Smaller versions of these crop circles are immortalised at Prinz-Christians-Weg 13, Darmstadt in the form of mosaics and tiling pictograms, as well as three-dimensionally in sculpture of meticulous craftsmanship. The highly complex patterns of these corn circles are drawn as step-by-step comprehensible geometric designs and have an orderly, decorous effect on the environment in which they are located—as in the case of the side entrance staircase, where a row of engraved bronze coins stands side by side interspersed at short intervals with 48 various crop circle pictograms. A photograph of Goethe’s summerhouse in Weimar showing a stone pentagram on the floor provided the inspiration for the crop circle mosaic of limestone slabs in the pavilion with sparkling glass prisms in the dome design.