The clap of the hands is an important part of both the science
and practice of North Indian music. It has a hoary past. An
elaborate system of clapping and hand movements is mentioned in
the Natya Shastra (circa 200 bc) where it is part of the system
of timekeeping known as "kriya". The clap of the hands is very
important for the conceptualization of Indian rhythms. North
Indian musicians use the claps to designate the measures
(vibhag) which are highly stressed. The most stressed measure is
the beginning of the cycle. This is called the "sam", and is the
most important beat in the whole cycle. The clapping of hands is
also of great practical importance. It is a convenient means for
the singers and other musicians to communicate with the tabla
player (tabalji) without having to break the performance. This
page last updated © 1998, 1999, 2000, 2001, 2002, 2003, 2004,
2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012 David and
Chandrakantha Courtney For comments, corrections, and
suggestions, kindly contact David