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Monteverdi: L'Orfeo
Monteverdi: L'Orfeo Emiliano Gonzalez Toro & I Gemelli
Booklet for Monteverdi: L'Orfeo
Album-Release:
HRA-Release:
Label: Naïve, a Label of Believe Group
Artist: Emiliano Gonzalez Toro & I Gemelli
Composer: Claudio Monteverdi (1567–1643)
Album including Album cover Booklet (PDF)
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Claudio Monteverdi (1567 - 1643): L'Orfeo, SV 318:
1L'Orfeo, SV 318: "Toccata"01:29
2L'Orfeo, SV 318: "Ritornello"00:41
3L'Orfeo, SV 318: "Prologo – Dal mio permesso amato"05:03
L'Orfeo, SV 318, Act I:
4L'Orfeo, SV 318, Act I: "In questo lieto e fortunato giorno" (Pastore)01:23
5L'Orfeo, SV 318, Act I: "Vieni imeneo, deh vieni" (Coro)00:38
6L'Orfeo, SV 318, Act I: "Muse, onor di parnaso" (Ninfa)00:48
7L'Orfeo, SV 318, Act I: "Lasciate i monti" (Coro)01:13
8L'Orfeo, SV 318, Act I: "Ritornello"00:19
9L'Orfeo, SV 318, Act I: "Ma tu, gentil cantor" (Pastore, Orfeo, Euridice)03:29
10L'Orfeo, SV 318, Act I: "Lasciate i monti" (Coro) (2)00:28
11L'Orfeo, SV 318, Act I: "Ritornello" (2)00:21
12L'Orfeo, SV 318, Act I: "Vieni imeneo, deh vieni" (Coro) (2)00:41
13L'Orfeo, SV 318, Act I: "Ma s'il nostro gioir dal ciel deriva" (Pastore)00:40
14L'Orfeo, SV 318, Act I: "Ritornello. Alcun non sia che disperato in preda" (Pastori, Ninfe)03:06
L'Orfeo, SV 318, Act II:
15L'Orfeo, SV 318, Act II: "Ecco orfeo" (Coro)00:37
16L'Orfeo, SV 318, Act II: "Sinfonia"00:17
17L'Orfeo, SV 318, Act II: "Ecco pur ch'a voi ritorno" (Orfeo, Pastore)00:51
18L'Orfeo, SV 318, Act II: "Ritornello. In questo prato adorno" (Due pastori)00:48
19L'Orfeo, SV 318, Act II: "Ritornello. Qui le napee vezzose" (Due Pastori, Coro)00:59
20L'Orfeo, SV 318, Act II: "Ritornello. Vi ricorda, o bosch'ombrosi" (Orfeo)02:00
21L'Orfeo, SV 318, Act II: "MIra, deh mira orfeo" (Pastore, Messaggiera, Orfeo)08:34
22L'Orfeo, SV 318, Act II: "Ahi caso acerbo!" (Coro)01:05
23L'Orfeo, SV 318, Act II: "Ma io, ch'in questa lingua" (Messaggiera)01:08
24L'Orfeo, SV 318, Act II: "Ritornello" (3)01:09
25L'Orfeo, SV 318, Act II: "Chi ne consola, ahi lassi?" (Coro)01:38
26L'Orfeo, SV 318, Act II: "Ahi caso acerbo!" (Coro, Due Pastori)02:32
L'Orfeo, SV 318, Act III:
28L'Orfeo, SV 318, Act III: "Sinfonia"01:10
29L'Orfeo, SV 318, Act III: "Scorto da te, mio nume" (Orfeo, Speranza, Caronte)05:45
30L'Orfeo, SV 318, Act III: "Sinfonia" (2)00:47
31L'Orfeo, SV 318, Act III: "Possente spirto, e formidabil nume" (Orfeo)09:25
32L'Orfeo, SV 318, Act III: "Ben mi lusinga alquanto" (Caronte, Orfeo)01:46
34L'Orfeo, SV 318, Act III: "Ei dorme" (Orfeo)01:58
35L'Orfeo, SV 318, Act III: "Sinfonia a 7"00:31
36L'Orfeo, SV 318, Act III: "Nulla impresa per huom si tenta invano" (Coro di spiriti infernali)01:41
37L'Orfeo, SV 318, Act III: "Sinfonia a 7" (2)00:34
L'Orfeo, SV 318, Act IV:
38L'Orfeo, SV 318, Act IV: "Signor, quel infelice" (Proserpina, Plutone, Spiriti)06:11
39L'Orfeo, SV 318, Act IV: "Pietade, oggi" (Coro di spiriti)00:21
40L'Orfeo, SV 318, Act IV: "Ecco il gentil cantore" (Spirito)00:10
41L'Orfeo, SV 318, Act IV: "Ritornello. Qual honor di te sia degno" (Orfeo, Spiriti, Euridice)05:05
42L'Orfeo, SV 318, Act IV: "Sinfonia a 7"00:36
43L'Orfeo, SV 318, Act IV: "è la virtute un raggio" (Coro di spiriti)01:22
44L'Orfeo, SV 318, Act IV: "Sinfonia a 7" (2)00:41
45L'Orfeo, SV 318, Act IV: "Ritornello"00:46
L'Orfeo, SV 318, Act V:
46L'Orfeo, SV 318, Act V: "Questi i campi di tracia" (Orfeo, Eco)06:17
47L'Orfeo, SV 318, Act V: "Sinfonia"00:47
48L'Orfeo, SV 318, Act V: "Perch'a lo sdegno" (Apollo, Orfeo)03:36
49L'Orfeo, SV 318, Act V: "Saliam cantando al cielo" (Apollo, Orfeo)01:16
50L'Orfeo, SV 318, Act V: "Ritornello. Vanne, Orfeo, felice a pieno"01:01
51L'Orfeo, SV 318, Act V: "Moresca"00:49
Total Runtime01:36:12
Info for Monteverdi: L'Orfeo
Monteverdi's L'Orfeo - premiered in 1607 at the Ducal Palace in Mantua - is a unique masterpiece in its way of thinking and representing music that never ceases to inspire the greatest.
Emiliano Gonzalez Toro, at the heart of his ensemble I Gemelli, signs his third recording for naïve with this luxuriant reading refocused around the voice, which exalts both the aesthetics inherited from the Renaissance and the modernity of a virtuoso score.
This production, hailed on the stages of Paris and Toulouse at the end of 2019, has the singularity of being conducted 'by the voice' by the tenor, who plays the title role while directing singers and instrumentalists. Emiliano Gonzalez Toro displays his care - not only for himself but also for the ten soloists who surround him - with richly ornamented vocal lines that contrast in their dynamics and climates, always keeping the narration and interventions of the characters in tension.
From this fragmentation inherent in Striggio's poem, which is also a model of proportions and balance for this favola in musica, the performers gathered here draw mobility and creativity, thanks to which recurrence is never repetitive and the pastoral scenes enhance moments of introspection such as "Rosa del cielo" (Act I), the famous "Tu se' morta" (Act II) or the arrival of Orpheus in the Underworld in Act III ("Scorto da te").
A continuo that is very inventive in its choice of timbres and accompaniment enriches the vocal and instrumental texture, dominated by the viols and enriched by a 1600 ceterone from the collections of the Musée de la Musique de Paris. The result is a true festive dimension, a powerful divine breath.
"[Toro's] Orfeo is remarkable for both the fluency of his singing (the coloratura flourishes in Possente Spirto fall like pearls from his larynx) and his eloquent declaiming of Monteverdi's recitar cantando...The supporting cast is packed with superb specialists: Emöke Barath, Natalie Perez, Jérôme Varnier and Fulvio Bettini, but it's Toro's set." (Sunday Times)
"There are many other moments in Toro's performance that might be highlighted, and I'm sure it will repay further study. Equally impressive is the care with which he has ensured that all his excellent cast has been carefully coached to remember the critical maxim in this music – prima le parole, poi la musica. Were it not for the lack of ornamentation this might have become my favourite version, but it is an important flaw. It is salutary that for a more stylish approach to embellishment it is necessary to go back to Nigel Rogers' 1984 outstanding recording on EMI, interestingly another version where the Orfeo also undertook the musical direction (with Charles Medlam)." (Brian Robins, earlymusicreview.com)
I Gemelli
Emiliano Gonzalez Toro, direction
Emiliano Gonzalez Toro & I Gemelli
Emiliano Gonzalez Toro
The son of Chilean parents, Emiliano Gonzalez Toro was born in Geneva, where his first musical experiences were singing in the children's choir Les pueri de Genève. He later completed his degree in oboe in Geneva and Lausanne, attaining the first-prize level before he switched to voice and undertook training with Marga Liskutin, Anthony Rolfe Johnson, and Ruben Amoretti. From the beginning of his career, Baroque music has been a repertoire focus, and Gonzalez Toro has worked with William Christie and Les Arts Florissants, Marc Minkowski and Les Musiciens du Louvre, Christina Pluhar and L'Arpeggiata, Hervé Niquet and Le Concert Spirituel, Christophe Rousset and Les Talens Lyriques, and Raphaël Pichon and the Ensemble Pygmalion. He has appeared in Cavalli's La Callisto at the Bavarian Staatsoper, Rameau's Platée at the Opéra National du Rhin in Strasbourg, and Verdi's La traviata at the Festspielhaus Baden-Baden in the staging by Rolando Villazón. In the United States he has been seen in Félicien David's opéracomique Lalla Roukh, which he performed in Washington, D.C., and New York. In the fall and winter of the 2015-16 season Emiliano Gonzalez Toro sang Eumene in Cavalli's Xerse in performances with Emmanuelle Haïm and Le Concert d'Astrée in Lille, Vienna, and Caen; in February 2016 he appeared as the title hero in Leonardo Vinci's Catone in Utica in Amsterdam under the direction of Andrea Marcon. Along with a variety of Baroque operas, his discography includes Monteverdi's Vespers, Lully's Grands Motets, works for organ and voice by C.sar Franck, and Bach's B minor Mass. Gonzalez Toro additionally can be seen as Arnalta on a live DVD recording of Monteverdi's L'incoronazione di Poppea under Emmanuelle Haïm from Lille.
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Home » News » Judge's absence stalls Dasuki's fraud trial
Judge's absence stalls Dasuki's fraud trial
On December 11, 2019 5:46 pmIn Newsby Hamed Shobiye
The trial of former National Security Adviser, Col. Sambo Dasuki (retd) for alleged multiple frauds and illegal arms possession at the FCT High Court, Maitama, was stalled on Wednesday due to the absence of the presiding judge.
Dasuki was arraigned by the Economic and Financial Crimes Commission (EFCC) and the Department of State Services (DSS) alongside other defendants on two separate cases before Justice Hussein Baba-Yusuf in 2015.
While the EFCC arraigned him on the fraud charges, the secret police docked the ex-NSA for illegal possession of arms.
The former Minister of State for Finance, Bashir Yuguda, a former Sokoto State governor, Attahiru Bafarawa, his son, Sagir and his company, Dalhatu Investment Limited are listed as defendants in one of the cases.
READ ALSO: Buhari orders arrest of ex-NSA, Sambo Dasuki
The other defendants in the fraud charges are – former General-Manager of the Nigerian National Petroleum Corporation (NNPC), Baba Kusa and two firms-Acacia Holdings Limited and Reliance Referral Hospital Limited.
Dasuki is also standing trial at the Federal High Court, Abuja, over alleged mismanagement of $2.1 billion arms procurement funds.
In the absence of the judge on Wednesday, the court registrar with the consent of all parties, fixed February 13 for the continuation of the cases. (NAN)
Hamed Shobiye
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Since the year 2000, color giant Pantone has annually picked a shade to be their Color of the Year. The announcement, which occurs in early December, is a hotly anticipated event in the clothing world, and often produces a great deal of commentary and controversy. This article takes a reflective look back at 2017's shade of the year: Greenery. The Pantone colour of the year for 2017 was Greenery 15-0343.
We wrote about the importance of the colour in uniform back in 2016. Green is typically a colour to represent growth, vitality and the environment, and is perfect for industries associated with the outdoors such as landscapers or natural products such as greengrocers. An example of a classic green uniform is Asda, whose uniform is instantly recognisable and the colour a carefully chosen reflection of their fresh produce. Pets at Home also have a green uniform, this reflects that they sell products aimed at not just animals, but nature. Unlike other colours, green has very few negative connotations and has been shown to inspire creativity and productivity, as it is a restful colour for eyes.
The predictions by Pantone that shades of green would feature heavily in the fashion world were correct and the colour green did feature heavily on the catwalks AW17, with designers Fendi, E Tautz, Craig Green, Missoni and Valentino all featuring a moss shade of green for their gents collection. The true beauty of green in clothing is that it lends itself to all skin tones and is universally flattering.
Green and the Pantone Greenery is "natures neutral" and spans across the seasons, lending itself to many colour combination from moody greys to pinks and purples. A green colour palette easily crosses industries from retail to beauty to logistics.


"Just when you think you can't make it through the rain / The seasons change…", when things get hard you persevere, and that's exactly what McCreery has done.
Scotty McCreery is back, with his most personal album yet. Working with renowned Nashville songwriters: James McNair, Tommy Cecil, Frank Rogers, Dan Isbell, Jason Gantt, Monty Criswell, Jessi Alexander, Jonathan Singleton, Aaron Eshuis, Philip White, and David Lee Murphy; McCreery co-wrote all 11 songs on his third record Seasons Change. Since winning the tenth season of American Idol in 2011, McCreery has grown and experienced some monumental changes in his life: "I've moved out on my own, went to college for a couple years, made amazing memories with some great friends, was robbed at gun point, lost my grandfather, performed on stages around the world, dropped by one record label and picked up by another, wrote and released a book, and most importantly I proposed to the love of my life and we're getting married later this year" says McCreery.
Seasons Change is a powerful album. McCreery carries his own in each track with his distinctive voice. The title track is hopeful and a perfect introduction. Like the lyrics suggest "Just when you think you can't make it through the rain / The seasons change…", when things get hard you persevere, and that's exactly what McCreery has done.
The album has some very romantic songs, influenced by Scotty McCreery's fiancé Gabi Dugal.
"Wherever You Are", "Wrong Again", "Still", and "Home In My Mind", to name a few. But the most romantic song of all has to be, "This Is It". McCreery wrote the ballad before proposing to Dugal. The song tells the story of his proposal and is sure to be a popular wedding song in 2018.
Another standout song on the album is his first No. 1 song, "Five More Minutes". It's a very sentimental and personal song that has resonated with fans. Written about the loss of McCreery's grandfather, we all wish we could have more time with those we've lost.
McCreery not only focuses on the theme of love but also nostalgia, home, and simply enjoying life. From "Boys From Back Home" an upbeat track reminiscing about good times with friends in North Carolina, "In Between", a look at life in his early 20's, to "Move It On Out" and "Barefootin" which have a distict summer care-free vibe to them.
Scotty McCreery has grown as an artist and it is evident in this album. "This album is me", he says and we have a feeling that people are going to love it and will be anxiously awaiting many more albums to come.


Point Breeze is a residential neighborhood found in Pittsburgh, PA. Point Breeze is home to large historic buildings, open spaces, tree-lined streets, and excellent schools. To help protect your Point Breeze property from the many pests that unfortunately, also call this wonderful neighborhood home, the pest professional at Witt Pest Management offer a wide variety of advanced, highly effective, eco-friendly pest control services. Whether you are looking to evict common household pests or are having difficulty with a specific pest we have the general or targeted pest control services that you are looking for. To learn more about how we can protect your Point Breeze property from rodents, bugs, and more give us a call today!
They can cause damage to the structure of your home.
They can destroy your personal property.
They will contaminate you home and food with their excrement and saliva.
They will introduce diseases, bacteria, and parasites into your home.
Some are dangerous have the potential to bite and sting.
The easiest way to ensure that pests are kept out of your home is to put into place a year-round pest control program from the pest professionals at Witt Pest Management. We offer our customers three comprehensive pest control programs to choose from with our most inclusive program being the TopCare Complete program. This program includes an initial service visit where our highly trained professionals provide a detailed inspection of your home and performs an interior treatment. We then schedule follow-up visits during the spring, summer, and fall seasons. This program also includes termite monitoring and elimination services for the complete protection against pests. Each of our home pest control programs are back by our Witt Pest Free Guarantee, which states that we will provide our TopCare customers with prompt, priority service in between scheduled visits, as often as necessary and at no additional charge. Contact us today to get started protecting your Point Breeze home and family from pests!
Place a barrier of gravel or rock between that foundation of your home and any mulch or soil.
Remove piles of leaves, grass, and fallen trees or rotting logs from your property.
Make sure that gutters are in working order and are directing rainwater away from the outside of your home.
Seal cracks and crevices found in your home's exterior walls and the foundation. Caulk spaces found around windows and doors.
Replace white outdoor light bulbs with yellow light bulbs that help to deter insect activity.
Use dehumidifiers in basement areas to reduce humidity levels within your home.
When looking for a solution for pest problems in your Point Breeze business you don't just want a bandage, you want a cure; and at Witt Pest Management we can offer you just that! The complete elimination of current pest problems and the implementation of routine service visits to stop future invaders from choosing your business to receive their basic needs of food, water, and shelter from. To get rid of pests and maintain a pest-free environment in your Point Breeze business we rely on our SmartPM® program (Service Methods Achieving Responsible and Thorough Pest Management). This program allows us to solve pest problems in commercial facilities without always needing to use or heavily depend on pesticides. To implement industry leading, highly effective, comprehensive, and eco-friendly commercial pest control services in your business contact the experts found at Witt Pest Management today.
When it comes to damaging termites you want to make sure that the services needed to eliminate them are being performed by experience, trained, and dedicated professionals. By choosing Witt Pest Management to eliminate termites from your Point Breeze property you are insuring that the job will be done quickly, discreetly, correctly, and completely! At Witt we recommend and completely trust the effective, eco-friendly, and non-invasive Sentricon® System with Always Active™. Sentricon® with Always Active™ utilizes bait stations that are placed around your property, the bait stations contain a small amount of Recruit® HD termite bait, which termites actually prefer over wood! Once the bait stations are installed the termites begin immediately ingesting and taking the bait back to the colony, completely eliminating all of its members, even the queen. Sentricon® with Always Active™ then remains in place on your property and is monitored by our professionals to help stop future issues with termites. Whether you are looking to eliminate a current termite infestation or are wanting to prevent termites from ever infesting your home, you can count on Witt Pest Management and Sentricon® with Always Active™ to complete the task! Give us a call to learn more about our termite control options!


He was born on Thursday October 20th 1859, in Burlington, Vermont, United States.
John Dewey is gifted with natural leadership and the capacity to accumulate great wealth. He has great talent for management in all areas of life, especially in business and financial matters. John understands the material world; he intuitively knows what makes virtually any enterprise work. His talent lies not with the bookkeeping or petty management, but with the greater vision, it's purpose, and long range goals.
Dewey is a visionary and a bit reckless. He possesses the ability to inspire people to join him in his quest, but often they are incapable of seeing what he sees. Therefore, those around John Dewey need his continual guidance, inspiration, and encouragement. John must prod them into action and direct them along the lines of his vision.
John Dewey attracts financial success more than any other Life Path, but effort is still required.
John Dewey must learn to bounce back from failures and defeats. He has the character and resilience of a true survivor. It is not uncommon for a person with John's Life Path to experience major reverses, including bankruptcies, financial failure, but he also have the talent and the sheer guts to make more than one fortune, and build many successful enterprises. More than most people, Dewey's failures in marriage can be extremely expensive for him.
Despite the difficulties that life presents, John Dewey will experience the satisfaction that comes from material wealth and the power that comes with it.
Dewey is a good judge of character, which aids him well in attracting the right people to him.
Most 8s like large families and sometimes tend to keep others dependent longer than necessary. Although jovial in nature, John Dewey is not demonstrative in showing his love and affection.
John's Life Path treads that dangerous ground where power lies - and can corrupt. Dewey may become too self important, arrogant, and domineering, thinking that his way is the only way. This leads inevitably to isolation and conflict. The people he runs the risk of hurting most are those he loves, his family and friends.
John Dewey must be careful of becoming stubborn, intolerant, overbearing, and impatient. These characteristics may be born early in the life of an 8 Life Path, who often learns these negative traits after suffering under a tyrannical parent or a family burdened by repressive religious or intellectual dogmas.
If ever there was a single moment of total transformation, it was actually the moment of John Dewey's birth. In that instant, John stepped through a door in time into a new reality - the reality of human life. The most critical number in Dewey's numerology chart is based on the date of his birth - the moment when the curtain went up in John Dewey's life.
Read more about our numerological interpretation of John Dewey's life path . . .


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Keith And Kristyn Getty's Sing! Conference Goes Online, Focuses on Singing at Home
Bob Smietana | Religion News Service | Tuesday, September 1, 2020
#Keith Getty
NASHVILLE (RNS) — Keith Getty's life is usually filled with singing.
Leading worship at Christian conferences.
A national singing tour, including a standing-room-only hymn sing at the Grand Ole Opry House.
Irish Christmas concerts at venues like Carnegie Hall, the Kennedy Center and a series of megachurches.
Almost all of it with groups of fellow Christians — which he says is one of the primary tasks of his faith and one made difficult during COVID-19.
"We are made to sing," Getty said. "So there's a real sadness."
Getty spoke to Religion News Service a few days before the kick-off of the annual Sing! conference, which draws tens of thousands of attendees. The conference began Sunday (Aug. 30) and runs through Wednesday (Sept. 2).
In the past, the event has been in person.
This year, it's online and includes prerecorded sessions mingled with live commentary from Getty, his wife, Kristyn, and Christian author and speaker Trillia Newbell.
There will be singing as well. The Gettys and their band recorded several sessions of hymn singing at the Grand Ole Opry — and then asked attendees to record themselves singing hymns on their phones. Those voices will be mixed with the band's recording — to provide a virtual version of congregational singing.
Getty, a hymn writer best known for co-writing the 2002 song "In Christ Alone," one of the most popular contemporary hymns, has spent recent years encouraging churches to renew their focus on congregational singing.
He says that in many congregations, the church band has become the center of attention during worship. So worship has become more of a performance. And singing is often limited to Sunday mornings.
The halt on worship in person during the pandemic is a chance to change that, Getty said. Singing, he hopes, can become part of daily life again, especially among families.
"The most common command in the Scriptures is to sing. And all the derivatives of singing — to praise, to extol," he said. "It's more than what happens for 25 minutes on Sunday."
In the past, he said, Christians would sing all day long — by themselves and with their families. And then they'd gather once a week to sing together.
Getty hopes singing will become part of what he called "a healthy, holistic Christian life."
The pandemic, while people have fewer distractions on their hands and more time together, is the perfect time to start cultivating that habit.
The conference — entitled "Sing! Global" — will feature speakers and music from all six continents, with breakout sessions on the importance of singing, as well as sessions on mental health and other challenges during the pandemic.
It will be broadcast live and available for 90 days online.
"We're trying to create a church music Netflix, church music Master Class, online services and devotionals all rolled into one," he said. "A community."
The conference will also premiere "Evensong," a new project focused on songs to sing at the end of the day. That is the perfect time to sing, according to Getty, rather than to focus on the worries of the world around us.
Once the conference is over, Getty and his wife plan to head to their native Ireland, where they have a home. They have four young kids, and all the grandparents are still around — so they want to focus on time together with family while they can't tour.
"We thought, we'll never have this chance again."
READ THIS STORY AT RELIGIONNEWS.COM
Article originally published by Religion News Service. Used with permission.
Photo courtesy: ©RNS/Keith and Kristyn Getty


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very different. my answers were very different from what you've been hearing. my answers are nato is obsolete. we're spending too much money on nato. we're paying the lion's share. we're spending tremendous amounts of money on something that was many, many decades ago. and the world has changed. it's a different place. there's no emphasis on terror with nato. and frankly, if there is, you need different countries. because it involves different countries. nato is very obsolete and it should be readjusted for change and frankly other people should also bear the brunt. why are we paying so much? >> you're right -- i just found out that we pay for 72% of all defense costs and only 5 of the 28 nations pay what they're required to do and that's 2% of the gdp on defense. >> right. >> it turns out you're right about that. but in terms of nato, with the reinvigorated russian aggression in the area, it's the only thing that keeps the eastern european nation from being overrun.
president or our country. mark: but it's about nato. you suggested maybe the u.s. should have a different role, a smaller role. you did not say withdraw, but a different role, and nato would need another mission. : we are paying for a lot of nato. it is helping them more than it is helping us. . look at ukraine we are the one who always wants to go to war with russia over ukraine. we are always fighting, and putting up a lot of money for nato, this proportion. we put up a lot of money for a lot of countries. we defend south korea, japan, germany. we put up a lot of money, then the $1 wonder -- trillion. when you look at our military, is very interesting. it is not really for us. we are defending everyone else. we are defending the whole world. mark: should america be the leader of nato are not necessarily? obsolete.nato is it was set up many years ago, when things were different. i think nato, you have to examine. it does not help us, it is helping other countries. i don't think those other countries appreciate what we are doing. john: you made two slightly different arguments.


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second life eco-management
dan mackinlay: trish adams & andrew burrell's mellifera
Mellifera, Trish Adams, Andrew Burrell
MELLIFERA'S LAUNCH HAS TO BE THE ONLY OCCASION THAT AN EXHIBITION HAS BEEN OPENED BY RELEASING BEES IN A CROWDED ROOM. WELL, ALMOST BEES. CREATORS TRISH ADAMS AND ANDREW BURRELL CALL THE VIRTUAL LIFEFORMS THEY HAVE CREATED "MELLIFERA", AFTER APIS MELLIFERA, THE EUROPEAN HONEY BEE, BUT THE CREATURES THEMSELVES SHARE AT MOST A FAMILY RESEMBLANCE WITH THEIR PHYSICAL COUSINS. THEY ARE, IN FACT, JUST ONE SPECIES IN THE SYNTHETIC ECOSYSTEM OF TERRA.MELLIFERA SET UP BY THE ARTISTS IN THE MULTI-USER ONLINE WORLD, SECOND LIFE.
The gallery walls are taken up with projections of what appears to be CCTV surveillance footage; but the terrain the cameras survey is from anywhere but the gallery surrounds. The valley outside is enclosed by precipitous cliffs and filled with strange polygonal flora in various states of growth and decay. A silent humanoid avatar flounces its antennae as it tends to the swarm of varicoloured insects the size of a human head. Across the gallery, a computer terminal invites you to pilot your own avatar through the imaginary valley. If you come hearing only of the bee-connection this is both more garish and more immersive than the average ecological simulation. In my email interview with them, the artists are quick to differentiate their work, as synthesisers of life, from the attempt to replicate the real:
Mellifera: "What we are creating is not a simulation but a space in its own right that has its own logic, in part inspired by some physical world ecosystems and the behaviour of Apis Mellifera… but is also very much its own space. A 'simulation' is replicating something else. This is something else."
Be that as it may, the project claims multiple points of engagement with the physical honey bee. Firstly, the artists have researched "cognition, navigation and communications in the honey bee" at the Queensland Brain Institute, and mention it as an inspiration for the behaviour of their simulacra. More overt is the contemporary theme of ecological fragility evoked by bees, who are notoriously threatened worldwide.
It's not apparent in the show at the gaffa gallery, but disaster looms for the mellifera as well. In the artists' words: "The actual 'terra mellifera' in Second Life appears at first to be a pastoral paradise…however, whilst some [simulation states] will have an Elysian theme, others will involve dangerous invasions of pests which our virtual honeybees…will be unable to resist without the attention of ecologically aware avatars." The artists, it seems, intend to subject their creatures to something analogous to the blight afflicting their real kindred.
Terra.mellifera is far from the first ecosystem in Second Life—and even bees seem to be common, occurring in two of the higher profile ones. Laukosargas Svarog's famed Svarga's simulation and Luciftias Neurocam's Terminus have toyed with them. What's different here (aside from an unspecified arsenal of gizmos and doohickeys which the artists hope to deploy in the later Brisbane show) is narrative. I'm reminded of Mitchell Whitelaw's consideration of "critical generative systems", and the implicit potential in these generative simulations to communicate "system stories" that explore possible worlds, systems whose underlying construction can create alternative perspectives on physical reality ("System Stories and Model Worlds: A Critical Approach to Generative Art" in Olga Goriunova ed, Readme 100: Temporary Software Art Factory, Norderstedt: BoD, Dec 2005, http://creative.canberra.edu.au/mitchell/papers/).
For Burrell and Adams, indeed, narrative and exploration are both critical. They are happy to disclose that their simulation is based largely around the venerable artificial life technique of agent-based modelling, that it contains birth, feeding and death and so on. But they are coy about the detail of the emergent foodweb, even to RealTime; that, they wish to leave to the experience of the visitor, at least for now. There is, apparently, a synthetic nature documentary in progress for the end of the project.
For now, the tribulations, and the gradual evolution and curation of the algorithms and interrelations of the mellifera are only visible to those spectators to the virtual component of the show, the denizens of Second Life. And it's not just invasive pests, but the progress of the artwork itself: "As we introduce further code/behaviour/elements to the system, balance is lost, and sometimes it can take quite a while for equilibrium to return. Tiny changes to one piece of code can and do affect the whole system." The experience of Mellifera, then, approximates a real eco-tourism project in a bona fide ecosystem, with all the responsibility and uncertainty that implies. This critical generative system explores the transience and delicacy of living systems—a noble sentiment.
My major qualm about the work is with the choice of medium of Second Life itself—if we can extract a detailed experience of the fragility of living systems from such a simulation, it is a lopsided fragility in that we are excluded. Second Life invites us to participate intimately as virtual avatars, and that participation is asymmetric; second-life avatars are solipsistically prime in the simulated world. These immortal, self-contained souls can create a balance of synthetic "nature" but cannot themselves be destroyed by it. Whereas the demise of the bees in reality seems likely to cost real human lives as our crops lose a key pollenating process. For us, the bees' value is, tragically, far more than purely aesthetic, and organising to save the arbitrary danger to an artwork in the stead of a real ecosystem is quixotic.
The destinies of both real and virtual bees, however, and the artists' handling of these difficulties, are all similarly undecided, and I recommend checking in on the progress of each. Terra.mellifera is ongoing in Second Life and will re-open in real life in Brisbane in August 2009 at The Block, QUT. Bee extinctions are continuing worldwide.
See also RT 84, p32, www.realtimearts.net/article/issue84/8951; and RT 87, p36; www.realtimearts.net/article/87/9181
Mellifera, artists Trish Adams, Andrew Burrell, gaffa gallery, Surry Hills, Sydney, April 16-21; The Block, August, QUT, Brisbane, http://mellifera.cc/
© Dan MacKinlay; for permission to reproduce apply to realtime@realtimearts.net


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$2K of $20K reward fund distributed by police
Katie Adbilla
Although $20,000 was set aside as a reward for any information regarding December's civil disturbances in Cedar Village, only about $2,000 of the fund has been shelled out to informants, according to East Lansing police.
Following December's Big Ten championship, thousands of students flocked to Cedar Village, chanting and burning furniture and nearly anything in their path.
By the time the disturbance was dispersed at about 3 a.m. on Dec. 8, police responded to 57 fires and arrested 15 people, 12 of whom were MSU students.
DTN Vice President Colin Cronin previously told The State News that the revelries in Cedar Village caused between $5,000 and $10,000 in property damage.
Investigators continued to make arrests and solicit information about potential suspects in the following weeks.
The pretrial hearings for many of those arrested are scheduled for early February.
East Lansing police released photos later in December, asking anyone with information regarding the identities of those who were photographed during the disturbance.
Half of the money was fronted by MSU, and the other half coming out of East Lansing police funding.
After announcing their intention to disburse reward money to anyone with information leading to a suspect's arrest, East Lansing police Capt. Jeff Murphy said not many have taken the bait.
"Not much has happened with this one," Murphy said. "No sooner had we gotten (the reward money) when MSU went closed for Christmas break. There wasn't a whole lot of interest in paying people for tips for valuable information."
The pretrial hearings for many of those arrested are scheduled for early February, and will continue on a rolling basis throughout the spring.
If they are convicted, Murphy said informants likely will be rewarded further if their information led to the individual's arrest.
So far, all of the informants have remained anonymous.
Cash rewards range between $100 and $500, depending on the situation and the helpfulness in leading to arrests.
Student film production company raises money for their new film
Julian Stainback
Springticipation to take place Jan. 19 at Daugherty Football Building
Janelle James
"In theory, paying for the tip gets people arrested," Murphy said. "We want to hold as many people accountable for their actions as possible."
But some students feel the situation could have been handled differently by law enforcement.
Human biology sophomore Brad Hassberger said police could have used social media better to narrow down suspects, rather than asking students to turn against one another.
"There's videos and pictures all over Facebook, Twitter and Instagram," Hassberger said. "I don't think they needed to offer money to find people.
"If they really wanted to, I think they could have done it themselves (and) put some of that money towards figuring out who these people are instead of asking other people to rat fellow students out."
Elementary education senior Nicole Yuhas said she felt the informant system placed an unnecessary burden on students who previously might not have felt the need to become involved.
"I don't think it's fair at all," Yuhas said. "That's just kind of silly. They didn't do their job and now they want us to do their job for them."
Share and discuss "$2K of $20K reward fund distributed by police" on social media.


It always surprises me, the deep ache in my chest when I wake up on June 11th. As if my body knows that a little bit bigger piece of my heart is missing on this day.
We went to the cemetery last night, as we do every year for her birthday. Mom made a wonderful dinner of her favorite foods then we brought flowers and balloons. Every year we each write a message on a balloon and release it into the sky. This year, as they flew away, Cici said "We should probably sing Happy Birthday!" So we did.
Happy birthday, my sweet, baby sister. I miss you every single day.


The rich diversity of Scotland's railway network has never before been the subject of a specialist atlas.
This book showcases 181 topographical and railway maps, telling the story of the country's railways from the early nineteenth century to the present day.
Researched and written by David Spaven - who co-wrote the best-selling Mapping the Railways on the history of Britain's rail network - this beautiful atlas allows the reader to understand the bigger story of the effects of the railways on the landscape and the impact of Scotland's distinctive geography on the pattern of railway development over a period of nearly 200 years. The unique map selection is supported by an informative commentary of key cartographic, geographic and historical features.
This sumptuous atlas will appeal not just to railway enthusiasts and those who appreciate the beauty of maps, but also to readers fascinated by the role of railways in Scotland's modern developments.


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The royal and historic Copenhagen
Frederiksborg Museum of National History
Photo: Daniel Rasmussen
Home to one of the oldest monarchies in the world with a history tracing back to the Viking Age. History is everywhere in Copenhagen where cobblestone streets, palaces and royal artefacts make for a beautiful backdrop to the modern life lived by the Copenhageners of today.
Martin Heiberg
8 castles that'll awaken your inner royal
Why Copenhagen is a modern day fairy tale
From wild Vikings to ancient castles and palaces inhabited by real princes and princesses, cobblestone narrow streets and a certain sculpture of a little mermaid. Copenhagen is a modern day fairy tale with a happy ending.
Hans Christian Andersen's Copenhagen
Hans Christian Andersen spent most of his life in Copenhagen and several of the places that were the centre of his life can still be visited today.
Explore these guides
Experience Copenhagen Cultural District
Within 10 minutes' walk in the heart of the historic city centre 19 museums and cultural institutions make up Copenhagen Cultural District. Explore Danish and international culture and history in a small area with a large cultural significance.
Guide to the historic and maritime Christianshavn area
Expect hygge all year round and a down-to-earth atmosphere in this beautiful part of Copenhagen, which is technically a part of the city center, but definitely has its own distinct neighbourhood feel.
Explore the Vikings' Roskilde
Once the capital of Denmark, Roskilde oozes of history and is a must for anyone with a knack for Vikings. With its picturesque location by the fjord and its rich historical heritage, Roskilde is a perfect day trip from Copenhagen only 30 minutes away.
Looking for more inspiration for your trip?
Check out these guides.
A sustainability guide to Copenhagen
The Copenhagen neighbourhood guide
9 ways to conquer Copenhagen's waters
Opera, ballet, theatre and classical
Experience world-class modern architecture


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The practice of Cardiovascular and Interventional Radiology (CVIR) in India began in the early 1970s at a few isolated centers of excellence providing tertiary care. Non-availability of hardware and trained personnel, lack of familiarity with techniques and mismatched facilities were major obstacles to its growth in these early years. Despite individual initiatives, this practice did not gain any momentum until the mid- eighties. Improvements in imaging techniques and their wider availability played a major part in the growth of CVIR in India at this time. The practice of CVIR was initially largely restricted to the vascular radiologists, mainly because of their easier access to the fluoroscopy labs and familiarity with the hardware used in angiography. The next decade saw the emergence, in some centers, of separate divisions within the radiology departments devoted to various facets of CVIR. These became the foci for eventual growth of this sub-specialty in India.
Even though the first organized effort to establish the Indian Society of vascular & Interventional Radiology (ISVIR) was conceived in 1988, the society in its present shape was established on November 7th, 1997 with 28 founder members. Since then, we have come a long way. Today, this society has over 700 members and performs many activities, including creation of a nation-wide network of state branches & zonal chapters, and conducting monthly local, quarterly zonal and annual national level scientific meetings. The Indian society has so far held nine successful annual national meetings. All of them had faculty drawn from various parts of the world and included didactic lectures, symposia, workshops and, in most meetings, live case transmissions, from within and outside India, on topics of current interest and cutting edge technology. It also organizes 2-3 regional CME programs every year on topics of local interest. The society publishes a quarterly newsletter since 1999. It is also engaged in the organization of public awareness programs in different regions on locally relevant subjects. The society conducts short-term postgraduate training fellowships, and provides travel assistance to its members for participating in meetings within the country. It also maintains an interactive website.
We are the only national society in the world to conduct a web-based comprehensive annual national registry of vascular and interventional radiological procedures since 1999. Eight successful annual meetings of the national registry have been held so far. The annual number of procedures performed country wide has grown from under 5,000 in 1999 to over 1 lakh in the last year. The number of centers performing these procedures has grown from 8 institutions at the time of inception of the Indian society to over 100 today. Beginning with this year, ISVIR plans to start disease and technique-specific national registries in addition to its above effort.
The society has also been actively working with the industry to address the issues related to availability, pricing and Governmental policies regarding the custom clearance of various devices. Efforts are also directed towards widening the membership base and affiliation with various international bodies.
CVIR is at cross-roads in India today. There are perpetual shortages of equipment and hardware which is either not available or is mismatched to requirement. Most products are still imported, the prices are steep and not matched to the average per capita income of the Indian households. Indigenization of the hardware technology and their local production is essential to bridge the above gap. We also face turf issues with various other sub-specialties, including those from cardiology, neurology, neuro-surgery, gastro-enterology and vascular surgery. There is also a lack of trained manpower. Most medical colleges in India are still not geared to train radiology post graduates in interventional radiology. The radiology curriculum for post graduate degree needs inclusion of exposure to IR for the latter's optimal development. This factor, along with an increase in public and physician awareness, is the key to handle turf issues that our specialty faces today.
Despite above issues, there is a tremendous scope for the practice of interventional radiology in India. The members perform all state-of-the-art techniques available any where in the world and participate in the cutting edge experimental and clinical research, alone and also in collaboration with other national and international institutes. All forms of IR techniques in various organ systems, including the cardiovascular, hepato-biliary, genito-urinary, neurological, abdominal and musculoskeletal systems and other non-vascular locations are performed at various centers across the country. Some key areas of recent individual and collaborative research include gene therapy in vascular disease, stem cell therapy in various disease states, experimental work on tagged stem cell homing by MRI, synthetic venous valves, newer options in vascular recanalization and evolving concepts in endovascular reconstruction among others. Six tertiary care institutes in India have been identified by the society to provide ISVIR-sponsored training to the residents. CVIR in India is strategically poised for growth at this time.
ISVIR was formed in Trivandrum on November 9, 1997.Our vision is to take the complete care of our patients and provide the best services in the field of Interventional Radiology with the use of best treatment and meeting the satisfaction needs of the patients. Also to develop training opportunities for the residents and budding interventional radiologists.
ISVIR is a non-profit making society of Interventional Radiologists. It has been floated to provide a platform for educational and training for its members. It also provides opportunities for exchange of ideas and information regarding clinical practice, patient care and future of endovascular and interventional radiology.
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The annual Southern Maryland Mustang Club Fall Show will be held at Waldorf Ford on Saturday, September 28th, from 9 am to 3 pm. We wanted to send out a friendly reminder to let everyone know about this fun and fantastic event! This is a family event that will include a DJ with drinks and food available for purchase. We have provided information from the Southern Maryland Mustang Club's Website on the event with registration details. Please read below and we are looking forward to seeing all of you next Saturday!
You can download the Registration Form here but we have also included the list of details below to save you time and money.
• Vendors/Exhibitors/Applicants, registration from 9 ‐ 11 am. Registration closes at that time.
• Judging will commence at 11:30 and cease at 1:00 pm. Trophy presentation will begin at 2:30 pm.
• You must be entered to judge.
• All vehicles entered must be powered and bodied/produced by Ford Motor Company.
• Vehicles will be categorized into (A) Early Classics 1964½ ‐ 70, (B) Late Classics 71 ‐ 78, (C) Fox‐bodied 79 ‐ 93,(D) SN95 94 – 98, (E) SN95 99 ‐04,(F) S197 Mustangs 05 ‐ 09, (G) S197 Mustangs 10 ‐ +, (O)Non‐Mustang/LM Car,(T) Truck with trophies awarded in each category. There will be single trophies awarded for Best‐in‐Show, Sponsor's Choice, and others. Door prizes will be given throughout the event.
• The decisions of the Southern Maryland Mustang Club and affiliates concerning this show are final. No exceptions.
• This is an alcohol free, family oriented event for all ages. Please act responsible.
• Food and drinks will be available for purchase and a DJ will be present.
• All images taken on show grounds by the Southern Maryland Mustang Club and affiliates are property of the Southern Maryland Mustang Club and affiliates and may be reproduced, posted and/or shared in any manner deemed by us.
Waldorf Ford is Located at 2440 Crain Highway in Waldorf, MD 20601. Please visit our website at http://www.waldorfford.com or call (301) 843-2400!


Our clients can avail from us Concealable Bullet Proof Vest which is a very comfortable body armor. As the name suggests it can be concealed under other clothing. The sides and shoulders of the Concealable Bullet Proof Vests are adjustable and the upper straps come with Velcro. We provide our clients various options in colors.
Available in colors white, grey, yellow, black, camouflage, etc.
Protection area : 0.25, 0.28, 0.30, 0.32sq.m.


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The 1871 Minnesota gubernatorial election was held on November 7, 1871 to elect the governor of Minnesota. Incumbent Horace Austin was reelected to a second term.

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1871
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redpajama_set_name: RedPajamaWikipedia


This beautiful new build project in Mangatawhiri, in the Franklin district of South Auckland meets the brief the clients set out to achieve - capturing the stunning rural vistas with a huge open plan kitchen, living and dining areas opening out onto a concrete terrace.
The 3 bedroom home also features a master bathroom and an ensuite, office space, garaging and a striking entranceway. The cladding is James Hardie weatherboard.
The expansive kitchen features white handle-free cabinetry, Macrocarpa timber wall panelling and a glass overlay for the splashback. Clutter is kept to the minimum with an added scullery housing the dishwasher and extra space for storage, and the feature lighting over the kitchen island creates a stylish look and added ambience.


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€9,730,179 worth of books donated to schools
- 4.7 from 219 reviews "Easy to order online and very quick delivery"
This product is not for sale in United States.
Goosebumps: The Headless Ghost
by R.L. Stine (author)
Suitable for 8 - 11 years
Rewards price: €4.99
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219 reviews Customer Experience 4.7/5 "Easy to order online and very quick delivery" —Eleanor Dreannan
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Holidays and Celebrations > Halloween
Myths and Legends > Ghosts
Everyone knows about Hill House. It's the biggest tourist attraction in town. That's because it's haunted by the ghost of a thirteen-year-old boy. A boy with no head! Stephanie and Duane love Hill House. It's dark. And creepy. And totally scary! Still, they've never seen the ghost. Until, one Halloween night, they decide to go on a ghost hunt. A hunt for his head…
#halloween-1016
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Author/Illustrator
Goosebumps cast a spell upon children by transforming even the most reluctant students into avid readers. Despite the fact that almost every book has a different collection of characters, the series has one common element that kids can't get enough of: THE AUTHOR!
However believable his plots seem to his readers, Stine insists he has never lived one of his stories. "I've never turned into a bee – I've never been chased by a mummy or met a ghost. But many of the ideas in my books are suggested by real life. For example, one Halloween my son, Matt, put a mask on and then had trouble pulling it off. That gave me the idea for The Haunted Mask."
Although he never experienced terror first hand, he did enjoy reading about it. "When I was a kid, there were these great comic books called )Tales From The Crypt_ and The Vault of Horror. They were gruesome. I discovered them in the barbershop and thought they were fabulous. I used to get a haircut every Saturday so I wouldn't miss any of these comic books. I had no hair at all when I was a kid!"
His ideas came from two sources: his memory and his imagination. "When I write, I try to think back to what I was afraid of or what was scary to me, and try to put those feelings into books." He also keeps a tribal mask and a skeleton hanging in his writing studio to provide eerie surroundings. Although he handles the writing by himself, Stine says he gets "lots of help from my editors, my readers, and my friends."
Kids reading Goosebumps may be looking for a scare, but the laughs they get are no accident. Before he was R.L., he was Jovial Bob, author of such works as 101 Silly Monster Jokes, and Bozos on Patrol and editor of Bananas magazine. His ability to know what kids will laugh at , as well as what will frighten them, makes the Goosebumps series all the more enjoyable for his readers.
Stine started writing when he was 9 years old! He would write stories and jokes on an old typewriter and hand them out at school. "The teacher would grab them and take them away," Stine says, "but I kept doing it." He wrote for his high school newspaper in Columbus Ohio. After graduating from Ohio State University, he moved to New York City, where he worked on a variety of writing jobs.
Although his books are fun and exciting, writing them is serious stuff. He treats writing "…like a job." To unwind after work he enjoys playing the pinball machine conveniently located in his own apartment.
For aspiring authors, Stine feels reading is as important as writing. He offers this advice: "If you want to be a writer, don't worry so much about writing. Read as much as you can. Read as many different writers as you can. Soak up the styles. You can learn all kinds of ways to say things." As a boy he read Norse legends, Greek myths, Edgar Allan Poe and baseball stories. "And Mad Magazine changed my life" His favorite thriller? Something Wicked This Way Comes, by Ray Bradbury.
Goosebumps: The Haunted Car
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The True Colours of Coral Glen
Spooky Poems
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Monsterville #1: Cabinet of Souls
Shadow House #2: You Can't Hide
Scholastic Classics: The Raven and Other Tales
Goosebumps Slappyworld #4: Please Do Not Feed the Weirdo
City of Ghosts #2: Tunnel of Bones
Fighting Fantasy: The Forest of Doom
Five Nights at Freddy's #3: The Fourth Closet
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Hank Zipzer: The Curtain Went Up, My Trousers Fell Down
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Horrible Science: Ugly Bugs
The Night I Was Chased by a Vampire and Other Stories
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Nature Trail: Park
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What's New NetflixApril 2022Michela Giraud: The Truth, I Swear!
Michela Giraud: The Truth, I Swear!: Release Date on Netflix
Michela Giraud: The Truth, I Swear! came out in April (2022) but will it come to Netflix?
Here is all the information about Michela Giraud: The Truth, I Swear! release date on Netflix (USA). Details include the date it was added to Netflix, the ratings, cast, the plot, and more. Scroll down for more information.
Michela Giraud: The Truth, I Swear! is a documentary movie . The film was initially released on April 6, 2022, and has a N/A rating on IMDb.
Michela Giraud: The Truth, I Swear! is being released on Netflix on April 6, 2022. Let's look at the cast, movie plot, reviews, and what's new on Netflix. ⬇
Michela Giraud: The Truth, I Swear!
Michela Giraud: The Truth, I Swear! is came out coming out on Netflix on Wednesday, April 6, 2022. We use publicly available data such as NetflixSchedule and NetflixDates to ensure that our release date information is accurate. Some Netflix titles are considered original in one country but not in another and may not be available in your region. Moreover, dates may change, so check back frequently as we update this page.
📽 Cinema Release Date
April 6, 2022 (US)
You can start watching Michela Giraud: The Truth, I Swear! at 3:01 AM ET (Eastern) on the east coast and 1:01 AM PT (Pacific) if you're on the west coast. And, 3:01 AM CT (Central), 2:01 AM MST (Mountain).
From the stage of Vinile, in Rome, rigorously standing up alone in front of her audience, Michela Giraud tells her own truth through the strong and self-deprecating point of view that has always distinguished her.
Michela Giraud: The Truth, I Swear! is starring Michela Giraud.
IMDb: Michela Giraud: The Truth, I Swear! has an IMDb rating of N/A/10 based on 54 user votes.
Rotten Tomatoes: Rotten Tomatoes gave Michela Giraud: The Truth, I Swear! a 88% score.
Please note, these reviews are only accurate at the time of writing. Michela Giraud: The Truth, I Swear! reviews will be updated regularly.
Michela Giraud: The Truth, I Swear! is rated: TV-MA. A TV-MA is the strongest TV rating, which means it includes anything that would be rated R or NC-17 by the Rating Board. These programs are intended to be viewed by mature, adult audiences and may be unsuitable for children under 17.
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You can stream Michela Giraud: The Truth, I Swear! on Amazon Video or Netflix. Visit Michela Giraud: The Truth, I Swear! official website for more details.
Is Michela Giraud: The Truth, I Swear! a Netflix Original?
Michela Giraud: The Truth, I Swear! is a movie released in 2022.
When did Michela Giraud: The Truth, I Swear! come out?
Michela Giraud: The Truth, I Swear! was originally released on Wednesday, April 6, 2022. The film has been released approximately 9 months, and 13 days ago.
Below are interesting links related to Michela Giraud: The Truth, I Swear!:
– See what's new on Netflix April 2022.
– Find out what movies and shows came out on April 6th.
– Everything you should know about April 6, 2022.


Democratic Gov. Tom Wolf, left, delivers his budget address for the 2019-20 fiscal year to a joint session of the Pennsylvania House and Senate in Harrisburg, Pa., Tuesday, Feb. 5, 2019. House Speaker Mike Turzai, R-Allegheny, is at the center, and Lt. Gov. John Fetterman is at the right.
PA Post reporters will be providing analysis of Gov. Tom Wolf's budget proposal for 2019-20. To see the notes, click on the yellow areas. To make your own annotation or to comment on one, sign up for a Genius account.