text:
Tag: HEDS
ECOBUILDING Pulse: Building Design + Performance
Posted by Allison
The building industry is at a Darwinian crossroads. It's time to evolve.
By Allison Ewing, AIA
Allison Ewing, AIA, is a principal of Hays + Ewing Design Studio in Charlottesville, Va., and is this year's Vision 2020 co-chair for Building Design + Performance. Credit: Stephen Voss
In response to new environmental pressures, nature adapts rapidly, often within several generations. We humans now find ourselves in a similar predicament. Confronted by a changing environment, we also must adapt, and we must do so quickly in order to achieve carbon neutrality by the year 2030. Those of us committed to changing the business-as-usual aspect of the industry must define a new species of building, one that operates at a scale large enough to affect real change. We are Team 2020—ecohome-reading, LEED AP-ing, GreenSpec-toting, xeriscaping, carbon-sequestering Biomimiacs—and we must act now.
The United States population continues to expand. By 2030 California, Texas, and Florida are projected to each increase by 12 million residents, and across the country new communities with shopping centers, roads, schools, and homes will have replaced farmland. This means that by 2035, 75 percent of our homes will be new or renovated. Thus, we must adapt our conversations and engage the developer—who builds three-quarters of our new homes each year—to meet our 2030 goals. And to engage the profit-driven developer, we need to target strategies with low first costs—those that increase construction costs by 3 to 5 percent, at most.
Who else uses a minimum of resources to maximum advantage? Nature. For example, let's look at the white-tailed deer. As with many species, the northern variety is bigger than its southern cousin and thus has a higher mass-to-surface-area ratio, helping the larger deer to better retain heat. These fundamental laws should also apply to buildings; mass should differ if building in Vermont, Virginia, or Florida.
We can learn a lot from nature. After all, modern science is a yearling compared to nature's 3.8 billion years of research and development. We can find out about thermoregulation from the Australian compass termite, for instance, whose wedge-shaped nest, oriented with the long axis facing north to south, minimizes exposure to intense midday rays. However, we do not currently mirror this simple strategy. Instead, passive solar design is rarely implemented at the community level. Street design, house design, and siting are often blind to solar path: We are left with the same layout, the same window placement, and the same overhangs, with no relation to the cardinal points.
Adaptation: Provide More With Less
Recent studies show that it is the pursuit of happiness, not the attainment of it, that makes us happy. Bigger is not better, so we should consider how to actively engage in our environment on a more intimate level. A dogtrot house our firm designed for a Charlottesville, Va., couple, for example, has a covered, open courtyard that connects the living spaces with the wing that houses the bedrooms. It is this courtyard, with its connection to nature, that most attracts the people who live there, and it is that active engagement with nature that enriches their lives.
Adaptation: Think More Efficiently
The building envelope is a key component to reducing energy use, and the Passivhaus approach, relatively new to the U.S. building community, can result in an 80 percent reduction in energy use. The idea behind the Passivhaus program, which was developed in Germany in the 1990s, is to break through the cost barrier by sealing and insulating the bejesus out of an envelope until the need for mechanical equipment, apart from fresh-air delivery, is eliminated. This can be done on a large scale, and already is by developers such as Structures Design/Build from Roanoke, Va., who are meeting the 2020 benchmarks by constructing Passivhaus buildings at market rates.
While this addresses the operational side of the equation—the energy needed to heat and cool a house and run its equipment—we need to adapt our thinking to also consider embodied energy. About 25 percent of the total lifetime energy use of a building is in the structure's materials and construction. Again, here we can learn from nature and from our own history.
Of all the materials used to build a house, cement production is the biggest culprit of embodied energy, accounting for 5 to 10 percent of global carbon dioxide emissions. But it wasn't always this way. While making Portland cement requires kilns that fire at 1,450 C, the Romans knew how to make cement without applied heat. They packed volcanic rock and lime in forms, and then submerged the forms in seawater, where the material would heat up and harden. The resulting cement is stronger and lasts longer than conventional concrete. (And yes, it's still in use.)
Roman builders took advantage of chemistry, and so does nature. While we consider CO2 to be a poison, nature uses it as feedstock. Consider coral, which is made of calcium carbonate, also known as limestone. A California-based company called Calera is using CO2 and water to make a lime for use in a variety of products.
Adaptation: Rethink Conventional Building Processes
Rapid prototyping—or, as you may know it better, 3D printing—is about to revolutionize building. Conventional manufacturing often involves the "heat, beat, and treat" method, which uses a lot of heat and generates a lot of waste. And conventional production often involves raw material extraction and transportation. At the typical construction site, a stick-by-stick approach layers materials, studs, sheathing, weather barriers, siding, insulation, drywall, and paint, and leaves behind a substantial amount of waste.
All of these steps go away with 3D printing. We will see waste in material production—and in embodied energy—drastically reduced.
Some creative explorers are tapping into nature's assembly line. Swedish architect Magnus Larsson is developing habitations in the Saharan desert by flushing a specific bacteria through loose sand. In doing so, the bacteria sets off a chemical reaction that results in structurally sound sandstone. Rachel Armstrong, a 2010 senior TED fellow, is developing "protocells" that are mixed with paint and programmed to thicken into a limestone shell after exposure to CO2.
In response to environmental pressures, conventional building practices must give way to more adaptive solutions. The stick-by-stick approach will be replaced by rapid prototyping. CO2 will no longer be the poison of our time, but rather, a feedstock. Our buildings will thermoregulate themselves. As we evolve, the distinction between materials and methods will continue to dissolve—and our buildings will self-assemble. This is Architecture of the Fittest.
View original article »
All HEDS Press Allison Ewing HEDS
ECOBUILDING Pulse: Do You Know What's Really In Your Products?
By Allison Ewing
If we are to become carbon neutral, we need consider not only the energy performance of a home or structure, but also the embodied energy of the materials that go into construction of the dwelling—the cumulative embodied energy. The average home has 300 mWh hours of embodied energy, roughly 25 percent of the total energy used over the lifetime of the building. While the operational usage outstrips the embodied energy in the long term, if we are to truly talk about net-zero energy, embodied energy needs to fit into the equation.
But how should we choose the best materials? Should we focus on renewable, recycled, low-maintenance, local, or a combination of all of these attributes? Embodied energy takes into account the total energy used throughout a material's lifecycle—not only the energy used to extract the raw material, but also the energy used for the transportation involved along the production chain, processing and manufacturing, construction, and maintenance over the years, as well as disposal and recycling. The full path is often called "Cradle to Grave."
It can be complicated. While the embodied energy of one recycled product might look promising, when you consider that material might travel from a factory in China to a construction site in the U.S, the embodied energy literally becomes a moving target. In an effort to disentangle these complex issues, we at Hays Ewing initiated a materials mapping project, called SpecLocal.
We decided to initially focus on mapping bio-based materials in the United States. Bio-composites are either plant-derived fibers, or crop-derived plastics. Our idea was to build a database of bio-based construction materials that will eventually be available to the construction industry. The goal is to increase the market accessibility of locally extracted and produced materials, while helping to expand manufacturing jobs in rural America. An embodied energy calculator will also be incorporated in the database to assist the user in determining the energy inputs for transportation.
This is how we anticipate SpecLocal working: Say an architect is exploring rigid board insulation options. Rigid board is typically a petroleum-based product—not preferable. What are the bio-based options? The SpecLocal search would come up with a mushroom-based insulation made by Ecovative (currently in the testing phase). Using a patented technology, this bio-based material converts agricultural waste such as corn stalks and cotton burrs into a variety of products such as acoustic panels, insulation, packing material—all of which are low-cost, renewable, and low in embodied energy. The transport calculator would then assist the architect in determining whether the material is a preferable alternative to conventional rigid board if it would need to travel from Green Island, N.Y., to Greenville, Texas.
Others are also at work on bio-based material mapping and cataloging efforts. A bio-preferred program was established in the Farm Security Acts of 2002 and 2008, and the U.S. Department of Agriculture hasestablished the USDA Certified Biobased Product label. Currently there are 900 products certified. It's our goal that our database would include both certified and non-certified products. We are currently seeking grant funding to carry the project forward and anticipate completion of the database in 2014.
ECOBUILDING Pulse: Integrative Design and the Laws of Attraction
Vision 2020 chair Allison Ewing on the softer side of performance and the need to step away from additive design.
By Fernando Pages Ruiz
As a child, Allison Ewing developed an early interest in architecture, but a friend of the family was discouraging. "At the time, I didn't understand, but the implication was 'You're a girl, you can't do that.' And I believed him," says Ewing, with more humor than resentment. Putting aside architecture, Ewing eventually obtained a degree in psychology, which may have added another dimension in the circuitous route that led to her successful and innovative architectural career.
She blames it on Paris. During an extended study tour in the French capital, the rich architectural environment rekindled Ewing's desire to design, and she made the decision to return to the United States and study at the Parsons the New School for Design in New York City. "The program focus changed from interior design to environmental design somewhere on my flight between Paris and New York," she recalls. "The architectural focus turned out to be perfect for me. I finally realized I could do this, and perhaps do it well."
She eventually did her graduate work in architecture at Yale University, and once more traveled abroad, winning a Monbusho Scholarship to study Japanese architecture. She later worked in Genoa for Renzo Piano, and eventually returned to the U.S. where she and her husband became partners at William McDonough and Partners in Charlottesville, Va. In 2006, Ewing joined her husband to form Hays + Ewing Design Studio, a practice focused on merging contemporary design with a core belief in the importance of environmental responsibility. Projects they led both in their own firm and at William McDonough + Partners have garnered two dozen prestigious architectural awards.
I began by asking Ewing about her approach to design.
We see ourselves as having a strong focus in marrying landscape, architecture, and the environment with an interest in a fresh and integrative approach. While we are naturally drawn to a modern aesthetic, we honor the climate-specific solutions of traditional models. We remain process-oriented rather than approaching projects with a preconception of what a building will look like. I believe that the true potential of sustainability is to create a new architectural language where an aesthetic evolves from the pragmatic.
So function dictates form?
I don't like clichés. The design process is much more complex, unless you're designing a purely utilitarian object such as a chair. It's a lot more like solving a Rubik's cube, there are so many considerations to weigh and balance that the process involves integrating all of them while teasing out an aesthetic that celebrates the practical, performance, and ethical elements. I have to make the case for beauty because beauty inspires hope. Beauty is survival, it leads to procreation. Flowers attract bees, light attracts moths, and there are so many examples where the law of attraction—which is beauty—is at the root of sustainability.
Can you successfully create beauty out of building science?
Yes and no. Simply following the laundry list of LEED credits won't produce good design. A practical philosophy alone cannot produce a livable habitat. Consider the Pruitt-Igoe public housing complex in St. Louis, where the building was demolished because it had no soul. It was practical, but not beautiful. I'm very interested in the potential to merge science and art to create an aesthetic language, but efficiency alone won't yield buildings of lasting beauty.
What process do you use to blend building science with beauty?
The process always begins with research. We start by developing a response to the site, looking at hydrological, topographical, solar, and wind characteristics, and social studies as well. We ask what the key sustainability concerns are. The project is a product of those studies. The Japanese concept of Shakkei, of borrowed landscape, informed one project I led while at William McDonough's. Located in Banff, Alberta, Canada, we created an abstract play of roofs that mimic the mountain landscape: The roofs frame the mountains and draw your attention to them. Water quality was a major concern and became the practical aspect we used to inform the building design. Just as the water from the mountains goes to Bow River, our roofs spill onto balconies and courtyards; the project represents the aesthetic of water. So, getting back to style, it's not out of preconception, such as modern or neo-traditional architecture, that we seek to develop a new architectural language for each specific site. It's architecture with a sense of place, but not an attempt to recreate the vernacular; rather an innovative response to the environment.
Looking through your portfolio, your projects seem to respond to social needs, as well.
We see community as one of the criteria of sustainability and as fundamental to the success of a project. This is where design separates itself from the laundry list approach. Getting LEED points for good indoor air quality and daylight are not enough to create a healthy building. This is why I believe the additive approach to design is insufficient. Absolutely the building must have daylight and access to fresh air, yet that is not enough. Promoting a vibrant community, at all scales, is fundamental to happiness, I believe.
That's where an integrative approach is key. The Japanese concept of Ma is something that fascinates us and it is one approach to promoting community. It translates roughly as "gap," "space," or "pause." It's the space between structural parts, the pregnant void. Perhaps this goes back to my psychology degree, but I am keenly interested in how to handle the spaces that allow for human interactions, the spaces that create a transition between inside and out, public and private, intimate and social. In architecture I often find it is the void between spaces where the consciousness is excited and interaction the richest.
Buildings, too, offer opportunities for community at many levels. In the home, community happens at the family level. We never have the traditional dinning, living, and kitchen separately in our projects. We always design this space together with the kitchen at the hub of the house. And happily, community and energy efficiency go hand in hand because, by combining the family gathering spaces in an open plan, we can reduce the overall building area and only heat and cool the spaces the family inhabits.
If you were invited to give a commencement address, what would you tell the new graduates at Yale?
Go forth and be responsible. Design is intentional and good design must be judged on both aesthetic and moral terms. Understand building science, know your climate and site, and work with these elements to develop your design aesthetic. Think of it as cooking: A master chef looking into your larder of sustainable strategies would create an amazing dish, and not just a nourishing one. Eschew the additive approach for one that is truly integrative and beautiful.
Residential Architect: the home team
for better and worse: how architect spouses cope with a crushing economy.
By Cheryl Weber LEED AP
Credit: Mark McGinnis
Things are a little scary for architects these days. Hammered by a deep, long downturn, firm principals have trimmed staff, moved to less expensive office space, and deferred equipment upgrades—and often their own salaries. More than three years after the housing collapse, the recovery seems less precarious, but maddening slow. It's a long time to be scraping courage together.
Consider, though, what it's like to be in this business with your spouse. Couples who've tied the knot professionally face obvious risks. It can be dangerous to have the same source of income. When recession strikes a shared job sector hard, as it has architecture, there's no safety net. And even the most successful couples-run practices often are built on convenience rather than strategic and complementary capabilities. That can make it tougher to retrench when the pressure is on.
Nonetheless, family-run businesses have natural advantages. There's a built-in trust that comes from sharing traditions and values. Also, it's hard to overrate autonomy. You can make important business decisions quickly. Your partner understands when you work late or clock out early to coach softball. If you're going to be working hard, you may as well be doing it together.
But how do couples power through a prolonged bad patch? "A good rule of thumb is you want to increase your communication in proportion to the severity of the downturn," says Joseph Astrachan, executive director of the Cox Family Enterprise Center at Kennesaw State University (KSU) Coles College of Business, Kennesaw, Ga. We spoke to a number of spouses around the country about how they're handling the recession and making sense of what's ahead.
Until a hard recession hits, the question of whether couples should practice together rarely comes up except in the context of getting a divorce, says management consultant Hugh Hochberg, a principal of the Coxe Group in Seattle. But it's worth asking: Should you continue to practice together, rather than putting your capabilities in different firms?
Financial security is an obvious concern. "I'm seeing quite a few firms who've cut back or eliminated retirement contributions," Hochberg says. "If you're husband and wife, you both lose contributions. And as couples who own firms reach their 50s, how do they use it as a retirement vehicle without hamstringing the firm?"
Hochberg urges clients to flip the question: If you weren't married, would you be running a business together? If the answer is yes, he says, what are the things each of you do that bring value to the firm? How do you define your respective roles? Is one person the voice of authority on operational decisions? "If you make management decisions together, you're more likely to end up with a smaller firm, less than 25 employees, as opposed to a more formalized operation in which the roles are more defined. In the latter case, whether or not you're married is less significant," Hochberg says.
"And if the answer is no, why are you in practice together and how do you mitigate the obvious downsides of being in the same firm?" The most successful couples, he says, work collaboratively in the same way as partners who are not married to each other.–c.w.
"Family businesses have generally weathered economic downturns such as the current one better than non-family businesses," Astrachan wrote on KSU's website. "Family businesses are focused on their long-term performance and not on quarterly returns, so they can sort of buckle down in a tough economy."
One mark of a healthy partnership, he says, is the ability to adjust living expenses when business conditions change. In Berkeley, Calif., Arkin Tilt Architect's scrappy ethic—they're experts at using salvaged materials—applies to how they live their lives. "We try not to be super-exuberant when we're flush because we know other things come down the pike," says Anni Tilt, AIA.
"We can work with very few expenses if we need to for a bit of time," agrees Tilt's husband, David Arkin, AIA, LEED AP. In addition to sharing the office lease with a structural engineer, they bike to work, and their conference table is a chunk of bowling alley on a base of old plumbing parts. "We haven't borrowed money to make things happen," Arkin says. Throughout the recession, the pair was able to hang onto their six employees because they had a financial and client reserve.
The premise shifts when only one partner contributes to a firm's billable structure. David Webber, AIA, runs Austin, Texas–based Webber + Studio with his partner, Ransom Baldasare, who oversees administration. "He was highly paid in the high-tech sector, so we probably could be bringing in a better income if he was in a different job," Webber says. However, Baldasare's expertise in marketing, directing photo shoots, and designing ads allows Webber to focus exclusively on billable hours.
"We both have too much invested not to be determined to make this a success," Webber says. "If I found someone as skilled as he, the person wouldn't have that sense of ownership."
The flexibility inherent in many couples-run practices helps to even out economic swings. At Zack | de Vito Architecture in San Francisco, Lise de Vito, Assoc. AIA, acts as a pressure valve of sorts by drumming up projects when the design/build firm needs billable work, and backing off to concentrate on marketing and family life during flush periods. "When times are good, it's easy to generate an adequate income with one of us working full time," says Jim Zack, AIA. "And by having Lise, we don't have to hire right away when things get busy."
In Chicago, Tigerman McCurry Architects is set up differently than most firms, which may have contributed to its longevity. Stanley Tigerman, FAIA, and Margaret McCurry, FAIA, both had successful practices before joining forces in 1984, and they've continued to work independently on different project types. "Up until now it's been one of us carrying the other through as the pendulum swings back and forth," Tigerman says.
That's McCurry's role right now. With enough billings to cover five employees and two years of work in the pipeline—nearly all residential—they're in enviable shape. Still, they've renegotiated the office rent and trimmed their own salaries, determined not to repeat past mistakes. "Thirty years ago, Stanley took out a loan against the furniture to keep people who were loyal," McCurry says. "It took years to pay off, and when we paid it off those people left anyway." And two years ago Tigerman gave up a percentage of ownership so the firm could compete as a woman-owned business, a strategy they say has yet to pay off.
Many firms are scrambling sideways these days, couples included. With the family nest egg at stake, there's more pressure to create secondary income streams as commissions shrivel. One example is Stefanie Brechbuehler and Robert Andrew Highsmith, a married couple who met as architecture students at the Rhode Island School of Design (RISD) and launched Workstead in 2009, of all years. During slow times, the pair designed a series of light fixtures, which they assemble in their Brooklyn studio/storefront. That first year, Highsmith says, they sold more than 50 chandeliers at $1,800 apiece.
Highsmith, who has a freelance gig, also designs furniture. Brechbuehler studied interior architecture and learned about business strategy while working at Michael Graves & Associates. "Michael Graves' practice includes architecture, interiors, and products, and I always understood that interiors were very profitable, products were extremely profitable, and architecture was not," she says. "It was clear you had to combine those areas." Adds Highsmith: "It's been wonderful to have this balanced business model from the beginning. We've never had a period where we've had to rely solely on design billing."
With two children at home, Katherine Chia, AIA, and Arjun Desai also are looking harder at product design. The married principals of Desai/Chia Architecture, New York City, spent a year and a half prototyping Recess Lav, a slim sink distributed by AF New York. A second one, Surface Lav, is in the works. "To make it through this rocky period we're examining the types of projects we're pursuing and making the product section more prominent on our website," Chia says. "It's a challenging time in terms of figuring out how to be nimble, and our conversations are pretty fluid because we can talk about these things at home."
Sometimes family life spurs creativity. Not long ago, Charlottesville, Va.–based architects Christopher Hays and Allison Ewing made Christmas gifts for their friends: a boxed set of bookmarks crafted from architectural photos that Hays snapped during a family trip to Paris and the south of France. From that experiment they've spun off a fledgling wholesale business called BookofMarks.
"We thought about it and came up with this notion of a book of bookmarks with historical and cultural descriptions that create a portrait or tell a story about a place," says Hays, AIA, LEED AP. Just before Christmas 2011, they developed bookmarks about Charlottesville and did a test run with local retailers. Now they're eying urban destinations in the U.S. and Europe and looking into coordinating with art museum exhibits—the fingertip version of a catalog. "It's instant gratification compared to doing architecture," says Ewing, AIA, LEED AP.
Teaching is a fallback for some, and not just as a recession strategy. Hansy L. Better Barraza, AIA, LEED AP, splits her time between teaching at RISD and practice at Studio Luz, the Boston firm she runs with her husband, Anthony J. Piermarini, AIA. "Creativity comes before profit for us—it's a hard thing to swallow," Barraza says. "That's why we're privileged to have academia to support us."
Talk about splitting your time. Phoenix architects Matthew and Maria Salenger, AIA, formed colab studio in 2007 to pursue their interest in merging architecture and art. But Maria kept her day job at Jones Studio, a local firm where Matthew also once worked. "It seems like a bad decision in these economic times, particularly here in Arizona, to leave a paying job," Matthew says. Aside from him, colab has one full-time employee, and Maria clocks in evenings and weekends.
Admitting that it's a "messy" arrangement, especially while raising a 4-year-old, Maria relishes the alternate reality of working on large-scale commissions with a firm that's been around for a long time. "It's an interesting challenge to swing from the very practical when you're developing concepts for big projects, to being way out and thinking theoretically on a more intricate scale," she says.
As the Salengers suggest, the recession has forced many couples, especially those supporting children and staff, to ask the hard question: Is architecture a sustainable family business? The answer isn't always yes. "We realized in 2007 that it wasn't feasible to continue to try to have 100 percent of our income be dependent on residential work, at the mercy of individuals who might suddenly decide to drop the project," says Linda Taalman, co-owner, with husband, Alan Koch, of Taalman Koch Architecture in Los Angeles.
Ironically, she says, commissions have been plentiful in the past few years. Yet she's double-booked to make the math work. Taalman's full-time teaching position at Woodbury University pays for her own salary, since her income from the business is needed to support its three full-time employees. Now Koch is pursuing a new business opportunity unrelated to architecture, and Taalman hopes to devote more time to design.
"We realized over time that we love doing architecture, but it's very difficult to make it work" together, Taalman says. "Most architect couples I know have another source of income—maybe a trust fund or funds in the stock market or real estate—and often don't tell you. I think you have to be really open to change; nothing is permanent."
eggs in a basket
The recession was a moment of shock that caused many spouse-led firms, subsidized or not, to reflect on where they've been and where they're going. It helps to take the long view, if you can. "We're both 41, and understand that economic cycles are quicker than the motion of our career, so we're not in it for the immediate reward," says Luke Ogrydziak, who runs Ogrydziak/Prillinger Architects in San Francisco with his partner, Zoë Prillinger. "We have a live/work situation, and it's exciting for our two children to witness architecture peripherally and understand that it is work. It's a horrible profession but also very rewarding."
McCurry and Tigerman are 69 and 81 years old, respectively. It takes their kind of experience to put the low points in perspective. "There's a friend there for a hug if something goes awry," McCurry says. "We're extremely different in many ways—I love the outdoors; he's an indoor type. But not in the way we approach aesthetics and values. We're both strong-willed so things can get a little gritty, but others in the office know it's just us being edgy and it won't turn into a collapse."
"I agree with that," Tigerman says. "Architecture is a field you have to love, because you do it day and night for 50 years. The upside is that architect couples understand what the other is going through with a bad client or situation. You have someone to console you when things don't go well, and I think that's important."
Read original article »
All HEDS Press Allison Ewing Christopher Hays HEDS
USA Today: Make your house more green
And spend less green doing it!
Written by Natalie Ermann Russell
Building an eco-friendly house that doesn't cost a fortune is something architect Allison Ewing knows a lot about. She and husband Christopher Hays run Hays & Ewing Design Studio in Charlottesville, Va. They created several sustainable houses for low-income residents through the non-profit organization Habitat for Humanity, which provides affordable housing to families in need. And because these homes are designed with efficiency in mind, utility bills are much lower, making them economical, too.
We asked Ewing to share practical, budget-friendly ways to improve your home's efficiency and carbon footprint:
Caulk your windows.
By preventing your house from letting air get in and out (aka "improving your envelope"), you can make a huge difference in electricity bills — by at least 10%. All you need is a $5 tube of caulk to seal siding cracks and fill in around windows and any other spots where air is escaping. Look for a type that's suited to the materials you'll be applying it to (vinyl, wood) as well as your climate (humid, dry), and opt for a formulation low in volatile organic compounds (VOCs), which means it'll emit fewer potentially harmful chemicals.
Insulate your basement properly.
If you are building a new house, you can employ the latest techniques and technologies to improve the structure's energy efficiency. For example, Ewing persuaded Habitat for Humanity to install a Superior Walls foundation system (made of precast concrete) in the basement to keep out moisture, lower energy bills and maintain good air quality. "The Superior Walls system is only marginally more expensive than a poured foundation wall system but provides insulation integral to the system," she says. "This all falls under good envelope design."
Plant a rain garden.
Wetland plants such as cattails and irises, which cost less than $10, actually filter out pollutants from rainwater, keeping those toxins from making the journey into local waterways. These plants also reduce erosion by slowing down the rainwater as it travels through the ground. However, this type of garden isn't appropriate for arid environments, where rainfall totals are low. Instead, opt to xeriscape, a water-conserving landscape technique that relies on native and drought-tolerant plants that don't require irrigation.
Buy wood "shorts."
Reclaimed wood flooring can be costly. But you can save a bundle if you buy "shorts," which are cheaper because they're shorter than the standard length and often are discarded. You also could choose "character-grade" wood. "It's knotty, with a lot more variation in color," Ewing says. Another option: Use pieces in random widths and lengths. Once they are stained the same color, they will have a nice, cohesive look.
Use trees strategically.
Plant deciduous trees or large bushes on the south side of your home to provide shade in the summer (cutting your air-conditioning bill) and to let in sun during the winter (cutting your heating bill). Although the cost depends on the types and quality of trees or bushes you plant, you can expect to spend at least $100 for each. The south side is key because that's where most of the sunlight comes in during the day.
Residential Architect: Is Graywater Harvesting Worth the Effort and Expense?
Though many homeowners are still leery of greywater systems or simply do not feel the urgency, the technology's potential water-, energy-, and cost-savings have spawned widespread interest.
By Nigel F. Maynard
Mark Larson, AIA, looks forward to the day when a client gives the green light on greywater harvesting, a system that allows homeowners to capture and reuse wastewater. So far the co-principal of Minneapolis-based Rehkamp Larson Architects hasn't had any takers. "Most clients are leery of it," he says. "Plus, in the Midwest, water availability isn't a crisis, so there's no [sense of] urgency."
Allison Ewing, AIA, LEED AP, feels Larson's pain. Though Ewing's firm, Charlottesville, Va.-based Hays + Ewing Design Studio, incorporates water conservation in all of its projects, it hasn't yet found a client willing to do greywater collection. "We've tried to put greywater systems into multiple projects, but they've always been cut during the 'value engineering' phase," she explains. Like Larson, Ewing attributes part of the reluctance to her location. Water supply issues aren't as grave a concern on the East Coast as they are in other regions of the country. Still, increasing drought conditions in unexpected places are slowly changing perceptions, she says.
POTENT NONPOTABLE
Greywater is generated from typical household activities such as shaving, showering, and laundering. Because greywater accounts for 50 percent to 80 percent of a typical household's wastewater volume, environmentalists say letting it flow into the sewer is, well, a waste—and a missed opportunity. It can easily be captured, treated on site, and reused in toilets or landscaping, which would obviate the need to use potable water. "There is so much wastewater generated from a house, so we love the idea" of reusing it, Larson says. "It's back to basics."
The benefits of greywater reuse extend far beyond individual households, though. "If you think about it, using greywater means city wastewater treatment plants are using less energy and less chemicals, which is good for the community," says Pete Muñoz, P.E., LEED AP, senior engineer with Natural Systems International, a Santa Fe, N.M.-based water infrastructure engineering firm. Plus, homeowners who recycle their greywater will save significant amounts of water and money over time.
Muñoz says it's this long view that has spawned widespread interest in greywater harvesting, particularly for moderate- to large-scale commercial, industrial, and residential buildings. The Resource Access Center, a low-income, mixed-use building by Portland, Ore.-based Holst Architecture, is one such project. "It's the first time our firm is using a greywater system, and it's the first time greywater is being used on a commercial scale in Portland," says architect Dave Otte, AIA, LEED AP, a project manager at Holst. "Only recently did the city allow it in commercial projects."
Otte says greywater harvesting makes sense for this building because the Portland area gets more rain than it can use in the winter but experiences water shortages in the summer. With a system in place, water from the showers and washers will be filtered for large particles and collected in a tank before it goes into a second tank with a UV filter for finer contaminants. The water that emerges will then be used to flush the toilets year-round.
The product Holst is using, from Montreal-based Brac Systems, accounts for roughly $300,000 of the overall $27.5 million budget, but Otte says the project will reap significant savings because of it. "Right now we're trying to negotiate lower service-development fees with the city," he says. "We're also likely to get a reduced rate on our water-use fees, so the developer is anticipating a 10-year to 15-year payback on the system." The financial risks seem reasonable, Otte says, since the Housing Authority of Portland will likely operate the building for a long time.
Dennis S. Yasar, president of Brac Systems, says his company offers a number of systems—including tanks, filters, and pumps—in various sizes to meet the needs of both commercial and residential markets. The products collect water from sinks, baths, and even air conditioners, making them highly versatile. "An air-conditioning unit can generate as much as 15 gallons of water per day," he explains. "That water can be put to good use."
BRINGING HOME THE HARVEST
According to Yasar, greywater systems are becoming more commonplace in the residential space as well. His company has sold more than 1,300 residential systems in the last three years alone.
John Quale, LEED AP, assistant professor of architecture at the University of Virginia in Charlottesville, is interested in greywater harvesting and a fan of the process, but his take on the system's prospects in the single-family house is less enthusiastic. To investigate its effectiveness, Quale—who also directs the university's ecoMOD research and design/build project—is installing a modest system on one of his houses. "It's a small-scale tank system for a sink and a shower," he explains. "The technology is perfect for this type of domestic application, because it's only five gallons." Homeowners can fairly easily manage systems of this size, he continues, but once you get into more complex whole-house systems, the questions begin. Will homeowners change the filter on a regular basis? Will they perform the routine maintenance? Will they be careful about what goes down the drain?
"I'm a little worried about many people doing this in their homes, because there are legitimate health concerns," Quale continues. "For a homeowner, it's one extra thing to think about, whereas in a large-scale apartment building, these things would be taken care of by an engineer." Still, he adds, "If the technology continues to evolve, it could become more feasible."
TREAD CAREFULLY
Fortunately, greywater harvesting systems can be simple affairs or complex setups. They can be as basic as a pipe that drains underground to a mulch basin for irrigation, for example. "That's the low-tech solution," Muñoz says, and it would essentially cost the same as "putting in an extra pipe—possibly as little as $20 or $30. Packaged systems with all the bells and whistles," on the other hand, "can go as high as $4,000 to $5,000."
In either case, greywater must be treated with care. Though it comes from non-sewage sources, it can contain significant amounts of bacteria and contaminants. "Greywater breaks down very fast," Muñoz explains. "It can smell bad pretty quickly, so it shouldn't stand around for more than 24 hours." Homeowners must also be mindful of what goes down the drain.
What's more, many city codes don't allow water from kitchen sinks to be reused, because of potential contamination from certain food particles or high concentrations of household cleaners. And in some jurisdictions, water from washing machines is prohibited, because homeowners may wash cotton diapers, which can compromise water integrity.
Perhaps the most crucial thing to remember about greywater harvesting is that acceptance of the practice varies by region and even municipality. "We've found over the last 10 years that it's less a problem of selling it to clients and more about the regulatory agencies," Muñoz admits.
In the end, Muñoz says greywater harvesting is a viable water-saving strategy that can contribute to LEED points in multiple ways. Architects interested in pursuing the practice should begin by conducting a water audit to see where their area's water comes from and where its wastewater goes. In many cases, they'll discover methods far superior to the conventional treatment process.
Nigel F. Maynard is Senior Editor for residential architect magazine. This article appeared in the May/June issue of residential architect.
Residential Architect: breaking the circle
how do you say goodbye to a partnership and reinvent a practice?
By Cheryl Weber
Life is short, people sometimes say, to convey the idea that you should do what makes you happy. But now that we're living longer and retiring later, the opposite is also true, though the meaning is essentially the same: Life is long, so look ahead and pace yourself. Rather than being too single-minded about it, there's probably time to test out new ideas, dreams, and directions. Or, as T.S. Eliot poetically put it, "there may be time for a hundred visions and revisions before the taking of a toast and tea."
That's more or less what Christopher Hays, AIA, was thinking a year ago, when he left a satisfying partnership at William McDonough & Partners, Charlottesville, Va., to do something he'd dreamed of since he was in seventh grade: head up his own architecture practice. "Architecture is a long, slow profession," he says. "It's easy to get on a track that may be interesting and exciting, but how that relates to a long-term vision is something that's important to continue to gauge against. Life is long, and there's opportunity for many kinds of professional experience."
That sentiment is very 21st century. This is not our parents' workplace, where management-level employees strove for tenure or partner status and then toiled away until they retired, out of loyalty or for fear of starting over. Today, many architects who are part of a firm's inner circle eventually reach a personal turning point and decide to move on. There may be personality conflicts with the other principals; perhaps they want a different kind of practice or a different focus, or they're simply relocating to another part of the country. Regardless of the reasons, starting over is a journey that's exhilarating in its freedom yet is logistically akin to a divorce—sometimes psychologically, too. So how do architects extricate themselves from the tentacles of a firm and go on to invent a new professional life?
With partner-level turnover increasingly common, smart firms have devised exit agreements that make things easier for everyone. Spelling out issues such as the formula for cashing out of a firm and the rules governing competition for clients and employees can minimize 11th-hour lawyering, which threatens to sour relationships. Even so, those contracts are rarely written with the best interests of the departing partner in mind. "Everybody signs one, not because you think you're going to leave, but because you want to keep the other partners from leaving," says attorney Paul Lurie, of Schiff Hardin, in Chicago. "They get signed for good business reasons, but you still need to look at the implications of the restrictions and negotiate the terms when the time comes."
All HEDS Press Christopher Hays HEDS
Salon: Great big green monster mansions
Environmentally correct housing has never been more popular. But even the most eco-friendly home may do more harm than good when it is super-sized.
By LINDA BAKER
En route to a Vancouver, B.C., conference on recycled products a couple of years ago, green-building consultant Kathleen O'Brien struck up a conversation with her Bangladeshi cab driver, who wanted to know what kind of green features to incorporate into his house. "He asked, 'Should it be wood, should it be steel?'" said O'Brien, who helped create Built Green, a landmark residential green-building program in Washington state. "I said: 'If you do one thing, build it small.'"
Green building is one of the fastest-growing sectors in the exploding market for environmentally friendly materials and technologies. According to the National Association of Homebuilders (NAHB), in 2002, programs such as Built Green certified more than 13,000 homes in the United States. Next year, the U.S. Green Building Council will pilot its Leadership in Energy and Environmental Design (LEED) Homes program, certifying state-of-the-art green residences. States and municipalities also continue to strengthen residential codes for energy efficiency, indoor air quality and water use.
But there's an elephant in the living room of most of these green homes. Call it square footage — lots and lots of it. Fifty years ago, the average house size was 1,100 square feet, and the average household size was 4.2 people. Today, the average house size has increased to 2,150 square feet, while the average household size has declined to 2.3 people.
"That's a killer combination," said Mike O'Brien, a program manager in the Portland, Ore., Office of Sustainable Development. "In the space of 50 years, we've reversed the equation completely."
Here's what the green residential landscape looks like in the 21st century. In the United States, advances in green-building technologies have to compete with the proliferation of 3,000-square-foot-plus homes — simultaneous trends that underscore one of the key paradoxes of sustainable development in the United States.
"In spite of everything we've done to make the building envelope more efficient," O'Brien said, "we're still using more energy in our homes." Nadav Malin, the editor of the monthly newsletter Environmental Building News, agrees. Most of the green features people are incorporating into their homes represent ecological improvements in the 10 to 50 percent range, he said via e-mail. But even a 50 percent reduction in the ecological footprint, Malin noted, "would be totally offset by a doubling of the house size."
The American proclivity for living large does more than raise questions about whether a 4,000-square-foot single family home should ever qualify as a "green" residence. It also calls into question one of the fundamental tenets of sustainability — that market demand for green products and technologies will save us from environmental apocalypse. If we all go solar, if we install rainwater catchment systems and use sustainably harvested lumber, so the logic goes, then there's no need to deprive ourselves of the luxuries that space — and the furniture and accessories to fill it — affords. But the issue of consumption, not to mention overconsumption, is curiously absent from the sustainability discourse. And in an era characterized by unprecedented consumer wealth, this could be the movement's fatal flaw.
Within the green home market, there does exist a niche for small houses, fueled largely by the runaway success of "The Not So Big House" book series by Minnesota architect Sarah Susanka and, to a lesser extent, an emerging trend toward sleek, efficient — and affordable — modular housing. But for the most part, the green housing market mirrors the megahouse trends in the conventional homebuilding market.
"My clients want to build green, but they want to build bigger," says George Ostrow, principal of Velocipede Architects, a leading sustainable design firm in Seattle. Ostrow links big green houses to fuel-efficient SUVs and other green-living oxymorons. "It's a contradiction of our culture," he said.
Whether it's a McMansion or an architect-designed estate, big green homes offer a recognizably American take on eco-friendly trends sweeping the country.
There's the 4,200-square-foot solar-powered home featured in Salon last month — a house "so spacious it includes an entire guest wing the couple never uses." Rob Harrison, another Seattle architect who specializes in sustainable design, cites a 4,100-square-foot home — including garage and attached greeenhouse — he recently designed for a single family household in Redmond, Wash. Among other features, the house will incorporate advanced framing, Forest Stewardship Council-certified lumber, hardwood floors and plywood, as well as sustainably harvested cork floors. The main roof slopes south for future photovoltaic panels, and there is porous paving on the driveway.
"We had many green features," Harrison said. "But ultimately, because of the size, we are still using more resources." The client's personal requirements, including room for a regulation-size pool table and a music performance atrium for 30 people, made it impossible to reduce the footprint of the house, Harrison said.
"House size," he says, "is probably the most important criterion and often the most difficult one for us to meet."
Not all green designers and builders hew to the notion that less is more. Take William McDonough, the visionary green architect who likes to invoke the cherry tree — in which thousands of blossoms provide fruit so that one pit might take root and grow — as a model for sustainable production.
"No one would ever look at the ground littered with cherry blossoms and say 'how inefficient how wasteful,'" writes McDonough in his book, "Cradle to Cradle." Instead, he observes, the blossoms decompose and provide nutrients for soil, plants and other organisms. Nature, in his view, is both abundant and productive — qualities that "eco-effective" design (a McDonough alternative to "eco-efficient" design) can and should emulate.
Allison Ewing, a residential architect at McDonough's Charlottesville, Va., firm, applies this theory to the 4,000-square-foot-plus green homes she designs. "Our belief is that if it's solar powered, you can have all the hot water you want," she said. "As long as you have cradle-to-cradle design, we say, celebrate abundance." Responding to a question about house size and ecological footprint, Ewing reiterates another favorite McDonough saying: "We're not in the business of telling people to be less bad," she said. "We're about 100 percent more good." Ewing cites a recently designed 4,500-square-foot residence that incorporates geothermal energy sources, radiant floor heating and sustainably harvested wood — a house that apparently catalyzed a local market for sustainably harvested lumber. A smaller residence, she said, would not have had the same impact on the local green economy.
As a metaphor, design principle and incubator for sustainable markets, the idea of productive abundance is compelling. It's much less compelling when viewed in context of American consumption habits. Is nature abundant? Or is it frugal? When it comes to picking design metaphors, the natural world is, conveniently, a free market. And as Ostrow and Harrison point out, the trend toward large green houses is driven in large part by the lack of awareness surrounding square footage and ecological footprint, not because of any lofty ideas about nature's fecundity.
A reflection of American priorities and lifestyles, the march toward bigger homes also gets a push from complex zoning regulations and real estate and banking practices. Mortgage banks lock in large house sizes by requiring the value of the home to be three times the value of the land, said Art Castle, executive vice president of the Home Builders Association of Kitsap County, Wash. "If you put a house outside of these perimeters, you create a market aberration," he said. "A lot of lenders are unwilling to support smaller houses."
The bias toward large homes has even penetrated green-building rating programs, according to an analysis performed last year by the Pittsburgh-based Integrated Building and Construction Solutions (IBACOS). The study found that the Home Energy Rating System, a federal program that rates energy efficiency performance for new and existing homes, requires smaller houses to incorporate more advanced energy features than larger houses, assuming a given occupancy. "The whole motivation for doing the analysis was that house size is not being taken as seriously as it should be, " said Eric Newhouse, an IBACOS systems integration designer and the coauthor of the report, "Analysis of Energy Consumption, Rating Score and House Size." The paper was presented at the U.S. Green Building Conference last year.
In 1998, Environmental Building News published an article comparing energy and materials use in large and small houses. Using data compiled by the NAHB and Energy Balance, the article showed that a 1,500-square-foot home with low energy performance standards will use less energy for heating and cooling than a 3,000-square-foot house with high energy performance standards. Because big houses tend to have more design features, the NAHB also estimated that large homes consume proportionately more materials. Thus a 5,000-square-foot house will consume three times as many resources as a 2,085- square-foot house, even though its square footage is only 2.4 times greater.
Six years later, experts say the correlation between square footage and resource and energy use is still valid. Size matters even if a residence incorporates solar power, rainwater catchment and other "off the grid" technologies, says Newhouse. "Bigger houses use more materials," he said. "and there's no perfectly environmentally friendly material."
Acknowledging the issue, some green-building rating programs have started to incorporate a matrix for house size. Like many green residential programs, PGE's Earth Advantage certification in Portland, Ore., is based on a combination of required measures and additional points that can be earned for a home's green features. Last summer, Earth Advantage created four advanced levels of certification, two of which incorporate a matrix for house size. For example, under the new Earth Advantage Gold Environmental and Water Efficiency package, a 2,500-square-foot home needs to earn 50 more environmental responsibility or resource efficiency points than a 1,999-square-foot home in order to earn the same ranking.
The Vermont Built Green (VBG) program, which piloted last year and is recognized as the most comprehensive program in the country, takes this idea one step further. To earn VGB certification, a home must meet 54 requirements and earn at least 100 points. Under this system, the easiest way to earn certification is to meet the minimum requirements and build a very small house. For example, a two-bedroom house earns 100 points if it's 1,000 square feet; 25 points at 1,500 square feet. By contrast, a four-bedroom house at 5,200 square feet loses 100 points, meaning that the house will have to earn 200 points — twice as many — for VBG certification.
"House size is the centerpiece," said Richard Faesy, project manager of the Vermont Energy Investment Corp., which administers the VGB. "We hope to spur education and discussion to get people to acknowledge size is a significant factor in green homes."
Building small isn't nearly as sexy as installing photovoltaic panels for solar power. But there is a niche for small green homes, especially among young families in search of affordable housing. Kristin Bacon-Brenes, who shares a 1,550-square-foot, three-bedroom home in Portland, Ore., with her husband and two young children, is one such convert. Boasting a rainwater catchment system, solar and radiant heating, reclaimed lumber from a dismantled granary, bamboo flooring, and reclaimed sinks, toilets and marble, the house won the 2003 National Green Custom Project award from the NHBA Research Center. "We had 18 people here for Thanksgiving," said Bacon-Brenes. "Everyone was so surprised at how good it felt."
To create a feeling of spaciousness, Bacon-Brenes and Portland architect Andre DeBar said they incorporated principles from Susanka's "Not So Big" books: an open floor plan with modular spaces, definition between the entryways and rooms, and diagonal lines of sight.
A surprisingly chi-chi source of small green homes can be found in contemporary modular housing — a 21st century incarnation of modernist, mass-production architecture that bears little relation to the fake Tudors or trailer parks most people associate with prefabricated construction. One example is the "Q series" of modular homes, designed by Kohn Shnier architects and manufactured by Royal Homes in Toronto. A sleek, wedge-shaped structure with floor-to-ceiling windows and simple plywood interiors, the Q comes in variable sizes up to 850 square feet, with a price tag around $150,000. Lloyd Alter, managing director of the Toronto Site for Royal Homes, calls the Q the "anti-monster home." With good design, you don't need a lot of space, says Alter, who advocates for what he calls the housing equivalent of IKEA furniture: "good affordable design you can get off the rack."
Other players in the modernist prefab movement include 33-year-old Missouri architect Rocio Romero, whose stylish, light-filled 1,150-square-foot "LV House" comes in panels of corrugated aluminum. The basic LV kit costs $29,000 plus shipping, around $3,000 — but doesn't include electrical or plumbing systems.
Whether or not modular housing evolves into the next big thing, prefabrication reduces construction-related waste and square footage, and tends to privilege flexible spaces and plenty of light. And the efficiencies inherent in modular construction are intriguing. Alter cites a Danish design called "flip spaces," in which bedrooms span two units in a condo or apartment building. When the kids in one family move out, the bedroom "flips" to the other unit. "There are a lot of flexible design ideas that can be done if the house isn't sitting alone on a lot," Alter said.
In the meantime, families who are content with smaller-than-average houses are still the exception. As for big green houses, well, they evoke the parable about boys who will turn any toy — blocks, balls, stuffed animals — into a war game. Give Americans sustainable technology, and we'll super-size it beyond recognition.
"If we wanted to sell our home, who would we sell it to?" asked Kathleen O'Brien, who lives in a 1,650-square-foot, two-bedroom Built Green house on Bainbridge Island, Wash. "Maybe another couple or family with one child, with our same philosophy." Other than that, O'Brien said, the possibilities are limited. "Resale value is another market constraint on small homes."
Linda Baker is a journalist in Portland, Oregon.
green home design closes the wealth gap in the US
2018: Bring it on!
New research on "mother" trees | the importance of FSC certified wood
Architects' Perspectives on the issue of Confederate Statues
Is beauty a trade-off for green design?
blog update « beating wings on Blog
affordable sustainable housing
allison ewing
architecture of the fittest
charlottesville va architects
chris hays
development in us
low embodied energy materials
low energy solutions
net zero home
not so big house
passive solar
Robert E Lee statue
small houses
unite the right rally
zero energy home
mycorrhizae triple glazed building design affordable sustainable modern architecture norfolk modern architecture virginia beach green architecture norfolk green architecture virginia beach modern architects virginia beach modern architects norfolk green architects norfolk lynchburg green home zip system cellulose insulation passivhaus structural insulated panels Virginia Beach House fossil fuels perovskites silicon cells renewable technologies phytoremediation norfolk green architects belite cement drexel university concrete low-embodied energy green architects virginia Lewis & Clark Exploratory Center of Virginia SIPS panels Verve RiversEdge House lifecycle analysis old growth forests Suzanne Simard forest stewardship mother trees FSC certified wood unite the right rally charlottesville va confederate statues R E Lee statue environmental impact quality of life ecosystems recourse efficiency pruitt-igo zero energy homes BIM Passivhaus homes modern architects virginia triple pane windows chris hays advanced framing low VOC materials low off-gassing materials air tightness spray foam insulation dual flush toilets solar homes tankless water heaters cisterns HEDS architects solar community design energy conservation Janine Benyus charlottesville va architecture firms thermoregulation thermal mass magnet termite amitermes meridionalis compass termite Biomimicry: Innovation Inspired by Nature Ecohome magazine home style green sustainable design biomimicry Gary Chang the butterfly effect edward lorenz chaos theory Ed Mazria punctuated equilibrium theory nature and design architecture firms in charlottesville va regionalism dogtrot penguins green development xeroscaping green spec carbon sequestering sprawl future home development population growth in us energy efficiency housing starts huddling cohousing microclimate small footprint living small stonehaus development lifecycle costs carbon neutral hays+ewing Christopher Hays 2030 Challenge building size the not so big house low embodied energy materials low energy solutions green architects virginia beach charlottesville va architects not so big house biophilia green architects charlottesville va solar solar energy virginia architects charlottesville architects biomimicry architecture of the fittest sustainable design green design passive solar HEDS Allison Ewing All HEDS Press
©2022 heds | 434 979 3222 | info@hays-ewing.com


This men's jockstrap is designed to ramp up your exercise session. Created from a Nylon/Lycra fishnet fabric, the contrasting crossover colors in the waistband and leg bands, along with the fishnet fabric, will definitely provide support, without weighing you down. Definitely a maximum effect with a minimum of effort.


This is 3rd album for Yui SensationaL(Artist name of 1st album was Yui Yamamoto) which is including songs of top40 style, hiphop, smoothjazz, house, filmmusic and J-pop.
1. Are U Ready for the Sensational Music?
#1 Are U Ready For The SeNSaTioNaL MuSiC?
©Yui SensationaL. All Rights Reserved.


text:
10 Villains England Fans Will Never Forgive
Dom Smith July 2, 2020 July 3, 2020 Feature Articles
Events distort the memory. It is in our nature to accentuate things we remember in order for them to fit the right narrative. It's the reason so many England fans would put Paul Gascoigne's name down in an all-time best England XI every day of the week. We remember Italia 90 Gazza. We remember Euro 96 Gazza. We were at our most England then.
By the same token, we remember and exaggerate the bad times just as much.
Here are ten villains whose antics England fans simply cannot forget. Their impact on the history of the England team has just been too damaging.
10. Cristiano Ronaldo
Cristiano Ronaldo had just enjoyed his first season at Alex Ferguson's Manchester United when Euro 2004 arrived. But those in Sven-Göran Eriksson's side could already see this skinny showman was going to be quite a player. But he found himself facing a formidable opponent, adept at controlling his raw talents — Ashley Cole.
Still, he scored in the shootout as England went out and Portugal reached the semis.
Two years later, it was England versus Portugal in the quarter-finals again. World Cup 2006 came to a premature end for Ronaldo's United teammate Wayne Rooney, with his temperament called into question not for the last time. Surrounding and barking at the referee, Ronaldo reacted to the red card by winking proudly towards the dugout.
He scored his penalty as England went out again. Many England fans still haven't forgiven the majestic great. Somehow, you don't feel he'll be too bothered about that.
9. Andreas Möller
Unsurprisingly in this nostalgic piece, Paul Gascoigne is back on the agenda. Terry Venables' Three Lions had played so impressively well against Germany in their Euro 96 semi-final. The penalty shootout had been a textbook showing from both sides so far. Up walked Gareth Southgate, exuding little confidence. And then back he shuffled, exuding even less.
Möller smashed in the winning spot-kick, and immediately jogged off arrogantly, mimicking the celebration that Gascoigne had given when he had scored his penalty. It was unsporting, it was unimaginative, it was unnecessary, and it was unbelievably painful to watch.
8. Gerd Müller
From a Möller to a Müller, Gerd Müller is the greatest forward Germany has ever produced. He hadn't made his West Germany debut in 1966, when his nation lost the World Cup final to England at Wembley. By the time the next edition of the tournament came around, Müller scored the winning goal against England to ensure his side had come from 2-0 down to knock the defending champions out of the World Cup in Mexico.
England would have to wait until Euro 1972 to seek revenge. But the two sides met before the finals had even started. Only one of West Germany and England could reach the competition, as they faced off in a tense two-legged play-off tie. The winners? West Germany. The scorer of the goal that clinched it for them? Gerd Müller.
West Germany won the tournament.
7. Joe Gaetjens
While England have never played against the Caribbean island of Haiti, the man in seventh place was born and grew up there.
Joe Gaetjens was a teenager studying accounting at Columbia University in the late 1940s. The promising young striker had concluded he wouldn't earn enough money in professional football, so he settled for a scholarship at Columbia University, paid for by the Haitian government. It's alright for some.
Having already played twice for Haiti, Gaetjens was selected to represent the United States at the impending 1950 World Cup. Gaetjens scored the only goal of the game — indeed the only of his international career for either country — as the amateur American side produced an almighty shock by beating England at the Three Lions' first World Cup.
A number of newspapers back home in Britain thought the full-time result had been filed with an incorrect score. Some assumed England had won 10-1 and printed that result in the following day's paper.
The Haitian pioneer would assure you they hadn't. His USA side had won — a result which to this day rivals the Iceland match of 2016 as the worst night in the England team's history. Gaetjens never represented the States again, but made one more appearance for Haiti. A quite compelling story, albeit one England were well and truly on the wrong side of.
6. Antonio Rattín
This is a one-club man who played over 350 league matches for Boca Juniors. Yet he's best remembered for a single match played between Argentina and England at the 1966 World Cup. Always an uncompromising defensive midfielder, his actions were rather more offensive in this particular match. 'Offensive' in every possible meaning of the word.
Midway through, the German referee sent him off for verbal abuse, despite not speaking Spanish himself.
Rattín was so livid he refused to leave the pitch. When he finally did, he was escorted off by two policemen, sat on the Queen's red carpet, and scrunched up a British flag into a ball. Argentina's captain had hardly covered himself in glory on the pitch either, consistently fouling the Three Lions' most dangerous players. England progressed to the semi-finals, but the incident had not been forgotten.
The England-Argentina rivalry was born.
5. Ronald Koeman
Graham Taylor's England made their qualification campaign for the 1994 World Cup in the United States look at times a more difficult job than it really ought to have been. He was beginning to feel the pressure. It was beginning to feel like an impossible job.
The Three Lions had been two up on the Dutch when they'd met at Wembley, only for Peter van Vossen's late penalty to steal the visitors a 2-2 draw.
In England's penultimate qualifier, they faced each other again. After the break, Ronald Koeman took down David Platt when he was going through one-on-one with the goalkeeper. A free kick was given to England just outside the area, but Koeman was somehow not given his marching orders.
Tony Dorigo missed the free kick. Koeman scored one of his own at the other end. Dennis Bergkamp added an unanswered second. The Netherlands won a highly contentious match 2-0. They and Norway reached the World Cup finals. England didn't. The ultrafine margins of football.
4. Jan Tomaszewski
Brian Clough called him 'a clown'. But, for one night only, Jan Tomaszewski successfully tricked the crowd into thinking he was the greatest goalkeeper in the world. It's just unfortunate that the clown's greatest ever performance came in a critical 1974 World Cup qualifier that England had no choice but to win.
The goalkeeper put in a man-of-the-match display, somehow denying England what would on any other day have been a comfortable Wembley win for the home side.
Tomaszewski and Poland reached the finals with the 1-1 draw, while England didn't. Alf Ramsey, England's 1966 World Cup-winning manager, was sacked, while the Polish keeper saved a then-record two penalties at the finals in West Germany and helped his nation to a third-place finish at the tournament.
3. Jorge Larrionda
Jorge Larrionda never made his international debut for Uruguay. In fact, he never made it past the amateur leagues in his city of birth, Montevideo.
However, he added to England's controversial history at the World Cup when he disallowed Frank Lampard's totally legitimate equaliser against an admittedly awesome young Germany side at South Africa 2010. Fabio Capello's players, in the end, put in a dire performance in this edition of the age-old rivalry, losing 4-1 and crashing out at the round of 16 stage.
Had the Uruguayan official or either of his two assistants spotted the ball landing well over the line, England may have gone on to win. That's probably fanciful thinking, but the point is: Larrionda denied the Three Lions a certain goal, a vital equaliser, and Frank Lampard his only ever World Cup goal.
2. Ricardo
In true Tomaszewski style, Ricardo was a consistently good, but never world class, goalkeeper. In another heart-breaking chapter of a script you simply couldn't make up, he sent England home from two consecutive major tournaments.
Wayne Rooney was catching the world's attention at Euro 2004, as he inspired a truly special England team to the quarter-finals. But a 2-2 draw with hosts Portugal ended in cruel fashion.
Ricardo decided to face Darius Vassell barehanded with the spot kicks poised at 5-5. Somehow, this ludicrous move paid off. The goalkeeper saved well from Vassell, who wouldn't have even been on the pitch had Rooney not broken his foot earlier in the game. Ricardo himself scored the winning penalty. The gloves were off.
Nothing had changed two years later, with Ricardo this time inexcusably able to save three of England's kicks from 12 yards. Cristiano Ronaldo slotted the winner away. He'd done his winking. Now he, Ricardo and Portugal just jumped for joy.
England had allowed Ricardo to be the hero again. They'd handed him his career highlights on a silver platter… twice.
1. Diego Maradona
Oh, Diego Armando, where do we even start with you? No footballer has ever reached a level comparable to the peak that Diego Armando Maradona reached in the summer of 1986. Luckily for him and Argentina, that just so happened to coincide with the World Cup's second trip to Mexico.
"There is no debate about that goal," said the legendary BBC commentator Barry Davies as Maradona scored his and Argentina's second to dump England out of the World Cup at the quarter-final stage. There was no debate whatsoever.
His first, need you be reminded, required no debate either. It had been punched into the net by the greatest player on earth. Clear as day. He was so effortlessly good that he didn't need to do it, but he felt he did. He wanted to win that tournament no matter what. And, eventually, he did — often without the need for his inferior teammates.
In 2006, Gary Lineker travelled to his house to question him about The Hand of God. Peter Shilton still can't post anything on Twitter without getting pummelled about it. But neither did anything wrong.
I decided not to mention the one match that most haunts Shilton in his record-breakingly long career when I interviewed him back in November. Unsurprisingly, he took the conversation there himself. "Maradona cheated against us."
He certainly did. The crème de la crème of England scandals.
Photos 1, 2, 3, 7, 9, 11: Getty Images. Photo 4: Tomikoshi Photography. Photo 5: Athleta Mazagine. Photo 6: The Versed. Photo 8: Press Association. Photo 10: Sportskeeda.
Previous England to Return in September as Nations League Is Retained
Next Replacing Clive Tyldesley Solves a Problem That Didn't Exist

redpajama_set_name: RedPajamaCommonCrawl


First time I addressed the carbon buildup in the hole beyond the threads I used a set of steel/brass/stainless bristle thread brushes from Harbor Freight. I had a serious bunch of buildup - broke off 6 of 8 spark plugs. I set each piston at top dead center in turn (To keep from having the problem this poor fellow had - http://www.ford-trucks.com/forums/13...lp-piease.html The carbon dust and most other junk will blow out of the exhaust valve as soon as it starts - but I only rotated the bottle brush one direction - thinking that would lessen the chance of steel bristles coming off and going inside.
On subsequent plug changes - I have crimped a piece of rag on a length of coat hanger and put it in the chuck of my battery powered drill. With enough treatments of Carb Cleaner on the rag, that would probably do the job on the worst case of carbon.
If you choose to use anti-seize - the recommendation is only apply sparingly to the plug barrel - not the threads. @redfishtd correctly states my disagreement with it. The 'metallic' compound, like the carbon buildup touching the long extended snout on the plug conducts heat AWAY from the plug tip effecting the designed (high heat range operation) - aggravating the misfire problem that so many have, even after plug change and new COPs. ALSO, Partly because I believe the carbon around the snout - if it was tight enough to twist the nose off the old plug - I believe it is enough to 'fracture' new plugs going back into the same carboned up hole.
Thanks so much F150Torqued for expanding on that. I like your input and @redfishtd about the anti-seize not being put on the plugs, even just a small amount, because it changes the heat range. Especially if I have carbon buildup already there it will only worsen the heat range issue that may be present. When I picked up my new MC spark plug at the dealer today I asked the service desk person, which isn't a mechanic but still had input, on whether hey normally use anti-seize when putting in new plugs and he said "no."
Because I'm worried about the issues you raised with cleaning out the plug well and the dangers of hydro locking my engine with carb cleaner, I may take it to a shop and have them do a full service carbon deposit clean test to remove from injectors and all. My vehicle is 110k miles, 12 yrs old and I don't think I've ever had it serviced to remove carbon deposit buildup. In the last few months I moved and now only drive about 9 min to work and in December we had many weeks of temps at single digits or teens. Not driving long enough to allow the plugs to get hot enough to burn off carbon is probably what happened. You think this is a better solution for my situation?
Also, since I won't be using anti-seize, should I still torque to 25 ft-lbs when putting in he new one? I've read on other forums and online that 13-14 ft-lbs is recommended, but then saw from others that this is too low because the plugs may have a tendency to come loose or blow out of the cylinder head. I will hand tighten first to make sure it doesn't get cross threaded, but just want to confirm the torque I should use without anti-seize. Thanks!
I do not believe the possibility of getting enough chemical in a cylinder to hydro lock it with a soaked piece of rag no larger than you could cram in the lower part of the spark plug hole, is a concern. I'll bet the piece I crimped on a coat hanger wire was no bigger than 1 1/2" by 3". I have to re-soak it several times and run it in /out of there with my drill to get it to come back clean - but bet no more than a few drops get on the piston. Blow air down in there. That'll dry it out. I'm sure you can do it just fine.
Your 9 min drive to work 'highlights' the design purpose of that long snout on the SP515 - without it contacting the inside of the head. By the time the cylinder fires 50 times, that damn plug snout would be 500 degrees - if NOTHING is touching it.
The factory service manual says 25 ft-lbs (and they weren't thinking anti-seize. Hand starting, yes ^^! They should screw all the way to the seat by hand.
To me, it sounds like you're doing everything right. Just make sure everything is super clean, stretch the spring and clean contact areas, use the dielectric grease and use a good pliable (or new) boot.
Last edited by F150Torqued; 01-24-2017 at 02:50 PM.
I use brake cleaner and fill the plug well with the plug still in and let it sit for a while and then use air to blow out the well and then remove the plug. A bottle brush could be used while the brake cleaner is in the well soaking. Be sure to wear safety glasses and keep your mouth closed when blowing out the plug hole!
Good points for all that foreign crap that can collect around the spark plug, @JollyGreen48. I should point out that we are also talking about cleaning carbon out of that deep hole 'beyond' the threads. Carbon build up in there is what builds up around the long snout on the SP515 where it extends way down into the combustion chamber. It's detrimental effect is two fold. It allows heat to conduct away from the electrode into the head, and is responsible for binding on the barrel - potentially cracking new plugs / or twisting off the barrel on subsequent plug removal.