In the late Middle Ages and Early Renaissance, there was a wide general acceptance of the origin of the True Cross and its history preceding the crucifixion of Jesus, as recorded by Voragine. This general acceptance is confirmed by the numerous artworks that depict this subject, culminating in one of the most famous fresco cycles of the Renaissance, the Legend of the True Cross by Piero della Francesca, painted on the walls of the chancel of the Church of San Francesco in Arezzo between 1452 and 1466, in which he reproduces faithfully the traditional episodes of the story as recorded in The Golden Legend.