text:
Nintendo World Playable Lineup Announced
Posted by Tanx on Dec 28th, 2010 | 0 comments
Nintendo has at long last shared detailed on its upcoming Nintendo World 2011 3DS demo event. The event will be held from January 8 through January 10 at the Makuhari Messe convention center just outside of Tokyo and will mark the first time the 3DS has gone playable for the general public.
The following games will be shown at the event. Games in bold (everything above and including 3DS Camera) will be playable. Everything else is video only.
Hideo Kojima's Metal Gear Solid Snake Eater 3D The Naked Sample (auto demo) (Konami)
Winning Eleven 3D Soccer (Konami)
Super Street Fighter IV 3D Edition (Capcom)
Resident Evil Revelations (Capcom)
Samurai Warriors Chronicle (Tecmo Koei)
Dead or Alive Dimensios (Tecmo Koei)
Ridge Racer 3D (Namco Bandai)
Professor Layton and the Miracle Mask (Level-5)
Nintendogs + Cats (Nintendo)
Kid Icarus (Nintendo)
Legend of Zelda Ocarina of Time 3D (Nintendo)
Steel Diver (Nintendo)
Pilot Wings Resort (Nintendo)
AR Games (Nintendo)
Nintendo 3DS Camera (Nintendo)
Resident Evil Mercenaries 3D (Capcom)
Super Monkey Ball 3D (Sega)
Kingdom Hearts 3D (Square Enix)
Gundam The 3D Battle (Namco Bandai)
Tales of the Abyss (Namco Bandai)
One Piece Unlimited Cruise SP (Namco Bandai)
Cubic Ninja (AQ Interactive)
Tobidasu Puzzle Bobble 3D (Square Enix)
Pro Baseball Famisuta 2011 (Namco Bandai)
Animal Resort (Marvelous Entertainment)
Xevious (Namco Bandai/Nintendo)
3D Beauty Clock (Bijin Tokei)
Star Fox 64 3D (Nintendo)
Paper Mario (Nintendo)
Animal Crossing (Nintendo)
Mario Kart (Nintendo)
Mii Plaza (Nintendo)
Nintendo will also have stage shows. These will be live broadcast, allowing those who can't make it out to Japan to get a glimpse at the action.
Access the official stage schedule for a full stage schedule. Points of note include Metal Gear Solid series at 13:45 on the first day, Kid Icarus at 15:00 on the first day, Super Street Fighter IV at 13:45 on the second day, Resident Evil series at 15:00 on the second day, Level-5 CEO Akihiro Hino at 13:30 on the third day, and Nintendogs + Cats at 14:30 on the third day.
Nintendo World Playable Lineup Announced, 10.0 out of 10 based on 5 ratings


It's 2067, the UK is vegan, but older generations are suffering the guilt of their carnivorous past. (Simon Amstell) asks us to forgive them for the horrors of what they swallowed.
This spoof piece of black humour parody is full of surreal moments, cookery, cooking – a cooking show – and food. It features vegetarian, vegan, animal welfare and animal rights issues.
With similarities to Charlie Brooker's 'Black Mirror' series for Netflix and Channel 4, the BBC previously brought the critically acclaimed Fear Itself and Adam Curtis' HyperNormalisation.


text:
How My Brother's Best Friend Stole Christmas by Molly O'Keefe
How My Brother's Best Friend Stole Christmas
by Molly O'Keefe
Self- Published
Book 3 in the Kane Christmas Trilogy
I have one Christmas wish: to get Sam Porter, my brother's best friend and the man I've loved from a distance for most of my life – to notice me.
To really notice me. So, I'm doing that super cheesy thing where I get all dressed up at the Kane Co. Holiday party in the hopes he'll see what he's been missing.
And for the span of a blackout every one of my sex dreams about Sam come true. But then the lights come back on and he pushes me away with both hands.
So now I'm done with him. Done with his handsome face, and his not-so-hidden pain and all our inside jokes. And my love for him – I'm really done with that.
But Sam has been discharged from the Marines, and my brother has hired him on at Kane Co. In the shipping department. Where I'm the boss. And he's…irresistible.
But Sam has his own Christmas wish and it's me he's wanted all along.
Oh, brother's best friend. One of my favorite tropes.
How My Brother's Best Friend Stole Christmas is the conclusion of the Kane Christmas trilogy, and, I feel, is a rather good conclusion. Solid plot and writing. I think this story may have deserved more pages than it was given, so it felt a little rushed, but it was good. Enjoyable. The characters were likeable, and interesting. Especially Sam, who suffers from PTSD, and brain damage that occurred during deployment. From what I know of PTSD, I felt like Molly O'Keefe wrote a realistic portrayal of it effects, while balancing that very delicate line of it not taking over his entire personality. He went to war. He had to do and witness terrible things. He lost people he loved. He was injured. But he is also a loyal friend. A devoted son to his mother. Polite. A hard worker.
As for the romance, I felt like Sam and Sophie are a good fit. They had chemistry and tension. Sophie understood Sam before war, and is learning to understand him after war. And while Sam's hesitation to entering into a relationship with Sophie, in my views, is totally valid, there is a healthy balance in their relationship. Sophie isn't going to take less than she deserves. She isn't giving it all and him nothing. She expects him to put in the effort. And can I just say, I love a brothers best friend romance where the brother ENCOURAGES the relationship. Protective of his sister's heart, but also, knowing its her choice to be with whomever she wants - including his best friend. Love it!
While I feel like the Kane Christmas trilogy started out rough, Santa Baby Maybe and How My Brother's Best Friend Stole Christmas were both enjoyable and fun little holiday romances. I encourage you to read them this holiday season - and best of all, they are available on kindle unlimited.
Sophie: "Have you talked to him?"
Sam: "Nah. Saw your mom."
Sophie: "Christmas spirit herself?"
Sam: "She hissed at me."
Sophie: "Well, that's an improvement." Sam: "You can take care of yourself, can't you?"
Sophie: "You mean…can I make myself come? Sure. Can't you?"
I cocked my head at him.
Sam: "Make you come?"
His lip lifted, the half smile that changed the beat of my heart.
Sam: "I think I can figure it out."
Oh, this was our old game. I understood him like this. Trash talking over video games and Broncos vs. Bears. Arguing over the last chicken wing, which television series had the worst ending, or who was the best Batman. This was comfortable. I'd just never been mostly naked while doing it.
Sophie: "Go for it," Sam: "Make that sound again,"
he said. I couldn't even remember which sound he was talking about.
Sophie: "Make me."
His laugh was dark desire made audible, and my toes curled in my shoes.
Sam: "I'm going to make you scream my name."
Sophie: "Oh my God, now you're talkative guy?" Sophie: "Is this the part where you say something mean and leave?"
Sam: "I don't—"
Sophie: "Is this where you make me feel used and cheap and—"
Sam: "Sophie. No."
Sophie: "—stupid for letting you fuck me with your face?"
Oh. She wouldn't like it if I laughed at her. Even my smile was too much and she narrowed her eyes at me.
Sophie: "Get out."
Sam: "Fuck you with my face?"
Sophie: "What else would you call it? And get out!" Sophie: "So help me God, Sam. If you don't let me suck your dick—"
The laughter barked out of me. Surprising. I mean…so fucking surprising. Wes: "Sam. I'm telling you, you have my permission. My blessing. Whatever. But…"
Sam: "But?"
He stood up from the desk, pushed through that boundary. I tensed.
Wes: "Right now, you're hurting her. I don't know what you did. Or what you're doing. But you're hurting her and you keep doing that and…you and me?"
I saw that kid on the basketball court, arguing with me about the free throw line. The one who told me not to steal from his family again. That he would help—anything I needed—but I had to ask.
Wes: "You and me will be over, Sam. I love you like a brother, but she's my sister and you keep hurting her and you're out in the cold." Mom: "I love you, Sam. I am so proud of you. There isn't a mother on this planet more proud of you."
Sam: "Am I getting buttered up for something?"
I looked at her through one narrowed eye.
Mom: "Let that girl go. All the way. Or love her the way she deserves. Otherwise…you're damning her to half a life."
Sam: "Half a life?"
I said like I didn't understand. But I did. This was my mother sitting here looking back with regret at the choices she'd made.
Mom: "I loved your father knowing he'd never love me the same way. The way I deserved. But he was so weak and I was even weaker—"
Sam: "Mom. Nothing about you is weak."
Mom: "That girl loves you, and she'll take anything you give her just so she can stay there. And if you let that happen, you're cruel. Your father is a weak man and he doesn't understand that. But you do."
A few days ago, before the party, I would have pretended not to understand. I would have told her our relationship wasn't like that. But the party had happened. This week had happened. And I'd tried to push her away with both hands. But Sophie…Sophie drove out here to sit by my mother's side. To help. And she'd do that every day if I wanted. And oh my God, did I want that.
Sam: "I love her,'
I whispered.
Mom: "I know."
Sam: "I mean. Like…love her."
Mom laughed and then stood up and put her hand on my face.
Mom: "I know. And she loves you. It's all right to let it happen."
Sam: "How?"
I asked, because that seemed to be the hard part.
Mom: "Stop fighting. Just stop fighting." I sucked in a breath.
Sophie: "You're ticklish."
Sam: "You try and you will be sorry."
Sophie: "Gonna kill me with your bare hands?"
Sam: "No, but you'll be bent over that counter and it will be my hand against your bare ass."
Sophie: "Is that supposed to deter me?" Sophie: "What…what does the brain damage do?"
Sam: "It can…fuck up how I feel. Someone can touch me, and even if I know it should feel good, some wire gets crossed and it's like my skin is trying to crawl off my body."
I shifted away but he put his hand down on my knee.
Sam: "And sometimes, with the PTSD and a shortened temper, I don't handle it well."
Every word was pulled from his lungs. I could hear it. Feel it.
Sam: "And I just thought you deserved to be with someone who felt what they were supposed to feel when you touched them."
Sophie: "I think I know what I deserve."
Sam: "Someone who could take off their shirt and not feel like a freak,"
he said, not listening.
Sophie: "Those are your words. Not mine."
Sam: "Who could be…easy with you."
Sophie: "I happen to like difficult,"
Sam: "I don't want to be difficult."
Sophie: "Stop. You're not…difficult. You're not. You're not damaged-"
Sam: "Sophie."
He said my name like a scold.
Sophie: "Not to me. Not to Wes. Your mom. The people at the company. To us you're not damaged." Sophie: "Do you trust me?"
I asked. Because really this was what it came down to in the end. We could go on and on about friendship and loyalty and helping each other when we needed it but if he wasn't ever going to trust me, we were done. Right now.
Sophie: "Really trust me. Not just to be good to you. But to know my own limits and boundaries and be good to myself."
Sam: "Yeah. I trust you."
Sophie: "Then you trust me to know what I deserve."
He laughed.
Sam: "I see what you did there. You're so clever, Soph."
Sophie: "I am,"
I said with a smile.
Sophie: "Do you love me?"
Sam: "So much."
I poked him in the chest.
Sophie: "That's what I deserve. Someone who loves me. It's what you deserve too." Sophie: "Oh, sweetheart—"
Sam: "Sweetheart? That's what we're going with? Sweetheart?"
Sophie: "You want me to give you a different pet name?"
Sam: "I always imagined being called babe."
Sophie: "This conversation is not happening." Sophie: "You talking about moving in?"
she asked, and I paused.
Sam: "I wasn't trying to jump ahead—"
Sophie: "Let's go get your stuff,"
Sam: "In a minute,"
I said, kissing my way down to those red socks I loved so much.
#alpha #agegap #armedforces #siblingbff #boss #friendstolovers #firstlove #squad #trauma #unrequited #wrongside

redpajama_set_name: RedPajamaCommonCrawl


clickfunnels and square There are several services with fantastic prospective that fall short due to the absence of expertise the founders have regarding marketing or really making a sale.
There will be lots of site visitors who come to see the automobiles, yet without that added press, there will certainly be no sales.
clickfunnels and square A site without a sales funnel is the very same, which is why you require to get Click Funnels in order to obtain the most number of sales feasible.
Click Funnels provide you with a pre-designed as well as well-curated sales funnel which will take your site visitors through a persuading trip that will certainly make them buy your product at the end.
clickfunnels and square Click Funnels have produced an array of sales funnels that can lead you to attain your purposes by taking your visitors through a well thought out sales funnels.
A sales channel favorably influences the idea procedure of your site visitors to make the choice to move forward with your purpose. This is essentially considering that little push a sales representative would give in a physical shop to finally compose the mindset to proceed with a purchase.
An internet site is similar to a digital shop, and also the purpose of placing a large financial investment into designing an internet site is to ultimately aid increase the income of your service. Most individuals, especially the start-ups as well as the entrepreneurs that are new to the online company world focus way too much on the looks of the design to think about whether it is reliable sufficient to really make a sale.
Drawing in new site visitors to the site is the initial as well as one of the most vital jobs that a sales funnel does. This is the mouth of the channel. This phase is narrower and in the following step of the channel as well as must be well preserved given that they are most likely to make an acquisition in the following few phases as long as you keep them impressed.
Closing is the last of a funnel where a lead becomes a consumer. They proactively make the order and acquire your item, sign up for your e-newsletter or generally do exactly what you meant them to do by producing the channel. Next level is client retention or maintaining them happy with your product or the acquisition, so they end up being return consumers.


text:
Rolf Tippkötter (* 30. Januar 1946 in Hannover),
ist ein deutscher Bodenkundler. Er lehrte an der Leibniz Universität Hannover, der Ruhr-Universität Bochum und an der Universität Bremen. Seine Forschungsschwerpunkte sind die Dynamik, Genese, Klassifikation, Verbreitung und ökologische Bewertung von Boden in Deutschland und China.

Lebensweg
Rolf Tippkötter wuchs in Hannover auf und beendete seine erste Schulausbildung 1963 an der Stresemannschule Hannover mit der Mittleren Reife. Es schloss sich eine Ausbildung als Farbenlithograph bei der Schmalbach AG (heute Silgan White Cap) und eine Tätigkeit in diesem Beruf bei der Großdruckerei Fehling an. 1967 gehörte er zu dem ersten Jahrgang des Hannover-Kollegs. Nach dem Abitur 1969 begann er ein Studium der Geographie, Geologie und Bodenkunde an der Leibniz Universität Hannover, das er 1974 mit einer geoökologischen Diplomarbeit abschloss. Seine Lehrer waren Horst Mensching, Hartmut Leser, Paul Schachtschabel und Prof. Hartge. Während dieser Zeit erwachte sein Interesse am Fach Bodenkunde. Seit 1971 arbeitete er zunächst als studentische Hilfskraft und später als wissenschaftlicher Mitarbeiter am Institut für Bodenkunde der Universität Hannover unter Prof. Graf von Reichenbach, bei dem er 1979 über ein bodengenetisches Thema über Schwarzerde-Kolluvien mit summa cum laude promovierte. Seine Zeit als Hochschulassistent an der Universität Hannover wurde durch einen zweijährigen Forschungsaufenthalt (1984–1986) im Department of Soil Microbiology des Macaulay Institutes for Soil Research (heute The Macaulay Land Use Research Institute) in Aberdeen, Schottland, unterbrochen. Nach seiner Rückkehr habilitierte er sich 1989 mit einer Schrift über die Eigenschaften von Mikroaggregaten in Böden. Sein Wirken als Privatdozent und Apl. Professor an der Universität Hannover unterbrach er für zwei Jahre als Professor für Bodenkunde an der Ruhr-Universität Bochum und ein Jahr als Mitarbeiter in der Bundesforschungsanstalt für Landwirtschaft in Braunschweig (heute Julius Kühn-Institut – Bundesforschungsinstitut für Kulturpflanzen).
Seit 1995, zuerst als Lehrbeauftragter und seit 1997 als Universitätsprofessor für Geoökologie, steht Rolf Tippkötter dem Institut für Bodenkunde an der Universität Bremen vor, welches von ihm gegründet und zusammen mit der stellvertretenden Institutsleiterin Heidi Taubner aufgebaut wurde.

Forschungsleistungen
Seine langjährigen Forschungsarbeiten entwickelten sich vom breiten Bereich der Bodengenese über die Mikromorphologie zur molekularen Bodenmikrobiologie. Für die Kombination von mikroskopischen und submikroskopischen Ansätzen mit den Methoden der molekularen Mikrobiologie entwickelte Rolf Tippkötter den Begriff Mikropedologie. Seine Leistung besteht darin, dass er die Böden und ihre chemischen und physikalischen Eigenschaften ganzheitlich betrachtet, die Ursachen für viele Prozesse jedoch in gleichem Maße auf der mikroskopischen Skala sucht.
Zusammen mit dem Max-Planck-Institut für Marine Mikrobiologie hat er Anfang dieses Jahrhunderts Methoden für die bodenkundliche Bewertung entwickelt, die international hoch anerkannt sind. Seit vielen Jahren beschäftigt sich Tippkötter nicht nur mit der molekularbiologischen Detektion von Bakterien, Archaeen und Pilzen im Boden, sondern auch als einziger mit der räumlichen Verteilung dieser Mikroorganismen im Boden. Er etablierte erstmals die räumliche Anwendung molekularbiologische Methoden (z. B. FISH, CARD-FISH) im Boden, um mit Hilfe der mikrobiellen DNA und RNA funktionelle Schlussfolgerungen zu erlangen, die auf der Grundlage der Kenntnis der jeweiligen bodenphysikalischen und -chemischen Eigenschaften der Habitate Hinweise auf die Optimierung des Bodenpotentials (Nährstoffe), bzw. auf Gefahrenpotentiale (z. B. Produktion von Kohlendioxid und Methan im Boden) geben.
Diese Arbeiten werden mit internationaler Kooperation durchgeführt, wobei vor allem chinesische Partner (Nanjing Agriculture University, Chinese Academy of Sciences, HITAR) genannt werden müssen. Es bestehen darüber hinaus Kooperationen mit den USA, Großbritannien, Finnland und Australien.

Weblinks

Mikrobiologe
Bodenkundler
Deutscher
Geboren 1946
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Élise Russis () es una deportista de Francia que compite en atletismo. Ganó una medalla de bronce en el Campeonato Mundial de Atletismo Sub-20 de 2021, en la prueba de salto con pértiga.

Referencias

Atletas de Francia


In DoubleClick for Publishers (DFP), a publisher has to add the names of the advertisers from which it is running multiple ads. For each of these advertisers, the publisher has to create an order which is basically a folder containing line items. A line item defines an advertiser's agreement with the publisher to buy the specific number of impressions ( for CPM), clicks ( for CPC) or time ( for CPD) during a certain time at a certain price. Each line item also includes details with respect to the positioning of the advertiser's ad and, optionally, the time of the week at which it will get showcased and also to whom it will be displayed.
The Deliver Impressions variable lets you choose how fast you would like your impressions to serve.
Let us consider a line item that has a goal of 10,000 impressions over a 10-day period.
Evenly: If a publisher chooses 'Evenly' from the list, it does not ensure an exactly even delivery but the delivery of the daily average which is 1,000 impressions, plus 5%. The daily average constantly changes depending on the number of impressions left to reach the goal. So, on the first day, it is 1,000 impressions plus 5%, i.e 1,050 impressions. On the second day, there are 8950 impressions left to reach the goal. So, the daily average becomes 994 plus 5%, that is 1044 impressions. This pattern continues for the rest of the days. This is how the 'Evenly' option works in DFP but on an hourly basis.
Frontloaded: The 'Frontloaded' option delivers the daily average impression goal plus 25% in the first half of the campaign, with a gradual reduction to the daily goal plus 5% in the second half. Using the same 10000-goal line item from earlier, on the first day 1250 impressions will be served. Now, 8750 impressions are left making the daily average 972 plus 25%, which means there are 1215 impressions are served on the second day. This pattern continues till day 5. On day 6, the line item takes the daily average and adds only 5%. DFP recognizes a Frontloaded line item as ahead of schedule in the second half. This means that if this line item competes with another on-schedule Standard line item, the latter will serve. Also, if Dynamic Allocation is enabled, a Standard line item set to 'Frontloaded' is most likely to serve over an AdSense/AdX line item in the first, but such may not be the case in the second half.
As fast as possible: A line item set to 'As fast as possible' is never considered to be on-schedule and serves an impression whenever it becomes eligible. There are no daily goals. If the line item has a goal of 10,000 impressions, it could meet its goal in the first day itself. 'As fast as possible' does not allow a line item to serve over another higher-priority line item; such a line item serves fast only when possible. Dynamic allocation can never be enabled as these line items are always considered to be behind schedule.
The 'Display Creatives' drop-down provides options that a publisher can choose to display the creatives in a line item in a certain order.
Only one: This will display only one creative from this line item on the page. If the line item has more than one creative, DFP will choose one from the lot.
One or more: This allows to display more than one creative from this line item on the page, although more than one is not guaranteed.
As many as possible: This displays creatives from the line items in as many ad slots as possible. This line item serves only when it wins for the first ad slot on the page where it's eligible to compete.
The 'Rotate Creatives' dropdown lets publishers choose how often a certain creative will be displayed over the others.
Evenly: This means that all creatives will be displayed for equal amounts of time over the entire course of a campaign.
Optimized: For a line item set to 'Optimized', DFP will identify the most popular creative based on click-through rate and display that creative for 75% of the time and the other creatives for the remaining 25% of the time. If DFP can detect a change in popularity, then it will adjust the optimization.
Weighted: This displays creatives depending on a display weight that the publisher will determine for each creative. To use the 'Weighted' method, select it from the dropdown, save the line item, and scroll up to the Creatives tab within the line item. There is a weighted column that will let a publisher determine a weight for each creative, ranging from 1 to 999. Suppose, a line item has four creatives with weights 10, 5, 15 and 10. The weights of all the creatives add up to 40. So the creatives with weight 10 will serve 25% of the time (10/40=25%), that with weight 5 will serve 12.5% of the time and the one with weight 15 will serve 37.5% of the time.
Sequential: This displays creatives sequentially according to the sequence number attached with each creative. To use this method, select Sequential from the dropdown, save the line item and scroll up to the Creatives tab within the line item. Here, you will see the Sequence column. The sequence can be adjusted by clicking on the numbers and typing in a new number. When the sequence number of one creative is changed, the other creatives adjust accordingly. The sequential function only works with cookies on the web and mobile web, mobile ad-IDs for in-app, and PPIDs when going cross-screen.
The settings 'Day and time' let the publishers choose on what days and at what times on those days they want the line item to serve. The publisher can also specify if the timings are with respect to the publisher's time zone or the user's time zone.
The 'Frequency' settings allow publishers to set a per-user frequency cap. Frequency caps can be combined to have more control. For example, if a publisher wants to have 1 impression per day and 15 impressions throughout the course of the campaign, that can be done here. Frequency capping relies on cookies, ad IDs and/or PPIDs.
Creating a line item and navigating through the line item settings is a huge part of how ads will look on your website, which in turn determine the amount of revenue generated. Line item delivery plays an important role in sustaining consummate user experience. So, this is a huge aspect of website monetization in DFP and it is very important for publishers to know about it in details. We hope this tutorial has been helpful and assists every publisher in creating line items.


A few people have asked me about how I generate the posts in this blog, so I thought I would try to capture that process here. The blog itself is generated by blogofile 1. Blogofile is a pure python, static blog generator. I will discuss the setup of that another time. Here I will focus on how the posts are written and published to the blog.
The posts in this blog were created using Emacs and org-mode 2. Basically I create a heading in org-mode (any level will do, but I usually make them top headings, i.e. with one *). The post can contain all the markup in org-mode that can be exported to HTML, including equations, code, links, and images. I set org-properties of the heading for the categories and tags of the post.
Blogofile wants a post to be a file in a specific directory called _posts . The file must have a YAML heading, followed by the body of the html that will be the post. So, to create a blogofile post, we have to export the org-mode heading to a properly formatted post file, in the _posts directory of the blogofile root. org-mode has an excellent export system for generating html, but I had to write some customized emacs-lisp code to get exactly what I want. That code is available at https://github.com/jkitchin/jmax/blob/prelude/blogofile.el. I am sure this code is not written most elegantly, but it has worked for me for about 186 posts (counting this one). This file gets loaded in my init.el file. It is very likely you will have to run a fairly modern version of org-mode (at least 8+) to do this. You will also probably need to configure your org-mode like mine to get similar looking results. My current setup builds off of Prelude3. The contents of the personal directory can be found here https://github.com/jkitchin/jmax/tree/prelude. I keep a git version of org in there.
Exports the heading body into an HTML string. If your post has images in it, there is an additional step required. In blogofile.el, I temporarily redefined org-html–format-image so that it would copy the image to the images directory in the blogofile root, and return a url that would be correct when it is published to github. My blog uses Mathjax, so equations are automatically handled correctly.
Combine the YAML heading and HTML string and save it to a file in the _posts directory.
I wanted the org-code for each post to be published on the blog so I also save the org-code to a directory in the blogofile root and add a link to it in the HTML file.
All of that action is written in a single command called bf-blogpost which I bind to the F10 key. So, after I am done with my blogpost, I press F10, and the post is created in my blogofile root directory. I find that pretty convenient.
Change into the blogofile root directory, and run "blogofile build" which generates the html files from the new _post. I can locally serve the blog to check out the post if I want.
Commit the new changes to the repository and push them to github. A few minutes later, the new post is visible on the website, which is hosted by GitHUB (Thanks GitHUB!).
This all works well on my windows machines. I don't know why, but I cannot build the blog on a Linux machine. Maybe because of mixed dos/unix line endings, or something silly like that.
After spending some time getting this workflow to work, I find it pretty convenient. I love that I can write the posts in org-mode, because most of them are about using python or emacs-lisp, and I like to have the code and output together with my narrative text. I also like that the actual org-code is available as a link in each post. That way if I don't remember how I did something I can always go back to the source, or my students can learn how I used org-mode.
One thing I have not figured out yet is how to have uploads, e.g. if I use a datafile in a post, it would be nice to have the blogpost function automatically copy that file to the right place so that the link to it works in the blog. I haven't needed that too often, so it has not been a high priority.
http://docs.blogofile.com/en/latest/ I have forked the repositories and slightly modified them to get tags working for my blog. Those repositories are at https://github.com/jkitchin/blogofile_blog and https://github.com/jkitchin/blogofile.


text:
История
КТВ & Телекабел ООД е дружество на БАЖДАРОВ ООД и ТЕЛЕКАБЕЛ АД, учредено през февруари 1995 г. в Пазарджик с фирма КТВ ООД. Дружеството е вписано в търговския регистър при Пазарджишки окръжен съд по фирмено дело № 185/1995 г. Първият управител е Веселин Баждаров. През 1998 г. съдружник в дружеството става Телекабел АД. Дружеството се управлява и представлява от Тони Баждаров и Ангел Василев заедно и поотделно.

КТВ & Телекабел ООД изгражда и поддържа най-голямата тогава кабелна мрежа за пренос на телевизионни програми и данни в Сливен, като не престава да разширява дейността си. През 2002 г. КТВ & Телекабел става Интернет доставчик, като успява за времето си да се утвърди и да заеме лидерската позиция в града. КТВ & Телекабел става обществен далекосъобщителен оператор съгласно обща лицензия 201-04797/19.01.2004г.

Регионална програма
Регионалната програма на кабелен оператор "КТВ и Телекабел" се излъчва в района на град Сливен. Телевизията излъчва от оборудвано студио намиращо се на ул. "Лъвова чешма" №2. Продължителността на програмата е 17 часа. В програмната схема се реализират собствени продукции на програма "КТВ и Телекабел", филмова програма, музикални клипове и реклама.

Собствената продукция включва регионални новини, публицистика, предаване за култура и сутрешен информационно-музикален блок. Част от продукцията на "КТВ и Телекабел" е съвместно подготвяната с клуб "Ритъм"-Сливен рубрика за деца "Весел зодиак". В програмата на телевизията се излъчват значими прояви от живота на града- концерти, шоу-програми и дискусии.

Новините на "КТВ и Телекабел"  са единствената телевизионна информационна емисия в града, те се излъчват всеки делничен ден от 19:00 часа и от 22:30 часа. Новините проследяват актуалното от света на политиката, обществото, икономиката, културата, спорта и т.н. случващо се в Сливен и региона.

Публицистичното предаване "Градът" се излъчва всеки четвъртък от 19:30 часа. Разисква актуални теми и коментира горещи новини.

Предаването за култура "Клуб Парнас" се излъчва всеки втори и последен вторник на месеца от 19:25 часа. Предаването проследява в близък план културния живот в града и разширява творческите портрети на културни дейци.

Сутрешният блок на "КТВ и Телекабел" -"Добро утро, Сливен" стартира през Октомври 1998 и се излъчва всеки делничен ден от 8:00 до 8:40 часа. Предаването има няколко информационни рубрики, рубрика за актуална и полезна информация, забавна рубрика.

Филмовата програма на "КТВ и Телекабел" включва разнообразни в жанрово отношение игрални, документални, научно-популярни и анимационни филми.

В ефира на "КТВ и Телекабел" се разпространява единствено българска поп и фолк музика. "КТВ и Телекабел" дава място и за развитие на бизнеса в региона чрез своите рекламни рубрики- реклама, реклама+, малки обяви.


The importance of running an efficient hospital cannot be underestimated. It literally can be the difference between life and death.
Many people feel strongly about the subject of hospital efficiency. Not only because hospitals save lives, but also because it's taxpayer money which helps to fund the services. This article explores some tips for running an efficient hospital.
One of the key roles for those running a hospital is to ensure that they are using their funds effectively. Hospitals which are run cost-effectively will eventually generate the funds to add new technology and help more people.
One way to improve the financial efficiency of a hospital is by ensuring that staff turnover is kept at a minimum. A high staff turnover can be disruptive and expensive for any business, but hospitals can be hit particularly hard if they lose staff with specialist skills.
Hospitals can keep staff turnover to a minimum by ensuring that their staffs are working in a well-run, pleasurable friendly environment.
Many hospitals tend to use agencies to employ low skilled staff such as cleaners, porters and maintenance workers in order to eliminate some of the effort and costs associated with the recruitment process. Using maintenance workers selected from a trusted maintenance management company, for example, can free up plenty of funds to be used elsewhere; whilst nearly always guaranteeing an efficient service.
A hospital cannot run efficiently if it is under-staffed. Not only do everyday processes take longer but it can also create an unwanted strain on medical personnel.
Well-run hospitals will make sure that it can afford to have enough staff on their books to avoid such a scenario. However, it is also important not to be over-staffed as this can create an unnecessary strain on hospital finances. Finding the right level of staff is key to for those hoping to run an efficient hospital.
This is another reason why many hospitals are keen to utilise agency staff. Agencies staff can be employed quickly and efficiently on a short-term basis during times when hospitals are in need of staff and sent away when they are no longer needed.
Many hospitals make the mistake of only assessing their efficiency when times are tough. By continuously assessing the efficiency of a hospital, those running it can ensure that they never find themselves in that position. It is also important to assess how departments outside of the medical team, such as accounting, HR and IT are performing and whether cuts might be more worthwhile there than on the hospital floor.
No matter how well-run a hospital may be, there is always room for improvement. If every hospital followed these tips, it could do a lot to improve the general state of British healthcare as a whole.


Today we will share with you an authentic Saigon-style Vietnamese Pork Chop Recipe (Sườn Nướng Cơm Tấm). If you have ever been to Vietnam, passing by an old-school street-side charcoal grill filled with irresistible aroma is not an uncommon occurrence. That's the famous Vietnamese BBQ Pork Chop well loved by food enthusiasts – locals and tourists alike.
This dish is made of freshly grilled pork cutlets imbued with hands-me-down Vietnamese marination technique. Note the specified amount of ingredients very carefully since the marination is what will make or break the final result.
Vietnamese Pork Chop can be enjoyed with accompanying broken rice (cơm tấm), shredded pork mixed with shredded pork skin (pork bì) and egg meatloaf (chả trứng). Without saying, a nicely mixed sweet and spicy fish sauce is a must for this delicacy. With that said, let's prepare the charcoal grill and start making Saigon-style Sườn Nướng Cơm Tấm!
Wash the pork cutlets and let dry.
Mix the following ingredients: minced garlic, shallots, 3g salt, 100g sugar, 100ml fish sauce, 2 tbsp honey, 2 tbsp condensed milk, 3g seasoning powder and 2 tbsp soda (Use Coke instead if soda is not available). Add 1 tbsp of rose cooking wine (This is a must-have to recreate the aroma of Vietnamese bbq pork chop). Mix well and blend the mixture in a juice blender until soft and smooth.
Wear a pair of plastic gloves and place the dried pork cutlets into a large bowl. Pour the blended mixture in and start massaging the cutlets for about 15 minutes so the ingredients are full absorbed. Add 2 tbsp chicken oil in and continue to massage the meat. Note: If there is no chicken oil available, use cooking oil instead but the taste will not be as savory.
Place some thin slices of lemons on the surface of the marinated cutlets, use a plastic wrap to cover the bowl and place inside a fridge to marinate overnight.
On the next day, take out the marinated cutlets and start grilling them on a plated brazier / charcoal grill.
First, grill the cutlets roughly then take them out. Dip into the marinated sauce before continuing to grill until golden brown and a strong flavorful aroma fills the air.
Enjoy the freshly grilled Vietnamese Pork Chops with broken rice, Vietnamese pickled vegetables, shredded pork skin and pork meat (bì).
The most important part of this recipe is the marination step so make sure you follow it to the letter. The fish sauce also needs to be just right in order to complete your authentic Vietnamese Pork Chops. Enjoy!


In a world where a man wakes up from a coma with a weird pink spaghetti arm coming out of his head, anything is possible, even mind reading. That's just the kind of place we're going to get to visit in Zoink! Studios' Stick it to the Man.
Revealed on the PlayStation Blog, Stick it to the Man is coming to the PlayStation 3 and PS Vita later this year. The game follows formerly comatose protagonist Ray as he tries to evade The Man and his agents, who are curious about his newfound abilities. Lucky for Ray, his new bizarre mutation allows him to read the minds of other people in the game. Not only can Ray use these hidden thoughts for puzzle solving, but he can actually just pull the thoughts straight out of others' minds, or input new thoughts entirely to get out of tight spots.
With dialogue written by 'Adventure Time' writer Ryan North, the game certainly has a unique charm, as you can tell in the above announcement trailer. The puzzle solving is very cleverly integrated by way of stickers, which Ray can use to control characters and the environment. Stick it to the Man won't be out for a few more months, but this debut trailer has definitely captured our attention.


Are you looking for an information/details about Jio KBC Play along?
Then you are at the right place. In this article, we have tried our level best to cover all possible information about Play Jio KBC Plays Along. If you find that we have Missed some information about jio KBC play along then you must comment on the article.
Further to the jio video call feature, jio seems to also be in plans of launching a brand new Jio KBC Play Along App feature to the jiochat app.
It is stated that this one will supply hundreds of thousands of Indians a possibility to play the KBC contest in along with Mr. Amitabh Bacchan as well as the hot seat contestant and the episode might be telecasted on television. With this feature, any network user from any part of the country Can win the big reward. But, it's important to download the jiochat app and logs into jio KBC play at the side of the app.
Jio KBC is an online game like Kaun Banega Crorepati live tv show. For playing this game you have to install jio chat app in your phone on the Content day they will give you a question which appears on the screen and you have to answer that question if you fail to give Answer or you gave the wrong answer then you will be out from the game.
Jio KBC PLAY along is a process for that you have to simply Jio KBC Play Along Download on your phone or you can open it if you already have Installed the app on your phone, on the contest day you will get question on your Jio chat app, now you have to just follow the instructions given on the screen of jio chat app and increase your chances for winning.
Big b Amitabh Bachchan's Kaun Banega Crorepati season 9 kick-started on Sony television. Contestants began gambling and now you can play along with them via downloading jio chat software. Jio KBC play alongside. It is it slow to check how a great deal money you could make in case you pass for the same questions. Now not simplest that, you may additionally play incredible Jio KBC play along Prizes by using playing the same. Play KBC 9 game live.
Only Jio customers can participate in the contest.
How To Play Jio KBC Play Along Effectively?
Do not leave the app, and you will see some live questions on the Jio KBC app's screen.
The app will automatically take you the next questions, now keep answering questions.
With every correct answer, your points will keep on increasing. Your points are accumulated throughout the KBC season.
Jio KBC along is the online game concept added through reliance jio messaging services Pvt Ltd. Communication. You can Play KBC 9 recreation in connection with the television contestant via the usage of jio KBC play along android of ios app.
Simply down load it to your mobile phone and you're correct to go together with the sport.
Winners will get Datsun RediGo car.
To win this game, you have to send the correct answer to a number given below from your jio sim.
Just send SMS KBC<space>A/B/C/D (Your answer) to 57666.
It is free of cost service as Jio doesn't charge anything for sending SMS.
A software will randomize all the numbers and it will pick any one entry.
If you are lucky enough, you will win Datsun car. Winners can not participate again in GBJJ contest.
How Does the Timer Work in Jio KBC Play Along?
For question 1 to 5, you will get minimum 15 second and maximum 30 seconds for answering.
For question 5 to 10 you will get 60 seconds as Because of the level is increasing, time is also increasing.
For question 10 to 15 you will get maximum 60 minutes in jio KBC along game but jio KBC game there was no time limit.
The audience can get points for each right answer.
Jio KBC Play Along Prizes will be revealed shortly.
The SMS will be sent for winners.
The points will be distributed for Rs 10000 question are 10 and 70,000 points will be allotted for 7,00,00,000 Worth question.
There is no lifeline for the jio KBC player.
Initially, Download JioChat app for Android / IOS (iPhone) gadgets.
Now, the audience can play KBC along with the contestants to earn points.
The whole Jio KBC play along side game could be segmented into rounds and various gamers can earn redeemable they take part. The winners might be introduced on the following day and all the winners of the ghar the jeeto could be presented a Datsun radio automobile.
Out of this season which name is known for a season?
30th August 2017 नौटंकी, तमाशा और जात्रा किसके प्रकार है?
1st September 2017 4K, HD aur SD Jaise Shabd inme se Kis Taknik ke Sath Jude Hai?
4th September 2017 इनमे से कौनसा पेय पौधे की पत्तियों से तैयार होता है?
5th September 2017 ICC champions trophy ke final me bharat ka match kis team ke sath hua tha?
6th September 2017 Once upon a time in India kis prassidh hindi film ka tag line hai?
7th September 2017 Question: In me se kis sangathan ke sadasya sirf asia ke desh hai?
8th September 2017 In me se kis masale ko zafran ke naam se bhi jaana jata hai?
11th September 2017 hanuman bhagwan vishnu ke kis avatar ke param bhakt the?
12th September 2017 In me se kis naam ka shabdik arth nadi hota hai?
For your each right answers, you will get some points. After finishing the game, you can redeem all the points. go chat in kbc The prizes are still not announced. The last day of points redemption is 31st December 2017. Winners will get an SMS containing the prize announcement. There is no lifeline in Jio KBC Play Along like the real game.
If the current question shows on TV is for Rs 20000, then you will earn 20 points.You can redeem all the points which you won from KBC season 9. The points can be redeemed before 31st December 2017.
Note: If the contestant answers current question, the timer of that question will not extend beyond that time on the Jio KBC app.
Answer – Only the person who are 18 years and above.
Answer – Yes, You will get same points as a Jio Customer.
Answer – There is no lifeline for players, who are playing the game via Jio Chat.
Note – The Surprising Prizes Names will be Revealed Soon. You Can Enjoy Playing KBC via JioChat App.
Your primary number will be considered as your identity. If you change your number, you will be considered as a new contestant.
Never change your number in between the contest if you want to score higher points in Jio KBC.
If you do not tap on "Lock It Down" after selecting the answer, your answer will not be count.
You can't use any lifeline on the Jio KBC app due to obvious reasons.
If you have given a wrong answer than you Have to wait for the next question, not next contestant.
In the above article, you will come to about Jio KBC Play Along Game which jio recently have launch you can play this game only by installing jio chat.
If you have been benefited by reading this article then share this article with your friend, family member etc. If you find that some information is missing in the above article then comment below the article. If you want more information like this then keep contact with us.
1 How to Play Jio KBC Play Along?
2 How To Play Jio KBC Play Along Effectively?
4 How Does the Timer Work in Jio KBC Play Along?


Drawing Hair Stylist Logo Lovely Haircuts Near Me Yelp Hair Salon Hairstyles most popular just for you from hair salon near me , source: fezfestival.org.
Photo Hair Stylist Yelp Luxury Haircuts Near Me Yelp Hair Salon Hairstyles the latest for you from hair salon near me , source: fezfestival.org.
Snapshot Hair Stylist Yelp Best Haircuts Near Me Yelp Hair Salon noblest specifically for you from hair salon near me , source: fezfestival.org.
Images Hair Stylist Yelp Inspirational Haircuts Near Me Yelp Hair Salon special specifically for you from hair salon near me , hair salon latino, hair salon virginia for family, hair salon color correction, source: fezfestival.org.
Picture Hair Salons Close to My Location Great Clips Hair Salons 68 W Jimmie best just for you from hair salon near me , source: walatragamat.com.
Portrait Be e Hair Stylist Lovely Haircuts Near Me Yelp Hair Salon selected specifically for you from hair salon near me , source: fezfestival.org.
Drawing hair extensions review 192 63 tubshroom the the latest for you from hair salon near me , hair salon london, hair salon regina, hair salon queenstown, source: pinterest.com.
Photograph Places to Get A Haircut Best Cute Hairstyles for Wavy Hair where best just for you from hair salon near me , hair salon york, hair salon yorkton, hair salon okc, source: ahmettufansenturk.com.
Images Hair Salons Around Me Opinion Spring – the Uk S First Dedicated selected for you from hair salon near me , source: kopetokei.com.
Picture 29 Awesome Haircut Places s noblest just for you from hair salon near me , source: walatragamat.com.
Picture 23 Simple Elegant Mens Hair Salon Beautiful leading specifically for you from hair salon near me , source: cadcialisonline.com.
Snapshot Hair Salons Around Me Opinion Spring – the Uk S First Dedicated best just for you from hair salon near me , hair salon croydon, hair salon arkansas, hair salon chika, source: kopetokei.com.
Drawing Haircuts For Kids Beautiful Kids Haircuts Near Me Haircut For Kids special specifically for you from hair salon near me , hair salon design ideas photos, hair salon hollywood, hair salon u of m, source: ahmettufansenturk.com.
Picture Be e Hair Stylist Lovely Haircuts Near Me Yelp Hair Salon selected just for you from hair salon near me , hair salon, source: fezfestival.org.
Drawing hair flip 246 63 hair follicle detox shampoo hair superior just for you from hair salon near me , hair salon durham nc, hair salon edmonton, hair salon nearby, source: pinterest.com.
Drawing Get A Haircut Near Me Hottest Hottest Fastrc Men39s Haircut Places selected just for you from hair salon near me , hair salon perm treatment, hair salon kaiserslautern, hair salon en, source: fastrc.info.
Illustration 9n Hair Color Easy Wavy Hair top Result Diy Hair Mask for leading for you from hair salon near me , hair salon, source: ussanchoragenavy.com.
Portrait 25 Awesome Stock Haircut Places Near Me the best just for you from hair salon near me , hair salon richmond va, hair salon charlottesville, hair salon edmonton, source: ex-darts.net.
Photo Hair Salons Open Near Me 2018 L I S A S M Y S T Y L I S T Home selected for you from hair salon near me , source: treatinfectionsonline.com.
Snapshot Medium Length Haircuts for Men Unique New Haircut Beautiful Luxury the latest just for you from hair salon near me , source: simplerecipes.club.
So, if you'd like to get the incredible pictures about (New hair salon near me), click save icon to save the images in your personal computer. There're all set for obtain, if you want and wish to take it, click save symbol in the article, and it'll be immediately downloaded to your laptop computer.
Lastly in order to secure unique and recent graphic related to (Awesome hair salon near me), please follow us on google plus or book mark this blog, we attempt our best to provide daily up-date with all new and fresh images.
Hope you like keeping right here. For most up-dates and recent news about (Unique hair salon near me) images, please kindly follow us on twitter, path, Instagram and google plus, or you mark this page on bookmark area, We attempt to provide you with up-date periodically with fresh and new pictures, love your exploring, and find the ideal for you.
hair salon business plan pdf, hair salon games, hair salon n myrtle beach, hair salon a cut above, hair salon vaughan, suggested.
Here you are at our site, contentabove (New hair salon near me) published by at . At this time we're excited to declare we have discovered an incredibly interesting nicheto be reviewed, namely (Inspirational hair salon near me) Many individuals looking for info about (New hair salon near me) and definitely one of them is you, is not it?
Related Posts of "Fresh Hair Salon Near Me"


A group of unlikely heroes comes upon a tip of a base from a former henchman of Chromebeard the Pirate. The base is revealed to be his submarine craft, The Bermuda Pyramid, which went silent 3 years before Ragnarok. In recent months, the Pyramid has begun to make new sounds of life, indicating that it may be more functional than previously thought. What could possibly go wrong?
Check out Boiling Point on Kickstarter!
This entry was posted in Base Raiders and tagged base raiders, combat, fate, investigation, one-shot, playtest, prefab, ross, superheroes. Bookmark the permalink. Follow any comments here with the RSS feed for this post. Leave a trackback: Trackback URL.
Unicorns are people to bigot.
Oh, Sparkles. Sparkles. Hearing someone meet Sparkles for the first time is always an experience of pure delight. Can't wait to run Base Raiders and have him show up.


Lonesome Dove is a book celebrating the memory of a breed which died out long ago, who had been dying out a while before the events of the book even started. A purely character-driven story, it shows both the joys and the misery of the old west, along with the heroes and villains who were around when it first began. They became respected or respectively feared as legends before their deaths, and despite the time passing, were forever restless.
Augustus McRae is the heart of the novel in terms of characterization – his humor and carefree attitude makes fun times, his honor is commendable, and his itch to argue and debate keeps the others on their toes. I personally loved the cold and unemotional Call who battled night and day with his personal demons – he had no issue spending his life roaming and finding new territories, but in his personal life he had strict barriers up against most people, unable to even set a foot in the right direction to cross and break those boundaries.
I found the friendship between Call and Gus beautiful, although Clara clearly didn't. She saw them as poisonous to each other by encouraging their roaming lifestyles, while in them I saw two last men standing together, Gus knowing how much Call needed him and knowing the man better than he knew himself. Their strong differences in personality were amusing, but what united them was stronger that was divided.
You have the two strong leaders that are paired with men riddled with fears, doubts, insecurities, and invulnerabilities. Newt was especially adorable as he tried to fit in; he was one of my favorites. The scene with the Indians and him losing the cattle was hilarious, the end with him and Call heartbreaking.
The women were…mixed. Elmira was about as much of a villain as Blue Duck, not in a violent way but horribly dislikable. Clara was strong and feisty, it was interesting being in her head. They all had their losses in the violent times, and hers were among the worse with her dead children. How sad! While she rocked in some ways, she turned me off in others. Lorena was interesting as she was so cold and cut off that it took me awhile to warm up to her and care much. Her plight during the story was harrowing and destructive. The ending with her was potently emotional.
While I enjoyed being in the head of most of the characters, there were a few I didn't care to be in the head of and my attention drifted. The book took a little long to get off, I was anxious for the journey to finally begin. When it did, it was fascinating – through horrible scenes that further cemented my snake phobia (terrible), wild animals, Indian wars and Indian alliances, betrayal among the men, weather realities, personal growth – for some a step forward, some a sad step backward.
Bountifully rich with strong characters, Lonesome Dove worked on so many levels than just that. Villains were purely bad through and through, and gloried in it. Heroes were pedestal worthy by legend but not in their own minds. The layers of how them reacted to their acknowledgement in town, to travels, to memories, was well structured. It was interesting in the last pages that when he planted the sign, that their names had been rubbed off. Even if the book is speaking of the living as they lived, there are always - whether in people or memories - ghosts flickering with them on the pages.
"The earth is mostly just a boneyard."


text:
Villes d'Autriche de plus de  :

Annexes

Sources

Liens externes

 Bureau des statistiques autrichien
 City Population

Autriche

he:אוסטריה#ערים


text:
peoplepill id: hugo-alvar-henrik-aalto
Finnish architect and designer (1898-1976)
Intro Finnish architect and designer (1898-1976)
Known for Vyborg Library, Finlandia Hall
A.K.A. Aruvā Āruto, Hugo Alvar Henrik Aalto
Was Architect Designer Urban planner
From Finland
Type Arts Creativity Engineering Social science
Birth 3 February 1898, Kuortane, Finland
Death 11 May 1976, Helsinki, Finland (aged 78 years)
Spouse: Aino AaltoElissa Aalto
Peoplepill ID hugo-alvar-henrik-aalto
Hugo Alvar Henrik Aalto ([ˈhuɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings, though he never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists. Among these were the Ahlström-Gullichsen family. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. Typical for his entire career is a concern for design as a Gesamtkunstwerk, a total work of art, in which he – together with his first wife Aino Aalto – would design the building, and give special treatment to the interior surfaces, furniture, lamps and glassware. His furniture designs are considered Scandinavian Modern, in the sense of a concern for materials, especially wood, and simplification but also technical experimentation, which led him to receiving patents for various manufacturing processes, such as bent wood. As a designer he is celebrated as the inventor of bent plywood furniture. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city Jyväskylä.
Auditorium of the Viipuri Municipal Library in the 1930s.
Alvar Aalto Studio, Helsinki (1954–56)
Main Building of the Jyväskylä University (1955)
Church of the Holy Ghost, Wolfsburg (1958-62)
Hugo Alvar Henrik Aalto was born in Kuortane, Finland. His father, Johan Henrik Aalto, was a Finnish-speaking land-surveyor and his mother, Selma Matilda "Selly" (née Hackstedt) was a Swedish-speaking postmistress. When Aalto was 5 years old, the family moved to Alajärvi, and from there to Jyväskylä in Central Finland.
He studied at the Jyväskylä Lyceum school, where he completed his basic education in 1916, and took drawing lessons from local artist Jonas Heiska. In 1916, he then enrolled to study architecture at the Helsinki University of Technology. His studies were interrupted by the Finnish Civil War, in which he fought. He fought on the side of the White Army and fought at the Battle of Länkipohja and the Battle of Tampere.
He built his first piece of architecture while a student; a house for his parents at Alajärvi. Later, he continued his education, graduating in 1921. In the summer of 1922 he began military service, finishing at Hamina reserve officer training school, and was promoted to reserve second lieutenant in June 1923.
In 1920, while a student, Aalto made his first trip abroad, travelling via Stockholm to Gothenburg, where he briefly found work with architect Arvid Bjerke. In 1922, he accomplished his first independent piece at the Industrial Exposition in Tampere. In 1923, he returned to Jyväskylä, where he opened an architectural office under the name 'Alvar Aalto, Architect and Monumental Artist'. At that time he wrote articles for the Jyväskylä newspaper Sisä-Suomi under the pseudonym Remus. During this time, he designed a number of small single-family houses in Jyväskylä, and the office's workload steadily increased.
On October 6, 1924, Aalto married architect Aino Marsio. Their honeymoon in Italy was Aalto's first trip there, though Aino had previously made a study trip there. The latter trip together sealed an intellectual bond with the culture of the Mediterranean region that remained important to Aalto for life.
On their return they continued with several local projects, notably the Jyväskylä Worker's Club, which incorporated a number of motifs which they had studied during their trip, most notably the decorations of the Festival hall modelled on the Rucellai Sepulchre in Florence by Leon Battista Alberti. After winning the architecture competition for the Southwest Finland Agricultural Cooperative building in 1927, the Aaltos moved their office to Turku. They had made contact with the city's most progressive architect, Erik Bryggman before moving. They began collaborating with him, most notably on the Turku Fair of 1928–29. Aalto's biographer, Göran Schildt, claimed that Bryggman was the only architect with whom Aalto cooperated as an equal. With an increasing quantity of work in the Finnish capital, the Aaltos' office moved again in 1933 to Helsinki.
The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, Helsinki, but later (1954–56) had a purpose-built office erected in the same neighbourhood – now the former is a "home museum" and the latter the premises of the Alvar Aalto Academy. In 1926, the young Aaltos designed and had built for themselves a summer cottage in Alajärvi, Villa Flora.
Aino Aalto died of cancer in 1949. Aino and Alvar Aalto had two children, a daughter, Johanna "Hanni", Mrs Alanen (born 1925), and a son, Hamilkar Aalto (born 1928). In 1952, Aalto married architect Elissa Mäkiniemi (died 1994), who had been working as an assistant in his office.
In 1952, he designed and built a summer cottage, the so-called Experimental House, for himself and his new wife in Muuratsalo in Central Finland. Alvar Aalto died on 11 May 1976, in Helsinki, and is buried in the Hietaniemi cemetery in Helsinki. His wife and the office employees continued the works of the office which were still in progress. In 1978 the Museum of Finnish Architecture in Helsinki arranged a major exhibition of Aalto's works.
Architecture career
Early career: classicism
Although he is sometimes regarded as among the first and most influential architects of Nordic modernism, closer examination reveals that Aalto (while a pioneer in Finland) closely followed and had personal contacts with other pioneers in Sweden, in particular Gunnar Asplund and Sven Markelius. What they, and many others of that generation in the Nordic countries shared, was a common classical education and an approach to classical architecture, that historians now call Nordic Classicism It was a style that had been a reaction to the previous dominant style of National Romanticism before moving, in the late 1920s, towards Modernism.
Upon returning to Jyväskylä in 1923 to establish his own architect's office, Aalto designed several single-family homes designed in the style of Nordic Classicism. For example, the manor-like house for his mother's cousin Terho Manner in Töysa (1923), a summer villa for the Jyväskylä chief constable (also from 1923) and the Alatalo farmhouse in Tarvaala (1924). During this period he completed his first public buildings, the Jyväskylä Workers' Club in 1925, the Jyväskylä Defence Corps building in 1926 and the Seinäjoki Defence Corp building in 1924–29. He entered several architectural competitions for prestigious state public buildings, in Finland and abroad. This included two competitions for the Finnish Parliament building in 1923 and 1924, the extension to the University of Helsinki in 1931, and the building to house the League of Nations in Geneva, Switzerland, in 1926–27.
This was the period when Aalto was most prolific in his writings, with articles for professional journals and newspapers. Among his most well-known essays from this period are "Urban culture" (1924), "Temple baths on Jyväskylä ridge" (1925), "Abbé Coignard's sermon" (1925), and "From doorstep to living room" (1926).
Facade of Baker House on the Charles River
The main auditorium of the Helsinki University of Technology (now Aalto University) in Otaniemi, Finland (1949–66)
House of Culture, Helsinki
The Aalto-Theater opera house in Essen, Germany
Early career: functionalism
The shift in Aalto's design approach from classicism to modernism is epitomised by the Viipuri Library in Vyborg (1927–35), which went through a transformation from an originally classical competition entry proposal to the completed high-modernist building. His humanistic approach is in full evidence in the library: the interior displays natural materials, warm colours, and undulating lines. Due to problems about financing and a change of site, the Viipuri Library project lasted eight years. During that time he designed the Standard Apartment Building (1928–29) in Turku, Turun Sanomat Building (1929–30) and Paimio Sanatorium (1929–32). A number of factors heralded Aalto's shift towards modernism: on a personal level, Aalto's increased familiarization of international trends, especially after travelling throughout Europe, but in terms of completed projects it was the client of the Standard Apartment Building giving Aalto the opportunity to experiment with concrete prefabrication, the cutting-edge Corbusian form language of the Turun Sanomat Building, and these were then carried forward both in the Paimio Sanatorium and in the ongoing design for the library. Although the Turun Sanomat Building and Paimio Sanatorium are comparatively pure modernist works, they carried the seeds of his questioning of such an orthodox modernist approach and a move to a more daring, synthetic attitude. It has been pointed out that the planning principle for Paimio Sanatorium – the splayed wings – was indebted to the Zonnestraal Sanatorium (1925–31) by Jan Duiker, which Aalto visited while under construction. While these early Functionalist works by Aalto bear hallmarks of influences from Le Corbusier, Walter Gropius and other key modernist figures of central Europe, in all these buildings Aalto nevertheless started to show his individuality in a departure from such norms with the introduction of organic references.
Through Sven Markelius, Aalto became a member of the Congres Internationaux d'Architecture Moderne (CIAM), attending the second congress in Frankfurt in 1929 and the fourth congress in Athens in 1933, where he established a close friendship with László Moholy-Nagy, Sigfried Giedion and Philip Morton Shand. It was during this time that he followed closely the work of the main driving force behind the new modernism, Le Corbusier, and visited him in his Paris office several times in the following years.
It was not until the completion of the Paimio Sanatorium (1932) and Viipuri Library (1935) that Aalto first achieved world attention in architecture. His reputation grew in the US following the invitation to hold a retrospective exhibition of his works at the MOMA in New York in 1938, which was his visit to the US. The significance of the exhibition – which later went on a 12-city tour of the country – is in the fact that he was the second-ever architect – after Le Corbusier – to have a solo exhibition at the museum. His reputation grew in the US following the critical reception of his design for the Finnish Pavilion at the 1939 New York World's Fair, described by Frank Lloyd Wright as a "work of genius". It could be said that Aalto's international reputation was sealed with his inclusion in the second edition of Sigfried Giedion's influential book on Modernist architecture, Space, Time and Architecture: The growth of a new tradition (1949), in which Aalto received more attention than any other Modernist architect, including Le Corbusier. In his analysis of Aalto, Giedion gave primacy to qualities that depart from direct functionality, such as mood, atmosphere, intensity of life and even national characteristics, declaring that "Finland is with Aalto wherever he goes".
Mid career: experimentation
During the 1930s Alvar spent some time experimenting with laminated wood, sculpture and abstract relief, characterized by irregular curved forms. Utilizing this knowledge he was able to solve technical problems concerning the flexibility of wood and also of working out spatial issues in his designs. Aalto's early experiments with wood and his move away from a purist modernism would be tested in built form with the commission to design Villa Mairea (1939) in Noormarkku, the luxury home of young industrialist couple Harry and Maire Gullichsen. It was Maire Gullichsen who acted as the main client, and she worked closely not only with Alvar but also Aino Aalto on the design, inspiring them to be more daring in their work. The original design was to include a private art gallery: this was not built. The building forms a U-shape around a central inner 'garden', where the central feature is a kidney-shaped swimming pool. Adjacent to the pool is a sauna executed in a rustic style, alluding to both Finnish and Japanese precedents. The design of the house is a synthesis of numerous stylistic influences, from traditional Finnish vernacular to purist modernism, as well as influences from English and Japanese architecture. While the house is clearly intended for a wealthy family, Aalto nevertheless argued that it was also an experiment that would prove useful in the design of mass housing.
His increased fame led to offers and commissions outside Finland. In 1941 he accepted an invitation as a visiting professor to Massachusetts Institute of Technology in the US. Because of the Second World War, he returned to Finland to direct the Reconstruction Office. Post war, he returned to MIT, where he designed the student dormitory Baker House, completed in 1949. The dormitory lay along the Charles River and its undulating form provided maximum view and ventilation for each resident. This building was the first building of Aalto's redbrick period. Originally used in Baker House to signify the Ivy League university tradition, on his return to Finland Aalto used it in a number of key buildings, in particular, in several of the buildings in the new Helsinki University of Technology campus (starting in 1950), Säynätsalo Town Hall (1952), Helsinki Pensions Institute (1954), Helsinki House of Culture (1958), as well as in his own summer house, the Experimental House in Muuratsalo (1957).
In the 1950s Aalto immersed himself in sculpting: wood, bronze, marble or mixed media. Among notable works from this period is the memorial to the Battle of Suomussalmi (1960). Located on the battlefield, it consists of a leaning bronze pillar on a pedestal.
Mature career: monumentalism
The early 1960s and 1970s (until his death in 1976) were marked by key works in Helsinki, in particular the huge town plan for the void in centre of Helsinki adjacent to Töölö Bay and the vast railway yards, and marked on the edges by significant buildings such as the National Museum and the main railway station, both by Eliel Saarinen. In his town plan Aalto proposed a line of separate marble-clad buildings fronting the bay which would house various cultural institutions, including a concert hall, opera, museum of architecture and headquarters for the Finnish Academy. The scheme also extended into the Kamppi district with a series of tall office blocks. Aalto first presented his scheme in 1961, but it went through various modifications during the early 1960s. Only two fragments of the overall plan were realized: the Finlandia Hall concert hall (1976) fronting Töölö Bay, and an office building in the Kamppi district for the Helsinki Electricity Company (1975). The Miesian formal language of geometric grids employed in the buildings was also used by Aalto for other sites in Helsinki, including the Enso-Gutzeit building (1962), the Academic Bookstore (1962) and the SYP Bank building (1969).
Following Aalto's death in 1976 his office continued to operate under the direction of his widow Elissa, completing works already (to some extent) designed. These works include the Jyväskylä City Theatre and Essen opera house. Since the death of Elissa Aalto the office has continued to operate as the Alvar Aalto Academy, giving advice on the restoration of Aalto buildings and organising vast archive material.
Furniture career
Model 60 stacking stools
Whereas Aalto was famous for his architecture, his furniture designs were well thought of and are still popular today. He studied Josef Hoffmann and the Wiener Werkstätte, and for a period of time, worked under Eliel Saarinen. He also gained inspiration from Gebrüder Thonet. During the late 1920s and 1930s he, working closely with Aino Aalto, also focusing much of his energy on furniture design, partly due to the decision to design much of the individual furniture pieces and lamps for the Paimio Sanatorium. Of particular significance was the experimentation in bent plywood chairs, most notably the so-called Paimio chair, which had been designed for the sitting tuberculosis patient, and the Model 60 stacking stool. The Aaltos, together with visual arts promoter Maire Gullichsen and art historian Nils-Gustav Hahl founded the Artek company in 1935, ostensibly to sell Aalto products but also other imported products. He became the first furniture designer to use the cantilever principle in chair design using wood.
Aalto's awards included the Prince Eugen Medal in 1954, the Royal Gold Medal for Architecture from the Royal Institute of British Architects in 1957 and the Gold Medal from the American Institute of Architects in 1963. He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1957. He also was a member of the Academy of Finland, and was its president from 1963 to 1968. From 1925 to 1956 he was a member of the Congrès International d'Architecture Moderne. In 1960 he received an honorary doctorate at the Norwegian University of Science and Technology (NTNU).
Aalto's career spans the changes in style from (Nordic Classicism) to purist International Style Modernism to a more personal, synthetic and idiosyncratic Modernism. Aalto's wide field of design activity ranges from the large scale of city planning and architecture to interior design, furniture and glassware design and painting. It has been estimated that during his entire career Aalto designed over 500 individual buildings, approximately 300 of which were built, the vast majority of which are in Finland. He also has a few buildings in France, Germany, Italy and the USA.
Aalto's work with wood, was influenced by early Scandinavian architects. His experiments and departure from the norm brought attention to his ability to make wood do things not previously done. His techniques in the way he cut the beech tree, for example, and also his ability to use plywood as structural and aesthetic. Other examples include the rough-hewn vertical placement of logs at his pavilion at the Lapua expo, looking similar to a medieval barricade, at the orchestra platform at turku and the Paris expo at the World Fair, he used varying sizes and shapes of planks. Also at Paris and at Villa Mairea he utilized birch boarding in a vertical arrangement. Also his famous undulating walls and ceilings made of red pine. In his roofing, he created massive spans (155-foot at the covered statium at Otaniemi) all without tie rods. His stairway at Villa Mairea, he evokes feelings of a natural forest by binding beech wood with withes into columns.
Aalto claimed that his paintings were not made as individual artworks but as part of his process of architectural design, and many of his small-scale "sculptural" experiments with wood led to later larger architectural details and forms. These experiments also led to a number of patents: for example, he invented a new form of laminated bent-plywood furniture in 1932 (which was patented in 1933). His experimental method had been influenced by his meetings with various members of the Bauhaus design school, especially László Moholy-Nagy, whom he first met in 1930. Aalto's furniture was exhibited in London in 1935, to great critical acclaim, and to cope with the consumer demand Aalto, together with his wife Aino, Maire Gullichsen and Nils-Gustav Hahl founded the company Artek that same year. Aalto glassware (Aino as well as Alvar) is manufactured by Iittala.
Aalto's 'High Stool' and 'Stool E60' (manufactured by Artek) are currently used in Apple Stores across the world to serve as seating for customers. Finished in black lacquer, the stools are used to seat customers at the 'Genius Bar' and also in other areas of the store at times when seating is required for a product workshop or special event. Aalto was also influential in bringing modern art to the knowledge of the Finnish people, in particular the work of his friends, Alexander Milne Calder and Fernand Léger.
Significant buildings
KUNSTEN Museum of Modern Art Aalborg, Denmark (1958–72)
Table and chairs designed by Alvar Aalto
Tea cart (tea trolley)
1921–1923: Bell tower of Kauhajärvi Church, Lapua, Finland
1924–1928: Municipal hospital, Alajärvi, Finland
1926–1929: Defence Corps Building, Jyväskylä, Finland
1927-1928: South-West Finland Agricultural Cooperative building, Turku, Finland
1927–1935: Municipal library, Viipuri, Finland (now Vyborg, Russia)
1928–1929, 1930: Turun Sanomat newspaper offices, Turku, Finland
1928–1933: Paimio Sanatorium, Tuberculosis sanatorium and staff housing, Paimio, Finland
1931: Toppila paper mill in Oulu, Finland
1931: Central University Hospital, Zagreb, Croatia (former Yugoslavia)
1932: Villa Tammekann, Tartu, Estonia
1934: Corso theatre, restaurant interior, Zürich, Switzerland
1936–1939: Ahlstrom Sunila Pulp Mill, Housing, and Town Plan, Kotka
1937–1939: Villa Mairea, Noormarkku, Finland
1939: Finnish Pavilion, at the 1939 New York World's Fair
1945: Sawmill at Varkaus
1947–1948: Baker House, Massachusetts Institute of Technology, Cambridge, Massachusetts, USA
1949–1966: Helsinki University of Technology, Espoo, Finland
1949–1952: Säynätsalo Town Hall, 1949 competition, built 1952, Säynätsalo (now part of Jyväskylä), Finland
1950–1957: National Pension Institution office building, Helsinki, Finland
1951–1971: University of Jyväskylä various buildings and facilities on the university campus, Jyväskylä, Finland
1952–1958: House of Culture, Helsinki, Finland
1953: The Experimental House, Muuratsalo, Finland
1956–1958: Home for Louis Carre, Bazoches, France
1956–1958: Church of the Three Crosses, Vuoksenniska, Imatra, Finland
1957–1967: Town center (Town library, Lakeuden Risti Church and central administrative buildings), Seinäjoki, Finland
1958: Post and telegraph office, Baghdad, Iraq
1958–1972: KUNSTEN Museum of Modern Art Aalborg, Aalborg, Denmark
1959–1962: Community Centre, Wolfsburg, Germany
1959–1962: Church of the Holy Ghost (Heilig-Geist-Gemeindezentrum), Wolfsburg, Germany
1959–1962: Enso-Gutzeit Headquarters, Helsinki, Finland
1962: Aalto-Hochhaus, Bremen, Germany
1964–1965: Institute of International Education, New York City
1965: Regional Library of Lapland, Rovaniemi, Finland
1962–1971: Finlandia Hall, Helsinki, Finland
1963-1968: Church of St Stephen (Stephanus Kirche), Detmerode, Wolfsburg, Germany.
1963–1965: Building for Västmanland-Dala nation, Uppsala, Sweden
1967–1970: Library at the Mount Angel Abbey, St. Benedict, Salem, Oregon, USA
1965–1968: Nordic House, Reykjavík, Iceland
1966: Church of the Assumption of Mary, Riola di Vergato, Italy (built 1975-1978)
1973: Alvar Aalto Museum, a.k.a. Taidemuseo, Jyväskylä, Finland
1970-1973: Sähkötalo, Helsinki, Finland
1959–1988: Essen opera house, Essen, Germany
Furniture and glassware
1932: Paimio Chair
1933: Model 60 stacking stool
1933: Four-legged Stool E60
1935–6: Armchair 404 (a/k/a/ Zebra Tank Chair)
1939: Armchair 406
1954: Floor lamp A805
1936: Aalto Vase
"God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper." Alvar Aalto, Sketches, 1978, 104.
"We should work for simple, good, undecorated things" and he continues, "but things which are in harmony with the human being and organically suited to the little man in the street." Alvar Aalto, speech in London 1957.
Critique of Aalto's architecture
As already mentioned, Aalto's international reputation was sealed with his inclusion in the second edition of Sigfried Giedion's influential book on Modernist architecture, Space, Time and Architecture: The growth of a new tradition (1949), in which Aalto received more attention than any other Modernist architect, including Le Corbusier. In his analysis of Aalto, Giedion gave primacy to qualities that depart from direct functionality, such as mood, atmosphere, intensity of life and even national characteristics, declaring that "Finland is with Aalto wherever he goes". However, a few more recent architecture critics and historians have questioned Aalto's position of influence in the canonic history. Italian Marxist architecture historians Manfredo Tafuri and Francesco Dal Co put forward the viewpoint that Aalto's "historical significance has perhaps been rather exaggerated; with Aalto we are outside of the great themes that have made the course of contemporary architecture so dramatic. The qualities of his works have a meaning only as masterful distractions, not subject to reproduction outside the remote reality in which they have their roots." Their viewpoint was propounded by their own priority given to urbanism, seeing Aalto as an anti-urban, and thus consequently disparaging what they regarded as peripheral non-urban areas of the world: "Essentially his architecture is not appropriate to urban typologies." Similarly concerned with the appropriateness of Aalto's form language, at the other end of the political spectrum, American postmodernist critic Charles Jencks made a claim for the need for buildings to signify meaning; however, he then lifted out Aalto's Pensions Institute building as an example of what he termed Aalto's 'soft paternalism': "Conceived as a fragmented mass to break up the feeling of bureaucracy, it succeeds all too well in being humane and killing the pensioner with kindness. The forms are familiar red brick and ribbon-strip windows broken by copper and bronze elements – all carried through with a literal-mindedness that borders on the soporific." But also during Aalto's lifetime he faced critique from his fellow architects in Finland, most notably Kirmo Mikkola and Juhani Pallasmaa; by the last decade of his life Aalto's work was seen as idiosyncratic and individualistic, when the opposing tendencies of rationalism and constructivism – often championed under left-wing politics – argued for anonymous virtually non-aesthetic architecture. Mikkola wrote of Aalto's late works: "Aalto has moved to his present baroque line..."
Alvar Aalto portrayed on a stamp published in 1976
Aalto has been commemorated in a number of ways:
Alvar Aalto is the eponym of the Alvar Aalto Medal, now considered one of world architecture's most prestigious awards.
Aalto was featured in the 50 mk note in the last series of the Finnish markka (before its replacement by the Euro in 2002).
The centenary of Aalto's birth in 1998 was marked in Finland not only by several books and exhibitions, but also by the promotion of specially bottled red and white Aalto Wine and a specially designed cupcake.
In 1976, the year of his death, Aalto was commemorated on a Finnish postage stamp.
Piazza Alvar Aalto, a square named after Aalto, can be found in the Porta Nuova business district of Milan, Italy
Aalto University, a Finnish university formed by merging Helsinki University of Technology, Helsinki School of Economics and TaiK in 2010, is named after Alvar Aalto.
An Alvar Aallon katu (Alvar Aalto Street) can be found in five different Finnish cities: Helsinki, Jyväskylä, Oulu, Kotka and Seinäjoki.
In 2017, the Alvar Aalto Museum launched Alvar Aalto Cities, that is, a network of cities containing buildings by Alvar Aalto. The objective of the network is to increase awareness of Aalto's work both in Finland and abroad. It is hoped that by combining forces on communications and marketing, the visibility and accessibility of exhibitions, tourist attractions and events will be improved. To date, the network city members are: Aalborg, Alajärvi, Espoo, Eura, Hamina, Helsinki, Imatra, Jyväskylä, Järvenpää, Kotka, Kouvola, Lahti, Oulu, Paimio, Pori, Raseborg, Rovaniemi, Seinäjoki, Turku, Vantaa and Varkaus. It is estimated that in total there would be 40 cities worldwide that would qualify as Alvar Aalto City.
Aalto, Alvar (1998). Schildt, Goran (ed.). Alvar Aalto in His Own Words. Helsinki, Finland: Rizzoli. ISBN 978-0847820801.
Alvar Aalto Museum (2011). "Alvar Aalto Museo" [Alvar Aalto Museum]. www.alvaraalto.fi.
Anderson, Stanford (2013). Fenske, Gail; Fixler, David (eds.). Aalto and America. Cambridge, MASS: MIT Press. ISBN 9780300176001.
Anon (2014). "Honorary Doctors". NTNU (in Norwegian). Archived from the original on 2 January 2014. Retrieved 10 September 2014.
Anon (2013). "Alvar Aalto : architect biography". architect.architecture.sk. Architecture.sk.
Anon. "Biography Alvar Aalto 1898–1976" (PDF). Vitra Design Museum.
Boyce, Charles (1985). "Aalto, Hugo Alvar Henrik (1899–1976)". Dictionary of Furniture. New York, NY: Henry Holt and Co. ISBN 0-8050-0752-0.
Brown, Theodore M. (1969). "Alto, Hugo Alvar Henrik". In Myers, Bernard S. (ed.). McGraw-Hill Dictionary of Art. I: AA-Ceylon. New York, NY: McGraw-Hill Book Company. LCCN 68026314.
Chilvers, Ian, ed. (2004) [1988]. "Aalto, Alvar". The Oxford Dictionary of Art (3rd ed.). Oxford, UK: Oxford University Press. ISBN 0-19-860476-9.
Enckell, Ulla (1998). Alvar Aalto: Taiteilija – Konstnären – The Artist. Helsinki: Amos Anderson Museum. ISBN 952-9531-25-7.
Heporauta, Arne (1999). Alvar Aalto: Arkkitehti / Architect 1898–1976 (in Finnish) (1st ed.). Helsinki, Finland: Rakennustieto. ISBN 951-682-546-X.
Eisenbrand, Jochen, ed. (2014). Alvar Aalto – Second Nature. Weil am Rhein: Vitra Design Museum. ISBN 978-3-931936-93-8.
Hipeli, Mia, ed. (2014). Paimio Sanatorium 1929-33: Alvar Aalto Architect Volume 5. Helsinki: Alvar Aalto Foundation. ISBN 978-952-267-074-8.
Holma, Marjo, ed. (2015). House of Culture. Jyväskylä: Alvar Aalto Museum.
Jencks, Charles (1973). Modern Movements in Architecture. Garden City, NY: Anchor Press. ISBN 978-0385025546.
Kairamo, Maija, ed. (2009). Alvar Aalto Library in Vyborg: Saving a Modern Masterpiece. Helsinki: Rakennustieto. ISBN 978-951-682-938-1.
Korvenmaa, Pekka, ed. (2004). Sunila 1936-54: Alvar Aalto Architect Volume 7. Helsinki: Alvar Aalto Foundation. ISBN 952-5498-03-4.
Laaksonen, Esa, ed. (2008). Maison Louis Carré 1956-61: Alvar Aalto Architect Volume 20. Helsinki: Alvar Aalto Foundation. ISBN 978-952-5371-43-7.
Labò, Mario (1968) [1959]. "Aalto, Hugo Alvar Henrik". In Crandall, Robert W. (ed.). Encyclopedia of World Art. I: Aalto-Asia Minor, Western. New York, NY: McGraw Hill Book Company, Inc. LCCN 59013433.
McCarter, Robert (2006). Frank Lloyd Wright. London: Reaktion Books. ISBN 978-1861892683.
Mikkola, Kirmo (1969). "Suomalaisen arkkitehtuurin ajankohtaista pyrkimyksiä". Arkkitehti (in Finnish). 66: 30–37.
Paatero, Kristiina, ed. (1993). The Line – Original Drawings from the Alvar Aalto Archive. Helsinki: Alvar Aalto Foundation. ISBN 951-9229-81-7.
Paavilainen, Simo, ed. (1982). Nordisk Klassicism – 1910–1930 [Nordic Classicism]. Helsinki: Museum of Finnish Architecture. ISBN 951-9229-21-3.
Pallasmaa, Juhani (1998). Alvar Aalto: Villa Mairea 1938–39 (2nd ed.). Ram Pubns & Dist. ISBN 978-9525371314.
Pelkonen, Eeva-Liisa (2009). Alvar Aalto: Architecture, Modernity, and Geopolitics. New Haven, CT: Yale University Press. ISBN 978-0300114287.
Schildt, Göran (1994). Alvar Aalto, A life's work: Architecture, Design and Art. Helsinki, Finland: Otava Pub. Co. ISBN 978-9511129752.
Suominen-Kokkonen, Renja (2007). Aino and Alvar Aalto – A Shared Journey – Interpretations of an everyday modernism. Helsinki: Alvar Aalto Foundation. ISBN 978-9525371321.
Tafuri, Manfredo; Co, Francesco Dal (1976). Architettura contemporanea [Modern Architecture] (in Italian). Milan: Electa.
Thorne, John, ed. (1984). "Aalto, Alvar". Chambers Biographical Dictionary (Revised ed.). Chambers. ISBN 0-550-18022-2.
Weston, Richard (1997) [1995]. Alvar Aalto. London, UK: Phaidon Press Limited. ISBN 978-0714837109.
Tourney, Michele (2013). "Book of Members, 1780–2010: Chapter A" (PDF). American Academy of Arts and Sciences. Retrieved 13 November 2013.
View Alvar Aalto 's image gallery
http://www.kirche-wolfsburg.de/gemeinde/gemeindedetails.php?ID=21
//doi.org/10.3992%2Fjgb.7.2.64
http://aalto-wolfsburg.com/content.php?id=kulturhaus
https://www.alvaraalto.fi/en/information/aalto-cities/
http://www.archdaily.com/356209/ad-classics-maison-louis-carre-alvar-aalto
http://www.alvaraalto.fi/
https://web.archive.org/web/20140102200919/http://www.ntnu.no/forskning/aeresdoktorer
http://www.ntnu.no/forskning/aeresdoktorer
http://architect.architecture.sk/alvar-aalto-architect/alvar-aalto-architect.php
http://www.design-museum.de/fileadmin/user_upload/Bilder/Ausstellungen/A62_Aalto/Biografie_Alvar_Aalto_EN.pdf
//lccn.loc.gov/68026314
English footballer
American singer-songwriter and actress
Mariska (rapper)
Finnish singer
Patrik Laine
Finnish ice hockey player
Outi Alanko-Kahiluoto
Finnish politician
Hannu Kivelä
Vuoden 2012 kunnanvaltuutettu, maanviljelijä
Krista Kosonen
Aimo Aho
Finnish javelin thrower
Tuomas Parkkinen
Finnish playwright and theatre director
Toni Kuusela
Finnish pesäpallo player and javelin thrower
Samuel Magnus Ehrenmalm
Finnish judge (1731-1814)
Markus Niemispelto
Finnish drummer
Markku DeFrost
Finnish musician
See trending people in Finland See trending people worldwide


It is RRSP season and this fits well there. Nice substitute for Canadian Corporate Bonds. It is US investment grade. MER is 0.28% He likes it because it is far more spread over sectors compared to Canadian indexes. This is hedged. Yield is a little over 3%.


FirmaVisage – Anti-Wrinkle and Superior Moisturizer for the Face Bruising, bleeding, or even infection from medical anti-wrinkle treatments can be a serious inconvenience for those seeking firmer, younger-looking facial skin. Now there's all-natural FirmaVisage ( Firma Visage ). This safe topical cream is clinically proven to gently and effectively reduce wrinkles and fine lines from all areas of the face and neck. The unique synergy created by the key ingredients in FirmaVisage can help decrease wrinkle volume, density, and visual appearance, while increasing the skin¹s firmness and synthesis of collagen. Plus, FirmaVisage's superior moisturizing ingredients will leave your face softer than you thought possible. Firma Visage Features Intensive Moisturizer Anti-wrinkle, skin tightening & restorative properties Will not clog pores Anti-aging and skin softening properties Contains cutting-edge ingredients that exceed those in Strivectin-SD Firma Visage Ingredients Key ingredients that focus on restoration and tightening of the skin: Palmitoyl Pentapeptide-3 (Matrixyl) Krill Oil DMAE Phyllanthus emblica L. Key ingredients that focus on intensive moisturizing and softening of the skin: Hyaluronic Acid Siegesbeckia Orientalis Extract Shea Butter Essential oils If you're considering a medical treatment for your facial wrinkles and fine lines, you owe it to yourself to try Life-Flo's safe (and affordable) alternative – FirmaVisage.
This entry was posted on Friday, July 6th, 2007 at 12:01 am and is filed under Skin Care.	You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.


If you can't attend the full day, join our 1-day worksheet attendees for lunch and learn the latest on Incoterms.
Incoterms are a set of rules which define the responsibilities of sellers and buyers for the delivery of goods under sales contracts. They are published by the International Chamber of Commerce (ICC) and are widely used in commercial transactions so whether you ship or receive, understanding Incoterms is important to your business.
Our presenter, Theresa has more than 15 years of International Freight Forwarding experience with Expeditors, having worked for the company in Miami, Rio de Janeiro, Guadalajara, and Seattle. In her current capacity of Air Export Manager, she works with exporters in Washington, Idaho, and Montana to find expedited shipping solutions to get their goods to overseas customers. In previous roles, her experience has been in a variety of areas and industries, including border brokerage, Mexican IMMEX regulations and management, ocean freight, trucking, in-bond operations, and customs, holding a license as a US Customs Broker. Theresa is a graduate from the Albers School of Business at Seattle University.


Leading Recovery-as-a-Service Provider Signs Exclusive Distribution Agreement with the World's Largest Technology Distributor to Accelerate Data and Application Protection to Organizations across U.S.
MOUNTAIN VIEW, Calif. – March 26, 2014 — /BackupReview.info/ — Axcient, the leading Recovery-as-a-Service (RaaS) provider, recently announced it has expanded its strategic alliance with Ingram Micro Inc., the world's largest wholesale technology distributor and leading cloud services aggregator and provider.
The new U.S. distribution agreement further positions Axcient to tackle the $26B industry for backup, disaster recovery and business continuity services and names Ingram Micro as the sole distribution partner for Axcient's RaaS solution. Ingram Micro was awarded the Axcient business because of the distributor's superior performance, proven cloud expertise, excellent partner support, broad reach and award-winning Cloud Marketplace. Since signing with Ingram Micro and the Ingram Micro Cloud Marketplace in 2012, Axcient's distribution business has grown by 400 percent.
By working together, Axcient and Ingram Micro are enabling U.S. channel partners with a leading RaaS offering that eliminates disparate traditional technology solutions such as backup, business continuity, disaster recovery and archiving. This collaboration empowers MSPs with an all-in-one solution to protect and recover data and applications.
As a leading cloud services aggregator and provider for the IT channel, Ingram Micro provides channel partners access to hundreds of leading cloud solutions via the Ingram Micro Cloud Marketplace, a transactional, online marketplace where channel partners can educate themselves, browse, buy, deploy and manage a comprehensive suite of cloud services with ease and efficiency directly from Ingram Micro. With a team of more than 120 dedicated cloud specialists, Ingram Micro helps channel partners establish their cloud practices and grow their annuity cloud revenue.
By building from the ground up and re-thinking the information management and business continuity needs of businesses, Axcient has created an entirely new type of platform for data and application protection that replaces traditional backup, business continuity, archiving and disaster recovery technologies. Built in the cloud, for the cloud, Axcient eliminates data loss, keeps applications up and running and makes sure IT infrastructures never go down. The Axcient cloud platform is so simple to install and use, it completely transforms the user experience.
Axcient will be sponsoring the Ingram Micro Cloud Summit 2014 in Hollywood, Fla., April 7 – 9 and the company's CEO Justin Moore will be participating in an executive panel on how channel partners can "rise above" in 2014 to build a more successful cloud services business.
Ingram Micro is the world's largest wholesale technology distributor and a global leader in IT supply-chain and mobile device lifecycle services.
Axcient is an entirely new type of cloud platform that eliminates data loss, keeps applications up and running, and makes sure that IT infrastructures never go down. Designed for today's always-on business, Axcient replaces legacy backup, business continuity, and disaster recovery software and hardware, and reduces the amount of expensive copy data in an organization by as much as 80 percent. By mirroring an entire business in the cloud, Axcient makes it simple to access and restore data from any device, failover IT systems, and virtualize your entire office with a click – all from a single duplicated copy. Trusted by thousands of businesses to store and protect more than 10 billion files and applications, Axcient maximizes productivity, reduces cost, and eliminates risk. The company is headquartered in Mountain View, Calif.
ExaGrid Disk Backup with Deduplication Now Available Through Ingram Micro Channel Partners in U.S.


text:
est un jeu vidéo de type dungeon crawler développé et publié par Sir-Tech en 2001. Le jeu est le huitième opus de la série Wizardry et le troisième de la trilogie du Dark Savant qui inclut également Wizardry VI: Bane of the Cosmic Forge et Wizardry VII: Crusaders of the Dark Savant. À sa sortie, il est bien accueilli par la presse spécialisée et est notamment élu meilleur jeu de rôle de l'année par le magazine Computer Gaming World et par le site GameSpot. Depuis 2001, le jeu est également disponible sur le site GOG.com et la plateforme Steam.

Références

Dungeon crawler
Jeu vidéo sorti en 2001
Jeu Windows
Jeu Mac
Jeu vidéo développé aux États-Unis
Jeu Sir-Tech
Wizardry


The Vetrano collection from Cuisinart adds innovative lines, looks, and textures to its expanding collection of cutlery block sets.
The Vetrano collection from Cuisinart adds innovative lines, looks, and textures to its expanding collection of cutlery block sets. New blade surfaces, unique textured handles, and a selection of both knife styles and block styles let consumers choose the cutting tools that fit their kitchen d?cor as well as your personal cooking styles.


text:
            <button type="button" class="navbar-toggle collapsed" data-toggle="collapse" id="btnnav_interior" data-target="#nav_interior" ng-click="isCollapsed = !isCollapsed">
                Toggle navigation

            </button>
            {{titleh2}}

{{strings.nav.events}} (current)

{{strings.nav.resources}} (current)

{{item.text}} (current)

    <accordion close-others="false">
        <accordion-group ng-repeat="registro in equipamientos" elemento="{{registro}}" heading="{{registro.title.value}}" is-open="registro.anyOldValue">
            <accordion-heading>
                {{ registro.title.value || registro.title }}

                     {{registro.tipo.value}}

            </accordion-heading>
            <content-item content="detalle" type="mapa-colaborativo" ng-controller="DetalleController"></content-item>
        </accordion-group>
    </accordion>

redpajama_set_name: RedPajamaGithub


The new slot game, Bird on a Wire is now flying at Mr Green! Try a spin today at this fun pursuit!
Look out for a new slot game that is flying high at Mr Green! This new slot, Bird on a Wire, has been created by the Swedish developer Thunderkick and is ready to spin. Rolling on 3x5 reels and offering 17 pay lines, Bird on a Wire offers its players a fun spin!
This slot has rather an unusual theme and hosts birds that land on wires. As birds in the game unfortunately get a shock on the wire, you the player may reap the benefits! Bird on the Wire boasts attractive 3D animations, other great features and hot free games!
Cool features may be found in this slot such as multipliers, bonus rounds, free games and dropping symbols. This game generates not only regular multipliers but also High Voltage Multipliers! Look out for the Bonus Cat symbols as finding at least three of them may trigger up to 34 free games!
If you are not already a registered player at Mr Green, you may sign up today and take advantage of a great welcome offer! As a new customer at this popular online gaming site, you may enjoy a 100% match bonus after making your first deposit at the site. In addition, you may also enjoy another benefit! You may get your hands on 10 free spins on Starburst, Fruit Shop and Scarface after depositing for the first time! What are you waiting for?
The new slot game Bird on a Wire is waiting for flocks of players at Mr Green!