He claims that legal and cultural constraints make it so that "'faithful rendition' is defined partly by the illusion of transparency", such that foreignizing or experimental types of translation are "likely to encounter opposition from publishers and large segments of Anglophone readers who read for immediate intelligibility".[2]:273 This leads to a climate in which "fluency" is the most important quality for a translation and all traces of foreignness or alterity tend to be purposely erased.[2]