It encountered difficulties under the Soviet government as well as after the Russian Revolution.[2] Konstantin Stanislavsky arranged for the mainly Jewish Polish actors to be trained by Yevgeny Vakhtangov. The People's Commissar for Nationalities Affairs, Joseph Stalin, also authorized the theatre's creation. However, the Yevsektsiya attempted to use its influence to cut off state funds to Habima, branding it counter-revolutionary.[3]