While the first set of poems relate to her personal life, the last set of poems are left to reflect on the voices of others who suffered losses during this time of terror. With each successive poem, the central figure experiences a new stage of suffering. Mute grief, growing disbelief, rationalization, raw mourning, and steely resolve are just a few that remain constant throughout the entire cycle.[6] Writing sometimes in first person and sometimes in third person, Ahkmatova universalizes her personal pain and makes a point to connect with others who experienced the same tragedy as herself.