As the movement continued into the 17th century simplicity and realism tended to reduce, more slowly in Spain and France, but the drama remained, produced by the depiction of extreme moments, dramatic movement, colour and chiaroscuro lighting, and if necessary hosts of agitated cherubs and swirling clouds, all intended to overwhelm the worshipper. Architecture and sculpture aimed for the same effects; Bernini (1598–1680) epitomises the Baroque style in those arts. Baroque art spread across Catholic Europe and into the overseas missions of Asia and the Americas, promoted by the Jesuits and Franciscans, highlighting painting and/or sculpture from Quito School, Cuzco School and Chilote School of Religious Imagery.