It concludes that "he [Ayo Makun] has sent a strong message with this effort that a good quality comedy film can be made".[9] Wilfred Okiche of YNaija cited that the film has "filmmaking errors and production glitches", but admits to the film being funny. He says Ayo Makun isn't "a rounded actor", calls the film an hybrid of Osuofia in London (2003) and The Return of Jenifa (2011), and concludes: "...there is no single, continuous plot but a series of sketches and happenstances cobbled together to make up a movie. The pacing moves breezingly [sic] enough to obscure the lack of a substantial story but it does little to hide the deficiency with continuity as the scenes just clash noisily into the other.