text: es languidly about the room.
  
  Maia runs her finger over the table.
  
  > say hidden
  (to Maia)
  "Tell me about the receipts again."
  
  "You see, I was just trying to get the session tapes out, and I pulled something too hard, and the whole console shifted.
  
  "And the receipts were behind the console?"
  
  She says "Yes, that's exactly what happened."
  
  "Where are they now?"
  
  "I tossed them in a dumpster when I was running. I wouldn't know which one."
  
  > Link hidden to records
  Maia found a stack of hidden receipts, but Danny claimed that all records were accounted for.
  
  [New topic - Missing]
  
  You hear a door close somewhere in the station. Maia leans to look out the door, then looks back at you and shrugs.
  
  > say missing
  (to Maia)
  "Maia, Danny said that all the files were accounted for."
  
  "I saw what I saw. A huge stack of receipts, hidden behind the audio console."
  
  "Why do you think they were hidden?"
  
  "Obviously someone had something to hide. If Danny was claiming that everything was perfect and tidy, he's the one to talk to."
  
  > say volunteer
  (to Maia)
  "I heard that Rosalita volunteered at a shelter last Wednesday."
  
  Maia rolls her eyes. "Rosalita doesn't care about the shelters."
  
  You look at her, and ask, "What do you mean?"
  
  She leans forward. "She just likes the attention. She made up some phony story about being in rehab as a kid, and people just lap it up. It makes me sick."
  
  You say, "That's interesting."
  
  > say troubled
  (to Maia)
  "Danny says that Rosalita seemed especially troubled the day before she died."
  
  She nods. "Yeah, she really did seem to have something on her mind. That morning she died, she was really rude to me."
  
  Your expression gives her pause.
  
  She says, "Listen, I know she's dead, but I'm just trying to tell you what happened. She was more upset than usual. And it wasn't just before she died, she was troubled for a long time."
  
  "Do you know what was troubling her?"
  
  "Something financial, I think. I don't know for sure, though."
  
  > say the flowers
  (to Maia)
  "Chuck gave flowers to Rosalita on Thursday, thanking her for letting him stay Wednesday night."
  
  She looks put out. "I wasn't aware that they were still seeing each other." Her face saddens. She says, "It must be especially hard for him, then, her death."
  
  You are silent.
  
  "Maybe I should talk to him..."
  
  > say the records
  (to Maia)
  "Your sister had a strict filing system set up. Did you ever work on it?"
  
  Maia laughs. "Rosalita wouldn't let me get anywhere near the files. She thought I'd try to take a piece of the pie."
  
  "Did you?"
  
  She frowns. "Of course not."
  
  > say stranger
  (to Maia)
  "Cindy saw a man in a yellow poncho shoot Rosalita."
  
  "Who was he? Do you have any information about him?"
  
  "No."
  
  "Do you guys have any leads on this guy? Any open cases? Serial killers running around? It's absolutely frightening that a murderer just broke into the studio and killed my sister. Are you doing anything?"
  
  You say, "The department has quite a few people working on this case. My job is just to get the facts from you and the other witnesses."
  
  > say the accounting
  (to Maia)
  "Ms. Morales-"
  
  "Andromeda, please."
  
  "Ms. Morales, what do you know about the accounting for Roses for Rehab?"
  
  Maia rolls her eyes and sighs. "I know absolutely nothing about it."
  
  > say the death
  (to Maia)
  "Our records show that Rosalita was shot to death on February 29th."
  
  Maia shivers. "Yes."
  
  After a moments pause, she continues. "I can't believe that someone could do that to her. Rosalita didn't deserve to die, especially not like that."
  
  "No one really deserves to be murdered."
  
  "I know; It was just so shocking, so unexpected."
  
  > say the Sister
  (to Maia)
  "What was your relationship like with your sister?"
  
  She leans back. "With Rosalita? We were close, you know? I spent a lot of time at her house. We used to hang out, go shopping all the time. But she's been a lot more on edge this last year."
  
  "On edge?" you ask.
  
  "She wasn't happy with my career change and my new look," she says, pointing to her hair. "Me becoming 'Andromeda' disappointed her. She said it wasn't a real job. I said she was stuffy and boring, only cared about money. She would get really upset when I talked about it."
  
  She shrugs. "I don't know how things got this way."
  
  > say secretary
  (to Maia)
  "What do you know about Cindy Jalcek?"
  
  Maia frowns. "Cindy's the secretary, right? I didn't know her last name. She's a suspicious sort of woman."
  
  "Does she have a criminal record?"
  
  "Oh, not that kind of suspicious! She's always watching me when I go there, following me around. I wish she would cool off a bit. She seems good at what she does, though; I like the stencil she put up in the lobby."
  
  > say the partner
  (to Maia)
  "What do you know about Danny Kostopolous?"
  
  "Danny?" She stretches her back and thinks. "He's famous and all, but he's wound up too tight. He only cares about his show. He keeps an iron fist on the studio, never lets anyone rent it out."
  
  "He kept an iron fist? Even with Rosalita?"
  
  "What? No," says Maia. "No one could keep Rosalita down. But she let him do what he wants around the station, if you know what I mean. He used to let people use the recording studio for a small fee on weekends, but that's gone and done."
  
  "It sounds like you two didn't get along."
  
  "I feel like he could be a lot more generous."
  
  > say ex
  (to Maia)
  "What do you know about Chuck Lee?"
  
  "Chuck is just great."
  
  "So you like him."
  
  "I was so proud when Rosalita married him, I mean he's just really handsome, especially since his surgery. WESL is lucky to have him."
  
  "WESL the TV station?" you ask.
  
  "Right. I know he and Rosalita broke up, but I've been trying to keep in contact with him. He's been pretty busy, though."
  
  > say the surgery
  (to Maia)
  In this game, speech is handled by using SAY [a topic], where topics can be found by typing T.
  
  Maia yawns.
  
  > say the testament
  (to Maia)
  "Maia, are you aware that Rosalita left you a significant amount of money in her will?"
  
  Maia's eyes gleam. "I wasn't aware of the amount, but I know she always believed in staying close to family. Do you have an estimate of the amount?"
  
  "I'm sorry, I don't really deal with that end of things. I do know that her house has been left to her former husband, while her shares in KOLR were left to Mr. Kostopolous. Also, she left some smaller items to Cindy Jalcek."
  
  "Oh. Well, you're right. This probably isn't the best time to talk about this all." She seems to be lost in thought.
  
  > go to the west
  You are standing in a dim hallway with muddy carpet and beige walls. A battered navy blue door leads to the west. A heavy
  seaweed-green door to the east is labelled "Studio". A red
  On-Air light is mounted next to the door. The hallway extends to the north. You can also go south to return to the lobby.
  
  From the speakers, you hear the radio quietly playing I Love Rock And Roll.
  
  > go to the north
  You move carefully through the dim and narrow hallway. It smells of cleaner mingled with faint perfume. It terminates to the north
  at a hazel wood door. Its smooth surface is polished and warm in the chill hallway. A nameplate next to the door reads "Rosalita Morales". To the west hangs an apple red door, with a nameplate saying
  "Daniel Kostopolous". To the east is a narrow metal closet
  door.
  
  From the speakers, you hear the radio quietly playing I Love Rock And Roll.
  
  > Go west
  This office is decorated with flashy shades of red. It's large enough to fit a massive cherry desk, rows of mahogany bookshelves, and a battered scarlet cabinet. The walls are empty and clean, although the paint is patchy in spots, reaching to a textured plaster ceiling. A wine red floor lamp in the corner has been turned off. The blinds are open to the dim light from outside, punctuated by flashes of lightning. The soft rose carpet is matted and ragged, but looks recently cleaned.
  
  Danny is highly irritated. He is breathing deeply, trying to relax.
  
  Danny picks at a splinter on the desk.
  
  > say hidden
  (to Danny)
  "Mr. Kostopolous, do you have any idea why a stack of receipts for payments to KOLR would be hidden in the control room?"
  
  He glowers at you. "What do I look like, a janitor? It's none of my business if some idiot is stuffing paper in corners." But you notice that his fist clenches for a moment as you ask.
  
  > say missing
  (to Danny)
  "I have information that a large number of receipts for payments to KOLR were found in the control room recently. You said that all such receipts were kept filed away."
  
  Danny goes completely still except for the throbbing of a forehead vein. "So you found them in the control room?"
  
  "Mr. Kostopolous, we need you to tell us everything that you know."
  
  "Rosalita didn't keep secrets from me, and I don't want to betray her trust. She loved that charity. Two nights before she died, she was volunteering at one of the local shelters. Would a crook do that?"
  
  > say yes
  (to Danny)
  In this game, speech is handled by using SAY [a topic], where topics can be found by typing T.
  
  Danny looks over the memorabilia on his shelves.
  
  > Your thoughts
  Current thoughts:
  Missing - "Maia found a stack of receipts that Danny said was accounted for."
  Hidden - "Maia found a bunch of receipts hidden in the studio."
  Buses - "Maia said she took a bus home, but Cindy said the buses weren't running."
  Home - "Maia took the bus home after talking with Rosalita." Speechless - "Chuck claims he didn't have a chance to talk with Rosalita on Wednesday afternoon."
  Volunteer - "Rosalita told Danny she was at the shelter Wednesday night."
  Troubled - "Rosalita was troubled by something when Danny spoke to
  her last."
  Flowers - "Chuck sent Rosalita flowers the day after they talked." Records - "All receipts and files for KOLR were accounted for last year."
  Stranger - "Cindy saw a strange man in a yellow poncho hovering
  over Rosalita Morales."
  Parade - "The streets were closed down for a parade all morning." Accounting - "Cindy did the accounting for Roses for Rehab"
  Death - "Rosalita was shot on February 29th in her office."
  Sister - "Maia Morales was Rosalita's sister."
  Secretary - "Cindy Jalcek was Rosalita's Secretary."
  Ex - "Chuck Lee is the former husband of Rosalita Morales."
  Partner - "Daniel Kostopoulos was the business partner of Rosalita Morales."
  Statement - "You need to take the statements of the suspects"
  Greeting - "You need to introduce yourself to the suspects." Assistance - "The chief is always willing to give you help. (This gives a basic tutorial)."
  Suspicion - "The Chief thinks that someone close to her was
  involved in her death."
  Testament - "Rosalita left all of her possessions to four people in her will."
  
  > Link records to missing
  You can't link those.
  
  Danny says, "Did I tell you that I carved all the furniture in this office myself?"
  
  > go to the east
  You move carefully through the dim and narrow hallway. It smells of cleaner mingled with faint perfume. It terminates to the north
  at a hazel wood door. Its smooth surface is polished and warm in the chill hallway. A nameplate next to the door reads "Rosalita Morales". To the west hangs an apple red door, with a nameplate saying
  "Daniel Kostopolous". To the east is a narrow metal closet
  door.
  
  From the speakers, you hear the radio quietly playing an ad for "Full Circle".
  
  > go to the south
  You are standing in a dim hallway with muddy carpet and beige walls. A battered navy blue door leads to the west. A heavy
  seaweed-green door to the east is labelled "Studio". A red
  On-Air light is mounted next to the door. The hallway extends to the north. You can also go south to return to the lobby.
  
  From the speakers, you hear the radio quietly playing an ad for leg warmers.
  
  > Go south
  The neutral tones suggest a professional but boring atmosphere. A faded rainbow stencil on the wall invites you to KOL studios; the R has worn off. The sepia-hued front desk hardly fits in this cramped room, but the beige ceiling is quite high; it looks like it was once part of a larger room. The muddy carpet is scuffed and worn, curling up on the edges. One of the off-white fluorescent lights in the ceiling flickers intermittently. Barely audible is the buzzing of another light. The smell of burnt popcorn wafts in from a break room to the west. The doorway to the north leads to the
  hallway. The parking lot is back to the south, and a bathroom door stands to the east. An ivory telephone sits on the desk.
  
  From the speakers, you hear the radio quietly playing Through The Years.
  
  > Go west
  The stench of burnt popcorn lingers in the air. A microwave with a thin tan layer of grease sits in the corner. A tawny brown vending machine sags in the corner with half of its buttons darkened or flickering. A small oat-colored fan is oscillating in the center, trying to clear out the smell. A few coffee-stained tables and several chairs are scattered around the room. The lobby is back to the
  east.
  
  Cindy is sitting at a table.
  
  Cindy's hand trembles slightly.
  
  > say hidden
  (to Cindy)
  "Apparently, a large stack of receipts for payments to KOLR were found stuffed in the control room of the studio."
  
  "What? Receipts? Who was in the control room?"
  
  "That's not what I'm talking about right now. Do you know about these receipts?"
  
  "No, but if it was Maia in the control room, I'm going to be extremely angry. Was it her?"
  
  "Just tell me about the receipts."
  
  "I don't know anything about them. Rosalita usually handles them."
  
  "Is she the only one?"
  
  "Danny always worked on the files, too; said he had the perfect system. I bet he's kicking himself now."
  
  > say missing
  (to Cindy)
  "Cindy, apparently a number of files connected with the studio were missing. What do you know about this?"
  
  "What do you mean missing?"
  
  "I mean they weren't filed with the others. Were you aware of this?"
  
  "No, Rosalita handled most of that by herself."
  
  > Your thoughts
  Current thoughts:
  Missing - "Maia found a stack of receipts that Danny said was accounted for."
  Hidden - "Maia found a bunch of receipts hidden in the studio."
  Buses - "Maia said she took a bus home, but Cindy said the buses weren't running."
  Home - "Maia took the bus home after talking with Rosalita." Speechless - "Chuck claims he didn't have a chance to talk with Rosalita on Wednesday afternoon."
  Volunteer - "Rosalita told Danny she was at the shelter Wednesday night."
  Troubled - "Rosalita was troubled by something when Danny spoke to
  her last."
  Flowers - "Chuck sent Rosalita flowers the day after they talked." Records - "All receipts and files for KOLR were accounted for last year."
  Stranger - "Cindy saw a strange man in a yellow poncho hovering
  over Rosalita Morales."
  Parade - "The streets were closed down for a parade all morning." Accounting - "Cindy did the accounting for Roses for Rehab"
  Death - "Rosalita was shot on February 29th in her office."
  Sister - "Maia Morales was Rosalita's sister."
  Secretary - "Cindy Jalcek was Rosalita's Secretary."
  Ex - "Chuck Lee is the former husband of Rosalita Morales."
  Partner - "Daniel Kostopoulos was the business partner of Rosalita Morales."
  Statement - "You need to take the statements of the suspects"
  Greeting - "You need to introduce yourself to the suspects." Assistance - "The chief is always willing to give you help. (This gives a basic tutorial)."
  Suspicion - "The Chief thinks that someone close to her was
  involved in her death."
  Testament - "Rosalita left all of her possessions to four people in her will."
  
  > say speechless
  (to Cindy)
  "Chuck claims that he saw Rosalita last Wednesday but didn't talk to her."
  
  "Makes sense; he was pretty torn up about leaving, and so was Rosalita."
  
  "Were you there that day?"
  
  She says, "I wasn't there when Chuck cleaned out his stuff; I think I was on my lunch break."
  
  > say volunteer
  (to Cindy)
  "Rosalita told Danny she went to volunteer at the shelter last Wednesday night."
  
  Cindy nodded. "She didn't tell me what she was up to, but she loves going to the shelters. She likes to connect with the people in rehab, tell them her own rehab story."
  
  "Rosalita went to rehab?"
  
  "Yeah, years ago, when she was a kid. Alcoholism. Makes for a great motivational story, made me feel motivated, even. It's part of the reason I signed up for the secretary job."
  
  > say troubled
  (to Cindy)
  "Danny said that Rosalita was very upset the day before she died. She wouldn't tell him what it was about."
  
  "Yeah, she's been-I mean she had been preoccupied at work recently."
  
  "Do you know why?"
  
  "I'm not sure. It could be just about anything. Chuck leaving, the two of them getting back together, or-"
  
  "Excuse me, did you say that her and Chuck were getting back together?"
  
  She blushes. "Oh, gosh, I wasn't supposed to....listen, I saw some flowers, okay? On her desk. When I was cleaning, the day before she died. They had a note from Chuck. I don't remember what it said, but basically, you know, it seems like they hooked up."
  
  > say the flowers
  (to Cindy)
  "Danny said that Chuck had flowers delivered to Rosalita last Thursday."
  
  She says, "Yes... Listen, Rosalita didn't want me talking about her relationships with anybody. I know it's important for the investigation and all, but I just don't want to talk about Rosalita and Chuck. Honestly, those two were back and forth with each other all the time. Getting together, breaking up, gifts, arguments, it just never stopped."
  
  "But you think they were most recently together?"
  
  "That's a weird way of phrasing it, but yes, that's what I think."
  
  > link speechless to the flowers
  The statements don't match up; Chuck says that he never had a chance to talk to her, but Danny says that they did.
  
  [New topic - Conversation]
  
  Cindy notices some trash on the ground and picks it up.
  
  > Go east
  The neutral tones suggest a professional but boring atmosphere. A faded rainbow stencil on the wall invites you to KOL studios; the R has worn off. The sepia-hued front desk hardly fits in this cramped room, but the beige ceiling is quite high; it looks like it was once part of a larger room. The muddy carpet is scuffed and worn, curling up on the edges. One of the off-white fluorescent lights in the ceiling flickers intermittently. Another light buzzes at the edge of hearing. The smell of burnt popcorn wafts in from a break room to the west. The doorway to the north leads to the hallway. The
  parking lot is back to the south, and a bathroom door stands to the east. An ivory telephone sits on the desk.
  
  From the speakers, you hear the radio quietly playing an ad for "Ghostbusters".
  
  > go to the north
  You are standing in a dim hallway with muddy carpet and beige walls. A battered navy blue door leads to the west. A heavy
  seaweed-green door to the east is labelled "Studio". A red
  On-Air light is mounted next to the door. The hallway extends to the north. You can also go south to return to the lobby.
  
  From the speakers, you hear the radio quietly playing an ad for Walter Mondale.
  
  > go west
  This comfortable office is mostly empty, but the owner's thoughtful personality is still evident in the azure carpet and the sky-blue walls. Lighter patches on the walls show where posters, picture frames and bulletin boards once hung. A navy blue door leads east to
  the hallway. A long desk has been shoved out of the way, and a single chair remains. The carpet is still dented from furniture legs.
  
  Chuck sits in the chair, trying not to look exhausted.
  
  Chuck's bloodshot eyes meet yours for a moment before turning away.
  
  > say conversation
  (to Chuck)
  Chuck says, "We have a witness who claims that you talked to Rosalita the day that you cleaned out your office."
  
  Chuck stares forward silently for an uncomfortably long amount of time. Without looking at you, he says "You're right, I did talk to her."
  
  "Maybe we should go over your statement again."
  
  "Yeah, we might as well."
  
  > say the statement
  (to Chuck)
  "Tell me what you know about the death of Rosalita Morales."
  
  "All right. Here's what happened."
  
  You lean back as Chuck gives you a statement. You can picture it all in your head...
  
  Your Office
  Your office is depressingly empty. The movers have packed away and taken out most of the furniture; your desk remains, shoved against the wall, and a single chair. Danny pressured you into giving him most of your KOLR memorabilia, leaving you almost nothing. The hallway and the long drive home are waiting for you to the east. Your rugged
  blue carpet is still dented from furniture legs. At least you left a mark on something.
  
  A packing box lies in the middle of the room.
  
  You can also see a certificate, a KOLR poster, and a bulletin board here.
  
  It's time to clean up. You have to get all of your personal effects out of this room before you can go home.
  
  > get all
  KOLR poster: You pick up the KOLR poster to look at it more closely.
  
  You know that Rosa loved this poster; maybe she'll ask to see it in a week or two, and it'll break the ice between you. It proclaims "Tune in to KOLR 99.8!" in large, day-glo letters at the top; the bottom has pop-art style portraits of you, Danny, and Rosa.
  certificate: You pick up the certificate to look at it more closely.
  
  You look over the certificate and smile. A certificate of merit for 15 successful years of service at KOLR, signed by the mayor; this should impress your new colleauges at WESL.
  bulletin board: You pick up the bulletin board to look at it more closely.
  
  You scan the board impatiently. It's covered with letters from listeners, photos of the studio, your first paycheck; later you'll take it all off and start a new one for WESL.
  
  As you lift the bulletin board off the wall, a picture flutters to the ground.
  packing box: The movers are going to take it tomorrow.
  
  > examine the picture
  You pick up the picture to look at it more closely.
  
  This a photo of the "grand opening" of your renovated live room. You can pick out Danny in the corner; Rosalita's sister Maia is in the foreground, before she went by Andromeda. You and Rosalita sit together, your arm around her. You smile.
  
  > put all in the box
  picture: You go to pack it, but you hesitate. Better to keep this one with you.
  bulletin board: Done.
  certificate: Done.
  KOLR poster: You roll up the poster and set it in the box.
  
  Footsteps tread down the hallway, and a scent wanders into the room: Chanel No. 5, Rosalita's perfume. She must have stayed late; you hoped she would be here tonight.
  
  You step towards the door, then stop. The footsteps move on, and the smell fades.
  
  > go east
  (first opening the your door)
  
  You are standing across from the studio door. You look around at the narrow hallway, the dingy carpet, the patchy walls; nothing like the WESL offices you toured. The On-Air light is off, and the studio seems deserted. Danny and Rosa's offices are north, but the faint scent of Rosalita's perfume draws you south to the lobby.
  
  The radio is playing an ad for "Full Circle".
  
  > Go south
  You look around the lobby for the last time. The stencil on the wall has almost faded off. The furniture Rosalita bought for this room is getting worn out. The muddy carpet is scuffed and worn, curling up on the edges. The old break room is to the west, and the bathroom to the east, but those are places you'd rather forget. The doorway to the north leads to the hallway, but you never plan on going back there again. The parking lot, and Rosalita, are to the south.
  
  The radio is playing an ad for Matlab.
  
  > go south
  The parking lot is mostly empty, like usual for a Wednesday. Brick walls hem you in on either side. You've never enjoyed the claustrophobic feeling you get out here. Your blue car is parked near the back, to the south. KOLR studios squats behind you to the
  north.
  
  As you walk out, you try to see Rosalita. You spot her getting into her car, at the south end. She is wearing a blue, short-sleeved dress and her long hair is parted in the middle. Her thick eyebrows are shaped in gentle curves and her large hoop earrings dangle as she walks. She looks the same as she did 20 years ago when you first met.
  
  You walk towards her, but she gets in her car and leaves without seeing you.
  
  > go south
  "You were right; I lied earlier. I followed Rosalita that day."
  
  You've parked your car here in front of a house on Rosalita's street. The driveway stretches out from the house here. Rosalita's house, your old house, lies to the west, and a door to a stranger's house is to the north. Trees dot the yard.
  
  You see Rosalita off to the west, gathering her purse and her sunglasses. She hasn't seen you yet. You watch as she walks up the steps and into the house, closing the door.
  
  > Go west
  The street stretches behind you, and Rosalita's house looms before you. The steps up to the front door are freshly cleaned, and bright blue drapes frame the windows. Rosalita's car is parked in front of you.
  
  Her front door is to the north.
  
  > Go north
  You knock on the door and Rosalita answers, with Cindy in the background turning to watch. A smile flashes on her face. "Chuck!" she says, and runs to embrace you. She steps back. "I wanted to see you before you go, but I..."
  
  "Yeah, I know. I wasn't going to come here, but I just wanted to say goodbye."
  
  "We talked all afternoon, remembering old times. It felt good. Now, I would never share this on my own, but just to be completely frank, we spent the night together, and the next day I sent flowers. I'd prefer not to go in more detail."
  
  "And that's what happened."
  
  [New topic - Tryst]
  
  You clear your mind, and return to yourself.
  
  Spare Office
  This comfortable office is mostly empty, but the owner's thoughtful personality is still evident in the azure carpet and the sky-blue walls. Lighter patches on the walls show where posters, picture frames and bulletin boards once hung. A navy blue door leads east to
  the hallway. A long desk has been shoved out of the way, and a single chair remains. The carpet is still dented from furniture legs.
  
  Chuck sits in the chair, trying not to look exhausted.
  
  A fly lands on Chuck's hair. He doesn't notice. It soon flies away.
  
  > say the tryst
  (to Chuck)
  You ask, "So you spent the whole night with Rosalita last week?"
  
  "Last week? Oh, yes, yes I did," he says.
  
  "And you felt like hiding this fact?"
  
  He slowly shrugs. "I'm sorry officer, I know it looks bad. But listen, would I have killed her if we were just getting back together?"
  
  "I don't know, Chuck. I hope for your sake that that's all you lied about." He shrugs again.
  
  > Your thoughts
  Current thoughts:
  Tryst - "Chuck spent all night with Rosalita last Wednesday." Conversation - "Chuck said that he didn't talk to Morales, but
  Danny claims that they did talk."
  Missing - "Maia found a stack of receipts that Danny said was accounted for."
  Hidden - "Maia found a bunch of receipts hidden in the studio."
  Buses - "Maia said she took a bus home, but Cindy said the buses weren't running."
  Home - "Maia took the bus home after talking with Rosalita." Speechless - "Chuck claims he didn't have a chance to talk with Rosalita on Wednesday afternoon."
  Volunteer - "Rosalita told Danny she was at the shelter Wednesday night."
  Troubled - "Rosalita was troubled by something when Danny spoke to
  her last."
  Flowers - "Chuck sent Rosalita flowers the day after they talked." Records - "All receipts and files for KOLR were accounted for last year."
  Stranger - "Cindy saw a strange man in a yellow poncho hovering
  over Rosalita Morales."
  Parade - "The streets were closed down for a parade all morning." Accounting - "Cindy did the accounting for Roses for Rehab"
  Death - "Rosalita was shot on February 29th in her office."
  Sister - "Maia Morales was Rosalita's sister."
  Secretary - "Cindy Jalcek was Rosalita's Secretary."
  Ex - "Chuck Lee is the former husband of Rosalita Morales."
  Partner - "Daniel Kostopoulos was the business partner of Rosalita Morales."
  Statement - "You need to take the statements of the suspects"
  Greeting - "You need to introduce yourself to the suspects." Assistance - "The chief is always willing to give you help. (This gives a basic tutorial)."
  Suspicion - "The Chief thinks that someone close to her was
  involved in her death."
  Testament - "Rosalita left all of her possessions to four people in her will."
  
  > Link troubled to missing
  You can't link those.
  
  Rain patters on the window.
  
  > Link troubled to hidden
  You can't link those.
  
  If you strain to listen, you think you can hear singing from somewhere.
  
  > Go east
  You are standing in a dim hallway with muddy carpet and beige walls. A battered navy blue door leads to the west. A heavy
  seaweed-green door to the east is labelled "Studio". A red
  On-Air light is mounted next to the door. The hallway extends to the north. You can also go south to return to the lobby.
  
  From the speakers, you hear the radio quietly playing Rapture.
  
  > Go south
  The neutral tones suggest a professional but boring atmosphere. A faded rainbow stencil on the wall invites you to KOL studios; the R has worn off. The sepia-hued front desk hardly fits in this cramped room, but the beige ceiling is quite high; it looks like it was once part of a larger room. The muddy carpet is scuffed and worn, curling up on the edges. One of the off-white fluorescent lights in the ceiling flickers intermittently, and another buzzes at the edge of hearing. The smell of burnt popcorn wafts in from a break room to the west. The doorway to the north leads to the hallway. The
  parking l