Emil Jannings wrote in 1942 in the National Socialist Monthly about the goal of showing men and women who can master their own fate as models for identification.[13] The authorities and NSDAP departments in charge of film policy were the film department of the Ministry of Propaganda, the Chamber of Culture (Reichskulturkammer), the Chamber of Film (Reichsfilmkammer), and the film department of the Party Propaganda Department (Reichspropagandaleitung).[citation needed]