Domanović was among the first writers (along with Milutin Uskoković, Rastko Petrović, Bogdan Popović, Jovan Skerlić, and others) to begin to produce an independent expression of their own urban experience in their new works, and it was not long before the term "Beogradska proza"—the Belgrade prose—was adopted to refer to this trend in which the city played an important function, not just as the setting for action but almost as an actor itself.