On the theme of eroticism and sexuality, director Francois Pfaff has argued that African films are less exploitative because they anticipate spectators to be religious, while Isabelle Boni-Claverie in Pour la Nuit treats sexuality as emblematic of freedom and choice.[citation needed] The film Puk Nini has been cited by Jyoti Mystri and Antje Schuhmann as a movie that reflects on the multiple roles women are expected to perform both professionally and domestically, motivated many discussions addressing how gender relations operate, how “tradition” is a constructive factor in the relations. They state that in the film a wife seeks out the assistance of her husband's sex worker mistress in order to learn varying methods of seduction and that it reflects on the dual roles of homemaker and professional workers that some women are expected to adopt, while men do not generally carry this same social expectation.[23]