Robert Griffin III gets people to move their feet and lose their seat more often than the legendary rock band Kiss.
But Gene Simmons or Paul Stanley rarely have their knee bent in an awkward position on stage.
Griffin's stage is a 100-yard playing surface and he may not be ready to perform in Sunday's road contest against the Cleveland Browns. The rookie sensation suffered a sprained lateral collateral ligament in last weekend's 31-28 overtime win versus the Baltimore Ravens at FedEx Field.
That RG3 is an elusive and athletic quarterback might not surprise those who say his career won't last long because of the style with which he plays. The read option worked for him at Baylor and has carried over to the professional level, but his status against the Browns is uncertain.
When Griffin departed the game against the Ravens he was replaced by fellow rookie Kirk Cousins, who led the Redskins to victory. Head coach Mike Shanahan didn't tip his hand too much on who would start in the Forest City.
"You never know," Shanahan said of Griffin. "That is why you go day-by-day and we will see at the end of the week if he is full speed, ready to go. If he is, he will play."
Griffin practiced Wednesday in sweat pants. Cousins didn't say much when asked about the starting position and was advised not to. The former Michigan State star completed both of his passes for 26 yards and a touchdown in Washington's fourth straight and kept his team in contention for the playoffs. The Redskins are tied with Dallas at 7-6, one game behind the New York Giants for the NFC East lead.
While it's still unknown who will start for Washington on Sunday, wide receiver Pierre Garcon may have spilled the beans during an interview in which he said the Redskins have a "tougher task" with Cousins starting. But, of course, the final word will come from Shanahan, who's known for remaining tight-lipped when it comes to injured players.
The Redskins have Cleveland, Philadelphia and Dallas on the schedule and will need smart play from either quarterback to snap a four-year playoff drought.
Cleveland is riding a season-high three-game winning streak, beating Pittsburgh, Oakland and Kansas City, and hasn't won four in a row since closing the 2009 campaign with a four-game run.
The Browns are a fairly young team and are starting to click, but haven't reached the postseason since 2002. Quarterback Brandon Weeden and running back Trent Richardson are the cornerstones to this franchise and will try to play spoiler on Sunday whether or not RG3 is on the field.
Weeden was asked if he preferred to go head-to-head with Griffin on Sunday.
"Yeah, absolutely. I've played against him for the last couple of years and we became pretty good buddies as we were training for the whole draft process," Weeden said. "You don't want anybody to have to stay out for injury. Hopefully, he's able to bounce back and play."
Cleveland's defense could be in for a long one if Griffin plays, but it has stepped up the last few games against competitive quarterbacks in Ben Roethlisberger, Carson Palmer and Brady Quinn.
Head coach Pat Shurmur said his team will be ready no matter who's under center.
"As we prepare to play the Redskins, who plays quarterback will not affect our preparation as we move forward," Shurmur said. "We have to prepare for their offense, and it's extremely important that we try not to look at things being said."
The Browns have lost five of the past seven meetings with Washington, including a 14-11 defeat the last time these teams met on Oct. 19, 2008.
The Browns are allowing 120.5 rushing yards per game and will face Redskins rookie running Alfred Morris, who has rushed for more than 100 yards in each of his last three games. Morris is second among rookies with 1,228 yards and ran for a career-high 126 yards and a touchdown last week against Baltimore.
Morris has carried the ball more than 20 times in each of the last four games and has six 100-yard efforts this season. Shanahan's system is known for having productive running backs and Morris' success come as no surprise.
Richardson is quite familiar with Morris, having known him growing up.
"I've been playing football since the age of six and that's when I started to know Alfred," Richardson said. "We were always little league rivals, we always played against each other and we became good friends in between all of that. We played in a basketball league and everything. We've not only been arch rivals, but good friends, too. Our friends got to meet each other and got to know each other over the years and we've always just been good friends."
All that will go to the wayside come Sunday.
Richardson needs 73 yards to pass Hall of Famer Jim Brown for most rushing yards by a Browns rookie. He will face a Washington defense rated 26th against the rush, allowing 98.8 ypg.
Washington's pass rush will play a key role on Sunday and will try to give Weeden more nightmares under center. Weeden was sacked three times in a 30-7 win over Kansas City last week and has been taken down eight times in the previous three contests.
Look for Redskins linebacker Ryan Kerrigan to take charge. Kerrigan leads the Redskins with 6 1/2 sacks but hasn't posted one since a Thanksgiving win at Dallas.
The Redskins and Browns will put their winning streaks on the line Sunday, but one will come to an end. Washington has more on the line than the Browns, who have been relegated to spoiler duty and will make it tough for the 'Skins to keep pace in the NFC playoff hunt. However, the Redskins have a strong defense and a rookie running back carrying the load at an opportune time. Expect a lot of carries for Morris, who's been a savior at the position ever since Clinton Portis decided to hang up the cleats. In a close game at Cleveland Browns Stadium, the Redskins will keep the heat on Dallas and New York.


text:
Il doppio del torneo di tennis Internationaler Raiffeisen Grand Prix 1999, facente parte dell'ATP Tour, ha avuto come vincitori Andrew Florent e Andrej Ol'chovskij che hanno battuto in finale Brent Haygarth e Robbie Koenig 5-7, 6-4, 7-5.

Teste di serie

 Jiří Novák /  David Rikl (primo turno)
 David Adams /  John-Laffnie de Jager (quarti di finale)

 Chris Haggard /  Piet Norval (quarti di finale)
 Andrew Florent /  Andrej Ol'chovskij (campioni)

Qualificazioni

Tabellone

Collegamenti esterni

Internationaler Raiffeisen Grand Prix 1999
ATP Tour 1999

redpajama_set_name: RedPajamaWikipedia


Major separation anxiety was the focus of a private lesson with a client today. While there are many reasons why dogs develop separation anxiety, this particular case started because a client was home bound for an extended period of time due to medical issues. She had just adopted her dog Woody, a 5 month old mix breed from the shelter about 4 weeks prior to her illness. She adored this dog "to the max" because of his soft gentle nature.


I think it's safe to do this now that npm v5.6.0 has been released.
It's often helpful for debugging to know what version of Atom is being used with `apm`.
Currently `Wrorkspace.list_cubes` returns `List[Dict[str,str]]` where the keys are _name_, _label_, _category_ and _info_. It should return a metadata object info as described in #398.


text:
namespace SteamAccountSwitcher
{
	public record class SteamAccount
	{
		public string ID { get; set; }

		public string Name { get; set; }

		public string Alias { get; set; }

		public override string ToString() => Alias ?? Name;
	}
}

redpajama_set_name: RedPajamaGithub


Eight new partners have been admitted at Kampala Associated Advocates (KAA), the law firm announced on April 7. The development fits into the current trend of law firms merging to offer a wide range of services.
According to the firm's statement issued Friday afternoon, the new admissions are meant to inject "renewed energy" into the 17-year-old establishment.
Among the eight new partners, the biggest acquisitions are Elison Karuhanga and Zulaika Mirembe Kasajja who have been partners at Karuhanga, Kasajja & Company Advocates.
The youthful Elison now joins his father, Elly Karuhanga, at KAA. Elison first stepped into the national spotlight during last year's former prime minister Amama Mbabazi's presidential election petition at the Supreme court, which challenged President Museveni's election. During the hearing, Elison injected energy, innovation and quick thinking into the Electoral Commissions' legal team.
During the cross examination of EC Boss Badru Kiggundu by Mbabazi's lawyers, Karuhanga shielded him from tripping over tricky questions. One skill Elison brings to the table at KAA is his expertise in oil and gas, plus mining. He obtained a Chevening scholarship from the British High Commission and studied oil and gas law at the University of Aberdeen, Scotland.
Karuhanga also worked at Ashurst LLP, a leading international law firm with considerable experience in the energy sector. He also represents the rich Madhvani family.
The absorption of Karuhanga and Kasajja Company Advocates into KAA is a strategic move, according to legal minds that we interviewed for this story. The merger boosts the firms' breadth and/or depth of capability – in terms of legal expertise or broaden the client base and enhance each firm's market standing and reputation.
Mergers are also often considered if management believes there is potential to create a stronger platform to meet the growing global needs of clients and use their enhanced capabilities to attract new clients.
Indeed, in announcing the new admissions to the firm, managing partner David Mpanga [No relation to David Mpanga of AF Mpanga and Co. Advocates], said the eight partners were taking up stewardship at a firm that aspires to provide leadership in the East African region.
"Welcoming these partners… is testimony that we are on course to sustain our vision of being leaders in the legal services market and a world-class law firm of choice in the East African region. We trust that they will bolster the firm through their hard work and diligence," Mpanga said.
According to the statement, others promoted to partnership from within KAA are Jet John Tumwebaze, Augustine Obilil Idoot, and Bruce Musinguzi; as well as associate partners Isaac Newton Kyagaba, Dennis Otatiina and Pearl Nyakabwa.
"The KAA promise is to provide our clients with high-quality legal solutions delivered by our top-notch people while consistently creating value for the firm and for our society. Today, once again, we are presenting clear evidence that we are suitably equipped to deliver on this promise," he said.
According to records, KAA was established in 2001 following a merger of four major legal firms. The founding partners were Bart Katureebe, a former attorney general who is now chief justice; Sam Mayanja, who served as secretary of the Uganda Development Bank for over a decade; Oscar Kambona, who headed and managed the Uganda Tax Bureau; and Elly Karuhanga, who is also honorary consul general of the Republic of Seychelles to Uganda.
The firm's other partners include Kabatsi, Dr Charles Kallu Kalumiya, former in-house general counsel for non-refugee legal matters of the United Nations High Commissioner for Refugees and honorary consul of the Republic of Malawi to Uganda; David Mpanga, former Legal Services manager with PricewaterhouseCoopers and Matsiko, former director of Civil Litigation in the attorney general's chambers.
Over the years, KAA has positioned itself as an NRM-leaning law firm, having defended the election of President Museveni in the Supreme court in 2001, 2006 and 2016. The firm also defended Museveni in a suit filed by the exiled Ugandan journalist, Dr Jesse Mashate, who accused the president in his individual capacity of causing him loss of business.


text:
Home Senators Introduce Bipartisan Student Aid Simplification Bill
Senators Introduce Bipartisan Student Aid Simplification Bill
By Megan McClean, Policy & Federal Relations Staff
Republican Senator Lamar Alexander (R-TN), ranking member of the Senate Committee on Health, Labor, Education and Pensions (HELP), and Democratic Senator Michael Bennet (D-CO), introduced yesterday the Financial Aid Simplification and Transparency (FAST) Act. The bill, designed to simplify the federal financial aid programs, introduces provisions to streamline the application process while improving transparency and access, including several issues that NASFAA has been advocating.
Official legislative language is not yet available, but according to a fact sheet provided at an event held yesterday to promote the bill, the FAST Act would:
Eliminate the Free Application for Federal Student Aid (FAFSA) and utilize prior-prior year (PPY) data. The bill would eliminate the FAFSA and instead reduce the application process to a postcard, asking only two questions:
What is your family size?
What is your household income (adjusted gross income) from two years prior?
Provide early information to students and families through a "look-up" table. Beginning in their junior year of high school, students and families would have access to a newly-created look-up table that would provide information about the amount of federal aid for which they would be eligible. The goal is provide this information earlier and align it with the college-search process.
Establish a one grant/one loan program. The bill would streamline existing grant and loan programs into one Pell Grant Program, one undergraduate loan program, one graduate loan program, and one parent loan program. This would presumably eliminate the undergraduate loan subsidy as well as eliminate the Supplemental Educational Opportunity Grant (SEOG).
Make Pell more flexible by restoring the year-round Pell Grant. The bill would restore the ability for students to receive a second scheduled Pell Grant award within an academic year. This would allow students to draw down Pell Grant funds at their own pace and have greater access to funds during periods of summer enrollment. Although the fact sheet alludes to earlier completion, there is no indication whether an acceleration clause would also be reinstated. Defining when a student is accelerating his or her program of study was a very controversial aspect of the previous iteration of year-round Pell.
Provide authority for aid administrators to limit loan amounts. Schools would be allowed to limit the amount their students may borrow in certain well-documented situations.
Prohibit part-time students from taking out a full-time loan. The bill would limit the amount of federal loans a student can borrow based on enrollment. Part-time students would not be allowed to borrow the full annual loan amount.
Streamline repayment plans into two programs. Student loan repayment would be streamlined by having only two repayment programs, versus the multiple programs that exist today: an income-based repayment plan and a 10-year repayment plan.
"At a time when a college degree is more important than ever for getting a job and making a good living, red tape and confusion are the adversary for millions of students. Adopting a two-question postcard for federal student aid is a sure step toward offering millions of Americans a brighter future," said Senators Alexander and Bennet.
Bennet explained that reducing the burden of filling out the FAFSA form is just one of the proposal's goals. "[W]e heard from students across the country that because of the way the system is currently designed, students don't find out what they're eligible for up until their senior year of high school or they're in college. Under our proposal they'll find out in their junior year of high school what their eligibility was," Bennet said at yesterday's event.
Questions remain about how the short-form aid application would assess dependency status, and if the two questions asked will prove sufficient for accurately assessing eligibility. To that end, both senators reiterated their desire to achieve simplification while not creating an opportunity for fraud and abuse.
NASFAA has advocated heavily for several provisions that appear in this bill, including a move to PPY, the restoration of the year-round Pell Grant, and the authority for aid administrators to limit loan amounts on a broader basis than currently is allowed.
The bill is unlikely to see any immediate movement but represents a clear marker for ideas to be considered during reauthorization. NASFAA will provide a more detailed analysis in the near future once legislative language is made available.
Dennis C | 10/19/2015 8:37:45 AM
The SEOG is a saving grace for so many students. High need and, high credit loads are our major factor in making the first pass of who gets SEOG. However, we have "emergency" situations all semester long where we can leverage SEOG funds with institutional funds to truly help a student in need. Instead of cutting SEOG every year as it has been, I would like to see more funding, especially to us schools that have so many "ZERO" EFC's and never have enough funding to help all of them.
Helen F | 7/21/2014 7:53:40 PM
Ironically, filling out and mailing a postcard and then waiting for the results would be considerably slower than the current online FAFSA, which is remarkably fast for most filers. Any aid administrator with a significant percentage of aid recipients who fail SAP and a high percentage of students in developmental coursework can attest that the FAFSA isn't the barrier politicians make it out to be. The barrier? A Pell Grant that has not kept up with the pace of tuition increases. That's it. Restore Pell to its original purchasing power and a huge piece of the problem will magically disappear. Of course, that does mean that we would have to allocate more money, not less, to federal financial aid programs at a time that the U.S. government is trying to cut spending. I would suggest that the solution is more revenue, not more cuts to programs that help the needy.
Jennifer G | 6/23/2014 9:28:20 AM
Are you kidding?? No to year round PELL it was a nightmare before and will be again. One size does NOT fit all.
Jon S | 6/23/2014 8:57:27 AM
Put in place a 150% sub limit and then intorduce a bill to simplify the process...only in washington.
David S | 6/20/2014 4:37:17 PM
There's a big difference between "one grant" and eliminating SEOG. Yes, SEOG distribution is messy and inconsistent between schools, but it's probably naïve to think that SEOG funding will be folded into Pell and increase the awards. It's just going to mean no more SEOG.
State agencies will go nuts at the suggestion of major FAFSA simplification, even if it's not as radically simplified as the Senators are suggesting now. And this is probably music to the College Board's ears, because they can push more schools to use the Profile so they can better differentiate between the needy by traditional need analysis and the needy thanks to 95% of the data being stripped away.
What I'd like to see is the FAFSA being one time only, unless a student/family decides to do another one in a subsequent year to override the original one. If they don't, the original one stands. This way students could pick a college with a four-year aid commitment (in many cases, at least). When we buy houses and cars we want to know how much it will be costing us over time, not just one year at a time. And for graduate students, if there's going to be no more Perkins, no FAFSA at all.
Lynn M | 6/20/2014 1:8:39 PM
Would eliminating the FAFSA also effectively eliminate the distinction between dependent and independent undergraduate students?
It doesn't make sense to me why we're still calculating awards for dependent borrowers based on income that isn't theirs. How can that methodology result in anything other than a major discrepancy between the amount of debt borrowers are taking on and what they will be able to afford to repay? How is it possible to achieve transparency and simplification when the core methodology isn't based on the relevant parties and their actual circumstances?
Bert L | 6/20/2014 12:44:38 PM
Lamar's my man! I recall he advocated to eliminate ED soon after he completed his appointment as Secretary. He's always been on the right track (though unsuccessfully) toward eliminating barriers to the delivery of student aid.
James C | 6/20/2014 11:44:43 AM
What's ironic is that "simplification" for students frees up more money which the country can't afford and the federal government then tries to recoup that money by increasingly complex regulations on schools such as gainful employment, credit hour definitions and R2T4. Part-time loans for part-time students is a great idea. Year round Pell is OK if there is no accleration cause and schools can decide to continue to use it as a trailer or header semester but aren't reqired to do the "EFC comparison." But I do think that if there is year-round Pell, full-time for Pell should change to 15 credits because many students will reach their 600% limnit before graduating based on the current full-time definition for Pell. If more benefits are going to be given on the back-end for Stafford loans then eliminating the up-front subsidy makes sense but let's keep Perkins. It serves a useful purpose for needy undergraduate students whose parents can't take out PLUS loans and also graduate students who pay a full percentage rate higher on Stafford and outrageously high interest rates on GradPlus.
Raymond G | 6/20/2014 11:26:00 AM
Year Round Pell was an administrative nightmare before. Did they forget the problems we had? It was especially difficult when students transferred between proprietory to public colleges.
Phillip E | 6/20/2014 9:46:45 AM
Hopefully if the year-round PELL is re-instated the "simplification" process will also extended to the fed regs, which were a nightmare of red tape and systems issues and which (at my institution) only resulted in more student's hitting the PELL LEU earlier and be forced into taking higher interest rates loans by the time they needed to graduate. Using one (and only one) fiscal year's info for year round PELL makes sense, both logically and for accounting purposes.
John G | 6/20/2014 9:33:21 AM
A postcard? Are they serious? Might as well eliminate the FAFSA altogether and go by a handshake and smile.
I appreciate the option for aid administrators to limit loan but I wonder what is meant by "well-documented".
Jose E | 6/20/2014 9:4:26 AM
With the undergraduate-centric approach to simplication, I worry that graduate and professional students will be swept up in that simplification that would limit options that are currently very instrumental in funding their education as well as managing their debts after graduation.

redpajama_set_name: RedPajamaCommonCrawl


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There's just 24 hours to go until our Coral Challenge Cup fifth round tie against Workington Town.
All kids aged 16 & under go free and can claim a free match ticket online at tickets.therhinos.co.uk for a standing position or a reserved seat in the South Stand or Extentia Terrace.
There is no match day price increase so you can also come along and pay on the day for the same great price! Cash turnstiles will be available on St Michael's Lane for standing tickets. Junior tickets also remain free on match day and juniors should use the designated turnstile on St Michael's Lane to gain entry.
*Concessions = seniors 65 & over, students, disabled and under 21s on production of valid ID.


The price of this entire process has already been high.
Studying the past - and then, importantly, talking about it with an audience - is about revealing the mess behind the myth, the story behind what we think we know.
Alan Krueger, the Princeton professor and economic adviser to two presidents who died last weekend, was one of those rare economists who break out of the ivory tower and plunge restlessly into the real world.
Facts have a history, and we ought to admit it.
As in the Reconstruction era after the Civil War, one party is committed to the use of federal power to vindicate voting rights, and the other is opposed.


Home Concert / Events Check Out Your Favorite Stars At MAMA 2016 Red Carpet!
The Mnet Asian Music Awards or more popularly know as MAMA is a very well recognized and much appreciated platform where Asian music stars are awarded in several areas of their expertise every year.
For the year 2016, the MAMA ceremony kick started at the Hong Kong Asia World-Expo in Hong Kong today at 4:30 pm IST.
Here, take a look at your favorite stars walk down the red carpet in their best attire!
Also, here are the special red carpet performances by NCT DREAM, I.O.I, and SF7.


text:
package io.prometheus.client.dropwizard.samplebuilder;

import io.prometheus.client.Collector;
import io.prometheus.client.dropwizard.samplebuilder.DefaultSampleBuilder;
import org.junit.Assert;
import org.junit.Test;

import java.util.Arrays;
import java.util.Collections;

public class DefaultSampleBuilderTest {
    @Test
    public void test_WHEN_NoSuffixAndExtraLabels_THEN_ShouldReturnCorrectSample() {
        final DefaultSampleBuilder builder = new DefaultSampleBuilder();
        final Collector.MetricFamilySamples.Sample result = builder.createSample("org.github.name", null, null, null, 1d);
        Assert.assertEquals(
                new Collector.MetricFamilySamples.Sample("org_github_name", Collections.<String>emptyList(), Collections.<String>emptyList(), 1d)
                , result);
    }

    @Test
    public void test_WHEN_SuffixAndExtraLabels_THEN_ShouldReturnCorrectSample() {
        final DefaultSampleBuilder builder = new DefaultSampleBuilder();
        final Collector.MetricFamilySamples.Sample result = builder.createSample("org.github.name", "suffix.test", Collections.singletonList("another"), Arrays.asList("label"), 1d);
        Assert.assertEquals(
                new Collector.MetricFamilySamples.Sample("org_github_namesuffix_test", Collections.singletonList("another"),
                        Arrays.asList("label"), 1d), result);

    }

}


text:
"""
Simple Test for translations

Author: Ignacio Avas <iavas@sophilabs.com>
"""
from story.translation import gettext, activate

class TestStory(object):

    def test_english_translation(self):
        activate('en')
        translation = gettext("Choose language")
        assert translation == "Choose language"

    def test_spanish_translation(self):
        activate('es')
        translation = gettext("Choose language")
        assert translation == "Elige un idioma"


text:
COMMUNITY's Ken Jeong Heads to MTV for New Comedy Pilot
Posted by Merrill Barr on July 23, 2014
Now that Community is confirmed to be returning for the sixth season of its #SixSeasonsAndAMovie campaign thanks to Yahoo!, we have to wonder what the cast is going to be up to while they wait to begin production on the new season. Well, we now know what's happening with at least one of them, as The Hollywood Reporter is reporting that fan favorite Ken Jeong is heading to MTV for an all new comedy pilot titled Ken Jeong Made Me Do It.
From writers Andy St. Clair and Paul O'Toole, the new coming-of-age comedy will follow "22-year-old Andy, who, after catching his girlfriend cheating, accidentally rear-ends Jeong's fancy car. Taking pity on Andy, Jeong takes it upon himself to teach him how to man up." As the title and description would have you believe, Jeong will be playing a fictional version of himself, though the extent to which his fictionalized self will mimic the wacky roles the actor's known for remains a mystery.
Before you get too worried, the outlet was quick to state that MTV is working with Jeong's busy schedule to make sure the shooting of the pilot does not interfere in any way with the shooting of Community's next season. This will be the only comedy pilot MTV has in the running this season while it begins prepping for the Wes Craven-directed pilot of Scream and launching new dramas Finding Carter and Eye Candy (in addition to bringing the remainder of Teen Wolf's current season to a close).
Are you looking forward to a new series starring Señor Chang himself? Let us know in the comments below.
Community, ken jeong, mtv, The Hangover
The 10 Best STARS WARS: REBELS Episodes
Why Arya Stark Deserves to Win GAME OF THRONES
A CHUCKY TV Series is Coming to SyFy
GuanoLad says:
Isn't Gillian Jacobs already signed up for something else too?
Miss_March says:
Yes, a Judd Apatow Netflix series.


Rick Prelinger is an archivist, teacher, writer, lecturer, and filmmaker. He is founder of Prelinger Archives and co-founder (with Megan Shaw Prelinger) of Prelinger Library, an appropriation-friendly research library open to the public in San Francisco. Sara Dean is a spatial and graphic designer who works, often through collaborative structures, through design, fabrication, and curatorial practices. Last fall, both participated in an event, Lost and Found Detroit, which featured Rick's film Lost Landscapes of Detroit and Sara's work with the group 1/X, Anecdoted City. This led to a conversation about the role of iteration and collaboration in their practices and imaginations. What follows is an edited transcript of their correspondence.
a completed project and a work in progress, which it is. For me, this is exemplary of a database mentality. You design with the cultural tools afforded by the database—filter, order, array. In one iteration, a film is place-based and shown chronologically; in another screening, it is presented thematically. This works because of the careful consideration you give each film. Through your recognition of an excess of available information, information yet to be found, and a nearly infinite narrative potential, the iterative film has a digital cultural mentality, even in its analogue and artifactual medium. I am interested in exploring this schism between the analogue physicality of the image, and our iterative, constant-refresh understanding of the world.
Rick Prelinger My archival films, especially the urban histories of Detroit and San Francisco and my new film on automobility (No More Road Trips?), are in constant process. I source new material continuously and re-edit regularly. When it is time for a screening, I stabilize the edit and present its current state, which functions as a snapshot of a continuously evolving text. I say "text" rather than "matrix" or "database," as I don't know if that deep structure actually resides within a work itself or within a collection of material. Certainly films and other texts possess perceptible (and sometimes less apparent or even covert) structures; such structures support narrative strategies that are quite often extrinsic to the images and sounds contained in the films and exist largely to guide them through narrow and judgmental channels of distribution. We know about narrative "arcs," conflict and resolution, ending on an optimistic note, and so on. But we know much less about deep structure, and I would contend that deep structure is as much a perceptual construct as it is said to be the premeditated work of an artist.
Parsing and interpretation are accomplished by translating a user entry into a sophisticated database query that becomes the means by which structure meets data. I liken the dumbing-down of the database and the growing sophistication of the query to the emerging shape of the film-text, to the process by which the contemporary observer and user of culture ingest pre-existing material, and perhaps even to the process by which we now experience the city. Not just digital data, but geography and geographical experience themselves are raw material which we interpret and narrativize through a fuzzy series of ideological and experientially determined frames. If this hyper-subjective mode of apprehending the information landscape reeks of postmodernism, it also speaks to how permeable data and engineering are to philosophical constructs.
way of engaging the socius. The meme is an individualized response within a very specific framework. It is a cultural conversation channelled through an informational platform.
RP And yet memes, queries, languages, and perceptions are so often born in multiples. So many of our individual inputs simply reenact each other or repeat mass-produced, pseudo-individualized memes. We cannot easily tell what is new in what we say, yet in a few years machines will be smart enough and fast enough to distinguish repetition from originality. But like antispam filters spooked by random text in mass emails, the machines may not be able to distinguish human contributions from those generated by cultural systems and submitted by humans. I am therefore worried about the durability and survivability of iteration when what we iterate with is so often repetitive. For iteration not to spiral inward, we need to constantly generate surprises and monkeywrench systems. I have convinced myself that an orderly environment helps me think in disorderly and exciting ways, but can we thrive in rectangular buildings and on streets placed at right angles to one another? And can bytes—the most universally reductive information medium, next to atomic and subatomic particles—be fuzzy enough to permit true iteration? Or are we just pretending?
SD I am curious about what digital technology has structured culturally, and whether or not the appearance of digital participation is a guise; maybe it is an especially convincing guise because we all know it is nothing more than that. Our collective cultural understanding of a digital participation methodology has primed new ways of engaging analogue practices. As methodologies such as constant iteration and multi-authorship move out of their assumed technologies into design practice, I think they can become actionable in the analogue world.
The constant-iteration structures that we understand digitally are very similar to structures that we construct in our respective practices through analogue media. Multi-authorship and anonymous contributions to work corrupt, or at least question, narrative hierarchies. This is true for digital platforms and for cities. Crowdsourcing, like querying, can be part of a creative practice because it creates a structure for creative inquiry but doesn't guarantee a formal result. Crowd-sourcing allows for unexpected additions and even unexpected priorities in the system. Anecdotal, qualitative, and peripheral information thrives within this type of system.
This type of practice moves the designer from a formalist to a structuralist or poststructuralist position. I've called this a move from form to platform. In the collection that I co-curate as a member of the group 1/X, Anecdoted City, we are interested in how to collect memory of a place through objects and stories. We staged an exhibition as a method of collection in last year's Detroit Design Festival. The exhibit opened empty and a call was put out for people to bring in an object that represented the city to them, to add to the collection. We had no idea what objects and stories we would collect, or what the formal character of the show would be. Our role as designers was to set the stage; we structured the collection. And I think a digital understanding also structured the public to react.
During the course of the show, people brought things in, picked things up, and told us stories about the objects and their own lives in Detroit. The multiplicity of the city that was presented had a strange and fleeting but historic longevity; it was specific to a person, or neighbourhood, or city.
A Marvin Gaye studio recording receipt sat next to a locally picked apple, an earring found on the street, and a locally patented depth gauge. While the show was tactile and physical, it relied upon a digital priming of the public to a crowd-sourced, aggregate understanding of the world.
RP While we can't fulfill this ambitious participatory, deconstructive, and reconstructive agenda alone, I eagerly look forward to the kind of collaboration that allows exercises to end and the commons to be born. We take it on faith that representing a desired reality sets in motion some sort of chain of events that, if allowed to successfully sprout and fledge, brings about this reality. And yet we are rarely able to move beyond representation into the world we would most like to live in.
Can we employ design so as to move beyond a designed world? Can tricksters and designers authentically collaborate? How can we make design actionable? And how can we employ design and its toolsets as temporary expedients, means to desired ends that we will discard when ends are reached? Can design be like the skin that moults when no longer needed? I value non-completion, but there should come a time when we are clear that we have reached a plateau.
SD Tricksters are great collaborators for gauging designed actionability because they tend to have their own agendas. Maybe if we look again to digital structures to find ways of talking about the analogue, we could use the separation of database and interface as a means for thinking about these questions. In digital design there is a complete separation between the collection of information (the back-end) and the means through which it is seen and accessed (the frontend). They are independent. And we, as designers, generally build up the backend to be able to work on the front-end, or the form that a work takes on. To collaborate with the trickster, I think the designer needs to develop the back-end as a design in itself, understanding that their interpretation of its merit is one of many. The relinquished control over subject is one of the products of open-source systems. Really, this is the archive as a design project.
RP It is true that open-source platforms or datasets, which barely exist (ours is a modified, "lite" version of open source due to its reservation of certain rights and formats), imply that data and information function as an infrastructural commons upon which users may build layers of their own, public and private. In general, this confirms my conviction that archives must reach out to the public and push information in the direction of a public. Participation is key to this belief, but our sense of what constitutes true participation in a commons-based information scheme is embryonic and, I believe, still has to evolve. At present most of us probably construe participation as commentary, posting to social networks and uploading content to privately owned web services. Schemes of social organization that might embody purer forms of participation arise rarely, and typically as proofs of concept floated by artists that fail to escape the sandbox in which most contemporary art seems to play. But your description of my archival mentality is an accurate indication of where I would like to go. And to move in a specific direction is best accomplished by imagining that one is already there.
While it is difficult to build institutions whose models depend on conditions that have not yet arisen, it is a simple matter to tweak and even monkey-wrench the conditions by which films are made and shown. My current model mobilizes some very old tricks in order to point ahead. It asks the audience to behave much as the rowdies in the Elizabethan theatre audience behaved, or to mimic the participant/observer role we see in contemporary sports audiences, who actively follow the progress of a contest, speaking loudly to one another and to the players.
effort focused on designing the engagement of the public with the show. We wanted to create a space for a conversation about Detroit as it is. Your films do that by allowing the audience conversation to complement, complicate, and augment the work being seen on screen.
Your films show the artifactual quality of information, and the cultural importance of our ability to be excessive, both digitally (in our ability to store, share, and collect endlessly) and in our physical lives. I think this is a changing understanding of design and practice, the practice of collecting, filtering, curating, preparing, priming for design, as a way of setting the stage for interventions in that system.
SD The value of design is moving, as it should, from the ability to control and contain, to the ability to leak and adapt. The co-equal structure is very important. We structure the work of 1/X as a space for a conversation, both on the subject matter of the work and also with our collaborators. Although, in the end, my practice produces physical objects, I work on the structure for the broader project and try to let the outcome be responsive to that. Through this mentality, I don't prioritize a medium. The medium that the work takes on then becomes a mode of dissemination in itself.
RP I see suggestions of a growing divide between what designers do and daily human experience. Consequently, my hunch is that we need to let go, to relinquish much of the control that we habitually seek when we make work, projects, and communities. This is not to say that we should simply adopt passive, observational roles, but that we might perhaps consider ourselves as arrangers rather than authors, as toolmakers rather than artisans. The appearance of completion is, quite often, a distortion enabled by stylistic flourishes. We should not seek stylistic expertise that enables us to create the appearance of non-completion.
believe that committing to collaborative work with audiences and those affected by the work initiates a process that is hospitable and may ultimately be utopian.
essence I throw the film out to the audience for them to consume, reproduce, rework, and remix. Some of this occurs in real time, some in contemplative time after viewing the work. Hopefully some of what the viewers do with the film happens to be actionable. And for me the value of a work is best determined by its resonances outside it, the ripples it spreads into the world. Informational excess, like ambition, is a great servant and a bad master. In some situations an excess of information functions as a defense against problematics.
of a city in great detail—simply documenting where the old movie theatres were exactly located, for instance—tends to crowd out consideration of more complex and troubling ideas that don't easily resolve into positivistic tidbits of knowledge. Trivia crowds out imagination. It is important to know when to stop the flood of facts, in life as well as in film. Finally, it takes a secure artist or designer to recognize that problems and mysteries do not have to be solved. It helps to be skeptical about simple truths and organized efforts to escape doubt, and it also helps to appreciate diversity and polyculture. None of these acts are necessarily simple for audiences and citizens; it helps to step back before designs are complete and give affected subjects a real role in determining the content, organization, and expression of an idea.
SD Given the embryonic stage of collaborative practice that you described earlier, perhaps these types of design interventions can be considered as relays within an open conversation about how design, curation, and archival practices can learn from a mentality of considered non-completion. Designing in a hyperconnected world requires rethinking the practice and the role of the designer. We need to consider what design practice could learn from informational excess.


According to Museums North, remnants of pictographs on rocks show that the Elk Lake area was along trade routes used by the Cree and Anishnabai people. These routes were already well established prior to the establishment of the Fur Trade of the mid 1600s. Remnants of an Aboriginal graveyard that can be seen on the south side of town indicate that Elk Lake was settled long before Europeans arrived. The local Ojibway peoples named the lake after the huge herds of elk that roamed the area at this time.
Although forestry had been going on in the area since the mid 1800s, Elk Lake didn't become settled by Europeans until silver was discovered in the area in 1906. The town was set up in 1909, road connections to Elk Lake were built (previously, you could only get there by steamboats on the Montreal River, from Latchford) and eventually there were 30 active mines in the area, and the town peaked with a population of 10 000. A line of the Temiskaming and Northern Ontario Railway was built to the town in 1913.
Today, Elk Lake is home to about 400 people. The town straddles the shore of the Montreal River, which makes for some beautiful views, especially when the sun shines off the shimmering water. I was pretty impressed with how clean and tidy Elk Lake was – the village could make for a nice getaway if you're willing to go off the beaten path in search of quiet, solitude, and relaxation. It's also not too far from Long Lake, which has even more hunting, fishing, boating, and swimming opportunities.
Elk Lake's major employer is the Elk Lake Planing Mill, owned by forest industry giant Domtar. You can call 678-2210 to go for tours in the plant. Mining has all but disappeared, although high metals prices have re-ignited exploration in the area. Being at the western edge of the Temiskaming Claybelt, there is also some agriculture in and around Elk Lake, largely beef and horse farms.
Elk Lake, surprising to some, has gotten a bit of a reputation for being a community with a green outlook. The town is known as a proponent of sustainable forestry. It is also the site of the Elk Lake Eco Resource Centre, a conference/banquet/retreat/hotel facility which was built with local economic and environmental sustainability in mind. Citizens of Elk Lake were also instrumental in the fight against Adams Mine, when the Ontario government was proposing to use the former Kirkland Lake mine site as a dumping ground for Toronto's garbage.
As for services, I've only been to Elk Lake once so I can't comment too much. In addition to the Eco Centre, there's a chip stand (year-round!), an LCBO, gas, some motels, a small grocery store and an outfitters. I know there are a number of tourist camps, lodges, and cabin rental places in the area that offer outdoor activities such as hunting, fishing, snowshoeing, canoeing, and camping. Elk Lake is also home to a cross-country ski club that maintains about 15 kilometres of trails. The municipal campground has a boat launch, a beach, and hiking along the Bear Creek Rapids. The town is also close to the northernmost point of Makobe-Greys River Provincial Park.
In 2009, the Township of James (in which Elk Lake is situated) will celebrate their 100th Anniversary.
Finally! It's been so long since I've seen a woodpile!


We understand. We're sometimes closed, it's a little far to travel, and, much as you like the wisdom, humor, and advice from your favorite mechanic, it can be fun working on your own bike. From avoiding flats - 8. pumping to proper pressure prevents pinchflats - to 2. fixing them without destroying your rim with a screwdriver, we've got you covered. You'll find these 1,3 tools and supplies on our workstands when we're 4. changing out pedals, on our workbenches when 5. adjusting headsets and saddle heights, and 6. in the pits after muddy 'cross races (hey, a 7. cleaned bike is a happy bike). There's a reason we swear by these. We use them ourselves.
Mighty. Majestic. Magnificent. The Hills of Anacostia, Rock Creek, and Bladensburg don't take the winter off; they're still waiting for you to come and ride them every weekend at 9 AM. Be Prepared for the challenge - the right gear can make all the difference. 5. Mavic's stiff, strong, and light Ksyrium Elite wheelset will help you fly up Tilden NW, bomb Mass Ave SE, survive the potholes of Bladensburg NE...and that red-on-black color scheme looks durn stylish parked in front of Zeke's afterwards. 1. Lazer's Z1 helmet, used by pro road and cyclocross racers the world over, comes with options like rear lights, helmet mounted heart rate sensors, and a snap-on aeroshell that keeps out the cold wind and rain. 3,4 Shave precious grams (and look Totally Pro) with fizik's saddles and bar tape. Speaking of which, being able to feel your face as the wind whips past you on fast descents is also Pro...which is what the 6. balaclava's for. Of course, you can always chase hills on Zwift Island or Richmond from your basement on weekdays; a 2. Kinetic smart trainer will get you ready for the weekends.
It's clever, it's elegant, it's surprisingly capable, you can take it anywhere, and it folds into a handy and compact package. Yes, it's the 3. Brompton tool kit! Fold it up, tuck it in your bike's frame, and keep your bike going while on the go. 1. Color matching (or contrasting!) hinge clamp knobs and 2. bar grips make your made-for-you Brompton even more unique, and the stylish 5. game bag (available in yellow, navy, and natural canvas) compliments the useful elegance of your bike. Protect your investment when traveling with a 4. hard-sided case, and while away the flight with 6. The History of Brompton.
Day in, day out, through snow, through rain, through gloom of night, it's time to ride. Let's face it, nobody likes being stuck in traffic; your bike's a tool in the War on Gridlock, a way to slice through the city any day, any hour. 6. Lights on fenders and 2. lights on your bike keep you from earning a story about "that time I hit a deer on the trails" that you really don't want. Carry all your important (and fragile, and can't get wet) gear in 1. German Ortlieb bags on a 3. German Tubus rack, while 7. Portland's Finest breathable jacket, 5. shoe covers, and helmet cover from Shower's Pass keeps you cozy, even in the midst of the storm.
Riding for two (or more?) We've got you covered. 1. Xtracycle's EdgeRunner 9e, with its powerful Bosch electronic motor assistance, makes mince pie out of any hill - yes, even that one, and with a trio riding on the back to boot. 5. Yepp's Easyfit seats give your passengers a place to sit, 2. Lazer's Multi-Impact Protection System (MIPS) helmets keep them safe, and a nice, 3. colorful bell on the bike keeps them entertained. Of course, sometimes it's not enough to sit back and enjoy the ride; a bright and shiny 4. Lil' Roadster, styled after Linus's full-sized bike, lets them have a pair of wheels all their own.
Like Baked Joint's blueberry pie or Parkway Deli's radial bars, you can't have style without substance. Try the Full English treatment for your bike with 2,3,4 genuine leather bags, grips, and saddles from Brooks and a properly professorial houndstooth 1. Shower's Pass jacket to keep the wind at bay when Sticky Fingers calls. 5. Hand-painted (and seasonally appropriate) Crane bells mix bling with ding. Keep an eye on your boxes and bags as you bring them home with a 7. harvest basket and 6. VeloOrange Porteur front rack.
It's the best thing to come out of Minnesota since Bob Dylan and Malt-O-Meal - for when the roads disappear, winter's weather takes a turn for the Memorable, or you just want to be the first passenger on the H Street NE streetcar tracks. Grab the 1. Ice Cream Truck Ops - tuned for gettin' rad during the summer off-season - and get to shreddin'. 3. Wool scarves and 4. socks from Surly to match your Surly along with 2. Giro 100 Proff lobster mitts keep you nice and toasty when the wild wind blows, while 5. Anything Cages and 6. frame bags schlep your tent and fluffy down sleeping bag through the Seneca Greenway.


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Focus your chi and prepare to face the Barrier Keeper and Templar in Blade & Soul: False Idols!
Blade & Soul: False Idols ushers forth two new raids—the Hall of the Keeper and the Hall of the Templar.
Everyone in the Earthen Realm knows of the vengeful Grand Celestial Emperor's formidable clockwork guardians that lurk within Nightfall Sanctuary. As his last, dying command, the Grand Celestial Emperor ordered two of his living idols to exact his demands for fear and respect from his people, even after his body turned to ash.
Years have passed and no one has paid tribute in some time. Activated by the Kuranos Cube, the Barrier Keeper and Templar will now be seeking restitution—in blood. Focus your chi and prepare to meet the challenge!
Like the automatons that have come before them, The Barrier Keeper and The Templar resemble the Nightfall Sanctuary bosses, The Peacekeeper and The Shield Bearer, with each guardian residing in their own dungeon—the Hall of the Keeper and the Hall of the Templar. Though these two raid bosses are not as formidable as their Nightfall Sanctuary counterparts, they are not to be taken lightly.
Hone your skills in the Hall of the Keeper and Hall of the Templar and claim great rewards.
The Barrier Keeper and The Templar are waiting for you—seek them out and send them to the scrap heap on July 25 when Blade & Soul: False Idols arrives.


Ethno village Kostunići has nested in one of the most beautiful parts of Serbia, in the south slope of the Suvobor Mountain, in part of the Rudnik – Takovo district, next to the road Cacak-Valjevo and Gornji Milanovac-Pozega.
There are two stories how the village got its name and no one knows which one is the right one, for one speaks about the nature, the other about the people. And to you, dear guests we say – people here take care and love the nature!
Ravna gora Highland is located above the village of Kostunići, the place of well known historical events, preserved in its original beauty.
Vidikovac and Babina Glava Hills, caves and other gifts of untouched nature are God given for a traveler to learn about the traditional Serbia and wishes to return to such moments.
Better than that is to come again and bring your dear ones to become our new friends! Thank you!
Children and sports lovers can enjoy volleyball and football terrains. Shops for pottery and handmade products are located in the vicinity for all passionate collectors to supplement its collections or to bring to their friends memories from holidays.


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In Theaters Review: 31
October 1, 2016 April 24, 2020 Jeremie Sabourin
Since his feature film debut in 2003 with House of 1000 Corpses, Rob Zombie's directorial career has mostly trended downwards. Corpses wasn't a smash hit but it has gained a cult following over the years and is an entertaining watch at the very least. Zombie hit his peak with its sequel, The Devil's Rejects. Whereas his previous effort felt more like an homage to The Texas Chain Saw Massacre, The Devil's Rejects felt like its own film. Zombie proved himself to be a capable director on that film but, ever since, has revealed himself to be a shoddy storyteller at best. Thus is the case with his newest film, 31.
Zombie had a legitimate chance to break out with his remake of slasher classic, Halloween. Instead, what fans received was a vulgar, bloody affair propelled by awful dialogue, a meandering story, and hillbilly characters. Essentially, this is the guide to filmmaking that Rob Zombie now follows. Every subsequent film after The Devil's Rejects has suffered from the same flaws and they simply continue to get worse.
31 is centered around a group of hillbillies carnival workers that get kidnapped after a long, arduous scene of them blathering on about nothing. Seriously. From the very beginning, the dialogue is uninteresting, unfunny, unnecessary, and flat out useless. Their captors force them to play a game called "31" in which the goal is to survive for 12 hours. They are hunted by a group known as the "Heads" (Sick, Psycho, Schizo, Death, Sex, and Doom) throughout a large warehouse. The Heads are assigned to do the hunting by three classic looking aristocrats, complete with powdered wigs, lead by Father Murder (Malcolm McDowell).
Firstly, the cast is made up of many of Rob Zombie's past collaborators. Of course, his wife, Sheri Moon Zombie, plays one of the lead characters, Charly, and, yes, she's objectified as per usual. Jeff Daniel Phillips, Meg Foster, and Judy Geeson recently worked with Zombie in The Lords of Salem while McDowell, Lew Temple, E.G. Daily, and Richard Brake worked with him on his prior films. For the most part, the acting is decent even with Zombie's atrocious dialogue.
Of the aforementioned actors, it's Richard Brake's character, Doom-Head, that steals the show. While characters like Psycho-Head and Schizo-Head are, for lack of a better term, psychotic, Doom-Head is cold, calculated, and unforgiving. The monologues he gives to his impending victims aren't threats. They're fact. He has every intention of murdering his prey but also wants them to know that he's going to enjoy it. The only negatives of his character are an unfortunate and embarrassing sex scene and some excessive cursing.
Another positive of 31 is Zombie's technical skills. For as bad as he is at writing dialogue and concise stories, he has an eye for interesting shots and set design. The imagery in this film is excellent and it truly makes you wish that he was able to furnish a better overall product. In particular, there's a scene in which Sex-Head (E.G. Daily) is slowly closing in on Roscoe (Jeff Daniel Phillips). There's a blue strobe light flickering and her wide eyes and facepaint pierce through the darkness during the strobe effect. It results in a legitimately chilling image that is definitely a brief standout moment in the film.
Another highlight of 31 is the original soundtrack. As usual in a Zombie film, there is plenty of popular music but it's the score that sticks out this time around. Written by Zombie, John 5, Chris "Zeuss" Harris, and Bob Marlette, the music is simple and haunting. Sometimes it's easy to overlook the music. However, during some of the quieter suspenseful moments, it's given time to shine.
Most of what has been said about the film is in regards to Zombie's technical skills despite his inept screenwriting. Unfortunately, there just isn't much to say about the story in 31. There is no story. All that happens is killing. The audience learns nothing about the characters or the game itself. There's no explanation as to why Charly and her friends were targeted or why Father Murder and his associates do what they do. Everything is completely senseless. If anything, it's a ripoff of House of 1000 Corpses in style. It even rips off a few plot points from that film. 31 just isn't nearly as memorable or entertaining.
Over the years, Rob Zombie continues to prove that he's a flash in the pan in the world of film. His first two films were his best works and he has gotten depressingly worse since. What's most unfortunate is that, again, his technical skills have gotten so good. His propensity for good camerawork, set design, and mood is perfect for the horror genre. Also, the cinematography on his films, especially The Lords of Salem, has been fantastic. Rob Zombie is just unable to make that next step towards being a legitimate filmmaker. Vulgarity, excessive violence, and ugliness define 31 and none of those terms come with endearment. It's no doubt that while Zombie was trying to return to his roots with 31, instead, he produced his worst film yet.
Features, In Theaters, Reviews31, Bob Marlette, Chris "Zeuss" Harris, E.G. Daily, Jeff Daniel Phillips, John 5, Judy Geeson, Lew Temple, Malcolm McDowell, Meg Foster, Richard Brake, Rob Zombie, Sheri Moon Zombie
In Theaters Review: The Magnificent Seven
It's Shocktober at Cinema Smack!


Experts from MalwareMustDie spotted a new ELF trojan backdoor, dubbed ELF Linux/Mirai, which is now targeting IoT devices.
Experts from MalwareMustDie have analyzed in August samples of a particular ELF trojan backdoor, dubbed ELF Linux/Mirai, which is now targeting IoT devices. The name of the malware is the same of the binary,"mirai.*," and according to the experts, several attacks have been detected in the wild.
The ELF Linux/Mirai is very insidious; it is still undetected by many antivirus solutions as confirmed by the very low detection ratio in the VirusTotal online scanning service.
"The reason for the lack of detection is because of the lack of samples, which are difficult to fetch from the infected IoT devices, routers, DVR or WebIP Camera, the Linux with Busybox binary in embedded platform, which what this threat is aiming." states the analysis from MalwareMustDie Blog.
The last ELF examined by Security Affairs was the Linux Trojan Linux.PNScan that has actively targeting routers based on x86 Linux in an attempt to install backdoors on them.
But MalwareMustDie tells us that Linux/Mirai "is a lot bigger than PnScan".
This means that when the infections succeeded, it is not easy to distinguish an infected system by a not infected one, except than from the memory analysis, and we are talking about a kind of devices that are not easy to analyze and debug. The normal kind of analysis conducted from the file system or from the external network traffic doesn't give any evidence, at the beginning.
We are in a hostile environment, called Internet of Things (IoT), shaping new kind of powerful Botnets spreading worldwide, but which Countries are more exposed to this kind of attack?
Then it seems that the infection is really going widespread and the Botnet seems to be really very large.
If you have an IoT device, please make sure you have no telnet service open and running.
Reverse the process looking for the strings reported in the MalwareMustDie detections tool tips.
But, what we know about this Linux/Mirai ELF malware exactly, and why it is not so common among the malware analysts?
This means that also the forensic analysis can be difficult if we switch off the infected device: all the information would be lost and maybe it would be necessary start again with a new infection procedure, in case. It remembers the Greek mobile wiretap named "Vodafone Hack", no evidence than in the memory.
But in your opinion which is the main difference among the previous ELF malware versions?
Digging in the details: how the infection works.
As we read in the last post on the MalwareMustDie blog, this kind of ELF uses a specific technique to fork into a new process if the conditions of the infection of the current device are targeted, otherwise the node is safe and the installation does not go on.
It was very difficult to analyze the Linux/Mirai infection because once executed the malware is also able to delete traces of its presence.
"In some cases of the Linux/Mirai infection is showing traces that the malware was executed without parameter and there are cases where the downloaded malware file(s) is deleted after execution. In this case, mostly you won't get the samples unless you dump the malware process to the ELF binary. This explains it is hard to get the good working samples for this new threat." continues the MalwareMustDie team.
The experts also provided a way to reverse a running process with a tool that will go open-source: for the details, enjoy the analysis.
Independent Security Researcher involved in Italy and worldwide in topics related to hacking, penetration test and development.


What's involved in unloading a ship of Cobblestone? How about yard logistics of 30,000 tons of granite. Take a look into life at Old World Cobble® so you can appreciate the service and labor our company offers you. Below are scenes from the 2017 Cobblestone Ship Unload.


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How we make stuff.
Secrets for data journalists, developers, newsroom designers, engagement specialists, and more.
Want to Start a Collaborative Journalism Project? We're Building Tools to Help.
We'll be expanding and open-sourcing the tools we created to do Documenting Hate, as well as Electionland, and writing a guide that will let any newsroom do crowd-powered data investigations.
by Rachel Glickhouse
Feb. 28, 2019, 10 a.m. EST
She Photographed Police Abuse at a 2014 BLM March Then Watched the Image Go Viral During Capitol Riot
by Lisa Larson-Walker
Jan. 11, 3:21 p.m. EST
The much-shared pairing of photojournalist Natalie Keyssar's image of a peaceful Black man being assaulted against a photo of white rioters walking free in the Capitol "represents the rage and sadness I feel."
Meet the Baconator
by Frank Sharpe
Oct. 2, 2020, 8 a.m. EDT
How to make a dynamically generated news site work like a statically generated one and sleep better at night.
I Spent Three Years Running a Collaboration Across Newsrooms. Here's What I Learned.
Dec. 13, 2019, 10 a.m. EST
ProPublica worked with close to 200 newsrooms in the U.S. to crowdsource hate crimes and bias incidents as part of our Documenting Hate project. The collaboration is wrapping up, but its lessons are worth remembering.
Building a Database From Scratch: Behind the Scenes With Documenting Hate Partners
Oct. 23, 2019, 12 p.m. EDT
News12, The Baltimore Sun, Reveal and HuffPost explained how they built hate incident databases in conjunction with the Documenting Hate project.
Making Collaborative Data Projects Easier: Our New Tool, Collaborate, Is Here
Sept. 11, 2019, 11:10 a.m. EDT
We're open-sourcing our collaborative reporting software so that newsrooms can work together around large datasets.
Working Together Better: Our Guide to Collaborative Data Journalism
Aug. 14, 2019, 11 a.m. EDT
We've learned a lot about how to make large-scale collaborations around datasets work, and today we're giving away all of our secrets.
Making Sense of Messy Data
Angeliki Kastanis, Associated Press
Aug. 7, 2019, 4:03 p.m. EDT
Angeliki Kastanis, data reporter at the Associated Press, recently explored what legalized pot means for medical users. Here, she describes some of the challenges of telling that story with the data available.
"Your Default Position Should Be Skepticism" and Other Advice for Data Journalists From Hadley Wickham
by Hannah Fresques and Meg Marco
June 10, 2019, 12:50 p.m. EDT
The chief scientist at RStudio and developer of open source tools for data scientists on bribes, bears and where your next story is hiding.
New: You Can Now Search the Full Text of 3 Million Nonprofit Tax Records for Free
by Ken Schwencke
June 6, 2019, 11:09 a.m. EDT
Search the full text of nearly 3 million nonprofit IRS filings, including investments and grants given to other nonprofits.
The Ticket Trap: Front to Back
by David Eads
March 4, 2019, 4 a.m. CST
The project gave us an opportunity to try a bunch of technical approaches that could help a small organization like ours develop sustainable news apps.
Chasing Leads and Herding Cats: Shaping a New Role in the Newsroom
Oct. 12, 2018, 9:30 a.m. EDT
A partner manager is a crucial part of making cross-newsroom collaborations work.
New Partnership Will Help Us Hold Facebook and Campaigns Accountable
by Jeremy B. Merrill
Oct. 8, 2018, 3 p.m. EDT
Starting today you can download a version of the Firefox browser with the Facebook Political Ad Collector built in.
The Election DataBot: Now Even Easier
by Derek Willis and Gabrielle LaMarr LeMee
Sept. 18, 2018, 1:32 p.m. EDT
We'll show you what's really new, what's important, where races are heating up, where the money is flowing and what news is happening. And those are just our first steps.
Shedding Some Light on Dark Money Political Donors
by Derek Willis
Sept. 12, 2018, 6 a.m. EDT
Political nonprofits don't have to disclose the names of their donors. But thanks to a good-government group, you can now find out about nearly $763 million in donations to these "dark money" organizations.
Download Chicago's Parking Ticket Data Yourself
by Katlyn Alo and Melissa Sanchez
Aug. 23, 2018, 4 a.m. CDT
For the first time, the city's database, which tracks more than 28 million parking and vehicle compliance tickets, is easily available to the public.
How ProPublica Illinois Uses GNU Make to Load 1.4GB of Data Every Day
July 10, 2018, 4 a.m. CDT
We've open-sourced our code for loading Illinois campaign finance data. The process used to take hours. Learn how Make helped cut that down to less than 30 minutes.
New in the Congress API: Lobbying Registrations and More
Our Congress API now lets programmers access lobbying data. It also lets them find congressional press releases that mention bills.
Get an Inside Look at the Department of Defense's Struggle to Fix Pollution at More Than 39,000 Sites
by Abrahm Lustgarten
May 7, 2018, 5 a.m. EDT
For the first time, the Pentagon's internal database used to track its environmental problems is available to the public.
How You Can Keep Track of the Money Political Committees Spend at Trump Properties
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When I started teaching online, I had a problem that puzzled me – students didn't take kindly to my feedback. So, if you're bewildered about the negativity in your feedback and not sure about how to make it more effective and agreeable, consider the following suggestions and your students will appreciate it!
When I started teaching online, I had a problem that puzzled me – students didn't take kindly to my feedback. They knew that my message was good for their improvement, but they just hated it – the feedback was from hell. A few of the students even mentioned having stomach pains when they received my weekly emails. Basically, my message was too negative and difficult to accept. Were these students way too sensitive or … God forbid…was I at fault here? Was I that harsh? Maybe…I just didn't like the idea that so many students hated my feedback, and I felt compelled to fix this situation.
After some research and a lot of trial and error changing the feedback messages into a more palatable version, my problem was resolved! Now, quite a few students email me, thanking me for the constructive feedback they received. What a change! Here are my suggestions to improve your feedback messages to students, who don't have to hate them.
Instead of assuming that you have too many over-sensitive students, take a clinical look at your own feedback messages. Listen to what the students are saying and tell your ego to shut up. While instructors oftentimes need to be tough and point out issues, they can communicate these problems in ways that are effective and well received. This doesn't mean that all students will love you, but recognizing that there may be a problem with the feedback message, it's a great first step.
My favorite new words are "a bit." A post was a bit off topic. Organization of a paper needs a bit of improvement. "A bit" softens the issue, making it not so big for students to overcome. When work is below expectation, "You show great potential," can be very useful. Most students show potential, even if they are initially hidden. On other instances, "Your efforts are appreciated" work well when you see that a student tried, but it didn't work out. "I can tell that you worked hard here" or "I appreciate your well-thought out approach" can be very useful in recognizing student's efforts, even if they are not successful. Using "I" makes the feedback more individualized – I noticed you.
Many instructors use the "sandwich" approach, where they start and end with positive sentences, but they use the word "but". For example, they can say that a student's posting showed a good grasp of the topic, but he should have analyzed the issue better. Instead of "but", use "and". This change will do wonders about how the message is written and understood. You could say that a student's posting showed a good grasp of the topic and could have contained more analysis. The difference in tone is clear.
Be specific on the positive.
Use quotations or paraphrases from the student's work whenever possible to show that you really read the work and noticed it. This could be about a specific calculation done right or a good research resource. The idea is to show that the feedback was carefully thought out, not a template used for all students with no real time spent on the student's work. The more specific you are, the more it shows you care.
Sometimes we want to tackle all issues, so that students can improve fast. The problem is that this approach can overwhelm and discourage many people. So, focus on one or two problems at most on each feedback. If appropriate, make a general comment about the other issues. You don't have to show all the times a grammar problem happened, for instance. You don't have to quote the issue or repeat it. The idea is to be focused, discreet, and effective.
Another way to make suggestions is to paraphrase the student's point and mention, "it would have been great if you had..." These prompts help the students become more attentive and to think deeper about the topics. For example, a student post mentions that managers should be paid more. An instructor may say that the point is valid, but it would have been great if the student had given more explanations, maybe an example or a research resource to backup such statement. I have found that asking "why" may be too confrontational, although it may work in some cases.
When telling students to improve their work, give specific suggestions whenever possible. For instance, if a paper is full of grammar mistakes, mention that the student could use "Word" grammar checker or other software to help this annoying problem. If the problem is organization, you may note that the student could do an outline before or after the paper is done to make sure the material is well organized, and the ideas flow well.
Hopefully, these ideas will help you in making feedback more effective and pleasant to you and your students. The key is to use these ideas while still sounding like yourself and not a fake copy-and-paste artist. You could scan the feedback messages, especially the ones for struggling students, looking for at least one positive, hopeful sentence or two before these go out. These suggestions may sound strange, but try one thing at a time and soon enough, these practices will become second nature to you.


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text:
Q: How can I add the username of a logged in wordpress user (sales person) who placed an order for a customer Our sales people use our website to place orders on customers behalf. I'd like the sales people's wordpress usernames to appear in woo-commerce admin order emails.

A: Add bellow code goes in functions.php file of your active child theme (or active theme) or also in any plugin file. It will add an extra column with :created by and Modified by .

//for order columns add who made this
add_filter( 'manage_edit-shop_order_columns', 'firefog_post_type_columns', 20 );

function firefog_heirch_columns( $column, $post_id ) {
    switch ( $column ) {
    case 'modified':
        $m_orig     = get_post_field( 'post_modified', $post_id, 'raw' );
        $m_stamp    = strtotime( $m_orig );
        $modified   = date('d/m/y @ g:i a', $m_stamp );
            $modr_id      = get_post_meta( $post_id, '_edit_last', true );
            $auth_id      = get_post_field( 'post_author', $post_id, 'raw' );
            $user_id      = !empty( $modr_id ) ? $modr_id : $auth_id;
            $user_info    = get_userdata( $user_id );

            $user_nicename=$user_info->user_nicename;

            echo '
';
            echo 'on'.$modified.'
';
            echo 'by '.$user_info->display_name.' ('.$user_id.')';
            echo '
';
        break;
    // end all case breaks
    }
}

function firefog_post_type_columns( $columns ) {
    $columns['modified']    = 'Last Modified';
    $columns['author']      = 'Created By';
    return $columns;
}

You Can Manage Column from Screen Options like bellow image

redpajama_set_name: RedPajamaStackExchange


Alpaca Blend Fingerless Mitts in Paprika from Peru, "Cozy Flowers in Paprika"
Made of soft alpaca blend yarns, these charming fingerless mitts are presented by Celinda Jaco. The Peruvian artisan chooses colors of paprika and black. Each glove features wonderful crochet work that is performed by hand, accented with a little flower shape.
Celinda uses traditional materials to create her contemporary clothing. Her designs are often based on Andean styles such as ponchos and ruanas, her garments are machine knit and finished by hand. From her early teens, Celinda was obsessed with textiles and began to learn tailoring, knitting, crochet, toy-making and appliqué. Many of these crafts were taught to her by her family. Today, she enjoys passing her skills on to the next generation. She encourages university students who are curious about the textile arts to visit her workshop and "practice."
Celinda has a natural entrepreneurial spirit. She attempted many things before finding her own workshop. Dedicated to preserving Peruvian textile traditions, she trains her own workers and informally teaches university students who have an open invitation to visit her workshop and learn about the textile arts. She is an asset to her community.
Celinda, her husband and her grandson are all supported through her Novica sales. These sales are steady, enabling her to pay her employees, her workshop bills and other living expenses.
Celinda hires as many university students as possible. It is her way of ensuring that someone will not have to give up their studies because they cannot afford to continue.
She has received an award for quality and design from Promperu, the Peruvian export and tourism agency.
Celinda is proud to be able to pay for the education of one of her grandsons.
"When I was a little girl I loved playing at having a trade and I enjoyed making things with my hands. Now as a grownup I get to do it for real!"
"I was born in the beautiful department of Cerro de Pasco, but when I was 5 years old I went to live in Lima with my godmother while my parents continued working as farmers in my hometown. I studied up to second year in middle school and then my love for textiles took over as I took courses in tailoring, knitting, crochet, toy-making and appliqué.
"I began working in a project with mothers who also wanted to learn about making toys, knitting and crochet. I worked in a variety of things, from bringing over things from Chile to sell in Peru to opening my own store to sell sweaters, but that didn't work. In 2002 I started knitting informally, but thanks to the advice of my husband and children who specialize in textiles, I've been able to establish my own venture. I am constantly taking courses to hone my skills and develop further.
"Life is full of surprises, good and bad. I remember that once, back when I used to travel the countryside to sell different merchandise, a taxi driver took off with everything after I had finished loading the car and before I had the chance to get in. I took another cab trying to catch up, but we never made it. However, one of my clients saw everything and identified the taxi.
"I thought I had lost everything, when this client called me and asked me to meet him at his house and as I walked in, I was amazed to see all of my merchandise there! I was so grateful to God and to this client!
"When I was a little girl I loved playing at having a trade and I enjoyed making things with my hands. Now as a grownup I get to do it for real!
"My art comes from a combination of skill and creativity. I combine flat knitting with hand-embroidered details. It is very inspiring and motivating to create items that are different to what everybody else is doing. I've exhibited my creations in different fashion shows and fairs throughout Peru.
"The biggest goal I had set for myself was to be recognized, and I'm achieving it. I am so excited about joining Novica and having a chance to meet you all, the customers. I hope you like my designs and appreciate the fact each one is made with a lot of dedication, effort, and love for this art. Thank you for trusting in me!"
I bought Celinda's misty grey alpaca cloak with white embroidery as a birthday gift to myself. My, what great taste I have! Celinda's designs are exquisite, and the workmanship is excellent. The cape is very soft and warm, yet light weight. I am receiving many compliments and definitely will order more of her artistry. What a pleasure to wear!
I purchased the ""Glamorous Night"" ruana cape. Paid extra for quick shipping and it came lightening fast, thank you. Celinda is a true artist. This cape is even more beautiful and soft than expected. Drapes beautifully and the trim is gorgeous. I love the pockets too. I keep trying it on and admiring myself in the mirror - I can't praise this garment enough. I would love to buy another soon. Just perfect, thank you and many blessings to you Celinda.


Ideally, we have no moisture in the air system, but realistically that's not the case. Moisture is inherent to air systems, and the runnning of the auxillary compressor makes it more apparent. In addition to routinely(every 24 months) replacing the Air Dryer, one relatively easy thing any of us can do is periodically (every 12 months) drain the water from the air tanks.
The one thing that many (I speak from experience) don't think about when draining the water from the air tanks, is that all the air should be drained first. If you open the drain valve with air in the tanks, the air will just blast through the water and you will think you have drained the water and almost nothing came out. Dump all the the air first, then the water will run out the drain when you open the valves. As always, don't get under the bus without it being properly supported.
Thanks Dale this I didn't know. Have just been blasting before this.
To add to this ALL you owners from like 99 on have additional football sized tanks plumbed into the lines for the suspension air bags. They all have bleaders.
If you service your air dryer correctly and follow Dales advice here I would suggest you not crack the bleaders on the air bag tanks. Ive never seen water in them and u run the risk of ruining the seal by cracking a valve that never gets used and actually make an air leak trying to prevent moisture build up where there usually isint any.


The national chairman of the All Progressives Congress (APC), Comrade Adams Oshiomole, yesterday denied reports that his party was facing mass defection.
He said rather, it was the opposition Peoples Democratic Party (PDP) that had suffered mass defection in recent times.
Speaking to State House correspondents yesterday after a closed-door meeting with President Muhammadu Buhari at the presidential villa, Oshiomhole just recently after the PDP's convention, some founding fathers of the party left.
He also ruled out the new coalition of PDP, R-APC, ADC and 36 other parties, noting that no matter which form they come, Nigerians would reject them just like they did to former President Olusegun Obasanjo's third term agenda.
In a veiled reference to Obasanjo, the APC chairman observed that an old man is going round as an organising secretary, recruiting people and looking for tired players to continue with a third term agenda which Nigerians had rejected.
On reports of impending mass defection from the APC, he said, "I think it is something you should ask the PDP. They are the ones who have suffered huge mass defection, even of the so-called founding fathers. I mean in those good old days, people like Professor Jerry Gana would tell us we are the founding fathers.
"People like President Obasanjo will tell us, 'you know I was the first president'. All of these people are gone. I think the media needs to get more engaged and scrutinise those of us who are political players when we speak from both sides of the mouth or turning the story upside down.
"Just few months back, you know that a good section after their convention, people like Adeniran Professor Jerry Gana and a host of others who can be said to founding fathers of that party, left to form what they call SDP or ADC or both.
"So, they broke out and when it dawned on them that even together we defeated them just four years ago. And now further factionalised, what can they do? They just want to capture power for the sake of power.
"So, they say, 'even though we have already broken the house, can we for the sake of power come together? Does it make sense? In the morning, you broke away from PDP to SDP and then to ADC. And there is no better proof than that old man who is going round as an organising secretary recruiting people, looking for tired players to continue with a third term agenda which Nigerians have rejected".
Noting that in whatever form they come Nigerians have spoken, Oshiomhole said the opposition elements are not going to return to the era where security money was shared to people based on PDP philosophy, 'share the money'.
"We won't do that, if they have forgotten. It is quite easy for robbers to forget easily the robbery they just did but it is not easy for the victim of the robbery to forget", he added.
When asked why the APC is going on with the Imo State ward, local and state congresses despite a court order, Oshiomole said he did not receive any stay of execution order from the court.
He explained: "It is going on. I know for a fact that I was served with a court paper, which nullified the congresses that were done under my predecessor. On the basis of the court judgement, which nullified the election, we were obliged to now go back and re-conduct, which is what we are doing today.
"If anybody purports that there is a new court order, it has not been served on me. You will agree with me that however unfairly you look at me, however small I am, I have a postal address, a contact address, a residential address. So, it is not possible to have a court order and it is not served on me. And I do not belong to the category of persons that will run away from service.
"If there is a court order, as a governing party, we are obliged to live by example. So, the truth is that there is no court order. There is no stay of execution. A stay of execution is not something that is secret. If anybody has one, he should show it to you".
When asked about his mission to the villa, he said, "As a national chairman of the governing party, I have the responsibilities to preside over and to administer the party. And party matters in a very dynamic environment such as the one we are in.
"I have come here to meet with the president who is the head of the federal government and the executive elected on the platform of our great party to share with him what we are doing in the party and what he is doing in government so that there is no gap between government and the party. That is the way it should be and we had a very brief business like meeting".
He further explained reasons why the party adopted the direct primary system for the APC gubernatorial primaries in Osun.
He also expressed confidence that the APC will emerge victories in the Osun governorship election in September on the ground that incumbent governor of the state, Rauf Aregbesola, is at home with his people.
He stated: "As for Osun state, we are even much more confident because there, we have a governor who is at home with his people, he is a mobiliser, an organiser and an astute politician.
"We have also decided that in order to give people a more sense of ownership in the electoral process, we use direct primaries, which means that every card carrying member of the APC is going to participate in choosing who should fly the flag of the party.
"Now, this method gives more and more people a sense of ownership and a sense of commitment to the candidate that they have all chosen. It returns the party to the grass root so that new sense of renewed ownership, renewed sense of participation and inclusion by itself, is a value that would make the actual election even much easier".


text:
Q: AngularJS - Add a drop down menu feature into a HTML table using Jquery I would like to add a feature (which is a drop down menu into an image icon inside a table.
Here is the code description:

      <thread>

</thread>

...

Here is the controller (script)
$scope.buildtable = function() {
...
       $(".people", row).html("");

...

So, on the table, each row would display an image icon, my question is how to add a dropdown menu when you click onto the icon.
My menu would look like this:

 List 1

   ...

A: First, I'm not familiar with AngularJS.
I felt like funny when I saw your code, because you use AngularJS, but literally you use '.html()', which is jQuery method. There's no bind at all.
Personally, I think there's no problem you use both 'jQuery' and 'AngularJS', if it's organized.
I came up with the two ideas.
1.Use the same array using the filter.

  {{people.name}}

2.Prepare the data for the list.

  {{people.name}}

Here's a super rough example.
UPDATED
Whoops... Maybe I was misunderstood.
You want to use the normal HTML table(created By jQuery.html()).
In that case, you can use this code.
// called when the img is clicked
$(".table").on("click", ".people-image", function() {
    // Get the scope(you need to select which has ng-controller).
    var $scope = angular.element($('#your-app-controller')).scope();
    // Add img url.
    $scope.listItems.push({ imageUrl : $(this).attr("src") });
    // Apply it to view. (It seems this is bad practice, though.)
    $scope.$apply();
});

Here's an example.


SECTION 1. Qualification. – Membership in the NPC shall be open to Filipino citizens at least eighteen (18) years of age who adhere to the principles, policies, objectives and programs of the NPC, subscribe to its purposes, and accept its conditions for membership.
Junior Membership shall be encouraged and organized in all Chapters, and shall be open to all Filipino citizens between the ages of fifteen( 15) and seventeen ( 17) years old.
in civic, business or other similar organizations whose principles, policies and objectives are not. contrary or against those of the NPC, is allowed and even encouraged in order to enhance the character and status of the NPC members.
SECTION 3. Application for Membership. – An application for membership may be filed with the Barangay, Municipal, City or Provincial Chapter where the applicant resides, or directly with the National Central Committee.
SECTION 4. Approval. – An application Jor membership filed with the local chapters shall be forwarded together with its recommendation to the next higher chapter, which shall act on the application by majority vote. Inaction by the higher chapter after 30 days from receipt shall be deemed an approval of the recommendation.
SECTION 5. Appeals. – Objections to an approval or denial of an application by Municipal or City or Provincial Chapter shall be appealable to the National Central Committee whose decision shall befinal.
h. To faithfully comply with the provisions of the Constitution and By-Laws, as well as the order and directives of its duly constituted officers and/or governing bodies.
d. Commission of acts inimical to the interest of the Party.
Loss of membership under paragraphs a, b and c shall be automatic. In the case of paragraph d, hearings shall be conducted by the corresponding bodies authorized by the National Central Committee to determine the innocence or guilt of the member/s involved.
SECTION 8. Appeals. – The separated member may appeal the decision under paragraph d, Section 7, to the next higher body and then finally to the National Central Committee whose decision shall be final.
SECTION 9. Re-admission to the Party. – The same procedure for admission shall apply and be complied with for re-admission to the Party. However, re-admission to the Party should be processed and membership conferred at least one hundred fifty (150) days before the date of any election.