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Controlling Monopoly Power in a Classroom Double-Auction Market Experiment
Giuseppe Attanasi
Kene Boun My
Andrea Guido
Mathieu Lefevbre
There is robust evidence in the experimental economics literature studying decentralized forms to control monopoly power via trading institutions. This strand provides evidence showing that double-auction trading institutions do affect monopoly power. In addition, recent experimental evidence shows that trading institutions themselves can shape agents' market behaviour through the formation of anchors and reference points. We recreate experimentally five different double-auction market structures (perfect competition,perfect competition with quotas, cartel on price, cartel on price with quotas, and monopoly) in a within-subject experimental design, varying the order of markets implementation. We investigate whether monopoly power endures the formation of reference prices emerged in previously implemented market structures. Results from our classroom experiments suggest that i) prevailing prices in the first implemented market work as reference points in subsequent market structures, ii) the formation of reference points negatively impacts on monopolists' power in later market structures..
Giuseppe Attanasi & Kene Boun My & Andrea Guido & Mathieu Lefevbre, 2019. "Controlling Monopoly Power in a Classroom Double-Auction Market Experiment," Working Papers of BETA 2019-08, Bureau d'Economie Théorique et Appliquée, UDS, Strasbourg.
Handle: RePEc:ulp:sbbeta:2019-08
File URL: http://beta.u-strasbg.fr/WP/2019/2019-08.pdf
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Classroom Experiment; Monopoly; Perfect Competition; Double-Auction.;
D42 - Microeconomics - - Market Structure, Pricing, and Design - - - Monopoly
NEP-COM-2019-03-04 (Industrial Competition)
NEP-DES-2019-03-04 (Economic Design)
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text:
package org.wso2.siddhi.plugins.idea.sdk;

import com.intellij.execution.configurations.PathEnvironmentVariableUtil;
import com.intellij.openapi.components.ComponentManager;
import com.intellij.openapi.components.ServiceManager;
import com.intellij.openapi.diagnostic.Logger;
import com.intellij.openapi.module.Module;
import com.intellij.openapi.module.ModuleUtil;
import com.intellij.openapi.project.Project;
import com.intellij.openapi.projectRoots.Sdk;
import com.intellij.openapi.roots.ModuleRootManager;
import com.intellij.openapi.roots.ProjectRootManager;
import com.intellij.openapi.util.SimpleModificationTracker;
import com.intellij.openapi.util.SystemInfo;
import com.intellij.openapi.util.io.FileUtil;
import com.intellij.psi.util.CachedValueProvider;
import com.intellij.psi.util.CachedValuesManager;
import com.intellij.util.ObjectUtils;
import com.intellij.util.containers.ContainerUtil;
import org.jetbrains.annotations.Contract;
import org.jetbrains.annotations.NotNull;
import org.jetbrains.annotations.Nullable;
import org.wso2.siddhi.plugins.idea.SiddhiConstants;
import org.wso2.siddhi.plugins.idea.SiddhiModuleType;

import java.io.File;
import java.util.Set;

public class SiddhiSdkService extends SimpleModificationTracker {

    public static final Logger LOG = Logger.getInstance(SiddhiSdkService.class);
    private static final Set<String> FEDORA_SUBDIRECTORIES = ContainerUtil.newHashSet("linux_amd64", "linux_386",
            "linux_arm");
    private Project myProject;

    protected SiddhiSdkService(@NotNull Project project) {
        myProject = project;
    }

    public static SiddhiSdkService getInstance(@NotNull Project project) {
        return ServiceManager.getService(project, SiddhiSdkService.class);
    }

    @Contract("null -> null")
    public static String getSiddhiExecutablePath(@Nullable String sdkHomePath) {
        if (sdkHomePath != null) {
            File binDirectory = new File(sdkHomePath, "bin");
            if (!binDirectory.exists() && SystemInfo.isLinux) {
                LOG.debug(sdkHomePath + "/bin doesn't exist, checking linux-specific paths");
                File siddhiFromPath = PathEnvironmentVariableUtil.findInPath(
                        SiddhiConstants.SIDDHI_EXECUTABLE_NAME);
                if (siddhiFromPath != null && siddhiFromPath.exists()) {
                    LOG.debug("Siddhi executable found at " + siddhiFromPath.getAbsolutePath());
                    return siddhiFromPath.getAbsolutePath();
                }
            }

            String executableName = SiddhiEnvironmentUtil.getBinaryFileNameForPath(
                    SiddhiConstants.SIDDHI_EXECUTABLE_NAME);
            String executable = FileUtil.join(sdkHomePath, "bin", executableName);
            if (!new File(executable).exists() && SystemInfo.isLinux) {
                LOG.debug(executable + " doesn't exists. Looking for binaries in fedora-specific directories");
                // fedora
                for (String directory : FEDORA_SUBDIRECTORIES) {
                    File file = new File(binDirectory, directory);
                    if (file.exists() && file.isDirectory()) {
                        LOG.debug("Siddhi executable found at " + file.getAbsolutePath());
                        return FileUtil.join(file.getAbsolutePath(), executableName);
                    }
                }
            }
            LOG.debug("Siddhi executable found at " + executable);
            return executable;
        }
        return null;
    }

    @Contract("null -> false")
    public static boolean isSiddhiModule(@Nullable Module module) {
        return module != null && ModuleUtil.getModuleType(module) == SiddhiModuleType.getInstance();
    }

    public String getSdkHomePath(@Nullable Module module) {
        Sdk sdk = getSiddhiSdk(module);
        return sdk != null ? sdk.getHomePath() : null;
    }

    private Sdk getSiddhiSdk(@Nullable Module module) {
        if (module != null) {
            Sdk sdk = ModuleRootManager.getInstance(module).getSdk();
            if (sdk != null && sdk.getSdkType() instanceof SiddhiSdkType) {
                return sdk;
            }
        }
        Sdk sdk = ProjectRootManager.getInstance(myProject).getProjectSdk();
        return sdk != null && sdk.getSdkType() instanceof SiddhiSdkType ? sdk : null;
    }

    @Nullable
    public String getSdkVersion(@Nullable Module module) {
        ComponentManager holder = ObjectUtils.notNull(module, myProject);
        return CachedValuesManager.getManager(myProject).getCachedValue(holder, () -> {
            Sdk sdk = getSiddhiSdk(module);
            return CachedValueProvider.Result.create(sdk != null ? sdk.getVersionString() : null, this);
        });
    }
}

redpajama_set_name: RedPajamaGithub


text:
Last edited by Voodooramar
2 edition of Mistral for daddy and Van Gogh : [poems] found in the catalog.
Susan Hankla
Published 1976 by Mill Mountain Press in Seattle, WA .
Statement Susan Hankla.
LC Classifications PS3558.A469 M5
A Crisis of Faith. The crushed Van Gogh was further devastated when his own father withdrew support for his pastoral ambitions and, disturbed by what he viewed as his son's excesses, sought to. Van Gogh's ear makes its claim on the world's attention because it reminds us that on the outer edge of art there is madness to pity, meanness to deplore, and courage to admire, and we can't. Vincent van Gogh - Vincent van Gogh - The productive decade: His artistic career was extremely short, lasting only the 10 years from to During the first four years of this period, while acquiring technical proficiency, he confined himself almost entirely to drawings and watercolours. First, he went to study drawing at the Brussels Academy; in he moved to his father's. - Explore Ella Wozniak-Babineau's board "books" on Pinterest. See more ideas about books, childrens books, picture bookK pins.
Improvement in finite element meshes
Nudes, 1945-1980
Measurement of nursing outcomes
Animal welfare legislation and regulations
Mistral for daddy and Van Gogh : [poems] by Susan Hankla Download PDF EPUB FB2
Clinch River, Groundhog Poetry Press LLC, Sermons Mistral for Daddy and Van Gogh, Mill Mountain Press, The first time I saw Vincent and Theo: The Van Gogh Brothers in a bookstore, I knew it was a story that young readers needed.
Deborah Heiligman made a name for herself eight years earlier with Charles and Emma: The Darwins' Leap of Faith, an in-depth treatise on how Charles and Emma Darwin's relationship affected his science theories/5. It's nice that this book was written with the cooperation of the Vincent van Gogh Museum in Amsterdam and that the BBC has signed on to do a series on the book's making.
It's even more intriguing that revelations about van Gogh's life and death are promised, as are a page color insert and black-and-white : Random House Publishing Group. Finding poetry in the letters of Vincent van Gogh to paint outdoors in an unrelenting mistral, the crowd turning on him after he had cut off his own ear, and one man there standing by him Author: Larry Stapleton.
Notes. See the List of books and periodicals on page 75 of The Rijksmuseum Vincent van Gogh / ed. By E. van Uitert and M. Hoyle. Unfortunately I was unable to lay hands on a copy of the dissertation of Judy Sund, French naturalist literature and the art of Vincent van Gogh (Columbia University).
H.F.J.M van den Eerenbeemt, De onbekende Vincent: leren en tekenen in TilburgTilburg. Fréderic Mistral and Félibrige. Frederic Mistral was born in at Maillane, a small village north of Arles, at the foot of the Alpilles, between the Rhône and the Durance.
Born into a family of rich landowners, he grew up in his father's 'mas' (Provençal farmhouse). "The definitive biography for decades to come."—Leo Jansen, curator, the Van Gogh Museum, and co-editor of Vincent van Gogh: The Complete Letters "In their magisterial new biography, Van Gogh: The Life, Steven Naifeh and Gregory White Smith provide a guided tour through the personal world and work of that Dutch painter, shining a bright light on the evolution of his artReviews: The biggest piece of glass--and perhaps the only true one--was his father, the Reverend Theodorus Van Gogh.
That his father could never appreciate or perhaps really accept Vincent's artistic ambitions is an understatement; but on the other hand, Vincent never quite realized--or admitted to--the extent to which he tried his father's patience and. The Starry Night, Van Gogh () The Starry Night, Van Gogh (); Museum of Modern Art, New York Van Gogh's painting conveys both a sense of furious motion and an atmosphere of serenity: stars radiate in a turbulent sky, yet the town below, whose existence Sexton negates in the first line, appears calm and empty.
Her most recent book of poems, At the Threshold of Memory, Mistral Medal of Honor for Lifetime Achievement. Starry Night Teacher Background: Marjorie Agosin's Starry Night poems are told from the perspective of Vincent the painting and use these observations to make your own poem inspired by Van Gogh.
In what ways does Agosin's. In this blog, I chronicle my progress on Yellow, a historical novel based on the life of Vincent Van Gogh. Along the way, I inform readers as to the many concerns, headaches, and joys that accompany one who takes up the challenge of writing historical fiction.
I hope readers feel to comment on any topic I raise, that they will share their own insight and experience, thus only broadening the. Published on the centenary of his death, this is the first comprehensive biography of Van Gogh in over 25 years.
An engrossing account of his life, his art, and the world in which he lived, this compelling and timely portrait is illustrated with color reproductions" fleshes out the man and the painter behind the popular myth"New York Times/5(9). The Starry Night is an oil on canvas painting by Dutch Post-Impressionist painter Vincent van d in Juneit depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village.
It has been in the permanent collection of the Museum of Modern Art in New York City sinceacquired through. Frédéric Mistral was an Occitan writer and lexicographer of the Occitan l won the Nobel Prize in literature in and was a founding member of Félibrige and a member of l'Académie de Marseille.
His name in his native language was Frederi Mistral (/Mistrau) according to the standard mistralienne or Frederic Mistral (/Mistrau) according to the traditional standard. Background. The "Garden at Etten" refers to the parsonage garden at Etten (now Etten-Leur) where Vincent's father, pastor Theodorus van Gogh, had been called in Vincent spent periods of time there, notably from Easter to Christmas when he returned to join his brother Theo, an art dealer, determined to become an period at Etten represents the beginning proper of Vincent's.
"The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles" (Little, Brown; $), by Martin Gayford, the chief art critic of Bloomberg Europe, is a skillfully ordered. Enjoy the best Vincent Van Gogh Quotes at BrainyQuote. Quotations by Vincent Van Gogh, Dutch Artist, Born Ma Share with your friends.
Stages of the Exhibition. Imagine Van Gogh, designed by Annabelle Mauger and Julien Baron (longtime collaborators on projects at Cathédrale d'images), is a direct continuation of Albert Plécy's concept of the "Image Totale".
The post-impressionist and even expressionist character of Van Gogh's work, particularly that from the last two years of his life, creates a boundless. Van Gogh's great achievement was his ability to communicate much about himself through his paintings, while at the same time retaining structure, relevance and meaning.
Vincent never intended to obscure the viewer's perception, but rather, to codify his personal vision using everyday objects and settings. Laurence Anholt Picture Book Series For ages 5 to 7 Barron's, ISBN: Camille was the son of the postman in a little town in the south of France.
He loved to help his father unload the bags of mail from the train every day, and one day he saw a. K Shares Facebook Twitter LinkedIn Vincent Van Gogh quotes to help you find beauty in whatever you do.
Vincent Van Gogh is among the most famous and influential figures in the history of Western art. Though he did not have any formal training and battled mental illness, Van Gogh made a significant contribution to the [ ]. "Most poems come to the poet. 'Goya's Mired Men Fighting with Cudgels' was dragged out of me.
Of all the black paintings Goya made in his last years—the ones that have their own room in the Prado because no other paintings can abide to be with them—'Duel with Cudgels, or Fight to the Death with Clubs' is the one that has, over many decades, most disturbed me. Self-Portrait as Vincent Van Gogh in the Asylum at Arles - The moths in the orchard squeal The moths in the orchard squeal - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets.
The Mill Mountain Press was founded by Irving "Irv" Broughton in the early 's, publishing Frank Stanford's first book in The press went on to publish five more of Stanford's books of poetry between and and co-published (with Lost Roads) Stanford's magnum opus, The Battlefield Where The Moon Says I Love You, in 1.
Inspired by letters that Vincent wrote to Theo, his closest friend and constant encourager, the text of Vincent van Gogh and the Colors of the Wind is vibrantly illustrated in a style that recalls the paintings of the artist himself. The book also includes fourteen reproductions of van Gogh's actual paintings.
Hammacher, Abraham Marie. "Van Gogh's Relationship with Signac ()" (Van Gogh's Life in His Drawings: Van Gogh's Relationship with Signac, London: Marlborough Fine Art Ltd., May-June ).
In Van Gogh in Perspective, edited by Welsh-Ovcharov, pp. Letter from Vincent van Gogh to Paul Gauguin Arles, 17 October Relevant paintings: particularly on the days when the mistral blows. It is only in the long run that the poetry of this place penetrates.
You will not find the house as comfortable yet as we shall gradually try to make it. There are so many expenses. And it can't be. Read all poems of Alice Walker and infos about Alice Walker.
Walker was born in Eatonton, Georgia, the youngest of eight children, to Willie Lee Walker and Minnie Lou Tallulah Grant. Her father, who was, in her words, "wonderful at math but a terrible farmer," earned only $ a.
Roger Reeves's poems have appeared or are forthcoming in Best American Poetry, Poetry, Ploughshares, American Poetry Review, Boston Review, and Tin House, among was awarded a Hodder Fellowship from Princeton University, a Pushcart Prize, a National Endowment for the Arts Literature Fellowship and Ruth Lilly Fellowship, King Me, his first book of poems.
Recognized as one of the leading poets of modern Wales, R. Thomas writes about the people of his country in a style that some critics have compared to that nation's harsh and rugged terrain.
Using few of the common poetic devices, Thomas's work exhibits what Alan Brownjohn of the New Statesman calls a. Other Van Gogh News • Montreal-Based Ewa Zebrowki has just produced an artist's book titled Van Gogh's Bed.
It includes dream-like images and poetry, not about his Arles bed—but about the. It was written after he read a book about Van Gogh's life. The song is being played daily at the Van Gogh museum in Amsterdam, underneath which the lyrics as well the artist's paint brushes.
In JuneVan Gogh was permitted to work outside the Saint-Paul de Mausole asylum and discovered a new motif: the evergreen cypress trees planted to protect crops from the ferocious mistral. The Van Gogh Cafe is magical and there is no doubt about that for ten year old Clara.
Her father owns the cafe and she helps to dispense the food to those who visit. Once a theater, perhaps some of the magic remains. While Clara's father pens poems on napkins, the /5(9). The poet Frédéric Mistral, ( ), from Maillane, Provence, led the 19th-century revival of Occitan (Provençal) language and shared the Nobel Prize for Literature in for his contributions in literature and philology.
Mistral devoted his life to creating a scholarly dictionary of Provençal, entitled 'Lou Tresor dou Félibrige', as well as an ethnographic museum. Dr. Nagueyalti Warren is a poet and author, a professor emeritus of Emory University, and most of all an outstanding wordsmith, who won Snake Nation Press's contest for her poetry book.
"Van Gog [sic] Arlésiennes (mistral) [francs]".For this entry, recording the sale of the painting to Theo van Gogh, see René Huyghe, Le carnet de Paul Gauguin, vol. 2 facsimile ed.
(Quatre Chemins–Editart, ), p. Theo included the transaction in his account book, listing the painting as Femmes éplorées, Arlésiennes (Weeping Women, Arlésiennes); Chris Stolwijk and Han. Vincent van Gogh () grew up in a vicar's family.
His grandfather Vincent van Gogh (), of respectable middle-class parents, married Elisabeth Huberta Vrijdag () in He took up his ministry in Breda on 3 Novemberand was curator of the city's Latin School fromchaplain of the Military Academy, and a member of the board of the Protestant 'Society.
Van Gogh painted his iconic The Starry Night inwhile in an asylum in Saint-Rémy. "One of the most beautiful things by the painters of this century," he had written to Theo in April Vincent Van Gogh—one of the nineteenth century's most brilliant artist—will forever be remembered as the Dutchman who pioneered new techniques and styles and who, in a fit of passion, cut off his own ear.
Whether painting a portrait, landscape, or still life, van Gogh sought to capture the vibrant spirit of his subject. Still, fame eluded s:. The words and imagery of this song represent the life, work, and death of Vincent Van Gogh.
The opening line, "Starry, starry night," refers to A Starry Night, one of the Dutch impressionist's most famous paintings. The lyrics, "Paint your palette blue and gray" reflect the prominent colors of the painting, and are probably a reference to Vincent's habit of sucking on or biting his.At the Van Gogh Cafe, anything can happen.
Clara's dad owns the cafe, and she's seen it all--from food that cooks by itself to poems that foretell the future.
This award-winning collection of vignettes by Newbery medalist Cynthia Rylant is a treat to be relished. So bring your appetite for the unexpected, because at the Van Gogh Cafe, your. Like van Gogh, Schubert was exceptionally prolific in his short life as a classical composer (he died at the age of 31, just one year after the death of his contemporary, Beethoven).

redpajama_set_name: RedPajamaCommonCrawl


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text:
Q: Scala contravariance and covariance I am playing around with the typesystem of scala and found a strange case. I have a strong reason to believe, I don't understand covariant and covariance.
This is my problem case:
I have two classes, Point and ColorPoint, which is a subclass of Point.
class Point(val x : Int, val y : Int)
class ColorPoint(x : Int, y : Int, val red : Int, val green : Int, val blue : Int) extends Point(x,y)

This class casts B to A, while B should be a supertype of A:
class CoVariance[+A]{
 def cast[B >: A](x : B) : A = {
  return x.asInstanceOf[A]
 }
}

This class casts B to A, while B should be a supertype of A:
class ContraVariance[-A]{
 def cast[B, A <: B](x : B) : A = {
    return x.asInstanceOf[A]
 }
}

Case 1:
val co = new CoVariance[Point]
val color_point = new ColorPoint(1,2,3,4,5)
val point_co = co.cast(color_point)
println(point_co.x)

If I write this out:
// Covariance[Point] ->
// cast[B :> Point](x : B) : Point -> (fill in ColorPoint)
// Cast[ColorPoint :> Point] : Point

I would expect this to be incorrect, because ColorPoint is not a supertype of Point, but scala doesn't complain.
Next one:
val contra = new ContraVariance[Point]
val color_point_contra = new ColorPoint(1,2,3,4,5)
val point_contra = contra.cast(color_point_contra)
println(point_contra.x)

If I write this out:
// ContraVariance[Point] ->
// cast[B, Point <: B](x : B) : Point -> (fill in ColorPoint)
// cast[ColorPoint, Point <: ColorPoint] : Point

I also expect this to be incorrect, but scala doesn't complain. I would say Point is not a subtype of ColorPoint.
Is my reasoning correct or am I missing something?

A: I think you're misunderstanding what covariant and contravariant positions are. It doesn't imply that you're able to cast between certain types, it just establishes the inheritance relationship between parameterized types.
You're only able to mark type parameters as in covariant or contravariant positions. When you say Container[+A], you're saying that you can treat all instances of Container[A] as subtypes of Container[B] if A is a subtype of B. This makes sense for immutable container classes: You can think of a List[Person] to be a parent of List[Employee]. Note this says nothing about casting rules -- those go unchanged.
Contravariant is similar, but the opposite. If you have Writer[-A], it says Writer[A] is a subtype of Writer[B] if B is a subtype of A. You can see how this makes intuitive sense too: If you have a Writer[Person] as something that can write a Person into some destination and you have Writer[Employee] as a writer that can only write Employees, it makes sense for Writer[Employee] to be a parent of Writer[Person] since writing a Person is a sub-task of writing a full Employee, even though it is the opposite for the types themselves.

A: *

*asInstanceOf[T] ignores typechecks. So you may even have the following cast:
def cast[B](a:A):B = a.asInstanceOf[B]

for any A and B.
Thus in your case Scala won't complain.

*If I understand correctly, you want to have cast method only when the types are in proper relations (parent-child). I think, you needn't have +/- in class declaration. Only two different casts:
implicit class CastToParent[A](a:A) {
  def cast[B >: A]:B = a.asInstanceOf[B]
}

implicit class CastToChild[A](a:A) {
  def cast[B <: A]:B = a.asInstanceOf[B]
}

this allows you to have the desired conversions.
trait A
trait B extends A
trait C
val a:A = new B {}
val b   = a.cast[B] //parent to child
val a1  = b.cast[A] //child to parent.
val c   = a.cast[C] // don't compile

redpajama_set_name: RedPajamaStackExchange


Having learned from Nareg Seferian that the Armenian alphabet was used to write Ottoman Turkish, I have had difficulty finding a table showing how Armenian letters could be used in place of the Latin letters of the alphabet, introduced in 1928, that is currently used for writing Turkish.
A natural place for such a table would be a Wikipedia article on the Armeno-Turkish alphabet. The article on the Turkish alphabet refers to the use of Armenian letters, but not to an Armeno-Turkish alphabet as such. The article on the Armenian alphabet does name an Armeno-Turkish alphabet, citing Andrew T. Pratt, "On the Armeno-Turkish Alphabet," in Journal of the American Oriental Society, Vol. 8 (1866), pp. 374-376. (I have a copy of this article, supplied by Nareg.) The creation of a Wikipedia article on the Armeno-Turkish alphabet might be a worthy project; but this has not currently been accomplished.
Neither is there currently an article on the Turkish alphabet the Armenian Wikipedia. There is however an Armenian article on the Turkish language, and from there I have taken the table below. The transliterations in the last column are from the English Wikipedia article on the Armenian alphabet.


text:
Hold On (feat. Sampha)
Insecure (Music from the HBO Original Series) 2011
Wildfire (feat. Little Dragon) - Single 2011
Wildfire (feat. Little Dragon)
SBTRKT (Deluxe Edition) 2011
New Dorp. New York (feat. Ezra Koenig)
Wonder Where We Land 2014
Higher (feat. Raury)
SBTRKT 2011
Voices In My Head (feat. A$AP Ferg)
The Light (feat. Denai Moore)
GOOD MORNING (feat. The-Dream)
SAVE YOURSELF 2016
About SBTRKT
A self-taught producer, London's SBTRKT -- aka Aaron Jerome -- mixes elements of dubstep, 2-step, garage, house, soul, and techno into a bass-heavy blend of flowing melodies and intricate percussion. The project's name was intended to remove the identity of any one person from the music, and SBTRKT even performed with a mask on to preserve that concept. After years of honing his craft, in 2009 Jerome sent tracks to DJs including BBC Radio 1's Graeme Sinden and Mary Anne Hobbs, who made singles such as "Nervous" into radio hits. SBTRKT's remixes for M.I.A., Basement Jaxx, and Underworld, among others, also met with success, as did his self-released singles Timeless and Right Place. He also issued a pair of singles for the enigmatic Brainmath label, LAIKA and 2020, as well as the Break Off/Evening Glow single for Ramp Recordings, which featured Jerome's frequent vocal collaborator Sampha. SBTRKT's first gig was at the famed Fabric club; he also DJ'ed at the club Plastic People, where he met an A&R rep from the Young Turks label, which released the Soundboy Shift EP in 2010 and the Step in Shadows EP and his self-titled debut album in 2011. One of its singles, "Wildfire," featured Little Dragon vocalist Yukumi Nagano and caught the ear of rapper Drake. His remix of the song received airplay on New York's WQHT and Miami's WPOW. The year 2014 saw him release his sophomore album, Wonder Where We Land, along with a trio of EPs, Transitions I, II, and III. He returned in 2016 with Save Yourself, which featured contributions from the-Dream, Sampha, and Mabel. ~ Heather Phares
Jamie Woon
Hyetal


Alexander Pushkin was a Russian poet, playwright, and novelist. Active in the Romantic era, he is considered by many to be the greatest Russian poet, and the founder of modern Russian literature.
He was the son of Sergei Lvovich Pushkin and Nadezhda Osipovna Gannibal. His father was of Russian descent. Alexander's father's family was from Russian nobility, and traced its ancestry back to the 12th century. Alexander's mother was of one half Russian, one quarter Cameroonian African, and one quarter Swedish and German, ancestry, with possible Danish and Norwegian roots through the Swedish and German side.
He was married to Natalia Pushkina, until his death. The couple had four children.
Alexander's paternal grandfather was Lev Alexandrovich Pushkin (the son of Alexander Petrovich Pushkin and Evdokia/Avdotia/Advotya Ivanovna Golovina). Lev was born in Saint Petersburg, Russia. Alexander's great-grandfather Alexander was the son of Petr Petrovich Pushkin and Fedosya Y. Esipova. Evdokia was the daughter of Ivan Mikhailovich Golovin and Maria Bogdanovna Glebova.
Alexander's paternal grandmother was Olga Vassilievna/Vasilevna Chicherina (the daughter of Vasiliy Ivanovich Chicherin and Lukerya Vassilievna/Vasilyevna Priklonskaya). Alexander's great-grandfather Vasiliy was the son of Ivan Andreevich Chicherin and Juliana Andreyevna Chelyustkina. Lukerya was the daughter of Vasily Ivanovich Priklonsky and Julianna Georgievna/Yuryevna Esipova.
Alexander's maternal grandfather was Osip Abramovich Gannibal/Hannibal (the son of Abram Petrovich Gannibal/Hannibal and Christine/Christina/Christiana Regina von Sheberg/Sjöberg/Sioberg). Alexander's grandfather Osip was born in Tallinn, Harju County, Estonia. Alexander's great-grandfather Abram was an African from the territory of modern Cameroon (previously thought to be Ethiopia). Abram was kidnapped to Constantinople as a gift to the Ottoman Sultan. He was later brought to Russia, where he became a nobleman, military engineer, and general. Alexander's great-grandmother Christina was the daughter of Matthias/Mathias Johann/Johan Gustafsson Sjoburg/Siöberg and Christina Elisabet/Elizabeth von Albedyll/D'Albedylle, and had Norwegian and Danish ancestry.
Alexander's maternal grandmother was Maria Alekseevna/Alekseyevna Pushkina (the daughter of Aleksey/Alexey Fedorovich Pushkin and Sarra Yuryevna/Georgievna Rzhevskaya/Rzhevskaja). Maria was Russian, born in Nizhny Novgorod. She was descended from Russian nobility. Aleksey was the son of Fedor Petrovich Pushkin and Ksenia Ivanovna Koreneva. Sarra was the daughter of Yuri Alekseevich Rzhevsky and Ekaterina Nikiforovna N.