text:
Q: Excel2007 Pivot Table: Get Percentage with respect to number of different values in a field I have a pivot table based on the answers of N persons to M different questions.
Simple Example (in reality their might be more categories for answering than "yes" and "no" and there might also be empty fields with missing answers):

What I'd like to achieve:

*

*I'd like to get the results (number of elements in the different groups) in percent with respect to the number of all people. So in this example I'd like to divide the counts in the pivot table by 10 (number of all people which participated).

I know how to calculate the percentage for a row, but this is not what I want.
Is there a way to calculate the percentage as I'd like to have it (maybe with a user defined formula?)?
I could make the count value of all people (10 in the example) available in a separate cell and then divide all count values by the value of that cell, but I did not find a way to do it in the Pivot Table.

A: Right click on your Count of Answer values and select Summarize Data by, then select More Options. Click on the Show values as tab, and then from the drop down box select % of row.
This will show how the values relate to the groups in the rows.
Pictures to help:

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I live in Canton, Ohio. Make sure you select your model laptop andthe Windows drivers you require and install them. Mine will be forthcoming asap.
Yep, it sounds like you have a bad motherboard. The controller has an Ethernet connection for out-of-band management using Hitachi Device Manager – Storage Navigator. Reconnecting the cable would be the first thing to try.
Not sure how long this going to last.
My compaq G60 laptop dont have ethernet lan driver how i can solve this.
I removed the screw for the dvd rw and it just wont slide out of the computer, not sure if have to take apart the whole assembly to remove the dvd drive, i unscrewed it, but still it wont come out. They did this on purpose. Ok thanks When I bought Laptop it had Vista on it and now i think of it now i do hear from the hard drive,noises… also i know i need to put new thermal paste on the cpu also.
I have found that an external fan under it or keeping the room really cool helps the overheating problem. The Oan and Service Guide c Did hard reset and went through all suggested fixes and nothing.
This tutorial is brilliant. I have a Presario F The LEDs display the operating status of the module.
Try removing them one by one. On my F Presario I dropped it on it side.
Worked fine for a Compaq V with the popular graphics chip problem. These were just removed in STEP These wires have snapped on my F The controller is equipped with LED indicators for monitoring its operating conditions and notifying possible component replacement.
Test the laptop with each memory module separately. I am now looking for a replacement mobo. In order to disconnect the cable you just carefully pull it from the connector.


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'This is not the way to show that you want to govern for ordinary working people', says Frances O'Grady.
UK trade unions have hit out against Theresa May after the prime minister "watered down" a flagship pledge to force companies to have workers and consumers on their boards.
The backlash followed the Conservative premier's keynote speech the Confederation of British Industry's annual conference in London on Monday (21 November).
"While it is important that the voices of workers and consumers should be represented, I can categorically tell you that this is not about mandating works councils or the direct appointment of workers or trade union representatives on boards," May told the business leaders.
The clarification came as the prime minister announced a corporate governance shake-up, which will be open to consultation from businesses.
"If we support free markets, value capitalism and back business – and we do – then we must do everything we can to keep faith with them," May said.
But the GMB Union, which represents more than 620,000 workers, claimed May's "mask" was slipping.
"The Tories can claim to be the party of workers all they want, but actions speak louder than warm words," said Tim Roache, the general secretary of the GMB.
"That the prime minister stood in front of big business today and watered down a pledge made just a few months ago shows us all we need to know.
"The mask is slipping — nice speeches followed by broken promises will not help working people get fairness and dignity in the workplace."
Frances O'Grady, the general secretary of the Trades Union Congress, also attacked May after the speech.
"[The prime minister] made a clear promise to have workers represented on company boards. The proposals in her speech today do not deliver on this," she said. "This is not the way to show that you want to govern for ordinary working people."
"So later this year we will publish our plans to have not just consumers represented on company boards, but workers as well.
"Because we are the party of workers. Of those who put in the effort. Those who contribute and give of their best.
"That's why we announced on Saturday that we're going to review our laws to make sure that, in our modern and flexible economy, people are properly protected at work.
"That's right. Workers' rights – not under threat from a Conservative government."


A delightful revue that celebrates the indomitable spirit of composer, pianist and raconteur, Eubie Blake.
Eubie! is a toe-tapping revue of Eubie Blake songs that stormed Broadway during the 1978-79 season to become the most recent success of a 75-year professional career. Nominated for three Tony Awards, the original production featured a pair of tap dancing wonders – brothers, Maurice and Gregory Hines.
Blake helped break down racial barriers in the landmark 1921 musical, Shuffle Along, the first Broadway musical written, directed by and starring African Americans. The show was a smash hit, opening Broadway to a whole range of black artists and bringing a vital musical influence to the American theatre, which continues to this day.
The soul and sound of the celebrated composer is evoked in over twenty wonderful songs that span the century, including the classic "I'm Just Wild about Harry." With its sizzling score, flexible cast requirements and energetic dance numbers, Eubie! is a perfect showcase for dynamic performers, as well as a crowd-pleasing salute to a true American pioneer.
Filichia Features: Sing and Dance Along with Eubie!


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Raymond C. Thoirs
Corporal, U.S. Army
Company B,
104th Engineer Regiment
Died: October 5, 1918
Buried at: Harleigh Cemetery
Haddon Avenue
Camden NJ
CORPORAL RAYMOND CAMPBELL THOIRS was born April 8, 1896 to James M. and Nellie Thoirs. The family lived at 524 Market Street in Camden NJ, where James Thoirs began operating as a florist in 1888. Raymond Thoirs had been a member of the Camden Lodge 111, Loyal Order of Moose, and as a member of Calvary Presbyterian Church, a member of the Calvary Caledonians prior to his military service.
Raymond Thoirs enlisted in the Company B, New Jersey Engineers on April 30, 1917. He was sent to Camp McClellan, Anniston AL for training, he became a member of Company B, 104th Engineers when that unit was organized at Camp McClellan. The 104th sailed for France on June 20, 1918.
The 104th Engineers had just left Malincourt, France and was on its way to the Argonne Forest when Corporal Thoirs was wounded on September 25, 1918. He died as a result of his wounds on October 5, 1918, at the age of 22.
On December 8, 1918 a memorial service was held for Corporal Thoirs at Calvary Presbyterian Church in Camden NJ.
Memorial Service Program - December 8, 1918
Thoirs Family Gravesite
Harleigh Cemetery
Click on Photo at Right to Enlarge
RETURN TO CAMDEN COUNTY NJ WAR DEAD INDEX

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Q: Condition for independence of two scalar real valued random variables I'm trying to show that given two real-valued scalar random variables $X,Y$ if $$\mathbb{P}\left(X\leq x,\, Y\leq y\right)\cdot\mathbb{P}\left(X\geq x,Y\geq y\right)=\mathbb{P}\left(X\geq x,Y\leq y\right)\cdot\mathbb{P}\left(X\leq x,Y\geq y\right)$$ holds for every $\left(x,y\right)\in\mathbb{R}^{2}$ then $X,Y$ are independent. I tried going at it from the definitions but got a bit stuck, I'd appreciate some help.

A: $P_{X,Y}\left(x,y\right)\left[1-P_{X}\left(x\right)-P_{Y}\left(y\right)+P_{X,Y}\left(x,y\right)\right]=\left[P_{Y}\left(y\right)-P_{X,Y}\left(x,y\right)\right]\left[P_{X}\left(x\right)-P_{X,Y}\left(x,y\right)\right]$
(left-side=right-side)
leads to:
$P_{X,Y}\left(x,y\right)=P_{X}\left(x\right)P_{Y}\left(y\right)$ (independence).
Here $P_{X}\left(x\right)=P\left\{ X\leq x\right\} $, $P_{Y}\left(y\right)=P\left\{ Y\leq y\right\} $
and $P_{X,Y}\left(x,y\right)=P\left\{ X\leq x,Y\leq y\right\} $.
To make things precise every $\ge$ in your question should be replaced by $>$.


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This program is designed for the new and experienced youth soccer player. Each session will have a progression of skills from week to week. Each session will focus on individual ball handling as well as decision making skills, to build a sound technical foundation. Near the conclusion of the training session, children will have a chance to showcase their skills in small sided games. It is our belief that fun, high energy, focused instruction, builds a love and passion for the game. The Head Coaches for the program will be Angie Faraci, Wade Jean, Andrew Lafrenz and Brian Buczek. With a combined 75 plus years of College and High School Coaching, your children will receive instruction from some of the best in New England. To learn more about Brian Buczek, the Founder and Co-Owner of VTUSA, as well as the rest of our coaches, please click here!
Vermont United Soccer Academy is committed to providing progression based technical direction. VTUSA wants to mentor young players to be efficient with both feet and make positive decisions under pressure. We believe creating relationships with their Coaches, Players and Community members is as important as winning. We are in our first year of focused training throughout the winter and it is our belief that there are enough soccer players in the area to have this opportunity. In Lamoille and surrounding counties, we offer an outlet for our children to train on a consistent basis, with high quality Coaching. As the program grows, we will be able to enlarge our numbers and expand into larger spaces.


When Callum and his friends find Iona on Callum's farm they try to chase her back into the village. But Iona runs from them up into the hills. It is late and dark and snow lies in the mountain gullies. Worried for Iona's safety, Callum follows to find her shivering with cold but refusing to leave. She is guarding a secret hidden in the forest above the dark waters of the loch. So they make a deal. Iona shares the secret and in return Callum allows her back onto the farm.
Soar above the clouds in this enthralling tale of friendship, loyalty, and hope by Gill Lewis. Also available are her book Sky Dancer and Scarlet Ibis.


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Share this Story: First Aid for Mental Health
First Aid for Mental Health
Sara McCleary
Anyone looking to learn the skills needed to help those struggling with mental illness might consider taking a mental health first aid (MHFA) course.
Mental Health Commission of Canada worked up the course to ensure the public has the tools needed to provide help to a person developing a mental health disorder, experiencing a mental health crisis, or a worsening of their mental health.
Shawna Varcoe, a certified MHFA facilitator, established Kickstart Mental Health locally to help bring awareness of mental health to the community and to promote early intervention.
She chose an infinity symbol in her logo, explaining, "This is a very important piece, as when you are looking at mental health it is never static: our mental health is forever changing."
The mental health commission developed the MHFA training course because "While people often know a lot about physical illness, most people have little knowledge about mental illness," she said. "This lack of understanding promotes fear and stigma."
Varcoe teaches the 12-hour training course in two six-hour blocks or four three-hour sessions.
The course breaks down into six sections: mental health and mental health problems; substance-related disorders; mood-related disorders; anxiety and trauma-related disorders; psychotic disorders; and resources.
Within those sections, participants understand the basic actions of ALGEE framework:
• Assess the risk of suicide and/or harm.
• Listen non-judgmentally.
• Give reassurance.
• Encourage professional support.
• Encourage other supports."
That framework is intended to ensure participants can have a confident conversation about mental health, Varcoe said..
She believes all members of the public should take the MHFA training course, saying "The skill set MHFA will provide to a person will assist in changing the overall mental wellbeing of our community."
At the moment, however, she focuses heavily on having community support workers take part, such as educators and school support staff, PSWs, paramedics, and bank tellers.
"They often are working front-line with the general public and have little experience in supporting the mental wellbeing of people and when it comes to financials, this is often a very triggering topic for people," Varcoe said.
So far, she has taught 87 participants and the number already signed up for 2020 has "already tripled that."
Varcoe often uses rooms at the Holiday Inn Express, which "provides a safe and comfortable welcoming space for sharing," she said.
However, she often trains employees at businesses that have their own space, "and I am quite portable and willing to travel, so just about any space works for me." Classes need to have between 10 and 25 members.
Canada-wide, more than 400,000 participants have completed MHFA training since 2007. Those who complete MHFA training receive a certificate of completion from Mental Health Commission of Canada.
Unlike regular first aid certificates, an MHFA certificate does not have an expiry on it, Varcoe said. "However, new information and learning tools are always coming about and it is recommended that people take a refresher course every two years."
Her own personal experiences led her to MHFA training, she added.
"I am a developmental service worker and find that the constant support I give when helping others can be physically and emotionally draining, which has always led me back to the question of 'Who supports the support workers?'," she said. "After a significant life change in 2018, I found myself reaching to services for my children and myself as we needed a safe space to talk and I found that although services are available, the wait lists are extensive and the individuals whom I was speaking to at any of the services really did not have the skill set that was needed when dealing with someone frontline who was experiencing a mental health crisis," she said.
As a result, Varcoe reached out to Mental Health Commision of Canada, which pointed her toward mental health first aid.
"The lightbulb came on for me and I quickly decided that this is what I was going to do. I was going to invest into mental health first aid so I could be part of the change."
First Aid for Mental Health Back to video


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Suche Firmen
Carlos Rosario International Public Charter School - Washington, DC (USA)
Appealing and eco-friendly
The Carlos Rosario International Public Charter School in Washington is also a building that dialogues with the local community
Roberta Chionne
Alan Karchmer
Shinberg Levinas Architects
Jud Tile
Belagflächen
Distributon
Atlantic Link
Inaugurated in November 2013, the Carlos Rosario International Public Charter School consists of a grey three-floor volume interrupted by horizontal glazed partitions and a transparent central atrium. Winner of the institutional category in the Tile Competition held at Coverings 2015, the building hosts a resource centre, offices, English language and computing classrooms, four culinary workshops complete with kitchens and a large cafeteria. It was built to host several different institutions: the Carlos Rosario International Public Charter School, the campus of the Ana G. Mendez University System and the headquarters of the Community Capital Corporation.
The need to satisfy different clients and the decision to adapt to the irregular shape of the lot made for an unusual spatial layout that dialogues visually with the neighbourhood through large transparent surfaces. The high energy-efficiency windows not only provide plenty of natural light but also create a sense of physical and emotional well-being. The bright open spaces of the common areas were designed in keeping with the programme of the Carlos Rosario International PCS, a non-profit organisation whose mission is to interact with the community through charity events and mentoring. Both the atrium and the cafeteria host events that allow real contact with the city.
The material bulk of the exterior facades, consisting of an external insulation system and a porcelain panel base, appears to emerge directly from the tarmac, blending in with the colours of the city. The search for visual continuity is also evident in the interiors, where the same porcelain tile is used on the floors in all the common areas. The 1,200 square metres of large-format ceramic tiles (3×1 metres) supplied by the Italian company Lea Ceramiche were one of the key elements of the project, not just in terms of aesthetics but also because of their characteristics of sustainability, hygiene, ease of maintenance, cost reduction and energy saving. There are many other reasons why this specific product was chosen. First, practicality. Given their low thickness (3 mm) and weight (a panel weighs just 7 kg), these products are easy to cut, shape, drill and install. Moreover, the existing floor covering does not need to be removed and disposed of, allowing for savings in labour and costs. Secondly precision: the low thickness allows the floor surface to be installed seamlessly with narrow joints to reduce problems of maintenance and hygiene. Thirdly eco-sustainability: produced from almost 50% recycled materials, these panels were key components of a building with its sights on LEED Gold Certification, awarded in the summer of 2015. Produced without using moulds and sintered at 1200°C in a process that reduces CO2 emissions and the dispersion of fine particles, the panels also contribute to energy saving thanks to their properties of thermal conductivity, which make them ideal for underfloor heating systems and exterior cladding.
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About 1500 Orion customers remain without power on Monday morning, the result of gale-force winds that battered the South Island last Tuesday.
About 28,000 customers were originally cut off and the company worked through the weekend to restore supply. Most of those still without electricity are in rural communities west of Christchurch.
Chief executive Rob Jamieson said the damage is so extensive that numerous repairs are needed that restore only around 20 customers at a time.
He said this means some customers will remain without power for a few more days.


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My Favorite Peculiar Exercise Site
Secure Incredibly Good Wellness Suggestions
New Mexico Doctors Can Help Terminal Patients Die, Judge Says
Posted on January 17, 2014 by billotrogers
Doctors say pressure on ERs may rise, give US failing grade
STORY HIGHLIGHTS A state judge makes the ruling Monday The ruling could make NM the fifth state to allow doctors to prescribe fatal doses to terminal patients New Mexico's attorney general is contemplating whether to appeal (CNN) — In a decision sure to cause debate, a New Mexico judge has ruled that terminally ill, mentally competent patients have the right to get a doctor to end their lives. The landmark decision Monday by New Mexico Second Judicial District Judge Nan Nash came after a two-day trial and could make New Mexico the fifth state to allow doctors to prescribe fatal prescriptions to terminal patients. The ACLU and Compassion & Choices, an end-of-life choice advocacy group, filed the lawsuit on behalf of two New Mexico doctors and cancer patient Aja Riggs. The judge was asked to consider whether the doctors should be allowed to write prescriptions for a terminally ill cancer patient who wanted to use drugs to end her life. 'Heartbroken' right-to-die advocate dies UK man fighting for the right to die Is assisted suicide ever OK? "This Court cannot envision a right more fundamental, more private or more integral to the liberty, safety and happiness of a New Mexican than the right of a competent, terminally ill patient to choose aid in dying," the judge wrote. "If decisions made in the shadow of one's imminent death regarding how they and their loved ones will face that death are not fundamental and at the core of these constitutional guarantees, than what decisions are?" New Mexico's Attorney General's office said it was analyzing the decision to see if it would file an appeal. Paralyzed after falling from tree, hunter and dad-to-be opts to end life Years of debate Most states ban assisted suicide, but aid-in-dying is permitted in Oregon, Washington, Montana and Vermont. The practice has been hotly debated since it was first adopted in Oregon in 1997. But Riggs, the 50-year-old terminally ill cancer patient named in the New Mexico lawsuit, says she's glad she now has a choice. "I am really pleased that the court has recognized that terminally ill patients should have more choice in the manner of their death," said Riggs. The cancer is currently is in remission, but Riggs says statistically her cancer is likely to return. "Most Americans want to die peacefully at home, surrounded by loved ones, not die in agony in a hospital," she said.
this link http://www.cnn.com/2014/01/14/justice/new-mexico-assisted-suicide/index.html
Marys and Charles counties. This year, the CAO is focusing on promoting awareness about the group. The most important thing is how we care for our patients, said Dr. Daniel Bauk, an orthopedic surgeon and partner at Southern Maryland Orthopaedics and Sports Medicine, which has seven doctors and offices in Leonardtown and Waldorf. The Center for Advanced Orthopedics, a separate practice, also has offices in Hollywood and Waldorf, with two doctors and is a member of the CAO. Private practice, Bauk said, gives the most quality, the most compassionate care and is most flexible to patients needs. But the controversy is complex. Newer physicians coming out of medical school may be seeking steady income and more regular hours. Doctors who have been in the game much longer often grapple with the increasing cost of doing business and recruiting new doctors. Some are opting to work in hospital or university systems where paychecks are steady, executives run the business side of things and resources are under one roof. American Medical Association researchers surveyed physicians in 2012 and found that 60 percent worked in practices fully owned by doctors. But there was a shift toward hospital employment, the AMA said. The problem is, Bauk said, intimate doctor-patient relationships seem to be becoming a thing of the past as patients in those larger systems are shuffled from one physician to the next. Doctors in the CAO have maintained their private practices and business models, but say their employees now fall under the CAO, their teams share resources, and theyve reduced overhead, which will allow them to study best practices, for patients and their businesses, over the long term. Joining forces, Bauk said, offers those physicians better bargaining power than they would have alone with insurance companies.
these details http://www.gazette.net/article/20140117/NEWS/140119255/1056/doctors-face-decision-work-for-hospital-or-private-practice&template=southernMaryland
Doctors face decision: work for hospital or private practice
Some health experts have predicted that increasing the number of insured patients should reduce pressure on hospital emergency rooms because access to regular doctor care will improve, something that is hoped would prevent chronic conditions from spiraling out of control or help catch other problems before they worsen. But insurance coverage could also lead those who might have held off going to the emergency room to seek care, said Jon Mark Hirshon, an emergency medicine doctor and researcher at the University of Maryland who oversaw the group's report card. Newly insured people also may have a hard time finding a regular doctor who accepts their plan, he said. "On top of that, emergency departments are open 24 hours a day, seven days a week. If I have a primary care provider but it's 9 o'clock at night on a Friday and they're closed, then people come to the emergency department," Hirshon told Reuters. The group is asking for congressional hearings to probe whether the law puts "additional strains" on emergency rooms. Already, beds for patients have fallen from a rate of 358 per 100,000 people four years ago to about 330 beds per 100,000 people now, the report said. Wait times have increased to a median of 4.5 hours compared to four hours in 2009. Despite the dismal U.S. grade given by the group, it noted that policies and infrastructure varied widely by state. States with the best emergency care include Massachusetts, Maine, Nebraska and Colorado, while Kentucky, Montana, New Mexico and Arizona rounded out the bottom, just above Wyoming. States are also still grappling with the uninsured. By law, hospitals must provide emergency care regardless of patients' ability to pay.
see here now http://www.foxnews.com/health/2014/01/16/doctors-say-pressure-on-ers-may-rise-give-us-failing-grade/
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Q: Firebase console to Google console I have project setup in Firebase console. Firstly I implement Firebase Cloud Messaging and now I want to integrate Google Places API but I don't know how. If I had created the project in Google console then I can do that but I had created in Firebase console.
Firebase console allow us to import project from Google console but is there a reverse way?

A: I was also confused about this.  Initially I thought I had to create a Google Cloud Platform project for a Google Firebase project.  But then I figured out Google Firebase automatically created a Google Cloud Platform project for me.
How to find the Google Cloud Platform project associated with a Google Firebase project:

*

*Take note of the name of your Google Firebase project from https://console.firebase.google.com

*Log into https://console.cloud.google.com

*At the top of the screen, find the project selector (it's to the right of the "Google Cloud Platform" logo)

*On the "Select a project" window, click the "ALL" tab and there should be a Google Cloud Project by the same name as your Google Firebase project you noted above

What initially confused me was the "Select a project" window defaults to a "RECENT" tab.  But when you've just created the project from Firebase's console, it doesn't show up in the RECENT tab of Google Cloud Platform's console.

A: All Firebase projects are also Google Cloud Platform projects. Go to https://console.cloud.google.com to see the project you created at the Firebase console, but from the perspective of Google Cloud services.
You can think of Firebase as adding extra services to a Cloud project that you normally can't see in the Cloud console.


text:
MACU Student-Athletes Honored with Academic Awards
OKLAHOMA CITY– The Sooner Athletic Conference has announced its Academic All-Conference and Commissioner's Honor Roll honorees for the 2018-19 season, and the Mid-America Christian University athletic department was well represented across the board.
MACU had a total of 49 athletes honored as Academic All-Conference across eight of the nine sports in which the Evangels competed. The Evangels also had a total of 85 student-athletes included on the Commissioner's Honor Roll.
"This has been a banner year in the classroom," said Athletics Director Marcus Moeller. "I am extremely proud of the hard work of our student-athletes. This is also a result of our coaching staff working very hard to create a culture where academic success is expected an...
Coach Logan Martin Joins MACU Women's Basketball Staff
OKLAHOMA CITY– Coming off back-to-back NCCAA National Championships, the Mid-America Christian University women's basketball team has added ...
MACU Students Attend Weekend Retreat for Fellowship and Fun
by Emily Ferrell
As a former resident chaplain, the spiritual health of the MACU campus has always had a special place in my heart, so oppor...
As a former resident chaplain, the spiritual health of the MACU...
Converting real life experience into college credit can accelerate path to degree
In the past, college was designed to equip students with the skills and experience needed to succ...
MACU Invites Third Party Comments
Mid-America Christian University is seeking comments from the public about the College in prepara...
MACU Partners with Oklahoma School of Science and Mathematics
It's never been a greater time to meet science with faith.
To match the needs of a buddin...
MACU Hosts 11th Annual Soccer Camp
The eleventh annual MACU soccer camp will be held June 26 through June 29 on the MACU soccer fiel...
Softball Senior Wins 'Heart of the Evangel' Award
On May 2, 2017, Mid-America Christian University held its second annual athletic awards ceremony ...
MACU Soccer Coaches Return to Oklahoma City FC
MACU's co-head soccer coaches Zach Bice and Evan Dresel return to coach the Oklahoma City FC, a m...
Mike Wilkinson Named to Oklahoma Magazine's 40 Under 40 List
For eleven years, Oklahoma Magazine has selected young achievers from across the state –...
MACU's 67th commencement ceremony will be held at 10 a.m. on May 12 at February 16th, 2018
MACU Golf Classic
Will you help us keep education on par? You can now register online for the seventh annual MACU G...
August E-Club Luncheon
The monthly E-Club luncheon will be held at 11:30 a.m. on Wednesday, August 16. Please join us in...
MACU Main Event
Celebrate the new semester with us! Bring your families for food trucks, inflatables and outdoor ...
Alumni Reception
MACU alumni, please join us for a reception at the 2017 Church of God convention at Central...
MACU's 66th commencement ceremony will be held at 10 a.m. on May 13 at Crossings Community Church...
2nd Annual MAACs
MACU Athletics is hosting its second annual MACU Athletic Awards Ceremony at 7 p.m. Tuesday, May ...
2017 Dream Scholarship Gala
MACU is proud to announce its second annual Dream Scholarship Gala to be held at 6 p.m. Thursday,...
OKLAHOMA CITY– The Sooner Athletic Conference has announced its Academic All-Con...
OKLAHOMA CITY– Coming off back-to-back NCCAA National Championships, the Mid-Ame...
MACU Announces Fourth Annual Dream Scholarship Gala
OKLAHOMA CITY– Mid-America Christian University will hold its fourth annual Drea...
MACU Concludes Black History Month With Chapel Service Led by Oklahoma City Thunder Chaplain
OKLAHOMA CITY– To finish its month-long celebration of Black History Month, toda...
MACU Named Military Friendly School for Eighth Consecutive Year
OKLAHOMA CITY– For the eighth consecutive year, Mid-America Christian University...
State Senator George Young Speaks at MACU to Mark the Beginning of Black History Month
OKLAHOMA CITY– To celebrate the beginning of Black History Month, Mid-America Ch...
Former U.S. Congressman Lt. Col. Steve Russell Speaks on the Life, Legacy and Faith of Dr. Martin Luther King Jr.
OKLAHOMA CITY– In his first public appearance since leaving office this month, f...
MACU Named YMCA Service to Youth Award Winner
OKLAHOMA CITY– The Earlywine Park branch of the YMCA of Greater Oklahoma City ha...
MACU
Traditional Admissions


text:
Q: Replace rest of STR to 0 on STR I don't know what question should be,
I have int that need to split like this
$value = 123454

I wan't result like this
100000
20000
3000
400
50
4

currently I do like this
public function displaySong($value){

    $strvalue = strval($value);
    $len = strlen($strvalue);

    for ($x = 0; $x <= $len; $x++) {
        $str = substr($strvalue, $x);
        echo "The number is: $str \n";
    }

    echo $len."\n";
    echo $strvalue[1]."\n";
}

how to make it work? or any have better solution?

A: Give this a try:
$value = '123454';

$array = str_split($value, 1);

$array = array_reverse($array);

array_walk($array, function(&$a, $b){

  $a = $a . str_repeat('0', $b);

});

$array = array_reverse($array);

echo '<pre>';
print_r($array);
echo '</pre>';

Will output:
Array
(
    [0] => 100000
    [1] => 20000
    [2] => 3000
    [3] => 400
    [4] => 50
    [5] => 4
)

A: <?php

$value = (string) 123454;
$len   = strlen($value);

for($i=0;$i<$len;$i++)
    echo str_pad($value[$i], $len - $i, '0') . "\n";

Output:
100000
20000
3000
400
50
4

A: Silly season one liner:
<?php
echo implode("\n",
    array_map(
        function($v, $k) {
            return str_pad($v, $k, 0);
        },
        $digits = str_split(123454),
        range(count($digits), 1, -1)
    )
);

Output:
100000
20000
3000
400
50
4


text:
Organ Harvesting Is Big Business In China
It's pathetic what people are willing to do for money. China is a place where minorities are being abused, deprived of rights and executed! Mainstream media might never show this but after some research i found out that ORGANS of prisoners and minorities are being HARVESTED forcefully in China.
In China, the wait for a vital organ is less than a month, and over 10,000 organs are transplanted peryear. With no effective donation system, where do these organs come from? They come from prisioners, Falun Gong practitioners, Uighurs, Tibetans, House Christians, muslim minorities and Burma. All of this is done behind the curtains and this is a billion dollar industry. Yet, as many as 10,000 organ transplants continue to occur in China each year.
The Chinese regime's macabre practice of killing prisoners of conscience for their organs and selling them to transplant tourists for "huge money" has not abated—that was the grim message imparted at a University of Toronto seminar on May 28.Forced organ harvesting in China was the topic of the seminar, and Winnipeg-based human rights lawyer David Matas told his audience that the vast majority of organs are seized by killing illegally imprisoned Falun Gong practitioners who are targeted by the state.
Matas is co-author of two books on the subject, Bloody Harvest: The Killing of Falun Gong for Their Organs and State Organs: Transplant Abuse in China. His work on drawing attention to the issue worldwide since 2006 garnered him a Nobel Peace Prize nomination in 2010.
He said detained Falun Gong practitioners are routinely blood-tested and have their organs examined while other prisoners do not.
"The blood testing and organ examination could not have been for the health of the Falun Gong practitioners since they had been tortured—but it would have been necessary for organ transplants," he said.
China has a minimal organ donation system, Matas said, yet about 10,000 transplants are carried out per year. Beijing's official explanation has traditionally been that the organs came from prisoners sentenced to death.
Matas and former MP David Kilgour published their initial report on illicit organ harvesting in China in 2006, and in the following years the regime made noises about shifting organ transplantation from death-row prisoners to donors.
In April this year, however, health authorities publicly abandoned the commitment to end the sourcing of organs from prisoners, a development that doesn't bode well for prisoners of conscience, Matas said.
"If the killing of prisoners for organs ended, then the killing of prisoners of conscience for organs would also end. The fact that the killing of prisoners for organs is now the official policy even of the reform elements of the Chinese transplant system means that the possibility of this shortcut to ending the killing of prisoners of conscience for organs is gone."
Waiting times for transplants of organs in China are days and weeks, Matas noted, while everywhere else in they are months and years.
"A short waiting time for a deceased donor transplant means that someone is being killed for that transplant," Matas said.
He said there is a "heavy militarization of transplantation" in China, and hospitals with a ready supply of available organs are often military hospitals.
"Even in civilian hospitals, the doctors performing operations are often military personnel. The military have a common culture with prison guards and readier access to prisoners as organ sources than civilian hospitals and civilian personnel do," he said.
"In China, the military is a conglomerate business and the sale of organs is a prime source of funds."
Falun Gong, also called Falun Dafa, is an ancient Chinese spiritual discipline that had between 70 and 100 million adherents when the Chinese regime launched a crackdown on it in 1999. The resulting campaign of persecution, which continues today, has seen tens of thousands of practitioners imprisoned and tortured, and countless families torn apart.
Nearly 4,000 practitioners have been confirmed dead as a result of the persecution, with up to 65,000 killed for their organs, according to estimates by Ethan Gutmann, a U.S. author who has been writing about Falun Gong since 2002.
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text:
package org.spectingular.spock.api;

import org.slf4j.Logger;
import org.spectingular.spock.domain.State;
import org.spectingular.spock.domain.Task;
import org.spectingular.spock.dto.Error;
import org.spectingular.spock.dto.TaskDto;
import org.spectingular.spock.services.ReportService;
import org.spectingular.spock.services.TaskService;
import org.springframework.dao.DuplicateKeyException;
import org.springframework.stereotype.Component;

import javax.annotation.Resource;
import javax.validation.Valid;
import javax.ws.rs.*;
import javax.ws.rs.core.MediaType;
import javax.ws.rs.core.Response;
import java.util.Optional;

import static java.lang.String.format;
import static javax.ws.rs.core.Response.Status.CONFLICT;
import static javax.ws.rs.core.Response.ok;
import static javax.ws.rs.core.Response.status;
import static org.slf4j.LoggerFactory.getLogger;

/**
 * Endpoint for exposing {@link org.spectingular.spock.domain.Task}s.
 */
@Component
@Path("/api")
@Produces(MediaType.APPLICATION_JSON)
public class TaskResource {
    private static final Logger LOG = getLogger(TaskResource.class);
    @Resource
    private TaskService taskService;
    @Resource
    private ReportService reportService;

    /**
     * Gets all {@link org.spectingular.spock.domain.Task}s that are registered for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param phaseName   The phase name.
     * @return response The response.
     */
    @GET
    @Path("/builds/{buildNumber}/phases/{phaseName}/tasks")
    public Response all(final @PathParam("buildNumber") int buildNumber, final @PathParam("phaseName") String phaseName) {
        Response response;
        try {
            LOG.debug(format("Get all tasks for build with number [%d] and phase with name [%s]", buildNumber, phaseName));
            response = ok(reportService.findTasksByBuildNumberAndPhaseName(buildNumber, phaseName)).build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }

    /**
     * Gets the {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param phaseName   The phase name.
     * @param taskName    The task name.
     * @return response The response.
     */
    @GET
    @Path("/builds/{buildNumber}/phases/{phaseName}/tasks/{taskName}")
    public Response get(final @PathParam("buildNumber") int buildNumber, final @PathParam("phaseName") String phaseName, final @PathParam("taskName") String taskName) {
        Response response;
        try {
            LOG.debug(format("Get task with name [%s] for build with number [%d] and phase with name [%s]", taskName, buildNumber, phaseName));

            final Optional<TaskDto> ot = reportService.findTaskByBuildNumberAndPhaseNameAndName(buildNumber, phaseName, taskName);
            if (ot.isPresent()) {
                response = ok(ot.get()).build();
            } else {
                response = status(CONFLICT).entity(new Error("Task with name [%s] for phase with name [%s] and build with number [%d] cannot be found", taskName, phaseName, buildNumber)).build();
            }
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }

    /**
     * Gets all {@link org.spectingular.spock.domain.Task}s that are registered for the {@link org.spectingular.spock.domain.Module} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param moduleName  The module name.
     * @param phaseName   The phase name.
     * @return response The response.
     */
    @GET
    @Path("/builds/{buildNumber}/modules/{moduleName}/phases/{phaseName}/tasks")
    public Response all(final @PathParam("buildNumber") int buildNumber, final @PathParam("moduleName") String moduleName, final @PathParam("phaseName") String phaseName) {
        Response response;
        try {
            LOG.debug(format("Get all tasks for build with number [%d] and module with name [%s] and phase with name [%s]", buildNumber, moduleName, phaseName));
            response = ok(reportService.findTasksByBuildNumberAndModuleNameAndPhaseName(buildNumber, moduleName, phaseName)).build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }

    /**
     * Gets the {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param moduleName  The module name.
     * @param phaseName   The phase name.
     * @param taskName    The task name.
     * @return response The response.
     */
    @GET
    @Path("/builds/{buildNumber}/modules/{moduleName}/phases/{phaseName}/tasks/{taskName}")
    public Response get(final @PathParam("buildNumber") int buildNumber, final @PathParam("moduleName") String moduleName, final @PathParam("phaseName") String phaseName, final @PathParam("taskName") String taskName) {
        Response response;
        try {
            LOG.debug(format("Get task with name [%s] for build with number [%d] and module with name [%s] and phase with name [%s]", taskName, buildNumber, moduleName, phaseName));
            final Optional<TaskDto> ot = reportService.findTaskByBuildNumberAndModuleNameAndPhaseNameAndName(buildNumber, moduleName, phaseName, taskName);
            if (ot.isPresent()) {
                response = ok(ot.get()).build();
            } else {
                response = status(CONFLICT).entity(new Error("Task with name [%s] for phase with name [%s] and module with name [%s] and build with number [%d] cannot be found", taskName, moduleName, phaseName, buildNumber)).build();
            }
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }

    /**
     * Creates a {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters
     * @param buildNumber The build number.
     * @param phaseName   The phase name.
     * @param task        The {@link org.spectingular.spock.domain.Task}.
     * @return response The response.
     */
    @POST
    @Consumes(MediaType.APPLICATION_JSON)
    @Path("/builds/{buildNumber}/phases/{phaseName}/tasks")
    public Response start(final @PathParam("buildNumber") int buildNumber, final @PathParam("phaseName") String phaseName, final @Valid Task task) {
        Response response;
        try {
            LOG.debug(format("Register task with name [%s] for build with number [%d] and phase with name [%s]", task.getName(), buildNumber, phaseName));
            taskService.register(buildNumber, phaseName, task);
            response = ok().build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        } catch (DuplicateKeyException e) {
            response = status(CONFLICT).entity(new Error("Task with name [%s] has already been registered for phase with name [%s] and build with number [%d]", task.getName(), phaseName, buildNumber)).build();
        }
        return response;
    }

    /**
     * Updates the {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param phaseName   The phase name.
     * @param taskName    The task name.
     * @param state       The state.
     * @return response The response.
     */
    @PUT
    @Path("/builds/{buildNumber}/phases/{phaseName}/tasks/{taskName}")
    @Consumes(MediaType.APPLICATION_JSON)
    public Response finish(final @PathParam("buildNumber") int buildNumber, final @PathParam("phaseName") String phaseName, final @PathParam("taskName") String taskName, final @Valid State state) {
        Response response;
        try {
            LOG.debug(format("Update task with name [%s] for build with number [%d] and phase with name [%s]", taskName, buildNumber, phaseName));
            taskService.update(buildNumber, phaseName, taskName, state);
            response = ok().build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }

    /**
     * Creates a {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters
     * @param buildNumber The build number.
     * @param moduleName  The module name.
     * @param phaseName   The phase name.
     * @param task        The {@link org.spectingular.spock.domain.Task}.
     * @return response The response.
     */
    @POST
    @Consumes(MediaType.APPLICATION_JSON)
    @Path("/builds/{buildNumber}/modules/{moduleName}/phases/{phaseName}/tasks")
    public Response start(final @PathParam("buildNumber") int buildNumber, final @PathParam("moduleName") String moduleName, final @PathParam("phaseName") String phaseName, final @Valid Task task) {
        Response response;
        try {
            LOG.debug(format("Register task with name [%s] for build with number [%d] and module with name [%s] and phase with name [%s]", task.getName(), buildNumber, moduleName, phaseName));
            taskService.register(buildNumber, moduleName, phaseName, task);
            response = ok().build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        } catch (DuplicateKeyException e) {
            response = status(CONFLICT).entity(new Error("Task with name [%s] has already been registered for phase with name [%s] and module with name [%s] and build with number [%d]", task.getName(), moduleName, phaseName, buildNumber)).build();
        }
        return response;
    }

    /**
     * Updates the {@link org.spectingular.spock.domain.Task} for the {@link org.spectingular.spock.domain.Build} and {@link org.spectingular.spock.domain.Phase} matching the given parameters.
     * @param buildNumber The build number.
     * @param moduleName  The module name.
     * @param phaseName   The phase name.
     * @param taskName    The task name.
     * @param state       The state.
     * @return response The response.
     */
    @PUT
    @Path("/builds/{buildNumber}/modules/{moduleName}/phases/{phaseName}/tasks/{taskName}")
    @Consumes(MediaType.APPLICATION_JSON)
    public Response finish(final @PathParam("buildNumber") int buildNumber, final @PathParam("moduleName") String moduleName, final @PathParam("phaseName") String phaseName, final @PathParam("taskName") String taskName, final @Valid State state) {
        Response response;
        try {
            LOG.debug(format("Get task with name [%s] for build with number [%d] and module with name [%s] and phase with name [%s]", taskName, buildNumber, moduleName, phaseName));
            taskService.update(buildNumber, moduleName, phaseName, taskName, state);
            response = ok().build();
        } catch (IllegalArgumentException e) {
            response = status(CONFLICT).entity(new Error(e.getMessage())).build();
        }
        return response;
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: How to get corresponding fields when selecting specific columns? Here is the code:
// User Model
type User struct {
    UserID        int           `db:"user_id"`
    UserNme       string        `db:"user_nme"`
    UserEmail     string        `db:"user_email"`
    UserAddressID sql.NullInt64 `db:"user_address_id"`
}

func (ur *userRepository) FindAll() ([]models.User, error) {
    var users []models.User
    query := "select user_nme from users"
    err := ur.Db.Select(&users, query)
    if err != nil {
        return nil, err
    }
    return users, nil
}

Result:
&[]models.User{models.User{UserID:0, UserNme:"Jay Durgan", UserEmail:"", UserAddressID:sql.NullInt64{Int64:0, Valid:false}}, models.User{UserID:0, UserNme:"Arne Balistreri", UserEmail:"", UserAddressID:sql.NullInt64{Int64:0, Valid:false}}, models.User{UserID:0, UserNme:"Greg Willms", UserEmail:"", UserAddressID:sql.NullInt64{Int64:0, Valid:false}}, models.User{UserID:0, UserNme:"Lady Aisha McLaughlin", UserEmail:"", UserAddressID:sql.NullInt64{Int64:0, Valid:false}}, models.User{UserID:0, UserNme:"Mrs. Phoebe Boyle", UserEmail:"", UserAddressID:sql.NullInt64{Int64:0, Valid:false}}}%

As you can see, I didn't query user_id, user_email and user_address_id columns, but the result give me these fields with zero value.
So, is there a way only get the fields correspond to the queried columns?
Beside, I don't want to write it like this: &user.userNme, &user.xxx, &user.xxx which means write each field and populate it. It's too verbose.
Expected result is: {UserNme: "Jay Durgan"}...

A: You can try this
func (ur *userRepository) FindAll() ([]models.User, error) {
    users := []models.User{}.UserNme
    query := "select user_nme from users"
    err := ur.Db.Select(&users, query)
    if err != nil {
        return nil, err
    }
    return users, nil
}

Also you can follow this link
http://go-database-sql.org/retrieving.html

A: By using struct, you can't.
The other fields will still be there with it's zero value. The fields are property of the struct so whether you need it or not, whether it stored retrieved value from db operation or not, all the fields will still be there.
The only solution for your case is by using map, so only value of correspondent fields will be retrieved.
var users []map[string]interface{}
query := "select user_nme from users"
err := ur.Db.Select(&users, query)
if err != nil {
    return nil, err
}

Result:
&[]map[string]interface{}{map[string]interface{}{UserNme:"Jay Durgan"}, ...}


Develop a strategy for implementing effective open book contract management systems and processes, maximise your value for money, and achieve tough targets.
The course focuses on the use of open book accounting techniques when operating cost reimbursable construction contracts such as the NEC3 options C, D and E, the JCT Constructing Excellence contract, the IChemE Green and Burgundy Books and the Public Sector Partnering Contract.
By using your existing knowledge of relevant contractual processes as a basis, you will develop an understanding and a strategy for implementing effective open book contract management systems and processes leading to improved efficiencies in the supply chain.
Anyone involved in cost reimbursable and target contracts.
Fill out your details to find out more about Construction Projects - Open Book Contract Management.


On Update 9.16 there will be improvements in the visibility system. Now, spotted vehicles will be displayed much quicker on screen – the difference will be particularly noticeable when spotting enemy vehicles at a distance of more than 300 metres.
Achieving this improvement to the spotting system required solving two problems: firstly, how to rework the server calculations and, secondly, how to speed up the display of spotted vehicles in the game client.
Our server programmers re-wrote the visibility-system code, keeping all previous operating rules. The transfer to a more effective programming language allowed them to reduce the server load and increase the performance of the visibility system. In other words, the system started working more effectively while using the same rules and consuming less resources.
Detection Check is a server request that determines whether an enemy vehicle is within the visibility range and whether it can be spotted. The visibility check is performed constantly, with its interval depending on the distance from the enemy.
The interval between visibility checks depends on their distance: checks are more frequent at a short distance, and as the distance increases the interval increases as well. The optimisation performed allowed us to increase the number of visibility checks two-fold at nearer distances and adds additional simplified checks for further distances, leading to a three-fold increase in the total number of visibility checks in comparison with the previous version. The increased frequency of visibility checks in turn allows us to reduce the delay when displaying spotted vehicles.
Client-related improvements have saved about 60–70% of the time required to render a vehicle model. Now, when entering a battle, the vehicle models and map objects are all loaded in together. This solution allowed us to reduce the rendering time upon spotting as well as the possibility of "freezes" when enemy vehicles are spotted.


text:
Q: Proof request of $p(A) < 1 \space \text{iff} \space \lim_{k \to \infty} A^k = 0$ I'm seeking a proof to the following lemma that I found being stated without being proven at my Numerical Linear Algebra course textbook, which involves a correlation between the spectral radius of a matrix $A$, $p(A)$ and the limit of the power of $A$ :

Let $p(A)$ denote the spectral radius of the matrix $A$.
Then, it is $p(A) <1$ if and only if $\lim_{k \to \infty} A^k = 0$.


Premier Leaugue side, Everton, have completed the signings of Yerry Mina and Andre Gomes from Barcelona.
Everton have reached an agreement with Barcelona to sign Colombia defender Yerry Mina for 30.25m euros (£27.19m), while agreeing to sign Mina's team-mate, Andre Gomes on loan.
The Toffees have also signed Brazilian winger, Bernard on a permanent deal.
Barcelona said they reserve the right to buy Mina back, while Gomes will cost Everton a £2m loan fee.
"Everton is historically the fourth most successful club in England," said Bernard.
25-year-old Bernard, was out of contract after leaving Ukrainian club, Shakhtar Donetsk in June.
Everton have yet to announce Mina and Gomes but Barcelona said on their website that they had reached agreements for both to move to Goodison Park.
🇧🇷 | Bernard signs a four-year contract with the Blues!
Mina's arrival will mean Everton have spent more than £60m in the past two weeks following the initial £35m arrival of Brazilian winger Richarlison from Watford, a deal that could rise to £50m.


The ever gorgeous Alessandra Ambrosio got snapped while visiting a friends house in Beverly Hills, California a little while ago. She took her little doggy along for the trip while buzzing her way into the building. She was then pictured saying goodbye.
Alessandra of course wore a pair of RE/DONE Levi's jeans, opting for the Leandra which we have seen her in before, however this is a different pair. I spoke to RE/DONE Levi's about these jeans as I wasn't completely sure if they were the Leandra due to these having a finished hem, while all the Leandra's usually come with a chopped off raw hem. It seems that sometimes a Leandra will get through with a finished hem as it suits the wash more, so that's great to hear if you don't like raw hems, you can still get hold of a Leandra!
Alessandra paired her RE/DONE Levi's with a burnt orange crochet top and some brown wedges for the day, with some light accessories. I actually think this might be one of my favourite denim outfits that Alessandra has ever worn. I love her looks in general, but these jeans are incredibly flattering on her and the rest of the outfit is perfect.
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TanyashahidAS
Welcome to the storytellers domain
Preliminary Activity
Critical Reflection
FINAL PRODUCTION PORTFOLIO
Hello to whoever is reading this ,I hope you share the same love if film as I do and I hope you have a marvelous day
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EVALUATION QUESTION 4
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PRE-LIMINARY VIDEO
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FINAL FILM
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Genre Research
What is genre?
What does genre mean? Genre is the organization of literature into categories
based on the type of writing the piece exemplifies through its content, form, or
style. Genre is used to group various types of art according to a predictable range
of features and expectations. So if you go into a bookstore and buy a fantasy novel,
you'll be expecting to read about an imaginary place with fairy tale elements, such
as wizards with supernatural powers and magic and not a non-fiction account of
the Vietnam War.
Types of genre
Action Genre
Animation Genre
Comedy Genre
Crime Genre
Drama Genre
Experimental Genre
Fantasy Genre
Historical Genre
Horror Genre
Romance Genre
Science Fiction Genre
Thriller Genres
Western Genres
What is sub-genre?
Sub-Genres are more specific sub-classes of the larger category of main film
genres, with their own distinctive subject matter, style, formulas, and
iconography. Some of them are prominent sub-genres, such as: biopics,
'chick' flicks, courtroom dramas, detective/mystery films, disaster films,
fantasy films, film noir, 'guy' films, melodramas (or 'weepers'), road films,
romances, superhero films, sports films, supernatural films,
thrillers/suspense, and zombie-horror films. See also film sub-genres types
(and hybrids) – films that combine many different film elements (i.e., action-
comedies, zombie-disaster-thriller, martial arts/kung-fu or video-game
action, musical drama, etc.).
What is Hybrid genre?
The combination of two or more genres. Back to the Future 3 (1990)
combines elements of science fiction and western films. Such combinations
can also cut across categories such as fact and fiction. Docusoaps, which
combine documentary and soap opera, have been criticized for trivializing
documentary by associating it with soaps. hybrid film genre is one that
shows characteristics of two (or more) genres of film. Many directors like
aspects of one genre as well characteristics of another but don't want to be
limited to one genre. A recent example would be Django: Unchained. It
shows traits of the spaghetti-western but also is heavily influence by 70s
blacksploitation (as well as Grindhouse) films. Quintin Tarantino himself is
a fan of both of these genres, so he sought to make a movie that represented
both. There are near countless movies that this is true for. Dark City is a
moody science-fiction thriller that is also in the classic Noir style. A hybrid
film genre is effectively a "mashup" of genres, some of the best films of the
last 20 years are hybrid films.
What is your genre and why have you
chosen it?
The genre I have chosen is drama combined with thriller. This is a hybrid
genre which many memorable films a part are of .Such as Bridge of spies(2015)
Films which come in the category of the hybrid genre that I have chosen are
for example gone girl, Taxi Driver, Prisoner and black swan.
The reason I have chosen this particular genre is due to being inspired by
films such as the Godfather which I saw in my life when I most needed and escape
from reality .I believe that this particular genre is able to convey a story that is not
only able to connect with the audience on certain scales but it is also carries a level
of unpredictability which is entertaining and away from reality.
What is the sub-genres of your genre?
Period: pride and prejudice (2009)
Romantic: The Notebook (2004)
Crime: The godfather (1972)
Historical: Titanic (1997)
Comedy: Forest Gump (1994
Psychological thriller: Shutter Island (2010)
Action thriller: Taken (2008)
Crime thriller. Seven (1995)
Political thriller.6 Days (2017)
Mystery thriller. The girl on the train (2016)
Spy thriller. The Bourne Ultimatum (2007)
Legal thriller. The Lincoln lawyer (2011)
Science fiction thriller:Source code(2011)
Films which come in the category of the hybrid genre that I have chosen
are for example gone girl, Taxi Driver, Prisoner and black swan.
Codes and conventions of your chosen genre
Dull lighting
Close up of characters
Low and high angle shots
There is a somewhat a realistic storyline
There is a journey taken
There is great importance on the relationship of the main character
There is a realization at the end
Codes and conventions are focused on real life situations witch create a situation
to emotionally affect the audience, the protagonist is enrolling a journey of
character development and realisation until the end of movie, easy to relate the
auditorium to the film action, using realistic settings and verisimilitude storyline,
even a pragmatic guideline (guidance to appropriate behaviour). Dramas gives
actors an opportunity to stretch, transform and develop into a role that other genre
wouldn't allow them to do.
Codes can be divided in two categories: technical (camera work, lighting) and
symbolic (character's actions). Music can be technical and symbolic. Is technical
because needs audio techniques to create the right ambient and tone to match with
the actor's emotion and film's action becoming a symbol of this genre, like classic,
sharp raw sound, dramatic music.
Conventions are alternative ways of presenting parts of a drama. The conventions
(rules) are known by film-maker and actors to create drama in film through
actions, linked with characters dealing with emotional issues or facts like struggle,
dilemmas which can conduct to sad gestures, for example swearing, crying,
arguing (even tragic sometimes) because dramas can focus on building up
characters that audience can engage with.
Common characters in drama films are the protagonist, the antagonist, the helper
and best friend. The protagonist is the main character in the film and is often
exposed under trails, revealing bravery and determination to overcome evil (Will
Hunting from Good Will Hunting overcomes his psychical fears to let the past
behind). The audience feels commiseration and affinity towards the protagonist.
The antagonist like Hannibal Lector from The silence of lambs prove a sick
comportment or goes to extreme. Antagonists get what they want, including
hurting somebody, breaking the law or even killing. But rules can be broken and
the bad or good character can transform into a different person or redeemed his
crimes, like in Crime and punishment, adaptation after Fyodor Dostoyesky novel,
Raskolnokov is a negative protagonist, is a killer who lives in Moscow tortured by
his conscience. The helper or best friend is loyal to protagonist, often has moral
codes witch can be broken, in order to assist the protagonist to achieve triumph or
to support the main character to find his way in life, like Queenie from The
Curious Case of Benjamin Button. Drama is the genre who is not only engaging
the audience into the protagonist's journey, but also participates into the character's
transformation inviting the public to wonder and put questions upon their life,
becoming an inspiration and an opportunity to get connected with our imagination
and inner self.
"Drama is life with the dull parts left out."- Alfred Hitchcock
Tension in music
Low key lighting
Black and white shots
The thriller genre revolves around anticipation and suspense, with the aim being to
keep the audience alert and on the edge of their seats. Tension and excitement are
often used as the main elements of thriller texts.
• Isolation
• Lone protagonist,
• Tough, strong, silent male hero
• Aim to hide the antagonist's identity (quick cuts, back shots)
• Crazed/psychotic expression on villains
• Menaced woman
• Eyes, faces, fearful facial expressions
• Disguises (makeup, glasses, hats)
• Night, shadows
• Blood, injuries
• Stairs, mirrors
• Urban or man-made settings
• Vehicles (imply action, a chase or pursuit) Lighting:
• Backlighting, low key / shadows / silhouettes
• Diegetic – (Actual sound) Breathing, traffic, voices, objects.
• Non diegetic (Mood sound) creepy, dreary, high-pitched, explosive, Music
that creates tension
• Space: Claustrophobic / confined, enclosed
• Weapons: knives, guns
• Camera angles: close ups, long shots, short shots.
Editing – fast paced, disoriented, confused. Unsettling editing (e.g. change
of camera angles)
Colour – black (symbolises evil) and white, red.
The use of sound within the thriller genre is an important element, as
different musical themes within a film can produce different moods that affect
the audience in different ways. For example in Alfred Hitchcock's 'Psycho' the
music is high pitched, adding suspense and tension to the film, whereas more
action thriller films use loud and jumpy fast paced music to make the audience
feel excited, and to emphasise the fast pace of the film.
Thriller films include the use of camera angles to show different facial
expressions and body language. By using a wide range of camera angles this
can help capture every emotion present within a film, making the audience
feel like they are observing alongside during the duration of the film.
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Directer research
"There is no terror in the bang, only in the anticipation of it".
Alfred Hitchcock, in full Sir Alfred Hitchcock, (born August 13, 1899, London, England—died April 29, 1980, Bel Air, California, U.S.), English-born American motion-picture director whose suspenseful films and television programs won immense popularity and critical acclaim over a long and tremendously productive career. His films are marked by a macabre sense of humor and a somewhat bleak view of the human condition Hitchcock's first film as a director was the comedy Mrs. Peabody (1922; also called Number 13), which was not completed, for lack of funding. His first released film was Always Tell Your Wife (1923), which he codirected with its star Seymour Hicks, but he did not receive credit. Solo credit did not come for another two years, with the melodrama The Pleasure Garden (1925). That was followed by The Mountain Eagle (1926), a drama set in the Kentucky Mountains. But it was The Lodger: A Story of the London Fog (1927) that both he and students of the cinema would come to regard as his first "real" work—and one that very much drew on his youthful surroundings. Adapted from a popular novel by Marie Belloc Lowndes, the suspenseful story introduces the structure of many Hitchcock films to come: a London man (Ivor Novello) is accused of being a Jack the Ripper-like killer and finds it nearly impossible to prove his innocence. The film became his first hit and also was the first film in which he made his trademark cameo appearance..
In 1926 Hitchcock married his film editor and script supervisor, Alma Reville. The following year he made the melodrama Downhill, Easy Virtue (from a noel coward play), and the boxing drama The Ring, which was a critical success. The comedies The Farmer's Wife and Champagne (both 1928) were followed by the tragic romance (and box-office hit) The Manxman (1929). Hitchcock's first talking picture was the thriller blackmail (1929). One of the year's biggest hits in England it became the first British film to make use of synchronized sound only after the completed silent version was postdubbed and partly reshot. Polish actress Anny Ondra (who had starred in The Manxman) played a would-be model who stabs an artist when he tries to assault her. The murder investigation is headed by the model's fiancé, but she is being blackmailed for the killing and is afraid to confide in him. The film's most memorable sequence is a chase through the British muesuemand across its roof, but Hitchcock builds the mood of encroaching menace throughout. Juno and the Paycock (1929) was adapted from Sean o Casey play,popular, while Elstree Calling (1930) was a collection of musical and comedy sketches that Hitchcock codirected with three others. Murder! (1930) provided Hitchcock with another opportunity to explore cinematic suspense. it stars Herbert Marshall as Sir John Menier, a gentleman knight and famed actor who turns amateur sleuth in order to save from the gallows an actress who has been convicted of murder. Though light in tone, the film is distinguished by its dramatic camera work, colourful theatrical setting, and groundbreaking use of voice-over narration. Neither The Skin Game (1931) nor Rich and Strange (1931; also called East of Shanghai), an odd comedy, made much of an impact at the time of release, but Number Seventeen (1932) offered a thrilling chase finale. The musical Waltzes from Vienna (1934; also called Strauss's Great Waltz) was Hitchcock's last foray into that genre.
Alfred Hitchcock is arguably one of the most well-known directors in the last century. the English film director created more than 50 movies before he passed away in 1980. There is no denying that he changed the way audiences watched films — for example, Hitchcock demanded specific start times for "Psycho," and audiences were asked to not give away the end of the movie.
Hitchcock has been called by some the greatest of all directors, the most adroit, and the most admired, and the case has been made that he was all of these. His many classics are widely acknowledged—including The 39 Steps, The Lady Vanishes, Rebecca, Shadow of a Doubt, Notorious, Strangers on a Train, Rear Window, Vertigo, North by Northwest, Psycho, and The Birds—and in these films Hitchcock's genius as both filmmaker and storyteller is abundantly evident.
Themes and Techniques
Hitchcock's films usually centre on either murder or espionage, with deception, mistaken identities, and chase sequences complicating and enlivening the plots. Wry touches of humour and occasional intrusions of the macabre complete this mixture of cinematic elements. Three main themes predominate in Hitchcock's films. The most common is that of the innocent man who is mistakenly suspected or accused of a crime and who must then track down the real perpetrator in order to clear himself (e.g., The Lodger and North by Northwest). The second theme is that of the guilty woman who enmeshes a male protagonist and ends up either destroying him or being saved by him (e.g., Vertigo and Marnie). The third theme is that of the (frequently psychopathic) murderer whose identity is established during the working out of the plot (e.g., Shadow of a Doubt and Psycho).
Hitchcock's greatest gift was his mastery of the technical means to build and maintain suspense. To this end he used innovative camera viewpoints and movements, elaborate editing techniques, and effective soundtrack music, often supplied in his best films by Bernard Herrmann. He had a sound grasp of human as manifested both in his credible treatment of everyday life and in the tense and nightmarish situations encountered in his more-chilling films. His ability to convincingly evoke human menace, subterfuge, and fear gave his psychological thrillers great impact while maintaining their subtlety and believability. He was also a master of something he called the "MacGuffin"—that is, the use of an object or person who, for storytelling purposes, keeps the plot moving along even though that thing or person is not really central to the story. (Examples include the titular steps in Hitchcock's The 39 Steps and the microfilm in North by Northwest.) Through innovative scriptwriting, Hitchcock was able to exercise control over the audience. He would often put an emphasis on psychological characterization of his main and secondary characters. In his films "Rebecca" and "Shadow of a Doubt," he uses voice over for the opening sequences to cast a gloomy and mysterious shadow over the entire film. Hitchcock loved to build tension into a scene by using contrasting situations. One example is in Hitchcock's 1956 film, "The Man Who Knew Too Much." Jimmy Stewart and Doris Day are in the middle of a tense phone call when guests, who are laughing and joking, start to arrive. The arrival of the joyful guests serves as a foil and complication for the real momentum of the scene.
Camera movement is one component that supports visual storytelling, but it's important to note why Hitchcock valued it so much. He believed that the camera should take on human qualities: it should roam and playfully look around the room for anything important.
By panning a room and showing close-ups of objects, the camera allows the audience to see certain plot elements and feel like they're involved in uncovering the story. The importance of camera movement stemmed from Hitchcock's days of working in silent film. Without sound, directors relied heavily on ways of telling the story to the audience visually. Hitchcock was very specific about how he used music in his movies, whether it was to create excitement, heighten tension, or build toward a climax. Even his characters are fascinated by music, and, as the New York Times' Edward Rothstein says it can be argued that music itself functions at the level of a character in Hitchcock films. Hitchcock held the actors' performances in high regard, yet is known to have been a very controlling and visionary director on set, allowing little time or room for input from his actors. A very particular director, Hitchcock famously did not set much stock in method acting or improvisation and kept a tight reign on the action on set. He was also known to frequently collaborate with the same actors To Hitchcock, the conversations in his films were not important. Visuals were of the utmost importance. He loved point of view shots, which showed a shot of the actor and then cut to a shot of what the actor was looking at in order to convey what the actor is looking at; pretty much, the Kuleshov effect.
The director was aware of the way that abrupt changes in camera positioning could evoke an emotional response. Consider the scene in Psycho (1960) when Mother murders detective Arbogast. As the attack begins, audiences see an overhead shot of the detective reaching the top of the stairs and Mother running out to stab him. Then there is a cut to a close-up of Arbogast's face. According to director Hitchcock:
The main reason for raising the camera [to an overhead shot] was to get the contrast between the long shot and the close-up of the big head as the knife came down on him. It was like music, you see, the high shot with the violins and suddenly the big head with the brass instruments clashing.
The soundtrack was extremely important to Alfred Hitchcock, as he managed to sync the music with the actions of the scenes. His most famous scene would be the shower scene in Psycho, where the orchestra is perfectly correlated with the murder. In his famous film, Hitchcock also incorporated the use of shot/reverse shot, a standard shot pattern that directors use to film conversations between two characters. In general, the actors avoid speaking directly to the viewer, because doing so acknowledges the audience's presence and destroys the illusion of a naturally unfolding story. When Marion comments on overhearing Mother's vicious critique of Norman, the reverse shot of Norman marks a radical departure from the pattern that has been established previously. Instead of shooting Norman from an eye-level medium shot, Hitchcock films him from a low-angle profile shot. The change in the camera's perspective positions Norman underneath a stuffed owl in the background, as if Norman were the bird's prey. "The editing and the mise en scene coincide to create a visual metaphor for Norman's entrapment under Mother's watchful gaze."
Alfred Hitchcock avoids making the audiences annoyed by giving them some information that the characters in the movies don't know. That way the audiences don't get a surprise, instead they get suspense. The bomb theory explains this opinion. If a bomb suddenly goes off in a movie, the audience gets a ten second shock, but If instead the audience knows there is a bomb that will go off in five minutes, their suspense of what will happen will lead them to be more interested not just angry and shocked. Because of the intense level of suspense in his movies, Hitchcock found that some elements in his film did not matter. He often used a random plot device called the McGuffin. Simply put, the McGuffin is nothing. It's the plans, documents, secrets, those things that seem to be of vital importance to the character but have no importance to the plot. The only reason for the McGuffin is to serve a pivotal reason for the suspense. Nowhere to Run: North by Northwest
In North by Northwest, Cary Grant's character, Roger Thornhill, spends much of his life surrounded by people. He lives in New York. He gives orders to his personal secretary. He spends much of his life in bars.
So where does he end up when he's a wanted man, wrongly accused of murder? What's the meeting place, with a man who can clear his good name?
A corn field in the middle of nowhere, surrounded by nobody. Compared to the opening scene of the movie, in which traffic is so dense it is ignored, we are introduced to a scene that's exactly opposite. Every car that drives past is a subject of intense fascination, hope and dread.
Likewise, no person in a crowd of hundreds is the subject of fascination in New York City. In the cornfield scene, the only other person encountered in the rural setting is the subject of intense fascination.
And the real threat? Not from where you might expect.
What's brilliant is how much of the scene requires no dialogue. We're waiting for minutes. We know something is going to happen. And, we don't mind the wait, even though waiting in the middle of an Indiana cornfield for something to happen is possibly the most boring subject one could be asked to film.
Build tension into a scene by using contrasting situations. Use two unrelated things happening at once. The audience should be focused on the momentum of one, and be interrupted by the other. Usually the second item should be a humorous distraction that means nothing (this can often be dialogue.) It was put there by you only to get in the way.
When unexpected guests arrive at the hotel room in the Man Who Knew Too Much (1956), Jimmy Stewart and Doris Day are in the midst of a tense phone-call. The arrival of the guests laughing and joking serve a dramatic counterpoint to the real momentum of the scene. In Spellbound (1945) Ingrid Bergman sees a note which has been slipped under her door. Just when she grabs for it, her colleagues walk in and speak with her about the dissapearance of Gregory Peck, completely unaware they are standing on top of the note from him! The end result is – the audience pays more attention to what's happening.
From panning shots, to tracking shots Alfred Hitchcock used his techniques in filming and editing in order to create great products that continue to intrigue audiences to this day. He received the American Film Institute's Life Achievement Award in 1979. One year later, on April 29, 1980, Hitchcock died peacefully in his sleep in Bel Air, California.
. Always make the audience suffer as much as possible.
Among the honors Hitchcock received are the Irving G.life Achievement Award from the American Film Institute (1979). Hitchcock was knighted in 1980.
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Rivers combined with fellow winger Robbie Dale as he made a good connection with a cross from the Spartans captain, and his effort got the better of Drench.
Aman Verma's deft header past Drench on 51 minutes extended Tamworth's lead after the restart and Drew Ricketts struck via a long-range deflection to make it 4-1 on 75 minutes but Bradford had other ideas and sub Adam Nowakowski's close-range finish pulled one back on 78 minutes.
Through on goal his attempt to round Drench were thwarted by the visitors keeper, Bowman striking the loose ball into an empty net.
The problem is that sociological understandings of health can never be this simple, since they involve a number of competing perspectives and Willis and Elmer do a much better job of problematising their themes than Drench et al.
But with 20 minutes still to play, Tom Hannigan's strong run was halted just as he went to pull the trigger and directly from the resultant free-kick, Taylor curled a right-footer round the defensive wall and beyond Drench to reduce the arrears.
Their more incisive play almost paid off when Trinidad & Tobago winger Ricky Shakes had their first effort to test Morecambe goalkeeper Steven Drench.
He attached a hosepipe to an external tap and proceeded to drench the house taking the hose upstairs to cause maximum damage," she said.
Danny Graham opened Boro's account after only three minutes after keeper Steve Drench failed to hold a David Wheater header.
But he was first choice for a soaking yesterday when the Tango Apple Big Drench road show arrived in the Haymarket.
If they have, then why doesn't LL feature them, instead of recycling the same few tired old politicians' and actors' faces and continuing to drench our society with media stars?
The range consists of eye washes, drench hoses, drench showers and accessories which provide quick, easy access to a steady flow of safe water.


The Nightbird-Series' titanium dual-frame builds upon years of experimentation with titanium construction in a unique sculpted round shape.
CRAFTSMANSHIP THAT CELEBRATES THE UNSEEN:The thin dual-frame is crafted from ultra lightweight titanium that is both flexible and strong. A single screw on either side of the frame uses tension to hold the lenses in place.
CULTURE THAT TRANSCENDS CONVENTION: Inspired by the concept of floating and devices such as microscope slides, the Nightbird-Two is a sinuous round referencing the glamorous proportions of Art Moderne.


Carisoprodol is used short-term to treat muscle pain and anxiety. It is usually used along with rest, bodily therapy, and other treatments. It works by serving to relax the muscles. Buy carisoprodol online from world top pharmacy. Carisoprodol dosage is based on your medical condition and response to treatment. This medication should only be used short-term (for 3 weeks or less) unless focused by your doctor.


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Home Washington King County Seattle Lisa Nicole Ellis
Lisa Nicole Ellis
Advancing Strong Cases Towards Approval
Lisa Ellis brings value to clients by providing individualized service and fourteen years of experience to help clients achieve their immigration goals. Her immigration practice emphasizes business, family, naturalization and global migration work including H-1B, L-1, PERM, Students/Schools, I-9 Compliance and petitions for family members, and religious workers. Lisa speaks regularly on immigration topics nationally and regionally. She was the immigration attorney of a full-service law firm in Seattle for nearly nine years prior to founding Ellis Immigration Law. Lisa has been selected as a Rising Star by Washington Super Lawyers and is currently appointed to the Board of Publications for the National American Immigration Lawyers Association (AILA). Her book, "Visa Solutions for International Students, Scholars, and Sponsors: What You Need to Know" was published in 2012 by Thomson Reuters/Aspatore. Her articles and chapters have also been published in The Visa Processing Guide and Consular Posts Handbook, 2007 - 2010 eds., Inside the Minds: New Developments in Immigration Enforcement and Compliance, and Navigating the Fundamentals of Immigration Law, 2013-14 ed. After graduating from the University of Oregon School of Law, Lisa was an Attorney Advisor for seven immigration judges at the Executive Office for Immigration Review, a position she entered through the U.S. Attorney General's Honors Program. Prior to entering private practice, she also was a law clerk for the Honorable Robert H. Whaley at the U.S. District Court of Eastern Washington and a Trial Attorney for the U.S. Federal Defender's Office of Eastern Washington and Idaho where she handled a wide-range of immigration matters. A native of the Seattle area, Lisa lived in Australia and has traveled to 25 countries to date. Coming from a family involved in humanitarian causes , Lisa's legal perspective is to achieve the best possible client results through collaboration and knowledge.
Asylum, Citizenship, Deportation Defense, Family Visas, Green Cards, Immigration Appeals, Investment Visas, Marriage & Fiancé(e) Visas, Student Visas, Visitor Visas, Work Visas
Principal Attorney
Ellis Immigration Law, LLC
Associate Attorney
Ellis Li & McKinstry PLLC
Federal Defenders of Eastern Washington and Idaho
Law Clerk to the Honorable Robert H. Whaley
U.S. District Court for the Eastern District of Washington
Session Counsel to Judiciary Committee
Washington State Senate Committee Services
Attorney Advisor
Executive Office for Immigration Review
Attorney Advisor selected under U.S. Attorney General's Honor Program
Honors: Executive Editor of The Oregon Law Review
Whitman College
B.A. (1993) | History
Activities: Swim Team. Awarded All-American at NAIA Swimming Nationals in 1989. Kappa Alpha Theta
Washington Super Lawyers
National American Immigration Lawyer's Association
Conference Speaker, Board of Publications Member; Contributing Author
American Immigration Lawyer's Association Washington Chapter
Executive Committee; CBP Liaison Committee Chair; Consular Liaison Chair, Vice Chair of CLE Committee
Washington State Bar # 30693
Washington Women Lawyer's Association
Visa Solutions for Students, Scholars and Sponsors: What You Need to Know
Thomson Reuters/Aspator
FacebookLinkedInJustia ProfileLisa Nicole Ellis's Avvo ProfileLisa Nicole Ellis's Lawyers.com ProfileLisa Nicole Ellis's Martindale Profile
Melissa Campos Avelar
Federal Way, WA
Noelle Sharp
Steve Karimi
Luz Dary Metz
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Well 16/5-7 is to be drilled north-west of the Utsira High in the North Sea, south-west of Johan Sverdrup and north-east of Sleipner.
Water depth at the location is around 105 metres.
Drilling is scheduled to begin in mid-May 2019 and estimated to last for 28 days.
The well will be drilled by Transocean Spitsbergen, which is a semi-submersible drilling facility of the Aker H-6e type, operated by Transocean Norway Operations AS.
Transocean Spitsbergen received Acknowledgement of Compliance (AoC) from the PSA in 2012.