Books published by PWR members.
Rossmoor residents and visitors who are looking for just the right gift for a neighbor, relative, or friend at the Fall Bazaar might go with a suggestion from the Published Writers of Rossmoor (PWR). Consider buying an author-signed book with a personalized dedication to the buyer or the recipient of the gift.
A variety of interesting, timely, and reasonably priced books, each the creative product of a PWR club member, will be on display at Rossmoor's 2017 Fall Bazaar on Saturday, November 4, 2016, from 9 a.m. to 2 p.m. in the Oak Room of Rossmoor's Gateway Clubhouse. Published Writers club member/authors will be at tables to display, discuss, and offer their books for sale.
Feel free to browse and ask the authors about their work and their writing careers. Their subjects cover the literary spectrum from humor to children and family relationships to travel, history and much more, both as fiction and nonfiction.
Click on the hyperlink to view the 2017 Fall Holiday Bazaar flyer.
For more information, contact the 2017 Fall Bazaar Coordinator, Lee Gale Gruen at gowergulch@yahoo.com.


text:
Q: express.static doesn't point to the right path I  get a problem every time I try to reach /about
This code works and all is fine
var express = require('express');
var path = require('path');

var app = express();                 // define our app using express

var port = process.env.PORT || 3000;        // set our port

console.log(path.join(__dirname, 'public'));

app.get('/', function(req, res) {
    res.sendFile(path.join(__dirname, 'public')+'/index.html');
 })
.get('/about', function(req, res) {
    console.log(__dirname);
     res.sendFile(path.join(__dirname, 'public')+'/about.html');
 })
.get('/signIn', function(req, res) {
    res.sendFile(path.join(__dirname, 'public')+'/signIn.html');
});

app.listen(port);
console.log('Magic happens on port ' + port);

but when I  try to place the public folder in express.static I get an error

"Error: ENOENT: no such file or directory, stat 'C:\about.html'
      at Error (native)"

var port = process.env.PORT || 3000;        // set our port
app.use(express.static(path.join(__dirname, 'public')));
console.log(path.join(__dirname, 'public'));

app.get('/', function(req, res) {
    res.sendFile('/index.html');
})
.get('/about', function(req, res) {
    console.log(__dirname);
    res.sendFile('/about.html');
})
.get('/signIn', function(req, res) {
    res.sendFile('/signIn.html');
});

app.listen(port);
console.log('Magic happens on port ' + port);

redpajama_set_name: RedPajamaStackExchange


text:
Q: Excel: Dynamically change chart calculation type based on what slicer value is selected I have a dashboard which tracks different financials for the company. One of the charts on this dashboard shows the annual totals for whatever value that the user selects in a slicer.
The problem that I'm encountering is the chart always shows the sum of the values from each month, when sometimes average would be more appropriate.
Is there a way to have the chart update the calculation type based on what slicer is selected?
Here is the code (not working properly) (credit to @ARich) :
Private Sub Workbook_SheetPivotTableUpdate(ByVal Sh As Object, ByVal Target As PivotTable)
    On Error GoTo err1
    Dim S   As Slicer
    Dim sI  As SlicerItem
    Dim PT  As PivotTable
'    Application.EnableEvents = False

    Set S = ThisWorkbook.SlicerCaches("Slicer_Type").Slicers("Type")

    For Each sI In S.SlicerCache.SlicerItems
        If sI.HasData And sI.Selected Then
            If sI.Caption = "Headcount" Then
                With Target.PivotFields("Sum of Value")
                        .Caption = "Average of Value"
                        .Function = xlAverage
                End With
                Exit For
            Else
                With Target.PivotFields("Average of Value")
                        .Caption = "Sum of Value"
                        .Function = xlSum
                End With
                Exit For
            End If
        End If
    Next
err1:
'    Application.EnableEvents = True
End Sub

A: In short: no. What you are looking for is an event that fires when you change from one slicer to another. But there is no event in Excel that captures the selection of a slicer or the activation thereof or any other usable event.
Yet, if you are willing to create your own slicer with a hovering form (modeless) then you would be able to capture that event.

A: As Ralph mentioned, there's no slicer selection events. However, there are pivot table events, one of which is the PivotTable_Update event. We can use this event to do what you're talking about:
Private Sub Workbook_SheetPivotTableUpdate(ByVal Sh As Object, ByVal Target As PivotTable)
    On Error GoTo err1
    Dim S   As Slicer
    Dim SI  As SlicerItem
    Dim PT  As PivotTable
    Application.EnableEvents = False

    Set S = ThisWorkbook.SlicerCaches(1).Slicers("YourSlicer")

    For Each SI In S.SlicerCache.SlicerItems
        If SI.HasData And SI.Selected Then
            If SI.Caption = "Your Criteria" Then
                Target.PivotFields("YourField").Function = xlAverage
                Exit For
            Else
                Target.PivotFields("YourField").Function = xlSum
                Exit For
            End If
        End If
    Next
err1:
    Application.EnableEvents = True
End Sub

The way this works is that each time you make a slicer selection, the slicer filters the pivot table(s) it's connected to. The act of filtering a pivot is considered an update to the pivot, so the pivot table update event is fired.
This code would be placed in the ThisWorkbook module of your workbook. (There's also a worksheet specific version of this event called Worksheet_PivotTableUpdate which you would place in the sheet module of the sheet your pivot table is on. The rest of the code would remain the same.)
You'll have to make a few changes to the code to fit your workbook. For example, I don't know how many slicer caches you have in your workbook, the code above uses the first one. You'll also need to change Slicer_Name to the name of your slicer with the criteria you want to use. This code assumes that only one slicer selection would be enough to tell whether or not to use an average or sum, but you could modify it to require several selections before changing the calculation type.


Sweden's National Rail Administration (Banverket) is in charge of approximately l0 000 km of railroad track, of which 750 km are restricted sections where chemical weed control may not be used. Each individual restricted part is relatively short (under 100 metres). Today, there is no weed control carried out in the restricted areas. In general, weed control is necessary because otherwise the safety of the track would deteriorate, with a growing risk for subsidence, engine skidding, and fire etc. Knowledge about the extent of the problems and the mechanisms behind how weeds affect embankments is very limited, however. When changing to non-chemical weed control, well established root-propagated weeds supplied by an extensive system of roots or stems in the embankment and adjoining areas, are difficult to combat. In gravel, however, a large part of the weeds come from weed seeds that have germinated in the surface of the gravel ballast. These weeds are easy to control if treatment is started when they are small. Preventive measures are used partly to prevent roots and underground stems from growing into the embankment and partly to prevent seeds from establishing themselves and germinating in the ballast surface. Examples of preventive measures are; changing/cleaning the ballast, using weed barriers and planting vegetation that competes with weeds on adjoining surfaces. Cleaning the ballast is too expensive a step to be motivated by weeds only. Using weed barriers should be a successful method if applied when building new constructions and in combination with ballast cleaning. In order to improve the effectiveness of the method, it is necessary to develop materials and construction methods further. In this report different non-chemical weed control methods are being compared from a technical, economical, environmental and working environmental point of view. The feasibility of brush weeding, flaming, hot air, hot water, steam, electrothermal weed control and UV-radiation for weed control on railway embankments is being discussed. Methods of controlling growing weeds can be divided into mechanical control and thermal control. Thermal control does not involve physical contact, that is, it can be carried out without any contact between machine and plant/embankment. Mechanical control, for example brushing, means that also the ballast material is being treated. Signals, poles, cables, switches etc. in the railway environment are obstacles and limitations to which new control methods must be adapted. When going over to new methods, it is important to know how these affect both the surrounding environment as well as the working environment for the employees who implement them. The working environment is to a large extent determined by the properties of the machines used and to a smaller extent by the control method. Since diesel is a common fuel, the emissions from the combustion engine represent a major influence on the environment. Improved purifying methods and, in the long run, the disuse of fossil fuels is a necessary development to reduce the burden on the environment. This study shows that for certain methods there is not enough material to evaluate their practical usefulness (for example UV-light). In other cases, the fundamental theoretical knowledge of the methods is fairly good, whereas the practical experience is inadequate as a basis for deciding to try them out on a large scale. The report gives suggestions for continued R&D-activities on both a long-term and a short-term basis in order to attain a more efficient exploitation of resources in a development phase. When introducing new methods, information material must be supplied aimed at target groups both among buyers and those who implement them. While this study was being carried out, several international contacts have been made and it is natural for this international exchange to be developed further in the continuing work with vegetation control on embankments.


April 14, 2019 Fitchburg St. at Bridgewater St.
B. Ferrell singled to right center; N. Cordeau advanced to second.
N. Milliard singled through the right side, RBI; B. Ferrell advanced to third; N. Cordeau scored.
V. Eramo flied out to cf, sacrifice fly, RBI; B. Ferrell scored.
N. Milliard advanced to second on a wild pitch.
J. Macomber singled to left field, RBI; N. Milliard scored.
B. Cuddahy walked; J. Macomber advanced to second.
M. Pingitore hit by pitch; B. Cuddahy advanced to second; J. Macomber advanced to third.
A. Bissanti singled to right center, 2 RBI; M. Pingitore advanced to third; B. Cuddahy scored; J. Macomber scored.
G. Cavaioli to p for S. Smeglin.
L. Bell advanced to second on a wild pitch.
L. Robinson singled through the right side; G. Sparkman advanced to second.
B. Lefebvre singled to first base, bunt.
T. Dasilva-M to p for G. Cavaioli.
V. Eramo singled up the middle.
B. Cuddahy singled to right field, RBI; V. Eramo scored.
L. Robinson singled to right center.
M. Pingitore reached first on a fielding error by 2b.
N. Cordeau singled through the right side; M. Pingitore advanced to third.
B. Ferrell flied out to cf, sacrifice fly, RBI; N. Cordeau advanced to second on the throw; M. Pingitore scored, unearned.
L. Bell singled to shortstop.
K. Bresciani reached first on a fielding error by 1b.
C. Hanna to p for T. Dasilva-M.
D. Riley pinch ran for B. Cuddahy.
B. Lefebvre singled to center field; D. Riley advanced to second.
J. Asencio to 1b for D. Riley.


I've built with jbosall-client.jar. Please help as I'm spending lot of time here.
could you provide the lookup code and details about your app (e.g. the JNDIView of your deployed bean)?
Second question: the JNDI view snippet does contain a binding for the remote interface (as it does for "local"). Did you just miss this line or is it not present in your JNDI view? How did you annotate the EJB + interfaces?
Third question: do you bind the EJB to the Environment Naming Context, or do you want to lookup it from global JNDI?
If you use the ENC, you should post either your jboss-app.xml or the binding annotations.
1. Changing the Context.URL_PKG_PREFIXES doesn't change anything.
Seems that JBoss does not handle your remote interface properly.
Could you make sure that the "@Remote" annotation is from the package "javax.ejb" (I saw cases where JBoss jars contained annotations with the same name in different packages, and maybe you imported the wrong one).
You probably also annotated the local interface with "@javax.ejb.Local"?
The remote interface contains methods?
Tests run: 2, Failures: 0, Errors: 1, Skipped: 0, Time elapsed: 0.421 sec <<< FAILURE!
testUnmarshall(fr.logica.cpv.client.TestModel) Time elapsed: 0.375 sec <<< ERROR!
Do you see anything which could be a problem here ?
But for JBoss 5.1, this is not necessary any longer I heard.
Could you verify that your client uses the same version of JBoss jars as the server, and that the ejb class files in your client are the same version as in the server?
Yes making sure that the client uses the same jbossall-client.jar as the server solves the problem. Looking at the jbossall-client.jar MANIFEST.MF, it says 5.1.0.GA. But using a dependency on that version of the artifact in the maven build raises the ClassCastException. The solution is to use the <scope>system</scope> in the maven build and this way it works. However, this requires a JBoss install on the client side and, even if this solves temporarily my problem, I think that there still exist a deeper implication. One couldn't assume that there is systematically a JBoss install on each client !
By the way, the mappedBy is supported by JBoss.


text:
import d3 from 'd3';
import React, { Component } from 'react'

class Timeline extends Component {
  constructor({data = []}) {
    super({data});
    const times = d3.extent(data.map(d => d.year));
    const range = [50, 450];
    this.state = { data, times, range};
  }

  componentDidMount() {

  }
}

redpajama_set_name: RedPajamaGithub


text:
Home » Newpages Blog » Cellist Daniel Sperry Makes Music Out of William Stafford Poetry
Cellist Daniel Sperry Makes Music Out of William Stafford Poetry
Daniel Sperry, a quirky 59-year-old cellist, composer and spoken word artist, from Ashland, Oregon has recently received permission through the Permissions Company of Mount Pocono, PA, on behalf of the William Stafford Family Trust, to undertake a musical body of work with the poetry of William Stafford, America's first poet laureate, as its centerpiece.
The end result of the project is that people will come to a show that is incredibly entertaining, deep, and joyful. Stafford's words are just the vehicle to carry a thread of discovery about life, and the music will carry that feeling. Each member of the audience will leave transformed from the connection to that special quality that comes through the words and through the music. Daniel's mission is to bring that sense of connection that the world needs now, through music and great poetry, sung and played by vibrant, masterful musicians.
Daniel recently completed 200 concerts in living rooms around the country, traveling solo in his 200 Toyota Sienna van, couchsurfing along the way, sharing his original cello music and the poetry of Rumi, Hafiz, David Whyte, William Stafford and others. His current catalogue of creative work consists of two spoken word CDs and four instrumental CDs.
The new project focuses on the poetry of Willam Stafford, the reknowned American poet and author of some 20,000 poems. Stafford would have been 100 this year, and his poetry is being celebrated all over the world.
The goal of Daniel's Stafford Project is production of a CD, which will include 12 of Stafford's poems, the formation of a band with four vocalists, three cellos, mandolin, banjo, piano and upright bass and the production of a video featuring the new group. The band will be touring in performing arts centers around the country. This production is being funded by a Kickstarter Crowdfunding Campaign.
The funding through Kickstarter ends July 31st. The goal is to raise $6000 by then.
The recording will take place both in Nashville, TN, and in Ashland, OR.
Daniel's goal is to make great poetry available as a performance art in a fun, beautiful, entertaining setting that can be enjoyed by an audience of all ages.

redpajama_set_name: RedPajamaCommonCrawl


text:
The Land of Long Shadows è un film muto del 1917 sceneggiato e diretto da W. S. Van Dyke.  Prodotto dalla Essanay di Chicago, fu l'esordio nella regia di Van Dyke che aveva iniziato la sua carriera cinematografica nel 1915 come assistente di Griffith in La nascita di una nazione.

Trama

Produzione
Il film fu prodotto dalla Essanay Film Manufacturing Company.

Distribuzione
Distribuito dalla K-E-S-E Service, il film uscì nelle sale cinematografiche USA il 18 giugno 1917. Nel 1919, ne fu curata una riedizione distribuita dalla Victor Kremer Film Features.

Note

Voci correlate
Filmografia della Essanay

Altri progetti

Collegamenti esterni

Film drammatici

redpajama_set_name: RedPajamaWikipedia


text:
Physiology I
Miniscope Imaging
Single unit silicon probe recording
Interneuron diversity
2-Photon population imaging of the denatate gyrus – from microcircuit function to control of behaviour
Connectivity of Neuronal Microcircuits
Team Prof. Bartos Lab
PD Dr. Armin Just
Emmy-Noether Research Group Dr. Julia Veit
Research Group Jonas Sauer
Research Group Claudio Elgueta
Interneuron Synaptic Plasticity - FOR 2143
NeuroForum Freiburg
Neuroscience in Freiburg
Interneuron Morphology Database
Physiology II
BKca-channels: After all it's Ca2+ only
Mechanism of GABAB Receptor desensitization - KCTD-action on G Protein βγ Subunits
Automated Formation of Lipid Membrane Microarrays for Ionic Single-Molecule Sensing with Protein Nanopores
Cornichon 2 - distinction between fast and slow EPSCs
Spatial and temporal dynamics of the AMPA-Receptor Proteome
Membrane Physiology and -Technology
MemPhysTech News
Prof. Jan C. Behrends
Neocortical Circuits
CV Prof. Letzkus
Renal Hemodynamics
Publications A. Just
Cortical Communication
Membrane Proteomics
Nanopore Arrays
Dr. Gerhard Baaken
Institute of Physiology
Hermann-Herder-Str. 7
Prof. Dr. Marlene Bartos
Tel.: +49 (0)761 203 5194
Fax.: +49 (0)761 203 5204
Prof. Dr. Bernd Fakler
Tel. +49 761 203-5176
Fax +49 761 203-5191
You are here: Home › Research Groups › Membrane Physiology and -Technology › Team › Prof. Jan C. Behrends
Jan C. Behrends, MD
Professor of Physiology
Hermann-Herder-Str. 7, 79104 Freiburg, Germany
Tel.: +49 761 203 5146 Fax: +49 761 203 5147
Email: jan.behrends[at]physiologie.uni-freiburg.de
Other affiliations:
Scientific Member, Freiburg Centre for Interactive Materials and Bioinspired Technologies (FIT)
Scientific Member, Freiburg Centre for Materials Research (FMF)
Associate Member, Center for Nanoscience (CeNS), LMU Munich
Biosketch
Jan C. Behrends studied Medicine at the University of Munich, Germany, spending a year as a Research Student at the Dept. of Physiology of Kyushu University, Japan. In 1993, he defended a thesis in Experimental Neurophysiology on "Mechanisms of Calcium-Dependent Regulation of Neuronal Excitability" and was awarded the degree of Doctor of Medicine (summa cum laude). From 1992 to 1994 he was an INSERM fellow at the Institut Pasteur, Paris, France and from 1994 to 1995 a fellow of the German Research Council (DFG) at the Max-Planck Institute for Psychiatry in Martinsried near Munich. He then returned to the University of Munich as Research Associate and Assistant Professor (1997), obtained his Habilitation in Physiology with a Thesis on "Inhibitory Synaptic Transmission: Elemental Events and Functional Principles" in 2002 and was appointed Professor of Physiology at the University of Freiburg in 2003.
His research focuses on cellular and membrane electrophysiology including mechanisms of synaptic transmission as well as on the development of novel experimental tools for electrophysiology, biophysics and nanoscience, including automated higher-throughput patch-clamp and lipid bilayer recording systems.
In 2002, he co-founded Nanion Technologies GmbH, a start-up of the University of Munich, now one of the leading manufacturers of automated (planar) patch clamp devices. He is a scientific member of the Freiburg Materials Research Center (FMF) and an associate member of the Center for Nanoscience (CeNS) at the University of Munich. He was a member of the founding Board of the Freiburg Centre for Interactive Materials and Bioinspired Technologies (FIT). He is academic mentor of the start-up project Ionera in the Exist Technology Transfer Program of the Federal Ministry of Commerce (BMWi)and co-founded Ionera Technologies GmbH as a start-up of the University of Freiburg in January 2014.
He shared the Genius Biotech Award Baden Württemberg in 2001, was a Finalist of the German Future Award 2007 (Federal President's Award for Science and Technology) and in 2009 shared the German Founder's Award. In 2013 he shared the Innovation Award of the City of Freiburg.
Copyright © 2011–2022 Institute of Physiology II, University of Freiburg


text:
namespace brandy
{
  // ---------------------------------------------------------------------------

  class function_return_visitor : public ast_visitor
  {
    virtual ast_visitor::visitor_result visit(function_node *node);
    virtual ast_visitor::visitor_result visit(lambda_node *node);
    virtual ast_visitor::visitor_result visit(property_node *node);
  };

  // ---------------------------------------------------------------------------
}

// -----------------------------------------------------------------------------

#endif


arrangements in connection with the competition.
K.N.V.B. Each team must designate one person to act as linesman.
to participate in this tournament.
within all other facilities available to the group.
participate in only one team during the whole tournament.
M 1 x 25 min.
7. Placing matches - preliminary rounds.
most goals scored 3) the result of the mutual match 4) the drawing of lots.
International Football Association Board in order to determine the winners.
Association Board in order to determine the winner.
8. Team Sheets and Substitutions.
may be played at any time during the game.
9. Every team is obliged to bring a second choice strip of contrasting colour.
too similar then the team mentioned first in the programme must change.
not eligible to play in their team's next game.
these reports to the National Associations concerned.
automatically its match with the result 0-3.
shall be final and binding, therefore protests in this area are not accepted.
competition schedule should unforeseen circumstances occur.
also not responsible for personal harm or injury to participants.


text:
Q: iptables make server connection very slow When I add iptables rules to the server (on a local network), the connection becomes very slow. This is confirmed for both SSH (logging in goes much slower), and MySQL (websites use this server as their MySQL database server, and this connection is also very slow). The odd thing is, AFAIK there are no rules set that limit the speed in any way. I'm only restricting access. This is the ruleset:
$ iptables -L
Chain INPUT (policy ACCEPT)
target     prot opt source               destination
ACCEPT     tcp  --  localnet/24          anywhere            tcp dpt:www
ACCEPT     tcp  --  localnet/24          anywhere            tcp dpt:mysql
ACCEPT     tcp  --  localnet/24          anywhere            tcp dpt:22
DROP       all  --  anywhere             anywhere

Chain FORWARD (policy ACCEPT)
target     prot opt source               destination
ACCEPT     all  --  localnet/24          anywhere            ctstate NEW
ACCEPT     all  --  anywhere             anywhere            ctstate RELATED,ESTABLISHED

Chain OUTPUT (policy ACCEPT)
target     prot opt source               destination

Note: in addition to SSH and MySQL, I also limit access to Apache, as can be seen. This is not slowed down and appears to be working just fine. And to give an indication of what is slow: connecting to SSH hangs for 10-15 seconds before continuing, and establishing a MySQL will slow down webpages about 15-60 seconds.
Note 2: these are all the iptables rules in the firewall (FORWARD rules are there to share internet). If I simply flush it, SSH/MySQL become instantly responsive.

A: It almost sounds like DNS queries are not succeeding and timing out.  You might need a RELATED,ESTABLISHED rule in your INPUT chain to allow DNS responses to get back to your SSH and MySQL servers.

A: I found solution from another Answer
add RELATED,ESTABLISHED  rule
iptables -A INPUT -m state --state ESTABLISHED,RELATED -j ACCEPT

reason I faced same problem I changed iptables policy to reject all connections
iptables --policy INPUT DROP

^^ this cause the problem and the above code solve it .


Poster advertising the ferry services run by the Southern Railway.
The Canterbury was launched in 1929 as the ship for the Golden Arrow luxury London to Paris service run by Southern Railway. Autocarrier was the first purpose-built car ferry, launched by Southern Railway in response to Townsend's 'Artificer', in 1931.
Passenger traffic had reached such proportions that trains and ferries were often overcrowded and queues at Customs, etc., were huge. To improve this the luxury first-class service was introduced, London to Paris, using an English Pullman train the Golden Arrow and a French counterpart the Fleche d'Or. Passengers not only had their own train and ship but also their own Customs examination. The service ended in 1972.
Steel twin screw steamer, built and engined by Dennys of Dumbarton for S.R. in 1929. Launched 13/12/1928.
Specially built for the Golden Arrow luxury service between London and Paris, she was originally for First-Class passengers only. After trials on the Clyde she arrived in Dover on 29/4/1929 making her maiden voyage to Calais on 15 May with the inaugural Golden Arrow train. From 15/5/1932 she also carried 2nd class passengers.
In Sept. 1939 she was converted to a troop transport and rescued several thousand troops at Dunkirk in 1940, also serving in the Normandy D-Day landings in 1944. After this she ferried troops between Dover and Ostend and switched to Folkestone in May 1945 as a Leave ship.
2 sets 4-cylinder triple-expansion engines of 154 H.P.
Official trials 23/3/1931, averaging 16 knots. Originally designed as a cargo ship she was altered to a car-carrier before building. Arrived Dover on 26/3/1931, making her maiden voyage to Calais on the 30th. She switched to Folkestone-Boulogne every winter. Rescued troops at Dunkirk in 1940 and was later fitted out as a recreation ship for Royal Navy. Refitted in 1945 she was put into service as a cargo ship out of Southampton, returning to the Dover-Calais run on 15/5/1946. Transferred to Folkestone on 1/8/1946, back to Dover in July 1947, back to Folkestone in 1948 and in 1949 was moved to Southampton. In 1950 she yet again returned to Dover but in 1951 became a cargo ship on Folkestone-Calais and then in 1952 a car ferry on same run. In July 1954 she was sold by B.R. (British Transport Commission) to Belgian shipbreakers van Heyghen Freres and was towed from Dover on 6/8/54 to Antwerp.


If you have any enquiry about quotation or cooperation, please feel free to email us at xrg@nt-yuefeng.com or use the following enquiry form. Our sales representative will contact you within 24 hours. Thank you for your interest in our products.


My goal is to provide high quality genealogy research at a reasonable cost to fit your budget. I charge an hourly rate plus expenses. Expenses include parking, copies, postage, and travel expenses (if applicable). I require a minimum deposit of $100 or half the amount of the agreed upon research time, whichever is greater. I do not charge for the initial consultation.
During our initial consultation (phone, email, or in person), we will discuss and agree upon specifics of the research, research time, and any background information required.
I am located in Monaca, Beaver County, Pennsylvania. I specialize in genealogy research in Western Pennsylvania, specifically Beaver, Allegheny, Lawrence, and Washington Counties. I do not charge travel expenses for research within Beaver County but do charge for research within Allegheny, Lawrence, or Washington Counties.
Please contact me for more information or to discuss your genealogy research project.
I will provide a research report with findings, sourcing, and documentation.
For questions or to discuss details of my services, please contact me.
I am looking forward to helping you with your family tree!
Copyright 2015 Kerry A. Coombs, Genealogy Research. All rights reserved.


text:
Jordi Cadena i Casanovas (Barcelona, 11 de març de 1947) és un director, guionista i productor de cinema català.

És un dels cineastes catalans contemporanis més importants, finalista dels premis Gaudí per Elisa K i La por, des del 1967 té un recorregut amb títols imprescindibles com És quan dormo que hi veig clar o La senyora, retrats de pintors extraordinaris com Guinovart, Tharrats o Vilacasas, documentals com Nits de Jazz o l'històric que va fer amb l'Albert Abril sobre la Diada de Catalunya del 1977. Ha sigut professor de Guió i Direcció a la Universitat Pompeu Fabra i a l'Institut Politècnic Sant Ignasi.<ref name=Dossier>{{ref-web|url=yakima-films.com/elspassosperduts/dossierpremsa.pdf|títol=Dossier de premsa del fils Els passos perduts"|editor=Yakima Films}}</ref>

És la parella de Judith Colell, amb qui resideix a Sant Cugat del Vallès.

 Carrera
Després d'estudiar dret i periodisme, i gràcies a una beca de la Fundació Castellblanch, realitzà pràctiques de direcció a Varsòvia amb Krzysztof Zanussi. Treballa com a professor de guió i direcció a la Universitat Pompeu Fabra i a l'Institut Politècnic Sant Ignasi.

Va començar rodant els documentals: Alegría de la confusión (1974) i Taller y obra de Vila Casas (1975). El 1975 va fundar amb Pepón Coromina la productora de curtmetratges Ona Films, amb la que va dirigir Diada nacional de Catalunya 1977 (1977), dirigida amb Albert Abril, Casc Antic (1978), Setmana de la sanitat (1978), El dia del llibre (1982) i S'Ullestar s/n (1984). En la seva joventut va voler fer "un altre cinema", com ho testimonien curts inacabats de principis dels 70 sobre joves universitaris que va reprendre el 2010 amb Els passos perduts.

El 1977 es va donar a conèixer com a director amb el primer llargmetratge L'obscura història de la cosina Montse, protagonitzada per Ovidi Montllor, Ana Belén i Christa Leem, que adapta per primera vegada una novel·la de Juan Marsé al cinema. Va ser la pel·lícula pionera de la transició en el cinema de ficció en català, fet que va provocar moltes polèmiques. El 1980 escriu i dirigeix, al costat de Domènec Font, Octavi Martí i Ramon Sala, un episodi del llargmetratge Objetivo: Sexo. El 1981 estrenà Barcelona sud, un thriller amb quinquis, retrat dels barris baixos barcelonins amb un toc feminista, ja que compta amb la novetat que els protagonistes són dues dones i no la parella habitual de gàngster i policia.

Sis anys més tard va aconseguir un èxit comercial amb els desitjos morbosos de La senyora, a major glòria de Sílvia Tortosa, que es va poder veure a vint-i-un països i va recaptar a Espanya cent milions de pessetes.

Però Cadena es va revelar pròpiament com a cineasta amb És quan dormo que hi veig clar, un film de culte d'art i assaig en blanc i negre i en el qual va afrontar el repte d'abordar visualment i reflexivament la poesia de J.V. Foix.

Però, com si hagués de pagar la seva gosadia, aquí va començar una travessia amb dos films gairebé sense espectadors. El 1991 arribaria Els papers d'Aspern, basat en l'obra de Henry James i protagonitzat per Sílvia Munt, Josep Maria Pou, Rosa Novell, Hermann Bonnín i Amparo Soler Leal. Aquest treball fou reconegut amb la presència de la pel·lícula en diversos festivals internacionals, entre ells Sant Sebastià, el festival llatí de Chicago, la Setmana Internacional de Verona o al festival de Arcachon, en el que la Sílvia Munt va obtenir el premi a la millor interpretació femenina. L'estrena del film tingué lloc el 1992 en dues sales de París. La crítica francesa va dir d'ella, "no és una superproducció, però és un petit i bell film on el temps sembla detingut" o "...una actriu catalana a descobrir amb urgència, Sílvia Munt". Malgrat aquests reconeixements, la pel·lícula no s'estrenà a Barcelona, al Teatre de l'Eixample, fins al cap de quatre anys.

Amb el rodatge a París i Düsseldorf i amb Irene Jacobs com a protagonista, el 1992 comença a dirigir Nexe, una història d'amor inclassificable entre un home, una dona i un llangardaix. Un conte truculent en què una noia dubte entre perdre la seva virginitat amb un monstre o un estudiant de violoncel, interpretat per Àlex Casanovas. Al març de 1993, quan només li quedaven tres dies per concloure la filmació, el director va perdre el control sobre el que ja havia rodat a causa de l'embargament de la productora de la pel·lícula, Septimània Films. Una altra nova productora, In Vitro, aconseguia els drets dels negatius. Els problemes encara durarien un any més, moment en què el director va poder acabar el rodatge en una zona del poble de la Floresta adequada per esdevenir un poble búlgar, on comença la història de la pel·lícula.

Després de molt de temps sense rodar, el 2010, Cadena pren dos curtmetratges rodats a finals dels seixanta i mai muntats, i construeix un nou film bastint ponts amb material nou per al film, Els passos perduts, rodat en l'actualitat. Concebut com un díptic en el qual es mostra l'estil de vida de la joventut petit burgesa de finals dels seixanta i el dels joves contemporanis, el cineasta busca la relació entre la resistència política i juvenil a les imposicions de la dictadura i l'escapisme consumista de les noves generacions. Cadena construeix un relat on diferents maneres de fer cinema es donen de la mà, de la seva reconeguda filiació amb Antonioni i Jean-Luc Godard, fins referències a formes contemporànies de fer cinema i que de vegades recorden, per exemple, José Luis Guerin o fins i tot a algun passatge de Spike Jonze. Sense oblidar-nos de les referències a altres arts, tant en el vell com al nou material, des de la pintura de Gustav Klimt a la literatura d'Henrik Ibsen.

Conjuntament amb Judith Colell, el mateix any estrenà Elisa K, una revisió nouvelle vague de la narrativa cinematogràfica adaptant la novel·la Elisa Kiseljak de Lolita Bosch sobre la violació d'una nena d'onze anys. La cinta, en la que Aina Clotet ofereix un treball imponent, va impactar al Festival de Sant Sebastià, i va ser premiada amb el premi especial del jurat. Cadascun dirigeix una part: la de Cadena reflecteix l'estranyament d'una nena víctima d'un abús sexual; en l'altra, passat un temps, emergeix sobtadament el trauma. El treball de Cadena a Elisa K reprèn aquest camí interromput que comença a És quan dormo...: la depuració, la concisió poètica, la repetició en la sobrietat, la sensibilitat per l'enigmàtic, l'atenció al mínim gest, la subtilesa i, lligada a una mirada moral, l'absència d'efectisme en abordar la desgràcia que irromp en la quotidianitat.

El 2013 dirigí La por, inspirant de nou en la narrativa de Bosch, que signicà un pas més en la maduració d'un estil. En tot el film no podrem desprendre'ns de la por davant de la figura patriarcal (que simbolitza el poder que paralitza, disminueix la potència de l'altre i la seva vitalitat) tot i que està físicament absent. Però, encara que el fill (punt de vista del relat) sent la por de si mateix davant del que pugui heretar per via genètica del pare, La por parteix del domèstic per fer sentir que el Mal és l'abús de poder que es transmet en les relacions socioeconòmiques d'aquest món sinistre.

Fou un dels quinze fundadors del Col·legi de Directors de Cinema de Catalunya. Ha col·laborat a Fotogramas, Dirigido por..., Flash Foto, Ajoblanco, entre altres publicacions.

 Filmografia principal
 1977 - L'obscura història de la cosina Montse, adaptació de la novel·la de Juan Marsé
 1981 - Barcelona sud 1987 - La senyora 1989 - És quan dormo que hi veig clar 1991 - Els papers d'Aspern 1995 - Nexe 2010 - Els passos perduts 2010 - Elisa K, codirigida amb Judith Colell, adaptació de la novel·la de Lolita Bosch
 2013 - La por Premis i nominacions
Va rebre el premi de la Generalitat al millor director el 1988. Conjuntament amb Judith Colell va rebre el Premi Nacional de cultura en la categoria de cinema, "per l'autoria a quatre mans d'''Elisa K (adaptació cinematogràfica del conte Elisa Kiseljak, de Lolita Bosch) tot conservant cadascú el seu estil, però sense perdre la coherència d'una història única, que ha merescut el reconeixement de la crítica nacional i internacional", segons va dir el jurat.

Nominacions
 2011: Gaudí al millor director per Elisa K
 2011: Goya al millor guió adaptat per Elisa K
 2014: Gaudí al millor director per La por
 2014: Gaudí al millor guió per La por

Referències

Directors de cinema barcelonins
Santcugatencs
Directors de cinema del Vallès Occidental


Place 1 tortilla on bottom of greased 10-inch pie plate. Top with layer of baby corn in circular fashion, with points toward middle. Sprinkle with basil, garlic, and green chiles. Layer with second tortilla and another layer of baby corn. Sprinkle with onion and pimientos. Top with black olives and cheese. In blender, combine eggs with remaining ingredients; blend 1 to 2 minutes. Pour egg mixture over layers. Cover and refrigerate at least 2 hours or overnight. Remove from refrigerator. Preheat oven to 350°. Uncover and bake 45 to 60 minutes or until golden brown and set in middle. Cool 15 minutes before cutting. Serve with avocado or salsa if desired.


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Five pocket jeans crafted from medium-grey fix denim. The pair features hand-made ripped and repaired detailing, a tone-on-tone patch at the right knee and a used, vintage-effect wash. The twisted stitching at the lower half of the leg creates a distinctive carrot fit.


More and more vehicles today feature head-up displays (HUDs) that help drivers to keep their eyes on the road.
Prinker is a device that can get you temporary tattoos in seconds. It is pain-free, and last about three days.


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Happy Birthday Omotola Jalade Ekeinde!
Gyakie enlists Bisa Kdei for new song 'Sor Mi Mu'
Nollywood Superstar, Amnesty International Activist, founder of Omotola Youth Empowerment Programme, Model, Singer and Director Omotola Jalade Ekeinde aka "Omosexy" turns a older today! Join African Celebs in wishing this phenomenal woman Omosexy a wonderful birthday, more Success, Happiness and Good Health!
Even though Omotola first starred in the movie "Venom of Justice" in 1995, it was the film "Mortal Inheritance" that made her an instant hit!… Since then she has appeared in more than 300 movies…
More African Celebrities Birthdays here
Named by TIME magazine as "100 most influential people in the world"….
Omotola is definitely making history around the world. The stunning and gorgeous actress, who is currently celebrating over 20 years in the movie industry.
She has been listed among Yahoo's 'The Highest-Grossing Movie Stars you've Probably Never Heard of' List.
Omotola's husband Capt. Matthew Ekeinde is a pilot, the couple have four great kids!
Thank you for impacting Africa's image positively! We are very proud of you Omosexy! Keep up the good work!
Credit: Omotola Jalade Ekeinde
African Celebs Amnesty International Activist Capt. Matthew Ekeinde Nollywood movies Omosexy Omotola Jalade Ekeinde
Happy Birthday Desmond Elliot
African Celebs Upclose with 'The African Dream'
Who Has The Highest Net Worth In Africa
Happy 60th Birthday Richard Mofe-Damijo


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There have been several documentaries about wildlife and nature, but this one is more intimate and revealing than any documentary before. In order to caputre intimate moments of the life of the lion pride, the BBC has developed a remote camera which is able to capture even very private moments.
By following the pride, the viewer sees how lion cubs grow older and learn to fight and hunt. It also accompanies them when they explore nature and get in touch with other animals.
Next articleThe Truth About Exercise – How much exercise do we really need?


Hamilton plans Summer Job Expo for local employers - Hamilton School District.
Hamilton High School invites local businesses and organizations who will have part-time, summer or flexible employment opportunities suited for students to attend its Summer Job Expo. The event will be held in the high school gym April 18 over the student lunch hours.
Those interested in participating in the Summer Job Expo should complete the event's RSVP form (also at https://tinyurl.com/HHSJobExpo) by April 8.
Employers will be able to set up in the gym starting at 10:30 a.m. A table and two folding chairs will be provided for each employer. Please consider having application materials on hand for students, as well as other ways for students to actively engage with your business. Lunch periods are only a half-hour, so students will have to move quickly through the job expo.
For more information, please contact Associate Principal and Extended Learning Opportunities Coordinator Mark Otto at ottoma@hamilton.k12.wi.us.


This Hyundai Tucson is your sidekick to life. It can handle anything you throw at it whether it's running errands or going on a long adventure. This 2018 Hyundai Tucson is fresh on our lot in Surrey.
Out of all of your options for a compact crossover, this Hyundai Tucson stands out in a big way. The bold look, refined interior, and amazing versatility make it a capable, eager vehicle that's up for anything. It doesn't hurt that it comes with generous standard features and technology. For comfort, technology, and economy in one stylish package, look no further than this versatile Hyundai Tucson. This SUV has 22056 kms. It's coliseum grey in colour and is completely accident free based on the CARFAX Report. It has a 6 speed auto transmission and is powered by a 164HP 2.0L 4 Cylinder Engine. This vehicle has been upgraded with the following features: Sunroof, Leather Seats, Heated Seats, Rear View Camera, Bluetooth, Air Conditioning, Aluminum Wheels. It has some remaining factory warranty for added peace of mind.


Calling all shoppers to our Annual Bazaar. Find baked goods, cookie walk, candy, handmade crafts, personalized ornaments, many Raffle and Silent Auction items, attic treasures and a cozy cafe.
If you have something to donate or need more information, call Lynn Welch or Jean Fournier.


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Stefanie Fairweather: Being An Out-of-State College Student
Stephanie Garza 3 years ago 2 min read
Her advice to other out-of-state students and her plans after graduation
By Stephanie Garza
Stefanie Fairweather, is enjoying her last couple of months as an Our Lady of the Lake college student. Although she is excited to be graduating this upcoming May, the native New Yorker said she is equally just as nervous for what the future holds.
"It's kind of sad seeing that my college career is over because I feel like there is so much I still wanted to do but I know it's my time," said Fairweather. It may be her time at OLLU but Fairweather plans on staying in San Antonio while she looks for jobs and studies for the Graduate Record Examinations (GRE), the standardized test for graduate school admission.
As a member of multiple organizations at OLLU and president of the Saints Productions Board, a group of student leaders who plan and coordinate events for the student body, Fairweather is making her own impact on OLLU. However, there was a point early on in her college career where she felt that the stress of being an out-of-state college student was too much to handle.
"My freshman year, I just really felt like 'I don't want to do this anymore,' I wanted to transfer to a school I had originally wanted to go to which is St. Johns University in New York," said Fairweather.
Fairweather struggled with not being able to go home for the weekend or during the shorter holiday breaks since her family is in New York and in Georgia. "Being an out-of-state student, you have to adapt to college life but also have to adapt to not being able to go home all the time and you see some of your friends go home," explained Fairweather.
Fairweather said getting involved in organizations around campus kept her at OLLU and she encourages other out-of-state students to do the same. Her advice to other students who may be struggling? Stick it out. "Keep holding on, it's hard but it will eventually get better," said Fairweather.
Today, as she prepares to transition from college to career, Fairweather has been able to reflect on her decision to attend college in a different state. "The fact that I came here was definitely a huge risk because I had never been to Texas before and I just took a risk, it's definitely been worth it," explained Fairweather.
Tags: college seniors graduating OLLU Graduation ollu senior profile senior SPB
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The Paddison Program For Rheumatoid Arthritis
A Step-By-Step Guide To Reducing Disease Symptoms By Rebuilding Health
Free Toolkit
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Rheumatoid Arthritis Healing Milestones
What is The Paddison Program?
The Paddison Program for Rheumatoid Arthritis is for patients wanting to make lifestyle changes to dramatically reduce their symptoms in parallel to their standard medical care.
The Paddison Program delivers scientific-evidence based guidelines surrounding diet, exercise, drug choices, supplementation and stress management to provide fast inflammation relief. The program is instantly available and can be followed step-by-step on your laptop, phone or tablet and contains day by day instructional videos and printable guidelines that are easy to follow.
Real Stories From Real People Who Have Regained Their Life On The Paddison Program
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Watch Video And See How Others Have
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Succeeded with Rheumatoid Arthritis, Ankylosing Spondylitis, Psoriatic Arthritis, Lupus and more...
Latest Tips and News
What Is The Plan Today To Reduce Inflammation?
Today, Clint shares one of his strategies on how to reduce inflammation. https://youtu.be/v_TCt2OnM4s What's the plan? Good day! It's Clint[...]
pH Measurements and Rheumatoid Arthritis
How does the acid/alkaline balance affect Rheumatoid Arthritis?Can we use pH strips to measure our progress?What other methods should be[...]
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https://youtu.be/v9yUOEAMlwk Resources Discussed In This Video Rheumatoid Support coaching and community You may also like: Rheumatoid Solutions live support calls[...]
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It doesn't matter where you live, The Paddison Program has users in over 60 countries, many of whom have reported vastly significant long-term improvements to their condition. Improvements frequently include less inflamed joints, reduced inflammatory blood markers of CRP and ESR, better daily mobility and less required medication. In some cases, users have reversed symptoms to the point of not needed medications at all.
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© The Paddison Program LLC, 919 North Market Street, Suite 950, Wilmington, New Castle, Delaware 19801, United States
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Make Buildings Part
of the Recovery
We formed BuildingAction to ensure that the transformation of buildings plays an important role in major policy debates. Right now, there is no more critical policy goal than addressing the health and economic consequences of COVID-19.
As Congress and the White House debate how to facilitate the economic recovery, it is vital that buildings are part of the conversation.
The building sector is a major part of the economy, accounting for more than 18 percent of GDP. Healthy, sustainable buildings keep people safe, reduce energy costs and protect the environment.
That's why we drafted a letter to Congress and the President calling on them to advance national bipartisan policies that help get the building sector back on the job designing, constructing and operating buildings that enhance public health and sustainability.
To read the letter, click here.
Sign up for updates and more from BuildingAction.
Copyright 2021, BuildingAction. All rights reserved.


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Military Working Dogs Ready for Action
14 Feb 2019 | Posted by Member 30091762
Military working dogs are an integral part of the warfighting force. Just like their human counterparts, they can hold a variety of jobs. From medical evacuations by air and neutralizing threats in the water, to sniffing improvised explosive devices in Afghanistan and riding boats at sea, these working dogs train to ensure they're ready for action at a moments' notice.
Video Shock and Awe Military Life Army Military Training Dogs
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Conan the Hero Special Forces Dog Receives Medal at the White House
Conan—America's "hero dog"—made an incredible recovery after the raid that killed Abu Bakr al-Baghdadi and is already back to...
Meet Riley, the Air Force Morale Dog
In celebration of National Dog Day, meet one of Team Shaw's most valuable volunteers who proves a dog really...
Military Working Dog Stamp
The U.S. Postal Service has released a new stamp honoring the Military Working Dogs. This stamp commemorates the dogs...
Coast Guard Working Dog Retires After 8 Years of Service
Coast Guard Senior Chief Petty Officer Tin, an explosive detection canine with the Maritime Security Response Team, retires after...
Troops Train to Save the Lives of their Service Dogs
Soldiers from the 637th Chemical Company and 719th Medical Detachment Veterinary Service Support, team up with Airmen from the...
Military Videos
Military Singing Group Voices of Service Tears It Up on 'America's Got Talent'
Voices of Service performs its own arrangement of Katy Perry's "Rise." The group, made up of active duty and...
U.S. Coast Guard Cutter Munro Interdicts Suspected Drug Smuggling Submarine
U.S. Coast Guard Cutter Munro (WMSL 755) crew members board a self-propelled semi-submersible suspected drug smuggling vessel (SPSS) June...
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This is a recreated animation of Yanky 72's mishap on July 10, 2017, which killed 15 Marines and one...
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Check out Military.com's original video series today.
Disclaimer/Caution: Much of this content is graphic in nature, showing unfiltered media from the global war on terror and other conflicts. To the best of Military.com's knowledge, the images, videos, and content featured on "Shock & Awe" pages are in the public domain or declassified materials. In some cases, we cannot guarantee the veracity of the images or video. If you believe that material in this section is classified or invalid, please contact Military.com technical support. If you have a copyright concern, please review the Digital Millennium Copyright Act page.


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Gazprom Begins Work on Pipeline to Southern Europe
Rich Smith, The Motley Fool, AOL.com
On Friday, Russian natural gas giant Gazprom announced it has begun construction of its South Stream gas pipeline project, designed to increase gas deliveries to Southern and Central Europe.
Russian President Vladimir Putin attended the ceremony at the Russkaya compressor station site near Anapa in Krasnodarsky Krai. Also in attendance were representatives from multiple companies involved in the project, and from the countries through which South Stream may run.
When completed, South Stream will run from Russia under the Black Sea off the Bulgarian Coast, 900 kilometers in length, and as much as 2 kilometers underwater. Precise routes for the gas pipeline have not yet been chosen, and engineering studies are still being conducted, but one likely route emerges from the sea to travel up toward Slovenia and Austria via Bulgaria, Serbia, and Hungary. A second route could move toward Greece and Italy.
Deliveries through the pipeline are expected to begin in late 2015.
The article Gazprom Begins Work on Pipeline to Southern Europe originally appeared on Fool.com.
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text:
Bromborough is a town in the Metropolitan Borough of Wirral, Merseyside, England, and the historic county of Cheshire, on the Wirral Peninsula south east of Bebington and north of Eastham.

At the 2011 census, the population of the ward was 14,850.

History
The name Brunanburh  is suggested to mean "Bruna's fortification", with  burh being Old English for a fortified place.  Bromborough is a contender for the site of an epic battle of 937, the Battle of Brunanburh, which confirmed England as a united Anglo-Saxon kingdom. In an article in Notes and Queries in 2022, Michael Deakin questions the philological case for Bromborough as Brunanburh, suggesting that the first element in the name is 'brown' and not 'Bruna'. Bromborough would therefore be 'the brown [stone-built] manor or fort. Reconstructed from fragments, an Anglo Saxon cross is in the churchyard of local parish church St Barnabas. However, Bromborough is not specifically named in the Domesday Survey, and the name does not appear in records until the 12th century.

A charter for a market to be held each Monday was granted by Edward I in 1278 to the monks of St. Werburgh's Abbey. It was hoped that establishing the market in the vicinity of Bromborough Cross would promote honest dealing. The market cross was the traditional centre of the village and also an assembly point for local farm labourers available for hire. The steps of the cross are from the original 13th-century monument. The cross itself is a more recent reproduction, presented to the town by the Bromborough Society.

With a watermill having been recorded near Bromborough at the time of the Domesday Survey, Bromborough watermill was likely to have been the oldest mill site on the Wirral. Located on the River Dibbin at what is known as Spital Dam, it was worked until 1940 and demolished in 1949. The site is now a children's nursery. A windmill, built in 1777, existed on higher ground also at the same location. Having fallen into disuse and much deteriorated, it was destroyed by gunpowder in about 1878.

An increase in traffic passing through the area resulted in Bromborough undergoing extensive redevelopment in the 1930s. Bromborough Hall, built in 1617, was demolished in 1932 to make way for a by-pass and a number of farmhouses and cottages in the area of Bromborough Cross were replaced with shops.

Civic history
Bromborough was a township and parish in the Wirral Hundred, which became a civil parish in 1866. From 1894 Bromborough was also an urban district. Both the civil parish and the urban district were abolished in 1922 when it was merged with the neighbouring civil parish of Bebington, ultimately becoming part of the Municipal Borough of Bebington. Under local government reorganisation on 1 April 1974, Bromborough transferred from Cheshire to the newly-formed county of Merseyside.

Geography
Bromborough is situated on the eastern side of the Wirral Peninsula, at the western side of the River Mersey. The area is approximately  south-south-east of the Irish Sea at New Brighton and about  east-north-east of the Dee Estuary at Parkgate. Bromborough Cross is at an elevation of about  above sea level.

Governance
Bromborough is within the parliamentary constituency of Wirral South. The current Member of Parliament is Alison McGovern, a Labour representative.

At local government level, the town also a ward of the Metropolitan Borough of Wirral, in the metropolitan county of Merseyside. As of , the ward boundary is generally defined by Stanley Road in New Ferry to the north, the Mersey to the east, the railway line to the west and Acre Lane to the south. Bromborough is represented on Wirral Council by three councillors.
The most recent local elections took place on 2 May 2019.

Landmarks

The partially medieval Bromborough Cross, in the old village centre, is a designated Grade II* listed building.
St Barnabas' Church, designed by George Gilbert Scott, is also Grade II* listed and was constructed in the 1860s to replace a smaller church.
Both Stanhope House and Pear Tree Cottage are Grade II listed and are amongst several buildings from the late seventeenth century that survive in the modern town.

Community

To the west of the A41 New Chester Road, Bromborough is mainly residential development started in the 1930s, centred on the original village centre with its market cross.

There are a number of pubs in Bromborough: 'The Bromborough,' the 'Royal Oak' and the local British Legion, now known as the Bromborough Social Club are situated in Bromborough Village. 'The Archers' pub had closed down by 2013 and planning permission was submitted for it to be demolished. On the outskirts, bordering Eastham, are the 'Merebrook' and the 'Dibbinsdale', where there is a branch of the Pesto restaurant chain.

Bromborough's green spaces include Brotherton Park and Dibbinsdale Local Nature Reserve, along the banks of the River Dibbin, and Marfords Park to the south west of the town.

The local newspapers are the Bromborough and Bebington News and the Wirral Globe.

Economy
East of the A41 road, towards the River Mersey, is industrial development and includes Bromborough Pool, an early industrial "model village" developed from 1853–58 by Price's Candles. Part of the industry is connected to the former Bromborough Dock and includes a ammonium nitrate warehouse and the main landfill site for the Wirral, now a walkway with views of the river. Cereal Partners employs 340 people and produces Cheerios and Corn Flakes, among other breakfast cereals, in a factory formerly owned by Viota. Rank Hovis McDougall briefly owned the business in the 1990s. Another major business is Sun Valley Snacks Ltd, which processes peanuts.

The Croft Retail & Leisure Park, which opened in March 1990, is located off the A41.

Transport

Road
The main road through the area is the A41 New Chester Road. The B5137 Spital Road joins the A41 at Bromborough. Junctions 4 and 5 of the M53 motorway are equidistant from Bromborough, each about  away; Junction 4 is to the west and Junction 5 is to the south.

Bus
There are many local bus services which serve the village, mostly operated by Stagecoach Merseyside. Stagecoach Gold service 1 offers direct, premium connections to Liverpool and Birkenhead to the north; Chester, Chester Zoo and Ellesmere Port to the south.

Rail
Bromborough and Bromborough Rake railway stations are both situated on the Wirral line of the Merseyrail network. Trains run every 15 minutes to , every 30 minutes to , and there are six trains per hour to .

See also
Listed buildings in Bromborough
Listed buildings in Bromborough Pool
Bromborough power stations

References

Notes

Citations

Bibliography

External links
 Birkenhead & Surrounds

Towns and villages in the Metropolitan Borough of Wirral
Towns in Merseyside


text:
Exclusive: Saudi PIF in talks to buy stake in UAE supermarket chain Lulu - sources
Hadeel Al Sayegh , Saeed Azhar | Posted: Oct. 7, 2020, 7:11 a.m. | Updated: Oct. 7, 2020, 6:10 a.m. | 2 Min Read
By Hadeel Al Sayegh and Saeed Azhar
DUBAI (Reuters) - Saudi Arabia's sovereign wealth fund, the Public Investment Fund (PIF), is in early discussions to buy a stake in supermarket chain Lulu Group International, two sources familiar with the matter told Reuters.
It is in talks with Indian-born businessman Yusuff Ali, who founded Abu Dhabi-based Lulu, one of the largest chains in the Gulf region, the sources said.
Discussions between PIF and Lulu began four to six weeks ago, one of the sources said.
It was not immediately clear how big a stake PIF is seeking to buy as discussions are at an early stage, or whether the talks would lead to a final transaction.
Lulu operates shopping centres, hypermarkets and other businesses with an annual turnover of $7.4 billion, according to its website.
It has operations in Saudi Arabia and other Gulf states as well as in Egypt, India, Indonesia and Malaysia.
PIF, which manages $360 billion in assets, declined to comment. Lulu's director of marketing & communications, V. Nandakumar, said in an emailed response that "as a policy we never comment on market speculations and media rumours."
Abu Dhabi state-owned holding company ADQ invested $1 billion in Lulu earlier this year, two sources familiar with the talks said. ADQ did not respond to a Reuters request for comment.
PIF is seen as a driver of the kingdom's Vision 2030 plan to diversify the economy, with the authorities aiming to turn it into the world's largest sovereign wealth fund.
The Saudi government wants to expand the kingdom's retail sector as part of a drive to create one million jobs by 2020.
PIF invested $500 million in e-commerce venture Noon, which shortly afterwards began operations in Saudi Arabia. It also invested indirectly in the IPO of Saudi mall operator Arabian Centres <4321.SE> .
PIF was also approached by Reliance to buy a stake in the retail arm of Indian billionaire Mukesh Ambani's Reliance Industries Ltd.
The fund, whose board is chaired by Saudi Arabia's Crown Prince Mohammed bin Salman, has become a more active investor since 2015, taking a $3.5 billion stake in Uber Technologies and invested $45 billion in Softbank's inaugural technology fund.
(Reporting by Hadeel Al Sayegh and Saeed Azhar; editing by Jason Neely)
AT&T to delay some 5G deployment in bid to address aviation standoff
U.S. antitrust enforcers plan to toughen merger guidelines
Telsa investors urge judge to order Musk repay $13 billion for SolarCity deal


The staff are very knowledgeable and will gear their walk to your interests. You will enjoy botany and biology lessons the whole way along. Hopefully you will learn a great deal from your time on the hikes. You won't be disappointed in the experience and amazing nuances! This is so educational and the guides are willing to share amazing historical and native stories about our Great Smoky Mountains.
There are group tours and individual tours. The "personalized" tours are amazing. There are all different hikes and levels. For example, there are Half Day hikes with a moderate level. The guide will explain a few things about the hike. They may also provide you with a walking stick. You will get to stop for a snack half way into the tour.
Some of the paths ,can be a little bit tough but it will absolutely be worth it and beautiful. It will be challenging and rewarding at the same time.
The company is knowledgeable and so passionate about what they do. The guides have so much information to share that you will feel that you don't even exhaust their things to talk about.


Transcend Texas is at the forefront of premier sober living in Houston, Texas, offering a fully immersive and dynamic addiction and mental health program that seeks to meet each client where they are. We've created individualized, holistic sober living settings that are designed with the purpose of helping our clients utilize their natural gifts and abilities, while navigating the challenges of early recovery through a proactive, collaborative approach with qualified and compassionate professionals. We work to help every client improve upon the work they've done in treatment so that they can build a rich and meaningful life in recovery.
We take a fresh approach to existing care models by focusing firmly on reintegration and life skills development. In addition to assisting clients on their recovery journey, our sober living Houston programs will place an equal emphasis on treating the family dynamic as a whole. Clients and their families are an integral part of our care model. Our goal is to help all the parties affected by the addiction, and to ensure that the recovery process is as thorough and successful as possible.
Transcend Texas promises a unique and personalized recovery experience tailored to the needs of each client in our sober living Houston programs. We promise to offer a level of care that encompasses the individual, their family, their past, and their future. Transcend Texas' Houston sober home promises to be fully dedicated to the recovery and reintegration of each client back into a purposeful and meaningful life. We promise to offer a sober living Houston experience like none other.
If you or someone you know needs help navigating the road to recovery, speak with one of our confidential sober living Houston intake specialists about our Houston sober living facility.
We introduce our clients into a vibrant community of recovery here in Houston, and into the larger family of Transcend sober living homes across the United States. We know how isolating addiction can be, and that's why we've built a program centered around healthy connection, where clients can rebuild their lives with people who genuinely care about supporting the success of our client's recoveries. Let us help you develop the knowledge and skills to achieve your dreams, and thrive in a life of sobriety.
Everything we do is based on a simple and yet powerful mantra: "Helping people help themselves." With a commitment to self-empowerment, our goal is to help people who want to change their lives and improve themselves. We provide the motivation and the means for these personal changes, so that our clients can experience the kind of transformation that will endure long after they depart one of our programs.
We invite you to re-imagine what a sober life can be. Call Transcend's dedicated staff 24/7, 365 days a year at (877) 394-8810 to begin your journey of transformation today.


THE LOVE FOR ZIKOAFRIKA JEWELRY BRAND.
ZikoAfrika is a contemporary accessories brand inspired by the dual Kenyan, British heritage of founding sisters Sisi and Elle. Each product is handcrafted in Kenya and reflects both European and African design aesthetics for a modern take on traditional forms and materials.
Generating employment while promoting a positive image of the continent through high-end production is a central part of the brand ethos. In line with this, ZikoAfrika works with three ethically certified workshops and sources as many raw materials as possible from Kenya or the surrounding region.
At ZikoAfrika they believe that while more needs to be said on the human consequences of fast fashion there is no need to sacrifice style for this dialogue to take place. Rather than being driven by trends, and in line with environmentally and socially responsible production principles, they only release a limited number of pieces a year so they can focus on timeless design and allow longer lead times for their producers.
I am absolutely in love with their pieces, if I had the chance I would get all of them :). Their website http://www.zikoafrika.com has not yet been launched but you can get more of these beautiful pieces at MOFTI which is located at New Muthaiga Mall on Thigiri Ridge Road plus much more made in Kenya collections from designers.


Hey everyone I need your help. I was lucky enough to get accepted to all my 5 courses in the UK, but now I am not sure which offer I should accept.
I am deciding between the Westminster Film BA course and the University of London (UAL) Film and Television course.
what city should I go to uni in?!
Any Alexander Hamilton fans on here?


A heavy fall of snow, heaviest during Wed night. Freeze-thaw conditions (max 3°C on Mon afternoon, min -1°C on Mon night). Wind will be generally light.
Drizzle on Thu afternoon followed by colder weather and a heavy fall of snow, heaviest during Fri afternoon. Freeze-thaw conditions (max 2°C on Thu afternoon, min -5°C on Fri night). Wind will be generally light.
This table gives the weather forecast for Königspitze at the specific elevation of 2500 m. Our advanced weather models allow us to provide distinct weather forecasts for several elevations of Königspitze. To see the weather forecasts for the other elevations, use the tab navigation above the table. For a wider overview of the weather, consult the Weather Map of Italy.


text:
Funny Face..."let's give 'em the old pizzazz!"
Pizzazz! The very word only came into being with Funny Face in 1957.
Vividly colorful and stylish, Funny Face is a full-blown extravaganza, a collaboration extraordinaire of some of the greatest talents of the era. Producer Roger Edens and director Stanley Donen worked with writer Leonard Gershe, cinematographer Ray June, costumer Edith Head, couture designer Hubert de Givenchy, photographer Richard Avedon and the film's incomparable stars Audrey Hepburn, Fred Astaire and Kay Thompson. Abetted by several great Gershwin tunes, this is a movie with considerable pizzazz...
Funny Face had been a work in progress for years, but the vital element that finally brought the project together was Audrey Hepburn. Then under contract with Paramount, Hepburn was the hottest star in the business and any picture with her name attached had a great shot at getting made. She loved both the script and the chance to dance with Fred Astaire and signed on.
Astaire, then pushing 60, was coming to the end of his career in musical films. Funny Face and Silk Stockings were released within months of each other in 1957 and were his last great musical successes on film.
Though its title was taken from a '20s Gershwin musical in which Astaire had starred, that and a few tunes were all the film had in common with the Broadway show. The film's story came from "Wedding Day," Leonard Gershe's musical about the fashion world based on 'the aura' (rather than the life) of legend-to-be photographer Richard Avedon and his wife. Doe Avedon, a great beauty of the time, was a reluctant muse; it was her husband who turned her into a model and guided her career.
Kay Thompson, ace vocal coach, arranger and cabaret star, had worked with Frank Sinatra, Judy Garland, Lena Horne and many others while working for MGM's music department. Gershe had her in mind from the start for the role of Maggie Prescott, a character closely modeled on powerhouse fashion editor and style doyenne Diana Vreeland. According to Leonard Gershe, it was Vreeland who coined the word 'bizzazz' that morphed into 'pizzazz.' Thompson as Prescott is an invigorating presence and she steals just about every scene she's in; early on, her "Think Pink!" number kicks Funny Face into high gear.
Funny Face is a Cinderella tale, the kind of story that was Audrey Hepburn's specialty. The film begins in the offices of "Quality" magazine, where editor Maggie Prescott decrees that the world of fashion shall think and wear pink! Soon after, she and photographer Dick Avery (Astaire) venture into bohemian Greenwich Village on a shoot...where bookstore clerk Jo Stockton (Hepburn), an ugly duckling with swan potential, is unearthed. The plot takes off from there. Cut to Paris where newly made-over model Jo wears exquisite Givenchy haute couture and is gorgeously photographed by Dick everywhere in the City of Light. Songs are sung. Dances are danced. Love blooms. A fairytale ending eventually comes.
The plot is nothing new, but watching Hepburn, Astaire and Thompson cavort through this high fashion romp is so easy on the eyes and ears that in so many ways...'s wonderful.
Then there's the 'beatnik' interlude, most noteworthy for Audrey's dance routine in a subterranean Parisian club dressed in black clothes and white socks. Though Hepburn battled Donen over the color of her socks, he won and the result was memorable.
Director Stanley Donen, who was never nominated for an Academy Award, made some of the best and most popular musicals in movie history - including Singin' in the Rain and Seven Brides for Seven Brothers. He also made several successful non-musicals, films like Charade and Two for the Road. In 1998, the Academy honored him with a Lifetime Achievement Award. In his acceptance speech, he both sang and danced to Cole Porter's "Cheek to Cheek"...he knew how to "give 'em the old pizzazz!"
(YouTube has a clip of Donen receiving and accepting his award from Martin Scorsese)
Posted by The Lady Eve at 10:36 PM
Labels: audrey hepburn, fred astaire, funny face, george gershwin, stanley donen, theladyeve (author)
ClassicBecky May 24, 2010 at 5:27 AM
Eve, I couldn't sleep and got on to the Cafe to see what was new. What do I find? A wonderful article about a favorite film, beginning with a gorgeous picture of Audrey Hepburn that just pops off the page. When I saw "Funny Face" I was just a young girl. What a fantasy! I was a big reader, and after seeing the movie imagined myself discovered in a bookstore and finding an elegant older man like Fred Astaire. Thanks for the memories!
Rick29 May 24, 2010 at 8:26 AM
Eve, this may be my favorite of your reviews...why, it's got pizzazz, too! Although Audrey (rightfully) gets most of the attention for this film, I'm always amazed by Fred when I watch it. Was there any musical star who aged as gracefully? FUNNY FACE, SILK STOCKINGS, and DADDY LONG LEGS are all colorful, entertaining musicals that paired him with very different leading ladies. Yes, these films had great music, incredible choreography, and were well-directed, too--but their biggest asset is the magic of Astaire. Does that qualify as a special kind of pizzazz?
Paul 2 May 24, 2010 at 9:42 AM
Eve , Now I'll be thinking pink all day, wonderful post.
sarkoffagus May 24, 2010 at 11:05 AM
Great post, Eve, and a wonderful picture of the always lovely Audrey Hepburn!
Dawn May 24, 2010 at 11:41 AM
Eve, I do not think I have seen this movie. But because of your wonderful review. I will add it to my "gotta see" list.
Kimberly J.M. Wilson May 24, 2010 at 11:53 AM
Great review, Eve. Audrey Hepburn sparkles in this and Fred Astaire is his usual great self. I love that scene at the Paris beatnik club.
R. D. Finch May 24, 2010 at 12:58 PM
Eve, a wonderfully written post on a wonderful movie. That picture of Audrey on the stairway in the Louvre is the first image that comes to my mind when I think of this film--two timeless icons in one frame.
JavaBeanRush May 24, 2010 at 8:59 PM
One thing that I really like about Stanley Donen is that he seems to be as big a fan of movies as anyone. Breaking into a film song... Making films is obviously not just a job for him.
The Lady Eve May 25, 2010 at 10:50 AM
Great comments all...FUNNY FACE is tops for all the reasons mentioned...plus it showcases the fashion of the era (stunning) and spoofs the fashion industry at the same time. Love it.
toto2 May 26, 2010 at 5:02 PM
Some people exude grace when they move. Some when they speak. Audrey did so always. Great post, filled with pizzazz. Loved it, Eve!
Kay Thompson was the head vocal coach at MGM and an amazing vocal arranger. She had an incredible voice and was a mover and shaker behind many MGM musicals. Her contribution to Hollywood musicals is totally underestimated and was one of the highest grossing cabaret acts in the world in the 1940s/1950's. In Funnyface she comes into a class of her own and outshines Hepburn and Astaire.
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text:
Deux événements  et  d'une expérience aléatoire sont dits incompatibles (ou disjoints) lorsqu'ils n'ont aucune éventualité en commun, c'est-à-dire lorsque l'intersection des sous-ensembles  et  est vide : .

Autrement dit, ces deux événements sont incompatibles si et seulement si la réalisation simultanée de  et  est impossible.

Si  et  sont deux événements incompatibles, on a alors : .Si  et  sont deux événements compatibles, on a alors : .

Attention à ne pas confondre cette notion avec celle d'événements indépendants. En fait, deux événements  et  de probabilités non nulles ne peuvent être à la fois incompatibles et indépendants.

À noter qu'il faut distinguer les événements incompatibles des événements contraires, qui se démarquent par le fait que .

Voir aussi
 Axiomes des probabilités

Evénement incompatibles


text:
package com.intellij.codeInsight.completion;

import com.intellij.psi.PsiElement;
import com.intellij.psi.PsiFile;
import com.intellij.util.ThreeState;
import org.jetbrains.annotations.NotNull;
import org.jetbrains.annotations.Nullable;

/**
 * @author peter
 */
public abstract class CompletionConfidence {

  @NotNull
  public abstract ThreeState shouldFocusLookup(@NotNull CompletionParameters parameters);

  @NotNull
  public ThreeState shouldSkipAutopopup(@Nullable PsiElement contextElement, @NotNull PsiFile psiFile, int offset) {
    return ThreeState.UNSURE;
  }
}


text:
<?php

/**
 * EAjaxUpload class file.
 * This extension is a wrapper of http://valums.com/ajax-upload/
 *
 * @author Vladimir Papaev <kosenka@gmail.com>
 * @author Ianaré Sévi
 * @version 1.0.0
 * @license http://www.opensource.org/licenses/bsd-license.php
 */

/**
 * EAjaxUpload file upload widget.
 */
class EAjaxUpload extends CWidget
{
	const VERSION = '3.3.0';

	public $id = 'fileUploader';
	public $params = array();
	public $config = array();
	public $css;

	public function run()
	{
		if (!$this->config['request']['endpoint']) {
			throw new CException('EAjaxUpload: config["request"]["endpoint"] cannot be empty.');
		}

		if (empty($this->config['validation']['allowedExtensions'])) {
			throw new CException('EAjaxUpload: config["validation"]["allowedExtensions"] cannot be empty.');
		}

		if (!$this->config['validation']['sizeLimit']) {
			throw new CException('EAjaxUpload: config["validation"]["sizeLimit"] cannot be empty.');
		}

		echo '
id . '">
Please enable JavaScript to use file uploader.

';

		$assets = dirname(__FILE__) . '/assets';
		$baseUrl = Yii::app()->assetManager->publish($assets);

		$cs = Yii::app()->getClientScript();

		if (YII_DEBUG)
			$js = $baseUrl . '/jquery.fineuploader-' . self::VERSION . '.js';
		else
			$js = $baseUrl . '/jquery.fineuploader-' . self::VERSION . '.min.js';

		$cs->registerScriptFile($js, CClientScript::POS_END);

		$this->css = (!empty($this->css)) ? $this->css : $baseUrl . '/fineuploader-' . self::VERSION . '.css';
		$cs->registerCssFile($this->css);

		$params = array(
			'PHPSESSID' => Yii::app()->session->sessionID,
			'YII_CSRF_TOKEN' => Yii::app()->request->csrfToken
		);
		if (isset($this->config['request']['params'])) {
			$params = array_merge($params, $this->config['request']['params']);
		}
		unset($this->config['request']['params']);

		$configArray = array(
			'element' => "js:$('#{$this->id}')[0]",
			'request' => array(
				'paramsInBody' => false,
				'params' => $params,
			),
			'debug' => YII_DEBUG,
			'multiple' => false,
		);
		$config = CJavaScript::encode(CMap::mergeArray($configArray, $this->config));

		$script = "var qq_{$this->id} = new qq.FineUploader($config);";
		$cs->registerScript('FineUploader_' . $this->id, $script, CClientScript::POS_READY);
	}

}


text:
Elapsoidea nigra är en ormart som beskrevs av Günther 1888. Elapsoidea nigra ingår i släktet Elapsoidea och familjen giftsnokar. IUCN kategoriserar arten globalt som starkt hotad. Inga underarter finns listade.

Arten förekommer i kulliga områden och i bergstrakter i Tanzania. Den vistas i regioner som ligger 300 till 1900 meter över havet. Regionen är täckt av fuktiga skogar.

Källor

Giftsnokar
nigra
Kräldjur i etiopiska regionen


In the 10 years between 2006/7 and 2016/7 there was a fall of 41,200 in the numbers of workers employed in the manufacturing sector in the Dorset and Wiltshire region. The numbers fell from 296,600 to 255,400, a fall of 13.9%. This means that manufacturing workers make up 9.4% of the total workforce in the region compared to 11.7% in 2006/7.
Purbeck had 2,700 employed in the manufacturing sector between in 2006/07. By 2016/17 the figure was just 1,000, a drop of 63%. This was the biggest drop in the South West, and showed that manufacturing workers made up just 4.2% of the total workforce in Purbeck, compared to 14% in 2006/7.
Other areas that saw a fall were Christchurch, where the drop was -60%, followed by East Dorset -32.3%, Weymouth and Portland -26.3%, Poole -13.5%, and Swindon -12.3.
Four local councils in the Dorset and Wiltshire region bucked the trend, with numbers in manufacturing increasing. These included; West Dorset, Bournemouth, Wiltshire and North Dorset.
The figures for the 10 councils are set out in the table below. This is from a new study by GMB Southern Region of official data from the Office of National Statistics (ONS) for 61 councils in the South East. It compares the number of people employed in the manufacturing industry and as a percentage of all in employment, followed by the changes in numbers and in percentages.
Paul Maloney, GMB Regional Secretary, said:"This steady erosion of the manufacturing base is continuing with job losses at Britvic and Coleman's in Norwich as the latest examples.
"However, the erosion cannot be allowed to continue. The UK has a balance of payments deficit of no less than £95 billion which amounts to 5% of our gross domestic product. This is not sustainable and will not be sustained.
"Last year the government published plans for a coherent industrial strategy which must be built on to halt the erosion of manufacturing jobs.
"This requires cooperation between local authorities and national government, the education sector and both employers and unions to bring forward plans for new manufacturing jobs in every area of the region.
"It requires that public procurement is used to promote export sectors and to favour import substitution. On green energy sources for example there should be a threshold for UK sourced parts before a project is eligible for subsidies.


Carole Boyce Davies is a professor of English and Africana Studies. She has held distinguished professorships at a number of institutions, including the Herskovits Professor of African Studies and Professor of Comparative Literary Studies and African American Studies at Northwestern University. She is the author of Black Women, Writing and Identity: Migrations of the Subject (Routledge, 1994) and Left of Karl Marx: The Political Life of Black Communist Claudia Jones (Duke University Press, 2008). In addition to numerous scholarly articles, Boyce Davies has also published the following critical anthologies: Ngambika: Studies of Women in African Literature (Africa World Press, 1986); Out of the Kumbla: Caribbean Women and Literature (Africa World Press, 1990); and a two-volume collection of critical and creative writing entitled Moving Beyond Boundaries (New York University Press, 1995): International Dimensions of Black Women's Writing (volume 1), and Black Women's Diasporas (volume 2). She is co-editor with Ali Mazrui and Isidore Okpewho of The African Diaspora: African Origins and New World Identities (Indiana University Press, 1999) and Decolonizing the Academy: African Diaspora Studies (Africa World Press, 2003). She is general editor of the three-volume, The Encyclopedia of the African Diaspora (Oxford: ABC-CLIO, 2008), and of Claudia Jones: Beyond Containment: Autobiography, Essays, Poetry (Banbury: Ayebia, 2011). Her most recent monograph is Caribbean Spaces: Escape Routes from Twilight Zones (Illinois, 2013) and a children's book, Walking (EducaVision, 2016).
An ongoing study of black women and political leadership in their own words. Interviews with black women who are political leaders and an examination of their paths to leadership and once there, how they use their power for the advancement of relevant communities.


2.	Department of Coast Guard.
3.	Establishment of the Department of Coast Guard.
4.	Duties and functions of the Department of Coast Guard.
5.	Powers of the Department of Coast Guard.
6.	Members of the Department of Coast Guard deemed to be peace officers.
8.	Coast Guard officers' Right to visit and inspect a vessel.
10.	Department of Coast Guard or its personnel not to be trained as a military establishment.
12.	Functions of the Advisory Council.
16.	Appointment of public officers to the Department of Coast Guard.
17.	Appointment of officers and servants of public corporations to the staff of the Department of Coast Guard.
20.	Transfer of the Coast Guard Unit attached to the Ministry of Fisheries and Aquatic Resources.
AN ACT to provide for the establishment of a Department of Coast Guard; to specify the functions of the Department of Coast Guard; and to provide for matters connected therewith or incidental thereto.
This Act may be cited as the Department of Coast Guard Act.
2. Department of Coast Guard.
(1) There shall be a Department of Coast Guard which shall be under the control of a Director-General of Coast Guard.
(2) The Department of Coast Guard shall be charged with the implementation of the powers, duties and functions specified in this Act and be responsible for the proper and efficient functioning of the Coast Guard Service.
3. Establishment of the Department of Coast Guard.
There shall be established in accordance with the provisions of this Act, a service to be called the Coast Guard Service, which shall be charged with the function of law enforcement in the coastal areas, the maritime zones of Sri Lanka and the high seas.
4. Duties and functions of the Department of Coast Guard.


text:
Q: Steam Deck Development - External Device Remote Management I have a Steam Deck preordered and would like to know how to most effectively develop for it. I can't publish a build to Steam without paying a publishing fee. What i would like to do is something like Android Studio, where i can develop and deploy as well as debug my application,  to the Deck when it arrives. I know i read somewhere about some type of server/client that i could set up but i can't find any information on it.
I've reviewed the SteamWorks API to some extent, but came up with nothing.
Anyone know anything that can be done here?
EDIT:: https://partner.steamgames.com/doc/steamdeck/devkits/loadgames#3
I found this, but i can't seem to install it. I click the link and allow steam to do its thing, but it just  flashes and goes back to the home page.