One of the main attractions of any Historic Downtown Charleston tour is the glimpse into the past offered by the city's historic homes. Thousands of tourists each year come to peer into the domestic lives of the planters, politicians, merchants and intellectuals of the 18th and 19th centuries. And there is much to see, from the furniture and finery to the always-fascinating contrasts between the lives of the wealthy homeowners and the enslaved African Americans who served them.
Architectural history abounds in Charleston SC, and you can absorb much by simply strolling the city's brick streets. But there are several old homes that offer the visitor a much more in-depth experience; ones that are dutifully and accurately maintained and open to the paying public. Let's take a look at some of these historical gems.
Located on Elizabeth Street, near the Charleston Museum, the Aiken-Rhett House Museum was built circa 1820. The home's most famous resident was William Aiken Jr., the governor of South Carolina and one of its richest citizens. Aiken and his wife Harriet toured Europe extensively and brought back the finest artworks, books and furnishings to fill their home. Today, visitors can tour the ornate Aiken-Rhett House daily, as well as outbuildings where slaves lived and worked.
Located on Meeting Street near White Point Garden, the Calhoun Mansion is a 35-room Italianate mansion built in 1876. At the time, it was called "the handsomest private residence in the South." Built by local businessman George W. Williams, the house later passed to his son-in-law, a grandson of noted Charlestonian John C. Calhoun. The home became a hotel in 1914. Eventually, after a long period of decline, the house was condemned in the 1970s. A new buyer purchased the house and began a decades-long, multi-million dollar renovation. Today, restored to its former glory, The Calhoun Mansion is once again a private home that offers daily public tours.
Located on East Battery near White Point Garden, the Edmondston-Alston House was built in 1825 and offers a glorious view of Charleston Harbor. The house features Federal and Greek Revival design and is filled with a vast collection of family silver, furniture, books, decorative arts and furniture. The house was built by shipping magnate Charles Edmondston, who chose a Federal design. Upon hitting hard times, he sold the house to successful rice planter Charles Alston, who updated the house to its current Greek Revival style. The house has remained in the Alston family since 1838. Guided 30-minute tours are conducted daily.
From its stunning spiral staircase to its meticulously preserved period gardens, the Joseph Manigault House offers a fascinating look at the lives of one of Charleston's premier families, and of the slaves who served them. The Manigaults were Huguenots, French Protestants who came to America seeking religious freedom. They found it, as well as tremendous success as planters and merchants. The house on Meeting Street has been owned, preserved and interpreted by the Charleston Museum for over 80 years, and its décor and furnishings reflect the early 1800s in careful detail. Tours daily.
Book a Charleston Historic Home Tour Today!
If you desire a peek into society life in the 18th and 19th centuries, from the formal dining room to the kitchen outbuilding, a guided Historic House tour is for you. And the above list goes on: other fascinating, beautifully preserved Charleston house museums include the Heyward-Washington House on Church Street and the Nathaniel Russell House on Meeting Street, both of which offer daily guided tours. Make a guided home tour – or two or three – a part of your next visit to Historic Downtown Charleston! Contact Adventure Sightseeing for further details.


Born in 1968 in Minnesota, James Mongrain was introduced to glass while enrolled at Moorhead State University, under the instruction of his brother Jeff Mongrain, an internationally-renowned artist. He later studied glassblowing at Massachusetts College of Art and Appalachian Center for Crafts in Smithville, Tenn. At the onset of his career, Mongrain worked in hot shops around the country, including New York, Cincinnati, and New Orleans, where he focused his attention on becoming technically proficient in the Venetian tradition of goblet making. This aesthetic continues to interest Mongrain; he recently crafted a series of Veronese vases which takea traditional Italian form.
In 1993, Mongrain worked as a co-gaffer at Pilchuck Glass Schoore he met internationally-renowned glass artist and mentor Dale Chihuly. Two years later, Chihuly invited Mongrain to move to Seattle, Wash. to work for Chihuly, Inc. as a gaffer for the "Chihuly over Venice" installation. The project took him to glass factories in Ireland, Mexico, and France, and culminated with the installation of 14 chandeliers over the canals and piazza of Venice.
In 1997, Mongrain opened Mongrain Glass Studio in Seattle, which he continues to own and operate in Mukilteo, Wash. today.
In 1999, he was nominated for the Louis Comfort Tiffany Award, and began the "Jerusalem Cylinders" with Chihuly; the pieces were part of the "In the Light of Jerusalem 2000" project. Mongrain was also a lead figure among a team of glassblowers working on Chihuly's "Fiore Di Como" in the Belliago hotel, Las Vegas, and the "Bridge of Glass" in Tacoma, Wash.
Over the years, he collaborated with a number of contemporary artists including Jim Dine, Kiki Smith, Jeff Koons, Robert Wilson, and Walter Lieberman.
Mongrain's work has been exhibited nation-wide in galleries including the American Craft Museum in New York City, William Traver, Foster White Gallery and Vetri in Seattle, Jenkins Johnson Gallery in San Francisco, Louisville Museum of Art in Kentucky, Marta Hewett in Cincinnati, and the Grohe Glass Gallery in Boston. He continues to work for Chihuly and other artists on special projects, but has focused his attention on designing and crafting Venetian goblets, Veronese vases, and a variety of custom work including sculptural chandeliers.
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The success of a society conference depends on a strong partnership between volunteers, meeting planners, and staff. The members of the SEG 2016 Organizing Committee are a dedicated and energetic group of mostly volunteers who represent the makeup of the Society in terms of industry, academia, governmental, and non-profit organizations. SEG thanks all of these individuals and their respective organizations for their commitment to planning this important event.
The Tethyan belt is one of the world's most extensive tectonic and metallogenic belts, extending from Europe across Turkey and Asia Minor, through Iran and Tibet to the Malay peninsula. The SEG-MJD 2016 Conference will focus on collisional tectonics of the Tethyan Orogeny and ophiolite obduction, Cretaceous and Tertiary Tethyan arc magmatism, and later-stage Tethyan sedimentary basin and supergene environment development in an integrated approach to better understand the tectonic and metallogenic evolution of this economically productive region.
This conference will attract attendees from around the world, including executives, managers, professionals, researchers, and outstanding university students who work on ore deposits and their settings. The technical program will consist of introductory and closing plenary sessions, and two parallel sessions over four half-days that focus on two overlapping themes: a) regional tectonics and evolution of the Tethyan belt, and b) metallogeny and ore deposits of the various sectors of the region. Submitted papers on the theme of the conference will be built around a group of invited speakers.
In addition, there will be one- to two-day-long pre- and post-conference short courses covering topics that will include epithermal and porphyry ore deposits, structural geology, physical volcanology, and applied exploration geophysics and geochemistry. There will also be pre- and post-conference field trips in Turkey and the Balkans to a broad spectrum of Tethyan base and precious metal deposits, including epithermal Au-Ag, porphyry Au and Cu-Au, skarns, and Kuroko-type massive sulfide deposits, as well as the world's most significant borate reserves, located in Turkey.
The conference venue is the Sheraton Çeşme Hotel, Resort, and Spa, located on one of Turkey's most alluring white sand beaches next to the turquoise Aegean Sea. The area is famous for its seafood, spa hotels, archeological sites, and water sports. Guest activities will include tours to UNESCO World Heritage Sites such as Ephesus and Cappadocia, as well as wine tasting tours at local vineyards.
We will be pleased to welcome you to SEG 2016, in Turkey, where you will find a great combination of culture, history, gastronomic delights, and of course, world-class mineral deposits.


From the old Chinese story about the deep friendship between two men, Boya (a qin player) and Ziqi (a woodcutter). Despite Ziqi's humble background, upon hearing Boya play his qin he was surprisingly able to tell which subjects each of the pieces represented.
I finally found someone who truly understands me.


text:
Country Music Gets A Hip-Hop Infusion With 'Old Town Road' And 'The Git Up'
Fresh Air | By Ken Tucker
Published July 1, 2019 at 1:49 PM CDT
TERRY GROSS, HOST:
This is FRESH AIR. Rock critic Ken Tucker has a review of two country music hits with a hip-hop sensibility - Lil Nas X's "Old Town Road" and Blanco Brown's "The Git Up." "Old Town Road" found itself on the center of a controversy when Billboard Magazine initially removed it from its country sales chart for being not country enough. Ken says that "Old Town Road" and "The Git Up" are made by African American musicians with a sense of history and a sense of humor.
(SOUNDBITE OF SONG, "OLD TOWN ROAD")
LIL NAS X: (Singing) Yeah, I'm gonna take my horse to the Old Town Road. I'm gonna ride till I can't no more. I'm gonna take my horse to the Old Town Road. I'm gonna ride till I can't no more. I got the horses in the back. Horse tack is attached...
KEN TUCKER, BYLINE: One of the biggest hits this past spring is sticking around to be one of the biggest hits of the summer. Lil Nas X's "Old Town Road" is an interesting piece of music that behaves like a novelty song. What might immediately strike your ear is the use of a banjo, not your usual hip-hop instrument. Then there's the tempo, a loping beat that does a great job of making you picture Lil Nas X sitting on a horse that's trotting across an Old West desert. In this context, the languid vocal comes across as a drawl.
LIL NAS X: (Singing) I got the horses in the back. Horse tack is attached. Hat is matte black. Got the boots that's black to match. Riding on a horse, ha. You can whip your Porsche. I been in the valley. You ain't been up off that porch, now. Can't nobody tell me nothing. You can't tell me nothing. Can't nobody tell me nothing. You can't tell me nothing. Riding on a tractor. Lean all in my bladder. Cheated on my baby. You can go and ask her. My life is a movie, bull riding and boobies. Cowboy hat from Gucci. Wrangler on my booty. Can't nobody tell me nothing...
TUCKER: Maybe you've seen the video for the song that features Lil Nas X performing with country music guest star Billy Ray Cyrus. "Old Town Road" traveled a rocky road to success. Early on in the song's run, Billboard dropped it from its country music chart, saying the song, quote, does "not embrace enough elements of today's country music."
This was, of course, ludicrous, verging on something more serious. Public outcry made it an even bigger hit, and the song went back on the country charts as well as the pop and hip-hop charts. Lil Nas X recently released an EP of seven diversely styled songs that suggest he's not a one-trick pony.
Another artist, Blanco Brown, has a single that mixes hip-hop with country in both rhythm and instrumentation that is something altogether different. It's a new novelty hit called "The Git Up."
(SOUNDBITE OF SONG, "THE GIT UP")
BLANCO BROWN: (Singing) Right now I just need you to get real loose. Get comfortable. Grab your loved ones, or grab your love partner. And if you're by yourself, no worries. Just follow after me. Gonna do the two-step, then cowboy boogie. Grab your sweetheart and spin out with them. Do the hoedown...
TUCKER: "The Git Up" is a devilishly clever number combining hip-hop rapping with a line dance rhythm. In the video for the song, Blanco Brown does a funky two-step that's caught on among both country and hip-hop audiences. Until now, Brown was best known within the industry as a producer. He's worked with Chris Brown, Pitbull and Childish Gambino among others. "The Git Up" isn't a masterpiece of songwriting, but it sure is catchy, a perfect summertime hit.
BROWN: (Singing) To the left, to the left now. To the right, to the right. Now take your left hand, and put it on your side. Gonna roll your shoulders, do the slip and slide. This next part's my favorite part because it's time to shine. Gonna do the two-step, then cowboy boogie. Grab your sweetheart and spin out with them. Do the hoedown, and get into it. Take it to the left now, and dip with it. Gonna throw down, take a sip with it. And lean back, put your hips in it. It's simple. You can do it. Slide to the left...
TUCKER: If you want to get serious about this, "Old Town Road" and "The Git Up" are the latest examples of the way black musicians' interactions with the country genre are most often treated like unusual events. That Lil Nas X's song had to pass some sort of purity test to join the Billboard country chart is, to put it mildly, distasteful. The African American presence in country music extends back centuries, of course, at the very least as old as the banjo itself. Nevertheless, it's great to hear these two songs in the current country context, providing enlightenment as well as entertainment.
GROSS: Ken Tucker reviewed Lil Nas X's "Old Town Road" and Blanco Brown's "The Git Up."
Last month, HBO featured a mini-series dramatizing the Chernobyl nuclear meltdown, the world's greatest nuclear disaster. Tomorrow on FRESH AIR, we'll talk with journalist Adam Higginbotham about the untold story of the Chernobyl meltdown. In his book "Midnight In Chernobyl," he writes about design flaws and shortcuts, human hubris, Soviet secrecy and the lack of imagination that led to the 1986 explosion. He talked to many eyewitnesses. I hope you'll join us.
FRESH AIR's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham. Our associate producer of digital media is Molly Seavy-Nesper. Roberta Shorrock directs the show. I'm Terry Gross.
LIL NAS X: (Singing) Can't nobody tell me nothing. You can't tell me nothing. Can't nobody tell me nothing. You can't tell me nothing... Transcript provided by NPR, Copyright NPR.
Ken Tucker
Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.
See stories by Ken Tucker

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In the effort to prove the credibility of the undercover donor featured in the videos and to keep the investigation going, Project Veritas Action made the decision to donate twenty thousand dollars to Robert Creamer's effort. Project Veritas Action had determined that the benefit of this investigation outweighed the cost. And it did. In an unexpected twist, AUFC president Brad Woodhouse, the recipient of the $20,000, heard that Project Veritas Action was releasing undercover videos exposing AUFC's activities. He told a journalist that AUFC was going to return the twenty thousand dollars. He said it was because they were concerned that it might have been an illegal foreign donation. Project Veritas Action was pleased but wondered why that hadn't been a problem for the month that they had the money.
"There is no Left or Right. There is only Tyranny and Freedom."


text:
Public Release: 13-Mar-2017
Parenthood linked to longer life
Difference persists into old age, and not influenced by sex of child
Parenthood is associated with a longer life than childlessness, particularly in older age, when health and capacity may start to decline, finds research published online in the Journal of Epidemiology & Community Health.
By the age of 60, the difference in life expectancy, which does not seem to be influenced by the sex of the child(ren), may be as much as two years, the findings suggest.
Previous research suggests that being a parent may add years to a person's life, but it's not clear when this apparent advantage may be conferred or whether it could be influenced by the sex of the child(ren).
To find out if parenthood might help stave off death in older age, the researchers tracked the lifespan from the age of 60 onwards of all men (704,481) and women (725,290) with a birth date between 1911 and 1925 and living in Sweden, using national registry data.
The study, which ran until the end of 2014, also gathered registry data on marital status and the number and sex of any children they had.
Age specific risks of death were calculated and compared for each calendar year for people who had had at least one child and for those who were childless.
Not unexpectedly, the risk of death rose with increasing age, irrespective of whether the individuals were parents or not.
But after taking account of influential factors, such as educational attainment, the risks of death were lower among those who had had at least one child than they were among those who were childless--and more so among men than among women.
The one year risk of death for an 80 year old man with a child was 7.4%, for example, compared with 8.3% for a childless man of the same age.
The gap in absolute death risks between the two groups rose with increasing age, and was somewhat larger for men than it was for women.
At age 60 the difference in the one year risk of death was 0.06% among men and 0.16% among women. By the age of 90 these differences had risen to 1.47% among men and to 1.10% among women.
The associations found were evident among those who were married and unmarried, but seemed to be stronger among those who weren't married--at least among the men: the difference in death risk was 1.2% among unmarried men and 0.6% among those who were married.
Unmarried men might be relying more heavily on their children in the absence of a partner, suggest the researchers, by way of a possible explanation. They are also likely to be less well educated, whereas the opposite tends to be true of women, they add.
The associations were not affected by the sex of the child(ren), as has been suggested by previous research.
This could be because previous research has focused on the social benefits of having a daughter, whereas some other aspect of support, such as advocacy or navigating the health system, may matter more for staving off death, and sons could just as easily provide this, speculate the researchers.
This is an observational study, so no firm conclusions about cause and effect can be drawn. Nevertheless, the researchers write: "Our finding that the association grew stronger when parents became older is further in agreement with research suggesting that childless people face support deficits only towards the end of life."
Research: Payback time? Influence of having children on mortality in older age
Emma Dickinson
edickinson@bmj.com
44-020-738-36529
@bmj_company
http://www.bmj.com
Journal of Epidemiology & Community Health
Study pins down number of Americans with most common form of lupus NYU Langone Health / NYU School of Medicine
Patients in cancer remission at high risk for severe COVID-19 illness University of Pennsylvania School of Medicine


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Topping patterns have undergone dramatic changes in the past decade due to Market Structure changes which have created new types of venues, orders, routing, and Market Participants.
Once the new topping formations are identified, the next analysis must be where small, minor non-reversal runs aka bounces will occur.
Identifying selling short bounce areas in a Downtrend stock is one type of the analysis that all Sell Short Traders need to do prior to selling short.
It is also a critical analysis for Position Traders and Long Term Investors to determine the best exit strategy, IF they decide to sell the stock.
Ultimately selling into a bounce has lower risk, for a late exit out of a stock by a Position Trader or Long Term Investor.
In the chart example below, ideally these two longer hold groups would already be out by now, using tighter trailing profit stops as the stock revealed topping action.
The top is clearly defined, where it will encounter Buy on the Dip investors and traders is relevant to how and when these two groups buy which is usually percentage based.
Identifying selling short bounce areas begins with the first bounce area typically caused by Small Lot Investors or Retail Traders using "Buy on the Dip" strategy, unaware that they are buying into a technical downtrend.


You may read or do research on your own, and may think that some of the stocks I recommend have fundamental issues, or unacceptable PE ratios. Welcome to the world of investing. All stocks that go a through a price correction have some sort of a problem; otherwise, they will not be correcting. My advice to you is to ignore everything that Wall Street is saying, telling, implying, or advising, as things are not what they seem. Assuming you are following the Market Gauge, my X score ranking will single out the most volatile stocks. Furthermore, use of my index scaling technique through your Position Manager will ensure that your final average position in each stock will be fairly close to the final bottom in the stock. You can take this to the bank. By using a conservative and constant IPS, as calculated by your Position Manager, you will slowly and safely add money as the stock falls in price. Although there are certainly times when a stock falls below my comfort level, in general I hope that my average pick will fall low enough to trigger 2-3 buys per stock to end up with a decent size position.
Fundamental StockScouter gives PFE a nice A as a fundamentally very sound company.
Ownership However, it gives PFE a bad F rating for the fact that it had recent insider selling.
Valuation In addition, it also gives PFE an F for its PE ratio.
Technical Lastly, it gives PFE another F rating for its lousy technical picture.
The only possible time a company would get good rating on all 4 counts is when all is hunky dory. So, if a company is doing great, then it would get an A for fundamental, an A for Ownership, an F for Valuation, and an A for Technical. The only problem with that is that it will no longer be a "good" value stock.
First, the stock takes a dive.
There is always a reason why a stock is taking a dive, and therefore it is not likely to score well on fundamentals.
Obviously, since management is close to the action, insider selling is always part of the equation.
Funny but true, the PE ratio is often unreliable when bad news hits.
Lastly, when a stock takes a dive, the technical picture is never pretty.
While PFE is currently not considered to be a "good stock", I think it has a better risk reward ratio than most good stocks. Now that the story is out, and PFE has taken a hit, it has a better upside potential and less risk.
Senior management will be heavily distracted by depositions and lawyers' meetings and will be out of business focus for a while.
Financial losses incurred in the stock markets may trigger a rating review of the corporate debt by the rating agencies, leading to more stock losses.
Financial fines and unfunded/uninsured damages will take a toll on the balance sheet.
Once the legal matters are resolved and damages assessments and fines are paid off, then one can revisit the issue.


Analysis of casualty data up to the end of October 2009 is now on-line for British forces in Afghanistan. The analysis shows a persistently elevated level of British casualties. Although the 3 month moving has declined slightly from September, October 2009 is nonetheless the third worst month for the UK since the war began in 2001.
Since the last casualty update changes in the policy arena have continued apace. Fallout from the Iraq invasion has resurfaced and has been providing a backdrop to political debate on whether to continue the war in Afghanistan. During the last week there has been media interest in the renewed investigation in to the torture and killing of Iraqi prisoners by UK forces, and an apparent rise in birth defects in Fallujah, which may be linked to the deployment of chemical weapons by the US in their assaults on the city during 2004.
Meanwhile, public support for the Afghan war has been shown to be low. In a ComRes poll for the Independent on Sunday, 71 per cent of people interviewed it the UK supported a phased withdrawal of British forces from Afghanistan within a year or so, while just 22 per cent disagreed. A majority of respondents also thought the threat of terrorism on UK soil is increased by British forces remaining in Afghanistan (47 vs. 44 %).
Within this context a dramatic change of UK policy was posited. Prime Minister Gordon Brown appeared to announce the the beginning of the end for large scale British military involvement in Afghanistan by signalling the start of a possible withdrawal in 2010.
"...chart a comprehensive political framework within which the military strategy can be accomplished. It should identify a process for transferring district by district to full Afghan control and, if at all possible, set a timetable for transfer starting in 2010".


text:
Visit Us Health and Safety Services Specials FAQ E-mail News Inquiries
For All Facilities
Please be sure to read "Our Countermeasures against COVID-19" upon your visit.
Temperature checks and mandatory mask-wearing (to cover your mouth and your nose) for all visitors are among the efforts we deploy.
Visitors may be asked to present their belongings for security inspection.
Please make a note of the following activities in the galleries.
No potentially harmful substances and implements.
No raw and perishable items including real flowers.
No large luggages such as suitcases, umbrellas.
No pets (all guide dogs, hearing assistance dogs, and other service dogs for those in need are welcome).
No visitors under the influence of alcohol.
No smoking as well as any consumption of food or drinks (including all candies and chewing gums).
Please respect the rights of other visitors.
Please comply with all the other rules and regulations applicable to all visitors.
Mori Art Museum / Mori Arts Center Gallery
Lighting level, temperature and relative humidity are controlled in all galleries for the conservation of artworks.
It would be well-advised to bring a jacket or a pull-over of the sort upon visiting in case you might feel cold in the galleries.
No large luggages such as suitcases, umbrellas, tripods, and monopods.
No touching of the artworks and cases on display.
No using of mobile phones for phone calls in the exhibition areas.
No unauthorized photo shooting and video filming.
The use of pencil is permitted, however, other writing materials may not be used.
Please comply with all the other rules and regulations applicable to Museum visitors.
Sky Deck
Sky Deck is an outdoor observation deck located 270 meters above sea level.
For visitors' safety, the Sky Deck is subject to closure in the event of strong winds, rain, snow, and approaching thunderclouds, abnormally high temperatures, or any other bad weather conditions.
Please read the following to help prevent belongings from being blown off the deck or falling. We appreciate your kind understanding and cooperation.
Visitors may bring cameras for commemorative snapshots, mobile phones, and binoculars secured with neck straps onto the Sky Deck. Please, however, place backpacks and all other belongings in the Sky Deck coin lockers (Your coin will be returned when you unlock the locker).
Before entering, please cooperate with staff as they check for items that may be blown away (You will be asked to place hats, scarves, and other items in the lockers if they are at risk of being blown off the deck).
Please refrain from taking photographs using tripods, unipods, or selfie sticks.
The deck has steps. Children unable to walk on their own, people who have difficulty walking, and users of baby strollers and wheelchairs are asked to refrain from entering.
Please refrain from entering or moving about the Sky Deck while holding a child or with a child riding on your shoulders, as doing so is extremely dangerous.
Eating, drinking, smoking, and other dangerous actions are prohibited on the Sky Deck. Bringing hazardous materials onto Sky Deck is also prohibited.
Admission may be restricted during busy periods.
The management reserves the right to refuse admission in all other cases if found dangerous.
In the event of an emergency or sudden change in the weather, please evacuate as instructed by the staff.
About Hours etc.
Q : When do the facilities close?
A : Please see "Visit Us" section for the latest information.
https://art-view.roppongihills.com/en/info/index.html
The Mori Art Museum is open every day during exhibitions, and closed to the public when there are no exhibitions.
Tokyo City View is open every day throughout the year, however may be partially closed, or entry to certain areas restricted, due to exhibitions and events and/or their preparation.
The Mori Arts Center Gallery opening days/hours depend on exhibitions and closed to the public when there are no exhibitions.
Facilities may be closed to the public during special events.
Q : Are the facilities open during the Golden Week and New Year holidays?
A : Yes. All facilities are open unless special events closed to the public are scheduled.
Q : Are the facilities crowded? Do I have to wait in line?
A : It is encouraged to make advance booking for a designated date/time slot and purchase the admission ticket on the dedicated booking website to avoid "Three Cs." See here for details.
Alternatively, you may call the number below and the staff will inform you of the waiting time.
Tokyo City View: +81-(0)3-6406-6652 (10:00-20:00 daily)
About Admission & Tickets
Q : How much is the admission fee?
A : Please see under "Admission & Tix" on the "Visit Us" page for the pricing.
Mori Art Museum and Tokyo City View ticket prices vary depending on whether the ticket is for a weekday or a weekend/holiday, and whether it is purchased online or on-site on the day of your visit.
If purchased online, a discounted online rate will apply.
Various discounts will however NOT be applied to tickets purchased online.
Depending on the exhibition, admissions to the Mori Arts Center Gallery would vary. Please see "Admission & Tix" on the "Visit Us" for details.
Q : Where can I buy tickets?
A : Tickets can be purchased on the ticket vending machines or at the counter of "Museum & Observatory Tickets / Information" on the 3rd floor of Roppongi Hills Mori Tower on the day of your visit. Also tickets are sold online, on the dedicated booking website. However, the method of buying tickets may differ according to the exhibition and/or event. Please see the "Admission & Tix" section for the latest information.
Q : Can I make a reservation or purchase tickets in advance?
A : Advance bookings can be made on the booking websites. However, the methods of ticket purchase may differ depending on the exhibition and/or event. Please see the "Admission & Tix" section for the latest information.
Q : Are there e-tickets? Where and how can I buy one?
A : E-tickets can be purchased on the dedicated booking website called "Museum & Observatory Tickets | Membership Website."
To use the website, you must register for an ID.
Click here to see the website. For details, refer to the "Guidance & FAQ."
Q : Are there discounts for the disabled?
A : The disabled along with one accompanied companion/caregiver will be entitled to free admission to Mori Art Museum and Tokyo City View Indoor Observation Deck upon presenting a Disabled Person's Handbook or equivalent form of government-issued identification. See notes under "Admission & Tix" section on the "Visit Us" page.
https://art-view.roppongihills.com/en/info/#tickets
Free admission/discounts may not be applied depending upon some special events or exhibitions going on.
Discounts from admission into the Mori Arts Center Gallery all differ depending on exhibitions. Refer to the notes under "Admission & Tix" section on the "Visit Us" page.
Discounts do not apply to the rooftop Sky Deck admission.
Discounts for the disabled cannot be combined with other discounts.
For details, please inquire at the ticket counter.
Q : Is there a passport that allows unlimited access to the facilities?
A : All sales and renewal services of the Annual Passport were terminated as of December 31, 2020.
Launch of a new service to succeed the "Annual Passport" has currently been in planning. Updates will be provided on the website once details are worked out.
Q : Can I use credit cards / e-money?
A : Credit cards can be used for purchases on the ticket vending machines and at "Museum & Observatory Tickets / Information" (3F, Roppongi Hills Mori Tower), Museum Shops, and Museum Cafe & Restaurant. E-money can also be used at the ticket counter and Museum Shop (exclude some of the special shops) as well. Only credit cards however are accepted on the dedicated booking website.
- Booking Website accepts the following credit cards: Mastercard; Visa; JCB; American Express, and Diners
- [From September 17] "Museum & Observatory Tickets / Information" counter and ticket vending machines accept the following credit cards: Mastercard; Visa; JCB and American Express.
Q : I have a complimentary admission/discount ticket.
How could I make my advance booking for a designated date/time slot?
A : Bookings can be made on the dedicated booking website, specifically from the "Booking Visit" calendar. Bring your e-ticket(s) to the "Museum & Observatory Tickets / Information" (3F, Roppongi Hills Mori Tower) on the day of your visit. See here for more information about online booking.
About Group Visits
Q : Can we make a group reservation?
A : Please see the "Visit Us" section.
https://art-view.roppongihills.com/en/info/#group
Yes. The Mori Art Museum and Tokyo City View accept reservations for groups of 15 or more from three months in advance until 20:00 on the day before the stated arrival date. Please download the group reservation application, and fax/email the completed form.
For Mori Arts Center Gallery group reservations, please call the Tokyo City View Reservation Desk (+81-(0)3-6406-6771).
Please contact the Reservation Desk when arriving in school classes.
Q : Are there any group admission discounts?
A : A group admission rate applies to a parties of 15 or more persons only when the booking is made in advance. See the "Visit Us" section for details.
Q : Is there a parking area for buses?
A : No, there is no parking area for buses inside Roppongi Hills.
About Access
Q : Are there parking areas for cars and bicycles?
A : Please use the parking areas at Roppongi Hills.
http://www.roppongihills.com/access/car.html
Q : Are there any discounts on parking?
A : Please see the Roppongi Hills website.
http://www.roppongihills.com/access/parking/fee.html
Q : How do I get there from JR Tokyo Station?
A : From Tokyo Station take the Tokyo Metro Marunouchi Line to Ginza Station, or the Tokyo Metro Hibiya Line to Roppongi Station. Use Exit 1C for direct access from the station concourse.
Or take the JR Yamanote Line (or Keihin-Tohoku Line) from Tokyo Station to Yurakucho Station, then the Tokyo Metro Hibiya Line to Roppongi Station. Use Exit 1C for direct access from the station.
See here for the route from Roppongi Station to the entrance to the observation deck.
Q : How do I get there from Haneda Airport?
A : Take the Tokyo Monorail to Hamamatsucho Station and transfer to the Toei Oedo Line (Daimon Station) to Roppongi Station, then walk four minutes from Exit 3.
Q : Where is the entrance to the facilities?
A : Entry is via the Museum Cone. Please proceed through the Museum Cone to the "Museum & Observatory Tickets Information" located on the 3F of the Roppongi Hills Mori Tower. Take one of the elevators going directly to the 52F. Once there, follow the signs to the Mori Art Museum (located on the 53F) and the Sky Deck (Rooftop).
See the map here for directions to the Museum Cone from Roppongi Station (Tokyo Metro Hibiya Line).
Q : Who should I contact about lost property?
A : Please call the lost-and-found center in Roppongi Hills.
Tel: +81-(0)3-6406-6697 (24/7, in Japanese-language only)
Q : Are there wheelchairs available on loan?
A : Yes. Please note that the number of the wheelchairs is limited.
Also available at the Roppongi Hills Information Counter.
http://www.roppongihills.com/facilities_service/rental.html
Q : Are there prams/strollers available on loan?
A : Prams/strollers for babies and young children are available at the Roppongi Hills Information Counter. Please see the Roppongi Hills website for details.
Q : Are there multifunctional restrooms in the facilities?
A : There is one accessible/family-friendly restroom each, on the 52nd and 53rd floors. Please see the "Services" section for details.
https://art-view.roppongihills.com/en/info/services/
Q : Am I allowed to bring my pet?
A : We ask that you refrain from bringing pets into the Roppongi Hills Mori Tower. (Guide dogs, hearing assistance dogs, and other service dogs are exempt and welcome.)
Q : Are there places to eat and drink?
A : Please visit the Museum Cafe & Restaurant THE SUN & THE MOON on the 52nd floor.
https://art-view.roppongihills.com/en/cafe-restaurant/
Q : Are there any smoking areas?
A : Our facilities are all strictly non-smoking, however, there are some designated smoking areas inside Roppongi Hills.
http://www.roppongihills.com/facilities_service/smoking_area.html
Q : Where can I buy souvenirs?
A : Souvenirs can be purchased at the Museum Shops.
https://art-view.roppongihills.com/en/shop/index.html
Q : Are there coin-operated lockers / cloakrooms available?
A : Lockers for visitors are available on the 52nd floor. There are no cloakrooms.
* Please note the number of lockers is limited.
Number of lockers: 210
Size: 357 x 453 x 317 mm
System: coin-operated (100 yen)
Such coin-operated lockers are also available inside Roppongi Hills.
http://www.roppongihills.com/facilities_service/coin_lockers.html
Q : Are there any items prohibited in the facilities?
A : We ask that you refrain from bringing in umbrellas, large bags or luggage, perishable food, and dangerous items such as flammable goods or explosives.
Q : Can I earn points on my Hills Card?
A : Please see the Hills Card website. * in Japanese-language
https://www.hillscard.com/
Q : Will the facility shake severely during an earthquake?
A : The Roppongi Hills Mori Tower employs a state-of-the-art vibration damping system that reduces shaking in the event of quakes or swaying due to wind.
Q : It feels cold in the galleries. Can anything be done?
A : The environment differs in each exhibition. Temperature and relative humidity are controlled in all galleries for the conservation of artworks. We suggest bringing a jacket or similar upon your visit in case you feel cold in the galleries.
Q : It is dark in the galleries. Can it be made lighter?
A : The environment differs in each exhibition. Unfortunately we cannot alter the lighting level as this is controlled in all galleries for the conservation of artworks.
Q : Can I learn more about the artworks on display?
A : We hold free Gallery Tours for all exhibitions (exhibition ticket required). Audio guides are also available in most exhibitions.
Q : Is foreign-language information on the artworks available?
A : All material - including pamphlets, brochures, signage, and publications - concerning the Mori Art Museum is available in both Japanese and English. This includes the Audio Guide provided for exhibitions. Japanese-English simultaneous interpretation is available at most of the learning programs such as lectures and symposia.
Q : Are there any programs for children?
A : Children are welcome to join in the Family Programs at the Mori Art Museum. When visiting the Museum, please hold hands for children's safety - to keep them from falling, or touching or bumping the artworks.
Q : Are there any programs for the disabled?
A : For some programs, we offer sign language interpretation on request.
Sign Language Tours and Verbal Imaging Tours (Access Programs) are usually organized for each exhibition.
Please also see the Roppongi Hills Universal Guide.
http://www.roppongihills.com/facilities/pdf/universalguide.pdf
Q : May I take notes in the galleries?
A : The use of pencils is permitted, however, please refrain from using pens or other writing implements.
Q : May I sketch the artworks?
A : Unfortunately, no. Please refrain from sketching artworks.
Q : May I take photos?
A : Photography is not usually permitted in the galleries, however photo spots may be available at some exhibitions. Please check for announcements on the Museum website / sign panels at the gallery entrance.
Q : Where can I buy exhibition catalogues?
A : Please inquire at the Museum shop.
https://art-view.roppongihills.com/en/info/inquiries/
Q : Are there any annual reports, or a journal of the Museum?
A : We do not publish annual reports or journals, however, activity reports are currently available for purchase at the Museum Shop.
Q : Does the Mori Art Museum have its own collection?
A : The Mori Art Museum has been building its own collection - of contemporary artworks primarily from Japan and the Asia-Pacific region since the summer of 2005.
Please see "Collection" page for details.
Q : Is the Mori Art Museum's permanent collection available for viewing?
A : The Collection is not on permanent display, however since 2015 we have been running a MAM Collection (exhibition program) series featuring particular works from the Collection in the context of various themes. The MAM Collection program series usually runs concurrently with another main exhibition, so just like other exhibitions, the series runs only for a particular (temporary) length of time.
https://www.mori.art.museum/en/exhibitions/
Q : May I take photographs using tripods, unipods, or selfie sticks?
A : Yes, however, we may ask you to refrain from using camera stands
when the area is crowded (such as during a fireworks festival or a similar event), or when a large crowd is expected,
when we are holding a special event on the 52nd floor,
when taking pictures will create problems for other visitors (e.g. long photo sessions, blocking the area, interrupting the flow of people, using large equipment, hidden cameras, etc.),
when the activity is for business purposes; when you are taking photographs of group activities for a purpose other than pleasure, or when we otherwise ask you not to use a camera stand. (Photo-shoot activities for these purposes require our permission in advance. Please contact us for details.)
We may also ask you to refrain from using a camera stand when it might generally endanger safety within our facility.
Please refrain from using camera stands on the Sky Deck.
Q : Can I visit just the Sky Deck? Are there advance tickets?
A : Tokyo City View, Mori Art Museum and Mori Arts Center Gallery ticket holders may access the Sky Deck at an additional charge. There are no advance tickets.
Roppongi Tenmon Club
About Observation Deck
Annual Passport


Collaborate with forward-thinking scientists in our new fully integrated, state-of-the-art research and development facility.
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Our Cambridge R&D site will help us continue to deliver on our mission, positioning our scientists in the heart of a vibrant ecosystem of world-class science, innovation and business opportunities.
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Learn about other featured opportunities.


text:
What Affects My Home?
Lakeland Park
Oakwood/Hillcrest
West Hickory/Westmont
Careers. Well Crafted.
City of Hickory Jobs
Get to Know Hickory
Litter Quitter
Starting and Owning a Local Business
Vacant Building Listing
Commercial Recycling
City Advertised Bids
Parks, Recreation & Sports Tourism
Bond Implementation Commission
Business Development Committee
Citizen's Advisory Committee
Community Appearance Commission
Hickory Regional Planning Commission
Parks, Recreation & Sports Tourism Commission
Recycling Advisory Board
University City Commission
Bond Information
Crafting Hickory
Enviro-Shred Offers Free Shredding at Patrick Beaver Memorial Library
For the ninth straight year, Hickory based shredding company Enviro-Shred will offer free shredding service at Patrick Beaver Memorial Library on Saturday, January 29, 2022, from 10:00 a.m. – 12:00 p.m. Individuals will have the opportunity to shred ...
VayaHealth Free Training Sessions: Hoarding and OCD
You are invited to Patrick Beaver Memorial Library on Thursday, January 20, from 10:00 a.m. to 12:00 p.m. to learn about hoarding and OCD. An evidence based training entitled "I'm Covered Up: What You Need to Know About Hoarding" will begin at 10:00 ...
Project grants available from the Community Relations Council
The City of Hickory Community Relations Council (CRC) is currently seeking projects to fund for the 2022-2023 fiscal year and is inviting qualified groups or individuals to consider submitting grant requests. "The CRC is excited to have the opport...
Highland Recreation Center adds Sunday hours
Beginning January 9, Highland Recreation Center will be open on Sundays from 1 p.m. to 6 p.m. during the winter season. "We are excited to offer new seasonal hours at Highland Recreation Center," said Parks, Recreation & Sports Tourism Director Ma...
Creating Business Cards Using Canva - Patrick Beaver Memorial Library
Join us at the Hickory Public Library on Friday, January 14, at 3:00 p.m. to learn how to use Canva to design a basic business card. Please create a free basic Canva.com account prior to class. You need an email address to create an account with Canv...
Hickory Fire Department extinguishes house fire
At approximately 18:56 p.m. Wednesday night, Hickory firefighters were dispatched to a structure fire located in the area of 819 Highland Ave SE. On arrival at 18:59, they found fire coming from the front of the residence and one occupant safe outsid...
Hickory Fire Department retirements
Congratulations to these fire department employees on their retirements. Patrick Auton (retired) Fire Captain James Patrick Auton has also retired as a member of the Hickory Fire Department. Auton joined the fire department on September 23, 1...
MLK Day closures
The City of Hickory will close its offices on Monday, January 17, in observance of the Martin Luther King, Jr. holiday. City of Hickory offices will reopen on Tuesday, January 18, at 8:30 a.m. Other City department closings and/or schedule updates...
Pursuing the Life Well-Crafted with a Field Trip to Carolina Crafted, our Featured Maker
Join the library as we learn about local entrepreneurs and artists who are turning their passions into livelihoods and transforming their talents and skills into lives well-crafted. On January 17 at 6:00 p.m., we will be visiting Carolina Crafted....
City of Hickory Solid Waste Division updates
The City of Hickory Solid Waste Division has been delayed in completing the second round of curbside leaf collection. Crews are currently working to complete pickup in the Northwest B quadrant. Once that quadrant is completed, crews will move on to t...
City of Hickory
76 North Center Street
Hickory, North Carolina 28601
Life. Well Crafted.
Hickory is for doers and makers seeking a well-rounded community, located between Charlotte and Asheville at the foot of the Blue Ridge Mountains, along I-40, where a collective spirit of craftsmanship strengthens any endeavor with detail, artistry, and quality.
© 2021 City of Hickory, North Carolina. All Rights Reserved


text:
Okay (prescurtat OK) este un cuvânt din limba engleză, care înseamnă "bine", ori "acceptabil", în funcție de context. OK este utilizat pentru a descrie o stare de spirit, un acord, sau chiar pentru a începe o propoziție. Apariția lui este de dată recentă (secolul al XIX-lea), și multe alte limbi l-au împrumutat, fiind astăzi o expresie aproape universală. Nu există un consens cu privire la ortografie: poate fi găsit sub formele "OK", "O.K.", "ok", "okay", "okee", "okie", "kay", "k" sau "kk".

Etimologie
O teorie susține că OK este abrevierea pentru "oll korect", un termen din jargon apărut în anii 1830. Cuvântul OK a apărut sub forma unei glume în 1839, în ziarul The Boston Post.

Martin Van Buren, al optulea președinte al S.U.A., ce avea porecla Old Kinderhook, a fost cel care a popularizat cuvântul OK. Van Buren ar fi început să folosească OK drept semnătură, iar susținătorii președintelui erau cunoscuți sub numele de OK Club.

În dicționarul limbii Choctaw, scris de Cyrus Byington în anul 1915, și în alte dicționare care au fost publicate mai târziu, okeh însemna "este așa și în niciun alt mod".

În 1919, Woodrow Wilson, cel de-al douăzeci și optulea președinte al S.U.A., care susținea că termenul provine din limba Choctaw, l-a rescris sub forma "okeh", pentru ca mai târziu aceasta să fie înlocuită de ortografierea mai modernă  cu "okay".

În anii 1950, cântărețul de muzică folk Pete Seeger a popularizat prin melodiile sale etimologia cuvântului OK.

Note

Vezi și
 List of proposed etymologies of OK

Legături externe

 Clubul "OK", circa 1840
 Un comentariu asupra originii cuvântului
 Originea Butonului "OK"
 O altă teorie privitoare la originea cuvântului

Argou

redpajama_set_name: RedPajamaWikipedia


Trying to identify my latest find and project!
Western Flyers? What do I have?
Can you identify this Campy hub?
Shimano 105 (1989) replacement hoods?
cheapest place to buy bulk cables and housing?
26x1.75 Duro Comp III clones?
Any condor m05 owners out there?
Show us your "other" prized CV collections!
Benotto frame and fork in my size!
Is it possible to make some profit off of used/old bikes?
Is it really a Dancelli ?
Is this axle an early Campagnolo Gran Sport axle ?
1971 Raleigh Sports brake caliper upgrade ?
where to get Weinmann brake hoods?
Think this frame is salvagable or is it for brazing practice?
What's the approx. vintage of this very cool Schwinn Dealer Sign?
My new (to me) Schwinn Sprint!
Is there such a tire ~ 27 inch vintage look perfomance gumwall for gravel / road?
When older gear works better.
PlanetX Holdsworth replica crankset - anyone tried it?
Why can't I stop upgrading?
Bikestash.com, do they actually still exist?
Aside from wheelset, how much weight can I shave off a steel frame 1980 Miyata 310?
Molteni = which RAL Orange?
How many times can I break a chain before it's time for a new one?
Will This Dérailleur Friction Shift A 9 Speed?


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Types of Connection, Normally circuits exceeding two parts have two basic varieties of relations: series and parallel. A series circuit is frequently a circuit by which parts are connected along only one route, so the present flows through one component to reach the second one. In a series circuit, voltages add around to all those elements connected within the circuit, and currents will be the same through all elements. In a parallel circuit, every device is directly connected to the power supply, so each device receives precisely the identical voltage. The present in a very parallel circuit flows over each parallel branch and re-combines once the branches meet again.
Tips to Draw Good-looking Wiring Diagrams, A fantastic wiring diagram must be technically correct and clear to read. Be careful of all of the info. By way of instance, the diagram must show the ideal direction in the positive and negative terminals of each element. Use the right symbols. Learn the significance in the basic circuit symbols and assess the very best ones to work with. Some of the symbols have very close appearance. You have to discover a way to tell the differences before applying them. Draw connecting wires as straight lines. Use a dot to point line junction, or utilize line jumps to indicate cross lines which are not linked. Label components such as resistors and capacitors making use of their own values. Be certain that the text placement appears clean. In general it's great to set the positive (+) distribution towards the top, and the negative (-) supply in the base, as well as the logical stream from left to right. Try to clean up the placement reducing wire crossings.
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When request bid from General Contractors my SOW stated bid to include everything from gutting to buy materials and rehab per plan. BP member's suggested the bid to separate for labor and materials. I was surprised by my GC's final bill line item called miscellaneous (which is not labor nor materials), this include dumpster rental and porta potty. The cost of this item is few thousand that my team didn't budget for, but I would think as a contractor he would have an idea on long he need the dumpster / porta potty.
Before I get all the contractor mad I at me, I did paid in full. I wouldn't want his worker have to pee in the yard or mess up the new bathroom :) But this leave me wondering, was it something I missed in my SOW? Shouldn't dumpster and potra potty rental be include in the materials?
Maybe I need a statement that covers EVERYTHING?
I think if you expect the GC to include every line item you're going to limit your self to GCs who won't do the bids for free anymore. That's an awful lot of work to expect them to complete before they even get notice of whether they get the job or not.
I wouldn't include porta potty or dumpster in materials. When it comes to tax time I know that contractors may or may not have to pay sales tax on material depending on who and how its paid for. Since the porta potty and dumpster doesn't increase the value of the home they seperate it out.
If you're hiring a good GC I think you need to give him a little more faith in his work. As an outsider it sounds like maybe you're trying to micromanage. If you feel you need to micromanage you need to do a better job of either trusting your GC or finding a better GC you can trust.
I agree with everything @Steven J. said. Very wise.
Sounds like simple miscommunication. I would recommend amending your contracts to reflect "Turnkey" and add language that final bid amount will be amount paid, any and all added charges or change orders will need to be approved and in writing.
I would disagree with the above comments a little bit. My W-2 job requires that I find, hire and manage general contractors for small commercial projects ($1.2-$1.5MM) and I get 3 bids and select 1. I NEVER pay for these bids and I expect them to be accurate and all inclusive. That is the cost of doing business in this industry. If they do a great job and there are no significant issues on the next job I will let them bid first and if it is inline I do not necessarily rebid it, but I may ask them to get multiple bids on certain subs. Until you have a history and a very good relationship it is your responsibility to micromanage. Once you have a history and a very good relationship it is still your job to manage.
You are paying a premium to have a general contractor and with that you should not be surprised by known expenses, and porta potties and dumpster are known expenses. With that said there is always a learning curve for both sides and those situations provide opportunities to "build your relationship". I would have addressed it head on with him and let him know you do not want surprises and this was a surprise to you. Explain your side and hear his side and then come to a compromise. I would have had him split the cost with me.
All that said, you are doing better than me being able to afford a GC for our rehabs! I need to buy better!
I can not micromanage GC and I don't need every line item is necessary. I will consider adding what Keith suggested "turnkey" wording such as " final bid amount will be amount paid, any and all added charges or change orders will need to be approved and in writing." Usually I do what JScott suggested, if it's less then $200 materials please go ahead and do right.
I have biz partners/investors to communicate to and things are budgeted, if something jumps out on the final payment is not very professional. Like what @Katie Neason said if it's known cost it should be included. Of course if GC open the wall and realize something wasn't supported correctly, additional man hours and materials is needed > $200 a quick call would take care of this.
If my team keep on using the same GC over and over we'll have better understand with each other.
@Katie Neason , due to liability my team always uses GC.
@Bob T. There is an important line that needs to be added to the start of every scope of work " including but not limited to". No need for line items you should already know your material cost and they should be selected for your contractor to save him time and you both money. Spec sheet should include location in the property, aprox sqft, sku number, price, store etc. as stated before don't make your contractor do paper work you want him running and managing your job.
Dumpsters and porta-potty are common expenses and easy to forecast. If the GC gave you a bid, these should have been included. Leaving them off the bid but including them in the final invoice is not something I'd have been happy about.


Sunday Afternoons for Kids: Oh, the Monstrosity!
They come from under the bed or the depths of the sea or behind the curtain. We tell stories and draw pictures of them, in fear and admiration. Novelist and screenwriter Brian McGreevy leads participants in an exploration of—gulp—monsters!


Bella loves creating and inventing (including creating her own ninja obstacles), while Jason has been doing gymnastics since he was 4.
Bella raced out to the early lead.
Jason nearly slipped on the cargo net on obstacle 2.
Jason made up some ground on Floating Tiles, and hesitation by Bella before the Warped Wall nearly allowed Jason to catch up.
But Bella held on and hit the buzzer first.
We've got the "Rhino Ninja" (Vaughn) vs the "Unicorn Ninja" (Madisen). Madisen is a writer whose nickname is inspired by her sister, who has Alopecia.
The two were tight after two obstacles.
But Madisen fell on the Tic Toc, giving Vaughn the win.
Bella made her way through the course again and advanced to the Final Showdown.
Vaughn works to save Rhinos, an endangered species.
Jason had a slight lead early.
Vaughn stayed close behind, but he fell on the final bar on I-Beam.
Jason made it up the Warped Wall again, setting up a Final Showdown rematch.
Ben helps his parents care for the foster kids they've taken in the last two years, while Addy runs a 5K in 23 minutes (23 minutes??? That's insane).
The two were tight going into the Ring Toss, but Ben pulled ahead on the third obstacle.
However, Addy passed Ben after he hesitated before Fly Wheels.
Ben retook the lead going into the Warped Wall, but another slight hesitation by Ben allowed Addy to pass him again.
Addy made it up the Wall on her first try and took the win.
Sophie hit the buzzer and took home the win after Mica got stuck on Ring Toss.
Addy is a gymnast who sees ninja as another way to challenge herself, while Mica is a musician who plays four instruments.
Addy took a big lead early.
Mica lost ground on Tic Toc, and fell again on the Ring Toss.
Addy hit her 2nd buzzer and moved on to the Final Showdown.
Sophie is a former high level performing gymnast who does Crossfit now.
Sophie started out with a nice lead, but she got stuck on the Ring Toss.
Ben's lead grew, setting himself up for the Warped Wall.
This time, he made it up on the first try and moved on to the Final Showdown.
Celena has been to the Junior Olympics twice and can throw a javelin 70 feet, while Sophie can back squat 180 pounds.
The two were even, but Sophie took a clear lead on Devil Steps.
Celena caught up and passed with a one swing dismount on Shelf Grab.
Sophie missed the Warped Wall on the first attempt, and Celena hit the buzzer, clinching the win.
Kacie is a surfer and wrestler, while Nolan is an advanced skier.
Kacie hesitated on her start, while Nolan kept a great pace.
The lead only grew as Kacie struggled with Devil Steps.
Nolan missed his first attempt on the Warped Wall, allowing Kacie to catch up a little.
But Nolan made it on his 2nd attempt, hitting the buzzer and taking the win.
Celena hit her 2nd buzzer and advanced to the Final Showdown.
Sophie raced out to the early lead.
That lead grew on Devil Steps.
Nolan nearly caught up, but he fell on the last shelf on Shelf Grab.
Sophie hit the buzzer and sets up another Final Showdown rematch.
That's right: three rematches for the Final Showdown!!!
The two were even going into the third obstacle.
But Bella's foot slipped on Tic Toc, allowing Jason to advance to the Semifinals.
The two were even before Ben took a slight lead going into the Ring Toss.
Addy took her first lead after the 3rd obstacle.
Ben retook the lead going into the Warped Wall.
But just like their first matchup, Ben missed on his first attempt up the Warped Wall.
Addy didn't as she hit the buzzer and advanced to the Semifinals.
This race started very similar to the first with Sophie looking strong on the Devil Steps and taking the lead after the 3rd obstacle.
But also just like the first race, Celena caught up passed Sophie on the Flying Shelf Grab.
Her lead was small, so it was anyone's race going into the Warped Wall.
Both ninjas missed the top on the first two attempts.
But it was Celena who made it up on her third attempt at hit the buzzer, advancing to the Semifinals.


To join a reputable organization which can explore my hidden talent and simultaneously can benefit from my dedication and commitment towards the work.
* Excellent Communication Skills, verbal and written.
* Outstanding dedication to customer service and client relations.
* Function well in a fast-paced & dynamic attitude with high level of professionalism.
Working As a Graphic Designer in Iccintiave Choice Pvt.ltd. till date.
•	SCHOOL: SLC Passed from Sagarmatha Boarding School ,Kathmandu, Nepal.


text:
Lifestyle Expert & Communications Pro
Lifestyle Expert
TV Reel
Mercedes Sanchez | Communications Pro
Mercedes Sanchez is a Communications Professional with seven years experience in public relations, public affairs and news.
Mercedes Sanchez is a Communications Professional with more than eight years experience in public relations, public affairs, and influencer marketing. She was the Deputy Press Secretary for Bronx Borough President Adolfo Carrion and a Media Relations Manager at Baruch College.
She's also a content creator and producer (WNBC, BeChicMag.com) and social media strategist with strong writing and pitching skills. Mercedes has experience in event planning, problem solving, booking talent and desktop video editing. Strong work ethic. Fluent in Spanish/English.
For inquiries or opportunities, email her at mercedes{at}mercedessanchez.com
More on LinkedIn.com.
mercedes@mercedessanchez.com


which is a member of the Grandiflorus Group with Small-flowered Scarlet red–Orange - Orange (Medium) 24 - with wide picotee on lip petal bloom in Mid-Season (80 days).
Registered by Ernie Sjuberg in 2010. Field height is ? inches and it has 20 buds on a single 19 inch flower spike with 7 florets which stay open together - ? in colour.
Scarlet red–Orange - Orange (Medium) 24 - with wide picotee on lip petal in July.
Scarlet red –Orange with wide picotee on lip petal A 3 ¼" floret with 20 buds 7 open flwrhd 19" field height medium 80 days." from North American Gladiolus Council. This seedling is a cross between Gladiolus 'Wallachian Daughter' with Gladiolus 'Muriel'.
"This interesting novelty has unusual butterfly shaped florets of heavy ruffling and substance. A red-orange accented with a thick wide lighter picotee on lip petals. Very dazzling in basket arrangements." from Peeters Enterprises Gladiolus.


To start the new year off in style, Birmingham.pm have finally unveiled their new website.
Due to the large wealth of content, and the time taken to update the static pages, a new dynamic site was envisioned. The HTML design was the work of Birmingham.pm regulars JJ and Chris Marsh, with the backend design and coding by Barbie. The logo and banner image are all JJ's work too.
Expect to see the content grow considerably as more Perl related news, reviews and events get added in the future.
The site has been in development for several months, and is built on a new website management system called Labyrinth. Labyrinth is written in Perl and uses the Template Toolkit to render the pages (include our new ICalendar). The new site is being hosted by The Positive Internet Company Ltd., for which Birmingham Perl Mongers are very gratefully.


text:
/**
 *
 */
package net.sf.reportengine.scenarios;

import java.util.Arrays;
import java.util.List;

import net.sf.reportengine.config.DataColumn;
import net.sf.reportengine.config.DefaultDataColumn;
import net.sf.reportengine.config.DefaultGroupColumn;
import net.sf.reportengine.config.GroupColumn;
import net.sf.reportengine.core.calc.GroupCalculators;
import net.sf.reportengine.core.calc.FirstGroupCalculator;
import net.sf.reportengine.core.calc.LastGroupCalculator;
import net.sf.reportengine.core.calc.MaxGroupCalculator;
import net.sf.reportengine.core.calc.MinGroupCalculator;
import net.sf.reportengine.core.calc.SumGroupCalculator;
import net.sf.reportengine.in.TableInput;
import net.sf.reportengine.in.TextTableInput;
import net.sf.reportengine.util.ReportIoUtils;

/**
 * @author dragos balan
 *
 */
public class OhlcComputationScenario {

	public static final TableInput INPUT = new TextTableInput(ReportIoUtils.createInputStreamFromClassPath("2010-1MIN-DATA.tsv"), "\t");

	public static final List<? extends DataColumn> DATA_COLUMNS = Arrays.asList(
		new DefaultDataColumn.Builder(1).header("Time").useCalculator(GroupCalculators.FIRST).build(),

		new DefaultDataColumn.Builder(2).header("Volume").useCalculator(GroupCalculators.SUM).build(),

		new DefaultDataColumn.Builder(3).header("Open").useCalculator(GroupCalculators.FIRST).build(),
		new DefaultDataColumn.Builder(4).header("High").useCalculator(GroupCalculators.MAX).build(),
		new DefaultDataColumn.Builder(5).header("Low").useCalculator(GroupCalculators.MIN).build(),
		new DefaultDataColumn.Builder(6).header("Close").useCalculator(GroupCalculators.LAST).build()
	);

	public static final List<DefaultGroupColumn> GROUPING_COLUMNS = Arrays.asList(
		new DefaultGroupColumn.Builder(0).header("Date").build()
	);
}

redpajama_set_name: RedPajamaGithub


text:
function simple() {
    return 'Woo!';
}


Envato has actually introduced numerous initiatives for many years and some of them have actually been significantly popular. Brand names like Tuts+, FreelanceSwitch, AppStorm, Creattica and Rockable Press had actually made their existence felt and a lot of these niche sites are still operational catering to their target market. The most popular effort and eventually brand name of Envato occurs to be ThemeForest. It is also the most successful endeavor of the company. ThemeForest is essentially a worldwide marketplace where you can access HTML templates and themes for WordPress, Magento and Joomla to name a few content management systems and website structure platforms. ThemeForest is an open source platform so developers from all around the world, neither used by Envato nor on any kind of agreement, can add to the stock of themes and templates offered on the website. However being open source likewise has its drawbacks. Not all themes have the assistance you may require as Envato is not straight responsible for such backend infrastructure unless they develop and own a theme. ThemeForest serves as a facilitator when third party developers sell their themes to website designers, web designers and entrepreneur.
Being an open source platform likewise has its benefits. ThemeForest has actually handled to bring aboard some of the finest WordPress developers from across the world which has actually assisted the platform to have some remarkable themes with outstanding performance. Numerous designers have broken in with their efforts in some cases and those ThemeForest WordPress themes are obviously amongst the best you can get. Owing to the active participation of creative developers, ThemeForest has actually managed to grow its stock to more than thirty 8 thousand themes, website templates, plug-ins and tools for WordPress and other platforms. Open source platforms have constantly paved the way for affordable rates or complimentary themes. While you can always download ThemeForest free themes, you may also consider one of the premium or paid ThemeForest HTML templates. The paid or superior ThemeForest WordPress templates are as affordable as $2. Naturally there are some themes that are greatly more costly however you can get some themes that are very inexpensive. You can not imagine downloading a superior theme from most developers that would begin with as low as $2. ThemeForest claims to have the largest worldwide neighborhood of imaginative developers and there is no great need to question that. Till date, ThemeForest has actually sold more than forty two million themes, templates, tools and plug-ins among other items. The community of developers on ThemeForest has actually made more than 5 hundred million through sales.
Whether you prefer a ThemeForest complimentary download or you consider an exceptional theme, you can rest assured of its performance and graphics, features and reliability. Every theme, design template, plug-in or any tool established by anyone on the open source platform is reviewed by the Envato group. A group of professionals carry out comprehensive tests and just after precise evaluation and complete satiation do they make the product readily available totally free or paid download. The review group does not interfere with the economics of the proposition but as far as performance, graphics, energy, dependability, features and security are concerned, all themes and design templates, plug-ins and tools to name a few are subjected to a stringent evaluation. Many designers get their very first submissions denied owing to some reason or the other and their creations only get authorized after they have been enhanced and all determined loopholes have been plugged.
There are more than two thousand 6 hundred ThemeForest WordPress themes. These don't include plug-ins, tools, site templates or e-mail design templates and other items. It is not likely that you would not discover the sort of theme that's ideal for your website provided the nature of your service, sort of branding you want to establish and the target audience you have in mind. ThemeForest is no less than Elegant Themes when it comes to diversity of themes. ThemeForest actually has many more choices than Elegant Themes and is a lot more sensible with most of its themes than the latter. Elegant Themes is unknown to have the most affordable products in this specific niche.
ThemeForest free themes and premium ThemeForest HTML design templates are neatly classified. You can use themes or templates suitable for blogs, creative websites, publications or digital publications, corporate websites, retail sites, technology websites or home entertainment websites, ecommerce site or online store, not-for-profit websites or others. All sites would be responsive and are completely adjustable.


Many rational minds have thought and pondered over the question of what happens after death. One cannot deny of not ever thinking about this during his lifetime. This is a perplexing thought as we still do not have a fitting answer to it. Death has varying effects on different people. To some death is something to be afraid of and to the others it is a promise of an ever-lasting and peaceful life of happiness in the presence of God in His kingdom.
Different cultures and civilizations have given rise to beliefs regarding the after life. This has not helped in resolving the question but has furthered man's speculation about it. Physical death is something which man is prepared for, its inevitable that man will complete his cycle of life and die. But there are only a few people who prepare for what will happen to them after they die. A large number of people would prepare for it if they actually knew what road they would be treading on after they die. In the Holy Bible, God and the Prophets prepare man on the life after death. According to the life they lead in the earthly world they will be categorized to go either Heaven or Hell. The people who will be going to hell will lament for not being prepared for the inevitable while those who lead a pious life will be rewarded a blissful life in heaven. In the earthly world man is separated from God. This is because he is born with the Original sin committed by man when he disobeyed God; leading to the Fall of Man, his departure from God's kingdom and losing his place in Paradise.


text:
Jason Kempin/Getty Images Entertainment/Getty Images
Gavin Rossdale Finally Opens Up About His Divorce
by Emily Lee
Gavin Rossdale recently opened up about his highly publicized divorce from Gwen Stefani in a new interview with Fabulous. The musical pair separated in August 2015 after 13 years of marriage. While the No Doubt singer has spoken candidly about her break up in the past, this is the first time Rossdale has really told his side of the story. The Bush frontman admitted that divorce was the last thing he wanted and openly talked about his regrets — and overall, Rossdale's comments about his divorce from Stefani were real and relatable and honest.
Rossdale told Fabulous that "apart from death, I think divorce is one of the hardest, most painful things to go through." While many people often tell those dealing with breakups not to have regrets, it seems that Rossdale knows that that's easier said than done in relationships; He also owned up to the pain of his loss, as well as his own role in the divorce. The singer revealed that there definitely are some things he wished he had done differently when he looks back on his marriage. "I know we all wish that, but we can't, so I have to deal with reality," he said. "You can't not have regrets and be human at the same time."
Andrew H. Walker/Getty Images Entertainment/Getty Images
Rossdale isn't only focusing on his regrets, though. He's able to look back on his relationship with Stefani fondly. "We had 20 years together and that in itself is pretty incredible. It's a lifetime. I still think she's incredible," he said of his ex-wife and mother of his children. "It was a lovely 20 years and we have three amazing children. There were a lot of positives, and with time they'll become more and more obvious."
Stefani is now famously dating country singer Blake Shelton. The couple met while working as judges on NBC's singing competition show The Voice. Rossdale has recently been linked Elin Nordegren, according to The Huffington Post.
Despite moving on to other relationships, Stefani and Rossdale are still committed to co-parenting their three kids. "We care about the children and it's about them," Rossdale said of their parenting partnership. "So we do everything to make this life change as seamless as possible."
It's never easy moving on from a long term relationship, especially when children are involved, but it seems like Rossdale and Stefani are just doing their best to make things work for their family, and reflecting on their time together like adults.
It's no easy task to be open about a previous marriage, but Rossdale's comments remind all divorced parents and newly single adults that it takes some time to bounce back — and that there's no such thing as a perfect person or perfect relationship.


text:
Author: Eric Tait
Urban Capital Network Closes It's Initial Investment Round With Mercury Fund
Post author By Eric Tait
No Comments on Urban Capital Network Closes It's Initial Investment Round With Mercury Fund
HOUSTON, TX – Feb 27, 2020 – In its initial syndicated investment, Urban Capital Network (UCN) raises $1.4 million dollars to invest in Mercury Fund's fourth early-stage venture capital fund.
UCN is a membership-based investment network focused on aggregating a broader range of investors and providing them with access to exclusive investment opportunities. Mercury Fund is an early-stage venture capital firm with over $300mm under management focusing on entrepreneurs and software innovation originating in the U.S. Midcontinent.
UCN and Mercury Fund have aligned to increase the pool of investors that have access to venture opportunities and expand the number of deal sources for Mercury Fund. UCN aims to equalize access to these opportunities by partnering with well-established venture capital firms that believe more people should have access to premium early stage venture capital opportunities. UCN further levels the playing field by allowing accredited investors to invest in significantly lower amounts through syndicated deal structures. The partnership is a win-win for both firms and has a positive social-impact twist.
Heath Butler, Felix Chevalier, Dr. Eric Tait, and Lenny Saizan are the founders of UCN. Their motivation for creating the network is the creation of a two-step effort to create a more balanced investment ecosystem: first, the UCN team aims to expand and extend investment access to premium early-stage companies, thereby increasing the odds of success for this broader set of investors. Second, UCN has created a pathway for successful investments to foster and ignite reinvestment into underserved entrepreneurs with the aim of closing the gaps in innovation, employment, and wealth in urban communities.
"Our goal is to increase the number of investors that are often left out of high-return, high-growth investment opportunities," said Saizan. "We believe the key to closing income and wealth gaps globally is to democratize access to opportunities across the investment ecosystem."
The UCN founders have committed a portion of their earnings to The Innovation Center for Urban Entrepreneurship (iCUE), an affiliated nonprofit, to facilitate investing in underserved entrepreneurs and urban communities. In the fall of 2020 iCUE plans to launch a diversity and inclusion investment fund focused on enabling growth in underserved entrepreneurs by investing vital capital to support their success.
"UCN is a key strategic partner investing smart and diverse capital. UCN's investment in Mercury Fund IV allows our firm to enhance our diversity and inclusion initiatives, increase our access to deal flow, and expand our value-added mentor and talent networks," said Blair Garrou, managing director of Mercury Fund.
UCN members have access to educational content, entrepreneur pitch sessions, an expert network, and the exclusive UCN deal book of investment opportunities.
For more information, visit www.urbancapitalnetwork.com.
Misty Starks
Misty@mistybluemedia.com
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