text:
using System;
using System.Linq;
using System.Runtime.InteropServices.WindowsRuntime;
using System.Text;
using Windows.Graphics.Printing;
using Windows.UI.Xaml;
using Windows.UI.Xaml.Controls;
using Windows.UI.Xaml.Media;
using Windows.UI.Xaml.Navigation;
using Windows.UI.Xaml.Printing;

namespace TCC_Eng_Info
{
    /// <summary>
    /// Página de exportação de uma sessão de texto Braille.
    /// </summary>
    public sealed partial class ExportPage : Page
    {
        PrintManager _printManager = PrintManager.GetForCurrentView();
        PrintDocument _printDocument = null;
        PrintTask _printTask = null;

        private string _text = string.Empty;
        private int _pages = 0;
        private string TextContent { get; set; }

        /// <summary>
        /// Construtor da página de exportação de uma sessão.
        /// </summary>
        public ExportPage()
        {
            this.InitializeComponent();
            _printManager.PrintTaskRequested += Printmgr_PrintTaskRequested;
        }

        /// <summary>
        /// Método que é disparado após o frame ser navegado até esta página.
        /// </summary>
        /// <param name="e">Encapsula o texto proveniente de uma sessão de captura de linguagem natural para Braille.</param>
        protected override void OnNavigatedTo(NavigationEventArgs e)
        {
            _text = ((StringBuilder)e.Parameter).ToString();
            base.OnNavigatedTo(e);
        }

        /// <summary>
        /// Evento de clique do botão de Imprimir. Inicializa handlers de eventos e mostra a UI de impressão.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="e">Encapsulamento de parâmetros do evento.</param>
        private async void Button_Click(object sender, RoutedEventArgs e)
        {
            if (_printDocument != null)
            {
                _printDocument.GetPreviewPage -= OnGetPreviewPage;
                _printDocument.Paginate -= PrintDic_Paginate;
                _printDocument.AddPages -= PrintDic_AddPages;
            }
            this._printDocument = new PrintDocument();
            _printDocument.GetPreviewPage += OnGetPreviewPage;
            _printDocument.Paginate += PrintDic_Paginate;
            _printDocument.AddPages += PrintDic_AddPages;

            await PrintManager.ShowPrintUIAsync();
        }

        /// <summary>
        /// Cria a tarefa de impressão após ser disparado pelo evento de PrintTaskRequest.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="args">Encapsula os argumentos para a impressão</param>
        private void Printmgr_PrintTaskRequested(PrintManager sender, PrintTaskRequestedEventArgs args)
        {
            var deferral = args.Request.GetDeferral();
            _printTask = args.Request.CreatePrintTask("Sessão de Braille Visual", OnPrintTaskSourceRequested);
            _printTask.Completed += PrintTask_Completed;
            deferral.Complete();
        }

        /// <summary>
        /// Ação a ser realizada após a tarefa de impressão estar finalizada.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="args">Encapsulamento de parâmetros do evento.</param>
        private void PrintTask_Completed(PrintTask sender, PrintTaskCompletedEventArgs args)
        {
            //throw new NotImplementedException();
        }

        /// <summary>
        /// Faz o handle do evento de impressão e indica que há uma fonte que irá imprimir.
        /// </summary>
        /// <param name="args">Encapsulamento de parâmetros do evento.</param>
        private async void OnPrintTaskSourceRequested(PrintTaskSourceRequestedArgs args)
        {
            var def = args.GetDeferral();
            await Dispatcher.RunAsync(Windows.UI.Core.CoreDispatcherPriority.Normal,
                () =>
                {
                    args.SetSource(_printDocument?.DocumentSource);
                });
            def.Complete();
        }

        /// <summary>
        /// Adiciona os conteúdos das páginas que serão impressas.
        /// Uma página por TextBlock da view será impresso.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="e">Encapsulamento de parâmetros do evento.</param>
        private void PrintDic_AddPages(Object sender, AddPagesEventArgs e)
        {
            for (int i = 0; i < _pages; i++)
            {
                var element = (UIElement)this.FindName($"Block{i}");
                _printDocument.AddPage(element);
            }

            _printDocument.AddPagesComplete();
        }

        /// <summary>
        /// Seta a quantidade de páginas de preview que será mostrada na UI de impressão.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="e">Encapsulamento de parâmetros do evento.</param>
        private void PrintDic_Paginate(Object sender, PaginateEventArgs e)
        {
            //PrintTaskOptions opt = _printTask.Options;
            _printDocument.SetPreviewPageCount(_pages, PreviewPageCountType.Final);
        }

        /// <summary>
        /// Seta a página de preview que será mostrada na UI de impressão.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="e">Encapsulamento de parâmetros do evento.</param>
        private void OnGetPreviewPage(Object sender, GetPreviewPageEventArgs e)
        {
            _printDocument.SetPreviewPage(e.PageNumber, BrailleContent);
        }

        /// <summary>
        /// Após a página ser carregada, realiza-se um processo de quebra do texto em trechos que caibam em uma página.
        /// Os parâmetros estão travados para contem 8 células Braille em uma linha e 7 linhas por página.
        /// Para cada página, renderiza-se um TextBlock com o respectivo texto específico na View.
        /// </summary>
        /// <param name="sender">Objeto que disparou a tarefa.</param>
        /// <param name="e">Encapsulamento de parâmetros do evento.</param>
        private void Page_Loaded(object sender, RoutedEventArgs e)
        {
            var chars = (double)_text.Count();
            var lines = 7;
            var charsPerLine = 8;
            var charsPerPage = lines * charsPerLine;
            _pages = (int)Math.Ceiling(chars / charsPerPage);

            //Para cada página, renderiza-se um TextBlock na View.
            for (int i = 0; i < _pages; i++)
            {
                TextBlock tb = new TextBlock()
                {
                    //Utiliza-se a fonte Braille AOE presente na pasta de Assets para renderizar o PDF.
                    FontFamily = new FontFamily("../Assets/Fonts/Braille AOE Font.TTF#Braille AOE"),
                    FontSize = 100,
                    TextWrapping = TextWrapping.WrapWholeWords,
                    Margin = new Thickness(20),
                    LineStackingStrategy = LineStackingStrategy.MaxHeight,
                    LineHeight = 150,
                    Name = $"Block{i}",
                    Text = new string(_text.Skip(i * charsPerPage).Take(charsPerPage).ToArray())
                };
                BrailleContent.Children.Add(tb);
            }
        }
    }

}


text:
Can Vegan Fashion Go Cheap ... But Avoid the Way of the Sweatshop?
The globalization of vegan fashion — and the prospects of affordability it brings — coincides with an overall expansion of the market for vegan products everywhere.
New trends and breakthrough thinking in politics, science, technology, business and culture. It's futurism at its best.
Because it's getting easier to find plant-based everything, everywhere.
Hats off for OZY's original series on the future of fashion.All dressed up and nothing to read? Check out OZY's original series on the future of fashion.
By Justin Higginbottom
The Daily Dose MAR 04 2019
Working as an accountant in London, Devika Srimal Bapna had a dilemma. She was interested in animal rights and the environment, had become a vegan and even volunteered for People for the Ethical Treatment of Animals (PETA). But she needed shoes. "I really struggled to find non-leather shoes that were fashionable and affordable and ethical," says Bapna. That was when she realized there was a gap in the market. In 2015, she started the vegan shoe company Kanabis — which makes use of hemp canvas, hence the name — in New Delhi. She chose to produce in India, where she figured there was more opportunity for growth. It's also cheaper to produce the same quality products in India while staying ethical.
Bapna's hardly alone. Kanabis is among a growing number of emerging startups around the world that are producing vegan fashion outside of traditional ethical clothing hubs in the U.S. and Europe, as veganism quickly expands as a global trend. These firms in Asia, Africa and Latin America are manufacturing products initially with a local audience in mind. But their lower costs also give them the potential to reshape the vegan fashion industry back in the West, where high prices serve as a deterrent for many consumers — much as has happened with traditional fashion following the emergence of cheaper manufacturing hubs in Bangladesh, China and Southeast Asia.
Devika Srimal Bapna launched her company Kanabis to create affordable, ethical shoes.
Malaysian designer Nicole Wang and her Taiwanese-Canadian peer Jason Wu tied up last May with Singapore-headquartered retail chain Zalora to launch vegan leather tote bags. XXLab, an all-women collective in Yogyakarta, Indonesia, is using tofu production waste and turning it into soy leather. The group launched in 2015, as did Piñatex, created by Ananas Anam in the Philippines. Piñatex uses textile fiber made from pineapple leaves. In Siem Reap, Cambodia, the boutique clothing store Samatoa is reviving the ancient practice of weaving lotus flowers into a soft, yet waterproof, fabric. The Brazilian vegan shoe company Ahimsa features faux leather shoes that one would be hard-pressed to pick from a lineup of real leather. And in South Africa, Cape Town-based Charlotte Rhys is producing fully vegan body products.
You can love it or hate it but you can't ignore it [plant-based clothing] today.
Devika Srimal Bapna, founder of Kanabis
Many of these products are costly for their local markets in developing nations. But in a Nielsen Global Survey on Corporate Social Responsibility in 2015, 55 percent of online consumers across 60 countries said they were willing to pay more for a product dedicated to having a positive social and environmental impact.
And compared to the cost of similar products in the West, what these startups in Asia, Africa and Latin America are producing is at least a third cheaper. A pair of vegan flat lace-up shoes cost $40 at Kanabis and $80 at Ahimsa, but cost $149 at Italian brand Bhava, for instance. These new startups aren't limiting themselves to their home nations; they're looking at newer, developed markets that could soon embrace more affordable, vegan fashion products just as Bapna had wanted in London. Kanabis, she says, will be exporting from India to Australia and New Zealand soon, and Bapna visited Germany in February for a trade show.
"You can love it or hate it, but you can't ignore it today," says Bapna about plant-based clothing.
Members of XXLab, an all-women collective, turn tofu waste into soy leather to make vegan products.
Source Yudhistira Purwa Anugerah
The globalization of vegan fashion — and the prospects of affordability it brings — coincides with an overall expansion of the market for vegan products everywhere. According to market research firm GlobalData, 6 percent of Americans identified as vegans in 2017 compared with only 1 percent in 2014. China's vegan market alone is predicted to grow more than 17 percent from 2015 to 2020, according to Euromonitor International. And the global faux leather market is set to hit $85 billion by 2025 from $25.61 billion in 2017, according to a report by Grand View Research.
In the West, vegan clothing has received its share of star endorsements in recent years: Miley Cyrus, Anne Hathaway, Emma Watson and Serena Williams have all promoted cruelty-free fashion. Meanwhile, big brands like Birkenstock, Adidas and Gucci have released vegan product lines. Luxury designers like Stella McCartney have designed vegan leather runway collections. The world's three largest clothing retailers — Gap, Inditex and H&M — went fur-free in 2016.
SOYA C(O)U(L)TURE/XXLab
Source Tommy Surya Rahadyanto
Dominika Piasecka of the U.K.'s Vegan Society, the world's oldest vegan organization, has noticed a major shift in quality and range of vegan fashion from around the world in just the last six years since she became vegan. In December, the supermarket Marks & Spencer in the U.K. launched a vegan line including men's and women's clothing. A lot of brands that were previously "accidentally vegan" — meaning they weren't produced with vegans in mind — are now capitalizing on the trend, she says. Piasecka hopes it all leads to more education about veganism.
But this fashion trend is now growing in parallel in Asia and Latin America too – and not with a lag after the West, as is often the case. In India, Kanabis has other vegan fashion peers, including Achilles' Heel, a shoe brand, and Aulive and Arture, both accessories brands. In 2017, Bollywood stars and designers worked with PETA on a vegan fashion campaign, giving it the kind of visibility western stars have given the trend elsewhere.
Challenges remain. The market for vegan fashion is still "niche" in India, Bapna says. Rafael Julião of Ahimsa in Brazil, says the struggle is in expanding vegan fashion to those who don't traditionally identify as vegan. "Our biggest challenge is … to prove to 'non-believers' we have a superior product, one that is not cruel and in fact better for the environment," says Julião. One of the ways Bapna does that, she says, is by making her production process as transparent as possible, including publicizing the manufacturing and labor conditions. In the future, blockchain technology could help with this too: soon, a vegan clothing item's tag could be scanned to reveal the supply chain behind the product.
Actress Natalie Portman launched her vegan footwear line at Te Casan in New York City in 2008.
Source Astrid Stawiarz/Getty
The market for vegan products usually also overlaps with that for sustainability and fair trade (humans are animals too after all). "Raising animals for clothing and food takes a devastating toll on our planet," says Jason Baker, PETA's vice president of international campaigns. The U.N. has reported that animal agriculture is a leading cause of carbon emissions. And leather tanning requires 130 different chemicals including cyanide — though fake leather and other synthetic material too are often made from petroleum-based plastics. As the demand for mass-produced vegan fashion grows further though, the competition to bring prices down could expose designers and manufacturers to the same pressures of using sweatshops that fast fashion has faced.
Still, within the fashion industry, the excitement for this shift is palpable. On Feb. 1, amid dinosaur bones and taxidermy specimens at the Natural History Museum in Los Angeles, designers and fashionistas rubbed elbows down the hall from the Age of Mammals exhibition. A week of runway shows and workshops followed during the inaugural Vegan Fashion Week. The event was billed as the world's first of its kind. It won't be the last. And if Bapna, Julião and their peers have their way, don't be surprised if subsequent editions are in Asia or Latin America — and offering vegan fashion alternatives that are much more affordable than the ones on show in Los Angeles.
Justin Higginbottom, OZY AuthorContact Justin Higginbottom
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redpajama_set_name: RedPajamaCommonCrawl


Tienyu Wu and Chiiyang Chen, the maker of the displayed design Children's play house:Fun House by Tienyu Wu and Chiiyang Chen illustrates, This building design is for children to learn and play, which is a totally Fun house from a super father. Designer combined healthy materials and safety shapes to make a wonderful and interesting space. They tried to make a comfortable and warm children's play house, and tried to intensify parent-child relationship. The client told designer to achieve 3 goals, which were: (1)natural and safety materials, (2)make children and parent happy and (3)enough storage space. Designer found a simple and clear method to achieve the goal, which is home, the very start of children's space..


text:
Herbert George Wells (21 September 1866 – 13 August 1946) was an English writer. He was prolific in many genres, writing dozens of novels, short stories, and works of social commentary, history, satire, biography, and autobiography, and even including two books on recreational war games. He is now best remembered for his science fiction novels and is often called the "father of science fiction", along with Jules Verne and the publisher Hugo Gernsback.During his own lifetime, however, he was most prominent as a forward-looking, even prophetic social critic who devoted his literary talents to the development of a progressive vision on a global scale. A futurist, he wrote a number of utopian works and foresaw the advent of aircraft, tanks, space travel, nuclear weapons, satellite television and something resembling the World Wide Web. His science fiction imagined time travel, alien invasion, invisibility, and biological engineering. Brian Aldiss referred to Wells as the "Shakespeare of science fiction". Wells rendered his works convincing by instilling commonplace detail alongside a single extraordinary assumption – dubbed "Wells's law" – leading Joseph Conrad to hail him in 1898 as "O Realist of the Fantastic!". His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), The War of the Worlds (1898) and the military science fiction The War in the Air (1907). Wells was nominated for the Nobel Prize in Literature four times.Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist. Novels such as Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion that he was a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. Wells was a diabetic and co-founded the charity The Diabetic Association (known today as Diabetes UK) in 1934.
Quotes from H. G. Wells
The past is but the beginning of a beginning, and all that is or has been is but the twilight of the dawn.
potential future past
How small the vastest of human catastrophes may seem at a distance of a few million miles.
mistakes space perspective catastrophes
If you fell down yesterday, stand up today.
Moral indignation is jealousy with a halo.
Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
The uglier a man's legs are, the better he plays golf - it's almost a law.
appearance men golf
Human history becomes more and more a race between education and catastrophe.


text:
Q: Is there an easy way to identify the colour of text in Watch Kit - Swift I am creating a program which makes a label a random UIcolor like 'red' or 'green'. I want to identify that colour. I know how to do it on an iPhone but how do I do it in whatchKit. This is what I have for the iPhone:
if ageLabel.textColor == UIColor.green {
    print("Its green")
}

A: Short answer: no.
If you look at the class reference of WKInterfaceLabel, you can see, that it only has methods to set the text and the properties of the text, but it has no getter methods. However, if you are setting textColor programatically, you can store the set colour in a separate variable every time you call the setTextColor(_:) function.

redpajama_set_name: RedPajamaStackExchange


text:
Serving the needy since 1945
Sivananda Saraswathi Sevashram "Service to the suffering humanity is service to God" - Swamy Sivananda
Shri. S. V. Iyer and Dr. V. Mangalam, an elderly couple, started Sivananda Saraswathi Sevashram in 1945 with just 3 kids and with the blessings of Swami Sivananda of Rishikesh. More popularly known as "Sivananda Ashram/Orphanage/Gurukulam", the organization has grown to be a very well known and well recognized social institution in the country today.
We are a "National Awardee" institution awarded by the Government of India in 1983.
Sivananda Saraswathi Sevashram is a non-profit organization with the primary objective of protecting orphans, destitute women, the physically handicapped, AIDS-affected children, and the elderly.
With the experience of more than 70 years of recorded services to thousands of poor orphans, Sivananda Orphanage effectively helps transform/grow these orphans to productive citizens. We not only provide food, education and shelter, but also instill character and morals to help them grow, learn and eventually become independent.
Many, including former Prime Minister of India, Shri Pandit Jawaharlal Nehru, former President of India Dr. A.P.J. Abdul Kalam have visited our ashram and witnessed our committed work. We currently look after 300 children and 80 elderly, all of whom are accepted and cared for with love and affection.
Copyright © Sivananda Saraswathi Sevashram. All Rights Reserved. | Terms


text:
Meta Navigation EN
Main Navigation EN
HIC for FAIR
Accelerators are very complex machines that require numerous skills from the physicists who build them. (Photo: Uwe Dettmar, Frankfurt am Main)
All matter on earth, including our bodies, consists of a gigantic number of atoms. What is the origin of these atoms, how old are they, how long do they live and what is their origin? The research network "HIC for FAIR" aims to find answers to these questions.
The scientists involved are developing accelerators and detectors to prepare experiments on the particle accelerator FAIR - Facility for Antiproton and Ion Research. It will be fully operational in Darmstadt in 2021.
The FAIR particle accelerator makes it possible to produce the "primordial soup", which was created a few fractions of a second after the Big Bang, in the laboratory. The researchers can thus observe the transition to atomic nuclei of the lightest elements, hydrogen and helium. Also the origin of heavier matter like carbon and oxygen will be investigated. These experiments are intended to show how the matter of today's universe and, with it, we too, were created. The research project combines theory and experiment, as well as basic research and technical development.
The Helmholtz International Center for FAIR (HIC for FAIR) was founded as part of the state funding program LOEWE (Landes-Offensive zur Entwicklung Wissenschaftlich-ökonomischer Exzellenz) of the Hessian Ministry of Science and Art. The aim is to strengthen the world's leading high-tech research in the fields of supernova, antimatter and accelerator research in Hesse. Hessian universities and research institutes work together at the HIC for FAIR in a unique way.
Link to project website
Goethe University Frankfurt am Main
Technical University Darmstadt


text:
Vanlay és un municipi francès situat al departament de l'Aube i a la regió del Gran Est. L'any 2007 tenia 312 habitants.

Demografia

Població
El 2007 la població de fet de Vanlay era de 312 persones. Hi havia 116 famílies de les quals 36 eren unipersonals (12 homes vivint sols i 24 dones vivint soles), 32 parelles sense fills i 48 parelles amb fills.

La població ha evolucionat segons el següent gràfic:

Habitants censats

Habitatges
El 2007 hi havia 176 habitatges, 120 eren l'habitatge principal de la família, 40 eren segones residències i 16 estaven desocupats. 169 eren cases i 6 eren apartaments. Dels 120 habitatges principals, 93 estaven ocupats pels seus propietaris, 23 estaven llogats i ocupats pels llogaters i 4 estaven cedits a títol gratuït; 3 tenien dues cambres, 18 en tenien tres, 35 en tenien quatre i 64 en tenien cinc o més. 93 habitatges disposaven pel capbaix d'una plaça de pàrquing. A 44 habitatges hi havia un automòbil i a 57 n'hi havia dos o més.

Piràmide de població
La piràmide de població per edats i sexe el 2009 era:

Economia
El 2007 la població en edat de treballar era de 180 persones, 121 eren actives i 59 eren inactives. De les 121 persones actives 108 estaven ocupades (60 homes i 48 dones) i 13 estaven aturades (7 homes i 6 dones). De les 59 persones inactives 19 estaven jubilades, 20 estaven estudiant i 20 estaven classificades com a «altres inactius».

Ingressos
El 2009 a Vanlay hi havia 125 unitats fiscals que integraven 315 persones, la mediana anual d'ingressos fiscals per persona era de 15.425 €.

Activitats econòmiques
Dels 6 establiments que hi havia el 2007, 2 eren d'empreses de construcció, 1 d'una empresa de comerç i reparació d'automòbils, 2 d'empreses d'hostatgeria i restauració i 1 d'una empresa d'informació i comunicació.

Dels 3 establiments de servei als particulars que hi havia el 2009, 1 era un paleta, 1 lampisteria i 1 restaurant.

L'any 2000 a Vanlay hi havia 7 explotacions agrícoles.

Equipaments sanitaris i escolars
El 2009 hi havia una escola elemental integrada dins d'un grup escolar amb les comunes properes formant una escola dispersa.

Poblacions més properes
El següent diagrama mostra les poblacions més properes.

Referències

 Résumé statistique Fitxa resum de dades estadístiques de Vanlay a l'INSEE.
 Évolution et structure de la population Fitxa amb el detall de dades de Vanlay a l'INSEE
 France par commune Dades detallades de tots els municipis de França accessibles a partir del mapa.

Municipis de l'Aube

redpajama_set_name: RedPajamaWikipedia


text:
WaterWipes original baby wipes
WaterWipes for Weaning
Parenting Community
ASIA ( EN )
newborns.
The newborn parenthood diaries: Buckle up for a ride that's not for the faint-hearted
Becoming a parent for the first time is an intense experience totally unique to you and your baby. With no two families are the same, there's no definitive parenting manual or number of wise words that can prepare you for the sleepless nights ahead! But what we can offer you is a few stories from those who've been there and done that before that might just give you the pep talk you need.
Get ready for a whole new body
This is one for the mothers – your bodies have gone through something huge, and this can really take its toll in the first week after birth and beyond. There's the jelly belly where there used to be a lovely bump; breastfeeding mum's nipples can be sore and leaky and the first poo after birth is never much fun.
If you've had perineal tears or a caesarean scar, this can cause pain after birth too, but it will get better. Don't be afraid of asking for help and you may have Health Care Professionals visiting you in this first week, so don't hesitate to bring up anything you might be concerned about - there's no such thing as a silly question.
Expect an emotional rollercoaster
'I was expecting to be exhausted and planned to lie around in the first week, but actually I had periods of highs where I'd clean the house, then lows where I'd be crying over nothing,' says Cherry, mother to two-year-old Ethan. 'After a few days I realised I was all over the place and had lost a lot of weight, so I said no to visitors for a few days and just tried to really slow down. I think if I were to do it again, I'd be quicker to realise that I was stressed, which wasn't what I was expecting.'
As a new mum your hormones can have an impact on how you feel, and of course, this time can be an emotional rollercoaster for partners too. It's always a great idea to continue chatting to and checking in with each other about how you're feeling. That might mean perking up your partner when they're having a low day, but it's equally important to share when you're feeling down in the dumps too.
Don't sweat the small stuff
One thing to bear in mind is whatever happens, go easy on yourself and don't sweat the small stuff like household chores or baby paraphernalia.
'I had Fearne three weeks before her due date and was genuinely panicked that we hadn't finished buying all the right stuff,' says Laura, mother to five-month-old Fearne. 'But in that first week all you need is nappies, clean babygros and wipes. Everything else like monitors and changing bags can come later.'
Everyone's journey is different. Ultimately, that first week will be a little bit of everything - incredible highs full of new love and lows stemming from exhaustion, hormones and probably a little bit of fear.
All we can say is - be kind to yourself, trust that things will settle and know that, already, you're doing an amazing job. If you're worried about any of the feelings discussed in this article please reach out to your local healthcare professional for support.
Liked this article? Share it.
the emotional highs and lows of returning to work after parental leave
from baby bump to post-pregnancy: the realities of your changing body.
top tips for mums and dads on exercising at home.
pep talks for parents to be
the early days: parents share 10 things they wish they'd known as first-time parents
the crowdsourced gift guide for mums on mother's day
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Just because you are over 50 doesn't mean your life is on the downturn. In fact, it is often just the opposite. Many women and men of maturity enjoy the freedom to truly come into their own and bring meaning and joy into their lives.
Join international #1 bestselling author, illuminator and mentor/guide, Laurie Seymour as she shares how you can reliably connect with your energetic inner wisdom, dissolve self-doubt and enjoy the confidence and direction to manifest your big-picture vision.
If you are at a turning point in your life or feel the need to reinvent yourself and your life's direction, you will want to be sure to hear what Laurie has to say!


I've always loved Barbapapa – and my kids have taken the bait big time – which is great, as it's very imaginative and also it's in FRENCH, which is forcing these blighty bilingual little buggers to practice la langue de mon pays.
This was born when we came up with my dad as Barbajean, then I had to do everyone. Here's a pic of papa Jean (pronounced John more than Jeeeen, French-style) so you can see how absolutely his essence is captured in here… as well as me and my mum, my niece Jeanne and my daughter….
You can get your very own barbapapa inspired portrait from my Etsy shop karuskicolours!


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Horror attack. - by that's life!
A woman has been struck multiple times with an axe during a terrifying attack at a Melbourne shopping centre.
Police have arrested a man following the violent confrontation, which happened just after 10am inside a nail salon at Westfield Fountain Gate.
The woman, who is believed to be in her 30's, has since been taken to hospital with non-life threatening injuries.
According to Victoria Police Spokeswoman, Belinda Batty, the exact cause of the incident is being investigated.
"It is believed that the parties are known to each other," she said in a statement.


You may feel lonely, neglected, uncared for. You may not understand your own way, you may not know the problems that lie ahead, you may not have an answer to them all, but there is one who knows: it's the Lord. He knows your way. He is with you; He will see you through if you will turn to Him in prayer. You are not forgotten, you are not neglected, you are not unwanted. He made you, He cares for you, He's with you.


CESI values its relationships with clients and, more importantly, the experience that they enjoy while at our facility.
CESI offers full concierge services to ensure that our clients enjoy the experience and can focus on the work that they are doing while we here at CESI. Consistent, reliable, high quality client service is at the core of our value proposition to clients - just ask them!
Specifically, CESI can help clients and their administrative associates with their logistical needs such as hotels, transportation, catering, after hours arrangements, and other customized needs based on the services CESI is providing. Additionally, CESI can provide additional technical and administrative support to ensure the effective delivery of specialty programs with unique needs.


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Five ASEAN countries to connect to payment system in 2023
A cross-border payment system between the five ASEAN countries of Thailand, Singapore, Malaysia, the Philippines, and Indonesia will be fully connected next year, according to Bank Indonesia (BI) Governor Perry Warjiyo.
Perry said on October 5 that Indonesia has linked the payment system with Thailand and will soon link it with Malaysia and Singapore. But he did not provide details about the deal with the Philippines.
Illustrative image (Photo: jakartaglobe.id)
In late August, BI and the Monetary Authority of Singapore (MAS) agreed to cooperate on QR code payments between the two countries to encourage payment connectivity in ASEAN.
This initiative marked an important milestone in strengthening financial collaboration between the two nations.
By VNA
Thailand singapore malaysia Cross-Border Payment System
Thailand, EU to resume FTA talks in March
Malaysia can forge further strategies with Vietnam
AFF Cup 2022: Surpassing Vietnam, Thailand retain championship
Dozens wounded from oil tanker explosion in central Thailand
Malaysia's national debt totalling 346 billion USD
Latest News ⁄ World News
Lao NA approves series of personnel adjustments
Indonesia accelerates tourism growth in 2023
Speaker of RoK National Assembly concludes official visit to Vietnam
Super-rich grab half of all new wealth in past decade: Oxfam
Malaysia's national debt totalling 346 billion USD (January 17, 2023 | 17:30)
Japan, US, Australia to assist Vietnam in decarbonisation (January 13, 2023 | 15:23)
Indonesia stepping up its funding priorities (January 12, 2023 | 09:41)
PM Trudeau appreciates contributions by Vietnamese Canadians (January 10, 2023 | 14:20)
Thailand, Japan join hands against climate change (January 09, 2023 | 16:15)
Thailand reports first case of XAY.2 variant (January 09, 2023 | 15:35)
Japan invests in Indonesia's geothermal energy project (January 06, 2023 | 15:20)
Thailand says no Covid test needed for travellers from China (January 06, 2023 | 12:46)
Indonesia lays foundation for nuclear power industry (January 05, 2023 | 16:52)
Indonesia eyes 11 bln USD in capital market in 2023 (January 04, 2023 | 11:15)


text:
OnePlus TV to include Bluetooth-compatible remote control
The new, more personalized Google Maps is now widely rolling out on Android
The app is now a foodie's delight
By Rose Behar
The newly revamped and more user-customized Google Maps is now rolling out more broadly to Android users, after first hitting the user base earlier this month.
As announced at I/O 2018, Google Maps is getting a full revamp with the strong focus being customized suggestions — and it's more fun than ever for foodies.
Upon opening the app, you'll see it launches with the new 'Explore' tab popped up on the lower half of the screen (which you can swipe away, should you choose).
The Explore Tab is focused on the neighbourhood at hand, with colourful buttons that users can click for suggestions regarding restaurants, coffee and attractions, plus a 'More' button that contains options that range from takeaway to the gym.
Underneath the buttons, if one swipes up on the Explore card, there are some other inviting elements, like a horizontal scrolling bar of suggestions for specific types of outing — like a list of bars 'Where the locals drink' or a list of 'Cheap drinks' spots (all well-rated on Google, naturally). Below, there's 'The Foodie List,' which has a top list of restaurants for food lovers "based on visits and the latest ratings."
The list is updated weekly, and allows you the option to follow or share, plus a bar that tracks how many of the locations you've gone to, for those who are competitive in nature.
Then there's the new 'For You' tab, which shows a Google News-type feed divided up by day and dedicated to places to go in your city or community. For instance, I received a list of the 13 best brunch restaurants in Toronto from Time Out, and a notification that a new restaurant opened and is getting good reviews.
Each restaurant also has a new 'Your match' score, to show how much Google thinks you'd like it based on your preferences and prior ratings — so you may have to rate some of the places you've been before you see your match score (a win for Google).
All of this is not to mention Google Maps' new use of the Material Theme, which gives it a friendlier, more modern look.
For those who don't see the new Google Maps yet — make sure you've updated to version 9.80.2 in the Play Store.
Google brings bike share locations to Maps in Toronto
Google Maps is filled with millions of scam business profiles: report
Google showcases its new emojis for Android Q
Google to get rid of the iOS and Android AdSense app


Apartment evictions aren't always the result of failure to pay rent.
3 Do You Have to Pay First, Last & Security When Renting an Apartment?
Much of the residential leasing process is regulated. Federal fair housing laws, state laws regulating security deposits and local rent control--regulations limiting rent increases and eviction--create boundaries within which leases and house rules may be written. By and large, though, property owners are free to develop, implement and enforce general rules as they see fit. A landlord can evict a tenant for failure to obey the house or apartment complex rules if the rules are included in or referenced by the lease. Rules may also be changed by the landlord with a written notice--usually 30 days in advance.
Quiet hours are commonly included in apartment complex rules. The landlord is free to determine the standard, wording and time periods that apply. Generally, quiet time is defined as a specified period of time during which noise that leaves an apartment--such as loud music--may not occur. This is generally a lower threshold of noise than local noise ordinances include.
While utility payment responsibilities are specified in each lease and may vary from apartment to apartment, rules relating to when and how the tenant should remove garbage are generally part of a set of rules applicable to everyone in the complex. Rules might require garbage cans to be taken out and brought in on certain days, require separation of recycling and explain the process for getting rid of large articles such as mattresses.
Parking rules may be specific to a unit or apply equally to everyone in the complex. The rules may prohibit certain actions, such as parking outside designated areas, or require that vehicles be registered with the landlord. While the landlord cannot regulate how a tenant parks or uses streets and sidewalks adjacent to a complex, he has authority over all common areas.
If there is a pool or fitness center within the rental complex, the landlord can regulate hours of operation and general conduct. She can determine policies for guests in these areas as well as age restrictions.
Gallagher, Mary. "Apartment Complex Rules." Home Guides | SF Gate, http://homeguides.sfgate.com/apartment-complex-rules-8381.html. Accessed 21 April 2019.


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Asian Studies with Emphasis in Business Major Requirements
Undergraduate FAQ's
Graduate Program FAQ's
We are excited that you are planning to take the first step to becoming a Florida State Seminole!
The graduate application is available online here: https://admissions.fsu.edu/gradapp/
Earned bachelor's degree from a regionally accredited U.S. Institution, or a comparable degree from an international institution.
A minimum 3.0 (on a 4.0) in all work attempted while registered as an upper-division undergraduate student (the semester you earn 60 credit hours).
GRE scores with a percentile ranking of 50 or higher on the verbal, quantitative, and writing sections. This equates to about 150 in both the verbal and quantitative portions, and a 4 in the writing section
Statement of Purpose explaining career and educational goals (Minimum 1 page)
Official and verified GRE Scores (Florida State University's test code is 5219)
*We will accept LSAT, MCAT, GMAT, or MAT in place of GRE*
Two letters of recommendation: letter should provide explanation on the applicant's qualifications for the program and ability to be successful in a master level program
*Applicants should have 1 academic and 1 professional letter of recommendation*
International applicants whose native language is not English will need to submit an English proficiency exam such as the TOEFL or IELTS directly to Admissions
Official Transcript
(for ANY and ALL college credit, from that specific school)
Transcripts mailed directly (or sent electronically via your school) to FSU Admissions at:
282 Champions Way
P.O. Box 3062400
We accept applications for the Fall, Spring and Summer semester. International applications must submit 4 months prior to start of term. Fall: July 1Spring: November 1Summer: March 1
Please note that all applications are reviewed holistically to determine the applicant's eligibility. Applicants who do not meet one of these criteria are still eligible to apply and encouraged to address these issues in their statement of purpose. For more information, please contact the Graduate Program Coordinator, 850-644-4418
For questions about funding opportunities, click here


Favourite Classic Cocktail | The one that's in my hand. Or a Last Word if I have to choose.
Best story from behind the wood | The first time I made a signature Cocktail for a customer. The look on her face will always stay with me for the rest of my career…she hated it! Since then I have been trying to make sure I never see that look again!
What was the last photo that you took? A picture of a candle at the bar…what? It looked cool!


Our Yoke Mount Street Light Mount will only work with our 100W ,150W, 240W and 300W shoebox street lights. The mount can be installed onto a square pole surface with at least 4 inches in width and this mounting has a base bolt distance of 5 3/4 inches. Furthermore, this mounting comes in a bronze finish.


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Coast Guard Seizes 9,300 Pounds of Cocaine During Recent Patrol
A suspected cocaine smuggling vessel drifts in international waters of the Eastern Pacific Ocean after being intercepted by the crew of the U.S. Coast Guard Cutter Thetis, November 21, 2019. (U.S. Coast Guard photo)
Florida Keys Keynoter | By Gwen Filosa
A U.S. Coast Guard crew returned home to Key West on Thursday after seizing about 9,300 pounds of cocaine and preventing more than one ton of additional drugs from reaching the United States.
Suspected smugglers dumped those additional drugs, said the Coast Guard, which stopped four vessels to make the seizures and apprehended 13 people during a 79-day patrol throughout the eastern Pacific Ocean
The crew of the Cutter Thetis worked in support of the U.S. Southern Command Joint Interagency Task Force South and the Coast Guard 11th District.
The drugs seized are valued at $165 million. Two of the boats stopped were described as "low profile" vessels -- boats that sit lower in the water, are painted to blend in with the sea and are harder for radar to detect. Often they are used by drug cartels, particularly in the eastern Pacific.
"These interdictions were an all hands effort working with Joint Interagency Task Force South, interagency partners and partner nations in the region," said Commander Randall Chong, commanding officer of the Thetis. "I could not be prouder of my crew for stepping up and successfully completing our mission."
The Coast Guard crew did some community relations work during its patrol.
During a port call in Mexico, Thetis crew members volunteered to build a playground at a school located in the mountains of the Oaxaca province.
Named for the Greek mythology sea nymph and mother of Achilles, the Thetis is a 270-foot Famous class cutter, homeported in Key West. It has a crew of 100.
This article is written by Gwen Filosa from Florida Keys Keynoter and was legally licensed via the Tribune Content Agency through the NewsCred publisher network. Please direct all licensing questions to legal@newscred.com.
Read more: Surgeons General Lay Out How Many Health Care Jobs Each Service May Lose in Merger
Coast Guard Topics Cutters and Patrol Boats Drugs
© Copyright 2020 Florida Keys Keynoter. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Coast Guard Hunts for Cruise Ship Passenger off Puerto Rico
Coast Guard spokesman Ricardo Castrodad said the incident involved the Oasis of the Seas ship.
The top U.S. commander in the Middle East spent a few hours meeting with his commanders and troops in Saudi Arabia.


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Clanis mahadeva es una especie de polilla de la familia Sphingidae. Vuela en el norte de la India, Pakistán y Nepal.

Referencias

Enlaces externos

Smerinthini


Back in June, Kentucky received a commitment from 2019 three-star linebacker Tra Wilkins.
Wilkins, a 6-foot-2, 210-pound outside linebacker out of Lithonia, GA chose the Cats over Louisville, Alabama, Auburn, Florida, Ohio State, and Georgia, among other major programs.
Now, his high school game is being broadcast LIVE on YouTube, where his Stephenson High School team is taking on Southwest DeKalb High School.
Wilkins recorded 75 tackles, five sacks, and three forced fumbles as a junior.
How is he doing? He must be something due to the fact I think that is the best offer sheet I have ever seen for a UK commit!? If there was or is a better one please show me. I mean Bama,OSU,UGA,AU! Wow only seen 1 turd offer for him ..
Here is the pregame talk, looks like a Stephenson win for sure. Oh wait, DeKalb won. Guess more NCAA coaches should be looking at their players.
The Stephenson Jaguars meet DeKalb County rival Southwest DeKalb in Week 2 of the GHSA Football season.
Stephenson is led by 3-star OLB Tra Wilkins (Kentucky), 3-star WR Deshon Stoudemire (West Virginia), OT Joshua Black (Georgia Tech), 4-star CB Javier Morton (Alabama), 4-star DT Nazir Stackhouse (UGA), 3-star RB Deondre Jackson, 2-star WR Donnovan Moorer and 2-star RB Miles Friday.
Southwest DeKalb features 3-star ATH Jamel Starks.


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The Royal Anthropological Institute is one of the world's oldest anthropological associations. Established in its present form in 1871, it is devoted to the pursuit and the promotion for the public good of anthropology in its widest sense. To this end, it publishes learned journals, data-bases, books and occasional publications. Its world-class library was combined with the holdings of the British Museum in the 1980s, and continues to be open to the public as part of the BM research library. Its premises in 50 Fitzroy Street are a major centre of events in anthropology, including seminars, book launches and one-day conferences, the vast proportion of which are open to the general public. It possesses major archives of manuscripts and ethnographic photographs, and has a special interest in ethnographic film, organizing a biannual ethnographic film festival. It organises a major conference on a selected theme every two years. The RAI awards annually a number of awards and prizes, amongst which is the Huxley Medal, the highest medal that it is possible to receive as an anthropologist.
Organisationally, the RAI is registered as a Charity. It was awarded Royal status in 1908. In 2020 the institute was awarded a Charter by the Privy Council. It has approximately 1800 Fellows and Members. Its Council is drawn from the Fellows. The day-to-day operations are co-ordinated by professional staff, amongst whose duties are to facilitate the work of the RAI's special committees.
The RAI receives no grant from the Treasury. Nevertheless, its finances are sound. It draws its income from a variety of sources: journal publication; data-bases; Fellowship dues; savings, dedicated funds, investments and events.
The aim of this strategic plan is to reflect upon the way forward for the institute over the next five years as it seeks to expand and consolidate its place as a world centre of anthropological knowledge. It identifies four areas in particular which will form the focus of our work over the next five years: i) the exploration and deepening of our collaboration with other institutions nationally and internationally, both at our physical base and further afield, ii) the strengthening of the RAI's engagement with both the public, and with public policy, iii) a major reconsideration of the RAI's on-line presence. This has the potential to affect almost every area of the RAI's activities, but in particular will enable us to reach the widest possible audience, and iv) broadening the RAI's financial base so as to ensure its future. These priorities go alongside our already many flourishing activities, and interact creatively with them.
Collaboration and interaction nationally and internationally
Collaboration is at the heart of all the RAI's work, collaboration with and between our Fellows, with other scholars nationally and internationally, and with a great variety of other institutions including learned societies, universities, charities and associations in this country and abroad. The great benefit of this can be seen already in many ways; we have historically worked very closely with the British Museum, and our most recent major project 'Anthropology and Geography', a large conference, is a co-operation between the RAI, the British Academy, the Royal Geographic Society, the British Museum and the School of Oriental and African Studies. We have also been very pleased to welcome delegations from Austria, Poland, France, Norway, and Brazil, which form part of our explorations of the way anthropology is pursued in different areas around the world. We have also been very pleased to welcome the Folklore Society, which now shares our premises with us.
Over the next five years we will review our existing links, and seek to renew and strengthen them. Additionally, we will explore the possibility of creating a learned societies 'hub', with the idea of bringing together a number of learned societies under the same roof, so as to share best practice, and develop ideas and activities together. This, whilst important in itself, may also lead to ways that we can mutually strengthen our societies in a most uncertain world.
Engagement and Public Policy
The RAI has from its foundation engaged with public policy. However, through the granting of its Charter in 2020, this aspect of its work gains a strong impetus. There is a very great range of possible applications of anthropology, and we will explore the most appropriate way that we can identify policy needs, and bring together the intellectual capacity to respond to them. To this end, we have founded a new Policy committee, but all Fellows of the RAI will be invited to share in how best we can shape up to this new development.
The RAI's virtual presence
The RAI has always sought to utilize developments in publishing and other media, but the recent acceleration of electronic forms of communication in a multiplicity of ways, and the potential for these to affect almost every aspect of our activities, has made us realise that it is a priority to review, and to render more coherent our different initiatives in this area. By the end of the five year period, we would have reckoned to have put in place a vastly improved virtual presence that will help us communicate better not only with our Fellows, but all who are interested, or who may wish to learn from anthropology and the insights that it can bring.
The RAI gains no standing grant from the Treasury. For this reason, it has learnt to rely on its own publishing and related activities in order to get by. Nevertheless, the trading and investment climate is changing so quickly that we need to be thoroughly prepared for any challenges that the future may bring. To this end, we will review our fundraising policies and seek to put in place the most appropriate initiatives that will enable a diverse yet robust financial programme going forwards.
SUMMARY OF STRATEGIC PLAN
The RAI will seek to deepen and strengthen its collaboration with its Fellows, other institutions and scholars, both nationally and internationally. It will
Maintain and enhance the premises of the RAI and its collections so that it becomes a welcoming and open forum for anthropological knowledge and research.
Explore the possibilities of a learned society's 'hub' and the acquisition of larger premises that will facilitate links with related associations, scholars and the wider community.
Continue to build on partnerships here and overseas with other anthropological institutions.
Build links and increase community engagements in order to maximise the impact of the RAI.
Grow the RAI's Fellowship and provide maximum possibilities for the Fellows to interact with its activities, committees and events at whatever stages of their career, so that the institute is as attractive to young persons beginning their careers to those who are long retired.
Provide, and improve, high-quality services dedicated to the public education and understanding of anthropology in its widest sense in this country and internationally.
Effectively meet the needs of stakeholders by providing flexible and active responses to identified needs within anthropology.
Expand the range and variety of the activities of the institute so as to appeal to the widest possible audience, at all stages of life and career.
Ensure that the Trustees and activities of the institute reflect the diversity of the anthropological community
Create a programme of public engagement, one that features the archives of the institute.
The RAI will seek to build capacity in its on-line environment through
The creation of virtual anthropological resources
A review of its on-line activities, leading to a streamlined web-presence that is aimed at reaching a much larger audience.
Presenting seminars and conferences on-line.
Continuing to explore the possibilities presented by Open Access
Ensure the organisation's long-term financial stability by making well-informed business and investment decisions.
It will continue to seek to maintain existing income streams and create new ones.
It will seek to increase its endowments so as to help to ensure the RAI's future.
It will develop its applications to funding bodies and to other philanthropic institutions so as to increase the project finance that is available for its various activities.


text:
const mongoose = require('mongoose');

const placeSchema = new mongoose.Schema({
  placeSlug: String, //
  placeName: String,  //
  address: String, //
  description: String,
  venueType: String,
  hours: String, // needs to be changed to an object with open and closed properties
  daysOpen: String, // needs to be changed to an object
  location: String, // needs to be some kind of location object
  neighborhood: String,
  images: Array,
  instagramLocation: String,
  count: Number
}, { timestamps: true });

const Place = mongoose.model('Place', placeSchema);

module.exports = Place;

redpajama_set_name: RedPajamaGithub


text:
Q: Regular Expression for login validation I need to make a regular expression that checks if the string contains only letters or digits, the first character must be the letter and minimum amount of character is 2 and max 10.
string shablon = "/^[a-zA-Z]{2,10}/g";
Regex myRegex = new Regex(shablon);
return myRegex.IsMatch(Login);

for login "Igal" its return me a false
any suggestion?

A: You write your regex with a slash in the front, and a /g at the back, this is not part of the actual regex, these are things some libraries use to represent regexes. But the .NET library uses flags passed to the Regex constructor.
Furthermore you forgot a dollar ($) at the end of the regex. So you can use:
csharp> string shablon = "^[a-zA-Z]{2,10}$";
csharp> Regex myRegex = new Regex(shablon);
csharp> myRegex.IsMatch("lgal");
true

if the string contains only letters or digits, the first character must be the letter and minimum amount of character is 2 and max 10.

Your regex only matches A-Za-z two to ten times. So you do not allow digits. You can however rewrite your regex to:
csharp> string shablon = "^[a-zA-Z][a-zA-Z0-9]{1,9}$";
csharp> Regex myRegex = new Regex(shablon);
csharp> myRegex.IsMatch("lgal");
true
The regex consists out of two parts:

*

*[a-zA-Z] a character that is a letter; followed by

*[a-zA-z0-9]{1,9} one to nine letters and/or digits.

A: This is tested for c# and you can use this code :

  string shablon = @"^[a-zA-Z]{1}[a-zA-Z1-9]{1,9}";
            Regex myRegex = new Regex(shablon);
            var r= myRegex.IsMatch("Igal");


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Products / Video / DigitalMedia Modular Matrix / Input Cards & Blades / DMB-I-S2
DMB-I-S2
8-Channel DigitalMedia 8G™ Single-Mode Fiber Input Blade for DM® Switchers
Provides eight DM 8G® Single-Mode Fiber inputs for any DigitalMedia™ Switcher with modular input blade slots.
The DMB-I-S2 is an input blade designed for use with any blade-based Crestron® DigitalMedia™ Switcher. It provides eight independent DM 8G® SM Fiber inputs. Each DM 8G SM Fiber input enables the connection of a DM 8G SM Fiber Transmitter, or the output of another DM® switcher. Just one single-mode fiber optic strand is required per input, supporting distances up to 7.5 miles (12 km) using CresFiber® 8G SM or G.652.D single-mode fiber optic cable.[1]
Modular input blade for a DM-MD64X64 or DM-MD128X128 switcher
Provides eight independent DM 8G® Single-Mode Fiber inputs
Supports cable lengths up to 7.5 miles (12 km) using CresFiber® 8G SM or G.652.D single-mode fiber [1]
Handles video resolutions up to Full HD 1080p
Handles computer resolutions up to WUXGA
Handles 3D video and Deep Color
Handles Dolby® TrueHD, DTS-HD®, and uncompressed 7.1 linear PCM audio
HDCP compliant
Occupies a single output blade slot
The maximum cable length for DigitalMedia 8G Single-Mode Fiber (DM 8G SM Fiber) is 7.5 miles (12 km) using Crestron CRESFIBER8G-SM or third-party G.652.D (or better) single-mode fiber optic cable. Refer to the Crestron DigitalMedia Design Guide, Doc. #4546 for complete system design guidelines. All wire and cables are sold separately.
Crestron, the Crestron logo, CresFiber, DigitalMedia, DigitalMedia 8G, DM, and DM 8G are either trademarks or registered trademarks of Crestron Electronics, Inc. in the United States and/or other countries. Dolby and Dolby Digital are either trademarks or registered trademarks of Dolby Laboratories in the United States and/or other countries. DTS, DTS-HD, and DTS-HD Master Audio are either trademarks or registered trademarks of DTS, Inc. in the United States and/or other countries. Other trademarks, registered trademarks, and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. Crestron disclaims any proprietary interest in the marks and names of others. Crestron is not responsible for errors in typography or photography. Specifications are subject to change without notice. ©2014 Crestron Electronics, Inc.
Input Signal Type DM 8G® SM Fiber (DigitalMedia™ over one single-mode fiber optic strand)[1]
Formats DM 8G SM Fiber w/Deep Color & 3D, HDCP content protection support
Input Resolutions, Progressive 640x480@60Hz, 720x480@60Hz (480p), 720x576@50Hz (576p), 800x600@60Hz, 848x480@60Hz, 852x480@60Hz, 854x480@60Hz, 1024x768@60Hz, 1024x852@60Hz, 1024x1024@60Hz, 1280x720@50Hz (720p50), 1280x720@60Hz (720p60), 1280x768@60Hz, 1280x800@60Hz, 1280x960@60Hz, 1280x1024@60Hz, 1360x768@60Hz, 1365x1024@60Hz, 1366x768@60Hz, 1400x1050@60Hz, 1440x900@60Hz, 1600x900@60Hz, 1600x1200@60Hz, 1680x1050@60Hz, 1920x1080@24Hz (1080p24), 1920x1080@25Hz (1080p25), 1920x1080@50Hz (1080p50), 1920x1080@60Hz (1080p60), 1920x1200@60Hz, 2048x1080@24Hz, 2048x1152@60Hz, plus any other resolution allowed by HDMI up to 165MHz pixel clock
Input Resolutions, Interlaced 720x480@30Hz (480i), 720x576@25Hz (576i), 1920x1080@25Hz (1080i25), 1920x1080@30Hz (1080i30), plus any other resolution allowed by HDMI up to 165MHz pixel clock
Input Signal Type DM 8G SM Fiber
Formats Dolby Digital®, Dolby Digital EX, Dolby Digital Plus, Dolby® TrueHD, DTS®, DTS-ES, DTS 96/24, DTS-HD High Res, DTS-HD Master Audio™, up to 8ch PCM
DigitalMedia DM 8G SM Fiber, HDCP, EDID, CEC, Ethernet
INPUT SMF/LC 1 – 8 (8) LC female optical fiber connectors;
DM 8G Single-Mode Fiber inputs;
Each connects to the DM 8G SM Fiber output of a DM transmitter or other DM device via CRESFIBER8G-SM single-mode fiber optic cable[1]
ACT (1) green LED, indicates blade activity
MSG (1) red LED, indicates an error message has been generated
INPUT SMF/LC (8) green LEDs, indicate DM link status for each corresponding input
Plug-in blade, occupies (1) DM Switcher input blade slot, includes metal faceplate w/black finish
1.6 lb (726 g)
DigitalMedia™ Insider.
Resources and tools you need for navigating Digital Video technologies. As Digital Video becomes more prominent in the A/V market place there becomes a growing need to keep up with the latest trends and changes the industry is seeing. Crestron has recognized these needs and has now created the Crestron "DM Insider". The DM Insider will allow Crestron to organize a single easy to use resource for all information as it pertains to DigitalMedia. Additional, once you subscribe to the DM Insider, [click the "notify me" icon] you will automatically receive an email when any of the resources listed below are updated, so, if a change is made, if a new document gets posted you will know right away.
Online Help Answer ID :5100


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"use strict";

import PropTypes from "../PropTypes";
import warning from "../warning";
export const defaultPropTypes = {
    onChange: PropTypes.targetEvent,
    onBlur: PropTypes.blurValidate,
    onKeyDown: PropTypes.event,
    onKeyUp: PropTypes.event,
    onFocus: PropTypes.event,
    onPaste: PropTypes.event,
    value: PropTypes.value,
    id: PropTypes.id,
    name: PropTypes.htmlFor,
    className: PropTypes.typeClass,
    placeholder: PropTypes.string,
    fieldAttrs: PropTypes.fieldAttrs
};
//Expose for configurability
export const settings = {
    type: 'Text'
};

export function loadType(val, key, props, context) {
    let {type, propTypes, ...rest} = typeof val === 'string' ? {
        ...settings,
        type: val
    } : val == null ? settings : {...settings, ...val};

    if (!propTypes) {
        propTypes = defaultPropTypes;
    } else {
        propTypes = {...defaultPropTypes, ...propTypes};
    }
    let Type;
    if (typeof type === 'string') {
        Type = context.loader.loadType(type);
        warning(Type, 'Could not find a type for %s', type);

        if (!Type.displayName) {
            Type.displayName = type;
        }
    } else {
        Type = type;
    }

    const injectedClazz = context.injector.inject(Type, propTypes, rest.defaultProps);

    if ('template' in Type) {
        injectedClazz.template = Type.template;
    }

    return injectedClazz;
}

export default function type(Clazz, key, propList, OrigClazz) {

    Clazz.contextTypes.loader = PropTypes.loader;
    Clazz.contextTypes.injector = PropTypes.injector;

    Clazz::this.property(key, loadType);
}


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Greens calling to decriminalise begging..
Greens calling to decriminalise begging on Melbourne's streets
Lord Mayor Robert Doyle says there's little in his power to stop Melbourne's homelessness problem in the CBD.
Tennis fans arriving at Flinders Street Station have been greeted with abuse and obscenities from rough sleepers.
'It's going to be a long struggle, I think,' Cr Doyle said on 3AW.
Click PLAY below to hear more on 3AW Mornings
The Greens want begging decriminalised.
Over the past five years, more than 800 people have been charged with begging.
Melbourne Greens MP Ellen Sandell told 3AW's Tony Jones a lot of people needed help, but it's just not there for them.
'We know that there are a lot of people struggling to find a house and sleeping on the street,' she said.
'There's no sense making it a crime to ask for help.'
Tony Jones met one beggar recently, Adam, who openly admitted he was begging for drug money and rakes in around $150 a day.
Click PLAY below to hear more


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Is it improper to refer to a married woman who kept her maiden name as Mrs?
Jane Smith marries John Doe and keeps her name, and doesn't adopt her husband's.
It seems a good conclusion of this question that it's simplest/best to refer to her as Ms. Smith.
I'm curious if it's improper to refer to her as Mrs. Smith.
My instinct is that "Mrs." implies something like "Smith's wife," but am unsure.
Of course, it'd be ideal to simply find out from her her preferred term of address, but I have in mind the context of addressing a stranger who I happen to know is married and kept her family name.
MichaelChiricoMichaelChirico
William Safire apparently thought so. I remembered this piece because Douglas Hofstadter wrote an article where he criticizes Safire's tone of dismay: "It breaks my heart to suggest this, but the time has come for Ms." – sumelic Apr 25 '16 at 15:36
In the US, unless I knew she preferred something else, I would address a married woman who kept her birth name as "Ms Smith". – Hot Licks Apr 25 '16 at 18:46
Just ask the lady what she wants to be called. – Alan Carmack Apr 25 '16 at 22:49
@AlanCarmack please read the whole question – MichaelChirico Apr 25 '16 at 22:50
@HotLicks indeed that's what I do/did. I'm just wondering whether it's wrong not to. – MichaelChirico Apr 25 '16 at 22:50
It's culture dependent. In China, it's absolutely standard for women to keep their surnames during marriage but they also attach importance to their married status. In English, they'll frequently describe themselves as Mrs ~.
In the US and UK, it's become more idiosyncratic. You're right that you should default to Ms (no period) and you're right that many people will misunderstand Mrs, but you'll still be obnoxious if you try to correct a woman's decision regarding her own name if she tells you she's Mrs ~.
llylly
But also, be prepared for some women not to be very happy about being addressed as "Ms" by default, either. (My wife loathed the term before she was married, and still does now...) – calum_b Apr 25 '16 at 19:56
In the US, it is totally the decision of the woman concerned. Jane Doe after marrying John Smith can be Ms Jane Doe, Mrs. Jane Doe, Ms Jane Smith, Mrs Jane Smith, Mrs John Smith. There is no need for a "social" form plus a "work" form, but it is not wrong to be Mrs. John Smith socially, and Ms (or Mrs) Jane Doe at work -- or vice versa. If you are unsure which form to use, just ask.
There may be even other variants. One or both Jane and John may prefer Mx. I'm not sure of that social scene, but the point remains: you address people as they want to be addressed. With electronic lists, it isn't even confusing.
As to the last sentence of the OP's question: One cannot err in anything but a very minor way in a business letter by addressing her as Ms Jane [her own family name] However, if being 100% correct with this woman is important to the OP, she probably has a secretary or PA, and the OP can call and ask.
ab2ab2
@sumelic Thanks for pointing out my oversight. I 've edited my answer. – ab2 Apr 25 '16 at 17:33
You're missing the crucial part of the question, namely the last sentence. – MichaelChirico Apr 25 '16 at 18:57
@MichaelChirico I thought the question was "is it improper to call someone Mrs Jane [her own family name]. As I said, that is not improper. But what you seem to mean is: "Is it safe to call someone Mrs Jane [her own family name] It is safer to use Ms. I'll be happy to explain why, if you want. – ab2 Apr 25 '16 at 19:12
Not the answer you're looking for? Browse other questions tagged names or ask your own question.
keeping maiden name after marriage
What do you call a married woman in a titled position?


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Phnom Penh Post - Cannes marks a passing of the torch
Cannes marks a passing of the torch
Clarence Tsui | Publication date 20 May 2016 | 07:38 ICT
Nuon Sobon (left) and Khim Samnang make their acting debut in Diamond Island. Photo supplied
Clarence Tsui
A passing of the torch, a change of perspectives: looking back, the 69th Cannes Film Festival could be seen as some kind of a watershed for Cambodian cinema. With two feature films making their world premieres during the 10-day event, the 2016 edition certainly ranks as one of the country's most prominent international cinematic outings in recent years.
But the significance goes well beyond merely the numbers. This is also a year in which a veteran auteur offers a marked departure from his much-celebrated aesthetics, while a fresh-faced filmmaker steps up to offer a Cambodia very much different from what international audiences have always imagined the country to be. Changes are afoot in both style and substance, in both the way the country is represented and how the representing is done.
Not that Rithy Panh's Exile and Davy Chou's Diamond Island sprang out of nowhere, though. Having spent more than two decades of his career offering realist, matter-of-fact fictional and documentary features about Cambodia – among them previous Cannes titles such as Rice People (1994) and Duch: Master of the Forges of Hell (2010) – Panh has already signaled a change in style with his previous two films.
The Missing Picture (2013), for example, is a recollection of his experience under the Khmer Rouge through clay figurines; France Is Our Mother Country (2015), meanwhile, is a reflection on colonialism conducted nearly completely through footage from historical archives.
Perhaps emboldened by the acclaim of these two films – The Missing Picture enjoyed a prize-winning debut at Cannes and was nominated for an Academy Award, while France Is Our Mother Country also toured festivals abroad - Panh has certainly pushed all this visual experimentalism further afield with Exile.
While nominally a documentary, the film is hardly a fact-spewing exercise.
Rather, Exile offers something akin to an audio-visual stream of consciousness, as if the viewer sits through a delirious nightmare within Panh's traumatized mind.
An intentionally disorienting labyrinth of long-forgotten vaulted images unspool within the 78-minute film, from 1960s footage of a prosperous Phnom Penh to Khmer Rouge propaganda newsreels celebrating the regime's visions of collective labour.
Over the images, an unseen narrator (the voice of Randal Douc) offers a French-language take of history, of ideology, of identity and of course how exile – that of Panh's and also millions of his fellow Cambodians – affected all this and more. Written by the director's long-term collaborator Christophe Bataille, the voiceover shifts repeatedly between the personal and the political.
While Panh's own feelings are accounted for - "I experienced exile more intensely than my childhood," goes a line heard early in the film – the text also goes beyond that to relate to what is described as a "universal story".
This is no longer just about the torturers and the tortured in Cambodia during those deadly four years under the Khmer Rouge; this is also about "blood-drenched paths" towards so-called ideological purity throughout history.
Among the many historical figures being quoted is Mao Zedong, whose sayings – from the now well-known Little Red Book – formed the basis of the Khmer Rouge's dogma.
Panh has certainly provided a timely reminder, given how China has more or less stifled any kind of remembrance of the Cultural Revolution which tore the country apart five decades ago.
Meanwhile, Panh also took international "armchair revolutionaries" to task for their naive "elegies about theater and spectacle", as he shows on screen cuttings from foreign (mostly French) newspapers celebrating the "liberation" of Phnom Penh on April 17, 1975.
Indeed, Exile thrives as much when it shows than it tells. Beyond the lyrical – that is, the collage of long-existent historical footage - Panh has delved headlong into the poetic this time round.
In a string of visual tableaux revolving around a set decked up as a bamboo hut, a young man – Panh's on-screen proxy, probably, played by Sang Nan – sleeps while multiple moons and crows hover above him; the hut becomes, in different scenes, a middle-class home from the 1960s, a shack in the 1970s killing fields, a graveyard blooming with white flowers.
With Panh seemingly in his element, it remains to be he will return to the realist realm anytime soon. But Davy Chou has somehow come in to fill the void. Revolving around the a rural teenager's new life in Phnom Penh, Diamond Island offers a sturdy story about social dislocation and misguided desires – all seen through the prism of the titular lavish residential suburb at which protagonist Bora (Sobon Nuon) works as a laborer.
Diamond Island is a rite of passage for Bora and, to a certain extent, Cambodia in a 21st century capitalist universe. The film's leading millennials are now at least two generations removed from the Khmer Rouge era; trauma is being replaced by apprehension and desire.
Vain and virile, Bora and his friends spend their time hoping for better-paid work, good-looking girlfriends and possibly a step up the social ladder which ends at the lavish condos they are building every day.
Just as Bora begins to navigate all this, he runs into his estranged elder brother Solei (Cheanik Nov), who is hanging out with rich kids and living the high life thanks to what he describes as an American "sponsor".
Dazzled by the bright lights in Solei's universe, Bora begins to drift away from his construction site friends and his girlfriend Aza (Madeza Chhem) – a move which eventually leads to tragedy and heartbreak.
While set markedly in the titular Phnom Penh suburb, Diamond Island could have been a story happening elsewhere: it's a story which could easily be told in China (like Jia Zhangke's The World, maybe), India or any of the Southeast Asian nations.
Such universalism is actually the film's most interesting facet. Alongside last year's Dreamland – Steve Chen's film, also produced by Chou, about the vacuous life of an affluent property agent – Diamond Island bears the testament to the transformation of Cambodian society, with the emergence of a middle class and the social inequality it entails.
Here, a different generation speaks of different challenges in a country caught in the historical slipstream, a state which ties Chou's story with that of Panh's and beyond.
Contact author: Clarence Tsui
Cambodian filmmaker Rithy Panh to receive peace award at Iranian film festival
New composition highlights resilience of the Cambodian people
Q&A: Rithy Panh on Exile and dignity
The main event: a guide to the Cambodia International Film Festival
Cambodian pride was on display in Cannes
Hearing Rithy Panh talk about his nerves before the screening of his latest film at the Cannes Film Festival in France, it's hard to
Double feature from the Kingdom set to premiere at Cannes
Jolie Pitt discusses filmmaking with young directors
Final preparations being made as Jolie project ready for filming


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You are here: Home / Club cricket / Leeds and Wetherby Cricket League: The Hundred at Scholes
Leeds and Wetherby Cricket League: The Hundred at Scholes
August 18, 2021 by Andrew Gallon 2 Comments
Andrew Gallon
York-domiciled (for now) print journalist via employers in Whitehaven, Middlesbrough, Skipton, Exeter, Leeds and Howden.
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Andrew Gallon enjoys a day out at Scholes to watch Leeds Caribbean, Scarcroft and St Chad's Broomfield in the Leeds and Wetherby Cricket League's 100-ball competition.
I'm starting to think the Hundred is stoking more debate even than Kerry Packer's infamous cricket circus did during the late Seventies.
Traditionalists couldn't wait to be offended by the ECB's high summer offering. "Cricket is played in whites with a red ball," they'll tell you, baulking at the Hundred's garish kits, junk food sponsorship, improvised strokes and whacky team nicknames.
I don't care what anyone says. I love Hula Hoops (and KP Foods claim to have cut the salt in them by 42 per cent since 2005!), so Welsh Fire are now my favourite team.
Like it or loathe it (and I've enjoyed watching the games shown live by the BBC), the Hundred has certainly brought cricket to the nation's attention. Front and centre.
A friend, who lives in Birmingham, rang me to reveal his delight that cricket had become his office's water cooler conversation topic of choice. Previously, sporting chat was dominated by the city's big three football clubs. Suddenly, it's all Birmingham Phoenix.
If I remember correctly, there were similar 'it's just not cricket' complaints when the limited overs format was introduced. Didn't legendary commentator John Arlott dismiss one-day cricket as amusement for those who want the beer tent to stay open all day?
Away from the big crowds and the in-your-face glitz of the ECB's Hundred, the Leeds and Wetherby Cricket League, quietly and efficiently, has been staging its own version during the 2021 season.
Intrigued, I headed to Scholes Cricket Club (the one on Leeds's eastern outskirts) to watch the league's two 100 Ball finals.
Scarcroft, who had secured already the league's T20 Fred Fleetwood and Hare cups, were represented in both. In the reserve evening final, starting at noon, their Second XI faced St Chad's Broomfield's Fourth XI.
Three hours later, in the senior evening final, the main event, Scarcroft's first team took on their Leeds Caribbean counterparts; an eagerly anticipated meeting of the top two in the Leeds and Wetherby Cricket League's First Division.
The friendly Scholes Cricket Club enthusiasts were clearly chuffed to be staging the finals. Thanks to the efforts of their groundsmen – Tony Biscombe and Gary Proctor – the two wickets (separate tracks prepared for each game) and the outfield were in superb condition.
Indeed, one of them had been up bright and early to redo the markings because untimely overnight rain washed away his hard work of the previous day.
The Scholes square is said to be the best in the Leeds and Wetherby Cricket League. No accident, mind. It's the result of something like 15 years' hard graft.
Positioned in the northeast corner, Scholes's clubhouse is the Rakehill Road ground's centrepiece. It is a smart, flat-roofed, portable-type building. Light and airy inside, thanks to four picture windows, it contains everything a village cricket club needs: dressing rooms, kitchen, loos and a sizeable area for hospitality and big screen TV viewing.
The clubhouse's partly wooden predecessor was wrecked in August 2016 by young arsonists. One of the perils of having a ground on the physical edge of the community.
A Scholes stalwart explained what a shattering blow its loss had been. It may have been a modest structure, showing its age, but club volunteers maintained and repaired it assiduously, and with pride, ensuring the Rakehill Road facilities continued to meet the required standards.
"It was ours," the former player told me, recalling with satisfaction a time past when everybody in the Scholes team had attended the village primary school.
Worst of all, much of the memorabilia of a club founded in 1931 went up in the blaze. Some photographs were rescued from the charred debris and make a poignant wall display in the new clubhouse, which opened 13 months after the original burned.
The cost, I learned, was covered partly by the club's insurers, partly by fundraising activities in the village and partly by online crowdfunding.
In flat country, this is an open, fairly exposed albeit pleasant ground. Hunkering down amid shrubbery on the western boundary, I was able to escape the worst of a nagging breeze. A very brief shower apart, stubborn cloud declined to shed rain. Thankfully.
Bar low hills, away to the southeast, there isn't any scenery to speak of. Unless you've got a thing for hedges.
One aspect of the reserve evening final that struck me forcibly was the sheer enthusiasm of the two teams. Lots of verbal encouragement for team-mates. "Keep this pressure on, boys," shouted a St Chad's Broomfield fielder. "We love this intensity."
Scarcroft, put in, found themselves in a bit of trouble after sliding to 76-5 off 56 balls. Ashok Baskaran, in at No 3, hit 32. A sixth-wicket stand of 55 righted the ship. It was between skipper Jegadesh Balan Thangamani (44) and Sebastian Joseph (10). Ross Chambers took 2-15, Ben Smith 2-26 – each from 20 balls – as Scarcroft made 135-7.
St Chad's Broomfield never looked like making the runs. Slow to get going, they were 47-3 at halfway. Opener Nathan Robson (24) and No 6 Henry Bolton (24) were the Headingley team's top scorers. St Chad's Broomfield closed on 93-6. Baskaran finished with 3-13 off 20. From five balls, Kannan Gnanasigamani took 2-4.
Amusingly, one of the Scarcroft players shot off, immediately after the presentation of trophy and medals. "He's going on holiday," explained a team-mate. "His car is packed."
Leeds Caribbean were worthy winners – by eight runs – of the senior evening final, an exciting, high quality contest that ebbed and flowed.
Captain Mubtada Akhtar led by example for 'Caribb', who elected to bat. He struck 60 in a fine fourth-wicket partnership with wicketkeeper Haseen Bashir (47). It transformed the Potternewton men's innings, advancing them to 123-4 from 29-3. Akhtar then took 2-17 from his 20 balls.
Leeds Caribbean reached 94-3 at halfway. "We're fielding so well and bowling so badly," remarked a disgruntled Scarcroft supporter.
As a big six flew over my head, burying itself in undergrowth alongside a neatly mown field used by Scholes's Scouts, a Scarcroft player, following the ball's trajectory, observed wearily: "I think that's a spare."
Over the second 50 balls, however, Scarcroft applied the brakes, restricting the opposition to 147-8. Sebastian Joseph (2-28), Dilip Sarathy (2-34) and South African James Van Der Merwe (2-40) shared the bulk of the wickets. Joseph featured in both finals.
The Scarcroft reply had a sound start. They were 52-0 after 25 balls. Van Der Merwe (51), who was dropped during the early stages, and Chris Page (35) put on 81 for the first wicket.
However, Scarcroft then slumped to 104-4 after 75 balls. A Caribb fielder was right. "Come on, boys, one wicket changes this game dramatically." Two or three, even more so!
Running out of deliveries (the Hundred's version of the Countdown clock is remorseless), Scarcroft required 39 off 20 then 32 from 10. Despite some big hitting (including two sixes) from Dhilin Goven (26 not out), Scarcroft fell agonisingly short, at 139-6. Bashir took 2-28.
It meant Leeds Caribbean avenged their recent six-wicket defeat by Scarcroft in the final of the Fred Fleetwood Cup.
Mind you, Scarcroft are having a good season. The club have won five trophies so far. Not bad, when you consider they were down to one team in 2017 then nearly folded.
The afternoon at Rakehill Road concluded with another presentation of trophy and medals. Fulsome praise for the Scholes club's staging of the event and happy players mingling with family and friends. All very convivial.
Each final was preceded by a minute's silence in memory of Dr Keith Howard, a former Scarcroft Cricket Club chairman, who died in the week leading up to the event. Keith, 89, a great supporter of sport (and the arts), was the founder and owner of Emerald Publishing.
Owing to a loss of teams, the Leeds and Wetherby Cricket League, which celebrated its centenary in 2020, isn't quite what it used to be. But league officials are working hard to maintain a viable competition.
In this context, it was doubly disappointing to hear Sicklinghall Cricket Club, whom I saw play earlier this season at Barwick-in-Elmet Cricket Club, have decided to join the Nidderdale and District Amateur Cricket League for the 2022 campaign.
Yorkshire boasts four cricket clubs called Scholes. For me, that's three down, one to go.
Many thanks to Andrew and you can read past articles from his club cricket series, Miles per Gallon, on the website.
Filed Under: Club cricket, Leeds and Wetherby Cricket League, Miles Per Gallon
Andy Wood says
Disappointing also to read what looks like a somewhat unnecessary throw away comment citing Sicklinghall CCs exit, written without context and in something of an emotive way which suggests betrayal and abandonment.
Hi Andy, if you have any information about Sicklinghall's withdrawal then it would add to the discussion. We've covered clubs moving leagues for all kinds of reasons on the website and they have to do what's best for them. Knowing Andrew as I do, that's not the intention at all around Sicklinghall.


in the likeness of the perfect human, Christ (C 31).
University Pastoral represents the core of the entire university and guides all university activities through Salesian presence. These actions are aimed at making the university community aware of the Salesian approach.
It promotes academic excellence to help transform societies while still respecting the diversity of students' religious, social, cultural and sexual belief, to contribute to the construction of an equal, ecumenical and intercultural society.
(c) The implications and commitment to the University's cultural, social and church reality.


Jonathan Olshefski, Quest, 2017, digital video, color, sound, 105 minutes. From left: Patricia (P. J.) Rainey, Christine'a Rainey, Christopher Rainey. Production still.
"THE FILMMAKERS would like to thank the Rainey family for sharing their story." The credit appears at the end of Jonathan Olshefski's documentary Quest. It may be the only familiar note in a movie that is utterly unique in its choice of subject—a truly enviable family from America's black underclass—and the way that subject is depicted. The words of thanks, which elsewhere would register as a pro forma courtesy, here invoke the very spirit that made the film possible: The Raineys' ethos, politics, and practice of sharing their energy, skills, talents, and friendship inform every aspect of their existence, including their relationship with Olshefski and, by extension, with the audience for his film.


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Maria Cuadra (born Madrid 26 December 1936) is a Spanish film, television and theater actress who has starred in productions including: Platero y yo, Ultimo Encuentro, Vuelve San Valentin, Marinai, donne e guai and I tromboni di Fradiavolo with Ugo Tognazzi and Raimondo Vianello, and La Cancion del Olvido.

She is the daughter of bullfighter Antonio Cuadra Belmonte. She married and later divorced Italian movie actor and producer Eduardo De Santis. She has three children from this marriage (Natasha De Santis Cuadra, Nicolas and Antonella De Santis Cuadra). Maria Cuadra lives in Madrid and is active in charity work for international organisations including serving as an ambassador for UNICEF and the International Red Cross.

Filmography

-Estudio 1 - Dorothy (2 Episodes 1977-1982)

-Cualquier Miercoles (1982) TV Episode

-Los Gigantes de la Montana - Ilse  (1977)

-Canciones de nuestra vida (1975)

-Proceso a Jesus (1973)

-La Donna di Picche (1972)

-The Price of Power - Lucreatia Garfield (1969)

1977-1982 Estudio 1 (TV series)
Dorothy / Ilse
– Cualquier miércoles (1982) … Dorothy
– Los gigantes de la montaña (1977) … Ilse

1975 Canciones de nuestra vida

1974 Proceso a Jesús

1972 La donna di picche (TV mini-series)
Consuelo Manero

1969 The Price of Power
Lucretia Garfield

1969 La canción del olvido

1968 Platero y yo
Aguedilla

1968 A Rather Complicated Girl

1967 The Last Meeting

1967 Fury of Johnny Kid
Lezerind

1967 Granada addio!
Consuelo Linares

1965 Novela (TV series)
– El regreso (1965)

1965 Umorismo in nero
Maria - segment 3 'La cornacchia'

-La cancion del Olvido (1969)

-Platero y Yo Movie (1968)

-Una ragazza piuttosto complicata (A complicated girl) (1968)

-Último encuentro (1967)

-Dove si spara di piu (Fury of Johnny Kid) (1967)

-Granada Addio - Consuelo Linares (1967)

-Novela 1 Episode (1967)

-El regreso (1965)

-Umorismo in Nero (Black Humor) (1965)

-Io Uccido, tu uccidi (I kill, You Kill) (1965)

-Vuelve San Valentin (1962)

-I tromboni di Fra Diavolo (1962)

-Noche de Verano (1962)

-Los tres ecceteras del colonel (1960)

-Marinai, donne e guai (1958)

-Amore a prima vista (1958)

-Le Belle dell'aria (Las Aeroguapas) (1958)

-La estrella del rey (1957)

-Juan Simón's Daughter

-Marisa la civetta (1957)

External links

-Maria Cuadra at the MTV Movie database

Spanish film actresses
Living people
1936 births
Actresses from Madrid
Spanish television actresses
Spanish stage actresses
20th-century Spanish actresses


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Q: String_agg equivalent function in SQL server I want to rewrite my SQL query with stuff or other option available instead of string_agg function as my SQL server doesn't support it.
Can anyone please help me with this?
select String_agg(air.code,',') AS Code,String_agg(air.Id,',') AS AId,res.ResId
from  Table1 air
inner join
Table2 rmap on air.Id=airmap.Id
inner join Table3 res on rmap.ResId=res.ResId
group by res.ResId

with output like below

A: Presumably, you want something like this:
select res.ResId,
       stuff( (select ',' + air.code
               from table1 air inner join
                    Table2 rmap
                    on air.Id = airmap.Id
               where rmap.ResId = res.ResId
               for xml path ('')
              ), 1, 1, '') as codes,
       stuff( (select ',' + air.aid
               from table1 air inner join
                    Table2 rmap
                    on air.Id = airmap.Id
               where rmap.ResId = res.ResId
               for xml path ('')
              ), 1, 1, '') as aids
from Table3 res ;