Latin settings ("Super flumina Babylonis") as four-part motets were composed by Costanzo Festa,[16] Nicolas Gombert,[17] Giovanni Pierluigi da Palestrina[18] and Orlando Lassus.[19] Philippe de Monte[20] and Tomas Luis de Victoria set the text for eight parts.[21] French Baroque settings were written by Henry Dumont,[citation needed] Marc-Antoine Charpentier, 2 settings, H.170 (1670) and H.171-H.171 a (? late 1670)[22] and Michel-Richard Delalande.[23]