text:
Q: Android animation with zero duration I'm using the following code to animate the hiding of a view (according to other questions it should be OK):
final RelativeLayout oSurfaceLayout = findViewById(R.id.surface_layout);
                    oSurfaceLayout.animate().alpha(0).setDuration(2000).withEndAction(new Runnable() {
                        @Override
                        public void run() {
                            oSurfaceLayout.setVisibility(View.GONE);
                        }
                    });

However, I actually don't have any animation: the view immediately disappears and the end action is correctly called after two seconds.
Where is the problem?

A: This code don't work you just run a Runnable with no animation called.
if you want show animation you must create xml file like fade.xml in res/anim folder
<?xml version="1.0" encoding="utf-8"?>
<alpha xmlns:android="http://schemas.android.com/apk/res/android"
   android:fromAlpha="1.0"
   android:toAlpha="0.0"
   android:duration="2000"
/>

and add this to java
oSurfaceLayout.startAnimation(AnimationUtils.loadAnimation(context, R.anim.fade));


In the many responses I get to these videos, it appears that a number of people want to deny, or are not even aware, that there is a scientific foundation to the overwhelming consensus on climate change.
In fact, the science is built on thousands of publications and many decades of observation.
In this video we'll go over some of the fundamental discoveries, the basic facts that we know beyond a doubt, about global warming. Of course, many people will never believe science, because they believe that anything that challenges their world view, is all part of a secret, global conspiracy.
This video inaugurates a new series, that will augment, but not replace, "Climate Denial Crock of the Week".
Many people seem to think dealing with climate change will bring poverty and limit human development. The truth may be exactly the opposite. Moving to a world of where we aren't fighting each other over the last few drops of oil, where energy is free, will mean a better life, with greater opportunities even for an expanding population. If we make the right decisions, we could be on the verge of the most prosperous period in human history.


text:
import os
import sys
from os import listdir

def main(root_dir, stem, val):
	lis = [f for f in listdir(root_dir)]
	for file in lis:
		print "TFIDF ----> 4"
		os.system('python audio_features/tfidf.py '+stem+' '+val+' "'+file+'"')
		break

if __name__=="__main__":
	root_dir = "/home/varun/concept-graphs/FastKeyphraseExt/transcript/" #set Input here
	stemmer = "Porter-Stemmer"
	val = "3"
	main(root_dir, stemmer, val)

redpajama_set_name: RedPajamaGithub


text:
<!DOCTYPE html>

	<meta charset="utf-8">
	<meta name="viewport" content="width=device-width, initial-scale=1">
	<title>jQuery Mobile Demos</title>
	<link rel="stylesheet"  href="../css/themes/default/jquery.mobile.css">
	<link rel="stylesheet" href="_assets/css/jqm-demos.css">
	<link rel="shortcut icon" href="favicon.ico">
    <link rel="stylesheet" href="http://fonts.googleapis.com/css?family=Open+Sans:300,400,700">

		Search
        <?php include( 'search.php' ); ?>

Demo center for

jQuery Mobile is a touch-optimized HTML5 UI framework designed to make sites and apps that are accessible on all popular smartphone, tablet and desktop devices.

For technical info, visit the API documentation.

The API docs are a separate site from the demos and cover the technical details of each jQuery Mobile plugin in depth.

			Stay here
			Visit API Site

Introduction

New to jQuery Mobile? Start here.

Demo Showcase

Examples of how to customize and extend jQuery Mobile.

Questions & Answers

Common issues and questions, explained.

Going Responsive

How to use RWD with jQuery Mobile

Widget reference

Test drive every component in the library, and easily build pages by copying and pasting the markup configuration you need.

        	<?php include( 'nav-widgets.php' ); ?>

Copyright 2013 The jQuery Foundation


text:
VOTE: Do you think the Conservative party has abandoned its core values?
Elisabetta Bianchini
Yahoo Canada News August 23, 2018
After a tumultuous relationship with his Conservative colleagues, Quebec MP Maxime Bernier announced he will be leaving the party with the goal of forming his own political party, based around the idea of "promoting Conservative values."
"I didn't change. It's the party that changed," Bernier told reporters in Ottawa on Thursday. "I have come to realize over the past year that this party is too intellectually and morally corrupt to be reformed."
The core of Bernier's reasoning for leaving the Tories is the party's abandonment of "real Conservative ideas" under leader Andrew Scheer, the man Bernier lost the party leadership race to in 2017.
It is clear that Max never accepted the result of the leadership vote and seeks only to divide Conservatives. His decision today allows the Conservative Party of Canada to move forward united behind our Leader @AndrewScheer.
— Stephen Harper (@stephenharper) August 23, 2018
"What we will get…is just a more moderate version of the disastrous Trudeau government," Bernier said. "Under the current leadership, it has all but abandoned its core Conservative principles."
Some of these principles that Bernier outlined in his announcement include Conservative support for retaliatory tariffs against the U.S., supply management and corporate subsidies. Bernier said he is the only caucus member who is against a trade war with the U.S. and the only one "fighting for Canadian consumers."
"Buying votes in a few key markets is more important than defending Canadians," Bernier said about the existing PC party. "Canadians are tired of paying taxes to bail out, bombardier, ford and other businesses."
"I still cannot understand how a party that is supposed to defend free markets supports a small cartel that artificially increases the price of milk, chicken and eggs for millions of Canadian consumers," Bernier said.
RELATED: A look at Maxime Bernier's musings over the last 10 years
The MP sparked significant controversy after making public comments related to immigration and "extreme multiculturalism" in Canada, which resulted in criticism within the Conservative party, including Scheer and immigration critic Michelle Rempel.
3/ The vast majority of Canadians rightly expect immigrants to learn about our history and culture, master one of our official languages, and adopt widely shared Canadian values. Instead of spending M$ on multiculturalism programs, we should focus on integration.
— Maxime Bernier (@MaximeBernier) August 21, 2018
1/ Our immigration policy should not aim to forcibly change the cultural character and social fabric of Canada, as radical proponents of multiculturalism want. Of course, society is transformed by immigration. But this has to be done organically and gradually.
Successful immigration depends on social acceptability and the maintenance of social harmony. Many people have asked how do I know that there is "too much diversity." When I see that half of Canadians believe immigration levels are too high, I know we've reached that point.
"The Trudeau government is focusing on diversity…I'm not against that," Bernier said. "The goal should be unity and diversity."
Bernier went on to say ethnic differences should not be "exploited for votes."
In response to Bernier's announcement, Scheer told reporters in Halifax the MP's decision was motivated by his desire to advance his "personal profile."
"I've always challenged him to put personal ambition aside," Scheer said. "He is more important than his Conservative colleagues."
The Tory leader also said the Conservative party has given Bernier "every opportunity" to bring his ideas forward, which Scheer says he never did.
"He has chosen to abandon the best alternative to the Liberal party," Scheer said. "I don't take it personally, I think this is something he would have done no matter what."
What do you think of the existing Conservative party under Andrew Scheer? Vote in the poll above and leave your thoughts in the comments below.
South Korean political leaders vow to work together to resolve Japan dispute
High court won't hear NDP expenses case over mailings, offices
People's Party board in a Winnipeg riding quits over concerns about racism
Zelenskiy's second act: Ukraine leader set to win snap parliamentary election
Scheer's pledge to review new Food Guide challenged by health community
South Korea's central bank lowers rate amid Japan trade row

redpajama_set_name: RedPajamaCommonCrawl


Posted March 11, 2016 by Dave Brons & filed under 'news'.
The Guitar Hour is a live online guitar show (A bit like Top Gear for Guitar players). We play guitar, do jams, talk about music gear and discuss a different topic each week.
The show is hosted by fusion virtuoso Tom Quayle, Dan Smith , David Beebee and myself.
We've been blown away by the response from the guitar community to the show. Thank you guys!
You can sign up to watch the show at https://www.twitch.tv/tomquayle ( its completely free) and you will get an email notification each time we go live.
we discuss what to do when you have lost your passion for playing music.
Welcome to episode two guys! In this episode we discuss the good habits of successful musicians, Dan challenges us again over a minor blues, Dave plays his amazing tune Kai Rohan and we jam over an Andy Timmons style track. Hope you enjoy it!
S1 Ep3 4 tips to kickstart your career.
A few handy tips and the usual mix of playing and sillyness.
S1 Ep4 Is your mobile phone killing your creativity?
Some disagreement in the guitar hour camp about this one!


text:
subhumanzoids
comics & resources by joseph luster
Tutorials & Process
Big Dumb Fighting Idiots
Crystal Corridors
Neon Starlight Express
Two of a Vine
Category: Spotlight
Currently Reading, My Comics, Spotlight
catch one of my comics in comfort food zine!
June 27, 2015 July 9, 2017 by subhumanzoidsLeave a Comment on catch one of my comics in comfort food zine!
Heyyyy… I've been busy! Sadly, most of what I've been busy with is stuff I can't post on the blog, hence the lack of updates. Anyway, here's one for you. I recently contributed a two-page comic to a zine by Lauren Jordan called Comfort Food Zine. The book was successfully funded through Indiegogo, and in it you'll find a bunch of food-related comics by myself and 33 other artists.
My comic, naturally, is about bagels. Here's what it looks like in the book:
It's pretty simple. I did it all on paper in brush pen with Photoshop for the grays and a tiny bit of gradient. It was fun.
As far as I know Lauren has had the book with her at various conventions, and will be updating her store with them at some point. If you're really interested in one you can contact me, because I have about 5 on hand.
That's it for now! I also still have a very small amount of SLIME minis still available on the bigcartel store.
slime, Spotlight
slime gets its first review!
March 30, 2015 July 9, 2017 by subhumanzoidsLeave a Comment on slime gets its first review!
Hey! It's hard to believe but it's been over a month since I debuted Slime, and amazingly there are only a few copies left before the first printing is completely out. I'm not sure if or when there will be a second printing, so if you planned on getting one be sure to grab it while it's hot.
If you need more than my string-bean synopsis to go by, small press comics review site Optical Sloth has the very first review of Slime up now!
Elsewhere (as in, like, right here at this very desk, but whatever), Wes and I have been hard at work on the next issue of Two of a Vine. It's almost done, so go ahead and catch up on the series to prepare for the next sizzling chapter!
three questions: jules carrozza marches on with alison
October 21, 2014 July 9, 2017 by subhumanzoidsLeave a Comment on three questions: jules carrozza marches on with alison
Has it really been almost two years since we last sat down with Jules Carrozza, known to some longtime readers of this blog as Kojiro Abe? Yes indeed, and his first feature, Alison in Wonderland, has still yet to be released. Thus, when Jules stopped by the sewer-grate-steamin' subhumanzoids back-alley with a new "sneak preview" trailer for Alison, we couldn't leave him be without answering these questions three.
It's been a while since we saw any new footage from Alison. When did you add the CG, why did you do it, and who was responsible?
The CGI for the Caterpillar was done early this year. My original idea was to do the Caterpillar totally analog, as a puppet, but I was recording the dubbing with Dave Luce and he convinced me that doing the Caterpillar as CGI was much more economical and then he volunteered to do himself. Dave is a real renaissance man who loves DIY projects. I liked the idea of Dave doing the CGI himself since he does the Caterpillar's voice, it's sort of like Andy Serkis and Gollum. I wanted to do as little pick up shooting as possible for this movie given I already had been shooting from summer of 2011 to summer of 2013.
The release date is now set for spring 2015. What's the hold up in getting this one out there? Is there still more work to be done?
There's a lot of work to be done and aside from some support from Dave Luce, Aria and a few others, I am doing all the work in-house myself. I am assembling an HD master for the movie and it's a very long and detailed process. I need to match the cuts I did with the HD footage. The creative stuff is over, now the editing process is entirely mathematical. Plus I'm mixing the film in 5.1 surround sound so there are hundreds of sound effects that need to recorded and added in. I am not cutting any corners here. I want this film to be special. I am aiming to have this film done by late March of 2015 and think I can do it. After that, it's on to my next project, which will either be another low budget film called Divine Comedy or my long-standing pet project Coup D'Etat, depending on how lucky I get.
You recently posted publicly about dealing with depression and struggling with an existential crisis. Are you any closer to answering the question, "Is this it? Is this all life has to offer?" *pulls chair closer* What's going on, Jules?
I don't wish to talk about this much, but I'll tell you this: you could say I am finally starting to realize my mortality and life is seeming pointless at times. It's partially because I've been working on the same movie for the greater part of a decade, partially because I gained weight and am suffering from health problems caused by it, partially lady problems. I quit smoking recently as well and am withdrawing from nicotine and feeling morose as heck. But I am really eager to get my life back on track again. I was almost arrested recently for getting in an altercation outside a bar and that really shook me up and was a wake up call for me. So the first thing I did the following day was quit the death sticks which I had started again because I was stressed out making Alison. So yeah, I'm hoping things turn around.
Thanks as always, Jules, and good luck with wrapping up your first big film.
Here's the new trailer:
jlr exclusive: an(other) interview with jules carrozza
December 8, 2012 July 9, 2017 by subhumanzoids1 Comment on jlr exclusive: an(other) interview with jules carrozza
Longtime followers of this blog who migrated over from the original Joseph Luster Report are no doubt familiar with independent filmmaker Jules Carrozza, or his more notorious former moniker, Kojiro Abe. If you're just joining us, stop by some of the classic posts for a bit of a refresher course, or just start watching some wild stuff on his YouTube channel.
Carrozza's current production, Alison in Wonderland, is also his first stab at a feature. Now that production is nearly a wrap, I sat down with him once more to pick boogers from his bizarre brain.
Let's start off with a little catch up. Where are you now in production of Alison in Wonderland, your first feature?
We are almost done shooting, with six more days of complete shooting to go plus some minor green screen pick-up shots. Right now, I am getting ready to do a big scene in January where Kendahl/Alison and Holly/the Red Queen sit down to a candlelit dinner of grotesque delicacies like flamingo and ape's brain and discuss liberty vs. despotism. It's going to be one of the best scenes in the film I think, I am putting wedding veil over the camera lenses and lighting about 50 candles to make the scene look like a vintage painting. I call the scene the Barry Lyndon sequence. But I don't have an actress for the role of the Queen's Geisha-like maid servant, the girl I originally cast pulled out because she went back to school, so I am looking for an Asian girl right now. We also will be soon reshooting the school scenes with Jake Schwartz (the Mad Hatter) also playing the role of Alison's soon to be ex-boyfriend Derek.
How long has this been in the works, from inception to today? Tell us how it all began.
It will have been almost seven years by the time its done in 2013. It's a long story spanning almost a decade. I've been thinking about this movie since shortly after I finished Little Red Riding Hood really. It all began back in 2007 even before Dream House went into production. After Red Riding Hood I was eager to make another fantasy/fairy tale based movie and of course Alice in Wonderland was a natural choice. Ryan Murphy was also making his Wizard of Oz comedy No Place Like Home while I was doing Dream House, so that was getting me psyched to make Alice. I even considered shooting both Dream House and Alice the same summer, but that of course didn't work out.
After Dream House and its lukewarm reception, I was especially eager to make the film, but I'd say the original script was just as bad as Dream House's . It was just a knock off really. I tried to get the original incarnation of the film made back in summer of 2008. Ryan, whom I hoped would help me with the movie, and I got in conflict over Alice and it helped ended our friendship. Finally, the ship was sunk when the actress I had hired walked off set after an hour of shooting, bemoaning my lack of the professional resources. It was the most intensely frustrating summer of my life and that's partially why I made the ultraviolent and twisted The Magic Forest.
At the same time, I was going to a horrible corporate art college that I hated, I wound up dropping out and I went home for a year. It was at that point I decided to return to Alice in Wonderland and I kind of changed it around. The original script was very simple and only 25 or so pages long, it has some of the elements of the final version there but not all: Alice gets depressed when she gets dumped by her boyfriend, the White Rabbit is a girl in a Playboy Bunny get-up, the Caterpillar is a pothead and Alison is almost executed by the Red Queen (who in this version was a Japanese noblewoman named Lady Asano). The new script I penned in late 2008 was a completely new animal, almost 70 pages long. I changed the title to Alison in Wonderland and the name of the protagonist to emphasize that it's a new, modernized version of Alice in Wonderland. One of the biggest problems in the old script was that Alice/Alison was not a very well developed character, in this version I tried to write her as a real, flesh and blood, troubled young woman and added a layer of political satire. In a way all the characters of Wonderland in Alison represent different dysfunctional elements of our society. The Mad Hatter was given a redux to make him a complete psychopath with Heath Ledger's Joker as a big influence. The Red Queen was changed into a sort of cruel medieval warrior queen like Elizabeth Bathory.
Though I did a fair amount of conceptual work for Alison in 2009, my time was mostly occupied with Black Sunshine: Conversations with T.F. Mou and I didn't start working on it until late 2010 when I began building the props. I began casting for it in spring of 2011 and began shooting in August 2011 after production was delayed due to a myriad of problems. Then we shot for a month or two and production was delayed again until this year and I was able to get a considerable amount of the movie shot including all the Mad Hatter scenes. But sadly this year, with the Red Queen scenes, I ran into trouble again and things are stretching out a little into next year, though I am still aiming to have a finished film by August 2013.
What equipment are you using, and what kind of roof does your budget have?
It is the very first HD shot Gen-Y Films production. I am shooting with a DSLR and an HD camcorder for moving shots and B-roll coverage. Those DSLRs are a wonderful invention, they really put some polished looking images in the filmmaker's hand for a minuscule price but they're not perfect either and don't hold up well with handheld camerawork. My earlier films, especially Dream House, had a heavy use of wide angle lenses, the shooting style of Alison in Wonderrland uses more long lenses than usual. I am starting to like them more, they're good for a slicker, more Hollywood look. I have shot something like 25 hours of footage, more than all my previous big projects put together. The movie will have wound up costing $20-30 grand at the end of the day. All the delays have driven the budget way up.
How have you been funding the film along the way? Have you had to have any investors step in and help?
I actually met someone at Myrtle Beach when I was there in late 2009 showing the recut Little Red Riding Hood who seemed interested in backing Alison but as deals made on a handshake and a few beers often do, nothing came of it. I tried Kickstarter as well but that was just pathetic, a few people told me to go fuck myself when I politely asked for a possible donation. I raised like $200 when I wanted twenty thousand. My mother and grandmother put up the money at the end of the day.
What are some of the challenges you've discovered in transitioning from shorts to working on a feature?
A short is like a half mile at most jog. A feature film is like running a marathon. That's the best analogy I can make. It's not really too different, you're doing the same thing: telling a story with cameras and actors, but you're in it for a much longer haul and it consumes far more energy. Scheduling is the toughest thing, most of my actors work so I have to make sure I book a shooting date up to three weeks in advance oftentimes and then there's the fucking weather to contend with if we're outdoors, if it rains it's bad news indeed. We've been shooting mostly on Mondays because that's the one day Kendahl has off from work. Keeping good continuity is another big struggle and is all the harder with a feature, with Alison I am trying as hard as I can to make a film that is as perfect as can be made and that is probably the hardest thing for a mortal to attempt. Everything is more of a challenge and I always am disappointed with the footage when I first get it because the images in my head are so fine. But gradually I grow to accept my footage once I edit it as nothing made by a mere mortal man can ever be perfect.
It seems you've hit a lot of snags in the process; actors flaking, etc. Hit me with the biggest horror story yet during production.
The film would have been finished probably six months ago if not for me getting screwed over by certain people. The way these people's minds work poses so many questions in my head. How can they sleep at night after knowing that they've hindered someone's dream? How do they survive in this world being seemingly completely unable to do anything concrete? Why the fuck did they say yes in the beginning or even apply to my Craigslist postings when they had no intention of ever following through?
The worst incidents, of which there's been three occurrences, is when we're literally all set to film and the actors just decided to play hooky and not show up for shooting. That enrages me. One of the worst times was when the first girl who was supposed to play the White Rabbit and promised she would come ended up not showing up when we were in the midst of shooting leading up to her scene. I was angry enough to smash a camera that day. Actually, finding a girl to play the White Rabbit was a real nightmare, nobody wanted to do it and get in that Playboy Bunny outfit. Literally about a dozen girls turned the part down before I finally found Diana, the actress who wound up doing it like two weeks before we were set to film. More recently, this one actor I had cast and actually filmed a day of footage with just decided to only come to shooting when he felt like it and I would up having to fire him and his footage had to be reshot so we lost a lot of time and money. It's partially because of this that shooting has to stretch out another several months.
Speaking of actors, how has it been working with those who've stuck around? Judging from the production diaries it seems most everyone is having a good time. Do you feel you're getting the best possible performances out of them?
One of the biggest joys of shooting has been working with the actors who have been professionals. That's one thing about Alison in Wonderland that I think will particularly pleasantly surprise people, it has by far the best acting of any of my movies. Kendahl Light, Alison's actress, is particularly great. She's really turned Alison into a living, breathing person and brought this great sense of humanity to the role. Without her, there is no movie. Jake Schwartz has also done an excellent job playing a terrifying Hatter straight out of my mind. He's just this insanely fucked up character, he's pure evil, like unadulterated predatory "id" in human form. Comparisons with Dave Luce are sort of inevitable, but their methods are fairly different, it's like comparing, say, Christopher Lee and Vincent Price, really quite pointless.
Also Holly Schaff is a joy to work with and very good and intimidating in the footage we've shot of her as the Red Queen, and Becky Howland is very on key as Molly. Aria David, who plays the March Hare and several other roles, has become one of my best friends and Eamonn McGrail, who plays two roles, is another good friend of mine and fellow filmmaker and I helped him edit his movie A Separate War. Jeff DeBiase, who was the lead in that film and plays a card guard and is my film's fighting instructor, is always fun to have around on set too. Speaking of Dave, he and I have reconciled and he's back playing a couple of macabre roles for anyone that missed him.
Did you come close to calling it quits? What's kept you going throughout?
I never really considered outright quitting but most recently I almost decided to just forget shooting the Queen stuff and cut a shorter film out of it about the Mad Hatter as sole antagonist. You know, quitting while I was ahead. But I decided to, in spite of how difficult it was, start shooting the Red Queen footage anyways. However, I am thoroughly burned out so after this and the final cut of Black Sunshine: T.F. Mou are done I'm definitely taking some time away from making movies for a while. Who the heck knows how long it'll take for my next project to get off the ground anyways; people in the industry could love Alison and be eager to fund my next project but it could be (and often more likely is) a years-long uphill battle.
What keeps me going is a mix of the love of filmmaking that I have with the strong urge to prove myself. You have to love it so much that you can put up with the myriad of frustrations along the way. Of course I really want to prove to myself that I can do it in the first place. I will be very happy once this over and I have a feature film in my hands. There are also more selfish, egotistical reasons for my perseverance too like sticking it to my enemies by succeeding.
How do you feel this compares to your past work so far? Critics (read: me) haven't been as high on your projects following Little Red Riding Hood; do you feel you've improved as a filmmaker?
I can say, with as much objectivity that I can heap upon my own work, that it will be my best movie to date, though I am also pretty happy with Black Sunshine: Conversations with T.F. Mou too. Dream House and the failure of the first Alice in a way were not entirely unproductive experiences. They taught me, at least, what NOT to do when making a film, sort of the Film School of Hard Knocks. Alison hearkens back to Red Riding Hood and very much looks like the same pair of hands made it but is a superior film narratively and aesthetically. It has a lot of similar ideas and elements to Red Riding Hood: Red and Alison are both held captive and tied up in the exact same spot by the Wolf and the Mad Hatter respectively in a grungy, horrible shack with depraved decorations. Ironically we used the same location for both scenes.
Alison is also going to duel the Red Queen in a scene very reminiscent of Red Riding Hood's finale. I think I've matured immensely as a filmmaker since 2006, I can shoot and edit far better, but part of that maturity is realizing that making a movie is a lot more than just knowing how to shoot and cut. I have put in a massive amount of work and have tried to put a lot of attention to detail into every single scene from Alison's cute, stuffed animal and poster-filled room to the dark, disgusting and dingy Mad Hatter's house filled with sex toys, mutilated and blood stained dolls, human remains and a mix of porn DVDs and kids movies. I even aged up a lot of the props and wardrobe for a "lived-in" look, I wanted every detail to be right. I am sort of trying make the ultimate low budget Gen-Y Films production with a lot of the elements from my prior films brought to perfect synergy.
Has working on Alison gotten you any action with the ladies? What's the love life of The Artist Formerly Known as Kojiro Abe like at the moment?
I wish I could tell you that there's been some scandalous romances and decadence going on, but that hasn't really been the case. But I think I will succeed in my quest for love at the end of the day. Believe it or not, in spite of all the trussed up girls, dildos and teriyaki grannies in my current work, settling down with a woman who understands me and starting a family is very much in my plans.
After this, do you plan on continuing with the whole "fractured fairy tales" thing? Don't you feel it's a little played out at this point?
No and yes. First off it really kind of is played out, some people even questioned why I was making a movie like this to begin with. I mean, I already made Little Red Riding Hood. But I really thought there was more to be said with this, and besides, Alison in Wonderland really has little in common with Lewis Carroll, it's more akin to Red Riding Hood actually, it has the basic skeleton of Alice in Wonderland but the flesh is pure Carrozza. I have finished scripts for my next two projects, The Witch's Castle and Coup D'Etat,and one is a gritty drama about a murder and the other is a twisted and dark dramedy about a girl in a Christian school who decides to violently overthrow her school's principal. I am also about 10 pages away from writing "the end" on my script Horror Colony and that project has more in common with Alison.
Really, Red Riding Hood, Alison and Horror Colony are sort of a 'fucked folklore' trilogy. Dave Luce and I came up with the idea for Horror Colony, it's an ultraviolent zombie film set in 1676 during King Phillip's War when the English settlers and Wampanoag Indians were in violent conflict. I am from Plymouth County—in fact, one of my ancestors came off the Mayflower—and I have realized that really, the whole story of how the Pilgrims and Native Americans cheerfully sat down to a turkey dinner and all that is as much of a fairy tale as Red or Alice. Ironically Dave, when he was about 17 or 18, actually spray painted "Made in Taiwan" on Plymouth Rock which made the news and got him a few weeks of jail time. Horror Colony will be this scathing political satire about the injustices of America's genesis and the script is as gruesome as Man Behind the Sun. The Red Queen scenes in Alison with the Queen speaking in archaic dialect a la your Bard's Tale movies are a bit of a dry run for Horror Colony. The fact is that fairy tales, mythology and folklore will always be part of my oeuvre. My biggest dream project is to make Neon Genesis Evangelion into a live-action trilogy shot simultaneously like Peter Jackson's Lord of the Rings films. You know, Little Red Riding Hood, Alice in Wonderland, Lord of the Rings, Star Wars, even Godzilla and Evangelion, they're all fairy tales really and part of man's legacy.
It appears you've put on considerable weight during the process. Has the stress of filmmaking negatively affected your body, or are you going for more of a literal transformation into pre-surgery Peter Jackson?
Oh God no, I am greatly displeased by it, though it seems like Peter Jackson has gained a lot of his weight back from watching The Hobbit stuff. It's all stress and I am trying to lose it again now. I hope to be slimmed down considerably by the premiere.
Is there anyone else you would point fans of your work to as far as low-budget indie filmmakers like yourself go? Who are your big influences right now outside of Hollywood and other industries, if anyone?
I don't watch many modern independent films nowadays, some of it is really pretentious. In fact, in general, I watch less new movies than I used because I'm pretty busy. But I generally enjoy all the stuff I see at the couple of film festivals I've been to. One of my favorite movies I saw at Myrtle Beach was a film called My Sweet Misery—basically this dark and twisted romantic dramedy about a man's struggles with his depression and post traumatic stress disorder. I actually tried to give Alison somewhat similar of a tone. The director, Matt Jordan, and I, talked for a while and I gave him a copies of Two Short Films and Alison's script, he e-mailed me later and said he loved them both.
And of course there's a lot of fun stuff on the internet, one of my favorite series of online videos is the Jiz series, episodes of Jem and the Holograms redubbed to make them really perverted. Jem is this horrible sexually depraved drug addicted apparently transsexual sociopath named Jiz. The Starlight Girls in the orphanage are now a bunch of underaged prostitutes and the house is a big brothel where Jiz gives them abortions. There's even an episode where this runaway kid is turned into a young gay prostitute who defecates on people for a living. It's great fun and awesome that the anonymous creator of those videos can turn a sappy girls show like Jem into something so unwholesome.
Finally, hit us up with some J.L. Carrozza advice for anyone who might
have similar aspirations.
Just keep doing it. That's all I can really say. Tenacity is key to achieving anything worthwhile. Keep an open mind and learn from your mistakes and just keep plugging away.
My name's Joseph and I write and draw comics. In addition to sharing my own work, my goal with this site is to provide the kind of comic-making resources I'd like to see more of, and inspire others to start bringing their own rad ideas to life today.
– Joseph
Categories Select Category big dumb fighting idiots Comics Currently Reading Feelin' It Game Zone Illustrations Manual Save Monster Flight My Comics My Stuff Patreon Podcast slime Spotlight Subhorrorzoids Tutorials & Process two of a vine


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China Fills In – and Retailers Follow
July 2, 2012 November 25, 2015 AdAsia Editor
Contributed by Kathryn Sloane, Director of Business Development & Growth, APAC, Schawk, Inc.
Kathryn Sloane
China has always held out great promise for retailers, thanks simply to its enormous population. "If I could just sell a million wristwatches at a tiny profit," the thinking went, "I could make a ton of money." Trouble has always been, though, that the Chinese didn't have the money even to buy a wristwatch. That's changing, and retailers are finding that the best prospects for new markets are among China's growing middle class and in growing Tier 2 and Tier 3 cities, not in its established metropolises. As Forbes.com put it, "The middle classes are expanding out beyond the largest cities more rapidly and in greater numbers than any market has ever witnessed." In other words, China is "filling in."
But as always in China, that path is complicated and not entirely without uncertainty. First, the optimistic news. The Chinese government is aggressively pushing policies to grow its middle class, understanding that this has been the key to economic growth in developing nations worldwide. Consumption by the nation's middle class will outstrip the U.S. by the end of this decade and the entire European Union by 2027, according to a report from the OECD. And there's tremendous room for growth, as the middle class in China now represents only a little more than one tenth of the population – compared to an astonishing 94 percent in South Korea, for example.
Combined with the expected growth of the middle class is the growth of Tier 2 and Tier 3 cities in China, as farmers and other small-town residents flock to urban centers to find more lucrative work. Today, four in ten Chinese live in cities. Morgan Stanley has suggested that if this increases to 63 percent, retailers will gain another 300 million potential customers with markedly greater purchasing power in the coming years. Just one indication of the growth in smaller-city purchasing power: eight of the ten fastest-growing cities for the huge eBay-style website Taobao are Tier 2 and Tier 3, according to a report from A. T. Kearney.
And the Chinese government is taking extra measures to increase consumption, such as allowing families made up of children born under one-child-per-family laws to have two children. This kind of social engineering is foreign to the West, but it's part and parcel of Chinese life. All in all, according to one report, China is in a "megatransition," and the government's ambitious and aggressive planning across the board "is likely to spark the greatest consumption story in modern history," according to Morgan Stanley. "Today's post-crisis world could hardly ask for more."
What will the new middle class in fast-growing Tier 2 and Tier 3 Chinese cities be buying? Food, of course, at an expected increase of nearly seven percent annually for the next decade and a half. This is not lost on retailers like Tesco, Carrefour and Wal-Mart, who are quickly learning the finer points of expanding in China. But discretionary items are the faster-growing segment and eventually will comprise a larger percentage of Chinese consumption than food does, perhaps the clearest indication of a nation's prosperity.
For example, mobile phone reach in China is expected to grow to 84 percent by the middle of this decade, nearly a 50 percent jump. In 2009, China was already the world's top mobile phone market, with some 700 million subscribers.
China is also the world's largest automobile market, and by next year it will have doubled its share of the world's car purchases in just five years. Packaged goods represent a huge potential growth segment, especially for larger retailers. Today only one-fifth of the Chinese market is "organized" by larger retailers: local and mom-and-pop stores prevail. By contrast, 80 percent is organized in the U.S., according to A.T. Kearney.
Household and personal care products are expected to grow as much as 15 percent per year in the near future. And clothes present a particularly interesting case. While it's a very fast-growing segment in developing economies worldwide, the Chinese historically have had very small wardrobes and still are relatively uninterested in foreign brands, especially compared to India and Brazil, two other nations often offered for comparison in many areas. But this orientation is changing among the desirable 18-to-24-year-old demographic, and that's precisely the kind of trend clothing retailers want to bank on for the future.
But this "filling in" of the Chinese consumer landscape isn't a simple thing for brands. Pitfalls and uncertainties abound. Although securing the space and permissions for a large retail store in Tier 2 and Tier 3 cities isn't the logistical and bureaucratic runaround it is in the biggest cities, it's still a complicated, sometimes shadowy process that requires developing relationships with the right people (and not wasting effort on posers) in ways that can strike Westerners as unconventional.
In these cities, once a retailer has developed these relationships, things go smoothly. But in crowded Tier 1 cities, there are stories of the government seizing retail property for public use and telling the owner, "We'll pay you for the bricks." And the uncertainties extend beyond the local specifics. As Forbes noted, six years ago, a company could reach 70 percent of the middle and upper classes by having locations in 70 Chinese cities. Nine years from now, it will require more than 400 cities, with this mandate: "Not only must companies choose the right locations for long-term growth and scale economies, they must segment and cluster those locations appropriately given the company's specific business model."
And there is yet another layer of uncertainty, at the level of broad economic policy. Currently China is dependent on foreign sales, and recent events have shown that those are subject to events like recessions, debt crises and earthquakes. For these reasons, and to promote more self-sustaining growth, China wants its consumers to buy more goods made by Chinese companies. So there's a chance that foreign companies, no matter how entrenched or what kinds of joint operating agreements they have, could be pinched.
If anything, these realities may encourage foreign companies to move quickly now to become entrenched while they can. But the best course for this singularly modern economic situation might be embodied in an ancient proverb: hasten slowly.
Sources: "Asian Affluence: The Emerging 21st Century Middle Class," Morgan Stanley Smith Barney, June 2011. "The Emerging Middle Class in Developing Countries." OECD Development Center, January 2010. "Unlocking China's Consumer Power." Forbes.com, April 5, 2010. "Growing China's 'Middle Class.'" ChinaTrade.com, July 22, 2011. "China's middle class still growing … and more may want that new car smell." IvyFunds.com, July 11, 2011. "The 2008 A.T. Kearney Global Retail Development Index." A.T. Kearney, 2008. "The China Files: U.S. Corporates & Megatransition." Morgan Stanley, Sept. 20, 2010.
Schawk, Inc. is a leading provider of brand development and deployment services, enabling companies of all sizes to connect their brands with consumers. With a global footprint of operations in 26 countries, Schawk helps companies create compelling and consistent brand experiences by providing integrated strategic, creative and executional services across brand touch points. For more information about Schawk, visit http://www.schawk.com. Follow Schawk on http://www.brandsquare.com and http://twitter.com/BrandSquare.
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When Etihad was on a binge investing in troubled foreign carriers like perennial basket case Alitalia and air berlin, there was one they wouldn't touch. Despite much speculation about a cash infusion from the Abu Dhabi-based carrier, South African Airways' only lifeline has come from the government.
South African received a bailout a year ago to help with a new CEO's plan to stabilize the airline by convincing banks they would continue to exist.
Despite government cash infusions the airline's debts now exceed their assets. They are looking to sell assets to raise cash (which won't change their balance sheet) and looking to the government 'for more bailouts' despite already having 19.1 billion Rand in government guarantees (~ US$1.3 billion).
South African Airways (SAA) is technically bankrupt after its debt increased to R15 billion – more than its assets.
This is according to the City Press, which reported the "airline's finances are in tatters and the Auditor-General has raised serious concerns about its viability".
According to the article, the airline is considering selling off some of its assets, including its catering arm, Air Chefs, and SAA Cargo.
A top SAA official told the newspaper that the airline will look at the government for more bailouts, because the banks are refusing to lend it money.
In the meantime since they airline is 'technically bankrupt' they will simply not present financial statements despite a legal requirement for them to do so.
The airline still claims they can get to profitability by 2021 if only they receive another ~ US$1.5 billion.
Major US airlines, and their proxy 'Patnership for Fair and Open Skies' (which want to abrogate Open Skies, natch) have been strangely silent on these subsidies for an airline which flies to the U.S.
I have an award flight booked with them in Dec (Jan return). Yes, the coveted IAD-DSS in business class which I booked for 50k Virgin miles. What might happen given the situation? What are the possible scenarios, three months out from my flight?
C'mon, Gary. You know why the US airlines are silent on SAA. It's your typical, small state-run basket case airline. If they were getting $50 billion from the South Africa gov't and using it to grab a big chunk of the global connecting air transport market, the US airlines would "care." This is just common sense, which you seem to check when it comes to the "issues" with Mideast airlines.
In the meantime, the situation with SAA is sad, but there is probably no solution. We (the West) insisted on "democratic reforms" in South Africa. What were the odds that things would go well in a country where power was going to be passed from a small percentage of the population that had all the wealth and know-how to a poor, uneducated population? The odds were very low. I would say South Africa has done much better than would have been reasonable to expect, largely due to Nelson Mandela. But there are still many huge problems in South Africa, including rampant corruption in government. How is a state run airline going to be operated efficiently in that environment? It never will be. So either there will be more big subsidies, or SAA will eventually go out of business.
@Jeff — the odds are at least 90% that you'll be fine. The problems with SAA have been going on forever. Unless you start reading that the government is seriously considering "pulling the plug," these latest problems won't affect you at all in 3 months. I fly SAA all the time are their service is more than adequate. In other words, you'd never know they were broke. Kind of like my last flights on Air Berlin!
They won't let it die. It's one of those cases where the airline is more than an airline. It's a symbol of the country and it's also a company that can provide lots of jobs to lots of prominent people. It's a shame SAA is in that situation though. Flew with them a few times and the service was very good.
The major US airlines are not complaining about these subsidies because the losses that are being subsidized are not going into unfair competitive advantage, they are being stolen/wasted in corruption. I know you were probably taking a dig at the US carriers, but you actually made their point why charging the same price as U.S. carriers but offering caviar, showers and massages with subsidy money is so objectionable to them.
Any wonder it's gone broke. Let it die. Has anyone flown with it recently? Aircraft are old, dirty. Flight attendants are disgusting, rude people and oh so lazy. My god they are lazy bastards. Try and call the call centre. Laughable. This is an airline stuck in the third world.
SAA, the rest of the world is well and truly over South Africa and its problems. And now they are resuming white farmers land and killing white farmers. Reverse apartheid. Going down the same path as Rhodesia dod when that mongrel Mugabe took over.
So SAA, not for me. Let the airline die a natural death and let's see who misses it. That would be no one.
Obviously, the big 3 US airlines couldn't care less about subsidies as long as they get their own subsidies and the foreign airline is no threat. It's crazy hypocrisy, but that's what happens with over consolidation, and the arrogance that follows.
@Robbo — You are very much overstating South African Airways' woes, as well as those of South Africa. Yes, SAA is not a great airline but, honestly, it's not really worse than flying a US airline when it comes to service. Personally, I have always gotten decent service from their call centers. Their airport staff is reasonably friendly. Their flight attendants, on average, are as friendly and helpful as US airline flight attendants. This is no 5-star airline. But it's more than acceptable to fly.
As far as the other "problems" in South Africa, we'll have to see. It's a complicated country. It might become Zimbabwe. So far, that's not happening. And, fwiw, SAA is probably the best run part of the South African government (well, their National Parks are probably run better). Which isn't saying much, but is saying something!
Jeff, I purchased SAA business class to Johannesburg with return from JNB to Zurich then United to IAD. All this was purchased through United. This is in June. After reading your post, I want to know what happens if SAA stops flying, will United book us on something else? Will I lose my money? This is for three of us so it adds up. Should I try to get them to switch my booking, if even possible? June is a long way away. Help! What should I do?
Jane, from what the other comments say it seems there is no need to worry. Those with more knowledge here indicate it will continue to operate. I trust these folks and am no longer concerned.


I'm not a huge fan of sweets, but I love a good sweet-and-salty combination. There's something about chocolate and pretzels that I have always, always loved. But, of course we had to add a holiday twist to it. So, adding candy cane dust makes them so pretty, and they taste like a Christmas-heaven!
If you like this recipe, I'm sure you'll love this Candy Cane & Pretzel Bark recipe, too! They're made with the same ingredients – so I'd even recommend making them at the same time! I'm going to make both in a few weeks and bring them to work to share with my colleagues before we close for the holidays.
These chocolate covered pretzels are super easy and perfect for the holidays!
Using a mortar and pestle or a blender, grind your candy canes into a granulated sugar-like consistency. Place the candy cane "dust" on a small plate. Set aside.
Dip one side of the pretzels into the chocolate, and then dip that into the candy cane dust. Repeat until all the chocolate is gone (this recipe should make approx. 20 pretzels).
Refrigerate the pretzels for 10 minutes, or until the chocolate has hardened.
* I use the twist-shaped pretzels, but you could use pretzel sticks too – you'd just end up with more than pretzel treats!


Over the summer students can lose academic gains made during the school year, and research shows that summer learning losses can accumulate each year, influencing reading proficiency. While students tend to progress at the same rate during the school year, over the summer more than 80 percent of children from economically-disadvantaged families lose reading skills.
That is why NCECF has updated our Summer Learning Toolkit, created especially for program providers! The easy-to-use tools can help program staff understand the importance of summer learning so they can communicate effectively with parents. The toolkit comes with a short presentation and talking points, Facebook posts, text messages, a fact sheet, a template for Summer Learning Week stickers and more!
Be a Summer Learning Ambassador today and make plans to celebrate Summer Learning Week from July 8-13, 2019. Download the toolkit here.


It's freakin' spring and we're leaving the cold, dark winter behind and focusing on ourselves.
Don't be scared. This is the pop of color even minimalists can handle. Shine bright in green topaz, smoky quartz + london blue topaz.
Whatever you've been putting off–you can finally start. Time to bring back color, fresh styles and your badass self.


text:
Home Sippy Downs M Foucault Madness And Civilisation Pdf
M foucault madness and civilisation pdf
Foucault__Two_Lectures Also by Michel Foucault POWER
Foucault (1961) "Madness and Civilization A History of. Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders., Most of the time, for the sake of clarity, we examine madness through one of its facets; as M. Foucault animates one facet of the problem after the other, he always keeps them related to each other. The end of the Middle Ages emphasized the comic, but just as often the tragic aspect of madness, as in Tristan and Iseult, for example. The Renaissance, with.
Derrida Foucault and "Madness the Absence of an Œuvre
Foucault Michel Madness and Civilization - A History of. madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews, In Madness and Civilization (1973a), Birth of the Clinic (1975) and Discipline and Punish (1977), Foucault illustrates how 'unproductive' people were identified as political problems with the 'rise of modernity'. The state divided these people into 'the mad', 'the poor' and 'the delinquent' and subsequently disciplined them in institutions: asylums, hospitals, prisons and schools (Foucault.
Foucault Michel - Madness and Civilization - A History of Insanity in the Age of Reason - Ebook download as PDF File (.pdf) or read book online. Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals
Foucault entered Paris' Hôpital de la Salpêtrière—the same institution that he had studied in Madness and Civilisation—on 10 June 1984, with neurological symptoms complicated by septicemia. He died in the hospital on 25 June. In Madness and Civilization (1973a), Birth of the Clinic (1975) and Discipline and Punish (1977), Foucault illustrates how 'unproductive' people were identified as political problems with the 'rise of modernity'. The state divided these people into 'the mad', 'the poor' and 'the delinquent' and subsequently disciplined them in institutions: asylums, hospitals, prisons and schools (Foucault
Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders. His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study.
For more on him and on Foucault's Madness and Civilisation, check out our website. The show is produced by Kyla Slaven, the sound engineer is Charlie McKune, I'm Alan Saunders, and I'll be back This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967).
Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study.
Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of. Most of the time, for the sake of clarity, we examine madness through one of its facets; as M. Foucault animates one facet of the problem after the other, he always keeps them related to each other. The end of the Middle Ages emphasized the comic, but just as often the tragic aspect of madness, as in Tristan and Iseult, for example. The Renaissance, with
Most of the time, for the sake of clarity, we examine madness through one of its facets; as M. Foucault animates one facet of the problem after the other, he always keeps them related to each other. The end of the Middle Ages emphasized the comic, but just as often the tragic aspect of madness, as in Tristan and Iseult, for example. The Renaissance, with Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones.
Seferin James / Derrida, Foucault and "Madness, the Absence of an Oeuvre" 381 writing is a regulated relationship between that which exceeds 28. FOUCAULT 29 particular field. Rival medical historians have spilled a good deal M.adness and Civilization in Early Modern Europe: A Reappraisal of
Translated By Michel Foucault polyureamichigan.com
Madness and Civilization by Michel Foucault Waterstones. Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones., Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders..
On the Road with Michel Foucault Migration Deportation
Translated By Michel Foucault polyureamichigan.com. M Foucault Madness and Civilisation: A History of Insanity in the Age of Reason (1961) (trans. R Howard, 1973). M Foucault The Will to Knowledge: The History of Sexuality Volume 1 … Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders..
Also by Michel Foucault Madness and Civilization: A History ofInsanity in the Age of Reason MICHEL FOUCAULT THE ARCHAEOLOGY OF KNOWLEDGE AND THE I)ISCQURSE ON LANGUAGE Translated from the French by A. M. Sheridan Smith PANTHEON BOOKS, NEW YORK . Mon, 17 Dec 2018 00:32:00 GMT THE ARCHAEOLOGY OF KNOWLEDGE - Monoskop - GMT translated by michel foucault pdf - Paul-Michel Foucault … Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones.
Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones. His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study.
In Madness and Civilization (1973a), Birth of the Clinic (1975) and Discipline and Punish (1977), Foucault illustrates how 'unproductive' people were identified as political problems with the 'rise of modernity'. The state divided these people into 'the mad', 'the poor' and 'the delinquent' and subsequently disciplined them in institutions: asylums, hospitals, prisons and schools (Foucault Foucault Michel - Madness and Civilization - A History of Insanity in the Age of Reason - Ebook download as PDF File (.pdf) or read book online.
Also by Michel Foucault Madness and Civilization: A History ofInsanity in the Age of Reason MICHEL FOUCAULT THE ARCHAEOLOGY OF KNOWLEDGE AND THE I)ISCQURSE ON LANGUAGE Translated from the French by A. M. Sheridan Smith PANTHEON BOOKS, NEW YORK . Mon, 17 Dec 2018 00:32:00 GMT THE ARCHAEOLOGY OF KNOWLEDGE - Monoskop - GMT translated by michel foucault pdf - Paul-Michel Foucault … Madness and Civilization by Michel Foucault, 9780679721109, available at Book Depository with free delivery worldwide.
M Foucault Madness and Civilisation: A History of Insanity in the Age of Reason (1961) (trans. R Howard, 1973). M Foucault The Will to Knowledge: The History of Sexuality Volume 1 … Seferin James / Derrida, Foucault and "Madness, the Absence of an Oeuvre" 381 writing is a regulated relationship between that which exceeds
IV€Critical bibliography on Foucault's History of Madness €677 €Index €695. Page ix FOREWORD Ian Hacking Thank goodness this enormous book is finally available in English. A masterpiece needs no foreword, so I shall hardly go beyond the title. The original one is a bit like Alice's Cheshire Cat, of which nothing is left but the grin. It starts out as Madness and Unreason: History Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and
This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967). Foucault Michel - Madness and Civilization - A History of Insanity in the Age of Reason - Ebook download as PDF File (.pdf) or read book online.
Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals Also by Michel Foucault Madness and Civilization: A History ofInsanity in the Age of Reason MICHEL FOUCAULT THE ARCHAEOLOGY OF KNOWLEDGE AND THE I)ISCQURSE ON LANGUAGE Translated from the French by A. M. Sheridan Smith PANTHEON BOOKS, NEW YORK . Mon, 17 Dec 2018 00:32:00 GMT THE ARCHAEOLOGY OF KNOWLEDGE - Monoskop - GMT translated by michel foucault pdf - Paul-Michel Foucault …
Most of the time, for the sake of clarity, we examine madness through one of its facets; as M. Foucault animates one facet of the problem after the other, he always keeps them related to each other. The end of the Middle Ages emphasized the comic, but just as often the tragic aspect of madness, as in Tristan and Iseult, for example. The Renaissance, with Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals
Foucault__Two_Lectures Also by Michel Foucault POWER. His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study., Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of..
Madness and Civilization Amazon.co.uk M. Foucault
On the Road with Michel Foucault Migration Deportation. Foucault, M. Madness and Civilization: A History of Insanity in the Age of Reason. London, Routledge (trans. R. Howard, originally published as Histoire de la Folie , Paris, Librairie Plion, 1961) 1971, Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and.
Foucault entered Paris' Hôpital de la Salpêtrière—the same institution that he had studied in Madness and Civilisation—on 10 June 1984, with neurological symptoms complicated by septicemia. He died in the hospital on 25 June. Foucault, M. Madness and Civilization: A History of Insanity in the Age of Reason. London, Routledge (trans. R. Howard, originally published as Histoire de la Folie , Paris, Librairie Plion, 1961) 1971
Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and Most of the time, for the sake of clarity, we examine madness through one of its facets; as M. Foucault animates one facet of the problem after the other, he always keeps them related to each other. The end of the Middle Ages emphasized the comic, but just as often the tragic aspect of madness, as in Tristan and Iseult, for example. The Renaissance, with
Also by Michel Foucault Madness and Civilization: A History ofInsanity in the Age of Reason MICHEL FOUCAULT THE ARCHAEOLOGY OF KNOWLEDGE AND THE I)ISCQURSE ON LANGUAGE Translated from the French by A. M. Sheridan Smith PANTHEON BOOKS, NEW YORK . Mon, 17 Dec 2018 00:32:00 GMT THE ARCHAEOLOGY OF KNOWLEDGE - Monoskop - GMT translated by michel foucault pdf - Paul-Michel Foucault … madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews
Foucault Michel - Madness and Civilization - A History of Insanity in the Age of Reason - Ebook download as PDF File (.pdf) or read book online. This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967).
Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals 3/01/2017 · However, in Madness and Civilization Foucault created a genealogy using original documents to establish an adequate context for mental illness, folly, and unreason. That is to say, to re-create how those impairments existed in their own time, place, and proper social perspective.
Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and 29/10/2015 · Please join us for a panel discussion of Andrew Scull's new book, Madness in Civilization: A History of Insanity from the Bible to Freud, and …
29/10/2015 · Please join us for a panel discussion of Andrew Scull's new book, Madness in Civilization: A History of Insanity from the Bible to Freud, and … IV€Critical bibliography on Foucault's History of Madness €677 €Index €695. Page ix FOREWORD Ian Hacking Thank goodness this enormous book is finally available in English. A masterpiece needs no foreword, so I shall hardly go beyond the title. The original one is a bit like Alice's Cheshire Cat, of which nothing is left but the grin. It starts out as Madness and Unreason: History
Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of. View Notes - Foucault__Two_Lectures from SEM 101 at Bard College, Simons Rock. Also by Michel Foucault POWER/KNOWLEDGE Madness and Civilization: A …
Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones. Foucault entered Paris' Hôpital de la Salpêtrière—the same institution that he had studied in Madness and Civilisation—on 10 June 1984, with neurological symptoms complicated by septicemia. He died in the hospital on 25 June.
29/10/2015 · Please join us for a panel discussion of Andrew Scull's new book, Madness in Civilization: A History of Insanity from the Bible to Freud, and … Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and
Foucault entered Paris' Hôpital de la Salpêtrière—the same institution that he had studied in Madness and Civilisation—on 10 June 1984, with neurological symptoms complicated by septicemia. He died in the hospital on 25 June. 28. FOUCAULT 29 particular field. Rival medical historians have spilled a good deal M.adness and Civilization in Early Modern Europe: A Reappraisal of
Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders. In Madness and Civilization (1973a), Birth of the Clinic (1975) and Discipline and Punish (1977), Foucault illustrates how 'unproductive' people were identified as political problems with the 'rise of modernity'. The state divided these people into 'the mad', 'the poor' and 'the delinquent' and subsequently disciplined them in institutions: asylums, hospitals, prisons and schools (Foucault
Madness and Civilization by Michel Foucault, 9780679721109, available at Book Depository with free delivery worldwide. Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of.
Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first
Foucault (1961) "Madness and Civilization A History of
Madness and Civilization by Michel Foucault Waterstones. madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews, Foucault opens his famous work on insanity in the age of reason, Madness and Civilization, with a figure that appears at once stark and mysterious. It is the ship of fools (Narrenschiff), 'a strange "drunken boat" that glides along the calm rivers of the Rhineland and the Flemish canals.
Foucault (1961) "Madness and Civilization A History of. Buy Madness and Civilization by M. Foucault (ISBN: 8601401171874) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders., Madness and Civilization by Michel Foucault, 9780679721109, available at Book Depository with free delivery worldwide..
Michel Foucault's Madness and Civilisation 50th
Foucault (1961) "Madness and Civilization A History of. View Notes - Foucault__Two_Lectures from SEM 101 at Bard College, Simons Rock. Also by Michel Foucault POWER/KNOWLEDGE Madness and Civilization: A … Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of..
Foucault, M. Madness and Civilization: A History of Insanity in the Age of Reason. London, Routledge (trans. R. Howard, originally published as Histoire de la Folie , Paris, Librairie Plion, 1961) 1971 His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study.
Madness and Civilization by Michel Foucault, 9780679721109, available at Book Depository with free delivery worldwide. View Notes - Foucault__Two_Lectures from SEM 101 at Bard College, Simons Rock. Also by Michel Foucault POWER/KNOWLEDGE Madness and Civilization: A …
In Madness and Civilization (1973a), Birth of the Clinic (1975) and Discipline and Punish (1977), Foucault illustrates how 'unproductive' people were identified as political problems with the 'rise of modernity'. The state divided these people into 'the mad', 'the poor' and 'the delinquent' and subsequently disciplined them in institutions: asylums, hospitals, prisons and schools (Foucault His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study.
Foucault entered Paris' Hôpital de la Salpêtrière—the same institution that he had studied in Madness and Civilisation—on 10 June 1984, with neurological symptoms complicated by septicemia. He died in the hospital on 25 June. Seferin James / Derrida, Foucault and "Madness, the Absence of an Oeuvre" 381 writing is a regulated relationship between that which exceeds
For more on him and on Foucault's Madness and Civilisation, check out our website. The show is produced by Kyla Slaven, the sound engineer is Charlie McKune, I'm Alan Saunders, and I'll be back 3/01/2017В В· However, in Madness and Civilization Foucault created a genealogy using original documents to establish an adequate context for mental illness, folly, and unreason. That is to say, to re-create how those impairments existed in their own time, place, and proper social perspective.
This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967). For more on him and on Foucault's Madness and Civilisation, check out our website. The show is produced by Kyla Slaven, the sound engineer is Charlie McKune, I'm Alan Saunders, and I'll be back
Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of. Seferin James / Derrida, Foucault and "Madness, the Absence of an Oeuvre" 381 writing is a regulated relationship between that which exceeds
For more on him and on Foucault's Madness and Civilisation, check out our website. The show is produced by Kyla Slaven, the sound engineer is Charlie McKune, I'm Alan Saunders, and I'll be back Michel Foucault examines the archeology of madness in the West from to Madness and Civilization and millions of other books are available for instant. Michel Foucault examines the archeology of madness in the West from to – from the late Middle Ages, when insanity was still considered part of.
M Foucault Madness and Civilisation: A History of Insanity in the Age of Reason (1961) (trans. R Howard, 1973). M Foucault The Will to Knowledge: The History of Sexuality Volume 1 … 3/01/2017 · However, in Madness and Civilization Foucault created a genealogy using original documents to establish an adequate context for mental illness, folly, and unreason. That is to say, to re-create how those impairments existed in their own time, place, and proper social perspective.
madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews View Notes - Foucault__Two_Lectures from SEM 101 at Bard College, Simons Rock. Also by Michel Foucault POWER/KNOWLEDGE Madness and Civilization: A …
Michel Foucault examines the archeology of madness in the West from 1500 to 1800 – from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built,. Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and
29/10/2015 · Please join us for a panel discussion of Andrew Scull's new book, Madness in Civilization: A History of Insanity from the Bible to Freud, and … Madness and Civilization was intended to be a first volume. I like to write first volumes, and I like to write first volumes, and I hate to write second ones.
IV€Critical bibliography on Foucault's History of Madness €677 €Index €695. Page ix FOREWORD Ian Hacking Thank goodness this enormous book is finally available in English. A masterpiece needs no foreword, so I shall hardly go beyond the title. The original one is a bit like Alice's Cheshire Cat, of which nothing is left but the grin. It starts out as Madness and Unreason: History For more on him and on Foucault's Madness and Civilisation, check out our website. The show is produced by Kyla Slaven, the sound engineer is Charlie McKune, I'm Alan Saunders, and I'll be back
This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967). Foucault s first major book, Madness and Civilization is an Michel Foucault Wikipedia Early life Youth Paul Michel Foucault was born on October in the city of Poitiers, west central France, as the second of three children in a prosperous and
madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews 29/10/2015 · Please join us for a panel discussion of Andrew Scull's new book, Madness in Civilization: A History of Insanity from the Bible to Freud, and …
This paper will examine how the film illustrates Foucault's notion of madness, as found in 'Madness and Civilisation', through our experience of Francis, paying special attention to the four keys areas of the mise-en-scene (Foucault, 1967). madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews
Madness and Civilization by Michel Foucault, 9780679721109, available at Book Depository with free delivery worldwide. Foucault, M. Madness and Civilization: A History of Insanity in the Age of Reason. London, Routledge (trans. R. Howard, originally published as Histoire de la Folie , Paris, Librairie Plion, 1961) 1971
His works include Madness and Civilization (1961), The Birth of the Clinic (1966), Discipline and Punish (1975), and History of Sexuality (1976), the first volume of a projected five-volume study. madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews
M Foucault Madness and Civilisation: A History of Insanity in the Age of Reason (1961) (trans. R Howard, 1973). M Foucault The Will to Knowledge: The History of Sexuality Volume 1 … madness and civilization michel foucault mental illness ship of fools middle ages age of reason discipline and punish birth of the prison read this book sane and the insane mentally ill psychology and psychiatry history of insanity history of mental history of madness foucault in this work book is a good foucault traces foucault takes foucault also. Showing 1-8 of 46 reviews . Top Reviews
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Royal Caribbean said earlier it had slipped to a loss for the second quarter of financial 2012, as increased fuel prices offset a rise in revenues.
Excluding unique items, the Miami-based Royal Caribbean reported second quarter net loss of $3.6 million or $0.02 per share, compared to net profit of $93.5 million or $0.43 per share last year.
As a result of the loss Royal Caribbean provided a weak earnings outlook for the third quarter and cut its expectations for the full year.
Passenger cruise days were higher at 8.5 million for the period, compared to 8.34 million last year.
Net cruise costs, excluding fuel, were up 5.8 per cent for the quarter, compared to last year.
For the third quarter, Royal Caribbean expects earnings of $1.40 to $1.50 per share.
For the full year, the cruise line now expects earnings of $1.70 to $1.80 per share, compared to prior guidance of $1.80 to $2.10 per share.
However, trading in Asia remains strong, he concluded.


Low Jock Scar Country Estate must be one of the area's best kept secrets. Head just a few miles North of the historic market town of Kendal where the unspoilt Fawcett Forest dips into the Bannisdale Valley and there sits Low Jock Scar, a large riverside Country Estate with private woodland tucked away alongside the banks of Bannisdale Beck where the sound of the babbling Beck creates an athmosphere like no other and captures perfectly the unique charm of this idyllic location. Bannisdlae Bridges – high and low, both listed, – mark the boundary, with the high bridge sitting on the route of Wainwrights Horseshoe walk.


text:
Key Early Lessons: How Cities Can Support Students' Social and Emotional Learning
Bela Spooner
Education and Early Childhood Success
After over a year of stay-at-home orders and lockdowns, our connections to people have significantly changed. Video calls and smartphones may have helped some of us stay connected, but studies suggest that social isolation related to COVID-19 has been associated with diminished emotional well-being for many, including children and youth.
The increase in vaccination uptake across the nation gives us hope for an end in sight, how will we prioritize social and emotional well-being to renew a sense of self and community? How will we acknowledge and respond to the trauma that so many young people experience after being out of school for so long?
There are early lessons to be learned from communities that are making investments in social and emotional learning (SEL) to support young people and adults. "Early Lessons From Schools and Out-of-School Time Programs Implementing Social and Emotional Learning," a RAND Corporation study funded by The Wallace Foundation, offers insight into how community-based organizations, afterschool providers and schools can collaborate to implement SEL practices to foster healing and reconnection. The six communities in the study – Denver, CO; Tacoma, WA; Boston, MA; Tulsa, OK; Dallas, TX; and Palm Beach County, FL – developed collaborative efforts between in-school educators and youth development afterschool providers to build in SEL practices in elementary schools and afterschool programs. While this report includes pre-pandemic data and strategies, the lessons are even more timely and relevant today as communities and schools work to rebuild and recover.
Listen in:
Practitioners in schools and out-of-school programs share their experiences working together to help children develop SEL skills in this five-episode podcast series.
Forge Community Partnerships
Most local governments rely on a range of community partnerships to address the needs of children, youth, and families. Municipal leaders understand that the mental health of all their residents impact educational and economic outcomes that create a strong vibrant community. Addressing the social and emotional needs of youth requires a collective effort.
Two key partners that cities should strongly engage are schools and out-of-school time (OST) programs. Local elected officials can bring these partners together to collaborate, host joint professional development training opportunities, and leverage each other's expertise and relationships with students to impact the learning environment in schools and enrichment programs.
Coordination & Communication
A community's priorities for SEL will be largely defined by engaging its stakeholders. Ensuring that stakeholder input and engagement is sought at the front end of work can impact the sustainability of the partnerships and goals.
Start with the Adults
The type of engagement and relationships young people experience with adults can impact the rest of a child's life – healthy relationships define self-esteem, self-confidence, and self-regulation. Without these foundational life skills, navigating work, school and life can be difficult.
The study found that providing professional development and instruction to teachers and OST providers on how to teach children SEL skills was essential.
As students return to in-person learning, local leaders can set the tone in the community by prioritizing SEL as a core facet of recovery and rebuilding. Municipal governments are large employers of OST program staff and in many cases, cities also invest in community-based organizations to provide such programs. City leaders can use their platform to prioritize SEL skill development with city staff who work with young people (parks and recreation, library, etc.) and in programs they fund.
Learning & Continuous Improvement
Learning how to implement SEL curriculum and rituals may be difficult at the start, but continued emphasis and prioritization helps institutionalize the efforts over time. Participants in the study reported feeling more comfortable in the second year of the initiative.
No Time (or Dollars) to Waste
Cities, schools and community organizations have an opportunity of a lifetime to utilize federal funds from the American Rescue Plan. Every municipality in the nation, all states, and nearly all school district with low-income students have significant investments coming their way to tackle the pain the pandemic has caused and put residents' lives back on track.
Now is the time for bold leadership and community-wide visioning and investment to develop holistic approaches to support children and youth so they may succeed in school and life.
To learn more about Social & Emotional Learning and other out of school time resources, visit the Wallace Foundation Knowledge Center.
Bela Shah Spooner is the Program Director with the Education and Expanded Learning team at the National League of Cities' Institute for Youth, Education, and Families.
On Your Mind: From End of Year Achievements to New Year of Opportunities
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Melanie Robinson
On Your Mind: How Rapid City, SD is Leading the Way for Early Childhood Success
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Emily Young
5 Ways Cities Can Gear Up for Back-to-School Season
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THE TRUSTWORTHINESS of the Ukrainian President Viktor Yanukovych suffered after it turned out he lied to the European Union (EU) when he claimed he wanted to sign the association agreements and then suddenly changed his mind, said Foreign Minister Miroslav Lajčák on the public-service RTVS televised debate Janaury 26.
"He was using unreal arguments, such as that Ukraine will lose €160 billion by signing the treaties," Lajčák said as quoted by TASR.
"Yanukovych lied to his own citizens and a whole lot of leaders who communicated with him in good faith," Lajčák said.
He admitted Yanukovych does not represent all of Ukraine, but said that nor does the opposition.
"We need to communicate with those who represent political reality, and that is President Yanukovych and opposition leaders," Lajčák said.
The head of the parliamentary foreign affairs committee, opposition MP František Šebej, is convinced that the EU has tools that can be targeted on individual people. He finds it unnecessary to punish the whole country with economic sanctions, but would prefer punishing people who are responsible for the biggest mishaps by banning them from travelling to the EU or freezing their accounts, TASR wrote.
Lajčák disagreed, saying that EU will have more influence if the association agreements are signed.
"After signing them we would be the main player," Lajčák said.


Welcome to the Home of Freeze Softball!
NTBSA's Freeze softball program is dedicated to providing girls from the ages of 6 to 18 with the opportunity to learn the sport of softball. Our coaches are focused on providing a positive learning environment that empahsises skills development and game knowledge. It is our goal to give these young ladies the opportunity to not only improve become better athletes, but to also create lasting relationships both on and off the field.
At any given time, the Freeze organization will field both recreational and competitive teams from 8U through 18U. Our recreational teams play mainly in the Spring through IPGSA. Our competitive teams have the option to play both IPGSA and tournaments in the fall and spring. It is up to the individual comp coaches to decide how many tournament games each team will play.
If you have any questions regarding our program, please do not hesitate to reach out to us at nfo@ntbsa.org.


Today I'd like to show you the monthly grab bag for this month from Winstonia, a great place to buy all the nail art supplies you could want.
Orders will be shipped on August 12th. Coupon codes do not apply on Grab Bag.
A wheel of different stones decorations.
Matte eyeliner stickers. They were too small for my eye, but if you have smaller, more curved eyes they would probably work better.
Grumpy cat nail wraps. This item made me giggle, the cats look so ornery.
3D flowers and two bottles of glue. I was surprised that these flowers were made of this nice flexible material. This makes them wear really well because they bend with the curve of your nail- some other 3D decorations are impossible for me to use because they are too flat. They also stay on your nail much easier because they can bend a little without snapping off.
I used one of the 3D flowers as an accent on a gradient manicure. I used Chrome Girl Nails Between the Sheets, Zoya Shelby and theBalm Oh My Goth. A simple drop of the nail glue held the flower in place very well (be sure that your manicure is completely dry first).
I think I liked the previous bags a bit better but I still liked the squishy 3D flowers quite a bit.
Thanks for checking this post out!