Passage: No End (Bez końca, 1984) was perhaps his most clearly political film, depicting political trials in Poland during martial law, from the unusual point of view of a lawyer's ghost and his widow. It was harshly criticized by both the government and dissidents. Starting with No End, Kieślowski closely collaborated with two people, the composer Zbigniew Preisner and the trial lawyer Krzysztof Piesiewicz, whom Kieślowski met while researching political trials under martial law for a planned documentary on the subject. Piesiewicz co-wrote the screenplays for all of Kieślowski's subsequent films.

Question: Who was the film criticized by?
government and dissidents