§ 124-1 Enforcing agency established; qualifications.
§ 124-4 Waiver of construction fees for disabled persons.
Numbering of buildings — See Ch. 105.
Similarity of buildings — See Ch. 109.
Unfit buildings — See Ch. 113.
Fire prevention — See Ch. 169.
Flood hazard protection — See Ch. 175.
Housing and property maintenance — See Ch. 213.
New home buyers protection — See Ch. 253.
Rental property — See Ch. 315.
Swimming pools — See Ch. 367.
There is hereby established in the Township a State Uniform Construction Code enforcing agency to be known as the "Division of Construction Code Inspection and Enforcement," consisting of a Construction Official, Building Subcode Official, Plumbing Subcode Official, Electrical Subcode Official, Fire Protection Subcode Official, and such other subcode officials for such additional subcodes as the Commissioner of the Department of Community Affairs, State of New Jersey, shall hereafter adopt as part of the State Uniform Construction Code. The Construction Official shall be the Chief Administrator of the enforcing agency.
The Division of Construction Code Inspection and Enforcement, through the subcode officials and under the supervision of the Construction Official, shall conduct and administer such inspections and institute enforcement proceedings as are authorized by N.J.S.A. 52:27D-119 et seq., as amended, and N.J.A.C. 5:23-1 et seq., as amended.
Appeals of decisions of the Construction Official and appropriate subcode officials shall be heard by the Morris County Construction Board of Appeals.
Editor's Note: Former § 124-2, Inspection and enforcement, was repealed 12-20-2005 by Ord. No. 2005:31.
Editor's Note: Former § 124-3, Morris County Construction Board of Appeals, was repealed 12-20-2005 by Ord. No. 2005:31.
A disabled person, or a parent or a sibling of a disabled person, shall not be required to pay any municipal fee or charge in order to secure a construction permit for any construction, reconstruction, alteration or improvement which promotes accessibility to his own living unit.
For the purpose of applying this provision, a "disabled person" means a person who has the total and permanent inability to engage in any substantial gainful activity by reason of any medically determinable physical or mental impairment, including blindness, and shall include, but not be limited to, any resident of this state who is disabled pursuant to the Federal Social Security Act (42 U.S.C. § 416) or the Federal Railroad Retirement Act of 1974 (45 U.S.C. § 231 et seq.), or is rated as having a 60% disability or higher pursuant to any federal law administered by the United States Veterans' Act. For purposes of this definition, "blindness" means central visual acuity of 20/200 or less in the better eye with the use of a correcting lens. An eye which is accompanied by a limitation in the fields of vision such that the widest diameter of the visual field subtends an angle no greater than 20º shall be considered as having a central visual acuity of 20/200 or less.
Up to 500,000 cubic feet: $.045 per cubic foot.
Greater than 500,000 cubic feet: plus $.035 per cubic foot.
$250,001 to $500,000: plus $36/$1,000.
Greater than $500,000: plus $33/$1,000.
Group R-5 (flat fee): $85.
All other groups (cost of construction): $35/$1,000.
Spas and hot tubs: $75.
One hundred one to 200 square feet, less than 10 feet mean roof height, all groups: $50.
Greater than 200 square feet or higher than 10 feet mean roof height, all groups: $125.
Group R-5 (flat fee): $45.
Accessory structures and pools: $30.
All groups up to 2,000 gallons: $75.
All groups greater than 2,000 gallons: $125.
Up to 1,000 gallons: $75.
Greater than 1,000 gallons: $125.
Up to 1,000 gallons: $150.
Greater than 1,000 gallons: $300.
Group R-5 (flat fee): $35.
All other use groups (cost of construction): $26/$1,000.
Tent, without appurtenances, 901 square feet or larger or more than 30 feet in any dimension: $85.
Tent, with appurtenances, of any size: $85.
Construction trailer used for sales purposes: $150.
Construction trailer, other than sales trailer: $75.
Freestanding, monument signs up to 100 square feet: $150.
Freestanding, monument signs greater than 100 square feet: $225.
All other groups (cost of construction): $30/$1,000.
Towers, monopoles (including first cell array/antenna), antennas, associated equipment sheds (flat fee, each); no permit required for 12 feet or less in height, all groups: $400.
On all other structures: $400.
All other groups, roof mounted: $175.
All other groups, ground mounted with foundation: $250.
Group R-5 (flat fee): $50.
For all fixtures or devices, except those listed in Subsection B(2) hereafter, including but not limited to backflow preventers up to one inch, backwater valves, bathtubs, bidets, clothes washers, dishwashers, drinking fountains, floor drains, garbage disposals, floor sinks, hose bibbs, soda dispensing equipment, ice cream or yogurt makers, ice making equipment, kitchen sinks, laundry tubs, lavatories, shower stalls, slop sinks, vent stacks, roof/overflow drains, urinals, utensil washers, vacuum breakers, water closets and whirlpools (each): $25.
For special devices, including backflow preventers 1 1/4 inches and up, condensate pumps, dental chairs and related dental equipment, eyewashers, fixture ejector or pump, garbage can washers, grease traps, neutralizing devices, water softeners, humidifiers, oil recovery tanks, oil and sand interceptors, sewer ejectors, sump pumps, removing septic tanks or pits, emergency showers, spas, hot tubs, tankless heater, drip or safe pans, hose reels and indirect waste receptors (each): $65.
All oil or gas supply piping systems $50.
Each fixture or device: $30.
Solar hot water system: $150.
Hot water or steam baseboard or convector system: $50.
Heat pumps, unit heaters, hot water unit heaters: $30.
Air-conditioning, refrigeration and condensate systems, per unit: $50.
Visual and water test of domestic water systems: $65.
Visual and smoke test of sanitary plumbing: $65.
Visual and test of hot water or steam heating system: $65.
All new plumbing fixtures not factory installed: per schedule.
All other groups, manhole to manhole or connection: $75.
All other groups, or valve to valve: $100.
Group R-5, each connection: $25.
All other groups, each connection: $75.
Fee for any fixture, device or inspection not provided in this schedule: $50.
Up to five (5) dampers: $50.
More than 5, each additional damper: $2.
One to 25 heads: $75.
Twenty-six to 75 heads: $150.
Seventy-six to 200 heads: $350.
Two hundred one to 400 heads: $500.
More than 400 heads: $50 per 100 additional.
Two and one-half inches: $150.
Larger than eight inches: $600.
Each additional 100 feet: $50.
One to 10 devices: $50.
Eleven to 25 devices: $100.
Twenty-six to 100 devices: $250.
One hundred one to 200 devices: $500.
Over 200: $1 per each additional device.
Central fire control center: $1,000.
All other groups, fire alarm control panel, each: $75.
Atrium exhaust systems, each: $200.
Commercial kitchen hood system, each: $100.
Commercial kitchen hood suppression, each: $100.
Pre-engineered systems including carbon dioxide (CO2), foam, dry chemical, wet chemical or other chemical agents (except commercial kitchen hood systems): $100.
All other groups each: $50.
Fee for any permit item not provided in this schedule: $50.
One to 10 outlets: $45.
Each additional 15 outlets: $20.
Services up to 225 amps: $50.
Two hundred twenty-six amps to 400 amps: $105.
Over 401 to 1,000 amps: $160.
Aboveground pools, fountain, spa, etc.: $50.
Annual certification, public pools: $70.
Inspect power equipment for elevator: $60.
Outlet for unit of 30 kw or less: $25.
Each additional 30-kw unit or less: $10.
Outlet for unit 31 kw or greater: $50.
Each additional 31-kw unit or greater: $20.
Up to 30 hp or kw: $20.
Over 30 to 75 hp or kw: $45.
Over 75 to 100 hp or kw: $85.
Over 100 hp or kw: $275.
Up to 200 kw: $45.
Over 200 to 500 kw: $60.
Each additional device from six to 10: $10.
Each additional device over 10: $7.
Annunciator or control panel: $30.
Elevator subcode fees. The fees for elevator inspections, including new installations, alterations, repairs and ongoing inspections, are as indicated below. A certificate of compliance is required to be issued after each successful ongoing inspection.
The fee for a permit to install an elevator device shall be in accordance with N.J.A.C. 5:23-12.
The fee for inspection and witnessing of any test for an elevator, escalator, moving walk, dumbwaiter or other elevator device shall be as set forth in N.J.A.C. 5:23-12.
The fee for elevator or elevator device plan review shall be as set forth in N.J.A.C. 5:23-20.
The fee for plan review shall be 25% of the amount to be charged for the construction permit. Plan review fees are not refundable and may be required to be paid upon application.
Change of use, if no construction work proposed: $150.
Certificate of approval: no charge.
Certificate of compliance: no charge.
Temporary certificate of compliance: no charge.
Certificate of lead abatement: no charge.
Group R-5 (including all subcode inspections): $125.
Group R-1, one to 100 units, including common areas, per subcode: $400.
Group R-1, each rental unit more than 100 units, including common areas, per subcode, per unit: $3.50.
All other groups, per subcode: $500.
Group R-5, per subcode: $100.
All other groups, per subcode: $350.
After new subcode adopted and the grace period expired, plan review fee shall apply in accordance with this section.
Change in contractor, per subcode: $25.
New Jersey State permit surcharge fees shall be computed in accordance with N.J.A.C. 5:23-4.19 and shall be paid at the time of granting the permit.
As per N.J.S.A. 52:27D-126e and § 124-4 of the Code of the Township of Parsippany-Troy Hills, a disabled person or parent or sibling of a disabled person shall not be required to pay a fee for a Group R-5 construction permit to alter or improve handicap accessibility to the applicant's own living unit.


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text:
pub struct R(crate::R<MSIMASK_SPEC>);
impl core::ops::Deref for R {
    type Target = crate::R<MSIMASK_SPEC>;
    #[inline(always)]
    fn deref(&self) -> &Self::Target {
        &self.0
    }
}
impl From<crate::R<MSIMASK_SPEC>> for R {
    #[inline(always)]
    fn from(reader: crate::R<MSIMASK_SPEC>) -> Self {
        R(reader)
    }
}
#[doc = "Register `MSIMASK` writer"]
pub struct W(crate::W<MSIMASK_SPEC>);
impl core::ops::Deref for W {
    type Target = crate::W<MSIMASK_SPEC>;
    #[inline(always)]
    fn deref(&self) -> &Self::Target {
        &self.0
    }
}
impl core::ops::DerefMut for W {
    #[inline(always)]
    fn deref_mut(&mut self) -> &mut Self::Target {
        &mut self.0
    }
}
impl From<crate::W<MSIMASK_SPEC>> for W {
    #[inline(always)]
    fn from(writer: crate::W<MSIMASK_SPEC>) -> Self {
        W(writer)
    }
}
#[doc = "Field `IM` reader - Message Index Mask"]
pub struct IM_R(crate::FieldReader<u32, u32>);
impl IM_R {
    pub(crate) fn new(bits: u32) -> Self {
        IM_R(crate::FieldReader::new(bits))
    }
}
impl core::ops::Deref for IM_R {
    type Target = crate::FieldReader<u32, u32>;
    #[inline(always)]
    fn deref(&self) -> &Self::Target {
        &self.0
    }
}
#[doc = "Field `IM` writer - Message Index Mask"]
pub struct IM_W<'a> {
    w: &'a mut W,
}
impl<'a> IM_W<'a> {
    #[doc = r"Writes raw bits to the field"]
    #[inline(always)]
    pub unsafe fn bits(self, value: u32) -> &'a mut W {
        self.w.bits = (self.w.bits & !0xffff_ffff) | (value as u32 & 0xffff_ffff);
        self.w
    }
}
impl R {
    #[doc = "Bits 0:31 - Message Index Mask"]
    #[inline(always)]
    pub fn im(&self) -> IM_R {
        IM_R::new((self.bits & 0xffff_ffff) as u32)
    }
}
impl W {
    #[doc = "Bits 0:31 - Message Index Mask"]
    #[inline(always)]
    pub fn im(&mut self) -> IM_W {
        IM_W { w: self }
    }
    #[doc = "Writes raw bits to the register."]
    #[inline(always)]
    pub unsafe fn bits(&mut self, bits: u32) -> &mut Self {
        self.0.bits(bits);
        self
    }
}
#[doc = "Message Index Mask Register\n\nThis register you can [`read`](crate::generic::Reg::read), [`write_with_zero`](crate::generic::Reg::write_with_zero), [`reset`](crate::generic::Reg::reset), [`write`](crate::generic::Reg::write), [`modify`](crate::generic::Reg::modify). See [API](https://docs.rs/svd2rust/#read--modify--write-api).\n\nFor information about available fields see [msimask](index.html) module"]
pub struct MSIMASK_SPEC;
impl crate::RegisterSpec for MSIMASK_SPEC {
    type Ux = u32;
}
#[doc = "`read()` method returns [msimask::R](R) reader structure"]
impl crate::Readable for MSIMASK_SPEC {
    type Reader = R;
}
#[doc = "`write(|w| ..)` method takes [msimask::W](W) writer structure"]
impl crate::Writable for MSIMASK_SPEC {
    type Writer = W;
}
#[doc = "`reset()` method sets MSIMASK to value 0"]
impl crate::Resettable for MSIMASK_SPEC {
    #[inline(always)]
    fn reset_value() -> Self::Ux {
        0
    }
}

redpajama_set_name: RedPajamaGithub


text:
Journey to the Rainbow's End: Understanding the Perfectionist's Beliefs and Goals
Leon Garber, LMHC August 4, 2020 August 5, 2020 Uncategorized
In the recently released documentary, David Foster: Off the Record, David Foster's daughter noted that Foster, a prominent musical producer, was constantly searching for "that perfect something." And I thought it was a brilliant way to conclude it. Foster, a workaholic, spent most of life composing and producing phenomenal music; yet, his achievements consistently failed to engender a sense of wholeness. Somehow, they never felt final, and he never believed he was good enough.
Success, like an old film, is perceived on a black and white screen, with the hope of an ultimate happy ending. The validation at the end of the rainbow drives perfectionists to attempt to reconfigure their lives into an idyllic state, conceiving of pure happiness as a mere arm's reach away. The rags-to-riches story is an inspirational archetype utilized in history for both benignly motivational and nefarious ends: on the one hand, it can foster success; on the other, servitude. And, most of us, at one point or another, buy into it, as it presents a general blueprint for seemingly attainable goals; we simply have to try. But, what happens when our efforts and their outcomes don't typify Hollywood endings? How do we then cope?
My clients, the perfectionistic ones, often resort to massive alcohol consumption, wondering why they can't be smarter, more attractive, and more committed. They abuse alcohol to quiet their minds (and numb their feelings), which are relentless in their provision of reminders of everything they'll never have and be. Each achievement is followed by a disqualification, a "Yea, but…". In idealizing fame and wealth, essentially the upper class, and contrasting it to the lower classes and their apparent misery, they believe that, while most struggle, the special few are happy.
And, as significant, they believe that, due to their early struggles (and, often, unrelenting dedication), they deserve to experience ultimate joy and the financial security and status they believe that it entails. The thinking goes: I've felt so badly about myself for so long that I deserve to feel special. It's as though one, somehow, can offset the other, the future can compensate for the past, making one's suffering evade the trap of vanity. And those who've chronically worried about their financial well-being, sometimes, believe that they deserve to cease being concerned with their survival altogether.
On a quest for that perfect something, perfectionists seek material comfort, recognition of their specialness (and, sometimes, even suffering), to marry (or at least date) a highly attractive partner, and the guarantee that life will never revert back to the distressing early days. And, most importantly, the rainbow ends with the trophy of self-esteem. Finally, after the copious amount of suffering, the perfectionist can bask in the glow of his own approval.
At bottom, that perfect something is the ultimate validation that proves, without doubt, the specialness of the perfectionist. It's that mythical, final rung that precludes external, and thus internal, criticism, and tells one that she's arrived. You can call it heaven or ecstasy, but it's the secular state of grace in which the captive finally believes that he's good enough, for, before this point, being good enough and the best have merged into an inextricable whole.
The upside of this form of perfectionism is impossible to discount, as one can't concretely indicate that its benefits aren't real; it's like attempting to convince someone who struggles with Alcohol Use Disorder that alcohol isn't a joyful relaxer. Treatment is less about disqualifying the positive than it is about comparing the positive and negative aspects of both quitting and using to one another, and picking the better option.
My perfectionistic clients, some of them at least, believe in the rainbow's end in the same way in which Gatsby believed in the green light. And they often double-down when challenged. When you believe that your life is only full of suffering, it's difficult to dismiss your dream of heaven. Thus, like Gatsby, so many perfectionists refuse to open reality's door, pretending not to hear its knocks. They believe like he believed, and they continue to suffer exactly like he did.
Maybe the quest and the hope to reach its end sustains them, but is it ever worth the sacrifice? We can ask David Foster.
Depression, Growth, Mental Health, Mental Illness, Narcissism, Perfectionism, Personal Development, Success
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redpajama_set_name: RedPajamaCommonCrawl


text:
History of Vashon
Vashon in the Media
Elective Courses Department
Cross Country Boys and Girls
Tennis Boys and Girls
Community Education Center (CEC)
Anthony, Janell
Armour, Germaine
Arpadi, Ariel
Bigham, Janice
Bolden, Tanjila (Full Service Schools Coordinator)
Bowers, Gordon
Bowers, Lauren
Bush, Jelani - P.E., Health Education
Carter, Maura
Cody, Dr. Kenya
Cross, Makal - Math
Davidson, Patsy
Dillon, Melissa - Social Studies
Ellis, Gwendelyn
Feger, Michael
Fenner, Rachael
Genthon, Nicholas
Gibson, Michael
Goodwin, Suzanne
Harris, Lorenzo - Sergeant First Class
Holland, Sonda
Hurd, Natasha
Jackson, Gloria (Nurse)
Jefferson, Yvonne
Jennings, Timothy
Jordan, Alayzha
Keith Lyles - Database Scheduling Specialist
Mack, Shenetha - Librarian
McKee, Erin
Mense, Tracy
Mobley, Terrell
Owens, Camris
Owens, Shamonda
Reichardt, Kevin
Ruegg, Jeremy
Satchell, Allison
Singer, Zachary
Spearman, Dozie
Taylor, Stephen
Tucker, Nancy
Williams, Desmond.
Wright, Walter - Sergeant Major
JROTC Home Page
JROTC SY 2020 Photo Gallery
JROTC SY 2019 Photos Gallery
JROTC SY 2017 Video Gallery
VHS JROTC SY 2018 Calendar
Wolverines Battalion Newsletter
Wolverines Newsletter "The Movement" Aug 2020
Family & Community Specialist - Paula Lotts
STUDENT TECH SUPPORT TEAM
VASHON_STUDENT_DASHBOARD
A History of Vashon High School<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />
Late in the first quarter of the 20th Century, Sumner High School was the only high school, due to the laws of segregation, that African-American students could attend. Located just west of the Ville neighborhood, Sumner was suffering from severe overcrowding. It was also a high school that was a good distance from the growing Mill Creek Valley Area. In 1922, a group of diligent citizens called The Central School Patron Association, with Rev. George Stevens, and several other community alliances started plans for a second high school that would be built and designated for African-American students. It took several years, but finally they convinced the St. Louis Board of Education to build a new high school east of Grand Avenue.
A proud family dating back three generations gave their name to the new high school. It would be known as Vashon High School. It was the culmination of struggles and sacrifices made for the sake of education and dedicated to the importance of that education and the battles to secure both civil and human rights for African Americans. Specifically, it was named for George Boyer Vashon (1824-1878), the very first African-American graduate of Oberlin College (Ohio) in 1844 and his son, John B. Vashon (1854-1924), an outstanding educator in the City of St. Louis for over 34 years. Ground-breaking for the new high school was in 1925. On September 6, 1927, Vashon High School opened at 3026 Laclede Avenue, on budget ($1,180, 790) and on time.
The first principal of Vashon High School was James W. Meyers who served from its opening in 1927 until 1932. The first school news paper, The Herald, was published during his tenure. A faculty member, Otto Bohannan, was the composer of our school song Vashon We Love. The very first graduating class on January 24, 1928, was comprised of twenty young men and women. Vashalma, the very first yearbook came along in 1929, but the name was later changed to "The Wolverine", the school's mascot.
The class of 1931 was the first graduation of students who had attended Vashon High School for four complete years. For the next 36 years the students of Vashon established it as a premier educational institution, known for its academic curriculum as well as its athletic programs. Many students sharpened their talents, skills and abilities, becoming future educators, community leaders, politicians, clergymen, homemakers, professional athletes and entrepreneurs.
Following James W. Meyers as principal came a list of illustrious educators: Frank L. Williams (1932-1940); William G. Mosley (1940- 1955); C. Spencer Tocus (1955-1957); A. C. Phillips (1957-1961) and again C. Spencer Tocus (1961-1963).
Early in the 60's the enrollment of Vashon had severely diminished. The students, alumni and particularly the residents of the Mill Creek Valley area were unaware that thirty years before, their neighborhood had been targeted for obliteration to make room for an expanding central business district. The neighborhood was systematically dismantled. Relocating families were directed north and west, away from Vashon. With the population now dropping faster, operating Vashon was feared to be no longer cost effective. The St. Louis Board of Education voted to close Vashon High School at 3026 Laclede Avenue.
The Vashon Building was to become Harris Teachers College, and at that time operated by the St. Louis Public School District.
Vashon High School's history was to continue. It would now be transferred to its second location at 3405 Bell Avenue at the beginning of the 1963-64 school year. This controversial move created deep, harsh feelings that would last for years. The ensuing classes of 64, 65 and 66 dealt with leaving the original building with mixed emotions. After all they had been expelled from a building that was built for them and placed in a second hand structure that had housed whites only - Hadley Technical School. But, the indomitable Vashon Spirit still surged in the staff, students and faculty who had brought with them the high educational standards, drive and determination that prevailed on Laclede Avenue. This resulted in the first complete four year class to graduate from this site in 1967.
Like the Phoenix rising from the ashes of despair, Vashon rose from the disappointment of losing its building. Academics flourished and the athletic prowess of its students gained national recognition from basketball teams coached by George Cross, Ron Coleman and Floyd Irons. The Marching Wolverines directed by O'Hara Spearman was a much sought after addition to every parade or celebration all over St. Louis. The Thespian Society under the tutelage of Aaron E. Murphy produced and directed the biannual talented celebration of Vashon's student body and staff, a rousing variety show titled "Vashon Requests the Pleasure" in a spring performance, and another in the fall. Vashon blossomed in its new location.
The principals who served at the Bell Avenue location were John E. Anderson (1963-1968); Julius C. Dix (1968-1970); Ralph A.Wardlow (1970-1976); Cozy Marks (1976-1978 and 1990-1991); Michael K. Thomas (1978 - 1986); Floyd Irons (1986-1990 and 1995-1996); Ivory Lofton (1991-1994); William O. Baldwin (1994)-1995); and Dorothy B. Ludgood (1998-2002).
In 1972 a school segregation lawsuit required that St. Louis Public Schools leave the schools of St. Louis city nearly abandoned after busing thousands of students to surrounding school districts. Each day from 1983 until 1999, thousands of city children traveled several miles to county schools. In the mid-80's a school bond issue passed providing millions of dollars for school renovation. This was a part of the law suit settlement. Following the renovation of several schools, students, faculty alumni and concerned citizens began to wonder when Vashon would be renovated. A group of alumni asked the direct question of the Board of Education. Their answer was: Funds allocated for the renovation of Vashon had been spent on other schools. Why? Because the Board was considering closing Vashon High School. That sent up a hue and cry to Save Vashon.
Vitilas "Veto" Reid, Robert Spain and the original alumni group and several other community leaders became the Save Vashon Committee. With Reid and Spain as leaders they engaged the Board of Education, the State of Missouri and numerous federal judges in a battle that lasted more than ten years. Their urging was not just to save Vashon, but to build a new facility. Funding this project was a primary concern because funds were already committed to the lawsuit settlement.
During this same ten years, court ordered busing had continued. The state of Missouri asked to be relieved of this financial obligation. St. Louis Public Schools felt that it had done its part to help desegregate the schools. The court appointed William H. Danforth to negotiate a settlement. Major capital improvements were a part of the agreement, including the building of several new schools. The building of several new schools would accommodate the more that 14,000 students who would return to the district once busing came to an end. Once again, funding for Vashon High School became a major issue, the controversy over whether or not it would be built raged again.
In 1998, the state passed Senate Bill 781. In this bill spelled out Missouri's financial agreement to off-set funds if the court order ceased. It also contained a provision that required the City of St. Louis to increase taxes for additional funds before the State's money could be used. The following year the citizens of St. Louis were asked to support a tax increase that would fund the renovation of existing schools and build several new schools in north and south St. Louis. This collaborative effort with community organizations in north and south St. Louis and the passing of the tax increase paved the way for a brand new Vashon High School.
The ground-breaking ceremony for the new Vashon was held on May 3, 1999. After 15 years of struggle and waiting, On September 3, 2002 Vashon High School opened in its third location, 3035 Cass Avenue with Dorothy Ludgood as principal. The 40 million dollar, state-of-the- art complex houses 1,300 students, has 13 science and computer labs, 4 early childhood rooms, an attractively spacious library and media resource center surrounding the sky-lighted rotunda. For basketball there are competition and practice courts, and a 25 meter swimming pool for aquatics programs. Classrooms of varying shapes added to the rotunda theme branch out to for an efficient layout with spacious halls and no wasted space.
In 2003, the Julius C. Dix Auditorium, a 500 theater seated, semi-circle was added at an additional cost of $2.5 million dollars. The class of 2002 was the first graduating class, although they had not attended classes at the new Vashon. Principals serving after Dorothy Ludgood, were Floyd Irons (2003-2004) who was the only principal to serve at two sites; Verona Bowers (2004-2005); Calvin Starks (2005-2006) and the current Principal L. Barbara L. Sharp, who is working to restore much of what has been lost through the years to Vashon, and succeeding.
Today, the true spirit of Vashon High School has again risen like the Phoenix, and reigns supreme on Cass Avenue. Like the phoenix, it is housed in a facility worthy of Vashon's rich heritage and the long-standing tradition of producing well-educated, civic-minded community leaders and caring, aware citizens as an integral part of St. Louis, Missouri and the global community
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text:
2019 Los Angeles Auto Show: 2020 Dodge Challenger 50th Anniversary Editions
Written by The Daily Drive staff in Auto Shows, Coupes, Dodge, L.A. Auto Show, Sporty/Performance Cars
2020 Dodge Challenger 50th Anniversary Editions (That's an original 1970 Challenger in the background)
Dodge introduced 50th Anniversary Edition Challengers with available "retro" colors at the 2019 Los Angeles Auto Show.
Offered on the rear-drive Challenger GT (V6), R/T, R/T Scat Pack, and R/T Scat Pack Widebody, the 50th Anniversary package includes a Shaker hood scoop (on all but the GT) and a choice of high-impact colors: "Blast from the past" TorRed, F8 Green, and Go Mango, along with new Frostbite, Hellraisin, Sinamon Stick, and Gold Rush. Each 50th Anniversary model includes gold badging, black-painted hood, roof, and deck, Nappa leather and Alcantara interior with carbon-fiber accents, and a unique gauge cluster with body-color badge.
More from the L.A. Auto Show
2020 Dodge Challenger 50th Anniversary Edition
Only 70 of each model in each color will be built (the "70" denoting the first Challenger model year, 1970), resulting in a total of just 1960 units. Each will get a passenger-side dashboard badge identifying the vehicle as "X out of 70."
2020 Dodge Challenger 50th Anniversary Edition available colors. TorRed, F8 Green, and Go Mango were offered on the original 1970 Challenger.
The Shaker hood fitted to all but the GT model is another retro touch. As was the case with the hood scoop offered on the original 1970 Challenger, the hood scoop bolts directly to the engine and thus shakes along with it. Although offered previously, this is the first time a Shaker hood is available on the R/T Scat Pack Widebody.
Although not 50th Anniversary Editions, all 2020 model-year Challenger SRT Hellcat and Challenger SRT Hellcat Redeye models will carry 50th Anniversary badges.
The 50th Anniversary Edition package will be priced at $4995 for the GT, $5495 for the R/T, and $5995 for the R/T Scat Pac and R/T Scat Pack Widebody. Orders will begin next month, with deliveries to begin arriving in early spring.
Although these 50th Anniversary Editions are more flash than dash, there's an awful lot of "flash" here. And since only 280 of each color will be produced (four models x 70 in each color) it's unlikely you'll mistake your car for someone else's in a parking lot.
Challenger 50th Anniversary Editions
Written by: The Daily Drive staff on November 20, 2019.on July 10, 2020.
2016 Chicago Auto Show: 2016 Infiniti Q50 lineup
2019 Detroit Auto Show: 2020 Cadillac XT6
CES 2022: Chrysler Airflow Concept
2018 Los Angeles Auto Show: 2020 Hyundai Palisade
2016 New York Auto Show: 2017 Nissan GT-R
Beetle Convertibles Go Retro with '50s, '60s, and '70s Editions
2017 Los Angeles Auto Show: 2018 Nissan Kicks


text:
import netaddr

from oslo_config import cfg
from oslo_log import log as logging
from oslo_utils import excutils

from neutron.i18n import _LE
from neutron import manager

from networking_cisco.plugins.cisco.l3 import hosting_device_drivers

LOG = logging.getLogger(__name__)

# Length mgmt port UUID to be part of VM's config drive filename
CFG_DRIVE_UUID_START = 24
CFG_DRIVE_UUID_LEN = 12

CSR1KV_HD_DRIVER_OPTS = [
    cfg.StrOpt('csr1kv_configdrive_template', default='csr1kv_cfg_template',
               help=_("CSR1kv configdrive template file.")),
]

cfg.CONF.register_opts(CSR1KV_HD_DRIVER_OPTS, "hosting_devices")

class CSR1kvHostingDeviceDriver(hosting_device_drivers.HostingDeviceDriver):

    def hosting_device_name(self):
        return "CSR1kv"

    def create_config(self, context, mgmtport):
        mgmt_ip = mgmtport['fixed_ips'][0]['ip_address']
        subnet_data = self._core_plugin.get_subnet(
            context, mgmtport['fixed_ips'][0]['subnet_id'],
            ['cidr', 'gateway_ip', 'dns_nameservers'])
        netmask = str(netaddr.IPNetwork(subnet_data['cidr']).netmask)
        params = {'<ip>': mgmt_ip, '<mask>': netmask,
                  '<gw>': subnet_data['gateway_ip'],
                  '<name_server>': '8.8.8.8'}
        try:
            cfg_template_filename = (
                cfg.CONF.general.templates_path + "/" +
                cfg.CONF.hosting_devices.csr1kv_configdrive_template)
            vm_cfg_data = ''
            with open(cfg_template_filename, 'r') as cfg_template_file:
                # insert proper instance values in the template
                for line in cfg_template_file:
                    tokens = line.strip('\n').split(' ')
                    line = ' '.join(map(lambda x: params.get(x, x),
                                        tokens)) + '\n'
                    vm_cfg_data += line
            return {'iosxe_config.txt': vm_cfg_data}
        except IOError:
            with excutils.save_and_reraise_exception():
                LOG.exception(_LE('Failed to create config file. Trying to '
                                  'clean up.'))

    @property
    def _core_plugin(self):
        return manager.NeutronManager.get_plugin()


text:
Helping Women Gain Ground in STEM Fields
Nearly half of Florida Tech's MSIT online degree courses are developed and taught by women.
By Florida Institute of Technology
Written By Jarin Eisenberg
The gender gap in science, technology, engineering and mathematics (STEM) is well known to educators and business professionals. Although women represent almost half of the workforce, they held only about 25% of STEM jobs as of 2011, according to a U.S. Department of Commerce report.
There are a variety of explanations as to why women are not better represented in these areas of employment and study. Some attribute the gap to academic climates that are male-dominated. Others insist that a lack of role models in the field leaves women with little guidance and feeling isolated – we rarely see images of women portrayed as computer programmers, engineers or scientists in the media. Still others attribute the gap to a lack of interest.
All of these factors are influenced by K-12 education and the role it plays in encouraging girls to pursue specific areas of study.
The challenges women face in gaining ground in STEM fields are complicated. In order for women to be successful in these professions – for them to have the same opportunities as their male counterparts – we must examine the biases and stereotypes they may encounter, whether subtle or overt. Such prejudices can affect not only a woman's likelihood of finding employment, but also her chances of getting much needed capital to fund projects.
A July 2014 article on Wired.com highlighted the struggles women can face in male-dominated arenas such as technology.
"We're inevitably always going to be left out of things, because there are certain lines you can't cross and things that are unspoken parts of the boys club," Danielle Weinblatt, co-founder of the video interview platform Take the Interview, told the magazine.
There is a lot to be done to increase women's representation in key STEM fields, and that includes taking a critical look at technology-based companies that are able to push society forward with their innovative ideas, yet still cling to antiquated ideas when it comes to gender.
The STEM fields offer tremendous potential for qualified professionals, federal statistics show. Between 2000 and 2010, there were three STEM jobs created for every one non-STEM job, the Commerce Department reported. Employment growth in STEM fields is expected to continue outpacing the national average through 2018, at least. The federal agency also reported in 2011 that women in STEM fields earned 33% more than those in non-STEM jobs.
Despite gains over the past 40 years, women are "significantly underrepresented" in the engineering and computer fields, which account for more than 80% of STEM jobs, according to a 2013 survey by the U.S. Census Bureau.
Similarly, although nearly 60% of college undergraduates are female, women accounted for less than 18% of computer science degrees conferred in 2008, the American Association for University Women reports.
The rise of distance education and the prevalence of technology-based online degree offerings lend themselves to a different set of questions. For example, how are gendered processes mitigated in an online environment? Some see asynchronous learning environments as a gender-neutral environment.
In our Master of Science in Information Technology (MSIT) online degree program at Florida Tech, we found that women represent 34% of our student population, much higher than the national average of just over 22% in graduate classes. In addition, the program has a strong female presence, with just about half of the courses developed and taught by women.
Not only do our online students have female peers in their classes, they are able to see women teaching and performing their field of study.
Jarin Eisenberg is program coordinator for online degree programs at the Nathan M. Bisk College of Business at Florida Institute of Technology, where she also is a Sociology instructor. To learn more about Eisenberg and her work at Florida Tech, read our interview here.
Category: Online Degree Programs Information
Embracing the "Near-Win" by Jarin Eisenberg
Florida Tech program coordinator Jarin Eisenberg examines the role of curiosity and a willingness to face failure in the development of well-rounded students.
Jarin Eisenberg Interview - Guiding and Supporting Students
Award-winning Florida Tech educator Jarin Eisenberg says all of her tasks and responsibilities are centered on ensuring that students have a positive experience in their online degree programs.


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"How to Succeed ... At Murder"
SET UP: A boss calls his secretary into his office to complain about the complex filing system. Instead of going in, the secretary stays at her desk, puts on a combat helmet, pulls out a cartoon-type plunger-detonator, and pushes it. "KABOOM!" comes from the boss's office. She smiles as we are shown that she's wearing a charm bracelet filled with guns and knives and other implements of destruction.
THE PLOT: We cut to a room occupied by seven or eight lovely young ladies, sitting on facing couches, and an older woman in a chair at the head. The explosive secretary is escorted in by the lone man in the room, identified as Henry.
"Well, girls," the older woman says, "our campaign is progressing. No doubt you've all heard about Elizabeth's recent success."
The older woman says to take notes as she tells them their next assignments. Sara, a comely blonde, gets "Morton, Sir George Morton."
Next scene, on a "late-night rendezvous" with Sir George, Sara strangles him, ruthlessly, with her stocking. She, too, is wearing a charm bracelet of death. So is Mary, Sir George's secretary, who takes control of the business. All the girls are wearing them.
"Murders, 11 of them, quite an epidemic!" Steed tells Mrs. Peel. "All of them prominent businessmen."
We soon discover there's something funy going on under cover at "Keep Fit Classes for Young Ladies," run by Henry and Henrietta Thronebottom. It's a plot for "Ruination to All Men"!
These brilliant and athletic young women are being trained to kill their male bosses and, improbably, take control of their companies and fortunes.
It's all based on an elaborate filing system only they can understand.
"It means I can take over when you're gone," Sara later tells Steed, sinisterly.
Sara soon kills another one with a poison dart fired from a tiny bracelet gun, and her colleague Gladys pours poison out of a charm to off yet another. They keep dropping.
Swinging into action, Steed sets himself up as a victim for Sara, while Emma takes a job working for Mary in Sir George's old office and infiltrates the "Keep Fit Classes."
Things only get weird when "Henrietta," the older woman at the head of the room, turns out to be ventriloquist's's dummy who continues to order her "husband" Henry around even when they're the only two in the room.
"There you see the splendid beast, naked before you," says a man who makes perfume to Emma, referring to his giant proboscis.
"We're wasting time -- those muscles and sinews are dragging, drooping as we're talking," says Henry to Emma, as he pokes her in the mid-section, before calling the girls back to exercises.
FASHION: It's 11:40 before we even see Emma, and she's painting on a canvas set up in what appears to be Steed's apartment. (The painting is an abstract with just two realistic touches, a bowler hat and a carnation.) She's wearing a patterned jumper with a white front -- uncovered as she paints!
Later, she dons a sleeveless black top over tight patterned slacks with a wide, white, patent-leather belt. Very hip.
And, in the "Keep Fit" classes, all the girls wear tight, black leotards, revealing Diana Rigg in all her splendor. Emma performs her action scenes in the leotard, as well.
Elizabeth and Sara, off on a mission at 42, both wear tight leather pants tucked into boots.
Emma and Steed, stretched out together on opposite ends of a big couch around 31.
1. At 14, Steed is jumped, taking a solid shot to the face. The room is dark and, just as Steed can't quite see who's attacking him, the scene is filmed so we can't quite make things out either.
But through the tinted door-glass we glimpse Steed grappling with someone with blond shoulder-length hair (Sara?); then we see a woman (Mary?) slip off her shoe and bash Steed over the head with the heel. He goes down in a heap, and two women saunter off. When he gets his senses back, Steed finds a single charm on the floor.
2. At 32:20, in a Keep Fit class, we see eight women -- including Emma! -- doing karate-chop exercises as Henry chants, "lunge, two, three and lung, two, three..."
Then Emma and Mary sit face to face with arms locked, talking as they do an exercise in which they twist their heads back in forth, in time. Quite exhilarating.
3. Emma's first fight comes at 38:40. As she enters the gym, Mary cries out, "Attack her!" and three women come at Mrs. Peel. She throws an elbow into the stomach of the first one, Elizabeth, then grabs the other two by an arm each and flips them both to the ground.
Elizabeth comes back to grab Emma, but gets a double-chop in the midsection. Then Emma spins her around and locks her in a choke hold. Liz slips slowly to the ground and unconsciousness.
"Excellent, Mrs. Peel," says Mary. "A fine fighting spirit."
4. Later, after being inducted into the "advanced" class, where they learn to kill, Emma hears with dismay Henrietta's instructions: "Sara, take Liz with you and put your technique to work on Mr. Steed."
Sara shows up unannounced at Steed's with Elizabeth -- "Our car broke down!" Steed welcomes them warmly, with an offer of brandy.
When Liz brandishes a gun, Steed shoots her -- with seltzer. In one swift series of moves he knocks the gun away, pulls her jacket down around her arms, deposits her on the ground, places a four-legged stool over her and sits himself on the stool, pinning her helplessly below him.
Then Sara charges Steed, who -- from a sitting position -- blocks a left and a right, then quickly turns the surprised woman across his knee and starts tickling her!
"Now young lady, you're going to talk," he says, smiling as she laughs away. Liz continues to thrash down below, to no effect.
5. We go back to the gym at 43;40, where Emma is being welcomed into the organization.
"What's SHE doing here?" cries out Gladys, the secretary who killed the perfumer with poison and is just walking in the door. She says she saw Mrs. Peel "snooping," when the perfumer showed off his "splendid beast."
Knowing the jig is up, Emma chops Henry and bolts for the door. But it's locked, and two women grab her by the arms, pinning her to the door. Mary walks up -- and barely avoids a kick from Emma.
As the two women tighten their grip on Emma, Mary rears back with her right hand and -- "SLAP!" -- deals a sharp back-hand to Emma's face, sending her head spinning.
Then Mary, reaching her right hand behind Emma's head, grabs a solid mass of hair and -- with the other women two holding her arms -- drags her across the room to Henrietta.
"This sets us a problem," says the dummy. "We've never had to kill a woman before, never one of our own."
As the trap is set for Steed, we see Emma still restrained, her back to the wall and two women pressed tightly against her, one with a silencing hand over her mouth.
After Steed cleverly reveals Henrietta's identity, Emma uses the chance to disarm the machine-gun-carrying Mary. As Henry runs off with a hand-gun and the dummy, all of the women attack Emma.
We hear slaps and punches, and suddenly Emma cries out, "One," and a girl goes flying. She cries, "Two" and "Three," and there go two more girls. They pile up in a heap on the floor.
"It's OK, Steed, I can manage," she says, and Steed -- after a little smile of pride -- goes chasing after Henry/Henrietta.
"Kill him, Henry, kill him," the dummy says.
"Yes, dear," he says, and fires at Steed.
Finishing the girls off, Emma grabs Mary and another woman by hair and bashes their heads together, Three Stooges-style. As they drop to the ground, Emma leans against the wall and takes a deep breath.
She shows up just as Steed shoots Henry dead. The dummy croaks out "Henry... Henry..." as he dies.
A very enjoyable episode, a murder-mystery with a perverted twist set amid a vision of Feminism taken to a revolutionary fervor.
"Because you have been subjugated to men too long," Henrietta tells Emma, explaining why she should join the organization. "Always at his beck and call. Commanded, used, abused, always the slave, never the master. That is the function of this organization, Mrs. Peel, to take woman out of the secretary's chair and put her behind the executive desk. To bring men to heel and put women at the pinnacle of power."
"Twentieth Century Amazons," says Emma.
The premise is built on two shaky legs -- a filing system that no one else can figure out, and an inability of British authorities to solve all these killings -- but it doesn't collapse.
The twist of having a dummy at the top of the organization is so wonderfully typical of the series, and Arto Morris as Henry carries it out in truly creepy style. His final, tearful confession -- that he was taking revenge on the businessmen who ruined the career and life of his real wife Henrietta, a ballerina he trained -- is a tour de force, played out to the very end.
Steed reveals the game with a jab of his umbrella handle into Henry's stomach, knocking the air out of him as Henrietta is speaking -- she stops just as Henry doubles over, and the women learn the truth.
"No man will ever dominate you?" he says, mockingly, to the girls. "You've been taking orders from a man the whole time!"
And here, Emma shows first-hand that Feminism used for Good is stronger than that used for Evil. There's a smoldering anticipation for Emma to face off against this all-girl killing squad, and the Action scenes do not disappoint.
It's chilling when Mary cries "Attack her!" and it would have been fun for the three to get a few offensive moves in on Emma before their inevitable defeat. But her choke-hold on Liz is delightful.
Emma's capture is the Action highlight. Though overpowered and outnumbered, she still aims a defiant kick at Mary, who a minute ago was her boss.
The slap is well-played. Sarah Lawrence as Mary delivers a realistic-looking back-hand swat that is accompanied by a loud and painful flesh-on-flesh sound effect. Emma's head snaps back, hair flying, and lolls to the side.
It's a hard, cruel, vengeful move.
Then it is with convincing anger she digs her hand into the dazed Emma's hair and pulls her across the gym. As any aficionado knows, going for the hair is a sign the fight has gotten personal. And so it is here.
Emma was Mary's prized protege, only to betray her -- jeopardizing the organization and making Mary personally look bad.
Killing is normally just part of the job for Mary, a necessary step in the revolution. But killing Mrs. Peel would be a very personal, and enjoyable, thing.
That opportunity never comes. Instead, it is Mary who Emma disarms, and it is Mary whose head is one of two Emma slams together to end the fight. It is fitting that Emma grabs her by the hair to finish her off. Personal, indeed.


From the beginning of SharePoint Online we have the option to share a site or document with an external user. When you use this feature the recipient need to have a Microsoft Account to login your SharePoint environment.
Because this can be very confusion for the user, Microsoft is working on a Business 2 Business connection within Azure AD. With this connection you can share that same site or document with a user from another Azure AD tenant.
This feature is currently in preview but works pretty good already despite the manual steps you need to do. I will explain the steps below, but first let's start with the basics.
The Azure B2B options makes it possible to create a federation based on a user's login name from another tenant. This will show up in your own Azure AD as a normal user except that the source is not 'Microsoft Azure Active Directory' but 'Microsoft Azure AD (other directory)'.
You do not have to create this federation; this is something Microsoft has built into the platform. You only need to add the user to your directory and when the user accepts the invitation this federation is setup.
The user is not maintained in your Azure AD, it is only a placeholder for that user so it can be found in SharePoint Online.
The other beauty of this is that you do not have to maintain passwords or requests for passwords, this is handled by the users own Azure AD.
How can we add this federated user?
Since this is a preview feature the UI is not the best experience, you need Azure AD and an CSV file to add the users. This means that your own end users cannot share the site or document from SharePoint like the current feature with a Microsoft Account.
The property 'InviteRedirectURL' can be used to give the user direct access to the correct site, this allows the receiving user to save the invitation and use that link to access the site or document.
When you have the CSV file created you have to do the following steps.
When you uploaded the CSV file click on the OK button at the bottom.
Azure AD now adds the users in the CSV to you Active Directory and sends an invitation to the email addresses you entered.
How to share you site or document with these users?
Now that the user is available in our Azure AD we can add this user to the SharePoint site or share a document with them.
The only problem here is that SharePoint will not find the user on his/her email address or display name. When you use the email address the user gets another invitation that he/she can use with a Microsoft account.
To get the user added in SharePoint with the federated account, you need to use this format emailaddress#EXT#@<tenant name>.onmicrosoft.com. In the emailaddress you need to change the @ for an _.
So as an example the email address is arjan@contoso.com the federated account is arjan_contoso.com#EXT#@acornelissen.onmicrosoft.com.
I hope when this feature is out of preview that there is a nice UI to add the user as a federated user and an integration with SharePoint like the current Microsoft account.


text:
The "Barbour to Butler Snow" rumor appears to be unfounded
It looks like all of the talk over the last few weeks about Gov. Barbour heading to the Butler Snow law firm was off base. In today's Clarion-Ledger, Emily Wagster-Pettus has an article detailing Gov. Barbour's plans after he leaves office, and from what he's telling her, it appears as though no decision has been made about the future.
According to the article, Barbour is set to give a paid speech to a Barclays Bank gathering in Miami the day after he leaves office, and is looking to give more speeches in the future. Though he intends to keep an office in Jackson, Barbour talked about rejoining his old lobbying firm, not Butler Snow:
"The place that would make the most sense, that would be the most logical, would be BGR," he said Monday. "But one of the issues that I will have about anything is, making speeches takes a lot of time. So you're not very valuable to a lobbying firm or a law firm or a counseling firm or whatever if you're footin' all over the country and around the world, making speeches."
Labels: Butler Snow, Haley Barbour


text:
!This Volkswagen GTI Mk1 got away, but there are more like it here.
1984 Volkswagen Rabbit GTI
Sold for $24,695 on 1/27/23 92Comments
MakeVolkswagen
ModelVolkswagen GTI Mk1
Seller: RabbitGTI84
Location: Land O' Lakes, Florida 34639
Chassis: 1VWDC0171EV010435
53k Miles Shown
1.8-Liter Inline-Four
Five-Speed Manual Transaxle
Cordovan Red Cloth Upholstery
14" Snowflake Wheels
Front Disc Brakes
Front Chin Spoiler
Kenwood Cassette Stereo
Sold by RabbitGTI84 to RobertCastillo for $24,695
This 1984 Volkswagen Rabbit GTI is finished in black over red cloth and vinyl upholstery and is powered by a 1.8-liter inline-four paired with a five-speed manual transaxle. Equipment includes a sunroof, 14″ snowflake wheels, a Kenwood stereo, front disc brakes, a rear wiper, and air conditioning. The car spent time in Missouri until approximately two years ago, when it was acquired by the seller as a non-running project and relocated to Florida. Recommissioning is said to have since included converting the A/C to R134a and refreshing the suspension, brakes, and fuel system, along with replacing the clutch, timing belt, water pump, alternator, front axles, carpeting, and headliner. This GTI is now offered with service manuals, a partial build sheet, part receipts, a Carfax report, and a clean Florida title in the seller's name.
The car is finished in black and features a sunroof, a front chin spoiler, a red-accented grille, black wheel arch extensions, a rear wiper, and GTI-branded rear mud flaps. Work during current ownership has reportedly included rebuilding the windshield washer bottle, installing replacement hatch and rain gutter seals, and replacing the sunroof sliders, cables, seals, and drains. The seller notes evidence of paintwork and dents on the hood, along with scratches on the right rear quarter panel. The Carfax report lists an accident with a stationary object in January 1987, though further details are not provided.
Factory 14″ snowflake wheels are mounted with 185/60 Lionhart LH-501 tires that were installed in 2022. The suspension was refreshed by the seller, reportedly including installation of replacement shocks, mounts, control arm bushings, tie rods, ends and boots, and ball joints. The brakes were also serviced with replacement front rotors and pads, hoses, front wheel bearings, remanufactured calipers, and rear drums.
The cabin features front sports seats and a rear bench upholstered in Cordovan red cloth with multi-color stripe inserts and vinyl sides. A replacement headliner and carpets were reportedly installed during current ownership, and the seller notes the dash speakers and seat sliders were also replaced. Amenities include a Kenwood cassette stereo, air conditioning, a rear window defroster, and a golf ball-style shift knob. The air conditioning system is said to have been fitted with a replacement compressor, receiver/drier, and expansion valve and recharged with R134a refrigerant air conditioning.
The four-spoke GTI-branded steering wheel fronts a 120-mph speedometer, a tachometer, and auxiliary gauges. The six-digit mechanical odometer shows 53k miles, approximately 200 of which were added under current ownership.
The 1.8-liter inline-four is equipped with Bosch K-Jetronic fuel injection and was factory rated at 90 horsepower and 100 lb-ft of torque. The following components were reportedly replaced by the seller:
Oil pan gasket
Engine mount bushings
Alternator and bushing
Fuel accumulator
Fuel injectors, seals, and cups
Power is sent to the front wheels through a five-speed manual transaxle that was fitted with a replacement clutch kit and shifter bushings by the seller. The flywheel is said to have been resurfaced at that time, and the rear main seal, front axles, and flange seals replaced. Additional underside photos are provided in the gallery below, along with a handful of parts receipts.
The Carfax report shows the aforementioned accident in January 1987 along with history in Missouri and Florida. There are gaps in reporting from January 1987 to November 1996, September 2000 to January 2014, and from February 2014 to November 2022.


Monkey Magic Functions began operating as "Kiddie Parties"in Pretoria in 2005. Within a couple of years we found ourselves struggling to keep up with the demand for parties! Many Moms expressed an interest in owning a franchise and so Monkey Magic was born towards the end of 2007! The company was registered and our popular, lovable Monkey was Trade Marked and our name and slogan legally protected by Word Marks. The Monkey Magic brand has grown from strength to strength ever since and we aim to become South Africa's most popular party provider. We are proud to already have a number of successful franchises operating throughout South Africa under the Monkey Magic brand offering our clients an affordable but extra special and memorable event of a consistently high standard.
Why own a Monkey Magic Franchise?
Owning a Monkey Magic franchise means that you will instantly join an established brand and own the right to run your own business, in your area under the Monkey Magic licensed name. You'll be open for business within 5 weeks and we will supply everything you'll need to get started in the party business.
Work from home – no expensive overheads relating to renting a shop and having to work retail hours.
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National advertising and marketing done for you.
Manage your own time and establish your own flexible working hours – the more time and effort you put in the more profitable your business will become.
State-of-the-Art website, professionally managed & maintained linked to the most popular child-related sites.
Purchase party décor and accessories directly from our suppliers at wholesale prices, or the freedom to use your own suppliers.
Low monthly Franchise fees, currently at R1600 per month. This monthly fee is split into R800 as a royalty fee and the other R800 dedicated to national marketing & advertising.
Freedom to be creative and have fun with the parties you offer to your clients and to purchase party supplies from any supplier you choose, as long as the high standard that Monkey Magic's clients have come to expect, is upheld.


text:
A Guide to the Papers of Dr. William T. Ham, Jr., 1933-1996 Ham, William T., Jr. Papers of 2010/May/5
A Guide to the Papers of Dr. William T. Ham, Jr., 1933-1996
Special Collections and Archives, Tompkins-McCaw Library
Accession Number 2010/May/5
Virginia Commonwealth University, Tompkins-McCaw Library
Tompkins-McCaw Library
Email: libtmlsca@vcu.edu
URL: http://www.library.vcu.edu/about/special-collections/tompkins-mccaw/
© 2010 By Virginia Commonwealth University. All rights reserved.
Processed by: Margaret Turman Kidd
2010/May/5
7 linear feet.
William T. Ham, Jr.
Collection is open to research.
A Guide to the Papers of Dr. William T. Ham, Jr., 1933-1996. Accession # 2010/May/5, Special Collections and Archives, Tompkins-McCaw Library, Virginia Commonwealth University, Richmond, Va.
Gift of the estate of William T. Ham, Jr.
Dr. William Taylor Ham, Jr. (1908-1998) was born in Norfolk, Virginia, to William and Lucy Ham. He attended Episcopal High School and then the University of Virginia where he received a B.S. in Engineering and an M.S. and Ph.D. in Physics in 1931, 1933, and 1935 respectively. After completing his degrees at Virginia, Ham taught physics at Columbia University from 1936 to 1937. Upon the death of his father in 1937, he worked briefly in the family flour business, W.T. Ham & Company, Inc. In 1938, he returned to the University of Virginia to assist Dr. Jesse Beams and Dr. Leland B. Snoddy who were developing ultracentrifugation to separate uranium isotopes as part of the Manhattan Project.
During World War II Ham served in the Pacific with the United States Marine Corp. He was assigned as a radar officer for the 5th AA Battalion on Okinawa at the conclusion of the war. Ham left the Marine Corps in 1946, having attained the rank of Major. He returned to Charlottesville to head the Division of Physics and Electronics at the Institute of Textile Technology.
In 1948, Ham joined the faculty of the Department of Surgery at the Medical College of Virginia (MCV) as an associate professor. He worked with Dr. Everett I. Evans and his team to study the biological effects of thermal and ionizing radiation in nuclear warfare. He also participated "Operation Ranger," a series of nuclear tests that provided important data on the time duration of thermal flash from a nuclear fireball, conducted in Nevada in 1951. This data aided studies on thermal flash burns and provided the U.S. military with crucial information for planning strategies. Ham went with a five-man team to Japan in 1956, at the behest of the National Research Council and the Atomic Bomb Casualty Commission. The team investigated the feasibility of gathering accurate data on the exact level of radiation exposure for each survivor of the atomic bombings of Hiroshima and Nagasaki. Their findings were the foundation for "Project Ichiban," a program to document the location of survivors at the instant the bombs detonated. Since many survivors were indoors at the time of detonation, the project recreated traditional wood-frame Japanese houses on a test site in Nevada. These structures were subjected to a simulated nuclear blast to study their shielding properties.
When MCV created the Department of Biophysics in 1953, Ham became the first chair and was promoted to the rank of full professor. He taught courses on biophysics and radiobiology. In addition he continued his research on retinal burns in rabbits, collaborated with colleagues, and served as a consultant for groups such as the Atomic Energy Commission, Corning Glass Works, Eastman Kodak Co., Oak Ridge National Laboratory, the Polaroid Corporation, and Xerox, among others. As laser technology developed in the 1960s, Ham began to study the ocular effects of laser radiation and other light sources such as the sun. Ham and his colleagues conducted research that demonstrated the damaging effects of extended exposure to blue light and its role in age-related macular degeneration. He retired as chair of Biophysics in 1976, and was named professor emeritus. Ham continued as an active researcher until 1989.
Over his career Ham authored 40 published papers, and received numerous recognitions including the Life Achievement Award in Science presented by the Science Museum of Virginia in 1990 and the George M. Wilkening Award in Laser Safety in 1997. Ham has been described as a pioneer and leader in the biomedical application of lasers and as an expert on the effects of radiant energy on the retina.
Ham married Jean Stratton Anderson (b. 1913) of Aberdeen, Scotland in 1940. They had two children, Christina Duncan Anderson Ham and Elspeth Read Ham.
The papers of Dr. William Taylor Ham, Jr., contain both personal and professional materials, but are primarily composed of items relating to his work as a biophysist and as a professor at the Medical College of Virginia (MCV). The collection includes accounts, correspondence, lecture and conference materials, notebooks, his journal articles, research reports, unpublished works, and papers relating to his tenure as a professor and chair of the Department of Biophysics at MCV.
Series 1: Personal Papers, 1933-1995. The collection contains the personal papers of Ham including accounts and receipts, correspondence, curriculum vitae and biographies of Ham and his colleagues, educational materials (including his school notebooks, thesis, and transcripts), family genealogy, the papers of his wife Jean Stratton (Anderson) Ham (pertaining mostly to her process of immigration and naturalization), estate papers of his mother Lucy G. Ham, photographs, short stories composed by Ham, United States Marine Corps material, and other personal papers.
Series 2: Professional Papers, 1937-1996. Consists of papers relating to Ham's professional career. This series is divided into four subseries.
Subseries 2.1: Correspondence and Subject Files. Contains general correspondence relating to Ham's professional life. This series also contains files kept by Ham on specific colleagues and subjects, which include correspondence and related materials. Files of particular note are the "Atomic Energy Commission" and the "Operation Ranger," which highlight Ham's participation in research on the effects of nuclear warfare and "Congressional Testimony" which includes his presentation before Congress on the hazards of laser radiation.
Subseries 2.2: Notebooks. This subseries contains notebooks, 1948-1988, which include notes on experiments and research projects, meetings, professional literature, lectures, and some personal reflections. Items of note include a separate volume detailing Ham's work on a grant to study the effects of radiation on rabbit retinas for the Atomic Energy Commission from 1958 to 1963. His notebook dated 1954-1957, contains notes and reflections on his trip to Japan in 1956. Ham traveled to Japan at the behest of the National Research Council and the Atomic Bomb Casualty Commission to study the feasibility of gathering specific data on radiation exposure received by those who survived the atomic bombs dropped on Hiroshima and Nagasaki.
Subseries 2.3: Conferences, Lectures, and Workshops. This subseries is comprised of materials relating to conferences, lectures, symposiums, and workshop in which Ham participated. Of particular interest are the several drafts of his often-delivered "Art and Science" lecture and his talks on nuclear weapons and civil defense that he presented to civic groups and schools.
Subseries 2.4: Articles, Reports, and Unpublished Works. Contains drafts of scientific papers and reprints of journal publications authored or co-authored by Ham. They pertain mainly to the effects of light and radiation on the eye and flash burns or retinal damage due to nuclear weapons. This series contains Ham's unpublished book manuscript entitled, "The Biological Effects of Electromagnetic Radiation of the Eye."
Series 3: MCV Papers, 1948-1994. This series consists of papers relating to Ham's tenure at the Medical College of Virginia. It includes correspondence, course files, materials relating to the Department of Biophysics, and other items associated with his career at MCV. Of interest is the history of the Department of Biophysics written by Ham entitled, Biophysics at MCV, 1948-1968, and his course files which contain notebooks with lecture notes and other materials relating to his teaching. This series includes background information compiled by VCU in 1994 to refute allegations that the University conducted unethical radiation studies during the 1950s, in which Ham participated.
This collection is divided into three series: Series 1, Personal Papers, 1933-1995; Series 2, Professional Papers, 1937-1996; and Series 3, MCV Papers, 1948-1994.
Efforts have been made to maintain the original organization when possible. Files are arranged alphabetically within each series and the materials within the files are arranged chronologically where applicable.
Series 1, Personal Papers: 1933-1995
Box: 1-2
Box-folder 1:1
Account and Receipts
Box-folder 1:2-4
Accounts, Expense books, 1953-1991
Calendars, 1962, 1966
Correspondence, undated, 1930s
Correspondence, 1940s
Box-folder 1:10
Correspondence, 1980s - 1990s
Curriculum Vitae and Biographies
Curriculum Vitae of Colleagues
Education, School notebooks, 1933
Education, Thesis and transcripts
Episcopal High School
Estate Papers
Geneaology, Ham Family
Jean Stratton (Anderson) Ham, papers
Lucy G. Ham, Estate papers
Box-folder 1:25-26
Passport and Security materials
Residential Specifications
Science Museum of Virginia Life Achievement Award in Science, 1990
United States Marine Corps materials
University of Virginia materials
Veterans Administration materials
W.T. Ham and Company
Series 2, Professional Papers: 1937-1996
Box 2-3
Subseries 2.1, Correspondence and Subject Files: 1937-1996
Correspondence, W.J.H. Butterfield
Correspondence, Ernst Huf
Correspondence, Wolfgang Lieb
Correspondence, Karl Z. Morgan
Correspondence, L. Alan Mounter
Correspondence, David H. Sliney
Correspondence, Johannes J. Vos
Correspondence, Kent Wright
Correspondence, Richard Young
Absorption of Water in the Infrared, data
Association for Research in Vision and Optham
Atomic Flash
Center for Atomic and Molecular Studies, proposal
Consultant Work
Corning Glass Works
Council for International Exchange of Scholars, Yugoslavia, 1976
Institute of Textile Technology
NAS-NRC Committee on Vision
Oak Ridge National Laboratory
Operation Ranger, Report, 1951
Photobiology
Polaroid Corporation
Solar Eclipse materials
Task Force on Research Planning in Environmental Health Science
U.S. Army Research Report, Biological Application and Effects of Optical Masers
Virginia Associated Research Center
Virginia Institute for Scientific Research
Virginia Radiation Advisory Board
Subseries 2.2, Notebooks,: 1948-1988
Notebook, AEC Project, 1958-1963
Notebook, Feb. 1948 - Oct. 1954
Notebook, Apr. 1957 - Feb. 1963
Notebook, Oct. 1954- Mar. 1957
Notebook, Jul. 1963 - Aug. 1966
Notebook, Aug. 1966 - 1968
Notebook, Jul. 1968 - Mar. 1972
Notebook, Oct. 1972 - Dec. 1980
Notebook, Jul. 1982 - 1988
Subseries 2.3, Conferences, Lectures, and Workshops,: 1950-1992
American Occupational Health Conference, Apr. 1983
American Society for Photobiology Conference, 1978
Committee on Vision Working Group 35, 1981
1st Conference on Laser Safety, 1966
1st Conference on Radiation Cataracts, Proceedings, Feb. 1950
2nd Conference on Radiation Cataracts, Abstracts, Dec. 1950
3rd Conference on Radiation Cataracts, Abstracts and Proceedings, Jan. 1952
Box-folder 4:100
4th Conference on Radiation Cataracts, Abstracts and Proceedings, Feb. 1953
5th Conference on Radiation Cataracts, Abstracts and Proceedings, Mar. 1954
Laser Seminar, 1985
National Eye Institute Meeting, Sept. 1982
National Research Council, Meeting on Cataract Research, 1950
Symposium on Light Induced Damage to the Retina (VHS tape), 1984
Box-folder 5:107-108
Workshop on Long-Term Visual Health, 1983-1984
Conference materials, 1959-1979
Lecture, "Art and Science,"
Lectures on Nuclear War and Civil Defense, 1953-1965
Lectures on Organization and Origins of Life
Lecture, "Radiation Effects on the Retina, "1965-1986
Subseries 2.4, Articles, Reports, and Manuscripts: 1950-1991
Addendum materials for "Primate Ocular Photopathology of the Lens and Retina"
Article, Consumer Report, Sunglasses,1988
Article drafts, Effects of Laser Radiation of the Mammalian Eye
Article draft, Retinal Effects of Blue Light Exposure
Article drafts
Chapter draft, Radiation Biophysics
Data and Notes
Data on Absorption and Reflection, by Geeraets and Berry
Galley Proofs, Light Toxicity
Galley Proofs
Box-folder 5:126, 6:127-129
Manuscript, The Biological Effects of Electromagnetic Radiation of the Eye
Papers of Colleagues, undated
Papers of Colleagues, 1979-1991
Papers of Colleagues, Robert D. Cowan, Calculation of Retinal Dose Due to Visible Radiation From Nuclear Explosions
Papers of Colleagues, Toichiro Kuwabara, Structure of the Retina,1970
Papers of Colleagues, Charles Tanford, Protein Denaturation
Papers of Colleagues, Richard W. Young
Reprints, 1950s
Report, An Ultrastructural Study of the Hazard from Picosecond Pulse of Nd:YAG on the Retina of the Rhesus Monkey
Series 3, MCV Papers: 1948-1994
Biophysics at MCV, 1948-1968
Biophysics Department materials
Commencement Program, MCV, 1965
Correspondence 1948-1994
Correspondence, MCV Curriculum Debate, 1962-1963
Course File, Applied Electronics in Medical Research, 1953-1954
Course File, Biological Aspects of Ionizing Radiation, 1952
Course File, Biophysics
Course File, Introduction to Biophysics
Course File, Radiobiology
Course File, Radioisotopes
Faculty Meeting Minutes
Lectures to Medical Students 1962-1971
Medical Education Committee, Notebook 1959-1963
Newsletters,
Personnel Forms
School of Basic Science materials
VCU response to radiation experiments


J Balvin Honored With Guinness World Record For "Ginza"
"We have a feeling this won't be the last time his music will break records."
Colombian superstar J Balvin has earned a Guinness World Record for his chart-topping hit "Ginza."
It's clear reggaeton's leading man is putting on for Latinos having been named a male ambassador for New York Fashion Week—and now, being honored with a Guinness World Records title for the longest stay at No. 1 on the U.S. Hot Latin Song chart by a single artist.
His hit song "Ginza" has had tremendous success, but just how tremendous has it been? The single off of his fourth album Energia was released in 2015 and held the top spot for a whopping 22 weeks, from October of that year through March 2016.
"I have imagined many things for my life, but never would I have thought to have a Guinness World Records title for my music career. I am very excited, very grateful and I hope this is the first of many," said Balvin in a statement.
Sarah Casson, Guinness World Records adjudicator, expressed her delight with presenting the artist with the award by saying: "Guinness World Records is pleased to recognize J Balvin's impressive accomplishment. We have a feeling this won't be the last time his music will break records."


Domestic Revival. Offshoot of the cult of the Picturesque and the Gothic Revival, it was essentially a style of domestic architecture that incorporated forms, details, and materials found in English vernacular buildings, including steeply pitched tile roofs, dormers, timber-framing and jettied construction, small-paned mullioned and transomed windows (often with leaded lights), tile-hung walls, tall chimneys (often of the Tudor type in carved and moulded brick), and carefully contrived asymmetrical compositions. Also called Old English style.
"Domestic Revival." A Dictionary of Architecture and Landscape Architecture. . Encyclopedia.com. 21 Apr. 2019 <https://www.encyclopedia.com>.


Directory Songs popularized by Steps.
The song "5, 6, 7, 8" popularized by Steps is song number 9003 in the Magic Sing Pop Original 474 Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing Built In 2045 Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing ET19KV 2045 Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 8399 in the Magic Sing ET19KV Extreme Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 07907 in the Magic Sing ET23KH 2045 Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 07907 in the Magic Sing ET23KH Tagalog Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing ET25K 1945 Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 08399 in the Magic Sing ET25K Tagalog Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing ET9K English Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 8399 in the Magic Sing ET9K Extreme Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing MT15K Song Chip.
The song "Deeper Shade Of Blue" popularized by Steps is song number 10145 in the Magic Sing Pop 2200 Song Chip.
The song "Make It Easy On Me" popularized by Steps is song number 4127 in the Magic Sing Tagalog 9 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing Built In 2045 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing ET19KV 2045 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 9130 in the Magic Sing ET19KV Extreme Song Chip.
The song "One For Sorrow" popularized by Steps is song number 07908 in the Magic Sing ET23KH 2045 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 07908 in the Magic Sing ET23KH Tagalog Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing ET25K 1945 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 09130 in the Magic Sing ET25K Tagalog Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing ET9K English Song Chip.
The song "One For Sorrow" popularized by Steps is song number 9130 in the Magic Sing ET9K Extreme Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing MT15K Song Chip.
The song "One For Sorrow" popularized by Steps is song number 10327 in the Magic Sing Pop 2200 Song Chip.
The song "One For Sorrow" popularized by Steps is song number 9648 in the Magic Sing Pop Original 474 Song Chip.


To be eligible to win the ultimate package that includes the entire line of PawSafe household cleaning solutions, that will be reviewed shortly on MommyBlogExpert, just complete the 2 simple required steps below.
Cat or Dog drinking from the toilet bowl !
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Note: Limit of one main entry per contestant.
Do any or all of the following as often as you'd like. You will receive an extra entry for following each of first three types of extra entries. PLUS you can earn an additional entry each and every time you retweet the message below about the contest.
Note: If you do any or all of the extra optional entries, remember that you have already left a comment for the required main entry, so please don't leave additional comments for each extra entry you do.
Additional Contest Rules: Only U.S. legal residents eligible to win. Three PawSafe Prize Packages to be awarded valued at approximately $36 each. Each prize includes the full PawSafe line -- six full size bottles (one each) of PawSafe Toy Cleaner, PawSafe Window Cleaner, PawSafe Tub & Tile Cleaner, PawSafe Floor Cleaner, PawSafe Multi-Surface Cleaner, and PawSafe Toilet Cleaner. Limit of one main contest entry (required), however optional extra entries are unlimited. In either case, each giveaway entrant is limited to one comment on this blogpost. Contest runs now through May 20, 2010 at 11:59 pm PST. The winners will be chosen at random and the winner's names will be posted here shortly after the giveaway has ended.
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FTC Disclosure: MommyBlogExpert received a set of the full PawSafe Household Cleaners line to test. Watch for this separate product review post soon. For this MommyBlogExpert giveaway contest PawSafeCleaners is also providing all prizes. MommyBlogExpert did not receive any payment or other compensation associated with this post or giveaway contest. See complete FTC Disclosure information that appears at the bottom of MommyBlogExpert's main page and at the bottom of every individual post on this blog, including this one.
I follow you on twitter @micaela6955, I had to laugh when I watched the video showing the doggie getting his bone out of the toilet, just this morning I caught my cat Shadow drinking toilet water when he had a bowl full of nice fresh water! I learned that these products are safe to use around children and pets and have earned the Good Housekeeping Seal Of Approval.
Never caught my cat drinking from the toilet bowl, but she fell into the toilet bowl when she was a kitten!
I have caught my doggy drinking from the toilet bowl. That is why I can never get one of those things that turn your water blue. I try to keep the seat down but the kids sometimes leave it up.


text:
Peace Square
in Jindřichův Hradec offers spectacular view at many historical buildings, such as Langr house, Hotel Concertino or the old town hall. The dominant feature of the square is 20 meters high scultpural group of The Holy Trinity.
Homepage > About the town
A number of famous people from Czech history, culture, politics and science have lived and worked in the Jindřichův Hradec region over the centuries. Among them were, first of all, members of the ruling Hradec families, whether they were the lords of Hradec, the Slavata or Černín family, who achieved very honourable positions in the social and political hierarchy of the Czech Kingdom; and close ties with the representatives of the Austrian Monarchy brought a number of Czech kings and Roman Empire emperors to Jindřichův Hradec. These included Ferdinand I, Leopold I (he was raised by Jáchym Oldřich Slavata's wife), Josef I, Karel IV, Marie Terezie, and Josef II (it is said that in 1765 he was not recognised in house no. 133/III and was served milk). The town was visited by both presidents of the first Czechoslovak Republic: T. G. Masaryk and E. Beneš. Many prominent people from the cultural realm are also connected with the town's history. For example, V. Michna of Otradovice, a Baroque composer; and Tomáš of Štítný (around 1333 – 1409), one of Huss' predecessors, attended the school at the Minorite Monastery of St. John the Baptist in Jindřichův Hradec sometime in the 1340's. The work of this amateur religious thinker represented the peak of Czech religious prose of the 14th century. J. K. Tyl was a guest in Jindřichův Hradec, the Čapek brothers worked here, the music composer Liszt spent a night here and so did K. H. Borovský on his way to Brixen.
A decisive role in the development of the region's education and cultural life was played by the Society of Jesus' college in Jindřichův Hradec in the 17th and 18th century. A number of prominent teachers worked at the Jesuit grammar school, the most famous being Bohuslav Balbín (1621-1688), a well-known historian, the author of an encyclopaedia about the Czech Kingdom's national history and geography and a Czech patriot, whose Defence of the Slavic Language, especially Czech, later became a stepping stone for the Czech national revival movement.
Of the many other teachers who worked at the Jesuit grammar school in Jindřichův Hradec, Matěj Václav Šteyer (1630-1692) is also well known; he co-operated on the translation of the St. Wenceslaus Bible and initiated the establishment of the St. Wenceslaus Heritage, which issued Czech books. However, he became famous as the author of the most significant Baroque collection of Czech Catholic spiritual songs, the Czech Hymnbook (also called the St. Wenceslaus Hymnbook).
One of the students of the Jesuit College, later a prominent member of the Czech Literary Brotherhood, was the organist, song and music teacher, poet and especially music composer Adam Václav Michna of Otradovice. This Jindřichův Hradec burgher, a taproom owner, became famous as the author of almost two hundred songs, most of which he published in the collections Czech Marian Music (1647), Czech Lute (1653) and Holy Year Music (1661), which represent the high quality of Czech Baroque spiritual songs and are a distinctive expression of advanced burgher culture in the 17th century.
Carl Ditters von Dittersdorf, a prolific and in his time the most respected music composer (over 40 operas, several oratorios, masses and cantatas, over 120 symphonies, several dozen smaller concertos, serenades and chamber compositions) and founder of the German comic opera, spent his declining years at the Červená Lhota Palace and in the nearby Nový dvůr at the very end of the 18th century. He died in 1799 and is buried in the nearby village of Deštná.
The most well-known and also the most prominent Jindřichův Hradec student was the son of the chief brewer of the Černín family, later the founder of Czech opera, Bedřich Smetana. Young Smetana sang at the choir of the parish church and was taught to play the piano by František Ikavec.
The town was rich with respect to music teachers, composers and fine musicians. Apart from the above-mentioned F. Ikavec, Jan Evangelista Kypta, a spiritual and also dance music composer, worked in Jindřichův Hradec, as did František Vacek, a choirmaster, bandmaster and composer, Jan Baumruk, graduate of the Vienna conservatory, Kamil Voborský, student of Antonín Dvořák, composer and choirmaster, and Vilém Pojman, teacher of Vítězslav Novák, another prominent Czech music composer who attended grammar school in Jindřichův Hradec. Martin Kratochvíl, producer of music instruments, especially pianos, also worked in Jindřichův Hradec; he assembled a new type of instrument called the "coelison" (heaven-sound), shaped like a raised pyramidal piano.
An interesting fact from this era is also the episode from December 1851, when Karel Havlíček Borovský, a prominent Czech journalist, satirist and also politician, whom Jindřichův Hradec citizens had chosen as their candidate for Parliament in 1848, spent a night in the Jindřichův Hradec hotel "U zlaté husy" (At the Golden Goose) on his involuntary journey into exile in Brixen. Havlíček was accompanied on this journey, which he described with humour in his Lament from Tirol, by commissioner Deder, a Jindřichův Hradec native serving the Austrian police.
A number of important politicians also worked in the Jindřichův Hradec region at the end of the 19th and beginning of the 20th century. Of these, especially Jan Slavík, a Jindřichův Hradec attorney and native of the nearby Nový Etynk (Nová Včelnice) stands out; he submitted the first bill on general voting rights in the Austrian parliament as a member of the Imperial Council; other prominent politicians were Antonín Rezek, a Jindřichův Hradec native, who was appointed minister in the Austro-Hungarian government, and František Staněk from Strmilov, who was head of the Czech Club of the Imperial Council and after the establishment of independent Czechoslovakia became a minister in several governments. Franz Ferdinad d'Este, successor to the Austrian throne, was also closely tied to the region; he owned the palace and domain in Chlum u Třeboně, from which he set out on his fateful journey to Sarajevo in 1914. Josef Zítek started his career as an architect in Jindřichův Hradec; in the 1860's he worked for the Černín family and implemented his first project here – the beauty spot restaurant Rudolfov, where Karel Čapek wrote his novel Krakatit 60 years later. Antonín Chittussi chose the surrounding countryside as inspiration for his paintings and Hanuš Schwaiger, a painter, graphic artist and teacher was born right in Jindřichův Hradec. The founder of Czech reportorial photography, Karel Hájek, was born in nearby Lásenice in 1900, and the famous Prague photographer Jan F. Langhans started his career in Jindřichův Hradec. Of artists associated with south-east Bohemia, the most successful was Ema Destinová, a famous Czech opera singer. This prima donna of the Royal Court Opera in Berlin, Royal Opera in London, New York Metropolitan Opera and also an honorary member of the Prague National Theatre, chose the palace in Stráž nad Nežárkou as her home, where she lived from 1914 until her death in 1930. Her personality and artistic heritage is remembered through an exhibition in the Museum of Jindřichův Hradec.
11.4.2011 15:00:56 - updated 13.10.2014 11:48:59 | read 23345x | Vladislav Sochna