The Herald lured Stewart Cameron away from working on Disney's Snow White and the Seven Dwarfs to make him its first ever staff cartoonist; Cameron devoted himself full-time to the ridicule of Aberhart.[15] Though Social Credit staffer turned journalistic historian John Barr argues that the media's unswerving hostility to Aberhart may have benefited him politically by allowing him to "depict the press as a mere tool of Eastern financial and commercial interests", by January 1936 Aberhart was telling the listeners of his weekly gospel radio show that he was "glad there will be no newspapers in heaven."[16]