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Skandies decade poll: The ballots
Never really imagined, back in 1995, when I conducted the first edition of what would eventually be called the Skandies (long story, not worth it), that I'd still be at it a quarter century later, compiling the results of our third decade poll. And with a fair number of the same folks each time, remarkably enough. 31 voters submitted ballots (though one of them flaked out on sending in his Performance picks), and here are the results:
[Parenthetical numbers = points/votes]
FILMS OF THE DECADE
01. Under the Skin (148/12)
02. A Separation (146/11)
03. Mad Max: Fury Road (117/11)
04. The Tree of Life (109/9)
05. Phantom Thread (99/11)
06. Cameraperson (86/6)
07. Margaret (81/8)
08. Holy Motors (72/7)
09. Certified Copy (70/6)
10. Boyhood (57/6)
11. Carol (57/5)
12. House of Pleasures (57/4)
13. Inside Llewyn Davis (53/6)
14. The Forbidden Room (53/5)
15. Once Upon a Time...in Hollywood (52/6)
16. Twin Peaks 2017 (parts 5–11) (51/3)
17. The Duke of Burgundy (45/4)
18. The Grand Budapest Hotel (40/4)
19. Frances Ha (38/2)
20. Parasite (36/4)
PERFORMANCES OF THE DECADE
01. Peyman Moaadi, A Separation (100/7)
02. Denis Lavant, Holy Motors (91/9)
03. Anna Paquin, Margaret (88/8)
04. Ralph Fiennes, The Grand Budapest Hotel (71/7)
05. Leonardo DiCaprio, The Wolf of Wall Street (67/7)
06. Isabelle Huppert, Elle (65/6)
07. Greta Gerwig, Frances Ha (59/6)
08. Daniel Day-Lewis, Phantom Thread (57/6)
09. Daniel Day-Lewis, Lincoln (52/5)
10. Scarlett Johansson, Under the Skin (46/5)
11. Timothée Chalamet, Call Me by Your Name (43/4)
12. Elisabeth Moss, Her Smell (42/4)
13. Rachel Weisz, The Deep Blue Sea (42/3)
14. Sonia Braga, Aquarius (41/4)
15. Toni Collette, Hereditary (40/2)
16. Brad Pitt, Once Upon a Time...in Hollywood (38/4)
17. Barry Keoghan, The Killing of a Sacred Deer (37/3)
18. Kirsten Dunst, Melancholia (36/3)
19. Cate Blanchett, Carol (35/3) [tie]
19. Adèle Exarchopoulos, Blue Is the Warmest Color (35/3) [tie]
When Dogville won ten years ago, I noted that while it wasn't my very favorite film of the aughts (that would be Memento), it seemed to me an apropos winner, by virtue of being perhaps the boldest film produced between 2000 and 2009. This inspired a truly epic argument in the comments, mostly between myself and Ryan Wu, who both recently reread it and were astonished and chagrined by the sheer amount of time and energy we wasted on such nonsense back then. (Though I, at least, also have a nostalgic affection for those days. We were so young and passionate. Or passionate, anyway.) Hopefully this time around Ryan will be too busy drafting amicus briefs for the Supreme Court to object when I observe that Under the Skin, though absent from my own ballot, likewise strikes me as the "right" choice. I have significant issues with the direction the film ultimately takes, but its first hour prompted, multiple times, a thought that I virtually never have about something that's not decades old: "This might genuinely be the single greatest film I've ever seen." Still bummed that it didn't actually get there, but to inspire that awestruck sensation for as long as it did...well, I'm perfectly happy to see it atop the list, even if it did just barely edge out my actual favorite of the decade.
(And lemme tell ya, that was a true test of my integrity as the Skandies' head honcho—and in this case, its sole tabulator. As you'll see below if you surf the ballots, I gave A Separation 26 points [out of a possible 30], and could easily have added another four without anyone knowing or suspecting a thing. Needn't even have affected any other films—I could have stolen a point each from Winter's Bone, Meek's Cutoff, The Imposter and mother!, none of which placed anyway. Can't say I wasn't tempted. But I'd always have known that I'd cheated, and it probably would have led to some horrific "Tell-Tale Heart" scenario. If the photo-finish winner had been, say, Inherent Vice, though? I dunno...)
As for the performances, I am bowled over—and I can't imagine that I'm alone, since Moaadi's name didn't come up once when folks were speculating in the Patreon comments. He's my own favorite, but I'd been hoping against hope that he might get three or four other votes, enough to land him at maybe #15. Similar to Barry Keoghan and Sonia Braga, who did in fact achieve exactly that (albeit at #17 and #14, respectively). Moaadi's just isn't the sort of flashy turn that one would expect to stand out above every other amazing performance over 10 years. Turns out there really weren't any such performances in the teens, or whatever we wind up calling that decade. Our three favorites the last time around were Daniel Day-Lewis (There Will Be Blood), Heath Ledger (Brokeback Mountain), and Naomi Watts (Mulholland Drive); each of them received more than 200 points, whereas Imelda Staunton (Vera Drake), at #4, got less than half that. In other words, there were those three and then everyone else, pretty much. Not the case this time. Moaadi tops the list with Staunton numbers, and while we had only 31 voters (vs. 35 in 2009), that alone obviously wouldn't create such a huge disparity. Just no juggernauts, I guess. Anyway, I'm gleefully surprised by our collective choice—the first foreign-language performance to place higher than #5. (And in fact our top two are subtitled.)
Let's see, what else? How about we break the films down by year (of premiere)?
2010: Certified Copy
2011: A Separation, The Tree of Life, Margaret, House of Pleasures
2012: Holy Motors, Frances Ha
2013: Under the Skin, Inside Llewyn Davis
2014: Boyhood, The Duke of Burgundy, The Grand Budapest Hotel
2015: Mad Max: Fury Road, Carol, The Forbidden Room
2016: Cameraperson
2017: Phantom Thread, Twin Peaks 2017 (parts 5-11)
2018: none
2019: Once Upon a Time...in Hollywood, Parasite
I've maintained for a while now that 2011 is the greatest movie year in a good long while, and this poll confirms that pretty decisively. If we shift to year of commercial release, all five 2011 Skandie "nominees" placed in the decade's top 12. That's freakin' insane. In fact, both Kenneth Lonergan and Bertrand Bonello made films that outright won Best Picture—Manchester By The Sea in 2016, Nocturama in 2017—but did not place in the decade poll, whereas Margaret and House of Pleasures, which were #3 and #5 in 2011, did.
Also absent was our 2018 champ, Burning. In fact, you'll note that we ignored that year altogether. (Roma placed highest, at #53, with a single vote.) At this time I would like to very smugly cut and paste a passage from my 2018 Skandie wrap essay, in which I said:
With the sole quasi-exception of runaway winner Burning, there weren't really any 2018 releases that transcended "pretty darn good." In our collective opinion, that is. I track AVB enthusiasm throughout the year, using a variety of sources, and 2018 is the first year I can remember when not a single film—not even Burning—amassed real consensus numbers. As opposed to, say, 2011, when The Tree of Life won the Skandies but runners-up A Separation, Margaret, Certified Copy and House of Pleasures would each likely have finished first had they been released in almost any other year. (Probably not 2015, when Mad Max: Fury Road mowed down the competition in every critics' poll and survey known to man.) I expect all of those titles to figure heavily in our forthcoming survey of this decade's best films. Will any of last year's films? Roma likely has the best shot, actually, despite placing only 4th—the handful of folks who love it really love it. But I wouldn't be at all surprised if 2018 winds up being shut out entirely. There just wasn't much transcendence.
To quote a needle drop from the opening segment of Boyhood: HATE TO SAY I TOLD YOU SO, ALL RIGHT! C'MON! DO BELIEVE I TOLD YOU SOOOOOOOOO.....
(Just to be comprehensive: The one other absent annual winner is Dogtooth, which was sadly ineligible because it's technically a 2009 film, though it was released in the U.S. and topped the Skandies in 2010. A casualty of the calendar. See also: First Cow, should I wind up conducting a fourth decade poll [by which time I will be over 60, omfg]. In addition, I should probably note for anyone newly seeing these results that while the third season of the fucking television show called Twin Peaks was not eligible in 2017, I ultimately and reluctantly decided that it was eligible for the decade poll, in the three separate chunks—parts 1-4, parts 5-11, and parts 12-18—that screened in a vaguely film-like way at the Museum of Modern Art in December of that year. Each only screened once, but there's no week-long-run restriction in this case—I want to open it up to undistributed films, though those never actually get any traction. Excepting this "film," I guess. Anyway, at least all three chunks didn't place, which I was worried might be the case for a while there. Feel free to mentally elide it and add The Wolf of Wall Street at #20, if you prefer.)
Other random observations:
• Looking at all three decade polls, the Coen Brothers have by far the best record. In fact, this is the first decade in which they've landed only one film in the top 20, rather than two. (Miller's Crossing and Barton Fink in the '90s, The Man Who Wasn't There and No Country for Old Men in the '00s.) The only other director who's placed all three times is Tarantino: Pulp Fiction, Kill Bill Vol. 1, and OUATIH. Wong Kar-wai and Lars von Trier miss for the first time. (So does Edward Yang, sigh.) Todd Haynes and Wes Anderson are back after a decade off. Two in a row for Lynch, PTA, Malick, and Linklater.
• Not a shocker: Daniel Day-Lewis is the most decade-honored actor, cited twice for each of the past two polls (and outright winning Performance for the aughts). There's so much competition that repeats are quite rare—of this decade's top 20, only Day-Lewis, Ralph Fiennes and Isabelle Huppert had placed previously. It's the first decade without a Julianne Moore performance directed by Todd Haynes. (But Blanchett placed for Carol, so he's three-for-three. So is Von Trier: Emily Watson, Björk, Kirsten Dunst. Actually this is the first decade in which neither the Picture nor the Performance victor is LvT-related, as Watson won 20 years ago and Dogville won 10 years ago.) And we couldn't find room for Billy Bob this time. Heath Ledger (who placed twice in the '00s): See Edward Yang.
• Nine of the top 20 films premiered at Cannes. No other festival was even close. There are three from Sundance, two that are technically from Telluride (though as I recently told someone on Twitter, I consider that more of an expensive resort weekend that happens to preview some movies), two from Berlin, one from Toronto, and exactly none from Venice. (Under the Skin played there, but it's one of the Telluride films.) Plus three that eschewed the fest circuit altogether. One from Showtime! Ye gods.
• It doesn't have the highest average—Frances Ha squeaked in with just two votes—but a special Passiondex award to The Forbidden Room, which apart from Twin Peaks is the only non-"nominee" (#7, 2015) to make the list. Likewise to Toni Collette, who managed only 6th place in 2018 but was the beneficiary of our newest voter Luis Calil's evident obsession with Ari Aster. (Collette's is his #1 performance for the decade, Midsommar his #2 film.) Maybe I should have done more vetting there. Just kiddin', Luis. Sort of.
• I confess to being a bit troubled by the #SkandiesSoWhite nature of the Performance results. Sonia Braga made it (such a pleasant surprise), and I guess there's some dissension regarding whether or not various Iranian ethnic groups should be considered white. But that's it. None of our recent African-American (or -British) winners—Michael B. Jordan, Daniel Kaluuya, Regina Hall, Lupita Nyong'o—even really came close; the highest-placing black actor was previous decade finalist Samuel L. Jackson, for The Hateful Eight. Down at #44. (I voted for Kaluuya and for Regina Williams in Life and Nothing More, but gave neither more than seven points, so it wasn't super helpful.) Could be happenstance, I guess, but more likely there's some unconscious, culturally amplified racism at work—especially considering that Nyong'o won Actress pretty handily last year, but received just one lonely vote, while second-place finisher Elisabeth Moss placed 12th. Likewise Day-Lewis and Chalamet over Kaluuya. (Though, to be fair, Day-Lewis and Kaluuya literally tied in 2017, with the tie broken by Kaluuya receiving two additional votes. Which indicates that there in fact was more passion for Day-Lewis.) On the other hand, there are similar instances that don't involve race at all, e.g. Cate Blanchett placing for Carol even though she only managed #5 in 2015, whereas outright winner Rooney Mara got just one decade vote. What sticks and what doesn't seems quite unpredictable. Anyway, just felt like a grimace was in order. [DAYS LATER: I forgot to also grimace about only one of our 20 faves being directed by a woman. Voted for three others myself—Winter's Bone, Meek's Cutoff, The Loneliest Planet—but only the Reichardt came within spitting distance.]
• Along the same lines: Every single voter in this poll identifies as a dude, I believe. Never got a ballot from Rachel Jacobson (who did vote in the main survey last year), and the other two women currently on the roster have both abstained altogether for the past two years. As I noted a while back, most of the August Voting Body's female members over the years have dropped out, for various reasons; I've tried to recruit replacements, but it's proven quite hard to get anyone who isn't a longtime voter to stick around for long lately. (R.I.P. Roxane Mesquida. AVB-wise, that is—she's totally fine otherwise.) I've more or less resigned myself to the Skandies being, in essence, just a group of friends weighing in each year. Still, I'll keep trying. (My stubborn refusal to add anyone who writes about films professionally—meant to keep the Skandies from turning into a clone of other critics' polls—has become a real problem. I just don't encounter that many impressive amateurs since the nerd group died. Might need to relax that at some point, though it would also open the XY floodgates, as there are plenty of guys I'd have invited long ago if they didn't already vote in the Indiewire poll and whatnot.)
• Every decade, I fret that eliminating the gender division for performances will result in a heavily male-dominated field. That was indeed the case for the '90s poll, which was won by Emily Watson but included only four other women in the top 20. But the XX/XY breakdown was exactly ten and ten 10 years ago, and this time there are eleven women vs. nine men (though the guys are clustered at the top). Not bad for an all-male group.
• There are too many annual acting winners who didn't place (31) to mention—which makes sense, since we're talking about 40 performances vying for only 20 slots, and that's ignoring everyone who placed 2nd, 3rd, etc. I'm not surprised that e.g. Olivia Williams didn't make the cut for The Ghost Writer. (Still kinda surprised that she won, actually.) But I'd have bet a small sum on Kristen Stewart and Patricia Arquette, and also expected more backup for Jesse Eisenberg than I got—it was just me and Underscore. Oh, and since this was Philip Seymour Hoffman's final shot, his #21 finish, missing by just one point, is a bit sad. But, hey, I can reveal the complete list if I want to. And by god I will!
[Should be obvious, but points on the left, # of votes parenthetically on the right.]
34 Philip Seymour Hoffman, THE MASTER (4)
32 Juliette Binoche, CERTIFIED COPY (3)
31 Joaquin Phoenix, THE MASTER (3)
31 Kristen Stewart, CLOUDS OF SILS MARIA (3)
30 Casey Affleck, MANCHESTER BY THE SEA (3)
30 Oscar Isaac, INSIDE LLEWYN DAVIS (3)
30 Saoirse Ronan, BROOKLYN (3)
30 Mark Rylance, BRIDGE OF SPIES (2)
30 Joaquin Phoenix, INHERENT VICE (1)
29 Marion Cotillard, TWO DAYS, ONE NIGHT (3)
28 Cate Blanchett, BLUE JASMINE (2)
27 Lily Gladstone, CERTAIN WOMEN (3)
27 Kristen Stewart, PERSONAL SHOPPER (2)
26 Tilda Swinton, SNOWPIERCER (2)
25 Jason Bateman, THE GIFT (3)
25 James Franco, SPRING BREAKERS (3)
25 Lee Kang-sheng, STRAY DOGS (3)
25 James Gandolfini, ENOUGH SAID (2)
25 Cynthia Nixon, A QUIET PASSION (2)
23 Ethan Hawke, FIRST REFORMED (2)
22 Steven Yeun, BURNING (2)
21 Jake Gyllenhaal, NIGHTCRAWLER (2)
21 Zoe Kazan, THE EXPLODING GIRL (2) [should have been ineligible, see ballots]
20 Christopher Abbott, JAMES WHITE (2)
20 Ralph Fiennes, A BIGGER SPLASH (2)
20 Nina Hoss, PHOENIX (2)
20 Isabelle Huppert, THINGS TO COME (2)
20 Samuel L. Jackson, THE HATEFUL EIGHT (2)
20 Robert Pattinson, COSMOPOLIS (2)
20 Brad Pitt, MONEYBALL (2)
20 Natalie Portman, BLACK SWAN (2)
20 Toni Servillo, THE GREAT BEAUTY (2)
20 Christoph Waltz, DJANGO UNCHAINED (2)
20 Regina Hall, SUPPORT THE GIRLS (1)
19 Jean-Louis Trintignant, AMOUR (2)
18 Tom Hanks, CAPTAIN PHILLIPS (2)
17 Daniel Kaluuya, GET OUT (2)
17 J.K. Simmons, WHIPLASH (2)
15 Antonio Banderas, PAIN & GLORY (2)
15 Tom Bennett, LOVE & FRIENDSHIP (2)
15 Marion Cotillard, THE IMMIGRANT (2)
15 Jesse Eisenberg, THE SOCIAL NETWORK (2)
15 Ryan Gosling, THE NICE GUYS (2)
15 Rachel McAdams, GAME NIGHT (2)
15 Mary Margaret O'Hara, MUSEUM HOURS (2)
15 Edgar Ramírez, CARLOS (2)
15 Michael Shannon, TAKE SHELTER (2)
15 Anne Hathaway, COLOSSAL (1)
15 Kyle MacLachlan, TWIN PEAKS 2017 (PARTS 12–18) (1)
13 Rooney Mara, CAROL (1)
12 Michael Fassbender, FRANK (1)
12 Greta Gerwig, DAMSELS IN DISTRESS (1)
12 Cynthia Nixon, JAMES WHITE (1)
11 Ellen Barkin, SHIT YEAR (1)
11 Adèle Haenel, THE UNKNOWN GIRL (1)
10 Amy Adams, AMERICAN HUSTLE (1)
10 Amy Adams, ARRIVAL (1)
10 Elmer Bäck, EISENSTEIN IN GUANAJUATO (1)
10 Simon Russell Beale, THE DEEP BLUE SEA (1)
10 Jeannie Berlin, MARGARET (1)
10 Albert Brooks, DRIVE (1)
10 Brandy Burre, ACTRESS (1)
10 Suzanne Clément, LAURENCE ANYWAYS (1)
10 Olivia Colman, THE FAVORITE (1)
10 Paul Dano, LOVE & MERCY (1)
10 Gérard Depardieu, WELCOME TO NEW YORK (1)
10 Adam Driver, MARRIAGE STORY (1)
10 Adam Driver, WHILE WE'RE YOUNG (1)
10 Jennifer Ehle, A QUIET PASSION (1)
10 Cynthia Erivo, BAD TIMES AT THE EL ROYALE (1)
10 Nick Frost, THE WORLD'S END (1)
10 Bruno Ganz, OF WOMEN AND HORSES (1)
10 Andrew Garfield, THE SOCIAL NETWORK (1)
10 Greta Gerwig, MISTRESS AMERICA (1)
10 Rebecca Hall, CHRISTINE (1)
10 Paul Walter Hauser, RICHARD JEWELL (1)
10 Tim Heidecker, THE COMEDY (1)
10 Royalty Hightower, THE FITS (1)
10 Helena Howard, MADELINE'S MADELINE (1)
10 Sandra Hüller, TONI ERDMANN (1)
10 Jason Isaacs, THE DEATH OF STALIN (1)
10 Zoe Kazan, THE BALLAD OF BUSTER SCRUGGS (1)
10 Nicole Kidman, RABBIT HOLE (1)
10 Kim Min-hee, ON THE BEACH AT NIGHT ALONE (1)
10 Vicky Krieps, PHANTOM THREAD (1)
10 Jean-Pierre Léaud, THE DEATH OF LOUIS XIV (1)
10 Thure Lindhardt, KEEP THE LIGHTS ON (1)
10 Kyle MacLachlan, TWIN PEAKS 2017 (PARTS 5–11) (1)
10 Lesley Manville, ANOTHER YEAR (1)
10 Gugu Mbatha-Raw, BEYOND THE LIGHTS (1)
10 James McAvoy, SPLIT (1)
10 Kate McKinnon, GHOSTBUSTERS (1)
10 Viggo Mortensen, JAUJA (1)
10 Lupita Nyong'o, US (1)
10 Elizabeth Olsen, MARTHA MARCY MAY MARLENE (1)
10 Joaquin Phoenix, I'M STILL HERE (1)
10 Mary Kay Place, DIANE (1)
10 Stephen Plunkett, THE MEND (1)
10 Charlotte Rampling, 45 YEARS (1)
10 Robert Redford, ALL IS LOST (1)
10 Sam Rockwell, SEVEN PSYCHOPATHS (1)
10 Tanaka Sachie, HAPPY HOUR (1)
10 J. Smith-Cameron, MARGARET (1)
10 Lakeith Stanfield, SORRY TO BOTHER YOU (1)
10 Harry Dean Stanton, LUCKY (1)
10 Tilda Swinton, WE NEED TO TALK ABOUT KEVIN (1)
10 Anya Taylor-Joy, THE WITCH: A NEW-ENGLAND FOLKTALE (1)
10 Charlize Theron, YOUNG ADULT (1)
10 Uma Thurman, NYMPH()MANIAC VOL. 1 (1)
10 Adrian Titieni, GRADUATION (1)
10 Denzel Washington, FENCES (1)
10 Katherine Waterston, INHERENT VICE (1)
10 Michelle Williams, MANCHESTER BY THE SEA (1)
9 Sara Forestier, OH! MERCY (1)
9 Sheryl Lee, TWIN PEAKS 2017 (PARTS 12–18) (1)
9 Julianne Moore, MAPS TO THE STARS (1)
9 Kate Lyn Sheil, SILVER BULLETS (1)
8 Michelle Monaghan, FORT BLISS (1)
8 Zhao Tao, ASH IS PUREST WHITE (1)
7 Annette Bening, 20TH CENTURY WOMEN (1)
7 Emmanuelle Riva, AMOUR (1)
7 Géza Röhrig, SON OF SAUL (1)
7 Lee Tergesen, SILVER TONGUES (1)
6 Ann Dowd, COMPLIANCE (1)
5 Patricia Arquette, BOYHOOD (1)
5 Johnny Depp, THE LONE RANGER (1)
5 Bruce Dern, NEBRASKA (1)
5 Adam Driver, PATERSON (1)
5 Marjorie Estiano, GOOD MANNERS (1)
5 Betty Gabriel, GET OUT (1)
5 Kathryn Hahn, PRIVATE LIFE (1)
5 Philip Seymour Hoffman, A MOST WANTED MAN (1)
5 Scarlett Johansson, HER (1)
5 Vincent Lindon, THE MEASURE OF A MAN (1)
5 Matthew McConaughey, THE BEACH BUM (1)
5 Joanna Newsom, INHERENT VICE (1)
5 Keanu Reeves, JOHN WICK (1)
5 Kristen Stewart, THE RUNAWAYS (1)
5 Tilda Swinton, ONLY LOVERS LEFT ALIVE (1)
5 Mya Taylor, TANGERINE (1)
5 Denzel Washington, UNSTOPPABLE (1)
5 Regina Williams, LIFE AND NOTHING MORE (1)
5 Ruth Wilson, THE LITTLE STRANGER (1)
And here's the supplementary Picture rundown:
35 The Wolf of Wall Street (4)
35 Twin Peaks 2017 (parts 1–4) (2)
35 Twin Peaks 2017 (parts 12–18) (2)
34 The Turin Horse (3)
33 Nocturama (4)
31 Meek's Cutoff (4)
30 Two Days, One Night (4)
30 I Heard You Paint Houses (3)
30 Inherent Vice (1)
27 Call Me by Your Name (3)
26 Black Swan (3)
26 The Deep Blue Sea (2)
24 A Ghost Story (3)
24 Paterson (3)
24 Goodbye to Language (2)
20 Melancholia (3)
20 La La Land (2)
20 Leviathan [Castaing-Taylor & Paravel] (2)
20 Manchester By The Sea (2)
20 The Mend (2)
20 Midsommar (1)
20 Moonlight (1)
20 Upstream Color (1)
19 Winter's Bone (2)
18 20th Century Women (2)
17 The Babadook (2)
17 Let the Corpses Tan (2)
16 The Kid With a Bike (1)
16 Silence (1)
15 The Loneliest Planet (3)
15 The Master (2)
15 Mood Indigo (2)
15 The Social Network (2)
15 First Reformed (1)
15 The Martian (1)
15 Once Upon a Time in Anatolia (1)
15 Roma (1)
14 Before Midnight (2)
14 Of Gods and Men (1)
13 The Lobster (1)
12 The Act of Killing (1)
12 1917 (1)
11 mother! (2)
11 The Day He Arrives (1)
11 Old Dog (1)
10 Arrival (1)
10 Baahubali 2 (1)
10 Beyond the Black Rainbow (1)
10 Bird People (1)
10 Blue Is the Warmest Color (1)
10 Brimstone & Glory (1)
10 Brooklyn (1)
10 Cemetery of Splendour (1)
10 Cold War (1)
10 Colossal (1)
10 Computer Chess (1)
10 Drug War (1)
10 Dunkirk (1)
10 Enough Said (1)
10 Exit Through the Gift Shop (1)
10 The Florida Project (1)
10 Frank (1)
10 Gone Girl (1)
10 Gravity (1)
10 Happy Hour (1)
10 Hard to Be a God (1)
10 A Hidden Life (1)
10 Hill of Freedom (1)
10 Lady Bird (1)
10 Leviathan [Zvyagintsev] (1)
10 The Love Witch (1)
10 A Month in Thailand (1)
10 National Gallery (1)
10 The Nice Guys (1)
10 Of Women and Horses (1)
10 The Other Side (1)
10 Paddington 2 (1)
10 Phoenix (1)
10 The Rider (1)
10 Shoplifters (1)
10 Sing Street (1)
10 The Sleeping Beauty (1)
10 Something in the Air (1)
10 Son of Saul (1)
10 The Strange Little Cat (1)
10 Sully (1)
10 Tabu (1)
10 The Task (1)
10 Things to Come (1)
10 Toni Erdmann (1)
10 Transit (1)
10 The Whispering Star (1)
10 The Wind Rises (1)
10 Young Ahmed (1)
9 Mes séances de lutte (1)
9 Sleeping Beauty (1)
7 Everybody in Our Family (1)
7 The House That Jack Built (1)
7 Knight of Cups (1)
7 Toy Story 3 (1)
6 Amour (1)
6 Burning (1)
6 The Imposter (1)
6 Zero Motivation (1)
5 Actress (1)
5 Ash Is Purest White (1)
5 Avengers: Endgame (1)
5 Bisbee '17 (1)
5 BlacKkKlansman (1)
5 Blue Jasmine (1)
5 Damsels in Distress (1)
5 Ex Libris (1)
5 Faces Places (1)
5 The Fits (1)
5 The Grand Bizarre (1)
5 Guardians of the Galaxy (1)
5 The Hateful Eight (1)
5 Inside Out (1)
5 Interstellar (1)
5 Jackass 3D (1)
5 My Happy Family (1)
5 Neighboring Sounds (1)
5 Personal Shopper (1)
5 Right Now, Wrong Then (1)
5 The Runaways (1)
5 Scott Pilgrim vs. the World (1)
5 Snowpiercer (1)
5 Timbuktu (1)
5 Toto and His Sisters (1)
5 Trash Humpers (1) [should have been ineligible, see ballots]
5 Under the Silver Lake (1)
5 Us (1)
5 Whiplash (1)
5 The Witch: A New-England Folktale (1)
"Nominees" receiving zero votes: Mother (Bong, not Aronofsky—I voted for that one), Moonrise Kingdom (really? not on my own ballot, admittedly, but I prefer it slightly to Grand Budapest; both films finished 2nd in their respective years), Her, Stranger by the Lake, Support the Girls, The Favourite, Uncut Gems, Marriage Story.
And finally, here are the ballots themselves. I didn't have the time/stamina to create a clickable version, but you can CTRL-F to your heart's content, or just browse.
Parenthetical numbers indicate points allotted; if none are present, then the voter specified 10 points apiece for the category. (A lot of folks did this, as you'll see. For the performances in particular.) Also Blogger's not a WYSIWYG kind of outfit, and I eventually gave up trying to make the spaces before and after the ruler lines uniform. Drives me nuts, but every time I tried to fix it, it would only get screwed up in a different way.
Matthew Butcher
Frances Ha (25)
A Separation (15)
Carol (15)
The Nice Guys (10)
Something in the Air (10)
Inside Llewyn Davis (5)
Nocturama (5)
Ash Is Purest White (5)
Mood Indigo (5)
Two Days, One Night (5)
Peyman Moaadi, A Separation (20)
Isabelle Huppert, Elle (16)
Tilda Swinton, Snowpiercer (16)
Denis Lavant, Holy Motors (10)
Oscar Isaac, Inside Llewyn Davis (10)
Zhao Tao, Ash Is Purest White (5)
Greta Gerwig, Frances Ha (5)
Ryan Gosling, The Nice Guys (5)
Adam Driver, Paterson (5)
Ruth Wilson, The Little Stranger (5)
Luis Calil
Upstream Color (20)
Under the Skin (10)
Once Upon a Time...in Hollywood (5)
The Loneliest Planet (5)
Whiplash (5)
Right Now, Wrong Then (5)
mother! (5)
Toni Collette, Hereditary (30)
Sonia Braga, Aquarius (10)
Elizabeth Olsen, Martha Marcy May Marlene (10)
Jason Bateman, The Gift (10)
Marion Cotillard, Two Days, One Night (10)
Tom Hanks, Captain Phillips (8)
Lee Tergesen, Silver Tongues (7)
Marjorie Estiano, Good Manners (5)
Vincent Lindon, The Measure of a Man (5)
Peyman Moaadi, A Separation (5)
Dave Cowen
Mad Max: Fury Road (15)
The Forbidden Room (15)
Mood Indigo (10)
Frank (10)
Gone Girl (10)
Exit Through the Gift Shop (10)
Melancholia (10)
The Love Witch (10)
Damsels in Distress (5)
Under the Silver Lake (5)
Jake Gyllenhaal, Nightcrawler (16)
Kirsten Dunst, Melancholia (16)
Michael Fassbinder, Frank (12)
Greta Gerwig, Damsels in Distress (12)
Sandra Hüller, Toni Erdmann (10)
Lakeith Stanfield, Sorry to Bother You (10)
J.K. Simmons, Whiplash (7)
Philip Seymour Hoffman, The Master (7)
Betty Gabriel, Get Out (5)
James Franco, Spring Breakers (5)
Mike D'Angelo
The Duke of Burgundy (19)
Holy Motors (10)
Winter's Bone (9)
Margaret (8)
Meek's Cutoff (6)
The Imposter (6)
Phantom Thread (5)
Barry Keoghan, The Killing of a Sacred Deer (21)
Ellen Barkin, Shit Year (11)
Daniel Kaluuya, Get Out (7)
Ann Dowd, Compliance (6)
Jesse Eisenberg, The Social Network (5)
Jason Bateman, The Gift (5)
Regina Williams, Life and Nothing More (5)
Rachel McAdams, Game Night (5)
Doug Dillaman
Beyond the Black Rainbow
Brimstone and Glory
Cemetery of Splendour
Certified Copy
Cameraperson
The Forbidden Room
Rachel McAdams, Game Night
Denis Lavant, Holy Motors
Nick Frost, The World's End
Uma Thurman, Nymph()maniac Vol. 1
Cate Blanchett, Carol
Ralph Fiennes, A Bigger Splash
Cynthia Erivo, Bad Times at the El Royale
Elisabeth Moss, Her Smell
Paul Walter Hauser, Richard Jewell
Daniel Day-Lewis, Phantom Thread
Bilge Ebiri
The Tree of Life (20)
Once Upon a Time in Anatolia (15)
Dunkirk (10)
The Rider (10)
Melancholia (5)
The Fits (5)
Timbuktu (5)
My Happy Family (5)
Kirsten Dunst, Melancholia
Peyman Moaadi, A Separation
Brad Pitt, Moneyball
Adrian Titieni, Graduation
Helena Howard, Madeline's Madeline
Leonardo DiCaprio, The Wolf of Wall Street
Antonio Banderas, Pain & Glory
Amy Adams, American Hustle
Royalty Hightower, The Fits
Gugu Mbatha-Raw, Beyond the Lights
Bryant Frazer
House of Pleasures (17)
The Grand Budapest Hotel (10)
I Heard You Paint Houses (7)
Faces Places (5)
Daniel Day-Lewis, Phantom Thread (12)
Juliette Binoche, Certified Copy (12)
Kristen Stewart, Personal Shopper (12)
Ralph Fiennes, The Grand Budapest Hotel (12)
Jean-Louis Trintignant, Amour (9)
Sheryl Lee, Twin Peaks 2017 (parts 12–18) (9)
Tilda Swinton, Only Lovers Left Alive (5)
Keanu Reeves, John Wick (5)
Alex Fung
The Deep Blue Sea (18)
Silence (16)
First Reformed (15)
Inside Llewyn Davis (10)
A Separation (8)
Zero Motivation (6)
The Witch: A New-England Folktale (5)
Rachel Weisz, The Deep Blue Sea (22)
Cate Blanchett, Blue Jasmine (18)
Ethan Hawke, First Reformed (13)
Rebecca Hall, Christine (10)
Michelle Monaghan, Fort Bliss (8)
Brad Pitt, Once Upon a Time...in Hollywood (8)
Scarlett Johansson, Under the Skin (6)
Michael Shannon, Take Shelter (5)
Edgar Ramírez, Carlos (5)
Jake Gyllenhaal, Nightcrawler (5)
Skander H.
Twin Peaks 2017 (parts 1–4) (21)
Twin Peaks 2017 (parts 5–11) (21)
Twin Peaks 2017 (parts 12–18) (21)
Mad Max: Fury Road (7)
Inside Out (5)
Before Midnight (5)
Snowpiercer (5)
Trash Humpers (5)*
Daniel Day-Lewis, Lincoln
James Franco, Spring Breakers
Samuel L. Jackson, The Hateful Eight
Adam Driver, While We're Young
Mark Rylance, Bridge of Spies
Sonia Braga, Aquarius
Isabelle Huppert, Elle
Michelle Williams, Manchester By The Sea
James McAvoy, Split
Olivia Colman, The Favourite
* I failed to notice that this is a 2009 film, and hence ineligible. Not the only such goof, either. How mortifying.
Jeremy Heilman
The Turin Horse
Andrew Garfield, The Social Network
Nicole Kidman, Rabbit Hole
Cate Blanchett, Blue Jasmine
Kristen Stewart, Clouds of Sils Maria
Paul Dano, Love & Mercy
Greta Gerwig, Mistress America
Don Marks
Let the Corpses Tan
Suzanne Clément, Laurence Anyways
Marion Cotillard, The Immigrant
Ralph Fiennes, The Grand Budapest Hotel
Nina Hoss, Phoenix
Daniel Kaluuya, Get Out
Barry Keoghan, The Killing of a Sacred Deer
Scarlett Johansson, Under the Skin
Lupita Nyong'o, Us
Joaquin Phoenix, The Master
Brad Pitt, Once Upon a Time...in Hollywood
Jeff McCloud
Inherent Vice (30)
Colossal (10)
Avengers: Endgame (5)
Personal Shopper (5)
The Runaways (5)
Jackass 3D (5)
Holy Motors (5)
The Grand Bizarre (5)
Joaquin Phoenix, Inherent Vice (30)
Anne Hathaway, Colossal (15)
Katherine Waterston, Inherent Vice (10)
Marion Cotillard, The Immigrant (5)
Daniel Day-Lewis, Phantom Thread (5)
Johnny Depp, The Lone Ranger (5)
Matthew McConaughey, The Beach Bum (5)
Joanna Newsom, Inherent Vice (5)
Kristen Stewart, The Runaways (5)
Victor Morton
The Kid With a Bike (16)
Of Gods and Men (14)
The Act of Killing (12)
Two Days, One Night (10)
Once Upon a Time...in Hollywood (10)
Everybody in Our Family (7)
Cameraperson (7)
Let the Corpses Tan (7)
Toto and His Sisters (5)
Simon Russell Beale, The Deep Blue Sea
Tom Bennett, Love & Friendship
Greta Gerwig, Frances Ha
Anna Paquin, Margaret
Edgar Ramírez, Carlos
Tilda Swinton, Snowpiercer
Anya Taylor-Joy, The Witch: A New-England Folktale
Christoph Waltz, Django Unchained
Noel Murray
Winter's Bone (10)
Parasite (10)
Boyhood (10)
The Florida Project (10)
Lady Bird (10)
Phantom Thread (10)
Greta Gerwig, Frances Ha (15)
Christopher Abbott, James White (10)
Charlotte Rampling, 45 Years (10)
Natalie Portman, Black Swan (10)
Daniel Day-Lewis, Lincoln (10)
Sam Rockwell, Seven Psychopaths (10)
Christoph Waltz, Django Unchained (10)
Saoirse Ronan, Brooklyn (10)
James Gandolfini, Enough Said (10)
Leonardo DiCaprio, The Wolf of Wall Street (5)
Charles Odell
The Martian (15)
The Turin Horse (15)
Manchester By The Sea (10)
The Babadook (10)
The Wolf of Wall Street (5)
A Ghost Story (5)
Anna Paquin, Margaret (15)
Leonardo DiCaprio, The Wolf of Wall Street (10)
Michael Shannon, Take Shelter (10)
Casey Affleck, Manchester By The Sea (10)
Denzel Washington, Fences (10)
Jason Isaacs, The Death of Stalin (10)
Tom Bennett, Love & Friendship (5)
Jason Overbeck
I Heard You Paint Houses (10)
Nocturama (10)
Margaret (10)
Blue Jasmine (5)
20th Century Women (5)
The Social Network (5)
The Hateful Eight (5)
Zoe Kazan, The Exploding Girl*
Vicky Krieps, Phantom Thread
Tom Hanks, Captain Phillips
Albert Brooks, Drive
* See Dan Sallitt's ballot. This error was much more likely to have been consequential, since six of Jason's picks made the top 20. But I only just noticed it now. Oops.
Theo Panayides
La La Land (10)
Cameraperson (10)
Black Swan (10)
Bird People (10)
Paterson (7)
Call Me by Your Name (7)
Timothée Chalamet, Call Me by Your Name
Gérard Depardieu, Welcome to New York
Zoe Kazan, The Ballad of Buster Scruggs
Kate McKinnon, Ghostbusters
Toni Servillo, The Great Beauty
J.K. Simmons, Whiplash
Harry Dean Stanton, Lucky
Mark Pittillo
Certified Copy (9)
The Forbidden Room (7)
Juliette Binoche, Certified Copy
Oscar Isaac, Inside Llewyn Davis
Kyle MacLachlan, Twin Peaks 2017 (parts 5–11)
Matt Prigge
The Mend
Once Upon a Time...in Hollywood
J. Smith-Cameron, Margaret
Tim Heidecker, The Comedy
Brandy Burre, Actress
Stephen Plunkett, The Mend
Jason Bateman, The Gift
Ryan Gosling, The Nice Guys
Zach Ralston
20th Century Women (13)
A Ghost Story (13)
Boyhood (7)
BlacKkKlansman (5)
Adèle Exarchopoulos, Blue Is the Warmest Color (13)
Timothée Chalamet, Call Me by Your Name (13)
Cynthia Nixon, James White (12)
Elisabeth Moss, Her Smell (12)
Joaquin Phoenix, The Master (11)
Emmanuelle Riva, Amour (7)
Géza Röhrig, Son of Saul (7)
Annette Bening, 20th Century Women (7)
Scott Renshaw
Certified Copy (21)
The Deep Blue Sea (8)
The Babadook (7)
The Master (5)
[Scott didn't send in his performances.]
Vadim Rizov
Meek's Cutoff
Computer Chess
Joaquin Phoenix, I'm Still Here
Robert Pattinson, Cosmopolis
Viggo Mortensen, Jauja
Tanaka Sachie, Happy Hour
Kim Min-hee, On the Beach at Night Alone
Lee Kang-sheng, Stray Dogs
Isabelle Huppert, Things to Come
Joshua Rothkopf
Leviathan (Zvyagintsev)
A Separation
Jeannie Berlin, Margaret
Steven Yeun, Burning
Tilda Swinton, We Need to Talk About Kevin
Casey Affleck, Manchester By The Sea
Saoirse Ronan, Brooklyn
Toni Collette, Hereditary
Charlize Theron, Young Adult
Lesley Manville, Another Year
Old Dog (11)
The Day He Arrives (11)
The Sleeping Beauty (10)*
A Month in Thailand (10)
The Mend (10)
The Whispering Star (10)
Of Women and Horses (10)
Young Ahmed (10)
Sleeping Beauty (9)*
Mes séances de lutte (9)
Adèle Haenel, The Unknown Girl (11)
Zoe Kazan, The Exploding Girl (11)**
Philip Seymour Hoffman, The Master (11)
Jean-Louis Trintignant, Amour (10)
Isabelle Huppert, Things to Come (10)
Bruno Ganz, Of Women and Horses (10)
Mary Kay Place, Diane (10)
Kate Lyn Sheil, Silver Bullets (9)
Julianne Moore, Maps to the Stars (9)
Sara Forestier, Oh! Mercy (9)
* Not an error. The Sleeping Beauty is the 2010 film directed by Catherine Breillat; Sleeping Beauty is the 2011 film directed by Julia Leigh.
** I screwed this up. The Exploding Girl got a commercial release in 2010, but it premiered in 2009, and was thus eligible for the previous decade poll, not this one. And in fact Dan voted for her in that one as well! Didn't catch it until I saw the repetition while belatedly compiling the ballots from ten years back. By that time I was already well into the countdown, and the odds of his substitution making any difference seemed quite slim, frankly. (Though Philip Seymour Hoffman did just miss, so you never know.) So I let it go.
Michael Sicinski
House of Pleasures
Goodbye to Language
Hard to Be a God
Leviathan [Castaing-Taylor & Paravel]
Two Days, One Night
Thure Lindhardt, Keep the Lights On
Marion Cotillard, Two Days, One Night
Elmer Bäck, Eisenstein in Guanajuato
Mary Margaret O'Hara, Museum Hours
Jean-Pierre Léaud, The Death of Louis XIV
Chris Stults
Moonlight (20)
Enough Said (10)
Leviathan [Castaing-Taylor & Paravel] (10)
Neighboring Sounds (5)
Ex Libris (5)
Bisbee '17 (5)
Mark Rylance, Bridge of Spies (20)
Regina Hall, Support the Girls (20)
Cate Blanchett, Carol (15)
Philip Seymour Hoffman, A Most Wanted Man (5)
Lily Gladstone, Certain Women (5)
Mary Margaret O'Hara, Museum Hours (5)
Denzel Washington, Unstoppable (5)
Kathryn Hahn, Private Life (5)
Antonio Banderas, Pain & Glory (5)
Scott Tobias
Jesse Eisenberg, The Social Network
Adam Driver, Marriage Story
Christopher Abbott, James White
Cynthia Nixon, A Quiet Passion
Ethan Hawke, First Reformed
Froilan Vispo
Rachel Weisz, The Deep Blue Sea
Robert Redford, All Is Lost
Adèle Exarchopoulos, Blue Is the Warmest Color
Amy Adams, Arrival
Philip Seymour Hoffman, The Master
The Lobster (13)
The Turin Horse (9)
Scott Pilgrim vs. the World (5)
Rooney Mara, Carol (13)
Steven Yeun, Burning (12)
Kristen Stewart, Clouds of Sils Maria (11)
Ralph Fiennes, The Grand Budapest Hotel (9)
Denis Lavant, Holy Motors (8)
Barry Keoghan, The Killing of a Sacred Deer (6)
Scarlett Johannson, Her (5)
Blake Williams
Goodbye to Language (14)
The Strange Little Cat (10)
The House That Jack Built (7)
Knight of Cups (7)
House of Pleasures (5)
Interstellar (5)
Kyle MacLachlan, Twin Peaks 2017 (parts 12–18) (15)
Lily Gladstone, Certain Women (15)
Cynthia Nixon, A Quiet Passion (15)
Robert Pattinson, Cosmopolis (10)
Jennifer Ehle, A Quiet Passion (10)
Bruce Dern, Nebraska (5)
Patricia Arquette, Boyhood (5)
Lee Kang-sheng, Stray Dogs (5)
Mya Taylor, Tangerine (5)
Ryan Wu
Blue Is the Warmest Color (10)
Toy Story 3 (7)
The Duke of Burgundy (6)
Marion Cotillard, Two Days, One Night (9)
Isabelle Huppert, Elle (9)
Anna Paquin, Margaret (8)
Didn't respond: Sky Hirschkron, Rachel Jacobson, Gabe Leibowitz, C. Mason Wells. (Chris skipped it last time, too, so I think he may just consider it an impossible task.)
Posted by md'a at 8:00 AM
md'a said...
Oh, something I'd meant to note but forgot about (I'm gonna add it to the bullet-point section, but am first sticking it here for those who already read the whole thing): Every decade, I fret that eliminating the gender division for performances will result in a heavily male-dominated field. That was indeed the case for the '90s poll, which was won by Emily Watson but included only four other women in the top 20. But the XX/XY breakdown was exactly ten and ten 10 years ago, and this time there are eleven women vs. nine men (though the guys are clustered at the top). Not bad for an all-male group.
My heart is human. My blood is boiling. My brain IBM.
Luis Calil said...
I make no apologies for my Collette 30-point bomb, but I did also put Sonia Braga on the list.
That was the stupidest movie nerd argument of all time, and god knows we've gotten into a few. Anyway, appreciate your tireless work on this long-running project.
Odds are nobody will see this but I forgot that Atli sent me his prediction for the top 10 shortly after I started the countdown. Largely correct apart from The Master, which didn't even make the top 50. (Actual finish noted parenthetically so you don't have to scroll up.)
1. Under the Skin (1)
2. Mad Max Fury Road (3)
3. Margaret (7)
4. The Tree of Life (4)
5. A Separation (2)
6. Phantom Thread (5)
7. Holy Motors (8)
8. Cameraperson (6)
9. Certified Copy (9)
10. The Master (51)
I didn't attempt a prediction myself, and if I'd done so, it, too, would likely have been inaccurate, on account of my not being a robot.
spinix (100 คะแนน) said...
spinix เกมสล็อต รวมทั้งคาสิโนออนไลน์มาใหม่ มาแรงที่สุด พีจี ที่เก็บค่ายเกมดังต่างๆไว้ตรงนี้ในแอพเดียวครบจบเลยทั้งยังแจกเพชรฟรีสามารถแลกเปลี่ยนเป็นเครดิต ถอนได้อีกด้วย
สล็อต ทดลอง เล่น ฟรี said...
สล็อต ทดลอง เล่น ฟรี สล็อตพีจี ของเราได้ทำการคิดค้น รวมทั้งปรับปรุงระบบ ปาก ทางเข้า สล็อตPG SLOTออโต้ ที่เน้นย้ำแบบอัตโนมัติ สามารถทำรายการได้ด้วยตัวเอง เล่นผ่านเว็บ pg


Was released last week and I'm having a hoot.
VERY well optimised for PC and the netcode is solid.
gantybop on steam if anyone fancies a scrap.
Downloaded this on the sly and it's deffo very pretty and the game play seems solid. No online for me though. Doh!
And nbzs for this .


Lucy is a recent graduate of the University of Arizona and is now a full time technician and bee connoisseur.
Charlotte graduated with her degree in Engineering from the University of Arizona in 2015 and works full time at the lab.
Meg is a graduate of Ohio Wesleyan University. She joined us in the fall of 2017 as part of the University of Arizona's GIDP in Entomology and Insect Science.
Bethany is a graduate of Edinboro University. She joined us in the fall of 2018 as part of the University of Arizona's GIDP in Entomology and Insect Science.
Ashley is a graduate of the University of Arizona. She joined us in the fall of 2018 as part of the University of Arizona's GIDP in Entomology and Insect Science.
Interested in joining our group? Please contact Vanessa directly to discuss research and funding options.


Wildflowers were plentiful this spring on the slopes of Medicine Mountain.
You sure hit flower season perfectly!
You should have seen the daisies on Crow Mountain - out of CONTROL, huge, plentiful, etc.
Unfortunately, Crow Mtn burned up in a fire this summer, just about the time western Colorado Springs was ablaze. I'm not even sure you can access the mountain right now. Check before going, but if it's accessible, it's a beautiful area...hopefully not too badly marred by the fires.
Ooooh! So y'all are already in S.D., then? Sweet! Get posting photos and stuff! And tell your lovely wife I say HELLO.


text:
using System;
using System.Collections.Generic;
using System.Text;

namespace NWheels.Microservices.Runtime.Cli
{
    //TODO: implement according to guidelines
    public class CliCommandFailedException : Exception
    {
        public CliCommandFailedException(Exception innerException, int exitCode)
            : base((innerException?.Message ?? "Error not available"), innerException)
        {
            this.ExitCode = exitCode;
        }

        //-----------------------------------------------------------------------------------------------------------------------------------------------------

        public int ExitCode { get; }
    }
}

redpajama_set_name: RedPajamaGithub


Published 04/25/2019 07:52:25 am at 04/25/2019 07:52:25 am in Underlay For Carpet On Concrete.
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Cyber security is undoubtedly on our agenda with ever-increasing threats being proved able to disrupt our business continuity. Real life examples in the maritime industry, and related sectors including ports, terminals and the supply chain, clearly demonstrate the impact of cyber-attacks.
An up-to-date insight into the cyber-threat landscape is imperative to protect our business processes and data from cyber-attacks, damage or security breaches. Ship operators need to analyse potential risks, explore the legal aspects, and incorporate cyber resilience into their daily operations in order to organise business operations to reduce cyber vulnerability.
In this era of the connected ship, with developments such as the cloud, IoT, electronic data exchange in the logistic chain, electronic navigation systems, we increasingly rely on technology, which makes cyber resilience business-critical. So, how do we embed this into the maritime organisation? How do we incorporate cyber security into all our systems and operations? And if incidents occur, how do we respond and make the necessary contingency or recovery plans? In another words, how do we build and maintain a cyber resilient organisation throughout the total supply chain? We will investigate regulations and guidelines to develop a safe, compliant, cyber capability in shipping.
The human factor is often regarded the weakest link. Ship operators need to increase cyber awareness among both in the office and onboard. In this Forum, we will discuss best practices, including ways to mobilise internal commitment, set up training and incorporate cyber awareness into procedures.
Building on the success of the Maritime Cyber Resilience Forums in Rotterdam, Athens and Hamburg in 2017, the Digital Ship Maritime Cyber Resilience Forum Rotterdam 2018 will address the issues that companies need to learn more about in order to meet the Cyber Challenge head on.
How should we focus on building cyber resilience?
Best practices – threat management and balancing risk.
Mitigating risk - Identify, assess, respond.
IMO and the EU General Data Protection Regulation.
Legal, financial and insurance implications.
The future of cyber reporting.
Nick Lambert, Maritime Domain Expert, NLA Ltd.


text:
ActiveRecord::Schema.define(version: 20170523164355) do

  create_table "products", force: :cascade do |t|
    t.string   "name"
    t.string   "images"
    t.datetime "created_at", null: false
    t.datetime "updated_at", null: false
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    t.string   "name"
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text:
CALL US: +49 (0)30 680783-75
 REQUEST A CONSULTATION → 
LANGUAGE: GERMAN/DEUTSCH
Open/Close Menu Christian Feierabend | Attorney and Certified Specialist for International Business Law
International Commerce – CISG
Franchising Law
International Distribution Law
German Franchising Law – Setting up and Running Franchising Systems in Germany
Franchising is a complex partnership: In return for the provision of a – usually – profitable business concept, know-how, licenses, trademark rights and promotion in another form by the franchisor, the franchisee agrees to pay an "entry fee" for the Access to the franchise system in order to pay a certain percentage of its sales to the franchisor. Well-designed and functioning franchise systems work to the advantage of both parties: The franchisee receives access to an established and functioning business model with well-known brands, reference channels and carefully developed business functions and processes. The franchisor, on the other hand, can increase its market presence without significant investments of its own and with only a low level of risk, since the franchisee as an independent entrepreneur bears his own operational and business risk.
In this consulting practice for franchisees and franchisors on issues relating to franchise law, we give special attention to:
Setting up a business in the franchise sector in Germany: Advice and legal support for prospective franchisees before entering or setting up a franchise system in Germany;
Franchise agreements: review of franchise agreements and side agreements;
Holistic support for young and established franchise systems;
Pre-contractual disclosure obligations: scope of pre-contractual disclosure and information obligations of the franchisor before entering a franchise system, purchase obligations, competition agreements in franchise contracts;
Service disruptions and conflict resolution: While certain conflicts in a franchise relationship can often only be resolved through legal proceedings, other disputes between the franchise partners can sometimes be resolved more quickly and cost effectively through alternative dispute resolution mechanisms (ADR), such as mediation or arbitration. There are particularly frequent situations in which a franchisee wants to leave the franchise system prematurely. The reasons for this are varied and not always based on the franchise system. A lack of economic success, health concerns or the desire for personal or professional changes can be understandable reasons for premature termination of the franchise agreement. These cases are legally problematic, as the franchise contract is usually designed for a fixed contract period and cannot easily be terminated early. In these cases, in addition to the contractually fixed conditions for an orderly and, if necessary, extraordinary termination of the franchise agreement, there is always the possibility of finding a solution through negotiation.
Protection against competition and non-competition provisions in franchise law: Non-competition provisions and agreements on protection against competition in the franchise sector have a naturally restrictive effect on competition and must therefore always be questioned critically. Due to their potentially restrictive effect on the economic ability to act, certain legal requirements must be placed on the effectiveness of non-compete obligations in the franchise agreement.
Confidentiality: Protection of intangible legal assets in franchise relationships by means of confidentiality agreements, including post-contractual confidentiality obligations.
Typical conflicts in Franchising Law
Conflicts in franchise law often arise from the same typical reasons. On the side of the franchisor:
The franchise system does not work or is based on an unsustainable or insufficiently viable business model
Insufficient documentation of the franchise system; The franchisor's know-how is inaccessible to the franchisee or does not have the promised added value
Strict purchase and purchase obligations, which permanently hinder the operational business of the franchisee
Value-added services by the franchisor do not work or do not work as agreed. Often these are technical services, such as IT services, the failure of which has serious consequences for the operational business of the franchisee. From a legal perspective, technical value-added services depend on the specific contractual structure
Pre-contractual misconduct, in particular insufficient information and clarification on the franchise system and the risks of self-employment;
Inadequate care and support for franchisees
On the side of the franchisee:
Bad business decisions by the franchisee. The choice of location in particular is always problematic
Insufficient capital resources to cover the standard of living in the start-up and establishment phase
Inadequate pre-contractual advice on legal and tax matters;
Incorrect ideas about the depth of attachment and integration;
Personal strokes of fate, such as illness and incapacity for work
– ↑ BACK TO TOP –
Christian Feierabend
Attorney | Certified Specialist for International Business Law
Volmerstraße 3, 12489 Berlin
Tel.: +49 (0) 30 / 680 783 -75
E-mail: feierabend@fp-law.net
Distribution Agreements under German and EU Law
Market Entry in Germany
German tax research allowance grants up to 500,000 euros in research funding
Managing a German limited liability company (GmbH) from abroad
Transfer of shares in a German GmbH to an abroad company
Expanding a Franchise Business to Germany
© 2021 Christian Feierabend

redpajama_set_name: RedPajamaCommonCrawl


text:
Persian Realm
WALKER ARTS CENTER: A Discussion on Shirin Neshat's Movie "Women Without Men"
by Darius Kadivar
Walker Arts Center Presents the Panel "Filmmakers in Conversation" with a Post-screening discussion with Shirin Neshat and Shoja Azari moderated by Sheryl Mousley. (April 16th, 2010)
About Women Without Men:
The Walker first exhibited New York based Shirin Neshats work in 1998—the same year she won the Venice Biennales prestigious Golden Lion prize for her video pieces. Her first major U.S. solo exhibition was presented here in 2002. She returns with her feature film debut, an adaptation of the novel by exiled Iranian writer Shahrnush Parsipur. Set in Iran during its infamous 1953 CIA-backed coup, the film follows four women from different social classes as they take refuge in a metaphorical orchard. Through striking visuals and magic realism, Neshat plumbs the depths of their personal tragedies. Filmed in haunting muted hues, the womens individual journeys are compelling, and the broader themes of the tensions between religion and secularism and between tradition and modernity have never felt more relevant (British Film Institute). Selected for the 2010 Sundance Film Festival and winner of the 2009 Venice Film Festival Silver Lion. 2009, 35mm, 95 minutes.
BRAVO MESDAMES!: Aghdashloo, Neshat, Reza and Farahani Shined Through 2009 Summer Season's International Awards by Darius KADIVAR
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An outstanding movie about the 1953 era.
by Anonymouse on Mon Dec 06, 2010 05:30 AM PST
I gave the movie 3.75 stars and blogged about it here:
//iranian.com/main/blog/anonymouse/women-without-men-movie-review-3-75-stars


Focal, sterling silver, 40x27mm textured teardrop with 2 loops. Sold individually.
Item Number: H20-5443FY Have a question about this item?
Playful stations in stylish textured sterling silver. Two-sided pebbled texture with anti-tarnish coating for long-wearing designs.
Drop, sterling silver, 29x14mm teardrop with 6 closed loops. Sold individually.
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How can I find out which slow script is giving IE problems?
Stop running this script? A script on this page is causing your web browser to run slowly. If it continues to run, your computer might become unresponsive.
However, the webapp I'm debugging is fairly old and has a whole lot of scripts. Is there an easy way for me to find out which of those scripts is causing the problem?
I'm not sure because I don't use IE... But can you do some breakpoint in the console and then reload the page to see if you breakpoint is before or after the slow script?


狐狸的故事 Le roman de Renardbt种子,狐狸的故事 Le roman de Renard迅雷下载,狐狸的故事 Le roman de Renard结局什么意思,狐狸的故事 Le roman de Renard在线观看,TheStoryoftheFoxbt种子,TheStoryoftheFox迅雷下载,TheStoryoftheFox在线观看,TheStoryoftheFox下载,TheTaleoftheFoxbt种子,TheTaleoftheFox迅雷下载,TheTaleoftheFox在线观看,TheTaleoftheFox下载 爱下电影 一个可以下载电影的网站!
In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brough to him... One of the first animation film with puppets. The story is taken from a from a French medieval fable.


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Walsall Football Club – One Proud Midlands Club That's Building For the Future
With four Premier League Clubs close to home, they could be excused for feeling frustrated about themselves. Nonetheless, that is not the situation at the Banks' Stadium, home of Walsall FC.
Walsall, nicknamed The Saddlers, have been around for a horrendous long time – 1888 indeed.
A family club at the core of the neighborhood local area, they may not be in the Premier League from a divisional perspective at the same time, in a large group of ways, they are large and in charge.
During a time where costs are freezing customary football spreads out of the game, Walsall allies can fly down the Banks' and watch live football for just £14 for grown-ups and £8 for youngsters. Even better, there are family tickets accessible at £20 and under-8's go free. Reward.
The offices are first rate as well. The ground has been redeveloped on various events since the club increased sticks from the frail Fellows Park in 1990. New Suites have been constructed, which means fans can get something to eat and watch the live Sky Sports match at noon prior to settling down to watch Walsall. There's talk to be had as aficionados, all things considered, shapes and sizes meet up for a pre-match visit.
On the field, things are going admirably as well. ทางเข้ายูฟ่าคาสิโน
They completed 10th in League One last season and the two men in control – Chris Hutchings (chief) and Martin O'Connor (colleague) both used to play for the club. Truth be told the two of them captained Walsall prior to hanging up their boots, which means they have the club in their blood.
Having players with a liking to a club has an effect. Walsall has that as well.
Dislike the Premier League at League One level. These players are really human and, shock ghastliness, a great deal of them talk with a Black Country or Brummie twang – the just intepretors required are the individuals who can't work out what 'they dow arf doe aggregate bostin stuff at the Bonks', dow they? Stay with me in the event that you can…….
To assist with supporting fortunes on the field, Walsall have must be inventive off it. They do some truly beneficial things at the Banks' Stadium (there's your interpretation in the event that you need it).
Walsall Football Club have utilized their area close by the M6 by introducing goliath promoting signs that draw in some enormous players, who publicize their products to that load of suburbanites who travel all over the motorway – trust me, there's heaps of them. The Suites which are extraordinary for a footie fan on matchday are recruited out to organizations as meeting rooms during the week. It's even a wedding scene, so a lot of youthful darlings have secured the bunch at the Banks' too……
So that deals with what goes on Monday-Saturday and you'd envision the great people of Walsall treat Sunday as a day of rest. Wrong. The creative Saddlers move the vehicle leave toward a Sunday Market which draws in huge number of individuals consistently. Great reasoning.
Along these lines, with all that going on, you can perceive any reason why Walsall are glad for what they've accomplished and how they're approaching guaranteeing a much prouder future.
« Using Football Drills in Pee Wee Football
Football History – The Beginnings of the England Football Team »


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TWENTY FIVE SQUARWS
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Xiaomi Mi 10 Pro hands-on: expensive, and yet somehow inexpensive
By Anna Martine
With the Mi 10 Pro, Xiaomi launched its new flagship on the market in March of this year. It can compete with the big names in terms of features and equipment – but also in terms of price. One thing can already be revealed in the preface: the Mi 10 Pro is not cheap. Here are my first hands-on impressions.
1 Xiaomi Mi 10 Pro release date and price
2 Xiaomi Mi 10 Pro design and build quality
3 A 90 Hz display for lovers of smoothly running apps
4 Xiaomi Mi 10 Pro with Android 10 and Google
5 A Snapdragon 865 and 8GB of RAM
6 No 3.5mm headphone jack
7 The 108-megapixel camera from the Mi Note 10
8 A 4,500 mAh battery and fast charging
9 Xiaomi Mi 10 Pro technical specifications
10 Early Verdict
Xiaomi Mi 10 Pro release date and price
Until now, the company, which translates roughly to "little rice", has been known primarily for its real price-to-performance hits and has set itself the target of achieving a profit margin of a maximum of five percent per device.
Xiaomi has mainly been positive about throwing good devices onto the market at a price that feels insanely cheap. One can only guess what some marketing departments of other large manufacturers must have thought when a Xiaomi phone was announced. "Xiaomi" means small rice? But rather a small price…". It must have taken large towels to dab many a tear or bead of sweat from cheeks and forehead.
Xiaomi has listened to the concerns of the competition and will be tightening the purse ties in 2020. The Mi 10 Pro is available from €999; double the internal memory costs €100 extra. But that's not to say that the quality and features won't be better.
Xiaomi Mi 10 Pro design and build quality
From my point of view, the Mi 10 Pro is a real eye-catcher and a real flatterer to the hand. Personally, I have found many Chinese smartphones to be quite okay over the past few years. But nothing more. I often felt that these were wannabe flagship products that wanted to buy the favor of their customers by offering excessively low sales prices – and then you as a customer were forced to pay for what you had previously saved with blatant weaknesses.
Of course – it's all about what's on the inside. You hear this again and again in life. But then why are there the Chippendales, Backstreet Boys or Justin Bieber? I have some bad news for us men because inner values are important, but the packaging must be just right!
Xiaomi has given the Mi 10 Pro a really pretty robe and wrapped it entirely in glass – Gorilla Glass 5 – you'll notice that there are hardly any of those ugly grease marks that our fingers like to leave on the glass.
In general, the device really feels very high-quality. The weight of 208 grams might be too heavy for some. Personally I find it just fine. This is probably a matter of taste. Just like in real life, weight is in the eye of the beholder.
In this context, the Mi 10 Pro has some curves that might not suit everyone's taste. The display has rounded corners and I know that there are both fans and enemies of this. After all, there can be some involuntary operating errors when you hold it. In the software, Xiaomi offers a way to reduce the sensitive area of the edges, namely under Settings -> Additional Settings -> Ignore accidental touch on the edges.
If there's nothing to complain about in terms of appearance, the attentive reader may be wondering. But the camera section on the back, unfortunately, sticks out quite a bit. God knows Xiaomi is not alone in this, and yes, I know that the large image sensor needs a lot of space. I still don't think it's that attractive.
A 90 Hz display for lovers of smoothly running apps
Smartphone screens with a (significantly) higher refresh rate are becoming increasingly fashionable. But why would I want a display with a higher refresh rate at all?
Most of the time this feature is not noticed at all. On the contrary: a display running at 90 Hz consumes more power than a display clocked at 60 Hz. The difference becomes obvious when you scroll up and down in your inbox, calendar, and co. The higher the refresh rate, the smoother it runs – just like a flipbook. The more paper, the more fluid.
What else is there to say about the display? It has a diagonal size of 6.67 inches and a resolution of 2,340 x 1,080 pixels. When I held the phone in my hand, I thought to myself a couple of times: it looks like a Samsung smartphone. It's not so much about the design, but more about the display feeling itself. The round corners and the light have a lot in common with a Samsung flagship. But that's just my personal opinion.
Speaking of personal opinion: the Mi 10 Pro is probably another example of how the holy anger of some people is released by a small, inconspicuous something. A thing that you can hardly see and that can almost be called the big enemy of the smartphone fan community. The hole punch in the display.
Personally, I don't really care about the small hole on the upper-left corner of the screen. But there's hardly any other topic that is discussed with so much passion. Except for software updates perhaps…
Xiaomi Mi 10 Pro with Android 10 and Google
You know we are living in crazy times when Xiaomi is the new expensive flagship on the market. People keep their distance for health reasons – and companies are forced to do so for political reasons: Huawei already launched the Mate 30 Pro and more recently its P40 series without Google apps and services.
The sticker on the Xiaomi packaging of the Mi 10 series looked almost like a huge dig at the competition. But this is not the case: Google itself has recently started asking its Android licensees for the sticker.
Thank God it's not up to us to judge how and whether it's fair that Google is no longer allowed to supply all smartphone manufacturers and whether Xiaomi is the laughing third party that can take advantage of the opportunity. The fact is, the Mi 10 Pro is running Android 10 onboard and has access to all Google apps.
Above the operating system is the Xiaomi user interface MIUI 11, which you'll either love or hate. But I find it really well done myself. And Xiaomi – thank God – refrains from confronting us with his proprietary software at every turn. That was different in the past.
A Snapdragon 865 and 8GB of RAM
Technical specifications – or as I call them: calling cards of the tech industry. In other words: nice to look at, but hardly meaningful about the true values. Just take the bare number of mAh, in which one usually indicates the battery capacity. There are telephones that seem to be real power packs on paper, but then are rather short of breath in daily use. The other way round this is just as possible.
The Mi 10 Pro can do both: shine with bare numbers and also keep what you expect from a flagship. Qualcomm's newest chipset, the Snapdragon 865, is used as the SoC, which has 8 GB of RAM and either 128 GB or 256 GB of internal storage available. The Mi 10 Pro also supports Wi-Fi 6 or 802.11 ax. Unfortunately, this completely new standard is not yet very widespread. At this point, it should also be noted that the global version of the Mi 10 Pro does not support dual SIM.
So, now I'll knock out another one – and I already suspect that I'll get a scolding: the 3.5mm headphone jack is missing. And I don't find that bad. By means of an adapter, I can also use my cable headphones via the USB-C port, if I want to. But it seems to me that there are fewer and fewer people who don't at least use wireless Bluetooth variants when they are on the road. Am I wrong about that?
The 108-megapixel camera from the Mi Note 10
Let's get to the feature that Xiaomi is particularly proud of in its new flagships: the camera. Xiaomi had already introduced a 108-megapixel sensor on the Mi Note 10. With the Mi Note 10, the camera's software still had all kinds of problems – my colleague Stefan used the device intensively for two weeks. The results oscillated between grandiose and disastrous.
Xiaomi uses the same image sensor in the Mi 10 Pro again – and seems to have learned from its mistakes. The pictures I took look great – at least when you consider that they were taken by me.
However, when it comes to the camera, I'm an absolute layman who can quickly be sold a ghosting effect as a great filter – exaggeratedly put! In short: I don't know enough about the camera to test it. Stefan will take care of that.
But the camera equipment of the Mi 10 Pro is worthy of a flagship in any case. Besides the front camera, there are four lenses on the back – the main lens has the 108 megapixels already mentioned. There is also an ultra-wide-angle lens and two modules for telephoto (double and fivefold optical zoom).
In theory, the Mi 10 Pro can shoot video at 8K and 30 frames per second. But for a few of us, that shouldn't really help. First of all, there are hardly any 8K televisions that can make the material usable, and secondly, an 8K video takes up so much memory that you will have used up all the internal storage after a few minutes.
A 4,500 mAh battery and fast charging
The battery of the Mi 10 Pro is 4,500 mAh strong and charges with 30-watt wireless and with a full 50W with a cable. I made a small test and charged a completely empty battery within 50 minutes completely to 100 percent. With one battery charge, I usually get along one and a half days. Thumbs up!
What I also find worth mentioning: Xiaomi includes a 65-watt charger with the Pro version. This not only charges the smartphone via USB-C but also tablets and even notebooks. I find this very practical insofar as I only need one charger when I'm on the road.
Xiaomi Mi 10 Pro technical specifications
BATTERY SIZE:
DISPLAY TECHNOLOGY:
2340 x 1080 pixels (386 ppi)
108 megapixels
FLASHLIGHT:
Dual-LED
ANDROID VERSION:
10 – Q
USER INTERFACE:
REMOVABLE STORAGE:
NUMBER OF CORES:
MAX. CLOCK SPEED:
HSPA, LTE, NFC, Dual-SIM, Bluetooth 5.0
Early Verdict
For me, the Mi 10 Pro is one of the best smartphones I've held in my hands in the last twelve or even 18 months – and that's because I like it all around. There is nothing that makes the Mi 10 Pro stand out, no feature that is so blatant that you absolutely must own the phone. But let's be honest: there's nothing like it in any smartphone anymore – and that's been the case for at least three years. Unless you're really into foldable displays.
With the Mi 10 Pro, Xiaomi brings out a real flagship and charges a corresponding price for it. Compared to other flagship models, the Mi 10 Pro is not that expensive. If you think of Samsung or even Apple, you know that smartphones in 2020 can cost a few hundred euros more.
For Huawei, the Mi 10 Pro could turn out to be an unpleasant adversary. With the Mate family, one was on a very good way to position a successful model series against Samsung. Since the discontinuation of Google apps and services, Huawei has had to reposition itself.
Xiaomi seems to be able to make good use of this weakness for itself and is well on the way to filling the gap that has arisen. This can only be good for the market – competition stimulates business. With Xiaomi and the Mi 10 Pro, there is a real competitor for the established brands even in the higher price segment.
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Anna Martinehttp://134.122.1.80
Anna Martice likes to cover topics related to Tech Stuffs. But when she is not working, you can find him binge-watching random videos on YouTube (after he has wasted an hour on Netflix trying to find a good show).
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text:
Frank Lascelles may refer to:

Frank Lascelles (diplomat) (1841–1920), British diplomat
Frank Lascelles (pageant master) (1875–1934), British pageant master

redpajama_set_name: RedPajamaWikipedia


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