The next advancement in glass could be upon us in the form of nanotechnology.
Since the accidental invention of glass by Phoenician sailors 7,000 years ago, technological advances over the centuries have resulted in the development of broad sheet glass followed by crown glass, cast glass, drawn sheet glass and finally float glass. The next advancement in glass could soon be upon us in the form of nanotechnology.
The science now exists to practically eliminate surface reflections from glass, creating "invisible" glass. Watching television, working at a computer screen, taking photographs, or using a smart phone outdoors can all be negatively affected by glare created by the reflection of light. Not only will this technology improve the user experience for consumer electronic displays, it can also enhance the energy-conversion efficiency of solar cells by minimizing the amount of sunlight, and therefore energy, lost to reflection. When developed into a viable commercial process, reflection-free glass will certainly allow for some very creative architectural building designs while providing crystal-clear views at night from inside a lit room. When combined with low-E coatings, because light will not be reflected, the energy performance qualities of the coating will be maximized.
Next you might ask why glass reflection happens in the first place. Consider that light travels through air at around 300,000 kilometres per second but when it gets to a piece of glass it can suddenly move at only 200,000 kilometres per second. This results in a photonic traffic jam of light at the glass surface creating a reflection. Each piece of clear glass reflects eight per cent of light. But the addition of a nanosized layer on the surface acts as a buffer between the air and glass, changing the speed of the light gradually instead of suddenly, allowing all of the light to transfer through the glass and thereby virtually eliminating a reflection.
Although there are applied coatings in the market that address glare on picture glass and specific colours seen through eye glasses, these treatments deal with only one wavelength of light whereas the nanotextured layer developed by Black and his team transmits the full spectrum of visible wavelengths. Their revolutionary process doesn't add a coating that could be scratched or damaged but actually changes the physical properties of the glass. Additionally, not only does this treatment make the glass invisible and eliminate glare, it also makes it water-repellent, self-cleaning, and anti-fogging. Just imagine driving your car with this glass in your windshield!


When you have the required privileges, you can add the content of your Zendesk instance to your Coveo organization. The source can be shared, secured, or private (see Source Permission Types).
In the main menu, under Content, select Sources > Add source button > Zendesk.
In the Sign in to Zendesk window that appears, enter your Zendesk subdomain, and then click Sign In.
Enter the Email and Password of a Zendesk administrator account that has access to the desired content.
Click Allow to allow Coveo to access your Zendesk content.
You cannot change the source name once it is created.
Private - Only you, the source creator.
Under Options, select the objects you want to make searchable.
If you chose to create a secured source, under Permissions, specify who should have access to the content (see Source Security). This parameter is ignored when your source is shared or private.
Optionally, consider editing or adding mappings between Zendesk item metadata and fields in your Coveo Cloud organization (see Manage Source Mappings).
Back in the Coveo Cloud administration console Sources page, you can review the progress of your Zendesk source addition or modification (see Manage Sources).


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Shop Women's Clothing & Dresses
Shop the latest trends in women's clothing and dresses online at Esther Boutique. Esther is your destination for the latest in designer dresses and womenswear from Australian and international designers including Finders Keepers, Blessed Are the Meek, Jetset Diaries, Ministry of Style and more. Look stylish in our new arrivals like lace cocktail dresses and trendy playsuits, making a wardrobe update a breeze. Browse our new arrival formal dresses, day dresses and cocktail dresses, tops, playsuits and more and keep up-to-date with the latest trends in women's clothing. Shop women's clothing online with Esther for a hassle-free experience.

redpajama_set_name: RedPajamaCommonCrawl


This vast space is located on one of the busiest streets in Harlem, it is ideal for Pop-Up Stores, Brand and Product Launches and Events.
Housed in well-kept historic building, the space has vastly high ceilings and has an open plan with original columns and an open and expansive atmosphere. The interiors are industrial with concrete floors, white walls and exposed piping. Unique arched windows fills the space with natural light.
This space is located close to Marcus Garvey Park and benefits from good foot traffic in a busy corridor from East Harlem.


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Vie Tonique
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Tip Trick
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Top 24 Richest People in the World in 2019
Wondering who are the richest people in the world? Here is our 2019 ranking. Discover the richest person now!
Wealthy people tend to arouse their interest. Although most people have a pretty good idea of who the richest people in the world are, the majority of them do not know how these people managed to make their fortune or how much it amounts to. Discover now the 24 richest people in the world in 2019. These people have changed the game and helped to transform and reshape the world. The net worth of these billionaires has fluctuated enormously over the past year.
24. Leonardo Del Vecchio
Net worth: $19.8 billion
If you have vision problems, you may know this man. Indeed, this Italian entrepreneur is the founder and president of Luxottica, a company specializing in glasses and lenses.
23. Gennady Timchenko
Timchenko is known as a great Finnish businessman. He founded Volga Group. This investment group specializes in transport, energy and infrastructure. This businessman is also a philanthropist.
22. Susanne Klatten
CTech
Net worth: $21 billion
Susanne Klatten is also part of our 2019 ranking. Indeed, this German woman is the daughter of Herbert and Johanna Quandt, which makes her one of BMW's heirs. His fortune is $21 billion.
21. Elon Musk
This name is probably no stranger to you. This is not surprising! This wealthy man is known for his contribution to the world of technology. In fact, Elon Musk, who is an entrepreneur, business leader and engineer, is a director of Tesla.
20. David Thomson
David Thomson is also a man whose fortune is most impressive. This Canadian businessman was president of the Zellers chain and founded the real estate firm Osmington.
19. Ma Huateng
Ma Huateng is a Chinese business magnate, investor, philanthropist, engineer, technology and Internet entrepreneur. He is also the founder of Tencent, which is the largest company in Asia.
18. David Koch
David Koch is Charles Koch's brother and Executive Vice President of Koch Industries. David and Charles both have a 42% interest in the conglomerate. David is an extremely rich man… and intelligent!
17. Charles Koch
Greenpeace USA
Charles Koch is an American businessman and philanthropist. Koch is co-owner and CEO of Koch Industries. Koch Industries now includes process and pollution control equipment and technologies, polymers and fibres, minerals, fertilizers, commodities trade and services, forest and consumer products and ranching. Like his brother David, he has an incredible fortune.
16. Steve Ballmer
MSPoweruser
Steve Ballmer is the current owner of the Los Angeles Clippers of the NBA, and he is also the former CEO of Microsoft. Its net worth is currently estimated at $49.1 billion.
15. S. Robson Walton
Rob Walton is Sam Walton's eldest son and was Chairman of the Board of Walmart after his father's death until 2015.
14. Sergey Brin
Sergey Brin and Larry Page co-founded Google in 1998, in a simple small garage. The duo led Google to the top, placing Sergey Brin a few places behind Page in this list of the world's richest people.
13. Alice Walton
Alice Walton is the daughter of Sam Walton, heir to the Walmart fortune. She founded the Llama Company in 1988, but it has since closed. Today, Alice Walton's net worth is estimated at $49.4 billion, making her the 14th richest person in the world. According to Walton: "I know the price of lettuce. You must understand the price and value. You buy the best lettuce possible at the best possible price."
12. Jim Walton
Jim Walton is the son of Sam Walton, founder of the world's largest retail chain, Walmart. He sits on the Board of Directors of Walmart and is Chief Executive Officer of his own company, Arvest Bank. In 2019, Jim Walton's net worth was $50.3 billion.
11. Larry Page
Hitberry
Larry Page is the co-founder of Google, which was founded in a garage in 1998. Google, without a doubt, has become the most advanced search engine in the world, and the company has continued to make various acquisitions such as YouTube. Google's success has made Larry Page one of the richest people in the world.
10. Mukesh Ambani
Mukesh Ambani is an Indian business magnate, currently President, Chief Executive Officer and majority shareholder of Reliance Industries Limited (RIL). Ambani is the richest man in Asia for some time now, and this year he was ranked on the list of the richest in the world! He has already said: "Today, I see a billion people as a billion potential consumers, an opportunity to create value for them and to make a return on investment for myself.
9. Françoise Bettencourt Meyers
Françoise Bettencourt Meyers became the reigning heiress of L'Oréal when her mother, Liliane Bettencourt, died in 2017. She currently heads the holding company as President, with her family holding 33% of L'Oréal's share capital.
8. Carlos Slim Helu
Carlos Slim Helu is a Mexican businessman and investor who owns the conglomerate'Grupo Carso'. The conglomerate's portfolio consists of brands in many different sectors, such as healthcare, media, energy, real estate and retail. Carlos is 8th on this list of the world's richest people, with a net worth of $60.1 billion. In recent months, Carlos Slim has lost nearly $6 billion of his net worth and has moved from 4th to 7th place.
7. Amancio Ortega
Amancio Ortega is a Spanish entrepreneur and founder of the Inditex fashion group. Inditex owns Zara, which is one of the most popular clothing chains in the world.
6. Larry Ellison
Larry Ellison is the co-founder of Oracle Corporation, and was also its CEO until September 2014. Over the years, Oracle has become an incredibly successful technology company, now 39 years old and employing more than 136,000 people.
5. Mark Zuckerberg
We all know Mark Zuckerberg as the founder of Facebook. Facebook has become the most popular and largest social media company in the world. And it all started in Mark's room at Harvard University. Mark Zuckerberg recently moved up from the third place, after losing a large portion of his net worth due to the Cambridge data scandal and various other issues that caused Facebook stock prices to fall.
4. Warren Buffett
Warren Buffett is an entrepreneur, American investor and CEO of Berkshire Hathaway. Buffett is the most successful investor in the world, and millions of other traders admire him for his success. Despite his fortune, Buffett still lives in the house he bought when he didn't even know what a billion dollars looked like.
3. Bernard Arnault
Bernard Arnault is Chief Executive Officer of LVMH (Louis Vitton Moet Hennessey).
The company was born from the merger of the two companies. Louis Vitton is the most successful luxury fashion brand in the world, and Moet Hennessey is the merger of champagne and cognac manufacturers.
2. Bill Gates
Net worth: $102.1 billion
Bill Gates is the founder of Microsoft and has been the richest man in the world for several consecutive years. Mr. Gates founded Microsoft in 1975 with Paul Allen. Microsoft has since become the world's largest PC software company.
Net worth: $153.72 billion
Jeff Bezos is the founder of Amazon, one of the largest and most popular companies on the web. Amazon started as a simple online bookstore in Jeff's room, and initial sales were slow.
In 2019, Jeff Bezos became the richest man in the world, after adding $40 billion to his net worth last year! Amazon is taking important steps, after recently acquiring Wholefoods, launching the expedition of drones and a host of other impressive ideas.
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The Coup. 1953, the CIA, and the roots of modern U.S.-Iranian relations. By Ervand Abrahamian
am 16. Juni 2013 11. Dezember 2018 von amortasawiin Bilder gegen den Krieg, Books, Ervand Abrahamian, Verfallendes Land
The Coup. 1953, the CIA, and the roots of modern U.S.-Iranian relations.
By Ervand Abrahamian*
The New Press, New York, 2013
۞۞۞
page 2 to 5:
«… Much has been written on the 1953 Coup. Much has also been written on the 1951-53 oil crisis. One could well ask, So why yet another book on the same topics? The aim of the present book is to challenge on two separate grounds the conventional wisdom established by previous works. First, it questions the conventional notion that the British negotiated in good faith, the United States made serious attempts to act as an honest broker, and Mossadeq failed to reach a compromise because of his intransigence – traced invariability to his presumed "psychological makeup" and Shi'i "martyrdom complex"… »
«… The present book counterargues that compromise was unattainable simply because at the very core of the dispute lay the blunt questions of who would control the oil industry – its exploration, production, extraction, and exportation? Would control be in the hands of Iran or the Anglo-Iranian Oil Company – or, possibly, a consortium of large oil companies known at the time as Seven Sisters? For Iran, nationalization meant sovereign control. For the oil companies, Iranian nationalization meant loss of Western control – something deemed unacceptable in the early 1950s. Pseudonationalization – nationalization in form but not in substance, in theory but not in practice – although heralded far and wide as a "fair compromise" by both the British and the Americans was in reality at best a meaningless oxymoron and at worst a deceptive smokescreen. In the years 1951 through 1953 neither the British nor the Americans were in any way willing to accept real oil nationalization.
Second, this book questions the conventional wisdom that places the coup squarely and solidly within the context of the Cold War – within the conflict between East and West, between the Soviet Union and the United States, between the Communist Bloc and the so-called Free World… »
«… This book, by contrast, will try to locate the coup firmly inside the conflict between imperialism and nationalism, between First and Third Worlds, between North and South, between developed industrial economies and underdeveloped countries dependent on exporting raw materials. Since the issue at stake was oil, the book argues the United States had as much invested in the crisis as did Britain. The United States, thus, participated in the coup not so much because of the danger of communism as the repercussions that oil nationalization could have on such faraway places as Indonesia and South America, not to mention the rest of Persian Gulf. Control over oil production did eventually pass from Western companies to local states in the early 1970s, but such a loss was deemed unacceptable in the early 1950s. Some may remain nostalgic for the "good old days" when production, of oil and therefore its price was safe in the hands of the major companies – and thus free from such "irresponsible cartels" as OPEC (Organization of Petroleum Exporting Countries). They would love to save so-called rentier states from the "curse of oil". Such nostalgia, however far-fetched now, was part and parcel of reality until just before the emergence of campaigns to nationalize oil. And this campaign in the Middle East was spearheaded by Mossadeq.
This book will argue that although the United States and the UK used the language of the Cold War – the dominant discourse of the time – to justify the coup, their main concern was not so much about communism as about the dangerous repercussions that oil nationalization could have throughout the world. It was precisely because of this that many Iranians admired – and continue to admire – Mossadeq. They see him as a national idol, equating him with Gandhi in India, Nasser in Egypt, Sukarno in Indonesia, Tito in Yugoslavia, Nkrumah in Ghana, and Lumumba in the Congo. In the age of anticolonial nationalism after World War II, Mossadeq, together with Gandhi and Nasser, appeared as trailblazers in the Third World. They remain so to the present day… »
(page) / subject
(ix) Preface
(xi) Chronology
(xv) Leading Personalities
(1) Introduction
(9) 1. Oil Nationalization
– (9) Origins
– (31) Mossadeq
– (48) Nationalization Campaign
– (64) The Oil Strike
– (74) Premier Mossadeq
(81) 2. Anglo-Iranian Negotiations
– (81) Control
– (108) The Hague (May – June)
– (113) Harriman Mission (July)
– (117) Stokes Mission (August)
– (123) Mission to the UN and the United States (October – November)
– (131) The Seventeenth Majles
– (138) July Uprising
(149) 3. The Coup
– (149) Preparations
– (161) Economic Pressures
– (170) The Coup Plan
– (183) Counterfeit Revolt
– (199) Coverage
(205) 4. Legacy
(227) Notes
(259) Bibliography
(265) Index
* Ervand Abrahamian (1940 – ) is a leading historian of the Middle Eastern. He was born in Iran and raised in England. Abrahamian received his M.A. at Oxford University and his Ph.D. at Columbia University. He is a distinguished professor of history at the City University of New York.
Further books:
Iran between two revolutions (Princeton University Press, 1982)
The Iranian Mojahedin (Yale University Press, 1989)
Khomeinism (University of California Press, 1993)
Tortured confessions. Prisons and public recantations in modern Iran (University of California Press, 1999)
Inventing the Axis of Evil. The Truth about North Korea, Iran, and Syria (Bruce Cumings, Ervand Abrahamian, and Moshe Ma'oz; 2005)
A history of modern Iran (Cambridge University Press, 2008)
CIA Confirms Role in 1953 Iran Coup
A conversation with Professor Ervand Abrahamian on the CIA coup of 1953 – Part 1
http://www.ifttv.com/interview-dr-abrahamian-1953-coup-iran/
OVERTHROW OF PREMIER MOSSADEQ OF IRAN 1952-1953
Bilder gegen den KriegBooksErvand Abrahamian
Fereydoun Moshiri: Ich spreche vom Licht. از نور حرف مي زنم. فریدون مشیری
درخت و هستی


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2019-2020 Retirement Recognitions
Dr. Davis recognizes and congratulates two staff members, Jeff Cartier & Mike Barikmo, on their retirement
As we approach the holiday weekend, I wanted to take a moment to recognize and congratulate two staff members on their retirement from the Shorewood School District, Jeff Cartier & Mike Barikmo!
Jeff Cartier
Jeff, or "Mr. C." as his students call him, taught ecology and ancient history to 6th graders at Atwater Elementary for the last eight years. In addition to being dedicated to his classroom, he was also one of the founders of the well-known Atwater Video Club which ran from 2012-2016 (along with Mr. Schiro and Mr. Boyer).
When asked about Jeff, here are what colleagues had to say about him:
"Jeff's retirement is certainly exciting but he leaves large shoes to fill at Atwater. His passion for teaching, students being leaders of their learning, and offering students a well-rounded experience are all things that make him a great teacher/colleague. Jeff is a staple in the Atwater Community and he will be missed. I wish him well on his much deserved retirement."
"We are going to miss Jeff immensely as a teaching team next year. It is difficult to even imagine doing this without him at Atwater. Jeff is truly dedicated to two things in his life-his wife and his students. He cares for them and their families and inspires them to be great. He is thoughtful, funny, compassionate and so so so knowledgeable. I have learned so much about history and civilizations from Jeff and he has a way of making our students fall in love with topics that I myself found boring as a kid. Beyond history, he has inspired hundreds of kids to become agents of change, whether through ecology projects or as human rights advocates. He is going to be greatly missed next year by both students and teachers and will leave a lasting legacy at Atwater School."
"Jeff has touched the lives of countless fellow educators, families and students here in Shorewood and Milwaukee for over 25 years. I have been extremely fortunate to work beside Jeff for the last 8. He will leave an incredible lasting impact on all of us. It is difficult to encapsulate all that he is in a paragraph. I cannot help but think of his eloquence for the written and spoken word and how my sentiments will not do him justice. Jeff regularly uses the term "partners" when referring to members of our teaching team, yet he himself is the epitome of an amazing partner. As a colleague, Jeff is collaborative, always contributing as well as listening. As a teacher, he engages his students in such a way that they always feel part of the team. Even more so, he makes learning interesting and inspiring. He has dubbed himself a "teacher of ecology and ancient civilizations" which is a great indication of how he challenges the kids to learn in a deep, complex and meaningful way. He has brought so much talent, laughter, compassion, knowledge and wit to our entire school community. We will miss him immensely."
"Jeff is an extremely dedicated teacher who goes the extra mile to connect with his students. He has realistic goals embedded with high expectations in his classroom each and every day. Jeff has a sense of humor that everyone can relate to and laugh along with, and he is incredibly loyal to those close to him. His calm demeanor and logical point of view put people at ease and make him instantly relatable to those who interact with him on a daily basis, both students and staff."
Jeff has enjoyed unparalleled collaborations with his teaching partners, Kerstin Mestelle and Carrie Zuithoff. He has had a fantastic time at Atwater where his colleagues have been dynamic and professional, his kids super fun and engaged and his families incredibly supportive and generous.
He will miss everyone but has plans while in retirement to finish writing a novel, produce at least one award winning documentary and catch up on his reading list!
We will miss you Jeff.
Mike Barikmo
Mike, or "Mr. Mike" as students called him, served as the head custodian of Shorewood Intermediate School for the last seven years. He was very dedicated to keeping the school running as smoothly as possible at all times and prided himself in maintaining cleanliness throughout the campus.
When asked about Mike, here are what colleagues had to say about him:
"We appreciate the dedication Mike has demonstrated to our students, staff and building. No two days are the same when you work in a middle school and Mike has always been willing to step in, help out, and provide support when needed. We will miss his presence in the building and wish him the best in his future plans."
"A few years ago, Atwater was giving away a desk. I asked for it and it was delivered to SIS. Mike saw it and told me he was surprised I wanted it, because it was not in great shape. I assured him that I did, explaining that it's a really nice, old piece of furniture.
Several weeks later, I came back after Spring Break to a completely and beautifully refinished desk! We are going to miss Mike, his kindness and his desire to make sure things are done the right way are two qualities that have made Mike a great Head Custodian."
"Mike is always kind and extremely helpful. He took great pride in all the projects he worked on within the District and he did a great job. He will be greatly missed!"
"Mike was exceptionally generous in sharing gifts from his home garden: the best tomatoes and peppers and homemade maple syrup you ever tasted."
"Mike is the kind of guy who was always there if you needed him. If you had to get into the building extra early, Mike would make sure to be there to let you in, no matter the time … he also went the extra mile to form connections with some students, especially those who were interested in aviation, which is a passion of his. He even helped raise money for a student to go to aviation camp for one week. And he always put extra effort into getting to know and assisting the new teachers when they started."
"Mike was always available and helpful when I needed him around the school, I always knew I could rely on him. I really enjoyed his life stories, he is a very friendly and interesting man who has many and diverse life experiences. We shared many laughs together. I will miss him."
Mike has enjoyed his experiences in the District and will miss coming to SIS every day, but has many ideas for what he wants to do in retirement. He hopes to get back into working with the Cedarburg American Legion Post, spending more time with his three-year old grandson, and working on his tree farm, among other things.
We will miss you Mike.
Dr. Bryan Davis (on behalf of all District staff)
Shorewood School District
1701 E Capitol Dr, Shorewood, WI 53211 T: 414-963-6900
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News / Weather Forecasts
Offshore storm to send more chilly rain, heavy mountain snow to California
By Bill Deger, AccuWeather senior meteorologist
Published Dec 2, 2022 12:25 PM EST | Updated Dec 4, 2022 5:08 AM EST
Another storm will take aim at California through Sunday and threaten to cause more travel issues after a previous storm carrying rain and heavy mountain snow affected a large part of the state during the middle of last week.
Central and Northern California will bear the brunt of this new storm, but some rain could even make it as far south as the Los Angeles area as the storm joins up with an existing flow of moisture coming in off the Pacific Ocean, AccuWeather forecasters say.
The storm first brushed the Pacific Northwest coast into Friday night before sinking south along the coast for the weekend.
"Storms that tend to hover just off the Pacific coast, rather than push steadily inland, can be a bit tricky to forecast," said AccuWeather Senior Meteorologist Alex Sosnowski. "However, it seems this storm will hover close enough to funnel a significant amount of moisture toward California."
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Rain spread across the northwestern coast, San Francisco Bay Area and Central Valley regions Saturday, while the Klamath and Sierra Nevada mountain ranges started to endure another round of heavy snow after feet of snow fell earlier in the week.
By Saturday night and Sunday, the precipitation will be at its heaviest, slowing travel over a large portion of the state. At this point in time, AccuWeather meteorologists expect the rain to make it into parts of Southern California. Rain should reach Santa Barbara and Ventura Counties by Sunday morning, before shifting closer to downtown Los Angeles by the afternoon hours, according to the latest forecasts.
"Exactly where the bands of heaviest precipitation will set up is not set in stone, but beneath those bands of rain and mountain snow, heavy rates are possible with the potential for localized flooding and debris flows, as well as travel-snarling snow in the Sierra Nevada," added Sosnowski.
Rainfall will total 0.5 of an inch to 1 inch in some areas, especially the central and northwest coasts, as well as the foothills of the Sierra. Farther up in elevation, above 4,500 feet, fresh snowfall totals will range from 1 to 3 feet. Travel through the passes will be extremely difficult for a time, including on Interstate 80 at Donner Pass.
Forecasters say the storm won't be all bad news, as any precipitation is welcomed because of the long-term ongoing drought in the Golden State. According to the latest U.S. Drought Monitor released on Thursday morning, 100 percent of the state is at least abnormally dry, with nearly 85 percent of the state categorized to be enduring severe drought or worse.
In the wake of the storm, lingering atmospheric energy will allow showers to linger into Monday and Tuesday before yet another storm approaches from the Northwest in the mid- to late-week period. After that, there are signs that a building ridge of high pressure could finally lead to a prolonged, drier period beginning around next weekend.
5 things to know about the weather this winter
More than 70 water agencies in California could face water shortages
Ski season is underway: See what areas will have the best snow conditions
Want next-level safety, ad-free? Unlock advanced, hyperlocal severe weather alerts when you subscribe to Premium+ on the AccuWeather app. AccuWeather Alerts™ are prompted by our expert meteorologists who monitor and analyze dangerous weather risks 24/7 to keep you and your family safer.
AccuWeather Weather Forecasts Offshore storm to send more chilly rain, heavy mountain snow to California


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North Dakota could pass an affordable insulin bill: 'It's literally life or death'
North Dakota lawmakers will soon consider a bill that caps a 30-day supply of insulin at $25 upfront for consumers who are insured under a North Dakota health insurance plan.
Written By: Michelle Griffith | Jan 9th 2021 - 7am.
A North Dakota Senate bill would cap the amount people have to pay upfront for insulin medication at $25. Hillsboro, N.D., resident Angela Kritzberger has paid up to $1,200 for a 30-day insulin prescription for her daughter Nina. David Samson / The Forum
HILLSBORO, N.D. — Twelve-year-old Nina Kristzberger is an active sixth-grader who swims and plays softball, basketball and volleyball. She wants to be known simply as good-natured "Nina," rather than a girl living with a lifelong disease — Type 1 diabetes.
Nina was diagnosed at 7 years old with Type 1 diabetes, an autoimmune disease where her pancreas does not create insulin — a hormone the body uses to allow blood sugar to be made into energy. Without insulin, people can experience high blood sugar and a plethora of symptoms that often come with diabetes, including nausea, vomiting, weight loss, stomach pains and others.
In January 2019, Angela Kristzberger, Nina's mother, refilled her daughter's 30-day insulin prescription and paid $1,200 at the pharmacy. After her family met their $5,000 deductible, she began to pay $120 in coinsurance each time she refilled the prescription. Kristzberger said she now pays a $2,500 monthly premium for her family of six, and even though her family is doing OK financially, she worries for the many families who struggle to pay for the expensive, life-saving drug.
The Kristzbergers run a modest sugar beet and small grains farm in Hillsboro, N.D., about 40 minutes north of Fargo. Since they are self-employed, they pay 100% of their health insurance needs.
"My concern is for everybody that isn't able to afford insulin," Kristzberger said. "It should never come down to, 'Should I pay rent?' 'Am I going to make a car payment?' 'Should I buy insulin?' The first choice has to be insulin because it's literally life or death."
Sen. Dick Dever, R-Bismarck, filed a bill to the North Dakota Legislature on Friday, Jan. 8, that will cap the amount a person with a North Dakota health insurance plan pays in either copay or coinsurance to at most $25 when picking up the medication at a pharmacy or distributor. The health insurance company would shoulder the rest of the cost.
Similarly, the proposed bill also states a policy may not charge a person more than $25 for medical supplies related to administering insulin and dosing it, such as glucose meters, glucose test strips and blood ketone meters, among other supplies.
The bill would break ground for North Dakota, as only 13 states have passed an insulin capping bill up to this point, according to Christine Fallabel, director of state government affairs at the American Diabetes Association. Approximately 51,000 North Dakotans are living with diabetes, of which about 30%, or about 15,300 people, require insulin, Fallabel said.
Fallabel said the American Diabetes Association will provide testimony in favor of the bill, as well as meet with legislators throughout the bill's progression to advocate for it.
"(The bill) would create excellent momentum and it would further help raise awareness that more solutions are needed to address this problem," Fallabel said in a statement. "And importantly this bill would provide economic relief to the North Dakotans which is so important during the pandemic."
The cost of insulin has increased significantly over the past decade, with the average price of a prescription doubling from $344 in 2012 to $666 in 2016, according to the Health Care Cost Institute.
Some health experts argue there is no valid reason for insulin to significantly increase in price like it has, especially since it has been used by Americans for more than a century.
"Pharmaceutical companies are charging far more than they need to for insulin ... and it seems to me that Big Pharma is charging those kinds of dollars because their customers don't have any choice," Dever said.
The proposed bill is essentially an insurance mandate, which Dever said he generally opposes. This bill is an exception, Dever said, because people are dying due to the high cost of the drug. The bill was drafted by Sen. Tim Mathern, D-Fargo, but it was decided that Dever should be the primary sponsor as the Bismarck Republican's endorsement of the bill will likely garner more support in the Legislature.
"I don't see partisanship as an issue," Dever said. "(Lawmakers) have compassion for people who don't have choices."
Mathern said he drafted the bill to ensure people are treated equally and all people have access to high-quality care.
North Dakota has a relatively small population, with an estimated 760,000 residents. Because of this, Dever said it is difficult for the state to gain nationwide attention and aid from the federal government to help with insulin costs, so this is where North Dakota needs to step in.
In April 2020, Minnesota passed an emergency insulin bill after more than a year of negotiations. The Minnesota bill allows individuals who meet certain requirements to buy a 30-day emergency supply of insulin for $25 at most once each year. The bill is named after Alec Smith, a Minneapolis man who died in his apartment in 2017 after rationing his insulin.
Money vs. well-being
When Nina Kristzberger was first diagnosed, her family decided to take a mini-vacation to the Mall of America in Minnesota. Angela Kristzberger, coming from a small town of an estimated 1,600 people, had natural worries about getting separated from Nina in the 5.6 million-square-foot complex.
Angela Kristzberger had compounded concern, however, because she knew that if she wasn't there to administer Nina's insulin and monitor her glucose levels, Nina would die.
"It is a grieving process that you go through, because you know that every day of their life they depend on that liquid to stay alive," Angela Kristzberger said.
She said because her daughter plays so many sports and is a growing 12-year-old, she often depletes a 30-day supply of insulin in less than 30 days.
On Tuesday, Jan. 5, the Employee Benefits Programs Committee, a group of lawmakers that meets during the interim, discussed a draft of the insulin capping bill, and many of the members had concerns for it, including the fact that capping the price of insulin could lead to further prescription caps for other drugs.
The committee decided to make no recommendation in favor nor against the bill, but Dever said at the meeting that he's confident lawmakers will support the bill even without the committee's endorsement.
Blue Cross Blue Shield, one of the few health insurance providers in North Dakota, announced Tuesday that it was implementing a $5 copay for patients on their plans through the Affordable Care Act. The cap does not apply to all plans or cover coinsurance, Blue Cross Blue Shield lobbyist Megan Houn told the Employee Benefits Program interim committee on Tuesday. Coinsurance is the percentage of the full cost a person pays once their deductible is met.
Both Blue Cross Blue Shield and the Sanford Health Plan, two of the largest health insurance providers in North Dakota, emphasized that they are sympathetic toward people dealing with Type 1 diabetes and agree that the costs are too high. However, both have concerns with the way the insulin capping bill is currently written, as the larger issue is that drug manufacturers and wholesale companies are the ones increasing prices, and the federal government needs to step in.
"When we cap the (copay) for the member, we are inviting the current system and manufacturers to continue their price hikes," said Daniel Weiss, Sanford Health Plan's senior executive director of pharmacy.
Weiss said there is a delicate balance between what people on their plan pays upfront at pharmacies and monthly premium payments, and if the bill is enacted as it is written, it could increase premium prices for all members by a small amount.
Blue Cross Blue Shield said in a statement it is in favor of "deferring to health plans and providers who can actively choose coverage for medications for the overall needs of its members," rather than passing the bill as it is currently written.
"We believe that statutorily mandating insulin coverage is a narrow approach when we should be working more broadly to contain drug costs and include insulin manufacturers and drug wholesalers in the solution," BCBS North Dakota spokesperson Andrea Dinneen said in a statement. "Legislatively picking and choosing which maintenance drugs will receive mandated coverage is a slippery slope that prioritizes one person's condition over another's."
Danelle Johnson, a North Dakota diabetes advocate who has been working to make insulin more affordable for more than six years and whose daughter lives with Type 1 diabetes, said there are so many nuances that come with managing the disease. For example, she makes sure her daughter keeps with her some form of sugar boost, like candy or juice, just in case her blood sugar drops suddenly.
"It's easy for people to say, 'Oh, just take insulin and you're good,'" Johnson said. "But they really have no idea how complicated it is."
Because the price of insulin is high for many Americans, some have ventured to travel to Canada where the price of insulin is in some cases one-tenth of the price for the same product offered in the U.S.
Angela Kristzberger said she wants the bill to pass because she doesn't want her daughter to move to another state or country just because insulin is cheaper. Many people with Type 1 diabetes are doing "phenomenal" things, she said, including U.S. Supreme Court Justice Sonia Sotomayor.
"You know, I just want (people living with Type 1 diabetes) to be happy and healthy as they can be," Kristzberger said. "(Type 1 diabetes) is just a part of them. It's not who they are."
Readers can reach Forum News Service reporter Michelle Griffith, a Report for America corps member, at mgriffith@forumcomm.com.
Government and Politics Jan 8th 2021 - 6am
North Dakota to consider drug price transparency bill
Government and Politics Jan 8th 2021 - 5pm
North Dakota bill considers 'designated caregivers' to remedy tight pandemic visitation policies in nursing homes


You Have One of The Top 5 Percent Most Viewed LinkedIn Profiles for 2012!
LinkedIn has it figured out when it comes to ego bait. What's the definition of ego bait?
Ego bait is an incredible simple and often effective marketing tactic: Create a piece of content that lets other people or groups look good.
Now I do have to be a sceptic about this "top 5 percent". How many people actively use LinkedIn? Is it 15% of the 200 million users they have? If so then it would actually be pretty easy to get in the top 5 percent. Whether or not this is true, the campaign still seemed to work.
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A New AMD Radeon Software Adrenalin 2020 Is Available for
AMD has announced the availability of a new version of its Radeon Software Adrenalin 2020 Edition Graphics driver, namely the 19.12.2 (19.50.02) package, which implements support for the new Detroit: Become Human title and improves performance by up to 12% in select titles.
In addition to that, the current release also implements new features such as Radeon Boost (currently working on Overwatch, Borderlands 3, Shadow and Rise of the Tomb Raider, GTA V, Destiny 2, Call of Duty: WWII, and PUBG with FPS improvements of up to 38%) and Integer Display Scaling (upscales games with pixel art without losing the original look or sharpness).
Moreover, the developer manages to include DirectML Media Filters, add support for DirectX9 on pre-Radeon RX 5000 series GPU's, resolve the hangs seen in Star Wars Jedi: Fallen Order, redesign the Radeon Software UI, improve Radeon Image Sharpening function and AMD Link, as well as several other fixes as highlighted in the Release Notes below.
However, the 19.12.2 build might still encounter issues with Performance Overlay, Radeon FreeSync, Integer Scaling, Battlefield V, Performing Upscale, AMD Link, and other problems also described below.
Regarding compatibility, there are two downloadable files suitable for both desktop and notebook configurations running under one of Microsoft's Windows 7 and 10 OSes (only 64-bit architectures), as well as a Minimal Setup Utility targeted at the same platforms.
Therefore, remove any previous version present on your computer, save and run the appropriate package for your system, wait for all files required to be made available, and follow all instructions displayed on the screen for a complete upgrade.
With this in mind, if you consider applying this release, download AMD Radeon Adrenalin 2020 Edition Graphics Driver 19.12.2, install it and perform a reboot once finished. Also, check back with us to stay "updated one minute ago."
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10 fun facts about Dorney Park
Kathy Lauer-WilliamsOf The Morning Call
Looking back at 125 years of family entertainment...
1) THE SAGA OF HERCULES
In 1988, Dorney Park announced it was building the world's largest wooden roller coaster. The record-breaking coaster to be named "Hercules" would make good use of the park's sloping topography to create a 157-foot drop sweeping down the hill and over the lake at the east end of the park.
When the ride opened in 1989, Dorney Park found the title of world's largest coaster being challenged by the Texas Giant, a coaster at Six Flags Over Texas. Although Giant was taller than Hercules, it had a shorter drop, and Dorney took Six Flags to court over the claim.
Despite being rated as world class by coaster enthusiasts, Hercules struggled with maintenance problems. Alterations to the ride's structure made the run bone-jarring and bumpy. In 2003, Hercules was closed to make way for a floorless steel coaster named Hydra The Revenge, after one of the monsters Hercules was sent to destroy as one of his 12 labors in Greek mythology.
It seems Dorney's Hercules, unlike its counterpart, was ultimately defeated by the namesake of the mythical Hydra, a nine-headed serpent who was immortal.
2) MOVIE MADNESS AT DORNEY
Dorney Park first attracted denizens of the silver screen in 1968 when Columbia decided to shoot several scenes of "Where Angels Go Trouble Follows," a comedy about nuns at the park. The arrival of Rosalind Russell and the movie's other stars created a media circus. The film features shots of the the park's clown mascot Alfundo at the old entrance to the park, the Pirate's Cove, Journey to the Center of the Earth and the Scrambler, and the nuns and students take a ride on Thunderhawk.
Director John Waters tapped the park 20 years later to serve as a stand in for Tilted Acres, a fictional Baltimore park owned by character Franklin Von Tussle, played by Sonny Bono. Hundreds of Lehigh Valley hopefuls lined up to be extras for 1988's "Hairspray," which featured the park as a backdrop during a pivotal scene.
More recently the park was the setting for a music video of a Kidz Bop cover of the All-American Rejects "Move Along." The 2006 video by the tween group features singers riding Steel Force and performing around the park.
3) TROUT FISHING IN ALLENTOWN
The park, known for its thrill rides, began as a fish hatchery in 1870. Cetronia entrepreneur Solomon Dorney wanted to raise trout along the Cedar Creek to attract local anglers and to sell to fish markets. His "Fish Weir and Summer Resort" originally featured eight trout ponds and several picnic groves.
After adding a small zoo and some rides in 1884, Dorney renamed the grove "Dorney's Trout Ponds and Summer Resort," which is considered the official beginning of Dorney Park. The trout ponds continued for many years and fresh trout was a specialty at Dorney's Mansion House restaurant. Throughout the years, trout continued to thrive in the creek and became accustomed to being fed by park patrons.
Today, the massive fieldstone fountain built in one of the original trout ponds by Robert Plarr, who bought the park in 1923, still attracts patrons to feed trout.
4) LARGEST POOL IN THE WORLD
In 1901, Dorney Park opened what was billed as the largest artificial pool in the world. The pool, which had a sand bottom and beach, was filled with the chilly water from the spring-fed Cedar Creek. The very popular attraction offered free swimming lessons and later was used by the Allentown High School swim team for practice. Changing state regulations doomed the popular attraction, and in 1962, the pool was closed.
The old bathhouse was transformed into enclosures for exotic animals at Dorney's Zoorama. Half the pool became a home for sea lions and the other half housed motorized whale boats.
In 1985, in the midst of national water shortage, Dorney voluntarily closed the 650,000 gallon pool and emptied the water back into the Cedar Creek.
5) DANCING AT CASTLE GARDENS
In 1927, Dorney Park added an open-air, wooden dance pavilion, calling it the Al-Dorn Ballroom. Enclosed and renamed Castle Gardens in 1935, the 8,000-square-foot dance hall was a hit, hosting big band names of the time, from Tommy Dorsey to Count Basie, as well as local proms.
As tastes changed over the years, Castle Garden changed with them, presenting rock music in the 1950s and '60s. In the '70s and '80s Castle Garden chased trends, becoming a roller disco and then a country swing club, complete with a bucking mechanical bull ala "Urban Cowboy."
The dance hall also was where, in 1936, long-time park owner Bob Ott met his wife Sally, the daughter of the prior owner Robert Plarr. Ott often quipped "I married the boss' daughter."
In 1985, a fast-moving fire destroyed the all-wood structure, ending the ballroom's storied history.
6) DORNEY PARK ROAD
Solomon Dorney's original property that eventually became Dorney Park was located south of a dirt road that paralleled Cedar Creek. As the park grew, so did the road, once known as the "state highway" to Reading. Dorney Park Road ultimately became a paved, two-lane road that bisected the park, separating the upper section where the entrance is now located from the lower section, where Steel Force is located.
For many years, a local police officer was part of Dorney Park's charm, as he directed people crossing the road with his distinctive hand-operated stop and go turnstile. Rather than install a traffic light, a policeman manned the crossing during park hours as long as it remained open to through traffic.
In 1979, South Whitehall Township decided to close the section of road through the park after a car struck and killed a pedestrian. The following year the entire park was enclosed by a fence.
7) ZEPHYR
During the Great Depression, amusement parks struggled to stay in business and Dorney Park was no exception.
In 1935, owner Robert Plarr had a new miniature train ride built that was patterned after the Pioneer Zephyr, the first streamline train that had set a national speed record a year earlier. Nicknamed the "Silver Streak," the train made a non-stop dawn to dusk run from Denver to Chicago in just over 13 hours, hitting a top speed of 112.5 mph.
The new ride, originally called the Zephyr Jr., was painted silver to look like its stainless steel namesake but it travelled much more slowly through meadows away from other rides. Credited with saving the park, the train continued to take riders around the park, passing first the swimming pool and picnic groves and later making a stop at Zoorama.
Today the Zephyr, now painted purple, still makes the same route in a round trip ride, but now it passes rides like the Monster and Possessed.
8) LASER ERA
Not to be outdone by other parks like nearby Hersheypark that had the Sooperdooperlooper, Dorney Park decided to add a roller coaster with a 360-degree loop. The new ride, that went one better with two loops, was one of only two like it at the time and was originally named Colossus. The ride was built on the site of the former Zoorama.
The following year, another amusement park complained that it already had a coaster named Colossus and the ride was renamed Laser. Local radio station WAEB 104.1, which had just gone to a digital format, joined with the new ride and became Laser 104.1 with matching logos.
The coaster that dropped riders 90 feet at 50 mph before flipping them end-over-end twice was an instant attraction. Although the radio station abandoned the Laser name in 1991, Dorney Park added a high-tech laser light and sound show in 1997 that was projected onto a giant screen 40 feet high by 50 feet wide. The Laser Light Spectacular continued nightly until 2001, and in 2008, the coaster, which had been designed as a portable rather than a permanent ride, was removed.
Little Laser, a children-only version of the Laser, was opened across from the ride. It is still operating.
9) DORNEY PARK SPEEDWAY
Developed on a former baseball diamond, Dorney Park's racetrack would eventually attract thousands of fans to watch eagerly anticipated races, thrill shows and demolition derbies on weekend nights. In 1939, Dorney turned the spot where Hydra the Revenge now sits into a three-quarter midget race track. On Sunday afternoons, fans would watch the races on the one-fifth-mile paved oval track.
Later, the track was expanded to offer stock car races on Friday and Saturday nights and operated as an independent track. In 1953, when Dorney Park Speedway was sanctioned by NASCAR to operate stock car race championships, the track attracted as many as 4,000 people a night.
The track helped make stars of midget racer Doc Shanebrook and Doug Hoffman, who moved on to dirt modified racing. Other racers, such as Fran Hardner, went on to race at Nazareth Speedway.
During its heyday, Dorney Park even published its own Park Report stock racing magazine showing Alfundo, the park's clown mascot, in a stock car. Although midget racing returned in 1972, the track was closed in 1987.
10) SHOWBOAT TRIP
Patterned after a Mississippi River boat, the Showboat at Dorney Park was a throwback to a simpler time. The ride, which ran continuously from the 1950s through the 1970s, would take groups of people on a leisurely ride around Dorney Park's man-made lake, where they could watch the park's resident white swans and mallard ducks. The ride was especially popular with families with young children, and in the 1950s then-owner Robert Plarr could be found piloting the boat.
In 1962, the Showboat sank in the lake's waist-deep water. When it started taking on water, about 40 people had to wade through the water about 15 feet to reach dry land. The water was pumped out and the boat returned to service for another 20 years.
STORIES: The Dorney Park Archives
ARCHIVE PHOTOS: Dorney Park Roller Coasters
PICTURES: Wildwater Kingdom
Copyright © 2020, The Morning Call
Dorney Park and Wildwater Kingdom
Metal and Mineral
Insider Guide


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Crispy Pork Chops with Fennel, Red Onion and Apple
I love "Milanese", which is basically what this recipe is. Veal Milanese is its much more expensive cousin. In Argentina, where it's wildly popular, it's called simply "Milanesa" and it's made with Beef. In neighboring Chile it's called Escalopa. In Mexico, it's back to being a Milanesa but there, it's most often a sandwich filler with lettuce, tomato and mayonnaise. In Panama, Milanesa is served with a spritz of lime juice and hot sauce and it can be thinly sliced beef or chicken. And in the Phillipines it's called Carna Frita and seldom appears on restaurant menus but is dearly loved by home cooks.
Here the technique is pure Milanese: a Bone-In Pork Chop is pounded thin, coated in Flour and Fennel Powder, dunked in egg and finally coated with crisp Japanese Panko breadcrumbs. The fennel flavor is further enhanced by a thin-sliced fennel bulb, red onion and a Gala Apple, all of which are sautéed and plated with the Pork Chop. You have a crispy juicy piece of meat with an undercurrent of fennel that carries through to the tender fennel salad.
Though it is named for Milano, in Lombardy, there's a dispute about where it was invented. It bears a striking resemblance to Austrian Schnitzel. But Food historians suggest that there was no plagiarism involved here—just parallel paths to the same basic dish. Italian Historian Roman Bracalini found a mention in a 1148 document of a festive dinner at which the third course was "lombos cum panitio" or breaded veal sirloin. The dispute came along much later. During the Austro-Hungarian Empire, the Austrians claimed the Milanese had copied the dish. This ugly rumor was laid to rest with the Austrian Field Marshall Joseph Radetsky wrote a letter to an adjutant of Emporer Franz Joseph stating that "I have never eaten a similar dish in Austria". Wiener Schnitzel with its thin slice of veal, never with a bone, breaded, fried and served with potato salad and a slice of lemon certainly comes close to today's recipe. So I call them Crispy Pork Chops.
This is a great weeknight meal. It comes together in 30 minutes. The key here is to have the pan ready before you put the pork chops through their three-step coating process. You want a golden crust ideally. I cannot get my chops to the thinness of a classic Milanese which means they'll go darker than golden but I take them off the heat when they'd achieved a golden brown and tuck them into a pre-heated 375 degree oven to finish the cooking process and to keep them warm while I make the Fennel Onion Apple Mixture. Then I plate them and serve. Enjoy!
Recipe for Crispy Pork Chops with Fennel, Red Onion and Apple
2 tsp. Ground Fennel Seeds
Kosher Salt and Pepper
2 cups Panko breadcrumbs
4 8 oz. Bone-In pork rib chops, meat pounded to ½ inch
2 tbsp. unsalted butter
5 tbsp. Extra Virgin Olive Oil
2 Fennel Bulbs, cored and sliced thinly
1 Red Onion, sliced thinly
2 tbsp. Fresh Lemon Juice
1 Gala Apple, finely chopped.
In a shallow dish, mix the flour and ground fennel; season with salt and pepper. In another shallow dish, beat the egg. In a third shallow dish, spread the panko and season with salt and pepper. Dredge the pork in the flour, shaking off the excess. Dip the pork in the egg, then dredge in the panko to coat. Place the pork on a large plate.
In a large cast-iron skillet, melt 1/2 tablespoon of the butter in 1 tablespoon of the oil. Add 2 of the chops and cook over moderately high heat until golden, 2 minutes. Flip the chops, add another 1/2 tablespoon of butter and 1 tablespoon of oil to the skillet and cook until just golden on the outside and white throughout, about 2 minutes. Transfer the chops to a paper towel-lined plate. Wipe out the skillet. Repeat the process to fry the remaining 2 pork chops.
Wipe out the skillet and add the remaining 1 tablespoon of oil. Add the fennel and red onion cook over moderately high heat, stirring occasionally, until crisp-tender, about 5 minutes. Stir in the lemon juice and cook about 1 minute. Stir in the apple and season with salt and pepper and cook a further 2 minutes. Divide the pork chops among 4 plates and top with the fennel mixture.
Filed Under: 30 Minute Dinners, Crispy Pork, Crispy Pork Chops, Dinner, Fennel, Italian Cooking, Italian Cuisine, Italian food, Milanese, Milano, Onions, Pan-Fried Pork Chops, Pork, Pork Chops, Pork Chops Milanese, Pork Dishes, Pork Recipes, Weeknight Dinners, Weeknight Dinners Pork
Tags: 30 Minute Dinners, Apples, Crispy Pork Chops, Dinner, Fennel, Pork Chops, Red Onion, Weeknight Dinners
A transformative dish that takes me to a much happier place. I think it will do the same for you. These days dinner means more than mere sustenance. While we all 'shelter in place', it's a mighty punctuation point to our day. Dinner is a […]
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Ina Garten's Coquilles St. Jacques from "Make It Ahead"
Ina's take on this French classic: Scallops in a creamy sauce with a hint of curry under a crust of bread crumbs and cheese. I am a huge fan of Ina Garten or as a friend of mine once said "What's not to like?" Ina […]
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Das Wiedersehen (Meeting Again)
Artist: Ernst Barlach (German, 1870 - 1938)
Overall: 18 1/2 x 4 3/4 x 7 1/2in. (47 x 12.1 x 19.1cm)
Signed: Top of base behind taller figure
Markings: Foundry stamp: 'INDACK BERLIN'
Object number: 56.1
Label Text
Ernst Barlach was an artist and writer of a profoundly religious nature who endured censorship at the hands of the Nazis during the 1930s in his native Germany. His figures are reminiscent of German medieval sculptures and, in their humble forms and demeanors, they possess a simple dignity. While Das Wiedershen has been variously interpreted, it undoubtedly was inspired by the Christian story of Jesus' return from the dead and the recognition by the apostle Thomas. The Gospel of John 20:24-29 relates that Thomas had not been present when the resurrected Jesus first re-appeared to his disciples. Upon hearing of this reunion, the skeptical Thomas stated he would not believe unless " I see in his hands the print of the nails, and put my finger into the place of the nails, and put my hand into his side." John then reports that Jesus reappeared in another week's time and instructed Thomas to do just that, to which Thomas responded, "My Lord and my God!"
Mary E. Murray
The theme of two embracing figures was one Ernst Barlach developed for several years in several media. In 1922 he created a woodcut that was one of twenty illustrations for his 1920 play, The Foundling, published by his dealer, Paul Cassirer. The woodcut illustration is titled "Ein braver Mann muss gehn und betteln (A good man must panhandle)." In it Barlach depicted a disheveled-looking figure with a bent back, at right in the image, being comforted by another figure, at left, who stands taller and is clean-shaven.[1] According to Friedrich Schulte, in his catalogue raisonné of Barlach's oeuvre, the artist also created two drawings of a similar subject in 1922.[2] Barlach continued to explore the theme of two embracing figures when, in 1925-26, he carved Das Wiedersehen in wood.[3] This work was included in an exhibition of thirty-seven wooden sculptures at the Cassirer Gallery, Berlin, in February 1926.[4] In 1930, Barlach cast the subject in bronze.[5]
The iconography of Das Wiedershen has been variously interpreted. Carls' 1931 monograph refers to it as The Reunion (Christ and the Apostle Thomas).[6] Schult's 1959 catalogue raisonné lists four related works, created in plaster, bronze, wood and stucco, all called Das Wiedersehen.[7] While the title alone does not suggest Biblical subject matter, the text accompanying the entry for the wooden version of the sculpture, catalog number 307, identifies the two figures as Christ and Thomas. The entry for catalogue number 305, plaster, mentions a 1922 charcoal drawing reproduced as Plate 5 in the 1948 Ernst Barlach, Zeichnungen with another New Testament title of Judaskuss, or Kiss of Judas.[8] The catalogue for a 1962-63 touring Smithsonian Institution exhibition, Ernst Barlach, refers to the sculpture as Christ Appearing to Thomas (Das Wiedersehen).[9] Similarly, in Alfred Werner's 1966 study it is titled The Reunion; also called Christ and Thomas, and the author describes it as "inspired by the story of Christ's return from the dead and the recognition by Doubting Thomas."[10] Finally, according to the Los Angeles County Museum of Art's 1991 exhibition catalogue, Degenerate Art: The Fate of the Avant-Garde in Nazi Germany, the work was initially titled Christus und Johannes (Christ and John), but was subsequently renamed Das Wiedersehen (Meeting Again), by the Nazis when the Third Reich included it in the infamous "Entartete Kunst (Degenerate Art)" exhibition at the Archäologisches Institut, Munich, from July 19-November 30, 1937.[11]
By the time the "Degenerate Art" show was staged, Barlach had already endured Nazi censorship for several years. In 1937, three hundred eighty-one of his sculptures, including Das Wiedersehen, and graphics were removed from all public German collections. According to Dagmar Grimm, writing in the 1991 LACMA catalogue, Das Wiedersehen was targeted due to Barlach's "pacifist—some say defeatist—themes, which were considered an insult to the German spirit, and his frequent portrayal of 'inferior racial types' . . ."[12] In the same catalogue, Mario-Andreas von Lüttichau further documented that Barlach's sculpture was included in gallery three of "Degenerate Art," although "sometime on or after the morning of July 24 this was replaced by another sculpture . . . There is no information as to what happened to the Barlach bronze in the interim, but the inventory number assigned to it . . . indicates that it was back on view by the end of the exhibition when the list was compiled."[13] Barlach scholar Alfred Werner has reported the "Nazis referred to this profoundly religious work … as 'two monkeys in nightshirts.'"[14] Barlach, who was also a playwright, diarist, and essayist, wrote about the censorship and oppression he suffered at the hands of the Nazis, which Werner summarized: "Far from apologetic when accused of being 'alienated' from the cultural traditions of his land, he points out how deeply rooted he was in everything German, without ever denying his indebtedness to the spirit and civilization of the non-German world."[15]
[1] Reproduced at the Ernst Barlach Foundation, Güstrow, website, www.barlach-stiftung.de.
[2] See Friedrich Schult, Ernst Barlach: das plastische Werk (Hamburg: Hauswedell & Co., 1959), 174, cat. no. 305.
[3] See Schult, Ernst Barlach: das plastische Werk, 175, cat. no. 307.
[4] Carl D. Carls, Ernst Barlach (New York & Washington: Frederick A. Praeger, 1969), 103. This book was originally published in German in 1931 by Rembrandt Verlag, Berlin.
[5] According to Elizabeth Laur, of the Ernst Barlach Stiftung, Güstrow, Germany, the edition size is 36, with eleven unnumbered sculptures cast during Barlach's lifetime and 25 unnumbered casts made posthumously.
[6] Carls, Ernst Barlach, 103. The Gospel of John 20:24-29 relates the story of Thomas, the twin, who had not been present when the resurrected Jesus first re-appeared to his disciples. Upon hearing of this reunion, the skeptical Thomas stated he would not believe unless "I see in his hands the print of the nails, and put my finger into the place of the nails, and put my hand into his side." John then reports that Jesus reappeared in another week's time and instructed Thomas to do just that, to which Thomas responded, "My Lord and my God!"
[7] Schult, Ernst Barlach: das plastische Werk, 174-75, cat. nos. 305-308.
[8] Schult, Ernst Barlach: das plastische Werk, 174, cat. no. 305.
The story of Judas's betrayal of Christ with a kiss in the Garden of Gethsemane can be found in Matthew 26:47-50; Mark 14:43-46; Luke 23:47-48. Judas's kiss is not mentioned in the Gospel of John. The subject matter also lends itself to interpretation of two figures embracing.
In keeping with Christian themes, the Das Wiedersehen figures also suggest the parable of the Prodigal Son's Return, described in Luke 15:11-32, which tells of the younger of two sons who "gathered up all his wealth, and took his journey into a far country; and there he squandered his fortune in loose living." When he was reduced to "feeding swine," he humbled himself, he returned to his father, who rejoiced.
[9] Wolfe Stubbe and Armgard Hardt, Works by Ernst Barlach (Washington, D.C.: Smithsonian Institution, 1962), cat. no. 21.
[10] Alfred Werner, Ernst Barlach (New York: McGraw-Hill Book Co., 1966), 34.
[11] Dagmar Grimm, "Ernst Barlach," in Degenerate Art: The Fate of the Avant-Garde in Nazi Germany (Los Angeles: Los Angeles County Museum of Art, 1991), 197.
[12] Grimm, "Ernst Barlach," in Degenerate Art: The Fate of the Avant-Garde in Nazi Germany, 197.
[13] Mario-Andreas von Lüttichau, "Entartete Kunst, Munich 1937: A Reconstruction," in Degenerate Art: The Fate of the Avant-Garde in Nazi Germany, 55.
[14] Werner, Ernst Barlach, 34.


text:
Interview Bengali
Feluda was more a journey of self-discovery for me, says filmmaker Sagnik Chatterjee
While Satyajit Ray was always more vocal as a filmmaker, it is his work as a writer and illustrator of stories that has resulted in him being celebrated the way he is by fans, believes the docu-feature filmmaker.
Kolkata - 16 Jul 2019 7:00 IST
Roushni Sarkar
Sagnik Chatterjee's first docu-feature film Feluda: 50 Years Of Ray's Detective has been getting rave reviews and is running successfully in Kolkata's Nandan theatre.
Primarily a corporate filmmaker, Chatterjee began his career by assisting Govind Nihalani in Mumbai and later joined Sandip Ray's directorial ventures as an assistant from 2003.
In an exclusive conversation with Cinestaan.com, Chatterjee spoke of the very first moment of inspiration for making the docu-feature and how this has not been an easy journey for him.
Chatterjee also spoke of the various unexpected experiences he gathered in the process of making the film that he holds very close to his heart. Excerpts:
When did you start conceptualizing the film?
The idea struck me when I started assisting Sandip Ray for Tintorettor Jishu in 2008 and got introduced to Satyajit Ray's library which had Feluda stories translated in so many languages that it was overwhelming. I had no idea about that. It occurred to me then that Feluda has a presence in books, films, documentaries, TV series, audio books, ringtones, where not!
The primary drive for making the documentary was to explore the reasons for the popularity and overwhelming presence of a fictional character on almost all kinds of communicative platforms.
I did not get much support in the beginning, more because this is a documentary film. I started making the film in 2014; in 2015, the producer backed out. I was left with no choice but to produce the film on my own. It was a lot of struggle to build the project.
We could finally complete the film through crowdfunding of more than Rs15 lakh. In fact, this is the first successful documentary from the eastern region made with crowdfunding. It is more like a people's film.
Though the film is titled Feluda, it seems to be more the documentation of a personal journey of exploring Feluda's popularity.
Yes, the film has a narration in the first person throughout so that the audience can relate with the journey. The 'I' in the film is not Sagnik Chatterjee. I am more a Feluda fan than director in this case. And the primary audience of the film is Feluda fans too. For the same reason, I have dedicated my debut film to all Feluda fans.
After watching the film, many have told me that they could relate with the experience, that they never had the platform to express this. The film has received overwhelming response for this reason. I don't think it would have had a similar effect if the narration had been in the third person. I chose both the mode of narration and the dedication quite consciously.
How did you manage to bring the accounts of Ray's acquaintances, the artistes associated with Feluda films, and Feluda fans together in a single experience?
I was in continuous touch with admirers of Feluda through social media. I had regular discussions with them that enabled me to weigh their knowledge and involvement regarding the iconic figure.
See, I am fortunate to have been born Bengali. As a result, I did not have to read Feluda in translation. The Marathi admirer of Feluda present in the documentary had never seen a sketch of Feluda before she worked with us because in the English translations there are no sketches. However, when I had discussions with her, I got the impression that she had much more knowledge about Feluda than many Bengali readers. She is such an ardent fan that earlier, when Bengali films would not reach the multiplexes of Pune, she used to travel to Mumbai with her mother by train to attend screenings of Feluda films.
How has Feluda remained among the bestsellers since 1965, when there is talk of the drastic decline of readership? It has only been possible because of his ardent fans and the viewers of his films in theatres, irrespective of age. Feluda is alive because of his fans rather than the artistes or members of the film fraternity, who were only part of the artistic creations.
A lot of people asked me why I did not interview Amitabh Bachchan for the film. For me, Mr Bachchan's interview could have been important but not more than the accounts of Feluda's fans. The film wouldn't have had similar significance if I had not given importance to the people.
At the same time, the films would not have existed without the artistes. As a fan, I, and maybe you too, would like to know Soumitra Chatterjee's experience regarding his portrayal of the sleuth. Chatterjee, Sabyasachi Chakraborty and all the other artistes shared accounts which had not been recorded before. Till now, people have either read the stories or watched the films but have hardly had the opportunity to delve into the incidents behind the creations. Hence, I had to bring them together.
Satyajit Ray was always more vocal as a filmmaker than as a writer and illustrator. However, Ray used to receive lots of letters from his fans more for his stories and illustrations. He, too, used to give much more importance to them and hence, every year, he made sure to write an instalment of the Feluda series. He never wanted much publicity for this exchange as it was a sphere of his personal satisfaction. I don't think anywhere else in the world, any other director is celebrated the way Ray is, till date.
Every year, even 26 years after his death, hundreds of his admirers throng to pay tribute to him on his birth and death anniversaries on their own initiative. I think it happens more because of his writings and illustrations, not merely because of his films.
The film is much longer than a usual docu-feature. Were you concerned about it?
No, in fact I was quite sure of the length from the very beginning. I had two definite goals. One, to release this film in theatres, even if only one. Secondly, I could easily think of the span because of the amount of material I had with me. If you think consciously, you would realize that the interval in the film doesn't take place out of nowhere. Rather, it was done with a proper plan. The interval takes place when Ramesh Sen gets tired and decides to take a break in his search for Maganlal Meghraj's house in Benaras.
The entire construction of the film had a detailed framework. I shot for 35 days in the span of two and a half years, but I can clearly say that I hardly discarded footage, except for some portions of the interviews. I did not get into arbitrary shoots and for that I had to engage myself in intense and repeated readings of the material and sources. The pre-production process started in 2013 and took one year to complete.
While making the film, did any information surprise you?
Yes, a lot of accounts and emotions overwhelmed me and surprised me too. There was some information that I was unaware of, like the Dhakay Feluda story was not a creation of Ray himself.
I had the training for feature films and never thought I could step out of that genre. However, Feluda was such a topic that it would not fit into any other format. The entire process for me was kind of a self-revelation since I had not made a documentary before. I clarified to my limited number of team members from the very beginning the features of a documentary film and never stepped outside the format.
There is some interesting animation in it as well.
Yes, Ray's illustrations are so full of life that it was necessary to use them. I watched a lot of documentaries in the process. I have a habit of watching all kinds of films and documentaries, without any specific demarcation. The sole credit for building this habit in me goes to Sandip Ray. We are omnivorous in terms of watching films and I think this helped me a great deal in making the film.
Sagnik Chatterjee
Assistant Director, Director
Director, Screenwriter, Story Writer
Sandip Ray
Assistant Director, Director, Screenwriter
Feluda: 50 Years of Rays Detective


text:
3. You can read lives and obituaries of Salinger and all that Wikipedia crap elsewhere; I'm interested in the word "crap". It sits like a sprung trap right there in the first sentence of The Catcher in the Rye, the first word that really establishes the tone, the snare that catches our attention. If, in the glib formula, Salinger really did "invent the teenager", it's that surly, dismissive, deliberately anti-literary use of "crap" which starts the process. Like Prometheus making a man out of mud, Salinger creates the teenager from "crap".
4. So the teenager gets born with a jibe at poor old Charles Dickens, and poor young David Copperfield! It's understandable; by 1951 it was as important for a new writer to distance himself from the 19th century novel as it was for a teenager to distance himself from a pre-teen, or for an American writer to distance himself from a British one.
http://www.youtube.com/watch?v=YkuMEfv4lS0
5. No reciprocal need was felt. British writers, post-war, weren't as interested in rejecting American idioms and models as the Americans were in rejecting theirs. In fact, British and American writers were more likely to find common cause in their embrace of a new informality, a new escape from the "fusty" literary past, and a couple of swift kicks at the dead shin of Dickens.
6. And so -- not for the first or last time -- a British artist makes the exact same gesture as an American one, a couple of years later. Larkin -- like Salinger, adopting, as a literary technique, a non-literary voice and a persona -- tells us that "books are a load of crap". Later, also following Salinger (who has Holden report some "fuck you" graffiti in chapter 25 of Catcher), Larkin will unfurl his own f-word, telling us that "they fuck you up, your mum and dad".
7. They seem unlikely rebels, the preppy Jewish recluse from New England and the bald Hull librarian. They bring swearing into literature almost against their will; Larkin tells John Betjeman, in the 1964 BBC Monitor documentary that peppers this page: "I read that I'm a miserable sort of fellow writing a sort of Welfare State sub-poetry, doing it well, perhaps, but it isn't really what poetry is, and it isn't really the sort of poetry we want. But I wonder if it ever occurs to the writer of criticism like that that really one agrees with them. That what one writes is based so much on the kind of person one is, and the kind of environment one's had, and has now, that one doesn't really choose the poetry one writes, one writes the kind of poetry one has to write."
8. In other words, these were not radical writers who loved swearing and could sing the praises of what Ken Tynan (the first man to use it on TV) called "the sweet word fuck". They were rather cautious conservatives with strong misgivings about the modern world, but men who nevertheless believed so strongly in literature's empirical duty to reflect reality that they had no choice but to use in literature the sweary words that people use on the streets.
http://www.youtube.com/watch?v=grQCN0NBtls
9. The shock for readers wasn't so much in encountering words like "crap" and "fuck" as seeing them printed on a page published by a reputable and legitimate publishing house. The sword cut both ways: literature got some street cred, but swearing also received a literary blessing of sorts.
10. And with that mutually-beneficial exchange the whole game began to shift, and the values to invert. When I read The Catcher in the Rye in the 1970s it was already a literary antique, its street slang ("crumby", "phoney", "lousy") faintly quaint. The cutting edge quickly became more recent, more radical American authors like Kathy Acker. Far from disparaging Dickens, Kathy Acker sat down and rewrote Great Expectations, appropriating him word-for-word in a section headed "Plagiarism" then quickly branching out into her own tale.
11. In Acker's version of Great Expectations, published in 1982, "literary" and "street" reach a new settlement. You could say that Acker skips the 1950s empirical-street-literary model and goes back to the biggest, baddest European rebel writer of the 1940s, Jean Genet.
12. And this is where I have to chime in and say that I'm with Acker and Genet, rather than Salinger and Larkin. In a world in which informal has become the new formal, jeans and rock are the universal signifiers of normative respectability, couture kowtows to pret and the street is the new salon, the "subversive" thing to do is to resurrect and re-invent the maligned category of "the literary". My Book of Jokes (which has a chapter featuring the characters from Genet's play The Blacks) adopts -- as Genet did -- a deliberately high-flown literary tone all the better to contrast the obscenities and street smut it trades in.
13. As for Dickens and his "David Copperfield crap", I'm interested in getting closer to it. Dickens is actually a key part of the "signature specification" for my next novel, codenamed Super-Empathy.
14. The informal, empirical "street" tradition isn't dead, though. Writers can still shock us by putting clumsy everyday things into published books. Since the new street is the internet, the author currently doing this most shockingly -- and best -- is Tao Lin, who filled Shoplifting from American Apparel with apparently-inconsequential Google Chats. If you want today's J.D. Salinger, look no further.
15. Have a listen to Chris Harrald's radio play Mr Larkin's Awkward Day on BBC iPlayer. It isn't crap.", "url": "https://imomus.livejournal.com/520920.html", "image": { "@type": "ImageObject", "url": "https://l-stat.livejournal.net/img/sign.png" }, "author": { "@type": "Person", "name": "imomus", "image": "https://l-userpic.livejournal.com/79666546/1898080" }, "publisher": { "@type": "Organization", "name": "Journal imomus", "logo": { "@type": "ImageObject", "url": "https://imomus.livejournal.com", "contentUrl": "https://l-userpic.livejournal.com/79666546/1898080" } } }
Crap is a load of books
1. If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. J.D. Salinger, The Catcher in the Rye, 1951
2. Don't read much now: the dude
Who lets the girl down before
The hero arrives, the chap
Who's yellow and keeps the store
Seem far too familiar. Get stewed:
Books are a load of crap.
Philip Larkin, A Study Of Reading Habits, 1955
15. Have a listen to Chris Harrald's radio play Mr Larkin's Awkward Day on BBC iPlayer. It isn't crap.


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