text:
define(
	['require', 'core/Utils.vlib', 'core/Framework3D.vlib', 'three', 'jquery'],
	function ( require, UTILS, F3D, THREE, $ ) {

		var F3DAxes = F3D || function () {
			};
		F3D.getLabelByIndex = function ( index, positionArray, labelsArray, fractionalDigits ) {
			"use strict";
			var label;
			if ( labelsArray ) {
				if ( index < labelsArray.length ) {
					if ( isNaN( labelsArray [index] ) ) {
						label = labelsArray [index];
					} else {
						label = labelsArray[index].toFixed( fractionalDigits );
					}

				} else {
					label = index + 1;
				}

			} else {
				label = parseFloat( positionArray[index] ).toFixed( fractionalDigits );
			}
			return label;
		};

		F3DAxes.createTickLabelsX = function ( tick, config, borders, scale, labels, positions ) {
			"use strict";
			var result = [];
			var color = config.color || '#000000';

			var labelWidth = 0;
			var labelHeight = parseInt( config.fontSize ) + 20;

			var nicePosObject, nicePosArray, scaler, landmark, coords;

			var customOffset = config.offset.x;
			var useStaticLabels = config.orientation === 'static';
			var rotation = {
				x: config.rotationX.x * Math.PI / 180,
				y: config.rotationX.y * Math.PI / 180,
				z: config.rotationX.z * Math.PI / 180
			};

			/* x-labels*/
			if ( scale.x > 0 ) {
				if ( config.numUnits.x > 0 ) {
					nicePosObject = tick.search( borders.xMin, borders.xMax, config.numUnits.x );
					nicePosObject.mantissa( config.mantissa.x );
					nicePosArray = nicePosObject.toArray();

					scaler = UTILS.scale();
					scaler.range( [0, scale.x] );
					scaler.domain( [nicePosObject.min, nicePosObject.max] );
					if ( positions ) {
						coords = scaler.linear( positions );
					} else {
						coords = scaler.linear( nicePosArray );
					}

					var label, text, offsetY = labelHeight / 2;
					for ( var i = 0, len = coords.length; i < len; ++i ) {
						text = this.getLabelByIndex( i, nicePosArray, labels, config.mantissa.x );
						labelWidth = ( text.toString().length * (config.fontSize / 2) ) + 5;

						/* label x*/
						label = F3DAxes.createLabel( text,
							{
								x: coords[i],
								y: -offsetY ,
								z: customOffset
							},
							labelWidth, labelHeight, color, config.fontSize, useStaticLabels );

						label.name = 'label';
						if ( useStaticLabels ) {
							label.rotation.set( rotation.x, rotation.y, rotation.z );
						} else {
							label.material.rotation = rotation.y;
						}

						result.push( label );
						/* landmark x*/
						landmark = new F3D.Cylinder(
							new F3D.Vector3( coords[i], 0, 0 ),
							new F3D.Vector3( coords[i], 10, 0 ),
							color, 1 );
						landmark.position.x = coords[i];
						result.push( landmark );

						/* raster ?  */
						if( config.raster.xy.show){
							var rasterXY = new F3D.Cylinder(
								new F3D.Vector3( coords[i], 0, 0 ),
								new F3D.Vector3( coords[i], scale.x, 0 ),
								color, 1 );
							rasterXY.position.x = coords[i];
							rasterXY.material.transparent = true;
							rasterXY.material.opacity = config.raster.xy.opacity;
							result.push( rasterXY );
						}
						if( config.raster.xz.show){
							var rasterXZ = new F3D.Cylinder(
								new F3D.Vector3( coords[i], 0, 0 ),
								new F3D.Vector3( coords[i], 0, scale.z ),
								color, 1 );
							rasterXZ.position.x = coords[i];
							rasterXZ.material.transparent = true;
							rasterXZ.material.opacity = config.raster.xz.opacity;
							result.push( rasterXZ );
						}

						if ( config.mirrorTicklines ) {
							landmark = landmark.clone();
							landmark.position.y = scale.y - 5;
							result.push( landmark );
						}
					}
				}
			}
			return result;
		};
		F3DAxes.createTickLabelsY = function ( tick, config, borders, scale, labels, positions ) {
			"use strict";
			var result = [];
			var color = config.color || '#000000';
			var labelWidth = 0;
			var labelHeight = parseInt( config.fontSize ) + 20;
			var nicePosObject, nicePosArray, scaler, landmark;
			var coords;

			var customOffset = config.offset.y;
			var useStaticLabels = config.orientation === 'static';

			var rotation = {
				x: config.rotationY.x * Math.PI / 180,
				y: config.rotationY.y * Math.PI / 180,
				z: config.rotationY.z * Math.PI / 180
			};

			/* y-labels*/
			if ( scale.y > 0 ) {
				if ( config.numUnits.y > 0 ) {
					nicePosObject = tick.search( borders.yMin, borders.yMax, config.numUnits.y );
					nicePosObject.mantissa( config.mantissa.y );
					nicePosArray = nicePosObject.toArray();
					scaler = UTILS.scale();
					scaler.range( [0, scale.y] );
					scaler.domain( [nicePosObject.min, nicePosObject.max] );
					if ( positions ) {
						coords = scaler.linear( positions );
					} else {
						coords = scaler.linear( nicePosArray );
					}
					var text, label;
					for ( var i = 0, len = coords.length; i < len; ++i ) {
						text = this.getLabelByIndex( i, nicePosArray, labels, config.mantissa.y );
						labelWidth = ( text.toString().length * (config.fontSize / 2) ) + 5;
						/* label y*/
						label = F3DAxes.createLabel( text,
							{
								x: -labelWidth / 2 +customOffset,
								y: coords[i],
								z: 0
							},
							labelWidth, labelHeight, color, config.fontSize, useStaticLabels );

						label.name = 'label';
						if ( useStaticLabels ) {
							label.rotation.set( rotation.x, rotation.y, rotation.z );
						} else {
							label.material.rotation = rotation.y;
						}

						result.push( label );

						/* landmark y*/
						landmark = new F3D.Cylinder(
							new F3D.Vector3( 0, coords[i], 0 ),
							new F3D.Vector3( 10, coords[i], 0 ),
							color, 1 );
						landmark.position.y = coords[i];
						result.push( landmark );
						if ( config.mirrorTicklines ) {
							landmark = landmark.clone();
							landmark.position.x = scale.x - 5;
							result.push( landmark );
						}

						if( config.raster.yx.show){
							var rasterYX = new F3D.Cylinder(
								new F3D.Vector3( 0, coords[i], 0 ),
								new F3D.Vector3( scale.x, coords[i] , 0 ),
								color, 1 );
							rasterYX.position.y = coords[i];
							rasterYX.material.transparent = true;
							rasterYX.material.opacity = config.raster.yx.opacity;
							result.push( rasterYX );
						}
						if( config.raster.yz.show){
							var rasterYZ = new F3D.Cylinder(
								new F3D.Vector3( coords[i], 0, 0 ),
								new F3D.Vector3( coords[i], 0, scale.z ),
								color, 1 );
							rasterYZ.position.y = coords[i];
							rasterYZ.material.transparent = true;
							rasterYZ.material.opacity = config.raster.yz.opacity;
							result.push( rasterYZ );
						}
					}
				}
			}
			return result;
		};
		F3DAxes.createTickLabelsZ = function ( tick, config, borders, scale, labels, positions ) {

			"use strict";
			var result = [];
			var color = config.color || '#000000';
			var labelWidth = 0;
			var labelHeight = parseInt( config.fontSize ) + 20;
			var nicePosObject, nicePosArray, scaler, landmark;
			var coords;

			var customOffset = config.offset.z;
			var useStaticLabels = config.orientation === 'static';
			var rotation = {
				x: config.rotationZ.x * Math.PI / 180,
				y: config.rotationZ.y * Math.PI / 180,
				z: config.rotationZ.z * Math.PI / 180
			};

			/* z-labels*/
			if ( scale.z > 0 ) {
				if ( config.numUnits.z > 0 ) {
					nicePosObject = tick.search( borders.zMin, borders.zMax, config.numUnits.z );
					nicePosObject.mantissa( config.mantissa.z );
					nicePosArray = nicePosObject.toArray();
					scaler = UTILS.scale();
					scaler.range( [0, scale.z] );
					scaler.domain( [nicePosObject.min, nicePosObject.max] );
					if ( positions ) {
						coords = scaler.linear( positions );
					} else {
						coords = scaler.linear( nicePosArray );
					}
					var text, label;
					for ( var i = 0, len = coords.length; i < len; ++i ) {
						text = this.getLabelByIndex( i, nicePosArray, labels, config.mantissa.z );
						labelWidth = ( text.toString().length * (config.fontSize / 2) ) + 5;
						/* label z*/
						label = F3D.createLabel( text,
							{
								x: -labelWidth / 2 +customOffset,
								y: -labelHeight / 2 ,
								z: coords[i]
							}, labelWidth, labelHeight, color, config.fontSize, useStaticLabels );

						label.name = 'label';
						if ( useStaticLabels ) {
							label.rotation.set( rotation.x, rotation.y, rotation.z );
						} else {
							label.material.rotation = rotation.y;
						}

						result.push( label );
						/* landmark z*/
						landmark = new F3D.Cylinder(
							new F3D.Vector3( 0, 0, coords[i] ),
							new F3D.Vector3( 10, 0, coords[i] ),
							color, 1 );
						landmark.position.z = coords[i];
						result.push( landmark );
						if ( config.mirrorTicklines ) {
							landmark = landmark.clone();
							landmark.position.x = scale.x - 5;
							result.push( landmark );
						}

						if( config.raster.zx.show){
							var rasterZX = new F3D.Cylinder(
								new F3D.Vector3( 0, 0,coords[i] ),
								new F3D.Vector3( scale.x, 0, coords[i] ),
								color, 1 );
							rasterZX.position.z = coords[i];
							rasterZX.material.transparent = true;
							rasterZX.material.opacity = config.raster.zx.opacity;
							result.push( rasterZX );
						}
						if( config.raster.zy.show){
							var rasterZY = new F3D.Cylinder(
								new F3D.Vector3( 0, 0,coords[i] ),
								new F3D.Vector3( 0, scale.y, coords[i] ),
								color, 1 );
							rasterZY.position.z = coords[i];
							rasterZY.material.transparent = true;
							rasterZY.material.opacity = config.raster.zy.opacity;
							result.push( rasterZY );
						}
					}
				}

			}
			return result;
		};

		F3DAxes.createCustomLabels = function ( config, env, color ) {
			var result = [], label, dim,
				fontSize = parseInt( config.fontSize ) + 10;
			/* x-label */
			if ( env.scale.x > 0 ) {
				label = F3D.createText( config.labels.x,
					{
						color: color,
						size : fontSize
					} );
				dim = F3D.getGeometryDimensions( label.geometry );
				label.position.set( (env.scale.x / 2) - dim.width / 2, -dim.height * 3, -dim.height * 2 );
				result.push( label );
			}
			/* y-label */
			if ( env.scale.y > 0 ) {
				label = F3D.createText( config.labels.y,
					{
						color: color,
						size : fontSize
					} );
				dim = F3D.getGeometryDimensions( label.geometry );
				label.position.set( -dim.height * 2, (env.scale.y / 2) - dim.width / 2, -dim.height * 2 );
				// label.rotateY(-45*Math.PI / 180);
				label.rotateZ( 90 * Math.PI / 180 );
				result.push( label );
			}
			/* z-label */
			if ( env.scale.z > 0 ) {
				label = F3D.createText( config.labels.z,
					{
						color: color,
						size : fontSize
					} );

				dim = F3D.getGeometryDimensions( label.geometry );
				label.position.set( -dim.height * 2, 0, (env.scale.z / 2) + dim.width / 2 );
				result.push( label );

			}
			return result;
		};
		F3DAxes.createHeatmap = function ( axesConfig, scale, heatmapConfig ) {
			if(!heatmapConfig){
				return false;
			}
			var heatmapWidth = 10;
			var offset = 0;
			var heatmap = new F3D.Cylinder(
				new F3D.Vector3( scale.x, 0, 0 ),
				new F3D.Vector3( scale.x, scale.y, 0 ),
				'#ffffff',
				heatmapWidth );
			var xPos = parseInt( scale.x ) + 10;
			var yPos = parseInt( scale.y );

			var labelHeight = parseInt( axesConfig.fontSize ) + 10;
			var hmStart = new F3D.Color( '#' + heatmapConfig.spectrum.from );
			var hmEnd = new F3D.Color( '#' + heatmapConfig.spectrum.to );
			var colors = heatmap.geometry.colors;

			for ( var i = 0, len = heatmap.geometry.vertices.length; i < len; ++i ) {
				if ( i < len / 2 ) {
					heatmap.geometry.colors[i] = hmStart;
				} else {
					heatmap.geometry.colors[i] = hmEnd;
				}
			}
			var faceIndices = ['a', 'b', 'c', 'd'];
			var vertexIndex, numberOfSides;
			for ( var i = 0, len = heatmap.geometry.faces.length; i < len; ++i ) {
				face = heatmap.geometry.faces[i];
				numberOfSides = (face instanceof F3D.Face3) ? 3 : 4;
				for ( var j = 0; j < numberOfSides; j++ ) {
					vertexIndex = face[faceIndices[j]];
					face.vertexColors[j] = heatmap.geometry.colors[vertexIndex];
				}
			}
			heatmap.geometry.dynamic = true;
			heatmap.geometry.verticesNeedUpdate = true;
			heatmap.geometry.colorsNeedUpdate = true;
			heatmap.geometry.buffersNeedUpdate = true;

			/*createLabel: text, x, y, z, w, h,color, fontSize*/
			var lwFrom = heatmapConfig.numberRange.from.toString().length * (axesConfig.fontSize / 2);
			var lwTo = heatmapConfig.numberRange.to.toString().length * (axesConfig.fontSize / 2);
			var labelWidth = lwTo > lwFrom ? lwTo : lwFrom;
			labelWidth = labelWidth < 30 ? 30 : labelWidth;
			/* minimal padding to avoid overlap*/

			var labelFrom = F3D.createLabel(
				heatmapConfig.numberRange.from,
				{
					x: offset + heatmapWidth + labelWidth / 2,
					y: 0,
					z: 0
				},
				labelWidth,
				labelHeight,
				'#' + heatmapConfig.spectrum.from,
				axesConfig.fontSize,
				true );

			var labelTo = F3D.createLabel(
				offset + heatmapConfig.numberRange.to,
				{
					x: heatmapWidth + labelWidth / 2,
					y: yPos,
					z: 0
				},
				labelWidth,
				labelHeight,
				'#' + heatmapConfig.spectrum.to,
				axesConfig.fontSize,
				true );

			var group = new THREE.Object3D();
			group.add( heatmap );
			group.add( labelFrom );
			group.add( labelTo );

			return [group, (offset + labelWidth + heatmapWidth + 10)];
		};
		F3DAxes.createCanvas = function ( text, width, height, angle ) {
			var canvas = document.createElement( 'canvas' );
			var PIXEL_RATIO = (function ( ctx ) {
				var dpr = window.devicePixelRatio || 1,
					bsr = ctx.webkitBackingStorePixelRatio ||
						ctx.mozBackingStorePixelRatio ||
						ctx.msBackingStorePixelRatio ||
						ctx.oBackingStorePixelRatio ||
						ctx.backingStorePixelRatio || 1;

				return dpr / bsr;
			})( canvas );

			var context = canvas.getContext( '2d' );
			var metric = context.measureText( text );
			canvas.width = width;
			canvas.height = height;

			var tx = width / 2;
			var ty = height / 2;
			context.translate( tx, ty );
			context.rotate( angle );

			context.textBaseline = "middle";
			context.textAlign = "center";
			context.font = "16px Verdana";
			context.fillStyle = "#ffffff";
			var ctext = text.split( "" ).join( String.fromCharCode( 8202 ) );
			context.fillText( ctext, 0, 0 );
			context.translate( -tx, -ty );
			context.setTransform( PIXEL_RATIO, 0, 0, PIXEL_RATIO, 0, 0 );
		};
		F3DAxes.createLabel = function ( text, coord, w, h, color, fontSize, staticLabel ) {

			var c = typeof color == 'undefined' ? "rgba(0, 0, 0, 0.5)" : color;
			var fs = typeof fontSize == 'undefined' ? defaultFontSize : fontSize;
			staticLabel = staticLabel === undefined ? false : staticLabel;

			var canvas = document.createElement( 'canvas' );
			var context = canvas.getContext( '2d' );

			canvas.width = w + 10;
			canvas.height = h;

			context.textBaseline = 'middle';
			context.font = fs + "px Arial";
			context.fillStyle = c;
			context.fillText( text, 0, fs );

			var label;
			if ( staticLabel ) {
				label = new F3D.StaticLabel( canvas, w, h );
			} else {
				label = new F3D.DynamicLabel( canvas, w, h );
			}
			label.position.set( coord.x, coord.y, coord.z );

			return label;
			/*
			 var label = F3D.createText(text,{
			 size : fontSize,
			 color : color
			 });
			 label.geometry.computeBoundingBox();
			 var box = label.geometry.boundingBox;

			 var center = {
			 x : (box.max.x - box.min.x)/2,
			 y : (box.max.y - box.min.y)/2,
			 z : (box.max.z - box.min.z)/2
			 };
			 label.position.set(coord.x + center.x , coord.y + center.y  , coord.z + center.x );
			 label.geometry.applyMatrix(new THREE.Matrix4().makeTranslation( -center.x, -center.y, -center.z ) );

			 return label;
			 */

		};
		F3DAxes.AxesCubeXYZ = function ( env, color, size ) {
			return new F3D.Cube( env.scale.x, env.scale.y, env.scale.z, color, size );
		};
		F3DAxes.AxesXYZ = function ( env, color, size ) {
			var axes = new THREE.Object3D();
			var lineX = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( env.scale.x, 0, 0 ), color );
			var lineY = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( 0, env.scale.y, 0 ), color );
			var lineZ = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( 0, 0, env.scale.z ), color );

			var landmark;
			var landmark_len = 14;
			var lineAlongX = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( landmark_len, 0, 0 ),
				color, 1 );
			var lineAlongY = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, landmark_len, 0 ),
				color, 1 );
			var lineAlongZ = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, 0, landmark_len ),
				color, 1 );

			axes.add( lineX );
			axes.add( lineY );
			axes.add( lineZ );

			return axes;
		};
		F3DAxes.AxesXYZArrows = function ( env, color, size ) {
			var landmark;
			var landmark_len = 20;
			var axes = F3DAxes.AxesXYZ( env, color, size );

			var coneX = new F3D.Cone(
				new F3D.Vector3( env.scale.x + landmark_len, 0, 0 ),
				new F3D.Vector3( env.scale.x, 0, 0 ),
				color, 10 );
			coneX.position.x = env.scale.x + (landmark_len / 2);
			var coneY = new F3D.Cone(
				new F3D.Vector3( 0, env.scale.y + landmark_len, 0 ),
				new F3D.Vector3( 0, env.scale.y, 0 ),
				color, 10 );
			coneY.position.y = env.scale.y + (landmark_len / 2);
			var coneZ = new F3D.Cone(
				new F3D.Vector3( 0, 0, env.scale.z + landmark_len ),
				new F3D.Vector3( 0, 0, env.scale.z ),
				color, 10 );
			coneZ.position.z = env.scale.z + (landmark_len / 2);

			axes.add( coneX );
			axes.add( coneY );
			axes.add( coneZ );

			return axes;
		};
		F3DAxes.IndicatorsXYZ = function ( env, color, size ) {
			var axes = new THREE.Object3D();
			var landmark;
			var landmark_len = 14;
			var lineAlongX = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( landmark_len, 0, 0 ),
				color, 1 );
			var lineAlongY = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, landmark_len, 0 ),
				color, 1 );
			var lineAlongZ = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, 0, landmark_len ),
				color, 1 );
			size = 1;
			/* marker X */
			landmark = lineAlongX.clone();
			landmark.position.x = 0 + ( landmark_len / 2);
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = 0;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = 0;
			axes.add( landmark );

			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			axes.add( landmark );

			/* marker Y */
			landmark = lineAlongX.clone();
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.y = env.scale.y;
			axes.add( landmark );

			/* marker Z */
			landmark = lineAlongX.clone();
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );
			/* marker XY */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			/* marker XZ */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );
			/* marker YZ */
			landmark = lineAlongX.clone();
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );
			/* marker XYZ */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			return axes.add( landmark );
		};
		F3DAxes.AxesAndIndicatorsXYZ = function ( env, color, size ) {
			var axes = new THREE.Object3D();
			var lineX = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( env.scale.x, 0, 0 ), color );
			var lineY = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( 0, env.scale.y, 0 ), color );
			var lineZ = new F3D.Cylinder( new THREE.Vector3( 0, 0, 0 ), new THREE.Vector3( 0, 0, env.scale.z ), color );

			var landmark;
			var landmark_len = 14;
			var lineAlongX = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( landmark_len, 0, 0 ),
				color, 1 );
			var lineAlongY = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, landmark_len, 0 ),
				color, 1 );
			var lineAlongZ = new F3D.Cylinder(
				new F3D.Vector3( 0, 0, 0 ),
				new F3D.Vector3( 0, 0, landmark_len ),
				color, 1 );
			size = 1;
			/* marker X */
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			axes.add( landmark );
			/* marker Y */
			landmark = lineAlongX.clone();
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			/* marker Z */
			landmark = lineAlongX.clone();
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			/* marker XY */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y;
			axes.add( landmark );
			/* marker XZ */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );
			/* marker YZ */
			landmark = lineAlongX.clone();
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );
			/* marker XYZ */
			landmark = lineAlongX.clone();
			landmark.position.x = env.scale.x - ( landmark_len / 2);
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongY.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y - ( landmark_len / 2);
			landmark.position.z = env.scale.z;
			axes.add( landmark );
			landmark = lineAlongZ.clone();
			landmark.position.x = env.scale.x;
			landmark.position.y = env.scale.y;
			landmark.position.z = env.scale.z - ( landmark_len / 2);
			axes.add( landmark );

			axes.add( lineX );
			axes.add( lineY );
			axes.add( lineZ );

			return axes;
		};

		return F3DAxes;
	} );

redpajama_set_name: RedPajamaGithub


The following is the current list of faculty that Redding College has to offer to both client colleges and universities as well as to individual students.
Dr. Durr, is Vice President for Business Development with OnLine Training, Inc., President of Redding College, and an Adjunct Professor for Palm Beach Atlantic University and Florida Atlantic University. He received his Doctor of Education in Educational Leadership form Florida Atlantic University, Boca Raton,FL, with a dissertation on Readiness for Self-Directed Learning in Industry. Additionally, he received his Master of Science degree in Management Science and Bachelor of Science degree in Social Sciences from the State University of New York, Binghamton, NY, and Utica/Rome, NY, respectively.
Gene has taught at Edison College, FL, Columbus State College, OH, and taught and worked in Research and Development for various businesses. He holds certifications in Systems Analysis, Database Management, Networking and Telecom, and Project Management.
Lillian is a highly sought-after speaker, trainer, coach and author whose workshops and dynamic presentations on the essentials of business networking and communicating effectively are transformational. She is at ease with CEOs and administrative assistants. She's equally at ease with inspirational keynotes, workshops, inhouse training, entertaining luncheon or dinner talks and skills coaching.
Lillian is a networking expert, and business networking authority. She is co-founder of the Greater Chicago Networking Extravaganza, the premier networking event that brings together city and suburban entrepreneurs and larger businesses in the Chicago area. Lillian's books, online courses, and other materials are essential components for those striving for excellence in business networking and communication skills.
She is a graduate of the University of Missouri School of Journalism. Her Fortune 100 experience includes 11 years at AT&T where she coached top executives in communication and media relations skills. She is on the board of the National Speakers Association-Illinois chapter, an instructor in North Central College's Community Development program, a founding member of the Relationship Networking Industry Association and co-founder of Cornucopia, a Chicago-area woman's organization.
Lillian was named one of the Great Women of the 21st Century, an Influential Woman in Business and is listed in more than a dozen Who's Who.
Has taught college level math, physics and astronomy at Bronx Community College and Edison Community College, and served as the Director of the Computer Center for the Fashion Institute of Technology where he taught students, faculty and staff in both general computer systems and more specialized programming languages.
Celebrating twenty years experience as a Career Coach and Personnel Consultant, Ms. Gorga has contagious enthusiasm. Trained (Business, Personal & Corporate Coaching) by the company who trains some of the best coaches in the world, including Cheryl Richardson, coupled with her ability to hear between the lines, is what truly sets her apart!
Start-up entrepreneur without one cent to nearly a quarter of a million dollars year one in her company CAREER OPTIONS. Through personnel placement & recruiting, business, personal and career coaching, she has helped people define and secure the job and career of their choice and dreams! This is where the depth of her knowledge started. Professionals & Executives have benefited in beginning, intermediate and advanced career transition, including industries such as: Accounting / Finance, Building & Development, Design, Engineering, Education, Law, Healthcare, Staffing/H.R., Information Technology and more! This means her knowledge runs deep and broad. Ms. Gorga has had the opportunity to hear the whys and why nots of why things worked and did not work from hiring heads to those in particular positions.
After 20 years of owning CAREER OPTIONS personnel placement & recruiting and coaching company, she branched out into teaching, writing and creating programs for adult learners. Ms. Gorga also taught Microsoft Office and launched an Administrative Assistant Program at Walker Technology Institute, Naples, FL.
Dr. Heltsley has over 35 years experience in education. He received his Doctor of Education in Organizational Leadership with an emphasis in Higher Education from Nova Southeastern University, North Miami, Florida. He has a Master's in Public Administration from Florida Gulf Coast University, Ft. Myers, Florida and a bachelor's degree in both Criminal Justice and Public Administration from Carthage College in Kenosha, Wisconsin. Additionally, his first degree was an Associate of Arts degree in Police Science from Gateway Technical Institute, Kenosha, Wisconsin.
Warren developed a volunteer lead GED program for Racine County Jail in 1981 while working as Assistant Chief Security Officer in the jail. He also taught in the Police Science program at Gateway Technical Institute in the early 80's. Warren has taught at Florida Keys Community College while working there as the Continuing Education Coordinator. In 1994, he took the Continuing Education Coordinator position at Edison College where he developed relationships throughout the community. Warren has been an adjunct faculty with Barry University and has developed Bachelor's, Master's, and Doctoral level courses while teaching courses in Public Administration and Public Policy.
Dr. Lawrence has worked as an analyst/programmer and served as a Senior Member of the Technical Staff in Research & Development, as well as serving as adjunct faculty in colleges in Illinois and Missouri. He designed and successfully implemented the Global Internet Video Classroom (GIVC) Project between Chicago, IL and Cape Town, South Africa, and is a published author.
He received his Ph.D. from Capella University in Adult Education, a Master's degree in Adult Education form National Louis University, and a Bachelor of Science degree from North Central College.
Natalie Rodriguez has worked in the fields of education and health care. Rodriguez obtained her undergraduate degree with honors from the University of Miami in English and Comparative Religious Studies with the hopes of working in public education. She excelled professionally as an educator in public school and worked as an adjunct professor for Miami Dade College and Florida International University teaching courses for students needing preparation for college reading and writing. Later she took a sabbatical from public education and began a career as a psychiatric administrator for a health care organization and decided to deepen her understanding of the rules and regulations affecting patient care issues.
Natalie was accepted to Nova Southeastern University and graduated with a Masters in Health Law with a dual concentration on Risk Management and Regulatory Compliance. She was the only graduate student to pursue a dual degree in this program. Rodriguez enjoys working with people and has a personal love for learning.
In her spare time, Rodriguez is an artist, writer, teaches piano and performs vocally for various venues. She is married to Joseph Ferrone and currently lives in West Palm Beach, Florida with her husband and four children Trevor, Isiah, Nathaniel and Gianna.
Dr. Harvey J Weiss, Doctorate in Business Management, MS in Hospitality and Tourism, and BA in Social Science.
Dr. Weiss spent thirty five years in the Casino Hotel Industry as Director of Credit and Collections and also as Player Development Representative for the Tri State Area, NY, NJ and CT. He was also self employed running three divisions of his own corporation known as the Windsor Group which provided marketing for 21 Casino Hotels Domestically and Internationally, a national collection service and a printing corporation.
He has also been involved in owning his own catering corporation which out sources most of the work. As an educator in Florida Dr. Weiss has been a Vice President for Continuing Education, and a Dean of Academics.


text:
From National Beta Club to Campus Ministry, Seton Catholic students have an encouraging place to explore and launch a journey of self-discovery.
Our club programs are organized in a manner that allows students to take the lead organizing and implementing extra-curricular activities, as well as coordinating social events and service initiatives.
Art Club is open to all students of Seton Catholic, grades 6-12. Students work seasonally on arts and crafts projects, based upon their interests. A student may attend the art club project for fall, then skip the winter project if they wish or vice versa with the other seasons. Students attend based upon their interest in the topic and medium. Space is limited and seats are offered on a first-come, first-served basis. See Mrs. Cravin for more information.
Book Club allows students to read for . . . well, just the fun of it. Like anything else, practice makes perfect, and students who read more than they are required to will improve as readers. We will begin with short stories, and then the group will agree on a novel. The beauty for fun of reading is in the journey, but the payoff is immeasurable. See Ms. Beach for more information.
Seton Catholic School provides a loving Christian environment in which Christ's teachings are proclaimed and lived.
Campus Ministry is a faith-based club that meets to help plan liturgy and discuss faith-based issues. In Campus Ministry, students have a chance to explore their faith more deeply and learn to share their love for the Lord who loves them in a more real and daily manner. Campus Ministry is meant to complement the religious education which all Seton Students receive for four years. See Ms. Beach for more information.
A student-driven Campus Ministry Team helps to lead days of reflection for Advent and Lent and sponsors special events, such as class retreats, pro-life events, and service projects. School faculty members work with parish youth personnel to connect our students to the parish, diocesan, national, and international Catholic events.
All students are encouraged to become aware of the needs of others both within the school family and the broader community and to respond to others through the school service program. Seton Catholic School is a community permeated by a genuine family atmosphere where love for Christ and the joyful living of faith is the foundation for every aspect of life.
The chess club is available to all students interested in camaraderie, chess, learning problem-solving skills, and strategy.
Students play during lunch period several days a week. Our goal is to join the US Chess Federation and play in sanctioned events vs. other US Chess Federation schools. See Mr. Metzalar for more information.
Drama Club will be launching soon. We will be exploring plays and musicals that would be safe to perform in the COVID environment and beyond. Stay tuned for a day and time! See Ms. Hale for more information.
The Ecology Club is a student-driven club that promotes conservation, recycling, "going green," and environmental activism. A Carolina Fence Garden and a Rain Garden are two of the future projects being considered. As a result of work on a Cross Country/Ecology trail in our woods, specimen plantings are being considered to enhance a student's learning experience. Our students also have a different environment to relax in and relieve stress. All are welcome. See Mr. Poland for more information.
National Beta Club
The National Senior Beta Club is a leadership-service club whose purpose is to encourage effort and reward merit, and to promote those qualities that make for good citizenship. The motto is "Let us lead by serving others." St. Elizabeth Ann Seton Catholic School extends membership invitations annually to students who earn a GPA of 3.0 or above and demonstrate leadership ability. Beta Club combines the great work students are already doing with high ideals and a service culture that stems both from the DNA of our school mission and the nature of the Catholic faith. The highlight of the Beta Year is the State Convention in February which allows students to compete against other Beta members from our state in academic competitions and elect state officers. See Mr. Tomasko for more information.
SEASHS has launched a National Honor Society. A faculty advisory board has been created and is working on criteria for students to be invited for membership. Juniors and seniors are considered. Membership in the National Honor Society is aforethought to be an important qualification for college acceptance. See Mr. Poland for more information.
The St. Elizabeth Ann Seton Catholic School Table Tennis Club is open to players of all skill levels, whether you are a beginner, have some experience, or are an advanced player. All of those within the Seton community have the opportunity to compete recreationally or in more advanced competitions. Whether you are a seasoned player, or someone looking to improve or explore a new sport, table tennis provides opportunities for sportsmanship, fellowship, civility, fair play, and cooperation. We invite you to explore our club today! See Mr. Malone for more information.
Seton's very own Rock Band is underway, practicing on Mondays and Thursdays after school until 4:30. Rock Band practices mostly Heavy Metal. If you are interested in Rock Band, or Classic Rock or Pop Band, see Mrs. Hale for more information.
The Student councils offers a representative structure for students to become involved in the affairs of the school and work in partnership with school administration, faculty, and parents for the benefit of the school and its students. Student Council shares students' ideas, interests, and concerns with faculty and administration. They also help raise funds for schoolwide activities, including social events, community projects, helping people in need, and school reform. Student Council runs food drives, fundraisers and dances. See Mrs. Cravin for more information

redpajama_set_name: RedPajamaCommonCrawl


Verdict is a revolutionary interactive web series that combines Law & Order with a touch of American Idol: YOU, the real audience, is the jury – voting on an accused's guilt or innocence – and influencing the outcome of every episode.
In this fascinating alternate world, a population fed up with out-of-control crime revolts and demands change, and so the country's justice system is radically transformed: cases are now literally tried in the court of public opinion. The highest-profile cases are aired live on Verdict TV, a 24-hour station run by the people, for the people. Citizens watch with fervor, listen to witnesses and examine the evidence … and then, they vote: guilty or not guilty. Through cell phones, computers, iPads and PEDs, justice now rests in the hands of the general public.
Shooting Stars – The Tony Canavarro Criminal Negligence Trial – Verdict.


These are 150mm (6") long jumper wires with male connectors on both ends. Use these to jumper from any female header on any board, to any other female header. Combine these with our female to female jumpers to create a male to female jumper. Multiple jumpers can be connected next to one another on a 0.1" header. Comes in one pack of 20 jumpers (colors shown). Each group of jumpers are connected to each other and can either be pulled apart in any quantity (from 1-20, of course) or kept whole based on you needs.
These jumper wires can be used for pretty much everything! They work great with breadboards, Arduinos, and really any 0.1" pitch prototyping board.


text:
carnevalemanfredonia.it » Different » Constructing Stories, Telling Tales: A Guide to Formulation in Applied Psychology
eBook Constructing Stories, Telling Tales: A Guide to Formulation in Applied Psychology download
by Sarah Corrie
Sarah Corrie Social Sciences English
Author: Sarah Corrie
Publisher: Routledge; 1 edition (December 31, 2010)
Other formats: lit txt lrf doc
Category: Different
Subcategory: Social Sciences
Sarah Corrie is a Chartered Psychologist and Registered Clinical Psychologist. She received her undergraduate degree in Psychology and Counselling Psychology from the University of Surrey.
Sarah Corrie is a Chartered Psychologist and Registered Clinical Psychologist. Recipient of the Professors Newstead and Gale Prize in recognition of 'an exceptionally high standard of attainment in examination and course work', she then went on to obtain her doctorate in clinical psychology with Canterbury Christchurch College before completing her post-doctoral training in cognitive behaviour therapy at the University of Oxford.
Constructing Stories, Telling Tales book. Goodreads helps you keep track of books you want to read. Start by marking Constructing Stories, Telling Tales: A Guide to Formulation in Applied Psychology as Want to Read: Want to Read savin. ant to Read.
Corrie, . Lane, D. (2010). Constructing Stories, Telling Tales
Corrie, . Constructing Stories, Telling Tales. Instead this book sets out to explore the challenging complexity of psychological formulation. By drawing on a wide range of sources from psychology and the arts the authors find ways to honour the stories clients tell yet offer key psychological insights to facilitate change. They provide a clear guide to enable the reader to think about the purpose of their work with clients, the perspectives which inform it and the process used to ensure effective outcomes.
Instead this book sets out to explore the challenging complexity of psychological formulation. The book will enable all practitioners (whatever the stage of their career) who need to work with client stories to find new ways to enhance their practice.
Sarah Corrie, David A. Lane.
Find many great new & used options and get the best deals for Constructing Stories, Telling Tales: A Guide to. .
Constructing Stories, Telling Tales A Guide to Formulation in Applied Psychology by Sarah Corrie 9781855756427 (Paperback, 2010) Delivery UK delivery is usually within 8 to 10 working days. Read full description.
Case formulations (CF) have been the cornerstone of effective practice in clinical psychology since the 1950s and . Corrie S, Lane DA. Constructing stories, telling tales: a guide to formulation in applied psychology. London: Karnac; 2010.
Case formulations (CF) have been the cornerstone of effective practice in clinical psychology since the 1950s and now form one of the core competencies i.
No commitment, cancel anytime.
In book: Constructing Stories, Telling Tales, p. 39-258. I would argue that evidence , while having the potential to guide our interactions in coaching, is primarily a currency professionals use to tell stories about what has happened in their work
In book: Constructing Stories, Telling Tales, p. Cite this publication. I would argue that evidence , while having the potential to guide our interactions in coaching, is primarily a currency professionals use to tell stories about what has happened in their work. The challenge arises when we try to play forward these retrospectives with any certainty in subsequent situations.
Formulation remains one of the most important activities that those using psychological approaches undertake as part of their work. Arguably, however, formulation is an activity that remains poorly understood
Formulation remains one of the most important activities that those using psychological approaches undertake as part of their work. Arguably, however, formulation is an activity that remains poorly understood.
Formulation remains one of the most important activities that those using psychological approaches undertake as part of their work. Arguably, however, formulation is an activity that remains poorly understood. In a current climate demanding quick fix solutions there is a tendency, which the authors refuse, towards over-simplification. Instead this book sets out to explore the challenging complexity of psychological formulation. By drawing on a wide range of sources from psychology and the arts the authors find ways to honour the stories clients tell yet offer key psychological insights to facilitate change. They provide a clear guide to enable the reader to think about the purpose of their work with clients, the perspectives which inform it and the process used to ensure effective outcomes. The chapters, supported by exercises on key issues, examine key debates on the role of formulation in professional practice, a framework for developing a systematic approach to formulation and a detailed account of the purpose, perspective and process of formulation.
Related to Constructing Stories, Telling Tales: A Guide to Formulation in Applied Psychology:
Coatings Formulation epub
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Strategic Management: Formulation, Implementation, and Control epub
The Sanibel report: Formulation of a comprehensive plan based on natural systems epub
Work Psychology: A European Perspective epub
Cognitive-Behavioral Case Formulation and Treatment Design: A Problem-Solving Approach epub
The Formulation of Irish Foreign Policy epub
Strategy and Policy: Analysis, Formulation and Implementation epub
Statistics in the Labor Market the Role in Planning and Policy Formulation (Lecture Notes in Statistics) epub
Science of Goal Formulation epub


text:
Q: How to remove duplicate devices in bluetooth connection using GKPeerPickerController in ios I want to connect two ios devices via bluetooth using GKPeerPickerController.
At the first time, it connects well but after that there is a problem in connction on can't connected.
There are duplicate devices listing in GKPeerPickerController alert while searching near by devices. Please help me.
I am using following code to search nearby devices via bluetooth.
#pragma mark - GameKit Peer Picker
-(void)startSearch { GKPeerPickerController *picker = [[GKPeerPickerController alloc] init]; picker.delegate = self; [picker show]; }

-(void)peerPickerControllerDidCancel:(GKPeerPickerController *)picker{picker.delegate = nil;}

-(GKSession *)peerPickerController:(GKPeerPickerController *)picker sessionForConnectionType:(GKPeerPickerConnectionType)type {
   NSString *sessionIDString = @"MTBluetoothSessionID";
  return [[GKSession alloc] initWithSessionID:sessionIDString displayName:nil sessionMode:GKSessionModePeer];
}

-(void)peerPickerController:(GKPeerPickerController *)picker didConnectPeer:(NSString *)peerID toSession:(GKSession *)session {}

redpajama_set_name: RedPajamaStackExchange


Mr. Schmolze has extensive litigation experience at the state and federal level in a wide range of practice areas including toxic tort/hazardous substances, commercial and residential landlord/tenant, products and premises liability, construction defect, insurance coverage, commercial, employment, workers compensation, contracts, personal injury and appellate matters.
Prior to joining McCullough Ginsberg Montano & Partners LLP, Mr. Schmolze served as the director of his former firm's multi-family real estate/property management division. Mr. Schmolze is a litigator whose career has taught him the importance of strong litigation strategic planning with a focus on client needs, whether that client is a large corporate entity or a small business.
Assists on the National Counsel Team overseeing thousands of matters in the MDL and asbestos litigation.
Represents property management companies providing advisory and litigation assistance concerning commercial and residential landlord/tenant issues in an efficient, cost effective manner.
Achieved numerous dismissals, favorable settlements and arbitration results for numerous defendants including liability insurance carriers, corporations and public entities.
Prepared and argued successful appellate briefs before the Appellate Division of the Superior Court of New Jersey.
Prepared successful brief involving a multi-million dollar complex insurance coverage dispute before the United States Court of Appeals, Second Circuit.
Defended property development/construction company in a multi-million dollar complex litigation matter involving construction defect, products liability and consumer fraud claims.


Maximize the effect of Polanti fragrance on your body.
Consider layering Polanti by using the same fragrance in various products. Start with shower and bath gel, then rub in body lotion or spray with a matching after bath spray. Apply last Polanti preferably as Perfume or Eau de Perfume.
Apply Polanti inside of your elbow, back of your knees, wrist, neck and cleavage. That's where the perfume stays warmer longer. Spray a little into the air and walk straight into it. This will diffuse it over your body. Apply Polanti on your lower body working your way up to the top.
Polanti Perfume vs Eau de Perfume vs Eau de Toilette vs Eau de Cologne.
Perfume consists of natural or synthetic fragrance oil extracts diluted in water or high-grade alcohol. The difference lays in the amount or concentration of oils in the fragrance. The higher the concentration of oils the longer the fragrance will last. Most designers like Polanti Parfums produce the whole line of fragrances.


Does the thought of speaking in front of a room full of people make you break out in a cold sweat? Do you lack confidence in communicating your ideas to others, or is your lack of confidence holding you back from achieving your career goals?
Creating confident and dynamic communicators for professional and personal success. We learn best by doing. Our workshops involve active, 'hands-on' practice and one to one coaching.
This hugely entertaining, yet profoundly informative book by Rena Cook is destined to be a hit with the high-school drama student.
The book explains the nuts and bolts of phonation, articulation, breathing, etc, in a very easy-to-follow and sensible way.
The book shows that if we can learn to breathe better, we may communicate better, act better, sing better, and feel better.
. It is inspiring, inviting and informing as it lays out a process for real and lasting change in how a woman expresses her ideas and opinions.


We are professional for writing FIN619 Final Project Finance on students request. If your project has been marked with "needs for improvement or fully work has been rejected then you need not to worry about your final project. We are here and offering our service in this regards. We provide quality of Fin619 final project at any stage.


Nothing I have ever done prepared me for Globetrotting and Jesters Flat…….
Enough time to marvel at what happened when seven women, unknown to one another arrived in a place unknown to any of them, and challenged themselves to a completely new experience.
doing 'their thing' at different parts of the week.
of His creation in all its glory.
Birds of remarkable colour and sounds more varied and sweeter than any music created by man.
Grasses, flowers, trees of every shape and hue – so many variations of blue, baby blue, dusky blue, egg shell blue, blue blue light blue; as many pinks as there are adjectives; every variation of white imaginable and then the yellows, oranges, purples, mauves, reds and every shade of green. Some tiny delicate plants last but a few hours and are as small as a finger nail, some stand bold and strong for hundreds of years, each a miracle of design and detail.
and not jar the eye.
I found a sky that brooded over us, kept us jacketed but honoured us all the same by not wetting us.
A sun that teased us, warming us intermittently and unexpectedly filtering through the forest or lighting up the fields and fields of yellow daisies, until finally it exposed itself totally to reveal a sky of such blue blue our eyes were opened to a world of promise; shining new growth on the trees, shimmering in the light, red clover stark and strong alongside the vines which ran so straight and neat beside us.
Kangaroos by the score looking at us as we looked at them, scampering away, with their young sometimes peeping at us from a snug pouch and at other times hopping alongside their mothers. Was there ever a stranger creature?
Cows always curious running up to stare at us, eyes luminous and vacant at the same time.
Sheep taking no notice of us at all.
All though, taking notice of the season, and dropping young as Spring arrives with That promise of new life.
And of course I found the horses.
The reason we were all here.
These four legged creatures; as strong as an ox and as gentle as a baby, as wild as it's possible to be and then again as submissive, as yielding as gentle as imaginable.
And all the while seven women share their stories, their dreams, their fears.
They offer encouragement, a helping hand, a laugh, a glass of wine, a smile.
They bond through a common love of horses and all that they experienced Through that love, in that place.
This was so lovely to read again!! All the memories have come flooding back! Oh to be back on a horse riding across the plains again!!
Next Next post: A Country…..


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Sergei Vasiliev's Photographs in the Russian Criminal Tattoo Encyclopaedia
November 5, 2010 in Documentary | Tags: Chelyabinsk, Danzig Baldaev, FUEL Designs, FUEL Publishing, KGB, Nizhny Tagil, Perm, Prison tattoo, Russia, Russian Criminal Tattoo Encyclopaedia, Sergei Vasiliev, St Petersburg, Tattoo | by petebrook | 3 comments
Sergei Vasiliev's photographs of Russian Criminal Tattoos are part of a three part encyclopaedia/archive on the subject. Vasiliev photographed between 1989 and 1993 in prisons and reform settlements across Chelyabinsk, Nizhny Tagil, Perm and St. Petersburg.
Vasiliev's portraits are accompanied by over 3,000 tattoo drawings made by Danzig Baldaev during his time as a prison guard between 1948 and 1986. Baldaev had supported of the KGB who used his illustrations to develop intelligence on the convict class.
Three volumes of the encyclopaedia have since been published by FUEL Designs:
" [The documentation of] Tattoos were Baldaev's gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society. The icons and tribal languages he documented are artful, distasteful, sexually explicit and provocative, reflecting as they do the lives and traditions of convicts."
"The accompanying photographs by Sergei Vasiliev act as an important counterpart to Baldaev's drawings, providing photographic evidence of their authenticity. […] In these images the nameless bodies of criminals act as both a text and mirror, reflecting and preserving the ever-changing folklore of the Russian criminal underworld."
Baldaev's drawings and Vasiliev's portraits are currently being exhibited at 4 Wilkes Street, London E1 6QF (30 October to 28 November 2010).
The Guardian has this review of the book/exhibition. More about Baldaev in particular at Design Observer.
Image gallery.
From FUEL Publishing are three video shorts [1], [2], [3] of the drawings and photographs.
More can be found on Vasiliev's work at Michael Hoppen Gallery, Saatchi online (images) and the PhotoEye book review.
Found via Eight:48.com
PREVIOUSLY ON PRISON PHOTOGRAPHY
I've posted before about prison tattoos:
Prison Tattoos and the Photographers' Intrigue
Klaus Pichler: Central European Prison Tattoos, Taxidermy and Beguiling Portraits of Odessans
Detached, formaldehyde-soaked, preserved, studied: The tattooed skin of Polish prisoners
Bob Gumpert on Foto8, on Prison Tattoo Codes
Sergei Vasiliev was born in 1937 in Chelyabinsk, Russia. After graduating from the MVD Academy, Moscow, he became a staff photographer for the newspaper 'Vecherny Chelyabinsk', where he has worked for the past thirty years. he has received many honours including International Master of Press Photography from the International Organization of Photo Journalists (Prague, 1985), Honoured Worker of Arts of Russia, and the Golden Eye Prize. His work has been exhibited internationally and is held in numerous museums' collections. He is author of more than twenty books, including 'Russian Beauty', (1996) and 'Zonen', (1994).
"Jails are a World to be Discovered"
October 2, 2009 in Activist Art, Amateur, Fine Art, Institutional, Interview, Rehabilitative | Tags: camps, Eastern Europe, El Salvador, France, Georgia, Guatamala, Ireland, Jim Casper, Juvenile Prison, Klavdij, Klavdij Sluban, Latvia, LensCulture, Moldavia, Moscow, Prison, Russia, Sluban, St Petersburg, Ukraine, Workshops | by petebrook | Leave a comment
Klavdij Sluban and Jim Casper of LensCulture talked about Klavdij's photography workshops in juvenile prisons across the world.
Early in the interview, Klavdij discloses his personal sadness that prisons exist. This emotion may be raw but it is not naive; Klavdij is balanced and realistic about what he can achieve with a camera in these specific distopias. He also says in seven words what I established this blog to say "Jails are a world to be discovered."
He went to the prisons not as photographer, but as a concerned citizen. He realised if he were to go inside it would need to be with some reciprocity … so he took cameras and used them.
In terms of engagement and commitment to a population – the youth prison population of the world – Klavdij Sluban could and should be considered a 'Concerned Photographer'. He deserves that loaded epithet.
Rogues Photo Gallery
September 29, 2009 in Amateur, Institutional, Press, Visual Feeds | Tags: Click!, Gallery, marvin heiferman, Mugshot galleries, sex offenders registry, SMith, Smithsonian Photography Initiative, SPI, St Petersburg, St Petersburg Times, Tampa Bay, TampaBay.com, tim padgett, weegee | by petebrook | 2 comments
Marvin Heiferman pointed me in the direction Tim Padgett's Time article about news outlets' adoption of Mug-shot galleries. Padgett remarks, "Mugshot galleries are increasingly popular features on newspaper websites, which are on a crusade for more page views and the advertising revenue that accompanies additional eyeballs."
The example offered is that of Mugshots at TampaBay.com of the St. Petersburg Times. The site even breaks down the prior sixty days of bookings into the age, height, weight and eye colour statistics of those arrested.
This exercise is as artless as one would think. The laziness of the filtering of information via an automated platform is matched by the disclaimer regarding mugshots' accompanying text.
The news group has recognised this and produced these ridiculous FAQ's in advance of those booked being disappointed … or worse, misrepresented.
I was arrested but cannot find my mug shot. What gives? Our goal is to provide a complete profile for individuals booked into jail in Pinellas, Hillsborough, Manatee and Pasco counties. A complete profile on Mug Shots constitutes: name, photograph, booking ID, height, weight, age, gender, eye color, birth date, booking date and booking charge.
The majority of arrest records from the county sheriff's sites have no problems, and we store them and make them available. However, on rare occasions, the photo we receive from the sheriff's office is flawed, or sometimes the site does not make a photo available. We skip the records that do not have photos attached. You can always search for an individual on the sheriff's site, but just because you were booked doesn't mean you'll necessarily show up on Mug Shots.
I was released and my record was cleared. Will you take down my mug shot? A sheriff's office Web site maintains publicly accessible arrest records regardless of the disposition of any particular case.One principle behind Mug Shots is to mirror the sheriff's office Web site policies closely. We provide links from every individual's profile page to the detail page at the corresponding sheriff's office site, which contains instructions about how to follow up on any particular case. Much like a county sheriff's office, there are very few instances in which we would remove a mug shot from the Web site.
Will you fix incorrect biographical information? What if the sheriff does? One guiding principle is to mirror the collective sheriff's office sites closely. However, sometimes the sheriff's office site contains a typo or another form of incorrect data. We don't alter the information that we gather. We do provide links from individual's profile page directly to their detail page at the corresponding sheriff's office site.
Continually-updated mugshot galleries continue a long tradition of crime-obsessed media and publics. They are the latest step toward the eradication-of-reason when interfacing with social transgression.
Internet "news" mugshot galleries now dominate a new, middle-ground of visual consumption; that wasteland lies somewhere between the dark pathology (and allure) of Weegee's world and the instant digital delivery of crime related stats (think Comp-Stat and the Sex Offenders Registry). They are bland.
These galleries are continuous, and unnecessary, visual feeds of societies' constructed "bogey-man".


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Sorry... Couldn't find it on your Facebook page. You might think about pinning a post to the top with details on pricing.
What's the cost to rebuild the cassette (I think it just needs new belts) and install the Bluetooth?
That's to buy a radio... I was wondering about pricing if I send him mine.


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Today's Stinque Endurance Test measures your ability to maintain composure in the face of increasingly challenging obstacles. How many facts can you withstand before cackling like a hyena?
Fact One:
In 1915, England's MI6 investigated methods of creating invisible ink.
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Following months of rigorous research at London University, it was determined that "the best invisible ink is semen."
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One advantage of semen over other candidates is that it was undetectable. The black light would not be invented until 1935.
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Another advantage is that a fresh supply was always at hand.
Fact Five:
A fresh supply was advised, since curdled semen tended to set off olfactory alarms.
Fact Six:
The MI6 chief at the time was Mansfield Cumming.
MI6 'used bodily fluids as invisible ink' [Telegraph UK, via Daring Fireball]
7:00 am • Thursday • September 23, 2010
After Which, the Store Will Be Ceremonially Closed When a Home Depot Opens at the Edge of Town Foreclose Them All, Let God Sort Them Out
Benedick Arnuldsson Manpants
Not at all surprising. Don't forget, they'd all been to public school and so, to quote Eliza, "knew the good of it."
Speaking of semen, 'Bishop' Long (stop sniggering up the back), found sending sessy self-pics to boy-toys. Hooray!!!!!!!!!!
Can Martin Ssempa be far behind?
Then what did Q stand for?
10:07 am • Thursday • September 23, 2010
Wing Commander Wanker of M.I.6.
Available to download at Google Books.
Chapter 1: Roddy Rubs One Out.
Wing-Commander Percy Wanker watched Lady Diana Chomondeley, in a smart navy tailor-made, thread her way through the tables at the Café Royal. In her hand was the tightly-rolled umbrella she always carried that concealed the long, thin blade that had got her out of more than one sticky situation in the past. Beside him his chum Roddy Spigot, red-faced and sweaty, was doing his best to rub one out.
"I say, old man, do hurry up."
"Crikey, Roddy, what's that in your hand?" Lady Diana queried as the waiter drew back her chair.
"It's one's penis, if you must know," Roddy breathed.
"Hasn't it turned a rather peculiar colour?" Lady Diana wanted to know.
"Roddy's been at it for ages. He's always been a bit of a slowcoach. He gave us all sprained wrists at Eton."
"I say, Roddy, can I help?" Lady Diana wanted to know as she unbuttoned her gloves.
"Just as soon have Percy if it's all the same to you, Di. It's more what I'm used to."
"Typical!" Lady Diana snorted, tossing her mass of auburn curls. "Just like my brothers. Always playing with each other instead of my friends. Mummy despairs of them ever getting engaged."
"Oh, good Lord, man, get your bally hand out the way," Wanker growled.
"Good heavens, it's enormous!" Lady Diana asserted. "None of my brothers has got one that big. It's a regular Nelson's Column. One's jaw hurts just looking at it."
"Never mind that, Di. Let's get down to business."
Percy grasped his old schoolchum's rigid member firmly and began to tug causing Capt. Roddy Spigot D.S.O. to slide down in his chair, his face turning beetroot.
"Takes a chap to do this right, don't you know."
"What's up, Wanker?" Lady Diana asked. "Why the urgent message?"
"Spot of bother with the Bosche."
"Oh not again!" Lady Diana wailed. "Oh really, it's too bad! One has tickets for the opera."
"They've got their eye on Wipers."
"What fiends!"
"I sent out four invisible messages this morning. Left me a bit raw round the edges."
"Goodness! I can only imagine."
"Now we've got to get a message to HQ in Amiens. Which is where you come in."
"Me?" Lady Diana asked. "I say, Roddy, this better be worth the wait."
"Oh, good Lord!" the handsome young Captain gasped.
"Just don't go hosing down the walls like last time," Percy admonished.
"Mummy, daddy, mummy, daddy, mummy, daddy…" Roddy gasped.
There was a sudden burst of activity under the table cloth as Roddy reached the point of no return.
"Oh how disgusting!"wailed Lady Diana. "You've cum all over my umbrella! Oh no! And my frock. Oh you really are too careless, Roddy."
"I say, old chap, good show! Watch out for the clotted cream. Splendid. There's enough there to rewrite Magna Carta."
"Runs in the family," Roddy said modestly, scooping up his emission into a bottle. "Pater's in his 70s and he can still hit the headboard."
"I say, how super!" Lady Diana enthused. "I'm simply gasping for a cuppa."
"Let's get that waiter chappie over." Percy said, "Cream cakes all round, I should think."
"Wizard!"
"I say, Percy, be a good chap and ask him for a fresh napkin. This one's stiff as a board."
"I don't know how I'm to explain these spots to mummy. Honestly, Roddy, it's too cross-making."
"Sorry, old thing."
"You should take more care. You boys are so beastly with your beastly penises. You could at least aim it away from one."
"I say, Roddy, pass the gazogene. A good squirt of soda-water should do the trick. Then let's tell Diana why she's here." He turned to Lady Diana, his square jaw set firm, his steely blue eyes showing no sign of emotion. "It could get dicey but there's no one else we can trust to get the message through." Turning to Roddy he added impatiently, "I say, old man, I do wish you'd put that thing away. We've got all the 'ink' we need."
"Ink," Diana mused, "so that's what you chaps call it these days."
@Benedick Arnuldsson Manpants: [golf claps]
I can't wait to read Chapter 2. Thank FSM that I was the first one in the office given I shrieked at "Watch out for the clotted cream. Splendid."
Hear, hear. I'm hoping for the appearance of the able-bodied seamen.
The cover of Metallica's 1996 album "Load" is an image of "Blood and Semen III" by Andres Serrano.
"It is one of three photographic studies by Andres Serrano created in 1990 by mingling the artist's own semen and bovine blood between two sheets of Plexiglas. The liner notes simply state 'Cover art by Andres Serrano' rather than listing the actual title of the work.
"In a 2009 interview with Classic Rock magazine, METALLICA guitarist/vocalist James Hetfield expressed his dislike of the album cover . . . " – blabbermouth.net
Songs on "Load" that are worth googling up and listening to:
Ain't My Bitch – your problems are not mine
2×4 – great hard blues-rock tune
Bleeding Me – pain, strength, renewal and the majesty of metal
Wasting My Hate – "I'm not gonna waste my hate on you. I'm gonna keep it all for myself."
12:44 pm • Thursday • September 23, 2010
@Benedick Arnuldsson Manpants: How will you block this for maximum audience arousal? And btw, I seriously would have given you the Stinque +1 for this except that you racked up a -1 with the link to photos of Bishop Musclehead.
1:59 pm • Thursday • September 23, 2010
@Benedick Arnuldsson Manpants: Tell me again why the opening number shouldn't feature Happy Villagers.
¡Andrew!
Using the (ahem) writing instrument must've been a real challenge, especially having to wait until after a nap to use it again.
@Benedick Arnuldsson Manpants:
Comment of a Lifetime. (bowing in awe of your genius)
"You boys are so beastly with your beastly penises. You could at least aim it away from one."
ADD: Or at least save it for the sauna.
@Benedick Arnuldsson Manpants: Chapter 2 tomorrow morning, mon?
Really, don't leave us hanging with Chapter 1, you need to give all of us a reason to wake up in the morning, though on more than one occasion "I wonder what Nojo put up for today's Morning Sedition" has forced me to actually get up (or roll over and pick up the iPhone off the nightstand).
6:15 am • Friday • September 24, 2010
@SanFranLefty: i read it on the "i" on line at the bank. waiting and cackling. you just cant read benedick in public.
also StinqueSport
i know you guys don't give a shit, so i comment about it now for miracles only. Dodgerblue has bested me and lefty TWICE in a ROW in our never-ending scrabble game. that has never happened in 2 years of constant play. and by the look of our new board, he's in position to make it THREE.
KUDOS to DODGER !!! outstanding play, sir!
Thanks all. Couple of notes. 'Wipers' is what the English (not to confuse noje but to distinguish from the British) called Ypres. I was doing something with the Youth Theatre once and we were put up at a boarding school out of term time. The dorms were all named after WWI battlefields, mine was Wipers.
The remark, "Oh how disgusting. You've cum all over my umbrella". Is attributed to John Gielgud who once, while 'taking a pause' while acting a play in the West End, is reported to have heard one audience member say that to another. Which is the reason he gave for never allowing pauses to happen in plays he was in. True? Who knows. But there is an Englishness about it that just feels right. As the bishop said to the actress. He was also famous for the time he took a particularly handsome young man he was 'dating' to one of Binkie Beaumont's famous house-parties at Knott's Foss where, instead of introducing the young man by his real name, Arthur, forgetfully he introduced by by the pet name he gave his penis, Arnold. No one could understand why 'Arnold' seemed quite so embarrassed all weekend.
Current events, and now noje's letter to the president, have depressed me so much I am reduced to jokey comments about the English and semen. Not that it isn't jolly useful for sticking down envelopes or mending broken crockery but still, not quite the thing one imagined a year ago.


text:
Home / Members / 1745
Ron Ousky
Collaborative Law Institute of Minnesota
Suite 550, Edinborough Corporate Center
http://www.ousky.com
ron@ousky.com
Divorce requires people to make some of the most important decisions in their lives at at time when they feel the least able to do so. I believe that, with the right tools, each client has the capacity to make decisions that will help them rebuild their lives and preserve their highest dreams. The most important part of my job is to help people identify their best alternatives and to create an environment that allows them to achieve their most important goals.
Area(s) of Practice: Collaborative Law, Family Law, Mediation, Trainer
University of St. Thomas, B.A. cum laude, 1979
Universityof Minnesota, J.D. cum laude 1982
Ron is one of the pioneers in Collaborative Practice and has served as President of the first Collaborative Law group in the world. He is also an international leader in the Collaborative Law movement, serving as a board member of the International Academy of Collaborative Professionals and as a co-chair of the International Public Education Committee. Ron is the founder of DivorceChoice.com and Family Matters, Ltd. and is a trainer, lecturer and author in the area of Collaborative Practice. Ron has been recognized as a Super Lawyer by Minneapolis Magazine and has been selected as one of Minnesota's top 40 professionals in the areas of alternate dispute resolution. <br>
Advanced Collaborative Law Training (MN Family Law Institute) 2012 2
Basic Collaborative Law Training--Dubuque, IA (June 2012) 2012 13
Basic Collaborative Law Training--Sioux City, IA (September) 2012 13
Basic Collaborative Law Training-May (Iowa) 2011 12
Basic Collaborative Law Training-November (Iowa) 2011 12
Advanced Interdisciplinary Trainings 2011 6
Basic Collaborative Law Training-April (Rome, Italy) 2010 16
Advanced Interdisciplinary Training 2010 4
Basic Collaborative Law Training (Iowa) 2010 12
Basic Collaborative Law Training-September (Rome, Italy) 2010 12
Basic Collaborative Law Training 2004 9
Intermediate Collaborative Law Training 2004 13


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Posts Tagged 'climate funding'
Missing the mark on climate change skepticism
Source: Wash Times
It's not about the money, it's about the science
By J. Scott Armstrong
During the past few weeks, a series of articles in the press have implied that Willie Soon, a well-known global-warming skeptic, had violated ethical standards by failing to disclose information about research funding.
Attacks on the integrity of global-warming skeptics are nothing new. As a co-author of two papers with Mr. Soon, I've been subjected to them myself. This time, however, the attacks have reached a feverish pitch. In addition, the government has gotten involved. Democratic Rep. Raul Grijalva of Arizona has requested information from seven universities about funding for research by global warming skeptics, while Democratic Sens. Barbara Boxer of California, Ed Markey of Massachusetts and Sheldon Whitehouse of Rhode Island asked for similar information from 100 corporations.
With respect to our papers, the press repeated innuendos that Mr. Soon received funds from Southern Co. He did not, which is a matter of public record. Other than salaries from our employers, Mr. Soon, co-author Kesten Green and I received no money for our two papers at issue. Interestingly, it is our impression that our employers believe in the "dangerous man-made global warming hypothesis." (more…)
Tags: climate funding, Scott Armstrong
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