As a photoboothME attendant you are above all expected to be punctual, well presented, appear pleasant/friendly/enthusiastic to help and of amazing assistance to guests on the night. You are the face of our business and our most important asset, most of our bookings come from repeat business so you are also the reason our business continues to do so well.
Punctuality is one of the most important things for a photo booth attendant. It's someone special event and it's not going to wait for you if you are late. If for any reason you aren't sure you are going to make it at least 15 minutes prior to the start time please call Rupert or whoever is on call for that day AS SOON AS YOU REALISE. Then please check in with them when you do arrive.
Unless otherwise instructed please dress appropriately for the occasion. Dress pants or knee length or longer skirt. A button up shirt is preferred for women (and necessary for men). Jeans are never appropriate for corporate events or weddings but are OK if they are dress jeans for a birthday party. If you're not sure please ask what you should wear or send a photo to check with us that it is appropriate.
Your main role as an attendant is usually to help create an amazing guest book for the client. If there is no guest book then you need to focus your attention on the other aspects of attending. The guest books are normally inside the booth or the suitcase with the booth when you arrive.
Please try to ensure everyone places one copy of their photos in the guest book.
Show them the guest book, and let them know you will put the tabs on the strip and place it in the book whilst they sign (or do this before they sign).
When filling out the book, try to average 2-3 photos per page but 1 is OK if they write an essay and more is OK if it's the same people.
Start with the front facing pages first, and if you fill out all of them then continue to the back of those pages.
Keep an eye on the time, try your best to have the book at least full on the front pages by the end of the hire period even if that means 1 strip per page for a while. If the book is getting too full too soon then start compacting the entries where possible.
One fresh cardboard bag and a sticker. At the end of the event please place the album in this bag, fold it over with the sticker and give it to the client.
No drinks in the booth (we need to police this strictly, a beer/wine on the screen might mean the booth works fine for the rest of that function but the screen won't work the following day) Be strict about this and divulge the reasoning behind it. Anything lse goes in the booth as long as it doesn't damage it.
Greet everyone who uses the booth. Try and get to them before they jump in but if you are busy with other guests filling in the book or something be sure to greet them when they get out. Even if you only shout, welcome, don't forget to wait for the flash.
Let guests know how the booths work. For the HD booths tell them to wait for the flash before changing pose. For the Bespoke booths tell them to wait until their image comes up on the screen before changing their pose. Tell them they'll see themselves int he screen but that will dissapear and that they should be looking into the camera (or off into the distance or each others eyes or something like that if they don't intend to). Because of the angles people looking at the screen look like they are looking at the ground.
Describe the process to people who might not be familiar with it (usually older guests). Show them a strip, that is has 4 photos on it, that the idea is that they can keep the strip and one goes into the guest book. Be helpful at all times.
Look after the props, try and tidy them up in the box and try and stop people pinching them.
Hand out business cards to people interested in hiring a booth. If theyask about prices tell them they are on the website but if they say they saw us at this event when they contact us we can usually do a special price for them.
Make sure all the guests respect both you and the booth. If you have any issues speak to a venue manager and/or the client and let us know. You can ask anyone to leave the booth if they are likely to damage it, please be polite but firm about it.
Make sure the area is safe for yourself and users of the booth.
Keep an eye on the quality of the photos. We shouldn't see anything that isn't meant to be in the photos. If it's a curtain booth we want the background to be all curtain and zoom in if it isn't. If it's a backdrop booth we don't want to see anything but the backdrop. If we can then move the backdrop accordingly or zoom in/out. People bump backdrops all the time so you might need to do this 20 times at an event. Also make sure the photos are in focus and the exposure is good. Photos should be nice and bright on the strips but not too bright. If you're unsure just ask. Finally with respect to quality it seems that sometimes people touch or kiss the glass or lense and leave a smudge. Always check the pic pic single pics every so often to make sure there isn't a blemish on the photos. Often this isn't noticable on the strip but we have had one whole event where someone kissed the camera in the first 10 minutes and every photo after that was ruined by the smudge.
If the booth is off please turn it on.
Take appropriate test shots. Please at least use a prop so you can tell that the camera is focusing, the photos are well exposed and the printer is working.
Get the props looking nice and neat. Make the boas, frames and glasses visible on the lid of the prop box, fluff up the hats.
Test that picpic social is working fine by emailing a photo to yourself.
photoboof7 is the software that our HD and Bespoke booths use. The software opens up in 3 windows. One is the 'viewer screen' which is what you see and has touch here for colour, black and white etc. The next one is the camera screen called 'the big picture' this is where you can adjust the camera settings. The final one is the main menu of the program called photoboof7.122421 or whatver version it is.
When opening boof7 the viewer will always be on top. You can get out of the viewer by pressing escape on the keyboard. Once you're out of the viewer you'll have the other two windows still open. If you've jumped out of the viewer on the HD booths please always close the other two windows too and reboot the program rather than pressing open viewer as sometimes this can open the viewer on the 2nd screen and that's a big pain to fix. On the Bespoke booths click show viewer to open the viewer screen whenever you want.
The only setting that you should change at events is the exposure compensation. It's a number between -3 and +3 and typically for our booths is set around +1 or so. If you find the photos too dark go to a higher number, if they're too bright move down a notch. If you're not sure ask us and we will check out the photos for you.
You can use the main window to change many things, but most of this is done by the setup team. The one thing you might want to find is going to file > launch reprinting utility. This will enable you to reprint photos from earlier in the event if you wish.
Picpic social is the software that runs out online albums as well as direct file sharing. Most events will ask for this to be available, even if they have not asked for social sharing it's important to make sure pic pic social is on and working as it will be the online album that is shared with the clients. Due to an update with facebook picpic social is now only for emailing photos to the clients but we encourage them to then share them on their own social media.
The server on the computer needs to be on. It needs to be logged into the correct event.
PicPic social needs to be open on the ipad and connected to the same network as the computer.
Picpic also creates a gif out of the images in each folder. We will have set up the event so that if there are 4 photos on a strip every 4 photos the software will turn the previous 4 photos into a gif. If there are 3 photos on a strip it will do this every 3 photos. It does this out of the 'pics' folder for which there is a shortcut to on the desktop. In order for this to work at the end of each session there needs to be a multiple of 4 (or 3) photos in the pics folder. So if you've deleted a pic (or in the case someone has started then ended a session, or the booth was unable to focus because nobody was in it during a session) then the gif's won't work and will contain photos from multiple sessions. If this happens please just copy and paste any image in the 'pics' folder on the computer to bring it back to a multiple of 4 (or 3) and the next gif should be perfect.
Please copy all the photos out of the 'pics' and 'strips' folder on the desktop into the event folder. The event folder is normally names YYMMDDXXXXXXXX where YY is year (18 for 2018) MM is month (11 for November) and DD is the day (23 for the 23rd) and XXXXXXX is the event name. Just whatever is going to identify the event like the company name, bride or clients name is fine and it should already be made on the desktop for you.
Please choose an appropriate photo from the event on pic pic as the thumbnail and publish the event. (you can do this at any time. For a birthday or a wedding please put a photo of the client as the thumbnail if you have a good one, otherwise any other good photo will do).
Turn the booth off and fill out your end of shift report.


UFH1 Manifolds are available to be bought separately to the underfloor heating kits, available from 2 port manifold kits to 12 port kits.
Kits are available in both standard models and premium, both providing high quality and an economical way to connect your underfloor heating pipes to your central heating distribution pipe work.
Standard manifold kits are high quality and an economical way to connect your underfloor heating pipes to your central heating distribution pipework.
Premium stainless steel manifold kits are the highest quality manifolds available on the market and still an economical way to connect your underfloor heating pipes to your central heating distribution pipework.


The Vatican has been accepted to Interpol to become the 187th member of the international crime fighting organisation. The official ceremony took place during Interpol's General Assembly currently underway in St Petersburg.
A representative of the Vatican said it shares the values of the organisation concerning the fight against global challenges.
The world's smallest independent state has 460 inhabitants, with 160 serving in the Vatican Gendarme Corps. The Corps is in charge of security and public order, which encompass all regular police duties, including border control, crime prevention and investigation, and enforcement of financial and commercial regulations.
The history of Interpol, headquartered in the French city of Lyon, dates back to 1923. The main goal of its establishment was to consolidate efforts made by law enforcement bodies of different countries in the struggle against the most hazardous crimes of an international nature.
This year's assembly, gathering 650 Interpol delegates from all over the world, will last for four days.


text:
import React from 'react'
import Radium from 'radium'
import MealInfo from '../components/MealInfo'
import MealList from '../components/MealList'
import Meat from '../components/Meat'
import Stars from '../components/Stars'
import Tabs from '../components/Tabs'
import { red200 } from 'material-ui/styles/colors'

const styles = {
  meal: {
    '@media (min-width: 992px)': {
      display: 'flex'
    }
  },
  actions: {
    display: 'flex',
    justifyContent: 'space-around',
    width: '100%',
    alignItems: 'center',
    padding: '20px 0',
    background: red200
  }
}

const MealLayout = ({isLogged, userData, time, mealList, handleOpen, handleTouchTap,setSnackbarMessage }) =>  {

    return (

          <MealInfo />
          <MealList mealList={mealList} />

          <Meat isLogged={isLogged} handleOpen={handleOpen} handleTouchTap={handleTouchTap} setSnackbarMessage={setSnackbarMessage} />
          <Stars isLogged={isLogged} />

        <Tabs />

    )
}

export default Radium(MealLayout)

redpajama_set_name: RedPajamaGithub


text:
Q: É necessário barra "\" no começo de funções nativas quando usamos namespace? Notei que algumas bibliotecas costumam usar em funções nativas do PHP o \, por exemplo:
echo \str_replace('foo', 'test', $string);

Eu fui testar dentro de uma classe apenas com namespace isto:
public function foo($string)
{
    echo \str_replace('foo', 'test', $string);
}

e
public function foo($string)
{
    echo str_replace('foo', 'test', $string);
}

Ambas funcionaram perfeitamente, sem problemas.
Eu entendo que quando criamos funções ou classes em um namespace será necessário a barra \ no começo, por exemplo:
namespace Foo;
function test() {}

Usando:
\Foo\test();

Devo usar em \ em funções nativas por algum motivo? Ou isto é redundante?

A: A outra resposta e o comentário me ajudaram a entender o problema:

Talvez exista uma str_replace() naquele namespace, que não é o nativo da linguagem, e por esse motivo a \ é especificada para fazer a referência correta. - @Havenard

No entanto acredito que seja necessário um exemplo para um melhor entendimento do motivo disto.
O motivo de usarmos eventualmente \ na frente de funções nativas como por exemplo \str_replace(...) é porque geralmente existe uma função com mesmo nome dentro (não nativa) dentro do namespace, por exemplo:
src/Foo/utils.php:
<?php
namespace Foo;

function str_replace($a, $b, $str)
{
    //Isto chama a função nativa str_replace
    return strtolower(\str_replace($a, $b, $str));
}

function foo($a, $b, $c)
{
    //Isto chama Foo\str_replace
    return str_replace($a, $b, $c);
}

Usando:
<?php
include 'src/Foo/utils.php';

Foo\foo('a', 'b', 'abcabcabc');

Foi necessário adicionar \ nesta linha return strtolower(\str_replace($a, $b, $str)); pois se não tivesse ele iria ficar recursivamente/"infinitamente" chamando Foo\str_replace, pois estamos dentro de Foo. Se fizermos
No momento que usamos \str_replace chamamos a função que está fora do namespace, que neste caso é uma função nativa.
Mas se fizermos assim:
<?php
namespace Foo;

function str_replace($a, $b, $str)
{
    //Isto chama Foo\str_replace novamente
    return strtolower(str_replace($a, $b, $str));
}

function foo($a, $b, $c)
{
    //Isto chama Foo\str_replace
    return str_replace($a, $b, $c);
}

Irá ocorrer o seguinte erro:

Fatal error: Allowed memory size of 134217728 bytes exhausted (tried to allocate 523800 bytes) in Z:\web\projeto\src\Foo\utils.php on line 6

Conclusão
Devemos usar \ para funções nativas quando declarar outra função com mesmo nome dentro do namespace.
<?php
namespace Foo\Bar {
    function str_replace($a, $b, $c) {
         //...Algo aqui
    }

    //Aqui usamos Foo\Bar\str_replace, pois é relativo ao namespace
    echo str_replace('a', 'b', 'abc');

    //Aqui chamamos a função nativa
    echo \str_replace('a', 'b', 'abc');
}

Não há necessidade de usar \ se não houver uma função com mesmo nome de uma função nativa
<?php
namespace Foo\Bar {
    //Aqui o PHP chama a função nativa pois não existe a função Foo\Bar\str_replace
    echo str_replace('a', 'b', 'abc');
}

Funções não nativas declaras fora de namespace devem sempre usar o \ na frente se usadas dentro de um namespace diferente das funções nativas.
Arquivo vendor/Foo/Bar/Baz.php:
<?php
namespace Foo\Bar {
    class Baz {
        public function output()
        {
           echo \test(); //Mostra 'Olá mundo!'
           echo test(); //Causa erro
        }
    }
}

index.php:
<?php
function test() {
    echo 'Olá mundo!';
}

include 'vendor/Foo/Bar/Baz.php';

Foo\Bar\Baz::output();

A: Não é obrigatório, porém necessário para evitar conflito de nomes ou quando precisa acessar diretamente os nomes no escopo global.
http://www.php.net/manual/en/language.namespaces.global.php
http://www.php.net/manual/en/language.namespaces.rationale.php

redpajama_set_name: RedPajamaStackExchange


A death notice, also known as a funeral announcement, a death announcement, or a funeral invitation, is commonly sent to friends and family to announce the death of a loved one. Historically, making a death notice has required that a payment be made to a newspaper or publication of choice, somewhat akin to a classified advertisement. But today, with the proliferation of the internet and internet-connected devices, many individuals are turning to sharing a death notice online, whether it be on social media sites like Facebook, via text, or simply via email.
You can send a death notice or funeral announcement via email to an entire community on Ever Loved. To start, simply create a memorial website for a loved one, with information such as the loved one's profile image, name, date of birth, date of death, and funeral event details. From there, visit the tab in the header called "Send email," add the emails of the people you'd like to announce a death to, and click the Send button.
Your email recipients will then receive a simple yet elegant notice via email. The email looks great when viewed either on a computer or a mobile phone, especially important since many people today check their emails on their smartphones.
When someone decides to click the button that says "RSVP," they will be directed to your loved one's memorial website where they can learn more about the funeral events and even RSVP.
Once you start to receive RSVPs, you can track who is attending and who isn't by visiting your "RSVPs" page. It's useful to know who is coming and who isn't because it allows you to be more prepared for any upcoming funeral events by knowing the guest list and count for each event.
Interested in sending a funeral announcement online on Ever Loved? Simply create a free memorial website for your loved one to get started. Use the "Send email" tool to help you make the death announcement with ease via email and use the "RSVPs" tool to help you better manage your guest list.


text:
Q: Displayed incorrectly select / jQuery There is a form with a select (multiple pieces) select field work perfectly. When you click on the image, this form of hidden (display: none ;), and the other form (it was hidden when the page loads just display: none ;) poyavlyaetsya.V it also has a field select, but they do not work as well so as falling leaves no area select a field, and on top of the site. Looks ykri can not calculate position because block is hidden.
Tell me how to solve the problem?
selectbox.js
function selectBox(optionArr){
this.properties = {
    labelClass: 'label',
    arrowClass: 'arrow',
    dropdownClass: 'dropdown',
    dataClass: 'data',
    elementsIDs: []
}
var _self = this;

this.Init = function(options){
    _self.properties = $.extend(_self.properties, options);
    for(var m in _self.properties.elementsIDs){
        _self.initBox(_self.properties.elementsIDs[m]);
    }
    _self.initBg();
}

this.initBg = function(){
    $('body').append('

');
    $('#select_box_bg').css({
        'display': 'none',
        'position': 'fixed',
        'z-index': '98999',
        'width': '1px',
        'height': '1px',
        'left': '1px',
        'top': '1px'
    });
}

this.expandBg = function(box_id){

    $('#select_box_bg').css({
        'width': $(window).width()+'px',
        'height': $(window).height()+'px',
        'display': 'block'
    }).bind('click', function(){
        _self.closeBox(box_id);
    });

}

this.collapseBg = function(){
    $('#select_box_bg').css({
        'width': '1px',
        'height': '1px',
        'display': 'none'
    }).unbind();
}

this.initBox = function(box_id){
    if($('#'+box_id+'_box').length<1) return;
    _self.createDropDown(box_id);
    $('#'+box_id+'_box, #'+box_id+'_dropdown').bind('click', function(){
        if($('#'+box_id+'_dropdown:visible').length > 0){
            _self.closeBox(box_id);
        }else{
            _self.openBox(box_id);
        }
    });
    $('#'+box_id+'_dropdown li').live('click', function(){
        _self.setActiveBox(box_id, $(this));
    });
}

this.openBox = function(box_id){

    $('#'+box_id+'_dropdown').css({
        'width': $('#'+box_id+'_box').width()+'px',
        'left': $('#'+box_id+'_box').offset().left+'px'
    });
    _self.expandBg(box_id);
    $('#'+box_id+'_box').addClass('focus');
    $('#'+box_id+'_dropdown').slideDown();
}

this.createDropDown = function(box_id){
    var data = $('#'+box_id+'_box .'+_self.properties.dataClass).html();
    $('body').append('
'+data+'
');
    var top = $('#'+box_id+'_box').offset().top + $('#'+box_id+'_box .label').outerHeight();
    $('#'+box_id+'_dropdown').css({
        width: $('#'+box_id+'_box').width()+'px',
        left: $('#'+box_id+'_box').offset().left+'px',
        top: top +'px'
    });
}

this.closeBox = function(box_id){
    _self.collapseBg();
    $('#'+box_id+'_box').removeClass('focus');
    $('#'+box_id+'_dropdown').slideUp();
}

this.setActiveBox = function(box_id, item){
    $('#'+box_id+'_dropdown li').removeClass('active');
    item.addClass('active');
    $('#'+box_id+'_box .'+_self.properties.labelClass).html(item.text());
    current = $('#'+box_id).val();
    if (current=="") {
        current = item.attr('gid');
    } else{
        var myArray = current.split(',');
        var vall = item.attr('gid');
        if ($.inArray(vall, myArray)!="-1") {
            myArray.splice($.inArray(vall, myArray), 1);
        } else {
            myArray.push(vall);
        }
        current = myArray.join(',');
    }
    $('#'+box_id).val(current).change();
    //alert(item.children('input[type=radio]'));
    //item.children('input').attr('checked')='checked';
}

this.resetValues = function(box_id, data, selected){
    if(!selected) selected = $('#'+box_id).val();
    var selected_used = false;

    $('#'+box_id+'_dropdown > ul > li[gid!=""]').remove();

    if(data){
        for(var m in data){
            if(data[m].hasOwnProperty('color') && data[m].color != ''){
                style_str = ' style="background-color:' +data[m].color+ '"';
            }else{
                style_str = '';
            }
            $('#'+box_id+'_dropdown ul').append('
'+data[m].name+'
');
            if(data[m].id == selected){
                _self.setActiveBox(box_id, $('#'+box_id+'_dropdown li[gid="'+data[m].id+'"]'));
                selected_used = true;
            }
        }
    }
    if(selected == 0 || !selected_used){
        _self.setActiveBox(box_id, $('#'+box_id+'_dropdown li[gid=""]'));
    }
}

this.setLabel = function(box_id, label){
    $('#'+box_id+'_dropdown li[gid=""]').html(label);
}

_self.Init(optionArr);}

thank you


text:
It Might Be You é uma telenovela filipina produzida e exibida pela ABS-CBN, cuja transmissão ocorreu em 2003.

Elenco

John Lloyd Cruz - Earl Lawrence Trinidad
Bea Alonzo - Cielo San Carlos
John Prats - Gian Carlo Pablo
Maja Salvador - Cara Victorino
Tirso Cruz III - Ernesto Trinidad
Maritoni Fernandez - Frida Montegracia-Trinidad
Jean Garcia - Orlanda "Ola" Mae Lacuesta

Ligações externas

Telenovelas da ABS-CBN
Telenovelas das Filipinas
Programas de televisão das Filipinas que estrearam em 2003
Programas de televisão das Filipinas encerrados em 2004
Telenovelas da década de 2000
Telenovelas em filipino

redpajama_set_name: RedPajamaWikipedia


text:
✉ Dear Email Subscriber, You're Officially Invited: Redeem This Special Offer
Special Offer for Registered Users of NYTimes.com Only ————————————————- View in browser: http://e.newyorktimesinfo.com/a/tBWNQ$2B81HXJB9HI$EABYn3gnF/viwb?t_params=CAMPAIGN_CODE%3D4W9JJ%26EMAIL%3Dblogulasu%2540mail.aree.com.tw%26REGI_ID%3D72728120 ————————————————- — THE NEW YORK TIMES — ————————————————- The World's Finest Journalism Get 8 weeks free, then 50% off for 26 weeks Redeem Special Offer http://e.newyorktimesinfo.com/a/tBWNQ$2B81HXJB9HI$EABYn3gnF/sub ————————————————- This email was sent to you as a registered user on NYTimes.com. New York Times digital subscriptions are sold separately from e-reader editions or digital versions of The New York Times Crossword. Smartphone and tablet apps are not supported on all devices. Other restrictions and taxes may apply. To ensure delivery of emails from The New York Times, please add nytimes@e.newyorktimesinfo.com to your address book. Privacy Policy: http://e.newyorktimesinfo.com/a/tBWNQ$2B81HXJB9HI$EABYn3gnF/privacy Contact Us: help@nytimes.com Unsubscribe: blogulasu@mail.aree.com.tw&REGI_ID=72728120″ >http://e.newyorktimesinfo.com/a/tBWNQ$2B81HXJB9HI$EABYn3gnF/usl?email=blogulasu@mail.aree.com.tw&REGI_ID=72728120 (c) 2015 The New York Times Company P.O. Box 8041, Davenport, IA 52808-8041
Twitter launches a TV ad for Moments, and it's a touch crazy
IS擊落? 俄機墜埃及224死

redpajama_set_name: RedPajamaCommonCrawl


The cryptocurrency exchange is considered one of the most reliable for traders. Independently explore the trading's dynamics is quite difficult, because the data on the page is changed several times per second.
With an eye to automate and speed up your work on the exchange, a client require learning how to interact with the service. Especially for this, the exchange provides a special interface for programmers.
Moreover, it is profitable for the exchange that you would bet more often and scroll through large sums. This brings the exchange money at the commission's expense and increases the trading's volume, which attracts new players.
This program interface is an abbreviation of "application programming interface". It is very easy to adapt for each treaders' personal needs. It is also enough for the player to enter the necessary page on the exchange website. And then you need to adopt the code to your software.
The service offers an applications models' full range in a publisher/subscriber format with a data table on its official website. You can subscribe to changes online for all the necessary documents.
Subscription is also made almost instantly. The application is made out 1-2 minutes. Access to information after connection is not limited in speed. This is a pretty simple process to take current data directly to the software.
To get the topics that you are interested in, send them as a roster, separated by commas, in the connection line.
You may get several themes at the same time by sending a topics' array. Some themes can be subscribed without identity verification. Usually, they relate to currency rates and charts. Other topics need authentication. More often, they affect the other traders' personal data.
Do you need data on market fluctuations and deals? Bitmex API Python library has open source interface for you. Python objects for interaction are constructed applying Bravado. The process takes place automatically using an adapter object from Swagger JSON from the exchange.
Unauthorized traders are restricted to 150 requests in 5 minutes. The scope is enlarged to 300 requests within 5 minutes for verified players.
The code examples can be found at Github.
Exchange explains how to use HTTP Keep-Alive practice. The client obtain a request and response time for the request tantamount to the Websocket.
Add support for DELETE via application/json.
And the traditional link to the code is here.
This is the result which should be obtained.
Bitcoin Magazine reported that the cryptocurrency exchange research center launched new analytical website. It is called ForkMonitor.info. The site is connected to 13 Bitcoin nodes and to Bitcoin Cash.
The resource will be tracked the Bitcoin network data and its associated forkcoins. But the site's main goal is to track this data at the forks' time. Thus, the site will be potentially useful for detecting unintended errors.
An example of the Bitmex API trading algorithm is get funding rate.
Create a TestNet profile and fill in a few TBTC.
Installation: pip install bitmex-market-maker. It is extremely advised to apply virtualenv.
Make a market project. Run the market maker setup. This will create: settings.pyand market_maker/ in the active catalog.
Change settings.ru in the settings options. It is necessary to change the bot's arguments.
Take a note! The user/password authentication is not maintained.
Run DRY_RUN = True to check the cost and distribution: marketmaker [symbol].
Create a live key for your account, set BASE_URL. That's all!
An example of what happens when you start the bot.
Bitmex propose a feature-rich REST API and the convenient WebSocket API connection protocol. All market and user data is accessible and updated online.
Each website's function is accessible through the applications. They allow developers to create Bitmex-based applications and entirely manage them.
Bitmex API limit order fee.
Instead of outputting, here is the advise about exchange unofficial connector, created using typewritten text.
All types and methods are automatically produced by the Swagger official exposition.
Installing CLI: npm install bitmex-node.
The best code editor to use is Visual Studio.
P.S. If Bitmex API Failure has occurred, the advice is to update websocket-client to the latest version.


4A Boys had the biggest impact. Thunder Basin is still the unanimous #1 team after they emerged unscathed, however, Cheyenne East and #4 Campbell County both recently gave the Bolts a run for their money. Rock Springs makes the biggest jump from #5 to #2. The Tigers took advantage of the chaos in the East, but they have a challenge this weekend at unranked Jackson, who has recently found their stride and their offense. Cheyenne Central only drops 1 spot to #3, after losing twice last week. Kelly Walsh fell to #5 after being on the wrong end of the scoreboard 2 times as well. Green River might have had an argument to crack the top 5. The Wolves have wins vs. RS and KW, but the loss home vs. Natrona neutralized any momentum they had.
3A Boys were not affected from last week's results, but there's a chance it could change. The top 2 teams battle on Thursday, as #2 Powell visits unanimous #1 Worland. #3 Torrington plays their make-up game vs. Scottsbluff, NE, then hosts unranked Douglas this week. Cody and Rawlins switch spots at #4 and #5, with the Broncs getting the higher ranking.
The new 4A Girls rankings didn't change much from last week, and we were expecting more. Cheyenne Central is back to #1. Thunder Basin only drops to #2 after losing twice last week, but both games were in OT, which may have prevented them from dropping further. Rock Springs isn't far behind the Lady Bolts at #3, while Cheyenne East holds steady at #4. Kelly Walsh is back in at #5, after becoming the first team to score on RS this season.
Not much happened in the new 3A Girls rankings. Cody is still the unanimous #1, followed by Buffalo, Worland and Lander. Riverton now has the #5 spot to themselves, after sharing it last week.


text:
function searchMapView2(tabGroup, win, flipView, styleID, win) {
	var mapAndView = Ti.UI.createView({
		backgroundColor : '#DCDADA',
		width:'381',
		height:'535',
		top:'75',
		left:'49',
	});

	flipView.add(mapAndView);

	var venuesMapLabel = Ti.UI.createLabel({
		text : 'Venues Map',
		font : {
			fontSize : '32',
			fontFamily:Ti.App.Properties.getString('fontFamily'),
		},
		width:'224',
		height:'30',
		left:'27',
		top:'21',
	});

	mapAndView.add(venuesMapLabel);
	var flag = false;
	var venueIds = '';
	var createDatabase = require('/builders/databaseFunctions/createDatabase');
	var db = createDatabase('/venuefinder.db', 'venuefinder');

	var londonFilter = '';

	if (styleID == '3' || styleID == '15' || styleID == '39'){
		londonFilter = 'AND Town="London"';
	}

	var getCoords = db.execute('SELECT VenueCoords.VenueID, VenueCoords.Latitude, VenueCoords.Longitude FROM VenueCoords JOIN VenueToVenueStyles ON VenueCoords.VenueID=VenueToVenueStyles.VenueID JOIN Venue ON VenueCoords.VenueID=Venue.VenueID WHERE VenueStyleID="'+styleID+'" '+londonFilter);
	while (getCoords.isValidRow()) {
		var latitude = getCoords.fieldByName('Latitude');
		var longitude = getCoords.fieldByName('Longitude');
		var venueID = getCoords.fieldByName('VenueID');
		if (longitude != '' && longitude != null && latitude != '' && latitude != null) {
			if (flag) {
				venueIds = venueIds + ',';
			}

			flag = true;
			venueIds = venueIds + venueID;
		}

		getCoords.next();
	}
	db.close();

	var sqlString = 'SELECT * FROM Venue JOIN VenueCoords ON Venue.VenueID=VenueCoords.VenueID WHERE VenueCoords.Latitude IS NOT NULL and VenueCoords.VenueID in (' + venueIds + ') and Venue.packagecode in (\'gld\', \'sil\', \'PRE\')';
	var createMapView = require('/views/collview/map/createMapView');
	var mapView = createMapView(sqlString, 'Venue Map', false, 'Venue Listing', null, null, null, false, false, windowsArray);
	mapAndView.add(mapView);

}

module.exports = searchMapView2;


text:
Delirium est le huitième album studio du groupe italien de metal alternatif / metal gothique Lacuna Coil, publié le  sur le label discographique de metal Century Media Records.

Contexte et enregistrement
Des changements ont eu lieu dans le groupe depuis la sortie en 2014 du précédent album, Broken Crown Halo, avec l'arrivée de Ryan Blake Folden à la batterie, en remplacement de Cristiano Mozzati, et le départ des guitaristes Cristiano Migliore et Marco Biazzi.
Durant les séances d'enregistrement, c'est Marco Coti Zelati qui assure la plupart des parties de guitares, en plus de la basse et des claviers habituels. Il produit également l'album.
Plusieurs guitaristes sont invités à jouer : Myles Kennedy du groupe Alter Bridge, Mark Vollelunga, Alessandro La Porta, Marco Barusso et Diego Cavallotti. Ce dernier accompagne Lacuna Coil pendant la tournée qui suit la sortie de l'album avant d'être officiellement intégré dans le groupe.

Liste des titres
Édition standard

Titres bonus de l'édition Deluxe

Musiciens
 Cristina Scabbia : chant féminin
 Andrea Ferro : chant masculin
 Marco Coti Zelati : basse, guitares, claviers
 Ryan Blake Folden : batterie, percussions

Musiciens additionnels
 Diego Cavallotti : guitares additionnelles, solo de guitare sur My Demons et Ultima Ratio
 Marco Barusso : solo de guitare sur The House of Shame
 Myles Kennedy : solo de guitare sur Downfall
 Alessandro La Porta : solo de guitare sur Claustrophobia
 Mark Vollelunga : solo de guitare sur Blood, Tears, Dust

Classements hebdomadaires

Notes et références

Lien externe
 Lacuna Coil Delirium sur discogs.com

Album de Lacuna Coil
Album musical sorti en 2016
Album publié par Century Media Records


TNN is a private community and online resource/hub (powered by Slack) that provides a curated selection of live-streamed events, exclusive PoVs, analyst round-ups, reports, job openings, interviews with high profile business leads, single topic 'must-read' roundups, exclusive offers, impromptu evening drink events and career advice from a range of professionals throughout the year. Ask questions, search for inspiration, network, or ask for help - the varied community has got your back.
This is the website and blog of Paul Armstrong. On it you'll find information about me, things I like, think others would be interested in, a selection of some of the music I listen to and things I write for outlets like Reuters. Hope you like it.
This page lists all the outlets I write for including; Forbes, Guardian, Reuters, Evening Standard, Cool Hunting amongst others. Over the years I have written for print, online and special publications. Feel free to send me pitches through this page.
On this page you can contact HERE/FORTH via email or telephone.


rant whine 'splain espouse: Who the dell is Mr. Crack?
Apparently I have a new reader. And a frequent commenter.
The suspense is killing me. I hope you solve this one soon.
Yes. When you find out let me know too!
Who is this that plays such tricks?


Let's Break The Ice. New Clients Get 50% Off First Service. Easy online booking. Expert Waxers. Studios near you. Convenient appointments. Services: Bikini Waxing, Eyebrow Waxing, Facial Waxing.
Promotional Items and Branded Apparel that gets you noticed!


The EndpointConfiguration property type specifies the endpoint types of an Amazon API Gateway REST API.
EndpointConfiguration is a property of the AWS::ApiGateway::RestApi resource.
EDGE: For an edge-optimized API and its custom domain name.
REGIONAL: For a regional API and its custom domain name.
PRIVATE : For a private API.


The gloomy journey begins with the first track "Within Shadows." This track features "angelic," but "snarling" vocals and "thunderous" heavy metal riffs. This track is an ominous tale about a person who is living in darkness. This troubled person feels that the people around them are like "monsters" that are chasing them around town. So, the troubled person feels alienated.
Finally, the gloomy journey ends with the third track "Slayer of Innocence." This track features sorrowful vocals and "brooding" heavy metal riffs. This track is a painful tale about a person who has been treated badly by having their innocence taken away. This person feels hurt, but vows to fight back and move on with life.
Wythyn Shadows is a loud and obnoxious unsigned heavy metal quintet who sings about evil "lurking" in society. This quintet's debut EP "Something in the Darkness" will definitely make one's teeth rattle.


A successful tech entrepreneur will speak in Rotorua to share his journey of growing a successful global tech business from the regions.
Hadleigh Ford is CEO and founder of SwipedOn, one of New Zealand's fastest growing Software as a Service (SaaS) companies.
The business focuses on one core product; an elegant iPad-based visitor management system that replaces outdated visitor books. Its sleek, simple and modern design has been attributed to its success.
The SwipedOn app is used in more than 2000 cities worldwide. Their customer base is largely in the UK and US followed by Canada, Australia and New Zealand.
Ford will speak at the Rotorua X Connect networking event on Wednesday 27 June as part of the 2018 Taiopenga Hangarau Rotorua Tech Festival.
He will share his story of growing the business from an initial idea to expanding to a team of seventeen staff.
Ford says he is looking forward to being part of the tech festival.
With no background in tech, Ford emphasises that anyone with a good idea and perseverance can be successful.
In the last six months SwipedOn have reached several major milestones including achieving $1 million annual recurring revenue as well as raising $1 million in angel investment.
They are growing so fast, that on average they are recruiting a new team member a month. Most of their staff are in Tauranga, with a couple in South Africa and they are recruiting for a person in Boulder, Colorado.
Hadleigh believes the reason SwipedOn is so successful is his team and just sheer determination.


This intensive serum containing the novel and revolutionary biocomponents of Akosky Apium stem cells obtained from celery leaves is absorbed instantly. Therefore, the active ingredients rapidly penetrate into the inner skin structure, where they act at the cellular level.
This revolutionary anti-ageing technology rejuvenates and regenerates ageing 35+ skin; it helps fight wrinkles, restores the elasticity and glow of the skin, and it contributes to reinforcing the skin structure, as well as to smoothing out wrinkles and fine lines. In liaison with the PLASMA-LIFT-CELL cream, it offers a unique combination of two products for effectively combatting the signs of sagging and ageing skin. The lifting effects of Akosky Apium have been demonstrated by clinical studies.
The content of mineral salt derived from Karlovy Vary springs boosts metabolic processes and soothes the skin.
APPLICATION: Apply a sufficient amount of the product twice a day (in the morning and evening) on the face, the neck and the neckline after carefully removing all make-up and thoroughly cleansing the skin. Gently massage into the skin until the serum is completely absorbed. To achieve optimum results, apply the PLASMA-LIFT-CELL cream after the serum.


Composite Ceiling (Only Hardlid) - LifeScience Inc.
The Bio/CR-6 is 3mm (1/8") thick white super smooth, highly chemical resistant interior finish panel. It is designed to be installed directly to gypsum (dry wall) ceilings. The Bio/CR-6 provides a superior finish at an excellent installed price point. The proprietary LSP urethane used as joint sealer renders a long-lasting, virtually seamless interior wall. It is ideal for high containment areas such as Ebola/Infectious Disease Suites, Imaging Rooms, Surgical Suites, Isolation Rooms, Sterile Processing Rooms, and beyond. All LSP Healthcare Panel Systems are Class "A" Fire Rated both as a composite assembly and for the surface alone, and have been tested against the most aggressive disinfecting protocols in the industry.
The Bio/CR-7 is 3mm (1/8") thick smooth, highly chemical resistant interior finish panel. It is designed to be installed directly to gypsum (dry wall) ceilings. The Bio/CR-7 is offered in 8 colors as compared to the super smooth white only of the Bio/CR-6. It offers a superior finish at an excellent installed price point. The proprietary LSP urethane used as joint sealer renders a long-lasting, virtually seamless interior wall. It is ideal for high containment areas such as Ebola/Infectious Disease Suites, Imaging Rooms, Surgical Suites, Isolation Rooms, Sterile Processing Rooms, and beyond. All LSP Healthcare Panel Systems are Class "A" Fire Rated both as a composite assembly and for the surface alone, and have been tested against the most aggressive disinfecting protocols in the industry.


A 9-part block of the month quilt featuring embroidery blocks and Easy EPP techniques.
You may choose to just work on all of your English Paper piecing sections first or just do one at a time.
This quilt works with any scrappy assortment of fabrics. Helen has used florals from the Garden Delights ranges from In the Beginning fabrics. Liberty fabrics, modern fabrics, traditional tone on tones - they will all work. She chose a Steel grey background. You may like to use white or a lighter colour and your embroidery panels will contrast more.
Whatever you choose, it will surely look wonderful!
Finished quilt measures 60" x 60"
Full fabric/thread kits available in original or similar (quality and style) fabrics. Kits include Presencia Finca Perle #16 threads, background stitchery fabric, all EPP fabrics and applieque leaf fabrics. (does not include backing, batting or binding) For full kits you can choose linen colour - our original used Essex Steel, our variation options include white and beige/cream.


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