Commercial releases commonly included both surround sound (five full-range plus LFE multi-channel) and stereo (dual-channel) mixes on the SACD layer.[citation needed] Some reissues, however, retained the mixes of earlier multi-channel formats (examples include the 1973 quadraphonic mix of Mike Oldfield's Tubular Bells and the 1957 three-channel stereo recording by the Chicago Symphony Orchestra of Mussorgsky's Pictures at an Exhibition, reissued on SACD in 2001 and 2004 respectively).