text:
Katina O'Neil
Sacred Healing...
SACRED HEALING
SACRED WISDOM TEACHINGS
Awakening the inner light of who you truly are
Unlike many other forms of medicine, Sacred Healing is a co-creative process between Client and Healer. By design, the human body has a self-regulating mechanism whose purpose is to maintain a state of health and energetic balance.
However, sometimes the body has such dysfunction, illness, injury or negative programming, that it needs outside intervention to assist it in regaining that health and balance. During the process of Sacred Healing, it is primarily the Client who does the healing of her/himself.
In this process, the Healer's purpose is to connect with the source of the Client's healing and hold the personal blueprint of wellness for the Client to use in their journey back to health and balance. In addition, the Healer can also be called to assist the Client's body in releasing its dysfunctional energy first before the original pattern of health can be restored to the Client.
In facilitating the process of Sacred Healing, the Healer can be present with the Client either in person or via telephone consultation, however, in all circumstances, it is always the Client's willingness and determination to let go of their identification with illness and dysfunction that is the primary key to lasting healing for the Client's body, mind and spirit
Reiki...
For the Healer initiated into the practise of energy medicine known as Reiki, this is a direct way of accessing the life giving energies within the Universe for the purpose of healing the body, mind and spirit. Channelled through the Reiki Healer, these energies interface with the Client's energy field, helping the Client reprogram their own body, mind, emotions and spirit for optimal wellness and can provide all the Universal life force necessary to overcome the Client's obstacles to personal healing.
Illumination Process...
This very unique and effective healing process comes from the Medicine Peoples of Peru as originally taught by the authoritative visionary Dr. Alberto Villoldo and the Four Winds Society. In this process the Healer works at the blueprint level of the Client's whole being and in particular helps to clear any negative imprints in her/his Luminous Energy Field. As Dr. Villoldo teaches, "When the Luminous Energy Field is 'clear' and in a state of optimal wellness, our very body and soul remain strong, glowing and disease free."
Soul Retrieval...
Soul Retrieval is an ancient healing process undertaken by a Healer specifically trained in Shamanic Healing and who is able to enter and navigate the realms of altered states of consciousness for the purpose of retrieving detached parts of the pure essence / life force of the Client. The Client may choose this healing process when there is a strong feeling of loss of personal power and inability to achieve and maintain a state of health and wellness through other forms of healing. This loss of personal power is attributed to these detached parts of pure essence / life force which have splintered off due to past, and possibly unknown, trauma in the person's life. In this state, this detached essence / life force does not form part of the Client's personality and neither does it hold any of the emotional pain of the original trauma. It is pure life force energy.
With its effected return and re-integration with the Client, the original trauma that caused the part of the soul / life force to seek refuge in altered states of consciousness can now heal at a very deep level with the subsequent restoration of the Client's personal power. Soul Retrieval can be done with the Client and Healer in the same room or over any distance. During this process, the Healer works outside of ordinary time and space and is not affected or governed by such limitations.
Extraction Process...
Through undesirable events and traumas of life, the Client can attract unwanted intrusive energies and entities to themselves. Intrusive energies can lodge within the Luminous Energy Field of the Client's body and can take the form of hardened and foreign substances creating bodily pain or dysfunction, or alternatively act like fluid dense energies flowing from chakra to chakra draining the Client's life force energy. In the case of intrusive entities, these are usually disincarnate foreign spirits trapped between this world and the next that have managed to take refuge in the Client. Using a highly skilled combination of Shamanic healing techniques, the intrusive energies and/or entities are coaxed out of the Client's Luminous Energy Field so they can be transmuted and returned to the Light. The Client's Luminous Energy Field is then infused with life supporting energy from the Universe to assist the Client's body in returning to a state of health and energetic balance.
Space Clearing...
Intrusive energies and entities may also be found in homes, offices and on people's properties or personal spaces causing illness, disease, general malaise and disruption to people's lives and productivity. These intrusive energies and entities may also be extracted, transmuted and returned to the Light. The Healer uses a combination of Shamanic space clearing techniques to bring energetic balance and harmony to the affected space thus enabling its desired life supporting environment.
Healing
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redpajama_set_name: RedPajamaCommonCrawl


late 14c., from Old French interposicion (12c.), from Latin interpositionem (nominative interpositio), noun of action from past participle stem of interponere "to put between, place among; put forward," from inter- (see inter-) + ponere (see position).
Then we, too, looked at each other with eyes that confessed an interposition.
Conscious that his interposition could be of no possible avail, he fled for life.
The disappearance of a star by the interposition of the moon is called an "occultation."
There is nothing else in it which ought to call for this interposition.
Melissy seized on her father joyfully as an interposition of Providence.
The clergy this time invoked the interposition of Government.
All would have been irretrievably lost had it not been for the interposition of Fabius.
Only the interposition of friends prevented their meeting on the field.
Even this interposition failed to put the irate Harris off his purpose.
It was, however, at last granted with difficulty on my interposition.


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text:
namespace llvm {
namespace opt {
  class InputArgList;
  class DerivedArgList;
}
}

namespace swift {
  class DiagnosticEngine;

namespace driver {
  class Driver;
  class ToolChain;

/// An enum providing different levels of output which should be produced
/// by a Compilation.
enum class OutputLevel {
  /// Indicates that normal output should be produced.
  Normal,

  /// Indicates that verbose output should be produced. (-v)
  Verbose,

  /// Indicates that parseable output should be produced.
  Parseable,
};

class Compilation {
private:
  /// The DiagnosticEngine to which this Compilation should emit diagnostics.
  DiagnosticEngine &Diags;

  /// The OutputLevel at which this Compilation should generate output.
  OutputLevel Level;

  /// The Jobs which will be performed by this compilation.
  SmallVector<std::unique_ptr<const Job>, 32> Jobs;

  /// The original (untranslated) input argument list.
  ///
  /// This is only here for lifetime management. Any inspection of
  /// command-line arguments should use #getArgs().
  std::unique_ptr<llvm::opt::InputArgList> RawInputArgs;

  /// The translated input arg list.
  std::unique_ptr<llvm::opt::DerivedArgList> TranslatedArgs;

  /// A list of input files and their associated types.
  InputFileList InputFilesWithTypes;

  /// When non-null, a temporary file containing all input .swift files.
  /// Used for large compilations to avoid overflowing argv.
  const char *AllSourceFilesPath = nullptr;

  /// Temporary files that should be cleaned up after the compilation finishes.
  ///
  /// These apply whether the compilation succeeds or fails.
  std::vector<std::string> TempFilePaths;

  /// Write information about this compilation to this file.
  ///
  /// This is used for incremental builds.
  std::string CompilationRecordPath;

  /// A hash representing all the arguments that could trigger a full rebuild.
  std::string ArgsHash;

  /// When the build was started.
  ///
  /// This should be as close as possible to when the driver was invoked, since
  /// it's used as a lower bound.
  llvm::sys::TimeValue BuildStartTime;

  /// The time of the last build.
  ///
  /// If unknown, this will be some time in the past.
  llvm::sys::TimeValue LastBuildTime = llvm::sys::TimeValue::MinTime();

  /// The number of commands which this compilation should attempt to run in
  /// parallel.
  unsigned NumberOfParallelCommands;

  /// Indicates whether this Compilation should use skip execution of
  /// subtasks during performJobs() by using a dummy TaskQueue.
  ///
  /// \note For testing purposes only; similar user-facing features should be
  /// implemented separately, as the dummy TaskQueue may provide faked output.
  bool SkipTaskExecution;

  /// Indicates whether this Compilation should continue execution of subtasks
  /// even if they returned an error status.
  bool ContinueBuildingAfterErrors = false;

  /// Indicates whether tasks should only be executed if their output is out
  /// of date.
  bool EnableIncrementalBuild;

  /// True if temporary files should not be deleted.
  bool SaveTemps;

  /// When true, dumps information on how long each compilation task took to
  /// execute.
  bool ShowDriverTimeCompilation;

  /// When true, dumps information about why files are being scheduled to be
  /// rebuilt.
  bool ShowIncrementalBuildDecisions = false;

  static const Job *unwrap(const std::unique_ptr<const Job> &p) {
    return p.get();
  }

public:
  Compilation(DiagnosticEngine &Diags, OutputLevel Level,
              std::unique_ptr<llvm::opt::InputArgList> InputArgs,
              std::unique_ptr<llvm::opt::DerivedArgList> TranslatedArgs,
              InputFileList InputsWithTypes,
              StringRef ArgsHash, llvm::sys::TimeValue StartTime,
              unsigned NumberOfParallelCommands = 1,
              bool EnableIncrementalBuild = false,
              bool SkipTaskExecution = false,
              bool SaveTemps = false,
              bool ShowDriverTimeCompilation = false);
  ~Compilation();

  ArrayRefView<std::unique_ptr<const Job>, const Job *, Compilation::unwrap>
  getJobs() const {
    return llvm::makeArrayRef(Jobs);
  }
  Job *addJob(std::unique_ptr<Job> J);

  void addTemporaryFile(StringRef file) {
    TempFilePaths.push_back(file.str());
  }

  bool isTemporaryFile(StringRef file) {
    // TODO: Use a set instead of a linear search.
    return std::find(TempFilePaths.begin(), TempFilePaths.end(), file) !=
             TempFilePaths.end();
  }

  const llvm::opt::DerivedArgList &getArgs() const { return *TranslatedArgs; }
  ArrayRef<InputPair> getInputFiles() const { return InputFilesWithTypes; }

  unsigned getNumberOfParallelCommands() const {
    return NumberOfParallelCommands;
  }

  bool getIncrementalBuildEnabled() const {
    return EnableIncrementalBuild;
  }
  void disableIncrementalBuild() {
    EnableIncrementalBuild = false;
  }

  bool getContinueBuildingAfterErrors() const {
    return ContinueBuildingAfterErrors;
  }
  void setContinueBuildingAfterErrors(bool Value = true) {
    ContinueBuildingAfterErrors = Value;
  }

  void setShowsIncrementalBuildDecisions(bool value = true) {
    ShowIncrementalBuildDecisions = value;
  }

  void setCompilationRecordPath(StringRef path) {
    assert(CompilationRecordPath.empty() && "already set");
    CompilationRecordPath = path;
  }

  void setLastBuildTime(llvm::sys::TimeValue time) {
    LastBuildTime = time;
  }

  /// Requests the path to a file containing all input source files. This can
  /// be shared across jobs.
  ///
  /// If this is never called, the Compilation does not bother generating such
  /// a file.
  ///
  /// \sa types::isPartOfSwiftCompilation
  const char *getAllSourcesPath() const;

  /// Asks the Compilation to perform the Jobs which it knows about.
  /// \returns result code for the Compilation's Jobs; 0 indicates success and
  /// -2 indicates that one of the Compilation's Jobs crashed during execution
  int performJobs();

private:
  /// \brief Perform all jobs.
  ///
  /// \returns exit code of the first failed Job, or 0 on success. A return
  /// value of -2 indicates that a Job crashed during execution.
  int performJobsImpl();

  /// \brief Performs a single Job by executing in place, if possible.
  ///
  /// \param Cmd the Job which should be performed.
  ///
  /// \returns Typically, this function will not return, as the current process
  /// will no longer exist, or it will call exit() if the program was
  /// successfully executed. In the event of an error, this function will return
  /// a negative value indicating a failure to execute.
  int performSingleCommand(const Job *Cmd);
};

} // end namespace driver
} // end namespace swift

#endif

redpajama_set_name: RedPajamaGithub


text:
Q: Looking for arguments: who decides about network connection technology: customer or supplier I work for a supplier of software solutions, and when we want to deliver our solutions to the network of a customer, we are forced to use a myriad of tools: VPN connection over GlobalProtect, VPN connection over PulseSecure or another FortiClient, ...
Edit: it's the idea that we deliver support to our customers, while not needing to go onsite to our customers. In order to do this, we need to connect to our customers' network, for which different technologies and tools are currently used.
As a supplier, we would like, either to bundle all those different tools, either to enforce one single way of working, using one single tool.
Obviously, customers have the tendency to keep using that one tool they are used to, and they are not willing to change.
There can be different approaches to this situation:

*

*"Supplier: deal with it!"

*"Customer: this and that are arguments for which we would like to adopt this one tool."

Can anybody provide me with arguments in favour/disfavour for the supplier and for the customer for this situation? (I can imagine many software firms needing to deal with this)
Thanks in advance
Oh, I'm a regular user of StackOverflow, but this question is not fit for that site. Neither  is this question fit for the "NetworkEngineering" discussion forum. If you find this question not fit for this forum either, please indicate a more suitable one.

A: This is indeed a not-so-good fit for a number of sites, but I don't know a really good one.
In general the deployment process should be subject to contractual agreements between customer and supplier, and it should be negotiated early if at least one side isn't really flexible. Since customer networks are often managed by the customer or another organization working for the customer, don't expect too much flexibility there. Every deviation from established procedures in networking can introduce security risks, and these weigh a lot more than inconveniences to the supplier/contractor for a limited time.
So as a supplier/contractor, make sure you're flexible regarding the tools to be used (apart from the development tools that you use internally, these are normally not the customer's business) but speak the language of the relevant people at the customer's organization as you will need to communicate clearly with them. Being knowledgeable in their area and respecting their expertise goes a long way towards getting good results.
Edit after your question's edit: When providing long-term support (as opposed to just one-time installation) your preferences as a supplier may weigh a bit more, but it's still "their network, their rules". You may be able to put a price tag on customer requirements that make your work more tedious, and use that as a base for negotiating which way your services are most cost-effective for the customer. They may still decide to pay a little more in exchange for keeping their way of working.

redpajama_set_name: RedPajamaStackExchange


text:
Q: How Content type known in MQTT I was just reading Facebook uses MQTT for chat, and we know MQTT payload is just a stream of bytes having no header options like HTTP or CoAP.
This question answers that there should be one topic for each content type.
My question is; there are a lot of MIME types and how facebook handle them using MQTT?
Example: There is a user A and a user B. User B sends jpg image to A. For correctly identifying content type it must be published under something like /inboxOfUserA/jpg. If that is the case then there will be a lot of topics for a single user (as there a lot of content types, and what if a new content type comes in future?).
I am not getting that, there should be some batter way.

A: It is important to remember that MQTT is just a messaging transport, what gets carried from publisher to subscriber(s) is entirely in the system designers control.
While a MQTT message payload is just a collection of bytes there is nothing to stop you implementing your own structure within that collection of bytes
e.g.

*

*A message can contain a header that includes a field similar to a mime type.

*A message could be an XML document that can include all kinds of meta data about it's content


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text:
Q: Multiple Constructors Class Setters C++ So, I just had a question about my professors feedback on one of the programs we did. I didn't quite understand her feedback on what she meant by putting setters functions in the second constructor. Here is what she said:

Next time be sure to do the Reading and Preparation assigned before you attempt a lab. Read the assignment carefully.
The problem says the overloaded constructor (constructor #2) should call the setter functions.
The overloaded constructor (constructor #2) was not tested. Create an object with the overloaded constructor like so:    Inventory itemTwo(666,3,.99);
Nice class, nice main program and coding style.

This was the problem:
Problem
And lastly, here's my code:

#include <iostream>
#include <iomanip>
using namespace std;

class Inventory
{
 private:
  int itemNumber;   //Private Class Members
  int quanity;
  double cost;
 public:
  Inventory();   //Public Member Functions
  Inventory(int i, int q, double c);
  void setItemNumber(int);
  void setQuanity(int);
  void setCost(double);
  int getItemNumber() const;
  int getQuanity() const;
  double getCost() const;
  double getTotalCost() const;
};

int main()
{
 int itemNum;
 int qty;
 double price;
 Inventory itemOne;   //Declares itemOne and itemTwo being an Inventory class objects
 Inventory itemTwo;

/****************************************************************************/

 cout << "Please Enter Data For Item One\n";     //Data entry for Item One
 cout << "Enter item number: ";
 cin >> itemNum;

 while (itemNum < 0)           //Safegaurds for data
 {
  cout << "Please enter a non-negative item number: ";
  cin >> itemNum;
 }

 cout << "Enter quanity: ";
 cin >> qty;

 while (qty < 0)
 {
  cout << "Please enter a non-negative quanity number: ";
  cin >> qty;
 }

 cout << "Enter price: ";
 cin >> price;

 while (price < 0)
 {
  cout << "Please enter a non-negative price: ";
  cin >> price;
 }

 itemOne.setItemNumber(itemNum);   //Passes All Data To Correct Functions
 itemOne.setQuanity(qty);
 itemOne.setCost(price);
 cout << endl;          //Formatting

/****************************************************************************/

 cout << "Please Enter Data For Item Two\n";    //Data Entry for Item Two
 cout << "Enter item number: ";
 cin >> itemNum;

 while (itemNum < 0)
 {
  cout << "Please enter a non-negative item number: ";
  cin >> itemNum;
 }

 cout << "Enter quanity: ";
 cin >> qty;

 while (qty < 0)
 {
  cout << "Please enter a non-negative quanity number: ";
  cin >> qty;
 }

 cout << "Enter price: ";
 cin >> price;

 while (price < 0)
 {
  cout << "Please enter a non-negative price: ";
  cin >> price;
 }

 itemTwo.setItemNumber(itemNum);   //Passes All Data To Correct Functions
 itemTwo.setQuanity(qty);
 itemTwo.setCost(price);
 cout << endl;          //Formatting

/****************************************************************************/

 cout << fixed << showpoint << setprecision(2);

 //All input displayed here
 cout << "Here's the data you entered for item one:\n";
 cout << "Item Number: " << "  " << itemOne.getItemNumber() << endl;
 cout << "Item Quanity: " << "  " << itemOne.getQuanity() << endl;
 cout << "Item Cost: " << "  " << "$" << itemOne.getCost() << endl;
 cout << "Item Total Cost: " << " " <<"$" << itemOne.getTotalCost() << endl << endl;

 cout << "Here's the data you entered for item two:\n";
 cout << "Item Number: " << "  " << itemTwo.getItemNumber() << endl;
 cout << "Item Quanity: " << "  " << itemTwo.getQuanity() << endl;
 cout << "Item Cost: " << "  " << "$" << itemTwo.getCost() << endl;
 cout << "Item Total Cost: " << " " <<"$" << itemTwo.getTotalCost() << endl;

 return 0;
}

Inventory::Inventory()       //Default Constructor
{
 itemNumber = 0;
 quanity = 0;
 cost = 0;
}

Inventory::Inventory(int i, int q, double c) //Constructor #2
{
 itemNumber = i;
 quanity = q;
 cost = c;
}

void Inventory::setItemNumber(int i)   //Re-Evaluates For a Negative Number and
{            //Passes User's Entered Data to the Private class
 if (i >= 0)
  itemNumber = i;
 else
  itemNumber = 0;
}

void Inventory::setQuanity(int q)    //Re-Evaluates For a Negative Number and
{            //Passes User's Entered Data to the Private class
 if (q >= 0)
  quanity = q;
 else
  quanity = 0;
}

void Inventory::setCost(double c)    ////Re-Evaluates For a Negative Number and
{            //Passes User's Entered Data to the Private class
 if (c >= 0)
  cost = c;
 else
  cost = 0;
}

int Inventory::getItemNumber() const   //All 'Getter' Functions to Display Object's Data
{            //Whilst Keeping Data Integrity With 'const'
 return itemNumber;
}

int Inventory::getQuanity() const
{
 return quanity;
}

double Inventory::getCost() const
{
 return cost;
}

double Inventory::getTotalCost() const   //Calculates Total Cost and Returns
{
 return cost * quanity;
}

/*
-----------------------------------------------------
Please Enter Data For Item One
Enter item number: 1303
Enter quanity: 10
Enter price: 2.50

Please Enter Data For Item Two
Enter item number: 5676
Enter quanity: 54
Enter price: 5.65

Here's the data you entered for item one:
Item Number:            1303
Item Quanity:           10
Item Cost:              $2.50
Item Total Cost:        $25.00

Here's the data you entered for item two:
Item Number:            5676
Item Quanity:           54
Item Cost:              $5.65
Item Total Cost:        $305.10
-----------------------------------------------------
Please Enter Data For Item One
Enter item number: 7456
Enter quanity: 10
Enter price: 10.9

Please Enter Data For Item Two
Enter item number: 0293
Enter quanity: 5
Enter price: 109.23

Here's the data you entered for item one:
Item Number:            7456
Item Quanity:           10
Item Cost:              $10.90
Item Total Cost:        $109.00

Here's the data you entered for item two:
Item Number:            293
Item Quanity:           5
Item Cost:              $109.23
Item Total Cost:        $546.15
-----------------------------------------------------
*/

A: Your professor probably meant that you should call the setter functions in the constructor instead of setting the values directly:
Inventory::Inventory(int i, int q, double c)    //Constructor #2
{
    setItemNumber(i);
    setQuantity(q);
    setCost(c);
}

A: She's right. You are taking user input, therefore you must validate it with your setters, you created them for a reason.
Inventory::Inventory(int i, int q, double c)    //Constructor #2
{
    setItemNumber(i);
    setQuantity(q);
    setCost(c);
}


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16. 36% off a backpack.
17. 40% off a two-pack of 6-foot Lightning cables.
Get them for $17.99 ($12 off the list price).


Charles Fawcett, Angelo Zanolli and Vira Silenti are the other actors. In this scene, Maciste is there and yet he's not there. Notice the object casts a shadow and yet the presence of Maciste doesn't cast a shadow directly behind him. There is a shadow at the far right but the big shadow on the wall is suppose to say that any object or person in that area should have a shadow as well and yet he doesn't. This hints at Maciste Angel-like presence. It's one of the many subtle and innovative ways Riccardo Freda directed this great PEPLUM film.
I was reading recently that Maciste could travel through time. That is why nobody questions his presence there. Don't know if this is true? Good film.Wayne W.
Yes. You probably read this here. The evolution of Maciste and the myth of the man is interesting. In the original MACISTE IN HELL with Bartolomeo Pagano, Maciste defeats the Devil. So, after this he sorta became or was perceived as someone who's not bound by space or time. In MACISTE IN THE VALLEY OF THE THUNDERING ECHOES, a high priests asks for help and Maciste appears out of nowhere (or from the rock). Maciste became an angel of sorts, appearing in different eras, fighting evil. Which is why HERCULES AGAINST THE BARBARIANS in Italian is actually a Maciste story, since Hercules didn't exist during the time it's set. But US distributors changed Maciste to Hercules because no one in the US knew who Maciste was. This is the myth of Maciste.
That's right he appears out from the rock. I saw that Samson and the 7 miracles of the world is a Maciste movie. At the end he said something like he fights for justice any place in the world. So he maybe some kind of angel (time traveller). Wayne W.


I had question, I heard questions so I tried to answer some of them.
Let's talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let's be honest, editors don't often get hardware products dedicated to editing. We get software out the wazoo, both big and small, but the time and expense to create a hardware device is probably much greater than many of the little software tools we get. And, let's be honest again, there really isn't very much hardware that an editor needs beyond the computer system running our NLE. Yes, there are Contour Shuttle Pros and computer gaming mice that are well-liked hardware devices and do a decent job or supplementing the editing experience. But for every Logitech Craft Keyboard with Crown that does add something positive to the editing experience, there's the Loupedeck that detracts rather than enhances. The Editblog archives are littered with morphs and Roller Mice that while fun and useful, aren't better than a keyboard and mouse.
I had another chat with BMD's Dan May about the keyboard. Enjoy.
The Resolve Editor Keyboard is just that, a keyboard. By building a jog/shuttle dial into the design it's more editor keyboard than any other keyboard (maybe event the legendary Bella) and adding dedicated editing buttons beyond the standard alphabet keys makes it even more for the editor. Thanks for thinking about us editors BMD.
After various interviews with BMD President Dan May I had a play with the Resolve Editor Keyboard on camera. This split screen below (best viewed in full screen) takes you through a few of the functions to get an idea of how it works.
It's worth noting that the Resolve Editor Keyboards that were on display at BMD's booth were pre-production models and completed just days before the show. There will likely be some tweaks in the manufacturing as production ramps up en masse but for the most part, this is what it'll look and feel like when it ships later this year.
I played with it for a few minutes after the BMD press conference, a bit more the next day and then for two extended periods of time on Wednesday of the show. Yes, I neglected some other booths at the show to mess around on this keyboard. That's how intrigued I became with the thing. Skeptical at first, I began to change my tune but the proof will be in the pudding when it's used for multiple weeks on a big editing job.
Below are some of the burning questions that I had about the Resolve Editor Keyboard, some question I had asked to me and others that I saw on social media. Some answers are my own observations, some I asked of folks at the BMD booth. Some are probably wrong.
A lot bigger than your thin Apple chiclet keyboard. Not just the really small number-pad-less iMac models but the fancy-pants extended chiclet keyboard you got with your iMac Pro. A lot bigger.
Will it fit on my desk then?
Of course, it'll fit on your desk unless you're editing on something the size of an airplane tray table but if you've built your workstation around a tiny keyboard then get ready to adjust.
I don't know but the point was made during that keynote the wide lip at the top of the keyboard was designed that way to accommodate placing the keyboard in the recessed cutout of a desk. Kind of like you might have seen in a linear tape editing bay back in the day.
Will people cut a hole in their desk to accommodate this design?
Those keys look really big too. And hard to type on.
That's not a question but to reply … I thought the same thing when BMD CEO Grant Petty held it up at the press conference but I was pleasantly surprised when I laid fingers on it to feel that the keycaps aren't just nicely designed but the whole typing feel is superb. The keypress travel is longer than a chicklet keyboard but the resistance is just enough and the longer travel actually might be a good thing for those that like a bit more tactile feedback while typing. There was a lot of thought put into the design of the keycaps and the mechanisms underneath the keys. I really enjoyed the feel.
Is $995 for a keyboard expensive?
This keyboard has a lot going on. Metal is used in the construction of the case so it looks and feels premium. The rubber jog/shuttle/scroll wheel feels very good in your hand and has a clutch mechanism that changes from a smooth scroll to a click scroll depending on the function. That can't be cheap to implement well. Add on the really good typing and you've got what I'm guessing are some big R & D costs and even bigger manufacturing costs.
It's also designed to last and last a long time. You're not going to throw it away like you do a cheap chiclet keyboard when it starts to show age. Keycaps will be replaceable with the possibility of other parts being user replaceable. BMD produced a 2 hour + video called Blackmagic NAB 2019 Technical Product Overview and BMD CEO Grant Petty goes over a lot of this in the video.
At 2:07 or so in the video BMD CEO Grant Petty says "there will be multiple models" and he mentions there will be a left-handed version (as a leftie I'd like that too!). That begs the question: Will there will be a cheaper version? He doesn't specifically mention a more affordable version and it would seem that making it cheaper would remove some of the best parts of the keyboard like the feel of the jog/shuttle wheel.
I heard it will only work on the new Resolve 16 Cut page?
This is incorrect and quite a silly statement. Why would BMD spend money and sell a $1,000 editing keyboard when it only works on one of their two editing pages?
Wait, Resolve now has TWO editing pages?
Aren't some of the actual keyboard keys based on the new Cut page?
Not really I don't think but looking at the edit keys on the upper left it might look that way. But all of my playing around yielded functional results on both the Cut page and the Edit page.
These editing key shortcuts will be key to speedy editing in DaVinci Resolve.
How does the jog/shuttle knob work?
Like you would expect a jog/shuttle knob to work which, personally, I find of limited usefulness in a non-linear editor. But the Scroll button mode will zip the playhead up and down the timeline really quickly which is really nice.
The wheel on the DaVinci Resolve Editor Keyboard is nice. It's weighted really well and can be used with a full hand or just a finger.
Can you change the function of the jog/shuttle wheel or remap any of the keys?
Unknown at this point. I asked all of these things considering the relatively new visual Resolve keyboard mapper doesn't have these different keys. Since the keys are hard labeled to things like CLIP NAME, RIPL O/WR (ripple overwrite) and SMTH CUT (smooth cut) my guess would be they will not be remappable.
Wait, there's a dedicated button for the SMOOTH CUT transition?
Yes. There's a dedicated button for the Smooth Cut transition that you won't use very often and will actually try to avoid using at all costs as you want to cover your talking head edit with broll or a different angle.
Double wait … what the hell is a "ripple overwrite"?
For the uninitiated, it's very cool 4 – point edit where you can overwrite clips of different lengths into an edit. It's a nice keystroke saver.
Where are the Home/End, Page Up/Page Down keys?
What are those six ROLL buttons on the left all about?
Those are designed to work in context with the job/shuttle wheel (which I think could be called a trim wheel) as that is the highlight feature of the keyboard.
Uhhh, how do they work?
When you hold down ROLL IN, for example, Resolve will select the nearest incoming edit point and allow you to trim the cut by using the wheel. Hold down ROLL TRANS and you can perform a rolling "double roller" trim.
Is this a better way to trim than using a mouse?
Is this a better way to trim than using the keyboard shortcut, JKL and/or Dynamic Trimming?
I have to say the skeptic in me was, well, skeptical but as I played with this new way of trimming I really liked it. It definitely had more of a feel than just repeatedly pressing buttons on the keyboard and that's a lot of what editing is about; the feel. It's probably not quite as nice as Avid's legendary Dynamic Trimming but it's something different that I hadn't experienced before and the more I messed around with this method of trimming the more I enjoyed it. I was pleasantly surprised.
Now if you watch the BMD NAB 2019 video when Grant is working in the new Cut page with the new Source Tape feature you'll see him making extensive use of the jog/shuttle wheel to move around a full stringout of his source media and marking IN/OUT points with the wheel. That looks like great fun and all but what he isn't doing is actually playing the media back which, IMHO, is always the first choice. That has always been one of my criticisms of Final Cut Pro X's skimming or Adobe Premiere Pro's Hover Scrub (as much as I love them) in that they seem to discourage actually watching your source footage. They are great time savers in a time crunch but at what cost?
Why do the six edit buttons on the top left not include the most common edits like Insert, Overwrite and Replace when they are used way more often than any others?
My guess is because those standard edit types are already mapped to F keys by default and these different edit types are not.
Then why aren't those F keys printed with the edit functions instead of OS operations?
Your guess is as good as mine on that one.
Why are there big, dedicated IN and OUT keys on the left when the I and O already sets Ins and Outs?
The idea behind keyboard-driven editing is to keep both hands on the keyboard so as you're JKLing with your right hand your left can be doing the IN – OUT work. That's why Avid Media Composer's default setup has IN-OUT set to both i,o and e,r. Once you get into that two-handed keyboard method of working you can see its advantages.
Are things like the Source Overwrite and Close Up edits innovative and amazing?
Close Up is cool as it'll create a 2x zoom on a clip at the same source timecode so if you're faking multicam with 4K in a 1080 timeline that can be a big timesaver. The Source Overwrite will match a clip you edit into your timeline using source timecode to lay that in sync over a "base layer" clip already in the edit. That's cool and could be a neat feature but it would seem it's imperative you have matching, multicam-style timecode. That's the holy grail of good multicam anyway and something that is often left behind these days. If you do have proper matching timecode you'd really want to use the multicam tools for your edit so you'd often already have these matching clips matched up on a multicam clip. If you do have matching timecode multicamera clips only take moments to set up and you always have the alternate angle there in the Edit page.
These keys are all the Resolve EDITING keys so will this keyboard work with the Color page and the others tools in Resolve?
yYes, of course, it'll work on all the other pages in Resolve but it is the EDITING keyboard. Besides, BMD makes a number of other dedicated consoles for the different pages in Resolve.
So you mean I could have a $995 editing keyboard, a $3,000 Mini panel and a $4,395 Fairlight Mixing Console all on the same system?
I guess so. You'd have to be a really multitalented post-production pro to use them all well but you could also have them all in dedicated rooms of your facility as I don't think BMD expects many people to rearrange their desks that often to swap out these big consoles.
I doubt we'll get an editing keyboard with these cool, LED screen buttons on the Fairlight mixing panel (kinda like the Optimus Popularis) but wouldn't that be cool (and expensive like the Optimus Popularis)?
Will this keyboard work with other NLEs besides DaVinci Resolve?
Well, that will be sad.
I agree as many of these keys built into the Resolve Editing Keyboard will have equivalent functions on other NLEs. And those that didn't could be mapped to something new.
Will that limit the market of the $995 Resolve Editing Keyboard?
There are (currently) a lot more installs of Adobe Premiere Pro, Avid Media Composer and Final Cut Pro out there editing so you would think this could be a good market for a premium editing keyboard. Many working editors have multiple NLEs installed and I don't see anyone spending that much for a keyboard and only using it part-time. But perhaps this is part of the Resolve strategy to make more inroads into the creative editorial space by offering a dedicated keyboard just for Resolve.
Will someone hack this keyboard to work with other NLEs?
I did see the creator of Command Post lurking around the BMD booth and giving the Resolve Editing Keyboard a play.
Is there really a 2 hour + video from Blackmagic about the keyboard?
As mentioned above there is a two hour BMD produced video but it isn't just about the keyboard. There is also another BMD produced video about the keyboard.
I laugh at how often the BMD videos mention "editing with two hands" as if that is something new and amazing. Professional editors have long known the value of editing with two hands on the keyboard and the Media Composer keyboard was build from day one to keep two hands on the keyboard. Some of this has been lost over the years but you can still edit with two hands on a regular keyboard in most all the NLEs. You just have to learn the keyboard shortcuts to do it.
If you watch the two hour Blackmagic NAB 2019 Technical Product Overview you can see a much more detailed look at the Editors Keyboard by BMD CEO Grant Petty. One thing he mentions in the video is that for the six "roll" trim buttons on the left there is some internal debate about what they should call those buttons. Should they be labeled as the more traditional functions that they actually do or does calling them some variation of "roll" better indicate they are made for trimming?
For example, Roll Source is actually a SLIP trim. I'll go on record stating that these buttons should be labeled as to what the actual function is. We went through Apple deciding it should change the names of very traditional and established editing terms and it really didn't make any sense and neither does it in this case either.
I really like this keyboard and I'll say it again that I think it's pretty cool BMD put in the time and money to create such a tool dedicated to just the craft of editing. Only BMD would do such a thing as I'm sure many companies would see it as a gamble.
Lightworks has had their Console as long as I remember but Lightworks never really took off outside of some dedicated Hollywood editors.
Logic Keyboards makes a bunch of editing keyboard too but nothing as extreme as the Resolve Editor Keyboard.
Well, maybe not every company but not every company would sell a $1,000 keyboard. Will it be successful? Time will tell. Will I want one when craft editing in DaVinci Resolve? Yep.
I should add that many of the YouTubers and gamers who use Lightworks tend to just use the mouse and a few basic keyboard inputs, You don't need the console or a controller to use Lightworks, although your editing speed shoots way up when you do.
YouTubers and gamers using Lightworks? I don't doubt there are some using Lightworks since it's not expensive but can you point to documentation of any significant numbers of YouTubers and gamers using Lightworks to edit their video?
I've seen a couple of FCP Legacy editors cutting with two hands on the keyboard but I've never seen an MC editor like that. I am actually pretty sure it is impossible to do any meaningful work in MC without a mouse.
Wha???? Avid is the most capable NLE of being driven without a mouse. Good editors can cut on Media Composer with minimal use of the most. It's be best one for that!


text:
Photography / April 18, 2011
Canal Gate
An arm of one of the Canal Gates behind the Roisin Dubh in Galway.
< The Long Walk
Time alone >
Shot from the Claddagh side of the River Corrib of colourful houses on "The long walk".
< Hull
Canal Gate >
A fishing boat lies on the bed of the Corrib river, Galway city.
< Three Churches – a Galway skyline
The Long Walk >
Three Churches – a Galway skyline
A Galway city skyline – the churches of St. Augustines, St. Nicholas and the Cathedral.
< Learning the Ropes
Hull >
Learning the Ropes
By the time you would have this mess untangled, you'd know every inch of this rope. Taken outside the Claddagh Community Boat Club in Galway city.
< U Boat
Three Churches – a Galway skyline >
U Boat
Two neglected boats lie at the edge of the Corrib at the Claddagh Community Boat Club in Galway city. I took this with my trusty old 30D while out and about for a weekend with the Nokia N8. I have to say – this took a bit more processing than the photos from the N8… doesn't say much for my photography skills!
< Stall
Learning the Ropes >
Blog/Photography / March 09, 2011
Kylemore Abbey
Taken on an overcast day at Kylemore Abbey. As far as I can remember, Kylemore Abbey was originally a private home built by Mitchell Henry back in the 1860s. Mitchell, a wealthy English politician, spared no expense during construction of the house.
For me, the highlight of the grounds has to be the walled garden – it originally featured 21 glass houses, which were heated by boilers which allowed him to grow banannas and other tropical plants. And as most of the glasshouses were linked, it also gave guests a dry warm place to walk on the days when the weather was being less than cooperative. Sadly all of the original glass houses were collapsed over time, however two have been restored to their former glory.
In the 1920s, the Benedictine Community founded the Abbey and opened a boarding school. They are doing a fabulous job maintaining the grounds.
I really wish I could have seen this place in the 1800s – it must have been something else.
< A weekend with the N8
Network Attached Storage (NAS) for real people! >
Photography / March 08, 2011
A weekend with the N8
A PR company, Simply Zesty (via Stephen over at Galloping Green), got in touch last week about a campaign Nokia were running for their new flagship model – the N8. Basically they were looking for a few photo bloggers to take photos at various locations (more…)
< For whom the bell tolls
Kylemore Abbey >
…the Wedding bell that is! The wedding is all done and dusted – here are a few random thoughts on the whole thing.
So, Síofra and I finally got hitched on 10/2/11. We met each other one week after Munster won their first Heineken cup back in 2006 – May 27th to be precise. Paul and I went the Munster v Blues in Thomond Park (more…)
< Road to Leenane
A weekend with the N8 >
Photography / January 10, 2011
Walking the Dog
Taken in Loughrea, Co. Galway – December 2010.
< Easy Rider
Winter Light >
365/Photography / December 28, 2009
Floating Rocks
Dec 28.
The lake in Loughrea froze over during the recent cold snap. A lot of people tried to break the ice by throwing rocks onto the ice. Surprisingly, the ice was thick enough to support the impact of several heavy rocks.
< Frozen Sycamore
Foggy Tree >
365/Photography / October 27, 2009
Darrian T90
Oct 27.
Another shot from a sprint in Tynagh from earlier in the month. This is Peter Cummins in his beautiful Darrian T90.
< Zero or Hero?
Winter Evening >


text:
El Área Metropolitana de Chico, oficialmente llamada Área Estadística Metropolitana de Chico, CA MSA, tal como lo define la Oficina de Administración y Presupuesto, es un Área Estadística Metropolitana centrada en la ciudad de Chico en el estado estadounidense de California. El área metropolitana tenía una población en el Censo de 2010 de 220.000 habitantes, convirtiéndola en la 195.º área metropolitana más poblada de los Estados Unidos. El área metropolitana de Chico comprende solamente el condado de Butte y la ciudad más poblada es Chico.

Composición del área metropolitana

Ciudades

Lugares designados por el censo
Bangor
Berry Creek
Butte Creek Canyon
Butte Meadows
Butte Valley
Cherokee
Clipper Mills
Cohasset

Forbestown
Forest Ranch
Kelly Ridge
Honcut

Véase también
 Anexo:Áreas metropolitanas de Estados Unidos
 Anexo:Áreas micropolitanas de Estados Unidos
 Anexo:Áreas Estadísticas Combinadas de Estados Unidos

Referencias

Enlaces externos

Áreas metropolitanas de California
Condado de Butte

en:Chico, CA MSA

redpajama_set_name: RedPajamaWikipedia


TV presenter « Hot & Delicious: Rocks The Planet!
Caro Taylor AKA Fashionista Fail – Hot & Delicious: Rocks The Planet.
You had me at hello… Our guest today on the Hot & Delicious: Rocks The Planet podcast is stunning, bubbly and lovely NZ TV Personality, blogger and all around legend, Carolyn Taylor.
Earlier this year Caro launched the Fashionista Fail blog with the goal of giving up her shopaholic tendencies for 1 year and putting every penny saved towards traveling the world.
Over a bottle of bubbly Caro and I chatted about getting paid to eat snails, interviewing Richard Branson, ghost hunting haunted houses… Caro is truly a breath of fresh air and her's is a life full of rich and interesting stories.
Hot & Delicious: Rocks The Planet is a weekly podcast series where we interview inspiring people and entrepreneurs from around the world across a range of industries including music, film & tv, fashion, comedy, travel and more.
Subscribe to our weekly Hot & Delicious: Rocks The Planet podcast via iTunes here.
This entry was posted in Fashion, Lifestyle, Travel and tagged beautiful, Beauty is Everywhere, blog, blogger, Caro Taylor, Carolyn Taylor, Dan Wilkinson, DSLR, entrepreneur, happy, Hot & Delicious, Hot & Delicious Group, Hot & Delicious Records, Hot & Delicious Rocks The Planet, Hot and Delicious, Hot and Delicious Rocks The Planet, hotndelicious, hotndelicious rocks the planet, inspiration, inspire, Kiwi, live each moment, ME, New Zealand, nikon, NZ, photographer, podcast, podcaster, presenter, shot of the day., SLR, social media, TV presenter, What Now.


Napoli have cancelled Monday night's planned celebrations, following a coach crash in Avellino which resulted in the deaths of at least 38 people late on Sunday.
A coach, returning to Naples following a pilgrimage with an estimated 50 people on board, hit numerous vehicles before crashing through a road barrier and down a steep slope. Local press are reporting as many as 38 fatalities.
As a result, the Partenopei have toned down their plans to unveil new players including €37 million man Gonzalo Higuain.
"Napoli are appalled by the terrible tragedy that occurred in [the region of] Irpinia," read a statement on the club's official website. "As such, we cannot continue with the performance of dancing, acrobatics, singing and fireworks.
This entry was posted in News on 29/07/2013 by mirsinho.


A few years ago, master bee keeper and advocate of the bees, Ron Breland, established part of his bee sanctuary on the farm. Having the bees living and working on the farm has been such a blessing. Ron has been a wonderful mentor and the bees greatly contribute to the health and vitality of the garden.
The devastating decline of the honey bee population in recent decades prompts us to experiment with ways to strengthen and support the bees. There are so many contributing factors to their demise: loss of habitat, use of chemical pesticides and herbicides, infestations of mites, pollution, climate change, and commercial exploitation. A study done by Cornell University in 2000 revealed that in the US alone, honey bees pollinate $14.6 billion worth of crops. The consequences of losing the bees would be devastating. Scientists have not been able to offer a solution and continue to be stumped by phenomena such as "colony collapse disorder". We are speculating that if the honey bees have a chance for survival, it just may be the backyard bee keeper who helps them pull through.
For over thirty years, Ron has dedicated his life to finding ways to help save the honey bee. Following is a brief biography and some more detailed articles on the bees. If you would like to support the Bee Sanctuary, contact us.


Would you like to get in touch with one of our employees, you will find information and info below. Of course there are detailed CV available on your request.
Henrik has a degree as a Civil Engineer in acoustics from Chalmers Technical University. After that he has worked as an acoustics consultant for many years. On the sparetime Henrik likes to exercise and be with his family. He has competed in orienteering on elite level.
Mikael is a Civil Engineer in acoustics from Chalmers Technical University and Salford University in England. He has big experience in the automotive industry and as an acoustical consultant. Mikael is based in Trollhättan. He is a real Rocker that loves to go to a concert or coach his children in soccer.
Anders is a Civil Engineer in acoustics from Chalmers Technical University. Anders has a long experience as an acoustical consultant and has been head of acoustics in Asko-Cylinda. When he gets time over he likes to travel, spending time with family and friends, or being engaged in sports such as golf, soccer and handball.
Johan is a Civil Engineer from Chalmers Technical University. He has a background in the automotive industry with more than 10 years experience from the sound and vibrations laboratory at Saab automotive. Johan has also a big experience within Information Technology. On the spare time Johan loves to cook, listen to music and dig into his own small technical projects.
Pontus is a Doctor of Technology within acoustics and his thesis involved soundexpansion outdoors. Pontus has a long experience as an acoustical consultant and is also researching and lecturing at Chalmers Technical University. Pontus has performed much successful research on subjects as sound from wind turbines and acoustics in lightweight buildings. On his available time he likes to work on his estate and spend time with his wife and four children.
Pär has a Master degree in Business and Administration from Jönköping International Business School. Pär is the CEO of Akustikverkstan and mostly works with sales, economy and administration. He has a background as an entrepreneur. The spare time he spends with family, friends and sports.
Carl has studied electroengineering at the Civil Engineering program in Lunds Technical University. He has also studied the Masters program in fine arts at Royal University College of Music in Stockholm. Carl has a background within the music business as a professional musician and teacher in violin. Carl spend most of his spare time on playing in several bands and performing at various events.
Magnus has a Civil Engineering degree from the Acoustic program at Chalmers Technical University. He has a background as a project leader within the automotive industry. He likes to workout, in particular orienteering, cross country skiing and running.


text:
Community › Wedding Boards › Etiquette
Etiquette Wedding Boards All Boards
shannonconnors, chany2, knottief8c1573af6f0e595, davidvivian, thewasingarkfelds and 322 others joined.
50 Points leannpete
40 Points clclark91
30 Points sgrangel03
30 Points sylkab030
Would it be ok...
Re: Would it be ok...
lyndausvi Western Slope, Colorado mod
I never think it's a good idea to serve something to the hosts or guests of honor and not to everybody. I don't care if it's champagne, filet of beef or cake. I feel everybody at the event should have the same options.
What differentiates an average host and a great host is anticipating unexpressed needs and wants of their guests. Just because the want/need is not expressed, doesn't mean it wouldn't be appreciated.
amelisha Canadian Texas member
novella1186 said:
esstee33 said:
@novella1186 - The cake pops usually taste different AND have a pretty different texture. You have to bake the cake, then mix it together with frosting to hold the ball shape, then cover it with the hard shell of icing.
I'm sweet with cake, but I could take or leave cake pops.
Also, I fucking love pie. I would take pie over cake basically any day.
Then yeah, it doesn't sound like it would be ok. I'm not a cake person at all, hence all the other desserts we're having, but I still wanted some kind of cake for the cake people. But if cake balls aren't even good... I'd rather have no form of cake at all... or maybe even just get a big sheet cake but then maybe that would be too much considering the other stuff we'll have? Ugh. Too much thinking! I'll have to talk to FI and see what he thinks we should do here.
Yeah, my recommendation would be to do a sheet cake as one of the options or cupcakes. You could do some kind of cake-cutting ritual with a cupcake, right? Cake balls were a trend that should never have been a trend IMO.
I mean, it's just dessert, and you're not going to be a bad host if you have cake balls so if it's going to be a big stressful thing to think about changing I don't think there's a need to. But if you have the inclination, it is something to think about. But this is seriously small stuff to be sweating (especially with an awesome dessert table like it sounds like you'll be having anyway.)
lyndausvi said:
Would it bother you to see a very small cake get sliced by the couple then guests be served cupcakes of the same cake flavor/icing and everything?
Knottie48804623 said:
if it's the same, then no. I would display them all together though.
firebabe6519 member
Everyone would be served exactly the same thing. No one will be eating cake. It would be a photo prop only. Everyone would have the option of their choice of twenty some different types of pies.
But since cake lovers may be offended by our photo prop, we will probably throw in a cupcake tray too.
jacques27 member
amelisha said:
Jen4948 said:
Any cake-cutting generates the expectation that guests will be served cake of the same quality or better as the cake they are watching being cut. So no, you can't cut a cake and then not serve cake to your guests-even if you don't like to eat it yourselves. Nor can you serve yourselves anything that will not be served to your guests.
So if you're going to cut any cake, pie, or whatever, either that cake or pie, or something of the same quality or better must be served to your guests. You yourself don't have to eat it-but you do have to serve it.
So, not to do a total thread-jack but this leads me to a question. We're just doing a small "show cake" and then we're having tons of different mini desserts, like little chocolate mousse cups, lemon tarts, etc etc, and this assortment includes "cake balls." Like little tiny cakes shaped like balls. There will be some the same flavor of the show cake (just plain vanilla) but also some other flavors, like red velvet, etc. Is this wrong? Are guests going to want a full slice, since they see the show cake, or will the same cake in ball form be just fine? I mean... it tastes the same, right? I thought it would be easier and more fun for people to eat, plus they'd have tons more options too.
If this is not ok, let me know! It's not too late for us to change the order :P
If it were me, I'd nix the cake balls and just have plain vanilla cake like the "show cake" available...but that's just because I think cake balls usually taste awful because they're generally a lot heavier/denser than a regular sheet cake and then covered with that hard shell of frosting. They look pretty but they taste kinda gross.
But that's just my opinion, I don't think it's really a breach of etiquette as it is still cake, more or less. I just think the quality is worse, though...which I guess is where I'd argue it would be better etiquette not to have the cake balls. Take or leave that advice though as I'm sure not everyone thinks cake balls suck as much as I do, lol.
Ditto. No cake balls. It's basically pre-masticated cake. Why don't you just chew up some actual cake and feed me baby bird style then?
I've never had a decent cake ball. The texture is gross and most places use candy coating instead of chocolate and it's more waxy than tasty. I'd rather have no cake than cake balls and I LOVE CAKE (we take cake very seriously in my family).
firebabe6519 said:
Everyone would be served exactly the same thing. No one will be eating cake. It would be a photo prop only. Everyone would have the option of their choice of twenty some different types of pies. But since cake lovers may be offended by our photo prop, we will probably throw in a cupcake tray too.
The photo opt would be a tease then. I see cake, I see 2 people eating cake. It's not a far stretch to think cake is going to be served.
Sorry, photo opt or not I think it's a bad idea.
Sorry, but I think this would lead the guests to believe they are being served cake and result in justified resentment on their parts. It would feel to them like a tease. No matter how many other desserts are served, they don't make up for having to see cake cut and not served.
You don't have to serve or eat cake, but in that case, don't do a cake-cutting.
Would not be mortified. I've been to weddings where they do a small cake for the cake cutting & have had sheet cake in the back for the guests. As long as I can get something sweet, and preferably something chocolate (French silk pie would do) I'm a very happy guest.
lc07 Sunny Southern California member
Erikan73 said:
Yes, but what we would or would not be upset about is not necessarily etiquette. I am allergic to gluten so I can't eat regular cake. But I still think it's improper etiquette to display and cut a cake but then serve something else. Even if the B+G are not eating that cake. FI doesn't like cake. Totally fine. Cut a pie, feed cake pops, use the topper as decor on the dessert table - whatever. But don't cut a cake for a photo op (what's the point, cake isn't being served anyway?) and serve something else. OR serve cake and something FI likes.
crazypuglady MD member
Chemchic2006 said:
I went to a wedding where they had a beautiful 3 tier wedding cake. The bride and groom did the cutting.. and the guests were served a plate of mini desserts. I kept waiting for wedding cake to arrive but it never did. Finally we asked someone and was told that the cake had been one of the mini desserts.. and I'm talking.. a tiny cube of it with no icing. I was pretty disappointed. The desserts were good.. but I wanted wedding cake!
I like pie (or any dessert really).. and would be happy with that.. but if you have/cut a cake.. I'd want to be served cake.
I had them show me a few different cake balls. They were actually pretty big, and were/would be frosted in the same type of frosting as the cake would be. The baker gave me the impression that it would be the same recipe, flavor, etc, but the cake is shaped like a cake and the cake balls are shaped like balls, so I thought it would be ok.
But that's a good point. Seeing a cake, or seeing it get cut, sets up the expectation to get a slice of cake..... Now I'm leaning towards just cancelling the little show cake but keeping the cake balls. That way I'm not setting up an expectation and disappointing people, but they still get some form of cake plus the other stuff. Hm.
Honestly, if there had been a display of cupcakes or cake balls or something along those lines, and the couple had cut a small top tier kind of thing, I wouldn't have thought much of it. But it was a big 3-tier cake.. and I was looking forward to a piece.
esstee33 Pittsburgh member
It's not that cake pops don't taste good; they're just not the same as actual cake. A couple of my buddies own a bar and they have a local baker make cake pops for them, and I can't even tell you how much I love eating cake pops when I'm drunk. Then again, they're really inventive, interesting flavors, too. But given the choice between cake pops and actual cake, I'd probably choose the actual cake.
bridet0be15 member
I went to a wedding where the wedding party got the cake they cut but guest got a different dessert. I thought it was incredibly rude. The waitresses walked around serving it and when I went to get a piece they said "Only for the WP". Disappointed and thought it was a little odd. Made me feel almost like a second class guest in a way.
apromise22 member
I'm surprised by the responses. Almost every wedding I've gone to has had a small ceremonial cake for pictures and a variety of small desserts to eat. I prefer that, honestly. Also I've never been to a wedding where people actually gathered around the cake cutting, so most people won't even notice it.
Maggie0829 Ravens & Bohs & Crabs & O's member
nhs226 said:
If this small ceremonial cake was out for display the entire time but then no cake appeared on the dessert table I am sure people will notice. At this point I question the point of even having the small cake. Almost all dessert can be cut so why have a cake when you can easily cut a brownie or a pie or a tart or a cupcake or feed each other a cookie. Having something for the sole purpose of a photo op seems silly and wasteful.
redoryx member
There's a principle in writing called Chekhov's gun: "If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there."
If I as a wedding guest see the B&G cutting cake, I'm going to be expecting cake. If you're not going to serve me cake, the cake shouldn't be there.
People really do notice when cake or other desserts are "out" but not served. I saw this happen at a birthday party once, where cupcakes were continually brought out but then taken away but not served and it pissed off the guests.
Small ceremonial cakes that are solely cut for photos raises guests' expectations that cake will be served to guests, and when it's not, it feels to the guests like they're being baited and teased. Regardless of what you've personally seen, it's just not a kind thing to do to one's guests.
FTR, I've been on TK for going on 2 years and I've never seen such a heated debate over cake.
But I do want to run down to the coffee shop and pick up a cake pop thanks to this thread. They make yummy ones.
thisismynickname said:
Well cake is important dammit!! There better be cake at the Thanksgiving dinner I am going to or I will be forced to make and then eat a whole cake myself.
^This. I haven't commented so far because I just feel so "meh" about the issue. I would not be upset if there was a tiny cake that was obviously for the symbolic cake cutting, and then a ton of other desserts (unless there was like a five tiered cake and then they served something completely different to guests). I wouldn't be upset if there was a tiny cake for the B&G with sheet cake for the guests (which honestly makes way more sense to me and is way more cost effective).
I think cake pops are fine. I think pies are fine. I think pastries are fine. I think cheesecake is fine. It's fucking dessert, yo. It's all delicious. Bring it on.
luckysnorkel member
I don't think there's anything wrong with not having cake at a wedding, especially if there are other desserts and goodies being served instead. But dammit, if I watch you cut a cake, I'm gonna expect and want cake shortly thereafter. It's a Pavlovian response at that point. Don't toy with science, lurker brides!!!
carrie0924 member
ClimbingBrideNY said:
I'd be upset if I saw a cake cut and then got pie. Because, CAKE.
Couldn't have said it better myself. I mean, I like pie. But CAKE. I'd do a mix of pies & cupcakes.
Viczaesar Central Coast, CA member
I remember us having a much more heated conversation about cake several months ago (don't ask me exactly when, I'm awful at estimating lengths of time), specifically about the quality of sheet cake versus display cake. Anybody else remember that, or am I imagining things?
fwtx5815 cowboys nation member
I think it's odd to want a photo op with food that the groom doesn't even like.
fka dallasbetch
I haven't been here long enough for that, but I will get as heated as you want about what garbage cake pops are, haha. I will make this thread ten pages if I must. I don't know why they offend me personally and so much more than any other dessert ever, but they do and so I'm good to rage about them if anyone else is spoiling for a fight...lol.
dallasbetch said:
It was the groom's idea. He designed the cake and wedding topper because he wanted something Dr. Who for the wedding. (He is a total Whovian nerd. Lol)
But we decided to add a few Tardis blue cupcakes for cake people.
huskypuppy14 Boston Suburbs member
Viczaesar said:
I remember that. I think it was an OP was probably not going to have enough cake for her guests, and we said always get more cake.
If you don't want to eat cake, hey, that's okay.
If you don't want to serve cake, is that okay?
If you don't cut one, yes, it's okay not to serve one, especially if you're serving other desserts.
But is it okay to cut something as a ritual everyone has to watch and then not get any of? No.
SP29 member
I would like to start by saying that I love ALL dessert- cake, cupcakes, cake pops, pie, mousse, tarts, mini-desserts- and ALL are fine to be served, or not served, at a wedding, instead of one or another.
HOWEVER, if you are going to display a dessert (whatever it is) and cut it- you should serve it. It is a big tease to show something off, that only the B&G get, and not offer it.
When I was 8, in the early 90s, I was at my aunt and uncle's wedding. They had a 3 tier cake- only the top layer was real, and that is what they cut. Then the staff brought out a piece of fruit cake WITH NO ICING to each guest- it was even wrapped up so you could take it home. I was 8, I had to inner navigation of etiquette or what it all meant, but let me tell you, I felt CHEATED! Like seriously miffed (I got over it pretty fast ). And I remember asking my mom, "why do they have a big cake out and we don't get any of it?" and she told me it was fake and we got separate cake, apparently this was a "thing" then. To this day, I will side eye this, and I dislike fruit cake!
There are a few options: cut your single layer cake, then have a sheet cake in the back to serve, or cupcakes. Or, cut a pie if that is your main dessert.
We had a single layer cake to cut, that we then took home. But we also had cupcakes, which were on display as well.
huskypuppy14 said:
No, I distinctly remember a discussion about getting a small bakery cake and then sheetcakes from a grocery store, and there was a lot of discussion about serving your guests a lesser quality cake, and something about unequal decorations making people feel like second class wedding guests. It was a pretty ridiculous argument, actually.


If you hadn't noticed, we added an ADSR5 page, which you can reach via either the navigation bar above or our new clickable ADSR link in our header above. There is also a forum topic for those still searching for a partner. While you don't need to be a forum member to read our forum, you will need to become a member to post if you wish to look for a partner.
As we get closer to the race, official rules will be posted.


text:
Register Log In BallparkGuys Forums Baltimore Orioles O's roster Bautista
O's roster Bautista #621537
Hillary's Vast Right-Wing Cons...
mikezpen OP
Check the following to see why: Waaaay too many walks and he's hung around for 5 years, but he's got an arm. D. Republic quite a baseball factory, is it not?
The product of the Dominican Republic began 2021 with high Single-A Aberdeen, going 0-2 with a 1.20 ERA over 11 games. He moved to Double-A Bowie in late June and went 0-1 with an ERA of 0.68 in 12 games. He ended the year going 1-3 with a 2.45 ERA in 17 games at Triple-A. Over 18 1/3 innings, he allowed 11 hits with nine walks to 25 strikeouts for Norfolk.
For the three O's teams combined, Bautista went 1-6 with a 1.54 ERA. Over 46 2/3 innings, he allowed just 20 hits and eight earned runs with two homers allowed. He walked 30 and fanned 77 with a WHIP of 1.071. Bautista's fastball touched 101 mph this year.
Among all O's farm pitchers throwing 40 or more innings this year, he led the organization in both ERA and strikeout rate at 14.9 per nine innings.
Make the Orioles Great Again.
Re: O's roster Bautista [Re: mikezpen] #621539
Harrisburg PA.
BaseBawl
He is armed. Like Scott and some of our other bullpen turds.
In counties where Donald Trump received at least 70 percent of the vote, the virus has killed about 47 out of every 100,000 people since the end of June. In counties where Trump won less than 32 percent of the vote, the number is about 10 out of 100,000.
He's probably worth taking a chance on. Hopefully they can work with him to improve his command. Pitchers that can get it up to triple digits is what we need.


text:
\section*{Introduction}

Open clusters are destroyed over time by the action of external forces (Galactic tidal
field, collisions with molecular clouds) and as a consequence of their own dynamical and
stellar evolution. Studies on
the subject indicate that most open clusters dissolve in 0.5-2.5 Gyr \citep{Portegies01}
and that finding clusters in the state of dissolution should be common.
However, discriminating such objects from a random over-density of field stars
is a difficult task, and many authors have been
developing techniques to study and properly classify them \citep[e.g.,][]{Pavani07}.

ESO442-SC04 was identified by \citet{Bica01} as a Possible Open Cluster Remnant  and later was classified by \citet{Carraro05} as an asterism. We have applied an
iterative method to characterize this object
and derive the physical parameters of its stars.
\firstsection

\section*{Data}

The Gemini Multi-Object Spectrograph (GMOS - Gemini-South) was
used to collect spectra of 36 selected stars on a $5^\prime \times 5^\prime$
region centered in ESO442-SC04 and 6 standard-stars from \citet{Nordstrom}.
The collected spectra cover the spectral range $3875\,\mathrm{\AA} -
5300\,\mathrm{\AA}$ with resolution $R\approx4000$ and signal-to-noise in the range $5-50$.
Table \ref{t:std} lists the observed standard stars and their properties as found in the
literature.

\begin{table}[htb]
\centering \scriptsize
\caption{Literature data for the standard-stars. }
\begin{tabular}{|c|c|c|c|c|}
\hline
Object & ST & $ V_r $ (km/s) & [Fe/H] ($\pm$ 0.12) & T$_{eff}$ ($\pm$ 110) (K)  \\ \hline
HD104471  & G0V	 & -7.2 $\pm$ 0.1 & 0.00  & 5984 \\
HD104982  & G2V	 & 10.5 $\pm$ 0.1 & -0.40 &  5610 \\
HD105004  & F8VI & 121.6$\pm$ 0.3 & -0.79 & 5821 \\
HD107122  & F1V	 & 16.2 $\pm$ 3.3 & -0.42 &  6576 \\
HD111433  & F3IV & 4.0  $\pm$ 0.6 & 0.25  & 6471 \\
CD-289374 & ---	 & 30.4 $\pm$ 0.2 & -1.18 & 4830 \\ \hline
\end{tabular}
\label{t:std}
\end{table}

We adopted ELODIE.3.1 stellar spectral library \citep{Prugniel01} as template spectra in
the cross-correlation technique to determine the physical parameters of the targets.
The library includes 1962 spectra of 1388 stars
providing a large coverage of stellar atmospheric parameters $\mathrm{T_{eff}}$,
$\log\,g$ and $[\mathrm{Fe/H}]$.
\firstsection

\section*{Radial velocity determination}

Initially {\sc fxcor} task was applied on the standard-stars spectra using the values given
by Table \ref{t:std} as a first guess to their radial velocity. A self-consistent set of solutions
was then obtained by making corrections to the velocities and redoing the correlation in
order to find consistent values for the whole set.
Table \ref{t:velrad}  shows the results of the correlations and the averaged radial velocities obtained.

\begin{table}[htb]
\centering \scriptsize
\caption{Calculated radial velocities for the standard stars. Boldfaced values represent
the velocities adopted for each template in the correlation.}
\begin{tabular}{|c|c|c|c|c|c|c|}
\hline
{\tiny star/template} & HD104471 & HD104982 & HD105004 & HD107122 & HD111433 & CD-289374 \\
\hline
HD104471 &{\bf -126.3$\pm$11.5}&-7.5$\pm$5.2 &118.0$\pm$15.1&16.7$\pm$25.9&-24.6$\pm$11.4&30.4$\pm$5.7  \\
HD104982 &-127.5$\pm$5.2 &{\bf -8.7$\pm$5.7 }&114.0$\pm$13.4&9.4 $\pm$24.7&-28.8$\pm$13.0&32.9$\pm$11.2 \\
HD105004 &-122.7$\pm$15.8&-1.1$\pm$13.4&{\bf 121.6$\pm$0.3 }&19.6$\pm$27.9&-20.6$\pm$18.0&37.5$\pm$16.6 \\
HD107122 &-126.8$\pm$25.9&-1.9$\pm$24.7&118.2$\pm$27.9&{\bf 16.2$\pm$3.3 }&-24.6$\pm$18.4&36.0$\pm$28.9 \\
HD111433 &-126.3$\pm$11.5&-4.5$\pm$13.0&117.6$\pm$18.0&16.2$\pm$18.4&{\bf -24.6$\pm$11.4}&33.7$\pm$17.8 \\
CD-289374&-128.8$\pm$11.2&-8.7$\pm$5.2 &114.5$\pm$16.6&10.6$\pm$3.3 &-27.9$\pm$17.8&{\bf 30.4$\pm$0.2 } \\
\hline
$\overline{V_{r}}$&-126.4$\pm$6.1&-5.4$\pm$5.4&117.3$\pm$7.0&14.8$\pm$9.5&-25.2$\pm$6.3&33.5$\pm$6.6 \\
\hline
\end{tabular}
\label{t:velrad}
\end{table}

Then {\sc fxcor} was run on the science spectra using the 6 standard stars spectra as
templates. The radial velocities found from each template were averaged and the
dispersion calculated for all science spectra. Table \ref{t:results}  shows the used spectra,
their corresponding S/N and the radial velocities obtained.
\firstsection

\section*{Cross-correlation with spectral library}

We used ELODIE library spectra as templates to the standard-stars and the
task {\sc fxcor} to determine, through the sharpness of the correlation function peak \citep[TDR,][]{Tonry}, the most similar templates to each star. Fig. \ref{f:tdr}
shows the two best matching spectra found by correlation for the standard-star
HD\,111443 and for one of our science-spectra. Their spectral types and TDR correlation
parameter are also shown.

Spectral types were determined by collecting the ten most similar templates and
summing over the TDR value of those with the same spectral type.
The one with the highest TDR sum, was adopted as the final spectral type. Table \ref{t:spt} shows the determined spectral types for standard-stars in comparison with the
values provided by SIMBAD.

\begin{table}[h]
\centering \scriptsize
\caption{Comparison of determined spectral types for standard stars.}
\begin{tabular}{|c|c|c|c|c|c|c|}
\hline
 & HD104471 & HD104982 & HD105004 & HD107122 & HD111433 & CD-289374 \\ \hline
Determined  & G0 & G2V   & F5V   & F3V    & F3V & G0  \\
SIMBAD      & G0V   & G2V      & F8IV  & F1V    & F3IV   & ---  \\
\hline
\end{tabular}
\label{t:spt}
\end{table}

\begin{figure}[htb]
\centering
\includegraphics[width=0.75\linewidth]{ffsmaia_fig1.eps}
\caption{Best correlation templates for standard-star HD\,111443 (left) and science
spectra S2 (right). Name of the template and TDR value are shown.}
\label{f:tdr}
\end{figure}

Effective temperatures, surface gravity and metallicity were calculated as the
averaged values listed for the chosen templates, weighted by the
TDR correlation value of each template. The uncertainties adopted correspond to the
weighted standard deviation of the derived average. Figure \ref{f:comp} shows the
relation between the determined effective temperature and metallicity and the literature
parameters.

\begin{figure}[htb]
\centering
\includegraphics[width=0.75\linewidth]{ffsmaia_fig2.eps}
\caption{Comparison between determined and literature parameters for the standard-
stars. Effective temperatures (left) and metallicities (right).}
\label{f:comp}
\end{figure}

We used the same method to
determine the spectral type, effective temperature, surface gravity and metallicity
of our science spectra, as shown in Table \ref{t:results}.

\firstsection \firstsection
\section*{Results}

By employing cross-correlation techniques and using ELODIE's spectral library we were
able to determine heliocentric radial velocities, spectral types, effective temperatures,
surface gravity and metallicities for 17 stars in the inner region of stellar object
ESO442-SC04. These results are summarized in Table \ref{t:results}.

\begin{table}[htb]
\centering \scriptsize
\caption{Radial velocity, spectral type, effective temperature, surface gravity and metallicity determined parameters for the science spectra.}
\begin{tabular}{|c|c|c|c|c|c|c|}
\hline
Spectrum & S/N &$\overline{{V_r}}$ ($\sigma_{V_r}$) (km/s) & Sp. Type &
T$_{eff}$ ($\sigma_{T_{eff}}$) (K) & log(g) ($\sigma_{log(g)}$) &
[Fe/H] ($\sigma_{[Fe/H]}$) \\ \hline
S2  & 15 & 75.8  (7.2 ) & G5V   & 5676 (117) & 4.20 (0.21) & -0.01 (0.09) \\
S6  & 40 & 9.5   (5.2 ) & F5V   & 6347 (348) & 4.24 (0.12) & -0.59 (0.27) \\
S9  & 20 & 25.1  (4.7 ) & F5V   & 6309 (416) & 4.24 (0.08) & -0.52 (0.29) \\
S10 & 10 & 93.6  (10.3) & K2V   & 5213 ( 61) & 4.48 (0.10) & -0.03 (0.14) \\
S12 & 20 & 227.2 (12.7) & G0    & 5380 (424) & 3.14 (0.88) & -1.60 (0.66) \\
S14 & 25 & 110.0 (10.9) & G0    & 5673 (324) & 3.75 (0.72) & -1.79 (0.57) \\
S15 & 30 & 78.5  (7.5 ) & G5V   & 5606 (115) & 4.33 (0.11) &  0.02 (0.08) \\
S19 & 50 & 68.0  (8.2 ) & F3V   & 6834 (261) & 4.28 (0.08) & -0.41 (0.29) \\
S20 & 25 & 74.4  (6.9 ) & G2V   & 5740 ( 63) & 4.17 (0.18) &  0.03 (0.13) \\
S21 & 30 & 31.3  (5.6 ) & F7IV  & 5910 (460) & 3.89 (0.75) & -0.99 (0.81) \\
S23 & 35 & 95.5  (8.5 ) & G0V   & 5765 (261) & 3.99 (0.56) & -0.92 (0.67) \\
S25 & 6  & 145.9 (17.1) & F2IV  & 6480 (439) & 4.14 (0.19) & -0.19 (0.16) \\
S28 & 30 & 15.0  (5.4 ) & F8V   & 6005 (306) & 4.19 (0.19) & -0.57 (0.26) \\
S29 & 22 & 10.7  (7.1 ) & G8III & 4877 ( 87) & 2.76 (0.16) & -0.03 (0.15) \\
S30 & 12 & 40.0  (6.6 ) & G0III & 5721 ( 69) & 4.07 (0.18) &  0.16 (0.07) \\
S32 & 10 & 47.0  (6.7 ) & G8III & 5011 (212) & 2.76 (0.42) & -0.03 (0.13) \\
S33 & 12 & 142.4 (12.9) & G8V   & 5633 (117) & 4.31 (0.18) & -0.01 (0.06) \\ \hline
\end{tabular}
\label{t:results}
\end{table}

2MASS data was used to build a colour-magnitude diagram and
a spatial diagram showing the relative positions of the stars in the sky, along with the
radial velocity, surface gravity and effective temperature data obtained for the targets.
The objects in those diagrams are labeled according their internal identification
and coded with colors representing groups with a range of radial velocities. Such
diagrams are shown in Fig. \ref{f:diagrams}.

\begin{figure}[htb]
\centering
\includegraphics[width=0.95\linewidth]{ffsmaia_fig3.eps}
\caption{Positional chart (left), color-magnitude diagram (middle) and surface
gravity-temperature diagram (right) for the studied spectra. Stars are labeled by
their internal identification shown in Table \ref{t:results} and color-coded according to
their radial velocities (right legend).}
\label{f:diagrams}
\end{figure}
\firstsection

\section*{Conclusion}

We devised a spectral cross-correlation method to determine kinematical and
astrophysical parameters for stars in the
central region of ESO442-SC04.
Radial velocities show a dispersion greater than 50 km/s and the metallicities show
a dispersion greater than 0.6 dex, suggesting that few, if any, of the studied stars are
physically bound.
Although the stars distribution in the CMD (Fig. \ref{f:diagrams}, middle) suggests that
they follow evolutionary sequences typical of old clusters, our results suggest that
ESO442-SC04 does not constitute a physical system.

redpajama_set_name: RedPajamaArXiv


text:
using System.Collections.Generic;
using SQLite.Net.Attributes;
using SQLiteNetExtensions.Attributes;

namespace Common.Models
{
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    public class Order : ModelBase
    {
        public override object Clone()
        {
            return new Order {Id = Id, User = User, UserId = UserId, Articles = Articles, IsPayed = IsPayed};
        }

        #region fields

        #endregion

        #region Properties

        #region User

        [ForeignKey(typeof (User))]
        public int UserId { get; set; }

        [OneToOne]
        public User User { get; set; }

        #endregion

        #region ManyToMany

        [ManyToMany(typeof (OrderArticle))]
        public List<Article> Articles { get; set; }

        #endregion

        #region IsPayed

        private bool _IsPayed;

        public bool IsPayed
        {
            get { return _IsPayed; }
            set
            {
                _IsPayed = value;
                OnPropertyChanged();
            }
        }

        #endregion

        #endregion
    }
}


We are always on the look out for marshals to help put on our big (and little) events during the year. We have a massive appreciation for our marshals who give up their day to help us put on these great events, and our runners certainly think so by saying we provide the BEST marshals at any events!
All our marshals work in teams with a Relish Team Leader who will look after you during the day and ensure you are not left out in a field by yourself!
What do our runners say about our marshals?
I also wanted to let you know that you have the best marshal team I have ever met, so genuine, healthy, happy, full or energy and good vibe.
It was my first Relish experience and I can't rate it high enough. The marshals were the best I have ever known at any race I've done. The hardest run I've ever done though!
One of my favourite events and the marshals should be hired out to other events as you guys are the best!!! Thank you all so much for making a really tough course so enjoyable, loved the route, the bling and the ice-pop at the end!!
Just wanted to say I had a great time on Sunday, had never marshalled before and thoroughly enjoyed it. All the runners were great and very appreciative.
I will deffo be registering for a race with you guys soon, watch this space. Will also bring the loyal dog with me to pull me up the hills.
If you need marshals again in the future please feel free to contact me, if I am available I would be more than happy to offer my time.
Thank you for your email. I had a great day marshalling at the university. I am looking forward to the free races (thank you) and if dates permit I will offer to Marshall again.
Firstly Donna and myself would like to say how much we enjoyed marshalling on the food station for team 5. Tim Lambert was an absolutely brilliant team leader and I would also like to add that Donna enjoyed it so much she will quite happily do any marshalling you need for any of your future races, she loved the runners spirit (they were amazing), the ambience of the day and liked the fact it was so very well organised.
Well done for organising everything for the Cheddar races on Sunday. I don't know how you do it - all those races, all those routes, all those runners! Really enjoyed my first experience of being a marshal and would definitely love to do it again if you ever need anyone. So motivated by seeing all those hard-working runners go past, and so many with smiles on their faces - am going to do the Mini Cheddar Challenge myself next year.


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Events & Conference Wellness
A hotel opened on the place of the Ferris-wheel
Székesfehérvár's newest hotel was also officially opened on Friday. The four-star Best Western Plus Lakeside Hotel, operated by Accent Hotel Management, is the fifth Hungarian unit of the Best Western hotel chain. The project was implemented on the place of the former amusement park, in addition to the lakeside panorama, the hotel also offers therapeutic and conference services.
The newest hotel of the Best Western (BW) hotel chain was ceremoniously opened on Friday in Székesfehérvár. The four-star BW Plus Lakeside Hotel is the fifth Hungarian unit of one of the world's largest hotel group – BW is present in 110 countries with more than four thousand hotels. The building, which is fully wheelchair accessible and has 86 rooms, can directly be found on the shore of the local boating lake, right on the site of the former amusement park. The development won nearly 1 billion HUF assistance at the application of the New Széchenyi Plan, the project started in the autumn 2013.
The hotel, located about 30 minutes away from Budapest, does not only receive those who would like to relax, but also provides a venue for conference events. Its almost 150-square-meter conference hall is suitable even for 140 people, but the place can also be divided into 3, 50-square-meter rooms. The BW Plus Lakeside Hotel's specialty is the provision of therapeutic services. Located within the hotel, but operating independently, the 330-square-meter Medicover Health centre has various operating and consulting rooms, where health care services, which are not financed by the National Health Insurance Found of Hungary, are available. These services include occupational health service, dermatology, ophthalmology, ultrasound diagnostics, or even pulmonology and gastroenterology.
A hotelmenedzsment a szolgáltatási kínálat összeállításakor külön is figyelt a sport és rekreációs alternatívák biztosítására. Egy, a Magyar Kosárlabda Szövetséggel kötött megállapodás értelmében a szálloda mellett épülő csarnok a vendégek számára is használható lesz, a Lakeside Hotel pedig gondoskodik a sportolók fogadására elengedhetetlen feltételek megteremtéséről. Így számos szobát 220 centiméter hosszúságú ágyakkal szereltek fel, a hotel megfelelő sportétkeztetést biztosít, illetve a fitnesz-terem és a szauna használaton túl, az orvosi részleg szolgáltatásai is rendelkezésre állnak.
The director of the hotel Tahy Viktória, who had already been the director of many Accent Hotels in the country, gave a welcome speech at the opening ceremony. She thinks that the project is successful, because the parties involved in the implementation (Medius Tours as investor, Accent Hotels as operator, BW as franchise partner and Alba Medical as the operator of the medical centre) share the same vision. We would like to offer a product that is professional and modern, worthy of the tourists and the company – she underlined. According to the director, Székesfehérvár has been chosen as the site of the hotel because of its favourable geographical location, and because the town is also an important economic, logistic and industrial centre that generates considerable demand in the field of conference tourism. Tahy also said that the BW Plus Lakeside Hotel was popular with couples who intended to get married as it could already be seen from the wedding bookings.
The Mayor of Székesfehérvár Cser-Palkovics András also spoke. The politician pointed out that the hotel development also showed the investor confidence in the town, since the investment would be able to be profitable in the next few years. This service is the proof that Székesfehérvár is developing, and it does not only have a respectable past, but also a present and a future – he emphasised.
Cser-Palkovics also said that the town administration's aim was that the chief town of the county would become a noted town, to this every facility was given. He also mentioned that by the opening of the BW Plus Lakeside Hotel, it would be worth to travel to Székesfehérvár even more, and the project connected sports, health care and culture together at the same time. He even specialised the first, he said that the town would become the centre of Hungarian basketball by the finishing works of the basketball hall in August.
The Managing Director, Horváth Imre gave a speech on behalf of the investor Medius Tours Ltd. According to him, the construction was intended to create a high-quality service, by means of which they could contribute to the improvement of the town's attractiveness. By the completion of the works, not only the Koronás Park, but also an entire part of the town was renewed – he reminded. Local entrepreneurs also worked in the project, in addition to them Horváth said thank you to the local government, the financing FHB Bank and the designer Aspectus Architect and Szenes Design, who played a key role in the implementation, as well as to the building contractor Market Építő.
Ivona Meissner, the regional director of the hotel chain BW, also took part in the event. She considered the expansion of the group in Székesfehérvár an honour. She recalled that BW opened the first hotel in the region in 1993 in Hungary, and this decision had not been regretted since then. Our responsibility is to provide professional and commercial assistance to certain hotels, since we set out to offer good service at a good price even now – she underlined. Meissner also said about the development in Székesfehérvár that they saw great potential in it, and also in the entire domestic destination. She emphasised: Hungary cleverly built up its thermal, recreational and dental tourism, which complemented by the regionary and cultural capacities, became a popular destination for foreign guests.
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