Moderator: Content Admins PinothyJ wrote:Some of those do not
follow the usual haiku formula… The essence of haiku is
"cutting" (kiru). This is often represented by the juxtaposition
of two images or ideas and a kireji ("cutting word") between
them, a kind of verbal punctuation mark which signals the moment
of separation and colours the manner in which the juxtaposed
elements are related. Modern Japanese gendai (現代) haiku are
increasingly unlikely to follow the tradition of 17 on or to
take nature as their subject, but the use of juxtaposition
continues to be honoured in both traditional haiku and gendai.
There is a common, although relatively recent, perception that
the images juxtaposed must be directly observed everyday objects
or occurrences. s haiku by Bashō illustrates that he was not
always constrained to a 5-7-5 on pattern. It contains 18 on in
the pattern 6-7-5. fuji no kaze ya ōgi ni nosete Edo miyage the
wind of Mt. Fuji I've brought on my fan! a gift from Edo Users
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