Influenced by the intense contact with other artists from all over the world, Soshana turned her style from Expressive Realism into the Informel. Step by step she eliminated the object from her paintings and followed suit with the international art jargon of the time after 1945.[37] Her Paris paintings are being connected with Abstract Expressionism and compared by experts to those of Jackson Pollock, Georges Mathieu and Hans Hartung.[38]