Prior to the advent of GIS, the overlay principle had developed as a method of literally superimposing different thematic maps (typically an isarithmic map or a chorochromatic map) drawn on transparent film (e.g., cellulose acetate) to see the interactions and find locations with specific combinations of characteristics.[1] The technique was largely developed by landscape architects and city planners, starting with Warren Manning and further refined and popularized by Jaqueline Tyrwhitt, Ian McHarg and others during the 1950s and 1960s.[2][3][4]