While it might be difficult to identify precisely the impact of the spooks (variously represented in the press as "intelligence", "security", "Whitehall" or "Home Office" sources) on mainstream politics and media, from the limited evidence it looks to be enormous.
"Most tabloid newspapers - or even newspapers in general - are playthings of MI5."
Bloch and Fitzgerald, in their examination of covert UK warfare, report the editor of "one of Britain's most distinguished journals" as believing that more than half its foreign correspondents were on the MI6 payroll.
And in 1991, Richard Norton-Taylor revealed in the Guardian that 500 prominent Britons paid by the CIA and the now defunct Bank of Commerce and Credit International, included 90 journalists.
In their analysis of the contemporary secret state, Dorril and Ramsay gave the media a crucial role. The heart of the secret state they identified as the security services, the cabinet office and upper echelons of the Home and Commonwealth Offices, the armed forces and Ministry of Defence, the nuclear power industry and its satellite ministries together a network of senior civil servants.
As "satellites" of the secret state, their list included "agents of influence in the media, ranging from actual agents of the security services, conduits of official leaks, to senior journalists merely lusting after official praise and, perhaps, a knighthood at the end of their career".
Phillip Knightley, author of a seminal history of the intelligence services, has even claimed that at least one intelligence agent is working on every Fleet Street newspaper.
Going as far back as 1945, George Orwell no less became a war correspondent for the Observer - probably as a cover for intelligence work. Significantly most of the men he met in Paris on his assignment, Freddie Ayer, Malcolm Muggeridge, Ernest Hemingway were either working for the intelligence services or had close links to them.
Stephen Dorril, in his seminal history of MI6, reports that Orwell attended a meeting in Paris of resistance fighters on behalf of David Astor, his editor at the Observer and leader of the intelligence service's unit liasing with the French resistance.
The release of Public Record Office documents in 1995 about some of the operations of the MI6-financed propaganda unit, the Information Research Department of the Foreign Office, threw light on this secret body - which even Orwell aided by sending them a list of "crypto-communists". Set up by the Labour government in 1948, it "ran" dozens of Fleet Street journalists and a vast array of news agencies across the globe until it was closed down by Foreign Secretary David Owen in 1977.
According to John Pilger in the anti-colonial struggles in Kenya, Malaya and Cyprus, IRD was so successful that the journalism served up as a record of those episodes was a cocktail of the distorted and false in which the real aims and often atrocious behaviour of the British intelligence agencies was hidden.
And spy novelist John le Carré, who worked for MI6 between 1960 and 1964, has made the amazing statement that the British secret service then controlled large parts of the press – just as they may do today.
In 1975, following Senate hearings on the CIA, the reports of the Senate's Church Committee and the House of Representatives' Pike Committee highlighted the extent of agency recruitment of both British and US journalists.
And sources revealed that half the foreign staff of a British daily were on the MI6 payroll.
And the most famous whistleblower of all, Peter (Spycatcher) Wright, revealed that MI5 had agents in newspapers and publishing companies whose main role was to warn them of any forthcoming "embarrassing publications".
Wright also disclosed that the Daily Mirror tycoon, Cecil King, "was a longstanding agent of ours" who "made it clear he would publish anything MI5 might care to leak in his direction".
Selective details about Wilson and his secretary, Marcia Falkender, were leaked by the intelligence services to sympathetic Fleet Street journalists. Wright comments: "No wonder Wilson was later to claim that he was the victim of a plot". King was also closely involved in a scheme in 1968 to oust Prime Minister Harold Wilson and replace him with a coalition headed by Lord Mountbatten.
Hugh Cudlipp, editorial director of the Mirror from 1952 to 1974, was also closely linked to intelligence, according to Chris Horrie, in his recently published history of the newspaper.
David Walker, the Mirror's foreign correspondent in the 1950s, was named as an MI6 agent following a security scandal while another Mirror journalist, Stanley Bonnet, admitted working for MI5 in the 1980s investigating the Campaign for Nuclear Disarmament.
According to Stephen Dorril, intelligence gathering during the miners' strike of 1984-85 was helped by the fact that during the 1970s MI5's F Branch had made a special effort to recruit industrial correspondents – with great success.
In 1991, just before his mysterious death, Mirror proprietor Robert Maxwell was accused by the US investigative journalist Seymour Hersh of acting for Mossad, the Israeli secret service, though Dorril suggests his links with MI6 were equally as strong.
Following the resignation from the Guardian of Richard Gott, its literary editor in December 1994 in the wake of allegations that he was a paid agent of the KGB, the role of journalists as spies suddenly came under the media spotlight – and many of the leaks were fascinating.
And in January 2001, the renegade MI6 officer, Richard Tomlinson, claimed Dominic Lawson, the editor of the Sunday Telegraph and son of the former Tory chancellor, Nigel Lawson, provided journalistic cover for an MI6 officer on a mission to the Baltic to handle and debrief a young Russian diplomat who was spying for Britain.
Lawson strongly denied the allegations.
Thus from this evidence alone it is clear there has been a long history of links between hacks and spooks in both the UK and US.
But as the secret state grows in power, through massive resourcing, through a whole raft of legislation – such as the Official Secrets Act, the anti-terrorism legislation, the Regulation of Investigatory Powers Act and so on – and as intelligence moves into the heart of Blair's ruling clique so these links are even more significant.
Since September 11 all of Fleet Street has been awash in warnings by anonymous intelligence sources of terrorist threats.
According to former Labour minister Michael Meacher, much of this disinformation was spread via sympathetic journalists by the Rockingham cell within the MoD.
A parallel exercise, through the office of Special Plans, was set up by Donald Rumsfeld in the US. Thus there have been constant attempts to scare people – and justify still greater powers for the national security apparatus.
Similarly the disinformation about Iraq's WMD was spread by dodgy intelligence sources via gullible journalists.
Thus, to take just one example, Michael Evans, The Times defence correspondent, reported on 29 November 2002: "Saddam Hussein has ordered hundred of his officials to conceal weapons of mass destruction components in their homes to evade the prying eyes of the United Nations inspectors." The source of these "revelations" was said to be "intelligence picked up from within Iraq". Early in 2004, as the battle for control of Iraq continued with mounting casualties on both sides, it was revealed that many of the lies about Saddam Hussein's supposed WMD had been fed to sympathetic journalists in the US, Britain and Australia by the exile group, the Iraqi National Congress.
During the controversy that erupted following the end of the "war" and the death of the arms inspector Dr David Kelly (and the ensuing Hutton inquiry) the spotlight fell on BBC reporter Andrew Gilligan and the claim by one of his sources that the government (in collusion with the intelligence services) had "sexed up" a dossier justifying an attack on Iraq.
The Hutton inquiry, its every twist and turn massively covered in the mainstream media, was the archetypal media spectacle that drew attention from the real issue: why did the Bush and Blair governments invade Iraq in the face of massive global opposition? But those facts will be forever secret.
Significantly, too, the broader and more significant issue of mainstream journalists' links with the intelligence services was ignored by the inquiry.
Significantly, on 26 May 2004, the New York Times carried a 1,200-word editorial admitting it had been duped in its coverage of WMD in the lead-up to the invasion by dubious Iraqi defectors, informants and exiles (though it failed to lay any blame on the US President: see Greenslade 2004). Chief among The Times' dodgy informants was Ahmad Chalabi, leader of the Iraqi National Congress and Pentagon favourite before his Baghdad house was raided by US forces on 20 May.
Let's not forget no British newspaper has followed the example of the NYT and apologised for being so easily duped by the intelligence services in the run up to the illegal invasion of Iraq.
Richard Keeble's publications include Secret State, Silent Press: New Militarism, the Gulf and the Modern Image of Warfare (John Libbey 1997) and The Newspapers Handbook (Routledge, fourth edition, 2005). He is also the editor of Ethical Space: The International Journal of Communication Ethics. Richard is also a member of the War and Media Network.


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Фуля́р ( от  — «топтать, валять») — лёгкая и мягкая первоначально шёлковая, позднее также шерстяная и хлопчатобумажная ткань. Фуляр выпускался однотонным или с орнаментом, обычно растительным или геометрическим. Его использовали для шитья женских платьев, косынок, носовых платков, в связи с чем фулярами стали называть также головные, шейные и носовые платки из этой ткани. В Большом толковом словаре русского языка слово «фуляр» в значении «платок» помечено как устаревшее.

Фуляр изготавливали из некрученых шёлковых нитей различного переплетения самых разных сортов. Самый тонкий фуляр назывался «луизин», сорт «алатолоза» предназначался исключительно для пошива шейных платков. В XIX веке на пике увлечения творчеством Джорджа Байрона и Вальтера Скотта, обращавшихся к образам из шотландских легенд, самым популярным геометрическим орнаментом фуляра была клетка с аллюзией на килты из тартана. Носовые платки по прямому назначению в России начали использовать публично с конца 1830 годов, и с этого времени в моду вошли большие мужские носовые платки, которые полагалось носить заметно, чтобы фуляр торчал из кармана. Мода на пёстрые фуляры прошла после 1856 года, их сменили белый батист или тонкое полотно.

В романе «Идиот» Ф. М. Достоевского в руках князя Мышкина болтается тощий узелок из старого, полинялого фуляра, а фуляровый платочек накинут на голову проходящей мимо Рогожина девушки в старенькой, но приличной тёмной мантильке. В романе «Накануне» И. С. Тургенева в халате из тармаламы, подпоясанный фуляром появляется старый прокурор, а в романе «Отцы и дети» новым жёлтым фуляром помахивает по воздуху Василий Иванович Базаров. В повестях и рассказах А. Н. Толстого фуляр встречается неоднократно: в «Прогулке» Яков Иванович для игры в горелки завязывает себе коричневым фуляром глаза, в «Старой башне» смеющийся Лаптев вытирает глаза красным фуляром, а в «Соревнователе» гость протирает фуляром очки.

Примечания

Литература

Шёлк
Платки

redpajama_set_name: RedPajamaWikipedia


Capillary Pressure measurements are made on rock samples to characterize the fluid filling behavior of a rock sample.
"Electrical Properties" covers a suit of test used to calibrate down hole resistivity tools that are used to determine the water saturation of a reservoir.
Relative permeability is a suit of tests that attempt to model how a producing formation will behave over time, there are many different methods to determine relative permeability with many factor contributing to the final understanding of the system and these may include.


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Home » News » DAILY DIRT: Miley Cyrus — The worst of the worst
DAILY DIRT: Miley Cyrus — The worst of the worst
January 11, 2023 | By Steve Eighinger, Muddy River News Minister of Culture and Doctor of Love
Daily Dirt for Wednesday, Jan. 11, 2023
On the day we make fun of Miley Cyrus, we also pay homage to the late, great Betty White … Welcome to today's three thoughts that make up Vol. 496 of The Daily Dirt.
1. It's relatively easy to pick any sort of top list when you're dealing the "best of" whatever category, but what about going the opposite direction?
Selecting the "worst of" is an entirely different game, but that's our task today, and to be honest, singling out the worst is a lot more fun.
Here are the Daily Dirt picks for the worst actresses/female entertainers over the past 25 years or so. Our medal "winners" are:
Gold medal: Miley Cyrus. Maybe I'm no more than a solitary ship on the sea of public opinion in this regard, but for the life of me I cannot understand the continued publicity generated by the daughter of Billy Ray Cyrus. A serious question here — if Miley had never taken her clothes off (make that repeatedly taken her clothes off), would she have been long forgotten? Neither her singing or acting ability is better than marginal. It's difficult to even remember her as Hannah Montana.
Silver medal: Jennifer Lopez. Who we have here is simply an older version of Miley Cyrus. At least J-Lo keeps (most of) her clothes on most of the time.
Bronze medal: Madonna. At one time — like the 1980s — Madonna was actually a fine entertainer and, yes, she could sing. She could never act, but she could at least stand in front of a microphone and sound pretty good. But as the years piled up and her voice was no longer wanted on mainstream radio, what did she do? Yep, she started disrobing on a more frequent basis. Someone needs to tell her that any self-respecting 64-year-old keeps her clothes on. Madonna has made a career of re-inventing herself every five years or so, but what she has not grasped is that we really don't care anymore.
2. This week's happy birthday wishes are headed toward:
Shock jock Howard Stern will be 69 on Thursday, and, no, he will never grow up.
Actress Julia Louis-Dreyfuss, whose most famous role was "Elaine" on the classic "Seinfeld" series, will be 62 on Friday.
Former heavyweight boxing champ Joe Frazier would have been 79 on Thursday. Frazier, who was a champion when boxing was actually relevant, died in 2011.
Many viewers do not realize longtime "NCIS: Los Angeles" star LL Cool J, who turns 55 on Saturday, initially rose to fame as a rapper.
The legendary actress, Betty White, who died Dec. 31, 2021, would have been 101 on Tuesday. Her "Sue Ann" character on the old "Mary Tyler Moore" show is the stuff of legends. There will never be another Betty White.
3. Best cast addition to a major TV show this season?
Hands down, it's Dawn Olivieri of "Yellowstone," who portrays the scheming Sarah Atwood. She is a lawyer who works for Market Equities and is determined to bring down the Dutton family after John Dutton (Kevin Costner) is elected governor of Montana. She's also the lover of the state attorney general and John's adopted son, Jamie Dutton (Wes Bentley).
When the series resumes at some point this summer, I can only imagine the showdown that's coming between Atwood and Beth Dutton (Kelly Reilly). Despite Atwood's obvious pluses, my money is on Beth if it comes down to a survival of the fittest/nastiest.
Steve Thought O' The Day — If you haven't guessed, Beth Dutton is my most favorite TV character in a long, long time.
Steve Eighinger writes daily for Muddy River News. I'm guessing Yellowstone will be mentioned with the epic volume 500 of "Daily Dirt" hits this weekend.
Jennifer LopezMiley CyrusSteve Eighingeryellowstone
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redpajama_set_name: RedPajamaCommonCrawl


During my pregnancy, I was obsessed with having my baby in my hospital's birthing centre. Not because of a hippyish obsession with a candle-lit natural labour, but because the smell, and all that medical equipment makes me feel terrified - and tense. And throughout pregnancy, I kept being told staying relaxed was the key.
So when I found out about my hospital's birthing centre (the Whittington) it sounded like the perfect solution: specialists just a corridor away if anything went off-track, but the rooms there look like hotels, not hospitals. All medical equipment is hidden, there's a birthing pool, a double bed so your partner can stay with you... I knew this was where I wanted to give birth.
Then in one of my last antenatal appointments, something was blocking my route to this dream birth place: my iron levels.
They weren't dangerously low, but they were scraping along the bottom of the 'normal enough to give birth in the birthing centre' index, and I was worried. I stockpiled spinach, gave myself the right to eat as many burgers as I wanted, and then my midwife suggested taking Spatone.
It's sachets of iron-rich water which come from a well in the Snowdonia mountains of North Wales. Sounds exclusive but they weren't too expensive - about £8 for a month's supply.
During pregnancy, I poured my sachet into a daily glass of orange juice (iron is absorbed better when consumed with vitamin C). It tasted a bit metallic, but not too bad - and it worked: my iron levels rose. I gave birth to tiny man in exactly that calm environment that I'd wanted.
Now as a sleep-deprived mum I'm still taking my daily iron. Spatone comes in a new apple flavour, so swallowing iron doesn't have to taste like you're swallowing a glass of ball bearings. One sachet provides the recommended daily amount of iron and of Vitamin C, so I'm hoping it cuts down winter colds as well as reducing tiredness and fatigue.
This post was written in collaboration with Spatone, all words and opinions are my own.


Jury Hands Down 20 Years to Charles Redding for Felony DWI, LIVINGSTON, August 13, 2009 - On <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />August 11, 2009, a Polk County jury sentenced Charles Allen Redding to twenty years in the Texas Department of Criminal Justice for Felony Driving While Intoxicated. On July 11, 2008, Texas Department of Public Safety Trooper Glen Goodwin and Sergeant Nita Bowen noticed Redding's driving was erratic. Redding's vehicle crossed both the center line and onto the shoulder of the road. He then turned into a private driveway in an attempt to elude law enforcement. When the officers pulled in behind Redding, he attempted to walk off and enter a residence to avoid them.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />When Trooper Goodwin was able to make contact with Redding, he immediately smelled the odor of alcoholic beverage about his breath and his balance was unsteady. He also noticed that Redding had scratches on his face. When asked about the scratches, Redding said he had a fight with his girlfriend and had left her walking on the side of the road. Redding's speech was slurred while talking with the trooper. Redding also told the officer he had been drinking at the state park. Due to the smell of alcohol, his lack of balance and slurred speech and his statement that he had been drinking, Redding was asked to perform field sobriety tests.
The trooper first asked Redding to perform the horizontal gaze nystagmus test. Nystagmus is an involuntary jerking of the eye that is caused by the consumption of a large amount of alcohol. Trooper Goodwin noted that Redding displayed all six accepted clues of intoxication. During the second test, the walk and turn test, Redding displayed several indications he was intoxicated, including, starting the test too soon, staggering, stumbling and taking the wrong number of steps. Redding was unable to perform the final evaluation, the one leg stand test due to his unsteadiness. Trooper Goodwin then placed Redding under arrest for driving while intoxicated.
At the Polk County Jail Redding refused to take a breathalyzer test.While being transported to the Polk County Jail Redding made several admissions to the officer about his intoxication. He continued to tell the officer he was sorry and it was all his fault. He also told the officer he would be in a lot of trouble because it would be his third DWI. Redding has two previous convictions for misdemeanor driving while intoxicated in 2003 and 2004. After hearing the evidence, the jury deliberated for a short period of time and returned a verdict of guilty. The jury then heard evidence of Redding past criminal history.
In 1991, Redding was convicted of involuntary manslaughter and sentenced to probation. In 1996, he violated that probation and was sent to prison. In 1997 Redding was sentenced to prison for burglary of a building out of San Jacinto County. In 2006 Redding was convicted of felony forgery and sent to State Jail. Redding also has misdemeanor convictions for leaving the scene of an accident and theft by check. He has two misdemeanor convictions for driving while license invalid. While out on bond on the felony DWI charge Redding tested positive for marijuana and opiates and was placed on a conditional bond by Judge Elizabeth Coker requiring that he report once a week to the probation department to be tested for drug use. Redding did not appear for his first appointment and Judge Coker issued a warrant for his arrest.
A few days later the Polk County Sheriff's Office received a tip about Redding's location. Sergeant Howard Smith, Lieutenant Andy Lowrie along with other deputies responded to the residence and arrested Redding on the warrant for the bond violation. After receiving permission to search the house, Sgt. Smith located methamphetamine and drug paraphernalia in Redding's belongings. After hearing the testimony concerning Redding's criminal history, the bond violations and his possession of drugs, the jury sentenced Redding to the maximum sentence allowed under law, twenty years.
Kaycee Jones, the assistant district attorney who prosecuted Redding said "The District Attorney's Office is extremely pleased with the verdict and sentence handed down by the jury. The residents of Polk County are fed up with habitual criminals endangering their lives and the lives of their families. The jury has sent a message that this type of behavior will not be tolerated."
A special thank you to Deputy Troy Lanning of the Polk County Sheriff's Office and Assistant District Attorney Kaycee Jones.


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World of Warcraft: Shadowlands Delayed, Pre-Patch Expected October 13th
Ash Parrish
Image: Blizzard
World of Warcraft: Shadowlands has been delayed. Announced in a blog post, World of Warcraft executive producer John Hight cites the need for "additional polish," and the strain of working from home during the covid-19 crisis, as the reasons for delay.
"Blizzard has a commitment to quality," Hight writes. "We believe Shadowlands will be something special, and we've heard from many of you who feel the same. We need this extra time to ensure that Shadowlands lives up to its full potential."
While the post does not say when the game will released, Hight did announce when players can expect the Shadowlands pre-patch—the game update that Blizzard typically deploys to serve as a prologue to the latest expansion before it's officially launched.
"Beginning October 13 we will be releasing the Shadowlands pre-patch, which lays a lot of the groundwork for the expansion and includes our revamped character leveling, new-player experience on Exile's Reach, and a host of new character customization options."
Until a few moments ago, there was a countdown clock on WoW's official site that was still counting down to the game's original release date of October 26th. It has since disappeared.
Kotaku Staff Writer - Fanfiction Novelist - Unapologetically Black - Diversity Gelatinous Cube
Gippetto88
Thank god...this expansion is so busted it would have been insulting to release it in this state or put this team under significant crunch to deliver.
I suppose, note to CDPR...the feedback to this has been overwhelming positive in the short 30 minutes since the announcement. People that were going to play Shadowlands are still going to, and for longer if it's in a better state.


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2125 Procedure – Sexual Health Education
All instruction and materials for the district's sexual health education program will meet the following criteria:
A. Medically and scientifically accurate;
B. Age appropriate;
C. Appropriate for students regardless of gender, race, disability status or sexual orientation;
D. Consistent with the Guidelines for Sexual Health Information and Disease Prevention;
E. Include instruction about abstinence; and
F. Include instruction about contraceptives and other methods of disease prevention.
The district's program will provide sexual health education as defined by the Healthy Youth Act.
A. Sexual health education:
The Healthy Youth Act defines sexual health education as:
The physiological, psychological and sociological developmental processes experienced by an individual;
The development of intrapersonal and interpersonal skills to communicate respectfully and effectively to reduce health risks and choose healthy behaviors;
Health care and prevention resources;
The development of meaningful relationships and avoidance of exploitative relationships; and
Understanding of the influences of family, peers, community and the media throughout life on healthy sexual relationships.
B. Medically and scientifically accurate:
The Healthy Youth Act defines medically and scientifically accurate as information that is verified or supported by research in compliance with scientific methods, is published in peer review journals, where appropriate, and is recognized as accurate and objective by professional organizations and agencies with expertise in the field of sexual health including but not limited to, the American College of Obstetricians and Gynecologists, the Washington State Department of Health (DOH) and the Federal Centers for Disease Control and Prevention.
C. 2005 Guidelines for Sexual Health Information and Disease Prevention:
This publication, prepared by the DOH and the Office of Superintendent of Public Instruction (OSPI), provides the fundamental framework for establishing a medically and scientifically accurate sexual health education program for students. A copy of the Guidelines for Sexual Health Information and Disease Prevention is located on the DOH and OSPI Websites.
Adoption of a Sexual Health Education Program
School districts will involve parents and community groups in the planning, development, evaluation and revision of any instruction in sexual health education offered as a part of the school program.
The district must ensure that all instructional materials are medically and scientifically accurate. The DOH is available to provide technical assistance in determining medical and scientific accuracy. When choosing curriculum, district staff may examine the list of materials reviewed for medical and scientific accuracy that are located on the DOH website at www.doh.wa.gov.
In determining curriculum, the district staff may review the OSPI's list of commonly used sexual health education curricula that were reviewed for their alignment with the guidelines. Although the list is not exhaustive, the list is updated annually and is posted on the OSPI website at www.k12.wa.us. Staff may also apply the OSPI Sexual Health Education Alignment tool to curriculum under consideration as a resource in assessing the curriculum. Ultimately, the district's sexual health education program will ensure that in the K-12 life of a child, the sexual health education program is consistent with the 2005 Guidelines for Sexual Health Information and Disease Prevention.
For technical assistance, staff may contact the Health and Sexuality Education Program supervisor at the OSPI.
Parental/Guardian Notification Process
One month prior to teaching a program in sexual health education, each school will provide written notice to parents of the planned instruction.
Parent/Guardian Material Review Process
One month prior to providing instruction in sexual health education, the district will notify parents that all instructional materials are available to parents/guardians for inspection. The materials will include written materials and electronically formatted materials. The opportunity for inspection will be provided at a time and place convenient for parent/guardian participation such as evenings or weekends.
Excluding Student from a Program/Opt-Out
A parent/guardian who wishes to have a student excused from planned instruction in sexual health education must file a written request with the board of directors or its designee, at least ten (10) days prior to the planned instruction. The district will make the appropriate opt-out form available. Excused students will be provided with appropriate alternative educational opportunities. Sample notification and opt out letters are available from OSPI.


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Share your memories of Dover Adult Learning Center: click here
Check out A Brief History of DALC
More than 150 former and current board, staff and volunteers gathered on the lawn of the McConnell Center on Oct. 4 to celebrate the 50th anniversary of the Dover Adult Learning Center.
The highlight of the event was the presentation of a lifetime achievement award to Minette Induisi, who has been a teacher, counselor, advisor and friend to countless individuals in her more than 40 years with the center.
The award was presented by Warren Dowaliby who got his GED through the Dover Adult Learning Center to be able to work at the Strafford County House of Corrections. He would rise through the ranks to become superintendent in his nearly 30-year career.
"From the time I started, this young lady was at the jail weekly if not more than weekly teaching the inmates," said Dowaliby. "She is a godsend to all the inmates that were there, that needed help, wanted help and accepted her help."
He presented her with an award that was inscribed: "In recognition of her boundless energy, deep compassion, transformative impact, and steadfast advocacy for the success of countless individuals over 40 years of service."
Dover Mayor Bob Carrier read a proclamation honoring the long service of DALC to the Dover area and shared his experiences attending graduations over the years saying that what the graduates have done with their lives, with the help of DALC, is remarkable.
Dover Deputy Mayor Dennis Shanahan read the city council-passed land acknowledgement agreement that recognizes traditional and ancestral homelands that are now occupied as Dover.
U.S. Congressman Chris Pappas said DALC is an impressive community effort that shows how working together can create opportunities for individuals to be able to reach their full potential.
"For five decades this organization has significantly grown and worked to meet the needs of an ever-changing community, from new Americans to folks who need to continue their education and gain new skills, to high school equivalency, language courses, cultural enrichment activities and other sorts of training for the workforce. The work has changed over the last 50 years but is as essential as it has ever been to meet the needs of Dover and the surrounding towns."
The event was co-hosted by the Greater Dover Chamber of Commerce as a ribbon cutting to welcome the next 50 years, with refreshments provided by Mezzanine Catering.
Following the ceremony, guests toured a series of exhibits highlighting each decade of DALC history, which included hundreds of photos, newspaper stories and student essays. The exhibit will remain open through the end of the month.


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Explore Blackpool
Blackpool Travel Guide
Photograph: johnthescone
Photograph: ahisgett
Photograph: Henry Brett
Blackpool is a seaside town in Lancashire, England situated along the coast of the Irish Sea. The town rose to prominence as a major centre of tourism during the 19th century, particularly for the inhabitants of northern mill towns. Blackpool remains one of the most popular seaside resort in the UK. Predominately a summer entertainment venue specialising in variety shows, Blackpool's Winter Gardens routinely hosts major political and trade union conference outside the main holiday season.
Featured Airports in Blackpool
Blackpool International Airport
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Polish your preening routine with our indulgently rich, scented flower soap. Slather it on to experience soft and smoothness your skin needs to pink back to lovely. It is the incredible mix of rose petals extracts and fragrance oils of rose and geranium which gentles and soothes your skin. The essential oils add richness to the formulation by giving remarkable results.
Rosa centifolia, Aloe barbadensis, Ricinus communis, Olea europaea, Prunus dulcis, Soap Base made with coconut oil, natural oil permitted fragrances and approved colours.
It has the enrichment of Aloe vera and the goodness of essential oils such as castor oil, olive oil, almond oil.
The castor oil promotes the body's natural ability to balance oil production.
It helps in elimination of bacteria and prevents future acne due to the presence of almond oil.
The preparation acts as anti-oxidant because of olive oil.
It leaves fragrance all day long.
Apply the soap on wet areas of the body, face, rub to produce lather, and then wash off.


Berta Caceres Human Rights in Honduras Act Reintroduced in 115th Congress!
Home Blog Posts Berta Caceres Human Rights in Honduras Act Reintroduced in 115th Congress!
Rep. Hank Johnson reintroduced the Berta Caceres Human Rights in Honduras Act in the 115th Congress as House Resolution 1299 (HR 1299) on March 2, the first anniversary of the slain indigenous rights, feminist, and environomental activist. The bill would suspend all U.S. military and police aid to Honduras, including equipment and training, until basic human rights conditions are met. The Honduran police and military have been implicated in hundreds of human rights violations since the 2009 overthrow of the government, and we should not be supporting them with our tax dollars.
Berta's family supports this bill, and we in CRLN believe in supporting the survivors of human rights abuses. Two of the suspects arrested in connection with Berta's murder worked in military intelligence and were trained at the U.S. Army School of the Americas, and Berta's family believes the intellectual authors of the crime occupy positions at the highest levels of government. Withdrawing financial support, along with communicating the reasons for doing so, would be a blow to these forces and might weaken their position within Honduras.
The social movements in Honduras (LGBT, women, Indigenous, Garifuna, labor unions, environmentalists, small farmers), and the journalists who cover them, are under constant threat of violence, and we in CRLN want to do everything in our power to send the message that they have international solidarity in these dangerous times. There have been credible allegations by an army defector of the existence of death squads within the Honduran military who have received U.S. training and who have a hit list of prominent social movement leaders. We need to stop U.S. training that results in assassinations.
The current President, Juan Orlando Hernandez, and his administration and political party are riddled with corruption. He has been named by a drug trafficker leader on trial in New York as receiving bribes from his cartel, with Hernandez' brother acting as liaison. His National Party stole hundreds of millions of dollars from the national health insurance system to fund his first campaign. He will run again for President this fall, which violates the Constitution; and he fired four Supreme Court justices who objected and appointed four who were in favor of his re-election bid in order to be able to run again. The U.S. should not reward with funds someone who seems willing to benefit himself at the expense of his country.
Call Your Illinois Rep to Lift the Blockade!


Study after study shows that no matter what generation Americans belong to, the vast majority believe that homeownership is an important part of their American Dream. The benefits of homeownership can be broken into two main categories: financial and non-financial (often referred to as emotional or social reasons.) For Americans approaching retirement age, one of the greatest benefits to homeownership is the added net worth they have been able to achieve simply by paying their mortgage! The Joint Center for Housing Studies at Harvard University focused on homeowners and renters over the age of 65. Their study revealed that the difference in net worth between homeowners and renters at this age group was actually 47.5 times greater, with nearly half their net worth coming from home equity! Homeowners over the age of 65 are much more financially prepared for retirement and often own their homes outright if they were fortunate enough to purchase their homes before the age of 36. Their 30 years of mortgage payments have paid off as they gained equity through their monthly payments and as home values appreciated. It is no surprise that lifelong renters have had a hard time accruing net worth as the latest Census report shows that the Median Asking Rent has been climbing consistently over the last 30 years. Bottom Line Your monthly mortgage payment is a form of 'forced savings' building your net worth with every payment!


Do cheap website traffic run a blog? If so, the button that allows you to retweet should be near the top of all your posts. This makes sharing your blog on Twitter easier for others. It raises your potential audience dramatically.
You need to respond to all comments that are posted on your businesses Facebook page. This applies to negative comments and positive comments alike. When people see that they're thoughts are being heard, they tend to have greater trust in your business. Make sure you respond promptly to avoid making your customers feel ignored.
Be sure your website is connected to each social media profile you establish. You can do this by adding "share" buttons for your visitors to easily share your website and content on their own social networking profiles. These widgets should be on the main page of your website, on each blog post and your RSS feeds.


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Phedosia castaneobrunnea är en fjärilsart som beskrevs av Rothschild 1917. Phedosia castaneobrunnea ingår i släktet Phedosia och familjen tandspinnare. Inga underarter finns listade i Catalogue of Life.

Källor

Tandspinnare
castaneobrunnea


The Minnesota Department of Natural Resources Grand Rapids area fisheries is seeking comments through Friday, March 16 on management plans for a number of area lakes.
Management plans describe the past, present, and desired future conditions of the waters. The plans identify specific management activities planned for that lake or stream in the next five to 20 years, and are a good opportunity for the public to share their observations about the fishery.
Batson – general fish management.
Black Island – general fish management.
Bluewater – general fish management, lake trout stocking review.
Carey – general fish management, walleye stocking review.
Caribou – general fish management, lake trout stocking review.
Clear (Spring Lake) – general fish management, walleye stocking review.
Cut Foot Sioux – general fish management.
Dead Horse – general fish management, walleye stocking review.
Deer (Deer River) – general fish management, walleye stocking review.
Gunn – general fish management.
Harrigan Creek – general fish management.
LaRue Mine Pit- general fish management, rainbow trout stocking review.
Little Bass (Cohasset) – general fish management, walleye stocking review.
Little Cut Foot – general fish management.
Little Winnibigoshish – general fish management, walleye stocking review.
Long – general fish management.
Loon (Cohasset) – general fish management.
McAlpine Creek – general fish management.
Mirror – general fish management, walleye stocking review.
Orange – general fish management, muskellunge targeted survey.
Ruby – walleye stocking review.
Sand (Max) – general fish management, walleye stocking review.
Shallow Pond – general fish management, walleye stocking review.
Sissebakwet- general fish management, walleye stocking review.
South Sugar – general fish management.
Trout (Deer River) – general fish management, lake trout stocking review.
Current plans for lakes and streams in the area, as well as recent fish population assessment information are available for review at the DNR's Grand Rapids area fisheries office, at 1201 East Hwy 2, Grand Rapids, between 8 a.m. and 4:30 p.m. For more information, call or email David Weitzel at 218-328-8835 or david.weitzel@state.mn.us.
Public comments on management of these waters will be taken through Friday, March 16. Comments and suggestions for management of any other streams and lakes in the Grand Rapids area are welcomed at any time and will be considered when those plans are due for review.


Beaujolais. A word that can strike fear into many a wine drinker who's been scarred by the tart, acidic, mouth puckering wines released on the 3rd Thursday in November at 12.01am every year and celebrated as Beaujolais Nouveau. Fortunately however, the majestic wines of Manoir du Carra could not be more different and are an excellent antidote to the 'nouveau' wines (which aren't all bad).
You'll find the winery in Dencié, a village in the south of the Beaujolais region of Burgundy between Mâcon and Lyon. Here the vines have been tended by 5 generations of the Sambardier family and are currently overseen by Jean-Noêl and his two sons Frédéric and Damien. Their philosophy is a simple one. Whilst they don't eschew technological advances in winemaking and vineyard management the emphasis is very much on lutte raisonnée, in other words organic farming where the biodiversity of the vineyards is key to the quality of fruit produced by the vines. No pesticides or herbicides are used, instead the vineyard habitat is managed so that it can look after itself, just as Mother Nature intended. All the grapes are hand-picked, carefully selected and no sulphur is used in the winemaking. The wines are also bottled unfiltered so as to retain all the delightful flavour elements often lost in the filtering process.
The 34 hectares belonging to the Domaine, growing predominantly Gamay, are spread across the length of the Beaujolais region from Julienàs in the north to Cogny in the south via the Crus of Moulin-à-Vent, Fleurie and Brouilly. In the south they grow a little Chardonnay which makes their excellent Bourgogne Blanc, or should that be Beaujolais Blanc? A testament to Frédérics winemaking, all the reds perfectly show off Gamay's pretty, raspberry flavours and refreshing acidity that epitomises the perfect summer red wine. As well as tasting beautiful when young, the Cru wines have the ability to mature and evolve in the cellar, an unusual feat for Gamay based wines.
So if you've had a bad Beaujolais experience please give the wines of Manoir du Carra a try, I guarantee you'll be singing the praises of Beaujolais afterwards!


Home / Exclusive / Nerds Talking About March Nerdness, Justice League, Venom and Much More!
Nerdlocker – Nerds Talking About Avengers: March Nerdness, Justice League, Venom and Much More!
The Nerds discuss Avengers: Infinity Wars, Justice League, Venom, Terry Gilliam, March Nerdness and much more! Let us know what you think in the comments below!
← Previous Story Deathlocker! – Episode 1 – And so it begins..


To help make a difference you can hold a fundraiser for GYBS. To find out more click here.
Holding fundraising activities on behalf of Got Your Back Sista to donate back to our charity.
Donating grocery gift cards, new household items like toasters, linen and blankets, and new clothing.
Become a member and volunteer and help us to help others in your area. Your support is needed.
Joining the Got Your Back Sista Facebook page to keep abreast of donation requests and news.
Come along to a Got Your Back Sista or The Sista Code fundraising event! Get involved and help others.
Keep conversations going that violence is NOT normal and is NOT acceptable in any way.
Help us to help more women and children!
As a not-for-profit community organisation, Got Your Back Sista has full DGR status which means any donation you make to our organisation over $2 is fully tax deductible.
For all Bank Deposits, please also email info@thesistacode.com with all your relevant contact and payment details so we can send you a tax deductible receipt.
Let's make a positive difference and help other women and children in need!


For 25 years, we have held our St. Lawrence College Annual Alumni and Friends Golf Classic in May. It has taken on various formats, bringing together our community members and SLC Family for a day on the links. We'd like to thank our generous sponsors and all of our participants for joining us at the annual fundraiser event for the College that supported the Extraordinary Learning Fund, Athletics and recently the Uncommon Campaign.
After 25 years, we have decided to cease the golf tournament as we know it, however we are examining new innovative ways of bringing our Alumni, friends, and community families together.
We'd like to thank our 2018 sponsors and our golfing participants for once again supporting our students on a fun-filled day. Also, many thanks to David and Jane Seal, and Jason Boyce at Smuggler's Glen, where we have held the tournament for over ten years. We are pleased that we were able to raise over $23,000 at our 25th annual tournament last May, and collectively over the 25 years, raise more than $300,000 in support of SLC students.
We'll cherish the memories of the Beatty Cup, the cheerful volunteers and the comradery of the golfers who supported our students. We have seen it all, beautiful sunny skies, downpours, even hail, sometimes within the same day. As a college we are always evolving and so will our fundraising endeavours. Watch for future event notices.


We bleed our fish immediately and keep at ocean temperature in a wet fish locker out of the sun and elements. We recommend icing fish when a flash freezer is not available. To have the freshest fish in the months after you have caught your fish we always , bleed, portion cut, vacuum pack and flash freeze. Prawns we freeze in small containers. Sushi quality fish and shell fish is our target treatment.
Prepared the world over ,principally in tropical countries, this is a delicious method to "cook" your catch in lime juice.
Clean and shell prawns and marinate in olive oil, lime juice and sea salt. for 20-30 mins.
Tiny cubes of bell pepper, cucumber and pickled jalapenos.
Cover avocado layer with prawns and veggies , top with raw radish sproats and drizzle with lime juice and a pinch of salt. Serve with crackers.
#1 Rule: cook hot and fast uncovered till just done or before. Below is a few of our recipes and others that have shared.
Remove the skin from fillets (the scales will mess up the meal).
Cut each of the bomber fillets in half.
Prepare Panko crumbs with rolling pin until fine .
Using a medium sized frypan, heat a small portion of vegetable oil.
You can use another fry pan to cover to contain oil and to steam the fish as well.
Roll each filet in the Brianna's dressing, then coat with Panko crumbs.
Cook at a medium high heat 10 to 15 minutes until golden brown.
Season ling cod fillet with lemon/garlic powder season and ground black pepper.
Bake hot and fast at 425 till flesh just turns from opaque to white ....no a second longer!
Use hard shell tacos or soft flour tortillas. Spread ling cod flakes in base of taco or tortillas.
Garnish with tomatoes ,salsa, avocado, peppers, head lettuce. crunchies or green cabbage slivers, and cilantro. Wedge of lime on the side.
Fillet and debone chinook salmon. Prepare and combination of coarse sea salt and demerara brown sugar. Spread mixture on filet and let stand for 1 hour in a cool place. Wipe off mixture and grill hot and fast skin side down. Cook only till the center of the flesh starts to turn from bright red to pink. Ideally remove before this stage so it does it's final cook on the trip to the table. I love to use a weber barbeque with tin foil, laying the salmon skin side down uncovered and do not flip. The charcoal weber cooks like a convection oven!
Cook in canola oil at a medium to high heat till golden brown.


Continuing on the path of clearing out the to-be-painted shelves, I'm often surprised how many half-completed projects I've gathered over the years. There's plenty to keep me occupied! I grabbed a few models off the Ad-Mech shelf, and I have to say it was nice to work on the Scions of Mars once again!
This go-around brought the Telepathica Emancipator to the painting desk. This is the Mechanicum's answer to the need for Psychic offense and defense, and consists of a Psi-Emancipator Carriage containing a shackled psyker, and a Telepathica Tech Priest who carries a Null Rod in case the shackled psyker's powers prove dangerous or recalcitrant.
Per the Tempus Fugitives Codex: Cult Mechanicus listing: "The Emancipator Carriage has a Psyker Mastery level of 1 and may generate powers from any of the following disciplines: Pyromancy; Telekinesis or Telepathy. Furthermore, the design of the Emancipator Carriage can tap the Psyker contained within for further power. Before the battle additional Mastery Levels can be gained. Each level gained in this way reduces the Emancipator's Leadership value by 1. When using Psychic Powers, any Blessings that target the Psyker must instead be conferred to another friendly model within 12"." Though I have yet to field this model in an actual game, I'm definitely looking forward to seeing how it works out!
I also got started blocking in the colors on the Sagittarii - the heavy weapons teams of the Ad-Mech. They are described numerous ways in the various editions of the Ad-Mech codexes I've seen, but I decided to go with a controller and spider-bot theme, as that matches the aesthetic of the Arch Magos and the Myrmidae Centurius I've built for the army thus far. Looking forward to getting these guys finished up - then it's either on to painting up a mess of Skitarii, or perhaps something totally different! There's units from half a dozen different armies to work on, which means I can change gears entirely and paint whatever happens to catch my interest at the time. That should help keep me churning out the models!
Good work on the painting as always - where is the model you used as a priest from?
Really love the Sagittarii, still havent decided myself to go for a mounted body or controller set up.
@Manus: Hah! Exactly. I see the additional mastery levels/reduced leadership as being the result of the tech priest 'turning up the pressure' on the tank! I don't recall specifically where the priest model came from. I was thinking it was a Reaper Chronoscope model, but I'm not seeing it in their online catalog. I'd picked it up several years ago and I've completely forgotten where I got it, unfortunately. Sorry!
Looking forward to seeing what you do with your Sagittarii, I've absolutely LOVED the Ad-Mech you've done thus far. Inspiring stuff!


Series SH5017 Capacity Range: 600 lbs.
Size 17" wide x 34" long x 35" high overall (push handle adds 3" to length).
Three shelves of 16 ga. sheet steel with 12 3/4" clearance above middle shelf, 10" clearance below. Top shelves tray-type 2" deep; bottom shelf edges turned down.
Casters bolted to 14 ga. formed longitudinal bolsters; two swivel and two rigid casters with 5" x 1 1/4" Versa-Tech® wheels with ball bearings.


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Lindsey Seavert
While Lindsey Seavert is an Emmy and Edward R. Murrow award winning reporter, her greatest successes do not sit on a shelf. She is most proud of unearthing untold stories that encourage understanding and bringing them to light.
Her parents were Minnesota public school teachers who gave her the gift of curiosity, so with a book and pencil often in hand, she began writing as a young child, and hasn't stopped since.
She graduated from Indiana University's Ernie Pyle School of Journalism and worked as a reporter at five news stations stretching from Northern Minnesota, Nevada, and Ohio before coming home to the Minneapolis, MN.
The legacy of teaching in her family inspires Lindsey to use stories as a vehicle to educate and serve the community. Her work often focuses on women, families and children, but she is most passionate about bringing a voice to underrepresented communities, which is how she discovered the transformation inside Lucy Craft Laney Elementary school.
When Lindsey is not on assignment, she mentors young journalists, enjoys running, creative writing, and volunteering in the community.
Her greatest rewards are her husband, Ian, and two children. Their son Stellan attends Minneapolis Public Schools, and the couple also has a younger daughter, Phoebe.
Directing and writing a documentary has always been a life's dream, Lindsey dedicates her work to her late father, Larry Seavert. She imagines he is smiling down on this project with pride, as he spent his career fighting for the rights of teachers and opportunities for students.
Love Them First is Lindsey's first documentary as a director.
A reflection on the theme: 'Towards a Loving World, Leadership and Governance for Well-Being'.
As directors of the Love Them First, a documentary featuring a Minneapolis principal fighting for students in the city's longest standing 'failing' school, we strongly felt the title of the film should reflect the force behind the school's triumphant turnaround.
It all starts with love.
The school leaders created a culture where they view students as their own children, raising them up with high standards and educational expectations, but first and always first in every classroom and in every lesson, is love.
Principal Mauri Friestleben once told us, "If you are in this work, you are in it to change the world."
The story has now stretched from Minnesota, across the United States, and around the world to countries like Iceland, farther than we could ever measure as each child is transformed by a school that loved them, just as they are. We hope you will see the beauty captured in Love Them First is proof—love is our greatest teacher.
← Sylvie Berti-Rossi
Ben Garvin →


2007 International 9400i, Cummins ISX 450hp, Jake, Eaton 13sp, 12K/40K, Air Ride, 224" WB, 3.73 Ratio, 11R22.5, 2 Alums, Dual 150s, Air Slide, Dual Exhaust, 267K miles. Clean Southern truck.
2003 Sterling LT9500, Cat C12 430hp, Jake, Eaton 8LL, 20K/46K, TufTrac, 272" WB, 206" CT, 29' EF, DBL Frame, 4.56 Ratio, Lockers, 75 Gal Tank, 150K miles. Trucks Still In Detail.
2009 Peterblit 367, Cat C15 550hp, Jake, Eaton 18sp Autoshift, 20K Front/46K Rears, Air Ride, 285" WB, 207" CT, 28'-8" EF, DBL Frame, 5.38 Ratio, Lockers, 11R24.5, 120 Gal Tank, 20K miles.
2006 Mack CL733, Cummins ISX 565hp, Jake, Mack 18sp, 251" WB, 175" CT, 271" EF, 20K/44K, Camelback, 4.73 Ratio, DBL Frame, 90/90 Fuel Tanks, 425 Floats, 11R22.5 Rear, Diff Lock, 334K miles.
2004 Mack DM688S, Mack E7 300hp, Jake, Allison, HD4560P, 18K FA, 44K RA, Mack Beam, 222" WB, 152" CT, 225" EF, DBL Frame, 4.32 Ratio, 11R22.5 Steel Wheels, 75 Gal Tank, 211K miles.
2007 Peterbilt 357 Caterpillar C9 350hp, Jake, Allison 4500RDSP, 20K/44K, Hendrickson, 222" WB, 154" CT, 216" EF, Heavy Single Frame, 6.14 Ratio, Lockers, 11R22.5, 60 Gal Tank, 171K miles.
2009 Peterbilt 365, Cat C13 370hp, Jake, Eaton 8LL, 16K/46K, Air Ride, 258" WB, 188" CT, 24' DBL Frame, Front Disc Brakes, Front Floats, 11R22.5 Rear, 4.30 Ratio, Lockers, Front Floats, 111K miles.
2) 2005 WS 4900SA, Detroit 12.7 380/390hp, Jake, Allison 4500RDSP, 20K/46K, Hendrickson, 250" WB, 180" CT, 24'-6" EF, DBL Frame, 4.89 Ratio, 11R22.5, Alum Floats, 80 Gal Tank, 206K & 234K miles.
2007 Volvo VHD, VED12 465hp, Jake, Eaton 8LL, 20K/46K, T-Ride, 234" WB, DBL Frame, 4.30 Ratio, Lockers, Alum Wheels, Front Floats, 11R24.5 Rear, N/S Lift Axle, 17' Body, 260" Bridge, 657K miles.
2005 Mack DM690S, Mack AMI 335hp, Mack TM308M Trans, 18K/44K, Camelback, 191" WB, 5.73 Ratio, DBL Frame, 15' Godwin Body, 192K miles.
2005 IH 7600, Cummins ISM 385hp, Jake, Eaton 10sp, 18K/40K, Hend. Susp, 268" WB, 200" CT, 24'-8" EF, DBL Frame, 4.11 Ratio, 11R22.5, Alum Floats, 100 Gal Tank, Clean Arizona Truck, 268K miles.
2007 Peterbilt 357 Caterpillar C9 350hp, Jake, Allison 4500RDSP, 20K/44K, Hendrickson, 222" WB, 154" CT, 216" EF, Heavy Single Frame, 6.14 Ratio, Lockers, 11R22.5, 60 Gal Tank, 191K miles on truck, New CAT overhaul w/warranty.
2007 KW T800, Ext. Cab., Cat C13 470hp, Jake, Eaton 18sp, 20K/46K, Chalmers, 274" WB, 197" CT, 268" EF, Heavy Single Frame, 4.30 Ratio, Lockers, Dual Exhaust, 75/100 Fuel, 11R24.5, Front Floats, Alum Outers, 11R24.5 Rear, 177K miles.
2006 Peterbilt 357 Caterpillar C9 350hp, Jake, Allison 4500RDSP, 20K/44K, Hendrickson, 217" WB, 149" CT, 208" EF, Heavy Single Frame, 5.38 Ratio, 11R22.5, 60 Gal Tank, 181K miles on truck, New CAT overhaul w/warranty.
2) 2006 Sterling LT9500, Cat C13 470hp, Eaton 9LL, 20K/46K, Chalmers, 248" WB, 188" CT, 24'5" EF, DBL Frame, 4.89 Ratio, Lockers, 60 Gal Tank, 138K and 156K miles. Trucks Still In Detail.
2) 2006 Sterling LT9500, Cat C13 470hp, Eaton 9LL, 20K/46K, Chalmers, 248" WB, 188" CT, 24'5" EF, Heavy Single Frame, 4.89 Ratio, Lockers, 60 Gal Tank, 123K and 156K miles. Trucks Still In Detail.
2005 Mack Granite, Mack AMI 370hp, Jake, Mack T310 10 sp, 18K/38K, Camelback, 277" WB, 196" CT, 30' EOF, DBL Frame, 13.2K Tag, 4.42 Ratio, 11R22.5 Rubber, 425 Floats, 300K miles.


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Animal Ethics Guidelines & Strategies
Michelle Gleeson
Director, Entomologist & Presenter, Bugs Ed.
The Gap, QLD 4061
Email: michelle@bugsed.com
ABN: 983 919 040 77
Blue Card Number: 337386/8
Expiry Date: 15th April 2023
The Animal Care and Protection Act 2001 is a legislation document that ensures a person in charge of an animal is responsible for the duty of care to that animal and provides for its basic welfare needs.
The insects and other Arthropods used by Bugs Ed. presenters are not subject to this legislation as they do not fall under the Act's definition of an "animal". According to the Animal Care and Protection Act 2001 an animal is defined as any of the following:
A live member of a vertebrate animal taxon (for example an amphibian; bird; fish; mammal, other than a human being; or a reptile)
A live unborn or pre-hatched in the later stages of development such as a mammal or reptile foetus or a pre-hatched bird mammal or reptile
Live marsupial young
A live invertebrate from the Class Cephalopoda or Malacostraca (which includes octopi; squids; crabs; crayfish; lobsters and prawns)
Although the Animal Care and Protection Act does not apply to Bugs Ed., we are committed to and passionate about the care, safety and wellbeing of the arthropods used in our educational activities. We strive to ensure that we provide proper care & humane treatment of our live specimens and conduct ourselves in accordance with the following management strategies. We will at all times:
Ensure that our insects are provided with adequate food, water, shelter and any other factors required for their survival & well being (such as temperature, humidity & substrate)
Ensure that all staff are trained in the proper handling & care of these creatures
Ensure that the handling of insects by students is limited only to those species who are tolerant of this treatment and will not suffer any ill effects by being touched
Ensure that insects being handled are continuously swapped, so that no one specimen is over handled to a point that it will disrupt its normal feeding or resting behaviour
Ensure that students are properly supervised whilst handling the insects and that anyone who poses a risk to the well being of our insects will not be allowed to participat
If you would like to know more about Animal Ethics Guidelines within Australian Schools, please go to http://www.legislation.qld.gov.au/LEGISLTN/CURRENT/A/AnimalCaPrA01.pdf for more information.
If you have any concerns or questions about our insect management strategy, please contact me at michelle@bugsed.com to discuss.
Director, Entomologist & Presenter
Bugs Ed.
Last updated 1st July, 2020.


Muska & Lipman publish SONAR Power! written by Scott Garrigus. This book is the highly anticipated follow-up to Cakewalk Power! This tip is drawn from this book and covers automating effects and DXi synths.
One of the most powerful mixing and editing functionalities in SONAR is the ability to automate the individual parameters of DirectX 8 audio effects and DXi soft synths.
Patch the effect you wish to automate and arm the individual parameter you want to automate.
Right-click in the FX field of the audio track to which you want to apply the real-time effect and choose Audio Effects | Cakewalk | (the name of the effect you want to use). SONAR comes with five automatable DirectX 8 effects: FXChorus, FxDelay, FxEq, FxFlange, and FXReverb.
After the window for the effect appears, right-click on the name of the effect in the FX field and choose Arm Parameter.
In the dialog box that appears, put a check mark next to each of the parameters in the Param Armed list that you would like to automate.
Now that your parameters are armed, you have two choices for how you would like to create automation data. You can record automation data in real time by changing parameters on the effect interface while the track plays back or you can create envelopes.
Set the Automation recording mode. Choose Transport | Automation Record Options to open the Automation Record Options dialog box.
Use Touch mode to record data only when you are manipulating a control or parameter with your mouse.
Use Overwrite mode to record data over any pre-existing automation data.
You are now ready to record automation data.
Choose Transport | Record Automation to start the project playing and to start recording automation data.
Move the parameters on the effect that you have armed for recording.
Hit stop when you have finished.
You will now see your effect automation displayed as envelopes on your track. You can further modify this automation by editing points on the envelope.
Note: you can also use snapshots to create automation changes at specific points in your track.
In the dialog box that appears, put a check mark next to each of the parameters in the Envelope Exists list that you would like to automate.
Envelopes for the parameters that you have selected will now appear on your Audio track. You can edit these envelopes to your liking by pointing and double clicking with your mouse to drop nodes, then pointing and clicking to drag the nodes to the times and values you want. Don't forget that you can change curve types by right clicking on your envelopes in between points.
Set up a DXi in the Track view of your project. See Using DXi Synths for more information on how to do this.
In the MIDI track that drives the DXi, right click in the Clips pane and choose Envelopes | Create | MIDI to open the MIDI Envelope dialog box.
In the Type drop-down list, choose the Control, RPN, or NRPN options.
The Value drop-down list will show all of the parameters that the DXi offers for automation. Choose a parameter from the list.
In the Channel drop-down list, choose the MIDI channel of the current patch (program) being used in the DXi.
Envelopes for the parameters you have selected to automate will now appear on your MIDI track. You can change these envelopes as described above at the end of the audio effect portion of this tip.
Scott R. Garrigus is the author of the Cakewalk Power!, Sound Forge Power!, and SONAR Power! books, and Publisher of the DigiFreq music technology newsletter.


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AUSTIN ARTS WATCH
your source for austin arts reviews, previews, and news
Arts in Austin
Austin Opera Austin Playhouse Austin Theatre Broadway Across America Capital T Theatre Drama Hyde Park Theatre Musical Puppets Shakespeare Shrewd Productions Street Corner Arts Theatre en Bloc Trouble Puppet Theatre Zach Theatre
Zach Theatre
Leave a comment Posted on April 4, 2018 New Seasons
New Seasons: Zach Scott Theatre
Zach Scott Theatre, one of Austin's oldest companies, has just announced their latest season, and it has the potential to be one of their most interesting in years. Mixing upbeat musical fair with deep, thoughtful contemporary dramas, Zach seems to reaching out to a wide stretch of audiences. Here's a rundown of just what Zach's bringing to the table for their 18-19 Season:
Directed by Dave Steakley
Musical Direction by Allen Robertson
Scenic Design by Donald Eastman
Winner of eight Tonys, including Best Musical, Once will be making its regional premiere when it hits Zach stages this September, and Zach's going all out to transport you to the rustic streets of Dublin. The lobby will be transformed into an Irish pub, which will surely get you in the right mood for the intricate music and heartbreaking story of this piece, based upon the Oscar-award winning film. This story of two ill-fated lovers has become one of the most celebrating romances of the twenty-first century, and I for one can't wait to be swept away to the streets of Dublin by by Glen Hasard and Markéta Irglová's stunning songs (played live on stage by the actors themselves!) It has all the potential to be one of the most memorable musicals of the season.
With Smith's "Notes From the Field", Zach is producing one of its provocative pieces in ages, an in depth look at a segment of society caught in a system that's dooming them to failure. Culled from interviewing from over 250 sources, this one-woman show presents the story of 18 different individuals, who each tell the story of incarcerated youth, and the broken systems that put them where they are today. Through "Notes From the Field", Smith brings into into the lives of young men and women, from their own mouths, as well as those of their parents, teachers, and administrators. It's a powerful play, soon airing on HBO, that will surely have people long after the curtain falls.
April 3 – May 12, 2019
Directed by Abe Reybold and Nat Miller
On the lighter side of things, directors Abe Reybold and Nat Miller are bringing one of Broadway's most joyful shows to the Austin stage with Matilda. Based on the Roald Dahl book, this story of the trials and tribulations of a precocious psychic is a perfect piece for people of all ages. Running for 1,555 performances on Broadway, as well as making a splash at the West End and on tour, this wildly popular musical featuring music by awardd-winner Tim Minchin may be one of the biggest shows Zach's produced, so one doesn't want to miss the grandeur or spectacle on display come next year.
THE BALLAD OF KLOOK AND VINETTE
This soulful, world-premiere chamber musical by Che Walker, Anoushka Lucas and Omar Lyefook, looks to be a complete 180 from the lavish, upbeat nature of Matilda. A tender story of two drifters hoping to find understanding in each other, The Ballad of Klook and Vinette has the potential the be one of the most poignant moments of Zach's season, especially as it's using the intimacy of Zach's Kleberg stage to help sell its emotional tale. It's an interesting choice for Zach, showing they're willilng to take chances, and with the right cast, this could be the highlight of the season.
FIRE AND AIR
June 12 – July 14, 2019
Coming off its world premiere on the New York stage, the latest from the legendary Terrence McNally follows the infamous Ballets Russes, and its creator, Sergei Diaghilev, as well Diaghilev's tempestuous relationship with dancer Vaslav Nijinsky. Receving raves from its early performances, this could create some powerful, exciting moments on the Topfer stage, and with dance such a built-in part of the play, we can only expect some fine footwork and gorgeous costumes on display, two things at which Zach has always excelled.
July 31 – September 8, 2019
The Broadway favorite makes its way back to Austin stages to close out Zach's 18-19 Season with hard-rocking energy. This simple tale of a German rock siren trying to make her way in America has become one of the most popular musicals of the century, making a star out of its creator John Cameron Mitchell, and its just the type of weird, punk performance that Austinites will go crazy for. Its a bold stroke in a season full of wide swings, and one that's sure to bring in the crowds.
With their latest season, Zach looks to be taking quite a few chances, and I certainly can't wait to see if those chances pay off in the coming year. Be sure to visit Zach's website at zachtheatre.org for more information, and maybe even pick up some season tickets starting in May, so you won't miss any of the wildness.
Austin Theatre Preview Zach Theatre
Leave a comment Posted on June 20, 2017 June 20, 2017 Musical, Reviews
Zach's 'In the Heights' is a lively, sizzling start to the summer season
Thanks the world phenomenon that was Hamilton, and an Oscar nomination for his work on Disney's Moana, Lin-Manuel Miranda has quickly become a household name, but before he was treading the boards as a founding father or singing for the president, he was winning over musicals fans with his vibrant, joyous look at life in the one of the most colorful parts of Manhattan with In the Heights. Zach Theatre is now bringing this hit musical to Austin, with a production that would make Miranda proud, full of fire, passion, and the sweltering heat of the New York summer.
In the Heights follows the lives of those living in New York's Washington Heights during one of the hottest parts of the summer. We're first introduced to Bodega owner Usnavi, through whom we meet the myriad figures that call the Heights home, and who take us through one special sweltering New York summer, complete with blackouts, heartbreak, and even violence, but always with the latinx flair this neighborhood is known for. Zach has brought in the big guns to bring their work to life, led by director Michael Balderamma, who cut his teeth as dance captain and original cast member of the original Off-Broadway production, and who has numerous other Broadway hits to his name. He is currently the choreographer for the Chicago production of Hamilton, so having his hand guiding all the action of Zach's In the Heights is a big win. Helping him along the way is musical director, and two-time Emmy award-winner, Allen Robertson, a mainstay of the Austin musical scene, and a well respected composer and producer in his own right. These two icons come together with a talented team to create a lively, powerful night of theatrical thrills.
The Washington Heights of Miranda's In the Heights bursts with energy, full of snappy music and quick choreography, and Balderamma and company do their part to keep the action moving. His actors, and even sets, are in contact motion, never hitting a false step, and with blasts of trumpets and the toe-tapping beat of Latin percussion, the skilled orchestra works to keep the scene hopping. The cast do their part to keep the action moving as well, performing with a vibrant zeal that truly adds a soul and spirit to their lively neighborhood. Add it all up with the sunny lighting and the inspired costume choices, and you have one of the hottest shows Zach's produced in years.
In addition to bringing in some big guns behind the scenes, Zach has called in talent from around the country to fill out its cast. In particular, Alicia Taylor Tomasko shows the skills that made her a New York theatre regular. Here she plays the lovely but harried Vanessa, a woman trying to make her way out of the heights, while always being pulled in by the culture and people of Heights. It also doesn't help that she has caught the eye of our protagonist, Usnavi. She's a woman divided, and Tomasko plays the necessary combination of sassy and strong with aplomb. Her footwork is on point, showing off moves that I've rarely seen the likes of on Austin stages, and her voice is clear and strong, with plenty of passion and fire. A good Vanessa is essential to a good production of In the Heights, and the role is in good hands with Tomasko.
Taking on a role made famous by Lin-Manuel Miranda is no mean feat, so Chicago Theatre native Keith Contreras-McDonald had a lot to live up to. Luckily, thanks to his charm and goofiness, he becomes almost instantly endearing. The musical doesn't give him the standout musical moments of some of his fellow performers, but he carries the piece thanks to his wonderful acting chops. His chemistry with Sarro's Vanessa is always believable, and, in fact, his relationships with all of the cast is solid throughout. He's at his best in the small, more emotion-laden moments, helping to sell the stakes and bring the tears in some of the play's more sombre sequences.
Though the team behind Zach's In the Heights have brought in several big talents to inhabit their characters, one of the play's true delights is seeing how many talented locals fill out the cast. For instance, this critic has enjoyed watching actor Vincent Hooper make his way from background player in Summer Stock performances, to the starring on the big stages of Zach Theatre, and here he takes center stage, never feeling out of place among the more seasoned talent. Indeed, his performance as Benny is one of the most emotionally honest in the piece, as he takes us on one of the most full character arcs in the piece. Whether bringing humor or pathos, Hooper proves himself a capable performer, and is living proof that Austin talent can stand toe-to-toe with the that of New York or Chicago.
A pleasant surprise came from another local performer, and California transplant, Christina Oeschger, who wows from her first notes, showcasing a voice like polished glass: smooth, clear, and full brilliance. She brings out the intelligence of her character, a bright young girl having trouble facing the world outside Washington Heights, and sells this from her very stance and diction. This is combined with an innocence in her eyes that charms the audience quickly, which is only amplified once she belts her first note, putting her stunning voice on full display. It's easy to see that there's a bright future in front of Oeschger, and one hopes she finds herself on other Austin stages again soon.
With a clear vision and exuberant passion, Zach plunges audiences headfirst into the wild world of Washington Heights, given some real gravitas thanks to a game production team and an indefatigable group of talented young actors from around the country. It's the perfect kind of crowd-pleasing entertainment that makes for a splendid intro to the summer season, that will have you humming the tunes the whole ride home.
In the Heights is playing at Zach's Topfer Theatre through July 2nd. For more information, and to purchase tickets, visit Zach's website at zachtheatre.org.
Photo courtesy of Kirk Tuck.
Austin Theatre Lin-Manuel Miranda Zach Theatre
Leave a comment Posted on April 27, 2016 July 2, 2016 Reviews
Zach Theatre's 'Ann' is a laugh-a-minute look at a Texas icon
It takes a special kind of talent to create a one-person show, to strip everything down to the barest of bones, until it's just you, and the audience. Holland Taylor takes this challenge one step further with her one-woman show, "Ann", as she presents the life of one of Texas's most famous politicians, Ann Richards, the spitfire Democrat who somehow rose through the ranks to become Texas's head honcho. Taylor pulls double duty here, both writing and performing this humorous piece of historical hilarity, taking us from Richards' earliest days on the farm to her final days in New York, all while bringing charm, wit, and wisdom.
"Ann" follows the life of Ann Richards, focusing mostly on a single day in the middle of her tenure as Texas Governor, when she's left with the decision of whether or not to offer a stay of execution for a young man. This story is told through an interesting framing device, where Richards is giving the Graduation Address to a group of a graduates from a nameless college. Through this, we see not only her years in office, but also her days as a child, recalling days of her kind father, and harsh mother, through her relationship with her whip-smart husband, her time running campaigns, and, finally to her own campaign. Some elements are not dealt with as deeply as one would wish, but Taylor does a fine job showing us the breadth of the icon's life.
As "All the Way" did last year with the Texas in the sixties, one thing that "Ann" does beautifully is tell us not only the story of Ann Richards, but in its way, the story of Texas in the nineties. Throughout her conversations with various figures, we get an image of the shape the state was taking under her tutelage, and how indelible a presence she was during her time in office. The omission of anything involving the Bushes is a bit disappointing, as anyone who knows Richards' history know she always had some fiery words to throw in the direction of one Bush or another, but we still get great interactions between Richards and many figures of the day, including several hilarious scenes involving phone calls with president Bill Clinton.
From the moment the play begins, we never truly see Holland Taylor, as she's absolutely transformed into Ann Richards. Everything, from her dialect, to her gait, to her mannerisms, feel true to the character, and nothing ever feels forced. It's obvious that Taylor has done her research, as it feels like the woman herself is visiting us throughout the play. One thing that Taylor captures best is Richards' humor, with her many witticisms bringing about waves of riotous laughter. She's candid, she's tough, and she's smart, and as we leave theatre, we can't help but think that, in a way, it feels like we've just spent two hours with the former governor herself.
Though segments don't reach quite as deeply as we could hope, it's hard to find fault with the way Holland Taylor presents the life of Ann Richards. There is not a moment in the piece that feels inauthentic, and Taylor's performance is nothing short of miraculous. She captures the humor, the bite, and the heart of the woman who so shaped Texas politics, and one would think the woman herself would be honored to see such a polished tribute.
"Ann" is playing at Zach's Topfer Theatre through May 15. For more information, or to purchase tickets, visit Zach's website at zachtheatre.org.
Photo Courtesy of Ave Bonar
Austin Theatre Zach Theatre
Leave a comment Posted on July 29, 2015 July 2, 2016 Musical, Reviews
Zach Theatre celebrates The Duke with the lively, hot 'Sophisticated Ladies'
Duke Ellington was one of the most celebrated and influential music men of his times, and Zach is looking to celebrate his work with their latest production, a conflagration of song and dance called "Sophisticated Ladies". Bringing in the big guns, Zach has called in none other than Tony Award-winner Jennifer Holliday to lead the party, along with a collection of some of the best singers, dancers, and musicians the city, the state, and even the country have to offer. The result is a lively, hot, and ever-enjoyable production, full of undeniable energy and memorable tunes that you'll be humming all the way home.
Jennifer Holliday is one of the biggest gets in Zach Theatre history, and it's easy to see why they took the trouble to bring her in. When she sings, everything else seems to stop, your attention gripped tight to this gorgeous voice. That's not to say she only sells the ballads, as she brings the heat when poppier numbers come to call. Backed by an absolutely exhilarating live band, she brings the music to life, making it feel all the more modern. Holliday's far from the only amazing voice to take the stage, as Louisiana soul singer, Chanel Haynes-Schwartz, brings many emotional moments to the stage, her rendition of of many of the more sombre numbers sure to bring a tear to anyone's eye with its raw emotion.
It's not just the ladies bringing the vocal talent in this production, as the show also brings out its fair share of gentlemen to bring life to the Duke's tunes. Of particular note is Brian Whitted, whose velvety smooth voice really helps to breathe some life into some of Ellington's most well known tunes, such as the enjoyable "Don't Get Around Much Anymore", all while tearing up the keys on his piano, and leading the band in the process. Also getting his chance to show off his vocal prowess is JP Qualters, whose powerful voice really helps sell the tunes to the back rows, keeping in pace with even Holliday herself in some of their duets.
Though the vocal theatrics are notable, the most sizzling moments of "Sophisticated Ladies" come when the dancing starts. Intricate but energetic, each dance number is a wonder, knocking the socks off even the most hardened of viewers. Afra Hines steals the stage nearly every time she shows up, her stunning visage and body awareness making her captivating to watch. She sells each movement with ease, her flexibility and movement making each of her number snap alive every time. Also showing incredible ability for body movement is Christa Oliver who's shown amazing work in previous productions such as "The Gospel at Colonus" and here shows off an amazing range, showing off a skill for everything modern dance, to jazz, to swing, and even tap.
If you're looking for stars of tap, however, you'll find plenty of folks to deliver. Not the least of which is Matthew Shields, who becomes unforgettable the moment his feet hit the wood. Never stepping out of rhythm, Shields plays his time in the limelight with amazing liveliness, and only becomes more impressive when he's joined by his fellow dancers. When the entire group comes together, it's awe-inspiring, as music and actor come together for a glorious marriage.
Cool music, hot dance numbers, and soaring vocals highlight this whizz-bang of a musical, with the top talents around pulling out all the stops to take the audience on a non-stop roller coaster ride. It's foot-tapping, finger-snapping fun, and another engaging evening of entertainment from the most celebrated company in town.
"Sophisticated Ladies" is playing at Zach's Topfer Theatre through August 23rd. For more information, and to purchase tickets, visit zachtheatre.org
Photo Courtesy of Kirk Tuck
Leave a comment Posted on May 4, 2015 July 2, 2016 Reviews
'All the Way' is a well-acted look at this nation's turbulent past
"All the Way" drops its audience into 1960s America, right after the death of John F. Kennedy, one of our nation's most beloved presidents. We follow Lyndon Baines Johnson following this horrific event, and during the period of his first year, a year with focused on fighting the horrible treatment of African Americans, and his attempt to bring about change, despite the protestations of his friends in the South. It's harrowing and heartfelt, given just the right amount of humor thanks to Johnson's enormous personality and charisma, and the crisp script by Robert Schenkkan. With the help of a skilled cast, and the fine guiding hand of Dave Steakley, Zach Theatre creates a powerful, professional production of this Tony nominee.
One of the play's biggest successes is its portrayal of LBJ. Charismatic, fast-talking, and brash, LBJ was a Southern boy through and through, and Steve Vivovich takes on this role with gusto. From the moment he walks on to stage, he seems to be possessed by Johnson himself, bringing his swagger and charm in a very remarkable way. He doesn't pull any punches, cursing up a storm and exerting his influence with the best of them. It never seems one note, however, as there are moments of true sensitivity mixed in, particularly one late in the play, during a final vote in the Senate over his Civil Rights Bill, in which Vivovich removes his armor, both literally and figuratively, showing the heart and emotion within.
Melvin Abston provides the second performance of Martin Luther King this year, and though it may lack the swagger present in Marc Pouhé's performance in "The Mountaintop" earlier this year, what he does bring is authority. When Abston walks on to stage, his presence demands your attention, even as the large stage is filled with actors. His performance never feels forced or strained, and is full of dimension, showing King as more than just a speech-giving holy man, but as a man, with his own desires, and his own needs, and his own methods for getting things done.
Garry Peters is one of Austin's best character actors, an actor who may not get as much attention as many other actors in town, but who pulls out amazing performance with almost every at bat. With his performance as Senator Richard Russell, he may give his best performance yet, as a Southern politician who's forced between friendship and keeping his Southern values. Peters captures this balance with skill, bringing his trademark grump, while tempering it with some real affection towards LBJ. It's a surprisingly sensitive performance, one that allows Peters to show real heart, and a range that's hard to find.
"All the Way" run roughly three hours, and at time it does feel its length, but there's never a time when you're thoroughly engrossed in what's happening on stage. Vivovich seems born to play the part of Lyndon Baines Johnson, and his supporting cast shines in equal measure throughout. It's a thought-provoking picture of one of the nation's most turbulent periods, and how with gumption, wit, and perseverance, a powerful man was able to at least help Americans take a large step forward towards equality.
"All the Way" is playing at Zach's Topfer Theatre through May 10th. For more information, and to purchase tickets, visit Zach Theatre's website at zachtheatre.org
Leave a comment Posted on February 15, 2015 July 2, 2016 Reviews
'Peter and the Starcatcher' is a swashbuckling and hilarious night of theatre
In the world of theatre, it's not too difficult to find a play that will enrich your soul, or tickle your emotions, but it's difficult to find a piece that's undeniably fun. Thankfully, Zach Theatre, led by award-winning director Michael Baron, has answered the call with a production of Rick Elice's "Peter and the Starcatcher", a clever prequel to the world-famous children story "Peter Pan" based upon the novel by Dave Barry and Ridley Pearson, which takes several elements from the original story, throws them into the blender, and then forgets to put on the lid, creating an explosion of color, adventure, and swashbuckling excitement.
The plot of "Peter and the Starcatcher" can be a bit of a heavy load to take in at first. We find Lord Leonard Astor and his daughter, Molly, who are journeying to the island of Rundoon to transport a mysterious trunk, when they run afoul of a group of pirate who wish to have the trunk for themselves. What follows is a ridiculous roundabout, which leads everyone to an island full of flying crocodiles, Italian natives, and bizarre mermaids. It's madcap, and it's definitely silly, but it's also the most fun I've had at the theatre in some time.
At times, "Peter and the Starcatcher" flies by the audience at remarkable speeds, and it's a credit to director Michael Baron that he makes these scenes not only coherent, but a treat to take in. The play has a remarkable momentum, with many scenes playing off like Benny Hill sketches, until we're allowed a moment to breathe, and take in the impeccably designed sets by Scott Groh, which is underscored by the sumptuous lighting design by Matt Webb. They really help to create a fascinating fantasyscape that's at once reminiscent of the swashbuckling pirate adventures we know, and something all its own.
There's not an ounce of shame on the stage at any time, and this confidence in the actors really pays off. They take wild chances, creating explosive and wild characters that take us on an impeccably crafted journey. In particular, J. Robert Moore's Black Stache is so deliciously over-the-top that the stage gets a few steps brighter every time he arrives, striding across the boards with a gaunt and elegant style that you can't help but be delighted by. He's lithe, he's silly, and he makes such entertaining choices, that it's hard to not crack a smile when he traipses across the boards. Also bringing her share of delight is Sara Burke as the female lead, Molly. So rarely do we see a strong female character on stage, and Sara Burke carries this young girl with a rare composure, while still bringing that certain childish attitude to the role to remind us that this character is, after all, only a 13-year-old girl.
Of course, we mustn't forget about the titular character, Peter, who will one day become the world famous Peter Pan. Here, he spends most of his time as an unnamed boy, and he carries the role with an awkward sincerity. He has fun and runs around as much as the other "lost boys", but there's something more guarded, more tucked away about him, until his last few moments. Watching this quiet, awkward boy become the Peter Pan we know and love is one of the delights of the show, and though we know where the road will end, we love seeing his journey in getting there. In particular, Peter's relationship with Black Stache, the future Captain Hook, is well designed, as the two play off each other in really hilarious ways.
In the culinary journey that is the theatrical experience, "Peter and the Starcatcher" is a big slice of chocolate cake, but one can't deny it's a good one. It may not be particularly culturally fulfilling, but it's colorful, loud, and silly fun. The action is fluid and dynamic, but rarely confusing, and one never knows what's coming next (which is never more evident as in the opening scene of the third act). True all-ages entertainment, it's a swashbuckling ride that'll bring you back to the wonders of your youth.
"Peter and the Starcatcher" runs roughly 2 hours and 25 minutes with one intermission, and is playing at Zach Theatre's Topfer Theatre through March 1st. For more information, to purchase tickets, visit Zach Theatre's website at zachtheatre.org


You start early on your walk in the rainforest Ranomafana National Park. Your professional guide will discuss the desired duration and level of the walk with you. Together you will search for the golden bamboo lemur, eastern woolly lemur, red bellied lemur, eastern grey bamboo lemur, greater bamboo lemur, red-fronted brown lemur, black-and-white ruffed lemur, Milne-Edward´s sifaka, Small-toothed sportive lemur, greater dwarf lemur and brown mouse lemur and the very rare aye-aye of course. You will make your way to the excellent views from the lookout. On the way you will see strangling vines, tree ferns, various types of bamboo and native trees filled with many birds, chameleons, snakes, frogs, butterflies and spiders.
The evening walk is set up to spot the nocturnal animals. The evening walk of about 2 hours takes place along the main road along the edge of the reserve. The rest of the park is closed at this time. Searching for the animal activity in the dark is a guarantee for a fun and interesting experience. There are few cars at this time and therefore the only traffic you are likely to come across are other visitors wielding torches looking for glowing eyes in the dark! The road makes for easy walking and the proximity to the vegetation will mean that you are likely to see some of the special nocturnal creatures this park is home to. Will you be the one to spot the small mouse lemur first? Also keep a lookout for the many chameleons hiding.


text:
Announcement of Koshikawa's transfer destination
Italy · Pado · Padova · Volleyball · Yu KOSHIKAWA · Jul 14, 2010
We are pleased to announce the transfer destination of Yu Koshikawa, a member of the Japanese national volleyball team. He has been re-signed by Pallavolo Padova, the same team he played for last year. We hope that you will continue to support us.
The contact person in Japan will continue to be Horipro Corporation.
League official announcement
https://ww1.legavolley.it/?p=37625
http://www.sanspo.com/sports/news/100714/spk1007141233000-n1.htm
FERNANDO(CUB) SINGED IN JAPAN
Fernando Hernandez Ramos (ex-CUBA national team, Opposite, DOB September 11, 1989) update contract with JTEKT(Japan A...
Fernando(CUB) and Yadier(CUB) SINGED IN JAPAN
Fernando Hernandez Ramos (ex-CUBA national team, Opposite, DOB September 11, 1989) and Yadier Sanchez (ex-CUBA nation...
Announcement of Hiroko Matsuura's transfer destination 2013-2014
We are pleased to announce that Hiroko Matsuura, who has a management contract with us, has been assigned to a new co...


Great building site bordering Forest Service just west of Custer. Power nearby, easy access not far off the paved highway. Beautiful views, seasonal stream runs through the meadow, lots of wildlife. Only minutes to downtown Custer. Horses allowed.


On this week's menu, Cook dishes out questions to Ali Marpet and serves up his thoughts on the most important topics surrounding Tampa Bay's $55 million-dollar guard in a special Hawaiian edition of What's Cooking?
Mark you are a comedic genius. Everyone of these that you have done are great.
This was fantastic! LMAO! Funny, the actors you brought in were really good because they acted and looked just like Mark Cook and Ali Marpet. I have one suggestion though, see if you can find a taller Mark Cook next time.


text:
LOS ANGELES | Allegations against son led to Time's Up CEO's resignation
LOS ANGELES (AP) — The gender equality initiative Time's Up says its president and CEO resigned because of sexual misconduct allegations against her son.
The group on Friday issued a statement explaining why Lisa Borders stepped down from the organization that was formed last year in response to sexual misconduct allegations in Hollywood. On Monday, Borders cited family issues but did not elaborate.
The group says allegations were made against Borders' son in a private forum.
The Los Angeles Times reports a woman claims Borders' son, Garry Bowden Jr., touched her inappropriately during a "healing session."
His lawyer says Bowden gave the woman a healing massage that she had requested and showed The Times a text exchange in which the woman thanked him.
Borders became head of Time's Up last year after being president of the WNBA.
Tags: arts and entertainment, California, general news, government and politics, Hollywood, LeadingNews, Lisa Borders, Los Angeles, North America, political corruption, political issues, Sex in society, sexual misconduct, social affairs, Social issues, United States, Up-CEO
NEW YORK | Mo Willems named Kennedy Center artist-in-residence
BOSTON | In letters, Whitey Bulger fondly recalled old days, Alcatraz


text:
"use strict";

const { testBin } = require("../helpers/test-bin");
const port = require("../ports-map")["cli-web-socket-server"];

describe('"webSocketServer" CLI option', () => {
  it('should work using "--web-socket-server sockjs"', async () => {
    const { exitCode } = await testBin([
      "--port",
      port,
      "--web-socket-server",
      "sockjs",
    ]);

    expect(exitCode).toEqual(0);
  });

  it('should work using "--web-socket-server ws"', async () => {
    const { exitCode } = await testBin([
      "--port",
      port,
      "--web-socket-server",
      "ws",
    ]);

    expect(exitCode).toEqual(0);
  });

  it('should work using "--web-socket-server-type ws"', async () => {
    const { exitCode } = await testBin([
      "--port",
      port,
      "--web-socket-server-type",
      "ws",
    ]);

    expect(exitCode).toEqual(0);
  });

  it('should work using "--web-socket-server-type sockjs"', async () => {
    const { exitCode } = await testBin([
      "--port",
      port,
      "--web-socket-server-type",
      "sockjs",
    ]);

    expect(exitCode).toEqual(0);
  });
});

redpajama_set_name: RedPajamaGithub


Jeff and Ian search for essential Trek in the 30th issue of Star Trek Gold Key Comics, "Death of a Star". Captain Kirk and crew are sent to witness a star going supernova but wind up making a startling discovery about the very nature of stars themselves!
A new measurement of distance is introduced : "cubic miles"
Kirk introduces us to a 23rd century term for insanity by calling an alien woman a "Warp Four Loony"
Phasers have a setting called "heat blast"