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Details about Charles Wysocki "Too Pooped to Participate" FRAMED Art Americana Cat Feline
Charles Wysocki "Too Pooped to Participate" FRAMED Art Americana Cat Feline
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Winsted, Connecticut, United States
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Vintage J & E Gould Art Print By C. Hullmandel Pteroglossus Hypoglaucus Bird
Vintage J Gould & W Hart Art Print Tropical Hummingbird Spathura Solstitialis
Arthur J. Elsley "Golden Hours" 1903 Vintage Framed Matted Print
Charles Wysocki "Devilstone Harbor", Hand Signed and Numbered, Matted And Framed
Vintage Art Print Al Mettel The Old Spanish Custom House, New Orleans Signed
Charles Wysocki 'TWAS The Night Before Christmas Framed,Signed & Numbered Litho
Framed Print Florals By B. Kallestad 11"x9"
Peter Stuyvesant Steamer Boat Art Print WM Ewen Jr Hudson River Day Line NY
Cornell Tugboat SteamBoat Company Art Print WM Ewen Jr Hudson River Istrouma
Handsigned Framed, Matted Watercolor Painting Front Door Christmas Holiday Theme
Asian Style Metal Etching Michael Ingbar Art Co Framed Bluebirds Painting Foil
1842 Bartlett print CANADA: TIMBER SLIDE AND BRIDGE ON OTTAWA RIVER Framed
Artist: Charles Wysocki Edition Type: Open Edition
Style: Impressionism Width (Inches): 10 in
Features: Framed, Matted Height (Inches): 12 in
Subject: Americana Originality: Reproduction
Original/Reproduction: Artwork Reproduction Print Surface: Paper
Listed By: Dealer or Reseller Size: Medium (up to 36in.)
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COVID-19 Resources Page
Submitted by lishao.chen on Thu, 03/19/2020 - 3:21pm
Public Health Information
For up to date information on the local, state, national, and global response to COVID-19 visit Multnomah County's resource page: https://multco.us/novel-coronavirus-covid-19
CDC guide in different languages
Resources if you are experiencing homelessness
Employment & Business Resources
COVID-19 Related Business Layoffs, Closures, and Unemployment Insurance Benefits: https://www.oregon.gov/employ/Pages/COVID-19.aspx
For a place for small businesses to gather to share resources, advice, and help of all kinds visit Business for a Better Portland's website.
Portland Community SOS page resource online for small business support: https://www.pdxsos.com/
Financial and Food Assistance Resources
Food and nutrition assistance.
Oregon Philanthropy Responses
Community response fund from Makenzie River Foundation: https://www.mrgfoundation.org/communityresponsefund/
Disability-centered information and accessible resources about the COVID-19 Coronavirus
Find ASL Videos on COVID-19 here.
The National Alliance on Mental Illness (NAMI) has released an updated guide with Frequently Asked Questions and resources related to the COVID-19 Coronavirus. You can find the NAMI updated guide on COVID-19 Coronavirus here. You can find the most up-to-date information on the NAMI COVID-19 website here.
Mental health resources to help with pandemic-related fears and anxiety
Manage Anxiety & Stress, from the CDC
The Centers for Disease Control provides updates on the virus and safety information for the public and healthcare professionals.
The State Department provides a list of travel advisories for those who are planning to fly outside of the United States.
www.eastportland.org /COVID-19Resources


The 3rd Access Bank Lagos City Marathon started on Saturday at 6.30 am with ex-sportsmen, Austin Jay-Jay Okocha, a former Super Eagles Captain and Olumide Oyedeji, former national basketball team Captain, D'Tigers, commending the organisers for the initiative.
The News Agency of Nigeria (NAN) reports that the 42km race started at exactly 6.30 a.m. at the National Stadium in spite of an early morning rain in Surulere, the take-off point and some parts of the city.
"This is big and massive as far as sports development is concern and I must commend the sponsors for their consistency.
"I am here to support the event as well enjoy myself,'' he said.
Oyedeji said that such an event was vital to sports growth and the physical wellbeing of the participants.
He added that the marathon at which over 208 dollars were on offer should be replicated in other parts of the country to engage youths.
"The event is getting bigger every year and it is a good thing that we are witnessing it.
"Apart from competing in the race, it has huge health benefits to the physical and wellbeing of those participating for fun.
"Many youths are involved and it's a way of engaging them,'' he said.
NAN reports that security personnel were on ground to ensure a hitch-free event.


It's hard to consider 2016's music without thinking about the women who made it. The new year was rung in by Adele's "Hello," a soaring track that was inescapably catchy, and the months that followed made it clear that music's biggest female artists were ready to bring their A games: Both Beyoncé and Rihanna dropped albums, each in their own ways exercises in innovation and evolution. Katy Perry sang the song of the Olympics. Even Taylor Swift in an off year had a couple Top 10 hits.
At the 2017 Grammys, many of those women were in the spotlight, whether as performers, nominees, or both, with Adele in particular cleaning up. Just as Taylor Swift was the story of last year's Grammys, the celebration of pop's biggest female stars at 2017's ceremony seemed to imply that 2016 was another great year for women in music. And no question, it was — for a handful of them.
What that narrative obscures, however, is how difficult it remains for women to break into the industry at every level. This is the second year I've done a count of female artists, writers, and producers in the Top 40, according to the Billboard Hot 100. (While the Grammys' bizarre eligibility window is from September 30 to October 1 of the following year, this analysis looks at Jan 1–December 31.) And guess what!
Only 22.3 percent (46 total) of the 206 songs in the Top 40 were sung by women.
Even if we include the 32 songs from 2016's Top 40 songs that feature at least one woman — like any of the numerous Chainsmokers hits that rely on a female vocalist ("Rozes" feat. Roses, "Don't Let Me Down" feat. Daya, and "Closer" feat. Halsey, etc.) — it's still just 37.8 percent of charting songs that involved female artists.
Those numbers aren't anomalous. When I did this analysis last year, songs by women alone made up 25.8 percent, and the total number of songs including a woman hit exactly 37 percent. That's even lower than the findings of an analysis of gender disparity in Top 40 music that was published in 2011 by a Canadian research team led by Concordia University sociologist Marc Lafrance. Reviewing charts from 1997 to 2007, the Lafrance's team found that in terms of sales, male artists had 238 hit songs (54.1 percent) and female artists had 182 (41.4 percent). The researchers also saw that as the study went on, the disparity increased: Starting after 2004, Lafrance and his team saw a shift where "the number of hits by men increase dramatically" while songs performed by women steadily dropped.
There's a logical explanation for this: The drop-off happens around the time Billboard modernized the way its singles and albums charts are calculated. In 2005, Billboard changed its methodology to include digital downloads, and in 2007, it included digital streaming. In 2013, they added video streaming from sites like YouTube. There's certainly a correlation between the music industry's digitization, and women's drop in representation. In 2016, only 22 percent of popular songs were performed by only women. That's a huge drop from the 41.4 percent that women performed in the decade Lafrance studied.
"Much more than male artists," the study notes, "the female artists who do well on the charts are an increasingly important part of the celebrity tabloid culture ." Since women like Beyoncé, Adele, Rihanna, Taylor Swift, Ariana Grande, Katy Perry, and Nicki Minaj occupy so much space in the public discussion of music, it's easy to lose sight of how little of the Top 40 they really make up. But because these women have to deal with the swirl of tabloid culture in a way that few of their male colleagues do, the thinking goes that it can be difficult for them to maintain focus on their careers as artists and creators.
If celebrity culture is to blame for women's slowed output, though, you'd think that the gender disparity would narrow once you step outside the spotlight. Performers are the most visible members of the music industry, but they aren't the only artists creating Top 40 songs. Songwriters are the ones to blame when you wake up with "Is it too late now to say sorry?" stuck in your head. And yet!
37 percent of songs (76 total) had at least one woman credited for lyrics, and women made up just 10.8 percent (96) of the total number of songwriters used (886).
Most popular songs aren't the work of a single writer. There are a few single-artist songs, but most great hooks require a team to build. The 206 Top 40 singles of 2016 took 886 songwriters to create, but only 96 of those writers were women — 10.8 percent. The singles that charted from the Weeknd's album Starboy had 51 male writers alone; that's more than half as many female writers as there are on the entire chart.
Women might have helped write more than a third of this year's Top 40 hits, but they always did so in rooms populated with men. While songs written only by men made up 63 percent of this year's Top 40 smashes, only two songs were written entirely by women: Ruth B's Vine-made "Lost Boy" and Tim McGraw's "Humble and Kind." The only song to have more female writers than male writers working in a team was "Like I'm Gonna Lose You," by Meghan Trainor, featuring John Legend. There's no study to refer to on gender disparity among Top 40 songwriters, but last year's data wasn't much better: In 2015, women made up 13.5 percent of songwriters.
If the performer of a song is a woman, there's a higher likelihood a woman will be called on to write the song as well; in that situation, women are 27.1 percent of the songwriters. When a man is the performer, women make up just 3.2 percent of the writers.
A crazy-low number, right? Yes. But it's also not far off from the percentage of female producers who worked on top 40 music last year.
23 of the 463 producers who created Top 40 pop in 2016 were women. That's just under 5 percent.
Only one song from 2016 was produced exclusively by a woman: Ruth B's "Lost Boy." With the exception of that tune, men had a hand and a voice in every Top 40 hit. All five producers nominated for the Grammy for Producer of the Year (non-classical) were men. A woman has never, in the 42 year history, won that award.
Seeing Beyoncé and Adele onstage holding a golden gramophone at the Grammys is always heartening. We just can't let that image create a false impression of equality in the industry. Take one of the night's most prestigious awards, Record of the Year. That category honors the performer and producers of the year's best song. Five tracks were nominated: one each by Rihanna, Beyoncé, and Adele, one by Twenty One Pilots, and one by Lukas Graham. 36 individual people were listed as being involved in the creation of those five songs. Four of them were women. When Adele won the award, the recited list of collaborators on the song was composed entirely of men. To borrow from the singer herself: Hello?


On the surface, Azerbaijan is an oil rich nation -- home to soaring skyscrapers, luxurious lifestyles, and a booming nightlife. But the wealth and abundance in the capital city of Baku doesn't mirror the rest of the country. With high inflation rates and the long-term displacement of over 700,000 people by the Nagorno-Karabakh War, 11% of the population lives below the international poverty line.
The Bulvar, Baku's seafront promenade.
Finding credit to start a business in Azerbaijan is a complicated endeavor. There are many government loopholes and corruption runs deep. In this environment, microfinance is a powerful tool for starting small businesses.
The Flame Towers, a group of three glass skyscrapers.
MIX Market is one of the best resources for getting a handle on the microfinance industry in any given country. An index of the top microfinance institutions (MFIs) around the world, it gives a sense of the scale and impact small loans are making.
According to MIX, microfinance institutions operate in about 82% of Azerbaijan's 66 districts. And there are 390,000 active borrowers with $937 million in outstanding loans across 27 MFIs.
Out of these 27 institutions, Kiva partners with three: Aqroinvest Credit Union, Komak Credit Union and VisionFund AzerCredit.
Founded in 2001 by a group of 32 Imishli farmers, Aqroinvest Credit Union has grown to become the largest credit union in Azerbaijan. Its mission: to help vulnerable, low-income communities -- mainly rural farmers, internally displaced people and refugees.
Since partnering with Kiva in 2007, it has funded $3.7 million in loans to 2,814 borrowers on the site. The average loan size is $1,399.
I had been told that Baku and the rest of Azerbaijan were like night and day, that one needed to travel out to "the regions," as rural Azerbaijan is known, to truly grasp the plight of the country's poor. This was true – but it also struck me as simplistic. There are wealthy people in the regions too, and I was sure there were thousands of others here in Baku who had been cut out of the city's renaissance. I'd traveled 6,000 miles from home to find these people and, in some small way, to help them raise themselves from poverty in a city notoriously unforgiving to the poor.
A nodding-donkey oil pump on Azerbaijan's Caspian coast.
Another fellow, Ivan Ledyashov, worked with both Aqroinvest Credit Union and Komak Credit Union. His perspectives on microfinance and poverty were also impacted by his time in the field.
AqroInvest's CEO signing loan contracts.
"It was an amazing experience to meet the borrowers who came into the branch offices to pick up their loans," he posted to the blog. "It made microfinance so much more real for me. I consider witnessing AqroInvest's staff at work the highlight of this entire experience."
Komak Credit Union was established in 1999 by 20 union members and has since grown to serve over 1,800 -- mainly women and internally displaced persons. Since partnering with Kiva in 2006, Komak has funded over $3.3 million in loans to 2,175 borrowers on the site.
Still in the pilot phase of Kiva partnership, VisionFund AzerCredit focuses on both the urban and rural poor, providing loans to small businesses and self-employed borrowers. Its 24 branches serve 40,000 clients and cover remote areas that previously had no access to financial services. Since teaming up with us last year, AzerCredit has lent $127,575 to 95 Kiva borrowers.
We're thrilled to be working with several socially-driven organizations in the country to bring credit to the people who need it most.
Stay tuned to the Kiva Blog for the last installment in this month's Passport Series on Azerbaijan. This is the second of a three-part series looking at the country's history with microfinance, Kiva's role in expanding opportunities for its people, and what it's like to participate in the country's economy as a borrower, lender and field worker.


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Updated: Friday, 17th January 2020 @ 10:25am
Mancunian Matters
Betting on Fergie's return to managing Manchester United? You're throwing money down drain, says Sir Alex
02 Oct 2013 - 04:42PM
By Sean Butters
Sir Alex Ferguson has rubbished rumours of a return to managing Manchester United despite bookies slashing odds on him regaining the reins after the worst season start in 24 years.
Instead, the former Reds boss reiterated Sir Bobby Charlton's message – that the Manchester United boardroom has faith in David Moyes.
The comments from the club's hierarchy will no doubt be a much-needed boost for Moyes after Sunday's home defeat left United 12th in the league.
Responding to the revelation that bookies have slashed odds on the former manager returning to the club after United's unsteady start to the new era, Sir Alex backed his compatriot unequivocally in an American television interview.
"I'm not interested in managing again or getting myself worked up about United's results," the 13-time Premier League winner said on the PBS show. "United are in good hands with David Moyes. He will be fine. He's a good manager."
Sir Alex amassed a total of 38 trophies in 26 years at Old Trafford, an unprecedented run of success.
Despite the obvious faith in his successor, some fans are more sceptical, a feeling that has translated over to the bookmakers, who are giving odds on Sir Alex's retirement ending prematurely.
However, the Scot moved quickly to quash the rumours.
"You would be throwing your money down the drain if you put any money on me coming back as manager," said the 71-year-old. "I made my decision. The timing was perfect. There is no way back for me now."
Rather than pining for a return to the career that spanned 17 years as a player and 39 in management, Sir Alex is revelling in his newfound freedom.
"I've got a new life," he said. "I want to go the Kentucky Derby and the US Masters, the Melbourne Cup. I want to visit vineyards in Tuscany and France."
Image courtesy of YahooUK video, with thanks.
For more on this story and many others, follow Mancunian Matters on Twitter and Facebook.
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Home/TECH/Best Code tidy/cleanup tools for developers
Best Code tidy/cleanup tools for developers
DigitalTechviewsDecember 14, 2022
The code speaks for you, whether you're a novice or an expert. A messy code leaves a bad impression, regardless of whether you're an expert. You don't have to worry if you use four spaces instead of tabs, unless you're Richard Hendricks. As a good developer, you must make sure your masterpiece is tidy and clean. After all, code is poetry. Have you ever seen a limerick without rhythm or a sonnet without line-ending rhymes? It is important to polish the code before exposing it to the public, just like any other piece of art. And, this is precisely when code tidy tools are used.
A number of tools are available when it comes to refining code snippets. The application Decoravit organizes code into a coherent structure where all elements have their place in a coherent structure that makes them look uncluttered. Other great tools are Dirty Markup and Pretty Printer . Unlike Decoravit, which is limited to Apple's devices, these two instruments are universal and can be used by anyone. Dirty Markup has a user-friendly interface and some helpful settings that work with HTML, CSS, and JS. While Pretty Printer has an old-fashioned vibe, it is still capable of operating with CSS and JS, as well as PHP, C++, Java, C, and Perl as well. You can also adjust the indent, line length, brace style, etc.
What is clean code?
What are the 3 principles of clean code?
Tips to write clean code
Best Code Tidy/ Clean Up Tools for Developers.
1. JSON Prettify:
2. JSON Minify:
3. HTML Prettify:
4. HTML Minify:
5. JavaScript Minify:
6. CSS Minify:
7. CSS Prettify:
8. XML Minify
9. XML Prettify
It is important to write clean code because it is clear, understandable, and maintainable. By writing clean code, you help others understand its purpose so they can eventually make changes to it. You are helping others understand your code so they can read and interpret it at a later date.
As part of a house, clean code is the foundation. Clean code principles lead to highly modular source code that is easier to read and test. Implementing clean code principles is a foundational skill that pays off particularly when you need to refactor or test your code.
To write clean code, remember these three principles:
Make sure the tool you choose is the right one
Ratio of signal-to-noise should be optimized
Make sure your code is self-documenting
Here are a few tips that can help you to write clean codes.
You should use a convention to indicate the scope of variables. This follows nicely from naming conventions.
It is incredibly powerful to use whitespace, and it usually has absolutely no downside. Using whitespace can add a few extra kilobytes when it comes to languages like JavaScript, in which the file size of the source code is critical.
It's pretty straightforward, but it's easy to forget and probably the most common. If another developer is looking at your code, the most frustrating thing is to see a variable named with a misleading name or a single letter.
Keep things clear, and you know exactly what you're working with by following conventions. A naming convention is a great way to get started. In essence, naming conventions mean that you choose a set of rules to call your variables by. It can be a little tricky, and people don't always agree on the best method.
Add comments to your code to explain what a complex function does or the order in which certain operations are performed. Adding comments can save lives or at least headaches.
The more technical the code, the more readable it needs to be. Automation is the key to saving time and space.
You will likely have a lot of variables in your class when your projects start getting larger. Birds of a feather group similar variables together. It's best to keep all of your variable declarations at the top of the page, or at least all together—this makes finding them faster.
It's best to look at what's actually happening instead of writing a long, rambling description of a function.
It is important to remember that it has a great deal of power. If you have multiple loops in your code block, you will need different iterator variables. It's always a matter of debate, and the answer is a little subjective, but if they're one after another, it makes sense to declare your iterator outside of the loop. The iterator variable "i" is always clear, and it's also slightly more efficient.
It's best to separate functionality into a separate class if there's a lot of functionality you want to keep together.
LambdaTest is a cloud-based platform that offers manual and automation testing of websites and mobile apps across 3000+ real browsers, devices and OS combinations. It also offers a set of code tidy tools. These tools are free, robust, easily accessible, and simple to use. LambdaTest team offers 24×7 support and has more than 120 integrations. They offer detailed analytics and reporting as well. Following is the set of code tidy/clean up tools that LambdaTest offers.
The JSON format is often used to store data, but it is difficult for the reader to comprehend. Prettify JSON will indent the JSON file, make sure everything lines up similarly, and puts the closing parenthesis in the same place each time. The JavaScript Object Notation (JSON) format is used for storing and transferring data in value pairs that can be easily parsed by machines. It represents human-readable text to store and transmit data. JSON content is beautified to make it easier to read via Prettify JSON.
Using Minify JSON, whitespace and comments are removed from blocks of JSON-like content, but their syntax is preserved. The JSON standard does not include comments. Yet, you can specify whether to remove them with JSON.minify(). Although JSON.minify() is being developed in JavaScript, it is also compatible with other environments.
Indented or unindented HTML code can be beautified with HTML Prettify. This tool will help in increasing the readability of the code. It gives the HTML code proper indentation. By doing so, it makes it easier to understand and debug the code, as well as when reading other developers' codes. The library uses regular expressions to format the code, which makes it easier to read. A search for indentations, line breaks, and extra spaces is performed, and they are removed or corrected as necessary.
In HTML Minify, redundant or unnecessary data are removed from HTML and CSS. Minifiers are used by developers to make the code easier to read later on by other developers. Anything that is unnecessary without affecting the function of a file is removed. By removing indentation, comments, and other such details, HTML Minify reduces the file size without affecting anything else.
In JavaScript Minify, you can shrink your JavaScript files by removing unnecessary characters, such as comments, white spaces, and semicolons. Abbreviations are expanded and variable names and functions are shortened. In addition to compressing JavaScript files, developers can also use our tool to push the newly compressed files to the web server, where they can be viewed by web browsers. JavaScript Minify removes unnecessary characters and lines from source code without affecting any other code.
Using CSS Minify, unnecessary characters in your source code are removed to reduce file size and speed up your site. Users receive the minified version of a web page rather than the full version when they request it, which results in faster loading times and lower bandwidth costs. With CSS Minify, you can streamline your application file by removing white spaces, line breaks, block delimiters, comments, etc., and improve search engine rankings. To use the CSS Minify tool, simply paste your CSS into the tool, click the minify button, and then copy and paste the converted code into your project.
Using the CSS Prettify online tool, you can beautify your CSS code and make it more readable. CSS coding can be messy because the coder can't dedicate his full attention to its appearance while focusing on technical tasks. Enter your CSS code to beautify, format, prettify and make it more readable.
Multiple developers working on the same project can use different formatting styles. Indentation, spacing, and other formatting can become disorganized when writing CSS Style Sheets. To make CSS Style Sheets easier to read, this tool helps maintain indentation consistency, as well as minify or obfuscate CSS Style Sheets to make them easier to understand. Indentations, line breaks, and extra spaces are removed or corrected by the tool.
By detecting and removing unnecessary spaces, indents, and newlines, this tool reduces the size of your file. With XML Minifier, tags, unnecessary spaces, and identifications are automatically detected and eliminated, making the file size smaller. Using smaller code allows web pages to load more quickly, which makes them more accessible to more people.
The free online XML Prettify tool from LambdaTest allows you to pretty print Extensible Markup Language (XML) data files. With XML Prettify, your XML tags will be indented based on how your document is logical and structured, and the number of spaces per level can be customized. This tool lets you customize how your code will appear. Indentation, comments, and syntax coloration can all be adjusted, along with the amount and angle of indentation.
The code cleaner tools can act as a lifesaver. Even though some of them can fix minor bugs and make code look nice, it is important to note that you should also improve your development skills. In order to become an experienced programmer, you must develop the habit of writing well-organized code from day one and these tools will make sure that you achieve your targets on time. For advanced developers as well as beginners, these tools remain indispensable. For instance, when working with someone else's work or looking at unformatted code, these tools can prove to be really helpful.
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Wenche Selmer, Romanticism or Pragmatism?
Wenche Selmer was a Norwegian architect born in the 1920's. Her teacher and inspiration was architect Knut Knutsen which may say a lot about her way of building houses. Many of her projects are located in the South West coast of Norway. Two characteristic features of her architecture are adapting and shaping houses to terrain and constructing only the necessary. Looking closely at her work, it is clear that she was inspired by local construction methods. But having said that, it is also possible to see that her structures are very modern and made in ways that are similar in other countries. Therefore, during the analysis I started to question in what way, or what scale, is it that she was inspired by tradition/the local. For example, you can see similarities to Japanese architecture in both her planning and structures. Also the connection between interior and outdoor areas is an important and obvious element in both Selmer's and Japanese architecture.
Her Summer House in Hellersøya is located in the south coast of Norway. The Summer House is next to the sea and that defines a lot of the requirements for the house. Selmer's clever planning comprises the houses between rocks and creates an environment protected from the wind and unpleasant weather. The simple composition of the Summer House, sauna and guesthouse is in fact quite ingenious and precise. The Summer House and sauna are planned so that behind them there is a space which can be used as a private backyard. Also both sauna and guest houses interact with huge rocks in the site where there is sometimes only a 10cm gap between them. Different houses are connected with paved stone areas which mimic the rocks from the site. Also wooden docks are cut so that they almost look like they are growing from the ground.
There is only four different materials in the main yard which together create the unique atmosphere: wood, stone, water and rocks. Two of these were originally there. Almost all of the coast of Hellersøya Island is formed from smooth rocks, which is very typical to coastal areas in the region. The other element is water. Selmer's architecture wants to highlight these materials and adds only two components which are untreated pine wood panels or planks, and stone paved areas and walls. One could say that this house is joyless, without color or a garden full of plants, but I think everything about this site is honest. Main values of life are cherished and Selmer is planning only for necessity, not for idealistic luxury.
When you visit this area you can easily relate to the romantic idea of living in nature and feel the time stop while watching the ocean. But what happens when you dismantle this project into pieces and start looking at the structure of the house? Can there be found elements or systems that characterised Selmer? Even though the first step of her planning was to get the feeling of the place, she was also very accurate with detailing.
Walls are one of the two main elements that define the exterior of the architecture. Wenche Selmer usually worked with a certain tone of dark red paint for many of her summer houses by the coast (which is typical of Norway), but in this house she let walls to be untreated. With time, this caused the external cladding to turn gray. The frame system of the wall is similar to what is used in contemporary architecture, but it is interesting to notice that there is no insulation. The same applies to the roof structure. This tells a story of modest living and how this summer house has been used, living with nature but on nature's conditions. Also until the 1990s there was no electricity or running water in the summer house. Thus, spending time in this house must have been very different compared to today's luxury cottages.
One of the main things one can see from the roof are the beautifully patinated tiles. The roof is made from a simple wooden structure, but all the materials are long lasting, and the tile's appearance will get better with time. Another interesting aspect the is the primary and secondary structures, which can be seen from the inside: they are not hidden and in this way they bring a unique character to the interior.
For Wenche Selmer's architecture, light is a very important aspect. In this summer house rooms are rather small but when windows are located on almost every side of the room, they become spacious and full of light. Windows and doors seem to be most decorative elements of the summer house. Dividing the glass in smaller window segments is a traditional Norwegian detail. Decoration is subtle in other parts of the house, where the door's horizontal paneling contrasts the vertical paneling in walls. Nothing too overwhelming, but very simple and fascinating.


Like the character she played in the film "The Stoning of Soraya M.," Shohreh Aghdashloo is speaking out against the practice of stoning.
There was a world outcry over the death sentence by stoning for an Iranian woman convicted of adultery. A judicial official has said the sentence will not be implemented for now.
Aghdashloo said the woman's two adult children brought international attention to stoning by speaking out against their mother's sentence.
The actress says she hopes stoning will be stopped.
"There's always hope when we all get together, the people of the universe, regardless of our barriers and our colors and our religions and our background and our nationality," she said. "When we get together, we can do something."


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Do you have a great business story to tell and want to inspire others with your knowledge? This call for papers is looking for experts, professionals, entrepreneurs, universities, R&D centres, associations and organisations with the most innovative and disruptive ideas. Share your powerful ideas, case studies and the most innovative initiatives, solutions or projects within the framework of Digital Transformation.
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text:
Gujarat Exclusive > youth > IndiGo to lay off 10 % of its workforce
IndiGo to lay off 10 % of its workforce
IndiGo has decided to lay off 10 percent of its workforce due to the economic crisis caused by the coronavirus pandemic, its CEO Ronojoy Dutta said on Monday.
"From where things stand currently, it is impossible for our company to fly through this economic storm without making some sacrifices, in order to sustain our business operations," Dutta said in a statement.
"Therefore, after carefully assessing and reviewing all possible scenarios, it is clear that we will need to bid a painful adieu to 10 percent of our workforce. It is for the first time in the history of IndiGo that we have undertaken such a painful measure," he added.
Hackers targeted 130 Twitter accounts, the company says "embarrassed"
As on March 31, 2019, the airline had 23,531 employees on its payroll.
All the airlines such as SpiceJet, GoAir and Air India, have either cut salaries or have sent a major part of their staff on leave without pay. COVID-19 pandemic has severely affected all the Indian carriers.
Earlier, several companies including food aggregators and cab aggregators had to reduce its workforce in tandem with declining sales and demand amid the coronavirus induced lockdown.
Air India to send some employees on compulsory unpaid leave for up to 5 years
IndiGo sackings
Ronojoy Dutta


15th February, 1957 by Norman Brook of Her Majesty the queen.
We are confronted by two problems, the first an immediate and relatively limited one, the second of a longer term and wider nature.
The first problem relates to the difficulties which have arisen with Ethiopia over their failure to abide by the terms of the 1954 Anglo – Ethiopian Agreement regarding the Haud and former Reserved Area of Ethiopia.
The second problem concerns the whole future of British interests in the Horn of Africa after 1960, when Somalia is due to achieve independence.
These two problems are inter – related, in the sense that the solution of either of them depends to some extent on the solution of the other. But it is the second problem which is, fundamentally, the more important; and it is to that problem that this memorandum is primarily directed.
2. This is the former Italian Somaliland, now administered by Italy as a Trust Territory and due to achieve independence in 1960. It already has a very considerable measure of self-government, and the leaders of the dominant political Party have as their aim the unification of all Somalis in a greater Somalia — an aim which is supported by most Somalis everywhere.
will towards the British connection, dating from our wartime occupation of the territory.
reaffirmed, while at the same time the tribes' grazing rights were confirmed, and the Ethiopian Government agreed that the tribal organisation set up by the Protocrate Government should continue to function when the tribes are in the Haud and Reserved Area, a liaison organisation being established to preserve the link between the tribes and the Protectorate Government and to transmit to the tribes the instructions of that Government on internal tribal matters.
Subversion of the allegiance of those tribes to the British Government. If this happened, the Ethiopians would be able ( under the " reciprocal rights " article of the 1954 Agreement) to penetrate the Protectorate by claiming, in regard to the subverted tribes, the same rights which the Agreement gives to us over our tribes in the Haud and the Reserved Area.
4. But it is more likely, that the Protectorate tribes would refuse to accept Ethiopian sovereignty, and as a result would be deprived of the effective use of the Haud and the Reserved Area. They would then constitute a very turbulent element in the Protectorate, even though provided with famine relief.
On 29th March the Cabinet considered the difficulties created for us by the resumption of Ethiopian administration over the Haud and Reserved Area— called " the Territories." A map of the area it attached .
They authorised the Parliamentary Under-Secretary of State for Foreign Affairs (Mr. Dodds-Parker), leader of the United Kingdom delegation to Ethiopia in April, to explore the possibility of a cession of the territories by Ethiopia to the Protectorate and they agreed that the policy statement for the Protectorate should be made .
2. Mr. Dodds-Parker tried to persuade the Ethiopian Government to cede the Territories but was met with so vehement a refusal that one must conclude that no attempt on our part to obtain the Territories by lease, barter or purchase at any price which would be considered possible is ever likely to succeed. The United Kingdom delegation then discussed with the Ethiopian Government the practical methods of an harmonious working of the 1954 Agreement and received some assurances that appeared to be satisfactory.
3. Recent events in the Territories and in particular the interference by the Ethiopians with the internal tribal organisation of British Somali tribes indicate that the Ethiopian Government have no real intention of keeping the 1954 Agreement. A strong protest has been delivered regarding the incident but the Ethiopian Government are already contesting the facts. It seems clear that the deliberate policy of the Ethiopians is to try to absorb the Somali tribes in the Territories with a view to the later incorporation of the whole Protectorate and ultimately of all Somalis in the Horn of Africa within the boundaries of the Ethiopian Empire.
4. When, last May, Lord Lloyd made the policy statement authorised by the Cabinet, there was bitter disappointment amongst Somali leaders at the lack of any reference to the Territories. In his Report Lord Lloyd has confirmed that the Somalis in the Protectorate will not rest until they have recovered the Territories which they, regardless of the 1897 Treaty, regard as rightly theirs. Indeed the National United Front has once more asked Her Majesty's Government to facilitate their approach to the International Court of Justice for an advisory opinion on their petition to the United Nations which they first made in 1955. No reply to this request has yet been given, but the reply cannot be favourable for the same reasons which led us to reject their appeal for support for their petition in 1955.
8. We could repudiate the 1897 Treaty. For this to be effective we should have to occupy the Territories which would be an act of war against Ethiopia.
This course can scarcely be considered except as a last resort after all other measures have been tried.
or through an international tribunal to repudiate that Treaty. Any guarantee of the frontiers of the new State (which would be expected by the Somalis) would only extend to the present frontiers of the Protectorate and would not include the Territories.
10. We might encourage an Ethiopian/Somali rapprochement. Ethiopia is in the strong position of being in possession of the Territories. Any rapprochement therefore would inevitably, be upon Ethiopian terms. Some qualified observers regard some form of federation between the Somalis and the Ethiopians, whereby the Somalis would regain the Territories, as the only logical solution. The fact must nevertheless be faced that the Ethiopians are hated and distrusted by the Somalis, and that the Somali leaders are publicly committed to precisely the opposite policy. There is therefore no chance at the present moment that they could be persuaded to adopt this line and any attempt on our part to encourage them to do so would merely bring additional odium upon our heads.
11. We could arraign Ethiopia before the United Nations for breach of the 1954 Agreement. We have clear evidence of such a breach. Under the 1954 Agreement the position of the Protectorate tribes in the Territories is more favourable than their position simply under the 1897 Treaty. In particular the Agreement allows the Protectorate tribes to have their own tribal organisation, supervised by liaison staff of the Protectorate Government. For various reasons, however, it has been found almost impossible to compel the Ethiopians in practice to observe the terms of the Agreement, and although we now have clear evidence that the Ethiopians have broken the Agreement, this difficulty still remains.
Even if we were to take the case to the United Nations the most we could hope to achieve would be an admonition to the Ethiopians to observe the Agreement followed by an assurance as valueless as that given to Mr. Dodds-Parker in Addis Ababa. The difficulty of enforcement would still remain.
Admittedly there is a certain publicity value in such a course, but on the other hand there is still a considerable danger—since the United Nations may be swayed less by concern for Somali welfare than by a wish to score off a " Colonial Power " —that the debate might become enlarged into an examination of the 1897 Treaty or that it would take some other undesirable turn embarrassing to Great Britain and perhaps other Colonial Powers, such as the French or Belgians. Finally even if successful it would fail completely to satisfy the Somalis who have, with justice, no confidence in Ethiopian promises and whose object in any case is to recover the Territories.
Even if it should prove possible, and even if we managed to persuade the French and Americans to bring pressure upon the Ethiopians to cede the Territories in exchange for it and a sum of money, which would undoubtedly have to be very large, it is doubtful whether the Ethiopians would agree to so. To reopen the possibility of cession at this stage is likely simply to result in delay, delay which will be dangerous at a time when the situation is so rapidly deteriorating.
The Kenya Governments offer will of course be borne in mind as a possible make-weight in some other solution to the problem.
In considering any solution involving cession of the Territories, careful thought will have to be given to Ethiopian suspicions that these areas are coveted because they are believed to contain oil. Ethiopia' interests in any such oil might have to be safeguarded to her satisfaction, which would require very skilful negotiations so as not to offend the Somalis unnecessarily.
13. Finally, we can try to create a Greater Somalia which would include the Territories.—Logically and objectively the best policy for the Horn of Africa would be the creation of a Greater Somalia, which would include from the outset the Italian Trust Territory (due to become independent in 1960), the Somaliland Protectorate and the Ogaden. (There are also parts of Northern Kenya which are inhabited by a predominantly Somali population, but the inclusion of these, as well as Djibuti, in Greater Somalia need not be considered immediately) .The creation of a new Muslim State in the Horn of Africa is admittedly not without dangers from our own point of view, but the risk of the area falling under Egyptian and Russian influence through such a scheme seems less than the extreme likelihood of the same thing happening under any alternative course. Moreover an early initiative in this direction by Her Majesty's Government would succeed, as nothing else would, in convincing the Somalis of the Protectorate, at the present crucial time, that we really had their interests at heart.
The revival of the Greater Somalia idea, which came to nothing when advanced by Mr. Bevin in 1946, none the less confronts us with formidable difficulties. First, we shall have to face the obvious prospect of Ethiopian opposition. Secondly, the scheme is likely to antagonise the French, who will probably regard it as a threat to Djibouti and who in any case have a profound suspicion of British policy in the Horn of Africa. Thirdly, even the Italians, though they may be easier to persuade than the French, may suspect that we intend to bring the new State within the Commonwealth.
I do not regard these difficulties as fatal, but they undoubtedly make it necessary for us to prepare the ground with extreme care. The first essential would be to persuade the French and the Italians (particularly the former) that the present situation is as inimical to their interests as to our own and that our aim in the Horn of Africa is to maintain not British influence as such but joint Western influence. Once we can convey to our Western allies that our aim is to pursue a combined policy with them (as indeed it must be if there is to be any hope of success) and not to increase our influence at their expense, I feel that the dangers of resurrecting the Greater Somalia idea will be much reduced. We may then, moreover, be able to bring the French in particular to understand, as they do not seem to do at present, the full dangers of the present position. They tend to regard us as having wilfully created Somali nationalism. Nothing could be further from the truth. Somali nationalism has created itself, and the problem will in any case come to a head in 1960. All that we are trying to do is to contend with the facts as we find them, and to keep the situation under control. The present Ethiopian attitude in the Territories which the French seem almost inclined to encourage, is the one thing which above all else will drive the Somalis into the hands of the Egyptians and make them bitterly and permanently hostile to the West.
If this line of thought is accepted by my colleagues, a positive course of action begins to emerge. The stages would be as follows. First, we should enter into close and confidential consultations with the French and the Italians on the lines of the preceding sub-paragraph. I would like once again to stress the importance of this stage, since I regard the achievement of a mutual understanding with our Western allies as one of the most vital factors in this whole problem. At the same time it would be equally important, perhaps even more important, to explain our ideas and plans to the Americans, if only because of their decisive influence in Ethiopian foreign policy. If we were able to secure American, French and Italian support, a joint approach would be made to the Ethiopians. It would be brought home to them with renewed force that their present policies towards the Somalis are likely to have a disastrous effect on themselves by exposing their eastern flank to Egyptian and probably Russian influence. Some more positive bait than this would, however, be needed; and I suggest that the Ethiopians should be told that Greater Somalia, once created, could federate with Ethiopia if, of its own free will, it decided to do so. This prospect would provide the Ethiopians with some incentive to behave decently towards the Somalis in the future.
It might be necessary, however, to envisage some more formal type of consortium, under the aegis of the United Nations. This would present dangers and difficulties, and if we were to embark on any such course it would be doubly essential that the Americans, the French, and the Italians and ourselves should first be in full agreement on the whole policy. Otherwise there would be no guarantee whatever that a United Nations sponsored consortium would not simply let in the Russians and the Egyptians through the back door.
Protectorate Government, aided by the firm action now being taken by our Ambassador at Addis Ababa, to persist in trying to make the 1954 Agreement work.


For me, an easy, mid-week supper is light and simple to pull together, but without comprising on taste. I like to whip up a batch of porridge bread on an evening when I've had a hefty lunch, or have grazed on a few too many snacks during the day to warrant eating another big meal.
This dish is so quick and easy to prepare, but is so warming and wholesome to tuck into, with a cup of tea or coffee, or if you're feeling decadent, a hot chocolate. Especially now as the nights have drawn in and the temperatures have dropped.
As well as being light and quick, this recipe uses gluten-free oats (I use Kavanagh's organic gluten free porridge oats from Aldi), soya yoghurt (Soyummy natural soya yoghurt from Aldi) and dairy-free dark chocolate (85 per cent Moser Roth Dark Chocolate, also from Aldi) to make it gluten-free and dairy-free. Perfect for coeliacs, those who are lactose intolerant or vegans.
Empty the tub of yoghurt into a bowl and refill the empty tub with the oats. Add this to the bowl and refill the tub once again to one-third full. Mix the two ingredients until they come together to make a thick paste. Add the chopped chocolate to the mix and stir to distribute evenly. Do the same with the raisins and walnuts until all the ingredients are mixed well together.
Grease a small loaf tin with dairy-free spread or butter and spread the mixture into the tin.
Place the tin in the oven and cook for 30 minutes at 180 degrees Celsius. After 30 minutes, take the tin from the oven and remove the loaf from it carefully on a wire tray. Place the loaf back on the oven shelf directly and cook for another 15 minutes so it is cooked all the way through.
Remove from the oven and serve as is, or with jam, or butter melted over the warm loaf. For a savoury option, omit the chocolate and include some chopped rosemary. The rosemary, raisin and walnut loaf would pair perfectly with some warm soup for a more filling meal, or top with a drizzle of olive oil, a slice of Parma ham, fresh basil and some cherry tomatoes.
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text:
Without Fan Noise We Got To Hear A Schalke Player Tell Dortmund's Erling Haaland To 'Go Fuck Your Grandmother' Right Before He Scored
Reags5/16/2020 5:23 PM
This is the one benefit of not having fans in stadiums. We get to hear everything that's said because it's nearly impossible to block it all out. I want to hear all the shit talking. More importantly I need to know when it's a moment like this so you can instantly live bet that something is going to happen. In this case it was Haaland scoring minutes later, because Haaland always scores.
I'll be honest, I had no idea that's what was said but I'll take everyone on Twitter's word for It. I have no idea what that sound is either, but it's on every video out there.
Big day for us that adopted Dortmund led by Clem. First we had news that Baby Captain America was making his first start
Not a surprise that we all throw our support behind Dortmund and Reyna makes his first start. Not only that but he's making it with the game on TV and nothing else to watch. It was a match made in heaven. Until, you know, Dortmund realized that we had too many Knicks fans cheering for them and of course Reyna was scratched to injury
Rivalry game with an injury right before the match starts? Not a problem. Haaland got the first goal of the game in the first game on TV. It was beautiful. 4-0 like nothing. Hell, even got a celly in front of the Yellow Wall even without any fans:
But this just goes back to needing more and more shit talking being public. It happens in every single game at any level and it's honestly part of the game we need to hear more of. We need to know who is saying what to who, who is pissed at who and everything else. This is the only benefit of not having any fans in the stadium. It's weird for sure, but if it gives us a mic'd up event I'm interested.
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The biggest and most eagerly anticipated ride is Radiator Spring Racers which carry passengers around the town of Radiator Springs and features many of the key locations in the movie.
The move puts Disney California Adventure park just behind Universal Studios Hollywood, who is set to open it's newest attraction Transformers: The Ride 3D. The new Universal Studios Hollywood ride features Autobots and Decepticons from the Transform movie franchise. The ride features the latest high-definition 3D, simulated flight and earth shaking special effects. Universal Studios gets the lead heading into Summer 2012 with it's new ride schedule to open on the 25th May 2012. So you don't miss out on being the first of your friends to see it we recommend booking online one of the Universal Studios Front of the Line Passes and saving time and money.
Not to be left out of the race to capture the summer crowds, Six Flags Magic Mountain is due to open what is billed as the world's tallest vertical drop attraction. The multi-million dollar Lex Luthor: Drop of Doom is due to open 28th May 2012. The new thrill ride has a top speed of 136km/h with a elevation of 122 meters, with a full 5 second freefall that stops just a few feet from the ground.


GARLAND, Texas ─ Garrett's Moving & Storage, Inc. recently joined Wheaton World Wide Moving's network of more than 200 agents across the country. Garrett's has two locations in Garland, a suburb of Northeast Dallas, and Houston, Texas.
Starting in the moving business at 16 years old, owner Garrett Ware quickly learned about the industry and opened his agency at the age of 24. Garrett's is one of the region's premier full service moving and storage solutions. In addition to providing residential local and interstate moving services, the company has accounts delivering several hundred mattresses locally and a comparable number of cabinets in the Dallas area.
Ware and his 35-person team has built a strong reputation amongst its customers and Realtors® alike in the local area. They have earned an A+ rating with the BBB since Garrett's inception 1992, and is a certified ProMover through the American Moving & Storage Association. Garrett's is also a member of the Southwest Movers Association.
"We look forward to working with Garrett's team and are thrilled to welcome them in the agency family," said A.J. Schneider, Executive Vice President of Wheaton | Bekins.
Offering a combined 55,000 sq. ft. of warehouse space. Garrett's is located at 3102 Miller Park S, Suite 100 in Garland, Texas and can be reached at 972-487-5842. Their second office is located at 15344 Vantage Pkwy E in Houston, Texas, and can be reached at 832-230-5789. Garrett's can be found online at www.garrettsmovinginc.com.


Learning to identify TB reactions is easy with these TB testing arms. Made of soft, palpable material, the models are suitable for educating both patients and students. Set includes one beige and one brown model. Comes with instruction card. 3" x 6 ½" x 1".


Over 175,000 jobs are set to be shed from the UK's retail industry, while retail property values will slide amid the continuing increase in online shopping.
A further 23,000 shops are expected to close this year, according to research conducted by real estate advisers Altus Group.
Meanwhile, 62 per cent of UK property owners have said Amazon's success has disrupted the market.
A further 78 per cent said the rise in experiential retailing has also affected retailers as customers are mainly seeking out experience-led shopping.
The results show that retailers are forecast to have an even worse year this year than 2018, which saw nearly 20,000 stores close and 150,000 jobs lost.
The value of property is also expected to decrease by 15.9 per cent as consumers continue to prefer online alternatives.
The change in UK consumers' shopping habits is the reason Altus Group undertook the research.
Furthermore, 2018 was a tough year for many retailers as the likes of House of Fraser, Evans Cycles, Maplin and Poundworld were considerably failing, while Mothercare and Carpetright closed hundreds of their failing stores.


text:
Form 1120 - Estimated Tax Payments
Per IRS Instructions for Form 1120-W Estimated Tax for Corporations, on page 1:
Who Must Make Estimated Tax Payments
Corporations must generally make estimated tax payments if they expect their estimated tax (income tax less credits) to be $500 or more.
S corporations must make estimated tax payments for certain taxes. S corporations should see the Instructions for Form 1120-S, U.S. Income Tax Return for an S Corporation, to figure their estimated tax payments.
Tax-exempt corporations, tax-exempt trusts, and domestic private foundations must make estimated tax payments for certain taxes. These entities should see the instructions for their tax return to figure the amount of their estimated tax payments.
For C corporations, per IRS Instructions for Form 1120 U.S. Corporation Income Tax Return, on page 4:
Estimated Tax Payments
Generally, the following rules apply to the corporation's payments of estimated tax.
On page 5:
The corporation must make installment payments of estimated tax if it expects its total tax for the year (less applicable credits) to be $500 or more.
The installments are due by the 15th day of the 4th, 6th, 9th, and 12th months of the tax year. If any date falls on a Saturday, Sunday, or legal holiday, the installment is due on the next regular business day.
The corporation must use electronic funds transfer to make installment payments of estimated tax.
Use Form 1120-W, Estimated Tax for Corporations, as a worksheet to compute estimated tax. See the Instructions for Form 1120-W.
Penalties may apply if the corporation does not make required estimated tax payment deposits. See Estimated tax penalty below.
If the corporation overpaid estimated tax, it may be able to get a quick refund by filing Form 4466, Corporation Application for Quick Refund of Overpayment of Estimated Tax. See the instructions for Schedule J, Part III, line 15, later.
To set up estimated tax payments in the TaxAct 1120 program:
From within your TaxAct return (Online or Desktop), click Federal. On smaller devices, click in the upper left-hand corner, then click Federal.
Click 2021 Estimated Tax Payments in the Federal Quick Q&A Topics menu to enter or review the information regarding your estimated tax payments.
Continue with the interview process to enter all of the appropriate information.
The screen titled Federal 2021 Estimated Tax - Quarterly Payments will reflect if your entries have resulted in estimated tax payments and, if so, the following screen titled Federal 2021 Estimated Tax - Print 1120-W will provide the option to check Print Form 1120-W for the homeowners association's records to force Form 1120-W to print with the return.
Once you have completed that section of the Q&A, you can e-file them with your return or you may set up payments through the IRS Electronic Federal Tax Payment System (EFTPS).
Note that any link in the information above is updated each year automatically and will take you to the most recent version of the document at the time it is accessed.


We have this first day of jun, 2007 received a payment credit instruction from the federal Government of Nigeria to credit your account with your full contract funds from the Nigerian reserve account with our bank.
This is to notify you that you funds has been programmed for immediate release into your nominated account but we can not transfer this funds direct to your nominated bank account, because we are having a little problem with International Monetary Fund (IMF) so our method of payment is by Diplomatic Courier Service Be inform that every arrangement regarding your cash payment through diplomatic services has been made; note that your funds have been package like a consignment.
Be informing that the Diplomatic Agency has to move down to your Country in order to deliver the Consignment to your doorstep.
Note that as soon as the Diplomatic arrive to your Country they will give you a call immediately to enable you help them to get (Yellow Tag Paper). You have to help the diplomats to get (yellow Tag Paper) so that the customs and immigration will not stop them in Airport, for security reason you are advice to follow the rules and regulation of the diplomats for easy collection of the consignment, you have to be to welcome the diplomatic agent, to enable them deliver the Consignment to you immediately, be inform that as soon as the diplomatic obtain the above name certificate they will deliver the Consignment to your door step.
I want you to send your direct mobile phone and your home address to me immediately, so that as soon as the diplomatic arrive in State they will call you immediately to notify you.


By Lisa Simpson – As the new hosts of the annual Health Datapalooza, AcademyHealth will welcome the 'geekerati' and 'glitterati' of the health data liberation movement to D.C. from May 8-11. Although this is the event's 7th year, it's our first as host and I couldn't be more excited!
The post Something Big is Happening at Health Datapalooza appeared first on HIE Answers.


text:
Album Reviews / Americana / Soul
ALBUM REVIEW: The Felice Brothers | Celebration, Florida
Posted on June 21, 2011 by Doubtful Sounds	1 Comment
written by Chris Familton
In the realm of americana and roots music bands tend to stay within the confines of their genre for the most part. Some like Wilco and My Morning Jacket stretch and blur their country-based templates but for the most part, re-invention and experimentation are limited in this neck of the woods. Enter The Felice Brothers who, until now, have been firmly rooted in the folk and country idiom with a series of albums that have felt increasingly in thrall to the traditional. Their approach has been both ramshackle and finely tuned with an air of authenticity hanging over all of their work to date. Now onto their eighth release (including self-releases) the band have seemingly thrown the road map out the window and allowed all manner of sounds and styles to permeate their stories/songs with fantastic results.
Celebration, Florida sees the band turning their focus to matters of the city and the modern urban milieu. There are odes to cars (Honda Civic), film directors (Oliver Stone), stories of gyms and pageants and generally a wide angled lens view of contemporary America. One major shift in the inner workings of the band came with the departure of singer/drummer Simone Felice who left to focus on his own music with the more soul leaning The Duke & The King. That may have been the spark for the remaining bros Ian and James to cast their net wider and bring in hip hop, funk and soul flavours – the sounds of metropolitan USA. These new angles are best experienced on tracks like Ponzi (featuring brother Simone guesting on backing vocals) with its funk-lite verses that shuffle into a gospel drenched chorus. You'd think this would be a light and poppy affair from the description but it somehow manages to paint a picture of sadness, loss and observational anger at the fall from grace of corporate America. It doesn't end there as the song mutates into a swaggering glam-disco vamp mirroring the excess described in the song.
Back In The Dancehalls introduces drum machines and an intentionally naive musical track to soundtrack Ian Felice's lackadaisical lazy drawl and rap, sounding like a lost rural cousin to late 80s Daisy Age hip hop. Refrain is steeped in jerky, neurotic electronica and Honda Civic even succumbs to some cheeky auto-tune. Though there are changes aplenty on Celebration, Florida it is still immediately identifiable as The Felice Brothers. They balance the new ventures with some moments of stark melancholic folk that are as good as anything they've done before. Dallas is is a glorious back porch moment and Best I've Ever Had sounds befittingly casual and loose as we've come to expect from the band. There are rattling guitar strings and chirping background crickets giving the air of a song in skeletal form. Ian Felice's voice is a wonderfully worn instrument all over the album. Sounding equal parts tired, dusty and hardwired to your heartstrings he can make the most innocuous lyrics sound like poetic gems – whether he is lacing his words with bitter profanities on River Jordan or romanticising a return to nature on the same song.
Celebration, Florida is a brave and brazen move from a band that could easily continue to gain an audience plying their more traditional song forms but they have pulled it off impressively. They have retained the heart and soul of what makes them such a special band while also adding new colours and traits. It feels like discovering new and unexpected things about a close friend – at first you are perplexed but ultimately the relationship is enriched.
this review first appeared on FasterLouder
Tags: Album Review, Celebration Florida, The Felice Brothers. Bookmark the permalink.
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It's been 8 weeks since I announced Fusion. I really need to blog more. Maybe I should start to follow Chris Shiflett's Ideas of March blogging revival and dedicate this month to keeping up to date with this blog.
I recently switched out all of the websocket calls in wsilent with socket.io. This was forced upon me when wsilent stopped working with newer versions of Chrome because Chrome no longer supports websocket v75 or v76, which are the only two methods that wsilent supports.


text:
Filichia Features: Young "Follies"
By Peter Filichia on March 22, 2018
in Making Theater, Show/Author Spotlight | Tags: Follies
You're a high-school director who's looking for your next musical. You decide to scour an alphabetical list of what's available. Your eyes go from Flowers for Algernon to Footloose without ever giving a thought to the musical that comes between: Follies.
Who can blame you? Follies centers on people in 40s and 50s. So how could can kids born in this millennium ever understand the problems of middle-agers -- and not contemporary ones, either? Follies takes place in 1971, which means that the central characters were born close to 100 years ago.
What's more, high school musicals tend to be happy-go-lucky. Although many secondary education directors try West Side Story, serious musicals don't often show up. And while there are plenty of joyous musical numbers in Follies (thank you, Stephen Sondheim!), the show does display two miserable marriages. Three spouses openly admit to adultery and a fourth is on the brink.
Yes, that's what I thought, too - until I attended Westfield (NJ) High School's spectacular production that showed teens can do it - well, at least the 46 that director Daniel Devlin and choreographer Samantha Simpson had at their disposal.
Think about the chorus members that populated 22 of Florenz Ziegfeld's revues - the prototype for Dimitri Weismann's Follies. Many of them weren't that much older than high schoolers. Doris Eaton Travis, in fact, was a mere 14 when she joined the troupe. So, Simpson's dozen or so young ladies didn't seem ridiculously out-of-place.
High school theater tends to attract girls, and here are 11 numbers in which the women are showcased. Not many musicals allow three featured actresses to be so singled out, thanks to "Broadway Baby," "Ah, Paree!" and "I'm Still Here" -- still the best song ever written out-of-town.
There's one duet for a boy and girl ("Rain on the Roof") and one for two girls ("One More Kiss"). Two other songs start out as solos and morph into ensemble numbers: Roscoe introduces those "Beautiful Girls" (still the best opening number of all) and Stella Deems brings back the memories of "Who's That Woman?" - the dance number she and the other Weismann Girls used to do. That, of course, is still the best production number ever staged, thanks to Michael Bennett, although Samantha Simpson rose to the occasion like a skyrocket.
While parvenus called Follies "an embarrassment of riches," let's instead say that there's plenty of wealth to share.
And let's face it: today's teens are far more sophisticated than they were in 1971, so James Goldman's book won't mystify them. Replicating those bitter feelings won't be as out of reach for them as a director might initially assume. There's a good chance that the kids you cast as the acrimonious Phyllis and Ben Stone and the hapless Buddy and Sally Plummer will have already had their own romances and breakups. They'll remember the ferocious fights they had with boyfriends or girlfriends with whom they once thought they'd be in love with forever and ever. One doesn't have to be middle-aged to have a heart broken by what seemed to be love.
Follies is a ghost story of a different kind and is scary in its own way. There's a full second cast of ghosts who represent the people our main characters used to be. They're mostly silent, so they provide a good opportunity to break in kids. For that matter, you can give the adult roles to your juniors and seniors and their young counterparts to the sophomores and freshmen. Ghost stories are meant to be scary, and Follies is also scary but in its own way. We see the panic and regret people have as they age and rue the roads they didn't take. Perhaps if kids are exposed to this danger at an early age they'll be careful to not make many of these mistakes.
References to the Depression, the W.P.A., Gandhi, W.P.A, Herbert and J. Edgar Hoover, Proust and Pound give an opportunity for a director to dispense a casual history lesson during rehearsals. Yes, Follies has much to teach - which should happen in high schools, shouldn't it?
Read more Filichia Features.
You may e-mail Peter at pfilichia@aol.com. Check out his weekly column each Monday at www.broadwayselect.com and Tuesday at www.masterworksbroadway.com . His book, The Great Parade: Broadway's Astonishing, Never-To-Be Forgotten 1963-1964 Season is now available at www.amazon.com.
Peter Filichia
Follies
Disney's Frozen JR.
Disney's worldwide phenomenon is taking Broadway Junior by (snow)storm!
Disney and Cameron Mackintosh's Mary Poppins JR.
Your favorite practically perfect nanny takes center stage in this Supercalifragilisticexpialidocious adventure based on the award-winning Broadway musical and classic Walt Disney film.
Disney's Aladdin JR.
Discover "A Whole New World" with this magically updated version of the Academy Award-winning Disney classic!
Disney's The Lion King JR.
Introduce theatre to your classroom today! Explore, Create and Share the arts with this easy-to-use, multi-media program.
Annie JR.
The irrepressible comic strip heroine takes center stage in one of the world's best-loved, award-winning musicals.
Shrek The Musical JR.
Everyone's favorite ogre is back in this hilarious stage spectacle, based on the Oscar-winning smash hit film and outrageous Broadway musical.
Seussical JR.
"Oh, the thinks you can think" when Dr. Seuss' best-loved characters collide and cavort in an unforgettable musical caper!
Into the Woods JR.
A new take on Stephen Sondheim's and James Lapine's groundbreaking musical fairytale about wishes and the choices we make.
Disney's Beauty and the Beast JR.
The Award-winning animated film and stage play comes to life in this romantic and beloved take on the classic fairytale.
Disney's The Little Mermaid JR.
From classic literature to the Academy Award-winning film and Broadway musical, Ariel's undersea journey is a beautiful love story for the ages.
Over 60 million people worldwide have fallen in love with the characters, the story and the music that make Mamma Mia! the ultimate feel-good show!
Roald Dahl's Matilda The Musical
The story of an extraordinary girl who, armed with a vivid imagination and a sharp mind, dares to take a stand and change her own destiny.
Newsies
Stop the presses! This Disney film turned Tony-winning Broadway hit inspires everyone to fight for what's right and seize the day.
The Brothers Grimm hit the stage with an epic fairytale about wishes, family and the choices we make.
"Be Our Guest!" The Academy Award-winning film comes to life in this romantic and beloved take on the classic fairytale.
Feed the need for musical hilarity with this delicious sci-fi smash about a man-eating plant.
Les Misérables School Edition
Winner of over 100 international awards and seen by over 70 million, this musical phenomenon is an epic tale of passion and redemption in the throes of revolution.
Legally Blonde The Musical
Harvard's beloved blonde takes the stage by pink storm in this fun, upbeat story of self-discovery.
Seussical
Everyone's favorite ogre is back in the hilarious stage spectacle based on the Oscar-winning, smash hit film.


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text:
Q: Python - French year/number pronunciator I wanted to try make something of what I'd learned and then thought of making a French year/number pronunciator (text-based). I stumbled upon a few problems like if I have different digits they will all swap places etc. The code I provide now only works for 4 digit numbers as you may see, but I will add the others later. What I came here asking for is why the script output "deux" instead of "douze" if I enter ex. 1992, 1982, 1972 etc? You'll find that in the end of the code.
Since i unfortunately didn't manage to format the code right, I'll have to use pastebin:
But first I warn you; This might cause pain to your eyes. I have yet to understand the difference between if/elif etc.
http://pastebin.com/ZVU2N9m6
year = raw_input("Year: ")

a = "Mille"
b = ""
c = "cent"
d = ""
e = ""

if len(year) == 4:

    # Decides century
    if year[1] == "9":
        b = " neuf "
    if year[1] == "8":
        b = " huit "
    if year[1] == "7":
        b = " sept "
    if year[1] == "6":
        b = " six "
    if year[1] == "5":
        b = " cinq "
    if year[1] == "4":
        b = " quatre "
    if year[1] == "3":
        b = " trois "
    if year[1] == "2":
        b = " deux "
    if year[1] == "1":
        b = " un "
    if year[1] == "0":
        c = ""

    # Sets decade
    if year[2] == "9":
        d = " quatre-vingt"
    if year[2] == "8":
        d = " quatre-vingt"
    if year[2] == "7":
        d = " soixante"
    if year[2] == "6":
        d = " soixante"
    if year[2] == "5":
        d = " cinquante"
    if year[2] == "4":
        d = " quarante"
    if year[2] == "3":
        d = " trente"
    if year[2] == "2":
        d = " vingt"

    # Sets year
    if year[3] == "9":
        e = " neuf"
    if year[3] == "8":
        e = " huit"
    if year[3] == "7":
        e = " sept"
    if year[3] == "6":
        e = " six"
    if year[3] == "5":
        e = " cinq"
    if year[3] == "4":
        e = " quatre"
    if year[3] == "3":
        e = " trois"
    if year[3] == "2":
        e = " deux"
    if year[3] == "1":
        e = " et un"
    if year[3] == "0":
        e = ""

    # Sets year for 70s, 80s, 90s (different rule)
    elif year[2] == ("7", "8", "9") and year[3] == "2":
        e = "douze"

    print a + b + c + d + e

else:
    print "Your desired year does not have 4 digits"

A: Because e = "douze" is never reached.
 elif year[2] == ("7", "8", "9") and year[3] == "2":
     e = "douze"

I think you ment year[2] in ("7", "8", "9"). And with "82" it should indeed be "deux" and not "douce".

Actually lists or dicts can make your life a lot easier. The following code snippet produces the french number names from 1 to 99 (excluding "et" as I don't know when to put it):
def twoDigits (i):
    if not 0 < i < 100: raise Exception ('Out of bounds')
    below20 = [None, 'un', 'deux', 'trois', 'quatre', 'cinq', 'six', 'sept', 'huit', 'nuef',
        'dix', 'onze', 'douze', 'treize', 'quatorze', 'quinze', 'seize', 'dix-sept', 'dix-huit', 'dix-neuf']
    tens = [None, None, 'vingt', 'trente', 'quarante', 'cinquante', 'soixante', 'soixante', 'quatre-vingt', 'quatre-vingt']
    a, b = i // 10, i % 10
    if a in (1, 7, 9): b += 10
    return ' '.join (x for x in (tens [a], below20 [b] ) if x)

for a in range (1, 100):
    print (a, twoDigits (a) )

A: The problem is that you are checking that year[2] == ("7", "8", "9") but you need to check that year[2] is in ("7", "9") (with 80s, it shouldn't be douze, check comments)
Just change the elif and should make the trick:
year = raw_input("Year: ")

a = "Mille"
b = ""
c = "cent"
d = ""
e = ""

if len(year) == 4:

        # Decides century
        if year[1] == "9":
                b = " neuf "
        if year[1] == "8":
                b = " huit "
        if year[1] == "7":
                b = " sept "
        if year[1] == "6":
                b = " six "
        if year[1] == "5":
                b = " cinq "
        if year[1] == "4":
                b = " quatre "
        if year[1] == "3":
                b = " trois "
        if year[1] == "2":
                b = " deux "
        if year[1] == "1":
                b = " un "
        if year[1] == "0":
                c = ""

        # Sets decade
        if year[2] == "9":
                d = " quatre-vingt"
        if year[2] == "8":
                d = " quatre-vingt"
        if year[2] == "7":
                d = " soixante"
        if year[2] == "6":
                d = " soixante"
        if year[2] == "5":
                d = " cinquante"
        if year[2] == "4":
                d = " quarante"
        if year[2] == "3":
                d = " trente"
        if year[2] == "2":
                d = " vingt"

        # Sets year
        if year[3] == "9":
                e = " neuf"
        if year[3] == "8":
                e = " huit"
        if year[3] == "7":
                e = " sept"
        if year[3] == "6":
                e = " six"
        if year[3] == "5":
                e = " cinq"
        if year[3] == "4":
                e = " quatre"
        if year[3] == "3":
                e = " trois"
        if year[3] == "2":
                e = " deux"
        if year[3] == "1":
                e = " et un"
        if year[3] == "0":
                e = ""

        # Sets year for 70s, 80s, 90s (different rule)
        elif year[2] in ("7", "9") and year[3] == "2":
                e = " douze"

        print a + b + c + d + e

else:
        print "Your desired year does not have 4 digits"

Output:
# Year: 1992
# Mille neuf cent quatre-vingt douze

By the way, I will recommend you to use a dictionary to make it easier, as @AdamSmith stated in comments

redpajama_set_name: RedPajamaStackExchange


text:
function CommitIgnore() {

}

CommitIgnore.prototype.process = function (config, commits) {
	if (0 === config.ignore_comments.length) return commits;

	for (var i in config.ignore_comments) {
		var ignoreComment = config.ignore_comments[i];
		for (var j in commits) {
			if (commits.hasOwnProperty(j)) {
				var commit = commits[j];
				if (commit.search(ignoreComment) != -1) {
					delete commits[j];
				}
			}
		}
	}

	return commits;
};

module.exports = CommitIgnore;

redpajama_set_name: RedPajamaGithub


The LNP government has moved quickly to address an alarming rise in HIV diagnosis rates across Queensland with the announcement it will create a Ministerial Advisory Committee on HIV/AIDS to review and redirect awareness and prevention campaigns.
Mr Springborg said the HIV diagnosis rates represented an alarming failure in public health policy and public health outcomes over the last decade; and said he had been advised the diagnosis rates represented the highest levels in Queensland since figures became available in 1984.
"When it comes to health, unlike Labor, I refuse to throw good money after bad and I refuse to turn a blind eye to what are obviously ineffective campaigns at reducing HIV diagnosis rates," Mr Springborg said.
"This clearly indicates that the campaigns and strategies, and the way those campaigns and strategies have been provided, is in need of urgent review and re-direction," he said.
Mr Springborg said he would immediately move to re-direct over $2.5 million in government grants that had, until now, been channeled through the Queensland Association for Healthier Communities to conduct AIDS/HIV awareness and prevention strategies.
"Instead of this funding being administered by QAHC, which has published its intention to move the core of its activity away from AIDS/HIV to more general, political issues, it will be moved into the control of an expert panel – a Ministerial Advisory Committee on HIV/AIDS.
committed to even higher targets.
exclusively focused on health advocacy and health outcomes in this area just like the former Queensland Aids Council used to be" he said.
"When the Queensland Aids Council was wound up by the former Labor Government, I cautioned then that the focus of AIDS/HIV would be lost and public health compromised; and I was right," he said.
Mr Springborg said the Ministerial Advisory Committee on HIV/AIDS would be formed in the coming months when funding for QAHC programs ceased.