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Home > The Smile Has Left Your Eyes > The Smile Has Left Your Eyes: Episode 10 Live Recap
V November 1, 2018 Recaps
The Smile Has Left Your Eyes: Episode 10 Live Recap
Oh my goodness, y'all. I saw a moment from todays episode where they were both on bed and he had his shirt off. I don't know what was going on there, but I can infer what was about to go on. ARE THEY SIBLINGS! Don't tell me if you know, but seriously, that is the question I want to know right now. But more than that. If they are siblings, will this show actually go there??? You know where I'm talking about.
Character Chart: The Smile Has Left your Eyes Kdrama Chart 2
Recap Countdown: Recap Starts at 11am CST!…Check twitter for updates!
THE SMILE HAS LEFT YOUR EYES KOREAN DRAMA RECAP EPISODE 10
Jin Kang walks home after seeing Moo-young. Her brother is there. She goes to her room withut seeing her brother and lays on her bed. Moo-young also lays down.
VO – I dont' want you to be bad, I am fraid because you are going down the wrong path (doing bad things). Are you really going to take that job?
MY – If you say no then I won't do it.
JK – Promise me that you will be a good person.
MY – Teach me.
MY lays on his octopang and JK lays in her bed. They both think about each other.
In the morning, Jin-ang looks pretty happy and content as she gets ready. Her brother waits for her as she steps out of the house and gives her a ride to work. He is enthusiastically giving her a ride. Though they don't talk in the car.
He tries to break the silence by talking about the A/C. They start to get into a little brother-sister battle about the A/C in the car which clears the air between them. Then he tells her that she is lucky he is taking her to work. If she was a little later then she would already be gone. He asks her what she will do next Thursday. She mentions that next week is November already. She did not know time passed.
he asks her if she would like to have a kimbop picnic? he should also buy new hiking boots, his are too old. She smiles. he also smiles back, but his smile is hesitant. He drops her off and tells her, hey ugly, I know I went too far yesterday. You are a grown up, I trust that you can take care of yourself. i won't be in your business anymore, okay? She smiles and says okay. But, she has a look of being in deep thought as she walks away.
At work, MY gets a text from the rich sister, YES or NO. He tells her NO and removes her contact from is phone. Then he gets back to work.
At work, So-yeon and Jin-kang work and get coffees in the break room. The CEO comes out and thanks them for the coffee then talks about how the rich sister majored in art in college. So-yeon also thinks that they need to know what Kim Moo-young likes because he will be the one that runs the place. Jin-kang kind of tells them that she heard thta he won't do it. She bumped into him on the street and he said that he won't do it.
The team are all like, hold up, is he really not doing it? But the atmosphere is playful. Jin-kang says, yes….he decided that he really is not doing it. She smiles a bit. The CEo asks her if she laughed? In this situation? Jin-kang is all like, no, I am really sad about it. So-yeon tells the CEo that Jin-kangg is a bit weird, she has been humming for hours today. Hurummmmmm, Hurummmmm.
At the company, the sister finds out that Moo-yung told him no, she wonders if she was too nice to him. The secretary thinks he is a little rude.
At the policie station, KC tells the boss that they need to take Im Yuri to the prosecutors office for the murder. They would like us to interrogate Moo-young for another week. The head cop wants to know why they won't just take them together? KC says it is because they don't have enough reason/motive. The boss asks why Kook applied for a regional police station for next term. But KC did not know that. The boss tells them, do you know why I want you to together? Kook tells him that he is okay with any punishment. The boss says that they only have two months, don't make any more noise.
In the offices, it looks like all the cops are in trouble. One guy says that Kook deserves it, he should have turned Yuri in when she confessed, then they would not have brought Moo-young in front of the camera. Cho-rang says it is his fault because Kook did not know they would move that quickly. They all move to hit him, but one f the cops says to leave him alone because he is dating Kooks sister. They get a call that they will not be punished for arresting the wrong guy and dragging him in front of all the cameras.
Kook and KC head back to the offices. KC says he does not know why Kook was so eager for the case. But he wants to go back to their relationship before the case. Let's just ignore each other and not face each other, okay? KC heads into the offices first. Kook goes in and is given a coffee by Cho-rang with a smile. They go outside to drink.
Kook thanks him and tells him that he is sorry, things were probably hard for you. Chor-rang also apologizes. he says it is all okay, but….however he says it's nothing. He is happy that Kook is not in trouble. Kook gives Cho-rang some money and says his old mentor gave it to him to buy a snack for Jin-kang, so maybe you can buy it for her.
Cho-rang holds onto the money as if wondering if he should tell Kook that they broke up. But he decides to walk away. He thinks about the moment they broke up and then walks back. he tells Kook that they broke up. He thinks it is better to tell him, he also does not want to regret that. He is sorry that it did not work out. Kook asks him if he would like to have a drink with him? Cho-rang looks a bit sad and embarrassed and tells him that he can drink with him next time.
Elsewhere, Moo-young sees Jin-kang outside her workplace and texts her.
Text: lets take a bus.
Her other employees come out, the boss says that she can take Jin-kang and So-yeon home, but Jin-kang tells themt hat she will just walk. Bye! Jin-kang and So-yeon end up walking together because So-yeon says she will take the subway. But once they get to the bus, So-yeon says she will take the bus. Moo-yeon gets up and leaves from the bus stop.
But then So-yeon says that she might take the subway after all, she says goodbye and walks off. Jin-kang texts Moo-yeon and tells him that So-yeon took the subway. he did not go far away and actually peaks back around the bus stop to Jin-kang. They get on the bus seperately, but they sit together. However, it is an inside joke because they don't talk to each other.
He shows her the text message. She made a typo on it so they smile about that for a while.
Elsewhere, Tak and Kook walk on the sidewalk. Tak says that this time of the year is the best time because she can feel lonely. Kook is deep in thought. She asks him if he is deep in thought because it is November. He says no, November comes every year. It is actually becuase Jin-kang and Cho-rang broke up. CR told me that it did not work out. Tak tells him that she is sad about that, CR is a good guy.
Kook thinks he wouldnt' have told her that he trusted her if he knew they broke up. Tak tells him that he likes Cho-rang but it did not work out. So just wait, dont just say that you are waitiing. Why did they break up? Kook says it is because of that guy. Tak thinks, Moo-young? Ah…~. Kook asks her if she knows something! She is all like, no, not like that but…
Cut to Moo-young and Jin-kang eating at a cafe. he cooks the meat for them both. She asks him if he took the job. He asks her what she thinks he said? Jin-kang is happy that this means he said no. She smiles. she also tells him that her boss wanted him to take thejob because that meant they might actually get the work. He says he would 100% pick their company if he took it. He asks why she does not want him to take it. It would pay a lot, you don't like money?
She tells him that everyone likes money, you should make a lot. I like money but I don't want you to be too close to those people. People like that can do anything. You should keep your promise where I can ask you anything if I have a question. I have a lot of questions to ask you, but I don't want to do it now. When I saw you I was always angry and cried and worried about you. I decided not to see you anymore. I never smiled. So not I want to do everything after I smile.
She starts smiling and laughing. he tells her not to smile, when she smiles, he is scared. She says okay and smiles some more.
They wallk home at night. She asks him if they can walk a certain way. Let's walk that way. She tells him that she does not want her brother to worry about her. You know my brother pays attention to you right? He says yes. They start to hold hands.
he tells her that he likes ajusshi. No, it is not that he likes him, it is that he is fun. He wants to just touch him or play with him, I become childish around him.
She tells him her brother is a funny guy. Moo-young tells her that she smiled, at hime once….maybe I will keep hating you. Flashback to when she asked the cats name ater they spent some time together. He told her the name, Jin Kang. She said it was stupid to ask him and that maybe she will keep hating him.
You smiled at me 3 seconds later.
Jin-kang smiles and tells him that he remembered that? She asks about the cat, did you find it? He says that he did not find it. But he got a text message. The cat got a cute girlfriend, so don't worry. She tells him that she will keep hating him. Then they see a flower shop that appears to have spring up out of nowhere in their alley street. Jin-kang holds Moo-young's hand and pulls him to it. She looks around the tiny flower shop and he looks at her, happily.
Kook sees a pair of yellow flower bundles at their home. Jin-kang says that she got them for the house. Then she playfully asks if he can take her to work. He says of course so they go to work. But she tells him that she will have to work late.
At his workplace, Kook takes Yuri out amidst a lot of photographers. A car starts to drive her away as Kook looks at her reassuringly. But then a cop comes up to Kook and tells him that they have to interview Moo-young. Can you take care of it?
Moo-young walks to his workplace, but he is stopped by the rich sister (Se-ran). She asks him why he refused the job. Moo-young tells her that he is trying to learn how to be a nice person. She laughs and says that is not like him. he smiles and says that is why he wants to try it.
She tells him that she recognizes him, they are the same species. They cannot be normal. Boredom consumes 80% of my life. I was born here but there is nothing I want, I am so bored. Sometimes I see something shiny and follow it. But everything is not interesting. But I lose nothing in the end. Time passes. To me, the shiniest thing is you. What do you think you will do? You will come to me. I bet you.
Moo-yung looks at her but then takes a sip of his drink and says it does not taste good. He leaves. She smiles and asks her secretary when the prosecutors are going to take him.
Kook calls Moo-young, but the phone is off so he goes to his place. he sees the same flowers there andgets pissed. He must have stewed in that all day. He tries to put some groceries away at home, but he just thinks about it and leaves. While walking up the street he calls someone and thinks about what Tak told him.
Tak – When Moo-young was arrested as a suspect, Jin-kang called me and asked if the Kim on the news is Kim Moo-young. Her voice was a little ~. If Moo-young is the guy that you are looking for, then he should not date Jin-kang right?
Kook gets ahold of Jin-kang, she is at work. he asks ehr where she is and she tells him that she is at work, of course, I told you I am working late. It is a hectic time at work as she has to talk to her brother and run between her desk and So-yeons. They hang up.
But then Moo-young asks Kook if he is going to his place? Kook turns around to see Moo-young there. they start to talk about how Kook has been truing to contact him. Moo-young says his battery is out. What's up? Kook tells him that he has to come to the police station at 2pm tomorrow. Moo-young is a bit taken aback but says okay. then he starts to walk up his steps.
Kook asks him if he is dating his sister. Moo-young stops and asks him why not, am I not qualified? Kook tells him it is not because he is not qualified, it is because it is him. I am not asking you, I am warning you.
The next day, Jin-kang goes to Moo-youngs place.
VO – if you come to my place then look under the flower.
Jin-kang looks under the flower and gets the key.
Inside, Moo-young is having another nightmare about what happened in his past. Jin-kang calls his name several times. he wakes up to see her and hugs her right away. She goes to the fridge and gets him a drink, but there are no cups. She asks him if he had a nightmare. He tells her that he had a dream of his father dying. He died from a gun shot. the same dream 5 times.
She asks him if he has the dream over and over again? He says it is the same dream with the same content, but it gets clearer. She asks what kind of dream it is. he tells her it starts good, he is supr happy. Maybe he is 4 or 5. He is playing with a toy in the forest with my sibling. At home, appa is there, I was so happy so I wanted to go to him. there was the sound of water boiling and a gun. I see a gun over the steam.
A gun?
Yeah, someone tried to kill appa, it becamse a nightmare at that point. I don't see the face, but I see the gun. he was about to shoot my father. I wanted to call my dad, but appa fell after the shot. I want to wake up but I can't. Then I hear your voice.
My voice?
Yes, Kim Moo-young. I thought you were a dream, but you were here.
When did you have that dream first?
When I had the car accident. I also heard your voice then.
Flashback to the accident.
She asks how he knows it is her voice?
he says he is sure. She tells him that it is strange. He wonders, maybe it is not a dream, maybe it is his lost past. I don't have any memories before 5. I don't know if it was 5, but I don't know about when I was born.
What is your first memory?
i was walking somewhere forever. My leg hurt and I was hungry. I don't know where I was. Maybe I wondered about someone. I felt like someone waitied for me but I couldn't stop.
Who, your mom?
He goes to gets his drawing he did when he was little. he tells her who each person is in the photo. Appa, Umma, me, and my sibling. That is my only clue. A halmoni raised me. I was lost, an ajumma took me to an orphanage. I still had this drawing. What do you think?
It looks like everyone is very very happy. See, you have an angel here too.
Do you think it is the police?
It has a purple hat.
I always thought my father was a policeman. My father in my imagination is still looking for me somewhere. His lost son, me. I am not abandoned, i am just a lost kid. It is childish, right?
She holds his hand and interlocks her fingers with his as she holds it to her face. She asks him how many times he has thought about this? He tells her many many times. But then he asks her how she knows those feelings? She tells him that she knows. He asks, how? She says she just knows. See, your family looks so happy. If I was you then I would think that I was a lost kid too.
Is that so?
Did you try to find them?
yeah, when I was 20 and when I was 8.
Do you want to find them again?
Are you afraid?….in case the dream is true?
She gives him a warm hug and he hugs her back. they stay like that for a long moment.
Jin-kang gets home to Kook making kimbap. She happily sits and eats it. he tells her that she always loved eating the end pieces of Kimbap like a little bird. She tells him that it is still the most delicious part to her. He tells her to eat a lot, then they can leave a bit later. he hops up. But she looks a bit reserved and says that she does not think she can go there.
he asks why, too busy? She says they have a presentation next week. She told her CEO that she will not be there, but she thinks she has to go there.
Cut to Jin-kang looking mesmerized in a bus as she tells Moo-young that she can lie so well. I think you affected me. But she laughs and tells him that they should not lie anymore, okay. They both eat the kimbap that Kook made. Moo-young says that Kook can open a Kimbap store. Jin-kang explains that her oppa packed Kimbap for every school event.
he asks why today on November 1st? Why do you go to the temple today?
Flashback to a little Jin-kang and Kook walking somewhere.
VO – I never thought about it I just thought it was a super cool Oppa and me event. I waited for that day more than a school event.
Cut to Jin-kang calling Tak, she happily tells her to date Oppa for her today. They get off the phone. JK starts to walk around with Moo-young in their hometown Hesang.
JK – when I was young, Oppa moved to Seoul. But later I thought that did not make much sense. He moved from Hesang to Seoul for me.
MY – Was he a policeman in Hesang?
JK – He was a policeman since 22, of course he was one there as well.
Flashback to MY asking Jin-kang if he knows of any policeman in Hesang. It takes over his thoughts momentarily until Jin-kang smiles and asks what up. MY says it's nothing and smiles as well.
In Seoul, the policemen says that Moo-young went to Hesang so they cant arrest him. They have to wait for tomorrow. They wonder about Kook. But then HwangGun says it is November 1st, he forgot. Another cop asks what happened between the team leader and Kook? Why was their old team destroyed?
Hwang Gun says that they chased someone and that guy died. This person was a serious criminal, but Kook tried to catch him himself. that criminal jumped off a cliff. CR asks if it was a suicide? HwangGun says he isn't sure about all that. But nothing happened back then, no punishment. They had a lot of serious crimes back then and that era was different. It just passed.
They wonder why the team leader does not like him then? HwangGun says that Kook was so guilty so his team was destroyed. CR says he saw someone die so he could be in shock. HwangGun says at that time people had death sentences and no one cared. That guy would have had a death sentence anyway.
Cut to Kook praying at the temple. Tak shows up and sees him praying. She lets out a sigh and then joins him. The mood is somber. Afterward, Kook fills his bottle from a spring at the temple and then he and Tak eat some of the Kimbap. She tells him that she has eaten his kimbap for 17 years. Don't you remember. Instead of you, I went to one of Jin-kang's school events, when she was in 5th grade. that little girl has grown up this much to take care of Oppa. Kook smiles and tells her to just eat.
Tak asks if Jinkang knows why he takes her there every year. Kook says that she does not know and she should not know. Tak tells him, because of you, they saw their daughter grow up. Kook smiles and says that there is fresh air and a sense of calmness at the temple.
Cut to Moo-young and Jin-kang walking around Hesang happily. The scenery is gorgeous as well as they hold hands and talk and walk. They walk all the way to the orphanage. Jin-kang rests her head on Moo-young's shoulder as they happily watch the kids play. Then the bell rings and all the kids run inside to sing for a lesson.
They sing a song about love as Jin-kang and Mooyoung watch along. Jin-kang loves it and Moo-young loves that she loves it. They both clap at the end which catches the Sisters attention. She turns around and sees Moo-young there. they happily smile at each other.
Jin-kang plays with the kids as Moo-young catches up with the Sister. She asks who Jin-kang is. Moo-young says it is someone he wants to look nice too. She smiles and says that makes her happy to hear it. He asks what makes a good person. The nun says that it is someone with a lot of love. he thinks that is not him. She laughs, he says that he made her laugh, he did not think that day would ever come. She laughs some more and asks him why he came to Teressas funeral.
He changes the topic and tells her that he came there because he had a question. A long time ago, you said that a polceman was looking for someone like me?
Hey, Moo-young, that boy is…
I know, but he came there to look for a boy with a burn on a shoulder one year before I came here. When I came here, the head nun looked at my burn and called the police. that boy, did they already find him?
She nods.
So, of course I am not that boy. But, I still want to check it with the police. When I was 8…..I thought….he was my appa.
The nun looks at him with concern.
But…it was as expected. But why do yo think, I still think I shuold start here, so I came back here again.
VO – Behind the orphanage, there is a lake. In the middle of the walking pass, there is a stone. That is my place.
JK – what did you do there?
MY – Just sat
JK – What did you do sitting?
MY – I just watched, people fishing and dating. (OMG this is the psychiatrist scene)
Moo-young comes up from behind her and asks what she is doing. She says that she was watching him. It looks like you did not listen when you were little. She grabs his arm and asks if he found out anything. He says he did not find out much.
They keep walking in the forest along the river.
She says that she thought about an orphanage a lot when she was young. She wondered what it was like living there. He aks, is it because you would have grown up there without your brother?
She says yes, she did not think abuot it at the time, but it all clicked later. But why don't I have any kid pictures. My father died in 88, but I was born in 90. I have a sister that went to America. What did she say before she left?
MY – What did she say?
JK – Your sister is not her, it is me. My brother is my real brother…..~. So, I am not his real sister. It is not that weird actually. I thought I would not be able to tell anyone until I died. I already feel sorry to Oppa for just thinking about it.
MY – You should have a lot of questions. You can't ask him because you are so sorry to him?
JK – I thought about it a lot, an abandoned kid, a lost kid. I always thought I was abandoned, who are my parents? Why did they abandon me? Why did oppa have to take care of me? The saddest thing is, I can't say thank you to him….thank you for raising me even though we are not anything. I want to tell him that but I can't.
Moo-young gives her a very comforting hug. She smiles and says that she hopes her brother is happy. He tells her that that policeman is great. She says he isn't that great. They keep hugging.
Cut to Kook eating and drinking with Tak. She mentions that makguli is so good at the bottom of the mountain. he tells her to be quiet, he is trying to text Jin-kang and mutters that he wonders if she ate dinner. Tak takes the phone away.
Kook tells her that it is strange, she looks so pretty when she is angry. Tak is all like, shut up. She asks him if he even worried about her? He says, me? Worry about you? They start to playfully bicker back and forth. Tak tells him that he worries about everyone in the world except for her. She thinks about this every time she sees him. Love is worrying for you, that is why you don't worry about me at all.
He smiles and tells her that his Tak is brave (bright). She says whatever. Then she tells him that the person that worries about him most in the world, she leans in and asks if he knows who that person is. Right at the perfect moment he hits her on the forehead like a little kid; that sends her moving backward. Perfect timing.
Back at the lake, Jin-kang and Moo-young sit on Moo-young's rock. She says that she wishes that she had a time machine, then she would hug him. He tells her it is not too late. She laughs.
MY – I want to sleep with you.
JK – Me too.
They cuddle a bit closer.
Back at the mountain, Kook and Tak laugh and have a good time with their makgoli. Tak tells him that they go to work tomorrow, so let's drink! Maybe we can skip work! Let's live with a smile, it looks good on you. Tak tells him that she respects him, even if everyone says it is not your fault, you are still sorry about it. I really like you because of that. Someday, if you have a day where you forget to come here and then think that you are crazy, how can I forget this. Kook says that day will never come. Even if he is old, unless he has dementia, he will not forget it. Do you know why I wanted Yuri to turn herlsef in? I worried that she would become like me. I did not know what to do even though someone died because of me. I tried to kill myself, but I couldnt' do it. My sister was a high school student. I thought I should live. But there are so many days to live. So, many days. back then I did not know that time passed so fast. I was just 24. What is the scarriest thing is that i did not go to jail. I did not pay a little bit for what I did. that made it more difficult.
Why do you have to go to jail? I agree with KC, it was not your fault. Whether he killed himself or not, you tried to catch him.
Kook – It was not a suicide, it was not a mistake that he fell.
Cut back to the hotel. Jin-kang and Moo-young playfully take off each other clothing on the bed. One piece of clothing each. they both smile and laugh as they enjoy looking at each other. Then she touches his cheek and he touches her hand that is touching her cheek. She cradles his head in her hands and then they kiss softly. They are very happy just being with each other and kissing softly.
Kook – It was not a jump from the cliff. He did not run away. I shot him with my gun.
In the seaside, Moo-young happily lays on top of Jin-kang as she lovingly looks at him. They start kissing once again.
THIS SHOW JUST WENT THERE. But will they go to that other place across the river where no one should ever tread? They seriously actually just slept together. It was such a beautiful scene too that made me think that they are perfect for each other. I have a feeling I will feel so icky later. Y'all, there is no going back into that safe space now.
This episode had so much come out. We know that Moo-young had a sibling. We also know that he does not remember anything from before a certain age. We know that Jin-kang knows that Kook is not her real brother. We know that Kook killed a man and we know that MY saw his father get shot (or at least the person who he thinks is his father?). We also know that he tried to find Kook when he was 8 but KC turned him away. We know that KC did it because Kook was in all sorts of depression about what he did and seeing that kid might have really put him over the edge. Perhaps KC did not want Kook to adopt both kids since he already adopted one of them. It seems like they were good friends back then, so maybe KC was trying to look out for Kook. Kook's own sister basically told him that she was his real sister, not this kid. Y'all, there is so much to unpack in this episode.
And then the preview! You may love him JK, but Moo-young is still Moo-young and will not like your brother no matter how much you want him to. In fact, he will probably try to get him killed if he ever finds out the truth. Or maybe he will get Kook put in jail. I don't know, MY is sinister.
And they pulled the psychiatrist back into this! Did anyone else recognize that lake fishing scene? That is the photo that the psychiatrist had! It might have been in the first episode when the psychiatrist was giving an interview over the TV in the opening scene. I don't actually remember exactly, but I remember that it was a scene that had something to do with that psychiatrist.
Yuri – Moo-young dates your sister, ajusshi?
Kook – Not dating! I oppose it, never ever!
YR – Your sister will not be able to finish the relationship.
JK – I never saw oppa hate someone so much. Do you know why Oppa is like that eunnie?
Kook – When do you investigate Kim Moo-young?
KC – Worry about yourself, okay!
Kook – What is wrong with asking about an investigation as a policeman! Am I wrong!
JK – Oppa, stop! Stop!
Kook – Who raised you until now!
MY – I don't want to be nice to your oppa.
JK – You know how important he is to me, how can you say that?
The Smile Has Left Your Eyes
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Ketchumall
I'm not fond of the slow pace of this show, a lot of time is taken up in scenes that don't add much to the plot.
1. Now after watching this ep – this is what I think: There are a lot of loose ends about MY's past- like what about his mom or the "brother" he had. I guess he has tried to find them but hasn't been successful
2. Why is Jin kang so fucking dumb? Why doesn't she try to find who her parents are? She doesn't know why she goes to the Temple every year November 1st? I mean I would've asked at some point…
3. The real mystery seems to be actually the connection between MY and Jin Kook – which it seems to be more clear than ever that Jin Kook is the killer of MY's father. What I'm more curious about is how is Jin Kang related to the whole thing? Is she MY's "brother" who he thought is his brother but actually his sister, since they both have similar body burns – or is she just a random girl that Jin Kook decides to adopt (because she has the burn).
(But the fact that she is from the same town as MY makes things a little fishy…) Additionally- it makes sense that MY doesn't remember his past- but Jin Kang should right? So she should know what orphanage she came from or foster home she transferred from…
It seems like she might have never been in foster care? I'm not sure about that though.


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Category Archives: Television
Discovering Euphoria: 2019 in Review
Posted on December 29, 2019 by Katie
Source: avclub.com
"If there were an answer I could give you to how the universe works, it wouldn't be special. It would just be machinery fulfilling its cosmic design. It would just be a big, dumb food processor. But since nothing seems to make sense, when you find something or someone that does, it's euphoria."
When I think back on 2019, I'll think of this quote from The Good Place. At many points this year, things—personally, professionally, and in even in my fangirl life—didn't seem to make sense. This was a challenging year on a lot of levels for me and for a lot of people I know—and even a lot of people I know only through this wonderful world of fandom. But through it all, one of the best and most beautiful things about it were those brief moments when something clicked—when something finally made sense and the pieces fell into place and for just one moment it was euphoria.
Looking at my favorite pieces of media this year, they're all connected by that thread—moments of euphoria amidst the pandemonium. As I searched for meaning in the chaos of my own life, I found comfort, catharsis, and so much joy in watching fictional characters do the same.
It began with The Good Place—the show that gave us those beautiful words about our search for meaning and where we find it. There's no more perfect show for this current moment in our world because it never tells us that life is supposed to be painless or that being a good person is easy. It acknowledges that life can be hard and hope can feel a million miles away and happiness can be fleeting. But it also reminds us that the important thing is to never stop trying to make things a little better for your fellow human beings. That's how we find euphoria—in connecting with others, for a moment or for eternity. And maybe—just maybe—those connections—that love—can be the thing that saves us all.
There's no message more brazenly, bravely, beautifully hopeful than that.
And almost every other piece of media I loved this year followed in those footsteps—reminding me that there's hope to be found in moments when we feel truly understood and accepted—by others or even by ourselves.
Posted in About Me, Film, Television	| Tagged about me, essays, film, fleabag, fosse/verdon, frozen, game of thrones, glow, mcu, nerd musings, russian doll, star wars, television, the good place, year in review	| 4 Replies
Nerdy Girl Predicts: The 2019 Emmy Awards
Posted on September 21, 2019 by Katie
(Photo by Paul Drinkwater/NBC/NBCU Photo Bank via Getty Images)
My relationship with the Emmys has always been a volatile one. It's resulted in shoes thrown at the television (when Keri Russell didn't win for The Americans last year) but also in tears of joy from my couch (when Matthew Rhys did win last year—and thanked Keri Russell in the cutest way possible). And so I continue to tune in year after year, ready for the emotional roller coaster that comes with caring way too much about whether or not your favorites go home with a shiny gold statue.
With some awards shows, I try to be objective with my predictions, but that never works with the Emmys. I care too much about the shows I love, and I can never separate my head from my heart. As such, my predictions might not be the best guide for your own Emmy pools or parties, but they offer a look into the shows and performances that captured my heart in the last year. And since my job and my life have gotten busier recently (yet again—can't things ever slow down?!), I hope this will provide you all with a nice little snapshot of my thoughts on this past year of television since it's been hard for me to write about my thoughts and (MANY) feelings as often as I'd like around these parts.
Without further ado, let's make some predictions (and talk endlessly about our favorites)! I won't cover every category—especially because in some categories (like TV Movie), I haven't seen a single nominee. But I have a horse in most of the races this year, and I can't wait to share my feelings with you about why I'll be rooting for them on Sunday night. And if you want even more insight (and emotional, all-caps reactions), I'll be live tweeting throughout the evening starting with the red carpet at 6 p.m. EST. Come for the analysis—stay for the rabid fangirling over how gorgeous the cast of Game of Thrones is sure to look.
My Thoughts: No matter what your opinion was concerning the final season of Game of Thrones (For the record: My opinion is a cross between a shrug of the shoulders and a fit of rage depending on what storyline we're talking about), it was impossible to top the show in terms of its production value, cultural impact, and buzz. With a plethora of nominations and a reputation for Emmy glory (even for less than stellar seasons), I think this is one of the few safe bets of the night. And despite my misgivings about the final season as a whole, I think parts of it (namely, "A Knight of the Seven Kingdoms") were among the best things television gave us in the last year. I'm not sure a TV drama will ever again draw the kind of universal attention and discussion that Game of Thrones did, and I can't see Emmy voters passing up one last chance to honor its cultural impact.
My Pick: Veep
My Thoughts: This is one category where I can separate my hopes from my sense of reality, and that's because I'm going to console myself with the idea that The Good Place will have a better shot to win a "body of work" Emmy for its next—and last—season. This time, I think Veep is going to take home one last Emmy in a category stacked with brilliance. I wouldn't mind any of the nominees winning—and I hope the love is spread around in the writing and directing categories—but I've heard nothing but praise for Veep's final season (I'm still many seasons behind in my quest to watch all of it), so I think Emmy voters will want to send it out on a winning note.
My Pick: When They See Us
My Thoughts: This is another powerhouse of a category, but nothing I watched on TV this year has stayed with me in a visceral way like When They See Us. The power of its performances, the clarity of its writing, the immersive and unflinching style of its direction—every part of it was operating at the highest level to produce something masterful. It's a showcase of this particular medium at its very best, with each episode varying just enough in focus and tone to present a comprehensive look at the lives of human beings caught up in the horrors of the American criminal justice system. The humanity on display in this limited series was almost too painful to process at points, and that is exactly why it deserves this recognition.
Posted in Awards Season, Television	| Tagged awards season, emmy awards 2019, prediction post, television	| Leave a reply
Game of Thrones Moment of the Week: "The Last of the Starks"
The Moment: Jaime Lannister Leaves Brienne of Tarth
Setting the Scene: After the consummation of Jaime and Brienne's relationship and seemingly a period of happiness in Winterfell, Jaime hears that Cersei and Euron have done serious damage to Daenerys's forces, which causes him to do some soul-searching.
Why It Matters: If you'll notice, I changed the title of this section. "Why It's Awesome" didn't feel right for a scene that left my favorite character sobbing and my other favorite character riding off to what seems to be certain death with the most unclear motives in television history. Despite its inherently tragic (and possibly frustrating) nature, this scene deserved a closer look.
Let's start with the obvious: None of us have any idea why Jaime really left the North—and the life he was building there with Brienne—to return South. We can make educated guesses, make up various theories, and even claim to use the actors' performances, small pieces of what we think is foreshadowing, and potential spoilers to gain insight into Jaime's mind in this moment. Is he leaving to kill Cersei because he knows he's the only one who can get close enough? Is he leaving to die with her because he feels that's the only way to fully atone for the sins he committed out of his love for her? Is he leaving to try to save her because he still loves her? Is he leaving because of the child Cersei is pregnant with? Does he plan to die in her arms as her soulmate? Did he always only love Cersei, or does he truly love Brienne now? Does he think he's not worthy of Brienne? Is he trying to protect Brienne by pushing her away so she won't follow him?
There are probably a thousand more ways to interpret this scene and what Jaime is going through during it, but we won't know until the next episode airs, or the series finale, or maybe not even then. And for some people, that might be fine. Obscuring character motivations for the sake of preserving shock value is not a new trick on this show—it was my main complaint with last season's Arya/Sansa storyline. But it's not fine for me. I want to leave every scene of this final season feeling something—whatever that feeling may be—deeply. I prefer when the characters drive the plot, not the other way around. So Jaime's lack of clear motivation—and the lack of relationship building between him and Brienne (in this episode rather than in the many seasons of gorgeous development we got before their love scene)—left me feeling confused more than anything else. By trying to hit two huge beats (the sex and the "breakup") in one of the show's most nuanced and beloved relationships all in the course of an episode, it just cemented my belief that this final season is more about moving characters into predetermined places as quickly as possible instead of creating a story whose final highs and lows feel earned.
With that being said, I don't want to talk much about Jaime in this scene. I want to believe that the tears in his eyes gave away his true feelings (because how deeply unsatisfying would it be for him to actually go back to Cersei because he loves her after all this?), but my lack of faith in these writers when it comes to Jaime's character arc is telling me that might have just been the result of Nikolaj Coster-Waldau once again bringing so much more depth to his character than the writers believe exists in Jaime.
And how could he not bring everything he had to this scene when he was met with his best scene partner giving what may have been her best performance yet?
Posted in Moment of the Week, Television	| Tagged game of thrones, recaps and reactions, television	| 3 Replies
Game of Thrones Moment of the Week: "The Long Night"
Posted on May 3, 2019 by Katie
The Moment: Arya Stark Kills the Night King
Setting the Scene: Just as all hope seems lost for the living in Winterfell and with the Night King seemingly about to draw his sword against Bran, Arya jumps out of the darkness and fulfills her destiny to close blue eyes forever.
Why It's Awesome: I'll be honest: I didn't love "The Long Night." Last week's "A Knight of the Seven Kingdoms" is much more my style of storytelling and provided far more of what I want from Game of Thrones. However, this episode delivered when it counted, with a moment that had me leaping off my couch in shock and will forever be immortalized in reaction videos that bring tears to my eyes when I watch them.
This is what fandom is all about. It's what entertainment is all about. It's about these kinds of moments—ones that make us hold our breath and then explode with emotion, ones that make us want to talk to everyone we know about how it made us feel, and ones that bring us together in shared excitement.
Arya killing the Night King was unexpected in the moment. It seemed like it was Jon's destiny—or maybe even Bran's. And then, as the episode neared its end and the fates of all the main characters looked pretty grim, I actually started to worry if maybe the Night King would actually win. But that wasn't the subversion the writers were going for. Instead, it was the subversion of our expectations of whose hero's journey we're actually on when it comes to this story. After Arya stabbed the Night King, I had the best kind of reaction imaginable to a piece of media—I immediately thought about going back and rewatching the entire show with this knowledge in mind, because I knew that I'd see everything differently now. This was a moment that changed not just the future of the show, but how I will now view its previous episodes, too. Because, in her own twisted way, Arya was on a hero's journey. She had to travel far from home, encounter monsters of all kinds, let her old self die, survive hell, and return home with new knowledge that could be used to create a better future. It doesn't get more quintessentially Joseph Campbell than that.
I love that Arya's journey had a real purpose. I struggled for a long time with her story because it felt like a depressing tale of a haunted girl learning to become a soulless killer for revenge. And that kind of story is never interesting to me. But now it all makes sense. She had to become intimately familiar with death in order to kill its greatest agent and symbol. She had to know death to destroy death. All of her training led her to that moment of sticking death itself with the pointy end to defend her brother and her home. When you look at who Arya is and what she was fighting for, there was no better way for this part of the story to end. It managed to be both surprising and satisfying, which doesn't happen very often on television.
I have no idea where this story is going to go now, but I'm ready to move on from the Night King and get back to the interpersonal, human dramas that have made this show so compelling from the pilot onward. And if this moment taught me anything, it's that satisfying surprises are still lurking around every corner.
Honorable Mentions: Tyrion kissing Sansa's hand, Bran telling Theon he's a good man, Arya giving Sansa a dagger, and literally any of the approximately 800 times Jaime and Brienne saved each other
Posted in Moment of the Week, Television	| Tagged game of thrones, recaps and reactions, television	| Leave a reply
Game of Thrones Moment of the Week: "A Knight of the Seven Kingdoms"
The Moment: Brienne of Tarth Becomes a Knight of the Seven Kingdoms
Setting the Scene: When Tormund asks Brienne why she's not a knight, Jaime is inspired to break tradition on what might be their last night alive.
Why It's Awesome: "A Knight of the Seven Kingdoms" is all about the answer to one question: If you thought you only had one night left to live, how would you want to spend it? It's one of the all-time great episodes of Game of Thrones because of how perfectly that question is answered for each character. Arya wants to spend it experiencing one last pleasurable human act that's about life and not death. (Get it, girl!) Tyrion wants to spend it getting drunk. Sam wants to spend it with his new family. Sansa wants to spend it eating among her people with a man who makes her feel safe. At the end of the world, some people choose to forget, some people choose to pray, some people choose to sing.
And some people choose to hope.
For Brienne of Tarth and Jaime Lannister, hope is not something that comes naturally—at least not anymore. They're both masters of pushing down their deepest desires to the point that even they no longer believe they want those things anymore. Jaime has fooled most people into believing he doesn't care if anyone respects him or sees him as honorable, and Brienne knows she'll never be a knight—will never have that public acceptance of who she is—so why bother wanting it?
But when facing the end of the world, it was finally time for both of these characters to admit that those things mattered to them—and to find that when they finally looked out from behind their self-imposed walls, they were staring into the eyes of someone who wanted to give them exactly what they desired most.
The buildup to this moment was perfect—from Jaime jumping to his feet when Brienne entered the room (complete with Tyrion's knowing eyebrow raise) to her downright adorable blush when Jaime asked her to stay. Gwendoline Christie played those early moments with an innocent sense of romantic anticipation—the kind of barely-restrained glee and fear a person feels when they realize the object of their affection might actually like them too. And then throw in Tormund and his hilariously misguided attempts to woo Brienne and it was like a Westeros romantic comedy, despite the impending sense of doom. I wasn't sure what kind of payoff we were going to get, but I knew something was coming. I just had no idea how great it would be.
TV Time: Fosse/Verdon 1.02
Source: New York Times
Title: Who's Got the Pain?
Worth a Second Look: The Use of the Rehearsal Studio
This episode used the rehearsal studio to show the way intimate spaces—and intimacy, by extension—can be alternately exciting and stifling. When you're first falling in love with someone, the idea of being alone in a room with them is thrilling, but when things are going poorly, those same spaces that once sheltered a growing attraction can make you feel trapped with no way out.
Bob and Gwen met in a rehearsal studio, and that first meeting changed their lives—and the course of musical theater history. It was a meeting between two soul mates who didn't take long to figure out that's what they were; you could see it developing as soon as Gwen realized Bob was choreographing a striptease and as soon as Bob saw Gwen hit that burlesque pose. What started as two people trying to get the upper hand quickly morphed into a dynamic partnership all in the course of a few counts of 8. Sam Rockwell and Michelle Williams brilliantly conveyed the initial tension dissolving as they discovered their shared experiences using the language they knew best: dance. With just one pose, Gwen opened the door to her burlesque past, and with one shake of his shoulders, Bob did the same. Alone in an isolated space, they couldn't hide, but instead of being afraid of the vulnerability that comes with intimacy, they embraced it. They grew more comfortable—with Gwen adding bits of herself to the choreography—creating something together as partners minutes into their first meeting. And the way Rockwell and Williams played the excitement of two people finding a kindred spirit was electric. The moment after she finished the choreography and sprang up in front of him, breathless with exertion and joy, was magical. It was the most fun kind of foreplay—a perfectly matched pair riding the high of love at first dance.
The highs of that scene, though, were matched in brilliant execution by the lows of the moment Bob cornered Gwen in the small room off the main rehearsal studio after she discovered his wife was dying. The heat and playful passion of that first time alone together had faded to the point where Gwen seemed almost like a wounded animal in a cage with a predator. Just like before, they couldn't hide from each other, but that wasn't exciting anymore. The shift in tone was breathtaking and brilliant—with even the camera closing in tighter to emphasize the way intimacy can be claustrophobic at times.
The final scene with Bob and Gwen (essentially) alone in a rehearsal studio felt like a mixture of the previous two scenes. It lacked the overt sexual tension and playful energy of their first meeting but it also felt less stifling than Bob's cornering of Gwen as she got ready to rehearse. Instead, it spoke to the lived-in intimacy of two people who are most at home with each other. As Bob spoke about art being about pain, the close-up on Gwen's face said it all: She'd made her choice. Alone with Bob—away from everything and everyone else—it was impossible to ignore the singular understanding they had between them and the rarity of their partnership. And no matter how bad it got between them, things would continue to make sense when it was just them in a rehearsal space, away from the other influences and other women and focused on the magic that happened when they were left alone to dance.
Posted in Television, TV Time	| Tagged dance, fosse/verdon, recaps and reactions, television	| 2 Replies
Game of Thrones Moment of the Week: "Winterfell"
Welcome, friends, to our final round of Game of Thrones analysis before our watch ends! If you're new to these posts, each week I'll break down a different moment that I loved in that week's episode. However, the comments are open for you to talk about any and all aspects of the episode that you loved. There are always more moments I want to discuss, and I'm usually just looking for one magical commenter to give me an opening! I can't wait to take one last journey through Westeros with all of you, so join in the fun whenever and however you can!
The Moment: Arya Reunites with Gendry
Setting the Scene: After Gendry arrives in Winterfell, Arya visits him to ask him to make her a new weapon.
Why It's Awesome: "Winterfell" was an episode filled with reunions—Tyrion and Sansa, Jon and Bran, Jon and Sam—but many of the most emotional and compelling centered on Arya. As we all expected, her embrace with Jon was a moment of joy and love that was worth all the years we spent waiting for it, and her scene with the Hound was filled with the complex mixture of antagonism and respect that made their relationship one of the show's most interesting. However, the moment I've found myself rewatching the most was the surprisingly sweet—and dare I say, flirtatious—reunion between Arya and Gendry.
I'll admit it—part of me loves this scene purely because it put a ship I thought was long dead back into circulation. (I shipped these characters from early on in my reading of A Song of Ice and Fire and still think that Ned and Robert's discussion about the marriage of their daughter and son was actually foreshadowing Arya and Gendry as a romantic pair.) With the passage of time and plenty of growing up on Maisie Williams's part, it now feels okay for me to say that there was some real sexual tension in this scene that was fun to see. (Sparks were flying for reasons beyond the smithing, if you know what I mean.) It was playful and coy, and those are unexpected tones for Game of Thrones, especially for a scene featuring Arya.
Characters don't get to smile a lot on Game of Thrones, so when a genuinely happy moment happens, it deserves to be treasured. And what I'll remember most about Arya seeing Gendry again after so many years and so many changes was seeing her smile. Even in the scene with Jon, there was a hesitancy and a tension there—after the initial relief and emotional payoff of all these years of waiting, viewers were left with a sense that Jon, once again, knows nothing. He has no idea what kind of killer his sister has become and has no idea how strongly she's aligned herself with Sansa, adding a layer of discomfort to their final hug. In contrast, there was nothing ambiguous about Arya's demeanor with Gendry. She's never going to be a cheerful character or even a relatively light one, but this was the most consistently at ease we've seen her since the show's early days. And in showing this side of her, it made her feel like a more well-rounded character.
And that's what made it so important. Arya is a young woman—she's not a killing machine. And sometimes it feels like the show forgets that she is a person and that people have different dimensions and desires and emotions beyond their primary motivating factor (in her case, revenge). But in this scene, Arya got to behave in many ways like a young woman who hasn't seen the death, destruction, violence, and trauma that have plagued her since the start of the show. She laughed and grinned and bantered and flirted with a young man in the same way she might have had her life not been upended by her father's death all those years ago. And that's all I have ever wanted for this character—for her to have a normal moment of happiness, even if it's only for a stolen moment in the darkness of the coming winter.
I loved the way Joe Dempsie played Gendry's realization that the girl he left behind had grown into a woman—and a woman he's found himself attracted to. As his initial—almost comedic—tongue-tied reaction gave way to that fun place between warmth and heat, I felt like I was watching two partners remember the steps to a dance they thought they'd never do again—while also discovering some new moves along the way.
Although I'm a sucker for any time a man tells a woman "As you wish" (and we all know the writers are genre-savvy enough to know what that line means), my favorite part of the whole scene was Arya literally twirling around to give him one last look as he stood staring at her, completely transfixed. This is Arya discovering a whole new kind of power and loving it and Gendry loving it too. It's Arya getting to have a moment of being desired for something beyond her skills as an assassin and relishing in it. And it's the show giving its characters a moment of pure, uncomplicated, relatively innocent fun before tragedy strikes.
Game of Thrones is at its best when it allows its characters to have room to breathe and be human beings in between all the battles and killings, and this scene is a perfect example of that. It added a fun new dimension to Arya's character while upping the emotional stakes of the battle to come because both Gendry and Arya now have something else to lose in it—the hope of what might be if they acted on those sparks between them.
Honorable Mentions: Sansa and Tyrion reunite, Arya and Jon hug, Sam tells Jon the truth, Jaime sees Bran across the Winterfell courtyard
Posted in Moment of the Week, Television	| Tagged game of thrones, recaps and reactions, season premieres, television	| 2 Replies
Nerdy Girl Predicts: The 2019 Golden Globes
Posted on January 6, 2019 by Katie
It's been a while (five years, to be exact!) since I've predicted the Golden Globes around these parts, but I'm back and ready to talk about my favorite awards show! The Golden Globes are the kickoff party for awards season—one of my favorite times of the year. They're typically more fun than your average award show, feature memorable speeches, and celebrate both TV and film—the two great loves of my life. They're also famously full of surprises and are notoriously hard to predict, which is exciting for the fangirl in me but challenging for the perfectionist who always wants to get as many picks right as possible.
Despite how hard it is to play the Golden Globes guessing game, I couldn't resist making my predictions public this year when I have so many horses in this race. From the last chance for one of my favorite television shows of all time to the movie I loved this year more than any other, I haven't been this emotionally invested in the entirety of an awards show in a long time. So if you want to see the multiple emotional meltdowns that are sure to occur in real time, I'll be live tweeting the festivities starting at 6 p.m. EST tonight.
Until then, here are my predictions for what's sure to be another memorable and surprising Golden Globes ceremony. Don't forget to share your picks in the comments!
Best Motion Picture: Drama
My Pick: A Star Is Born
My Thoughts: If there's one thing the HFPA seems to love, it's star power. This film had that and more. It was a fresh but faithful take on a beloved Hollywood story, the debut of an actor-turned-director (another thing the Globes often honor), and a showcase for one of the biggest stars of the moment: Lady Gaga. A Star Is Born is a film with the kind of mass appeal and genuine artistry to take home the night's biggest film award, and my intense devotion to its sincere storytelling means I'll be crying happy tears on my couch if this prediction comes true.
Best Motion Picture: Musical or Comedy
My Pick: Green Book
My Thoughts: This category seems a bit more wide open than its dramatic counterpart. Although both Black Panther and BlacKkKlansman pose a bit of a threat to A Star Is Born, that's remained the frontrunner, while the comedy/musical category has many options that all make strong cases for consideration. Despite my deep love for Mary Poppins Returns, I think Green Book has the kind of broad support and critical acclaim that will give it the edge. The Favourite is another strong possibility, but I think Green Book is the kind of feel-good, crowd-pleasing "comedy" that voters will want to reward at the Globes.
Posted in Awards Season, Film, Television	| Tagged awards season, film, golden globes, prediction post, television	| Leave a reply
NGN's Best of 2018: TV, Movies, and More
As 2018 draws to a close, it's time once again to highlight the best of pop culture from this year. In previous years, I've stuck to television, but one of my goals for 2018 was to expose myself to more of a variety of media, so I watched more movies and read more books than I have in the past. That, coupled with a slight dip in the amount (and, frankly, the quality) of TV I watched this year inspired me to expand my year in review post to include movies, books, and sports in addition to television. I also hope this inspires you to share all of you favorite media from 2018, because one of the best things about these posts over the years has been all the wonderful recommendations I've been given in the comments. (I never would have fallen in love with The Americans without my NGN Family championing it in these posts years ago.)
Looking back on this year in media, it's no surprise that so many of my favorite things revolved around female characters. The books, movies, and TV I loved this year almost unanimously dealt with women learning to define themselves on their own terms as brave, strong, and—most importantly—kind people. The media I gravitated toward this year often celebrated a kind of radical goodness—a message of light pushing back against the darkness, of love surviving even the most painful things life can throw at us, and of hope existing in that quiet corner of our souls that allows us to keep getting up when everything around us seems determined to keep us pinned down. This year in media taught me that we all have choices to make and those choices determine who we are. And when we choose to believe in ourselves and our capacity to love—that's when we become our best selves. That's the message I'm taking into 2019, and what an empowering message it is.
Without further ado, let's take a closer look at my favorite television, movies, and more in 2018!
Best Show (Drama): The Americans
The Americans changed me in ways I never could have expected when I first started watching it. It changed me as a writer; it changed me as a TV viewer. It forced me to look more closely and think more deeply about the media I consumed, and it challenged me every week to find the words to talk about its brilliance with others. Although I was sad to see it end this year, I couldn't have asked for a better final season for what I consider the best show I've ever watched. The Americans was always a show about marriage and family above everything else, and this final season reinforced that in the most surprising and impressive ways imaginable as it built to a finale that was all about letting your children leave you behind as they grow. From "Don't Dream It's Over" to "With or Without You," this season took us on a journey of self-definition for nearly every character that ended in a way I don't think anyone expected. Along the way, it gave us heart-stopping chase scenes, romantic axe mutilations, line dancing, and a moment that will go down in TV history simply as "the parking garage scene." With everyone in the cast turning in top-notch performances and masterful moments of silence balanced by lines that cut like a dagger ("You're a whore!"), The Americans turned in one of television's most complex and unique final seasons by staying true to itself until the very end.
Posted in Film, General Media Commentary, Literature, Sports, Television	| Tagged a star is born, film, glow, ice dance, literature, mamma mia!, mcu, michelle obama, pose, sports, star wars, television, the americans, the good place, year in review	| 12 Replies
What Are You Watching? Fall 2018 Edition
Welcome, fellow TV fans, to NGN's longest-running feature! This is my seventh fall TV season here at NGN, and I'm ready to once again share my viewing schedule with all of you.
Today is the first day of fall, which puts me in the mood for pumpkin spice everything, long sweaters, and new television shows. Luckily, this week kicks off the official start of fall TV season, and while my schedule is a bit lighter than it used to be (due in part to both life changes and a bit of a down year for pilots and premieres), I'm still excited for so many of my favorite shows to be back.
I hope this list inspires you to share your own fall TV schedule in the comments! I know that I've often used the recommendations shared in this post to try new shows that ended up becoming favorites of mine. And if you want to use my list to find new shows to try, I've listed the dates, times, and networks the premieres are airing on, and any new pilots I'm checking out are highlighted in pink.
(Just as a reminder: I don't include reality shows on this list because I watch way too many of them but don't watch them in any regular kind of viewing schedule.)
I know this post isn't quite the behemoth it once was, but I also have plenty of returning favorites coming back in early 2019, which means it might finally be time for me to do a midseason one of these in a few months! Until then, I hope this post reminds you of your favorite shows, introduces you to something new you might love, and inspires you to share a show you love that you can't believe I'm not watching yet.
Manifest (9/24, 10 p.m. on NBC)
If you've spent any time around these parts, you probably know of my deep love for Josh Dallas. He was the reason I became hooked on Once Upon a Time as instantaneously as I did, and as such, I will pretty much follow him anywhere. I'm not usually one to sign up for shows that seem inspired by Lost (because I will always compare them—and they will almost always come up short), but I will buy anything Dallas is selling at this point. The trailer also made me feel as if this might be more of a sincere, relationship-driven story than one propelled only by its central mystery, and that's always a kind of show that speaks to me. Although I might not watch it until I get back from my own flights to Disney World next month (What can I say, I'll always be a nervous flier!), it's still on my list of pilots to try.
Series Premiere September 24
Posted in Television	| Tagged pilots, season premieres, television	| 4 Replies
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Never Really Gone: The View from the End of the Skywalker Saga
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redpajama_set_name: RedPajamaCommonCrawl


We employ only the most qualified, service –oriented people to oversee day to day operations at Carter's Supermarkets. Many of our managers have been with our company for years learning the business first as a stocker, and then gradually moving up the ladder. We are always looking for opportunities to grow; therefore we welcome new professionals to our management team as well.


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Handcrafted earrings by Silver Forest. These earrings flaunt a moon shape, owl, round stone, and a suspended rose gold tone bead. Earrings have a 1.5 drop.
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Gold Plated Juicy Couture Earrings With A Coral Drop.
Rhinestone Studded Drop Heart Earrings In Gold.Original Box Included. See Matching Necklace In My Closet. Get Both And Get A Discount!
Enjoy this exquisite 14K Gold  violadores threaded earrings. Definitely a great item to add to your jewelry collection.
14K Gold Bola Coin drop earrings measuring 17mm W x 43mm H; features 11mm bezel set 22K 2 Pesos Coins with 2.5mm Bola frame.


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Loof (n): The opposite of a fool; a person who does things believed to be crazy, but does a brilliant job of it. Often used to describe a brilliant yet crazy person.
One would expect a loof to be rich after he invented the remote control.
Loof (v): To act with an air of confident carelessness.
Don't loof around as if you know everything.
Loofily (adj.): To behave like a loof (see above).
He loofily went about creating stuff.
I so wanted to come up with a word for "a foolish genius" after reading this oatmeal comic. And I dedicate this to Nikola Tesla. The greatest loof there can ever be.
P.S.: Somebody add this to the dictionary!
Brilliant one! Clearing the misconception about Edison, and binging in forth the real Inventor(Geek) is indeed a great contribution to humanity!


text:
Q: HTML class not loading in browser in the following code:

Neither localhost nor heroku accepts the class "hero" into the nested div. All other classes show up upon inspection but not this class. If I inspect the div and add the class in manually there, all related styling applied to the class appears. Why might the browser refuse to load only one class attribute?
Note I am using react-bootstrap.
UPDATE: I am attaching pictures for further clarification
Here is the source code as written in my editor:

Here is how the code is compiled into the browser if you inspect (you'll notice that the #homePage id is applied to the outer div, but the .hero class is not applied to the inner div. This is the source of my confusion.

I can manually add the .hero class into devtools elements tab so that it looks like this:

If so, all the styling applied to that class populates the viewport as intended, but obviously this isn't permanent because it will all disappear upon refresh.
Hope that clarifies things. Thanks.

A: Other divs might be hiding that div. Try to you put in your CSS a margin for your div to see where it is located.
Update:
You need to use className as the attribute for HTML elements for classes instead of class. Because class can conflict in react. So try like below;
return (

);

A: I discovered the answer to my question. In react-bootstrap, the markup for adding classes is different for JSX than it is in regular HTML. Instead of

You must label it:

The reason the id was populating is that applying an id to an element in JSX is the same as it is in HTML.

A: There's nothing wrong with the class name "hero".  My guess is that your actual html probably has some small syntactical error, like a missing ", >, /, =, etc.
Also check any Javascript you may have running for anything that removes the "hero" class from a div.

A: This seems slightly vague, as based on your question it seems you understand that the markup is valid as written.
I concur that it does seem properly written - I have even checked to see if your quotation marks are not utc-8 valid and they seem fine. So either you pasted valid quotation marks, but your source is wrong, or something else is amiss.
Could you perhaps share in what manner this is being applied? Are these HTML tags hard coded, or is something instantiated via javascript?
Also are you saying that the Google/Firefox/Whatever inspector doesn't see class="hero" within the source code, or are you saying the styling itself isn't applied?
I think we need some more clarification to help you best.

redpajama_set_name: RedPajamaStackExchange


We live in an age when every company assumes responsibility with respect to nature. Protecting natural resources should be a part of everybody's thinking and acting and be taken into account in each entrepreneurial decision. This also applies to the R&M Group. As a globally operating company we are aware of our ecological responsibility to nature and the environment. In our production, projects and work processes we take advantage of every opportunity to save energy and raw materials, and to avoid, reduce or recycle pollutants and noise emissions or waste.
The energy management norm DIN EN ISO 50001 has been introduced for the locations in Germany. The long-term goal is to optimize the usage of all energy consumers such as machines, vehicles, sources of light and heat in order to reduce energy consumption and thus do less harm to the environment.
The R&M Group's efforts are subject to a continuous optimization process and the Group tries to make a meaningful contribution to the subject of environmental protection.


If you are looking for the best Gate repair service around your region then you come to the right place. Our Gate Repair Pacoima is the best gate service around your region. We provide 24 hours emergency gate services in place so that every one of our customers can reach us when they need us. We are a gate contractor that does every garage door service there is out there. We are a company that cares about our customers and this is why we want you to come check us out. Call us today.
Pacoima is situated in San Fernando Valley.
Pacoima is a region of Los Angeles, where you can discover David M. Gonzales Recreation Center which has been about 1950. It is devoted to a warrior who died in the Second World War, His name was David Gonzales. Also there is a park Called Ritchie Valens Park. Our Gate Repair Pacoima is the gate company that these people know they can count on to do all of your gate services.
Automatic Gate Pacoima is recognized for its dedication to their customers and the high-end services provided to a large group of customers, together commercial and residential. Our company offers special electric gate services for our clients, whether commercial or residential. If you are curious about our services, give us a call now and we are ready to explain why we are considered one of the best electric gate services in the region.
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One of the most appreciated services offered by our company is represented by the automatic gate repair services. When you have a problem with your garage door, all you have to do is to call us and we will do everything you need for your garage door. You should not care about the price either, as we are ready to offer the quotation. All the repairs you need will be done. Moreover, we are also experienced professionals in the field of automatic gate troubleshooting.
Automatic Gate Pacoima is ready to offer a large category of garage door repair services, including installation and repair service for almost any type of gate openers as well as exit loop installation and repair, post repair services, gate wheel repair, spring replacement services, broken hinge repair gate truck repair services. Among our garage door repair services that our company can do it you should include: install and repair of all kinds of devices and gate openers, broken down gate repairs, broken down hinge repairs, security gate sensor service, gate truck repair, fixing gate motor on existing gate, viable and residential gate spring services as well as all the spring replacements. In case that you are interested in more or for a free evaluation of your garage door repair needs, you should call us now.
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text:
VetSET Screening Tool
* 1. Which county in Nebraska do you live?
* 2. Have you ever served in the military? Are you an immediate family member of someone who has served in the military? (mark all that apply)
I served in the military
My husband, wife, or significant other served in the military
My child served in the military
My parent served in the military
My brother/sister served in the military
* 3. In which branch did you or your family member serve? (mark all that apply)
* 4. Did you or your family member serve in...? (mark all that apply)
* 5. Are you currently enrolled in the VA Health Care System?
* 6. In what era did you or your family member serve in the U.S. Armed Forces?
September 2001 or later (OEF/OIF/OND)
August 1990 to August 2001 (includes Persian Gulf War)
May 1975 to July 1990
Vietnam era (August 1964 to April 1975)
February 1955 to July 1964
Korean War (July 1950 to January 1955)
January 1947 to June 1949
World War II (December 1941 to December 1946)
November 1941 or earlier
* 7. In our rural communities, what areas do you feel are the greatest needs for veterans and their families? (mark all that apply)
Health Care (excluding Mental Health)
Substance Abuse Programs
Employment/Job
Marital Counseling
* 8. What is your gender?
* 9. Age:
* 10. Would you like someone from your local health department to contact you regarding obtaining additional resources or services?
* 11. Name:
* 12. Address:
* 13. Contact Number:
* 14. E-mail address
* 15. For staff only. Data entered by:
( Privacy & Cookie Policy


Parlux 3200 ₱ 5,924.96 The most widely used professional hairdryer on the market today, the Parlux 3200 Compact Hair Dryer in Black is lightweight yet powerful, and delivers salon standard results every time.One of the most sought-after hair dryers available, the Parlux 3200 Compact Hair Dryer in Black is ideal for everyday home use. High-performing and durable, this must-have dryer weighs only 490g and measures a tiny 20cm, which reduces the effects of operating fatigue - a common problem with heavier hairdryers. Its small size also makes it the perfect travel companion.Please Note: Supplied with a UK 3 pin plug only.
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text:
<?php

declare(strict_types=1);

namespace App\Model\Post;

/**
 * Adapter interface for local posts storage
 */
interface PostStorage
{
    /**
     * Returns newest post or null if the storage is empty.
     *
     * @return Post|null
     */
    public function getNewestPost(): ?Post;

    /**
     * Saves the posts into local storage
     *
     * It is the responsibility of the storage not to store duplicate items.
     *
     * @param Post[] $posts
     * @return int Number of newly created posts
     */
    public function savePosts(array $posts): int;
}

redpajama_set_name: RedPajamaGithub


Salt Piles are potentially more valuable for cooking than for alchemy, since salt is a necessary ingredient in most cooking recipes. Accordingly, it is categorized as raw food as well as an ingredient, meaning it can be traded with innkeepers as well as apothecary merchants. It cannot be harvested in Skyrim.
Nearly all innkeepers and apothecary merchants are guaranteed to sell 1-6 salt piles. In addition, salt can commonly be found in many containers. Fish barrels always contain 1 salt pile, as do certain barrels that are internally identified as meat barrels. Standard food barrels and most small sacks have a 40% chance of containing 1-3 salt piles.
Ten recipes consist of combining a raw meat with salt, yielding cooked versions of the meat, namely cooked beef, grilled chicken breast, horker loaf, horse haunch, leg of goat roast, mammoth steak, pheasant roast, rabbit haunch, salmon steak, and venison chop.
Two meats, beef and venison, can also be combined with vegetables as well as salt, yielding beef stew and venison stew.
Vegetarian options that require salt are apple cabbage stew, cabbage potato soup, and tomato soup.
It can be combined with a soul gem and a regular gem to create fire salts, frost salts, or void salts.
It is one of 4 items needed to create a Spell Tome: Soul Trap.
There is a second variety of salt pile (00074a19, weight 0.2, value 1 gold) which shares all the same alchemical properties as a regular salt pile. Its only location is in Black-Briar Manor in Riften, but it cannot be reached without the help of console commands.
Esta página foi modificada pela última vez à(s) 06h27min de 10 de dezembro de 2012.


text:
Rataje Karskie – wieś w Polsce położona w województwie świętokrzyskim, w powiecie buskim, w gminie Pacanów.

W latach 1975–1998 miejscowość położona była w województwie kieleckim.

Części miejscowości

Historia
Wieś znana z zapisów Jana Długosza z XV wieku. W połowie własność Pacanowskich, w drugiej części klasztoru imbramowickiego Norbertanek (Długosz L.B. t.III str.: 103,109)
W wieku XIX wchodziła w skład dóbr Karsy Wielkie (Pacanów), był tu wówczas skład celny. W drugiej połowie XIX wieku było tu 262 mieszkańców zamieszkałych w 32 osadach włościańskich.

W czasie okupacji niemieckiej mieszkająca we wsi rodzina Szafrańców udzieliła pomocy Janinie, Karolowi Foss, Hermanowi Kleinplatzowi, Wolfowi Wolfowiczowi, Hermanowi Frejmanowi, Natanowi Leonowi Frejman, Barbarze Wolfowicz z d. Fałek, Mosesowi Wolfowicz. W 1984 roku Instytut Jad Waszem podjął decyzję o przyznaniu Elżbiecie i Leonowi Szafraniec tytułu Sprawiedliwych wśród Narodów Świata. W 1987 tytuł otrzymał syn Władysław Szafraniec.

Zobacz też
 Rataj, Rataje, Rataje Słupskie

Przypisy

Pacanów (gmina)

redpajama_set_name: RedPajamaWikipedia


text:
Warenkorb | CHF 32.00 | eur 32.00
Las Vegas Studio
Images from the Archive of Robert Venturi and Denise Scott Brown
Now in paperback: a celebration of Venturi and Scott Brown's legendary Las Vegas images.
CHF 32.00 | eur 32.00
Buch weiterempfehlen
Edited by Hilar Stadler and Martino Stierli in collaboration with Peter Fischli
Text in English only
196 pages, 150 color and 22 b/w illustrations
In cooperation with Museum im Bellpark, Kriens
Since it was first published in 1972, Learning from Las Vegas has become a classic in the theory of architecture and one of the most influential architecture texts of the twentieth century. The treatise by Robert Venturi, Denise Scott Brown, and Steven Izenour (1940–2001) enjoys a reputation as a signal work of postmodernism in architecture and urban planning. Yet none of the book's editions have ever featured high-quality color images of the field research the authors conducted to illustrate their argument. Las Vegas Studio is the first book ever to present these significant photographs in large, full-color reproductions.
Now available in paperback, this unique book features these iconic images and film stills, alongside essays by Swiss scholars Stanislaus von Moos and Martino Stierli that explore how the pictures contemplate the phenomenon of the modern city. Also included is a discussion by curator and critic Hans Ulrich Obrist with Dutch architect Rem Koolhaas and Swiss artist Peter Fischli that speaks to the strong and lasting influence these images still have on contemporary art and movies.
A unique opportunity to experience the full intent and import of the Learning from Las Vegas project, Las Vegas Studio continues to appeal to architects, architectural historians, and scholars alike.
, born 1952, is an artist. He was educated at the Academies of Fine Arts in Urbino and Bologna. 1979–2012 he formed together with David Weiss (1946–2012) the internationally acclaimed artist duo Fischli/Weiss.
, born 1944, is an architect and co-founder of Rotterdam-based firm Office for Metropolitan Architecture (OMA). He is also a Professor in Practice of Architecture and Urban Design at Harvard Graduate School of Design.
Stanislaus von Moos
, born 1940, has been a professor of art history at University of Zürich 1983–2005 and a visiting professor of art history at Yale School of Architecture since 2010. He has published widely on architectural history, including monographs on Le Corbusier and Robert Venturi.
, born 1968, is Artistic Director of London's Serpentine Gallery and a freelance curator. He has before been a curator at the Musée d'Art Moderne de la Ville de Paris and the Museum in Progress, Vienna.
, born 1963, studied art history and is director of Museum im Bellpark in Kriens, near Lucerne, Switzerland.
«Eine lässige, unorthodoxe, aber extrem inspirierte Mischung aus ambitionierten Architekturfotografien, Filmsequenzen, Schnappschüssen und vielen charmanten Blicken hinter die Kulissen des Projekts, das allen Beteiligten unverkennbar sehr viel Spass gemacht hat.» Jörg Häntzschel, Süddeutsche Zeitung
For the original hardback edition (2008):
"One of those Swiss books in which meticulous design, lay-out and editing are charming and serious at the same time." Sebastian Hau, foam magazine
"A stylish new art book revisits a 40-year-old study of the commercial iconography of Las Vegas that changed the way people talked about architecture. The result comes across as a private scrapbook or intimate photo album, a fond memento of the experience and of the time." Kristen Peterson, Las Vegas Sun
"A fine book, which not only includes excellent reproductions of the photographs, but also features a well-written and well-documented essays about Las Vegas studio." Karin, Theunissen, EAHN – European Architectural History Network
© Scheidegger & Spiess | 2019 | Impressum | AGB und Datenschutz | Datenschutz


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text:
package com.legendshop.business.service.impl;

import com.legendshop.business.dao.ScoreDao;
import com.legendshop.model.entity.Sub;
import com.legendshop.spi.service.ScoreService;
import java.util.Map;

public class ScoreServiceImpl
  implements ScoreService
{
  private ScoreDao scoreDao;

  public void addScore(Sub sub)
  {
    this.scoreDao.saveScore(sub);
  }

  public Map<String, Object> useScore(Sub sub, Long avaibleScore)
  {
    return this.scoreDao.deleteScore(sub, avaibleScore);
  }

  public Long calScore(Double total, String scoreType)
  {
    return this.scoreDao.calScore(total, scoreType);
  }

  public Double calMoney(Long score)
  {
    return this.scoreDao.calMoney(score);
  }

  public void setScoreDao(ScoreDao scoreDao)
  {
    this.scoreDao = scoreDao;
  }
}


text:
17 August: Parsi New Year Navroz celebrated
Parsi New Year, also known as Navroz or Jamshedi Navroz, is celebrated every year on August 17 to mark the beginning of the new Iranian calendar. In Persian, Nav means new and Roz means day and together translating to 'new day'. It is celebrated for health, wealth, prosperity and productivity. The central feature of this festive day is visiting Fire Temple and offering prayers to deities Khorshed and Meher, who are considered the presiding deities of sun and moon respectively.
Zoroastrians
Jamshedi Navroz got its name from legendary King of Persia – Jamshed, who is said to have introduced solar calculation in Parsi Calendar. In Iran and other parts, Zoroastrians celebrate Persian New Year using Fasli/Bastnai calendar according to which this day falls on moment of Vernal Equinox and marks beginning of spring in the Northern Hemisphere, mostly falls on March 21st every year. However, Parsis in India follow Shahenshahi calendar (which does not account for leap years) and hence Persian New Year in India is celebrated mostly on August 17th, approximately 150-200 days after its original day of vernal equinox (Spring Equinox). Celebrations of Jamshedi Navroz or Parsi New Year are similar to Nowruz spring festival where people celebrate commencement of New Year amidst exchange of gifts, donations, new clothes, house cleaning and lots of fun and frolic.
Parsis (are also known as Zoroastrians) as they follow Zoroastrianism, one of the oldest known monotheistic religions founded by Prophet Zarathustra or Zoroaster (Greek) in Pre-Islam era of ancient Iran approximately 3500 years ago in 650 BC. After the invasion of Islamic armies in 7th Century, Zoroastrians fled Persia and mainly dwelled in India.
India is home to the largest group of Parsis from around the world where the community has been a significant part of the economic and industrial growth of the country and lives in harmony with various other religions like Hindus, Sikhs, Muslims, Christians and many more.
Category: Art & Culture Current Affairs
Topics: Festivals • Iran • Jamshedi Navroz • Navroz • Parsi New Year • Shahenshahi calendar • Spring Festival • Vernal Equinox • Zoroastrianism


text:
Q: Question about ARIMA(1,1,0) So, I've been looking at different ARIMA models, mainly ones with d=1, and I came across the ARI(1,1) model, which is an AR(1) model that has been differenced once.
I know that the AR(1) model is $Y_t = \phi_1 Y_{t-1} +e_t$ and so $Y_{t-1} = \phi_2 Y_{t-2} + e_{t-1}$. But when I do the first difference, I get:
$Y_t - Y_{t-1} = \phi_1 Y_{t-1} +e_t - (\phi_2 Y_{t-2} + e_{t-1}) \\
 Y_t = \phi_1 Y_{t-1} - \phi_2 Y_{t-2} + Y_{t-1} + e_t - e_{t-1} $
however, the book I'm reading doesn't have that last $e_{t-1}$ term and they don't show all their steps, so I'm not sure where I went wrong, or if there's another way I should be thinking about this.