text:
Ian Greenlaw
Instructor of Voice, Interlochen Arts Camp
M.M., University of North Carolina at Greensboro; B.M., Eastman School of Music
American baritone Ian Greenlaw's prodigious gifts have brought him to center stage of opera companies and orchestras around the globe. The Chicago Sun-Times characterized Ian Greenlaw as "possessing a voice both strong and sweet, and matinee idol good looks." The Washington Post complimented his "elegant stage presence, a subtle sense of humor and a splendid voice." Ian begins the 2011/2012 season by returning to the role of Count Almaviva in Le nozze di Figaro for Michigan Opera Theater. He will spend more time with Mozart's iconic Papageno in Die Zauberflöte with the Saint Louis Symphony. In the 2010/2011 season Mr. Greenlaw joined New York City Opera participating in their production of Intermezzo. He also performed Ricky Ian Gordon's new one-man opera, Green Sneakers in the premiere season of Urban Arias in Washington, D.C. In concert he sang Handel's Messiah and appeared with Opera Columbus in "Berlin to Broadway", a concert featuring the works of Kurt Weill. During the 2008/2009 season Mr. Greenlaw returned to the New York Philharmonic for performances of Britten's War Requiem and L'enfant et les Sortilèges. Additionally he performed the Fauré Requiem with the Eugene Symphony and St. John's Passion with the Dayton Philharmonic.
Mr. Greenlaw recently made his La Scala debut as the protagonist in Lorin Maazel's opera, 1984. Additional recent engagements include a reprisal of the title role in Don Giovanni, Mauricio Kagel's Den 24. xii. 1931, with Saint Louis Symphony Chamber Music Series, an appearance with the Los Angeles Philharmonic as a soloist in Britten's War Requiem, Mercutio in Roméo et Juliette with Atlanta Opera, Grandfather Clock/Cat in L'enfant et les Sortilèges with New York Philharmonic, and as the soloist in Bartok's Cantata Profana with the St. Louis Symphony. He also recently sang the title role in Sam Helfrich's production of Il barbiere di Siviglia at Kentucky Opera and Peter in Hansel and Gretel at Opera Theatre of St. Louis in performances conducted by Stephen Lord in addition to excerpts from Die Zauberflöte in an all-Mozart program that served as a prelude to the Opera Theatre of St. Louis's 2006 season. Mr. Greenlaw made his Metropolitan Opera debut as the Theater Manager in Poulenc's Les Mamelles de Tirésias and returned as Harlequin in Ariadne auf Naxos, Fléville in Andrea Chénier, Moralès in Carmen and Cascada in The Merry Widow. He has appeared as Figaro in Il barbiere di Siviglia with Opera Colorado, Dandini in La cenerentola with Arizona Opera, Guglielmo in Così fan tutte at Chicago Opera Theatre, Demetrius in A Midsummer Night's Dream at Central City Opera, and Falke in Die Fledermaus with Michigan Opera Theatre. Mr. Greenlaw has also performed the title role in Don Giovanni in student matinees with the Dallas Opera, the title role of Eugene Onegin, Albert in Werther, Enrico in Lucia di Lammermoor, and Iron Hans in Susa's Transformations with Lyric Opera Cleveland.
A gifted concert artist and recitalist, Ian Greenlaw has performed with the Cleveland Orchestra, the Dallas Symphony, the National Symphony Orchestra, the Los Angeles Philharmonic, and the Chicago Symphony Orchestra in works such as Orff's Carmina Burana, the Brahms Requiem, Rodrigo's Ausencias de Dulcinea, and Britten's War Requiem. Mr. Greenlaw has participated at the Ravinia Festival's Steans Institute for Young Artists and is currently on the roster of the Marilyn Horne Foundation, under whose auspices he made his Carnegie Hall debut. He is the recipient of numerous awards including the 2002 Richard Tucker Career Grant, a 2001 Sara Tucker Study Grant, and First Place in the Heinz Rehfuss Singing Actor Competition.
The baritone holds a Bachelor of Music degree from the Eastman School of Music and a Master of Music degree from the University of North Carolina at Greensboro. Mr. Greenlaw is an alumnus of the Pittsburgh Opera Center and the Lyric Opera Center for American Artists at Lyric Opera of Chicago.


A solitary arrow represents defense and protection from harm. It can also be used as a symbol of movement or direction.
40cm + 5cm extension Rhodium plated Sterling Silver necklace with sideways arrow. The arrow measures approximately 5.5mm x 24.5mm.


How would insurers know when the original annuity holder dies and they should stop making payments?
How can you ensure an independent, trustworthy and competitive market place is created?
How can original annuity holders get the right advice and avoid bad decisions?
The secondary annuity market, a logical extension of the Government's recent Pensions Freedom initiative, is intended to provide an opportunity for policyholders in receipt of an annuity from an insurance company to sell their annuity income stream by assigning it to a buyer. In return they get a cash lump sum which they can reinvest in a more flexible pension drawdown product or take as income (and pay the tax!).
The issue of what happens when the annuity holder dies is a major concern for insurance companies, who may be reluctant to allow the sale of the annuity streams if the issue is not resolved. Under the existing system the insurance company responsible for making the payments will usually know that the annuity holder has died when their bank account is closed and the annuity payment is returned to them. Alternatively, they might also find out when the next of kin informs them of the death. However, once the annuity has been sold neither of these mechanisms will work and the insurance company could continue to make payments to the new owner well after the original policyholder's death.
A second major issue concerns the mechanism for buying and selling. Among other ideas an 'eBay' type of approach was widely favoured, where buyers have a window of opportunity and a hard deadline to bid for a given annuity or block of annuities. A single portal, possibly administered by the regulator, and which provided the only route by which the annuity could be sold, would be the solution most likely to breed confidence among sellers. The portal would offer prospective sellers a safe, competitive process to get a quote and hence provide the best protection against scams or less independent or competitive routes.
Another aspect of the process for buying and selling annuities is just how easy it would be for buyers and sellers to use. Buyers would offer their annuity streams and receive quotes from potential buyers. Although we are some way from determining the details, this process would require sellers to provide answers to health related questions. These questions would have to provide enough information for the insurance industry to make its valuation, but not ask for so much that sellers found them excessive.
The secondary annuity market would give policy holders more freedom, but also more responsibility. The decision they make regarding their annuities will affect them for the rest of their lives. Getting the right advice and guidance in this highly complex area could make the difference between a comfortable retirement and a less positive outcome. Free advice would help people to make the right choices and could be made compulsory for anyone considering selling their annuity. As Pension Wise already provides guidance in the area of pensions and retirement, it seems sensible to add annuity advice to its existing responsibilities and to increase its resources to cope with this extra requirement.
Finding a solution which addresses all these issues will help to make sellers feel comfortable, better informed and happy to take advantage of the possible benefits of the secondary annuity market. A thriving market where the buyers and sellers have a clear idea of the risks and rewards could help many people to achieve their retirement goals.


text:
Symptoms of inequality
TERRY SCHLEMEIER
Recently I have attempted to make the term "inequality" more understandable and point out some of the easily discerned symptoms. In this case I will take a look at our system of justice. In brief, our judicial system operates on an income basis: Poor people are treated more harshly than the wealthy, experiencing longer sentences and less legal representation.
If you are poor and a member of a minority, your treatment will be worse. Mayor Michael Bloomberg of New York initiated the "stop and frisk" procedure in the New York Police Department. This operation stopped between 600,000 and 700,000 people each year — about 80 percent of them black or Hispanic.
There is a story of Kalief Browder, a young black person, age 17, riding in a car with a friend. The car was stopped, and a police officer said Browder had just stolen a backpack. The officer then said it had actually happened two weeks prior. There was no witness, and the officer was operating on a description given to him by the victim. Browder was arrested and taken to court, and the prosecutor asked for a continuance. Browder refused a lesser plea in return for time served, claiming innocence, and was sent to Riker's Island prison to await trial. After three years at Riker's, he was beaten repeatedly, stabbed and humiliated in numerous ways. He was finally brought to court — he had been there many times — and the charges were dismissed because the police were unable to locate the alleged victim. Browder missed high school graduation and forfeited a small college scholarship.
Tony Maroni, white, was arrested while sleeping on a park bench, which is prohibited. He was detained overnight in a holding cell with all its horrors. Weeks later, he was nailed in a "stop and frisk" operation, and when they found a half-smoked joint in his pocket, he was arrested for smoking pot in public and sentenced to 40 days on Riker's Island.
There is a conundrum in recent government figures that indicate a 40 percent drop in violent crime; an increase in poverty from 10 percent to 14 percent; and an increase in the prison population from 1 million in 1991 to 2.2 million in 2012. Six million people in the United States are in prison or on parole. More blacks are in prison than were slaves in the 18th and 19th centuries. The U.S. prison population is larger than the number imprisoned during the Russian Gulag under Josef Stalin. This seemingly incongruous statistic is made possible by the imprisonment of many nonviolent criminals, mainly the poorest among us.
Let us take a look at the higher levels of society. USB was found guilty of fixing the London Inter-Bank Offered Rate, or LIBOR. By artificially altering the rate, USB caused trillions of dollars in losses to people with credit cards, mortgages, municipal bonds and pension funds. There were no convictions, jail terms or fines given to any individual at USB. Wall Street bankers do not go to Riker's Island.
Another was the Hong Kong Shanghai Banking Corp. (HSBC), which was caught laundering money for drug cartels, among others, but again no convictions. The reason prosecutors gave for lack of punishment was the loss of thousands of jobs and the demand on too many department resources. You can act differently when you're immune from prosecution.
The latest budget bill enacted by Congress altered the regulations on banks by allowing them to "invest" — read gamble — depositors' funds, which are guaranteed by taxpayers. It also expanded, by a factor of 10, the amount of money a private individual can give to a federal candidate to $1.3 million.
The United States will have to do much better to narrow the income inequality gap and reduce societal tensions.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Efficiently find all points within sorted 2D Numpy Array How do I efficiently find the set of points within a circle of a given radius and centre from a sorted numpy array of equally spaced points?
For example, this is my code and how I currently extract those points within the radius.
import numpy as np
n_points = 10000
x_lim = [0, 100]
y_lim = [0, 100]
x, y = np.meshgrid(np.linspace(*x_lim, n_points), np.linspace(*y_lim, n_points))
xy = np.vstack((x.flatten(), y.flatten())).T
# Current approach
radius = 5
point = np.array([50, 35], dtype=float)
# Indexes of those points within a circle of radius centered at point
idxs = np.linalg.norm(point - xy, axis=-1) < radius
points_within_circle = xy[idxs]

How do I do I calculate these indexes  more efficiently? I imagine because the array is structured and has a set distance between each point I should be able to exploit this to eliminate most of the checks.

A: One of the most important tricks that people forget is that it is a lot faster to calculate distance**2 and compare it to radius**2, than to calculate if distance < radius.  So given that it looks like you're using a center of 0, calculate x**2 + y**2, and compare to 25.

redpajama_set_name: RedPajamaStackExchange


Sustainability is more than a trend in the fashion world – and we're bringing together a group of local trailblazers during Slow Fashion October to discuss an industry at a turning point, what sustainable fashion actually looks like and how you can get involved. Take a break from all your swapping for new threads the sustainable way at Drop, Swap & Shop on October 14 to join us from 1:00pm-2:00pm to have an in-depth discussion about it!
I'm @itsahashtaglife, a social media manager, storyteller and blogger for non-profits and charities in Toronto. I take the tools and techniques of traditional digital media marketing and apply them to organizations working hard to shift our world into a new story – one that is more sustainable and supportive of people and the planet.
Textile waste has risen dramatically around the world in step with the exponential growth in the production and consumption of clothing – we purchase 400 times more clothing now than we did in 1980 with the number of new garments created every year now exceeding 100 billion. Meanwhile, we're only holding onto the clothes we purchase for about half as long as we used to.
One would think that the rise in our culture's addiction to low quality disposable fashion would have been accompanied by an increase in sophisticated, efficient textile recycling services and facilities. But you would be dreaming because unfortunately this has not been the case. Thus, we have created the conditions for a perfect textile waste storm: between 1999 and 2009, the amount of textile waste generated by North America grew by over 40% to 25.46 billion pounds, which is expected to rise to 35.4 billion pounds by 2019. 85% of our used clothing, bed sheets, towels and other textiles goes straight to landfill, with the average North American contributing 81 pounds of textiles to landfill per year.
According to the 2018 State of Reuse Report, most people do not understand the extensive environmental consequences of sending textiles to landfill, which can take over 40 years to break down once there. In the process of breaking down, they release methane gas – a greenhouse gas 21 times more potent than CO2 – and toxic leachate. Even during the production process, textiles have a significant impact on the environment: for instance, one cotton t-shirt requires 700 gallons of water to make (the equivalent of 27 bathtubs full) and a pair of jeans requires 1,800 gallons. The textile industry uses one third of the world's fresh water resources to produce new garments.
The first thing we need to do is recognize that reducing our consumption of new textiles is the most ethical solution to our shopping habits. "But I donate all the clothes I've only worn three times and then gotten sick of to charity!" I can hear you mumbling from here. While donating our unwanted textiles to charity is still a good thing to do, our culture has been leaning on that crutch to excuse our voracious appetite for more. While 60-70% of what gets donated is resold, much of that is bundled up in bales, weighed and sold overseas to developing nations where it has begun reeking havoc on local economies (it puts local textile industries and clothing manufacturers out of business, for instance, which is why East-Africa is trying to shut the door to our hand-me-downs).
Do you need a fancy outfit or dress or just something nice for a special occasion? You can borrow fancy outfits and dresses from Rent Frock Repeat and stylish designer clothes through Boro. Toronto is also one step closer to getting a full blown 'library of clothes' thanks to FreshRents who has recently set up a clothing lending service pilot project through CSI Toronto. FreshRents will be joining us on October 14 to tell us all about it during our Sustainable Fashion Panel Discussion.
Hosting or attending a community swap is an awesome way to scratch that shopping itch the sustainable way. It is particularly effective to host swaps just prior to the changing of seasons so you can get what you need for the change in weather.
Trade for new-to-you clothes and other textiles using the popular Toronto-based app Bunz Trading Zone. This is an efficient and easy way to find what you need thanks to the app's handy search function: if there is something in particular you are looking for, you just plug it into the search bar and any user with that item for trade pops up.
Go on a treasure hunt at you're local second-hand shops! And if you don't feel like digging through the racks of a thrift store for in-style and trendy pieces, check out the carefully curated consignment inventory at places like Common Sort or Kind Exchange.
Do you have old bedsheets, 10-year-old event t-shirts you'll never wear, worn-out jeans or some other hideous item of clothing you wish you'd never laid eyes on let alone worn in public? These are really just upcycling and reuse projects waiting to happen!
Take an old pair of jeans that have seen better days and make your own bunting and then use the scraps to make these cute bracelets.
Cut up worn-out sheets or clothing into rags to use around the house.
Replace paper towels, napkins, cotton facial rounds, etc with reusable alternatives by sewing your own out of used fabric.
Make your own reusable beeswax wraps out of scrap fabrics as an alternative to plastic wrap – these are super easy to make and if you burn beeswax candles, all you need to do is save the leftover wax.
Old pillow cases can transform into these garment bags or into reusable shopping bags(there's even a no-sew way to do this).
Old t-shirts are actually just no-sew tote bags waiting to happen.
And so on! If you're looking for further inspiration or want to get involved in the reuse community in Toronto, check out Creative Reuse Toronto – a diverse group of community members, artists, artisans, environmentalists, educators, academics, community arts workers, planners, film and textile workers who are working towards establishing a 'Creative Reuse Centre' in the city. Creative Reuse Toronto joins us for our Sustainable Fashion Panel Discussion on October 14.
Look for businesses that are fully realizing what we talked about in point #2 – upcycling fabrics that already exist into new textiles. Zero Waste Daniel, for example, has launched a line of clothing that is made completely from the scraps of other clothing. This is amazing.
Quality over quantity – when you can, buy quality, well-made items that aren't going to fall apart in one wash cycle and will be easier to maintain and repair. Avoid trendy pieces that you'll get tired of after a few weeks and reach for classic, minimal styles instead. Look for textiles that are made using natural materials as opposed to synthetics (to cut back on microfiber pollution).
Support ethical manufacturers – there are a number of companies who are working to make the production of textiles more sustainable. H&M and Patagonia have begun providing some transparency into how their clothing is made and also offer some amount of textile recycling (I'm not sure I'm ready to classify H&M as an ethical manufacturer, but they are trying). Levi's has begun accepting ANY brand of clothing or shoes in in-store recycling bins in the US and Canada (that's pretty epic tbh).
Handmade clothing and textiles is back, in a big way. Support the #WhoMadeYourClothes movement – hop on Instagram and explore that hashtag (you can also check out #FashionRevolutionDay #FashRev #IMadeYourClothes). Clothing and textiles that are handmade in small batches are typically of a higher quality than something that is mass produced overseas. It's going to last longer, it's going to be easier to repair and you'll be supporting the people who are making the clothing close to you (the average t-shirt travels 35,000 km before landing on your back so when you purchase from local makers, you are cutting down that distance). Makers often stick with minimal, classic styles that don't go out of style and many are using/exploring the most sustainable ways to produce locally sourced natural fabrics.
About 5% of what is collected is truly recycled and turned into new fabric, and eventually into new garments. H&M and Levi's are two brands that are doing this (and they're even collecting used textiles in their stores) but there are others doing this now, and I am confident that even more will jump on board in the next one to two years. It is this textile recycling that we need to grow – right here in Canada. It is what will create new jobs and support our country's climate action plan under the Paris Agreement. So please, donate EVERYTHING and force industry and government to solve this massive issue. We have more power than we think.
We need to create the demand for better textile recycling facilities capable of separating mixed-materials and recycle them into fibres that can be turned into new textiles, such as Evrnu for example. Use donation bins as a way of strategically 'voting' for more and better textile recycling facilities. This is a key piece in resolving the textile waste crisis.
In the 2018 State of Reuse Report, 44% of respondents said they threw clothing in the garbage because they were not aware of how/where to donate, think it's too time consuming or find it inconvenient. 31% of respondents said they thought any clothing they put into their garbage or recycling bin was sorted out (false), 35% said they believe textiles decompose naturally (also false) and 64% said they believe it only takes 2 years for a synthetic t-shirt to break down (couldn't be further from the truth, really).
They also found that 80% of respondents would only travel 15 minutes or less to find a clothing donation location.
These are important statistics as they reveal not only that there is a lack of public education surrounding the problems with textile waste, but also that in order to effectively change people's behaviour we need to make the process more convenient. One way to solve this would be to offer a curb-side pick-up service for unwanted textiles, which Colchester County, Nova Scotia is testing out now.
Markham, Ontario has launched a textile recycling pilot project funded by a grant from the Federation of Canadian Municipalities: to divert textiles away from its landfill, the city has placed over 100 bins located at city facilities and residential properties with more locations on the way. These 'smart bins' track the amount of textiles being donated for data-collection purposes and also send out signals telling the city when they need to be serviced. The wide-range of textiles that are collected – everything from bedding to fabric scraps to shoes to stuffed animals and so on – are sorted for resale at charities (as opposed to for-profit businesses) or repurposed into industrial rags, furniture padding, insulation, car seats and recycled fabrics.
Infinite experiences – without the price tag or the clutter. We're Canada's first Library of Things network, where you can come to borrow camping gear, tools, board games, children's toy, sports equipment and event supplies. Support us by becoming a member, making a donation or volunteering at one of our locations. If you are interested in learning how to set up your own Library of Things, get in touch with us for a free Skype consultation!
My frustration is there is no place to find damaged articles of clothing and bedding that is 100% cotton and can be purchased marked down from the usual thirft store prices. Much of that is donated gets sent to the landfill or sold by weight to places that make rags before I ever see it. The other problem for me is it is getting harder and harder to find good quality cotton articles to cut up. As the clothes people buy are made of poorer and poorer quality cotton so are the things you can find in thrift stores.
And then there is what I can find and afford from Thrift Stores. Back in the day I could get a big bag full of good fabric articles to repurpose for $20. I used everything! I used or saved buttons, (just like my mother did) and now I have to go and find a button store to find the quirky ones and they are expensive!
The big thrift stores arrange things for a "shopping experience" and the rise in prices reflects this. I suppose it makes the people who like shopping for fun more comfortable and I hope it allows the stores to pay their employees more but less and less am I finding it a place for me to shop for recycled fabric.
As for getting to the sewing bags events, I have a sewing machine but it is difficult for me to carry it on the bus and subway and I have a limited income. Bus fare is expensive!
Oh and I posted a link to your article on my blog: Quilting is my Addiction. Hope that is okay.


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Stampylonghead YouTube channel was created by Joseph Garrett, a former barman. Stampylonghead net worth is an estimated $5.5 million in 2017.
Joseph Garrett, now 27 is a university graduate from Portsmouth in TV and video production. At one point in 2014 his channel was voted one of the top 10 most viewed channels worldwide obtaining more video views than Justin Bieber and One Direction.
When Stampylonghead hit 10,000 subscribers, Garrett quit his job at a local pub to focus on his new fond career. His focus content is Minecraft videos with comical commentary.
Stampylonghead YouTube channel has over 8.3 million subscribers as of late February 2017 and gained 5,808,621,129 views since it was launched in July 2011.
Stampylonghead channel has acquired 77,946,300 video views in the last 30 days across its 2545 videos, translating to an estimated annual income of $1.1 million. It has grown by 75,995 subscribers in the last month, a dropping figure.
Stampylonghead net worth could be boosted by product mentions and merchandise sales.


At Mark Lawson Antiques, we appreciate and enjoy style, artistry, and craftsmanship. Though we are fortunate enough to see an array of beautiful antique items every day, we take special delight in evaluating and buying Southwest Native American jewelry. This traditional type of jewelry developed in part through contact with Spanish Colonials of Mexico and trade with early European fur trappers. Of course, Native Americans always hand-crafted bodily adornments, but it was not until the 1850s that they began to really work with silver as a medium to create jewelry.
The earliest known artist was a Navajo man named Atsidi Sani (c1830 – c1918). He was a noted ironsmith who also learned how to work with silver. Atsidi Sani realized the potential of the jewelry industry and taught his sons the trade. It was a popular livelihood because it fulfilled the desire to create beautiful objects while also financially providing for families. The profession remains very much a family or community based industry today.
The introduction of the railroad in the American Southwest in the 1870s/80s allowed for a rise in tourism. Soon, Native American jewelry became a very desirable souvenir. Trading posts and souvenir shops sprang up all over the Southwest to keep up with the tourist demand. Silversmithing was suddenly a thriving industry on many reservations. The collectible value and demand for the jewelry has waxed and waned over the years, but Native American jewelry remains an outstanding example of handicraft and skill.
The majority of the Southwestern jewelry that folks bring in for us to buy are products of the Navajo, Zuni, Hopi, and the Santo Domingo Pueblo (Kewa Pueblo). The lion's share of silversmiths are Navajo, but each group has their own style and design motifs.
For example, the jewelry of the Zuni tribe is characterized by their fine lapidary work, which includes cluster pieces, mosaics, and inlay. The Hopi are known for their overlay work, and the Santo Domingo Pueblo most notably for their stone and shell beadwork and mosaics. The silver work of the Navajos focuses more simply on the silver itself and engraving rather than on other features such as stones or inlay. Even though each tribe is noted for a certain design style, the use of motifs was fluid and could have been crafted by any one of the Southwestern groups. Signatures certainly help in terms of identification of artist. Additionally, signed pieces sometimes add a premium to the overall value of the jewelry.
"Pawn" is a subset of collectible American Indian silver jewelry. The term "Pawn" dates to the 1880s. It refers to a system within the reservation through which silversmiths could pawn their personal jewelry at trading posts in exchange for cash or goods. Sometimes the original owner was not able to buy back the pawned jewelry within the agreed time. In those cases, the trading posts were free to sell the pawned goods. For many Native Americans, the pawned jewelry was of more value than just personal adornment. It was a form of portable wealth and an amulet to protect health. This trade system was a sad testament to the often economically lean times of Native American life on the reservation. It is rare to come across a true piece of documented pawn jewelry.
The types of Native American jewelry that we typically see and buy include cuff bracelets, necklaces (often Navajo Squash Blossom motif), rings, bolo ties, earrings, concha belts, and belt buckles. The most common decorative accents are turquoise, coral, shell, and spiny oyster shell. It is important to remember that some vintage and modern Southwestern style jewelry is not always Native American in origin. If you think you have pieces of vintage Native American jewelry and would like to find out their value, we would be happy to help.


Items where Author is "WIWIN ENI MARYANTI , 1423021065"
WIWIN ENI MARYANTI , 1423021065 (2016) PENGEMBANGAN LKPD DENGAN MODEL PROBLEM BASED LEARNING UNTUK MENGEMBANGKAN KEMAMPUAN BERPIKIR KRITIS DAN DISPOSISI BERPIKIR KRITIS. Masters thesis, UNIVERSITAS LAMPUNG.
This list was generated on Wed Apr 24 01:26:37 2019 WIB.


Jemkon, one of India's leading manufacturers of epoxy and water flooring, serves more than 500 companies. With an in-house application team and latest equipment, it assures its clients durable and cost effective flooring solutions.
"We started the company in 2011 with conventional feet-on-the-street marketing model. And we knew merely sending sales executive on the field would not do significant wonders" says Clibe Joshva, Director at Jemkon Pvt. Ltd. Limited by the abilities of traditional marketing, Jemkon decided to start online promotion. His first few attempts with online marketing and trying to expand his business weren't very fruitful, as the agencies he was working with weren't helpful. Clibe then reached out to Sokrati, Google's Premier partner in India.
Sokrati, gathered the requirements of Jemkon and their desire to expand across India. Google AdWords emerged as the most cost-effective choice after careful consideration of the varied digital channels. Team Sokrati started customized campaigns to reach the wider user-base with the capability of tracking the budget expenditure, which was the exact requirement of Clibe.
"We employed the tools inbuilt at Sokrati, experimented with keywords and selected the best-performing ones. Ad scheduling enabled us to target the most relevant audience at the most opportune time of the day at minimal cost. And real time analytics with Chuknu, our proprietary end-to-end funnel tracking app, helped optimize the campaigns to get the best ROI." says Kshitij Kukreja, Senior Business Analyst at Sokrati.
Skillfully designed Search Ads helped Jemkon maintain its visibility on SERP, acquiring top advertisement placements. The results were phenomenal!
27% reduction in cost per click i.e. acquiring more traffic at reduced cost.
40% reduction in cost per leads i.e. more leads at reduced cost.
Sokrati's Web Product, Dashboard aided Clibe gauge the performance of the campaigns and track daily marketing spend. And with on-the go app, Chuknu, it became much easier to manage the sales.
With the taste of sweet success, Jemkon readily recommends Online Advertising through Sokrati!
"Sokrati understands the value for money. For every penny being spent, you get a wholesome return. highly satisfied with the performance and services" says Clibe.


text:
function runHandContactSensorTest(~)

visualize = true;

% silence some warnings
warning('off','Drake:RigidBodyManipulator:UnsupportedContactPoints')
warning('off','Drake:RigidBodyManipulator:UnsupportedVelocityLimits')

options.floating = false;
options.dt = 0.001;
r = TimeSteppingRigidBodyManipulator('../urdf/robotiq.urdf', options.dt, options);
middle_fingertip_body = findLinkId(r,'finger_middle_link_3');
middle_fingertip_frame = RigidBodyFrame(middle_fingertip_body,zeros(3,1),zeros(3,1),'finger_middle_link_3');
middle_fingertip_force_sensor = ContactForceTorqueSensor(r, middle_fingertip_frame);
r = r.addFrame(middle_fingertip_frame);
r = addSensor(r, middle_fingertip_force_sensor);
% one_fingertip_body = findLinkId(r,'finger_1_link_3');
% one_fingertip_frame = RigidBodyFrame(one_fingertip_body,zeros(3,1),zeros(3,1),'finger_1_link_3');
% one_fingertip_force_sensor = ContactForceTorqueSensor(r, one_fingertip_frame);
% r = r.addFrame(one_fingertip_frame);
% r = addSensor(r, one_fingertip_force_sensor);
% two_fingertip_body = findLinkId(r,'finger_2_link_3');
% two_fingertip_frame = RigidBodyFrame(two_fingertip_body,zeros(3,1),zeros(3,1),'finger_2_link_3');
% two_fingertip_force_sensor = ContactForceTorqueSensor(r, two_fingertip_frame);
% r = r.addFrame(two_fingertip_frame);
% r = addSensor(r, two_fingertip_force_sensor);
r = compile(r);

x0 = r.resolveConstraints(rand(r.getNumStates, 1));

if visualize
  v = r.constructVisualizer;
  v.display_dt = 0.01;
  S=warning('off','Drake:DrakeSystem:UnsupportedSampleTime');
  output_select(1).system=1;
  output_select(1).output=1;
  output_select(2).system=1;
  output_select(2).output=2;
  sys = mimoCascade(r,v,[],[],output_select);
  warning(S);
end

traj = simulate(sys,[0 1.0],x0);
if visualize
  playback(v,traj,struct('slider',true));
end

end

redpajama_set_name: RedPajamaGithub


Bionic Buddies T-Shirt Bigfoot & Steve. Arguably the most famous storyline of The Six Million Dollar Man featured the epic battle between Sasquatch and Steve Austin, and now you can relive it forever in T-shirt form. These apparel items feature an iconic dual portrait of Andre the Giant and Lee Majors on a black background.
Available in various styles and printed on durable 100% cotton*. Sorry, due to licensing restrictions, product can only be sold and shipped to U.S. customers.


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Over the past decade, Public Democracy has developed a database of over 110 million Americans whom we have engaged through email, social media, and digital ads on a myriad of outreach campaigns. The database reflects trillions of data points, with billions of behavioral tags drawn from our highest value engagements.
Our underlying assumption in building the database and the different engagement tools attached to it is that the best way to connect with people is by understanding their values and how they view themselves in the world. Over the past decade, we have worked to refine opportunities for engagement and improve our understanding of how people connect and can be motivated to engage through shared values.
Most fundamentally, we designed our database as a way to harness the inherent value in each of the moments of engagement, when our users trusted our offering and believed enough in them selves to act. Thus, our database serves as repository of intent, hope, and communal engagement by tens of millions of individuals over many years.
This has created a valuable asset and great responsibility to see it used correctly.
The data that has informed our deeper understanding of human engagement will serve as the asset behind a planned Securitized Token Offering (STO), and ultimately as the foundational asset in the Umatr ecosystem. And because we did not build this alone, we will launch Umatr to include a trust that holds ownership shares in our database for all individuals we've engaged over the past decade. We believe they deserve a share in the value that they helped create, and Umatr will provide a way to both return and grow that value.


a. Concentrator. A concentrator is an electrical device used to deliver oxygen therapy in the home.
b. Liquid Stationary System. A liquid stationary system is a device used to store and dispense liquid oxygen therapy.
c. Liquid Oxygen. Liquid oxygen is medical oxygen dispensed by the pound.
d. Oxygen Tanks. An oxygen tank is where medical oxygen is stored; it is dispensed in a gaseous state in cylinders made of steel, light steel, and aluminum; it is known as compressed gas.
e. Intermediate Positive Pressure Breathing (IPPB) Machine. An IPPB machine is a device used to deliver air under pressure into a patient's lungs.
f. Ventilators or Bi-Pap. A ventilator or Bi-pap is a device used for the continuous mechanical ventilation of a patient.
g. Continuous Positive Air Pressure (C-PAP). C-PAP is a device used to provide continuous positive air pressure for breathing.
h. Suction machine. A suction machine is a device used to evacuate a patient's lungs.
i. Nebulizers. A nebulizer is a device used to dispense medication with the use of an electrically operated compressor.