González Echegaray and González Sáinz seem to have shared the general idea proposed by Leroi-Gourhan, which accepts that the works of La Pasiega belong to Styles III and IV.[25] In fact, pretty much all of Gallery A and the first assemblage of Gallery C (room XI) belongs to Style III, in which predominates the red painting with simple lines or lined tamponados, also including the block colors and the addition of engraving or the bi-chrome work as a complement to model the volumes. For its part Style IV is present above all in Gallery B and in the second group of Gallery C: this phase has mainly the black color or drawn with a fine linear outlining, almost without modeling, but with an internal filling of scratches.