I am a First Officer on an European Charter airline, I have about 7000 hours jet experience on B737, B767 and currently on the B787.
I know I need a green card to work in the USA and since I have a American wife that won't be a problem.
I was wondering if people know what I need to do exactly to convert my license and preferably my ratings to FAA standarts so when we move I could start applying for a job in the States!!
The foreign ATP fills the FAA requirement to hold a commercial certificate. You would have to have your CAA verify your license to the FAA. And pass a TSA background check. Other than that, you go through the same steps a FAA commercial pilot does. (I'm guessing you want a ME ATP.) Complete a week long ATP Certificate Training Program. Study for and pass the ATM knowledge test. Pass the ATP checkride. The types are more of a minefield. You would have to be able to show the instruction was given by a FAA CFI or under a FAA approved program. You would then take the FAA IR knowledge test. Then you apply for a FAA private certificate based on your EASA license. That would give you a FAA private with the type ratings on it. THEN you go through all the steps listed above for the stand alone FAA ATP. The type ratings will transfer over. The problem will be showing the instruction was given by a FAA CFI. Even if the instructor held the FAA CFI for EASA training I doubt they would have signed the training off with their FAA CFI.


text:
Vauchoux is een gemeente in het Franse departement Haute-Saône (regio Bourgogne-Franche-Comté) en telt 126 inwoners (2011). De plaats maakt deel uit van het arrondissement Vesoul.

Geografie
De oppervlakte van Vauchoux bedraagt 4,7 km², de bevolkingsdichtheid is 26,8 inwoners per km².

Demografie
Onderstaande figuur toont het verloop van het inwonertal (bron: INSEE-tellingen).

Externe links

Gemeente in Haute-Saône

redpajama_set_name: RedPajamaWikipedia


How do I randomly spawn objects on a specific area?
I'm trying to spawn objects on specific area of the window. The area is basically the whole window minus the border. I use "Create Object" at random(0,layoutwidth), random(0,layoutHeight).I'm having trouble with the object spawning at the very far bottom of the window, where it's difficult to click. I tried decreasing the numbers but I seems like the randomness is skewed to the left side of the window. My first thought was to create a blank sprite with multiple image points to spawn from. Do I have any alternatives before I do this?
Unless you want to be even more specific about the "randomness"
D'oh! I hurt myself with a facepalm. haha, thanks LittleStain!


Bowing to industry pressure, FINRA has adopted vastly scaled back private placement requirements under FINRA Rule 5123. Originally proposed in October 2011, the proposed rule was highly controversial because it significantly infringed on the capital raising process. In particular, the originally proposed rules would require each offering to have an offering document, which must include anticipated use of proceeds and the amount of expenses to be paid to the participating broker-dealer. The offering document would have had to be filed with FINRA and at least 85% of the proceeds must have been used for the business purposes required to be disclosed in the offering document. After receiving scathing criticism, FINRA proposed various amendments with each amendment softening the originally proposed rule.
The final Rule 5123, which the SEC has granted accelerated approval, now requires each FINRA member firm that participates in a private placement of securities to file a copy of any private placement memorandum (PPM), term sheet, or other offering document used in connection with a sale, within 15 days of the date of the first sale. Where no such documents are created or used in connection with a covered offering, the rule requires that the participating member provide FINRA with notice that no disclosure documents were used. I believe that this watered-down version of FINRA Rule 5123 is much more consistent with Congress's intent in making capital raising not a burdensome process.
FINRA Rule 5123 does provide confidential treatment to the offering documents. In addition, FINRA has made it clear that the filing requirement is merely a notice filing and the offering is not subject to a review or approval process by FINRA. The filing obligations rest with each participating member in an offering and not with the issuer. Certain offerings are exempt from the notice filings, including offerings made of bank (not bank holding company) securities.
Generally, I strongly object to any obstacles to capital raising. While I do not agree with the addition of this notice filing, I applaud the industry's collective effort to largely curtail the original burdensome requirements.


Tiffany Owens is a freelance journalist and editor, specializing in travel, arts and culture, food and beverages. Her features have appeared in a wide variety of both print and online publications, including MSN, MSNBC, and various AAA publications. She has also worked as a managing and manuscript editor, publicist and staff writer during her 15+ years in the industry.


The Professionalism Resources database contains materials that have been donated by prominent law firms and legal organizations. The materials often contain the logo or name of the law firm or organization that donated them. We would ask that you give credit, where appropriate, and do not remove the logos.
There are a variety of materials (including papers, presentations, slides, articles, commentaries, videos/webcasts or audio recordings, fact scenarios, and discussion questions) available. We anticipate that these materials could be used for self-study, personal research, discussion groups, or as a resource for building professionalism programs and activities to meet CPD requirements. For ease of reference, materials have been organized by category.
Please note that we do not guarantee the accuracy or completeness of the materials listed. Additionally, please note that while many of the materials were part of professionalism programs approved by the Law Society of Upper Canada for CPD credit, use of these materials does not guarantee eligibility for CPD professionalism credits. Users of the materials are responsible for seeking approval from their respective law society.
If you have any other questions or would like to contribute materials to the database, please feel free to contact the Centre for the Legal Profession.
Materials are provided for your personal information or use, and should not be seen as legal advice. Using any or all of the materials will not make you a client of the firm that has provided them, and you will not be considered a client of any firm until it has agreed to act for you in accordance with its usual policies for accepting clients.


text:
Arts, Humanities & Education /
Humanities & Educational Studies /
English Literature /
Novels & Short Stories /
Author: SILLITOE, ALAN
Tutor: Andrew Palmer
Department: School of Humanities
Quick overview This cult classic of working class life in post-war Nottingham follows the exploits of rebellious factory worker Arthur Seaton and is introduced by Richard Bradford.
This cult classic of working class life in post-war Nottingham follows the exploits of rebellious factory worker Arthur Seaton and is introduced by Richard Bradford. Working all day at a lathe leaves Arthur Seaton with energy to spare in the evenings. A hard-drinking, hard-fighting hooligan, he knows what he wants, and he's sharp enough to get it. Before long, his carryings-on with a couple of married women become the stuff of local gossip. But then one evening he meets a young girl and life begins to look less simple...First published in 1958, 'Saturday Night and Sunday Morning' achieved instant critical acclaim and helped to establish Alan Sillitoe as one of the greatest British writers of his generation. The film of the novel, starring Albert Finney, transformed British cinema and was much imitated.
Midsummer Night's Dream: York Notes Advanced
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced introduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
Tells the story of George, an English professor in suburban California left heartbroken after the death of his lover, Jim. This title shows George's determination to carry on, evoking the unexpected pleasures of life as well as the soul's ability to triumph over loneliness and alienation.
Tempest: York Notes Advanced
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to sophisticated analysis, a range of critical perspectives and wider contexts.

redpajama_set_name: RedPajamaCommonCrawl


Codrops has shared a tutorial about how to create a bubbly navigation with jQuery. The idea is to have some round navigation icons that release a bubble when hovering over them. They will use the jQuery Easing Plugin for a even nicer effect.
However, if you are an IE user you might have noticed that the bubble looks kind of weird without CSS3 support. He has figured that has something to do with the transparency of the image and the animation, but there is no solution yet. Please use Google Chrome to view the demo for now.
BubbleUP jQuery Plugin is a fun and easy plugin to get you started in jQuery. The effect is a nice starting point for learning the basics and many of the steps involved in creating other more intricate plugins you will make in the future.
With BubbleUP, images in a list will enlarge with a smooth animation when you move your mouse over it. Then, if you move the mouse out, it will reset to the original size with the same smooth animation. It has been tested on IE 7, Opera 10, Firefox 3.5, Safari 4, and Chrome 5 Beta.
WebDesignerWall has shared the way he made the Mac-like multi-level dropdown menu using border-radius, box-shadow, and text-shadow. It is called CSS3 Dropdown Menu, which renders perfect on Firefox, Safari and Chrome. The dropdown also works on non-CSS3 compitable browsers such as IE7+, but the rounded corners and shadow will not be rendered.
There is one gradient image is used. A white-transparent image is used to achieve the gradient effect. Because the new CSS3 gradient feature is not supported by all browsers yet, it is safer to use a gradient background image.
jQuery Magic Line Navigation allows us to have a highlight of some kind (a background or an underline) follow you around as you mouse over the different links in the navigation. This will happen with jQuery and it's animation abilities.
When we talk about tabs on web we usually think about tabs used for navigation. However, in this case we want to use them for showing different entities on the same page. We will try to simulate tabs as seen in browsers. Take Google docs for example, instead of opening each document in a new window (or browser tab), you could open them in page tabs.
Janko has written a throughout tutorial that shows you How to Use jQuery to Create Dynamic Tabs that can be added and removed dynamically. He has also mentioned how to use tabs and in which context should they be used in order to make them meaningful and usable.
The popularity of social media has been booming in the past few years and Facebook definitely has climbed high to the top of the social network rankings. Facebook has many Ajax driven features and applications that are very impressive, and one of the things is the footer admin panel, where it neatly organizes frequently used links and applications.
SohTanaka has created a tutorial about how to recreate the Facebook Style Footer Admin Panel with CSS and jQuery Part I and Part II. The footer panel can be useful for admin driven applications and much more. There are many useful techniques like the fixed footer, CSS tooltips, height calculation function, and multiple toggle function, that can be used in various ways for your future projects.
The problem of mouseover/-out the menu a couple of times. After you stop moving the mouse, the animation will continue since you've built up the animation queue with every mouse event.
Some uses the stop() method to prevent animation queue buildup. While this helps solve the initial problem, it introduces another: When you now do a fast mouseover/-out, you will see no animation at all or just a part of the animation. This behavior seems somehow unnatural.
The HoverFlow Plugin is the solution, which honors a single mouseover/-out with a full animation cycle while preventing animation queue buildup. A queued animation will only run if it corresponds with the current mouse position at "runtime". That is, a mouseover animation will only run if the mouse is currently over the element, and a mouseout animation will only run if the mouse is currently not over the element. Otherwise, the animation queue is emptied.
Do you remeber we have published a post of Accessible Very Tall Menus with jQuery and CSS? Some people found it not a good way to present information, because we cannot see everything on the menu in one go.
Now SohTanaka has come up with another solution – Mega Drop Down Menus. According to usability expert Jakob Nielson, mega drop down menus tested to be more efficient for large scale websites.
The problem with long dropdowns is that the dropdown itself can go below the fold of the website. That is, below the visible area of the browser window. So in order to access those menu items down below, you need to scroll your browser window.
For those of us with scroll wheels of some kind on our mouses, it's not a big deal. For those without, those lower menu items are totally inaccessible, because to use the browser scrollbar means mousing off the menu and probably having it close.
CSS Tricks has come up with a Solution For Very Long Dropdown Menus, and tell us how to implement a technique where as you scroll down, the menu actually moved in an accelerated fashion. Therefore the menu can be accessible even the user has no scroll wheels on his mouse.


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Fresh foul-mouthed Big Brother bullying storm sparks 750 viewer complaints
By Paul Revoir for MailOnline
Updated: 20:48 EDT, 12 June 2008
Channel 4 has become embroiled in another Big Brother bullying row after a foul -mouthed tirade by one contestant sparked 750 complaints.
Show bosses had to step in this week after housemate Alexandra De Gale stunned viewers with her vicious verbal attacks.
The latest complaints came after Alexandra laid into 21-year-old contestant Rebecca Shiner for burning the chips she had prepared for dinner.
Alexandra De-Gale comforts Jennifer Clark after arguments following the Big Brother Idol challenge
When Rachel tried to defend her she was also dealt with a barrage of verbal abuse.
Alexandra said: 'Your getting on my f****** nerves, you pr***. I don't give a f**** what you think.'
The 23-year-old was called into the show's Diary Room and was warned about her abusive behaviour, after weeping contestant Rachel Rice, 24, complained.
Broadcasting regulator Ofcom said yesterday that it has received 505 complaints since Alex began launched her foul-mouthed tirade on Tuesday night's show, while Channel 4 has received a further 250 complaints.
Bullying UK director Liz Carnell hit out at the broadcaster for showing the scenes.
She said: 'I'm sure Channel 4 are delighted with the controversy it's caused but it's sending out a message to young people who see what is clearly bullying.
'The aggression shown is unacceptable. Young people are going to be watching and expecting that they can get away with that sort of thing. Channel 4 should take action.'
Rachel was in tears after having an argument with Alexandra over who should cook the food late last night
A Channel 4 spokeswoman said: We are closely monitoring the situation and will take any appropriate action.'
On Tuesday night's show viewers saw producers warn Alex about her behaviour, but the complaints have continued to flood into Ofcom since then.
In the latest scenes, Alex is involved in another row. She accuses Rex of touching her lighter without permission and of having a personal vendetta against her, calling him a "loser" when the chef walks away.
Afterwards Alex, an accounts executive from Croydon, sheds tears in the Diary Room, saying she had tried to curb her anger since being warned about her behaviour.
While their was no racist overtone to the insults, it sparked memories of the ugly abuse dished out to Shilpa Shetty on last year's Celebrity Big Brother.
On that occasion 55,000 people ended up complaining about the show, which saw the broadcaster repeatedly give on air-apologies for the coverage.
Alexandra launches into a tirade of abuse as the house has a non-stop argument about who should cook the food after Rebecca made a mess of cooking chips
After the sustained verbal assaults the culprit was hauled into the diary room and told her: 'Big Brother takes unacceptable behaviour in the house very seriously.
'Unacceptable behaviour includes abusive behaviour directed at another housemate or housemates, including bullying.'
'BB house is a ticking time bomb,' say Dale and Luke as all-out war breaks out between contestants Kathreya plays big Mama to Big Brother's lovelorn housemates
Is it a bird? Is it a plane? No, it's super Mario and his amazing plastic broom
On last year's normal Big Brother middle-class student Emily Parr, 19, was pulled out of the house in the middle of the night after calling a house-mate 'n*****'.
Bosses have been desperate to shake off the controversy caused by their catastrophic mishandling of the Shilpa Shetty racism furore.
They are said to be on edge about the latest antics fearing the show will once again mire them in controversy.
Fellow housemates Rex (left) and Dale are left speechless after the blazing row
Jade Goody was at the centre of a race row in last year's Celebrity Big Brother
Fellow contestant Mario Marconi, 42, was also accused of picking on Stephanie after calling her a 'piece of trash' and a 'stupid girl'.
He was outraged after she put him at risk of eviction for failing in her task in which she was supposed to pretend to be his girlfriend.
But once again they still decided to show at length the abuse, in a bid to try and lift the show's flagging ratings this year.
This year's bunch of contestants have been branded the biggest reality TV freak show ever.
There were claims yesterday that as a result of the latest incident security staff on the show had been beefed up.
Yesterday Channel 4 would not reveal how many complaints had been made directly to the broadcaster over the incident. But it claimed the situation had since calmed down.
Ofcom yesterday said it had received a total number of 337 complaints for this year's show already.


Back in April, Sony President Ryoji Chubachi projected that its Blu-ray Disc format would garner 50 percent of DVD market share by the end of 2008. At this rate, according to new data, we could get there in about nine years.
For the US home video market, new figures from Nielsen VideoScan show that Blu-ray ended last week with a scant 8 percent share -- only two percentage points over the 6 percent recorded for the last week of April, and a 13.4% decline over the previous week.
Still, about 8.8 million Blu-ray discs have been sold in 2008, in contrast to an even more paltry 5.6 million in all of 2007, according to market research released this week by Home Media Magazine.
Content available on Blu-ray -- still a problematic issue -- seems to be moving along some with recent announcements of Blu-ray editions of The Godfather Collection from Paramount, the big screen version of Get Smart from Warner, and Lucky Number Slevin from Weinstein Company, for example.
Meanwhile, outside of the plethora of Blu-ray-ready HDTVs, vendors are also announcing new PCs with Blu-ray drives. These new PCs range from NetComputing's portable workstation line to Dell's Studio Desktop and Slim Desktop announced this week and Sony's own Vaio TT ultra-portable.
Companies such as Sony and Panasonic are also producing "fourth generation" Blu-ray players capable of presenting "value-added" BD-Live Content -- and one of these players, Sony's BDP-S350, actually got to market last month.
Yet pricing remains somewhat high at this point for Blu-ray movies, especially considering that a lot of consumers who buy these titles are likely to watch it only once before shelving it. The MSRP for Get Smart on Blu-ray is $39.95, for instance.
Meanwhile, Blu-ray players typically still cost $300 or more, although both the Samsung BD-P1500 and Sony BDP-S300 can reportedly be found for under $200 sometimes at Radio Shack and other stores.
VideoScan's rankings for HD DVD have disappeared from Nielsen's rankings entirely, due to the demise of the industry's only rival HD format, leaving Blu-ray to compete strictly with "traditional DVD" on the scoreboard.


Trailhead Lodge is a fully furnished 86 suite lodge located the heart of Wildhorse Meadows, Steamboat's only master planned community with its own gondola. Guests will enjoy the peace and quiet of coming home to a residential resort neighbourhood, while benefiting from convenient access to Steamboat's many activities and adventures.
Studio -(sleeps 2 ) All condos feature full kitchens, washer/dryers, complimentary internet access. Flate Screen TV's Each unit varies.
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See more Steamboat Accommodation Deals and Packages.


text:
C-Town Pathways
What do you get when you cross a global software giant with a Boston high school? The next generation of STEM professionals, innovators, and entrepreneurs ready to change the world.
Sheila Jackson
Nancy Hoffman
Joanna Mawhinney
Linking High School, College, and Career in Boston
Today's high school students need to graduate with skills and knowledge relevant to jobs that may not yet exist. Charlestown High School in Massachusetts' Early College and Career Pathways program builds that connection between high school, college, and future careers. It offers three pathways for students:
C-Town Business
C-Town Technology
C-Town Health
Launched in the fall of 2015, C-Town Pathways is a dynamic partnership among Boston Public Schools, Bunker Hill Community College, Boston Private Industry Council, the city of Boston, JFF, and global software company SAP. JFF provides strategic support—everything from convening partners and synthesizing data to state advocacy and outreach to funders and employers.
C-Town Pathways students learn cross-cutting skills and knowledge that will enable them to succeed in many different industries,. Through the pathway, they take college-level career-related and general education courses that count toward a postsecondary degree, explore potential careers in Boston's high-demand sectors, and are connected to local mentors at SAP.
When Jobs for the Future came to us with the idea of partnering with SAP to begin C-Town Tech, we thought 'This is it. This is the opportunity to pilot a program.' C-Town Tech is really a leveler. It believes in students' ability to learn, regardless of background.
Dr. Pam Eddinger, President, Bunker Hill Community College
The Three Big Lessons in Six Years series reflects on the past and looks to the future of early college pathways at C-Town, drawing lessons for other early college leaders across the country.
Read the Seriesright
These guides help C-Town Pathways students navigate and make strategic decisions about their college and career options.
Read the Guidesright
More Related to Charlestown High School Career Pathways | JFF
Three Big Lessons in Six Years: Launching and Sustaining Early College Pathways at Charlestown High School
C-Town Pathways Guides
These guides help high school students strategically navigate and make decisions about their college and career pathways.
By Sheila Jackson , Joanna Mawhinney , Kimberly Perrella , Nicole Johnson
An Education Powerhouse: Massachusetts Early College High School Series
Learn about the emerging work and impact of the Massachusetts Early College Initiative.
Job Shadow Day for C-Town Tech
"Helping the World Run Better" is no small feat, but that is what the largest worldwide independent software manufacturer, SAP, endeavors to do with its products and services.
By Sheila Jackson
Uncovering the "Partnership DNA" for the Future
The JFF Pathways to Prosperity team's partnership with SAP exemplifies a new type of "partnership DNA" that allows for a more equitable, harmonious exchange between our respective worlds.
10 Equity Questions to Ask about Career and Technical Education
This first of a series of blogs explores equity in career and technical education, which has become the "next best thing" in high school reform. Lately, it's been on the radar of governors, legislators, education commissioners and business leaders.
By Nancy Hoffman


text:
Employee claims she won $714,000 on lottery ticket but store disagrees
A Tesco supermarket employee is at the center of a legal dispute over lottery winnings, after she accidentally i...
MOLLY MULDOON
Andrea O'Reilly claims ownership of ticket
A Tesco supermarket employee is at the center of a legal dispute over lottery winnings, after she accidentally issued a ticket to a customer and then claimed it as her own.
Andrea O'Reilly from Navan in County Meath reportedly issued a customer with a €9 ticket; he later requested a less expensive ticket and was given a €4 one.
O'Reilly claims that she reissued the cheaper ticket to the customer before taping the €9 ticket to the side of her cash register. It later emerged that this ticket had a combination of winning numbers, making it worth €500,000 ($714,000).
The 26-year-old Tesco worker maintains that she had planned to pay for the ticket, but she was prevented by her employer. She now plans to sue her employer of six-and-a-half years.
In normal circumstances, a cashier can void the lottery ticket by scanning the bar code, however in Ireland the process is more complicated with lottery agents often having to call National Lottery Headquarters to fix mistakes.
Speaking through her solicitor Michael Shanley, O'Reilly said: "It's common practice that an employee has the option of purchasing a ticket that was issued to a customer."
"All I have to say at this stage is that I had the ticket and I now no longer have it," she told the Irish Independent.
A spokesman for Tesco confirmed the company have received legal notification from O'Reilly's solicitor but wouldn't comment further.


I'm new to this forum and am working on a 70 Ossa Pioneer 250. I need to replace the primary drive spring and I'm having trouble removing the socket head allen bolt that holds the spring on. I don't want to get too rough with it so I'm wondering if it is RH or LH thread. Any help appreciated.


text:
> Limburg Express 2.0
European Gateway Services (EGS), Barge Terminal Born and the Danser Group have been successfully joining forces for some time in the Limburg Express. The Limburg Express has been maintaining a regular barge connection between Born, Venlo and the ECT Delta terminal in Rotterdam for 2 years now. The partners would now like to scale up to Limburg Express 2.0 , which will be deployed an additional ship , which also other terminal at Rotterdam on lo opt .
The Limburg Express is unique because of the collaboration between two inland terminals in Limburg, which previously served ECT with their own ships. The collaboration leads to various efficiency improvements. Rotterdam is there , thanks to the pooling, use is made of fixed windows at the ECT Delta Terminal . Because of this the ship according to a schedule is , and therefore reliable, transacted.
By using a coupling (ship with pushed barge), larger volumes are transported to Limburg per departure, and handling at the inland terminal is a lot more efficient. For example, the pushed barge will be moored in Venlo for unloading and loading , while the ship will sail on to Born . There is also an efficient reuse of containers. Empty containers to be with the Limburg Express between the terminals repositioned. For example, the empty import containers may be transported from Venlo to Born to be loaded with export cargo there .
Many companies , who use the Express Limburg consider it a great success. So says Helen van den Heuvel, on behalf of Hapag -Lloyd: " the recent years the relationship between the two inland terminals really developed as a partner c h a p. We can offer our customers a reliable service and see that our volumes in recent years also have increased . "
For Michael Kors in Venlo, it contributes to the objectives of socially responsible entrepreneurship . " As a global brand, we want to reduce our impact on the environment. By organizing transport in a smarter way as part of the supply chain, we can contribute to our sustainability goals. The Limburg Express offers the right solution for this. Due to the high reliability and frequency we can offer our customers the service they expect. And by using inland shipping we can reduce our carbon footprint. We look forward to expanding the connections! "
Sabic in Sittard-Geleen is also very enthusiastic about the collaboration. Frans van de Water says: " By using the Limburg Express, we are guaranteed a regular handling in Rotterdam, so we can be sure that our containers are available on time for the departure of the shipping company, and therefore also on time at our customers. to be. The Limburg Express for us in that sense the solution to a problem that we as major international shipper very much affected by this, namely on security regarding the time of processing of container shipping in the harbour. We warmly applaud the development of Limburg Express 2.0, so that we can also have other container flows reliably handled in the port of Rotterdam. "
Limburg Express 2.0 is applauded by many companies, it would be great if this could be realized. With Limburg Express 2.0 , the partners see opportunities to transport even more containers by inland shipping!


text:
Church Re-Bait
Why Little Johnny arrived late to Sunday School
Little Johnny arrived late to his Sunday School class. He was normally punctual, so the teacher asked if anything was wrong. Little Johnny admitted that he had originally planned to go fishing, but his father had told him he must go to Church instead.
Impressed, the teacher asked if his father had explained why it was more important for him to go to Church than to go fishing.
"Yes," Little Johnny replied. "He said he didn't have enough bait for both of us."
see also Fishing, Little Johnny & Religious Sections


Your 'thumb up' or comments are so appreciated. Thank you!
The Lancia Aurelia is a car produced by Italian manufacturer Lancia from 1950 to the summer of 1958. It is noted for using the first production V6 engine. Several body styles were offered—4-door saloon, 2-door GT coupé (B20), 2-door spider/convertible (B24)—as well as a chassis to be custom bodied by external coachbuilders.
Establishing a post-war Lancia tradition, the car was named after a Roman road: the Via Aurelia, leading from Rome to Pisa.
The Aurelia was designed under the direction of engineer Vittorio Jano. Its engine, the first production V6 engine, a 60° design developed by Francesco de Virgilio—who was between 1943 and 1948 a Lancia engineer, and who worked under Jano. During production, capacity grew from 1.8 L to 2.5 L. Prototype engines used a bore and stroke of 68 mm x 72 mm for 1569 cc; these were tested between 1946 and 1948. It was an all-alloy pushrod design with a single camshaft between the cylinder banks. A hemispherical combustion chamber and in-line valves were used. A single Solex or Weber carburettor completed the engine. Some uprated 1991 cc models were fitted with twin carburettors.
At the rear was an innovative combination transaxle with the gearbox, clutch, differential, and inboard-mounted drum brakes. The front suspension was a sliding pillar design, with rear semi-trailing arms replaced by a de Dion tube in the Fourth series. The Aurelia was also first car to be fitted with radial tires as standard equipment.
Carburetors: Solex 30 AAI, 23 and 24mm venturis.
Power: 75 Gross HP @4500RPM.
The very first Aurelias were the B10 berlinas (sedans). They used a 1754 cc version of the V6 which produced 56 hp (42 kW). The B21 was released in 1951 with a larger 1991 cc 70 hp (52 kW) engine. A 2-door B20 GT coupé appeared that same year. It had a shorter wheelbase and a Ghia-designed, Pininfarina-built body. The same 1991 cc engine produced 75 hp (56 kW) in the B20. In all, 500 first series Aurelias were produced.
The second series Aurelia coupé pushed power up to 80 hp (60 kW) from the 1991 cc V6 with a higher compression ratio and repositioned valves. Other changes included better brakes and minor styling tweaks, such as chromed bumpers instead of the aluminium ones used in the earlier car. A new dashboard featured two larger instrument gauges. The suspension was unchanged from the first series. A new B22 sedan was released in 1952 with dual Webers and a hotter camshaft for 90 hp (67 kW).
The fourth series introduced the new de Dion tube rear suspension. The engine was changed from white metal bearings to shell bearings. An open car, the B24 Spider, was introduced at this time (1954 to 1955) and was well received. It was similar to the B20 coupé mechanically, with an 8-inch (203 mm) shorter wheelbase than the coupé.
The fourth series cars were the first Aurelias to be available in left-hand drive; fourth series Aurelias were the first ones to be imported to the US in any number.
This model was immortalized by Dino Risi's 1962 movie Il Sorpasso (The Easy Life), starring Vittorio Gassman. The actual car used for shooting (a single model) was not destroyed during the accident scene sealing the end of the story: an Alfa Romeo Giulietta Spider was used as replacement.
The Lancia Aurelia is a very interesting looking car.
why are your great subject videos so damn short..?
Lancia Lybra test główny. Main test. cz.2.


text:
The NBA will use Microsoft Teams to virtually seat fans courtside
The NBA is not the first league to use a video conferencing app to try its best to recreate the feeling of a packed arena in the era of COVID-19. Some leagues have even thought of more creative solutions to the prospect of spectatorless games. In Japan, SoftBank will use Boston Dynamics' cute but terrifying Spot robot to cheer at Fukuoka Hawks home games. Moreover, this isn't the first time Microsoft has waded its way into professional sports.
The company's Surface tablets famously gained notoriety in 2016 when New England Patriots coach Bill Belichick smashed his device during a game against the Buffalo Bills. "I'm done with tablets," Belichick said when he was asked about the incident. "I just can't take it anymore." For their part, most NBA fans will likely just be happy to see their favorite players return to the hardcourt, even if it means the games look and sound a bit different.
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Here is a newly edited video with S.E.T.I. ambience and noise from the gig last year in Germany. This extract is from 'The Fuschia' video which was made as a visual backdrop for S.E.T.I. gigs.
This entry was posted on July 22, 2006 at 7:30 am and is filed under dark ambient, S.E.T.I., video art.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


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text:
Q: passing class methods in rpyc python I have seen passing a functions using teleport_function, is there any way to pass class methods ?? or can I execute my class object remotely in any other way
I can alternative work around by making class a service . But that does not serve completely my requirement in my project.

A: import rpyc
from rpyc.utils.classic import teleport_function

def a(test):
    print test

if __name__ = '__main__':
    proxy = rpyc.classic.connect('remte.com')
    launch_command_remote = teleport_function(proxy, a)
    launch_command_remote("Voila") # Executed remotly

redpajama_set_name: RedPajamaStackExchange


The Belmont Bruins hosted the TSU Tigers Saturday night at the Curb Event Center. The Bruins were in control for most of the game, winning by 18 points. Here are some photos from the game taken by Morgan McDaniel.
Tripp Davis: Focused at the free throw line.
Dave Morris races the ball up the court against Belmont's Nick Hopkins.
Donte Fitzpatrick-Dorey drives to the basket against Belmont's Nick Hopkins.
Dave Morris comes off a DaJion Henderson screen while being pursued by Grayson Murphy.
Release, rotation, splash for Dante Fitzpatrick-Dorsey.
Kamar McKnight drives to the basket against Belmont's Kevin McClain.
Kamar McKnight with the tough finish under the rim.
DaJion Henderson finishes inside over Belmont's Nick Muszynski.
Dave Morris lights up when he sees Belmont's Kevin McClain trying to defend him.
Michael Littlejohn surveying the defense.
Dante Fitzpatrick-Dorsey gets free for a shot off a DaJion Henderson screen.
Armani Chaney getting that easy money from the free throw line.
Stokley Chaffee Jr getting ready to make something happen.
Michael Littlejohn defending Grayson Murphy.
Coach Brian "Penny" Collins addressing his team.
For more of Morgan's pictures, check him out on Instagram.


The first product liability claim against an asbestos manufacturer, James Hardie & Coy Pty Limited in Australia.
The first verdict on behalf of a child born at Wittenoom and exposed to blue asbestos dust in the township.
The first verdict on behalf of a victim who was working with brake lining materials as a fitter in an engineering firm.
A succession of successful judgments for workers exposed to asbestos and suffering from lung cancer.
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Turner Freeman represented the coalition of unions and asbestos support groups at the James Hardie Inquiry.


Where in the park is that? I'm embarrassed to say that even though I have been to centennial park dozens of times I have either never seen or never noticed this.
Union Station Hotel stained glass window with sun cutting trough from other side.
Where is this one ,Mark?
They need to clean or paint their piano keys. Looks pretty bad. I would be embarrassed if I were the hotel manager.
The theme must be reclaimed wood from barns or something like that, because otherwise like you said, I don't know how an otherwise clean and modern looking hotel would allow them to get to that point without a refurbishment.


Here is a brief guide to the different, common types of document formats that open textbooks are available in.
Some open textbooks are available as Word/OpenOffice documents. These file formats will be have the .docx or .odt file extensions. You will need Microsoft Word or OpenOffice to view these files. Word/OpenOffice documents can be used to distribute a textbook to students as it is a common file format. However, it is more common that you would convert the Word/OpenOffice document to PDF, ePub or HTML for distribution to students and provide Word/OpenOffice as a source file for others who may want to edit or adapt the textbook.
Open Textbook Formats by BCcampus is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.


text:
Tartscher Kopf(kante)
Höhe: 2963 m | Ausgangspunkt: 1543 m Trafoi | Höhenunterschied: 1450 m | Tourschaft: Tini, Patti & Franz
Eine klassische Frühjahrstour, über die "Kante" zum Tartscher Kopf, machten wir heute. Die warmen Temperaturen, der letzten Tage, waren vorallem auf der Talabfahrt zu spüren, bzw. zu sehen. Im oberen Teil fanden wir aber noch tollen Pulver vor, welcher auf halbweg direkt in feinen Firn überging.
tagPlaceholderTags: Skitour
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漢方精力剤 (Donnerstag, 04 Januar 2018 07:35)
海外では日本のような規制は無いので本当に強力な精力剤がゴロゴロしています。
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ED治療領域の新の薬物です
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The offered 5 GB data allotment is replenished with each billing cycle for Canada and Mexico. All the same, this limits T-Mobile's interest to jet-setters. T-Mobile has recently announced that, from 12th November, it will top the no-additional-charge LTE data to a maximum of 5GB every month while you're going to the US' neighbors. That's thanks to the company's Mobile Without Borders perk, which was implemented in 2015.
The users can access to less data if they aren't subscribed to an unlimited plan, for example, a customer with 6 GB cap will only have 4 GB to utilize in overseas in case the 2 GB has already consumed. To stop the users from using "beyond the intent of the product" a capping has been applied to the usage of the monthly 4G LTE data. You'll still get data after the 5GB limit is hit, but it'll be throttled to the near-unusable "Simple Global" speed tier, or about 128Kbps.
The change affects all customers on T-Mobile One, Simple Choice, and legacy rate plans. T-Mobile is known to give the North American customers complete access to LTE beyond their nation's borders.
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Mobile Without Borders is an incredible benefit and allows customers to stay connected when traveling in Canada and Mexico.
If you have any more queries on the change and how it will reflect on your mobile usage, you can check the dedicated T-Mobile FAQ page to get all the answers.
The inventory page also details 128GB, 256GB, and 512GB capacities, which is the same as what was leaked by Droid-Life last month. As Google's latest product launch event draws ever nearer, the rumors surrounding it occur more frequently too.
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Having lost the first Test last week, the hosts saw Sri Lanka run up 482 on day two, before closing on 0-51 in response. Sri Lankan batting has put Pakistan under submission as their bowlers toiled hard on an unyielding Dubai stadium pitch.
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I want to see how Saints coach Sean Payton utilizes running backs Mark Ingram , Adrian Peterson and rookie Alvin Kamara . There also was a fourth-and-inches conversion by Brees on a sneak when the spot barely was good enough for a first down.


The Peabody Museum enhances global knowledge through multidisciplinary research, teaching, and the dissemination of scholarship. The Museum maintains a highly qualified professional staff who insure proper collections care and management and who facilitate use of the collections in research, teaching, and exhibition. Loan policy and procedures have been developed to maintain the integrity and security of the Museum's collection resources.
The Peabody Museum lends only properly accessioned and catalogued material.
The Peabody Museum lends to institutions only.
All requests are considered by the Collections Review Committee.
All loans must be approved by the Director.
All loans are subject to the terms outlined on the individual loan agreement. Loans are generally made for the period of one year or less, subject to annual recall. If more than four renewal requests are made, the loan will be reconsidered by the loan review committee. No loans will be made for longer than five years.
Unless alternate arrangements are agreed upon in writing, all loans must be returned to the Peabody Museum in the order in which they leave. For research loans, collections returned must be accompanied by a report of findings, whether or not formal publication results. If formally published, the Peabody Museum will receive a complimentary copy of the report.
The Peabody Museum processes a large volume of outgoing loans for exhibition and research purposes. Procedures for loans made for both purposes are identical and are intended to allow the needs of both the Peabody Museum and the borrower to be met satisfactorily.
All requests must be submitted in writing on institutional letterhead and addressed to the Curatorial Division, Registrar, or Director. Information on the intended use of collections, the requested duration of the loan period, and any other details pertinent to the request are necessary for consideration. Written requests must stipulate the nature of collections use or type of research to be conducted, the accession and catalogue numbers of the objects requested, and a time framework. Research requests should also stipulate expected results.
Following consideration by the loan review committee and approval of the Director, the requestor is provided with a preliminary estimate of costs and informed of borrowing responsibilities.
All loans require a minimum of six months to process from the time that approval is granted and a final list of loan objects determined.
Each object or group of objects lent is documented on an individual loan agreement and photographed for record-keeping purposes.
If an individual is affiliated with a museum, the loan agreement must be signed by the director or registrar of the receiving institution. If the requestor is affiliated with an academic department, the agreement must be signed by the department chairman.
Specifications of loan return are made at the time of initial loan negotiation. Notification of the loan's return must be made a minimum of one month in advance. Arrangements are to be made with Peabody Museum staff according to policy and conditions of loan outlined above.
ship, monitor, receive, and return collections to storage.
$150 per object for exhibition loans at single or first venue. Objects in exhibition traveling to additional venues will be billed $100 per object/additional venue.
$250 per loan for research loans requiring less than 20 hours administration. Time over 20 hours will be additionally billed at $10 per hour. Upon review by committee, up to $150 is refundable to the borrower upon receipt of collection as stipulated and receipt of report of findings.
$90 per hour as required for loan. Conservation will be conducted by Peabody Museum staff, unless otherwise arranged in advance. Fee includes standard materials and labor. Cost of additional materials will be borne by borrower.
Appraisal fee will be borne by borrower.
Cost of all risk fine arts "wall to wall" insurance for duration of loan period (in transit and on location) of object's appraised value will be borne by borrower. If Peabody maintains its own insurance, borrower may be provided with Certificate of Insurance upon request. If borrower insures, Peabody Museum will stipulate conditions.
Costs of mount fabrication will be borne by borrower.
Packing method will be specified by Peabody Museum. Costs of material and labor will be borne by borrower.
Shipping will be specified by Peabody Museum. All transportation costs (carrier, customs brokerage, freight forwarding, additional security, etc.) will be borne by borrower.
Borrower is responsible for courier's transportation costs and per diem (accommodations and meals). Per diem must not be less than the U.S. Government rate.
All objects must have a reproducible image available before leaving the Museum. If a suitable image does not exist, the borrower will be billed the production costs.


text:
Q: How to assign a variable to a GET value in PHP
When I write the code like this it's working fine. But when I edit this to assign a php variable to GET value, it's not working.
<a href="Details.php?phoneid=<?php $Pid_arr[count($Pid_arr)-1]?> " class="product" title="Product 1">
Can someone pleas explain why ?
Thanks in advance.

A: You need to echo the variable:
<a href="Details.php?phoneid=<?php echo $Pid_arr[count($Pid_arr)-1]; ?>" >

You can also do it this way:
<?=$Pid_arr[count($Pid_arr)-1]?>

A: You have to either echo it, like this:
<a href="Details.php?phoneid=<?php echo $Pid_arr[count($Pid_arr)-1]; ?> " class="product" title="Product 1">

Or use shorttags:
<a href="Details.php?phoneid=<?=$Pid_arr[count($Pid_arr)-1]?> " class="product" title="Product 1">

A: Be sure to echo it:
<a href="Details.php?phoneid=<?php echo $Pid_arr[count($Pid_arr)-1] ?> class="product" title="Product 1">

A: Try;
<a href="Details.php?phoneid=<?php echo $Pid_arr[count($Pid_arr)-1]; ?> " class="product" title="Product 1">

A: I would try writing this with short tags. I believe it gives better readability
<a href="Details.php?phoneid=<?=$Pid_arr[count($Pid_arr)-1]?>" class=.......


text:
WEB-EXCLUSIVE HOME TOUR
Firm Ashe + Leandro Craft a Colorful Velvet Dream for a Young Family
In a project inspired by iconic Dimore Studio, the designers put a jewel-toned, richly textured spin on a New York City apartment
By Kathryn Romeyn
Photography by Fran Parente/OTTO
Saturated bursts of full-bodied gem tones aren't exactly standard operating procedure for Ashe + Leandro, the AD100 firm. But sometimes the best results come from having conventions challenged. Partners Ariel Ashe and Reinaldo Leandro started essentially from scratch to redo a 2,000-square-foot, three-bedroom apartment in the Sterling Mason building in Manhattan's Tribeca, taking major inspiration from Italian design firm Dimore as they went. What they didn't know at the time was that their client was getting feedback and ideas beyond the scenes from her design-savvy sister. "They are a young family, not afraid to be bold and playful in their choices. We said, 'Why don't we do a Dimore take, bring some of that Milanese style to Tribeca?'" says Leandro. Ashe adds, "It turned out really cool in the end because it's a lot more colorful than we usually do."
The owners were game for anything and didn't feel precious about any of their existing pieces, Ashe says, adding, "That's always something I want to hear." She knew they were more adventurous than she is personally, so the designer took the chance to dip a toe into a Technicolor pond. "I've been a fan of Dimore's work and this just gave me an opportunity to kind of go crazy, which was fun. I showed them their work and they're like, 'Yeah, that's great.' So I was like, 'Good, we'll do the Ashe + Leandro version.'"
A sister of one of the homeowners lent the couple the photograph over the Gubi desk in the corner of the master bedroom, with a vintage Italian lamp. The coral curtains were existing, and they made the green rug at Ateliers Pinton. "I've noticed we always used black in every project, and so that was our black moment. And it made the peach and teal more palatable, I think," says Ashe, "and less like Florida."
Their iteration wound up supremely comfortable, plush and intensely colored, with plenty of original shapes and lines. Still, Ashe says, theirs is more pared back and simpler, yet still luxurious and vibrant. "Dimore would never leave a wall white, like we did in the bedroom, but it's not that big of an apartment and you don't want to be overwhelmed with color." One aspect that's purely Ashe + Leandro: the absence of pattern. "That's very signature of us. We don't ever use patterns, wallpapers, or fabrics, it's just all about texture."
They recovered a couple of existing pieces in the living room in sumptuous velvets, influenced by a photo of Dimore's work that Ashe had seen. Renovations weren't necessary, but they did add a slew of bookshelves, a blue stone–topped bar adjacent to the dining table, and a large, colorful cabinet in the baby's room, which looked fantastic but was a bit of a pain to construct. "It was more about creating program," says Leandro of the built-in additions in the living room that formed a successful space for entertaining and lounging. "A bar area, more storage, TV, book, and object display—how to bridge all that new program in one consistent gesture and not little moments that would break up the great room that is the living and dining room."
Ultimately, says Ashe, "It was different for us, but fun. I definitely am better at this than super tradition or super contemporary—it's still in my favorite era, midcentury Italian." The color may seem out of character but, says Leandro, it's very present in their earlier work, though with more of a New World twist: "The difference is that our colors were more vibrant—I am Latin and Ariel is from New Mexico. These colors were a little moodier, more Milanese or Old World: deep reds, rust, gray-blues."
The marble dining table was about the only piece of furniture that remained in the apartment post–Ashe + Leandro redo. One reason: "It weighs about 800 pounds, so we decided to keep it," says designer Ariel Ashe. The chairs around it are by Gubi, covered in fabric they chose from Danish Design Store. The bar they added is topped with bluestone from Walker Zanger that resembles lapis lazuli ("we ended up doing the same bluestone in our office kitchen," says Ashe). "There's just a little bit, so it's not overwhelming, just that one little counter." They also added the bookshelves and black-and-white cabinet in the nook, based on a Charlotte Perriand design.
RELATED: A Modern Tribeca Apartment Where Eclecticism Reigns
Exploreweb exclusive home tour


text:
package com.cloudoa.framework.utils;

import org.springframework.context.ApplicationContext;
import org.springframework.context.ApplicationContextAware;
import org.springframework.context.support.ClassPathXmlApplicationContext;

/**
 * 获得Spring的信息的工具类。
 */
public class SpringUtil implements ApplicationContextAware{

	private static ApplicationContext applicationContext;

	static{
		applicationContext = new ClassPathXmlApplicationContext("applicationContext.xml");
	}

	/**
	 * 实现ApplicationContextAware接口的context注入函数, 将其存入静态变量.
	 */
	public void setApplicationContext(ApplicationContext context) {
		applicationContext = context;
	}

	/**
	 * 取得存储在静态变量中的ApplicationContext.
	 */
	public static ApplicationContext getApplicationContext() {
		if (applicationContext == null)
			throw new IllegalStateException(
					"applicaitonContext未注入,请在applicationContext.xml中定义SpringUtil");
		return applicationContext;
	}

	/**
	 * 从静态变量ApplicationContext中取得Bean, 自动转型为所赋值对象的类型.
	 */
	@SuppressWarnings("unchecked")
	public static <T> T getBean(String name) {
		return (T) applicationContext.getBean(name);
	}
}

redpajama_set_name: RedPajamaGithub


The grasshoppers are thick on our plants now. As we have cleared the weeds, they have moved on to the vegetable plants. We will now have them until it freezes in a couple months.
We are finishing up the planning for our fall and winter plantings. We will soon be putting in broccoli, beets, carrots, various kales, onions, swiss chard, rutabagas, and snow/snap peas. A second round planted a bit later will include radishes, turnips, spinach, romaine lettuce and various greens.
This weekend we will start selling CSA shares for our fall & winter CSA season that will start on November 12 and continue until mid-March. We will have the CSA forms at the market stand on Sunday and up on the website by early next week.
Our plans for the CSA share income this fall include a new battery bank for our solar energy system and a new cover for the high tunnel to replace the one destroyed by the big dust devil early in the summer. We will also start the process to develop another field.


This post is for accounting firms who are looking to move to the cloud but are not sure where to start.
Once those questions are answered, then you can start the move.
It used to be a boring word.
However, quality prevails over quantity..............sound familiar?
So how do you get some good data for your customer base?
Maybe you already have a good CRM?
Does it have custom fields?
Who is on Xero, MYOB or QBO?
The list goes on.....................so can your CRM get that data?
If no, take a look at the video below and you can see a nice simple way to figure out where you are and where you can go.
I have seen quite a few firms over the years and I found that using a simple tool in google sheets / excel, you can collate and analyse data and get some great insights into your existing customer database.
There you go, some good tips on using data to get yourself started.
If you need some help, get in touch!


If the past few days you've been seeing text where chicklets should have been you're not alone. Somehow, a folder on the server got renamed and caused the images to be not found.
Granted, I have fixed the issue, but if you were seeing text were there were once chicklets, than that means your not hosting your own button images.
Thanks for the nice post. briefly said, you have given me great help. Until now, my site: Isulong SEOph – Bicol is still having this problems; seeing texts instead of chicklets. But now I can finally change them. Thank you!!


text:
The 2010 Baylor Bears football team represented Baylor University in the 2010 NCAA Division I FBS football season. The team was coached by Art Briles and played their home games at Floyd Casey Stadium in Waco, Texas. They are members of the Big 12 Conference in the South Division. They finished the season 7–6, 4–4 in Big 12 play and were invited to the Texas Bowl, their first bowl appearance since 1994, where they were defeated by Illinois 14–38.  This season featured BU's first win over the University of Texas since 1997, and the first in Austin since 1991 (12 straight losses, the most recent 11 losses all by at least 21 points).

Schedule

Rankings

References

Baylor
Baylor Bears football seasons
Baylor Bears football