One thing on my bucket list since high school has been to go to New Orleans for Mardi Gras. With my 35th birthday approaching, I decided it was high time to fulfill that! Between finding decent flight prices, days we could go that we didn't already have prior engagements, making sure the minis had people to stay with, the cats could be taken of, and everything else that goes with leaving town for a few days, I decided the best way to do this was a crazy road trip. 15 hours from Des Moines to New Orleans with so many fun stops in between.
Even though it was a long drive, it was an easy (straight) drive into NOLA. Our first stop was in St. Louis. We didn't do much as we arrived later in the evening, but our hotel was amazing for a good night of sleep with no interruptions. Something that rarely happens at home! We needed it since we woke up early the next morning so we could beat the winter weather that was headed their way. Our plan worked, plus it gave us an entire day in Memphis, TN!
The drive from St. Louis to Memphis, and Memphis to NOLA, was beautiful!
My parents gave me new walking shoes for my birthday (early, so I could have them for my trip). Now, I have plenty of running shoes. All of them are in bright, obnoxious colors. They suite me well. However, I really wanted a pair of walking shoes that were neutral colored so they would go well with my daily tourist clothes. These fit the bill and were amazingly comfortable! I wore them from Thursday to the next Tuesday with no issues of aching feet after a long day on them, no red marks from rubbing, no blisters. I hope these shoes hold up so I can wear them this summer for our big 18 day east coast road trip.
I survived on a lot of gas station coffee this whirlwind road trip. The best part was that I got to drink it hot and finish it all in one sitting. I didn't have to warm my coffee up once while I was away.
The drizzly, cold weather seemed to follow us into Memphis. I was hoping for sunshine and warmth, but instead we got humid and cold until we reached New Orleans. That didn't stop me from stuffing my winter coat in the trunk of the car (48 degrees was certainly warmer than I had felt in weeks) and enjoying Memphis. Our first stop was to Sun Studio. I knew as soon as we saw the outside of the building that we would have to come back with the kids. After touring Beale Street and skipping a few other tourist attractions I have on my list, I knew the minis would LOVE Memphis. I don't know when, but the five of us will definitely be back!
I love the history of Sun Studio sure, but browsing through the records and listening to the music coming from the old jukebox in the corner were my favorite thing.
Beale Street was our next stop. We had fun listening to all of the blues music coming from the various stores, restaurants, and bars. I look forward to being back here on a warm night with everything open and the music pouring into the crowded street.
This store was my favorite!
The wind got the best of my hair this day!
This was an outdoor bar, but they kept the front of the building (historical purposes).
When in Rome (or in this case, Memphis) you drop your vegetarian lifestyle for yummy local eats. I had fried chicken, the cheesiest mac and cheese I've ever had, and buttery vegetables. Hubs had the brisket, baked beans, and mashed potatoes. I've had dreams about this meal! It was hands down the best fried chicken I've ever had!
Hubs had originally wanted to eat at South of Beale restaurant, but the sounds and smells of BB Kings drew us right in. Next time we'll for sure do SOB, but everything about this meal was wonderful.
Six hours from Memphis, a big change in weather, and we were at our Airbnb in New Orleans (at a decent hour too)! To be honest, our Airbnb wasn't in the nicest or hippest part of NOLA, however it was perfect for us. We had our own little apartment (a separate building in the backyard of a house) that had the best patio ever! Patio beers were enjoyed in relaxation.
Close to 10 p.m. Hubs and I decided that we were finally ready for something to eat after our lunch. Uber was incredibly cheap to and from the French Quarter so we didn't even bother driving and attempting the parking situation. Several minutes later we found ourselves diving into beignets at Cafe du Monde, enjoying jazz music in Jackson Square, and taking in the sights and sounds of the French Quarter. One of my favorite things to do on vacations is just simply walk around the streets, window shop, and enjoy the locals favorites.
As soon as we stepped down Royal Street, I was in love. So many fun shops, antiques, galleries, and restaurants. We spent a good portion of our evenings on Royal.
Dinner has never been sweeter.
We couldn't leave the French Quarter without a stroll down Bourbon Street. We did it in style with Hurricanes and King Cake Rum drinks.
Our last stop for the evening was a voodoo shop. I thoroughly enjoyed browsing and picked up a voodoo doll (for creativity) to bring home to the minis. It now sits on our "travel shelf" (that holds all of our goodies from our road trips) and the minis keep making comments about how creepy it is.
It had been a while since the minis and I had time just the four of us. With Hub's new work schedule, he's with us quite a bit more than in the past. This is great for family time and time as a couple, but this particular weekend took me back to the days of odd work schedules, toddlers, and me being the main caregiver.
Hubs was sick all weekend and that left me to provide the entertainment. It was such a fun weekend for the four of us, but it did leave me exhausted!
Friday night was spent at the mini's school for it's Centennial Celebration. We had a blast seeing families, teachers, and friends. Friday's are usually low key for us since we're all exhausted by the end of the work/school week. We pretty much came right home from our outing and went straight to bed.
Saturday morning required some shuffling around. The middle mini had his acting class, the other two minis didn't care to come with me, and I had a handful of important emails and calls to return. Luckily, it all worked out. Not only did I get all of my important things taken care of, I got to enjoy my coffee and muffin in the quiet lobby of the Playhouse.
Since acting class is only an hour and fifteen minutes, I left the other two minis at home by themselves, leaving the ten year old in charge. We have done this a few times over the last few months and so far so good. I love doing drop-in calls on our Echo Dots to hear what the minis are up to!
The minis chilled on the couch while I got ready for the day. From there we ran a few errands, went to the RV Show again (the same one as the previous weekend), followed by some MUCH needed time outdoors. It was slightly drizzly and foggy, but the temps were warmer than 40 degrees so we took advantage. The minis and I took a long walk around Gray's Lake. It was wonderful!
Read about our adventure here. We followed up our afternoon of exercise with dinner at Olive Garden. Saturday was an excellent day! It made me realize how much I've missed our special Mom and Minis Days.
Sunday we celebrated my mom's (aka Grandma) birthday AND survived a trip to Walmart! That alone wins me all the points in the world.
Harrison made Grandma his own gift. In a little heart box (that he picked out the previous day at Target) he put a few of his toys, homemade glow in the dark slime, and odds and ends he found around the house. I lost it when I discovered he wrapped up a piece of his slime in tissue paper! Kids crack me up.
Our celebratory "we made it through Walmart" picture! So, Walmart was crazy busy, the kids wanted to push the cart, they managed to knock over not one but TWO displays (one of Cheerios, the other of Ramen noodles that the middle mini then pouted about because we didn't have any in our cart to buy), and I had to work on my breathing techniques to make it through without yelling at them.
But they made up for that "awesome" trip by helping me clean the house Sunday evening. I can't really complain about anything after having my floors vacuumed, dishwasher unloaded and reloaded, and laundry switched out. I dig this kids getting older business.
Time is precious. As I age I realize how very little of it we have. Add in busy schedules and commitments and much of our time is taken up. We have numerous home improvement projects in the works, but I wanted at least one day to play on this weekend. Of course we had to start the weekend with Harrison's Saturday morning acting class. From there, we caught a late breakfast/brunch at The Drake Diner, saw a special preview of The Lego Movie 2, watched the kids jump through obstacle courses at Hop A Lot in Merle Hay Mall, went to an RV show (the mini's idea, not mine!), and played with their new Lego's (because how can you see a Lego movie without getting new Lego's?).
Sunday was our day to finish a big basement project. We've had the idea to finish part of our basement since we moved in two years ago, but we got serious about it this winter. Hubs built new shelving for me to organize all of the toys (however, it turns out I have collected A LOT of toys over the last 8 years and more shelves are needed). We cleaned up a good portion of the basement, put in a pantry, and getting the rest of the basement ready for the next big step: new flooring. It's so exciting to see these projects come together!
Our Friday nights are rocking these days. Elizabeth's new "thing" is to watch dancing videos and copy their dance moves. Then she proceeds to make up dance routines. I have to admit, I'm kind of in awe of her (plus it makes me laugh so I can't stop watching).
It was a busy morning at The Drake Diner, so we snuck in pictures.
Max ordered an adult portion of french toast. That's four whole pieces that he ate completely. He followed this platter up two hours later with popcorn at the movie theater.
The Lego Movie 2 was excellent! Even Hubs and I laughed at it.
Hop A Lot is a great place to get out "your wiggles" (as Elizabeth says), but it's definitely not a quiet place (hence the need for Ibuprofen for me).
She's got quite the attitudes lately. Her facial expressions says it all.
We couldn't see the Lego Movie 2 without coming home from the mall with new Lego sets.
The new toy storage area is complete (although we have way more toys than this so new storage areas are currently being planned) which puts us closer to our overall finished basement project!


text:
Produkte von Mark Holmes
SEAM THREE
SEAM TWO
MINIMALUX
Fork Knife
Serving Pot sq gold
Pen Rest sq silver
Pot 30rd gold
Serving Pot rd gold
Pen Rest rd silver
Dish gold
Pen Pot silver
Pot 30sq gold
Born in the North of England in 1970 Mark Holmes began his creative journey with a 1st class degree in painting and an MA at The Slade School of Art, London in 1994. During an initial period of experimentation within London"s thriving arts estab
lishment of the early 90s Holmes participated in numerous group shows of wide and varying nature. At the same time the progression of his three-dimensional work started to take on elements of functionality, uncommon to the conceptual artistic arena that s
urrounded him. The progression continued within various studios, including his space at the Oxo Tower on London"s Southbank where he developed his own work as well as curating many group exhibitions, showing works of mixed disciplines by a long lis
t of internationally acclaimed artists and designers. In 2003 he co-founded The Lane, a multifaceted organisation that merged the design, manufacturing and retailing aspects of a creative business all under one roof. During this period Holmes" care
er as a designer was quietly emerging as he experimented with materials, developed an interest in the business side of running a design company and most importantly further established the simple aesthetic design language for which he is known today.
In 2004 his LT01 and LT02 Seam Lights, produced by German manufacturer E15, were launched directly in line with the company"s ethos of a consistent and modern approach to design and quality. The Seam Light won both the Red Dot and IF Design Awa
rds and Holmes" work in general continued to receive abundant media attention and praise from within the design industry. His work began appearing around the world in exhibitions and stores from London to Tokyo. In 2005 at the age of 35 he co-found
ed what was to become one of the UK"s greatest manufacturing successes of the decade - Established & Sons. During his time here as Design Director he was instrumental in developing the company"s business model whilst also bringing both new & established d
esigners to collaborate with the company. He worked with some of the leading designers of his generation including the likes of Jasper Morrison, Michael Young and Jaime Hayon. He also contributed to the hugely successful collections as well as designing a
nd executing an array of inspiring exhibitions. Ambition has never lacked in Holmes" career and his creative evolution has always relied upon a desire to seek further challenges. After three years at the forefront of the furniture industry, Holmes
has decided to take his work in a new direction, turning his hand to a much smaller scale, precious but nonetheless practical kind of product. He has taken the typology of the vessel as the foundation for his new design brand MINIMALUX. The focus
is specific but rich in creative potential - the perfect product genre for his own artistic expression without compromising the timeless elements of universal functionality. MINIMALUX is intriguingly different in many ways to Holmes" previous proj
ects but it stands to represent the embodiment of his creative progression and business understanding. It draws upon every aspect of his experience, strengths, passions and hopes of what design can be.

redpajama_set_name: RedPajamaCommonCrawl


What can you tell me about the Grand Palace?
The Grand Palace is in an area of the City known as Rattanakosin (within easy walking distance from Khao San Road), which is the cultural centre of the city. The Grand Palace complex itself houses several buildings that have been continually added to over the centuries. It used to be the official royal residence, but it is now mostly open to tourists. A couple of times a year it might be utilised for official ceremonies.
The complex can be covered in a couple of hours and if you're lucky you might even bare witness the changing of the guard. There are several areas of interest within the confines of the palace. Upon entering the main gates, you'll be in the Buddhist temple compound known as Wat Phra Kaew, which houses the Emerald Buddha. The famous sight of The Three Spires is worth a photo-shoot too. The Murals of Ramakian are particularly noteworthy.
Known in English as The Emerald Buddha, the small figurine is considered one of Thailand's most significant pieces of religious art, which can be seen throughout the country, often depicted in amulets and other pieces of symbolic trinkets. It is the holiest site in Thailand and thousands of Thais and tourists flock to see it each year. It's quite small and is often overshadowed by the striking décor of the building itself.
It's a steep 500 baht to get in.
Dress code: No Shorts or sleeveless shirt. No sandals or flip-flops. Best to wear trousers and shirt or blouse. Rules are strictly enforced.
Scams: Beware of anyone trying to make an effort to befriend you. You may get told the palace is closed for the day. Ignore this and see for yourself. Don't be tempted to take tours from tuk-tuk drivers outside the palace gates.


Sorry no Technique Tuesday today as I have been rather busy with workshops so I thought I would share the workshop photos of this rusted Dragonfly and Butterflies shadowbox.
I also made another version and altered the frame too.
These were the amazing results at the end of the day.
Everybody enjoyed themselves and were pleased with their own version, I loved them all.
Have fun create your own art.
Fabulous samples from you and your students produced fantastic projects too, that they no doubt will be proud of, and rightly so!
Wow - such talented students ! The samples are adorable!
everyone made such gorgeous projects. It is always so surprising that the same design can look so totally different- even if the differences are each subtle. Thank you for sharing everyone's work.
What fantastic creations, Brenda! Love them all!
OMG! These are SO incredible!!! You should definitely film an Online Class for this so that those of us on the other side of the pond can learn too!!!
It looks like a fun and instructive workshop , all the samples are looking nice and I think all your students had a lot of fun , amazing, time!!
Ooh - gorgeous rusted nature! Both of your originals are beautiful, and what fantastic results from the whole group... clearly talented students and a great teacher!
What a fabulous time I am sure they had, and what gorgeous creations! I LOVE yours...oh that rusty dragonfly!


Check out all of the names of the Fort Morgan High School alumni that attended high school in Fort Morgan that are listed above. Registering will allow you to join the directory.	You can share memories of those activities that you were involved with at Fort Morgan HS and you can view other alumni and read what other former students have posted about the time they spent at Fort Morgan.


Conair Instant Heat Ceramic Curling Iron glides through your hair easily and distributes heat evenly for professional styling results. It heats up in 30 seconds and has 40 temperature control settings to fit any hair type. It has dual voltage and auto-shut off.


Mix the cream cheese with some sweetener, I used a pinch of stevia, and a pinch of pumpkin spice.
Spread the cream cheese on each slice of bread.
Top each slice of bread with 1 Tbsp pumpkin butter.
Now place on slice on top of the other slice with all the fixings in the middle.
In a flat container mix the egg with the skim milk, sweetener of choice and pumpkin spice all together.
Now carefully place the bread in the egg mixture and allow to sit for a minute or so then carefully turn over and let the other side soak for a minute or two.
Put 1 tsp of oil in a frying pan and heat on medium. Carefully put the bread in the pan and allow to cook until browned on the one side. Carefully turn over and brown the other side.
Serve with 1 Tbsp sf pancake syrup or syrup of your choice.
Where can I find your recipe for Pumpkin butter?


Exchanges of gunfire have been heard at Tunisia's parliament building, Reuters is reporting citing the TAP state news agency. A large police presence is moving to evacuate the building, reports say. At least three gunmen have also taken hostages from nearby Bardo museum and have attacked a tourist bus in front of the museum. 8 tourist are deaths (2 of them are italian) and others are injured. Other news are under investigation.
BBC SOURCE – At least seven foreign tourists and a Tunisian have been killed after gunmen targeted a museum in the Tunisian capital, officials say.British, Italian, French and Spanish nationals were among those taken hostage, local radio reported. The shooting happened at the Bardo Museum, which is next to the parliament building in central Tunis. At the time of the attack deputies were discussing anti-terrorism legislation. Parliament has now been evacuated. "A terrorist attack [targeted] the Bardo Museum," interior ministry spokesman Mohamed Ali Aroui told journalists. He said that the attack involved "two or more terrorists armed with Kalashnikovs".Most tourists were evacuated but some were still believed to be inside, Mr Aroui said, adding that security forces had entered the museum.The museum, renowned for its collection of antiquities, is a major tourist attraction in Tunis.Concerns about security in Tunisia have increased as neighbouring Libya has become increasingly unstable. A large number of Tunisians have also left to fight in Syria and Iraq, triggering worries that returning militants could carry out attacks at home.


I'm Jonathan Graf, a creative professional with more than 10 years experience designing for print and web. I have a passion for creating beautiful, intuitive and practical visual systems and a strong awareness of their strategic alignment. If you enjoy my work, please contact me and tell me about your project.
Whether your needs are large or small, my wide range of services has you covered.
"We have genuinely enjoyed the opportunity of getting to work with Jonathan and would recommend him to anyone who, like us, have a great idea and recognize the value in branding and design. We appreciate the brilliant work he's done for us."
"I hired Jonathan to design a logo and website for a new professional services firm I was launching. He is creative, timely, responsive, and professional. He made the entire process from choosing a logo, to getting business cards, to editing and finalizing the website very simple. I highly recommend using him."
Susan Hartman, President and Founder of Park Hartman LLC.
"Jonathan Graf was extremely helpful in building our new website. He was professional, courteous, and brought a wealth of knowledge to the table. He made the whole process enjoyable from start to finish, and I would highly recommend him to anyone needing web design."
Brody Morris, Project Manager at Vaden's Acoustics & Drywall.
"We've had the pleasure of working with Jonathan on multiple projects. He's a highly capable designer who brings elegance to function."
Matt Farmer, Principal and Director of Product Development at Crazy Goat Creative.
Find out how I can help your business. Reach out to me for a proposal.


text:
Wandering worlds, wondering words…
The Beginner & Intermediate Player's Guide to Movement and Combat in Guild Wars 2
Evolve: The Big Alpha – First Impressions, Part 2
November 6, 2014 November 6, 2014 Posted in EvolveTagged #bigalpha, Big Alpha, Evolve, first impressions, first thoughts
On the second day, I debated with myself whether I wanted to give Evolve another chance, and ended up saying, "What the hell, why not, it's free at the moment, with a time limit for this experience."
This time I purposefully set myself to a completely Random role preference, hoping that this would help the currently not-quite-perfected matchmaking match me with players a little more at my current level of play, and giving myself the opportunity to play all the roles to understand them more.
The Medic, whom I managed to randomly roll first, was quite understandable. The character of Val has a sniper rifle – landing hits on the Monster with this yields zones of critical damage that your teammates can use to increase their own damage done. She has a medic gun that essentially acts like the TF2 medic's healing gun and an AoE healing burst skill, both of which I spent a lot of time with that game, keeping all the Hunters alive. Finally, she has a tranquilizer gun that slows the Monster and also keeps it targeted for the Hunters. I was a little less adept at landing this on a regular basis (my twitch aim has never been the greatest and ping does play a part too.)
Our Monster for that game managed to hit Stage 2, but his defeat, I felt, was a moot point. He never managed to pick me out as a threat, and I did a -lot- of healing of anyone else damaged, so no Hunter ever died. He eventually died from attrition over time.
I also got Markov the Assault again and watched the intro video a little more closely, finally figuring out the lightning gun and finding it much easier to get up close and personal with the grounded Goliath – who also needs to be in close melee range to fight – than with the Kraken.
I spent a little time as the Trapper Maggie, and mostly spent my time following my pet Daisy follow tracks, while failing to successfully trap the Monster – missing by a couple feet because I kept misjudging distance and hadn't yet worked out how to catch up with the Monster – which was busy running away most of the time.
Meanwhile, the rest of my team had dispersed in who knows what direction, so that wasn't a very satisfactory game at all.
The Monster was too busy being pursued to stop and eat and level up, the Hunters were spread out and unsuccessful at cornering the Monster. After ten minutes of this, I rolled my eyes and quit, being perfectly happy to sit through a minute-long "quitter" penalty than put up with another 10-20 minute stalemate while the Monster eventually stole enough meals on the run to get to Stage 2 or 3.
Then I had a quick run as Support, where I mostly never had the opportunity to use much beyond the basic damage gun, and an experimental cloak or two, because that game was most notable for a not-terribly-experienced level 7 Monster and a super-experienced level 23 Hunter.
The scenery's pretty great if you have the machine for it. Too busy to remember to take screenshots in game though. I was the level 4. The level 23 kicked major ass. I don't even know what the level 10 and 13 were doing, they eventually caught up later.
The Hunter immediately zoomed in on its tracks the moment the game started, while I merely faithfully followed in the Hunter's footsteps. He seemed to have a radar equivalent to Daisy's given how skilled he was, despite him being a Medic. The Monster got caught in Stage 1, constantly filled full of Tranquilizer Darts leaving him easily trackable, ran in easily predictable straight line directions while I was finally figuring out the art of the double-tap-space jetpack forward leap to catch up with the Monster more effectively, and ended up full of bullets, standing still near the end because it had entirely given up.
I never much had any opportunity to use a shield for allies, since the Monster never really attacked anyone successfully, nor did it ever occur to me to figure out how to use some harpoon line mines because the Monster was standing still anyway and I was mostly reflecting on how asymmetrical this matchup was, and how it might be theoretically possible to "grief" games by voluntarily not putting up any kind of fight, while emptying entire clips into it.
Finally, after a lot of Hunter experience and seeing how not very effective Monsters played, I was tempted once again to select Monster as a first priority and try my hand at it once more.
This time, my new strategy was just to test out evasion and sneaking -everywhere-, since running in a straight line away from Hunters wasn't that effective.
Sneaking gave me a little more time to feed, but I still wasn't very good at it since feeding attracted carrion birds, which signals to Hunters immediately where you are. By the time I hit Stage 2 and was ready to evolve, the Hunters would usually find me, and I kept having a hell of a time losing them once they caught sight of me and had me on their radar.
I did however have one very memorable moment while being filled with bullets and trying to do some damage to them while getting away, and managed to scale a cliff near to the map limits. It so happened there was a big pillar I could hide my bulk behind, and I could keep track of the Hunters by sniffing my surroundings with right-click.
They must have somehow lost sight of me, possibly from their attention being taken by neutral monster attacks during the time I broke off. I hunkered down and stayed -absolutely- silent. They stood around in a group of four, looking around, seemingly extremely puzzled because the Trapper's dome was up and I couldn't have gone far.
They moved around to the sides to look around, while I kept sneaking and strafed left and right to keep the pillar between them and me, and completely failed to come around to where I was.
The dome came down. I stayed super quiet still.
Eventually, they moved off.
I got a BIG thrill from that.
Outsmarting my opponents through clever strategy is one of the things I do enjoy in my FPSes. That's why I can stand to play Team Fortress occasionally as an engineer doing horrible things to people with my turret placements. Or aiming to, anyway.
Unfortunately, they managed to catch up with me rather quickly again once I got on the move and tried to hunt and feed, and I died from attrition damage as expected. But that was a game where I felt that they weren't a super-experienced group of Hunters and that I was actually fulfilling a role as a fair enough challenge for their level, while getting some valuable personal experience as a Monster myself.
I dare say that given time and effort, most players would be able to climb out of the newbie stage and get to a passably average level of play.
An interesting question then arises: Is there sufficient motivation to?
I'm still on the fence about that myself.
On one hand, I do like the whole alien vs humans premise. I do expect that if I spent time playing the game every day, I'll be able to move with the launch crowd playerbase, from the point where nearly everyone starts as newbies and eventually gains more skill over time.
On the other hand, I do have a main game I'm playing called Guild Wars 2. I'm not sure if I have enough time left over to devote to Evolve.
I'm not sure if I want to pay $60 for the privilege of playing with the launch crowd, and I highly doubt I'll have a good time paying a discounted price later if everyone else left playing it 6-12 months after launch has become super skilled.
There are also some questions about the game's longevity. Evolve is essentially about the monster vs hunter experience. Twist and turn it how you like, eventually it tends to boil down to "If the Hunters can catch the Monster at Stage 1, the Monster is likely to lose. If the Monster can get to Stage 3, the Hunters are in serious trouble and will probably get torn to pieces."
How many variations on that count can you play before you get bored of the premise?
That answer probably differs from person to person – what they're getting out of the game experience, if they're playing with a regular group of friends, how competitive a level they're playing at, etc.
There are some hints that Evolve will include more game modes and maybe even a single-player experience of some kind, so that might affect perceptions of longevity down the road.
Some people have also expressed concern that it's possible to "grief" matches by either not putting up much of a fight (which can be rather hard to tell apart from a true newbie) or by artificially extending the length of a match by intentionally leaving Hunters alive while murdering them one by one and letting them respawn from their dropship singly to get picked off again.
Still, I presume there will always be the standard FPS options of dealing with trolling players, by either vote kicking them off the server or quitting yourself and finding another match, so I don't personally find this a major issue.
I'm mostly just trying to decide how long I'm liable to find Evolve interesting – given my personal preferences of not really liking uneven playing fields and one-sided matches, but really liking strategic fights and alien vs human combat – and if it's worth $60 to me personally to play at launch.
So far, the magic 8-ball says: Reply hazy. Please try again.
I suppose I'll keep an eye on it, give it another try in beta if given the opportunity to and see how it develops.
2 thoughts on "Evolve: The Big Alpha – First Impressions, Part 2"
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"It's Just A Game" – Or Why We Can't All Just Get Along
About Jeromai
Categories Select Category Game Design (65) General (249) Blaugust (28) Newbie Blogger Initiative (19) Miniatures and Wargaming (5) Red Sand Black Moon (1) MMOs (497) A Tale in the Desert (20) Anarchy Online (1) Boundless (8) City of Heroes (23) Glitch (3) Guild Wars (8) Guild Wars 2 (378) Landmark (4) Lord of the Rings Online (5) Neverwinter (2) Realm of the Mad God (9) Rift (1) Runes of Magic (1) Runescape (2) Star Wars: The Old Republic (3) The Secret World (13) Trove (10) Warhammer Online (1) Wildstar (4) PC Games (179) Alien Swarm (1) Batman: Arkham City (1) Blackwell series (1) Blindside (1) Bookworm Adventures (1) Civilization V (1) Cook Serve Delicious (2) Cultist Simulator (1) Defence Grid (1) Don't Starve (3) DOTA 2 (3) Eversion (1) Evolve (4) Fallen Enchantress: Legendary Heroes (1) FTL (1) Gone Home (1) Hitman (1) Interactive Fiction (3) Magical Diary (1) Minecraft (43) Monster Hunter World (2) Nation Red (1) Natural Selection (1) No Man's Sky (1) Orcs Must Die (2) Outward (2) Path of Exile (39) PC Building Simulator (1) Savage Lands (1) Sleeping Dogs (2) Sleuth (2) Spec Ops: The Line (1) Stardew Valley (3) Tales of Maj'Eyal (2) Terraria (4) theHunter: Call of the Wild (3) Tomb Raider (1) Total War: Warhammer (5) Train Simulator 2012 (1) Unavowed (1) Warframe (27) XCOM: Enemy Unknown (12) PS3 Games (3) Heavy Rain (3) PS4 Games (1) Horizon Zero Dawn (1) Tabletop Roleplaying (5) Uncategorized (1)
10/10 project achievements agrarian skies ambivalent about raids ATITD battle report blaugust bloggers blogging bragtoberfest challenges changes choices city of heroes clear gimmicks CoH combat community crafting difficulty dungeons emotions endgame exclusive farming first impressions first thoughts flow fractals fun game design goals gratuitous screenshots grind grouping groups guide guides gw1 GW2 heart of thorns humor I hate raids immersion inclusive introvert learning list Living Story microtransactions minecraft MMOs music musings narrative NBI Newbie Blogger Initiative nostalgia or lack thereof path of exile perspective rants recommended review roleplaying rotmg sales sandboxes skills sociology solo soloing stats steam still grumpy stories storytelling strategy super adventure box things to do thoughts too sexy for my toes trove TSW update updates writing WvW XCOM yet another stupid death
Thermal Management Challenge aka Why I Haven't Been Blogging Lately
GW2: That Multiheaded Hydra – Choice Paralysis & Dailies & Story Overwhelm
GW2: Return To …
The Blogging Month of Love
GW2: Turning Back The Clock
Now I Know Why Everyone Spends So Many Hours in Valheim
Kill It With Fire: It's The Only Way To Be Sure
Steam Summer Sale 2021 Haul
The Floor is Lava, But My World is Shaken
Beginnings, Continuings and Microgoal Endings
Pandemic Ponderings & Bite-Sized Focus: Cook, Serve, Delicious! 3?!
Monster Hunter World: The Poke-Poke-Poke Polka
Mood Gaming Snippets: Faking Industry
Random Rant From the Mists of Time...


text:
use crate::color::IntoLinSrgba;
use crate::wgpu;
use std::ops;
use std::path::PathBuf;
use std::sync::Mutex;
use std::time::Duration;

pub mod raw;

pub use self::raw::RawFrame;

/// A **Frame** to which the user can draw graphics before it is presented to the display.
///
/// **Frame**s are delivered to the user for drawing via the user's **view** function.
///
/// See the **RawFrame** docs for more details on how the implementation works under the hood. The
/// **Frame** type differs in that rather than drawing directly to the swapchain image the user may
/// draw to an intermediary linear sRGBA image. There are several advantages of drawing to an
/// intermediary image.
pub struct Frame<'swap_chain> {
    raw_frame: RawFrame<'swap_chain>,
    render_data: &'swap_chain RenderData,
    capture_data: &'swap_chain CaptureData,
}

/// Data specific to the intermediary textures.
#[derive(Debug)]
pub struct RenderData {
    intermediary_lin_srgba: IntermediaryLinSrgba,
    msaa_samples: u32,
    size: [u32; 2],
    // For writing the intermediary linear sRGBA texture to the swap chain texture.
    texture_reshaper: wgpu::TextureReshaper,
}

/// Data related to the capturing of a frame.
#[derive(Debug)]
pub(crate) struct CaptureData {
    // If `Some`, indicates a path to which the current frame should be written.
    pub(crate) next_frame_path: Mutex<Option<PathBuf>>,
    // The `TextureCapturer` used to capture the frame.
    pub(crate) texture_capturer: wgpu::TextureCapturer,
}

/// Intermediary textures used as a target before resolving multisampling and writing to the
/// swapchain texture.
#[derive(Debug)]
pub(crate) struct IntermediaryLinSrgba {
    msaa_texture: Option<(wgpu::Texture, wgpu::TextureView)>,
    texture: wgpu::Texture,
    texture_view: wgpu::TextureView,
}

impl<'swap_chain> ops::Deref for Frame<'swap_chain> {
    type Target = RawFrame<'swap_chain>;
    fn deref(&self) -> &Self::Target {
        &self.raw_frame
    }
}

impl<'swap_chain> Frame<'swap_chain> {
    /// The default number of multisample anti-aliasing samples used if the window with which the
    /// `Frame` is associated supports it.
    pub const DEFAULT_MSAA_SAMPLES: u32 = 4;
    /// The texture format used by the intermediary linear sRGBA image.
    ///
    /// We use a high bit depth format in order to retain as much information as possible when
    /// converting from the linear representation to the swapchain format (normally a non-linear
    /// representation).
    // TODO: Kvark recommends trying `Rgb10A2Unorm`.
    pub const TEXTURE_FORMAT: wgpu::TextureFormat = wgpu::TextureFormat::Rgba16Float;

    // Initialise a new empty frame ready for "drawing".
    pub(crate) fn new_empty(
        raw_frame: RawFrame<'swap_chain>,
        render_data: &'swap_chain RenderData,
        capture_data: &'swap_chain CaptureData,
    ) -> Self {
        Frame {
            raw_frame,
            render_data,
            capture_data,
        }
    }

    // The private implementation of `submit`, allowing it to be called during `drop` if submission
    // has not yet occurred.
    fn submit_inner(&mut self) {
        let Frame {
            ref capture_data,
            ref render_data,
            ref mut raw_frame,
        } = *self;

        // Resolve the MSAA if necessary.
        if let Some((_, ref msaa_texture_view)) = render_data.intermediary_lin_srgba.msaa_texture {
            let mut encoder = raw_frame.command_encoder();
            wgpu::resolve_texture(
                msaa_texture_view,
                &render_data.intermediary_lin_srgba.texture_view,
                &mut *encoder,
            );
        }

        // Check to see if the user specified capturing the frame.
        let mut snapshot_capture = None;
        if let Ok(mut guard) = capture_data.next_frame_path.lock() {
            if let Some(path) = guard.take() {
                let device = raw_frame.device_queue_pair().device();
                let mut encoder = raw_frame.command_encoder();
                let snapshot = capture_data.texture_capturer.capture(
                    device,
                    &mut *encoder,
                    &render_data.intermediary_lin_srgba.texture,
                );
                snapshot_capture = Some((path, snapshot));
            }
        }

        // Convert the linear sRGBA image to the swapchain image.
        //
        // To do so, we sample the linear sRGBA image and draw it to the swapchain image using
        // two triangles and a fragment shader.
        {
            let mut encoder = raw_frame.command_encoder();
            render_data
                .texture_reshaper
                .encode_render_pass(raw_frame.swap_chain_texture(), &mut *encoder);
        }

        // Submit all commands on the device queue.
        raw_frame.submit_inner();

        // If the user did specify capturing the frame, submit the asynchronous read.
        if let Some((path, snapshot)) = snapshot_capture {
            let result = snapshot.read(move |result| match result {
                // TODO: Log errors, don't print to stderr.
                Err(e) => eprintln!("failed to async read captured frame: {:?}", e),
                Ok(image) => {
                    let image = image.to_owned();
                    if let Err(e) = image.save(&path) {
                        // TODO: Log errors, don't print to stderr.
                        eprintln!(
                            "failed to save captured frame to \"{}\": {}",
                            path.display(),
                            e
                        );
                    }
                }
            });
            if let Err(wgpu::TextureCapturerAwaitWorkerTimeout(_)) = result {
                // TODO: Log errors, don't print to stderr.
                eprintln!("timed out while waiting for a worker thread to capture the frame");
            }
        }
    }

    /// The texture to which all graphics should be drawn this frame.
    ///
    /// This is **not** the swapchain texture, but rather an intermediary linear sRGBA image. This
    /// intermediary image is used in order to:
    ///
    /// - Ensure consistent MSAA resolve behaviour across platforms.
    /// - Avoid the need for multiple implicit conversions to and from linear sRGBA for each
    /// graphics pipeline render pass that is used.
    /// - Allow for the user's rendered image to persist between frames.
    ///
    /// The exact format of the texture is equal to `Frame::TEXTURE_FORMAT`.
    ///
    /// If the number of MSAA samples specified is greater than `1` (which it is by default if
    /// supported by the platform), this will be a multisampled texture. After the **view**
    /// function returns, this texture will be resolved to a non-multisampled linear sRGBA texture.
    /// After the texture has been resolved if necessary, it will then be used as a shader input
    /// within a graphics pipeline used to draw the swapchain texture.
    pub fn texture(&self) -> &wgpu::Texture {
        self.render_data
            .intermediary_lin_srgba
            .msaa_texture
            .as_ref()
            .map(|(tex, _)| tex)
            .unwrap_or(&self.render_data.intermediary_lin_srgba.texture)
    }

    /// A full view into the frame's texture.
    ///
    /// See `texture` for details.
    pub fn texture_view(&self) -> &wgpu::TextureView {
        self.render_data
            .intermediary_lin_srgba
            .msaa_texture
            .as_ref()
            .map(|(_, view)| view)
            .unwrap_or(&self.render_data.intermediary_lin_srgba.texture_view)
    }

    /// Returns the resolve target texture in the case that MSAA is enabled.
    pub fn resolve_target(&self) -> Option<&wgpu::TextureView> {
        if self.render_data.msaa_samples <= 1 {
            None
        } else {
            Some(&self.render_data.intermediary_lin_srgba.texture_view)
        }
    }

    /// The color format of the `Frame`'s intermediary linear sRGBA texture (equal to
    /// `Frame::TEXTURE_FORMAT`).
    pub fn texture_format(&self) -> wgpu::TextureFormat {
        Self::TEXTURE_FORMAT
    }

    /// The number of MSAA samples of the `Frame`'s intermediary linear sRGBA texture.
    pub fn texture_msaa_samples(&self) -> u32 {
        self.render_data.msaa_samples
    }

    /// The size of the frame's texture in pixels.
    pub fn texture_size(&self) -> [u32; 2] {
        self.render_data.size
    }

    /// Short-hand for constructing a `wgpu::RenderPassColorAttachmentDescriptor` for use within a
    /// render pass that targets this frame's texture. The returned descriptor's `attachment` will
    /// the same `wgpu::TextureView` returned by the `Frame::texture` method.
    ///
    /// Note that this method will not perform any resolving. In the case that `msaa_samples` is
    /// greater than `1`, a render pass will be automatically added after the `view` completes and
    /// before the texture is drawn to the swapchain.
    pub fn color_attachment_descriptor(&self) -> wgpu::RenderPassColorAttachmentDescriptor {
        let load = wgpu::LoadOp::Load;
        let store = true;
        let attachment = match self.render_data.intermediary_lin_srgba.msaa_texture {
            None => &self.render_data.intermediary_lin_srgba.texture_view,
            Some((_, ref msaa_texture_view)) => msaa_texture_view,
        };
        let resolve_target = None;
        wgpu::RenderPassColorAttachmentDescriptor {
            attachment,
            resolve_target,
            ops: wgpu::Operations { load, store },
        }
    }

    /// Clear the texture with the given color.
    pub fn clear<C>(&self, color: C)
    where
        C: IntoLinSrgba<f32>,
    {
        let lin_srgba = color.into_lin_srgba();
        let (r, g, b, a) = lin_srgba.into_components();
        let (r, g, b, a) = (r as f64, g as f64, b as f64, a as f64);
        let color = wgpu::Color { r, g, b, a };
        wgpu::clear_texture(self.texture_view(), color, &mut *self.command_encoder())
    }

    /// Submit the frame to the GPU!
    ///
    /// Note that you do not need to call this manually as submission will occur automatically when
    /// the **Frame** is dropped.
    ///
    /// Before submission, the frame does the following:
    ///
    /// - If the frame's intermediary linear sRGBA texture is multisampled, resolve it.
    /// - Write the intermediary linear sRGBA image to the swap chain texture.
    ///
    /// It can sometimes be useful to submit the **Frame** before `view` completes in order to read
    /// the frame's texture back to the CPU (e.g. for screen shots, recordings, etc).
    pub fn submit(mut self) {
        self.submit_inner();
    }
}

impl CaptureData {
    pub(crate) fn new(max_jobs: u32, timeout: Option<Duration>) -> Self {
        CaptureData {
            next_frame_path: Default::default(),
            texture_capturer: wgpu::TextureCapturer::new(Some(max_jobs), timeout),
        }
    }
}

impl RenderData {
    /// Initialise the render data.
    ///
    /// Creates an `wgpu::TextureView` with the given parameters.
    ///
    /// If `msaa_samples` is greater than 1 a `multisampled` texture will also be created. Otherwise the
    /// a regular non-multisampled image will be created.
    pub(crate) fn new(
        device: &wgpu::Device,
        swap_chain_dims: [u32; 2],
        swap_chain_format: wgpu::TextureFormat,
        msaa_samples: u32,
    ) -> Self {
        let intermediary_lin_srgba =
            create_intermediary_lin_srgba(device, swap_chain_dims, msaa_samples);
        let src_sample_count = 1;
        let swap_chain_sample_count = 1;
        let texture_reshaper = wgpu::TextureReshaper::new(
            device,
            &intermediary_lin_srgba.texture_view,
            src_sample_count,
            intermediary_lin_srgba.texture_view.sample_type(),
            swap_chain_sample_count,
            swap_chain_format,
        );
        RenderData {
            intermediary_lin_srgba,
            texture_reshaper,
            size: swap_chain_dims,
            msaa_samples,
        }
    }
}

impl<'swap_chain> Drop for Frame<'swap_chain> {
    fn drop(&mut self) {
        if !self.raw_frame.is_submitted() {
            self.submit_inner();
        }
    }
}

fn create_lin_srgba_msaa_texture(
    device: &wgpu::Device,
    swap_chain_dims: [u32; 2],
    msaa_samples: u32,
) -> wgpu::Texture {
    wgpu::TextureBuilder::new()
        .size(swap_chain_dims)
        .sample_count(msaa_samples)
        .usage(wgpu::TextureUsage::RENDER_ATTACHMENT)
        .format(Frame::TEXTURE_FORMAT)
        .build(device)
}

fn create_lin_srgba_texture(device: &wgpu::Device, swap_chain_dims: [u32; 2]) -> wgpu::Texture {
    wgpu::TextureBuilder::new()
        .size(swap_chain_dims)
        .format(Frame::TEXTURE_FORMAT)
        .usage(wgpu::TextureUsage::RENDER_ATTACHMENT | wgpu::TextureUsage::SAMPLED)
        .build(device)
}

fn create_intermediary_lin_srgba(
    device: &wgpu::Device,
    swap_chain_dims: [u32; 2],
    msaa_samples: u32,
) -> IntermediaryLinSrgba {
    let msaa_texture = match msaa_samples {
        0 | 1 => None,
        _ => {
            let texture = create_lin_srgba_msaa_texture(device, swap_chain_dims, msaa_samples);
            let texture_view = texture.view().build();
            Some((texture, texture_view))
        }
    };
    let texture = create_lin_srgba_texture(device, swap_chain_dims);
    let texture_view = texture.view().build();
    IntermediaryLinSrgba {
        msaa_texture,
        texture,
        texture_view,
    }
}

redpajama_set_name: RedPajamaGithub


See how to sharpen scissors with the Tormek Scissors Jig SVX-150 and how to set the edge angle.
The jig comprises a support plate (1) and a holder (2) with two clamps (3) for the scissors. Usually you use only the right clamp. For large scissors and garden shears you use both clamps.
You adjust the clamp to fit the scissors' thickness with the screw (4). You lock the scissors by tightening the knob (5). The support plate has a sliding surface, so the holder with the scissors can easily be moved while it is pressed onto the plate.
Make sure that you have the right angle setting before you start sharpening and you will save time. The easiest way is to touch up the existing edge angle. To check that you are positioned right, simply colour the bevel with a water resistant marker pen and rotate the stone by hand, adjust the support plate until you have the right angle.
Give your scissors a bite on the Tormek with the SVX-150 jig for scissors. It fits all sorts of scissors from household scissors to heavy garden shears. You can also sharpen pinking scissors that make zigzag cuts in cloth as well as portable electrical hand planer blades.
The scissors are mounted in a holder, which supports freely on a support plate. The grinding angle can be set so that you exactly replicate the existing edge angle.
One of the scissor blades, sometimes both of them, often have a slight convex shape. With the Tormek jig design, you follow the individual shape of each blade so that the sharpening runs smoothly.
The rotation of the stone presses the scissor blade towards the support plate, so you can concentrate on moving the scissors across the stone.


text:
typedef struct seccomp_fprog seccomp_fprog_t;

#include MPERS_DEFS

MPERS_PRINTER_DECL(bool, fetch_seccomp_fprog)(struct tcb *tcp, const long addr, void *p)
{
	struct seccomp_fprog *pfp = p;
	seccomp_fprog_t mfp;

	if (sizeof(*pfp) == sizeof(mfp))
		return !umove_or_printaddr(tcp, addr, pfp);

	if (umove_or_printaddr(tcp, addr, &mfp))
		return false;

	pfp->len = mfp.len;
	pfp->filter = mfp.filter;
	return true;
}


Available in sizes 2-6 years.
Available in sizes 0-6m to 6 years.
Available in sizes 18m to 5 years.
We have a gorgeous range of flower-girl and bridesmaid dresses for older girls in a range of colours and styles to suit your wedding theme. Many of our styles can be bespoke to your own personal colour combinations and/or sizes upon request so please do not hesitate to contact us for more information.


Aaaaaaaaah! 200 icons in this silly year-long project! I'll say this for it. It's making me a better icon designer. Sure, there've been a few duds in year so far, but overall, I'm happy with the icons. There's nothing quite like forcing yourself to do something every day to make you more proficient at it.
Today's icon is a companion piece to yesterday's cigar icon. I don't have much use for a lighter in my everyday life, but I have a fondness in my heart for Zippo-style lighters. The first one I ever owned was purchased at the US Senate gift shop while I was a Senate Page.
Download 200. Lighter Icon New Icons!


Many homeowners scurry about in an attempt to get their homes looking their best before the holidays. Welcoming guests, taking lots of pictures and creating an atmosphere that makes a person feel at home and happy cause this sudden burst of home improvements. One project that can revive even the dreariest of homes is painting. If you are having paint work done around your home but don't want the odors to linger, find out how to eliminate those odors quickly in the article that follows.
Some painting contractors regularly use additives in the paint to cut down on the odors that are left after the job is done. A couple of drops of scented oils or vanilla extract can go a long way in making the paint smell better as it dries and leave a lingering pleasant scent in your home instead of the not-so-pleasant paint smell.
Even though the temperatures are dropping, it is best to keep a few windows open while the home is being painted. Air circulation will help in two ways – expedite the dry time and remove the paint fumes from the house. Put a fan in one window pulling the air from the room and another fan in another window pulling fresh air in from outside.
White vinegar – Pour a bottle of white vinegar into bowls and set them around the room. The vinegar is nature's best cleaning agent – not only does it remove stains and get things clean, but it also absorbs odors from the air.
Water – Believe it or not, a few buckets of distilled water in the room can help absorb the odors. Don't use your city water or your well water because the chemicals will make it less effective in removing the odors from the air.
Activated Charcoal – Activated charcoal can be picked up at your local home improvement store for very little money. If it comes in lumps, put it in a couple of paper bags and smash it up with a hammer or mallet. Put the crushed charcoal in a few bowls around the room and let it absorb the odors from the room.
Scented candles can help in two ways – they fill the air with a pleasant smell and the flames burn the fumes that remain in the space. Just remember to place the candles away from the walls and ceiling and trim the wicks. You don't want the flame to get too large and the black soot to stick to the fresh paint.
Talk with your painting contractor to learn more ways to eliminate the smells left behind so that your home can smell as nice as it looks when the painting is complete. Click here for more info on paint.


Spa enthusiasts can indulge at CHI, The Spa at Shangri-La's Hambantota Resort & Spa, where Ayurvedic treatments, a specialism of Sri Lanka, are delivered using specialist herbs and natural products, following a consultation with an Ayurvedic Doctor. Twelve indoor and outdoor treatment rooms are a haven for stress relieving massages, facials and body treatments.
Room rates at Shangri-La's Hambantota Resort & Spa are from 293 dollars (approx. 240 pounds) per night. This is based on double occupancy and includes all taxes and fees. To book, please visit www.shangri-la.com/hambantota/shangrila.


Technician's Advice & the Right Price!
Call 1800 588 688 for more personalised Television advice!
Brocky's TV is based in Maroochydore on the Sunshine Coast Australia, you can visit our website HERE or visit our ABOUT US page for more information.
We are dedicated and excited about providing the most user friendly and relevant television and electronics online superstore, we guarantee you'll be satisfied purchasing from Brocky's HDTV online!
Are you looking for some particular advice or information regarding a TV or electronics product? Or further questions about the specifications of a particular model? Contact us via our contact form below or call us on the number below.
Brocky's HDTV offers shipping to the majority of cities within Australia. Your order will be dispatched within one (1) business day on all products that are currently in stock. You will be informed if a product is not currently in stock immediately and another solution will be found.
Our couriers and Australian Post will ensure your products are delivered in a timely and professional manner.
We understand that returns can happen and our team strives to ensure you're satisfied with your purchase. Brocky's HDTV is happy to consider all returns on a case by case basis. Of course, if a product is faulty, our team will organise a replacement for you on return of the faulty product.
Every product purchased from Brocky's HDTV comes with a 12 month manufacturer's warranty as standard.
We offer an extended warranty to five (5) years for domestic use or three (3) years for commercial use depending on the product range (computers carry a maximum 2 year extended warranty).
For further assistance on our warranties, please view our full terms and conditions online or contact one of our sales team by phone, email or LiveChat.
Brocky's HDTV is part of the Brocky's Group located in Maroochydore on the Sunshine Coast. 1800 588 688.
Thank You For Visiting, this website is outdated at the moment, please call 1800588688 for up to date pricing and availability!


Photo courtesy of Abby + Dave photography.
Dan is a playwright who's been toiling away in Calgary, Alberta since a time known to history as "the late 90s." He's written around 30 plays, including the original Writers' Circle play if that's worth mentioning. He occasionally talks about his plays, his travels, and his thoughts on life in the future over at www.talesfrompartsunknown.com. If you need a thing written, he might be able to assist with that for a fee.
Despite being a lifetime fan of TV and film, this is Keith's first foray into producing his own. Keith is a graduate of Mount Royal College (now a University!), and has participated in amateur and professional theatre productions for years. This incredibly exciting journey would not have been possible without his good friends Dan and Ian, not to mention every single one of the talented cast and crew.
Ian was taught the ways of film video/production at SAIT Polytechnic in the dawn of the millennium. But it is not this that drives his passion to produce the videos like this series. No, spite is the motive. Spite and envy. A burning awe and envy for Rocket Jump's Freddie Wong drives his arm. And one day Ian will have spite enough to stand before his younger, more talented, more successful doppelganger and Wong will know the name Ian Pond.
When Ian isn't at his day job as a live event audio/video technician he produces corporate and wedding videos. And yes, he is for hire.
enjoy this labour of love!
Patrick is the guy that will watch movies over and over again just to focus on the effects behind the action. Lately he's been stripping the audio out of his favourite shows, and seeing what he can replicate or improve upon in his very own 'lab'. Pop culture has had it's effect, and if you listen close enough, you can usually catch at least one reference, an homage if you will, to one of his favourite movies or shows.
Tawni Barton is a born and raised Calgarian with an unyielding passion for the arts. She graduated from Vancouver Film School in 2011 and after moving back home in 2012, she has been slowing building up her resume. She is now the Costume Coordinator for Scorpio Theatre.
Tawni had such a great time on this project. She was first asked to help out with costumes, which was such a great opportunity. She didn't get to audition initially due to a scheduling conflict, but as fate would have it the directors were still looking for someone to play Cynthia. Tawni read the script and fell in love with the character. When she was asked to play Cynthia, Tawni practically jumped out of her skin-or she would have, if she wasn't trying to play it cool. This has been an amazing adventure and Tawni looks forward to future shenanigans.


text:
Welcome to 4Biddenknowledge.TV created and funded by CEO 4biddenknowledge.com Billy Carson. Billy Carson, the founder of 4biddenknowledge Inc. Coach, Researcher in Ancient knowledge and Neuroscience, Chief Executive Officer at First Class Space Agency, and Philanthropist. Billy Carson is the Best Selling Author of 'The Compendium Of The Emerald Tablets' and is an expert host on Deep Space, a new original streaming series by Gaia. This series explores the Secret Space Program, revealing extraordinary technologies and their potential origins. Billy Carson also serves as an expert host on Gaia's original series, Ancient Civilizations, in which a team of renowned scholars deciphers the riddles of our origins and pieces together our forgotten history documented in monuments and texts around the world. Mr. Carson appreciates the dedication and hard work it takes to accomplish great things. Recently, Mr. Carson earned the Certificate of Science (with an emphasis on Neuroscience) at M.I.T. Among his most notable achievements, Billy is the CEO of First Class Space Agency based in Fort Lauderdale, FL. 4BIDDENKNOWLEDGE is now the leading frontier of concious streaming knowledge available for the entire family, in the comfort of your own homes. Providing leading information and footage collected from across a wide range of subjects hidden from mainstream media or public access. Some of the Worlds most leading alternative researchers, archaeologists, anomaly hunters, theorists, entrepreneurs, public speakers and presenters in the field of 4biddenknowledge. Our aim is to deliver content of a higher conciousness to be reached globally. The conscious content delivered on this platform is for the benefit and use of raising the frequencies of our human exsistence and evoloution, reaching forwards positively towards becoming a safer planet with our environment self sustainability ecologically and economically, for our Planet and our future generations to come. Billy Carson has built a Team of dedicated individuals from across the Globe on various Social Media Platforms, he has successfuly founded and set foundations for future generations to continue the quest for the TRUTH. The Team of conscious individuals, who have with their network of sources and contributors, are now able to deliver this exclusive streaming platform, with the full dedication and aim to assist our expanding knowledge and understanding of our human existence revealing our past, bridging the GAP progressing forwards towards the disclosure of the existence of Life beyond our Universe. They are all decicated to present the best high quality content directly available from our fast growing team of contributors, viewers and supporters. They collect content from all sources that varies alonside delivering information, footage, presentations and evidence. Some unique access to RAW, REAL and ORIGINAL exclusive content, some of that content is sometimes low quality that is cleaned up by dedicated proffesionals. The dedicated individuals are from global sources and backgrounds of indepth 4biddenknowledge. We are transitioning towards change at high speed, learning and educating each other. Love and Grattitude to you all - #4BKTV - Subscribe Now and get full unlimited access to exclusive content alongside Billy Carson's work, videos, conferences and discover the very best of 4biddenknowledge hidden in our Ancient past and present History today.
Watch this video and more on 4biddenknowledge.tv
Brien Foerster - Incatours -
Brien Foerster - Exploring Tunnels under Egypt's Giza Plateau
Brien Foerster - Exploring Tunnels under Egypt's Giza Plateu.
www.hiddenincatours.com - There is also a tunnel system under Peru and Bolivia. Join David Hatcher Childress, Hugh Newman and myself there in October/November 2013 -
Up Next in Archaeological Sacred Site Research With Brien Foerster
Ancient High Technological Device In ...
http://www.hiddenincatours.com
One of the most intriguing and mislabeled artifacts in the Egyptian National Museum in Cairo is a plate like work made out of stone which many academics think was for flowers or fruit. However, when engineers look at it they tend to believe that is part of an ancien...
Were Egypt's Obelisks Ancient Resonan...
The obelisks of Egypt are thought by most scholars to have been made by the dynastic Egyptians as markers of conquests and accomplishments. While this may be true of the carved messages on them, the obelisks themselves may be inheritances from a much older culture. Join us in April of 2016 and se...
Tunnels Beneath The Largest Pyramidal...
The Cholula pyramidal structure is believed to be the largest in the world and is about 2000 years old. Come as we explore the vast tunnel system below and within it.


Carlos Sanchez which is your use case for this? I don't think it makes much sense as per the current use cases that were taken into account. The idea for that Dockerfile is allow custom configurations through the plugins.txt file and an specific Jenkins version, so I don't think it makes much sense to publish a specific Docker image with a closed set of plugins.


Prayers and Promises is a fascinating collection of 'timeless Gospel stories' that thrill today just as much as they did yesterday. See God at work as he provides for those in need, as he brings people to himself and as his word goes throughout the whole world bringing peace and truth and justice. Read to me 7-8 years and read myself 9-12 years.


1) I watched Titanic while working on these projects. I think I get more and more emotional each time I watch it. I just can't really believe that it's a true story. I mean, I believe it, but it's just sooooooooooooooo sad. How did an iceberg sink such an incredible structure? The music is great, the acting is superb. Sigh. Great movie.
2) I knew I wanted to stitch across all of the circles and at first I was going to go straight down and straight across each row. Then I decided to stitch across them diagonally for a quilted look and I like it mucho better.
Journaling says: We heard that if you go to the end of the parade route you could see it for free! Free is good! So we drove up to Colorado Blvd, parked a few blocks away and made our way to the crowds. We found okay seats next to a BBQ pit and saw the beginning of the 2010 Rose Parade. There was a big break between floats and we had our fill so we went home. Turns out we missed some pretty cool floats like one with Jackie Chan! But we had a great time and we'll probably splurge and get seats for the 2011 Rose Parade. Until then, here are the memories!
To make this layout I pulled out all the patterned paper, patterned packaging and digitally downloaded and printed patterned paper I thought matched the photograph. Then I stamped a variety of journaling spots/frames/labels on the papers and cut them out. I stuck my picture in the middle of a piece of white background cardstock and adhered all the cut out pieces around the photo. And of course sprinkled some buttons on top.
Stamp a houndstooth background all across the front of a kraft card base in watermark ink. Cut three concentric circles from red patterned packaging paper and layer them together on the left side of the card using a red jewel brad set through the center. Hand cut two leaves from green argyle digitally downloaded patterned paper and tuck them under the flower. Set "LOVE" white foam letter stickers around the curve of the flower.
Now we're off to Cafe Rio and to take Joey to the Huntington Beach Dog Park - after we clean cages of course :) Twill be a fun day!
I love the stitching on the first layout!
I LOVE that stitching, too!!! I have to try that! Everything is so gorgeous!! I just love your style - it's so distinctive and unique, Paige. Just gorgeous!
Love these Paige! Especially the stitching - that looks amazing! Almost makes me want to start scrapping again! Yikes!
EEK! Love the diagonal stitching... how clever!
I love the one you stitched on! I could never sew that straight.
Do you remember seeing Titanic for the first time? It was when we spent Christmas in Williamsburg, VA.
Cute layouts! Love the stitching!
My sister had a dance outfit JUST like that one! I'll find a picture! She did her ballet dance to "Here She Comes... Miss America" while wearing that red dress.
p.s. With all the movies I've seen and being a big movie buff, I've NEVER seen Titanic. Well, I saw the scene where Jack dies... and then a bit after that, but that's it. I actually never wanted to... I wasn't really interested. Isn't that strange?! LOL.
How on earth did you get your stitching so straight, I am only a novice sewer in fact I have only used my machine once and I can not see me being able to do that without losing control. ♥ it.
How in the world did you get those diagonal lines straight? So cool!
I love your projects!!! What you did with those stamps is awesome!!!
These are all great Paige! Love both layouts and that card is perfect!


text:
You are in: Science/Nature: Specials: Set99
Thursday, 18 March, 1999, 12:17 GMT
The sound of music to come
Sinead O'Connor and backing singers lay down their track
Musicians have produced what it is claimed to be the world's first single to be recorded live on the Internet.
Using new software, they recorded a version of Bob Marley's Them Belly Full (But We Hungry) to raise funds for the charity War Child.
The artists e-mailed their different vocal and instrumental contributions into a virtual studio in northwest London from locations all over the world.
The whole project was completed inside one hour for Megalab '99 - a special BBC TV programme containing a series of mass participation experiments.
The Irish singer Sinead O'Connor's lead vocals were sent to the virtual studio from the BBC's Television Centre in west London and keyboard whiz Thomas Dolby uploaded his synthesiser contribution from San Francisco.
Other artists joined the session from Johannesburg (vocals), Sydney (percussion), Hamburg (keyboard) and New Orleans (guitar).
Musical interaction
The computer program that combined the different sections of the mix is the brainchild of musician Willy Henshaw.
"The software is revolutionary because it allows people from anywhere in the world to get together in the virtual studio and interact as if they were in the same place," he said.
The musicians cannot actually play simultaneously - the idea is that each singer or player can quickly hear what the others have done and then add their contributions to the master track.
It is claimed the system has the effect of speeding up the recording process.
The single was mixed by production team Coldcut.
Producer Matt Black said: "I think it is a great new way of working with people. For instance, if we wanted to go to Africa and work with someone, we'd have to get all the equipment on a plane and go over there.
"With hotels, it all gets very expensive. This way we can communicate directly and connect with the music."
It is thought the Rocket Network system will be especially useful to artists wanting to put together charity songs. It will mean leading pop stars will still be able to appear on a track even if they are away on tour in a different country.
Megalab '99 is run by the Daily Telegraph and the BBC's Tomorrow's World television programme as part of National Science Week.
ON THIS STORY
Watch Sinead O'Connor in action
Res Rocket
Megalab '99
Top Set99 stories now:
Women reveal their facial attraction
Computers get chattier
UK astronaut essential, says Foale
Be a part of Megalab
Lighthouse megamove complete
Hawking predicts 'GM humans'
Mission to explain
Links to more Set99 stories are at the foot of the page.
Links to more Set99 stories
In This Section Women reveal their facial attraction Computers get chattier The sound of music to come UK astronaut essential, says Foale Be a part of Megalab Lighthouse megamove complete Hawking predicts 'GM humans' Mission to explain Future science Mind machine tests UK's psychic powers Escape from the lab


Our daughter Hannah died suddenly in her sleep in February 2007. She was just 7 years old. Hannah was the twin to Lucy and brother to Oliver.
With just 16 months between the births of Oliver and the girls we had had a busy time, but the children were a great team and we were starting to have a lot of fun together. Hannah died on the last night of our skiing holiday in France.
That Friday night we experienced in France, was the most dreadful experience of our lives and is something I would not wish anyone else to ever have to experience.
When we eventually managed to get Hannah's body back to the UK, we argued strongly for an expert to conduct the autopsy.
Hannah had had a pacemaker fitted at the age of 3 as a result of an unusual heart anatomy. Despite this, she was a normal active 7 year old girl and sudden death was never a considered risk.
She had just completed a week skiing which she loved, and just 3 months earlier she had been fully screened prior to a general anaesthetic for a minor operation on her ears. It seemed so wrong that she was taken from us at 11.30pm, when she was asleep.
Mary Sheppard the pathologist at The Brompton, conducted the autopsy and said she could find no true cause of death and would put it down to a lethal arrhythmia. It was Mary who told us about CRY.
We immediately looked up CRY on the internet and realised they were a very relevant charity to us. We have since been active in raising funds for CRY, and have also been successful in raising awareness in our home town of Harpenden. The money we raise goes specifically to fund coroners referrals to Mary Sheppard. We believe no family should have to wait for an answer as to why their loved one died, and Mary pledges to give them results within 14 days of the referral. We hope that by Mary conducting more and more autopsies more data will be collected and hopefully eventually research carried out that will prevent some of the sudden cardiac deaths occurring.
I feel passionate about the work CRY does and would like to help CRY raise further awareness and money to fund research.
Hertfordshire is a big county and I feel honoured that CRY have asked me to be a Representative and look forward to helping the county move forward and work to reduce the tragic numbers of Sudden Cardiac Deaths per week.


Samsung's Galaxy S5 might not be the most exciting smartphone the world has ever seen, but it's still easily the best flagship phone Samsung has ever made. It has a gorgeous full HD display, a lightning-fast processor, a shockingly good camera and plenty more that make the Galaxy S5 one of the most capable handsets to date. Sales haven't been terribly impressive and Samsung's stock is down more than 12.5% over the past 3 months as a result, but that certainly doesn't make the device any less appealing to smartphone buyers — and if you're in the market for a new smartphone, now is the perfect time to consider the S5.
Starting Friday, RadioShack is offering the Samsung Galaxy S5 for just $79 on a new two-year contract with Verizon Wireless. The offer is available to both new and existing Verizon subscribers, and it represents the lowest price ever on the Galaxy S5 at RadioShack; the nationwide retailer had previously made the S5 available starting at $79, but that deal required a trade-in.
The Galaxy S5 features a 5.1-inch display with 1080p resolution, a quad-core 2.5GHz processor, a 16-megapixel rear camera, 2GB of RAM, 16GB or 32GB of internal storage, microSDXC support, a 2,800 mAh battery and Android KitKat.


Overall experience was good. Good have been better with promised follow-up by customer service.
I had to call the office more than 4 times to get a minor cleanup issue resolved. I called and spoke to customer service people and they never followed up. Eventually I had to call my sales rep to get the cleanup done.
See what other customers from Sacramento say about us!


Enjoying yet another high approval rating, based on the latest Pulse Asia survey, the Department of Education (DepEd) reaffirms its relentless and effective engagement with various stakeholders who continue to trust and work with the agency in the delivery of quality, accessible, relevant, and liberating basic education for all Filipinos.
DepEd's latest approval rating of 88% is a welcome boost from its rating of 84% – the highest among all government agencies – in March 2018.
The continued approval, trust, and support of educators and stakeholders across varying sectors in the country reflect the more significant millions that actually help the Department perform its mandates and achieve its goals – considerably disproportionate to the handful objectors from the Teachers' Dignity Coalition (TDC) staging a two-week picket at the Central Office.
DepEd has long maintained an open communication with TDC and other teachers' groups in regard to concerns of the profession and the education sector. Over the years, several dialogues have been held within the Central Office and concrete responses to demands have been given by members of the Executive Committee and Regional Directors – contrary to claims that the Department refuses to discuss issues and resolve differences.
In fact and in practice, the ongoing series of consultation and validation workshop for the proposed career path for teachers, conducted by DepEd Bureau of Human Resource and Organizational Development- Human Resource Development Division (BHROD-HRDD), include representatives from TDC and other teachers' groups.
It is alarming that to advance certain interests, it has become convenient for certain groups to conclude and insist that workload and clerical tasks are the root cause of conditions as complex as depression and as sensitive as suicide. It is disappointing that to gather support, certain groups must impose on the grief of families. It is disturbing that the path to reforms should be paved with acts of dishonesty and efforts to disinform by the very groups asserting to protect the dignity and promote the welfare of teachers.


A completely assembled USS Lorain Rotary Hearth at Loveman Steel.
The employees of Bedford Heights-based Loveman Steel Corp. had no idea what was going to happen to the business when it went into receivership in the summer of 2015.
Robert Campbell, who has been with the company for more than two decades, said it was tough, since no one knew if they'd have a job day-to-day. But some employees stayed, and more than a year later, the steel service center is under new ownership that's investing time and money in the plant and in its culture.
Donald A. Kruschke, president and CEO of Solon-based Plastics Machinery Group, had never been in charge of a manufacturer before now. Plastics Machinery Group doesn't make products of its own, and instead buys and sells equipment for its customers. It also does work in mergers and acquisitions, plant liquidations and appraisals. The company has grown in recent years, and Kruschke was looking for additional warehouse space when he came across Loveman Steel.
One of the company's services is making large, fabricated metal parts for a variety of industries, from construction to steelmaking.
"I saw all these pictures of these neat things that were gigantic," Kruschke said. "So that intrigued me. I went back. I met the people there. And I really took a liking to them and their attitude, especially as long as they had been in the receivership."
Though he hadn't planned on owning a manufacturer, he saw a possibility in Loveman Steel, and an opportunity to apply the sales and marketing model he uses at Plastics Machinery Group. Kruschke began managing the company in the summer, contacting the company's customers from the start to share their new approach, and closed on the deal at the end of last year. He declined to disclose the purchase price.
Loveman Steel had been a family-owned business, started in the 1930s, said Rob Loveman. Loveman, now a sales executive with the company, said he had been a non-voting owner before the sale. Plastics Machinery Group's involvement has changed the culture of the organization, Loveman said, and he hopes to see sustainable growth that allows the company to pay its employees and serve customers' needs going forward.
Loveman had dropped to nine employees by the time of the sale, Kruschke said. Employment is now up to 11, and he's looking to add to that. Kruschke said Loveman's sales were around $17 million in 2015. At one time, he said he was told they had been as high as $52 million. His main goal is to get the company profitable, but he'd really like to see the sales back to that high level again.
The companies are being run separately in terms of financials, but there's a lot of potential overlap between Plastics Machinery Group and what's now being called Loveman Steel and Fab.
Plastics Machinery Group grew out of Stopol, which was started by Kruschke, his brother and his father in the '90s. The recession was tough on Stopol, though, and in 2009, Kruschke ended up buying two of the company's four divisions from his brother: thermoforming and blow-molding. The other divisions were sold, and Kruschke decided to rename his portion. Since then, Plastics Machinery Group has added other equipment segments, like injection molding.
Today, Plastics Machinery Group has 13 employees, plus one in England (which technically counts as a separate business). Kruschke wouldn't get specific on sales for Plastics Machinery Group, but he said they were above $20 million in 2016. The company relies on customer relationships.
"Everything I preach to these guys is relationship and quality of the equipment and quality of the deal," Kruschke said. And he wants to bring that business model to Loveman Steel. Plastics Machinery Group is in "constant communication" with its customers, Kruschke said. The company also makes strong use of data, keeping track of its plastics customers' lines of business, their preferred brands of machinery, the type of material they run and more. That means the company has a "finger on the heartbeat, on the pulse" of its customers, Kruschke said, and knows just when its customers will need something. He thinks that model can apply to Loveman Steel, too.
Plus, he already has seen new opportunities arise as he has brought the plastics-related customers through Loveman Steel's plant, leading to quotes for products like platforms.
"And I wasn't even expecting that," Kruschke said.
Kruschke said he also plans to run Loveman Steel more efficiently, which will allow Plastics Machinery Group to do some of the additional warehousing it needed at that location. And he's upgrading the building from top to bottom.
Long-term employee Campbell, who Kruschke made Loveman's chief operating officer, said the upgrades to the plant — new lighting, new paint, soon-to-be-new floors — make for a better environment for the employees.
The company also is investing in a completely renovated office on the Loveman site, where both Loveman and Plastic Machinery Group will be located. In total, Kruschke said he's investing more than $1 million in the plant and office renovations.


Chrome 3D Skull TearDrop Mirrors for 2003 Harley-Davidson Electra Glide Classic Anniversary FLHTC - Chrome skull high quality cnc mirrors for 2003 harley-davidson electra glide classic anniversary flhtc. Triple chrome coated finish fully metalglass mirror, clear picture, no blurry. Mirror body and stem colorchromemirror glass colorsmoke. Mirror size(approx)5-3/4×2-3/4 inches. Sold in pairseasy install100% brand new.
18 Color 10pcs RGB Motorcycle ATV Flexible Strip LED Light Lamp NEON Remote Kit for Harley Davidson Electra Glide Classic - Fitment harley davidson electra glide classic. Plug & play kit easy do-it-yourself kit means no crimping, soldering, or extra purchases required. 18 different colors + 6 functions combinations + 5 brightness levels + music sync. Brake function, all light tubes turn red when braking. Sync the lights to the music with the bass-activated sensors.
Hogtunes BIG ULTRA Kit for 1998-2013 Harley-Davidson Electra Glide, Classic, Ultra Classic, Street Glide and Trike models – NCA450U-KIT-AA - Amplifier is suspended above radio using supplied mounting arms. The 200 watt (400 peak) 4 channel amp easily mounts inside the fairing. Includes our new gen 3 525″ 2 ohm front and rear speakers. Includes shelf to easily relocate factory cb module under radio. Radios built in fader/cb module etc will work as they did from factory.
Burly Rear Lowering Kit HARLEY-DAVIDSON Electra-Glide Classic FLHTC/I Electra-Glide Standard FLHT/I Electra-Glide Ultra Classic FLHT/C/U/I Electra-Glide Ultra Limited FLHTK Road Glide FLTR/I Road Glide Ultra FLTR/I Road King Classic FLHRC/I Road King FLHR - Motorcycle highway foot pegs with engine guard footpeg clamps. Fitment harley davidson electra glide classic. Brand krator® | material high quality aluminum. Easy installation no additional hardware required. Burly rear lowering kit.
Krator Custom Chrome Skeleton Skull Bolt Nuts Screws 6mm For Harley Davidson Electra Glide Classic - Complete custom application, modification may be required. Enhance the look with skull bolts that replace any 6mm bolt on your bike. Fitment harley davidson electra glide classic. Brand krator® | any 6mm bolt can be replaced with this skull bolt . There are 2 x washers included to hold the bolt in place for custom applications.
Krator Chrome AntiVibrate Engine Guard Foot Pegs + Clamps For Harley Davidson Electra Glide Classic - Easy installation no additional hardware required. Fitment harley davidson electra glide classic. Motorcycle highway foot pegs with engine guard footpeg clamps. Brand krator® | material high quality aluminum. U-clamp style 1″ to 1-1/4″ highway bars, crash bars, engine guards or any round 1″ to 1 1/4″ bar.
Venom Motorcycle Bike 6.5″ Tire Wheel Chock Stand For Harley Davidson Electra Glide Classic - Featuresdesigned for securing motorcycles upright for transporting, maintenance, and storagethis extremely heavy duty venom wheel chock is made of high grade steel6. 5″ wide chock will stabilize the front tire upright during transportincludes all installation hardware needed for a quick installation and removalspecificationcondition 100% brand newquantity 1 wheel chockcolor blackmaterial high grade steelinstructions not includedinstallation will fit 6. 5″ wide front wheelswheel chock can be used as a free standing floor stand or mounted to any flat surfaceideal for mounted in a trailer for transportingfitment harley davidson electra glide classic.
Hogtunes 356R Rear Speakers for 1998-2005 Harley-Davidson Electra Glide, Classic and Ultra Classic models – 356R - Audio solutions for the great american cruiser. Direct replacement speakersincreased tweeter size from 075″ to 1″ provides even more presence and clarity. Feature hogtunes "signature" sound to smooth mid-range and high-range frequency sound on a bike for those long ridescan be used on bikes with a car radio conversion kit. A lighter speaker cone and the "hybrid magnetic assembly" helps overall power handling. Install using factory hardware, designed to be used with stock grills sold in pairs.
Krator Black Motorcycle Spike Bolt Screw Fairings 6pcs For Harley Davidson Electra Glide Classic Custom - Fitment harley davidson electra glide classic custom. Brand krator | enhance the look of your bike spiked design. High quality polish spike windscreen bolts. Easy installation simply replace the existing bolts with these. 5mm thread, can replace any 5mm bolt on any motorcycle.
Krator Motorcycle Hand Grips 1 Inch Handlebar Bars Pair For Harley Davidson Electra Glide Classic - Brand krator® | diamond rubber grip style for great comfort and style. Enhance the look with these high quality chrome billet hand grips. Fits any motorcycle with 1″ bar, left and right grip. Easy installation these grips replace your existing hand grips. Fitment harley davidson electra glide classic.
Venom Motorcycle Bike Front Tire Wheel Chock Lift Stand For Harley Davidson Electra Glide Classic - Featuresdesigned for securing motorcycles upright for transporting, maintenance, and storagethis extremely heavy duty venom wheel chock is made of high grade steelchock will lock and hold the front tire uprightwith 2 adjustment points at cradle & upright the stand/chock will fit most 17″, 21″ front wheelsto remove, pull back on bike and chock will automatically release the wheel specificationcondition 100% brand newquantity 1 wheel chock / standcolor blackmaterial high grade steelinstructions not includedfitment easy to assemblewill fit most 17″, 21″ front wheelspremium wheel chock can be used as a free standing floor stand or mounted to any flat surface. Fitment harley davidson electra glide classic.
Tusk Digital Suspension Pump -Fits: Harley-Davidson Electra-Glide Classic FLHTC/I 2000-2013 - Kit includes race tech shock nitrogen needle this tool is designed for gas charged shocks with self-sealing type rubber valves. Quality air pump for motorcycle air forks makes setting pressure easy and accurate. 0-300psi range with large lcd display to show pressure in 05psi increments below 100psi and 10psi increments about 100 psi. Auto start and shut-off for long battery life, battery is replaceable (cr2032). Also works on a variety of motorcycle and mountain bike forks and shocks.
Hogtunes 356F Front Speakers for 1998-2005 Harley-Davidson Electra Glide, Classic and Ultra Classic models – 356F - Feature hogtunes "signature" sound to smooth mid-range and high-range frequency sound on a bike for those long rides. Direct replacement speakersincreased tweeter size from 075″ to 1″ provides even more presence and clarity. A lighter speaker cone and the "hybrid magnetic assembly" helps overall power handling. Install using factory hardware, designed to be used with stock grills sold in pairs. Can be used on bikes with a car radio conversion kit.
Venom Adjustable Motorcycle Pivot Center Lift Bar Stand For Harley Davidson Electra Glide Classic - Use on any bike with a flat, exposed lower frame area 20″ wide or less. Fitment harley davidson electra glide classic. Brand venom® | lifts and stabilises front or back of hard and soft tail cruiser style bikes quickly and safely. Adjustable motorcycle pivot center lift stand. Material steel.
Krator 2pc Skull Lens Chrome Motorcycle Turn Signals Bulb For Harley Davidson Electra Glide Classic - Fitment harley davidson electra glide classic. Super heavy duty metal, high quality weighted turn signals. These are aftermarket turn signals for that unique customized look. Brand krator® | color chrome with amber lens. Enhance the look of your motorcycle with these custom turn signals.
KapscoMoto 2 Way Motorcycle Alarm Pager Remote Engine Start For Harley Davidson Electra Glide Classic - Fitment harley davidson electra glide classic. Two way range over 3500 meters, super long range monitoring. Manual and timer controlled remote engine starter. Brand kapsco moto� | universal will fit all motorcycles . This alarm has the most features on the market .
Hill Country Customs Chrome Handlebar Control kit for 2008-2013 Harley-Davidson Electra Glide and Classic models – HC-HBC120 - Fits 2008-2013 harley-davidson electra glide and classic models. Polished and show chrome finished. New "ergonomic late model" style controls gives your harley that custom look. Kit includes master cylinder, clutch perch, levers, lever pins, handlebar clamps, and chrome plated stainless hardware.
KapscoMoto Motorcycle 7 Color LED Light Kit Spider-Pod Kit For Harley Davidson Electra Glide Classic - Brand kapsco moto® | expandable kit, add up to 20 pods or tubes . Fitment harley davidson electra glide classic. 7 different colors in this one kit + 13 functions combinations + 5 changing speeds, 65 functions total. Easy plug-n-play , do-it-yourself kit with no crimping, soldering or extra purchases required. 2 x wireless remotes included to change colors white, yellow, red, green, blue, purple, aqua (all in the one kit ).
Krator Silver Motorcycle Spike Bolt Screw Fairings 6pcs For Harley Davidson Electra Glide Classic Custom - Fitment harley davidson electra glide classic custom. Easy installation simply replace the existing bolts with these. High quality polish spike windscreen bolts. 5mm thread, can replace any 5mm bolt on any motorcycle. Brand krator | enhance the look of your bike spiked design.
Hogtunes 352R-AA Rear Speakers for 2006-2013 Harley-Davidson Electra Glide, Classic, Ultra Classic, Road Glide Glide & Trike models – 352R-AA - Can be used on bikes with a car radio conversion kit. A lighter speaker cone and the "hybrid magnetic assembly" helps overall power handling. Feature hogtunes "signature" sound to smooth mid-range and high-range frequency sound on a bike for those long rides. Direct replacement speakersincreased tweeter size from 075″ to 1″ provides even more presence and clarity. Install using factory hardware, designed to be used with stock grillssold in pairs.
Krator Black 7″ LED Headlight Mounting Ring Trim Bracket for Harley Davidson Electra Glide Classic FLHTC 1994-2013 - Package includes1x headlight ring mounting bracketinstructions and hardware not includedfitment harley davidson electra glide classic flhtc 1994-2013. Please verify that this part fits your vehicle before you purchase. Brand new 7″ headlight mounting ring. Minor drilling may be required for some models. Upgrade the original bracket on your motorcycle that is too shallow for most aftermarket headlights. Featuresaftermarket 7″ round headlight mounting ringbuilt-in springs to relieve driving vibrationlightweight silver stainless steel constructionspecificationcolor blackmaterial stainless steelbrand kratorcondition 100% brand newfitmentimportant please read measure the outside diameter of your headlight before purchasing. Perfect for harley davidsons, jeeps, and dodges with 7″ headlights. This mouting bracket will fit over headlights that are 7″ in diameter for the above models.
Krator Motorcycle Hand Grips 1 Inch Handlebar Bars Pair For Harley Davidson Electra Glide Classic - Enhance the look with these high quality chrome billet hand grips. Fitment harley davidson electra glide classic. Easy installation these grips replace your existing hand grips, includes built in throttle sleeve. Fits any motorcycle with 1″ bar, left and right grip. Brand krator® | flame rubber design with a removable bar end.
Front Kevlar Carton Brake Pads for Harley-Davidson Electra Glide Classic FLHTC 2008-2011 - Position front. Kevlar brake pads provide exceptional stopping power with great durability under all riding condition. Provide excellent stopping power without noise and rotor galling, even on polished rotors. 2 pairs (4 pads) kevlar carbon brake pads fits harley-davidson night rod special vrscdx 2007-2011. Fingertip control and strong, predictable brake response.
Krator Brake Taillight Flasher Rear Alert Back Off Light For Harley Davidson Electra Glide Classic Custom - 8a to 1. Here's how it works each time the brakes are applied, your brake light will rapidly flash on & off 4 times, slow flash 4 times, and then solid until you release the brake. 5cm w x 1. 2arated power 10w to 15wworking temperature -40 to 50 degrees celsiusstorage temperature -50 to 80 degrees celsiusmaterial high quality abs plasticcondition 100% brand newinstallation compatible with regular brake lights and led clustersone module converts one brake light, for left and right side brake lights use two modules dimensions 5cm l x 2. The preprogrammed cycle will start over and repeat each time the brakes are reapplied. 5cm hwiring black = negative wire (-)red = postive wire (+)package includes 1x dyna flash brake light flasher module1x 3m tapeinstructions not includedfitment harley davidson electra glide classic custom. Featuresbrake light flasher safety modulethis will alert the traffic behind you to stopprevent rear-end collision and may save your lifespecificationsinput voltage 12-16voutput 12vrated input current 0.
Krator Motorcycle Hand Grips 1 Inch Handlebar Bars Pair For Harley Davidson Electra Glide Classic - Fits any motorcycle with 1″ bar, left and right grip. Fitment harley davidson electra glide classic. Enhance the look with these high quality black billet hand grips. Easy installation these grips replace your existing hand grips. Brand krator® | molded rubber design with a removable bar end.