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Thomasia (dier), geslacht uit de uitgestorven zoogdierorde Haramiyida
 Thomasia (plant), geslacht uit de kaasjeskruidfamilie

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IIASA Charter
Vice President of Iran visits IIASA
A high-level delegation led by HE Professor Dr Sorena Sattari, Vice President of the Islamic Republic of Iran for Science and Technology, visited IIASA on 23 July to discuss future collaboration.
Iranian Vice President for Science and Technology meets with IIASA's Director General.© Widhalm | IIASA
IIASA Director General and CEO, Professor Dr Pavel Kabat welcomed a high-level delegation from Iran to IIASA on 23 July 2015. Members of the Iranian delegation included:
HE Professor Dr Sorena Sattari, Vice President of the Islamic Republic of Iran for Science and Technology
HE Eng Mojtaba Khosrowtaj, Iranian Deputy Minister of Industries, Mines and Trade
Mr Ahmadreza Fallah, Deputy of the Iranian Ambassador in Austria
Mr Nosrat Aghamohammadi, First Counselor at the Iranian Embassy Vienna
Mr Sohrab Hejazi, Economic Counselor at the Iranian Embassy Vienna
Discussions focused on developing closer collaboration between Iran and IIASA, and on Iran joining the Institute. Kabat presented an overview of IIASA and its recent collaborations with Iran and was accompanied by IIASA Program Directors who outlined future activities between IIASA and Iranian researchers.
The IIASA delegation also included:
Professor Dr Nebojsa Nakicenovic, Deputy Director General, IIASA
Professor Chin-Min Lee, Special Advisor to the Director General of IIASA
Dr Markus Amann, Director, IIASA's Mitigation of Air Pollution and Greenhouse Gases Program
Dr Margaret Goud Collins, Director, IIASA's Capacity Building and Academic Training Program
Professor Keywan Riahi, Director, IIASA's Energy Program
Dr Sergei Scherbov, Deputy Program Director, IIASA's World Population Program
Iranian Vice President for Science and Technology, HE Professor Dr Sorena Sattari, visited the Institute to discuss with IIASA's Director General Professor Dr Pavel Kabat closer collaborations with the Islamic Republic of Iran. ©Widhalm | IIASA
IIASA Activities with Iran
Over the past ten years, researchers from IIASA and Iran have collaborated on a range of activities, including:
Studies into how insurance schemes can help reduce the risks and losses to property owners in Iran in the event of an earthquake
Analyses into water management and governance in Iran; an
Projections of Iran's future population.
Partners on these studies include scientists from the International Institute of Earthquake Engineering and Seismology, the Ramin Agricultural and Natural Resources University, and the University of Tehran
Additionally, eight PhD students from Iran have developed their international research skills by taking part in IIASA's Young Scientists Summer Program and its Southern African version
Recent IIASA research from the Risk, Policy and Vulnerability program is examining the social acceptance of renewable energy use in Iran, which remains a minor share of the current energy supply in the country, compared to fossil fuels and nuclear energy. Public support or opposition as well as willingness to use renewable energies (RE) are important drivers for deployment of solar and wind energy generation technologies. Therefore, researchers are exploring different cognitive and behavioural factors influencing support, opposition or willingness to use RE. In several recent publications, IIASA researchers Masoud Yazdanpanah and Nadejda Komendantova study these human factors, which are essential for energy transition in Iran. Their work is based on several surveys, studies of perceptions and views of different stakeholders in Iran.
Last edited: 20 April 2016
IIASA Collaborations with Iran
IIASA visit to Iran

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Home / Wildlife / How Do Sharks Mate? It Might Surprise You
How Do Sharks Mate? It Might Surprise You
Kaylee Keech
Kaylee is a science writer and outdoor enthusiast. She loves sharing the joy of nature with others, and hopes to inspire.
How Do Sharks Reproduce?
Reproductive Anatomy
How do Sharks Mate: Sharks Mating Habits
Ways of Shark Reproduction
1. Viviparity
Blue Sharks
Silvertip Sharks
2. Oviparity
Port Jackson Sharks
Horn Sharks
3. Ovoviviparity
Nurse Sharks
Interesting Shark Reproduction Facts
Why Are Sharks Threatened?
How Do Sharks Mate FAQs
1. Are Male Or Female Sharks More Aggressive?
2. Do Sharks Have Belly Buttons?
3. How Many Babies Do Sharks Have At A Time?
There are over 400 different species of sharks. So, it's no wonder that there are so many differences between the sharks from the way they look, how they hunt, and where they live. These differences extend to reproduction as well. Not all sharks reproduce the same way.
Do sharks lay eggs? Do they have live young? Let's get started answering these questions.
There are three main ways in which sharks reproduce: viviparity, oviparity, and ovoviviparity. In some rare cases, there are sharks that can even reproduce through asexual reproduction.
The way in which a shark reproduces depends largely on their biology and where they live. A shark that is accustomed to the open ocean is more likely to produce live young. A shark that lives closer towards shore is more likely to produce eggs.
A shark's reproductive organs are surprisingly similar to that of many mammals.
The male shark reproductive organs are called "claspers". It is long and can be found on the pelvic fin for the majority of shark species. In chimeras, the clasper is actually found on their head.
The females, on the other hand, have oviducts. The oviduct is basically a long tube that leads from the external portion of the female's body to her womb.
To mate, the male will insert his clasper into the oviduct of the female where he will produce sperm to fertilize the eggs. Sharks don't mount one another like in other animal species. Instead, the two sharks will swim parallel to each other during mating.
Unfortunately, we don't know much about the habits of sharks when they mate. It is difficult to find and observe mating sharks in the wild, and most sharks will not reproduce while in captivity.
It takes several years, even decades, for a shark to reach sexual maturity depending on the species.
Researchers believe that most sharks will migrate towards open waters for the act of mating. However, most sharks will also lay their eggs in nurseries: shallow areas that are usually protected by the coast.
Researchers have also noticed that most females have bite marks on their bodies from their male counterparts. However, it's not certain whether these bites are due to the male trying to mount them, or if they're a product of the mating ritual.
It's also known that sharks do not produce many young at one time. Many species of animals will produce a large number of young at once in the hopes that some of them will survive. Usually, because there are so many babies produced, they aren't of the greatest quality.
Sharks, it seems, prefer quality over quantity. Instead of having numerous young at once, they will have about 2-100 young, depending on the species.

 how do sharks mate Outforia
Viviparity refers to live birth. Over half of all cartilaginous fishes produce live young, and this is considered to be the most advanced form of reproduction. The reason that so many sharks produce their young this way is because they spend most of their time in the open ocean.
In order for sharks to be able to bear young, their bodies need to be able to support live young. They have gone through evolutionary developments so that the embryos can receive nutrients and are able to respirate while inside the reproductive tract.
They receive the nutrients and oxygen from an umbilical cord attached to the mother, much like mammals. The young will then live off the placenta until birth.
The difference between shark and mammal viviparity, though, is that juvenile sharks are independent immediately upon hatching. Most mother sharks do not even stick around long enough for the eggs to hatch. They simply find an ideal location for their eggs, lay them, and go on their way.
Viviparous sharks have small litters of pups, usually between 2-20- in total.
The eggs that these sharks produce are not buoyant, so they wouldn't work in the open ocean where the adults primarily spend their time. Additionally, the absence of eggs allows the adults to dominate pelagic (open ocean) zones that they would not be able to if they laid eggs.
Many of these shark species are not able to produce a large number of eggs, either. So, instead, they simply produce live young. Researchers have found that live young born from sharks tends to produce a higher survival rate than those born in eggs.
Below are examples of common viviparous sharks:
Both male and female Blue Sharks will reach sexual maturity at about 4-6 years of age. When they are ready to mate, the male will bite the female to latch onto her. Researchers have noticed that females have developed skin three times as thick as the males, likely due to this ritual biting. The male will then insert his clasper into her to fertilize her.
As I stated above, Blue Shark pups grow inside of the mother. They derive their nutrients from a yolk sack. Once all the nutrients are depleted from the yolk sack, it is converted into a placenta from which the mother will provide them nutrients.
Gestation lasts for about 9-12 months after which the mother will produce a litter of 5-135 pups.
Female Silvertip Sharks reach sexual maturity when they reach 6.5 feet/2 meters in length. The males reach sexual maturity at 5.9 feet/1.8 meters.
When they are ready to mate, the male will hold onto the female. Many female sharks have been noticed with bite marks on their bodies because of this. Some have even been seen missing part of their dorsal fin.
Mating season occurs during the summer months, as does birth. The gestation period usually lasts for about one year, so the pups will be born in the summer, a year after they were conceived.
During gestation, the pups will feed on a yolk sack. Once the nutrients in the yolk sack are gone, the yolk sack modifies into a placenta from which the pups will feed.
When the mother is ready to give birth, she will do so in shallower waters. She will give birth to litters of 1-11 pups. It is most common for them to have 5-6 pups in each litter. When they are born, the pups are about 25-32 inches/63-81 centimeters long. The pups have sometimes been seen swimming with the mother for a short time before they go their own way.
Other viviparous sharks include:
Blue Bull Sharks
Lemon Sharks
Mako Sharks
Porbeagle Sharks
Requiem Sharks
Salmon Sharks
Sandbar Sharks
Sharpnose Sharks
Sliteye Sharks
White Tip Reef Sharks
Whitecheek Sharks
Whitenose Sharks
Oviparity refers to the laying of eggs, and is the most common form of reproduction amongst fish. This form of reproduction takes place mostly in skates and chimera, and is actually less common in sharks. About 40 percent of all shark species will reproduce by oviparity.
The eggs, or the ova, will develop in the ovaries of the female and are developed with the help of hormones like progesterone and estrogen. The eggs that are produced are tough and leathery in texture.
Sharks are considered "true" oviparous, meaning that the eggs are fertilized in the womb before being laid. Gestation of the eggs can take anywhere from 6-9 months. How long gestation lasts depends on the species of shark and environmental factors like water temperature.
Gestation is not spent entirely in the mother shark. The eggs will usually stay inside the mother for several weeks before she lays it. After she lays the eggs, they are not fully developed yet. They will spend the rest of the gestation period in the water before they hatch.
The eggs are not just simply dispersed into the water column. Instead, the mother will spend a long time searching for the right place to lay her eggs. Oftentimes, they will choose to lay their eggs in nurseries with other sharks.
Many times, the eggs will have appendage-like attachments that adhere them to some kind of surface. The eggs may have horns, sticky mucus, or tendrils that help the egg stick to a surface. Even with this added protection, eggs are often eaten by predators.
shark eggs in mermaid purses
A "mermaid's purse", for example, is often found on beaches. This is the egg sack of a skate or shark that has tendrils to help it stick somewhere. If you study pictures, you can even tell which egg cases belong to which species of shark based on its characteristics.
Eggs can often be seen sticking to rocky substrate, coral reefs, seaweed, or even the seabed. The egg will stay there until the embryo develops enough to hatch.
A major feature of oviparity is that each egg develops with a yolk inside. The yolk is absorbed by the embryo until it hatches so that the embryo can obtain the nutrients that it needs. When the embryo is ready to hatch, it will have developed into a miniature version of the adult shark.
The size of the eggs and the number of eggs laid depends on what species of shark we're looking at. Some are much larger than others, and some species lay more eggs than others. Usually, sharks that reproduce by oviparity will produce between 10 and 200 eggs.
A really interesting thing about oviparity is that some female sharks have been documented giving birth without fertilization. Sharks like Bonnetheads, Blacktips, and Zebra Sharks have been known to produce eggs through "virgin births", called Parthenogenesis.
Below are a couple of oviparous sharks:
Bamboo Sharks
Female Port Jackson Sharks will reach sexual maturity around 11-14 years of age. The males will reach sexual maturity at just 8-10 years of age. They will breed once a year.
Throughout most of the year, the males and females stay separate from each other. They will live in different habitats from each other, and they will only come together to breed. Mating occurs between July and August.
Researchers are not entirely sure about the whole mating process because it's never been observed. Still, they've noticed that these sharks are more likely to spend time inside caves and ledges during the shark breeding season. They've also noticed that these sharks will stay at the bottom of the ocean floor for longer periods of time.
After fertilization, the female will produce egg cases between August and September. The egg cases are shaped like a spiral and are dark brown in coloration. She will lay 10-16 eggs which she will deposit in shallow reefs. The eggs will usually be seen between 16-100 feet/5-30 meters deep.
Female Port Jackson Sharks prefer coming to the same location every year to lay their eggs. When they produce the eggs, they will hide them inside the crevices of rocks to protect them from predators.
After breeding, the males will immediately head back into deeper water. The females will join them shortly after, once the eggs are laid.
The eggs will take about 10-12 months to develop before they hatch. When the pups hatch, they are about 10 inches/25 centimeters long. Unlike the adults, juveniles will usually live in bays and estuaries until they reach maturity.
When they are ready to mate, the male Horn Shark will chase the female. When they are both ready to mate, they will sink down to the ocean floor where the process will begin. The male will bite the female and wrap himself around her. The male will then insert his clasper into the female, and mating will last for about 30-40 minutes.
Horn Sharks begin mating between December and January. Because the females don't hold onto the eggs throughout the gestation period, she will deposit the eggs just a few weeks after.
Interestingly, Horn Sharks don't lay all of their eggs at once. Instead, they will lay two eggs at a time. They will lay two eggs once every 11-14 days and can deposit up to 24 eggs in total. The entire process can last between February and April.
When the female shark lays her eggs, she will do so in shallow water. She will hide the cone-shaped egg cases into the crevices of rocks to try and hide them from predators.
From there, it will take the eggs about 6-10 months to fully develop. How long it actually takes the eggs to develop depends on the temperature of the water.
When the pups hatch, they will be about 6-7 inches/15-17 centimeters long. They grow slowly, and they will not begin eating until about a month after they've hatched.
Other oviparous sharks include:
Catshark
Epaulette Sharks
Necklace Carpet Sharks
Swell Sharks
Zebra Sharks
Ovoviviparity is a bit more complicated than the other two forms of reproduction. In fact, ovoviviparity is more like a cross between viviparity and oviparity. Sharks that reproduce through ovoviviparity reproduce by producing eggs. However, the young sharks will hatch from the eggs while still inside the mother.
This is similar to viparity, however, the mother does not produce a placenta like she does with viparity birth. Instead, the embryos will feed off the yolk sack that was contained inside their egg before they hatched. Although the mother does not have a placenta, she does provide her young with oxygen.
Sharks that produce eggs through oviparity will lay the eggs, and they will develop wherever the mother deposits them. In ovoviviparity, the mother carries the eggs inside of her body and they will develop there.
This way of producing and developing eggs is advantageous because it offers protection to the eggs. With oviparity, the eggs are often out in the open where they are vulnerable to predators. But, with ovoviviparity, the eggs are able to fully develop safely within the mother until they're ready to hatch.
Unlike oviparity where the egg cases are tough, ovoviviparity produced eggs have a thin membrane that is easy to break out of. When the young is fully developed, the mother will then give birth to the pups. Ovoviviparous sharks will generally produce between 1 and 8 pups.
Sometimes, the pups aren't even born right after they've hatched from their eggs. In some species, the pups will stay inside the uterus to feed on the eggs that are unfertilized. Eating unfertilized eggs is called "oophagy".
In some species — like the Sand Tiger Shark — the pups will practice intrauterine cannibalism. This is when the pups that have hatched will prey on their siblings that have not hatched from their eggs yet. The first pup to hatch will do this to make sure that only the strongest pup survives.
Here are examples of ovoviviparous sharks:
Male Nurse Sharks will become sexually mature around 10-15 years of age. The females will become sexually mature around 15-20 years of age. To mate, the male will bite the female to hold onto her while he inserts his clasper into her.
Nurse Sharks have a gestation period that lasts about 6 months, and she will give birth between June and July. These sharks will produce young about once every two years. After she has given birth to one clutch of pups, she is physically unable to reproduce for another 18 months.
When the female gives birth, she will usually have about 30 pups at once. However, the pups are cannibalistic. The larger and stronger pups will eat the smaller and weaker ones. Once it's all done, there may be significantly less than 30 pups remaining.
At the time of birth, pups are about 12 inches/30 centimeters in length and are spotted. The spots will go away with age.
Tiger sharks can migrate for thousands of miles/kilometers across the ocean every year. Because of this, it is very difficult for researchers to study them, so much of their reproductive habits is unknown. Unfortunately, researchers don't yet know where female sharks go while they are pregnant.
Male Tiger Sharks will reach sexual maturity at 7.5 feet/2.3 meters. Females will reach sexual maturity at 8 feet/2.5 meters. To mate, the males will hold the female with his teeth while he inserts his clasper inside her.
Reproduction occurs between March and May, with births occurring between April and June of the following year.
Female Tiger Sharks will go through a gestation period of about 15 months. They will produce 10-80 pups who will be about 75 centimeters/29.5 inches long.
Other ovoviviparous sharks include:
Cookiecutter Sharks
Crocodile Sharks
Greenland Sharks
Gummy Sharks
Pacific Angel Sharks
Pelagic Thresher Sharks
Pygmy Sharks
Sawsharks
Soupfin Sharks.
Although rare, sharks are sometimes capable of reproducing asexually. Reproducing asexually means that the female shark reproduces without the help of a male. She does this by creating a copy of herself that is identical or similar to herself genetically.
This form of reproduction in sharks is so rare that there are only a total of two documented cases where this has occurred. The only time that female sharks are likely to reproduce this way is when there are no other sharks around them in the wild. They may also reproduce this way when held in captivity.
The reason that this is not more common in sharks is because it's an unideal way for them to reproduce. By limiting the young's genetics solely to the mother, the species will be more limited genetically. If this occurs over enough generations, it could potentially lead to the development of diseases and mutations.
You may also like: Check out These 10 Amazing Sharks in Maui You Might See on Shores: With Images, Facts, Description, and More!
egg of a Japanese horn shark
Sharks are very complicated creatures. But, their reproductive processes make them even more interesting. Here are some interesting facts about shark reproduction that you probably didn't know:
Some female sharks will mate with more than one male. When this happens, the young may be produced with the sperm from all the males. So, the pups in her litter may have different fathers although they are birthed at the same time.
As I'm sure you've already figured out, sharks can have significantly long gestation periods. In particular, the Dogfish Shark can have a gestation period of up to 24 months. This is the longest gestation period of any vertebrate
You may also like: Check out The Top Animals with The Strongest Bite Force: With Images, Facts, Descriptions, and More!
Sharks face a lot of threats — primarily from humans. We hunt them for their meat, oil, and fins. They're caught and killed accidentally in the bycatch of fishing for other fish. They're affected by pollution, littering, and climate change.
Unfortunately, sharks are not able to bounce back from these threats very easily. This is due directly to their slow reproductive process.
Many species of sharks do not reproduce every year. Some will only reproduce every other year.
When they do reproduce, the pregnancies last for a long time, and few pups are born. For most sharks, gestation lasts between 9-12 months, but for some species, gestation can last for up to 31 months.
Depending on the species of shark, they may produce as few as two pups with each reproduction. The largest number of pups produced can be attributed to the Blue Shark which can have up to 135 sharks. That may seem like a lot, but even that isn't enough.
When you think about fish, many species can lay millions of eggs at one time. Even still, we're losing many fish species to the threat of overfishing. If fish can reproduce at much higher rates and still be in danger, imagine how the sharks are faring.
Now, assuming that the mother shark reproduces and bears young, it's a slim chance that the babies will live to produce their own young. In many countries that hunt sharks, no distinction is made between young sharks and old. Unfortunately, many species of sharks take years to reach sexual maturity, so many wind up dead before they have a chance to reproduce.
You may also like: Learn More About How do Whales Sleep and What Happens to Their Bodies When They Sleep: With Images, Facts, and More!
shark embryo
There doesn't seem to be a definitive answer as to whether male or female sharks are more aggressive. The general consensus is that females are usually more dominant than the males because they are larger in size. This doesn't necessarily mean that they are more aggressive towards other species, though.
On the other hand, males can be quite aggressive with females during the mating process, leaving bite marks on their bodies. Researchers have even noticed that females will sometimes avoid males for this very reason.
The short answer — yes, some sharks do have belly buttons. It might sound silly, but it's true. Viviparous sharks — sharks that give birth to live young — are attached to a placenta while inside the mother's womb.
Like mammals, this placental connection causes the formation of a belly button after the mother and offspring are no longer connected.
Unlike in humans where the belly button is clearly visible throughout the lifetime, a shark's belly button will disappear in a few years. It doesn't really look like a human belly button, either. Instead, it shows up as a scar between the pectoral fins.
The answer to this really depends on the species of shark. Sharks that are viviparous are more likely to have a smaller litter size than sharks that produce eggs. Still, most sharks will produce between 1-100 offspring.
Although some sharks will only have one or two babies, it doesn't start out that way. They will have a significant amount of babies within their womb. As the eggs hatch, the larger pups will cannibalize the smaller ones until there is only one of two pups left.
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Sometimes I forget that the quickest way for me to get inspired is to watch a video.
If I'm nervous about singing, all I have to do is pull up The Voice on YouTube and suddenly I'm as confident as if I'm on the show. If I'm down on myself for lazying away the day, watching a TED Talk pumps enough energy through my body to keep me up half the night. We live in such an amazing time, where we can instantaneously pull up a video about ANYTHING and suddenly turn our moods around.
Existing long before online video, music still serves a similar purpose. Lately, when I listen to Taylor Swift's Red album, I cry. But when I play 'White Nights' by Oh Land, the dance monster takes over my body — which is particularly dangerous if I'm driving.
Videos and music are pretty easy to access, since they are free with an internet connection. If you're reading my blog, you are probably also simultaneously watching or listening to something else in the background. But, even when you run into a situation where you need some inspiration and you don't have the interwebs to rev you up, you could always go with my longest-standing motivator: thinking of all the really cool discoveries you've made in the past 48 hours.
Seriously, it will blow your mind.
4. $5 sparkling red wine… delicious AND cheap!
9. Winter has officially hit San Francisco!
I realize nearly half of my list involves food/drinks, but if you live by a Trader Joes, I guarantee you'll average three taste-tastic discoveries per weekend. How cool it is to live in a world where fascinating new things are only an aisle or two away? Or, a click or download away? So, go put some pep in your step and start creating!


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Institute for CyberScience faculty member wins $1.9 million NIH award
"By creating physics- and chemistry-based models, we can explore the origins and consequences of translation rate changes on protein behavior," said O'Brien.
Image: Nate Follmer
Julian Fung
UNIVERSITY PARK, Pa. — Edward O'Brien, assistant professor of chemistry, Penn State and an associate with the University's Institute for CyberScience (ICS), has received a grant for $1.9 million over 5 years from the National Institutes of Health. The award will support fundamental research on how proteins form.
O'Brien's study, "Modeling the influence of translation-elongation kinetics on protein structure and function," will investigate how the speed at which a protein is assembled — the translation rate — affects the protein's ability to fold and function properly. The question is groundbreaking because until recently most scientists did not believe that translation rate impacted protein function at all. Researchers are still unsure exactly why a protein's translation rate affects its behavior, but O'Brien aims to find out.
His team is developing computer simulations to model the mechanics of protein translation. The simulations will be computationally intensive, so the team plans to use ICS's Advanced CyberInfrastructure, Penn State's high-performance research cloud. Using many powerful computer cores at once, the model will provide results quickly.
"By creating physics- and chemistry-based models, we can explore the origins and consequences of translation rate changes on protein behavior," said O'Brien. "This project will increase our understanding of protein synthesis in ways that could help us combat debilitating diseases."
Just as musical notes arranged in a certain order form a song, chains of amino acids that are arranged in specific sequences form the proteins from which our muscles and tissues are made. For half a century, scientists believed that the order of the amino acids was the only factor governing how a protein functioned. But new evidence demonstrates that mutations that change a protein's translation rate can cause the protein to malfunction, even if the order of the amino acids is correct. Learning how translation rate affects these malfunctions could be key to understanding several diseases, including cystic fibrosis and some varieties of lung, cervical and vulvar cancer.
"Ed O'Brien's research has amazing potential to advance the field of proteomics in ways that will impact human health, and he fully deserves this grant," said ICS Director Jenni Evans. "His project embodies the kind of transformational computational work that ICS is proud to support."
jxf359@psu.edu
Mechanical force controls the speed of protein synthesis
Engineering faculty member receives grants totaling $1.5M for bioprinting
Cellular protein a target for Zika control
Academics, Health and Medicine, Research
Department of Chemistry, Edward O'Brien, grant, NIH grant
Business and Industry, Faculty and Staff, Visitors and Neighbors
Institute for CyberScience


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Home Forums > Anime Music Videos > General Discussion >
2018 Viewers Choice Awards -- discussion
Discussion in 'General Discussion' started by seasons, Apr 8, 2018.
seasons Member
Best Action
What should win:
Bimyou - A Real Hero
Upbeat, fun, positive, hopeful vibes that reflect the spirit of My Hero Academia without overdoing the generic "epic" feel that everyone reaches for with their videos for this series. Solid editing (the most subjective and meaningless praise you can give any AMV, sorry), character-focused concept, who knows how this will age (I probably felt this way about a lot of Naruto AMVs back in the day) but I'm enjoying it a lot for now.
VideoBeats - A Shared Path
Did nobody even nominate this for best instrumental? I know that's a category "no one cares about" but it's one I'm always really interested in and it's just conspicuously missing there.
Shin - Cherry Bomb
Not sure if this does anything new with Kill La Kill but it's got that fluid quality to it that I really love and I wouldn't mind seeing it take this.
What will win:
Echo STK - Kampa
People love videos like this, the concept of people fighting (framed by text like "Round One," "Last Round," etc to keep it from looking too random) is usually all you need to convince the audience that you're actually telling a story. This kind of dark and gritty feel is usually rewarded in contests and is everything that most aspiring editors are looking to replicate.
Luciole - Warm Up
I should have nominated a sports AMV or two for this category but got hung up on whether or not they were really supposed to go here. That was dumb of me. Anyway, I hate this AMV and feel like it's a shoe-in to win here.
seasons, Apr 8, 2018
Hilary Cullen - Quintessence
Just a beautiful AMV with a feel to it that's all its own, somehow more than the sum of its parts, etc. A true Sunday Morning AMV, not a demo reel of effects by any means...and that's okay.
leo lide - clozufilu
I guess videos like this are what this category was made for, even if it wasn'y my favorite video from this editor in 2017. Even if I want to dock it points for the pointlessly edgy opening, I have to give them all back and then some for the ending.
Sunlight - Sunlight
I'm not saying this isn't enjoyable or that it's not a big visual achievement, because it is. I'm not even saying that a video has to be "original" to be good. This is a beautiful AMV and people will want to reward it and the spirit of imagination behind it. All I'm just saying is that if there was a category for Least Original AMV, Sunlight would have to win it.
Best Storytelling
NekoKitKat - Salvation
Probably a straight-forward recap of the movie but NKK does a really good job of it.
UnluckyArtist - Unsatisfied
I'm not even sure if the editing is telling the story here as much as trying to keep up with the song but even if UA is just barely creating the illusion that this it is, that's a big accomplishment given what he's got to work with here.
I really like this. I think most viewers will feel the same way.
People love Hamilton. But that wouldn't matter if this AMV wasn't really, really good, which it is.
Redrum - Deep WΔter
The first time I watched this, I was really pulled into it and absolutely astounded that someone made a crossover AMV like this and that, oh my god, I could actually kind of tell what was happening in it. It took me a while to realize that there is really no story here to speak of, but I can see lots of other viewers getting hoodwinked just like I did. I honestly wonder if enough of them will actually will and overcome the possible vote split between the two other videos I just mentioned.
I probably should have preceded all posts here by saying that "what should win" is just my opinion, please disagree with me.
Kireblue Member AMV Contest Coordinator
Most underappreciated Semi-Finalist
Pan-type - Cartoonist Kazuto: I just want to tell a story about dreams
I feel that this video is so creative, but I think it got overlooked by a lot of people due to its youtube upload being blocked in the U.S., and only being available on AMVNews. I was especially impressed by how the editor used audio from multiple anime voiced by the same voice actor to make a consistent narrative for the story. I personally voted for it in "Most Original", "Best Storytelling", and "Best use of Multiple Anime". So sad that it didn't make finals in a single category
Kireblue, Apr 8, 2018
Best Character Profile
Almost everyone - There are no bad videos here, just ones I like more than others.
Iren S.S. - Dentelle
I honestly don't know how good of a "character profile" this is but this is very popular and it's rare to see a video with such a lesser-known anime (and orchestral music) get this much appeal in a category that seems to be gear toward popular sources.
Mycathatesyou - Money$hot
This is really fun, infectiously so.
Kireblue said: ↑
I feel that this video is so creative, but I think it got overlooked by a lot of people due to its youtube upload being blocked in the U.S., a
This is exactly why I haven't seen it until today. Thanks for the reminder.
Best Romance
Artofeel - Didi
Someone finally made a sophisticated adult romance AMV that doesn't oblige any of our usual cravings or expectations for this stuff and I want to reward it just for that. Definitely an AMV that took some time to grow on me, with a lot of subtle touches I never really appreciated on that initial Artofeel is back!-anticipation filled viewing. Put the kids to bed before turning this one on!
Kroner - That Day
Even when this concept doesn't quite work (and it mostly does, but it's impossible not to look for the seams between these sources and eventually find them), it's done with a sincerity and a gentleness that just sucks me in anyway.
BecauseImBored1 - Armored Amour
I still need to watch Utena. I need to get sick so I can marathon Steven Universe. I'm kind of familiar with each of these sources and...yeah, this video succeeds and feels every bit as big and dramatic and fantastic as you'd expect it to.
People are going to love this crossover. Or at least I'd think so, it has nowhere near as many views on YouTube as I assume it would have.
Kind of a dark horse in this category, don't count it out!
seasons said: ↑
Getting this off my chest was the primary reason I started this thread.
If anyone can explain how this tells a story better than any of the other videos that were nominated, I'll honestly shut up and listen and won't argue with them.
seasons, Apr 20, 2018
Look at all these VCA discussion threads.
Back then, forums were the only way (or perhaps I should say, the main way) to communicate with people about AMVs. And the VCAs were the perfect time for those discussions. And so everybody made sure to go there to post their thoughts and opinions whenever the they happened.
But now, there's tons of way to talk to people about AMVs all day everyday. AMV discussions are pretty much at their saturation point due to them happening literally 24 hours a day in multiple discord and facebook groups. Also, it's a lot more comfortable to talk to people within your established group or clique than to post things in a open forum. So that's why the use of forums have gone done in general (not just for the VCAs, and not just for the Org).
But because of this, the AMV community is more widespread than it's even been, and I think that's for the better. Its my job to try and bridge the gaps and reach out to all the different corners of the community, and so making the VCAs more inclusive was one of my main goals this year. There's a lot more ideas that I have for next year's VCAs that I believe will help with that, so I actually plan on spending most of this summer preparing for it
Kireblue, Apr 26, 2018
Kroner Noob Member
If I have to be honest I'm a bit disappointed about these vca. Not cause of results or organization, but the affluence was really poor. I was close to win the best romance and that's only because there were no partecipation along lots of countries. I don't think at all I did the best 2017 romance so I was more than surprised to see me there ( I'm still gratefull btw ). I agree with Kireblue but it's still sad that noone find the time once in a year to join this friendly competition and try to be a community. We all share the same passion here, why should we stay only in our countries community when we can share opinions with the world?
Kroner, May 2, 2018


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6 stories of successful transformations of major brands
February 5, 2019 brian Content Marketing, News 0
Transformations are a way to influence the brand's future, expand the audience and remain relevant in competitive markets.
Changing your logo or slogan is associated with significant risks – especially for large, well-known brands. If you move too far from your basic concept, you can lose the base audience. But if the changes are not sufficiently appreciable, no one will notice anything.
So, you are thinking about shaking your brand and taking up the transformation. Great, this article is for you!
Let's see how six large companies were able to change for the better.
6 successful transformations of major brands
1) KFC
The ubiquitous chicken industry has recently resurrected its bearded founder, Colonel Sanders. They did this in order to re-appear in the media, on television and in social networks.
Colonel Sanders – the real person behind the brand – appeared in KFC advertising until his death in 1980. Sanders, in his signature white suit and bow tie, his great personality and natural skill turned out to be key to the success of the fast food franchise.
In the 1990s and 2000s, the KFC network separated from the iconic image of their founder, first removing the actors who played Sanders, and then abandoned his animated version. This was a pretty revealing sign that the company is going to focus on the quality of food, staff and emphasis on the American roots of the brand under the slogan "So good."
But it soon became clear that KFC without Sanders does not have its roots. In 2015, KFC attracted the advertising agency Wieden + Kennedy for the urgent modernization of the brand. It was necessary to increase sales and increase customer involvement.
A new colonel, played last year by several actors, including Darrell Hammond and George Hamilton, is a quirky, patriotic representative of the brand. And although not everyone likes it, KFC is pleased that there are people who are talking about them again.
"So far, the reaction has been approximately 80% positive, and 20% negative," said KFC CEO Greg Creed. "Now they, at least, have some opinion about us. In fact, everyone talks about KFC, and it does not matter who and how it relates to the brand, the main thing is that people are not indifferent to people. "
2) AX
AXE – this is a continuous contradiction. In the past, the male brand was littered with advertising, on which we could see a lot of half-dressed women appearing whenever a man applied a body spray. Their ads with scandal turned out in many sexist reviews, including Adweek's Most Sexist Ads of 2013.
This year Unilever decided to make big changes, promising to abandon sexist themes and stereotypes in all its advertising. This is a completely new direction for AX.
"Masculinity is experiencing seismic changes today. More than ever, guys reject rigid stereotypes about men, "said Matthew McCarthy, senior director of Ax for Adweek. "We have been a part of the life of guys for decades, and Ax protects these guys and unique features that make them attractive to the world around them."
In his last Amsterdam's 72andsunny campaign, AXE changes its usual formula with metrosexual guys, preferring instead the presentation of true masculinity.
3) MilkPEP
If you took a magazine or watched TV in the 1990s or 2000s, you probably would have seen a celebrity who proudly brandished a milky mustache with the slogan "Got Milk?"
Developed by the advertising agency Goodby, Silverstein & Partners, the advertisement "Got Milk?" Is usually referred to as one of the most iconic marketing campaigns of all time. For almost 20 years, MilkPEP has used this slogan to promote the consumption of natural milk at the national level.
But the campaign "Got Milk?" Could not stop the decline in sales of dairy products due to the growing popularity of soy milk in 2014.
"Over the past few years, the dairy industry has experienced a difficult period. It seems that consumers forget about milk, "Julia Kadison, interim chief executive officer of MilkPEP, shared her thoughts for USA Today. "The consumer needed to be educated and constantly reminded of the nutritional value of milk."
The decline in sales of milk milk prompted MilkPEP to stop advertising "Got Milk?" In favor of the renewed Milk Life campaign.
She focuses on ordinary people, not celebrities, and highlights the high protein content of natural milk. Another Milk Life series attempts to separate natural milk from popular alternatives, such as almond milk.
4) Buick
To get rid of his old image and attract young drivers, Buick re-launched several updated versions of its cars in 2014, as well as a new gay advertising campaign.
The TV commercials "That's a Buick?", Which were released in 2014, played against the older, lifeless image of a Buick car with a new one, showing unbelieving consumers that a sleek and modern car in front of them is actually Buick.
"We attack ourselves directly, because now we have a new portfolio," Buick's vice president of marketing Tony Disalla told Automotive News today. "We know that it takes a long time to change the perception of consumers."
The advertisement was produced by DigitasLBi, and deftly introduced the more recent, more advanced side of the car company. And in 2016, Buick is further advanced even further, receiving the help of comedian comedians Ellie Kemper and Max Greenfield.
5) GoDaddy
Known for its provocative advertising campaigns, the domain registrar and the web hosting company in recent years have made conscious steps away from their macho image, instead decided to focus on small business owners who depend on their services.
For many years GoDaddy's marketing seemed to be centered around the saying that "any mention in the press is good." They fanned the controversy left and right with their vivid television commercials, their ads were often condemned as sexist. GoDaddy CEO Blake Irving even showed in an interview with The New York Times that a group of women owners of small businesses – put pressure on Etsy to stop cooperating with GoDaddy.
Under the guidance of the marketing director Phil Biner and director of the worldwide advertising agency TBWA / Chiat / Day New York, the company's advertising now allows it to better serve its real CA – small business owners, including the female.
"In the past we had well-known, very visible statements, and as we developed in the United States, where 58% of small businesses are owned by women, we had a bad experience in advertising, which prompted us to abandon tactics , Which we chose earlier, "said Bienert AdAge.
The recent GoDaddy ads depict amusing small business owners, for example, an artist who designs small hats for cats.
6) Bud Light
In 2016, beer for football matches and student parties received its first rebranding for 15 years, along with a humorous new series of advertisements parodying presidential elections.
The new logo and design is less sporty and more like the label's trends. In recognition of the 160-year tradition of brewing their main company, the Anheuser-Busch emblem appears on the front and back of the bottle. The composition may be similar to the original Budweiser packaging, but the rethought design is designed to appeal to a new generation of beer lovers.
"Anheuser-Busch seeks to find the right appearance and messaging to attract thousands of consumers who may never have tried Bud Light," – Erik Shepard, executive editor of Beer Marketer's Insights, told Entrepreneur .
Despite the fact that Bud Light is a very popular beer on the American market, everyone notices that the popularity of craft beer is growing. Along with the renewal of packaging in the crafting style, the brand also worked with its sense of humor to keep up with the trends of time.
"If you look at the humor that was relevant back in the 80's, 90's, early 2000's, it was not the same as now," – Business Insider Vice President Bud Light Alexander Lambrecht.
Bud Light's newest commercials were created by Wieden + Kennedy and are focused on a fictional political party, Bud Light, naturally led by comedians Amy Schumer and Seth Rogen. Thematic advertising shows a laid-back and direct view of politics: Rogen and Schumer support same-sex marriages, equal pay and, of course, beer.
"We do not care, we will sell you beer!" – says Rogan, thus promoting equality.
Google Optimize came out of beta
Useful Excel formulas and functions for SEO


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Since summer is officially here, I've decided to made a light, summery recipe – pasta with broccoli in a lemon garlic sauce. This is a light dish – no heavy dressing – just a little olive oil, lemon and garlic. I've also added some olives for their salty bite and a few walnuts for crunch.
This recipe is pretty easy to put together since you cook the pasta and broccoli in the same pot of boiling water. I was worried that the broccoli would become mushy but by adding the broccoli in after the pasta has cooked for a few minutes, the broccoli comes out crisp, tender and a lovely bright green.
You can use any type of pasta you want but I think a curly pasta works best – I used fusilli.
You'll be cooking the pasta and broccoli together in the same pot. You just need to add the broccoli in when there are only 5 minutes left until the pasta is done. So if your pasta needs to cook for 7 minutes – you would add the broccoli in after 2 minutes or if your pasta needs 9 minutes you would add the broccoli in after 4 minutes.
You'll want to cut up the broccoli to be about the same size as the pasta you use. You don't want any thick or large pieces of broccoli. If you have a large broccoli floret – just slice it in half (or even into quarters) lengthwise. I didn't use the broccoli stem – just the florets.
I think the secret to turning out a fast pasta dish in under 30 minutes is to do all the prep work first. That way you are not scrambling to find or chop or grate something at the last minute. So while you're waiting for the water to come to a boil, do all your prep work and have everything prepped and ready to add in as you go along. Your pasta with broccoli will come together in a flash.
Adapted from this recipe by Martha Stewart.
Pasta with broccoli in a lemon garlic sauce. A light, summery pasta dish.
2 cloves of garlic – peeled and put through a press.
Place a large pot on the stove and bring to a boil.
While water is coming to a boil, prep all your ingredients so they are ready to use.
Once water is boiling, add pasta and veggie bouillon cube. My pasta took a total of 7 minutes to cook. So I let the pasta cook for 2 minutes and then added the broccoli to the same pot. The broccoli only needs a total of 5 minutes to cook.
While pasta and broccoli are cooking, add 2 tbs olive oil to a small saucepan and turn the heat on to medium high. After 30 seconds, add minced garlic, red pepper to taste and 8 twists of black pepper. Cook for 30 seconds, stirring or swirling constantly so garlic doesn't burn. Add 1 small ladle of pasta water to olive oil and garlic mixture in the saucepan and cook over medium high heat until reduced by half – about 1 minute. Remove from heat and stir in lemon juice. Set aside.
Drain pasta and broccoli. Add back in to the pot you were using or to a separate bowl. Add half the parmesan cheese and stir. Add minced olives, walnuts, lemon garlic sauce and remaining parmesan cheese and stir to combine.
Stir in minced parsley and serve.
This came just in time for me to utilize the broccoli from my CSA share! What a lovely combination of flavors. What kind of olives do you recommend for this recipe? Thank you for the lovely photos and inspiration!
Hi Traci – I used kalamata olives – thanks for catching that, I've updated the recipe. And thanks for the compliment on the photos! Have a great day!


Laura and I have been very fortunate to spend time in Maui, Hawaii for the last few weeks. What a beautiful island! The photo to the left is the January full moon about an hour before sunrise.
We met an hawaiian elder on the beach who shared some of the rich history which is rooted in the traditions of ancient Polynesia. He is dedicated to maintaining the old ways and honoring the knowledge of his ancestors. As a culture they developed a sophisticated knowledge of human psychology and maintained wisdom traditions used by the Kahunas, the caretakers of knowledge. The Kahunas are known for strong spiritual power – Mana. Their culture used not the written word, using instead the trained memories of the kahunas as living libraries. The prayers and chants of the Hawaiians acknowledge the divine spirits within all people and things around them.
What an amazing, and interesting culture indeed! The spirit of Aloha. It has been a very healing time for Laura and I to be here, pull back and get a fresh perspective as we begin a new year. We have the additional blessing of celebrating our 25th wedding anniversary this week! I feel great optimism and excitement for the 35th year of the Cuyamungue Institute. Together, here's to building an outstanding 2013!
Finally, I'd like to hear about your experiences. We continue to collect stories from both beginners and advanced practitioners. From time to time we share them here in this newsletter and on our website . Email us with your experiences at [email protected]. More questions? Get in touch with me or with Laura Lee, Director of Outreach and Development. We'd love to learn more about you and how you got here and how the Cuyamungue Method has affected your life.
Shamanism and the Cuyamungue Method – what is the relationship?
What happens to brain function during the practice of the Cuyamungue Method? James Lawer takes a closer look and uses an updated model to better understand it's effect.
Laura and I met up with Ken Kalb, author and well-known inspiration speaker who may be best kn0wn for inspiring the LightShift 2000 Global Meditation Initiative, which helped bring millions together in a global prayer wave for the new millennium.
In this article, he articulates that significant changes are underway – a shift – and this is an auspicious time as we move forward in 2013.
We are frequently asked "what is the relationship between the ritual postures of the Cuyamungue Method and Shamanism?" This is such an important question so let's first clarify some definitions and better understand shamanism itself.
My dear friends: I take your time to announce this earth-shaking movement : ONE BILLION RISING! I want you all to know about this so you can participate in your area, even if you dance or pray alone, adding your energy to this CRUCIAL movement for transformation!! V-Day is a day for dancing, marching singing and celebrating the END of violence against women and girls. It must stop and it will stop!! The violence against our friends, our lovers, our mothers, our grandmothers, our aunts, our cousings,our sisters, our daughters, us….it could happen to you, if it has not already….You can learn more and join by going to onebillionrising.org. There are MANY POSTURES that can be done to participate in a powerful way…on that day….if you are able….
Thank you to all who have participated! We have only a few months left to meet our goal and we still need your help with our Matching Donation Campaign! Contact me with your comments, questions, and suggestions for future campaigns and projects at [email protected].
Invest in yourself! Here is the 2013 workshop schedule at the Cuyamungue Institute. Get the jump-start on making your plans to join us this season! Please note a schedule change: The Initiatory Training and Solstice Celebration have been combined.
2014 marks the 100th anniversary of Felicitas' arrival on this planet. We want to mark the year with special, international events at Cuyamungue to honor her life and work, welcoming all cultures, languages and including all those around the world who are carrying on her legacy. Our hope is to come together, both in person and via the Internet, to share stories of Felicitas and what her work means to us. This event is open to all, and we need your ideas and participation. We may need to add temporary accommodations and gathering spaces, and for those who desire more comfortable. private accommodations, the beautiful new Hilton at Buffalo Thunder is a short distance away and very reasonable priced. We can negotiate a group of rooms depending on the demand.


I love supporting small businesses, and when I came across Baked5280 on Alignable, I knew that I had to contact them right away! After a few messages back and forth, Zach and Samantha delivered some muffins, right to my door in exchange for my review.
I was able to try four different muffins; banana, triple berry, blueberry and a chocolate chip peanut butter. The muffins were delivered in a white pastry box, sealed with their logo. I wasn't quite sure which muffin I wanted first because they all looked so delicious. D.J. was out of town this past weekend, so the first thing I did was take a picture and send it to him to rub it in! Then it was time to eat. I approached the muffins like I would a box of assorted chocolates… a bite out of each one. Of course, Anthony was hovering over my shoulders, itching to take a bite along with me.
We started with the chocolate chip peanut butter muffin, and after the "mmmmmm," he told me "these don't even need butter!" And he was right! There's a little bit of Paula Deen in me somewhere, where I think that everything needs more butter, but the muffins from Baked5280 didn't! They were so moist, and almost melted in your mouth. Next up in the lineup was blueberry. Now, I'm not usually a blueberry anything fan, mostly because the blueberries in everything taste fake and dehydrated, but the blueberries in the muffin from Baked5280 were FRESH! I saw it with such enthusiasm because these days, finding real, fresh foods can be difficult. I can only imagine how amazing these muffins are in the summer when blueberries are locally in season…Zach and Samantha, I can place my order for those now, right?
Not only does Baked5280 have fantastic muffins, their pretzels are amazing! If you've been following Mom's Bistro for a while, you know that D.J. and I are big fans of the local breweries in town. We have one pretty close to home called 38State, and usually when we're there last (pre-pregnancy), we had a pretzel… I mean, common, a local beer and a fresh pretzel, it's like a match made in heaven. Well the pretzel was delicious. It was very soft, with a nice bite still, which is hard to do here in the dry Colorado climate, and it wasn't overly salty, it complimented my beer very well. I never put two and two together, but these delicious pretzels that I was raving about to my friends came from this same bakery! Baked5280 definitely knows what they are doing.
Baked5280 delivers their fresh, natural handmade baked goods and sweet treats to the Denver Metro Area. And, a portion of their sales are donated to a local animal shelter! Whether you're looking for baked goods for a work meeting, a birthday party, open house or even a home delivery, give Baked5280 a call, or order online on their website!
All opinions are my own and have not been influenced in anyway by Baked5280.


The Gullen Solar Farm project is an operational solar photovoltaic (PV) power plant with an installed capacity of 10MW. The solar farm is co-located within the existing Gullen Range Wind Farm making Gullen Range the first large-scale co-located wind and solar farm in Australia. Locating the solar farm adjacent to the wind farm minimises required infrastructure (such as roads, power lines and telecommunications), meaning a reduction in environmental impact and project cost. Construction of the solar farm was supported by a grant from ARENA.
The solar farm consists of 42,000 solar panels and first generated electricity in 2017. It produces approximately 22,000 megawatt-hours of clean renewable energy each year, which is enough energy to supply approximately 3,100 NSW homes. The operating life of the solar farm will be 25 – 30 years.
BJCE Australia is proud to be a founding signatory of the Clean Energy Council's Best Practice Charter for Renewable Energy Developments. The charter is a voluntary set of commitments to reflect our promise to develop and operate projects in a socially responsible way. The charter can be downloaded here.
Please feel free to contact us if you would like further information, or if you would like to provide feedback or lodge a complaint about the solar farm.
The latest solar farm news is below. You can view all our news here.
BJCE Australia is excited to be back as an Industry Partner for the STEM Industry Schools Partnership Program (SISP) in 2019. Funded by the Department of Education and coordinated locally by Regional Development Australia Southern Inland, the program aims to provide primary and high school students (years 5-8) with age appropriate Science, Technology, Engineering and Maths (STEM) skills and pathways to STEM careers. Research suggests that that an estimated 75% of future jobs will require STEM skills, so we are proud to be involved!
News Update 25/03/2019:May tour date announced!
Our next tour will be on the 21st May 2019. To book visit this link.
Gullen Range Wind Farm recently sponsored the 2019 Rose Bowls Tournament. The tournament, now in its 25th year in the men's division and 23rd in the women's, is one of the most popular of its kind in the region. Simon Zhao, Site Manager at Gullen Range Wind Farm attended the award ceremony and presented the women's competition winners. Congratulations to all winners. You can read more about it here.
The Gullen Range Wind Farm FREE Grant Writing Workshop will provide your community group/organisation all the information needed to access important funding. The workshop will be held on Monday 25th March 2019 at the CWA Rooms in Crookwell from 5pm. To register click here.
This workshop will help you identify the requirements of grant applications, what you will need to include in your response and how to write a convincing case for your project.
To find out more about the Community Fund and how to apply, click here.
Applications will open for the 2019/2020 Gullen Range Wind Farm Community Funding Round on Thursday 7th March 2019 and close on Thursday, 2nd May 2019. The Upper Lachlan Shire Council announced the fund will provide $72,427 for community projects or initiatives within 10kms of the Wind Farm. In 2018/19 the Fund supported seven community group projects which included the construction of a fence around the Crookwell Community Garden.
News Update 18/02/2019:Did you know stone artefacts were discovered at Gullen Solar Farm in 2015?
A range of stone artefacts were found. Examples of artefacts found include: hatchet heads, flakes, proximal flakes, bipolar flakes, compression flakes, medial flakes, bondi points, bipolar cores and bifacial cores. An Aboriginal Cultural Heritage Assessment was undertaken prior to construction of the solar farm and an Aboriginal Heritage Impact Permit was approved by the Office of Environmental Heritage.
News Update 27/01/2019: January tour – a success!
Local attendees and visiting tourists enjoyed a tour of Gullen Range Wind and Solar Farm last week. We would also like to thank the Crookwell Gazette for joining us!
News Update 26/01/2019: Notification to Residents – Maintenance Works and Associated Traffic Movements.
News Update 14/01/19: BJCE Australia helping to inspire the next STEM generation.
© 2019 Gullen Solar Farm. All Rights Reserved.


text:
{| class="infobox" style=""
|align = "center" style = "background: lightgreen;" | Снукерныетурниры
|-
|align = "center" style = "background: lightgreen;" | Jameson International
|-
|align = "center" | Ньюкасл-апон-Тайн, Англия
|-
|align = "center" | сентябрь 1983
|-
|align = "center" | Eldon Square Recreation Centre
|-
| Призовой фонд — GB£ ?
|-
| Победитель — £ 24 000
|-
| Высший брейк — ?
|-
| Статус — рейтинговый
|-
|align = "center" style = "background: lightgreen;" | Чемпион
|-
| Чемпион 1982 — Тони Ноулз
|-
| Чемпион 1983 — Стив Дэвис|-
| Финалист — Клифф Торбурн
|-
|}Jameson International 1983 — профессиональный рейтинговый снукерный турнир, который проходил в сентябре 1983 года в Ньюкасле, Англия. Победителем турнира стал Стив Дэвис, обыгравший в финале Клиффа Торбурна со счётом 9:4.

Впервые Jameson International проводился в Ньюкасле. Кроме того, в этом году турнир получил регулярное телевизионное освещение.

 Результаты

 Основной турнир 1 раундМатчи по 5 побед

 Деннис Тейлор 5:3 Дин Рейнолдс
 Рэй Риардон 5:2 Мёрдо Маклауд
 Вилли Торн 5:2 Джон Вирго
 Марио Морра 5:3 Джимми Уайт
 Дуг Маунтджой 5:4 Марк Уайлдмэн
 Дэйв Мартин 5:2 Алекс Хиггинс
 Майк Уоттерсон 5:3 Тони Мео
 Джордж Скотт 5:3 Билл Вербенюк

 Терри Гриффитс 5:2 Грэм Майлс
 Стив Дэвис 5:1 Юджин Хьюз
 Джим Доннелли 5:3 Дэвид Тэйлор
 Сильвиньо Франсиско П:отказ Кирк Стивенс
 Эдди Чарльтон 5:2 Джо Джонсон
 Клифф Торбурн 5:0 Эдди Синклэр
 Джон Спенсер 5:1 Пэдди Морган
 Тони Ноулз 5:1 Рэй Эдмондс

Ссылки

 Результаты турнира на Snooker Scene
 Некоторые другие данные о турнире в архиве Криса Тёрнера

Открытый чемпионат Шотландии (снукер)
1983 год в снукере


text:
Why We Ride Partners with Acorn Woods Communications
Tue, Apr 29 2014 07:23 AM | Movies | Permalink
The #1 Motorcycle Movie in America, Why We Ride, has chosen Acorn Woods Communications as its agency of record after a selection process that included many of the national top ad agencies.
Since its release, Why We Ride has inspired people across the country to share in the intense passion and enduring spirit of motorcycling. The film explores the history of motorcycling and the unique bond shared by riders of all disciplines, as told through the experiences of families and interviews with some of the industry's most influential figures.
"This is more than a movie," says Why We Ride producer/director Bryan H. Carroll. "When we began talking to motorcyclists, hearing their stories and the reasons they love to ride, it became very evident that this film was not simply a historical documentary. We tried to convey the emotion and passion that all motorcyclists share, no matter what kind of bike they ride or what kind of riding they do. We all ride for different reasons, and for the same reasons."
Producer James Walker states, "Why We Ride's core message of educating, inspiring and celebrating all things motorcycling is resonating with millions of people. As we move into the next phase of our branding plan, we needed an agency that has the expertise of knowing our key markets, a proven track record of helping start-ups and the flexibility to move quickly as we bring our follow-up projects on-line."
"We watched Why We Ride and immediately fell in love with this beautiful ode to motorcycling. It's visually stunning and has a message that goes far beyond man, woman and machine," says Ron Benfield, President of Acorn Woods Communications. "The movie has already received numerous accolades including Best Documentary at the 2013 Motorcycle Film Festival, a 2014 Family Choice Award and the 2014 AMA Hazel Kolb Bright Image Award. It's an honor to work with a team that is on the leading edge of knowing what audiences want in motorsports film entertainment."


erm....can you smell parafin or is it me?
"Durbs you and the burnt toast lot did the best spinning I have ever seen !! And yes mixed feeling about the getup . I was quite lost for most of the weekend And found it all quite per..."
"bit late but thanks to all for an excellent weekend.had shedloads of fun. rain Pah! was a good vibe and I can't wait til next year"


text:
CHOOSE A CITY (CURRENTLY SHOWING)
Hong Kong | 5:00pm
THE LUSTY MEN
(1952, d. Nicholas Ray)
Hong Kong Film Archive, 50 Lei King Road
Restored by Warner Bros. in collaboration with The Film Foundation and The Nicholas Ray Foundation.
London, UK | 8:40pm
(1946, d. Emilio Fernández)
BFI Southbank, NFT3
Bologna, Italy | 9:00am
DESTRY RIDES AGAIN
(1939, d. George Marshall)
Il Cinema Ritrovato, Cinema Arlecchino
Restored by Universal Pictures in collaboration with The Film Foundation. Special thanks to Martin Scorsese and Steven Spielberg for their consultation on this restoration.
Toronto, Canada | 4:00pm
(1946, d. Robert Siodmak)
TIFF Bell Lightbox, 350 King St W
Columbus, OH | 4:30pm
MUNA MOTO
(1975, d. Jean-Pierre Dikongue-Pipa)
Cinema Revival, Wexner Center
Restored by Cineteca di Bologna/L'Immagine Ritrovata and The Film Foundation's World Cinema Project. Funding provided by the George Lucas Family Foundation.
(1969, d. Timité Bassori)
Restored by Cineteca di Bologna/L'Immagine Ritrovata and The Film Foundation's World Cinema Project. Restoration funded by the George Lucas Family Foundation.
Morelia, Mexico | 3:50pm
(1950, d. Luis Buñuel)
Morelia International Film Festival, Cinepolis Centro, Sala 3
Astoria, NY | 2:00pm
(1974, d. Barbara Hammer)
Museum of the Moving Image, 36-01 35 Avenue
Restored by Electronic Arts Intermix and the Academy Film Archive through the National Film Preservation Foundation's Avant-Garde Masters Grant program and The Film Foundation. Funding provided by the George Lucas Family Foundation.
New York, NY | 6:50pm
(1955, d. Laurence Olivier)
Film Forum, 209 W. Houston Street
Restoration funding provided by Hollywood Foreign Press Association and the Film Foundation. Restored by the Film Foundation and Janus Films, in association with BFI National Archive, ITV, MoMA, and Romulus Films. Scanned in 6K at Cineric.
Lausanne, Switzerland | 1:00pm
SOLEIL O
(1970, d. Med Hondo)
Festival of African Cinema Lausanne, Cinematograph
Restored by Cineteca di Bologna at L'Immagine Ritrovata laboratory in collaboration with Med Hondo. Restoration funded by the George Lucas Family Foundation and The Film Foundation's World Cinema Project.
This restoration is part of the African Film Heritage Project, an initiative created by The Film Foundation's World Cinema Project, the Pan African Federation of Filmmakers and UNESCO--in collaboration with Cineteca di Bologna--to help locate, restore, and disseminate African cinema.
Paris, France | 9:00pm
(1952, d. John Huston)
Le Gallia Théâtre Cinéma Saintes, 67 Ter Cours National
Restored by The Film Foundation in collaboration with Park Circus, Romulus Films, and MGM with additional funding provided by the Franco-American Cultural Fund, a unique partnership between the Directors Guild of America (DGA), the Motion Picture Association of America (MPAA), Société des Auteurs, Compositeurs et Editeurs de Musique (SACEM), and the Writers Guild of America, West (WGAW).
WAY OF A GAUCHO
(1952, d. Jacques Tourneur)
Restored by Twentieth Century Fox in collaboration with The Film Foundation.
ILLUSTRIOUS CORPSES
(1976, d. Francesco Rosi)
BFI London Film Festival, BFI Southbank, Studio
Restored by the Cineteca di Bologna at L'Immagine Ritrovata laboratory and The Film Foundation, with funding provided by the George Lucas Family Foundation.
Morelia International Film Festival, Casa Natal
BFI London Film Festival, Cine Lumiere
Chicago, IL | 7:00pm
THE MASQUE OF THE RED DEATH
(1964, d. Roger Corman)
Music Box Theatre, 3733 N. Southport Ave.
Restored by the Academy Film Archive and The Film Foundation, with funding provided by the George Lucas Family Foundation.
DODSWORTH
(1936, d. William Wyler)
New York Film Festival, Alice Tully Hall
Restored by the Academy Film Archive and The Film Foundation, in association with The Samuel Goldwyn Jr. Family Trust, with funding provided by the George Lucas Family Foundation.
Cleveland, OH | 9:20pm
PUTNEY SWOPE
(1969, d. Robert Downey Sr.)
Cinematheque at the Cleveland Institute of Art, 11610 Euclid Avenue
Restored by the Academy Film Archive and The Film Foundation with funding provided by the George Lucas Family Foundation.
Winston-Salem, NC | 10:00pm
EL FANTASMA DEL CONVENTO
(1934, d. Fernando de Fuentes)
Morelia International Film Festival, Plaza Benito Juarez
Los Angeles, CA | 7:30pm
THE BROKEN BUTTERFLY
(1919, d. Maurice Tourneur)
Egyptian Theatre, 6712 Hollywood Boulevard
Restored in 2019 by The Film Foundation at L'Immagine Ritrovata laboratory in association with La Fondation Jérôme Seydoux-Pathé. Restoration funding provided by Louis XIII Cognac.
Morelia International Film Festival, Aula Mater de la UMSNH
(1971-72, d. Jonas Mekas)
Anthology Film Archives, 32 Second Avenue
Preserved by Anthology Film Archives with support from The Film Foundation.
I'M NO ANGEL
(1933, d. Wesley Ruggles)
Restored in 4K by NBCUniversal Content Management at NBCUniversal StudioPost in collaboration with The Film Foundation. Special thanks to Martin Scorsese and Steven Spielberg for their consultation and guidance on the restoration of this film.
LITTLE FUGITIVE
(1953, dirs. Morris Engel, Ruth Orkin and Ray Ashley)
Billy Wilder Theater, 10899 Wilshire Blvd.
Preserved by the Museum of Modern Art in New York with support from the National Endowment for the Arts, The Film Foundation and the Celeste Bartos Film Preservation Fund.
(1971, d. Barbara Loden)
Billy WilderTheater, 10899 Wilshire Blvd.
Restored by the UCLA Film & Television Archive, in cooperation with Televentures Corp and Parlour Pictures. Preservation funded by The Film Foundation and GUCCI.
To Save and Project: The 17th MoMA International Festival of Film Preservation, The Roy and Niuta Titus Theater 2
MYSTERY OF THE WAX MUSEUM
(1933, d. Michael Curtiz)
Restored by UCLA Film & Television Archive and the Film Foundation, with funding provided by the George Lucas Family Foundation.
LOVES OF CARMEN
(1927, d. Raoul Walsh)
Restored by the Museum of Modern Art and The Film Foundation, with funding provided by the George Lucas Family Foundation and the Franco-American Cultural Fund, a unique partnership between the Directors Guild of America (DGA), the Motion Picture Association of America (MPAA), Société des Auteurs, Compositeurs et Editeurs de Musique (SACEM), and the Writers Guild of America, West (WGAW).
CHRONICLE OF THE YEARS OF FIRE
(Algeria, 1975, d. Mohammed Lakhdar-Hamina)
Restored by The Film Foundation's World Cinema Project and Cineteca di Bologna at L'Image Retrouvée and L'Immagine Ritrovata laboratories. Restoration funding provided by the George Lucas Family Foundation.
Berkeley, CA | 3:30pm
(1960, d. Federico Fellini)
BAMPFA, 2155 Center Street
Restored by Cineteca di Bologna at L'Immagine Ritrovata Laboratory in association with The Film Foundation, Centro Sperimentale di Cinematografia-Cineteca Nazionale, Pathé, Fondation Jérôme Seydoux-Pathé, Mediaset-Medusa, Paramount Pictures and Cinecittà Luce. Restoration funding provided by Gucci and The Film Foundation.
(1955, d. Charles Laughton)
Restored by UCLA Film & Television Archive in cooperation with Metro-Goldwyn-Mayer Studios, Inc. with funding provided by Robert Sturm and The Film Foundation.
Toronto, Canada | 12:20pm
(1945, d. Edgar G. Ulmer)
Restored by the Academy Film Archive and The Film Foundation in collaboration with the Cinémathèque Royale de Belgique, The Museum of Modern Art, New York, and the Cinémathèque Française. Restoration funding provided by the George Lucas Family Foundation.
(Mexico, 1946, d. Emilio Fernández)
Restored by the UCLA Film & Television Archive and The Film Foundation's World Cinema Project in collaboration with Fundacion Televisa AC and Filmoteca de la UNAM. Restoration funded by the Material World Charitable Foundation.
LIONS LOVE (...AND LIES)
(1969, d. Agnes Varda)
Restored by Cineteca di Bologna at L'Immagine Ritrovata in association with Ciné-Tamaris and The Film Foundation. Restoration funding provided by the Annenberg Foundation, the Los Angeles County Museum of Art (LACMA) and The Film Foundation.
UNCLE YANCO
BORN IN FLAMES
(1983, d. Lizzie Borden)
The Museum of Modern Art, The Roy and Niuta Titus Theater 1
Preserved by Anthology Film Archives with restoration funding from the Hollywood Foreign Press Association and the Film Foundation.
GUNS OF THE TREES
(1962, d. Jonas Mekas)
Restored by Anthology Film Archives and The Film Foundation with funding provided by the George Lucas Family Foundation.
MUR MURS
IL BIDONE
(1923, d. Ernst Lubitsch)
Restored by The Museum of Modern Art, New York. Restoration funding provided by the Louis B. Mayer Foundation, RT Features, The Film Foundation, and the Celeste Bartos Preservation Fund.
(1964, d. Don Siegel)
THE CRUCIFIED LOVERS
(1954, d. Kenji Mizoguchi)
Restored by Kadokawa Corporation and The Film Foundation at Cineric, Inc. in New York with sound by Audio Mechanics, with the cooperation of The Japan Foundation. Special thanks to Masahiro Miyajima and Martin Scorsese for their consultation.
TAIPEI STORY
(1985, d. Edward Yang)
Restored by The Film Foundation's World Cinema Project at Cineteca di Bologna/L'Immagine Ritrovata laboratory in association with the Cinémathèque Royale de Belgique and Hou Hsiao-hsien.
THE CLOUD-CAPPED STAR
(India, 1960, d. Ritwik Ghatak)
Restored by The Criterion Collection in partnership with The Film Foundation's World Cinema Project and the Cineteca di Bologna, from elements preserved by the National Film Archive of India.
(Armenia, 1969, d. Sergei Parajanov)
Restored by Cineteca di Bologna/L'Immagine Ritrovata laboratory and The Film Foundation's World Cinema Project, in association with the National Cinema Centre of Armenia and Gosfilmofond of Russia. Restoration funded by the Material World Charitable Foundation.
Madison, WI | 3:45pm
VOICE IN THE WIND
(1944, d. Arthur Ripley)
UW Cinematheque, 4070 Vilas Hall
Restored by UCLA Film & Television Archive with funding provided by the George Lucas Family Foundation and The Film Foundation.
THE CROOKED WAY
(1949, d.Robert Florey)
UW Cinematheque, Chazen
(1947, d. Delmer Daves)
(1929, d. Roland West)
Rotterdam, Netherlands | 8:45pm
International Film Festival Rotterdam, Cinerama 6
International Film Festival Rotterdam, LantarenVenster 6
This film was preserved by Electronic Arts Intermix and the Academy Film Archive through the National Film Preservation and The Film Foundation. Funding provided by the George Lucas Family Foundation.
DOS MONJES
(1934, d. Juan Bustillo Oro)
Restored by The Film Foundation's World Cinema Project at L'Immagine Ritrovata laboratory in collaboration with Filmoteca de la UNAM and Cinémathèque française. Restoration funded by the Material World Charitable Foundation.
FORBIDDEN PARADISE
Hippodrome, 10 Hope Street
Restored by The Museum of Modern Art and The Film Foundation, with funding provided by the George Lucas Family Foundation.
THE JUNIPER TREE
(1990, d. Nietzchka Keene)
BFI London Film Festival, BFI Southbank, NFT3
Restored by the Wisconsin Center for Film & Theater Research and the Film Foundation, with funding provided by the George Lucas Family Foundation.
Institut Francais, Ciné Lumière
BFI London Festival, BFI Southbank, Studio
(1981, d. Hector Babenco)
Restored by The Film Foundation's World Cinema Project and Cineteca di Bologna at L'Immagine Ritrovata in association with HB Filmes, Cinemateca Brasileira, and JLS Facilitações Sonoras. Restoration funded by the George Lucas Family Foundation.
QUEEN OF DIAMONDS
(1991, d. Nina Menkes)


text:
Le Club Atlético de Madrid B est l'équipe de football réserve de l'Atlético de Madrid, créée en 1963. Connue jusqu'en 1991 comme le Atlético Madrileño Club de Fútbol, l'équipe évolue au Mini Estadio Cerro del Espino, une enceinte de  places située à Majadahonda dans la banlieue de Madrid.

Histoire

Le club est fondé en 1963 sous le nom de Reyfra Atlético Club. En 1970, le club fusionne avec le Aviaco Madrileño CF lui-même issu d'une fusion du Madrileño CF et de l'AD Aviaco en 1967.

Le nouveau club (Atlético Madrileño Club de Fútbol) devient alors la réserve de l'Atlético de Madrid. En 1991, le club devient le Club Atlético de Madrid B qui est son nom actuel.

Palmarès
 Coupe de la Ligue espagnole de deuxième division : 1983
 Champion de Segunda División B : 1989, 2001 et 2004

Saison par saison

11 saisons en Segunda División (D2)
31 saisons en Tercera Divisiónpuis Segunda División B (D3)
13 saisons en Tercera División puis Segunda División RFEF (D4)
1 saison en Tercera División RFEF (D5)

Effectif actuel
Mise à jour au 8 septembre 2021

Notes et références

Atlético de Madrid
Club de football à Madrid
Atlético Madrid B
Atlético Madrid B


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Sawmill Creek Woodworking Community > Forum Info and Community Discussion > Off Topic Forum > Bet you can't do this.
View Full Version : Bet you can't do this.
OK yes I tried it, way too much time on my hands I know, but give it a try..
This is so weird that it will boggle your mind and you will keep trying it to see if you can outsmart your foot.
While sitting at your desk or table, lift your right foot off the floor and make clockwise circles.
Now, while doing this, draw the number "6" in the air with your right hand. Your foot will change direction. And there's nothing you can do.
Bet you could do it if your were making a "1" with your right hand.
There's 30 seconds of my life, I'll never get back.
I can do it but then I can rub my belly while patting my head.
Since I don't have a right foot all this has left me stumped.
That's a heel of a good excuse.
If one can or cannot is not the question. The question is why. Further if anyone is observing, running the risk of ending up in an institution.
If one can or cannot is not the question. The question is why.
Well, drumming or playing the organ both require various limbs moving in differing directions.


Common's new album: Finding Forever is firstly awesome, but also has this cool detail of the Chicago skyline on the cover art that reminds me of the header image up above. Cool!
Here is the original illustration that I used for Sean's new album art, free from effects and surroundings. Crappy nasty gradient edition.


Our expert coffee connoisseurs reviewed many coffee makers and present to you the ten best coffee makers for all types of users. If you are a coffee fan, you know first-hand how important it is to have something brewing to kick off your day. For some of us, that same brew of coffee keeps us going through the day. If you are researching drip coffee maker reviews for a gift for someone else, know this, a hot cup of good coffee can put a smile on the face of most anyone.
We rounded up several expert coffee connoisseurs to find the 10 best multi-cup automatic coffee makers out there. Many of these products are very affordable, especially when considered against a purchase at a local coffee shop. These coffee makers can make anywhere from 8 to 12 cups of coffee. For surely, one cup of good joe just isn't enough See the coffee maker comparison and ratings below with a link to the full review of each.
Good, clean water and how it tastes has a definite impact on your coffee. An extra water filter is a good choice for your coffee maker especially if you don't have a water filter on your whole home or kitchen tap. If your water already tastes good, there's less of a need for a water filter in your drip coffee maker.
If you want to have the freshest coffee taste, most experts will argue that whole beans ground the same day will produce the best result for a cup of coffee. Several coffee makers do come with their own grinding machine for consumers wanting to have their beans ground on demand. Luckily for us today, there are also plenty of ground beans roasted to perfection and then ground and packaged that can be used in your drip coffee maker to produce nearly the same quality cup.
One area that is under consideration for consumers who like to drink coffee most of the day, the coffee carafe will also be an important part of that consideration. Thermal coffee makers can be a bit more expensive and will keep coffee hot and ready-to-drink for many hours without any burnt coffee taste.
Finding the right machine may seem overwhelming given the thousands of options. The ten drip coffee makers we rated and present here cut through the clutter. Once you figure out which elements are most important to you – from single cup to 12-cup makers, to water filters and programmable options, the perfect machine will pop out. Of the top ten, we also rated one for best price, one for best value and one for best quality. Final machine choice is ultimately up to you.
noisseurs to find the 10 best multi-cup automatic coffee makers out there. Many of these products are very affordable, especially when considered against a purchase at a local coffee shop. These coffee makers can make anywhere from 8 to 12 cups of coffee. For surely, one cup of good joe just isn't enough See the coffee maker comparison and ratings below with a link to the full review of each..


The Holly King is a Primary World mythological figure whose existence as an archetype has been argued by authors such as poet Robert Graves in The White Goddess and anthropologist Sir James George Frazer in The Golden Bough. Both writers thought that there is evidence in the Celtic, Scandinavian, and other bodies of folklore to suggest a mythical eternal struggle between two figures, each representing one half of the year: the Holly King and the Oak King. The Oak King represented summer, while the Holly King, dressed in red and with sprigs of holly twisted into his long white beard, represented winter. Though probably primarily a Celtic figure, because the Holly King was at the height of his power during the Germanic Yule festival he became strongly associated with that festive season in places where Celtic and Germanic peoples came into contact (such as the British Isles). The Holly King may even have been a pagan precursor to Father Christmas (a figure which was later blended with wonderworker and gift-giver St Nicholas of Myra to become Sinterklaas). Graves identified a number of paired mythological figures that he felt represented the Oak King and the Holly King, including, respectively, the Arthurian figures Sir Gawain and the Green Knight — whose story Tolkien translated from Middle English to Modern English. The Holly King isn't referenced anywhere in Tolkien's works, and there is no evidence that the Hobbits of the Shire had a folkloric figure like the Holly King, but it's something that wouldn't feel out of place, especially for Hobbits with Stoor ancestry, given their historical closeness with the Men of Dunland and the Celtic translations Tolkien gave their names. Most of all, the idea makes for a fun Yuletide outfit!
This lad is dressed up as the Holly King for his extended family's Yuletide celebration, to the delight of his younger cousins. Tales of this spry old figure have been told by the fire in his Stoorish family for generations, perhaps back even to the time out of memory before his distant forefathers first came to the Shire from the South. Now, worn with retelling, those old stories have come to be associated with the Yule festival. Sprigs of holly adorn his hat and his backpack (full of treats), and he holds another in his mitten-clad hand. Although the evenings are chill and snowy, he will be kept quite warm when he goes out to select a Yule-log for his hearth or to visit his neighbours a-wassailing. Nevertheless, it's nice to return to one's own Hobbit-hole, well-decked for the season, to enjoy a mug of warm brandywine!
I hope everyone's enjoying the in-game Yule festival. May the present-sacks be good to you and your kith and kin, and your days in-game (and out!) be full of cheer!
Tips: The Wintry Yule Cap, a hat with similar styling to the one in the outfit, but decorated with a snowflake instead of a holly-sprig, randomly drops from the sacks of presents rewarded by the Yule festival daily repeatable quest.
This entry was posted in Messages, Outfits and tagged backpack, cloth, cold weather, fur, green, guise, hat, Hobbit-lad, Lore-master, Memory of the West, Raiment of the Seven Stars, red, robe, Spirit of Ajokoira, tailor T5, traveller, Yule festival. Bookmark the permalink.
Another lovely and festive hobbit outfit 🙂 I hope you had a wonderful holiday Starry!
I have a question btw. Is there anyway of knowing what outfits they update the mannequins with? Without logging in and out of the game everyday? just an question lol, Love your blog!


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The UK Government, amongst other things is responsible for the National Planning Policy Framework , which all planning application must comply with
Mole Valley MP
Sir Paul Beresford (Conservatives)
email: annie.winsbury@parliament.uk
Surrey's Police and Crime Commissioner
The core functions of Police and Crime Commissioners (PCC) are to secure the maintenance of an efficient and effective police force within their area, and to hold the Chief Constable to account for the delivery of the police and crime plan. PCCs are charged with holding the police fund (from which all policing of the area is financed) and raising the local policing precept from council tax. PCCs are also responsible for the appointment, suspension and dismissal of the Chief Constable, although the 2011 Policing Protocol Order states that the PCC "must not fetter the operational independence of the police force and the Chief Constable who leads it". For further details see www.surrey-pcc.gov.uk/
Surrey PCC is Lisa Townsend (Conservative)
Surrey County Council (SCC) is responsible for schools, social care, recycling, libraries, transport, and birth, death and ceremonies, trading standards
Horsleys Division Councillor
Colin Cross (Residents for Guildford and Villages)
email: colin.cross@surreycc.gov.uk
Phone: 01483 224 107, Mobile: 07791 345 598
Guildford Borough Council
Guildford Borough Council (GBC) is responsible for planning applications, which must comply with Local Plan 2015-2034
Details of current planning application in Effingham can be viewed here
Effingham Ward Councillors
Liz Hogger (Guildford Liberal Democrats)
Tel:. 01372 453257
email: liz.hogger@guildford.gov.uk
Effingham Parish Council
Effingham Parish Council (EPC) is responsible for open space, allotments, play areas, footpaths, public benches, bus shelters and car parks.
The Parish Council are also responsible for reviewing planning applications, which must comply with the adopted Effingham Neighbourhood Plan 2016 – 2030
A list of the Parish Council Councillors, along with their contact details is available here