He was apprenticed to Boris Kaufman, a brother of Dziga Vertov, who much later worked in the United States on such films as On the Waterfront (1954). Renoir was the lighting cameraman on numerous pictures such as Monsieur Vincent (1947), Jean Renoir's The River (1951), Cleopatra (1963), Roger Vadim's Barbarella (1968), and the James Bond film The Spy Who Loved Me (1977). At the time of Claude Renoir's death, The Times of London wrote of The River that "its exquisite evocation of the Indian scene, helped to inaugurate a new era in the cinema, one in which color was finally accepted as a medium fit for great film makers to work in."[2]