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options ATTIKI ATHENS METROPOLITAN AREA AGIOS ELEFTHERIOS AGIOS KONSTANTINOS - PLATEIA VATHIS AGIOS KONSTANTINOS - PLATEIA VATHIS,METAXOURGEIO AGIOS KONSTANTINOS - PLATEIA VATHIS, VATHIS SQUARE AKADIMIA PLATONOS AKROPOLI AKROPOLI,FILOPAPPOU AMPELOKIPOI AMPELOKIPOI, CENTRE AMPELOKIPOI, AMPELOKIPOI,AMPELOKIPI TRIGONO AMPELOKIPOI,GIROKOMEIO AMPELOKIPOI,ERYTHROS AMPELOKIPOI,KOUNTOURIOTIKA AMPELOKIPOI,NEA FILOTHEI AMPELOKIPOI,PANORMOU AMPELOKIPOI, MAVILI SQUARE ANO KYPSELI ANO PATISIA ANO PATISIA,LAMPRINI ANO PATISIA, PAPADIAMANTI SQUARE VOTANIKOS GKAZI GKYZI GOUVA GOUVA,AGIOS ARTEMIOS GOUDI GOUDI,AGIOS THOMAS GOUDI,ALSOS-401 GOUDI,IPPOKRATEIO GOUDI,NOSOKOMEIO PAIDON ELLINOROSON DOWNTOWN - PLAKA DOWNTOWN - PLAKA,MONASTIRAKI DOWNTOWN - PLAKA,OMONOIA DOWNTOWN - PLAKA,PLAKA DOWNTOWN - PLAKA,KANIGGOS SQUARE DOWNTOWN - PLAKA,KLAFTHMONOS SQUARE DOWNTOWN - PLAKA,SYNTAGMA DOWNTOWN - PLAKA,PSYRRI THISEIO ILISIA ILISIA, ILISIA,HILTON KERAMEIKOS KERAMEIKOS, KERAMEIKOS,KOUMOUNDOUROU KOLONAKI KOLONOS KOLONOS,LOFOS SKOUZE KOUKAKI - 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Q: Poisson Conditional Probability - Very lost! A discrete random variable is said to have a Poisson distribution if its possible values are the non-negative integers and if, for any non-negative integer $k$,
$$P(X=k)=e^{-\lambda}\frac{\lambda^k}{k!}$$
where $\lambda>0$. It turns out that $E(X)=\lambda$.
Minitab has a calculator for calculating Poisson probabilities, which is very similar to the calculator for Binomial probabilities.
The Poisson distribution model is widely used for modeling the number of "rare" events.
Suppose we have a Poisson random variable $X$ with mean (or expected value) equal to $2$ and another Poisson random variable $Y$ with mean $3$.
Suppose $X$ and $Y$ are independent random variables, in which case $W = X+Y$ will be a Poisson random variable with mean equal to $5 (= 2+3)$.
Find the conditional probability that $X = 5$ given that $W = 10$.

A: $$\frac{\Pr(X=5\ \&\ W=10)}{\Pr(W=10)} = \frac{\Pr(X=5\ \&\ Y=5)}{\Pr(W=10)}$$
The event $(X=5\ \&\ W=10)$ is the same as $(X=5\ \&\ Y=5)$.  Then use independence of $X$ and $Y$.

A: A Poisson distributed random variable measures a number of events occurring in a fixed interval if these events occur with a known average rate ($\lambda$) and independently of the time since the last event.   As you noted, the mean of a Poisson distribution is this rate, $\lambda$.
In this case, we have events occurring at rate 5, which are a combination X-type events occurring at rate 2 and Y-type events occurring at rate 3.   Hence, on average, when any event happens, 2/5 of the time it will be X-type and 3/5 it will be Y-type; that is a Bernoulli trial determines the type of each event that occurs.
So, for a given number of events, $W$, the count of X-type among them will be binomially distributed.   $$X\mid W \sim \mathcal{Bin}(W, 2/5)$$
Hence, we can find : $\mathsf P(X=5\mid W=10)$

A: The distribution of the conditional probability is $$f_{X\mid W}(x\mid w)f_W(w)=f_{X,W}(x,w).$$
The probability that $X=5$ and $W=10$ is the same as the probability that $X=5$ and $Y=5$, so the joint probability on the right is the same as $f_{X,Y}(x,y)$, where $Y=W-X$. (Explicitly, this is a change of coordinates, but it has unit Jacobian). Since $X$ and $Y$ are independent, the joint probability is easy to understand. Dividing it by the distribution of $W$, which we also know, gives us the conditional probability.

redpajama_set_name: RedPajamaStackExchange


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Trump optimistic about China-U.S. trade
A new Trump tweet doesn't explain why he's optimistic about resolving an escalating trade clash between China and the US
Trump optimistic about China-U.S. trade A new Trump tweet doesn't explain why he's optimistic about resolving an escalating trade clash between China and the US Check out this story on detroitnews.com: https://detne.ws/2GK0xQN
Jonathan Lemire, Associated Press Published 9:56 a.m. ET April 8, 2018
China has pledged to "counterattack" if Trump follows through on his threat to slap tariffs on an additional $100 billion in Chinese goods.(Photo: Getty Images)
Washington – President Donald Trump is suggesting China will ease trade barriers "because it is the right thing to do" and Washington and Beijing can settle disputes that have rattled financial markets, consumers and businesses.
A new Trump tweet doesn't explain why he's optimistic about resolving an escalating trade clash between the world's two biggest economies.
Trump says he and Chinese President Xi Jinping "will always be friends, no matter what happens with our dispute on trade."
Trump insists "China will take down its Trade Barriers because it is the right thing to do. Taxes will become Reciprocal & a deal will be made on Intellectual Property. Great future for both countries!"
The U.S. bought more than $500 billion in goods from China last year and now is planning or considering penalties on some $150 billion of those imports. The U.S. sold about $130 billion in goods to China in 2017 and faces a potentially devastating hit to its market there if China responds in kind.
China has pledged to "counterattack with great strength" if Trump decides to follow through on his latest threat to impose tariffs on an additional $100 billion in Chinese goods – after an earlier announcement that targeted $50 billion.
The Trump administration also is pushing for a crackdown on what it says is China's theft of U.S. intellectual property.
Conflicting messages about the trade fight have come out in recent days from some top members of Trump's team.
Treasury Secretary Steven Mnuchin has said he was "cautiously optimistic" that the U.S. and China could reach an agreement before any tariffs went into place. But he also said "there is the potential of a trade war.
The new White House economic adviser, Larry Kudlow, has said the U.S. is "not in a trade war" and that "China is the problem. Blame China, not Trump."
Read or Share this story: https://detne.ws/2GK0xQN
First tenants to move into The Corner at former Tiger Stadium site
As auto talks open, divide separates Detroit carmakers, UAW
Amazon shoppers snap up potato chips, toilet paper for Prime Day
Ford in green groups' cross-hairs as mpg debate heats up
How much would it take to get you to buy an electric car?
Got a Tesla? Elon Musk hints it could soon drive itself

redpajama_set_name: RedPajamaCommonCrawl


With 4 jaw machined aluminum chuck for secure blade positioning and includes Scabbard for your protection. Includes #20101 blade. This handle will fit all wood carving blades and gouges used for carving and cutting wood, plastic, leather and many different varieties of material.


text:
Richard Quine's filmography and actor connections
Richard Quine has starred in 30 movies. The 5 most recent movies Richard Quine was in are listed below.
Next is the list of 983 actors/actresses that Richard Quine has worked with spread over 50 pages. The list is sorted by the people Richard Quine has worked most frequently with. When you find the person you are looking for, click on the link to view a list of movies they have worked in together.
If you decide instead to click on a movie with Richard Quine, it will display the top billed cast. If the cast members have starred together in other movies; beneath the cast member a list will display.
Richard Quine's Filmography
Original: Do Not Project
as Father Dimension
The Wackiest Ship in the Army
as Narrator
Rainbow 'Round My Shoulder
as Opening Narrator, Radio Announcer
He's a Cockeyed Wonder
as Actor in Drive-In Movie
No Sad Songs for Me
as Brownie
William Tannen and Richard Quine
William Tannen and Richard Quine have starred in 4 movies together. Their first film was For Me and My Gal in 1942. The most recent movie that William Tannen and Richard Quine starred together was The Flying Missile in 1950
William 'Bill' Phillips and Richard Quine
William 'Bill' Phillips and Richard Quine have starred in 4 movies together. Their first film was Command Decision in 1948. The most recent movie that William 'Bill' Phillips and Richard Quine starred together was He's a Cockeyed Wonder in 1950
Mickey Rooney and Richard Quine
Mickey Rooney and Richard Quine have starred in 4 movies together. Their first film was The World Changes in 1933. The most recent movie that Mickey Rooney and Richard Quine starred together was He's a Cockeyed Wonder in 1950
Henry O'Neill and Richard Quine
Henry O'Neill and Richard Quine have starred in 4 movies together. Their first film was The World Changes in 1933. The most recent movie that Henry O'Neill and Richard Quine starred together was The Flying Missile in 1950
Frank O'Connor and Richard Quine
Frank O'Connor and Richard Quine have starred in 4 movies together. Their first film was Wednesday's Child in 1934. The most recent movie that Frank O'Connor and Richard Quine starred together was Rainbow 'Round My Shoulder in 1952
Jack Mower and Richard Quine
Jack Mower and Richard Quine have starred in 3 movies together. Their first film was Counsellor at Law in 1933. The most recent movie that Jack Mower and Richard Quine starred together was The Rear Gunner in 1943
Judy Garland and Richard Quine
Judy Garland and Richard Quine have starred in 3 movies together. Their first film was Babes on Broadway in 1941. The most recent movie that Judy Garland and Richard Quine starred together was Words and Music in 1948
Howard C. Hickman and Richard Quine
Howard C. Hickman and Richard Quine have starred in 3 movies together. Their first film was The World Changes in 1933. The most recent movie that Howard C. Hickman and Richard Quine starred together was Tish in 1942
Cliff Saum and Richard Quine
Cliff Saum and Richard Quine have starred in 3 movies together. Their first film was The World Changes in 1933. The most recent movie that Cliff Saum and Richard Quine starred together was King of the Underworld in 1939
Lester Dorr and Richard Quine
Lester Dorr and Richard Quine have starred in 3 movies together. Their first film was Dames in 1934. The most recent movie that Lester Dorr and Richard Quine starred together was For Me and My Gal in 1942
Harlan Warde and Richard Quine
Harlan Warde and Richard Quine have starred in 3 movies together. Their first film was Command Decision in 1948. The most recent movie that Harlan Warde and Richard Quine starred together was No Sad Songs for Me in 1950
Guy Kibbee and Richard Quine
Guy Kibbee and Richard Quine have starred in 3 movies together. Their first film was The World Changes in 1933. The most recent movie that Guy Kibbee and Richard Quine starred together was Tish in 1942
Arthur Space and Richard Quine
Arthur Space and Richard Quine have starred in 3 movies together. Their first film was Tish in 1942. The most recent movie that Arthur Space and Richard Quine starred together was Rainbow 'Round My Shoulder in 1952
Ernie Alexander and Richard Quine
Ernie Alexander and Richard Quine have starred in 3 movies together. Their first film was Dr. Gillespie's New Assistant in 1942.
John Ridgely and Richard Quine
John Ridgely and Richard Quine have starred in 3 movies together. Their first film was King of the Underworld in 1939. The most recent movie that John Ridgely and Richard Quine starred together was Rookie Fireman in 1950
Billy Lechner and Richard Quine
Billy Lechner and Richard Quine have starred in 3 movies together. Their first film was We've Never Been Licked in 1943. The most recent movie that Billy Lechner and Richard Quine starred together was The Flying Missile in 1950
Ross Ford and Richard Quine
Ross Ford and Richard Quine have starred in 3 movies together. Their first film was He's a Cockeyed Wonder in 1950. The most recent movie that Ross Ford and Richard Quine starred together was Rainbow 'Round My Shoulder in 1952
Ann Doran and Richard Quine
Ann Doran and Richard Quine have starred in 3 movies together. Their first film was My Sister Eileen in 1942. The most recent movie that Ann Doran and Richard Quine starred together was No Sad Songs for Me in 1950
Harry Cheshire and Richard Quine
Harry Cheshire and Richard Quine have starred in 3 movies together. Their first film was The Clay Pigeon in 1949. The most recent movie that Harry Cheshire and Richard Quine starred together was No Sad Songs for Me in 1950
Frank Sully and Richard Quine
Frank Sully and Richard Quine have starred in 3 movies together. Their first film was My Sister Eileen in 1942. The most recent movie that Frank Sully and Richard Quine starred together was Rainbow 'Round My Shoulder in 1952


text:
#ifndef SkottieUtils_DEFINED
#define SkottieUtils_DEFINED

#include "modules/skottie/include/Skottie.h"
#include "modules/skottie/include/SkottieProperty.h"

#include <memory>
#include <string>
#include <unordered_map>
#include <vector>

namespace skottie_utils {

/**
 * CustomPropertyManager implements a property management scheme where color/opacity/transform
 * attributes are grouped and manipulated by name (one-to-many mapping).
 *
 *   - setters apply the value to all properties in a named group
 *
 *   - getters return all the managed property groups, and the first value within each of them
 *     (unchecked assumption: all properties within the same group have the same value)
 *
 * Attach to an Animation::Builder using the utility methods below to intercept properties and
 * markers at build time.
 */
class CustomPropertyManager final {
public:
    CustomPropertyManager();
    ~CustomPropertyManager();

    using PropKey = std::string;

    std::vector<PropKey> getColorProps() const;
    skottie::ColorPropertyValue getColor(const PropKey&) const;
    bool setColor(const PropKey&, const skottie::ColorPropertyValue&);

    std::vector<PropKey> getOpacityProps() const;
    skottie::OpacityPropertyValue getOpacity(const PropKey&) const;
    bool setOpacity(const PropKey&, const skottie::OpacityPropertyValue&);

    std::vector<PropKey> getTransformProps() const;
    skottie::TransformPropertyValue getTransform(const PropKey&) const;
    bool setTransform(const PropKey&, const skottie::TransformPropertyValue&);

    std::vector<PropKey> getTextProps() const;
    skottie::TextPropertyValue getText(const PropKey&) const;
    bool setText(const PropKey&, const skottie::TextPropertyValue&);

    struct MarkerInfo {
        std::string name;
        float       t0, t1;
    };
    const std::vector<MarkerInfo>& markers() const { return fMarkers; }

    // Returns a property observer to be attached to an animation builder.
    sk_sp<skottie::PropertyObserver> getPropertyObserver() const;

    // Returns a marker observer to be attached to an animation builder.
    sk_sp<skottie::MarkerObserver> getMarkerObserver() const;

private:
    class PropertyInterceptor;
    class MarkerInterceptor;

    static std::string acceptKey(const char* name) {
        static constexpr char kPrefix = '$';

        return (name[0] == kPrefix && name[1] != '\0')
            ? std::string(name + 1)
            : std::string();
    }

    sk_sp<PropertyInterceptor> fPropertyInterceptor;
    sk_sp<MarkerInterceptor>   fMarkerInterceptor;

    template <typename T>
    using PropGroup = std::vector<std::unique_ptr<T>>;

    template <typename T>
    using PropMap = std::unordered_map<PropKey, PropGroup<T>>;

    template <typename T>
    std::vector<PropKey> getProps(const PropMap<T>& container) const;

    template <typename V, typename T>
    V get(const PropKey&, const PropMap<T>& container) const;

    template <typename V, typename T>
    bool set(const PropKey&, const V&, const PropMap<T>& container);

    PropMap<skottie::ColorPropertyHandle>     fColorMap;
    PropMap<skottie::OpacityPropertyHandle>   fOpacityMap;
    PropMap<skottie::TransformPropertyHandle> fTransformMap;
    PropMap<skottie::TextPropertyHandle>      fTextMap;
    std::vector<MarkerInfo>                   fMarkers;
};

} // namespace skottie_utils

#endif // SkottieUtils_DEFINED

redpajama_set_name: RedPajamaGithub


Providing clean, modern storage in Janesville and surrounding areas since 2012. Secure storage units are perfect for storing vehicles, boats, motorcycles, RV's, household items, office supplies and much more!
Putting your items in a storage unit is a great idea. Store them for a season, while you are moving, or remodeling, or just because you don't have the space. There are more than a dozen different size storage units. Some units have electricity, for a bit of an extra charge, and some of the larger units have doors on either side, for easy accessibility.
The units are available with secure, 24 hour access. Grounds and driveways are maintained all year round. The onsite rental office is open 6 days a week to help you with your self-storage needs.
Here are some tips on getting the most out of your storage space.
Located on the the North side of Janesville, WI off Hwy 14 on Hackbarth Road across from the Redwood Motel.


text:
/* */
#include "send_app.h"

// state
struct _send_app_myprovider_t {
  mal_encoder_t *encoder;
  mal_decoder_t *decoder;
};

send_app_myprovider_t *send_app_myprovider_new(
    mal_encoder_t *encoder, mal_decoder_t *decoder) {
  send_app_myprovider_t *self = (send_app_myprovider_t *) malloc(
      sizeof(send_app_myprovider_t));
  if (!self)
    return NULL;

  self->encoder = encoder;
  self->decoder = decoder;
  return self;
}

int send_app_myprovider_initialize(void *self, mal_actor_t *mal_actor) {
  int rc = 0;
  //send_app_myprovider_t *provider = (send_app_myprovider_t *) self;

  rc = mal_routing_register_provider_send_handler(
      mal_actor_get_router(mal_actor),
      TESTAREA_AREA_NUMBER,
      TESTAREA_AREA_VERSION,
      TESTAREA_TESTSERVICE_SERVICE_NUMBER,
      TESTAREA_TESTSERVICE_TESTSEND_OPERATION_NUMBER,
      send_app_myprovider_testarea_testservice_testsend);

  return rc;
}

int send_app_myprovider_finalize(void *self, mal_actor_t *mal_actor) {
  int rc = 0;
  //send_app_myprovider_t *provider = (send_app_myprovider_t *) self;

  mal_ctx_t* mal_ctx = mal_actor_get_mal_ctx(mal_actor);
  mal_ctx_stop(mal_ctx);

  return rc;
}

void testarea_testservice_testcomposite_print(
    testarea_testservice_testcomposite_t *self) {
  printf("testarea_testservice_testcomposite_print(");
  printf("stringfield=%s", testarea_testservice_testcomposite_get_stringfield(self));
  printf(",intfield_is_present=%d", testarea_testservice_testcomposite_intfield_is_present(self));
  printf(",intfield=%d", testarea_testservice_testcomposite_get_intfield(self));
  printf(")");
}

void testarea_testservice_testfinalcompositea_print(
    testarea_testservice_testfinalcompositea_t *self) {
  printf("testarea_testservice_testfinalcompositea_print(");
  printf("intfield=%d", testarea_testservice_testfinalcompositea_get_intfield(self));
  printf(",intfield1=%d", testarea_testservice_testfinalcompositea_get_intfield2(self));
  printf(")");
}

int send_app_myprovider_testarea_testservice_testsend(
    void *self, mal_ctx_t *mal_ctx,
    mal_endpoint_t *mal_endpoint, mal_message_t *message) {
  int rc = 0;

  send_app_myprovider_t *provider = (send_app_myprovider_t *) self;

  printf("send_app_myprovider_testarea_testservice_testsend: URI To=%s\n",
      mal_message_get_uri_to(message));

  // application code (may decode only a part of the message body)

  void *cursor = mal_decoder_new_cursor(
      provider->decoder,
      mal_message_get_body(message),
      mal_message_get_body_offset(message) + mal_message_get_body_length(message),
      mal_message_get_body_offset(message));

  printf("send_app_myprovider: offset=%d", mal_message_get_body_offset(message));

  testarea_testservice_testcomposite_t *parameter_0;
  printf("send_app_myprovider: decode first parameter\n");
  rc = testarea_testservice_testsend_send_decode_0(
      cursor,
      provider->decoder,
      &parameter_0);
  mal_decoder_cursor_assert(provider->decoder, cursor);
  if (rc < 0)
    return rc;
  printf("parameter_0=\n");
  testarea_testservice_testcomposite_print(parameter_0);
  printf("\n");

  printf("send_app_myprovider: offset=%d\n", mal_decoder_cursor_get_offset(provider->decoder, cursor));

  mal_string_list_t *parameter_1;
  printf("send_app_myprovider: decode second parameter\n");
  rc = testarea_testservice_testsend_send_decode_1(
      cursor, provider->decoder, &parameter_1);
  mal_decoder_cursor_assert(provider->decoder, cursor);
  if (rc < 0)
    return rc;
  printf("parameter_1=\n");
  mal_string_list_print(parameter_1);
  printf("\n");

  printf("send_app_myprovider: offset=%d\n", mal_decoder_cursor_get_offset(provider->decoder, cursor));

  mal_element_holder_t element_holder;
  printf("send_app_myprovider: decode third parameter\n");
  rc = testarea_testservice_testsend_send_decode_2(
      cursor, provider->decoder, &element_holder);
  mal_decoder_cursor_assert(provider->decoder, cursor);
  if (rc < 0)
    return rc;

  printf("send_app_myprovider: offset=%d\n", mal_decoder_cursor_get_offset(provider->decoder, cursor));
  mal_decoder_cursor_destroy(provider->decoder, cursor);

  printf("send_app_myprovider: decoding done, short form=%lu\n", element_holder.short_form);

  // parameter_0 may be NULL
  if (parameter_0 == NULL) {
  } else {
  }

  // parameter_1 may be NULL
  if (parameter_1 == NULL) {
  } else {
  }

  // parameter_2 may be NULL
  if (element_holder.value.composite_value == NULL) {
  } else {
    if (element_holder.short_form == TESTAREA_TESTSERVICE_TESTFINALCOMPOSITEA_SHORT_FORM) {
      testarea_testservice_testfinalcompositea_t *testfinalcompositea =
          (testarea_testservice_testfinalcompositea_t *) element_holder.value.composite_value;
      mal_integer_t int_value =
          testarea_testservice_testfinalcompositea_get_intfield2(
              testfinalcompositea);
      printf("int_value=%d\n", int_value);

      printf("parameter_2=\n");
      testarea_testservice_testfinalcompositea_print(testfinalcompositea);
      printf("\n");

      printf("destroy parameter_2\n");
      testarea_testservice_testfinalcompositea_destroy(&testfinalcompositea);
    }
  }

  printf("destroy parameter_0\n");
  testarea_testservice_testcomposite_destroy(&parameter_0);
  printf("destroy parameter_1\n");
  mal_string_list_destroy(&parameter_1);

  printf("destroy MAL message\n");
  mal_message_destroy(&message, mal_ctx);

  printf("Provider done.\n");

  mal_actor_term(consumer_actor);
  mal_actor_join(consumer_actor);
  mal_actor_term(provider_actor);

  return rc;
}

void send_app_myprovider_test(bool verbose) {
  printf(" * send_app_myprovider_test: ");
  if (verbose)
    printf("\n");

  //  @selftest
  // ...
  //  @end
  printf("OK\n");
}


text:
2013's Worst Writing About Millennials
By Alison Herman
2013's been a solid year for some lucky teens and 20-somethings: Lorde, One Direction, and Miley Cyrus topped the international pop charts; Jennifer Lawrence charmed the pants off of anyone with eyeballs; Lena Dunham scored a multimillion-dollar book deal. The rest of us, however, weren't so lucky. The past 12 months saw more ill-founded, hysterical, condescending, and generally awful writing than ever about what so-called "millennials" are up to and why it's ruining the country. Here are the lowlights of this year's coverage, collected here in the hopes that 2014 will bring some slightly more nuanced accounts of young people and our problems than these.
The Cover Story
It may be tucked behind a paywall, but Joel Stein's TIME does would-be readers a solid by laying out his thesis right off the bat: the "Me Me Me Generation" is "lazy, entitled, selfish, and shallow." Stein claims he's got conclusive proof that the generation that's currently bearing the brunt of the recession is somehow more self-centered than the generation that caused it, but — spoiler alert! — he doesn't. Flavorwire's own Tom Hawking penned a handy takedown of the story when it hit newsstands this May, tallying up the piece's many, many problems, but among the highlights: citing frequent texting as evidence of narcissism; generally ignoring the sins of the far more famously egocentric Baby Boomers; and, of course, reducing an entire generation to a series of lazy stereotypes.
The Article That Uses Psychotherapy Patients as Trend Piece Fodder
Props to Brooke Donatone for conceding that millennials have to deal with a cratering economy and probably aren't clinically narcissistic. Not so many props, however, for using one of her patients to make a point about how her age group is "unable to think for themselves" and lacks "frustration tolerance." It's not technically a violation of doctor/patient confidentiality, but I doubt "Amy" would be too happy to find herself the subject of this Slate piece belittling her problems and using them to support yet another dubious thesis re: Gen Y. Donatone thinks helicopter parenting and instant gratification are to blame, with Amy, some depression stats, and a handful of trend pieces about bringing parents to job interviews as Exhibits A through C. I wish Amy the best, and hope she finds a therapist who's more respectful of her privacy.
The "College Women Have Sex and the New York Times Is On It" Piece
The hookup culture trend piece is a particularly gross sub-genre of the "kids these days" hysteria game. But while Kate Taylor's "Sex on Campus: She Can Play That Game, Too" certainly wasn't the first piece to warn us all that intelligent young ladies are auctioning off their integrity via consensual sex, it was the highest-profile, with a backlash to match. The article was the product of months of on-the-ground reporting at the University of Pennsylvania, raising serious questions about how well the Times is allocating its budget. All the telltale signs of hookup hype are there: the over-reliance on anecdotal evidence; the total absence of male or non-heterosexual interview subjects; the condescending, slightly slut-shamey tone. Too bad hookup culture as Taylor describes it probably doesn't exist.
The "Internet Generation Can't Use the Internet" List
Forget that this particular round of youth-bashing comes from a website edited by a kid fresh out of college. Let's instead dwell on the irony of calling a generation that supposedly can't unglue itself from the Internet for more than two milliseconds culturally ignorant. But that didn't stop Rolling Stone from assuming that while young'uns may be awash with information, we're still incapable of finding out about anything that happened before we turned ten or so. That's how knowledge works, right? It's just like how Gen Xers have never listened to Bob Dylan, and no one reads anything published before 1990 anymore!
The Webcomic
Proving that adding a few MS Paint doodles to any poorly argued blog post is the ticket to viral success, Wait But Why's "Why Generation Y Yuppies Are Unhappy" briefly took over the Internet early this fall. The gist? Kids have high expectations and low work ethic, leaving us high and dry when we end up with anything less than dream jobs. WBW makes up in unicorn graphics and stick figures what he or she lacks in actual statistics, adding up to yet another piece blaming "millennials" for their dissatisfaction with a bad economy rather than, well, the bad economy. Needless to say, we weren't convinced.
The Elizabeth Wurtzel Dispatch
Yet another addition to the ever-growing pile of "opinions that only get published because Elizabeth Wurtzel has them," the memoirist's declaration that today's youth are "The Lamest Generation" at least deserves some credit for going against the Gen Y-hating grain. Gen Y (or as she wittily dubs us, "Generation Z-for-Zero") aren't a bunch of self-absorbed collegiate sex maniacs, Wurtzel sorta-argues; they're bores "wearing khaki pants and polo shirts…doing very well with tech startups in places with names like Menlo Park." She also insists, despite nearly infinite examples to the contrary, that 20-somethings are nowhere to be found in today's pop music or prestige TV landscape, with the exception of Lena Dunham. If only we could be more like Led Zeppelin!
The One Written By Other Millennials
Who said Boomers and Gen Xers should have all the fun? Some of the worst writing about my generation comes, unfortunately, from other members of my generation. Behold the appalling megalist that is "100 Things Every 20-Something Needs to Realize," the sexist, boorish magnum opus of Elite Daily (a sexist, boorish blog you might recognize from The Awl's excellent exposé). Some of my favorite tips: "In a healthy relationship, he should love you even more without makeup"; "If you can get her into bed before date 3, then you'll get bored with her by week 2"; "If you're using the pulling-out method, then you have a good chance of pulling out a baby in a few months." All I can say is that "writer, philosopher, music producer and DJ" Paul Hudson does not speak for the rest of us, or even most of us.


text:
Q: How to add a custom filter to products dialog box of the opportunity products. dynamics365. Thank you very much for your answers in advance I want to add a filter  to products dialog box of the opportunity products .How can we add this for products dialog box in dynamics365. Thank you very much for your answers.
enter image description here


Deciding what you want to do with your professional career is a daunting task, whether you are a new student or thinking about changing your major. While your major doesn't always decide your profession, finding where your passion lies can help you navigate the dozens of options in front of you.
Use our Four Year Career Plan to help navigate your career journey during your time at William Paterson University!
Use our Four Year Career Plan to help navigate your career journey during your time at WPU!


Astrid Burgess Dining Room Furniture, 2018-07-21 08:02:02. Is the price of the furniture within your budget?
Astrid Burgess Dining Room Furniture, 2018-08-24 22:49:54. Updating your dining room may take a bit of effort, but the results will certainly pay off. But don't just limit yourself to a new dining room set! Adding accessories or home décor like an area rug underneath the table or a beautiful linen tablecloth will further enhance your newly refurbished space. Sit down, relax, and enjoy a meal with family and friends with your updated dining room furniture.
Whitney Ellis Dining Room Furniture, 2018-08-27 16:48:21. The dining room is not only a place where we enjoy delicious food, it is also a place where we share thoughts and tell stories of our activities and life. Most of the time during special occasions, the dining room is the venue where we gather and enjoy hearty feasts.


Are terrorists shortening our nation's runways?
The recent crash of a commuter airplane has raised new questions about the safety of our nation's airports. The pilot of Atlanta-bound Comair flight 5191 appartly took off from a runway approximatley half the length required for his Bombardier CRJ-100 commercial jet. 49 of the 50 people onboard were killed.
The department of homeland security responded by saying that terrorism has not been ruled out as a contributing factor in the crash and that short runways will no longer be allowed at any U.S. airports. All runways nationwide, regardless of airport or airplane size, will be refitted to accommodate planes of at least 747 size. The manager of Rantoul Field, a small general aviation airport in central Illinois, said in a statement that he applauded the move and that it would "give the kids a lot more space to race their go-karts". The 50 billion dollar project will begin next month and will be funded through cuts to federal education, healthcare, science and welfare programs.


To arrange a consultation with Dr. Kelly, Dr Barkhoudarian or with one of our other specialists, please call the Pacific Pituitary Disorders Center office at 310-582-7640 or fill out our online form to be contacted through email. We will respond to you by email within 24 hours.
Your most recent relevant imaging (e.g. MRI and/or CT scans) on CD or on film. (This is not essential if these studies were performed at Providence Saint John's Health Center).
Your most recent relevant blood and/or tests. (This is not essential if your laboratory studies were performed at Providence Saint John's Health Center or UCLA Medical Center).
Prior medical records and consultations from your referring physician, unless you have confirmation that they have already been faxed to 310-582-7495.
If your insurance is not accepted by our medical group, or if we do not have written authorization on file, you will be asked to sign a waiver stating that you will be financially responsible should the insurance company deny our claim.
If you have HMO Insurance, please be sure to bring your "Letter of Authorization" from your HMO. If you are scheduled to see more than one doctor, you will need an authorization for each doctor.
How can international and out-of-state patients receive care?
If you are living outside the United States, we are happy to provide you with information about how to get your care at the Pacific Brain Tumor Center and Providence Saint John's Health Center.
Please call the Pacific Brain Tumor Center office at 310-582-7640 or email us.
How do I get to the Pacific Brain Tumor Center?
Conveniently located on Santa Monica Blvd. between 20th and 23rd Streets in Santa Monica, Pacific Brain Tumor Center at Providence Saint John's Health Center is easily accessible from all points in Southern California. It is approximately 15 miles from Los Angeles International Airport.
Patient drop off and valet parking is located at 2121 Santa Monica Blvd. in front of the hospital. Valet parking (including handicapped parking) is $13.00. We unfortunately cannot validate parking. A limited number of metered parking places are available on surrounding streets.
Please note the Emergency Room Entrance is located on Arizona Avenue.
Complete blood count (CBC), clotting studies (PT/PTT), electrolytes, metabolic screen.
A note from a doctor stating that you are healthy enough to undergo surgery.
Needed if over 40 years old or a smoker.
For patients with heart problems, hypertension, diabetes or heavy smokers.
For patients with pre-existing lung problems.
For patients with visual problems related to a brain or pituitary tumor.
For patients with pituitary tumors or tumors affecting pituitary gland function.
Additional tests and clearances may be needed.
What should I do to prepare for my upcoming craniotomy or endonasal surgery?
Stop smoking for at least 10 days before surgery and minimize alcohol intake for at least 5 days before surgery.
Please check with your doctors for instructions on taking medication prior to surgery. If you are under the care of a cardiologist and are taking heart medications (especially blood thinners such as Aspirin, Coumadin, or Plavix), speak to your cardiologist for specific pre-surgery instructions.
For pain issues prior to surgery, please take Tylenol or Extra Strength Tylenol. Do not take Aspirin, Motrin, Ibuprofen, Aleve, Advil (all of these drugs act as blood thinners) or other painkiller unless approved by Dr. Kelly and the surgery team.
Please avoid herbal medications containing Ginkgo Biloba, Vitamin E, Feverfew, Fish Oil, St. John's Wort, Echinacea and high-dose garlic, cayenne, ginger, clove or turmeric pills (cooking with these ingredients is fine, just avoid these herbs in pill form). All of these herbs are blood thinners.
If you're instructed to take medications on the day of your surgery, please take your medicine with a very small sip of water. Please bring any medications you're currently taking to the hospital for your anesthesiologist to review.
Most patients will spend at least one night in the intensive care unit (ICU) and then typically 2 or 3 additional nights on a regular (non-ICU) ward.
You will likely have some incisional pain and mild to moderate headache for which you will be given pain medication.
You may have a CT scan or MRI before your discharge home.
Your first follow-up appointment will be 2 – 3 weeks after surgery.
Your 2nd follow-up appointment will typically be 2 – 3 months after surgery.
Additional follow-up appointments with other specialists will be arranged as needed.
Most patients will spend two nights on a regular (non-ICU) ward.
You will typically have some incisional pain if you had an abdominal fat graft taken and mild to moderate headache for which you will be given pain medication; nasal congestion and some bloody nasal drainage is also common.
Your second follow-up appointment will typically be 2 – 3 months after surgery.


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Home Events, Fairs & Fests Canadian Police Pipe Band Casts Mesmerising Spell At Elante Mall
Deepali Takkar
What's Amazing
Elante Mall blends traditions and modernity in a seamless way with its events and celebrations. One such being this cross border cultural exchange. The friendship between two nations is bolstered by strong people-to-people relations and their cultural ties. Chandigarh's fashion capital, Elante Mall echoed to traditional Canadian tunes on Tuesday evening. A 24-member pipe band of Vancouver Police performed to celebrate the strong ties between the two nations.
They are among the world's oldest police pipe bands, entertaining people all over for more than a century. Playing their signature melodies, the highlight of the evening were the tunes of patriotic song 'Sare jahaan se achaa'. Also present were Consul General of Canada, Mia Yen and Vancouver Police Board member Barjinder S Dhahan, a Gursikh. Led by Chief Constable Adam Palmer of the Vancouver Police, the band was accompanied by Deputy Chief Constable Steve Rai and Dhahan.
About Elante Mall
A mall for the trend-conscious, Elante has earned the distinction of being the only fashion destination of 'The City Beautiful'. Spread across 20 acres, the mall caters to a quality shopping experience coupled with chic ambience. Elante boasts of some of the best brands and offers rather exclusive value additions. Housed in the mall is Funcity- the largest indoor play area for kids. The Courtyard is a one of a kind open air lifestyle space central to three distinct developments- Elante mall, Elante Office complex & hotel Hyatt Regency. The retail space hosts over 235 premium national and international brands. Strong anchors like Zara, Marks & Spencer, PVR Multiplex and an Entertainment Zone, Elante completes the mall experience for all its patrons.
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Makeup Masterclass By Kritika Khurana: This Women's Day, Elante Celebrates #HerHappynessWeek
Alternate Parking For Chandigarh Residential Areas Mooted
Chandigarh & Around Ratisha - July 7, 2017
Chandigarh has the highest per capita density of cars in the country. Chandigarhians love for hot wheels is well-known, but there's a flip side...
No More Street Shopping In Sector 17, 19 & 22
Chandigarh & Around Ratisha - June 15, 2017
The fun of shopping in Chandigarh is not just the showrooms flaunting world-class brands, but also the street jewellery, accessories and such odd stuff...
5 Reasons Why Chandigarh is a Roadie-Land
Leisure Ratisha - December 8, 2016
MTV Roadies - the sensational TV show that has redefined the youth culture across the country, the thrilling show that gave the youth the...
This Valentine's, Elante Saying "Why Should Couples Have All the Fun?"
Elante Mall knows how to celebrate occasions with its own touch. Where everywhere lovey-dovey couples are being celebrated and singles are left to feel...
Chandigarh is All Set To Have Helmets Compulsory For Women, Except Turbaned Sikh Riders
Keeping the safety of women riders on roads in high regard, Chandigarh will soon have have mandatory helmets for all female two-wheeler riders barring "Sikh woman...


text:
Tennis: Osaka pushes self-belief and being OK with less than perfect
AFP , Tuesday 31 Aug 2021
Defending champion Naomi Osaka of Japan celebrates during her first-round US Open victory on Monday over Czech Marie Bouzkova (AFP)
Four-time Grand Slam champion Naomi Osaka of Japan says she is building self-confidence and belief while trying to be less of a perfectionist on and off the tennis court.
The defending US Open champion beat 87th-ranked Czech Marie Bouzkova 6-4, 6-1, in 93 minutes on Monday to reach a second-round matchup with Serbian qualifier Olga Danilovic.
Osaka said she didn't feel pressure but was nervous nonetheless as she tries to make life changes.
"I tell people I'm a perfectionist. For me, something that's less than perfection, even though it might be something great, is a disappointment," Osaka said. "I don't really think that's a healthy way of thinking, so something that I really want to change.
"In this tournament I just want to be happy knowing I did my best and even though I didn't play perfect I was able to win a match in two sets, or if I have to battle, play a match in three sets -- know that I made a couple mistakes, but it's OK at the end of the day because I'll learn.
"It's not really a tournament thing. It's more like a life thing. I hope I can keep this mindset throughout my life going forward."
Osaka withdrew from the French Open after one match over mental health issues, saying she didn't want to talk with reporters after matches, and skipped Wimbledon as well.
This week, she has opened up about her feelings on social media and to journalists, saying she needs to respect herself more.
"It has been a gradual situation," she said. "There were multiple events in my life that led me into thinking the way that I do.
"For me one of the biggest things is hearing a little kid telling me that I'm their favorite player or I'm a role model. Instinctively the first thought in my mind is 'Why?'
"I feel like I have to sort of embrace more the feeling, the honor that they're telling me that, and I should believe more in myself.
"I feel like if you don't believe in yourself, then other people won't believe in your self. It's more like a realization thing."
Osaka said her nervous energy over the first round of a Grand Slam mingled with the excitement of having spectators back after no fans were allowed in 2020 due to Covid-19.
"It was definitely a bit weird feeling. But I think I was more excited than nervous in the end," she said.
Abdel-Wahab Hawam's exhibition at Almashrabia gallery is a must go
Thank you and good-bye, sir
Egypt's gift
Identity and nation state
Al-Shabaab suicide bomber kills four in Somalia: Police
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text:
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Grounds Maintenance Person (Temporary) CDL is one of the UK's leading insurance software houses, employing over 600 people at its campus in Stockport. It has a strong track record in the high volume retail insurance sector, with clients including Ageas Retail, Swinton Insurance, Tesco Bank, iGO4 and John Lewis, to name a few. CDL has spearheaded developments in the aggregator, web and telematics space, including connected home, enrichment and self-service solutions. As a result, the company's robust and innovative technologies have enabled its customers to thrive in the highly competitive UK insurance marketplace. We have built a collaborative and creative culture where we like to work in small, focused groups so you are always learning from people around you and you feel a part of the success of the team, as well as the success of the company.


text:
Praxair Raises Dividend 25% in First Quarter 2008
DANBURY, Conn., January 23, 2008 — The board of directors of Praxair, Inc. (NYSE: PX) has declared a quarterly dividend of 37.5 cents per share, a 25% increase from the previous quarter. The dividend is payable on March 17, 2008 to shareholders of record on March 7, 2008.
"This increase demonstrates our confidence in Praxair's continuing ability to generate strong free cash flow," said Steve Angel, chairman and chief executive officer.
Praxair is the largest industrial gases company in North and South America, and one of the largest worldwide, with 2007 sales of $9.4 billion. The company produces, sells and distributes atmospheric and process gases, and high-performance surface coatings. More information on Praxair is available on the Internet at www.praxair.com.
Susan Szita Gore
Email: susan_szita-gore@praxair.com
Elizabeth Hirsch
Email: liz_hirsch@praxair.com


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Respite is an important part of caring for somebody with a disability. But it can be challenging to find a respite program that's right for you and your family.
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Caring for someone with a disability is truly rewarding. But it can also be exhausting. We all need time to recharge. In fact, taking regular respite helps us be a better carer.
To find out more about Flexible Respite, get in touch with our Care Coordinator on (02) 9603 7011 for a private and confidential conversation.


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Mauro Giaconi in his studio
Mauro Giaconi - Why I Draw
At primary school the Vitamin D3 artist would exchange his drawings for homework, now he prefers to construct complex drawings that don't reveal their intention immediately
The fact that Mauro Giaconi studied to become an architect for three years before completing his degree in painting is telling. His drawings and the space they occupy are both as carefully configured as each other, so that the viewer's experience of them is unavoidably physical. For his performative exhibition 'Felicidad' at Ruth Benzacar in Buenos Aires in 2017, Giaconi presented a two-part piece. The artist started off facing a clean wall, armed with a hammer and backpack full of pencils. As he violently tried to nail these to the white surface, both the pencils and the wall cracked, generating a noisy and frustrating scenario. The second section of the performance began when the artist and his audience left the destruction behind and moved on to the main space, where handmade concrete cubes coated with thick graphite dotted the floor. Giaconi grabbed hold of one such block and hurled it against the wall, gesturing for the audience to join in and repeat the action. As the cubes shattered, the graphite dust sprinkled the white wall, revealing a pre-drawn yet up to that point invisible wire-netting pattern.
Populating the floor with graphite-covered objects is a recurrent feature of Giaconi's work. Conceptually, he is not only interested in physical presences but also in absences; in the way these linger, and how the binary systems that oppose the present to the absent succumb at that precise instant when the graphite explodes and the cube and the dust coexist, or real and fake sheets overlap.
Giaconi is one of over a hundred contemporary artists featured in Vitamin D3: Today's Best in Contemporary Drawing, Phaidon's new, indispensable survey of contemporary drawing. We sat him down and asked him a few questions about how, why and when he draws. If you're interested in his work, our story contains links to a number of his works available on Artspace.
Geopoética (12 el sur del norte), 2013 by Mauro Giaconi
Who are you and what's on your mind right now? My name is Mauro Giaconi. I'm a visual artist, teacher and independent cultural manager. I was born in Buenos Aires, Argentina; and I have lived and worked in Mexico City since 2011. I'm currently reviewing Bolivian writer and activist Silvia Rivera Cusicanqui's concept of CH'IXI. It is an Aymara term that, as I interpret it, basically states that things can be and not be all at the same time; that we are the cohabitation of juxtaposed opposites. I also think a lot about that in relation with a possible symbiosis between daily life and artistic production. This is all cut across by our current pandemic situation, which – without appearing to be too optimistic about the future – I do believe has caused time to lose its magnetism because it's acquired a new velocity, which in turn should allow us to reassess our ideas and energies.
What's your special relationship with drawing and how would you describe what you do? My relationship to drawing has practically been a life strategy, given that it's one of those activities that remained a constant interest of mine throughout time, throughout each stage, since early childhood. During primary school I would exchange drawings for homework and in high school my sister and I would hand draw Rock images onto t-shirts we would later sell on Sundays at a clandestine music and pirated goods market in Parque Rivadavia in Buenos Aires. My interest in drawing also pushed me to wander through a degree in architecture for some time and then to study arts and devote myself to that profession over the course of twenty years.
I like to think about my relationship to drawing almost as a militancy because it has allowed me to combine pleasure and work, intertwining different interests in order to remain in a constant state of exploration, play and wandering. It has also been a plentiful tool for establishing complicities with other artists, which is one of the things I value the most, and has allowed me to establish several study and learning groups, and shared interest communities.
Geopoética (08 redención), 2013 by Mauro Giaconi
Why is there an increased interest in drawing right now? Over the course of the last few years (especially at market and institutional levels) drawing has received some special attention, but I don't believe that particular attention is related to drawing practice in itself, but rather with a need to shift the focus of our attention, to create a sense of novelty or value what was previously underrated.
Somehow, artistic disciplines have become blurred and the limits between one and the other have steadily become less necessary and relevant. Perhaps that's why the need to elevate this or that discipline emerges, as if there were a certain fear that the set of rules that define "the artistic" could lose their hegemony. But outside that logic, drawing has always been present at the podium, it is an unavoidable discipline; it is everywhere, as much in artistic practice as it is in the periphery. It is wandering, it's in the streets, in urban graffiti, in technology, in political pamphlets, in album covers, in rituals, in the instructions that come with products and tools, in logos, in industrial design, in childhood, in architecture, in games, and so forth back to prehistoric times.
What are the hardest things for you to get 'right'? My biggest difficulty sometimes is to successfully broach all the interests that cut across my personal interests and my artistic practice. Also to try to understand how to be physically and mentally present in a certain multiplicity of desires and needs without overlooking any corners, while at the same time avoiding falling into self-imposed dynamics of work exploitation.
Lo que parece justo 26, 2012 by Mauro Giaconi
Is the immediacy of drawing part of its appeal for you? I try to overcome that sensation of immediacy or frontality that is generally attributed to drawing. I believe my works don't have those characteristics, given that I prefer constructing complex images that don't reveal their intention immediately. I seek to incite diverse experiences in relation to the distance from which each drawing is perceived, because more and more details that allow you to have multi-layered access to the drawing can be seen as you come closer. Scale is also very important sometimes; the relationship between the work and the body, the work's own body as well as the spectator's, as a strategy to conceal multiple situations in its monumentality.
Drawing can be both brutal and refined at the same time, immediate at plain sight while concealing multiple scenarios. I'm especially interested in the possibility of concealing a certain juxtaposition of planes and realities. But what I'm particularly most stricken with by drawing is its economy; by this I mean that it's an affordable activity, it's cheap, there isn't an industry or a technology instilling it with life.
Can you explain the difference between drawing as a child, something we can all relate to, and drawing as an artist - something most of us cannot? In childhood, drawing isn't a cultural activity but rather an exploration towards developing cognitive tools for understanding the world and one's own body. In adulthood, especially understanding it from the standpoint of artistic practice, it's the opposite: it's a means for developing tools for gaining access to that state of exploration in order to broach culture.
What do most people overlook when they attempt to 'assess' drawing? The most difficult and interesting thing about this matter is understanding what the consequences are of invoking the logic of "most people". Most people from where, which context, which ethnicity, continent, weather, history? Most people from which social, economic or gender reality? I believe that each context and each individual have a very distinct relationship to art, to culture and therefore to artistic drawing. I perceive my work as a balance between certainties and errors; I don't demand efficacy from it but rather I try, failure becomes part of the equation, that the efficacy of the encounter depends on the other person. I'm interested in remaining in that tension, and I'm interested when a work, a drawing, or whatever, leaves a margin of trust to remain open in order for the other to complete the equation. When the stakes are on the margin of trust between the work and the audience, for them to strengthen their encounter, the result is much more potent.
When do you draw and what sort of physical, spiritual, mental or geographical place do you have to be in generally for it to work? I could say that I work in two specific ways or situations. The first is my studio and the second is site-specific. Even though both ways have their own set of particularities, my production is generally quite rational. I work a lot from the standpoint of the accumulation and the repetition of a single gesture so that images progressively grow through a reiterative gesture, whether it be paper, books, spaces or architecture itself. It's a way of working that demands high concentration from me, which is why I do better if I work in a highly focussed manner and during short periods of time, no more than one hour doing the same thing, then to step aside for later returning with renewed concentration.
You can see more of Mauro Giaconi's work on Artspace, and via his Instagram, @maurogiaconi. Meanwhile, Vitamin D3: Today's Best in Contemporary Drawing, featuring over 100 artists including: Tania Kovats, Rashid Johnson, Rebecca Salter, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Nathaniel Mary Quinn, and Emma Talbot is available now in the store. We'll be running more interviews with artists featured in the book in the coming weeks.
Vitamin D3: Today's Best in Contemporary Drawing : Phaidon Editors
Phaidon's 'Vitamin' series has long proved an extraordinarily accurate predictor of tomorrow's stars. This latest instalment is a cutting-edge and indispensable survey of the very best of contemporary drawing, as chosen by a panel of the world's leading art experts
Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since Phaidon's publication of the first such surveys (Vitamin D in 2005 and D2 in 2013), contemporary artists have continued to explore drawing's possibilities – from intimate to large-scale works, in a diversity of mark-making processes and materials. Vitamin D3 showcases more than 100 such artists, as nominated by a global panel of more than 70 international art experts.
The more than 70 nominators include such iconic figures as: Iwona Blazwick, Louisa Buck, Mark Coetzee, Thelma Golden, Laura Hoptman, Geeta Kapur, Pablo León de la Barra, Christine Macel, Kate Macfarlane, Hans Ulrich Obrist, and Zoe Whitley.
The more than 100 selected artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.
Conceived and edited by Phaidon Editors. Phaidon Editors are grounded in both academic and professional expertise in a diverse range of subjects including art, architecture, cookery, and design. Working with a broad and diverse panel of contributors from around the world, Phaidon Editors have created many of Phaidon's classic publications, including 30,000 Years of Art, The Fashion Book, The Gardener's Garden, and the Atlas of Brutalist Architecture.
Financial Times, How to Spend It "Best New Art Books" February 2021
"An exciting new collection from Phaidon sets out to prove that drawing is so much more than just a means to an end." - Elephant
"The book and its numerous examples aim to show how drawing has been elevated over the past 50 years." - Design Week
"[Vitamin D3] showcases the best of modern drawing." - i paper
"The series continues to demonstrate the unique scope of medium - not necessarily as yet another exercise in disciplinary definition, but instead through the efficacy and diversity of mark making." - Burlington Contemporary
More on Mauro Giaconi - Why I Draw
'Drawing should be a strain' Christina Quarles tells W Magazine
Deanna Petherbridge - Why I Draw
Nick Kennedy - Why I Draw
Kyle Thurman - Why I Draw
Minjung Kim - Why I Draw
Miriam de Búrca - Why I Draw
Charmaine Watkiss - Why I Draw
Hannah Quinlan & Rosie Hastings - Why We Draw
Martin Wilner - Why I Draw
Mick Peter - Why I Draw
Christina Quarles - Why I Draw
Nathaniel Mary Quinn - Why I Draw
Emma Talbot - Why I Draw
John Wood and Paul Harrison - Why We Draw
Rachel Goodyear - Why I Draw
All you need to know about Vitamin D3
Marcel Dzama on Goya, Ghosts and his Artspace edition The illumination of the sisters of paradise
Magnus Nilsson's Momentous Moments: The day he realised chefs could learn a lot from high fashion
Vitamin D3 interview Emma Talbot
Vitamin D3 interview Christina Quarles
Vitamin D3 interview Tania Kovats
Vitamin D3 interview Rachel Goodyear
Tania Kovats - Why I Draw
Anton Kannemeyer - Why I Draw
Vitamin D3 interview John Wood and Paul Harrison
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Vitamin D3 interview Miriam de Búrca
José Vera Matos - Why I Draw


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Happy Dussehra Happy Dussehra Festival Wishes Image Gif With Name. Vijayadashami is also knows as Dussehra, Dusshera and Dasara is a main Hindu festival celebrated at the end of Navratri every year. Festival Wishes Gif With Name also Magic Gif wishes with name.


text:
Jordan Ayew ends one-year goal drought after scoring against Southampton in Premier League
Jordan Ayew has finally ended his long goal drought after scoring in Crystal Palace's 2-2 draw with Southampton in the Premier League.
The Ghanaian striker was on target in the 65th to restore parity for Patrick Vieira's side in a very tense game at Selhurst Park.
Ayew last goal for the club came in November 2020, but he had since been experiencing a long goal drought.
The 30-year-old's strike against Southampton was his first goal in 43 Premier League matches and he expressed his relief after the game.
"It's a relief I think. I knew it would come at some point because I've been working really hard for [a long] time," Ayew told the BBC.
"I was happy for myself personally – for my confidence it is important – for my family, friends, people who have been supportive and especially the manager, who has been really supportive."
He added: "Since the first day the manager came in he told me he has big faith in me and belief in me and I should keep on working hard and it will come.
"It may take long but at some point it will pay off and today it paid off. We're all glad… Today there were negatives and positives but I think it was a good result."
Ayew would hope to score more consistently and carry his form into next year's Africa Cup of Nations (AFCON) for Ghana.
Source: pulse news
See also Mohamed Salah: Fifa says Egyptian votes void because of capital letters
InJordan Ayew ends one-year goal drought after scoring against Southampton in Premier League
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Is high school preparing us for life?
Can I find a topic for my descriptive essay online?
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Let's assume that you are telling somebody about an experience you had on a recent holiday. It could've been a pleasure to visit or meet a special person or enjoy a particular meal - all things which were outstanding. It might well have been a fantastic experience for you but will it come across as such to the person listening to your tale? And that is exactly the situation which applies when you write a descriptive essay. Will the person reading your descriptive essay feel the same sense of excitement that you enjoyed?
One of the quickest ways to make your descriptive essay dull and boring is to tell the reader exactly what you saw or did. Now that may seem contradictory to you. If your understanding of descriptive essays is poor then that is exactly what you will probably do. You see if the show don't tell method is applied to the writing of a descriptive essay it makes that essay come alive.
By appealing to the different senses of the reader you give them a chance to enter into the world of imagination. You give them the opportunity to add colours to your description. The understanding of your experience becomes vivid. And that's because you used the show don't tell routine.
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1. Melt the stick of butter and let cool.
3. In blender, combine the butter, honey, garlic, thyme, oregano, rosemary and black pepper until smooth.
5. Grill boneless chicken breasts, turning occasionally and basting with honey-butter blend, 20 minutes or until meat thermometer inserted in center registers 170°F. Note: Do not baste during the last 5 minutes of grilling.


In a dystopian future, an outbreak of canine flu in Japan leads all dogs to be quarantined on an island. A boy named Atari journeys there to rescue his dog Spots, and gets help from a pack of misfit canines who have also been exiled. Atari's quest inspires (more…)In a dystopian future, an outbreak of canine flu in Japan leads all dogs to be quarantined on an island. A boy named Atari journeys there to rescue his dog Spots, and gets help from a pack of misfit canines who have also been exiled. Atari's quest inspires a group of dog lovers back on the mainland to expose a government conspiracy.


Bring every room in your home to life.
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Managing the ever increasing technology options throughout the home can be a daunting task. Creative Stereo HD install systems that put the homeowner back in command, integrating your whole house audio, lighting, security and HVAC into one, simple interface. The products we carry offer tremendous flexibility, allowing for a control interface tailored to each homeowner's automation needs and technical aptitude. Creative Stereo HD will help you program all your home automation tasks.
Creative Stereo HD installs control systems that allow every member of the family to easily operate even the most sophisticated home theater set-up. With one-touch control and automation of audio, video, and lighting systems, Creative Stereo HD can help you eliminate the clutter and confusion of multiple remotes, so more time can be spent enjoying and experiencing your stay-home movie night.
Our smartphones are basically powerful computers that fit in our pocket. Creative Stereo HD can leverage your smartphone's power as a remote control for your entire home. We can accommodate the Apple iPad®, iPod Touch®, iPhone® and Android™ devices.
Creative Stereo HD can provide your custom home theatre or media system with a remote control that actually puts you in control. Creative Stereo HD will help you find your ultimate remote control.


text:
Dolomedes sulfureus is a species of spiders commonly known as fishing spiders belonging to the genus Dolomedes. They produce a venom that contains a group of neurotoxic peptides.  The species is found in Russia, China, Korea, and Japan.

References

External links
Taxonomy at UniProt
Encyclopedia of Life
Taxonomy at ZipcodeZoo
Animal Diversity Web
BOLDSYSTEMS
Taxonomy at ITIS Report
Comparative Toxicogenomics Database
Taxon profile at BioLib

sulfureus
Spiders of Asia
Spiders of Russia
Spiders described in 1878

redpajama_set_name: RedPajamaWikipedia


He Is Jah is the second installment of Midnite Branch I from Rastafari Records. As with all Branch I projects, He Is Jah presents a different style of music than the solid roots music that most people associate with Midnite.
1. He Is Jah 8.
6. Give Jah The Glory 13.


Community policing is an effective way to keep the community safe.The Mankato Department of Public Safety is asking for your help in finding Mankato's Most Wanted. If you know the whereabouts of any of these people, please do not approach them. Call 911.
Mankato Area 24-hour Crime Solvers Tipline (507) 345-1023 . Call 911 if you know where the person is right now or email mostwanted@city.mankato.mn.us.


text:
Q: OpenCV convert Python code to Java I have the following Python code:
ret,thresh = cv2.threshold(gray,5,255,cv2.THRESH_TOZERO)
kernel1 = cv2.getStructuringElement(cv2.MORPH_ELLIPSE,(11,11))
kernel2 = np.ones((3,3),np.uint8)
erosion = cv2.erode(thresh,kernel2,iterations = 1)
dilation = cv2.dilate(erosion,kernel1,iterations = 7)

I'm trying to convert it to Java. This is my current version:
double thresh = Imgproc.threshold(gray, gray, 5, 255, Imgproc.THRESH_TOZERO);
Mat kernel1 = Imgproc.getStructuringElement(Imgproc.MORPH_ELLIPSE, new Size(11, 11));
Mat kernel2 = Mat.ones(3, 3, CvType.CV_8U);
Mat erosion = new Mat();
Imgproc.erode(gray, erosion, kernel2);
Mat dilation = new Mat();
Imgproc.dilate(erosion, dilation, kernel1);

Right now I'm unable to find a place where thresh parameter should be applied and also I'm not using the iterations parameter for Imgproc.erode and Imgproc.dilate methods because the method signature in this case also requires additional Point anchor parameter which I do not have right now.
How to properly convert this code to Java?
UPDATED
I do the following translation:
Mat erosion = new Mat();
Imgproc.erode(gray, erosion, kernel2, new Point(), 1);
Mat dilation = new Mat();
Imgproc.dilate(erosion, dilation, kernel1, new Point(), 7);

and looks like it is working as expected but I'm not sure about new Point() Is it a correct translation?

A: Here are the dilate declarations in C++/Python/Java:
C++: void dilate(InputArray src, OutputArray dst, InputArray kernel,
        Point anchor=Point(-1,-1),
        int iterations=1,
        int borderType=BORDER_CONSTANT,
        const Scalar& borderValue=morphologyDefaultBorderValue() )

Python: cv2.dilate(src, kernel[, dst
            [, anchor[, iterations[, borderType[, borderValue]]]]]) → dst

Java: static void dilate(Mat src, Mat dst, Mat kernel, Point anchor, int iterations)

Because there is no default value for anchor if you want to use the param iterations. So pass new Point(-1,-1) is a better choice.
Imgproc.dilate(src, dst, kernel, new Point(-1,-1), iterations);


text:
← Sounds Of The Hammer Interview
New Recording: T.I.H. →
Jamie Tennant's Review
They always say time changes things, but you actually have to change them yourself. That's what Andy Warhol once said.
The Last Irishman in Corktown is, in many ways, about change.
Steve "S.G." Sinnicks hasn't abandoned his strengths – far from it. His new album is his most ambitious and accomplished recording to date – which says something, considering his previous releases had significant community and CBC radio play and 2009's Red Meat & Blue 88s was named Folks/Roots Album of the Year at the 2009 Hamilton Music Awards.
Yet Last Irishman sees Sinnicks' palette expand into new territory like never before. The album features an array of storied musicians from local Hamilton legends (Tim Gibbons, Randall Hill) to national luminaries (Blue Rodeo's Mike Boguski). Last Irishman takes the essence of Sinnicks' songwriting and fleshes it out for old and new audiences alike. "Man From The Ministry" recalls Sinnicks as backed by The Attractions, while the title track pays homage to a hard-working geezer with its arrangement resembling a post-Celtic Pogues (with an appropriately boozy Shane McGowan growl). Elsewhere, a fiddle or a muted trumpet compliment Sinnicks' storytelling, and sometimes Sinnicks' wry observations are left to the stark and simple exposition of voice and acoustic guitar ("Christians,") ("You're Gonna Need It").
A chronicle of love and loss, a lament for the loss of kindness and decency, with a hint of how to recapture both; the new album shows a bolder vision than ever for Sinnicks. The "last Irishman" himself is an inflexible old codger, unchanged despite the changes around him. Sinnicks himself hasn't changed, but there are plenty of areas where he took Warhol's word to heart and changed things himself.
Steve "S.G." Sinnicks began playing drums at 11 and at 15 began to play the pubs with everyone from local artists to Canadian legend Stompin' Tom Connors. While he still occasionally fills in on the skins, he is now known across Canada and in the U.S. as singer and songwriter in the vein of Nick Lowe, Billy Bragg or John K Sampson with a folkie background and a history of dissent.
Last Irishman captures both a new atmosphere and the core elements of Sinnicks the songwriter – the elements that led Penguin Eggs magazine call him "one hell of a smart find from our own backyard." Words, music, and solidarity are Sinnicks' core. That hasn't changed. His politics remain prescient, his compassion remains intact and more than anything, his music remains infectious. This is both a new, invigorated Steve Sinnicks and the Steve Sinnicks his fans have championed since his debut in 1998.
For more information contact Jamie Tennant, Program Director, 93.3 CFMU FM
UB119, MUSC, McMaster University
Hamilton, ON L8S 4S4
905.525.9140 x 27208
http://cfmu.mcmaster.ca
Hamilton Music Industry Awards, Radio Station of the Year 2011
Posted in Music, Words	Tagged album, change, Corktown, Hamilton Music Awards, Irishman, Jamie Tennant, loss, recording, Sinnicks, songwriter, Steve Sinnicks	permalink
Jamie Tennant's Review — No Comments


text:
Help Centre Advice and Helplines Anxiety and Panic Attacks
Available helplines and sources of information
Modified on: Fri, 18 Sep, 2020 12:14 PM
Coronavirus - Mental wellbeing while staying at home
Dealing with panic attacks
Comprehensive help and information from NHS.
Anxiety, Panic & Phobia
Anxiety is a feeling we all get in a situation that is threatening or difficult. The anxiety stops when you get used to the situation, when the situation changes, or if you just leave. But if you feel anxious all the time, or for no obvious reason, it can make life difficult. This leaflet deals with three particular kinds of anxiety: general anxiety disorder, panic attacks and phobias. We hope it will be helpful for anyone who finds their anxiety is a problem - but also for any friends and relatives who want to understand more about it.
The Mental Health Foundation
www.mentalhealth.org.uk
How to overcome fear and anxiety
We believe it is important to involve the people who use mental health services and their carers in our work. We want to support them to have their say on the way that services are run, as well as to use their experiences to inform our thinking.
MindInfoline: 0300 123 3393
www.mind.org.uk
The MindinfoLine offers thousands of callers confidential help on a range of mental health issues. Mind helps people take control of their mental health. We do this by providing high-quality information and advice, and campaigning to promote and protect good mental health for everyone. They also provide a special legal service to the public, lawyers and mental health workers.
Anxiety UK
Helpline: 03444 775 774
www.anxietyuk.org.uk
Panic attack booklet
Anxiety UK works to relieve and support those living with anxiety disorders by providing information, support and understanding via an extensive range of services, including 1:1 therapy. We work regularly with external agencies and healthcare professionals to improve services for those living with anxiety disorders. We also campaign to raise awareness of anxiety disorders.
No Panic
www.nopanic.org.uk
No Panic (National Organisation for Phobias, Anxiety, Neuroses, Information and Care) is a totally voluntary charity, whose aims are to aid the relief and rehabilitation of those people suffering from panic attacks, phobias, obsessive/compulsive disorders and other related anxiety disorders including tranquilliser withdrawal, and to provide support to sufferers and their families and or carers.
Helpline: 0800 11 11
www.childline.org.uk
Anxiety, stress and panic
ChildLine is a counselling service for children and young people. You can contact ChildLine in these ways: You can phone on 0800 1111, send us an email, have a 1-2-1 chat with us, send a message to Ask Sam and you can post messages to the ChildLine message boards. You can contact ChildLine about anything - no problem is too big or too small.
If you are feeling scared or out of control or just want to talk to someone you can contact ChildLine.
www.youngminds.org.uk
How to help someone having a panic attack
Parents' Information Service gives advice to parents or carers who may be concerned about the mental health or emotional well being of a child or young person.
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