Sellos musicales ayer y hoy
This article explores a production, handling and edition experience dissociated from the classic record production industry: the music labels (sellos) At first, the article describes these labels as decentralized organizations of the record production and handled among friends. Secondly, it compares these sellos with previous D.I.Y experiences and independent record labels. The ethnographic analysis of this case allows identifying keys to understand the current situation of young music in Argentina and to calibrate its novelty regarding the history of musical institutions.