text: [Themes: Mystery, Religious, Slice of life, teenage protagonist, ghosts, mystery, religion, cat]
  
  > describe your surroundings
  The black walls in here have been painted with Bible verses that glow underneath the UV lights. The couches are glowing, too; unsettlingly green. The door to the north, on the other hand, is barely visible.
  
  Propped up in one corner is a rough wooden cross.
  
  > look at the couches
  The black lights reveal several glowing stains on the couches.
  
  > read the bible verses
  There are maybe a dozen different verses, painted in different UV-sensitive colors, but one in particular demands your attention:
  
  For the wages of sin is death, but the free gift of God is eternal life.
  
  It should be "The wages of sin are death."
  
  > search couches
  You'd rather not touch the couches. In fact, you'd rather not even get too close to them.
  
  > look at the ectoplasm under the blacklights
  (in Casey's notes)
  You flick through the notes and read Casey's scrawly handwriting:
  "Yes! This room! So, Patrick the youth leader got us together a few years ago and had us paint the walls of this room black, and then
  paint Bible verses on it, and then install black lights instead of normal lights, so it would look like a Christian rave or whatever. And I mean it looks fairly cool, I guess.
  
  "But when you have a dark room, with purple lights, and a bunch of couches, and then you invite teenagers into the room and leave them in that room unattended, what happens is, the teenagers will use that
  room for what Patrick the youth leader calls 'heavy petting'.
  
  "So that's why this room is called the Black Light Make-Out Room."
  
  You can't see any such thing.
  
  > take the cross
  (the small white cross)
  You already have that.
  
  > examine the fuse box
  Someone left the fuse box door hanging open, showing a neat row of red switches. Most are in the on position, but one, marked "WEST
  BASEMENT", is off.
  
  > flip the basement on
  You flick the last switch into the ON position.
  
  > look at the cloth
  Thick, heavy black cloth of some kind—a curtain or something, maybe.
  
  > look at the sphere
  It's a black metal ball with numerous round glass panels set into it. Turning it over, you notice that it's heavyish and slightly warm to
  the touch. Your fingers also find a small button on the top? base? side? of the sphere.
  
  > get the sphere
  Taken.
  
  > press the button
  The button clicks, and blue light streams from the glass panels on the sphere, reflecting off the cheap-looking mirror and scattering across the walls and ceiling. This must be one of those party light sphere things that are supposed to make your house look like a nightclub or something.
  
  > Inventory
  You are carrying:
  some black cloth
  a party light sphere (glowing)
  a potted plant
  a men's room garbage can
  some glowing tissue paper
  a Bible Quiz Tournament trophy
  a bird cage
  a can of tomato soup
  a can of pears
  a can of "Sugarman's Potted Meat Food Product"
  a can of cherry pie filling
  a can of chicken soup
  a can of peaches
  a name tag (being worn)
  a can opener
  a jam jar
  some ectoplasm
  a small white cross
  a stack of photos
  Casey's notes
  a Polaroid camera (being worn)
  
  > look at the mirror
  The mirror is large-ish, but the frame is just cheap fake-wood-grain plastic and the glass (is it actually glass?) is slightly warped. Judging by the Goodwill price sticker on the frame, its previous owner didn't think much of it either.
  
  > listen
  The church is silent.
  
  > examine the stained glass
  Some of the designs are purely abstract, but you notice a dove, a
  lion, a lamb, and what looks like an elk.
  
  > Go north
  This is a far cry from the grandeur of the sanctuary. The walls are covered in some kind of dark wood panels, but they're shabby and windowless, and the floor is bare concrete. A huge wooden chest and a closet full of robes take up one wall. You can head back out to the altar to the south, or try the sliding door to the north.
  
  Some more ectoplasm is smeared on the floor.
  
  > go to the north
  It turns out it's not that easy taking a photo of yourself with a Polaroid camera. The picture came out slightly blurry; you're not sure if it's because you weren't holding the camera still, or because it
  was too close to your face.
  
  You could hardly call this a room. It's just a long, musty, narrow space behind a wall. At one end, a flight of stairs runs up to the
  room behind the altar; at the other end a heavy door leads out to the south. In between them, a fuse box is mounted on the wall, its metal door hanging open to reveal a row of switches.
  
  You can see a cheap-looking mirror here.
  
  > Go south
  The hall ends here at a heavy door to the north. A huge mural of David fighting Goliath adorns the west wall, but it's marred by a streak of gray gunk clinging to the wall.
  
  > look at the mural
  Which do you mean, David or the giant?
  
  > examine david
  David stands poised, ready to sling a stone at Goliath. The mural
  makes him look like a ten-year-old. You can't really remember the the details of the story now, but surely he'd have to be a bit older than that before he was allowed to do battle with giants.
  
  > look at Goliath
  Goliath is stooping slightly to avoid hitting his head on the ceiling of the hallway.
  
  > put gunk in the jar
  You've already taken a sample of the ectoplasm; that should be sufficient.
  
  > go south
  A huge rainbow arches across the wall in this part of the hallway. Underneath it, a door leads west, with an identical door opposite on the east wall.
  
  > look at the rainbow
  The rainbow is painted in a bright, cartoony style, with thin black lines between each of the colors. Unfortunately whoever painted it put the indigo and violet stripes in the wrong order.