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I still don't understand why they are in dialogue with China
A response to "Why we are in dialogue with China", the interview that His Eminence Cardinal Parolin gave to Gianni Valente (that is, an interview cooked up between the two).
I read the interview several times, now I read it again (even if the reading repels me) in order to honestly make my comments.
I am grateful to His Eminence for recognizing that "it is legitimate to have different opinions".
First of all, we note the insistence with which His Eminence affirms that his point of view and the purpose of his activities are of a pastoral, spiritual, evangelical and faith-based nature, while our thinking and acting is only in a political key.
What we see instead is that he venerates the Ostpolitik diplomacy of his master Casaroli and despises the genuine faith of those who firmly defend the Church founded by Jesus on the Apostles from any interference by secular power.
I will never forget my amazement at reading a report in the Osservatore Romano a few years ago on a speech that he had given where he describes the heroes of the faith in the central European countries under the communist regime (Card. Wyszynsky, Card. Mindszenty and Card. Beran, without mentioning them) as "gladiators", "people systematically opposed to the government and eager to appear on the political stage".
We also note the repeated mention of his compassion for the suffering of our brothers and sisters in China. Crocodile tears! What suffering is he talking about? He knows very well that they are not afraid of poverty, nor the limitation or deprivation of liberty, nor even the loss of life. But he has absolutely no respect for all of this at all (they are "gladiators"!)
He also speaks of wounds that are still open and his intention to treat them by applying "the balm of mercy". But what wounds is he talking about?
Towards the end of the interview, at one point he says: "To be frank, I will tell you: I am also convinced that part of the suffering experienced by the Church in China is not so much due to the will of individuals as to the objective complexity of the situation".
So he knows very well that in the Church in China it is not (if not infrequently) a case of personal offenses or resentments, but persecution by an atheistic totalitarian power. Use the balm of mercy? It is not a question of personal offenses to be forgiven. It is a slavery from which to free oneself.
Mercy for the persecutors? For their accomplices? Rewarding traitors? Castigating the faithful? Forcing a legitimate bishop to give way to an excommunicated one? It this not more like rubbing salt on these still open wounds?
Let us return to the "objective situation". The painful state was not created by us, but by the regime. The communists want to enslave the Church. There are those who refuse this enslavement, there are those who suffer, unfortunately there are those who embrace it.
Faced with this reality is it possible not to speak of "power, resistance, conflict, compromise, giving in, surrender, betrayal"?
Parolin wants us to talk about communion and collaboration. But are the conditions right? Where is this unity? How can we collaborate? Thus, we must analyse the two fundamental points that need clarification.
What is the unity you want to achieve?
a) His Eminence praises Chinese Catholics and states that "there are not two Catholic Churches in China". If I'm not mistaken, I was the first to affirm this at a meeting of the Synod of Bishops, because, in both communities, the faithful in their hearts are loyal to the Pope (today with the increasing number of opportunists in the community run by the Government I no longer dare to apply this affirmation to the entire Church in China).
But Parolin cannot deny that, for the moment, there are two communities with two structures based on two different, opposing principles. One structure is founded on the principle of the Primacy of Peter on which Jesus established his Church, the other structure is imposed by an atheistic government intent on creating a schismatic Church subject to its power.
b) Eliminating this division and achieving unity must be the desire of every Catholic, but not with one wave of a magic wand, let alone by manipulating the Letter of Pope Benedict.
In the Letter by Pope Emeritus there is this paragraph (8.10): "Some (bishops), not wishing to be subjected to undue control exercised over the life of the Church, and eager to maintain total fidelity to the Successor of Peter and to Catholic doctrine, have felt themselves constrained to opt for clandestine consecration. The clandestine condition is not a normal feature of the Church's life, and history shows that Pastors and faithful have recourse to it only amid suffering, in the desire to maintain the integrity of their faith and to resist interference from State agencies in matters pertaining intimately to the Church's life. "Father Jeroom Heyndrickx citing out of context the phrase "the clandestine condition is not a normal feature of the Church's life," has made it his mission to spread the word throughout China (where he enjoyed great freedom of movement): "there should be no more underground communities, everyone must come to the open and become part of the community subject to the Government".
In the Commission for the Church in China we pointed out this grave error, but both the Secretariat of State and the Congregation for the Evangelization of Peoples ignored this warning, obviously supporting Father Heyndrickx' theory.
It was only two years later, when this mistake had already done immense damage, that we managed to include some notes in the "Compendium" booklet to try to distinguish the reconciliation of hearts from unity in structures.
c) Parolin says that one should not maintain "a perennial conflict between opposing principles and structures". But obviously this does not depend on us alone, because one of the two structures is under Government power, which certainly exercises control over it and shows no sign of giving it up.
Pope Benedict says that the journey of unity "is not easy and cannot be accomplished overnight" (6.5, 6.6).
But our diplomats want a miracle and they want it now, and not only. They also accuse others of clinging "to the spirit of opposition to condemn his brother or use the past as an excuse to stir up new resentments and closures" and of not being ready "to forgive, this means, unfortunately, that there are other interests to defend: but this is not an evangelical perspective".
These are really cruel reproaches to address to faithful members of the Church, who for many years have suffered every kind of deprivation and oppression for their fidelity to the true Church!
When the other party has no intention of respecting the essential nature of the Catholic Church and on our part one wants unity at all costs, there is only one possible choice, that of forcing everyone to enter the "bird's cage".
d) With the solution of the "enlarged cage" will this encourage people to walk together? To embark on a new path? With serenity? With confidence?
It is said that it will be a gradual process, but let us suppose that the authors already have the next steps to be taken after the legitimization of the illegitimate in mind.
What will become of those Bishops who are legitimate according to the law of the Church but who are not recognized by the Government? Will they be "accepted"? That is, admitted to the cage? Will it finally be "a" legitimate episcopal conference? (With the Government holding the key to the cage?)
Parolin and company recognize that this solution is not perfect, it is a lesser evil. You can endure and suffer an evil (damage), but you can never do wrong (sin), great or small.
Our suffering at the creation of a schismatic Church by others may be inevitable, but we cannot assist in its creation.
Moreover, a schismatic church created by the party is not a cause for fear, it will fade with the fall of the regime. Instead, a schismatic church with the Pope's blessing would be horrifying!
Having clarified the nature of the unity to be reached, it is easy to consider the following problem: How do we achieve this unity?
With reconciliation (ad intra) and dialogue (with the Government).
a) Reconciliation is not without difficulty but possible, because it depends only on our goodwill, dialogue with the Government is more difficult.
b) Pope Francis in Seoul had said: "The first condition of a dialogue is consistency with one's own identity."
It is a matter of honesty, of justice. We need to know and let it be known where we want to arrive, that is, what our conscience dictates as a desirable outcome to dialogue. In our case, obviously it is: "a true religious freedom which not only does not harm but favours the true good of the nation".
Will we be able to manage this dialogue? Is there a hope of success? Is there at least a minimum foundation to hope in the present situation when the Chinese Communist Party is more powerful and overbearing than ever? When, both its words and actions point to an even more rigorous control of every religion, but in a special way of the so-called "foreign" religions.
The Communists no longer feel the need to save appearances. Photographs show that it is the State that manages the Catholic Church in China, which is no longer Catholic but Chinese, schismatic. (The joint meeting of the Patriotic Association and the so-called "episcopal conference is [always] led by a government official") The Popes refrain from using the word "schism" for compassion for those who find themselves not of their own will under severe pressure.
From what we can observe see, the Holy See is acquiescing to this unacceptable reality. (Is it really sure that this is for the good of the Church?)
In order for a dialogue to be true, it must start from a position of equality. There is no real dialogue between the jailer and the prisoners, between the victor and the vanquished. But our own seems to start from a position of weakness. Reliable source says that the Vatican Delegation could not discuss the case of Bishop James Su Zhi Min who has been in the hands of the government for more than twenty years, because our interlocutors refused. In my opinion, our delegation should have left the negotiating table and come home. Accepting their refusal is like kneeling down to them from the outset.
After all we are not the vanquished. Do our diplomats not know that the faithful of the clandestine community constituted, and perhaps still constitute, the majority? That they have churches and cathedrals in various places? That in the city, where obviously they cannot have churches, they say Masses in private homes so as not to be disturbed by the public security authorities who are also aware of everything. Unfortunately, as of February 2018 we can expect a much stricter control by the Government on the activities of these our brothers and sisters, also because the Government knows that by now it also has the consent of the Holy See.
c) While supporting the need for external dialogue with the government, the Vatican has stifled dialogue within the Church. With a supremely rude gesture it dismissed the Pontifical Commission for the Church in China set up by Pope Benedict without so much as a word. The only competent Chinese voice in the Vatican was Archbishop Savio, sending him as Nuncio to Greece. So much for "finding synthesis of truth"! So much for "discovering God's plan together"! They are convinced that they "have considered everything properly".
The most repugnant thing I find in the whole interview is the dishonest exploitation of expressions of the Letter of Pope Benedict, making it appear as if he was a faithful supporter of the Pope Emeritus, whereas in reality he and the then Prefect of the Congregation for 'Evangelization of the Peoples have thwarted all of Pope Ratzinger's efforts to bring the Church in China back on the right path.
At the beginning and end of the interview he made two citations respectively.
a) In Chapter 4 Paragraph 7 Pope Benedict says: "The solution to existing problems cannot be pursued via an ongoing conflict with the legitimate civil authorities; at the same time, though, compliance with those authorities is not acceptable when they interfere unduly in matters regarding the faith and discipline of the Church.."
b) In Paragraph 6 he had said: (Citing "Deus caritas est") "The Church cannot and must not replace the State. Yet at the same time she cannot and must not remain on the sidelines in the fight for justice.."
In both quotes, Parolin took advantage of the first half, leaving out the other half, losing the balance of Pope Benedict's thought.
Given the recent controversies, I feel the desire to clarify my relationship with Pope Francis who, whenever I meet him, fills me with tenderness.
It is true that my revelations of a private interviews may have caused him embarrassment and for this I am sorry. But I am still convinced that there is a void between the way of thinking of His Holiness and the way of thinking of his collaborators, who readily take advantage of the Pope's optimism to pursue their goals. Until proven otherwise I am convinced that I have defended the good name of the Pope from the responsibility of the erroneous judgement of his collaborators and that he has communicated his encouragement to my brothers in China who are, as we say in China, "in the burning fire and in deep water".
If, by chance, one day a bad agreement is signed with China, obviously with the approval of the Pope, I will withdraw in silence to "monastic life". Certainly as a son, even if unworthy, of Don Bosco I will not make myself the head of a rebellion against the Roman Pontiff, Vicar of Christ on earth.
Let us pray for Pope Francis "that the Lord will preserve him, give him strength, make him happy, and save him from the hands of his enemies."
Posted in 中國教會Leave a comment
Non sono ancora riuscito a capire per che cosa dialogano con la Cina
我還是不明白他們為了什麼要和中國對話


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Apollodorus of Artemita () was a Greek historian who flourished between 130 and 87 BC. He hailed from the Greco-Parthian city of Artemita in Apolloniatis and was a citizen of the Parthian Empire.

Biography
Appollodorus's dates of birth and death are unknown. He is generally assumed to have flourished in 130-87 BC, but 99-66 BC and 66-44 BC have also been proposed as options. Apollodorus wrote a history of the Parthian Empire, the Parthika (), in at least four books. He is quoted by Strabo and Athenaeus. Strabo stated that he was very reliable. Apollodorus seems to have used the archives of Artemita and Seleucia on the Tigris for his work. Some information on the Greco-Bactrians are preserved in Strabo's work:

"The Greeks who caused Bactria to revolt grew so powerful on account of the fertility of the country that they became masters, not only of Ariana, but also of India, as Apollodorus of Artemita says: and more tribes were subdued by them than by Alexander--by Menander in particular (at least if he actually crossed the Hypanis towards the east and advanced as far as the Imaus), for some were subdued by him personally and others by Demetrius, the son of Euthydemus the king of the Bactrians; and they took possession, not only of Patalena, but also, on the rest of the coast, of what is called the kingdom of Saraostus and Sigerdis. In short, Apollodorus says that Bactriana is the ornament of Ariana as a whole; and, more than that, they extended their empire even as far as the Seres and the Phryni." (Strabo, Geographia, 11.11.1)

He is also quoted for his general geographical knowledge of Central Asia:

"Accordingly, if the distance from Hyrcania to Artemita in Babylonia is eight thousand stadia, as is stated by Apollodorus of Artemita, and the distance from there to the mouth of the Persian Sea another eight thousand, and again eight thousand, or a little less, to the places that lie on the same parallel as the extremities of Ethiopia, there would remain of the above-mentioned breadth of the inhabited world the distance which I have already given,[14] from the recess of the Hyrcanian Sea to the mouth of that sea" (Strabo, Geographia, 11.11.1)

References

Sources

Ancient Greek writers
1st-century BC Greek people
1st-century BC historians
People from the Parthian Empire
130s BC births
87 BC deaths
2nd-century BC Greek people
2nd-century BC historians

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Grey Union Jack Helmet by Torc Helmets
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This is Ayrton Senna's helmet from his successful 1990 Formula 1 World Championship season, by the season's end it would be Senna's second championship win and the third consecutive Constructors' Championship win for McLaren-Honda. Senna's helmet livery is one of the most famous in motorsport history, if not the most famous outright. It includes the…
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Aside from their bespoke handmade watches, my favorite thing about Bamford is the fact that they rustle the jimmies of snooty purists. At their core, Bamford is a horological blood-brother of tuning houses like BMW's M Motorsport division and the Mercedes-Benz AMG team. Instead of cars Bamford takes wristwatches made by many of the best…
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This short marketing film is so abstract that I couldn't pass up the chance to feature it here, it's a James Bond parody of sorts, the first Bond film "Dr No" had been released in 1962 which was just 3 years earlier. It features characters named James Bland and Dr Yes, along with a few…
1984 Monaco Formula 1 Grand Prix – Full Race
1965 Shelby Cobra 289

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The Senior Vice President Of USA Gymnastics' Women's Program Has Been Asked To Resign [Update]
Filed to:USA Gymnastics
Photo: David J. Phillip (AP)
This week, USA Gymnastics is holding its training camp for the women's national team at Flip Fest Camp in Tennessee. (Since ceasing to host camps at the Karolyi Ranch back in January, the camps have been held in different places.) And at this month's camp, a bomb was dropped on national team members and their coaches: Rhonda Faehn, the current senior vice president of the women's program, has been asked to resign by USA Gymnastics president Kerry Perry.
According to NBC News, Perry summoned Faehn back to Indianapolis in the middle of the camp and asked her to resign, "saying only that USA Gymnastics needed to 'move forward' from the Larry Nassar molestation scandal."
Faehn was called out recently by Aly Raisman for failing to report her abuse to the authorities when she told Faehn in 2015. It's unclear exactly when in 2015 that happened, but it probably would've been after Maggie Nichols and her coach Sarah Jantzi first raised the alarm that June. In Raisman's book, she writes that she didn't fully grasp the fact that she had been abused until after Fran Sepler, the investigator sent by USA Gymnastics to interview gymnasts, spoke to Raisman at her home outside of Boston. Sepler was hired by then-president Steve Penny because Faehn had informed him of Nichols's allegations.
After the interviews were completed, USA Gymnastics reported Nassar to the FBI. They didn't tell Michigan State, Nassar's full-time employer, nor did they alert their member gyms and coaches about the allegations, so Nassar continued to abuse patients for another year. The FBI waited nearly a year before it started its investigation into Nassar.
Under Texas law, where the allegations of abuse were first made to USA Gymnastics, Faehn would have been considered a mandatory reporter.
The timing of all of this—right in the middle of a national team training camp—is likely related to Perry's upcoming testimony in front of Congress. Next week, the heads of various NGBs and the U.S. Center for Safe Sport are testifying before Congressional committees about sex abuse and USA Gymnastics appears to be trying to get rid of any potential liabilities before this testimony.
But not everyone wanted Faehn to go—at least not right in the middle of the training camp that she was running. Last night, some national team members used social media to signal their opposition to Faehn's removal.
Here's a now-deleted Instagram post from Jordan Bowers.
Here's Sunisa Lee's deleted tweet.
Senior national team member Margzetta Frazier posted a screenshot of a text message she sent to Perry, which she has since deleted—along with her entire social media accounts.
Maggie Haney, coach of 2016 Olympic gold medalist Laurie Hernandez and current national team member Riley McCusker, also posted in support of Faehn.
Faehn has not yet submitted her resignation. An all-hands USA Gymnastics staff meeting is planned for later today.
Whether or not you think Faehn should stay or go, it is clear that USA Gymnastics still hasn't learned how to communicate with its athletes and listen to their concerns. Despite all of the changes since the Nassar story broke—a new president and a new board—that part has stayed the same.
Update (6:54 pm EST): USA Gymnastics issued a press release stating that Rhonda Faehn is no longer with the organization.
USA Gymnastics Will No Longer Train Athletes At The Karolyi Ranch
For 20 Years, Gymnasts Said Their Doctor Was Sexually Abusing Them—And Nothing Happened
Maggie Nichols Reveals That She Was A Larry Nassar Victim
Dvora Meyers is a staff writer at Deadspin.


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text:
Mócsy László (1871–1955) író, iskolaigazgató
 Mócsy László (1925–2003) jogász, szakíró

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Catalog > Art & Design > Interior Design > Using Color In Home Design > Color Mistakes To Avoid: 7-10 & Final Q&a
Using Color in Home Design
Color Mistakes to Avoid: 7-10 & Final Q&A
Breaking the rules does not mean just ignoring everything your husband says in bringing what you want to in the space, but we're going to talk about breaking the rules and not breaking the rules, but one of the color mistakes is that you break the rules. Like I said, you don't follow some of the things we've been talking about. So what happens if you break the rules? Are yeah, if you break the rules and don't follow some of these things well, if you ignore things like undertones and some of these other key really important color rules, you could have sloppy design, chaotic over design are boring under designs, so there are some rules that we talk about that are really they have a reason it's kind of like there's a reason that the textiles were red or orange, right? And there's a reason why the tents were the code like there's a real reason that someone says you should do this while I'm telling you, don't ignore the under ten and down, ignore some of these other rules that are really im...
portant, like varying the scale of fabrics in your room. But there are other rules we'll talk about later that are made to be broken. Thea other consequences of breaking the rules is that it really leaves you unable to harness the creative power they hold so there's power in all this we've talked about it there's power in color there's power in aa lot of the tips I've been telling if you say and I'm just going to ignore all those and go back to doing what I want, you're not gonna have any look I have this happen even in my business courses where people say okay, well I was gonna just dip my toe in the water of what toby said and not do all of that because that felt more painful and hard and I really didn't understand it and they said after beating they say after beating my head against the wall for several weeks and I finally did what she told me to life was so much easier so some of these air really important rules that we've learned so at least give them a try because I think they're going to be powerful and really help you have success with color now we'll talk in a minute about some things that you can break and another consequence of breaking the rules and this is one that I teach in all parts of design is that be careful of creating different for different sake right? So there's a reason to try to push the envelope and be creative but there are also other things that there's a reason they've never been done because they're terrible and they don't work and you shouldn't try them and in a tizzy course, we even shows some of these sally would love because we show some of those ideas of don't do this and it's tongue in cheek, but even in one of them, we showed like a round bed from the seventies with like some metal bully on french hanging from the ceiling, saying, okay, around that is just weird, like it doesn't work, why are you trying it? And the point being? There are just some things that there's a reason they've not been done, so be careful when breaking the rules because some rules don't need to be broken. How do you prevent this? Well, you do your homework, you sit through this class, you read other text, you'd learn to the ends and out of design standards and best practices. And of course I said from day one, I don't know everything, and there are other designers who could do exactly the opposite of me and have success too. But it's more about studying what I would call best practices in the industry and that's what I'm bringing you are my best practices and how they've worked for me, right? Um and then really training uribe I tried it trying to identify the rules by analyzing things like going to those pinchers sports go back out to those pinchers sports when you leave here and think about what we've learned and start training your eye to see if you can identify some of the things that I'm suggesting not just in my work but in other people's work and really give yourself that proof to know that these work for you and we'll work for you over and over again also identify where some of the rules were skillfully broken and why like some designers that pushed the envelope and do exactly the opposite of what I say, but of course it works for them because they've been doing it for years and they're really masters at it but following those masters at their craft and understanding why when they vary from what the general public should uses a rule, why it worked for them and how they were able to to really have success there. So we're going to talk about the opposite of that in just a second, but I'd love to see if anybody has any rule breaking questions. Anybody thinking about that? Do you think you're going to go home and follow make his toby said she's going to crack the whip on me? Are you having a different your toe out there and pushing it outside of what but I told you to dio every single mistake all of these one through seven every single one of them I've made at some point and I'm glad I've done them early because now I feel like I'm more I'm better at what I choose um to live with you know, but I know this is gonna help me like take it another step forward but the color on the walls and not taking the account what the rooms purposes I remember when I was in saudi arabia I was like, I'm gonna pay my room black I know it's wrong, I know I don't care I want to paint it black and it was like a month later I'm like, I'm so all depressed yeah, so that had to go and yeah, it was just cool to make those mistakes early because now I know well, right? And honestly, why do I know best practices? Because I tried it the other way myself too, and it didn't work for me, so I'm looking to other people who have been working in an industry for a long time and not having to be one of those rebellious people that are going to go prove it for yourself but really learning from their mistakes is really, really helpful because we've been out there making him remember I made the roman shades three times for one tiny little butler's pantry and it could be costly, so anybody else have any thoughts on breaking the rules? Me also really think about the functionality of the room, and I'm going backto what she said, what is that I'm actually gonna be used for and designed around that, even from the color to the fabric they use and how function was that fabric for the type of lifestyle you live, right? Yeah, that's a great one like durability says not just whether it's pretty or not it's how's it gonna work in the space? And I think about those rules, even when I'm thinking about buying a new house are helping clients when they're building a house, and I have all of these rooms on a floor plan, and I really started saying, do you need this space and what's gonna happen in there? And if it's just one more room, you're not going to go into? Why are we even including that in the house? So it's really a rule of thumb that you can use in all parts of interior's asking yourself what needs to happen in the space? And how do we support that with good design? And I also saw a huge difference in not to pat myself on the back, but to just see the difference in what designers now and we even forget we know I designed my last home to really support our lifestyle like you're saying, and you're even though the scene, like again, the vinyl on the chairs in the dining room because I have a small child or other tips and things like that. And when we move to our new house three weeks ago, I found so many things that already don't function well. I knew I was going to have to remodel, but even just walking into the kitchen and not having the proper storage and opening every cabinet in my stock pot won't even fit into it. So it's sitting on the counter right now because there's no place to put it, there are so many things that designers bring, uh, to the table for really making a space work for you. And so if you study other designers and follow their tips and techniques, they're going to really help you have spaces that function, uh, just like you're saying from the mood and the paint color all the way down to can you wipe off a fabric? Or can you put your feet on the sofa on people? You know, I want people to live in my spaces and enjoy them you have anything to add ever, and that is that I think I'm guilty of not involving. My family in the process just because I thought they always believed that I knew best and was going to do it and how room functions. And recently my oldest son said, I have always wanted it bookshelf to put all of my books, and I thought, I hate the look of bookshelves and, oh, my god, he's going to go to college next year and I've never given him a bookshelf. He should have an entire room in bookshelves, he's going to rebel and by every bookshelf on the market. And yet there were so many spaces in our house that our overflow for entertaining, where I could have put a bookshelf on either side of an opening and he might have just gone in there and sat and read and taking the books on and off the shelf, right? But I always thought that I knew best. Yeah, so make sure to think in a lot of times we don't want to know what other people thought so because then we might have to actually listen. You don't want to go. What do you think? Okay, I hate that idea and ignore it. Because then it's even worse right? So it's one of those fears like we talked about the first I like do I open the can of worms or doing not open the can of worms? But it certainly can help make for hat a happy home for everybody right? If they get to have some say and how have the room is designed to you? Have you have a question? I do another one from chase me the shays shane this is me yeah can you please explain the oversaturated walls problem again after seeing the pinterest pins from the previous section? So in our history course it seems like some of those newer designers have oversaturated walls not clear on what the difference is maybe this is one of those rules to break, so sometimes it is a rule to break and sometimes they've achieved having really strong color because they have don't have a lot of contrast in the space they like that miles red room we just saw that with all the dark green color on the wall ah lot of the other colors in that space we're supporting that color because I remember there being also sorts of other strong hughes that were in the artwork and there was black and some of the furniture plus he's really a pro at doing that as well, so again he's intentionally breaking that rule it's more about the oversaturated kind of caveat for this course is more about be careful about going to the paint deck and picking out almost like you did with the black, the brightest, strongest, turquoise or yellow are pink that you see down the color, you know, the strip of paint, the paint choices like a really, really strong one, like this dress or something on the wall can be electric, and particularly when you have contrast ing white trim with it and it could be really, really overbearing and strong now, not to say I don't do it because you've seen me do it, and you saw some of the other people do it. But how did I even note that billy baldwin had so much success with this extreme chocolate wall is the other things in the space we're toned down are my bright coral red entry, the other things we're supporting it and tone down so it's not never do it, but I just see that mistake a lot where people go, oh, I want a really strong blue room and there's already a lot going on in the space anyway, and then they picked this one really, really strong and saturated color and put it on the wall, and they wonder why it looks cheap or looks busy or looks too strong, eso the way that we talked about getting around that was thinking of shades and tents and tones right so a lot of times remember when we talked about a muddy your version of a color looks a little softer than a pure pure hugh or even I think we use the word chroma the first day so think about primary colors versus something that's a little bit grey er or blacker or a little tent of white and it just softens it just a touch but not to say don't do it we're even gonna talk about right now you don't have to rigidly follow the rules either because that could be a problem like if she got paralyzed by the toby said don't ever use over saturated color she might not get to bring her personality into the space so again it's planning it dick sally did you have something to go? I have a hypothetical but I think might be interesting to consider a builder actually sent a photo but I wasn't twitter so I can't see it so I thought this was interesting anyway a baby's room how about a color palette for a baby's room of purple with red and yellow how would you if a client came to you that we just change this little client came to you and said it's baby's room and I love purple and red and yellow how would you approach that? Those are pretty strong color so um, not to say that they don't work, but I think that you would speaking of yellow kind of be cautious with the way that you're using those and the tons of those, and if bright, bright yellow and bright, bright red and bright but bright purple are all in the same value, they're going to get really competitive with one another. They're very, very strong, but I recently did a little girl's room didn't have yellow in it, but it was fabulous shit, bright red shade and even I use velvet on her headboard, which is pretty glamorous but she's a little sassy little girl that love's glamour and loves fashion. I think she's about ten, but the purple I used with it was lavender, so lavender plus red looked gorgeous, but strong purple in the exact same value is the red would have been really, really overbearing in a lot of ways. So again, it comes back to our favorite word nuances, right? And how you sort of massage those colors and textures in the space to make them work together, paying attention to if they're all the same value or not on the color wheel. And so that's, if you invent, envision opening up a paint dick, you're not gonna want to pick the fourth one down all the way across you're gonna want to go up to the top on some and maybe a middle color and down to the bottom. And even if all three of those things aren't coming into the room is paint. You could still use that as a guide say, if you picked the pale lavender and a medium yellow and a rich purple as your cues and maybe the lavender becomes the wall or even the yellow, but the other two, you could match a fabric to and say, let me take this paint color, because this is the color that I want to bring eggplant into the space instead, does that make sense? So I still use paint sometimes as my sort of cues, like we saw running down the side of my pallets, but maybe they ultimately don't become a pain in the space. They become a fabric that sort of matched to that. So another little tool and tip that's a great question that of course, anything is possible to it. I can stand up here and say that would never, ever, absolutely ever work, and then somebody could send us a picture we could go that looks really good. S o there's always ways to make things work, so what happens if you originally follow the rules like we were just talking about? Well, your designs could feel really stifled or lack imagination or your personal spirit, if you can never do say and oversaturated wall color, because toby said so so it's not so much about rigidly following them, but really knowing how to bring all of these pieces together in your hand there sometimes some rules that are made to be broken right s so we don't want you to feel stifled. We want you to feel excited about your design. So how do we prevent this mistake? Will first of all, you can't break the rules in a calculated way if you don't know what the rules are. So the best thing about the question that she asked is she's now familiar with the idea of oversaturation? So if she's going toe leap into an embrace it in her house she's going to know what to do with the other parts of the room to make it work and support it? Otherwise that's when people are making the real mistakes with color, is not knowing there's even such a thing is over saturation, and then it might be too strong and they just go pick it and put it on the wall, and then what the heck do they do with it? And why is it not working in a lot of times? You don't know what to change? Okay, do I just scrap it and paint over the wall or do I look at it in comparison to the other fabrics in the room and what's happening there? And now you all have the tools to analyze what's working and what's not working, which is the great thing about knowing the rules and then again who including me really has the authority to make the rules for the design they're really about, like I said, those best practices or maybe even learning from mistakes that I've learned when I'm in what we call the trenches of design so you also can't give them too much power just kind of be mindful of them and let them help guide you and you might say like you like you said, deborah now I'm gonna have toby and my ear going okay, I can do this but just remember she had a mistake that happened and here's what it was so let me be mindful of it it could just sort of be a little a little beacon that guides you through all the color options out there right um and really even just remembering but the only way to innovate about something is to push back against what is expected or a standard so even when we saw the history of design and we can say well in the such and such period it was strong strong color as a reaction to the muddy towns and then we hit the depression and as a reaction to the strong color they went to neutral so the way to innovator the way to really get excited about being successful breaking the rules is again toe have the guts what I call pushed the envelope a little bit push against what everybody else is saying you should do but I think it's more about in context to some other things that are happening again not, um throwing caution to the wind you know it's not just forgetting everything and you'll end up with that piece milled approach then so who wants toe break the rules out on the web anybody oh yeah yeah are they asking about permission for breaking is a permission one walter lewin are there any trends and karen design that you think a mistakes and wish would go away for example walter's example the modern day version of shag carpet seemed like a good idea at the time not so much thirty years later I like shed couple they're sometimes that I like it like we saw shaggy white rug on the white floor in one of my men I agree with him like a lot of times it's not very practical um let me think I'm trying none come to mind at the moment but I'm sure that we each and we all have some of those things that we just don't love in our own personal sells if I think of one in a minute, I'll be sure to share it, but yes, certainly there are some things, particularly not just colors, because almost any killer could be made to work, but there's, some product designs and other things that are really hard to put in many places, and and I'm kind of like him, I don't I don't really love the the shag carpet, it always ends up, you know, with my dogs or my food or something in the carpet. So what we've been talking about, mostly really teaching you to design, like, the professionals design, and I think that is the difference in what a lot of you have been doing, which is more amateurish and really using those best practices that designers you to get their projects to really be successful, especially with color so what's the consequence, one of the consequences is this, and I see this happen all the time in d I y interiors, especially color your rooms will run the risk of looking exactly like your neighbours or your friends, or maybe exactly like a magazine. In fact, one of my clients who's, so cute than I'll ever on, we've just finished a fabulous project the first time I came over to her house, she was like, ok, I'm really embarrassed for you to come in because when you and most people say that because I think the house isn't good enough and I always say, oh, you know, I see everything but what she says is I'm embarrassed for you to come in because you know that one room of yours that has the blue pounds tooth pillows with the orange pillows behind it, the one we've seen a hundred times she goes, I replicated that exact thing in my living room so it's a little I'd like I'm really not a stalker, but yes, I have those exact pillows, so you know, it was fun, it was flattering and we've created this amazing design for her but that's, what can happen to you if you're really just copying what other people are doing are may be your only willing to buy things that every one of your friends said that they liked when you asked them do you like it or you either go over to your friend's house and fall in love with what they had and you go out and buy the exact same thing that's not very much fun and that's not how the dipper the pros take cues from things they've seen so we're inspired all the time about other people's designs but were typically not taking the exact white sofa with the exact two orange pillows in the and the blue hands tio and bringing it to our own design right? Where maybe going oh, I love that blue hound's tooth fabric that would look great covering an entire headboard in this bedroom I'm doing and so we're just inspired a bad parts and pieces, so be careful mimicking people and having eggs that's no fun at all don't walk over to your friend's house and you're like, oh, we have the exact same thing a couple of times over the three days a top secret project but we do know that there's some textural cobalt, some serious planet kobol but now there's been a little curiosity online and so it will be great. Bethany says toby has commented twice about a project she can't shake it because it has to be photographed will we ever see the project if yes, where and when and that's like being asked by a lot of people who no doubt are going to it's going to spoon a whole bunch off? Well, yes, yes, yes, you will see it and at the very least you'll see it on my website in my block. But an interesting thing that you'll learn when you come to some of my courses and I actually even taught a course twice and we're teaching it again later this year right before the end of the year on how to get published as an interior designer and so one of the big things that you cannot do if you want to get published these days is leak out the work because magazines like house beautiful, they need to sell issues and they want to sell things that no one has ever seen before. So hopefully, yes, she will see this fabulous project in one way or another, and hopefully you'll see it on the pages of something like house beautiful, or one of their sister publications that hearst or some other fabulous place because it is definitely magazine where the first year, but that's, why not to tease you? Because I would love to show you everything and that's one of the ways and I'm asking you all to be patient and not rush out and buy everything for your house. One of the hardest things for designers to do is if we want to get our work publishes tohave to sit on it for a while and not show it to anybody cause we're dying for everybody to see it, but I promise they'll see that sometimes saying, okay, so how do we prevent this mistake? Oh, another consequence is that your design can be good, but not wow, and a lot of you probably have that right now, it's not the worst thing you've ever seen and in fact there's a lot of good stuff happening about it but it's, just not giving you that wow factor and that's where really starting to design, like the pros and a lot of the things we've taught you are going to help you go from what we called lovingly ordinary two extraordinary, right? So we want that wow factor and how do you start to do that? So how do you prevent this mistake? We educate yourself again, and you've done a lot of that here on all the project product options and really start toe layer in different kinds of fabrics and really then stay in touch with design and fashion trends. So the way that we can start to follow those trances, like follow people like me or fashion designers or other people on pinterest and other places and starts almost even secretly watching what they're pinning, not even the boards of mine that say trends, but just looking at any given time because when someone out on the web said, what is toby think is next for her well away, that you could get a cue for that is see what I'm liking at any given moment, right? And that's gonna be like on instagram or on pinterest or are some of those places? So I think that's a fun way to stay sort of on the edge of what the pros know out in the world. And then asked those companies that you're working with that you assume don't customize if they will cause a lot of times they will and if not, customize it yourself, buy something brand new and spray painted or do something else with it. I have even another project just to tease them a little bit more that I can't show yet. I bought a crystal chandelier like glass crystal, and I spray painted it a really bright pop of color, and you don't think about painting glass it's become opaque now, but I wanted all the detail of a crystal chandelier, but I wanted it to be bold and have a punch. So again, there's lots of things you can do to existing products to make them different, so customize them. Yes, I like the idea about customizing things that are seminal to you every per person. Yeah, like painting my piano when I get out, I'm thinking, is that kind of ruin the piano, but somebody would know, so we'll figure that one out people wanted to know what color you were going, teo, but coming to paint the piano? Well, I will maybe I'll be able to share that we won't have to keep that tough secret, but the first thing that's gonna happen is I got to get home from all these travels and design my whole new house because, like, I'm not letting you do, I'm not picking a piano paint color until I know what's gonna happen in the rest of the world. Town planning wait rules way no, this I'm not going to belabor, but, yes, you're going to start practicing all these layering techniques and all of these things that the pros know, because we really want you to have things happen in your house that are such exciting things that you're not just looking to designers for that wow factor, like you're going beyond possibilities you've ever thought of before and bringing that to your spice. And I think one question I've got a good one. I recently saw a brass kitchen sink, huh? To me was gorgeous love that idea searched and searched internet. Well, it's italian, I thought, you know, that's gonna be a five thousand dollars sync, so just don't research it anymore. But now, listening to you, I'm thinking, well, why don't you go get a stainless steel bar sink and try having it plated to see if it works? Yeah, there's another way out of a hundred dollar or like we talked about the other day. You can't spend five thousand dollars on everything in your house, but if it was one thing that was such a wow investment that you didn't have to spend as much money and other places, it might really balance out in the grand scheme of your budget so it's deciding when to splurge and when not to splurge for sure that's a great idea, I think you should try, um and then last one but not least don't forget to have fun like you can follow all these rules all day long and get so stressed out about it, and I could see a lot of people taking this entire course and becoming overwhelmed because now before design was fun, they loved it, the design enthusiast and now it's actually serious toby's giving me all these rules, and I can't break on and all this stuff and that's not fun at all, so you have to have fun and design and designers certainly have fun in design. So what are the consequences of that? Well, your home's color schemes just won't resonate with your personality at all, or maybe your family's personality. They won't tell visitors anything about you are what you love and, you know, I said I wanted my entry, the first thing people saw to really be a representation of me that's, because I was having fun with pattern and with color in my house to go back and think about how you can really have fun with this what's another consequence, you could kind of even resent this whole process, and that happens a lot with people who loved decorating as a hobby, but then they get into the design business, and they have to actually do things for clients and work with things they don't love so much, or maybe they're not getting paid very well for it. So be really careful about this, because it can take a lot of fun out of something, and you can really start resenting it if you're not letting yourself indulge in some color ideas or trend ideas or other things that you really, really love, so be sure to think about that that could be not great consequence, and you just don't want to be dissatisfied with your results, no matter how right you get it. So some of you might say, well, I followed every single rule, toby told me to a t, and this room still isn't right what's it missing? Well, it might be missing your personality are something that you just your intuition said, I don't care if this makes no sense at all, I'm trying, so sometimes you just got to try the black wall, don't you? In my not work but she just have to try because it might work and you won't know until you try it right s so have fun with color in your home it should inspire you and delight you every single day and I know kanna resonated with that idea this week because she said your home should know more uninspired homes right that's right and what else is resonating I love this comment from mad lizzie who says there's a lot about toby's mistakes to avoid that are also applicant pool teo your approach to life it's like the end color therapy and really therapy in the best way I agree I agree too because what color and our home should support us in living the lives we want to live right we have to have that so and remember they should express our unique outlook on the world which I think that would be you would be a great person like your fashion expresses your unique outlook on the world I can only imagine what your house either is or has the potential to be for you so how much fun on dh then you know it could be an adventure in itself creating that personal style personal design and color style for you did you want to say something djamila looked like you were coming in it's agonizing for you it might not be the best use of your energies if this's just no fun get with the friend, hire a professional, work with other people some people just don't like this cannot even said at some point the other band that everybody thinks they're a designer and she does that. I don't I don't think I'm a designer it's, not that she can't have fun with it, but there are people who just can't make these decisions it's not fun for them and that's when they need to get help from someone, a friend appear or maybe a professional. So those were my ten colors mistakes to avoid all in a nutshell, fantastic that really didn't wrap up the course so well, referring back to everything that we've learned. I just want to give the students in our studio audience and opportunity to ask any final questions here is we wrap up anything coming to mind? I could, I could ask one while you're thinking about that, if you want to have a think for a second, I think everybody would be came here and online to just have a little pake into what you're currently working on in terms of what you're working on and how where you might have dulled your influences from this time with I'm thinking about the history of design that you showed us if you could, like, think about maybe three projects and soldering sluices projects I'm working on yeah, um let's see, gosh, I have one client who's really fun and we're working on a house that's really a lot more ornate, but which one of the other ones you saw in the past and my work would be than my normal style, but they traveled the world all the time every single year at least once they go out of the country, they take their little girl with him and they bring back all of this inspiration and influence and so it's my job to help them bring their sort of ornate and fancy style to their home and mix it with all of these things that they collect from everywhere and make it all work so that one is going to be fun and a challenge and it's a little bit outside of what I would call my my style wheelhouse so that's fun and so that's one and then I'm wrapping up a lot of others that you'll be seeing hopefully scene besides the penthouse and the farmhouse that I told you about so lots of things that are going to be photographed and then let's see um just a lot of a lot of projects right now as they always are our families with several children, so we're bringing like you were saying all kinds of personalities to the table and of course, my favorite project is my new house that I haven't even gotten to get my fingers on so everyone washing should start following me on my blogged because I'm going to journal even without showing all the final result because well wanted to get photographed at some point I'm going to journal the process of me selecting all of my own interiors which is one of the hardest jobs designers have moving forward over the next year or so so they can go on that journey with me that's awesome and students just imagine for a minute that you had this really exciting proposition that toby has off a piano that could be a color is there anything you mean if you had to approach the problem after your three days of this incredible learning and all the tools that you've got I mean how would you approach that or even something? How are castillo here it's like your piano like what are you gonna go tackle in your in your space? I think for me um I always had this question I have all these patterns that I like and they're everything is I knew before it was just too noisy and just too cluttered and know how to do it and I think now what might biggest takeaways just playing with the patterns but then maybe like changing the color having it all monochrome like that same color but the pattern still there and then have I think it's starting to click and how I'm going to make it work and then even the stuff that I've had from travel and stuff like that, I can have them all there and not have them clash from like playing with the color and having lack of color. So your design like the pros and you're going teo, that idea of maybe the way you have success is you have a lot of pattern and things happening, but if they're all monochromatic, they don't fight with each other and compete with each other and then create that sort of relaxing retreat because you have a studio in a lot, you've got to be able to relax and enjoy all the space. The idea like throwing out my stuff and just starting from scratch just feels like no, I love all this stuff, I don't want them there, I love that, but I didn't want them, I've always had that probably I'm just gonna have to hide this, I know where it is, but now I feel like I can showcase and bring it out, but just playing with the color I can't wait to see it had teo, I can't basically what happened? Anything else that any of you yet you're saying, yes, I have some things to do, yeah, and I was even thinking when we looked at, um I think it was one of your your living room spaces and how you just put it in, like the blue, and she brought the eyes the blue and thinking, oh, like that's, an easy way for me to change my room around the hill of my room is just okay, I have it similar, teo, her like stuff from travels that this is what I feel like highlighting right now, this is what makes me feel good, and I can't bring that into a room and take something else out and highlight those two things are a few things that I want to highlight and then also really thinking about functionality and thinking about there's things I can use like baskets, and I could use that for storage, and I can't somebody's coming over my house and I'm entertained, I can put stuff in the baskets, and always someone with a two year old does yes, so those are all also designing like pros like thinking about, and I love your idea of overtime and that's what I do, too, like you might see something so often you walked by, but you saw it sort of loses a little bit of excitement, even that was your favorite thing, so why not put it away for a little while and showcase something else? And then later on you can bring other things back so we don't have to see every single thing we own own all the time, right? Just because you bought any eleven doesn't mean it has to be on display three hundred sixty five days of the year so that's a creative way and it also allows you, teo basically it's kind of like shopping for a new wardrobe in your own closet you can shop for a new interior in your own house of your own covers, which I think ah lot of us could do right now and people are more prone to thinking I have to get rid of all of this stuff and start from scratch that's never a good idea you bought all that stuff for a reason you loved it and you're still gonna love it just use finding new and creative ways to use it on and color can be a thing that helps you do that there was a bodice and I had a pro necklace around it yeah, and I love thinking, oh, I can use my jewelry for well, I almost wore that necklace today so it's one that I really wear all the time but so like even in a dressing room or something, he could use that bust as a place to display the things that you love or I love to use little vintage china dishes and milk, glass and things that I pick up to keep my earrings in or my jewelry because it's beautiful and it's functional all at the same time get a little pop of color remember that little blue milk glass piece that even had on my friend entry with the flowers in it so those kind of little trinkets and finds that I pick up at flea markets and other places can become yeah, but the thing that holds your jewelry and you get to enjoy it every day I think that's awesome thank you they were anything I think I tend to talk myself out of ideas or purchases because I think they're too unusual or too bold but now having done this three days with you, I think color says so much about you and it really has my mind thinking and the friends or designers you have I want to say it's madcap cottage or something like that you had a link to them from your blawg yes, and one day I went to that and I thought, oh my gosh, I feel like I know those people just from their website and the colors and what they're showing of themselves they're so they're amazing jason and john and so daring and so quirky and so fun and they're actually that fun in person and john writes for one of the magazines in there in there a book I think it's a dell, so one of those magazines like then you can read their book and you can follow their travels all over the world through his articles and his blog's, but you will feel like you know them just from their interiors just visually, so I think now don't try to talk yourself out of it because maybe that's what you're missing, yeah, big item that says to you are we just said you could follow all the rules and still not have the wow and it's, because your own unique killer personality or style personality is not in your own house, right? So that's pretty east, some that went up perfectly, so you're going to go have fun with design one more also not being afraid of putting fabric and wallpaper on the walls. Yeah, having fun with. So have any of you all started to come over to my side of the fence on loving wallpaper? It's no longer that yucky old stuff from the seventies that you can't baird you can't peel off the wall if you tried um so I can't light shoot me and send me pictures any of you people that are trying these ideas? I'd love to see him on twitter and facebook and other places and see what successes you have because it's really exciting to me to see that what I create in the rules that I form for you my best practices really help you and your everyday designed so that would be awesome thank you so lady um well toby just wondering if you have any final words thank you all also for sharing sort of that was a beautiful summary of what you have learned and taken away with all these different things but just kind of do all those other people out there online who perhaps have been with us for part of this course but are still may be feeling some of those color fears our fears of how to take the next step um what do you have to say for us? You know, I think we just summed it up so well with this section and I think that will have some really success if they follow these rules I think people are gonna love as much as anything that very first session we did of the hole um time we were here together and learning about the color will and how to create those fun color palettes I know sally still dying to go get her little tool and start creating color palettes so that and then I think honestly maybe taking a few notes and riding down some of the rules that you think will help you most and then after that sort of like we said this is therapy and design at some point, you sort of have to just relax about it. And as the last number, ten said, have a good time, because that's what it's all about. So I want people at the end of the day not creating stress for themselves. But really having fun with because color can be really, really fun.
Brought to you by House Beautiful Magazine, award-winning interior designer Tobi Fairley comes to CreativeLive for a special course.
Are you afraid of picking the wrong color for your living room? Selecting the right hues for your home can be a daunting experience. Tobi is internationally-renowned for her signature bold style and fresh approach to interior design.
Using examples from her extensive portfolio, Tobi will give you no-fail tips and techniques to help you turn your home into a space that reflects your unique style. You'll learn about the psychology of color, how to pick the right color for the right room, and find out all about the latest trends. You'll also learn how to pair colors and textures and help freshen any room in your home.
By the end of this class, you'll be equipped with the tools you need to embrace color in a big way.
Color Models 101
Color Schemes 101
Debunking Color Fears
Debunking Color Fears Pt. 2
Evolution of Tobi's Color Style
Evolution of Tobi's Color Style Pt. 2
To Trend or Not to Trend
Color & Design Trends
Color & Design Trends Pt. 2
Tobi's Color Inspirations
Tobi's Color Inspirations pt. 2
Using Inspiration Boards & Q&A
Color Meanings
Psychology of Color Q&A
What to Consider Before Choosing a Color
The Right Color: The Entry & Living Room
The Right Color: Family/Dining Room & Kitchen
The Right Color: From Bathrooms to Outdoor Spaces
Pairing Textile Elements for Success
Pairing Wall Color, Pattern & Texture
Floorings, Furnishings, Art & Lighting
Intro & Top Color Palettes: NYC Showhouse
Top Color Palettes: Hampton's & Richmond Showhouses
More Top Color Palettes
Layering Color Palettes in Your Home
Transitioning Color Palettes in Your Home
Historical Overview of Color in Design
History of Color in Design Examples
History of Color in Design Examples Pt. 2
Color Mistakes to Avoid: 1-6
Fantastic Course!!


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Світові легкоатлетичні естафети 2024 будуть проведені у квітні-травні в Ґуанчжоу на стадіоні імені Томаса Робінсона.

Рішення про надання Нассау права проводити змагання було оприлюднено Світовою легкою атлетикою наприкінці листопада 2022.

Змагання стануть основним відбірковим стартом для визначення команд-учасниць в естафетних дисциплінах на Олімпіаді-2024.

Багамська столиця вчетверте в історії — після 2014, 2015 та 2017 — прийматиме ці змагання.

Призери

Командна першість

Очки в межах командної першості нараховуватимуться за схемою: 8 очок за перше місце в кожній дисципліні з пониженням до 1 очка за 8 місце у фіналах.

Україна на змаганнях

Онлайн-трансляція

Світова легка атлетика здійснюватиме онлайн-трансляцію змагань на власному YouTube-каналі.

Примітки

Джерела

 Сторінка змагань на вебсайті Світової легкої атлетики

2024
Світ
Легка атлетика
Легка атлетика
Легка атлетика
Легка атлетика
Світ


Hi, I'm Aanchal Iyer, Your BFF for everything digital. I'm also an entrepreneur, digital marketer, trainer, and corporate content consultant. Content4Brands.in is my initiative for you to have a trusted platform for any content related info. Didn't find what you were looking for? Mail me on content4brands@gmail.com and I'll personally ensure, you get the best answers. Have a great day!
For effective SEO, writing good content is imperative. The moment you Google a topic, you get an endless list of Good Content. Some extremely searched websites and blogs, while many more which have failed to make their presence felt. Thus the question which arises here is, Why Nobody is Reading Your Content? And find ways of how to fix it.
The only way to do effective SEO is by writing good content. But 'good content' is a very complicated terminology especially when it depends on the reader's perspective. The one thing that remains standard and acts as a thumb rule of any good content is – the information. If your content is adding to the knowledge base of the reader, it is a good content. What comes next is its presentation.
Content needs to be entertaining, engaging and interesting enough to stand out from the piles of information already on the web. You can do this in the form of fun blog posts, videos, gripping social posts and educational webinars.
There are different ways of making your content interesting but let's first polish the basics.
Do You Really Need a Great Content?
Content writing is a form of online marketing which is closely linked to web marketing campaigns. This means creating the content which appears on websites that are designed to sell or promote a specific product.
Don't confuse your content with sales pitches, you can't start a relationship with a potential lead with a sales pitch.
According to Google, if your content is not good and it does not add value to the readers, the search engine will not promote it. In fact, if it is redundant or plagiarised, Google will not rank it on SERP.
Good content is essential for effective content marketing. According to research, 20% of business owners believe content marketing will have the largest impact on their business in 2018. Projected at a rate of 16% growth rate between 2017 – 2021 content marketing isn't something that can be ignored.
There's an overdose of content online and if your content does not stand out, you have no chance to impress your customer.
How to Make Your Content Worth Reading?
An estimated only 37% of B2B marketers have a documented content marketing strategy. This signifies that majority of the marketers aren't thinking strategically about the content they're creating.
Having a digital content marketing strategy helps you establish what you aim to accomplish with your content, and how you're going to implement the content to achieve larger business goals. Thus giving a specific intention behind the content you create.
Content writing service is a category of work which surfaced in the early 1990's due to an exponential rise in the online activities. Content writing aims to provide speech to a website, summarising what the website is about and explaining what the site offers to potential customers.
The availability of the global job market means content writing services vary in the paid for services. In general, there are 12 types of content writers offering different genres of services. Among all these categories, you should know which style of writing is best suited for you.
Your content is what gives your brand but don't make it entirely about it. The advanced content trend is to give out the benefits of your product/ services that encourage people to buy your product. Consumers today are smart and informed. Too much focus on selling will drift your customers away and not bring them towards you. It is important that your content brings trust and credibility to your offering instead of promoting it without any ground.
A website content writer specializes in providing relevant content for websites through effective keyword research. Every website has a specific target audience and requires different content. Content should contain keywords aimed towards improving a website SEO. Some websites are centered on marketing products and services while some are informational.
If you have a serious brand, but write in a careless laid-back style, you unconsciously create a brand misalignment. When this happens you confuse readers and detach them from the content which you have created and the connection is lost, which is one of the reasons people don't stay longer than a few minutes on your page and move onto another one which engages them and gives them the information they are looking for. Thus create content that provides enough value.
A serious case of brand communication misalignment is created if your content does not match the intent of the brand's offering. The tone, language, and the style must all be in sync with the brand's vision. Whether it is text, video or image content, everything must put forward the same intent with a tone that matches the style of the brand unanimously.
Dedicate your time and focus on writing good quality content, can you imagine a world where no one reads. It will be like a website with no content. The brain is an active sponge and reading is not something we do passively, Reading meaningful content is food for our brains. Like we need food to survive, similarly, the brain needs reading to stay sharp and focused. Reading good content encourages one to imagine and imagination leads to creation and creation lead to new inventions. In order to ensure the audience is engaged in your content, take account of every word you write.
For the C4b content writing team, creating content is the easiest job. It is only after creating the content that the grilling really starts. Verified thoroughly with latest facts, revisions that go up to four rounds, and editors that are just not happy with anything mediocre. What our team puts forward is a result of immense hard work behind every word. Do let us know if you liked it.
Top 5 Content Marketing Ideas to Turn Your Followers into Customers!
Thanks Amit Kumar, Glad to help you.
Good source to clear all the content related misconceptions, nice hacks though!
Good article and thanks…keep posting like this.
7 Tips for Engaging Social Media Content for 2019!
Instagram Content Strategy 2019: 7 Things You Need To Know!
Role of Mobile Marketing in Digital Penetration 2019!
How to Write Content That People Love to Read and Share?
Google RankBrain- The Future of SEO 2019 is Here!
Yadav Lohar on 10 Best SEO Content Writing Tips for Beginners 2019 [A Basic Guide]Nice Post.
vikas on 9 Best Video Marketing Tips for the Year 2018Brilliant Information. As an upcoming vlogger it will help me with marketing my content seamlessly across all the digital platforms.
Shafeeque on 10 Best SEO Content Writing Tips for Beginners 2019 [A Basic Guide]Good Article. It is one of the best articles I have gone through. Thank you so much.
Content4brands is your place to know everything about digital content. Whether you are an aspiring content writer or a seasoned strategist, get the latest updates, insights, guides, and tips to write not just good, but great content.


In times of economic uncertainty, it's better to be in an industry that there will always be a need for. Here are 11 in-demand jobs.
Glassdoor recently compiled a list of eleven jobs, more stable than an ex-partner. The list was developed in partnership with their Chief Economist, Dr. Andrew Chamberlain and looked at jobs that could withstand a failing economy or recession. Naturally, there can never an absolute recession-proof job, but there are certain industries (according to Glassdoor and Chamberlain) that are typically impacted less in an economic downturn. Jobs in healthcare, government, education, and accounting can be safer from cuts during a recession.
Chamberlain explains that teachers in public schools are often members of labour unions, which can make retrenching more difficult. Even with an economy failing, there is no doubt children still need an education and still need to go to school. Whether it be pre-primary, primary, or high school, or even private tutoring.
Regardless of the economic climate, an accountant will always enjoy business. Whether it be on a large corporation scale or simply doing people's taxes before tax season. Accountants can help a business move forward or help a company navigate out of debt. For these reasons, becoming an accountant can be an extremely valuable asset to any company, especially during tough economic periods.
As ominous as it may sound, a funeral director will always have business despite what the economic climate is doing. As Chamberlain says, "To put it bluntly, recessions don't stop people from dying". And, as Benjamin Franklin once said, "In this world, nothing can be said to be certain except for death and taxes".
A nurse can rest a little easier knowing there will always be a constant need for their skill. Chamberlain says with the ageing baby boomer population, the demand for nurses is likely to remain high. Similarly, working as a physician's assistant is a safe bet as people will always need medical care, even in a troubled economy. To work in health care also means flexibility in location, which can make it easier to switch between practices if needed.
Once a professor has received academic tenure (after a probation period of six or seven years, depending), it is unlikely they should be laid off. Tenure is almost synonymous with job security and can be one of the most envied achievements in academia. If you manage to stay employed by a faculty throughout the tenure-track appointment, you have pretty much hit the job security jackpot.
Audits are often required by law for any company whose stock is traded on the stock exchange. Meaning, audits can be a necessity for the economy, whether it's in a recession or not.
Even if the economy is less than promising, there will always be a need to keep a civilised, modern environment running and functional.
Actuarial scientists, by definition, are there to help predict and minimise risk. In the event of an economic risk, an actuary will be particularly appealing to evaluate areas of a business to trim, or certain budget and personnel cuts to make, in order to generate a profit or break even.


As multi-denominational clergy, Harris Shore has served as cantor and spiritual leader for Hollywood Temple Beth El, The Los Angeles Jewish Home Eisenberg Village in Reseda, and for Congregation Beth David in San Luis Obispo. He has customized services for and officiated at all Jewish lifecycle events, and is a B'al Tokeiya – sounds the shofar. Cantor Shore is a member of the Cantors Assembly of America. As a professional actor and entertainer, he worked in New York for many years, enjoying success on stage, in television shows and commercials, and as a solo artist in nightclubs and on ships throughout the world. For two years as The Handy Hazzan in his online blog for the Jewish Journal, Cantor Shore shared his passion for home repairs and tikkun olam. His videos are still visible online today. He has restored and maintained several antique homes, and lives in an old Craftsman style home in Hollywood California.


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Q: How to format json data to array format and nested arrays are in object like {} without square brackets in typscript Now return data from rest api as :
{
   "ProductID":1,
   "Category":[
      {
         "CategoryID":1,
         "SubCategory":[
            {
               "SubCategoryID":1,

            }
         ]
      }
   ]
}

I want to converted output data manipulated in typescript as:
[
   {
      "ProductID":1,
      "Category":{
         "CategoryID":1,
         "SubCategory":{
            "SubCategoryID":1,
            `enter code here`
         }
      }
   }
]

I have tried
return this.restApi.getProductBin().subscribe((data: {}) => {
    const usersJson: any[] = Array.of(data);
})

A: Below is the code that can convert your the format you need:

const restructureProducts = (oldProds) => {
  let products = [];

  let newProd = {};
  if (oldProds.hasOwnProperty('ProductID'))
    newProd['ProductID'] = oldProds['ProductID'];

  if (
    oldProds.hasOwnProperty('Category') &&
    oldProds['Category'].length > 0 &&
    oldProds['Category'][0].hasOwnProperty('CategoryID')
  )
    newProd['Category'] = { CategoryID: oldProds['Category'][0]['CategoryID'] };
  if (oldProds['Category'][0].hasOwnProperty('SubCategory') && oldProds['Category'][0]['SubCategory'].length > 0)
    newProd['Category']['SubCategory'] = { SubCategoryID: oldProds['Category'][0]['SubCategory'][0]['SubCategoryID'] };

  products.push(newProd);

  return products;
}

let oldProds = {
  ProductID: 1,
  Category: [{
    CategoryID: 1,
    SubCategory: [{
      SubCategoryID: 1,
    }]
  }]
};

let products = restructureProducts(oldProds);
console.log(products);

redpajama_set_name: RedPajamaStackExchange


text:
People of the 10th anniversary Top Solar Contractors list: Arnel Catic, Tron Solar
By SPW | July 29, 2021
For the 10th anniversary of the Top Solar Contractors list, we're sharing Q&A's with the people who make the industry run every day. Read more interviews here.
How'd you get started in solar?
I grew up in war-torn Bosnia where I was raised in extremely challenging environments. As a young boy, I witnessed certain things that no one should ever see. After escaping the country, myself and my parents immigrated to America, where I went on as a young man to become a law enforcement officer, executive for a nutrition and supplements company, and eventually I got started in solar in 2017. I was approached by an old high school friend who owned his own solar company. He needed a business-minded and operations-driven person to help drive the business. The rest is history.
What's your favorite part about being in the solar industry?
I have three parts that are my favorite:
I get to help people become more energy independent
I love being on the front lines as sustainability is the way of the future
An investment into solar is a massive economic opportunity for homeowners to take control of their money over a 20-30 year period
What has surprised you the most about the solar industry in the last 10 years?
The biggest surprise has been the continuous innovation and improvement of new products and technology that have made solar more affordable. The lower cost of solar, coupled with certain tax incentives and/or state incentives, make it easier to go solar today.
What are your solar predictions for the next 10 years?
My prediction is that a record number of people are going to become more energy-independent and that solar will become the norm as we continuously strive to reduce the carbon footprint in society.
How'd you/your company stand out in the last year?
The company grew in two additional markets and had a record-setting year in sales and installs. We became the highest-rated local solar company in all of Illinois.
How are you helping to improve the industry?
I am working side-by-side with other leaders and sitting on various boards/panels to help identify trends and ways to continue reducing costs while increasing efficiency in all aspects of solar. The future is now – let's continue working hand in hand to leave the world a better place than we found it.
Intersolar 2022 confirms that mounting and racking products remain a varied market
Intersolar 2022 was all about the integrated and resilient smart home
BBB's ITC direct-pay option would unleash the power of smaller business to tackle climate change
Refundability: The key to a clean energy revolution
Exclusive SPW Content
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SPW Digital Editions
Browse the current issue and archived issues of Solar Power World in an easy-to-use, high-quality format. Bookmark, share and interact with the leading solar construction magazine today.
Contractor's Corner Podcast
Contractor's Corner: Best of 2015-2021
Solar Policy Snapshot
Solar policy differs across state lines and regions. Click to see our monthly roundup of recent legislation and research throughout the country.


by last march i got gift from kiehl's..
they said im the most person who shared their LUCYS (Let Us Change Your Skin) Campaign on Facebook..
who doesn't? this is expensive with the high quality product..
i hope you guys enjoy about my review and also like it ..
Body Lotion: this uplifting, skin softening body lotion is infused with a stimulating blend of fig leaf, conjuring up images of the south of France with its lush countryside, and sage, an evergreen herb evocative of the northern Mediterranean coast. with moisture restoring Squalane and vitamin E, our luxurious body treatment provides 24 hour hydration while leaving skin superbly smooth, moisturized and protected.
Lip Balm: temporarily protects and help soothe dry lips. helps shield lips from the drying effects of wind and cold weather. apply liberally, and allow an excess of the balm to be absorbed.
Body Lotion: texture so soft and dry fast so its not gonna stick on your skin.. function is for the dry skin make your skin softer and health. then it work give more nutrition for your skin.
Lip Balm: the texture is wet and stick.. same texture with lipgloss.. but the color is purely clear and the form is liquid. function is for dry lips, same with the body lotion function is to make your lips softer and give more nutrition for your dry lips. its gonna looks soft and health!
Body Lotion: make my skin softer and give more protection for my skin from dryness..
Lip Balm: this product bring it back my baby lips.. because when you using and apply it for couple of weeks it does work make your dry lips a bit softer and health!
Body Lotion: for aromatic blends fig leaf and sage i dont really like the smells.. because the smelling is so strong.. but kiehl's does has another option of the aromatic blends.. maybe i should try another one and make the comparison..
Lip Balm: for this one aromatic lip balm i got, the same case is smell too strong so i dont like it. because mine is original and pure no other additional aromatic. but kiehl's does has another option of the aromatic involved coconut, vanilla and mango.. hmm sounds yummy! i should buy another one then..
How to purchase Kiehl's Beauty Product?
Officially Account Kiehl's for further information?
These products from Kiehl's look promising. I only have their eye cream but maybe I should look into these the next time I drop by.
belom pernah nyobain brand Kiehls ini sebelumnya. Tapi pernah denger sih banyak yang suka skincarenya. Great review.
iya body lotion ini juga bagus kok buat kulit yang kering..
I've heard a lot of good reviews of Kiehl and I think I should try it out soon!!
ahhaha yes me too.. this one fragrance that i got its so really strong smell..
Kiehls is a great brand, and rather affordable too! I love their latest Ultra Facial Oil Free range!
I've heard that Kiehls is a really good brand, although I've never tried them. I'll have to grab a few things this summer. Congrats on winning!!!!
yes it is a good product with good quality.


As fall comes around the corner, it brings with it a number of changes both to the environment and our bodies. As the weather starts cooling down, our immune system defenses begin to deteriorate and we become more vulnerable to inconveniences such as colds and constant coughs. Luckily, we have the tools needed to naturally prepare our bodies for the changes in the season and to maintain our health at a comfortable level until spring comes around.
There's a reason pumpkin-spice is so popular in the fall. It's natural to want to warm up this time of year. As Mother Nature starts to cool things off, that glass of iced tea doesn't seem so appealing. Instead, a warm cup of tea or a spicy glass of warm cider feels heavenly.
And, luckily, you can warm up your energy just like you warm up your beverages! Essential oils extracted from spices are warming for the body and the heart: cardamom, cinnamon, and ginger.


text:
Q: Is [refactor-my-code] a meta-tag? The refactor-my-code tag currently has 149 questions, 53 of which are also tagged refactoring. It seems like it's either a meta-tag (as it describes the author's motivation) or a potential synonym to refactoring or code-review. Am I mistaken? Are there legitimate uses for this tag?

A: I vote no, this tag should not exist. It has no tag wiki, and as you said, it doesn't describe the content of the question, it it what the author is asking for. Besides, it's borderline off-topic, sounds like those questions belong on code review...


Anyone who has studied with me can attest that I am a stickler about cover-ups. My students know that I expect them to wear cover-ups over their costumes when not onstage at an event. I was recently talking to a student about what to look for in a cover-up for her first performance. Over the years I've had lots of different cover-ups, and through my experience I've got a pretty good list of requirements and considerations for buying one. You don't need a cover-up that ticks all of the boxes all of the time, but some of these may be points you hadn't thought about.
Opens quickly – no messing with a zillion tiny hooks right before you go onstage (zippers or well-sewn snaps are good).
Has enough closures to not fly open and show your costume when you are walking down a hallway (a single snap or tie won't do this, unless it's a wrap style). If you're wearing it outdoors it needs to not whip open with the breeze.
Pretty enough that you could talk to audience members while wearing it (no raggedy bathrobes please).
Long enough hem to hide most of your skirt/pants underneath (mystery is one of the reasons for wearing a cover-up).
Long enough sleeves to hide costume arm pieces (not always a requirement but if I'm wearing gauntlets I feel like showing them gives away too much of the aforementioned mystery).
For shows in theatres: black. This isn't important at club or street faire events (and you may specifically prefer a colorful one for those), but in a theatre you want to be invisible like a stage hand backstage.
Rolls or folds up small – doesn't take up too much space or weigh too much in your dance bag.
Washable or dry-cleanable. You're going to get sweat on this thing, and wear it in close proximity to other people.
Doesn't wrinkle. I've never had a cover-up where this was a problem, but it's something to keep in mind.
Roomy. Don't buy a beautiful close-fitting robe only to find it won't fasten over your ornate bra or full fluffy skirts.
For my own list, I add "roomy enough to change costume under without flashing anyone" because we often don't have adequate changing space.
Yey thanks for the tips! Any recommendations on where to purchase?
Ooh, apologies – I just saw this. I've purchased most of my coverups at dance events and festivals. I've never found anywhere online with coverups that have all the features I want – I'd love to know too!


Prices Jump but Sales Drop in Sonoma County!
The housing market in Sonoma County ended the first half of the year by once more posting a drop in sales and at the same time posting a double digit jump in prices.
Home sales were down only 1 percent from June 2013. But for the first half of the year, they fell 10.9 percent from a year earlier and were the lowest in three years. The most likely reason is there are fewer homes available for sale.
Demand still remains healthy enough to push prices higher though.
The median single-family home price in Sonoma County rose in June to $498,500, a level last reached in January 2008. The median Sonoma County home price increased 14.6 percent from a year earlier.
It may be some comfort to buyers that in June 2013 the median price was rising at even a faster pace, climbing 25 percent from a year earlier to $435,000.
From 2000-2005, Sonoma County home prices soared, reaching a record high of $619,000 in August 2005. In 2007-2008 prices tumbled during a historic housing crash, hitting a low of $305,000 in February 2009.
In the last seven years, more than 15,000 county homeowners lost their properties in foreclosures or short sales. In early 2009, almost 3 out of 4 single-family home sales involved such economically distressed properties.
That rate has dropped substantially during the last 18 months. For example In June, only six percent of sales involved foreclosures and short sales.


text:
Google reveals 48 employees fired for sexual harassment
SAN FRANCISCO — Google announced that it has fired 48 employees for sexual harassment during the past two years and sent them away without severance packages, hours after a news report that it had protected some male executives facing sexual misconduct allegations and offered them large sums to leave the company.
The surprise disclosure Thursday came in an email to Google employees from CEO Sundar Pichai. It was a direct response to a New York Times report that the company had dismissed the executive in charge of its Android software for sexual misconduct in 2014 and paid him handsomely to leave.
A spokesman for Andy Rubin, the former Android executive, said he left on his own accord and has never been informed of any accusations of sexual misconduct. Rubin acknowledges having consensual sexual relationships with Google employees that didn't report to him, adhering to the boundaries drawn by Google policy at that time, according to the spokesman, Sam Singer.
The Times story was based on unidentified people and court documents, including some filed in an ongoing divorce between Rubin and his wife. The Times reported that Google also protected two other executives accused of sexual misconduct, ousting one with a severance package while retaining another.
In his email, Pichai said Google adopted tougher policies in 2015. Those rules require all of Google's vice presidents and senior vice presidents to disclose any relationship with an employee, even if they don't work in the same department or have any other potential conflict.
Although Pichai didn't directly address the allegations against Rubin and other executives, he conceded the Times story "was difficult to read" and did not dispute it.
In an apparent attempt to assure employees that things had changed since Rubin's departure, Pichai said 13 of the 48 workers that Google had fired for violating the company's sexual harassment policies were either senior managers or executives. None of those 13 received severance packages, Pichai wrote.
"We are dead serious about making sure we provide a safe and inclusive workplace," Pichai wrote.
Despite Pichai's reassurances, the revelations about sexual harassment are a setback for a 20-year-old company that adopted "Don't Be Evil" as its motto early in its existence and now embraces "do the right thing " as its creed under the umbrella of its holding company, Alphabet Inc.
The bombshells are also another troubling example of a Silicon Valley culture that for decades has relied heavily on male engineers, some of whom still behave like fraternity boys attending a keg party in college.
The phenomenon led to this year's release of "Brotopia: Breaking Up The Boys Club of Silicon Valley ," a book by Emily Chang that delves into the stories of women who say they have been sexually harassed at tech companies and venture capital firms.
Allegations of sexual misconduct also have resulted in the resignations of venture capitalists and executives and triggered an ongoing overhaul at ride-hailing company, Uber.
Prodded by the public complaints of a former female engineer, Uber last year conducted an internal investigation that it had fostered an environment that allowed rampant sexual harassment .
The problems unfolded under Uber co-founder Travis Kalanick, who wound up being forced to resign by investors as CEO amid a raft of other problems. At one point, Uber hired former Google engineer Amit Singhal and then asked him to resign last year after discovering he hadn't disclosed he had been accused of sexual misconduct at Google.