The perfect and cheapest "Molex" Pin-Remover for the fat-4-pin connectors (male and female), sometimes incorrectly called "Molex" connectors. With the two high-precision, custom made tubes (made in Germany of course), you get all you need for these pins and can build your own 4-pin Pin-Remover in a creative way.
The photos show you an example of a possible assembly. This is just one of many methods and we bet that you can find other solutions that are even cooler. The application of this tool is very easy: Depending on the pin-size ("Molex" 4-pin), you use one of both tube sizes which fits. Put it over the pin, push it as deep into the connector as possible (also push the cable towards the Pin-Remover) and then just pull the cable out of the connector.
"Molex" Pin-Removers for the extraction of these specific pins are usually sold for 7 to 10 Euros. We created this tool in order to offer you a perfectly precise solution for the job and save your wallet at the same time: "Save My Wallet Edition". Best quality, lower price!
This Pin-Remover for the fat-4-pin connector-pins is the ideal partner for the original MOLEX Pin-Remover. You own the best tool-kit if you get both. For 3-pin fan-connectors and USB-connectors, it's best to use a nail-scissor or similar home-tools, because they simply work better than "modding-toys".


text:
Ханна Маркс (; род. , Санта-Моника) — американская актриса.

Биография
Ханна Гейл Маркс родилась 13 апреля 1993 года в городе Санта-Моника, штат Калифорния, США. Отец — Робин Маркс, мать — бывшая актриса Нова Болл, дочь Эрни Болла, знаменитого производителя гитарных струн. В 1995 году семья Ханны переехала в Сан Луис Обиспо. Ещё в детстве Ханна проявляла интерес к спектаклям, который позже привёл её в «Маленький театр Сан Луис Обиспо». В 11 лет она уговорила родителей переехать в Голливуд для прохождения 8 недельных курсов. По их окончанию в 2005 году Ханна получила свою первую роль в кино.

С 2011 по 2013 год снималась в сериале «Необходимая жестокость». В 2012 году Ханна снялась в роли Мисси Калленбэк в фильме «Новый Человек-паук».

Личная жизнь
Ханна не замужем. В свободное время увлекается карате.

Фильмография

Номинации и награды

Примечания

Ссылки
 Официальный сайт Ханны Маркс

Дети-актёры США

redpajama_set_name: RedPajamaWikipedia


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text:
/* Used in the PropertySearch Object */
_ = require('underscore');

/************
 * Criteria *
 ************/

/*
 * @method ~ setCriteria(criteria<CriteriaDef>);
 * @example : Criteria.setCriteria(criteria);
 * @return 	: void

 * @method ~ getCriteria();
 * @example : Criteria.getCriteria();
 * @return 	: CriteriaDef

 * @method ~ addField(fieldName<string>,operator<Criteria.OPERATOR>,value<int|string>);
 * @example : Criteria.addCriteria("listno", Criteria.CRITERIA_OPERATOR.EQUALS, 792418);
 * @return 	: CriteriaDef

 * @method ~ removeAllField(fieldName<string>)
 * @example : Criteria.removeCriteria("tot_sqft");
 * @return 	: CriteriaDef

 * @method ~ removeField(fieldName<string>)
 * @example : Criteria.removeCriteria("tot_sqft");
 * @return 	: CriteriaDef

 * @method ~ removeFieldValue(fieldName<string>, value<int|string>)
 * @example : Criteria.removeCriteriaValue("listno", 792418);
 * @return 	: CriteriaDef

 * @method ~ convertToFilter()
 * @example : Criteria.convertToFilter();
 * @return 	: string

*/

var Criteria = {
	// Criteria Definition
	__CriteriaDef : { }, /* Object that is set and exported */

	// Constants
	CRITERIA_OPERATOR : {
		EQUALS : 1,
		IN : 2,
		GREATER_THAN : 3,
		GREATER_THAN_EQUAL_TO : 4,
		LESS_THAN : 5,
		LESS_THAN_EQUAL_TO : 6,
		IGNORE: 7,
		NOTEQUALS : 8,
		NOTIN : 9
	},

	// Sets the criteria with a new definition
	setCriteria : function(criteria) {
		this.__CriteriaDef = criteria;
		return this.__CriteriaDef;
	},

	// Gets the current criteria's definition
	getCriteria : function() {
		return this.__CriteriaDef;
	},

	// Add field with value to the criteria definition
	addField : function(fieldName, operator, value, fieldValue,isString) {
		isString = isString ? isString : false;

		this.__isValidOperator(operator);
		var obj = this.__CriteriaDef[fieldName];
		fieldValue = fieldValue || value;
		obj = { operator : operator, value : value, fieldValue : fieldValue, isString : isString };
		this.__CriteriaDef[fieldName] = obj;
		return this.__CriteriaDef;
 	},

 	/**
	 * Checks if a property field does exists
	 * @param {String} fieldName
	 *
	 */
	hasField : function(fieldName) {
		if (this.__CriteriaDef[fieldName]) {
			return true;
		} return false;
	},

 	// Add field with value to the criteria definition
    appendField : function(fieldName, operator, value, fieldValue) {
        this.__isValidOperator(operator);
        var obj = this.__CriteriaDef[fieldName];

        // check if exists
        if (obj == undefined || obj == null) {
            fieldValue = fieldValue || value;
            obj = { operator : operator, value : value, fieldValue : fieldValue };
            this.__CriteriaDef[fieldName] = obj;
        }
        else {
            if (_.isArray(obj)) {
                obj.push({operator : operator, value : value, fieldValue : fieldValue });
            } else {
                switch (obj.operator) {

                    case Criteria.CRITERIA_OPERATOR.IN :
                    case Criteria.CRITERIA_OPERATOR.NOTIN :
                        if (obj.value.length == 0) {
                            obj.value = value.toString();
                        } else {
                            obj.value += "," + value.toString();
                        }
                    break;

                    default :
                        this.__CriteriaDef[fieldName] = [this.__CriteriaDef[fieldName]];
                        this.__CriteriaDef[fieldName].push({operator : operator, value : value, fieldValue : fieldValue });
                    break;
                }
            }
        }
        return this.__CriteriaDef;
    },

 	/**
 	 *
 	 * @param : fn
 	 */
 	removeFunction : function(fn) {
 		var _functions = this.__CriteriaDef['function'];
 		if (!_functions) { return; }
 		for (var a = 0; a < _functions.length; a++) {
 			var _function = _functions[a];
 			if (_function === fn) {
 				_functions.splice(a, 1);
 			}
 		}
        if (!_functions.length){
            delete this.__CriteriaDef['function'];
        } else {
            this.__CriteriaDef['function'] = _functions;
        }
 	},

    /**
     *
     * @param : fn
     */
    removeFunctionByName : function(fn) {
        //console.log('criteria: ', JSON.stringify(this.__CriteriaDef));
        var _functions = this.__CriteriaDef['function'];
        if (!_functions) { return; }
        for (var a=0;a<_functions.length;a++) {
            var _function = _functions[a];
            if (_function.search(fn) !== -1) {
                _functions.splice(a, 1);
            }
        }
        if (!_functions.length){
            delete this.__CriteriaDef['function'];
        }else{
            this.__CriteriaDef['function'] = _functions;
        }
    },

 	/**
 	 * adds a function to the criteria, returns the criteria def
 	 * @param {string} fn ~ function
 	 */
 	addFunction : function(fn) {
 	    //console.log('criteria: ', JSON.stringify(this.__CriteriaDef));
 		var _functions = this.__CriteriaDef['function'];
 		if (!_functions) {
 			_functions = [];
 		}

 		_functions.push(fn);
 		this.__CriteriaDef['function'] = _functions;
 		return this.__CriteriaDef;
 	},

 	/**
 	 * Returns a function object by type (zip,city,geoclose,georect,county,etc)
 	 */
 	getFunctionByType : function(type) {
 		var fns = this.getAllFunctionNames();

 		if (fns) {
 			for (var i=0;i<fns.length;i++) {
	 			var fn = fns[i];
	 			// split the function to parts
	 			var fnName = fn.substring(0, fn.indexOf('('));

	 			var fnString = fn.toString().substring(fn.indexOf('(')+1, fn.indexOf(')'));
		 		var fnSplit = fn.split(',');
		 		if (!fnSplit[0] || !fnSplit[1]) {
		 			this.removeFunctionByName(fnName);
		 			return null;
		 		}

		 		var fn1 = fnSplit[0].trim();
		 		var fn2 = fnSplit[1].trim();
		 		var obj = {};
		 		if (type === 'geoclose' && fnName === 'geoclose') {
		 			return {
		 				_function : fn,
		 				type : 'geoclose',
		 				latitude : fn1,
		 				longitude : fn2
		 			};
		 		}

		 		if (type === 'georect' && fnName === 'georect') {
			 		return {
			 			_function : fn,
			 			type : 'georect',
			 			xmin : fn1,
			 			ymin : fn2,
			 			xmax : fnSplit[2].trim(),
			 			ymax : fnSplit[3].trim()
			 		};
		 		}

		 		if (type != 'georect' && type != 'geoclose') {
		 			if (type === fn2) {
		 				return {
		 					_function : fn,
		 					type : fn2,
		 					value : fn1
		 				};
		 			}
		 		}
	 		}
 		}
 		return null;
 	},

 	getFunctionValue : function(fn) {
 		var fns = this.__CriteriaDef['function'];
 		for (var a=0;a<fns.length;a++) {
 			var _fn = fns[a];
 			var _fnName = this.getAllFunctionNames(_fn);
 			if (this.getAllFunctionNames(fn) == _fnName) {
 				var start = _fnName.indexOf("(");
 				var end = _fnName.indexOf(")");
 				return _fnName.substring(start, end-start);
 			}
 		}
 	},

 	/**
 	 * Returns a list of all function names found in the parameter
 	 */
 	getAllFunctionNames : function() {
 		var names = [];
 		var fns = this.__CriteriaDef['function'];
 		if (!fns) { return names; }
 		for (var a=0;a<fns.length;a++) {
 			var fn = fns[a];
 			names.push(this.getFunctionName(fn));
 		}
 		return names;
 	},

 	/**
 	 * Returns the name of the function
 	 * @param {string|object} fn ~ function, if is object will convert to string
 	 */
 	getFunctionName : function(fn) {
 		if (typeof(fn) != 'string') {
 			fn = JSON.stringify(fn);
 		}
 		return fn.substring(0,fn.indexOf("("));
 	},

	/**
	 * returns the uri used to query odata
 	* @param {string} queryString ~ Uri to append string to
	 */
 	toFilterString: function(queryString) {
 		queryString = queryString ? queryString : '';
 		var c = this.__CriteriaDef;

 		var fieldCount = 0;
		for (var field in c) {
			// console.log("Field: " +field);
			var obj = c[field];
			if (obj.operator && obj.operator == this.CRITERIA_OPERATOR.IGNORE) { continue; }

			if (_.isArray(obj) && field != 'function') {
			    var innerArrayCount = 0;
			    var innerArrayQueryString = '';
				for (var a = 0; a < obj.length; a++) {
					var o = obj[a];
					if(o.operator == this.CRITERIA_OPERATOR.IGNORE) { continue; }
					innerArrayQueryString += (innerArrayCount > 0 ? " and " : " ") + this.__returnFilterValue(o, field);
					innerArrayCount++
				}

				if (innerArrayQueryString != ''){
				    queryString += fieldCount > 0 ? " and " : "";
				    queryString += innerArrayQueryString;
			    }
			} else {
			    queryString += fieldCount > 0 ? " and " : "";
			    // console.log(JSON.stringify(obj));
				queryString += this.__returnFilterValue(obj, field);
			}

			fieldCount++;
		}
 		console.info('queryString: ', queryString);
 		return queryString;
 	},

 	reset : function(exceptionFields) {
 		this.__CriteriaDef = {};
 	},

 	removeAll : function(exceptionFields) {
 		for (var field in this.__CriteriaDef) {
 			var canDelete = true;
 			for (var a = 0; a < exceptionFields.length; a++) {
 				var exceptionField = exceptionFields[a];
 				if (exceptionField == field) {
 					canDelete = false;
 				}
 			}
 			if (canDelete) {
 				delete this.__CriteriaDef[field];
 			}
 		}
 		return this.__CriteriaDef;
 	},

 	// Removes the field and all values associated with that field from the definition
 	removeField : function (fieldName) {
 		delete this.__CriteriaDef[fieldName];
 		return this.__CriteriaDef;
 	},

 	// Removes a single value from the field, if non are left then it removes the field too
 	removeFieldValue : function(fieldName, value) {
 		var obj = this.__CriteriaDef[fieldName];
 		if (_.isArray(obj)) {
 			for (var a = 0; a < obj.length; a++) {
 				var o = obj[0];
 				if (o.value.toString() == value.toString()) {
 					obj.splice(a, 1);
 					break;
 				}
 			}
 			if (obj.length == 0) {
 				delete this.__CriteriaDef[fieldName];
 			} else {
 				this.__CriteriaDef[fieldName] = obj;
 			}
 		}
 		else {

 			// Split the values
 			var values = obj.value.split(',');
 			for (var a = 0; a < values.length; a++) {
 				var val = values[a];
 				if (val.toString() == value.toString()) {
 					values.splice(a, 1);
 					break;
 				}
 			}

 			// if values are empty remove the field from the definition
 			if (values.length == 0) {
 				delete this.__CriteriaDef[fieldName];
 			} else {
 				this.__CriteriaDef[fieldName] = values.join(',');
 			}
 		}
 		return this.__CriteriaDef;
 	},

 	/*
 	 * Removes a constraint from a field based on a given operator. This would
 	 * be used for appended criteria. If no constraints remain the whole field
 	 * is removed.
 	 */
 	removeFieldOperator : function(fieldName, operator) {
 	    this.__isValidOperator(operator);
        var obj = this.__CriteriaDef[fieldName];

        if (obj != undefined && obj != null) {
            // If the field contains an array of criteria, check each one
            if (_.isArray(obj)) {
                obj = _.reject(obj, function(c){ return c.operator == operator; });

                // If the criteria is empty remove the field
                if (obj.length == 0) {
                    delete this.__CriteriaDef[fieldName];
                } else {
                    this.__CriteriaDef[fieldName] = obj;
                }
            }
            // If the field is a single criteria, just check the one operator
            else {
                if (obj.operator == operator) {
                    delete this.__CriteriaDef[fieldName];
                }
            }
        }

        return this.__CriteriaDef;
 	},

 	__operatorToString : function(operator) {
		this.__isValidOperator(operator);
		var _op = {
			1 : "eq",
			2 : "eq",
			3 : "gt",
			4 : "ge",
			5 : "lt",
			6 : "le",
			7 : null,
			8: "ne",
			9: "ne"
		};
		return _op[operator];
	},

	// Add field with value to the criteria definition
    // Checks if the operator is valid
	__isValidOperator : function(operator) {
		for (var oper in this.CRITERIA_OPERATOR) {
			if (this.CRITERIA_OPERATOR[oper] == operator) {
				return;
			}
		}
		throw "The operator "+JSON.stringify(operator)+" is not valid." ;
	},

	//
	__cleanValue : function(value, isString) {
		isString == (isString == undefined || isString == null ? false : isString);
		if (isString) {
			return "'" + escape(value) + "'";
		}
		// else
		return value;
	},

	// Converts a field to a filter value
	__returnFilterValue : function(obj, field) {
		if (field == "function") {
			var queryString = "";
			if (this.__CriteriaDef['function']) {
	 			for (var a = 0; a < this.__CriteriaDef['function'].length;a++) {
	 				var fn = this.__CriteriaDef['function'][a];
	 				queryString += (queryString.length > 0 ? " and " : "") + fn;
	 			}
	 		}
 			return queryString;
		}

		if (obj.operator == this.CRITERIA_OPERATOR.IGNORE) {
			return '';
		}

		var filterValue = '';
		switch (obj.operator) {
			case this.CRITERIA_OPERATOR.IN :
			case this.CRITERIA_OPERATOR.NOTIN :
				filterValue += "(";
				var values = obj.value.split(",");
				for (var a = 0; a < values.length; a++) {
					var value = values[a];
					if (obj.operator == this.CRITERIA_OPERATOR.IN) {
					   filterValue += (a > 0 ? " or " : "") + field + " " + this.__operatorToString(obj.operator) + " " + this.__cleanValue(value, obj.isString);
					}
					else {
					   filterValue += (a > 0 ? " and " : "") + field + " " + this.__operatorToString(obj.operator) + " " + this.__cleanValue(value, obj.isString);
					}
				}
				filterValue += ")";

			break;
			default :
					if (_.isArray(obj.value)) {
						for (var a = 0; a < obj.value.length; a++) {
							filterValue += field + " " + this.__operatorToString(obj.operator) + " " + this.__cleanValue(obj.value[a], obj.isString);
						}
					} else {
						filterValue += field + " " + this.__operatorToString(obj.operator) + " " + this.__cleanValue(obj.value, obj.isString);
					}

			break;
		}
		return filterValue;
	}

}

module.exports = Criteria;

redpajama_set_name: RedPajamaGithub


BATTLE CREEK, Mich. — Authorities in southern Michigan are investigating the possibility that someone shot at drivers on two freeways.
Several motorists driving on interstates 94 and 69 notified law enforcement that their vehicles sustained damage from some type of projectile.
Authorities received the first report on Aug. 19. That report led police to uncover more cases dating between July 29 and Aug. 21.
Tests from one of the investigations confirmed the damage found on one car was consistent with a bullet.
Law enforcement said that other cases also likely resulted from the use of a weapon.
The incidents have occurred during the night and in broad daylight.
No one has been reported injured.


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text:
The No. 1 Source For Breaking Music and Film Headlines
Digable Planets reunite after four years for hometown Seattle concert
Alternative hip-hop group will share the bill with affiliate act Shabazz Palaces
by Michelle Geslani
on October 28, 2015, 12:46pm
Digable Planets, the alternative hip-hop trio that eventually gave rise to Shabazz Palaces, are set to reunite after more than four years of dormancy. The group is scheduled to make its official return at a concert at Seattle's Neptune Theatre on December 30th.
The three-piece — originally composed of Mary Ann "Ladybug Mecca" Vieira, Craig "Doodlebug" Irving, and Shabazz's Ishmael "Butterfly" Butler — has two full-lengths under its belt, the last being 1994's Blowout Comb. After disbanding over "creative differences" in 1995, Butler formed Shabazz Palaces with Tendai Maraire, and Vieira and Irving began their own respective solo careers.
Since their breakup, the group has reunited twice. The first was in 2005, during which they released their compilation LP, Beyond the Spectrum: the Creamy Spy Chronicles; the second came in 2011, and included an appearance at the NXNE festival in Toronto.
Digable Planets' reunion show is part of a two-day event presented by Black Constellation. Following their concert, Shabazz Palaces will perform on December 31st at the same venue. Individual show tickets cost $23.00; two-day passes for both events are available for $40.00. For more information, head here.
Below, revisit some of Digable Planets' biggest tracks.
Shabazz Palaces
Reunion Concert
Phil Collins returns: "I am no longer retired"
Luc Besson to adapt sci-fi graphic novel Valerian with Dane DeHaan, Cara Delevingne, and Rihanna

redpajama_set_name: RedPajamaCommonCrawl


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The 2016 Belgian Road Cycling Cup (known as the Napoleon Games Cycling Cup for sponsorship reasons) was the inaugural edition of the Belgian Road Cycling Cup and was won by Timothy Dupont.

Events

Race results
In each race, the top 20 riders scored points for the general classification.

Le Samyn

Handzame Classic

Heistse Pijl

Halle–Ingooigem

Dwars door het Hageland

Grote Prijs Jef Scherens

Kampioenschap van Vlaanderen

Eurométropole

Binche–Chimay–Binche

Nationale Sluitingsprijs

Final standings

Individual

Young rider classification

Teams

References

External links
  Official website
  Belgian Cycling Union Napoleon Games Cycling Cup Standings

Belgian Road Cycling Cup
Belgian Road Cycling Cup
Road Cycling Cup


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Q: Cakephp 3.0 default folder structure Customization I want to customize the default folder structure of Cakephp. I have ten modules which are all huge use-cases, so for maintenance purpose I want to customize the Cakephp default folder structure.
For e.g.:
Now the src folder contains controllers, template, and model, but I want to maintain separate folders for each modules in config folder, so that modules folder will contain its own controller, models, and templates.
Is it possible to create something like this?

A: Use CakePHP Plugins. They are like mini-apps or modules that were you can group parts of your application:
http://book.cakephp.org/3.0/en/plugins.html

redpajama_set_name: RedPajamaStackExchange


Countertops come in many different materials which require specific care. However, there are many things you can do to make sure that your countertop, whether granite, marble, quartz, etc., stays beautiful. Avoid prolonged exposure to heat, as it can cause discoloration and cracking, wipe up spills as soon as possible to avoid absorption, avoid cleaners with harsh chemicals or abrasives, and avoid applying excess weight, force, or pressure, which can cause cracking. It is always recommended you contact the fabricator of your countertop for specific instructions.
Granite is the one of the hardest of common natural stone countertops you can buy. It is temperature and scratch resistant, and when properly cared for lasts for decades. Granite can be porous, so wipe up spills, especially acids (such as wine) and oils, as soon as possible to avoid staining. To insure that your granite stays durable and stain-resistant, it should be sealed regularly. Generally, granite should be re-sealed every six months.
Granite is generally very resilient, is able to stand up to high temperatures, and is unlikely to scratch or chip with normal use. That being said, it is still best to avoid using knives directly on the surface, putting hot pots and pans directly on the surface, etc.; while damage is much less likely to occur than other materials, granite is not indestructible. While there are cleaners specifically for granite, water and a small amount of mild soap is generally sufficient for cleaning. It is important to make sure that you thoroughly rinse granite which has been cleaned with soap to avoid residue. You should also make sure to dry after cleaning, as leaving moisture behind has a chance of making your granite appear hazy or dull.
Marble, and Travertine belong to the same family of natural stone, Limestone. While it is a beautiful, high-end material, it is also much softer than granite, and more porous, therefore it is susceptible to staining. Do not let glasses, dishes, or anything which might leave moisture stand on the countertop for any length of time. If there is a spill, wipe it up immediately. High temperatures (such as hot pots and pans) will damage these materials, as will using knives directly on the surface. Limestone is susceptible to chipping and cracking if exposed to heavy weight, force, and pressure. Like granite, you can clean marble with soap and water, but there are special cleaners available. If you use soap and water, be sure to remove all soap to avoid residue, and dry thoroughly, as leaving moisture on the surface will damage it. It is a good idea to seal Marble/Limestone/Travertine every 3-6 months; it varies based upon granite type, color, etc.
Quartz a natural stone present in granite. Pure quartz countertops are made using a mixture of the stone, and about 7% resin. This makes it more stain and scratch resistant than granite, although you should always use cutting boards and clean up spills to insure that your countertop stays scratch and stain free. However, the same resin content means that you cannot expose these countertops to high temperatures. It can be cleaned with mild soap and water, or other cleaners approved for quartz. Unlike granite or limestone, quartz never needs to be sealed because of the resin content.


Is there any broadcast to get notified on order item exchange?.
Is there any way to get notified on order item exchange.
You can implement the OrderConnector.OnOrderUpdateListener2 interface and override the onLineItemExchanged() method.


Research Areas: Conceptual change in tertiary chemistry learning environments; classroom discourse practices; policy reform in K-16 chemistry education; large-scale demographic analyses of K-12 STEM teaching populations; science teacher leadership; curricular reform through research-driven decisions; pedagogical content knowledge (PCK) in chemistry.
We are currently investigating discourse practices with reform-based classroom settings to understand and influence how scientific argumentation unfolds in introductory chemistry courses. In both projects, one at the secondary level and the other at a university, we are seeking to promote conceptual change towards normative views of the natural world using student-centered, active learning approaches. To date, we have developed curricular modules and instructional interventions designed to teach students how to talk to each other regarding claims, empirical evidence, reasoning and explanations, and counterarguments and rebuttals. Once the curricular materials are tested in various classroom environments, they will be revised, retested, proposed as examples for chemistry and physics education educators for use in classrooms nationally and internationally.
We are currently investigating the process through which STEM educators in K-12 settings move along trajectories from novice to professional practitioner and finally to teacher leader. We are particularly interested in the potential of developing STEM teacher leaders to address the loss of early and mid-career professionals to careers outside of the classroom. We are currently working with 32 high school chemistry and physics teachers and have designed a professional development program aimed at identifying and addressing issues related to their content knowledge, professional identity, and leadership abilities with the goal of influencing educational policy decisions at the local, state and national levels. The professional development model we have proposed is expected to inform the science education community's understanding of what teacher leadership is, how it can be measured, and through what mechanisms it can be facilitated and promoted.
We are currently analyzing a series of large national datasets containing information regarding the demographics of the US public and private school teaching workforce between 1987 and 2012. We began with a study of the US public chemistry teachers in collaboration with the American Chemical Society (ACS) Education Division and have since developed a similar partnership with the American Physical Society (APS) to report on the longitudinal trends in the physics teaching population. We have also completed the analytical work for US biology, and separately, mathematics teachers and are preparing manuscripts summarizing our findings. Currently, we are analyzing historical trends in US public 'high needs' school teachers compared to other populations including private and charter schools. We are also using more advanced analytic methodologies to study historical trends in US STEM teacher attrition, with the goal of developing predictive models that will inform funding and policy decisions regarding teacher recruitment, preparation and retention at both state and national levels.
Ellis, JA; Roehrig, GH; Polizzi, SJ; Rushton, GT. (2017). Teachers as leaders: The impact of teacher leadership supports for beginning teachers in an online induction program. Journal of Technology and Teacher Education, 25(3), 245-272.
Rushton, G. T., Dewar, A., Ray, H. E., Criswell, B. A., & Shah, L. (2016). Setting a Standard for Chemistry Education in the Next Generation: A Retrosynthetic Analysis. ACS Central Science, 2(11), 825-833. doi: 10.1021/acscentsci.6b00216 .
Rushton, GT; Criswell, BA. (2015). Plugging the 'Leaky Bucket' of Early Career Science Teacher Attrition Through the Development of Professional Vision. In Luft, JA and Dubois, S. (Eds.) Newly Hired Teachers of Science: A Better Beginning. (pp. 87-98). Rotterdam:The Netherlands. Sense Publishers. ISBN: 9789463002820.
Rushton, G. T., Ray, H. E., Criswell, B. A., Polizzi, S. J., Bearss, C. J., Levelsmier, N., Chhita, H. & Kirchhoff, M. (2014). Stemming the Diffusion of Responsibility A Longitudinal Case Study of America's Chemistry Teachers. Educational Researcher, 43: 390-403, DOI: 10.3102/0013189X14556341 .
Hernández, G. E., Criswell, B. A., Kirk, N. J., Sauder, D. G., & Rushton, G. T. (2014). Pushing for particulate level models of adiabatic and isothermal processes in upper-level chemistry courses: a qualitative study. Chemistry Education Research and Practice, 15, 354-365,DOI: 10.1039/C4RP00008K.
Lotter, C., Rushton, G. T., & Singer, J. (2013). Teacher Enactment Patterns: How Can We Help Move All Teachers to Reform-Based Inquiry Practice Through Professional Development? Journal of Science Teacher Education, 24(8), 1263-1291. DOI: 10.1007/s10972-013-9361-0.
Rushton, G. T., Criswell, B. A., McAllister, N. D., Polizzi, S. J., Moore, L. A., & Pierre, M. S. (2013). Charting an Alternate Pathway to Reaction Orders and Rate Laws in Introductory Chemistry Courses. Journal of Chemical Education, 91(1), 66-73. DOI: 10.1021/ed3006743.


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2013 Alemany Awards Celebration
Saturday, April 6th 2013, 6:30pm
Join us in honoring the vital work that our religious sisters do in the world. Saturday, April 6th 5:30 pm Vigil Mass, 6:30 pm Alemany Awards Reception and Dinner in the Cathedral Events CenterCathedral of Saint Mary of the Assumption 1111 Gough Street, San Francisco, CA 94109 Tickets: $185 per person/$1800 per table (10 guests)RSVP (by March 28) and make a donation in honor of the award recipients online. Net proceeds from the Alemany Awards Celebration benefit the education of lay and religious students at the Dominican School of Philosophy & Theology. Downloadable Flyer In memory of...
DSPT | Dominican School of Philosophy & Theology
Thirsting for Springs of Living Water - Renewing Our Catholic Spirit with Fr. Michael Sweeney
Tuesday, May 14th 2013, 7:30pm
Fr. Michael Sweeney, OP - The Laity and the Secular Vocation of the Church Main Building Chapel, Sacred Heart Schools, 150 Valparaiso Avenue, Atherton, CA This forum is designed for Catholics who want to deepen their faith through dialogue and reflection, and engage with prominent church leaders while they share perspectives on the Catholic faith in light of Vatican II. View/download flyer More info
DSPT | Dominican School of Philosophy & TheologyMichael Sweeney
Thirsting for Springs of Living Water - Renewing Our Catholic Spirit with Archbishop Quinn
Tuesday, April 23rd 2013, 7:30pm
Archbishop John R. Quinn - Vatican II: A Light for the Church in a Darkened World Main Building Chapel, Sacred Heart Schools, 150 Valparaiso Avenue, Atherton, CA This forum is designed for Catholics who want to deepen their faith through dialogue and reflection, and engage with prominent church leaders while they share perspectives on the Catholic faith in light of Vatican II. View/download flyer More info
Thirsting for Springs of Living Water - Renewing Our Catholic Spirit with Sr. Kathleen Hughes
Tuesday, March 19th 2013, 7:30pm
Sr. Kathleen Hughes, RSCJ - Sacraments and Chicken Soup: Sacramental Living in a Post-Conciliar Church Main Building Chapel, Sacred Heart Schools, 150 Valparaiso Avenue, Atherton, CA This forum is designed for Catholics who want to deepen their faith through dialogue and reflection, and engage with prominent church leaders while they share perspectives on the Catholic faith in light of Vatican II. View/download flyer More info
Thirsting for Springs of Living Water - Renewing Our Catholic Spirit with Bishop Cummins
Tuesday, February 26th 2013, 7:30pm
Bishop John S. Cummins - A Year at the Council: A Personal Reminiscence Main Building Chapel, Sacred Heart Schools, 150 Valparaiso Avenue, Atherton, CA This forum is designed for Catholics who want to deepen their faith through dialogue and reflection, and engage with prominent church leaders while they share perspectives on the Catholic faith in light of Vatican II. View/download flyer More info
The Mazatlán Forum - Crossing Borders: Examining Political, Economic and Social Assumptions in the US and Mexico
The Mazatlán Forum is the result of the initiative of DSPT Fellow Agnieszka Winkler, and the collaboration of El Colegio de Sinaloa and DSPT, who together have organized the inaugural Mazatlán Forum.The forum exists for the sake of encouraging cross-cultural dialogue and innovative, thoughtful deliberation about problems that are relevant to the United States, Mexico and society more broadly. March 7-9, Mazatlán, Mexico The Mazatlán Forum will be streamed live. More info
Beyond Words Opening Reception
Thursday, September 5th 2019, 5:00pm
Beyond Words: Art Inspired by Sacred Texts features contemporary works by Mohamad Hafez, Meg Hitchcock and David Maxim, artists whose work takes its inspiration from the holy texts of the world's religions. Mohamad Hafez, inspired by the Qur'an, creates intricately detailed 3D works, reflecting the political turmoil in the Middle East through the compilation of found objects, paint and scrap metal. He creates surrealistic Middle Eastern streetscapes emblazoned with Qur'anic calligraphy as spray painted acts of revolutionary protest. Meg Hitchcock takes her inspiration from a wide range of...
Second Sundays in the Doug Adams Gallery
Sunday, November 10th 2019, 1:00pm
For the run of CARe's Fall exhibition, Beyond Words: Art Inspired by Sacred Texts, the Doug Adams Gallery will be open every second Sunday of the month. Please stop by for a chance to see the show and to talk to the exhibition's curator! Beyond Words features contemporary works by Mohamad Hafez, Meg Hitchcock, David Maxim, And Eleanor Creekmore Dickinson, artists whose work takes its inspiration from the holy texts of the world's religions. Mohamad Hafez, inspired by the Qur'an, creates intricately detailed 3D works, reflecting the political turmoil in the Middle East through the...
(-) Remove GTU Event filter GTU Event
Sharon Bernstein (1) Apply Sharon Bernstein filter


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Exclusive: Is 28 Barbary Lane set to come under threat in Netflix's 'Tales of the City' reboot?
Attitude takes a world exclusive look at the set of new series in our new June issue - and the signs are ominous...
Almost two decades after the last TV instalment of Armistead Maupin's Tales of the City, the groundbreaking LGBTQ television series is set to burst back into our lives on Netflix on 7 June.
The new 10-episode run will see Mary Ann Singleton (Laura Linney) return to San Francisco after 20 years away, as she reunites with Anna Madrigal (Olympia Dukakis) and a host of series newcomers played by the likes of Ellen Page, Looking's Murray Bartlett, and Girls actress Zosia Mamet.
As ever, the cast of colourful characters are set to converge on the open and accepting setting of 28 Barbary Lane - but it seems that this time around, the fight might be on for the very existence of the iconic dwelling itself...
In the brand new June issue of Attitude - available to download and to order globally now - we're granted a world exclusive behind the scenes look at the new Tales of the City, as Laura Linney takes us on a guided tour of the set in New York - and there are some unnerving hints as to what the series might hold.
As the 55-year-old actress takes us around the beloved apartment complex, Attitude spots a worrying sign outside which reads 'Notice of Demolition for Barbary Lane'. Gulp.
Darren Scott takes a world exclusive sneak peek at Netflix's Tales of the City in New York in Attitude's June issue, out now
Sadly, Linney isn't going to give up any further details as to the ominous prop - but it certainly would look like the stakes are going to be higher than ever this time around.
"Because this has been such a part of my life for so long, there's something that does feel very much like coming home," Linney says as she takes us around the set.
"It's always heartbreaking when they take it down. I remember when the first one went down, I was devastated."
Well, lets just hope that whatever these 10 episodes of Tales hold, 28 Babary Lane won't be getting taken down for good. That really would be devastating...
Get a world exclusive on-set look at Netflix's Tales of the City in Attitude's June issue, out now.
Buy now and take advantage of our best-ever subscription offers: three issues for £3 in print, 13 issues for £19.99 to download to any device.
28 Barbary Lane
Attitude is seeking a full-time online writer
'It's a Sin is a sad reminder that attitudes towards HIV remain stuck in the '80s'


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Steve Miller leaves his island haven
spy_vondega | People | June 6, 2019
The Joker flies away like an Eagle
Rocker Steve Miller's remarkable off-grid retreat in Washington's San Juan Islands finally sold for $8.5 million. The property was originally listed for $20 million in 2014.
The most recent list price on the 39-acre compound was $9.95 million, and the sale closed in mid-May for about $1.5 million less.
For comparison, Oprah Winfrey paid only $8 million for her 43-acre estate on nearby Orcas Island, so Miller made out OK even though the sale price was a massive reduction.
"It is difficult to really know about the price," said Tere Foster of Compass, who represented the buyer. "There are very few sales that occur in the San Juan Islands above $7 million. However, the compound did cost more to construct than the purchase price."
The compound is ideal for your average music mogul or tech titan who wants to get away from it all. Blasted out of rock, the 11,000-square-foot main residence has off-grid capabilities for up to a year.
"The buyer is a former tech executive who was especially drawn to the property's private 410-foot, deep-water dock, the only one of its magnitude within the San Juan Islands," according to the listing agents, Dan Gottesman and Sam Chapin of Engel & Völkers Seattle.
The acreage includes hiking trails and views of Friday Harbor, Zen gardens, a Japanese-style teahouse, and a horse pasture.
The property also comes with 300 feet of water frontage, and the deep-water dock can accommodate three yachts.
The main house has three bedrooms and four baths. The basement is currently set up as a recording studio, which could easily be transformed into additional bedrooms or offices. But who'd want to mess with a Rock & Roll Hall of Famer's studio?
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In addition to the main house, there are eight other structures on the property, including a barn, shop, greenhouse, and caretaker's accommodations.
"It's one of the most beautiful properties I've ever seen," says Gottesman. "The woodwork alone, handcrafted by local artisans, is a whole 'nother level."
Foster agrees: "The home is beautifully constructed," she says. "All the woodwork and casement is furniture-quality throughout."
The home is "less than 2 miles from town, wonderfully private on 36 acres with that 300 feet of waterfront," she adds.
Perhaps the sale of Miller's San Juan Islands retreat bodes well for his similar retreat in Ketchum, ID, which has been listed for $16 million since 2017. Its 13 acres include an 8,000-square-foot home, three guest cottages, a 1,600-square-foot art barn, a 4,000-square-foot recording studio, and a 2,700-square-foot archive building.
Miller's Steve Miller Band is heading out on a national concert tour in mid-June. Fans will be able to relive the glory of smash hits such as "Fly Like an Eagle," "Take the Money and Run," and "The Joker."


The Massachusetts softball team entered Sunday's game against Saint Louis with a clear view of their playoff chances: win and the Minutewomen were in the conference tournament; lose and their season is over.
Unfortunately for UMass (15-28, 8-14 Atlantic 10), its four-run rally in the bottom of the fourth was not enough as its 2015 season came to a disappointing conclusion with a 10-5 loss to the Billikens.
Saint Louis took an early lead in the first inning courtesy of a Brianna Lore RBI single. The Billikens added two more runs in the second inning to take a 3-0 lead before Taylor Carbone provided the Minutewomen with their first hit and first run of the game on a solo home run to left-center field.
After a scoreless third inning, Saint Louis chased UMass starter Caroline Raymond from the game in the fourth, loading the bases with two walks and a single. Freshman Meg Colleran entered a tough situation, inheriting the bases loaded and no outs and gave up a single and a walk to bring the score to 5-1 before getting out of the inning.
In the bottom half of the fourth, the Minutewomen's bats came alive. Carbone and sophomore Tara Klee each singled before senior Anna Kelley connected on a line drive into the gap, plating one runner and setting up a situation with runners on second and third for Mikayla Panko. Panko then battled off six foul balls in a nine-pitch at bat before knocking in both runners with a single down the left field line.
Panko's hit appeared to mark a momentum shift and drew praise from her teammates.
"That was great," Raymond said. "I knew she was going to get it done, being a senior with our season on the line. She was battling, battling, battling.
The score did not remain tied for long after Panko's hit. A defensive miscue by senior first baseman Bridget Lemire extended the top of the sixth iinning for Saint Louis' Allie MacFarlane, who drove in two runs on a single for the decisive runs.
UMass failed to manufacture any more offense and surrendered an additional three runs in the top of the seventh, bringing the score to 10-5 to end the Minutewomen's season.
Despite falling short of their goal of reaching the conference tournament, Diaz-Patterson said the 2015 season did offer some bright spots and shouldn't be deemed a failure.
Diaz-Patterson, who finished 2-for-4 Sunday, finished 2015 with a program-record .504 batting average.
UMass dropped to eighth place in the A-10 following its five-game losing streak to end the season. The conference tournament, which fields the top-six teams, will begin May 6 at the Minutewomen's host site of Sortino Field.


I have decided to post about my new project I'm working now. Maybe it will help me to get some advises and to avoid some mistakes.
I have written somewhere on the forum I repaired 1988 soviet 24 band vocoder. Now I made one channel based on its schematic but with changes. It works, but very hard to understand how it sounds because I have only one channel now. My channel sounds different than soviet analog, I think better but will can say exactly when will make all filterbank.
I replaced crappy old soviet single opmaps with TL074, and replaced transistor pairs VCA with THAT2180 VCA. Anyway DIP trans pairs cost equal to 2180 IC. The channel has turned out much more compact.
I already drew in Eagle filterbank board. 6 channels fit on the eurocard (160x100). So will be 5 boards - 4 for filterbank and one for in-out circuits and controls.
I made CV in and out pads on board for every channel, so if someone wants can make patch matrix.
In-outs circuits I plan completely remake. I think about THAT based mic amp, then (maybe) one knob limiter (THAT), then simply output summing amp (OPA2604) and 4-band EQ.
maybe switches to bypass limiter and EQ, and maybe limiters makeup gain pot.
I like these pots from Smallbear. They are 15 mm - not small as 9 mm and not big as regular 16 mm (they are already sick), and have possibility to mount funny LEDs.
I think module deep will not exceed max for Doepfer case 14 sm. It can work from 12 and 15 V with minor changes - some resistors values.
I will order next week filterbank prototype boards, they will be ready in one week. Will inform about progress. Please write your comments. Not needed to write who are in, the project is still in its infancy and no one knows what will happen as a result of.
Я ТВОЙ РОБОТ. Я ТВОЙ РАБОТНИК.
I don't have anything to add besides the fact that I really want to see this happen!
I was just researching vocoders yesterday. Nearest idea I had was picking up one of the many sub $200 pedal vocoders and converting it so it lived behind a eurorack panel. This project sounds WAY more serious. I'll be following along, and will be tempted as long s it's not crazy complex (is that really 4 stacked PCB's).
It's not crazy complex. All 24 channels are identical except for the caps values. Some trimming required - 3 trimpots for every channel to set levels.
And no 4 but 5 boards, one for controls and in-out circuits.
The project will be quite expensive. I think build cost will be about 500$.
Therefore I plan to release first limited quantity, maybe 10 sets.
This is original one. 5 channels don't work and can't trimm properly because old rusty trimpots.
It is very rare - not more as 100 were produced in 1988, and not many survived until today. My has 25 serial.
"Hier spricht die Stimme der Energie"
Don't forget a filter stack can be used to implement a Barber Pole filter.
Cool, so If I am getting this correct it will be a 24 band unit (4 cards with 6 bands on each one) and it will fit in euro! SWEET!
Well the Sound clip is great, can't wait to see this one come together.
Great demo! That sounds fantastic!
This is really impressive, nice work. I'd be interested, but I couldn't lay out $500 all at once.
I had been thinking recently how the Korg VC10 would make a great DIY Vocoder. It sounds great, and had 22 bands + envs all on one medium-large sized PCB, with preamps, compander, and divide down synth on a second PCB. There was a salvaged filter PCB on ebay not long ago, but I lost the bid. It went for only $75.
I wouldn't be super surprised if this soviet design was derivative of the Korg.
PS-- are you still planning to offer you VC Compressor PCB? I was getting interested in that one also.
This is not mine yet. This is sound of vintage soviet vocoder which is the base for mine. As I written above 5 channels don't work and can't trimm properly because old rusty trimpots. And I completely removed in and out circuits, so it connected direct to my gear.
Compressors PCBs are still in producing. I hope will receive next week. The company makes PCBs within a month, its time is running out soon.
if the user adds a "Shepard controller"
I made pads on PCB - CV out from modulator and CV in to carriers VCA for each filter. Can't imagine what I can do more.
When you say "release" this, do you mean the 5-PCB set?
Filters are similar (first two opamps and associated parts) but not identical. The rest of the circuits are different.
I think those caps should be matched in pairs for better results. How do you think? They all have identical values.
There was a salvaged filter PCB on ebay not long ago, but I lost the bid. It went for only $75.
I think my PCBs set will be double that price..
Looks interesting and on a good track. Eventually you'd want to look into voiced/invoiced, but you don't need that to get the vocoder bands all working. Also, while I know you are improving the specs on the Soviet original its worth finding out what the good ones did right.
As for other comments -- $200 pedals? what's analog in that range and in a pedal??
As for the Doepfer Shepard Module. Please fill me in on a Shepard filter?? I have that module. I thought since there's a micro controller inside it had 2 separate modes. The Shepard generator did like 15 LFOs from a master tempo that are all triangles and ramps with different phases. You'd use some of them with gear that has a VC frequency like multiple phasers or VCOs though nothing stops you from opening and closing a vocoder decoder for a sort of smooth fixed bandpass cross fading. Can't do a Shepard effect with a vocoder decoder since you can only open and close fixed bands though you can do a Moogerfooger murf fx. The other Doepfer mode is Midi CC to 0-5v in 15 or whatever channels. So you could connect that and MIDI each band to open and close.
The mp3 you posted of the soviet vocoder sounds so good! Please don't make your version too clean and soulless - it's the raw gritty sound that's appealing!
As for the Doepfer Shepard Module. Please fill me in on a Shepard filter??
If each filter of the vocoder had a separate input for freq modulation then you could use the Shepard generator to modulate them and create the psychoacoustic illusion called "the barberpole effect"
The easiest way to look at a Shepard generator is to consider a Quadrature LFO, which has four identical waveforms out of phase by 1/4 of the period. An (8 stage) Shepard generator would have 8 identical waveforms, each out of phase by an equal amount; 1/8 of the normal period.
If the Shepard generator is creating upward saw waveforms each filter it modulates would sound like its being swept up, and the frequency we hear would sound like going up in pitch.
Once you start overlapping that effect with 8 filters your brain cant tell when one filter is reaching the peak of its sweep, and when another filter is starting its sweep, it all blurrs and we actually think the sound is continuously going up in pitch when the source Audio is really staying constant.
If the Shepard generator was modulating the filterbank with a downwards saw waveform, the output would sound like its getting lower and lower.
Not everyone can get hold of a A-191, and I realise a Jack on the front panel for every filter would waste a huge amount of space, but if the L-1 vocoder has input (headers) for each filter's critical frequency on the boards, then an expansion board could be released later to add the option between traditional vocoder and Shepard Filter Bank (the first in Euro I believe, There's an old Buchla version).
My only real experience with Vocoders is with the one on the Nord Modular. The most fun was the re-patching of the spectrum to different filters from the original ones. Reversing the spectrum so low frequencies in the control would open high frequencies in the program. That is where the fun really is. The EMS Vocoder had the best setup for this with a patch matrix to link the CV outs of the carrier filter banks to the CV ins of the VCAs in the program banks. You could run multiple program filters with single carrier bands ad things like that - super versatile.
I would suggest bringing all the carrier and program CV lines out to easily reachable headers and then all sorts of external add on boards and patch panels cant be connected easily.
I'd love one of these..
$150 will get you an iron lung. No idea if it's analog I don't think I claimed it was, I wasn't even really equating it to this project, just a passing comment that that was one approach I was considering.
no freq modulation here. VCAs control amplitude of each band.
The most fun was the re-patching of the spectrum to different filters from the original ones.
it's possible if you will make some patch matrix. As I already written, I left pads for CV connectors, you will need only to cut the trace between and connect to matrix.
My Vocoder experience is all with the Bode, and I have the same attitude as you. The fun comes from repatching. Patch them up an octave or two and you get Mickey Mouse. Down an octave or two and you get Darth Vader. Mix them up and you get confusion (in a good way).
love the repatching on the nord too, inverting is fun.


Manchester School of Art has joined forces with Circle Square, a new city centre neighbourhood based at the former BBC site on Oxford Road, to create eye-catching street art.
Circle Square and lecturers at Manchester School of Art teamed up and created a design brief for first year students, tasking them with the design of large-scale creative hoardings.
The artwork will be implemented on the site hoardings that surround the 2.4 million sq. ft. plot based at the heart of Corridor Manchester, opposite the University.
The campaign with Manchester School of Art features the core values of Circle Square, a joint venture between Bruntwood and Select Property Group, which includes architecture, greenery, community and collaboration.
Unit X is an assessed part of students' course enabling them to improve their professional aspirations by working in teams with students from other subjects on projects with industry professionals.
The winning group, who worked collaboratively on the opposing themes of deconstruction and growth for their proposal, were; Jack Ramsay, BA (Hons) Graphic Design; Aine Curley BA (Hons) Graphic Design; and Amy Needham BA (Hons) Illustration with Animation (all pictured).
The project is part of the University's focus on employability and has given rising stars of the art and design world the chance to work on a real client project, learn how to work collaboratively and experience first-hand how real design and media teams operate.
Amy was invited to work with Select's creative team at their offices and Aine and Jack worked alongside Bruntwood's digital marketing team.
The winning hoarding design was created by a group of six students and developed by illustration student Amy Needham. Jack Ramsay and Aine Curley will work alongside the Circle Square social media team to deliver the social campaign over the coming weeks.
Ana Vieitez, marketing manager at Circle Square, said: "Our vision, as the city centre's new neighbourhood, is to bring communities of forward-thinking people, creatives, businesses and students together. Our fantastic location at the heart of Corridor Manchester presents us with the opportunity to collaborate with a huge range of people and launch exciting projects that would not otherwise be possible.
Ian Whadcock, Senior Lecturer at Manchester School of Art, added: "This open, experimental brief has encouraged the students to work together with the other artistic disciplines at the faculty, as well as teaching them how to conduct research, work with budgets and pitch to clients.
A microsite featuring the work presented by each group will launch early next year and will display a selection of of Circle Square past and future collaborations.


Select the Pencil icon in the Shift Names and Groups window.
The expanded Shift Names and Groups window opens.
Modify the Shift Name in the Name field. For example, enter the Evening as the Shift Name.
To deny Employees Requests regarding the Shift, check the Unavailable for Employees Requests box.


"sociopaths are unable to praise others"
" Our beer grabbing experience was short and sweet. I actually learned that Justin was wealthy, Or at least his parents were, Nakedd all his so called friends only used him for his money.
It was actually pretty sad. I felt pity for him. I guess I can try to be his friend, he doesn't seem like a total douche frat boy. Until his question blows spwnk mind.
Try reading up on Thomas Nagel.
Eggs - fried, poached, boiled, scrambled or ?
Ok...whys that an issue though?


text:
GJASLPAB Navigation
Global Journal of Animal Science, Livestock Production and Animal Breeding received 124 citations as per Google Scholar report
Directory of Research Journal Indexing (DRJI)
Jour Informatics
13th Global Summit on Aquaculture & Fisheries
8th Annual Summit on Animal Health and Veterinary Medicine
18th International Veterinary Congress
International Conference one on Animal Biotechnology and Veterinary Medicine
Journal h-index : 7
Average acceptance to publication time (5-7 days)
Average article processing time (30 - 45 days) Less than 5 volumes 30 days
8 - 9 volumes 40 days
10 and more volumes 45 days
The Global Journal of Animal Science, Livestock Production and Animal Breeding (GJASLPAB) JIFactor: 1.181, ISSN: 2408-5499 is a peer-reviewed, open access journal that provides rapid publication (monthly) of articles in all areas of Animal Science, Livestock Production and Animal Breeding and related disciplines. The objective of this journal is to provide a veritable platform for scientists and researchers all over the world to promote, share, and discuss a variety of innovative ideas and developments in all aspects of Animal Science, Livestock Production and Animal Breeding. The Journal welcomes the submission of manuscripts that meet the general criteria of significance and scientific excellence. Papers will be published shortly after acceptance. All articles published in GJASLPAB are peer-reviewed.
Submit the manuscript at https://www.scholarscentral.org/submissions/animal-science-livestock-production-animal-breeding.html or send as an mail attachment to the [email protected]
The Global Journal of Animal Science, Livestock Production and Animal Breeding is published monthly (one volume per year) by Global Science Research Journals.
GJASLPAB is an open access journal. Abstracts and full texts of all articles published in the journal can be read online without any form of restriction.
Average time of publication
The average time between submission and final decision is 21 days and the average time between acceptance and final publication is 14 days.
Authors are required to pay a handling fee upon acceptance. However, there are no submission charges. Authors are required to make payment ONLY after their manuscripts have been reviewed and accepted for publication. Click here to view handling fees
Authors retain the copyright of their articles published in the journal. However, authors agree that their articles remain permanently open access under the terms of the Creative Commons Attribution License 4.0 International License.
GJASLPAB is Abstracted and Indexed in:
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Directory of Research Journals Indexing (DRJI)
Efita
PBN Polska Bibliografia Naukowa (Polish Scholarly Bibliography)
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Fast Editorial Execution and Review Process (FEE-Review Process):
Global Journal of Animal Science, Livestock Production and Animal Breeding is participating in the Fast Editorial Execution and Review Process (FEE-Review Process) with an additional prepayment of $99 apart from the regular article processing fee. Fast Editorial Execution and Review Process is a special service for the article that enables it to get a faster response in the pre-review stage from the handling editor as well as a review from the reviewer. An author can get a faster response of pre-review maximum in 3 days since submission, and a review process by the reviewer maximum in 5 days, followed by revision/publication in 2 days. If the article gets notified for revision by the handling editor, then it will take another 5 days for external review by the previous reviewer or alternative reviewer.
Articles published in Global Journal of Animal Science, Livestock Production and Animal Breeding have been cited by esteemed scholars and scientists all around the world. Global Journal of Animal Science, Livestock Production and Animal Breeding has got h-index 7 , which means every article in Global Journal of Animal Science, Livestock Production and Animal Breeding has got 7 average citations.
Production, productivity and marketing practices of indigenous chicken at Worabe Town, Silte Zone, Ethiopia
Ibrahim M, Abase A
Detailed investigation on bovine trypanosomosis for two years in Sudan
Gbajabiamila EA
International Journal of Biosciences and Bioinformatics
Global Journal of Medicinal Plants Research


The legendary Cathy Odgers has written an excellent piece on the "war medals for sale" issue.
Seems that a seaman Odgers won the first VC awarded in NZ.
Nothing equally galvanises or polarises us more than war.
were never present or have even served in their lives.
1834, died December 20th 1873).
Remind me again why anyone wants to sleep with her?


text:
Mechanics (Physics): The Study of Motion.
The Advantages of Using Levers & Pulleys
••• RYSZARD FILIPOWICZ/iStock/GettyImages
How to Calculate Levers & Leverage
By Kevin Beck
When someone asks you to consider the concept of a machine in the 21st century, it's a virtual given that whatever image leaps into your mind involves electronics (e.g., anything with digital components) or at least something powered by electricity.
Failing that, if you are a fan of, say, 19th-century American westward expansion toward the Pacific Ocean, you may think of the locomotive steam engine that powered trains in those days – and represented a genuine marvel of engineering at the time.
In reality, simple machines have existed for hundreds and in some cases thousands of years, and none of them require high-tech assembly or power outside of what the person or people using them can supply. The aim of these various types of simple machines is the same: to generate additional force at the expense of distance in some form (and maybe a little time, too, but that's quibbling).
If that sounds like magic to you, it's probably because you're confusing force with energy, a related quantity. But while its true that energy cannot be "created" in a system except from other forms of energy, the same is not true of force, and the simple reason for this and more await you.
Work, Energy and Force
Before tacking how objects are used to move other objects about in the world, it's good to have a handle on basic terminology.
In the 17th century, Isaac Newton began his revolutionary work in physics and mathematics, one culmination of which was Newton introducing his three fundamental laws of motion. The second of these states that a net force acts to accelerate, or change the velocity of, masses: Fnet = ma.
It can be shown that in a closed system at equilibrium (i.e., where the velocity of anything that happens to be moving is not changing), the sum of all forces and torques (forces applied about an axis of rotation) are zero.
When a force moves an object through a displacement d, work is said to have been done on that object:
W=F\cdot d
The value of work is positive when the force and the displacement are in the same direction, and negative when it is in the other direction. Work has the same unit as energy does, the meter (also called the joule).
Energy is a property of matter that manifests in many ways, in both moving and "resting" forms, and importantly, it is conserved in closed systems in the same way force and momentum (mass times velocity) are in physics.
Essentials of Simple Machines
Clearly, humans need to move things, often long distances. It is useful to be able to keep distance high yet force – which requires human power, which was all the more glaring in pre-industrial times – somehow low. The work equation appears to allow for this; for a given amount of work, it should not matter what the individual values of F and d are.
As it happens, this is the principle behind simple machines, although often not with the idea of maximizing the distance variable. All six classical types (the lever, the pulley, the wheel-and-axle, the inclined plane, the wedge and the screw) are used to reduce applied force at the cost of distance to do the same amount of work.
Mechanical Advantage
The term "mechanical advantage" is perhaps more alluring than it should be, as it almost seems to imply that physics systems can be gamed to extract more work without a corresponding input of energy. (Because work has units of energy and energy is conserved in closed systems, when work is done, its magnitude has to equal the energy put into whatever motion occurs.) Sadly, this is not the case, but mechanical advantage (MA) still offers some fine consolation prizes.
For now, consider two opposing forces F1 and F2 acting about a pivot point, called a fulcrum. This quantity, torque, is computed simply as the magnitude and direction of the force multiplied by the distance L from the fulcrum, known as the lever arm: T = FL. If the forces F1 and F2 are to be in balance, T1 must be equal in magnitude to T2, or
F_1L_1=L_2L_2
This can also be written F2/F1 = L1/L2. If F1 is the input force (you, someone else or another machine or source of energy) and F2 is the output force (also called the load or the resistance), then the higher the ratio of F2 to F1, the higher the mechanical advantage of the system, because more output force is generated using comparatively little input force.
The ratio F2/F1, or perhaps preferably Fo/Fi, is the equation for MA. In introductory problems, it is usually called ideal mechanical advantage (IMA) because the effects of friction and air drag are ignored.
Introducing the Lever
From the above information, you now know what a basic lever consists of: a fulcrum, an input force and a load. Despite this bare-bones arrangement, levers in human industry come in remarkably diverse presentations. You probably know that if you use a pry bar to move something that offers few other options, you've used a lever. But you've also used a lever when you've played the piano or used a standard set of nail clippers.
Levers can be "stacked" in terms of their physical arrangement such a way so that their individual mechanical advantages sum up to something even greater for the system of as a whole. This system is called a compound lever (and has a partner in the pulley world, as you'll see).
It is this multiplicative aspect of simple machines, both within individual levers and pulleys and between different ones in a compound arrangement, that makes simple machines worth whatever headaches they may occasionally cause.
Classes of Levers
A first-order lever has the fulcrum between the force and the load. An example is a "see-saw" on a school playground.
A second-order lever has the fulcrum at one end and the force at the other, with the load in between. The wheelbarrow is the classic example.
A third-order lever, like a second-order lever, has the fulcrum at one end. But in this case, the load is at the other end and the force is applied somewhere in between. Many sporting implements, such as baseball bats, represent this class of lever.
The mechanical advantage of levers can be manipulated in the real world with strategic placements of the three requisite elements of any such system.
Physiological and Anatomical Levers
Your body is loaded with interacting levers. One example is the bicep. This muscle attaches to the forearm at a point between the elbow (the "fulcrum") and whatever load is being borne by the hand. This makes the bicep a third-order lever.
Less self-evidently perhaps, the calf muscle and Achilles tendon in your foot act together as a different sort of lever. As you walk and roll forward, the ball of your foot acts as a fulcrum. The muscle and tendons exert upward and forward force, counteracting your body weight. This is an example of a second-order lever, like a wheelbarrow.
Lever Sample Problem
A car with a mass of 1,000 kg, or 2,204 lb (weight: 9,800 N) is perched on the end of a very rigid but very light steel rod, with a fulcrum placed 5 m from the center of mass of the car. A person with a mass of 5- kg (110 lb) says she can counterbalance the weight of the car by herself by standing on the other end of the rod, which can be extended horizontally for as long as is needed. How far from the fulcrum must she be to achieve this?
Balance of forces require that F1L1 = F2L2, where F1 = (50 kg)(9.8 m/s2) = 490 N, F2 = 9.800 N, and L2 = 5. Thus L1 = (9800)(5)/(490) = 100 m (a little longer than a football field).
Mechanical Advantage: Pulley
A pulley is a kind of simple machine that, like the others, has been in use in various forms for thousands of years. You've probably seen them; they can be fixed or movable, and include a rope or cable wound around a rotating circular disk, which has a groove or other means of keeping the cable from slipping sideways.
The main advantage of a pulley is not that it boosts MA, which remains at the value of 1 for simple pulleys; it is that it can change the direction of an applied force. This might not matter much if gravity weren't in the mix, but because it is, virtually every human engineering problem involves fighting or leveraging it in some way.
A pulley can be used to lift heavy objects with relative ease by making it possible to apply force in the same direction gravity acts – by pulling down. In such situations, you can also use your own body mass to help raise the load.
The Compound Pulley
As noted, since all a simple pulley does is change the direction of the force, its utility in the real world, while considerable, is not maximized. Instead, systems of multiple pulleys with different radii can be used to multiply applied forces. This is done through the simple act of making more rope necessary, since Fi falls as d rises for a fixed value of W.
When one pulley in a chain of them has a larger radius than the one that follows it, this creates a mechanical advantage in this pair that is proportional to the difference in the value of the radii. A long array of such pulleys, called a compound pulley, can move very heavy loads – just bring plenty of rope!
Pulley Sample Problem
A crate of recently arrived physics textbooks weighing 3,000 N is lifted by a dock worker, who pulls with a force of 200 N on a pulley rope. What is the mechanical advantage of the system?
This problem really is as simple as it looks; Fo/Fi = 3,000/200 = 15.0. The point is to illustrate what remarkable and powerful inventions simple machines, despite their antiquity and lack of electronic glitz, truly are.
Mechanical Advantage Calculator
You can treat yourself to online calculators that let you experiment with a wealth of different inputs in terms of lever types, relative lever-arm lengths, pulley configurations and more so you can gain hands-on feel for how the numbers in these kinds of problems play. An example of such a handy tool can be found in the Resources.
Science Fair Projects on Levers, Wedges & Pulleys
What Are the Different Classes of Levers?
Difference Between Simple & Compound Machines
Kinds of Pulley Systems for Simple Machines
How Do Pliers Work As a Lever?
The Advantages of First Class Levers
The Difference Between a Pulley and a Sheave
A Lesson to Introduce Simple Machines
Principles of Levers
What Simple Machines Make a Wheelbarrow?
How to Make a Pulley
A List of the Five Types of Pulleys
Parts of a Wheel and Axle
Mechanical Disadvantages of a Lever System
How to Identify Three Types of Levers
3 Types of Pulleys
Ten Different Types of Levers
A List of Simple Machines
Examples of a Block & Tackle
Georgia State University Hyperphysics: Work, Energy and Power
LibreTexts Physics: Simple Machines
University of Washington: Simple Machines
KNEX Education: Teacher's Guide: Levers and Pulleys
Illinois State University Physics: Teaching Simple Machines
Open Oregon State Textbooks Body Physics: Body Levers
OMNI Calculator: Mechanical Advantage Calculator
Kevin Beck holds a bachelor's degree in physics with minors in math and chemistry from the University of Vermont. Formerly with ScienceBlogs.com and the editor of "Run Strong," he has written for Runner's World, Men's Fitness, Competitor, and a variety of other publications. More about Kevin and links to his professional work can be found at www.kemibe.com.


Ontario Liberals pull veil of secrecy over Hydro One sell-off – Hydro Not For Sale!
The Globe and Mail (June 2, 2015) — Ontario Premier Kathleen Wynne has pulled an iron curtain over Hydro One, ensuring one of the largest privatizations in the province's history will unfold in secret.
The Liberals' omnibus budget bill passed a final vote in the legislature Wednesday. The legislation, which will allow the government to start selling off the Crown corporation on the stock market later this year, contains a raft of clauses that remove public oversight of the company.
The bill strips the provincial auditor-general, financial accountability officer, ombudsman and several other independent watchdogs of their right to investigate Hydro One and resolve customer complaints. It also bars freedom-of-information requests and shields Hydro One employees' salaries from the Sunshine List of provincial workers earning more than $100,000.
These provisions all take effect as soon as the bill is signed into law – even though none of the shares may be sold for months and the government could remain the company's majority shareholder for years as it slowly sells down its stock.
Ms. Wynne is selling 60 per cent of Hydro One in a bid to raise $4-billion to put toward building new transit lines; another $5-billion from the sale will go to pay down debt.
Auditor-General Bonnie Lysyk doesn't buy that argument.
With passage of the bill, Ms. Lysyk will be allowed to examine how Hydro One's privatization affects the government's public accounts – effectively, how much money comes into government coffers from the sale – but will be barred from looking at anything larger.
"We won't be able to assess whether there is value for money from that sale," she said.
Ms. Lysyk and seven other independent watchdogs took the unprecedented step last month of jointly writing Ms. Wynne asking to keep their oversight of Hydro One.
NDP Leader Andrea Horwath vowed that, even after the legislation is passed, the Liberals will have a fight on their hands. The NDP has organized town-hall meetings, protests and a petition to whip up opposition to the sale. She said she hoped the pressure would be enough for the government to change its mind before it floats the initial public offering later this year.
Opinion polls suggest a majority of voters are against privatizing the electricity system, meaning the Liberals could be in for a bumpy ride as they press forward.
But Mr. Chiarelli dismissed such concerns this week. He compared the Hydro One sale to the Liberals' introduction of the harmonized sales tax in 2010: The tax was unpopular at the time, but the government was re-elected anyway.


Audience reach – By growing our audience, social media gives you the potential to reach a vast amount of people for potentially minimal expense. With users generally in the hundreds of millions, no other channel has this kind of coverage.
Brand monitoring – Social media can be a constant source of feedback on your brand. By monitoring the most popular channels you can keep an eye on trends with your audience as well as their views on your company.
Customer interaction – Many social media sites allow two-way communication which gives you another channel which you can interact with your customers on. By offering your customers more choice of how they get in touch, you are increasing both engagement and customer perception of your brand.
Interactive marketing – As well as traditional advertising messages, social media allows a potential level of interactivity with your marketing. This can increase your audience's engagement with them.
Those are just some of the immediate benefits of using social media, although it is certainly not an exhaustive list. Companies are constantly finding new and innovative ways to use social media to promote their company.
If you are going to enter into the world of social media for business, you are going to need the right tool. You need look no further than Hootsuite.
Hootsuite started life in 2008 when founder, Ryan Holmes, found that there were no social media management tools that met his requirements. Together with colleagues Dario Meli and David Tedman, they created the first version of the system called Brightkit. Originally a standalone twitter platform, the platform was very popular and started its evolution into the system we know today.
Hootsuite, named after its owl mascot, is now used by over 10 million users worldwide and can connect to over 35 popular social networks. These include the most popular social media channels like Facebook, Twitter, Instagram and Linkedin. So even if you have several channels on different networks, you can still manage them all from one place.
Hootsuite places customer interaction at the core of its system. From it's main dashboard you get a great overall view of all of your channels in an easy to understand column based view. Each column could represent a channel or an aspect of it. So you could have a column for your Facebook wall, another for your twitter mentions and a third for all the results for a search term you are keeping an eye on. Using this view, you greatly reduce the chance of missing an important post or tweet.
Of course, it's also important that you can reply easily. With Hootsuite, you can quickly reply to any post directly from the dashboard by clicking the relevant link. It will also take relevant factors into consideration automatically, such as the 140-character limit for Twitter posts. If you have a plan for your posts, you could also take advantage of the useful scheduling system which allows you to pre-load your messages for publishing at a later time. Perfect for posts that need sending outside of office hours.
Getting information on your audience is essential to keeping your social media campaigns relevant and interesting. Hootsuite comes with an in depth analytics package which can show you a whole host of interesting insights into your campaigns. These include growth charts, social demographic information and sentiment metrics.
For the companies with large teams, Hootsuite comes with a whole suite of collaboration tools. Using these will allow multiple users to look after your social presence with less risk of work overlapping or being repeated. Workflows can be created and tasks can be assigned to the people who will be best at resolving them.
For security, individual permissions can be granted to users, so it is possible to clarify exactly which channels staff have access to. All of this can be done without having to share the passwords for the actual social media platforms, significantly reducing the risk of channel abuse by a member of staff. Hootsuite also offers a double approval system which can reduce the chance of incorrect or offensive posts being published.
System security is also at the forefront of Hootsuite's agenda. Impressive HTTPS settings mean that your passwords and data are kept secure, even when being used over WiFi. There are also integrations with Nexgate, Social Safeguard and Global Relay which helps meet messaging standards set by bodies like the FINRA, HIPAA and others.
Knowing how many diverse systems an office has, Hootsuite has engaged with many companies to create apps for their system. Currently there are over 150 different apps available through the Hootsuite site which allow instant connections for services like Microsoft Sharepoint, Salesforce, MailChimp, YouTube and a whole host more. Using these apps makes Hootsuite even easier to integrate into your current infrastructure.
Hootsuite has a flexible pricing structure and, perfectly for SMEs, starts off as free. While this is only a basic package it will have everything you need to kick off your social media campaigns. As your team grows, so too can your Hootsuite presence. The premium services come with even more features and the ability to field larger teams.
Hootsuite remains one of the most popular platforms on the market. Many large companies, including Orange, WWF and MailChimp all use it for their social media management. So whether you are a sole trader just starting off, or a huge multinational, Hootsuite has you covered.


Explore 2019 Porsche 911 Targa, performance and technology features. We reviews the 2019 Porsche 911 Targa Concept where consumers can find detailed information on specs, fuel economy, transmission and safety.
Explore the design, performance and technology features of the 2019 Porsche 911 Targa. See models and pricing, as well as photos and videos. The 2019 Porsche 911 Targa Release goes to excess the right kinds of excess to preserve its best-of status. Find out if the new 2019 Porsche 911 Targa coupe takes a step forward in our first-drive review. See photos and get the story at Car and Driver.
Reviews, videos, latest news, specs and road tests on the 2019 Porsche 911 Targa. Top Gear reviews the Photo. Terrific refinement, class-leading technology, and incredible interior quality. Want to know more? Read more.
We have now one of many air vents twisting it is going to close and open it which is a nicelittle touch coming along the sprint has a pleasant aggressive bezel above the gauges very clean trying – super minimalistic you have got some black leather and a few grey stitching along the dash as wellthen coming to the contact display navigation system hitting the house button.
We now have many alternative settings your apple carplay and android auto of course your audio controls Wi-Fi and then you can scroll over to your local weather and see different settings like which you could see the place all of the air is directed what is on and off more controls beneath that after which all of your local weather controls are situated right here actually cool truly this you spin left and rightand that actually adjustments the temperature you even have an LCD screen to correspond to that after which over on the fitting side that is how you change your fan speed you get slightly display screen as properly and your analysis a see all of the different buttons your defogger you're the Alcantara on the shift knob as well asthe shifter boot very easy to have interaction you to gear quick shifter extremely sighs good weighted shift knob to present 2019 Porsche 911 Targa.
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