On her travels with Beys Afroyim through the USA and later Cuba, Israel and Europe, Soshana painted street sceneries (e.g. Old Street in NY City, 1943, or Street in L.A., 1945), factory workers (e.g. the series My Sweatshop in New York, 1944), people she met on the way(e.g. Two Black Youths, 1944, oder Young Man with a Straw, 1945) and many landscapes. Overmore she portrayed many artists and politicians (e.g. Franz Werfel on his deadbed, 1945, or Otto Klemperer, 1945). These portraits reflect the critical intellectual environment, the Afroyim couple moved in.[32] All of the persons depicted have a distinctly melancholic look and are all either frontal or three-quarter-view portraits, which focus completely on the person represented.