Jack Daniels, apple cider & bitters.
Bacon-infused vodka, house bloody mary mix.
Rich creamy flavors of pear & butterscotch with a clean finish.
Fresh fruity aromas of pear, citrus & grapefruit.
Fruity and crisp, very refreshing with flavors of pear, peach & honey.
Flavors of pineapple and grapefruit with great acidity, finishes with even more zesty fruit flavors.
Intense tropical fruit & fresh cut grass with flavors of passion fruit, citrus & ripe grapefruit.
A semi dry Riesling with honeysuckle aromas with flavors of fresh nectarine & peach.
Refreshing with subtle flavors of apple, pear & tropical fruit.
Full bodied wine with tropical fruit flavors, toasted vanilla & a touch of honey.
California delicate strawberry bouquet, with a crisp finish.
Fruit forward with bouquets of white peach & orange blossoms. These bubbles will not disappoint.
Medium body with juicy flavors of berry & black cherry with soft tannins.
Aromas of raspberries, cedar, leather and exotic spices. Berry and cherry flavors, with soft tannins.
Medium-bodied with berry notes, spice & nicely balanced tannins.
Velvety flavors of black cherry, ripe plum & sweet tobacco with a hint of oak spice on the finish.
Intense ruby red, fragrant with dark fruit and floral, medium body, black cherry and plum flavors.
Fruit forward with black cherry & black raspberry, hints of spice & a dry finish.
Ripe fruit flavors and a firm structure. This blend is framed by hints of black cherry, vanilla and mocha.
Rich aromas of red cherry, ripe plum & black currant with hints of vanilla, cocoa & spice.
Bodied with rich flavors of raspberry, plum & dark chocolate. Elegant but structured tannins.


text:
'Borat' star crashes NBC drama 'Medium'
NEW YORK - November 18, 2008 After the unruly extra was ejected by security, the truth became clear: He was chameleonic comic prankster Sacha Baron Cohen in his identity as outrageous fashion reporter Bruno.
It was unclear how Cohen gained entry to the set, and whether he was secretly filming his performance for his own use, according to Entertainment Weekly's Web site, which first reported the incident on http://www.EW.com. But prior to the Nov. 7 invasion in Los Angeles, Cohen had been shooting other "crash" footage for his new film, a followup to his comedy hit "Borat."

redpajama_set_name: RedPajamaCommonCrawl


Good price! Almeda Side Chair (Set of 2) best design By Wrought Studio. Almeda Side Chair (Set of 2) very well made, sleek and simple. Complete your living room furniture with a modern Almeda Side Chair (Set of 2). Its elegent sturdy, attractivce and it looks expensive and a best value for the money. Almeda Side Chair (Set of 2) is one of the most cozy, cozy, beautiful look and exotic Almeda Side Chair (Set of 2) especially for the price and made of fabulous products. Great quality, easy to assemble, delivery on time and in good condition. Almeda Side Chair (Set of 2) is good merchandise at fair prices and amazing free shipping. Guarantee damaged claim by offering to send parts or to keep the item at a discounted price. Great buy would definitely recommend. Shop with our low-price guarantee and find great deals on ##ptitle# and more!. Reading the reviews helped you purchase.
Everybody appreciates being drenched in your couch by the time you unwind. This stands out on the comfort and the nature from the couches are important. No one likes to sit on a menacing and unpleasant couch with frazzled upholstery. Actually, sofas are costly. If you are looking for the most comfortable and comfortable cars, in those days you have to pay for them. I have seen regularly that people end up buying the incorrect couch and after emptying your bank account onto it. Why? Basically, they do not know how to pick the wonderful Ashley furnishings couch in the best way. Remember that the higher the price, it usually does not give you the Appropriate product. With this case, we've discovered part of the best sofas for a comfortable feeling. We recommend you realize before you get to the extremely wealthy furnishings shops. You'll avoid issues and a little bit of "mourn more than lot of money-bad luck".
The Bridgewater is a sofa design that's primarily casual and definitely comfortable. This design may be the darling of many an artist simply because it can be used to create a informal, pleasant room. Bridgewater couches are versatile, with respect to the upholstery you select. Done in an unbiased fabric, this kind of sofa does not compete with other elements in the room that may be more dramatic, for example art work or other large features. More official material will produce a more grand type of couch. A number of characteristics distinguish Bridgewater sofas: Typically they've reduced hands along with a high back again, which plays a role in the sporadic appear. Most also have a tailored dress that hides the thighs and loose cushions for that chair and back again. This specific style was designed to support slipcovers, that also give a casual air towards the couch.
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This set includes a 1 left arm sofa set, two armless couch sets, and one part sofa set. This gives enough space to accommodate your family and friends. The fabric is 100Percent polyester for enough comfort and durability. The advantage of this sofa established is the mixing and matching of seats within the available space within the room for a perfect shape. As well as enables fitting even in little rooms. It takes just mild assembling.It also functions push cushions for maximum comfort. You might want to try this set. It works nicely.
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This set features a 1 left arm sofa set, two armless sofa sets, and something corner sofa established. This gives enough space to support your friends and relations. The fabric is 100% polyester for enough comfort and durability. The good thing about this sofa established may be the mixing and matching of seats within the available space in the room for a perfect shape. And also enables fitted even just in little areas. It requires just mild assembling.It also features push cushions for maximum comfort. You might want to try this established. It works nicely.
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Even though this reclining loveseat comes with a heftier price tag, its classic design, choices for customization and automatic reclining program make it worth the dough. Its hand made wood body is padded with lower blend soft cushions for a much softer really feel than you would receive from high-density froth cushions, and also the upholstery is available in an astonishing 72 colour and fabric combos. The supply of so many options makes it additional simple to set this lying loveseat with various designs, materials, accents and decorations styles. In addition, for those who have children or animals (or both!), you can choose a stronger, spot-resistant material. 1 client shared the Sunbrella fabric materials has held up well towards her children and pets. This lying loveseat may have a classic, old-college look, but its constructed-in tech is anything but. It doesn't only come with an automated reclining system (that provides you with a complete lie down, together with your footrest totally parallel towards the chair), but it features a USB interface for implementing or simply getting your apple ipad, iPhone, Kindle or laptop computer.
Copyright © Almeda Side Chair (Set of 2) By Wrought Studio in Square Coffee Tables All right reserved.


text:
Official Announcement:
North Korea's Mass Games
are back September 2018!
It's official: After a five-year hiatus, North Korea's Mass Games will run from September 9-30 2018.
North Korea Mass Games
Dates and ticket prices now 100 per cent confirmed for 2018's Mass Games — back after a five-year break!
The first performance will take place on 9 September 2018, and the show's schedule is set to run until the end of that month.
Multiple tours to this incredible event have already sold out. Hit this link if you don't want to miss out!
For more information about the North Korea Mass Games, check out our other blog posts:
Mass Games Frequently Asked Questions
Mass Games in Pyongyang – New Name Announced!
Mass Gymnastics in the DPRK
A Short History of Mass Gymnastics
My first Mass Games - 2002
Koryo Tours' 'A State of Mind' and the Mass Games
The Mass Games and Pyongyang's May Day Stadium
The Mass Games Are Back!
July 19 2018 Update: Our partners in Pyongyang have now confirmed with us that the cheapest ticket to attend this year's Mass Games will cost 100 euros (1150 seats available), and be classified as a '3rd Class Ticket'. The other tiers of ticket above this are '2nd Class' (270 seats) for 300 EUR, '1st Class' (70 seats) for 500 EUR, and 'VIP' (30 seats) for 800 EUR.
For the latest updates on the North Korea Mass Games in 2019 onwards, keep an eye on our Mass Games Tour page, contact us or follow the Koryo Tours Blog.
BREAKING NEWS! We're hearing word from multiple and different sources within the DPRK that the Mass Games will return in 2018!
North Korea Mass Games 2019
North Korea's amazing and mind-blowing Mass Games are back in 2019! Read on for the latest information and how to book a ticket to see the world's biggest human performance.
From the Archives // An introduction to North Korea's Mass Games held between 2002-2013.
The Glorious Country – North Korea's 2018 Mass Games
Mass Games: The Next Generation. Goodbye, 'Arirang', Hello to 'The Glorious Country'. The official English name of this year's North Korean Mass Games is 'The Glorious Country'.
What are the Mass Games, why do they take place in the DPRK, and how have the Mass Games in North Korea developed over the years?
Mass Games 2018 in Pyongyang – New Name Announced!
Koryo Tours is pleased to announce that the Mass Games to be held in September 2018 — making a comeback after a five-year absence from Pyongyang — will be called...
Official Announcement: North Korea's Mass Games are back September 2018!
The North Korean Mass Games | The Greatest Show on Earth
Koryo Tours' founder Nick Bonner on North Korea's Mass Games extravaganza
Little Big World's North Korean Mass Games | Short Film
A new short by Little Big World on the DPRK's Mass Games
See the Mass Games with Koryo Tours | Short Film
A new Koryo Tours short video of North Korea's Mass Games in 2018. Check it out!
Memories of the first time I attended a Mass Games in Pyongyang, North Korea
Mass Games in North Korea: Frequently Asked Questions
The Mass Games are back in Pyongyang for 2019! Have questions? Here are some answers. FAQ last updated on 1st Aug 2019.
North Korea's Mass Games extended: last chance to book in 2018!
The DPRK's 'Glorious Country' Mass Games have been extended to 4 November.
From the Archives // Hooray for Chollywood! // A Koryo Tours films on North Korea's Arirang Mass Games. VeryMuchSo Production and Koryo Tours in conjuction with Passion Pictures, BBC4 and ARTE
Mass Gymnastics in the DPRK: North Korea Mass Games
In our last Mass Games blog we discussed the origins of mass gymnastics outside of the DPRK. In today's blog post, we're taking a look at how Mass Games developed in North Korea.


Development of apps is not a fixed concept that follows the same approach for every app development. In fact, continuous innovations in apps are the key to their success. Hence, market research and creativity are the key factors adopted by the developers to create something unique and impactful. You also can get commendable services for an app development in Belgium. FIFIUM is one of the renowned companies in the concern of app developments and can serve you with the best.


This collection from Cold Spring Harbor Perspectives in Biology captures the current excitement in invertebrate neurobiology, from the manipulation of activity in specified neurons to the investigation of behavior. The monograph emphasizes the evolutionary aspects of neurobiology and work on non-model species. The chapters, from internationally respected contributors, incorporate trenchant findings but also identify important outstanding questions. The volume will inspire graduate students and post-docs, and provide a good starting point for any scientist who wants to learn about this resurgent field.
To read Geoffrey North's Foreword, click here.
3. Electrophysiology and Optophysiology of Complex Brain Functions in Insects.


Get a webcam like this for your own website The landscape in and around Ingram Valley and the Cheviot Hills reveals numerous signs of ancient settlement and human activity.
Tumbling waterfalls, wide open moorland and some of the most important archaeological landscapes in the country, are to be found in Breamish and Ingram Valley. Neolithic and Bronze Age settlements dot the valley here, some believed to be over 2,500 years old and this of course attracts archaeologists from all over the world to look for clues to the past in the hill forts and burial mounds all around this area.
The tiny village of Ingram, has existed since pre Saxon times and sits in the valley of the River Breamish where it widens.
The Breamish Valley (and Ingram in particular) is renowned for its natural beauty and sites of archeological and historical significance.
If you have a picturesque or interesting view you would like to share with the rest of the world, then a Camsecure IP webcam for websites will be ideal for your needs.
Both time lapse and streaming cameras are used all over the world for a wide variety of uses and If you would like a similar camera to help promote your business or service or to stream to your own website please contact us.
We hope you have enjoyed our live Ingram Valley Webcam.
Map showing the location of this live webcam from the Ingram Valley.


This is a placeholder page for Blake Chapa, which means this person is not currently on this site. We do suggest using the tools below to find Blake Chapa.
You are visiting the placeholder page for Blake Chapa. This page is here because someone used our placeholder utility to look for Blake Chapa. We created this page automatically in hopes Blake Chapa would find it. If you are not Blake Chapa, but are an alumni of Dublin Coffman High School, register on this site for free now.


At Las Vegas Mobile Bike Repair, we love to see well maintained bike when we're on the road servicing the cycling community. Here's a recent link I ran across that I though you may find helpful.
Copyright © Las Vegas Mobile Bicycle Repair. All rights reserved.


Hi, Neat post. There is a problem along with your website in web explorer, might check this? IE still is the market leader and a good part of people will omit your great writing due to this problem.
First of all I want to say wonderful blog! I had a quick question which I'd like to ask if you do not mind. I was interested to know how you center yourself and clear your thoughts prior to writing. I've had trouble clearing my thoughts in getting my thoughts out there. I truly do take pleasure in writing but it just seems like the first 10 to 15 minutes are wasted simply just trying to figure out how to begin. Any suggestions or tips? Thank you!


209.222.106.227 was found in our database!
This IP was reported 11 times. Confidence of Abuse is 1%: ?
This IP address has been reported a total of 11 times from 3 distinct sources. 209.222.106.227 was first reported on August 30th 2018 , and the most recent report was 1 month ago .
Jerk spammer using .co.uk email extensions.


The Moving Picture Institute's four-day directing workshop is designed for up-and-coming writer/directors directing MPI original projects, many of which originated and were developed in MPI screenwriting workshops. Learn more.
The Moving Picture Institute's Business of Film program features expert advice from showrunners, producers, agents, development executives, film financiers, and more. Learn more.


text:
Apple's focus on privacy could make the smart home a better place to be
Progress is slow – but Apple's smart home might be one worth living in
Alexa is running away with the smart home game and Apple's inaction is leaving it dangerously behind. That's the surface narrative many will spin after a lukewarm WWDC for Apple in the area – but look a little deeper, and there's more to Apple's smart home strategy than initially meets the eye.
HomeKit (the framework) and Apple Home (the app) got around two minutes of attention at Apple's WWDC keynote. And against the backdrop of the HomePod smart speaker, which is struggling to gain market share, it's not a rosy picture.
But Apple looks like it's pursuing a different strategy now, by attempting to take Amazon and Google to task on privacy. It's far from glamorous, but it's an issue that's holding the smart home back, and will seemingly continue to do so until something changes.
A survey by Consumers International and the Internet Society revealed 63% of people find connected devices to be "creepy," and 75% don't trust how their data is shared. A 2018 study by MusicWatch revealed 48% of respondents were worried about the security and privacy of smart home devices. The stats are the same time and time again, whichever study you compare.
It's the elephant in the room that Amazon's been intent on ignoring – even after launching three generations of its smart speakers, with new features landing seemingly weekly, it's only really now waking up to the issue. Last week it launched new ways to delete Alexa voice recordings and a mechanical camera cover to side-step negative criticism, as Alexa lurched from one privacy outcry to another. It's a start, but the damage may already be done.
Apple, on the other hand, is taking things painfully slowly. One of its 'big' WWDC feature additions to HomePod was radio stations, and it's mind-boggling to think this wasn't part of the original launch.
But additions to HomeKit are privacy-first – even if they lag years behind rivals.
New APIs bring cameras and doorbells to HomeKit for the first time, but with a key difference. The upcoming Arlo, Eufy, Logitech and Netatmo devices will hand off video to your HomeKit hub (Apple TV, iPad, HomePod) to process locally, before they're encrypted and sent to iCloud for 10 days of free storage.
And as senior vice president of software engineering Craig Federighi explained, that's to give users more control over their footage:
"Most home cameras today send people's video up to the cloud so it can be analysed," he said.
"Unfortunately, this risks your privacy, but we have a new way. HomeKit has been designed from the outset to protect privacy and security in your home accessories."
To some degree, the slow uptake of HomeKit compatible devices by hardware makers is about the stringent rules Apple lays down for hardware makers. It's a lot easier to knock something up for Alexa and Google Home than Apple HomeKit. Where's your data going and what rules do the individual Alexa skills have in their terms and conditions? Few Alexa users could tell you.
It means Apple has given first move advantage to Alexa – but Amazon may have conceded long-term damage to its reputation as a responsible guardian of data in the process.
The smart home is still in the early stages, and there's plenty of room for Apple's message around privacy to hit home. How many people will take it on board, of course, still remains to be seen.
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TAGGED apple
apple Apple HomeKit: Everything you need to know about living in an Apple Home
apple The best Apple TV apps: Games, entertainment and 4K essentials
apple 99 of the best Siri Easter eggs: Funny things to ask Apple's assistant
apple Apple TV tips, tricks and hidden features
Creepiest and weirdest things Alexa has said


Another casualty of the economy? Poor management? Crappy food? Leave a comment and weigh in.
It was Little Azio level quality, which is not bad but Nonna charged a lot more for it. Average dinner for two at Little Azio is around $25 while the same meal at Nonna would be $35-40 plus you have to leave a tip.
The food wasn't that bad but, it was way over priced.
The only thing that will be successful in that spot is a Starbucks. So basically they need to open one there.
I just don't think its a good location. Actually, I think its a great location but someone needs to completely redo the building. To me the building just feels dark and seedy.
And while they're at it, tear down Nikimoto's and the Mexican joint and rebuild them with parking in the rear like a "real" city.
That space doesn't pander to the market like Blake's, Gilbert's, etc. etc. do. Something martini centric, drag, cheap booze.
No one goes around the corner to bar hop there - they don't think about it, they walk right past it when leaving Blake's out the back. They head over to Joe's or wherever.
That spot needs to infiltrate the gays, make it somewhere they need to be going.


text:
1992 R 2h 37m Blu-ray / DVD
Hoping to earn some extra cash during the Thanksgiving holiday, a poor prep-school student agrees to look after a blind and cantankerous retired colonel. Though the two are mismatched, their relationship grows during a string of wild escapades.
Al Pacino, Chris O'Donnell, James Rebhorn, Gabrielle Anwar, Philip Seymour Hoffman, Richard Venture, Bradley Whitford, Rochelle Oliver, Frances Conroy, Tom Riis Farrell, Nicholas Sadler, Todd Louiso, Gene Canfield
Martin Brest
Drama, Dramas Based on Contemporary Literature, Dramas Based on the Book, Blockbusters
Inspiring, Emotional, Heartfelt
Spanish (Neutral)
English: Dolby Digital 2.0 Surround, French: Dolby Digital 2.0 Surround
English SDH, Spanish (Neutral)
English: DTS 5.1 HD, French: Dolby Digital 2.0 Stereo
R - Under 17 requires accompanying parent or adult guardian. Contains some adult material. Parents are urged to learn more about the film before taking their young children with them.
Parents need to know that this R-rated movie includes strong language, and one of the main characters is an alcoholic who constantly drinks Jack Daniels. There is talk of sex, but no sex scenes or nudity. There are some physical altercations, but no blood or gore. One character is suicidal and points a gun at his teen caretaker. In one brief scene, high school prep students are shown smoking cigarettes. Spoiled, rich teens play an expensive prank on their headmaster, and then pressure peers to lie for them.
Main adult character is obsessed with women (as objects, not people) and sex and uses escort services; non-graphic discussions of sexual encounters.
Main adult character is suicidal and tells teen caretaker that he's going to blow his own brains out; adult slams a relative up against a wall and gets in a physical fight with his teen caretaker over a gun.
Strong language includes "f--k," "s--t," "goddamn," "dammit," "son of a bitch," "tits," "p---y," "piece of tail."
Main adult character deals with his sad circumstances by excessive drinking and angry outbursts; rich prep school students play expensive prank on their headmaster; headmaster tries to bribe a student; one student finds himself being forced to choose between snitching or accepting a bribe; the main teen character is a responsible, level-headed kid who tries to help a suicidal man overcome his anger and fears.
Jack Daniels, Ferrari, Waldorf Astoria.
Main adult character is an alcoholic who drinks Jack Daniels throughout most of the film while his level-headed teen caretaker drinks just a single beer in one scene; prep school teens smoke cigarettes in a brief scene.


Playtech's Casino Hold'em is a 5-card poker variant with a single betting position and an RTP of 99.18%. The player and the dealer both receive 2 cards of their own and a total of 5 community cards they can use to create valid poker hands.
One can additionally place AA side bet which wins if the first 5 cards (two of the players and three community cards) contain a pair of Aces or better. Royal Flush pays the highest prize of 100:1 for both Ante and the side bet. The game plays with a single deck which is reshuffled after each round, and the dealer qualifies with a pair of 4's or higher.
Casino Hold'em is streamed in the usual high quality typical of all Playtech live games, and their standard interface used to offer multiple options in a user-friendly manner. Menu at the bottom allows players to choose between two camera views, adjust volume, switch to full screen mode, review game rules and access settings. One can communicate with the dealer via Live Chat window and tip them by placing chips at the appropriately marked spot. Playtech's Casino Hold'em table at BGO accepts bets of €0.5 to €25.
Playtech's Live Casino Hold'em is not necessarily on par with Evolution's variant, but I'd still say it's one of the better executions. Streaming quality is high, the interface offers just about enough options without cluttering up the screen, and a side bet has been included to increase the game's win potential. The environment itself could have been made more appealing and realistic, and dealers seem to be a bit less communicative than one might expect.


text:
Tag: UNDP resident representative
Vietnam wins global respect for human development achievements
UNDP Resident Representative in Vietnam Ramla Khalidi has commended Vietnam for its achievements in poverty reduction and development, as well as the country's commitments to sustainable development goals (SDGs).
UNDP pledges to support Vietnam in green energy transition
The United Nations Development Programme (UNDP) stands ready to support the Vietnamese government in the detailed formulation and implementation of the Just Energy Transition Partnership (JETP) resource mobilisation plan right in 2023, UNDP Resident Representative in Vietnam Ramla Al Khalidi has affirmed.
UNDP always attaches importance to cooperation with Vietnam
The United Nations Development Programme (UNDP) always attaches importance to cooperation with Vietnam, stated UNDP Resident Representative in Vietnam Ramla Al Khalidi as she presented her letter of credentials to Foreign Minister Bui Thanh Son in Hanoi on October 19.
New UNDP leader pledges support for Vietnam's development
VOV.VN - While meeting with Ambassador Dang Hoang Giang, head of the Vietnamese mission to the UN, on October 6, Ramla Al Khalidi, newly appointed UNDP resident representative in Vietnam, said she would continue to promote support for the country's development.
UNDP Resident Representative in Vietnam honoured
Minister of Natural Resources and Environment Tran Hong Ha on August 30 presented the insignia "For the cause of natural resources and environment" to UNDP Resident Representative in Vietnam Caitlin Wiesen in recognition of her contributions to the sector.
Insignia presented to UNDP Resident Representative in Vietnam
President of the Vietnam Union of Friendship Organisations (VUFO) Ambassador Nguyen Phuong Nga presented the insignia "For Peace, Friendship among Nations" to UNDP Resident Representative in Vietnam Caitlin Wiesen in Hanoi on August 24.
Circular economy is key to sustainable development, says minister.
VOV.VN - Developing a circular economy can be viewed as key to achieving sustainable development and to helping Vietnam meet its climate change commitment of reducing greenhouse gas emissions to zero by 2050, said a Government official on June 28.
Joint efforts by government, citizens key to success in fighting COVID-19: Survey
Caitlin Wiesen, UNDP Resident Representative in Vietnam, said on December 8 that the Vietnamese Government's quick and effective response in combination with the public's trust and observance of prevention and control measures were key to the country's success in containing the COVID-19 pandemic.


text:
package hudson.plugins.groovy;

import groovy.lang.Binding;
import hudson.Extension;
import hudson.Launcher;
import hudson.Util;
import hudson.model.BuildListener;
import hudson.model.AbstractBuild;
import hudson.model.AbstractProject;
import java.io.IOException;
import java.util.ArrayList;
import java.util.HashMap;
import java.util.List;
import java.util.Map;
import java.util.StringTokenizer;

import jenkins.model.Jenkins;
import org.kohsuke.stapler.DataBoundConstructor;
import org.kohsuke.stapler.DataBoundSetter;

import javax.annotation.CheckForNull;
import javax.annotation.Nonnull;
import org.jenkinsci.plugins.scriptsecurity.sandbox.groovy.SecureGroovyScript;
import org.jenkinsci.plugins.scriptsecurity.scripts.ApprovalContext;
import org.jenkinsci.plugins.scriptsecurity.scripts.ClasspathEntry;

/**
 * A Builder which executes system Groovy script in Jenkins JVM (similar to JENKINS_URL/script).
 *
 * @author dvrzalik
 */
public class SystemGroovy extends AbstractGroovy {

    private SystemScriptSource source;
    private String bindings;

    @DataBoundConstructor
    public SystemGroovy(final SystemScriptSource source) {
        this.source = source;
    }

    @Deprecated
    public SystemGroovy(final ScriptSource scriptSource, final String bindings, final String classpath) {
        if (scriptSource instanceof StringScriptSource) {
            source = new StringSystemScriptSource(new SecureGroovyScript(((StringScriptSource) scriptSource).getCommand(), false, null));
        } else {
            source = new FileSystemScriptSource(((FileScriptSource) scriptSource).getScriptFile());
        }
        this.bindings = bindings;
        if (Util.fixEmpty(classpath) != null) {
            throw new UnsupportedOperationException("classpath no longer supported"); // TODO convert StringScriptSource at least
        }
    }

    @Override
    public boolean perform(final AbstractBuild<?, ?> build, final Launcher launcher, final BuildListener listener)
            throws InterruptedException, IOException {

        Object output = run(build, listener, launcher);

        if (output instanceof Boolean) {
            return (Boolean) output;
        } else {
            if (output != null) {
                listener.getLogger().println("Script returned: " + output);
            }

            if (output instanceof Number) {
                return ((Number) output).intValue() == 0;
            }
        }

        // No error indication - success
        return true;
    }

    /*packahge*/ Object run(AbstractBuild<?, ?> build, BuildListener listener, @CheckForNull Launcher launcher) throws IOException, InterruptedException {
        Jenkins jenkins = Jenkins.getInstance();
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redpajama_set_name: RedPajamaGithub


text:
Tag Archives: weekender
NH7 Weekender, Kolkata 2015
Well, it is finally over.
Months of anticipation and planning, the mad rush for tickets, waiting in bated breath for the biggest music festival of the city; and NH7 Weekender lived up to all of that and then some more.
It had started quite a few months back, when the entire music-loving community of the city was shocked by the announcement of this year's lineup. Megadeth: the name was enough to send the city scurrying for tickets. Shillong and Kolkata would witness Megadeth, while Delhi, Pune and Bangalore would have A.R. Rahman. However, unlike the other venues, for Kolkata this was huge. While a few international bands have played here before, nothing of this scale had ever happened in the past. A lot of people had their doubts whether it would actually materialise in the end, but even the most pessimist of the lot bought the tickets anyway. No one risked regret.
The venue this year was different, further away from the city centre and less accessible than the one which hosted the event last year. But on reaching the venue, we were surprised by how elaborately organised things were, right from vehicle parking provisions to free autorickshaw rides from the parking to the main arena. There were sufficient number of ticketing counters, all adequately staffed with crew members eager to help. Once we entered the venue after completing a thorough security check, we were greeted by the usual halcyon atmosphere. The entire ground was brilliantly decked up, with strategically placed pointers to the five main stages for the aid of music lovers running around trying to catch different acts, inflatable bean bags which came to the rescue of those aching legs, amazing food and beverage counters helping everyone to refuel their energy levels. What was good to see was the sheer diversity of the people who had turned up. The crowd included people from all age groups and all backgrounds, united by the love of music.
The biggies in the day 1 lineup included Kailash Kher and his band, Nucleya, Parikrama, the Baiju Dharmajan Syndicate and Cactus, representing the local rock music scene. Kailasa rocked the stage belting out his signature hits like Rand Deeni, Tauba Tuaba, Saiyaan and Teri Deewani. He even invited some girls on stage to shake a leg with him. Guess whose gig overlapped partly with Kailasa? It was Udyan Sagar aka Nucleya. While he has been in the music scene for almost 15 years now, it was the release of his EP Koocha Monster back in 2013 that placed him right in the centre of India's rising EDM scene. The crowd lapped up everything he served, right from the bass-heavy tracks of Koocha Monster to the more futuristic ones from his most recent EP Bass Rani. Cactus shouldered the lone responsibility of showcasing Bengali rock at this year's festival and man did they step up! The Bacardi arena was chock-a-block with people cheering and singing along to tracks like Holud Pakhi, Buddha Heshechhe and Shudhu Tumi Ele Na. The Baiju Dharmajan Syndicate and Parikrama also performed at the Bacardi arena amidst much adulation of Indian rock fans.
Baiju Dharmajan bends some strings
I was a tad bit disappointed with the former in the sense that it was less of a group act and more of a solo show, but then listening to the 'God of the Small Strings' is always a delight. Among some of the other quality acts which stood out were those by Nischay Parekh, Prateek Kuhad and Swarathma. One guy who deserved special mention was Jivraj Singh, who had two consecutive performances. He played with Nischay Parekh at first on the Jack & Jones All Star Jamm stage, and then followed it up with a mindblowing act on the Moto Spotlight stage as part of PINKNOISE. The band originally consisted of lead guitarist Amyt Datta, Jivraj on drums and his parents, bassist Gyan Singh and vocalist Jayashree Singh. However, since Gyan Singh passed away they have been playing as a trio. While the performance was quite impressive and refreshing to say the least, Jivraj shone brightly with his futuristic-looking drum setup and plethora of skills.
With an even more action-packed lineup, the second day of Weekender kicked off with acts by Neeraj Arya's Kabir Cafe with their neo-fusion rock set and The Bartender with their refreshing jazzy take on old Bollywood classics like Khoya Khoya Chand, Hawa Hawai, etc. Comparatively smaller local bands like Underground Authority, Neel and The Lightbulbs gave impressive performances as well. Two separate metal acts which added to the all-metal atmosphere were Zygnema and Undying Inc, both at the Bacardi Arena. They had metalheads going crazy, building on to the anticipation for the headlining act of the night. Amidst all the metal hullabaloo, there were a couple of biggies which stole the limelight by their own right. The first was Papon and The East India Company. Now while a few of their songs were quite well-received and got the crowd grooving and singing along to the folk-fusion on offer, personally I expected them to deliver a bit more. Shaa'ir+Func, lead by Monica Dogra delivered a powerful performance at the Motorola Indie stage. However, the biggest gig of the evening apart from Megadeth had to be the one by The Wailers. There is something transcendental about good reggae music. From the moment vocalist Dwayne 'Danglin' Anglin, Aston 'Family Man' Barrett and company started crooning, the whole ambience was transformed into a magical one. Get Up Stand Up, Buffalo Soldier and No Woman No Cry got literally thousands of people singing along. The rastafari spirit was further augmented when they called Papon upon stage to accompany them in rendering the cult song Exodus.
The crowd from every nook and corner thronged to the Bacardi arena as soon as the Megadeth records started blaring out around 8:15 pm. The acoustic system sounded a lot like the JBL VTX series which debuted in India in the 2013 edition of the Delhi Weekender to me, but I couldn't be sure. The chants of 'Megadeth' only grew louder by the minute and metalheads were almost on the verge of getting impatient when the band took stage. It was about 8:50 pm. They opened with Hangar 18, took a small break and came back to belt out consecutive electric performances of songs like In My Darkest Hour, Trust and Sweating Bullets. One of the highlights of the act was that Chris Adler, the drummer from Lamb of God, was collaborating with Megadeth as part of a world tour before the release of their joint studio album Dystopia, which is scheduled for release next year.
While Megadeth has never really had any one drummer for too long, Shawn Drover was doing a pretty good job for the last 10 years, which also made him the third longest serving member of the band after Dave and David. Now while Shawn was one amazing drummer by his own right, I had always felt he was too technical for the style of music Megadeth stands for. Chris Adler, however, is in a different league altogether. A perfect blend of technique and soul, with some of the most killing kick techniques and double bass I have ever heard. That Chris didn't have a lot of time to fully adapt to all the songs of the band was evident, as he did take a little time to slowly warm up. But by the time Dave had launched into Fatal Illusion, one of the songs from Dystopia, Chris had come into his own. What followed was 45 minutes of sheer frenzy, with back to back hits like A Tout Le Monde, Symphony of Destruction, Peace Sells But Who's Buying, with the band choosing to end with Holy Wars. From some serious headbanging to moshpits, the Kolkata crowd matched the band's enthusiasm every step of the way. Insane shredding from Dave, bass solos from David, it was the entire package alright. While the stage lighting could have been better, the screen in the background played clips from movies which had references to Megadeth, like Silver Linings Playbook and Wayne's World 2, in between songs. By the time Megadeth were done and gracefully bowed out in true spirit of artists, the crowd had gone bonkers and were still screaming their lungs out for some more.
As the people sauntered back with sore throats, aching necks and numb legs, all I could hear was how amazing an experience they had had and how they could not wait for the next edition already. Music had won the day once again.
words: Sayandeep Majumder, pictures courtesy the NH7 Weekender Facebook page.
Sayandeep is the default bong you run into when you saunter around the streets of Calcutta on a lazy Saturday evening. At other times, you can find him riding his bike (which he adores), watching football, or pretending to read Nietzsche. Unlike a default bong, however, he spends a fair amount of time in front of the mirror, styling his hair. He also possesses an eclectic musical taste, which was, unfortunately, all we looked at.
Tags: amyt dutta, baiju, cactus, indie rock, megadeth, monica dogra, nh7, nucleya, parikrama, swarathma, weekender
Categories Concert Reviews, Indian, International
Bacardi Nh7 Weekender, Kolkata 2014 – Day 2
Read our day 1 coverage here.
November is a wonderful time to have open air festivals in Calcutta. The weather, after having remained consistently lethal for the past six odd months, begins to enter a rather pleasant phase. The sky is the perfect blue. The heat doesn't kill you any longer. The sweat dries faster. A zephyr actually exists. And best of all, unlike other places (cough cough, Bengaluru) where the rain often plays spoilsport, it remains wonderfully high and dry all day round.
So when Day 2 of the Calcutta edition of the Bacardi Nh7 Weekender kicked off on a fine Sunday afternoon, it was all smiles, laughter and cheer that rang around the beautifully set up Nicco Park grounds.
I was slightly late to the show that day, and when I reached, the first act had already begun at the MTS Discover arena – the French duo, As Animals. Their music was a rather interesting conflation of electronic and alternative, and seemed like the sort that you'd enjoy even more when intoxicated – which the lead singer Zara, going by her completely phased out appearance, probably was. But let that not deter me from transcribing the acts that were to follow.
After a brief stint with these French trippers, we crossed the English channel, and went off to the Red Bull Tour Bus to see Houdini Dax, an extremely … (no points for guessing) British three piece brit-rock suit. Houdini Dax hail from Cardiff, Wales, and they look and sound absolutely, and quintessentially British. They played a rather energetic gig upon the Tour Bus (which included a surprise Beatles cover), and the frontman even ventured down in an attempt to woo the women with his rather "fragile" paper heart. And oh! Did I mention that their bassist looked like a complete Paul McCartney knock off?
While the Houdini Dax was galvanizing a small crowd around the Tour Bus, an eclectic Indian folk outfit was slowly turning out to be the center of attraction of the evening. Maati Baani at the Dewarists' Stage packed an incredible amount of Indian punch. They had it all – Hindustani classical, Bengali baul, rustic folk, Sufism – peppered with a dash of new age funk and world music. Fronted by the beautiful Nirali Kartik, and a host of other supporting musicians, they carved out a beautiful one hour of varied and soulful compositions in an environment that was predominantly Western-heavy.
Maati Bani
Meanwhile, the ebullient (and yet another French) duo, The Inspector Cluzo had started creating a ruckus at the Bacardi arena. We went over to find a bearded frontman hurling profanities at everything that was American and British. He proudly touted the fact that their music was absolutely natural – with nothing that was pre-recorded and sampled – and all that they used to perform live, were not laptops and tracks, but their bare hands. On that note, he sent a few heavy riffs flying into the crowd while the drummer entertained us in some rather unique ways. Of the number of songs they performed, one was particularly memorable. This one, titled "F*ck the bass player", was basically a song about the uselessness of a bassist in a band. Needless to say, they didn't have one, but it did raise several eyebrows and ruffle many puritan feathers in the crowd.
The Inspector Cluzo
The Inspector Cluzo then gave way to the Sky Rabbit on the Red Bull Tour Bus. This four piece electro-rock group from Mumbai played out a rather lackluster gig, following which we headed back to the Dewarists' stage to see Appleonia – which wasn't all that great either. The next big thing that we were particularly stoked about was Indian Ocean, which was still a good one hour away. So to while away this gap, we decided to remain near the MTS Discover stage, and munch on pizza slices, to see who filled in for Pentagram (who had cancelled earlier that day). And boy, were we in for a pleasant surprise.
The Ganesh Talkies, fronted by Suyasha SenGupta turned out to be The Undisputed Find of the Day. Suyasha's captivating stage presence kept the whole crowd hooked while the extremely groovy rhythms and guitars kept a number of heads bobbing up and down. The Talkies' set included songs from their Technicolor and Three Tier Non AC albums – the result being a heady mix of alt-rock, reggae and dance.
The Ganesh Talkies
Next up, were two stalwart acts – both of which have been around for more than two decades and enjoy a cult following in the country: Mumbai based alt-rockers Indus Creed on the Bacardi Stage and Delhi based fusion masters Indian Ocean on the Dewarists'. For me, the decision was a no-brainer, and after having spent not more than ten minutes being bemused by the former, I headed off to have my mind blown to smithereens by the latter.
Indian Ocean is one of those bands that aren't just heard or listened to. They are experienced. One's perception of their music transcends far beyond the realms of the sensual, and borders on what could be called the spiritual. Be it Himanshu Joshi's alaaps, or Rahul Ram's bass riffs, or Tuheen Chakravorti's Tabla – they manage to create those picture perfect moments when tranquility and ecstasy co-exist in harmony. Their gig that evening, was essentially part of their tour for promoting their new album Tandanu, and therefore most of the songs were new to me. The fact that they still managed to reach deep down and evoke a plethora of feelings just proved beyond doubt that they continue to be a class above the rest – even after all these years.
Towards the end of Indian Ocean's masterclass performance, I had to take my leave to go pay a visit to the Red Bull Tour Bus where Sriram TT and his gang of garage rockers – Skrat, were setting out for a hard hitting, angst-ridden gig. This would be my third Skrat gig in a little less than a year, but it turned out to be as fun as it always had been. Belting out their heavy, riff driven melodies, and their tongue-in-cheek lyrics ("love is like pool / all colour but only balls") they brought in a completely new dimension to the prevailing mood at the venue, which had just been charged up, rather emotionally by Indian Ocean's poignant tunes.
Skrat!
Forty five minutes of Skrat later, the entire crowd around the Nicco Park grounds gravitated near the Bacardi Arena where the headliners were about to take off. Mutemath, the American alt-rock group, who even boasted a Grammy nomination to their name, were known to some, and unknown to others. But from the moment they kicked off amid a flurry of confetti and electro-rock tunes, there was not one soul who didn't have a huge smile plastered on his or her face. I'll confess that I hadn't thought so highly of Mutemath before (my primary exposure to their music being a soundtrack on the Asphalt 8 Android game) but boy. Were they bloody good! Paul Meany's eclectic vocals, his dexterity with keyboards and keytars, Darren King's thumping beats and not to mention Todd Gummerman's wonderful guitar work – all fell in perfectly to deliver one of the best live experiences that I've ever seen in my life. They performed most of their popular hits, including "Chaos", "Blood Pressure" and their Grammy nominated single, "Typical". In the end, they added a wonderful twist when Paul got on top of a rather bling-bling mattress (or was it a magic carpet?) and went sailing over the crowd, while simultaneously performing with consummate ease.
It was close to 10 PM when the burning embers of the fantastic evening began to fade. The lights on the stages had been turned off. One of Quidich's supercool quadcopter-cameras whirred above my head. I looked around at the venue that was quickly emptying and couldn't for the life of me reconcile the pity sight with the extravaganza it had just hosted.
So there you are. That was the end of the epic Calcutta Weekender. It had been a grand success, but if I had to choose I would probably choose Day 1 over Day 2 as my favourite.
As they say after Durga Pujo here in Calcutta – "asche bochor abar hobe", you can rest assured that T5R will be back for it next year as well.
Words and pictures by Subhayan Mukerjee (@wrahool)
Tags: alternative rock, calcutta, ganesh talkies, indian ocean, mutemath, nh7, pop, r&b, rap, Skrat, weekender
The independent music culture in Calcutta has seen a long and meandering history. A history that begins back in the 1960s – a time when The Statesman still held the respect and the readership of the Bengalis, when the Communists were yet to form their first government in the state, and yes, when Park Street was still hip.
It has since then, gone into a period of decline, remained underground for a little over three decades, before resurfacing again, just before the turn of the new millenium. Cynics have always been ready to point out that this resurgence of alternative music in Calcutta has sorely lacked the class and exclusivity that had been the essence of the audacious, non-conformist acts from the sixties and seventies. But, the fact remains that Calcutta is, and will continue to be, a stronghold of India's vibrant indie music scene. Therefore, it isn't a surprise that the biggest celebration of indie-music in the country, has Calcutta on its map, every year.
Enter the Bacardi Nh7 Weekender.
We're huge fans of this festival – you'd probably know that, if you have read this blog before – and we weren't going to miss out on this year's edition either. And when tickets for Calcutta went on sale earlier this year, we were probably one of the earliest to get our hands on them. The months that passed till the event kicked off on the 1st of November was pretty arduous, and it was made worse by the teasers that the Nh7 Facebook page kept exciting us with.
And then suddenly, it was there.
The first thing that struck me when I reached the venue, like it had, the last time in Bangalore as well, were the absolutely stunning aesthetics. The venue had been set up beautifully – the colours, the graphics, the stages – top notch stuff. There were colourful banners, cheerful graffiti and other brilliant pieces of art strewn all over the grounds. There were weird and whacky constructions, which piqued my interest for a while, but then remained largely forgotten when the main agenda of the evening, finally took off.
The music. Oh my God, the music.
If you're aware how the Nh7 Weekender works, you'd know that it has multiple arenas, where bands and solo artists perform simultaneously. Thus, it is impossible to attend every single act and watch it through till the end, unless you're a ninja who can bend spacetime of his own volition. The idea is therefore to optimise your time at each of the arenas and chalk out a roadmap, well in advance, in order to fully enjoy the experience.
Saturday thus began with the electronic/funk duo, Madboy/Mink, atop the uber-cool Red Bull Tour Bus. As a starter, their nu disco music, which came with some pretty groovy synthesizer samples and neat guitar-work, provided the right ambience to get into the mood for the "happiest music festival". Brownie points for Imaad Shah's hairdo, and Saba Azad's cuteness factor.
Madboy/Mink had scarcely been performing for half an hour, when my Weekender antennae reminded me that Blackstratblues were about to kick off on the Dewarists' stage, and this was one act that I had no intention of missing.
I had never seen them live before, but I had had the fortune of seeing their frontman/lead guitarist, Warren Mendonsa at my previous Weekender. I was therefore, well aware of the galactic levels of skill that this one man packed behind his six strings. And I wasn't disappointed. They began their set with their hugely popular instrumental from their 2007 album, Knights in Shining Armour – Anuva's Sky, and then proceeded to blow a few hundred minds around the arena with their eclectic collection of blues melodies.
Warren Mendonsa of the Blackstratblues.
Forty five soul-stirring minutes later, we turned towards the MTS Discover stage where Ankur & The Ghalat Family were setting up for a Hindi gig, and without a second thought, I rushed off to the Tour Bus to meet my old friends, The F16s. The F16s is one band that I am quite familiar with, and while they did lack on the crowd-connection front, they made up for it, by setting a large number of heads shaking, and approximately twice the number of feet tapping with much rapidity. Amongst the songs that they played, was the wonderful "My Shallow Lover", and the trippy "Avalanche".
After seeing them play out atop the bus, we headed back to the Dewarists' stage, where Soulmate, the three piece blues rock act from Shillong were going through their routine sound test. Fronted by the beautiful Tipriti Kharbangar and the clinical Rudy Walland, they played a mesmerizing blues set, topping it off, with what was unarguably the sexiest song of the evening – "If you were my guitar" – after which we rushed back to the Tour Bus and sprawled down upon the ground to give our feet a much needed respite, while Calcutta Local performed in the distance.
It was roughly 7:30 PM when we hoisted ourselves once more to plod over to The Dewarists' stage yet again. The sun had set by then, and the stage was lit up in a shimmering shade of blue. The characteristic strumming of an acoustic guitar floated out of a dense cloud of dry ice, as the ever recognisable voice of Rupam Islam broke out in all of its grungy, acidic, melody. What followed was probably the best one hour of the whole evening.
Yes, as a Bengali who has grown up in Calcutta through the 90s and the 2000s, this wasn't my first Fossils concert. But boy, oh boy, this is one band that I don't think I can ever grow out of. As their cult classics rolled past, I think I lost track of time, space and everything in between. (What comes between time and space, I wonder?) An emotionally charged Rupam then hailed this as a definitive moment in the timeline of Bangla Rock, a moment when Bangla, as a language has broken through its limiting shackles and onto a cosmopolitan stage, and Bangla artists were seen as equals, alongside national and international artists of repute.
Rupam Islam of Fossils.
After a terrific one hour of intense Bangla Rock, we took a short break to refill ourselves and then went over to the Tour Bus to see a crooning Monica Dogra, solo. Strangely enough, her iconic mid-riff was nowhere to be seen, and even more strange, she wasn't gyrating at all. Her gyration and mid-riff were all that I remembered from my last sighting of her at Bangalore, but this time around there was none of that. Truth be told, I wasn't really paying much attention to what she was crooning, because it wasn't something that excited me terribly, and because I was pretty certain that I had already seen the best of what the evening had to offer. I just sat there, because my poor feet seemed like they would revolt otherwise, and because I really needed this rest before the final two acts of the evening – which as we had guessed, and as we verified, were as far apart in styles as two dissimilar things could ever be.
On one hand, there was Bhayanak Maut, on the Bacardi arena, who are often touted as the heaviest, and the baddest musicians, in this part of the world. On the other hand, there was Amit Trivedi, the far more mellow and mainstream composer of Bollywood filmy songs. We, as gentlefolk often do, decided to focus on the latter, not because we were particularly fond of Amit Trivedi's music, but because we had run out of steam and had no inclination to headbang and die brutal and anonymous deaths at the "happiest music festival in the country". Therefore, after spending a short while amid the frantic growling and mosh pitting at the Bacardi arena, we decided to anchor ourselves at the Dewarists' where we lived out the evening, till the end.
Amit Trivedi with his entourage.
Bhayanak Maut
To cap it all off, it was a pretty awesome evening. The high points had been the Blackstratblues, The F16s, Soulmate and Fossils. The not so high points had been the entire Micromax Mega Mix stage (which I had ventured towards, a couple of times, but had found it distasteful), and the unnecessarily crooning Monica Dogra with a non-existent mid-riff. But there had been more highs than lows, and some great highs at that. We hoped it would continue the next day, and we weren't disappointed.
Words and photos by Subhayan Mukerjee (@wrahool)
Tags: alternative rock, calcutta, electronica, indie rock, nh7, weekender
Categories Indian, International, Uncategorized
Bacardi Weekender 2013, Bengaluru: Day 2
When we last saw the Weekender venue late on Saturday night, the ground was a wet sludge of mud and grass. The rain had started getting irritating, clothes were splattered with filth and everyone was generally miffed that they had to miss some great artists.
The atmosphere in the bus to the venue on Sunday was rather subdued. People kept glancing up at the menacing grey clouds seemingly speeding along with us to the venue. A couple of people behind us were grumbling that this wasn't a cheap festival; washed out stages won't get you your money back, whether you saw artists or not. And we were quite inclined to agree with them.
Dance music greeted us upon entry into the venue, but it wasn't as enticing as Dakta Dub yesterday so we moved on to the Bacardi Arena area. To our pleasant surprise, we found that the Red Bull Tour Bus stage was functional, and protected with a thick tarpaulin roof to boot. The show, it seemed, will go on.
The first artist up was a dreamy post-rock band from Bangalore called Until We Last. More than a little reminiscent of God Is An Astronaut, the band filled the stage and our heads with deep, complex and emotive music. After the rather harrowing experience on Saturday, it felt great to lounge on the grass on a Sunday afternoon, listening to atmospheric, thoughtful music. Perfect!
Until We Last
Now, it's important to note here that the Bacardi Area and the Red Bull Tour Bus stages faced each other; to get from one to the other, you only had to cross a small stretch of ground. This turned out to be a stroke of logistical genius, we soon realized.
Ten seconds after the beautiful dream of Until We Last faded away, classic rock started pouring out of the speakers at the Bacardi Arena, where The Fender Benders had just begun their set. With true Indian legends like Amyt Dutta and Sanjay Divecha mesmerizing us with their Fender fretwork, it seemed impossible for the jazzy blues jam to get any better – until, of course, Mr. Warren Mendonsa himself stepped on stage. Jayanta Dasgupta's Clapton-like swagger, Jai Row Kavi's immaculate drumming, and Mendonsa's mindblowing solos added to an atmosphere at the Arena that is impossible to put into words.
The Fender Benders: Amyt Dutta
In one fell swoop, everyone present felt that the Weekender already paid its dues for a washed-out Saturday, and then some. The most magical moment of the set by far was when the whole ensemble performed the blues standard "Let the Good Times Roll" even as rain clouds rolled in. Whether it was a heaven-sent sign, a spirited directive or just a plain coincidence, it does not matter; that one minute became the Weekender's Moment to Beat.
The Fender Benders: Warren Mendonsa
Needless to say, it is not an easy task to follow an act like the Fender Benders. And few bands can live up to the challenge quite like Skrat, a spunky grunge/garage rock band from Chennai. Sriram TT and his boys wowed the crowd from atop the Red Bull Tour Bus with their wild songs and unstoppable energy. Favorites like "Tin Can Man" crazed old fans and created new fans, while newer songs like "Samurai Badass" left everyone in awe of the young band's raw talent. Props to Skrat for rousing up an enthusiastic and wholly unpretentious crew, too!
The second Skrat ended their tight, killer set, it was time to run back across the lawns to the Bacardi Arena, where the Baiju Dharmajan Syndicate began their set. The ex-Motherjane guitarist, self-styled as a Carnatic Guitar Maestro, led the audience into a mystical light and sound extravaganza that seemed to end all too quickly. If there was a negative about the act, it was the presence of the Syndicate's rather douchey singer who tended to overpower Baiju's soaring, poignant guitar.
Baiju Dharmajan Syndicate
Finally, at around 6 pm, we caught our breath at Maria's Goan Kitchen, located right near the now-hallowed Bacardi Arena and the Tour Bus stages. And not a drop of rain so far! Papon & the East India Company, headed by the talented Papon, were already setting up at the Bacardi Arena, but I rushed to the Other Stage for a promising set by my new favorite singer-songwriter Nischay Parekh. The Calcutta lad shot to fame during the festival A Summer's Day, helped along by his phenomenal love song, "I Love You Baby, I Love You Doll". Nischay's colorful stage presence and beautiful voice was the icing on the cake of the unforgettable three hours so far.
Nischay Parekh
After Nischay's short and sweet set, I headed back to the Bacardi Arena, where I found the crowd in a sort of frenzy. And for good reason – Papon was singing "Banao", his famous ode to Ms. Mary Jane! He closed off his set with a spectacular Assamese folk song about the Baisakhi festival, managing to get everyone (and I mean everyone) on their feet. Papon really has it all: grace, humility, stage presence, and a killer voice. I felt almost honored to see such a great artist live!
Papon & the East India Company
After 5 busy – and completely dry – hours, the crowd seemed to be trying to get rid of the 'dry'ness in a different sort of way. By the time Australian indie rockers Hey Geronimo took over the Red Bull Tour Bus, only a handful of people managed to stay on their feet. The rest were plopped on the grass, finishing the last drops in their Bacardi buckets, and stayed that way through most of Swarathma's set too.
Swarathma
Hunger coupled with tiredness from hours of non-stop excitement kept me away for nearly all of Karsh Kale Collective + The NH7 All-Stars but I'd already got my money's worth. And no, it didn't rain a single drop on Sunday.
So there you have it. Day 2 certainly filled us with music-induced happiness, but also left us with a sort of wistfulness of what Saturday might've been, had the heavens not opened up. Overall, the Weekender was a great, if not grand, success, and I'm certainly going to be back next year.
A look back: Day 1 at the Bacardi Weekender 2013, Bengaluru
Tags: amyt dutta, baiju, fender benders, hey geronimo, karsh kale, nh7, nischay parekh, papon, Skrat, swarathma, until we last, warren mendonsa, weekender
Categories Concert Reviews, Indian
In any enjoyable event of considerable length, there are always a few moments that shine a bit brighter than others. It's not always clear why these moments in particular make it into this mental photo album. Maybe it was the confluence of several senses hitting you simultaneously. Maybe your mind just chose the most colorful, the most shocking or the most fun parts. Or maybe it was the way that you were both suspended in a moment that seemed to go on forever even as it ended too quickly.
When I flip through my mental photo album of the Bacardi Weekender 2013, Bengaluru edition, I don't see the rains that played spoilsport on Saturday. I don't see people craning to catch a view of Lucky Ali or Manganiyar Seduction betwixt myriad umbrellas. I don't even see the fuming mob when TessaracT got cancelled.
Okay, maybe I see the last one a bit. (They were pretty angry.)
Anyway, the rather convoluted point that I am trying to make here is that at this year's Bengaluru edition of the Weekender, the show really did go on. A sizeable chunk of artists, cutting across all genres, were cancelled on Saturday, and people stood drenched to the bone for hours to watch the artists that were lucky enough to perform. But they didn't seem to care. When we left on Sunday night, there was no doubt that we were indeed leaving the Happiest Music Festival, in spite of every hiccup.
Let's start from the beginning. Day 1 started off with a bus ride (Red Bull included!) that foretold of the day to come, with rain sprinkling fitfully as we headed to the venue. Once we got in, we marveled at NH7's kickass aesthetic sense for a few minutes before heading straight to the stages. Unfortunately, the rain followed us there.
NH7 Aesthetics
However, the spirit of the festival-goer is not daunted so easily. We headed to the Breezer Stage, where Dakta Dub was entertaining the fast-filling crowd with their reggae beats. An unfurled Jamaican flag graced the laptop table. Dreadlocked members of their entourage danced with abandonment. A light rain, buoyed by breeze (get it?), tempered the air, and the stage turned electric with magic. Oh, and then Dakta Dub started playing Bob Marley's "Get Up, Stand Up". First entry into the photo album!
Dakta Dub
However, the next couple of acts didn't fare so well, in my opinion. I never have been a big fan of metal, especially mediocre metal, so Bevar Sea at the Bacardi Arena really wasn't anything to write home about. Singer-songwriter Winit Tikoo was rather forgettable as well. However, his song "GDS" did have a few nice moments from the band – especially the wall-like fuzz of the guitars and the confident bass.
With the Other Stage and Red Bull Tour Bus closed on account of roof-less-ness, we wandered to the Eristoff Wolves Den, the only other open stage, where we found the excellent Big City Harmonics. This guy had it all – the visuals, the lights and oh my, the beats. Definitely a find! Here, too, I added to my photo album: the radial lasers hit the vertical sprinkle of rain to create millions of tiny stars in the daytime. However, I don't possess nearly enough photography skillz to capture that in a real photo, so that moment shall remain in my mind only.
Passing cursorily by Inner Sanctum (as I said, I'm not a big metal fan), we headed back to the Dewarists Stage for Lucky Ali. A seasoned performer, the man wowed the crowd with his stardom and sheer stage presence, and proceeded to sing everyone into a frenzy.
Lucky Ali
By that time, the good folks at NH7 had made arrangements to temporarily open up the Other Stage, where they skipped past Sulk Station and the F16s (sadly) to Kate Miller-Heidke. Under the makeshift red umbrella that sprouted up like a mushroom in the rain, the Australian singer-songwriter belted out gifted pop while dressed as Alice in Wonderland. It was a great experience!
Kate Miller-Heidke
After a quick bite at Faaso's, we headed to Eristoff again for Shaa'ir + Func, starring Randolph Correia, Monica Dogra, and Monica Dogra's midriff. I've never been a big fan of the band – I'm guessing it has something to do with my gender and orientation – but I will allow the fact that Monica Dogra has matchless energy and stage presence. Visuals aside, however, their live performance failed to impress me for the same reason as their recorded ones: they don't have memorable songs.
Shaa'ir + Func
Soon, we left Ms. Dogra gyrating on stage to rush to the Dewarists Stage for the evening's pièce de résistance (for non-metal fans), Manganiyar Seduction with Roysten Abel. The magic box of lights was already set up, piquing interest with its obvious theatricality. However, the uninitiated were simply left unprepared for the performance to follow. The way your heart flies as a Manganiyar singer lilts notes with his whirling hands; the thumping of your heart along with the big drums; the ecstasy when the rows and columns of the box light up all at once at the end… The moments are too many and too intense to recollect all at once. Needless to say, everyone in the audience was thoroughly seduced by the end.
Manganiyar Seduction
And thus ended Day 1 of the Weekender. The rain was the villain of the day, but thankfully there were quite a few heroes. We left the venue hoping for less rain and more magic on Sunday… and we weren't disappointed.
Read on: Day 2 at the Bacardi Weekender 2013, Bengaluru
Tags: bacardi, big city harmonics, manganiyar seduction, nh7, nischay parekh, reggae rajahs, shaair and func, tessaract, weekender
NH7 Weekender: Delhi edition
By Anjishnu Kumar (Photographer Siddharth Shah)
As soon as I got out of the car on the Saturday of the Delhi Weekender, I was struck by the scale and sheer ambition of the event that was unfolding. Buddh International Circuit's gargantuan Grand Stand stood tall beside the curtained enclosures housing six stages that were to host around sixty bands over the next two days.
This is NH7 Weekender, the biggest music event to ever happen near the national capital.
The last biggest-music-event-ever-to-happen-in-the-capital I'd gone to in the NCR was the Metallica concert in Gurgaon. That day ended with me standing in the sun for four hours without water, with a rather obese gentleman vomiting next to me in regular intervals and having to run away from the venue before the police arrived.
As you can imagine, I was going into this event with a perfectly justified sort of cynicism.
The event was already showing signs of better management than the Metallica affair. The parking lot was a small ocean of grass. I was handed a complimentary glass of water at the entrance, and led through the security check. Things looked good.
We followed the music and ended up at the largest stage, the Black Rock Arena, where a perfectly mediocre whiny alt-rockish band was just finishing up. I didn't bother finding out who they were.
Next up was Vir Das's Alien Chutney, boasting of the comedian plus two stalwarts of Indian rock- Warren Mendonsa and Sidd Coutto.
Alien Chutney was half rock-band and half stand up comedy act in which Vir Das regularly walked the thin line between acerbic wit and vulgarity. Alien Chutney started with the surprisingly addictive 'Villageman', a ballad about having sex with Haryanvis.
He followed with some more originals, such as his rendition of the Delhi Belly classic Bhag Bhag D K Bose ("Bhag Bhag Madarchod") and the Heavy Metal Song ("Iron! Iron! Aluminum!"), before finally ending with his attempt at wizard rock, a piece entitled "Harry Is a Randi!"
One band down and nobody had puked near me: already better than Metallica. A pretty good start to the fest.
Up next was Indus Creed, which is apparently one of India's best alt rock groups.
Stripped of the Alien Chutney's novelty factor, it was clear that Indus Creed was lacking in a lot of ways. At their peak they came up with decent but somewhat generic alternative rock riffs, with lyrics reminiscent of Linkin Park.
Their seminal song "Fireflies" had an almost Porcupine Tree sensibility: a breath of fresh air in the middle of a rain of angsty power chords.
I found myself wandering to the Other Stage, a small set up next to the much larger Dewarists stage, where we found Barefaced Liar: a trio consisting of a vocalist, flute player and a guitarist that specialized in Spanish inspired music. However, the band relied heavily on lead vocals, and the other musicians did basically nothing but provide backup.
We moved on to the Dewarists stage where Advaita was playing. While their music was technically quite sound, I'm sorry to report that it did not get the blood running. This was a fest that was supposed to be headlined by Megadeth, and I did not feel excited.
Back to the Black Rock Arena, where Zero was just going up on stage. Zero is one of the most critically acclaimed Indian bands, performing an average of only one gig per year.
But damn do they make it count.
Frontman Rajeev Talwar adopted the persona of a hedonistic but rather likable British opera singer on stage. His overblown antics and Warren Mendonsa's guitar set the tone for the performance from the outset, leading the audience through quirky lyrics, solid rock riffs and tastefully constructed solos. Finally some REAL rock at the Black Rock Arena!
Zero finished with their cult rock classic "PSP 12", topped off by another blistering solo by Mendonsa.
Still a little dizzy after Zero, we wandered into the Bindass Fully Fantastic Stage into a performance by Gandu Circus. Now, Gandu Circus is the band that composed the furious Bengali-Rap soundtrack for subversive Bengali movie Gandu. Sadly, however, performing the movie soundtrack was only notable highlight of their show.
Following them was Menwhopause, a witty alternative rock ensemble from Delhi. Menwhopause brought to the table impeccable instrumentality and original melodies that combined both Indian and western elements. Menwhopause played a solid repertoire of soft rock songs, such as "Circles", "Can't we be Dreaming?" and "Downtown". Meanwhile, there was a steady drift of people (from Pentagram which was playing in the Black Rock Arena), saying they wanted to hear a band in which people "could actually play the guitar and sing".
But compared to the other solid act of the day (Zero), Menwhopause seemed rather subdued… until their final song, that is.
This song took the 'soft rock' label, smashed it to bits, and then proceeded to jump up and down on it repeatedly.
"Katil Sardar" is zany, irreverent, and possibly the product of fundamental deranged mind, but all in a good way, of course. This hard rock song has a soft rock song built into it: its lyrics jump from describing a hearty Punjabi meal, advising horny old men to move to New Delhi and ascribing the attacks on World Trade Centre to a malfunctioning bong. Besides, they had an entire verse is made up of terrible Punjabi puns.
Katil Sardar's National Anthem is Bande-Marte-HUM! ("We Kill People!" -for everyone not from the North)
Is it genius? Or merely the the first step of a progression towards dementia? I cannot say. It probably doesn't matter.
Following Menwhopause on the Fully Fantastic stage was Shaa'ir and Func , an experimental electronic duo consisting of vocalist Monica Dogra and guitarist Randolph Correia.
While S+F had a few interesting moments ("Shine" was one), I honestly lost interest in the electronica quickly, and spent the majority of their performance staring at Monica Dogra gyrating on stage.
So did the rest of the audience.
We decided to leave Shaa'ir and Func early and head over to Anoushka Shankar on the Dewarists stage, but soon decided that we really had not come here to appreciate Hindustani classical music. Thus ended day one, which definitely offered its moments but had several disappointments as well.
The second day had its work cut out.
I was late to arrive on Day 2 and jumped quickly into the fray.
The Black Rock Arena was hosting Indian metal band Scribe, whose frontman urged the audience to "tickle his balls" as the band passed out beach-balls into the crowd.
Scribe performed reasonable metalcore if you weren't particularly bothered about things like lyrics, melody, rhythm or originality of any sort.
Their songs apparently had names, but I was not able discern any through the growling.
Sadly, I had to make a hasty egress when the lead singer of Scribe announced that his favourite 'metal' band was, in fact, Limp Bizkit.
Next up were Them Clones at the Fully Fantastic stage. Barring atrocious work from the sound technicians that kept the volume far too high for a normal human being, the performance was excellent.
Them Clones as a band seemed transformed from the last time I saw them (in 2010). They seemed much more professional and progressive, and much less like a college band. They played one of the best renditions of "Long Live The Dead" that I've ever heard, and introduced us to some of their new music, before ending with the perennial hit "My Life" and a version of the hit "Zephyretta" (accompanied by saxophone).
Them Clones were followed by Shillong-based blues-rock band Soulmate. I hadn't heard this band before and they turned out to be quite a find. Slick, stylish, original, and supremely confident, Soulmate delivered a performance that would shame most of the more established bands. Besides, vocalist Tipriti Kharbangar gets my vote for being both the sexiest and most talented woman on stage during this fest.
Soulmate's cornerstone tracks "Set Me Free" and "Voodoo Woman" transpose effortless, free-flowing blues melodies onto Tipriti's vocals as they shift between silky smoothness and surprising force. The result is a musical tour de force.
The Bindass stage was already starting to dominate the concert, and next up was Blackstratblues, Warren Mendonsa's instrumental guitar project with Sid Coutto on the drums.
Mendonsa had already delivered brilliant performances as part of Alien Chutney and Zero, and he did not disappoint here.
Most of his songs were from his new albums, the only two exceptions being "Ode to a Sunny Day" and "Ode to a Rainy Day". For the majority he didn't even bother naming them, letting the music speak for itself.
Since I can't simply tell you to listen to song X on Youtube, I must tell you that Mendonsa painted sonic landscapes with his black Stratocaster and guided the crowd through a gamut of emotions that blues music rarely takes one to: sheer bliss, hope, and childish wonder.
However, it cannot be described in words so perhaps it is futile to even try. Blackstratblues was my favourite performance of the event and for me, Mendonsa was the star of NH7 Weekender, not Megadeth.
Mendonsa was joined by Vishal Dadlani of Pentagram and Prithwish of Them Clones as Blackstratblues ended with a reinvention of Zephyretta.
With some reluctance I left the Fully Fantastic Stage to return to the Black Rock Arena.
It was Time.
The crowd that gathered in front of the stage was immense but it was already tired after the fierce moshing that took place during the last concert.
(One source maintains that Bhayanak Maut's Mosh Pits involved people punching each other with buckets.)
But as Dave Mustaine walked up on stage, all the injuries and tiredness were forgotten. And the crowd went up in a deafening roar.
I honestly have no idea what Megadeth played for the first fifteen minutes. I found myself headbanging even as a mosh pit opened up and I was pushed in. The next few minutes are a haze of bodies slamming into each other until Megadeth paused playing to tell us that they were touring to commemorate the tenth anniversary of their studio album Countdown to Extinction.
Megadeth played the entire tracklist of Countdown to Extinction.
Debris rained from the sky.
Clothes were torn.
People were sent sprawling onto the ground.
Girlfriends were hurriedly evacuated from the front rows by their boyfriends.
At one point I was the only guy with a shirt on in a five-metre radius.
As the Countdown album ended, Megadeth receded from the stage.
It was ten pm. Time for the concert to end.
The crowd roared, demanding Megadeth come out and play "Tornado of Souls". Mustaine walked out onto the stage, exhorting the crowd to cheer, playing one half of the audience against the other.
He told the crowd that he considered people in America spoilt, compared to the hardships his fans have to face in a country like India, shedding a lone tear at the end of the monologue.
The irony of that statement was not lost on me. After all, he was addressing possibly the most pretentious, privileged and generally spoilt group of individuals in this nation today.
And suddenly the rest of the band was back and Megadeth's trademark riffs filled the air. The hitherto sobered crowd went wild, and for one last time, I found myself in the eye of a tornado.
Tags: advaita, alien chutney, barefaced liar, bhayanak maut, blackstratblues, delhi, gandu circus, indus creed, megadeth, menwhopause, S + F, scribe, shaair and func, soulmate, them clones, weekender, zero
Categories Indian, Vintage & Misc.


text:
"Ámame una Vez Más" (also subtitled as "La Última Luna") is a song performed by Amanda Miguel on her 1996 studio album of the same name. It was co-written by Anahí (not to be confused with the RBD member of the same name) and produced by her husband Diego Verdaguer. The album remarked the return of Amanda Miguel following more than a five-year hiatus. "Ámame una Vez Más" won the Billboard Latin Music Award for Latin Pop Song of the Year in 1997 and was recognized as one of the award-winning songs at the ASCAP Latin Awards in the same year. It was also nominated for Pop Song of the Year at the 8th Annual Lo Nuestro Awards in 1997.

Charts

Weekly charts

Year-end charts

See also
List of Billboard Latin Pop Airplay number ones of 1996

References

1996 singles
1996 songs
Amanda Miguel songs
1990s ballads
Pop ballads
Spanish-language songs

redpajama_set_name: RedPajamaWikipedia


text:
package kdr.game.theseus.model;

import javafx.scene.image.Image;

/**
 * ChestArmor
 */
public class ChestArmor extends Armor {

	/**
	 * @param name - name
	 * @param image - image
	 * @param speed - speed
	 * @param defense - defense
	 */
	public ChestArmor(String name, Image image, double speed, int defense) {
		super(name, image, speed, defense);
		this.armorType = ArmorType.Chest;
	}

}


This entry was posted in Uncategorized and tagged crafts, food, Miga, Mukmuk, Quatchi, Sumi. Bookmark the permalink.
hey cool! thanks for featuring my "squatchi" cupcakes!! found your blog through the meomi facebook fan page.


text:
Gunmen Kill 2 Female Judges in Kabul
in Afghanistan, South East Asia / by admin / on January 18, 2021 at 2:03 pm /
Ghani, addressing the Taliban, said: "Terror, crime and violence are not the solutions to the problem."
Gunmen opened fire on a vehicle in Kabul around 830am on Sunday, Kabul police reported, and two female judges of the Supreme Court were killed and two other people–the driver and another female–were wounded in the attack, according to the Presidential Palace.
The police are investigating the incident, said local officials.
Previously, a security forces source said that preliminary findings indicated that those wounded were a driver and a female employee of the Ministry of Education.
President Ashraf Ghani condemned the attack on the female judges in Kabul, saying that "attacks by the Taliban and other terrorist groups against defenseless people are against Islamic teaching and against the spirit of peace."
President Ghani, addressing the Taliban, in a statement said that "terror and crime and violence are not the solutions to the problem, and the current crisis and the war prolongs the country's issues."
"Two female judges were killed, and two others were wounded in the attack," the statement said. The Taliban "must show their will for peace by accepting a permanent ceasefire," Ghani said.
"Another appalling targeted attack on civilians in Kabul, killing two eminent women judges and injuring others. We condemn this and all attacks on civilians and call for an urgent investigation into those responsible. Deepest condolences and sympathy to all affected," said Alison Blake, British Ambassador in Kabul.
Chargé d'Affaires Ross Wilson said the US condemns today's killing of female supreme court judges, adding: "The Taliban should understand that such actions for which it bears responsibility outrage the world and must cease if peace is to come to Afghanistan."
Also, Qatar's foreign ministry said the nation condemns today's attack and reiterates its "firm position on rejecting violence and terrorism, whatever motives and reasons."
However, no group including the Taliban has claimed responsibility for the attack yet.


text:
104-й выпуск Джиро д'Италия — шоссейного гранд-тура по дорогам Италии. Гонка прошла с 8 по 30 мая 2021 года в рамках Мирового тура UCI 2021. Старт соревнования состоялся в Турине, а финиш в Милане. Победу одержал колумбийский велогонщик Эган Берналь.

Участники
Автоматически приглашения на гонку получили 19 команд категории UCI WorldTeam и лучшая команда прошлого сезона категории UCI ProTeam Alpecin-Fenix.. Также организаторы пригласили 3 команды категории ProTeams. Среди получивших уайлд-кард команд не оказалось Androni Giocattoli-Sidermec, что возмутило её генерального менеджера Джанни Савио.

В конце марта стало известно, что одна из допинг-проб Маттео Де Бониса, гонщика команды Vini Zabù, оказалась положительной на эритропоэтин. Она стала второй для команды за последние 12 месяцев (первая у Маттео Спреафико во время Джиро д'Италия 2020) и поставила под вопрос её участие в Джиро. 15 апреля Vini Zabù отказалась от участия в гонке. Её место заняла Androni Giocattoli-Sidermec.

Для команды Eolo-Kometa Cycling Team данная Джиро стала дебютным гранд-туром.

Маршрут

Ход гонки

Этап 1

Этап 2

Этап 3

Этап 4

Этап 5

Этап 6

Этап 7

Этап 8

Этап 9

Этап 10

Этап 11

Этап 12

Этап 13

Этап 14

Этап 15

Этап 16

Этап 17

Этап 18

Этап 19

Этап 20

Этап 21

Лидеры классификаций

Итоговые классификации

Примечания

Ссылки
 Официальный сайт
 Джиро д'Италия 2021 на FirstCycling

Спорт в Италии в 2021 году


4/6/2008 – The yearly event in Dagomys, a health resort just 18 kms from the center of Sochi, on the shores of the Black Sea, has once again attracted a galaxy of very strong players: over 90 grandmasters, 61 of them over 2600, 16 over 2700. Coverage on the official web page is purely in Russian, but with a little help from our Cyrillic translation tables you should be able to navigate the site. First report.
Karpov and Korchnoi are playing in the same team.
A hint: the event is being played at the Russian Black Sea resort of Sochi, actually in the district of Dagomys, which is 18 km from the city centre and is noted for its botanical garden as well as tea plantations and factories.
Sochi is very close to the Russian border with Georgia. It is famous for its spectacular scenery, with the snow-capped peaks of the Caucasus Mountains overlooking the gentle shores of the Black Sea. The resort has a temperate climate and boasts many sanatoria and mineral baths.
To put things in perspective here is the location of Sochi on a map of Russia. Yes, it is BIG!
The Russian Team Championships 2008 are taking place in Dagomys, Sochi, from April 1st-14th, 2008. For your enjoyment we have put together a list of all participants sorted according to their ratings (January list).
And here are the teams.The list gives you a chance to learn to read these names in Cyrillic. Many of us will remember the days of the famed Kapmob-Kacmapob matches, when we first learned to decipher these characters. This is especially useful if you want to follow the results of the Russian Team Championship on the official web site, which is monolinguistically in Russian (the English site has not started with coverage).
2551 GM Evdokimov, Alexander A.
2629 GM Tregubov, Pavel V.
You can follow the results on the official Russian web site (with the help of our "translation tables" above). All games are being broadcast live on Playchess.com.


text:
Along Came a Spider (Alex Cross #1) (Mass Market)
By James Patterson
Not On Our Shelves Now--Usually Ships in 1-5 Days
This is book number 1 in the Alex Cross series.
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Discover the classic thriller that launched the #1 detective series of the past twenty-five years, now one of PBS's "100 Great American Reads"
Alex Cross is a homicide detective with a Ph.D. in psychology. He works and lives in the ghettos of D. C. and looks like Muhammad Ali in his prime. He's a tough guy from a tough part of town who wears Harris Tweed jackets and likes to relax by banging out Gershwin tunes on his baby grand piano. But he also has two adorable kids of his own, and they are his own special vulnerabilities.
Jezzie Flanagan is the first woman ever to hold the highly sensitive job as supervisor of the Secret Service in Washington. Blond, mysterious, seductive, she's got an outer shell that's as tough as it is beautiful. She rides her black BMW motorcycle at speeds of no less than 100 mph. What is she running from? What is her secret?
Alex Cross and Jezzie Flanagan are about to have a forbidden love affair-at the worst possible time for both of them. Because Gary Soneji, who wants to commit the "crime of the century," is playing at the top of his game. Soneji has outsmarted the FBI, the Secret Service, and the police. Who will be his next victim?
Gary Soneji is every parent's worst nightmare. He has become Alex Cross's nightmare. And now, reader, he's about to become yours.
James Patterson holds the Guinness World Record for the most #1 New York Times bestsellers. His books have sold more than 350 million copies worldwide. He is a tireless champion of the power of books and reading, exemplified by his new children's book imprint JIMMY Patterson. Patterson invests proceeds from the sales of JIMMY Patterson Books in pro-reading initiatives.
"Patterson's storytelling talent is in top form in this grisly escapist yarn."—Library Journal
"Brilliantly terrifying! So exciting that I had to stay up all night to finish it! Packed with white-knuckle twists."—Daily Mail
"An incredibly suspenseful read with a one-of-a-kind villain who is as terrifying as he is intriguing."
"Terror and suspense that grab the reader and won't let go. Just try running away from this one."—Ed McBain
Publication Date: December 4th, 2018
Series: Alex Cross
Fiction / Mystery & Detective / Police Procedural
Fiction / Thrillers / Psychological
Fiction / Thrillers / Crime
Kobo eBook (February 14th, 2001): $7.99
Hardcover (February 1st, 1993): $30.00
Paperback, Large Print (October 1st, 2009): $26.99
Paperback (August 1st, 2003): $17.99
CD-Audio (December 11th, 2018): $25.00
Mass Market (December 1st, 1993): $8.00