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Legal Informatics
sccpodcast
Legal Citations Assistant
A legal referencing management tool that enables automated cross-referencing
Get LCA for Google Docs.
The legal profession has a unique citation method. Although following citation standards is important to maintain consistency in the communication of ideas, the current methods that are available to ensure proper citations are not up to the standards of an automated 21st century.
Legal Citations Assistant (LCA) is a referencing tool that enables easy management and citation of legal references within a document editor. Unique to LCA is its ability to automate footnote construction and editing in conformity with the Canadian Guide to Uniform Legal Citation (9th Edition) (the McGill Guide).
A properly placed "ibid" or "supra note #" is tedious work. The accuracy of repeated citations may be lost as a document is being written. LCA alleviates users from having to worry about the accuracy of subsequent citations. When a user cites a reference for the first time with LCA, they will be prompted to enter the reference's information into LCA's input fields. The user will then be able to insert the reference into a footnote using LCA's cite function. Once cited, the reference becomes a member of the table of authorities and can be cited again using LCA's cite function. The LCA cite function enables automated and accurate subsequent referencing (parallel citations), significantly reducing time spent writing legal documents.
Figure 1 shows an example of text with McGill style footnotes that is edited with and without LCA. Notably, LCA automatically edits footnotes to match edits made within the document. This guide explains how to use LCA in more detail.
Figure 1: Editing text with LCA enables automated subsequent referencing in conformity with the McGill Guide. (A) Original text with four footnotes (highlighted in red in the text body). (B-C) Hypothetical edits made to the original text (deletion of the first two sentences including the footnotes shown by crossed out text) causes the remaining footnotes to be cited inaccurately without the use of LCA. However, citation with LCA enables automated correction of the remaining footnotes so that the footnotes remain in conformity with the McGill Guide.
GOOGLE DOCS GUIDE
To create LCA recognizable citations it is imperative that the user cites the reference using the citation function in the sidebar. The citation function is encoded within the button containing the big quotation mark. LCA citations have embedded program recognizable hyperlinks that are attached to the LCA inserted citation and these hyperlinks enable LCA to recognize a citation. LCA will not edit footnote citations that are written in plain text or are linked with a non-LCA hyperlink.
TIP: Always use the LCA cite function to insert citations within footnotes.
Since the hyperlinks attached to the LCA citations are essential to the functioning of the footnote automation enabled by LCA, it is important that the user does not delete or alter the LCA hyperlinks attached to LCA inserted citations. Removal or inappropriate alteration of said hyperlink will prevent LCA from recognizing the citation, impairing the footnote editing capabilities of the program.
TIP: Do not delete or change the LCA recognizable hyperlinks.
The McGill Guide specifies that more information be included in a reference that is cited for the first time compared to subsequent citations (parallel citations), which usually contain an ibid or supra notation. When the LCA cite function is used to cite a reference for the first time, a default citation will be inserted by LCA that should be compliant with the McGill Guide in most cases. A user is welcome to change the default input offered by the first LCA citation (which is dependent upon the input field information), and any edits made to this first citation will not be re-edited by LCA. However, any edits made to subsequent citations will be re-edited by LCA upon refreshing the side. This severely limits the possibility for the user to edit a subsequent citation but is an essential feature to how LCA is able to automate subsequent reference editing. Given the importance of the LCA hyperlinks attached to citations, as noted above, a user should be careful to ensure that any edits made to a first time occurrence of an LCA citation are encompassed within the LCA hyperlink attached the text.
TIP: A user can customize the first occurrence of an LCA citation but not subsequent citations.
CAUTION! When editing the first occurrence of an LCA citation, ensure that the edits are encompassed within the LCA hyperlink attached to the text.
Proper use of LCA eliminates the need for the user to type any citation information into a footnote. A user should interact almost exclusively with the LCA sidebar only. Figure 2 contains the workflow for inserting an LCA citation into a Google document for the first time. Figure 3 shows an example of a subsequent citation using LCA and an example of how LCA automates editing of footnotes in correspondence with the edits made to the document text.
Figure 2: Protocol for inserting a citation for the first time into a Google document using LCA. (A) After installing LCA from G Suite Marketplace, LCA will be available under the Add-ons tab and can be opened using the menu option 'Start'. (B) The basic LCA sidebar consists of a toolbar of key functions. From left to right is the new reference drop down menu, refresh button (refresh symbol), additional features menu (add symbol), bold type (B button) and italic type (I button). LCA supported references include legislation, jurisprudence, books, articles and online source and can be added using the new reference drop down menu. (C) To add a new reference, select the desired reference type in the reference type drop down menu and click the add button. Fill out the appropriate information for the selected reference type using the LCA input fields and click create. (D) Newly created references will show up in the floating reference table, a temporary container for references that are awaiting a first time citation. A user can choose to delete the newly created reference, by clicking the X button, or to cite the reference by clicking the button containing the quotation mark. (E) Upon clicking the citation button, the user will be prompted to specify a pinpoint for the citation and an introductory signal (Intro sig) if appropriate. The text shown below the sidebar (lorem Ipsem ...) is hypothetical text in a Google document that is ready to be cited using the prepared reference. (F) To cite the reference, place the cursor in the appropriate footnote number within the footnote section and then click the citation button in the sidebar. The citation will be printed to the Google document at the location where the cursor was positioned and the cited reference is removed from the floating references table. If the citation was printed in a footnote within the footnote section, LCA will detect the reference type and include it in an appropriate table of authorities heading (legislation in this case). Click the refresh button for the reference to show up in the appropriate table of authorities. However, note that citations printed elsewhere in the document (not in a footnote within the footnote section) will not be detected by LCA and therefore will not be included in a table of authorities. Once included in a table of authorities, subsequent citations can be made clicking the citation button.
Figure 3: Examples of inserting subsequent citations into a Google document using LCA. (A) LCA sidebar populated with two reference types: one statute and one case. (B) A hypothetical Google document containing citations to the references shown in Figure 3(A). A user wishing to re-cite a previously cited reference should position the cursor into the desired footnote within the footnote section (cursor shown in footnote number 3) and then click the citation button on the LCA sidebar for the desired reference in a table of authority (re-citing the Digital Privacy Act in this situation). (C) Subsequent citations using LCA will print in conformity with the McGill Guide after clicking refresh. (D) Edits to the Google document often make footnote citations inaccurate, as shown here through the deletion of text (the text that is struck out). (E) By clicking the refresh button, LCA automatically detects LCA inserted citations and re-configures the citations so that they are accurate in accordance with the new document edits. In this situation, the first occurrence of the citation to the Digital Privacy Act was deleted, making the second occurrence of the citation to this statute inaccurate. The LCA refresh button detects that there is only one citation to the Digital Privacy Act and fixes the citation as a default first citation.
SUPPORTED REFERENCES
Current, LCA supports the following types of references: legislation, jurisprudence, books, articles, and online sources. References that do not fall within these categories should be added manually.
COMPATIBILITY WITH NON-LCA REFERENCES
LCA referencing is designed to be compatible with non-LCA referencing. This hybrid approach has been adopted so that users can still manually input citations when LCA citations are not satisfactory. Moreover, users will have to manually input non-supported references. Users should be careful to ensure that non-LCA references are consistently cited manually and that LCA references are consistently cited using the LCA citation function.
TIP: Try not to mix LCA citations with non-LCA citations.
The additional features menu (+ button) includes other useful footnote tools for Google documents. These include the following functions:
Cite after text: LCA will convert footnote citations to after text citations.
Footnote format: Users can change the font style and size of footnotes in bulk.
Print bibliography: A bibliography of current cited references will be printed at the position of the cursor.
Remove hyperlinks: All LCA recognisable hyperlinks will be removed from the footnotes. A user might want to remove the LCA recognizable hyperlinks at the end of writing a document so that any manual edits that need to be included in the footnote citations may be accomplished without LCA overwriting said edits. Keep in mind, however, that once the hyperlinks are removed, LCA will no longer be able to edit the citations.
Turn auto refresh on/off: As of November 19, 2019, LCA starts with the auto refresh function turned off. This means that clicking the double quote button will insert your citation at the position of the courser without editing in proper parallel citations. This helps reduce errors on computers with slow processors or on documents with many footnotes. Users will have to manually click the refresh button to make LCA edit the footnotes with proper parallel citations. Note also that when you insert a citation for the first time from the floating references table, you will have to click the refresh button for the reference to appear in the table of authorities.
Turn highlight on/off: Highlight all LCA recognisable hyperlinks in red font colour (or remove highlighting). Highlighting the LCA recognizable hyperlinks can be a handy tool when users are unsure which citations where manually inserted and which where inserted by LCA. The highlighter can guide the user where to edit text that will not be overwritten by LCA editing.
TIP: Use LCA's additional features to format footnotes in bulk and to double check which references are LCA recognizable.
TIP: Use the remove hyperlinks function with caution.
LCA can be installed through G Suite Marketplace. More information on installation can be found here.
LCA is available for free. If you like LCA, consider making a donation to the developers here. Or, if you prefer, you can make a donation to the Winnipeg cat and dog home (the residue of testamentary dispositions for all Manitobans).
The following terms govern the users use of the LCA Google Add-on. LCA is licensed (not sold) to the user (any legal entity that has acquired access to the LCA Google Add-on). The creators of LCA (the developers) retain sole ownership of the LCA Google Add-on.
1.1 The LCA Google Add-on does not store any user information. All processes are dynamically calculated at run time, by-passing the need for any data storage.
GOOGLE ACCOUNT ACCESS
When you first install LCA, the Add-on will request access to your Google account (see snapshot to the left or above, depending on your device). The requested permissions are used by LCA for the following reasons:
1. View and Manage documents that this application has been installed in: LCA requires this permission in order to access the Google Doc that you are working in so that appropriate edits can be made to the footnotes.
2. Display and run third-party web content in prompts and sidebars inside Google applications: LCA requires this permission in order to display the sidebar and run the LCA program in the Google Doc that you are working in.
2. LICENCE
2.1 This license grants the user permission to install LCA on a single Google account.
2.2 Once granted, this license allows user to use LCA on the account on which LCA was installed with the following conditions:
(a) The user will not share access to LCA with any one else.
(b) Licenses are non-transferable.
2.3 This license may be revoked at any time for any reason without notice, thereby terminating access to LCA.
2.4 The developer can deny request for a license.
3.1 No warranty is included with the LCA license. LCA may not behave as represented in this information manual. LCA may make citation errors. LCA developers disclaim all liability from the users use of LCA.
Any problems and/or inaccuracies can be sent to the developers through the help menu under "Report a problem" option. Please specify a return e-mail address if you would like to be contacted back.
01-05-2019 Updates:
Input fields used for adding new references have been changed from a static size to a dynamic size that changes based on the input text. This allows viewing of all the printed or pasted text at once.
Previously, LCA did not register bold or italicised text that was copied elsewhere and pasted into the LCA sidebar. Now, formatting is removed from any text that is pasted into LCA input fields. Use the bold and italic buttons on the LCA sidebar to make text bold or italicised.
Issues with inputting '<' and '>' characters into LCA input fields has been resolved. Now citations with online resources are supported.
There was an issue when inputting the same case name from different court levels and when inputting statutes with the same name but different versions. To fix this issue, unique identifiers for legislation and jurisprudence have been changed to the publication information (statute volume, jurisdiction, etc.) and the first case reporter, respectively.
Introductory signals did not work when LCA edited the document with "supra". This is now fixed.
Bibliography now prints in alphabetic order.
The 'Cite after text' function has been added. This functionality converts footnotes to after text citations.
Fixed a sidebar display error where the references in the table of authorities or in the floating reference table overflowed the regular width of sidebar causing an annoying horizontal scroll bar to appear. Appropriate text wrapping has been implemented to eliminate this overflow error.
Made a loading screen for the highlight function so that users would be aware that LCA is performing an operation.
Added a search bar that enables automatically filling in fields for jurisprudence type reference with SCC cases from 1877 to mid May 2019. Just start typing the case name and then click on the case name that you are want to cite.
Optimised LCA's footnote algorithm. LCA is now twice as fast as previous versions.
References within the table of authorities are now editable. Edit references that are in the table of authorities by clicking the pencil button. New fields in edit menu automatically fill with old content to enable swifter editing.
Auto refresh function turned off. In order to refresh the footnotes you must now manually click the refresh button.
Fixed bugs in article and book editing functions.
Updated SCC cases in the jurisprudence search bar.
Updated links to reflect new domain name.
Added support for online source references.
Updated guide.
Legal Citations Assistant 2018 ©


text:
Цанко Яблански е български политик, зооинженер и учен в областта на генетиката и селекцията на селскостопанските животни, посланик в Израел от 1999 до 2003 г.

Академична дейност
Завършва Селскостопанската академия в София. Работи във Висшия институт по зоотехника и ветеринарна медицина (ВИЗВМ) в Стара Загора. Професор по генетика и селекция на животните. Заместник-ректор на ВИЗВМ. Един от инициаторите за учредяването на Тракийския университет. От 1985 до 1990 година е агент на Държавна сигурност.

Политическа дейност
Избран за кмет на Стара Загора през 1995 като кандидат на Съюза на демократичните сили (СДС), след балотаж с кандидата на БСП. Не се кандидатира за втори мандат. След изтичането на мандата му е назначен от президента Петър Стоянов за посланик на Република България в Република Израел.

През 2003 се кандидатира като кандидат на десницата срещу Евгений Желев, но губи на първи тур.

През 2005 ревизия на "Държавен и финансов контрол" установява значителни финансови нарушения по време на мандата му като кмет, но не са предприети наказателни мерки в тази връзка.

Бележки

Български зоолози
Посланици на България в Израел
Кметове на Стара Загора
Тракийски университет
Сътрудници на Държавна сигурност
Родени в Бяла Слатина

redpajama_set_name: RedPajamaWikipedia


next version (July 26, 2017 - 15:34).
Dr. Charles A. Henrikson, Electrophysiology Service, Knight Cardiovascular Institute, Oregon Health and Sciences University, 3181 Southwest Sam Jackson Park Road, UHN 62, Portland, Oregon 97201.
Major infection rates for the trial (Citadel, Centurion, Centurion matched controls, Medicare controls, and prior published controls) are graphed. Major infection rates were significantly lower in TYRX (p = 0.04) compared with the benchmark published control rate. Abbreviations as in Figure 2.


Chino Amobi, currently offering a batch of candy-colored paintings at Williamsburg's Like the Spice Gallery, is one of those info-era artists whose works suggest a kind of Web-surfing aesthetic. Not just his art, though—his creative practice, too.
Amobi clicks back and forth between being a painter and making music in the persona of "Diamond Black Hearted Boy," known for his glitchy wall-of-sound style, full of shouting and muddied samples. A fan once called it "a darker, scarier brand of hip-hop." His sonic explorations make an interesting parallel to his painting: Florid Day-Glo colors evoke his sound's soupy, drugged-up quality; collaged-in elements—anime princesses, cartoon sharks, stray pixilated squares—suggest a digital taste for sampling.
But Amobi's paintings aren't just great cover art for his music, either. Born in 1984 of Nigerian parents in Tuscaloosa, Alabama, he centers each image around a portrait of himself or someone from his family—African-American fashion plates striking wild poses, clad in regalia formed of riotous colors and cartoons. The family dimension of his work suggests that, in part, Amobi isn't just riding the tide, but also looking to carve out space for a self, to hold onto a personal world in an overwhelming digital universe.


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Category Archives: Photographers
List of Photographers by name
Photographer E. M. Davidson
Posted on December 17, 2019 by Annieoakley
"Davidson's Art Parlors, Main Street, Visalia, Cal. Work done in the latest and best styles. E. M. Davidson, Proprietor."
Michigan native, E. M. Davidson, was a photographer best known for his work when he resided in Visalia, CA which was from at least 1887 to March 1894, at which point he sold his business to Frank and William Beck. From Visalia he went to Woodland (a city of prior residence), CA and set up shop there in May 1894 before moving on to other areas of California. He died in 1915.
E. M. Davidson, the photographer for the prior post, was Ellis Marillo Davidson, born April 1858 in Michigan, son of George B. Davidson and Esther (Dopking) Davidson. He married Harriet Mabel Bittleson on June 10, 1884 in San Joaquin County, CA. They had one son, Herbert Orr Davidson and an adopted (per the 1900 Federal Census) daughter, Anna L. Davidson. Harriet died February 26, 1904 in Alameda. Ellis M. Davidson died May 6, 1915 in Santa Clara County, CA. Carte-de-visites, Cabinet Cards and other works can be found online for E. M. Davidson, including some images taken during the drama that had played out in the photographer's "backyard" in June 1893, surrounding the capture of fugitive train robbers John Sontag and Chris Evans.
E. M. Davidson came to California sometime after the 1860 Federal Census was taken in Keeler Township, Van Buren County, Michigan and before the 1870 Federal Census was taken in Cache Creek Township, Yolo County, California. On the 1870 he is age 12, living with his mother, Esther Davidson; possible brother, Arthur D. Davidson, Dora H. Davidson, age 15, relationship unknown; and head of household Theodore F. Dopking, age 42, possible brother of Esther (Dopking) Davidson.
The first online record found for Ellis as a photographer is a California National Guard record showing he served in the Guard March 19 to September 6, 1881. City of residence not listed.
1884 finds the photographer on the voter registration record living in Stockton, CA.
1887 is the first mention we found online for Ellis in Visalia, CA, where he would live and work until March of 1894.
From the Visalia Daily Times, June 12, 1893, E. M. Davidson as part of a group that had visited (revisited for some) the recent location of the Battle of Stone Corral.
Below, a week later, also from the DailyTimes, and with the overly dramatic (but understandably so) title, an account from Davidson of a visit to the former site of the cave hideout of Evans and Sontag. This was just after Sontag's capture at Stone Corral and the subsequent capture of Chris Evans.
On a lighter note, from the Daily Delta (Visalia) in July 1893:
1894 – 1896 show voter registration records, E. M. Davidson working as a photographer in Woodland, CA.
By the 1900 census, Davidson is living in Alameda Township, Alameda County, CA, occupation photographer. And listed on the San Francisco city directory for the same year, residence Alameda, business address 708 Sutter, San Francisco. 1903 – 1903 residence address found as 1215 Park Ave, Alameda.
And by the 1910 census, living in Salinas, CA with his son and daughter-in-law, occupation photographer.
Sources: Original data: California, Marriages, 1850-1945. Salt Lake City, Utah: FamilySearch, 2013. (Ancestry.com).
John Sontag. n.d. https://en.wikipedia.org/wiki/John_Sontag (accessed December 17, 2019).
Christopher Evans (outlaw). n.d. https://en.wikipedia.org/wiki/Christopher_Evans_(outlaw) (accessed December 17, 2019).
Year: 1860; Census Place: Keeler, Van Buren, Michigan; Roll: M653_562; Page: 814; Family History Library Film: 803562. Year: 1870; Census Place: Cache Creek, Yolo, California; Roll: M593_93; Page: 446B; Family History Library Film: 545592. Year: 1900; Census Place: Alameda Precinct 2, Alameda, California; Page: 10; Enumeration District: 0310; FHL microfilm: 124008. Year: 1910; Census Place: Salinas Ward 2, Monterey, California; Roll: T624_89; Page: 18B; Enumeration District: 0003; FHL microfilm: 1374102. (Ancestry.com).
Office of the Adjutant General. Military Records, 1850–1942. Military Dept., Adjutant General's Office Records (1850–1944), ID Number R186. California State Archives, Office of the Secretary of State, Sacramento, California. (Ancestry.com).
California State Library, California History Section; Great Registers, 1866-1898; Collection Number: 4 – 2A; CSL Roll Number: 119; FHL Roll Number: 977281 and 137; FHL Roll Number: 978594. (Ancestry.com).
The San Francisco Examiner. April 21, 1887. Thursday, p. 8. (Newspapers.com).
"In Jail. John Sontag Meets His Match." Visalia Daily Times. June 12, 1893. Monday, p. 4. "Fort Defiance Taken." Visalia Daily Times. June 19, 1893. Monday, p. 1. Sale of business, Visalia Daily Times. March 16, 1894. Friday, p. 4. (Newspapers.com).
Daily Delta. July 22, 1893. Saturday, p. 3. Daily Delta. July 26, 1893. Wednesday, p. 3. (Newspapers.com).
H. S. Crocker Co.'s Crocker-Langley San Francisco Directory, 1900. p. 507. Ancestry.com. U.S. City Directories, 1822-1995.
F. M. Husted's Husted's Oakland Alameda & Berkeley Directory, 1903. p. 480. Ancestry.com. U.S. City Directories, 1822-1995.
Posted in Photographers	| Tagged 19th century photographers in CA, history of train robbers and robberies in CA, history of Visalia CA, photographer E. M. Davidson Visalia CA and Sontag and Evans	| Leave a reply
Charles G. Carleton, Photographer, Waterville, Maine
Charles G. Carleton or C. G. Carleton – photographer in Waterville, Maine 1862 thru circa 1889.
Charles G. Carleton, the photographer for the carte-de-visite in our prior post, was born in Whitefield, New Hampshire, about 1835. He had come to Waterville at least by the time the 1860 Federal Census was taken, when his occupation was listed as "dealer of books." He established himself as a photographer in 1862 and practiced his art for a living until approximately 1889. He was well-respected in the community and said to have been one of the top photographers in the state. After 1889 we find city directory records from 1892 under the occupation of auctioneer/merchant. Examples of his photography can be found in carte-de-visite, cabinet card and stereograph format. Conflicting death dates show 1891 (Maine death record) and 1895 (gravestone marker).
Charles married Mary C. Getchell (maiden name per Ancestry.com trees) sometime after the 1860 but before the 1870 Federal Census was taken for Waterville.
Below, an ad appearing in the 1885 city directory for Waterville showing his studio address of 66 Main St.
Below, a clipping from the Bangor Daily Whig and Courier, April 14, 1891.
The last photography-type listing found online for Charles G. Carleton is from 1889. In 1892 we find him listed under the occupation of commercial merchant and auctioneer and in business with James B. Dinsmore. So, it seems sometime between 1889 and 1892 (if the 1895 death date is correct) he may have left the photography business. (Note the typo on the middle initial for Charles in the Carleton & Dinsmore line.)
Charles G. Carleton died either July 2, 1891 or 1895. The 1891 date comes from the Maine death record, along with parents' names Willard Carleton, born in Whitefield (NH) and Clarissa Smith[?] born in Massachusetts.The 1895 date appears on his gravestone. One would think the death record would be the correct date, however, it is possible that the 1891 date had been recorded late and incorrectly, in light of the 1892 listing for him as a merchant in Waterville, and also since his name appears on another reference as one of the City Officers for the Oversears of the Poor, in 1894. Or, if the 1891 date is correct, the '92 city directory mistakenly left off that he was deceased, and the city officer '94 reference (not published till 1908) would have mistakenly left his name in as if still current at that time.
From the Boston Globe, September 22, 1899; wife Mary C. Carleton appears to have taken over the merchant business after Charles died. (By the 1900 census, Mary is not working and is living with her sister, Ellen.)
Sources: Year: 1860; Census Place: Waterville, Kennebec, Maine; Roll: M653_440; Page: 813; Family History Library Film: 803440. (Ancestry.com).
Year: 1870; Census Place: Waterville, Kennebec, Maine; Roll: M593_547; Page: 571A; Family History Library Film: 552046. (Ancestry.com).
Year: 1880; Census Place: Waterville, Kennebec, Maine; Roll: 482; Page: 485A; Enumeration District: 108. (Ancestry.com).
Ancestry.com trees. (accessed December 10, 2019).
F. H. Greenough & Co.'s Greenough's Directory…Towns of Waterville, Oakland & Fairfield for 1885. p. 30. Ancestry.com. U.S. City Directories, 1822-1995.
Leading Businessmen of Lewiston, Augusta and Vicinity. Boston: Mercantile Publishing Company, 1889. p. 209. (Google.com books).
Bangor Daily Whig and Courier. April 14, 1891, Tuesday, p. 1. (Newspapers.com).
Maine State Archives; Cultural Building, 84 State House Station, Augusta, ME 04333-0084; 1892-1907 Vital Records; Roll Number: 9. (Ancestry.com).
Bangor Daily Whig and Courier. April 15, 1895, Monday, p. 1. (Newspapers.com).
Littlefield Directory Publishing Co's The Augusta, Hallowell, Gardiner and Kennebec County Directory, 1892-1893, p. 781. Ancestry.com. U.S. City Directories, 1822-1995.
Find A Grave, database and images (https://www.findagrave.com : accessed 9 December 2019), memorial page for Charles G. Carleton (1835–1895), Find A Grave Memorial no. 161471228, citing Pine Grove Cemetery, Waterville, Kennebec County, Maine, USA ; Maintained by ForgetMeNot (contributor 48495444) .
"Disastrous Fire At Waterville." Boston Globe. September 22, 1899. Friday, p. 3. (Newspapers.com).
Year: 1900; Census Place: Waterville, Kennebec, Maine; Page: 31; Enumeration District: 0133; FHL microfilm: 1240594. (Ancestry.com).
The Charter and Revised Ordinances of the City of Waterville. "City Officers – Oversears of the Poor." Waterville, Maine: Central Maine Publishing Co, 1908.
Posted in Photographers	| Tagged C. G. Carleton Waterville ME, Carleton and Getchell genealogy and family history, Charles G. Carleton Waterville ME photography, Maine 19th century photographers, Waterville Maine history and genealogy	| Leave a reply
Eugene E. Flack, Photographer
Eugene E. Flack, photographer in New York state circa 1898 – 1915.
Above, an ad from the Watertown, New York city directory in 1902.
Some brief information regarding E. E. Flack, the photographer who took the photo in our prior post:
Eugene Edward Flack was born November 18, 1872 or 1873 in Ogdensburg, New York to Elbert Homer Flack and Josephine Frances Pearce. He may have started in the photography business in his home town; the earliest city directory found online is for that city in 1898, where he is listed as boarding at 65 Morris.
By at least 1902 he had moved his photography business to Watertown, NY, residing there with his wife Harriet (Lockwood) whom he had married in April 24, 1895, and daughter, Mary who was born in 1896. The 1902 directory shows business and residence as 15 Washington. The 1905 State Census only lists his home address (though business and home could have been the same) that of 75 Franklin St.
In 1909 Eugene, Harriet and Mary moved about thirty miles north from Watertown to the small village of Alexandria Bay, on the St. Lawrence River. The Federal 1910 census shows the family living at 192 Walton St.
According to Ancestry.com family trees Eugene and Harriet appear to have divorced, and he later remarried (Mary McAfee). The 1915 New York State Census shows he is boarding at the St. Lawrence Hotel, Alexandria Bay, and his 1918 WWI Draft Registration shows he is living in Norristown, Pennsylvania with nearest relative given as his mother, Mrs. Josephine Flack of Montgomery St., Ogdensburg, New York. Occupation for Eugene on the draft registration is clerk. The 1920 Federal Census was not found, however there is a 1930 census showing a Eugene E. Flack, photographer, and wife Mary living in Orange, New Jersey that's a possible fit.
Eugene died in Watertown, New York, May 17, 1948.
Sources: C. A. Williams' 1898-1899 Ogdensburg City Directory, p. 169. Ancestry.com. U.S. City Directories, 1822-1995.
Kimball's Watertown City Directory for 1902, pp. 106-107. Ancestry.com. U.S. City Directories, 1822-1995.
Kimball Directory Publishing Co.'s Watertown City Directory for 1909, p. 136. Ancestry.com. U.S. City Directories, 1822-1995.
New York State Department of Health; Albany, NY, USA; New York State Marriage Index. (Ancestry.com).
Year: 1910; Census Place: Alexandria Bay, Jefferson, New York; Roll: T624_953; Page: 9B; Enumeration District: 0004; FHL microfilm: 1374966. (Ancestry.com).
New York State Archives; Albany, New York; State Population Census Schedules, 1915; Election District: 04; Assembly District: 02; City: Alexandria; County: Jefferson; Page: 03. (Ancestry.com).
Registration State: Pennsylvania; Registration County: Montgomery; Roll: 1907347; Draft Board: 1. (Ancestry.com).
Year: 1930; Census Place: Orange, Essex, New Jersey; Page: 6B; Enumeration District: 0570; FHL microfilm: 2341078. (Ancestry.com).
Ancestry.com trees. Accessed December 7, 2019.
New York Department of Health; Albany, NY; NY State Death Index. (Ancestry.com).
Posted in Photographers	| Tagged early 1900s photographers in New York state, Flack family history and genealogy New York, Real Photo Postcard photographers in New York	| Leave a reply
Truck Drivin' Men
Posted on June 18, 2018 by Annieoakley
Old photo, circa 1920s, white border.
Price: $4.00 Size: About 3 and 5/16 x 2 and 3/8″
We're continuing our day-late Father's Day theme with a nice old photo, which we're guessing is from the '20s, but we'll find out – according to whatever make, model and year the truck turns out to be. The two gents here are maybe a dad with his young son of about three, standing next to their vehicle, on the dirt shoulder of a tree-lined road.
The next thing in binoculars….
So, it looks like there's writing on the inside of the truck, under the passenger side rear window, but we can't quite read it. And further scrutiny yields another "arrggh" moment, in trying to make out the words on the sign posted on the tree trunk to our left. (Actually you probably noticed the tree sign first, but whatev 😉 ) If you stare at these kind of things long enough you sometimes get a flash of insight into what they say. Those ah-ha! moments are soooo great. Though, I like the process of imagining (the journey is it's own reward, right?) having a pair of binoculars that works on old photos: Just look through, adjust the dial, et voila!
Posted in Automobiles Buses Trucks, Children, Men, People, Photographers, Photos Without Names	| Tagged old trucks antique and vintage photos	| Leave a reply
Władyslaw Jakubowski, Detroit Photographer
Posted on August 1, 2017 by Annieoakley
Władyslaw Jakubowski, Detroit photographer 1911 – 1920. Studio address: 1525 Michigan Avenue, Detroit, Michigan. Partners with Władimer Lityński 1912 – 1916.
From the photographer's 1920 passport application, Władyslaw, wife Wanda, and daughter Sophie.
The photographer for the prior post, Władyslaw L. Jakubowski, was born July 12th or 22nd (22nd from his WWII Draft Registration), 1883 in Filipów, Suwałki County, northeastern Poland, son of Vitalis Jakubowski and Anna Szpakouska[?] He emigrated to the U.S. in 1903 and became a naturalized citizen in 1911. He married Wanda Gudowski (Kudowska on marriage record) in Detroit on August 25, 1915. By the 1920 Federal Census they had a daughter, Sophie. Jumping ahead to 1940, we find Władyslaw and Wanda in Queens, New York. He's working as a printing machine operator. With them are son, Marion, born in Poland, about 1923, and daughter Alina, born New York, about 1931. The WWII Draft Registration shows Władyslaw working at Grand Prospect Hall, 263 Prospect Ave., Brooklyn. To fill in some of the time frame and view more photo examples, see Michigan Polonia, which includes the publication Portrait Studios of Detroit's Polonia: The Face of Polish Immigration, (pages 26 – 28).
A little more info….
Władyslaw Jakubowski is shown in several Detroit city directory listings at his studio address of 1525 Michigan Avenue, but the 1912 entry under his partner, Władimer Lityński, gives us a little more information:
Sources: National Archives and Records Administration (NARA); Washington D.C.; NARA Series: Passport Applications, January 2, 1906 – March 31, 1925; Roll #: 1139; Volume #: Roll 1139 – Certificates: 8626-8999, 03 Apr 1920-05 Apr 1920. Ancestry.com.
R. L. Polk & Co.'s Detroit City Directory, 1911. p. 3324. Ancestry.com. U.S. City Directories, 1822-1995.
R. L. Polk & Co.'s Detroit City Directory, 1912. pp. 1414 and 1654. Ancestry.com. U.S. City Directories, 1822-1995.
Michigan, Marriage Records, 1867–1952. Michigan Department of Community Health, Division for Vital Records and Health Statistics. Ancestry.com.
Year: 1920; Census Place: Detroit Ward 16, Wayne, Michigan; Roll: T625_815; Page: 36B; Enumeration District: 502. Ancestry.com.
Year: 1940; Census Place: New York, Queens, New York; Roll: T627_2723; Page: 10B; Enumeration District: 41-1886. Ancestry.com.
The National Archives at St. Louis; St. Louis, Missouri; Record Group Title: Records of the Selective Service System, 1926-1975; Record Group Number: 147. Ancestry.com.
Grand Prospect Hall. grandprospect.com. Accessed August 1, 2017.
Portrait Studios of Detroit's Polonia: The Face of Polish Immigration. mipolonia.net. Accessed August 1, 2017.
Posted in Children, Photographers	| Tagged George Ebling vice president Litynski & Jakubowski, Jakubowski and Gudowski family history and genealogy, old passport application photos, Polish immigrants to Michigan early 1900s, Polish photographers Detroit Michigan 1910s	| Leave a reply
Burton J. Holcombe, Photographer
Posted on February 12, 2017 by Annieoakley
Burton J. Holcombe, from our prior post, was born about November 1856 in New York, to James E. Holcombe and Emily J. Shutts. The paper trail is pretty long for Burton, who was a Detroit photographer from at least 1884 to about 1897, then worked as a traveling sales agent from about 1900 to 1904, returning to photography for a couple of years in Detroit before moving back to his home state of New York to continue in the business from about 1910 thru 1930. He married Sophie Orth in 1891, and they had a daughter, Doris. Burton and Sophie divorced in 1905. Photographers Charles E. Alford (Holcombe & Alford) and Edward J. Metzen (Holcombe & Metzen) paired up with Holcombe for short periods of time in the 1880s and 1890s. Below, per online records, a timeline:
1860 – Federal Census, Fowler, Saint Lawrence Co., NY. With parents and siblings Arabel and Edward. Father's occupation: merchant.
1870 – Federal Census, Gouverneur, Saint Lawrence Co., NY, with parents, siblings and others. Father is a lumber merchant.
1884 – Holcombe & Alford, 222 Woodward Ave., Detroit, MI, boards Finney House. H.L. Holcombe is also listed as a photographer, boarding at Finney House.
1885 – Holcombe & Alford, 222 Woodward Ave., Detroit. Residence 444 7th, along with widowed mother, Emily J. Holcombe.
1887 – Burton J. Holcombe, 222 Woodward Ave. Residence 21 Sproat, with mother, Emily.
1888 – Burton J. Holcombe, 222 Woodward Ave. Boards 102 Miami.
1889 – Holcombe & Metzen, 222 Woodward Ave. Residence 102 Miami.
1890 – Holcombe & Metzen, 146 – 148 Woodward Ave. Residence 153 E. Elizabeth.
1891 – Burton J. Holcombe, 222 Woodward Ave. Residence 815 4th Ave., with mother, Emily. Edward Metzen is still down the street at 146 – 148 Woodward.
1895 – B. J. Holcombe & Co., 242 Woodward Ave. Boards at the Library Dining Rooms.
1896 – Burton J. Holcombe. Residence 46 E. Montcalm, Detroit.
1897 – Burton J. Holcombe. Residence 157 Myrtle, Detroit.
1898 – Burton J. Holcombe, moved to Chicago.
1900 to 1904 – Traveling "agent" i.e. salesman. Residence 990 Trumbell Ave., Detroit.
1908 to 1909 – Burton Holcombe, photographer. Residence 48 W. Adams.
1910 – Federal Census, Gloversville, Fulton Co., NY. Photographer, own gallery. Living with his sister and her family (Hiram J. and Harriet M. Anthony and children) and mother, Emily. Residence 15 West St.
1920 – Federal Census, Rochester, Monroe Co., NY. Photographer, own gallery. Boarding with the Smith family. Residence S. Clinton Ave.
1930 – Federal Census, Gloversville, Fulton Co., NY. Photographer. Lodger at 18 Littauer Place.
1931 – 18 Littauer Place. Gloversville, Fulton Co., NY. No occupation listed.
Sources: Year: 1860; Census Place: Fowler, Saint Lawrence, New York; Roll: M653_853; Page: 648; Image: 117; Family History Library Film: 803853. (Ancestry.com)
Year: 1870; Census Place: Gouverneur, Saint Lawrence, New York; Roll: M593_1097; Page: 252B; Image: 252977; Family History Library Film: 552596. (Ancestry.com)
J. W. Weeks & Co.'s Detroit City Directories, 1884, p. 642; 1885, p. 596. Ancestry.com. U.S. City Directories, 1822-1995.
R. L. Polk & Co.'s Detroit City Directories, 1887 p. 730; 1888 p. 702; 1889 p. 705; 1890 p. 600; 1891 p. 582; 1895 p. 698; 1896 p. 721; 1897 p. 727; 1898 p. 751; 1900 p. 795; 1901 p. 814; 1903 p. 1162; 1904 p. 1361; 1908 p. 3130. Ancestry.com. U.S. City Directories, 1822-1995.
Marriage Records. Michigan Marriages. FamilySearch, Salt Lake City, UT. Ancestry.com. Michigan, County Marriages, 1822-1940. (Ancestry.com)
Year: 1900; Census Place: Detroit Ward 8, Wayne, Michigan; Roll: 750; Page: 15B; Enumeration District: 0087; FHL microfilm: 1240750. (Ancestry.com)
Michigan. Divorce records. Michigan Department of Community Health, Division for Vital Records and Health Statistics, Lansing, Michigan. (Ancestry.com)
R. L. Polk's Michigan State Gazetteer & Business Directory, 1909-1910. p. 615.
"United States Census, 1910," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:M5CL-3K6 : accessed 12 February 2017), Burton J Holcombe in household of Hiram J Anthony, Gloversville Ward 4, Fulton, New York, United States; citing enumeration district (ED) ED 18, sheet 2A, family 42, NARA microfilm publication T624 (Washington D.C.: National Archives and Records Administration, 1982), roll 948; FHL microfilm 1,374,961.
"United States Census, 1920," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:MJL1-BL2 : accessed 12 February 2017), Burton J Holcomb in household of Frank W Smith, Rochester Ward 4, Monroe, New York, United States; citing ED 60, sheet 4B, line 71, family 83, NARA microfilm publication T625 (Washington D.C.: National Archives and Records Administration, 1992), roll 1120; FHL microfilm 1,821,120.
Year: 1930; Census Place: Gloversville, Fulton, New York; Roll: 1439; Page: 3A; Enumeration District: 0014; Image: 819.0; FHL microfilm: 2341174. (Ancestry.com)
H. A. Manning Company's Gloversville and Johnstown Directory, 1931. p. 168. Ancestry.com. U.S. City Directories, 1822-1995.
Posted in Photographers	| Tagged 19th and 20th century photographers Michigan and New York, cabinet card photographers Detroit MI and Fulton and Monroe Co NY, Holcombe and Orth family history and genealogy, Holcombe and Shutts NY family history and genealogy, Woodward Avenue Detroit history	| Leave a reply
Norbert George Moser (1885 – 1970) Photographer and Publisher
Posted on November 24, 2016 by Annieoakley
N. Moser of "Copyright N. Moser, N.Y." was Norbert George Moser, photographer, electrician, sailor and publisher of Real Photo Postcards, most noted for his naval views. And, though certainly Moser would not have taken all the photos that show his copyright, one assumes he would have taken quite a few, since his time in the U.S. Navy numbered about twelve years. Below, a brief time-line:
1885 – Born September 17, 1885 in Pierceton, Indiana, son of Gabriel Moser and Mary Palmer.
1910 – A crop from the 1910 U. S. Federal Census showing Norbert G. Moser, born Indiana, father born Germany, mother born Illinois, occupation chief electrician, sailor, serving on the U.S.S. Virginia, Hampton Roads, Virginia (the naval base).
Circa 1913 – 1919, could be December 1913, per prior post. Above, an awesome view, entitled "Quarter Deck Seas" one of many photos to also appear as a Real Photo Postcard, copyright N. Moser, N.Y. Did Norbert Moser take the actual photo? Probably his navy service record would need to be ordered to get a full timeline of what ships he served on and when, in order to get a better idea. This one is described as: View looking aft on the main deck of USS Vermont (Battleship # 20), while she was steaming in heavy seas during the Nineteen "teens". Note man standing by the ladder leading to the quarterdeck whaleboat.
1914 – May 23, 1914, Chelsea, MA, married Julia R. Hall, a Medford MA dressmaker, born about 1889 in Gardner, MA, daughter of Stephen A. Hall and Clara P. Adams. Norbert Moser's residence address at the time of marriage was the U.S. Naval Hospital, where he is listed as an electrician.
1916 – Above, a clipping from The Topeka Daily Capital. August 5, 1916, Saturday p. 5. (Newspapers.com)
1917 – Served as chief electrician at the Naval Recruiting Station for a few days, and then on board the U.S.S. New Jersey, April 9 and discharged October 15, 1917 at Yorktown, VA.
1918 – WWI Draft Registration Card shows wife Julia, residence 1088 E. 36th St., Brooklyn NY, occupation self-employed electrician and photo work, and work address room 406 of the World Bldg., NYC.
1920 – U.S. Federal Census for N. Hempstead, Nassau County, NY. Photographer, own business. Wife Julia, born MA about 1888, children Robert, born KS about 1916; Mary, born MA about 1918; Ruth born NY about 1919.
1921 – Above, three of Moser's ads, including one showing the well-known Vermont in Storm view, from a May 1921 publication of Our Navy. (Great reading if you have the time!)
1930 – U.S. Federal Census – single, living in Chicago, agent of commercial photography.
1940 – U.S. Federal Census – divorced, still living in Chicago, listed as a photographer and employer in the commercial photography field.
1942 – WWII Draft Registration Card – own business, 180 W. Washington St., Chicago.
1970 – Died in Los Angeles (county if not city) December 26, 1970.
Sources: Year: 1910; Census Place: USS Virginia, Hampton Roads, Virginia, Military and Naval Forces; Roll: T624_1784; Page: 6B; Enumeration District: 0123; FHL microfilm: 1375797. (Ancestry.com)
NH 101060 "Quarter Deck Seas" Vermont (BB-20). Naval History and Heritage Command. Catalogue #NH 101060. From the album of Francis Sargent, courtesy Commander John Condon, 1986. (web accessed November 24, 2016).
"Massachusetts Marriages, 1841-1915," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:N4XQ-VFP : 17 February 2016), Norbert G Moser and Julia R Hall, 23 May 1914; citing Chelsea, , Massachusetts, United States, State Archives, Boston; FHL microfilm 2,409,948.
Ancestry.com. New York, Abstracts of World War I Military Service, 1917-1919 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2013.
Registration State: New York; Registration County: Kings; Roll: 1754497; Draft Board: 58. (Ancestry.com)
Year: 1920; Census Place: North Hempstead, Nassau, New York; Roll: T625_1128; Page: 12B; Enumeration District: 60; Image: 1009. (Ancestry.com)
Our Navy, the Standard Publication of the United States Navy, May 1921. Volume 15. (Google eBook).
"United States Census, 1930," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:XS5N-RBP : accessed 20 November 2016), Norbert J Moser in household of Mae B Reeck, Chicago (Districts 1751-1976), Cook, Illinois, United States; citing enumeration district (ED) ED 1808, sheet 21A, line 11, family 224, NARA microfilm publication T626 (Washington D.C.: National Archives and Records Administration, 2002), roll 491; FHL microfilm 2,340,226.
Year: 1940; Census Place: Chicago, Cook, Illinois; Roll: T627_1019; Page: 14A; Enumeration District: 103-3100. (Ancestry.com)
"United States World War II Draft Registration Cards, 1942," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:V1KC-YV3 : 7 April 2016), Norbert George Moser, 1942; citing NARA microfilm publication M1936, M1937, M1939, M1951, M1962, M1964, M1986, M2090, and M2097 (Washington D.C.: National Archives and Records Administration, n.d.).
"California Death Index, 1940-1997," database, FamilySearch (https://familysearch.org/ark:/61903/1:1:VP28-K2X : 26 November 2014), Norbert G Moser, 26 Dec 1970; Department of Public Health Services, Sacramento.
Posted in Photographers, Publishing Companies - M	| Tagged genealogy and family history Norbert George Moser and Julia Hall, Indiana born photographers, lifeboats, stormy seas antique photos, U.S. battleship history, U.S. Navy	| Leave a reply
Swedish Photographer Per Axel Sjöberg (1865 – 1936)
Above, the reverse side of the CDV from the prior post for photographer Axel Sjöberg.
So, we see it was at least 1905 when this particular CDV was created, per the dates advertising the awards won, and where and when. "Prisbelönt Med Diplom Samt Svenska Turistföreningens Hederspris" translates from Google as: Award-winning with diploma and Swedish Tourist Association's Honorary Award. Note the beautiful flower and cross design in Malmö, (and underneath: Stortorget, indicating Sjöberg's Malmö studio was located in the Main Square.)
In looking online for biographical info for this photographer, we found other CDVs, Cabinet Cards from the 1880s, verification of some of his awards mentioned in various publications of Svenska turistföreningens årsskrift (Swedish Tourist's Association Yearbook) and a grateful acknowledgement to Sjöberg (among others) from author William Widgery Thomas, Jr. in Sweden and the Swedes (1893) for the use of his landscape photos, "…especially along the Göta Canal." Check out the illustrations and other artwork in the eBook, and it looks like great reading (Now, where to find the time? 😉 ) The book was also published in Swedish.
Stepping stones….
From one bit of information to the next, like jumping from stone to stone we find:
From the Swedish website Moderna Museet: "Axel Sjöberg (1865-1936). Active in Malmö. He won second prize in the Swedish Touring Club's first competition in 1933 for his characteristic and poetic images of the flat landscape of Skåne. He also won second prize in the next two competitions organized by the Swedish Touring Club."
From the website KulterNav: The full name for the photographer was Per Axel Sjöberg, born June 15, 1865 in Södertälje, Södertälje kommun, Stockholms län (Södertälje, Stockholm County, Sweden). He died July 19, 1936 in Skåne län (Skåne County, Sweden).
Then, a Household Clerical Survey record confirming name, date of birth and occupation, recorded that he'd moved in 1887 from Södertelge to Karlsborgs garnisonsförsamling, (parish) in Skaraborg County. And the online death record showed his place of death as Malmö, Skåne County, Sweden.
Sources: Svenska turistföreningens årsskrift för år 1899. Wahlström & Widstrand, Stockholm. p. 419. (Google eBook.)
William W. Thomas, Jr. n.d. https://en.wikipedia.org/wiki/William_W._Thomas,_Jr. (accessed September 4, 2016).
Thomas, William W. Sweden and the Swedes. Chicago: Rand, McNally & Company, 1893. (Google eBook).
Thomas, William W. Sverige och Svenskarne: eller Från Slott till Koja. Chicago: Swedish Publishing Company, 1901. (Google eBook).
Biographies, Axel Sjöberg (1865-1936). Moderna Museet. (accessed September 4, 2016).
"Sjöberg, Axel (1865 – 1936) [sv]" KulterNav. (accessed September 4, 2016).
Roll/Fiche Number: GO-550; Volume Number: AI:38; Page Number: 93. Ancestry.com. Sweden, Selected Indexed Household Clerical Surveys, 1880-1893.
Swedish Church Records Archive. Johanneshov, Sweden: Genline AB. Ancestry.com. Sweden, Selected Indexed Death Records, 1840-1860 and 1878-1942.
Posted in Photographer Names, Photographers	| Tagged 19th Century and early 20th Century Swedish photographers, historiska svenska fotografer, Svensk fotograf Axel Sjöberg, Swedish in America history	| Leave a reply
Horse Team And Wagon, Defiance, Iowa
Posted on April 12, 2016 by Annieoakley
The scene in this Real Photo Postcard is of three women, ready for travel, who are seated in a wagon that is hitched to a team of light-colored horses; a gentleman standing at the horses heads, probably steadying the team so the shot can be taken; and in the immediate background, a high wooden fence and beautiful barn. (Photos of old barns now immediately remind me of the t.v. show Barnwood Builders – Mark Bowe and his crew restoring old log cabins and barns or re-purposing the old logs. Check it out if you haven't seen it yet.) And the expressions of the women are wonderfully varied. It's a great shot, despite a little blurriness at the bottom center. And, if you read on, you will see that the photographer was likely not set up professionally; therefor, this photo might have some relation to the photo artist's family or friends. The back of the card shows the stamp:
"Photo By Jessie Westbrook, Defiance, Iowa."
You go, Jessie girl!
So, Jessie does not show up at all in city directories as a photographer; nor do any of the State or Federal Census records show her listed as such. This is the first time we've run across a female photographer.
The 1910 Federal Census for Defiance, Shelby County, Iowa, shows Jessie, born Iowa, about 1885, living with parents Charles H. and Maria Westbrook. Charles' occupation is Pharmacist. Jessie's occupation is Proof Reader in a printing office. Charles was born in Pennsylvania, and Maria born in New York.
The 1915 State Census for Defiance has Jessie M. Westbrook, no occupation listed, church affiliation Methodist. Entries on the 1915 are on separate cards, but she's presumably still living with her parents.
The 1920 reveals she is still single, living with her parents in Defiance. Her occupation on the 1920 is listed as Operator, the rest is hard to read (looks like Register).
By 1925 Jessie is married to William Uptegrove, who was born about 1864 in Missouri. They're living in Portsmouth, Shelby County, Iowa. His parents are Edward L. Uptegrove and Elizabeth C. McKinsey. Jessie's mother's maiden name is Ashton. (How heavenly are these 1925 Iowa State Census records! They even include the parents' place of marriage.)
We wonder if there is any more photography out there by Jessie Westbrook…Oh, well lo and behold, I do have one more by her. See the next post. And did she still do photography after she got married? I like to think yes.
On one last note: Playle.com estimates this particular style of postcard back header as being from about 1914 to 1917.
Divided back, unused Real Photo Postcard. Photographer: Jessie Westbrook. Circa 1914 – 1917.
Sources: Year: 1910; Census Place: Union, Shelby, Iowa; Roll: T624_423; Page: 1A; Enumeration District: 0177; FHL microfilm: 1374436. (Ancestry.com)
1915 State Census, Defiance, Iowa. Ancestry.com. Iowa, State Census Collection, 1836-1925
Year: 1920; Census Place: Union, Shelby, Iowa; Roll: T625_513; Page: 10A; Enumeration District: 196; Image: 840. (Ancestry.com)
1925 State Census, Portsmouth, Iowa. Ancestry.com. Iowa, State Census Collection, 1836-1925
"Real Photo Postcard Stamp Backs – Unknown Manufacturers." Playle.com. (Accessed April 12, 2016.)
Posted in Animals, Barns, Buggies Carts Carriages Wagons and Stagecoaches, Horses, Photographers, Photos Without Names, Postcards, Postcards Unused, Real Photo Postcards	| Tagged Defiance Iowa old photos 1910s, horse and wagon Real Photo Postcards, Westbrook and Uptegrove family history and genealogy Shelby County Iowa, women photographers 1910s	| Leave a reply
Edward F. Hartley, Chicago Photographer
We love these photo studio illustrations with the studio name appearing multiple times (seven in this case). The block on the sidewalk is called a carriage step, carriage stone or mounting block, if you were wondering. The above is the reverse of the Cabinet Card in the prior post.
Most of what appears presently online for Edward F. Hartley (1847 – 1887) comes from obituaries; some of the information we found conflicts, that being his year of marriage, studio location prior to Chicago (Jacksonville or Decatur but no record was found of either in city directories or newspaper ads) and whether he competed for professional photographer association prizes. In any case, Hartley was a very successful and well-known Chicago photographer whose studio was located at 309 W. Madison Street since at least 1877. The son of Methodist minister Charles Hartley and his wife Louisa (Louisa's given name per the 1850 Federal Census; however her maiden name wasn't located.) Edward Hartley was born in Wadsworth, Ohio, on November 9, 1847, (per the Daily Inter-Ocean.) On October 5, 1871 (or 1873) he married a judge's daughter, Virginia Boyd; they had no children. Below an excerpt from Edgar E. Boyd's Record of the Boyd Family: John Boyd from Scotland and Descendants, which was compiled in 1913:
Below, two obituaries, from, left to right, from the Decatur Daily Republican (Decatur, IL) and the Daily Inter Ocean (Chicago, IL) and a funeral announcement from the Inter Ocean.
Below, a humorous analogy in advertisement by E. F. Hartley, showing the shrewd businessman in action. The "Sign of the Rooster" mentioned at the bottom of the ad, can be seen in other ads put out by him, as in the insert below, a rooster standing atop another rooster, victorious. (We found another, showing Hartley's rooster having completely beaten down the competition. That one was too graphic for our sensibilities, and we remind ourselves that this was the 1880s…probably what we today would view as negative in advertising (therefor to avoid) was perhaps just seen as getting the point across. The dogs at the trough image is a little rough, too. No pun intended 😉 As for the $2.00 Cabinet Cards, this price was for twelve Cabinets and one panel, a smokin' hot deal for the public, to be sure.
Below, from a couple of our readers (thank you!)….see the comment from J. Hill. Here's the beautiful shadow box and a close-up in sepia of the handsome, newly-married couple, names unknown, photographed by the Hartley studio. Note the bride's lace at the neck (unusual by today's standards I think, because it's not symmetrical) love her dark gloves, the beautiful embroidery on the bodice…and very unusual, that white piece of fabric sticking out below the bodice, seemingly so random, but in a way balancing out the lace on the neck in the overall effect. And those would be artificial orange blossoms (most likely made from wax) in the bride's headpiece and the groom's boutonniere, that now lovingly surround the Cabinet Card. Orange blossoms were worn and made popular by Queen Victoria at her wedding to her beloved Prince Albert.
Update: In response to a query from a reader, for the question of whether the Hartley studio continued after his death in 1887….There is a possibility that Edward's brother, Charles F. may have continued with the business, more research will be forthcoming. Below, the news clipping on Hartley's will appearing in Chicago's The Inter Ocean:
Sources: Ancestry.com. Illinois, Marriage Index, 1860-1920.
Year: 1850; Census Place: Lawrence, Stark, Ohio; Roll: M432_731; Page: 94A; Image: 196. (Ancestry.com).
"Passed Away" Decatur Daily Republican (Decatur, Illinois) October 13, 1887, Thur, p. 3. (Newspapers.com).
"The Final Reward. Edward F. Hartley, the Well-Known Photographer, Answers Death's Dread Summons." Daily Inter Ocean (Chicago, IL) Vol. 16, Issue 199. October 10, 1887, p. 5. (Genealogybank.com).
"Laid to Rest" October 13, 1887, Thur, p.3 The Inter Ocean (Chicago) (Newspapers.com).
"Public Patronage Trough" Chicago Daily Tribune. March 15, 1885, Sun, p. 2. (Newspapers.com).
"Hartley's Rooster" Daily Inter Ocean (Chicago, IL) Vol. 16, Issue 44. May 7, 1887, p. 4. (Genealogybank.com).
Hamilton, E. L. "With quiet determination, Queen Victoria chose a white wedding dress, launching the trend that endures to this day." March 20, 2018. https://www.thevintagenews.com/2018/03/20/queen-victoria-wedding-dress/ (accessed November 6, 2018).
"Edward F. Hartley's Will." The Inter Ocean (Chicago, IL). November 2, 1887. Wednesday, p. 10. (Newspapers.com).
Posted in Cabinet Cards, Couples, Old Photos, People, Photographers	| Tagged 19th Century Chicago photographers, antique shadow boxes, artificial flowers antique bridal headpieces and bridal veils, Cabinet Card photography and advertising, fingerless gloves old photos, Hartley Family genealogy Pennsylvania Ohio and Illinois, wedding photos Cabinet Cards	| 8 Replies

redpajama_set_name: RedPajamaCommonCrawl


text:
Das Catoosa County befindet sich im Bundesstaat Georgia der Vereinigten Staaten. Der Verwaltungssitz (County Seat) ist Ringgold.

Geographie
Das County liegt im Nordwesten von Georgia, grenzt im Norden an Tennessee und hat eine Fläche von 421 Quadratkilometern, wovon ein Quadratkilometer Wasserfläche ist. Das County grenzt im Uhrzeigersinn an Whitfield County und Walker County.

Das County ist Teil der Metropolregion Chattanooga.

Geschichte
Catoosa County wurde am 5. Dezember 1853 aus Teilen des Walker County und des Whitfield County gebildet. Benannt wurde es nach einem Wort der Cherokee-Indianer Gatusi, was so viel bedeutet wie "besonderer Hügel" oder "bestimmter Platz auf einem Berg" und passte sehr gut zu der hügeligen Landschaft des County. 1863 fand hier die Schlacht am Chickamauga, eine der blutigsten Schlachten im amerikanischen Bürgerkrieg, die das vorläufige Ende des Vorrückens der Unions-Truppen in die konföderierten Gebiete bedeutete.

Sonstiges
Das County ist in den Vereinigten Staaten bekannt für seine Weine und Weinanbaugebiete.

Demografische Daten

Laut der Volkszählung von 2010 verteilten sich die damaligen 63.942 Einwohner auf 24.475 bewohnte Haushalte, was einen Schnitt von 2,59 Personen pro Haushalt ergibt. Insgesamt bestehen 24.475 Haushalte.

72,7 % der Haushalte waren Familienhaushalte (bestehend aus verheirateten Paaren mit oder ohne Nachkommen bzw. einem Elternteil mit Nachkomme) mit einer durchschnittlichen Größe von 3,05 Personen. In 36,3 % aller Haushalte lebten Kinder unter 18 Jahren sowie in 25,6 % aller Haushalte Personen mit mindestens 65 Jahren.

27,5 % der Bevölkerung waren jünger als 20 Jahre, 25,1 % waren 20 bis 39 Jahre alt, 28,0 % waren 40 bis 59 Jahre alt und 19,4 % waren mindestens 60 Jahre alt. Das mittlere Alter betrug 38 Jahre. 48,5 % der Bevölkerung waren männlich und 51,5 % weiblich.

93,6 % der Bevölkerung bezeichneten sich als Weiße, 2,2 % als Afroamerikaner, 0,3 % als Indianer und 1,2 % als Asian Americans. 1,1 % gaben die Angehörigkeit zu einer anderen Ethnie und 1,6 % zu mehreren Ethnien an. 2,3 % der Bevölkerung bestand aus Hispanics oder Latinos.

Das durchschnittliche Jahreseinkommen pro Haushalt lag bei 50.180 USD, dabei lebten 13,1 % der Bevölkerung unter der Armutsgrenze.

Orte im Catoosa County
Orte im Catoosa County mit Einwohnerzahlen der Volkszählung von 2010:

Cities:
 Fort Oglethorpe – 9.263 Einwohner
 Ringgold (County Seat) – 3.580 Einwohner

Census-designated places:
 Indian Springs – 2.241 Einwohner
 Lakeview – 4.839 Einwohner

Weblinks

 Das Catoosa County bei georgia.gov (engl.)

Einzelnachweise


text:
Q: Change backcolor on selected menu item asp.net masterpage I have a menu in a MasterPage constructed of unordered list. I am trying to use javascript to change selected tab color. It works fine if i have href="#" in the anchor tags, but if I put an actual link to another page then the color tab reverts back to the home page. I change the listitem id to onlink when selected.
I have been searching for couple days with dead end answers. Is there a clean solution for this?
How does stackoverflow accomplish this in their menu?
[Questions] [Tags] [Users] [Badges] [Unanswered]
Html for menu

Home

View

About

Contact

Javascript

Css for the selected tab
...stuff

#navbar ul li a#onlink
{
   background: #FFF;
   color: #465c71;
}
#navbar ul li a#onlink:hover
{
   background: #FFF;
   color: #465c71;

...more stuff

A: You need to set the selected link when you actually move to that page. Try something like this.
$(function(){
    var url=document.location.href;
    $("div#navbar ul#menulist li a").each(function(){
            var t=$(this).attr("href");
            if(t && url.indexOf(t)>0){
                $(this).addClass("onlink");
            }
    });
});

please check if the navbar and menulist are the IDs of rendered elements. Otherwise you either need to use 'ClientIdMode="Static"' on div and ul or use '<%= navbar.ClientID%>' to get id. see the working example  here: jsfiddle
Also you need to make slight change to your CSS, instead of:
 #navbar ul li a#onlink

please use:
 #navbar ul li a.onlink

redpajama_set_name: RedPajamaStackExchange


The thief has struck again! This time, much to my amusement, they reposted my post from yesterday about their theft. I laughed and laughed. But, I really do wish they'd stop!
I can't believe someone would do this. But it is kinda funny.


text:
US Senate Banking Chief Criticizes Super Bowl Crypto Ads, Claims 'Big Crypto Companies Are Desperate'
The United States senator from Ohio and Senate Banking Committee chief Sherrod Brown is not a fan of cryptocurrencies. This week during Tuesday's stablecoin hearing, Brown criticized all the cryptocurrency companies who advertised during the Super Bowl this past weekend and stressed that he's "never seen the Federal Reserve buy a multimillion-dollar commercial for U.S. dollars."
Sherrod Brown Says Super Bowl Crypto Ads Left a Few Things Out
For quite some time now the U.S. Senate Banking Committee chief Sherrod Brown (D-OH) has argued that crypto assets "put Americans' hard-earned money at risk." In November 2021, Brown sent a letter to stablecoin issuers and crypto trading platforms like Tether, Coinbase, and Gemini and explained that he worries about protecting U.S. investors. "I have significant concerns with the non-standardized terms applicable to redemption of particular stablecoins," Brown stressed at the time.
During the hearing on Tuesday, dubbed: "Examining the President's Working Group on Financial Markets Report on Stablecoins," Brown once again highlighted his concerns about crypto assets. At the hearing, Brown's first remarks were directed at the U.S. central bank and he noted that the Federal Reserve Board of Governors needs "to bring down prices and put workers first." After that, Brown said that if his colleagues were truly concerned about inflation, they "will not slow down this process" of bringing prices down.
Then Brown went on to discuss the cryptocurrency ads he saw during the Super Bowl last Sunday. During the Super Bowl, there were a number of advertisements from firms like Crypto.com, FTX, and Coinbase. "If you watched the Super Bowl on Sunday," Brown declared, "you saw ad after ad for a product that most Americans have heard of, but almost nobody knows what it is. Even many of the people who've bought it often don't really understand it." Brown said that the crypto firms running the commercials are "desperate to reach as many Americans as they can."
However, Brown insisted that the crypto firms' advertisements "left a few things out." The Senate Banking Committee chief added:
They didn't mention the fraud, scams, and outright theft. The ads didn't point out that you can lose big in crypto's huge price swings. They didn't tell you about the high fees pocketed by the crypto companies. And they sure didn't explain that crypto markets lack basic investor protections and oversight. Just a few weeks ago, hackers stole more than $300 million of people's investments from a crypto platform.
Brown Says Super Bowl in 2000 Saw 21 Ads From Dotcom Startups, Only Four of These Companies Exist Today
Brown also noted that the U.S. central bank has never advertised U.S. dollars and he questioned why the companies need to spend millions to advertise. "The fact that these companies felt the need to advertise at all is a bit of a giveaway about one of their major claims — if this were actually meant to be used as currency, why would you need to buy ads?" Brown asked. "I've never seen the Federal Reserve buy a multimillion-dollar commercial for U.S. dollars."
The Senate Banking Committee chief said that during the Super Bowl in 2000, there were 21 different ads from internet startups, and stressed that only four of these companies exist today. He joked about the names of stablecoins like "Magic Internet Money" and its issuer "Abracadabra" and said that maybe "we should just close our eyes and trust [it's] a safe place for your money." Brown doesn't think that "working Americans can take that risk" and he concluded:
This isn't the first hearing this committee has had on stablecoins, and it won't be the last.
What do you think about the U.S. Senate Banking Committee chief Sherrod Brown's statements about the Super Bowl crypto commercials? Let us know what you think about this subject in the comments section below.
Crypto 101: What is the blockchain trilemma?
UK home to hundreds of companies running crypto, forex scams
Why It Could Be Disastrous For Crypto If The Fed Raises Interest Rates By 50 BPS
Tether denies borrowing from bankrupt Celsius
CRYPTO ADS
CRYPTO OVERSIGHT
INVESTOR PROTECTIONS
MAGIC INTERNET MONEY
SENATE BANKING COMMITTEE CHIEF
SHERROD BROWN
STABLECOIN ISSUERS
SUPER BOWL ADS
SUPER BOWL COMMERCIALS


Ballymoney's young Speed Event ace Roger Gage continued to rattle the hillclimb establishment by taking Best Saloon honours at the Thoroughbred Sports Car Club's annual Cultra Hillclimb on Saturday, June 11th.
Considered the drive of the day, he hustled the family's venerable Maguire Mini on to the Overall podium on his first visit to the twisty 700yd track in North Down's award winning visitor attraction.
Two thousand visitors from 10 countries to the the Ulster Folk and Transport Museum saw Cultra Speed Hillclimb crown its fourth different champion in the past four years as Coleraine's Jaye Nevin pipped the current NI Hillclimb Championship leader, Bangor's Chris Houston, with a last run time of 32.58secs. Nevin had led throughout the day with Houston managing to get within 0.3secs on that last run thriller and just 0.4secs ahead of Roger.
The Ards and North Down Borough Council supported competition had attracted a capacity entry of 100 drivers from six countries, all bar one completing the day, but thus allowing the only remaining Reserve to take part also. The sports cars of Dungiven's Gerard O'Connell and another 'Young Gun', Mark Francis from Newtownards, took the next two places with multiple times Cultra Saloon Champion, Roger's father Rudi, completing the top six, as he continues to develop his newly built version of the Maguire Mini. O'Connell's chase for that final podium place saw him finish just 0.2secs shy of the younger Gage with a new Outright Sports Car Record time of 33.43secs.


The Commissioner for Children wishes to express her view on the children who were recently moved from Lourdes Home, following the controversy which emerged in recent weeks surrounding this residential institution.
The Commissioner for Children remains concerned over the fate of these children, and the effect which such a move has had on them. Based on the Commissioner for Children's extensive experience in the field of residential care, the transition from the family home to a residential care institution is a traumatic occurrence in itself for the children involved, without having to be exacerbated by cutting the ties that the children would have formed whilst in Lourdes Home.
The children have not only changed their residence, but have also been separated from one another, changed schools in the run-up to the exam period, and moved to a neighbouring island. These factors already present difficulties when considered separately, and are magnified when they are imposed on these children simultaneously.
Prior to the children's move, the Commissioner for Children attended a meeting in which she supported the suggestion that the Home be kept in operation by means of state assistance, with the conviction that this option would be in the best interests of the child. This was proposed as a temporary solution until a more stable long-term alternative was found, as a measure intended to avoid any sudden and unnecessary disruption in the lives of the young people. No weight was given to this suggestion by the relevant decision-makers, resulting in the move going ahead.
This action was taken notwithstanding the recommendations made by the Commissioner for Children, together with concerns raised following her consultation with the children involved in a visit to the Home. This severely compromises the ability of the Commissioner for Children "to seek to ensure that the rights and interests of children are properly taken into account by government departments, local authorities, other public bodies and voluntary and public organizations when decisions on policies affecting children are taken" [Commissioner for Children Act, 9f.].
In her recent publication of the Manifesto for Children, the Commissioner for Children has already highlighted the problem of the lack of residential care facilities in Gozo. Since the publication of the Manifesto, the problem has increased dramatically with the closure of the only residential care institution for children on the island. Gozitan children now have no facilities for out-of-home care where required. The Manifesto for Children specifically states that "every effort should be taken in order to provide alternative services for children who require out of home care, including the provision of fostering by professionally trained and adequately paid foster carers".
The Commissioner for Children urges the authorities to take heed of this suggestion, and to take urgent steps to address this lacuna. The Commissioner also urges the immediate provision of all necessary professional support to the previous young residents of Lourdes Home, in order for the best interests of the child to be given due paramount importance.


Back by popular demand! Many of us spend our leisure time in front of the television. But not all of that time is wasted as much can be learned from an hour of quality viewing. In each of the two sessions (January 6 & 13, 2013) of this course we will view an episode of a popular program and analyze its Jewish content. Using rabbinic texts we will also discuss the ethical issues presented in the particular story. Of course, we will have what every good couch potato needs, coffee cake, fresh coffee and food for thought! We hope to see you there. The cost of the class is $7.00 per class/members and $14.00 per class/non-members, included for FLC famlies. RSVP Online or call Marla in the TBS office at 714-628-4620.


We are a collective of small-scale farmers in the Annapolis Valley who saw the potential to meet the needs of our communities, and be more successful farmers, by working together.
Officially launched in 2017, we are committed to our mission of empowering small-scale farmers, nourishing eaters, stewarding our land, and building communities.
As farmers and producers, we aim to work together democratically, practicing mutual respect and cooperation, to serve our mission, and to support other cooperatives.
We support small-scale farmers and producers by connecting farmers to share in purchasing, resources, marketing, and labour. By doing this, we improve our capacity, skills, and together have a greater political voice for change.
Our farming practices are ecologically sensitive, regenerative, and biodiverse, in accordance to our agreed upon standards of practice.
We are committed to providing access to locally grown, seasonal food to our communities, as well as offering skills, knowledge, and recipes for its enjoyment.
We are committed to strengthening relationships and building inclusion and resilience in our communities by investing in rural economies.


text:
France, Germany on top as Spain and China squeeze through
Germany win again; draw enough for Spain and China PR
Renard penalty sinks Nigeria, while Norway secure second
Reaction and more: , , & Live Blogs
The last-16 picture continues to take shape at France 2019, with China PR, Spain and Norway the latest teams to confirm their spots in the knockout phase.
The final rankings in Groups A and B were also decided on an action-packed day of matches, with Germany thumping South Africa and France edging out Nigeria to stay in position at the summits of their respective sections.
The South African debutantes now join Korea Republic in heading for home, while Nigeria must wait to discover if they have done enough to finish as one of four best third-placed teams.

Team Reporter analysis
The Steel Roses' focus on defence enabled them to resist some fierce Spanish attacking. But their lack of bite at the other end of the field remains a worry, with PSG star Wang Shuang still to show her best form. Goalkeeper Peng Shimeng, on the other hand, was outstanding, with her positioning, decision-making and reflexes vital to China coming away with a point.
Spain have made history by qualifying for the knockout stage for the first time. But there was frustration at the way they did it. It was shown again that this team struggles against strong and well organised defences, and goals remain elusive. It's now 181 minutes and counting since they last found the net. Only solving that problem will allow them to advance further.
After starting fairly well, South Africa were rattled by conceding two very poor goals and spent the rest of the first half in defensive mode. They also struggled throughout to deal with Germany's set pieces. While the second half performance was much improved, Banyana Banyana lacked a finishing touch in front of goal.
Germany achieved their goal of winning the group and doing so in style, and registered a third clean sheet in the process. It was also very important that captain Alexandra Popp got her name on the scoresheet, as this should boost her confidence. This German team can now go into the knockout phase with real confidence.
Nigeria produced one of their best defensive performances in recent years against a strong France side. The Super Falcons were tactically disciplined throughout and, while disappointed by the outcome, they will be proud at how they executed their game plan. Now the wait is on to see if they progress to the knockout phase for the first time in 20 years
France needed another VAR penalty to get the better of Nigeria. The team's first objective was three wins out of three in the group phase and, in that respect, it's mission accomplished. But although they dominated possession, I'm not sure Corinne Diacre will be overly pleased with the performance. Better will be needed in the round of 16.
It has been a disappointing campaign for Korea Republic, who failed to reach the second round after losing all of their three matches. But if their determined performance against Norway tonight is anything to go by, the Taegeuk Nangja have the potential to improve and come back stronger next time.
Norway were not at their best tonight but they did enough to get the win that takes them through, and that was all that mattered. They were also forced to work hard without the ball and that experience will stand them in good stead for the knockout stage.
: Group C, Valenciennes, 21:00
: Group C, Grenoble, 21:00
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January 28, 2017 – Super Bowl week is here, and it will be between the Atlanta Falcons and the New England Patriots. In this episode, we take a look at the latest Dolphins news, as well as Around the NFL, as we recap the games from the Conference Championships, and preview Super Bowl LI in our final Picks of the Week segment. GO FALCONS!


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Are you guys open anymore at your location where I can come in and buy products or is it strictly online now? Because I don't want to pay for shipping within Colorado Springs if I live in Colorado Springs. That makes no sense. The Manitou Springs location is up north so that's too far to drive. Thanks.


I have a hard time getting started.
Or too dry and clinical.
It depends on how you spend your time, how you make your living, and who you primarily share your life with.
There are book resources on the market for these folks.
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text:
Il confine tra l'Egitto e il Sudan descrive la linea di demarcazione tra i due stati. Ha una lunghezza di .

Tracciato
Il confine terrestre tra i due paesi segue essenzialmente il 22º parallelo nord. Inizia a ovest nella triplice frontiera Egitto-Libia-Sudan, all'incrocio con il meridiano 25° Est, che costituisce il confine tra Egitto e Libia a nord, quindi prosegue verso est lungo il parallelo in direzione del Mar Rosso.

Una volta raggiunto il Nilo, il confine si dirige bruscamente a nord. In questo sito, il corso del fiume risale per circa venti chilometri.

Ad est, appena oltre il meridiano di 33° est, il confine è controverso. Il piccolo territorio di Bir Tawil, situato a sud del parallelo, non è rivendicato da nessuno dei due paesi. Un territorio più vasto, il triangolo di Hala'ib, si trova a nord del confine ed è amministrato dall'Egitto, sebbene il Sudan lo rivendichi allo stesso modo.

Gli egiziani basano le loro pretese sul confine del 1899, al momento della creazione del condominio anglo-egiziano sul Sudan il cui confine seguiva il parallelo per tutta la sua lunghezza. I sudanesi fanno riferimento al confine del 1902, data in cui gli inglesi tracciarono un secondo confine amministrativo, che annetteva il triangolo di Hala'ib al Sudan. La regione è contesa tra i due paesi dalla loro indipendenza. A causa di questa disputa, il confine marittimo tra Egitto e Sudan non è definito nel Mar Rosso.

Storia
Il 19 gennaio 1899, l'accordo tra il Chedivato d'Egitto e del Regno Unito per quanto riguarda il confine settentrionale con il Sudan anglo-egiziano impostò il confine lungo il 22º parallelo. Wadi Halfa è stata annessa al Sudan il 26 marzo 1899, al fine di fornire con un capolinea nord a un possibile collegamento ferroviario tra il Faras e Khartoum.

Il 25 luglio 1902, è stato creato un secondo confine amministrativo, al fine di facilitare la gestione delle tribù nomadi lungo il confine.

Il tratto occidentale del confine fu delimitato nel 1925 da un accordo tra il regno d'Egitto ed il regno d'Italia riguardo alla Libia. Quando il Sudan ottenne l'indipendenza nel 1956, l'Egitto riconobbe l'attuale triangolo di Hala'ib come parte del Sudan.

Note

Voci correlate

 Triangolo di Hala'ib

Sudan
Egitto


text:
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Home / Blog / Adult Learner / Micro-credential Programs Allow Adults to Master In-demand Skills Quickly
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Micro-credential Programs Allow Adults to Master In-demand Skills Quickly
October 26, 2020 By Kathy Staples 3 Mins Read
*The following custom content is sponsored by Katz Graduate School of Business.
In today's competitive workforce, many adults are seeking additional options in pursuing a degree, or furthering their education after previously earning a bachelor's degree. While going back to school can help prepare individuals for a career change, or an increase in earnings potential, this often poses a challenge to those balancing current careers and families.
Enter micro-credentials, which act as an accelerated, nontraditional learning path for students to gain skill sets in a specific technical area.
To dive deeper into what micro-credentials are and who they serve best, we spoke with Tom Keller, Director of Admissions, at Katz Graduate School of Business, University of Pittsburgh.
At Katz, although micro-credential programs are available to anyone, the majority of those pursuing a micro-credential certificate are adult learners.
"Over 90% of the students who entered our micro-credential programs are adult learners with an average age in the early 30s," Keller said. "Twenty-eight percent of the new students who enrolled at Katz in 2020 were non-degree students."
Benefits of micro-credential programs
Designed for working professionals, micro-credential programs are a popular option for adult learners who have been out of school for a number of reasons. They are cost-effective, offer flexible courses (evenings, weekends, or a hybrid format), and can be completed in as little as two semesters. There are typically fewer admission requirements, as the GMAT/GRE exams and letters of recommendation are not required.
"Micro-credentials can provide in-demand business skills in a quick and affordable format and are a stackable credential should the student decide to continue on for a graduate degree."
Employers also benefit, as the in-demand business skills employees achieve through micro-credential programs can be immediately applied in their jobs.
"These programs provide essential knowledge, skills, and abilities in a functional area of business such as accounting or finance," Keller said. "Micro-credentials offer immediate value to current employers and demonstrate mastery of in-demand business skills to potential future employers."
Micro-credential programs expansion plan
Katz Graduate School of Business began offering five micro-credential programs in the 2018-19 academic year, adding a sixth program the following academic year. Their six micro-credential programs in business range from accounting and corporate finance to data programming and digital innovation.
"Given the demand (non-degree enrollment has tripled since the introduction of micro-credentials), we plan to offer additional micro-credentials in other areas of business," Keller said.
An alternative to the MBA
If you're a working adult, but don't want to commit to pursuing an MBA, enrolling in a micro-credential program provides a great opportunity to add technical expertise to your skill set.
"Micro-credentials are an attractive option for someone who isn't ready to make the full commitment," said Keller. "It's a way to test the waters, and if they decide the MBA isn't what they need, they're able to get some new skills and a credential in business."
According to Keller, a significant percentage of the micro-credential students at Katz eventually continue on to earn their MBA or another master's level degree in business.
The wave of the future?
In our rapidly changing economy, micro-credentials are quickly expanding to other areas of study, including computer science, technology, design, and more, as they provide a solution for individuals to pivot careers and add to their skills in an agile way.
RELATED: Graduate Degrees vs. Certificates | Which Is Right for You?
For more information regarding grad degrees and certificates, check out our Grad School search tool.
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Cybersecurity Graduates Secure Their Own Future


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Frames Per Second. The general benchmark for computer performance in a video game. Refers to the number of times the image on a computer monitor gets refreshed per second. 60 fps is generally the benchmark for acceptable performance; that provides a buffer for when the action in a game gets heavier.
My old crapper of a computer only gets 20 fps in Quake 3.
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An FPS is a computer game genre that puts the player in a first-person perspective and usually involves shooting down opponents.
The first historical FPSes were Wolfenstein 3D, released some time around 1995, shortly followed by Doom that had multiplayer capabilities. Both by id software.
"Games such as Quake or Counter-Strike are FPSes."
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Abbrieviation of First Person Shooter. Used by gamers.
Abbrieviation of Frames per Second. Used by animators and film makers.
Abbrievation of Feet per Second. Used by people measuring speed.
1) I went down to Game this afternoon, they got this great new FPS!
3)Woah! That was going 100FPS!
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The speed at which one masturbates.
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1) The short way of saying First Person Shooter, a type of game where you see everything through the character's eyes.
2) The short way of saying Frames Per Second, a way in measuring how fast animation frames go. The higher the FPS, the more smoothly a game will run. Lag decreases FPS.
1) Man I love playing FPS games!
2) Damn, this lag really kills my FPS!
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1. first person shooter. a shooter game seen from the main characters eyes.
2.frames per second. refers to how much power of your graphics card is being used.the higher the Fps,obviously, the higher the graphics quality.
1. Halo is the best FPS out there and you know it.
2.My Counter Strike runs at 30 FPs.
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In poker, stands for Fancy Pants Syndrome, or alternatively, Fancy Play Syndrome.
If you're constantly getting fancy, betting in a non-standard and deceptive way rather than value-betting your good hands and checking/folding your bad ones, you're probably suffering from Fancy Play Syndrome. Especially if it comes back to bite you.
Why did you check the nuts on the river in this hand? Looks like you're suffering from a case of FPS.
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Q: Serialize a hierarchical structure of objects in java I have an abstract class Screen and child classes: GameScreen, SpellScreen, StatsScreen, etc.
The game works in this way: a Renderer class creates a root
    Screen screenRoot = new GameScreen()

which then is free to add screens to itself, which then may add screens to themselves and so it goes. Therefore a tree-like structure is formed, every Screen containing a list of its child-screens.
Now I am wondering if it's possible to perform serialization and deserialization on that - I'd like to recreate all the screens in the same hierarchy.
Is it enough to serialize only the screenRoot object, and then deserialize it (provided I want to preserve the whole screens tree), or do I need to traverse the tree myself somehow?
How would you go about serializing this?
P.S. the game is for Android and uses OpenGL ES 2.0.

A: A hierarchy of objects is no impediment to using Java Serialization, as the latter can cope with arbitrary object graphs - and yes, serializing an object using Java Serialization will serialize all objects it refers to (unless that reference is marked transient). Assuming that's what you want, serializing the hierarchy is as simple as:
try (ObjectOutputStream oos = new ObjectOutputStream(new BufferedOutputStream(new FileOutputStream(filename)))) {
   oos.write(rootScreen);
}

and reading as simple as:
try (ObjectInputStream ois = new ObjectInputStream(new BufferedInputStream(new FileInputStream(filename)))) {
    return (GameScreen) ois.readObject();
}

A: There are two issues here.
First, screens should be just that--screens. They shouldn't contain the "model" or object data that represents your game state; only the view/rendering of that state. So serializing and deserializing, doesn't really make sense. I would suggest looking at your architecture again to see if this is really what you want to do.
If you decide to do it, or if you have another game-state object root that you can serialize (I usually use the Player since it has all the essential data in it), you can easily do this with Gson:
// Save
RootObject o = ...; // The root of the hierarchy to serialize
Gson gson = new Gson();
String serialized - gson.toJson(o); // JSON object, eg. { "Player": { ... } }

// Load
RootObject deserialized = gson.fromJson(serialized, RootObject.class);

You can read more in their user guide.
Second, on the issue of JSON and Gson: I prefer this over standard serialization, because it's robust in the face of changes. If your class definitions change, you can still deserialize objects (albeit you get null/empty fields) instead of a runtime exception; you don't need to worry about versioning your classes, either.
Edit: questions like this are better suited to the Game Dev SE site.