The first result of these studies in architecture was a birth of "folk" or Pseudo-Russian style, exemplified by 1870s works of Ivan Ropet (Terem in Abramtsevo, 1873) and Viktor Hartmann (Mamontov printing house, 1872). These artists, in alliance with Narodnik movement, idealized the peasant life and created their own vision of "vernacular" architecture. Another factor was the rejection of western eclecticism that dominated civil construction of 1850s-1860s, a reaction against "decadent West", pioneered by influential critic Vladimir Stasov.