Coleen Fitzgibbon and Alan W. Moore created a short film in 1978 (finished in 2009) of a New York City no wave concert to benefit Colab titled X Magazine Benefit, documenting performances by DNA, James Chance and the Contortions, and Boris Policeband. Shot in black and white and edited on video, the film captured the gritty look and sound of the music scene during that era. In 2013, it was exhibited at Salon 94, an art gallery in New York City.[30]