text:
An essay and conversation between Gretchen Frances Bennett and Laura Sullivan Cassidy
I first met Laura Sullivan Cassidy on a rainy night, sheltering in the doorway of the El Capitan building, home to the Seattle art venue, Vignettes. Our conversation, I believe, started with the weather. We were there to see Mel Carter's "When the Caustic Cools," projected on a building across the street, and we talked about the rain letting up.
We met next on another wet night, when Vignettes Marquee presented Laura's work, "What Feels Most True: A Dream Hypnosis for Radical Awakeness," a two-channel projection of "found and collected family slides and digital images," accompanied by a dreamy abstract audio track by Laura's husband, Erin Sullivan. For this one–night–only presentation in a storefront in Seattle's Capitol Hill neighborhood, images cycled in slide show cadence, sometimes superimposed with san-serif text: "Three / Two / One / Before you can begin you must open your eyes / See the tattooed tear drops / See the watcher watching / See the knower not knowing a thing / Now, with your left hand, smooth the wrinkle that will not iron out / And with your right hand: feel / Can you feel warmth in what you've forgotten? / Can you feel pretty when you fall? / Then, say that we will find a way to reach each other / Say that you did not dream of airplanes falling from the sky last night / Say that you have not been having that dream for as long as you can remember / Say that you know nothing / Say that you have nothing / Say that you want to give it all away / Because what could feel more real? / What could be more true? / All sickness is homesickness / All hypnosis is self-hypnosis."
Laura describes this work as being "somewhere between performance and persuasion… images like strobe lights and words like wands are meant to rearrange natives, immigrants, and passersby alike. The quasi-narrative, two-channel, glass-enclosed slideshow will reimagine the villagers; remember them, forget them, and return them…back to where they were when they started so long ago: Pure and whole, tough and tender. Home. Alive." A promotional image for "What Feels Most True" is titled simply "Found Family Image, Kodachrome Slide." This image, depicting kids floating on deep blue water under a slightly less deep blue sky, is both strange and known, like most photographs in this work. We see weedy gravel in front of white industrial garage doors, a hand feeding a bird, sea life, twin moveable jet bridges leading to no airplanes, side by side statues with caution tape necklaces, all brined souvenirs of absent animals, plants, dirt, watery nights, and stars.
We met next at her house, and talked about being ourselves, being tied to the weather, how we weren't sleeping, and about our fathers, both scientists who passed away and left us image collections. We ate kale and listened to Henry Flint's Raga Electric on vinyl. Later, Laura sent phone photos of her father, Paul M. Cassidy's dive journals, pulling out phrases, like "Nothing really unusual," and "Much too turbid." "There were specific crabs my dad was studying in the Philippines. He told me he found a species no one knew about, he tacked the name 'Paul'son' there on the end, you can see it on the cover (of a dive journal)". "I've understood much more about my need to notate and document, since going through his things. What a diarist!"
As I get to know her, I take any occasion to talk with Laura Sullivan Cassidy: in person, in weather, by text, or, in this case, by email.
Gretchen Bennett: I saw an electric window sign in the International District, signaling both open and closed, when unlit. I thought of it, with your work. Do you look at the family slides as both open and closed spaces, and do they provide clues to your past and to your father; and, something that stops and can't fully show itself?
Laura Sullivan Cassidy: Absolutely. I probably wouldn't have used those words—open and closed—but they're perfect.
After my dad retired he took ownership of all the family photos and slides, and scanned them in. He gave us all copies, and I've always loved family photos so I've always had them at the ready and I've periodically gone down rabbit holes with them, but I really and truly binged on them after he passed away. When I go into the folders now (he separated them via era: '60s, '80s, etc.), it's as if the lights are on and the door is open but no one's home. I can get in and look around, but there's really no one who can answer my questions or show me around.
So yes, open and closed.
GB: I have a collection of Kodachrome slides from my father. When I rediscovered them, I had less a memory of the imagery, and more a memory of him taking them. Are images from our lives something we want, but we may need to forget about for a while?
LSC: That feels right. I somehow want it to be more right with the old Kodachrome stuff, but it may be most true with our iPhones. Most of us do this capture, capture, capture thing, and I suspect we really don't even know why we're documenting the sunset shadows or the dinner party or the art show or the cat sleeping. It's reflexive at this point, but it can prove useful, too. How often do we say, "Oh I forgot all about this picture!" when scrolling through our handheld archives? My mind tends to be really busy all the time and I'm always mentally juggling, so I am forever finding things I have forgotten about. Images, notebook pages, groceries even!
Maybe we don't need a cure from/for them, but gaps, keeping us separate from them, are good? So, when we realize (again?) that they are, it's like more life?
I feel myself trying to name what that pay-off is. Are they more like life, is that what the reward is? I think for me, because my memory is sort of foggy and spotty, the reward is the opportunity to piece it all back together. The opportunity to tell or retell a story.
Some images provoke a visceral response and you're back in that moment instantly, but some are more slippery than that, and that's okay with me. I kind of like not knowing. I kind of like the soft, vague tether—and I'm really grateful for that. My memory has been weird ever since this medical event I went through a few years ago, and I wouldn't have predicted that I'd be okay with the fog, but I really am. Images do sometimes clear things up, but for every image that offers clarity, there's another that is impossible to place, name, tag, number, or hold on to.
GB: "The quasi-narrative, two-channel, glass-enclosed slideshow will reimagine the villagers; remember them, forget them, and return them…back to where they were when they started so long ago." It seems that they are returned to a new home each time, given the looping course of the images, I find that exciting. "And I'll be there with them—making those return/transformations, too."
Isn't this a way of moving forward, saying both hello and good-bye, letting go pieces at a time, as if through "strobe lights?" Not to forget, exactly, but to remember, like talking and listening at the same time, so that every moment is a living moment, and this living is not separate from the imagery, but on it, like dust and fingerprints.
LSC: Absolutely, the goal really was to create a bit of a mind-scramble. I truly meant it as a hypnosis or a meditation; a way to wipe the screen and get rid of some negativity and replace it with some wonderment and remembrances and curiosity.
GB: Are these found photographs also remembering and forgetting in front of us?
LSC: I seem to want to hang on to them as not quite fiction and not quite non-fiction, so I suppose they are remembering and misremembering.
It's like how we all have different memories of any one event, right? Especially because film (as opposed to digital) forces and allows us to capture and retain a lot of imperfect, in-between moments, I feel like what the old pictures do is lob little moments at us and those moments aren't true or untrue. They aren't giving us back that day in 1979 and they aren't taking it away. Like an argument in the matriarch's living room about which uncle owned the white Pontiac station wagon, they are saying, "Hey look, the past isn't something you can hold on to."
And I guess I want that to also be a reminder that you can't hold on to the present or the future either. None of this is completely knowable. Not all of this is nameable. Ten people in any given room, on any given street corner, see ten different things. Is it weird that I find that comforting?
GB: Not weird, at all. I see your work as elemental — the everyday we all know. But I also think the work is biased towards your particular sensibilities. Not only with "What Feels Most True," but I'm thinking now of a line from Mountain Lakes, from your recent book Backyard Birds Barking at Planes: "Never has our greed been so pure and so right. Never has it been so difficult to leave a place, never has it felt this cruel." When I read this, I can see the lake the whole time. Everyone can easily reference their own version of a lake, and its transformative qualities.
From The Phone Call, also from Backyard Birds, is the limpid sentence, "Before all of this and any of you." Here, I see a part of a life lived, a pause, and more life will be lived, in some sequence, like a slideshow.
LSC: I love that my stories can feel like a slideshow, and yes, what moves me the most are the incidental days when being human is kind of frozen in ice for minutes at a time, and then—poof—it thaws again.
I think where I have found my own place in writing, both fiction writing and in journalism, is in those particulars. I do take in a great deal. Retaining it? Depends whether I write it down or not. But I take in a great deal. I see a lot of what's happening in shadowy corners and I hear things in pauses and stops and starts. I am not saying that those things are absolute truths, but what I pick up often really resonates. I have experience and confidence enough to admit that. I notice things, and I'm proud of that. And grateful for it.
GB: "What Feels Most True" seems to be as engaged with literature and performance, as it is with art. Do you relate to your work as a visual artist, more, or as a writer, and does this matter, for the work?
LSC: I have always identified very, very strongly and clearly as a writer but for the past ten years or so I've been very driven to do anything other than hand you a page of words and ask you to read it. While I'm certainly very interested in publishing, I'm equally interested in finding new and different ways to tell you a story.
In many ways, my roots are in music, so I have this weird and persistent metaphor about putting out a record or setting up a show at a club. I want to be able to do the equivalent of that within the literary realm. I think once I came to really good terms with the fact that my short stories are indeed really quite short, and that my fiction is more kinda-true than not-true, I felt even more motivated to do, well, to do weird stuff with my work. To do 'other' stuff with it.
I do a lot of visual stuff too, though. It's true. I also really like collaborating with visual artists. I like illustrating my stories and I'm not sure I've ever put any of them out in the world without some kind of visual accompaniment.
GB: For me, "What Feels Most True" relates to Jonas Mekas' documentary film As I was Moving Ahead, Occasionally I saw Brief Glimpses of Beauty, and how he compiled his home movies into a film, in the order the rolls came off the shelf, saying, "I have never been able, really, to figure out where my life begins, and where it ends." Is this how you work?
LSC: Actually, I think I'm a writer because I'm trying to understand life. I don't think it's definitively possible, but I want to try. I want to put some of it down in a certain way that feels true enough. Like, I can accept this rendering of what happened, or what could have happened. Or what happened through this one particular lens. I am highly, highly motivated to understand things, but in a perhaps confusing way, I don't have a death-grip on that understanding. It just feels good for a little while to feel like I have some resonating ideas about why and how.
But like all art and literature, once I pass the thing to you, you get to decide how you understand it. It's a cool contrast with my life as a journalist. In that role, I want you to know for sure what I'm trying to tell you. But when I'm writing freely from the world around me, separate from work, I want to just decode this little thing I saw or felt or heard or did, and then I want you to hold on to it for a little while and decode it too. It's a telephone game.
GB: Because you are not always the person who took the photographs, is meaning up for grabs; do you become free to assign meaning, based on what you know of the photographer, who is, in many cases, your father?
LSC: As far as I know, my dad took all the vintage images. There were some current/contemporary digital images in there as well, and those came what was dumped into laptop folders from a couple of digital cameras that Erin and I have shared over the years.
But in terms of the old images, the meaning is so up for grabs. Again, it's a telephone game. That image of people riding flour sacks down the wavy yellow slide, god, I really have no idea. I think it's out by the ocean somewhere. Like, we probably rode go carts immediately before or after.
What did my dad think he was remembering with that shutter button? I have no idea. Maybe he took the picture out of obligation or as a distraction; maybe he was thinking about work or his sore back or what he didn't get to do as a poor Irish catholic kid in Tacoma.
But when I take that photo and layer some ideas on it, and give it to you, that one moment in my dad's life is alive again. Ideally at least, it's reactivated and it can do new and different things with whatever you layer onto it.
I wanted to take some of those old moments, and some less old moments, and put them back into the world—together with the reminder that we can trust ourselves and we can love ourselves and we can be ourselves. We HAVE to trust and love and be ourselves—mostly because if we don't, it's impossible to trust and love and be with others. It's like that thing in planes: put your own oxygen mask on first, then help those around you.
I need to get my oxygen mask on right now, and my way of getting that flow going again is to remember who I am and what I am came here to do.
Laura screened Agnes Varda's documentary film, "The Gleaners and I" in in her home, as a good-bye event for Vignettes founder, Sierra Stinson, moving to New York. In a "much too turbid" state of sleeplessness, I couldn't attend, but I've seen this film multiple times. It follows gleaners, as they forage for food, and it points to itself, a film of images gathered and compiled by a woman, like "What Feels Most True." An online essay on "Gleaners" by Homay King states that digital media disembodies and frees the referent from its frame, while "Gleaners" rematerializes the digital, by hooking it back into time and passing seasons. "Now, with your left hand, smooth the wrinkle that will not iron out / And with your right hand: feel." Varda pauses to film one aging hand with the other.
Lifeforms of "What Feels Most True" are freed from their frames, and it is these depicted forms—a crab pincher, a woman—not their square matrices, that route themselves through our consciousness. At the end of "Gleaners," Varda visits The Museum of Villefranche, and the painting that may have inspired her film. Edmond Hédouin's "Gleaners Fleeing the Storm" is brought outside into bad weather. "To see them in broad daylight with stormy gusts lashing the canvas was true delight." Her focus isn't on the painting itself, but on the women running home with their wheat. And the wind kicks up.


In the past, teeth that were damaged, cracked, or weak were usually covered with porcelain crowns that had a metal foundation. These porcelain-fused-to-metal crowns are strong enough to withstand the pressures of chewing, but they also look opaque and lifeless, without the transparency and sparkle of natural teeth. And even though the metal foundation doesn't show to begin with, the characteristic dark gum line almost always shows within a few years.
Advances in bonding technology have made it possible to create beautiful, lifelike crowns of porcelain without the need for a metal foundation. There are still some situations in the back teeth where the pressures of chewing can make a porcelain-fused-to-metal crown a good choice. But if you need crowns on your front teeth, all-porcelain crowns are one of the best options available. It's easy to see the difference between crowns with metal foundations and all-porcelain crowns in these photos. The first one above shows the flat, opaque color, thick construction, and dark gum line of porcelain-fused-to-metal-crowns.
All-porcelain crowns are made of feldspathic porcelain, and they are created by stacking and firing thin layers of this materials. This gives the creator a great deal of latitude in working with layers of color and transparency, leading to natural-looking results. This second photo shows the thinner structure, variation in color, and transparency possible with all porcelain crowns on the same patient.
Feldspathic porcelain crowns are not the only option available. Many other ceramics have been developed, and they all have different characteristics and advantages. Zirconia crowns are made with a ceramic that is so strong it has earned the name ceramic steel. Crowns made of zirconia are milled from single blocks of ceramic, and the strength of the material means they can be made very thin. This quality adds to the beauty of zirconia crowns because of the translucency it enables.
e.max crowns combine the strength of an inner ceramic core with the esthetics of a porcelain crown. Many different ceramics can be used in this process, but Dr. Murphree and his team prefer to use zirconia. The zirconia core is milled as it would be for a zirconia crown, and then the front part is ground down and the porcelain is layered and fired over it. Visit our zirconia crowns page to learn more about both zirconia and e.max crowns.
The photo to the left shows one of Dr. Murphree's patients. Her front teeth had been covered with porcelain-fused-to-metal-crowns. You can see the characteristic thickness and opacity, and they also show the beginnings of the dark gum line. The photo to the right here shows the same patient after Dr. Murphree replaced her porcelain-fused-to-metal crowns with all-porcelain crowns.
Before you schedule an appointment, you should know that all-porcelain crowns are more expensive than porcelain-fused-to-medal crowns. And in the case of the back molars that bear the full pressure of chewing, it can sometimes be desirable to choose the added strength of porcelain-fused-to-metal crowns.
You can discuss these and other considerations with Dr. Murphree by calling our office or visiting our request an appointment page. We will help you find the best time for a brief complimentary consultation, so you can get to know us, or a full exam.


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Are Voters Thinking About Education This Year?
Opinion Blog
Rick Hess Straight Up
Education policy maven Rick Hess of the American Enterprise Institute think tank offers straight talk on matters of policy, politics, research, and reform. Read more from this blog.
Education Opinion
By Rick Hess — January 19, 2016 3 min read
Rick Hess
Opinion Contributor, Education Week
Rick Hess is a resident scholar at the American Enterprise Institute and the director of the think tank's Education Policy Studies.
Education has been largely absent during this year's presidential contest. On the one hand, after the Bush and Obama presidencies, many of us regard that as something of a relief. On the other hand, it does mark a noteworthy break with recent history, as I observed last week in U.S. News.
Despite sporadic Democratic paeans to free college and pre-K and occasional Republican denunciations of the Common Core and philosophy degrees, it seems education has occupied only a very modest place so far in this election year. But is that impression accurate?
It's fairly easy to gauge. Every month in 2015, Gallup asked respondents, "What do you think is the most important problem facing this country today?" The same question was asked five times by New York Times/CBS and four times by CBS. The online database of the Roper Center for Public Opinion Research, the national polling repository, reports that these were the only national pollsters to have asked this question multiple times in 2015. (Big thanks to my RA Kelsey Hamilton for her help with all this.) Figure 1 reports the results of these 21 polls.
Source: Gallup Polls (January - December 2015), The New York Times/CBS News Poll (December 4-8, 2015), CBS News Polls (January, February, August and November 2015).
Of the 21 polls that asked about the nation's most important problem, the high point for education (including K-12, higher education, and pre-K) came last February when 7% of respondents deemed it the nation's most important problem. That was the high point. Overall, in just six of the 21 surveys did even 5% of respondents name education as the nation's top problem.
Readers will note that not only has education not drawn much attention this cycle, but the modest number of voters mentioning it has gradually inched downward. From January through June, 4.4% of respondents, on average, said education was the nation's most important problem. From July through December, the comparable figure was 3%.
But how low are those numbers, really? How do they stack up against the number of voters naming other issues as the nation's problem? One easy way to examine that is to see where education ranks relative to other issues when respondents are asked about the nation's most important problem. Figure 2 reports the results.
In Figure 2, we see that education finished as high as fifth in early 2015. Since May, however, it's been seventh or lower in 14 of 15 polls. Of the eight polls conducted from September onward, it ranked tenth or lower five times.
If not education, what other issues are attracting attention? In December, Gallup's top four (in order) were terrorism, dissatisfaction with government, the economy, and guns. In November, they were economy, dissatisfaction with government, immigration and illegal aliens, and unemployment/jobs. Those kinds of responses are pretty consistent across the three polls and over time.
Why is education not drawing much attention? Two big forces are at work.
One is that, for most people, education isn't as urgent a concern as national security and the economy. At times like these, when headlines are filled with stories of terrorism and stagnant wages, education faces a stiff headwind.
A second is that education has generally been how conservatives show themselves to be compassionate and how liberals show they're practical and responsible. This election, candidates face intense pressure on the left and the right to demonstrate that they're ideologically reliable—and education is less helpful on that count.
Going back to 1992, our last three presidents all made their thinking on education an integral part of their persona. They did this well before the first primary ballots were cast. Each used education in symbolically potent ways. For George W. Bush, it was a way to demonstrate a real commitment to equal opportunity. For Clinton and Obama, it was a way to talk about new public spending in terms of investment and personal responsibility, and to distinguish it from old-style tax-and-spend liberalism. It's pretty clear that's not going to be the case this time around—and that may say as much about the public and what it wants as it does about the candidates and their agendas.
The opinions expressed in Rick Hess Straight Up are strictly those of the author(s) and do not reflect the opinions or endorsement of Editorial Projects in Education, or any of its publications.
DigitalVision Vectors/Getty
Curriculum Opinion The Evidence-Based, Broadly Appealing Way to Teach Kids How to Succeed
Rick Hess, January 11, 2022
Policy & Politics Opinion 2022 RHSU Edu-Scholar Public Influence: Top Tens
Rick Hess, January 6, 2022
Policy & Politics Opinion The 2022 RHSU Edu-Scholar Public Influence Rankings

redpajama_set_name: RedPajamaCommonCrawl


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The films I watched in the cinema in 2011
by StarWarsFanTHX1138 | created - 25 Dec 2011 | updated - 01 Jan 2012 | Public
Adventure (19) Action (12) Comedy (11) Drama (11) Fantasy (10) Animation (9) Family (9) Thriller (8) Sci-Fi (7) Crime (5) Mystery (5) Biography (3) Romance (3) Western (3) History (2) Musical (2) Sport (2)
No Opening Credits (16)
Falling From Height (12)
Surprise Ending (11)
Held At Gunpoint (10)
Lens Flare (10)
Punched In The Face (10)
Shot In The Chest (10)
Slow Motion Scene (10)
Character Repeating Someone Else's Dialogue (9)
Shootout (9)
Title Spoken By Character (9)
Disguise (8)
Hand To Hand Combat (8)
Number In Title (8)
Shot In The Back (8)
Shot In The Head (8)
Strong Female Character (8)
Anti Hero (7)
Brawl (7)
Corpse (7)
Gash In The Face (7)
Good Versus Evil (7)
Knocked Out (7)
Scene During End Credits (7)
Stabbed In The Chest (7)
Sword Fight (7)
Voice Over Narration (7)
Action Hero (6)
Beating (6)
Female Protagonist (6)
Gatling Gun (6)
Gunfight (6)
Mother Daughter Relationship (6)
News Report (6)
Self Sacrifice (6)
Stabbed In The Back (6)
Stabbed To Death (6)
1. Black Swan (2010)
R | 108 min | Drama, Thriller
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake".
Director: Darren Aronofsky | Stars: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder
Votes: 667,252 | Gross: $106.95M
2. Klown (2010)
R | 93 min | Comedy
In order to prove his fatherhood potential to his pregnant girlfriend, Frank 'kidnaps' her 12-year-old nephew and tags along on his best friend Casper's debauched weekend canoe trip.
Director: Mikkel Nørgaard | Stars: Frank Hvam, Casper Christensen, Marcuz Jess Petersen, Mia Lyhne
3. Tangled (2010)
PG | 100 min | Animation, Adventure, Comedy
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
Directors: Nathan Greno, Byron Howard | Stars: Mandy Moore, Zachary Levi, Donna Murphy, Ron Perlman
4. True Grit (2010)
PG-13 | 110 min | Drama, Western
A stubborn teenager enlists the help of a tough U.S. Marshal to track down her father's murderer.
Directors: Ethan Coen, Joel Coen | Stars: Jeff Bridges, Matt Damon, Hailee Steinfeld, Josh Brolin
5. The Fighter (I) (2010)
R | 116 min | Biography, Drama, Sport
Based on the story of Micky Ward, a fledgling boxer who tries to escape the shadow of his more famous but troubled older boxing brother and get his own shot at greatness.
Director: David O. Russell | Stars: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo
Votes: 324,171 | Gross: $93.62M
6. Rango (2011)
Rango is an ordinary chameleon who accidentally winds up in the town of Dirt, a lawless outpost in the Wild West in desperate need of a new sheriff.
Director: Gore Verbinski | Stars: Johnny Depp, Isla Fisher, Timothy Olyphant, Abigail Breslin
7. All for One (2011)
Not Rated | 81 min | Comedy, Crime
4 childhood friends, 3 now petty criminals and Martin a petty cop, are trying to bring down a big time drug smuggler (Rutger Hauer), who has an art gallery as front.
Director: Rasmus Heide | Stars: Jon Lange, Jonatan Spang, Rasmus Bjerg, Mick Øgendahl
I walked after 30 minutes...
8. Max Pinlig 2 - sidste skrig (2011)
Not Rated | 89 min | Comedy, Family
Max and his embarrassing mom go on a summer vacation at a folk high school in Jutland. Meanwhile, Max is also looking for a summer job in a bank.
Director: Lotte Svendsen | Stars: Samuel Heller-Seiffert, Mette Agnete Horn, Lars Bom, Michelle Bjørn-Andersen
9. Rio (2011)
G | 96 min | Animation, Adventure, Comedy
When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with the bird of his dreams.
Director: Carlos Saldanha | Stars: Jesse Eisenberg, Anne Hathaway, George Lopez, Karen Disher
10. Hop (2011)
PG | 95 min | Animation, Adventure, Comedy
E.B., the Easter Bunny's teenage son, heads to Hollywood, determined to become a drummer in a rock 'n' roll band. In LA, he's taken in by Fred after the out-of-work slacker hits E.B. with his car.
Director: Tim Hill | Stars: Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco
Votes: 29,599 | Gross: $108.09M
11. Sucker Punch (2011)
PG-13 | 110 min | Action, Adventure, Fantasy
A young girl institutionalized by her abusive stepfather retreats to an alternative reality as a coping strategy and envisions a plan to help her escape.
Director: Zack Snyder | Stars: Emily Browning, Vanessa Hudgens, Abbie Cornish, Jena Malone
12. Good Bye Lenin! (2003)
R | 121 min | Comedy, Drama, Romance
In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.
Director: Wolfgang Becker | Stars: Daniel Brühl, Katrin Saß, Chulpan Khamatova, Florian Lukas
Votes: 132,016 | Gross: $4.06M
13. Thor (2011)
The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Director: Kenneth Branagh | Stars: Chris Hemsworth, Anthony Hopkins, Natalie Portman, Tom Hiddleston
14. Fast Five (2011)
PG-13 | 130 min | Action, Adventure, Thriller
Dominic Toretto and his crew of street racers plan a massive heist to buy their freedom while in the sights of a powerful Brazilian drug lord and a dangerous federal agent.
Director: Justin Lin | Stars: Vin Diesel, Paul Walker, Dwayne Johnson, Jordana Brewster
15. Melancholia (2011)
R | 135 min | Drama, Sci-Fi
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.
Director: Lars von Trier | Stars: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård
16. Pirates of the Caribbean: On Stranger Tides (2011)
Jack Sparrow and Barbossa embark on a quest to find the elusive fountain of youth, only to discover that Blackbeard and his daughter are after it too.
Director: Rob Marshall | Stars: Johnny Depp, Penélope Cruz, Ian McShane, Geoffrey Rush
17. X-Men: First Class (2011)
PG-13 | 131 min | Action, Adventure, Sci-Fi
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Director: Matthew Vaughn | Stars: James McAvoy, Michael Fassbender, Jennifer Lawrence, Kevin Bacon
18. The Hangover Part II (2011)
R | 102 min | Comedy
Two years after the bachelor party in Las Vegas, Phil, Stu, Alan, and Doug jet to Thailand for Stu's wedding. Stu's plan for a subdued pre-wedding brunch, however, goes seriously awry.
Director: Todd Phillips | Stars: Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha
19. Transformers: Dark of the Moon (2011)
The Autobots learn of a Cybertronian spacecraft hidden on the moon, and race against the Decepticons to reach it and to learn its secrets.
Director: Michael Bay | Stars: Shia LaBeouf, Rosie Huntington-Whiteley, Tyrese Gibson, Josh Duhamel
20. Nausicaä of the Valley of the Wind (1984)
PG | 117 min | Animation, Adventure, Fantasy
Warrior and pacifist Princess Nausicaä desperately struggles to prevent two warring nations from destroying themselves and their dying planet.
Director: Hayao Miyazaki | Stars: Sumi Shimamoto, Mahito Tsujimura, Hisako Kyôda, Gorô Naya
21. Harry Potter and the Deathly Hallows: Part 2 (2011)
PG-13 | 130 min | Adventure, Drama, Fantasy
Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) search for Voldemort's (Ralph Fiennes') remaining Horcruxes in their effort to destroy the Dark Lord as the final battle rages on at Hogwarts.
Director: David Yates | Stars: Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon
22. The King's Speech (2010)
R | 118 min | Biography, Drama, History
The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.
Director: Tom Hooper | Stars: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Derek Jacobi
23. Super 8 (2011)
PG-13 | 112 min | Action, Mystery, Sci-Fi
During the summer of 1979, a group of friends witness a train crash and investigate subsequent unexplained events in their small town.
Director: J.J. Abrams | Stars: Elle Fanning, AJ Michalka, Kyle Chandler, Joel Courtney
24. Cars 2 (2011)
G | 106 min | Animation, Adventure, Comedy
Star race car Lightning McQueen and his pal Mater head overseas to compete in the World Grand Prix race. But the road to the championship becomes rocky as Mater gets caught up in an intriguing adventure of his own: international espionage.
Directors: John Lasseter, Bradford Lewis | Stars: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer
25. Rise of the Planet of the Apes (2011)
PG-13 | 105 min | Action, Drama, Sci-Fi
A substance designed to help the brain repair itself gives advanced intelligence to a chimpanzee who leads an ape uprising.
Director: Rupert Wyatt | Stars: James Franco, Andy Serkis, Freida Pinto, Karin Konoval
26. A Funny Man (2011)
Not Rated | 116 min | Biography, Drama
A biography of the Danish actor and comedian, Dirch Passer.
Director: Martin Zandvliet | Stars: Nikolaj Lie Kaas, Lars Ranthe, Lars Brygmann, Malou Reymann
27. Cowboys & Aliens (2011)
A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. A posse of cowboys and natives are all that stand in their way.
Director: Jon Favreau | Stars: Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer
28. Ronal Barbaren (2011)
Not Rated | 89 min | Animation, Adventure, Comedy
The 100 Barbarian Sons of Krull get attacked by a superior force and captured. It's up to the young, weak but smart Ronal to free them. 3 join his dangerous quest.
Directors: Kresten Vestbjerg Andersen, Thorbjørn Christoffersen, Philip Einstein Lipski | Stars: Anders Juul, Hadi Ka-Koush, Lærke Winther, Brian Lykke
29. Drive (I) (2011)
R | 100 min | Crime, Drama
A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor in this action drama.
Director: Nicolas Winding Refn | Stars: Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks
30. The Three Musketeers (2011)
PG-13 | 110 min | Action, Adventure, History
The hot-headed young D'Artagnan along with three former legendary but now down on their luck Musketeers must unite and defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war.
Director: Paul W.S. Anderson | Stars: Logan Lerman, Matthew Macfadyen, Ray Stevenson, Milla Jovovich
31. The Adventures of Tintin (2011)
PG | 107 min | Animation, Action, Adventure
Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.
Director: Steven Spielberg | Stars: Jamie Bell, Andy Serkis, Daniel Craig, Simon Pegg
32. The Girl with the Dragon Tattoo (2011)
R | 158 min | Crime, Drama, Mystery
Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.
Director: David Fincher | Stars: Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgård
33. Sherlock Holmes: A Game of Shadows (2011)
PG-13 | 129 min | Action, Adventure, Crime
Detective Sherlock Holmes is on the trail of criminal mastermind Professor Moriarty, who is carrying out a string of random crimes across Europe.
Director: Guy Ritchie | Stars: Robert Downey Jr., Jude Law, Jared Harris, Rachel McAdams
34. The Secret World of Arrietty (2010)
G | 94 min | Animation, Adventure, Family
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
Director: Hiromasa Yonebayashi | Stars: Bridgit Mendler, Amy Poehler, Will Arnett, Moises Arias
Views: 1,328 | in last week 0
Other Lists by StarWarsFanTHX1138
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See all lists by StarWarsFanTHX1138 »


The Central Board of Secondary Education (CBSE) will announce the board results of Class 12 on 21st May 2016 (Saturday). Last year the results of CBSE Class 12 were announced on 25 May while CBSE Class 10 results declared on 28 May.
CPI inflation came down to 5.4% under the BJP govt.
Fall in CPI inflation providing big relief to public.
Apple newly launched iOS 9 have received the overwhelming response from Apple users. As per Apple more than 45-50% existing devices have already been upgraded. The best part of iOS 9 is its file size; iOS 8 update required almost 4.6 GB of free space as compared to iOS 9 which only needed 1.3 GB of free space hence apple users don't need to delete few existing applications or delete photographs to install this update.


text:
Jon Voight abandoned his daughter Angelina Jolie – inside his troubled past
Newsner » News » Jon Voight abandoned his daughter Angelina Jolie – inside his troubled past
rameeza ahmad
Jon Voight is no stranger to the limelight. The actor has been relevant all throughout his life. Apart from his own stardom, his children are famous as well.
His daughter, Angelina Jolie perhaps surpasses even him in her fame. But despite the similar careers they have, the duo share quite an uncomfortable relationship…
Jon Voight's relationship with his daughter Angelia Jolie is famously very fractured. The actor used to cheat on Angelina's mother quite a lot and now years later, puts himself to blame for his daughter's "serious mental problems."
"She was never normal," Voight once said about her daughter, accepting some responsibility by adding that he never had reached out to her.
James Voight abandoned Angelina and her brother James Haven when both of them were very young, in fact, Angelina was only a baby. Voight had been cheating on their mother Marcheline Bertrand and then abruptly abandoned the family.
"Jon Voight was a terrible father to her back then. He cheated on her mother. Marcheline was broken-hearted," said Susan Margaret, the mother of a childhood friend of Jolie's in an interview. "She told me Jon had emotionally abused her. She said he had a thing for a Hollywood starlet. Angelina had a difficult time growing up with what was going on. She has a lot of hostility toward her dad," she went on to say.
Angelina's brother James also spoke about his dad once saying that Voight put them through a lot. He said, "There was a lot of hurt and anger. He put my mum through years of mental abuse."
In later years, Jolie talked about how her failed marriage affected her mother so greatly. She wrote a piece for The New York Times, in which she wrote, "When my father had an affair, it changed her life. It set her dream of family life ablaze. But she still loved being a mother."
While Voight was absent for most of her childhood, the duo appeared together in the 2001 movie, Lara Croft: Tomb Raider together which surprised a lot of fans.
It seemed things had been going well because of their project together but then Voight said in an interview in 2002 that Jolie had "serious mental problems."
Maddox Jolie didn't have kind words to say about Brad Pitt when he testified in court
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Actor Jon Voight paid for stranger's turkeys so 70 children living in shelter could enjoy Thanksgiving
This was after Jolie had publicly dropped 'Voight' as a last name.
In another interview her father talked about his relationship with her again, saying, "I've had difficulty reaching her… She's been staying away from me because she knows I've been trying to reach her to get help."
He used the interview as an attempt to get through to her, saying, "I want to tell Angie that I love her and I want her to get the help she needs."
Jolie was more subtle in her interviews, and in 2002 said, "I don't want to make public the reasons for my bad relationship with my father. I will only say that like every child, [James] and I would have loved to have had a warm and loving relationship with our dad. After all these years, I have determined that it is not healthy for me to be around my father, especially now that I am responsible for my own child."
In 2008, an insider told the press that Voight was looking to reconnect with his children, the insider stated "As Jon grows older he's realising the importance of family, and longs to be a part of his daughter and grandchildren's lives. It breaks his heart to be kept away."
"There's nothing Jon wants more than to have his family back together again. It kills him to be shunned by his children. He's willing to do whatever it takes to put this rift behind him," another source added.
In the years that followed the two of them made some effort to be in each other's life. Jolie said, "Jon and I have gotten to know each other — through grandchildren now — [and] we're finding a new relationship."
According to a source, Jon Voight is now a doting grandfather to all his grandchildren. The source said, "Jon dotes on his grandkids, he's got pictures of them all over his house and office." Adding further to the comment, "He's stepped up in some incredible ways over the past few years and really been there for her and the kids."
It seems like Jon Voight is making up for the mistakes of his youth and trying to make amends with his children. We wish them all the best in this journey!
Share this article with others so they can know more about their favorite Oscar-Winning father-daughter duo!


text:
Q: Inserting a BeautifulSoup object into another Hey guys so what im tryng to do is insert the content of a html page into another page using beautiful soup
with open("testpage.html") as fp:
    mainSoup = BeautifulSoup(fp)

with open("navbarContent.html") as fp:
    extraSoup = BeautifulSoup(fp)

for elm in mainSoup.find_all('nav', {"id":"sidebar"}):
    elm.string= str(extraSoup)

So i want the html content of the navbarContent.html to be inserted in the testpage.html in  the  tag.
Any ideas?

A: You can add the html code in triple quotes like this:
htmlCode = ´´´
<html>
</html>
´´´

then add the content of the navbarContent to it and then you can write the whole thing into the html file again using write().
But first you have to open() and after you have to close() the file.
I hope you know how that works.

redpajama_set_name: RedPajamaStackExchange


text:
Kanye West to replace Frank Ocean as headliner at FYF Fest 2015 this weekend
August 20, 2015 by Josh Herwitt Leave a Comment
FYF Fest //
LA Sports Arena & Exposition Park – Los Angeles
August 22nd-23rd, 2015 //
FYF Fest sent shock waves across the Internet less than two days before the festival takes place at the LA Sports Arena and Exposition Park, announcing that Kanye West will replace Frank Ocean as this Saturday's headliner.
The festival officially released the news around 4:30 p.m. PT on Thursday, stating that Ocean had "decided on his own terms to cancel his appearance."
FYF, now in its 12th year, changed its schedule in 2015, with music slated to go all the way up until 2 a.m. on Saturday and as late as 12:30 a.m. on Sunday.
The Frank-Ocean-for-Kanye-West trade isn't the first shake-up to this year's lineup. Earlier on Thursday, Resident Advisor reported that Ben UFO was forced to cancel his upcoming shows with Joy Orbison in Canada and the U.S., including his Saturday evening set in The Arena at FYF, due to visa issues. Orbison's set had been extended by 80 minutes as a result, meaning that he was scheduled to perform for a total of two hours and 40 minutes, which might have been the longest festival set in the history of the modern-day music festival (or at least that we've ever seen). However, he is also dealing with visa issues — both him and Ben UFO are from London — and will now miss his FYF set after canceling his Friday night show in San Francisco at Public Works a few hours earlier.
UPDATE: FYF Fest announced the replacements for Ben UFO and Orbison on Friday evening. LA experimental producer Flying Lotus will perform a DJ set in The Arena from 8:10-9:10 p.m. on Saturday, followed by one of our favorite electronic musicians, Bonobo, hitting the decks from 11:15 p.m.-12:30 a.m. Both performances will be DJ sets.
Here is the updated schedule for this weekend's festival:
SATURDAY SET TIMES
SUNDAY SET TIMES
Meanwhile, just last week, the two-day festival also announced that Deerhunter had canceled their performance, replacing the Atlanta indie-rock band with dance-punk outfit !!! (Chk Chk Chk), who we recently caught open for Hot Chip (read our review here) at the Greek Theatre.
Other big names performing at this year's FYF Fest include Sunday headliner Morrissey, Bloc Party, D'Angelo and The Vanguard, Chet Faker, The Jesus and Mary Chain, FKA twigs, Purity Ring, Belle & Sebastian, Flume, Run the Jewels and Solange.
With all those acts already on the bill and now the late addition of Kanye, we have to say that we're feeling pretty good about picking FYF as one of our eight California music festivals you won't want to miss before the end of 2015. Single-day passes for FYF have long been sold out, but GA and VIP weekend passes can still be purchased for $175 and $329, respectively, here.
Filed Under: Featured, Festivals Tagged With: Alvvays, Andrew Jackson Jihad, BADBADNOTGOOD, Battles, Belle & Sebastian, Ben UFO, Bloc Party, Bonobo, Broncho, Chet Faker, CHK CHK CHK, Cold Cave, D'Angelo and the Vanguard, Death Grips, Deerhunter, Dinosaur Jr., Dixon, DJ Dodger Stadium, DJ Harvey, Evian Christ, Exposition Park, FKA twigs, Flume, Flying Lotus, Frank Ocean, FYF Fest, FYF Fest 2015, Girlpool, Goldroom, HEALTH, Hop Along, Horse Meat Disco, Jon Hopkins, Joy Orbison, Joyce Manor, Junk, Kanye West, Kaytranada, Kevin Morby, King Gizzard & The Lizard Wizard, La Femme, LA Sports Arena, LA Sports Arena & Exposition Park, Laura Marling, Leon Vynehall, Lower Dens, Mac Demarco, Melody's Echo Chamber, METZ, Mikal Cronin, Morrisey, Morrissey, Neon Indian, Nicolas Jaar, Purity Ring, Run The Jewels, Savages, Shlohmo, Simian Mobile Disco, Solange, Spiritualized, Tennis, The Drums, The Jesus and Mary Chain, Thee Oh Sees, Title Fight, Tobias Jesso Jr., Toro Y Moi, Unknown Mortal Orchestra
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We talk to Fat Wreck Chords' Erin Burkett as the label celebrates 25 years of 'destroying punk rock' »
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Five amazing local designers have been selected to create upcycled looks. Their final looks will grace the runway at the beginning of each segment come Saturday, October 20, at the Bell Harbor International Conference Center.
Meet the creative mind behind Goodwill's popular Glitter Gala Fashion Show. Mark has styled his share of shows, but the Gala is different than most. He's looking forward to the months-long build-up coming together to form one memorable show on the third Saturday in October.
On September 14, community volunteers from various organizations dedicated their time to causes they are passionate about.
Our 2018 Summer/Fall Goodwill Ambassador features Laia, who came to the U.S. from Iran to provide a better life for her two daughters. Facing a language barrier and limited resources, Laia discovered Seattle Goodwill at the perfect time. She enrolled in English for Speakers of Other Languages (ESOL) courses and received help in accomplishing her American Dream -- a career in the beauty industry.
Our Glitter Gala Fashion Show interns are an integral part of our famed, annual show that takes place each fall. Take a few minutes to learn about the brilliant creators of this year's show.
Glitter Gala, Halloween and Glitter Sale are three of the biggest events of the year at Seattle Goodwill and they all take place within about three weeks! Learn more about these Fall events at Seattle Goodwill.
We asked top stylist Darcy Camden about Styled Seattle, cleaning out your closet and budget-friendly fashion advice.


H5 helps corporations and law firms find and manage the documents that matter in litigation and investigations by providing expert-driven, technological solutions to data-intensive matters. With expertise in eDiscovery, technology-assisted review and expert search, and a growing portfolio of data and matter management products, H5 is dedicated to helping clients find and manage the information they need to win cases, meet regulatory requirements and address risks before they become liabilities. H5 has supported clients through some of the largest and most complex matters in history and is committed to providing creative and customized solutions to ensure accurate, cost-effective and speedy results.


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text:
import React, {useCallback, useState} from 'react';
import {useIntl} from 'react-intl';

import {doAppFetchForm, doAppLookup, doAppSubmit, postEphemeralCallResponseForContext} from '@actions/remote/apps';
import {handleGotoLocation} from '@actions/remote/command';
import {AppCallResponseTypes} from '@constants/apps';
import {useServerUrl} from '@context/server';
import {createCallRequest, makeCallErrorResponse} from '@utils/apps';

import AppsFormComponent from './apps_form_component';

export type Props = {
    form?: AppForm;
    context?: AppContext;
    componentId: string;
};

function AppsFormContainer({
    form,
    context,
    componentId,
}: Props) {
    const intl = useIntl();
    const [currentForm, setCurrentForm] = useState(form);
    const serverUrl = useServerUrl();

    const submit = useCallback(async (submission: {values: AppFormValues}): Promise<{data?: AppCallResponse<FormResponseData>; error?: AppCallResponse<FormResponseData>}> => {
        const makeErrorMsg = (msg: string) => {
            return intl.formatMessage(
                {
                    id: 'apps.error.form.submit.pretext',
                    defaultMessage: 'There has been an error submitting the modal. Contact the app developer. Details: {details}',
                },
                {details: msg},
            );
        };

        if (!currentForm) {
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage(
                {
                    id: 'apps.error.form.no_form',
                    defaultMessage: '`form` is not defined',
                },
            )))};
        }

        if (!currentForm.submit) {
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage(
                {
                    id: 'apps.error.form.no_submit',
                    defaultMessage: '`submit` is not defined',
                },
            )))};
        }

        if (!context) {
            return {error: makeCallErrorResponse('unreachable: empty context')};
        }

        const creq = createCallRequest(currentForm.submit, context, {}, submission.values);
        const res = await doAppSubmit<FormResponseData>(serverUrl, creq, intl);

        if (res.error) {
            return res;
        }

        const callResp = res.data!;
        switch (callResp.type) {
            case AppCallResponseTypes.OK:
                if (callResp.text) {
                    postEphemeralCallResponseForContext(serverUrl, callResp, callResp.text, creq.context);
                }
                break;
            case AppCallResponseTypes.FORM:
                setCurrentForm(callResp.form);
                break;
            case AppCallResponseTypes.NAVIGATE:
                if (callResp.navigate_to_url) {
                    handleGotoLocation(serverUrl, intl, callResp.navigate_to_url);
                }
                break;
            default:
                return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage(
                    {
                        id: 'apps.error.responses.unknown_type',
                        defaultMessage: 'App response type not supported. Response type: {type}.',
                    }, {
                        type: callResp.type,
                    },
                )))};
        }
        return res;
    }, []);

    const refreshOnSelect = useCallback(async (field: AppField, values: AppFormValues): Promise<DoAppCallResult<FormResponseData>> => {
        const makeErrorMsg = (message: string) => intl.formatMessage(
            {
                id: 'apps.error.form.refresh',
                defaultMessage: 'There has been an error updating the modal. Contact the app developer. Details: {details}',
            },
            {details: message},
        );
        if (!currentForm) {
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                id: 'apps.error.form.no_form',
                defaultMessage: '`form` is not defined.',
            })))};
        }

        if (!currentForm.source) {
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                id: 'apps.error.form.no_source',
                defaultMessage: '`source` is not defined.',
            })))};
        }

        if (!field.refresh) {
            // Should never happen
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                id: 'apps.error.form.refresh_no_refresh',
                defaultMessage: 'Called refresh on no refresh field.',
            })))};
        }

        if (!context) {
            return {error: makeCallErrorResponse('unreachable: empty context')};
        }

        const creq = createCallRequest(currentForm.source, context, {}, values);
        creq.selected_field = field.name;

        const res = await doAppFetchForm<FormResponseData>(serverUrl, creq, intl);

        if (res.error) {
            return res;
        }
        const callResp = res.data!;
        switch (callResp.type) {
            case AppCallResponseTypes.FORM:
                setCurrentForm(callResp.form);
                break;
            case AppCallResponseTypes.OK:
            case AppCallResponseTypes.NAVIGATE:
                return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                    id: 'apps.error.responses.unexpected_type',
                    defaultMessage: 'App response type was not expected. Response type: {type}.',
                }, {
                    type: callResp.type,
                },
                )))};
            default:
                return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                    id: 'apps.error.responses.unknown_type',
                    defaultMessage: 'App response type not supported. Response type: {type}.',
                }, {
                    type: callResp.type,
                },
                )))};
        }
        return res;
    }, []);

    const performLookupCall = useCallback(async (field: AppField, values: AppFormValues, userInput: string): Promise<DoAppCallResult<AppLookupResponse>> => {
        const makeErrorMsg = (message: string) => intl.formatMessage(
            {
                id: 'apps.error.form.refresh',
                defaultMessage: 'There has been an error fetching the select fields. Contact the app developer. Details: {details}',
            },
            {details: message},
        );
        if (!field.lookup) {
            return {error: makeCallErrorResponse(makeErrorMsg(intl.formatMessage({
                id: 'apps.error.form.no_lookup',
                defaultMessage: '`lookup` is not defined.',
            })))};
        }

        if (!context) {
            return {error: makeCallErrorResponse('unreachable: empty context')};
        }

        const creq = createCallRequest(field.lookup, context, {}, values);
        creq.selected_field = field.name;
        creq.query = userInput;

        return doAppLookup<AppLookupResponse>(serverUrl, creq, intl);
    }, []);

    if (!currentForm?.submit || !context) {
        return null;
    }

    return (
        <AppsFormComponent
            form={currentForm}
            componentId={componentId}
            performLookupCall={performLookupCall}
            refreshOnSelect={refreshOnSelect}
            submit={submit}
        />
    );
}

export default AppsFormContainer;

redpajama_set_name: RedPajamaGithub


The long-term health benefits of sports are clear: they provide good exercise for maintaining proper weight, improve strength and coordination, and help build lifelong healthy habits and social skills. But for more than 40,000 people each year, there are health risks in playing sports including eye injuries; the vast majority of which are preventable.
Injuries range from corneal abrasions and eyelid bruises to internal eye injuries, such as retinal detachments and internal bleeding. Many of these injuries lead to vision loss and permanent blindness.
The thousands of eye injuries each year aren't only from basketball, baseball, football and hockey. Paintball, soccer, tennis, golf and even water sports also can be dangerous to the eyes.
Fortunately, specific protective eyewear is available for just about all activities, allowing today's athletes to choose from various types of sturdy, lightweight and effective eyewear that is appropriate for their sport. When properly fitted, eyewear does not hinder performance and can prevent 90 percent of sports eye injuries.
If you play sports, you can get hurt. Whatever your game, you need to protect your eyes. See your eye care professional today for appropriate protective eyewear.
See your Eye M.D. ... because there's so much more to see.


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