Again the colours are mostly limited to violet, yellow and red.[32] The iconography of this last scene is unique in a Makurian context.[33] The other scene from the western part of the south wall initially featured the Transfiguration, but was later painted over with the Holy Trinity and a (barely preserved) king wearing a horned crown.[34] On the west wall a king with a scepter and a Byzantine crown, as well as two standing figures with halos, can be seen.