Unusual for a painting of civil ruin during this period, The Massacre at Chios has no heroic figure to counterbalance the crushed victims, and there is little to suggest hope among the ruin and despair. The vigour with which the aggressor is painted, contrasted with the dismal rendition of the victims has drawn comment since the work was first hung, and some critics have charged that Delacroix might have tried to show some sympathy with the brutal occupiers.[1] The painting was completed and displayed at the Salon of 1824 and hangs at the Musée du Louvre in Paris.[2]