In his works "The High Commissioner" (1966) and "Agripas Street" (1964), Aroch created his most typical combination of “concrete” local perceptions and international “Pop Art”. In "Agripas Street," the most widely analyzed of all Aroch's works, Aroch combined symbols from the period he spent at Bezalel in Jerusalem that emphasized his interest in the religious and secular symbolism of authority and government. In "The High Commissioner,” which continues his interest in these symbols, Aroch used additional iconographic elements, based on the history of Western art, which were destined to show up in his later works as well.