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Breaking Dawn - Part 1. Breaking Dawn - Part 2.
We'll Never Have Paris. The Scent of Rain and Lightning. When Calls the Heart.
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text:
Iowa Lawmakers Pass Bill That Would Ban Abortions After Six Weeks
On Wednesday, lawmakers in Iowa passed legislation known as the heartbeat bill, which would block abortions once a fetus' heartbeat is detected.
According to the New York Times, if signed into law, this would be one of the strictest abortion laws in the country, as the law would basically ban abortions by the sixth week of pregnancy for most women. The bill includes exemptions for rape and incest victims, and if the legislation becomes law, it's expected to be challenged in the courts.
Reuters reported that Republican state Senator Rick Bertrand said they've "created an opportunity to take a run at Roe v. Wade - 100 percent," and that the legislation is meant to be "thrust into the court."
Mississippi Passes Dangerous 15-Week Abortion Ban
#AskYourMother If She Had an Abortion
For now, the bill will go to Gov. Kim Reynolds, and while she is anti-abortion, it's unclear whether she will sign it.
According to the Times, Kaylie Hanson Long, a spokeswoman for NARAL, said the organization "opposes this ban with full force and we are mobilizing our members to demand that their legislators do not advance this extreme attack on our right to access essential health care."
Just this March, Mississippi passed a 15-week abortion ban, which at the time was being reported as the most restrictive reproductive healthcare bill in the country.
I Needed a Late Abortion
Kamala Harris on 49th Anniversary of Roe v. Wade
All the Restrictive Abortion Laws Passed in 2018
The 20-Week Abortion Ban Bind
South Carolina to Ban Abortions at 20 Weeks
Ohio Governor Signs Restrictive Abortion Bill
What to Know About 'Fetal Heartbeat' Bills

redpajama_set_name: RedPajamaCommonCrawl


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Death in Paradise Series Three First Promotional Pictures
The BBC have today released promotional pictures for the third series of their comedy drama series, Death in Paradise. The series stars Kris Marshall (replacing Ben Miller's character, DCI Pool), Sara Martins, Gary Carr (pictured above) and Danny John-Jules (also pictured above).
With thanks to BBC Pictures
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Kris Marshall joins cast of Death In Paradise (metro.co.uk)
Paradise role for My Family actor (belfasttelegraph.co.uk)
Ben Miller votes himself off the island for new season of Death in Paradise (tellyspotting.org)
Tags: BBC, Ben Miller, Chris Marshall, Danny John-Jules, Death in Paradise (TV series), Gary Carr, Johnny Depp, Kris Marshall, Sara Martins, Vanessa Paradis
← BBC One's 2013 Christmas Day Trailer
Sherlock Series Three His Last Vow Air Date and Time Confirmed →


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You are here: Home / Archives for Attacks On People
Attacks On People
by Coyotes In Orange County Leave a Comment
http://www.coyotesinorangecounty.com/wp-content/uploads/2018/05/coyote-attack-la-college.mp4
Professional trappers have been called in to catch a coyote that bit a 5-year-old boy and then aggressively approached a student at the Cal State L.A. campus Wednesday night.
The boy was walking with his father on campus about 6:30 p.m. when the incident took place, said Lt. J.C. Healy with the California Department of Fish and Wildlife.
"He bit me!" the boy cried out to his father, Healy said.
The father chased away the coyote and took his son to get medical attention. The boy suffered a single puncture wound in the leg.
A cellphone video posted to Twitter showed the coyote running after the boy along a paved path.
Warning signs are posted on the Cal State L.A. campus. (Irfan Khan / Los Angeles Times)
About an hour after the incident, a coyote aggressively approached a student on campus. The woman called for help, and when police responded, they saw several coyotes in the area.
For more info: http://www.latimes.com/local/california/la-me-ln-coyote-bites-20180315-story.html
This was posted by the boy's father, its his 5 year old son's leg.
Filed Under: Attacks On People, Los Angeles County, Orange County, What's Up
November 9, 2014 by Coyotes In Orange County Leave a Comment
Brampton woman bitten in suspected coyote attack
Graeme Frisque
Southern Ontario, Canada
BRAMPTON – A Brampton woman is undergoing rabies treatment after reporting that she had been bitten by a coyote in front of her home on Mountain Ridge Rd. on Thursday night.
Jasmin Bajaj and her family had just arrived home at around 9 p.m. when she realized that she forgot something in her car.
When she went back out to the driveway, she said a large coyote snuck up behind her and bit her in the leg, leaving two large puncture wounds on her calf.
"I don't know where it came from. I felt something grab hold of my leg and it was really hurting me. When I turned around I saw a big coyote standing right in front of me," said Bajaj.
"When I saw it was a coyote I was shocked and didn't really know what to do."
With no one else around and only a set of keys in hand, she began shaking the keys at the animal which made it back off, but not retreat. Bajaj then says that she slowly backed up towards the safety of her front door while the animal continued follow and stare at her until she got into the house, which is located in the area of located Steeles Ave.and Mississauga Rd.
"I wouldn't say that he was scared because he just backed off a bit and was looking at me in the eyes the whole time," said Bajaj. "I didn't run because I read that you aren't suppose to.. He followed me to the edge of the grass right by the front steps. I opened the door and yelled for my husband – when he came, the coyote was still standing there."
Residents say that this isn't the first time that people have had close encounters with coyotes that are believed to live in a nearby ravine.
Perminder Dhuck, whose house backs onto the ravine, claims to have heard reports in the neighbourhood of an elderly woman being attacked in a similar manner in the summer.
"I usually see the coyotes after 9 p.m. They walk up the street and then make their way to the trail that goes down to the water," said Dhuck. "There are three of them in a pack… Normally I see them almost every other day."
Dhuck said that he was warned when he bought the house that because of the proximity to the ravine, that he and other residents should expect encounters with wildlife.
Bajaj is still undergoing painful rabies treatments as a precautionary measure which include a series of shots. She says that neighbours have been concerned about the coyotes for some time and are passing around a petition, demanding the City of Mississauga take action.
Meanwhile, the City has posted signs in the area warning residents to avoid the ravine at dawn and dusk and have also placed traps to capture the offending animal.
http://coyotesinorangecounty.com/videos/brampton-woman-victim-ofossible-coyote-attack-2-rtmp_video_mb0l3mmk3se.mp4
http://www.insidehalton.com/news-story/4979165-brampton-woman-treated-for-rabies-after-suspected-coyote-attack/
Brampton woman victim of possible coyote attack
Filed Under: Attacks On People
October 17, 2014 by Coyotes In Orange County Leave a Comment
http://youtu.be/SEs21PRpYw4
When people report they were chased or stalked by coyotes, I think that most people dont realize what that is like. This video, it really shows what this is like. It happened in Burbank.
Filed Under: About this site, Attacks On People
Wednesday, Oct 15, 2014 • Updated at 10:36 PM EDT
A 35-year-old Clinton resident said he needed 14 stitches in his face after what appeared to be a coyote attacked him unprovoked Tuesday night, biting him in the face.
Police said the animal, believed to be a wild coyote or large dog of some sort, went after the man while he was walking down Liberty Street around 9 p.m. Tuesday. The victim said he was going to let his landlord's dogs out when he was attacked.
"The animal lunged at his face and bit his face," said Clinton police spokesman Sgt. Jeremiah Dunn. "We see wild animals, including coyotes and foxes, every night. They're out here. We have them."
The state Department of Energy and Environmental Protection sent investigators to the area in search of the animal, but they turned up empty handed.
Police said the resident did not approach or otherwise engage the animal prior to the attack. According to DEEP officials, unprovoked coyote attacks are rare but not unheard of.
"In the middle of the evening, you'll hear coyotes howling some nights," explained Bruce Farmer, who lives in the area.
The victim was treated and released from Yale-New Haven Hospital, where he received 14 stitches in the left side of his nose. He said he'll go back next week to have the stitches removed and fight out if he'll need plastic surgery.
He received treatment for rabies as a precaution, according to police.
Although the animal hasn't been officially identified, the victim said he's all but certain it was a coyote and knows they live in the area.
Police said coyote sightings are frequent in the area. Residents who encounter wildlife are reminded to keep their distance and report unusual encounters to local animal control officers.
"Use common sense and exercise caution," Dunn said.
Residents called the incident unnerving but said they won't live in fear of another attack.
"You can't stop what you normally do, because otherwise you become a prisoner," said Farmer's wife, Barbara.
http://www.nbcconnecticut.com/news/local/Coyote-or-Large-Dog-Attacks-Clinton-Man-279341352.html
Filed Under: Attacks, Attacks On People
July 24, 2013 by Coyotes In Orange County 1 Comment
November 19, 2012 by Coyotes In Orange County Leave a Comment
10/28/9 Cape Breton park. Toronto singer killed by coyotes.
Taylor Mitchell, a 19-year-old Toronto singer whose debut album was released in March, has died in a Nova Scotia hospital after being mauled by coyotes in a Cape Breton park.
Mitchell was hiking Tuesday on the Skyline Trail in Cape Breton Highlands National Park when she was attacked by two coyotes. Another hiker, who was walking nearby, heard her cries for help and called 911. -snip- Read the story here.
Toronto singer and songwriter Taylor Mitchell was attacked by coyotes in Cape Breton Highlands National Park.
http://quigleyscabinet.blogspot.com/2009/11/fatal-coyote-attack.html


J Biol Chem. 2015 Feb 20;290(8):4908-27. doi: 10.1074/jbc.M114.614420. Epub 2014 Dec 22.
Phosphorylation of synaptic GTPase-activating protein (synGAP) by Ca2+/calmodulin-dependent protein kinase II (CaMKII) and cyclin-dependent kinase 5 (CDK5) alters the ratio of its GAP activity toward Ras and Rap GTPases.
Walkup WG 4th1, Washburn L1, Sweredoski MJ2, Carlisle HJ1, Graham RL2, Hess S2, Kennedy MB3.
From the Division of Biology and Biological Engineering, and.
the Proteome Exploration Laboratory of the Beckman Institute, California Institute of Technology, Pasadena, California 91125.
From the Division of Biology and Biological Engineering, and kennedym@its.caltech.edu.
synGAP is a neuron-specific Ras and Rap GTPase-activating protein (GAP) found in high concentrations in the postsynaptic density (PSD) fraction from the mammalian forebrain. We have previously shown that, in situ in the PSD fraction or in recombinant form in Sf9 cell membranes, synGAP is phosphorylated by Ca(2+)/calmodulin-dependent protein kinase II (CaMKII), another prominent component of the PSD. Here, we show that recombinant synGAP (r-synGAP), lacking 102 residues at the N terminus, can be purified in soluble form and is phosphorylated by cyclin-dependent kinase 5 (CDK5) as well as by CaMKII. Phosphorylation of r-synGAP by CaMKII increases its HRas GAP activity by 25% and its Rap1 GAP activity by 76%. Conversely, phosphorylation by CDK5 increases r-synGAP's HRas GAP activity by 98% and its Rap1 GAP activity by 20%. Thus, phosphorylation by both kinases increases synGAP activity; CaMKII shifts the relative GAP activity toward inactivation of Rap1, and CDK5 shifts the relative activity toward inactivation of HRas. GAP activity toward Rap2 is not altered by phosphorylation by either kinase. CDK5 phosphorylates synGAP primarily at two sites, Ser-773 and Ser-802. Phosphorylation at Ser-773 inhibits r-synGAP activity, and phosphorylation at Ser-802 increases it. However, the net effect of concurrent phosphorylation of both sites, Ser-773 and Ser-802, is an increase in GAP activity. synGAP is phosphorylated at Ser-773 and Ser-802 in the PSD fraction, and its phosphorylation by CDK5 and CaMKII is differentially regulated by activation of NMDA-type glutamate receptors in cultured neurons.
Purification of heterologously expressed sr-synGAP and r-synGAP. Heterologously expressed sr-synGAP and r-synGAP were purified on Talon metal affinity resin and Superdex 200 size exclusion resin as described under "Experimental Procedures." A, His-tagged sr-synGAP; B, His-tagged r-synGAP. Proteins in the indicated pools were fractionated on 4–12% gradient SDS-polyacrylamide gels and stained as described under "Experimental Procedures." S, soluble protein; U, unbound protein; E, eluate from Talon metal affinity columns; X, eluate from Superdex 200 column. C, domain map of synGAP; PH, pleckstrin homology domain (103–203); C2 domain (229–392); RasGAP, Ras GTPase-activating protein domain (393–715); disordered domain (725–1145); CC, coiled-coil domain (1146–1260); PDZ binding domain (1289–1293).
J Biol Chem. 2015 Feb 20;290(8):4908-4927.
GAP activity of sr-synGAP and r-synGAP. GTPase activities in the presence of sr-synGAP (left panels) and r-synGAP (right panels) were measured as a function of GTPase concentration in the absence and presence of purified sr- or r-synGAP (350 nm) for 10 min at 25 °C as described under "Experimental Procedures." A, HRas (10–700 μm); B, Rap1 (15–400 μm); and C, Rap2 (15–400 μm). Data are mean ± S.E. (n = 3–6 for r-synGAP and n = 1–2 for sr-synGAP). The kobs was calculated as moles of phosphate released per s/mol of synGAP when synGAP is present, and as moles of phosphate released per s/mol of GTPase concentration in the absence of synGAP. Note that the concentration of synGAP is much less than that of the GTPases, so the increase in kobs with GTPase concentration reflects increased binding of the GTPases to limiting synGAP. See for estimates of kcat and Km. ●, +synGAP; ▴, −synGAP.
Stoichiometry of phosphorylation of r-synGAP by CDK5 and CaMKII. A, stoichiometry of phosphorylation by CDK5/p35. r-synGAP (286 nm) was incubated in the presence of CDK5/p35 (110 nm) and 500 μm [γ-32P]ATP (375 cpm/pmol), as described under "Experimental Procedures." At the indicated times, reactions were quenched by addition of 4× LDS sample buffer. Radiolabeled r-synGAP was isolated by SDS-PAGE on 4–12% gels and visualized with a PhosphorImager as described under "Experimental Procedures." The content of labeled phosphate in the r-synGAP protein band was quantified with the use of ImageQuant TL software. B, stoichiometry of r-synGAP phosphorylation by CaMKII. r-synGAP (286 nm) was phosphorylated in the presence of CaMKII (3.1 nm), 500 μm [γ-32P]ATP (100 cpm/pmol), 0.7 mm CaCl2, and 3.4 μm calmodulin (CaM) as described under "Experimental Procedures." Labeled synGAP was quantified as described for A. C, phosphorylation by CaMKII of individual sites on r-synGAP. r-synGAP (286 nm) was phosphorylated as described in B, with cold ATP in place of [γ-32P]ATP. Following fractionation by SDS-PAGE, r-synGAP was transferred to PVDF membranes and probed with anti-phospho-synGAP-Ser-764/5 and anti-phospho-synGAP-Ser-1123, as described under "Experimental Procedures." Staining was quantified on a Li-Cor imager as described under "Experimental Procedures." Intensity of staining for phosphorylated Ser-765 and Ser-1123 was normalized for each to the value at 10 min. All data are mean ± S.E. (n = 4).
Effect of CDK5 or CaMKII phosphorylation on GAP activity of r-synGAP. r-synGAP was phosphorylated for 1–10 min in the presence of CDK5/p35 or CaMKII as described under "Experimental Procedures." In the phosphorylation reactions, the synGAP, CDK5, and CaMKII concentrations were 2.5, 2.1, and 3.2 times higher, respectively, than in the reactions shown in . GAP activities of control and phosphorylated r-synGAP (250 nm) were then measured by incubation with [γ-32P]GTP-loaded GTPases for 10 min at 25 °C as described under "Experimental Procedures." A, HRas GAP activity; B, Rap1 GAP activity; and C, Rap2 GAP activity following phosphorylation by CDK5. D, HRas GAP activity; E, Rap1 GAP activity; and F, Rap2 GAP activity following phosphorylation by CaMKII. Initial rates were measured at 10 min; GTPase activity was linear for 25 min (data not shown). Data are mean ± S.E. (A–C, n = 10; D–F, n = 9). The statistical significance of differences from the GTPase activity of unphosphorylated r-synGAP (No Kinase) was determined by ordinary one-way ANOVA (uncorrected Fisher's LSD). **, p < 0.01; ***, p < 0.001; ****, p < 0.0001. Dotted lines indicate the levels of GTPase activity in the presence of unphosphorylated synGAP.
Alteration of the ratio of HRas GAP and Rap1 GAP activities of r-synGAP after phosphorylation by CDK5 or CaMKII. Data from are re-plotted to emphasize the change in ratio of HRas GAP and Rap1 GAP activities after phosphorylation of r-synGAP for 10 min by CDK5 or CaMKII. The data for unphosphorylated r-synGAP from were combined. The numbers above each bracket are the ratios of the means of Rap1 GAP activity to HRas GAP activity for each pair of conditions. Plotting the data for HRas and Rap1 on the same axis emphasizes r-synGAP's greater stimulation of GTP hydrolysis by Rap1 compared with HRas. Note that, in the absence of synGAP, Rap1 has a lower rate of GTP hydrolysis than HRas ().
Intrinsic GAP activities of alanine and aspartic acid mutants of r-synGAP. GAP activities of wild type and mutant r-synGAP (250 nm) were measured by incubation with [γ-32P]GTP-loaded GTPases for 10 min at 25 °C as described under "Experimental Procedures." A, HRas GAP activity; B, Rap1 GAP activity; and C, Rap2 GAP activity. Proteins are named according to their specific point mutations (as described under "Experimental Procedures"). Initial rates were measured at 10 min; GTPase activity was linear for 25 min (data not shown). Data are mean ± S.E. (n = 5). The statistical significance of differences from the GTPase activity of wild type r-synGAP (WT) was determined by ordinary one-way ANOVA (uncorrected Fisher's LSD). *, p < 0.05; **, p < 0.01; ***, p < 0.001; ****, p < 0.0001. Dotted lines indicate the levels of GTPase activity in the presence of wild type synGAP.
Effect of CDK5 phosphorylation on the GAP activities of selected alanine and aspartic acid mutants of r-synGAP. Wild type and mutant r-synGAP were phosphorylated for 10 min in the presence of CDK5/p35 as described in , A and B. Initial rates of GAP activities for control and phosphorylated r-synGAP (250 nm) were then measured by incubation with [γ-32P]GTP-loaded GTPases for 10 min at 25 °C. GTPase activity was linear for 25 min (data not shown). A, HRas GAP activity; and B, Rap1 GAP activity. Proteins are named according to their specific point mutations as in . Data are mean ± S.E. (n = 6–7). The statistical significance of differences between GTPase activity of unphosphorylated and phosphorylated r-synGAP was determined by ordinary one-way ANOVA (uncorrected Fisher's LSD). *, p < 0.05; **, p < 0.01; ****, p < 0.0001.
Detection of phosphorylation of synGAP in the PSD fraction at Ser-773 and Ser-802 by mass spectrometry. A, mouse PSD fraction was analyzed with no treatment or after phosphorylation for 10 min in the absence and presence of exogenous CDK5/p35 and roscovitine as described under "Experimental Procedures." Tryptic peptides derived from phosphorylated Ser-773 and Ser-802 on synGAP were detected and subjected to MS/MS analysis on an Orbitrap Fusion as described under "Experimental Procedures." A, tryptic digests of synGAP in the isolated PSD fraction without addition of exogenous ATP or kinases were scanned. An HCD MS/MS spectrum of the phosphorylated peptide 771LP(pS)PTK776 (doubly charged precursor ion with m/z 361.6779) displays a series of y and y* ions (y ion with a neutral loss of phosphoric acid) indicating that Ser-773 is phosphorylated in the PSD fraction. The peaks for m/z 150–650 are plotted as relative intensity of peak at m/z 442.2288. B, HCD MS/MS spectrum of the phosphorylated peptide 801S(pS)PAYCTSSSDITEPEQK818 (doubly charged precursor ion with m/z 1033.9166), from the same PSD sample as in A, displays a series of b and y ions indicating that Ser-802 is phosphorylated. The peaks for m/z 200–1485 are plotted as relative intensity of peak at m/z 501.2652. C and D, quantification of synGAP phosphorylation at residues Ser-773 and Ser-802 (D) was performed on tryptic peptides from the indicated reactions as described under "Experimental Procedures." Amounts are represented as a percentage change relative to the PSD sample before exposure to exogenous Mg2+/ATP or kinases. Statistical significance was calculated using MSstats utilizing the Benjamini and Hochberg method to produce corrected p values. *, p < 0.05; ***, p < 0.001; ****, p < 0.0001. Rosc, roscovitine.
Changes in phosphorylation of synGAP at Ser-773, Ser-765, and Ser-1123 following activation of NMDA receptors in cultured primary neurons. A, commercial anti-CDK5 substrate antibody binds to bands corresponding to synGAP on immunoblots of the PSD fraction and to purified WT and mutant (T775A and S802A) r-synGAP variants phosphorylated with CDK5/p35. The antibody does not bind to a phosphorylated mutant in which Ser-773 is mutated to alanine. B, commercial antibody recognizes synGAP after it is immunoprecipitated from a brain membrane fraction with an anti-synGAP antibody as described under "Experimental Procedures." In this experiment, anti-PSD-95 Ab was used as a positive control because synGAP binds to PSD-95. Anti-GluR2 Ab was used as a negative control to show that the immunoprecipitation was specific. PSD-95 was present in the immunoprecipitate and GluR2 was not, as expected (data not shown). C, cultured cortical neurons were treated with 25 μm NMDA for 0.25, 1, 3, or 5 min. Phosphorylation of synGAP at Ser-765, Ser-773, and Ser-1123 was measured by immunoblot as described under "Experimental Procedures." Dotted line, Ser-765, n = 9–11 independent experiments; Dashed line, Ser-1123, n = 9–11 independent experiments; solid line, Ser-773, n = 5–7 independent experiments. Levels of phosphoproteins were normalized to intensities of staining for MAP-2. Significance was determined by one sample t test compared with 100%. *, p < 0.05; **, p < 0.01; ***, p < 0.001.
Differential regulation of Ser-773, Ser-765, and Ser-1123 by kinases and phosphatases following activation of NMDA receptors in cultured primary neurons. To inhibit PP2A or CaN, either okadaic acid (green, OKA, 1 μm) or cyclosporin A (red, CsA, 5 μm), respectively, were applied to cortical cultures 30 min before addition of 25 μm NMDA for 0.25, 1, 3, or 5 min, as described under "Experimental Procedures." Control cultures (blue) were treated as in C. Phosphorylation of synGAP at specific sites was measured by immunoblotting as described in C. We verified that the effects of OKA in this experiment were a result of inhibition of PP2A by performing complementary experiments with the PP1-specific inhibitor tautomycin, which had very little effect (data not shown). A, phosphorylation at Ser-765 was significantly increased at all time points (including steady state) in OKA-treated cultures compared with controls in which no inhibitor was added. In contrast, treatment with CsA had no significant effect on phosphorylation at Ser-765. B, phosphorylation at Ser-1123 was significantly increased at 1 and 3 min in OKA-treated cultures, and at all time points in CsA-treated cultures, compared with controls. C, phosphorylation of Ser-773 was increased at all time points in the presence of CsA, peaking at 1 min; treatment with OKA increased phosphorylation at steady state and from 15 s to 3 min after NMDA treatment, compared with control. Significance in A–C was determined by t test, n = 3–5 independent experiments. D, left, steady-state level of phosphorylation of Ser-773 in cortical cultures is regulated, in part, by CDK5 and PP2A. Cortical cultures were treated with 1 μm OKA for 30 min in the absence or presence of 30 μm roscovitine, which was added 5 min before OKA to block CDK5 prior to inhibition of PP2A. OKA alone increased the steady-state level of phosphorylation of Ser-773 ∼2.3-fold. Addition of roscovitine resulted in a significantly smaller increase, supporting the conclusion that CDK5 phosphorylates Ser-773 in neurons independently of treatment with NMDA (OKA/vehicle (veh): 231 ± 18%, OKA/roscovitine (Ros): 183 ± 4%). Pretreatment with 100 μm roscovitine for 30 min did not further decrease the phosphorylation of Ser-773 (data not shown). Significance was determined by one-sample t test compared with 100% and by t test, n = 3–5 independent experiments. Right, transient change in phosphorylation of Ser-773 during activation of NMDA receptors is regulated by CDK5 and CaN. Cortical cultures were treated with NMDA in the absence or presence of 5 μm CsA for 30 min and in the absence or presence of 100 μm roscovitine, which was added 30 min before CsA to block CDK5 prior to inhibition of CaN. Addition of NMDA decreased phosphorylation of Ser-773 to 75% of control in the absence of CsA or roscovitine. The presence of CsA during the treatment with NMDA increased phosphorylation of Ser-773 ∼1.5-fold. This effect of CsA was almost completely blocked by simultaneous treatment with roscovitine. Vehicle, 74 ± 6%; CsA/vehicle, 121 ± 2%; CsA/roscovitine, 92 ± 7%. Significance was determined by ANOVA with post hoc Tukey-Kramer multiple comparisons test, n = 3 independent experiments. *, p < 0.05; **, p < 0.01; ***, p < 0.001.


Today begins week #3 of Marcia's #onesmallchange challenge... and this week I have decided to concentrate on making sure I take my supplements.
I have been dealing with low blood protein, low globulin counts and low white blood cell count for some time now, and I know it is is important for me to eat properly and take the supplements that support my immune system... but I sometimes just don't bother with them.
This week, I am adding that to my #onesmallchange list. I have put them in a place where I cannot fail to see them every morning. No more excuses!
I am doing very well with both of the first two changes I have made - putting my water into bottles each morning is a good visual reminder for me to make sure I empty them before bed time. On mornings I do strength work I usually have the first half of my water drunk by the time I have finished my after-workout stretch. Other days, I space it out throughout the day. But, I am getting it done.
Are you working on any small changes, to improve your health?
Awesome! Awesome! Awesome Elle! You're doing so well and being so consistent. I can't say enough about supplements. They've made a real difference for me. I too had fallen away from taking some but am back on it now and wow can I tell a difference. Thanks for linking up!
I'm working on drinking more water too. I get bad cramps in my feet during ballet classes so I'm trying to remember to eat a banana in ballet days to boost my potassium (or whichever mineral it is). I do hope it works!
I'm always looking for ways to work on my health and fitness and to help others do it as well.
I've been running for a long time also. I love your story and where you live! I went to Vancouver and Victoria city (!!!) before leaving on a cruse to Alaska with my family!
You've picked some great, small changes to focus on each week Elle. Hope this challenge continues to go well for you!


MONTIC´s hardware sales program offers equipment for high requirements to lifetime, weather resistance, safety features and quality, designed for extensive use.
Principally the winches are designed for the lowering process of the bungee jump. This means the cord shall be attached to a load point above the winch with a 2 m (7ft) or longer load sling. The winch cable shall have slack when jumping. After the jump the winch shall lift the jumper to take over the load and the load sling may be disconnected in order to begin the descend.
Both winch types are especially designed and built for the bungee operation. Their internal construction takes the use for personal transportation into account and there includes high safety coefficients in every part.
K5 has the advantage of a fast manual operation in case of power loss.
P99 is faster, but slow in manual operation.
This winch program includes a number of standart and custom winches, which are designed to operate large weights with controlled speed. The can be used for man baskets or to operate high loads under speeds exceeding 40 m (130ft ) per minute.
They are equipped with double brake system (two disc brakes) and frequency converters to smoothly start and stop a load. They fullfil all necessary requirements for lifting persons. The also include numerous inductive safety sensors.
MONTIC rubbers cords are manufactured under the highest available technical standart and include full BACK UP LINE, SOFT TEFLON COCOON suspended cord ends for cord endurance.
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The CFF has two independed harness types in one: The free fall harness which is suspended onto the black cushioned carabiner (with back up sling) and the normal seat harness, which is connected to the D-ring. Both harnesses function independed from each eather.
The dressing of the harness is operator friendly, taking it off needs only seconds. The CFF was especially constructed to work with SCAD free fall rides.
All products are manufactured according to German safety standards and UIAA norms. MONTIC provides technical expertise for many operational tasks in the field of leisure transportation and safety. MONTIC products are distributed worldwide.


How much do you know about the landscape you live and work in? If you would like to learn more the Kent Downs Area of Outstanding Natural Beauty then the Landscape Ambassador Training programme has been designed to help you do just that.
Each AONB and National Park in the south of England has designed and written their own Landscape Ambassador Training and you can access each one to get a better understanding of each place. The training will take about half an hour and you can go back and do other sections if you want to.


Rotary dryers work by tumbling material in a rotating drum in the presence of a drying air. They can also be indirectly heated to avoid direct contact between the material and processing medium. The drum is positioned at a slight horizontal slope to allow gravity to assist in moving material through the drum. As the drum rotates, lifting flights pick up .
How Does Rotary Dryer Work? The rotary dryer is made up of a large, rotating cylindrical tube, usually supported by concrete columns or steel beams. The dryer slopes slightly so that the discharge end is lower than the material feed end in order to convey the material through the dryer under gravity. Material to be dried enters the dryer, and as the dryer .
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text:
Q: How to get the time(freshness value) of ANY app from the time it was launched previously? I am trying to get the freshness value for any app, i.e the time from which it was launched before. For that I am calculating the time as given by code below inside the onReceive(Context context, Intent intent) function of MyBroadcastReceiver class.
Calendar c = Calendar.getInstance();
SimpleDateFormat df = new SimpleDateFormat("yyyy-MM-dd HH:mm:ss");
String formattedDate = df.format(c.getTime());
String[] dateandtime= formattedDate.split(" ");
String mydate = dateandtime[0];
String mytime = dateandtime[1];
Toast.makeText(context.getApplicationContext(), formattedDate, Toast.LENGTH_SHORT).show();

After this I store the info in the SQL database at the end of the function as below
        MyDatabaseHelper myDb;
        myDb = new MyDatabaseHelper(context);
        boolean r = myDb.insertData(mytime,lat ,lon , mydate,  weekday, myNetwork, nameWIFI , audiojack, powersaver, appfullname );
        if(r == true){
            Toast.makeText(context.getApplicationContext(),"data inserted",Toast.LENGTH_LONG).show();

        }else {
            Toast.makeText(context.getApplicationContext(),"data not inserted",Toast.LENGTH_LONG).show();
        }

I want to get the time difference from the time the app was launched before to when it was launched again. Can you tell me how to go about doing this ?

A: You can do following
@Override
public void onReceive(Bundle savedInstanceState) {
    super.onCreate(savedInstanceState);
    setContentView(R.layout.main);
    // Get the system time
    long currentTime = System.currentTimeMillis();
    // Store latest time in DB;
    storeTime(currentTime);
    getTimeDiff(currentTime);
}

private storeTime(time) {
    // Insert in DB
}

private long getTimeDiff(currentTime) {
    long previousTime = <Fetch earlier saved data if any>;
    return currentTime - previousTime; // this will return you milliseconds
}

redpajama_set_name: RedPajamaStackExchange


text:
Rewriting History » Holocaust Denial & Distortion » Admiration of Hitler & Nazism
Lebanese author on Omani TV: Allah gathered the Jews in Israel to kill them; Europe & Hitler wanted to get rid of the Jews because of their behavior
"Allah would gather them [Jews] together for them to be killed and slaughtered"
PA National Security Forces lauds Nazi collaborator Haj Amin Al-Husseini
Image posted on the official Facebook page of the PA National Security Forces on June 3, 2016 The picture shows Mufti Haj Amin Al-Husseini. Text on left of image: "Men around Jerusalem" Text on right of image: "Muhammad Amin Al-Husseini – 'A right that is demanded will not be lost.' If there is a..."
Senior Fatah official: "Hitler wasn't morally corrupt, he was daring"
Fatah Central Committee Member Tawfiq Tirawi: "There is a difference between an officer's discipline and loyalty to a leader. The leader could be morally corrupt." Ma'an host: "And how would you know?" Fatah Central Committee Member Tawfiq Tirawi: "You have to know. Is there anyone who does not..."
The PA's Nazi sympathies
Netanyahu compared to Hitler by PA TV hosts
PA Mufti lays wreath on grave of Nazi collaborator Hajj Amin Al-Husseini
"The Grand Mufti of Jerusalem and the Palestinian Territories and preacher at the Al-Aqsa Mosque, Sheikh Muhammad Hussein, met today, Tuesday, with a number of religious leaders and figures in Lebanon and laid a wreath of flowers on the grave of Haj Amin Al-Husseini." Haj Amin Al-Husseini was the...
Fatah youth performs Nazi salute at Fatah ceremony
Published on Facebook page of the Dalal Mughrabi Magazine, an electronic "magazine" published by the Culture Committee of the Fatah Shabiba student movement at the Birzeit University MC reads and crowd repeats oath: "I swear by Allah the great, I swear by my honor and faith, that I will be loyal to..."
PA accuses PM Netanyahu of incitement for comparing Palestinian cartoon with visually similar Nazi cartoon
"Israeli Prime Minister Benjamin Netanyahu protested on his website (sic. – should be: Facebook page) the materials being published on the official Facebook page of the Palestinian National Security Forces on the issue of the right of return. The Israeli Prime Minister's website used these..."
Palestinian named for Hitler
"Commissioner of the Scout [Movement] in the Hebron district, Hitler Abu Hammad, called to increase the number of activities that serve society and highlight the Scouts' important voluntary role in Palestinian society."
PA-associated youth magazine publishes list of sayings claimed as Hitler's
Headline: "Among Hitler's sayings" "Don't argue with a fool because people won't be able to tell you apart." "When the defeated smiles, he denies the winner the pleasure of victory." "Don't challenge a man who has nothing to lose." "A man remains a boy until his mother dies. When she dies he..."
"Hitler's sayings" published by PA-associated youth magazine
PA daily op-ed lauds Nazism: "Had Hitler won, Nazism would be an honor"
Op-ed by Hassan Ouda Abu Zaher: "'History is a great lie written by the victors' - said Napoleon Bonaparte, the source of dubious historical writing and father of Freemasonry in France. If so, is the history planted in us through TV and the standard educational curriculum indeed true? The source of..."
Americans behind 9/11; Hitler greater than Roosevelt - the PA's welcome to Obama
Iktiba High school posts picture of Rommel with text praising Hitler as "the pinnacle of leadership"
The Iktiba High School for Girls in Tulkarem posted a picture of Nazi military leader Erwin Rommel on its Facebook page. The post tells the story of how Hitler forced Rommel to commit suicide. It ends with praise for Hitler: "The pinnacle of leadership, Hitler. Wonderful!"
Iktiba High school posts picture presenting Hitler as admirable
Text on photo: "Hitler said: 'I could have annihilated all of the Jews in the world, but I left a few so that you would know why I annihilated them'"
Anabta High school posts picture presenting Hitler as admirable
PLO children's magazine glorifies Hitler
Essay in Zayzafuna youth magazine glorifies Hitler: "One hot day, I was very tired after a hard day… and suddenly I saw four white doors in front of me. I opened them in no particular order... I turned to the next door; there Hitler awaited me. I said, 'You're the one who killed the Jews?' He..."
Full PMW study of Palestinian youth magazine - "Zayzafuna"
In Zayzafuna magazine, "Palestine" still replaces all of Israel
Hitler honored through PA radio quiz
Voice of Palestine radio contest "His golden year was 1940, when his armies invaded Denmark, Norway, Luxembourg, Holland, and Belgium and defeated France ... By mid 1942, his country controlled the largest land area in Europe… He refused to surrender and continued to fight for two more years, but,..."
Hamas: Hitler praised the Palestinians as models
The Hamas weekly listed with pride the ways in which different foreign leaders singled out the Palestinians as examples of ideal revolutionaries. The first leader the Palestinian paper cited for praising the Palestinians was Adolf Hitler: "Adolf Hitler, while exciting the Germans of the Sudetenland..."
Palestinians name children after famous Nazi
"Woman's Voice" supplement to Al-Ayyam PA daily: "Sometimes parents name their children with foreign names, due to the father's admiration for a foreign personality. This is the source of the names Rommel [Nazi General] and Napoleon."
"Charmed" Arabs named their children "Hitler"
"Even Adolf Hitler, who after the fall of Nazi Germany turned into a political horror for most writers and artists, during the last decades has started to reestablish his place in the picture. There are some in Britain who defended Hitler and tried to do justice for him. There are elderly people,..."
Mein Kampf, Palestinian best seller
Mein Kampf was rated 6th on the best-seller list among Palestinians in a survey conducted and reported in PA daily Al-Hayat Al-Jadida.


text:
Q: How to store a query result into a variable in mysql and then use it another query and echo result? I have some complex situation. I have joined multiple tables using LEFT JOIN Now I want to store the result of my query in a variable then i want to call this result in my another SELECT query to fetch my desired data from mysql db.
 I tried this but i failed.
Using following query i can store result of query in variable @v1
SET @v1 := (SELECT `opinion_id` FROM `pacra_client_opinion_relations` WHERE `client_id` = 97 LIMIT 1);

Now in following query i use variable in which i store result of my 1st query
    SELECT @v1, r.client_id,c.id,t.id,a.id,o.id,c.name as opinion, r.notification_date, t.title as ttitle,a.title as atitle,o.title as otitle, l.title as ltitle, s.title as stitle, pr.opinion_id, pc.id, pr.client_id as pr_client, pc.address, pc.liaison_one, city.id, pc.head_office_id, city.city, pc.title as cname
FROM og_ratings r
LEFT JOIN og_companies c
ON r.client_id = c.id
LEFT JOIN og_rating_types t
ON r.rating_type_id = t.id
LEFT JOIN og_actions a
ON r.pacra_action = a.id
LEFT JOIN og_outlooks o
ON r.pacra_outlook = o.id
LEFT JOIN og_lterms l
ON r.pacra_lterm = l.id
LEFT JOIN og_sterms s
ON r.pacra_sterm = s.id
LEFT JOIN   companies_contact co
ON c.id = co.companies_id
LEFT JOIN pacra_client_opinion_relations pr
ON pr.opinion_id = c.id
LEFT JOIN pacra_clients pc
ON pc.id = pr.client_id
LEFT JOIN city
ON city.id = pc.head_office_id
WHERE r.client_id= @v1
ORDER BY r.id DESC
LIMIT 1

When i execute this query in my PhpMyadmin it show my correct result

But when i use this query in my PHP page and try to echo some field of my table it does not display any thing.
<?php
$servername = "localhost";
$username = "root";
$password = "";
$dbname = "pacra1";

$conn = new mysqli($servername, $username, $password, $dbname);

"SET @v1 := (SELECT `opinion_id` FROM `pacra_client_opinion_relations` WHERE `client_id` = 97 LIMIT 1)";
$sql= " SELECT @v1, r.client_id,c.id,t.id,a.id,o.id,c.name as opinion, r.notification_date, t.title as ttitle,a.title as atitle,o.title as otitle, l.title as ltitle, s.title as stitle, pr.opinion_id, pc.id, pr.client_id as pr_client, pc.address, pc.liaison_one, city.id, pc.head_office_id, city.city, pc.title as cname
FROM og_ratings r
LEFT JOIN og_companies c
ON r.client_id = c.id
LEFT JOIN og_rating_types t
ON r.rating_type_id = t.id
LEFT JOIN og_actions a
ON r.pacra_action = a.id
LEFT JOIN og_outlooks o
ON r.pacra_outlook = o.id
LEFT JOIN og_lterms l
ON r.pacra_lterm = l.id
LEFT JOIN og_sterms s
ON r.pacra_sterm = s.id
LEFT JOIN   companies_contact co
ON c.id = co.companies_id
LEFT JOIN pacra_client_opinion_relations pr
ON pr.opinion_id = c.id
LEFT JOIN pacra_clients pc
ON pc.id = pr.client_id
LEFT JOIN city
ON city.id = pc.head_office_id
WHERE r.client_id= @v1
ORDER BY r.id DESC
LIMIT 1";

$result = $conn->query($sql);
while ($row = $result->fetch_assoc()){

    $liaison_one = $row['liaison_one'];
    echo $liaison_one;

}

?>

A blank page is shown in my browser. Please can you suggest me where i am wrong?

A: Variables only last for the current mysql "session" so when doing it in PHP the second query is treated as a new session and therefore the variable isn't set.
For example if in phpmyadmin I run:
SET @v1 := (SELECT id FROM `mytable` WHERE field='something' LIMIT 1);
SELECT * FROM `mytable` WHERE id = @v1;

It works fine.
However if I run:
SET @v1 := (SELECT id FROM `mytable` WHERE field='something' LIMIT 1);

and then
SELECT * FROM `mytable` WHERE id = @v1;

It will return 0 results as @v1 isn't set.
Therefore I would try:
$sql = "SET @v1 := (SELECT `opinion_id` FROM `pacra_client_opinion_relations` WHERE `client_id` = 97 LIMIT 1);
SELECT @v1, r.client_id,c.id,t.id,a.id,o.id,c.name as opinion, r.notification_date, t.title as ttitle,a.title as atitle,o.title as otitle, l.title as ltitle, s.title as stitle, pr.opinion_id, pc.id, pr.client_id as pr_client, pc.address, pc.liaison_one, city.id, pc.head_office_id, city.city, pc.title as cname
FROM og_ratings r
LEFT JOIN og_companies c
ON r.client_id = c.id
LEFT JOIN og_rating_types t
ON r.rating_type_id = t.id
LEFT JOIN og_actions a
ON r.pacra_action = a.id
LEFT JOIN og_outlooks o
ON r.pacra_outlook = o.id
LEFT JOIN og_lterms l
ON r.pacra_lterm = l.id
LEFT JOIN og_sterms s
ON r.pacra_sterm = s.id
LEFT JOIN   companies_contact co
ON c.id = co.companies_id
LEFT JOIN pacra_client_opinion_relations pr
ON pr.opinion_id = c.id
LEFT JOIN pacra_clients pc
ON pc.id = pr.client_id
LEFT JOIN city
ON city.id = pc.head_office_id
WHERE r.client_id= @v1
ORDER BY r.id DESC
LIMIT 1";

$conn->multi_query($sql);
$conn->next_result(); //as the first query we don;t need anything from
$result = $conn->use_result();

A: I don't know mysql's SET @ syntax, but I see that your code doesn't make sense:
"SET @v1 := (SELECT `opinion_id` FROM `pacra_client_opinion_relations` WHERE `client_id` = 97 LIMIT 1)";
$sql= " SELECT @v1, r.client_id,c.id,t.id,a.id,o.id,c.name as opinion, r.notification_date, t.title as ttitle,a.title as atitle,o.title as otitle, l.title as ltitle, s.[...]

The first line of these two is nothing (has the same effect as a comment). It's a string which is not assigned or executed somehow. You either need to assign it to a variable ($sql2 = "SET ...") or execute it using mysql commands


As I mentioned last week in Part 1 of my writing journey, it took me about a year to write my debut book, The Preacher's Bride. I was only doing about 500 words a day at that point. When I finished, it was the summer of 2008—which seemed eons from when I'd been actively pursuing publication years before.
After spending several months editing the book, I decided it was time to dip my feet into the publishing waters again. I didn't know if I was ready for publication. If you remember from the previous post, I'd started garnering a little editorial interest with the last book I'd written before taking my seven-year hiatus.
But after my long break, I didn't know how I compared with other authors. And quite frankly, I wasn't sure if my writing skills were up to par.
I hemmed and hawed and finally decided it wouldn't hurt to send my manuscript out to publishers and see what happened. So I turned on my handy internet and began researching publishers.
And boy was I in for a surprise. Times had changed drastically since I'd queried and submitted years before. I quickly learned that everything had gone electronic—that I wouldn't need to print out my manuscript, rubberband it together, and figure out return postage. Instead I'd have to figure out the new email guidelines for sending queries and sample work.
I also learned that most publishers didn't accept unsolicited manuscripts, that I would likely need to get an agent if I had any hope of getting into a bigger traditional publisher. And so, I began to compile a list of agents who represented inspirational fiction.
As I started reading blogs about the state of the publishing industry, I listened to other writers talk about how hard it was for debut authors to get into traditional publishing houses. The statistics were grim and depressing. And even my chances of finding an agent seemed somewhat bleak. But I decided it wouldn't hurt to put my toes in and test things out.
So I sent the queries out. My list was fairly small (approximately 12), since I'd narrowed it down to the top agents I thought could represent what I was writing.
Slowly the rejections trickled back in. The Preacher's Bride was rejected by every agent I sent it to . . .
Only one agent showed an interest, a fairly new agent, who at that time was still building her client list. She told me she liked my query and asked me to send her the entire manuscript. So I did. But I was still very naïve and checked my email several times a day, excited and yet nervous all at the same time. I didn't realize what a slow process submitting could be.
One week passed in to two. And then three. And then four. Months passed. And I didn't hear one word from the agent.
I was getting a first-hand learning experience in the hard-knocks of the modern publishing industry. I quickly realized it was as tough as everyone had said—and then some.
In the meantime, I decided I would keep writing. So that year, as The Preacher's Bride continued to languish in the agent's slush pile, I put my heart and soul into writing another book. I also used the year to immerse myself in the industry. I read publishing blogs, joined writing communities, and even started a blog of my own. I began to meet other writers online and gained a firm grip on the pulse of the publishing industry.
So how did I finally get my big break?
I entered the Genesis contest through ACFW in 2009 (a national contest for unpublished writers). And The Preacher's Bride and the other manuscript I had just completed finaled. Once I received the exciting phone call about my final, I contacted the agent that had The Preacher's Bride in her slush pile and updated her on the status.
Fortunately the final perked her attention and she pulled my manuscript from her slush pile where it had been sitting for months upon months. She read it and three days later called and offered me representation. Three months later I signed a contract with Bethany House publishers. And they offered me a three book deal.
Now in 2013, after finishing two contracts, we're in the thick of negotiations for a third book contract with Bethany House Publishers.
Okay, so the real moral? My trip to publication didn't happen overnight. I had pit stops along the way, detours, and a long uphill climb. But through it all, I never gave up my passion for writing. And no matter what the future may bring, I know I'll always love writing.
So what do you think of my journey to publication? Anything surprise you? And now tell me something about YOU! Have you ever had to wait a long time for something? What was it and how long did you have to wait?
Also, I would encourage unpublished writers who think their story(ies) might be ready for submitting to enter contests. I did really well by entering contests. I got my agent when one of my Genesis Contest judges sent my entry to HER agent because she liked it so much.
I've since had a couple people interested in my agent ask what my initial query looked like. At that time, I gulp and say "Um, I kind of didn't write one."
But I think that story says a lot about what can happen if you write a strong opening, the kind that doesn't let people put your novel down.
And another interesting fact, I was terrified of my ms sitting in an agents' slush piles for years, which is why I targeted a publisher I could submit to without an agent. For some reason, I felt I'd have a better shot going for an editor directly, and it worked. My book sold to the editor from the slush pile, but I was already talking to my agent, so I signed with my agent and let her handle the details. :-) Gotta love that about agents! They get to mire through all the legal stuff I only half-understand.
Good morning, Naomi! Thank you so much for sharing more of your journey! Everyone reading my post should read about your story! In fact, I think I may need to share your story in a future blog post! :-)Everyone's journeys are so unique, but the cool thing is that IF you work hard enough to improve your craft AND don't give up, you'll make it!
I don't feel that my story is super interesting, but if it's helpful to share it in another post, feel free. Every writer out there was once unpublished, and there's a part of me that loves helping other writers.
Love this. I remember while I was on submission reading every post on your blog. It encouraged me to watch your journey unfold.
My first book came out last year, fourteen years after I first started writing. Slow and steady is my story, too.
It's so neat how we can draw encouragement from each other's journeys! And hopefully newer, younger writers can take hope as well!
I would definitely say that one thing I've learned is that I don't DO exclusive queries any more. It just isn't worth those months of anguish. I basically spray my queries out there, and whichever arrow hits the target, gets my attention. Waits are only getting longer in this biz--I've seen it happen in the past five years I've been at it.
I think the industry is still morphing, and self-pubbing has become a very viable option for many writers who don't want to put their lives on hold for years to get published. I'm definitely thinking along those lines with my first novel. For the other two, I'll wait around a little longer to see what happens.
Thanks for sharing your experiences, Jody!
Oh yes, exclusive queries are NOT the norm. I would encourage writers to query smart, but to query wide. The industry is really morphing!! I agree! It's amazing to think how much has changed in the past two years alone. Self-publishing is such a viable option! It's exciting to see many authors going that route and having great success. And it also means that if you don't do well traditionally (for whatever reason), your career isn't over (as it once would have been!). You can still keep writing and pursuing other options.
I'm surprised at how helpful a contest final was for your career.
I think another backdoor way is a conference like Mount Hermon. I was very encouraged by the interest that a few agents and publishers had in my ms. Now I must polish profusely so I can send the requested full. Waiting is in my future.
I am pretty sure I will hold the record for how long it took me to get my latest book (actually the first I wrote) published. I started the book in 1978. I finished the book in 1989. In 2011 I spent most of the year adding material to the book but 95% of it was written by 1989. The book was published in 2012 so it took 34 years from start to finish. No one can ever accuse me of being a quitter!!! It is a non-fiction book about a time in Canadian history that will never be written about again. It is biographical and I tell the story through the words of the actors, etc. I was very naïve and started to send it off to one publisher and then waited until they rejected it and sent it to another. I have the most interesting collection of rejection letters because many of them loved it but did not purchase the rights. The academic world said I was too mainstream and the mainstream said I was too academic. As I wanted to bridge both worlds I could only tell myself I had succeeded and one day some publisher would see that. I came close once or twice and finally was offered a contract in 2002. For a number of reasons it did not work out but in 2011 the same publisher said that he really did want to publish it (in the meantime I wrote six other books) and so began the editing process which took more than a year. That is a very short version of an incredible journey. There were so many twists and turns to it I can hardly believe it looking back. I never wrote a query letter but did have a two page synopsis. That and one chapter was all I needed and I do not think it would have been published any faster with a query letter. I realize it is non-fiction and you are a fiction writer but some of the principles are the same. I think luck and perseverance have as much to do with it as anything with the latter often triggering the former. At some point I will write a story of how the book happened because it really was a remarkable journey.
Jody, I like how you patiently waited for months before contacting the agent until you had something more to offer her (the contest info). It shows great strength and humility.
Hi Linda! Yes, it was a hard wait! But I think waiting is always easier when you keep on writing! The new story takes your mind off the other one.
What if that doesn't happen? What can you do if the proverbial "next book" just won't come?
How did you differentiate quitting versus taking a break, however long? Do you know of any writer (personal or fan-wise) that put their writing on hold for reasons that don't involve parenting or cancer?
I feel stalled and stagnant. But it's not parenthood that makes me feel that way.
Do you think this break would've happened has you not had children, or had them later than you did.
I mean no disrespect to parents here.
But I frankly feel like the only non-parent who feels stalled this way.
Taurean, I think that sometimes you have to take breaks in your writing. I would encourage a "break" as the first step before "quitting" and using the break to evaluate what's causing the stagnation. And perhaps the break will be quite long. That's okay. Sometimes we burn ourselves out on our passion and need the chance to rejuvenate our creativity by fueling it in other ways.
Oh wow, Dawn! The beginning of your writing journey DID happen really fast! That's got to be encouraging to know that you're on the right track and have what it takes! In the meantime, while you're waiting you can keep on writing and giving your agent more material to send out there! And then someday when you do get a contract, your publisher will hopefully take a look at all of your books.
Jody, this post is so encouraging! I love to hear an author's story and how God works for their good in His many different ways. Love your work! Can't wait to read A Noble Groom. God bless you in your writing.
Thank you so much, Natalie! I'm so glad the post was inspiring. Hope you'll enjoy A Noble Groom! Have a wonderful Easter weekend!
As far as contests, I think it would be good to try a variety of contests. If you haven't ever entered the Genesis, it might be worth a try. The judges always give detailed feedback. If nothing else, it's an inexpensive way to get critiques from experienced writers.
Reading your post, I am sure you are the right person in the world publishing a book .. kesuksan tends to yours ... best wishes always ..
greetings from me at Indonesia ..
if you do not mind visiting my web ..


text:
Rubén Eduardo Barraza (Chihuahua, 24 de febrero de 1979) es un director, académico, productor, guionista de cine y escritor mexicano. Es licenciado en ciencias de la comunicación por el Instituto Tecnológico de Estudios Superiores de Monterrey. Especializado en dirección cinematográfica por la New York Film Academy, tiene una maestría en educación. Fundador, junto con su esposa Beny Treviño, de la productora Séptimo Cielo Films.

Biografía
Nació en Chihuahua en 1979, donde vivió hasta 1980. Se traslada a Agua Prieta Sonora, ciudad fronteriza EE. UU. con Douglas, Arizona.

En 1996, regresó a su tierra natal. En 1997 tuvo la oportunidad de irse a estudiar a Monterrey, Nuevo León, e iniciar una carrera en Ciencias de La Comunicación.

Rubén Eduardo Barraza es uno de los devotos directores de cine, que promueve la fe, la esperanza, y la caridad en los medios masivos de comunicación. En la actualidad es catedrático en la Universidad La Salle en Chihuahua, Chih.

Carrera
Ha sido becario del Fondo Estatal para la Cultura de Nuevo León con su documental "Norteño Corazón" MEX en 2003.

En el 2006 presenta "Superniño", cortometraje realizado con la ayuda de niños.

Creador de los talleres "The Mexican Film School: Haciendo cine a la Mexicana" y, junto con su familia, el taller de cine infantil "Jugando hacer Cine: Por una Familia unida" y el movimiento de "Cine con Valor".

Su guion Arcángel, fue el ganador del concurso de guiones de largometraje CONARTE-SOGEM 2006.

Es el primer guionista mexicano en ganar la estatuilla de second runner up en el concurso de guiones del Beverly Hills Film Festival en 2008, el cual contaba con 500 participantes.

Fue uno de los tres mexicanos que participaron en Festival de Cannes en el área de Producers Network en 2008.

Sus proyectos más reconocidos son  El último rey Arcángel Script.

Actualmente tiene su propia productora, Séptimo Cielo Films, donde trabaja como instructor y colabora en Católicos comunicación organización que promueve valores en los medios de comunicación.

Premios y Selecciones

2008 Cannes Producers Network
 Script presentation Arcangel

2007 Chihuahua International Film Festival
 Mejor guion Hijo del Maiz

2006 Mexican Writers Society Awards
 Mejor guion Arcangel

Referencias

 https://web.archive.org/web/20090314001148/http://www.arts-history.mx/semanario/index.php?id_nota=11032009100426
 https://web.archive.org/web/20110716024204/http://sdpnoticias.com/sdp/contenido/2009/03/10/349911
 http://www.munhispano.com/?nid=255&sid=5817686
 https://web.archive.org/web/20110718133522/http://mx.entertainment.yahoo.com/10032009/7/entertainment-enfrenta-cine-mexicano-dolorosa-lucha.html
 https://web.archive.org/web/20110718133754/http://mx.mujer.yahoo.com/entretenimiento/entertainment-enfrenta-cine-mexicano-dolorosa-lucha-10032009-4.html

Enlaces externos

Nacidos en Chihuahua (ciudad)
Directores de cine de México
Escritores de México del siglo XXI
Guionistas de México

redpajama_set_name: RedPajamaWikipedia


Liquidator rejects director's claims and ensures large return for creditors.
The client was an insolvency practitioner. Roberts Legal were engaged to assist in recovering an unsecured loan to the Director of the company in liquidation and a number of related entities.
The client sought to recover in excess of $200,000.00 from the Director and related entities. The Director raised various offsetting claims which exceeded the amounts claimed by the client by over $100,000.00. Roberts Legal considered the offsetting claims and advised our client to reject the Director's assertions.
Investigations revealed that one (1) of the related entities owned real property which they intended to develop and sell. Roberts Legal negotiated a Settlement Deed requiring payment to our client as well as providing our client with a release from the offsetting claims and taking security over the real property.
The debt was not repaid within the terms of the Settlement Deed and the Director sought to reopen the claims for which the Settlement Deed provided a release. Roberts Legal again rejected their claims and took steps to force the sale of the real property. The property was sold with a substantial return to the client.
The matter was resolved without the need for litigation.
We regularly provide advice and act for insolvency practitioners to recover monies and assist with the liquidation of companies and the administration of bankrupt estates.
Borrowing from the Bank of 'Mum & Dad': Lessons for Baby Boomers providing early inheritances or other financial assistance and the impact of the Family Law Act for Estate Planning: Loans vs Gifts.
New Rules now apply for Medium Density Low Rise Developments in Newcastle and Lake Macquarie.
Who gets the ring when an engagement ends?


text:
HomeBusiness ResourcesBusiness OperationsBranding & MarketingFlavored Waters Driving Home Soda Machine Sales
Flavored Waters Driving Home Soda Machine Sales

Consumer desire for innovative, healthy beverage options in flavored waters helped grow 2013 U.S. sales of home soda machines by 30% compared to 2012, according to new market data from the NPD Group. What’s more, sales of complementary products such as CO2 carbonators, bottles, mixes and syrups more than doubled overall.

PORT WASHINGTON, N.Y.—Consumer desire for innovative, healthy beverage options in flavored waters helped grow 2013 U.S. sales of home soda machines by 30% compared to 2012, according to new market data from the NPD Group. What's more, sales of complementary products such as CO2 carbonators, bottles, mixes and syrups more than doubled overall.
Dollar sales of syrups and mixes for home soda machines increased 83% compared to 2012, with regular and diet soda options holding on to the top two spots. Sales of flavored water options grew the most in 2013, resulting in nearly triple the previous year's results.
"The home soda category continues to appeal to consumers seeking convenient ways to customize beverages that range from plain seltzer to flavored options on demand, while also being friendly to their wallets and the environment," said Debra Mednick, executive director and home industry analyst, The NPD Group.
NPD's National Eating Trends® service indicates that carbonated beverage consumption in the home has declined over the past two years, while bottled water consumption is up, and has been growing for the past four years.
"The emphasis on the health concerns associated with traditional soda products in the media and beyond, combined with the consumers' continued desire to be more health conscious may turn their attention to the benefits of drinking water," said Darren Seifer, food and beverage industry analyst, The NPD Group.
Mednick said overall consumption of traditional soda in the home has declined, giving home soda machine manufacturers and beverage companies an opportunity to offset the trend by introducing new product offerings that capitalize on current consumer beverage preferences.
"Home soda makers as a category is still in its infancy with relatively low household penetration. The potential of these machines is contingent upon broadening the category's appeal with a wider variety of uses and offerings, ease of obtaining the consumables, and price," she said.
TAGS: Beverages Business Resources Archive


text:
Q: add a list to another list pandas I need help with a problem with a dataframe like this:
df = pd.DataFrame({'column_A': [[{'zone':'A', 'number':'7'}, {'zone':'B', 'number': '8'}],
                                   [{'zone':'A', 'number':'6'}, {'zone':'E', 'number':'7'}]],
                       'column_B': [[{'zone':'C', 'number':'4'}], [{'zone':'D', 'number': '9'}]]})

I want to insert column_B into the column_A list so the output of the first line of column_A has to be:
[{'zone':'A', 'number':'7'}, {'zone':'B', 'number': '8'}, {'zone':'C', 'number':'4'}]

Probably is the easiest thing, I can imagine, but I find so many errors with functions like insert and the '+' command and I ran out of ideas.

A: Simpliest is join lists by +:
df['column_A'] = df['column_A'] + df['column_B']
print (df)
                                            column_A  \
0  [{'zone': 'A', 'number': '7'}, {'zone': 'B', '...
1  [{'zone': 'A', 'number': '6'}, {'zone': 'E', '...

                         column_B
0  [{'zone': 'C', 'number': '4'}]
1  [{'zone': 'D', 'number': '9'}]

Data are different, seems in second column are not lists:
df = pd.DataFrame({'column_A': [[{'zone':'A', 'number':'7'}, {'zone':'B', 'number': '8'}],
                               [{'zone':'A', 'number':'6'}, {'zone':'E', 'number':'7'}]],
                   'column_B': [{'zone':'C', 'number':'4'}, {'zone':'D', 'number': '9'}]})

df['column_A'] = df['column_A'] + df['column_B'].apply(lambda x: [x])
print (df)
                                            column_A  \
0  [{'zone': 'A', 'number': '7'}, {'zone': 'B', '...
1  [{'zone': 'A', 'number': '6'}, {'zone': 'E', '...

                       column_B
0  {'zone': 'C', 'number': '4'}
1  {'zone': 'D', 'number': '9'}


In regards to my photos, I took pictures of known distances in micrometers with my microscope and from there used the digital image to get a pixel to micron ratio. I don't know if that makes sense, but I got 0.58um/pixel relationship. I calibrated the ImageJ software with this information and the results are apparently in centimeters, which I can easily convert to micrometers.However, the perimeter it gives me in centimeters turns out to be about 2 micrometers, which makes no sense since it says the area is about 707 micrometers. Do you have any suggestions?
Hmmm. Can you tell us exactly what you put in all of the fields in the 'set scale' window in Image J, and then give us an example of your results? I suspect this is just a calibration problem, although I'm not sure--that does sound odd.
The distance in pixels I got by drawing a line between two distinct points in which I already had drawn a line before and knew the actual distance (42.28 micrometers).
After I trace hair root one, for example, I get that the area is 1.56x10^-4 cm(1.56 micrometers) and the perimeter is 0.063 cm(630 Micrometers). Last year for my project, the average length of a hair root was about 32 micrometers and the width was about 10 micrometers. So the area and perimeter both seem wrong.
You're right, that does seem wrong. Have you tried using the magic wand instead of the trace function? The easiest way to do this is to first go to 'adjust' then 'threshold', then adjust it until all the pixels of the hair root are red--those will be black and everything else will be white. (You may need to use an image manipulation program to erase the hair itself so you only have the root.). Then you click on the hair root with the magic wand tool (the one that looks as if there is light coming from the end of a stick), and click 'measure'.
See if that gives you more reasonable values.
Rosemary - I wanted to check in and see how the project went? Did you present already at science fair?


My favorite topicsI can talk about anything. I especially like music and science but I am open to new and would like to know more about other cultures, especially Japan.
My favorite topicsVolunteering, Exploring, Bike Tours, Swimming, Playing Games, Sometimes reading 😋, chilling with Friends.
Ideal conversation exchange partnerSomeone easy to talk to.
My conversation partnerSomeone I can talk to about many topics and everyday life. I'm happy to help with all aspects of english language and can help with scientific/academic english as well.
My learning goalsI want to improve my german, particularly conversational german and vocabulary as it is rather bad (I'm currently end of B1 level) and I've found, unfortunately, I can get by speaking english, which makes it difficult to improve my german.
My learning goalsI'd love to be able to speak conversational German, I'm currently a beginner who can normally understand a conversation's topic but can't join in and then it's all too fast for me!
My exchange partner isSomeone who can help me understand things simply. I want fluency but I am an English teacher so for me, having grammatically correct German is important too.
My learning goalsLooking for a tandem in Karlsruhe. Taking the DeutschTest für Zuwanderer on April 20th, so help with the mündliche Prüfung would be great. I want to speak comfortably & understand daily conversation. I also need to develop my reading and writing skill.
My favorite topicsI'm taking the Deutsch für Zuwanderer Test on April 20th, so It would be great to get help with the mündliche Prüfung. Hobbies: Movies, theatre, politics, books, baseball.
Ideal language community partnerFriendly, ready to help and open minded.
My learning goalsGoals would be ability to speak well in German.
My favorite topicsPsychology, Dance, Music, Travel, Adventure, Food, Anime!
My favorite topicsDaily life, music, culture, environment, technologies, travel, fussball, youtube, movies, anything. !WARNING: Sometimes can be sarcastic.
My favorite topicsEnvironment, traveling, living abroad.
My learning goalsTo learn a bit of German,I know it's huge,,,so jus atleast a small part of it.
My favorite topicsTravelling,sports,making friends,and meeting new ppl and culture to explore more about life.
My exchange partner isAnyone looking to improve their English skills and help me improve my Deutsch! Someone chill with interesting hobbies would be great.
My learning goalsImprove my (admittedly terrible) German skills. I'm currently in an A1 class with Inlingua, and am trying to work my way towards basic conversation skills. My grammar is schlecht.
My favorite topicsNature, gaming, metalsmithing, snowboarding, and boxing!
Perfect language exchange partnerOpen minded, friendly people.


text:
est un groupe d'eurodance originaire d'Allemagne, fondé début 1991 par l'ex-rappeur de Twenty-4-Seven Tony Dawson-Harrison, avec les producteurs Thorsten Adler, Michael Eisele et Thomas Keil. Son surnom a été trouvé par ses amis quand il était dans l'armée parce qu'il dansait dans les boites de nuit en uniforme.

Biographie
, de son vrai nom Tony Dawson-Harrisson, a passé son enfance dans une banlieue de New York. Il n'a qu'un an lorsque sa mère meurt. Son père le laissera seul et finira par l'abandonner. Il est ensuite placé avec sa sœur dans un orphelinat de Détroit pendant 2 ans. Il s'engage dans l'armée à l'âge de 16 ans et part pour Francfort en Allemagne. Mais il quittera sa profession pour se consacrer à ses passions que sont la danse et la musique.

Au début des années 1990, il est remarqué pour ses talents de danseur et pour sa personnalité, voulant conquérir le continent européen... Il commence sa carrière en tant que rappeur et danseur dans un groupe hollandais appelé Twenty 4 Seven. Mais Tony a d'autres projets et il quitte la formation en 1991. C'est en 1993 que Captain Hollywood connaît le succès avec l'explosion de l'eurodance. Il est accompagné de la chanteuse Nina Gerhard et de quelques choristes. On retient surtout du groupe les singles More And More, qui tournait dans toutes les discothèques et qui s'est classé numéro 1 en Allemagne pendant 4 semaines, et Only With You, bien placé dans les classements européens.

Le premier album du groupe, Love Is Not Sex, sorti en 1993, s'écoulera à  exemplaires, en plus des ventes d'autres singles comme All I Want et Impossible, en 1994, la voix féminine Nina Gerhard décide de quitter le groupe pour se consacrer à une carrière solo et remplacée peu de temps après par Petra Speigal. Le groupe revient en 1995 et sortira un second album, Animals Or Human, dont un nouvel extrait, Flying High, encore une fois très bien accueilli sur les pistes de danse et qui reçoit une récompense aux Dances d'Or de Cannes. Les autres titres Find Another Way et The Way Love Is confirment aussi le succès du groupe.

L'année suivante, sortira un troisième album, The Afterparty, qui passera inaperçu malgré le succès des titres Over And Over et Love And Pain. Ensuite, Tony et son groupe s'essoufflent peu à peu pour finir par disparaître de l'actualité de la musique.

Avant de se lancer dans sa carrière musicale, au milieu des années 1980, Tony avait participé à plusieurs compétition de "Breakdance" qui est une danse de rue originaire de New-York créée en 1970, ce qui lui a valu plusieurs récompenses en Europe, et il avait représenté l'Allemagne quand il était de passage à Cannes pour un show, il avait aussi déjà travaillé dans la chorégraphie, pour des artistes tels que Kim Wilde et LaToya Jackson, entre autres, et il était choriste sur la scène et il avait aussi participé avec la célèbre chanteuse hollandaise C.C Catch sur le titre House Of Mystic Lights. Malgré une dizaine de tubes qui ont fait bouger dans les années 1990, Captain Hollywood Project reste l'un des grands groupes oubliés de l'histoire de l'eurodance.

Malgré le nom de scène du groupe, c'était aussi le pseudonyme de Tony dont il était incontestablement la figure emblématique de la formation, il avait d'ailleurs inclus le mot « Project » pour ses chanteuses et ses danseurs, mais il se détache en 1996 peu de temps avant la fin de l'existence du groupe. Le nom de Captain Hollywood a été trouvé par ses amis de l'armée quand il était sorti en boite et qu'il avait dansé en tenue militaire, sur scène on pouvait souvent le voir lorsqu'il interprétait ses chansons en tenue d'officier, le style de Captain Hollywood était très influencé par le côté militaire dont il avait fait sa carrière avant de connaitre la scène.

Tony Dawson-Harrison a été entouré et il avait aussi collaboré avec de nombreux artistes tels que Duran Duran, Take That, 2 Unlimited, DJ Bobo, Boys II men et Elton John entre autres.

Avant et après Captain Hollywood Project
À la fin des années 1990 et même avant que son groupe ne se dissolve, Captain Hollywood avait créé son propre label  où il produisit quelques artistes venu d'Amérique et les prépara pour le marché européen, et quelque temps après il est reparti dans son pays d'origine où il décida de mettre une parenthèse à sa carrière musicale et dans tout projet.
En 2001, Captain Hollywood réapparaît en solo, avec un titre intitulé Danger Sign qui annonce un changement radical dans la carrière du chanteur, musique lente et quelques sonorités rock sur ce morceau, mais le titre passe inaperçu en France mais il connait cependant un certain succès en Allemagne, et depuis son retour en Allemagne il a aussi participé au début de l'émission Making The Band sur MTV. Au tout début de sa carrière et même avant de connaitre la scène avec Twenty-4-Seven et Captain Hollywood Project, Tony avait déjà un album à son actif depuis le tout début des années 1990, où il sort Do That Thang sorti tout droit d'un label allemand, il a commencé à écrire et à composer ses chansons qui étaient intégralement composées de musique rap et r'n'b à la fois, mais quelques titres comme Soul Sister et Shirley connaitront des rééditions quelques années plus tard. En 2003, il s'invite à un projet nommé Boom Box et crée un titre, You Are A Superstar. Puis il rencontre le D.J. Murphy Brown et reprend le célèbre Axel F, générique du film Le Flic de Beverly Hills, à cette année il s'est lancé aussi dans la production et il a travaillé avec le groupe 3rd Wish, qui a connu un certain succès en Angleterre, en France et en Allemagne. Malgré ses nombreuses apparitions dans plusieurs projets, Captain Hollywood n'envisage pas de sortir un nouvel album et peu de temps après il repart de nouveau aux États-Unis.

En 2004, Tony Dawson-Harrison aka Captain Hollywood a été nommé vice-président du label Skreem Records en Floride et se détache de ses fonctions en 2008.

En 2008, il retourne à nouveau dans sa deuxième maison en Allemagne où il ressort une nouvelle version de son tout premier succès  et en  il signe son retour dans la musique avec un nouveau titre qui s'intitule .

Captain Hollywood & Twenty-4-Seven
Après avoir participé à plusieurs chorégraphies et s'être fait remarquer pour ses talents de danseur, Tony Dawson-Harrison a été d'abord aperçu par un producteur hollandais, Ruud Van Rijen, qui est connu pour ses collaborations avec certains groupes de dance music et qui va par la suite l'engager pour un projet qui s'appelle Twenty-4-Seven, Tony alias Captain Hollywood est le rappeur interprète du groupe et il est associé avec la chanteuse hollandaise Nance Coolen ainsi que les autres membres du groupe qui sont présentés comme danseurs. En 1991 est sorti leur premier single I Can't Stand It qui est un succès commercial en Europe où le single s'est vendu très bien notamment dans son pays d'origine, les Pays-Bas mais aussi en Allemagne et en Angleterre entre autres où le single a fait un carton. Avec ce succès, Tony et son groupe réalisèrent plusieurs concerts européens qui ont été sponsorisés par MTV et Swatch, pour une tournée qui a duré trois mois.
Par la suite, à la sortie du premier album du groupe Street Moves, une sérieuse dispute se produit entre Van Rijen et Tony Dawson-Harrison; ce dernier fini par céder et quitte la formation. Après son départ annoncé, la chanteuse Nance Coolen cède elle aussi à la tentation et quitte à son tour le groupe pour se consacrer à autre chose. Malgré ces départs et les coups durs, le groupe continue à marcher en produisant de nombreux singles et d'autres albums en s'associant avec deux autres nouveaux membres, Stacey Paton alias Stay C qui prend la place de Captain Hollywood en tant que rappeur interprète et Stella, une autre chanteuse hollandaise qui a pris la place de Nance Coolen.
Quelques mois après Captain Hollywood revient dans la musique où il est revenu en Allemagne et il fait connaissance avec d'autres producteurs, Thorsten Adler et Michael Eisele, et ils décident de créer un nouveau projet qui a pour nom Captain Hollywood Project, qui sera un énorme succès grâce au single More And More qui a conquis le monde entier mais aussi un grand coup de maitre pour Tony qui est le véritable leader de son nouveau groupe.

Discographie de Captain Hollywood Project

Albums

Singles

Discographie de Captain Hollywood (Solo)

Albums
 1990 : Do That Thang

Album avec Twenty-4-Seven

Singles avec Twenty-4-Seven

Singles de Captain Hollywood
 1986 : Tribut To James B avec (B.P.M)
 1987 : Debora avec (T.T.Fresh)
 1989 : Shirley
 1989 : Soul Sister
 1990 : Do That Thang
 1990 : Rock Me
 1992 : I Can't Stand It (avec Twenty-4-Seven)
 1992 : Are You Dreaming? (avec Twenty-4-Seven)
 1993 : Soul Sister Remix '93
 1993 : Do That Thang Remix '93
 2001 : Danger Sign
 2003 : Axel F (avec Murphy Brown)
 2003 : Flying High 2003 (avec Boombox)
 2008 : More And More Recall
 2009 : It Hurts Without You
 2013 : More And More feat Scotty

Groupe musical allemand des années 1990
Groupe allemand de musique électronique
Groupe d'eurodance


Since the Hague tribunal was launched, a total of 161 people have been indicted for war crimes in the former Yugoslavia.
Despite the fact that atrocities were committed by all sides, a majority of those defendants, over 60% are Serb. Others are Croat, Bosniak, Albanian and Macedonian.
In light of the unequal weightings across different ethnic groups, critics have slammed the tribunal as unbalanced.


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Introducing LA Shorts Fest 10:00 And Over Competitor: Perception Pictures
Who are you and what's your filmmaking background?
We're Perception Pictures, or more specifically Jade van der Lei (writer/producer) and Josh Tanner (writer/director), and we're a film-making team from Brisbane, Australia that focuses on long and short-form drama. We've been working together since 2008.
We're developing our Audience Awards entered short film The Landing into a feature length film!
What are you promoting?
Our Sci-Fi/Drama short, The Landing, is now eligible for voting for the LA Shorts Fest competition in the 10 mins and over category. It tells the story of a mysterious UFO landing in 1960 and its shocking present day disclosure. The film became Academy Award qualified when it won the Best Foreign Film Award at LA Shorts Fest 2014.
What do you want the audience to take away from your films?
A deep and enthralling sense of mystery, and an emotional engagement in our characters. We love history and try to play with historical events in a way that we hope piques audiences interest.
What's your favorite story from filmmaking?
The fact that we discovered an old abandoned movie set from Bryan Singer's Superman Returns (2006) and incorporated it into our short, film is a great anecdote that we never get tired of telling. It's largely the reason we were able to pull of the rural American setting here in Australia.
What are your wildest dreams for your filmmaking career?
We love big commercial genre cinema, but also intimate and grounded character driven stories just as much. Our dream is to make films where we find our own balance between the two. Alfonso Cuarón is one of our biggest influences of achieving this middle ground.
What currently inspires you?
The current filmmaking renaissance. There has been no better time to be a storyteller using the medium of film.
What's your best advice for an aspiring filmmaker?
If you make a short, don't be in a hurry and rush the script. Production values mean nothing if you don't have an interesting story to tell. Also consider the running time. Know that anything over 15 minutes is going to limit your festival chances. If you believe your film MUST be over 15 minutes, make sure it earns the running time by being constantly engaging.
Follow Perception Pictures at The Audience Awards.
View and vote for The Landing in the LA Shorts Fest Showcase over 10:00 January 27th- February 10th 2015
The Audience Awards is film's social network connecting audiences to films, filmmakers, film schools and film festivals. The Audience Awards hosts short film competitions where the audience chooses the best films.
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