text:
Columbine Country Club Clubhouse Topped Off with Composite Slate Roof
Encompassing 56,000-square-feet, the new $25 million Columbine Country Club Clubhouse opened in late 2017. Atop the sprawling Colorado clubhouse sits DaVinci Roofscapes composite slate roofing to enhance the exterior appearance of the structure while helping protect the facility from hail and severe weather conditions.
"The Board of Directors for the country club approved of this specific Single-Width Slate composite slate roof based on its excellent appearance, durability and Class 4 impact resistant rating," says Matthew Williams with Horn Brothers Roofing in Denver, Colorado. "This is the same roofing product we've installed on a variety of churches and homes in our area. People with this composite roofing product are never disappointed."
Located on the site of the nationally renowned Columbine Golf Course, the new country club includes a 5,000-square-foot state-of-the-art wellness center, indoor and outdoor dining options, private conference rooms and dedicated family activity areas. New men's and ladies' locker rooms each feature indoor/outdoor dining options and there is a new tennis and swim shop.
"This new project is simply stunning," says Michael Bratcher, COO and general manager of Columbine Country Club. "We've got everything from an expansive wine room to golf hitting simulators to designated children's areas. With an investment like we've made in creating this extraordinary facility, it was essential that we find a roof to both complement and help protect our building.
"After an extensive national search and review process we hired the experts at Marsh and Associates, Inc. to design the new clubhouse. They researched our roof options and made the recommendation for a DaVinci composite slate roof in a Brownstone blend color. We're absolutely thrilled with this product and how it complements the style of our clubhouse."
According to Bratcher, some of the club's members have the same type of composite roof on their own homes. "We're familiar with the DaVinci roofing tiles in our area," says Bratcher. "Asphalt shingles in our Denver market simply don't work.
"The DaVinci slate has the durability we were looking for. Plus it complements the natural stone on both the inside and outside of our new clubhouse. This roofing product helps complete the look of our building. We found that DaVinci was a great value, has a wonderful, finished style and its performance capabilities so far have been terrific."
Growth of CCC
Opened in 1955, the Columbine Country Club has hosted the 1967 PGA Championship and five LPGA tournaments. When constructed, just 200 home sites surrounded the fairways. The area, which provides open views of the mountains, a plateau and a winding river valley, was the perfect setting for the growth of the golf course and its community.
Located outside of Denver, the Columbine Country Club Clubhouse now boasts three levels of membership with a total of 640 members. "Every person stepping into the new clubhouse expresses enthusiasm for the design and amenities available," says Bratcher. "The investment in this project was significant, and the payoff happens on a daily basis."


text:
Culture Fashion Fashion-able
Fashion-able
Charlotte Jackson questions whether the fashion industry is succeeding in eradicating stigma surrounding the disabled body
"In a world where the mainstream concept of what is and isn't beautiful becomes increasingly narrow," read the introduction of Alexander McQueen's 1998 guest edited issue of Dazed & Confused, "you have to be young, you have to be thin, you should preferably be blonde, and of course, pale skinned." This reluctant truth prefacing the magazine's feature entitled Access-Abled to celebrate disability and diversity, supposedly heralded a revolution in the fashion industry for the new millennium. Rather than normalising or erasing disability, the accompanying images shot by photographer Nick Knight showed models such as double amputee, Aimee Mullins, embracing high-fashion as means of self-empowerment. Her prosthetic limbs emerge through McQueen's cage-like hoop skirt challenging the viewer and making us aware of the disabled body as an aesthetic possibility.
"As legless and beautiful, she is an embodied paradox, asserting an inherently disruptive potential" identifies Rosemarie Garland-Thomson, theorist and author of Extraordinary Bodies, a founding text in the disability studies canon. This defiant spirit epitomised McQueen, who was devoted to combatting the prejudicial rhetoric which has surrounded images of deformity or otherness within fashion and throughout history. Speaking in a world before the advent of Instagram which has become a 24/7 visual stream of physical homogeneity and perfection, he was prescient in acknowledging how the media plays a profound role in culturally embedding a sense of marginalisation that many people with disabilities experience. Throughout his career and up until his premature death, he aimed to re-define contemporary notions of what it means to be beautiful. But nearly 20 years after this ground-breaking recognition, how far has the industry progressed in its commitment to inclusivity and eliminating ableism?
In a recent study by disability charity, Scope, it was found that 68% of disabled people expressed the need to conceal their disabilities as a consequence of the negativity and discrimination associated with them. This comes at a time when designers and editorial magazines are increasingly capitalising on the concept of female empowerment over physical perfection; notably Victoria Beckham, who commented "I want to empower women and make women look like the best versions of themselves" when referring to the breaking news that her 2017 high-street collection for TARGET will be available in plus sizes. We must question why the fashion industry continues to under acknowledge the intersectional communities of disabled women and risks disenfranchising a proportion of their consumers.
Visibility is crucial to addressing this exclusion, yet the practice of using disabled models in catwalk shows has been reduced to little more than shock tactics, a publicity stunt to propel emerging designers into the international media. Cat Smith, doctoral researcher at the London College of Fashion, refers to this promotion of disabled models as "tokenism" when we read headlines applauding this bold and revolutionary move, but very rarely do we see it filter into commercial campaigns. Smith has dedicated herself to studying representations of disability in the fashion industry through both academic research and her blog, stylishlyimpared.com.
In an interview last year for Dazed's website she criticised society's misconceptions of the power of self-presentation for those with disabilities, and claimed it was endemic of the way society treats disabled people in general. She suggested candidly that many believe "we're not worthy of being seen and that we don't have the same wants and desires as non-disabled people…people just expect that you're not going to give a shit about how you look because you are disabled!" She urges the industry to reconsider the way in which it approaches diverse casting to create a more sustainable and meaningful change in the way we conceive disabilities.
During Mercedes-Benz fashion week in Moscow last month we witnessed a positive shift in combatting fashion's fixation on the normative physical body when Jack Eyers, the multi-hyphenate top model, actor and amputee, opened the Bezgraniz Couture show. The project itself was founded in 2010 by Janina Urussowa and Tobias Reisner, and is engaged in creating stylish and functional clothing for people with a range of disabilities. Through designing adaptive clothes and channeling pilot productions, they aim to establish a new image surrounding disability so that it is no longer something to be concealed; both firmly believe that through "changing the world of fashion – we change the world."
Similarly, Jack Eyers is representative of a new brand of disability models, and has become a prominent activist for diversity in fashion since meeting the founder of Models of Diversity four years ago. Through his matchless charisma and social consciousness, he is achieving a longevity that many current catwalk models could only dream of—from representing Antonio Urzi in New York fashion week to securing a commercial contract with Boohoo menswear. He laments that "if I'd seen more disabled models when I was growing up, maybe I would have felt more confident about myself … there's a lot of people out there with physical disabilities that need to be inspired."
The problem of disability representation is by no means exclusive to fashion catwalks and commercial campaigns, but for an industry so heavily defined by exteriority it's only a matter of time before we recognise its vast potential in re-evaluating our perceptions on the disabled body. As McQueen intimated so many years ago, "give me time and I'll give you a revolution".

redpajama_set_name: RedPajamaCommonCrawl


text:
local tnt = require 'torchnet'
local vision = require 'torchnet-vision'
require 'image'
require 'os'
require 'optim'
ffi = require 'ffi'
local logtext   = require 'torchnet.log.view.text'
local logstatus = require 'torchnet.log.view.status'
local transformimage = require 'torchnet-vision.image.transformimage'
local upmcfood101 = require 'torchnet-vision.datasets.upmcfood101'

local cmd = torch.CmdLine()
cmd:option('-seed', 1337, 'seed for cpu and gpu')
cmd:option('-usegpu', true, 'use gpu')
cmd:option('-bsize', 25, 'batch size')
cmd:option('-nthread', 3, 'threads number for parallel iterator')
cmd:option('-model', 'vgg16', 'options: vgg16 | vggm | resnet200 | inceptionv3')
cmd:option('-layerid', 37, 'ex: vgg16 + 37 = 2nd FC layer after ReLU ')
local config = cmd:parse(arg)
print(string.format('running on %s', config.usegpu and 'GPU' or 'CPU'))

config.idGPU = os.getenv('CUDA_VISIBLE_DEVICES') or -1
config.date  = os.date("%y_%m_%d_%X")

torch.setdefaulttensortype('torch.FloatTensor')
torch.manualSeed(config.seed)

local pathdataset  = paths.concat('example/data/processed/upmcfood101')
local pathtrainset = paths.concat(pathdataset,'trainset.t7')
local pathtestset  = paths.concat(pathdataset,'testset.t7')
local pathdata     = paths.concat('example/data/raw/upmcfood101')
local pathmodel    = paths.concat('example/models',config.model,'net.t7')
local pathextract  = paths.concat('example/features/upmcfood101',config.date)
local pathconfig   = paths.concat(pathextract,'config.t7')

local model = vision.models[config.model]
local net = model.loadExtracting{
   filename = pathmodel,
   layerid  = config.layerid
}
print(net)
local criterion = nn.CrossEntropyCriterion():float()

local trainset, testset, classes, class2target = upmcfood101.load()
-- testset  = testset:shuffle(300)
-- trainset = trainset:shuffle(300)

local function addTransforms(dataset, model)
   dataset = dataset:transform(function(sample)
      sample.input  = tnt.transform.compose{
         function(path) return image.load(path, 3) end,
         vision.image.transformimage.scale(model.inputSize[2]),
         vision.image.transformimage.centerCrop(model.inputSize[2]),
         vision.image.transformimage.colorNormalize{
            mean = model.mean,
            std  = model.std
         }
      }(sample.path)
      return sample
   end)
   return dataset
end
testset  = addTransforms(testset, model)
trainset = addTransforms(trainset, model)
function trainset:manualSeed(seed) torch.manualSeed(seed) end

os.execute('mkdir -p '..pathdataset)
os.execute('mkdir -p '..pathextract)
torch.save(pathconfig, config)
torch.save(pathtrainset, trainset)
torch.save(pathtestset, testset)

local function getIterator(mode)
   local iterator = tnt.ParallelDatasetIterator{
      nthread   = config.nthread,
      init      = function()
         require 'torchnet'
         require 'torchnet-vision'
      end,
      closure   = function(threadid)
         local dataset = torch.load(pathdataset..'/'..mode..'set.t7')
         return dataset:batch(config.bsize)
      end,
      transform = function(sample)
         sample.target = torch.Tensor(sample.target):view(-1,1)
         return sample
      end
   }
   print('Stats of '..mode..'set')
   for i, v in pairs(iterator:exec('size')) do
      print(i, v)
   end
   return iterator
end

local meter = {
   timem = tnt.TimeMeter{unit = false},
}

local engine = tnt.OptimEngine()
local file
local count, nbatch
engine.hooks.onStart = function(state)
   count = 1
   nbatch = state.iterator:execSingle("size")
   for _,m in pairs(meter) do m:reset() end
   print(engine.mode)
   file = assert(io.open(pathextract..'/'..engine.mode..'set.csv', "w"))
   file:write('path;gttarget;gtclass')
   for i=1, #classes do file:write(';pred'..i) end
   file:write("\n")
end
engine.hooks.onForward = function(state)
   local output = state.network.output
   print('Mode: '..engine.mode,
         'Inputid: '..count..' / '..nbatch,
         'Size: '..state.sample.input:size(1)
            ..' '..output:size(1)
            ..' '..state.sample.target:size(1)
            ..' '..#state.sample.path)
   count = count + 1
   if state.sample.input:size(1) == output:size(1) then -- hotfix
      for i=1, output:size(1) do
         file:write(state.sample.path[i]);
         if engine.mode ~= 'test' then
            file:write(';')
            file:write(state.sample.target[i][1]); file:write(';')
            file:write(state.sample.label[i])
         end
         for j=1, output:size(2) do
            file:write(';'); file:write(output[i][j])
         end
         file:write("\n")
      end
   end
end
engine.hooks.onEnd = function(state)
   print('End of extracting on '..engine.mode..'set')
   print('Took '..meter.timem:value())
   file:close()
end

if config.usegpu then
   require 'cutorch'
   cutorch.manualSeed(config.seed)
   require 'cunn'
   require 'cudnn'
   cudnn.convert(net, cudnn)
   net       = net:cuda()
   criterion = criterion:cuda()
   local igpu, tgpu = torch.CudaTensor(), torch.CudaTensor()
   engine.hooks.onSample = function(state)
      igpu:resize(state.sample.input:size() ):copy(state.sample.input)
      tgpu:resize(state.sample.target:size()):copy(state.sample.target)
      state.sample.input  = igpu
      state.sample.target = tgpu
   end  -- alternatively, this logic can be implemented via a TransformDataset
end

print('Extracting trainset ...')
engine.mode = 'train'
engine:test{
   network   = net,
   iterator  = getIterator('train'),
   criterion = criterion
}

print('Extracting testset ...')
engine.mode = 'test'
engine:test{
   network   = net,
   iterator  = getIterator('test'),
   criterion = criterion
}

redpajama_set_name: RedPajamaGithub


And no, I'm not talking about the old video card... I sorta figured out a way to load elements from other maps into different maps. Here you can see one of those smashers from e1m7 is loaded into dm2.
That's real nice work there - I can see that pillar there would change a lot of the strategic element to this level - a welcomed addition.
Well, it wasn't really the intention on that level, but it was the one where I realized that if you pre cache a level BSP it will load those elements as well. However it would seriously screw up the map you did load. So now it seems the order in which you would preload a map would matter if you wanted to load other map elements. Or if you just want to try and load another map over the existing map as a func_wall and really create something weird.


Welcome to our technical support section. We are committed to providing the highest quality of service to your satisfaction. If you have any questions that are not answered here, please contact us directly.


Leather is in full focus this season, so why not try working it into your tailoring repertoire? The black Etianne pencil skirt is a modern take on a classic shape, detailed with pleating at the waist and featuring a statement gold-tone metal zip. Wear it with a silk blouse and heels for evening.


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On February 21 FC Dynamo Kyiv famous player and coach Mykhailo Koman passed away at the age of 86.
He joined our club in 1949 and dedicated decades to the White-Blues. He played 172 matches for Kyivans and netted 62 goals. He was included into the list of USSR 33 best players 3 times.
Mykhailo Koman was a real legend and embodied modesty, nobility and kindness. He could benefit the society in general and every person that asked him for help or advice in particular. He was loved and respected for good sense of humour, optimism and sincerity.
We grieve and express sympathy with family and friends of Mykhailo Koman.


You can see my guesses in bold.
Ok, so I've guessed 11 wins and was wrong about 9. It's not that bad, right? 🙂 How many did you guess?
My guesses were The Wolf and American Hustle will NOT win any major awards, and DiCaprio will pass this year too… aaand I was right.
Yep, that was kind of obvious, considering the uproar which followed "The Wolf".


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These documents outline the school's plans for continuous improvement.
Hand in hand with our Promoting Positive Relationships policy is our Gold Standard Merit scheme.
Bullying behaviour involves the wilful, conscious desire to hurt, threaten or frighten someone else.
Bullying happens whenever someone abuses his or her power to make life unpleasant for someone else.
Bullying behaviour is not confined to children or young people; bullying, in some form and to some extent, takes place wherever any group of human beings work or play together bullying usually occurs between the same people – it can best be understood as a set of relationships rather than as a set of incidents.
We start from the premise that every member of this school is valued as an individual; all have equal rights and all are entitled to equal opportunities. A key part of anyone's rights is the right to enjoy both learning and leisure free from intimidation.


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With our existing ready solutions, whether it's white-labeling our mobile app, designing a custom lighting controller, or adding a new feature to our firmware stack, we're able to adapt our turn-key solution into a platform that meets your unique specifications. We can also accommodate IP licensing or firmware licensing for OEMs who want to utilize our technology on their own devices.


text:
The Vision Festival is the world's premier festival of experimental music (typically free jazz/avant-garde jazz), art, film and dance, held annually in May/June on the Lower East Side of New York City from 1996 to 2011, in Brooklyn from 2012-2014, and returning to Manhattan in 2015.  It usually consists of between thirty and sixty performances, spread out over a number of days. Inspired by the 1984 and 1988 Sound Unity Festivals, it was a direct outgrowth of the seminal but short-lived Improvisors Collective (1994–95).  In 1996, the collective's founder, dancer-choreographer Patricia Nicholson Parker, staged the first Vision Festival at the Learning Alliance on Lafayette Street, and subsequently founded the not-for-profit Arts for Art, Inc to organize the festival on an annual basis, along with other events and concert series throughout the year. In addition to Nicholson Parker, other members of Arts for Art's Board of Directors include: Hal Connolly, Patricia Ali, Jo Wood Brown, Whit Dickey, Judy Gage, Patricia Nicholson Parker, William Parker, Todd Nicholson and Patricia Wilkins.

Over the years, the festival has taken place in numerous venues, including the Angel Orensanz Center for the Arts, the St. Nicholas of Myra church basement, the New Age Cabaret (formerly known as the Electric Circus), the Knitting Factory, St. Patrick's youth center, CBGB, Clemente Soto Vélez Cultural Center, the Abrons Arts Center, Roulette Intermedium and Judson Memorial Church.

Music performers
The list of artists who have performed at the Vision Festival is long and varied, including David S. Ware, Cooper-Moore, Sam Rivers, Frank Lowe, Abbey Rader, Daniel Carter, William Parker, Roy Campbell, Jr., Hamid Drake, Nicole Mitchell, Rob Brown, Kidd Jordan, Henry Grimes, Marc Ribot, Chad Taylor, Rashied Ali, Joe McPhee, Jason Kao Hwang, Jayne Cortez, Fred Anderson, Matthew Shipp, Billy Bang, Eddie Gale, Whit Dickey, Amiri Baraka, Roscoe Mitchell, Steve Lacy, DJ Spooky, Yo La Tengo, Peter Kowald, Peter Brötzmann, Cat Power and Louis Moholo, among others.  The festival also often features special "event" performances, such as the 2004 reunion of the Revolutionary Ensemble, who hadn't performed publicly together in almost thirty years.

About Arts for Art, Inc.

Arts for Art Mission Statement
Arts For Art supports diversity in music, dance, art and ideas that embrace improvisation as a means to transform both artist and audience.

References

External links
 Official Vision Festival website

Experimental music festivals
Festivals in New York City
Music of New York City
 01
Jazz festivals in New York City

redpajama_set_name: RedPajamaWikipedia


text:
Le ru du Rognon est une rivière française qui coule dans le département de Seine-et-Marne. C'est un affluent de l'Orgeval en rive droite, donc un sous-affluent de la Seine par l'Orgeval, le Grand Morin puis la Marne.

Géographie
D'une longueur de  selon le SANDRE, Les Avenelles sont un des cours d'eau de la Brie.

La rivière naît sur le territoire de la commune de Pierre-Levée, dans une zone boisée. La rivière a une orientation générale allant du nord-ouest vers le sud-est. Tout au long de son parcours, elle reçoit des petits affluents venus du nord et de l'ouest. Elle conflue avec l'Orgeval (rive droite) à Boissy-le-Châtel, peu avant que l'Orgeval ne se jette dans le Grand Morin.

Communes traversées
La rivière traverse (ou longe) successivement les six communes  suivantes de Pierre-Levée, la Haute-Maison, Jouarre, Aulnoy, Coulommiers et Boissy-le-Châtel, toutes situées dans le département de Seine-et-Marne.

Hydrologie
Le débit moyen annuel ou module des Avenelles, observé durant une période de 29 ans (de 1962 à 1991), à Boissy-le-Châtel, localité située au niveau de son confluent avec l'Orgeval, est de /s pour une surface de bassin de .

La rivière présente des fluctuations saisonnières de débit assez tranchées. La période des hautes eaux se déroule en hiver et se caractérise par des débits mensuels moyens allant de 0,454 à /s, de décembre à mars inclus (avec un maximum assez net en février). Dès la fin du mois de mars, le débit diminue rapidement jusqu'aux basses eaux qui ont lieu de juin à octobre inclus, accompagnées d'une baisse du débit moyen mensuel allant jusqu'à /s au mois d'août, ce qui est encore assez acceptable pour un aussi petit cours d'eau. Cependant les fluctuations de débit peuvent être plus importantes selon les années et sur des périodes plus courtes.

À l'étiage le VCN3 peut chuter jusque /s, en cas de période quinquennale sèche, soit  par seconde, ce qui n'est pas trop sévère.

Les crues cependant peuvent être très importantes, compte tenu de l'exiguïté du bassin de la rivière. Les QIX 2 et QIX 5 valent respectivement 5,5 et /s. Le QIX 10 est de /s, le QIX 20 de /s, tandis que le QIX 50 se monte à /s. Si l'on compare ces chiffres aux débits de crue du Grand Morin, en tenant compte de la superficie respective des deux cours d'eau, l'on constate que les crues des Avenelles sont près de deux fois plus importantes que celles du Grand Morin, rivière connue pour l'importance de ses débordements.

Le débit instantané maximal enregistré à Boissy-le-Châtel durant cette période, a été de /s le , tandis que le débit journalier maximal enregistré était de /s le même jour. Si l'on compare la première de ces valeurs aux différents QIX de la rivière, l'on constate que cette crue était d'ordre cinquantennal, c'est-à-dire relativement exceptionnelle et destinée à se reproduire statistiquement tous les 50 ans.

Au total, les Avenelles sont une rivière moyennement abondante, comme la plupart de ses voisines et notamment l'Orgeval. La lame d'eau écoulée dans son bassin versant est de 198 millimètres annuellement, ce qui est certes nettement inférieur à la moyenne de la France, tous bassins confondus, et aussi à la moyenne du bassin de la Seine (plus ou moins 240 millimètres), mais situe les Avenelles dans une bonne moyenne parmi les cours d'eau d'Île-de-France. Le débit spécifique (ou Qsp) de la rivière atteint  par seconde et par kilomètre carré de bassin.

Voir aussi

 Orgeval (rivière)
 Liste des rivières de France
 Marne (rivière)
 Grand Morin
 Brie (région)

Liens externes
 Banque Hydro - Station H5723020 - Les Avenelles à Boissy-le-Châtel (option Synthèse) (ne pas cocher la case "Station en service")
 Site du SANDRE (connue sous le nom de Ru du Rognon - code générique : F6544000)
 Le bassin versant des Avenelles

Notes et références

Notes

Références

Cours d'eau en Seine-et-Marne
Système hydrologique de la Marne


text:
Chaos at the Museum 2014 >
Schedule/Location >
What's Working/What's Not Preview
Design Challenge Workshops Preview
Morning Speakers
Afternoon Workshops
PhD Colloquium
Photos NY 2015
Dialog Panel
Tools Workshops
WASHINGTON D.C. 2017
Photos DC 2017
Re-envisioning Exhibition Design
(re-XD) was created by Tricia Austin, University for the Arts London, and Tim McNeil, University of California, Davis. They curated the first Chaos at the Museum summit in London 2014. Its goal, to bring together a global roster of thought-leaders, strategists and practitioners to address and inform this evolving design discipline. re-XD believes that exhibition design impacts communities for the better, connecting audiences with objects, information and ideas both inside the museum space, and outside in the broader public realm.
Chaos at the Museum
A series of international forums questioning, critiquing and forging new approaches to Exhibition Design. The field spans cultural and commercial sectors encompassing museums, visitor centers, narrative environments, experiential marketing, and theme parks. Chaos at the Museum convenes participants with divergent views from all sides of the exhibition spectrum to create a design-centric forum for debate, analysis, and future collaboration and exchange.
The most recent convening of this forum was in November 2016, in Buenos Aires, Argentina, with the focus on "Infiltrating the Urban Fabric." This 3-day event was organized through a partnership between Clare Brown, GWU Corcoran School of the Arts & Design, Tricia Austin, University for the Arts London, and Tim McNeil, University of California, Davis, the Argentinian cultural organization Theory and Practice in the Arts (TyPA) and the Museo de la Ciudad, Buenos Aires.
re-XD Manifesto
Redefine the term "exhibition design", it is outmoded and no longer represents the diversity and rigor of the discipline.
Provide an open, design centric forum for advancing the exhibition design discipline.
Bring together an international roster of speakers/facilitators that are representational of the global exhibition design sector and economy.
Look at emerging areas of exhibition and experience design and foster their growth.
Introduce less prominent case studies that challenge the traditional exhibition design approach.
Highlight best practice- those individuals or projects that are shifting the exhibition design paradigm and including audiences in new and thoughtful ways.
Tackle a new theme, in a different country at each annual symposium.
Be ambitious but small in terms of outreach, invite a few select speakers from across the globe.
Students, researchers and professionals participate equally in the dialogue and exchange.
Focus less on the "celebrity" designers and more on those who are really making a difference.
Encourage debate and include participants with contrasting perspectives and ideologies.
Develop international project partnering and exchange opportunities for faculty, students and professionals.
"All Change" Exhibition by Amy Wallace, Megan Buchan & Helen Sirp, Museum of London
Wall Collection at Cleveland Museum of Art designed by Local Projects. Credit: Local Projects.
About the Conveners
Tricia Austin / PhD Supervisor & Research Leader, Spatial Practices Programme, Central Saint Martins, University of the Arts London
Tricia Austin is the Course Leader of MA Narrative Environments at CSM. Tricia is interested in evolving models of multidisciplinary collaboration and the development of design practice for story-led placemaking and visitor experiences. Most recently Tricia was the lead in CSM's partnership in the EU funded, two-year EU-PA project which designed and produced arts and design installations in cities across Europe to test and develop culture-led city regeneration strategies.
Tim McNeil / Professor, Department of Design, University of California, Davis
Tim McNeil is the Director of the UC Davis Design Museum, and a Professor of Design at the University of California Davis, where he is the primary instructor for courses on exhibition design. His research and creative work defines exhibition design in relation to the curatorial process, and explores the exhibition medium as a creative space for the effective communication of objects and narratives. McNeil is an experienced design practitioner and a principal with Muniz/McNeil, a multi-disciplinary design and research practice.
Clare Brown / Chief of Design at the National Museum of American History, Washington D.C.
Clare Brown is an Exhibition Designer with 20 years experience designing for history museums in New York City and Washington DC. From 2012 to 2017 Clare was the Program Head, and Assistant Professor of Design for the MA Exhibition Design program at the Corcoran School of the Arts + Design, The George Washington University. Clare is currently working on doctoral research for a PhD in "Exhibition Design as Experience Design" at Central Saint Martins, University of the Arts London, in Fall 2016.
Contact us: info@re-xd.org


text:
0161 835 2080 - accounts@mtmllp.co.uk -
Second round of grants for the self-employed opens
The Self-Employment Income Support Scheme (SEISS) has opened for applications for the second and final grant.
Under the scheme, the government pays self-employed individuals a taxable grant based on an average of their earnings over the past three years.
The grant covers up to 70% of earnings, up to a limit of £2,190 a month.
The eligibility criteria for the second grant are the same as for the first one. To be eligible, self-employed workers must have filed a tax return for the 2018/19 tax year and have average trading profits under £50,000 for the past three years.
The claimant's business must have been adversely affected by the coronavirus (COVID-19) at any time since 14 July. Both those who claimed the first grant and those who did not are eligible for the second grant. Claims must be made by 19 October.
Detailed guidance about the grants can be found here.
As your accountants, we can guide you through the SEISS eligibility criteria and the process for checking and claiming. Please contact us for more information.
Brexit trading changes
Important actions to take.
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What's On This Weekend? Plenty. Here are just five ideas to get you exploring Albury Wodonga and surrounds.
By The Banks, is a not-for-profit music festival set on the banks of the Murray River, showcasing the talent of local, interstate and international artists on Saturday 24 November.
Run by a team of passionate, music-loving locals, the festival embodies the groundswell of support for live music in the area. By The Banks music festival is an all-ages, all-access, cross-cultural event.
Sidney Nolan's Australian masterpieces, the Ned Kelly series, a National Gallery of Australia exhibition will be officially launched on Friday night, 23 November.
Special guest for the occasion is the Head of Australian Art from the NGA, Dr Deborah Hart. Dr Hart will be sharing her expertise and insight into the series and its place in Australian art history, over the course of the evening.
Australia's largest multi-day bike riding festival takes in the Mountains and the Murray, with the ride in its 35th year, starting off from Bright on Saturday 24 November .
Each day riders pedal their way through some of Victoria's most scenic destinations, taking in some amazing views. 2018 route highlights include our alpine region, the Murray River and the wine region of Rutherglen. Then the party starts every afternoon with live music, bars, craft beer and an outdoor cinema.
Looking for a relaxing weekend wind down? Enjoy live music by Nathan Vaccaro while soaking in the surrounds of Canvas Eatery, overlooking the lawns of QEII Square.
Music and cocktails, 4:00pm – 6:00pm, Sunday 25 November.
Discover 50 easy tips for reducing, reusing and recycling as you wander through every room of a Cavalier Display Home in Wodonga on Sunday 25 November as part of the Albury Wodonga Sustainable Living Festival.
From waste-wise cleaning tips and ways to avoid single-use plastics through to turning mandarin peels into fire-lighters, egg shells into snail repellents and discovering eco-friendly alternatives to plastic toothbrushes.
Want to keep up to date with our What's On suggestions every weekend? Sign up to our free weekly newsletter here and we'll deliver it direct to your inbox!


Last week's 7.4 magnitude earthquake in Mexico apparently caused a miniature tsunami in a spring pool near Las Vegas, 1,700 miles away.
Last week's 7.4 magnitude earthquake in Mexico apparently caused a miniature tsunami in a spring pool near Las Vegas, 1,700 miles away. With video.


In this healthy 3-day meal plan, delicious diabetes-friendly ingredients make balancing your blood sugar simple.
Healthy eating is the cornerstone of diabetes management and can make all the difference in balancing your blood sugar and preventing the long-term effects of diabetes. In this healthy 1,500-calorie meal plan, delicious diabetes-friendly ingredients make balancing your blood sugar simple. Meals and snacks feature fiber-rich complex carbohydrates (like whole grains, fruits and vegetables), lean protein and healthy fats while limiting refined carbs (like white bread, white rice and added sugars), saturated fats and sodium—a combination recommended for diabetes.
Read More: How One Woman Reversed Her Diabetes Through Healthy Eating & Exercise & Our Best 7-Day Diabetes Meal Plan.
The carbohydrates are balanced throughout the day, with each meal containing around 3 carb servings (45 grams of carbohydrates) and each snack containing around 1 to 2 carb serving (15-30 grams of carbohydrates). The calorie and carbohydrate totals are listed next to each meal and snack so you can swap foods with similar nutrition in and out as you like. Whether you follow this plan exactly as it's laid out, or simply use it as inspiration for building your own meal plan for diabetes, you'll find that eating with diabetes doesn't need to be restrictive or complicated—this meal plan proves you can still enjoy delicious foods while keeping your blood sugar balanced. Don't miss the helpful "Diabetes Tips" throughout for more information on eating with diabetes.
Looking for more? Try this 7-Day Meal Plan for Diabetes at 1,500 Calories.
Diabetes Tip: Beans deliver a combination of a fiber, carbs and protein—a mix that helps to keep blood sugar balanced and helps you feel more satisfied.
Daily Totals: 1,504 calories, 80 g protein, 152 g carbohydrates, 38 g fiber, 70 g fat, 15 g sat. fat, 1,632 mg sodium.
Daily Totals: 1,492 calories, 94 g protein, 156 g carbohydrates, 30 g fiber, 56 g fat, 13 g sat. fat, 1,527 mg sodium.
Diabetes Tip: While brown rice and other whole grains are healthy options for people with diabetes, cauliflower rice is a fun low-carb alternative.
Daily Totals: 1,496 calories, 64 g protein, 161 g carbohydrates, 39 g fiber, 72 g fat, 12 g sat. fat, 1,936 mg sodium.
Congratulations on finishing this 3-day meal plan for diabetes at 1,500 calories. Whether you made every single meal in this plan or simply used it as a guide for healthy eating, we hope you found it inspirational, exciting and informational. Don't miss our other healthy meal plans for diabetes and collection of delicious diabetes-friendly recipes.


Sometimes in life we may fail, or fall. Don't give up. Everything that happens in life is a stepping stone to something greater. Every circumstance is created to push us forward, to make us brave, to believe in ourselves and be the person we were born to be. Every situation that you are faced with is meant to push you to follow your dream.
Be the love in this world, that you were born to be!!!
That job that you did not get? That was because you deserve something better. It was because that job would not take you to where you need to be in the present moment AND possibly also in future.
The person you didn't marry? Thank God. Perhaps you were saved from a marriage from hell. Perhaps that person is not the one who would have supported you to be who you are meant to be.
That accident you had? Be thankful, you didn't die. It could have been worse. Let it be a second look on life, on what is important and what is not. Let that reminder serve to inspire you to adopt an attitude of gratitude every day.
That debt that you are in? Let it push you to be the entrepreneur you were meant to be. You don't want to be an entrepreneur? Okay okay, that's fine, but let that be the source of inspiration that pushes you out of debt and into financial abundance.
That family member or friend you lost? Be thankful for the times you shared and keep them in memory. Happy memory that is.
Every situation is meant to inspire you in some way. Regardless if it is a life threatening situation, health, relationship, or money associated situation. It will pass. And so will you.
Be happy. Be present and be who you are meant to be. No matter what situation you are in.
Change your energy, change your life!	Walk yourself to a better you!


Tax is complex and there are times when you need more than just a tax return done.
Tax can be a major cost to your business. Not managed correctly, tax can become a barrier to achieving your goals.
Some popular tax planning strategies are highly effective at minimising tax but provide little benefit in terms of wealth creation. Some strategies can actually make you worse off either immediately or in the long-term.
At Trilogy Professional Group, we help you minimise your tax with smart and enterprising solutions that take into account your whole financial position, that suit your changing needs and protect your assets.


Speaking on Sunday during a special thanksgiving service to celebrate the victory of the All Progressives Congress (APC), held at the old Banquet Hall of the State House, he said if those on board had died, there would have been too many assumptions on the circumstances surrounding the incident.
He thanked God for his life and that of others who were also on board.
He said: "On February 2nd, God gave me reason to know that but for His grace we would have been consumed, when our helicopter crashed.
"When the crash occurred, for a moment there was complete silence. For a second, it occurred to me that if we had died, that is what it would have been – complete silence. But we all got out without a scratch. God delivered us.
"God also delivered those in charge of our security; even the government of Kogi State would also have been in trouble. We give God all the glory.
"I pray God will also be kind to you all also, that you will never be lacking in support, care and genuine prayers.
"God is surely worthy to be praised. I have no special qualifications to be here but exaltation comes from God."


text:
Methane, the ticking time bomb, will go off!
Scientific American (December 2009), "Methane -- A...
James Hansen: Never-Give-Up Fighting Spirit -- Le...
Gavin Schmidt, RealClimate: The CRU hack -- contex...
Combined Global Land and Marine Surface Temperatur...
Peter Laut, J. Atmos. Solar-Terr. Phys., 2003, Sol...
Spencer Weart, science historian, expresses his co...
Australian climate row highlights Copenhagen rifts...
Climate change: How global warming is having an im...
Arctic warming spike predicted for February 2010
Rising sea level poses risk to Qatar, neighbours
NOAA: 2009 Arctic Report Card, updated -- section ...
Nordell & Gervet, Intl. J. Global Warming,Trapping...
H. Damon Matthews et al., Nature 459 (2009), The p...
Damon Matthews, Nature (June 2009), Carbon emissio...
E. D. Schulze et al., Nature Geoscience (Nov. 2009...
Detlef Schulze et al., Nature Geoscience, Intensiv...
Timothy J. Garrett, Climatic Change (Nov. 2009), A...
"Is global warming unstoppable? "based on paper by...
A. Shiklomanov: A general increase of river disch...
James Hansen: Storms of My Grandchildren
Global warming challenging Canada's northern infra...
Jeffrey Park, Geophys. Res. Lett., 36 (2009), A re...
Jeffrey Park: Oceans absorbing carbon dioxide mor...
The Manufactured Doubt industry and the hacked ema...
CNN: Sea level rise could cost port cities $28 tr...
Michael Mann Responds to CRU Hack
"Blessed Unrest" by Paul Hawken: book review by La...
George Monbiot: Global warming rigged? Here's the...
The Guardian: Climate scientist Phil Jones at cent...
BBC: Rising sea levels: A tale of two cities -- R...
Climatic Research Unit update - November 24, 2009,...
Plans for Copenhagen by Leon Simons, Dutch Country...
Research fraud by Douglass, Christy, Pearsona & Si...
A little dark humor to warm our beleaguered souls
Eli Rabett: Ed Darrell found something interestin...
2009 predicted to be in the top 5 warmest years on...
The Copenhagen Diagnosis: Climate Science Report
Arctic expedition to initiate methane hydrate expl...
China's emissions from coal increase despite econo...
Al Gore to techies: Shake off the lethargy
The Global Warming Denial Machine
Duke Energy's Jim Rogers: Why nuclear power will ...
Lester R. Brown: A hotter planet means less on ou...
Seth Borenstein: Climate change speeds up since 1...
A. R. Desai et al., Nature Geosci., Stronger winds...
Richard Black of the BBC: East Antarctic ice sheet...
J. L. Chen, C. R. Wilson, D. Blankenship & B. D. T...
Yamamoto-Kawai, McLaughlin, Carmack, Science 326, ...
New radar technique (REFRACTT) locates storm-fueli...
Climate sceptic James Delingpole's cheap shot at N...
Wettest November in Wales since records began in 1...
Current sea-surface-temperature anomalies -- bizar...
How Andrew Revkin of the New York Times sold out t...
Andy Revkin sells out to the fossil fuel interests...
Antarctic temperature spike surprises climate rese...
Real Climate: The CRU hack
Dozen lesser-known chemicals (chlorofluorocarbons ...
MIRAS instrument on ESA's SMOS satellite up and ru...
M. Yamamoto-Kawai et al., Science 326, Aragonite u...
Der Spiegel bought off by fossil fuel interests!!!...
U.S. group sees worsening coastal flooding threat ...
National Geographic photographer in Antarctica
S. Khatiwala, F. Primeau, T. Hall, Nature 462, Rec...
Real Climate: A Treeline Story by Raypierre
World on course for catastrophic 6 °C rise, reveal...
Clouds Can Reveal Shape of Continents
Oceans Said to Absorb Fewer Emissions
MSU/AMSU Channel TLT Brightness Temperature Anomal...
BBC's Richard Black: Greenland ice loss 'accelera...
Laurie Williams & Allan Zabel: Cap-and-trade mira...
EPA ORDERS EMPLOYEES TO REMOVE YOUTUBE CLIMATE VID...
Joseph Romm: Record high temperatures far outpace...
Nitrate concentrations in Greenland ice have almos...
A. Luque & U. Ebert, Nature Geosci., Emergence of ...
Lightning storms at mid-latitudes and in the subtr...
NewScientist: Tuna in peril as catches reach trip...
A. Montenegro et al., Glob. Planet. Change, 2009, ...
NewScientist: Trees in far north provide biggest ...
NewScientist: Mini ice age took hold of Europe in...
Richard A. Kerr, Science, 326, Both of the World's...
Jeffery P. Severinghaus, Science 326, Atmospheric ...
Richard A. Kerr, Science, 326, Amid worrisome sign...
Michiel van den Broeke et al., Science 326, Partit...
Wet phases in the Sahara/Sahel region and human mi...
H. Cheng, R. L. Edwards, W. S. Broeker, G. H. Dent...
Greenland's mass loss increases to 0.75 mm per yea...
Antarctic iceberg on walkabout toward Australia
Peak Oil Already Here: Key oil numbers were disto...
Rajendra Pachauri: India 'arrogant' to deny globa...
Greenland ice and Himalayan glaciers: What's going...
Greenland's ice sheet melting faster than ever
Anders Levermann: Global warming increases the ri...
J. Nye et al., Changing spatial distribution of fi...
Federal study shows fish species moving toward mor...
How stable is the Atlantic Meridional Overturning ...
J. Oster, I. P. Montañe, W. D. Sharp & K. M. Coope...
Jessica Oster et al., Cave stalagmite ring study l...
NewScientist: Mini ice age took hold of Europe in months
Mini ice age took hold of Europe in months
by Kate Ravilious, NewScientist, Issue 2734, November 11, 2009
Just months -- that's how long it took for Europe to be engulfed by an ice age. The scenario, which comes straight out of Hollywood blockbuster The Day After Tomorrow, was revealed by the most precise record of the climate from palaeohistory ever generated.
Around 12,800 years ago the northern hemisphere was hit by the Younger Dryas mini ice age, or "Big Freeze." It was triggered by the slowdown of the Gulf Stream, led to the decline of the Clovis culture in North America, and lasted around 1300 years.
Until now, it was thought that the mini ice age took a decade or so to take hold, on the evidence provided by Greenland ice cores. Not so, say William Patterson of the University of Saskatchewan in Saskatoon, Canada, and his colleagues.
The group studied a mud core from an ancient lake, Lough Monreagh, in western Ireland. Using a scalpel they sliced off layers 0.5-1.0 mm thick, each representing up to three months of time. No other measurements from the period have approached this level of detail.
Carbon isotopes in each slice revealed how productive the lake was and oxygen isotopes gave a picture of temperature and rainfall. They show that at the start of the Big Freeze, temperatures plummeted and lake productivity stopped within months, or a year at most. "It would be like taking Ireland today and moving it up to Svalbard" in the Arctic, says Patterson, who presented the findings at the BOREAS conference in Rovaniemi, Finland, on 31 October 2009.
"This is significantly shorter than what has been suggested before, but it is plausible," says Derek Vance of the University of Bristol, UK. Hans Renssen, a climate researcher at Vrije University in Amsterdam, the Netherlands, says recent findings from Greenland ice cores indicate the Younger Dryas event may have happened in one to three years. Patterson's results confirm this was a very sudden change, he says.
The mud slices from the end of the Big Freeze show that it took around two centuries for the lake and climate to recover.
Patterson says that sudden climate switches like the Big Freeze are far from unusual in the geological record. The Younger Dryas was brought about when a glacial lake covering most of north-west Canada burst its banks and poured into the North Atlantic and Arctic Oceans . The huge flood diluted the salinity-driven North Atlantic Ocean mega-currents, including the Gulf Stream, and stalled it. Two studies published in 2006 show that the same thing happened again 8200 years ago, when the Northern hemisphere went through another cold spell.
Some climate scientists have suggested that the Greenland ice sheet could have the same effect if it suddenly melts through climate change, but the 2007 report of the Intergovernmental Panel on Climate Change concluded this was unlikely to happen this century.
Patterson's team have now set their sights on even more precise records of historical climate. They have built a robot able to shave 0.05 micrometre slivers along the growth lines of fossilised clam shells, giving a resolution of less than a day. "We can get you mid-July temperatures from 400 million years ago," he says.
Link: http://www.newscientist.com/article/mg20427344.800-mini-ice-age-took-hold-of-europe-in-months.html
Posted by Tenney Naumer at Saturday, November 14, 2009


Our Selene cruise is set for September 20-24, 2018 from New Orleans to Cozumel, Mexico.
Want to WIN a trip for two?
GREAT, buy a raffle ticket $5 each or 5 for $25 and get a cruise for two or $500 cash!!
Float Lieutenants and riders have tickets available for purchase.
Drawing is July 9, 2018, and winners do not need to be present to win.


text:
CUB changes logo to red and blue for big World Series weekend
October 28, 2016 Matt CUB
In honor of this historic World Series weekend at Wrigley Field, the Citizens Utility Board (CUB) is changing its logo colors to the Chicago Cubs' red and blue.
Since these are the first World Series games played at the Friendly Confines since 1945 (a heart-breaking loss to the Detroit Tigers in seven games), we wanted to show our support for the Northsiders in their long-awaited quest for a title.
I myself have bled Cubbie blue since I could throw a baseball, and we have many die-hard fans in our office. (Even some of the White Sox fans have said– somewhat begrudgingly–that they're supporting the Cubs in the World Series.)
We can't help but cheer for an underdog–because we know how it feels. My co-workers don't turn double plays, but they have helped Illinois consumers save more than $20 billion against the big utilities.
From one CUB to another: Go Cubs Go!
(Like our Cubs-themed Facebook post and you win an LED!)
Your ticket for the: CUB changes logo to red and blue for big World Series weekend


text:
package common

import (
	"context"

	"github.com/golang/protobuf/ptypes/empty"
	"github.com/pkg/errors"

	"github.com/networkservicemesh/networkservicemesh/controlplane/api/connection"
	"github.com/networkservicemesh/networkservicemesh/controlplane/api/crossconnect"
	"github.com/networkservicemesh/networkservicemesh/controlplane/api/networkservice"
)

// ConnectionService makes basic Mechanism selection for the incoming connection
type сrossConnectService struct {
}

func (cce *сrossConnectService) Request(ctx context.Context, request *networkservice.NetworkServiceRequest) (*connection.Connection, error) {
	logger := Log(ctx)
	endpointConnection := EndpointConnection(ctx)
	endpoint := Endpoint(ctx)
	clientConnection := ModelConnection(ctx)

	if endpointConnection == nil || endpoint == nil || clientConnection == nil {
		err := errors.Errorf("endpoint connection/Endpoint/ClientConnection should be specified with context")
		logger.Error(err)
		return nil, err
	}

	// 7.2.6.2.4 create cross connection
	dpAPIConnection := crossconnect.NewCrossConnect(
		request.Connection.GetId(),
		endpoint.GetNetworkService().GetPayload(),
		request.Connection,
		endpointConnection,
	)
	clientConnection.Xcon = dpAPIConnection

	return ProcessNext(ctx, request)
}

func (cce *сrossConnectService) Close(ctx context.Context, connection *connection.Connection) (*empty.Empty, error) {
	return ProcessClose(ctx, connection)
}

// NewCrossConnectService -  creates a service to create a cross connect
func NewCrossConnectService() networkservice.NetworkServiceServer {
	return &сrossConnectService{}
}


Are you looking for a nice gift? But you can't find anything at the moment?
A gift certificate is always nice to get or to give.
They are valid indefinitely, and exchangeable at any time. Our shop is open 24/7.
Reachability: From Monday to Friday from 9:00 to 1:00 p.m. and 2:00 p.m. to 4:00 p.m. hours. On Saturday, Sunday and holidays we are closed.


The European Transport Workers' Federation (ETF) complies with the relevant privacy legislation and the General Data Protection Regulation (GDPR).
This website only collects non-personally identifiable information for Google analytics: location at city-level, device used to access the website, browser, entry route to website and pages visited. We cannot uses this data to identify you. The data is hosted and processed by Google for the purpose of website management and improvement. This does not fall under the scope of GDPR.
If you consider that your data have been handled incorrectly, you can submit a complaint to the Belgian Privacy Commission.


Radio and Broadcast Master, Co-Host of the FnK Podcast and my On-Air Mentor Chris Fisher (the beardless guy) shares his story, philosophies, journey in radio and life. He is a radio vet who has left corporate radio behind. Fisher spent his first years in radio starting in Orlando at XL 106.7 interning, hosting and more. This was proceeded by 10+ years in Tampa as host of the AM Drive Show at 97X (WSUN-FM) before a stint doing talk radio at WHPT 102.5 The Bone.
He hosts the The FnK Podcast with Jesse Kage (another broadcast master-the guy with the beard). The FnK Podcast is a two hour weekly show, with an additional one hour bonus show recorded live from various establishments throughout the Tampa Bay area, featuring engagement and participation from fans. The fastest growing podcast in the Tampa Bay area is available through iTunes, Stitcher, www.fisherandkage.com, and everywhere podcasts are available.


Ashley Furniture Desks Home Office Amazon Com Signature Design Carlyle is part of great design ideas. Ashley Furniture Desks Home Office Amazon Com Signature Design Carlyle was created by combining fantastic ideas, interesting arrangements, and follow the current trends in the field of that make you more inspired and give artistic touches. We'd be honored if you can apply some or all of these design in your wedding. believe me, brilliant ideas would be perfect if it can be applied in real and make the people around you amazed!
Ashley Furniture Desks Home Office Amazon Com Signature Design Carlyle was posted in October 9, 2018 at 3:37 pm. Ashley Furniture Desks Home Office Amazon Com Signature Design Carlyle has viewed by 36 users. Click it and download the Ashley Furniture Desks Home Office Amazon Com Signature Design Carlyle.
Desks, Ashley Furniture Office Desks was posted August 25, 2017 at 2:01 am by trainingdigital.info . More over Ashley Furniture Office Desks has viewed by 4241 visitor.
Desks, Ashley Furniture Desks Home Office was posted July 18, 2018 at 2:01 pm by trainingdigital.info . More over Ashley Furniture Desks Home Office has viewed by 4238 visitor.


Help cure hay fever and allergies including cold, sneezing and coughing. Useful in general debility, fatigue, respiratory tract disorders and chronic cold, cough and sinusitis. It restores body's defense mechanism and revitalizes all organs. One teaspoon twice a day will balance body's doshas and help prevent seasonal as well as chronic health problems like cold, cough and asthma.


text:
Hemisphere - roof
The shape of the observatory dome is close to the hemisphere. Its outer diameter is 11 m. How many kilograms of paint and how many liters of thinner is used for its double coat if you know that 1 kg of paint diluted with 1 deciliter of thinner will paint an area of 7.3 m2.
b = 52.073 kg
r = 5.2073 l
D=11 m r=D/2=11/2=211=5.5 m S0=4π⋅ r2=4⋅ 3.1416⋅ 5.52≐380.1327 m2 S=21⋅ 2⋅ S0=21⋅ 2⋅ 380.1327≐380.1327 m2 S1=7.3 m2 b=S/S1=380.1327/7.3=52.073 kg
r1=b=52.073≐52.073 dl r=r1→ l=r1:10 l=52.073:10 l=5.207 l=5.2073 l
Do you know the volume and unit volume, and want to convert volume units?
spherical cap
The water tank
The water tank has the shape of a sphere with a radius of 2 m. How many liters of water will fit in the tank? How many kilograms of paint do we need to paint the tank, if we paint with 1 kg of paint 10 m²?
Observatory dome has the shape of a hemisphere with a diameter d = 20 m. Calculate the surface.
The dome of the hemisphere-shaped observatory is 5.4 meters high. How many square meters of sheet metal needs to be covered to cover it, and 15 percent must be added to the minimum amount due to joints and waste?
Half-sphere roof
The roof above the castle tower has the shape of a 12.8 m diameter half-sphere. What is this roof's cost if the cost of 1 square meter is 12 euros and 40 cents?
Mr Peter has a metal roof cone shape with a height of 127 cm and radius 130 cm over well. He needs to paint the roof with anticorrosion. How many kg of color must he buy if the manufacturer specifies the consumption of 1 kg to 3.3 m²?
Flowerpot
The block-shaped flowerpot has external dimensions: length 1.25 m, width 10 cm, and height 11 cm. The thickness of the boards from which it is made is 0.8 cm. How many liters of soil is needed to fill it 1 cm below the top edge? What surface do we have to
How many cans of blue paint need to be bought if the interior of the garden pool, which is 5 m long, 3 m wide and 1 m deep, is to be painted? There is 1 kg of paint in each can. One can is enough for 8 m² of area.
Tin with oil
Tin with oil has the shape of a rotating cylinder whose height is equal to the diameter of its base. Canned surface is 1884 cm². Calculate how many liters of oil is in the tin.
Hemispherical hollow
The vessel hemispherical hollow is filled with water to a height of 10 cm =. How many liters of water are inside if the hollow's inside diameter is d = 28cm?
The hemisphere
The hemisphere container is filled with water. What is the radius of the container when 10 liters of water pour from it when tilted 30 degrees?
The surface of the sphere is 12100 cm2, and the weight is 136 kg. What is its density?
What is the surface area of a spherical cap, the base diameter 23 m, height 3 m.
Forty identical traffic cones with a base diameter d = 3 dm and a height v = 6 dm should be painted on the outside with orange paint (without base). How many crowns do we pay for color? If we need 50 cm ^ 3 of paint to paint, 1m² and 1l of paint costs CZK
Water reservoir
What is the weight of a metal reservoir - cylinder with a diameter of 2 m and a length 8 m, if 1 m² of sheet metal weighs 100 kg?
Chemical parison
The blown parison (with shape of a sphere) have a volume 1.5 liters. What is its surface?
The roof has a spherical canopy with a base diameter of 8 m and a height of 2 m. Calculate the foil area with which the roof is covered when calculating 13% for waste and residues.
Iron sphere
Iron sphere has weight 100 kg and density ρ = 7600 kg/m³. Calculate the volume, surface, and diameter of the sphere.


What you should know about inexpensive "internet" instruments!
This was a nice pro level Yamaha alto that got dropped and dented in the top post assembly. I had to unsolder the octave pip (3rd Pic) to get to the area. In the 1st 2 pics you can see light leaking out where the tone holes are not level due to the damage. The 4th pic shows the finished work.
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text:
Magelang Baru is een bestuurslaag in het regentschap Lebong van de provincie Bengkulu, Indonesië. Magelang Baru telt 1057 inwoners (volkstelling 2010).

Plaats in Bengkulu