query: Did Enzo Francescoli Uriarte set any records?

title: Enzo Francescoli

text: The next year, Francescoli retired from the Celeste to devote himself entirely to River Plate at club level, recapturing his best form, scoring 19 goals in total. The 1996 season was his most important as Francescoli led a young, talented, yet inexperienced team that included Ariel Ortega, Matías Almeyda, Juan Pablo Sorín, Hernán Crespo and Marcelo Gallardo to win the 1996 Copa Libertadores title, and his second league title, briefly tying the record of 15 titles set by rivals Boca Juniors.[3]

title: Enzo Francescoli

text: at RSSSF at Tenfield (in Spanish) Enzo Francescoli listed in the top 10 – FIFA competition record

title: Enzo Francescoli

text: A quick, elegant, creative and technically-gifted attacking midfielder who was also capable of playing in the centre as a second striker, Francescoli was noted in particular for his control, grace, fluidity, dribbling skills and ability on the ball, despite his lack of notable pace.[37][38] A two-footed playmaker with excellent vision, passing ability, and an eye for goal from midfield, he was also known for his ability from set-pieces, and also had a penchant for scoring acrobatic goals from overhead kicks.[38][39] These qualities would later influence the style of French creative offensive midfielder Zinedine Zidane, who has stated that, along with compatriot Michel Platini, Francescoli was one of his favourite players as a young boy, and that he would often watch him train with Marseille. Zidane even named one of his sons, Enzo, in homage to him.[37] Francescoli learned of this fact just before the Intercontinental Cup final match of 1996, and so the two players swapped jerseys at the end of the match. The piece became a favourite of Zidane's to wear. Subsequently, the two presented television show Football Cracks, a reality show that sought new football talent in Spain. Francescoli's admiration for Zidane extended to other French players and he has stated he felt more respect from French fans then than he had while playing there.

title: Enzo Fernández

text: He is the oldest son of Zinedine Zidane and Véronique Fernández, and is known as Enzo Fernández. Enzo is named after former Uruguayan star Enzo Francescoli, who was his father Zinedine's football idol.

title: Enzo Francescoli

text: In his second World Cup, Francescoli did not perform much better than in the previous tournament. Although many analysts regarded him as one of the potential stars of the tournament due to his talent and ability to be decisive for his team, Uruguay again did not fare very well, earning only one win in a 1–0 group stage victory over South Korea, once again advancing to the second round as one of the best third-placed teams. The team were eliminated in the round of 16, suffering a 2–0 defeat against hosts Italy, on this occasion, who went on to finish the tournament in third place. This was Francescoli's final World Cup. In total, he made eight World Cup appearances, scoring once and appearing in each of Uruguay's matches in both the 1986 and 1990 tournaments.[22] Altogether, he played in eight World Cup matches, losing four, tying three and winning one.[23][25][26][27][28]

title: Enzo Francescoli

text: The 1993 Supercoppa Italiana final was the closest Francescoli ever came to winning a trophy during his time in Italy, as Torino ultimately lost the title to Milan. With Francescoli, Torino came close to defending the title the following season, but the club was defeated by Ancona in a semi-final upset. However, the club's Serie A campaign was more heavily contested. After initially fighting against relegation, Torino climbed the table to clinch a spot in the next season's UEFA Cup, earning four points more than the required amount to qualify for the tournament. In the European Cup Winners' Cup, for which they had qualified the previous season as the 1993 Italian Cup champions, Torino reached the quarter-finals, only to be eliminated by eventual champions Arsenal.[16] Despite a successful season for the team, Francescoli did not perform as well as in previous seasons, from an individual standpoint, as he only scored 3 goals in 24 appearances, his lowest tally during his four seasons in the Italian league.[18]

title: Enzo Francescoli

text: Since leaving television, Francescoli was asked several times to coach River Plate, but he never accepted, stating instead that if asked to be manager of the club, he might accept, since he could employ the lessons that had learned as an entrepreneur.

title: Enzo Francescoli

text: Francescoli was made the Uruguayan ambassador for UNICEF after Diego Forlán in 2002.

title: Enzo Francescoli

text: Francescoli went to live with his family in Miami, where he would create TV station GOL TV with former manager Paco Casal. Francescoli returned to Buenos Aires five years later, although he still travelled monthly to the United States because of his activities there. For the 2010 World Cup, he led the team of Channel 7 Argentina, Argentina's state broadcaster.

title: Enzo Francescoli

text: Since his retirement, Francescoli has only returned to the pitch for festive games, such as those commemorating the retirement of Juan Pablo Sorín, Víctor Aristizábal and Diego Maradona, considered by him to be the greatest player he has seen, and other friends. Maradona almost did not participate in the match since the River Plate fans were strongly opposed to it. "There was no problem for me. There are three things I do not discuss nor with my best friends: Religion, politics and football...things in that person, mistaken or not, advocates a cause," Francescoli said. He added, "[Y]ou'll never hear me saying 'I live and die for River Plate', though I may be much more of a fan than others." After Maradona, the second greatest player he stated he had seen was Zinedine Zidane, an opinion he admits was heavily influenced by emotional reasons, as Zidane was a big fan of Francescoli.

title: Enzo Francescoli

text: Francescoli is married to Mariela Yern since 1984 and has two sons with her, Bruno and Marco. His wife is a psychologist, which he stated was of great value to their marriage. As a footballer, he required emotional sympathy, he stated in an interview program in 2000. Bruno studied law, while Marco tried to follow father's footsteps, eventually playing for Cagliari, where he played for three years, and then Estudiantes de La Plata, but did not get much further. One factor for his retirement from football was his desire to be closer to his two sons. Francescoli has two brothers: Luis Ernesto, two years older; and Pablo, 13 years younger.

title: Enzo Francescoli

text: Another player to have been named after him is Argentine international and current River Plate midfielder Enzo Pérez. Argentine striker Diego Milito has also been given the nickname "Il Principe" during Milito's tenure with Internazionale due to his elegant style of play and physical resemblance to Francescoli.[40] Francescoli has joked saying that neither of his sons resemble him as much as Milito, both in physical appearance and in their walk. Further, Argentine attacking midfielder Javier Pastore, who was also a fan of Francescoli as a youngster, was given the Uruguayan's nickname "El Flaco" because of their similar style of play as well as their slender build.[41]

title: Enzo Francescoli

text: Another River Plate legend from Uruguay, Walter Gómez, kicked off. When approaching the day of his retirement, Argentine composer Ignacio Copani dedicated his song "Inmenzo" (a pun on "Enzo") to Francescoli, ending with the crowd requesting an encore.

title: Enzo Francescoli

text: The disappointment was assuaged the next year with the victory of the 1987 Copa América as defending champions. Francescoli shone for Uruguay in the semi-final against hosts and defending World Cup champions Argentina in the Estadio Monumental de Núñez (the stadium of his former club, River Plate). A win against Chile in the final of the tournament followed, and the victory gave Uruguay their record 13th continental title.

title: Enzo Francescoli

text: Francescoli transferred to Marseille in 1989. He spent only one season with the club, where he won the 1989–90 French Division 1 title, scoring 11 goals in 28 appearances, and grabbed the attention of an important fan, Zinedine Zidane. Francescoli was sorely missed by his former team Racing, which, in his absence, was unable to avoid relegation. Ironically, Francescoli faced his former club in the semi-finals of the Coupe de France. Racing won the match, although under odd circumstances: with eight minutes remaining, Francescoli scored a goal which would have tied the match, although it was disallowed due to a technicality, and Marseille eventually lost 2–3.[15] Francescoli also helped Marseille to the semi-finals of the 1989–90 European Cup.

title: Enzo Francescoli

text: Francescoli's third season in Italy was by far his best. In the Coppa Italia, he scored three goals before the team was eliminated in the quarter-finals against Fabio Capello's Milan, which conquered the league title that year. In Serie A, Cagliari earned a surprising sixth place, earning a spot in the UEFA Cup, with Francescoli scoring seven league goals, his personal best in a single Serie A season. In total, Francescoli managed 17 goals in 98 league appearances for Cagliari. Due to his key performances, he is regarded as one of the club's greatest ever players, and was included in the Cagliari Hall of Fame, and in the club's best ever starting XI.[17]

title: Enzo Francescoli

text: After the 1990 World Cup, national team coach Óscar Tabárez was replaced by Luis Cubilla, who had trained the under-used Francescoli at River Plate, when Francescoli had first arrived at the club years before. Cubilla brought a strong feeling of nationalism among Uruguayan fans at the time, specifically of resentment against the country's athletes who played in Europe, and even hinted that Francescoli, and also Rubén Sosa, Carlos Aguilera and Oscar Herrera, were "dinheiristas" ("mercenaries"). Appalled, they refused to play if Cubilla did not recant his comments and these players were left out of the 1991 Copa América. Without the "European" stars, Uruguay collapsed in the first round. By the time the 1993 tournament came around, the players had already been called back to the team. Although he had been called up by Cubilla, Francescoli was benched throughout the tournament, and Uruguay once again disappointed, suffering a quarter-final elimination. In a friendly match later that year, Francescoli made his first appearance for the Celeste in many years. Meanwhile, South American rivals Argentina won both the 1991 and 1993 editions of the tournament, overtaking Uruguay as the team with the most Copa América titles (14).

title: Enzo Francescoli

text: In recognition of his talent, Francescoli was the only Uruguayan footballer to be named by Pelé as one of the top 125 greatest living footballers in March 2004.[42]

title: Enzo Francescoli

text: Francescoli finished his season with River Plate with a defeat in the 1996 Intercontinental Cup final against Italian side Juventus.[21] River Plate had the chance to equal Boca Juniors with two Intercontinental Cup titles, but ultimately lost to the Italian side for which a fan of Francescoli played. Zinedine Zidane said, "when I saw Francescoli play, he was the player I wanted to be. He was the player that I saw and admired at Olympique de Marseille, my idol when I played against him when I was at Juventus... Enzo is like a god." At the end of the year, Francescoli decided to come out of international retirement in order to aid Uruguay in qualifying for the upcoming World Cup in France.

title: Enzo Francescoli

text: Francescoli announced his retirement from international football after winning the Copa América for the third time. However, he briefly came out of international retirement during Uruguay's qualifying campaign for the 1998 World Cup, after his teammates had persuaded him to return, with President of Uruguay Julio María Sanguinetti also asking him personally. In October 1996, Francescoli returned to play for the national team, although he did not take part in the 1997 Copa América. He played in eight matches in June of that year,[22] after the continental tournament. His last two matches with the Celeste came in July and August 1997. The Uruguayans still had three World Cup South American qualifying matches remaining, but reached the last match with no mathematical chance of qualifying for the tournament and finishing seventh in their group.

title: Enzo Francescoli

text: Enzo Francescoli Uriarte (Spanish pronunciation:[ˈenso fɾansesˈkoli uˈɾjaɾte]; Italian:[ˈɛntso frantʃeˈskɔːli]; born 12 November 1961) is a former Uruguayan football player. Due to his elegant style of play, Francescoli was nicknamed "El Príncipe" ("The Prince" in Spanish, or "Le Prince" in French), and "El Flaco" due to his slender frame. A former attacking midfielder, he was considered an elite playmaker in a decadent period for the Uruguay national team. He played 73 times for the Celeste between 1982 and his retirement in 1997, making him the most capped outfield player in Uruguayan international football at the time.[1] He represented his nation at two FIFA World Cups, in 1986 and 1990, also winning the Copa América in 1983, 1987 and 1995.

title: Enzo Francescoli

text: In July 2012, in Ariel Ortega's testimonial, Francescoli scored four goals at the age of 50, the last of which was a bicycle kick in the penalty area.[36]

title: Enzo Francescoli

text: After winning the Argentine title, Francescoli represented Uruguay at the 1986 FIFA World Cup. Uruguay were eliminated by Argentina, who subsequently won their next five matches to capture the World Cup. Francescoli later moved to Europe, signed by Racing Paris, newly promoted from the French Second Division. Nantes was willing to pay $2.5million for his contract, but River Plate's president at the time, Hugo Santilli, believed Francescoli could fetch a better price.[11]

title: Enzo Francescoli

text: After Francescoli won the 1983 Copa América with Uruguay, River Plate signed him later that year for $310,000.[8] The following year, Francescoli was unable to show his potential, splitting time with other players. He saw more playing time towards the end of the season when the team reached the Argentine final, but was defeated 3–0 by Ferro Carril Oeste.[9] Nevertheless, Francescoli, was voted the best South American footballer of 1984 for his performances for River Plate and the Uruguay national team, featuring alongside players such as Nelson Gutiérrez and Antonio Alzamendi, among others. Eager to excel with River Plate, Enzo rejected an offer from América de Cali (later found to be funded by the Cali Cartel) which was doing well that year and would go on to become the Copa Libertadores runners-up between 1985 and 1987.[3]

title: Enzo Francescoli

text: Uruguay qualified for the 1986 World Cup after a close match against Chile, in a qualifying group that also included Peru. Francescoli's ability was questioned by critics. However, Uruguayan coach Omar Borrás said, "Everyone talks about Platini, Maradona, of Elkjær ... but our Francescoli has everything to be the highlight of the World Cup."[23]

title: Enzo Francescoli

text: As a young fan of Peñarol, Francescoli passed a try-out but did not join unimpressed by the lack of playing time.[5] Despite another successful try-out with South American powerhouse River Plate, which he would later join in 1983, he chose to stay at his high school football team while completing his studies, winning five championships.[3]

title: Enzo Francescoli

text: The 1995 Copa América on home soil under Uruguay's new head coach, Héctor Núñez, was a breath of fresh air for Francescoli. After not featuring in the previous two editions of the tournament (although he was named to the squad in 1993, he did not play a single match), Francescoli carried his team to the Copa América final against Brazil, at the Estadio Centenario in Montevideo. Uruguay won a hard-fought final 5–3 on penalties, after a 1–1 draw, with Francescoli converting his team's first penalty, as he lifted the title for the last time.[30] As a result, Uruguay equalled Argentina as the South American national team with the most Copa América titles (14). Uruguay later broke the record in 2011, with the victory of their 15th Copa América title. Francescoli was once again named player of the tournament, and was also elected the best player in South America, at age 34, 11 years after first receiving the honour.[31] In the tournament, he also scored his final goal for the national team, which came in the group stage in a 1–0 win against Paraguay.[32] In total, Francescoli made 16 appearances over four editions of the Copa América, scoring five goals, and reaching the final on all four occasions in which he played.[33]

title: Enzo Francescoli

text: Francescoli became a team idol and in 1987 was elected the best foreign player in France. For the 1987–88 season, Portuguese coach Artur Jorge, who had previously won the European Cup, was brought to the team. Francescoli would later describe Artur Jorge as the best coach he had worked with throughout his career. Matra Racing had been struggling to reach the top of the table, alternating between third and second place from the second half of the season onwards. However, after a series of matches, the team stood 11 points behind Monaco. Francescoli scored eight times in the league, finishing once again as the club's top scorer. During this period, he received an offer from Juventus due to the untimely retirement of its captain and star player Michel Platini in 1987, although Francescoli refused the offer. Francescoli finished the 1988–89 championship as the club's top scorer for the third consecutive season, and avoiding relegation.[13]

title: Enzo Francescoli

text: In 1993, Francescoli accepted an offer from Turin side Torino, the most recent winner of the Coppa Italia.[16]

title: Enzo Francescoli

text: Francescoli made 73 official appearances for his country, with 37 wins, 18 draws and 18 defeats, and scoring 17 goals.[34] He was praised for his performances in a difficult period for the national team, retiring as the player with the second most appearances for Uruguay, only four games behind the record holder at the time, goalkeeper Rodolfo Rodríguez, despite the three years in which he had been disowned by the national side, and another in which he had voluntarily retired. Later, his record would be broken by goalkeeper Fabián Carini and also by striker Diego Forlán.


query: What does HTTPS stand for?

title: HTTPS

text: Hypertext Transfer Protocol Secure (HTTPS) is an extension of the Hypertext Transfer Protocol (HTTP) for secure communication over a computer network, and is widely used on the Internet.[1][2] In HTTPS, the communication protocol is encrypted using Transport Layer Security (TLS), or, formerly, its predecessor, Secure Sockets Layer (SSL). The protocol is therefore also often referred to as HTTP over TLS,[3] or HTTP over SSL.

title: Go Dad Run

text:
http://www.dailypost.co.uk/news/north-wales-news/go-dad-run-return-2015-8543298
http://www.bristolpost.co.uk/Bristol-based-Wealth-Manager-Sanlam-UK-sponsors/story-21199723-detail/story.html
http://www.birminghammail.co.uk/whats-on/family-kids-news/watch-colin-jacksons-go-dad-7273649
http://www.barkinganddagenhampost.co.uk/sport/athletics/jackson_continues_support_for_go_dad_run_1_4354035
http://www.northwaleschronicle.co.uk/news/123740/llangefni-go-dad-run-a-big-success-says-colin-jackson.aspx
https://walesexpress.com/colin-jackson-delighted-sanlan-dad-run-llangefni/
http://www.sunderlandecho.com/our-region/sunderland/runners-say-y-not-to-new-event-for-wearside-1-7960286
http://www.walesonline.co.uk/whats-on/whats-on-news/fathers-day-remember-hundreds-men-11493626
http://www.worcesternews.co.uk/news/14181121.Registration_opens_for_this_year_s_Go_Dad_Run_charity_event/

title: National anthem of Russia

text: According to Russian , state symbols and signs are not protected by copyright. As such, the anthem's music and lyrics may be used and modified freely. Although the law calls for the anthem to be performed respectfully and for performers to avoid causing offence, it does not define what constitutes offensive acts or penalties. Standing for the anthem is required by law but the law does not specify a penalty for refusing to stand.

title: What Does the K Stand For?

text: Reviewing Series 1, Episode 1 for "Radio Times", Tristram Fane Saunders found the show suited Amos "down to the ground; there's a touch of "Seinfeld" about "What Does the K Stand for?" in the way it flows from stand up into a deliciously awkward sitcom".

title: Francis Valentino

text:
http://nj1015.com/does-this-jersey-shore-band-have-the-coolest-tour-bus-of-all-time-poll/
http://www.songkick.com/concerts/14797504-kid-rock-at-bridgestone-arena
http://www.thepoorfools.com/music

title: S.H.I.E.L.D.

text: H.A.M.M.E.R. replaces S.H.I.E.L.D. after it is dissolved when Norman Osborn is appointed the new head following the conclusion of the Skrull attack. It was not established what H.A.M.M.E.R. stands for; in "Dark Avengers" #1, Osborn told Victoria Hand, the new Deputy Director, that it does stand for something, and when she asked what it stands for, he told her, "Get to work on it for me. That is one of the many things on your 'To Do' list". Former S.H.I.E.L.D. agents and members of Hydra are hired as agents. H.A.M.M.E.R. promotes Osborn's personal team of Avengers, a group composed mostly of former Thunderbolts members and former members of the Mighty Avengers. Osborn also eliminates all of Tony Stark's influence on S.H.I.E.L.D., including the Cape-Killer Armor and the Red and Gold Helicarrier. He also replaces all agents loyal to Nick Fury, Captain America, or Iron Man with agents loyal to himself. Also, in the "" Prelude, when Sin, who is captured by H.A.M.M.E.R, asks what it stands for, the agent present says that it's classified and she does not have security clearance.

title: RSVP

text: what does rsvp stand for

title: Barry B. Longyear

text: "The God Box" is a stand-alone fantasy novel where the unlikely protagonist finds himself the keeper of a small wooden box that provides cryptic guidance from the gods. He must stay ahead of a deadly manhunt and play his role in an ancient prophecy. The box, if asked, takes what he does not need and gives him what he does need but what he needs and what he thinks he needs are usually very different which lends itself to humorous and unexpected situations.

title: Thomas Bezanson

text: "The thing we all strive for is to shape our humanity in the image of God, to do good, stand up for what is true, create what is beautiful, and live for what unites and does not divide."

title: Secure Hypertext Transfer Protocol

text: As documented in RFC 2817, HTTP can also be secured by implementing HTTP/1.1 Upgrade headers and upgrading to TLS. Running HTTP over TLS negotiated in this way, does not have the implications of HTTPS with regards to name-based virtual hosting (no extra IPs, ports, or URI space), however, few implementations support this method.

title: G. S. Unnikrishnan Nair

title: CherryPy

text: CherryPy is an object-oriented web application framework using the Python programming language. It is designed for rapid development of web applications by wrapping the HTTP protocol but stays at a low level and does not offer much more than what is defined in RFC 7231.

title: Who Was...?

text:
http://www.whowasbookseries.com/who-was/
http://www.whowasbookseries.com/what-was/
http://www.whowasbookseries.com/where-is/

title: XML namespace

text: The use of URIs taking the form of URLs in the http scheme (such as "http://www.w3.org/1999/xhtml") is common, despite the absence of any formal relationship with the HTTP protocol. The Namespaces specification does not say what should happen if such a URL is dereferenced (that is, if software attempts to retrieve a document from this location). One convention adopted by some users is to place an RDDL document at the location. In general, however, users should assume that the namespace URI is simply a name, not the address of a document on the Web.

title: Michael Rosenzweig

text: 2001 The four questions: What does the introduction of exotic species do to diversity? Evolutionary Ecology Research 3 http://www.evolutionary-ecology.com/issues/forthcoming/ar1299.pdf)

title: Jayne Tunnicliffe

text:
Jayne returned to stand up comedy in February 2013 as ukulele playing pop culture satirist Mary Unfaithful.
Her current gigs can be found on https://web.archive.org/web/20130921233921/http://www.jaynebickertoncreations.com/stand-up-mary-unfaithful.html

title: Mod jk

text: A web server waits for client HTTP requests. When these requests arrive, the server does what is needed to serve the requests by providing the necessary content.

title: HTTP pipelining

text:
HTTP pipelining requires both the client and the server to support it. HTTP/1.1 conforming servers are required to support pipelining. This does not mean that servers are required to pipeline responses, but that they are required not to fail if a client chooses to pipeline requests.
Pipelining was introduced in HTTP/1.1 and was not present in HTTP/1.0.

title: Movement director

text:
https://web.archive.org/web/20150126062616/http://www.nationaltheatre.org.uk/video/what-is-a-movement-director
https://web.archive.org/web/20150109032728/http://www.nationaltheatre.org.uk/video/history-of-movement-direction

title: IP-HTTPS

text: IP over HTTPS ("IP-HTTPS", "MS-IPHTTPS") is a Microsoft network tunneling protocol. The IP-HTTPS protocol transports IPv6 packets across non-IPv6 networks. It does a similar job as the earlier 6to4 or Teredo tunneling mechanisms.

title: Trung Nguyên

text: The Company's Asian Grocery Distributor in the USA is H L Foods in Los Angeles, CA. H L Foods does not supply what is termed "mainstream" supermarkets in the USA, the company specializes in distribution to Asian-themed groceries. The USA Online Distributor is Heirloom Coffee LLC, operating the URL http://www.Trung-Nguyen-Online.com since 2005. Authorized sales online in the UK and some continental European countries are performed by Dragon Coffee from the URL http://www.trung-nguyen-online.co.uk/ since 2008.

title: H.A.M.M.E.R.

text: What "H.A.M.M.E.R." stands for, if indeed it stands for anything at all, has not been revealed. In "Dark Avengers" #1, Osborn told Victoria Hand that it does stand for something, and when she asked what it stands for, he told her to "get on that for him". Also, in the "" Prelude, when Sin, who is captured by H.A.M.M.E.R, asks what it stands for, the agent present says that it's classified and she does not have a security clearance.

title: What Does the K Stand For?

text: What Does the K Stand For? is a BBC Radio Four sitcom series based on the experiences of comedian Stephen K. Amos growing up as a teenager in south London in the 1980s. The broadcast of the first series began in November 2013; the third series commenced in January 2017.

title: Vinehall School

text: A spokesperson for the Independent Association of Prep Schools reported that: “The message portrayed does not reflect the values of IAPS nor does it represent what Vinehall School stands for".

title: XML-RPC

text: The protocol does not allow HTTPS, but it is a common and obvious variation to use HTTPS in place of HTTP.

title: All Idu Mishmi Students Union

text:
- http://arunachalnews.com/communal-tensions-takes-its-toll-villagers-flee.html
- https://web.archive.org/web/20110811214647/http://arunachaldiary.com/2009/03/anti-dam-movement-gears-up-imcls-aimsu-demands-no-dam-zone-in-dibang-valley-2/
- http://ibnlive.in.com/generalnewsfeed/news/aimsu-welcomes-stand-of-aasu/359862.html
- https://web.archive.org/web/20120308140104/http://www.dibangnews.com/2011/02/failure-of-bro-will-hurt-nations.html
- http://www.sentinelassam.com/arunachal/story.php?sec=2&subsec=7&id=50709&dtP=2011-04-23&ppr=1
- http://www.neinews.com/aimsu-question-role-of-state-govt.html
- https://web.archive.org/web/20120308140540/http://www.dibangnews.com/2011/02/life-line-of-anini-restored-aimsu.html
- http://www.hindustantimes.com/Not-this-North-east-policy/Article1-244835.aspx
- https://web.archive.org/web/20120308140540/http://www.dibangnews.com/2011/02/life-line-of-anini-restored-aimsu.html
- http://www.tehelka.com/story_main38.asp?filename=cr120408rumble_jungle.asp

title: N. S. Nandiesha Reddy

text:
http://www.thehindu.com/news/cities/bangalore/why-was-nandish-reddy-in-the-returning-officers-room/article3482843.ece
http://www.dnaindia.com/bangalore/report-karnataka-home-minister-faces-bjp-corporators-ire-on-standing-committees-1684281
http://www.thehindu.com/news/cities/bangalore/a-long-wait-for-basic-infrastructure/article4640583.ece
http://www.deccanherald.com/content/327447/with-elections-nearing-water-takes.html
http://www.oneindia.com/india/four-more-firs-filed-against-yeddyurappa-1784173.html
http://www.indiainfoline.com/article/news/scalene-launches-innovative-clean-energy-4957860831_1.html
https://www.youtube.com/watch?v=JZC_ko7RJ68

title: What Does the K Stand For?

text: Writing in "The Guardian" in February 2015, Priya Elan judged that, "Standup comedian Stephen K Amos's jaunty sitcom "What Does The K Stand For?" (Radio 4) reaches the end of its second series with possibly the best episode yet. With shades of Chris Rock's "Everybody Hates Chris", Amos takes us back to his 80s childhood, growing up gay and black in a dysfunctional household".

title: HTTPS

text: HTTP operates at the highest layer of the TCP/IP model, the Application layer; as does the TLS security protocol (operating as a lower sublayer of the same layer), which encrypts an HTTP message prior to transmission and decrypts a message upon arrival. Strictly speaking, HTTPS is not a separate protocol, but refers to use of ordinary HTTP over an encrypted SSL/TLS connection.

title: Stateful firewall

text: Packet filtering alone is not regarded as providing enough protection. In order to effectively block peer-to-peer-related network traffic, what is needed is a firewall that does "application filtering", which can be regarded as an extension to stateful packet inspection. Stateful packet inspection can determine what type of protocol is being sent over each port, but application-level filters look at what a protocol is being used for. For example, an application-level filter might be able to tell the difference between HTTP traffic used to access a Web page and HTTP traffic used for file sharing, whereas a firewall that is only performing packet filtering would treat all HTTP traffic equally.

title: Casio MT-40

text: Standing Ovation 'What Meaning': https://www.youtube.com/watch?v=nUjgNaZdL4M


query: Has Colette Justine appeared in any films?

title: Colette Justine

text: Colette the artist has been documented in films and videos on her life and art. the most recent documentary a Pirate in Venice by Friedericke Schaefer, "Looking for Gaga " by Josh Gilbert. went viral January 2012.Colette the Artists (Art Tapes by Paul Tschinkell (1993), Charlie Ahearn (1995), Enzo Capio (2000), Michel Auder (1970s to 1980s), Anton Perich (1970s to 1980s), Robert Polidori (1979), Wolfgang Staehle (1983) and Werner Rauenne (1984). Marc Miller interviews her in Paul Tschinkell's Inner Tube. in 1983. in a video that also included interviews with Robert Longo.

title: Colette Justine

text: Colette begun using the name "Lumiere" publicly following the September 11 attacks after she was allowed to reenter her Lower Manhattan atelier, which had been covered with white dust from the nearby catastrophe.

title: Colette Justine

text: In 1993, an exhibition at LOK gallery in the Meatpacking District titled "The Ruins and Rise of the House of Olympia" Colette presented her new works. A Colette mannequin replaced her presence.

title: List of Tales of Symphonia characters

text: Colette was ranked on the first "Tales" series character popularity polls. In the second "Tales" series popularity polls, Colette ranked as the character people want as a younger sister, and has made appearances on the next four polls as well. Since her debut, she has made regular appearances as a playable character in the "Tales of the World" series.

title: Colette

text: In the 1991 film "Becoming Colette", Colette is played by the French actress Mathilda May. In the 2018 film "Colette", the title character is played by Keira Knightley. Both films focus on Colette's life in her twenties, her marriage to her first husband, and the publication of her first novels under his name.Source:

title: Antoine Doinel

text: His unrequited love interest Colette Tazzi (Marie-France Pisier) appears in the short film, in a brief uncredited cameo in "Stolen Kisses" and in the last film. Patrick Auffay appears as Antoine's friend René in the first two films. François Darbon appears as Colette's father in the second and as a military adjudant in the third film. Daniel Ceccaldi and Claire Duhamel as Christine's parents in "Stolen Kisses" and "Domicile conjugal". A lover of Antoine's mother, M. Lucien, has been played by Jean Douchet in the first and by Julien Bertheau in the last movie. A writer friend of Antoine, played by Jacques Robiolles appears in "Stolen Kisses" and "Bed and Board". The son of Antoine and Christine, Alphonse, is played in "Bed and Board" by four girls and in "Love on the Run" by Julien Dubois. In the 2005 radio play "Alphonse's Journal" (Le journal d'Alphonse) in which only Christine (Claude Jade) and Alphonse reappearing, Alphonse is spoken by Stanislas Merhar.

title: Colette Brettel

text: Colette Brettel was a British stage and film actress. Born Dorothy Nicolette Pettigrew in London, she made her screen debut in the 1920 film "Wuthering Heights" and appeared in several British films of the early 1920s including "The Prodigal Son". Following the Slump of 1924, in which the number of British films released sharply declined, she moved to Germany. Her film career ended with the introduction of sound. She was married to the Dutch actor Ernst Winar.

title: Colette Justine

text: Other public installation/performances putting closure to a period before Colette's departure for Berlin, were Justine's thrift shop on West Broadway (her beautiful dreamer uniforms and gowns were offered for sale to the public with a window work of that theme), and "Art on Stage" a multimedia event held at Danceteria.

title: Colette Justine

text: In 1975 Colette was asked to participate in "Fashion as Fantasy" at Rizzoli's bookstore. In this fashion/art event (co-curated by Frederico Suro), a larger-than-life perforated light box of Colette was featured, while throughout the store and its windows Colette performed as "Ragdoll" with veiled breasts, a Victorian corset, bloomers and boots. Images of her "look" and her habit of wearing and incorporating undergarments began to appear not only in art publications, but also in fashion and popular press: Art News, Women's Wear Daily, and Daily News. References to Colette's look worn in art and life, are still made as having inspired a young Madonna and later Lady Gaga. During this time Colette begun to be referred to as a "walking performance".

title: Colette Justine

text: In 1997 the "Salon de la Refusee" at the Gerswirn Hotel was viewed both by an art audience as well as random passers-by. Through its windows a Colette mannequin sculpture was installed in the gallery space, along with Colette's new works and objects, that incorporated her life's costumes. Simultaneously, In a show titled Art?fashion, another Colette mannequin sculpture dressed in one of her rushed gowns worn in live performances during her"Nightclubbing"days of the early 1980s was featured at the downtown Guggenheim Museum. Nightclubs continued to be a place of celebration after her opening exhibitions as well as a and showcase for her art. ex; The Palladium 1992, Life Club in 1997 after the opening of Le Salon de La Refusee, The Limelight in 1990, and in 1998 a multimedia production with art work, video installations, and a tableau appearance for the opening to songs co-written with Jacob Engel. 1990& 1998-., Club U.S.A "to celebrate chivalry and good manners".

title: Colette Hiller

text: Colette Hiller is an American actress who starred on film, theatre and television. She attended the Performing Arts Academy in New York as a teenager, and appeared in the original musical play of "Annie", and in other films and plays such as "The Lonely Lady", "Ragtime", "Strong Medicine", and "Birth of the Beatles". She played Corporal Ferro in the 1986 film "Aliens". Colette Hiller has also worked for the BBC, creating documentaries such as "Too Clever by Half" and the children's music cassette "Applehead".

title: Antoine Doinel

text: The next appearance of Doinel was in the film short "Antoine and Colette", which was part of the 1962 omnibus film "L'amour à vingt ans". Doinel is now age 17 and becomes obsessed with Colette, a music student, but she only wants to be friends.

title: Love on the Run (1979 film)

text:
In the previous Antoine Doinel film, "Bed and Board", the marriage between Antoine (Jean-Pierre Léaud) and Christine (Claude Jade) had survived Antoine's infidelity.
"Love on the Run" is set eight years later when Antoine is over thirty. Having an affair with Christine's friend Liliane (Dani) and divorced Christine, he gets a job as a proofreader, and falls in love with Sabine, a record seller. He also writes an autobiographical novel. He meets Colette (Marie-France Pisier), his teenage love who had appeared in "Antoine and Colette", and who is now a lawyer. They impulsively go on a train journey and read Antoine's novel. However, later follows a meeting between Colette and Christine: His romance with Sabine is as complicated and unstable, and it turns out that two of his former flames, Christine and Colette, play a pivotal role in helping him find happiness.

title: Colette Justine

text: list of other shows in - Laboratoire Lumiere has participated in 2011:

title: Colette Mann

text: Colette Mann (born Melbourne, Australia, 16th February 1950) is an Australian actress, singer, choreographer and author/writer. She has played bartender Sheila Canning in "Neighbours" from 2012. Mann has appeared in Neighbours twice, she took over the role of Cheryl Stark in the show from actress Caroline Gillmer  during the period Gillmer was off sick. Mann is also known for playing the role of Doreen Burns (née Anderson) in the Australian series "Prisoner". Mann appeared in "The Flying Doctors" and "Blue Heelers" television series and the 2000 film "The Dish". She has written two books and had a column in "New Idea" magazine.

title: Mitsou (1956 film)

text: Mitsou (or Mitsou ou Comment l'esprit vient aux filles...) is a 1956 French comedy film directed by Jacqueline Audry and starring Danièle Delorme, Fernand Gravey and François Guérin. A music hall singer becomes involved in a love triangle with an older wealthy man and a young army officer. It is based on the 1919 novella "Mitsou" by Colette. The title role is played by Danièle Delorme who had previously appeared as Gigi in the 1949 film adaptation of Colette's work "Gigi" which was also directed by Audry.

title: Colette Justine

text: Colette Justine better known as Colette and from 2001 Colette Lumiere (born 1952 in Tunis, Tunisia) is a French-born, American multimedia artist known for her pioneering work in performance art, street art and her use of photography constructed photograph. She is also known for her work exploring male and female gender roles, different guises and personas and for her soft fabric environments where she often appears as the central element.[1]

title: Colette Justine

text: In 1990 in an exhibition in Munich at Carol Johnssen Gallery "Visits to the Normal World" Colette began to use the name Olympia. It was the first of seven solo shows at that gallery. In 1991 she presented her Colettesized commissioned portraits in "The Aristocrats"; among the portraits of local aristocrats were Leslie and Dedlef Von Waggonheim, Kiki and Eckbert Von Buehlen & Urbach; and an installation featuring "The Unnunciation". The subject Colette as "the Countess Reichenbach" (with her then boyfriend actor Misha Tregor ("Count Reichenbach") a regular at the Kammerspiele theater in Munich). In 1991

title: Sheena Colette

text:
Sheena Colette is an American actress. She began her acting debut on stage as a child in several theatrical productions, ultimately landing her in ongoing studies at various New York acting schools such as American Academy of Dramatic Arts.
Colette appeared in LoCash Cowboy's music video "Here Comes Summer" directed by Brian Lazzaro of Stroudavarious Records, Thalia's "Ten Paciencia" directed by Emilio Estefan, and Alejandra Tejada's "Indomable". On screen she is noted as having the perfect three: "performance, ability to take direction and look". In 2011 she was interviewed by "Industry magazine" for being a reputable actor native to New York. In 2012 Colette kicked off the season three premiere of A & E's "The Glades", and appeared in the Netflix horror flick "House of Bodies" as Sadie Jenkins. In 2013, Colette played Angela, a cancer-stricken woman in "One Last Time", directed by Dhimitri Ismailaj. "One Last Time" was selected for screening at the Cannes Film Festival, and Cinesogni Festival in Ravenna, and several other festival outlets worldwide. In 2014, Colette joined the cast of "Walt Before Mickey" alongside Jon Heder, Thomas Ian Nicholas, David Henrie and Arthur L. Bernstein. In 2015, Colette landed the role of Jeanine Markham playing a scientist attempting to disprove the existence of God. She received critical acclaim, and was awarded the 2016 Best Actress Award from the Beverly Hills Film Festival.

title: Colette Justine

text: In 2011, art critic Alan Jones curated a solo show of her works at Paolo Barozzi Gallery in Venice during the Biennale;and the following her The Film "A Pirate in Venice" a documentary on Colette shot in Venice by Friedericke Taylor, was presented for the first time in NY at the Gershwirn Hotel May 2012 and again the following year. On 14 February 2013, Valentine's Day, Colette had a solo exhibition titled "Colette & Sandy " where she exhibited over 40 works from the 70's till 2012. Works that had been excavated,some embellished from Laboratoire Lumiere. her studio/storage which had been under 9ft of water due to Sandy. Her works were also featured MAy 2013 on 98 bowery on line site. and can still be viewed there. She was featured in group show at Peanut Underground NYC ' Pirate Utopia" opening the same day as another viewing of her film "A Pirate in Venice", which was also featured in the Mikenos Art Biennale that summer. In October 2013, she participated on the panel at the Brooklyn Museum, organized by the Collage center, and the Sackler division of feminist art at the museum. About the same time the travelling show React Feminism II. closed at The Berlin Akademie Der Kunste curated by Beatrice Stammer and Bettina Knaup. For the new Year, and Thru Feb 2nd. 2014 IFAC curatorial, opened their headquarters on Delancey St, with a" Homage to Colette" which presented works from her "Reverse Pop" Justine of the Colette is Dead Co. 78-83. February 6 to March 6 she was featured in "Japonism in Contemporary Art"at the Nippon Club, curated by Emil Memon and Kyoko Saito Ono. On Feb 18, 2014 (till March 23rd). Undercurrent Projects, previously knows as Peanut Underground, opened their new space on March 18th with a solo exhibition "Metaphysical Portraits and other Experiments from Laboratoire Lumiere>. An installation in process. Featured were her new "Metaphysical Portraits " which included the series "Artists& the silver Screen".

title: Colette Trudeau

text: As an Aboriginal artist, Colette has had the opportunity to be a featured performer on APTN's "My TV". "My TV" filmed Colette's Vancouver performance at New Music West and was interviewed at Gas Station Studios in Vancouver.

title: Colette Justine

text: Through the nineties Colette continued to seek various settings and stages in which to exhibit. Eighteenth century salon inspired and "Colettesized"artworks were installed in environments created for them:- ex;" Colette goes Uptown "Uptown Downtown gallery" (1995), Eugenia Cucalon (1996) "the House of Olympia persists its way unto reality ", "Me Myself and I", Carol Johnssen, Munich. At the Lowen Palais part of the Starke Foundation in Berlin, she was given her own "Colette Salon". There she periodically appeared and entertained in eighteenth century style, and presented her latest comissined portraits and works of art work of her choice.

title: Colette Justine

text: Her Pearl Street atelier in New York, which was written about by Arturo Schwarz, Peter Selz, Brendan Gill, Jeffrey Deitch and Alan Jones, and published in Vogue, the New York Times, Art Forum, and The National Enquirer (1995) was demolished in November 2007. A 16-minute film The Last Days of Pearl Street documented the destruction with Street Work "Appearances" by Colette.

title: Jim Bywater

text: Jim Bywater is a British actor who has appeared both in film and television roles. Probably one of his most notable roles was as Wilf Starkey in "Coronation Street" in 1985. Other television appearances include "Bodger and Badger", "The Bill", "Dalziel and Pascoe" and "Bulman". His film appearances include the 2009 adaptation of Colette's "Chéri".

title: Jackals (2017 film)

text: "Jackals" is set in the 1980s and stars Stephen Dorff as a cult deprogrammer Jimmy Levine, who has been hired by a family to retrieve their estranged teenage son, Justin Powell, from a murderous cult. Levine, along with the boy's father, Andrew Powell, forcibly remove Justin from the cult's clutches during what appeared to be a kidnapping. The family, consisting of father Andrew, mother Kathy, younger and seemingly more responsible brother Campbell and Justin's former girlfriend, Samantha, along with her and Justin's baby, Zoe, had gathered for a reunion and intervention meeting at a cabin in the woods. Levine, a former cultist himself, attempts to reach Justin by various confrontational methods, with no apparent success as Justin continues to appear brainwashed and insists that his real "family" is coming and will kill them all. With Justin unmoved by pleas made by his mother, Kathy Powell, or his ex-girlfriend Samantha, frustrations mount as Justin's brother and father clash over the effectiveness and legitimacy of Jimmy's methods and prior family issues resurface, such as why the parents had separated. Whilst still attempting to deprogram Justin, they find themselves surrounded by the cultists who silently appear to demand that the boy be returned to them. First, Fox Girl appears near the cabin, prompting Jimmy to confront her a short distance away after asking her repeatedly to leave; he is captured, disarmed, stomach slashed and mutilated. A short time later as the family struggles to understand what is happening, more cultists silently appear. Several attempts to kill the family and retrieve Justin follow, with Justin's brother and father defending the family and alternatively arguing as the cultist's attacks increase. They manage to kill or incapacitate those cultists who invade the cabin, while Kathy manages to burn one with scalding oil and Samantha wounds another's hands while he was trying to push through the door. Justin, bound, remains unfazed at his family's struggles and continues to taunt them, indicating that the cultists will not stop until he is set free to return to them. Jimmy is used as bait and a distraction by the cultists--he is rescued by the Powells but dies shortly afterwards from his injuries. During a botched attempt to get help, Justin's brother Campbell is captured. He is tied onto a swing set on the cabin grounds and his hands are set afire, one after the other, by the Lead Cultist. His mother Kathy, horrified, struggles not to go help Campbell, but then in her grief rushes out to meet the cultists, who easily capture her. Samantha, who had tried to stop Kathy, then focused on trying to convince Justin to communicate with the cultists and stop their threatening the family. Andrew rushes out with a pickaxe in an attempt to fight off the cultists and rescue his wife and son when he is outnumbered, outflanked, and stabbed several times until he collapses. Kathy is horrified, then her throat is slit by Fox Girl. Both parents die looking across from one another on the floor in the dirt at the feet of the cultists, and Campbell seems to succumb to his injuries while still tied to the swing set. Justin seems at last to show some recovery and asks that Samantha trust him and release him; she does with some trepidation. Justin suggests a desperate escape to Samantha while he meets the cultists. Samantha takes her baby and attempts to escape via a back door to the cabin and makes it to a road in the middle of the night. Justin appears to supplicate himself before the Lead Cultist, kneeling and pressing his head to the Leader's hand. Just as help via a vehicle seems possible, the headlights of the vehicle reveal that a cultist is behind Samantha, possibly Justin."Jackals" was screened at Cannes Film Festival, introduced by Highland Film Group, where Shout! Factory purchased the rights to distribute the film throughout North America. The film has made multiple appearances at horror film festivals, including Fright Fest at Leicester Square in London, and the upcoming Popcorn Frights Film Festival in Miami, Florida.

title: Colette Justine

text: Later that year at Clocktower she presented "The Dream Series", an exhibition curated by Alanna Heiss. In a large square room, "Real Dream", made of rushed pink satin, embedded lighting and audios, Colette slept nude at its center everyday for the duration of the exhibition. This show was a topic of Jeffrey Deitch interview with Colette for WPS1 art radio in 2009.[6]

title: Adrian "Fletch" Fletcher

text: A romantic attraction is developed between Fletch and Colette. Walkinshaw told Kilkelly of "Digital Spy" that there is an element of "what if?" between Fletch and Colette. Delamere thought there was "great chemistry" between the pair, but understood that Colette needed to be professional. Despite this, the actress opined that Colette should have married Fletch. Colette departed the series in November 2014, ending any potential relationship between Fletch and Colette. Delamere enjoyed working with Walkinshaw and believed that had Fletch and Colette began a relationship, Colette would have "ended up eating him alive if she'd wanted to!"

title: Colette Justine

text: In 1978 Fiorucci invited her to do an exhibition, which included a sleeping installation performance in the windows of the West 59th Street store in NYC. Soon after, Fiorucci began using live models in the store and Colette's "Victorian Punk Look" became part of the 1980s NYC "Downtown New Wave" world. In 1979 Emilio Fiorucci commissioned her to create a line of clothes for the store. Her "Deadly Feminine Line" was showcased in the windows of the boutique and Colette staged a fashion art performance at the Mudd Club in celebration.

title: Colette Justine

text: In 1978 Colette staged a mock death in an installation/performance at the Downtown Whitney titled "The Last Stitch" part of the "Out of the House" exhibition. She performed her resurrection at PS1 now part of MOMA a few days later as "Justine and the Victorian Punks"[7] (the first in a series of living personas). Justine armed with Colette's vision posed as a recording star, fashion designer, inventor & conceptualizer of products - "The Beautiful Dreamer" (Colette) doll, perfume, beautiful dreamer bed, fashions, lps etc... And was the head of the Colette's estate.

title: Colette Justine

text: Other shows and highlights of that period concentrated on reaching larger audiences and Colette began using the label "C.I.A. - Colette Institute of Art" and its no 1. Moto - "Fight Terror with Glamor, also " beware of When In Pink ". She presented her C.I.A. (Colette institute of Art) with an installation performance on April 1st at the NYC club" Crowbar". In "Domestic Bliss" (1994), an arresting vision that featured a long pink table with Lumiere plates, could be seen from the streets of Rosenthal's Madison Avenue Rosenthal's Show Room. The Mannequin replacing Colette, was attached to a long table with a train containing at its end a large pile of record albums size artworks from "The Story of my life" series.(78-)


query: Who won the last Superbowl?

title: List of Super Bowl champions

text: Green Bay Packers (Super Bowls I and II) Miami Dolphins (VII and VIII) Pittsburgh Steelers (twice: IX and X as well as XIII and XIV) San Francisco 49ers (XXIII and XXIV) Dallas Cowboys (XXVII and XXVIII) Denver Broncos (XXXII and XXXIII) New England Patriots (XXXVIII and XXXIX)

title: Leonard Betts

text: The episode received largely positive reviews from critics. "The A.V. Club" gave the episode an A, noting that "'Leonard Betts' deserves to be remembered [...] There's very little in this episode that doesn't work. 'Leonard Betts' isn't the best episode of The X-Files, but it signifies that we're moving into one of the show's very best periods, and it does so with a confidence and verve that the series didn't always display." Many critics praised the tenacity of the writers for airing an episode featuring such a creepy character after the Super Bowl. Writing for Den of Geek, John Moore listed Betts as one of his "Top 10 X-Files Baddies", writing that "Fox had the Superbowl[sic], the Superbowl happens on a Sunday, Fox decides to run the show in the prime slot after the big game... [...] So, did, they soft-pedal things in order to grab a wider audience? Er... no. Instead they decided to feature a cancer-eating living tumour that could re-grow his own limbs at will. That's why I love the X-Files."

title: Superbowl of Wrestling

text: The Superbowl of Wrestling was an event held in the 1970s. It was one of the first professional wrestling "Supercards".

title: The One After the Superbowl

text: "The One After the Superbowl" is a double-length episode of the American television sitcom "Friends"' second season. It originally aired on the National Broadcasting Company (NBC) in the United States on January 28, 1996, immediately after NBC's telecast of Super Bowl XXX. The network's decision to air the episode directly after the Super Bowl was made in hopes of making it the "highest-grossing ad-revenue day in television history." Guest stars in the episode are Brooke Shields, Chris Isaak, Julia Roberts, Jean-Claude Van Damme, Fred Willard, and Dan Castellaneta. They were cast to draw more viewers and further increase the advertising revenue.

title: Marty Tripes

text: Tripes was then contracted to ride for the Honda factory racing team in the 1973 250cc national championship. He successfully defended his Superbowl of Motocross victory and won two races in the 250cc national championship to end the season ranked sixth in the nation.

title: Chris Isaak

text: He guest-starred on "The One After the Superbowl, Part One," the Super Bowl XXX edition of the television sitcom "Friends"; and on the HBO miniseries, "From the Earth to the Moon", as astronaut Ed White, the first American astronaut to leave the confines of his spacecraft, who later died in the 1967 "Apollo 1" fire.

title: Giro d'Italia

text: In 1946 the maglia nera (black jersey) was introduced and awarded the cyclist who was last in the general classification. Riders sometimes deliberately wasted time in order to become last overall and so wear the black jersey. The classification was short lived, as it was last contested in the 1951 Giro d'Italia. The classification was won twice by Luigi Malabrocca, who won the classification in 1946 and 1947. The last winner of the maglia nera was Giovanni Pinarello.

title: Superbowl

text: Superbowl may refer to:

title: The One After the Superbowl

text: "The One After the Superbowl" is the most-watched episode in the history of "Friends", with a total of 52.9 million viewers tuned in after the Super Bowl ended. The episode generated a 29.5 Nielsen rating and a 47 percent audience share, making it the highest-rated episode of any show ever (scripted or otherwise) to debut after the Super Bowl. The advertising rates for "The One After the Superbowl" averaged $600,000 for 30 seconds of commercial time. This was one of the largest advertising rates ever for a sitcom at the time. The episode's director, Michael Lembeck, won the 1996 Emmy Award in the "Outstanding Individual Achievement in Directing for a Comedy Series" category for this episode, the only Emmy won by "Friends" that year.

title: Sage Francis

text: Francis won the Superbowl MC Battle in Boston in 1999, beating Esoteric. Francis won the Scribble Jam emcee battle in 2000, beating Blueprint.

title: List of Philadelphia Eagles head coaches

text: Three different coaches have won NFL championships with the team: Earl "Greasy" Neale in 1948 and 1949, Buck Shaw in 1960, and Doug Pederson in Superbowl LII. Andy Reid is the all-time leader in games coached and wins, while Neale has the highest winning percentage with .594 (with at least one full season coached). Bert Bell is statistically the worst coach the Eagles have had in terms of winning percentage, with .185 win/loss percentage.

title: List of Wipeout obstacles

text: Superbowl Episode

title: Sun City, North West

text: On 25 October 1980, Sun City's "Superbowl" hosted a racially mixed world heavyweight boxing championship fight between champion American Mike Weaver and challenger South African Gerrie Coetzee. It was won by Weaver by thirteenth-round knockout. The fight was for Weaver's World Boxing Association world heavyweight title.

title: Superbowl of Wrestling

text: Another Superbowl of Wrestling was held on January 25, 1978. This Superbowl of Wrestling was held at the Orange Bowl in Miami, Florida, drawing over 12,000 fans for a unification match between the WWWF and NWA World Championships. Here are the results:

title: Superbowl of Wrestling

text: Here are partial results of the show:

title: Miss South Africa 2015

text: The Miss South Africa 2015 pageant took place on March 29, 2015 at the Sun City Superbowl. The pageant was broadcast on M-Net and Mzansi Magic. The final was contested by 12 girls who were selected after weeks of challenges at Sun City International. The pageant was hosted by television and radio personality Thomas Mlambo .

title: Kipp Vickers

text: Vickers remains one of only three Tarpon Springs Spongers to have participated in Superbowls, alongside former Los Angeles Raiders (now Oakland Raiders) player Ted Watts and St. Louis Rams (now Los Angeles Rams) player Mike Gruttadauria. The three, along with Tarpon Springs High School, were presented golden footballs in 2016 in celebration of Superbowl 50.

title: Abdullah Ibrahim

text: In 2007, Ibrahim was presented with the South African Music Lifetime Achievement Award, given by the Recording Industry of South Africa, in a ceremony at the Sun City Superbowl.

title: Miss South Africa 2014

text: The Miss South Africa 2014 pageant took place on Sunday the 30th of March at the Sun City Superbowl. The pageant was broadcast on DStv on Mzansi Magic. The final was contested by 12 girls who were selected after weeks of grueling challenges at Sun City International. The pageant was hosted by television and radio personality Elana Afrika-Bredenkamp.

title: The One After the Superbowl

text: The first part of "The One After the Superbowl" was written by Mike Sikowitz and Jeffrey Astrof, and the second part by Michael Borkow. Both parts were directed by Michael Lembeck. On January 28, 1996, the day the episode aired, executive producer Kevin S. Bright commented: "It'll be bigger in size and scope than a regular "Friends" episode. Tonight we go one step beyond." At the beginning of January 1996, it was confirmed that Julia Roberts, Brooke Shields, Chris Isaak and Jean-Claude Van Damme would all guest star in "The One After the Superbowl". Actors and comedians Fred Willard and Dan Castellaneta also made minor guest appearances in the episode, as the zookeeper and the zoo janitor respectively.

title: List of Twitter traditions

text: During the NFL's annual championship 'Super Bowl' game advertisers, unless authorised to use the official trademark, must use a different term (such as 'The Big Game') to refer to the event. Comedian Stephen Colbert used the technically permitted phrase "Superb Owl" in 2014 and others adopted this term with #SuperbOwl being used on Twitter to share photographs of owls. Twitter does not distinguish between the hashtags #SuperBowl and #SuperbOwl so tweets from fans of the game and fans of owls overlap.

title: The One After the Superbowl

text: The main plot of the episode sees Ross searching for his former pet monkey, Marcel, and discovering that he is working on a film set in New York. The first part of the episode was written by Mike Sokowitz and Jeffrey Astrof and the second by Michael Borkow. Both parts were directed by Michael Lembeck. The episode drew 52.9 million viewers. Since airing, "The One After the Superbowl" has received mixed reviews from television critics.

title: Marina Square

text: In mid-1996, an entertainment complex, Marina Leisureplex, opened at the eastern end of the mall, comprising a six-screen Golden Village cineplex and a Superbowl arcade and bowling alley.

title: The One After the Superbowl

text: Ostrow commented that the Monica and Rachel storyline "was evidence of unfunny, lazy writing." Kim, however, thought the storyline offered some "funny moments." Ostrow was complimentary of cast members Lisa Kudrow and David Schwimmer's performances. "Lisa Kudrow, as Phoebe, singer of truthful folk songs, continues to be a "Friends" highlight and David Schwimmer can carry off amusing, emotionally tinged moments even opposite a monkey." DVD Talk's Earl Cressey named the episode one of the highlights of the second season of "Friends". Hal Boedeker of "The Orlando Sentinel" praised "The One After the Superbowl" for being better than most episodes of "Friends" and "pleasantly off-the-wall and in keeping with the "Friends" spirit." The authors of "Friends Like Us: The Unofficial Guide to Friends" wrote that there are "some lovely moments of slapstick" in the episode. They called Roberts "a fine guest-star", while Van Damme was "embarrassing". Pergament said "The One After the Superbowl" "had its moments", but he thought it felt more like an episode of "Seinfeld" than an episode of "Friends". The "Houston Chronicle"s Ann Hodges gave the episode a more negative review, commenting that the "Friends" writers "dropped the ball" with it: "Women's underwear, three-way-sex jokes, and a monkey — that was it. The insipid, stupid script was an insult to guest stars like Julia Roberts and Jean-Claude Van Damme."

title: Italian Football League

text: Until 2014 the championship game was called "Superbowl italiano".

title: Eric Marty

text: In 2012 Marty signed with the Catania Elephants. Once again his team finished the regular season in first place. Marty again lost in the Italian Superbowl to the Parma Panthers.

title: Pierre Coetzer

text: After six more wins, Coetzer faced local heavyweight Johnny du Plooy, who had won 196 of his 200 amateur fights, and who had scored 17 knockouts in his first 20 professional fights. They met on 4 August 1990 at the Sun City Superbowl, in a bout billed "Once and For All". Du Plooy cut Coetzer with his first right punch, and had him down towards the end of the first round, but Coetzer dropped Du Plooy twice in the second round and won the fight by TKO.

title: Joyous Celebration

text: Joyous Celebration 11 Live at Sun City, North West at The Sun City Superbowl (2007)

title: Mediterranean Challenge Cup

text: The eighth MCC was held in St. Julian's (Malta) for the second time at Eden Superbowl, with Turkey withdrawing. Anastasia Rovithaki (Greece) and Marcial Ovide (Spain) won the singles events. Anastasia Rovithaki-Despina Chrisanthi (Greece) won women's doubles and Yaniv Gresario-Yahav Rabin (Israel) won men's doubles. Malta won the teams event. Abela and Ovide won the "all-events" gold medals, just as both did last year. Abela has won seven of the eight women's "all-events" gold medals and four in a row.

title: Superbowl of Wrestling

text: The first Superbowl of Wrestling was held in Cleveland, Ohio at Municipal Stadium on August 12, 1972. Three rings were set up, side by side, and often more than one match would be going on at a time. Attendance figures have been estimated as high as 20,000 and as low as 5,000. No reliable sources seem to agree on a number.

title: Mansfield

text: Mansfield Superbowl, a 28-lane bowling alley with hospitality, opened in 1991. Facing closure in 2014, it was sold and underwent refurbishment in 2015.


query: When did Caravaggio live?

title: Caravaggio

text: Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (/ˌkærəˈvædʒioʊ/, US: /-ˈvɑːdʒ-/, Italian pronunciation:[mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 28 September 1571[2] – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.[3][4][5]

title: Derek Jarman

text: Jarman spent seven years making experimental Super 8mm films and attempting to raise money for "Caravaggio" (he later claimed to have rewritten the script seventeen times during this period). Released in 1986, "Caravaggio" attracted a comparatively wide audience; it is still, barring the cult hit "Jubilee", probably Jarman's most widely known work. This is partly due to the involvement, for the first time with a Jarman film, of the British television company Channel 4 in funding and distribution. Funded by the British Film Institute and produced by film theorist Colin MacCabe, "Caravaggio" became Jarman's most famous film to date, and marked the beginning of a new phase in Jarman's filmmaking career: from now on all his films would be partly funded by television companies, often receiving their most prominent exhibition in TV screenings. "Caravaggio" also saw Jarman work with actress Tilda Swinton for the first time. Overt depictions of homosexual love, narrative ambiguity, and the live representations of Caravaggio's most famous paintings are all prominent features in the film.

title: Caravaggio

text: A lot has been made of Caravaggio's presumed homosexuality, which has in more than one previous account of his life been presented as the single key that explains everything, both the power of his art and the misfortunes of his life. There is no absolute proof of it, only strong circumstantial evidence and much rumour. The balance of probability suggests that Caravaggio did indeed have sexual relations with men. But he certainly had female lovers. Throughout the years that he spent in Rome he kept close company with a number of prostitutes. The truth is that Caravaggio was as uneasy in his relationships as he was in most other aspects of life. He likely slept with men. He did sleep with women. He settled with no one... [but] the idea that he was an early martyr to the drives of an unconventional sexuality is an anachronistic fiction.[61]

title: Boy Peeling Fruit (Caravaggio)

text: This is the earliest known work by Caravaggio, painted soon after his arrival in Rome from his native Milan in mid 1592. His movements in this period are not certain. According to his contemporary Giulio Mancini he stayed for a short time with Monsignor Pandulfo Pucci in the Palazzo Colonna, but disliked the way Pucci treated him and left after a few months. (Pucci fed his boarders exclusively on greens, and Caravaggio referred to him later as 'Monsignor Salad'). He copied religious pictures for Pucci, (none survive), and apparently did a few pieces of his own for personal sale, of which "Boy Peeling a Fruit" would be the only known example. The piece may also date from slightly later, when he was working for Giuseppe Cesari, the "cavaliere d'Arpino". As Caravaggio is said to have been painting only "flowers and fruit" for d'Arpino, this would again be a personal piece done for sale outside the workshop, but it was among the works seized from d'Alpino by Cardinal Scipione Borghese in 1607, together with two other early Caravaggios, the "Young Sick Bacchus" and the "Boy with a Basket of Fruit". It is not known how these works came to be in Cesari's collection at the time.

title: The Crowning with Thorns (Caravaggio)

text: According to Caravaggio's biographer Giovanni Bellori a "Crowning with Thorns" was made for Caravaggio's patron Vincenzo Giustiniani, and this painting can be traced convincingly to the Giustiniani collection. An attribution to Giustiniani would place it in the period before 1606, when Caravaggio fled Rome, but Peter Robb dates it to 1607, when the artist was in Naples.

title: Amor Vincit Omnia (Caravaggio)

text: The subject was common for the age. Caravaggio’s treatment is remarkable for the realism of his Cupid – where other depictions, such as a contemporary "Sleeping Cupid" by Battistello Caracciolo, show an idealised, almost generic, beautiful boy, Caravaggio’s Cupid is highly individual, charming but not at all beautiful, all crooked teeth and crooked grin: one feels that one would recognise him in the street. The shock of the Caravaggio, quite apart from the dramatic chiaroscuro lighting and the photographic clarity, is the mingling of the allegorical and the real, this sense it gives of a child who is having a thoroughly good time dressing up in stage-prop wings with a bunch of arrows and having his picture painted. Nevertheless, despite the clear indications of Caravaggio’s practice of painting direct from a live model, there is an undeniable resemblance to the pose of Michelangelo's "Victory" now in the Palazzo Vecchio, Florence, and it is likely the artist had this in mind.

title: Caravaggio

text: Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the Marchese of Caravaggio, a town not far from the city of Bergamo.[7] In 1576 the family moved to Caravaggio (Caravaggius) to escape a plague that ravaged Milan, and Caravaggio's father and grandfather both died there on the same day in 1577.[8][9] It is assumed that the artist grew up in Caravaggio, but his family kept up connections with the Sforzas and with the powerful Colonna family, who were allied by marriage with the Sforzas and destined to play a major role later in Caravaggio's life.

title: Caravaggio

text: Caravaggio displayed bizarre behaviour from very early in his career. Mancini describes him as "extremely crazy", a letter of Del Monte notes his strangeness, and Minniti's 1724 biographer says that Mario left Caravaggio because of his behaviour. The strangeness seems to have increased after Malta. Susinno's early-18th-century Le vite de' pittori Messinesi ("Lives of the Painters of Messina") provides several colourful anecdotes of Caravaggio's erratic behaviour in Sicily, and these are reproduced in modern full-length biographies such as Langdon and Robb. Bellori writes of Caravaggio's "fear" driving him from city to city across the island and finally, "feeling that it was no longer safe to remain", back to Naples. Baglione says Caravaggio was being "chased by his enemy", but like Bellori does not say who this enemy was.

title: Penitent Magdalene (Caravaggio)

text:
The painting represents a departure from the standard paintings of the penitent Mary Magdalene of Caravaggio's day, both in portraying her in contemporary clothing and, in the words of biographer John Varriano (2006), avoiding "the pathos and languid sensuality" with which the subject was generally treated. Indeed, most of the many depictions of the subject in art showed the Magdalen with no clothing at all, as in Titian's painting of 1533, it having fallen apart during the thirty years she spent, according to medieval legend, repenting in the desert after the Ascension of Jesus. It was Caravaggio's departure into realism that shocked his original audience; according to Hilary Spurling in "The New York Times Book Reviews" (2001), "contemporaries complained that his Mary Magdalene looked like the girl next door drying her hair alone at home on her night in." Decades after the painting's completion, 17th-century art biographer Gian Pietro Bellori opined that Caravaggio had feigned religious imagery by adding items associated with Mary Magdalene—a carafe of oil and discarded jewelry—to an otherwise modern genre scene. But Jesuit poet Giuseppe Silos evidently did not regard the work as feigned spirituality. Rather, in his "Pinacotheca sive Romana pictura et sculptura", published in 1673, he praised it and its painter elaborately:
We can see the silent remorse hidden in her conscience, and in the depths of her heart she is burned by a secret flame. Certainly Caravaggio's colors are so lively as to reveal even her most intimate sentiments. A rare bird is that painter who can so clearly expose in a mere image that which is hidden in the blind darkness of the conscience.

title: Caravaggio (1986 film)

text: One day, Ranuccio (Sean Bean), a street fighter for pay, catches Caravaggio's eye as a subject and potential lover. Ranuccio also introduces Caravaggio to his girlfriend Lena (Tilda Swinton), who also becomes an object of attraction and a model to the artist. When both Ranuccio and Lena are separately caught kissing Caravaggio, each displays jealousy over the artist's attentions. One day, Lena announces she is pregnant (although she does not state who the father is) and will become a mistress to the wealthy Scipione Borghese (Robbie Coltrane). Soon, she is found murdered by drowning. As the weeping Ranuccio looks on, Caravaggio and Jerusaleme clean Lena's body. Caravaggio is shown painting Lena after she dies and mournfully writhing with her nude body. Ranuccio is arrested for Lena's murder, although he claims to be innocent. Caravaggio pulls strings and goes to the Pope himself to free Ranuccio. When Ranuccio is freed, he tells Caravaggio he killed Lena so they could be together. In response, Caravaggio cuts Ranuccio's throat, killing him. Back on his deathbed, Caravaggio is shown having visions of himself as a boy and trying to refuse the last rites offered him by the priests.

title: Caravaggio (1986 film)

text: In keeping with Caravaggio's use of contemporary dress for his Biblical figures, Jarman intentionally includes several anachronisms in the film that do not fit with Caravaggio's life in the 16th century. In one scene, Caravaggio is in a bar lit with electric lights. Another character is seen using an electronic calculator. Car horns are heard honking outside Caravaggio's studio and in one scene Caravaggio is seen leaning on a green truck. Cigarette smoking, a motorbike, and the use of a manual typewriter also feature in the film.

title: John the Baptist (Caravaggio)

text: In 1601/02 Caravaggio was apparently living and painting in the palazzo of the Mattei family, inundated with commissions from wealthy private clients following the success of the Contarelli chapel where in 1600 he had displayed "The Martyrdom of Saint Matthew" and "The Inspiration of Saint Matthew". It was one of the most productive periods in a productive career. Ciriaco Mattei's notebook records two payments to Caravaggio in July and December of that year, marking the beginning and completion of the original "John the Baptist". The payment was a relatively modest 85 scudi, because John was a single figure. The copy may have been made at the same time or very soon after. In January of that year Caravaggio received a hundred and fifty scudi for "Supper at Emmaus". For Vincenzo Giustiniani there was "The Incredulity of Saint Thomas", and in January 1603 Ciriaco paid a hundred and twenty-five scudi for "The Taking of Christ". Each of these increased the immense popularity of Caravaggio among collectors - twenty copies survive of the "Supper at Emmaus", more of the "Taking of Christ".

title: Sacrifice of Isaac (Caravaggio)

text: The "Sacrifice of Isaac" in the Piasecka-Johnson Collection in Princeton, New Jersey, is a disputed work that was painted circa 1603. According to Giulio Mancini, a contemporary of Caravaggio and an early biographer, the artist, while convalescing in the Hospital of the Consolazione, did a number of paintings for the prior who took them home with him to Seville. (The hospital had a Spanish prior from 1593 to around mid-1595). This would date the work to the mid-1590s, but it seems far more sophisticated than anything else known from that period of Caravaggio's career, and Peter Robb, in his 1998 biography of Caravaggio, dates it to about 1598. The model for Isaac bears a close resemblance to the model used for the "John the Baptist" now in the museum of Toledo cathedral, which suggests that the two should be considered together. The presence of paintings by Caravaggio in Spain at an early date is important for the influence they may have had on the young Velázquez, but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617-1619.

title: Palazzo Mattei

text: Like others of the Mattei family, Asdrubale Mattei was an enthusiastic patron of the arts. Michelangelo Merisi da Caravaggio (better known simply as "Caravaggio") is recorded as living at the palazzo in 1601.

title: Caravaggio (horse)

text: The colt was being prepared for a run in the Middle Park Stakes when he sustained a muscle injury on 18 August and did not run again that year.

title: Caravaggisti

text: The Caravaggisti (or the "Caravagesques") were stylistic followers of the 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as "The Taking of Christ", which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It was only in the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more placed him in the European tradition: "Ribera, Vermeer, La Tour and Rembrandt could never have existed without him. And the art of Delacroix, Courbet and Manet would have been utterly different". The influential Bernard Berenson stated: "With the exception of Michelangelo, no other Italian painter exercised so great an influence."

title: Caravaggio

text: Caravaggio never married and had no known children, and Howard Hibbard notes the absence of erotic female figures from the artist's oeuvre: "In his entire career he did not paint a single female nude."[54] On the other hand, the cabinet-pieces from the Del Monte period are replete with "full-lipped, languorous boys ... who seem to solicit the onlooker with their offers of fruit, wine, flowers – and themselves" suggesting an erotic interest in the male form.[55] At the same time, however, a connection with a certain Lena is mentioned in a 1605 court deposition by Pasqualone, where she is described as "Michelangelo's girl".[56] According to G.B. Passeri, this 'Lena' was Caravaggio's model for the Madonna di Loreto; and according to Catherine Puglisi, 'Lena' may have been the same person as the courtesan Maddalena di Paolo Antognetti, who named Caravaggio as an "intimate friend" by her own testimony in 1604.[57][58] Caravaggio also probably enjoyed close relationships with other "whores and courtesans" such as Fillide Melandroni, of whom he painted a portrait.[59]

title: The Beheading of St John the Baptist (Caravaggio)

text:
Completed in 1608 in Malta, the painting had been commissioned by the Knights of Malta as an altarpiece; it was the largest altarpiece which Caravaggio would ever paint. It still hangs in St. John's Co-Cathedral, for which it was commissioned and where Caravaggio himself was inducted and briefly served as a knight. Caravaggio's service to the Order was brief and troubled, however, as he was soon a fugitive from justice, having escaped while imprisoned for an unrecorded crime. When Caravaggio was defrocked "in absentia" as a "foul and rotten member" by the Order about six months after his induction, the ceremony took place in the Oratory, before this very painting.
Caravaggio did several pieces depicting the moments after the event depicted here. One of these is on display in London's National Gallery; the other, in the Royal Palace of Madrid. It is believed that one of these may be the image that Caravaggio was said to have sent in an effort to appease Alof de Wignacourt, Grand Master of the Knights who expelled Caravaggio, but this is not certainly known.

title: Caravaggio (1986 film)

text: As an adult, Caravaggio still lives under the roof and paints with the funding of Del Monte. Caravaggio is shown employing street people, drunks and prostitutes as models for his intense, usually religious paintings (see the article on the painter for examples). He is depicted as frequently brawling, gambling, getting drunk and is implied to sleep with both male and female models. In the art world, Caravaggio is regarded as vulgar and entitled due to his Vatican connections.

title: Paintings attributed to Caravaggio

text: According to tradition Caravaggio painted flowers and fruit when he first came to Rome. Individual pieces of this "Still Life with Flowers and Fruit" are brilliantly painted and call to mind the mastery of such subjects that Caravaggio showed in early works such as "Boy with a Basket of Fruit", as well as his reported comment that it took as much trouble to paint a flower as it did to paint a man. Nevertheless, the overall composition is awkward and it is not accepted as genuine. The painting is ascribed to an artist known as the Painter of the Wadsworth Atheneum Still-Life, after a work in the Wadsworth Atheneum, Hartford, Connecticut.

title: Amor Vincit Omnia (Caravaggio)

text: The painter Orazio Gentileschi lent Caravaggio the wings as props to be used in the painting, and this allows fairly precise dating of 1602–3. It was an immediate success in the circles of Rome’s intellectual and cultural elite. A poet immediately wrote three madrigals about it, and another wrote a Latin epigram in which it was first coupled with the Virgilian phrase "Omnia Vincit Amor", although this did not become its title until the critic Giovanni Pietro Bellori wrote his life of Caravaggio in 1672.

title: Battle of Caravaggio

text: The Battle of Caravaggio was fought near Caravaggio, in Lombardy (northern Italy), between the armies of the Ambrosian Republic (Milan's short lived republic) and the Republic of Venice, on 15 September 1448.

title: Crucifixion of Saint Peter (Caravaggio)

text: When Tiberio Cerasi died on 3 May 1601 Caravaggio was still working on the paintings as attested by an "avviso" dated 5 May which mentioned that the chapel was being decorated by the hand of the "famosissimo Pittore", Michelangelo da Caravaggio. A second "avviso" dated 2 June proves that Caravaggio was still at work on the paintings a month later. He completed them sometime before 10 November when he received the final instalment from the heirs of Tiberio Cerasi, the Fathers of the Ospedale della Consolazione. The total compensation for the paintings was reduced to 300 scudi for unknown reasons.

title: Caravaggio

text: The Death of the Virgin, commissioned in 1601 by a wealthy jurist for his private chapel in the new Carmelite church of Santa Maria della Scala, was rejected by the Carmelites in 1606. Caravaggio's contemporary Giulio Mancini records that it was rejected because Caravaggio had used a well-known prostitute as his model for the Virgin.[27] Giovanni Baglione, another contemporary, tells us it was due to Mary's bare legs[28] —a matter of decorum in either case. Caravaggio scholar John Gash suggests that the problem for the Carmelites may have been theological rather than aesthetic, in that Caravaggio's version fails to assert the doctrine of the Assumption of Mary, the idea that the Mother of God did not die in any ordinary sense but was assumed into Heaven. The replacement altarpiece commissioned (from one of Caravaggio's most able followers, Carlo Saraceni), showed the Virgin not dead, as Caravaggio had painted her, but seated and dying; and even this was rejected, and replaced with a work showing the Virgin not dying, but ascending into Heaven with choirs of angels. In any case, the rejection did not mean that Caravaggio or his paintings were out of favour. The Death of the Virgin was no sooner taken out of the church than it was purchased by the Duke of Mantua, on the advice of Rubens, and later acquired by Charles I of England before entering the French royal collection in 1671.

title: The English Patient

text:
David Caravaggio is a Canadian thief whose profession is legitimized by the war, as the Allies needed crafty people to steal Axis documents. He is a long-time friend of Hana's father and becomes known as "the man with bandaged hands" when he arrives at the villa; the bandages cover his severed thumbs, the result of an interrogation by the Italians in Florence. He recalls that Ranuccio Tommasoni ordered the interrogation tactic. This is a reference to a man by the same name who was murdered by the historical Caravaggio in 1606.
The mental and physical outcome of the torture is that Caravaggio has "lost his nerve" and ability to steal. Hana remembers him as a very human thief. He would always be distracted by the human element while doing a job. For instance, if an advent calendar was on the wrong day, he would fix it. She also has deep feelings of love for Caravaggio. At times, Caravaggio seems to display a romantic love towards Hana. Caravaggio and Almásy share a morphine addiction. Caravaggio works this to his advantage to confirm his suspicion that Almásy is not English.

text: "The Beheading of Saint John the Baptist" has been badly damaged, though it did receive some restoration in the 1950s prior to a notable exhibition in Rome in 1955–56, which brought the work considerable attention. It was during the restoration that Caravaggio's signature in the blood became visible to modern viewers. The signature is a matter of some dispute. The work is signed "f. Michelang.o" (the "f" to indicate his brotherhood in the order), but it is popularly claimed that Caravaggio signed "I, Caravaggio, did this" in confession of some crime—perhaps connected to the 1606 death of Ranuccio Tomassoni at Caravaggio's hands, which had caused the painter to flee Rome.

title: Caravaggio

text: Caravaggio's innovations inspired the Baroque, but the Baroque took the drama of his chiaroscuro without the psychological realism. While he directly influenced the style of the artists mentioned above, and, at a distance, the Frenchmen Georges de La Tour and Simon Vouet, and the Spaniard Giuseppe Ribera, within a few decades his works were being ascribed to less scandalous artists, or simply overlooked. The Baroque, to which he contributed so much, had evolved, and fashions had changed, but perhaps more pertinently Caravaggio never established a workshop as the Carracci did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism that may only be deduced from his surviving work.

title: Orio al Serio International Airport

text: The airport is managed by SACBO, a company partially owned by "SEA – Aeroporti di Milano", the operator of Linate and Malpensa airports. SEA, the company that runs the latter two airports, also holds a 31% stake in SACBO. It is named "Il Caravaggio" after the Baroque painter Michelangelo Merisi da Caravaggio, who lived as a child at Caravaggio in the Province of Bergamo.

title: Caravaggio

text: The installation of the St. Matthew paintings in the Contarelli Chapel had an immediate impact among the younger artists in Rome, and Caravaggism became the cutting edge for every ambitious young painter. The first Caravaggisti included Orazio Gentileschi and Giovanni Baglione. Baglione's Caravaggio phase was short-lived; Caravaggio later accused him of plagiarism and the two were involved in a long feud. Baglione went on to write the first biography of Caravaggio. In the next generation of Caravaggisti there were Carlo Saraceni, Bartolomeo Manfredi and Orazio Borgianni. Gentileschi, despite being considerably older, was the only one of these artists to live much beyond 1620, and ended up as court painter to Charles I of England. His daughter Artemisia Gentileschi was also close to Caravaggio, and one of the most gifted of the movement. Yet in Rome and in Italy it was not Caravaggio, but the influence of his rival Annibale Carracci, blending elements from the High Renaissance and Lombard realism, which ultimately triumphed.

title: Leonello Spada

text:
Whether Spada either met or became an assistant of Caravaggio, like Manfredi, is unclear. The biographer Malvasia makes plain in his "Felsina pittrice" his distaste for Caravaggio, and apparently describes Spada and Caravaggio as equally "dissolute" and "precipitous"; and there are suggestions that for Caravaggio, Spada was a man "close to his heart", and perhaps not metaphorically.
Malvasia also tells the story of Spada posing for Caravaggio's ‘’Death of John the Baptist’’: afraid that Spada might flee and, that without a model the painting would be incomplete, Caravaggio imprisoned him in a room until he had finished. However, it is unclear if Spada ever physically encountered Caravaggio in Rome. Spada supposedly was in Rome after 1608-9, when Caravaggio had fled to Malta. Malvasia suggests the Spada followed Caravaggio to Malta. This is possible since Spada himself painted frescoes in the Magisterial palace of Valletta in 1609-1610; but Caravaggio again had fled to Sicily by 1608, thus their overlap in Malta must have been short. The dark violence of a painting such as the "Cain Killing Abel" (Museo di Capodimonte) and his derivative realism "Musical Concert" garnered him in Bologna, the maligning appellation of "scimmia del Caravaggio" (ape of Caravaggio).

title: Bacchus (Caravaggio)

text: Bacchus' offering of the wine with his left hand, despite the obvious effort this is causing the model, has led to speculation that Caravaggio used a mirror to assist himself while working from life, doing away with the need for drawing. In other words, what appears to us as the boy's left hand was actually his right. This would accord with the comment by Caravaggio's early biographer, the artist Giovanni Baglione, that Caravaggio did some early paintings using a mirror. English artist David Hockney made Caravaggio's working methods a central feature of his thesis (known as the Hockney-Falco thesis) that Renaissance and later artists used some form of camera lucida. The model for "Bacchus" might have been Caravaggio's friend Mario Minniti, whom he had used before in "The Musicians".