In this episode, Brad and Myke are joined by Ryder Carroll from BulletJournal.com. We discuss how the idea for the Bullet Journal came to be, how to get started, and some tips and tricks to keep your journal flowing smoothly. Myke and I also do a bit of follow-up on the back end of the show on a few hot topics of the week.
Nothing Rhymes With Orange — Nock Co.


Grace Annie Lockhart, pioneer of women's university education (b at Saint John 22 Feb 1855; d at Charlottetown 18 May 1916).
Graham (Elias) George. Composer, teacher, theorist, organist-choirmaster, conductor, b Norwich, England, 11 Apr 1912, d Kingston, Ont, 9 Dec 1993; ACCO 1934, ARCO 1935, FCCO 1936, B MUS (Toronto) 1936, D MUS (Toronto) 1939.
Gregori Garbovitsky. Violinist, conductor, teacher, b Kreavri, near Dniepropetrovsk, Russia, 1892, d New York October 1954. He studied violin at the St Petersburg Cons with Leopold Auer (at the same time as Kathleen Parlow and Jascha Heifetz) and composition with Alexander Glazunov.
Levin, Gregory (John). Composer, teacher, pianist, conductor, b Washington, DC, 8 Mar 1943, naturalized Canadian 1989; BA (Harvard) 1967, MFA (Brandeis) 1969, PH D (Brandeis) 1975.
Guillaume (William) Couture. Teacher, conductor, choirmaster, composer, organist, baritone, critic, b Montreal 23 Oct 1851, d there 15 Jan 1915. He studied solfège in primary school and at 13 became choirmaster at the church of Ste-Brigide in his native parish.
Guillaume Couture, teacher, choirmaster, composer (b at Montréal 23 Oct 1851; d there 15 Jan 1915), grandfather of Jean PAPINEAU-COUTURE.
Guillaume (Ladislas) Dupuis. Teacher, choirmaster, b Montreal 3 May 1887, d there 25 Apr 1954.
Gustav Ciamaga. Composer, teacher, writer, b London, Ont, 10 Apr 1930, d Toronto, 11 Jun 2011; MFA (Brandeis) 1958. He attended the University of Western Ontario 1951-4 while studying privately with Gordon Delamont.
Gustave Comte. Critic, teacher, librettist, b Montreal 30 Mar 1874, d there 14 Feb 1932. He abandoned his legal studies to devote himself to music and theatre journalism, and wrote for several dailies in Montreal (La Patrie, La Presse, Le Canada) and Ottawa (Le Temps).
Gustave Labelle. Cellist, teacher, composer, b St-Henri (Montreal) 1 Nov 1878, d Montreal 31 Mar 1929. He began his musical studies with his father, Charles, and then studied cello with Jean-Baptiste Dubois.
(Charles) Gustave Smith. Teacher, organist, composer, writer, painter, draftsman, b London 14 Feb 1826, d Ottawa 6 Feb 1896.
Guy Bourassa. Pianist, teacher, b St-Raymond-de-Portneuf, near Quebec City, 30 Jul 1923, died Québec City 5 Oct 2001.
Guy Edouard André Joseph Desbarats, architect, teacher, dean, author, consultant (b at Montréal, QC 30 July 1925; d at Sherbrooke, QC 30 August 2003). Desbarats graduated from the MCGILL school of architecture in 1948.
Guy Frégault, historian (b at Montréal 16 June 1918; d at Québec C 13 Dec 1977). Frégault pursued classical studies at Saint-Laurent and Jean-de-Brébeuf colleges in Montréal. He then enrolled in Université de Montréal and eventually completed his PhD in history at Loyola University, Chicago in 1949.
Guy Lachapelle. Percussionist, teacher, composer, b Granby, Que, 2 Mar 1931, d Florida 25 Mar 2008; premier prix (CMM) 1954. He studied at the CMM 1948-54 with Saul Goodman. In 1954 he joined the MSO and served 1958-78 as its principal percussionist.
Guy Robert, writer, teacher, critic, publisher, poet (b at Ste-Agathe-des-Monts, Qué 7 Nov 1933). After studies at U de Montréal and U de Paris he was among the first to teach the literature of art in Qué. Starting in the 1960s, he threw himself wholeheartedly into the QUIET REVOLUTION.
Thompson, Gwen (Gwendoline Linda Louise). Violinist, teacher, b Winnipeg 30 Mar 1947; B MUS performance (Indiana) 1969. A pupil of Frank Simmons, John Waterhouse, and S.C.


text:
Midlife Mentoring
How To Sleep Better In Midlife And Beyond
Beach body ready over 40 – 7 tips for women
Food For Symptoms Of Menopause – Your Menopause Diet!
(Mid)Life
You're Never Too Late To Be Great: My Actor's Life
The Magnificent Midlife Podcast
Early Menopause – How To Cope When The Change Comes Too Early
Menopausal Beach Body Blues
On menopause at work and changing the narrative
On Becoming A Model In Your 40s – Rachel Peru
Building Businesses in Midlife – Caroline Jackson
Mature Women And Beauty – It's Not Reserved For The Young.
How To Get Through A Divorce Emotionally (When He Wants Out)
We Can ALL Make A Difference (And Help Save The Planet)
How To Enjoy Gigs On Your Own!
The incontinence comedian – Elaine Miller of Gusset Grippers
It's Who We Are – A Review
(Mid)Life, Inspiration
millie lingerie – beautiful bras after breast cancer
By Mutton Club staff.
Bringing inspiration, beauty and support after breast cancer.
At the Mutton Club we delight in profiling women doing interesting and often extraordinary things in midlife and beyond. A while ago we met Sue Pringle (above), who set up her own lingerie business, to create beautiful bras for women after breast cancer and a full or partial mastectomy. She was inspired to do this because she struggled so hard to find anything she could wear after her own breast cancer.
We asked Sue to tell us her story and how the millie bra came to life. Watch the video too!
Tell us about your personal experience with cancer, and how it inspired you to set up millie lingerie?
I was diagnosed with breast cancer in 2002, and underwent three rounds of surgery, including a mastectomy and reconstruction, and five years of hormone therapy. Ten years later I had a recurrence on the same side, with the same cancer. I had another lumpectomy, which meant that my left breast was much smaller, battered, and uneven, and I now wear a breast prosthesis to even out my shape.
I found it almost impossible to find a bra that was not only comfortable, but that I actually liked. I was reduced to tears repeatedly in changing rooms, leaving feeling disheartened and grumpy. So I decided to turn a grump into a business, and do something about it, for myself, the 50,000 women who are newly diagnosed each year, and the half a million women who are living well after treatment.
We all deserve more, and I'm determined to see that we all get it – fabulous, comfortable bras to wear, that help to reduce some of the impacts of breast cancer treatment, and restore some self confidence.
What are some of the difficulties women who have overcome breast cancer face when trying to find new underwear?
We've identified that 99% of women have to replace their entire bra wardrobe after breast cancer surgery because of sensitive, painful scar tissue, and uneven breast shape. The impact of their treatment lasts for the rest of their lives, and many women find it too uncomfortable to go back to wearing 'standard' bras, because the materials rub and irritate sensitive skin.
A high proportion of women wear a breast prosthesis to even out their contour, so they also need a bra with a pocketed lining to hold their breast form securely in place. Other women prefer to remain flat, but even then, they often have uneven chest contours that feel sensitive, and they still need something to wear to help them feel secure.
Of the 120+ women we surveyed, a high proportion told us they are extremely dissatisfied with the choice of bras they have access to, describing them as old fashioned, ugly, and not anything like the bras they used to wear. One of the ladies I spoke to is 72, and she would still like to wear a pretty bra – age isn't important, but the wish for something gorgeous and comfortable to wear is the same for all women.
Why is this range of lingerie important to women who have overcome cancer?
Women go through a challenging medical and psychological experience during breast cancer treatment, and they lose something they can never really quite get back. For many women, lingerie is an important expression of their femininity and helps with self confidence; we designed the millie bra to help give them a little bit back.
"Lingerie is an important expression of femininity and self confidence..@millie_lingerie"
We understand the practical challenges women come up against when trying to find a bra wardrobe to get themselves dressed comfortably and stylishly each day, whether they are returning to work, going out with friends, getting dressed for a special occasion, or resuming exercise.
Our first bra is a stylish, feminine, soft cup, non-wired lace bra to give women a welcome confidence boost after the rigours of their treatment are over; we hope they will be able to look at themselves in the mirror and think, "I look like me again." We'll design bras to wear right after surgery as well, but we first wanted to show that it is entirely possible to feel comfortable and look gorgeous at the same time!
Are there other products like this on the market? If so, what sets millie's lingerie apart from the crowd?
There are around 500 lingerie brands in the UK, but only a handful design specifically for women who've been through breast cancer treatment. Our starting point was a deep understanding of the 'medical' requirements of our wearers, then focusing on the woman herself, her wishes and hopes, and the things she thinks that she's not entitled to any longer like pretty straps and lacy details.
Breast cancer is something that's happened to us, it's a part of us, not a definition, so we're designing for women, not breast cancer patients.
Are you involved in the design of the underwear? If so, what's the creative process like? Do you make the bras yourselves?
We've been working with designer, Laura Stanford, previously of M&S, Debehams, and Agent Provocateur, who says millie is the most challenging and inspiring design she's ever created! Pattern and sample makers, Laura and Karen are both Nottinghamshire based, and were on board throughout 2016 refining and specifying our design to get it ready for production sampling.
The design process began as series of sketches I made, tracing out my ideas and aspirations for the first millie bra. I am not a designer as such, but I can easily articulate how I see something, and Laura my designer, took me through a creative process which culminated in the first bra we took into prototyping.
We've had a lot of fun, eaten lots of cake, and had a few tears; when I first revealed my scars to Laura and my garment technologist, that was a big day. When we chopped up the third sample to see how we could improve its shape, it made me both laugh and cry! We've yet to have a meeting when one of us isn't air-drawing boobs, and we've had some interesting glances as we rifle though lace samples in coffee shops.
I've been involved in product design throughout my entire career, but this is by far the most complex and challenging thing that I've ever worked on, and the most satisfying, beyond a doubt. We've made all our prototype samples here in Nottinghamshire, and our production will be outside of the UK to give us the best possible quality and price.
Here's the millie lingerie video to find out more about this fabulous project.
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redpajama_set_name: RedPajamaCommonCrawl


New research confirms that paid search has important benefit for brand awareness, even if the ads are not clicked on.
Even if consumers are not actually clicking on paid search ads, they are still having an impact on brand awareness, according to a US based study sponsored by Yahoo.
The research, carried out by comScore on behalf of Publicis Group and Yahoo, looked at the habits of more than 6,000 web users, finding that brands generated 160% more awareness than they would have done if consumers were not exposed to their paid search ads.
The study was restricted to consumer packaged goods such as food and beauty products, a sector which typically spends less on paid search ads than others. Yahoo has an interest in encouraging brands like Coca Cola and Mars to increase their paid search spending.
Consumer packaged goods firms only accounted for 2% of total search ad spending in the US last year, according to figures from eMarketer.
The positioning of search advertising also has an influence on brand awareness – the study found that consumers were 20% more likely to have a positive perception of a brand in the top paid search slot and would be 30% more likely to purchase a product.
The study follows similar research carried out last year which found widespread use of search engines for packaged goods categories. A further study is being carried out to assess the impact of paid search ads on purchases of these goods made offline.


Globally, poverty is a significant driver of the main health and welfare challenges faced by humans in the 21st century. Yet while many institutions aim to alleviate poverty using approaches ranging from donations of cash to construction of infrastructure, the challenge of equitably distributing such interventions is hampered by the difficulty of knowing exactly where poverty is greatest.
Poverty mapping can highlight inequalities within countries and provide a tool for the spatial targeting of poverty reduction policies. In this context, measures of whether individuals in a given location are likely to be above or below the poverty line are frequently used. The current standard for poverty mapping uses small area estimation which relies on census (every 10 years) and matching survey data, which can be cumbersome to collect and may simply be available. Instead, we use the Progress out of Poverty Index (PPI) - a rapid poverty assessment tool developed by the Grameen foundation - to construct high resolution maps of the likelihood of individuals living below the poverty line for Bihar and Uttar Pradesh states in India in 2014. Our approach uses geolocated survey data combined with geospatial covariate datasets in a spatial modelng framework. Using this approach we are able to predict the probability that households will be under the $1.25 threshold in areas that had no previous sampling data, highlighting the spatial heterogeneities in poverty that exist across Bihar and Uttar Pradesh. The approach provides a rapid baseline assessment that can be used to monitor change between census years and progress towards the reduction of poverty.
Fig.1. Top: predicted PPI index in Uttar Pradesh and Bihar, with uncertainty map inset. Bottom: Population numbers below the PPI poverty line and uncertainty range inset.


text:
English Fluent
Filipino Artists
Angeli Flores
Angeli Flores is a Philippine singer. She is a member of the Pan-Asian girl group Blush.
Stage Name: Angeli Flores
Real Name: Angeli Mae Flores
Birthdate: December 3, 1989 (1989-12-03) (age 30)
Birthplace: Marikina Heights, Philippines
Education: Harvard University, University of the East High School
Interests: Singing, dancing, songwriting, piano
Angeli started singing at the age of 8 with her older sister and got her first taste of the spotlight in the Second Grade, where she won a singing competition, beating the 3 year reigning champion. Angeli went on to perform in contests such as Star for a Night where she was a finalist and even became a fan favorite in the TV show Pinoy Idol, as a Top 12 finalist.
Angeli is one of five children in her very musical family. She is inspired by her childhood idol, singer Regine Velasquez, also from the Philippines, as well as Alicia Keys because of their voices, music and humble nature. Keys has also inspired Angeli to want to learn to play the piano.
Official Multiply
Retrieved from "http://www.generasia.com/w/index.php?title=Angeli_Flores&oldid=504635"


Buying a new or used car, truck, ATV, RV, motorcycle, snowmobile or boat is an important decision. Researching and planning first can save you money and help you enjoy your investment. NorState Federal Credit Union offers many resources to help you make the right decision. Ask about your LuvMyCU PERKS status for extra discounted rates.
Guaranteed Auto Protection (GAP) at a reasonable cost. Protects you when a gap exists between the actual value of your vehicle and the amount of money owed.


Join the mailing list, to receive special offers.
"Natural Wine is about to take over the U.S."
"I trust the Wine Fellas to source THE GOOD STUFF!"
"Now natural wine is getting Americanized."
Wine Fellas Sponsored: The world's premier holistic wellness event.
Wine Fellas Sponsored: The Premier Vegan Beer & Food Festival.
"They're rowdy and unfiltered. Prepare to have your mind blown."
Wine Fellas Seen At: A collection of natural wine artisans across the world.
Wine Fellas Sponsored: The standard in Natural Fitness.
"The wines feel transparent, diaphanous and full of energy."
Wine Fellas Sponsored: "It's about how these wines make you feel."


text:
Q: How would I go about changing the input_shape for Alex net (with tf-keras)? Here is the code:
def AlexNet(log_path, save_path, input_shape):
# code source => 'engmrk.com/alexnet-implementation-using-keras'
# model definition
model = models.Sequential()

# 1st Convolutional Layer
model.add(layers.Conv2D(filters=96, input_shape=(INPUT_SHAPE), kernel_size=(11,11), strides=(4,4), padding='valid'))
model.add(layers.Activation('relu'))
# Max Pooling
model.add(layers.MaxPooling2D(pool_size=(2,2), strides=(2,2), padding='valid'))

# 2nd Convolutional Layer
model.add(layers.Conv2D(filters=256, kernel_size=(11,11), strides=(1,1), padding='valid'))
model.add(layers.Activation('relu'))
# Max Pooling
model.add(layers.MaxPooling2D(pool_size=(2,2), strides=(2,2), padding='valid'))

# 3rd Convolutional Layer
model.add(layers.Conv2D(filters=384, kernel_size=(3,3), strides=(1,1), padding='valid'))
model.add(layers.Activation('relu'))

# 4th Convolutional Layer
model.add(layers.Conv2D(filters=384, kernel_size=(3,3), strides=(1,1), padding='valid'))
model.add(layers.Activation('relu'))

# 5th Convolutional Layer
model.add(layers.Conv2D(filters=256, kernel_size=(3,3), strides=(1,1), padding='valid'))
model.add(layers.Activation('relu'))
# Max Pooling
model.add(layers.MaxPooling2D(pool_size=(2,2), strides=(2,2), padding='valid'))

# Passing it to a Fully Connected layer
model.add(layers.Flatten())
# 1st Fully Connected Layer
model.add(layers.Dense(4096, input_shape=(input_shape[0] * input_shape[1] * input_shape[2],))
model.add(layers.Activation('relu'))
# Add Dropout to prevent overfitting
model.add(layers.Dropout(0.4))

# 2nd Fully Connected Layer
model.add(layers.Dense(4096))
model.add(layers.Activation('relu'))
# Add Dropout
model.add(layers.Dropout(0.4))

# 3rd Fully Connected Layer
model.add(layers.Dense(1000))
model.add(layers.Activation('relu'))
# Add Dropout
model.add(layers.Dropout(0.4))

# Output Layer
model.add(layers.Dense(17))
model.add(layers.Activation('softmax'))

model.summary()

When I tried, just changing the input shape to (91, 74, 3), I got this error:
ValueError: Negative dimension size caused by subtracting 11 from 10 for '{{node conv2d_1/Conv2D}} = Conv2D[T=DT_FLOAT, data_format="NHWC", dilations=[1, 1, 1, 1], explicit_paddings=[], padding="VALID", strides=[1, 1, 1, 1], use_cudnn_on_gpu=true](max_pooling2d/Identity, conv2d_1/Conv2D/ReadVariableOp)' with input shapes: [?,19,10,96], [11,11,96,256].

Now how would I go about changing, for example, the strides and or kernel_size if I wanted to do AlexNet with a dataset of RGB (91 * 74) images which have the input shape --> (91, 74, 3).
Is this even possible, if so how?
Thank you....

A: Convolutional layers and average pooling or max pooling layers reduce the size of the image w, h as you go deeper into the network, if you start with a small image it might end up having negative dimensions which doesn't make any sense. if you want to start with small images try removing some of the max_pool layers or use padding="same" on the conv layers or just reduce the depth of the network's architecture.

example: after the first layer the shape is gonna be (21, 16, 96).
  How to calculate the output:
  for valid padding it is ((W - F) / S) +1
  for same padding the output shape is the same as the input shape except the number of channels

redpajama_set_name: RedPajamaStackExchange


Merging a decidedly clean profile with cozy comfort, the Alenya living room set with sofa, loveseat and ottoman is high style made for real living. Upholstered in a fresh hued microfiber, the sofa and loveseat are dressed to impress with neatly tailored box cushions and crisp, track arms. Wrapped in a fancifully scripted fabric, the oversized ottoman completes the scene with très chic flair.
Sofa and Loveseat top of cushion to top of back: 17.00"
Sofa and Loveseat seat height: 20.00"
Sofa and Loveseat seat depth: 21.00"
Sofa and Loveseat leg height: 4.50"
Sofa and Loveseat arm height: 25.50"
Sofa distance between arms: 71.00"
Loveseat distance between arms: 48.00"
I bought a new house and needed a new living room set and this one matched the decor that I chose.
struggled to find a couch we liked and that would fit the space. this couch is perfect! a little firmer than what we experienced in store but know it will soften up with use.
I was looking for a set in charcoal/grey and this set was perfect!
I bought this set in October of 2017. The frame has been repaired 2 times and needs to be repaired yet again. I regret buying this on a daily basis. It started sagging (even the loveseat that is rarely used) within 6 months. The ottoman is dipping in the center. Never again.


Construction of a new light rail track in Maryland might stall as a species of endangered shrimp takes a stand against humanity.
The Hay's Spring amphipod, listed as a federally endangered species, is endemic to Rock Creek, a tributary of the Potomac River, and is currently found directly in the path of the proposed purple line that will run between Chevy Chase and New Carrollton.
The tiny anthropods, which measure just 10 millimeters in length, have long been threatened by the presence of urban development, with heavy metals and other pollutants being detected in the area.
Fitzgerald believes that not enough study has been done on the impact of the light rail, and fears that the run-off from the construction process could spell doom for the shrimp. "If they can do this right, they can have the line and the species too. But they haven't shown they can do it right yet," he says.


Hooray for Harraw! Super smooth, not draggy, not sticky, not sweet, not too glossy, not too smelly, never grainy, long lasting; ?plus, it had to hold up to being in a back jeans pocket all day without melting! This is the balm you'll buy again and again and again… Oh and it's Vegan, organic, gluten free and non-toxic to boot.
When I went to visit the importer of Hurraw!, they were kind enough to give me a few different flavours to take home so I handed them out to the ladies at bb HQ to try. Little did I know I was starting a lip balm revolution. Emily in Marketing loves Coconut, Ali in Logistics adores Almond and Ed Lauren was so upset that her Vanilla one was running out, she pleaded for us to stock them in the store. So, we present Harraw! for your enjoyment too. Warning. One flavour is not enough.


Our experienced social media marketing experts at Old River Media Group would love to discuss how we can help you benefit from a solid social media marketing strategy. Not just a catalyst to improve sales, but also how it can be used to expand local knowledge of your brand, products and services.
Believe it or not, social media isn't just a platform for the young to exchange information about the latest fashions, the latest music, or to show off 'selfies' they've taken.
Social media is the perfect medium to build brand awareness and engage in outreach with both existing and prospective customers. But to do it correctly one must strike a balance. People don't frequent social media to read ads all day or be sold to. Social media marketing companies today have to raise their game with creative and engaging content done with a conversational tone.
Right now, Facebook messaging has taken the place of traditional email, when it comes to informal written messaging between the over-40's. This type of communication between family, friends, and associates isn't just limited to messaging, but also posting information such as recipes and giving reviews for products and services that they've purchased or used.
The Facebook messenger platform can be transformed into an effective engagement tool with phenomenal open rates compared to traditional email in the hands of a competent marketer.
What does this mean to your business? Well, it certainly means that if your business is not being seen on platforms such as Facebook, Twitter, and Pinterest, and you're competitors are, then guess who's getting the business that is being generated by this online chatter? It certainly isn't going to be you or your company.


text:
« English as a Compulsory to Pass Subject in SPM – My View
Obama's Approval Rating Hits Negative 26!!! »
UMNO Chief is Shocked That Political Leaders Could Call For Bloodshed
Hypocrisy Meter from theblogprof.
Q: When do you ever hear about BN and UMNO politicians denouncing calls to violence and bloodshed to further one's agenda?
A: Only when it's not your own party doing the calling, DUH.
From The Star 15 June 2009:
PAS' bloodshed talk shocking
Kelantan Umno liaison chief Datuk Mustapa Mohamad is shocked that some PAS leaders have resorted to telling party supporters in Manek Urai that they must defend the seat even if they have to "shed blood".
Mustapa said it was regrettable for leaders to incite their supports by becoming so emotional when the by-election was just about winning influence.
"I am shocked that some PAS leaders can come out with talk of bloodshed and violence and this is very dangerous.
"Barisan Nasional rejects such approach because at the end of the day, this is just politics," Mustapa said in his speech before the launching of the Barisan election machinery by Umno vice-president Datuk Seri Mohd Shafie Apdal here on Saturday night.
He added that Barisan would not employ dangerous and desperate tactics as used by PAS, and urged those involved to stop doing so as it would be difficult to control their supporters once they became highly emotional.
"Has PAS lost the art of wooing the hearts of the voters or have they lost their minds to subscribe to such a militant approach?" he asked, adding that in the end, the winner would be decided by peaceful voters.
Seriously, keep the remarks about blood but replace 'PAS' with 'Najib' (or any of the other UMNOputras who have gone on the record calling for bloodshed) in the above, and you might have one Kelantan Umno liaison chief locked up under the ISA.
Tags: Kelantan Umno liaison chief, Najib keris, Najib Tun Razak, UMNO, UMNO hypocrite, UMNOpocrisy, UMNOputra
This entry was posted on June 15, 09 at 1:18 pm and is filed under Malaysiana, UMNOpocrisy. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
10 Responses to "UMNO Chief is Shocked That Political Leaders Could Call For Bloodshed"
wits0 Says:
June 15, 09 at 7:19 pm
"He added that Barisan would not employ dangerous and desperate tactics as…"
Like a serial rapist claiming to be a virgin!
June 16, 09 at 4:21 am
"Racial polarisation in the country is not caused by the country vernacular school system but more by the government political, education and economic discriminative policies." – an educationist said today.
The prime minister and all the Umno ministers will never admit that polarisation arises more out of the race-based policies and privileges one race gets over another.
Similarly, there are other areas of our daily lives where terminologies used have made us view certain practices as privileges rather than sacrifices. For instance, the bumi discount for houses.
The total sale value to the developer is still the same. It is just that the non-malay buyer is likely to be required to pay for some of the discount given to the malays.
But the longer the NEP policies continue and the greater the vehemence with which Umno politicians issue threats, terminologies will change and more people will talk about these practices or policies in words that may not sound as pleasing to the ears of the beneficiaries.
Obviously, at that point we shall probably see a new round of discriminations and disagreements. Unfortunately, as long as only weak people take on leadership roles within Umno, threats will continue, NEP policies will be sustained and corruption will prevail.
That unfortunately is the legacy we have as Malaysians.
The basic building blocks of unity, whether you are uniting different ethnic groups in a country or trying to re-engineer a corporation of differing cultural values, are the same.
The principal parties have to be treated as equals – nor special privileges no favours that would favour one group over another. Any privilege that is given should be given to all on the same basis – for example, special privilege given to the financially poor regardless of race or ethnic origin.
It is only on this equitable footing that you can foster true nationalism and build lasting unity, since each component group will have the same stake in the nation and has equal likelihood in reaping the rewards or suffering the consequences.
My recommendation to the government, not simply as a businessman but also based on pragmatism, is not to waste any more taxpayer ringgit on nationalism programmes until it has established the pre-conditions for its success.
What is sad is that, after almost five decades of independence, we have been unable in Malaysia, to bring globally vision leaders to the forefront – leaders who can see beyond racial boundaries to recognise the immense sociological and economic potential that can benefit all Malaysians.
aston Says:
My uncle left Malaysia in the 1970s. He graduated from MIT and did his PhD in Yale on computer science. I dare say, that was when computer science era just starting.
He was a very patriotic man, a scout graduated from Royal Military College. He came back to Malaysia after his PhD to serve this country. Looked for a job in University Malaya. They told him point blank, we have openings, but it is only for bumi.
He left for greener pastures in United States. Has been a US citizen for a few decades now. He has contributed widely to the field of computer science and is still doing so.
He never forgave Malaysia for turning their backs to him. And I guess he never will.
ruyom Says:
My school in the 50s and 60s when terms like bumis and non-bumis did not exist.
Back then, there was a kind of kindred among school children then that does not exist today. We were racially different but we were all equal in every other way. Nobody was – special.
Today when a non-malay student goes to school, he has already been told over and over again by his parents that, "You will have to do superlatively in order to get into a local university."
The child comes back having done creditably well, and doesn't get the university course of his choice. But his malay classmate, with worse marks than him, gets more than he asked for.
All these double standards and retrogressive policies were put in place by our selfish politicians whose aim, rather than uplifting the malays, was to perpetually stay in power for their own good.
The end result is a new generation of Malaysians who are not united in the least.
The first thing to be done towards a real Bangsa Malaysia is to pull down all divisions that categorise us along racial and religious lines.
All, irrespective of race and religion, must be subjected to a truly merit-based system in every sphere of Malaysian life.
All political parties that exploit any form of religion should be banned.
Well, it can't be denied that BM as a national language has failed in its touted purpose of uniting the people but on the contrary has produced the opposite effect.
The spirit with which it was imposed was wrong. It was with a hidden intention to hobble the non bumis. They wanted to make it the bahasa tunggal(sole language) as well, like as if they can and live happily ever after.
The bad Karma returns now to run over the Dogma.
Scott Thong Says:
June 16, 09 at 10:08 am
All these double standards and retrogressive policies were put in place by our selfish politicians whose aim, rather than uplifting the malays, was to perpetually stay in power for their own good. – ruyom
ruyom, I don't suppose you've ever read Lee Kuan Yew's memoirs, The Singapore Story book 1? In it, he claims the reason Singapore was so quickly kicked out of Malaysia was because he questioned in a special meeting of Parliament how having everything in Malay and quotas in business benefited the poor villager, farmer and fisherman. Tunku Abdul Rahman feared that LKY could become the PM and quickly removed him and Singapore.
And true enough, the NEP seems to have benefited UMNOPutras and their connections quite a bit…
bajurtov Says:
Shalom !
Me gusta tu blog,es excelente !
Te invito a conocer el mío :
http://bajurtov.wordpress.com/
Paso a ponerlo entre mis enlaces
Un abrazo desde
kweky Says:
when it comes to education,we must "thank" mca for providing us with a second option…. TAR college and UTAR. as a father now, whatever plans that i have , i think of my son first. right after his full moon, i purchased a medical card for him. two months later, i purchased another insurance ploicy for him. the 2nd one is for his tertiary education in his future. i don't expect him to be a genius… but at least i know… he won't have to worry about getting into a private university if the public ones are no longer available for the NON-BUMIS!!
what can we expect!!!!?? just think of continuing to stay, or search and work out a chance to migrate. either way, we will still be categorised as immigrants.


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text:
Persephone and the Four Seasons (2006, rev. 2009) for oboe solo and orchestra.
By Thomas Oboe Lee
Oboe Solo
Thomas Oboe Lee
https://www.sheetmusicplus.com/title/persephone-and-the-four-seasons-2006-rev-2009-for-oboe-solo-and-orchestra-digital-sheet-music/19950608?ac=1&aff_id=50330
Oboe - Advanced Intermediate - Digital Download
Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Adagio. 82 pages. Published by Thomas Oboe Lee (S0.13588).
Item Number: S0.13588
Instrumentation: 2022-2200-2perc-hp-stringsProgram note.It is no surprise that I would write an oboe concerto sometime in my composing career, my middle name being the obvious reason. The opportunity came in 2005 when I suggested to Max Hobart that I write such a work for Andrew Price, the principal oboist of the Civic Symphony Orchestra of Boston. Andrew has been principal with the CSO for at least the last ten years. Max thought it was a great idea. Andrew was thrilled. The work is dedicated to oboist par excellence, Ralph Gomberg, Andrew's teacher and a beloved colleague of Max at the Boston Symphony Orchestra. The next step in such an endeavor was to find a story. A year ago Charles Ansbacher commissioned me to write the Pluto movement for a performance of Gustav Holst's "The Planets." In my search for the "lord of the underworld," I came across the story of Persephone on the Internet. "The beautiful daughter of Demeter and Zeus, Persephone is the focus of the story resulting in the division of the seasons, giving us the sweetness of Spring and the bitterness of Winter. Pluto did not woo the beautiful Persephone; he abducted her and took her to his underground kingdom. After much protest, Persephone came to love the cold-blooded king of the underworld but her mother, Demeter, was consumed with rage and sorrow. She demonstrated her anger by punishing the earth's inhabitants with bitter cold and blustering winds. Unless Persephone was returned to her mother's side, the earth would perish. Heracles came to the rescue. He entered the kingdom of Pluto and negotiated a compromise between Pluto (usually cold and selfish) and Demeter (usually loving and caring). All agreed that Persephone would spend part of the year with her husband, Pluto, and part of the year with her mother, Demeter. When Persephone is with Pluto the earth is wracked by the sorrow of her mother. But, when Persephone returns from the underworld to walk the earth again, Demeter pours forth the blessings of spring to welcome her beloved daughter home." [***See footnote.] Naturally, the story resonated with me deeply. It also reminded me of that beautiful marble statue of Pluto and Persephone by Gianlorenzo Bernini at the Galleria Borghese in Rome. I told Max I would write a concerto based on this story and call it "Persephone and the Four Seasons" – a nod to Antonio Vivaldi, since the oboe is such a quintessential baroque instrument. In many ways, my concerto is quite balletic in its narrative/libretto. I have been a student of dance, exclusively ballet, since the summer of 1988. I have not only learned a lot about the art form as a practitioner, but have also accumulated a vast knowledge of its history and the major characters who have shaped that history. I have also collected a massive amount of ballet memorabilia in terms of letters, autographs and photos. Consequently all stories in my book are ballet stories. Persephone and the Four Seasons is in four movements. I. Summer Adagio. The music begins with a sunrise. Allegro. Persephone rushes into the warm summer air and does a pas seul.II. Autumn Scherzo. Pluto sees Persephone, grabs her, and takes her into his world beneath the Earth.III. Winter Adagio. It is night. Persephone laments and misses her mother, Demeter. Moderato. Pluto asks Persephone to marry him. She says yes. [In a ballet libretto this would be the grand pas de deux.]IV. Spring Allegro. Pluto allows Persephone to visit her mother. Flowers grow again and leaves appear on branches. The air is warm. Persephone embraces her mother and dances joyously in the glow of the sun. ***Michael Stewart, "Greek Mythology: From the Iliad to the Fall of the Last Tyrant."
Audio link: https://thomasoboelee.bandcamp.com/album/persephone-and-the-four-seasons-2006.
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Preview: Persephone and the Four Seasons (2006, rev. 2009) for oboe solo and orchestra.
Persephone and the Four Seasons (2006, rev. 2009) for oboe solo and orchestra. (Sample #1)
Thomas Oboe Lee Sheet Music Thomas Oboe Lee Oboe Solo Sheet Music
Oboe Solo Sheet Music
20th Century Sheet Music 21st Century Sheet Music Baroque Period Sheet Music Classical Period Sheet Music Romantic Period Sheet Music


text:
Life membership awarded to Abbotsford accountant
The honour has been bestowed by the Certified General Accountants Association of B.C.
The Certified General Accountants Association of B.C. (CGA-BC) has granted a life membership award to John Pankratz of Abbotsford.
Life membership is awarded for meritorious service in the profession and is the highest honour conferred by CGA-BC.
It recognizes those who have provided exemplary service, contributing to the growth and stature of the association.
Pankratz is a partner at Friesen Pankratz & Associates LLP.
In 1986, he entered public practice and, in 1988, he received his CGA designation.
Pankratz has served on the local chapter board from 1988 to 1997, and has held numerous positions with provincial boards and committees.
He was granted the Harold Clarke Award for Service in 2002.
Pankratz continues to serve the association in key positions – as an elected member of the board of governors in 2005, and as CGA-BC's president in 2010.
Pankratz has also been active in the community, as treasurer of the Valley Squadron of the Canadian Power and Sail Squadrons for 10 years, on the board of finance for Bakerview Church, and as an examiner and area administrator for the Royal Life Saving Society.
He was a member of the Canada Revenue Agency's Appeals Advisory Committee from 2004 to 2006, and in 2012 he was appointed to B.C.'s Audit Certification Board, which oversees the certification of our province's auditors.
This year, Pankratz was appointed to the board of the University of the Fraser Valley.
Willoughby Town Centre thriving in Langley
Real estate prices flat in Lower Mainland as stocks soar


Might a twang or a drawl influence the search results you see at Google? If you're prone to calling an elevator a lift, and tend to speak the Queen's English in an accent similar to hers, you might see different search results than if you grew up in the Bronx or in New Orleans. If you sport a Polish accent, or a Spanish one, and you perform voice searches on your phone, would receiving results in Polish or in Spanish because of your accent be a problem or a benefit? If your accent is Australian, and you search for "football" while in the US, would it surprise you to see some Australian Rules Football results returned to you?
Search engines have been using something called an Automated Search Recognition ("ASR") engine to try to eliminate or reduce accents in voice searches by treating those as if they were noise. But the value of that noise might also be recognized as another signal that might improve search results.
By including the accent of a voice query as an input to the search result generation process, search result rankings can be biased to offer preferred results to accented voice queries.
For example, if English-language speakers with a French-language accent show a preference for a particular result for the query terms "restaurants in Scranton" than do English-language speakers with a Russian-language accent, a search engine will be more likely to select that particular result for another user who provides a voice query in the English language with a French-language accent. The preference for that particular search result would not be reflected in search results that are generated for other users that do not have that particular accent.
Such a process would be a data driven one that could start collecting accent information when speech-based queries are made to possibly influence future search results and rankings as well. The patent tells us that accents can be indications of common backgrounds, native languages, and/or regions of origin.
Methods, systems, and apparatus, including computer programs encoded on a computer storage medium, for generating search results. In one aspect, a method includes obtaining a transcription of a voice query, and data that identifies an accent of the voice query, submitting the transcription and the data that identifies the accent of the voice query to a search engine to generate one or more accent-influenced results of the voice query, and providing the accent-influenced results to a client device for display.
I've had friends over the past 10 years or so experiment with voice recognition software with varying degrees of success. We know that Google provided a free voice search service named GOOG-411 for a number of years to collect as much data as they could about voice searches. What I hadn't considered was that in addition to collecting data about how to filter out accents, it was also likely that they were also collecting information about those accents as well.
It seems that the noise Google was filtering out of voice searches now has the chance to be the signal that Google might use to filter search results with.
I look forward to experimenting with my large repertoire of accents. I'm especially good at Welsh and Deep South.
It will be interesting to see what my Icelandic accents returns in my search. I'm however not sure I want Google to make that kind of decisions for me.
That is interesting. I can see the benefit of this and I also wonder how google will balance this with geo-location filters. For example, what if someone in the US (let's say a football stadium) searches for "football" with an australian accent. Would Google assume that they are looking for US rules because they are at a US game? IDK, but this is an interesting topic to consider.
I still get some interesting and strange responses from voice recognition tools like siri so it will be interesting to see how this develops. Although there has been some development over the last 10 years in this field as you mentioned there have been varying degrees of success and I don't see it has progressed as fast as other technology. Google seems obsessed with second guessing a persons location but what if you have an Irish accent but looking for a Chinese restaurant in New York? When travelling now I get constantly frustrated with Google confronting me with search results and ads in the language of the country I am in and asking if I want to see results from the Google version for that country and vice versa when I return home. It's already a problem that might get worse with this accent recognition.
I love the renewed efforts to perfect this technology. It seems like the last time someone took a real swing at it was when DragonSpeak was still a product.
For me, I live in a state with no cell phone while driving laws. If my voice-to-text was more accurate, I could be much safer.
This is absurd. Actually, it fringes on stereotyping.
I'm not sure how you might construe this as stereotyping, except for the fact that the results that would be returned to someone might be based upon an accent.
If you look up the definition of "stereotype," if often refers to widely held belief about a particular group of people that is often over-generalized. That's not the point behind this patent. Instead, it considers the use of an accent as additional data that might be used when deciding upon and filtering search results.
We don't know if Google ever adopted this for use.
If you do feel that this patent does fringe on stereotyping, I'd be happy to hear your argument about it, based upon the actual patent itself rather than my blog post about it. Thanks.
I tried too by saying football  it was really surprising result. In my personal opinions it is still needed to update in accent point of view as some time it get verse instead of helping and people get struck in to the results instead of getting accurate ones instantly.
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Whether you are new to our church or you remember it from way back, Lancaster Alliance Church is here to serve you. It is our goal to help you grow in your relationship with Christ and with others through Biblical teaching, prayer, and engaging worship. We offer a host of fellowship, ministry, and interaction opportunities for you to get to know our church family as well as community members. We invite you...find what interests you, and get connected!
Click on the links below to see what's available for adults at LAC.


text:
Home » News » Allen to depart Philanthropy Ohio leadership post next year
Allen to depart Philanthropy Ohio leadership post next year
COLUMBUS – Suzanne T. Allen, Ph.D., has announced that she will leave her position as president and CEO of Philanthropy Ohio to become the executive director of the Barberton Community Foundation in early 2019.
During her six-year tenure, Dr. Allen successfully led the organization through its transition to a new name in 2013 (previously Ohio Grantmakers Forum) and two strategic plans, managing a $1.5 million budget and staff of 11 working in Cleveland and Columbus offices.
Robert Jaquay, associate director of The George Gund Foundation and chair of the Philanthropy Ohio Board of Trustees, applauded Allen on her leadership and accomplishments at a recent board meeting. "Suzanne has been an innovative, forward-thinking leader who is leaving the organization in a strong position, both in financial and human capital terms. We wish her the best in her new position at the Barberton Community Foundation and are sure that she will bring her years of experience, extensive knowledge of the philanthropic sector and passion for the nonprofit sector to her work there, just as she has at Philanthropy Ohio."
The Board of Trustees announced that Claudia Y.W. Herrold, senior vice president for communications and public policy, will be the interim president & CEO after Dr. Allen's departure. The Board has begun planning its process for conducting a search for a successor in the new year.
Philanthropy Ohio is a statewide membership association that provides the network, tools and knowledge to help people engaged in philanthropy become more effective, powerful change agents in their communities.
Contact: Suzanne T. Allen, Ph.D., President & CEO
Email: sallen@philanthropyohio.org


text:
Meșteri cojocari este un film românesc din 1976 regizat de Paula Popescu-Doreanu.

Prezentare

Note

Legături externe

Vezi și
 1976 în film

Filme românești
Filme în limba română
Filme din 1976

redpajama_set_name: RedPajamaWikipedia


Invented by an Ophthalmologist to improve the care of patients eyes naturally, EyeGiene® is an advanced solution for improved eye health.
The EyeGiene® Insta-Warmth System utilizes a unique source of heat, which rapidly produces warmth for up to 10 minutes. In addition to a relaxing sensation, the warmth is known to improve the flow of natural oils in the glands in the eyelids that are critical for normal eyelid and tear film function.
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NOTE: EyeGiene is a system with the warming units and mask designed to work together. The warming units will reach full temperature in 3 to 5 minutes once placed in the mask.


PlanetVisible is a small, like-minded and flexible photography collective positioned to collaborate in the creative process of shaping visual stories. We are passionate about caring for people, the environment and for creating a positive impact on our planet. Our lives started in different parts of the world but it is the shared exchange and passion for storytelling and visual imagery that bonded us as friends. This friendship has grown into a purposeful partnership that is today PlanetVisible.
By working closely within a team we create a collection of versatile and striking images to fit individual projects. We listen carefully to our clients requirements and deliver professionally crafted work that appeals to editors and publications. By collaborating with magazines, newspapers and online media, PlanetVisible has the reach to bring exposure and attention to local stories and share them with the world.
Working on projects is heightening our motivation and creativity enabling us to cover in-depth stories in short periods of time. It's this "togetherness" which is enriching our photography.
Having travelled the world as a backpacker in the 1990's, Justin recognized his passion for the visual image. He spent the next three years studying photography before gaining employment with News Corp thus entering the world of newspaper photography. It was a great classroom and one that created a multi skilled base for future work.
For the last ten years, Justin has resided in Zurich, Switzerland working as a freelance photographer for some of the biggest companies in Europe. His love for the visual image has never diminished and he works passionately on new and intriguing projects that constantly push his photography in different directions.
Pascal Richard grew up surrounded by paintings by various artists like Chagall, Miro and Dali. As his parents owned an art gallery in Zurich, he understood from an early age the power of expressing things through images. At the art school in Vevey, Switzerland he realized that photography is an incredibly strong medium to discover, document and share what he likes most – humans and their various ways of living, creating and working. He believes that there is always a story to be told and follows his passion to uncover new and inspiring projects around the globe.
We firmly believe that working with collaborators and supporters enhances our ability to explore, document and share stories from around the world, with the world. We respect and appreciate different cultures and environments and enjoy the creative challenge of getting the right image. If you share our passion for combining photography and storytelling, have an interesting story that needs to be told or would like to sponsor our current project, please get in touch. We would love to hear from you.


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The Meeting House is proud to host artworks by this year's graduating students and invite you to view them throughout Graduation Week 16th – 20th July 2012. Currently we are pleased to be displaying work which has been produced by students of BA Art Practice.
The Meeting House will be open between 8.30am – 5pm and offers you the opportunity to meet with friends in a relaxing and informal environment.
Families and friends are most welcome to spend time at the Meeting House before and after the graduation ceremonies. They can be sure of a warm welcome, whether they need a space to relax after a long journey, somewhere to have a cup of tea or as a place to meet up.
This entry was posted in Chaplaincy Events and tagged art, art practice, BA Art Practice, exhibition, graduation. Bookmark the permalink.


I am used to my local paper, Newsday, having a Greenout in its reporting on politics. I am not talking about the usual Greenout where they pretend there are no other candidates than the corporate Democratic/Republican candidate. I am talking about where they report on another similarly situated candidate and give short shrift to the Green Party candidate. For instance, Newsday reported on the Liberal Party County Executive candidate while it did not report on the similarly situated Green Party candidate despite having interviewed Green party officials.
Now it's the AP's turn. I am a little shocked that a national press syndicate would be so blatant. In an AP article on the DC Shadow Representative election, the AP refused to even give the Green Party [notice the AP won't even capitalize Green Party] candidate a name much less give her an equal paragraph to the Republican candidate.
The winner of the Democratic primary on Sept. 14 will face two opponents in November: the green party candidate, a grandmother, and a Republican who is a retired congressional staff member. But three-quarters of the city's registered voters are Democrats, so the other candidates are considered longshots.
"My chances are not good," acknowledges Republican candidate Nelson Rimensnyder, who proposes making the district a territory, which he says would give it more rights, and creating a D.C. delegate to the Senate.
1. The Green Party is DC's Second Party. The Green Party pulls more votes than the Republican Party in DC, so the Republican Party is the 3rd Party in DC. Since when do you report on the 3rd Party candidate and no even give the name of the Second Party candidate?
The DC Statehood Green Party has been called "DC's Second Party" after Statehood Greens drew more votes than Republicans in recent elections, including 2006, when the two parties each ran five candidates: 45,421 votes for Statehood Green candidates, 34,658 for Republicans. In 2008, a presidential election year, Statehood Greens received 81,463 votes, Republicans 77,994 votes.
3. The media is not liberal, it's corporate. If this contest included a Tea Party candidate, half the article would have been about him, but when it's a Green Party candidate she doesn't even have a name. The Tea Party pushes the agenda of corporate power, while the Green Party has consistently worked to remove corporate money from politics. Green Party candidates will not take corporate funds. The consistent over-promotion of Tea Party activities while having a Greenout of Green Party candidates serves large corporate interests well.
Howard University, sociology; graduated, George Washington University.
ANC commissioner, wards 2 and 5; president, vice pres., secretary, PTSA; Consumer Utility Board; chairman, vice chairman, Lincoln Westmoreland Tenants Association; president, vice pres., secretary, Parents United; vice chairman, City Wide Housing Coalition; secretary, National Federation and D.C. Association of Housing Counselors; secretary, Hanover Area Civic Association; member, North Capitol Collaborative Board.


Georgie Karloci (nee Duddy) is one of Australia's best wedding and event planner and stylists having been at the helm of magazine worthy occasions including the wedding of Montara Pitt, Anna Heinrich and Tim Robards and Kate Waterhouse's 30th.
We can only begin to imagine the pressure Georgie felt to ensure her very own wedding was all she could image and as you will see in the below images captured by renown wedding photographers Erin & Tara it certainly didn't disappoint.
Georgie, your wedding is so incredibly beautiful. What was your vision for your special day?
Thank you! Overall I wanted the day to feel effortless, beautiful, romantic and fun. It really evolved throughout the year. I started with the venue - working with it however always making sure the styling had my own spin on it. I knew I wanted the ceremony to really WOW - it was the place of most importance to us as that's where we made the relationship official. I wanted depth with lightness and really enjoyed watching my brief evolve throughout the year. I wanted it to feel classic however still have a modern twist to it and I wanted there to be 'moments' everywhere for guests to stop, stare and enjoy.
Has planning your own wedding changed your viewpoint and the way you work as a wedding planner?
I believe it's changed how I plan a great deal. One big distinction for me is my ability to help guide my clients more with decision making as I understand when they have decision fatigue and they need some help to be pushed to make a decision versus when it's actually a really important element that they want some space to consider their options further. Before I got married myself, I'd also not really understand why the couple wouldn't just go for it with the add-ons - thinking it's a once in a lifetime event so why not?! Now I understand that you get to a point where enough is enough! It doesn't matter how large your budget, it's all about making considered decisions.
I would have to say surprising my guests with a flash mob gospel choir at the completion of the ceremony! Marc, myself and my parents were the only ones that knew it was happening! It was a year of planning, months of sourcing the right people to bring together with the help of Rutherford Entertainment and rehearsal after rehearsal to get it just right! The choir were disguised as guests sitting in the ceremony with the remainder of the choir upstairs in the chapel and it really was an amazing performance. It certainly is something everyone can't stop talking about and seems to have set a trend!
As cliched as it sounds, no I wouldn't. It really was the most perfect day. I wish I could relive it again and again!
When you went looking for your wedding gown did you have anything specific in mind?
After all the years of experiencing this with my brides and seeing my friends get married, I knew to just trust the process and not rule anything out! I knew I would just feel it when it was my dress.
When did you know your Inbal Gown was 'the one'?
After recommending my brides to Helen for years I knew I wanted to go there first when looking for my gown - and I didn't go any further! I had a feeling I would wear Inbal after all of my research - and narrowed it down to 2 gowns. I was so torn, however Helen and my bridesmaids knew the gown I chose was the standout and were very vocal about it!
How was your experience with Helen Rodrigues Bridal?
It was effortless, fun and a truly beautiful and unforgettable experience. For the first visit I took a couple of my bridesmaids, my mother and my mother in law. It was such a fun appointment and my bridesmaids fell in love with my dress immediately! Then I took my mum and my bridesmaid who lived overseas to my fittings. It was so nice to go on that journey with them all.
How did you select your wedding venue and suppliers?
I knew we wanted to get married somewhere other than Sydney. After working in events and weddings in Sydney for the past 14 years I wanted my wedding to feel like the opposite of work! We both love Melbourne so started to look in Victoria. Marc and I narrowed it down to 2 venues, one in the Yarra Valley and another in the Mornington Peninsula. In the end, I asked my parents to choose which one they preferred as I couldn't decide! They both loved Stones of the Yarra Valley - as it was a nod to my country roots and Marc's Italian heritage. It felt more 'us'.
For our suppliers, they came from everywhere! I did have a rule and wanted to work with suppliers I mostly hadn't worked with before! My invitation suite was created by the talented Tara Spencer in Canada, Hair and make up was from Sydney (as I knew I had to have Sarah Laidlaw with her combination of incredible talent and beautiful personality), our minister came from Sydney also (Garry Lee-Lindsay was the perfect choice - we knew he would do a beautiful service and he surely did!) and my favourite lighting and sound guru Rob King came down to Melbourne from Sydney also as I'm a self professed lighting snob! Our florist Cecelia Fox was incredible, I'd wanted to work with her for ever and it was a dream to see what she created - and also Erin and Tara (photo) and Moon and Back (video) were Melbourne based and we have worked together so much since as I loved what they produced and so enjoyed working with them. My friend Georgie and her colleague Claire from Georgeous Occasions helped with planning on the day and also recommended their favourite suppliers in Melbourne like Rutherford Entertainment for our Choir and DJ / Singer / Sax combo, Electric Confetti to create my custom Ti Amo sign, my incredible cake maker and multiple wonderful decor suppliers.
This week you celebrated your 1st wedding anniversary, how has the 1st year of married life been for you and do you think being married changes your relationship?
The first year of marriage has completely flown by! I still get a huge kick out of introducing Marc as my husband. I definitely feel marriage has changed our relationship - everything just feels more 'together' in every sense of the word. He's my world.


text:
A Volvo C30 a Volvo svéd autógyártó legkisebb modellje. A Ford's Premier Automotive Group divízió által gyártott három ajtós, négyüléses, luxus kategóriás gépkocsi 1.6, 1.8, 2.0, 2.5-ös dízel, valamint benzines motorral érhető el. Tekinthető az S40/V50/C70 sorozat háromajtós változatának is, legtöbb tulajdonságukat át is vette.  Azonban merész újítása ez a modell a konzervatív svéd márkának. Szlogenje: "A c30 mindenkire hat, van, aki gyűlöli, és van aki imádja, de senki sem tud mellette úgy elmenni, hogy ne váltana ki belőle érzelmeket"

A 2006-os párizsi autókiállításon mutatták be, és még annak az évnek a közepén bejelentették 2006. végi európai megjelenését. 2008-ban várható bemutatása az Amerikai Egyesült Államokban t5 néven. A BMW 1, Volkswagen Golf, Audi A3 és a Mini Cooper dominálta piacon kívánják pozicionálni, mint a "fiatal vásárló első Volvója". Évi 65000 darab gyártását tervezik, ennek 75%-át az európai piacokra.
2009. szeptemberében az eredeti modellt átalakította.

Külső hivatkozások

 Hivatalos nemzetközi Volvo C30 oldal
 Volvo C30 Dedicated Forum

C30


text:
Zechariah 1:12
KJ21
Then the angel of Jehovah answered and said, O Jehovah of hosts, how long wilt thou not have mercy on Jerusalem and on the cities of Judah, against which thou hast had indignation these threescore and ten years?
Then the Angel of the Lord said, "O Lord of hosts, how long will You withhold mercy and compassion from Jerusalem and the cities of Judah, against which You have had indignation and anger these seventy years [of the Babylonian captivity]?"
AMPC
Then the Angel of the Lord said, O Lord of hosts, how long will You not have mercy and lovingkindness for Jerusalem and the cities of Judah, against which You have had indignation these seventy years [of the Babylonian captivity]?
¶ Then the angel of the Lord answered and said, O Lord of hosts, how long wilt thou not have mercy on Jerusalem and on the cities of Judah, against which thou hast had indignation these threescore and ten years?
Then the angel of the Lord responded, "How long, Lord of Armies, will you withhold mercy from Jerusalem and the cities of Judah that you have been angry with these seventy years?"
Then the Lord's messenger, who was speaking with me, said: "Lord of heavenly forces, how long will you withhold compassion from Jerusalem and the cities of Judah, with whom you have been angry these seventy years?"
The angel of Adonai said, "Adonai-Tzva'ot, how long will you keep withholding mercy from Yerushalayim and the cities of Y'hudah? You've been angry with them for the past seventy years!"
At this, the angel said, "Lord All-Powerful, for seventy years you have been angry with Jerusalem and the towns of Judah. When are you ever going to have mercy on them?"
And the angel of Jehovah answered and said, Jehovah of hosts, how long wilt thou not have mercy on Jerusalem and on the cities of Judah, against which thou hast had indignation these seventy years?
And the angel of the Lord answered, and said: O Lord of hosts, how long wilt thou not have mercy on Jerusalem, and on the cities of Juda, with which thou hast been angry? this is now the seventieth year.
Then the Lord's angel said, "Lord All-Powerful, how long before you comfort Jerusalem and the cities of Judah? You have shown your anger at these cities for 70 years now."
Then the angel of the Lord said, 'O Lord of hosts, how long will you have no mercy on Jerusalem and the cities of Judah, against which you have been angry these seventy years?'
ESVUK
EXB
Then the ·Lord's angel [angel of the Lord; v. 11] asked, "Lord ·All-Powerful [Almighty; of Heaven's Armies; T of hosts], how long will ·it be before you show [L you withhold] mercy to Jerusalem and the cities of Judah? You have been angry with them for seventy years now."
Then the Angel of the Lord answered and said, O Lord of hosts, how long wilt thou be unmerciful to Jerusalem, and to the cities of Judah, with whom thou hast been displeased now these threescore and ten years?
Then the Messenger of the Lord said, "Lord of Armies, how much longer until you show compassion to Jerusalem and the cities of Judah? You've been angry with them for 70 years."
Then the angel said, "Almighty Lord, you have been angry with Jerusalem and the cities of Judah for seventy years now. How much longer will it be before you show them mercy?"
Then the Angel of the Lord responded, "How long, Lord of Hosts, will You withhold mercy from Jerusalem and the cities of Judah that You have been angry with these 70 years?"
Then the Lord's angel asked, "Lord of heaven's armies, how long before you show mercy to Jerusalem and the cities of Judah? You have been angry with them for 70 years now."
And the angel of the Lord replied, "Lord of the Heavenly Armies, how long will it be until you show mercy to Jerusalem and to the cities of Judah, with whom you have been angry for these past seventy years?"
Then the angel of the LORD answered and said, O LORD of the hosts, when wilt thou have mercy on Jerusalem and on the cities of Judah, against which thou hast had indignation these seventy years?
AKJV
The angel of Yahweh answered and said, "O Yahweh of hosts, how long will you have no compassion on Jerusalem and the cities of Judah, with which you showed fury these seventy years?"
Upon hearing this, the Angel of the Lord prayed this prayer: "O Lord Almighty, for seventy years your anger has raged against Jerusalem and the cities of Judah. How long will it be until you again show mercy to them?"
The Angel of God reported back, "O God-of-the-Angel-Armies, how long are you going to stay angry with Jerusalem and the cities of Judah? When are you going to let up? Isn't seventy years long enough?"
MEV
Then the angel of the Lord said, "How much longer, O Lord of Hosts, will You withhold mercy from Jerusalem and the cities of Judah with which You have been angry these seventy years?"
Then the Messenger of Yahweh said, "Yahweh Tseboath, how much longer until you show compassion to Jerusalem and the cities of Judah? You've been angry with them for 70 years."
Then the angel of the Lord replied, "Lord of hosts, how long will you be without mercy for Jerusalem and the cities of Judah that have felt your anger these seventy years?"
Then the angel of the Lord said, "O Lord of hosts, how long will You have no compassion for Jerusalem and the cities of Judah, with which You have been indignant these seventy years?"
NCV
Then the Lord's angel asked, "Lord All-Powerful, how long will it be before you show mercy to Jerusalem and the cities of Judah? You have been angry with them for seventy years now."
The angel of the Lord then asked, "Lord who rules over all, how long before you have compassion on Jerusalem and the other cities of Judah which you have been so angry with for these seventy years?"
NIRV
Then the angel of the Lord spoke up. He said, "Lord, you rule over all. How long will you keep from showing your tender love to Jerusalem? How long will you keep it from the towns of Judah? You have been angry with them for 70 years."
Then the angel of the Lord said, "Lord Almighty, how long will you withhold mercy from Jerusalem and from the towns of Judah, which you have been angry with these seventy years?"
NIVUK
Then the angel of the Lord said, 'Lord Almighty, how long will you withhold mercy from Jerusalem and from the towns of Judah, which you have been angry with these seventy years?'
Then the Angel of the Lord answered and said, "O Lord of hosts, how long will You not have mercy on Jerusalem and on the cities of Judah, against which You were angry these seventy years?"
Then the angel of the Lord said, "O Lord of All, how long will You have no loving-pity for Jerusalem and the cities of Judah? You have been angry with them for seventy years now."
Upon hearing this, the angel of the Lord prayed this prayer: "O Lord of Heaven's Armies, for seventy years now you have been angry with Jerusalem and the towns of Judah. How long until you again show mercy to them?"
NRSV
Then the angel of the Lord said, "O Lord of hosts, how long will you withhold mercy from Jerusalem and the cities of Judah, with which you have been angry these seventy years?"
NRSVA
Then the angel of the Lord said, 'O Lord of hosts, how long will you withhold mercy from Jerusalem and the cities of Judah, with which you have been angry these seventy years?'
NRSVACE
NRSVCE
Then the Malach Hashem answered and said, O Hashem Tzva'os, until when wilt Thou withhold mercy on Yerushalayim and on the towns of Yehudah, against which Thou hast been angry these threescore and ten shanah?
Then the angel of the Lord said, 'O Lord of hosts, how long wilt thou have no mercy on Jerusalem and the cities of Judah, against which thou hast had indignation these seventy years?'
TLV
Then the angel of Adonai answered and said, 'Adonai-Tzva'ot, how long will You withhold compassion on Jerusalem and on the cities of Judah with whom You have been angry for 70 years?'
Special Messenger of the Eternal: O Eternal, Commander of heavenly armies, how long will You keep Your mercy from Jerusalem? How long will You keep Your mercy from the cities of Judah, which have endured Your anger for the last 70 years?
Then Yahweh's angel replied, "O Yahweh of Armies, how long will you not have mercy on Jerusalem and on the cities of Judah, against which you have had indignation these seventy years?"
WYC
And the angel of the Lord answered, and said, Lord of hosts, how long shalt thou not have mercy on Jerusalem, and on [the] cities of Judah, to which thou art wroth? (with whom thou art angry?) This now is the seventieth year.
And the messenger of Jehovah answereth and saith, `Jehovah of Hosts! till when dost Thou not pity Jerusalem, and the cities of Judah, that Thou hast abhorred these seventy years?'
Zechariah 1:11Zechariah 1:13
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All rights reserved. ; Contemporary English Version (CEV) Copyright © 1995 by American Bible Society; Darby Translation (DARBY) Public Domain (Why are modern Bible translations copyrighted?); Douay-Rheims 1899 American Edition (DRA) Public Domain (Why are modern Bible translations copyrighted?); Easy-to-Read Version (ERV) Copyright © 2006 by Bible League International; English Standard Version (ESV) The Holy Bible, English Standard Version. ESV® Text Edition: 2016. Copyright © 2001 by Crossway Bibles, a publishing ministry of Good News Publishers.; English Standard Version Anglicised (ESVUK) The Holy Bible, English Standard Version Copyright © 2001 by Crossway Bibles, a division of Good News Publishers.; Expanded Bible (EXB) The Expanded Bible, Copyright © 2011 Thomas Nelson Inc. All rights reserved. ; 1599 Geneva Bible (GNV) Geneva Bible, 1599 Edition. Published by Tolle Lege Press. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, without written permission from the publisher, except in the case of brief quotations in articles, reviews, and broadcasts. ; GOD'S WORD Translation (GW) Copyright © 1995 by God's Word to the Nations. Used by permission of God's Word Mission Society.; Good News Translation (GNT) Copyright © 1992 by American Bible Society; Holman Christian Standard Bible (HCSB) Copyright © 1999, 2000, 2002, 2003, 2009 by Holman Bible Publishers, Nashville Tennessee. All rights reserved.; International Children's Bible (ICB) The Holy Bible, International Children's Bible® Copyright© 1986, 1988, 1999, 2015 by Tommy Nelson™, a division of Thomas Nelson. Used by permission.; International Standard Version (ISV) Copyright © 1995-2014 by ISV Foundation. ALL RIGHTS RESERVED INTERNATIONALLY. Used by permission of Davidson Press, LLC.; Jubilee Bible 2000 (JUB) Copyright © 2000, 2001, 2010 by Life Sentence Publishing, Inc.; King James Version (KJV) Public Domain; Authorized (King James) Version (AKJV) KJV reproduced by permission of Cambridge University Press, the Crown's patentee in the UK.; Lexham English Bible (LEB) 2012 by Logos Bible Software. Lexham is a registered trademark of Logos Bible Software; Living Bible (TLB) The Living Bible copyright © 1971 by Tyndale House Foundation. Used by permission of Tyndale House Publishers Inc., Carol Stream, Illinois 60188. All rights reserved.; The Message (MSG) Copyright © 1993, 2002, 2018 by Eugene H. Peterson; Modern English Version (MEV) The Holy Bible, Modern English Version. Copyright © 2014 by Military Bible Association. Published and distributed by Charisma House. ; Names of God Bible (NOG) The Names of God Bible (without notes) © 2011 by Baker Publishing Group. ; New American Bible (Revised Edition) (NABRE) Scripture texts, prefaces, introductions, footnotes and cross references used in this work are taken from the New American Bible, revised edition © 2010, 1991, 1986, 1970 Confraternity of Christian Doctrine, Inc., Washington, DC All Rights Reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner. ; New American Standard Bible (NASB) Copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by The Lockman Foundation; New Century Version (NCV) The Holy Bible, New Century Version®. Copyright © 2005 by Thomas Nelson, Inc.; New English Translation (NET) NET Bible® copyright ©1996-2006 by Biblical Studies Press, L.L.C. http://netbible.com All rights reserved.; New International Reader's Version (NIRV) Copyright © 1995, 1996, 1998, 2014 by Biblica, Inc.®. Used by permission. All rights reserved worldwide.; New International Version (NIV) Holy Bible, New International Version®, NIV® Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission. All rights reserved worldwide.; New International Version - UK (NIVUK) Holy Bible, New International Version® Anglicized, NIV® Copyright © 1979, 1984, 2011 by Biblica, Inc.® Used by permission. All rights reserved worldwide.; New King James Version (NKJV) Scripture taken from the New King James Version®. Copyright © 1982 by Thomas Nelson. Used by permission. All rights reserved.; New Life Version (NLV) Copyright © 1969, 2003 by Barbour Publishing, Inc.; New Living Translation (NLT) Holy Bible, New Living Translation, copyright © 1996, 2004, 2015 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved.; New Revised Standard Version (NRSV) New Revised Standard Version Bible, copyright © 1989 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; New Revised Standard Version, Anglicised (NRSVA) New Revised Standard Version Bible: Anglicised Edition, copyright © 1989, 1995 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; New Revised Standard Version, Anglicised Catholic Edition (NRSVACE) New Revised Standard Version Bible: Anglicised Catholic Edition, copyright © 1989, 1993, 1995 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; New Revised Standard Version Catholic Edition (NRSVCE) New Revised Standard Version Bible: Catholic Edition, copyright © 1989, 1993 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; Orthodox Jewish Bible (OJB) Copyright © 2002, 2003, 2008, 2010, 2011 by Artists for Israel International; Revised Standard Version (RSV) Revised Standard Version of the Bible, copyright © 1946, 1952, and 1971 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; Revised Standard Version Catholic Edition (RSVCE) The Revised Standard Version of the Bible: Catholic Edition, copyright © 1965, 1966 the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.; Tree of Life Version (TLV) Tree of Life (TLV) Translation of the Bible. Copyright © 2015 by The Messianic Jewish Family Bible Society.; The Voice (VOICE) The Voice Bible Copyright © 2012 Thomas Nelson, Inc. The Voice™ translation © 2012 Ecclesia Bible Society All rights reserved. ; World English Bible (WEB) by Public Domain. The name "World English Bible" is trademarked.; Wycliffe Bible (WYC) 2001 by Terence P. Noble; Young's Literal Translation (YLT) by Public Domain


Local physical therapy clinic Physio Performance and the Rapid City Area Schools are collaborating to expand the scope of strength and injury prevention training available to student-athletes.
The clinic will provide the service at no cost to the schools through an addendum to the district's sports medicine agreement that school board directors approved last month.
"This will not be like joining a gym," said David Janak, assistant superintendent of support services. "It is a lot more specific and a lot more focused."
The Black Hills Orthopedic & Spine Center and the Black Hills Surgical Hospital have acted as the district's main sports medicine provider for more than 20 years, also at no cost. Staff from both have primarily attended to injured players at games and practices, a service that schools are required to provide by state law.
Representatives from both offices said at last month's school board meeting that they sought business with with Physio Performance at the behest of school officials who had long expressed a desire for more comprehensive training.
The new agreement will see Physio Performance and school coaching staff working alongside one another on school grounds. Officials from both the company and the school athletic department met privately last month to discuss the new agreement's implementation.
During last month's meeting, Dr. Daniel Jensen, owner of Physio Performance, said that weight, strength, injury recovery and injury-prevention training will be among the services offered to interested students. He went on to say that research suggests that preventative training reduces the likelihood that an athlete sustains an injury and increases recovery rates.
Student-athletes already have the option to undergo strength and conditioning training in classes offered by several city schools. The new program, school officials said, will differ in that training is structured around long-term goals that coaching and clinic staff will develop for each team.
"We're going to give data feedback to coaches and athletes. I think its definitely something that will help with joint stability, muscle endurance," said Jared Vasquez, athletics director at Stevens High School. "I think it's really going to help the student athletes' confidence as well as their abilities."
School board members and administrators said during last month's meeting that the program will help to make Rapid City school athletics more competitive with other districts, such as Sioux Falls, that already incorporate such training.
Participation will be voluntary and cost students about $10 a month. Janak said that schools are currently registering students for a summer training course that will begin in June.
He added that the schools are looking at booster clubs and other fundraising mechanisms as a means of providing financial assistance to students interested in the service.
Clinic staff will be subject to background checks before they are authorized to work with students.


text:
2015 – Bridge of Spies
Directed by: Steven Spielberg
Written by: Matt Charman, Joel Coen, Ethan Coen
Produced by: Steven Spielberg, Marc Platt, Kristie Macosko Krieger
Original release: 16 October 2015 (USA)
Running time: 2 Hours, 21 Minutes
Other cast: Mark Rylance, Domenick Lombardozzi, Victor Verhaeghe
In the cold war, A lawyer, James B. Donovan recruited by the CIA and involved in an intense negotiation mission to release and exchange a CIA U-2 spy-plane pilot, Francis G. Powers that was arrested alive after his plane was shot down by the Soviet Union during a mission- with a KGB intelligence officer, Rudolf Abel who was arrested for espionage in the US.


text:
Q: MONGOOSE find a document using a string (LIKE %SQL) I want to find a document using the date field contained in the collection
//Document Exemple: MODEL : MY_EVENT

event_time_produce: '2018-01-03T11:00:00.201Z',
event_name : 'show'

I would like to find all the documents starting with '2018-01-03T11:00:'
I want to ignore the part of Millesecobde & ISOtype ..etc
Like in SQL :
SELECT * from MY_EVENT where event_time_produce LIKE '2018-01-03T11:00:%'

I have tried this but not working ( Mongoose)
MY_EVENT.find({event_time_produce : {
                        $regex: new RegExp('^2018-01-03T11:00:00.*$')
                    }})
         .exec(....)

Simple search work :
MY_EVENT.find({event_time_produce : '2018-01-03T11:00:00.201Z'})
         .exec(....)

but I want to get all the documents from 03 Janury 2018 at 11:00:XX
no matter the second just verify the date, hours & minute.

A: Isn't it an issue on your regular expression?
On your example for SQL you have 2018-01-03T11:00:% When on mongo you got ^2018-01-03T11:00:00.*$ (2 additional zeros after 11:00:)
Update:
If your data on the actual document is ISODate instead of a regular string, better to use ranges like this:
{event_time_produce:{$gte:ISODate("2018-01-03T11:00:00.000+0000"),$lte:ISODate("2018-01-03T11:00:59.999+0000") }}


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Our workshop is fully equipped to remove and fit turbochargers on all passanger vehicles as well as bakkies.
In the cases where no service exchange units are available we offer the service to have your own turbocharger repaired.
Our suppliers stock a large number of popular service-exchange turbochargers.
Our suppliers stock a full range of new turbochargers and they can supply most OEM turbochargers such as Garrett.