A little later come the incomplete red horses, but in a lively and realistic style, some of the ideomorphs and the so-called inscription. During the second part of his Middle Cycle, he says, of the Cantabrian Lower Magdalenian, the archaizing engraved contours continue, but there also appears the multiple and striated line drawing in the horses of Galleries B and C, and in the hinds of Gallery C. The painted figures can be red, with tamponado, outline or modelled line. But more important are the tinta plana red paintings treated with modelled chiaroscuro, sometimes associated with graved or black lines which complete them: These are the ones which express dynamism most of all (twisting of the neck, movement of the legs, etc.).