Countless fragments of existing architectural photography are
merged into multilayered shapes. The resulting collages
introduce a third abstract point of view next to the original
ones of architect and photographer. Digital scans of analogue
architectural photography form tiny pieces of a large resulting
puzzle. The original pictures are being analysed and categorised
according to their vanishing-points and shapes. Based on this
analysis, slices are being extracted from the source image.
These slices retain the information of their position
corresponding to their original vanishing-point and thus form a
large pool of pieces, ready to be applied to new perspectives
and shapes. Using the extracted image segments, it is now
possible to form collages of originally different pictures with
a new common perspective. In order to compose a collage, a
perspective-grid is defined and a lining of matching image
segments is being applied. The segments are not altered to match
the frame but fitting ones are chosen from the