After the third volume, Marsh decided that it was time to include a female poet. His choice was Fredegond Shove, although other associates suggested Edith Sitwell, Charlotte Mew and Rose Macaulay.[3] He included four poems from Shove's recent first collection, Dreams and Journeys (1918),[4] including among them "The New Soul", a quasi-mystical approach to a religious subject that went on to attract the notice of critics.[5] The final volume contained seven poems from the fifth collection of Vita Sackville-West, Orchard and Vineyard (1921).[6]