The group wrote and performed plays that on subjects that spoke to the refugees like HIV, domestic violence and women's rights. It attracted attention from non-governmental organizations, which hired Woyee to make short educational films, and Danis learned filmmaking from FilmAid International. After the war ended in 2005, the collective continued to grow and acquired an office in Juba.[2] Danis and others devoted the money they made from making films for UN agencies into buying a camera and editing software.