The first composition in Eustache Du Caurroy's Meslanges de la musique, published in 1610, a year after the composer's death, is "Le long des eaux, ou se bagne", a six-part setting of Gilles Durant de la Bergerie's paraphrase of Psalm 137.[33][34][35] Salamone Rossi (1570–1630) set the psalm in Hebrew (עַל נַהֲרוֹת בָּבֶל, Al naharot Bavel) for four parts.[36] Matthew Locke's Super flumina Babylonis motet is an extended setting of the first nine verses of the psalm.[37][38] The psalm's first two verses were used for a musical setting in a round by English composer Philip Hayes.[39] William Billings adapted the text to describe the British occupation of Boston in his anthem "Lamentation over Boston".[40][41]