Jordá Cerdá and Casado López do not admit of a female symbology in 'La Trampa', which they relate, rather, to other representations of sealed enclosures which occur in Las Chimeneas and La Pileta.[18] The 'Inscription' of Gallery B is even more complex and unique than these signs; such that Breuil interpreted it as an authentic inscription which contained a coded message for initiates. Leroi-Gourhan goes to some lengths to explain that, being deconstructed, the figure is composed of feminine symbols.