text:
Senator Files Legislation to Reopen Iowa's Maquoketa Caves
February 7, 2012 / Iowa, United States, North America
Photo by Phil Roeder/flickr
Iowa Senator Tod Bowman has filed legislation to force the reopening of the caves in Iowa's Maquoketa Caves State Park.
Closed in an attempt to help slow the spread of white nose syndrome, the caves were a major attraction for the park which, prior to their closure, saw more than 200,000 visitors a year.
Not only do the people of Maquoketa enjoy the entertainment value, there's also a tourism issue too," – Tod Bowman, Iowa State Senator
Since then visitor numbers have plummeted by 80 percent to a mere 40,000 people each year.
The people that visit the caves have a tremendous economic impact that trickle down to the main street, the businesses that you know, legislators are very concerned about, – Tod Bowman, Iowa State Senator
Bowman notes that there have been no confirmed cases of white nose syndrome in the state and that research shows that transmission primarily occurs via bat-to-bat contact.
It's just a shame not to be using it if there's no definite answer and it's inevitable that these bats are going to be exposed to it, – Tod Bowman, Iowa State Senator
The Iowa D.N.R. are reviewing ideas that may allow restricted use of the caves later this year, however they warn that their full opening may still be months or years in the future.
Bowman argues that guided tours of the caves in Maquoketa State Park are not enough to bring back the thousands of visitors lost when the caves were closed.
Lawmaker Pushing Legislation To Reopen Maquoketa Caves [kwqc.com]
White-Nose Confirmed, But Caves Open
Tourist Caves Introduce Bio Mats to Fend Off White-Nose Syndrome
Caves Closed in Mark Twain National Forest Until 2016!
Southeastern Cave Conservancy Reopens Caves; Cavers Rejoice
White-Nose Syndrome Confirmed in Maryland Mines


Introduction: What is Helical Interpolation?
What's unique about the helix is that it is programmed via arcs, and each arc specifies a change in the Z axis, which is what leads to the helical shape as the arc both curls and descends. Helical Interpolation is an interpolated motion because it requires simultaneous motion in multiple axes–X, Y, and Z.
When Should Helical Interpolation be Used?
– To perform thread milling.
We've written an entire Easy Guide to Threadmills as another chapter, but the first two applications of Helical Interpolation are pretty similar. Essentially, we want to create a hole that is larger than what we'd get simply plunging the cutter straight down. Why do this instead of just using a bigger cutter? Endmills are not the most efficient tools for making holes if the correct size twist drill is available. You can plunge a center cutting endmill (don't try it with one that isn't center cutting!) to create a hole, but it will be much slower than using a twist drill because that's not really what the endmill's geometry is optimized for. There are several problems with insisting on a twist drill in every case though.
First, it requires an additional toolchange and potentially an additional slot in the toolchanger. You'll need to dedicate a slot for every hole size, whereas a single endmill can interpolate an almost infinite number of hole sizes.
Second, twist drills burn up a lot more horsepower than the equivalent helical interpolation operation–that's the price of going faster, but for a big hole, it may be too high a price depending on your CNC machine's capabilities. Even if you machine has the horsepower, that power will be converted to cutting force which may compromise the machine's rigidity. For a precise hole, interpolation may beat a big twist drill at holding tolerances. Consider a 3 1/2″ hole, 1″ deep, in mild steel. G-Wizard Calculatorsuggests this will require nearly 17 HP, and that goes up quickly with hole size.
Third, big twist drills can be very expensive compared to the endmills required to interpolate a hole.
The bottom line is that Helical Interpolation with an endmill is often a better approach than a twist drill, and the larger the hole, the more likely that will be.
Let's talk a bit about circular ramping too. We have an entire chapter in our Feeds and Speeds Tutorial dedicated to CAM Toolpath Considerations that goes into more detail. The short summary is that when a tool is getting down to depth to begin a pocketing or other toolpath, all methods are not equal. Some are gentler than others. Plunging the endmill is the worst. Ramping in a straight line is better, because it is gentler. Circular Ramping, which is basically just making a hole using Helical Interpolation can be even better, especially when cutting deep relative to diameter. This is because ramping down is basically slotting, whereas Helical Interpolation creates a little more breathing room for the chips.
While we're on the subject of chip control, it is important to try to make room for chips to evacuate and to use coolant effectively to clear out the chips when doing Helical Interpolation. If the hole gets too deep relative to its diameter, this becomes harder.
As you can see, the helix is a series of G03 arc commands. What's unique is they specify a change in the Z axis, which is what leads to the helical shape as the arc both curls and descends. This requires simultaneous motion in all three axes–X, Y, and Z–and is not available on every control. Many controls are also finicky about the maximum angle of the arc–how far around the circle you can program. The most conservative code will only use 90 degree or less arcs rather than try to do a full 360 degree circle in a single line of g-code.
GW Editor's Wizards make a lot of g-code programming easy. Just answer a few simple questions and they'll generate the g-code for you. In this case, we need to know things like the hole location, Z levels (Safe, Rapid To, Material Top, Hole Depth), feeds and speeds, and so on. Click "Insert" after filling in the form and the g-code is automatically created.
To use it, startout just as though you wanted feeds and speeds for a slot. Give the Machine, Material, Cutter, Hole Depth, and Slot for Cut Width. Then click the "Interpolate" button to see the Mini-Calc. The parameters on the popup set it up for your operation. You can interpolate either a hole or the outside of a boss. The feature diameter together with the information already entered in GW Calculator enable it to further calculate an adjusted feedrate and a preferred ramp angle. It will also adjust the feedrate to move a little more slowly based on how much acceleration is required and on the actual distance traveled. Hit "Adjust Feedrate" and that is all plugged back into your overall Feeds and Speeds calculation.
Helical Interpolation is a valuable technique for any CNC Programmer's bag of tricks. The information in this article should enable you to take advantage of it. Go forth and try it for yourself, Helical Interpolation is neat!
1. Set up GW Editor Hole Wizard to create some helical interpolations. Study the code, run the simulator over it, and learn how it works.
2. Try using GW Calculator's Interpolation Mini-Calc to figure the Feeds and Speeds for your Helical Interpolation.


Society is on the brink of major changes. The transformation of media and of the information market is one of the biggest challenges for our society. It is an opportunity as well as a threat for Europe.
It is the task of European politicians to guarantee free access to information, education, culture, leisure, and content for all European citizens via public services. A competitive market can only innovate by relying on well educated and informed citizens.
In this context libraries guarantee free access to content, information, and culture for all European citizens. But the current legal framework hinders libraries from fulfilling these essential services for our society in the digital era, especially regarding the development of the e-book market.
1. Because of the exhaustion of distribution right after the first sale, a library may buy published works, e.g. books, from a bookseller and use the copies for lending to the library's patrons. The library's actions do not interfere with the rights of the author (or other rights holder). In consequence, the library decides in accordance with its collection building policy what books to buy and use for public lending.
2. On the other hand, because eLending is a service, the concept of exhaustion does not apply, and the library can only acquire the digital object, the eBook or eJournal, by entering into a licence agreement with the author (or other rights holders). The rights holders are free to decide whether they want to give access to a specific work, and to decide on the terms for such access. The consequence of this is that the collection building policy may be decided by the publisher and not by the library.
3. It is a significant, and in our view unacceptable, change that the collection building policy of libraries may be decided by the publishers and that free access for the European citizens is decided by the publishers. And the challenge is to find solutions to this problem.
An updating of the copyright regime for e-books, e-lending and e-content in order to enable libraries to continue to perform their services for all European citizens.


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text:
Q: Using octave built-in function in C I am told to compile this program using C in octave. I have succeeded in compiling a simple C program before using Octave, but for this one, I have tried and I have no idea how to compile it in C even though I have tried to change some of the C++ language into C language.
 #include <iostream>

 #include <octave/oct.h>

 int main (void)

 {
 std::cout << "Hello Octave world!\n";

 int n = 2;

 Matrix a_matrix = Matrix (n, n);

 for (octave_idx_type i = 0; i < n; i++)

 for (octave_idx_type j = 0; j < n; j++)

 a_matrix(i,j) = (i + 1) * 10 + (j + 1);

 std::cout << a_matrix;

 return 0;
 }

So is there any solution to this problem?
Thank you very much and sorry for any mistakes in the post that I made since I'm pretty new in using octave and in this forum.
EDIT (After Alter Mann's Answer):
So this is my C program code
#include <stdio.h>

int main(void)
{
        printf("Hello Octave World!");

    int n=2;
    Matrix a_matrix = Matrix (n, n);

    for (octave_idx_type i=0; i<n; i++)
    {
            for (octave_idx_type j=0; j<n; j++)
            {
                    a_matrix(i,j) = (i+1) * 10 + (j+1);
            }

            printf ("%d", &a_matrix);
    }
    return 0;
}

But I got this error

standalone.c: In function 'main':
  standalone.c:8: error: 'Matrix' undeclared (first use in this function)
  standalone.c:8: error: (Each undeclared identifier is reported only once
  standalone.c:8: error: for each function it appears in.)
  standalone.c:8: error: expected ';' before 'a_matrix'
  standalone.c:10: error: 'octave_idx_type' undeclared (first use in this  function)
  standalone.c:10: error: expected ';' before 'i'
  standalone.c:10: error: 'i' undeclared (first use in this function)
  standalone.c:12: error: expected ';' before 'j'
  standalone.c:12: error: 'j' undeclared (first use in this function)
  standalone.c:14: warning: implicit declaration of function 'a_matrix'
  standalone.c:17: error: 'a_matrix' undeclared (first use in this function)

A: #include <iostream>

should be
#include <stdio.h>

and
std::cout << a_matrix;

should be
printf("%d", a_matrix);

But <octave/oct.h> can not be used in C:
A.1.1 Getting Started with Oct-Files

The first critical line is #include  which makes
  available most of the definitions necessary for a C++ oct-file. Note
  that octave/oct.h is a C++ header and cannot be directly #include'ed
  in a C source file, nor any other language.

Alternative:

The interface is centered around supporting the languages C++, C, and
  Fortran. Octave itself is written in C++ and can call external C++/C
  code through its native oct-file interface. The C language is also
  supported through the mex-file interface for compatibility with
  MATLAB. Fortran code is easiest to reach through the oct-file
  interface.

redpajama_set_name: RedPajamaStackExchange


text:
Blackhawks-Sharks on NHL Network-US
The Chicago Blackhawks begin the second half of their annual "Circus Trip" on Wednesday night with one of the toughest stops in the NHL -- a visit to HP Pavilion at San Jose and a meeting with the Sharks.
Hockey fans in the United States can see all the action on the NHL Network, beginning at 10:30 p.m. ET. It's the Hawks' first visit to the Shark Tank since last May, when they swept San Jose in the Western Conference Finals on the way to the Stanley Cup.
That's the second game of a doubleheader available to U.S. fans, who can tune in to Versus at 8 p.m. ET to see the Central Division battle between the St. Louis Blues and Nashville Predators.
Fans in Canada will also have a selection of games to choose from. TSN will air the Calgary Flames' game at New Jersey, while TSN2 will show Dallas at Ottawa and RDS will air the game between the Kings and Canadiens in Montreal.

redpajama_set_name: RedPajamaCommonCrawl


text:
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The forum has been converted and now integrated into the site.
New RV projects will be set up for the UK-RV project team.
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Very beautiful and lovely lady. She is my diamond.


Middendorf Funeral Home 3312 Madison Pike Ft. Wright, KY 41017 Jan. 4, 12 p.m.
Mary Beth Mairose. Beloved daughter of the late Alfred and Elizabeth Mairose. Devoted sister of Michelle (Dave) Kline, Tom, Steve (Mary), Mike (Bari), Jerry, Terry (Sue) and Alan (Anne) Mairose. Loving aunt of 15 nieces and nephews. Passed away Saturday, December 29, 2018 at the age of 58 years. Visitation Friday, January 4th from 10:00 am until time of service, 12:00 pm at Middendorf Funeral Home, 3312 Madison Pike, Ft. Wright, KY 41017. Interment St. John Cemetery. Sympathy may be expressed by a memorial contribution to the Barrett Center at the University of Cincinnati.
Beth was an exceptional athlete in any sport she tried, especially basketball. Beth was a standout basketball player at Beechwood High School where she held almost all the school records. She went on to play basketball for the University of Cincinnati Bearcats where she earned her degree in Education in 1982. She developed a passion for natural health and wellness and also became a licensed massage therapist. She was a member of Mary Queen of Heaven Church. She was employed for many years at The Gap and iHerb distribution centers. She had a love for nature and the outdoors. She loved her family and friends and especially enjoyed spending time with her nieces and nephews. She was known for her great and crazy sense of humor. She was loved.


DAMASCUS (AFP) - An EU plan to buy oil from rebel-held areas of Syria is illegal and an "act of aggression," the Syrian foreign ministry warned on Tuesday in letters to the United Nations.
"In an unprecedented decision that contradicts international law and the UN Charter... the European Union has decided to allow member states to import petrol... under the pretext of supporting the opposition," it said, quoted by state news agency SANA.
"It is an illegal decision and an act of aggression."


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Wear Orange Day at Athlone Towncentre
Written by Paul Healy on April 28, 2016
Roscommon Garda assaulted in Athlone January 26, 2023
Young inmate found dead at Castlerea Prison January 26, 2023
Roscommon Ulster Bank branch to close on April 21st January 26, 2023
Athlone Towncentre Shopping Centre is this year delighted to participate in Wear Orange Day on Sunday, 1st of May in support of the Join Our Boys Trust to raise awareness of Duchenne Muscular Dystrophy.
Join the centre team on Sunday, 1st of May from 2-4 pm and help to raise some much-needed funds for the Join Our Boys Trust in the fight against DMD, a fatal neuromuscular disease that affects 1 in every 3,500 boys and which currently has no cure.
Touched by the journey of the Naughton family from Roscommon whose three sons were diagnosed with DMD in 2012, Athlone Towncentre is hosting a Funky Family Photo Event to raise funds for the charity. Come along on the day and have your photo taken in centre by Athlone Towncentre's photographer.
Simply make a small donation to the charity and receive an instant, professional print. There's a range of novel props to choose from as well as spot prizes on the day also, especially for those wearing orange.
Every cent raised as part of the event goes directly to the Join Our Boys Trust. For further information on the trust and the fight against Duchenne Muscular Dystrophy see www.joinourboys.org.


An analysis of spending on items including fuel, electricity, food and drink showed that "rural inflation" increased by 7.7 per cent over the past year, compared to the national average of 4.3 per cent.
It means a basket of 21 goods and services, from petrol and food bills to vehicle repair costs, totalled £5,992 a year for people living in rural areas. The UK average is £3,986.
The report, the insurer's new quarterly Countryside Living Index, said the gulf was down to increased fuel and electricity prices, which had a bigger impact on people living in the countryside.
Tim Price, NFU Mutual rural affairs spokesman, said: "For some time there has been concern from our customers that rural communities are being disproportionately hit by rising prices – particularly for heating and transport.
"The results provide hard evidence that this is indeed the case.
The long-standing issue of the high price of petrol and diesel in the countryside and the distances involved in getting goods to shops, as well as the miles travelled by shoppers, were largely to blame for the cost of living increase.
1 Why do people in the London area get London weighting allowance?
2 In a village on Exmoor there are 15 houses up for sale. Average completion rate is three per year.
Many people in rural Devon and Somerset are trying or need to move into the towns due to costs and levels of services.
£1 tax on the fuel to get a pint of milk?
Very true! Many thanks for your comment!
Urban areas are more connected with the rest of the world, more actvie, people travel more and the education os vastly superior; therefore, the overall intellect is much higher, so they vote liberal.Ignorant hicks with no clue about the world and only the bible as the source for all answers and common inbreeding, underdeveloped intellect and no education whatsoever don't know any better than to keep voting for other backwater hicks, republicans.
Rural people are not exosepd to as much diversity and therefore are more afraid of people and ideas that are different than those they've lived with all their lives. Rural people percentage wise are usually not as well educated as urban people.


we are situated approximately 2 miles from the Cromarty Bridge on the B9163 to Cromarty; 6 miles from Dingwall and 14 miles from Inverness, the capital of the Scottish Highlands.
we have off the road private parking.
Designed by Gael Holiday Homes.


- When the phone is deleted, all the information associated with that phone is also deleted (including phonebook).
- If you want to use the deleted phone with the audio system again, pairing procedure must be completed once more.
➁ Select "Phone", then "Delete" in PHONE menu.


The underground pearl of Little Carpathians - cave Driny - is an only one accessible cave in the western Slovakia. It has been a protected natural structure since 1968 and nowadays, it belongs to the most significant natural sights and touristic attractions in the nature conservation area Little Carpathians.
Searching for treasure in many holes in the limestone rocks in Little Carpathians led to discovery of an only one accessible cave Driny. The memorial plaque located at the entrance into the cave reveals the names of its finders - Ján Banič and Imrich Vajsábl who roped down the cave chimney deep 15 m and bride only 1 m in 1929.
The cave Driny is classified as a rift cave created by water seeping through a rift system into the underground. An interesting system of narrow rift corridors (Collaborators' corridor, Beňovský corridor, Corridor of hopes) and a system of not big hall spaces (Slovak Speleology Association Hall) were created in this way. They are 680 m long. Dripstone curtains decorate this cave with an interesting scalloped edging, pagoda stalagmites, various forms of stalactites and sinter ponds. The most beautiful karst structure in the cave bears the name Elephant's ears and it is a unique of its kind in Slovakia.
The first part of the cave was opened to the public in 1935 in its length of 175 m. The other parts were opened in 1959. The tour road is 450 m long nowadays, high difference 10 m and 151 stairs. Air temperature is between 7,1 and 7,8 °C.


West Hernando Diagnostic Center's web-based RIS (Radiology Information System) solution provides a powerful software platform to perform day-to-day operations. It is a user-friendly application that provides you real-time access to patient exam images. When a patient's exam is complete, images are transmitted to one of our renowned board-certified specialists.
With West Hernando Diagnostic Center's web-based RIS software you and your staff will have the ability to monitor the status of the patient's exam, view prior reports and images, and conveniently schedule new exams.
By viewing images electronically you are able to have real-time consultations with the interpreting physician. In addition, our technology reduces the cost and inconvenience associated with filming, storage and retrieval of hard copy film and paper reports.
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For more information on this service, please feel free to contact us at (352) 688-5860.
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text:
export default class ForkMeRibbon {
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redpajama_set_name: RedPajamaGithub


We believe in marriage; Not just a "let's see how this goes and we can have an escape plan" marriage, but an "until death do us part, forever and ever" marriage.
We believe these kind of marriages happen best when they get off to a good start. A great way for that to happen is for the couple to go through premarital counseling. At Garden City we offer a premarital counseling course for Christian couples interested in taking that big step of marriage together. For more information, contact our Associate Pastor Fred Mok.
Our mission at Garden City is "Depending on God to grow disciples deep & wide for God's glory". Central to discipleship is growing in our understanding of God's revealed love and truth as taught in Scripture, and being equipped to transfer this love and truth to others. To that end, Garden City has partnered with Western Seminary to help develop and train members at Garden City.
Through this partnership, all Garden City members who desire to take classes at Western Seminary, and who qualify, will receive a 10-20% discount on courses that meet degree program requirements. If you are interested in learning more about this partnership, please contact Fred Mok.


text:
Applying polluter-pays principle
Using polluter-pays-principle
Creating polluter liability mechanisms
The polluter pays principle requires that market prices reflect the full costs of environmental damage arising from pollution which results in a strong incentive for pollution control.
Emissions released in one country may cause damage in another country and therefore the problems of adequate compensation for such damage are also of an international nature.
The polluter-pays principle (PPP), was adopted by Organization for Economic Cooperation and Development (OECD) members, and states that "the polluter should bear the cost of measures to reduce pollution decided upon by public authorities to ensure that the environment is in an acceptable state". The principle can be interpreted as standard PPP (polluters only pay pollution control and cleanup), and extended PPP (polluters pay pollution control and cleanup, and compensate parties for damages suffered from pollution).
This strategy features in the framework of Agenda 21 as formulated at UNCED (Rio de Janeiro, 1992), now coordinated by the United Nations Commission on Sustainable Development and implemented through national and local authorities. Agenda 21 recommends application of the "polluter pays" principle, where appropriate, to all kinds of water pollution source, including on-site and off-site sanitation.
Much environmental pollution and resource depletion occurs because the people responsible are not those who bear the consequences. If the polluter, or the consumer, is made to pay, then the costs of pollution, waste and the consumption of natural resources are brought into the calculations of the enterprise. This requires that, when production processes threaten or cause damage to the environment, the cost of necessary environmental measures should be borne by the producer, and not by society at large, giving incentives to reduce the pollution. To the extent that those costs are passed on the consumer, it can be said that the user pays and this may in turn reduce demand for the polluting activity.
The principle has been widely accepted as a guide for environmental policymaking by governments and aid agencies.
A UK Government White Paper A New Deal for Transport: Better for Everyone (1998), sets out how, as part of the package of measures tackling congestion and pollution, the Government will introduce legislation to enable local authorities to introduce road user charges in their area and to levy a charge on workplace car parking where they feel that charges can help to meet their local transport objectives. The White Paper also committed the Government to consult on the detailed implementation of these schemes. The key benefits of a fair charging system include: cutting congestion on the roads so it is easier and quicker to make essential journeys; fighting pollution by improving the environment and attacking the rise in respiratory illnesses made worse by vehicle fumes; pumping money into improved local transport; ring fencing money raised by transport so it is spent on transport; and cutting the costs to business when goods and people get stuck in traffic.
Article 5(b) of the Draft Protocol on Water and Health (1999) to the Convention on the Protection and Use of Transboundary Watercourses and International Lakes (1992), states: The polluter-pays principle, by virtue of which costs of pollution prevention, control and reduction shall be borne by the polluter.
Studies performed in connection with the licensing of environmental releases of potentially polluting substances should be designed and performed by independent bodies, and the costs should be budgeted for as part of development costs and be met by the developer.
The Convention on Civil Liability for Damage Resulting from Activities Dangerous to the Environment (Lugano 1993), aims at ensuring adequate compensation for damage resulting from activities dangerous to the environment and also provides for means of prevention and reinstatement.
The "polluter pays" principle, including the internalization of externalities, by virtue of which the costs of pollution prevention, control and reduction should be borne by the polluter. The full health and environmental costs of transport should be borne by the polluters as far as possible.
Principle 13 of the Rio Declaration on Environment and Development (1992), requires that: States shall develop national law regarding liability and compensation for the victims of pollution and other environmental damage; they shall also co-operate in an expeditious and more determined manner to develop further international law regarding liability and compensation for adverse effects of environmental damage caused by activities within their jurisdiction or control to areas beyond their jurisdiction.
Claim:
Every country has a mounting bill of "externalised" costs: consumers having to pay for removing pesticide residues from drinking water, costs of hospitalisation, rising food poisoning, and so on. Some health analysts believe that a cost crunch looms, with rising environmental and health costs on the one hand, political and economic pressure to lower costs and compete in international markets, on the other.
Using performance-related incentives
Introducing pollution-based tax system
Removing perverse environmental subsidies
Improving legislation against environmental pollution
Developing methods that safeguard environmental quality
Using economic incentives to increase environmental performance standards
Determining environmental liability
Using water
Narrower:
Making industry responsible for environmentally sound disposal of its hazardous waste
Assigning responsibility for damage caused by accidental spills of hazardous waste
Introducing distance charges for heavy goods vehicles
Using variable pricing for waste management at the consumer level
Internalizing the environment and health costs of transport systems
Applying measures for waste disposal costs to be paid by the waste generators
Delaying introduction of tax on pollution
Reducing pollution
Preventing pollution
Cleaning up pollution
Reducing fossil fuel use
Reducing energy consumption
Protecting aquatic ecosystems
Introducing environmental taxes
Reducing governmental polluters
Providing integrated pollution control
Committing businesses to sustainability
Reducing pollution from energy generation
Reducing nitrogen and phosphoric pollution from animal production
Assessing financing to reduce health risks from environmental pollution and hazards
Facilitated by:
Using environmental law
Empowering citizens to challenge polluters
Employment at risk through elimination of industrial pollution
Environmental hazards of industrialization
Failure to apply polluter pays principle
Havens for environmental pollution
Inadequate legislation against environmental pollution
Lack of integrated pollution control
Long-range transboundary air pollution
Reluctance to impose pollution taxes
Overpricing
Underpricing
Action → Application
Societal Problems → Pollution
Principles → Principles
D: Detailed strategies


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Trusecure's Essential Practices Proactively Defend Against The Sans/fbi Top 20 Internet Security Vulnerabilities
Top 20 Vulnerabilities No Match for TruSecure Methodology; TruSecure Expert Available for Discussion
HERNDON, Va.–October 7, 2002 — The Internet security vulnerabilities in the recently released SANS/FBI Top 20 are solvable by consistent operational practice, reasonable administrative diligence and tactical planning offered by TruSecure's Essential Practices, a standard part of TruSecure's Security Assurance Services (SAS). Jon McCown, senior technical director for TruSecure(R), is available to discuss the SANS/FBI Top 20 list and TruSecure's proactive, systematic approach to managing information security.
"Two of the remaining four are addressed by reasonable administrative diligence and two are "new' and require some tactical patching. In fact, some of the vulnerabilities on the list are about to have their third birthday — and still people haven't fixed them. Running with scissors is still a bad idea."
"While the SANS Institute and the FBI have clearly outlined the vulnerabilities that companies need to be concerned about, the more important issue is that businesses need to have a proactive security methodology in place to handle these concerns and any future concerns before they become a problem," continued McCown. "The SANS/FBI Top 20 list has put its fingers on the problem, but TruSecure Essential Practices, which are dynamic and continuously updated to reflect newly discovered relevant threats and vulnerabilities, provide the long-term solution."
IT staff can easily miss the latest security patch for an operating system or virtually any program running on the system. In many cases, a "back door" left for programmers to come in and fine tune compliance or conduct scheduled maintenance can also create an opportunity for unauthorized access. With the flood of patches available, it can be impossible for organizations to keep up. TruSecure's Essential Practices enable enterprises to have an efficient, cost-effective security posture without scrambling for the latest patch or upgrade.
TruSecure Corporation, a leading security services provider, has a methodology unique in the security world. TruSecure's Essential Practices, a standard part of its Security Assurance Services, take a systematic, critical, holistic approach to strengthening the current security stance of a network. The Essential Practices identify the risks that have the greatest potential impact on the client's specific business — rather than forcing them to chase the thousands of reported issues that don't present a substantive risk. Unlike most government or industry standards, TruSecure's Essential Practices are dynamic and continuously updated to reflect newly discovered relevant threats and vulnerabilities. For more information on TruSecure's Essential Practices, please visit
http://www.trusecure.com/methodology/essential/.
For the SANS/FBI Top 20, the most commonly exploited vulnerable services in Windows Systems range from Internet Information Services (IIS) to Window Scripting Host. The most commonly exploited vulnerable services in Unix Systems range from Remote Procedure Calls (RPC) to File Transfer Protocol (FTP). The full list of vulnerabilities can be viewed at http://www.sans.org/top20/#index.
For media interested in speaking with Jon McCown, please contact Cynthia S. Smith of TruSecure Corp. at (703) 480-8509 or csmith@trusecure.com, or David McKee or Brian Greehan of Schwartz Communications at (781) 684-0770 or TruSecure@schwartz-pr.com.
Jon McCown, senior technical director at TruSecure Corporation, has supported the technology research and methodology development at TruSecure since 1996. As part of TruSecure Research and Intelligence operations, McCown is engaged in threat analysis and the development of risk management strategies for TruSecure customers.
About TruSecure Corporation
TruSecure is a leading security services provider, offering the only fully integrated, enterprise risk management services on the market. TruSecure's unique blend of proactive risk reduction with real-time security management, monitoring and response assures continuous security of critical business information assets. TruSecure certification has become a globally recognized symbol of commitment to effective information security in an interconnected economy. Additionally, TruSecure owns the independently operated ICSA Labs® and Information Security® magazine. Headquartered in Herndon, VA, TruSecure protects more than 700 sites worldwide, with operations in North America, Central America, Europe and Asia Pacific. For more information about TruSecure Corporation, visit www.TruSecure.com.
TruSecure, ICSA, ICSA Labs, and Information Security are registered trademarks of TruSecure Corporation. All other trademarks and service marks mentioned herein are property of their respective owners.


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Herbert Lutz Mohr (* 28. Mai 1944 in Neusalza-Spremberg) ist ein deutscher Historiker und Publizist. Er lebt mit seiner Familie in Greifswald.

Leben und berufliche Entwicklung
Lutz Mohr wurde von seiner Mutter Hertha Mohr allein aufgezogen, da sein Vater Alois Mohr 1945 an der Brücke von Remagen gefallen war. Er besuchte von 1950 bis 1960 die Grund- und Polytechnische Oberschule "Johann Heinrich Pestalozzi" unter Direktor Gunther Leupolt in Neusalza-Spremberg. Von 1960 bis 1963 erlernte er im VEB Roßlauer Schiffswerft, heute Sachsenberg-Werke in Roßlau den Beruf des Stahlschiffbauers. Danach besuchte er mehrwöchige maritime Qualifizierungslehrgänge in den Jahren 1963 und 1964 an der damaligen GST-Seesportschule Greifswald-Wieck, die zu diesem Zeitpunkt von Helmut Sieger geleitet wurde.  Anschließend diente er von 1964 bis 1967, zuletzt als Stabsmatrose bei der 4. Flottille der Volksmarine der DDR in Warnemünde, die damals Kapitän zur See Herbert Bernig befehligte. In dieser Zeit begann er mit seinen Forschungen zur Geschichte der Wikinger und der Seefahrt und veröffentlichte diese in verschiedenen Zeitungen, Zeitschriften und Publikationen.
Im Anschluss an seine Marinedienstzeit fuhr er auf Schiffen der Deutschen Seereederei Rostock (DSR), u. a. auf MS Zinnowitz unter Kapitän Hein Werner.

Hochschulstudium
Als Mitglied der FDJ (1960 bis 1975) absolvierte er an der Jugendhochschule "Wilhelm Pieck" der FDJ unter Direktor Werner Haltinner am Bogensee, Gemeinde Wandlitz, nahe Bernau bei Berlin in den Jahren 1969 bis 1970 ein Direktstudium der Gesellschaftswissenschaften, Im Jahr 1973 erfolgte dann ein mehrmonatiger Lehrgang an der Offiziershochschule der Volksmarine Karl Liebknecht in Stralsund, die seinerzeit Konteradmiral Heinz Irmscher kommandierte, und die Ernennung zum Reserveoffizier. Danach wurde er mehrmals zum Reservistendienst in verschiedene Volksmarine-Einheiten einberufen, so u. a. Marinehafen (TSL 18, Ölhafen) Greifswald-Ladebow unter dem Kommando von Fregattenkapitän Walter Schmidt (1930–2017). In der folgenden Zeit bewältigte Lutz Mohr ein externes Studium der Geschichtswissenschaft bei Konrad Fritze an der Ernst-Moritz-Arndt-Universität Greifswald, das er 1982 als Diplom-Historiker abschloss. Seine Diplomarbeit trägt den Titel: Zur politischen Geschichte der Ernst-Moritz-Arndt-Universität Greifswald unter besonderer Berücksichtigung ihrer Verbindungen zum engeren Territorium in den Jahren 1949 bis 1961.

Historiker, Museologe, Publizist
Als wissenschaftlicher Mitarbeiter und späterer amtierender Direktor des Museums der Stadt Greifswald in der Zeit von 1975 bis 1980 hatte er mit einer Vielzahl von Fundstücken und Dokumenten zu tun, die sein Interesse an der Erforschung der Seefahrt und der Geschichte der Wikinger noch mehr fesselte. Insbesondere die Problematik der strittigen Jomswikinger in Pommern faszinierte ihn. Im Rahmen seiner musealen Tätigkeit begründete Lutz Mohr gemeinsam mit dem Kunstpädagogen Alexander Schott die Edition Neue Greifswalder Museumshefte, die während der Zeit ihres Bestehens von 1976 bis 1986 auf vierzehn regionalgeschichtliche Publikationen anwuchs. Darüber hinaus publizierte er zahlreiche Beiträge für den Marinekalender der DDR sowie für die Editionen Jahrbuch der Schiffahrt und Urania Universum. Ab 1980 arbeitete er als Berufsschullehrer und war zugleich Klassenleiter an der Betriebsberufsschule "Dr. Salvador Allende" des "Ingenieur-, Tief- und Verkehrsbaukombinates Rostock" (ITVK) in Greifswald.

Neben seiner musealen und pädagogischen Tätigkeit engagierte er sich als ehrenamtlicher Ausbilder der Gesellschaft für Sport und Technik, der er von 1960 bis 1989 angehörte. In diesem Rahmen nahm er in den Sommerferien der Jahre 1983 bis 1987 an Ostsee-Ausbildungsfahrten des Segelschulschiffes Wilhelm Pieck, heute Greif, unter Kapitän Helmut Stolle und des Motorschulschiffes Artur Becker unter Kapitän Herbert Breitsprecher (1938–1988) der GST-Marineschule "August Lütgens" in Greifswald-Wieck nach Litauen teil.

Projekte und Vereinstätigkeit
Bereits Anfang der 1990er Jahre machte er sich zusammen mit dem Weltumsegler und Publizisten Burkhard Pieske zur Wikingergeschichte einen Namen. Im Oktober 1993 starteten sie das "Vineta-Experiment" in Koserow auf der Insel Usedom. Hier wurde der Beweis erbracht, dass die Wikinger es schon vor über 1000 Jahren verstanden, ihre Schiffe auch über größere Entfernungen über Land zu transportieren. Damals wurde Lutz Mohr Mitglied mehrerer Freundeskreise und Vereine, die seinen Interessen entsprachen, so Islandfreunde Mecklenburg-Vorpommerns, Greifswald (1990–1993); Gesellschaft der Freunde Islands (GdFI) e. V., Hamburg unter dem Vorsitz von Konsul Oswald Dreyer-Eimbcke (1994–2006); Deutsch-Isländische-Gesellschaft (DIG) e. V., Köln (1994–2004); Deutsch-Färöischer Freundeskreis e. V. Düsseldorf (1990–2002) und Internationale Steinkreuzforschung (ISF), Regensburg (1996–2000).
Des Weiteren war er 2003 Mitbegründer des Verein für erlebbare Geschichte des Mare Balticum e. V., Stralsund und wirkte als Mentor des Vereins bis 2006. Seit 2007 ist er Mitglied im 2006 gegründeten Verein Bücherfreunde Greifswald e. V.
Von 1996 bis 2000 war er zudem ehrenamtlicher Pressereferent des Pommerschen Künstlerbundes (PKB) e. V., dem seinerzeit der Greifswalder Kunstschaffende Helmut Maletzke (1920–2017) vorstand, und erhielt für sein publizistisches Schaffen 1999 die Ehrenurkunde des Vereins.

Von 1998 bis Frühjahr 2017 arbeitete Lutz Mohr eng mit dem Stralsunder Künstler Eckhard Buchholz zusammen, indem er ihn hinsichtlich des Genres Historienbilder inspirierte und beriet. Auf dieser Basis entstanden in den Jahren 1998 bis 2002 der großformatige achtteilige "Wikinger-Zyklus", der u. a. 2003 in den USA gezeigt wurde, und in den folgenden Jahren (bis 2016) weitere fünfzehn Historiengemälde zur Geschichte Mecklenburg-Vorpommerns. Wegen längerer Krankheit endete 2017 ihre fast zwanzigjährige Zusammenarbeit. Darüber hinaus engagiert sich Lutz Mohr seit 2008 als Korrespondierendes Mitglied der Interessengemeinschaft "Ortsgeschichte" der Kultur- und Heimatfreunde Neusalza-Spremberg e. V. für die weitere Erforschung der Lokalgeschichte seiner Geburtsstadt. Als Autor bereichert er die seit 1999 bestehende Edition "Geschichte und Geschichten aus Neusalza-Spremberg" und das Periodikum "Oberlausitzer Familien-Kalenderbuch" des Oberlausitzer Verlages. Im Juni 2015 feierte der Historiker mit seiner Frau Gisela die Goldene Hochzeit. Durch das plötzliche Ableben seiner Frau am 26. November 2020 in seinem Schaffensprozess stark eingeschränkt, schaffte er es, sein jüngstes Sachbuch zur Jomswikingerproblematik redaktionell abzuschließen und herauszugeben, so dass es im Frühjahr 2021 erscheinen konnte.

Schriften (Auswahl)
Lutz Mohrs Bibliographie umfasst bisher über 500 Veröffentlichungen in Zeitungen, Zeitschriften, Jahrbüchern, Kalendern sowie mehrere Monografien.

 Lutz Mohr u. a.: Maritimes von der Waterkant. Verlag Axel Dietrich, Peenemünde 1994, ISBN 3-930066-21-1.
 mit Anton Riesel: Poesie der Wikinger. Nachdichtungen von Anton Riesel. Auswahl, Anmerkungen und Kommentare von Lutz Mohr. Jubiläumsschrift anlässlich der 1000. Wiederkehr der Einführung des Christentums auf den Färöern, in Island und Grönland (999–1999). Leo-Verlag Robert Liese, Horn - Bad Meinberg 1999, .
 mit Robert Liese: Wikinger zwischen Pommern und Polarkreis. Sagas oder Wahrheit. Leo-Verlag Robert Liese, Horn - Bad Meinberg 1997, ISBN 3-9805594-0-8.
 mit Günter Krieg: Dänen – Slawen – Deutsche in Vorpommern und auf Rügen, Teil 1, G. Krieg, Doberlug-Kirchhain 2000.
 mit Günter Krieg: Dänen – Slawen – Deutsche in Vorpommern und auf Rügen, Teil 2, G. Krieg:, Doberlug-Kirchhain 2000.
 mit Günter Krieg: Dänen – Slawen – Deutsche in Vorpommern und auf Rügen, Teil 3, G. Krieg, Doberlug-Kirchhain 2001.
 mit Harald Krause: Die Jomsburg in Pommern. Geschichte und Technik einer verschollenen Wikinger-Seefeste. Wessels Puppet Media, Essen 2002.
 Hammer kontra Kreuz zwischen Pommern und Polarkreis. Vier Jahrhunderte Kampf zwischen Christentum und Heidentum in Nordeuropa (800–1200). G. Krieg, Doberlug-Kirchhain 2002.
 Auf Wikingerspuren zwischen Piräus, Pommern und Polarmeer. G. Krieg, Doberlug-Kirchhain 2002.
 Drachensegler zwischen Mecklenburg-Vorpommern und Massachusetts. Frühe europäische Seefahrer, Vorentdecker Amerikas. G. Krieg, Doberlug-Kirchhain 2003.
 Bibliographie zu den Jomswikingern und der Jomsburg in Pommern. Deutschsprachiges Schrifttum. G. Krieg, Doberlug-Kirchhain Greifswald 2004.
 Aus der Geschichte der Färöer. Aufsätze eines nordischen Vereinsfreundes aus Vorpommern I. G. Krieg, Doberlug-Kirchhain 2004.
 Die Färöer und Mecklenburg-Vorpommern. Aufsätze eines nordischen Vereinsfreundes aus Vorpommern II. G. Krieg, Doberlug-Kirchhain 2004.
  Island und Mecklenburg-Vorpommern. Aufsätze eines nordischen Vereinsfreundes aus    Vorpommern III. G. Krieg, Doberlug-Kirchhain 2005.
 Die Schlacht an der Raxa. Verein für Erlebbare Geschichte des Mare Balticum (Hrsg.), Stralsund 2006.
 Die Saga der Jomswikinger. Edition Pommern, Grimmen 2006, ISBN 3-939680-00-1.
 Eckhard Buchholz. Ein pommerscher Künstler. Historien- und moderne Malerei. Fritzon, Greifswald 2007.
 Die Jomswikinger – Mythos oder Wahrheit. Edition Pommern, Elmenhorst 2009, ISBN 978-3-939680-03-1.
 Neusalza-Spremberg – eine Kleinstadt in der Oberlausitz – Streiflichter aus Geschichte und Sage. (Geschichte und Geschichten aus Neusalza-Spremberg; Sonderausgabe Nr. 1/2012). Selbstverlag, Neusalza-Spremberg/ Greifswald 2012, .
 Schulschiffe unter Segel und Motor. Zur Geschichte der GST-Marineschule "August Lütgens" Greifswald-Wieck. Edition Pommern, Elmenhorst 2012, ISBN 978-3-939680-12-3.
 Drachenschiffe in der Pommernbucht. Die Jomswikinger, ihre Jomsburg und der Gau Jom. (edition rostock maritim). Hrsg. von Robert Rosentreter. Ingo Koch Verlag, Rostock 2013, ISBN 978-3-86436-069-5.
 Die Hussiten in der Oberlausitz unter besonderer Berücksichtigung ihrer Feldzüge in den Jahren von 1424 bis 1434. Sonderausgabe Nr. 2 der Reihe: Geschichte und Geschichten aus Neusalza-Spremberg, Greifswald u. Neusalza-Spremberg 2014.
 Neusalza-Spremberg. Eine Zeitreise 1242–2017. Autoren- und Verlagsservice Frank Nürnberger (Oberlausitzer Verlag), Spitzkunnersdorf 2017. 84 S., zahlr. Abb., mehrere Tab., ISBN 978-3-9818434-0-8
 Wikinger in Böhmen und der Oberlausitz – ein Novum der Regionalgeschichte. In: Oberlausitzer Familien-Kalenderbuch für das Jahr 2019. Hrsg. von Frank Nürnberger (Oberlausitzer Verlag), Dittelsdorf/Spitzkunnersdorf 2018, S. 26–27, ISBN 978-3-946795-08-7
 mit Friedrich Bartels: Der "Neusaltzer Kirchenreceß" von 1674 und 340 Jahre "Dreifaltigkeitskirche" in Neusalza-Spremberg (1678–2018), in: Oberlausitzer Familien-Kalenderbuch 2018. Hrsg. von Frank Nürnberger (Oberlausitzer Verlag), Spitzkunnersdorf 2017, S. 38–41, ISBN 978-3-941908-96-3
 Das "Schleinitzer Ländchen" zwischen Lausitzer Bergland und Schluckenauer Zipfel – Eine Episode in der deutsch-tschechischen Geschichte. In: Frank Nürnbergers Oberlausitzer Heimatkalender 2020, vorher Oberlausitzer Familien-Kalenderbuch im Oberlausitzer Verlag. Hrsg. von Frank Nürnberger, Spitzkunnersdorf 2019, S. 84–87, ISBN 978-3-9818434-4-6
 GESCHICHTE-GESCHICKE-GESTALTEN. Auf historischer Spurensuche zwischen Oberlausitzer Bergland und Schluckenauer Zipfel. Zittau: Oberlausitzer Verlag 2019, 236 S., zahlr. Abb., Lit., ISBN 978-3-946795-22-3
 Die Jomswikinger - Nur ein Mythos?. Elmenhorst: Verlag Edition Pommern 2021, Einbandgestaltung: Kristian Salewaski, 204 S., mehr. Farb- u. SW-Fotos, umfangr. Quellen- u. Lit,verz., ISBN 978-3-939680-65-9
 Bischof Benno von Meißen in Geschichte und Sage - seine Spuren finden sich auch in der Oberlausitz, 2 Teile, Teil 1: Bennos schwere Zeiten. In: Oberlausitzer Heimatkalender 2023. Hrsg. von Frank Nürnberger, Spitzkunnersdorf 2022, S. 14–15, 1 Abb., Teil 2: Des Apostels sagenhaftes Wirken und sein Vermächtnis. In: Ebda, S. 20–21, 1 Abb., ISBN 978-3-9824231-0-4
 Fünf historische Mysterien der Landstadt Neusalza-Spremberg warten auf ihre Entschlüsselung. In: Oberlausitzer Familien-Kalenderbuch. Jg. 31 (2023), Zittau-Dittelsdorf: Oberlausitzer Verlag 2022. Hrsg.: Andreas Gehrt, S. 121–127, mehr. Abb. u. Anm., ISBN 978-3-946795-65-0

Literatur
 M. M. (Michael Meerkatz): Der heimliche "Skalde" der vorpommerschen Wikinger. Lutz Mohr ist in den Ost- und Nordseeanliegerstaten auf den Spuren der sogenannten Nordmänner unterwegs. In: Ostsee-Zeitung Rostock, Usedom-Peene-Zeitung Wolgast/Ahlbeck. Bd. 46 (1998), H. 14, S. 14.
 Günter Krieg: Herbert Lutz Mohr: Diplom-Historiker. Oberlausitzer & Wahlvorpommer. Seemann – Pädagoge – Historiker – Publizist. Annotierte Bibliographie. Festschrift zum 65. Geburtstag des Jubilars am 28. Mai 2009. G. Krieg, Doberlug-Kirchhain 2009.
 Michael Handwerg: Von den Jomswikingern fasziniert. Zum 65. Geburtstag des Diplom-Historikers Lutz Mohr. In: Die Pommersche Zeitung. Bd. 59 (2009), H. 20, S. 2.
 Andreas Zecher: Ein Mann auf den Spuren der Wikinger. In: Nordkurier. Bd. 19, Ausgabe vom 23. August 2010.
 Günter Hensel: Kultur- und Heimatfreunde Neusalza-Spremberg e. V./ Interessengemeinschaft Ortsgeschichte (IGO) – Lutz Mohr zum 70. Geburtstag. In: Amtsblatt der Verwaltungsgemeinschaft für die Stadt Neusalza-Spremberg mit dem Ortsteil Friedersdorf sowie den Gemeinden Dürrhennersdorf und Schönbach. Bd. 19 (2014), H. 6 (30. Mai 2014), S. 6 f.
 Elke Rüster: Maler + Historiker = Historienmalerei. Von einer fast zwanzigjährigen Freundschaft (Eckhard Buchholz und Lutz Mohr). In: Ostsee-Anzeiger Hansestadt Stralsund und Umgebung. Jg. 11 (2016), Nr. 41 (Oktober), S. 13, 1 Abb.

Weblinks

 Veröffentlichungen von Lutz Mohr im Opac der Regesta Imperii
 Informationsmaterial zu Lutz Mohr beim Verlag Edition Pommern

Mittelalterhistoriker

Wissenschaftlicher Mitarbeiter eines Museums in Mecklenburg-Vorpommern

Seefahrer
Marineoffizier (Volksmarine)
Autor
Person (Vorpommern)
Person (Neusalza-Spremberg)
DDR-Bürger
Deutscher
Geboren 1944
Mann

redpajama_set_name: RedPajamaWikipedia


text:
History Redux 2013: Umbra and FST
By admin October 28, 2013 November 15, 2016 Uncategorized
[By Jerry W. Ward, Jr.]
Two symposia, "Talkin Revolution," (New Orleans, October 17-20) and "Celebrating the Umbra Workshop," (New York, November 1) will cast light on the matter of history redux, the ways people remember and reconfigure specific moments of cultural development.
The wording of David Henderson's announcement about the Umbra symposium is instructive:
Join us for a half century celebration of the Umbra Workshop! Founded on New York's Lower East Side in 1961 and dispersed in 1964, Umbra's influence on American literature continues to this day. The Umbra Workshop was comprised of an aesthetically diverse group of young artists, many with "a strong commitment to 'nonliterary' black culture." The Workshop was nurtured by people as disparate as Langston Hughes and Andy Young, actively engaged in the Civil Rights Movement, in questions of diversity in letters, and, later, in the Black Arts Movement. The first in a series of gatherings, this event bring together several of the founding members, including poets, novelists, and activists Steve Cannon, David Henderson, Rashidah Ismali, Joe Johnson and Ishmael Reed for readings and conversation and focusing on some of the complex aesthetic, political, social, and literary relationships that informed this legendary Workshop.
It whets our appetite to know what impact the post-dispersal activities of the participants-those named in the announcement and those to be remembered in the discussions had and may continue to have on the growth of African American literature. Tom Dent, Calvin Hicks, Raymond Patterson, Askia Muhammad Toure, Lorenzo Thomas, Calvin Hernton, and Norman Pritchard and others are among those to be remembered.
In contrast, "Talkin' Revolution" will make inquiries about the Free Southern Theater (FST) from 1963 to 1985 and about what FST may teach us about the present state and the future of African American theatre and writing. Why was FST founded by John O'Neal, Doris Derby, and Gilbert Moses at Tougaloo College? How did its early productions in Misssissippi shape discussions regarding culture and civil rights struggles? Why did FST move its homebase from Mississippi to New Orleans? Although dispersal is an important feature of FST history, it is more necessary to account for the impact the institution had ont he growth, rise,and decline of community theater in New Orleans and other parts of the South. And we have to think about Tom Dent as a key figure in both Umbra Workshop and FST.
History redux is invaluable for assessing our contemporary use and abuse of culture(s).
Ward's Pre-Future Vision
We Want the Funk
Lucille Clifton: The People's Poet


text:
Home iPhone iPhone SE 2020: Is it worth to buy in 2020?
iPhone SE 2020: Is it worth to buy in 2020?
Nurdin Navodiya
iPhone SE 2020 is making headlines around the globe and millions of consumers are prepared to grab their hands on the affordable iPhone in 2020. Only a handful of consumers, experts, and reviewers are talking about the SE-edition and whether is it even worth buying? I mean, I should point this out for consumers, who don't understand the technical side of the phone and provide an in-depth conclusion.
1 Why iPhone SE is popular?
6 Gaming Performance
7 Who should buy Apple iPhone SE 2020?
Why iPhone SE is popular?
The original iPhone SE launched in 2016 and it made headlines for having modern specifications in older housing. The smartphone industry started to evolve drastically with Android taking over the market share and claiming Asian markets.
iPhone SE (2020) existence is proof that Apple wants to dominate the budget category and claim the throne. The company does not want to throw away the previous generation materials and recycle it instead and generate respectable profits from it. Overall, it's a win-win scenario for Apple and consumers, who cannot afford $750+ smartphones.
iPhone SE (2020) will claim the throne, why? Apple doesn't have a competition in this category and that's why reviewers, experts, and business analysts consider 2020 SE-edition a recommended product for consumers.
Allow me to explain the entire situation in one sentence, a few weeks back, Unbox Therapy made a remarkable tweet that explains Apple's success with SE-edition.
Lewis George Hilsenteger asked the followers, whether they would pay $399 on Samsung S7 phone with a modern Snapdragon 865 processor in it? The follower's reaction was mixed and that clicked Xiaomi's Poco F1 success. However, Poco F1's starting price was $199 in 2019 and it went out-of-stock in the online market, and everyone wanted to have this product.
Overall, iPhone SE (2020) edition doesn't have a competition, and that's why several reviewers are recommending it.
Is it worth your money? I mean, I want to put this review out, so average consumers like me can make a decision.
The display is the first thing that every consumer looks at and it should be a contributing factor here. Apple added 4.7-inches IPS LCD to the modern edition that is based on the LCD panel. The IPS LCD panel has a resolution 750 x 1334 with a 326 PPI density ratio, which is similar to the 8-edition screen quality.
I want to point out two important features for modern consumers, and they are 120Hz touch-sensing and scratch-resistant glass. The Cupertino-based company revealed that the display brightness is 625 nits maximum, and it's not enough to view the contents in sunlight exposure. However, (SE 2020) is IP67 certified, which means it is dust-resistant and water-resistant up to 1 meter deep in the water for 30 mins.
iPhone XR has 720p (1792 x 828-pixel resolution) resolution, but it is a vibrant display that does deliver eye-catching performance and SE 2020 is the same. The display quality will be good but not good enough to meet modern standards, and that's deal-breaking for someone who already used a high-resolution phone.
We should talk about bezels on the top and chin because it is an old design from 2017 and nobody in the market is manufacturing these phones anymore. Even the budget-oriented phones are launching with thin-bezels and it's one-step forward to the future.
By the way, you got a traditional physical fingerprint sensor for security and no Face ID.
For $399, I would not mind having an outdated display design because of the other perks. However, I have to be extremely careful with the device, or else, I could easily end having scratched display.
Apple's selling point for SE (2020) edition is the processor, which is Apple A13 Bionic, based on 7 nm plus architecture. Currently, Apple A13 Bionic processor is integrated into iPhone 11 Pro, iPhone 11 Pro Max, iPhone 11, and iPhone SE (2nd generation).
Overall, I do not want to add remarks in this segment because it is one of the best flagship processors in the smartphone market. Apple's A13 Bionic chipset is truly a beast and has no competition under $399. The SE selling point is the processor, which is a flagship-grade and high-performance chipset in the industry, right now.
The SE (2020) edition is powered by an 1821 mAh battery that supports 18W fast charging. I'm happy that Apple did not skip fast charging and support Qi wireless charging. For day-to-day tasks, SE 1821 mAh battery should be more than enough to last entire day under medium usage.
The SE 2020 problems begin here, and here's why.
The A13 Bionic is a powerful processor, and even XR edition has a 2942 mAh battery because A13 Bionic consumes plenty of energy during processor-intensive tasks. Unfortunately, the SE battery charge will drain faster than any other modern iPhone available today because the 1821 mAh battery is not enough to power flagship-grade chipset.
Apple proved that their cameras can do magic, even when coupled with a single-camera sensor. The primary sensor sports 12 mega-pixel shooter (f/1.8) supporting PDAF, and OIS. Meanwhile, the front camera or selfie camera is a 7 MP shooter (f/2.2) that has a face detection feature.
Overall, it is a standard camera setup that can capture decent photos under good sunlight conditions. However, I would not say the same in in-door conditions because the SE camera fails to capture details and natural elements under artificial light conditions.
You have to make your final decision because you are not getting a triple-camera setup, where ultra-wide, telephoto, and LiDAR scanner. Overall, it is a basic camera setup for consumer, who is into photography and looking to capture decent photos only.
I should talk about video recording because even I was looking forward to this. Fortunately, you can shoot videos in 2k resolution in 60fps and 1080p in 60fps. Coming to the selfie camera, you can capture 1080p recording in 30fps, which is not sufficient, but I cannot ask for more under $399.
I don't think Android phones under $399 can beat 2k resolution in 60fps recording capabilities and overall output of the device.
Gaming Performance
I strongly believe that if a smartphone can handle modern games and deliver a smooth experience in high-quality graphics, then it should perform excellently under normal usage. The A13 Bionic GPU (4-core graphics) delivers magnificent gaming performance, and nobody can doubt its position. However, I don't think, and you will have a pleasant time while gaming on iPhone SE.
The battery drains faster, and most of the battle royale games (PUBG, Fortnite, Free Fire, and COD) consume half an hour for one game.
You have to put the phone to charge within 40 minutes for hours of gaming.
Nobody is talking about the heating issue, while you charge the phone, and game on it.
Unfortunately, you won't be able to play for hours because of many factors. If you are planning to stream or game to improve yourself, then I don't think 4.7-inches (LCD Display) + 1821 mAh battery is sufficient.
Who should buy Apple iPhone SE 2020?
The SE model is suitable for professional people who use WhatsApp, Facebook, Google mail, and other texting. You can gift the phone to your parents or spouse because they don't need to upgrade the phone for next 3-years. Apple guarantees software updates for 5-years and 2014 iPhone 6 received security update recently.
Apple iPhone SE (2020) is designed for someone like me because I don't click pictures, I don't game on the phone, and I don't care about design or display. I use the phone for communication with the loved ones and conduct business, and that is all. With 5-years of guaranteed software updates and performance, I want to invest in iPhone SE.
iPhone SE is available in 3GB RAM and 64GB/128GB/256GB storage in Black, White, and Red colors.
For $399, it is a recommended phone for professional people and light users.
An avid young Blogger, Tech Writer, Web Developer and Founder of iTechCliq.com.
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text:
Q: Select the root element(aka key or envelope) My understanding is that Retrofit and it's Gson parser expect a format of:
[
    {},
    {}
]

However, what if my API is wrapping everything into an attribute like:
{
    'data':[
        {},
        {}
    ]
}

How can I tell Retrofit to start parsing inner objects from within 'data'?

A: You can have your Retrofit interface methods return a custom type you define which itself contains a list called data.
public class MyResponse {
    private final List<Thing> data;
}

public interface MyApi {
    @GET("/data")
    Call<MyResponse> getThings();
}

This is the simplest solution. You could instead implement custom deserialization logic in a TypeAdapter registered with your Gson instance which ignores the object wrapper, but it would be more complicated and you would need to do some refactoring if the API ever returned something useful in that wrapper.


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However, our team offers affordable residential plumbing services, helping more residents and families save on better plumbing for their home. When you need to save on a better quality of service, just choose us first before anyone else.
Commercial plumbing should not be expensive. And yet, most plumbing contractors charge more for commercial accounts. However, we offer the same great service and lower pricing for your business that we offer our residential customers.


text:
GUIDE FOR EDUCATORS
The Resistance Saga
Get Institutional Licensing
PAMELA YATES' DIRECTOR'S STATEMENT
500 YEARS is the third in a trilogy of feature length documentaries I've been creating over the past 30+ years along with Editor Peter Kinoy and Producer Paco de Onís. The two first films include When the Mountains Tremble (1983) and Granito: How to Nail a Dictator (2011). I've stayed committed to Guatemala, a country of beauty and pathos, of courage and fear, where a majority indigenous Mayan population has survived the Spanish conquest and resisted assimilation for 500 years. 500 YEARS continues the saga of Granito, yet tells an entirely new story, this time from a Mayan perspective.
When I learned in 2013 that the first trial for an accused perpetrator of genocide against indigenous peoples in the Americas was to be held in Guatemala and that the President from 1982, General Efraín Ríos Montt, was to be held accountable, I just knew I had to film it. If Mayan survivors in this small country in Central America built a successful genocide case, it would change the course of the country and set an example far beyond. My filmed interview with Ríos Montt at the height of his power in 1982, was one of the key pieces of evidence that the Guatemalan Attorney General was going to introduce in the prosecution. When reporters approached Ríos Montt in the courtroom, they asked if he remembered me, his young nemesis interviewing him when he was President in 1982. After watching his 25-years younger-self on screen in the courtroom, incriminating himself in our interview by affirming his command responsibility, he said, "I don't remember her, but now I'll never forget her."
But it wasn't enough to tell the story of Ríos Montt's dramatic trial and conviction. I wanted to investigate what social forces would be unleashed as a result of the trial. During the two months of in-court testimony, I met dedicated Mayan leaders, young and old, and followed them out into their world, filming with them after the trial concluded. Within two years they would contribute to forging an indigenous/non-indigenous unity in a powerful mass movement that deposed the President. The Guatemalan people wrote their own historic script, and I filmed it.
As 500 YEARS opens we see people from the past in black and white grainy footage look right at the camera, tearing down the 4th wall, as if to say, "This is film and we are conscious players in it." This style echoes Granito: How to Nail a Dictator, where the act of making a documentary film and the reasons for it were not only acknowledged, but celebrated.
There are other echoes from When the Mountains Tremble and Granito in 500 YEARS. Rigoberta Menchú, the Nobel Peace Laureate, is the lead protagonist in When the Mountains Tremble, as well as a thread weaving together all three films, appearing in each throughout her lifetime. The year 1982 is a touchstone in all three films, the year of the height of the genocide. In 500 YEARS, we come back to my filmed material from that year over and over to understand the players in the present, and how Mayans are rebuilding historical memory, because their history was suppressed. People were silenced.
After four years of filming and editing, the way into this story became clear to me. The lead protagonist who carries the story would be Irma Alicia Velásquez Nimatuj, a Mayan PhD, who is an active social anthropologist, author and influential newspaper columnist. She's a public intellectual whose ideas became key to the building of a national non-violent movement that sought to unify the divided indigenous and non-indigenous people of Guatemala, and expose systemic corruption of the political and business elite.
She is joined by Andrea Ixchíu, an environmental law student and elected tribal leader who has one foot planted in the Mayan world and one in the whirlwind of social media. Andrea is acting on what was reaffirmed in the genocide trial — that after the killings, the Army stole vast tracts of land and erased 626 indigenous communities from the face of the earth. Today, extractive industry mega-projects are being carried out on this very land. I wanted to include Andrea in 500 YEARS because she is of the next generation and has taken a leading role in discovering and exposing the results of Guatemala's hidden genocide.
500 YEARS builds to a climax when the citizen uprising against government corruption burst forth and people poured into the streets all over the country. They formed the largest mass demonstrations in the country's history, toppling the sitting President, as well as the Vice-President and members of his Cabinet. It became possible to imagine a new Guatemala.
The closing scene says it all. As young Mayan women work to lift aloft a colorful, giant, hand-made kite, Irma Alicia's and my thoughts converge. We hear her say, "Our children are showing us that it is possible to build a new country, with new ideas. Those of us who grew up actively resisting during the war, when we die, we can die in peace. Because we saw something we thought we would never see in our lifetimes. That is, a completely different Guatemala than the one we grew up in."
PETER KINOY'S EDITOR'S STATEMENT
As storytellers we re-present reality to an audience, trying to pass along what we have learned on the way. These human stories of fear, love and courage are as old as winters around a Neanderthal fire, and as modern as tomorrow. But the context and complexities of society in which these stories play out is ever changing. Our reality lies scattered before us like shards of ancient pottery exposed in an archaeological dig, waiting for someone with the desire and knowledge and patience to put them together in some coherent, understandable order.
Enter the long form documentary editor.
The edit room is where the pieces come together. Here in this darkened room, in front of the monitor — the vision, knowledge and hopes of the director, the editor, and the producer reverberate and collide with the reality of the material captured and collected on location. Lying quietly in a dozen three terabyte drives attached to my edit machine are hundreds of hours of video and audio — vérité scenes, an entire genocide trial filmed gavel to gavel, nine months of social protests including the largest demonstrations in the history of Guatemala, dozens of interviews, and an assortment of archival footage — waiting to leap to life as I attempt to recreate and retell the incredible moment in history that is 500 YEARS.
I was no stranger to the material for this edit assignment and the history it represents. Some of the footage is part of my creative DNA, material I produced and edited in 1982 for When the Mountains Tremble. Some of it I worked 6 years ago with Granito: How to Nail a Dictator, but the bulk is new, and that is always the most exciting. You never know where you are going to find the magic gems that will power the edit.
Like most Skylight projects, the building blocks of 500 YEARS were forged on location in the field, but the story is crafted in post. I listened carefully to our constant discussions in my edit room, storing away with my collaborators' comments for later use. But I also work from my own sense of social responsibility. I approach the edit like a watercolor artist, first using light colored washes to cover the paper with the general structure of the story. How does it end, where does it begin, and what is the climax? Which protagonist can tell the story, and what ancillary information will the audience need?
I approached the edit of 500 YEARS with a double challenge. The first hurdle was to mold an understandable story from the complexities of a three-year social reality, but added to that was my desire to make the story universal, a story that will resonate with the viewers' own experience so that they come away not only with new knowledge, but with renewed confidence to construct their own pathways to the future. From the beginning I was certain that this was a story about the possibilities of social change in Guatemala told by Mayan protagonists. It would involve racism, systemic violence, a quest for justice and the desire for liberation from a 500-year yoke of oppression. What I realized as we came to understand the richness of the material we had to work with, was that the primary human quality in the film would be resistance; resistance to an ongoing genocide that threatened Mayan lands, culture and lives. Furthermore, what I learned from our footage was that the possibilities for change lay not only with the Mayan people who form a majority in Guatemala, but in new alliance between indigenous and non-indigenous people. The theme of resistance, along with the difficulties and opportunities of an alliance across the yawning Guatemala gulf of racism might be the ideas that could resonate with people in the U.S. and in vastly different arenas of social struggle.
We also wanted to make 500 YEARS different from our earlier two Guatemalan films. Pamela, as director, had strong ideas about the visual communication in the film, and taking our lead from this I looked for ways into the story; how to set the visual storytelling style, hook the viewer, and set things in motion. Unlike GRANITO where we used a first person narration, 500 YEARS would have no narrator. Instead we devised ways to lead the viewer through the complex social realities of Guatemala utilizing commentary from the main protagonists, as well as simple graphic representations of factual information. In the all-important finishing of the film I was able to work with a brilliant music composer, great graphic designers, and a top flight color grader and sound mixer.
As the final version of 500 YEARS emerged in its full visual and audio glory, I know that the film I had labored so long to bring to light no longer belongs to me, but rather it is now out in the world, waiting to become part of all who see it. So it is with great excitement that we go on to Sundance and followed by a world of screenings, where I will get to reclaim the film, seeing it through fresh eyes, and hear the tale I have told.
Pamela Yates, Director
Peter Kinoy, Editor
Paco de Onís, Producer
Melle van Essen & Rene Soza, Cinematography
Irma Alicia Velásquez Nimatuj
Matilde Terraza Gallego
Daniel Pascual Hernández
Andrea Ixchíu Hernández