With Atelier Hapsitus, the pluri-disciplinary company he founded in Beirut, he created large-scale urban art projects in different cities including Beirut, Prague, London, Tokyo, Nara and Melbourne. His project for Prague's Manes Bridge in the spring of 1997 was both a commemoration of the city's post-communist liberalization and an echo of its history, with the placement of his works in parallel to the baroque sculptures on the Charles Bridge. The post-civil war 1997–2000 itinerant urban art project he created for central Beirut was one of five worldwide selected by the Van Alen Institute[4] in New York in 2002 to highlight the role they played in the rejuvenation of city life and morale after a disaster.