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messages.content: The Sad Young Men文章全文
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messages.content: "The Sad Young Men" is a short story by F. Scott Fitzgerald, first published in the Saturday Evening Post in 1926. The story follows a group of young men who gather at a speakeasy in New York City during the Prohibition era. The men are all wealthy and privileged, but they are also deeply unhappy and disillusioned with their lives.
  
  The story is narrated by one of the young men, who is never named. He describes the other men in the group, including the handsome and charismatic Tony, who is engaged to a beautiful but shallow woman named Gloria. The narrator also introduces us to Dick, a former athlete who has become a heavy drinker, and Paul, a writer who is struggling to find his voice.
  
  As the men drink and talk, they reveal their dissatisfaction with their lives. They feel trapped by their wealth and privilege, and they long for something more meaningful and fulfilling. They also express their disillusionment with the women in their lives, who they see as shallow and materialistic.
  
  The story reaches its climax when Tony announces that he is leaving Gloria and moving to Europe. The other men are shocked and saddened by this news, but they also envy Tony's courage and his willingness to break free from the constraints of his life.
  
  In the end, the narrator reflects on the sadness of the young men and the emptiness of their lives. He wonders if there is any hope for them, or if they are doomed to a life of dissatisfaction and despair.
  
  "The Sad Young Men" is a powerful exploration of the disillusionment and despair that can come with wealth and privilege. It is also a poignant commentary on the emptiness of a life focused solely on material possessions and superficial pleasures. The story is a reminder that true happiness and fulfillment can only be found in something deeper and more meaningful than wealth and status.
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messages.content: No aspect of life in the Twenties has been more commented upon and sensationally romanticized than the so-called Revolt of the Younger Generation. The slightest mention of the decade brings nostalgic recollections to the middle aged and curious questionings by the young: memories „the deliciously illicit †hfill of the first visit to a speakeasy, of the brave denticition of Puritan morality, and of the
  fashionable experimentations in amour in the parked sedan on a country road;questions about the naughty jazzy parties, the Alask-toing sheik?
  » and the moral
  and stylistic vagaries of the nappetT ind the "drugstore cowboy/” “Were young
  people really so wild?" present-day students ask their parents and teachers. "Was there really a Younger Generation Problem?" The answers to such inquiries must of necessity be "yes" and "no" _"yes" because the business of growing up is always accompanied by a Younger Generation Problem; "no" because what
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messages.content: The passage you provided is a commentary on the popular perception of the "Roaring Twenties" and the so-called "Revolt of the Younger Generation" that took place during that time. The author notes that the decade has been romanticized and sensationalized, with people recalling the illicit thrills of visiting speakeasies, challenging Puritan morality, and engaging in fashionable experimentations in love.
  
  The author also notes that present-day students often ask their parents and teachers about the wildness of young people during the 1920s, and whether there was really a "Younger Generation Problem." The author suggests that the answer to such questions is both "yes" and "no."
  
  On the one hand, the author acknowledges that the business of growing up is always accompanied by a "Younger Generation Problem," as young people struggle to find their place in the world and challenge the norms and expectations of their elders. On the other hand, the author suggests that the popular perception of the 1920s as a time of wildness and rebellion is not entirely accurate.
  
  The author goes on to discuss the various factors that contributed to the perception of a "Younger Generation Problem" during the 1920s, including the aftermath of World War I, the rise of consumer culture, and the emergence of new forms of popular entertainment. The author also notes that the "Revolt of the Younger Generation" was not limited to the United States, but was a global phenomenon that reflected broader social and cultural changes taking place during the 1920s.
  
  Overall, the passage provides a nuanced and thoughtful analysis of the popular perception of the 1920s and the so-called "Revolt of the Younger Generation." It suggests that while there were certainly elements of rebellion and wildness during this time, the reality was more complex and multifaceted than the popular stereotypes might suggest.
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messages.content: 用中文翻译以下内容No aspect of life in the Twenties has been more commented upon and sensationally romanticized than the so-called Revolt of the Younger Generation. The slightest mention of the decade brings nostalgic recollections to the middle aged and curious questionings by the young: memories „the deliciously illicit †hfill of the first visit to a speakeasy, of the brave denticition of Puritan morality, and of the
  fashionable experimentations in amour in the parked sedan on a country road;questions about the naughty jazzy parties, the Alask-toing sheik?
  » and the moral and stylistic vagaries of the nappetT ind the “drugstore cowboy/” “Were young  people really so wild?” present-day students ask their parents and teachers. “Was there really a Younger Generation Problem?” The answers to such inquiries must of necessity be “yes” and “no” _“yes” because the business of growing up is always accompanied by a Younger Generation Problem; “no” because what