According to Betterton, the models used to critique a Pre-Raphaelite painting are not likely to be applicable in the twenty-first century.[1] She also expresses that we should explore ‘difference’ in position and knowledge, since in our contemporary visual culture we are more used to engaging with "multi-layered text and image complexes" (video, digital media, and the Internet).[18] Our ways of viewing have changed considerably since the 1970s.