Many of Soshana's paintings contain Surrealistic motives, like an infinite horizon, expanded endless spaces, in which mysterious shapes, masks or heads seem to float. The use of an Surrealistic language is due to Soshana's travels to Mexico. In 1960 she made her first visit to that country, which was – due to its political antifaschist position - at that time particularly appealing for artists and intellectuals from Europe.[42]