Writing for Africa Today, John C. McCall described Blood Money as a "melodramatic morality tale focused on the cult phenomenon familiar to most Nigerians" (of "money cults" and "money medicine" or ogwu ego) and "a useful distillation of cultural themes and knowledge" similar to how The Godfather would be a useful introduction to organised crime in the United States.[3] Saheed Aderinto and Paul Osifodunrin argue in The Third Wave of Historical Scholarship on Nigeria (2013) that the graphic content in Blood Money "do not represent mere horror fantasy, but dramatisations of the predatory capitalism of the country (indeed the world)".[2]