David Ehrlich from IndieWire also gave the film a bad review, stating: "“The Titan” hedges its bets until we lose track of whose story this really is, the film so hesitant in its telling that we hardly even notice how Abigail is replacing Rick at the center of it all. Boasting the intellectual curiosity of “Annihilation” but precious little of Alex Garland’s resolve, Ruff just runs out the clock until it’s time for the third act’s inevitable descent into body horror (the creature work is eerie, even if the prosthetics summon memories of “Bright” without the courtesy of a trigger warning). His debut was only sold to Netflix after it was in the can, but this slick placebo dose of cerebral science-fiction is undeniably well-suited to the streaming platform, where it can be hard to classify what you’re watching, or know what it means for the future."[11]