And the great thing about it was that Alex was so dedicated to the idea of verisimilitude, the idea that the putative 2054 that we were painting in the film be believable, that he allowed us to take on that design work as if it were an R&amp;D effort.
Hal yang menyenangkan adalah Alex sangat ingin ide itu terlihat masuk akal, bahwa gambaran mengenai tahun 2054 yang ada di film tersebut masuk akal, ia membolehkan kami melakukan disain seperti layaknya riset dan pengembangan sungguhan.