And, if you look at the, kind of the way these things are constructed, there's a lot of mediation by glass, and it's very blue, and kind of professional -- in that way that, you know, Woody Allen comes up from under the sheets in that scene in \"Annie Hall,\" and said, \"God, that's so professional.\" And that you don't -- there's no passion in it, and it's not hands on, right, and, you know, pun intended. Whereas good interpretation -- I'll use an example from nearby -- is San Francisco Exploratorium, where all the things that -- the demonstrations, and so on, are made out of everyday objects that children can understand, it's very hands-on, and they can engage with, and experiment with.
Jika Anda melihat cara mereka menyusun barang-barang di sana, mereka banyak menggunakan perantara kaca, begitu biru, dan tampak profesional sedikit banyak, jika Woody Allen datang dari bawah selimut, seperti pada cuplikan Annie Hall, dan berkata, \"Ya Tuhan, sungguh profesional,\" dan Anda tidak -- tidak memiliki gairah, dan tidak praktis, dan ungkapan itu ada maksudnya. Dengan penafsiran yang baik. Saya akan mengambil contoh di Ekploratorium San Francisco di dekat sini di mana semua hal -- demonstrasi dan sebagainya dibuat dari benda sehari-hari yang dapat dipahami anak-anak, sangat praktis dan anak-anak dapat terlibat dan bermain.