Contributors from other artistic fields were brought in, among them Hilaire Belloc, Robert Byron, Cyril Connolly, D.H. Lawrence, Paul Nash, Nikolaus Pevsner, P. Morton Shand, Osbert and Sacheverell Sitwell, and Evelyn Waugh.[1][3] John Betjeman was an assistant editor from 1930 to 1934.[1] The editorial board included Pevsner, Hugh Casson, Osbert Lancaster and James Maude Richards.[3] The design of the review was innovative, with bold use of layout, typefaces and photographs; graphic elements were commissioned from Eric Gill and Edward Bawden.[3] The articles on European Modernist architecture by P. Morton Shand published from July 1934 were among the earliest in Britain on the subject.[2] By about 1935 the magazine had acquired a leading position in the discourse surrounding Modernism.[1]