Charaf appeared as a visionary and pessimistic artist when, in the early 1960s, he depicted lugubrious landscapes, often outfitted by wires and dead trees.[3] He always showed social and political involvement in his art, so that when the Lebanese Civil War broke up, he produced posters devoted to the National Resistance.[4] Charaf eventually made during this period more personal drawings in which he interpreted his feelings about the tragedy that shook his country. Two of these drawings were part of The Road to Peace, an exhibition Saleh Barakat curated in 2009 at the Beirut Art Center, encompassing Lebanese visual arts between 1975 and 1991.[5] In the years following the beginning of the war, Charaf will drift into an opposite direction, working with gold leaf on icons inspired by Byzantine and Oriental religious mosaics and paintings.[6]