The techniques employed by the painters recall, partly, those of Gallery A (which is why they have come to be considered as related rooms): red painting, between modeled and outline, red block coloring (tinta plana), with some internal modeling achieved by scraffito to the underlying rock and by the addition of lines of the same color but in more intense shades. The most important difference is the copious use of engraving, both simple and striated, applied specially to the horses.