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Bosch invests in Mojio, will work with company on connected car crash detection
By Repairer Driven News on July 25, 2018
Announcements | Business Practices | Insurance | Technology
Bosch last month announced a "strategic investment" in connected car company Mojio and will work with the company on technology related to "crash detection and notification."
The innovation agreement between the two technology companies will also work on "vehicle communication and diagnostics," Bosch wrote in a June 27 news release. Mojio's technology already has the capability to detect diagnostic trouble codes; it's unclear which first- or third-party scanning software it draws upon to do so.
Bosch spokesman Tim Wieland said Wednesday that Bosch wasn't providing further details into its crash detection efforts. Bosch Connected Mobility Solutions Group director Kevin Mull told Reuters insurers would be able to use the Bosch-Mojio technology to detect crash intensity and address some claims remotely, without an adjuster visiting the scene.
"By getting access to an incredible amount of (vehicle) data, including very accurate crash detection data with Bosch, we should be able to save lives and make the insurance claims process more effective," Mojio Chief Executive Officer Kenny Hawk told Reuters. The news service reported a goal would be to connect drivers with first responders and a Bosch call center after a crash.
Connected cars able to detect collision indicators like change in velocity and direction of impact would allow insurers and shops to triage volume. Does the delta-V and point of impact suggest a car's going to be a total? Predict as much and send the vehicle right to the scrapyard. Figure out a car was struck at 5 mph? Send it to a lighter-hit facility with availability.
The ability to detect a crash and immediately put the customer in touch with a call center also opens up a tremendous opportunity for insurers and OEMs to recommend auto body shops to the driver.
Mojio's website describes the ability to deliver connected car capabilities to most vehicles dating back to 1996 in the U.S. — essentially, the start of the OBD-II era — and shows an OBD-II plugin as a possible component of the program. However, it's possible to accomplish crash detection and analysis by connecting to the vehicle or with the data collected by a cellphone, and Wieland discussed the Bosch-Mojio partnership having a device-agnostic approach.
Mojio's investors include T-Mobile and Amazon's Alexa Fund, and the company has partnerships with Google, Microsoft Azure, Amazon and IFTTT. It's also the company behind T-Mobile's SyncUP service, a competitor to Verizon Hum.
Asked if the Bosh-Mojio output would be more business-facing (for example, products purchased by a fleet owner or insurer) or consumer-facing, Wieland said there were "multiple paths there," but noted Bosch and Mojio had an "area of comfort" with businesses. Ultimately, the goal would be producing whatever items would "bring value," regardless of market, he said.
"Bosch and Mojio to Deliver Advanced Connected Car Services"
Bosch, June 27, 2018
"Robert Bosch teams with startup Mojio to connect vehicles wirelessly"
Reuters, June 27, 2018
Bosch last month announced a "strategic investment" in connected car company Mojio and will work with the company on technology related to "crash detection and notification." (Provided by Bosch)
Mojio technology can detect diagnostic trouble codes and examine details about a driver's performance. (Provided by Mojio)


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Festival: Iconic Irish film The Field to screen at Sky Road TV & Film Festival
The iconic Irish film The Field will screen at Sky Road TV & Film Festival on Sunday September 7th, with director Jim Sheridan in attendance.
Festival: Irish Film New York to host Jim Sheridan conversation and retrospective
Director Jim Sheridan is set to take the stage, for an on-stage conversation, at the fourth Irish Film New York (IFNY), October 3rd to 5th.

redpajama_set_name: RedPajamaCommonCrawl


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SourceBeat Publishing Announces Release of 'The AppFuse Primer', the First Published Book on Popular Open Source Framework
The AppFuse Primer is now available from the SourceBeat catalog via their website at http://www.sourcebeat.com.
Denver, CO (PRWEB) March 18, 2008
SourceBeat Publishing (http://www.sourcebeat.com) today announces the release The AppFuse Primer, a fundamentals guide to the ins and outs of the AppFuse project (http://www.appfuse.org), the Java EE open source web application framework. The book is written by David Whitehurst, a senior Java technologist and AppFuse Committer.
"I am very excited to see a book on the market for AppFuse," said AppFuse creator and Lead Committer Matt Raible. "My goal when creating the project was to simplify the Java web application creation process, and in the five years since its first release AppFuse has added best-in-breed open source technologies to really assist developers in creating a solid framework for their web applications. This book should help people get up to speed very quickly."
The AppFuse Primer is available on the SourceBeat website for $21.95, as a real-time downloadable PDF from http://sourcebeat.com/books/appfuse.html. It will also be available in print format from http://www.lulu.com/sourcebeat. More information about The AppFuse Primer can be found on David Whitehurst's blog at http://jroller.com/page/dlwhitehurst.
About SourceBeat, LLC
SourceBeat was founded in 2003 as a new way of accessing books on leading open source projects and technologies that allow the content to stay current with the pace of the technology. SourceBeat provides digital and print-on-demand books on the most popular open source projects such as Spring, Tapestry, Java Portlets, Plone, Client-side Java and Eclipse. More information can be found by visiting http://www.sourcebeat.com.
SourceBeat Support
SourceBeat, LLC


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【28】 The Banality of Evil
As I write this book in 2014, the German film Hannah Arendt (directed by Margarethe von Trotta, 2012) is becoming an unexpected hit in Tokyo. A main character in this movie is a famous female philosopher who observed in 1961 the trial of a war criminal, ex-Nazi Adolf Eichmann. She wrote a series of articles about it for The New Yorker, titled "Eichmann in Jerusalem: A Report on the Banality of Evil." It generated quite a controversy.
The cause of the controversy, her conclusion, was that Eichmann, who commanded the Holocaust, had been "nothing but a normal office drudge." Nonetheless, the "banality" of the Nazi policy — the "absolute lack of ideology" coupled with "a mechanism of driving people into submission" — brought about the unprecedented crime of, among other things, the Holocaust. I think Japanese people feel that the similarity between the Nazi situation and our own is creepy.
Some essential and simple questions that Arendt asked were:
"Why did Jewish victims of the Holocaust arrive on time at the transportation points, and board the train to the concentration camps?"
"Why did they not protest, but instead went to the slaughter, dug their own graves, undressed and made neat piles of their clothing, and lay down side by side to be shot?" and,
"Fifteen thousand people were standing there and hundreds of guards facing you – why didn't you revolt and charge and attack?"
These are the very questions Japanese people are asking themselves now.
"Why did we not call to account the political party that caused the worst NPP disaster in human history (LDP) and let it win the election in the following year (2012) with a landslide victory?"
"Why did we turn a blind eye to children's health damage and let victims go back to radioactive land, and why are we now about to allow operations to be resumed?"
"Why do we not discuss such a 'mechanism of driving people into submission' head-on, but instead attack neighbor countries such as South Korea and China hysterically?"
It is about time we discuss the essence of the matter, looking back through history.


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Pay Television Company StarTimes Media will broadcast popular micro documentary The Chinese Dream – 365 Stories produced by Beijing Radio & Television Station. This is the only micro-documentary series in China with 365 story units, focusing on the Chinese dreams and its people, with a vision of telling the original and authentic stories of ordinary people.
The documentaries present unique character narratives that portray the features of the current era, all through extraordinary film-shooting techniques.
"In our effort to boost our informative content and enable our subscribers understand different cultures, we are set to broadcast up to 100 episodes of The Chinese dream which will go a long way towards informing the audience of the working culture of the Chinese people through a series of high quality productions," noted StarTimes Regional Marketing Director, Mr. Aldrine Nsubuga.
Launched by the Information Office of Beijing Municipal Government, the 100-episode micro-documentary The Chinese Dream – 365 Stories Season 4 will be available on StarTimes's digital television network and online video platform in English, French and Portuguese throughout the African continent, beginning on December 27.
StarTimes combined network and platform covers 32 sub-Saharan African countries, including Kenya, Uganda, South Africa, Nigeria, Zambia, Tanzania, Rwanda, Mozambique, Cote d'Ivoire and Ghana, reaching 14 million African households of digital TV users and 28 million African mobile phone users.
The Chinese Dream – 365 Stories, now Season 4, has investigated the viewing preferences of audiences in Nigeria, Tanzania, Mozambique, Cote d'Ivoire, Gabon and other African countries, using the data of the previous three seasons, and carefully selected narratives based on their viewing habits and demands.
It will also include a comment section and lucky draws through the social media site Facebook to further improve audience participation and interaction. This show will provide access for African audiences to learn more about China, and enable them to have a vivid understanding of the capital city Beijing.
linkcontentdevelopers@gmail.com
https://tukonews.co.ke
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adj. capable of being attained or accomplished; "choose an attainable goal"; "art is not something that is come-at-able by dint of study"
adj. not available or accessible or at hand; "fresh milk was unavailable during the emergency"; "his secretary said he was unavailable for comment"


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Knot Move
Asian Americans largest growing people group; Asian American children's authors
by knot move
Asian Americans have long had a presence in northern California. San Francisco has well-established communities of both Chinese and Japanese immigrants, not to mention those that have made their way from Cambodia, Vietnam, Laos, Thailand, Bangladesh, India, and other Asian parts of the world. According to a recent article in the Los Angeles Times, Asian Americans are now the United States fastest growing racial group. Guess which state has the largest population of Asian Americans? Yep; it's California with 5.6 million Asian Americans calling the state home.
Libraries and bookstores are filled with books written for children by Asian Americans. Authors like Allen Say (who went to the University of Berkeley),Yoshiko Uchida, Jiang Hong Chen, Laurence Yep, T. V. Padma, Manjula Padmanabhan, and more have all made long-lasting contributions to children's literature. Are any of your favorites on the list?
Yoshiko Uchida – author of titles such as The Bracelet, A Jar of Dreams, The Magic Purse and The Dancing Kettle
Allen Say – has written and illustrated several picture books including Grandfather's Journey (a Caldecott Medal winner), Tree of Cranes, and Drawing From Memory
T. V. Padma – author of Mathematwist: Number Tales From Around the World, Farida the Fish, and Prakash the Peacock
Jiang Hong Chen – writer and illustrator of Mao and Me, Lian, and Little Eagle
Laurence Yep – Pacific Grove resident and winner of the Newbery Honor twice for Dragonwings and Dragon's Gate. Also the co-author of The Dragon's Child: A Story of Angel Island.
Manjula Padmanabhan – author and illustrator of Mouse Attack, Where's That Cat, and I Am Different! Can You Find Me?
Yumi Heo – author/illustrator of The Green Frogs: A Korean Folktale, The Not-So Itsty Bitsy Spider, and Ten Days and Nine Nights: An Adoption Story
Grace Lin – author of books for young readers and tweens and Newbery Honor book Where the Mountain Meets the Moon, as well as Dim Sum for Everyone and The Year of the Rat
Mitali Perkins – young adult fiction author of titles like Bamboo People, Rickshaw Girl, and Monsoon Summer
This is just a small sampling of the work that has been contributed to the world of children's literature by Asian American authors. If you know of other authors and would like to share their names or book titles, feel free to do so in the comments section.
Outreach Magazine releases list of largest and fastest growing U.S. churches
SCBWI regional conference offers invaluable advice for children's authors
Children's authors Clare Hodgson Meeker and Kit Bakke at Auntie's Bookstore
Creationist authors Ken Ham and Karen Hansel pen children's book
Snowstorm takes toll on Occupy Denver protestors; Group warns 'people will die'
© 2019 Knot Move · Contact · Privacy


This week we are discussing Double Standards. And it seems that we are in luck because the big game is on Saturday and not Sunday.
Secretary, not Spanish and bilingual in English/Spanish! Has to have knowledge of Microsoft Office. The company is a big construction company and is on C/Serrano. Working hours are Mon To Fri 9.00 to 14.00 and rate of pay is around 1,200€ net. This is to start asap.
If you know of anyone who is interested get them to call Iñigo at 91 555 8999, or if in doubt me at 91 556 7804.


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Morecambe war hero TT bid to break world record
A war hero who lost both his legs in Afghanistan will be handcycling the TT race circuit to raise money for charity and break a world record.
Tuesday, 22nd March 2016, 2:25 pm
Updated Thursday, 24th March 2016, 12:22 pm
Stuart Robinson (in the forefront) and Kurt McGuinness undergoing training for their TT handcycle bid.
Stuart Robinson, of Morecambe, will be undertaking the gruelling 37.75 mile challenge with Kurt McGuinness, brother of TT legend John McGuinness and Anton Shephard, a former motocross rider paralysed from the chest down since 2014.
Not only are the three men aiming to raise as much money as possible for RAF charities, they are hoping to break the Guinness World Record for completing the circuit by handcycles if it has not been done before.
Stuart, 33, said: "Myself and Kurt McGuinness went out for a drink at Christmas and Kurt goes across to the Isle of Man every year with John, so we said we could try and hand cycle it. On the handcycle its purely your arms and shoulders that control the steering , gears and brakes and it can ve very, very difficult. It has crept up on us pretty quickly, there are a few nerves but we are also looking forward to it."
Stuart, Kurt and Anton will be starting the circuit at 7.30am on Easter Saturday and plan to complete the course within five or six hours.
They have already raised £500 for the RAF Association, the RAF Benevolent Fundand the British Limbless Ex-Servicemans Association through donations. Stuart said: "On the Saturday evening after the challenge, the British Legion are having a fundraising event to raise more funds.
"We would also like to thank our sponsors Vogue Hair on Morecambe promenade."
The event is on March 26. To donate visit www.virginmoneygiving.com/team/TeamleglessTT.


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Airdate: Robbie Hood
June 26th, 2019 By David Knox Make a commentFiled under: Programming,
Alice Springs comedy shorts Robbie Hood will premiere at on SBS on Demand next week ahead of its broadcast on SBS VICELAND.
SBS Director of Television and Online Content, Marshall Heald said: "Robbie Hood is a uniquely SBS series, equal parts warm, funny and heartbreaking. It represents the best of Indigenous filmmaking and showcases a talented young cast led by skilful director, Dylan River. Robbie Hood will draw audiences into life in Alice Springs, and ask them to consider the value of a strong moral compass in the face of adversity."
Director Dylan River said: "Robbie Hood is my gift to the youth of Alice Springs and the rest of the world. It's inspired by my own life and the first-hand experiences of my friends and family. The show is a combination of the highs and lows of our upbringing in a small desert town that we have a love hate relationship with. I am thrilled to see these stories come to life and find their home on SBS."
Online Investment Manager at Screen Australia, Lee Naimo said: "This series is exactly the kind of online content we seek to support. It's clever, inventive, it shows a part of Australia not often seen on our screens, and it brings together some of our best screen creatives."
Robbie Hood is a modern Australian retelling of a classic tale. The 6 x 10 minute series from director Dylan River is a story about Robbie, a thirteen-year-old misfit with a heart of gold. He and his two best mates — little Georgia Blue and big Little Johnny — skirt the law to right the wrongs they see going down in their hometown of Alice Springs.
With no parental supervision, no money, and only themselves to rely on, Robbie and his friends spend their days getting around on their BMX bikes, causing headaches for the local police and avoiding Robbie's dad. The memory of Robbie's mother sticks in his head though, and his life of mischief is led with a strong sense of right and wrong.
The series features fresh local talent making their Australian television debut. All Alice Springs locals, Robbie and his friends are played by Pedrea Jackson (who plays Robbie, 14 years old), Jordan Johnson (Blue, 13 years old), and Levi Thomas (Little Johnny, 16 years old).
Robbie Hood is directed by Dylan River (Finke: There and Back, Sweet Country), written by Kodie Bedford (Mystery Road, Grace Beside Me), produced by Tanith Glynn-Maloney (She Who Must Be Loved, Nulla Nulla) and Meg O'Connell (Doodles, The Sketchy Show), with Charlie Aspinwall (Bluey, Doodles), Daley Pearson (#7DaysLater, The Strange Calls) and Sue Masters (SBS) executive producing.
Robbie Hood is a Ludo Studio and Since1788 production for SBS. Principal production investment from Screen Australia in association with SBS. Financed with support from Screen Territory with Screen Queensland.
Robbie Hood will premiere at SBS On Demand on Friday 5 July, and screen at SBS VICELAND on Tuesday 9 July at 9.35pm.
Tags: Robbie Hood
Sunday Night: July 21


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No comment?, Land-locked, no sea, toxic lakes but fishing is the must profitable rural farming venture: North west farmers fisheries project
Par BALIMBUM, James Achu, EKOI, Ashu Epemi (juillet 2003)
There was enough land to rear cows but presently, must the land is used for faming of food crops and there is a drastic shortage of meat to support the growing populations of the North West province of Cameroon . The North West province of Cameroon has no sea and all her lakes contain toxic gases, fish meet from the coastal part of Cameroon does not reach in time and usually in a small quantity which is very costly and never reaches must of the rural areas; and even if they do there is no means of preservation especially in the rural areas where there is no electricity and has to be sold only on market days which are once weekly. So all the fish will go bad and business people can't risk that kind of business. Also, meet from bush animals cannot be hunted because of forest , environmental and biodiversity conservation.
To resolve this meet problem, fish ponds were dug in order to obtain meet that can be consumed within the means of the rural population an as a mean of alleviating poverty. Also by digging fish ponds, there will be water to water the gardens during the dry season, protect the environment and foster tourism.
The initiative was started by Mr BALIBUM James and supported by United States of America's peace-corps to Cameroon, the Ministry of Animal breeding, Fisheries and Industry of Cameroon, Japanese Ambassador and the rural farmers themselves. The initiative began in 1985 and the first experience was conducted in Mbengwi (Momo Division) and has now covered all the seven Divisions of the North West Province with the association called NORTH WEST FISHERIES PROJECT (NOWEFIP).
Most of the rural farmers practiced coffee farming which lost market, unemployment and as a result, they were easily convinced to carry out fish farming. To begin with, seminars were organised to educate the farmers on this strange farming in their various villages .Dams had to be constructed first so that they can hold water. Digging of fish ponds consisted of selecting a suitable site that can hold water, airy, and exposed, to sunlight (in most cases in the valleys ). A normal pond should be 300 sq. metres and deepness should be about 4 metres deep. To get water, there must be consideration of the source and must be a running stream all year round. The types of fish grown are Tilapia, Israeli carp and Crowdies. Feeding of the fish constitutes three types of feed such as
Concentrate feed from GROWER ( an animal feed) and it can be used for pigs and fowls
Feed from pig and fowl droppings
Blood mill - collecting of blood from slaughtered pigs which you cook and dry before feeding the fish.
Farmers come to groups so as to ease cost of construction of pond and dam and funds are gotten from sales of fish. Groups constitute about 30 members and some villages have 3 to 5 groups which has promoted the number to 580 fish farming groups in the North West province of Cameroon.
The farmers have been succeeding at the local level but faces challenges from the growing demand of the growing population.
They lack enough capital to build new dams and fish ponds for storage of water and maintenance of old ones.
Lack of capital for building of monks which is the drainage system
Lack of capital for spurning which is rearing offspring
Lack of drugs and capital to buy materials to construct driers for preservation
Lack of capital to buy transportation tanks made of wood for preservation
Despite the above big problems , NOWEFIP fish farmers has registered quite a commendable number of success such as: ready and steady market for fish, farmers are now able to send their children to school, living standards have improved. Also most of the fish farmers have opened small retail stores as a result of fish farming, and have constructed good houses. Again, fish ponds constructed nearer the homes have facilitated the availability of water for themselves, pigs, fowls and gardens. Farmers compete amongst themselves so as to be the best producer and benefit a scholarship that is yearly.
To conclude , there is the need for farmers to come together all over the world to exchange idea , opening of fish farming schools for better education and improvement on methods so that rural population can develop.
This fils was written during the World Peasant Meeting from 6th-11th May in Cameroon
Gouvernance légitime
Refonder le vivre ensemble et l'Etat
Construire la Paix et la Sécurité
Promouvoir les Territoires et le Développement
Géographiques
Alliance pour Refonder la Gouvernance en Afrique (ARGA)
Ouest Foire - Cité Douanes
Villa n°13 - 2F


The general rule under the Australian Taxation Law is that cost of entertainment is not tax deductible. However, the same law also provides that a corporation or a person with a business can claim as tax deduction,in full or a portion thereof,costs or expenses incurred in carrying out a business as long as it is within the set rules.
A justification for a corporate event is not limited to the above. But whatever the event and the reason for conducting it is, it always has for its ultimate objective the realization of a company's short and long-term goals. In fact, most businesses consider corporate entertainment as an investment.
An event budget is essentially a projection of all expenses that are required or related to the delivery and actualization of the event. It could also include a revenue projection if income is expected to be generated from the event.
A corporate event could be a small function attended only by top executives or a big gathering with all the executives and employees in attendance. It could also be a full-blown affair where all the current and prospective clients are invited. Events could be held at the place of business or in large hotels or convention centers. It usually include meals- lunch or dinner, and in some cases live entertainment.
Realistic: Projected expenses and revenues should be backed with realistic assumptions with provision for contingencies.
Complete: Each and every item of event expenditure is provided for in the budget. All expenditures, big or small, should be identified and provided with a budget.
Clear and User-Friendly: The budget must be clear and easy to read and interpret.
A corporate entertainment for employees such as a Christmas party can be taxed under the Fringe Benefit Tax (FBT). A budget for such an event should take into consideration the steps to take so that the expenses, in full or in part, fall under the minorbenefits exemption to reduce the tax liability.


Jo Van de Velde, global head of product management at Euroclear, highlights how regional payments harmonisation provides lessons for global securities markets.
Market participants argue that the proposed Asia Region Funds Passport scheme will help boost penetration of funds automation in Korea and elsewhere in Asia.
Regulatory intervention has helped drive automated fund processing volumes in Taiwan, which is being held up as a model for other markets in Asia.
Hong Kong's central bank hopes that partnering Clearstream will help to reignite interest in its repurchase agreement settlement platform. To date very few deals have been closed.


The "Dining In" is a formal social event involving Marines and their spouses or dates. Marines wear their finest uniform and ladies wear a long or short formal.
The evening begins with a cocktail hour, which is a time to mingle and get to know the other guests. At the appointed time, "Chimes" is sounded, and all except the members of the head table take their places in the dining area. Drinks are left behind, cigarettes are extinguished, and this is the time to use the rest room if necessary. (It's important to note that once the Dining In starts, there is no getting up to use the facilities until the President of the Dining In calls for an intermission. If you become ill and feel the need to leave, your Marine should address the President and ask permission for you to do so. No one may leave the dining area without the President's permission.) Everyone stands until the head table enters and the benediction is said.
At the opposite side of the room (from the head table), "Mr. Vice" sits at a table by himself. Anytime a Marine wants to address the President, he stands and asks permission from Mr. Vice, who in turn asks the President, who may acknowledge or deny the request. At no time will a spouse address Mr. Vice or the President or propose a toast. Before the meal begins, the beef will be brought forward, and the President will taste it to be sure it is "fit for human consumption." Appropriate wine is served with the meal. After the meal is cleared, port wine is brought to the tables, and all glasses are charged for the toasts. If you are a non- drinker, your husband should let Mr. Vice know in advance, so the waiter/waitress will know to bring you a non- alcoholic beverage. It is preferable not to use an empty glass or water for toasting. Usually the smoking lamp is "lighted" at this time, and cigars are passed to the gentlemen. The President may also choose to have a brief intermission to allow those in need "to shed a tear for the enemy" (go to the rest room).
The President may open the floor to fines, which can vary from uniform discrepancies to table manners. The President will levy a fine, which is paid to Mr. Vice. All fines collected go toward the bar bill at the end of the Dining In.
When the toasts are being made, it is important to pay attention to the President. If all are to toast, he will say, "Ladies and Gentlemen." If only the men are to toast, he will say, "Gentlemen." Normally, the only time one does not stand is when the toast is directed to them. For example, the President would say, "Gentlemen, to our lovely ladies," and ladies would remain seated. Another example would be, "Ladies and Gentlemen, to all Vietnam veterans," and all would rise except Vietnam veterans. The final toast is a traditional toast to "Corps and country." Before the toast, a special rum punch will be placed before each individual. It is customary, especially for the Marine, to drink all the punch and turn the glass upside down. If you are uncomfortable with this custom, remember that no one is staring at you to be sure this is done.
At the conclusion of the Dining In, the President will ask all participating to join him at the bar.
This function creates great camaraderie and a chance for Marines as well as their wives to get to know one another on a social level. The evening is very similar to the Mess Night, and will answer a lot of questions you may have as to what transpires at a Mess Night. We highly recommend that you make every effort to attend a Dining In when an invitation is extended. It's quite an occasion — one you're sure to enjoy!
The Marine Corps' Dining In is equivalent to our sister service's (the Navy's) "Dining Out."


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Dwayne Carey-Hill is an American animation director who is currently Supervising Director of the Netflix series, Disenchantment. Prior to Disenchantment, he was a director on Futurama, Comedy Central series Drawn Together, Trumpy's Rhapsody, Tarantula, Clash-O-Rama!, and Coffin Dodgers. He also worked for Sit Down, Shut Up, an animated remake of the 2003 Australian show of the same name. He was director on the animated TV series of Napoleon Dynamite. Additionally, he directed Futurama: Bender's Big Score and Futurama: Bender's Game.

Directing credits

Disenchantment
"Bean Falls Apart"
"The Goo-Bye Girl"
 "Spy Vs. Spy Vs. Spy"
 "The Unbearable Lightning of Bean"
 "What to Expect When You're Expecting Parasites"
 "The Pitter-Patter of Little Feet"
 "Goon Baby Goon"
 "The Cabinet of Dr. Chazzzzz"
 "The Good, The Bad, and the Bum-Bum"
 "Love Is Hell"
 "Bad Moon Rising"
 "Stairway to Hell"
 "A Princess, an Elf, and a Demon Walk Into a Bar"

Trumpy's Rhapsody

Tarantula
 "Pajattery"
 "Seesaw"

Clash-O-Rama!
 "Goblin's Eleven"
 "12 Days of Clashmas"
 "Hog Rider Rides Again"
 "Giant vs. Giant Problem"

Coffin Dodgers

Full English
 "Edgar, Interrupted"
 "Britain's Got Bloodmonkey"

Futurama
"Obsoletely Fabulous"
 "Bender's Big Score" (DVD movie)
 "Bender's Game"  (DVD movie)
 "In-A-Gadda-Da-Leela"
 "A Clockwork Origin"
 "Mobius Dick"
 "Fry Am the Egg Man"
 "Decision 3012"

Drawn Together
"Clara's Dirty Little Secret"
"The One Wherein There Is a Big Twist, Part II"
"Terms of Endearment"
"Captain Girl"
"The Drawn Together Clip Show"
"Wooldoor Sockbat's Giggle-Wiggle Funny Tickle Non-Traditional Progressive Multicultural Roundtable!"
"Mexican't Buy Me Love"

Napoleon Dynamite
"Thundercone"

Sit Down, Shut Up
 "High School Confidential"
 "Pilot"

External links

American animators
Living people
American television directors
American animated film directors
Year of birth missing (living people)

redpajama_set_name: RedPajamaWikipedia


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Talking Pulp
All things pulp and then some
Contact & Submissions
Tag Archives: Jared Leto
Vids I Dig 426: Filmento: 'Blade Runner 2049': Why Great Movies Fail
August 22, 2020 by Talking Pulp	in Videos, Vids I Dig and tagged art, Blade Runner, culture, cyberpunk, Denis Villeneuve, film, Filmento, filmmaking, Harrison Ford, Jared Leto, neo-noir, noir, Philip K. Dick, Ryan Gosling, sci-fi	| Leave a comment
From Filmento's YouTube description: 2017's Denis Villeneueve cyberpunk film Blade Runner 2049 is a remarkable experience… but still ended up flopping in the box office and losing a big bunch of money. We've been talking about bad and mediocre box office flops recently like John Carter and The Lone Ranger, but today let's look at the same topic from the other side of the fence — why a great movie ended up losing money. It's not the biggest box office flop of all time but still. They have Villeneuve making Dune for Warner Bros now, so here's a few things to keep in mind for that.
Vids I Dig 389: Razörfist: 'Blade Runner 2049' Is Bad and You Should Feel Bad
July 16, 2020 by Talking Pulp	in Videos, Vids I Dig and tagged Blade Runner, culture, cyberpunk, Denis Villeneuve, film, filmmaking, Harrison Ford, Jared Leto, neo-noir, noir, Philip K. Dick, Razörfist, Ryan Gosling, sci-fi	| Leave a comment
Film Review: Blade Runner 2049 (2017)
October 6, 2017 by Talking Pulp	in Film Review, Reviews and tagged 2010s, 2017, Blade Runner, Canada, cyberpunk, Dave Bautista, David Dastmalchian, Denis Villeneuve, Edward James Olmos, film, Hans Zimmer, Harrison Ford, Jared Leto, Lennie James, Mackenzie Davis, neo-noir, noir, Philip K. Dick, review, Ridley Scott, Robin Wright, Ryan Gosling, sci-fi, Sean Young, thriller, UK	| Leave a comment
Release Date: October 3rd, 2017 (Dolby Theatre premiere)
Directed by: Denis Villeneuve
Written by: Hampton Fancher, Michael Green
Based on: Do Androids Dream of Electric Sheep? by Philip K. Dick
Music by: Hans Zimmer, Benjamin Wallfisch
Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto, David Dastmalchian, Edward James Olmos, Sean Young
Alcon Entertainment, Columbia Pictures, Scott Free Productions, Torridon Films, 16:14 Entertainment, Thunderbird Entertainment, Warner Bros., 163 Minutes
"Replicants are like any other machine – they are either a benefit or a hazard. If they are a benefit, it's not my problem." – Rick Deckard
Here we go, I've been waiting for this movie since Ridley Scott first mentioned that he had an idea for a followup. This is the film I have most anticipated in 2017. So how did this sequel, thirty-five years after the original, pan out?
Well, it is mostly pretty damn good. It is also a very different film than its predecessor.
While Ridley Scott produced and was originally set to direct this, he gave the job to Denis Villeneuve, a guy who is really making a name for himself as one of the best directors in Hollywood. Between Arrival, Sicario and now this, the 50 year-old director has found his stride and may be blossoming into an auteur for the current generation.
From a visual standpoint, while Villeneuve had a hand in it, the credit really has to go to cinematographer Roger Deakins. He's a veteran of cinema that has worked on some true classics, including twelve collaborations with the Coen brothers, three with Sam Mendes and now three with Villeneuve. Blade Runner 2049 is something Deakins should truly be proud of and it may be his magnum opus as a cinematographer. His work and vision is a clear homage to the original Blade Runner while updating it and moving it into the future. It is still a neo-noir dreamscape with a cyberpunk aesthetic. It employs the same lighting techniques as classic film-noir, as did the 1982 Blade Runner, and it brings in vibrant and breathtaking colors. This is one of the best looking films to come out of Hollywood in quite some time.
The screenplay was handled by Hampton Fancher and Michael Green. Fancher co-wrote the original movie and was partly responsible for giving life to these characters and their world. While the original Blade Runner conveys emotion in a more subtle way, by the time you see the character of Deckard in this film, thirty years later in the story, he clearly wears his emotions on his sleeve, which is a pretty welcome and refreshing change.
We also get little cameos by Edward James Olmos and Sean Young. With Olmos, we see how he has evolved and he gives insight into Deckard. Sean Young appears in order to get a reaction out of Deckard from a narrative standpoint.
Now the star of the picture is Ryan Gosling. Harrison Ford doesn't really show up until the third act of the film. Regardless, Gosling really knocks it out of the park in this. He is one of the best actors working today and he gives a performance that is very well-balanced. Where Ford gave a pretty understated performance in the 1982 film, Gosling feels more like a real person, which is funny, considering that you know he is actually a Replicant in the beginning of the film.
The cast is rounded out by three great females: Robin Wright, Ana de Armas and Sylvia Hoeks. Wright plays Gosling's tough as nails commanding officer. De Armas plays Gosling's right hand, a digital maid, companion and quite possibly the real love of his life. Hoeks plays the villainous Replicant who works for the story's main villain and is sent into the field to fulfill his hidden agenda.
The film also features small but pivotal parts for Jared Leto and Dave Bautista. Leto plays the villain of the story and is the man who bought out the Tyrell Corporation and has made an even larger company that makes a ton of products but primarily focuses on further developing Replicant technology. Bautista plays the Replicant that Gosling is looking for in the very beginning; he has major ties to the film's overarching plot.
One thing that makes the film so alluring, apart from the visuals, is the score by Hans Zimmer and Benjamin Wallfisch. It is a departure from the style Zimmer usually employs. While it still has his touch, it is a score that is truly an artistic extension of Vangelis' work on the original Blade Runner. It has those Zimmer flourishes in it but very much matches up with the audible essence of the first picture.
Everything about this film is pretty close to perfect, except for one thing: the pacing. While there isn't really a dull moment in the film, it does seem to drag on longer than it needs to. Some of the details could have been whittled down. The thing I love about the first film is that it just sort of moves. While a lot doesn't happen in it overall, it still flows, things happen and it isn't over saturated with lots of details or plot developments. Compared to the first, this film feels over complicated. Plus, it is just so long. Maybe I'm getting old but I just don't want to sit in a theater for three hours, unless it's some grindhouse double feature. But I also sat through the first Blade Runner before this, as I caught this on a special double feature bill. I could have just been antsy after being in my seat for over five hours with just a quick intermission.
Blade Runner 2049 is very much its own film. It works as a sequel but it also works as a sole body of work. The fact that it doesn't simply retread the same story as the first and instead expands on it quite a bit, is what makes this a picture that can justify its own existence. Was this sequel necessary? We were fine for thirty-five years without it. But it proved that it is more than just a Hollywood cash grab because of its brand recognition.
Few films these days are truly art; at least films from the major studios. Blade Runner 2049 is a solid piece of cinematic art. While not perfect, it's about as close as modern Hollywood gets these days.
Film Review: Suicide Squad (2016)
December 14, 2016 by Talking Pulp	in Film Review, Reviews and tagged 2010s, 2016, action, adventure, Batman, Ben Affleck, Captain Boomerang, Cara Delevingne, comics, David Ayer, DC Comics, Deadshot, El Diablo (DC Comics), Enchantress (DC Comics), Ezra Miller, fantasy, film, Greg Nicotero, Harley Quinn, Jai Courtney, Jared Leto, Joel Kinnaman, Katana, Killer Croc, Margot Robbie, review, Rick Flag, sci-fi, Suicide Squad, superhero, The Flash, The Joker, Will Smith	| Leave a comment
Release Date: August 1st, 2016 (Premiere)
Directed by: David Ayer
Written by: David Ayer
Based on: Characters from DC Comics
Music by: Steven Price
Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevingne, Ben Affleck, Ezra Miller
DC Entertainment, RatPac-Dune Entertainment, Atlas Entertainment, Warner Bros., 123 Minutes (theatrical), 136 Minutes (extended cut)
Let me start by saying that I am really glad that I didn't pay to see this movie in the theater. From the awful trailers, I expected this to be pretty bad. Well, it somehow managed to exceed the negative expectations I had for it.
It sucks, because on paper, this is a movie I should have loved. I really wanted it to be great. But ultimately, it goes to show that DC has no idea how to make a movie unless Christopher Nolan is in charge of it. I mean, between this, Batman v Superman: Dawn of Justice and Man of Steel, I already want DC to start over.
I watched the extended cut of the film, as I heard that it fleshed things out and made the story more coherent. It did? Because what I got was a very disjointed clusterfuck that made little-to-no sense at all. The film was hard to follow due to its inconsistent pace, awful editing and never really being able to explain what is happening on screen in any sort of intelligible way.
The biggest issue with this picture isn't that it is a giant mess that plays more like a series of vignettes. The biggest issue is that it is trying so damn hard to be cool and edgy.
First is the music. Yes, there are great and iconic songs in this movie. However, they're all songs already used in other films, in other iconic scenes. It's like David Ayer made a Pandora station called "cool music from cool movies" and then just used the first twenty tracks that played. It was really a piss poor use of those songs and their usage doesn't make much sense, for the most part, except to establish, "Look how cool we are using this cool song that everyone knows is cool! Aren't we fucking cool?! C'mon, we're cool, right?!"
Apart from the pop tunes, the score of the film is boring and generic. Suicide Squad is another movie, in a long line of blockbusters, that can't give us any memorable themes to sink our teeth into. Long gone are the days of Danny Elfman's Batman theme, John Williams' Superman theme and a slew of others.
Then you had Will Smith's Deadshot, in 2016, dressed like a cool character from a 70s blaxploitation flick. Killer Croc only cared about having BET in his cell, El Diablo had to play up the Mexican gangster card to the max and everyone else was too uninteresting to matter.
Harley Quinn was tolerable but pretty one-dimensional. The film does nothing really to show how she falls for the Joker. There are just a few flashbacks but they aren't even that important. Sure, she proves her love by jumping into a vat of chemicals but why? Where is the build to that? How did she go from a presumably normal psychiatrist to Harley Quinn? I mean, I know, because I read the comics. But it is obvious from Suicide Squad that the people behind the movie never read them or just didn't care enough about the character to give her life.
The Joker was awful. You had him covered in juvenile tattoos unfitting of the character. The Joker also had fronts in his teeth while being some sort of nightclub owner that cared about supercars and living in opulence. The Joker was also more of a wannabe punker trust fund kid than anything that felt Joker-like, at all. It was like some angry rich emo teen saw the real Joker on television and did his best trying to emulate him, all while never actually understanding the character. Wait, this is Jared Leto playing the Joker, so this is exactly what happened in real life.
The villain is the Enchantress. She is a boring villain. Granted, she is super powerful but that just makes me wonder why this "suicide squad" of extremely dangerous villains, mostly without superpowers, is sent to take her down. Where is Batman? Where is Wonder Woman? Aquaman? The Flash? Superman is "dead", if this fits in the timeline after Batman v Superman. But seriously, wouldn't any of those people be more capable and experienced? And the leader of this squad is a guy who has an emotional attachment to the villain? So the one good guy holding it together and trying to control these villains, is an emotionally unstable wreck?
The writing in this film sucks. The dialogue sucks and just serves the overall point of this whole film, "Ooh, ooh! Look how cool we are!"
The movie is also over two hours, which was too long. It should've been 90-100 minutes. 105, max. There was so much useless garbage scene-wise. Maybe the problem is the fact that they don't even set off on their mission until 43 minutes into the picture.
What really sucks, is that the Suicide Squad was already on the CW show Arrow. They were handled really well and their story was building good momentum. Then because of this film being made, DC told the producers of Arrow to nix those characters. So a really good live-action version of the Suicide Squad was sacrificed to give us this shitty film.
David Ayer made a really bad movie. But that doesn't seem to matter, as DC is letting him make a spin-off called Gotham City Sirens. That film is supposed to feature Harley Quinn and other female Batman villains.
It takes a lot for me to really hate a film. I hate this film. Comic book films have jumped the shark and at this point, it feels like exploitation of the original creators' characters for a quick buck. DC Comics has yet to make a film that has any sort of soul. Suicide Squad is the worst of them, so far. I want to give Wonder Woman and Aquaman a chance but man, am I losing faith. Not that I had much since Man of Steel.
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Film Review: Silent Hill: Revelation (2012)
Retro Relapse: The Impact of Goonery On the Modern Game
Vids I Dig 559: Razörfist: Enter 'Elric of Melniboné' – Razör vs. Comics
Film Review: Paranoiac (1963)
Comic Review: Dungeons & Dragons: Forgotten Realms – The Legend of Drizzt, Vol. 1: Homeland
Vids I Dig 558: Whang!: Filthy Frank's Kenya Song, The Mysterious Power Metal Band and Mislabeled J-Rock
Film Review: The Game (1997)
Comic Review: G.I. Joe: A Real American Hero – Classics, Vol. 15
Vids I Dig 557: The 6:05 Superpodcast: Pat Patterson Special
Film Review: Leprechaun In the Hood (2000)
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Vids I Dig 556: Yesterworld: 5 Stories of Abandoned & Destroyed Disney Theme Park Icons
Film Review: Coming to America (1988)
Book Review: 'The Savage Tales of Solomon Kane' by Robert E. Howard
Vids I Dig 555: Tech Insider: Why Movie and TV Show Phone Numbers All Use "555"
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Comic Review: The Witcher, Vol. 4: Of Flesh and Flame
Vids I Dig 553: The Critical Drinker: 'Batwoman' Season 2: The Funniest Thing I've Seen All Year
Film Review: Bloodshot (2020)
Book Review: 'Florida Mat Wars 1977' by Robert D. VanKavelaar & Scott Teal
Vids I Dig 552: Cartoonist Kayfabe: Superman Vs. Muhammad Ali! Neal Adams Brings The Ruckus!
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Penofin Pro-Tech Stripper - 1 gal.
Pro-tech stripper is the first step if you want to eliminate old failed coating. Penofin Pro-Tech Stripper is intended to remove oil-based wood finishes.
Surface Preparation: Use this product at temperatures when wood is not hot. To eliminate any debris, use a power blower. Keep glass surfaces and metal and tape off any areas not being stripped.
Average gallon coverage: Approximately 300-400 sq. ft. depending on surface type.


tags: astronomy, ASSA Johannesburg Centre, ScopeX.
Scenes from this week-end's excellent ScopeX, hosted by the Johannesburg Centre of the ASSA.
Elsewhere, the Urban Astronomer, Allen Versfeld, has a report and slide-show on his site.


Very low B12 intakes can cause anemia and nervous system damage. The only reliable vegan sources of B12 are foods fortified with B12 (including some plant milks, some soy products and some breakfast cereals) and B12 supplements. Vitamin B12, whether in supplements, fortified foods, or animal products, comes from micro-organisms. Vegans and vegetarians should consume enough B12 to avoid anemia and nervous system damage, but many do but might not get enough to minimize potential risk of heart disease or pregnancy complications.
• Cobalamin - Vitamin B12 can contribute to the reduction of tiredness and fatigue.


text:
Q: Overlapping transparent shades on images in the same line I'm trying to have certain shades (between 4 or 6, with transparency) overlap a few images on one line of a web page. Desired Outcome

The following HTML code stacks images vertically rather than side by side, as does the transparent shades:

How can this properly be displayed?

A: You'll need to float these components left:

See this JSFiddle: http://jsfiddle.net/79ny3/

redpajama_set_name: RedPajamaStackExchange


text:
The 'Noor' effect
A hugely popular Turkish soap opera is shaking the customs of Arab married life across the Middle East.
Noor soap 88 224
(photo credit: )
Every evening for the past four months, a tall young man with soulful blue eyes has been stealing hearts across the Middle East, from the refugee camps of the Gaza Strip to the gated mansions of Riyadh. But it's not just the striking good looks of Mohannad, hero of the hugely popular Turkish TV soap Noor, that appeal to female viewers. He's romantic, attentive to his wife, Noor, supportive of her independence and ambitions as a fashion designer - in short, a rare gem for women in conservative, male-dominated surroundings. Noor delivers an idealized portrayal of modern married life as equal partnership - clashing with the norms of traditional Arab societies where elders often have the final word on whom a woman should marry and many are still confined to the role of wife and mother. Some Muslim preachers in the West Bank and Saudi Arabia have taken notice, saying the show is un-Islamic and urging the faithful to change channels. But all the same, the show may be planting seeds of change. "I told my husband, 'learn from him [Mohannad], how he treats her, how he loves her, how he cares about her,'" said Heba Hamdan, 24, a housewife visiting the West Bank from Amman, Jordan. Married straight out of college, she said the show inspired her to go out and look for a job. Noor seems particularly effective in changing attitudes because it offers new content in a familiar setting: Turkey is a Muslim country, inviting stronger viewer identification than Western TV imports. The characters in Noor observe the Muslim fasting month of Ramadan, and Mohannad and Noor were married in a match arranged by his grandfather. But it also upholds secular liberties: Protagonists have a drink with dinner and sex outside marriage. Mohannad, while faithful to Noor, had a child with a former girlfriend, and a cousin underwent an abortion. The nightly soap opera "shows that there are Muslims who live differently," said Islah Jad, a professor of women's studies at the West Bank's Bir Zeit University. The show's Turkish producer, Kemal Uzun, added: "We are a little more open, not as conservative as some of these countries, and I think this might have some appeal for the audience." Even though some of the racier scenes are sanitized for Arab consumption, clerics have been sermonizing against Noor. "This series collides with our Islamic religion, values and traditions," warned Hamed Bitawi, a lawmaker in Hamas and a preacher in Nablus. BUT THE purists seem powerless to halt the Noor craze. In Saudi Arabia, the only country in the region with ratings, about three to four million people watch daily, out of a population of nearly 28 million, according to MBC, the Saudi-owned satellite channel that airs the show dubbed into Arabic for Middle East audiences. In the West Bank and Gaza, streets are deserted during show time and socializing is timed around it. In Riyadh, the Saudi capital, and in Hebron, the West Bank's most conservative city, maternity wards report a rise in babies named Noor and Mohannad. A West Bank poster vendor has ditched Yasser Arafat and Saddam Hussein for Noor and Mohannad. Jaro's Clothing Store in Gaza City is doing brisk business in copies of blouses seen on the show, including a sleeveless metallic number adapted to Gaza standards by being worn over a long-sleeved leotard. Producer Uzun said the Istanbul villa on the Bosporus, fictional home of Mohannad's upper-class clan, has been rented by tour operators and turned into a temporary museum for Arab visitors. A recent cartoon in the Saudi paper Al-Riyadh showed a plain-looking man marching into a plastic surgeon's office with a picture of Mohannad with his designer stubble. (Kivanc Tatlitug, who plays Mohannad, is an ex-basketball player who won the 2002 "Best Model of the World" award.) In the West Bank city of Nablus, civil servant Muhammad Daraghmeh said he had MBC blocked at home so his kids couldn't watch, but the family vowed to watch it at an uncle's house and he backed down. In Hamas-ruled Gaza, keeping up with Noor is a challenge. When a blackout disrupts viewing, many set their alarms to catch the pre-dawn repeat. In the Shati refugee camp, several teenage girls huddled around an old TV set recently, trying to follow the action despite overflights by pilotless IAF aircraft that can scramble reception. Ala Hamami, 17, wearing a black robe and head scarf, said she looks up to Noor because she is independent. "This series gives strength to women in the future," said Hamami, although she was set on a very traditional path - she had just gotten engaged in an arranged match. The cultural divide between modern Turkey and traditional Gaza became apparent in a scene where Mohannad and Noor, played by Songul Oden, both end up hospitalized. The girls giggled and Hamami quickly changed channels when Mohannad entered his wife's room and lay beside her to comfort her. The display of physical contact clearly made her uncomfortable. Whether the Noor effect will be lasting is not known. The season finale falls August 30, the day before Ramadan begins and religious fervor intensifies. Next up on MBC will be Bab al-Hara, a Ramadan favorite that looks nostalgically at traditional Arab life.


CCleaner 5.42.6495 (64-bit) crashes every time I try to use it. Could use some guidance. Attached debug log Also attached file Report.wer from C:\ProgramData\Microsoft\Windows\WER\ReportArchive\AppCrash_CCleaner64.exe_<long hexidecimal string>\ (not generated at same time as attached debug log).
Crashes happen when I press "Run Cleaner" in the Cleaner, independently of what is checked off. It'll crash when only "Empty Recycle Bin" is checked, and when only "Game Explorer" is checked, but no crashing when nothing is checked. Does not crash when "Analyze" button is pressed.
Tried uninstalling CCleaner, deleting all associated files and registry entries, and reinstalling. Not helpful.
Kaspersky Total Security, and nothing else. Disabled it and tried Ccleaner again, still crashes.
But it was a good idea, I have to disable Kaspersky when I install a new version of the VirtualBox Extension Pack.
Tried again 9:41pm PST, same result.
I have same problem on CCleaner 5.42.6495 on W10 64. Just started yesterday. CCCleaner launches, but when I run "run cleaner", get the windows message "CCleaner has stopped working. A problem caused the program to stop working correctly. Windows will close the program and notify you if a solution is available"
I also have Kaspersky Internet Security. Tried uninstalling and reinstalling CCleaner. Ran avast uninstall just in case avast got installed with CCleaner causing a conflict with Kaspsersky. Restarted. Made sure Kaspersky definitions database was all up to date. Then reinstalled CCleaner again. No luck. Weird. Have been using CCleaner over a decade and this is the first time I've had a problem.
Thank you for the update. I've reverted back to 5.40 (downloaded from https://download.ccleaner.com/ccsetup540.exe). 5.41 also works, but I don't like the functionality changes to CCleaner introduced in 5.41. Let me know when this is fixed.
Those are quite big changes.
Thanks everyone. I reverted to 6.41.6446 (64) All is well now. Hopefully Kaspersky conflict will be resolved in a future release.
Try setting the option as shown in the attached pic. I started having this problem when I installed Kaspersky Internet Security 2019 V19.0.0.1088(a)RC and this stopped the crashing of CCleaner 5.42.6499 when "Run Cleaner" is executed.
SiliconMan01, thank you! Your solution worked for me. However, I have the purchased version, so my option was in the same place, but under "Cleaning results level of detail," third radio button choice. Thank you again!!!
This issue disappeared when I installed 5.43.
I'm also running Kaspersky Internet Security 2019 V19.0.0.1088(a) . Thanks for the fix!
The fix is in the next version, due before the end of June.
Thanks for the fix. My favourite cleaner now works as it should.. What does save to ini file do as I now have that checked.
Today I ran into this problem: When selecting Run Cleaner > Continue, the app automatically closed without running the cleaner. Other functions of the Cleaner worked; however, not that one. I tried the solution posted above on May 22 by siliconman01, i.e., I changed the Cleaner Results option to a file list (from summary).
Today's release has a tentative fix for this. It would be great if anyone would confirm it has worked (we've not been able to reproduce in-house).
I updated to 5.44.6575 today as well. And it continues to crash. Kaspersky 18 full license.
However, the workaround as explained above does work fine.


List of Mining Equipment | Career TrendAccording to the Bureau of Labor Statistics, the mining industry consists of five major segments: coal mining, gas and oil extracting, metal ore mining, non-metal mineral mining and supporting activities such as resource transportation. Each segment requires the use of specific equipment, but there are several types .list of mining equipments and there uses,Modern Mining Equipment - Kentucky Coal EducationModern Coal Related Technology Mining Equipment . Safety Related Equipment · End Uses of Coal. Mining Related Equipment. Equipment used in the Mining Industry today. Surveying. Complex Underground Equipment. Complex underground machines used directly or as support in the mineral extraction process:.
and efficient technology is the key driver to their success. Globally, major mining giants rely on. Parker technologies to provide them with innovative engineered solutions. Photo: Atlas Copco. Underground Membrane. Nitrogen Gas Generator Skid. Parker nitrogen products for mine inerting applications are also uniquely.
Mar 14, 2018 . Heavy equipment types and applications, that you will find at your job site. . List of great construction equipment that you must have on a job site . There are many others and several variations of a construction equipment, but the ones listed below are the most common ones used by contractors.
Surface and underground coal mining are broad activities that incorporate numerous variations in equipment and methods, and the choice of which method to use in . Their locations and the types of facilities installed in them depend on their principal use, whether for worker and material transport, ventilation, drainage and.
There are two basic methods to remove coal: surface mining and underground mining. Surface mining is used . Miners use heavy machinery to cut out the coal and rely on conveyor systems to transport the coal to the surface. Some underground . What Are the Different Types of Surface Mines? Strip and auger mining are.
There are many terms and expressions unique to mining that characterize the field and identify the user of such . For a complete list of mining terminology, see a standard reference (Gregory, 1980; American .. mining equipment, which extracts the softer minerals like coal without the use of explosives, was perhaps the.
The decision of Mine Source Inc./Vale Canada Ltd. is final. Auctioneer gathers information about Bidders/Buyers for the purposes of liquidating surplus equipment. Mine Source Inc./Vale Canada Ltd. does not sell or rent this information. Mine Source Inc./Vale Canada Ltd. uses email mailing lists to notify its customers about.
How to Mine Cryptocurrencies Without a Mining Rig .
Sep 28, 2017 . NiceHash is a hashing power marketplace – a bridge between miners (those with mining equipment) and buyers (those who want to buy hashing power for the purpose of mining). Buying hashing power with NiceHash is similar to cloud mining, with several benefits: ⦁ There are no contracts: If mining is not.
The type of drill bit used in the mining industry is dependent on the type of drilling being done. There are three types of drilling: Percussion drilling - uses steel rock bits of various designs to break up the rock while drilling. Drill hole diameter can vary greatly, but is commonly about 7 centimetres. The bit is rotated and the.
Oct 21, 2017 . He doesn't consider the time he will spend maintaining this mining equipment or the bandwidth it uses as an expense. . nation state experiencing sanctions that suppress their ability to see economic growth and want to mine coins to create wealth outside the control of outsiders ability to stunt their growth.
The initial stage of the program is a pilot study. It was the first step of a number of phases that culminates with the start of the main survey. Pilot study work was based on an initial list of investment products which was drawn from results of similar exercises in different parts of the world. The list comprised products and items.
piece of equipment required in a typical mine, this report focuses on the average energy consumption of similar equipment types to estimate the potential for energy savings for a given process. Similar equipment was grouped into the following categories based on their process use: blasting, dewatering, drilling, digging,.
As part of a crew at a mining site, mining machine operators use hydraulic and motor-driven machinery to drill holes and excavate rocks, metals, and other materials, . For those looking to advance their careers, a 4-year degree in geology or earth science from a college or university may afford them opportunities in mining.
Apr 13, 2017 . With the above, we can recalculate just how much Bitmain makes from their mining operations. We know they'll get roughly 100,000 BTC/yr ($120M/yr) if their hashing power stays at around 13.2% (500PH/s for now). The electricity costs + data center costs are roughly $23M/yr. Their mining equipment costs.
Jan 13, 2018 . It's primarily designed to be used with hardware mining devices but can make use of any GPUs connected to your machine as well. On first . After setup is complete, MultiMiner will automatically scan for mining devices and list their details in a helpful table, such as the pool used and average hash power.


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"The value of Triangles is in connections and networking. I have attended many events and incubators, but never come across the openness and friendliness I have found with Triangles. Entrepreneur wanting to help entrepreneur. It has changed my confidence and my business! I can not thank Triangles enough for the opportunities to stand up and share my idea" Janelle Pollard, Founder.
"The Triangles team are absolute guns at providing Start Up founders productive, effective and value-added tools to propel them to the next stages of their growth. Their guidance has saved us a good 8-months in our MVP development and offering. As a bootstrapped team, that has been priceless!" Maria Calibo-Sales, Founder.
"I am so glad I've come across it and I'm finding it to be such an accessible and supportive environment." Sonia Grebenshikoff, Founder, Adventure & Co.


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#WKND
Home / News / Michael Jackson's Thriller is the First Album Certified RIAA 30X Multi-Platinum
Michael Jackson's Thriller is the First Album Certified RIAA 30X Multi-Platinum
WKND December 16, 2015 News Leave a comment
LOS ANGELES, Calif., December 16, 2015 – The Recording Industry Association of America (RIAA), the Estate of Michael Jackson, Epic Records and Legacy Recordings announced today that Michael Jackson's THRILLER is the first album in RIAA Gold & Platinum Program history to be certified 30X multi-Platinum for U.S. sales, continuing The King of Pop's reign as the biggest selling artist of all time with worldwide sales of over 100 million for Thriller and 1 billion overall.
"RIAA has awarded Gold & Platinum records on behalf of the music business for nearly 60 years, but this is the first time an artist has crossed the 30X multi-Platinum plateau," said Cary Sherman, Chairman & CEO, RIAA. "We are honored to celebrate the unique status ofThriller in Gold & Platinum history. What an exceptional achievement and testament toThriller's enduring spot in our hearts and musical history."
Tags King Of Pop Michael Jackson Quincy Jones RIAA Thriller
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text:
Olympia Candidates Discuss Sea Level Rise Plan
Olympia Plans for Sea Level Rise
Candidates Fishburn, Zita, Miller, Gilman and Rollins comment about sea level rise
Above: Port of Olympia Commissioner E.J. Zita meets with Rueben Males after a community meeting regarding the City of Olympia's sea level rise plan on Tuesday night. Males wants the Port of Olympia to be part of the climate solution, and not the problem, by initiating job creation to renewable energy and promoting the local sale of locally produced electricity.
http://www.janineslittlehollywood.blogspot.com
Several elected officials and candidates for public office were present at the City of Olympia's community meeting on sea level rise issues Tuesday night.
The city revealed a schedule of activities to be spearheaded by the city, the Port of Olympia, and the LOTT Clean Water Alliance.
The process is expected to take 18 months.
This past week, Little Hollywood asked each candidate who was in attendance what they thought about the sea level rise planning meeting, the concerns expressed by community members, the concept of a strategic retreat, and what, if any, questions they had about the process.
Bill Fishburn is running for Port of Olympia commission, District 2, currently held by Bill McGregor.
"….What I see is a plan for a plan….Through a project management lens, I see that the engagement with the public seems late in the process. The first workshop comes three fourths of the way through what appears to be the third phase," said Fishburn.
"The Squaxin Island Tribe, Washington State, and environmental groups appear to be absent from the early discussions and planning. And much of what I can see of the 'plan for a plan' appears to be focused on downtown. Such a narrow scope has the risk of leading to narrow solutions.
"That said, I was impressed by the number in attendance and the willingness of the city to engage with the public outside the milestone dates in their schedule. Since the city signed an interlocal agreement with LOTT and the Port, it was also good to see at least one port commissioner in attendance.
"My question would be: Given some of the pollution present in the impacted areas, what are we doing proactively to deal with that pollution? Between now and 2050, are there other phenomena such as king tides and heavy rains that need to be considered in our interim solutions?
"The strategic retreat discussion is interesting to me for a couple of reasons. I think it's worth exploring, but I think there needs to be a concerted effort to involve the public in how such a retreat would be planned.
"I also find it interesting that at the same time we are talking about sea level rise and how to perform a strategic retreat, the city appears to be still considering permit issuance in places that will be clearly impacted by sea level rise. I wonder if that will make the city and taxpayers responsible for costs associated with sea level rise impacts to buildings resulting from those permits?"
Port of Olympia Commissioner E.J. Zita was in attendance at the meeting. She is running for reelection to her seat in District 3, and has a challenger.
"The City of Olympia has a great start on evaluating risks to our area due to sea level rise," said Zita.
"Andy Haub and colleagues have shared scientific knowledge so we can understand the impacts to Olympia. When seas rise two feet, we can expect flooding downtown every other day. This is likely to happen in our lifetime, since climate scientists expect seas to rise by two meters, over six feet, by 2100. King tides already flood downtown more often, so LOTT has already lifted and waterproofed some of its critical equipment."
"Do Olympia, LOTT and the Port need to consider moving or retreating from some infrastructure and operations? Other cities at sea level or built on fill show that we will have no choice but to consider these options. Many in Northern Europe have developed floating buildings. Does it make sense for Olympia to approve traditional construction where flooding is likely, in the lifetime of proposed buildings? We started some important conversations that will be continued.
"It was disappointing to see no material from the Port of Olympia…. Should the Port increase global warming and sea level rise with fracking sands, or decrease warming by supporting renewable energy infrastructure and job creation? Voters will have a clear choice in the fall port commissioner election," said Zita.
Above: Allen Miller contributed his opinion on a yellow sticky note at the City of Olympia's community meeting on sea level rise planning Tuesday night. It reads: "Dredging Capitol Lake every decade for flood control is much less expensive than removing the tide lock and returning to mud flats."
Allen Miller is a candidate for Olympia city council position #5, an open seat. Two other candidates are also in this race.
"This is certainly the most important environmental issue the city faces. I remember learning about the greenhouse effect in 5th grade….One of the reasons I led the effort to get the Olympia Metropolitan Park District established was to raise the revenue to buy LBA Woods, the Capitol Center Building and the 'Big W' trail," said Miller.
"The 'Big W' trail from West Bay marina to Percival Landing, along the Port Peninsula, and up to East Bay will give us the opportunity for public access to the shoreline while protecting downtown from sea level rise by building the trail at elevation.
"The best available science from Evergreen State College professors Oscar Soule, David Milne, and the late Kaye V. Ladd shows that retaining the tide lock and dredging Capitol Lake will be best for water quality, sediment management, and wildlife, while also providing flood control in downtown and the North Capitol Campus.
"I foresee a Capitol Lake management committee forming with the State, Port, Squaxin Tribe, Thurston County, Olympia, and Tumwater as members which will work together to manage the Lake and Deschutes watershed into the future.
"The State Environmental Policy Act will require us to consider the alternatives including a retreat from downtown. The preliminary information shows that the environmental and economic costs of retreat will be much greater than providing downtown with more flood control, but a cost/benefit analysis will need to be part of the process under SEPA," said Miller.
City of Olympia councilmember Clark Gilman is running to retain the seat to which he was appointed in 2016, Position 4, and has a challenger.
Soon after Gilman was appointed, he famously "threw the skunk on the table" at the council's dramatic study session on sea level rise in February 2016 by questioning the assumption that downtown should be saved.
Little Hollywood asked Gilman after the meeting if he still felt that a strategic retreat should be on the table and explored.
"There were several important questions raised this evening. Most valuable to me were the comments about who should be considered a stakeholder or a recognized organization. I appreciated Judy Bardin's suggestions that we should broaden our outreach and consult with groups who represent social equity, environmental, and community economic development concerns," said Gilman.
"Seeking reelection has not changed my deeply held understanding that the forces of the river and the ocean are mighty and that our best approach to sea level rise is to harmonize waterfront development with those powerful forces.
"I intend to listen and actively participate as a member of Olympia's Land Use and Environment Committee throughout the sea level rise planning process. My position at this point is that it makes practical sense to protect buildings currently in use through their likely useful lives.
"I don't see the community value in advocating for additional residential or commercial development on the port peninsula. I think it makes sense to apply our policy and incentive influence to encourage investment and revitalization on higher ground," said Gilman.
Above: Renata Rollins, right, visits one of the storyboard stations explaining the City of Olympia's sea level rise plans at a community meeting on Tuesday night.
Renata Rollins is a candidate for City of Olympia council Position 6, currently held by Jeannine Roe. There is one other candidate in this race.
"We need to have all options on the table. By limiting the scope of the discussion, we can't be sure we're going to make the right plan, in terms of the environment and the financial/economic costs to the community," said Rollins.
"I also think it would behoove us to plan further than 20 years. We have 100-year sea level projections already, and we know sea level will continue to rise for centuries even if we make drastic CO2 reductions today. The question of whether a particular action is cost-effective depends on the time scale we're looking at. Defense might seem to pay off in the short term when compared against costs such as relocating LOTT and other downtown development. But over 100 years? 500 years? Besides, hopefully by then we're using composting toilets and other sustainable wastewater filtering/treatment methods, making LOTT at its current scale obsolete.
"The fact is, our downtown has been fighting the wisdom of a natural system since the settlers first began to fill the Salish Sea. We take the first step to addressing sea level rise in a realistic way by acknowledging this fact. Doing so doesn't negate the real sentimental value downtown has for many of us, nor the significant financial investments made there by public and private entities, including our friends and neighbors. It costs nothing to acknowledge the wisdom of natural systems. And it opens the door in the present vantage point to understanding our past and envisioning our future in alignment with this wisdom.
"Rather than fighting sea level rise, we can take it as an opportunity to build a resilient community in the face of climate chaos. Perhaps instead of one town "center" we need the neighborhoods to have their own central social and economic hubs, residential options for all incomes and families, and urban farms to guard against food system instability - a development that will be needed as Washington's fastest-growing city.
"We need a plan for emergency services to reach all parts of the city even if downtown streets are flooded. We need to move toward a more ecological plan for our wastewater, including significantly reducing wastewater, rather than depending on an Old World solution like LOTT.
"The creative and practical possibilities for responding to sea level rise are exciting. And I say this as someone who loves downtown and has been emotionally invested in it for years. As someone who loves downtown Olympia, I really feel the folks who have made significant investments here. I think it's only right to reframe the discussion and center the need for a longer-range sea level rise plan, over 100 years, and to choose the best and most cost-effective course of action from that data," said Rollins.
Little Hollywood has written extensively on downtown Olympia sea level rise issues, flooding incidents, the management of Capitol Lake, current sea level rise projections for Olympia with maps and photos. Go to Little Hollywood, http://www.janineslittlehollywood.blogspot.com and type key words into the search button.
Posted by Janine Gates at 11:49 PM No comments:
Labels: allen miller, Big W, bill fishburn, candidates, Capitol Lake, clark gilman, climate change, downtown, dredging, E.J. Zita, election, flooding, Olympia, plan, port, renata rollins, sea level rise, state, washington
Above: Community concerns regarding the City of Olympia's plan to address sea level rise are written on yellow sticky notes, reduced to the length of a tweet, at a community meeting Tuesday night.
The City of Olympia is about to embark upon a very traditional planning process to address the most critical environmental issue threatening the city's very existence: sea level rise.
At a community meeting at the Olympia Community Center Tuesday evening, the city revealed a schedule of activities spearheaded by the city, the Port of Olympia, and the LOTT Clean Water Alliance.
Omnipresent yellow sticky notes were made available to capture and reduce community concerns to soundbites.
City staff also encouraged the public to place little colored coded stickers on a map of downtown Olympia to indicate answers to typical softball questions: "Where have you seen coastal flooding in Olympia in the past?" and "What are your favorite shoreline areas?" and "What features do you like?"
About 40 people were in attendance.
Andy Haub, director of water resources for the City of Olympia, began his presentation with an explanation of how, in 2010, the Olympia city council committed to protect downtown and its infrastructure.
Most notably, this includes the Budd Inlet Treatment Plant, located in downtown Olympia, which treats the region's 12 million gallons of wastewater per day. Valued at $500 million, relocating the plant would cost an estimated $1.2 billion.
Built on fill about 100 years ago, the area of the Port of Olympia, the seventh largest marina in the state, is also expected to be dramatically impacted by just one foot of sea level rise.
"The time is now, and we're vulnerable….The future doesn't feel that far away anymore," said Haub.
Susan Clark, project manager for the city's sea level rise plan, outlined how the plan will be developed and engages the public.
The city has hired an international engineering firm, AECOM, to help implement the plan.
"At $250,000, the planning process reflects the next step. It is not the end point of sea level rise planning….We want to get this right. It's too important not to," said Clark.
She said that over 20 internal working groups are working to develop a framework for the plan. The groups include staff from many departments, including parks, transportation and emergency management, along with elected officials.
An inventory of assets will be conducted, including open space, from the Fourth Avenue Bridge and the isthmus to East Bay and Marine Drive. Private property on East Bay and West Bay will not be included. Then, a vulnerability assessment on those assets will be conducted.
The final step will develop adaptation strategies such as tide gates and retrofits to existing buildings.
The city says it will conduct focus groups with the business community and others, including three workshops, the first to be held in October. The idea is to wrap up the plan by December 2018.
The city has a new electronic newsletter addressing sea level rise planning issues. Community members can self-subscribe to it at olympiawa.gov/subscribe
Above: The city is looking to cutting edge sea level rise planning efforts currently underway around the country. It is particularly looking for guidance from the San Francisco Sea Level Rise Action Plan and the Marin Shoreline Sea Level Rise Vulnerability Assessment. The draft Marin Ocean Coast Sea Level Rise Adaptation Report is currently out for public review, said Susan Clark, project manager for the City of Olympia's sea level rise planning efforts.
Several audience members expressed their displeasure with the Port's contract with Rainbow Ceramics and continued acceptance of ceramic proppants. Others wondered where the funding was going to come from to protect downtown.
Rueben Males was disappointed with the region's approach to sea level rise planning, and said so at the meeting. He has started an organization called Jobs in Renewable Energy, a non-profit cooperative whose purpose is to incubate worker owned cooperatives.
He said he wants the Port of Olympia to be part of the climate solution, and not the problem, by initiating job creation to renewable energy and promoting the local sale of locally produced electricity.
He suggested that the Port of Olympia host the space necessary for a solar farm at the port district's airport property and/or for a solar farm at the port property on Budd Bay.
Community member Judy Bardin, along with several others, was disappointed that the city has apparently still not reached out to local environmental organizations for their assistance and guidance on sea level rise issues.
"Stakeholders are taxpayers," she said. In April, after the last community meeting, Bardin provided the city a comprehensive list of local organizations to contact.
When asked what organizations the city has consulted with to date, Haub responded that he has met with the city's Planning Commission and two Rotary groups, and the Coalition of Neighborhood Associations.
"We need to define what downtown means to us…We can't capture it all, I'm sure. Give us suggestions and a venue and we'll be there," Haub responded.
Local attorney Charlie Roe, father of Olympia city councilmember Jeannine Roe, said that one of the requirements of stated law within the state's Shoreline Management Act is that one option needs to be no action. He asked if the possibility of no action on sea level rise has been ruled out.
"The state is providing some guidance on climate change and sea level rise but it is not a clear mandate. We see this as a local initiative...we have chosen to incorporate it into the city's version of the Act, requiring setbacks along the shoreline…Unfortunately, to be candid, the guidance from federal and state government is very limited these days and we need to move forward," responded Haub.
Little Hollywood has written extensively on downtown Olympia sea level rise issues, flooding incidents, the management of Capitol Lake, and current sea level rise projections for Olympia with maps and photos.
Recent articles include "Olympia Starts Sea Level Rise Planning" at http://janineslittlehollywood.blogspot.com/2017/04/olympia-starts-sea-level-rise-planning.html and "Olympia's Sea Level Rise Plan Begins with Port, LOTT" at http://www.janineslittlehollywood.blogspot.com/2017/04/olympias-sea-level-rise-plan-begins.html
For more articles, go to Little Hollywood, http://www.janineslittlehollywood.blogspot.com and type key words into the search button.
Above: Former City of Olympia councilmember Karen Messmer was happy to express a few opinions about the city's sea level rise plan using several yellow sticky notes at Tuesday night's community meeting.
Labels: act, action plan, andy haub, California, ceramic proppants, charlie roe, city, climate change, downtown, LOTT, marin county, Olympia, plan, port, San Francisco, sea level rise, shoreline master, state, washington


For every company that spills millions of gallons of oil into the oceans, there are plenty more companies operating under this new ethos.
Global Strategy. Random header image... Refresh for more!
Japan market entry: why can business in Japan be difficult?
We are no longer 3; 4.
... could scale with their growth rather than adding more people. Horizon are now achieving more and more with CRM, in their words ''The sky's the limit''.
... fully compliant with the legislation put forward by the commission and fully authorized to sell their products to clients in a number of jurisdictions.
... Business Models Dialogue; 5.


To provide a forum discuss multicultural issues and develop recommendations for consideration by Council.
To improve communication processes between Council and diverse community groups within Randwick City local government area and promote an understanding and appreciation of multiculturalism through consultation and activities.
To increase CALD communities' awareness of and access to Council's services, programs, cultural events and activities.
To develop advice and recommendations to Council on how services could be made more relevant and accessible to local people from a culturally and linguistically diverse background.
not speak publicly such as to the media on behalf of Council.
An opportunity to be heard within Council, expand networks and advocate for local multicultural matters.
The Multicultural Advisory Committee meets bimonthly at the Lionel Bowen Library, Maroubra.


text:
Q: ¿Cómo renombrar una imagen al subir la ruta en MySQL? He intentado con uniqid() para concatenarlo con el nombre de la imagen, pero no lo renombra al pasarlo a la carpeta donde se almacenan, tengo la intención de evitar errores de duplicidad.
$id = 0;
$name = '';
$location = '';
$ruta = '';

if (isset($_POST['save'])){ //el botón que tengo en el formulario tiene el nombre de 'save'
    $name = $_POST['name'];
    $location = $_POST['location'];

    $nombre_imagen = $_FILES['ruta']['name'];
    $temporal = $_FILES['ruta']['tmp_name'];
    $carpeta='multidata';
    $ruta = $carpeta.'/'.$nombre_imagen;
    move_uploaded_file($temporal, $carpeta.'/'.$nombre_imagen);

    $mysqli->query("INSERT INTO data (name, location, ruta) VALUES ('$name', '$location', '$ruta')") or die($mysqli->error);

    $_SESSION['message'] = "Record has been saved!";
    $_SESSION['msg_type'] = "success";

    header("location: index.php");
}

Estoy usando Xampp Server, en la siguiente ruta htdocs/crud/multidata es donde almaceno las imágenes, puesto que subir la ruta en la base de datos, ya lo hace, también muestra la imagen en el index.php. Intenté con getRandomName() pero este último no supe manipularlo.

A: Simplemente tienes que agregar el valor obtenido con uniqid() al nombre de la imagen.
Por ejemplo:
$carpeta='multidata';
$ruta = sprintf("%s/%s_%s",$carpeta,$nombre_imagen,uniqid());
move_uploaded_file($temporal, $ruta);

$mysqli->query("INSERT INTO data (name, location, ruta) VALUES ('$name', '$location', '$ruta')") or die($mysqli->error);

// etc ...

Advertencias sobre la seguridad
La subida de archivos al servidor es un aspecto muy delicado. Si no lo estás haciendo, deberías aplicar restricciones, como por ejemplo, limitar el tipo de archivo que se pueden subir, el tamaño, etc.  Supongamos que permites subir archivos con extensión .php, eso sería un gravísimo agujero de seguridad, porque un usuario mal intencionado puede subir cualquier script .php el cual se ejecutará sin ningún problema, causando todo el daño que el hacker haya programado en él. Revisa las notas del Manual de PHP al respecto.
Tu consulta SQL también es altamente vulnerable a ataques de inyección SQL. Deberías usar consultas preparadas para neutralizar ese riesgo. Mediante inyección SQL el daño que se puede hacer en un servidor también es incalculable.


text:
MY FRIEND DAHMER (15)
Ross Lynch (Status Update), Alex Wolff (Thoroughbreds), Vincent Kartheiser (The Indian in the Cupboard), Anne Heche (Catfight), Dallas Roberts (3:10 to Yuma), Tommy Nelson (Moonrise Kingdom), Harrison Holzer (Sex Tape)
Marc Meyers (Approaching Union Square), director, writer, producer; Milan Chakraborty (Where Hope Grows), Jody Girgenti (Harvest), Adam Goldworm (Vice) and Michael Merlob (film debut), producers; Andrew Hollander (Waitress), composer; Daniel Katz (Before I Disappear), cinematographer; Jamie Kirkpatrick (Chlorine), editor
It's the 1970s, and teenager Jeffrey Dahmer (Lynch) is an awkward high school outcast, with a troubled family life and an unhealthy obsession with collecting roadkill as well as a stern fixation on a neighbourhood jogger (Kartheiser). When he begins acting out at school, he earns the attention and appreciation of a group of geeky outcasts who form the "Dahmer Fan Club", led by aspiring graphic artist John "Derf" Backderf (Wolff). However, it's not enough to keep Dahmer from spiralling further into madness and into much more dangerous territory…
Disney Channel star Ross Lynch – last seen headlining the woeful Status Update – gives a chilling performance as the young version of one of America's most notorious serial killers.
FRIDAY 1ST JUNE 2018
By Jack Martin|May 28th, 2018|Film Previews|0 Comments


text:
// Created by Ron 'Maxwolf' McDowell (ron.mcdowell@gmail.com)
// Timestamp 12/31/2015@4:49 AM

namespace WolfCurses.Module
{
    /// <summary>
    ///     Base implementation of the IModule interface which allows for some overrides to be virtual so every implementation
    ///     doesn't have to use them.
    /// </summary>
    public abstract class Module : IModule
    {
        /// <summary>
        ///     Fired when the simulation is closing and needs to clear out any data structures that it created so the program can
        ///     exit cleanly.
        /// </summary>
        public virtual void Destroy()
        {
            // Nothing to see here, move along...
        }

        /// <summary>
        ///     Called when the simulation is ticked by underlying operating system, game engine, or potato. Each of these system
        ///     ticks is called at unpredictable rates, however if not a system tick that means the simulation has processed enough
        ///     of them to fire off event for fixed interval that is set in the core simulation by constant in milliseconds.
        /// </summary>
        /// <remarks>Default is one second or 1000ms.</remarks>
        /// <param name="systemTick">
        ///     TRUE if ticked unpredictably by underlying operating system, game engine, or potato. FALSE if
        ///     pulsed by game simulation at fixed interval.
        /// </param>
        /// <param name="skipDay">
        ///     Determines if the simulation has force ticked without advancing time or down the trail. Used by
        ///     special events that want to simulate passage of time without actually any actual time moving by.
        /// </param>
        public virtual void OnTick(bool systemTick, bool skipDay = false)
        {
            // Nothing to see here, move along...
        }
    }
}

redpajama_set_name: RedPajamaGithub


Rumble / Unusual Talents - The ability to learn makes us human, and it is a part of our instincts, and that makes us, stronger and smarter. A puzzle is an issue which challenges this capacity. The word puzzle is characterized as, a toy, question, or other creation intended to interest by displaying troubles to be explained by inventiveness or patient effort.
A person has puzzles, which the person may not perceive, in their usual daily schedule. Finishing a homework task or making sense of a timetable, are brisk instances of how baffles entwine in our everyday lives. We challenge our intellect through puzzles, and there are always alternate solutions to this problem. The Rubik's cube is a prime case of a mystery, which has tested the human personality and mind.
However, for someone, solving the Rubik's cube is not such a big deal. Take a look at Alex! During a Rubik's cube competition, Alex managed to solve a Rubik's cube blindfolded in four minutes and 39 seconds! No easy task considering all the possible combinations and the complexity of the execution without looking at the cube! Amazing, isn't it?
We cannot even attempt to solve a Rubik's cube, and we are seriously amazed that there are people out there who can do it so quickly. We've been told that there are little steps and patterns to follow to solve one and maybe someday we will learn them from experts like Alex!
The Rubik's cube is so exciting to solve, and what makes it even more amazing is the fact that is a problem presented in a simple form with primary colors and even more basic moves. A lot of people have taken the test of restoring the Rubik's cube regular pattern, and have been disappointed because of putting in a long time wandering, leaving the shape still unsolved.
To determine this difficulty, people have either tossed the solid form aside, and saying that it is unimaginable, or have quite recently removed the stickers and supplanting them, just so they feel some satisfaction, realizing that they don't need to manage it any longer. It appears that the Rubik's shape has defeated any individual who challenged it. Have you ever tried to solve a Rubik's cube? Do you have any tricks to share with our audience so they can solve it faster? Share with us in our comment section!
Every magician knows that those eye covers are worthless so I'm glad they put the divider in his line of site.