The faults of Diodorus arise partly from the nature of the undertaking, and the awkward form of annals into which he has thrown the historical portion of his narrative. He shows none of the critical faculties of the historian, merely setting down a number of unconnected details. His narrative contains frequent repetitions and contradictions, is without colouring, and monotonous; and his simple diction, which stands intermediate between pure Attic and the colloquial Greek of his time, enables us to detect in the narrative the undigested fragments of the materials which he employed.