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Tweedsmuir (parish)
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Imperial Gazetteer of Scotland, edited by John Marius Wilson and published by A. Fullarton and Co - 1868
TWEEDSMUIR, a parish in the south-western extremity of Peebles-shire. It has on its northern margin the post-office station of Crook-Inn. It is bounded by the counties of Dumfries and Lanark, and by the parishes of Drummelzier and Megget. It is not very far from being a regular circle of about 8¼ miles in diameter. The surface is a congeries of mountainous hills, with narrow intervening flats and morasses. The hills, in general, are luxuriant in verdure on the sides, and often boggy on the tops; affording on the former, rich supplies of pasture and even crops of hay, and, on the latter, a large proportion of the local supply of fuel. They are broad-based, slow of ascent, soft in outline, and summited with table-land. Horses can easily ascend them, and, even without difficulty, bring down loads of turf. The highest elevations are Broadlaw on the north and the culminating point of Hartfell on the south. See the articles BROADLAW and HARTFELL. The predominant rocks are greywacke and greywacke slate. The soil in many places is a strong thick mould, formed of earth and moss; and that of the arable parts is generally a light loam, incumbent on gravel and sandstone. The river Tweed originates and has its first 10 miles' run in the parish; and, in return, gives its name as the prenomen of that of both the district itself and several of its localities. No fewer than about twenty-five indigenous and independent streamlets fall into it before it departs, and render it, even in this lofty land of its infancy, not altogether unimportant in volume. The chief of these streamlets are the Core, the Fruid, the Menzion, the Tala, and the Harestone. Gameshope-loch, about 600 feet in diameter, is probably the loftiest lochlet in the south of Scotland, and abounds in excellent dark-coloured trout. A peculiarly fine perennial spring, called Geddes'-well, sends out a rill near the summit of Broadlaw. The parish is as eminently pastoral in the richness of its herbage, and the prime quality of its flocks, as in the mountainousness of its physical features. About 16,000 sheep are pastured; more than three-fourths of them Cheviots, the rest black-faced. Only about 280 acres are in tillage; though, but for the distance and expense of lime and other appliances, a large aggregate extent of the lower declivities of the hills might easily be subjected to the plough. The chief landowners are the Earl of Wemyss and George Graham Bell, Esq. The estimated value of raw produce in 1834 was £3,231; assessed property in 1860, £5,121; real rental in 1857, £4,674 9s. The road from Edinburgh to Dumfries, by way of Moffat, passes up the Tweed, and leaves the parish at a point 132 feet higher than that river's source, or upwards of 1,600 feet above sea-level. The locality at which it takes leave is called Tweed's-cross, and is supposed to have been first a station fro the Druidical worship of the sun, and next the site of a cross erected as a road-mark in so wild and perilous a mountain-pass. Vestiges of ancient castles exist at Fruid, Hawkshaw, and Oliver; the first, the property of the Earl of Wemyss, as Earl of March; the second, the ancient residence of the family of Porteous, the chief of that name; and the third, the paternal seat of the Frasers, now of Lovat. Population of the parish in 1831, 288; in 1861, 196. Houses, 42.
This parish is in the presbytery of Peebles, and synod of Lothian and Tweeddale. Patron, St. Mary's college, St. Andrews. Stipend, £275 7s. 6d.; glebe, £12 10s. Unappropriated teinds, £32 18s. 9d. Schoolmaster's salary, £50, with about £12 fees, and £2 other emoluments. The parish church was built in 1648, and contains 160 sittings. The parish was constituted in 1643; and it previously formed part of Drummelzier, and was called Over-Drummelzier.
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Home> Publications & Directories> Perspectives on History> Issues> May 2015> Perspectives on Film> The Past Isn't Even Past, Especially on Twitter
The Past Isn't Even Past, Especially on Twitter
Carol Anderson | May 1, 2015
Social media was on fire regarding the film Selma and the Oscars. Anger seemed to focus on the "snub": no best director or best actor nomination. Indeed, within hours of the American Academy of Motion Pictures (AAMP) announcement of this year's nominees, #OscarsSoWhite went viral with 95,000 tweets per hour: "Apparently to @TheAcademy, in 2015, only the stories (some made up) of white people are relevant." Another tweet, this one by @mkinneykelsey, listed the "nominees for best picture":
White man sniper
White man actor
White boyhood
White man at hotel
White man genius (x2)
White musician
But, in the end, an Oscar nomination was not the point. As Spike Lee explainesd in a February interview, "People are protesting about stuff that really matters . . . the jury decision in Ferguson [and] Staten Island. That's why people are storming the streets—not because of what the Academy says. There are more serious matters in this country than how the Academy votes." He was almost right.
Selma provided another high-profile venue, like the 50th-anniversary ceremony on the Edmund Pettus Bridge, to dilute the conscience-numbing Kool-Aid of post-racial America. With the killings of Tamir Rice, John Crawford, Trayvon Martin, Jonathan Ferrell, Michael Brown, and Eric Garner, coupled with the wave of new voting requirements passed in many southern and swing states after the US Supreme Court's Shelby County v. Holder decision, the debate over Selma is less about the film than about what it symbolizes: a narrative of hard-fought progress in the 1950s and '60s dissolving into retrenchment and reversals in the 21st century. Selma shouts #BlackLivesMatter.
This was best revealed by the candid admission of an academy voter who voiced righteous indignation that "the cast show[ed] up in T-shirts saying 'I can't breathe'" at the film's New York premiere. She was outraged, livid. But not at the chokehold that took Eric Garner's life. Instead, her ire was directed at the T-shirts. "I thought that stuff was offensive. Did they want to be known for making the best movie of the year or for stirring up shit?"
The answer is "both."
For many black Americans, past and present have merged recently in real and powerful ways. Fewer than 2 percent of African Americans in Selma were able to register to vote prior to the Voting Rights Act of 1965. Discrimination so commonplace 50 years ago now coils like a python around Ferguson, a city nearly 70 percent African American where black voter turnout in the 2013 municipal election was a paltry 6 percent. The Supreme Court's gutting of the Voting Rights Act in 2014 confirmed that the chicanery that created 2 percent registered black voters in mid-20th-century Alabama was as acceptable to powerful sectors in the United States as the machinations that made possible 6 percent turnout in 21st-century Missouri.
Similarly, the lack of African American representation in the Ferguson police force and at City Hall was as visible as that in the academy, where 94 percent of voters are white. The recognition that black bodies were no more than revenue generators, as the Department of Justice report on Ferguson made clear, was also—in a less violent or economically disruptive way—the case for the not-so-diverse academy. African American viewers are central to the financial health of the AAMP. And like protests in Montgomery and Nashville in 1955 and 1960, respectively, #BlackTwitter's calls for a boycott of the televised awards show broadcast were designed to serve as a wake-up call. It may have worked. The show dropped 17 percent in the all-important 18- to 49-year-old demographic. The 2015 Oscars, as the New York Times noted, "might be remembered as the Revenge of 'Selma.'"
The award for Best Original Song, won by Common and John Legend for "Glory," was no salve. The Oscars, many in the Twittersphere made clear, are about black people knowing "their place." One tweet laid out the roles played by African American women with Best Acting awards: maids, slaves, a phony psychic, and abusive mothers. David Oyelowo, who portrayed Martin Luther King Jr. in Selma, underscored the point in an interview at the Santa Barbara International Film Festival: "We, as black people, have been celebrated more for when we are subservient, when we are not being leaders or kings or being at the center of our own narrative."
Some on Twitter groaned that all of this black outrage was, frankly, outrageous. Was the academy supposed to nominate someone black just because he or she showed up in a film? This was about "art." This was about quality. That paean to the AAMP's color blindness, however, was mocked in another tweet: "#OscarsSoWhite they don't see race. Or movies with black folks in it, apparently."
Yet, one Twitter follower did notice a silver lining of sorts: "#OscarsSoWhite that Fox News is willing to admit white racism still exists*. *but only among Hollywood liberals, not Republicans."
Selma then and Ferguson now: both reveal the ubiquitous racism shared by moderates and right-wingers alike—racism that does not question black inequality but only the brazenness and brutality of the oppression that would guarantee it.
Carol Anderson is an associate professor of African American Studies at Emory University. She is the author of Eyes Off the Prize: The United Nations and the African American Struggle for Human Rights, 1944–1955 (Cambridge University Press, 2003) and Bourgeois Radicals: The NAACP and the Struggle for Colonial Liberation, 1941–1960 (Cambridge University Press, 2014). Her op-ed on Ferguson and white rage in the Washington Post was the most widely shared in 2014.
Tags: Perspectives on Film: Selma African American history

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Pradaxa Lawsuits Moving Forward, As Bellwether Trials Scheduled
Pradaxa lawsuits continue to move forward in the multidistrict litigation now pending in U.S. District Court, Southern District of Illinois. According to the Court's calendar, the next Status Conference in the Pradaxa litigation is scheduled for November 5, 2012. What's more, court records indicate that the first Pradaxa lawsuits could head to trial during the summer of 2014.
Pradaxa, which was approved by the U.S. Food & Drug Administration (FDA) in October 2012, was touted as a superior alternative to warfarin. The drug caught on quickly, and Pradaxa sales eclipsed $1 billion last year. However, Pradaxa lawsuits allege that Boehringer Ingelheim Pharmaceuticals, Inc., the drug's manufacturer, failed to warn that it lacked an antidote to control the potentially-fatal internal bleeding that is sometimes a side effect of blood thinning drugs. While dialysis can be used to remove Pradaxa from the blood stream, the treatment is risky, and is difficult to administer quickly enough to prevent serious injury or death. Bleeding from warfarin, however, can easily be stopped with the administration of Vitamin K.
In December 2011, the FDA issued a Drug Safety Communication stating it was reviewing reports of serious Pradaxa bleeding events. Last year, the FDA said it had received 500 reports of deaths and 3,781 adverse events had been reported in connection with Pradaxa. Health officials overseas, including regulators in Australia, Japan and Europe have also issued Pradaxa side effects advisories.
According to a recent report from USA Today, hundreds of people have filed Pradaxa lawsuits and legal experts believe the drug could be the subject of the next big products liability settlement. Anticipating a massive litigation, the U.S. Judicial Panel on Multidistrict Litigation consolidated all federally-filed Pradaxa lawsuits in a single proceeding in the U.S. District Court, District of Southern of Illinois. Over the summer, U.S. District Judge David Herndon, who is presiding over the federal Pradaxa litigation, told the Madison Record that he intended to "expedite" the litigation.
Now, court records indicate Judge Herndon has been true to his word. He has already appointed attorneys to leadership positions in the litigation, and he has established a schedule for the first Pradaxa bellwether trials. According to a Case Management Order issued on October 3rd, the first trial will begin on August 11, 2014. Three more trials will begin on September 25, 2014, January 5, 2015 and February 16, 2015.
The Pradaxa litigation's next conference will begin at 1:30 p.m. on November 5, 2012 at the East St. Louis Courthouse.


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Revolution: The End of a Dictator
Burkina Faso | 2015
"We told them that the mission was to get Compaore to leave." With these words the youth of Burkina Faso took to the streets and brought an end to the rule of a military junta that had governed for twenty-seven years. One year later and a transitional government is in place, but with many former ministers still in power and the IMF pulling the strings, has revolutionary fervour given way to Realp…


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Holmes-Wayne Electric members re-elect board members, approve code change at annual meeting
MILLERSBURG — More than 600 members and guests attended this year's meeting of members for Holmes-Wayne Electric Cooperative on June 27 at West Holmes High School.
Dinner awaited members after a health and information fair, where Holmes-Wayne Electric staff shared energy efficiency tips and details about the co-op's various programs. Reports on the state of the cooperative were announced, as well as results of the board of trustee elections.
Three incumbents were re-elected to the organization's Board of Trustees. William Grassbaugh, Barry Jolliff and David Mann were elected by Holmes-Wayne members, representing Districts 2, 8 and 9, respectively.
Additionally, Holmes-Wayne members approved an amendment to the cooperative's code of regulations, stipulating that no person shall be hired as a co-op employee who has been a trustee of the cooperative within three years of the date of hire, or whose close relative has been a trustee of the cooperative within three years of the date of hire.
Randy Sprang, chairman of the Holmes-Wayne board, announced the cooperative returned $1.193 million in capital credits to members living on co-op lines in 1998 and 1999. Capital credits, a distinguishing characteristic of membership in an electric cooperative, are margins remaining after all expenses have been paid that are returned to members in proportion to their use in a given period of time.
Sprang informed Holmes-Wayne members of the many ways the cooperative empowers its members to use energy efficiently and safely, and how members can manage their account conveniently with the SmartHub application.
"With today's busy lifestyles, members can report an outage or pay their bill from a mobile phone or tablet. Are you traveling out of town for a few weeks or month? No problem; you can schedule your payment," said Sprang.
Holmes-Wayne's community involvement was also highlighted, including the cooperative's coordination of an annual honor trip to Washington, D.C., for local veterans, in partnership with Shreve American Legion Forest Post 67 and Rolling Thunder Ohio Chapter 2.
"The funds raised for this event are through employee payroll donation, potluck safety meals, board donations, and community donations," said Sprang. "This is a wonderful example of power with a purpose."
In his annual address to members, Glenn Miller, president and CEO of Holmes-Wayne, detailed the cooperative's many accomplishments.
"2018 was a busy year," said Miller. "We introduced a new website, rebuilt 19 miles of lines, replaced 403 poles, trimmed trees for 385 miles, and sprayed vegetation control on 983 miles of rights-of-way — all while adding 191 new services."
Miller thanked the Holmes-Wayne board for approving a four-year, $23.1 million work plan, which will maintain the cooperative's investment in line rebuilding, substation testing, pole replacements, and other equipment replacements and upgrades.
The cooperative also will be spending $1.85 million for tree trimming and dead tree removal in order to minimize outages.
Miller attributed the cooperative's accomplishments to its excellent staff — and to cooperative members for their engagement.
"Our staff are hard-working, dedicated and loyal in providing your electric service and being good members of our community," said Miller. "Also, our members are key to our success. We appreciate your valuable feedback — not only to help us improve service, but to provide us with information on outages and vegetation management."
Doug Miller, vice president of statewide services at Ohio's Electric Cooperatives, briefed Holmes-Wayne members on their power supplier and statewide services association.
"Buckeye Power, your member-owned generation and transmission cooperative, generates its power from a variety of resources including coal, natural gas and renewable sources, including solar, hydropower and landfill and methane gas projects," said Miller. "As Holmes-Wayne members, you have a stake in these generation facilities."
Miller reported that Buckeye Power's assumption of management of Cardinal Power Plant from American Electric Power, which occurred in 2018, has gone smoothly. Under cooperative management, the plant is operating more efficiently than ever, ensuring power costs will remain stable for years to come.
"Buckeye Power is fulfilling its mission: to deliver competitive, stably-priced and reliable wholesale power to our 24 electric distribution systems serving 400,000 meters in Ohio," said Miller.
To close the meeting, 10 local high school graduates were recognized for receiving $15,000 in HWEC scholarships. Holmes-Wayne Electric has given over $220,000 in scholarships over the history of the program.


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Q: z-index / border related issue with nav menu http://jsfiddle.net/FS4zT/
If you visit the above link you see what am describing below.
Summary: I have set the z-index of the submenu to 99 and the z-index top level menu to 9..
So basically i was thinking when i move the mouse over to the 1st menu, the 1st submenu will stay in focus when i move the mouse over the items of the submenu.
But for some reason in Firefox 11.0 it switches over to the 2nd Top Level Menu when i try to move my mouse over the 2nd/3rd/4th items of the first sub menu.
In IE 7 : It works as desired by i can still see the border of the 2nd Top Level Menu overlapping the items of the sub-menu even tho their z-index is higher. The border problem can be even seen in firefox.
Can someone shed some light where i might be going wrong?

A: This should fix it, I hope.
#menu li ul li {
position: relative;
}

A: Beware of the stacking context of the z-index. What you want is not working for parent-child z-indices.
The problem is that the parent li of the submenu is not as wide as the submenu (4x times smaller). So if you hover to the right, the li loses focus.
One way to solve this, is setting z-index: 0 on al ul submenus and z-index: 1 on the current submenu. The submenu's should have position: absolute.
Update: Solution with position: relative (accepted answer) is really a good one. This is working because the lis of the submenu do not make the parent container larger since they are left floated.

A: You must change the height in #menu li
#menu li {
    width: 140px;
    height: 25px;
    float: left;
    border-right: 1px inset white;
    z-index: 9;
}

The other way you can go to keep your borders at 50px is when you add to the CSS something like this.
#menu li:hover ~ li{
    height:25px;
}

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With the ambitious title of his most recent book, "Nietzsche, Psychology and First Philosophy", Robert B. Pippin is setting himself a formidable task: to evaluate, and contribute to, one of the core debates that have surrounded Nietzsche's oeuvre from the very beginning. Yet, writes reviewer Kristof Fenyvesi, while Pippin's status as a major Nietzsche scholar is undoubted, there simply aren't enough new ideas in this slim volume to fulfill the promise of its title. If there were only a handful of analyses on Nietzsche and psychology, and if Pippin had not previously published nearly every important thought contained in this book, then this little volume would certainly have the charm of novelty. However, as things stand it is simply too short for a monographic survey of Nietzsche's relation to psychology, and too long to serve as a useful introduction or commentary.


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You are here: Home / Discover / The heritage / The mine site of Plombières / The mine site
The mine site
The mine site of Plombières en the House of the Mine site.
The mine site of Plombières hosts a nature reserve which is characterised by the presence of calamine lawns. They are home to particular fauna and flora linked to the concentration of zinc or other heavy metals in the substrate. Their range is limited in Europe that's why many of these species are endemic. The calamine pansy is the most representative.
You can still find lost in the vegetation, old remains of ancient metallurgical exploitations. The watercourse 'Gueule' crosses the site, that helps to diversify the natural environment. The point of view from the 'Gueule' rushing into the cave is worth a look.
Two marked routes from the town hall invite you to discover the area, one from1.7 km and the other from 3 km allows to discover the history of the mine site. The 'Natagora route' is nature-orientated and has also two variants.
The mine site also provides access to the RAVel 'Line 38' and 'Line 39' and is crossed by the Via Gulia and the 'Border Route' (route des Frontières). A passage to the mine House will complete your visit.
Free and accessible all the year.
The House of the mine site built in 1645 is one of the oldest houses in town. The facades and the roof were listed in 1982. The restoration has preserved a large part of the original half timbered walls. Discover at the ground floor a small museum – interpretation center on the history of Plombières and its natural reserve.
Mo - tu - th - sa : 9.00 - 13.00
We : 10.00 - 13.00
Fr : 13.00 - 17.00
Su : 13.00 - 17.00
Rue du Chemin de Fer 25
4850 Plombières
+32 (0) 87 35 53 77 - +32 (0) 87 78 50 33 (OTCP)
dG91cmlzbWVAcGxvbWJpZWVyZXMuYmU=
www.plombieres.be


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NBA Daily: Finally, Mario Hezonja Is Breaking Out
Home » news » Nba Daily Finally Mario Hezonja Is Breaking Out
Mario Hezonja talked to Basketball Insiders about staying in rhythm, dealing with trade rumors and his positional flexibility.
Ben Nadeau
Even after all this time, Mario Hezonja is still a difficult NBA prospect to nail down.
In between flashes of immense athleticism and a multi-positional talent, there were weeks and weeks that Hezonja, 22, spent glued to the Orlando Magic bench. Often raw and inconsistent, steady playing time had been difficult for Hezonja to lock down over the early stages of his career, typically surpassed by veterans with longer leashes and career resumes. This up-and-down partnership would eventually lead to Orlando declining Hezonja's option for a fourth-year at the end of October, a move that will make him an unrestricted free agent in the summertime.
But since that resolution — and in thanks to one of the NBA's most unfortunate list of injuries — the Magic have come to rely on the Croatian playmaker quite a bit recently. Over the last 19 games, Hezonja has averaged 11.2 points and 3.9 rebounds (even joining the starting lineup in nine of these games). As he now creeps toward a career-high in minutes per game, Hezonja has chalked up the new-found success to staying in rhythm.
"It's all about the rhythm, I've been working — actual work, after practice, before practice, all the extra steps to maintain the rhythm," Hezonja told Basketball Insiders. "Even though practice is different than actual games, the minutes and being on the court helps with the rhythm and everything else comes naturally to me."
Before he was permanently inserted into the Magic rotation in early December, there were 11 instances in which Hezonja played less than 10 minutes in a contest and he racked up seven DNPs along the way. Unsurprisingly, Hezonja isn't all that interested in padding his statistics or working toward career-highs — no, what he wants is to help the Magic turn their sinking season around.
"I shoot to make. I'm not into percentages, I'm not paying attention to that," Hezonja said. "I just want to make every shot that I take — that's what I'm working toward because I just want to win games."
Of course, Orlando began the year as an unexpected dark horse and soared out to an 8-4 record, a perch that neared the top of the Eastern Conference. Then the laundry list of injuries came hard and fast. First, it was Jonathan Isaac, then Terrence Ross. Starters Aaron Gordon (nine) and Evan Fournier (eight) have both missed a chunk of games, while center Nikola Vucevic has been sidelined since Christmas.
These injuries have decimated the Magic, who now sit in the conference's basement-dwelling 15th place at 14-33. Acting as one of Orlando's brightest developments this season, thankfully, Hezonja has certainly looked the part over his run of extended minutes. Naturally, Hezonja says that the correlation between his increased role and subsequent statistical output is not a coincidence.
"The minutes are big. If I had them before, maybe these [numbers] would've come before, but now it's all coming together," Hezonja said. "I'm telling you, it's all about rhythm, so everything comes after that.
"Injuries suck — they've pushed us a little bit behind, but I don't think that's the reason why I'm playing."
As a highly-touted European prospect, the expectations for the 6-foot-8 Croatian — who was picked at No. 5 overall in 2015, ahead of players like Myles Turner and Devin Booker — have always loomed large. But while he bounced in and out of the rotation for two different head coaches, many began to wonder if the talented Hezonja would ever take the next step. With the minutes in fine supply as of late, however, Hezonja has played his most consistent stretch of basketball since he arrived in the NBA.
Fans and front offices alike are obsessed with finding ready-made prospects in the draft, so when a player like Hezonja didn't immediately take the league by storm, the negative chatter inevitably began. But competitive as they come, the 22-year-old was able to answer the call when head coach Frank Vogel needed somebody to step up as the number of injuries and losses grew by the game,
All of a sudden, Orlando may come to regret declining that team option.
"Every year, I've improved — mostly in the off-season. During the season, you will learn from other guys who learned from opponents and what they do," Hezonja told Basketball Insiders. "You talk to people and everything that you do over time is so helpful.
"You win, you improve. You lose, you improve — it's unbelievable. It's how the NBA works and it's amazing, I've definitely gotten better every year."
Not only has Hezonja found his niche as a talented scorer, but he's even done it across four different positions in his young career as well. Beyond his assumed appearances at shooting guard and small forward, Hezonja once flirted with the idea of point guard during his rookie year under former head coach Scott Skiles. Under Vogel, Hezonja has gone the other direction to power forward, where he frequently punishes slower defenders in his ever-confident fashion.
Since Dec. 13, Hezonja has crossed the double-digit threshold in 12 of his last 19 games, topping out with a perspective-altering 28 points on 8-for-12 from three-point range against the Detroit Pistons. No matter where he plays or who guards him, Hezonja has quickly become an invaluable member of Orlando's rotation. When asked about his positional flexibility, Hezonja again focused back to the team.
"Yes, I'm expecting to play center next year," Hezonja told Basketball Insiders jokingly. "It's about how I can help the team from other spots, especially with the injuries and now that we don't have enough guys, I'm covering basically three positions. It's definitely helpful for my individual game, but it's helped the team too."
Nevertheless, those whispers haven't totally subsided.
Hezonja, along with Fournier and Payton, could be moved before the Feb. 8 deadline, according to Marc Stein of the New York Times. While the declined fourth-year option could leave the door open for an agreeable return to Orlando, rival executives expect Jeff Weltman — Orlando's team president — to "aggressively hunt" for a Hezonja deal in the coming weeks. Amidst the never-ending trade rumors and his soon-to-be first-ever trip to free agency, it would be understandable if Hezonja was a little distracted these days.
But even with an undecided future, Hezonja isn't worried about new contracts or opportunities, not even the rumors themselves. Hezonja has been down this road before — he cropped up in trade rumors last season too — so he knows that this won't likely be the last time either. Undeterred by all the noise, Hezonja is finally breaking out and producing some of his finest moments on an NBA court yet — and he's ready to keep on rising as well.
"Rumors, they always show up late, but it's all from before because we changed a lot of people, we changed the front office, so everything pops out — everybody talks about different stuff," Hezonja told Basketball Insiders. "I wasn't paying attention at all to it — I mean, I'm not on Twitter, I barely use Instagram, so I'm not swiping, I'm not a typical athlete nowadays.
"I'm really focused on basketball, that's why I'm here in America, so I really don't care about anything else."
Ben Nadeau is a Seattle-based writer in his third year with Basketball Insiders. For five seasons, he covered the Brooklyn Nets for The Brooklyn Game.


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Use the colour, style and other filters on the side before you buy online, so that you narrow down our extensive selection of pencil pleat curtains and choose the perfect type for you.


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One Night @ the Call Center (Paperback)
Chetan Bhagat
TK. 333
In Stock (12 copies available)
Category: Novel
7 Ratings / 4 Reviews
Summary Of The Book
One Night @ The Call Center is a book that covers the lives of six call center employees working for Connexions, a call center located in Gurgaon. In the beginning of the book, the readers are presented with a frame story describing a train journey, during which the author meets a girl who desires to tell him a story. However, there was one condition that he had to adhere to if he wanted to hear the story. This condition specified that he had to base his second book on the story.
The book talks about how the employees receive a phone call from God during their work timings at the call center. The characters in this novel include Radhika, Esha, Shyam, Priyanka, Varun, and Military Uncle. These six characters are deeply disturbed by the events taking place in their own lives, and choose to focus on their problems rather than trying to find a way out of them.
In this book, Bhagat throws light on the lives of the individuals in present day India, who are residing in the metro cities. The language utilized by the author is simple, and contains witty remarks on urban culture and relationships. The author makes use of words that are associated with that region in the country, thereby increasing the readability of this book.
One Night @ The Call Center was published in 2005 and received a favourable response. The book was adapted into a movie that was released in 2008, titled Hello, starring Salman Khan, Arbaaz Khan, Sohail Khan, Amrita Arora, Gul Panag, and a host of other actors.
About Chetan Bhagat
Chetan Bhagat is a renowned columnist, speaker, and author from India. He has also written other books like 2 States: The Story Of My Marriage, Five Point Someone: What Not To Do At IIT, The 3 Mistakes Of My Life, Revolution 2020 and What Young India Wants.
He was born in 1974 in New Delhi. Bhagat studied at Army Public School, New Delhi, and went on to obtain his degree in Mechanical Engineering from the Indian Institute of Technology, Delhi. He also holds an MBA degree from the Indian Institute of Management. After finishing his degrees, he began working in Hong Kong as an investment banker. Bhagat has also received many awards such as the Publisher's Recognition Award and Society Young Achiever's Award. In the year 2010, Bhagat was listed among the World's 100 Most Influential People by Time magazine. Four of his books have been adapted into films.
Title One Night @ the Call Center
Author Chetan Bhagat
Publisher Rupa Publications
Edition 156th Impression, 2016
Chetan Bhagat is the author of eight blockbuster books. These include six novels—Five Point Someone (2004), One Night @ the Call Center (2005), The 3 Mistakes of My Life (2008), 2 States (2009), Revolution 2020 (2011), Half Girlfriend (2014)—and the non-fiction titles, What Young India Wants (2012) and Making India Awesome (2015). Chetan's books have remained bestsellers since their release. Several of his novels have been adapted into successful Bollywood films. The New York Times called him the 'the biggest-selling English language novelist in India's history'. TIME magazine named him amongst the '100 most influential people in the world' and Fast Company, USA, listed him as one of the world's '100 most creative people in business'. Chetan Bhagat writes columns for leading English and Hindi newspapers, focusing on youth and national development issues. He is also a motivational speaker and screenplay writer. Chetan Bhagat quit his international investment banking career in 2009 to devote his entire time to writing and make change happen in the country. Chetan Bhagat lives in Mumbai with his wife, Anusha, an ex-classmate from IIM-A, and his twin boys, Shyam and Ishaan.
7 Ratings and 4 Reviews


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3:10 to Yuma (2007)
Watch 3:10 to Yuma Full Movie Online
In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.
Director: Annie Penn, Chris Carreras, James Mangold, Nicholas Mastandrea, Paul Greengrass, Sheila Waldron
Actors: Alan Tudyk, Albert Finney, Ben Foster, Christian Bale, Corey Johnson, Dallas Roberts, David Strathairn, Edgar Ramírez, Gretchen Mol, Joan Allen, Julia Stiles, Lennie Loftin, Logan Lerman, Matt Damon, Paddy Considine, Peter Fonda, Russell Crowe, Scott Glenn, Tom Gallop, Vinessa Shaw
After the 1860s Wild West, a group of misfit settlers – including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian – decide they cannot live in their current situation…
Country: USA, Mexico
Genre: Adventure, Comedy, Western
Gunslinger Jonah Hex (Josh Brolin) is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull (John Malkovich), a former Confederate officer determined on unleashing hell on earth. Jonah…
Genre: Action, Drama, Fantasy, Thriller, Western
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men…
Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President U.S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor…
Genre: Action, Adventure, Comedy, Science Fiction, Western
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Young Guns II
Only three of the original five "young guns" — Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) — return in Young…
Genre: Adventure, Western
This film chronicles the life of Lane Frost, 1987 PRCA Bull Riding World Champion, his marriage and his friendships with Tuff Hedeman (three-time World Champion) and Cody Lambert.
Genre: Drama, Romance, Western
The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark…
Genre: Action, Fantasy, Horror, Science Fiction, Western
Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and,…
Country: USA, Canada, UK
Genre: Action, Drama, Western
A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles.
Genre: Action, Comedy, Crime, Drama, Western
The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.
Genre: Action, Drama, Fantasy, Horror, Thriller, Western
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
Genre: Drama, Western
Trailer: 3:10 to Yuma


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Afsane Noroozi, an Iranian woman is currently facing a death sentence after being convicted of dubious charges of murder. In reality, Afsane killed her assailant, a high ranking member of Iranian security police in defense and to avoid a sexual assault.
Self-defense was not considered as a legitimate argument at her trial, according to Islamic Republics judiciary rulings.
Afsane joins one of the worlds largest death-rows, awaiting her sentence by a government that is already one of the major enforcers of capital punishment globally. Amnesty International has already documented 80 cases of executions in Iran this year, but fears the actual number is much higher.
We urge you to consider our sincere and crucial plea to interfere on this matter and request a halt to Mrs. Noroozis punishment and push for a review of her case, based on simple principles of international law.
We also appeal to the government of the Islamic Republic of Iran to honor international treaties and agreements it is committed to, in particular the Universal Declaration of Human Rights which guarantees every persons right to life, liberty and security.
Please consider making a small donation today. This will allow us to keep Save Afsane Noroozi's Life alive and available to a wide audience.


The following words have the following meanings: "Conditions" means these terms and conditions; "Product Provider" means the provider of products, services, or goods listed on, and potentially able to offer its product and services through this website; "Great Britain" means England, Wales and Scotland; "Us/Our and we" means Rittch Ltd, England; "You" means the user of the website.
You acknowledge and accept that all copyright, trademarks and all other intellectual property rights in all material or content provided as part of the website belong to us and the Product Providers. You may download material from this site for your own use only. No right, title or interest in any downloaded materials is transferred to you by such downloading. Any other use of the material and content of the website is strictly prohibited and you agree not to copy, reproduce, transmit, publish, display, distribute, commercially exploit or create derivative works of such material except for the purpose of Requesting Product Information, Delivery, Installation or Building Maintenance services or with our written consent.
While we will use all reasonable endeavors to ensure the accuracy of any information placed on the website, we make no representations or give any warranties of any kind with respect to this site or its contents and we disclaim all representations, except where fraudulently made, and warranties. These disclaimers do not attempt to disclaim liability for matters which cannot be excluded under any applicable English law. We make no warranty that the website will meet your requirements or will be uninterrupted, timely, secure or error-free, that defects will be corrected, or that the site or the server that makes it available are free of viruses or bugs or represents the full functionality, accuracy or reliability of the materials. We will not be liable to you for any loss of content or material uploaded or transmitted through the website. We cannot guarantee that a Product Provider will be able to provide a particular product at any particular time or that a product will be available from day to day. We do not accept any liability in the event of withdrawal of any product by the Product Provider for any reason whatsoever. We cannot be responsible for the services offered by us as trade agents or subcontractors for third parties (including but not limited to Product Providers) or for any aspect of the relationship between you and that third party. We will not be responsible for any loss or damage suffered as a result of a dispute between yourself and any third party due to the use of our Service. Neither we nor any of our directors, agents or employees will be liable for damages arising out of or in connection with your use of this site. This is a comprehensive limitation of liability that applies to all damages of any kind, including, without limitation, compensatory, direct, indirect or consequential damages, and loss of data, income or profit, loss or damage to property and claims of third parties. We do not exclude any liability for death or personal injury resulting from our negligence or that of our directors, agents or employees. This website is designed to provide you with general information only and does not attempt to give you comprehensive advice on any particular product or to recommend any particular product to you. The information on this website may not include all products available on the market.
We reserve the right at any time to modify or withdraw, temporarily or permanently, the website or any part of it without notice to you and we will not be liable to you in any way for any modification or withdrawal of the website. We also reserve the right to modify these Conditions without reference to you. We reserve the right at any time to refuse to process a transaction for any reason. We will not be liable to you or any third party by reason of our refusing to process a transaction.
In the event that there are third party links to other websites for your convenience, you acknowledge and agree that we are not responsible for the availability or functionality of such external sites. We do not endorse the content of any external sites and are not responsible or liable, directly or indirectly, for any loss however caused to you by your use of any external site. General: The information on this website is for residents of Great Britain only. We shall not be liable to you where performance of any of our obligations to you is prevented, frustrated or impeded by any circumstance or cause beyond our control. If any part of these Conditions is found to be unenforceable as a matter of law, all other parts of these Conditions shall not be affected and shall remain in force. These Conditions shall be governed by and construed in accordance with English law and the English courts shall have jurisdiction over any disputes between us.
CONDITIONS OF CONTRACT FOR Rittch Ltd.
1.2 These terms and conditions exclude any other terms and conditions inconsistent therewith which a client might seek to impose even though such other terms and conditions may be submitted in a later document and/or purport to exclude or supersede any terms or conditions inconsistent with them or may be contained in any offer acceptance or counter offer made by the buyer or client.
No variation of these terms and conditions is agreed unless by a director of the contracting company in writing.
Any drawings, specifications and documents supplied with this quotation remain the property and copyright of the contractor.
Consequential loss. The contractor shall not be liable for any consequential or indirect loss suffered by the client whether this loss arises from breach of duty in contract or tort or in any other way.
The "Contractor" and the "Client" shall mean the persons and /or firms so designated overleaf.
1.3 These conditions shall apply without deletion, substitution or amendments unless expressly so agreed in writing by the Contractor.
1.4 The Contractor shall carry out and complete the works described in the contract documents in a good and workmanlike manner. If there is any inconsistency between the specification, the Bills of Quantities and the drawings, the drawings shall prevail.
1.5 The Client shall obtain all permissions, give all notices and pay all fees required under any Act of Parliament or any regulation or by-law of any local authority or statutory undertaker having any jurisdiction with regard to the works and the Client shall indemnify the Contractor against any claim, proceedings, loss or expense resulting from the Client's breach of the Clause in whole or in part.
2.1 The contract sum shall be the sum stated in the Contractor's quotation overleaf and no adjustments shall be made to such sum except as expressly provided in these conditions.
2.2 The quotation shall remain open for acceptance for.....30........ days from the date shown overleaf.
2.3 The contract sum shall be treated as fixed price for a period of 30 days from the date shown overleaf. Thereafter the contract sum shall be adjusted in accordance with Clause 2.4.
2.4 This clause shall apply if clause 2.3 has been deleted and otherwise only after the period specified in 2.3 has elapsed. The contract sum shall be deemed to have been calculated upon the cost of labor, plant, materials, transportation, taxes, duties and levies of whatsoever kind (but exclusive of Value Added Tax) current at date of quotation and shall be adjusted to take account of any increase or decrease in the wage rates, hire charges, price of materials, transport charges, statutory taxes, duties and levies and any other costs and charges howsoever arising and from whatsoever cause.
2.5 Variation of the design, quality or quantity of the work required by the Client must be in writing and if accepted by the Contractor, shall be carried out at the prices normally charged by the Contractor at the date of acceptance of the variations. Such amounts shall be added to the Contract Sum and the Contractor shall be entitled to include such amounts in any invoices issued to the Client under the provision of Clause 3. Site personnel have no authority to act for the Contractor in receiving instructions, accepting variations or agreeing any amendment of these conditions.
2.6 Should the volume of work be reducing by 10% or more, the Contractor reserves the right to increase rates.
3.1 Payment shall become due and shall be made in full without deduction or deferment on account of disputes, cross clauses, set-off or discounts of whatsoever kind not later than 14 days from the date of any invoice rendered by the Contractor. The Contractor shall be entitled to charge interest on any sums not so paid. Such interest shall be calculated on a day-to-day basis on the amount outstanding at the rate of 3% above that normally charged by the Bank to the Contractor on overdraft facilities whether the Contractor is using such facilities at the time or not.
3.2 Without prejudice to the Contractor's other rights and remedies, if the client shall fail to pay as provided in Clause 3, the Contractor shall be entitled to suspend work five days after any written notice to the Client to that effect.
3.3 Invoices will be rendered on completion or interim invoices maybe issued a deposit may be required before commencement of contract works.
3.4 Payment to be agreed before contract acceptance.
3.5 Paid when paid contracts in any form are not acceptable. Any condition constructed by the Client that can be construed in any way to mean that the Contractor will not receive payment until some other outside agency has made payment to the Client or given authority for payment to be made will not be accepted by the Contractor holds the Client solely responsible for paying the Contractors invoices within the time agreed in this contract. The Client in this context is the company, entity or individual that places the order with the Contractor. Agents placing orders with the Contractor will be held responsible for making payment on time regardless of their ability to recover the payment from their Clients.
4.1 The Client shall give full possession of site together with proper and adequate access on date to be agreed by Client and Contractor or, if not so agree, on a date not later than ........30........days from the date of the quotation.
4.2 The Contractor shall take possession on the due date, proceed with due diligence and complete the works within a period of ....TBA....days from the date of possession "Completion" shall mean the completion in all essential respects of the works set out in the contract documents.
4.3 Notwithstanding Clause 4.2 above, time is not the essence of this contract and the Contractor shall not be liable for any loss, cost or damage of whatsoever kind arising out of or as a consequence of its failure to perform or complete the work as provided by reason of matters beyond the Contractor's control which it could not have reasonably foreseen at the date of this quotation.
4.3 the Contractor may extend the time for such execution or completion by such period or periods as in exercise of its absolute discretion it shall deem appropriate.
4.6 Force failure. The Contractor shall not be liable for any failure to complete the works or for any delays, which arise from circumstances outside the Contractors control.
5.1 Following completion of the works, the Client shall be responsible for the proper maintenance of the site and associated works.
6.1 Without prejudice to its other rights and remedies, the Contractor may by written notice to the Client or to any person in whom the contract may have become vested forthwith determine its employment under the contract by reason of any one or more of the following.
Suspension of the works, in whole or in part, for a period of 5 days, whether or not consecutive, due to any act, omission or default of the Client or anyone for whom the Client is responsible. Provided that the Contractor shall have stated the default alleged in a written notice and the Client shall have failed to rectify the default within 5 days of the date of such notice and provided further that the notice of determination shall not be given unreasonably or vexatiously.
6.2 Following any determination under clause 6.1 the Contractor shall be entitled to be paid the value of all work carried out, materials supplied and materials not supplied but for which the Contractor is legally obliged to pay the amount of any loss and/or damage caused to the Contractor as a result of such determination and the contract sum shall be adjusted accordingly. The Contractor shall be entitled to include such amounts in any invoices issued to the Client under the provisions of Clause 3.
6.3 If the Client wishes to obtain possession and ownership of the ordered materials he must pay the contract sum and give notice of his intention to collect them both within 14 days of an invoice being issued for the contract sum. Ordered materials shall be held at the Client's risk and must be collected within 14 days after payment of the contract sum. If the Client wishes the Contractor to store the ordered materials he must enter into separate negotiations with the Contractor for such purpose.
7.1 The Client warrants that the site is free of hazardous materials or other hazards or obstructions which are not reasonably apparent by visual inspection of the surface of the site or which have not been made known in writing by the Client to the Contractor prior to the date of the quotation overleaf.
7.2 Without prejudice to his other rights and remedies, if the Client is in breach of the warranty under Clause 7.1, the Contractor may proceed with the works and shall be entitled to reasonable payment for any additional work or materials caused by the breach. Such amount shall be added to the contract sum and the Contractor shall be entitled to include such amounts in any invoices issued to the Client under the provisions of Clause 3.
7.3 The quotation assumes that the site is equipped free of charge electrical 240 volt power points, water taps and with welfare facilities such as toilet and washroom sufficient to comply with the Health and Safety at Work Act. If not the Client should contact the Contractor as it may be necessary to charge extra for facilities to be brought on site.
8.1 Materials supplied by the Contractor shall be at the Client's risk immediately on delivery to this site.
All other materials which are the subject of any other contract between the Client and the Contractor which at the time of payment of the full price of materials supplied under the contract have been delivered but not paid in full.
Have been paid in full.
8.3 The Contractor shall have the right of entry onto site for the purpose of retrieving its materials and for any other purpose under Clause 8.
8.4 Materials brought in by the Contractor which remain unused on completion of the works, remain the property of the Contractor.
8.5 The Contractor accepts no responsibility for the performance of the Clients own materials incorporated into the works at the Clients request.
9.1 In the event of any disputes or difference arising out of or in connection with this contract the same shall be referred to such person as the parties may agree to appoint as Mediator or failing agreement within 14 days after either party has given to the other written notice to concur in the appointment of a Mediator as may be appointed. Mediation proceeding shall be deemed to have been instituted in the date on which such written notice has been given. The decision shall be final and binding.
10.1 The contract shall be governed by and shall be construed in accordance with English law.
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The Dilemma of the Italian-Americans
By Richard Gambino
Blood of My Blood eaves together the history, sociology and psychology of first, second, and third-generation Italian Americans. Its data is presented with scholarly precision; yet the author's personalized style, which he peppers with autobiographical tidbits, makes it immensely readable. Unlike most books written by academics, this one compels the reader to feel as well as to know.
Guernica Editions (Picas Series)
388 pages | January 6, 2000
Richard Gambino is Professor Emeritus at Queens College of the City University of New York (CUNY), and holds a PhD in philosophy from New York University. He was appointed to the United States Bicentennial Commission by President Gerald Ford in 1975. He served, by appointment of Governor Mario Cuomo, on the New York State Council on the Humanities from 1984 to 1992. In 1988, he was awarded New York City' s Leonardo Da Vinci Award by Mayor Ed Koch. He was a full-time visiting professor at SUNY/Stony Brook for seven semesters in the mid-1990s. In 1999, HBO made a fictionalized feature film based on his non-fiction book, Vendetta, about the largest lynching in U.S. history, starring Christopher Walken, Ed Hermann and Bruce Davison. His play about Walt Whitman, Camerado, was performed in the Hamptons on Long Island, and his play, The Trial of Pius XII was performed there twice. Both plays were very well received by audiences. In 2009, the New York State Press Association gave Gambino a First Place Award for years of his special features newspaper writings. The citation with the award sums up what he attempts in all his writings: "In an age of instant messaging and short attention spans, this is a refreshing display of real writing, style, substance and organization. His dry, wry wit and universal commentary are engaging and educational."


University of Kansas Athletic Director Jeff Long made the right decision Sunday in announcing that David Beaty would not coach the Jayhawks beyond this season.
It was a change Long had to make if KU Athletics is going to improve its financial outlook and solidify its standing as a member of the Big 12 Conference.
Although Beaty's 6-39 record was problematic, ultimately the dwindling number of fans at Memorial Stadium forced his ouster.
Neither of the crowds at KU's last two home football games would have filled 16,300-seat Allen Fieldhouse.
Long, who was hired in the summer specifically to revive the KU football program, had seen enough.
In discussing the change at a Sunday press conference, Long thanked Beaty for his commitment to the job and noted that the coach is leaving the program in better shape than what he inherited. That is true.
But it's also true that KU fell well short of what it needs from its football program under Beaty. That was clear during a meeting Long held with the University Senate last week. Faculty members, who learned last summer that KU would be cutting $20 million from its budget during the next two years, wanted to know when KU Athletics would contribute funding back to the university, as is done by other university athletic departments. The University of Arkansas, where Long previously was athletic director, doubled its athletics contribution back to the university during his tenure.
"We are not financially solvent enough to be able to (give back). We are behind many of our competitors," Long said, adding that KU is "years down the road" from being able to do so.
Priority No. 1 for getting KU Athletics' financial house in order is fielding a competitive football program, starting by spending what is necessary to bring in an established head coach with experience rebuilding a program.
"We are going to find a proven leader, a tenacious recruiter and a developer of young men on and off the field. As I have routinely said, we will break the cycle," Long said.
Long's vision for the football program is the right one. ... For the sake of everyone who cares about KU, let's hope that Long's choice for the next football coach not only shares his vision but can achieve it.


The school was founded in 1998 by a group of Christian laity and is accompanied by the Schoenstatt Fathers. The catchment area of the school is a middle class suburb of Santiago. At present the school has 427 students. It is composed of a pre-school, primary school and middle school.
To develop the potential of the students to the highest degree possible through a solid education and training in Catholic values. To provide a high academic niveau that is orientated to values, in order to educate men and women in the spirit of Fr Ken- tenich's pedagogy, so that they are able to take on responsibili- ty for society as all-round leaders.


"Pro football is almost a different game from college football," LIFE magazine helpfully informed its readers in October 1938. In those years, the biggest pro sports in America were baseball, boxing and horse racing; professional football barely registered on most fans' radar. But pro ball was making strides, and LIFE acknowledged the upstart National Football League — with portraits of the then-champion Redskins.
"The faces [of the players featured in the article] belong to Washington Redskins," LIFE wrote. "Their bulldog jaws, shattered noses, bull necks are characteristic of pro footballers everywhere. Most of them have businesses or part-year jobs. During the season they may get as much as $15,000 for playing eleven games."
Fifteen thousand bucks might not sound like a lot of money, especially in light of the salaries paid to today's NFL stars, but it was roughly ten times the average American salary in 1938, in the midst of the Great Depression when unemployment was pushing 20 percent. Not bad money — especially for guys with bulldog jaws and shattered noses.
That's Hall of Famer Sammy Baugh up there in the leather helmet, by the way. Tough enough for ya? And by the way: The reason all the portraits here are of white guys is because the NFL's color barrier wasn't breached until 1946 — a year before Jackie Robinson played his first game as a Dodger.
Ben Cosgrove is the editor of LIFE.com. Picture This is his weekly, and occasionally more frequent, feature for The Stacks.


We've rounded up a few of our favorite rooms that wear the classic color combo well.
The classic combination of true-blue with bright-white is still a timeless country palette—here are a few of our favorite rooms that wear the colors well.
Designer Mark D. Sikes, author of the new book Beautiful (Rizzoli, $45; amazon.com), has a soft spot for the timeless country combo of blue and white. While Mark's beloved stripes certainly have a place in this bedroom (note the French armchairs and the tape trim on the window treatments), the designer's favorite accents here are the blue-and-white ceramics—from porcelain jars on the mantel to the garden stool side table. "You can use ceramics sparingly as an accent, but I like a lot of pieces displayed together as a collection. It gives instant color and detail that's intricate and alluring," he says. He lists John Rosselli Antiques and Middle Kingdom as his go-to sites. When doing your own searches online, use the key words "ginger jar" or "temple jar."
Mark is a firm believer that most rooms need a touch of black to balance out the textures and the softness of fabrics in a room. "Black is especially nice in a blue-and-white space because it gives the classic color combination a bit of an edge," he says. Start small with matte lampshades (see kitchen, above) or add a little more drama with a black coffee table or bold artwork, like the charcoal-print botanicals. Mark even suggests using a dark stain on floors to allow everything else in the room to be highlighted.
Mark says your garden can be your best source of design inspiration. "I like to create interiors that are an extension of what you see just outside the window," he says. Here, he complements the blue-and-white French bistro stools and sky-blue walls (Borrowed Light by Farrow & Ball) with a mossy green island.
"Different geometrics—especially stripes—in similar tones [like this mix of inky indigos] add layers and richness to a room without becoming 'too much' pattern-wise," says Mark. In this bedroom, a striped textile over the headboard, a striped inset on the custom linen ottoman (with a bias stripe as the welt), and a trio of (yes!) striped vintage throw pillows play well together alongside a paisley block-print duvet.
Rattan, rush, rope, and wicker: Mark is a huge fan of them all. "There is a classic crispness to blue and white, and woven natural materials counterbalance that crispness with rustic texture," he says. "They immediately warm up a space and bring it casualness." Take his cue and consider natural-fiber carpets, such as jute, and then top with striped dhurries and patterned rugs; nestle rattan-topped tables next to sofas and beds; add woven seating around dining tables and kitchen islands; and bring on the baskets containing plants large and small.
For this home, designer Darryl Carter chose classic milky shades, as well as the palest robin's egg blue (Albermarle Blue by Darryl Carter Colors by Benjamin Moore) in the master bedroom. He even convinced the homeowners that their dark-brown four-poster bed could make the move from relic to marvel with light-gray paint. Benjamin Moore's Ashmead Gray transformed the master bedroom's mahogany Henkel Harris four-poster.
A pretty white plate rack gives easy access to blue dishes and mugs—perfect for grabbing while prepping food on the butcher-block-topped peninsula. A pendant light directly overhead provides the necessary task lighting.
The owners of this kitchen wanted to incorporate eco-friendly materials in their new kitchen and did so by installing cork flooring and using low-VOC (volatile organic compound) blue paint on the walls and white paint on the cabinets.
Here the blue-and-white palette is reversed: The walls become a bold blue while the fixtures and shower curtain remain white. A dark wall color is easier to handle in the bath, since time spent here is brief. With a chrome shower curtain rod—outfitted with two white terry-cloth curtains—this bath feels like a spa retreat.
Bring color into a bathroom not only through a bright wall hue, as seen here in this small space, but also through fresh flowers, like blue hydrangeas. They'll provide a pleasing pick-me-up every morning.
Designer Sarah Richardson, from HGTV's Sarah's House, used a wide-stripe fabric from Schumacher, aptly named Summerside, on the back of the armchairs in the lovely white dining room of her summer cottage. Richardson also piled on pillows in fanciful patterns, including a blue paisley.
A blue-and-white scheme works well when mixed with lots of natural texture—wicker, rattan, straw, old English pine, as in this kitchen and dining room.
This all-white bathroom benefits from a simple pop of color from blue planters and pretty hyacinth blooms.
Use an all-white bathroom as a backdrop for blue accents. Here, a shower curtain has three different white trims stitched on top of it—a theme that is picked up, in reverse, on the towels.
In this eating area, dish-towel stripes have been fashioned into chair covers and a bread bag, offering a graphic counterpoint to the toile wallpaper. The wood table and chairs lend a warm balance to cool blues.
A plaid blanket by L.L. Bean laid across an iron bed from Bear Mountain Mercantile adds color and pattern to the guest room.
A double-basin sink and separate commode room make this blue and white bath ideal for two people. The bead board on the walls create a nautical feeling.
Lemon-painted drawer fronts add zest to this sky blue bathroom without diminishing the peaceful vibe.
See 12 more updated twists on the blue and white color palette.


This catalogue is Choc-full of all of our favourites. Come down and pay us a visit today to take advantage of great pricing and for your chance to win holidays, hampers, bikes and more!
In the spirit of tradition, and giving, and all things good, LBHQ are giving ONE LUCKY PERSON the chance to WIN ONE OF EVERYTHING featured in our Easter catalogue. That's 130 different drops to enjoy with your family & friends!
Yes. You read that right. All you have to do is go to their Facebook page and get amongst the action.


Funded by the Ryoichi Sasakawa Young Leaders Foundation Fund; established by an endowment of $1 million awarded to Howard University. The SYLFF program is designed to provide full financial support to outstanding Ph.D. students admitted to candidacy with a research concentration in international affairs and/or world peace for the duration of two academic years, as long as the recipient meets eligibility requirements. Each year of eligibility, Sasakawa fellows receive full remission of tuition and student fees as well as a $25,000.00 stipend. For the duration of the two academic years, Sasakawa fellows receive an allowance of up to $1,500.00 for travel and $500.00 for books.
The Sasakawa Young Leaders Foundation Fellowship (SYLFF) is designed to provide full financial support to outstanding Ph.D. students admitted to candidacy with a research concentration in international affairs and/or world peace. The SYLFF fellowship is a competitive, merit-based award and is offered upon the recommendation by the SYLFF Advisory Committee at Howard University.
Candidates must be advanced to Ph.D. candidacy with research and career interest in international affairs and/or world peace. Students must be enrolled full-time with a minimum GPA of 3.5. Domestic and International students are eligible for this award.
Full tuition and fees and a stipend of $25,000 for one academic year, renewable for no more than two years. The fellowship also includes a research award of up to $2,000 over the two- year period ($500 of the research award may be used for educational supplies, and $1,500 for dissertation research related travel expenses).
One (1) copy of the materials listed below must be submitted to your Department Chair by the 2nd Monday in February annually.
Department Chair must endorse the application and submit the application packet to the SYLFF office, Room 200, Graduate School, Annex III, by 5 p.m. on the 3rd Tuesday in February annually. Late applications will not be considered.


The offer is for a large top quality Meissen KPM Painting on Porcelain after Henner, signed Wagner in lower right. It shows a young woman with long, flowing hair in a gilt wood frame.
Porcelain size 10 1/4 x 8 1/4. Overall size is 17 x 19" and 2 3/4" deep. The artist's signature is best seen in image 6. The plaque is in perfect condition.
Any light/white specs you may see are a light reflection, no damage. The wood frame is in good condition with some light wear due to age. Please don't hesitate to ask any questions or ask for more pictures.
The item "Large Antique KPM Porcelain Wagner Signed" is in sale since Wednesday, March 20, 2019. This item is in the category "Antiques\Decorative Arts\Ceramics & Porcelain\Other Antique Ceramics".us2013" and is located in Sylvania, Ohio. This item can be shipped to United States.


Stay connected to We Olive & Wine Bar at the Mix through our e-newsletter. Each month you'll receive a first look at new products, wine tasting events, original recipes and more! Sign up to get your monthly We Olive scoop at the bottom of this page.


In the Caribbean, it is interesting to use the Geographic Information System (GIS) to explore and analyze unexploited data of the social sector. Using GIS data from the National Oceanographic and Atmospheric Administration on tropical storms and integrating it with household surveys leads us to answer questions related to the welfare effects of tropical storms. Upscaling the amount and richness of the information that a household survey contains with geographical characteristics could help to drive research on the effects of climate change variables such as tropical storms. This would help better advise public policy on, for example, adaptation to climate variation.
To answer some of the potential questions for Jamaica, new data were created using household information from the census, the Survey of Living Conditions and the Tropical Cyclone Tracks data set (BestTrack (HURDAT2)-NOAA). One striking detail of household surveys in the Caribbean is the lack of information regarding the level of destruction resulting from disasters such as a tropical storm. In other parts of the globe, such as in Vietnam, although surveys ask about monetary losses caused by typhoons, this information is not accurate because its gathering process relies on the individual's recall of the event (Zylberberg, 2010). These cases use actual event information that commonly comes from GIS. In this way Boose et.al, 2004 formulated a way to accurately build destruction indexes that accurately describe the losses resulting from storms in Puerto Rico. Furthermore, Strobl, 2012 used this method to investigate the effects of tropical storms on economic growth in the Caribbean region.
Indexes that use the physical characteristics of Jamaican storms present an important advance in understanding the effects of tropical storms on households. The idea is to exploit exogenous variation in the intensity and trajectory of storms at least 500 kilometers from the island, as seen in Figure 1, to test causality. The figure shows the trajectories of tropical storms between the years 2000 and 2012 where the wind speed was defined by the degree of red going from the 150 kilometers per hour for Hurricane Dean in 2007 to 30 kilometers per hour for Tropical Storm Helene in 2000.
The trajectories and wind speed in addition to the Jamaica Census' GIS information (provided by the Statistics Institute of Jamaica) on districts let us build the destruction index for each one of the 5,235 districts. Figure 2 uses census information to show the risk map of Hurricane Gustav by district.
This richness in data will open the research agenda to questions regarding climate change. Many institutions have stated that warm ocean waters, as a consequence of global warming, will yield stronger but not more frequent storms so that using our knowledge to understand the effects of past storms will help to adapt to the changes in the future.
A considerable amount of information is yet unexplored. The integration of household data, farmer's production data, infrastructure data, and so forth with GIS and satellite information will disentangle causality issues to questions such as, "Is there any effect of tropical storms on early childhood physical development outcomes?", and "Does labor informality trend changes due to natural catastrophes like tropical storms?" The CCB-Caribbean Economics Team pursues such questions in its ongoing research agenda.
Melissa Dell from the Department of Economics at Harvard University has used GIS to find evidence of transcendence of colonial rules into actual welfare status in the case of Peru and the zones of Mita mining (Dell, 2010).
Florence Kondylis from the Development Impact Evaluation Initiative at the World Bank uses satellite information in order to study farmers' adaptation through plot and yield observation (Kondylis 2015).


text:
The Far Left Is on the Rise in Norway
Parliament, Oslo, Norway, 08/23/2018 © Nataliia Sokolovska / Shutterstock
Mette Wiggen
@mwiggenleeds
April 11, 2019 10:36 EDT
For the time being, populist red-green forces seem to have robbed the radical right of its language as well as its voters.
On March 1, Norway's far-left Red (Rødt) party polled at 7.6% — its highest ever result. If an election was called today, this could translate to 14 members in the 169-seat parliament, Stortinget, where the party currently has just one, Bjørnar Moxnes. Moxnes is young, charismatic, handsome and a straight-talker — all crucial ingredients for a political party to do well. The Socialist Left party (SV) is on 8%, with another charismatic, media savvy, likeable young man in charge.
Another party that's doing extremely well is the agrarian Center Party (Sp), which polls at 13.9% in the same Ipsos Mori survey and is also led by a charismatic and smiley young man. Even with the Labor Party (Ap) lagging behind the right at 28.2 %, the far left with Rødt, SV and the Sp would have been given a red-green majority coalition of 96 to 73 MPs six years after the second red-green government led by Jens Stoltenberg lost to the right.
The combined support for the far-left parties and the Center Party has continued to increase in 2019, while the right-wing Progress Party (FrP) is plummeting in the polls. It is now at its lowest in nearly 20 years, garnering less than 10% nationally. A combination of classic radical-right scandals, including corruption and allegations of sexual assault, along with the problems opposition parties face when ruling in coalition with "the enemy" seem to have finally caught up with the FrP. The prognosis for the local elections in September is not good, with some polls measuring FrP's national average as low as 7.3%, dropping below 5% in some municipalities.
A combination of a lack of talent, unfulfilled pre-election promises, internal conflict and operating in the shadow of the mayoral campaigns of the mainstream right Conservative Party (Høyre) and Labor are seen to be reasons for FrP's dwindling support. Maybe the party has reached its maximum capacity after six years in government, endorsing policies it campaigned against when in opposition. Or, perhaps, it has been exposed for what it really is, and the people don't like what they see.
The latest embarrassment for the Frp came in last week of February, when police had to intervene to make the minister for immigration and integration, Sylvi Listhaug, remove incitement to hatred from her Facebook page. She had previously been warned about the same post in October 2018, and the comment from a "friend" encouraging the assassination of named lawyers defending asylums seekers and immigrants had still not been removed. Listhaug feigns innocence saying she missed it, and that she always removes any offensive comments.
But it is not only the radical right that's in trouble. Infighting and lack of professionalism at the helm of Labor continue to cost the party support, hemorrhaging more than 1,500 members in just one month, and the trend sees no end. Neither the Frp nor the Ap seem to grasp what an average undergraduate of politics would see at first glance: infighting, rogue individuals, sexual harassment scandals and negative reporting are detrimental for political parties.
The Progress Party has been weighed down by scandals and government responsibility. With the right wing of the Labor Party is in charge, the leadership doesn't seem to realize that part of the explanation why it lost the 2017 election was the failure to collaborate with the far left nationally, as well as failing to act quickly to exclude sexual predators. One top politician in particular, Trond Giske, the Ap's deputy leader between 2015 and 2018, has done the party more harm than everyone else combined. Giske stands accused in several sexual harassment cases, and while he has apologized in one instance, he went on to blame alcohol and poor judgment in another.
Giske clung to power as long as he could but was forced to step down as deputy leader as a result of breaking party rules on sexual harassment in 2018. Consequently, his lawyers tried to sue Ap for its treatment of Giske, who went on to launch his candidacy as deputy leader in his constituency of Trøndelag. He didn't win, but he is still a member of the party executive committee. The book Arbeiderpartiet (Labor Party) by journalists Marie Melgård and Lars Joachim Skarvøy, documents how personal conflict, power games, the 2017 election and the #MeToo movement turned the last few of years into a nightmare for the Ap.
And let us not forget that the smaller red-green parties concerned about local issues, labor rights, the environment, poverty and inequality have some very professional straight-talking politicians who have succeeded in putting the message across to an electorate tired of conflict and a lack of clarity by the big mainstream players. The party that has gained most in the polls is the agrarian centrist Sp, at nearly 15%. Its leader, Trygve Slagsvold Vedum, has even been attacked by Ap politicians for being a populist and taking inspiration from US President Donald Trump in his vitriol against the Oslo elite. The Center Party speaks out against centralization, tax reform benefitting the rich, and cuts to police and air ambulances in remote parts of Norway, and seems to have hit the nail on the head when it comes to voter concerns. It is also fiercely anti-EU and emphasizes the importance Norwegian food production and tariff protections.
Bjørnar Moxnes, the leader of Rødt, is also a straight-talker who uses populist rhetoric to get his message across. Moxnes says many are fed up with the fact that ordinary workers don't have a say in political decisions. Norway's working class feels that its reality isn't taken seriously by the political elite — be it electricity prices, road safety threatened by foreign trailers on icy roads, or the concerns about being replaced by cheaper foreign labor. Rødt is launching a big grassroots campaign to attack the government's assault on welfare and equality in rural as well as urban areas.
The party will continue the strategy of supporting "ordinary people" and stopping welfare profiteers from robbing kindergartens, nursing homes and child protection from funds under the slogan, "We will rob them of their straws sucking the state coffers dry."
For the time being, populist red-green forces seem to have robbed the radical right of their language as well as their voters. With the Frp weak, and the smaller coalition parties attracting less than 1% support, a viable left would be an alternative in Norway. With the AP losing support, the country is facing an interesting local election contest in September.
*[The Centre for Analysis of the Radical Right is a partner institution of Fair Observer.]
Fair Observer Recommends
With the Collapse of a Right-Wing Coalition, Has Norway Turned Its Populist Tide?
Mette Wiggen, February 5, 2020
Norway Has Failed to Combat a Climate of Hate
Mette Wiggen, August 1, 2018


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The Technical & Financial Feasibility Assessment were carried out for the development of Floating LNG Terminals in East as well as West Coast of India for a annual throughput of 5.5 MMTPA and 2.5 MMTPA respectively.
Assessment of existing Jetty and Design of new jetty with extension of Breakwater.
ADCP mounted in a subsea frame at the location adjacent to the Pipeline End Manifold (PLEM) of Reliance SPM, offshore HAZIRA at approximately 27m water depth.
Pre-bid engineering for EPC contractor laying of pipeline offshore and onshore under cover Cost Estimation Plan, Vendor Selection & Deliverable List.
Our team of engineers have developed very cost effective floating modules for the floating solar power plant. These modules are not only easy to fabricate but also to provide additional buoyancy in case of damage of primary member.


The bmw 120d exclusive is classed as a Family cars by the majority of its drivers.
The 120d exclusive has a maximum power output of 170.00 PS (124,38 kW or 167,16 HP) at 4000 Rev. per min. with torque 340.00 Nm (34,53 kgf-m or 249,55 ft.lbs) at 2000 Rev. per min.
Top speeds of cars are not so important anymore more, because of our speed laws, but the bmw 120d exclusive has an impresive top speed of 218.0 km/h (134,82 mph) with a Manual, 6-speed transmission.


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For example, a developer making a game with Unreal Engine and releasing it on Steam would net them a revenue share of only 65 percent, whereas on the Epic Games Store that same game would net the developer an 88 percent cut.
Fortnite's developer is ready to battle Steam by building its own digital store.
In an attempt to make its store a more attractive proposition for developers and content creators, Epic will also implement a "Support-A-Creator program" that aims to bring influencers and marketers together. Developers using the Unreal Engine will save another 5% as the 12% include the engine royalty already.
Season 6 is set to end on December 5th with the brand new Season beginning right after.
Epic Games can't launch its games from outside of the iOS App Store yet, because unlike with Android devices, iOS users can't sideload applications on iOS devices. There, we have Steam, GOG.com, and the Windows Store. The math is quite simple: we pay around 2.5 to 3.5 percent for payment processing for major payment methods, less than 1.5 percent for CDN costs (assuming all games are updated as often as Fortnite), and between 1 and 2 percent for variable operating and customer support costs.
Curation would be manual, with "creators" - YouTube video makers and Twitch streamers - effectively providing recommendations direct to gamers.
"Unreal Tournament remains available in the store but isn't actively developed", Epic's Tim Sweeney said to Variety. The new tiered system adjusts the revenue share to 75%/25% and 80%/20% when game earnings exceed $10 million and $50 million on Steam.
Interestingly enough, this news comes just days after Valve announced they were reducing the cut it takes from some games.
The pair played Fortnite during downtime during of the editing process of Infinity War, they told EW this year. The first set of curated games will run on other engines like Unity. It will mostly focus on the technical side of things and general quality. 'We plan to grow throughout early 2019 and open the store up more widely later on. This in itself has created an opening for Epic's launcher, which poses a real threat to the PC monopoly while maintaining a stance against exploitative fees.


text:
package br.com.rooting.roxana;

public final class RoxanaPackageMapper {

    public static final String PROJECT_ROOT_PACKAGE_PATH = "br.com.rooting.roxana";

    public static final String SWAGGER_CONFIG_PACKAGE_PATH = "br.com.rooting.roxana.config.swagger";

    private RoxanaPackageMapper() {
    }

}

redpajama_set_name: RedPajamaGithub


To type a # (hash) symbol on a Mac with a UK keyboard, an obscure key combination, alt+3, is used. The hash key is not marked and you would be unlikely to guess this key combination. Using the key combination with one hand is possible but not particularly easy or comfortable.
As a web developer, the hash key is essential for coding, so rather than use the key combination, it would be easier to map a dedicated key to the hash character. The ideal candidate for this is the sectional ('double S') key: §, which is used to denote sections of a legal document, but probably of very little use for anyone not creating legal documents.
In finder, click 'go' on the menu and select the 'Go to Folder' Menu item.
Some apps, including textwrangler, will ignore this mapping if they have their own keymapping, but this does work perfectly with coda, the main editor I use.


All Seasons Paving & Masonry offers a number of asphalt paving services including Long Island Parking Lot Line Striping. We understand that the striping and layout for parking lots are fundamental components to any aesthetically pleasing and organized property. A well-marked parked lot makes it easier and more convenient for your clients to know where exactly to park their cars. It may seem like a simple task, but optimizing your parking space will maximize the amount of cars that can fit in your lot. And this also promotes safety too.
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Allowing access into hosted services for outside access, such as self-hosted mail systems, devices that need vendor access, DVR cameras, and more.
Restrict access to the above based on IP, network range, dynamic DNS hostname, or only allow access with a VPN/VPN Client.
Restrict outbound traffic to reduce impact of infections, for example, only allow outbound e-mail to a mail server you specify, or only allow outbound e-mail access from a specific internal mail server.
Restrict or remove internet access from certain workstations or devices.
Allow you to leverage multiple external IP addresses for use with inbound NAT (port forwards), outbound NAT (forcing certain services to use separate IPs), 1:1 NAT, or using them directly on a routed or bridged interface.
Make exceptions to the above so only certain employees (managers, or those with social media responsibilities) can reach sites restricted to others.
Safe N' Sound can secure and connect your sites and users with Virtual Private Networks (VPNs). With a VPN, your locations can communicate with each other as if they were right next door, and your data and communications are protected using the latest cutting-edge encryption algorithms.
With a VPN you can not only allow your remote offices to talk to the main office, but they can also talk to each other, either directly or through the main office. Any access between them can be restricted or allowed however you like.
By setting up a remote access VPN you can also let those working from home or on the road access internal services as if they were on your local network, without exposing sensitive services to external access. VPNs can be secured by certificates as well as shared keys and usernames/passwords. If you have an existing authentication server (such as an Active Directory Domain Controller or RADIUS server) the VPN can authenticate against that as well.


text:
Classroom 305A
(-) Classroom 305B
Classroom 305D
Classroom 305E
Classroom G37
(-) All-day
(-) July
(-) Wednesday
Show In-Person Classes Only
It's a Bird, It's a Plane..., Ages 6-8
9:00 am–4:00 pm
View Details of It's a Bird, It's a Plane..., Ages 6-8
Off the Wall, Ages 6-8
View Details of Off the Wall, Ages 6-8
Small Gestures, Ages 6-8
View Details of Small Gestures, Ages 6-8
Room with a View, Ages 6-8
July 31–August 4, 2023
View Details of Room with a View, Ages 6-8