While applauding the tone and setting of the novel, some reviews cited the shallowness of the characterizations. The Guardian and Chicago Tribune reviews observe that Nella is drawn more like a worldly, feminist 21st-century girl than a naïve 17th-century one.[7][8] The Chicago Tribune adds: "[The main characters are] complex and complicated and suffer terrible tragedies, but Burton doesn't give us a deep enough look into their psyches. I'd read 100 additional pages just to get inside Johannes' head".[8]