In his 1861 book, the French missionary Eugene Casallis recalled the litema patterns he had experienced since settling among Basotho in the 1830s, calling the designs "ingenious", which suggests designs more intricate than the Bakoena examples Stow reproduced (Van Wyk 1998:89). Stow's documentation did not include any designs incorporating plant motifs like those seen in modern-day litema. Van Wyk (1994) suggests that the more modern and "intricate curvilinear designs have a distinctly Victorian or Edwardian flavor that was probably influenced by such turn-of-the-century European products as linoleum patterns, cast-iron moldings and lace".