Chadirji would continue to use ancient Iraqi motifs in his building designs.[13] His works, such as the Hussain Jamil Residence (1953), Tobacco Warehouse (1965), the Rafiq Residence (1965) and the Central Post Office (1975), are informed by Iraqi practices of temperature control - natural ventilation, courtyards, screen walls and reflected light. He also employed the architectural language of arches and monolithic piers that remind visitors of ancient Iraqi architectural history. Although, his designs often used vernacular elements, he often abstracted them and incorporated them in new forms.