Frank, uncomfortably introspective and right on the day’s headlines, it will challenge her readers", although she felt that the book is "overly long, with a meandering middle, a tendency toward melodrama and a rushed ending that feels glib."[9] Whereas, Roxane Gay, writing for the New York Times thought Turk, the white supremacist character, was well-written; though also found that the protagonist and African American character, Ruth, to be the least believable: "The more we see of Ruth and her family, the more their characterization feels like black-people bingo — as if Picoult is working through a checklist of issues in an attempt to say everything about race in one book." Gay found it a "flawed novel" but felt "generous" toward the book and gave her "a lot of credit for trying, and for supporting her attempt with rigorous research, good intentions and an awareness of her fallibility". Gay further wrote: "The novel is messy, but so is our racial climate."[10]