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Paul Tuttle (1918 – August 2, 2002) was an American designer known primarily for his work in furniture design, and secondarily for his work in interior design and architectural design. Tuttle had no formal education in design, instead drawing influence from his own experience and the mentorship of well known designers such as Alvin Lustig, Welton Becket, and Frank Lloyd Wright. Tuttle designed furniture for over 50 years, resulting in a body of work that included both manufactured and custom made furniture.

Early life
Tuttle was born in St. Louis, Missouri, growing up during the Great Depression. As a young man, he served in India during World War II. Upon his return, Tuttle applied to the Art Center School in Los Angeles, but was not accepted. Despite this, he decided to audit a class there taught by Alvin Lustig. His talent was noticed by the instructor, who hired Tuttle to work in his studio.

Career

Tuttle started out working in the studio of designer Alvin Lustig in Los Angeles. He soon received the Frank Lloyd Wright Taliesin West Fellowship, an apprenticeship program with mentorship from Wright himself. Tuttle moved to Taliesin West in Scottsdale, Arizona, and impressed Wright during his short stay of four months. Tuttle then moved back to Los Angeles and worked on furniture building by himself awhile, before serving as an apprentice to architecture firms Welton Becket & Associates and Thornton Ladd & Associates. As an apprentice, Tuttle worked on interior design. In 1956, Tuttle moved to Santa Barbara where he met Hans Grether, owner of the Swiss pharmaceutical company Doestch, Grether & Cie. Grether hired Tuttle as a design consultant shortly thereafter.

In 1966 Tuttle gave a solo exhibition at the Pasadena Art Museum, cementing his position as a leading American designer. He also won the first ever Carson Pirie Scott Young Designer Award for the popular "Z" Chair in 1966. The design for the "Z" Chair, originally known as the "Rocket Launcher" would become Tuttle's most well known work. Tuttle was hired by Strassle in 1967 as a designer, and subsequently spent half his time abroad in Switzerland until he left the position in 1983. In 1978, Tuttle's work was featured in a solo exhibit called "Paul Tuttle, Designer" at the Santa Barbara Museum of Art. After leaving his designer position at Strassle, Tuttle continued at Strassle on a royalty only basis, but concentrated on his custom work in Santa Barbara.

In 1982, Tuttle partnered with Bud Tullis to produce custom furniture, primarily for collectors. Between 1982 and 2001, Tuttle's custom work was at its height, resulting in the creation of over 200 pieces of furniture. A 2001 retrospective entitled "Paul Tuttle Designs" at the University of California, Santa Barbara showcased Tuttle's body of work. Tuttle died on August 2, 2002, in Santa Barbara.

Style
Tuttle was known for sleek, elegant, and refined modern furniture, as well as combining materials like metal, leather, and glass. Tuttle began designing furniture in the 1950s, and his style was heavily influenced by the modernist style of mentor Alvin Lustig. Tuttle followed the modernist ideal of minimalism, eschewing decorative ornamentation on his furniture. His work emphasized the materials he used and he sought to reflect the essence of function in his pieces.

References

1918 births
2002 deaths
American furniture designers
People from St. Louis

redpajama_set_name: RedPajamaWikipedia


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Eemil Nestor Setälä (; 27 February 1864 – 8 February 1935) was a Finnish politician and once the Chairman of the Senate of Finland, from September 1917 to November 1917, when he was author of the Finnish Declaration of Independence.

Setälä was a linguist, professor of Finnish language and literature at Helsinki University from 1893 to 1929. He was a major influence on the study of Finnish language, and the founder of the research institute Suomen suku ("The Family of the Finnish Language").

Life

Setälä was born in 1864. In 1892 he married the writer and editor, Helmi Krohn, and she took the name Setälä which she used until they divorced in 1913. A divorce was unusual at this time in Finland.

Architect and writer Salme Setälä was their daughter.

His political activities led him to be elected several times to the parliament, for the Young Finnish Party and for the National Coalition Party. For a brief period at the end of World War I, he served as acting head of state as the Chairman of the Senate. Later Setälä held cabinet posts as of the minister of education (1925) and the Foreign Minister (1925-1926).

He was the Envoy of Finland to Denmark and Hungary from 1927 to 1930.

From 1926 to 1935 he was Chancellor of the University of Turku.

He is buried in the Hietaniemi Cemetery in Helsinki.

References

External links
 E.N. Setälä in 375 humanists 21.02.2015, Faculty of Arts, University of Helsinki

1864 births
1935 deaths
People from Kokemäki
People from Turku and Pori Province (Grand Duchy of Finland)
Young Finnish Party politicians
National Coalition Party politicians
Finnish senators
Ministers of Education of Finland
Ministers for Foreign Affairs of Finland
Members of the Diet of Finland
Members of the Parliament of Finland (1907–08)
Members of the Parliament of Finland (1908–09)
Members of the Parliament of Finland (1910–11)
Members of the Parliament of Finland (1917–19)
Members of the Parliament of Finland (1919–22)
Members of the Parliament of Finland (1922–24)
Members of the Parliament of Finland (1924–27)
People of the Finnish Civil War (White side)
Linguists from Finland
Finnish Finno-Ugrists
University of Helsinki alumni
Academic staff of the University of Helsinki
Burials at Hietaniemi Cemetery
Chancellors of the University of Turku


Baldwins Intellectual Property is delighted to have been shortlisted as a finalist for the New Zealand Law Awards for another year in a row. We are among seven finalists in the 'IP Specialist Firm of the Year' category.
The winners will be announced at the New Zealand Law Awards gala dinner at the Cordis, Auckland on Thursday, 15 November. The black tie event will commence with networking drinks followed by a sit-down meal during the awards program. To book your seats at the gala dinner, click here.
The New Zealand Law Awards recognises leading firms and in-house teams across the legal profession who have demonstrated excellence over the past year. This recognition affirms Baldwins' position as a leader in the New Zealand market and recognises the favourable outcomes our specialists have achieved for clients in the past 12 months.
Baldwins congratulates the six other finalists in the IP Specialist Firm category.
More information on the award categories and criteria can be found here.


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morality | January 27, 2013
Eyal Press: Navigating Today's Moral Dilemmas [VIDEO]
What is it that causes some of us to stick to our conscience, even in the face of punishment? Eyal Press, the author of Beautiful Souls: The Courage and Conscience of Ordinary People discusses how we compartmentalize ethical concerns in a new interview. An exclusive Lavin speaker, Press explains that we often become aware of modern ethical conflicts but then shrug them off. "It's so easy to see a news report and then just kind of go on in our lives," he tells us in the interview. We will read or watch something about a big issue, such as climate change, without thinking critically about it or doing anything to help the situation.
While we know that something is terribly wrong, life tends to get in the way of us spending an extended period of time thinking about the issue. We have a dinner to make or a flight to book and lose sight of the ethical dilemmas we are faced with daily. The easy conversation to have is one about the conflicts of the past, he adds. We are able to discuss and predict what we would have done during a genocide from 50 years ago, for example, but we often neglect to ask ourselves: "What do I do today, given the world that I live in?" Press explains that this illustrates how the most threatening things to our lifestyle are abstract or hidden. We know they exist, but we put other concerns at the forefront of our thought process.
Press is an award-winning journalist and writer who speaks to the way we navigate issues of morality. His talks land at the intersection of politics and morality, and he has discussed everything from the highly controversial Israeli-Palestinian conflict to urban poverty. His subject matter is dramatic and eye-opening, and he asks audiences to question how their own moral compass operates—and what that means to society as a whole.
Barack Obama Names Shoshana Zuboff's Age of Surveillance Capitalism to His Favorite Books of 2019
Authors Safi Bahcall, George Packer, and Shoshana Zuboff Featured on Bloomberg's Best Books of 2019
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Authors Shoshana Zuboff and David Wallace-Wells Top The New Yorker's Favorite Books of 2019
Why Winning Doesn't Equal Success: Pac-12 Coach of the Century Valorie Kondos Field Speaks at TED
Lavin Exclusive Speakers
MCs & Entertainers Peter Mansbridge
Chief Correspondent for CBC News and Anchor of The National for 29 Years
Entrepreneurship Manjit Minhas
MCs & Entertainers Rick Mercer
Host of The Rick Mercer Report for 15 years | Author of Rick Mercer Final Report
Women & Leadership Susan Fowler
Time Magazine Person of the Year | Technology Editor of The New York Times Opinion Section
Social Justice Nikole Hannah-Jones
New York Times Magazine Staff Writer | MacArthur Genius Grant Fellow | Winner of the National Magazine Award
Author of The Handmaid's Tale and Alias Grace, Adapted into Acclaimed TV Series
Technology Nicholas Thompson
Editor-in-Chief of Wired | Former Editor of NewYorker.com
business strategy | January 24, 2013
Embracing Aboriginal Traditions & Community: Waneek Horn-Miller
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redpajama_set_name: RedPajamaCommonCrawl


Exploring the treasures in the National Agricultural Center and Hall of Fame, located not too far from Kansas City, Missouri.
The entrance to the Kansas Ag Hall of Fame is encircled by the state flags of the U.S.
The Ag Hall of Fame sign.
The museum's huge 20 hp 1912 International Harvester Victor dwarfs the surrounding implements and engines that fill the museum building.
Details on the Victor include its decal and manufacturing casting marks noting the manufacturer and important patent dates.
Decal on the International Harvester Mogul 8/16 reads, "Awarded Grand Prize highest possible award." Build plate shows a serial number of SB12457, making this a 1917 engine.
Build plate shows a serial number of SB12457, making this a 1917 engine.
A view of the operator's seat on the Mogul 8-16 shows the various controls that farmers had to master to get the most out of these early tractors.
This 1915 Ottawa engine was manufactured in Ottawa, Kansas, just a few miles from the museum, and features a Webster Tri-Polar Oscillator magneto.
The little twin-cylinder Model 72 Maytag looks positively tiny compared to the museum's upright Baker Monitor pump engine.
In the midst of Kansas and Missouri lies a gleaming gemstone known as the National Agricultural Center and Hall of Fame, or as it's fondly known, the Kansas Ag Hall of Fame. On my venture to this destination I stumbled upon known sights such as the Kansas City Renaissance fairground and the Kansas Speedway. Yet nestled in the very overgrown land is this museum of a forgotten time. I double- and triple-checked my GPS to make sure the coordinates were right for where I was, but the gargantuan sign didn't lie and I had indeed arrived. I felt a certain shame for having lived in Kansas my whole life, and not knowing that this amazing museum was out here waiting for me to discover.
Speaking with volunteers at the museum, I discovered that I wasn't alone for not having known about this splendid trove of vintage farm relics and engines. If you are a Kansas or Missouri native reading this and are racking your brain wondering where the museum is, it's 18 miles due west of downtown Kansas City, Missouri, in Bonner Springs, Kansas.
While researching the museum online, a particular passage on the museum website struck me: "Agriculture touches the lives of every living person. The food we eat, the clothes we wear, the way of life that developed the values, economy, and culture of our nation all find root in agriculture. Yet, today, few people understand or appreciate agriculture as the dynamic and pervasive force that has shaped our nation's past and that will shape the world's future." It's a notion we take for granted in today's world of instant gratification, not knowing how much hard work went into harvesting food or materials for clothing and other goods in the early days of our country.
At the museum entrance you are greeted with state flags of the U.S., symbolizing the diversity of our nation. Inside the first building, which houses many farm remnants and stands as the welcome center for all who enter, I promptly made a beeline for the vintage gas engines I had inquired about before my visit. Never having actually seen one in person, I wanted to see if they lived up to the picture in my head, so I made my way to the building known as the Museum of Farming.
One thing I remember being told was that the old farm engines could be bigger than some modern-day cars and weigh twice as much. I met with Ray Morgan, who has been the building and grounds coordinator for the museum for five years, and before he came to the museum he was a mechanic for 40 years. He took me over to the sections of gas engines that the museum houses.
Looking over the museum's fire engine red, 20 hp 1912 International Harvester Victor, Ray explained to me how the engines came to the museum as donations, owing to the museum's small budget. Fortunately, there are people kind enough to part with their engines so that everyone can get a glimpse into the workings of the power of the past.
The Victor was larger than the average farm engine in its day, with most farm engines being in the 2 to 14 hp range instead of the 20 hp that this powerhouse engine packed. It also weighs in at roughly 6,400 pounds. My car weighs about 3,300 pounds, so I was essentially looking at two cars' worth of weight in an engine that had provided great versatility for the early farming family, producing enough power to operate hay presses, corn shellers, feed grinders, cream separators, water pumps and washing machines.
The owner of this engine is unknown, which is quite intriguing because with it being over 100 years old it has likely changed hands a few times. According to C.H. Wendel, author of American Gasoline Engines Since 1872, the Victor and Famous IHC engines were essentially interchangeable, excluding the remote fuel tank that the Victors had for conformance and fire regulations. International Harvester claimed the engine needed one gallon of gasoline per horsepower to run for 10 hours.
Dwarfed in size sitting next to the Victor was an International Harvester Mogul 8/16, rated at 8 hp at the drawbar and 16 hp at the belt. A popular early tractor, they were manufactured from 1914 to 1917, with 14,065 of this model built. This particular Mogul weighed 5,500 pounds and sold for $775 in 1917, the year this tractor was made. Fuel was distillate, kerosene or gasoline. The old Mogul had the black-green patina of a tractor that had seen much travel and wear and tear from many years of use.
Following the horse-drawn era, steam and then gas engine tractors made farmers' lives much easier, one chuff at a time. This relatively small tractor, one of the first of its kind, was great for performing various tasks like orchard work, grading roads, and powering threshers, hay balers and silo fillers.
After learning a bit about the larger engines in the museum I went down the line in the airy building to the smaller portable engines, which were more what I had anticipated I would see, size-wise. The first one I encountered was a spectacular red Ottawa Manufacturing engine made in Ottawa, Kansas, just 47 miles south of the museum's location. There wasn't much information available on this engine except for a well-worn and yellowing card stating, "This engine was made in Ottawa, Kansas, about 1915. It spent its life on a farm and in the oil field at Chanute, Kansas. Restored and donated by: Cornie C. Miller Leawood, Kansas 1988." It used a Webster Tri-Polar Oscillator magneto which was manufactured by the Webster Electric Co. in Racine, Wisconsin.
The next engine I nearly missed, as it was so miniscule in comparison with the others that I had been poking around for the first half of my adventure. It was a forest green twin-cylinder Model 72 Maytag engine, built to power washing machines and other devices such as generators. The plaque on the engine's wooden base shows that the engine was restored by the same Cornie Miller who donated the Ottawa. This comes as no surprise when you remember that the engines are all donated to the museum, which operates on donations only, sans governmental support. C.H. Wendel notes in his book that most Model 72s featured an Eisemann ignition and that production, which started in 1937, ended in 1952. Maytag Company still operates today as one of Iowa's major industries and their products are sold worldwide.
The last engine I viewed on my trek through the building was an upright powder blue Baker Monitor stationary engine of an unspecified year and horsepower. The tag attached to it read that it was donated by August Witte of Norborne, Missouri. This particular engine was similar to one that Peter Rooke restored in his four-part series. This engine still has the presumably original metal battery box, compared to the wood box that Peter built himself for his restored engine.
Baker Manufacturing Co. was founded in 1872 in Evansville, Wisconsin, under the name A. S. Baker Co. The well-known "Monitor" trademark was adopted in 1876, when the company officially incorporated. Wendel notes that "Monitor engines were first built in about 1905. In the following years an extensive line was offered, ranging in size from a 1-1/4 Monitor pump engine to a 15 horsepower horizontal style." The museum's engine is likely a 1-1/4 hp model.
Marveling over this spectacular variety of engines both big and small gives the visitor new insight into just how diverse the old iron community really is. Certainly this rings true with quite a few hobbies, but by saving a piece of history for generations to come the National Agricultural Center and Hall of Fame is a prime example of the places you can visit to give a glimpse of days past, keeping history alive. My advice? Get off the beaten path and discover a hidden jewel of America's history for yourself.


Will you be blogging from Computers in Libraries 2012?
If you plan to blog from the conference, please let us know so we can add you to our list of bloggers. We have a simple form here at LibConf to let you do just that.
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text:
Sooper Winners!
2013 Environmental Art Competition
The winners for the 4th Annual Sooper Art Competition were announced this evening and I am proud to announce that BCWMS students Anna Pavlak and Emma McCloud were among those whose work was awarded.
Both students will have their work on display at the Grand Rapids Art Museum and receive $100 prize for winning. Their work also has a chance of winning the Mark Heckman Special Merit Award where they could win an additional $250. The winners will be recognized at a ceremony on December 14th.
We have participated in all four years of this event and it offers such a special opportunity for kids to share their talents in a meaningful way. Congratulations to the winners from Nickels and the High School, as well. BCHS Winner Ethan Karnes will celebrate his second win at this competition (he won with this work as my student four years ago).
Anna's Winning Work
Emma's Winning Work
Tryston Vande Vooren link
I really like the bottom piece the way that its different parts of the face and are not like connected but spaced out to make it look awesome.


text:
Business Insights History and Heritage
Find out about the storied history of the home of Cadbury Dairy Milk in Bournville, UK - by taking this 360 Degree Tour
The Start of Something Special
Care for the health and well-being of our people is in the DNA of leading snack manufacturer Mondelēz International. With a pedigree stretching back almost 200 years, this is apparent in the fascinating history of one of our key brand names – Cadbury – which comes to life in a new 360-degree Business Insights career video.
Chocolate through the Ages
Take a virtual tour of Cadbury's Bournville UK site and learn from our dedicated archivist how workers have benefited, through the decades, from an employer-provided cricket pavilion and recreation grounds, concert hall and, nowadays, an employee gym. Our attitude and concern for people prevails across the globe, in all the centers where we produce our iconic chocolate, biscuits, candy and gum brands. Alongside Cadbury, these include Milka, Prince, Oreo and Trident.
We continue the Cadbury tradition and focus also on quality and innovation, employing a hugely diverse group of people, from chefs and chocolatiers to scientists, designers and engineers. We work together, constantly seeking to find new ways to create moments of joy for consumers in 165 countries. No wonder we're looking for the brightest and the best to join our team.
That means, whatever your role, this is a great place to work. We offer a range of opportunities for people who want to contribute and develop their careers in a fun, flexible and fast-paced environment.
You'll be joining an organization that is diverse and supports a number of industries
You'll be working in a fun, flexible and fast-paced environment where your development and career aspirations will be supported
You'll be joining a global snacking powerhouse
Where Do You Fit In?
Are you ready to start the next phase of your career?
Do you have experience in an FMCG business?
Are you ready to help create and make the worlds favorite snacks?


If there is an event or function to take place, a top class venue is must-have factor for any occasion. Occasions be it an engagement ceremony, marriage ceremony, birthday parties or any thing else, selection of an appropriate function hall plays an important role. The selection of function hall decides the potential of determining how the further events in future will take place whether it be a success or failure. So is the case with selecting any function hall in Patna as well. It is quite a cumbersome job to get a proper function hall in Patna on time since the halls are already booked one or two month before the ceremony take place.
As we all know that everyone wants to have a grand function within their budget. For this purpose, they would want that the function hall selected has to be fabulous and mind-blowing. Nevertheless, there are several function hall in Patna that organize each and every function in an organized manner. They are responsible for each and every single decoration piece that has to take place in the function. Meanwhile, while picking up the function hall in Patna, some points are important to be kept in mind like an ideal area or settings depending upon your points of interest.
Capacity : Function halls are meant to conceive a large number of guests and that is why they are very spacious. So if someone is looking out for function hall in Patna, one must keep in mind the expected number of people and type of function going to take place. A function hall with rooms given to guests would add pleasure to guests and make them feel more convenient.
While choosing function hall in Patna, it is also important to look out for best interiors or scene which will suit your occasion or event.
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Another important factor yet to be considered is the parking space which will enable guests to park their vehicle in appropriate place where it is lawful to stop.
Choosing a function hall in Patna that provides highly skilled staff. This is because highly skilled staffs understand the customers demand more easily and conduct their jobs perfectly.
Needless to say, there are uncertain number of decorations or themes available in the market that can be helpful in making the occasion more beautiful and lively. However, most of the times, customers have no idea which decoration or theme has to be selected for a perfect function. There are many function hall in Patna that will help you in selecting exact and absolute decoration or themes for the event that has to take place in more convenient way. Function hall in Patna ensures you the most wonderful and outstanding events.


These are the things my son James has been afraid of in the 16-months that he's been alive: The grinding blender, the roaring vacuum, disembodied voices on the speaker phone, the time I pantomimed a broken leg, being put to bed alone in his crib. Most recently he ran in fright from shaving cream.
It happened late in the afternoon last week. James was playing happily by himself in his bedroom and I snuck off down the hall to address three days worth of stubble. After I'd worked a lather across my face I leaned out of the bathroom to check on James. He was sitting amidst a spread of colored blocks and when he saw my meringued-mug his eyes went wide and his lower lip began to shake. He stood up and advanced halfway down the hallway that separated us. Then he came to a stop. It was as if his world had suddenly become too uncertain to venture even another step.
James did not cry and I went back to shaving. I leaned back out to check on him twice more and each time he stood rooted in the floor, exactly where he'd been; his face looked like it would shatter at a whisper. After I'd rinsed my face and patted it dry, I went over to James. His terror mutated into something closer to disbelief as I approached. "Dat?" he said, pointing at my face. "That's right James," I replied, "It's just Daddy." He touched my nose and my cheeks, and then he turned on his small heels and went back to playing with his blocks.
Afterwards I thought about what this encounter might mean for the evolving way that James looks at the world. He experienced two intense, competing emotions—first, the terror of seeing his world upended and second, the relief of discovering that the horror was really no such thing. I wondered which feeling, the terror or the relief, would do more to shape his expectations the next time an unexpected event came his way.
A second story, this one from almost a decade earlier when I was 21-years-old. One evening a message came in on my dorm room answering machine. It was from my mom telling me that my grandfather had had a heart attack and was in the hospital. I called her back and she was sitting at his side. She told me my grandfather was conscious and alert, but that he had what was described to me as a hole in his heart and that surgery was imminent. My mom passed the phone to him. He called me "my boy" the way he always did and asked me how my classes were going. I skirted the topic of his health, not sure what to say about it, and as the conversation wound down I offered some cheery words about how much I was looking forward to seeing him a month later at Thanksgiving. Not once while on the phone, or in the hours afterward, did I worry in the slightest way that I might never talk with him again. It turned out I was wrong.
After the eulogies had been delivered and my grandmother had been promised that we'd all be back very soon, I went back to school. Still, in the weeks that followed and even a little bit to this day I was unsettled not only by the loss of someone I cared about, but also by how blind I'd been to the possibility that something real and serious might have been afoot when I'd last talked with my grandfather. And it wasn't just that I'd misjudged the odds of a 76-year-old man surviving heart surgery. It was that at the time my view of the world took no account of the fact that there is such a thing as a worst outcome, or even just worse outcomes, and sometimes they are the ones that happen.
As a child I was afraid of many things, and in my early twenties I was not afraid of enough. My current place in life, 29-years-old, recently married, newly a father, building a career, has its fair share of worries. Many of them take a form that only a few years ago I would not have been able to anticipate. If you were to tell a nine-year-old boy that in just a couple of years he'd develop something called self-consciousness and spend endless hours agonizing over how other kids perceive him, he'd say you were a fool.
A similar discontinuity took place for me in my late-twenties. Instead of self-consciousness, the new realization was that there are better and worse ways to live a life and no guarantee about which side of the line mine will fall on. Just a few years ago time felt limitless, and in that view any mistake could be redeemed. Now it's clearer that something actual is lost, maybe for good, any time I act ungenerously to my wife, or sit down to write and surf the Internet instead. It's exhilarating to play for real stakes, but it's terrifying too. There's also a creeping awareness of how vulnerable I am to events that lie beyond my control. If anything were ever to happen to James I recognize that I would bear it forever, like a scar.
Sometimes I feel up to the chore of carrying out a good life and other times the task feels overwhelming. Even as increasingly I recognize the size of the project that lies ahead, I question whether the choices that seem like the right ones to make in the context of a day or a year will scale to produce a happy and meaningful life. And I wonder whether in the future I will look back at the year when I was 29 and find that I was afraid of too much, or not afraid of enough.
While enveloping me in the fog of whimsy and illusion, Soviet songs also showed me how to notice of the work of mythmaking, the snares of narrative, the "ardor of art." The songs taught me to dream while distrusting the hopefulness of dreams.
What a wonderful essay. I identify completely with your experience of losing your grandfather. I was struck by your sentence where you wonder what part of your son's experience – the terror or relief – would do more to shape his reaction the next time around. I thought about how after many of the unexpected and scary events in my life, I've resolved to not take life for granted and to be braver about figuring out how to live a good life, but then there are intervals later on when I feel like my outlook has become more fearful and my decision making more timid, maybe as a result of these events or just the generally frightening experience of aging. Bad outcomes can give us a healthy dose of fear, but if taken too far we might find ourselves anticipating the worst outcomes too strongly (and in that case, in a perverted way, relief might come from the realization of our fears). You make a good point that there really is no point in warning a 9-year old about the fears he will face in a few years time – he can't understand these fears because he hasn't felt even the possibility that they could be realized – and I wonder if it would have been similarly pointless to warn your 21-year-old self to anticipate your grandfather's death if you'd never experienced anything like it. I agree with you in the abstract that it is better to be able to anticipate loss, but I have a harder time pinpointing in reality why that is.
I really liked this. I also find myself viewing the small actions of each day as a battle in the war of living a good and meaningful life. That loose, subconscious tally of wins/losses has a weight to it. Thanks for a nice essay.
NB: I wrote the following post a few hours ago, and I've been letting it simmer a bit. I've since visited the blogs of several other folks who were at BEA, and it made me want to point out that despite what I've written below, BEA was a very fun event and that it was possible to get a lot more out of it than I did – for proof check out Mark, Written Nerd, and Pinky to name a few.As previously noted, it wasn't really possible to do the sort of quick hit blogging that I wanted to do at BEA, but I've had the chance to cobble together my scattered thoughts on my overall impressions of the event in a post that will hopefully be better than a bunch of smaller ones would have been.First, I don't think I'll ever go again. The event obviously serves a purpose as the yearly trade show for the publishing industry, and BEA embraces the promotional atmosphere that is integral to such shows. Along with the hundreds (thousands?) of booths there are also dozens of panels and talks that address many aspects of the industry and allow for people to stay up to date on various topics. Some of the topics have a literary feel – there was an emerging voices panel, a panel on the short story, and the now infamous Sam Tanenhaus best books of the last 25 years panel – but many more were about salesmanship and other commerce-related topics (as there probably should be.) There was also the well-done, but poorly titled talk that Sarah of GalleyCat gave. It was called Syndicating LitBlog Book Reviews (Sarah didn't come up with the title), in which Sarah gave a nice little overview of the LitBlog culture. The unfortunate part was that there were only about 25 people there, half bloggers and half people trying to get bloggers to notice the books they were trying to promote. The question and answer period evolved into an off the cuff conversation where, essentially, we told these people how they could get at us. It hearkened back in a way to the pre-BEA topic that came up on several litblogs, the awkward relationship between litblogs and publicists (scroll down to the bottom of that post for links to what other bloggers were saying.) By the end of BEA I came to realize that the relationship between litblogs and the publishing industry as whole is ill-defined.At the heart of it, both sides want something. The publishers see blogs as a venue of growing importance, and, while perhaps overstating our influence, many are starting to see mentions on litblogs as a crucial aspect of bringing a successful book to market. Meanwhile, and forgive me for painting with a very broad brush, litbloggers want some grouping of the following things: we want free books; we want (often in a fanboyish way) access to authors and important publishing industry personalities; we want to be noticed and widely read, we want to feel that our devotion to book culture is filling the void left by the shrinking book review sections in newspapers and magazines; and finally – I'll admit it – some of us want to make a little coin (if litblogging isn't a dream job, I don't know what is).At mainstream publications, the rules of engagement are well-defined. Journalists are forbidden to accept freebies beyond just review copies. Popular reviews and interviews bring prestige to the publication for which the reviewers write as much as they do to the reviewers themselves. But we bloggers don't have ethics committees, and when we write something that becomes popular, all prestige (and a flood of readers) flow to the name on the blog. Publishers seem to know this, and the sense I got at BEA is that they see us as easy targets, venues for publicity that can be bought by playing to the vanity that anyone who blogs seriously must necessarily have. In the end, I'm not calling for a code of ethics for litbloggers or anything like that, it's just that being there in the center of the publishing industry's profit-driven heart, where books are flogged loudly and in a mind-bending number of silly and obnoxious ways, I realized that I should put a little more thought into my relationship with the publishing industry.
I wonder what a syllabus might look like that established a common life for the classroom—that asked the hard question of who the classroom forms us to be.
Listed for $338,000, at that moment the lowest price in the city, the house was called a "contractor's special;" two of its three bedrooms were qualified on the listing agent's half-assed flier as "legality unknown." When we went to the open house, the same agent eyed my eight-months-pregnant stomach and advised me to cover my mouth and nose before stepping inside.


TOKYO, June 8 -- China's decision to step up work in renewable energy may help make solar and wind power as cheap as coal as a fuel generating electricity, executives at a conference in Shanghai said today.
Solar projects in China are bringing closer "grid parity" where clean power costs are similar to those for fossil fuels, said Anil Srivastava, executive president for renewable energy at the French power generator Areva SA. Johnny Kwan, a senior vice president at chemical company BASF SE said China is on the way to being "the most successful low-carbon economy."
"The biggest benefit from China is that it will get us closer to the Holy Grail," Srivastava said at the Bloomberg Businessweek Global Green Business Summit in Shanghai. "The larger the developments that happen across the world, the closer we get to grid parity."
China spent $34.6 billion on clean-fuel projects last year, almost double the $18.6 billion invested by the U.S., Bloomberg New Energy Finance estimates. Those figures and the comments from executives signal China is pushing ahead with clean energy technologies even after Premier Wen Jiabao resisted forming a binding agreement on greenhouse gas emissions at climate talks in Copenhagen last year.
"There's a big difference between the politics of Copenhagen and what's happening in China on the ground," said Bruno Berthon, global managing director for sustainability at Accenture Plc.
China's shift to clean energy from fossil fuels stems from an over reliance on imported oil and coal, Han Wenke, director general of the Energy Research Institute at China's National development and Reform Commission said today.
Thirst for energy has led China to sign deals with Kazakhstan, Nigeria, Myanmar, Peru, Venezuela, Chad, Iran, Russia and Oman in recent years, while the International Energy Agency projects oil imports will almost quadruple over the 2006 level by 2030 to fuel the country's economic growth.
Environmental damage has also shifted the government's thinking, Han said. Twenty of the world's 30 most air polluted cities are in China, according to the World Bank.
"The environment is a key issue facing our economic development," Han said. "The problem is quite severe."
The government introduced feed-in tariffs for wind power last year. Companies added 14.1 gigawatts of wind capacity in 2009 compared with 14.1 gigawatts a year earlier, according to New Energy Finance.
In solar energy, the government has introduced incentives for power companies to install panels churned out by companies including Yingli Green Energy Holding Co. that typically were exported to countries like Spain and the U.S.
"It's become clear to us that we needed to change," Wan Bentai, chief engineer at China's Ministry of Environmental Protection, said today. "We need to transform our economic growth from a quantitative growth to a qualitative growth."
China is benefitting from government decisiveness in demanding the diversification of energy and reduction of carbon emissions, Areva's Srivastava said. Providing a cheap source of financing, often in the form of soft loans, ensures projects go ahead, he said.
China aims to produce renewable energy equivalent to about 700 million metric tons of coal, or 15 percent of its power, by 2020. The government wants to cut carbon emissions per unit of gross domestic product by as much as 45 percent of 2005 levels by 2020.
"Developments happen in China faster than in any other part of the world -- faster than in any other part of the world,' Srivastava said. "China has mandated a target and is sticking to that. In the U.S. there are all kinds of debates and many states come out with their own renewable policies and most of them fail to implement."
President Barack Obama has been urging Congress to pass legislation for an emissions cap-and-trade program in which companies buy and sell pollution allowances. The plan passed the House last year and stalled in the Senate. Senators John Kerry and Joseph Lieberman released a revamped bill in May aiming to boost domestic energy production while cutting greenhouse gases 17 percent from their 2005 level by 2020.
Still, China still lags behind in many areas in renewable energy, the Energy Research Institute's Han said. China's 70 wind turbine makers "mostly" use licensed international intellectual property for their core technology, he said. It may take "20 to 30 years" for China to catch up with energy technology development in the U.S., he said.
About 25 percent of China's wind plants also aren't connected to the national power grid, according to a New Energy Finance report published in May.
"China is still a developing economy," Zhu Hongren, chief engineer at the Ministry of Industry and Information Technology, said in a speech today. "We're in the stage of fast industrial development. We are trying to alleviate poverty at the same time that we're trying to manage emissions and increase environmental protection."


text:
Manga end on January 25
This year's February issue of Shogakukan 's Shōnen Sunday S revealed on Saturday that Yutaka Abe and Jirō Maruden's manga adaptation of the Detective Conan: Quarter of Silence ( Meitantei Conan: Chinmoku no Quarter ) anime film and Wataru Nadatani's Cat + Gamer ( Neko Gurashi no Gamer-san ) manga will end in the magazine's next issue on January 25.
The Detective Conan: Quarter of Silence film's story begins with a threat against the Tokyo governor, but Conan's quick thinking prevents any fatalities when a subway tunnel is blown up. Conan learns there may be a connection to a village that was relocated for the construction of a dam, and he races to stop the criminal before the next attack.
The film opened in Japan in April 2011.
Abe and Maruden previously drew manga adaptations of other films in the franchise . The pair previously drew the manga adaptation of Detective Conan: Fist of Blue Sapphire ( Meitantei Conan: Konjō no Fist ), the 23rd Detective Conan anime film. That manga also ended on Tuesday when the new Detective Conan: Quarter of Silence adaptation was revealed.
Dark Horse Comics will launch the Cat + Gamer manga with an English translation by Zack Davisson in comic shops first on March 2, 2022, and then in bookstores on March 15, 2022.
Dark Horse Comics describes the story:
Meet Riko, a twenty-nine-year-old office worker with an obsession with video games. Her coworkers can't quite figure her out—she never talks about her personal life, she never works overtime, and she never joins them for happy hour. Is she antisocial? Nope, she's rushing home to play video games alone. That is until a stray cat is found in the office parking lot and ends up coming home with her! Having no experience with pets, Riko uses lessons drawn from video games to guide her in cat care, while her cute companion tries to understand her behavior through a cat's worldview. Equal parts funny and heartwarming, Cat + Gamer is the perfect manga for cat lovers, gamers, and anyone looking for a lighthearted new read!
The manga debuted in Shogakukan 's Shōnen Sunday S magazine in November 2018. The manga's sixth compiled book volume shipped in Japan in May. Shogakukan will publish the seventh volume on January 18.
Source: Shōnen Sunday S February issue
Bakemonogatari Manga Enters Final Stage – News


Reporting is the formatting or presentation of audited data in the form of reports (analytical reports, results, presentations, etc). These reports are often periodic and generated in very large quantities, hence the importance of an automated solution that saves time and resources.
Information in the form of a report can be stored or transmitted in various formats (e-mails, print, pdf, ppt,...) to customers (Client Reporting), internal/external managers or partners. They provide a snapshot of the results achieved and are often the basis for strategic decision-making.
Client Reporting in banking is a periodic process designed to inform clients about the activities and financial results of the assets deposited and managed by the bank. This information takes the form of Customer Reports (sometimes also called Client Reporting); these are in paper or electronic form, and can be transactional, operational or analytical.
A Client Report presents information either on a single transaction/operation (notice), a list of transactions/operations (transaction statement), a loan (loan situation), or on all clients' assets (portfolio statement).
Examples of customer reporting in the banking industry include: transaction notices, account statements, loan statements, portfolio statements or estimates, management reports, etc.
Accelerating the digitalisation: What if the solution was in your reports?
Digitalisation has a direct impact on all business models and organisations. The challenge is therefore to set up a system that supports the use and the transmission of the data. But the process needs to go further.
In order to create sustainable value for the company, the information should be accessible, reliable and easily transmitted. By allowing audited data to be quickly formatted in various formats and by transmitting most of the information throughout multiple distribution channels, a reporting solution plays a decisive role.
Does your digitalisation strategy include an effective reporting solution?


text:
Q: React with Node.js export two functions I have a JSX file like this:
var Home = React.createClass({
    render: function() {
        return (
<Test>
...
var Test = React.createClass({
    render: function() {
...

module.exports = Home;

But I cant manage that both functions load, I guess I have to add Test to module.exports, but I couldn't find a method that worked.

A: If you require("home.jsx") it will automaticaly load and render your Test component inside Home.
It would be better to separate those components in defferent files, that will help you to manage components when your app will be too large.
test.jsx
module.exports = React.createClass({
  render: function() {
    return
Test

  }
})

home.jsx
var Test = require('./test.jsx');

module.exports = React.createClass({
   render: function() {
      return

        <Test>

   }
})

Of course you are also able to do something like @Mukesh Sharma answer.
Thanks

A: Hope it helps you.
var Home = React.createClass({
   render: function() {
      return (
<Test>
...
var Test = React.createClass({
   render: function() {
...

module.exports = {
  "Home": Home,
  "Test": Test
}

redpajama_set_name: RedPajamaStackExchange


text:
circa 1957-19694
196~2
CRESS Studios of Photography1
Jones, John A. 1
Photograph Department at Weirton Steel Company1
Wiseman, Ellen Jane1
West Virginia & Regional History Center15
A head shot of Arch A. (Kim) Moore, III, Congressman Moore's son.1
Congressman Arch A. Moore, Jr and his family in the back of a convertible during a parade. The car has a sign on the side that says "Congressman Arch Moore, Jr. and family." The Moore's are all wearing flower lei's.1
Congressman Arch A. Moore, Jr and his son, Kim, sitting in the back of a car during a parade.1
Congressman Arch A. Moore, Jr. and his family in the back of a convertible during a parade. Moore is raising his hand to wave. A sign on the side of the vehicle reads "Congressman Arch Moore, Jr. and family." The family members are all wearing flower lei's, except Mrs. Moore who has a bouquet.1
Congressman Arch A. Moore, Jr. and his family in the back of a convertible during a parade. Mrs. Shelley Moore and their daughter Lucy, are shown. Mrs. Moore is holding a bouquet of flowers. Lucy is leaning against the back of the driver seat. A sign on the side of the vehicle reads "Congressman Arch Moore, Jr. and family."1
Congressman Arch A. Moore, Jr. and his wife, Shelley, sitting on the back of a convertible car. Arch is wearing a lei and Shelley is holding a bouquet of flowers. Sitting in the back seat are their three children, Shelley, Arch (Kim), and Lucy. The side of the car says "Congressman Arch Moore."1
Congressman Arch A. Moore, Jr. standing with his wife, Shelley, and youngest daughter Lucy. Their oldest daughter, Shelley, is seated in a chair beside them with Kim (Arch III), sitting on the arm of the chair.1
Congressman Arch A. Moore, Jr. with his family and staff. Moore and his wife are seated in the first row. Their daughters Shelley and Lucy are the first two people standing in the second row, left side. Arch III (Kim) is standing in the second row, first on the right side.1
Congressman Arch A. Moore, Jr. with his son Arch "Kim" Moore, III.1
Congressman Arch A. Moore, Jr. with his wife and three children in front of a Christmas tree.1
Congressman Arch A. Moore, Jr. with his wife and three children in the back of a convertible during a parade. The car has a "Congressman Arch Moore, Jr. and family" sign on the side.1
Congressman Arch A. Moore, Jr. with his wife and three children. The seal of West Virginia in the background.1
Congressman Arch A. Moore, Jr. with his wife, Shelley, and their three children. An unidentified man is also in the photograph. In the background is a sign that reads, "National Cemetery".1
Congressman Arch Moore, Jr. on skis with his wife and three children.1
Congressman Arch Moore, Jr. talking to an unidentified individual. His wife, Shelley Moore, and son, Arch A. Moore III, are standing beside him.1
Moore, Arch A., III (Arch Alfred), 1951- [remove]15
Moore, Arch A., Jr. (Arch Alfred), 1923-201514
Moore, Sadie Shelley Riley, 1926–201412
Capito, Shelley Moore, 1953-11
Moore, Lucy, 1956-8
Legislators--United States14
Governors--West Virginia 13
Husband and wife8
Parades5
Chrysler automobile4
Bouquets3
Fathers and sons3
Legislative bodies--Officials and employees2
Signs and signboards2
Automobiles, Convertible1
Boys1
Christmas trees1
Fathers and daughters1
Great Seal of the State of West Virginia1
Portraits1
Portraits, Group1
Skis and skiing1
Weirton (W. Va.)2
Wheeling (W. Va.)1
image/tiff15
A&M 2862, Governor Arch A. Moore Jr. papers, West Virginia & Regional History Center, West Virginia University Libraries[remove]15
You searched for: Source A&M 2862, Governor Arch A. Moore Jr. papers, West Virginia & Regional History Center, West Virginia University Libraries Remove constraint Source: A&M 2862, Governor Arch A. Moore Jr. papers, West Virginia & Regional History Center, West Virginia University Libraries Subject Personal Moore, Arch A., III (Arch Alfred), 1951- Remove constraint Subject Personal: Moore, Arch A., III (Arch Alfred), 1951-
1. Photograph of Congressman Moore with his family
Photograph of Congressman Moore with his family
Wiseman, Ellen Jane
Capito, Shelley Moore, 1953-, Moore, Arch A., III (Arch Alfred), 1951- , Moore, Sadie Shelley Riley, 1926–2014, and Moore, Arch A., Jr. (Arch Alfred), 1923-2015
Family, Legislators--United States, Governors--West Virginia , and Portraits, Group
2. Photograph of Congressman Moore and his son sitting on the back of a car
Photograph of Congressman Moore and his son sitting on the back of a car
Photograph Department at Weirton Steel Company
Moore, Arch A., III (Arch Alfred), 1951- and Moore, Arch A., Jr. (Arch Alfred), 1923-2015
Legislative bodies--Officials and employees, Fathers and sons, Legislators--United States, Political campaigns, and Parades
Weirton Steel Corporation
Weirton (W. Va.)
3. Photograph of Congressman Moore with his son
Photograph of Congressman Moore with his son
Jones, John A.
Fathers and sons, Family, Legislators--United States, and Governors--West Virginia
4. Photograph of Congressman Moore with his family in front of a Christmas tree
Photograph of Congressman Moore with his family in front of a Christmas tree
CRESS Studios of Photography
Christmas trees, Family, Legislators--United States, Christmas, and Governors--West Virginia
Wheeling (W. Va.)
5. Photograph of Congressman Moore, Shelley Moore, and son talking to an unidentified individual
Photograph of Congressman Moore, Shelley Moore, and son talking to an unidentified individual
Moore, Arch A., III (Arch Alfred), 1951- , Moore, Sadie Shelley Riley, 1926–2014, and Moore, Arch A., Jr. (Arch Alfred), 1923-2015
Legislators--United States and Governors--West Virginia
6. Photograph of Congressman Moore skiing with his family
Photograph of Congressman Moore skiing with his family
Family, Legislators--United States, Skis and skiing, and Governors--West Virginia
Capito, Shelley Moore, 1953-, Moore, Lucy, 1956-, Moore, Arch A., III (Arch Alfred), 1951- , Moore, Sadie Shelley Riley, 1926–2014, and Moore, Arch A., Jr. (Arch Alfred), 1923-2015
Legislative bodies--Officials and employees, Husband and wife, Children, Family, Legislators--United States, Governors--West Virginia , and Great Seal of the State of West Virginia
8. Photograph of Congressman Moore and his family in the back of a car
Photograph of Congressman Moore and his family in the back of a car
Flowers, Husband and wife, Children, Bouquets, Family, Legislators--United States, Political campaigns, Governors--West Virginia , and Vehicles
Flowers, Chrysler automobile, Children, Family, Legislators--United States, Political campaigns, Governors--West Virginia , Parades, Husband and wife, Political campaigns--United States, and Vehicles
10. Photograph of Congressman Moore and his family in the back of a car during a parade
Photograph of Congressman Moore and his family in the back of a car during a parade
Flowers, Automobiles, Convertible, Political posters, Children, Bouquets, Family, Vehicles, Political campaigns, Parades, Husband and wife, Chrysler automobile, Political campaigns--United States, and Signs and signboards
Flowers, Chrysler automobile, Political posters, Children, Bouquets, Family, Legislators--United States, Political campaigns, Governors--West Virginia , Parades, Husband and wife, Political campaigns--United States, and Vehicles
Flowers, Chrysler automobile, Political posters, Children, Family, Legislators--United States, Political campaigns, Governors--West Virginia , Parades, Husband and wife, Political campaigns--United States, Signs and signboards, and Vehicles
13. Photograph of Arch (Kim) A. Moore, III
Photograph of Arch (Kim) A. Moore, III
Moore, Arch A., III (Arch Alfred), 1951-
Boys, Portraits, Children, Family, Legislators--United States, and Governors--West Virginia
14. Photograph of Congressman Moore, Shelley Moore and their three children
Photograph of Congressman Moore, Shelley Moore and their three children
196~
Fathers and sons, Children, Family, Fathers and daughters, Governors--West Virginia , Youth, Husband and wife, and Legislators--United States
15. Photograph of Congressman Moore with his family and staffers
Photograph of Congressman Moore with his family and staffers
Husband and wife, Children, Family, Legislators--United States, and Governors--West Virginia


WINDBER - — The Bronx Wanderers Live show is a hit-filled journey, said Amy Moore, the director of public relations for the Arcadia Theater.
Moore said the show has proven to be such a favorite they have invited the group back after its appearance last year.
The Bronx Wanderers will be at the Arcadia Theater, 1418 Graham Ave., Windber, at 7:30 p.m. July 26. Moore said about the group and its music, "It is a fresh, original take on classic rock-n-roll. One that is full of energy and heat."
Organizer of the group "Yo' Vinny" was born in New York City. According to his background information, it was Rock and Roll Hall of Fame legend Dion DiMucci, who guided him. Vinny said in an interview done a few years ago, "I called Dion up and said I want to make it in the record business and he sent me over to work with Cashmen & West. I got to work with them, and they just loved me, a kid from the office, who worked my way up to general manager."
Vinny worked for 25 years at with Cashmen and West until they retired.
"I had no job, no where to go and no idea what I was going to do," he said.
A friend suggested he join his nightclub act to become a back up singer, which he did showing off his talent and style.
It was at one of the rehearsals for the nightclub act, that Yo' Vinny's son, Vinny "The Kid," was discovered. Vinny took him who was 11 at the time to rehearsal. He did well as a musician, especially because he looked like a character from the Bronx Tale, a 1993 American drama set in the Bronx during the 1960s.
The decision was made to use him in the act because he went over so well.
Vinny "The Kid" took the stage that faithful night with a lot of confidence. He started playing the keyboard at the age of 8 with a little help and guidance from his father. He picked up his first guitar at the age of 9. The family knew then that music was going to be at the center of his life.
Entirely self taught, he realized it was time to get the ball rolling and play in front of an audience at the tender age of 13. After watching the acts in a school talent show, Vinny "The Kid" entered every local talent show with his brother making their names known all around.
Yo' Vinny's 14-year-old son, Nicky "The Stix" asked his parents for a set of drums at the age of 8 and has not stopped playing since. Nick began sitting in and playing shows with his dad's band back in 2005, before becoming a permanent member of the Bronx Wanderers.
While sharpening their musical skills, Nick and Vinny "The Kid" won the Northern Valley Regional High School talent show in 2006.
Talented musicians Jimmy Fracassi and John Tutino, join the family members to make the group The Bronx Wanderers.
Moore said that because of the age span of the performers, The Bronx Wanderers play music from Doo-Wop to Frankie Valli to Billy Joe to one of the newer bands, Cold Play.
"They are just pitch perfect. From the moment the curtain goes up to the final encore the show is filled with chart topping songs from your childhood to what your kids and yes even your grandkids are listening to," Moore explained.
For tickets to the show, contact the Arcadia Theater box office at 814-467-9070, 10 a.m. to 4 p.m. Monday through Friday.


Pacific International Marketing ("Pacific") is voluntarily recalling 19 cases of bulk Romaine Lettuce sold at Vons and Pavilions stores in California and Nevada due to potential Salmonella contamination. The bulk Romaine Lettuce was sold in bulk produce bins from July 2, 2012 through July 4, 2012. The lettuce heads are banded with a red twist tie marked "Safeway." Consumers who may have purchased this product should discard it or return it to the place of purchase for a full refund. No Illnesses have been reported to date. This recall is being conducted out of an abundance of caution. The recall is the result of a positive Salmonella test taken at the field level. The source of contamination is unknown.


For the strength of the wolf is the pack, and the strength of the pack is the wolf.
My goal, whether in training or in walking, is to instill a sense of balance in our canine friends lives. This "balance" can be achieved, simply enough, with exercise, discipline and affection. This equation is universal within the dog training community and is the absolute foundation of my business.
Ready for your pup to join our pack?


Princess Cruises - Bespoke Offers - Mediterranean, Japan, Panama & More!
Princess Cruises have revealed that 2020 will see no less than three of their ships based in the UK. This is a first for the American cruise line and means there will be even more European itineraries to choose from, conveniently cruising from Southampton. In fact, available capacity on European cruises will be up by 15% on 2019. As well as this, the naming ceremony for Princess Cruises' newest ship – Emerald Princess – will be held in Southampton in late June 2020. This shows a real confidence and appreciation of the UK cruise market.
Crown Princess, Island Princess, and Regal Princess will offer cruises around the UK, to North Europe and Scandinavia, the Mediterranean, and the Canary Islands. The rest of the fleet will be offering itineraries in Asia, the Caribbean, and North America as well. With low deposits of just £50 per person, get in touch with a sales agent today to book your ideal Princess Cruises holiday.
Explore Japan on one of Diamond Princess' exciting Asian itineraries, on which you could explore a Miso Brewery in Gamagori, taste delicious ramen noodles in Wakayama, or take in UNESCO world heritage site, Himeji Castle. Alternatively you could see more of the UK's own beauty onboard Crown Princess, Sea Princess, or Pacific Princess.
Princess Cruises is an American style cruise line dedicated to delivering a superb, elegant cruise experience and excellent service. Known for a relaxed atmosphere, fantastic food and impeccable standards, Princess Cruises is one of the largest cruise lines at sea.
With a choice of 18 ships sailing to all 7 continents including South America, America and Alaska, a Princess Cruises holiday offers you the opportunity to explore more ports of call, and thus a greater variety of excursions and tours than any other cruise line.
Princess Cruises elegant fleet of ships blend an impeccable level of service together with an informal and cosmopolitan onboard ambience. When you cruise with Princess Cruises, you come back new.
Enjoy an incredible array of onboard daytime and evening activities and a range of fine dining restaurants and colourful shows onboard with Princess Cruises. Experience entertainment like nowhere else and witness the wonder of three time oscar winning composer Stephen Schwartz in the magnificent Magic to Do Musical, only with Princess Cruises. Hear more about life onboard from Princess Cruises ambassador, Phillip Schofield.
Princess Cruises offer several cruises from Southampton to the Mediterranean and Baltic so that guests can enjoy a Princess cruise without the need to fly. Other exciting destinations visited by Princess Cruises include Alaska, North America, Caribbean and Asia. Fly Cruises are available from a range of airports including Glasgow, Sheffield, Gatwick, Manchester and Birmingham.
Princess Cruises offers affordable luxury cruises and offers great cruising experiences for first time cruisers.
If you're a regular cruiser with Princess Cruises, find out more about joining their fantastic rewards scheme - Princess Cruises' Captain's Circle - for all sorts of brilliant added benefits.
Absolutely stunning. The holiday was amazing and the ship was better than imagined - a dream come true.
We went on the 'round Australia' 28-day cruise. Staff great, food good, enjoyed entertainment. Thinking of booking again.


text:
Home/KC Royals History
Why the KC Royals should retire Amos Otis' number
By Batoul Hammoud
(Photo by Focus on Sport/Getty Images) /
The KC Royals definitely don't overdo retired numbers. As Kings of Kauffman's Mark McCarthy pointed out in his recent story on the subject, and besides Jackie Robinson's No. 42 which Major League Baseball retired across the game, the Royals have only three retired numbers—George Brett's No. 5, Frank White's No. 20, and Dick Howser's No.10.
The last time the Royals retired a uniform number was 1995 (White's No. 20), and with so few retired numbers in franchise history, it seems about time they honor another star player.
Alex Gordon, retired World Series champion manager Ned Yost, and Salvador Perez will likely be the last to wear their jersey numbers. Kings of Kauffman's Mike Gillespie made a case for retiring former skipper Whitey Herzog's number a couple of years ago. And there are plenty of other deserving players, like the late Dan Quisenberry and Willie Wilson.
Today's discussion, though, is about the No. 26 of Amos Otis.
Amos Otis should be honored by retiring his No. 26 KC Royals jersey number.
Simply put, Otis is one of the top players in Royals history, perhaps even the second best behind Brett.
And his numbers prove it. He slashed .280/.347/.433 with a .780 OPS in 14 years with KC. He's among the Top 5 in several team all-time categories—he's second to Brett with a 44.8 WAR, 1,074 runs, and 739 walks, and to Wilson with 340 stolen bases. He's third with 1,977 hits, 65 triples, and 992 RBIs, and fourth with 365 doubles, 193 home runs, and 623 extra base hits.
Otis also was a five-time All-Star, three-time Gold Glove winner, and three-time Royals Player of the Year. He finished in the top 10 in MVP voting four times.
Otis was also a clutch postseason hitter with a .295/.360/.487 slash, .848 OPS, three home runs, 11 RBIs, eight stolen bases and eight walks in 22 games. His best postseason performance came in the six-game 1980 World Series when he slashed .478/.538/.957 with a 1.495 OPS and seven RBIs.
One former KC Royals star speaks quite highly of Amos Otis' baseball skills.
Plenty of people have spoken highly of Otis, including fellow club Hall of Famer Frank White, who noted baseball writer Jeffrey Flanagan reports once said of him:
""When people ask me about the guys I played with, they will say, 'George Brett is the greatest hitter in Kansas City history.' And I agree with that. But as far as a player, if you judge him in every facet of the game, this guy here [Amos Otis] is the best player who ever played for the Kansas City Royals.""
Otis was a complete player—highly skilled not only offensively, but defensively, too. He was an all-around player any major league team would have loved to have had.
In all, 26 players have worn the No. 26 in club history, with 24 of them coming after Otis left Kansas City. For being one of the best overall players in team history, it seems only right that the Royals honor Otis by retiring his No. 26.
Next. Why Mondesi is so important now. dark
Amos Otis was one of the best players in Kansas City history and is more than deserving of being honored with a number retirement.


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Embracing technology and inclusive growth ...
Singapore Conference on the Future of Work
Embracing technology and inclusive growth
Statement | Singapore | 29 April 2019
Minister of Manpower Josephine Teo,
Secretary-General of ASEAN,
Representatives of the Singapore National Trade Union Congress and National Employers Federation,
Representatives of the employers and workers of ASEAN countries,
Members of the ILO's Global Commission on the Future of Work,
Let me begin by thanking our hosts the Ministry for Manpower and the Government of Singapore and the social partners – the Singapore National Employers Federation and the National Trade Union Congress – for their joint effort in organizing this most important regional conference on the future of work today.
Ladies and gentlemen, I join you here in Singapore at the end of what's been a truly remarkable month for the International Labour Organization.
On the 10th of April I was with the President of the United Nations General Assembly and the Secretary-General António Guterres in New York where the General Assembly held a special session to celebrate the ILO's one hundredth anniversary. And the very next day the 11th of April, which was the hundredth birthday of the ILO, we had a live 24-hour Global Tour. We moved across the globe broadcasting online from 24 cities. We highlighted our success stories and we had insightful debates on the future of work, but we also had dancing and singing and laughter. And this remarkable event showed us what the ILO's 100-year fight for social justice and for dignity at work has really meant to governments, to workers and to employers. And I hope that some of you at least were able to join in or to follow these events in your region. They took place in Suva, in Manila, in Beijing, in Bangkok, in Dhaka, in Colombo, and in New Delhi.
And ladies and gentlemen, today's Conference, today's event is a continuation of this journey. And in many respects let me say that Singapore has been a pathfinder when it comes to the future of work. And we've just heard from the Minister and we've just seen on the video how that has been played out. And the same applies in the International Labour Organization's Future of Work Centenary Initiative.
So again, Minister Teo, to all of you in your team and to your social partners, thank you for this leadership.
The Centenary celebrations for the ILO provide us with a real opportunity of course to look back at 100 years of achievements in pursuing our social justice mandate. And in doing so we of course recognize the progress that has been made in keeping with development anchored in the principle of decent work for all.
At the same time I think it's more important we have the opportunity to look to the future and to see how we are going to shape the future of work that truly leaves nobody behind.
The future of work is not decided for us it's not predestined. We have the power to work together to determine the direction that future will take. And I believe that we have a shared responsibility to do just that. And that's an important message – I would say it's the central message – of the ILO's Global Commission on the Future of Work, which published its report in January of this year.
Now the content of that report will be presented to you shortly. So I'm not going to spend much time on it right now, except to share one of its messages, which is that we have the potential to work together, to drive a human-centred agenda for the future of work. What does that mean? It means placing women and men and the work that they do at the very centre of economic and social policy.
We're all aware that new forces are transforming the world of work: new technologies, demographic pressures, climate change. And today there is also uncertainty about the future path of globalization.
And we know that all of these factors are changing how people work and where they work. Enterprises and business models are changing as are labour market institutions and the services that they provide. I think we all know that change is inevitable and it is welcome. But there is one thing that does not change and that is our moral imperative to protect the most vulnerable from any negative consequences of these transformative forces.
And for this, we need to make sure that we have strong institutions in place to keep the future of work moving in a positive direction. I have no doubt that our social justice mandate is as relevant today as it was when the ILO was founded in 1919. And I have no doubt either that our standards setting work conducted through our unique tripartite structure is needed as much as ever it was – possibly even more so today than ever before – as the world of work undergoes these transformative changes of unprecedented scale and speed.
But if we look at the ASEAN region in this context we see that there is certainly a lot to celebrate here. Good reason to look to the future with both optimism and confidence in a region that continues to outperform all others in terms of economic growth. As we heard the average growth rate of five per cent between 2007 and 2017 was well above the average growth rate and some of the fastest growing economies in the world are represented in this room today with almost all ASEAN countries still above five per cent annual growth.
In the 20th century millions of Asians moved to Europe or to North America to pursue their dreams of building a good life. Today the flows are reversing. Entrepreneurial Europeans and Americans are flocking to Asia attracted by your region's dynamism.
Asia has become the heart of the digital innovation and there is that sense of optimism here. And so there is a great deal to be excited about, and a lot of interesting policies here that are to be applauded. I think particularly of the SkillsFuture Initiative of our host country as a case in point. And I suspect that we will all benefit from hearing about their Smart Nation Singapore and also about a future of manufacturing initiative that is creating the economic dynamism needed to lead in this fourth industrial revolution.
But let's keep in mind as well that innovation often by itself does not necessarily create decent work or inclusive growth for all. And in fact despite the region's success in economic growth let's remember that there are still far too many workers living in poverty or near to poverty. In 2018 nearly one in two workers in the ASEAN region was toiling in vulnerable employment either self-employed or in unpaid family work, and two out of three were in informal employment, and one in five workers lived below the poverty line. I think we can all accept that we must aim to do better than this.
Technological advances are bringing extraordinary opportunities to boost economies and the standard of living. And that is why most of the countries represented in the hall today are moving forward in their industry 4.0 strategies. But we still need to ask ourselves how the big push to embrace technology will bring about improvements in the quality of working lives for everybody in the region. How are we going to make that happen? I think this is the big question on the table for today and for tomorrow. And of course I'd be very interested to hear the views expressed.
In addition in this room today are representatives from the world's most aged countries as well as the most rapidly ageing countries. Five countries: Australia, Japan, Korea, New Zealand and Singapore have more than 14 per cent of their populations aged above 65 years. And I think in Japan that figure is now 22 per cent. China, Thailand and Vietnam will turn that corner within just a few years. With ageing, which is itself a reflection of social success come challenges in recruiting and retaining suitably skilled care workers in filling labour demand in general and in keeping productivity levels up.
The research that the ILO has done shows that we can generate as many as 296 million jobs in the care economy around the world if investments in education, in health and in social work would double by 2030.
Now there are a lot of interesting initiatives already happening in the ASEAN region to promote active ageing, including through the use of technology. And so again I look forward to hearing more from you on this today and tomorrow.
Ladies and gentlemen, climate change and environmental degradation equally present major challenges around the globe. And the ASEAN region is absolutely no exception. And here again there can be absolutely no doubt about the urgency of action.
At the ILO we now have a consensus between governments, workers and employers that economic growth can no longer come at the expense of the environment and indeed that there is no inevitable tradeoff between the two.
That consensus was cemented in the Paris Climate Change Agreement of 2015, and the outcome is that policy-making in the future of work must now incorporate the element of environmental sustainability. The very future of our planet, not just about work, depends upon it.
Ladies and gentlemen, the United Nations 2030 Sustainable Development Agenda enjoins us to leave nobody behind. So the great feeling of optimism for the future of work in the ASEAN region should not lead us to forget that there are many people who still feel a sense of instability, of anxiety, even fear about their futures. Millions do not know whether they will have an income next year, let alone benefit from a pension in their retirement. Growth is slowing down in most countries, and workers are losing their jobs sometimes even in the most leading high-tech enterprises. Do we have the mechanisms in place in our countries that will help to reskill these workers so that they can change professions? Are the labour market institutions strong enough to help them through these transitions? Can we ensure that there is decent work that leaves nobody behind, and lifts all out of poverty?
In the ASEAN Community Vision 2025, member countries pledged to work together to build an economic community that is resilient, inclusive, people-oriented and people-centred. The community is to engender equitable development and inclusive growth. And this echoes very nicely the human-centred agenda proposed by the ILO's Global Commission, which we will hear about shortly. And today as Minister Teo has recalled, the ASEAN Ministers of Labour adopted a joint Statement on the Future of Work, a future articulation of the Community's people-oriented approach, and a commitment to facilitating policies that will lead to smarter, fairer and sustainable workplaces, as a consequence of coherent societies.
So I wish to conclude by congratulating ASEAN Ministers for their leadership and their foresight. I believe that the Statement adopted today can serve as an excellent basis for discussion throughout today and tomorrow, as we discuss how to shape the future of work that we want, but also – I say this in the presence of the ASEAN Secretary-General – I believe that this Conference also offers us a very useful and unique opportunity to think about how we can strengthen our cooperation in pursuit of shared goals, and indeed to launch the regional initiative that Minister Teo has referred to. The ILO will do everything within its capacity to make this happen. It would be a wonderful legacy of the ILO's Centenary if we could bring this about.
Ladies and gentlemen, looking at the room I know that there is a great wealth of experience here, a lot to be learned from looking at the good practices in ASEAN countries as well as in the ASEAN+6 group. And of course we have with us our social partners – workers and employers organizations. And I'm particularly pleased that the ministerial Statement strongly supports their role and the role of social dialogue in the construction of the future of work, this shared responsibility of which Minister Teo spoke just now. We count on you to share the views of your respective constituents and to engage actively in the future of work discussions today and tomorrow.
Ladies and gentlemen, we are very conscious that strengthening the capacity of governments to interact with employers, the private sector, and with working people, in the process of finding balanced and consensual solutions to world of work challenges, can open the way to a re-invigoration of the "social contract" – this tacit agreement in our societies between people and institutions about what is fair, what is legitimate, what people want for the future of their lives and their countries, how we can work together to realize it.
The Global Commission's report calls on all stakeholders to take responsibility for building the future of work that they want. It recommends that all countries establish national strategies on the Future of Work, with tripartite involvement. So let us use the opportunity given to us at this Conference to get started on this pathway towards a brighter future of work.
Tags: future of work, technology, ILO Director General
Regions and countries covered: Asia, Singapore
Social justice, decent work
The ILO Centenary
ILO100
Relive the ILO 24-hour Global Tour
Global Commission on the Future of Work
ILO portal on the 2030 Agenda for Sustainable Development
ILO portal on the Future of Work
ILO Director-General calls for global initiative on the future of work


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Q: How to force Visual Studio to always rebuild another C# project when running a test project? I have a project that does some IL injection into an assembly. To test this code I have two projects:

*

*A project that generates an assembly to be injected into.

*An MS test project that does the injection and then verifies that injection has occurred.

The problem is that project 1 needs to be rebuilt each time the tests are run so that the assembly is clean.
I've tried

*

*How do I force a rebuild when the project configuration changes?.

*Cleaning the project in a pre-build event.

But neither of these approaches work. The only thing that does work that I've found is overwriting a dummy text file in project 1, but this is not acceptable as the IDE opens a message box asking to reload it.

A: Here are two suggestions to try:

*

*Try cleaning project 1 as a post-build event of the test project.  That assumes that you won't need to examine the assembly when the test fails.

*Add a pre-build event to your test project that calls devenv with /rebuild on project 1.


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Our Cherry Tree: S**t! There's PAINT on the carpet!
First, I apologise for my potty mouth. I assure you, swearing in this situation is entirely warranted.
Second, if you are our landlords and have stumbled upon this blog, don't panic and please skip right to the end of this post!
Oh sugar. Sugar. Sugar. SUGAR!
My baby, my darling, my gorgeous boy has managed to tip over a huge tin of white satin paint all over the carpet.
I screamed. I cried. I laughed. All at the same time.
Then I whipped out my phone, took a photo and then called my Mum.
I'll never know how he did it. That lid had been stuck fast when I tried to prise it open and touch up the unit I'd painted over the weekend. I'd given up and popped the tin by the back door so I could take it to the shed.
This way they can't do any further damage by crawling around whilst you attempt to clean up.
Don't rub, it will only make it worse.
It should say on the tub and it makes the whole removal process a lot easier.
My mum was amazing and turned to DIY-Google for instructions whilst I sobbed washed Ollie in the bath.
Unless you have A LOT of kitchen towels, you're going to need to use whatever absorbent materials you have to hand. I spent ten minutes lamenting the use of my Cath Kidston tea towels. But, in the end, it's cheaper to replace them than a carpet.
Pour it over the stain, then blot straight away with the tissue/towels. Then keep going. Don't pour too much and always have the towel ready for blotting to stop it from spreading out.
Lily had been happily painting before disaster struck. She was then amazing and was really good looking after Ollie and keeping out of the way whilst I got to work. However, at one point I glanced over and saw Lily, paintbrush in hand, stood on a dining chair, and I shrieked like a banshee.
It is a long process, but it works.
Maybe it's just me looking for an excuse but the idea of cooking on top of two hours of working on the carpet was about to send me to a soft padded room and so I grabbed a meal for Ollie from the freezer and ordered a curry for the rest of us.
It might be wine, or gin, or chocolate or (like me) cake. Whatever it is, you deserve it.
OMG! Sorry but this made me laugh out loud....Eek! I think If I had been in your situation I would have been sobbing too.
Oh goodness! I think I'd have had the same response as you too. I'm amazed it came out - high 5!
I practically did, if it wasn't for my mum I would have still been sitting there sobbing hours later when my husband got home!
I was so relieved when it started to come out! I don't know what I would have done otherwise.
That is exactly how I felt! I couldn't decide whether to cry or just laugh like a maniac.
I love the way you whipped out the camera for a picture first.
Great job though. Carpet looks great after the clean up.
Oh my word I definitely would have cried! It cleaned you brilliantly but eek! Definitely one for the family memory bank :) Thanks for linking up to #TenThings it re-opens on Friday!


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Once you have your storage unit, you can bring items to storage as you sort the keepers from the "for sale" items. Your storage unit gives you the room that you need to sort the garage sale items by categories such as clothing, books, games, kitchen, or toys. Categorizing will make it much easier when the sale date approaches to organize and display your items.
Gathering your items in storage by categories also is helpful when it comes time to price your items. You can easily analyze the wear and tear on toys and games, for example. Plus, storage gives you the elbow room and quiet time you need away from your hectic life to more efficiently price and tag your items.
With all your sale items organized and priced in your storage unit, setting up for the garage sale will be easy. Just set up your tables and racks at your garage, put the items from storage onto those tables and racks and, wow, you are ready!
Regardless of whether you had a garage sale, you may nonetheless find that your home or office is still brimming with documents. If so, you may want to check out our "Document Storage" section or call us San Clemente Self Storage to discuss your storage needs.


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