In May 1883, when the National Gallery of Victoria opened on a Sunday for the first time, a public debate erupted over the propriety of displaying a female nude portrait on the Sabbath. The painting in question, French artist Jules Joseph Lefebvre's Chloé (1875), had been loaned to the gallery that month, and was "cautiously displayed in a dim corner". Nonetheless, Chloé became "Melbourne's femme fatale", and after three weeks of scandal, was withdrawn and hidden from the public.