruined the day for Charlotte as the Blue Jays won 8-5. Roberto Gomez had far from his best stuff for the Stone Crabs, walking 4 while striking out none in 5.1 innings, but he battled to have a decent outing, allowing 3 run on 9 hits and departing with the lead. Unfortunately, though, Jordan Harrison and Nate Garcia couldn't do the job behind him, allowing 5 runs in the 8th. Garcia's blown save was his first of the season. On the offensive side, Kes Carter slammed a 2-run home run and Jake Hager went 3 for 4 with a double and 2 runs scored in the loss. Hager has hit in his last five games to raise his average .284 on the season.


We crack jokes to create individuals laugh, cheer them up, and enhance a discussion. On females, humor has a much huger impact. To produce a female laugh is always to overcome her heart. Ladies go on thoughts. They effortlessly get connected to the person who has the capacity to let them have good feelings. That's why your love of life is the primary tool whenever dating a woman. Aside from melting her heart and making her autumn for you, humor will allow you to alleviate stress on an initial date, allow you to forget your insecurities, and draw you two closer. Continue reading to discover steps to make a woman laugh and win her heart.
In the event that you ask anyone just what characteristics they admire various other individuals, an expression of humor will certainly be on the list of top 3. The capability to discover something funny even yet in the most challenging situation is priceless. In the event that you constantly perceive the encompassing globe with a portion of humor, it is possible to, really, live a pleased life. Humor helps simplify complicated things. Utilizing it, you can cheer up not merely your self but additionally make other individuals smile and appear on the bright part. Folks are attracted to funny characters because those radiate positivity and come across as good and people that are friendly business is not boring.
All men and women have a feeling of humor: some have a very good love of life, some have less developed love of life. It's great whenever people comprehend and laugh at each and every other's jokes. There clearly was instantly a match up between them. As being a guideline, guys are the primary jokers and women can be the key laughers. Females do want to laugh. Even though it's frequently stated that a lady will laugh at all your valuable jokes if she actually likes, you must know which jokes are appropriate and effective and those that can delay and on occasion even insult.
Should you want to understand the secret to just how to make a lady laugh, right right right here it's: never placed on the mask of a standup comedian. You will find males whom usually have funny material to express to make individuals laugh. If you're a critical man whom does not generally break jokes, you need ton't imagine. You need ton't remember most of the anecdotes you once heard or read. The theory behind humor is its spontaneity and, in addition, appropriateness to the ongoing situation. A far-fetched joke will likely not wow a lady, it'll rather make her feel uncomfortable. Don't attempt to you employ the entire potential of one's love of life when seducing a lady. If she's an enchanting nature, result in the primary focus on a heartfelt talk, some profound things, her childhood, interests, etc.
Moderation must certanly be your ally. In the event that you joke a lot of, she may think you're perhaps maybe maybe maybe not severe enough. You will find therefore numerous precautions, you may be thinking following this. Relax. Here are a few of good use easy methods to make girls laugh.
Practice good thinking. An optimistic mindset is closely linked to a feeling of humor. Be delighted and simply simply just take a confident mindset to life – females admire such guys. If she understands as you are able to be a way to obtain positivity and help whenever she feels low, she'll undoubtedly be drawn to you. You will need to notice good moments also in everyday circumstances. Because of this you'll run into as a good, benevolent, and easy-going individual. Girls want it.
Learn how to be funny. If you were to think your spontaneity needs to be enhanced, there are methods to enhance it, or instead, discover ways to make use of it correctly. It is maybe maybe perhaps maybe not about being funny, it is about seeing humor near you and to be able to aim it away.
Make use of your body gestures. Being funny is something bred into the bone tissue. Nonetheless, once you understand exactly exactly just what ladies admire, you are able to boost the degree of your laughableness. Whenever you can't get the terms to produce your woman laugh, use your mimics and gestures to cause a grin on her behalf face. As an example, sitting in a cafй, looking forward to your purchase, take to using forks, knives, and dishes. Possibly, you'll have the ability to knock some melody. When there is a tiny kid in the next dining dining table, your makes faces – that's sweet and funny.
Inform a funny tale. In the event that you can't show up with jokes at that moment, then We bet you've got some genuine funny tales to inform. Some story from your own youth or from your own friend's experience told by you along with passion additionally the entire palette of intonations will at the very least evoke a smile on the lips.
Determine what makes her laugh. A person approach is really what you may need. All girls will vary, and just exactly just exactly what is funny for starters are perhaps not funny after all for the next. Testing the waters first to see just what love of life she's got. If as it happens that nothing makes her also smile, perhaps this is simply not your individual. Another reason behind her indifference may be her mental state as a result of some unpleasant present situation in life. Perchance you should go on it simple on her behalf and present help as opposed to make an effort to cheer her up. However, if it turns that she laughs at other people's jokes and ignores yours, you really need to doubt your compatibility.
Be a careful listener. Comedians are good observers. They overhear and oversee a whole lot which later functions as product because of their comedy. You ought to be attentive talking to your gf. That way you'll find out just what worries her, exactly exactly exactly just what she needs and wants, exactly what she thinks in, etc. According to these details, you'll be able to generate one thing funny which is precisely into the point. Just be sure that the laughing matters you're going to use in your jokes are safe to be laughed at and won't harmed her emotions.
Laugh at your self. A little bit of self-deprecation is usually to the purpose. By laughing at your self, you show self- self- self- confidence. Females appreciate this truly as it's very important to them to observe that their guy accepts and it is completely okay with himself. Laugh at her jokes. Show that you want her feeling of humor – she desires to understand that you will find her funny and interesting. Laugh together. Laugher is contagious. Attempt to mimic her love of life – she'll want it. If it is too not the same as yours, be loyal to your self.
Discover quotations that are witty. It is helpful to memorize famous witty adages. They are going to also come in handy at the right minute and start to become a good replacement for the jokes to create a lady laugh. Nevertheless, don't confuse funny aphorisms with trite jokes. Trick around. Whenever you know already one another very well, camsloveaholics you will get childish at time. Ladies appreciate men's capacity to switch from severe to playful. Offer unimportant responses to her naпve or stupid concerns. Make sure to smile to be able to show that you're fooling around and maybe maybe maybe not wanting to deride her. Parody some celebrity or a number of your shared buddies. Flirt along with her while fooling. Tickle her.
On a night out together, you have got two choices. It is possible to take a seat on the work bench into the park, have actually little talk, trade questions that are formal then get making her completely indifferent for you. Another choice would be to have a working and intimate date, have some fun, pay her compliments, make her laugh, and end a romantic date making her wanting more.
The model of your interaction on a date things. to determine a connection, it is perhaps perhaps not enough to ask HR-style concerns. There should not be considered a trace of formality in your discussion. You really need to talk like old buddies. Making it get in this way, use humor. By asking funny concerns you kill two wild birds with one rock – you evoke a grin on her behalf lips this provides her good feelings and generate some of good use details about her.
What's the naughtiest thing you did as a young child? Concerns about childhood placed practically all individuals in a good mood. By asking this concern, you'll find down what type of son or daughter your date ended up being. We did a large amount of funny material as young ones, therefore trade your experience and laugh together.
That which was very first cellular phone? a strange concern, is not it? Unanticipated concerns will always the very best. It makes your date search through her memories and you'll appreciate her thoughtful appearance. Additionally, you'll find away whom provided her first phone, with regards to took place, maybe she place cash by herself or it absolutely was something special. Possibly, there was some tale about this phone. Simply ask and determine.
Have actually you ever considered becoming an actress or a model? This real question is really a great match. In this manner you imply exactly exactly just how gorgeous this woman is without saying it straight.
Why do girls turn kept when they hear "turn to your right"? It's a fantastic concern once you walk in a park or perhaps in the road. It's somehow linked to traffic, driving, and women's strange things. She'll appreciate this concern. You are able to ask whether she starts her lips whenever she actually is using mascara.
Are you wanting us to spam you with emojis or perhaps you prefer to hear my vocals? It's an excellent concern to inquire about by the end of a romantic date to understand which method of residing in touch is much convenient. It is possible to ask practically any ordinary concern by paraphrasing it so that it will seem funny but need an easy solution.
Really, you are able to turn any information or situation into a tale. If a lady is unfortunate, you'll wish to cheer her up. Nevertheless, you should be aware which things can't be ridiculed.
Utilize irony and sarcasm just with regards to your self. Never ever should you ever be ironic regarding your gf, her appearance, her actions, or things she lets you know. In the event that you talk ironically about your self, it offers your girlfriend an impression you are alert to your disadvantages and that can laugh at them. On her, it is an indicator that you'll accept her weaknesses without building a tragedy of these. Don't make enjoyable of the exes. Firstly, ex-related subjects are tabooed on dates. Next, ridiculing some practices or characteristics of one's ex, you might insult the new gf as she may have exactly the same practice as you merely described. That's a very embarrassing minute. Therefore, keep away from our sort of jokes which will make her laugh.
Prevent black colored humor, bad language, slang, and dirty anecdotes. This particular jokes is suitable along with your buddies or if perhaps you're perhaps maybe perhaps not at your initial phase of dating.
Don't laugh at some tragic news you read or hear on television. If she actually is unfortunate about some activities that happened on earth, don't attempt to joke about this because she'll think you might be heartless.
Keep in mind exactly exactly what jokes she prefers. Making some body laugh over text? You are already aware her love of life, therefore deliver similar to just exactly just what made her laugh prior to. Simply don't text the same kind of laugh you informed her a few times.
Use emojis and stickers. It is possible to explain just how your entire day ended up being using emojis or giving some photo that illustrates your state at the conclusion of the time.
Utilize various content. It's great that you could share news through messengers. The easiest way steps to make your gf laugh if she actually is a cat-lover, for instance, will be send her some funny video clip or picture you found on the web. Turn to sexting if you're currently in a relationship.


Trays come with a dozen.
All quesadillas are served with your choice of beans, rice, lettuce, fresh guacamole, pico de gallo, and sour cream.
Served with a chocolate chip cookie and a drink of your choice.
Welcome to Fronteras Mexican Restaurant & Cantina! Fronteras was founded by Salvador de la Torre with hard work, determination and the dream he had in his heart. Each entree is crafted uniquely with a twist from de la Torre's secrets of recipes. On the menu you can find an extensive list of classic Mexican cuisine! We have daily family specials, Lunch specials and large combos! We are located just west of I-35 and are not too far from Shawnee Mission Medical Center. you can order online for take out or delivery! Order now!