text:
"It empowers to attend." Understanding how participants in the Eastern Cape of South Africa experienced a parent support programme
A qualitative study
Jenny Doubt; Heidi Loening-Voysey; Lucie Cluver; Jasmina Byrne; Yulia Shenderovich; Divane Nzima; Barnaby King; Sally Medley; Janina Steinert; Olivia O'Malley
Publication series:
Innocenti Working Papers
No. of pages: 58
(2018). "It empowers to attend." Understanding how participants in the Eastern Cape of South Africa experienced a parent support programme: A qualitative study, Innocenti Working Papers no. 2018-14,
WP 2018-14
Parenting interventions can dramatically reduce violence against children and improve a child's future. Yet in the past, research has mainly focused on young children in high-income countries, and most of the research has only used quantitative methodology. By contrast, this qualitative study focuses on teenagers and their caregivers who attended a parenting programme in South Africa, contributing to a small but growing body of research on parent support programmes for teenagers in low and middle-income countries. The research examines the Sinovuyo Teen Parenting programme, which was developed and tested between 2012 and 2016 in South Africa. The main qualitative study was carried out in the last year (2015–2016) and is the focus of this paper. It complements a cluster randomized controlled trial. This qualitative study captures the experiences of teenagers and parents who attended the Sinovuyo Teen Parenting programme in 2015. Importantly, the study gives an insight into how the caregivers and teenagers changed as a result of participating in the study. Findings show that both caregivers and teenagers valued the programme and their participation fostered better family relations and reduced violence at home. Their views are important for practitioners, programme implementers and researchers working in violence prevention and child and family welfare. More research is needed, however, to show whether these changes can be sustained.
Related Innocenti Project(s):
Family and parenting support
prevention measures
qualitative analysis
More in this series: Innocenti Working Papers
How relaxing develops and affects well-being throughout childhood
From a developmental perspective, skills or capacities, such as 'relaxing', are commonly considered necessary for children to achieve optimal development and reach their full potential. From this perspective 'relaxing' can be considered a capacity that could help children to cope with emotional and behavioural problems and lower their levels of stress and anxiety. To the best of our knowledge, this is the first attempt to map the existing evidence of cultivating 'relaxing' as a key core capacity with an explicit focus on children, and understand age-related development, links to wellbeing and other core capacities, and the levels and application of 'relaxing' among significant adults in children's lives. These contributions will help inform real, positive and efficient changes in general policies and practices for child development.
How listening develops and affects well-being throughout childhood
Drawing from a multidisciplinary evidence base, what is the empirical and theoretical knowledge of children's listening and how does it interact with overall well-being throughout childhood? This review study is a first attempt to map the existing theoretical and empirical literature about a possible core capacity for well-being: listening. It focuses on the development of listening throughout childhood, listening in formal and informal learning, listening in family and community settings, and possible links between listening and well-being. Relevant empirical studies were identified that further explain the development of listening comprehension throughout childhood. Relevant streams of literature identified included listening to music and positive effects on child wellbeing, children's extensive listening in schools, and the effects of undesirable listening environments.
How observing develops and affects well-being throughout childhood
This study maps map the empirical and theoretical evidence of children's ability for 'observing' or 'noticing' as a core capacity for life within the Learning for Well-Being Foundation's theoretical framework, and how it interacts with overall child development. More specifically, this review aims to contribute to existing knowledge in three ways: (i) it adds to the evidence of 'observing' as a core capacity for children from a childhood development perspective, (ii) it assesses the interaction of 'observing' with other core capacities and with overall child well-being, and (iii) it looks at the development of 'observing' as a core capacity among significant adults in children's lives (e.g., teachers, educators, parents). Although the available evidence is limited, results show a significant link between children's levels of observation or attention and cognitive skills in general, such as working memory and executive attention.
How reflecting develops and affects well-being throughout childhood
Reflecting, or thinking about one's own thinking, is understood by the Learning for Well-Being Foundation as one of the possible core capacities which may influence well-being in children. This study explores the academic literature for theoretical and empirical evidence in support of this conceptualization. Drawing from a multidisciplinary evidence base, what is the empirical and theoretical evidence of children's reflecting and how does it interact with overall well-being throughout childhood? The objectives of the review are to map the evidence of the development of reflecting in children, describe possible gaps in the literature and search whether any studies explore reflecting as a core capacity, or study the relationship between reflecting and child well-being. In doing so this paper focuses on the possibly diverse development of the core capacity in children, on the capacity in parents, teachers and other caregivers and the role they play in the development of the core capacity, and on the evidence from the academic literature.
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The AJH Synth Minimod Dual Contour Eurorack Module is an accurate replica of the Dual Contour generators found in the Moog Model D; this module features identical circuitry, component choices and even runs on the same voltage to produce the same envelope response as the original.
New features include LED status lights for the EG's and manual triggering for the envelope, handy for auditioning sounds.
AJH have added independent decay switches for each individual contour generator unlike the single found on the original, this allows the module to work in either AD or ADSD modes.
Completely original sound and spec, down the operational voltage.


text:
Q: Increase in velocity by loss of mass?
A trolley of mass 300kg carrying a sand bag of 25kg is moving uniformly with speed of 27km/h on a frictionless track. After a while, sand starts leaking out of a hole on the floor of the trolley at the rate of 0.05 kg/s.
What is the speed of the trolley after the entire sand bag is empty?

I was so surprised when I read this question. It doesn't make sense to me. I can't comprehend how the loss of sand creates an external unbalanced force on the trolley such that it affects its velocity.
Maybe I haven't analyzed the question enough but I find this a bit conceptually challenging for me. Maybe I have to consider how the sand particles affect the back wheels of the trolley or maybe consider the sand to be a propellant?

A: The answer is...  27 km/h.
It is a trick question, the net force on the trolley is always zero.
People might be tricked into blindly applying momentum conservation to find an increase in velocity but this would be incorrect.  As the sandbag decreases in weight the momentum carried by the trolley-sandbag system decreases.

A: This is no trick question. It is simply an application of the fact that the velocity of the Center of Mass (COM) of a body is unaffected by internal forces. You would have been correct in saying the velocity of COM cannot change in absence of external forces. But this does not apply to the trolley alone.
So what's going on here? Initially the COM of the trolley + sandbag system is moving at $27$ kmph. Now the sand is falling out of the sandbag backwards by some means of an internal force. Since the velocity of the COM must, must be constant in the absence of external forces, the trolley speeds up so the net momentum of the system is conserved.
With some formulas:
$v_c$ = $(m_tv_t + m_sv_s)$ $/$ $(m_t + m_s)$
..where $v_c$ is the velocity of the COM. This will not change even after all the sand falls out.
This is basically just another way of writing linear conservation of momentum, but I want to bring your attention to the significance of the fact that it's the velocity of the COM which dictates the velocity of the sand and the trolley.
To give you another example of where exactly the same happens, think of rocket propulsion. How does the rocket keep gaining speed by simply ejecting fuel at a constant velocity? Despite what you said in the comments, your interpretation is actually correct :)

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Ranbir Kapoor-starrer Barfi! has been nominated as India's entry in the category of 'Best Foreign Language Film' at the Oscars in February next year.
The film, directed by Anurag Basu which also features Priyanka Chopra, has beaten 19 other films to be named India's official entry to the Oscars. It registered a powerful box office collection in its opening week, by earning Rs. 58.6 crore.
The film, about love between differently-abled - a deaf and mute boy and an autistic girl - opened in approximately 700 screens in India on September 14.
"Barfi! is the Indian entry to the Oscars.
We selected it to represent the country out of 20 films," Supran Sen, secretary general of the Film Federation of India, told PTI.
Ranbir Kapoor said, "It feels great. But there's still a long way to go. The Oscars has to select it in the best five nominee's list. Priyanka Chopra, who is currently out of the country, tweeted "Yaaaaaay!!India's official entry to the Oscars.
Disney UTV, the producer and distributor of the film, was ecstatic at the success. That Barfi! has been selected to represent India as its official entry to the Academy Awards 2013. Barfi! is very close to the hearts of all of us at UTV, and it gives great satisfaction that a film have developed and nurtured from its inception has met with so much love from audiences and critics worldwide.
The fourth UTV film in the last seven years to have been selected to represent India at the Academy awards; our earlier selections being Rang De Basanti, Harishchandrachi Factory and Peepli Live..
The romantic comedy has touched viewers and critics alike with its simple, but powerful narrative. The film marked the Bollywood debut of southern actress Ileana D'Cruz, who has also been appreciated for her performance.


Hand painted pink flowers and butterflies adorn this charming fringed glass shade which is matched with a mahogany bronze finished lamp base. The flower mini lamp is a romantic way to add light to your room.
Cosmos Gifts 8″D Lamp/Butterfly Table Lamp. While the details of this Cosmos mini table lamp are complimented by neutral tones and traditional styling. Also the footed and turned base gives way to a crisp white candle sleeve that disappears into the painted glass dome shade. The rose painting has been paired with fringe detailing for a touch of added Victorian flair. Measures about 8″ wide x 17.5″ Tall.
Stop by today and check out all the great lamps and lighting we have in stock for you to choose from. We also have the Tiffany Style Hummingbird And Rose Fringed 8" Table Lamp on hand.


The XML outputted by Board Game Geek now includes relative rather than absolute URLs, which breaks fetching of images.
A patch to fix this is attached.
A similar patch was discussed a while ago in another discussion thread and integrated in a GitLab repository.
Your version seems to more robust to possible future changes to the web site.
Is this GitLab repository now the official source repository, or is it a fork?
It's a fork. The master is on SVN on gna.org. No news from the committers so far : I don't know if they plan new releases.


text:
All Answered Unanswered
Get help with college statistics
Recent questions in College Statistics
Carol Gates 2020-10-20 Answered
A January 2007 Gallup Poll question asked, "In general, do you think things have gotten better or gotten worse in this country in the last five years?" Possible answers were "Better", "Worse", "No Change", "Don't Know", and "No Response". What kind of variable is the response?
UkusakazaL 2020-10-20 Answered
The table shows the total cost c of buying t movie tickets. Write an equation to represent the relationship between c and t.
\(\begin{array}{|c|c|} \hline t & с\\ \hline 1 & 7 \\ \hline 2&14\\ \hline 3&21\\ \hline 4&28\\ \hline \end{array}\)
Line 2020-10-20 Answered
Suppose you are testing whether the lifetime of 4 different types of lightbulbs. You run 5 experiments each. You get a mean square error of \(\displaystyle{M}{S}_{{{E}}}={1.75}\) and you reject the null hypothesis. The sample means you obtain for each lightbulb are below:
Type 1: 20
Which pairs are significantly different at the \(\displaystyle{5}\%\) significance level? Select all that apply.
waigaK 2020-10-20 Answered
A population of values has a normal distribution with \(\displaystyle\mu={26.8}\) and \(\displaystyle\sigma={33.8}\). You intend to draw a random sample of size \(\displaystyle{n}={89}\).
Find the probability that a single randomly selected value is between 17.1 and 25.
\(\displaystyle{P}{\left({17.1}{<}{X}{<}{25}\right)}=\)?
Write your answers as numbers accurate to 4 decimal places.
slaggingV 2020-10-20 Answered
A) Explain why the chi-square goodness-of-fit test is not an appropriate way to find out.
B) What might you do instead of weighing the nuts in order to use a x2 test?
Nuts A company says its premium mixture of nuts con- tains 10% Brazil nuts, 20% cashews, 20% almonds, and 10% hazelnuts, and the rest are peanuts. You buy a large can and separate the various kinds of nuts. Upon weigh- ing them, you find there are 112 grams of Brazil nuts, 183 grams of cashews, 207 grams of almonds, 71 grams of hazelnuts, and 446 grams of peanuts. You wonder whether your mix is significantly different from what the company advertises.
permaneceerc 2020-10-20 Answered
The probability distribution used when making inferences about a single population variance is ?
The probability distribution used when comparing two population variance is ?
The F test for comparing two population variances is known to be sensitive to the assumption of ?
Suman Cole 2020-10-20 Answered
Explain whether there are any outliers in these data or not.
The 5-number summary for the run times in minutes of the 150 highest grossing movies of 2010 is provided.
Check whether the standard error of the sampling distributions of bar p obtained in part(a) and part(b) are different.
FizeauV 2020-10-19 Answered
In an experiment designed to study the effects of illumination level on task performance ("Performance of Complex Tasks Under Different Levels of Illumination," J. Illuminating Eng., 1976: 235–242), subjects were required to insert a fine-tipped probe into the eyeholes of ten needles in rapid succession both for a low light level with a black background and a higher level with a white background. Each data value is the time (sec) required to complete the task.
\(\begin{array}{|c|c|} \hline Subject & (1) & (2) & (3) & (4) & (5) &(6) & (7) & (8) & (9) \\ \hline Black & 25.85 & 28.84 & 32.05 & 25.74 & 20.89 & 41.05 & 25.01 & 24.96 & 27.47 \\ \hline White & 18.28 & 20.84 & 22.96 & 19.68 & 19.509 & 24.98 & 16.61 & 16.07 & 24.59 \\ \hline \end{array}\)
Does the data indicate that the higher level of illumination yields a decrease of more than 5 sec in true average task completion time? Test the appropriate hypotheses using the P-value approach.
Tammy Todd 2020-10-19 Answered
Researchers carried out a survey of fourth-, fifth-, and sixth-grade students in Michigan. Students were asked whether good grades, athletic ability, or being popular was most important to them. This two-way table summarizes the survey data.
\(\begin{array} {|c|} & Grade \ Most important & \begin{array}{l|c|c|c|c} & \begin{array}{c} 4 \mathrm{th} \ grade \end{array} & \begin{array}{c} 5 \mathrm{th} \ \text { grade } \end{array} & \begin{array}{c} 6 \mathrm{th} \ grade \end{array} & Total \\ \hline Grades & 49 & 50 & 69 & 168 \\ \hline Athletic & 24 & 36 & 38 & 98 \\ \hline Popular & 19 & 22 & 28 & 69 \\ \hline Total & 92 & 108 & 135 & 335 \end{array} \ \end{array}\)
Suppose we select one of these students at random. What's the probability that: The student is a sixth grader or a student who rated good grades as important?
ringearV 2020-10-19 Answered
A chi-square homogeneity test is to be conducted to decide whether four populations are nonhomogeneous with respect to a variable that has eight possible values. What are the degrees of freedom for the \(\displaystyle{x}^{{2}}\)-statistic?
illusiia 2020-10-18 Answered
A February 2007 Gallup Poll question asked, "In politics, as of today, do you consider yourself a Republican, a Democrat, or an Independent?" The possible responses were "Democrat". "Republican". "Independent", "Other", and "No Response". What kind of variable to the response?
beljuA 2020-10-18 Answered
Give full and correct answer for this question, the chi-square test can be used: Select one: a. to make inference about a population mean. b. to test for survey error. c. to compare more than two independent proportions. d. for pairwise multiple comparisons of means. e. to test for difference in two variances.
Yasmin 2020-10-18 Answered
In statistics, random samples are used to make generalizations, or inferences, about a population. Give a full correct answer for this question its true or false?
Consider the following function. \(\displaystyle{f{{\left({x}\right)}}}={\frac{{{x}^{{{2}}}}}{{{x}^{{{2}}}-{81}}}}\) a) To find the critucal numbers of f. b) To find the open interval on which function is increasing or decreasing. c) To identify the relative extremum.
CheemnCatelvew 2020-10-18 Answered
A population of values has a normal distribution with \(\displaystyle\mu={239.5}\) and \(\displaystyle\sigma={32.7}\). You intend to draw a random sample of size \(\displaystyle{n}={139}\).
Find the probability that a single randomly selected value is greater than 235.9.
\(\displaystyle{P}{\left({X}{>}{235.9}\right)}=\)?
ossidianaZ 2020-10-18 Answered
How to solve this confidence interval? Use the confidence interval to find the estimated margin of error. Then find the sample mean. A store manager says a confidence interval of (44.07, 80.97) when estimating the mean price (in dollars) for the population of textbooks.
lwfrgin 2020-10-18 Answered
How is the distinction between qualitative and quantitative data in social research is essentially the distinction between numerical and nonnumerical data?
Random variables
Sampling distributions
Significance tests
Summarizing quantitative data
Analyzing categorical data
Modeling data distributions
Comparing two groups
Alternate coordinate systems
Describing quantitative data
Chi-square tests
Two-way tables
Bivariate numerical data

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text:
Q: unzipping the file using cypress I need to unzip the file using 'unzipping' whereas I am using the below code to do the same but it is partially unzipping but it is throwing an Invalid path error (as path contains special character *).please help me to fix it
let path = 'cypress/downloads/'
let file = '910-00001.1-20220419-1843.zip'

describe('example unzip', () => {
  it(' test', () => {
    cy.task('unzipping', { path, file })
    })

//task code (Added it into plugins --> index.js)

const unzipping = require('./unzipping')

module.exports = (on, config) => {
    on('task', {
        'unzipping': unzipping.unzip,
    })
}

//   ./unzipping file (created a file named unzipping.js inside plugin folder)
const decompress = require('decompress');

const unzip = ({ path, file }) => decompress(path + file, path + 'unzip/' + file.replace('.zip', ''))

module.exports = {
    unzip,
}

A: So, I tried all your code you gave above, and it worked perfectly.
The only thing I can think if is the contents of the zip is the problem. In my test I made a simple zip with two text files 1.txt and 2.txt, then running the test, found them in the folder /cypress/downloads/unzip/910-00001.1-20220419-1843.
I suggest you do the same with a dummy zip, if the code works then look at the contents of 910-00001.1-20220419-1843.zip.


German court sentences 31-year-old Pakistani to four years and three months in prison for spying on Jewish and Israeli-related targets.
A German court on Tuesday sentenced a 31-year-old Pakistani to four years and three months in prison for spying on Jewish and Israeli-related targets for Iran, The Associated Press reported, citing the German news agency dpa.
According to the report, Haider Syed Mustafa was convicted by a Berlin court for collecting extensive material on the former head of the German-Israeli Association and on a French-Israeli professor from an economic university in Paris.
Mustafa reportedly worked for the elite Quds Force unit of Iran's Revolutionary Guard. No attacks were carried out.
Mustafa, who came to Germany in 2012 to study for an engineering degree at the University of Bremen, received more than 2,000 euros (2,170 dollars) for his spying activities which included shooting hundreds of photos and creating presentations on the potential targets, according to AP.
He refused to testify during the trial.
News of Mustafa's arrest first surfaced in January, when the German Federal Prosecutor announced that it had indicted him for espionage activity against "institutions and persons" in Germany on behalf of the Iranian regime from July, 2015 through July, 2016.
Mustafa was arrested by German authorities on July 5 in the city of Bremen and has been in prison ever since.


Las Vegas — A coalition of entertainment groups will establish a $300 million educational campaign next month to urge parents to control what their children watch on television, the groups said yesterday.
The effort by TV networks, cable and satellite television companies, local broadcasters and Hollywood studios is an attempt to forestall government control of content by demonstrating that a voluntary program can work.
Jack Valenti, former head of the Motion Picture Association of America, announced the effort yesterday during his keynote speech to the National Association of Broadcasters.
"We want to tell American parents that they, and they alone, have total power to control every hour of television programming," Mr. Valenti said.
The material also will be distributed to churches and advocacy groups.
In Scientology doctrine, Xenu (also Xemu) is an alien ruler of the "Galactic Confederacy" who, 75 million years ago, brought billions of people to Earth, stacked them around volcanoes and blew them up with hydrogen bombs. Their souls then clustered together and stuck to the bodies of the living, and continue to cause problems today. These events are known to Scientologists as "Incident II", and the traumatic memories associated with them as The Wall of Fire or the R6 implant. The story of Xenu is part of a much wider range of Scientology beliefs in extraterrestrial civilizations and alien interventions in Earthly events, collectively described as space opera by L. Ron Hubbard, the founder of Scientology.
Hubbard detailed the story in Operating Thetan level III (OT III) in 1967, famously warning that R6 was "calculated to kill (by pneumonia etc.) anyone who attempts to solve it." The Xenu story was the start of the use of the volcano as a common symbol of Scientology and Dianetics from 1968 to the present day.
Much of the criticism of the Church of Scientology focuses on the story of Xenu. The Church has tried to keep Xenu confidential; critics claim revealing the story is in the public interest, given the high prices charged for OT III, part of Scientology's secret "Advanced Technology" doctrines taught only to members that have already contributed large amounts of money to the organization.
The Church avoids making mention of Xenu in public statements and has gone to considerable effort to maintain the story's confidentiality, including legal action on the grounds of both copyright and trade secrecy. Despite this, much material on Xenu has leaked to the public.
Hubbard wrote OT III in late 1966 and early 1967 in North Africa while on his way to Las Palmas to join the Enchanter, …In a letter of the time to his wife Mary Sue, Hubbard said that, in order to assist his research, he was drinking a great deal of rum and taking stimulants and depressants ("I'm drinking lots of rum and popping pinks and greys"). His assistant at the time, Virginia Downsborough, said that he "was existing almost totally on a diet of drugs." . . .
1) Evidences of the historical and textural accuracy of the Old Testament are currently and constantly being discovered. Not one piece of Old Testament history has ever been contradicted by thousands of archeological "finds". Not one. The historical accuracy of the Old Testament only continues to mount. This is in direct contradiction to the evidences found of the Hubbard "fantasy"; none.
2) If the Scientology church believes the comparison to Old Testament is based on the belief their "Fantasy" is about "miraculous events… described that are unlikely to have occurred in real life" then why teach them at all? The belief in the miraculous resurrection of Christ is not considered fantasy by Christians. It is the foundation of Christianity and not to be kept hidden from public knowledge. On the contrary I would rather challenge others to investigate the details surrounding the resurrection. Go ahead.
Several years ago, when leaders at the 5,000-strong Tallowood Baptist Church in Houston realized they needed more space to expand their congregation, they considered building a new church on the outskirts of this sprawling Texas city. Instead, they opted for a less conventional site: a strip mall on the Katy Freeway.
Can Federalism Solve America's Culture War?


Are you interested being able to change lives by impacting and improving the health and well-being of communities? Public health professionals serve as a link between communities, governments and medical professionals, and are well-versed in science and sociology, as well as public policy.
What is a bachelor's degree in Public Health at UNT Dallas?
UNT Dallas' Public Health degree offers a broad-based and interdisciplinary curriculum designed to prepare you for a wide range of public health occupations. The Bachelor of Arts degree program in Public Health is an ideal degree for students interested in careers where they can influence the health and well-being of their communities (health education, research, health administration and policy development). The Bachelor of Science degree program in Public Health is ideal for students interested in careers in the health professions (pharmacy, dentistry, physician assistant, veterinary and medical sciences).
For more information please contact Dr. William Garner at William.Garner@untdallas.edu.
Why earn a bachelor's degree in Public Health from UNT Dallas?
UNT Dallas has pioneered one of the first undergraduate majors in Public Health in North Texas. This innovative and multidisciplinary degree brings together excellent faculty in public health, psychology, sociology and environmental science. It offers our students the opportunity to focus in one of four emphasis areas: health science; behavioral and community health; diversity, ethics and global health; and health promotion and programs. All Public Health majors also complete a Capstone course that offers internships and other applied, experiential opportunities to build a professional network throughout the Dallas-Fort Worth area.
What career opportunities are available with a Public Health degree?


For many, their camera is now their Android smartphone, because as the saying goes, "the best camera is the one you have with you." Taking stills and recording videos is now easier than it has ever been as compared to before. But there are times when you hit the camera app's record button a wee bit too early, and you have extra seconds before the good stuff comes into play. If you want to easily trim and cut videos, then you can do that with the use of the free Google Photos app. If your phone doesn't have it yet, you can head on to Google Play to download and install it.
Step 1 – Should this be the first time you've ever had to open the Google Photos app on your Android device, then you would have to first set up the Back Up & Sync option. It is toggled on by default. If you're good with the details being presented to you, then just hit on "Done" in order to proceed.
Step 2 – Now that the first step is out of the way, you can go ahead and open and video you would like to trim on your Android smartphone. Once you play the video, tap on the pencil icon found at the bottom. You will then be brought to the edit menu, and it is quite easy to use. It will bring up a selection tool for trimming, as well as a button to rotate the orientation of the video. These two options are pretty much what you can do with editing your videos in the Google Photos app. Should you want more extensive options there are other apps available in Google Play that you can try out.
Step 3 – While still in Google Photos, just highlight the section of the video that you would like to keep then just tap on the "Save" button found on the top right. If you want to check out the selection of your video, then you can tap on the play button found at the center of the video to check it before the final trimming process is deemed complete.
Step 4 – After the video has been trimmed, it will automatically be saved into your Android device and it will be saved as a copy of the original. You don't even have to rename the new file as it happens automatically.


One thing comes to mind as I'm brewing my hot masala chai early in the morning. Deep in thought, I'm 24 hours into my fourth spring quarter—my final quarter as an undergrad if things go as planned… and I let the tea bag seep for too long! Bitter chai is always a shame. I reluctantly pour my unbalanced brew into my cup and wait for it cool. As the chai cools, I watch as steam rolls off the rim of the mug. The vapors tumble through the air, as I look at them I begin to reminisce. These past four years have afforded me some truly life-changing experiences and opportunities, ones that, had I not attended the UW, I would have never had.
In CHID I've learned that, when questions are the content, students have an opportunity. That opportunity being the chance to find their own answers. Having that chance to find a topic and zero in on its core principals and concepts is something that is unparalleled in most undergraduate programs. This year I chose to ask one question: Who am I? However, in the spirit of the humanities, this turned out to be much more complicated and nuanced than I first anticipated.
When my parents immigrated to the US from Punjab, they brought more than the money in their pocket and my mother's dupatas packed in the suitcase. They brought THE recipe for masala chai (I may be a little biased towards my mother's cooking), they brought an eagerness to learn English but desire to preserve Punjabi, and they brought with them a faith that taught them to be honest, share, and be grateful. My decision to embrace this faith was mine, but it was largely influenced by my parents' decision to introduce my brother and me to it early in our childhood.
As I have grown, I have become more concerned with how this aspect of my identity, this Sikh identity, was historically constructed. I've heard the origins of Sikhism and Guru Nanak, the founder of Sikhism, for my whole life. Over time, I have slowly become aware that there are voices throughout Sikh history that people are beginning to forget. My interest to listen to the forgotten whispers scattered through Sikh history is not just a scholarly endeavor as I begin to construct my forgotten archive, but it is also holds a great deal of personal significance. It is my belief that a community draws its strength from all its members and all their voices. In better understanding these different voices, I hope to build a better understanding of the community of which I am a part, and hopefully make a meaningful contribution.
This past winter I had the honor of facilitating a CHID Focus Group that examined multiple different approaches towards studying Sikh History. Our class met regularly and discussed almost the entire breadth of documented Sikh history; it was exhausting. The quarter concluded with the first ever Punjab Forum where students from the class presented some of their most interesting findings. We had presentations from Feminism in Punjab to the Sikhism and post 9-11 hate crimes. I was extremely impressed with the response from the community. With over 40 members of the UW community in attendance, we had students, staff, and faculty come together to engage in productive conversations. It is a legacy that I am proud to have been a part of.
This quarter I have had the privilege of continuing some of the work I started last quarter with Dr. Purnima Dhavan from the Department of History, as I take a closer look at primary literature from the Singh Sabha movement beginning in the 1880's. Many remember this period as being instrumental in the construction of certain religious boundaries that have defined Sikhism and Sikh identity moving into the 21st century. In many ways, this social justice movement helped many Sikhs to reclaim and strengthen an identity they felt was under attack by other groups in Punjab. From marches to liberate Sikh Temples and opening of Sikh schools in villages, to forming Sikh newspapers and disseminating pamphlets to re-familiarize people with Sikhism. Keeping this in mind, it is important to understand one key realization: throughout history some voices are invariably drowned out by their louder counterparts and are forgotten. However, if we listen carefully, those whispers that were once forgotten can be given an opportunity to be heard once again. My goal is to better understand those voices, and, through a creative writing project, to provide them with a platform to voice their thoughts and opinions. The forgotten archives hope to provide a new way to engage with the voices from this time, and hopefully discover new insights and understandings.


This is a short book of essays which are dedicated to the Hindu Goddess Kali. Chapters include; Concerning Symbols; The Vision of Siva; Two Saints of Kali; The Voice of the Mother; and The Story of Kali.
OUR daily life creates our symbol of God. No two ever cover quite the same conception.
It is so with that symbolism which we know as language. The simple daily needs of mankind, seem, the world over, to be one. We look, therefore, for words that correspond in every land.
Yet we know how the tongue of each people expresses some one group of ideas with especial clearness, and ignores others altogether. Never do we find an identical strength and weakness repeated: and always if we go deep enough, we can discover in the circumstances and habits of a country, a cause for its specific difference of thought or of expression. In the North we speak of a certain hour as "twilight," implying a space of time between the day and night. In India, the sane moments receive the name of "time of union," since there is no period of half-light,--the hours of sun and darkness seeming to touch each other in a point.
The illustration can be carried further. In the word gloaming lies for us a wealth of associations,--the throbbing of the falling dusk, the tenderness of home-coming, the last sleepy laughter of children. The same emotional note is struck in Indian languages by the expression at the hour of cowdust.
How graphic is the difference! Yonder, beyond the grass, the cow-girl leads her cattle home to the village for the night. Their feet as they go strike the dust from the sun-baked path into a cloud behind them. The herd-girl herself looms large across the pasture--all things grow quickly dim, as if the air were filled with rising dust.
That word cowdust, indeed, strikes a whole vein of expression peculiar to this Eastern land. Everything about the cow has been observed and loved and named. As much water as will lie in the hole once made by its hoof is a well known measure amongst the Aryan folk!
It is unnecessary to argue further that while the facts of nature determine the main developments of speech, yet every language and group of languages differs from every other as the characters of individuals and of nations.
Something of the same sort is true of religious symbols. Short of perfect realization, we must see the Eternal Light through a mask imposed by our own thought. To no two of us, probably, is the mask quite in the same place, and some reach, by their own growth, diverging points so distant from the common centre that they mark the extreme limits hitherto achieved of those great areas known as the Christian, or the Buddhist, or the this-that-or-the-other consciousness.
To do this, or even to carry a whole race to a new rallying-place round a standard planted on the old frontier is the peculiar mission of religious genius.
So Jesus swept down in His might on the old Jewish entrenchments of justice--righteousness and carried the banner off bodily to that outpost of love and mercy which struggling souls had reached, indeed, before Him, but which none had yet been strong enough to make the very heart and focus of vitality.
And so every one of us, simply by thinking his own thought, and living his own life to the full, may be answering his brother's cry for God in ways beyond the dreaming of the world. Are Catholic possibilities not richer for the life of Manning, or Protestant for Frances Ridley Havergal?
These things being true, the imagery of all men has its significance for us. The mask is created by our own thought directly, and indirectly through the reaction of custom upon thought. Like all veils, it brings at once vision and the limiting of vision. Only by realising the full sense of every symbol can we know the whole thought of Humanity about God.
But down with all masks!
The Uncreated Flame itself we long for, without symbol or veil or barrier. If we cannot see God and live,--let us then die--what is there to fear? Consume us in primal fire, dissolve us into living ocean, but interpose nothing, no, nor the shadow of anything, between the soul and the divine draught for which it thirsts!
True. Yet for each of us there is a chosen way. We ourselves may still be seeking it, where and when still hidden from our eyes. But deep in our hearts is rooted the assurance that the moment will yet come, the secret signal be exchanged, the mystic name will fall upon our ears, and somewhere, somewhen, somehow, our feet shall pass within the gates of Peace, we shall enter on the road that ends only with the Beatific Vision.


Escape heavy traffic, long lines and life's hurried pace for some downtime in the scenic Western North Carolina foothills and mountains at Tryon Resort. Designed with the horse lover in mind, this equestrian lifestyle destination's busy competition calendar settles down in the winter, and is the perfect retreat for a peaceful wintertime getaway.
Tryon Resort offers a variety of onsite lodging, diverse restaurants, shopping, equine simulator lessons, and nearby amenities like golf and clay pigeon shooting. The region is bookended to the west by the Blue Ridge Mountains, which offer a plethora of outdoor adventures all winter long, including leisurely strolls if you want to keep your blood pleasure low. Tryon Resort is also centrally located an hour or less between Asheville, Charlotte and Greenville, leaving you with plenty of opportunities to enjoy an extended getaway surrounded by the Carolinas' gorgeous natural beauty while making it easy to reach from three major airports.
For a cozy and intimate retreat, try one of our signature one-bedroom "tiny house" cottages onsite. You'll have everything you need at your fingertips, but none of the chaos and clutter of everyday life. Bringing the kids along, or need a little more space? Our spacious three and five-bedroom riverside log cabins can keep your whole crew comfortably.
You won't have to go far to find delicious options to satisfy every craving or any palette, from artful sushi to classic American diner fare, local and organic favorites, and delicious Italian cuisine at our onsite restaurants. See our recommendations below.
Friday Afternoon Snack at The General Store: From specialty chocolates to pastries, coffee, ice cream and more, the Tryon Resort General Store is a great place to refuel and grab a snack after checking in to your cabin.
Friday Dinner at Blue Ginger Sushi: For sushi that's almost too gorgeous to eat, but delicious at every bite, be sure to stop by and enjoy Chef James' creations. There are plenty of non-sushi options for those who aren't fond of seafood, too, from ramen and soup to noodles and more. All winter long, sushi rolls are buy one get one half-off, so be sure to take advantage of this winter special while it lasts at Blue Ginger Sushi.
Saturday Lunch at Pony Express Deli: Located inside the General Store, the Pony Express Deli is a delicious and convenient way to grab sandwiches, wraps, and salad, perfect for a to-go lunch for a hike or outdoor adventure. You'll also find specialty chocolates, pastries, ice cream and coffee behind the counter. While you sit and enjoy your lunch, you can also browse the store for keepsakes, Tryon Resort apparel, or any sundries you may need for the weekend!
Saturday Dinner at Legends Grille: For a high-end dining experience without the dress code, try Legends Grille to enjoy organic and local favorites that are sure to satisfy. From famed tacos to bison burgers and delectable desserts, plus a full bar that can craft personalized beverages just to your liking, you won't want to miss out on this signature Tryon Resort restaurant.
Sunday Lunch at Campagna Italian Cuisine: Sundays at Campagna are for endless crab legs and all the Italian favorites your heart desires, from pasta and lasagna to salads and flatbreads. The all-you-can-eat crab legs winter special is a must for your weekend!
Fancy a round of golf? We've got you covered! Tryon Resort's Cleghorn Golf & Sports Club is just minutes from TIEC, and boasts a George Cobb design that will both challenge and satisfy any golfer. Just give them a ring at 828-286-9117 to book your tee time. While you're there, enjoy post-round drink or wings at Mulligans in the pro shop.
If you'd rather shoot than swing, we recommend a trip to Cleghorn Gun Club, just minutes from TIEC and a signature Tryon Resort experience. From gun and ammo rentals to lessons with experienced instructors, our fifteen-stand course and five stand will challenge any shooter from novice to expert. Call 828-863-1435 or visit www.CleghornGunClub.com to learn more.
If a winter hike is just what you need to reflect and refresh, we've got a great recommendation: Chimney Rock State Park. Hike to a 75-mile panoramic view or drive to the top for a relaxing top-of-the-world experience at any time of year. Visit www.chimneyrockstatepark.com to learn more and get tickets.


"Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Solid State Survivor was never released in the United States, but many of the songs from this album were compiled for release in the States as the US pressing of ×∞Multiplies (1980), including the tracks "Behind the Mask", "Rydeen", "Day Tripper", and "Technopolis". Solid State Survivor is only one of a handful of YMO albums in which the track titles do not have a Japanese equivalent.


At Minna's Restaurant, you can order a quesadilla stuffed with any of a number of fillings, like the flor de calabaza, a colorful stew of bright yellow zucchini blossoms.
In all my years of eating out, I've never witnessed a harder-working kitchen staff than the all-female crew at Minna's Restaurant. Cooks rush back and forth at breakneck speed in the tiny space, while the one waitress valiantly takes as many orders as possible before high-tailing it back to the register to swipe a customer's credit card. Though located far from downtown in Belmont Cragin, its lunchtime crowds would make Au Cheval proud.
And these cooks aren't just slinging tacos, but traditional, made-from-scratch Mexican dishes like huaraches, gorditas and quesadillas. Most Mexican restaurants in Chicago don't do this, because it takes time and energy to make everything to order.
To fully experience the frenzy, grab a seat at the counter. While the heat radiating off the griddle gets intense, the view allows you to appreciate the mesmerizing beauty of the cooking. Order a quesadilla, and a cook will grab a handful of masa, stamp it into an oval with a tortilla press, and then gently lay it on the griddle with a seemingly effortless flick of the wrist. This will happen in the time it takes you to read the previous sentence. When the bottom sets, which the cook knows by sight, she'll use her bare hands to flip the tortilla to the other side.
Instead of an avalanche of melted cheese, the cook judiciously sprinkles on just enough tangy cheese to coat the bottom. You can get it stuffed with any of a number of fillings, including carne asada, but I'd recommend the flor de calabaza, a colorful stew of bright yellow zucchini blossoms. Ask for the quesadilla made with blue corn masa (a must if they have any in stock), and the dish graduates from pretty to a drop-dead knockout.


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Abandoning the Maison Radio-Canada is as unwise as it is unethical
March 14, 2016 Taylor C. Noakes
Maison Radio-Canada, shortly after completion in 1973
So once upon a time there was a large, densely populated working class neighbourhood just east of Old Montreal informally called the 'Faubourg à m'lasse'.
The estimate is that in the early 1960s roughly 5,000 people lived there occupying 678 residences, and the neighbourhood would have included about two dozen factories and other industrial operations, not to mention a dozen or so restaurants and grocery stores and all the other services one would expect to find in a typical urban neighbourhood.
It's highly likely some of those residents would have lived and worked much of their lives within the confines of the district, bounded by René-Lévesque, Wolfe, Papineau and Viger. I doubt it would have been very nice living in this area at the time: there were no green spaces to speak of, the housing likely wouldn't have been terribly modern and, being as it was located immediately adjacent to the largest inland port in all of North America, it would have been noisy and at times smelly too. The apocryphal history of the area's informal name indicates that there would have been a strong sent of molasses that permeated much of the neighbourhood, though this may have been confused with the sickly-sweet aroma of yeast used at the nearby Molson brewery. Either way, what was originally called the Faubourg Quebec was first home to the city's French-Canadian bourgeoisie, though this began to change in the latter decades of the 19th century. Much in the same way that that the Anglophone middle class moved northwesterly from the Shaughnessy Village towards NDG and the West End, over the same period of time the Francophone middle class moved northeasterly out of the Faubourg Quebec, with new waves of urban working class occupying their old neighbourhoods.
The Faubourg à m'lasse, razed. Circa. 1964
By the mid-1950s the neighbourhood had been targeted for 'revitalization' by the Dozois Report which aimed to eliminate a wide-variety of urban social ills via expropriation and demolition. Large chunks of the city's urban environment were to be obliterated entirely so as to 'clean the slate' and offer new tracts of land on which to build ostensibly more useful structures. It was reasoned evicting the working classes from their urban neighbourhoods was simply a continuance of established patterns in population movement; the new middle class of the 1950s were moving to outlying suburbs of detached single family homes, and so it was assumed their former urban neighbourhoods would receive those displaced by the evictions. Further, the grander scheme was to make land available for new high-density urban housing (partly realized with Les Habitations Jeanne-Mance), government offices (Hydro-Quebec) and an urban public university (UQAM), all of which was justified in the name of progress and sensible land use and leaves us with a tricky legacy. Thousands of poor people were strong-armed out of their neighbourhoods, the city-centre was radically depopulated and entire communities ceased to exist, but in some cases very useful things wound up occupying those spaces (UQAM and Place des Arts come immediately to mind).
The Dozois Plan not only recommended slum-clearance, but also land-use rationalization and the development of concentrations of activities (commercial sectors, housing sectors, institutional sectors etc.); part of this plan included the idea of a 'media sector' where the city's major broadcasters would concentrate their operations. Jean Drapeau was particularly keen on the idea and proposed the Cité-des-Ondes, a large purpose-built broadcasting centre that would have combined all of Radio-Canada and the CBC's Montreal operations, in addition to serving as the new corporate headquarters of the national broadcaster.
Two languages, two networks, under one roof.
As it happened, the SRC/CBC was looking to do the same; they had an internal team of architects and planners working on the project at roughly the same time.
Drapeau favoured a location close to the new central business district rising around Gare Central and Windsor Station, but it was during the brief interregnum of Mayor Sarto Fournier that an alternative location further east was decided upon to become the new home of the national broadcaster in Montreal.
Unfortunately, Fournier's plan called for the expropriation and demolition of the Faubourg à m'lasse in its entirety. At the time I suppose they thought this was progress, though perhaps today we know a little better. From the detailed photographic archives available, it's clear that though the area may have been poor, it's hard to believe it was a slum beyond repair and rehabilitation. The 'slum clearance' was completed in 1963, with construction of the Maison Radio-Canada taking a decade to complete.
It is for precisely this reason I believe both the national broadcaster and the current heritage minister, Mélanie Joly, have an ethical responsibility not only to maintain ownership of the Maison Radio-Canada building, but further to develop the vast parking lots into affordable urban housing.
And wouldn't you believe it? A plan to do just that was developed a decade ago.
Right now the argument is that there's a surplus of available space and the building is essentially beyond repair or renovation. The SRC is currently exploring their options, which include: selling the building but continuing to lease space in it, selling it and building a new facility on the same site, selling it and building a new facility elsewhere in the city, or doing the latter but leasing space in an existing building. You'll notice the common thread and that they're being quite thorough in considering their options. According to Radio-Canada executive vice-president Louis Lalande, 'the national broadcaster shouldn't be in the real-estate business.'
Perhaps… but I'm not convinced building something new or leasing space will ultimately be that cost-effective. The national broadcaster has had its budget slashed repeatedly for years; had this not been the case it's reasonable to suspect there might not be a $170 million renovation deficit nor the surplus of space. Keep in mind, we're talking about a building that was built to last with broadcasting in mind and further to serve as a major pole of attraction for the city's media industry (and on that note, job well done).
In any event, the thought had occurred to me that if the Maison Radio-Canada has a surplus of space, why not go back to the original plan and concentrate the whole SRC/CBC operation in Montreal?
In my eyes this would be the most sensible solution, not to mention potentially the most rewarding. For one, we'd end the senseless linguistic segregation of the national broadcaster. Two, Canadian media would subsequently be less Toronto-centric. Three, the CBC could sell its broadcast centre in Toronto and corporate office in Ottawa, which if I had to guess are both sitting on land far more valuable than the Maison Radio-Canada. Montreal's cost of living is lower than Toronto's, which would be a boon to the broadcaster's employees, and Montreal further benefits from some of the nation's premier journalism, communications and media production programs.
Seriously, what's not to love?
I reached out to Radio-Canada with a variety of questions and got a reply from the SRC's PR director, Marc Pichette.
According to him, combining the CBC and SRC under one roof at the Maison Radio-Canada has "never been an option."
The rest of the email exchange was disappointing and at times seemed contradictory. I asked if the SRC felt it had a responsibility to the public to maintain the site for public use, and the response was that "…in 2009, following an extensive public consultation, CBC/Radio-Canada signed an agreement with the City of Montréal for the development of the site currently occupied by (the Maison Radio-Canada). This agreement, which lays out the City's expectation for social and community housing, green spaces and public transit (to name but a few), is still in effect today."
But in response to a question concerning an old plan to develop mixed-use housing on the site, and whether this was still on the books, Pichette replied that "…this option has been considered in the past. However, the property can hardly be developed without approval of a master development plan for the entire site."
So what's this then?
Daoust Lestage proposal for MRC, photo-montage ca. 2006
It seems as though the SRC did come up with a plan to revitalize the Maison Radio-Canada and the parking lots around it about a decade ago. This plan called for the development of the parking lots into mixed-use housing and selling off the tower (for conversion into condominiums) while retaining the base of the structure with all its recently renovated and culturally significant studios.
As François Cardinal writes in this impassioned 'open letter to Mélanie Joly', the plan developed by architects Daoust Lestage (and pictured above) would have accomplished several goals, namely: integrate the structure into the surrounding residential area, build new housing on the parking lots, keep the SRC in the same spot and do all this while also selling the surplus tower.
The sale of the tower would in turn pay for the construction of a new office space better integrated into its surroundings and in accordance with their now smaller space requirements.
As Cardinal notes in his La Presse report, the Daoust Lestage proposal would have led to the creation of a large new urban neighbourhood and would have become the 'eastern door' to Montreal's central business district.
It should be noted that the Daoust Lestage plan dates from 2006; the entire Faubourg Quebec has seen nothing but growth since then. Consider the new CHUM superhospital, the successful rehabilitation of the Gare Viger or the reclamation of former port lands for new medium density residential housing. The Daoust Lestage plan for the Maison Radio-Canada could add housing for thousands more in a part of town that has suffered from depopulation for far too long (see their presentation here).
And yet, despite this, the SRC is sticking to its guns. Pichette replied to Cardinals' open letter by indicating that years of budget cuts, the 2008-09 economic collapse and the digitization of media has contributed to the SRC reviewing their space requirements and that the Daoust Lestage plan was far, far larger than what they currently need.
And that's unfortunately quite myopic. From Pichette's reply to Cardinal (and myself), it would seem that the Société Radio-Canada is more concerned with the per annum bottom line than any bold plan to make good use of its real-estate assets, or what future space requirements might look like if the Fed were to invest some serious coin and bring the national broadcaster back to the 'glory days' of the 1960s and 1970s.
Which is what brings this all back to Mélanie Joly. Her predecessors under the Harper administration were always quick to mention the national broadcaster was an 'arms-length crown corporation' and therefore not the responsibility of the ministry. There's hope the Trudeauites may actually take some responsibility for their ministerial portfolios. As heritage minister, Joly is directly responsible for Canadian heritage, media, arts and culture.
And the Maison Radio-Canada is an indelible part of all those things.
There are other options than simply walking away from a purpose-built broadcasting centre and abandoning it to the free-market, and the SRC has already spent millions of taxpayers dollars coming up with a sensible plan to breathe new life into an ascendant sector of the city. Joly should consider that option at the very least.
Walking away from the Maison Radio-Canada is thoroughly unethical given 5,000 people lost their community in order to see it built, and it doesn't matter that the obliteration of the Faubourg à m'lasse happened more than fifty years ago. As far as I'm concerned, if land is expropriated for public purposes, then it should remain in the public's hands.
Architecture of MontrealCentre-SudDaoust Lestage architectsLandmarks of MontrealMaison Radio-CanadaMélanie JolyMontréal Urban PlanningRadio-Canada
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The CBC should consolidate its operations in Montreal
April 22, 2014 Taylor C. Noakes	Leave a comment
Maison Radio-Canada
Recently announced cuts to the CBC/Radio-Canada got me thinking: why is this particular crown corporation's operations split between three different major Canadian cities and why is the CBC/SRC trying to rid itself of potentially lucrative real-estate?
I can't fathom why the CBC and SRC aren't located in the exact same place. As it currently stands, French media is consolidated in the Maison Radio-Canada in Montreal, English media consolidated in the Canadian Broadcast Centre in downtown Toronto, and corporate operations located in Ottawa.
Perhaps this was necessary in the past, but is it still necessary today?
Consolidating all of the CBC/SRC's major operations in a single location is far more efficient and, perhaps most importantly, would allow a greater degree of cooperation between the two halves of Canada's public broadcaster.
Quite frankly, the CBC could learn a lot from Radio-Canada. The latter is far more successful than the former in terms of creating interesting, engaging, high-quality programming.
To put it another way, I'd like to watch an English version of Tout Le Monde En Parle.
Or put it this way: 19-2 is a successful police procedural/crime drama set in Montreal created by Radio-Canada that, beginning this year, will appear on the CTV-owned Bravo Canada as an English-language equivalent. An idea created by the public broadcaster succeeds in French but is then sold to private interests for English language development. Why the CBC didn't develop the English-language version of 19-2 is beyond me; it makes absolutely no sense.
Further, there's been a plan in place for a few years now for CBC/SRC to sell the Maison Radio-Canada for redevelopment. According to the corporation's public documents, they're not supposed to invest in real-estate, and this is why they're looking to rid themselves of an absolutely massive piece of purpose-built broadcasting property. Apparently, it's too expensive to invest in upgrading existing facilities, and so they'll sell the land to become a tenant. Whatever money is made from the sale, if it follows an unfortunate trend established by the Federal Tories, will likely not be equal to the actual and/or potential value of the property. Moreover, whatever money is made from the transaction will ultimately disappear paying the rent.
It's illogical, in a time of constrained budgets, to limit a crown corporation's ability to develop long term wealth. There is no wealth, no value, in leasing.
It's also illogical to spread out a corporation's major operations in three locations when one could easily be expanded to accommodate the whole.
What's worse, one of the driving forces behind this proposed sale and redevelopment is that the Maison Radio-Canada has too much space for Radio-Canada's current needs. In a sense I agree – the parking lots are a huge waste of space begging for redevelopment. But it's the space inside the building which is thought to be superfluous. If that's actually the case, why not sell off the corporate HQ in Ottawa and the Canadian Broadcasting Centre in Toronto and put the whole operation in the Maison Radio-Canada? Proceeds from the sale of those properties (particularly the latter) could finance the modernization of the MRC for just such a purpose. If they were to go a step further, they would use their real-estate holdings for the purposes of generating revenue to fund a public broadcasting trust, much in the same manner as the BBC has. I'm in favour of the plan to redevelop the expansive Montreal property with residential buildings, commercial and green spaces, but I think a far greater value could be derived over the long term by maintaining ownership of the Montreal site. There's more money in the long term owning several condos, apartment blocks and commercial spaces than simply selling off the property. The undeveloped property is less valuable than a developed property.
Concentration and consolidation make a lot of sense to me, mostly because I firmly believe it will lead directly to greater cooperation and operational efficiency. I think it would accomplish the task of making our public broadcaster 'leaner' due to resource sharing, not to mention the fundamentally lower operating costs and greater quality of life offered in Montreal (as an example, and quite unlike Toronto's Canadian Broadcasting Centre, properties within walking distance of Maison Radio-Canada are still affordable and there's an established community of people who work in media located nearby, not to mention a concentration of competition). But to top it all off, if the CBC were to consolidate here with Radio-Canada, maintain ownership of their property and redevelop it, they could potentially get themselves back in the green sooner as opposed to later.
A closing thought. Shame on Heritage Minister and Tory cheerleader Shelley Glover for doing fuck all to help the CBC.
It's a line anyone interested in Canadian politics is likely to hear time and again as Tory ministers dodge any and all kinds of responsibility for their own portfolios: 'the (insert vital national interest here) operates as an arms-length government agency and thus we're not responsible for it'.
Well what the fuck are you good for then?
The whole idea behind crown corporations is that they serve the interests of the people, either by providing a necessary service or by generating revenue for the federal government to lessen the tax burden. In some cases they can do both, but the key is that, if the crown corp is in the red or otherwise not accomplishing its goals, the peoples' recourse is to elect individuals with plans to make these organizations succeed.
The Tory political playbook goes in the other direction, distancing government from crown corps in an effort to both deny any responsibility (breaking the public's indirect involvement in the direction of the corporation) in an effort to prime it for privatization. Both the Harper and Mulroney administrations have a bad record of selling off major assets for next to nothing. The end result has almost always been the same: worse service, higher costs to the consumer, less competition. I have no doubt at all the Tories would like nothing more than to privatize the CBC, though for the moment they recognize the negative consequences.
Thus, their policy is that the CBC should die a death from a thousand cuts, a 'creeping normality' strategy that makes it impossible for the CBC to compete at all but would ultimately serve to facilitate its dismantling and privatization. If the problem, as a spokeswoman for Ms. Glover puts it, is that "the CBC (needs) to provide programming that Canadians actually want to watch" then why did the Fed not step in to protect the CBC's lucrative monopoly on sports broadcasting rights? Why isn't the Fed encouraging the CBC to develop a trust whose value is derived from the corporation's real estate and infrastructure assets as a means to generate revenue?
And why is the minister responsible for our nation's cultural heritage blaming the CBC for its shortcomings rather than coming up with a plan to make the CBC a focal point of our cultural identity?
What are we paying her for? To find fault or find solutions?
Canadian CultureCanadian mediaCanadian politcsCanadian SocietyCBCCentre-SudCulture of MontrealFaubourg QuébecHeritage CanadaMaison Radio-CanadaMedia in MontrealPolitical CommentaryQuartier des MédiasQuartier des MélassesSocial CommentaryUrban RedevelopmentUrban Renewal
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Hey everyone. I decided I'd release this here because some people might find it useful. It's an assembler I just finished for the GameBoy and is pretty powerful. Here's a screenshot.
-Code insertion - "This generates code compatible with any language that uses curcly-bracket array assigning in the case you might want to make software automatically insert your assembly into a ROM. This only generates the code containing the values, so you still have to write them to the proper addresses yourself."
Like I already said in Romhacking before, this tool is really something else!
I especially like the trace disassembling feature which makes following the code a lot easier.
- are you planning to release the source code?
- Looking at the screenshot it seems that it only supports numbers in base 16 format. Does/will it support other bases (like binary format, using a "0b" prefix)?
MBC registers mapping depends on the type of MBC itself. For example MBC5 maps the low and high byte of the bank ID (which spans from 0x000 through 0x1FF) in the write attempts respectively at 0x2000-2FFF and 3000-0x3FFF. MBC2 maps 0x2000-0x21FF for the ROM bank switching.
In all truth I've always seen games switching ROM banks by writing either address 0x2000 or 0x2100 (which are multi-MBC compatible), so this shouldn't be a real issue.
Interesting. I thought it was only $2000-$2FFF, since the games I've debugged all use $2000 or $2222. At the other number bases, maybe, but I wouldn't count on it. As for the source code, I'm not happy with the GUI stuff so I'll just share the assembler, disassembler, and the code used to assemble code (which also shows how the labels work). This project is fairly old, and when I wrote the assembler, I didn't plan on taking the project this far, but I guess I did.
Code used to do the assembling - Note: Very messy and it can easily be optimized at many parts, but all I cared about when I wrote it was functionality.
I agree with this. Keep at it, Lin.
actually, I've got it figured out now. but there's hardly anything when I disassemble the whole rom... just some org with 0, and an org with 100.
is this about ASM?well then im doomed!i think ASM needs a knowledge about C++ or VB6 and the like,which i dont have,is there an easy way to learn about programming?
It's surprising how one post can be so appropriate when taken out of context.
Given that the first three pages of my Google results for "ASM" do not describe assembly language, maybe not.
* I also don't understand why I make myself go through these troubles when some people don't even bother to try.
i understood your thread very well,its very informative sir:),and dont worry about others if they dont bother to study it,atleast there are some who's trying hard to understand it.that wont spoil your effort though.
I've always just interpreted emaj30's use of "sir Mateo" and "sir jwibagi" etc. as simply an honorific, the same as if he were saying Mateo-San or jwibagi-san, etc. and as such it never bothered me, even though it does feel out of place to be formal here. Not to mention that using "Sir" as a title before someone's name is technically only done when they receive that title from the Queen, and not many of us are even British.
haha!sorry for that,im just used to it.maybe to show some respect and a good compliment too?anyways,im learning ASM on a slow and steady phase,so this assembler will be my future tool.thanks to all of you guys for tons of help!


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text:
Newest Bucks additions introduced before Friday's game
Posted: Feb 21, 2015 12:50 AM CST
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The star guard isn't playing in Friday night's game due to injury, but he's being called the next Jason Kidd, putting up big numbers on the court.
\"I've always said to a lot of people, i try to emulate my game after his, and I'm really happy to be here", said Michael Carter-Williams.
The Bucks traded away leading scorer Brandon Knight, but knowing Knight's contract would be up after this season, fans think it's a good move.
\"I think they had to do it if they weren't going to be able to sign guys for next year", said Bucks fan David Connor. "I like it.\"
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text:
Q: Proving the invariance of the mixed product under direct congruent transformations Text: Differential Geometry, by Erwin Kreyszig
Given a set of vectors:
$$ \overrightarrow{a}=\langle a_1, a_2, a_3 \rangle $$
$$ \overrightarrow{b}=\langle b_1, b_2, b_3 \rangle $$
$$ \overrightarrow{c}=\langle c_1, c_2, c_3 \rangle $$
undergoing a direct congruent transformation:
$$ \bar{z_i}=\sum_{k=1}^3 \epsilon_{ik}z_k \qquad \sum_{i=0}^3 \epsilon_{ik} \epsilon_{il} = \delta_{kl}=\begin{cases} 0 & \text (k\neq l) \\ 1 & \text (k = l) \end{cases} \qquad \det(\epsilon_{ik})=1 \qquad (i=1,2,3)$$
mapping $\mathbb R^3 \mapsto \mathbb R^3 $, we need to prove the invariance of the mixed product:
$$ \overrightarrow{a} \cdot(\overrightarrow{b}\times\overrightarrow{c})=\begin{vmatrix}
a_1 & b_1 & c_1 \\
a_2 & b_2 & c_2 \\
a_3 & b_3 & c_3 \\
\end{vmatrix}=\begin{vmatrix}
\bar{a_1} & \bar{b_1} & \bar{c_1} \\
\bar{a_2} & \bar{b_2} & \bar{c_2} \\
\bar{a_3} & \bar{b_3} & \bar{c_3} \\
\end{vmatrix}=\bar{a} \cdot(\bar{b}\times\bar{c})$$
Proof. Beginning by substituting the given definition for the transformation into the determinant, we have
$$ \bar{a} \cdot(\bar{b}\times\bar{c})=\begin{vmatrix}
\bar{a_1} & \bar{b_1} & \bar{c_1} \\
\bar{a_2} & \bar{b_2} & \bar{c_2} \\
\bar{a_3} & \bar{b_3} & \bar{c_3} \\
\end{vmatrix}=\begin{vmatrix}
\sum_{k=1}^3 \epsilon_{1k}a_k & \sum_{k=1}^3 \epsilon_{1k}b_k & \sum_{k=1}^3 \epsilon_{1k}c_k \\
\sum_{k=1}^3 \epsilon_{2k}a_k & \sum_{k=1}^3 \epsilon_{2k}b_k & \sum_{k=1}^3 \epsilon_{2k}c_k \\
\sum_{k=1}^3 \epsilon_{3k}a_k & \sum_{k=1}^3 \epsilon_{3k}b_k & \sum_{k=1}^3 \epsilon_{3k}c_k \\
\end{vmatrix} $$
Evaluating the determinant, we have:
$$ = \sum_{k=1}^3 \epsilon_{1k}a_k [\sum_{k=1}^3 \epsilon_{2k}b_k \sum_{k=1}^3 \epsilon_{3k}c_k - \sum_{k=1}^3 \epsilon_{2k}c_k \sum_{k=1}^3 \epsilon_{3k}b_k] - \sum_{k=1}^3 \epsilon_{1k}b_k [\sum_{k=1}^3 \epsilon_{2k}a_k \sum_{k=1}^3 \epsilon_{3k}c_k - \sum_{k=1}^3 \epsilon_{2k}c_k \sum_{k=1}^3 \epsilon_{3k}a_k] + \sum_{k=1}^3 \epsilon_{1k}c_k [\sum_{k=1}^3 \epsilon_{2k}a_k \sum_{k=1}^3 \epsilon_{3k}b_k - \sum_{k=1}^3 \epsilon_{2k}b_k \sum_{k=1}^3 \epsilon_{3k}a_k]$$
Which, if I am not mistaken, seems to reduce to zero for some reason? I am not sure as to how to proceed from here to prove invariance.


text:
3000 scénarios contre un virus est une opération de prévention du SIDA menée en France en 1993. Sur plus de quatre mille scénarios proposés par des lycéens pour des courts métrages de cinéma, trente-et-un ont été réalisés par des réalisateurs pour la plupart bénévoles, et tournés avec la participation gracieuse de la plupart des acteurs.

Réalisateurs
 Jean Achache (segment Les deux amants)
 Philippe Bérenger (segment La Seringue)
 Richard Berry (segment Préservatif, une preuve d'amour)
 Jane Birkin (segment Je t'aime, moi non plus)
 Paul Boujenah (segment L'exclusion)
 Patrice Cazes (segment La Teuf d'enfer)
 Caroline Champetier (segment Le Temps du bonheur)
 Jacky Cukier (segment Affreux, bêtes et très méchants)
 Jacques Deray (segment Arnaud et ses copains)
 Xavier Durringer (segment Le Flic)
 Sébastien Grall (segment Sidapolis)
 Laurent Heynemann (segment Mort d'un couple)
 Benoît Jacquot (segment Mère séropositive)
 Gérard Jugnot (segment La Pharmacie)
 Cédric Klapisch (segment Le Poisson rouge)
 Cédric Klapisch (segment La Chambre)
 Philippe Lioret (segment La Sirène)
 Jean Marbœuf (segment L'Appel d'un ami''')
 Tonie Marshall (segment Avant… mais après)
 Ivana Massetti (segment Le SIDA c'est les autres)
 Laetitia Masson (segment Vertige de l'amour)
 Michel Meyer (segment Le Rap du sida)
 Fernand Moszkowicz (segment I love you)
 Jean-Daniel Pillault (segment Discussion sur le préservatif entre un père et son fils)
 Jacques Renard (segment  Chambres)
 Charlotte Silvera (segment Zozo, le clown)
 Florence Strauss (segment Déshabille-toi que je t'habille)
 Virginie Thévenet (segment Bavardages en sida mineur)
 Bernard Verley (segment Le rêve)
 Daniel Vigne (segment L'Attente)
 Patrick Volson (segment L'Anniversaire)

 Courts métrages
 L'Anniversaire de Patrick Volson
 Sur une idée originale de Deniz Pelit, Cristine Rebelo et Céline Le Merrer (tous âgés de 15 ans)
 Julie fête son anniversaire et décide d'annoncer à ses amis sa séropositivité
 Durée : 3 min
 Avec Élodie Bouchez (Julie), Bernadette Le Saché, Andrée Guérin, Françoise Michaud, Pierre Aussedat, Pierre Honoré et Geoffroy Thiebaut.

 Mère séropositive de Benoît Jacquot
 Sur une idée originale de Alexandra Huard (17 ans) et Yves Rosati (21 ans)
 Durée : 6 min
 Avec Agathe Bonitzer, Nathalie Boutefeu et Marianne Denicourt.

 L'exclusion  de Paul Boujenah
 Sur une idée originale de Matthieu Henry (20 ans) et Julio Niéda (20 ans)
 Durée : 2 min 33 s
 avec Nathalie Roussel, Valérie Bachelier, Sophie Boudre

 L'Appel d'un ami de Jean Marbœuf
 Sur une idée originale de Sylvianne Méraut (20 ans)
 Durée : 3 min 51 s
 Avec François Cluzet, Michel Duchaussoy, François Aragon, Violetta Ferrer et Julie Marbœuf

 Mort d'un couple de Laurent Heynemann
 Sur une idée originale de Virginie Deschartes (18 ans)
 Durée : 3 min
 Avec Léa Gabriel et François Levantal

 La Sirène de Philippe Lioret
 Sur une idée originale de Mathias Gokalp (20 ans)
 Un Couple de personnes âgées met au point un stratagème pour acheter des préservatifs dans une pharmacie
 Durée : 4 min
 Avec Patachou, Daniel Gélin et Mathieu Kassovitz.

 Zozo, le clown de Charlotte Silvera
 Sur une idée originale de Blandine Assemat (20 ans)
 Durée : 5 min
 Avec Marc Ségala, Brice Porquet, Julie Turin

 Le Temps du bonheur de Caroline Champetier
 Sur une idée originale de Fabian Le Delliou (11 ans)
 Durée : 3 min 24 s
 Avec Amira Casar, Patrick Armerding, Damien Bustaus

 Le Rap du sida de Michel Meyer
 Sur une idée originale de Odile Tzerovsky (18 ans)
 Chanson de 3 min 25 s

 Le SIDA c'est les autres de Ivana Massetti
 Sur une idée originale de Sandra Deruere (19 ans)
 Un jeune homme annonce à ses parents le résultat de son test VIH.
 Durée : 3 min 22 s
 Avec Didier Sandre, Clément Sibony

 Arnaud et ses copains de Jacques Deray
 Sur une idée originale de Emmanuel Blas (17 ans)
 Des lycéens assistent à l'enterrement d'un de leur camarade. Ils se rappellent...
 Durée : 4 min 15 s

 Le Rêve de Bernard Verley
 Sur une idée originale de Cécile Moulys
 Avec Hélène Sevaux, Fabrice Allard, Patrick Dattas

 Vertige de l'amour de Laetitia Masson
 Sur une idée originale de Laetitia Carton (19 ans) de Cusset (Allier).
 Après un coup de foudre, une jeune femme n'ose proposer le préservatif à son partenaire.
 Durée : 5 min
 Avec la participation de Estelle Perron et Christophe Loir.

 Le Flic de Xavier Durringer
 Sur une idée originale de Alexandre Pindao
 Durée :3 min
 Avec Edouard Montoute et Laurent Olmedo

 La Teuf d'enfer de Patrice Cazès
 Sur une idée originale de Luc Milhe (20 ans) de Strasbourg (Bas-Rhin)
 Deux couples jouent au jeu de la séduction.
 Durée : 3 min 20 s
 Avec Vincent Cassel, Marine Delterme, Thierry de Peretti, Julie Gayet.

 Discussion sur le préservatif entre un père et son fils de Jean-Daniel Pillault
 Sur une idée originale de Félicie Dutertre (18 ans), François Rabes (18 ans) de Paris
 Durée : 3 min
 Avec Julien Féret, René Féret, Sophie Mounicot

 Les Deux amants de Jean Achache
 Sur une idée originale de Cyrille Wolff (19 ans)
 Un jeune homme observe son ancien petit ami qui est en train d'embrasser une fille.
 Durée : 4 min 13 s
 avec Jean-Michel Portal, Patrick Mille et Christine Chanssou

 La Seringue de Philippe Bérenger
 Sur une idée originale de Stéphane Forel (19 ans)
 Deux jeunes toxicomanes se préparent un shoot. L'un d'eux refuse la présence de sa petite amie sous le prétexte qu'elle n'a pas de seringue propre.
 Durée : 4 min
 Avec François Caron, Hélène Fillières et Olivier Sitruk

 Préservatif, une preuve d'amour de Richard Berry
 Sur une idée originale de François Brutails (20 ans)
 Durée : 3 min
 Avec Jessica Forde et Jean-Michel Tinivelli

 Bavardages en SIDA mineur de Virginie Thévenet
 Sur une idée originale de Cécile Abelard (19 ans)
 Une femme qui croit son mari infidèle, s'interroge son laxisme face à la prévention.
 Durée : 4 min 34 s
 Avec Chiara Mastroianni, Melvil Poupaud et Babette Rozes.

 Avant… mais après de Tonie Marshall
 Sur une idée originale de Marc Milani (18 ans) de Joué-lès-Tours (Indre-et-Loire)
 Un lycéen prête une capote à un copain car ce dernier a un rendez-vous avec une fille le soir même. Le lendemain, il lui dit qu'il ne l'a pas utilisée car il avait confiance.
 Durée : 4 min 50 s
 Avec Mathieu Kassovitz, Quentin Ogier, Ludivine Tribes

 Affreux, bêtes et très méchants de Jacky Cukier
 Sur une idée originale de Adrien Menard (18 ans) de Saint-Germain-en-Laye (Yvelines)
 Une jeune fille essaie d'annoncer à sa mère qu'elle est séropositive.
 Durée : 4 min 10 s
 Avec Anémone, Michel Boujenah, Elisa Tovati, Vanessa Guedj

 L'Attente de Daniel Vigne
 Sur une idée originale de Sabine Frey (16 ans) de Lannion (Côtes-d'Armor)
 Une femme attend les résultats de son test VIH et s'inquiète sur ses relations antérieures.
 Durée : 3 min 55 s
 Avec Étienne Chicot, Mathilde Seigner

 Je t'aime moi non plus de Jane Birkin
 Sur une idée originale de Emilie Busini (18 ans) de Estaires (Nord)
 Sur fond musical de la chanson de Serge Gainsbourg - Je t'aime moi non plus'' - deux jeunes se caressent ; le garçon met un préservatif...
 Durée : 2 min 10 s
 Avec Lola Doillon et Mathieu Demy.

Déshabille-toi que je t'habille de Florence Strauss
 Sur une idée originale de Ludovic Genty (20 ans) de Mennecy (Essonne)
 Durée : 3 min
 Avec Marie Guillard, Adrien de Van

Sidapolis de Sébastien Grall
 Sur une idée originale de Réjane Hamus (19 ans) à Château-Thierry (Aisne)
 En 2080, un professeur explique à sa classe de collégiens comment, grâce aux changements de mentalités et aux progrès des chercheurs, on a réussi à vaincre le SIDA.
 Durée : 3 min
 Avec Jérôme Bonaldi

I love you de Fernand Moszkowicz
 Sur une idée originale de Alice Guien (20 ans) de Toulouse (Haute-Garonne)
 Durée : 2 min 50 s
 Avec Emmanuelle Laborit, Nils Tavernier, Martin Saint-Pierre

Poisson rouge de Cédric Klapisch
 Sur une idée originale de Jérôme Bettochi (19 ans) de Bessoncourt (Territoire de Belfort)
 Le pauvre Kiki se fait renverser et finit à la pharmacie.
 Durée : 3 min
 Avec Valeria Bruni Tedeschi, François Berléand (un pharmacien), Hiam Abbass, Simon Abkarian, Martine Audrain, Marcelle Dupuis, Zinedine Soualem, Nathalie Krebs.
 Musique: Pierre et le loup, Serge Prokofiev - No alohah, The Breeders

La Pharmacie de Gérard Jugnot
 Sur une idée originale de Nicolas Martin (16 ans) de Saint-Dizier (Haute-Marne)
 Un jeune homme rentre dans une pharmacie acheter des préservatifs. Le soir, il va chercher sa petite amie pour aller au cinéma, elle lui présente son père qui n'est autre que...
 Durée : 1 min 30 s
 Avec Martin Lamotte, Adèle Jacques, Nicolas Devanne

La Chambre de Cédric Klapisch
 Durée : 2 min 27 s

Chambres de Jacques Renard
 Sur une idée originale de Nolwenn Mignoton

Liens externes

 Playlist 3000 scénarios contre un virus, 30 vidéos téléchargées par le CRIPS d'Île-de-France, sur Dailymotion.

Film français sorti en 1994
Film dramatique français
Film à sketches français
Film réalisé par Jacques Deray
Film réalisé par Cédric Klapisch
Santé publique
Film sur le sida

redpajama_set_name: RedPajamaWikipedia