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Society Alumni Testimonial
Features, News, Society Success
In October 2015 the CSC was delighted to welcome past CSC executive member, ex-chair of the Young Fine Gael Society, the then Minister for Health, and current Taoiseach Leo Varadkar to launch the Society Alumni Testimonial Journal. He was joined by several other Trinity alumni who had been involved in societies in Trinity College.
The publication is a compilation of reflections by Trinity Alumni including David O'Doherty, Senator Averil Power, Paddy Cosgrave, Senator David Norris, Dylan Haskins, Senator Ivana Bacik, and many more. They each reflect on their time here and the invaluable and incomparable experiences they had while serving as society officers.
The Taoiseach noted the number of his political contemporaries who also came up through TCD Societies. He commended on the breadth and scope of societies present on campus today and spoke of the invaluable skills he developed while on a society committee that he utilises to this day.
This journal was compiled by the CSC as part of the Fourth Week initiative, which aims to highlight to College the value of student-led activities. The impetus that students get from having the opportunity to run a society, the feeling of achievement when a long-planned event runs well, and the knowledge gained about how to bear responsibilities have all been fundamental experiences which have led to the successes that these alumni have achieved later in their lives. These things all arise from the fact that students run societies by and for themselves, and we hope that continued facilitation of societies and support for the CSC by College will mean that future students will have the same opportunities for entrepreneurship.
alumni,publication,society,testimonial


Are you the right model for your child?
As a parent, we almost always would want our children to look up to us, idolize us, or find a role model in us. However, especially in today?s times, it seems as though the world of glamour and celebrities might instead take over the influence of family members on a child. But at the same time, it is important for us to remember, that the family is the primary agency of socialisation for almost every child. And therefore, it is our responsibility as parents to be insightful of our potential as a role model for the children, and also be able to regulate our own behaviour in accordance to the same.
For almost all of us, our aspirations and goals are majorly influenced by our conceptualization of a role model, someone who we admire and aspire to be like, who could be an individual within our social network, a public personality, or even a prototype or an ideal person. In fact, a large part of an individual?s self can actually be reflected in the choice of their role model. Further, vicarious learning is an essential aspect of social learning as we tend to acquire new behaviours through the observation of others? around us in our everyday lives. Despite of the diverse forms of social influences begin to have significance, including the school environment, peers, etc., children typically acquire behavioural responses by watching and modelling their parents or significant others.
Parents and family members continue to be the most significant role models for the youngsters today, which carries with it strong implications for the extent of influence the behaviours of family members can have. This essentially implies that what family members do, children observe and tend to learn. Additionally, with the changing fabric of our society, inter-generational interactions between teenagers and grandparents must be emphasized, as such connect with grandparents can provide youngsters with a sense of cultural and historical rootedness and foster a greater sense of morality. Therefore, it is vital for parents and significant others within the family to model healthy and adaptive behaviours and to strengthen their communication patterns in order to inculcate positive attitudes and behaviours.
It has been proven unequivocally that young minds learn by watching those around them. Youngsters today still look up to adults to learn how to conduct themselves, a reality that has not yet changed. Such a tendency to learn by observations comes with its merits and disadvantages, based on how such social learning is cultivated. Both altruism and truancy are social behaviours that are learned by observing others. It is thus, the collective responsibility of adults, be parents, educators, or the media, to provide youngsters with positive, prosocial role models to foster a youth that is compassionate, empathetic and responsible.


Moving patient data online has been a great boon for the practice of medicine. Patient records, formerly pieces of paper in a folder, are transitioning to electronic health records, or EHRs. While this has done wonders for transferring records between offices and aiding in connecting technology like wearables and providing big data for machine learning, the quantity also raises questions of patient privacy and data security.
The start of this story is in the volume of data. Even back in 2011, Duquesne University estimated there to be 150 exabytes of healthcare data collected. In 2015, they noted, 83 percent of doctors had adopted electronic records. This, on the surface, sounds fantastic. All that data, which has only increased since then, can be used for predictive analytics.
Thanks to the amount of data collected, predictive analytics is possible. This helps healthcare professionals make smarter decisions regarding patient care. A computer is able to catch symptoms that are comorbid of other problems that a specialized doctor would miss.
An added bonus to being able to make better decisions thanks to big data is that it has also created new roles such as the nurse informaticist. These nurses care for patients and affect healthcare policy. The key, however, is they use big data to drive these decisions. For example, they might be able to predict staffing needs based on historical data, so that they have enough nurses to manage patients. Before the adoption of EHRs and machine learning, the technology that makes this job possible, and thus those decisions, simply did not exist.
On the flip side, the massive amount of data means security needs to be kept to a high standard, or data breaches could reveal patient data. In the first quarter of 2018 alone, nearly 1.13 million records were exposed due to a data breach. Then, in July, more than 2 million more records were exposed. Over the past 8 years, more than 176 million records were breached.
Worse, in 2016, the WannaCry ransomware locked out hospitals from EHRs, effectively stopping all patient care due to lack of access to patient charts. The hospitals were forced to pay a ransom or let their patients suffer from lack of treatment.


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Gregorio Baudot Puente (Colmenar Viejo, Comunidad de Madrid, 14 de marzo de 1884 - Ferrol, La Coruña, Galicia, 4 de noviembre de 1938) fue un director, flautista y compositor español. Realizó sus estudios en el Conservatorio de Madrid siendo uno de sus maestros Tomás Fernández Grajal y logrando las máximas calificaciones, con premios de solfeo, armonía, flauta y composición. Tras titularse el año 1906, inició una carrera como flautista con el Conjunto de Instrumentos de Viento de Bartolomé Pérez Casas, con el que llevará a cabo una gira por América. En 1909 se casa y se presenta a las oposiciones a la plaza de Músico Mayor de la Banda de Música del Segundo Regimiento de Infantería de Marina de Ferrol, de la que tomará posesión al año siguiente, estableciéndose definitivamente en esta ciudad e incorporándose a la vida musical gallega. Recorrió Galicia de arriba abajo recogiendo el folklore de esa región. A pesar de estar afincado en Galicia, Baudot estrenó regularmente en Madrid su producción teatral y el año 1928 acudió a la capital española para dar a conocer Cantuxa una ópera verista ambientada en Galicia. En 1935 finalizó y estrenó la zarzuela Luces de verbena, obra póstuma de su colega y amigo Reveriano Soutullo, fallecido tres años antes.

Entre su producción se encuentran:

 Óperas. Cantuxa (1928) con libreto de Adolfo Torrado. La figlia di Iorio.
 Zarzuelas. La Cruz de Mayo (1909) con libreto de A. Osete Pérez. Aires de la sierra, en colaboración con Conrado del Campo (1909) con libreto de A. Osete Pérez. El gallo Chantecler con libreto de A. Osete Pérez. Mari Lorenza (1930) con libreto de J. Rosales. Luces de verbena (1935) en colaboración con Reveriano Soutullo. La eterna paz con libreto de V. Escohotado. La heredera con libreto de J. A. Torres y Lasso. Lo bello y lo útil. Zoraya.
Escenas dramáticas. Diana Cacciatricce. Las bodas de Camacho (1905).
Vocal con orquesta. Aurora (1906). Ojos que le vieron ir (1907). Himno a Concepción Arenal (1911). Himno a los poetas (1913). Missa Solemnis.
Poemas sinfónicos. El verano (1906). Las odaliscas (1908). Dolora sinfónica (1915). Los caminantes.
 Solista y orquesta. Andante y polonesa para flauta y orquesta.
 Banda de música. Marcha solemne (1912). El tren de la alegría, fantasía (1913). Los Caballeros del Siglos de Oro, fantasía (1919). Noches de amor (1919). Requiem Aeternam, marcha fúnebre (1921). Lugo-Ferrol, pasodoble. Os fillos de Canido, pasodoble (1922). Himno a la Marina (1936) y otras marchas, fantasías, himnos y pasodobles.
Orquesta de plectros. La rondalla de las Pepitas.
 Canciones, obras de cámara, para piano y religiosas

Fue una persona muy querida en Ferrol, ciudad que dio su nombre a una calle. La Sociedad Artística Ferrolana creó el Concurso de piano Gregorio Baudot.

El 31 de mayo de 2019, con motivo del concierto del Día de las Fuerzas Armadas, la Unidad de Música del Tercio del Norte de Infantería de Marina de Ferrol estrenó la marcha militar sinfónica compuesta por el catedrático y compositor Miguel Brotóns con título Maestro "Gregorio Baudot". Obra musical creada por encargo de la Sociedad Artística Ferrolana con la finalidad de homenajear la memoria del maestro Baudot.

Referencias

Compositores de música clásica de España del siglo XX
Compositores de zarzuela de España
Compositores de ópera de España
Músicos de Madrid

redpajama_set_name: RedPajamaWikipedia


Massachusetts advances legislation to reach 100 percent renewables, Nevada stakeholders share road map to adding 92,000 clean energy jobs, and more.
Set a goal, make a plan, and take action. It sounds like a phrase from a book of motivational sayings, but that's effectively what stakeholders are doing to advance ambitious clean energy policy in states across the nation.
To that end, Massachusetts lawmakers are moving forward a bold plan to reach 100 percent renewable energy, New York has released a road map to deploy 1,500 megawatts of energy storage, and Nevada's clean energy industry has a road map to add 92,000 new jobs. Meanwhile, Northeast utility National Grid has published a plan for how to reduce carbon emissions by 80 percent.
In this week's State Bulletin, we take a look at recent state-level plans to accelerate cleantech adoption and cut emissions.


Although everyone who identifies with FBC as 'their church' is already in a very real sense a member of FBC, we do nonetheless have a Membership scheme which helps express this sense of belonging in an even more definite way. Membership is not about what we can get out of the church but it is an expression of our love for the Lord and our commitment to the Body of Christ.
We do not see membership as being about heavy things like duties and responsibilities, but rather about Benefits and Opportunities, Challenges and Expectations. It is a gift that God offers to us to help us in our discipleship.
If you are interested in attending a Membership Course please contact the Minister.


If you or someone you know are unable to care for their Land Hermit Crabs, please contact us today! We will take in any number or breed of Land Hermit Crab and give them the loving, healthy home that they deserve. We keep sustained ideal tank conditions 24/7, as well as only offer all natural, organic human grade foods.
Founded in 1952, The Central Brevard Humane Society is Brevard County's oldest established animal welfare organization. A no kill for space shelter, CBHS is dedicated to speaking for those who cannot speak for themselves. CBHS educates the community on responsible pet ownership and the humane treatment of animals, advocates for spaying/neutering to reduce the homeless pet population and provides the best quality care to Brevard's abandoned animals by placing them with responsible, caring owners in forever homes.
We treat your pet as if it was our own. We want your companion to receive the most current medical, surgical and preventative health care available in the veterinary market. Your satisfaction with the services we provide is our goal. We recognize that situations vary with each pet and each family so we try to design treatment and healthcare plans tailored to fit each case.
Companion Animal Hospital strives to provide excellence in pet care through compassion, individualized attention, and continually evolving education and technology. Companion Animal Hospital offers a wide range of services on almost all companion animals--including birds and exotics. We are quite proud of the advanced, specialized technologies we offer, such as endoscopy, ultrasound, and laser surgery. It is part of our ongoing commitment to offer the most confident diagnoses and effective treatments that clients desire and pets deserve.
Georgeanns Homeless Hounds And Foster Program of FL.Inc.
To provide lost, abused, or abandoned mixed breed dogs and cats with a new loving home. We believe that "Plain mutt" hounds make the best companions! Experienced people come to a homeless hound rescue for their new pet and leave with a life long friend. I believe that a dog or cat in a family is truly a family. And those moments shared will last forever.
Humane Society/S.P.C.A of Sumter County, Inc.
The Humane Society/SPCA of Sumter County, Inc. is a non-profit 501(c)3 volunteer based organization providing rescued animals medical care, adoptions, cruelty investigations, "Kibbles on Wheels" free pet food program and the "Big Fix" Spay/Neuter program for low income residents in Sumter County, assisting native wildlife and providing adult/youth humane education programs. The HS/SPCA is raising funds to construct Central Florida's 1st Green Animal Shelter.
Napiers Log Cabin Horse Animal Sanctuary inc.
New Hope Sanctuary for the Animals is a rescue, haven, and adoption organization for abused, tortured, and abandoned innocent animals and pets. We are based on the Christian principles that God intended humans to follow as guardians of His creation. We are a not-for-profit welfare, protection, rescue, rights organization dedicated to the compassionate care of stray and abandoned cats, kittens, dogs, puppies, litters, and farm animals (chickens, pigs, etc.). We encourage people to adopt and provide kind and loving care for a cat, dog, kitten, puppy, or litter, as well as to promote humane population control through spaying and neutering. We are involved in direct action in rescuing and placing animals within a network of animal groups across the nation, and in increasing public awareness and education about the abuse, torture, factory farming, slaughtering, butchering and the murder of innocents, and the need to spay and neuter. Through the media, special events, and publications we promote anticruelty, love, compassion, mercy, respect, and kindness towards all animals, animal theology, and compassionate alternatives to animal products.
We are an Animal Control facility that is run by the County Government. We accept owner surrendered pets as well as stray animals. At times we have exotics and livestock. We have our own surgery facility with a contracted veterinarian. We spay and neuter every adopted animal that leaves our facility. We also vaccinate for the major diseases as well as heartworm test dogs and Leukemia/FIV test cats. All dogs have a microchip inserted. Please be aware that if you adopt a pet from us that it will not be ready to go home with you until it has had its surgery. Most animals go home the next day. All animals have to be held "stray" time if they have no owner. Therefore, the animals "stray" time must be up before it can be adopted.


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Q: wwdc 2013 sample code I'm not sure if this is the right forum to ask this, but I was trying to find the WWDC 2013 sample code.  I came across this: https://github.com/jfahrenkrug/WWDC-Downloader
I haven't done that much from the command line or anything with curl, ruby, etc.  I did install RVM from some online tutorial.  My apple Id has spaces in it.  I try to run the scrip like this
wwdcdownloader 'my id'

I get an error with this message:
ruby-2.0.0-p247/gems/wwdcdownloader-20.13.5/lib/wwdcdownloader.rb:68:in `block (2 levels) in login': undefined method `theAccountName=' for nil:NilClass (NoMethodError)

Am I doing this right? Thanks.

A: Hello I written a free Cocoa application to do this task.
You can download all WWDC2013 sample code both IOS and OS X. All downloaded samples are automatically placed on Downloads folders.

Application download

A: You can download all sample code for WWDC 2013 from the following URL.
http://developer.apple.com/downloads/
Then search for "wwdc" or look under "WWDC 2013 Sample Code" node.

redpajama_set_name: RedPajamaStackExchange


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The Art World
June 1, 2009 Issue
Rough Stuff
A Francis Bacon retrospective at the Met.
By Peter Schjeldahl
Bacon's "Study After Velázquez's Portrait of Pope Innocent X" (1953), one of a series of mordant takeoffs.© Estate of Francis Bacon / ARS, NY / Courtesy Des Moines Art Center
Francis Bacon has long been my least favorite great painter of the twentieth century. My notes from a visit to the new Bacon retrospective, which is very handsomely installed at the Metropolitan Museum, seethe with indignation, which I will now try to get over. It's unseemly to stay mad at an artist whose canonical stature, as graphed by the fervor of intelligent admirers, not to mention market value, has only grown since his death, in 1992, at the age of eighty-two. But first I must file away my accumulated objections to the theatrical shock tactics with which Bacon, in the nineteen-forties, aimed to create museum-worthy European painting that could stand up to that of his hero, Picasso. An old politics of style hovers. Bacon opposed American Abstract Expressionism, scorning Jackson Pollock's manner as "old lace" and Mark Rothko's as "rather dismal variations on colour." I have liked to believe that, in the mid-century contest for a radically new and befitting Western art, my countrymen played fair, and Bacon cheated. They forged integral styles that absorbed and transcended Impressionism and Cubism, engulfing rather than just addressing the eye. He vamped with an eclectic mix of Expressionist tactics and decorative longueurs. But I'm aware that the scorekeeping applies to a game not won or lost but called on account of rain—proliferating points of view that have swamped all would-be authoritative accounts of art history along with those of history, period.
In fact, it is Bacon, rather than the Abstract Expressionists, who now looks prophetic about subsequent developments in art, starting with Pop and continuing through the so-called Pictures Generation, the worthy subject of a concurrent exhibition at the Met. The key is his pioneering use of photographs and printed sources for his subject matter. To make his well-known, mordant takeoffs on Velázquez's "Portrait of Pope Innocent X" (circa 1650), beginning in the early nineteen-fifties, he worked from reproductions, passing up opportunities to view the original in Rome during an extended stay there. Bacon also exerts an influence on young artists of today, such as Peter Doig and other friskily decadent British-educated painters. So here goes a rearguard skirmish, on behalf of Pollock and Rothko—and of Willem de Kooning, who, like Bacon, was a self-conscious inheritor of European tradition, an Oedipal scion of Picasso, and lingeringly a figurative artist, despite his achievements in abstraction.
Bacon was born in Ireland, in 1909, the son of a cutlery heiress and a military man who raised horses. As a teen-ager, Bacon was flamboyantly effeminate, and his behavior enraged his father, who, according to a story reported by a friend, the novelist Caroline Blackwood, had him horsewhipped by grooms. By 1926—spottily educated, having run away from boarding school—he was living in London on an allowance from his mother, supplemented by petty theft and, a bit later, by occasional largesse from enamored older men. Jobs as a valet and a telephone answerer, for a dress company, were brief. Bacon read eagerly—Nietzsche, Eliot—and knocked around London, Berlin, and Paris. He was excited by Russian Revolutionary and Surrealist films. A show of works by Picasso in Paris in 1928 fired an artistic ambition that would sputter until the war years. Among the few early works he did not destroy is the first in the Met show: "Crucifixion" (1933), a vaguely Picassoesque figure, also reminiscent of work by a mentoring friend, Graham Sutherland, in ghostly white-on-black. The religious reference is not pious. All his life, in the words of his most devoted critic, the eloquent David Sylvester, Bacon was "an old-fashioned militant atheist who always seemed to be looking for pretexts to issue a reminder that God was dead and to bang a few nails into his coffin." He made a compensatory sacrament of a penchant for rugged sex, alcohol, and gambling.
In 1929, all of twenty years old, he set up as an interior designer in London. He enjoyed immediate success, recognized in an issue of a leading magazine devoted to "The 1930 Look in British Decoration," but, in a decade of abundant social and erotic doings, he stuck with nothing for long. When war came, in 1939, asthma got him excused from the military and then, tormented by dusty air during the Blitz, from a civil-service position. At a house in South Kensington, his major work commenced. Here I glide past immense quantities of biography, amounting to an alternately exalted and gutter picaresque, which, in writings about Bacon, make him seem as much a literary character as a working artist. While his work is routinely celebrated as an authentic reaction to the horrors and the dislocations of the Second World War, it can come off, in the telling, as a pageant of hangovers and refractory lovers. He remains, in death, the raffish celebrity that he was in life; a meticulous re-creation of one of his incredibly cluttered studios, in which a book of Velázquez lies near a beefcake magazine, lures tourists to the municipal Hugh Lane Gallery, in Dublin.
In 1943, Bacon painted "Figure Getting Out of a Car," derived from a photograph of Hitler. It centers on a naked, long-necked lump, whose head is all toothy maw. This seminal picture is not at the Met, but variations of the figure, on orange grounds, dominate a triptych, "Three Studies for Figures at the Base of a Crucifixion" (circa 1944), which announces Bacon's vision of an age of monstrosity. "Painting" (1946), from the Museum of Modern Art, renders a crucified victim as sides of beef. Some screaming Popes of the early fifties are striated with vertical bands suggested by Albert Speer's cathedral of searchlights for a Nazi rally. Writing in 1948, Sylvester detected in Bacon's style a redolence of the sixteenth-century painter Matthias Grünewald's "germanic temperament of epileptic delirium." In ways comparable to but ranging beyond those of his existentialist contemporary Alberto Giacometti, Bacon mobilized an emotion of energetic, strangely energizing despair. He regularly proclaimed his allegiance to primal drives as the only credible substitute for meaning in a hostile universe. (But did he have to be quite so enthusiastic about it?)
Bacon's striking formal innovations, in handlings of pictorial space, include swiftly limned cubical enclosures and evocations of proscenium stages, in which single figures—or paired figures interwoven in paroxysms of sex and/or death—leap to the eye. Marvellously snarling knots of brushwork in the figures are increasingly offset by flat grounds and, at times, by overlaid geometrical ciphers, such as graphic arrows. The critic Lawrence Gowing wrote, approvingly, that Bacon hatched a look "at once of pastiche and of iconoclasm." It's on this point that I rebel in favor of, particularly, de Kooning's hardly less ferocious "Women" paintings, which observe the imperative, shared by all the Abstract Expressionists, to reconcile figure and ground. Bacon spoke of "a complete interlocking of image and paint, so that the image is the paint and vice versa," but he attained that effect only in isolated passages, surrounded by dead space. His paintings, despite their extraordinary visual drama, thus lack a de Kooningesque sense of scale, which knits visible brushstrokes to the proportions of the canvas and relates the whole to the viewer's body. Big or small, the size of a Bacon feels arbitrary. With a few exceptions—such as some van Gogh-inspired painterly thunderstorms that he made in the late nineteen-fifties, and which I wish he had built on—they are illustrational: tissues of fiction, or caricature, that complete themselves in literary imagination.
Not that there's anything wrong with illustration. That's the retroactive mercy of regarding Bacon in the light of Pop art and of later grapplings, by artists including the Pictures crew, with the tyranny of mechanical reproduction in contemporary culture. The most crucial tension of Bacon's style, between life mediated by received images and life suffered in the flesh, can be awfully heady. In one of his caustic moods, he pronounced ninety-five per cent of people "fools about painting." He complained, "Hardly anyone really feels about painting: they read things into it." I disagree, except in cases, like Bacon's, where reading things in can seem pretty much the modus operandi. With a Pollock or a Rothko, you either feel about painting or have nothing to engage you. But I find myself persuaded that Bacon did identify with the visceral sorcery of paint—though he wouldn't maintain it across any whole canvas—and that he wanted us to perceive that fact, even as he perversely threw melodramatic scenarios in the way.
A sense of dilemma leads me to reconsider a feature of his art that I have regarded as finicky and precious: his insistence that all his paintings be displayed behind glass, in gold frames. The only reason I could surmise for this was that Bacon used glass as a prosthetic gloss to unify his lurchingly fragmented surfaces. But having witnessed, at the Met, the gleaming parade of his career, I begin to understand the policy as a poignant gesture that weds decorative chic to fierce aspiration. Reflecting in more ways than one, the framing registers the viewer's physical presence and, abstractly, the hermetic fate of Western painting, fallen from the Renaissance into a state of besiegement by cameras and printing presses. Bacon's paintings objectify the subjective ordeal of perishing bodies that harbor immortal longings. In this, the paintings are indeed great, standing for a historical condition even of people who can't abide them. ♦
Published in the print edition of the June 1, 2009, issue.
Peter Schjeldahl has been a staff writer at The New Yorker since 1998 and is the magazine's art critic. His latest book is "Hot, Cold, Heavy, Light: 100 Art Writings, 1988-2018."
More:Abstract ExpressionistsFrancis BaconGays (Homosexuals)Jackson PollockMark RothkoMetropolitan Museum of ArtPaintersRetrospectivesWillem de Kooning

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I wanted to redo the Cupcake cafe to be more of a full-structured building. I wanted a smaller footprint but also easy to play with for my daughter. It is quite a bit smaller than the original but my daughter likes the added height!


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Bernice V. Holtzmann Obituary
May 13, 2011 –
Bernice V. Holtzmann
Bernice V. Holtzmann, 84, passed away on Friday, March 18, 2011. Bernice was born in Mayetta, Kansas on February 9, 1927, the daughter of Frank and Eleanor Moore. Bernice worked as the manager of the Libbey Glass Outlet Store, was a clerk for Elder-Beerrman on Secor Rd, and worked for Hallmark Cards at the Kroger Store on Glendale. Bernice was an active member of St. Charles Borromeo Catholic Church where she sang in the choir and volunteered on many activities. She also sang with the Toledo Choral Society. She was a devoted mother and cherished the time spent with her children and grandchildren.
Bernice was preceded in death by her parents and loving husband, Edward. She is survived by her sons, Joel and Frank (Victoria) Holtzmann; brothers, Terry and Melvin Moore; sister, Carolyn Moore; grandchildren, Stephanie Surprise and Kenny Holtzmann, and great-grandchildren, Savannah and Lillian Brewer, Gabriel Surprise and Reanna and Melina Holtzmann.
Family and friends may visit Thursday from 2-8 p.m. at the W.K. Sujkowski & Son Funeral Home where the Rosary will be recited at 7 p.m. Funeral services will begin with prayers at the mortuary Friday at 9:15 a.m. followed by the Mass of Christian Burial at 10 a.m. in St. Charles Borromeo Catholic Church. Interment to follow at Resurrection Cemetery.
(Courtesy of W.K. Sujkowski & Son Funeral Home-Toledo, Ohio)


Individuals interested in bills related to education.
Establishes the Washington student education loan bill of rights.
Requires the student achievement council to designate a student loan advocate.
Requires a study on impact and cost-effectiveness.
Creates the student loan advocate account.


Over the holidays my nephew and his wife had a new arrival so it is time for me to make a quilt for my new grand-nephew.
I went to the fabric store and couldn't pass up this Dr Seuss fabric. It is Robert Kaufman fabric called Celebrate Seuss.
I will cut the individual squares apart and add sashing in brown and I have light blue flannel for the backing.
The idea is excellent and the fabric is excellent — very luck nephew, although he doesn't know it yet.
this will make a perfect little boys quilt!
How cute! And what a keepsake for your grand nephew. Can't wait to see it finished.
So cute and I love the colors!
Make sure you include a couple of Dr. Seuss books with the quilt!! Perfect timing as March is reading month and both the author and his books will be celebrated in schools throughout the country!! Great choice!!
That's fun! How are you going to quilt it?
Wonderful, wonderful fabric–I just looked at all the characters and thought, "oh, there's Horton! There's the Cat it the Hat!." They've stuck with me all these years.
Cute Dr. Seuss fabric. I'm finished up one baby quilt for a grand-niece at Christmas and have another one I'm just finishing. My sisters and I are collaborating on another baby quilt for a niece expecting this month. I've always enjoyed making baby quilts and probably cannot recall all of them that I have made in the last 33 years. Someone's always having a baby.


text:
President Eisenhower and Extraterrestrials? Film Explores This Urban Legend
Article by Greg Archer January 9, 2020 (desertsun.com)
• Earlier this month, Christopher Munch screened his new movie, "The 11th Green" at the 31st annual Palm Springs International Film Festival in Palm Springs, California. The movie portrays President Dwight D. Eisenhower's alleged secret meetings with extraterrestrial emissaries during the 1950s.
• "There was an urban legend out there …in the 1950s that Dwight Eisenhower had one or more face-to-face interactions with visitors from other worlds," says Munch. "What interested me about the story was not so much the specifics of it or whether it was true or not, but more so … how (Eisenhower) would have potentially reflected back on those experiences late in his life. Would he have regrets or done things differently?"
• The storyline involves a Washington DC journalist named Jeremy who moves into his late father's house, which by coincidence was formerly owned by President Eisenhower before the President's death in 1969. Jeremy's father served on the National Security Council staff for President Eisenhower back in the day. His father's former protégé gives him reels of film that suggest America had interaction with off-world visitors 50 years ago, but the "extraterrestrial question" was left in the wrong hands. The film portrays Eisenhower in 1967 contemplating the extraterrestrial presence kept hidden by a shadow government. The story switches time-periods from Jeremy's father as a young counselor to the President in the 1950s, to modern day as Jeremy is piecing together the history.
• Munch notes that, "In the course of the last year, the film has become timelier … as "major publications have documented … incidents involving the U.S. Military engaging with UFOs over the past 15 years or so." The military's revelations of UFOs "cannot be easily dismissed, as it was from the 1950s onward, where UFOs and ETs were only considered in the context of the 'giggle factor.'"
• Regarding Eisenhower's encounters with alien beings, Munch believes that such encounters would have been "routine" for the former President. "I don't think anything really phased Eisenhower," says Munch. As a mainstream journalist, Jeremy's character "certainly has a predisposition". "[B]ut it's balanced out by his concern for the validity of what he's reporting. I think that's the quandary for any journalist who is having to report on the subject of UFOs or extraterrestrials."
• [Editor's Note] I doubt that Eisenhower considered his meetings with extraterrestrial beings to be "routine". I doubt that anyone would find interactions with aliens routine, except maybe Corey Goode. Eisenhower was famously under a great deal of stress, causing multiple heart attacks during his presidency. After he had completed his second term in office, his farewell address in January 1961 alluded to a shadow government hiding the fact that they were working with extraterrestrial beings, and creating a massive 'military industrial complex' that owed no allegiance to the elected government of the United States nor its citizens.
Written and directed by Christopher Munch, "The 11th Green" begins on slow simmer and eventually arrives at an emotional boil as it floats back and forth through time to explore a curious proposition: that former President Dwight D. Eisenhower was not only interested in but also had contact with extraterrestrials.
The film, which was partially shot in Palm Desert and other Coachella Valley locations, screens in the Locals Spotlight program at the 31st annual Palm Springs International Film Festival.
"There was an urban legend out there for some time, and I believe reports first appeared in the 1950s
President Dwight D. Eisenhower
that Dwight Eisenhower had one or more face-to-face interactions with visitors from other worlds," Munch says. "What interested me about the story was not so much the specifics of it or whether it was true or not, but more so the emotional 'what if?' involving Eisenhower. How this man would have potentially reflected back on those experiences late in his life. Would he have regrets or done things differently?"
How did Munch craft a story with a potentially contentious subject matter that today's audiences could embrace? With an inventive storyline.
The plot: After his 85-year-old father dies from a sudden heart attack, slick Washington D.C. journalist Jeremy Rudd (played by Campbell Scott) returns to his golf resort home. Fighting memories of his beleaguered father-and-son relationship, Jeremy suddenly becomes much more acquainted with his father's mysterious legacy.
Toss in a romantic interest via his father's former assistant, Laurie (played by Agnes Bruckner), and a visit from his father's protégé, Jacobsen (played by Currie Graham), who hands Jeremy reels of film that suggest America had interaction with off-world visitors 50 years ago, and our protagonist suddenly finds himself in a personal and professional conundrum.
Is his newfound potential love interest clouding his interest? Should he believe in the film footage presented to him?
16:14 minute Eisenhower farewell speech, January 17, 1961 ('Ewafa' YouTube)
George Adamski Got Famous Sharing UFO Photos and Alien 'Encounters'
Listen to "E225 George Adamski Got Famous Sharing UFO Photos and Alien 'Encounters'" on Spreaker.
Article by Greg Daugherty January 9, 2020 (history.com)
• George Adamski is perhaps the most famous UFO contactee and is certainly one of the most controversial characters in UFO history. Throughout his life, Adamski took photos of UFOs, wrote books and told stories of his encounters with human-like extraterrestrials from other planets in our solar system, gaining international fame as well as criticism.
• Adamski was born in Poland in 1891, coming to the U.S. with his parents and growing up in northern New York state. He had little formal education. In 1934, he told a Los Angeles Times reporter that he had lived in Tibet as a child, and planned to establish the first Tibetan monastery in Laguna Beach, California. In 1936, he told the newspapers that he was going to establish the world headquarters of an organization called 'Universal Progressive Christianity' in Laguna Beach. He also offered a tax plan to end the Great Depression in 1938.
• After World War II, Adamski's ambitions turned to UFOs. In October 1946, he spotted his first UFO – a motionless black cigar-shaped craft. In August 1947, he witnessed a procession of 184 UFOs in the sky. By 1949, he'd attached a camera to his six-inch telescope and began scanning the skies. Adamski estimated that he took about 500 flying saucer photos, from which he got a dozen good quality shots. Newspapers and magazines published Adamski's photos, and he gave lectures on UFOs. He also operated a tiny restaurant with a small telescope set up out back (in a rural area between Los Angeles and San Diego).
• In 1952, Adamski reported that he had met and conversed with a visitor from Venus in a California desert using a combination of hand gestures and mental telepathy, which he recounted in his 1953 book: Flying Saucers Have Landed. His 1955 sequel: Inside the Space Ships, recounted meeting human-like emissaries from Mars and Saturn. Adamski claimed that every planet in our solar system had human-like inhabitants, as did a base on the dark side of the Earth's Moon.
• In his books, Adamski claimed that his extraterrestrial friends took him aboard a scout ship, flew him to a mother ship hovering over the Earth, gave him a ride around the Moon, and treated him to a colorful travelogue about life on Venus. He said that a 1,000 year-old man shared with him the secrets of the universe, some of which he was not allowed to divulge back on Earth.
• Adamski recounted his meeting in November 1952 with a human-like visitor from Venus in a remote part of the California desert. "The beauty of his form surpassed anything I had ever seen," said Adamski. "(His) hair was sandy in color and hung in beautiful waves to his shoulders, glistening more beautifully than any woman's I have ever seen." The Venusian had come to deliver a message: 'Earthlings should stop messing around with atomic bombs before they destroy their entire planet.'
• Project Bluebook investigator J. Allen Hynek called Adamski's flying saucer photos 'crude fakes'. Hynek's Bluebook partner, Edward J. Ruppelt, visited Adamski's restaurant in 1953 to find Adamski hawking his UFO photos. While Ruppelt didn't believe him, he wrote that he was impressed all the same. "To look at the man and to listen to his story, you had an immediate urge to believe him," said Ruppelt, … he had "the most honest pair of eyes I've ever seen." SciFi writer Arthur C. Clarke also denounced Adamski's work and called his believers "nitwits." But in 1959, Queen Juliana of the Netherlands invited Adamski to her palace to discuss extraterrestrials. Adamski is said to have also had a secret meeting with the Pope in 1963.
• In 1961, Adamski published his last book: Flying Saucers Farewell, and continued to lecture widely. In 1965, Adamski predicted that a large fleet of flying saucers would soon descend on Washington, D.C. He died in April 1965 at age 74.
• Since his death, Adamski's critics have tended to portray him as a harmless, small-time con artist. Others like Arthur C. Clarke and J. Allen Hynek have accused Adamski of discrediting the entire field of UFO research. But Adamski stuck by his story to the end. In his first book, Adamski gave an upbeat but ominous message: "Let us be friendly. Let us recognize and welcome the men from other worlds! They are here among us."
To some, he was a prophet. To others, a laughing stock. Even today, more than half a century after his death, George Adamski remains one of the most curious and controversial characters in UFO history.
Adamski had multiple claims to UFO fame. Starting in the late 1940s, he took countless photos of what he insisted were flying saucers. But experts, including J. Allen Hynek, scientific consultant to the Air Force's Cold War-era UFO investigation team Project Blue Book, dismissed them as crude fakes.
Then, in 1952, Adamski reported that he had met and conversed with a visitor from Venus in a California desert, using a combination of hand gestures and mental telepathy.
His story would only get stranger from there.
A star gazer is born
Adamski chronicled his alleged adventures in several books. The first, Flying Saucers Have Landed (1953), coauthored with Desmond Leslie, recounted his chat with the Venusian. Widely read at the time, it later gained a new generation of fans in the trippy 1960s.
Adamski's 1955 sequel, Inside the Space Ships, described further meetings, not only with the Venusian but also with emissaries from Mars and Saturn.In Adamski's telling, every planet in our solar system was populated with human-like inhabitants, as was the dark side of the earth's moon.
In the 1955 book, Adamski claimed that his new friends took him aboard one of their scout ships, flew him to an immense mother ship hovering over the earth, gave him a ride around the moon and treated him to a colorful travelogue about life on Venus.
Along the way, he was also tutored by a space man he called "the master." The master, who was said to be nearly 1,000 years old, shared the secrets of the universe with Adamski, only some of which he was allowed to divulge back on earth.
Preposterous as his stories seemed, Adamski became an international celebrity and lectured widely. Queen Juliana of the Netherlands raised a public stir after inviting him to her palace in 1959 to discuss extraterrestrial doings. Adamski supposedly claimed a secret 1963 meeting with the pope, as well.
Adamski soon had followers all over the planet. But not everybody was on board. Arthur C. Clarke, the author of 2001: A Space Odyssey, not only denounced Adamski's work but characterized his believers as "nitwits."
Planet Venus May Have Been Habitable For Billions of Years, NASA Says
EXONEWS FLASHBACK Article by Sarah Knapton September 22, 2019 (telegraph.co.uk)
• New computer modelling by NASA Goddard Institute for Space Science presented at the European Planetary Science Congress suggests that the planet Venus may have been habitable for billions of years. "Our hypothesis is that Venus may have had a stable climate for billions of years," said lead researcher Dr Michael Way." "Our models show that there is a real possibility that Venus could have been habitable and radically different from the Venus we see today."
• Computer models of the climate history of Venus, the second planet from the Sun, show that until around 700 million years ago temperatures ranged from 68F to 122F, cool enough for liquid water. Venus' oceans may have lasted for two or three billion years. However, Dr Way says that "in all of the modelled scenarios, we have found that Venus could still support surface temperatures amenable for liquid water."
• 715 million years ago, the atmosphere of Venus would have been dominated by nitrogen with trace amounts of carbon dioxide and methane – similar to the Earth's today – and these conditions could have remained stable up until present times. But Dr Way believes that intense volcanic activity around 700 million years ago transformed Venus by releasing carbon dioxide from molten rocks into the atmosphere. The magma solidified before reaching the surface, creating a barrier that prevented the gas from being reabsorbed, causing runaway global warming.
• In the 1980s, NASA's Pioneer Venus mission found hints that the planet once had a shallow ocean. Because the planet receives far more sunlight than Earth, scientists believed it evaporated before life could be established. With no water on the surface, carbon dioxide rose in the atmosphere, triggering a runaway greenhouse effect that created a crushing carbon dioxide atmosphere 90 times as thick as Earth's, and temperatures at the surface reaching 864 degrees Fahrenheit, making life impossible.
The planet Venus may have been habitable for billions of years, Nasa scientists have calculated.
New computer models of the climate history of the second planet from the Sun, show that until around 700 million years ago temperatures ranged from 68F (20C) to 122F (50C), cool enough for liquid water.
In the 1980s, Nasa's Pioneer Venus mission found hints that the planet once had a shallow ocean, but because it receives far more sunlight than Earth, scientists believed it had quickly evaporated before life could become established.
With no water left on the surface, carbon dioxide rose in the atmosphere, triggering a runaway greenhouse effect that created current conditions.
Today Venus has a crushing carbon dioxide atmosphere 90 times as thick as Earth's and temperatures at the surface reach 864 degrees Fahrenheit (462C), making life impossible.
But new computer modelling by Nasa Goddard Institute for Space Science suggests that the ocean may have lasted for two to three billion years.
Not only does it suggest that life could have once evolved on Venus, but it opens up new possibilities about where aliens may exist outside of our Solar System.
"Our hypothesis is that Venus may have had a stable climate for billions of years," said lead researcher Dr Michael Way.
"It is possible that the near-global resurfacing event is responsible for its transformation from an Earth-like climate to the hellish hot-house we see today.
"Our models show that there is a real possibility that Venus could have been habitable and radically different from the Venus we see today.


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The Chris Mee Group are offering all members of The Wheel 15% off any of our Training or Consultancy services. For more information about this offer, drop us an email at [email protected] or call our team on 1850 315 415.


Searching for hotels in Liyang (China) or Liyang accommodation? Liyang, widely referred to as the home of China's most beautiful women, is an attractive city in Jiangsu, China. The Tianmu Lake in the city is a prime attraction. The lake has a rich biodiversity and has a protected forest area with many species of local flora and fauna. A large tea pot almost 13 ft tall lies in the park and is in the Guinness World Book of Records as the largest tea pot in the world.
The China Dinosaur Park situated in the nearby New North District is a great place to visit for excursions. Its museum has an impressive collection of over 50 dinosaur fossils including the world's earliest, largest and most complete hadrosaur fossil. The Zhuangyuan Pavilion is an important historical building in the regions of the Tianmu Lake. The building bears the record of over 700 number one scholars from the Tang Dynasty in the 7th century AD and the Qing Dynasty in the 17th century. A splendid view of the lake can be had from this building as it is the tallest in the area. The Changzou Orchid Garden and Wenbi Tower in neighboring are important landmarks in Jiangsu.
Liyang has many water areas such as river and over five lakes. Most of these areas have scenic spots for walking, picnics, and water sports such as fishing, kayaking, canoeing and swimming. The town's famous green teas such as Nanshan, Shoumei and Longtan Qingfen make for wonderful drinks on cool winter evenings.
Liyang has several classy hotels and overnight stays. Liyang Holiday Hotel is a five star resort with 132 rooms of different types. These are well equipped with amenities such as satellite TV, telephone, mini bar and air conditioning. The Bamboo Garden Hotel is ideally located in the centre of the Tainmu Lake area and boasts spectacular mountain views.
- Browse the Liyang Map or compare Liyang accommodation from Hotels, Motels, B&Bs, Lodging & Hostels to Holiday & Caravan Parks.
Resources, Information and guides on Liyang. For things to do, attractions, restaurants, holidays and sites refer below.
About Page: Liyang Motels, Family Packages, Holiday Stays, Caravan Parks, Apartments, Hostels, Last Minute Liyang accommodation, 5 star Luxury to 2 star Budget hotels and resort deals. Compare Liyang hotel reservations, bookings and cheap rates.


The lighting package includes numerous LED lights and lends the interior of the BMW X6 an elegant ambience that invites passengers to relax.
Ambient light – including a "welcome" mood and nine predefined lighting designs in blue, white and orange – fills the interior with a pleasant and relaxing mixture of indirect and direct lighting, emphasizing the vehicle's lounge atmosphere. The additional light sources of the Ambient lighting are found in the headliner cover, on the trim, in the front and rear footwells, in the front seat backrests and in all of the door compartments and panels, among other places.
Additional LED lights on the exterior offer additional everyday convenience; for example the vicinity lighting in the door handles for entering and exiting, or the practical reading lights in the rear.


Parade Technologies to attend Fubon Securities Fubon Jefferies Taiwan Forum 2015 - Parade Technologies, Ltd.
Parade Technologies, Ltd. (GTSM: 4966) today announced it will attend Fubon Securities Fubon Jefferies Taiwan Forum 2015. The event will take place on May 26 of 2015 at Grand Hyatt Taipei (No. 2, Songshou Rd, Xinyi District, Taipei City, Taiwan, 11051). The company's presentation for the conference is available on the MOPS Website (http://mops.twse.com.tw) prior to the conference.


This blog has played host to some difficult posts. Difficult for me to write, I mean. "And Now, Martin Does the Rejecting," wherein I described the City Kids Club kicking Martin out of its Twos Club. That was a tough one. "Let's Talk Honestly About Really Crappy Days," wherein I described a truly dreadful morning in our household. Not so easy to own. The recent "Why Can't We All Cross the Finish Line, the Nonexistent Finish Line, Together?", wherein I admitted to wondering whether Martin should find a higher-functioning best friend. You get the point.
This post, this one I'm writing now, tops them all. This post feels impossible to write. It combines just about every way in which autism has beaten me down: the degradation of my own identity, the ethical compromises, the rearrangement of dreams. The situation in which I find myself today—it's not me. At least not a me I thought I'd ever be.
I'm on a plane back to New York, from Texas, where I've just abandoned one of our three cats, Levi.
Maybe "abandoned" is too strong. I flew with Levi to Texas in order to deliver him, personally, with boxes full of supplies, to a new home: a mother and two kids (ages 11 and 7), who are welcoming him with joy, and who intend to house him forever. They've had cats in the past, and now they have Levi. They are friends of one of my close girlfriends. They will let us visit Levi whenever we are in town at my parents' home. It's a close to perfect as I could hope for.
Still, it feels a lot like I've just abandoned Levi.
I've had cats, between one and four cats at a time, since 1994, when I adopted Tiny Rachel. As of next week, when Freddy and Edith move together to their new home, I will have no feline companions. I will have given them up.
After Martin started wheezing, we had an allergist run a blood test and a skin-patch test. The skin-patch test involved a dozen allergens being pushed into Martin's forearms, and then he and I waiting 15 minutes to see if any reaction developed.
A reaction developed. Not after 15 minutes. Immediately. One allergen among the dozen swelled Martin's skin into an angry red bump. I looked at the chart of allergen placements to see what was causing the reaction.
Cat. Martin was testing allergic to cats. Severely allergic. I could see the reaction with my own two eyes—two eyes that begin to fill with tears. Martin is allergic to cats. We've had cats since before Martin was born, obviously. Martin has never lived in a home without cats.
How? I asked the doctor. How could this be? Before this summer, Martin hasn't had allergic reactions. The asthma is brand new. How, when we've had cats his whole life, could they now be contributing to allergies and asthma?
The allergist, whom I could call a traditionalist, came up with two possibilities. First, animals living in a home are known to reduce the incidence of childhood allergies. Maybe, by having cats since Martin was born, we diminished what otherwise would have been a more severe allergy, and also staved its onset. Second, given that both my older brothers and my mother are allergic, Martin has a genetic predisposition to cat allergies (which we have always known). Maybe Martin just developed his allergy later.
I am not a traditionalist, and so to the allergist's possibilities I added a third: Maybe Martin has always had this allergy, and until now his immune system was not healthy enough to mount the proper response. Maybe, in all the work that we have done to heal his gut, we have fostered Martin's allergic response. The cat allergy is a bad thing. Martin's ability to mount a proper response for the first time, if that's what's going on, would be a good thing. Immune systems are supposed to respond.
The very night Martin visited the allergist, Adrian and I went out to dinner (without Martin), I told him the test results, and we decided that we had to rehome Levi, Freddy, and Edith. The other options were unacceptable. We couldn't have the cats live in the basement; the basement's ventilation and duct system carries airborne allergens to the rest of the house, too. We couldn't make the cats into outdoor-and-garage pets; they are essentially lap cats who seek and want constant human interaction. We couldn't keep the status quo; Martin is rubbing watery eyes, coughing through the night, wheezing after exercise.
That being said, Adrian and I both believe that we have a lifelong obligation to our companion animals. There was no discussion of taking the animals to a shelter or moving them immediately to suboptimal homes. Levi, who enjoys spending time outside and doesn't respond well to other cats, especially male cats, needs a home where he can safely go outside, and preferably be the only cat. As to Freddie and Edith, we adopted them together because they were bonded to each other. They've been with us almost eight years, and nothing has changed. They are best friends, reliant on each other. They must remain together.
We got lucky. I sent a message to friends and family members, nationwide, who know how we've struggled with Martin's health. They spread the message wider. Within a week, the Texas family had come forward with an offer to adopt Levi. Within three weeks, we had found a lovely woman who has taken in many older cats over the years. She drove 90 minutes to our house to meet Freddie and Edith, and then decided she would like them to join her family. We aren't out of the woods yet. Before we can declare the adoptions a success, we still need to see each cat flourish in his or her new home. But so far, so good.
So far, so good when it comes to finding suitable homes, that is. When it comes to my emotions—so far, not so good. The worst, for me, right now, is my old pal guilt. I feel guilty toward the cats. I love them, and they are my responsibility. The first night, when I told Adrian that Martin is allergic, he looked plain defeated as he asked, "Why? Why now? George is gone. Our house is under control. Everyone is happy. How could this happen now?" I feel guilty toward Martin, too. How long has this allergy been an issue? How did we not realize it? By having cats in our home, have we been unwittingly hampering Martin's recovery? Precipitating further immune troubles?
There's fear, also. I dread receiving a phone call that one of the cats, traumatized by changing homes and families, has developed a behavior problem or run away. I dread hearing that one of the adoptive parents has decided not to keep a cat and surrendered him or her to a shelter, or to someone I don't know. Is this likely? No, of course it isn't. We have found "cat people" to adopt our cats. We've asked them to agree that, if ever they can no longer care for the cats, they call us to come get them back. They have assured us that, in the unlikely event they can no longer care for the cats, they will indeed call us to come get them back. They are going to provide updates and let us visit the cats. Nevertheless, once the cats leave my home, I am no longer in control of their welfare. Therein arises my fear.
There's hope. I hope that figuring out this impediment to Martin's well-being, and removing it, may hasten the remainder of his recovery.
There is a pesky emotion that I don't want to admit. Every once in a while I sense a flash of something like relief, a feeling that fewer worries in my home (yes, I worry about cats; I worry about everyone in my home) will improve my well-being.
And then I cycle back to guilt, this time guilt for having felt something like relief.
I have to leave this post now.
Update: I drafted this post 10 days ago. I have already received several updates from Levi's new family, pictures with captions like "snuggling inside on a rainy day." That helps. Yesterday, November 1, Freddie and Edith moved to their new home, together. This morning I overslept, because Edith did not wake me to give her breakfast. Despite the good news from Texas, I feel devastated.


Pink just proved yet again why she's the queen of clapbacks.
After a Twitter troll said she looked "so old she should be named purple instead," the 38-year-old singer wasted no time in firing back.
"You must be from la. Well, there are a few people left in the world that choose to age naturally. And I've earned every f--king minute of my 38 years," she wrote. "How you lookin though? Cause I never heard of ya til you put my name in your mouth. I shall call you little purple troll."
She also joked with a fan that when she's 80 and still doing aerial stunts, she'll call her tour "wrinkles and rolls," and explained why she believes it's important to look her age.
"I am of the mindset that it's a blessing to grow old," she continued. "That if your face has lines around your eyes and mouth it means you've laughed a lot. I pray I look older in 10 years, cause that will mean I'm alive."
Lesson learned: Don't come Pink unless you're prepared to get dragged.


text:
Руфъс Фредерик Сюъл () е английски актьор. Участва във филми като "Градът на мрака" (1998), "Като рицарите" (2001), "Илюзионистът" (2006), "Тристан и Изолда" (2006) и "Херкулес" (2014). Играе и в минисериалите "Арабски нощи" (2000) и "Устоите на Земята" (2010).

Личен живот
Сюъл се е женил два пъти. Първата му съпруга е австралийската модна журналистка Ясмин Абдала. Двамата се женят през 1999 г. и се развеждат няколко седмици по късно. Вторият му брак е със сценаристката и продуцент Ейми Гарднър, от която има един син – Уилям Дъглас Сюъл, роден през 2002 г. Разделят се в началото на 2006 г. и впоследствие се развеждат. Той има и една дъщеря.

Източници

Външни препратки

Английски актьори и актриси


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text:
Let me go in peace, says ex-MACC chief Shukri
Mohd Shukri Abdull said his blood pressure shot up after he became head of MACC. (Bernama pic)
PUTRAJAYA: Newly-retired anti-corruption chief Mohd Shukri Abdull, noting that baseless accusations of bribery had been made against him, has asked to be allowed to leave in peace.
Shukri, who retired a year early as chief commissioner of the Malaysian Anti-Corruption Commission, said he had been accused of receiving bribes from political party leaders. He described the accusations as baseless.
"I appeal to them to let me leave the MACC in peace. I do not want any more defamatory statements. Let me be with my family safely because I have done my level best for the MACC and the country," he said.
In an interview with Bernama, Shukri gave an outline of the MACC's achievements in the year since May 2018 while he was at the helm.
He said that the commission had arrested nearly 1,300 people, among them 30 VVIP politicians or 'big fish', 13 top management officers, 30 chief executives of government-linked companies and private firms, and 137 professionals.
Malaysia was now at the same level as other countries such as Singapore and Hong Kong in the fight against corruption.
In that one-year period, he said Malaysia received international recognition when the MACC was named 'Most Emerging Enforcer for 2018' in the fight against corruption and power abuse, by the Washington-based Global Investigation Review.
"Numerous foreign delegations came to study with us. Every month there were foreign agencies coming to learn from us. We were often called by international bodies to give talks at international seminars," he said.
Shukri said the recognition proved that MACC had reached a higher standard.
'Up to the AG whether to press charges'
Asked whether the MACC's investigations would result in imprisonment of those involved in the 1Malaysia Development Bhd and SRC International, Shukri said the complete investigation papers had been submitted to the Attorney-General's Chambers and they decided to press charges.
"For me, when a decision is made to press charges, it means that the public prosecutor is convinced that there is solid evidence to be presented to court. If the public prosecutor is not convinced, why bring it to court then. The MACC's task is to investigate and it is for the PP to decide (to bring it to court)," he said.
Shukri said that throughout his service at the MACC, he had never given orders to close any files and all the cases that had been filed were investigated in accordance with the law.
He said he brooked no interference as the MACC's duty is to investigate until completion.
"The question of whether to press charges or otherwise: it is the AGC's call. Nobody can interfere with MACC's job," he said.
'No file opened on Hishammuddin'
He also expressed regret that there were allegations that he was ordered to leave the MACC for allegedly closing several high profile cases involving, among others, former ministers Hishammuddin Hussein, Shahrizat Abdul Jalil and Ahmad Zahid Hamidi.
He said that as far as he could remember, while heading the MACC, there was no file opened against Hishammuddin.
In the NFC Corp Sdn Bhd's case involving Shahrizat, she was investigated by the police while Zahid had already been charged in court, he said.
On allegations that there was dissatisfaction with him for allegedly releasing the passport of former attorney-general, Mohd Apandi Ali, Shukri said the move had nothing to do with him.
"It was released by the Immigration Department, Apandi applied to the court (for release of his passport), so what has it got to do with the MACC and me?" he asked.
Stress of the high-pressure job as chief commissioner
Asked whether he felt stressed while serving in the MACC, Shukri said this was normal for MACC staff.
"When I was the chief, my bp (blood pressure) was very high, at 160-170 and sometimes reached up to 190.
"When I retired (as deputy chief commissioner (operations) in 2016), my bp is at 120/80… like a young man. When I returned to work my bp shot up to 160, so it is normal for the chief commissioner as the stress level is very high," he said.
Shukri 58, retired as MACC deputy chief commissioner (operations) on July 31, 2016 before returning as chief commissioner in May 2018 on a two-year contract.
However, he decided to shorten his contract which was supposed to end on May 17, 2020.
His successor is Latheefa Koya, former executive director of Lawyers for Liberty, who was appointed to a two-year term from June 1.
MACC
Mohd Shukri Abdull
Latheefa Beebi Koya
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text:
// Copyright 2014 The Chromium Authors. All rights reserved.
// Use of this source code is governed by a BSD-style license that can be
// found in the LICENSE file.

(function() {
  'use strict';

  /**
   * @fileoverview This extension provides hotword triggering capabilites to
   * Chrome.
   *
   * This extension contains all the JavaScript for loading and managing the
   * hotword detector. The hotword detector and language model data will be
   * provided by a shared module loaded from the web store.
   *
   * IMPORTANT! Whenever adding new events, the extension version number MUST be
   * incremented.
   */

  // Hotwording state.
  var stateManager = new hotword.StateManager();

  // Detect Chrome startup and make sure we get a chance to run.
  chrome.runtime.onStartup.addListener(function() {
    stateManager.updateStatus();
  });

  // Detect when hotword settings have changed.
  chrome.hotwordPrivate.onEnabledChanged.addListener(function() {
    stateManager.updateStatus();
  });

  // Detect when the shared module containing the NaCL module and language model
  // is installed.
  chrome.management.onInstalled.addListener(function(info) {
    if (info.id == hotword.constants.SHARED_MODULE_ID)
      chrome.runtime.reload();
  });

  // Detect when a session has requested to be started and stopped.
  chrome.hotwordPrivate.onHotwordSessionRequested.addListener(function() {
    // TODO(amistry): This event should change state depending on whether the
    // user has enabled always-on hotwording. But for now, always signal the
    // start of a hotwording session. This allows this extension to work with
    // the app launcher in the current state.
    stateManager.startSession(
        hotword.constants.SessionSource.LAUNCHER,
        function() {
          chrome.hotwordPrivate.setHotwordSessionState(true, function() {});
        });
  });

  chrome.hotwordPrivate.onHotwordSessionStopped.addListener(function() {
    stateManager.stopSession(hotword.constants.SessionSource.LAUNCHER);
    chrome.hotwordPrivate.setHotwordSessionState(false, function() {});
  });
}());

redpajama_set_name: RedPajamaGithub


text:
Ruanjiandadao station (), is a station of Line 1 of the Nanjing Metro, named after and located along the eponymous avenue of the same name. It began operations on 28 May 2010, as part of the southern extension of line 1 from  to .

During the planning and construction stages, the station was named Ningnandadao station () until around May 2009, when the Nanjing Municipal Bureau of Civil Affairs () approved a name change of both the eponymous avenue and station to the present names, in order to increase the name recognition of Yuhua Software Park ().

References

Railway stations in Jiangsu
Railway stations in China opened in 2010
Nanjing Metro stations


User interface (UI) design has played a critical role in computing for decades. The concept of UI design first appeared when graphical user interface operating systems (OS) like Macintosh and Microsoft entered the marketplace.
In the beginning, UIs took the form of digital icons associated with files or programs which opened whenever the end-user double-clicked them. In this scenario, these simple images were skeuomorphic and used to communicate functionality (in an easily recognizable and memorable way).
Today, UI gets described as everything that gets designed into a smart device where users can seamlessly interact with technology. UI design can take the form of desktops, display screens, and keyboards. It's also a term that represents the manner in which the end-user interacts with an application or website.
With the exponential growth of mobile and web applications and the proliferation of smart mobile devices, UI now plays a vital role in enhancing the overall user experience (UX). UI design can also work as a key differentiator that helps brands stay competitive.
From its early beginnings as language-independent icons and images, UI design evolved to incorporate concepts like menus, windows, and pointers that made it much easier to navigate through the OS. Today, the same ideas help us navigate through smartphones and tablets.
In recent years, UI and UX design have become closely entwined and have a strong influence on each other. For example, both UI and UX have had a considerable impact on design thinking in product development teams who build highly responsive mobile apps and websites.
This scenario has transformed the role of the designer from the product's artist to the product's strategist.
What's the Current State of UI Design?
If you look at your laptop, tablet, or mobile phone today, you'll notice that the latest craze to sweep the industry is flat design. Flat design was a dramatic departure from Apple's ubiquitous skeuomorphism style to one that celebrated minimalism (and focused on flat areas of colour and clean lines).
This trend boasted a UI that leveraged simplicity, flat surfaces, cleaner edges, and understated graphics. The flat design trend evidences a shift within the industry to make designs scale across many different form factors.
Websites, on the other hand, have incorporated polygonal shapes, simple geometric layers, and bold lines that grab the audience's attention.
Tactile designs have also grown in popularity in recent months. This design trend makes objects appear hyper-real. Beyond these current trends, there are many examples of websites without borders, without multiple layers, with purposeful animation, and large images.
Going forward, you can undoubtedly expect the bar to be raised within the app and web world to ensure that both UI and UX work seamlessly together to improve user interactions.
So what's the future of UI design? Let's take a look.
At least in the short term, websites and applications featuring large images and type design will go from strength to strength. When it comes to large images, in particular, the popularity of this design approach can be attributed to the need to quickly grab the attention of the audience by using emotion inducing imagery while overlaying essential information (BuzzFeed's mobile site is an excellent example of this approach).
At the same time, many more simplistic typography-based designs often play the role of the primary element in the UI design. These typography-based designs should be most popular among content-based websites and apps that strive to draw your attention to the content rather than the design.
However, neither approach is as simple as just adding a high-resolution image or large texts. These decisions need to get made by finding the right balance between research data and design aesthetics.
You can expect to see a lot of large imagery and texts in the months to come, but don't expect these design elements to be static. As video codecs improve, we can expect to see more videos replacing static imagery in backgrounds and headers.
Siri and Alexa set the stage for what's about to come! Going forward, you can expect all mobile apps and websites to be VUI enabled to boost engagement.
In many cases, it's much easier to ask a question than pick up the device and click through it until you find the right answer. As a result, screen-less user experiences should grow exponentially, leading to apps being more integrated into our lives and be a part of whatever we are doing (whether it's cooking, cleaning, or driving).
The rise of the Internet of Things (IoT) helps make VUIs ubiquitous. According to Gartner, virtual personal assistants (like Alexa and Siri) will dominate as much as 20% of user interactions by 2019. The following year, you can also expect 30% of online sessions not to feature a screen as virtual assistants communicate all the necessary information.
It might sound a bit odd when we talk about design without the presence of a screen. However, if you approach UIs in terms of functionality and UX, the thought process here is more or less the same. However, this doesn't spell the end of graphical interfaces.
AR and VR technologies are going through a period of rapid acceleration. AR and VR have led to the exponential growth in demand for 3D design skills. At present, AR and VR (and even XR – a mix of the two) are getting adopted across industries from travel to manufacturing, but the most significant impact occur within industrial design and modelling.
AR and VR in industrial design and modelling means that everything from the design of cars, ships, planes, and MRI machines get driven by UI/UX design. However, soon we should expect a shortage of designers who are capable of modelling and building 3D worlds.
Humans should play a role in the industry for years to come because there's a need to be highly creative, think outside the box, and develop new realities for commercial projects. It also highlights the importance of "design thinking" that's still a very human characteristic.
One by one, everything in our physical world is becoming digital and smart. So far, IoT has been limited by a boxed digital interface to connect both the physical and digital world. However, as IoT rapidly becomes the norm, this is slowly starting to change.
IoT interfaces aren't the same as other smart devices like your mobile phone. This technology creates a whole set of new paradigms for designers to contemplate and reimagine. For example, UI/UX designers get to start conceptualizing what we have yet to consider.
How will these invisible sensors optimize functionality and UX?
How should the smart device be designed?
How is the end-user expected to interact with it?
These questions are just a tip of the iceberg. The more questions designers ask, and the answers they find lead to highly personalized smart "things" while blurring the lines between our physical world and a digital one.
Ever since AI started making significant strides, there were a lot of murmurs across industries about how it was going to replace humans. While most of the news stories concentrated on factory jobs and back office functions like data entry, AI is also about to disrupt the design world.
AI is going to change UI and UX significantly when it comes to both Interaction Design and Visual Design. Soon, many interfaces won't get designed by humans. Instead, design gets done by software.
Two primary ideas driving this change: namely, Perfection of Interaction Design and Personality Responsive Design.
The perfection of interaction design focuses on not "reinventing the wheel" with every new design iteration. For example, there's no real need to change the date picker with every update.
Websites and apps have been around for many years, and our growing body of knowledge around user testing has grown exponentially. So now we can narrow it down to what's best for a variety of use cases. So unless there's a significant paradigm shift in the user's content or the nature of the interface, there won't be any need to change it.
As AI becomes more intelligent, application interfaces get generated rapidly to optimize user interaction, but these won't get designed by humans. Interaction design is all about the interactive components and graphics stored in UI/UX libraries within the system and leveraged by AI whenever it can optimize individual experiences.
The perfection of interaction design suggests that the AI approach to UI design should concentrate on the interaction paradigm in real-time and strive not to deliver great designs, but the right design, most of the time.
Modern design and digital strategies are all about personalization, and AI is expected to take that to the next level with fluid AIs. For example, based on user behaviour, the UI layers of any digital product can re-render in real-time to accommodate the end user's unique preferences.
Personality responsive design changes the way we plan and develop apps, software, and websites because it won't get focused on what the user might want or need, but rather what kind of relationship a brand wants to develop with its target audience.
With the entry of AI within the UI/UX design space, it's safe to say that UI/UX design now gets driven by data. So the perception of design as an art form has to change into something more scientific like Google's material design.
Designers are already working like data scientists by running controlled experiments to collect data to determine the best approach to present information. They're also leveraging data to identify the best way to help users navigate through a variety of interactions within applications.
Today, we have data analysts and digital strategists reviewing websites and apps to measure success and identify opportunities. In the years to come, this aspect of UI design also gets automated, and all the research and implementation gets carried out by AI.
With data and AI about to play a significant role in UI/UX design, what does the future hold for designers? While it's difficult to make any reliable predictions, we can make an educated guess.
If you look at the evolution of UI design, it's pretty clear that this field continually changes, so designers had to be highly adaptable to meet the demands of the business and the end-user. You can expect more of the same in the years to come and perhaps the emergence of designers who are also coders.
While titles like "UI designer" and "UX designer" won't change any time soon, their roles should evolve to become highly fragmented and specialized. Data in design means that they get to become more adaptable and versatile to research, test, code, and adapt wireframes and MVPs.
Designers also must become more detail-oriented to differentiate digital products and stay a step ahead of the competition. Data in design also leads to data playing a prominent role in how the UI adapts to user behaviour, how well it can anticipate the user's needs, and how fast it can get delivered.
Detailed-oriented designers within this space should also start continuously delivering product enhancements at a micro-level based on app data and overall market trends. The same is true when it comes to AR, VR, and VUI interfaces.
As AI concentrates on tactical design projects, someone needs to design the AI systems and their personality models. Designing for these personality types may lead designers down the programming path.
With all these IoT and AI-powered technologies playing a rapidly growing role in our daily lives, UI/UX designers must approach interfaces with security at the forefront of their minds.
Where do you see UI design in the next five years? Share your thoughts in the Comments section below.
Graham Church is a software development specialist with over 25 years' experience delivering software projects for clients such as Pfizer, Sony Ericsson, Prudential, ABB, and Lycos. He is the managing director of CodeFirst, a UK software development company that specialises in building custom solutions for businesses worldwide.


text:
Prosecutor: Utah Doctor Bragged to Inmates That No One Could Prove He Killed His Wife
Prosecutors say Martin MacNeill killed wife so he could be with his mistress.
ALYSSA NEWCOMB and ADITI ROY
Did Utah Doctor Kill Wife to Be With Another Woman?Prosecutors allege Dr. Martin MacNeill is a manipulative adulterer who wanted his wife gone.ABC News
Oct. 17, 2013— -- On the first day of Dr. Martin MacNeill's murder trial, prosecutors painted the former Mormon Sunday school teacher as a liar who was hell-bent on making his wife have a facelift so he could poison her with a lethal cocktail of drugs during her recovery.
The motive, prosecutors said, was a woman named Gypsy Willis, who MacNeill had met online more than a year and a half before he allegedly killed his wife, Michele MacNeill, in April 2007.
Days after MacNeill's facelift surgery, she was found by her 6-year-old daughter slumped over in a bathtub. Less than two hours later, the mother of eight and former beauty queen was pronounced dead.
Deputy Utah County Attorney Sam Pead said during opening statements today that MacNeill, 58, acted erratically around the time of his wife's death and said she was the one who wanted the surgery.
"Why did she have the surgery? ... Why did she take all of those medications? I told her not to do it. I'm a doctor. She's dead. I've been a bishop. I pay tithing, and this is the way you repay me?" MacNeill yelled in front of first responders, according to Pead.
Watch the Full '20/20' Report: Life of Lies
MacNeill also told inmates after his arrest that his wife was a "b----," that he was glad she was dead and that authorities would never be able to prove he killed her, according to Pead.
The medical examiner has never determined a cause of death.
Defense attorney Susanne Gustin told the jury that heart disease was the "cause or contributing cause" to MacNeill's death. She conceded during open statements that "Martin has made poor choices in his life. We've heard he had affairs during his marriage."
"We may think he is a total jerk, that is absolutely disgusting and that's natural. But it's very critical that during this trial you set aside your emotion," she admonished the jury.
Dr. Scott Thompson, the plastic surgeon who performed MacNeill's facelift, was the first witness called to testify today by the prosecution.
Thompson said he prescribed more drugs than usual to MacNeill at the request of her husband. He said he felt comfortable doing so "because Martin was a physician and he asked me for these things."
A jury of eight people in Provo, Utah, will decide the doctor's fate in a trial that is expected to last five weeks and pit MacNeill against his daughters, who are expected to be star witnesses for the prosecution.
One of them is Ada MacNeill, now 12 years old. Two of MacNeill's other daughters, Alexis Somers and Rachel MacNeill, are also expected to take the stand. Both have consistently been a presence in the courtroom during pre-trial hearings, often clutching pictures of their mother as they glared at their father.
"He had a plan to murder my mother, and this was just part of his plan," Somers told ABC News in 2012.
While caring for her mother after the surgery, Somers said, her mother made an ominous statement.
"A few days before her death, I was helping her wash her hair and she turned to me and said, 'Alex, if anything happens to me, make sure it was not your father,'" Somers said.
The jury is also expected to hear from MacNeill's alleged mistress, who moved into the family's home as a nanny weeks after Michele MacNeill's death.
Martin MacNeill also served three years in a Texas federal prison for fraud and was released in July 2012.
Oct 17, 2:48 PM
Army officer who says she was raped is barred from suing the military


text:
April 4, 2011 – Segment 3
Today we discuss what it would mean for the parole commission to have exclusive say on parole decisions for some inmates facing life sentences. Our guests today argue that the Governor should not be part of these decisions, and have introduced legislation to change the way the cases are decided. Joining us are:
http://media.blubrry.com/steinershow/p/steinercem.s3.amazonaws.com/files/04042011_4.mp3
Today we discuss what it would mean for the parole commission to have exclusive say on parole decisions for some inmates facing life sentences. Our guests today argue that the Governor should not be part of these decisions, and have introduced legislation to change the way the cases are decided.
Joining us are:
Walter Lomax, Executive Director of the Maryland Restorative Justice Initiative, the Organization behind SB-172 and HB-302
Tracy Valezquez, Executive Director of the Justice Policy Institute, the organization that produced "Blocking the Exit," a documentary about the proposed changes to parole policy
Former Delegate Clarence T. Davis, who represented District 45 in the Maryland House from 1983 – 2007, and who introduced the legislation in 1995 seeking to reform the parole system
Be sure not to miss the screening of Blocking The Exit on Saturday, April 23rd, from 7 – 9 PM at 1601 Guilford Ave. For more information, 443.413.6076.