"Flectere si nequeo superos, Acheronta movebo."
Even with space superiority as a given, it is sometimes necessary to attack or defend a planet-side target on the ground (for example, when wishing to capture specific assets or evacuate personnel). When this becomes necessary, the Imperial Combine usually deploys its MAGA forces.
The Mobile Air and Ground Assault forces are trained for a variety of strategic scenarios including bombing, besieging, occupation, area defence, area denial, and hunt-kill. They are equipped for all manner of combat environment, and can be likened to a combined army, conventional navy, and air force. The organisation is responsible for engaging enemies on land and in the air, to protect and advance Imperial interests, and it works closely with the Imperial Navy in order to achieve this.
The organisational motto of MAGA is Flectere si nequeo superos, Acheronta movebo — "If I cannot bend the will of Heaven, I shall move Hell."
The organisational structure of MAGA draws on the structural hierarchies of a number of military bodies, from various Earth cultures and different periods in human history. The rank structure has evolved to be streamlined and efficient. It is oriented towards maintaining smooth deployments and combat resilience, even under the most demanding conditions.
One of the most controversial decisions in MAGA history was the removal of commissions for the officer-grade ranks. In effect, this has made every member of the organisation a Non-Commissioned Officer. Money or a privileged social position will not allow a person to enter the higher ranks without starting their military life as a private. As in the wider social fabric of the Empire promotions are earned on merit. There is therefore a strong correlation between age, experience, and rank.
Trainees, technically unranked, are more often referred to by serving soldiers as Baby Guns, Meat Paste, or HCF (Hopeless Cannon Fodder). Privates who have only recently passed out of training are often called Rooks, Newbies, or Dead Meat.
Experienced privates are more usually referred to as "Trooper", "Soldier", or "Mate" by their comrades and immediate seniors. The term 'grunt' is considered to be disparaging, and is only typically used as a deliberate insult, or in self-deprecation.
Corporals usually command one or two fireteams, and are counted in the strength of one fireteam. A corporal who has command of two fireteams will therefore have three privates working beneath her, plus an additional fireteam under her control which comprises four more privates. Corporals usually carry an additional skill and may be trained as an engineer, a field medic, or a communications officer.
Every squad of four fireteams is commanded by a sergeant. From the perspective of a private, sergeants are considered to be far more authoritative than corporals, who more often operate in the capacity of a supervising "buddy". Most sergeants maintain a hands-on approach, and are rarely aloof, but are often addressed as "Boss" by privates and corporals alike.
A lieutenant commands a platoon of four squads. Lieutenants are often given a great deal of latitude by their company captains, and this can sometimes cause a rift between lieutenants and the troops under their command.
A MAGA captain commands an entire company of 256 soldiers, and as such usually delegates much of the responsibility for order, discipline and day-to-day administration to their platoon lieutenants.
A Lieutenant Colonel commands a battalion of four companies. The duties of the rank are mostly administrative, although the deployment of the battalion requires the Lt Colonel to work hand-in-hand with the regimental Colonel.
Most MAGA units are identified numerically or alphabetically, internally to their parent unit, which places a limit of four on most identifiers (see 'Command Structure', below). This limiter is colloquially known as the 'rule of four'. Because of the rule of four there are 4,096 regiments per theatre, each of which is 4,096-strong without commanding officers. The total number of troops in each theatre therefore approaches 17 million, so knowing precisely who is who is very important.
Battalions often have a descriptive name associated with them. The 951st, for example, is widely known as the Nasty Nine-Five-One.
Regiments usually go by a name rather than a number, e.g. Tanker Regiment. While the regiments are officially numbered it is purely an administrative fact. Regimental names are used routinely throughout the hierarchy.
Companies will usually have their own adoptive names, which traditionally begin with the company letter. For example in the Fearsome 310th, Alpha Company gave themselves the name "Avenger". The companies in a battalion will be identified more formally as Alpha Company, Bravo Company, Charlie Company, and Delta Company.
The platoons in each of those companies will be called First Platoon, Second Platoon, etc. Where more than one company is present, platoons will be referred to by company then by platoon number, e.g. "Alpha Three". If the company has an adoptive name, this is usually co-opted into the call-sign in place of the alphabetical identifier, e.g. "Avenger Three".
The squads in each platoon will be called Squad One, Squad Two, etc. As above, the call-sign attributed to a squad will follow the numeration system, so Squad One of Avenger's Third Platoon would communicate as "Avenger Three-One".
The fire teams in a squad are called Alpha, Bravo, Charlie, and Delta. Their call-sign simply adds the fire team letter to the squad call-sign, e.g. "Avenger Three-One Delta".
MAGA has a logical command structure with only a small number of deviations from the overall pattern. There are twelve levels in the organisational hierarchy of every theatre, each of which contains four of the units in the preceding level. For example there are four soldiers in a fire team, four fire teams in a squad, four squads in a platoon, and so on up the structure. The commander of a unit is not usually counted in its strength, except where one of the four soldiers in a fire team is its corporal.
Each subunit is numbered or lettered relative to the parent unit, according to the 'rule of four'. For example Downfall One is the name given to a notorious unit from Tanker Regiment. The name refers to the regiment's first platoon (given by the 'one') of Delta Company (with the name 'Downfall' following the D of Delta). To be explicit one could refer to the platoon as "Downfall One, Tanker Regiment", since the platoon's identifier is given relative to the parent company which could cause confusion for the ill-informed.
The one main exception to the rule of four is that battalions are not normally referred to relative to their parent regiment — instead they are all numbered sequentially regardless of parent regiment. Thus Downfall One comes under the command of Delta Company of the 1085th Battalion.
MAGA troops may be posted on a permanent or semi-permanent basis to training facilities, garrisons, and so on. When this is the case they are often delivered by landers, but may be ferried by shuttle instead as circumstances might dictate.
MAGA soldiers are generally delivered to planetary surfaces or space-based facilities by naval vessels, since MAGA has very few space vehicles of its own. Many ships of the line carry detachments of MAGA soldiers as well as the means to deploy them. Heavier equipment, such as Gorilla GSPs, is usually transferred to and from orbit by Navy lifters.
Battleships and carriers will normally only deploy equipped assets in landers; these are hardened drop ships with some combat capabilities, which are most suited to the circumstances under which MAGA would usually be delivered into hostile or contested regions.
When deployed to the surface of a planet MAGA units are often commanded from orbit. During long campaigns, or where very large numbers of troops are present, a Forward Operating Base may be established to provide a command post on the ground.
It is sometimes necessary to assault a static target from afar, and MAGA strike forces are equipped with a range of technologies. From mortars and artillery, to cannons capable of levelling areas on the order of several city blocks, a range of weaponry is available. Some are operated by one or more soldiers, some are vehicle-mounted, and others — like the Gorilla GSP — are fully autonomous platforms.
MAGA vehicular equipping sometimes includes short range fighter craft suited to atmospheric operations. This is usually only the case for units ferried by navy carriers. The bombing of targets from the air is usually coordinated from both space and watch points on the ground, to ensure that full target coverage is attained while minimising the impact of resistance.
MAGA forces are perfectly suited to besieging planetary targets, since the attacking force usually comprises several wings of battleships with at least one carrier present. The battleships can be used to blockade a target from low orbit, or they can be grounded to provide shelter and support for units on the surface.
Because of the sheer scale of MAGA deployments, it is almost a trivial matter for even a large city to be occupied once its defences have fallen. Even a modest strike force of just one regiment will comprise thousands of ground troops, equipped with all the tools and resources needed to establish whatever interim facilities the task requires.
Counterparts are effectively seconded from the MAGA ranks. Those counterparts who are awaiting assignment to a Shard will almost always remain on active duty with a MAGA unit, and will continue to accrue training and promotion opportunities just like any other infantry regular.
→ Read more about the Shard Programme.
Tanker Regiment is an island within MAGA, where the occupants are given some license to do their own thing. The regiment has its own rules, tactics, and values, but the most notable feature is that it comprises the largest, strongest, and most brutal of all MAGA's soldiers. The regiment is commanded by Colonel Catark Baiste.
→ Read more about Tanker Regiment.
Usually occupied by a MAGA sergeant, for example Willon Panovar, the role of Master-at-arms bears responsibility for security and discipline aboard Imperial Starships and space stations.
While posted to ships and facilities, a soldier assigned to this role may deputise an entire squad of MAGA troops to fill security roles, enforce discipline, and provide controlled access to small arms.
While flag officers of the Imperial Navy appear to accept the necessity of this practice, it appears to be the cause of some resentment amongst the lower naval ranks. Friction with MAGA personnel is not uncommon.
Often stationed on a space-based facility such as a fortress, but sometimes travelling with convoys, logistics controllers (LCs) are responsible for supporting MAGA units by offering resupply and secure data handling.
In every battalion, one captain will adopt the role of Quartermaster (QM). The duty of the QM is to record, organise, and distribute the supplies delivered to them by a logistics controller. Like their LC colleagues, Quartermasters are technically administrated by the Resourcing Bureau rather than MAGA command.
The Wanton One-Oh-Fourth was carried by the ICS Vehement, a carrier of the Fifth Fleet, until its destruction on or about 13th March 3745 ELC. Much of the 104th perished, either with the carrier as it de-orbited to the surface of Guathelia, or in the subsequent attack on Camp Camillion (→SFTD).
Junn Delanka is a rifleman who was attached to the unit. He was already on the surface when the Vehement came down, and is one of a few survivors of the 104th.
The Fearsome Three-Tenth was involved in the events of both the Ottomas Incident and the Brankfall Incident.
In 3734 ELC the entire battalion was posted on the heavy carrier ICS Embolden, where it remained for three Solars. Rendir Throam was assigned to this battalion after graduating from the Counterpart Academy, and was one of those who served aboard the Embolden.
The Nasty Nine-Five-One is the parent unit of Bullseye Company, platoons of which assisted Elm Caden and his cohorts on Echo, Aldava, Woe Tantalum, Mibes, Guathelia, and Riishi (→SFTD, LOTD, TRD).
The 951st Battalion was carried by Admiral Pensh's Second Fleet flagship, ICS Stiletto. Since the disappearance of that ship during Operation Seawall only one company of the battalion is accounted for. Most of the Nasty Nine-Five-One is now considered KIA (→LOTD).
The 1085th Battalion is a part of Tanker Regiment. It is commanded by Lieutenant Colonel Jolan Straeger.
This battalion took part in the Second Liberation of Mibes, and pulverised Viskr ground forces while doing so (→LOTD). One company assisted the mission to Riishi (→TRD).
The 1085th later assisted regular MAGA forces during Operation Sabre, on the surface of Palanda Ire, and sent platoons to Lopama in order to take back Forge Ruinous from an invading force (→FSS).
Avenger Company is also known as Alpha Company of the 310th Battalion. From 3734 to 3737 ELC, Avenger was posted to the ICS Embolden along with the rest of the 310th.
Rendir Throam began his MAGA career in this company, as a private in fire team Three-Two-Delta. By the time he left the 310th to be paired with Elm Caden, he was a lieutenant in command of the Third Platoon.
Bullseye Company is more officially known as the 951st Battalion's Bravo Company. It was commanded by Captain Udis Pinsetti until his death in March 3745 ELC.
Lt Volkas, First Platoon CO.
Sgt Chun, squad One-Three leader.
Pvt Bruiser, fire team One-Three Charlie, automatic rifleman.
Bullseye Company was instrumental in the ground-side element of the Battle of Woe Tantalum. During de-orbit from the ICS Hammer, one of the company's lander drop ships was destroyed by enemy batteries firing from the planet's surface, with the resulting loss of the entire Third Platoon and Captain Pinsetti (→SFTD).
Bullseye assisted Elm Caden during his mission to retrieve high-level personnel during the Second Liberation of Mibes (→LOTD).
When the Shaeld Hratha began to attack the Imperial Combine openly, it was Bullseye who travelled with Elm Caden to Guathelia to ensure his safety during Operation Keystone. Many of them were later killed during the ill-fated mission to Riishi (→TRD).
Downfall is Delta Company, of the 1085th Battalion of the Tanker Regiment.
In March 3745 ELC, First Platoon's Squad Four assisted Elm Caden and his team during the Second Liberation of Mibes (→LOTD).
That unit also assisted in Operation Keystone on Guathelia, and then accompanied Caden on his mission to Riishi (→TRD).
Those same soldiers were later instrumental in the invasion of Arroch Bay on Palanda Ire, the eradication of an intruding force from Forge Ruinous on the surface of Lopama, and the ground combat which took place during the siege of Damastion (→FSS).
Sgt Feior, squad One-Four leader.
Pvt Bel-Jenta, fire team One-Four Charlie, rifleman.
Pvt "Juggernaut", fire team One-Four Delta, automatic rifleman.


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Featuring a mint blue cowl draped georgette tunic with a front slit. It is paired with a matching short dupion silk jacket with shades of pink and gold floral resham and dabka work. It comes along with a blue net churidar.


text:
Q: link-time code generation seems to diregard compiler warning settings I'm working on a relatively large C++ project. Generally we have all compiler warnings ON, and "treat warnings as errors".
We also use 3rd-party libraries (source code), for them the appropriate warnings are turned OFF.
Recently I've tried to enable link-time code generation (a.k.a. whole program optimization /GL option for msvc), which effectively defers the actual compilation to the linkage stage.
The problem is that during this link-time compilation all the suppressed warnings pop up.
Is there a way to work this around?

redpajama_set_name: RedPajamaStackExchange


text:
CCXP 2022: What to Expect From Disney's Panel
By Cameron Bonomolo - November 30, 2022 11:45 pm EST
With Brazil's Comic Con Experience returning to São Paulo in person for the first time since 2019, Disney is bringing its 2023 slate to the pop culture convention taking place December 1st-December 4th. To recap: 2019's in-person experience saw Walt Disney Studios reveal new looks from Marvel Studios (Black Widow, Eternals, Disney+'s WandaVision and The Falcon and the Winter Soldier), Lucasfilm (Star Wars: The Rise of Skywalker), 20th Century Studios (Spies in Disguise, Ryan Reynolds' Free Guy), Pixar Animation Studios (Onward), and Walt Disney Animation Studios (Frozen II). So what can you expect from this year's panel?
At 4:30 pm local time on Thursday, December 1st, Walt Disney Studios will preview some of its upcoming major releases during a three-hour panel promising "surprises and news" on the Thunder Stage. Along with James Cameron's Avatar: The Way of Water (out December 16th), Disney will reveal sneak peeks at the titles slated for release during The Walt Disney Company's year-long 100th-anniversary celebration in 2023.
Star Zoë Saldaña and producer Jon Landau will be on hand to tease the hotly-anticipated Avatar sequel before it hits U.S. theaters on December 16th.
Set more than a decade after the events of the first film, Avatar: The Way of Water begins to tell the story of the Sully family — Jake, Neytiri, and their kids — the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
The Mandalorian Season 3
The Mandalorian series creator Jon Favreau and executive producer Dave Filoni will appear remotely to preview the upcoming third season of the live-action Star Wars series on Disney+. (Star Pedro Pascal will also be in attendance at the convention — for HBO's Last of Us series.) Season 3 of The Mandalorian is expected to stream in February on Disney+.
Producer Kevin Feige and director Peyton Reed will join cast members Paul Rudd, Evangeline Lilly, and Jonathan Majors on stage to show off a little something from Marvel Studios' Ant-Man and the Wasp: Quantumania. The third installment in the Ant-Man trilogy, which introduces Majors as the villainous Variant Kang the Conqueror, opens in theaters on February 17th.
Feige, president of Marvel Studios and chief creative officer of Marvel Entertainment, will discuss the third and final chapter of filmmaker James Gunn's Guardians of the Galaxy trilogy. After Marvel unveiled an exclusive trailer for attendees at San Diego Comic-Con over the summer, the first footage might finally become publicly available online before Vol. 3 hits theaters on May 5th.
Plot details remain under wraps, but the star-studded cast includes Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Sean Gunn, Sylvester Stallone, and MCU newcomers Maria Bakalova, Will Poulter, and Chukwudi Iwuji.
Producer Denise Ream will treat attendees to a new look at Disney and Pixar's Elemental, in theaters June 16th, 2023.
Directed by Peter Sohn (The Good Dinosaur), Elemental is an all-new, original feature film set in Element City, where fire-, water-, land- and air residents live together. The story introduces Ember, a tough, quick-witted and fiery young woman, whose friendship with a fun, sappy, go-with-the-flow guy named Wade challenges her beliefs about the world they live in.
Disney and Lucasfilm will whip up the first look at Indiana Jones 5, featuring Harrison Ford's return as the archaeologist adventurer, in theaters June 30th. Guests are TBA, but the cast includes Phoebe Waller-Bridge, Mads Mikkelsen, Toby Jones, John Rhys-Davis, and Antonio Banderas. James Mangold directed the new film from producers Steven Spielberg, Frank Marshall, and Kathleen Kennedy.
Stay tuned to ComicBook for CCXP 2022 updates as they happen and follow @ComicBook and @ComicBookNOW on Twitter.
Dave Bautista Wants To Be James Gunn's Lex Luthor (Exclusive)
Ant-Man and the Wasp: Quantumania: New Look at Kang Released
Eddie Murphy Reveals Why He Turned Down a Star Trek Movie Role

redpajama_set_name: RedPajamaCommonCrawl


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All the morning at the office, and at noon home to dinner with my clerks, and while we were at dinner comes Willet's aunt to see her and my wife; she is a very fine widow and pretty handsome, but extraordinary well carriaged and speaks very handsomely and with extraordinary understanding, so as I spent the whole afternoon in her company with my wife, she understanding all the things of note touching plays and fashions and Court and everything and speaks rarely, which pleases me mightily, and seems to love her niece very well, and was so glad (which was pretty odde) that since she came hither her breasts begin to swell, she being afeard before that she would have none, which was a pretty kind of content she gave herself. She tells us that Catelin is likely to be soon acted, which I am glad to hear, but it is at the King's House. But the King's House is at present and hath for some days been silenced upon some difference [between] Hart and Moone. She being gone I to the office, and there late doing business, and so home to supper and to bed. Only this evening I must remember that my Lady Batten sent for me, and it was to speak to me before her overseers about my bargain with Sir W. Batten about the prize, to which I would give no present answer, but am well enough contented that they begin the discourse of it, and so away to the office again, and then home to supper and to bed. Somebody told me this, that they hear that Thomson, with the wooden leg, and Wildman, the Fifth-Monarchy man, a great creature of the Duke of Buckingham's, are in nomination to be Commissioners, among others, upon the Bill of Accounts.
The writer has seen a Petition of certain Adventurers [for lands in Ireland] which is shortly to be presented [to Parliament]. In the copy so seen, the Duke's name was not mentioned, but occasion will probably be taken thereupon to bring about a more general discussion of the affairs of Ireland.
Barker's Case [ http://www.pepysdiary.com/diary/1667/08/28/#c30... ] is now to be brought before a Committee of Parliament. It is likely, however, that the decision of the Privy Council will be approved.
"my Lady Batten sent for me, and it was to speak to me before her overseers about my bargain with Sir W. Batten about the prize"
"and was so glad (which was pretty odde) that since she came hither her breasts begin to swell, she being afeard before that she would have none, which was a pretty kind of content she gave herself."
If Wikipedia is to be believed, Deb is about 16 at this point.
L&M note John Wildman was not a Fifth-Monarchy man but a Leveller associated with Buckingham since the 1650's. He had just been released from prison (again) in October. He was not appointed a Treasury Commissioner, but Col. John Thomson, a prominent Rumper known to Pepys as an Admiralty Commissioner in 1659-60.
"and was so glad (which was pretty odde) that since she came hither her breasts begin to swell"
Impossible to avoid the thought that Sam's ministrations might be involved.
"Oh sir, my aunt thinks they may never grow!"
"Come here my dear, let me see what I can do...."
Interesting friends Buckingham wishes to promote.
Ominous portents Willet-ward... That was an odd thing for Auntie to bring up with strangers. I can't help imagining Bess sneaking off to find a mirror.
He called for the King's trial, he conspired against Cromwell; he conspired against Charles II; and, what is most surprising, he survived to conspire successfully against James II, and was rewarded by William III with the office of Postmaster General.
Buckingham may have called him (in a 19 December newsletter) "the wisest statesman in England" (L&M note), and he may have been the absolute Leveller, but scheming and treachery were his stock in trade.
"they hear that Thomson, with the wooden leg, and Wildman, the Fifth-Monarchy man, a great creature of the Duke of Buckingham's, are in nomination to be Commissioners, among others, upon the Bill of Accounts."
L&M say both were nominated, but only Col. George Thompson appointed. He was a Rumper who Pepys had known in 1659-60 when Thompson was an Admiralty Commissioner.
"The L&M Companion says she was baptised at St Stephen's parish, Bristol, on 12 Sept. 1650. (The Wikipedia article needs correcting.)"


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His House Review - IGN
His House Review
These protagonists aren't just haunted by the supernatural.
By Siddhant Adlakha
Updated: 29 Oct 2020 11:06 pm
Posted: 29 Oct 2020 9:00 pm
His House debuts exclusively on Netflix on October 30, 2020.
The haunted house meets the modern refugee crisis in His House, the feature debut from Remi Weekes, which premiered at Sundance and hits Netflix on October 30th. It's an interesting twist on well-worn hallmarks of western horror, stretching its limbs with familiar startles and fake-out scares before exploring the deep psychological cracks at the heart of its story. The result is a film that lives in a rote and familiar body, but one that's underscored by deep, unspoken traumas, and ghosts the camera rarely shies away from. It's enjoyable as a Halloween horror flick, but it's also incredibly powerful as a drama about loss and lingering phantoms in an unfamiliar land.
The film follows Sudanese refugee couple Bol and Rial Majur (Sope Dirisu of Gangs of London, Wunmi Mosaku of Lovecraft Country) who, after the devastating loss of their daughter Nyagak at sea, are subject to the brutal red-tape of Britain's asylum processing. Upon finally being let out after months of detention, the Majurs are placed under the supervision of a curmudgeonly social worker, Mark (Matt Smith), and under the strict limitations of the state: a paltry weekly allowance, but no permit to work. They're also placed in a rundown, unkempt apartment in a rough, unfriendly neighborhood, rife with rats, roaches, and peeling walls — but those are the least of their worries. Before long, they begin to hear footsteps around the house and whispers in the walls.
It sounds like something you've seen a million times, but its cultural point of view is tilt-shifted enough to make it engrossing. While haunted house stories generally evoke the evil of a place, His House evokes the evil of a tormented experience, wherein Bol and Rial were forced from their homes by the Sudanese Civil War and had to traverse a violent ocean, only to end up in a country that accepts them with great reluctance. The British citizens they encounter look upon them with suspicion; the infested holes in their walls reflect the rot lurking beneath the veneer of British politeness.
And the ghosts, which begin to call to them from the shadows, seem to be spirits and dark memories they've brought along with them. Manifestations, perhaps, of an "apeth" — a malignant witch Rial learned of from her grandmother's stories.
However, these ghostly visions, which call out to them from the darkness, aren't the film's main source of conflict. Untethered from their homeland, Bol and Rial are forced into an unfamiliar world with grief still wedged between them, which feels just as unnerving as their dilapidated dwelling. While Bol strives to assimilate as quickly as possible — he buries his grief beneath a stiff British upper lip, and insists on using forks and knives — Rial tries to hold on to whatever parts of herself and her daughter she possibly can. Some part of her even wants to return to her war-torn homeland.
Each time Rial speaks Dinka, Bol insists on English. Where Rial fashions traditional garb out of bedsheets and whatever materials she can find, Bol models himself after catalog advertisements and the men at the local pub; he wants to be "one of the good ones," in Mark's eyes. He wants to be British, even if it means leaving behind his distinctly refugee pain. The couple lives under the same roof, but they're as far removed from each other's coping mechanisms as can be.
The film, by weaving together the ideas of pain and respectability politics, makes the very idea of existing in a new country feel terrifying. Bol adjusts better to the outside world, but to Rial, it's practically a maze, in which people refuse to recognize her pain. This dynamic, however, is flipped when the couple is indoors; Rial, having survived the worst horrors humanity has to offer, isn't fazed by her ghostly memories. However, the walls seem to drive Bol mad, to the point that he begins hammering his way to their foundations. He's laid claim to this new home, and he'll make it his no matter what, even if it kills him.
Ṣọpẹ Dìrísù in His House. (Credit: Aidan Monaghan/NETFLIX © 2020)
Where the film begins to depart from other haunted house stories is in its depiction of spiritual horrors. At first, they lurk in the shadows like your average ghosts of Hill House or Bly Manor, but they aren't riddles to be solved or foreign specters to be outrun. It soon becomes clear to the characters that these may well be the ghosts of other refugees, including their own daughter, and they aren't afraid to show themselves.
The apeth and its tricks are the couple's own survivor's guilt made manifest. This house is only haunted because they, themselves, are the ones haunting it with their grief. For Bol, the only solution is to confront these spirits head-on — but, as the victims of a perilous journey, these spirits aren't tethered to one place, and so Bol is dragged into nightmarish dreamscapes out at sea. (Rial, similarly, finds herself walking through surreal flashbacks and familiar visions, though their disconnect from her reality hints at a strange, inexplicable denial yet to be revealed).
As Bol's body and mind begin to unravel, Weekes and cinematographer Jo Willems film him with a lurking dread. The camera creeps towards Bol with caution, as if he might be pushed to violence at any moment. During night scenes, especially those lit by candlelight, practically every frame is consumed by shadow and negative space, as if Bol and Rial's demons are waiting to cry out from every corner. Granted, when the apeth inevitably takes physical form, the result is oddly deflating (for a film so otherwise adept), but the story's strengths lie not in its genre tropes but in its extrapolation of human horrors and their lingering psychological toll.
The Best Horror Movies on Netflix
The film is at its best when its subtle design captures the horrors of memory. Roque Baños' original score evokes the sounds of Gustavo Santaolalla, whose Charango guitar brought life to Babel and Brokeback Mountain — only Baños complements his heavy strings with jarring echoes that feel ready to consume the melody. Empty strollers abound in the margins of several scenes, like haunting reminders of loss, and the film's incredible sound mix blurs the lines between scream and whisper; memories of death are both far off in the distance, and yet close enough to touch.
And water, whether household leaks or unforgiving rain, is a constant reminder of drowning. The film plays, at times, like a horror version of Atlantique, Mati Diop's ghostly love story about Senegalese refugees, in which water is an overwhelming force, both stealing and returning lovers in the dead of night. Only here, those returning to Bol and Rial in the darkness are reminders of something more sinister than romance; they're embodiments of the atrocities which the couple has not only had to endure but commit in order to survive.
Dirisu and Mosaku navigate the film's chilling tapestry with aplomb, bringing warring energies to Bol and Rial's dynamic — a chemistry that makes the characters' disconnect all the more disheartening. The more Bol begins to crack, the more desperately he tries to keep himself together, putting on a jovial front that barely holds. Meanwhile, the headstrong Rial attempts to stay centered, though she's constantly knocked off balance, ever so slightly. Where Dirisu oscillates with reckless abandon, Mosaku fights against her own instincts, and the result is two wildly different performances that not only complement each other but constantly pull each other into their orbits. The couple may no longer communicate well through words, but their body language and their disconnect from one another feels like an argument of its own. The only way to overcome it is to confront each other, and the horrors of their past.
IGN's Best Reviewed Movies of 2020
Tightly wound on almost every front, His House packs an enormous emotional punch even once its scares grow stale. It brings to the surface the toll taken by the refugee experience — on mind, body, and soul — refashioning it into a unique haunted house drama, where ghosts reveal themselves far more often than they hide.
After making a harrowing escape from war-torn South Sudan, a young couple struggles to adjust to their new life in a small English town.
Genres:Drama, Thriller
Platforms:On-Demand
Producers:Vertigo Films, BBC Films
Distributors:Netflix
Release Date:October 30, 2020
Netflix's His House may have some familiar genre hallmarks but it proves a very different kind of a horror film.
Have you seen His House?
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The other day, Kevin F. Gill, the Board of Education's chief of food and transportation, made a genial host at a $2.18 lunch, the best the New York City school system has to offer.
Barbara Gulotta, the Martha Stewart of school lunches, presided over the test kitchen in Long Island City, Queens, dressed in a chic black shift, with red lipstick setting off her sweeping auburn hair.
Next, an assistant in a navy blue apron laid out Florentine fish, encased in cream and spinach, then dipped in breading. Angelo Navarra, a bus inspector and lunch guest, carefully scraped off the cream. ''Italians don't trust anyone else's sauces,'' he said apologetically.
Finally, there was a ''hot pocket,'' dough stuffed with tiny meatballs, cheese and tomato sauce. Mr. Gill left his untouched.
But the point, Mr. Gill said, is that students, who are even tougher customers, do eat the school lunch, at least parts of it, and then come back for more, 860,000 meals a day, 4.3 million a week. And this week, Mr. Gill's confidence, which some would call overweening, in his product got some outside confirmation in a survey of customer satisfaction commissioned by Chancellor Harold O. Levy.
Rated by more than 1,000 teachers, principals, superintendents and other managers for qualities like courtesy, accuracy, professionalism and quality, Mr. Gill's operation, which includes transportation, came out at or near the top of eight school-related services run from central headquarters. It was beaten on some measures by the Division of Budget Operations and Review (though skeptics might say that nobody dares criticize the budget office, as one bureaucrat remarked).
Mr. Gill's is the face that launches 5,500 buses (more than New York City Transit, with 3,867 buses) and 860,000 hamburgers, fondly known as murderburgers, every day for the city's public schools. As executive director of food services and transportation, he oversees a budget of $878 million, 20,000 employees and dozens of bus contractors, without benefit of an M.B.A. The only agency with a bigger noncommercial food operation is the Defense Department, he says.
Over the last 18 years, he has taken his share of hits, which he has handled with the impudence perhaps required of an agency trying to persuade 8-year-olds to eat Hollis Wonder, as Monday's lunch of roast chicken was titled in the Queens schools.
The nadir came in June 1995, when Edward F. Stancik, the independent schools investigator, issued a report accusing Mr. Gill of shipping rancid turkeys to public schools. To Mr. Gill's enduring frustration, the story of the supposedly rotten meat was more prominent on the evening news than the anniversary of the United Nations that week.
Mr. Stancik called for Mr. Gill's dismissal, a recommendation that few have survived. Mr. Gill fought back, and to the amazement of many colleagues, he won.
In a four-volume response, Mr. Gill countered that Mr. Stancik had built a case through guilt by association. His operation, he said, had been trying to convert whole frozen turkeys into patties, but abandoned the idea when testing showed that the patties turned rancid during processing. The turkeys were donated to hospitals and prisons, where they were served with no ill effect, he said.
Mr. Gill, who keeps a portrait of Teddy Roosevelt in his office, views the investigation as a case study in how politics infiltrates the school system. At the time, Ramon Cortines, the schools chancellor, was feuding with Mayor Rudolph W. Giuliani. Mr. Gill said he believed that Mr. Stancik made him a target to discredit Mr. Cortines. Mr. Cortines announced his resignation a week before the Stancik report came out.
Mr. Stancik said yesterday that he does not do political favors.
He moved on to a job in personnel, then caught the attention of Chancellor Frank Macchiarola, becoming his assistant. He took over food services in 1984, adding transportation to his portfolio in 1989.
He lives in New Jersey with his wife, Kathleen, a nurse. His daughter, Adrienne, is a senior at Princeton University and captain of the women's golf team. His son, Timothy, works on Wall Street.
In the last year, Mr. Gill has set up one of the most sophisticated Board of Education Web sites, which tells parents what their children will be eating for lunch every day and where and what time to meet buses. Internally, it tracks every student by identification number, name, birth date, address, school and bus route.
A crew of 20 to 40 customer service representatives, many in wheelchairs, works the telephones from 5 a.m. to 9 p.m., taking calls from parents, some with real complaints but many just anxious because their children are a few minutes late getting home from school. On the first day of school this year, they fielded 6,400 telephone calls, Mr. Gill said; since then, the volume has leveled off to 3,000 to 4,000 a day.


This video shows how to cut various shapes with a CNC machine and keep them in the original position. But what I really like is the very quick, yet detailed look at the intuitive software.
Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin Tallinn tin.That was fun.This Tallinn tin is awesome. The thin, jagged lines of the text match incredibly well with the thin, sharp scratches on the tin. And the dark blue color is awesome.


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Cheating in exam in Assam|Representational image
Students caught cheating in exam in Assam: Who is to be blamed?
In the ongoing Class X exams in the state, at least 74 students were expelled for resorting to unfair means in Hailakandi district
Sunaina Upadhyaya
If hard work is the key to success, the exam season in Assam this year has already witnessed a bunch of students working really hard, albeit with foul means. In the ongoing Class 10 exam, at least 74 students have been expelled for cheating in exam in Assam's Hailakandi district.
Even though the district administration introduced a number of initiatives to curb the use of unfair methods, the erring students seem to fear nothing. To check the use of unfair methods by students, the administration has pressed into action flying squads, engaged supervising officers and even enforced Section 144 Criminal Procedure Code (CrPC) within a 200-metre radius of the exam centres to stop the assembling of five or more persons, according to Inspector of Schools, Rajiv Kumar Jha.
According to Jha, 23 of the 74 students were caught cheating during Social Science exam, 19 in General Mathematics, 15 in English, 13 in General Science and 4 in Assamese.
What is more disheartening is the fact that the work of such erring students was made easier by lax invigilators. The administration as issued showcause notices to two invigilators being negligent in performing their duties.
But this has not happened for the first time. It won't be wrong to say that the use of unfair means in exams, much like any other state of India, is endemic. Earlier, the Assam Higher Secondary Education Council (AHSEC) announced that HSSLC examination-conducting bodies will install jammers to block radiofrequency devices in 25 sensitive exam centres across the state to prevent exam candidates from cheating using cellphones and other gadgets.
Officials of the AHSEC claim that with technological advances, cheating too have gone high-tech. Cellphones, wireless earpieces and bluetooth devices are some of the favourite means of cheating used by students to write their papers. If the officials are to be believed, many even wear transmitters to examination centres.
The AHSEC hoped to block mobile signals, wi-fi and bluetooth operation on electronic devices by installing jammers.
While CCTV cameras were installed in every centre, and the jammers reportedly used in sensitive centres.
An organised sector
Instances of cheating in exam have not only increased but has become an organised and elaborate 'business' for many who facilitate students in using such unfair means.
Perhaps, it wouldn't be wrong to say that the state of Bihar leads the way. In 2015, Bihar made headlines with photographic and video evidence showing parents scaling a five-storey building to pass answers to their wards taking exams inside.
Around 300 people were arrested following the blatant cheating in school exams even as parents and friends of students were photographed scaling walls to pass on answers.
While students were seen copying answers from note sheets, policemen posted outside the exam centres were seen taking bribe to look the other way.
While most of those arrested were parents, at least 750 students were expelled. The photographs and video went viral on, much to the embarrassment of an entire state and the country.
Following that the state installed CCTV cameras in exam halls introduced various steps like making students leave their footwear and even socks at the entrance. Despite that more than 1,000 students were expelled for cheating last year.
In 2016, the student with the highest score in Arts had to forfeit her certificate following a TV interview in which she said political science was the study of cooking. In 2017, a student who topped the state in Arts actually turned out to be a 42-year-old man.
While these incidents from Bihar made the state infamous, every year students across the country are found indulging in such foul means to earn their degrees and certificates.
What it says about our education system
So what drives such a huge number of students to resort to unfair means? Psychologists pin the blame on society and an education system which creates intense pressure to score good marks. Moreover, the mushrooming growth of private schools in small towns and villages is more of a lucrative business venture to extract money from gullible parents. While the government has shown interest in building new schools, it is hardly bothered about what happens inside these schools. What has added to the woes of the students is an army of poorly paid teachers or none. Sample this: Around 36,500 posts of teachers are lying vacant in schools of all levels across Assam.
This was revealed by the government in the state Assembly on February 20. In a written reply to a query by AGP MLA Utpal Dutta, Education Minister Siddhartha Bhattacharya said a total of 36,523 teaching posts are vacant at present, including 17,293 posts in primary schools
Moreover, the incentives for teachers and administrators are so dismal that they could hardly be bothered about the future of students. Often schools are seen promoting students to the next level since the incentives of the staff are based on what percentage of children in a school or district are passing their exams. This is also a big reason why invigilators either assist or overlook cheating.
Even though social aspirations in India are growing, there are not enough opportunities and means for the students to match the expectations of the society. Naturally, youngsters take the easy route to make their dreams come true, till the time they get caught.
(Sunaina Upadhyaya is a senior journalist from Assam based in New Delhi. Views expressed are her own)
Assamexamcheating


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Possible Outcomes of Problematic Foreign Jihadists File in Syria
In Focus | Possible Outcomes of Problematic Foreign Jihadists File in Syria
Various military and political actors involved in the Syrian issue, alongside military factions active in Syria, have focused on the foreign jihadist fighters file.
Depending on actors' perspectives, different solutions have been suggested. Although the available information remains conflicting, possible future scenarios can be outlined as follows:
• Settling those who want to remain locally: Some figures and entities suggest settling the foreign fighters, known as "al-Muhajreen", who wish to remain in Syria especially those who did not engage in war crimes or violent operations against minorities as well as fighters who have married into local families.
• Facilitating the evacuation of extremist leaders: This depends primarily on international consensus to end this file and allow the evacuation of active jihadist leaders to other countries. Yemen and Somalia have been presented as possible havens where these leaders would join the existing al-Qaeda members and reactivate their network in the region. Libya was also proposed in this context as an initial stop before crossing to the Sahara Desert to join jihadist organizations in the desert and Sahel states. However, eliminating al-Qaeda leaders from the region and the emergence of local leaders impedes the implementation of this step.
• Allowing extremist to join the Islamic State in Iraq and Syria (ISIS): This step relies on international actors resolving disputes concerning the jihadi factions in conjunction with other files such as the presence of Iranian militias in the region. These groups may play a principle role in confronting the militias whether in Idlib or in the Syrian Badiya region.
• Continuing international efforts to neutralize active jihadist leaders: This option is a continuation of the current policy which includes targeting leaders who may contribute to jihadist organizations if they move to other countries or remain in Syria, whether these figures belong to al-Qaeda or ISIS.
• Handing over the jihadist leaders to their respective countries: This option is considered a last possible resort that depends on settling all files completely. It is also contingent on actors' abilities to arrest these figures and achieve significant gains from handing them over to their countries of origin, such as handing over leaders from the Turkistan Party to China or handing over Chechen leaders to Russia.
Practically: For these leaders the main possible future scenarios include: Remaining in Syria, whether resettling or moving to specific places which will benefit from their combat experiences; facilitating their evacuation from Syria to other countries; or handing them over to their respective countries of origin where they will be tried.
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Abbi Jacobson Wiki, Biography, Age, Husband, Family, Net Worth
Abbi Jacobson is an American comedian, writer, actress, illustrator and producer. She co-created and co-starred in the Comedy Central series Broad City (2014–2019) with Ilana Glazer, based on the web series of the same name. Her other roles include voicing Katie Mitchell in The Mitchells vs. the Machines (2021), Nya in The Lego Ninjago Movie (2017), and Princess Bean in the series Disenchantment (2018–present), in addition to appearing in the live-action films Person to Person (2017) and 6 Balloons (2018).
Explore Abbi Jacobson Wiki Age, Height, Biography as Wikipedia, Husband, Family relation. There is no question Abbi Jacobson is the most famous & most loved celebrity of all the time. You can find out how much net worth Abbi has this year and how she spent her expenses. Also find out how she got rich at the age of 37. She has a pure loving kind heart personality. Scroll Down and find everything about her.
Abbi Jacobson Wiki, Biography
Date of Birth 1 February 1984
Birth Day January 27
Birth Place Wayne, Pennsylvania
Birth City Wayne
Famously known by the Family name Abbi Jacobson, is a great Actor. She was born on 1 February 1984, in Wayne, Pennsylvania.Wayne is a beautiful and populous city located in Wayne, Pennsylvania United States of America.
Abbi Jacobson Early Life Story, Family Background and Education
Abbi Jacobson is the daughter of Susan Komm, an artist, and Alan Jacobson, a graphic designer. She is Jewish. She was raised in Wayne, Pennsylvania, where she attended Valley Forge Middle School and Conestoga High School.
She studied fine arts and video production at the Maryland Institute College of Art (MICA), graduating in 2006 with a B.F.A. in General Fine Arts. While at MICA, she studied stand-up comedy for one year with poet Jeremy Sigler, with a brief period of studying acting at Emerson College.
Jacobson moved to New York City after graduating from MICA. She began taking classes with the Atlantic Theater Company and the Upright Citizens Brigade Theatre, where she met Ilana Glazer.
Read Also: Marlo Weich Wiki, Biography, Age, Net Worth, Family, Instagram, Twitter, Social Profiles & More Facts
Abbi Jacobson Net Worth
Abbi Jacobson has a net worth of $5.00 million (Estimated) which she earned from her occupation as Actor. Popularly known as the Actor of United States of America. She is seen as one of the most successful Actor of all times. Abbi Jacobson Net Worth & Basic source of earning is being a successful American Actor.
Abbi entered the career as Actor In her early life after completing her formal education..
Abbi Jacobson Personal Life, Relationships and Dating
In an April 2018 interview, Jacobson stated that she dates men and women but "they have to be funny, doing something they love".
She has been in a relationship with Jodi Balfour since October 2020.
Abbi Jacobson's official Twitter account
The Actor with a large number of Twitter followers, with whom she shares her life experiences. Abbi is gaining More popularity of her Profession on Twitter these days. You can read today's latest tweets and post from Abbi Jacobson's official Twitter account below, where you can know what she is saying in her previous tweet. Read top and most recent tweets from his Twitter account here…
Tweets by Abbi
https://twitter.com/abbijacobson
Born on 1 February 1984, the Actor Abbi Jacobson is arguably the world's most influential social media star. Abbi is an ideal celebrity influencer. With her large number of social media fans, she often posts many personal photos and videos to interact with her huge fan base on social media platforms. Personal touch and engage with her followers. You can scroll down for information about her Social media profiles.
Twitter Abbi Jacobson Official Twitter
Instagram Abbi Jacobson Instagram Profile
Wikipedia Abbi Jacobson Wikipedia
She appeared in a March 2020 episode of Curb Your Enthusiasm.
Jacobson published another book, I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff. The book was published on October 30, 2018 with Grand Central Publishing. With drawings throughout, the book of personal essays is centred around Jacobson's solo three week cross-country road trip. The 320 pages of personal essays and various short stories, although some are comical in nature, largely focus on Jacobson getting over her first love, first relationship with a woman, and general issues of identity. According to Jacobson, the book is centred around self reflection: "It's about how I've felt like an internal outsider for my entire life because I just never understood what love was, that I would never get to experience it, and being a public figure only heightened that anxiety."
In December 2015, Jacobson was cast in the film Person to Person, opposite Michael Cera and Phillip Baker Hall, written and directed by Dustin Guy Defa. Jacobson also starred in The Lego Ninjago Movie, released on September 22, 2017.
In 2017, Jacobson hosted a 10-episode podcast about modern and contemporary art called A Piece of Work co-produced by The Museum of Modern Art and WNYC Studios. She plans to do a second season.
In January 2015, the series was then renewed for a third season, which premiered on February 17, 2016. In January 2016, the series was renewed for a fourth and a final, fifth season.
Her first appearance in BoJack Horseman was in the 2016 episode "The Bojack Horseman Show", in which she voiced Emily.
Broad City made its broadcast television premiere in January 2014 and was received with positive reviews and strong ratings, becoming Comedy Central's highest-rated first season since 2012 among the younger demographics, including adults 18-34, with an average of 1.2 million viewers.
Season one of the show received a 96% "Certified Fresh" rating from Rotten Tomatoes, based on reviews from 23 critics, with the site's consensus stating, "From its talented producers to its clever writing and superb leads, Broad City boasts an uncommonly fine pedigree." The A.V. Club named Broad City the second best TV show of 2014 for its first season.
In February 2014, Comedy Central renewed the show for a second season. Season two received positive reviews, with Metacritic giving it a score of 89 out of 100, based on reviews from 8 critics, indicating "universal acclaim". Rotten Tomatoes gave the second season a rating of 100%, based on reviews from 11 critics, with the site's consensus: "Led by two of the funniest women on TV, Broad City uses its stars' vibrant chemistry to lend an element of authenticity to the show's chaotic yet enlightening brand of comedy."
In 2013, Jacobson published two coloring books with Chronicle Books: Color This Book: New York City and Color This Book: San Francisco. Jacobson also illustrated a book titled Carry This Book, published October 2016 by Viking Press. It features colorful, humorous illustrations of the imagined contents of various celebrities' bags. "I have always been intrigued by what people carry around with them. It can tell you everything" says Jacobson in the book's introduction. Well-received by critics, Carry This Book was a New York Times bestseller.
In 2011, cable network FX, working with Amy Poehler as the producer, purchased a script commitment for the series from Glazer and Jacobson. However, the network did not approve the script and decided not to proceed with development. Glazer and Jacobson then approached Comedy Central, who agreed to purchase the script from FX and order a pilot.
In 2011, Jacobson wrote and performed in a solo show called Welcome to Camp, which ran in New York and Los Angeles.
From 2009 to 2011, Jacobson and Glazer wrote and performed in a web series titled Broad City, which focused on their lives in New York. The series was nominated for an ECNY Award for Best Web Series. It was well received by critics and developed a cult following. At the Upright Citizens Brigade, Jacobson and Glazer adapted the series into a live show that they performed in, called Broad City Live.
Jacobson is the daughter of Susan Komm, an artist, and Alan Jacobson, a graphic designer. She is Jewish. She was raised in Wayne, Pennsylvania, where she attended Valley Forge Middle School and Conestoga High School. She studied fine arts and video production at the Maryland Institute College of Art (MICA), where she studied stand-up comedy for one year with poet Jeremy Sigler with a brief period of studying acting at Emerson College. Jacobson graduated in 2006 from MICA with a B.F.A. in General Fine Arts.
Abbi Jacobson (born February 1, 1984) is an American comedian, writer, actress and illustrator. She co-created and co-starred in the Comedy Central series Broad City with Ilana Glazer, based on the web series of the same name.


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Film Review: 'Wonder Park' lacks the thing it celebrates– imagination
By Kristen Page-Kirby
It's safe to assume that any animated movie made for children will probably not entirely cleave to reality. When a tale pretty much starts off with a talking mouse, you know things are going to get weird from time to time.
The problem with "Wonder Park," which is set in a magical theme park, is not the element of the fantastical. The problem - one of many - is that the story can't seem to weave that element into a narrative that makes sense. To put it simply, "Wonder Park" can't keep the wonder and the park on the same page.
That story begins in Wonderland, a place inhabited by a group of furry park mascots. Their leader is Peanut (voiced by Norbert Leo Butz), a monkey who creates the park's rides by waving around a magic marker (and I mean "magic" literally).
It turns out that Wonderland isn't real, but the product of someone's imagination: a little girl named June (voice of Brianna Denski), who dreamed it up with her mother (Jennifer Garner). After Mom is diagnosed with a mysterious illness and goes away for treatment, June, a precocious kid with a taste for danger, puts the notion of Wonderland aside and becomes dedicated to safety and security, rather than fun. But while on her way to math camp one summer, June escapes from the bus, intending to return home to be with her father. En route, she stumbles across - wait for it - Wonderland.
The visitors have all left. Rides are crumbling. Peanut is missing, and the rest of the mascots are under threat from something called "chimpanzombies": stuffed-animal prizes from the park's games of skill that have come terrifyingly to life. June and the mascots must team up to save the park, which was, apparently, real the whole time.
Much of the movie feels like filler. Shots are often overlong; scenes drag or are entirely unnecessary. If June's adventure in Wonderland is the engine that drives the story, why does it take nearly 40 minutes to get there? Pixar can tell us about childhood sweethearts who grow up to marry and have a long, happy life together - and all in the first 10 minutes of "Up." Why must we spend what feels like hours watching one scene after another demonstrating that June likes to build stuff?
Still, she's a compelling-enough character. It's nice, for once, to see a girl on-screen with a knack for engineering and a fondness for math. But June is also the only one in the movie with any sort of depth or character development. Each of the animals she pals around with has one - if any - defining characteristic. (They're all on the level of: Steve the porcupine is nervous and can also shoot needles from his body. Never mind the fact that a wildly creative kid has invented an entire amusement park, and we're supposed to believe that the best name she can come up with for a porcupine is "Steve.")
Worse yet, the visuals are dreary, and the colors muted. That's another mystery, since Wonderland is supposedly based on a child's mind. On the plus side, there is a very funny song about the number pi.
"Wonder Park" might have made a charming short film - perhaps about how grief affects a child and how creativity can be a powerful response to that. As is, it's a pointless and meandering meditation on, well, nothing. There's no director credited either, the result of the original filmmaker, Dylan Brown, being fired for what Paramount said were inappropriate sexual comments and behavior.
That's a shame. But it's also a shame that a movie about one girl's soaring imagination falls completely flat.
'Wonder Park'
One star our of four. Rated PG. Contains action and rude humor. 93 minutes


myTuneSync 1.2.2.884 for Mac can be downloaded from our website for free. The application is categorized as System Tools. The most popular version among the program users is 1.2. Mytunesync-1.2.2.pkg is the most frequent filename for this program's installer. This Mac app was originally designed by SocketHead Studios, LLC. The unique ID for this program's bundle is com.mytunesync.app.MyTuneSync.
If you're like a lot of people, you live in a house with more than one computer. If you use iTunes, that means your music and video library can be spread out all over the place. That song you imported on your desktop computer isn't on your laptop and that TV show your husband purchased on his laptop isn't on your desktop computer. While iTunes provides a way for you to enjoy music from another computer, it doesn't help you copy that music to other approved devices. Enter myTuneSync!
Simply put, myTuneSync keeps all of your music and video files in sync across all of your computers.
You may want to check out more Mac applications, such as iPhoto to JAlbum, CaptureOnTouch DR-2010M or Fabio's iTunes Lyrics Downloader, which might be similar to myTuneSync.


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Home / Unlabelled / Netizens feel bad as Chaeyeon is seen crying again on Mnet's 'Street Woman Fighter'
Netizens feel bad as Chaeyeon is seen crying again on Mnet's 'Street Woman Fighter'
Mnet launched a new dance competition show, 'Street Woman Fighter,' where the top Korean female dance crews come together to fight for the title of being the best.
Starting from the first episode, former IZ*ONE member Chaeyeon was selected by other dance crew members as being the weakest contestant as she took on numerous 'No Respect' stickers from the other contestants. In the following episode, Chaeyeon continued to be called on, leading to her complete defeat. With Chaeyeon's team receiving four black chips of defeat, the former IZ*ONE member could no longer hold back her tears. Chaeyeon was seen sobbing in the arms of her crew members as she felt apologetic that her team had been defeated multiple times.
During another episode, IZ*ONE's Lee Chae Yeon drew attention as a contestant, with many dancers suggesting that she cannot dance because she is an idol. The next scene shows her crying in a break room while saying, "I can't dance anymore." With more and more pressure building up for Chaeyeon, she was once again seen shedding tears in the latest episode of 'Street Woman Fighter.'
In this episode, Chaeyeon said, "I feel so bad and apologetic because I keep losing the battles." Her fellow dance team members comforted her telling her not be feel sorry and apologetic. However, Chaeyeon continued to say she could no longer dance and was breaking from the pressure of the dance competition.
Netizens soon gathered to an online community to discuss how they felt about the latest episode as many netizens are feeling bad for the idol group member. Netizens commented, "It's a relief that her teammates are so warm-hearted, but I feel worried about Chaeyeon's mentality," "I just feel so bad for Chaeyeon," "I'm tired of Mnet's cliche storyline in these entertainment shows but I just straight up feel bad for Chaeyeon," "I'm really worried about Chaeyeon's mental health," "She's crying on every episode," "She's going through so much on this show," and "I would cry too if I was picked as the worst and then went to do the dance battle and came in last, becoming the worst dancer."
Netizens feel bad as Chaeyeon is seen crying again on Mnet's 'Street Woman Fighter' Reviewed by Bears on September 08, 2021 Rating: 5


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Sightsavers and partners launch US$6 million inclusion and labour rights programme
A US$6 million programme supported by Sightsavers aims to increase the inclusion of people with disabilities, particularly women, and improve labour rights at two large Kenyan companies.
The Global Labor Program, part of the Inclusive Futures initiative, is funded by the US Agency for International Development (USAID). It will work with East African Breweries Limited (EABL), owned by Diageo, and Coca-Cola Beverages Africa (Kenya) to ensure inclusion and labour rights are a key part of the companies' supply and distribution chains.
The two companies are thought to support the employment of 47,000 farmers, more than 9,000 distribution workers and about 65,000 retailers.
Simon Brown, who leads Sightsavers' work on disability-inclusive economic empowerment, said: "I'm thrilled that we have secured more than US$6 million to try to change the way big businesses work. It's a very bold programme: what we learn will not only benefit people who are frequently marginalised, but everyone working in supply and distribution chains. And hopefully all big businesses will be paying attention and replicating the approach."
The five-year programme builds on existing work by Inclusive Futures, funded by UK aid in partnership with EABL, which gave farmers with disabilities the skills and resources to supply sorghum crops to brew lager.
Sightsavers Kenya country director Moses Chege explained that women, people with disabilities and young people often face unequal treatment in work, despite global improvements in labour rights legislation and policy. He said: "What we achieve will be used to demonstrate to industries and governments how to improve the employment of people with disabilities and demonstrate how labour rights can be strengthened for everyone."
For more information about Inclusive Futures, see www.inclusivefutures.org.
Who's involved in the initiative?
The Global Labor Program – Inclusive Futures is a collaboration between eight Kenyan and global organisations: Central Organization of Trade Unions Kenya, Equal Rights Trust, Innovations for Poverty Action, Kenya Female Advisory Organization, LINC, Sightsavers, Ulula and United Disabled Persons of Kenya.
The programme will also be supported by Light for the World and The Syngenta Foundation.
Jeniffer is one of several farmers with disabilities who took part in an Inclusive Futures project funded by UK aid. This project is being expanded with funding from USAID. © East African Breweries Ltd
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