what was the only force liszt used to adapt gaetano donizetti's work?
piano
col : original work | liszt work | forces | date | s no. | notes row 1 : opera lucrezia borgia (1833) | reminiscences de lucrezia borgia | piano | 1840 | s.400 | the sections are: (1) trio du second acte and (2) fant row 2 : opera lucia di lammermoor (1835) | reminiscences de lucia di lammermoor | piano | 1835‑36 | s.397 | based on the sextet row 3 : opera lucia di lammermoor (1835) | marche et cavatine de lucie de lammermoor | piano | 1835‑36 | s.398 | intended as part of the reminiscences (s. row 4 : lucia di lammermoor | valse à capriccio sur deux motifs de luci | piano | 1842 | s.401 | combines motifs from lucia di lammermoor and parisina row 5 : opera parisina (1833) | valse à capriccio sur deux motifs de luci | piano | 1842 | s.401 | combines motifs from lucia di lammermoor and parisina row 6 : nuits d'été à pausilippe, 12 | nuits d'été à pausilippe | piano | 1838 | s.399 |  row 7 : opera la favorite (1840):\n\nduettino | spirito gentil | piano | 1847 | s.400a | possibly same as s.742. row 8 : opera dom sébastien (1843):\n\nf | marche funèbre de dom sébastien | piano | 1844 | s.402 |  row 9 : act iv | paraphrase | piano | ? | s.744 | lost; this was based on theodor kullak's transcription row 10 : "duettino" | transcription | piano | ? | s.742 | lost. possibly same as s.400a.
what was the only force liszt used to adapt gaetano donizetti's work?
Original work Liszt work Forces Date S no. Notes
Opera Lucrezia Borgia (1833) Reminiscences de Lucrezia Borgia piano 1840 S.400 The sections are: (1) Trio du second acte and (2) Fantaisie sur des motifs favoris de l'opéra: Chanson à boire (Orgie), Duo and Finale
Opera Lucia di Lammermoor (1835) Reminiscences de Lucia di Lammermoor piano 1835‑36 S.397 Based on the Sextet
Opera Lucia di Lammermoor (1835) Marche et cavatine de Lucie de Lammermoor piano 1835‑36 S.398 Intended as part of the Reminiscences (S.397) but separated by the publisher
Lucia di Lammermoor Valse à capriccio sur deux motifs de Lucia et Parisina piano 1842 S.401 Combines motifs from Lucia di Lammermoor and Parisina. The Valse à capriccio, S.401 was revised as No. 3 of 3 Caprices-Valses, S.214 (1850–52).
Opera Parisina (1833) Valse à capriccio sur deux motifs de Lucia et Parisina piano 1842 S.401 Combines motifs from Lucia di Lammermoor and Parisina. The Valse à capriccio, S.401 was revised as No. 3 of 3 Caprices-Valses, S.214 (1850–52).
Nuits d'été à Pausilippe, 12 ariettas and nocturnes (voices and chamber ensemble; 1836):\n\nNo. 1, "Barcajuolo"\nNo. 9, "L'Alito di Bice"\nNo. 4, "La Torre di Biasone" Nuits d'été à Pausilippe piano 1838 S.399
Opera La favorite (1840):\n\nDuettino (Act IV) Spirito gentil piano 1847 S.400a Possibly same as S.742.
Opera Dom Sébastien (1843):\n\nFuneral march Marche funèbre de Dom Sébastien piano 1844 S.402
Act IV Paraphrase piano ? S.744 Lost; this was based on Theodor Kullak's transcription (paraphrase), Op. 31, which was itself dedicated to Liszt.
"Duettino" Transcription piano ? S.742 Lost. Possibly same as S.400a.
piano