Passage: Leigh's friends suggested she take a small role as a schoolgirl in the film Things Are Looking Up, which was her film debut, albeit uncredited as an extra. She engaged an agent, John Gliddon, who believed that "Vivian Holman" was not a suitable name for an actress. After rejecting his many suggestions, she took "Vivian Leigh" as her professional name. Gliddon recommended her to Alexander Korda as a possible film actress, but Korda rejected her as lacking potential. She was cast in the play The Mask of Virtue, directed by Sidney Carroll in 1935, and received excellent reviews, followed by interviews and newspaper articles. One such article was from the Daily Express, in which the interviewer noted "a lightning change came over her face", which was the first public mention of the rapid changes in mood which had become characteristic of her. John Betjeman, the future poet laureate, described her as "the essence of English girlhood". Korda attended her opening night performance, admitted his error, and signed her to a film contract. She continued with the play but, when Korda moved it to a larger theatre, Leigh was found to be unable to project her voice adequately or to hold the attention of so large an audience, and the play closed soon after. In the playbill, Carroll had revised the spelling of her first name to "Vivien".In 1960 Leigh recalled her ambivalence towards her first experience of critical acclaim and sudden fame, commenting, "that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said for those first notices. I find it so stupid. I remember the critic very well and have never forgiven him."

Question: who is the person you can't forget?
critic