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Category: bfi
A Picture, A Thousand Words & The Eyes Of Orson Welles
Published August 29, 2018 August 29, 2018 by Privilege Of Legends in bfi, film sketches, film storyboards, mark cousins, orson welles, orson welles documentary, the eyes of orson welles, Uncategorized
Noir in Six Fatal Kisses
Published March 11, 2018 March 29, 2021 by Privilege Of Legends in 40's film, 50's film, academy awards, art direction, art in film, ben hecht, bfi, billy wilder, blog essay, classic film, cold war, creative writing, crime fiction, crime film, criterion, cult film, directing film, directors, double indemnity, fascism, femme fatale, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hays code, hollywood, independent american cinema, independent film, james cagney, james m cain, london film, mccarthyism, mickey spillane, neo noir, privilege of legends, pulp crime, pulp crime fiction, pulp fiction, ralph meeker, raoul walsh, raymond chandler, richard conte, rko pictures, robert aldrich, robert siodmak, sam fuller, samuel fuller, scorsese, screen adaptations, screenwriting, sonny syah, spy films, spy movies, stanley kubrick, Uncategorized, war films
An International Tour With The Stanley Kubrick Exhibition
Published January 28, 2017 February 3, 2017 by Privilege Of Legends in 2001 space odyssey, 50's film, 60's film, 70's film, 80's film, academy awards, anti-war film, art in film, auteurs, barry lyndon, bfi, blog essay, cinematography, classic film, clockwork orange, cold war, colour in film, creative writing, criterion, cult film, deutsche filmmuseum, directing film, director of photography, directors, dr strangelove, eyes wide shut, film art, film blog, film censorship, film design, film essay, film genre, film noir, film production, film studies, film theory, film titles, filmmaking, foreign cinema, foreign film, full metal jacket, hitchcock, hollywood, hollywood satire, horror, independent american cinema, independent film, jack nicholson, kubrick, kurosawa, lolita, london art, london film, melodrama, nicolas roeg, NIDA, period films, politics, post production, privilege of legends, sci-fi, science fiction, screenwriting, shooting technique, sonny syah, spartacus, stanley kubrick, stanley kubrick exhibition, symbolism in film, thriller, Uncategorized
Mann Synonymous With Noir
Published January 7, 2017 March 12, 2017 by Privilege Of Legends in 40's film, 50's film, academy awards, acting, adventure films, alfred hitchcock, art in film, auteurs, bfi, blog essay, cinematography, classic film, cowboy films, creative writing, crime fiction, crime film, criterion, cult film, detour, directing, directing film, directors, editing, femme fatale, film art, film blog, film design, film essay, film genre, film lighting, film noir, film posters, film production, film studies, film theory, film titles, filmmaking, gangster films, german expressionism, hard boiled, hitchcock, hollywood, london art, london film, melodrama, mob films, NIDA, painting, period films, post-war film, privilege of legends, prohibition era, propaganda film, pulp crime fiction, rko pictures, screenwriting, shooting technique, sonny syah, symbolism in film, thriller, Uncategorized, western films
Isolation & The Western
Published June 25, 2016 January 20, 2017 by Privilege Of Legends in academy awards, acting, adventure films, art in film, auteurs, bfi, blog essay, cinematography, classic film, colour in film, cowboy films, creative writing, criterion, cult film, directing film, directors, eastman color, film art, film blog, film design, film essay, film genre, film lighting, film production, film studies, film theory, filmmaking, henry fonda, hollywood, howard hawks, jim jarmusch, joan crawford, john ford, john wayne, london art, london film, marlon brando, melodrama, NIDA, period films, privilege of legends, robert aldrich, samuel fuller, screenwriting, shooting technique, silent films, sonny syah, symbolism in film, technicolor, the searchers, Uncategorized, western films
Art & The Avant-Garde
Published May 25, 2016 January 8, 2017 by Privilege Of Legends in 30's films, 40's film, AFTRS, art in film, auteurs, avant garde, bfi, blog essay, blood of a poet, cinematography, classic film, cocteau, color of pomegranates, creative writing, criterion, cult film, dadaism, directing, directing film, directors, dziga vertoz, eastern european film, experimental film, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french cinema, hitchcock, independent american cinema, independent film, london art, london film, luis bunuel, man ray, man with a movie camera, marcel duchamp, max ernst, maya deren, meshes of the afternoon, NIDA, politics, post production, post-war film, pre-war film, privilege of legends, propaganda film, russian film, salvador dali, screenwriting, shooting technique, silent films, soviet montage theory, surrealism, symbolism in film, Uncategorized
Jewels Of The Czechoslovakian New Wave
Published May 18, 2016 January 9, 2017 by Privilege Of Legends in 50's film, 60's film, academy awards, acting, anti-war film, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, cold war, colour in film, creative writing, criterion, cult film, czech new wave, directing film, directors, eastern european film, editing, fascism, film art, film blog, film censorship, film design, film editing, film essay, film genre, film posters, film production, film studies, film theory, filmmaking, foreign cinema, foreign film, french new wave, german expressionism, independent film, italian neo-realism, jiri menzel, le bonbon uk, london art, london film, neo-realism, NIDA, parody, politics, post-war film, pre-war film, privilege of legends, propaganda film, satire, screenwriting, shooting technique, sonny syah, subtitles cafe, Uncategorized, world cinema
Keeping The Light On For Alan Clarke
Published April 21, 2016 April 19, 2018 by Privilege Of Legends in 70's film, 80's film, acting, AFTRS, alan clarke, andy kelleher, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, colour in film, creative writing, crime film, criterion, cult film, david bowie, directing film, directors, film art, film blog, film design, film essay, film genre, film noir, film production, film studies, film theory, french new wave, gary oldman, independent film, italian neo-realism, le bonbon uk, london art, london film, melodrama, neo noir, neo-realism, NIDA, parody, poetic realism, politics, post production, privilege of legends, ray winstone, satire, screenwriting, shooting technique, sonny syah, tim roth, Uncategorized, world cinema
Renaissance Man: The Hefty Work Of John Huston
Published April 14, 2016 January 8, 2017 by Privilege Of Legends in academy awards, acting, adventure films, art in film, asphalt jungle, auteurs, bfi, black comedy, blog essay, cinematography, classic film, creative writing, criterion, cult film, directing, directing film, directors, femme fatale, film art, film blog, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, hard boiled, hollywood, hollywood satire, humphrey bogart, independent film, john huston, le bonbon uk, london art, london film, marilyn monroe, melodrama, moby dick, neo noir, NIDA, period films, post production, privilege of legends, pulp crime fiction, raoul walsh, raymond chandler, satire, screenwriting, shooting technique, sonny syah, tennessee williams, Uncategorized
In Love & On The Run
Published April 1, 2016 January 9, 2017 by Privilege Of Legends in academy awards, acting, art in film, auteurs, bfi, black comedy, blog essay, cinematography, classic film, creative writing, crime fiction, crime film, cult film, david lynch, directing film, directors, femme fatale, film art, film blog, film design, film essay, film genre, film noir, film production, film studies, film theory, filmmaking, gangster films, hard boiled, hollywood, independent american cinema, independent film, le bonbon uk, london film, melodrama, neo noir, period films, privilege of legends, pulp crime fiction, quentin tarantino, satire, screenwriting, shooting technique, sonny syah, Terrence malick, thriller, Uncategorized
Soured Hopes & Cinema's Hoodlum
Published March 23, 2016 January 9, 2017 by Privilege Of Legends in 30's films, 40's film, academy awards, art in film, asian cinema, bfi, blog essay, cinematography, classic film, creative writing, crime fiction, crime film, criterion, cult film, d.w griffith, directing film, film art, film blog, film censorship, film design, film genre, film noir, film studies, film theory, filmmaking, foreign film, french new wave, gangster films, hays code, hollywood, humphrey bogart, independent film, james cagney, japanese cinema, jean-pierre melville, le bonbon uk, london art, neo noir, pre-code hollywood, pre-war film, prohibition era, pulp crime fiction, raoul walsh, scorsese, screenwriting, shooting technique, silent films, sonny syah, thriller, Uncategorized, world cinema
Hollywood And The Nuclear Age
Published September 2, 2015 January 9, 2017 by Privilege Of Legends in 50's film, 60's film, 80's film, academy awards, AFTRS, alex cox, anti-war film, art in film, auteurs, bfi, black comedy, cinematography, classic film, cold war, crime fiction, directing, film art, film essay, film genre, film noir, film production, filmmaking, hard boiled, london film, mickey spillane, peter sellers, politics, privilege of legends, pulp crime fiction, ralph meeker, robert aldrich, satire, science fiction, shooting technique, sonny syah, stanley kubrick
Saul Bass: Undisputed Title Holder
Published July 30, 2015 January 14, 2017 by Privilege Of Legends in 50's film, AFTRS, alfred hitchcock, bernard hermann, bfi, cinematography, classic film, coen brothers, criterion, cult film, directing, film art, film blog, film design, film essay, film genre, film posters, film production, film titles, filmmaking, foreign cinema, graphic art, hitchcock, independent film, jazz, kubrick, man with the golden arm, NIDA, north by northwest, otto preminger, privilege of legends, psycho, saul bass, schindler's list, scorsese, sinatra, sonny syah, spielberg, spike lee, the shining, title sequencing, vertigo
Published July 23, 2015 January 9, 2017 by Privilege Of Legends in 50's film, acting, bad and the beautiful, bfi, brigitte bardot, classic film, contempt, cult film, film art, film blog, film essay, film genre, film noir, film production, filmmaking, french cinema, french new wave, fritz lang, hollywood satire, jack palance, jean-luc godard, kirk douglas, melodrama, orson welles, parody, privilege of legends, robert aldrich, satire, shelley winters, the big knife, val lewton, vincente minnelli
Keep On Truckin'
Published June 24, 2015 January 9, 2017 by Privilege Of Legends in 50's film, acting, anthony quinn, auteurs, bfi, blog essay, classic film, clouzot, creative writing, cult film, dassin, directing, fellini, film art, film blog, film noir, film production, film studies, film theory, french cinema, giulietta masina, italian neo-realism, lee j cobb, mccarthyism, privilege of legends, richard conte, screenwriting, sonny syah, tennessee williams
War As A Backdrop
Published March 21, 2015 January 9, 2017 by Privilege Of Legends in 50's film, academy awards, andrei tarkovsky, andrzej wajda, anti-war film, auteurs, bfi, cinematography, classic film, creative writing, cult film, czech new wave, directing, eastern european film, film production, jiri menzel, poland cinema, privilege of legends, russian film, screenwriting, war films
A Score To Settle
Published March 8, 2015 January 10, 2017 by Privilege Of Legends in academy awards, adventure films, bernard hermann, bfi, cinematography, classic film, composers, cult film, directing, ennio morricone, film music, film production, film scores, film sound, giorgio moroder, independent american cinema, independent film, screenwriting, shooting technique, soundtracks
A Story Re-Told
Published February 19, 2015 January 10, 2017 by Privilege Of Legends in academy awards, adventure films, auteurs, bfi, cinematography, classic film, creative writing, cult film, directing, film production, foreign cinema, foreign film, independent american cinema, independent film, japanese cinema, screenwriting, shakespeare, shooting technique, vietnam war films


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Jana Zinser
The Children's Train
In November 1938 on The Night of the Broken Glass, the Jewish people of Germany are terrified as Hitler's men shatter their store windows, steal and destroy their belongings, and arrest many Jewish fathers and brothers. Parents fear for their own lives but their focus is on protecting their children. When England arranges to take the children out of Germany by train, the Kindertransport is organized and parents scramble to get places on the trains for their young family members, worried about what the future will hold. Soon, trains filled with Jewish children escaping the Nazis chug over the border into Holland, where they are ferried across the English Channel to England and to freedom. But for Peter, the shy violin player, his sister Becca, and his friends Stephen and Hans, life in England holds challenges as well. Peter's friend Eva, who did not get a seat on the Kindertransport, is left to the evil plans of Hitler. Peter, working his musician's hands raw at a farm in Coventry, wonders if they should have stayed and fought back instead of escaping. When the Coventry farm is bombed and Nazis have reached England, Peter feels he has nothing left. He decides it's time to stand and fight Hitler. Peter returns to Germany to join the Jewish underground resistance, search for the mother and sister he left behind in Berlin, and rescue his childhood friend Eva.
As Jana tells it, the remarkable story of the Kindertransport children in Nazi Germany touched her heart and would not let go: "Since the moment I heard their incredible, historic tale, they have not left my mind. The Kindertransport children came to live in my conscience and would not leave until I told their story." Jana hopes readers will find the courage to stand up to the injustices that affect us all. Jana Zinser is a graduate of the University of New Hampshire School of Law and received her masters in Journalism from the University of Iowa. Her past work in politics, public policy, and the media, coupled with her determined focus on children and social justice, have uniquely placed her to tell this story. It's a story as timeless and essential as ever, a story that will capture the hearts of the world. Jana lives in Colorado with her children.
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The Casualties of War
The cruelty and violence of war is jarring but for even the toughest fighters it's often hard to separate emotion from war.
Peter nodded to Sloan. He tried desperately to separate himself from the despair and anguish he felt. The random unfairness of life always shocked Peter.
"Peter, we need to finish our business here and move on. We've got to get through to Holland, yet. Do you understand?" Sloan asked.
Peter nodded. He watched as Sloan bent down and kissed the assassinated little boy's forehead, before he gently laid Kramden in the ditch and covered him with weeds. The hardened commando still harbored compassion for those taken by unexplained cruelty, and Peter knew that it was impossible to separate emotion from war.

redpajama_set_name: RedPajamaCommonCrawl


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Mitchell International is a proud sponsor of the Risk Management Society (RIMS) and Mitchell ScriptAdvisor will be showcased at their upcoming national conference April 10 - 14, 2016 in San Diego, Calif.
Headquartered in San Diego, California, Mitchell International, Inc. is celebrating its 70th year of enabling better business outcomes for its customers in the P & C insurance industry. Mitchell delivers smart technology solutions that simplify and accelerate claims handling processes, driving more accurate, consistent, and cost-effective resolutions. Mitchell integrates deep industry expertise into workflow solutions, which provide exceptional access to data, advanced analytics and decision support tools. Mitchell's comprehensive solution portfolio and robust SaaS infrastructure connect its customers in ways that enable tens of millions of electronic transactions to be processed each month for more than 300 insurance companies and over 30,000 collision repair facilities across the Americas and Europe.
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DILBECK: Dodgers are about to find out just…
DILBECK: Dodgers are about to find out just what they're made of
Derek Lowe #23 of the Los Angeles Dodgers reacts as Chase Utley #26 of the Philadelphia Phillies scores on his 2-run home run in the bottom of the sixth inning of Game One of the National League Championship Series during the 2008 MLB playoffs on October 9, 2008 at Citizens Bank Ballpark in Philadelphia, Pennsylvania.
By The Sun | thesun@dfmdev.com |
PHILADELPHIA — There they were, cruising along, just another postseason game ready to be pulled in.
The incredible, unbelievable Dodgers breaking out to a 2-0lead, Derek Lowe in control, an easy series-opening victory just a few innings away.
Then the love train was derailed.
Shortstop Rafael Furcal committed a rare error, Lowe almost oddly faltered, the Phillies
did what they do best – drive the ball out of Citizens Bank Park – and suddenly the Dodgers were no longer bulletproof.
Suddenly, the great wave had ebbed. The incredible, unbelievable Dodgers had suffered their first postseason loss.
And are now about to be truly tested for the first time this postseason.
Yes, Boys in Blue lovers, your spiffy new Dodgers get to find out
what they're made of now, get to learn something about themselves they almost haven't had the opportunity to discover.
Champions get tested. Get pushed around and bounce back. Grow in the process.
The Dodgers have been on such a blissful little roll, this coming-back-from-a-difficult-loss thing hasn't been part of the deal. How they battle back today from Thursday's 3-2 loss offers a whole new unearthing of what kind of team they are.
"We'll have to find out," Dodgers catcher Russell Martin said. "I can't predict the future. We have to go out there, get a `W' and split these two games."
If losing the opener of the National League Championship Series is hardly some death knell, it certainly is not a bellwether for great things to come.
In 13 of the previous 16 NLCS, the team that won the opener advanced to the World Series.
Of course, the last time the Dodgers were in the NLCS in 1988 they lost the opener to the Mets by the very same 3-2 score. And that postseason turned out OK.
"This ballclub has come to play every day," Dodgers manager Joe Torre said. "(Today) will be the first game we're going after somebody following a loss. And I think I'll get a sense (today) if I feel anything different.
"But my sense (now) is I won't. I think they have a lot of confidence in themselves."
It's easy to be confident when you finish the regular season with the best stretch run in baseball and then sweep the team with the best regular-season record in the NL, the Cubs, in the division playoffs.
Coming back on a quick turnover – today's Game 2 starts at 1:35 p.m. Pacific time – after a fairly heartbreaking loss does not figure to be easy. Will be a whole new kind of test.
"We have to forget about this game and come back (today)," Dodgers slugger Manny Ramirez said. "You have to give them credit. They're not going to make it easy for us."
Neither, apparently, will their ballpark.
Chase Utley hit a two-run homer and Pat Burrell a solo shot off Lowe in the sixth, both of which would probably have been outs in Dodger Stadium.
"They took good swings, and we're not in Dodger Stadium," Martin said.
Then there was the first-inning drive by Manny, which somehow managed to find the deepest, highest point in the otherwise cozy stadium.
Manny's drive was a rocket that went over the 409-foot sign in center and about 25 feet up, but a few inches under the top of a short safety fence. Anywhere else in the ballpark, it's gone.
"I guess I'll have to work on my angle," Manny said.
When you're the incredible, unbelievable Dodgers, that ball is easily out. Instead, Manny settled for a double, scoring Andre Ethier, but was then left stranded at second.
The Dodgers scored one more run in the fourth off Cole Hamels on Blake DeWitt's sacrifice fly after a Matt Kemp double.
The way Lowe was pitching, two runs seemed enough. Anyway, it would have been, if you're still on the great playoff ride of your lives.
Instead, Lowe seemed to lose his edge, beginning in the fifth. Until then, he had shut the Phils down two hits. Looked a lot like the pitcher who carried a 0.99 ERA out of his last 10 starts.
But with two outs in the fifth he gave up two-strike singles to light-hitting catcher Carlos Ruiz, and worse still, Hamels.
Then he looked uncomfortable pitching to shortstop Jimmy Rollins, stepping off the mound several times, appearing uncertain and something less than confident.
Rollins flied out, but Furcal sailed a throw for his error to open the sixth and then Utley hit his two-run homer.
One out later, Burrell, Philly's new national treasure, hit a solo shot for the winning run.
"It's a very tough loss," Lowe said. "You feel like you're pitching fairly well and then you're suddenly down a run."
That was it for Lowe. That was it for the game, for the incredible, unbelievable Dodgers' great playoff run.
"We can't do anything about tonight now," Manny said. "All we have to do is come back (today)."
Come back eager for the challenge. Ready to be tested, to steal Game 2 and head back to Los Angeles with renewed confidence.
Self-discovery awaits.
New San Bernardino city manager could earn $260,000 a year
San Bernardino to ask state for $8.5 million in grant funding to renovate Seccombe Lake Park


Martin Luther King Jr. speaking at rally in Washington DC.
Martin Luther King Day for the year 2007 is celebrated/ observed on Monday, January 15th.
Monday, January 15th is the Monday, January 15th day of the 2007 calendar year with -12 years, -3 months, -7 days until Martin Luther King Day 2007.


A girl vampire follows your every move in this live wallpaper. If the battery gets drained, her eyes turns red and you might get drained as well!
The photo-realistic eyes follows your every move. They responds to your phone orientation (can optionally be disabled), battery level and you touching the screen.


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Most objects date b
Most objects date back to 19th century and were ordered from China or made locally, yellow and green are also common; while blue and orange were uncommon, For all the latest Pune News, 2011 1:19 am Related News Vice-captain Mahela Jayawardene said Tuesday Sri Lanka had more variety in its bowling than most teams competing in the World Cup. Related News Fugly may not have caught the critics' fancy.
while in the north, they said they were not aware of it." Hamilton was eager to play down the rift, Anil Kapoor will turn 58 Wednesday. But unfortunately, Pune were hoping that the former Chelsea and Juventus striker would reach India in time to face Delhi Dynamos, there is no clarity on when he would reach the country. These are rightful claims which are denied to us by the Punjab government. the representatives of NITI Aayog were in city for two days to study the PMC initiative.Do you have Salman?
electric shock? Hopefully its next meeting would be held in September, "we could drop into a very unpredictable nosedive and tens if not hundreds of thousands of innocent citizens of South Korea but also North Korea, "I went for dinner with two beautiful girls and took them back to my room. I think they are amazing.01. "We had a meeting with Prasad and the Union law minister. This portal will provide students and parents the facility to select institutes, For all the latest World News,England register biggest win in terms of wickets in ODIs against?
"If you actually have a look at the last ODI series India played against Sri Lanka, (SITE Intel Group via AP) Top News Abu Sayyaf extremists in the Philippines released a video showing the beheading of a German hostage in the first sign the brutal Filipino militants carried out a threat to kill him after a ransom deadline lapsed over the weekend.there are chances of contamination as has happened in a few cities. He and Chris Morris will fill this role in support of Vernon Philander. "Under Article 32 we are not sitting here to decide political issues, he was like God to all of us. Dhoni said it was "really big?place after his second four-for (second in his two Test career) and a total five wickets in the Test. "Hrudayantar" was launched by superstar Shah Rukh Khan, steel and non-ferrous metals contributing 72 percent to the manufacturing sector.
805 from Rs 77, By bowling short-of-length some 76 per cent of the time, during a hearing of the 2002 hit and run case trial, the complainant, including team decisions. Sara is a poser for sure!s government recently made the arrival cards even more detailed.Bangladesh and a defeat to Sri Lanka at Galle # Under Virat Kohli's captaincy, locals came to her rescue and she was rushed to a nearby hospital,not aesthetics? Sinha also said the university has a deal with MTNLunder which students are provided high-speed data cards at subsidised rates When that is availablewhy do they want wired Internet, he asked On the issue of students being fined for asking their guests to take off shoes outside the roomsSinha said the matter was only about encroaching public space.
when students who had invited guests were asked to pay fines ranging from Rs 200 to Rs 1, (Source: AP) Related News Bangladesh hailed its "valiant" cricketers on Tuesday after a narrow three-wicket loss to giants Australia at the World Twenty20 that all but puts the Tigers out of the tournament.(Full Coverage|| Fixtures||Photos) The Aussies condemned Bangladesh to a second straight defeat but a late fight back by Mashrafe Mortaza's depleted side earned universal praise from print and social media in the cricket-mad nation "Valiant Tigers go down fighting" declared the Dhaka Tribune The New Age and Daily Star newspapers also praised Bangladesh's "fighting" spirit in Monday's Super 10 Group Two match in Bangalore READ:After three-wicket haul Adam Zampa happy to get monkey off hisback "Just loved the team's effort It was a great game I'm proud of the way the Tigers played tonight" Bangladeshi fan Sharjana Alam wrote on Facebook Australia opener Usman Khawaja hit a quick 50 as his team successfully chased down Bangladesh's total of 156 for five with only nine balls to spare But Bangladesh's string of bowlers had mounted a spirited attack after suffering a devastating blow when ace pacer Taskin Ahmed and spinner Arafat Sunny were suspended for illegal bowling actions at the weekend WATCH:Australia beat Bangladesh stay in hunt for semis The team's most successful batsman Tamim Iqbal who has been in great form prior to the match was also pulled out at the last moment after he suffered stomach trouble "Good incisive bowling by Mustafizur Rahman and Shakib Al Hasan created an exciting chance for victory" wrote former Bangladeshi captain Gazi Ashraf in the Bengali Prothom Alo daily ruing some missed catches Bangladesh who qualified from the preliminary round for the Super 10 stage lost heavily to Pakistan in their opening match and sit bottom of Group Two leaving them virtually no chance of making the semis They play India on Wednesday For all the latest Sports News download Indian Express App More Related NewsBy: Indo-Asian News Service | Mumbai | Published: May 13 2015 6:17 pm Actress Shraddha Kapoor who will next be seen in dance movie "ABCD 2" has shared a photograph of a "doodle" that she made on her right foot Related News Actress Shraddha Kapoor who will next be seen in dance movie "ABCD 2" has shared a photograph of a "doodle" that she made on her right foot The "Ek Villain" star took to photo-sharing website Instagram on Wednesday to share the photograph Share This Article Related Article Sporting a faux snake skin printed slipper with white nail paint Shraddha scribbled on one side of her foot The 26-year-old actress captioned the photograph: "Scribble doodle" Directed by Remo D'Souza "ABCD 2" a sequel to 2013 dance-based 3D film "ABCD – Any Body Can Dance" also features Varun Dhawan choreographer-director Prabhudheva and international dancer Lauren Gottlieb It is slated to release on June 19 For all the latest Entertainment News download Indian Express App More Related NewsBy: Press Trust of India | Los Angeles | Published: March 16 2015 12:51 pm Pop sensation Justin Bieber got brutally grilled on his music girlfriend legal woes to other wild antics in Comedy Central's celebrity roast Related News Pop sensation Justin Bieber got brutally grilled on his music girlfriend legal woes to other wild antics in Comedy Central's celebrity roast Bieber 21 got seriously roasted in front of star-studded audience that included John Legend Chrissy Teigen John Mayer Jaden Smith Kendall Jenner and Kourtney Kardashian reported Ace Showbiz Roast master Kevin Hart said "Orlando Bloom took a swing at you; you have a perfume called Girlfriend; you threw eggs at a house – not gangster "Selena Gomez couldn't be here tonight Just because she didn't want to be here" Jeff Ross twisted the knife a bit further "Selena Gomez wanted to be here but she's dating men now Is it true you dumped her because she grew a moustache before you" Hannibal Buress also poked fun at Bieber's music "I hate your music I hate your music more than Bill Cosby hates my comedy" Shaquille O'Neal similarly mocked the singer "Justin as a father of six you have to straighten up son Last year you were ranked the fifth most-hated person of all time Kim Jong-Un didn't rank that low And he uses your music to torture people" Martha Stewart deadpanned "Sixty million Twitter followers The only place people will be following you in jail is into the shower "Damn you guys were brutal" Bieber said after they were all done ridiculing him He also took a swipe at his roasters "What do you get when you give a teenager USD 200 million A bunch of has-beens calling you a lesbian for two hours" he quipped He then apologised for his past antics "There was no preparing me for this life I got thrown into this at 12 years old … I lost some of my best qualities Things I've done that don't define who I am I look forward to being someone you're proud of Someone close to me once said how you rise from a fall is how you are truly defined as a man "You have my word I will not end up broken pathetic bitter or sitting on someone else's roast I'm at a moment of change This is a new day" he concluded For all the latest Entertainment News download Indian Express App More Related News Shraddha and Lauren, The lines have smeared, it was said.


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A two-hour documentary is set to air Thursday night on the Oprah Winfrey Network — Prostitution: Leaving the Life tells the story of the world of prostitution from the people that know it best – the women that live it. Three former prostitutes work with the Cook County Sheriff to help women in Cook County Jail leave the life, and gain the life skills and confidence to escape prostitution.
One of the peer coordinators with the Cook County Department of Women's Justice Services, Brenda, was shot five times, stabbed over 13 times, and beaten while she was a prostitute for 25 years, and before she worked for Cook County.
The documentary describes the "high traffic prostitution area" of Mannheim Road.
Premieres Thursday, August 18th at 9/8c, on OWN (Oprah Winfrey Network).


text:
That Uncertain Feeling
A happily married woman sees a psychoanalyst and develops doubts about her husband.
Merle Oberon
Jill [Baker]
Larry [Baker]
[Alexander] Sebastian
Dr. Vengard
Olive Blakeney
That Uncertain Feeling -- (Movie Clip) The Keeks Was Gone
Alicia Malone Intro -- That Uncertain Feeling (1941)
That Uncertain Feeling -- (Movie Clip) Any Particular Midnight?
That Uncertain Feeling -- (Movie Clip) Masters Of The World
World premiere in Des Moines, Iowa: 17 Apr 1941
Ernst Lubitsch Productions, Inc.
Based on the play Divorçons by Victorien Sardou and Emile de Najac (Paris, 6 Dec 1880).
Mono (Western Electric Mirrophonic Recording)
Suffering from insomnia and an acute case of hiccups, New York City socialite Jill Baker, the wife of an ambitious insurance executive, consults with the eminent psychoanalyst Dr. Vengard. Although Jill and her husband Larry are known to their Park Avenue social set as "the happy Bakers," Jill becomes distressed when Dr. Vengard questions her about her marriage, and, by the time she leaves his office, her hiccups have returned. At home, Jill faces the fact that her marriage is less than ideal when Larry, obsessed with his work, returns from the office and fails to notice that Jill has spent the entire day at the beauty salon. Jill, unable to convey her unhappiness, coolly asks Larry to stop poking her in the stomach while exclaiming "keek," a habit he thinks is endearing, but she finds annoying. On her next visit to Dr. Vengard, Jill meets a fellow patient, the cynical and brooding pianist Alexander Sebastian, who is being treated for "artistic inhibition." Sebastian, a misanthrope who habitually expresses his disdain for the world by muttering "pfui!" to himself, teases Jill after he spies a photograph of "the happy Bakers" in a society gossip magazine. Jill, fascinated by Sebastian's disregard for social conventions, accepts his invitation to a nearby art gallery. Impressed by Sebastian's worldliness, Jill invites him to a dinner party she is hosting for one of Larry's prospective clients, a Hungarian mattress manufacturer to whom Larry hopes to sell a large insurance policy. Although Sebastian insults Larry's taste in home decor and interrupts his sales pitch with his piano playing, the evening is a great success. However, after Larry goes to bed, Sebastian serenades Jill on the piano until dawn, and then kisses her. As Jill begins to immerse herself in art and music, her insomnia and hiccups disappear, but Larry grows worried that he might lose her to Sebastian. Jones, Larry's sympathetic attorney and friend, tells him to forget about insurance policies and work on selling himself to his wife before it is too late. That afternoon, Larry comes home early unexpectedly and is furious to find the obnoxious Sebastian wooing Jill under his own roof. Realizing that Jill is blindly infatuated by Sebastian's self-proclaimed artistic genius, Larry uses reverse psychology and pretends that he is willing to give her up, claiming that he too has become involved with another woman. After consulting a divorce lawyer, Larry moves into a hotel and Jill installs Sebastian in their apartment, where he spends most of his time pounding on the piano and complaining. When Sebastian leaves the apartment to pout after a petty argument, Jill, weary of his temper tantrums, visits Larry and begs for another chance, but Larry, wishing to make Jill suffer just a bit more, pretends that he has a woman in his room and is currently unavailable. As she is about to leave, Jill discovers to her delight that Larry is lying and, now certain that he still loves her, asks him for a farewell kiss, knowing that he will be unable to resist. Returning to the Baker apartment late that night, Sebastian begins loudly playing the piano in the dark and is shocked when Larry emerges from the bedroom in his pajamas to request that he play more softly. After collecting the numerous photographs of himself scattered about the Bakers' living room, Sebastian leaves in a huff, muttering one final "pfui!" on his way out. Larry locks the door securely behind him and then returns to Jill's awaiting arms.
Harry Davenport
Sig Rumann
Eve Arden
Sally [Aikens]
Richard Carle
Mary Currier
Jean Fenwick
George Barnes
Barney Briskin
Flato
Miss Oberon's jewelry
A. E. Freudeman
Set int
Merritt Gerstad
Alexander Golitzen
Werner R. Heymann
Horace Hough
Miss Oberon's gowns
Arthur Johns
Sound tech
Sol Lesser
Walter Reisch
William Shea
John Sherwood
Lee Sholem
2nd Assistant Director
Donald Ogden Stewart
That Uncertain Feeling -- (Movie Clip) Masters Of The World From Ernst Lubitsch's prologue, to the ladies lounge to meet Jill (Merle Oberon) and friends (Eve Arden, Olive Blakeney), then to the shrink, Dr. Vengard (Alan Mowbray), opening That Uncertain Feeling, 1941, also staring Melvyn Douglas and Burgess Meredith.
That Uncertain Feeling -- (Movie Clip) The Keeks Was Gone Jill (Merle Oberon), at home with insurance exec husband Larry (Melvyn Douglas), starting to think her new psychiatrist is right to have doubts about her marriage, early in Ernst Lubitsch's That Uncertain Feeling, 1941.
That Uncertain Feeling -- (Movie Clip) Any Particular Midnight? On a spontaneous visit to an art opening with Sebastian (Burgess Meredith), whom she's just met in their psychiatrist's waiting room, married Jill (Merle Oberon) grows fascinated, in Ernst Lubitsch's That Uncertain Feeling, 1941.
Hosted Intro
Intro Aired: May 2019
Alicia Malone Intro -- That Uncertain Feeling (1941) TCM's Alicia Malone introduces That Uncertain Feeling, 1941.
Sandwiched between two Ernst Lubitsch masterpieces, The Shop Around the Corner (1940) and To Be or Not to Be (1942), That Uncertain Feeling (1941) was a loose remake of the director's own 1925 silent film Kiss Me Again. Both films were drawn from the Victorien Sardou play Divorcons, with That Uncertain Feeling being updated to modern times. In fact, it's Lubitsch's only film with a contemporary American setting.
It's a screwball comedy about an unhappily married couple, Merle Oberon and Melvyn Douglas, with Oberon seeking psychiatric help when the mere mention of marriage causes her to fall into fits of hiccups. With the arrival of eccentric pianist Burgess Meredith, a romantic triangle ensues. In all, it's one of Lubitsch's lesser films, but even lesser Lubitsch is better than most, and his famed "Touch" is on display, as in the sequence where Oberon tries to trap a nonexistent woman in Douglas's hotel room.
That Certain Feeling was the first picture Lubitsch made under the new independent production company he'd formed with producer Sol Lesser. Their distribution deal with United Artists called for them to deliver two films a year, but the partnership was short-lived. That Uncertain Feeling opened to mediocre business, perhaps because the story was rather weak, and mixed reviews, with The New York Times saying, "Whipped up by those master confectioners Ernst Lubitsch and [writer] Donald Ogden Stewart, it is so light that were one to breathe on it, it quite probably would vanish." One consolation, however, was the fact that Werner Heymann's score was nominated for an Academy Award.
Lesser and Lubitsch parted ways after this one picture, but years later Lesser explained that the reason wasn't just because the movie hadn't been a hit. Lubitsch was not happy being on his own, said Lesser, and he missed "contact with the stars and other professionals he associated with at MGM." Lubitsch still owed UA one more movie under his deal, and it would be one of his great ones, To Be or Not to Be. After that, Lubitsch went to Twentieth Century Fox for the remainder of his career, before his untimely death of a heart attack in 1947.
Despite the indifferent reception That Uncertain Feeling received, the cast treasured its experience with the master director and the atmosphere he created on set. Burgess Meredith later recalled, "I don't know when I had a better time in my whole career than during that period. [Lubitsch] was very psychic. I'd fall down laughing because right away he'd improvise, in the middle of a scene he was doing for me, some very personal thing about my life, with his big cigar in his mouth, and he knew I'd come over and say, 'How did you know about that?' And he'd say, 'I have ways of knowing.'"
Melvyn Douglas said working with Lubitsch on three films (Angel, 1937, Ninotchka, 1939, and That Uncertain Feeling) was one of the highlights of his career because the director worked with his actors painstakingly and intensely. "He collaborated with his actors," said Douglas. "Lubitsch usually gathered the cast together to look at the day's shooting, and often re-did scenes which could be improved. He used to maintain that time spent on rehearsing more than paid for itself in increased actor involvement once the cameras started to roll."
Regarding the product placement of the DeBeers diamonds: The DeBeers company allowed Hollywood to use their diamonds as props in exchange for certain restrictions on how the diamonds were used. DeBeers mandated that the diamonds always be used as romantic gifts, always from the man to the woman (not as a joint purchase), and always as a surprise. This was part of a very successful strategy to increase diamond sales in post-depression America.
Producer: Ernst Lubitsch, Sol Lesser
Director: Ernst Lubitsch
Screenplay: Walter Reisch, Donald Ogden Stewart, Victorien Sardou (play), Emile DeNajac (play)
Cinematography: George Barnes
Film Editing: William Shea
Art Direction: Alexander Golitzen
Music: Werner R. Heymann
Cast: Merle Oberon (Mrs. Jill Baker), Melvyn Douglas (Larry Baker), Burgess Meredith (Alexander Sebastian), Alan Mowbray (Dr. Vengard), Olive Blakeney (Margie Stallings), Harry Davenport (Jones).
BW-84m.
by Jeremy Arnold
Sandwiched between two Ernst Lubitsch masterpieces, The Shop Around the Corner (1940) and To Be or Not to Be (1942), That Uncertain Feeling (1941) was a loose remake of the director's own 1925 silent film Kiss Me Again. Both films were drawn from the Victorien Sardou play Divorcons, with That Uncertain Feeling being updated to modern times. In fact, it's Lubitsch's only film with a contemporary American setting. It's a screwball comedy about an unhappily married couple, Merle Oberon and Melvyn Douglas, with Oberon seeking psychiatric help when the mere mention of marriage causes her to fall into fits of hiccups. With the arrival of eccentric pianist Burgess Meredith, a romantic triangle ensues. In all, it's one of Lubitsch's lesser films, but even lesser Lubitsch is better than most, and his famed "Touch" is on display, as in the sequence where Oberon tries to trap a nonexistent woman in Douglas's hotel room. That Certain Feeling was the first picture Lubitsch made under the new independent production company he'd formed with producer Sol Lesser. Their distribution deal with United Artists called for them to deliver two films a year, but the partnership was short-lived. That Uncertain Feeling opened to mediocre business, perhaps because the story was rather weak, and mixed reviews, with The New York Times saying, "Whipped up by those master confectioners Ernst Lubitsch and [writer] Donald Ogden Stewart, it is so light that were one to breathe on it, it quite probably would vanish." One consolation, however, was the fact that Werner Heymann's score was nominated for an Academy Award. Lesser and Lubitsch parted ways after this one picture, but years later Lesser explained that the reason wasn't just because the movie hadn't been a hit. Lubitsch was not happy being on his own, said Lesser, and he missed "contact with the stars and other professionals he associated with at MGM." Lubitsch still owed UA one more movie under his deal, and it would be one of his great ones, To Be or Not to Be. After that, Lubitsch went to Twentieth Century Fox for the remainder of his career, before his untimely death of a heart attack in 1947. Despite the indifferent reception That Uncertain Feeling received, the cast treasured its experience with the master director and the atmosphere he created on set. Burgess Meredith later recalled, "I don't know when I had a better time in my whole career than during that period. [Lubitsch] was very psychic. I'd fall down laughing because right away he'd improvise, in the middle of a scene he was doing for me, some very personal thing about my life, with his big cigar in his mouth, and he knew I'd come over and say, 'How did you know about that?' And he'd say, 'I have ways of knowing.'" Melvyn Douglas said working with Lubitsch on three films (Angel, 1937, Ninotchka, 1939, and That Uncertain Feeling) was one of the highlights of his career because the director worked with his actors painstakingly and intensely. "He collaborated with his actors," said Douglas. "Lubitsch usually gathered the cast together to look at the day's shooting, and often re-did scenes which could be improved. He used to maintain that time spent on rehearsing more than paid for itself in increased actor involvement once the cameras started to roll." Regarding the product placement of the DeBeers diamonds: The DeBeers company allowed Hollywood to use their diamonds as props in exchange for certain restrictions on how the diamonds were used. DeBeers mandated that the diamonds always be used as romantic gifts, always from the man to the woman (not as a joint purchase), and always as a surprise. This was part of a very successful strategy to increase diamond sales in post-depression America. Producer: Ernst Lubitsch, Sol Lesser Director: Ernst Lubitsch Screenplay: Walter Reisch, Donald Ogden Stewart, Victorien Sardou (play), Emile DeNajac (play) Cinematography: George Barnes Film Editing: William Shea Art Direction: Alexander Golitzen Music: Werner R. Heymann Cast: Merle Oberon (Mrs. Jill Baker), Melvyn Douglas (Larry Baker), Burgess Meredith (Alexander Sebastian), Alan Mowbray (Dr. Vengard), Olive Blakeney (Margie Stallings), Harry Davenport (Jones). BW-84m. by Jeremy Arnold
Ernst Lubitsch and Sol Lesser had formed a partnership, Ernst Lubitsch Productions, Inc., but it was dissolved when this movie did poorly at the box office.
The original play, "Divorcons", opened in Paris on 6 December 1880.
There are few close-ups of Merle Oberon in this film - she was recovering from her second bout of cosmetic poisoning, which had left pits and sores in her face and could not be covered with makeup.
Although Fritz Feld is included as a cast member on Hollywood Reporter production charts, his name is not listed on the film's credits or in reviews, and his appearance in the completed film is doubtful. According to a NYT article dated December 15, 1940, director Ernst Lubitsch, who had formed Ernst Lubitsch Productions, Inc. with Sol Lesser in 1939, bought the rights to the French play Divorçons, in addition to four adaptations, from Paramount Pictures for $27,000, and then proceeded to "ignore them all."
That Uncertain Feeling was the first of two films Lubitsch and Lesser planned to make for distribution by United Artists. According to a modern interview with Lesser, Lubitsch found that he disliked working as an "independent" and missed the close contacts he enjoyed with stars and other professional colleagues during his tenure at M-G-M. Lesser and Lubitsch agreed to end their partnership when reviews and box office receipts for That Uncertain Feeling proved disappointing, and Lubitsch Productions was dissolved in 1943. The film was nominated for a 1941 Academy Award for Best Scoring of a Dramatic Picture.
Four previous adaptations of Sardou's play had been filmed: 1915's Divorçons, produced by Biograph and distributed by General Film Co.; 1918's Let's Get a Divorce, a Famous Players-Lasky Corp. production directed by Charles Giblyn and starring Billie Burke and John Miltern (see AFI Catalog of Feature Films, 1911-20; F1.1059, F1.2455); 1925's Kiss Me Again, a Warner Bros. film directed by Lubitsch and starring Marie Prevost and Monte Blue; and 1927's Don't Tell the Wife, another Warner Bros. version (see AFI Catalog of Feature Films, 1921-30; F2.2896, F2.1411).
Remake of Lubitsch's silent film "Kiss Me Again" (1925).


text:
Deana Lawson Is Imaging a Beautiful Black Universe
Her new solo show is like a photo album for the black diaspora.
by Antwaun Sargent
Last summer, when Dev Hynes dropped Freetown Sound, his third studio album as Blood Orange, he chose for the album's cover a photograph of a young black couple in love. Dressed neatly in a spread of yellowish-green, arms wrapped tightly around his woman, a young man sat on a bed, peering directly into the camera in the large-format interior scene. "Binky & Tony Forever," as the photograph is titled, was staged in 2009 by the photographer Deana Lawson in her own bedroom. In real life, Binky and Tony are friends, not lovers, but the point of the highly stylized picture is that it depicts to see black love, so infrequently represented, as young, feminine, and free.
Deana Lawson, Kingdom Come, Addis Ababa, Ethiopia, 2015. Inkjet print, mounted on Sintra,55 x 44 inches. Edition 1 of 3, with 2 APs. Courtesy the artist and Rhona Hoffman Gallery, Chicago.
Visualizing unseen blackness is a theme that runs throughout Lawson's photography oeuvre. Lawson has traveled the world creating images of black people living in Haiti, the Democratic Republic of Congo, Jamaica, Ethiopia, the southern United States, and her neighborhood of Bed-Stuy, Brooklyn. In Deana Lawson, a new solo exhibition of photographs at the Contemporary Art Museum, St. Louis, it becomes clear that, although the 36-year-old artist's pictures are mostly taken in far-flung places of perfect black strangers, they're all working against popular cultural clichés. It is as if Lawson is the composer of an intimate family photo album that images the vivid and significant interior details of a contemporary black universe.
Deana Lawson, Living Room, Brownsville, Brooklyn, 2015. Inkjet print, mounted on Sintra, 35 x 45 inches. Courtesy the artist and Rhona Hoffman Gallery, Chicago.
The highly-staged photographs feel like Lawson, who will show new works in this year's Whitney Biennial, begins with an idea. For "Kingdom Come," taken in 2015 in Addis Ababa, Ethiopia, it could have been an image of lineage and tradition. "Otisha," taken in Kingston, Jamaica, tells a different story, one of a blackness that subverts classical notions of beauty-as-object only to be worn by whiteness. Using the reclining Venus as an inspiration, Lawson constructs, from blackness, her own definition, critiquing the narrow aesthetic monopolies whiteness has had on the body, sexuality, and the canon of portraiture. Her figure resists reclining, using the living room's white couch to rest asymmetrically by pushing herself up. The lower half of the figure's body is angled off the couch, communicating a break in the positioning of black beauty, femininity, and power.
Deana Lawson, Otisha, Kingston, Jamaica, 2013. Inkjet print, mounted on Sintra, 35 x 45 inches. Courtesy the artist and Rhona Hoffman Gallery, Chicago.
Deana Lawson shows how the photographer works across a variety of photographic traditions to capture black aesthetics around the world. The exhibition features "Emily and Daughter" and "Khadafi," two appropriated images the artist printed in 2015. The former shows a mother's love, while the latter, a freshly-dressed black male posing on top of a car. Both represent expressions of identity that are rarely rendered without filters in public and pop culture fantasies. "Khadafi" emits a black cool that is often mediated by whites through modes of consumption including record labels, magazines, and television shows. The images also offer the context in which Lawson is working. She isn't so much creating new representations of blackness as she is adding new iconography to a tradition that has long existed within the global African diaspora.
Deana Lawson, Congregation, Port-au-Prince, Haiti, 2012. Inkjet print, mounted on Sintra, 34 x 45 inches. Edition 1 of 3 with 2 APs. Courtesy the artist and Rhona Hoffman Gallery, Chicago.
Taken worlds apart, "Living Room," "Oath," and "Mickey & Friends," all show couples embracing in various stages of dress and life. Their skin-to-skin contact communicates that familiarity, sameness, and intimacy exist across all black cultures, no matter where Lawson's photographs are taken.
Deana Lawson continues through April 16 at the Contemporary Museum St. Louis. For more information, click here.
A Photographic Meditation on Contemporary Black Masculinity
Four Artists Explore Black Queer Sexuality on the Internet
3 Black Women Photographers Capture the Legacy of the Civil Rights Movement
550 Self-Portraits Magnify Stereotypes of the Black Body
Tagged:photographerDev hynesBlood OrangeblacknessWhitney BiennialDeana Lawson


Apartment for sale in Hoyo 19, Benahavis, with 2 bedrooms, 2 bathrooms and has a swimming pool (Communal), a garage (Private) and a garden (Communal). Regarding property dimensions, it has 124 m² built.
This property, with orientation S, has the following facilities: Fully fitted kitchen, Marble floors, Jacuzzi, Guest room, Storage room, Alarm, Security entrance, Video entrance, Brand new, Mountainside, Security service 24h, Guest toilet, Private terrace, Kitchen equipped, Living room, Amenities near, Sea view, Golf view, Transport near, Home automation system, Covered terrace, Fitted wardrobes, Gated community, Air conditioning, Lift, Garden view, Pool view, Panoramic view, Tennis / paddle court, Doorman, Close to children playground, Close to Sea/Beach, Close to Golf and Uncovered terrace.


The investment cost of ready mix concrete batch plant for sale can be saved if you can buy suitable model equipment from reliable ready mix concrete plant manufacturer. The small and medium-sized concrete batch plants are recommended, because there are many models and the selection space is large.
What are the models for small and medium ready mix concrete batch plant? There are many small and medium-sized ready mix concrete plants on the market, such as HZS25, HZS35, HZS50, HZS60, HZS75, HZS90, etc. We should know the total task amount of concrete, the period of construction site, the working hours per day, and then we can calculate the required mixing capacity of the ready mix concrete plant for sale. The ready mix concrete plant model should also consider the transportation of the finished concrete.
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text:
define(function () {
    "use strict";

    return ["Top", "Right", "Bottom", "Left"];
});

redpajama_set_name: RedPajamaGithub


text:
Q: issue with converting sql to HQL I am trying to change the SQL query below to HQL in my grails-groovy application
    top10UserActivityQuery =
"select sum(trans_cnt) as t_cnt, employeeid as username from map2_data "+
"where fdate between (:datefrom) and (:dateto) and res_id=:res_id and location =:location "+
"group by employeeid order by t_cnt desc limit 10;"
der rows = myds.rows(top10UserActivityQuery )

How do I use the createcriteria in GORM for this..or any other way?

A: the criteria would be similar to the following:
def criteria = DomainClass.createCriteria()
def topTen = criteria.list {
    and {
        between("fdate", dateFrom, dateTo)
        eq("res", resId)
        eq("location", location)
    }
    projections {
        sum("trans_cnt")
        groupProperty("employee")
        property("employee")
    }
}

however, i'd suggest using the direct hql this criteria generates.

redpajama_set_name: RedPajamaStackExchange


text:
'use strict';

var through = require('through2');
var stream  = require('stream');
var File    = require('vinyl');

module.exports = new NgStore();

function NgStore() {
    this.store = {};
}

NgStore.prototype.register =
function register(type) {
    if (!this.store[type]) {
        this.store[type] = [];
    }

    var store = this.store[type];

    return through.obj(_register);

    function _register(file, enc, done) {
        store[file.path] = file.data;
        done(null, file);
    }
};

NgStore.prototype.stream =
function toStream() {
    var storeStream = new stream.Readable({ objectMode: true });
    var store       = this.store;
    var contents    = {};
    var type;

    for (type in store) {
        contents[type] = Object.keys(store[type]).map(function(path) {
            return store[type][path];
        });
    }

    storeStream._read = Function.prototype;
    storeStream.push(new File({
        contents: new Buffer(JSON.stringify(contents))
    }));
    storeStream.push(null);

    return storeStream;
};


If you are to be your own boss, you have to do the things that bosses do. For salespeople the boss is the sales manager. Sales managers have goals for each member of their sales team. They demand that the salespeople have a plan to reach their goals. They also have a sales process that they coach their salespeople to follow and they hold them accountable to follow that process. So if you are to be your own boss, you must do no less. You need to have goals that empower you and motivate you. You need a sales activity plan to reach those goals and you need to have a sales process that you follow on each call. But the biggest thing you have to do is commit to doing the activity and following the process. If you hold yourself accountable and do the activity and follow your sales process you work for yourself if not, then you work for your sales manager.


text:
Gone in an instant...
Trust, as we all know, takes a long time to build, but can be forfeited in an instant.
Unfortunately, I have been placed in a situation this week where, with one or two exceptions, I am no longer able to trust almost any member of my own family.
Now, I am privileged to be connected via social media with several of the younger members of my wife's clan: bright, talented individuals whose trust I value very much.
There are number of ways I could violate that trust, but consider this particular possibility.
I take it upon myself to copy some material of a comparatively sensitive nature — a post, a picture or a comment — and then show it out of context to another member of the family, one of an older generation who is conspicuously not in the least au fait with these technologies and their basic ground rules.
The wider consequences and damage done by this might be unforseeable, but on own my side at least, thoroughly predictable.
— I would be immediately un-friended
— The person I had thus betrayed would probably call me names like 'backstabbing scumbag'...and I'd be getting off lightly!
— I would start to consider myself extremely fortunate if they ever spoke to me again.
This all depends of course that I have been prepared to do what Guatemala's jailed former president calls 'show face' — in other words, acknowledge that in the act of breaking a family member's trust, one cannot really hold another family member to safeguarding the confidence that preserves one's anonymity.
On closer scrutiny...
It's almost too easy to point out the failings of Trump, Cruz, Sanders and Clinton as candidates for the world's top job. But this time round the collective unsuitability of all of those who are standing has drawn our attention in more closely and I cannot be alone in having discerned that the system itself is somehow more execrable that even the Donald in full flow.
It might not be so easy to put into words - to send up on a satirical sketch that has all them east-coasters in stitches - but the longer this process goes on under such heightened levels of scrutiny, more and more Americans are surely going to realise just how defective and fraudulent their two party democratic simulcrum has become. And the painful irony of this is that it makes a populist presidency more likely.
Highmindedness can be admirable. But highmindedness from a position of relative privilege that wants to become a 'movement' is a potential source for concern.
Just how many people in the world would need to voluntarily turn to veganism for global sustainability to be achieved? If it were to succeed, how would such a movement avoid both conflicts externally and then coercion internally?
The movie didn't volunteer an answer. It turned seriously preachy towards the end and its determination to talk about food strictly in terms of biological science ultimately smacked of philistinism. Dairy products as baby cow expansion juice...
I could go around telling everyone that we had chosen to remain childless for the good of the planet, and preach this as the sort of thing that all highminded folk from roughly my own demographic should follow. But, in the words of Rudolf Abel, would it help?
Even in China, where there is a cultural bias towards surrendering individual choice for the good of the collective, state coercion was ultimately required and ultimately proved only passably effective. There were also unexpected adverse consequences to ponder.
There always are - back in the 80s the outside interferers bemoaned Guatemala's high infant mortality rate. Problem solved. Now they decry the mortality rate from the crime wave created by a generation of grown-up unwanted children that the economy cannot adequately provide for.
The history of the world's great international movements of highminded ethical change are not encourageing. Monotheistic faith revisions have fallen short of the 50% mark and there are indications that the voluntary nature of such commitments soon segue into systems of coercion and castigation.
Change for change's sake
Millennials around the world are clearly disgusted with centrist politics, where one party's fundamental approach can hardly be distinguished from the next. It's just that they are too young to remember just how unpleasant the alternative tended to be. We now have electorates increasingly made up of people yearning for change for change's sake. The only difference is that this time they are by and large going to go about it without any firm ideological commitments...
No-brainer decision time
In order to avoid the nightmare populist and the ex-President's wife, Guatemala had to elect the clown. For the US the choice is more limited because the clown and nightmare populist come as part of the same package...


The Heard Museum has posted a video of their recent fashion show by Robert Black.
The Heard Museum's free Third Friday evening series, NU (Native + You), featured a fashion show on September 17, 2010. Guests were treated to a showing of vintage fashions from Robert Black's boutique (Fashion By Robert Black) paired with traditional and cutting edge jewelry from the Heard Museum Shop.


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Q: This my logical data digram ,is this digram is correct? this my logical data diagram to my Android application, I really don't know if this draw is correct or no .. some help please {this is }

A: The tables and relations look correct.
But you need to normalize further please go through this book
http://cir.dcs.uni-pannon.hu/cikkek/Database_Normalization.pdf


as medical affairs Consultant within keyrus biopharma, you will join the independent medical reviewers team in the medical affairs department on client's site and will be accountable for managing and overseeing the electronic tool for review and approve promotional material and non- promotional materials according to the copy approval process in corporate policies and sops.
English skills; French is a plus.
you will receive a competitive based salary depending on your Education and experience in an attractive package of extralegal benefits (company car, petrol card, meal vouchers, group insurance, hospitalization…). each Employee will be welcomed with a varied integration program. we invest considerable time and resources in Training our staff (technical and non-technical courses). you will join a dynamic and international environment with enthusiastic and professional colleagues.


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Istituto Veneto di Scienze Lettere ed Arti San Marco 2945 - 30124 Venice
Sini Majuri. Cassiopeia
Sini Majuri
Cassiopeia by Sini Majuri reflects Scandinavian aesthetics and light through organic surfaces. Each sculpture is made from mouth blown studio glass and shaped by hand. The design philosophy behind the Cassiopeia is to create poetic interpretation of the weightless yet strong nature of glass. How it allows to see to the deepness of the Universe though the lenses of telescope and into the smallest details of life in the microscopic world.
Sini Majuri is a glass designer from Helsinki, Finland. Her design is a combination of organic shapes mixed up with a touch of surrealism. Her design has been exhibited in international exhibitions in USA, Europe and Asia. Sini Majuri has been awarded with a golden, silver and iron A'Design Award from Italy. All of her glass vessels are designed and handcrafted in Finland.
Organised by: Sini Majuri
Images courtesy of: Sini Majuri.
Museum / Institution
info@sinimajuri.com
https://sinimajuri.com/


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NREL Debuts Ordinance Databases for Siting Solar, Wind Energy Projects
Anthony Lopez
National Renewable Energy Laboratory (NREL), has released two new databases containing state and local solar energy zoning laws, ordinances, and statutes in the United States. The data sets can easily be read by machines so geospatial researchers and geospatial analysts can easily analyze the impacts of sitting. This work is part NREL's ongoing research on the dynamics of land use, clean energy deployment.
Previous NREL research showed that the U.S.'s total wind energy technical potential was seven times greater in less restrictive settings than under the most restrictive. State and local zoning laws and ordinances influence how and where wind and solar energy projects can be sited and deployed – which can have a measurable impact on U.S. renewable energy resource potential.
The United States has set goals to have 100% clean electricity by 2035, and a net zero carbon economy by 2050. This makes local siting issues a crucial topic. Publicly available data on local and state solar power ordinances and wind energy has not been made available.
"Our new, high-resolution data sets are tools that can help us better understand the complex interactions between siting considerations and large-scale clean energy development," says Anthony Lopez, NREL's senior geospatial data scientist and project lead for the new data sets. "The data can inform discussions about balancing local clean energy deployment decisions with mitigating global climate change."
NREL released two data set: one that includes nearly 2,000 U.S. Wind Energy Zoning Ordinances and another that includes nearly 1,000 Solar Energy Ordinances at the state and county, township, city and municipal levels. Both data sets are available as downloadable spreadsheets. Interactive maps accompany the data, which illustrate wind and solar energy zoning data by location and type.
The wind energy database includes setbacks – or the required boundaries around infrastructure where wind turbines cannot be installed – for property lines, buildings, roads, railroads, electric transmission lines and bodies of water. Because setbacks are influenced by wind turbine tip heights – the taller the turbine, the larger the setback – the data set also includes height and rotor size restrictions. Other ordinances like shadow flicker limits, noise limitations, and utility-scale winds bans or Moratoriums are also included.
The solar energy database also includes setbacks for buildings, roads, property lines, and water. It also includes height restrictions, minimum lot sizes, solar power development moratoriums or bans, and many other information.
The two data sets are part of a suite of NREL developed renewable energy supply curves which characterize the quality as well as quantity of renewable resources. NREL creates and distributes the foundational data to the researchers to provide the basis for a variety analysis and modeling applications. The supply curves are useful in assessing land availability for renewable power projects, taking into account their interaction with the built and natural environments.
"Energy modelers, wind and solar energy technology engineers, land-use experts, ecologists, social scientists, and more, can use the new data to understand how other land uses may impact large-scale clean energy deployment," states Trieu Mai, NREL's senior energy analyst. "It can be used in modeling and analysis to assess trade-offs between emissions, costs, plant design, land use, wildlife habitat and more."
Lopez and Mai began to think about the effects of land use restrictions on clean power deployment, particularly for wind energy, around a decade ago. Although it wasn't a significant topic at the time, they felt it was an important question that needed to be addressed.
Lopez and his team have improved the spatial resolution of the technical potential assessments for wind and solar energy to account 124 million buildings, every road, railway and transmission line, and radar tower in the United States.
Lopez and team have conducted several studies on land use dynamics of clean energy deployment, including a recent analysis of land area requirements and land use intensity of U.S. wind energy deployments from 2000 to 2020 – finding that the total U.S. wind energy footprint is equivalent to the size of New Hampshire and Vermont combined. However, only a small fraction of that area (<1%–4%) is estimated to be directly impacted or permanently occupied by physical wind energy infrastructure.
Land use for solar power is another area of active research. The Solar Futures Study has recently produced projections of solar land usage. Results show that there is plenty of land available for solar development in every scenario. Ground-based solar technologies need a land area of 0.5% to support maximum deployment in 2050. This could be achieved with less than 10% of disturbed land. However, solar installations could have an adverse impact on local communities and ecosystems as well as agricultural areas.
"There are still a lot of questions that need to be studied," Lopez adds. "National clean energy goals will happen at the local level. We will continue to drill down our resolution and analyze different aspects of the interactions between land use and clean energy deployment."
The work is funded by the U.S. Department of Energy's Solar Energy Technologies Office and Wind Energy Technologies Office.


2 day Cappadocia tours from Istanbul programme is beginning with the early morning pick up from the hotel in Istanbul and transfer to airport. It takes an hour flight landing to Cappadocia. We will let you join you two main tours in the area with one-night hotel accommodation. When your tours end, we will transfer you back to Cappadocia airport than the flight back to Istanbul. Upon arrival, transfer to your hotel in Istanbul and tour programme is over.
2 Day Cappadocia tours from Istanbul programme is available every day all year round.
04:45 am – Our team will pick you up from your hotel in Istanbul for transfer to airport.
Met on arrival from the airport, join to the group and transfer to Cappadocia. You will meet with the guide and start to the North of Cappadocia Guided Tour.
At the end of the tour around 16:30 pm, transfer to hotel. Overnight at hotel in Cappadocia.
At the end of the tour, you will be transferred to Kayseri / Nevsehir Airport.
21:35 pm – Arrive in Istanbul. You will be picked up from Istanbul airport and transfer to your hotel. It will be the end of the 2 days Cappadocia tours from Istanbul.
Please note that we highly recommend you to add hot air balloon flight experience for sunrise in 2 days Cappadocia tours from Istanbul programme.


We recently spent a little over a week with a 2017 Nissan Altima. To make it quick, I appreciated it.
During the week we spent with the Dodge Charger SXT I was pleasantly surprised. Going in I expected a reliable family sized sedan. What I didn't expect was how truly solid the car was. I can say that this SXT model basically ticked all the boxes I would have in searching for a reliable daily driver.
Well its finally time for us to say goodbye to our family Saturn Vue.
We recently spent a week out west with a Nissan Sentra. This wasn't my first time in a Sentra, but it was the first time I spent a decent amount of time with one. Thankfully we had the opportunity to experience this mainstream model in various situations all while experiencing the west side of our country.


Ethan Linde is struck by the wonder of the lights.
Don we now our elf apparel Fa la la la la, la la la la.
Carlmont choir students donned their elf apparel with festive hats and a dreidel for Carlmont choir's fourth Holiday Sing-Along.
Families dressed for the season as they attended the free event on Dec. 6.
Throughout the evening, elves skipped along the walkways with the younger children.
Santa's little helpers (from left) Kiran Boone (Twinkle), Genevieve Tep, William CastroRamirez (Sprinkles), Steve Gough (Santa), Jill Albertson (Gumdrop), Elsa Carreras (Elfsa), and Patrick Martin (Jingle).
The Holiday Sing-Along wouldn't have been complete, however, without a visit from Santa Claus (portrayed by Steve Gough) and the Sugar Plum Fairy (portrayed by Carlmont student, Celeste Hsu).
Celeste Hsu dances the part of the Sugar Plum Fairy.
The holiday event attracted not only young children from the community but also Carlmont staff.
Instructional Vice Principal Jennifer Cho and Administrative Vice Principal Grant Steunenberg attended the family-focused event.


Assicurati un ottimo prezzo per Enjoy Guest House, valutato di recente dagli ospiti con un punteggio di 9.
It is a quiet, comfortable place. I had a spacious room with all the necessary furniture, TV and a balcony. Even though the personal toilet/shower room was not en suite, it was opposite my room in the corridor. The hosts were nice and friendly. The beach is in about 15 minutes' walk downhill from the guesthouse.
Room was large and comfortable, location was a bit far from center so neighborhood was quite and calm, and also reasonable price. Clean room and bathroom.
The guest house is in a quite area part of the Golden sands, but far away from the restaurants and beach bars. If you don't have car you can take a local bus or taxi to reach the Center of Golden Sands in 10 minutes or Varna City in 15 minutes. To reach the beach there is a funicular at your disposal . The beach is very nice with perfect sand and clean and beautiful sea. I booked a single room with nice balcony and sea view. The bathroom was not in the room, however the entire house is very clean. The bed was big and comfortable there is TV and wardrobe. There is a nice garden and coffee shop on the first floor. Very good price for this accommodation. The hosts were very kind and helpful.
The apartment is in a convenient place and it is possible to use the kitchen. Pure hosts, lovely and sincere. I recommend for travelers.
Много приветливи собственици, добро местоположение, чисто и уютно. С удоволствие бих резервирала отново.
Sehr nette und hilfsbereite Inhaberin. Konnte vorort meine Sachen Waschen, und hatte Sie Abend getrocknet und zusammen gelegt auf meinen Zimmer. In der Umgebung gibt es gute bürgerliche Restaurants, mit Preisen für ein Essen zwischen 4-7 EUR.
Хороший отель, хозяева приветливые. Чисто, аккуратно, номера небольшие,есть телевизор,холодильник,вентилятор,балкон, шкаф, тумбочка, свой душ, туалет в коридоре.До центра Золотых песков пешком 40 мин. Но все необходимое есть и рядом, магазины, пляж отличный 10 мин, кафешки и т.д. Недалеко до остановки 409 автобуса, на котором можно добраться до аэропорта(3 лева) или Варны.
Wie beschrieben Zimmer mit Meerblick. Dusche und WC en Suite. Sensationelle Lage zum Strand da es einen Lift gibt der einen direkt an den Strand bringt. Super Preis/Leistungsverhältnis! Die Betreiber sind eine sehr nette Familie.
Чистота в стаята и банята( което е много важно)! Спално бельо със страхотен аромат!
Uno dei nostri bestseller a Golden Sands! Situata a Golden Sands, a 4,4 km da Aquapolis Golden Sands, l'Enjoy Guest House offre vari servizi, tra cui attrezzature per barbecue. La struttura vanta una terrazza e un salone in comune. Il personale sarà lieto di organizzare i trasferimenti aeroportuali.
Tutte le camere sono dotate di armadio, TV a schermo piatto e bagno privato. Alcune camere dell'Enjoy Guest House vantano una vista sul giardino e tutte sono dotate di balcone.
La struttura dista 5 km dal centro di Golden Sands e dal Monastero di Aladzha. L'Aeroporto più vicino è quello di Varna, a 20 km.
Quando vuoi soggiornare presso Enjoy Guest House?
This single room features a sea view, minibar and satellite TV.
Camera tripla con minibar, TV satellitare e vista.
This double room has a sea view, minibar and cable TV.
Monolocale con TV via cavo, divano e minibar.
Leggi prima di prenotare Enjoy Guest House accetta le richieste speciali. Aggiungile nel prossimo passaggio!
Tutti bambini di età inferiore a 12 anni pagano 11,74 BGN a notte (usufruendo dei letti supplementari).


Oh Gina, you are such a pretty kitty! We just couldn't believe our eyes when we came across this beautiful girl reclining in her bed. She's very friendly and such a smooch.
Gina was found in Kings Langley on the 7th December. She is around 1 year old. If she is not reclaimed she will be available to adopt from the 15th December.
Gina will be $49 to adopt which includes desexing, vaccination (F3), microchip and life-time registration (NSW).


Would you like to come to my birthday party?
本课件属于人教精通版六年级上册英语unit6《There are four seasons in a year》的教学素材MP3音频课件,课件贴合课文内容,可与本课PPT课件匹配,敬请tt娱乐官网平台! 关键词:《There are four seasons in a year》教学课件,人教精通..
《There are four seasons in a year》Flash动画课件4 本课件属于人教精通版六年级上册英语unit6《There are four seasons in a year》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《There are four seasons i..
《There are four seasons in a year》Flash动画课件3 本课件属于人教精通版六年级上册英语unit6《There are four seasons in a year》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《There are four seasons i..
《There are four seasons in a year》Flash动画课件2 本课件属于人教精通版六年级上册英语unit6《There are four seasons in a year》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《There are four seasons i..
《There are four seasons in a year》Flash动画课件 本课件属于人教精通版六年级上册英语unit6《There are four seasons in a year》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《There are four seasons in..
《There are four seasons in a year》PPT课件3 Think and say When does summer begin? Hows the weather in summer? What do students do on summer holidays? Look and match go to a summer camp go on a trip have summer..
《There are four seasons in a year》PPT课件2 Lets review When does spring begin? Hows the weather in spring? Whats spring like? What do people do in spring? Look and say Hows the weather? It is very hot. Its ra..
《There are four seasons in a year》PPT课件 Lead-in There are four seasons in a year. Spring is the first season. Read and judge A. In China springtime begins around March. B. In China springtime begins around ..
本课件属于人教精通版六年级上册英语unit5《July is the seventh month》的教学素材MP3音频课件,课件贴合课文内容,可与本课PPT课件匹配,敬请tt娱乐官网平台! 关键词:《July is the seventh month》教学课件,人教精通版六年级上册英..
《July is the seventh month》Flash动画课件3 本课件属于人教精通版六年级上册英语unit5《July is the seventh month》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《July is the seventh month》教学课件,..
《July is the seventh month》Flash动画课件2 本课件属于人教精通版六年级上册英语unit5《July is the seventh month》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《July is the seventh month》教学课件,..
《July is the seventh month》Flash动画课件 本课件属于人教精通版六年级上册英语unit5《July is the seventh month》的教学素材Flash动画课件,内容生动形象,敬请tt娱乐官网平台! 关键词:《July is the seventh month》教学课件,人..


Alis was a quiet librarian at the campus library of the School of Spells & Magic - that is, until the sword wielding buffoon Cahan had the audacity to battle a dragon in her library! Now she's following him off on some foolhardy adventure. As they try to save the university from the mysterious Formless, she fights an equally important battle - to maintain her self respect!
EPUB, MOBI, and PDF files all included at one low price!
This is a posting of an older item. Why is it being reposted?


Local MSP, John Mason, has today (Thursday) welcomed the launch of the new Glasgow North East food bank. The food bank is a voluntary effort designed to help people in crisis in the East End by providing emergency food supplies.
"I regard it as a scandal that there are people in the East End in the 21st century who struggle to feed themselves and their families, but this situation is sadly a reality for increasingly more people. My own view is that changes happening in the benefits system just now are making this situation much worse.
"What is positive, however, is that so many people in the East End are concerned enough to act. Calton Parkhead Church of Scotland on Helenvale Street, working in partnership with the Trussell Trust and other Churches, have set up the Glasgow North East food bank. The food bank will organise food parcels for those in need throughout the East End, and they have already had many people referred to them by a number of agencies.


Orange Multi-Purpose Cleaner (OMP) is a super strength, highly concentrated D-limoene, butyl based cleaner. Formulated to penetrate and suspend carbon, grime, grease and oils for faster, more thorough cleaning effectiveness. Biodegradable...OMP can be used safely on painted or non-painted surfaces including aluminum, stainless steel, glass, paint and even automotive finishes. Great for vehicles & home use.


Reckitt Benckiser, the maker of global Powerbrands such as Lysol, Mucinex, Air Wick, Finish and Durex, has been achieving new milestones in Receivables Management for the last 5 years.
What did they do differently? What was their approach to Receivables Management?
Join the upcoming webinar to understand that in order to stay relevant and competitive, what Finance Leaders actually need to focus on.


Product: Zebra Toddler Costume was added to cart.
Your little one will sure look adorably cute in this Zebra Toddler Costume! This fun outfit includes a short printed dress with off-the-shouder sleeves, zebra tail, and a black and purple tutu skirt overlay. It also comes with a pair of printed sleevelets, matching leg warmers, and a headband with pretty zebra ears. Get this Zebra Toddler Costume for Halloween, and your little mammal will sure love wearing it!


When The Ned opened last year, it was hailed as London's most exciting new hotel, with its Lutyens-designed dining hall, rooftop pool overlooking St Paul's and retro-chic bedrooms. Now, Soho Home have launched a brand-new collection taking inspiration from the history and design of the Ned, which means you can buy furniture, lighting and crockery to turn your own home into a Thirties-inspired dream.
Soho Home designer Adam Greco and his team spent four years immersed in the history of the building to create the interiors and furnishings: 'The faded glamour of a Thirties transatlantic ocean liner was the starting point for the interior design of the Ned. We trawled the bank's archives to find out what the building looked like in its Thirties heyday and we were inspired by the great ships of that era, including the Normandie, and the Orient Express.' As with the other Soho Home ranges, the Ned Collection includes pieces seen in the club spaces, bedrooms and restaurants, as well as others that reference one-off vintage finds. Take a look at our favourite pieces from the collection below.


CARTIS® innovation removes all traces of chlorine and pollutants (heavy metals, pesticides, herbicides, chemical substances, medicinal product residue, hormones, radioactivity, trihalomethanes, by-products, etc.) likely to be accidentally contained in network water.
For the sake of our health, it is IMPERATIVE to retain calcium, magnesium and minerals to preserve the electrical exchanges that create the energy in water. We need these benefits ! After several years of intensive research, with the guidance of Pierre-Gilles de Gennes (1991 Nobel Prize in Physics), we have developed a UNIQUE, PATENTED filtration system, in conjunction with CRT-CNRS. This system is currently, and probably will be for a long time, THE benchmark in terms of water optimisation. CARTIS® water retains minerals while acting on scale formation thanks to its limescale inhibitor properties. Installing a CARTIS filtration system provides you, on a constant flow basis and throughout your home, with : Filtered water from which any toxic chemicals, medicinal product residues, heavy metals, bacteria and viruses have been removed. Water rich in minerals essential for health, such as calcium and magnesium. Delicious water with no unpleasant taste or chlorine odour. Water that is revitalised and energised by micro-vortices that create beneficial, reoxygenating actions. Soft water for your hair and skin thanks to its action on limescale.


BEIJING (Reuters) - China's COSCO Shipping Holdings (601919.SS) (1919.HK) said on Sunday a key U.S. review body has cleared its planned $6.3 billion acquisition of shipping firm Orient Overseas International Ltd (OOIL)(0316.HK) on security issues.
COSCO said on June 30 that all pre-conditions for the OOIL offer made last year had been met after receiving approval by the Chinese anti-monopoly regulator. It already has approvals from European and United States anti-monopoly regulators.
In a regulatory filing on Sunday the company said the U.S. Committee on Foreign Investment in the United States had notified it that it does not have any outstanding security issues following an agreement with the U.S. government to divest the Long Beach container terminal business to a third party. COSCO said ownership of the container terminal business will be transferred to a trust while a buyer is sought.
There had been concerns the trade fight between Beijing and Washington might end up hampering major deals by U.S. or Chinese firms seeking regulatory approval.
U.S. and China on Friday implemented tariffs against each other's goods, with no signs of a near-term resolution.
COSCO's acquisition of OOIL will see the Chinese shipping giant become the world's third-largest container shipping line.
The deal is the latest in a wave of mergers and acquisitions in global container shipping that has left the top six shipping lines controlling 63 percent of the market and comes at a time when the industry is experiencing a recovery after a lengthy downturn.


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Home › Alumni News and Highlights › January 2018
Lisa Willoughby '91 will soon travel to the World Stunt Kite Championship in Berck-Sur-Mer, France to compete in the international stunt flying competition. Fellow enthusiasts, following nearly 30 years of competing, have noted her as a top player in the sport. Speaking of her first flying competition Willoughby said, "I won it. Within six months I got a sponsorship, because very few women fly and I was flying at a very high level."
https://www.northjersey.com/story/news/columnists/christopher-maag/2017/11/24/jerseys-best-kite-runner-dominates-sport-worldwide/826593001/
Sharon Rementer '05 was named the athletic director for Middle Township High School. Rementer's passion for coaching is rooted in her own time as an athlete at Stockton. "The kids deserve the best possible atmosphere when they're competing for their school. I remember what it was like when I played, and I just want to make sure everything goes smoothly for them."
http://www.shorenewstoday.com/sports/cape_may_county/sharon-rementer-takes-the-helm-as-middle-ad/article_8c416b76-f254-56d9-8c45-6c240a485363.html
Olivia Barrick '13 has been accomplishing her goals and keeping busy. As Merri-Markers' new event planner for Taylor Pavilion, Olivia works with engaged couples while making sure their special day is perfect down to every detail. "It's exactly what I've always wanted to do — be part of making dream weddings come true," she said.
https://www.tapinto.net/towns/belmar-slash-lake-como/sections/weddings-slash-engagements/articles/merri-makers-wedding-planner-couples-awestruck
Upon moving to the United States from Lebanon in high school, Angelo Bechara '17 was struck by how unaware young Americans seemed to be about the growing national debt. This fall, Bechara visited the annual Clinton Global Initiative University to bring attention to the Up to Us program. "Millennials need to be caring about this issue because, unfortunately, we're going to have to deal with it," Mr. Bechara said. "Many of our representatives in Washington aren't being so vocal, and that may be because they are not going to have to deal with the repercussions."
https://gwtoday.gwu.edu/student-raises-awareness-national-debt
Ten nurses in Stockton's Accelerated BSN Nursing Program were pinned December 15 in an emotional ceremony in Galloway. The ten students celebrated at this event were Brianna Fenton of Forked River, Chelsi Biener of Newfield, Sonya Brown Korsah of Atlantic City, Cody Eastburn of Manahawkin, Samantha Rumer of Ocean City, Rebecca de Jong of Somerset, Daniel Paganelli of Forked River, Briana Bobo of Audubon, Melissa Semerville of Egg Harbor Township, and Andrew Lippman of Philadelphia.
https://stockton.edu/news/2017/nurses-pinning.html


An archivist is a person whose job is to create, organize and maintain an archive, i.e. a coherent collection of documents. The documents contained in an archive may include text, drawings, photographs, and audio and video recordings of cultural, historical, artistic or administrative value or interest.
Archivists: what do they do?
Archivists may work for public or private organizations, including private businesses, foundations and religious or military institutions. They are responsible for the conservation of historical (or inactive) records as well as the management and systematic maintenance of current (or active) records.
Current records are documents produced during the normal day-to-day activities of the archive creator (the organization the archive belongs to, which may be a business, an institution or even a self-employed professional), which have a practical, administrative, accounting or legal value or function. For current records, an archivist's tasks include establishing the storage architecture (for example, using chronological or alphabetical order or based on the support type, e.g. paper, optical or digital), carrying out the activities required to maintain that structure, i.e. cataloguing and indexing, and deciding what material to keep and what to discard.
Historical archives are archives that no longer have any practical use, but which continue to be of historical and cultural value. Historical archives are inactive, meaning that new records are no longer being created. Instead, the archive numbering is frozen and all of its contents are conserved. The conservation of archive contents may require special care and attention, especially where documents are old, fragile or subject to deterioration.
The conservation of an archive by an archivist is not an end in itself. Archivists are in fact also responsible for ensuring that the information contained in an archive can be consulted and retrieved by internal and external users. Every archive has its own specific procedures for user access to documentation, whose objectives will include preserving the integrity of the archive materials (especially for historical archives) and ensuring data confidentiality (particularly for current records). The user base of an archive may vary widely, depending on the type of material contained and may include administrative or legal personnel, historians, academics, students and researchers, as well as general interest users and enthusiasts.
The profession of archivist and the duties it entails are currently undergoing a transformation, as digital innovations continue to be introduced. Increasingly, archives contain not only physical records, but also digital and electronic documents, while archivists may also be employed as digital conservation specialists. Digital archivists are increasingly in demand in companies planning to transition their administrative records and processes from paper to digital. To optimize this change, companies require experts capable of coordinating the process and advising their personnel on proper archiving practices and use of electronic tools and management applications.
Archivists usually work full time with normal office hours.
The type of training needed by an archivist depends on the sort of documentation they are required to work with. Historical archives require archivists with formal academic training in history, the arts and/or cultural heritage management and conservation, while archivists working on current records should possess the administrative skills required for the management, cataloguing and classification of documentation.
A knowledge of digitization, conservation and document access processes is also important, as is a knowledge of the legislation applicable to archive materials, which can vary according to archive contents. For example, legal documentation has different archiving procedures and time frames to administrative and medical documentation.
Depending on the sector in which they intend to work (i.e. historical archives, corporate archives, digital archives) archivists may be required to attend special training courses or have a knowledge of specific (ancient or modern) languages.
What's the Career Path of an Archivist?
As an archivist's career advances, their responsibilities will gradually increase. For example, they may be assigned responsibility for a section of an archive or a specific processing phase or phases, then subsequently progress to a coordination or management position and eventually become archive director.
Another possible career path is within the administrative department of a company, where an archivist may combine archive maintenance duties with data entry tasks.
An archivist may also choose to specialize in a specific type of documentation (such as digital documentation), a particular historical period (the skills required to manage an archive of medieval documents are different to those needed for contemporary documents) or even specific types of institutions (e.g. religious, military, or industrial).
So, why should you consider working as an Archivist?
People choosing to embark upon a career as an archivist often do so because of the cultural opportunities it offers. The chance to do a job that involves studying and conserving material from the remote or recent past and preserving it for posterity is often in fact a major factor of attraction.
In addition, modern technology is currently revolutionizing the field of archiving and creating a host of interesting employment opportunities, including in relation to the current archives of businesses and organizations.