Someone asked me once, not long after I announced my plans to write Perfectly Imperfect, how much of this book was really 'personal'. I know this person has seen pictures of me, so I couldn't understand how someone would question whether I had faced body issues of my own.
I wish I could remember where this comment came from, but to be honest, I kind of blocked it out. It's hard enough for an author to put just tiny little grains of themselves – their lives – into a book. Snippets of the truth they've picked up on roads traveled. But to put 100% of your thoughts and feelings, more than a boatload of grains of themselves, that couldn't ever be understood by just a few words.
I remember in elementary school being the chubby girl. I didn't understand the thoughts in my head at the time because I was still a kid. But I remember hating the body I had. Middle school, more of the same, but then I understood. I used my humor to hide my hurt when someone would joke about me. I remember having this stupid little notebook called 'chub'. For the longest time, that was my nickname and I hated it. But I still smile on the outside, even if a little part of me was forever scarred. High school was my hardest mentally. By the time I was fifteen I was hardly eating. I was careful, you better believe it, but a few close friends saw. All that 'chub' was gone and instead of feeling amazing about myself, my confidence was even worse. At my lowest, around 16-18 years old, I was shopping in the girls sections because I was THAT small. But to me, all I saw was 'chub'.
I met my husband a few months before I turned 18 and even though it wasn't an easy road, I got better. He didn't and still doesn't care what I look like. I'll spare you the details on how I got to where I am, but know, Willow was written by someone that didn't need to research her mindset because she lived it. I still have low days. Some are so bad I can't even look in the mirror. I'm still learning to completely love ME, but ever day I'm closer.
I think it's important for everyone to remember, when you judge others for what you see on the outside, you're missing the beauty they hold within.
Your sister, daughter, mother, friends … is Willow.
She lives inside of all of us.
It's my hope, that through her story, you're able to find something that you need in order to look in the mirror and smile.
This book is for you. I might have thought it was for me and in a sense, it was, but now that I've finished and realized just how powerful Willow, Kane and their story is, I know it's never been for me. I didn't share my story for sympathy, but instead with the hopes that someone that needs to hear Willow's thoughts, see her heal, and watch her soar…can take a little of that and see just how perfectly imperfect you really are.
Am I scared to release something so personal? Absolutely. Am I nervous? You betcha. Am I ready? Without one second of doubt.
I'm not perfect, I never will be, but my imperfections make me who I am today.
I haven't read Perfectly Imperfect yet but I already know #iAmWillow and I thank you in advance for writing your/mine/all of our story. You are truly a beautiful person and your physical beauty is only surpassed by the beauty of your soul. Love you!
Harper you're beautiful inside and out. Thank you so much for sharing your story with us. I can't wait to read Perfectly Imperfect. I know it is going to an amazing story of courage.
You are stunning and kind. I met you at Book Bash here in Orlando before I had read any of your work and I was laughing with you over Alphas do it better condoms within minutes I was sold. I rushed home and devoured all that you had written up to that point and you are first in line on my TBR with any of your new releases. You are beautiful in all forms because your soul shines though. I can't wait to read this book because I really believe that we ALL deal with body issues no matter how you look on the outside to yourself you have trouble seeing your perfection.
<3 Can't wait to read this book!
You are beautiful!! Thank you for sharing yourself with us and for us…the us that even though we have the same feels, can not find the words to be heard.
I haven't read it yet, but I will. I've been a big girl all my life, so in a way #iAmWillow. Kids were cruel, at school I was all the fat so and so's under the sun and as you had chub I got Bertha, I hated it.
I'm still a big lass and for years I've accepted it, I pick out my best bits and concentrate on those, and I love most of me. I've found men like a bit meat on the bone too, I've never wanted for male attention. An ex friend of mine couldn't believe I'd get hit on when we went out, and she didn't all because she was a size 10. My husband loves my big bits too, he won't hear of me losing weight, unless it's for my health. These days I can genuinely look at myself in the mirror and say to myself, looking good girl.
Thanks for sharing your story Harper. I didn't think I'd be interested in Perfectly imperfect until I read why you wrote it. Now I look forward to reading it. It sounds like a story my daughter should read. She's 25 and visually impaired. Is the book available in large print?
It isn't, but the text in the paperback isn't really small. The audio book will be coming out in a few weeks/months.


text:
Cajun Navy ceases rescues in NC city battered by Florence
4 years 4 months 2 weeks ago Friday, September 14 2018 Sep 14, 2018 September 14, 2018 12:43 PM September 14, 2018 in News
UPDATE: The Cajun Navy has clarified that it agreed to leave the city after being informed there were enough first responders to handle the rescues.
NEW BERN, NC - The Louisiana Cajun Navy says it's standing down in part of North Carolina being hit by Hurricane Florence.
According to the Cajun Navy's Facebook page, members of the volunteer group were asked to cease activity in the city of New Bern. Leaders with the group say officials at the city's emergency operations center told them they had enough first responders and it would be taking over rescues from here on out.
Early reports suggested the group had been ordered to leave by city officials, however Cajun Navy leadership has clarified that they agreed to leave after being informed there were enough first responders to handle the rescues.
Getting some additional information from LA Cajun Navy Admiral Clyde Cain. He told me emergency officials in New Bern, NC told him they had enough first responders to handle rescue calls there. LCN now moving on to Wilmington, NC. https://t.co/xi6AFvH5az
— Paul Murphy (@PMurphyWWL) September 14, 2018
Members of the Cajun Navy had been filmed helping with rescues in New Bern just hours earlier. The group says it is moving on from the city but has not said whether it will be setting up in any of the neighboring towns.

redpajama_set_name: RedPajamaCommonCrawl


Huge Savings! Up to 19% off on Power Tools Replacement Parts at The Dead Bell. Top brands include BBQ GALORE GRAND HALL USA, TacParts, Everest Parts Supplies LLC., SKEMIDEX, Yellow Jacket 60666 Visegrip Pinch-off Tool, Nu-Source Inc., Delta, Husqvarna, Unicorn Productions, Inc., Milwaukee, Alfa Tools, Smart Tool, Grobet USA, Makita, Hyper Tough, & Ingersoll Rand OEM. Hurry! Limited time offers. Offers valid only while supplies last.


Located at 2352 St. Clair Avenue West, at Britannia Ave. In 1890, a four room school was built on the outskirts of the village of West Toronto Junction. It was situated so children would not have to cross the CPR tracks to reach the Annette Street School. There was a a bell tower and a pump in the yard with a cup on a chain. In the early days, the school was surrounded by market gardens, dense brush and bush. St. Clair School was one of four schools in the area — the others being Annette, Carleton, and Western Avenue — all served by a woman Supervisor of Education.
In 1908, a fire in the building destroyed the school records and the bell tower. Old timers recalled the fire starting in during school hours. Mothers gathered outside the school and teachers began dropping children out of the windows to be caught (or not) by mothers below. In 1911 the first kindergarten class started and in 1915, a large kindergarten and two classrooms were added to the back of the structure. Strathcona School was built to remove pressure on St. Clair. The school was closed in 1970.


text:
Q: Is it possible to write plain java/c++ programs in android studio Is it possible to write plain java and c++ programs in android studio(not ndk development), want to avoid installing separate IDEs for java/c++ programs.

A: It's not possible to write c++ in android studio. Android studio is based on Jet brains - IntelliJ IDEA which allows you to create android projects so that would cover all your Java projects.
Jet brains have a tool called resharper for .net / c++ projects. https://www.jetbrains.com/dotnet/

redpajama_set_name: RedPajamaStackExchange


YAVORIV, Ukraine -- Russia is still sending weapons to separatist rebels battling the Ukrainian government despite a fresh truce in the war-torn east of the country, NATO chief Jens Stoltenberg said Monday.
A Ukrainian serviceman runs for cover during clashes with pro-Russian separatists in the village of Luhansk, on August 1, 2015.
"The ceasefire is mainly holding. This is, of course, encouraging because that was not the case before," Stoltenberg said on the first day of his visit to Ukraine.
"But the situation is very fragile," he said at a joint press conference with Ukrainian President Petro Poroshenko at a military base in western Ukraine.
Kiev and the West insist that Moscow has sent troops and arms across the border to fuel a separatist conflict that has claimed almost 8,000 lives since April 2014, allegations Moscow vehemently denies.
Ex-Soviet Ukraine says it wants to join the US-led security bloc but NATO has been lukewarm on the proposal.
Any move by Ukraine towards NATO membership would stir ire in Moscow, which has accused the organisation of increasingly trying to hem it in following the collapse of the Soviet Union. NATO has ratcheted up its activities in eastern Europe, rotating troops and equipment in its ex-Communist members to ease fears of Russian expansionism.
The visit of Stoltenberg is "a part of the policy that NATO has been following for a year and a half," a senior Ukrainian security official told AFP.
"They understand very well who is the aggressor and take appropriate measures."
The official said he expects the level of violence will remain low ahead of Russian President Vladimir Putin's highly-anticipated speech at the United Nations General Assembly on September 28.
Some observers suspect Putin aims to deflect attention from Ukraine onto the conflict in Syria, where Moscow is pushing for an anti-terrorist coalition.
"The truce will last at least until Putin's trip to the General Assembly," the official said, speaking on condition of anonymity.
Stoltenberg insisted that any attempt by separatists to hold their own unilateral local elections in the territories they control would breach a peace plan signed in February in Belarussian capital Minsk.
"They will be fake elections and they will not be recognised by any NATO ally," he told journalists.
He was echoed by NATO member Germany which denounced possible separatist polls as a breach of the Minsk peace deal and urged Russia to distance itself from the idea.
"It would be a serious breach of the Minsk agreements," Steffen Seibert, Chancellor Angela Merkel's spokesman, said referring to local elections planned by two rebel-held provinces on October 18 and November 1.
"And it is regrettable that Russia has not distanced itself from the plans so far."
Russia's foreign ministry last week said it "understands" the decision by the rebels to hold the polls and "sees it as a forced step" after truce violations by Kiev.
Under the agreements, the separatist regions must conduct local elections by the end of the year "in accordance with Ukrainian legislation and the law of Ukraine".
The rebels, however, want to hold local elections under their own terms, which include barring all pro-Ukrainian candidates and holding the polls on days that do not correspond to local elections planned in the rest of Ukraine on October 25.


text:
With revenue down, NYT looks to decrease staff
The New York Times Company released its first quarter 2008 results on April 17, reporting that total revenues had dropped to $747.9 million — a 4.9% decrease from the $786 million reported in the first quarter of last year.
A main reason for the drop is ad revenue, which fell 9.2%. Circulation revenue, on the other hand, were up by nearly 2%, and other revenues increased by 7.2%. Representatives for the company could not be reached for comment.
"Advertising revenues decreased in the quarter as weaker economic conditions compounded the effects of secular change in our business," explained Janet L. Robinson, president and CEO of New York Times Co., in a statement. "While this is a challenging time for the media industry, we are diligently managing our business for the long term. Continuing our transition into the digital era, online advertising revenues grew 16%, due in part to new offerings and ad formats."
Revenue for the News Media Group dropped 5.7% to $719.7 million, again, mainly due to lower ad revenue, which dropped 10.6% for the group. The 2% increase in circulation revenue has been attributed to higher home delivery and newsstand prices; the New York Times raised its prices in the third quarter of 2007, and the Boston Globe followed suit in February.
In a cost-cutting attempt about six weeks ago, the Times offered voluntary buyouts to newsroom employees, but new reports predict that the paper may resort to layoffs in the near future. Monday is the deadline for accepting buyouts, and not enough employees have yet volunteered. The paper is trying to cut about 100 jobs from its payroll.
"While layoffs have become all too common across our industry, this is the first time the newsroom as a whole has confronted that blunt reality, and we approach it with a heavy heart," read a memo from Bill Schmidt, assistant managing editor of the Times. "Even as people and jobs go away, the reductions will have a continuing impact across the newsroom, as we regroup and reorganize departments and even juggle some assignments to ensure we are able to continue to produce the kind of quality journalism that is our hallmark."
Report: Traditional Marketers to Spend $63 Billion Online by 2005
Traditional advertisers will embrace multichannel online marketing and will spend $63 billion on it annually by 2005, according…
Lowe's is crowdsourcing Vine ideas for its #FixInSix campaign
As one of the first brands to use Vine as a marketing platform, Lowe's received plenty of praise…
Sellers See Rare Turn in Paper Market
Unlike real estate, which pundits predict is moving to a buyer's market, consolidation in the paper industry has…


text:
Q: How to filter Datasource using mutliselect dropdown I am using kendo-multiselect control in my angular application.
<kendo-multiselect [data]="airlinesInData" [(ngModel)]="value"  [(value)]="aircodeselect"  [textField]="'Airline'" [valueField]="'Code'" (valueChange)="applyFilters()" [valuePrimitive]="true"></kendo-multiselect>

It is giving me the comma separated value i.e. VS,IA etc.
Following is my linq query
 currentDataSource = new List<IDetailRow>(currentDataSource).Where(x => x.firstSegmentAirline == this.aircodeselect).ToArray();

How i will filter for each value in a string a return the final result.

A: try this. Instead of using == use LINQ contains which will compare with all selected codes.
currentDataSource = new List(currentDataSource).Where(x => this.aircodeselect.Contains(x.firstSegmentAirline)).ToArray();


The Mission of the Lakota City Library is to serve the people of Lakota and the surrounding area in the realms of information, education, inspiration, and entertainment. We will strive to do so by providing ready access to books and other materials, public programs, and information technology.
However we must remain vigilant in communicating the services the Library provides. Because of that we have implemented a Vision Statement to help guide us on that mission.
The Lakota City Library aspires to help residents of all ages learn, engage and thrive. We will create ongoing opportunities to participate, connect and discover.


text:
1993.02.25 - Birmingham-Jefferson Civic Center Coliseum, Birmingham, USA
by Soulmonster Wed Oct 03, 2012 12:09 pm
Birmingham-Jefferson Civic Center Coliseum.
Birmingham, AL, USA.
XX. Garden of Eden
XX. Communication Breakdown
XX. It's So Easy
[Incomplete setlist]
Axl Rose (vocals), Gilby Clarke (rhythm guitarist), Slash (lead guitarist), Duff McKagan (bass), Dizzy Reed (keyboards) and Matt Sorum (drums).
Next concert: 1993.03.06.
Previous concert: 1993.02.23.
Re: 1993.02.25 - Birmingham-Jefferson Civic Center Coliseum, Birmingham, USA
by Blackstar Sun Apr 29, 2018 3:03 am
Excerpt from an article about the 1991 show in Alabama:
Matt Wake wrote: [..]
Guns N' Roses would actually play Birmingham again on the grueling 18-month "Use Your Illusion" tour, which included almost 200 total concerts and traveled to more than 25 countries. But the band wasn't the same for that latter show, held Feb. 25, 1993 at the Birmingham Jefferson Civic Center Arena. Stradlin had left the group by that time and the band's dangerous side had swollen into caricature. GNR went onstage annoying late. Rose stormed off after blowing out his voice, reportedly because his monitor tech forgot to turn the stage monitors on, so bassist Duff McKagan sang a couple of tunes and Slash apologized to the crowd. Hall was also at that 1993 BJCC show, and says, "I wasn't one of them, but they lost a lot of fans that night."[..]
http://www.al.com/entertainment/index.ssf/2016/06/guns_n_roses_a_25th_anniversar.html
by Blackstar Fri May 17, 2019 2:24 am
From a preview for the show in Saskatoon. Star Phoenix, March 25, 1993:
Only in Birmingham, Ala., the second show of the tour, were there problems that caused Rose to storm off stage.
"Axl was on stage for 20 minutes and he got mad at their sound man, fired him and left the stage for 40 minutes while the band continued playing," said the Jefferson Civic Centre's assistant security director, Maureen Reagan. Prior to Gun N' Roses taking the stage, there was a 45-minute break between the headliner and the opening act.
"There was too long a break between acts and some kids instigated things," she said without being specific. However, during the break a spotlight played over the crowd and some female fans lifted their shirts.
Unlike other venues surveyed, the 15,000-seat Jefferson Civic Centre was not sold out, a fact Reagan attributed to the popularity of country music in the area.
Reagan said 40 officers were brought into the building to handle security for the event.
» 1987.11.18 - Jefferson Civic Center, Birmingham, USA
» 1993.04.15 - Roanoke Civic Center, Roanoke, USA
» 1991.06.30 - Birmingham Race Course, Birmingham, USA
» 1993.03.08 - Cumberland Civic Center, Portland, USA
» 1993.04.09 - Rushmore Plaza Civic Center, Rapid City, USA
» 2015.06.07 - BZ-Berlin - Slash: Sex, Dinosaurs and Rock 'n' Roll
by Blackstar Today at 11:24 pm


text:
//
//  BugsnagCrashReport.m
//  Bugsnag
//
//  Created by Simon Maynard on 11/26/14.
//
//

#if TARGET_OS_MAC || TARGET_OS_TV
#elif TARGET_IPHONE_SIMULATOR || TARGET_OS_IPHONE
#import <UIKit/UIKit.h>
#include <sys/utsname.h>
#endif

#import "BSGSerialization.h"
#import "Bugsnag.h"
#import "BugsnagCollections.h"
#import "BugsnagHandledState.h"
#import "BugsnagLogger.h"
#import "BugsnagKeys.h"
#import "NSDictionary+BSG_Merge.h"
#import "BugsnagKSCrashSysInfoParser.h"
#import "BugsnagSession.h"
#import "BSG_RFC3339DateTool.h"

NSMutableDictionary *BSGFormatFrame(NSDictionary *frame,
                                    NSArray *binaryImages) {
    NSMutableDictionary *formatted = [NSMutableDictionary dictionary];

    unsigned long instructionAddress =
        [frame[@"instruction_addr"] unsignedLongValue];
    unsigned long symbolAddress = [frame[@"symbol_addr"] unsignedLongValue];
    unsigned long imageAddress = [frame[@"object_addr"] unsignedLongValue];

    BSGDictSetSafeObject(
        formatted, [NSString stringWithFormat:BSGKeyFrameAddrFormat, instructionAddress],
        @"frameAddress");
    BSGDictSetSafeObject(formatted,
                         [NSString stringWithFormat:BSGKeyFrameAddrFormat, symbolAddress],
                         BSGKeySymbolAddr);
    BSGDictSetSafeObject(formatted,
                         [NSString stringWithFormat:BSGKeyFrameAddrFormat, imageAddress],
                         BSGKeyMachoLoadAddr);
    BSGDictInsertIfNotNil(formatted, frame[BSGKeyIsPC], BSGKeyIsPC);
    BSGDictInsertIfNotNil(formatted, frame[BSGKeyIsLR], BSGKeyIsLR);

    NSString *file = frame[@"object_name"];
    NSString *method = frame[@"symbol_name"];

    BSGDictInsertIfNotNil(formatted, file, BSGKeyMachoFile);
    BSGDictInsertIfNotNil(formatted, method, @"method");

    for (NSDictionary *image in binaryImages) {
        if ([(NSNumber *)image[@"image_addr"] unsignedLongValue] ==
            imageAddress) {
            unsigned long imageSlide =
                [image[@"image_vmaddr"] unsignedLongValue];

            BSGDictInsertIfNotNil(formatted, image[@"uuid"], BSGKeyMachoUUID);
            BSGDictInsertIfNotNil(formatted, image[BSGKeyName], BSGKeyMachoFile);
            BSGDictSetSafeObject(
                formatted, [NSString stringWithFormat:BSGKeyFrameAddrFormat, imageSlide],
                BSGKeyMachoVMAddress);

            return formatted;
        }
    }

    return nil;
}

NSString *_Nonnull BSGParseErrorClass(NSDictionary *error,
                                      NSString *errorType) {
    NSString *errorClass;

    if ([errorType isEqualToString:BSGKeyCppException]) {
        errorClass = error[BSGKeyCppException][BSGKeyName];
    } else if ([errorType isEqualToString:BSGKeyMach]) {
        errorClass = error[BSGKeyMach][BSGKeyExceptionName];
    } else if ([errorType isEqualToString:BSGKeySignal]) {
        errorClass = error[BSGKeySignal][BSGKeyName];
    } else if ([errorType isEqualToString:@"nsexception"]) {
        errorClass = error[@"nsexception"][BSGKeyName];
    } else if ([errorType isEqualToString:BSGKeyUser]) {
        errorClass = error[@"user_reported"][BSGKeyName];
    }

    if (!errorClass) { // use a default value
        errorClass = @"Exception";
    }
    return errorClass;
}

NSString *BSGParseErrorMessage(NSDictionary *report, NSDictionary *error,
                               NSString *errorType) {
    if ([errorType isEqualToString:BSGKeyMach] || error[BSGKeyReason] == nil) {
        NSString *diagnosis = [report valueForKeyPath:@"crash.diagnosis"];
        if (diagnosis && ![diagnosis hasPrefix:@"No diagnosis"]) {
            return [[diagnosis componentsSeparatedByString:@"\n"] firstObject];
        }
    }
    return error[BSGKeyReason] ?: @"";
}

NSString *BSGParseContext(NSDictionary *report, NSDictionary *metaData) {
    id context = [report valueForKeyPath:@"user.overrides.context"];
    if ([context isKindOfClass:[NSString class]])
        return context;
    context = metaData[BSGKeyContext];
    if ([context isKindOfClass:[NSString class]])
        return context;
    context = [report valueForKeyPath:@"user.config.context"];
    if ([context isKindOfClass:[NSString class]])
        return context;
    return nil;
}

NSString *BSGParseGroupingHash(NSDictionary *report, NSDictionary *metaData) {
    id groupingHash = [report valueForKeyPath:@"user.overrides.groupingHash"];
    if (groupingHash)
        return groupingHash;
    groupingHash = metaData[BSGKeyGroupingHash];
    if ([groupingHash isKindOfClass:[NSString class]])
        return groupingHash;
    return nil;
}

NSArray *BSGParseBreadcrumbs(NSDictionary *report) {
    return [report valueForKeyPath:@"user.overrides.breadcrumbs"]
               ?: [report valueForKeyPath:@"user.state.crash.breadcrumbs"];
}

NSString *BSGParseReleaseStage(NSDictionary *report) {
    return [report valueForKeyPath:@"user.overrides.releaseStage"]
               ?: [report valueForKeyPath:@"user.config.releaseStage"];
}

BSGSeverity BSGParseSeverity(NSString *severity) {
    if ([severity isEqualToString:BSGKeyInfo])
        return BSGSeverityInfo;
    else if ([severity isEqualToString:BSGKeyWarning])
        return BSGSeverityWarning;
    return BSGSeverityError;
}

NSString *BSGFormatSeverity(BSGSeverity severity) {
    switch (severity) {
    case BSGSeverityInfo:
        return BSGKeyInfo;
    case BSGSeverityError:
        return BSGKeyError;
    case BSGSeverityWarning:
        return BSGKeyWarning;
    }
}

NSDictionary *BSGParseCustomException(NSDictionary *report,
                                      NSString *errorClass, NSString *message) {
    id frames =
        [report valueForKeyPath:@"user.overrides.customStacktraceFrames"];
    id type = [report valueForKeyPath:@"user.overrides.customStacktraceType"];
    if (type && frames) {
        return @{
            BSGKeyStacktrace : frames,
            BSGKeyType : type,
            BSGKeyErrorClass : errorClass,
            BSGKeyMessage : message
        };
    }

    return nil;
}

static NSString *const DEFAULT_EXCEPTION_TYPE = @"cocoa";

@interface NSDictionary (BSGKSMerge)
- (NSDictionary *)BSG_mergedInto:(NSDictionary *)dest;
@end

@interface RegisterErrorData : NSObject
@property (nonatomic, strong) NSString *errorClass;
@property (nonatomic, strong) NSString *errorMessage;
+ (instancetype)errorDataFromThreads:(NSArray *)threads;
- (instancetype)initWithClass:(NSString *_Nonnull)errorClass message:(NSString *_Nonnull)errorMessage NS_DESIGNATED_INITIALIZER;
@end

@interface BugsnagCrashReport ()

/**
 *  The type of the error, such as `mach` or `user`
 */
@property(nonatomic, readwrite, copy, nullable) NSString *errorType;
/**
 *  The UUID of the dSYM file
 */
@property(nonatomic, readonly, copy, nullable) NSString *dsymUUID;
/**
 *  A unique hash identifying this device for the application or vendor
 */
@property(nonatomic, readonly, copy, nullable) NSString *deviceAppHash;
/**
 *  Binary images used to identify application symbols
 */
@property(nonatomic, readonly, copy, nullable) NSArray *binaryImages;
/**
 *  Thread information captured at the time of the error
 */
@property(nonatomic, readonly, copy, nullable) NSArray *threads;
/**
 *  User-provided exception metadata
 */
@property(nonatomic, readwrite, copy, nullable) NSDictionary *customException;
@property(nonatomic) BugsnagSession *session;

@end

@implementation BugsnagCrashReport

- (instancetype)initWithKSReport:(NSDictionary *)report {
    if (self = [super init]) {
        _notifyReleaseStages =
            [report valueForKeyPath:@"user.config.notifyReleaseStages"];
        _releaseStage = BSGParseReleaseStage(report);

        _error = [report valueForKeyPath:@"crash.error"];
        _errorType = _error[BSGKeyType];
        _threads = [report valueForKeyPath:@"crash.threads"];
        RegisterErrorData *data = [RegisterErrorData errorDataFromThreads:_threads];
        if (data) {
            _errorClass = data.errorClass;
            _errorMessage = data.errorMessage;
        } else {
            _errorClass = BSGParseErrorClass(_error, _errorType);
            _errorMessage = BSGParseErrorMessage(report, _error, _errorType);
        }
        _binaryImages = report[@"binary_images"];
        _breadcrumbs = BSGParseBreadcrumbs(report);
        _severity = BSGParseSeverity(
            [report valueForKeyPath:@"user.state.crash.severity"]);
        _depth = [[report valueForKeyPath:@"user.state.crash.depth"]
            unsignedIntegerValue];
        _dsymUUID = [report valueForKeyPath:@"system.app_uuid"];
        _deviceAppHash = [report valueForKeyPath:@"system.device_app_hash"];
        _metaData =
            [report valueForKeyPath:@"user.metaData"] ?: [NSDictionary new];
        _context = BSGParseContext(report, _metaData);
        _deviceState = BSGParseDeviceState(report);
        _device = BSGParseDevice(report);
        _app = BSGParseApp(report[BSGKeySystem]);
        _appState = BSGParseAppState(report[BSGKeySystem]);
        _groupingHash = BSGParseGroupingHash(report, _metaData);
        _overrides = [report valueForKeyPath:@"user.overrides"];
        _customException = BSGParseCustomException(report, [_errorClass copy],
                                                   [_errorMessage copy]);

        NSDictionary *recordedState =
            [report valueForKeyPath:@"user.handledState"];

        if (recordedState) {
            _handledState =
                [[BugsnagHandledState alloc] initWithDictionary:recordedState];
        } else { // the event was unhandled.
            BOOL isSignal = [BSGKeySignal isEqualToString:_errorType];
            SeverityReasonType severityReason =
                isSignal ? Signal : UnhandledException;
            _handledState = [BugsnagHandledState
                handledStateWithSeverityReason:severityReason
                                      severity:BSGSeverityError
                                     attrValue:_errorClass];
        }
        _severity = _handledState.currentSeverity;

        if (report[@"user"][@"id"]) {
            _session = [[BugsnagSession alloc] initWithDictionary:report[@"user"]];
        }
    }
    return self;
}

- (instancetype _Nonnull)
initWithErrorName:(NSString *_Nonnull)name
     errorMessage:(NSString *_Nonnull)message
    configuration:(BugsnagConfiguration *_Nonnull)config
         metaData:(NSDictionary *_Nonnull)metaData
     handledState:(BugsnagHandledState *_Nonnull)handledState
          session:(BugsnagSession *_Nullable)session {
    if (self = [super init]) {
        _errorClass = name;
        _errorMessage = message;
        _metaData = metaData ?: [NSDictionary new];
        _releaseStage = config.releaseStage;
        _notifyReleaseStages = config.notifyReleaseStages;
        _context = BSGParseContext(nil, metaData);
        _breadcrumbs = [config.breadcrumbs arrayValue];
        _overrides = [NSDictionary new];

        _handledState = handledState;
        _severity = handledState.currentSeverity;
        _session = session;
    }
    return self;
}

@synthesize metaData = _metaData;

- (NSDictionary *)metaData {
    @synchronized (self) {
        return _metaData;
    }
}

- (void)setMetaData:(NSDictionary *)metaData {
    @synchronized (self) {
        _metaData = BSGSanitizeDict(metaData);
    }
}

- (void)addMetadata:(NSDictionary *_Nonnull)tabData
      toTabWithName:(NSString *_Nonnull)tabName {
    NSDictionary *cleanedData = BSGSanitizeDict(tabData);
    if ([cleanedData count] == 0) {
        bsg_log_err(@"Failed to add metadata: Values not convertible to JSON");
        return;
    }
    NSMutableDictionary *allMetadata = [self.metaData mutableCopy];
    NSMutableDictionary *allTabData =
        allMetadata[tabName] ?: [NSMutableDictionary new];
    allMetadata[tabName] = [cleanedData BSG_mergedInto:allTabData];
    self.metaData = allMetadata;
}

- (void)addAttribute:(NSString *)attributeName
           withValue:(id)value
       toTabWithName:(NSString *)tabName {
    NSMutableDictionary *allMetadata = [self.metaData mutableCopy];
    NSMutableDictionary *allTabData =
        allMetadata[tabName] ?: [NSMutableDictionary new];
    if (value) {
        id cleanedValue = BSGSanitizeObject(value);
        if (!cleanedValue) {
            bsg_log_err(@"Failed to add metadata: Value of type %@ is not "
                        @"convertible to JSON",
                        [value class]);
            return;
        }
        allTabData[attributeName] = cleanedValue;
    } else {
        [allTabData removeObjectForKey:attributeName];
    }
    allMetadata[tabName] = allTabData;
    self.metaData = allMetadata;
}

- (BOOL)shouldBeSent {
    return [self.notifyReleaseStages containsObject:self.releaseStage] ||
           (self.notifyReleaseStages.count == 0 &&
            [[Bugsnag configuration] shouldSendReports]);
}

@synthesize context = _context;

- (NSString *)context {
    @synchronized (self) {
        return _context;
    }
}

- (void)setContext:(NSString *)context {
    [self setOverrideProperty:BSGKeyContext value:context];
    @synchronized (self) {
        _context = context;
    }
}

@synthesize groupingHash = _groupingHash;

- (NSString *)groupingHash {
    @synchronized (self) {
        return _groupingHash;
    }
}

- (void)setGroupingHash:(NSString *)groupingHash {
    [self setOverrideProperty:BSGKeyGroupingHash value:groupingHash];
    @synchronized (self) {
        _groupingHash = groupingHash;
    }
}

@synthesize breadcrumbs = _breadcrumbs;

- (NSArray *)breadcrumbs {
    @synchronized (self) {
        return _breadcrumbs;
    }
}

- (void)setBreadcrumbs:(NSArray *)breadcrumbs {
    [self setOverrideProperty:BSGKeyBreadcrumbs value:breadcrumbs];
    @synchronized (self) {
        _breadcrumbs = breadcrumbs;
    }
}

@synthesize releaseStage = _releaseStage;

- (NSString *)releaseStage {
    @synchronized (self) {
        return _releaseStage;
    }
}

- (void)setReleaseStage:(NSString *)releaseStage {
    [self setOverrideProperty:BSGKeyReleaseStage value:releaseStage];
    @synchronized (self) {
        _releaseStage = releaseStage;
    }
}

- (void)attachCustomStacktrace:(NSArray *)frames withType:(NSString *)type {
    [self setOverrideProperty:@"customStacktraceFrames" value:frames];
    [self setOverrideProperty:@"customStacktraceType" value:type];
}

@synthesize severity = _severity;

- (BSGSeverity)severity {
    @synchronized (self) {
        return _severity;
    }
}

- (void)setSeverity:(BSGSeverity)severity {
    @synchronized (self) {
        _severity = severity;
        _handledState.currentSeverity = severity;
    }
}

- (void)setOverrideProperty:(NSString *)key value:(id)value {
    @synchronized (self) {
        NSMutableDictionary *metadata = [self.overrides mutableCopy];
        if (value) {
            metadata[key] = value;
        } else {
            [metadata removeObjectForKey:key];
        }
        _overrides = metadata;
    }

}

- (NSDictionary *)serializableValueWithTopLevelData:
    (NSMutableDictionary *)data {
    return [self toJson];
}

- (NSDictionary *)toJson {
    NSMutableDictionary *event = [NSMutableDictionary dictionary];
    NSMutableDictionary *metaData = [[self metaData] mutableCopy];

    if (self.customException) {
        BSGDictSetSafeObject(event, @[ self.customException ], BSGKeyExceptions);
        BSGDictSetSafeObject(event, [self serializeThreadsWithException:nil],
                             BSGKeyThreads);
    } else {
        NSMutableDictionary *exception = [NSMutableDictionary dictionary];
        BSGDictSetSafeObject(exception, [self errorClass], BSGKeyErrorClass);
        BSGDictInsertIfNotNil(exception, [self errorMessage], BSGKeyMessage);
        BSGDictInsertIfNotNil(exception, DEFAULT_EXCEPTION_TYPE, BSGKeyType);
        BSGDictSetSafeObject(event, @[ exception ], BSGKeyExceptions);

        BSGDictSetSafeObject(
            event, [self serializeThreadsWithException:exception], BSGKeyThreads);
    }
    // Build Event
    BSGDictSetSafeObject(event, BSGFormatSeverity(self.severity), BSGKeySeverity);
    BSGDictSetSafeObject(event, [self breadcrumbs], BSGKeyBreadcrumbs);
    BSGDictSetSafeObject(event, metaData, BSGKeyMetaData);

    NSDictionary *device = [self.device bsg_mergedInto:self.deviceState];
    BSGDictSetSafeObject(event, device, BSGKeyDevice);

    NSMutableDictionary *appObj = [NSMutableDictionary new];
    [appObj addEntriesFromDictionary:self.app];
    [appObj addEntriesFromDictionary:self.appState];

    if (self.dsymUUID) {
        BSGDictInsertIfNotNil(appObj, @[self.dsymUUID], @"dsymUUIDs");
    }

    BSGDictSetSafeObject(event, appObj, BSGKeyApp);

    BSGDictSetSafeObject(event, [self context], BSGKeyContext);
    BSGDictInsertIfNotNil(event, self.groupingHash, BSGKeyGroupingHash);

    BSGDictSetSafeObject(event, @(self.handledState.unhandled), BSGKeyUnhandled);

    // serialize handled/unhandled into payload
    NSMutableDictionary *severityReason = [NSMutableDictionary new];
    NSString *reasonType = [BugsnagHandledState
        stringFromSeverityReason:self.handledState.calculateSeverityReasonType];
    severityReason[BSGKeyType] = reasonType;

    if (self.handledState.attrKey && self.handledState.attrValue) {
        severityReason[BSGKeyAttributes] =
            @{self.handledState.attrKey : self.handledState.attrValue};
    }

    BSGDictSetSafeObject(event, severityReason, BSGKeySeverityReason);

    //  Inserted into `context` property
    [metaData removeObjectForKey:BSGKeyContext];
    // Build metadata
    BSGDictSetSafeObject(metaData, [self error], BSGKeyError);

    // Make user mutable and set the id if the user hasn't already
    NSMutableDictionary *user = [metaData[BSGKeyUser] mutableCopy];
    if (user == nil) {
        user = [NSMutableDictionary dictionary];
    }
    BSGDictInsertIfNotNil(event, user, BSGKeyUser);

    if (!user[BSGKeyId] && self.device[BSGKeyId]) { // if device id is null, don't set user id to default
        BSGDictSetSafeObject(user, [self deviceAppHash], BSGKeyId);
    }

    if (self.session) {
        BSGDictSetSafeObject(event, [self generateSessionDict], BSGKeySession);
    }
    return event;
}

- (NSDictionary *)generateSessionDict {
    NSDictionary *events = @{
            @"handled": @(self.session.handledCount),
            @"unhandled": @(self.session.unhandledCount)
    };

    NSDictionary *sessionJson = @{
            BSGKeyId: self.session.sessionId,
            @"startedAt": [BSG_RFC3339DateTool stringFromDate:self.session.startedAt],
            @"events": events
    };
    return sessionJson;
}

// Build all stacktraces for threads and the error
- (NSArray *)serializeThreadsWithException:(NSMutableDictionary *)exception {
    NSMutableArray *bugsnagThreads = [NSMutableArray array];
    for (NSDictionary *thread in [self threads]) {
        NSArray *backtrace = thread[@"backtrace"][@"contents"];
        BOOL stackOverflow = [thread[@"stack"][@"overflow"] boolValue];
        BOOL isCrashedThread = [thread[@"crashed"] boolValue];

        if (isCrashedThread) {
            NSUInteger seen = 0;
            NSMutableArray *stacktrace = [NSMutableArray array];

            for (NSDictionary *frame in backtrace) {
                NSMutableDictionary *mutableFrame = [frame mutableCopy];
                if (seen++ >= [self depth]) {
                    // Mark the frame so we know where it came from
                    if (seen == 1 && !stackOverflow) {
                        BSGDictSetSafeObject(mutableFrame, @YES, BSGKeyIsPC);
                    }
                    if (seen == 2 && !stackOverflow &&
                        [@[ BSGKeySignal, @"deadlock", BSGKeyMach ]
                            containsObject:[self errorType]]) {
                        BSGDictSetSafeObject(mutableFrame, @YES, BSGKeyIsLR);
                    }
                    BSGArrayInsertIfNotNil(
                        stacktrace,
                        BSGFormatFrame(mutableFrame, [self binaryImages]));
                }
            }

            BSGDictSetSafeObject(exception, stacktrace, BSGKeyStacktrace);
        } else {
            NSMutableArray *threadStack = [NSMutableArray array];

            for (NSDictionary *frame in backtrace) {
                BSGArrayInsertIfNotNil(
                    threadStack, BSGFormatFrame(frame, [self binaryImages]));
            }

            NSMutableDictionary *threadDict = [NSMutableDictionary dictionary];
            BSGDictSetSafeObject(threadDict, thread[@"index"], BSGKeyId);
            BSGDictSetSafeObject(threadDict, threadStack, BSGKeyStacktrace);
            BSGDictSetSafeObject(threadDict, DEFAULT_EXCEPTION_TYPE, BSGKeyType);
            // only if this is enabled in BSG_KSCrash.
            if (thread[BSGKeyName]) {
                BSGDictSetSafeObject(threadDict, thread[BSGKeyName], BSGKeyName);
            }

            BSGArrayAddSafeObject(bugsnagThreads, threadDict);
        }
    }
    return bugsnagThreads;
}

- (NSString *_Nullable)enhancedErrorMessageForThread:(NSDictionary *_Nullable)thread {
    return [self errorMessage];
}

@end

@implementation RegisterErrorData
+ (instancetype)errorDataFromThreads:(NSArray *)threads {
    for (NSDictionary *thread in threads) {
        if (![thread[@"crashed"] boolValue]) {
            continue;
        }
        NSDictionary *notableAddresses = thread[@"notable_addresses"];
        NSMutableArray *interestingValues = [NSMutableArray new];
        NSString *reservedWord = nil;

        for (NSString *key in notableAddresses) {
            if ([key hasPrefix:@"stack"]) { // skip stack frames, only use register values
                continue;
            }
            NSDictionary *data = notableAddresses[key];
            if (![@"string" isEqualToString:data[BSGKeyType]]) {
                continue;
            }
            NSString *contentValue = data[@"value"];

            if ([self isReservedWord:contentValue]) {
                reservedWord = contentValue;
            } else if (!([[contentValue componentsSeparatedByString:@"/"] count] > 2)) {
                // must be a string that isn't a reserved word and isn't a filepath
                [interestingValues addObject:contentValue];
            }
        }

        [interestingValues sortUsingSelector:@selector(localizedCaseInsensitiveCompare:)];

        NSString *message = [interestingValues componentsJoinedByString:@" | "];
        return [[RegisterErrorData alloc] initWithClass:reservedWord
                                                message:message];
    }
    return nil;
}

/**
 * Determines whether a string is a "reserved word" that identifies it as a known value.
 *
 * For fatalError, preconditionFailure, and assertionFailure, "fatal error" will be in one of the registers.
 *
 * For assert, "assertion failed" will be in one of the registers.
 */
+ (BOOL)isReservedWord:(NSString *)contentValue {
    return [@"assertion failed" caseInsensitiveCompare:contentValue] == NSOrderedSame
    || [@"fatal error" caseInsensitiveCompare:contentValue] == NSOrderedSame
    || [@"precondition failed" caseInsensitiveCompare:contentValue] == NSOrderedSame;
}

- (instancetype)init {
    return [self initWithClass:@"Unknown" message:@"<unset>"];
}

- (instancetype)initWithClass:(NSString *)errorClass message:(NSString *)errorMessage {
    if (errorClass.length == 0) {
        return nil;
    }
    if (self = [super init]) {
        _errorClass = errorClass;
        _errorMessage = errorMessage;
    }
    return self;
}
@end

redpajama_set_name: RedPajamaGithub


Many customers are referred to us by another satisfied customers. Recommendations have allowed us to build our business to what it is today.
So if you have friend who would be interested in our services, just use the form below to let us know who they are. We're sure they would appreciate your recommendation and so would we.


text:
Sing you sinners youtube downloader
Sing you sinners woncha sway n swing check it out dig the drift of what i mean in a world where theres no music old scratch satan gets his kicks hes up to his tricks hell be laughing up and down the banks hee, hee, hee of that river styx youre so wicked baby, and youre depraved you can rave its apparent that you have misbehaved. Read about sing you sinners by sam coslow and see the artwork, lyrics and similar artists. A few weeks away from his birthday,i started looking for a movie i could watch with my dad on the day. Sing, you sinners by sam coslow sam coslow digital sheet. Plenty of contemporary artists have addressed the classic american songbook, but few have romped through it with more playful verve than erin mckeown. You sinners drop everything let that harmony ring up to heaven and sing sing you sinners just wave your arms all about let the lord hear yo. Tony bennett performing sing you sinners with john legend from duets. Sing you sinners, while not featuring the title song, is a very cute family flick. Youtube tv is a subscription streaming service that lets you watch live tv from major broadcast and popular cable networks. Our new desktop experience was built to be your music destination. Print instantly, or sync to our free pc, web and mobile apps.
Coming attractions for you 2020s most anticipated movies. Church has released five studio albums and two live albums for capitol records nashville with his 6th studio album, desperate man, due to be released on october 5, 2018. Thank you, your vote was recorded and will be displayed soon. Lux radio theater 246 sing you sinners lux drama old. Lillian roth, mitzi green and a mixed chorus perform sing you sinners from 1930. Hal leonard digital sheet music at sheet music plus. There are no problems with mp3 download mp3juice ytmp3 for long videos but if for some reason you encounter any issue with video downloader for long videos, you can try to download lower quality mp4 juice, its because of very big mp4 file. Sing, you sinners is a popular song with music by w.
A fan of the road to and flubber films, my dad gave some less than subtle mentions about being keen on seeing bing and fred macmurray teamup,which led to us hearing the sinners sing. Playback options listening on switch spotify device. Sing, you sinners 1938 was created because director wesley ruggles had worked with bing crosby in college humor 1933 and mississippi 1935 and wanted to direct him again. Sing, you sinners 1938 sing, you sinners 1938 user. This youtube mp3 and mp4 converter and youtube downloader can download long videos up to 3 hours. Provided to youtube by sony music entertainment sing you sinners 2011 remaster tony bennett the columbia singles, vol. Church has released 28 singles and been featured on four other songs, of which 10 have charted within the top 5 of hot country songs andor. I used a couple of lines from an old hymn come ye sinners poor and needy to start off a. Sing downloader for smule for pc windows 7, 8, 10, xp. With winnings from a gambling bet, joe purchases a.
Detective ambrose sitting in his car listening to the radio. The making of an american classic listen to tony bennett. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Ruggles and writer claude binyon were neighbors of crosbys in toluca lake, and got to know the real bing. Written by claude binyon, the film is about three singing brothers who go to california to find their fortune. From the boswell sisters 1930 continental broadcast recordings, and made famous by liilian roth in paramounts 1930 film honey, this is. He guards you when you leave and when you return, he guards you now, he guards you always. In 1930 it was used in the film honey starring lillian roth. Sing, you sinners sheet music sam coslow real book. The manhattan transfer sing you sinners lyrics genius lyrics. However, with her album sing you sinners, erin mckeown sets forth to singlehandedly resurrect the wayward castoffs of americana and return them to center stage, but with a sparkle and humor that is a poignant reminder of an age long. Tony bennett sing you sinners lyrics genius lyrics. Visit tunefind for music from your favorite tv shows and movies. God guards you from every evil, he guards your very life.
Brothers, sisters listen to what i say moanin and groanin wont drive those blues away lift up your voices in song you know. Of the singing beebe brothers, young mike just wants to be a kid. Music notes for real book melodychords sheet music by sam coslow sam coslow. An oddball family bets all it has on uncle gus, a secondhand race horse. There are cute moments that lighten the darker situations, and plenty of exciting scenes that make you devoted to the family. You were made for me play on spotify you were made for me play on youtube you were made for me. But of the songs ive written, come you sinners has seemed to resonate the most in the different settingschurches where ive led it. I wish turner would release tunes like that in a batch. Sing you sinners, a song by the manhattan transfer on spotify. Check back every wednesday and friday for new videos. All 7 songs featured in the sinner season 1 episode 1. Although bing crosby made a 1938 paramount musical called sing you sinners, this did not include the title song, according to. N g if you wanna show us some love, and get updates on new material follow us on our social media below.
Sing you sinners paramount, 1938, directed by wesley ruggles, is, regardless of its misleading title, is not one about an evangelist and congregation gone astray, but a semocomedy about an aged mother and her three sons, headed by. Sing downloader for smule is not affiliated with or endorsed by smule. Print and download sing, you sinners sheet music composed by sam coslow arranged for voice 1 or piano or guitar or voice 2. We like music, but that doesnt mean we always like the videos that go with the songs. There you can find the latest hits and your favorite classics. Download all the music and videos from youtube for free and save it with a single click. Choose from sing you sinners sheet music for such popular songs as dont let that moon get away, small fry, and sing, you sinners. You are looking for a legal method for having all the latest songs on your pc or mp3player. Sam coslow sing, you sinners sheet music in g major. The verses for this song came very quickly one day as i was choosing songs to sing during communion. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on youtube.
Shielding you from sunstroke, sheltering you from moonstroke. Eric church is an american country music singer and songwriter. Enjoy local and national live sports, breaking news, and mustsee shows the moment they air. Lee morse sing you sinners 1930 from honey youtube. This week we want to hear about music about sinners repentant or otherwise taking into account song titles, lyrics or deeper meanings. Brothers, sisters listen to what i say moanin and groanin wont drive those blues away lift up your voices in song you know youve all done wrong you sinners, drop everything and let that harmony ring up to heaven and sing, you sinners just wave your arms all about and let the lord hear you shout pour the music right out. It seems the only thing all three can join in is their singing act, which mike and dave. Sing you sinners is a 1938 american musical comedy film directed by wesley ruggles and starring bing crosby, fred macmurray, ellen drew, and donald oconnor. Once a mockingbird dig he was overheard what singing out a word i to a cattle heard. Greatly inspired by max fleischers 1930 cartoon swing you sinners. Click download button on bottom and pass link in textbox.
794 1273 1111 1400 4 1205 33 1281 1438 1244 1014 1014 1043 694 465 1270 1213 1061 409 1143 31 1309 103 883 517 578 1468 159 1438 737 1078 852 1466 741 620 1485 1377 91 280 975 61 354 910 338 1113


Jane Waters passed away on April 8, 2015, at Albany Medical Center, from the effects of multiple strokes and recurring infections. Jane was born on June 24, 1947, in Seattle, Wash. to Verna (Hindman) Heller and Robert L. Heller, both of whom predeceased her. There was much love between Jane and her aunt Maxine Kearns, who is still living on her own in Nebraska at the age of 90. The families regularly visited Aunt Maxine and Uncle Mark. There have are many relatives in Nebraska, and they have always had close ties.
She had three siblings: Patsy Dahl; Adele Harvey, husband Ed; and Robert M. Heller, wife Michelle. She had a sister-in-law Linda Waters and sister and brother-in-law Shirley and Hector Allen and many nieces and nephews. Jane's mother-in-law, Dorothy Waters, also predeceased her. Jane had a very special neighbor when she was growing up named "Auntie" Adele, who also predeceased her and will always be remembered fondly. There were also aunts, uncles, nieces, nephews and cousins.
After graduating from Lincoln High School in Seattle in 1965, Jane went on to graduate from the University of Washington in 1969 and after graduation moved east where she met her husband to be, Jack Waters, at their first day of teaching in Waterford, N.Y. They were married on February 17, 1973, in St. Johnsville, N.Y. They both pursued further studies, getting their master's degrees from Buffalo State College in 1976 . Jane also studied at the City College of New York and the New School for Social Research in New York City. Jane and Jack and their many four footed friends loved New York City. Jane was an employee of the City of New York until 1984, when she and Jack relocated to the Albany area, where she went back to her first love, which was teaching. They moved to Binghamton in 2005 where Jane continued teaching until her retirement.
Jack and Jane started acquiring pig collectibles in the early 1970s and they continued for decades. They collected pigs from not only the United States, but from wherever they traveled. Hardly any pig collectible escaped their attention, leading to a house filled with pigs of all sorts. Even Christmas was devoted to the collection, with four Christmas trees fully decorated with pig ornaments.
Jane volunteered at the Susquehanna Nursing Home in Binghamton. She also helped many people including her sister-in-law, Linda. Linda achieved a much better quality of life in a special group home that Jane found for her. Jane's fun and trusting personality served her students and friends well, along with any dogs or cats who needed her.
Special thanks from Jack go to Mary Beth Jones of Apalachin; Wilda VanOrman, Shirlee Spence and Linda Howes all from the Albany area, who have been blessings during the last months of Jane's life. Special thanks also to the staff of Albany Medical Center on the fourth floor of Building C who were so compassionate, competent, and caring. You made all of this so much less difficult to bear by being so helpful. Thank you so much.
At her request there will not be a memorial service for Jane. It would mean so much to Jane if you could consider a donation to an animal shelter, or adopt a needy animal. Jane had a beautiful heart. She never turned away a needy person, dog, or cat. It would be very appropriate to pass that on, in her memory.


text:
To view online, visit http://woodstockfilmfestival.com/newsletters/14_12.htm
2014 YEAR END FUND DRIVE
SOUVENIRS AND HOLIDAY GIFTS
FILMMAKER THOUGHTS: TERRY McMAHON
ON VOD/DVD
LOCAL ART HOUSE SCREENINGS
16th Annual Woodstock Film Festival
@woodstkfilmfest
2014 is coming to a close and we need your help.
The Film Center, which houses the Woodstock Film FEstival and Hudson Valley Film Commission NEEDS REPAIRS including:
• Replacement of roof shingles and underlayment on building and garage
• Installation of attic insulation (to keep heat in)
• Replacement of 15 windows with energy efficient units
• Electric work needs updating
• New gutters to replace broken, torn units
• Exterior painting in the spring
• plus we have other pressing needs.
We need to raise $65,000 for the Capital Campaign to make necessary repairs and improvements. Please consider making a year end tax deductible donation to the Capital Campaign.
To make a DONATION please CLICK HERE
or you can mail a check made payable to:
WOODSTOCK FILM FESTIVAL
Checks can be sent to
PO BOX 1406, Woodstock, NY 12498
or dropped off at
13 Rock City Road, Woodstock, NY 12498, weekdays from 9-5pm.
Thank you for your kind consideration.
2014 WFF MERCHANDISE ON SALE
If you're looking for WFF goodies or an ideal HOLIDAY GIFT, please consider visiting the Woodstock Film Festival store online
or in person at 13 Rock City Road, Woodstock, NY 12498
WFF MERCHANDISE is available including:
• Caps
• T-shirts
• Sweatshirts
In addition to 2014 souvenirs, we have many archival items available.
THOUGHTS FROM 2014 FILMMAKER TERRY McMAHON
Director Terry McMahon (center) with actor Mo Dunford (left) and producer Tim Palmer
2014 WFF Photo Gallery
WFF Executive Director Meira Blaustein asked filmmakers from the 2014 Woodstock Film Festival to send us some post-festival musings. Here is a lively post from 'Patrick's Day' director Terry McMahon. His film swept the Maverick Narrative Awards (Best Narrative Feature, Best Editing and Best Cinematography). Here is an excerpt, for the full blog post click HERE.
When movie goddess Melissa Leo's mischievous mouth moved towards the microphone to announce the "Maverick" Grand Jury Prize winner of the 15th Woodstock Film Festival she faked a dodgy brogue accent and introduced the winning film as "fuckin' Patrick's Day." Rather than being offended the audience cheered because they knew Miss Leo was making a tongue-in-cheek reference to the foul-mouthed writer-director of Patrick's Day. My name is Terry McMahon and I am that inappropriately christened "maverick" foul mouth. To anybody with delicate sensibilities who was there on the night, I apologise. When I'm nervous I succumb to a kind of cultural Tourette's. It's called being Irish. Or, in less polite circles, being a bastard.
Directed by Shawn Christensen
In theaters. Click for locations
Based on the 2012 WFF Best Short Film Curfew, which went on to win the 2013 Academy Award® for best live action short, Before I Disappear opens November 28 at the IFC CENTER in NYC and other cities including North Hollywood, CA, Santa Fe, NM, Scottsdale, AZ, Houston & Lubbock, TX, Coral Gables, FL, New Orleans, LA, Greensboro, NC, and Baton Rouge, LA. For a full list of theaters and cities, check out Before I Disappear on Facebook.
Before I Disappear follows Richie (Shawn Christensen), a man who is very much inclined to commit suicide. After facing his end and deciding to take his own life, he receives a phone call from his younger sister, Maggie (Emmy Rossum of Shameless), begging him to look after her daughter for a few hours. Willing to withhold death for a little while longer, Richie agrees to take care of his niece, Sophia (Fatima Ptacek).
What follows is an intensive glimpse into the life of a man who believes he has nothing to lose. Between his shady job with a menacing boss (Ron Perlman), a drugged-out friend with a bad temper (Paul Wesley of The Vampire Diaries), and an ominous twist that throws everything out of whack, Richie must find a way to hold on to what little life he has left in order to take care of his quick-witted, hard-hitting, alarmingly determined niece.
Directed by Morten Tyldum
Starring fan favorite Benedict Cumberbatch, The Imitation Game a biopic about WWII hero Alan Turing was an official selection of the 2014 Woodstock Film Festival.
During the winter of 1952, British authorities entered the home of mathematician, cryptanalyst and war hero Alan Turing (Benedict Cumberbatch) to investigate a reported burglary. They instead ended up arresting Turing himself on charges of 'gross indecency', an accusation that would lead to his devastating conviction for the criminal offense of homosexuality – little did officials know, they were actually incriminating the pioneer of modern-day computing. Famously leading a motley group of scholars, linguists, chess champions and intelligence officers, he was credited with cracking the so-called unbreakable codes of Germany's World War II Enigma machine. An intense and haunting portrayal of a brilliant, complicated man, The Imitation Game follows a genius who under nail-biting pressure helped to shorten the war and, in turn, save thousands of lives. Directed by Morten Tyldum with a screenplay by Graham Moore, the film stars Benedict Cumberbatch, Keira Knightley and Matthew Goode.
LATE PHASES
Directed by Adrián García Bogliano
In theaters and on VOD - Amazon Instant Video and iTunes
Late Phases, which was filmed in Rhinebeck, Kingsotn and Woodstock, NY,
made its East Coast debut at the 2014 Woodstock Film Festival .
Crescent Bay is not the best place to live out one's golden years. Once an idyllic retirement community, the secluded neighborhood has been beset by mysterious and deadly attacks.
When grizzled war veteran Ambrose McKinley (Nick Damici, Stake Land) moves in, the residents immediately take offense to his abrasive personality. But his take-no-prisoners attitude is just what he needs to survive as it becomes clear that the increasingly violent and patterned attacks are being caused by beasts that are neither animal nor man, and that the tight-knit community of Crescent Bay is harboring something truly sinister in its midst.
Written by Under The Bed scribe Eric Stolze, Late Phases is Dark Sky's latest horror offering that stars Nick Damici, Ethan Embry, Lance Guest, Erin Cummings, Rutanya Alda, Tina Louise, Caitlin O'Heaney, Karen Lynn Gorney, Dana Ashbrook, and Tom Noonan.
LITTLE WHITE LIE
Directed by Lacey Shwartz
For venues, visit Little White Lie
Little White Lie, by Woodstock filmmaker Lacey Shwartz, made its New York premiere at the 2014 Woodstock Film Festival. The documentary takes a look at her own complicated family upbringing.
What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents' own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.
MAGICIAN:
THE ASTONISHING LIFE AND WORK OF ORSON WELLES
Directed by Chuck Workman
Coming to theaters December 10
MAGICIAN: THE ASTONISHING LIFE AND WORK OF ORSON WELLES looks at the remarkable genius of Orson Welles on the eve of his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work.
Directed by Alix Lambert
For deatils, visit Mentor
The powerful documentary, Mentor was an official selection at the 2014 Woodstock FIlm Festival.
At first glance, Mentor, Ohio, seems like any other wholesome midwestern town, even earning a spot in Money Magazine's 100 Best Places to Live. But Mentor's tree-lined streets and marching bands could not prevent the spate of teen suicides caused by relentless bullying and an indifferent school system.
The Vidovic family came to Mentor to escape the war in Croatia only to have their daughter Sladjana commit suicide at age 16 after years of relentless bullying. More interested in maintaining its image than in helping protect vulnerable students, Mentor High School failed to punish the perpetrators.
Eric Mohat, 17, hardly seemed the type to be targeted by bullies. Active in musical theatre, he seemed like a happy kid. Until the day he committed suicide, the family had no idea of the bullying he endured.
Devastating, illuminating and buttressed with a haunting score, director Lambert skillfully documents bullying in the internet age and makes us wonder if Mentor is just the tip of the iceberg. This film is thought provoking and unforgettable. –Barbara Pokras, ACE
ALL RELATIVE
Now Available on ITUNES
2014 Official Selection ALL RELATIVE, directed by J.C. Khoury has made its way to VOD.
When Harry (Jonathan Sadowski), a graduate student in New York City, meets Grace (Sara Paxton), he immediately falls for her. With the help of some dating tips from a seductive divorcée (Connie Nielsen), Harry successfully courts Grace. But when he's introduced to her parents, a shared secret turns his world into a living nightmare. Forced to survive a weekend riddled with tension and socially awkward moments, the bonds of both couples are tested to their breaking point in this wildly engaging mix of comedy and drama.
AMERICAN COMMUNE
Now Available on VOD
Check times on twitter @americancommune
2013 WFF Official Selection AMERICAN COMMUNE, directed by Rene Mundo Croshere and Nadine Mundo is now available on VOD. The film is also available on DVD from the American Commune WEBSITE.
In 1970, 1,500 hippies and their guru Stephen Gaskin founded a commune in rural Tennessee. Members forked over their savings, grew their own food, delivered their babies at home and built a self-sufficient society. Raised in this alternative community by a Jewish mother from Beverly Hills and a Puerto Rican father from the Bronx, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America's largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. AMERICAN COMMUNE finds inspiration in failure, humor in deprivation and, most surprisingly, that communal values are alive and well in the next generation.
LOCAL ART HOUSES
ROSENDALE THEATRE (@rosendalefilm)
Spiral Up Kids with Special Guest Marco Benevento
Saturday, December 6, 1pm
$10, $5 for Kids, $25 for family of 4
For tickets vist Brown Paper Tickets
The Rosendale Theatre presents a benefit concert for the Rondout Valley Food Pantry's Weekend Backpack Program.
Spiral Up Kids has been sound-tracking the family experience since 2009. Their improvisational and interactive shows unite audiences young and old with spirited sing-alongs, impromptu audience participation, and most importantly lots of wild and crazy dancing! Spiral Up Kids blends an earthy jamband style with layers of sweet vocal harmonies to create an originally infectious roots based sound.
They will be joined by keyboard wizard Marco Benevento who has been fronting and touring with his own band for several years. He is currently touring and promoting his new album Swift. Benevento also plays with The Grateful Dead's Phil Lesh and Friends and Joe Russo's Almost Dead.
UPSTATE FILMS (@upstatefilms)
Free Screening for MEMBERS ONLY
Upstate Rhinebeck, Saturday, December 20, TBA
Upstate Films is presenting a special free screening for its members of Frank Capra's classic IT'S A WONDERFUL LIFE. You've seen it on DVD or television, but catch it on the big screen. Hurry now and become a member of Upstate Films so you can be a part of this special screening. The screening will be Saturday, December 20 at a time to be determined. Check the Upstate Films Website for more information.
"As a young man, George (James Stewart) dreams of shaking the dust from his shoes and traveling to far-off lands, but one thing and then another keeps him at home – especially his responsibility to the family savings and loan association, which is the only thing standing between Bedford Falls and the greed of Mr. Potter (Lionel Barrymore), the avaricious local banker. George marries his high school sweetheart (Donna Reed, in her first starring role), settles down to raise a family, and helps half the poor folks in town buy homes where they can raise their own. Then, when George's absentminded uncle (Thomas Mitchell) misplaces some bank funds during the Christmas season, it looks as if the evil Potter will have his way after all. George loses hope and despairs, and is standing on a bridge contemplating suicide when an Angel 2nd Class named Clarence (Henry Travers) saves him and shows him what life in Bedford Falls would have been like without him." – Roger Ebert
LOCAL MUSIC NEWS
KATE PIERSON: GUITARS & MICROPHONES
Kate Pierson of the B-52's Announces Solo Album, Shares "Mister Sister" Video Featuring Fred Armisen
Guitars and Microphones features collaborations with Sia (who executive produced) and the Strokes' Nick Valensi
Kate Pierson, founding member of the B-52's, has announced her debut solo album. It's called Guitars and Microphones, and it's out February 17 via Lazy Meadow/Kobalt. Below, check out the video for the single "Mister Sister", which stars Fred Armisen and was directed by Monica Coleman.
On Guitars and Microphones, Pierson collaborated on songwriting with the album's executive producer, Sia. The LP was produced by Tim Anderson and also features the Strokes' Nick Valensi. Check out the tracklist below the video.


Step into the 2010 Audi A4. This 4 door, 5 passenger sedan provides exceptional value! Smooth gearshifts are achieved thanks to the 2 liter 4 cylinder engine, and for added security, dynamic Stability Control supplements the drivetrain. A turbocharger is also included as an economical means of increasing performance. Audi prioritized practicality, efficiency, and style by including: 1-touch window functionality, a leather steering wheel, a power seat, front fog lights, power door mirrors and heated door mirrors, cruise control, and power windows. For drivers who enjoy the natural environment, a power moon roof allows an infusion of fresh air. Audi ensures the safety and security of its passengers with equipment such as: head curtain airbags, front SIDE impact airbags, traction control, brake assist, anti-whiplash front head restraints, ignition disabling, and 4 wheel disc brakes with ABS. This car was designed with safety in mind, allowing you to drive with even greater assurance. A Carfax history report indicates just one previous owner. We have a skilled and knowledgeable sales staff with many years of experience satisfying our customers needs. They'll work with you to find the right vehicle at a price you can afford. Come on in and take a test drive!


NextDealAddict applies the smartest e-commerce technology to make the consumer shopping experience easy, efficient and fun: find the ideal price for Calfskin Watch Band at the most trusted online store.
Classic elegant leather watch band, with a subtle texture and moderate padding. Available in black and in light brown.
Instructions *The product contains: Band*1 Spring bar*2 Spring bar remover*1 *Detail 1.Design:Retro classical 2.Leather type:Calfskin 3.Clasp type:pin buckle 4.Technology:hand cut, dyed and stitching Notice 1.because of different batches,the color of each item may vary slightly, 2.there is a little color difference between the product and the picture. Service 1. If you have any questions before the purchase, please click "Customer Question & Answers" to ask, we will reply as soon as possible. 2. We offer best quality bands and excellent service. If you like our bands, please feel free to recommend it to your friends. If you have any suggestions, please share your comments with us. Thank you for your help and support.
As a leader in watchbands for over 16 years,iStrap's vast collection of authentic leather replacement watchbands represent the classic accessory for fine men and women's watches. With a rich history of fine artisanship, iStrap's leather bands are durable enough to handle the vigor of everyday activity, flexible enough to maintain its shape and strength, yet stylish enough for any occasion. Peruse our large selection of colors and styles to find the leather replacement band that's right for you.
Bring a fresh new look to your watch with the heaviest watchband in the Gilden catalog! Features sporty stitching and an oversized metal buckle. Securely supports large watches with ease.
Specification: -Material: High quality calf leather(upper and lining) -Buckle: Stainless steel buckle -Band Width: 12mm/14mm/16mm/17mm/18mm/19mm/20mm/22mm -Band Color: White/Pink/Green/Amaranth/Rose/Orange/Red/Blue -Band Length: 125 mm/75 mm (regular length) -Wrist Fit: 6.75" to 7.75" -Package Included: 1*Watch Strap, 1*Spring Bar Tool, 2*Spring Bars, 1*Cleaning Cloth.
Customers who bought Calfskin Watch Band also bought Open Angel Fish, Patchwork Mat Pastel, Air Fuel Ratio Monitor - you may also be interested in these popular items.


text:
Shruti offers mixed fare
The Economic Times, August 6, 1989
Shruti Sadolikar-Katkar, whom I heard at a full-fledged solo recital at the Sangeet Sabha in Bandra East on July 30, has been deservedly rated as one of the three young leading ladies in Hindustani vocal music (the other two being Padma Talwalkar and Veena Sahasrabuddhe) who have come to dominate the concert scene in India and abroad in recent years.
By coincidence, perhaps, all the three had a varying but substantial period of training in the same singing genre – the Atrauli-Jaipur gayaki. Padma and Veena had, of course, had their initial training under gurus of different gharanas. Shruti, on the other hand, had the opportunity of grooming from three gurus of the Antrauli-Jaipur gayaki alone – first her distinguished father, Pt. Wamanrao Sadolikar, and then Gulubhai Jasdenwala and Azizuddin Khan, who benefited from austere studentship with the pioneering gharana stalwart himself, Ustad Alladiya Khan. The deep impress of their puristic gayaki is unmistakably seen in Shruti's singing. In other words, her style and approach sounds more traditional and less eclectic than that of her confreres.
But this does not detract in the least from the high standard Shruti has set with her performership. In the typical gharana manner, she can handle common as well as uncommon ragas with equal facility and felicity. In addition, she has enriched her repertoire by Marathi natyasangeet which has brought her added popularity in Maharashtra. At times, her fare also includes light classical and devotional forms.
Quite predictably, therefore, the fare she chose at the Bandra concert, which lasted three hours, comprised familiar as also less-known melodies like Bhimpalas, Jaitashri, Kaushi-Kanada and Dagori. These were all khayals rendered in vilambit and drut tempi. In between were compositions in Mishra Mand and Gara, with a Bhairavi devotional, which was a tail-piece.
Having been quite familiar with Shruti's music for well over two decades, I confess to a feeling that this concert came to me as mixed fare that could just provide pleasant evening. Opinions are apt to diverge on my summation of the performance. For one thing, the choice of ragas could have been more judicious. Second, in terms of time given, each number gave the appearance of uneven attention. Specially her renditions in drut were rather too brief in comparison to the time allotted to her vilambit. Equally odd was the choice of a night raga like Kaushi-Kanada for early-evening presentation. As it is, it is a controversial raga which is rendered differently by different exponents of the same gharana.
As for Shruti's other numbers, it was rather difficult to identify them whether they wree specimens of thumri or its variations like dadra. While rendering them, it would seem that she could not resist the temptation to infuse many elements of natyasangeet in their presentation. This, incidentally, is the kind of disadvantage or shortcoming that most Marathi classical vocalists have somehow not been able to overcome, when they venture into singing songs from the light classical genres, which have their origin in eastern Uttar Pradesh and call for a thorough understanding, knowledge and ability for diction and delivery. It is a different matter if aficionados of Marathi natyasangeet liked them. For me, the element of authenticity that goes with Shruti's classical singing should not admit of this kind of deviation.
Harmonist Kiran Lele and saraangiya Anant Kunte lent superb sangat to the principal artiste. Mangesh Muley, an otherwise a brilliant percussionist, could not somehow establish rapport with the singer. Vasant Shrikhande, a budding disciple, showed a fine voice as she gave, vocal support to her mentor.
Tradition-bound recitals
Pt. Omkarnath remembered
Innovative and enjoyable
New star on classical horizon
A feast of monsoon melodies
Shubhada's music — a blend of three styles


Before attending this course, you should have knowledge about creating aggregation calculations and alert triggers, and an understanding of the input parameter terminology. Exposure to SAS Visual Analytics is helpful but not required. You can gain exposure to SAS Visual Analytics by attending the SAS® Visual Analytics for SAS® 9: Getting Started course.


WITH OVER 16 YEARS IN FITNESS AND PERSONAL TRAINING, I'VE ALWAYS ENJOYED A SUCCESSFUL CAREER. IN PLACING A PRECEDENCE ON HEALTH AND WELL BEING, I'VE ALWAYS CONNECTED WITH SPORTS AND NATURE. THIS INTERNAL DRIVE HAS ALWAYS STAYED IN THE BACK OF MY MIND AND HAS PUSHED ME TO WANT MORE OUT OF LIFE. IN 2014, I MADE A BIG CHANGE. I'VE ALWAYS FELT A NEED TO DO MORE OF WHAT I SIMPLY LOVE TO DO. THAT OF BEING OUTDOORS.............SO I DID IT.
IN 2014, I DROVE CROSS COUNTRY WITH A BEAUTIFUL GIRL THAT IS TOTALLY STRONGER THAN ME AND STARTED A LIFE TOGETHER IN SALT LAKE CITY, UTAH. ON OUR WAY WE TREKED THROUGH SEVERAL NATIONAL PARKS AND LOVED THE SERENITY, SOLITUDE, AND GRANDEUR OF EACH. THE MOMENT WE ARRIVED IN SALT LAKE, WE REALIZED THAT ALL OF THE MONTHS OF PLANNING, SAVING, AND QUESTIONING WAS ALL WORTH IT.
WE INSTANTLY BONDED TO A SURREAL PLACE. A LAND WHERE 11,000 FT PEAKS, MEADOWS OF WILD FLOWERS, AND CRYSTAL CLEAR ALPINE LAKES WERE ALL WITHIN A 20 MINUTE DRIVE FROM WHERE WE NOW LIVED. over Two years now INTO OUR JOURNEY, WE CAN'T KEEP OURSELVES FROM LOOKING BACK AND REALIZING JUST HOW AMAZING IT has been. WHAT EXCITES US MOST ABOUT OUR FUTURE AND NEW HOME IS WHAT LIES AHEAD.
FOLLOW US ON OUR JOURNEY AND ENJOY.


text:
Melissa Baldera (Lima, 20 de septiembre de 1995) es una atleta paralímpica peruana invidente especializada en velocidad.

Biografía
Melissa perdió el 90% de su visión a los 19 años debido al glaucoma. Comenzó a practicar atletismo paralímpico en 2017 y en 2019 participó en los Juegos Parapanamericanos de Lima, finalizando en la sexta posición tanto en los 100 como en los 200 metros planos T11. En 2021 participó en los Juegos Paralímpicos de Tokio.

Su atleta guía es Edert Alonzo Yllescas Ramos.

Palmarés

Referencias

Enlaces externos

Atletas con discapacidad de Perú
Velocistas
Atletas en los Juegos Paralímpicos de Tokio 2020
Atletas femeninas

redpajama_set_name: RedPajamaWikipedia


text:
Jonathan VanAntwerpen
VANAntwerpen
Jonathan VanAntwerpen is an author, editor, and program director. Originally trained as a philosopher, he received his Ph.D. in sociology from the University of California, Berkeley.
Jonathan VanAntwerpen is a program director at the Henry Luce Foundation in New York City.
Jonathan VanAntwerpen directs the Henry Luce Foundation's Religion and Theology Program, which aims to promote innovative thinking about religion across multiple social and cultural contexts, to expand and diversify critical intellectual engagement with religious ideas and spiritual practices in the United States and beyond, and to advance public knowledge. Visit the Luce Foundation's website to learn more about this work.
Jonathan VanAntwerpen is co-editor of a series of books on secularism, religion, and public life, including Rethinking Secularism (Oxford University Press), The Power of Religion in the Public Sphere (Columbia University Press), The Post-Secular in Question (NYU Press), Habermas and Religion (Polity), and Varieties of Secularism in a Secular Age (Harvard University Press). VanAntwerpen was founding editor of The Immanent Frame, a digital forum produced by the Social Science Research Council (SSRC).
Twitter Linkedin Facebook Pinterest Instagram Medium
Facebook Linkedin Twitter Instagram Pinterest Medium


Shales play an important role within the sedimentary record; for instance, they act as unconventional source rocks or even barriers that significantly retard the fluid flow from the reservoir. Nowadays, it is acknowledged that the conception of shale cap rocks as static bodies of rock with negligible rock-fluid interaction is far from reality, in fact the interaction between geomechanical processes (e.g. overburden) and pore fluids affects both the reservoir and cap rocks.
To better understand the role exerted by shales in reservoirs, this research aims to design and apply a methodology focused on the time-lapse seismic signal from shales, establishing a relationship between the time-lapse amplitude along with a set of time-shift attributes and variations in geomechanical properties, which will help build a library with a detailed description of shales behaviour subjected to changes due to production-induced compaction in the reservoir.


06/19/16 5 responses Which One?
I love my F150. 2002 model with 130,000+ miles. I would really like a new one, but am VERY concerned about the aluminum body. This is why I'm considering the Touota Tundra or Chevrolet Silverado 1500. I have a boat and am looking for realiability and comfort. Help! Thank you.


text:
Mr Norman Waterhouse
FRCS FRCS (Plast Surg)
Facial aesthetic surgery
Recognised by
Video Consultations
Please call or make an enquiry to book
Treatments offered at King Edward VII's Hospital include, but are not limited to:
Septorhinoplasty
I have been at the forefront of teaching and practice in facial aesthetic surgery for 20 years.
Norman Waterhouse undertakes all forms of cosmetic surgery in addition to reconstructive and facial surgery at King Edward VII's Hospital. He graduated from Birmingham University in 1978. His early surgical training took place in Cambridge and Bristol and in 1982 he became a Fellow of the Royal College of Surgeons of England and the Royal College of Surgeons of Glasgow. {{ label }}
His higher surgical training in Plastic Surgery was carried out in Bristol and London as well as periods spent at specialist centres in Bordeaux, Tokyo and Adelaide. In 1988 he gained the Specialist Fellowship in Plastic Surgery (FRCS(Plast)).
He was appointed as a Consultant in Plastic and Reconstructive Surgery to St Bartholomew's Hospital and the Royal London Hospital in 1989. He was subsequently appointed as Lead Clinician and Direction of the Craniofacial Unit at the Chelsea and Westminster Hospital, treating all formal of facial conditions. His interest in facial surgery constituted the majority of his NHS practice. In 2005 he resigned from the NHS and is now in full time private practice, where he undertakes all forms of cosmetic surgery, reconstructive and facial surgery.
He has published over fifty papers in the medical literature, and has an active research and teaching profile. He has supervised undergraduate degree courses in conjunction with the Imperial College of Science Technology and Medicine. He is frequently an invited speaker and member of expert panels on international courses and conferences on facial aesthetic surgery. He has served as a member of the Editorial Advisory Board of the British Journal of Plastic Surgery.
I am a Safety in Beauty award winner.
I am a member of the British Association of Aesthetic Plastic Surgeons and the International Society of Plastic Surgery.
Training Positions
I run international and national masterclasses in facial surgery.
I have published more than 60 papers, many book chapters and am the author of a textbook on plastic surgery.


NastyAndreea TonyBoy4U jasmin. AnnaMoonlight. Latino1. MyaGrace.
SAMYGIRLSEXHayleyCourtneyFrontseatBeckyXHayleyCourtney .LucianadSaharaTailorOlechkaZolotceAdventureAlice .DivaKittyGirlssPassionCrystalKellerFrontseatBeckyX .AdissonMoorefreeedafunBigDesiresAdonisKnight .rubio30GoldenBunniesGenzoMetzil .freeedafunGiggles86GoldenBunniesLadyDion .TheHardersGenzoLinaNasutiAntonyLover .AndredollGiggles86AnnaMoonlightJaneSweetPie .honeydiiiamondEbonyxhotxxHotJennifer69AndrewFlores .CrystalKellerNewBlondDollSexyNathaaEbonyxhotxx .IreansexyJANNELAAnnelibellaMeiLoveX .
WeAreWetEvaKinkyNurseHafizaFlirtyJaneSweetPie .HotJennifer69AndrewFloresNewBlondDollrfhhfnjh .HollyMontanaSAMYGIRLSEXjoejoe1991KevinSchwarz .JaneBurgessAdannaGreyEmaFosterSharonWals .TimeeaNyxCrystalKelleroculusmuculusWeAreWet .CelineKendallJaneSweetPieEvaKinkyNurseCrystalKeller .TimeeaNyxcoupleVIPlatincoupleVIPlatinAsianHotGamer .KaprronSparkyAryaHotLiluBabySparkyArya .xxxaloneforyouEvaKinkyNursevSindeyvAmaliyaYan .0CandyLatina0MetzilEbonyxhotxxSAMYGIRLSEX .AlisaCandy18xxxaloneforyouMissSexyGloriajackoss .


text:
A presentation of the project "6 steps to community safety: community experience in Sambir oblast of Lviv region" was held in Tlumach
On October 31, a project on community security was presented. The organizer of the presentation was the NGO Center for Legal and Political Studies "SIM" with the participation of Oleg Ilkiv, Head of Legal Department of the Center for Legal and Political Studies "SIM", Lydia Topolevskaya, Director of the Center for Legal and Political Studies "SIM", Vitaliy Kimak, Chairman of the Sambir District Council, Igor Tkach, Project Coordinator in Ivano-Frankivsk Oblast.
Participation in the event was attended by representatives of the communities in the Tlumach district, Tlumatskaya city and Oleshan rural communal territorial communities, representatives of the district state administration and rayon council, deputies of councils and members of executive committees, representatives of mass media and public of the district.
Oleg Ilkiv stressed that the purpose of this project is to develop a concept of security and a mechanism for feedback from local authorities with the community to address the internal security problems in communities through the interaction between the police, the community and local authorities – the so-called "community policing" model.
Vitaliy Kimak familiarized the participants with the prospects of implementing this project for the communities, and also gave his example of its implementation in Sambir oblast.
The organizers of the presentation announced the launch of an analytical work on a similar pilot system security project in the Precarpathians in the communities of Tlumachchina.
At the end of the presentation, discussions were held in small groups of sophisticated community and district issues.
This model was tested in Lviv region in the Sambir and Starosambirsky districts and was proposed for distribution in the Tlumach district of our region.


Limited seating. Tickets sold while seats are available.
Thank you for your support of the Toledo Bend Lake Association! Be sure to pay for your purchase by hitting the "Buy Now" button. You should receive your tickets within 10 days of purchase.
The 17th Annual Toledo Bend Lake Association (TBLA) Bass Unlimited Banquet and Auction will be held at the Cypress Bend Park and Pavilion on May 10, 2019. The celebration begins at 5:00 p.m. and includes good food, door prizes, drop-box raffles, and the opportunity to bid during the Live Auction and Silent Auction. At the end of the evening two winning tickets for the 52-Gun Raffle will be announced in a live drawing.
STEP 3: Click the Buy Now button. You will be routed to the PayPal page to complete your purchase.


text:
Faculty and Staff Programs
Women's Advancement Magazine
The Women's Advancement Initiative, (formerly WELFund), is a distinctive program at the University of Hartford that uniquely positions women for success through education and leadership programs, research and scholarship opportunities, and career connections and experiences.
Built on the heritage of Hartford College for Women, The Women's Advancement Initiative challenges, encourages, and empowers students, faculty, staff, and alumnae. The Women's Advancement Initiative is supported and sustained by a community of women and men who believe that advancing the potential of women is a personal and a collective priority.
The Women's Advancement Initiative helps women become successful through education and leadership programs such as LEAD and the Dorothy Goodwin Scholars program.
The Women's Advancement Initiative is proud to celebrate and continue the legacy of Hartford College for Women. Hartford College for Women Trustees and University of Hartford Regents came together to create a new focus and opportunity in women's education – one right for the times – an education in leadership skills for women where they could be challenged and supported in the tradition of Hartford College.
Through exciting scholarship and mentoring programs like the Laura Johnson Leaders Program, The Women's Advancement Initiative also supports the development and growth of female faculty and staff.
Are you interested in reading about our heritage, success stories, and programming? Read our annual W magazine.
Celebrating the Life of Miriam "Mims" Butterworth
Friday, September 13, 2019 at 5 p.m.
University of Hartford, Wilde Auditorium, 200 Bloomfield Avenue, West Hartford, CT
HCW Alumnae Reception and Complimentary Tickets to Brigadoon
Sunday, October 20, 2019 at 2 p.m.
University of Hartford, Millard Auditorium, 200 Bloomfield Avenue, West Hartford, CT
HCW Alumnae Reception and Complimentary Tickets to Chess
Sunday, March 8, 2020 at 2 p.m.
The Women's Advancement Initiative's Annual Symposium
Thursday, April 2, 2020 at 5:30 p.m.
University of Hartford, Harry Jack Gray Center, 200 Bloomfield, Avenue, West Hartford, CT
HCW Class of 1970 50th Reunion
Support the Women's Advancement Initiative
Your gifts to the Women's Advancement Initiative help us to:
Build on the values instilled at Hartford College for Women
Provide students with opportunities for leadership training, personal development, career connections and mentoring
Bring lessons to life with fun, fast-paced, interactive activities that promote teamwork, problem solving and clear communication
Support scholarly and innovative research projects by students with faculty mentors
Send students to national conferences
Inspire the next generation of women to be leaders


text:
FlixChatter Review: Disney's live-action ALADDIN (2019)
On May 23, 2019 June 5, 2019 By ruthIn Flix Reviews
Can you believe it that the original Aladdin animated feature came out 27 years ago? To be honest, I barely remember it as I was more into the Princess movies growing up (esp. Sleeping Beauty and The Little Mermaid). When they first announced they're working the live-action remake, I was skeptical, which wasn't helped at all by the 'blue-not-blue Genie' debacle. So I went in to the screening really hoping to be pleasantly surprised. You know what, I was!
The opening sequence of Arabian Nights sets the right mood, though it took me a little while to get used to Will Smith's singing. By the time we meet Aladdin (Mena Massoud) in the streets of Agrabah with his loyal monkey friend Abu, I have a good feeling I'd enjoy the movie. The Egyptian-Canadian Massoud is instantly likable and is light on his feet as he runs, jumps, leaps from building to building while flashing his movie-star smile. He can sing too, his song One Jump Ahead is dynamic and fun, offering great views of the town.
The arduous casting process for this movie paid off, not only in finding Massoud but Naomi Scott as well as princess Jasmine. The Anglo-Indian actress got so much flak because she isn't of Arabic descent, but I think people would be impressed by her performance here. She has such a regal air about her but also a charming earthiness that made you believe Aladdin would mistake her for being the princess handmaiden. She and Massoud have a lovely chemistry as they relate to one another that they feel trapped in the life they're born into. She too can belt a tune and actually sound fantastic together in the gorgeous duet of A Whole New World.
Now, as for Genie. The comparison with the iconic Robin Williams is inevitable, and Will Smith has such giant shoes to fill. But all things considered, I think his 'Fresh Prince' interpretation of the character surprisingly works. His Friend Like Me rendition has touches of hip-hop and it's pretty catchy. The A-list star has an infectious energy that works perfectly as Genie, and some of the jokes (mostly directed at his naive master Aladdin) is genuinely funny. Massoud's comic timing is adorable, playing up the state of being discombobulated to great effect. It mostly works as this version of Genie also has a good rapport with Aladdin and their relationship plays like an unlikely buddy-comedy with some emotional moments for good measure. I actually enjoyed Smith more when Genie is in human form, which shows up quite a bit in this movie.
It's ironic that initially I was most excited by Jafar's casting (Marwan Kenzari) but he's actually the weakest link here. It's not exactly his fault however, as he's a talented actor based on the few things I've seen him in (especially The Angel on Netflix). I just think his character is underwritten and bland. The Dutch-Tunisian actor is stripped off his hotness charisma playing a trite, one-note villain. The finale when he's got his last wish is practically laughable and way over the top as the CGI team went nuts with the magic dust effects.
As for the supporting cast, Iranian-American actress Nasim Pedrad provides comic relief as Jasmine's handmaiden Dalia (and Genie's love interest). I also like the fact that Dalia is more of a friend to the princess which is lovely to watch. Turkish-German actor Numan Acar as chief soldier Hakim has a memorable scene towards the end, while Billy Magnussen as a goofy Caucasian prince with a hilarious accent drew plenty of laughs. I'm glad his screen time is basically a cameo as he's so unnecessary. In any case, it's gratifying to see a diverse cast in this movie. As someone of Southeast Asian decent, I'm always glad to see actors of color shine in a big-budget Hollywood production.
Guy Ritchie seemed a rather odd choice as director, given that he's mostly known for his R-rated action movies set in London. But to be fair, he's been stretching his filmmaking horizon a bit with movies like Sherlock Holmes, The Man from U.N.C.L.E., etc. And as he often make movies about inner city working class people, I suppose it's fitting that he tackles a Disney version of a street hustler. Ritchie also co-wrote the script with John August.
Stylistically, Ritchie's trademark hyper-stylized filmmaking style of frenetic pacing, quick camera work and kinetic editing is visible in some of the chase scenes, but overall it's tamed down a bit here. It's definitely nowhere near as dizzying as his reimagining of King Arthur: Legend of the Sword which was a major flop. The way he directed the musical numbers however, is a bit hit and miss.
I'm a huge fan of Alan Menken's classic songs, and those are still the main highlights here despite some of the wonky directions. For one, some of these numbers seem to be Bollywood-inspired despite the story is set in the Middle East. The Prince Ali sequence is supposed to be all festive and celebratory but at times feels more topsy-turvy. I do love the A Whole New World number atop the magic carpet which feels appropriately dazzling and romantic, boosted by the terrific aerial effects. The one that make me cringe is the main scene of Speechless, mostly in how it's directed. I loved the new song the first time I heard it, sung beautifully by Naomi Scott. But the second time around, the musical number felt off despite the defiant message. It's a pity as it's such an empowering song and the lyric is organic to the story of a smart, capable woman who's a natural leader of her Kingdom. I credit Scott's charismatic performance that somehow she still made the scene work.
I went to the press screening with my best friend's 12-year-old daughter. In the car she said she's disappointed by Disney that they keep remaking old things instead of coming up with new materials. Well, she definitely shares my dread about the lack of creativity from behemoth studios. Alas, these live-action remakes are here and they'll keep on coming whether we like it or not, but as a critic I still ought to judge each of them based on its artistic merit.
Overall Aladdin is a pretty fun movie, though overlong at 2 hours 8 minutes. The production quality is naturally top notch given the hefty Disney budget. I love the set pieces of Agrabah and especially the fabulous costumes. Jasmine's intricate dresses are especially breathtaking. I think this princess would be a good role model for young girls as she's not just beautiful on the outside but also has something to say. This movie is far from perfect, but it's got enough going for it that warrants a recommendation. One thing for sure, Menken's iconic songs still sound as wonderful as the first time I heard them, and Speechless is a great addition. I don't even mind seeing this movie again and that speaks volumes about its entertainment value.
Have you seen ALADDIN? Well, let me know what you think!
A Whole New WorldAladdinAladdin reviewAladdin Speechless songDisney live action AladdinGuy RitchieMarwan KenzariMena MassoudNaomi ScottNasim PedradWill SmithWill Smith Genie
Musings on Robert Pattinson casting + Matt Reeves' noir vision for The Batman
FlixChatter Review: TOLKIEN (2019)
5 thoughts on "FlixChatter Review: Disney's live-action ALADDIN (2019)"
I'm so glad this ended up being good. Aladdin was one of my childhood favourites and the remake of Dumbo this year wasn't great so I've been getting nervous. I think it was the right thing for Will Smith to do his own thing with Genie, it wouldn't matter who they cast, no one could match Robin Williams' performance. Can't wait to see it for myself!
Ted Saydalavong (@TSayda)
I think I only saw bits and pieces of the original animated version, I only remember that the soundtrack was huge back then. Not sure if I'll see this one, Guy Ritchie's not one of my favorite directors.
Pingback: Member Reviews: "Aladdin" – Online Association of Female Film Critics
Pingback: JUNE Viewing Recap: INDIAN SUMMERS, Netflix's Murder Mystery, Unlocked, etc. – FlixChatter Film Blog
Pingback: FlixChatter Review: Charlie's Angels (2019) – FlixChatter Film Blog
Rewatched the original version The Lion King (1994) before my Disney+ trial ended and it's still incredible. I neve… twitter.com/i/web/status/1… 1 hour ago
Stellar work as always, Eileen! 👏🏽👏🏽👏🏽 twitter.com/SG_Posters/sta… 1 hour ago