So what does that make The Count? Dracula's features are
"stereotypically Jewish . . . [his] nose is hooked, he has bushy
eyebrows, pointed ears, and sharp, ugly fingers." As for his
behavior, Robinson situates Dracula in the realm of fin-de-
siècle national chauvinism, which viewed non-Anglo-Saxons—and
Jews in particular—as dangerous interlopers loyal only to their
alien tribe. "Like many immigrants, Dracula has made great
efforts to acculturate himself to his new country and to blend
in with the rest of the population, through studying its
language and customs . . . [his] greatest concern is whether his
mastery of English and his pronunciation would brand him as a
foreigner." Likewise, Stoker mines anxieties over Jewish dual
loyalty. "The one identified person whose aid Dracula enlists in
escaping Britain is a German Jew named Hildesheim, 'a Hebrew of
rather the Adelphi Theatre type, with a nose like a sheep,' who
must be bribed in order to aid Stoker's heroes." Robinson
asserts that the purpose of her study