He was a precursor of the withdrawal from classic form and shape of medals. He became a lonely connection of the Konstanty Laszczka and Józef Aumiller generation with later medallists. His strong position in medallic arts is confirmed with numerous awards and purchases of his works to museums in Poland (e.g. Warsaw, Wrocław, Kraków, Lublin, Toruń) and in Europe (e.g. Prague, Athens, Budapest, Rome, Vatican City, Paris, The Hague, Moscow, Sankt Petersburg).