In addition to scenes of Italian life, she continued to paint landscapes of Stockholm including scenes of Gustaf Adolfs torg with the opera building as well as views of the 1897 Art and Industrial Exposition in Stockholm. The only explanation for her interest in such recent developments is that she must have received photographs from Sweden as a basis for her paintings. She may well have used of photographs taken by the Stockholm photographer Frans Gustaf Klemming (1859- 1922), who also was behind some of the oil painting of Robert Lundberg (1861-1903), but she probably drew on views taken by various photographers.[8] [2][9]