The combination of string sections and rock music has been called "symphonic pop", "chamber pop", and "ork-pop" (short for orchestral pop).[1] Ork-pop refers to a branch of underground rock musicians who shared an affinity with the Beach Boys' 1966 studio album Pet Sounds, such as the High Llamas and bands from the Elephant 6 collective.[8] According to CMJ's David Jerman, the name was the creation of rock critics, "encompassing everyone from fans of the Beach Boys to fans of Bacharach and Mancini".[9] Chamber pop is stylistically diverse.[6] AllMusic states that the genre carries on the "spirit" of the baroque pop of the 1960s,[10] while cultural writers Joseph Fisher and Brian Flota call it the "heir" to baroque pop.[11][nb 1] Strongly influenced by the rich orchestrations of Burt Bacharach, Brian Wilson, and Lee Hazlewood, chamber pop artists once again focused on melody and texture.[5] Another major source of influence was the singer Scott Walker.[6] New York Daily News' Jim Farber summarizes the genre; "think Donovan meets Burt Bacharach".[13][nb 2]