text:
Escorting applicants for protection out of Iceland following rejection of protection
Following is a description of the authorities' procedures regarding escorting applicants for protection out of Iceland after denial of application. The procedures are under constant development, for example, on grounds of a new agreement with the International Organization for Migration, which enters into force 1 August 2016.
When must an applicant for international protection leave the country?
An applicant for international protection shall leave the country when he/she has received a final rejection of his/her application or he/she has withdrawn his/her application and does not have an alternative legal right to reside in Iceland.
The procedures by the authorities are based on ensuring professional, organized and humane implementation of escorting applicants for protection out of Iceland.
The Directorate of Immigration
The Directorate of Immigration (DI) carries out the decisions by the authorities and assesses whether a request for police escort should be sent to the International Division of the National Commissioner of the Icelandic Police in instances when an enforceable decision has been made, provided that the relevant applicant does not leave Iceland voluntarily. The applicant may leave voluntarily if in possession of valid travel documents and funds.
When is a request for escort sent?
What does the Directorate of Immigration have to examine?
What authority is responsible for a decision in instances of doubt?
Application for international protection is withdrawn
Whether withdrawal of application by the applicant exists in writing
The authority that had the case for procedure
The applicant accepts the decision by the Directorate of Immigration (DI)
Whether the applicant's acceptance of the decision exists in writing
The Immigration and Asylum Appeals Board (Appeals Board) enters into a decision on whether an appeal has been made and whether this was done in a satisfactory manner
The applicant does not appeal the decision by the DI within the deadline for lodging an appeal
Whether the 15 days deadline has passed from the date of the decision by the DI
The Appeals Board enters into a decision as to whether an appeal has been made and whether this was done in a satisfactory manner
The applicant accepts the decision by the Appeals Board or does not request suspension of the legal effects at the time of the decision being made known to him/her
Whether the relevant applicant has submitted a request for suspension of the legal effects to the Appeals Board within 7 days from the decision being made known to him/her
The Appeals Board denies a request for suspension of the legal effects
Whether the relevant applicant has requested reopening of a decision by the Appeals Board and whether a decision has been entered into regarding such request. Such request generally does not suspend the legal effects of a decision, however, circumstances may recommend suspension of implementation until the decision by the Appeals Board has been made
The Appeals Board enters into a decision as to whether a request for reopening has been submitted and whether this was done in a satisfactory manner. Reopening is subject to a request thereon
The applicant accepts a judgment by the District Court or a ruling by the Supreme Court has been rendered
Whether the relevant applicant has requested reopening and whether a decision has been entered into regarding such request. Such request generally does not suspend the legal effects of a decision, however, circumstances may recommend suspension of implementation until the decision by the Appeals Board has been made
Decisions and rulings made known to applicants
The International Division of the National Commissioner of the Icelandic Police makes decisions known to applicants in instances where the conclusion is that the applicant shall leave the country. When such decisions are made known to applicants the relevant person is informed that the Directorate of Immigration will foreseeably request police escort in conformity with the contents of the decision. The procedure regarding the pending departure from Iceland is furthermore explained to the applicant.
Request for police escort
The Directorate of Immigration goes through every case before a request for police escort is sent to the International Division of the National Commissioner of the Icelandic Police. The Directorate of Immigration examines whether the decision is enforceable, whether the relevant person has any unfinished matters or issues with the authorities, or whether other circumstances prevent implementation.
If an applicant for protection is to leave Iceland and the conclusion is enforceable the Directorate of Immigration sends a request for implementation to the International Division of the National Commissioner of the Icelandic Police. Parallel to this the Directorate contacts the spokesperson of the relevant applicant, stating that a request for escort out of Iceland has been sent to the International Division of the National Commissioner of the Icelandic Police, and requests the spokesperson to inform the applicant.
The International Division of the National Commissioner of the Icelandic Police informs the relevant applicant in due course about the further timing of the police escort.
If the applicant or his/her spokesperson cannot be reached despite repeated attempts, a request for police escort is nevertheless sent to the International Division of the National Commissioner of the Icelandic Police which then launches the preparation of the police escort. Attempts to contact the applicant or his/her spokesperson will continue.
Preparation and implementation of police escort
The International Division of the National Commissioner of the Icelandic Police emphasizes collaboration with the applicant in preparing and implementing police escort. The personnel of the International Division sees to the implementation of decisions being conducted in a professional manner, respecting the human dignity of the person involved, and they see to it that the implementation is in accordance with law and safety criteria.
Various reasons may cause difficulty in determining the date of police escort, which may result in its actual implementation being on short notice. Effort shall be made to notify the relevant applicant about the detailed date of departure as soon as possible, preferably not less than on two days' notice or immediately when the date of departure has been set. Special consideration must be shown for families and individuals in a particularly vulnerable situation.
The preparations by the International Division focus mainly on the following factors:
Assessing the situation of an individual regarding the arrangement of the police escort, for example, in accordance with the decision, his/her health situation and safety views.
Check and set a travel plan and date – ensure the consent of the aviation carrier.
Measures regarding the manning of the police escort.
Informing collaborators about the pending escort and ensure consent.
Informing the applicant about the pending escort.
Ensuring the presence of the relevant applicant at the time of escort.
If an applicant is deemed to be dangerous or uncooperative, the police have the competence to ensure police escort being realized and to ensure the safety of the relevant person and the general public during the implementation. Competence is not exercised unless this is deemed as necessary.
Cooperation with Frontex
Subject to certain conditions being met the International Division of the National Commissioner of the Icelandic Police may participate in projects of Frontex pertaining to the travel of applicants for protection out of the Schengen Area (Joint Return Operation - JRO Frontex travel). The main objective of Frontex and Iceland's participation in the said projects is to ensure professional and practical departure of those whose applications for protection or stay have been denied and who should leave the Schengen Area.
In addition to Icelandic legislation, special rules and criteria prevail (including Code of Conduct for JROs) about Frontex travels whose goal is to ensure safety and humane implementation.
The preparation by the International Division of the National Commissioner of the Icelandic Police for participating in Frontex transportation is similar as in conventional police escort except the main difference being that certain predetermined dates and timing, as well as travel arrangements, must prevail. Iceland's geographic location and the arrangement of the implementation have frequently resulted in the escort having to begin earlier than in other countries, and there are examples of the International Division having to begin its escort at 1 a.m. in the morning of the date of departure.
The implementation of Frontex travel is such that a chartered aircraft under the umbrella of Frontex starts by fetching the escorting officers and the applicants for protection in Iceland. En route to the country that organizes the implementation the aircraft preferably makes a brief stopover in one European country to fetch more applicants for protection and their escort officers. The whole group then travels to a country or countries where the applicants for protection are sent and the aircraft immediately returns with the escorting officers to the country that organized the implementation. Another arrangement is that Icelandic escorting officers and applicants for protection travel by scheduled flights to the country that organizes the implementation.
Asylum and International Protection
Basic concepts and definitions
- How to apply
- Application examination
- Withdrawing application
- Case closed with UTL's decision
List of safe countries
Voluntary Return
Rights and services for asylum seekers
- Temporary residence and work permit
Residence permit on humanitarian grounds
Family reunification of refugees
Family reunification for spouse of a refugee


text:
Q: I am autoincrementing the value of an input element. I want to get the value I am using the value of an input element as a measurement of the radius of a google maps circle. I want the value of the input element to increase every second and immediately use the value as the radius of the circle. I was sort of able to do this but I have to change the value myself for it to work. I want the radius of the circle to automatically increase.
Here is my code:
<!DOCTYPE html>

        Number: <input type="number" id="time" value="40">

A: Just update circle on both input & interval.

<!DOCTYPE html>

        Number: <input type="number" id="time" value="40">

redpajama_set_name: RedPajamaStackExchange


text:
namespace djinni_generated {

class RippleLikeAccount final : ::djinni::JniInterface<::ledger::core::api::RippleLikeAccount, RippleLikeAccount> {
public:
    using CppType = std::shared_ptr<::ledger::core::api::RippleLikeAccount>;
    using CppOptType = std::shared_ptr<::ledger::core::api::RippleLikeAccount>;
    using JniType = jobject;

    using Boxed = RippleLikeAccount;

    ~RippleLikeAccount();

    static CppType toCpp(JNIEnv* jniEnv, JniType j) { return ::djinni::JniClass<RippleLikeAccount>::get()._fromJava(jniEnv, j); }
    static ::djinni::LocalRef<JniType> fromCppOpt(JNIEnv* jniEnv, const CppOptType& c) { return {jniEnv, ::djinni::JniClass<RippleLikeAccount>::get()._toJava(jniEnv, c)}; }
    static ::djinni::LocalRef<JniType> fromCpp(JNIEnv* jniEnv, const CppType& c) { return fromCppOpt(jniEnv, c); }

private:
    RippleLikeAccount();
    friend ::djinni::JniClass<RippleLikeAccount>;
    friend ::djinni::JniInterface<::ledger::core::api::RippleLikeAccount, RippleLikeAccount>;

};

}  // namespace djinni_generated
#endif //DJINNI_GENERATED_RIPPLELIKEACCOUNT_HPP_JNI_

redpajama_set_name: RedPajamaGithub


Happy Halloween this post is about what you are doing, who with, what scary movies you gonna watch, and if your gonna go to that old creepy house that no one lives at. After your done trick or treating come back to this thread and tell Me who you scared. I guess I'll go first Reed is on his way over to my place and were gonna get some caaanday! lol David was gonna go with us but he bailed :'(. Don't know who hes going with now though. But what ev.
I just went around yoyoing and knocking on peoples doors saying "a trick for a treat" it was fun.
Happy Halloween (a couple hours late, but oh well)! I didn't go trick or treating or anything, I just sat on my bed, played on my computer, and ate candy I had at home lol Oh and awesome idea austin4evr! I would so want to do that! too bad I don't live in a neighborhood or anything.. not enough houses around me to do it.
actually my dea worked pretty well (almost every house I went to gave me candy and they were like "I think that deserves another piece" and things like that) but it sucked becuase I didn't have a bag so I quit when my pockets were full and went to my frineds house.
Why didn't you just ask for like a grocery bag or something?
I went as a mob boss. I hid behind my Aunt's pillar in front of her house and jumped out and scarred her good!


text:
Simon Roberts
We English
"We English, the title of Roberts's engrossing exhibition of large-scale color photographs (and the related book) might lead you to expect gently satiric social studies in the style of Martin Parr. But the focus of the work is primarily landscape, and several of the images are broad, handsome vistas with only a few people scattered about the terrain. Even the photographs that include larger groups were taken from a distance – a perspective that echoes classical painting, although the subjects are decidedly contemporary." Vince Aletti, The New Yorker, 2009
We English, created between 2007 and 2008, is a broad portfolio of large-format tableaux photographs of the English at leisure. Building on Motherland, the first major body of work in this vein, We English explores the themes of identity, memory, and belonging. Ordinary people are captured engaged in diverse pastimes, which presents a populace whose profound attachment to its local environment and homeland makes for a distinct examination of nationhood. The notion of what it means to be English is demonstrated to exist on the surface of contemporary life, encapsulated by banal pastimes and everyday leisure activities. The resulting images are an intentionally lyrical rendering of a pastoral England, where beauty is found in the mundane and in the exploration of the relationship between people and place, and in our connections to the landscapes around us.
These photographs also explore the way in which landscapes can become a site of conflict or unease; where perceived notions of nationhood and quintessential Englishness are challenged as diverse social groups seek to colonise shared public spaces. Notions of limits and boundaries populate the work; reflected in rivers, trees, and hedges that create natural physical divisions, these organic features delineate the limits of human interaction. Indeed, leisure activities often take place at boundary points; the edges of towns and cities, the spaces by lakes and reservoirs, even alongside footpaths and mountain ridges, all of these hold their own as destinations for recreation.
The project derives its title from the suggestion that the photographer and their subject – we "English" – are complicit in the act of representation. Throughout the year-long journey, people were invited to post their own ideas about events that could be photographed on a dedicated website, 'We English', and to share their experiences of living in their particular locality.
We English was published by Chris Boot Ltd (2009) and was selected by Martin Parr as one of the 30 most influential photobooks of the last decade. A major exhibition of the work was on show at the National Media Museum, UK in 2010, and subsequently toured over 30 national and international venues and festivals.
View installation shots here
Contact sheet of photographic plates (pdf)
The English Outdoors essay by Stephen Daniels (pdf)
We English by Simon Roberts, "Banal Nationalism" in Landscape? Essay by Karine Chambefort-Kay (pdf)
In Conversation with Stephen Daniels, Ruth Kitchin and Simon Roberts (pdf)
We English book commentary (pdf)
Original Public Suggestions (pdf)
Reviews (pdf)
© 2019 Simon Roberts

redpajama_set_name: RedPajamaCommonCrawl


Urthboy introduces his 5th album, The Past Beats Inside Me Like A Second Heartbeat.
Urthboy explains "This project was to be released in 5 EPs, with each covering a decade between 1950 and 2000. The working title was Decades and the vision was to give life to the relationship between the past and present. Just like a million writers before me, I dreamt up a beast so daunting, that I spent three years trying to tame it. Everything changed when I wrote my family into the story.
'Long Loud Hours' set the tone; voted in at #33 in the Hottest 100; while new single 'Second Heartbeat' switches gears to summer, setting up Urthboy's most intriguing record to date. The album is executive produced by Pip Norman & Hermitude, with additional production by Nic Martin, Styalz Fuego and Rahj Jordan.


Latest update WhatsApp introduced enables security feature two-factor verification. Making sure that all messages are accessible only by the sender and recipient.
WhatsApp finally rolled out two-factor verification in the latest update for its popular messaging platform to keep hackers at bay.
The two-factor authentication an optional security measure that would require a pre-assigned six digit passcode to verify a user's phone number on WhatsApp.
WhatsApp is the world's largest messaging platform with over 1.2 billion active users.
Last year in April, the popular messaging platform introduced full end-to-end encryption including group chats.
Making sure that all messages are accessible only by the sender and recipient.
Latest update WhatsApp introduced enables security feature two-factor verification.
To enable the two-step verification, users simply need to open the app and go to the Settings menu.
And navigate to Account and where they can enable the security feature.
Once activate the app would require users to provide an email and a six digit passcode.
After enabling end-to-end encryption, even WhatsApp don't have any capability to read customers' messages even if approached by law enforcement agencies.
To enable the two-step verification, users simply need to open the app and go to the Settings menu and navigate to Account.
And where they can enable the security feature. Once activate the app would require users to provide an email and a six digit passcode.


Newport County AFC are delighted to announce the signing of 21-year-old Charlie Cooper on a one-year loan from Forest Green Rovers.
The midfielder played his youth football at Championship side Birmingham City and signed a pro-deal with The Blues in 2015. Cooper then had a successful loan spell at Forest Green Rovers helping them to promotion in the 2016/17 Season.
After his contract with Birmingham City expired in 2017, Cooper signed for Rovers on a two-year deal. He made 31 appearances across all competitions scoring one goal. Cooper is generally noted for his work rate, ability to control a game and his impressive range of passing.
On finalising the deal, Charlie Cooper said: "After speaking to the manager, I just knew that this club was the right option for me. I think in terms of how I want to play and how Newport plays, this will be a really good club for me to go to because it will allow me to express myself.
"The Manager just wants you to have a right go, give everything you've got and then hopefully the club will get the rewards for that. That's what I want to bring to this football club."
and Jamille Matt signed on Monday and Wednesday respectively.


Constantly changing hair trends are challenging for women who want to keep their look updated.
Full lace wigs are a must have accessory. Constantly changing hair trends are challenging for women who want to keep their look updated. In order to keep up, hair pieces have been created that look natural and make it easy for the length and style of the hair be changed almost instantly. Hair weaves and wigs are also invaluable to those who have hair that has naturally thinned from age, illness or stress.
Lace Wigs have seen their popularity rise because of their natural appearance and comfort lace wigs give you. Because they do not need to be attached to existing hair they are often more comfortable and less damaging to thin, brittle hair than weaves. They are also a realistic option for anyone who has lost their hair due to chemotherapy or conditions like alopecia. Unlike the synthetic wigs of the past, these are made to look, feel and move like natural hair.
One of the main reasons Full Lace Wigs look real is because they are made from genuine human hair. The individual strands of hair are tied onto lace that is flesh-toned. This makes the hair look natural and easy to style because the lace mimics the appearance of the scalp rather than reveal that the hair is a wig. The types of hair available come in a variety of textures and can be styled or colored in any way the wearer prefers.
There are different types of these wigs depending on the style that wants to be achieved. Full Lace Wigs are a popular choice for women who want their entire scalp covered. The hair is applied in more areas across the lace to make it easier to for parted hairstyles to look natural. There are also lace front versions that have hair applied only at the forehead and temples of the lace. These are perfect for women who want to increase the volume of their natural hair and potentially add length as well.
At Volure Hair Boutique, they have full lace wigs in many lengths and cap styles. Their wigs are available in several colors that are always guaranteed to be natural, virgin hair with the cuticle intact. This makes the hair soft, shiny and tangle-free. They encourage their clients to choose wigs in the color they prefer to avoid any potential damage through chemical dyes. Each style can be adjusted in any way needed to flatter the client, make the style look more natural and make the wig more comfortable to wear.


Fantasy Baseball Express: Will the Mets KEEP JOSE Reyes in 2012 and Beyond?
Will the Mets KEEP JOSE Reyes in 2012 and Beyond?
Even if The Fantasy Man can recognize a bad situation when he see's one. The New York Baseball Mets need to re-sign Jose Reyes simply because there's no player out there to replace him and play the defense and hit triples the way Jose does it! Simple as that. You want to complain about his legs, past injury problems, or the fact that a six year deal puts Reyes at an age where he might not be as effective with his legs as he is now, then go ahead. But, you and I both know that Jose Reyes "is" the Mets! So as a baseball lover, I created a way for New Yorkers, Mets fans, and Jose Reyes fans to show their support for Jose and make Mets brass want to re-sign but also let Reyes know that you want him back.
I found this photo on the Internet! I love it! I love that guy's face at the bottom!
Check out the website at http://www.keepreyes.com/ where you can support through http://twitter.com/KeepJoseReyes and also grab a KEEP JOSE Reyes t-shirt! Get the blue tee here and the white tee here!


text:
Guardianship Sought Over Longtime Plaintiffs' Attorney Tom Girardi
By City News Service Jan 14, 2021
LOS ANGELES (CNS) - The brother of well-known civil plaintiffs' attorney Tom Girardi filed a petition in federal bankruptcy court today seeking appointment as his sibling's guardian, maintaining that the 81-year-old lawyer is mentally incompetent.
Seal Beach dentist Robert Girardi says in his court papers that his sibling does not comprehend the extent of the legal and financial problems before him, the Los Angeles Times reported.
Girardi's longtime Wilshire Boulevard law firm, Girardi & Keese, has collapsed amid numerous allegations that he misappropriated millions of dollars of money belonging to his law firm clients and failed to pay creditors.
Last month, a federal judge in Chicago froze Girardi's assets, finding that he had misappropriated at least $2 million in client funds that were due to families of people killed in a plane crash in Indonesia.
Girardi also is involved in divorce proceedings with "Real Housewives of Beverly Hills'' cast member Erika Jayne, to whom he has been married since 1999. He has appeared alongside his wife on her Bravo series on several occasions.
In a sworn declaration, Robert Girardi said his older brother has short-term memory loss, The Times reported.
"My brother is incapable of realizing and understanding the repercussions of the bankruptcy filings pending against him and his law firm ... notwithstanding having (it) explained to him over and over and by various people,'' his declaration reads. "Furthermore, my brother is not capable of making rational decisions with respect to his financial responsibilities and offers solutions and opinions that are factually impossible.''
Robert Girardi, 77, said he will soon bring a separate petition in Los Angeles Superior Court for the establishment of a conservatorship over his brother, The Times reported.
Tom Girardi in 1970 became the first attorney in California to win a $1 million-plus award in a medical malpractice case, and is known for a landmark case against Pacific Gas & Electric Co. over contaminated water in the desert community of Hinkley, which was the inspiration for the 2000 film "Erin Brockovich.''
He was the lead plaintiff's attorney when the Los Angeles Dodgers were found partially liable in July 2014 in the 2011 Dodger Stadium parking lot beating of Giants fan Bryan Stow, who was awarded nearly $18 million in damages.
The Los Angeles Superior Court jury found former Dodgers owner Frank McCourt not negligent, while the two men who attacked Stow were found to have most of the responsibility for the harm that came to the former Northern California paramedic.


For the second week in a row, the Nerd Lunch Podcast is joined by a member of the Schlock Treatment Podcast. This time, Kirk Howle stops in. Filling in for an absent Jeeg is Shawn from Branded in the 80s and Cult Film Club. The Nerds launch into a discussion about failed movie toy lines and even pitch their own ideas for movies that should have a failed toy line. This week's Nerd To Dos include doing some animation, hunting down classic toys and a quest for Jumpin' Jack Doritos.
In Russia, Jane Badler holds V doll!
Ugh…that joke was funnier in my head before I typed it. Doesn't matter. I'm still clicking "publish"!
I was going to post one of the figures, but that half ripped off Lionel's Playworld price tag got me.
I love that you used the Over the Top arm wrestling table as the image. EPIC and AWESOME, my friend.
You ever see the toy line for the horrible Super Mario Bros. Live action Movie? Ugh.


Sailing holiday in Ibiza and Formentera through Sant Antoni de Portmany can be an exciting vacation. This place has been a favorite tourist destination particularly by the British. There are several resto bars and nightclubs in this town making it one of Ibiza's most active areas. Aside from this, Sant Antoni de Portmany also has eye-catching beaches.


text:
Find us on social media. Facebook – Instagram
About the Show:
Hunting, fishing and outdoor recreation are covered in this one-hour show that airs weekly across Minnesota, North Dakota, Wisconsin, South Dakota and Iowa. Weekly guests include guides, experts, biologists, celebrities and more. Tune in on the 30-station network, on demand on the website or by subscribing to the podcast in various podcast apps. We're a part of the Mikaba Media family.
Sporting Journal Radio began in 2012 as a partner to the Minnesota Sporting Journal magazine (back issues are available for purchase). To get the show on your station, contact us here.
About the Host:
Bret Amundson is currently host of Prairie Sportsman TV, broadcasting to Minnesota, Wisconsin, South Dakota and Iowa, and "Sporting Journal Radio, heard on 30 stations across the midwest. He also guides waterfowl hunts with Mid Migration Outfitters. Recently was host of Northland Outdoors TV and Radio and provided stories and photos for Northland Outdoors Magazine and Website. His articles could also be found on the Forum Communications Network of Newspapers. His voice over work has been heard all over the world.


Last month I helped to organize a fund raiser for the American Heart Association at this beautiful golf course. I brought my camera along for obvious reasons - you know - things like the fall colors, the frost on the ground, so much color, and so beautiful! Here are just a few of the images I got from the day.


text:
package com.thaicrave.android;

import android.content.Context;
import android.content.Intent;
import android.os.Bundle;
import android.view.View;
import android.widget.Button;
import android.widget.EditText;

import com.android.volley.Request;
import com.android.volley.VolleyError;
import com.thaicrave.android.app.CurrentUser;
import com.thaicrave.android.app.TcActivity;
import com.thaicrave.android.app.Volleyball;
import com.thaicrave.android.models.AuthenticatedUser;
import com.thaicrave.android.models.User;
import com.thaicrave.android.toolbox.GsonRequest;
import com.thaicrave.android.toolbox.MultiListener;
import com.thaicrave.android.toolbox.Utils;

public class SignUpActivity extends TcActivity {

    public static void start(Context context) {
        if (context != null) {
            context.startActivity(new Intent(context, SignUpActivity.class));
        }
    }

    private EditText first_name_field;
    private EditText last_name_field;
    private EditText email_field;
    private EditText password_field;
    private EditText confirm_password_field;
    private Button submit_button;

    @Override
    public void onCreate(Bundle savedInstanceState) {
        super.onCreate(savedInstanceState);
        setContentView(R.layout.activity_sign_up);

        first_name_field = (EditText) findViewById(R.id.sign_up_first_name_et);
        last_name_field = (EditText) findViewById(R.id.sign_up_last_name_et);
        email_field = (EditText) findViewById(R.id.sign_up_username_et);
        password_field = (EditText) findViewById(R.id.sign_up_password_et);
        confirm_password_field = (EditText) findViewById(R.id.sign_up_password_confirmation_et);
        submit_button = (Button) findViewById(R.id.sign_up_submit_button);

        submit_button.setOnClickListener(new View.OnClickListener() {
            @Override
            public void onClick(View v) {
                processSignUpData();
            }
        });
    }

    private void processSignUpData() {
        boolean successful = true;

        EditText[] requiredFields = new EditText[] {
                first_name_field,
                last_name_field,
                email_field,
                password_field
        };

        for (EditText field : requiredFields) {
            if (field.getText().toString().trim().equals("")) {
                field.setError(getString(R.string.generic_required));
                successful = false;
            }
        }

        if (!confirm_password_field.getText().toString().equals(password_field.getText().toString())) {
            confirm_password_field.setError(getString(R.string.sign_up_error_pass_match));
            successful = false;
        }

        if (successful) {
            User newUser = new User();
            newUser.setFirstName(first_name_field.getText().toString());
            newUser.setLastName(last_name_field.getText().toString());
            newUser.setEmail(email_field.getText().toString());
            newUser.setPassword(password_field.getText().toString());
            newUser.setPasswordConfirm(confirm_password_field.getText().toString());

            GsonRequest<AuthenticatedUser> req = new GsonRequest<AuthenticatedUser>(
                    Request.Method.POST,
                    Volleyball.getUrl("users"),
                    newUser,
                    AuthenticatedUser.class,
                    getUserListener()
            );

            Volleyball.addReq(req);
        }
    }

    private MultiListener<AuthenticatedUser> getUserListener() {
        return MultiListener.create(new MultiListener.TcListener<AuthenticatedUser>() {
            @Override
            public void onResponse(AuthenticatedUser user) {
                if (user != null) {
                    CurrentUser.set(user);
                } else {
                    Utils.showCenterToast("User is null!", CONTEXT);
                }
            }

            @Override
            public void onErrorResponse(VolleyError error) {
                String message = Volleyball.getErrorMessage(error);
                String toastMessage = message != null ? message : "Error signing up! Please try again.";
                Utils.showCenterToast(toastMessage, CONTEXT);
            }
        });
    }
}


Designed for any ultra low clearance machine or piece of equipment. App. 10 degree approach angle will allow scissor lifts, asphalt rollers, floor scrapers etc. to transition smoothly. 5' twin ramps with re-inforcement for narrow equipment, rear stabilizer jacks, d-rings, steel deck, slipper suspension, brakes on both axles, 225/75R15 radial tires on 6 bolt hubs, adjustable coupler, flush mounted LED lights, sealed wiring, 12K spring loaded drop leg jack. Spare tire with cover and mount pictured optional at $229 plus taxes.


Apache Tomcat Free Download - we do not host any Apache Tomcat torrent files or links of Apache Tomcat on rapidshare.com, depositfiles.com, megaupload.com etc. All Apache Tomcat download links are direct Apache Tomcat download from publisher site or their selected mirrors.
9.0.12 Sep 12, 2018 New Release Add the RemoteCIDRFilter and RemoteCIDRValve that can be used to allow/deny requests based on IPv4 and/or IPv6 client address where the IP ranges are defined using CIDR notation. Based on a patch by Francis Galiegue.


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No more snow for me, thanks! You can have it all.
My yard looks a lot like Wino's.
I actually like it although it can be a touch inconvenient at times (like when you can't get out the driveway and your snowplow guy isn't going to make it today).
It looks lovely, but this is the time to be in South Florida.
Our snow (southern MN) is nearly gone. Fine by me.


Anyone who has spent time developing url rewriters will know that these do not always play nicely with AJAX components. This is because the HtmlForm element written out by .NET uses the actual URL for post-backs, and not the page's virtual url that you are trying to preserve. This article discusses how this can be resolved cleanly, and also shows how control adapters may be set programmatically using Reflection. This is useful for creating plug & play components such as url rewriters in order to minimise the amount of configuration required.
In order to preserve the rewritten url on post-back (and fix AJAX components), the HtmlForm's action attribute needs to be changed to the virtual url.
Without this fix, you may experience the following error when using Asp.NET Ajax This happens when your virtual url is in a different directory than the real path.
An Unknown error occurred while processing the request on the server.
The standard approach might be to extend the HtmlForm and override its Render method so that it alters the action attribute on render. Whereas this would work, it is a poor solution. It requires that all ASPX pages are edited in order to apply the fix. It also requires prior knowledge of the issue when other developers start creating pages, and it makes the u rewriter component less pluggable.
A better solution would be to use a control adapter. This can be added via configuration settings in order to change the rendered HTML of all HtmlForm elements within an application. This would then not only apply the fix to all existing pages, but also to any future pages.
For anyone new to control adapters, these are discreet classes extended from the ControlAdapter class. These can be mapped to specific .NET controls via config settings located in the App_Browsers special directory. The adapters are invoked by the framework at runtime, and can alter the rendered HTML of any .NET control. A common use is to make the standard .NET controls more CSS friendly.
OK, so sounds like a good solution? Not yet! Imagine we are developing a component to be used by a third party that requires a control adapter. After they have plugged in our component, how do we ensure they add the control adapter to the solution? The standard approach is to provide heaps of documentation, and if it breaks... well... it's user error.
A smarter solution is to set the control adapter programmatically from within our component. In this way, the component is self-contained. It will be attached, when required, automatically, wherever and whenever our component is used. The bad news is, this ability isn't supported in the current framework. The good news is, it can be done, and here's how.
Firstly, we need a control adapter to correct the action attribute of the HtmlForm element. Here's one I made earlier.
The next step is to set the control adapter programmatically. In order to do this, we use Reflection to access the hidden private _adapter property of the HtmlForm control and set this to an instance of our adapter. In this example, we assume we are running from within a HttpModule that is doing the u rewriting, and hook the PreRequestHandlerExecute event. We can then hook the page's PreRender event in order to grab the HtmlForm control and attach the adapter.
This is a pretty specific example; however, the point is that using this technique greatly aids the creation of smart components that require minimal configuration. It also provides a greater degree of power to component developers, who are then able to hook into the actual rendering of all the controls in an application from a single line in the web.config.
This leads to more pluggable components and fewer problems when it comes to development cycles or swapping out of components.


It's a new fashion boutique shop in town! So this is the best occasion to bring all your friend s and take a look inside. First pick the best sale dress for you and your friends and have a great day shopping.Have fun!


Yet the United States' debate over taxation does not begin with Roosevelt, but dates back to the American Civil War. In 1861 Congress passed the nation's first income tax, upheld by the Supreme Court, to fund the war against the seceded states. The tax consisted of a three-percent levy on incomes over $800; Congress repealed the income tax in 1872.
The income tax was soon resurrected, however, when Congress passed a two-percent tax on income over $4,000 as a part of an 1894 tariff bill. This time, though, the Supreme Court declared the tax unconstitutional in a five-to-four split decision. Under the leadership of such figures as William Jennings Bryan, the Democrat Party's Populist Movement would keep alive the idea of an income tax over the next two decades.
Joined by the Republican Party's progressive wing, Democrats attempted to install an income tax again in the tariff bill of 1909, under an amendment sponsored by Senator Joseph W. Bailey of Texas. With no real expectation that his amendment would pass, Bailey's true intention was to embarrass Republicans as the party of "big business," working against Democrats' "party of the people." Unable to confront the Democrats' income-tax proposal directly due to the progressive-conservative split in his own party, Republican President William Howard Taft (1909-1913) did the unthinkable, recommending to Congress a constitutional amendment authorizing taxation on income. Though such an amendment's passage through Congress seemed likely, Republicans considered the necessary three-fourths ratification by the states altogether impossible.
The 16th Amendment passed through Congress even easier than expected with votes of 77-0 in the Senate and 318-14 in the House of Representatives. Republicans' plans went awry, however, when one state legislature after another gave its endorsement to the measure. Less than four years later, February 25, 1913, the 16th Amendment became the law of the land. Republicans had underestimated the wave of populist sentiment sweeping the country; a backlash to the era of America's "robber barons." For federal and state legislators alike, to vote against the amendment meant to be voted out of office.
"Congress [in implementing the 16th Amendment] went beyond merely enacting an income tax law and repealed Article IV of the Bill of Rights, by empowering the tax collector to do the very things from which that article says we were to be secure. It opened up our homes, our papers and our effects to the prying eyes of government agents and set the stage for searches of our books and vaults and for inquiries into our private affairs whenever the tax men might decide, even though there might not be any justification beyond mere cynical suspicion.
"The income tax is bad because it has robbed you and me of the guarantee of privacy and the respect for our property that were given to us in Article IV of the Bill of Rights. This invasion is absolute and complete as far as the amount of tax that can be assessed is concerned. Please remember that under the Sixteenth Amendment, Congress can take 100 percent of our income anytime it wants to. As a matter of fact, right now it is imposing a tax as high as 91 percent. This is downright confiscation and cannot be defended on any other grounds.
"The income tax is bad because it was conceived in class hatred, is an instrument of vengeance and plays right into the hands of the communists. It employs the vicious communist principle of taking from each according to his accumulation of the fruits of his labor and giving to others according to their needs, regardless of whether those needs are the result of indolence or lack of pride, self-respect, personal dignity or other attributes of men.
"The income tax is fulfilling the Marxist prophecy that the surest way to destroy a capitalist society is by steeply graduated taxes on income and heavy levies upon the estates of people when they die.
"The income tax is bad because it is oppressive to all and discriminates particularly against those people who prove themselves most adept at keeping the wheels of business turning and creating maximum employment and a high standard of living for their fellow men.
How, then, do we free ourselves from the tyranny of the present system? Contrary to the closet socialism articulated by FDR and his New Deal successors, a national sales tax would be a welcome and constitutionally permissible alternative to the socialist vision and statist implications of the current system. Our present-day progressive income tax not only punishes hard work and free-market success, it also restricts economic growth by stifling consumers and the private sector. Most importantly, the elimination of the income-tax system through repeal of the 16th Amendment would eliminate the federal government's prerogative to levy inequitable taxes, and force greater government conformity to its constitutionally defined strictures.
At the same time, economists recognize that legitimate tax reform and tax reductions can be disastrous if not accompanied by comparable reductions in government spending. Spiraling deficits, including those being run up by the current administration, will have dire consequences for long-term economic health. Therefore, it is essential that any meaningful tax reform legislation, including but not limited to the repeal of the 16th Amendment and replacing the income tax with an alternative like a national sales tax or flat tax, be accompanied by reductions in government expenditures under the guidance of the Constitution's own parameters for the federal government's activity.
Given the limited influence of constitutional constructionists and fiscal conservatives in both chambers of Congress, even after a decade-long Republican controlled Congress, any alteration to the 16th Amendment stands no chance of passage on Capitol Hill, or of ratification by the states. This hard reality must serve only to bolster the resolve of citizens committed to the Founders' notion of a constitutionally limited government – a limitation largely enforced by restraints in the collection and expenditure of tax revenue. As the central government continues to encroach upon every sphere of our lives, the time is ripe to bring the issue of fair and just taxation before the public eye.
Our great nation has retreated a long way from the American Revolution, rooted in a three-pence tax on a pound of tea, to the populist Sixteenth Amendment, to the current debt crisis. The consequence of unmitigated taxing and spending is the rise of the Socialist Democrat Party fueled by the redistribution of wealth, and the current NeoCom regime, which poses the greatest threat to Liberty since our Founding.


text:
Bruno Lorenz Nicolaus Lesch, född 1888, död 1945, var en finländsk historiker.

Lesch blev filosofie doktor 1924 och var professor i historia och statsvetenskap och rektor vid Svenska handelshögskolan mellan 1927 och 1945.

Han var ordförande i Historiska föreningen från 1929.

Lesch forskade i gustaviansk tid och i Finlands historia under ryska tiden, särskilt i autonomins uppkomst. Han utgav också en biografi över Carl Erik Mannerheim i Förhandlingar och uppsatser 35 (1922).

Källor

Födda 1888
Finländska historiker
Finländska professorer
Avlidna 1945
Män
Personer från Åbo
Personer verksamma vid Svenska handelshögskolan
Finlandssvenska historiker
Mottagare av Statsrådet Mauritz Hallbergs pris

redpajama_set_name: RedPajamaWikipedia


text:
Q: Deleting Google Cloud Storage object results in "Invalid argument" and "storage_class_update_time_nano" errors I'm unable to overwrite or remove a particular object from a Google Cloud Storage bucket that I own.
gsutil rm  fails with BadRequestException: 400 Invalid argument:
% gsutil stat gs://mybucket/0e133e23-6005-4711-ac2e-24b2cc95ee05.jpg
gs://mybucket/0e133e23-6005-4711-ac2e-24b2cc95ee05.jpg:
    Creation time:          Fri, 07 Aug 2015 02:03:47 GMT
    Update time:            Fri, 17 Feb 2017 04:34:43 GMT
    Storage class:          STANDARD
    Content-Length:         46169
    Content-Type:           image/jpeg
    Metadata:
        goog-reserved-file-mtime:1438913027
    Hash (crc32c):          UBUUbQ==
    Hash (md5):             fhU9YXjE7M6XRiT+05seeQ==
    ETag:                   CPiV3t7wlccCEAI=
    Generation:             1438913027083000
    Metageneration:         2
% gsutil rm -a gs://mybucket/0e133e23-6005-4711-ac2e-24b2cc95ee05.jpg
Removing gs://mybucket/0e133e23-6005-4711-ac2e-24b2cc95ee05.jpg#1438913027083000...
BadRequestException: 400 Invalid argument

The GCP Console Storage Browser fails with Invalid argument (1 error) and (digging deeper) storage_class_update_time_nano must be positive.

The bucket is using the Standard storage class with object-level ACLs enabled (although I'm not using them, and my account is listed as an owner for the object in question). The bucket does not have a retention policy, and the default event-based hold option is disabled. It does not have any lifecycle rules.
I can remove other objects in the bucket. I'm suspecting that this is a bug on Google's side, although I haven't been able to find reports online of others experiencing the same issue (e.g. Google returns zero results for the storage_class_update_time_nano error message).

A: This is resolved now: a gsutil mv command that failed in the morning of 2021-02-08 worked when I ran it again four hours later.
In the GCP issue that I filed, a Google employee confirmed that it was caused by a regression:

I can confirm that the issue was on the GCP side and related to a new change on GCS which was performed in the beggining of February.
Now I can see that the issue was rolled out and fixed.


text:
Bloggers on the YALSA Ballot
Hey librarians and YALSA members! The election has opened up and I wanted to share a couple of my friends and fellow bloggers that are on the ballot! Angie Manfredi and Jennifer Rothschild are both on the ballot for the Nonfiction Award Committee. Angie blogs at FatGirlReading and Jennie blogs at Biblio File. Check out their blogs because they rock! And of course, to convince you further of their awesomeness, I have interviews with both of them!:)
-What do you enjoy about NF?
Angie: There's a lot of answers to that, I guess, but for me it keeps coming back to me is how much I enjoy watching teens interact with non-fiction. There's just something about seeing reluctant readers pulled into the immediate truth of a non-fiction title or hearing teens "ooh" and "aah" over a non-fiction book full of pictures and facts. I love that non-fiction is a way for teens to experience literature and books in an entirely unique way, a way that lets them see the world, their world, in an whole different light.
Jennie: As they say, truth is stranger than fiction. I love that you get all the drama and tension, heartbreak and laughter that you get in fiction, but it's all true! I like that we get different stories, but also different ways to tell a story. Some narratives read like novels, some really use design-- photographs, graphs, side bars and pull-out boxes. I love the variety both in subject matter and in visual representation.
I think the role of nonfiction often gets overlooked. Many times teens read a fiction book and want to know more about what was going on in the book and turn to nonfiction for more background information.
When I was a teen, I was obsessed with disease and virology. Books like Outbreak by Robin Cook and Andromeda Strain by Michael Crichton were great, but the ones I really turned to were the Nonfiction-- Hot Zone by Richard Preston and And the Band Played On by Randy Shilts were huge influences on me. For a number of years, I really wanted to go into virology as a field.
-What past book would you award the NF award to?
Angie: So many good choices but definitely the first on my list is No Choirboy: Murder, Violence, and Teenagers on Death Row by Susan Kuklin because it's so powerful and so well written and researched and balanced and well documented and engaging and appealing. It's one of my favorite teen titles of all time, period.
Jennie: I'm very pleased with last year's and this year's winners*, so I'm going to list books that came out before the award was created (that's not cheating, is it?).
Hitler Youth by Susan Campbell Bartoletti (who won an honor this year with They Called Themselves the KKK)
What the World Eats by Faith D'Aluisio and Peter Menzel
George Washington, Spy Master by Thomas B. Allen
Also, I think a lot of great nonfiction books for teens were being published as adult books. Some of my favorite adult titles for teens are
This is Paradise by Hyok Kang, Philippe Grangereau and Shaun Whiteside
Maus by Art Spiegelman
Persepolis by Marjana Satrapi
Ten Green Bottles by Vivian Jeanette Kaplan
The Other Wes Moore by Wes Moore
*Ok, I was surprised there wasn't any love for Secret of the Yellow Death by Suzanne Jurmain, but the books the committee did choose are so awesome, so I'm not complaining.
-Why do you think the NF award is important?
Angie: Well, I know it's made my library's collection so much stronger! It's hard to keep up with non-fiction sometimes, especially because non-fiction geared for teens and not children or adults is a newer genre, but the award is a reminder of how truly diverse and great the field is now, which can help encourage librarians, teachers, parents, the general audience to buy more non-fiction and feature it more too. I started booktalking Charles and Emma by Deborah Heiligman (2009's winner) and was gratified to see so many teens want to check it out and subsequently love it. I might never have been encouraged to do that without the reminder from the Non-Fiction Award committee that, hey, this book is out there and it's special and it speaks to teens. That's why these YALSA awards exist and matter, after all. And, of course, hopefully it will raise the profile of the genre and encourage publishers to publish MORE of the good stuff!
Jennie: First off, I think nonfiction is very important. It teaches us about the world around us and within us. It offers insights and entertains. Because of this, it's worth celebrating.
Beyond that, in the last few years, we've seen an explosion of nonfiction titles for teens. Nonfiction fans have been blessed with more selection than ever. But! As with any explosion of titles, there's a lot of variance in quality. I think this award, coupled with the list of vetted nominations, is useful to highlight the best of the best, but it also shows publishers and authors examples of what truly great nonfiction can look like. I think the list is also a really useful selection tool for librarians, especially in a time when everyone is dealing with extremely limited acquisitions budgets.
-What are some of your favorite YA NF reads?
Angie: Thanks to the 2011 Excellence in Non-Fiction Nominations list, I discovered Lerner's great series Civil Rights Struggles Around the World, which has a truly fantastic set of titles about a wide variety of Civil Rights struggles throughout history, including often ignored movements. The books are well-written, unique, engaging, inspiring, and good for both report-writers and readers who just love non-fiction for the great, true stories it has to tell. We Stand as One: The International Ladies Garment Workers Strike, New York, 1909 was so good it gave me goosebumps!
Jennie: Everything listed already in these answers. Also, it's more middle grade than teen, but the Scientists in the Field series is wonderful for a million different reasons. I love books about history and China. I also love books about food. What I love the most are books about a subject that I don't think I'm interested in, but are so well done that they make me care and make me want to know even more about a topic I've never thought twice about. That's one of the reasons why I love the Scientists in the Field series so much. Secret of the Yellow Death is a recent title that grabbed me like that. Last year's honor book Written in Bone did the same. Last year's winner is another example. I had never really though about Charles Darwin's personal life before Charles and Emma, but I couldn't put it down and have spent a lot of time talking about it ever since then.
Labels: Librarians Musings
Abby March 21, 2011 at 5:18 PM
Great interview!! Angie and Jennie definitely have two of my votes! They are fabulous and will do a great job on the committee!
Michelle March 27, 2011 at 7:49 AM
Fantastic! I just cast my votes :)
Where She Went by Gayle Forman
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Library Programs: Teen Read-A-Thon
Congrats to Lenore!!
Happy Blogoversary To Me!!
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Jennifer Lawrence Is Katniss
Sean Griswold's Head by Lindsey Leavitt
Author Interview: Lindsey Leavitt
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Judging a Book By It's Cover
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Tween Tuesday: Turtle in Paradise by Jennifer Holm


text:
Q: Harmonic Series divergence - induction proof I'm trying to show that the Harmonic series diverges, using induction. So far I have shown: If we let $s_{n} = \sum_{k=1}^{n}\frac{1}{k}$

*

*$s_{2n} \geq s_{n} + \frac{1}{2}, \forall n$

*$s_{2^{n}} \geq 1 + \frac{n}{2}, \forall n$ by induction

The next step is to deduce the divergence of $\sum_{n=1}^{\infty}\frac{1}{n}$. I know that it does diverge but I don't directly see how the above two parts help.
Can I just say that since $s_{2^{n}} \geq 1 + \frac{n}{2}$ then as n tends to infinity, the partial sums of $s_{2_{n}}$ diverge? But that's for $s_{2^{n}}$ and not $s_{n}$?

A: Since $(\forall n\in\mathbb N):s_{2^n}\geqslant1+\frac n2$ and since $\lim_{n\to\infty}1+\frac n2=\infty$, $\lim_{n\to\infty}s_{2^n}=\infty$. Therefore, the sequence $(s_n)_{n\in\mathbb N}$ diverges, since its subsequence $(s_{2^n})_{n\in\mathbb N}$ diverges.


text:
Looking Back Past 30 years of Heisei Era
(Current Japanese Emperor's Era)
by Selecting Albums ③
-Numerous Unforgettable Outstanding Performances [Part 1]
By Masamichi Okazaki
During 30 years of Heisei the performance style of jazz has spread limitlessly, and the way of expression has been expanded by freely integrating with music of other genres. It is interesting indeed to listen to those music, however, I feel even more familiar and relieved with performances based on the tradition of American jazz. I'd like to introduce a number of unforgettable real jazz albums generated during Heisei Era in two parts.
#37 Distinctive Ballade Performance with Feeling of Emotional Arch
NEARNESS OF YOU - THE BALLAD BOOK / MICHAEL BRECKER
(Verve/UNIVERSAL MUSIC UCCU-5830)
No one has ever been more influential to the world of jazz tenor sax than Michael Brecker after the age of modern jazz. Having the influence of the tradition of better days, his edgy style of sharp tone has given great inspiration to musicians of not only jazz but also rock and pops. We can tell how deeply his music described the era by the fact that the sound itself is categorized as "after Brecker." Since the beginning of Heisei Era (1989~) Brecker refined his edgy performances, and at the same time, he let us listen to more matured "Brecker's tune."
This ballade recorded in 2000 (Heisei 12) showcases such rich expression of Becker. This is the first ballade album in his long career. While cherishing the beauty of the melody, the distinctive phrasing by selecting unique tones spreads his emotion as an arch. The all-star members, Pat Metheny, Herbie Hancock, Charlie Haden, and Jack DeJohnette, joined as sidemen. It is quite impressive that Brecker plays the instrument generously with the gorgeous and formidable members. The selection of contemporary numbers and minimizing the standard numbers are also attractive. Playing mostly his or the members' original numbers makes this album quite unique, which is a bit different from many ballade performances. Furthermore, a popular singer, James Taylor, joined the recording of the two numbers including the title track. I heard that the first number Breker performed and recorded with James was <NEARNESS OF YOU>. Even though Breker passed away at the age of 57 in 2007 (Heisei 19), I believe this is one of the albums which keeps him hold a special place in history.
#38 Wynton's Live Album with Overflowing Enthusiasm
Live At The House Of Tribes / Wynton Marsalis
(Bluenote 77132 Imported Version)
Wynton Marsalis made a nifty debut as a young teenage trumpeter, became the Artistic Director of "Jazz at Lincoln Center," and won many Grammy Awards in both jazz and classic genres. Wynton, with the thoughts of rising the status of jazz as a great art generated in America and making it widely recognized, produced variety of pieces such as those for orchestra or great suite-type pieces. If you would like to fully feel his jazzy enchantment with overflowing enthusiasm, this is exactly the very best.
It is the live album recorded in 2002 (Heisei 14) in "The House of Tribes," a theater space located at the lower east-side of Manhattan. It is a small place which will be packed with 50 people. However, because of that, you can clearly recognize the virtuous cycle of the live stage having the audience responds directly to the enthusiasm of the stage and that in turn increases the enthusiasm of the stage further. You can feel the stuffy air of excitement in the recording. The album let you listen to tracks starting from <Green Chimneys>, the rhythmic music by Thelonious Monk, to the end, <2nd Line> at a stretch. There are some rough jam-session like parts, but considering the fact that the hot enthusiasm of music is directly circulated, it is one of the best among Wynton's entire work.
#39 Masterpiece by "Piano Trio Surpassing Piano Trio
Whisper Not / Keith Jarrett Standards Trio
(ECM Universal Music UCCE-9326)
"Standards Trio" led by the pianist, Keith Jarrett can also be counted as one of the groups rushed through the 30 years of Heisei Era. The group was formed in 1983, but Keith damaged his health and suspended his live activities sometime in the middle of '90s, between '97 and '98.
The double album recording the stage performances at "Palais des congrès de Paris" in '99 (Heisei 11) captures the trio in more excellent condition than ever after the comeback which involved in activities vigorously. The trio has a concept of reconstructing and regenerating standard tunes with the drastic sense and touch. We should pay attention to the fact that close to half of the great original pieces of jazzmen such as <Bouncing With Bud>, <Groovin' High> are included in the repertoire. A number of brilliant performances by "Standards Trio" at the time of increasing groovy atmosphere. Here you can feel the true value of the trio called "Piano Trio Surpassing Piano Trio"
Masamichi Okazaki
Surrounded by various kinds of music from his childhood, Masamichi Okazaki joined Waseda University Modern Jazz Club. He started contributing articles to music magazines when he was a student. He covers wide range of music not only trad, modern and contemporary jazz, but also from pops to classics. He writes liner notes for CDs and LPs, and is a regular contributor to "JAZZ JAPAN," "STEREO," and others. He joined a big band, "Shiny Stockings," as a saxophone player. He is a director of The Music Pen Club Japan (MPCJ).
Looking Back Past 30 years of Heisei Era by Selecting Albums ②
Looking Back Past 30 years of Heisei Era by Selecting Albums ④


text:
Q: Plotting function with Dynamic parameter I'm trying to get this code working:
a = 2;
func[t_] := Dynamic[t + a];
Plot[func[t], {t, -5, 5}]

The idea is: I'd like to have the dynamic parameter a change the graph, without the need of actually re-evaluate the Plot command after each change of the parameter a. But this code delivers no plot printed on the screen. I've tried adding an Evaluate command as well, without luck.
What am I missing of the Dynamic command? Or where did I do something wrong?
Thank you all for your answers and your help!

A: Here's an easier way to do what I mentioned in a comment.  We avoid Plot altogether and simply plot a line.   You miss out on the recursive refinement that Plot offers to smooth out curves of high curvature, but in some cases that might be ok.  You can even make the pllot depend on the function dynamically.
a = 2;
f = func1;
func1[t_] := t + a;
func2[t_] := Sin[a t];
Block[{a, f}, pts = Table[{t, f[t]}, {t, -5, 5, 1/10}]];

Graphics[
  GraphicsComplex[
   Dynamic @ pts,
   {Darker @ Blue, Line[Range @ Length @ pts]}],
 Frame -> True]

Change f:
f = func2

Change a
a = 20

Here you see the problem.  The function being plotted, Sin[20 t], oscillates too rapidly and you get sharp corners.  (Set it much higher and you will miss entire periods.)

If you're interested in simple transformations depending on a parameter, then you can use Geometric Transforms.  The following shows the plot of t + a, as sought in the question.
a = 2;
plot = Plot[t, {t, -5, 5}];
Dynamic@ReplacePart[plot, 1 -> Translate[plot[[1]], {0, a}]]

A: Use Manipulate:
Manipulate[Plot[t+a,{t,-5,5}],{a,0,1}]

Now you can vary a between 0 and 1. If you want to plot a more complicated function you can do
f[a_, t_] := a + t;
Manipulate[Plot[f[a, t], {t, -5, 5}], {a, 0, 1}]

Edit
As a response to the OP's comment: Manipulate can also be used with a Locator, like this
Manipulate[Plot[Norm@p2*t + Norm@p1, {t, 0, 1}, PlotRange -> {0, 5}],
{{p1, {0, 0}}, Locator}, {{p2, {0, 0}}, Locator}]

A: If you want to use Dynamic try to make something like this:
Dynamic[a];
a = 0;
Slider[Dynamic[a]]
Dynamic[Plot[x + a, {x, 0, 6}]]

But, I recommend to use Manipulate, Dynamic is not a suitable tool for this.


text:
NJ weather: Hurricane Michael could be in NJ by Friday
Russ Zimmer
FOR THE LATEST ON HURRICANE MICHAEL, CLICK OR TAP HERE.
Now a hurricane, Michael is rapidly intensifying in the Gulf of Mexico, setting up a dangerous strike on the Southeast by mid-week.
The 13th named storm of the 2018 Atlantic Hurricane system was some 1,400 miles away from Philadelphia late Monday, but weather watchers say the newly minted hurricane could bring flooding to New Jersey by the weekend.
FLU SHOT: After 80,000 deaths last year, doctors urge people to vaccinated
Michael could rush past New Jersey just as a strong cold front settles in over the eastern U.S. with its own saturating rains.
"As of right now, it looks like the primary threat (from Michael) is going to be heavy rainfall," said Alex Staarmann, a meteorologist with the National Weather Service in Mount Holly. "Given that we've been so wet any sort of excessive rain would mean flooding and flash flooding across New Jersey."
Whether Michael's trajectory bends farther north toward New Jersey or hews closer to the National Hurricane Center's best guess, which takes Michael back out to sea near the North Carolina and Virginia border, is impossible to know at this point.
Michael is thrashing western Cuba Monday and expected to make landfall near Panama City, Florida, sometime late Wednesday.
"There is a real possibility that Michael will strengthen to a major hurricane before landfall," reads this morning's guidance from the NHC.
The storm was producing sustained winds of 75 mph, according to the latest readings. A Category 3 hurricane, which is considered a major hurricane, has sustained winds of more than 110 mph.
Blustery winds, however, are not likely to be a serious threat to New Jersey, Staarman said. The storm's precipitation potential has their attention, he said.
The Weather Prediction Center is estimating between 1 and 4 inches of rain for New Jersey this week through the end of Friday. That could be revised depending on Michael's track.
The storm will be considerably weaker by the time it arrives in the Garden State, but it will still be an organized system — not remnants.
"By the time it were to pass over New Jersey — if it were to come that far north — it would be transitioning from a tropical cyclone to a post-tropical cyclone," Staarman said.
A cold front is inbound for the weekend and Staarmann said the weather service will be watching both Michael's path and it's potential to interact with Michael.
His advice?
"Keep an eye on (Michael) and be mindful that we'll probably end up with some heavy rain," Staarman said. The video below shows what you should have on hand in case of a weather emergency.
SUBSCRIBE: Community coverage that makes a difference. Your support makes it possible.
This week will feature a little but of both summer and fall.
Until the cold front arrives, the NWS expects highs to hover near 80 degrees for much of New Jersey. The mild temperatures will be accompanied by a sticky humidity.
But by Saturday and Sunday, daytime max temperatures will struggle to get past 60 degrees in the northern half of the state and not much warmer elsewhere.
"While it will feel more like early or mid-September rather than October much of the week, a strong cool front will be following on the heels of the heavy rain," said AccuWeather Senior Meteorologist Carl Babinski in a post Monday. "So by the upcoming weekend, it will feel a lot more like fall in the Northeast."
NJ TAXES: Phil Murphy, lawmakers quietly approved millions in raises for legislative aides
Check back at app.com every day to see if severe weather is headed your way.
Russ Zimmer: 732-557-5748, razimmer@app.com, @russzimmer


text:
O'Reilly Wants Pentagon To Punish San Francisco
Reported by Deborah - March 11, 2006
Bill O'Reilly thinks Fleet Week, an annual San Francisco event, should be moved to another location claiming that the city's leaders have been "hostile" to the Military and don't deserve the revenue because they voted against making the USS. Iowa a museum and banned military recruitment on campuses. 3/9/06
O'Reilly started the segment next to a graphic of the Golden Gate Bridge with a large dollar sign in the sky with a biased banner reading MILITARY MOOLAH.
Thomas McIlnerney joined Bill in the call to punish the city. He called San Francisco's behavior " deplorable, unpatriotic and aiding Islamofascists".
O'Reilly acknowledged that San Francisco is free to believe that the Military violates the rights of gays but if San Francisco "spits in the eye" of the Military then they shouldn't benefit from Fleet Week. MCIlnerney said that there are some nice people in San Francisco but they have some "left wing freak nuts." O'Reilly quickly added " They're in charge."
When MCIlerney suggested that the American people should find other places to spend their money threatening a boycott, O'Reilly quickly objected, innocently suggesting that he couldn't hurt good people that way adding "I can't even go there because they signed a resolution demanding that FOX fire me." MCIlerney laughed heartily saying,"They're not going to fire our franchise player."
Later in the show O'Reilly praised the Washington Post for acknowledging that the 'Boycott France' campaign really hurt the country. He was especially pleased that they gave him credit by name for starting the boycott. Guess it doesn't matter if French people were hurt. If somehow Fleet Week is moved and San Francisco Tourism suffers, Bill O'Reilly will be more than happy to take the credit.
Categories: Biased Banners, Deborah's Thoughts, European Relations, O'Reilly Factor
Previous Entry: Prominent Chaplain Suspended, Accused of Anti-Americanism Based on Secret Tapes, reported by Marie Therese
Next Entry: Jim Rogers: End of DPW Deal Will Mean War, reported by Judy


text:
This can be done if she has canceled plans or just doesn't seem to want to make any real plans with you. It can also be used instead of the voice mail a few weeks after the non-reply on the two texts you sent her. It can even be used a few weeks after the voice mail, which is a few more weeks after the non-answer of texts. If she doesn't answer this, it's over.
I always text my girl that I hope I'm in her dreams and she always ends up dreaming about us and it makes her love me even more. She told me that I had some sort of power over her dreams that I could make her dream about me and dream about us. I was kind of shocked too but then I tried to do it on myself, like you know, wish myself a dream where we both were together and I dreamed of her. I actually did and it was amazing. I did it every single night and she was right, I had some sort of power over dreams. I tested my power out on her again. I told her that she would be dreaming of us fucking as a joke but she really did! She called me up and said she wanted me. LOL
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text:
Q: How to remove H1 title from CMS pages and category pages in Magento 2 I want to add the H1 title along with the description in the description filed for CMS pages and category pages.
How can I remove the H1 title for these pages but keep the H1 title for products pages?

A: If you just go into the admin and go to content > pages and click edit on home page (or any page), there is a section called design where you can paste in the xml you want to execute. In this case, if you add: <referenceBlock name="page.main.title" remove="true" />
It will remove the title from the home page.

A: Seeing as still nobody's posted what to edit for category pages, the XML file to edit is in /vendor/magento/module-catalog/view/frontend/layout/catalog_category_view.xml. The block to edit is pretty much the same as for CMS pages:
<referenceBlock name="page.main.title" display="false">

A: For removing the tittle from the home page you can just add <referenceBlock name="page.main.title" display="false"/> in your cms_index_index.xml. You can also use display true and false from where you want.

A: have you tried in cms_index_index.xml something like this?
<?xml version="1.0"?>
<!--
/**
 * Copyright © 2016 Magento. All rights reserved.
 * See COPYING.txt for license details.
 */
-->
<page xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" layout="1column" xsi:noNamespaceSchemaLocation="urn:magento:framework:View/Layout/etc/page_configuration.xsd">
    <body>
        <referenceBlock name="page.main.title" remove="true" />
    </body>
</page>

A: For removing the title from the home page you can just add <referenceBlock name="page.main.title" display="false"/> in your cms_index_index.xml. You can also use display true and false from where you want.
This thing works for me well now:
<page xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:noNamespaceSchemaLocation="urn:magento:framework:View/Layout/etc/page_configuration.xsd">
<body>
    <referenceContainer name="content">
        <block class="Magento\Cms\Block\Page" name="cms_page"/>
    </referenceContainer>
  <referenceBlock name="page.main.title" remove="true" />
</body>

place this code in cms_page_view.cml

A: Just add simple css
Get your page class in body and get your page name class with add css like
. Yourpagename .page_title h1 {display:none; }
Your problem is slove simple....


text:
Tumor Paint film a finalist for Sundance screening
'Bringing Light'—a short documentary about breakthrough discovery by Fred Hutch pediatric oncologist Jim Olson and team—is online; view and vote for 'Audience Favorite'
December 3, 2012 • By Kristen Woodward
Dr. Jim Olson, Clinical Research Division Photo by Susie Fitzhugh
A three-minute film about a tiny molecule that lights up brain tumors so neurosurgeons can better distinguish cancer from normal tissue has a chance for its own moment in the spotlight in the Sundance Film Festival in January.
"Bringing Light," about the Tumor Paint research led by the Clinical Research Division's Dr. Jim Olson, is among 20 finalists in a competition called "Short Films, Big Ideas," sponsored by Focus Forward Films. A jury will select the top five entries to be screened at Sundance 2013, with the grand-prize winner receiving $100,000.
Although audience voting doesn't factor in to the jury's selection of the winners, voting will count for "Audience Favorite" designation, so view the film, vote and and tell your friends. To date nearly 20,000 people have watched "Bringing Light." The deadline for casting votes is Dec. 20.
The film, directed by Bert Klasey, Chris Baron, and James Allen Smith, also features neurosurgeon Dr. Richard Ellenbogen, chairman of the Department of Neurosurgery at the University of Washington School of Medicine, among others.
Olson, also a pediatric oncologist at Seattle Children's Hospital, and his team developed Tumor Paint by re-engineering scorpion venom (chlorotoxin), which naturally targets brain cancer cells. They tagged it with a molecule that acts like a flashlight, causing brain tumors to "light up" during surgery so the margins can be seen more easily. The goal is to help surgeons remove as much cancer as possible while safely leaving normal brain tissue intact.
Tumor Paint is not yet in human use but is being developed by Blaze Bioscience, a Seattle biotech founded by Olson and Heather Franklin, president and chief executive officer.
The potential of Tumor Paint is not limited to brain tumors; it has been found in preclinical studies to light up prostate, colon, breast, and other cancers. It is anticipated that human trials in cancer patients will begin next year.
Tumor Paint also may aid in the early detection of various forms of skin cancer. Olson and colleagues have demonstrated the paint can light up nonpigmented skin cancers, which are sometimes dangerously difficult to detect.
"The work on Tumor Paint was funded primarily through financial gifts made to Fred Hutch and Seattle Children's Hospital by individuals, families, and businesses that place their trust in our researchers to invent and develop new lifesaving therapies," Olson said.
tumor paint


text:
Congressional Candidate Self-Quarantining, Other Pausing Campaigning During COVID-19
by Tom Sofield
One of the Democratic candidates for Congress is self-quarantining, and the incumbent Republican has ceased campaigning for the time being.
Dr. Christina Finello, the former deputy director of the Bucks County Housing and Human Services, announced on her campaign Facebook on Wednesday that she will be self-quarantining for next two weeks "out of an abundance of caution."
"I've been feeling rundown these past few days, and yesterday I had a fever. While I have been practicing social distancing for the past week and a half, I know campaigning prior to social distancing rules may have increased my risk of exposure to coronavirus. As such, I have decided to follow the public health best practices and take this extra precaution," Finello said.
The candidate said she "doing well."
Republican Congressman Brian Fitzpatrick announced last week that he had "ceased all campaign and fundraising operations and has focused 100 percent of our efforts on spearheading a volunteer mission in our community to collect items and provide assistance to those in need, to include our elderly citizens, our healthcare workers, our police officers, our firefighters, our medics, and all others who need our help right now."
None of the other candidates – Democrat Skylar Hurwitz and Republicans Fitzpatrick and Andrew Meehan – have reported that they are self-quarantining due to COVID-19 or other illness.
While Fitzpatrick, who stands in the lead in terms of fundraising and name recognition, has paused campaigning, the other candidates appear to keep up efforts to gain voters, even if making their push virtually.
Hurwitz has been hosting online town halls and answering voter questions, while Meehan has been posting campaign materials on social media, streamed a concert from his shed, and released information on his lawn signs. Finello has been posting various health resources and has planned a virtual fundraiser with Montgomery County Commissioner Dr. Val Arkoosh, Congresswoman Madeleine Dean, former Congressman and U.S. Under Secretary of the Army Patrick Murphy, and former congressional candidate Scott Wallace and his wife Christy. Ticket prices for the virtual fundraiser range from $50 to $2,800.
Candidates for office are often exposed to numerous people very day and often make physical contact through handshakes.
"I encourage anyone who thinks they may have been exposed or is feeling under the weather to take the necessary precautions—self-quarantine, monitor your symptoms, and call your doctor to determine if you need to be tested," Finello said.
All the candidates have postponed in-person events into next month.
The primary election has been pushed from April 28 to June 2.
Editor's Note: Publisher/Editor Tom Sofield's father, Chris, is Meehan's campaign manager.
New Unemployment Numbers Shows COVID-19 Wreaks Havoc On Economy
10 Known Bucks County COVID-19 Patients Have Recovered
Tom Sofield
Tom Sofield has covered news in Bucks County for five years for both newspaper and online publications. In 2012, Tom was honored at the Pennsylvania Newspaper Association Foundation's Keystone Press Awards for his coverage of President Obama's visit to Falls Township in 2011. When he's not covering news in the area, Tom enjoys checking out the newest restaurants and bars, exploring forgotten places of industry in the area, going to local parks and spending time with his friends and family. If there's one thing you should know about Tom, he is a local news junkie through and through. Email: tom@newtownpanow.com Phone: 215-431-1001
Elections • Government
Nearly All Votes Counted Following Last Week's...
Congressman Fitzpatrick Declares Victory Over Andrew...
Christina Finello Claims Victory In Democratic...
Don't Expect Primary Election Results Right Away
Cops, Courts and Fire • Elections • Government
County Judge Grants Extension For Mail-In Ballots
A Look At How Candidates Campaigned During The Pandemic


text:
Share this Story: Korda's Beaver Den spoofs children's TV shows
Korda's Beaver Den spoofs children's TV shows
In a fashion, it's like those old Mickey Rooney-Judy Garland movies -- the kids got together and put on a show.
May 21, 2014 • June 25, 2020 • 2 minute read • Join the conversation
The Beaver Den cast from Korda Production Youth Group assemble for a photo at Kordazone Theatre earlier this week: Tracey Atin, left, Gemma Cunial, Noah Beemer, Matt Alexander, Hope Foreman, Kyle Pitre, Josh Mills, Justin Caruana (also as The Beaver) and Rebecca Latreille. (NICK BRANCACCIO / The Windsor Star)
In a fashion, it's like those old Mickey Rooney-Judy Garland movies — the kids got together and put on a show.
The Beaver Den, a Canadian musical that spoofs children's TV, is the result of months of meticulous work by members of Korda Artistic Productions' youth wing, Extension Korda.
Korda's Beaver Den spoofs children's TV shows Back to video
Extension Korda consists of five co-op students from area high schools, and three University of Windsor students.
So they aren't technically kids — they range in age from 15 to 21 — but they're rookies when it comes to staging an entire show. They performed under the watchful eyes of Korda founding director Tracey Atin and her husband, Bob Godden.
The co-op students are from area high schools: Gemma Cunial, producer and marketing director, Holy Names; Hope Forman, choreographer, Cardinal Carter; Noah Beemer, assistant director, Rebecca Latreille, actor, and Talia Ryckman-Klein, director, all from Walkerville Centre for the Creative Arts.
They handled most of the behind-the-scenes tasks. Alex Leigh, also from Holy Names, was music director.
They got help from three University of Windsor students: Justin Caruana, Matthew Alexander and Kyle Pitre.
"It has been a real treat working with these young people the last few months," said Atin, who plays a role in the show as an aging kids' television host.
"The Beaver Den is about a drive to keep a children's show from disappearing. It's the ideal vehicle for this group."
Atin said she saw a production of The Beaver Den at a fringe festival in Toronto and loved it.
"It's a young person's show, a really goofy and cheesy look at Canadian culture," she said.
The show opens Thursday at 8 p.m. at Kordazone, 2520 Seminole St., continuing Friday with a special 1 p.m. matinee, Saturday at 8 p.m., and closing Sunday at 2 p.m.
Tickets for Thursday, Saturday and Sunday are $15 adults, $10 students. Friday's matinee is a fundraiser for Gay-Straight Alliances and tickets are all $8.
To order, call 519-562-3394.
Oh, and the name of the group, Extension Korda, betrays Atin's playful penchant for puns. Extension cord. Get it?
tshaw@windsorstar.com
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This poem was first published by Silver Birch Press.
Alexander Limarev, freelance artist, mail art artist, poet and curator from Russia. Participated in more than 400 international projects and exhibitions.His artworks as well as poetry have been featured in various online publications including EXPOESIA VISUAL EXPERIMENTAL, THE NEW POST-LITERATE: A GALLERY OF ASEMIC WRITING, UNDERGROUNDBOOKS.ORG, BOEK861, TIP OF THE KNIFE, BUKOWSKI ERASURE POETRY ANTHOLOGY (Silver Birch Press), KIOSKO (libera, skeptika, transkultura), SIMULACRO, ZOOMOOZOPHONE REWIEW, ICONIC LIT, M58, METAZEN, UTSANGA, MAINTENANT etc.