The idea for the film began in Shomali's boyhood, spent largely at a Syrian refugee camp where his main escape had been reading comic books, one of which dealt with the story of the Beit Sahour cows. Montreal-based producer Ina Fichman first heard of the story when a group of producers and broadcasters at a documentary-pitch event Ramallah. Shomali's original intention had been to make a short animated film on the story.