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Physician Assisted Suicide and The Election
Physician assisted suicide has continued to be a widely controversial, but popular topic across the country over the past decade. With the presidential election coming to a close very soon, the future of physician assisted suicide, or dying with dignity, may become a more widely spread practice, legal medical practice available to those terminally ill patients. Thus far, The Death with Dignity Act, or a similar version, has been passed in Oregon, Washington, Vermont, California and Montana.
California recently passed the California End of Life Option Act in June of 2016, after years of deliberation, voting and criticism, Governor Jerry Brown ultimately signed the bill into effect in the fall of 2015. Many families are relieved that this may become an option for a terminally ill loved one. What is different about death under this Act, is that it is no longer viewed as suicide, and will legally allow loved ones to retain what their terminally ill family member has designated for them after their passing.
Seeing the success and public acceptance of the Act, some other states will be voting on similar bills next week. In Colorado, the voters will decide whether the Colorado End of Life Options Act will allows similar practices to become legal. Like those states that have already passed the bill, in Colorado, the patient would have to be 18 years of age or older, diagnosed with a terminal illness that is projected to end their life within six months or less, and they must get two separate doctors to evaluate their case. However, what is different from some states and countries bills regarding end of life procedures, is that they do not have to undergo a mental health examination. While this may be controversial to some, the terminal nature of the disease is what the focus of the bill is about.
In 2015, 132 patients chose to exercise their right as a resident of Oregon to enlist the assistance of a physician in order to chose when they die. While the terminally ill community this measure allows them to make their final decisions while keeping their morals, dignity and humility intact, those critics worry about how the states' varying positions will influence who decides to live in certain places. However, based on the tone towards physician assisted suicide across the nation over the past year, thanks to stories like those of Brittany Maynard, the attitude is shifting to become more understanding.
Tagged: elder law in New York and NYC elder law

redpajama_set_name: RedPajamaCommonCrawl


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AIAG and Thomson Reuters Launch First Regional Supply Chain 2025 Report
The Automotive Industry Action Group and Thomson Reuters have partnered to release the first of three regional reports on current and emerging automotive supply chain trends impacting the industry through 2025.
SOUTHFIELD, Mich., May 10, 2019 (GLOBE NEWSWIRE) -- The Automotive Industry Action Group (AIAG) in partnership with Thomson Reuters today announced the release of the first regional report associated with the organizations' Supply Chain 2025 survey initiative. This initial report reflects the insights and expectations of Asia-Pacific (APAC) supply chain professionals and elaborates upon top industry trends identified in the region through a series of one-on-one interviews and a subsequent statistical survey.
Recently completed, the survey assessed the anticipated impact of key automotive industry trends through 2025 in the APAC region – i.e., Japan, China, South Korea, Malaysia, Thailand, Indonesia, India and several other important countries, including Australia.
"We began our research in the APAC region with interview-based discussions that helped us define the parameters and content of our survey," AIAG director of supply chain products and services, Tanya Bolden, explains. "The survey itself allowed us to gather insights on how macro-trends like electrification and shifting attitudes toward mobility and vehicle ownership will influence the future of the automotive supply chain."
In addition to exploring current and emerging industry trends such as the electrification of vehicles and changing societal viewpoints, survey respondents also provided insights on issues pertaining to globalization and global sourcing decisions, talent and labor concerns, capacity management, the impact of (and demand for) increased technology in vehicles, social trends and an ever-changing regulatory environment.
Based on survey findings, the report points to two top trends expected to impact the automotive supply chain most significantly over the next few years: changes in international trade requirements, and the logistics of electrification. Additional broad trends surrounding autonomous vehicles, regulatory compliance, and societal changes were also identified, signifying a diversity of challenges and opportunities in the region as improved technology and evolving cultural expectations continue to alter the supply chain landscape.
Considering the wider implications of the survey's results, Bolden concludes: "While this data may be specific to the APAC region, we believe these trends – along with others such as cybersecurity and increased automation, to name a few – are virtually universal concerns for the industry as a whole. Consequently, subsequent survey efforts focusing on Europe and the Americas will solicit feedback on similar trends and challenges."
As survey data continues to be gathered from automotive supply chain professionals around the globe, two additional reports will be published. The next report will detail survey findings from Europe and the Americas, while the third and final report will compare and contrast data from the various regions and offer broader analysis and key takeaways.
Find out more: https://go.aiag.org/futureofautomotivesupplychainap
About AIAG: The Automotive Industry Action Group (AIAG) is a unique not-for-profit organization where OEMs, suppliers, service providers, government entities, and individuals in academia have worked collaboratively for more than 36 years to drive down costs and complexity from the automotive supply chain. AIAG membership includes leading global manufacturers, parts suppliers, and service providers. Visit www.aiag.org for more information.
About Thomson Reuters: Thomson Reuters is the world's leading source of news and information for professional markets. Our customers rely on us to deliver the intelligence, technology, and expertise they need to find trusted answers. The business has operated in more than 100 countries for more than 100 years. Thomson Reuters shares are listed on the Toronto and New York Stock Exchanges (symbol: TRI). For more information, visit tr.com.


"People often form strikingly strong opinions from minimal information."
"It's such an easy process adding a pound to the end of every bill, it seems like a no-brainer."
"The incompetent are often blessed with an inappropriate confidence."
Calling out a "blithering idiot."
Many viewers will see the new CBS show The Great Indoors as a comedy. Some of us, however, know it's really a tragedy.
In an era when mainstream publishers are increasingly reluctant to take chances on LGBT fiction, it's heartening to see one of the most exquisite gay anthologies of the year being published by UK literary imprint, Robinson, a division of Little, Brown Book Group.
On the Future of Wagnerism: Do New Revelations About Hitler's Taste in Art Cast New Light on Wagner Appreciation?
What's to be done about someone whose art is or seems to be so great, but whose prejudices were unquestionably contributory to great evil? How do you continue to appreciate art once aware of the enormity it was accessory to?
As Treme has come to a close, it's hard to decide whether the food or music will be more memorable.


Tri, the card game, gets its name from the fact that it is a three-way thinking game. Players will utilize shapes, colors and patterns to make "twins, brothers and trios." Four different games are listed in the game rules: touch, match, catch and hatch.
If you're looking for an entertaining game that has a couple different options of game play then Tri is a great game to have. Good for up to four people, Tri only takes about 10 minutes to complete. Learn more about this card game and tell us what you think below.
Review Completed (2017-08-08) Tri is an interesting card game that utilizes shapes, patterns and colors to form "twins" (three same features making an identical card), "brothers" (two same features) and "trios" (three cards that form a pattern). A quick reference card is included to help explain what is allowed for each match and what is not. While it is helpful we found ourselves questioning matches that were not listed in either category. We tried to apply two commonalties between three cards for a trio (they must have two similarities in either color, shape or pattern). We hope this was the right way to play.
Touch - a "beginners" guide to learning Tri. Players try to identify trios by laying down cards next to each other in the center. Once a trio is identified everyone must race to place their hand on the last card to make the link. We found ourselves at times not even paying attention as we were only concerned to not be the last hand down.
Match - this is a twist on your standard memory matching game. What we found odd was the memory game was only a phase to get you cards so that you could spell the largest word in the next phase. Since there is only two full alphabets worth of letters available, your word choice is fairly limited although we did come up with some "larger" words.
Catch - this is a similar spin on the card game Uno as players lay down one card at a time forming brothers. Function cards are draw-three cards and jokers are reverse and draw-three cards. From there the rules get more complicated and overwhelming on the other possible plays. Again, this is only the first phase where players then move on to a spelling phase where the rules get even more scrambled as to how to score points or redeem yourself.
Hatch - to be honest, by this point we were all lost and utterly confused. Refer to the game rules to learn how to play Hatch.
We tried really hard to understand the game rules and reread them multiple times. We even watched a few videos on how to play which helped greatly. We felt like the two phases cluttered the game and almost made the first phase pointless since so much was determined on what you could spell. This game has a lot of potential and possibilities and will most certainly appeal to some people. It was fun once we decided on how we thought it should be played and omitted the spelling phase all together.
On a positive note, we were impressed by the packaging and storage case that Tri comes with. We'll try to let our brains have a rest and give this game another try.
See the game rules for specific game rules (different games can be played with different endings).
You get 54 cards and the official Tri game rules and instructions.
Please keep in mind that the official Tri dice-card rules and instructions could be different depending on the game version you have. The rules below are some of the exact directions on how to play Tri.
Share with us your comments, funny stories, tips, advice, strategies, creative ways to play, questions about how to play, problems with the rules or anything you want about Tri. All submissions will be reviewed within 24 hours. Click here to add your Tri comments.


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SUGAR LAND, TX--(Marketwire - May 20, 2008) - Researched by Industrialinfo.com (Industrial Info Resources (Sugar Land, Texas) -- Georgia Power Company, a subsidiary of The Southern Company (NYSE:SO) (Atlanta, Georgia), is in the process of installing flue gas desulfurization (FGD) scrubbers at a 3,500-megawatt power plant in Georgia. The $1.2 billion project is using Chiyoda technology to remove sulfur dioxide (SO2) pollution from the station.
For details, view the entire article by subscribing to Industrial Info's Premium Industry News at http://www.industrialinfo.com/showNews.jsp?newsitemID=133113, or browse other breaking industrial news stories at www.industrialinfo.com.


A smart Boston Terrier ceramic from Blue Witch. This sweet little dog is often referred to as the American Gentleman and was sadly originally a fighting dog. Its sweet nature soon won people's hearts though and it is much more suited as a companion dog. Our Blue Witch Coffee Mug is individually handmade and displays striking detail. Each mug is unique and patiently hand painted by a talented artist with precision to emphasize the character design; it takes nearly 2 weeks to complete the entire process. Only love can make it happen. A perfect cup of tea; every mug is dishwasher safe and microwave friendly ensuring the colour will never fade. Carefully protected in a Blue Witch gift box which includes a certificate signed by the artist. What a perfect Boston Terrier gift idea!
Our Boston Terrier Coffee Mug is individually handmade and hand painted by a talented artist. Each brush stroke perfectly highlights the character design.


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Charlie Lyne – Working with Fair Dealing
Charlie Lyne (Filmmaker and Film Critic)
Thank you. Can we bring the presentation up, perfect, there we go. I'm Charlie Lyne, and I am an essay filmmaker, so for anyone who doesn't know what that means, it means typically working with a lot of existing material and as well as some new stuff, often new narration and soundtrack and all kinds of different elements to advance some argument or make some new narrative or story.
And the way I got into that was, when I was a teenager I started a movie blog, and so I started writing about film and therefore consuming a lot of film and chewing it up and rebuilding it into something else, whether that was through words or making the little video pieces for this website or any other form.
And so through that I started to think about taking all of this film material or TV material and building it into new visual material of some kind, and fell into essay filmmaking through that.
So I'm going to talk a little bit about some of the work I've made over the last five years, and specifically how it's worked legally speaking with regards to fair dealing, which I'll explain a bit about for anyone who doesn't know.
What I should say upfront, which I have to say every time I talk about something like this, is I'm not a lawyer, so please don't take anything I say as legal advice. Likewise there's probably people in the audience who know a lot more about fair dealing than I do, as someone who has just used it in their work, so feel free to stick your hands up at any point and correct me if I say anything that you think is wrong.
Anyway, so I'm going to start by talking about the first thing I made that used a lot of existing material, and this was something, this was just a short little video I made when I was a teenager still, before I would've even heard of fair dealing or really understood that there was any legal framework through which to make work like this.
And so it was a piece of work called Death/Hitchcock and the conceit was that I was combining thirty-six scenes from Alfred Hitchcock films across his career in which there was a death, and synchronising those thirty-six scenes so that all of them arrived at the moment of death simultaneously.
So to give you a quick idea of the cacophonous sensation that that results in, I'll just play the first minute, this doesn't go up to the death point, but gives you some sense of how it plays.
So I'd be lying if I said I could entirely remember what inspired me to make it, or what I thought the practical benefit of making it was, but I knew there was something that interested me about it, and something that interested me about those juxtapositions that were being drawn.
In any case, I didn't really do anything with it at the time, but in the years that followed, before I was starting to really make any more work than this, or certainly long before I would've thought of myself as a filmmaker, I started seeing more and more work that was using lots of existing material, so be that old hallmarks of the essay film practice like Los Angeles Plays Itself or a spate of newer films that were all crossing over into mainstream film circles, but using these same essay filmmaking techniques, so stuff like Room 237 or Sophie Fiennes's The Pervert's Guide to Cinema series for Channel 4, The Clock which was a very successful installation video piece that was installed just next door in fact where an artist created a twenty-four hour video installation made entirely from existing film clips that all took place at whatever time of day that you went in to see the piece. And all of that stuff I found really stimulating and interesting and opened my mind to both the idea that this work could be made, but also that it could be made legally.
And so I was introduced to the concept of fair dealing or as it's called in various countries fair use, and for anyone who doesn't know that's the legal provision that allows people to use excerpts of copyrighted work for free and without permission as long as they're using them for one of a number of purposes.
So the most common purpose is criticism and review. So for instance in The Pervert's Guide to Cinema you have the philosopher, Slavoj Žižek, advancing some outlandish theory about say They Live and clips from They Live can be shown alongside his theory to illustrate the point and advance his critical argument without seeking permission from whichever studio owns the film, and without having to pay any money for it.
And this was like a complete revelation to me the idea that this was a legitimate thing that you could not only do but then seek to release and show people and not face any legal ramifications from.
As I say, when I made the Hitchcock thing it would've never occurred to me that that was anything other than an illicit oddity that I could make and maybe show to friends or whatever.
So at the time I'd been working on a piece of writing about teen movies, and I was really interested to do something exploring that genre, but one thing that I kept pushing up against was that I felt unable to, in my critical writing about the teen genre, capture the more gut audio-visual impact of those films, and the emotional sway that I felt like they had over me and over all the adolescents that they're targeted at.
So I started thinking about the potential for instead of doing that piece of work in writing, doing it in the form of an audio-visual essay, and that's what I ultimately did.
So in 2014 I made a film called Beyond Clueless that was a feature length film essay about teen cinema, and through making it, the film was made on an extremely low budget so there was no money to consult with a lawyer through the making of it, so what I had was the examples set by all of these films that I had seen that had introduced me to the idea of fair dealing, but also a sense of what felt like an important thing to say. So as with the Hitchcock piece, I was trying to follow my impulses as much as possible, and worry about the legal framework that it might fit into later.
So one thing I knew was very safe was, as I mentioned with the Žižek thing, advancing of a fairly straightforward critical argument and using clips to illustrate that point.
So I'll show you the first short clip from this film that does exactly that.
So the end of that clip ventures into this other territory that I was much more confused but intrigued by which was the idea of creating a commentary on the teen genre that was much more instinctive and audio‑visual than it was literally critical.
So in that instance you see a clip from the film playing out but the soundtrack, the music that's accompanying the two guys rapping in the courtyard is part of the original score of my film, and this centres a whole much more grey area when you're starting to create new material from existing copyrighted material for a much more implicit reason.
But, anyway, I pushed on because I was intrigued by where that could go, and like I say that's the less prosaic side of the commentary that I felt I couldn't achieve through the written word.
So to give you one more example from this film of something that I wasn't really sure how it would fit into a fair dealing framework, but that I knew I wanted to be a part of this criticism.
There's a number of essentially montages throughout the film that look at tropes of the genre, so they compile a number of examples of existing tropes from teen cinema be they the house party, or the virginity losing scene or whatever, and combining them to create this unified world in which all of these films exist within the same space.
So I'll give you one example which was one of my favourites from the film, because it was a more unexpected trope, and it's the trope of two characters meeting and courting in an abandoned swimming pool at night.
So as I say, at the time of making it, I had a conviction that there was value in these montage sequences and that they were adding something to the overall critique of the genre, but it was much harder to defend them without the presence of any kind of direct literal criticism from a voiceover or otherwise.
And when I talked to other essay filmmakers who've worked within the UK fair dealing framework, I got a lot of scepticism as to whether this would actually be possible or would any way be passable.
Very luckily for me in 2014 amendments were made to the fair dealing legislation which introduced a number of new exceptions, i.e. reasons that you could give for using copyrighted work, and so in 2014 there was an exception added for parody which allowed for a lot of political parody work, as well as one for quotation, and most importantly for my purposes one for pastiche, so I was able to then use that to justify something like this on the basis that I was pastiching an existing trope and commenting on it through the building up of multiple examples of it.
So, I think that was an interesting case and a quite emblematic case of how fair dealing and all of its international variants often are following the work that's actually being done, as opposed to the other way around, and if you look at the way that these laws have evolved it's so often that way round.
Specifically, I know The Clock, the twenty-four hour installation piece, was very heavily considered in the adding of this pastiche exception because it was seen as an important piece of work that had a right to exist, and therefore something that the laws needed to expand around.
So, anyway, as a result that meant that this film could be certified as a piece of fair dealt filmmaking and ultimately it was released through festivals and then had a small theatrical release here. It was sold to Netflix and a few other places like that.
And essentially that was the point at which I became a filmmaker, and the next thing I made was a direct result of having made this film which was a project for the BBC iPlayer which in 2015 was just starting to commission feature length films mainly made in an essay filmmaking style because they were seeking to make feature length films but couldn't afford to budget newly shot drama features.
So instead they were looking to this relatively affordable and increasingly popular form of filmmaking, and obviously they have Adam Curtis, the renowned essay filmmaker on staff, so he was making a lot of material for them, but they were starting to branch out beyond him.
And luckily at the exact moment that they were looking for someone to come in and make a new project for them, the teen movie film, Beyond Clueless, was in UK cinemas so I was very lucky, right time, right place to be able to go in and make my next film which was called Fear Itself, and that was an essay film about fear in cinemas, about horror cinema and thrillers and any filmic medium through which fear could be conveyed.
And so this time round I had the benefit of a dedicated lawyer who was one of the BBC's in-house lawyers called Charlotte Vaughan who was great at being able to explain to me the minutia of how these laws worked, but also how these laws could be pushed and pulled and prodded and made to encapsulate work that had a right to exist.
So one of the big leaps forward personally for me was the ability for her to show me how I could get away with crafting a critique of a piece of filmmaking that was indirect, so rather than explicitly commenting on a film as you saw with the clip from She's All That before where the narrator literally says this character does this, it could be construed as meaning this, you were able to convey a general idea and let the viewer do the work of applying that to the clip, and becoming the critic themselves, which I think is a really useful and potent technique if you can get away with it. So I'll show an example to show what I mean.
I think we're running a bit behind schedule unfortunately so I'm going to have to skip the next few clips, but essentially the thrust of the presentation was going to be that, I think it's really important to make fair dealing and its various exceptions work in service of what you think are valid impulses and what are valid messages and critiques and pieces of art to get across, and that that's what these exceptions are there for, to facilitate that, and so I think it's really important to let the idea lead and find how the exceptions can fit around those ideas because that's how the law has advanced in the past and will continue to advance in the future.
So if there's any questions about that at the end I think we'll all be over there and you can ask. Thank you.


Lolololololo...There it is! Cheats way: Discipline, keep your mouth shut, keep everything among us!
Last edited by Disco1981; 02-03-2019 at 06:30 PM.
Well the Steelers future on social media should be quiet if both AB and Bell are elsewhere next season. It'll be easier to keep things in house.
Collect all player cellphones at the locker room door if they can't control themselves. They want to act like kids treat em like kids.
Obviously bellichick mandates them off of social media. If he can do it, then why don't we?
Yes, its clear the Patriots won because they limit use of social media by players.
That doesn't make sense. Everyone knows that in today's NFL the players gotta do their thing. That's why Tomlin is so loved by most of his guys.
Gronk is on social media, so is Brady, so is Stephon Gilmore, I'm sure most Patriot players are on social media. Players have to be on social media they have brands and social media helps with recognition, in the end it's a business.


Jyotish Kendra Provides highly effective Astrology specialist solutions for all problems of one's life like Love affairs, Love marriages, Health problems, Business Problems, and other problems in Relationships. Pandit Ji solves all your Problems by Astrology, Horoscope, mantra tantra etc .
blue color in pictures of Lord Shri Krishna?


Romina Antonio Tall Chest – Baby Go Round, Inc.
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1. ……………………. refers to the collection of information pertinent to systems project.
6. Which of the following is/are major step/s of system design?
8. ………………… means coordinated effort, to communicate the information of the system in written form.
9. Some of the tools which are available with the system analysis are ………………..


Clarke County is a county in the Commonwealth of Virginia. As of the 2010 census, the population was 14,034. Its county seat is Berryville. Clarke County is included in the Washington-Arlington-Alexandria, DC-VA-MD-WV Metropolitan Statistical Area.
The first settlement of the Virginia Colony in the future Clarke County was in 1736 by Thomas Fairfax, 6th Lord Fairfax of Cameron who built a home, Greenway Court, on part of his 5 million acres (20,000 km2) property, near what is now the village of White Post. White Post was named for the large signpost pointing the way to Lord Fairfax's home.
As it lay just west of the Blue Ridge border demarcated under Governor Spotswood at Albany in 1722, the area was claimed along with the rest of the Shenandoah Valley by the Six Nations Iroquois (who had overrun it during the later Beaver Wars in around 1672), until the Treaty of Lancaster in 1744, when it was purchased from them by Governor Gooch.
Many of the early settlers of what became Clarke County were children of Tidewater planters, who settled on large land grants from Lord Fairfax. Two-thirds of the county was settled by the plantation group, and the plantation lifestyle thrived until the Civil War. County status came in 1836 when it was divided off from Frederick County. Clarke was known for its large crops of wheat.
During the American Civil War, John S. Mosby, "the Gray Ghost" of the Confederacy, raided General Sheridan's supply train in the summer of 1864, in Berryville. The Battle of Cool Spring was fought in Clarke County on July 17 and 18th, 1864, and the Battle of Berryville on September 3, 1864.
In 1881 was founded the Bank of Clarke County, still functional regional bank headquartered in Berryville.
Early in the 20th century, future Virginia politician Harry F. Byrd, Sr. and his wife established their first home near Berryville, where he undertook extensive agricultural activity growing peaches and apples. Byrd became a State senator in the upper house of the Virginia General Assembly, served a term as a Governor of Virginia, and was a United States Senator for over 30 years, heading the powerful Byrd Organization which dominated state politics between the mid-1920s and 1960s.
In 1996, Forrest Pritchard revitalized Smithfield Farm by starting a grass-fed, sustainable livestock operation. Renamed 'Smith Meadows', it is currently one of the oldest fully grass-finished farms in the United States, and its story was chronicled in the New York Times bestseller Gaining Ground.
According to the U.S. Census Bureau, the county has a total area of 178 square miles (460 km2), of which 176 square miles (460 km2) is land and 2.2 square miles (5.7 km2) (1.2%) is water. It is the third-smallest county in Virginia by total area.
Clarke County is represented by Republican Jill Holtzman Vogel in the Virginia Senate, Republican Dave LaRock and Democrat Wendy Gooditis in the Virginia House of Delegates, and Democrat Jennifer Wexton in the U.S. House of Representatives.
As of the census of 2000, there were 12,652 people, 4,942 households, and 3,513 families residing in the county. The population density was 72 people per square mile (28/km²). There were 5,388 housing units at an average density of 30 per square mile (12/km²). The racial makeup of the county was 91.15% White, 6.73% Black or African American, 0.19% Native American, 0.49% Asian, 0.03% Pacific Islander, 0.55% from other races, and 0.85% from two or more races. 1.46% of the population was Hispanic or Latino of any race.
By 2005 90.1% of Clarke County's population was non-Hispanic whites. 6.3% were African-American. 0.2% Native American. 0.6% Asian. 2.6% were Latino.
There were 4,942 households out of which 29.40% had children under the age of 18 living with them, 58.20% were married couples living together, 8.90% had a female householder with no husband present, and 28.90% were non-families. 24.10% of all households were made up of individuals and 9.90% had someone living alone who was 65 years of age or older. The average household size was 2.50 and the average family size was 2.97.
In the county, the population was spread out with 23.40% under the age of 18, 5.80% from 18 to 24, 29.10% from 25 to 44, 27.10% from 45 to 64, and 14.60% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 98.00 males. For every 100 females age 18 and over, there were 96.60 males.
The median income for a household in the county was $51,601, and the median income for a family was $59,750. Males had a median income of $40,254 versus $30,165 for females. The per capita income for the county was $24,844. About 4.20% of families and 6.60% of the population were below the poverty line, including 7.10% of those under age 18 and 11.10% of those age 65 or over.
^ "History of Bank of Clarke County". Archived from the original on 3 February 2017. Retrieved 10 March 2017.
Wikimedia Commons has media related to Clarke County, Virginia.


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Nicki Minaj To Make Feature Film Debut In Upcoming Action Flick
Mike Hohnen Apr. 28, 2013
News has been made public that producers behind an upcoming feature film The Other Woman are in the final stages of locking Nicki Minaj in to act. By the sounds of the flick, it doesn't seem as though anything overly-violent or horribly traumatic will happen, which begs the question as to what you'd want her for in a movie anyway.
As it turns out, she's been selected to play Cameron Diaz's character's opinionated assistant, so it shouldn't be a challenge for Minaj to get into her role. What sounds like a totally unique and stand-alone piece of western film will be directed by The Notebook's Nick Cassavetes, so the probability for a soul-crushing subplot is fairly high.
The plot seems intricate and gripping, focusing around Diaz, who discovers she is the 'other woman' in an affair with another woman's husband, writes The Guardian, and proceeds to team up with said wife to perform acts of revenge, no doubt with sexy results.
Minaj lent her 'vocal talent' to Ice Age 4: Continental Drift, voicing the character of Steffie the mammoth, so I suppose the next step would be a Diaz movie. The Other Woman will start filming later this year.
Black Sabbath, Allphones Arena – 27/04/2013
Corey Taylor Announces New Book 'Funny Thing Happened On The Way To Heaven'


A belated happy birthday to Nicolas Frantz, who was born on November 4, 1899, and died on November 8, 1985.
The rider from Luxembourg is best remembered for being a two-time, consecutive winner of the Tour de France, beating Belgians Maurice DeWaele and Julien Vervaecke in the 1927 French Grand Tour, and repeating his victory the following year ahead of Andre Leducq of France and DeWaele of Belgium once more.
Frantz also added to his palmarès, victories in the 1927 Paris–Brussels and 1929 Paris–Tours races.
He also won the championship of Luxembourg 12 consecutive years in a row from 1923-1934.
Frantz was born in Mamer, Capellen to a prosperous farming family, where he was first introduced to cycling at the age of fifteen – winning his first race at a local event for junior riders.
From there, the fledging pro proved to be an unbeatable young rider in his region, racking up an impressive slew of victories until the start of the first World War.
After the war, Frantz turned professional, which saw a continuation in his winning ways that included victories in prominent races such as Paris-Lyon and the GP Faber.
Many credit his advantage in stage races to his sturdy build and dedication to training and eating well.
Frantz rode his first Tour de France in 1924, where he won two stages and finished second just 35 minutes and 36 seconds behind Ottavio Bottecchia.
The following two seasons, Frantz won another four stages and finished fourth and second respectively.
Frantz dominated the 1927 Tour, winning three stages and the overall title. But, leading up to his triumph, he trailed race-leader Hector Martin by seventeen minutes before taking over the lead after the stage to Luchon.
He remained in the maillot jaune (yellow jersey) from there, claiming the stage from Toulon to Nice, and a final win at Metz – finishing an hour and forty eight minutes ahead of De Waele.
Frantz proved even more formidable during the following year's Tour, where he wore the maillot jaune from start to finish, a feat only equalled by Ottavio Bottecchia.
However, despite stamping his authority on that year's race, his victory was not without calamity.
Indeed, Frantz's frame broke while passing over a railroad crossing during stage 19 with 100 kilometers still remaining, forcing him to borrow an undersized, women's bicycle, while his Alycon teammates rode in earnest in an effort to pace him back into the race.
Fortunately, Frantz was later able to exchange the bike for a team issued one, which he rode to victory in Paris ahead of his teammates Leducq and De Waele.
A peculiar situation arose during the 1929 Tour. After winning stage 7 in Bordeaux, Frantz became one of three riders alongside Leducq and Victor Fontan to hold the same time in the general classification, thus creating three virtual race leaders.
However, Gaston Rebry eventually ended the chaos, after taking over the race lead following stage 10.
Up until then, Frantz looked poised to distance his rivals, but a puncture during one of the previous stages cost him significant time.
This deficit proved unassailable for him, which ultimately relegated him to a disappointing 5th place.
Frantz's entered the Tour only once more in 1932, where he finished in a lowly 45th place.
After his retirement from racing, Frantz became the directeur sportif of the Luxembourg and Luxembourg Mixed teams for the Tour de France from 1949 to 1957, which included coaching his country's next rising star, Charly Gaul.
After his cycling days came to an end, the tacit Frantz retired to his native village of Mamer, where he lived a quiet life until his death.
Vill Gléck fir däi Gebuertsdag Nicolas!


Hello my name is Eren. I like doing exercise especially push-ups, jogging and chin-ups. I like eating bananas but I don't like pasta. I love playing football, my favourite teams are Barcelona, arsenal, realmadrid, paris, and manchester united. When i went to Italy on 5th august I swam in the deep swimming pool.


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Web Summit 2019: Highlights From Day 1
Web Summit 2019: Highlights From Day 1 ♦ In the opening session, temperatures rose with Edward Snowden, but not much. Huawei's chairman froze the room and Portuguese Daniela Braga showed what fibre Portuguese technology is made of. Web Summit begins with the darker side of technology. "What do you do when the most powerful institutions in society are the least responsible?" Asked Edward Snowden, the computer scientist who exposed massive US cyber-surveillance. Secrets From Portugal brings you the top moments and highlights of the Web Summit of 2019, stay tuned for more.
♦ Discover All About The Web Summit & Subscribe to Our Newsletter ♦
4 November 2019; Edward Snowden, President, Freedom of the Press Foundation, on Centre Stage during the opening night of Web Summit 2019 at the Altice Arena in Lisbon, Portugal.
It was on two giant screens and a dark background behind that Edward Snowden, live while exiled in Russia, addressed the thousands watching the Web Summit kick-off at the Altice Arena. It was the big headliner – one of those who make fans rush to the box office in December to sell out daily festival passes that only happen in July next year. Edward Snowden had everything to make the Web Summit scorch at Monday's opening session.
Snowden warned that today's technology and business power deserve it and has called people to account for their online lives. The great power of technology, the exploited and manipulated data, the governments that use their tools to fight crimes against their own citizens and the need to legislate data privacy.
DANIELA BRAGA, founder and CEO of DefinedCrowd
If Edward Snowden were not the headliner on Monday, it would have been the Portuguese Daniela Braga to raise (to maximum) the temperature of the night. And no, not even Will Smith's son, artist Jaden Smith was close to stealing his stage – even though Paddy Cosgrave tried to raise the bar with a more irreverent announcement in the middle of the Altice Arena, which brought little results.
WebSummit 2019. Michelle Zatlyn, Daniela Braga, Filomena Cautela
DefinedCrowd founder and CEO was on stage with Michelle Zatlyn, co-founder and chief operating officer of Cloudflare and host Filomena Cautela. Daniela Braga was a double pride on stage: "First, because I'm Portuguese," he said. The rest we add: because it's a tech woman who can employ "41% women" at a startup who has already caught the attention of media like Forbes. "I come from a world of engineers, I'm always the only woman in the room since I'm 22 years old. My company has 41% women and we are not doing it on purpose. "
GUO PING, HUAWEI CEO
On the Web Summit stage, Guo Ping spoke about the wonders that 5G will bring to people's lives, how it will revolutionize industries across the board, how it will make all connections faster, but political distrust and the recent crisis with the USA has not heard a word.
Huawei Rotating Chairman Guo Ping addresses attendees at the Web Summit technology conference in Lisbon, Monday, Nov. 4, 2019.
Although in the US Huawei is blacklisted by the government and US companies are banned from trading with China's technology, the issue has not existed. It was not even mentioned. Ping's intervention was more of a business pitch than anything else, as startups do.
Tomorrow we'll be here again to hear names like Rohit Prasad, vice president and research officer of Alexa, Amazon (Alexa's "father"), Kevin Weil, vice president of product for Calibra, a Facebook subsidiary responsible for raising the financial services and the software behind Facebook's new digital currency, the Pound, Michel Barnier – head of negotiations for the European Commission's British Brexit. In addition, Brittany Kaiser, former director of business development at SCL Group, the parent company of Cambridge Analytica, the company that misused data from 87 million Facebook profiles to influence Americans' vote and help elect Donald Trump as US President. See you tomorrow!
♦ Discover More About The Web Summit & More Secrets from Portugal Here ♦
♦ Feel free to share your thoughts in this article and celebrate Portugal with us! For more trends and information follow and subscribe to Secrets from Portugal! Follow us on our social media: Facebook | Instagram | Pinterest | Linked In ♦
lisbon Web Summit web summit 2019 Web Summit founder
Discover The Best Monuments Of Lisbon In The Comfort Of Your Home
Discover The Best Monuments Of Lisbon In The Comfort Of Your Home ♦ If you can't go to the monuments, bring the monuments to you! Lisbon is of the most beautiful cities in the world, and from now on you can have the opportunity to go through it and discover its secrets without leaving home. […]
This Lisbon School Has Circular Holes Connecting Playgrounds On Two Levels
This Lisbon School Has Circular Holes Connecting Playgrounds On Two Levels ♦ The Portuguese studio Site Specific Arquitectura has renovated a 1950s school in Lisbon and added a dual-level extension with round openings connecting its outdoor spaces. Join Secrets From Portugal and discover everything! ♦ Discover All About Portugal & Subscribe to Our Newsletter ♦ The primary school was originally built in […]
The Lisbon Oceanarium Puts Everyone At Home Watching The Sea
The Lisbon Oceanarium Puts Everyone At Home Watching The Sea ♦ In this time of social isolation, the Lisbon Oceanarium decided to offer several online activities. "At home watching the sea" seeks to bring some tranquility to those on the other side of the screen. ♦ Discover All About Portugal & Subscribe to Our Newsletter ♦ […]
WEB SUMMIT 2019: The Lectures Worth Listening
The First "Food Summit" Will Happen In Porto This Month


We are two guys that play video games and talk on the phone while we work about random topics. One day we thought that we should start a podcast so the same amount of people who hear our phone communication can hear our podcast.
Two nerds talk about whatever comes to mind. This time it's about wild pigs and people eating cheeseburgers.
Two Nerds like usual talk nothing about the title in any way.
Two layabouts discuss the finer details of Superman being a bad hero and what it takes to be a bad parent, also GOOOOOLD.


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Els Molins de Santana són dos molins de vent (Molí de Santana i Molí Velho) situats al Parc Forestal de Monsanto, en concret al Parc dels Molins de Santana, a la freguesia de Sâo Francisco Xavier, a Lisboa.

Els Molins de Santana es construïren a mitjan , a la serra de Monsanto, per a les monges Dominicanes Irlandeses del Convent do Bom Sucesso. Són a hores d'ara, a Lisboa, els únics testimonis perfectament preservats de la important activitat molinera desenvolupada per desenes de molins en tota la zona occidental de la ciutat, responsable del proveïment de farina.

Els molins foren adquirits per la Cambra al 1942 i els restaurà entre 1964 i 1965 l'Associació Portuguesa dels Amics dels Molins, preservant l'estructura base: torre circular i barret de quatre veles triangulars.

Els molins estan en tràmit de classificació per l'IGESPAR des del 1991.

Altres molins propers
 Molins de Casalinho da Ajuda, a 1,2 km a l'est
 Molins del Barri de Caramão, a 450 m al nord

Tot i que l'IGESPAR designe els Molins de Santana igualment com a Molins de Caramão da Ajuda, no s'han de confondre amb els dos molins desactivats encara visibles, més al nord, en ple barri de Caramão.

Referències

Enllaços externs
 Moinhos de Santana en el WikiMapia

Patrimoni arquitectònic de Portugal

redpajama_set_name: RedPajamaWikipedia


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La Verge Negra de Częstochowa (Czarna Madonna o Matka Boska Częstochowska en polonès, Imago thaumaturga Beatae Virginis Mariae Immaculatae Conceptae, in Claro Monte en llatí, Ченстоховская икона Божией Матери en Eslau eclesiàstic) és una icona sagrada de la Verge Maria, que és la més venerada relíquia de Polònia i un dels seus símbol nacionals.

Icona

Els seus orígens i la seva data de composició està encara en discussió entre els especialistes. La dificultat es troba en què la imatge original es va tornar a pintar després que els hussites la varen fer malbé el 1430. Els restauradors de l'edat mitjana no estaven familiaritzats amb aquelles pintures, i varen esborrar la imatge original i repintar-la sobre la fusta origial, que es considerava sagrada pel seu origen llegendari com a tauler superior de la Sagrada Família.

La pintura desenvolupa una tradicinal composició ben coneguda a les icones de l'Església Ortodoxa. La Verge Maria és mostrada com l'Odegetria" ("La que mostra el Camí"). La Verge hi dirigeix l'atenció fora d'ella mateixa, assenyalant amb la mà dreta cap a Jesús com a font de salvació. Alhora el Nen allarga la mà dreta cap a l'observador en senyal de benedicció, aixecant un llibre amb els Evangelis amb la mà esquerra. La icona mostra la Verge amb un mantell ornat amb la flor de lis.

Història
Tot i que la Icona de la Nostra Senyora de Częstochowa està molt lligada a Polònia en els seus darrers 600 anys, la seva història prèvia a l'arribada a Częstochowa està envoltada de nombroses llegendes que remonten la icona fins a Sant Lluc, que l'hauria pintada sobret una fusta de xiprer de la casa de la Sagrada Família.

A causa de la Verge Negra, Częstochowa és considerat com el Santuari de Polònia més popular, pel pelegrinatge que realitzen molts catòlics polonesos. Amb freqüència, la gent es posa a ambdós costats de la carretera donant menjar als peregrins que caminen durant un dia sencer cap a Częstochowa.

Culte
El 13 d'abril de 1904 el Papa Pius X, a petició del bisbe polonès Stanisława Zdzitowiecki, va aprovar la festa de la Verge de Częstochowa, que des del 1906 se celebra el primer dimecres després del 24 d'agost. Els ucraïnesos també tenen una especial devoció a la Verge de Częstochowa.

Vegeu també
 Flor de lis

Referències

Enllaços externs

 Jasna Góra
 Czestochowa.us
 The Black Madonna
 Virgin Hodegetria, the Wayshower

Advocacions de la Mare de Déu
Símbols de Polònia
Catolicisme a Polònia


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Home Business Court discharges interim order, strikes out suit against NIPC
Court discharges interim order, strikes out suit against NIPC
Miriam Humbe, Abuja
On May 13, 2020, the Federal High Court sitting in Abuja Judicial Division struck out the Suit filed by Hon. Ali Sani, a member of the Governing Council of Nigerian Investment Promotion Commission (NIPC) on the grounds that the Plaintiff lacked locus/ legal right to bring the Suit and that the Suit was statute barred.
Hon. Sani instituted the action on November 25, 2019 seeking to restrain NIPC, the Chairman of NIPC and the Executive Secretary of NIPC from appropriating and spending funds realised as internally generated revenue (IGR).
He also filed an ex parte application and interlocutory application for an injunction to restrain the Commission from further spending its IGR for 2018, 2019 and 2020.
On December 17, 2019, Honourable Justice A. I. Chikere of the Federal High Court had granted an interim order restraining NIPC from appropriating and spending its IGR pending the hearing and determination of the motion on notice for injunction.
The grant of the interim Order brought a substantial part of NIPC's operations to a halt and made it impossible for NIPC to meet financial obligations to third parties, since it funds most of its operational expenses from IGR.
In particular, NIPC was disconnected for non-payment of electricity bills and was unable to pay for diesel to power generators. The Commission was also unable to pay the salaries of outsourced service providers (security guards, cleaners, gardeners and others) from December 2019.
Counsel to the Defendants, Messrs Afe Babalola & Co, through the lead counsel Kehinde Ogunwumiju, SAN filed a preliminary objection to the Suit and a counter-affidavit against the motion for interlocutory injunction arguing that the Plaintiff had no legal right to file the Suit as he was part of the Governing Council which approved the expenditure of the IGR.
The Defendants Counsel also argued that the Plaintiff cannot ask the Court to restrain NIPC from exercising its statutory powers to spend funds duly approved for spending in accordance with extant laws. The Counsel asked the Court to strike out the Suit on the ground that it was statute barred and that the Plaintiff lacks the locus to file the suit.
In its ruling on the motion for injunction, the Federal High Court held that the Plaintiff had no legal right to file the Suit as the Court cannot grant a relief to restrain an executive body from exercising its statutory powers. The Court held further that in any case, the application was seeking to restrain the spending of an IGR that had already been duly spent in 2018 and 2019.
Whilst ruling on the preliminary objection filed by the Defendants, the Court struck out the name of the Chairman of NIPC, which is non-existent on the ground that the said name is a non-juristic person in law.
The Court then struck out the substantive Suit on the ground that it was statute barred having been filed more than a year after the accrual of the cause of action in line with the provisions of Section 2 (a) of the Public Officers Protection Act and as such, the Court lacked jurisdiction to entertain the Suit.
NIPC
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Young Adult Bashing is intimately connected with Gender Prejudice
So, yesterday, I heard about some drama happening the Young Adult twittersphere. Once again, it was due to yet another journalist taking shots at the Young Adult literature market as a whole. I'm not going to link the article because I don't believe it deserves anymore attention. It was yet another article de-legitimizing the entire market like all the other 1009809234 articles written on this subject.
As I was thinking about this article, I wondered about whether or not other types of kidlit get as much hate as YA. And I wrote a thread on twitter that got a bit of attention:
What's interesting to me about this weird aversion to YA is that it doesn't seem to be extended to younger kidlit like middle grade etc.
— Sarah Raughley (@s_raughley) August 10, 2017
The crux of the thread is that middle grade especially doesn't seem to earn as much hatred and ire from journalists (at least I think so) and as someone that absolutely adores both middle grade and YA literature, I wondered why that was. If it was really about hating stories for youth in general, than why aren't people writing articles trying to de-legitimize middle grade, picture books, or chapter books? Perhaps these articles are being written but if so, it certainly doesn't seem as if such articles come out with as much frequency as the articles written to de-legitimize Young Adult literature.
It's not just about youth. It's about teenagers. Most importantly, in my estimation, it's about women. That brings us to the crux of today's lesson.
As I write in the tweet thread, I think middle grade gets less hate from the mainstream because I believe it has a larger percentage of straight white males writing it and reading it. Of course, regardless of the gender, race and sexuality of the authors, there is amazing middle grade work being put out and I love that. On the other hand, Young Adult literature is largely written by women. Of course, there are different genders writing (and reading) Young Adult as well, but women are definitely the public face of the market. From a public perspective, Young Adult stories largely feature girls as the main protagonists, privileging their agency and their perspectives. Their sexualities are not for male consumption either. Their hopes, dreams, sexual desires and goals are placed at the forefront. That's what I call female empowerment.
This is what I think bends a lot of people out of shape.
Now there's a lot that can be said of the quality of some of the popular YA stories that have been adapted to movies. However, in a world where Transformers can make billions and have several sequels, I think we have to look a bit deeper at the kind of gender bias that seems to simmer beneath so many of the articles bashing YA lit and YA lit-adaptations. This is the kind of resentment that has Young Adult Literature pegged as terrible before a single word of it is read.
What I find in these articles is not a legitimate critique or close reading of these texts. What I find instead is the underlying anger that these texts exist and are popular and lucrative in the first place.
Samantha Bee has done great pieces discussing the bullying and abuse of women on and off the internet by a large contingency of men online. She's discussed the resentment, anger, racism and misogyny that often takes aim at women and women's work both online and offline.
Many women writers have been targets of online attacks and abuse. And although this abuse has its extremist forms on the internet, it has a lifeline to the mainstream because its gendered and racialized ideology IS mainstream. I'm talking about the normalization of the idea that anything women enjoy must be of bad quality, from books, to TV, to music.
Connected to this is the de-legitimization of women's voices, experiences and POVs (which are privileged in YA). Connected to this also is the suspicion towards any women who exist and thrive in male dominated spaces (like the publishing world, or like the gaming world, or in geek fandoms).
I guess, in that way, you can think of the sexism discussed in the Samantha Bee video as having a twin in mainstream journalists and critics who go out of their way to tell female creators that their work is meaningless, who constantly tell girls that what they read, listen to, play, and watch on television is 'bad' by virtue of the fact that they are the ones consuming it (let's not forget Young Justice was canceled in the first place because too many girls were watching it).
Certain journalists are determined to never take YA seriously.
But unlucky for them, we in the Young Adult publishing world take their misogyny seriously. And I know many female kidlit authors like myself will continue to call the discrimination and abuse out no matter how many people try to silence and intimidate us.
One thought on "Young Adult Bashing is intimately connected with Gender Prejudice"
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Aerotech RMS 24/60 Motor Complete [ARO-91244] - $55.24 : Sirius Rocketry Online Store, For the Serious Rocketeer!
Aerotech has come out with the first brand new consumer RMS casing in years, and it is a great one! Introducing the RMS-24/60 casing!
This casing was designed to be the one to add more "grunt" to kits that take the 3.75" long black powder E motors. Take this casing, add an Aerotech 24/60 reload kit, and get kicking F power in the same space as the black powder E's!
Some of the E-powered model rocket kits are a bit of a "lob" on the recommended motors, and Aerotech takes care of that with this casing and the reloads that go with it. With an F, these slightly underpowered kits can really soar!
Just a note: The end closures that work with this motor are NOT the same as the ones that work with the RMS 24/40 consumer motor and are non-interchangeable. This is due to the fact that the casing itself is thicker (see comparison photo below), and more in line with some of the 29mm RMS casings. This not only makes for a more durable motor, but methinks Gary has some exciting things in store for 24mm reloadables in the future!
Kit contains the Casing, Forward Closure, Aft Closure, Usage Instructions, and a 1cc packet of synthetic grease.


Handmade using 95% Cotton 5% Lycra jersey fabric.
These are stock photo's, pattern placement will vary.
Your fabric choice will be used in the main body of the pants, bands fabric will be of my choosing.
Please remember our products are handmade and may have very slight imperfections but they do not affect use.
Sizes in brackets are rough guide and have been translated from American sizes.


I have now finished the 'Front End Web Develoment' track over at treehouse. The course was a fantastic way to introduce the world of front end development and has lead to me wanting to study more of the programatic principles that I learnt during this course.
After completing the track, I am a little unsure as to what to study next. there is so much choice!
Below is a list of the things that I have been looking at today.
1. I have dabbled at learning a bit of Swift (Apples new programming language) by watching some of the new videos found over at treehouse.
I am so far finding codecademy a much faster way of learning. Instead of watching tutorial videos, you have to work through a series of hands-on text based lessons.
3. I have also been looking at CS50x. This is an online equivalent of the popular Harvard Computer Science course. Described in their own words: CS50x is Harvard College's introduction to the intellectual enterprises of computer science and the art of programming.
I will be posting again shortly to update you on the path that I decide to choose next.


Welcome to the website of Brittany Burgunder. She is a Certified Professional Coach (C.P.C.) specializing in eating disorders and author of her memoir, Safety in Numbers with a trilogy to complete her story coming soon. Here you will find information about Brittany's life, services offered, social media links and resources for eating disorders. Also provided are details about her upcoming sequel to Safety in Numbers and contact information.
Subscribe to our email list for website updates, the latest news, and new blog posts.


The Keen Observer is the first presentation in Italy of the renowned master of the Cluj School of Painting, the 78 years old painter Cornel Brudascu, in dialogue with the 26 years old artist Alin Bozbiciu, represented by Doris Ghetta Gallery.
This exhibition aims to explore the relationship of trust and mutual admiration between the master and his young disciple that is based on their common passion for painting, and also, on their deep affection for their canine companions.
Investigating the complex mechanisms of identification of the young artist with the master, and also of the master with his youngest student, this dialogue searches for the common features that underlie their decision to portray each other in their work, often accompanied by their dogs.
A source of inspiration for many artists of the Cluj art scene, such as Victor Man and Mircea Cantor, master Brudascu is known for his highly painterly and poetic canvases. Choosing simple themes as flowers, landscapes, and portraits, Brudascu's paintings wrap his compositions in an aura of mystery that subtly refer to the painting of old masters.
While Alin Bozbiciu's works address scenes of everyday life, his works never fully reveal themselves to the viewers. While the painterly technique bares clear references to the one of the master, by occulting intentionally the subject, Bozbiciu's works become specifically contemporary. Focusing on a close study of the relationship between people and animals, his canvases instill a strong feeling of intimacy, revealing to the viewer to a new type of sensibility.
The selection of works that compose the exhibition aims at underlining that the relevant and beautiful things in life are very close. To reach them one should only become a keen and patient observer.
Exhibition organized by Le Plafond and MB Art Agency in the framework of the Amsterdam Art Weekend, 2014.
Le Plafond is a project of Stigter van Doesburg and Martin van Zomeren.


The virus can be transmitted through direct contact with urine and droppings of an infected rat, through touching objects or eating food contaminated with these materials, or through cuts or sores. These rats often scavenge on human food remains or badly stored food. Contact with the virus also occurs when a person inhales tiny particles in the air contaminated with rodent excretions. It is also possible to contract the disease person-to-person.
Early symptoms include fever above 38.5 degrees C, headache, sore throat, coughing and intestinal discomfort. Lassa fever was identified in a Nigerian village in 1969, when two missionaries died of the disease; it was named after that same village.
Who is at risk of Lassa fever?
Any traveller to areas where Lassa fever is endemic (that is: the infection is present in low levels) is at risk. This includes Western Africa including Nigeria, Sierra Leone, Liberia, and Ghana.
How can I prevent Lassa fever?
Travellers should take care with storing unused food in rat proof containers and ensure that accommodation is free from rodents by maintaining a suitable level of hygiene. Travellers should also contact their GP immediately at the first sign of fever on returning from a trip overseas.


Unwillingly they have been thrust together as strange bedfellows, Wayne Harris and pain. He wishes it wasn't so of course but he knows it isn't going to change. It's with him forever.
The decades have passed since ill health forced the 57-year-old to prematurely pack up his saddle on a stellar Australian and International riding career which had netted scores of feature victories and more than 2000 winners.
He remains the youngest jockey to have won the world's richest juvenile race, the Golden Slipper Stakes, and has also won Australia's iconic race, the Melbourne Cup.
Regrettably he was robbed of the chance to add to those "big two" along with other major triumphs including a Queen Elizabeth Stakes, Canterbury Guineas, Epsom Handicap, Champagne Stakes (3), Silver Slipper Stakes (2), AJC Sires Produce Stakes (2), Apollo Stakes, Theo Marks Quality and Chelmsford Stakes in Sydney, Caulfield Stakes, Newmarket Handicap, Blue Diamond Stakes, William Reid Stakes, Turnbull Stakes, Craiglee Stakes and Orr Stakes in Melbourne, Doomben Cup, Queensland Oaks and Queensland Guineas in Brisbane, South Australian Derby in Adelaide, two Magic Millions Classics and a Hollindale Cup at the Gold Coast, Ipswich Cup and a Hong Kong Bowl, Singapore Gold Cup and Ireland's Ballylogan Stakes overseas.
That's not to mention the number of Newcastle plums (Gold Cup, Newmarket Handicap and now defunct Penfolds and Coca-Cola Classics), Hawkesbury Gold Cup and Grafton's Ramornie Handicap twice.
He also had the unusual distinction of winning both the Port Macquarie Cup and Caulfield Guineas on successive days in the spring of 1994.
"I was invited to Port Macquarie as a guest and Yorkey (trainer Gordon Yorke) persuaded me to ride Town Oak in the Cup," Harris recalled during a lengthy interview with FROM THE TRACK.
"He had won both the Taree and Wyong Cups and was a steering job. He won easily.
"But I had plane dramas getting back to Sydney and then on to Melbourne to win the Guieas the next day on St Covet. It was a strange 48 hours.
"Most likely I was the first jockey, and perhaps the only one, to also win both the Post Macquarie and Melbourne Cups in the same year," he chuckled.
Harris became the first Australian apprentice to ride five winners in a day on a metropolitan track (at Randwick on December 30, 1979) and chalked up a record 183 wins in 1980-81; all the more remarkable because there were not the same number of meetings then as now.
Make no mistake. An inaugural inductee last year to the Newcastle & Hunter Hall of Fame, he is one of the finest jockeys our country has produced.
Further greatness beckoned, but it wasn't to be. Only two months after his 37th birthday his career was over; much too soon.
Nowadays, as the face of Sky Racing's Thoroughbred Central channel at all Kembla meetings, he provides expert analysis of every race along with selections and post-race comments.
But the cheerful countenance viewers see on their TV screens belies Harris' ongoing serious battle with his health.
Two brain tumours, meningitis, pneumonia and a staph infection floored him. But he beat them; Group I "victories" of an entirely different kind.
Some 11 spinal operations later, he walks with the aid of mobility devices. Pian is always by his side.
It's a far cry from those heady days at the top of the riding tree, but Harris is made of stern stuff and not a quitter. He has always been a fighter.
As far back as his younger days when the "Muswellbrook Whiz Kid" – as he was tagged when his racing career took off – was pretty deft in the boxing ring.
Born on December 17, 1960, Harris was the second of three sons to his parents Vince and Joyce; the eldest Gary being born in 1953 and the youngest Greg in 1966.
Coming from a family that loved sport, it was no surprise that Harris excelled at every sport he took on.
"It didn't matter whether it was rugby league, cricket, tennis, cycling, basketball, swimming or boxing, I went alright," Harris modestly said.
"Gary won two Hunter Valley Golden Gloves Boxing Championships, and I won my first on the same night he won his second.
In spite of his small stature, Harris hadn't really entertained becoming a jockey. That all changed once he began going to his uncle Pat Power's property at nearby Wybong during school holidays.
"I was 12 or 13 at the time, and Uncle Pat trained a couple of horses as a hobby and I started helping him out.
"I quickly fell in love with the horses, and he introduced me to Pat Farrell, to whom I later became apprenticed at Muswellbrook when I was allowed to leave school when I was 15.
"I worked at pat's stables before and after school. He was a pretty hard taskmaster, and took me along slowly.
Aside from Farrell's guidance, the budding young jockey had an excellent mentor in former champion jockey Hilton Cope.
After a dozen or so rides which included a couple of placings, Harris broke through with that often elusive first winner.
How could he ever forget the day? It was Melbourne Cup day 1976 (November 2) in a minor race at his own track's annual Cup meeting. Eighteen years later he was to reach racing's pinnacle by getting Jeune home in that first Tuesday in November at "fabulous Felemington".
"Duke of Westpoint was my first ride in a race and my first winner," Harris said. In fact, he was also my second winner.
Harris' climb to the top as an apprentice was such that, whist based in the country, he won three successive Sydney junior riding premierships between 1979 and 1981.
He rode a record breaking 558 winners as an apprentice, highlighted by his unforgettable 1979 Golden Slipper triumph at Rosehill on Bart Cummings' filly Century Miss.
"I had been doing a fair bit of riding for Bart at the time," Harris recalled.
"Peter Cook had won on Century Miss a week earlier in a lead-up race (Magic Night Quality), but already had a Slipper commitment.
"The late great Sydney racing journalist Bert Lillye kicked up very strongly with Bart to get me the ride.
Cummings eventually agreed and Harris, at 18 years of age, became the first apprentice to win the Golden Slipper and is still the youngest rider to have won the prestigious two-year-old classic.
But it was close. The photo-finish camera had to be called on for only the second time then since the race's inception in 1957 – and it showed Harris' mount had edged out South Australian Dawn Command by a head.
Harris was placed in the next two Golden Slippers; third on Baglaga Miss (1980) for Colin Hayes and runner-up on Food For Love (1981) for Pat Farrell.
Later as a senior rider, he was again placed twice; second on Paris Opera in 1989 and third on Big Dreams in 1991.
Harris outrode his claim in Sydney early on and had to compete on level terms with the likes of Cook, Malcolm Johnston, Ron Quinton, Mick Dittman, Darren Beadman, John Marshall and John Duggan.
Harris can look back and smile at such wonderful memories, but at the same time ponders which option he should have taken. Stay in the country as he was "convinced" to do and enjoy a casual lifestyle though with monotonous travelling and wasting, or seize an opportunity to transfer to Sydney earlier and join any of the leading stables such as T J Smith. Cummings, master of apprentices Theo Green and Neville Begg.
The latter option would have resulted in him being put constantly on the big stage with arguably an easier workload and reaping even greater rewards.
Harris' 1994 Melbourne Cup triumph on Jeune came "out of the blue" of sorts, although he had been having some success for the import's trainer David Hayes.
"I had won both the AJC Sires Produce Stakes at Randwick and Caulfield Guineas (both Group 1s) on St. Covet for David, and kept asking him about a Melbourne Cup ride," he said.
"He told me in the jockeys' room at Flemington on Derby day to come up to the barrier draw after the races and see what might happen.
"Shane Dye rode Jeune when runner-up in the Mackinnon Stakes that day and had the pick of the Hayes' Cup runners. He chose Coachwood (who finished 18th) when he drew just inside Jeune, and I got the mount.
"It was a case of being in the right place at the right time. Jeune was a funny horse, and I felt the best thing to do was follow the best jockeys (Beadman and Jimmy Cassidy) in the race.
"When Jeune burst to the front in the straight and was home, it was an unbelievable feeling.
Winning the cup is special in its own right – but for Harris it carried so much extra significance.
He had come back from his first brain tumour and numerous falls, and had not long celebrated his 22nd birthday when that was first diagnosed.
When Harris eventually made the move to Sydney, he was based at Randwick and kicked off 1982 by winning the Carrington Stakes there on New Year's Day on talented Rosehill sprinter Ubetido.
The year, however, had had its ups and downs and didn't end well. A Randwick fall in February sidelined him for a few weeks with a tailbone fracture. He was back for the autumn carnival and picked up a fluke ride on bolter Mighty Manitou, and won the Sires Produce Stakes on him for trainer John Hawkes.
There were also gaps in his riding that year from suspensions and illness, all of them combining to frustrate him trying to keep his weight at an acceptable level.
He won the Silver Slipper Stakes on Been There at Rosehill in October for a second successive year, after scoring on Vaindarra in 1981, but health problems were surfacing. There were occasions when he was too ill to fulfil his bookings after arriving at the track.
It all came to ahead in December when, after suffering headaches and nausea, he knew something was seriously wrong.
When he was suspended that month for the seventh time that year, his doctor recommended undergoing tests. The prognosis wasn't good; Harris underwent a seven hour operation to remove a brain tumour in Sydney in mid-January, 1983.
Nine long months later, armed with a medical clearance and fully convincing stewards he was fit to ride again, he was given the "green light" to resume.
"I recuperated with Ray and Fay Wallace at their home near Broadmeadow racecourse," Harris said. "They were absolutely wonderful; like second parents to me. Ray was a fantastic mate; none better.
Harris' comeback at a midweek meeting at Gosford on Thursday, September 29 couldn't have been better scripted. He had rides in the last two races and won them both; on Court Regent for Wallace and Silver Road for Lees.
A few days later, Harris went to Sydney and won the Widden Stakes at Warwick Farm on Lees' promising youngster Rivage, on whom he was to also win the Penfolds Classic at Broadmeadow the following autumn.
The winners kept flowing. "I had a remarkable run; I rode 15 winners from my first 18 mounts back," he said.
"The doctors told me that it was long odds that I would get a recurrence of the brain tumour and if it did happen, it wouldn't be within the next five years.
"When I won the Ramornie at Grafton in 1996 on Cangronde, I wasn't feeling 100 per cent.
Thankfully, it was benign, though Harris had no time to celebrate. "I got very sick and was diagnosed with meningitis.
He pulled through, but the meningitis returned and he contracted pneumonia and a staph infection. After a fortnight in intensive care and four months in hospital, he came out the right side. His fighting spirit had won him another "race"!
Deep down though, he knew his days in the saddle were numbered and there two things he especially wanted to do – to make another comeback and go out a winner and also ride a winner in West Australia.
Barely six weeks later, Harris admitted the body had endured enough – and his doctor told him to quit.
The Muswellbrook Whiz Kid was true to his word. On February 15, 1998 he ran second on Space Prince and a few races later he won on Quick and Handsome for Canberra trainer Pater Staunton, then pulled up the stumps.
As well as his Sky work at Kembla Grange, he also pushes himself hard to manage three jockeys (Chris O'Brien, Travis Wolfgram and apprentice Robbie Dolan); something he learnt from his brother Greg, who at one stage looked after jockeys such as thrice Melbourne Cup winner Glen Boss and now retired local larrikin Alan Robinson.
The sad irony though is that, in spite of his many triumphs on the track, his hue health battles off it won him admiration and sympathy – but precious little else!
Harris is entitled to feel let down by the powers that be, having to fend for himself amidst continuing medical bills as a result of arachnoiditis (a painful spinal condition), hospital visits and ongoing medication. His injuries and subsequent poor health surely don't arise from anything other than his race falls!
Typically, the courage and determination which has characterised his life has, somehow, ensured he maintains a positive attitude. "I know there are people worse than me, and I have to keep going," he says.


text:
Numismatic video by U.S. actor James Earl Jones available free on new PNG YouTube channel
James Earl Jones' career has spanned more than six decades, throughout which he has earned a reputation as one of America's most distinguished actors.
The award-winning educational video, "Money: History in Your Hands," narrated by acclaimed U.S. actor James Earl Jones, is now available for free on the Professional Numismatists Guild (PNG) YouTube channel.
"We currently have more than a dozen videos about rare coins, paper money and precious metals available for complimentary viewing on PNG's YouTube channel," said PNG Executive Director Robert Brueggeman. "They will be helpful for beginners to advanced collectors and investors with informative advice about buying, storing and selling numismatic items as well as gold, silver and platinum bullion items."
DISCOVER THE JOYS
Other PNG videos focus on topics of discovering the enjoyment of coin collecting, how to determine the value of your coins, and the importance of working with a reputable, knowledgeable dealer when you buy or sell.
Brueggeman explained the video is "an important part of our educational effort."
"It gives viewers a compelling overview of the history of money, and how it relates to art, culture, history, politics and religion. The 29-minute video is available for convenient viewing in two parts."
To view the first part of the video, click the YouTube link above. To view the second part, click here.


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redpajama_set_name: RedPajamaGithub


Sepatu Futsal Original "PUMA INVICTO SALA (Indoor) Safety Yellow/Atomic Blue-Black"
PUMA INVICTO SALA futsal boots are specifically designed to perform on indoor surfaces, especially for wider feet and wants perfect control on possesion game.
With it's combination leather, suede, and mesh upper, the PUMA INVICTO SALA offers lightweight performance and a super-soft touch on the ball - perfect for the tight control needed in the compact spaces of indoor football and futsal. A low-profile outsole gives surfaces-specific traction, while rubber toe reinforcement protects your foot and further improves control.