The images have been widely criticized as providing an orientalist perspective on the region.[9] Uzi Baram wrote: "From Said's critique of Orientalism, it is clear that Roberts created picturesque landscapes that embodied British concerns and imagery, landscapes that were translated for the Western gaze. Roberts did not simply capture the landscapes of Palestine; similar to the other Orientalists, he fashioned an image of the Holy Land rather than representing all that he saw."[10]