text:
Bill nighy anna wintour dating
STX Entertainment, which is releasing the film in theaters, would be wise to sock away some money for later on an awards campaign for the actor. There are so many elements that have to come together for the conditions to be right.
Conversation with Nighy flows easily from one topic to the next, during when he enjoys talking about his career — while also applying a self-deprecating touch while looking inward that's nothing if not dashing. There is some connective DNA between Billy Mack and Ambrose Hilliard, don't you think?
Nighy plays the hammy 1940s film actor Ambrose Hilliard, who takes on the role of "Uncle Frank" in the silly, sentimental movie-within-the-movie, which depicts the evacuation of Dunkirk. In the beginning of the film, someone calls you "the man with the glint." Yeah, that was tough. And it's a lovely idea, given the brutal time, one of the worst periods in British history. But I stopped watching myself very early on because it was too upsetting. So this was the case even when you were a younger actor? I made the mistake of watching myself then because I thought, "Well, I'm on TV so I should watch! It's only me that knows: those little compromises, those dreadful tics, that default thing I reach for when I can't really figure the scene out. " [ Of your character, someone says, "Unless you've given him a review or had intercourse, he won't remember you." Oh, I'd forgotten about that one. " I would look at the crossing guard lady while I was on my way to be totally humiliated once again during rehearsals for a play, and I'd think, "It's half past eleven in the morning and she's all done, she's laughing in the sunshine, she's got shelter and food." And you think about yourself? Why don't I just unplug everything and move to the country and buy a dog?
RELATED: Gemma Arterton talks Their Finest and the movie that almost made her quit acting When ) approaches Nighy's table, he jumps from his seat to embrace her. They're older guys who rally even when things should be over for them. And by the way, that song, if anyone wants to check out how it can really be sung, listen to Van Morrison's gorgeous version. But as you are singing, Scherfig cuts away to the younger couple and we only hear your voice in the background. " And then I did and I wanted to kill myself, so I said, "How about I never do that again? Did you see things that you wish you'd done differently? And I think, "Oh, man, it's just the same old blues." But conversely, can you feel it when everything is clicking? And now whenever it happens on stage, it's a wet Wednesday matinée. But we all fantasize and improvise our lives to a certain degree, don't we? And some days are easier than others, but I always have to kind of persuade myself into it each day. Generally, every morning, I have to start from scratch.
Watching the actor Bill Nighy stroll across a swanky hotel lobby in midtown Manhattan, you're struck immediately by one inarguable fact: The guy is irresistible. Well, your character also complains about being offered corpse roles. But you're not yourself offered corpse roles, are you? It's coming soon, I'm afraid, when I'll be asked to play a dead body. All I know is, it wasn't painful and it took 14 minutes on each eye.
Tall, blond, blue-eyed, and bespeckled, elegant in his perfectly fitted jacket, and maybe more wirey-handsome now at 67 than he's ever been, Nighy — the "y" is silent, folks — catches the eye of everyone enjoying their afternoon tea. I'm not being cute but I'm fundamentally unaware of that. I'm very happy to have that word put in the same sentence as my name, but I couldn't feel less charismatic. Kind of funny considering you've played the undead in a few . Anyway, when I took the bandages off, I looked in the mirror and I said, "Oh, I see now.
At 44 there aren't many people I want to be when I grow up, but the editor of American Vogue, Anna "Nuclear" Wintour is one.
"I've been looking so much forward to seeing you," she tells him after a kiss on both cheeks. Did you feel any actorly jealousy when you saw the movie and noticed that? Near the end of good." Can you connect to that feeling?
Nighy, most famous to American audiences for , impresses upon me what a blissful time he experienced working for Scherfig. Well, I didn't know she cut away until you told me right now. Lone knows exactly what she's doing and honestly, you don't want to watch me singing that song all the way through. I think so, though I may be crazy and utterly deluding myself. But now and again I feel like, "Yeah, I know exactly how to do this." Does that happen more in theater, where you're maybe a bit more in control? On stage, very occasionally, I've thought, "If anybody has a problem with this performance, it will have to remain their problem." That's quite a big thing for me to think.
Uncle Bill has some form in this regard: in May I reported how the actor was conspicuous by his absence at the premiere of the film Tormented, which starred his 24-year-old daughter, Mary.
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Thereafter, within seven days of filing the report, the applicant shall present a petition to the court for confirmation of compromise or arrangement.
There are 313 million people living in the United States. There are 19 million new cases of syphilis, gonorrhea and chlamydia in the United States every single year.
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Tax payers can expect some relief from high inflation in Budget 2011-12, as the government may raise the income tax (I-T) exemption limit for individuals from Rs 1.6 lakh per annum to Rs 2 lakh in line with the Direct Taxes Code (DTC) in 2012-13. Tax payers could expect at least some relief in the upcoming Budget on February 28.
The finance ministry would keep in mind the high inflation in the Budget. Since there is no dearness allowance for a vast section of the society, hike in income tax exemption limit is likely.
At present, income up to Rs 1.6 lakh is exempt from tax for individuals. For women and senior citizens, the limit is 1.9 lakh and 2.4 lakh, respectively.


This award winning, purpose built lodge with stunning mountain views is located in the heart of Thredbo Village. With a mix of accommodation options, comfy lounge and dining room, and easy access to Kosciuszko National Park, we can ensure that your group has an amazing mountain getaway. We can accommodate groups of up to 48 people, from September to June.
Thredbo YHA has a number of 4 and 6 share rooms that can accommodate your group. Each room includes a luggage rack, hanging space, central heating and linen. Shared bathrooms are available nearby.
We have a selection of private rooms available for group supervisors, with communal bathroom facilities. All rooms include bed linen. These rooms are conveniently located near to our multi-share rooms, so you can be near to the rest of your group.
We are able to offer groups exclusive use of this property through the Rent-a-YHA scheme. This gives you access to all rooms and facilities in the property, for your sole use during your stay.
A huge thank you for your support of our excursion, it was much appreciated. Your facilities were excellent and the location was superb.


text:
days hours minutes seconds
Clinical Reader
Clinical Reader at the Institute for Mental Health at the University of Birmingham (UK), and Consultant in Addiction Psychiatry with Birmingham and Solihull Mental Health NHS Foundation Trust
Dr Ed Day is an Addictions Psychiatrist and clinical academic. His work is split between clinical research and teaching at the University of Birmingham and clinical practice in the Solihull Integrated Addiction Service (SIAS), a partnership between the NHS and three local charities. Much of his research focusses on developing and testing innovative pharmacological and psychosocial interventions for tackling addiction, with a particular focus on social network interventions and peer-led recovery support services. He is the current President of the Society for the Study of Addiction, a member of the Addictions Faculty Executive at the Royal College of Psychiatrists, and a member of the Drug and Alcohol Advisory panel at the UK Department for Transport. He was part of the expert advisory group that developed the UK National Clinical Guidelines for Drug Misuse (2017) and Alcohol Use Disorders (2022). He was appointed National Recovery Champion by the UK Government in May 2019.

redpajama_set_name: RedPajamaCommonCrawl


On behalf of Warren & Siurek, L.L.P. on Tuesday, May 29, 2018.
Disability insurance can be a great benefit. When you've become disabled and your ability to work changes, it can help make ends meet so that you're still able to feed your family.
On behalf of Warren & Siurek, L.L.P. on Friday, May 18, 2018.
The gender pay gap isn't a new issue by any means. The number varies, but the significant gap between salaries continues to exist in many occupations.
On behalf of Warren & Siurek, L.L.P. on Monday, May 14, 2018.
Insurance is a complicated subject. No matter what the type, trying to figure out what's covered and what isn't can be confusing. Disability insurance is no exception.


Professor Nicolas Petit is Professor of Law at Liege University, Belgium and a Research Professor at the School of Law of the University of South Australia in Adelaide (UniSA).
Professor Nicolas Petit's research focuses on antitrust law, intellectual property, and law in a context of technological change. His recent written works deal with the legal challenges created by the introduction of artificial intelligence and robotics in society. He is also working on a book on technology platforms' competition.
Professor Petit holds a PhD from the University of Liege (Belgium), an LL.M from the College of Europe (Bruges), a Master's degree from the University of Paris II and an LLB from the University of Paris V. He practiced law with a leading US law firm in Brussels and he also served as a Clerk at the Commercial Chamber of the French Supreme Court. In 2005 he attended Harvard Law School's Visiting Researchers Programme.
Professor Petit is the co-author of EU Competition Law and Economics (Oxford University Press, 2012) and the author of Droit européen de la concurrence (Domat Montchrestien, 2013), a monograph which was awarded the prize for the best law book of the year at the Constitutionnal Court in France. In 2017, he received the GCR award for academic excellence.


text:
Cedar Strip Kayak Project
kayaks, Wooden Boats
Aligning stations with a simple laser-level is easy.
A friend introduced me to kayaking last year and quickly got me hooked. I decided to build one over the winter and I will report progress from time-to-time and pass on any useful building tips.
A few trips on local lakes convinced me that I wanted my own kayak and subsequent research revealed that choosing one wasn't as easy as it first seemed. There are always design compromises and in an ideal world one would have a selection of kayaks and chose according to the whim of the moment or the task in hand. I wanted it all; speed, stability, lightness, durability, seaworthiness and carrying capacity all in the same boat but as with other areas of life, compromises would be needed.
I got off to a false start when I purchased plans for a simple, 16' stitch and glue design from a well known supplier. I soon realized that I had chosen a design which I would quickly outgrow. Although stable and predictable, it was probably going to be slow, so I set aside the plans and resumed my search, eventually settling on the Storm LT by One Ocean Kayaks. It is narrow (21.5" beam) and has a 16' 3" L.O.A. with graceful, upswept ends. The Storm LT is actually a smaller version of the designer Vaclav Stejskal's Cape Ann Storm and should be a good match for my 150 lb weight. For a novice its narrow beam may be a bit of a challenge and I hope that I haven't bitten off more than I can chew. Fortunately, the designer claims good secondary stability which is comforting for someone who loves being on the water not in it.
The plans and manual for this strip-planked boat were beautifully done and there seems to be a plethora of advice available on-line with step-by-step building photographs and tips. There is also a wealth of hydrodynamic data which instills confidence.
So why build when there are plenty of production boats available, some little more expensive than the cost of materials for this strip-planked design? Well, it quickly became clear that a kayak is a boat that you slip-on and wear. It has to be a good fit, in terms of body weight and size, otherwise performance and comfort will suffer. Production boats are available in limited sizes.
In selecting a custom design, I felt that I could get close to the optimum boat for my weight and build. Not only that, I would have the lightest possible boat – important when loading onto a roof-rack or carrying up a beach. Indeed, the Storm LT should weigh less than a carbon-fiber production boat of similar size. Aesthetically, the strip-plank boat also wins hands-down.
I was once helped build a 36' strip-cedar catamaran. I haven't used this technique since and wanted to give it another try.
Building the mould was fairly straight forward, except that the plywood spine, built as a box beam, wasn't perfectly true. I used an inexpensive laser level to check the alignment against convenient datum lines on the stations and made the appropriate adjustments using wedges and other methods of persuasion. The plans suggest using saw horses to support the mold but I opted for a couple of inexpensive metal stands designed for chop-saws or drill presses. These were "ballasted" with heavy items to keep them firmly in position. Now I have a fair mould.
I'm using ¼" red cedar, sawn from clear 16' boards. I'm not using bead and cove molding but will use a block plane to fit each strip individually. I am using Titebond Polyurethane glue because the squeeze-out turns to foam, making clean-up really easy.
All well and good in theory but I will let you know how it works in practice. Stay tuned!
A Life Changing Odyssey
Books, sailing, Wooden Boats
Thirty years ago I quit my job in science and engineering. Even in my late 20's I was tired and disgruntled with the world and my place in it. I wanted to get off the treadmill, and experience the beauty of Planet Earth, or at least my little corner of it.
With my partner at that time, Jill Brown, we looked to the world of sailing for travel and adventure. We sold our home, built a small Polynesian-style catamaran and moved to the ocean. We struggled to make a living in Cornwall, one of the most beautiful counties in the British Isles. I built boats and wrote books and magazine articles. It took a few years but the dream eventually became reality and culminated in an extraordinary voyage around the west coast of Britain in the summer of 1990.
Suilven's Travels: A Life Changing Celtic Odyssey is my account of this 3 month cruise which was packed with adventure and challenge. Suilven II departed Plymouth in July and headed to the Hebrides, stopping in Scilly, Wales, the Isle of Man and Northern Ireland. The story brings to life the landscape and culture of western Britain and in particular Scotland's Inner Hebrides. It also shows what is possible on a minimal budget if the desire to succeed is strong enough. I was alone for most of the outbound trip, giving me plenty of time to reflect on the world and my place in it. Jill Brown was with me on the demanding return trip when we struggled against gales and rough seas and came close to losing our small boat on a couple of occasions.
Looking back nearly 25 years it's obvious there has been dramatic change in our world – especially in technology. But the human spirit and the search for meaning in life is growing stronger as more of us realize it is becoming impossible to thrive in a system which essentially alienates us from our Earth, and our true selves. Suilven's Travels was written to inspire others to step outside the box and live closer to the Earth. It is available for $3.99 as an eBook on Amazon, in multiple formats on Smashwords and will be available at many other outlets soon.
The Boat Builder and the Philosopher
Charles Eisenstein is one of my favourite contemporary writers and philosophers. He is on the cutting edge of a revolution in thinking that will change the world in years to come. When he met a young Irish man in Sweden, who was on a two-year course studying the art of traditional boat building, Eisenstein eventually realized he was talking to a kindred spirit.
http://www.realitysandwich.com/cynic_and_boatbuilder
Wooden boat building and repair can be very satisfying work. Here a schooner is being worked on at the Victoria Classic Boat Festival.


That reminds me of another old story.
staring reverently at a jar of clear liquid that he's holding in his hands.
"What's in the jar, my son?"  asks the priest.
Turpentine, the most powwwwerful liquid in the whole world".
here turpentine and you rub it on a cat's a**hole,  he'll pass a motorcycle.
> well, it's really a tough call.


text:
Stixis punctata är en skalbaggsart som beskrevs av Charles Joseph Gahan 1890. Stixis punctata ingår i släktet Stixis och familjen långhorningar. Inga underarter finns listade i Catalogue of Life.

Källor

Långhorningar
punctata

redpajama_set_name: RedPajamaWikipedia


text:
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  'use strict';

  var module = angular.module('pnc.projects');

  module.controller('ProjectListController', [
    'projectList',
    function(projectList) {
      this.projects = projectList;
    }
  ]);

  module.controller('ProjectDetailController', [
    '$log',
    '$state',
    '$rootScope',
    'projectDetail',
    function($log, $state, $rootScope, projectDetail) {
      var that = this;
      that.project = projectDetail;

      function reload() {
        $state.go('projects.detail', {
          projectId: that.project.id
        }, {
          reload: true
        });
      }

      // Update a project after editing
      that.update = function () {
        $log.debug('Updating project: %O', that.project);

        that.project.$update().then(reload);
      };

      $rootScope.$on('BCC_BPM_NOTIFICATION', function (event, payload) {
        if (payload.eventType === 'BCC_CREATION_SUCCESS') {
          reload();
        }
      });
    }
  ]);

  module.controller('ProjectCreateController', [
    '$scope',
    '$state',
    '$log',
    'ProjectDAO',
    function($scope, $state, $log, ProjectDAO) {

      this.create = function(project) {

        new ProjectDAO(angular.copy(project)).$save().then(function(result) {
          $state.go('projects.detail', {
            projectId: result.id
          });
        });
      };

      this.reset = function(form) {
        if (form) {
          form.$setPristine();
          form.$setUntouched();
          $scope.project = new ProjectDAO();
        }
      };
    }
  ]);

  module.controller('ConfigurationListController', [
    '$log',
    '$state',
    'configurationList',
    'ProjectDAO',
    function($log, $state, configurationList, ProjectDAO) {
      var that = this;

      this.configurations = configurationList;
      this.projects = [];

      angular.forEach(this.configurations.data, function(configuration) {
        ProjectDAO.get({
          projectId: configuration.projectId
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redpajama_set_name: RedPajamaGithub


text:
Melnîkove (în ) este un sat în comuna Beieve din raionul Lîpova Dolîna, regiunea Sumî, Ucraina.

Demografie

Conform recensământului din 2001, majoritatea populației localității Melnîkove era vorbitoare de ucraineană (%), existând în minoritate și vorbitori de alte limbi.

Note

Beieve-Komuna, Beieve, Lîpova Dolîna, Sumî
Beieve-Komuna, Beieve, Lîpova Dolîna, Sumî
Beieve-Komuna, Beieve, Lîpova Dolîna, Sumî


text:
Cassini Prepares For One Last Look at Titan Before Spectacular End of Mission
By Paul Scott Anderson, on August 14th, 2017
Two views of Titan from Cassini, using the narrow-angle camera on March 21, 2017, revealing bright methane clouds in the thick, opaque nitrogen atmosphere, and dark dunes, lakes and seas on the surface. Natural color on left, false color on right. Image Credit: NASA/JPL-Caltech/Space Science Institute
There are now less than five orbits left in the Grand Finale until Cassini's awe-inspiring mission at Saturn comes to an end. With each remaining orbit, Cassini comes closer to plunging into Saturn's atmosphere, never to be heard from again. Saturn's largest moon, Titan, assists the spacecraft during this phase of the mission, nudging on it with its gravity to keep Cassini in the right orbits for when it dives between the innermost rings and the planet itself. And now those final moments are almost here.
Cassini made many repeated flybys of Titan during its mission, 127 over 13 years, revealing it to be one of the most bizarre and incredible worlds in our Solar System, with its liquid methane/ethane rain, rivers, lakes and seas. In 2005, Cassini released the Huygens probe, which landed on Titan's surface, sending back the first-ever images from Titan's surface. The last close flyby was on April 22, 2017. Cassini used Titan's gravity to help push it into the right orbits, and even to fly past other moons such as Enceladus.
"Now that we've completed Cassini's investigation of Titan, we have enough detail to really see what Titan is like as a world, globally," said Steve Wall, deputy lead of Cassini's radar team at NASA's Jet Propulsion Laboratory in Pasadena, California.
Previously, Cassini had seen the "magic islands," unusual patches in some of the seas which seemed to appear and then disappear again. During the most recent flyby, none were seen again however. The features are now thought to most likely be patches of nitrogen bubbles.
NASA has also just released a new video summarizing the amazing findings that Cassini has made at Titan. Titan is a world that in some ways reminds us of Earth, yet is also utterly alien.
Raw image of bright, wispy methane clouds seen in Titan's northern hemisphere by Cassini on May 7, 2017. Image Credit: NASA/JPL-Caltech/SSI
Radar image from Cassini of Ligeia Mare, the second-largest methane/ethane sea on Titan, near the north pole. Image Credit: NASA/JPL-Caltech/ASI/Cornell
Artist's conception of Cassini's final flyby of Titan on April 22, 2017. Image Credit: NASA/JPL-Caltech
The last look at Titan's surface by Cassini's radar, on April 22, 2017. Image Credit: NASA/JPL-Caltech/ASI
While there no more close passes of Titan awaiting Cassini, the spacecraft will get a long-distance view again on Sept. 11, just four days before the mission ends. There are still mysteries to be solved on Titan, but those will need to wait for additional future missions, being tentatively planned now, such as an orbiter, a floating probe in one of the lakes or seas or even a submersible probe. It is even conceivable that some form of primitive life could exist on Titan, but it would be unlike anything seen before on Earth.
During Cassini's last close flyby of Titan, the radar imaged a long swath of the surface that included terrain first seen on the first Titan flyby in 2004. "It's pretty remarkable that we ended up close to where we started," said Steve Wall, deputy lead of Cassini's radar team at NASA's Jet Propulsion Laboratory in Pasadena, California. "The difference is how richly our understanding has grown, and how the questions we're asking about Titan have evolved."
All of Cassini's raw images can be seen here on the mission website.
Be sure to "LIKE" AmericaSpace on Facebook and follow us on Instagram & Twitter!
August 14th, 2017 | Tags: Cassini, Saturn, Titan | Category: Cassini, Saturn
NASA Space Communications Operations to Extend Through 2030, With Friday Launch of TDRS-M
SpaceX Launches Third Dragon of 2017 to Space Station, Lands 6th Rocket on LZ-1


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Have you ever wanted a Barrington Watch Winder? Well now's your chance to win one in our summer competition! The winner will be receiving a winder from our new range which will be decided by you!
Our new range of watch winders all come with a beautiful wood finish whilst maintaining the high-quality rotation mechanisms that we pride ourselves on. At present we have fourteen winders but we'd like your input into which three we're going to stock permanently!
We have finishes of woods from all around the world, including a wide variety of light and dark woods. Are you a traditionalist who enjoys a good oak, mahogany or walnut finish, or do you prefer a more modern finish such as ebony macassar, zebrano or grey koto? The power to decide is in your hands!
By giving you the final decision on our products we're hoping you'll feel like a part of the Barrington family. We want to listen to your thoughts and opinions, enabling us to stock winders that are interesting and appealing to you! We've created several designs and styles to ensure you have a great selection of candidates to choose from.
But now it's time to ask you, the people that really matter, what you think. So we'd be very grateful if you could take the time to leave your feedback and enter into the Barrington Watch Winders Summer Competition.
You're probably wondering what you have to do to be in with a chance to win a Barrington Watch Winder. Not a lot to be honest! We have decided to join the social media movement and run the competition on Facebook.
You will need to log into your account and go to our Facebook page. You will then need to like the page and find the post regarding the competition (we'll pin it so it's at the top!). Comment with the name of your favourite winder and share the competition. It doesn't matter if you don't pick one of the three most popular watches, you'll still be entered into the competition (and we'll even send you the winder you chose)! That's all you have to do, we promise we're not winding you up, it's as simple as that!
We'll be picking winners at random and they'll be notified when the competition closes! If you've got any questions about products, the competition or anything else Barrington then please feel free to get in touch.


text:
Q: Non-type variadic template parameter I want to make class with variadic wchar* value arguments. Consider the following example.
template<const wchar_t* ...properties>
class my_iterator{
public:
     std::tuple<std::wstring...> get(); // quantity of wstrings depend on quantity of template parameters
};

I want to use that like the following
my_iterator<L"hello", L"world"> inst(object_collection);
while(inst.next()){
    auto x = inst.get();
}

But I receive compile error, when I instantiate the class.

error C2762: 'my_iterator': invalid expression as a template argument for
  'properties'

What's wrong and what to do?

A: This has nothing to do with the template parameter being variadic or non-type - string literals cannot simply be used as template parameters (until P0732 - which was accepted - becomes reality).
template <const char*> struct foo { };
foo<"hi"> x;

Will fail as well. live example on godbolt.org

error: '"hi"' is not a valid template argument for type 'const char*' because string literals can never be used in this context

A: What's wrong is [temp.arg.nontype] §2.3. String literals cannot (currently) be used as template arguments. What you could do, for example, is declare named array objects and use those as arguments:
template<const wchar_t* ...properties>
class my_iterator {};

int main()
{
    static constexpr const wchar_t a[] = L"hello";
    static constexpr const wchar_t b[] = L"world";

    my_iterator<a, b> inst;
}

working example here

A: Another alternative is to pass the characters one by one,
#include <tuple>

template<wchar_t ...properties>
class my_iterator{
public:
     std::tuple<decltype(properties)...> get(); // quantity of wstrings depend on quantity of template parameters
};

my_iterator<L'h', L'e',  L'l', L'l', L'o'> inst;

redpajama_set_name: RedPajamaStackExchange


text:
Alumni News – Spring 2017
Doria Johnson (center, arm raised) celebrates unveiling of Anthony Crawford marker in Abbeville, S.C.
A Tale Untold: Preserving a Family's History
The erasure from history of the lynching of her great-great-grandfather put Roosevelt University alumna Doria Dee Johnson (BA, '07) on track to become an African American historian and international human rights activist.
A decade after graduating with a bachelor's in history, Johnson is now close to completing a PhD dissertation at the University of Wisconsin–Madison on early 20th century African American migration, lynching and the development of the black community in Evanston, Illinois.
While this will no doubt be a major achievement, the PhD will not match the satisfaction she felt last fall when a historical marker was placed in Abbeville, South Carolina on the site of the mob lynching of her great-great-grandfather, Anthony Crawford. The lynching and subsequent seizure of his property took place a century ago.
"It was one of the most important days in my life," Johnson said of the Oct. 24, 2016 ceremony that drew 300 people, including more than 100 of her relatives; family members of Emmett Till, Ida B. Wells and Malcolm X; and Roosevelt University Associate Professor of History Erik Gellman.
Johnson with Roosevelt professor Erik Gellman (left).
"There's no better feeling than being able to right a wrong and preserve what's right for history," said Johnson, whose journey to bring to light the wrongdoing done to Crawford and his descendants began in 1988, when Johnson looked into her family's genealogy.
A phone call to an Abbeville church, answered by a cousin she did not know she had, started the ball rolling. She immediately traveled to Abbeville for a family reunion, where she met 100 newfound cousins, including some who had heard about the mob lynching and seizure of hundreds of acres of land that Crawford farmed for cotton.
After completing dozens of interviews and reviewing hundreds of documents, including an investigation into the lynching by the National Association for the Advancement of Colored People (NAACP), Johnson published a piece about her family's story on a genealogy website in 1999. Shortly after, the Associated Press contacted and featured Johnson in its 2001 investigative series "Torn from the Land," which documented 57 cases in which land was stolen from African Americans, including the Crawford family.
"There's no better feeling than being able to right a wrong and preserve what's right for history,"
– Doria Johnson (BA, '07)
Meanwhile, Johnson called members of Congress regarding injustices done to Crawford and his family. She also became active on the public lecture circuit, telling as many people as would listen to her family's story.
In 2005, the U.S. Senate issued a formal apology to Johnson and the Crawford family. She came to Roosevelt a year later, convinced by scholars she'd met that she could get a fellowship for a PhD to continue her work. First, however, she needed a bachelor's degree.
"I chose Roosevelt because of Harold Washington," Johnson said of Chicago's first African American mayor, who was president of the Class of 1949. "My Roosevelt professors supported me while I was at the University as well as after I graduated and continued on for my PhD," she said.
In 2016, Johnson took a year off from her doctoral work to take a Nelson Mandela International Dialogue fellowship, which elevates conversations about genocide and other human rights abuses to the world stage. As a Mandela fellow, Johnson traveled to South Africa, Sri Lanka and other parts of the world, where she discussed state-sponsored violence against African Americans in the United States.
She also worked with the nationally recognized nonprofit Equal Justice Initiative to locate the marker in the Abbeville town square where a mob initially accosted Crawford.
"Being there to witness Doria Johnson unveil the historical marker in the town square … hers was an act of bravery with great significance," Gellman said. "She knows that the South's reckoning with its racially violent past represents a way for its people to build a more democratic and inclusive society in the present."
Johnson, who will receive her PhD later this year, hopes to continue marking lynching sites around the country, with a goal to "emphasize lynchings so they are made part of the narrative in history textbooks."
Roosevelt Alumnus Competes for BBC Singer of the World
After eight years as an opera star in the making, Roosevelt University vocal performance alumnus John Chest (MM, '09) is hitting the big time as a finalist in the prestigious BBC Cardiff Singer of the World competition.
"It's a moment in my career that will be truly electric," said Chest, who studied at Roosevelt with former CCPA professor and Metropolitan Opera star David Holloway. Chest, 31, has sung professionally since 2011, primarily in Europe.
The Roosevelt graduate credits his CCPA training for preparing him to sing leading roles, including many appearances at Deutsche Opera Berlin where he has starred in Billy Budd and other productions.
"Ten years ago I wouldn't have thought I'd be competing at this level," Chest said. "My CCPA professors gave me guidance and encouragement to pursue a career that has me singing today at A-level opera houses."
Holloway, who directs the Santa Fe Opera's Apprentice Singing Program, called Chest "one of his most talented students."
"He is simply an unusually talented singer and he is also personable and real as a person," Holloway said. "It is no surprise to me that he is enjoying such success."
After graduating from Roosevelt in 2009, Chest joined the Santa Fe Opera as an apprentice singer, and then went on to Munich's Opera Studio, where he gave more than 80 performances. He was also a member of the Merola Opera Program in San Francisco, where he received rave reviews for his role as Guglielmo in Mozart's Così fan tutte, and starred recently as Count Almaviva in The Marriage of Figaro at Opera Philadelphia.
One of Roosevelt University's First Graduates, Howard Rosenberg Leaves Legal Legacy
Howard Rosenberg stood in line at Navy Pier on a cold February day in 1947, a month after returning from his service in the U.S. Army. He awaited registration for the new (since closed) branch of the University of Illinois at Navy Pier, ready to begin his education.
"After standing there about two hours, I asked one of the assistants whether we were going to get in to register," Rosenberg said. "She said 'I doubt it.'"
Rosenberg queried his brother about other colleges in the area.
"He said 'There's a new college called Roosevelt College. It is a radical place,'" Rosenberg said. He registered for Philosophy 101 and said he "was hooked."
Rosenberg completed his Bachelor of Arts at Roosevelt in 1949 and was among the first graduates of what would become Roosevelt University. He went on to earn his law degree at DePaul University.
After two short years of practicing law in Chicago representing a credit company, Rosenberg decided to move to Denver where he began a lifelong commitment to giving back to the community.
Rosenberg took the lessons of social justice from Roosevelt to heart by founding, with other Denver-based attorneys, the Thursday Night Bar in 1966. Known today as the Metro Volunteer Lawyers, the organization provides pro-bono legal services to those in great need, a role in which Rosenberg served for decades.
"The inspiration that I got at Roosevelt was able to serve me well as a legal aid attorney," Rosenberg said. Soon after, he made his first gift to Roosevelt, and has continued to give to current RU students to this day.
Rosenberg also went on to teach law as a tenured professor at the University of Denver's Sturn College of Law, bringing his compassion for the less fortunate to the next generation of lawyers and social justice advocates. It all culminated in a career he never imagined.
"I thought that Roosevelt really set me on a career path that I probably never would have followed," Rosenberg said.
"Roosevelt kind of saved me by accident and got me to thinking about going to law school, which was a really great decision for me. I really liked being a lawyer and representing low-income people."
"Roosevelt…got me to thinking about going to law school, which was a really great decision for me. I really liked being a lawyer and representing low-income people."
–Howard Rosenberg (BA, '49)
Rosenberg is retired and lives with his wife, Kristen, in Denver.
Aide to U.S. Senator Finds Calling for Social Justice at Roosevelt
Tamara Jordan came to Roosevelt University in 2010 after returning home from U.S. military service in Afghanistan, where a suicide bombing shook her station base to the core.
"Taking social justice courses at Roosevelt made me realize that a lot of people have struggles. They need someone who can advocate for them," said the 2016 Roosevelt graduate, who today is an aide to U.S. Senator Dick Durbin.
A native of Chicago's Englewood neighborhood, Jordan began her Roosevelt journey as a political science major, but had to drop out in 2012 due to difficulties in adjusting to life outside the military. After a three-year hiatus, she returned to the University in 2015 and changed her major.
"At its best, the social justice major at Roosevelt helps students put personal experience in a social perspective and supports them in developing skills for making change for the better," said June Lapidus, associate professor of economics and coordinator of Roosevelt's Social Justice Program.
As a Roosevelt student, Jordan interned at the Greater Chicagoland Food Depository, helping veterans receive benefits, and at the Jesse Brown VA Medical Center. From there, she landed an internship at Durbin's Chicago office that became a full-time job shortly after she graduated in 2016.
"Taking social justice courses at Roosevelt made me realize that a lot of people have struggles. They need someone who can advocate for them."
–Tamara Jordan (BA, '16), Aide to Sen. Dick Durbin
"Social justice has helped me to find different ways to really reach people, and not just to shut the door on their needs," said Jordan, who handles issues and calls related to veterans for 13 counties in northern Illinois.
Recently, she began mentoring at-risk youths as a volunteer with the not-for-profit Urban Warriors program on Chicago's South Side. She also counsels veterans returning from assignments with the National Guard through the Warrior-to-Warrior Program. Her goal is to get a master's degree and climb the career ladder in public policy or politics.
"I loved my Roosevelt experience," she said. "It's something that developed my focus and helped make my life more meaningful."
CCPA Takes On the Great White Way
Since its founding, Roosevelt University has produced hundreds of theater professionals, including alumni who are Broadway stars today.
Ray Frewen, assistant director of Roosevelt's Theatre Conservatory, credits the Chicago College of Performing Arts' (CCPA) seasoned faculty, famed alumni, historically artistic downtown Chicago location and audition process for attracting highly talented student prospects.
This year, CCPA has auditioned 600 prospective students for next year's program — 70 students have been chosen to take part in the three majors covering the program. Musical theatre is one of the majors that has successfully led its graduates from the classroom to the Broadway stage.
Graduates Courtney Reed, Stephane Duret, Scott Stangland and John Michael Finley all currently appear in award-winning Broadway productions.
Courtney Reed
Reed (BFA, '06) stars as Princess Jasmine in Disney's Aladdin The Musical. From the musical's Seattle debut to its current Broadway run, Reed's Jasmine has appeared in regional and international productions for six consecutive years.
Stephane Duret
Duret, Stangland and Finley have nearly two dozen musical theater credits among them. Last year, Duret joined the Tony Award-winning show, Kinky Boots. The 2007 graduate's additional credits include Sweet Charity, Cabaret, Ragtime and Aida.
Scott Stangland
In 2016, Stangland made his Broadway debut as Pierre, a role originated by recording artist Josh Groban, in Natasha, Pierre & The Great Comet of 1812. Stangland earned his MFA in 2005 and has since had roles in the Broadway hit, Once; on NBC shows Chicago Fire and Crisis; and in the films Contagion and The End of the Tour.
Prior to receiving his BFA in 2013, Finley performed in eight stage productions. Two years after graduating, Finley landed roles in Les Misérables and The Book of Mormon — in the latter, he currently appears as Elder Cunningham.
Frewen described Finley's Les Misérables performance as the most moving experience of his life. "I just burst into tears and couldn't talk when I saw John," Frewen said. "I've worked [in production] on Les Mis for years, but it's very moving seeing one of your kids doing it onstage."
Mandy Modic
Mandy Modic (BFA, '11) defined CCPA's family dynamic as being an enjoyable part of her program experience. "You feel safe to do this vulnerable work in front of your peers, because you know everything about each other," Modic said. "You're able to have that closeness to your professors, where you feel like you're all working together."
Modic has appeared in over a dozen musicals, two network television shows and her first feature-length film, When the Lights Go Out, was released late last year.
While talent is the common thread in all of the above-mentioned alumni, Frewen said the key to success goes beyond talent. "It's about if you are professional and a good person to work with," Frewen said. "Control what you can control. Your talent will get you in the door, but professionalism will get you to the second job, and then the next."
From stage to television to film, these five musical theatre alumni have taken their training at Roosevelt to the next level
Merle Dandridge (BFA, '98)
With a 20-year-plus career — including work in film, television, video game animation and on stage — Merle Dandridge has graced the sets of four films and more than 20 TV shows. The Okinawa, Japan born actress and singer's five Broadway appearances include roles in Spamalot, Rent and Aida. Dandridge's voice work can also be heard in close to a dozen video games. Currently, Dandridge can be seen starring alongside Oprah Winfrey and Lynn Whitfield in OWN TV's hit series, Greenleaf.
Travis Taylor (BFA, '10)
No stranger to the regional stage, Travis Taylor has performed in several theatrical productions, including Les Misérables, Beauty and the Beast, Sweeney Todd, Camelot and Into the Woods. Taylor has appeared on television; and, in 2013, starred as the Hairdresser in the North American Broadway tour of Phantom of the Opera — whose national run continues throughout this year.
Damon Gillespie ('12–'14)
TV and stage actor Damon Gillespie hit the ground running after his enrollment in the Musical Theatre Program. In mid-2014, Gillespie joined the ensemble cast of Newsies on Broadway. The following year, the Tennessee native appeared on Comedy Central's Inside Amy Schumer. In 2016, he made it back to the stage in the ensemble cast of Aladdin The Musical. This year, Gillespie will appear in the TV movie adaptation of the novel, Drama High, which costars Rosie Perez and Marley Shelton.
Tiffany Tatreau (BFA, '15)
Tiffany Tatreau's role of Ocean Rosenberg in Ride the Cyclone has taken her from the Chicago Shakespeare Theater to the off-Broadway MCC Theater. Lending her voice to a variety of regional stage productions -— such as Sister Act, Mamma Mia, A Christmas Carol and Spring Awakening — the California native was selected as one of Chicago Tribune's "Hot New Faces of Chicago Theater 2016."
Cole Doman (BFA, '15)
Already a stage actor in several regional productions before completing his degree, Cole Doman's roles in TV, film and on stage have continued to pour in, even after graduation. In the past three years, Doman has appeared in countless stage productions at the renowned Drury Lane Theater. The Philadelphia native has also landed roles on NBC's Chicago Fire, Showtime's Shameless and ABC's Modern Family. Doman made his film debut in the drama, Henry Gamble's Birthday Party, which won the Silver Q Hugo Award at the Chicago International Film Festival. Doman's lead role as Henry Gamble was chosen as one of the "Best Breakthrough Performances of 2016" by the online movie publication, The Film Stage.
Follow us on Facebook, Twitter and Instagram for updates on Roosevelt alumni news and happenings on campus. We'll not only be featuring news, networking opportunities and reunion events, but also memorable photos and stories from your days at Roosevelt. So give us a like, follow or tweet — connecting with your Roosevelt alumni network has never been easier. Make sure to use the hashtag #LifelongLaker when sharing your memories with us.
Filed Under: Alumni News, Feature 4, Spring 2017


© 2018 Unprecedented droughts hit southern Amazonia in 2005 and 2010, causing a sharp increase in tree mortality and carbon loss. To better predict the rainforest's response to future droughts, it is necessary to understand its behavior during past events. Satellite observations provide a practical source of continuous observations of Amazonian forest. Here we used a passive microwave-based vegetation water content record (i.e., vegetation optical depth, VOD), together with multiple hydrometeorological observations as well as conventional satellite vegetation measures, to investigate the rainforest canopy dynamics during the 2005 and 2010 droughts. During the onset of droughts in the wet-to-dry season (May–July) of both years, we found large-scale positive anomalies in VOD, leaf area index (LAI) and enhanced vegetation index (EVI) over the southern Amazonia. These observations are very likely caused by enhanced canopy growth. Concurrent below-average rainfall and above-average radiation during the wet-to-dry season can be interpreted as an early arrival of normal dry season conditions, leading to enhanced new leaf development and ecosystem photosynthesis, as supported by field observations. Our results suggest that further rainfall deficit into the subsequent dry season caused water and heat stress during the peak of 2005 and 2010 droughts (August–October) that exceeded the tolerance limits of the rainforest, leading to widespread negative VOD anomalies over the southern Amazonia. Significant VOD anomalies were observed mainly over the western part in 2005 and mainly over central and eastern parts in 2010. The total area with significant negative VOD anomalies was comparable between these two drought years, though the average magnitude of significant negative VOD anomalies was greater in 2005. This finding broadly agrees with the field observations indicating that the reduction in biomass carbon uptake was stronger in 2005 than 2010. The enhanced canopy growth preceding drought-induced senescence should be taken into account when interpreting the ecological impacts of Amazonian droughts.


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Cody Franson is on waivers. Should the Bruins claim him?
Another warm body on the blue line, or pass?
By ShawnFerris@TheShawnFerris Jan 8, 2018, 4:07pm EST
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Sergei Belski-USA TODAY Sports
Earlier today, Elliotte Friedman broke the news that Cody Franson of the Chicago Blackhawks has been placed on waivers. The thirty-year-old vet should stir some attention around the league, including the Bruins. Here are three ways the Bruins can approach this.
It's no secret the Bruins have been hot as of late. Suffering from injuries early on, the Bruins are back to being healthy. They have four lines they feel they can roll and a top six that is playing as good as any. Uneccessary disturbance to this roster is probably unwelcomed, even if it improves the team on paper.
The Bruins also might not be ready to write off Adam McQuaid for the season. Currently he is on long-term injured reserved where his full $2.75 million cap hit is relieved. The organization probably feels McQuaid is their better option at the moment if they were to bring another right-handed defenseman onto their roster.
Pick Up Franson
After the Bruins send Bjork down to Providence, it opened up a roster spot. With that, the Bruins could pick up Franson without moving anyone on their current roster. They also have plenty of room for Franson as he has a remaining cap hit of $484k.
Over the last 3 seasons, Franson has put up a rel CF% of 4.9, rel GF% of 1.6, and an rel xGF% of 3.31. He doesn't always play the toughest competition or the largest role, but he has been extremely effective in the role he has been given, and for a guy getting paid as little as he is, he provides a lot of value. Certainly, worthy of a look.
Trade for him after he clears waivers
This is a situation not many people think about when a guy goes on waivers. It is also probably the reason the system works as poorly as it does. If Franson clears waivers, he becomes more valuable. If the Bruins were to trade for Franson after clearing, he would not have to clear waivers for the Bruins to play him in the AHL. This means the Bruins could save their roster spot for later down the road.
A trade could involve just a mid-to-late round draft pick, or could even heighten to move bigger pieces like Vatrano who the Bruins seem to have given up on.
Why pick one of the last two options?
If the Bruins are looking to go for a Cup run this season, they need to make a splash at the deadline. There had been speculation the Bruins were interested in Ryan Nugent-Hopkins. Regardless, the Bruins are looking for a top-six forward, and that may mean giving up Carlo. Franson is a 6'5" right handed defenseman just like Carlo, and may be more effective at the moment. (You can read my breakdown of Carlo here) If they pick him up, it will be more serious, and Postma will be on his way out. If they trade for him, he is strictly a backup plan that could be moved again at the last minute of the trade deadline.
Preview: Bruins look to keep Hurricanes at bay on Willie O'Ree night The B's will look to further extend their win streak against the Hurricanes. Willie O'Ree's No. 22 will be retired pre-game.
Affiliate Report: Providence tops division standings, several Mariners on loan A big weekend for Providence and many of Boston's top prospects. Meanwhile, Maine has sent several players on loan to AHL clubs for its bye week.


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"Family Feelings" poetry and drama event, NYC
By Uche Ogbuji
"Family Feelings" is a collaborative blend of poetry and play reading that combines the work of this week's TNB-featured poet John Foy (and others) and playwright A. R. Gurney. "Family Feelings" pays tribute to those relationships we know best, or least! Using scenes from Gurney's Cocktail Hour – an appeal to gain Father's approval for the staging of his son's play – and selected poems by John Foy and others, the performance weaves together poems and script in counterpoint so that, through echoes and associative logic, they get to the psychic truth of unspoken family feelings.
Indian Café, 108th St. and Broadway (NYC), Sunday, January 22, 2012, at 4:00 p.m.
Readers include poet John Foy, and actors Cordis Heard, Mark Hofmaier, and Burt Edwards. Works in the reading include:
The Cocktail Hour, by A. R. Gurney
This Be the Verse, by Philip Larkin
Alcohol, by Franz Wright
High Windows, by Philip Larkin
Night Heron, by John Foy
from Essay on Psychiatrists, XIII, by Robert Pinsky
Male Sexual Disorder, by John Foy
from Essay on Psychiatrists, XVI, by Robert Pinsky
from The Attic, by Derek Mahon
Servant Boy, by Seamus Heaney
Victim, by John Foy
Forgive, O Lord, my little jokes on Thee, by Robert Frost
Wall Street, by John Foy
Don't tase me bro, by John Foy
The Bank, by John Foy
OK Chris, by John Foy
Headless Barbie Commission, by John Foy
from Four Quartets, East Coker, by T. S. Eliot
Paterfamilias, by John Foy
Come live with me, by John Foy
Cost, by John Foy
Room, by John Foy
TAGS: drama, events, John Foy, New York City, Poetry
UCHE OGBUJI is a founding editor of the TNB Poetry section. He is also co-creator and co-host of the Poetry Voice podcast. His short collection of poems Ndewo, Colorado (Aldrich Press, 2013) is a winner of the 2014 Colorado Book Awards. To expand a bit, Uche Ogbuji was born in Calabar, Nigeria. He lived, among other places, in Egypt and England before settling near Boulder, Colorado where he lives with his wife and four children. Uche is a computer engineer (trained in Nigeria and the USA) and entrepreneur whose abiding passion is poetry. His poems, fusing Igbo culture, European Classicism, U.S. Mountain West setting, and Hip-Hop influences, have appeared widely. Uche also snowboards, coaches and plays soccer, and trains in American Kenpo. You can catch more of the prolifically fraying strands of his life on his home page, or, heck, even on Twitter.


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Two weeks later, Capellini attended a special workshop regarding Crystal Lake, which came about as a result of numerous phone calls from residents, like Mooney, who were angry and concerned about the warehouse project. At the workshop, Capellini explained the Lanzo project to his fellow commissioners — who, along with the rest of Deerfield, still didn't know he was employed by the developer. The mayor mentioned that Lanzo had obtained all the required permits, including the one from the county that he'd apparently helped the company obtain. He touted the project, saying Lanzo had a right to fill the lake.
And he did it all in his role as mayor, not as a Lanzo engineer.
"He never revealed that he was working for Lanzo, and as mayor, he definitely should have," says activist Tom Connick, who is also an attorney in Deerfield.
Capellini's defense: "I didn't vote."
Commissioner Martin Popelsky, who was elected in March 2005, says he learned about the mayor's job during a meeting with Lanzo and Gallo representatives at the company's office in Deerfield last summer. When a Lanzo attorney told him that Capellini had been hired as engineer on the project, the commissioner says it was the greatest shock of his short political career.
"I turned white and rolled up the plans that were sitting on the table," he recalls. "Then I said 'This meeting is over' and walked out the door."
Popelsky has been a devout opponent of the project ever since — and he recently publicly called for the resignations of Capellini and Deetjen. He raised the issue at a commission meeting on March 21 of this year. Capellini argued with Popelsky on the dais, defending Lanzo.
"Popelsky is a feeble old man who has lost his mind," the mayor said of his fellow commissioner. "He doesn't know what he's talking about. The company had a right to fill what it filled. What don't people understand about that?"
The commissioner says he will ask the mayor to justify his accusation of senility at the next commission meeting. "The mayor is entitled to his opinion," Popelsky says. "I don't think what he said is appropriate, obviously."
The brash mayor, however, doesn't shy from words — or deeds — that might be considered inappropriate. At the same time that Gallo was helping Capellini profit in private construction deals, the record indicates that the mayor was trying to help his business partner obtain plum city projects.
Gallo's financial relationship with the city dates back to June 2000, when the commission voted to hire him as a city designer. The contract was signed by City Planning Director Ferguson on March 19, 2001 — about the time the mayor became a partner in the Arbor Green project.
Capellini has filed numerous conflict-of-interest disclosures during the past five years that involve Gallo projects. But he's also had several lapses. On November 18, 2003, Capellini voted to approve Gallo's design plan for the Hillsboro corridor for the city. He failed to mention that Gallo was his business partner.
"That had nothing to do with my firm," Capellini says.
But Gallo's status as hired gun for the city pales in comparison to the kind of money he was expected to make for building public parking garages. In 2002, Capellini was a driving force behind a plan to build a three-story, $11.5 million parking structure on AIA at the beach. On the dais, while wearing his mayor's hat, he urged the building of the garage and was even quoted extensively in the Sentinel about it.
Many residents, however, believed that the garage was not only too large for the quaint beach area but also unnecessary, since two private companies had plans to build parking lots at the time as well. The mayor rebutted those concerns in the newspaper. As for the size, Capellini argued that if the city built it, the people would fill it. "People want to come to Florida," the Sentinel quoted Capellini as saying during a September 17, 2002, meeting. "They want to come to Deerfield Beach."
Ultimately, the dreams of Capellini and Gallo to build the beach parking garage were crushed by the people. In November 2002, voters passed a ballot measure limiting buildings to two stories on the beach, scuttling the three-story project.
But it didn't take long for Gallo and the city to come up with another public parking garage plan. This time, it would be a $9.5 million, six-story garage near Cove Shopping Center on the Intracoastal. The city owns land in the area but intended to build the garage on land owned by Landrys Seafood Co., which operates a restaurant on the property called Charley's Crab.


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Impact Global Location: Palestinian Territory
Antisemitism and multiculturalism: shaping new thinking among policymakers and NGOs
Professor David Feldman's research has influenced thinking about antisemitism, racism and multiculturalism among a range of organisations and policy makers. Since becoming first director of the Pears Institute for the Study of Antisemitism in 2010, he has shaped its development by pursuing a distinctive course of public engagement, with partners such as the All Party Parliamentary Group Against Antisemitism, underpinned by the insights of his research over two decades. As a result, he and the Pears Institute are recognised as significant forces shaping public discourse and policy thinking on issues related to antisemitism.
Language, Communication and Culture: Cultural Studies
History and Archaeology: Historical Studies
Philosophy and Religious Studies: Religion and Religious Studies
Breaking Barriers: The Oxford Brookes Poetry Centre
The Oxford Brookes Poetry Centre has, since its inception, been a focus for original research, community engagement and external collaborations. This relationship between research and outreach activities has resulted in significant cultural, educational and economic benefits. Work with refugees has empowered the individuals involved and contributed to social inclusion debates, tackling social and economic issues in creative forms. Children from underprivileged educational and economic backgrounds have had poetry made accessible to them through the establishment of the Oxford City Poet, encouraging their own creative writing and re-inspiring teachers. These projects have directly improved the cultural and creative life of Oxford and given a voice to those who would have been otherwise unheard.
Language, Communication and Culture: Cultural Studies, Literary Studies
Enhancing public understanding of the origins of the Israel-Palestine conflict by extending the range and improving the quality of argumentation and evidence in public discourse.
Renton used his research on the origins of the Israel-Palestine conflict to enhance public understanding by extending the quality and range of evidence and argumentation in public discourse on a major issue of historical importance with present day consequences. This was achieved through a range of collaborations, media, engagement with public campaigns, and synergies with the international news cycle.
Edge Hill University
History, Culture and Memory as Sites of Life-long Learning in Palestine
The pedagogical workshops conducted in Palestine in 2012-13 on History, Culture and Memory as Sites of Life-long Learning in Palestine (LLIP) attracted teachers, civil servants and local government employees, members of cultural centres and NGOs. The project contributed to co-learning experience and a dialogue across cultures. Beneficiaries shared new ideas on critical pedagogies. The local and international partners explored how new research on "social memory from below" and oral memory methodologies can be applied to Palestinian pedagogy. The European partners gained deeper insights into the complex issues and realities confronting the Palestinian institutions. The new pedagogical material recorded at the workshops was circulated through the local media and placed on Palestinian websites in both Arabic and English. As a result of the success of the project, Nur Masalha, Professor of Religion and Politics and Director of the Centre for Religion and History at St Mary's, was consulted by the Palestinian Ministry of Higher Education and the Palestinian Quality Assurance Commission (in Ramallah) in May-June 2013 on the introduction of new MA programmes at Palestinian universities and on issues of teaching history in Palestinian schools.
Jews and Judaism in the Roman World
There has been a continuing demand for public lectures to audiences of all ages demonstrating an appetite for understanding the early marginalisation of Jews: Martin Goodman's research on the place of Jews and Judaism in the Roman world from the first century BCE to the fourth century CE has expanded public awareness of the treatment of minorities in imperial systems, the origins of anti-Semitism, the early development of Rabbinic Judaism, and the relationship between Christianity and Judaism in antiquity (which has implications for interfaith relationships in the present day). Goodman's research findings are also sought after on undergraduate teaching courses and have advised a historically-themed television series.
Language, Communication and Culture: Literary Studies
Morality, Humanity and Narrative – the Impact of Rai Gaita's Work
Rai Gaita's work brings a distinctive conception of good and evil to bear on a range of central and abiding moral questions. His work has shaped and changed the understanding of core moral and political issues by the general public in Australia and in other countries, and it has influenced the attitudes of policy makers and lawyers. Some of his books are on the reading list for the Higher School Certificate in Australia and have therefore had an immediate impact on the moral sensitivities of young Australians.
Not many contemporary moral philosophers have had such impact beyond the academic sphere. Why and how has Gaita achieved this impact? While academic philosophers tend to present their ideas in more technical form, Gaita's work crosses the boundaries between philosophical inquiry and literature. He brings philosophical issues to life by using the narrative form. For instance, his book Romulus, My Father, which uses biography to meditate on the human condition, has reached and influenced vast numbers of people. It was adapted into a film of the same title internationally released in 2007 and 2008. The inextricable connection between form and content in Gaita's work enables non-philosophical audiences to engage with, and respond to, his moral philosophy. In addition, his work has made a substantial contribution to the publishing and creative industries through the outstanding success of his books and related outputs.
Philosophy and Religious Studies: History and Philosophy of Specific Fields, Philosophy
Promoting wider access to key works by Max Weber (Political Writings) and Friedrich Nietzsche (The Birth of Tragedy and other Writings) through the provision of new translations/editions.
The principal, interrelated forms of impact claimed for these two new editions/translations are educational and economic.
The educational impact derives from:
ensuring that the discussion of Nietzsche and Weber rests on reliable versions of key writings
providing the first English versions of some less well-known, but important writings
providing detailed commentaries and annotations to assist new readers
facilitating wider public access to seminal writings in their respective fields by their publication in two influential and widely respected series
using English to bring Nietzsche and Weber to a worldwide audience of learners.
The economic impact (totalling £200,328 to date) has been generated by high annual sales (so far 24,204 copies of Nietzsche and 9,866 copies of Weber sold), with £67,279 generated between 2008 and 2012. These sales figures reflect the widespread adoption of the texts on educational courses across a range of disciplines and in many different countries.
The new versions of Weber's foundational political essays also "enhance public understanding" of key issues in "civil society". The new version of "The Birth of Tragedy" has presented a key part of the "cultural capital" of Europe to a wider international readership.
David Ford's research on Scriptural Reasoning, a form of inter-faith dialogue in which Muslims, Christians and Jews meet to discuss extracts from their respective scriptures, has led to the creation of Scriptural Reasoning groups in multiple non-academic contexts, from UK prison chaplains to Israeli and Palestinian doctors, and so to deepening engagement and learning between people from different religious traditions. Those groups engage in the practice which Ford and others have developed, putting the underlying research into practice in a variety of local conditions, and thereby fostering peaceful and fruitful inter-faith relations.
Philosophy and Religious Studies: Philosophy, Religion and Religious Studies
Artraker Fund and Award
Buckley's research on the relationship between art and conflict has led to the establishment of the Artraker Fund. The Fund was established in 2012 and awards art that helps raise awareness, communicate, stimulate debate and transform our understanding of war, violent conflict and social upheaval. It is intended to show how art can play a central role in transforming our understanding and experience of war, violent conflict and social upheaval. Buckley's research on the role of art in the co-creation of `experiences of freedom' has helped to show why such a fund is necessary, and to distinguish it from other art prizes. It stresses the potential of art to co-create experiences of freedom when they are most needed and least accessible.
Politics and International Studies
Studies In Creative Arts and Writing: Art Theory and Criticism, Visual Arts and Crafts
Britain at the End of Empire
This study focuses on the impact of the controversial and polemical research of Professor John Newsinger, whose popular multi-layered Marxist approach to modern British political history has provided an intellectual framework that has served to inform sceptical Leftist public discourse and enhance public understanding in Britain and beyond. Professor Newsinger's framework exposes the violence that exists at the heart of empires and challenges triumphal readings of 20th century British history. His work has had a wide range of political, economic, societal and educational impact.
Law and Legal Studies: Other Law and Legal Studies
Submitting Institution: All Institutions (24) East (1) Cambridge (University of) (1) London (11) Birkbeck College (1) Brunel University (1) Goldsmiths' College (2) King's College London (2) Queen Mary, University of London (1) Royal College of Art (1) St Mary's University College (1) University College London (2) North East (1) Teesside University (1) North West (3) Chester (University of) (1) Edge Hill University (1) Lancaster University (1) South East (4) Kent (University of) (2) Oxford (University of) (1) Oxford Brookes University (1) South West (2) Bath Spa University (1) Exeter (University of) (1) West Midlands (2) Birmingham (University of) (1) Keele University (1)
Unit of Assessment: All Units of Assessment (24) Main Panel B (1) Computer Science and Informatics (1) Main Panel C (2) Geography, Environmental Studies and Archaeology (1) Politics and International Studies (1) Main Panel D (21) Area Studies (1) Modern Languages and Linguistics (1) English Language and Literature (6) History (4) Classics (1) Philosophy (1) Theology and Religious Studies (3) Art and Design: History, Practice and Theory (1) Music, Drama, Dance and Performing Arts (3)
Summary Impact Type: All Impact Types (24) Legal (1) Cultural (12) Societal (11)
Research Subject Area: All Subject Areas (24) Information and Computing Sciences (1) Artificial Intelligence and Image Processing (1) Information Systems (1) Education (1) Specialist Studies In Education (1) Studies In Human Society (4) Political Science (2) Sociology (2) Psychology and Cognitive Sciences (1) Psychology (1) Law and Legal Studies (2) Law (1) Other Law and Legal Studies (1) Studies In Creative Arts and Writing (6) Art Theory and Criticism (1) Film, Television and Digital Media (4) Journalism and Professional Writing (1) Performing Arts and Creative Writing (2) Visual Arts and Crafts (1) Language, Communication and Culture (17) Cultural Studies (11) Linguistics (1) Literary Studies (10) History and Archaeology (15) Historical Studies (15) Philosophy and Religious Studies (7) History and Philosophy of Specific Fields (1) Philosophy (2) Religion and Religious Studies (6)
Impact Global Location: All countries (24) Africa (7) Cameroon (1) Chad (1) Democratic Republic of the Congo (1) Egypt (4) Ghana (1) Kenya (1) Libya (1) Morocco (1) Nigeria (1) Republic of the Congo (1) South Africa (1) Sudan (2) Tanzania (1) Zimbabwe (1) Asia (24) Afghanistan (4) Bahrain (2) China (4) India (5) Indonesia (1) Iraq (3) Israel (11) Japan (1) Jordan (3) Kuwait (1) Lebanon (3) Malaysia (1) Oman (1) Pakistan (2) Palestinian Territory (24) Qatar (1) Saudi Arabia (1) South Korea (1) Syria (3) Taiwan (1) Turkey (1) Yemen (1) Europe (20) Austria (1) Czech Republic (1) Denmark (2) Estonia (1) Finland (1) France (3) Germany (4) Hungary (1) Italy (1) Lithuania (1) Macedonia (1) Malta (1) Netherlands (2) Poland (1) Portugal (1) Russia (1) Spain (2) Sweden (2) Switzerland (1) Ukraine (1) United Kingdom (18) North America (13) Barbados (1) Canada (4) Mexico (1) United States (10) South America (2) Brazil (1) Peru (1) Oceania (7) Australia (6) New Zealand (1)
Impact UK Location: All places (24) Wales (2) Swansea (1) Scotland (3) Glasgow (1) Northern Ireland (1) England (11) Bedford (1) Birmingham (1) Blackburn (2) Bradford (1) Bristol (1) City of London (1) Coventry (1) Exeter (1) London (8) Middlesbrough (1) Norwich (1) Worktown (1)
Project Funders: No funder selected (24) Arts and Humanities Research Council (9) British Academy (3) Economic and Social Research Council (1) Research Councils UK (2) Royal Society (1)


The first reviews of the iPhone X, Apple's priciest smartphone yet, are in — and the consensus is that it's the best iPhone Apple has ever made, despite a few quirks that take some getting used to.
Apple gave most reviewers less than 24 hours with the iPhone X, so many of the initial reviews are first-blush impressions rather than in-depth analyses.
Here's a roundup of some of the most important iPhone X reviews from across the web.
There are some rough edges here and there. The notch isn't for everyone, and the screen does have some color issues at extreme viewing angles. But overall Apple bet enormously big on a bunch of technologies all at once on the iPhone X, and it delivered almost across the board. It really is like using the future of smartphones, today.
So far, what's been most notable about the iPhone X isn't how different it is from the models that came before it, but how soon all of the changes start to feel totally normal. Tim Cook has made clear that the X is the future of Apple's smartphones, but the future doesn't feel foreign at all — it feels surprisingly natural, surprisingly quickly.
I'd be lying if I said I never noticed the notch. It cuts into full-screen apps, movies, and photos, but, after a little while, I stopped fixating on it. I guarantee that some people will hate the notch and rail against it, and it's fun to imagine how the stoic Jony Ive, Apple's Chief Design Officer, might've lost his cool when he first saw the notch. The complaints will, I suspect, mostly be from people who do not own or use an iPhone X.
Tech journalist Steven Levy, writing for Wired, said the potential for iPhone X may ultimately be in yet-to-be-developed apps that take advantage of its AR, facial recognition and high-resolution cameras.
Forbes: Apple iPhone X In-Depth Review: Is This Really The Future Of Smartphones?


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Q: Crystal Reports: left outer join and filtering In Crystal Reports I'd like to join two tables on EmployeeId in a way that in the final result dataset I get EmployeeId where Type equals A or Type is null. I'd be easy to do it through command but I need to do it through table choice not command. When I left outer join the tables and filter records on condition Type=A or IsNull(Type) records with type value null are eliminated. Could you please advise how to do it?
Table 1
EmployeeId
1
2
3

Table 2
EmployeeId, Type
1, A
2, B
3, NULL

Result set
EmployeeId, Type
1, A
3, NULL

Regards,
Przemek

A: You just need to flip the order of the conditionals: isnull(type) or type=A. You always need to check for nulls as the first thing you do otherwise Crystal will treat it as an exception and won't continue to evaluate the statement.


Before joining George Hilton, Caroline worked for several international companies in Europe. She brings a wealth of experience to the client relations team.
Mr. Pierce established George Hilton in to provide business consulting for small businesses.He provides the leadership and forward thinking that have got us this far.


Today is our fourth wedding anniversary.
I know, four years is just a baby in marriage terms. But it's worth reflecting on, I think. Especially since so few of my fellow millennials seem to be interested in marriage these days.
These four years have been, hands down, the best of my life. God blessed James and I with the most beautiful marriage, and it's only getting better with time.
I'm aware that not everyone has this experience. God gave me a tremendous blessing that I don't deserve. I won't pretend to speak for anyone else's experience here. I simply want to share a little bit about what this blessing has been for me, especially since the majority of this blog is primarily focused on the lack of one particular blessing (namely, a womb).
Four years ago, we entered into this life with the expectation that we would continue to grow and to change. We imagined that our lives wouldn't be easy, but that we would grow together, love and support each other, come what may.
What we didn't know yet, on that day, was how far above and beyond God would take us.
People said that newlywed feeling would wear off. I'm still waiting for that to happen.
People said I would wake up one day and wonder who the heck I married and why. I'm still waiting for that to happen.
People said that the first year would be the hardest. Or that marriage, in general, would be extremely hard.
What I've seen is this – LIFE is hard. Marriage is a vehicle that makes life better. And like any vehicle, it occasionally needs tune-ups and repairs. Maybe it gets a few dings and scrapes. Maybe it gets in a wreck at some point. But you spend those hours in the garage applying enough sweat and elbow grease, and you get that baby shining.
And you remember that you can't do it alone. It's not a one-person job. It's not even a two-person job. It's a you + me + God-person job. God's in charge, and you two just do your best to listen to his direction.
You're always going to change. I'm not the same person I was four years ago, and neither is James. And we're certainly not the same two college students who met on a dating site nine years ago. And that is wonderful, because with God's help, we're growing together into a life that our 20 and 22-year-old selves would be thrilled to catch a glimpse of – which brings me to my next point.
Marriage is a life-long activity of continually helping another person get their sh*t together.
You do this for each other, on both spiritual, emotional and literal(physical) levels. And maybe you spend a little too much time in the weeds, helping your spouse find their wallet for the umpteenth night in a row, and you get a little frustrated. But in a moment of grace, God calls you out of this and gives you a glimpse of the big picture.
It's ok. It's all ok. All of the mess. All of the suffering. All of the crazy. Because He's doing great things for you, and even if you don't see it all here, that's ok, because it's not about here. It's about heaven. He's making you saints, in and through your struggles.
Marriage was never meant to be a destination – marriage was and is always about the journey. "Happily ever after" is the way all the good stories begin.
Happy Anniversary, James. I love you. I love our life together, and I wouldn't trade it for anything. And we've only just begun.


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Xavier News
PS5 vs SERIES X
Ryan Becherer, Staff Writer|December 4, 2020
When it comes to consoles, Xbox and PlayStation are by far the most competitive. This is no new development, as the companies have been trying to fight their way above each other for years, since the release of the Xbox in 2001, to be specific. After all this time, though many other consoles have fallen, the war between these two hasn't changed much. The struggle to have the best software, hardware, and exclusive games has accumulated into two new consoles, the PlayStation 5 and Xbox Series X. But which is better?
Well, let's start off with the most obvious comparison of the two: the hardware. First and foremost, let's talk about the CPU. CPU stands for central processing unit, and it's basically the brain of the console (and all modern computers, for that matter). In regard to the CPU, Xbox takes the trophy with an eight-core, AMD "Zen 2" operating with up to 3.8GHz frequency. PlayStation 5 on the other hand, also has an eight-code AMD "Zen 2" CPU, but it'll clock about 3.5 GHz frequency. Overall, not a major difference between the two, but Xbox takes a notable lead.
As for the GPU, or graphics processing unit (commonly called a graphics card), Xbox once again takes home the gold with an AMD GPU operating with 12 teraflops and 1.825 GHz frequency. The PS5 has an AMD Radeon GPU operating with 10.3 teraflops and up to 2.23 GHz frequency. So overall, Xbox is considered the better GPU, though this is less of an obvious win, as PlayStation 5 still operates with a higher frequency.
Both consoles have 16GB of RAM, both operate with up to 120fps, and both will support 4K and 8k televisions, so the last big difference in hardware comes down to the storage. The PlayStation has 825GB of storage, whereas the Xbox Series X has 1TB, which is 175GB more. Microsoft (in collaboration with Seagate) is offering a 1TB expansion SSD for $220. The PlayStation 5 is not currently supporting an external SSD expansion, but you can use an external hard drive to run older games. Both systems can use external hard drives, but not for the newest generation of games.
There's a lot to the hardware, some of which is just too nitty gritty to go over, but overall Xbox Series X is a more powerful console than the PlayStation 5. But PlayStation has a trick up its sleeve, and it's not a part of the console itself. The PS5 boasts an innovative controller with haptic feedback, adaptive triggers, and a built-in microphone. What this means, basically, is that you can feel certain individual things happening in your game, in your controller. It's different from controller vibration, as it is more precise and feels unique in different in-game situations. Whether it's the rumble of firing a heavy machine gun, the feeling of driving through mud, or the chaotic boom of an explosion, everything in the game can be conveyed to the player physically and in real time.
Much like the haptic feedback, the adaptive triggers are a tool utilized to convey information to the player. Depending on in-game situations, the triggers will feel different. They can be harder or easier to push, click halfway through, or glide smoothly as you push them. You can feel the tension of a bowstring in same games, or the feeling of pulling a gun trigger in others. In "Marvel's Spider-Man: Miles Morales", you can feel the tension of the titular character's webs as he swings through New York. Xbox's new controller design opted more for minor tweaks and improvements rather than innovation. Sticking with their tried and true design, the only visible changes to the controller are that the d-pad is now a plate, and the controller now includes a "share" button, which, much like Playstation's share button, helps the user easily capture and share gameplay. With that being said, PlayStation seems to have garnered much more attention than Xbox in the controller department. So while Xbox Series X wins from a console hardware standpoint, PlayStation 5 made some pretty impressive and eye-catching innovations with their controller.
The consoles themselves, as you've probably heard, have some pretty interesting designs. The PS5 is a 15.4 inch tall work of modern art, and the Xbox Series is 5.9 inches wide and 11.8 inches tall (an actual box). Xbox went with a sleek black design for their standard console, whereas PlayStation ditched their classic black design and went for a black and white system, though the white plates are removable and many suspect PlayStation will sell some in the future with new colors and designs. Some have likened the PS5 to a router and the Series X to a fridge, which isn't too far fetched. But all that aside, let's get to the good stuff: the games.
Exclusive and Launch Titles
PlayStation 5 has "Marvel's Spider-Man: Miles Morales", "Demon's Souls", and "Bugsnax" right now, along with a new God of War, Horizon, Gran Turismo, and Ratchet and Clank on the way. Xbox Series X has "Halo Infinite", "Sensua's Saga: Hellblade II", "Forza Motorsport 8", "State of Decay 3", "Fable", and "Everwild" all in the works. This obviously isn't a comprehensive list, just seven examples from both sides.
Most of Xbox's games will be available on their Game Pass, allowing them to be purchased and played on PC as well, no Xbox required. PlayStation also has a similar service called PlayStation Now, allowing the streaming of hundreds of titles. PlayStation Now can also be used on PC, and though it has its fair share of weird and random games, it actually has a pretty good collection, along with some newer games too. PlayStation 5 will be compatible with most PS4 games (unless you buy the digital version of the PS5, which sacrifices the disk drive for a $100 discount), but no PS3, PS2, or PS disks will work as of now. Xbox Series X will support all Xbox one games, and select games from their older consoles.
There's a lot to come on both sides of the console war, with new games to be announced, and PlayStation's tease of a possible Game Pass of their own (despite having PlayStation Now, as it hasn't seen the success that Game Pass has), not to mention the difficulty of finding either console right now, due to their high demand. Overall, there's not going to be a clear winner for a while, as like every generation before them, the new consoles both have their pros and cons. Ultimately, it comes down to the individual to decide which console deserves his hard earned $500.
Ryan Becherer, Student Editor
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The Student News Site of Saint Xavier High School


Well this is it: my final post the year! I'm taking some much needed time out for the next two weeks, and will be back on Monday 8th of January with my batteries fully charged and ready to embrace 2018.
I have so many exciting plans for next year and I can't wait to start making them happen.
My friends will tell you that I'm very much a cocktail enthusiast, and occasionally I get inspired to invent one of my own. This is one of those occasions!
I spotted this Belvoir Christmas cordial in my local Whole Foods and popped in my basket. Then I got thinking that its flavours would lend itself rather nicely to a citrus based cocktail. And I was right.
So please allow me to introduce you to my Christmas Sour. Totally delicious if I do say so myself. It's rather strong, but it also has quite a lot of juice in it, allowing you to sit on it for a while, rather than it being gone in a few gulps.
Possibly a bit much for Christmas morning (we'll be having Pink Fizz Bellinis here at French For Pineapple HQ), but this will be just the ticket for an early afternoon pick me up before the main event.
Shake really well with ice (not too much ice or it won't froth), and strain into champagne saucer.
Garnish with a tiny sprig of mint and small single red currant (kinda resembles holly, right?!), and an optional two drops of aromatic bitters. Or orange bitters would be ideal.
If you're not a gin fan, subsitute with vodka. Reduce sugar syrup and increase lemon juice if you like it more sour.
Cheers! And a very Merry Christmas from me to you, and a massive thank you to every single person who reads French For Pineapple!
And failing these, I reckon good old Ribena would do the trick just nicely too.


text:
DNEG hires Paul Riddle as exec VFX Super for TV in London
VFX and animation studio DNEG has appointed Paul Riddle as Executive VFX Supervisor of its TV offering in London, coinciding with the release of a slate of new productions.
Riddle was part of the original team that set up DNEG (or Double Negative as it was then known) in 1998. He has more than 20 years of experience, working on many of DNEG's biggest productions. His film credits as VFX Supervisor include 'Harry Potter and the Half-Blood Prince', 'The Tree of Life', 'John Carter', 'Fast and Furious 6' and 'The Da Vinci Code', for which he received a VES Award nomination for Outstanding Supporting Visual Effects.
More recently, he was Overall VFX Supervisor on director Francis Lawrence's 'Red Sparrow' starring Jennifer Lawrence, and supervised the visual effects for the Harry Potter theme park rides 'Gringotts Wizarding Bank' and 'Hagrid's Magical Creatures Motorbike Adventure' for Universal Orlando.
In his new role, Riddle will work closely with the new business team and with TV clients on the creative development of their projects, as well as overseeing the creative management of all London-led TV shows.
DNEG TV, which took home an Emmy last year for its work on HBO drama, 'Chernobyl', was formed in 2013.
The team has been working on many major new series releasing in the first half of 2020, including: Star Trek: Picard (CBS), Locke & Key (Netflix), Doctor Who Season 12 (BBC), Sacred Lies: The Singing Bones (Facebook Watch), Altered Carbon Season 2 (Netflix), Devs (Hulu), Westworld Season 3 (HBO), The Letter for the King (Netflix) and Defending Jacob (Apple TV+).
Managing director of DNEG TV, Matt Plummer, said: "Paul has been an integral member of DNEG since its earliest days, and we're delighted to have him join the TV team. With the increased number of broadcast and streaming services producing high-quality television shows, the demand for first-rate VFX services has never been higher, and Paul's experience and creative oversight will be invaluable."
Speaking about the move, Paul said: "This is such an exciting time for DNEG TV. The landscape has changed dramatically over the last few years and I'm incredibly honoured and excited to be working with our fantastic TV team on the upcoming creative projects, finding new ways of pushing the boundaries of what's possible for episodic content."
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text:
Biden's Infrastructure Plan
Mar-a-Lago
McCain Camp Tries To Spin Away "Disgrace" Comment
On Monday, at a town hall meeting in Denver, John McCain said this:
Americans have got to understand that we are paying present-day retirees with the taxes paid by young workers in America today. And that's a disgrace. It's an absolute disgrace, and it's got to be fixed.
In this quote, McCain was essentially saying that the problem with Social Security is that Social Security is Social Security, instead of something else. He is attacking the basic funding mechanism for the 75-year-old program. But now, with the McCain "disgrace" comment being picked up all over the web, the McCain campaign is trying to backtrack. ABC's Jake Tapper spoke with a McCain spokesman, Brian Rogers, who said this:
[T]he disgrace is our failure to fix the long-run imbalance in Social Security—a failure of leadership evidenced by our willingness to kick to problem to the next generation of leaders. He's also describing the looming and increasing demographic pressures confronting the Social Security system and Washington's utter failure to address it.
In essence, Rogers is claiming that McCain's "disgrace" comment was taken out of context—that he was not applying the word "disgrace" to Social Security's funding mechanism, but rather to the "demographic pressures confronting the Social Security system and Washington's utter failure to address it."
Unfortunately for the McCain campaign, which is beginning to realize the mistake it made by attacking Social Security, Rogers' argument doesn't hold up under scrutiny. The Denver town hall wasn't the only place McCain attacked Social Security this week. From yesterday's post:
Now, before you think, "Wow, that must be a slip of the tongue, he can't possibly mean that," please note that McCain said essentially the same thing to John Roberts on CNN this morning. From the transcript:
On the privatization of accounts, which you just mentioned, I would like to respond to that. I want young workers to be able to, if they choose, to take part of their own money which is their taxes and put it in an account which has their name on it. Now, that's a voluntary thing, it's for younger people, it would not affect any present-day retirees or the system as necessary. So let's describe it for what it is. They pay their taxes and right now their taxes are going to pay the retirement of present-day retirees. That's why it's broken, that's why we can fix it. [Emphasis added.]
McCain said the same thing on CNN that he did in the town hall: the problem with Social Security—"why it's broken"—is that young people, "pay their taxes and right now their taxes are going to pay the retirement of present-day retirees." That's not out of context. It's what he said. McCain's problem with Social Security is with its basic structure.
The DNC held a conference call today about McCain's comment. It seems smart to pick up on this—it's the real thing. With this comment showing his antipathy toward the fundamentals of Social Security, McCain has indeed touched the "third rail" of American politics. On the DNC call, Ed Coyle, the president of the Alliance for Retired Americans, referred to McCain's comment as "anti-senior" and said he hopes the press will ask McCain to elaborate on what he could have meant. That's a reasonable request.
Mother Jones was founded as a nonprofit in 1976 because we knew corporations and the wealthy wouldn't fund the type of hard-hitting journalism we set out to do.
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