Scholarly discussions of gender in Shakespeare’s comedies often celebrate the rebellion of the playwright’s characters
against the rigid expectations ______ by Elizabethan society. Most of the comedies end in marriage, with characters returning
to their socially dictated gender roles after previously defying them, but there are some notable exceptions.
interjected
committed
illustrated
prescribed
Choice D is the best answer because it most logically completes the text’s discussion of gender roles in Shakespeare’s
comedies. As used in this context, “prescribed” would mean laid down as rules. The text indicates that the characters in the
comedies often defy gender roles that are “socially dictated” (even if most characters do return to those roles eventually)
and that scholars have been very interested in these acts of deﬁance. This context indicates that what the characters are
rebelling against are standards of behavior prescribed by the society of the time.  
Choice A is incorrect because saying that expectations about gender were “interjected,” or suddenly inserted between other
things, wouldn’t make sense in context. There’s no suggestion in the text that the issue of gender roles was inserted between
other things or was an interruption in a larger discussion. Choice B is incorrect because the text indicates that Shakespeare
depicts characters rebelling against expectations about gender that have been “socially dictated,” not expectations that
society has “committed,” or carried out, entrusted, or promised. Choice C is incorrect because the text indicates that
Shakespeare depicts characters rebelling against expectations about gender that have been “socially dictated,” not
expectations that have been “illustrated,” or clariﬁed with examples. Although it’s possible for expectations about gender
roles to be illustrated, there’s nothing in the text to indicate that characters in Shakespeare’s comedies rebel against
illustrations of gender expectations.