title: Aron Cotruș

text:
Aron Cotruș (; 2 January 1891 – 1 November 1961) was a Romanian poet, diplomat, and member of the fascist Iron Guard.

Life
He was born in 1891 in Hașag, Sibiu County, at the time in Austria-Hungary. After attending secondary school in Blaj and the Andrei Șaguna High School in Brașov, he pursued his studies at the Faculty of Letters of the University of Vienna. He became affiliated with the nationalist newspapers ""Românul" from  Arad and "Gazeta de Transilvania" from Brașov. He also collaborated with the cultural magazines "Gândirea", "Vremea", "Libertatea" (Orăștie), "Iconar" (Cernăuți), among others. The critic Al. T. Stamatiad described Cotruș as young Transylvania's "most talented poet".

During World War I he was in Italy, where he worked under the Romanian Legation in Rome. After the war, in 1919, he returned to Romania, becoming a journalist in Arad. A royalist, he later became a supporter of Ion Antonescu. After the death of Queen Marie of Romania he wrote the important poem "Maria Doamna" ("Lady Marie"), in which, in the words of historian Lucian Boia, "the queen appears as a providential figure come from far-off shores to infuse the Romanian nation with a new force."

Cotruș also became a member of the Romanian Writers' Society. He worked as a press attaché in Rome and Warsaw, and during World War II as a press secretary in Madrid and Lisbon. Along with Titus Vifor and Vintilă Horia he was assigned by the Iron Guard's National Legionary State to run the Romanian Propaganda Office in Rome, "The Fellowship of the Cross".

After the coup d'état of August 1944 and the collapse of the Antonescu regime, he became a political refugee in Francoist Spain. He became the president of the exiled Romanian community, then editor of the Iron Guard exile magazine "Carpații", published in Madrid. In 1957 he settled in the United States in Long Beach, California, where he lived for the rest of his life. He died in La Mirada, California on November 1, 1961. His remains are in Holy Cross Cemetery, Cleveland, under a simple stone plaque.

A street in Bucharest's Sector 1 is named after him.

Literature
The Princeton Encyclopedia of Poetry describes him as a writer "whose messianic thunderings were couched in rolling free verse and a racy, sonorous vocabulary." Along with Emil Isac, he opposed a neo-romantic and "prophetic" attitude borrowed from Octavian Goga. In Cotruș's case, this took the form of an ethno-nationalist discourse about "the ethnic and social battles of the Romanians".

Under the communist regime, Cotruș was identified as a traitor, and as a representative of what Marxist critic Nestor Ignat called "hooliganism in literature". However, during the late Ceaușescu era, portions of his work were republished in Romania and his image was partially rehabilitated.

Publications
"Poezii" ("Poems"). Orăștie, 1911
"Sărbătoarea morții" ("Festival of Death"). Concordia, Arad, 1915. Edition II Bucharest, 1922
"Neguri albe". ("White Clouds"). Alba-Iulia, 1920
"România" ("Romania") (poem). Brașov, 1920. Edition II Arad, 1922
"Versuri". ("Lyrics"). Library "Sămănatorul", Arad, 1925
"In robia lor" ("In their bondage"). Arad, 1926
"Mâine". ("Tomorrow"). Editura Scrisul Românesc, Craiova, 1928. A second edition under the auspices of the "Societății de Mâine" ("Society of Tomorrow"), Cluj, 1928
"Holnap" (Tomorrow), Hungarian, published in Arad, 1929. Translated by Pal Bado
"Strigăt pentru depărtări" ("Cry for the departed"). Editura Ienci, Timișoara, 1927
"Printre oameni în mers". ("Some people walk"). Sosnowiec, Poland, 1933 (bibliographical rarity). Second edition of the Spanish translation of Gaetano Aparicio, Madrid 1945
"Horia". Issue Get Warsaw, Poland, 1935. Edition II Brad 1936 (in just two years appear editions of volume 18. Only in appearing in Bucharest, during 1938: editions III, IV, V, VI). The Hungarian translation by A. Kibedi, Cluj, 1938
"Versek" (book of poems in Hungarian). Cluj, in 1935 (many of the poet's verses were published in the Transylvanian Saxon magazine "Klingsor" in Brașov, some translated by  Alfred Margul-Sperber. Similarly, Zoltan Franyo translated some poems in German publishing them in magazines literature for the German community in Romania)
"Culegere de versuri" ("Collection of poems"). Polish translation by Wladimir Lewice. Lvov, 1936
"Țara" ("Country"). Bucharest, 1937. Edition II Lisbon, 1940
"Miners", Bucharest, 1937
"Peste prăpăstii de potrivnicie" ("Over the precipice of misfortune"), Bucharest, 1938. Edition II Aparicio Gaetano Spanish translation, Madrid 1941
"Maria Doamna" ("Lady Marie") (poem). Typography "Star", Bucharest, 1938 (deluxe edition)
"Aron Cotruș: Lady Marie". Reviews published in literary magazines in the country at that time, collected and published as a  homage to the poet, Bucharest, 1939
"Rapsodie Valahă" ("Wallachian Rhapsody"). Madrid, 1940. Edition II Bucharest: "Star", 1941. Edition III of Madrid, Editura Carpații, 1954. Appeared in Spanish translation, Madrid, 1941 (Aparicio Gaetano's translation)
"Rapsodie Dacă" ("Dacian Rhapsody"). Editura Fundațiile Regale, Bucharest, 1942
"Poema de Montserrat" (in "Escorial"), Spain, 1949; Second edition of Madrid, 1951
"Poemas". Madrid 1951
"Roads by storm." Madrid 1951
"Canto Ramon Llull." Mallorca, Spain, 1952

"Aron Cotruș – Complete Works". Editura Dacia, Madrid, 1978 (edited by Nicolae Roșca)

References

External  links
Life and Work (in Romanian)
Examples of his poetry

1891 births
1961 deaths
People from Sibiu County
Andrei Șaguna National College (Brașov) alumni
University of Vienna alumni
Romanian diplomats
Romanian fascists
20th-century Romanian poets
Romanian male poets
Members of the Iron Guard
20th-century Romanian politicians
Romanian journalists
20th-century journalists
20th-century Romanian male writers
Romanian expatriates in Spain
Romanian expatriates in Italy
Romanian expatriates in the United States


title: Tshering Wangdi

text:
Tshering Wangdi is a Bhutanese former international footballer who last played for Yeedzin. He made his first appearance for the Bhutan national football team in 2011.

References

Bhutanese men's footballers
Bhutan men's international footballers
Living people
Transport United FC players
Yeedzin FC players
People from Chukha District
Men's association football midfielders
Year of birth missing (living people)


title: Janusaurus

text:
Janusaurus is an extinct genus of ophthalmosaurid ichthyosaur from the Upper Jurassic Slottsmøya
Member, Agardhfjellet Formation of Central Spitsbergen. The holotype consists of a partial skull and postcrania, and would have belonged to an individual measuring  long. In 2019, Janusaurus was synonymized with Arthropterygius, though maintained as a separate species, by Nikolay Zverkov and Natalya Prilepskaya, although this synonymy was objected to later that same year by Lene Delsett and colleagues, who maintained that they were sufficiently different to warrant separate genera.

Gallery

See also
 List of ichthyosaurs
 Timeline of ichthyosaur research

References

Ophthalmosaurinae
Ichthyosaurs of Europe
Late Jurassic ichthyosaurs
Late Jurassic reptiles of Europe
Tithonian life
Fossils of Svalbard
Agardhfjellet Formation
Fossil taxa described in 2014
Ichthyosauromorph genera


title: Idolatteria maon

text:
Idolatteria maon is a species of moth of the family Tortricidae first described by Herbert Druce in 1901. It is found in Ecuador.

References

Moths described in 1901
Archipini


title: David Ames (actor)

text:
David Albert Ames (born 10 August 1983) is an English actor, best known for his portrayal of Dominic Copeland in the medical drama Holby City. In 2023, he joined the cast of the Channel 4 soap opera Hollyoaks.

Early life and career
David Albert Ames was born on 10 August 1983. Before getting a degree in drama, Ames was involved in plays at college. He appeared in the play The Temperamentals as Rudi Geinrich at Greenwich Theatre. So So Gay called his performance in the play "touching". From 2013-2022, he joined the cast of Holby City as Dominic Copeland.

In 2022, Ames starred as Steven in the play Steve, which was performed at the Seven Dials Playhouse. Ames starred as Tim / Butterfly in Horse-Play at the Riverside Studios, London, in August-September 2022.

In 2023, Ames appeared in the Channel 5 drama The Madame Blanc Mysteries. He also appeared in an episode of the BBC soap opera Doctors as Marcus Bavidge. In June 2023, he was announced to be joining the cast of the Channel 4 soap opera Hollyoaks as the headmaster of the fictional Hollyoaks High.

Personal life
Prior to becoming an actor, he lived with his family in Hampshire.

From 2014 to 2018, Ames was in a relationship with Gok Wan.

Filmography

Theatre
 2022 - Steve - as Steven - at the Seven Dials Playhouse
 2022 - Horse-Play - as Tim / Butterfly - at the Riverside Studios

References

External links

Living people
English male film actors
English male television actors
English gay actors
1983 births
21st-century English male actors
English male voice actors
Place of birth missing (living people)
Male actors from Hampshire
English LGBT actors
20th-century English LGBT people
21st-century English LGBT people


Alhandra, São João dos Montes e Calhandriz is a civil parish in the municipality of Vila Franca de Xira, Portugal. It was formed in 2013 by the merger of the former parishes Alhandra, São João dos Montes and Calhandriz. The population in 2011 was 12,866, in an area of 27.54 km².

Famous Portuguese explorer Afonso de Albuquerque was born in Alhandra.

References

Freguesias of Vila Franca de Xira


title: David Ames

text:
David Ames may refer to:

 David Ames (actor) (born 1983), British actor
 David Ames (American footballer) (1937–2009), American football defensive back and halfback
 David Ames (researcher) (born 1954), Australian psychiatrist and academic
 David Ames (field hockey) (born 1989), Northern Irish field hockey player
 David Ames (colonel) (1760–1847), first superintendent of the Springfield Armory

See also
 David Aames, character in 2001 American science fiction psychological thriller film Vanilla Sky
 David Amess (1952–2021), British politician


title: Alverca do Ribatejo e Sobralinho

text:
Alverca do Ribatejo e Sobralinho is a civil parish in the municipality of Vila Franca de Xira, Portugal. It was formed in 2013 by the merger of the former parishes Alverca do Ribatejo and Sobralinho. The population in 2011 was 36,120, in an area of 23.92 km2.

References

Freguesias of Vila Franca de Xira


The 2014–15 Providence Friars women's basketball team will represent Providence College in the 2014–15 college basketball season. The Friars are led by third year head coach Susan Robinson Fruchtl and were members of the Big East Conference. The Friars will play their home games at Alumni Hall. They finished the season 6–24, 3–15 in Big East play to finish in ninth place. They lost in the first round of the Big East women's tournament to Marquette.

Roster

Schedule

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!colspan=9 style="background:#000000;"| Big East Women's Tournament

References

Providence
Providence Friars women's basketball seasons
Provide
Provide


title: Frank Cecil Eve

text:
Frank Cecil Eve FRCP (15 February 1871 – 7 December 1952) was a senior British physician, made famous by the "Eve Method" of artificial respiration.

Biography

Born on 15 February 1871 in Silsoe, Bedfordshire, Frank Eve was educated at Bedford School, at Emmanuel College, Cambridge, and at St Thomas's Hospital Medical School. He subsequently became a Consultant Physician at the Hull Royal Infirmary. In 1915, he was elected as a Fellow of the Royal College of Physicians. In 1932, his description of a new "rocking" method of artificial respiration, which came to be known as the "Eve Method" and was adopted by the Royal Navy and by the Swedish Navy, brought Eve international fame.

Frank Eve died in Beverley on 7 December 1952.

References

1871 births
1952 deaths
People educated at Bedford School
Alumni of Emmanuel College, Cambridge
Alumni of St Thomas's Hospital Medical School
Fellows of the Royal College of Physicians
20th-century English medical doctors
People from Central Bedfordshire District


title: Póvoa de Santa Iria

text:
Póvoa de Santa Iria is a city and former civil parish in the municipality of Vila Franca de Xira, Portugal. Since 2013, it is part of the civil parish Póvoa de Santa Iria e Forte da Casa. Its population in 2011 was 29,348.

History
In 1336, the land where present-day Póvoa de Santa Iria is located was designated part of the Póvoa Majorat (Morgado da Póvoa) by Vicente Afonso Valente, for the benefit of his brother Lourenço Afonso Valente. For more than three centuries, the place was called Póvoa de São Martinho.

After the extinction of the majorats in Portugal in 1863, the settlement obtained its current name, Póvoa de Santa Iria. The settlement had a strong connection with the Tagus river and its population had fishing, salt extraction and river transport as their main activities.

In 1916 the civil parish (freguesia) of Póvoa de Santa Iria was created, as part of the Loures municipality. In 1926, the civil parish was detached from the Loures municipality and integrated in the Vila Franca de Xira municipality. In the second half of the 20th century, a sharp population increase occurred in Póvoa de Santa Iria and the settlement was mainly converted into a commuter town. Following its expansion, Póvoa de Santa Iria was formally designated a town (vila) in 1985 and a city (cidade) in 1999. After a major territorial administration reorganization in Portugal in 2013, the civil parish of Póvoa de Santa Iria was merged with the neighboring civil parish of Forte da Casa.

In November 2014, Póvoa de Santa Iria was one of the locations most affected by a legionellosis outbreak in the Vila Franca de Xira municipality.

Transportation
Póvoa de Santa Iria is served by the Póvoa train station, which is part of the North Line and an important point of connection with the city of Lisbon. This train station was the site of a train accident on 5 May 1986 that killed 17 people, one of the worst in the history of Portugal.

The city is also served by multiple bus lines from Carris Metropolitana, connecting with other points in the municipalities of Vila Franca de Xira, Loures and Lisbon.

Sports
Póvoa de Santa Iria's football club is União Atlético Povoense, which competes in the First Division of the Lisbon Football Association.

References

External links

 Junta de Freguesia Póvoa de Santa Iria e Forte da Casa (in Portuguese)

Cities in Portugal
Former parishes of Vila Franca de Xira


title: Li Liuyi

text:
Li Liuyi () is a Chinese director and playwright of Beijing People's Art Theatre. His theory "Pure Drama" and his related exploration in the field are known as "Li Liuyi Methodology", which is widely acclaimed and researched. Japanese modern theater master Tadashi Suzuki (Japanese: 鈴木忠志) calls him "The most influential stage artist of Asia in the new century".

Early life
Li Liuyi was born into an opera family in 1961. He did research in the Chinese National Academy of Arts for eight years. He has directed numerous genres of drama with distinguished regional characteristics, including Kunqu Opera, Peking Opera, Sichuan opera, Henan Opera, Pingju Opera, Liu Opera, Liuqin tune and Meihu Opera.

Participation in international artistic events
Li Liuyi has been invited to different international art festivals and commissioned to create new productions. He was once invited by the City of Linz—the European Capital of Culture in 2009 to direct the opera The Land of Smiles in Linz State Theatre. He became the first Chinese director to set foot in the world of mainstream European opera. Li directed and put the "Heroine" trilogy on stage for the opening ceremony of Holland Festival and was received by the Queen of the Netherlands.

He cooperated with the National Ballet of China, adapted and directed the ballet The Peony Pavilion. The ballet was one of the opening performances in the Edinburgh International Festival, which marked an important breakthrough for China's performing arts scene, as it meant Chinese performances were now being staged in major European art festivals.

Representative works of drama as a director
 Antigone and Oedipus Rex ("Outstanding Director's Drama Series: Li Liuyi", April 2014, the National Grand Theater, Beijing)
 The Savage Land (The fifth Beijing International Music Festival, October 29, 2012)
 Death of a Salesman (People's Art Theatre, Beijing, April 2012)
 The Song of the Earth (Symphony originally written by Mahler; Cooperated with the China Philharmonic Orchestra, October 2012)
 The Family (Originally written by Ba Jin and adapted by Cao Yu; People's Art Theatre, Beijing, July 2011)
 The Golden Cangue (Modern Peking opera, December 2010; won Outstanding Director Award and Outstanding Drama Award in the Twelfth Chinese Opera Festival)
 Mei Lanfang Classics (Peking opera; Zhengyici Peking Opera Theatre (), May 2010)
 The Peony Pavilion (invited by The Corps de Ballet of China to direct this ballet and cooperated with Japanese costume designer Emi Wada [Japanese: ワダ・エミ or 和田恵美子])
 The Story of Puppets (Kunqu Opera; cooperated with Japanese director Hideo Kanze [Japanese: 観世栄夫])
 The "Heroine" Trilogy Mu Guiying, Hua Mulan, Liang Hongyu (New Peking Opera, 2003)
 The Good Person of Szechwan (Originally written by Bertolt Brecht; a Chinese Sichuan opera, 1987)

Representative works of drama as a playwright
Critics consider Li Liuyi a playwright with lasting literary creativity. His works of drama include: three small theatre works -- Blue Sky After Rain, Mahjong, and Songat Midnight; the "Heroine" Trilogy Mu Guiying, Hua Mulan, Liang Hongyu; See Lu Xun Again, 2003, Time Passed by; The Life of a Peking Policeman (adapted from Lao She's novel); Fortress Besieged (adapted from Qian Zhongshu's novel); Spring in a Small Town (adapted from Fei Mu's film); Ballet The Peony Pavilion (adapted from Tang Xianzu's Kunqun Opera). His book Li Liuyi's Pure Drama· Collection of Dramas has been published by the People 's Literature Publishing House in China, translated into many languages and published worldwide.

Drama project "Li Liuyi • China Made" (2012-2015)
In 2012, Li Liuyi launched the drama project "Li Liuyi • China Made". The project includes three works of ancient Greek tragedy, Antigone, Oedipus Rex, and Prometheus Bound, and the Chinese epic King Gesar (I,II and III). Antigone and Oedipus Rex have been performed in public. Prometheus Bound will be launched early next year in 2015.

As stated in its programme note, "Re-assuming the responsibility of being a practitioner of drama", Li Liuyi's Antigone has realized a kind of "self-awareness"—it stands at the crossroad of Chinese experience and Western classics and has completed a conversation with the times and the world.

As a contemporary Chinese director, Li Liuyi has successfully caught the soul of the Ancient Greek classic drama through his "translated" work of drama -- Oedipus Rex. He broke through the high wall between the Oriental and Occidental cultures and civilizations, and seamlessly joined the thoughts and emotions of the people from the ancient and distant foreign land, and of the local people in the contemporary times.

References

Chinese theatre directors
Central Academy of Drama alumni
Writers from Chengdu
Chinese dramatists and playwrights
People's Republic of China writers
Living people
Year of birth missing (living people)


title: Emile Littler

text:
Sir Emile Littler (9 September 1903 – 23 January 1985), born Emile Richeux, was an English theatrical impresario, producer and author.

Life and career
Littler was born in Ramsgate, Kent, in the south east of England, the younger son in the family of five children of Jules Richeux (1863–1911), a cigar importer, and his wife, Agnes May, née Paisey (b. 1874). Richeux became a theatrical proprietor, leasing the Ramsgate Victoria Pavilion from 1906, while Agnes Richeux leased the Royal Artillery Theatre, Woolwich, from 1909. In 1914, three years after Richeux's death, his widow married the theatre manager Frank Rolison Littler (1879–1940), who adopted the five children, all of whom took his surname.
The elder son Prince, and one of the daughters, Blanche, also went into theatrical management. After private education at Stratford-upon-Avon and a brief start as an actor, Littler turned to backstage work, serving as assistant manager of a theatre in Southend-on-Sea in  1922, and then as assistant stage manager of Sir Barry Jackson's Birmingham Repertory Theatre. He worked in the US for four years between 1927 and 1931, for managements including the Shuberts, and after returning to Britain he became manager and licensee of the Birmingham Rep in September 1931.

In 1933 Littler married the actress Cora Goffin; there were two daughters of the marriage. The following year he set up in management on his own account. His theatrical productions included: Victoria Regina, 1066 and All That, Once in a Lifetime, Song of Norway, Annie Get Your Gun and Zip Goes a Million, and revivals of The Maid of the Mountains, The Quaker Girl, Lilac Time, The Student Prince and The Desert Song. Littler presented more than two hundred Christmas pantomimes in London and the larger cities of the British Isles; he was author or co-author of many of them. He controlled the Palace Theatre, London from 1946 to 1983 and had two stints as President of the Society of West End Theatre Managers: 1964–67 and 1969–70. He also served on the board of the Royal Shakespeare Theatre, Stratford-upon-Avon. He was a racehorse owner, owning the horses Jack & Jill, Astafa, and Irish Ball.

Littler retired from producing in 1973 and was knighted the following year. He died at his home in Sussex at the age of 81.

Notes

References

1903 births
1985 deaths
British theatre managers and producers
English racehorse owners and breeders
Impresarios
Knights Bachelor


title: Seine-et-Marne's 2nd constituency

text:
The 2nd constituency of Seine-et-Marne is a French legislative constituency in the Seine-et-Marne département.

Description

The 2nd constituency of Seine-et-Marne includes the southernmost parts of the department.

Since 1988 it has been a Gaullist stronghold.

Deputies

Election results

2022

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2017

2012

2007

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2002

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1997

|-
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Sources

Official results of French elections from 2002: "Résultats électoraux officiels en France" (in French).

2


title: Mads Ibenfeldt

text:
Mads Max Ibenfeldt (born 26 January 1985) is a retired Danish professional footballer who played as a defender.

References

External links

1985 births
Living people
Danish men's footballers
Men's association football midfielders
Silkeborg IF players
Boldklubben af 1893 players
Brønshøj Boldklub players
Akademisk Boldklub players
Southend United F.C. players
English Football League players

Men's association football defenders
IF Skjold Birkerød players


title: Phil G. McDonald Bridge

text:
The Phil G. McDonald Memorial Bridge, also known as the Glade Creek Bridge, is a deck truss bridge located in Raleigh County, West Virginia near the city of Beckley. The bridge is among the ten highest bridges in the United States, and the highest bridge within the Interstate Highway System being a part of I-64, with a deck height of  above Glade Creek. The bridge is also among the top hundred highest bridges in the world.

The bridge is named after West Virginia native Phill G. McDonald (the official bridge name is missing the second 'L') who was a United States Army soldier and a recipient of the United States military's highest decoration—the Medal of Honor—for his actions in the Vietnam War. The bridge has a main span length of  and a total length of . The completion of the bridge was the final part of I-64 to be built in West Virginia with Governor Arch Moore opening the bridge at a ribbon-cutting ceremony on 15 July 1988.

References

Road bridges in West Virginia
Truss bridges in the United States
Buildings and structures in Raleigh County, West Virginia


title: Tue Brook

text:
The Tue Brook or Tew Brook is a small river or stream in Liverpool. It flows through the suburb of West Derby and is the main tributary of the River Alt. The brook is now almost entirely culverted and runs underground, but is remembered in the name of Tuebrook ward.

Although it is sometimes said to be derived from the name of the god Tiw, the name "Tue Brook", recorded as "Tubrucke" in the 16th century, may be derived from an Old English phrase meaning "meeting place by a brook". The watercourse formed the natural drainage of the districts of Walton and Club Moor, flowing north eastwards to the Alt. Over time, as the suburbs of Liverpool grew, the brook came to receive much of the sewage of the township of West Derby, with the result that it became highly polluted. The Tue Brook was, as a result, the subject of a court case in 1872, when an owner of land through which it ran was successful in obtaining an injunction in Chancery against polluters.

Much of the brook was still open as late as the earlier 20th century, but urban development along its course has resulted in the upper Tue Brook being mostly diverted underground, and the lower brook being similarly treated with the exception of some longer open stretches near Long Lane. Despite this, the brook is still locally reputed to feed the pond in Larkhill Gardens, Clubmoor, and has been identified as a significant source of historic flooding, as the culverts are of inadequate size and in poor condition.

References

Rivers of Merseyside
Subterranean rivers of Liverpool
Tributaries of the Alt


title: Idolatteria orgias

text:
Idolatteria orgias is a species of moth of the family Tortricidae. It is found in Colombia.

References

Moths described in 1930
Archipini


title: Australian cricket team against Pakistan in the UAE in 2014–15

text:
Australia cricket team toured the United Arab Emirates (UAE) from 5 October to 3 November 2014 and played one Twenty20 International (T20I), three One Day Internationals (ODIs) and two Test matches against Pakistan. The series was played in the UAE owing to ongoing security concerns in Pakistan. The limited over matches were dominated by Australia while a rampant Pakistan whitewashed the Test series.

Squads

Tour matches

Warm-Up: Pakistan A vs Australians

T20I series

Only T20I

In Aaron Finch's debut match as captain Australia restricted Pakistan to an ordinary 96/9 on a slow turner with Glenn Maxwell (3/13 off 3 overs) and debutant Cameron Boyce (2/10 off 4 overs) being the chief wicket takers. Australia's reply got off to a shaky start, at one point 56/4 but David Warner (54*) steadied the innings, eventually comfortably winning the game by 6 wickets.

ODI series

1st ODI

Aaron Finch (0) was caught first ball after slicing a ball to Ahmed Shehzad at point. But David Warner (43) and Steve Smith (101) put on an 86 run partnership to steady the tourists. Australia ended up with 255/8 with Steve Smith scoring his maiden ODI century. Shahid Afridi (3/46) was the best bowler for Pakistan. In response, Australia bowled very well as Pakistan lost wickets at regular intervals with no batsmen scoring over 43. Mitchell Johnson (3/24) was the main wicket taker for Australia. In an unusual side note, Fawad Alam caused minor controversy mostly on social media when he bowled with his cap facing backwards.

2nd ODI

Pakistan made the perfect start to their innings with a steady 126 run opening partnership between Ahmed Shehzad (61) and Sarfraz Ahmed (65). But after both openers went in quick succession Pakistan collapsed to 215 (49.3 overs) with Mitchell Johnson continuing his form from the last match taking 3/40. In reply, Australia lost early wickets but steadied and reached the target with 40 balls remaining. Glenn Maxwell was their top run scorer with a quick knock of 76.

3rd ODI

Australia elected to rest Mitchell Johnson and Nathan Lyon. Steve Smith yet again starred with the bat with a patient 77 off 105 balls. David Warner (56) also chipped in to record his first half century of the series. Sohail Tanvir (3/40) was the main wicket taker for Pakistan. In reply, Pakistan seemed to have the match all but won when they needed 2 runs of the final over but Glenn Maxwell (2/41) completed a double wicket maiden earning him man of the match honors. Steve Smith's catch to dismiss Fawad Alam was controversial: Smith lined up at slip, and began moving towards the leg side after the ball was delivered but before it was hit, before taking the catch off Fawad's sweep shot at leg slip; the umpires had the discretion under the laws of the game to declare it a dead ball if they believed Smith's movement was unfair, but they decided it was fair and gave Fawad out, which some commentators disagreed with.

In addition to clean sweeping the series, Australia regained the number 1 ranking for ODIs.

Test series

1st Test

Pakistan won the toss and chose to bat in what was tipped to be a pitch that would gradually deteriorate. Mitchell Johnson and Peter Siddle removed the Pakistani openers, Mohammad Hafeez (0) and Ahmed Shehzad (3), in the first few overs. However, Pakistan steadied to end the day at 219/4 with Younus Khan hitting 106 off 223 balls. Mitchell Johnson did the bulk of the damage with an economical 3/22 off 20 overs on a slow and attritional day.

On the second day, Pakistan slowly began to accelerate with Sarfraz Ahmed (109) scoring his second century in Tests at over a-run-a-ball. Australia's reply began well with David Warner reaching his fifty. They ended the day at a solid 113/0.

Australia began their innings slowly on day three and struggled against Pakistan's inexperienced bowling attack, getting bowled out for 303, with debutant Yasir Shah (3/66) the pick of the bowlers while David Warner scored completed his century (133). The match was called off due to bad light at the end of the day with 2 overs remaining.

Australian debutant Stephen O'Keefe took the early wicket of Azhar Ali (30) early on day 4. But Pakistan dominated and eventually declared their innings at 286/2. Australia's second innings began well, but the spinners took quick wickets to leave Australia in trouble at 59/4 at the end of day 4.

Australia lost 3 wickets in the first session with Zulfiqar Babar doing most of the damage on day five. Australia managed to grind their way to the final session but succumbed to a 221 run defeat. He took his maiden five-wicket haul in the second Australian innings. Johnson (61) and Steve Smith (55) were Australia's top scorers. Khan's twin centuries in the match earned him the man of the match award.

2nd Test

Pakistan opted to have an unchanged team after they won the toss and decided to bat. Australia made two changes, with Alex Doolan replaced by Glenn Maxwell for his third test and Stephen O'Keefe replaced by Mitchell Starc. On another flat deck Pakistan made excellent progress with only two wickets, those of the openers Ahmed Shehzad (35) and Mohammad Hafeez (45), falling on day 1. At stumps, they were 304/2, with Younus Khan (111*) scoring his third consecutive century, and Azhar Ali (101*) was the other centurion. Mitchell Johnson (1/50) and Nathan Lyon (1/86) both took a wicket each. Due to bad light, play was suspended with 2 overs still to be bowled. Michael Clarke's unusual field positions, particularly placing Johnson at straight hit (behind the beginning of the bowler's run-up) were criticized by some commentators as not being in the "spirit of the game".

Within the first hour of the second day Australia finally struck with Starc taking the wicket of Azhar (109) caught by replacement wicket-keeper David Warner after Brad Haddin injured his right shoulder in a catching attempt. Pakistan continued to subdue the Australians finishing at 405/3 at lunch on an extended first session. Pakistan continued to pile on the runs in the second session with Younus reaching his double century and captain Misbah-ul-Haq (101) getting his century. Pakistan made accelerated in the third session, scoring some quick runs before declaring at a massive 570/6. Starc was the top wicket-taker with 2/86 (27 overs). Australia had to negotiate 5.2 overs before bad light stopped play, ending the day at 22/1.

Most of Australia's batsmen started well but they lost wickets at regular intervals on day 3 before finishing at a modest 261 all out just after tea. Mitchell Marsh top scored for Australia with 87. All of the Pakistani bowlers took wickets with Imran Khan (3/60) taking the most wickets. Pakistan led by 307 runs, but did not enforce the follow-on. Johnson removed the openers early in the innings and Pakistan finished at 61/2 before bad light once again stopped play.

Pakistan continued their dominance in the first session of day 4 scoring 149 runs with the loss of one wicket, that of Younus (46). Misbah smashed a 21 ball fifty that broke the record for the fastest fifty in Test cricket beating Jacques Kallis's 24 ball effort. After lunch, Maxwell took over the wicket-keeping role while Misbah (101*) equaled the fastest century in Tests with Sir Vivian Richards, coming from 56 deliveries. Azhar (100*) also completed his ton shortly after and Pakistan declared. Zulfiqar Babar took two Australian wickets before tea, those of Chris Rogers (2) and Maxwell (4). Pakistan took three more wickets before the close of play, with Steve Smith (38*) and Marsh (26*) still at the crease.

Smith and Marsh extended their partnership in the first session on day 5 until Marsh was caught at leg slip for 47. Smith continued to bat steadily as Australia reached 238/5 at lunch. But Smith was sent lbw by Yasir Shah for 97 second ball after lunch and Australia collapsed, losing their final five wickets just for eight runs. Pakistan won the series 2–0, their first series win against Australia since 1994. Zulfiqar was the best of the bowlers, taking his second five-wicket haul of the series (5/120 of 32.2 overs). Misbah was awarded the man of the match for his record-breaking century.

References

External links
Series home at ESPNcricinfo

2014 in Australian cricket
2014 in Pakistani cricket
2014-15
International cricket competitions in 2014–15
Australia 2014


title: Kwaku Ananse (film)

text:
Kwaku Ananse is a 2013 short film directed by Akosua Adoma Owusu. The short film combines semi-autobiographical elements with the tale of Kwaku Ananse, a trickster in West African and Caribbean stories who appears as both a spider and a man. The fable of Kwaku Ananse is combined with the story of a young outsider named Nyan Koronhwea, who attends her estranged father's funeral. At the funeral, she retreats to the woods in search of her father. The film starred legendary musician Koo Nimo and veteran actress Grace Omaboe.

The screenplay was co-written by Pakistani-American filmmaker and entrepreneur Iram Parveen Bilal. The script was written for MaameYaa Boafo, a Pakistani born-Ghanaian actress, who was originally cast in the lead role as Nyan Koronhwea. However, the production team in New York City eventually decided to recast the character during the pre-production stage with Jojo Abot, an emerging Ghanaian artist.

Synopsis
Drawing upon the rich mythology of Ghana, this magical short film combines semi-autobiographical elements from Owusu's life with local folklore to tell the story of a young American woman who returns to West Africa for her father's funeral, only to discover his hidden double identity.

Kwaku Ananse is a traditional West African fable about a being that is part man and part spider, who spends years collecting all the wisdom of the world in a wooden pot. As he tries to hide the pot in a tree, he can't find a way to place it high up in its branches. When his little son, Ntikuma shows him the way, Kwaku Ananse becomes so angered, he throws the pot down onto the ground. It bursts and the wisdom seeps away. Everyone rushes over, hoping to salvage what they can.

Nyan Koronhwea returns to her father Kwaku Ananse's native Ghana for his funeral. They had lost contact with each other a long time ago. She has mixed feelings about her father's double life with one family in Ghana and another in the United States. Overwhelmed by the funeral, she retreats to the spirit world in search for Kwaku Ananse.

Awards
Kwaku Ananse was nominated for a Golden Bear at the Berlin International Film Festival and won the Best Short Film award at the 9th Africa Movie Academy Awards. The film also received a Special Jury Mention at the 2015 Association Cinémas et Cultures d'Afrique in Angers, France.

References

External links

Obibini Pictures LLC
Kwaku Ananse on Kanopy
Grasshopper Film LLC
Film at Lincoln Center
Toronto International Film Festival
Association Cinémas et Cultures d'Afrique

2013 films
Ghanaian short films
American short films
Mexican short films
Best Short Film Africa Movie Academy Award winners


title: ¡Qué buena se puso Lola!

text:
¡Qué buena se puso Lola! (How hot Lola got!) is a Venezuelan telenovela written by José Manuel Peláez and produced by RCTV. It starred Roxana Díaz and Jerónimo Gil, and with the participation of Flavia Gleske antagonistic.

Plot
Dolores Santos Estrella is a simple and devoted nurse working in a modest clinic. Jorge Avellaneda is the best surgeon cosmetic main center of the country. Both have lifestyles very different tastes and opinions. However, fate will unite in marriage shortly after they met. Motivated by his perfectionist spirit, want to make it an ideal beauty and unable to convince her to operate, lied and tricked into surgery leads up into an almost perfect woman, as if he were Dr. Frankenstein. She betrayed and transfigured now fight to reclaim their dreams making Jorge, now hopelessly in love with her, not left him nothing to fight to regain his love, just as everyone says: "¡Qué buena se puso Lola!".

Cast

 Roxana Díaz Burgos as Dolores Estrella Santo
 Jerónimo Gil as Jorge Benavides Avellaneda
 Emma Rabbe as Argelia Leon
 Carlos Olivier as Fernando Estrada
 Roberto Mesutti as Oscar Aguirre
 Flavia Gleske as Dora Fabiana Estrada
 Leonardo Marrero as Amilcar Rincón
 Nacarid Escalona as Luisita Paz
 Sebastián Falco as Celedonio
 Carlos Guillermo Haydon as Julio Bravo
 Amanda Gutiérrez as Casta Benavides
 Juan Carlos Gardié as Romero Santos
 Rosario Prieto as Luz Elena Aguirre
 Luis Gerardo Núñez as Max Rodriguez
 Francis Rueda as Pura Avellaneda
 Haydee Balza as Denisse de la Iglesia
 Gioia Lombardini as Beatriz
 Raquel Castaños  as Elisa Gonzalez de Santos
 Deyalit López as Xiomara Caballero
 Jesus Cervo as Fidias
 Manuel "Coko" Sosa as Romerito Santos
 Susej Vera as Amanda
 Yelena Maciel as Anita
 Lady Dayana Nuñez as Candida Santos
 Emerson Rondon as El Sapo
 Aracelli Prieto as Doña Flor
 Enrique Izquierdo as Comisario Ibarra
 Christian Bronstein as Ender Corredor
 Nathan Bronstein as Efren Corredor
 Ángela Hernández as Sabina
 Christina Dieckmann as Beauty Gift
 Wanda D'Isidoro as Mary Poppins

References

External links

RCTV telenovelas
2004 telenovelas
2004 Venezuelan television series debuts
2004 Venezuelan television series endings
Spanish-language telenovelas
Television shows set in Caracas


title: Gers (disambiguation)

text:
Gers is a department of France.

Gers may also refer to:

Gers (river), in France, tributary of the Garonne
Gers (Schwalm), a river of Hesse, Germany, tributary of the Schwalm
Government Expenditure and Revenue Scotland (GERS), an annual estimate of the Scottish economy
Rangers F.C., nickname Gers, a football club in Glasgow, Scotland

People with the surname
Janick Gers (born 1957), English musician
Felix Gers, professor of computer science at Beuth University Berlin
Ilke Gers (born 1981), retired New Zealand tennis player
Gers Pardoel (born 1981), Dutch rapper

See also
Lac de Gers, Haute-Savoie, France
Ger (disambiguation)


title: Idolatteria simulatrix

text:
Idolatteria simulatrix is a species of moth of the family Tortricidae. It is found in Guatemala.

The wingspan is about 25 mm. The forewings are reddish orange, with a few white scales. There is a series of ten dark reddish-purple costal streaks at the extreme base of the costa. The hindwings are reddish orange, with eight purplish marginal spots.

References

Moths described in 1914
Archipini


title: Ugyen Dorji (footballer)

text:
Ugyen Dorji is a Bhutanese international footballer who currently plays for Transport United. He made his first appearance for the Bhutan national football team in 2011.

References

Bhutanese men's footballers
Bhutan men's international footballers
Transport United FC players
Living people
1992 births
Men's association football forwards


title: Tom James (Welsh footballer)

text:
Thomas Lynn James (born 15 April 1996) is a Welsh professional footballer who plays as a defender for  club Leyton Orient. James has previously played for Cardiff City, Yeovil Town, Hibernian, Wigan Athletic and Salford City.

Early life
James grew up in Taff's Well, attending Gwaelod-y-Garth Primary School and Ysgol Gyfun Garth Olwg, Pontypridd. He was playing for Pentyrch Rangers when talent-spotted by Cardiff City.

Club career
James joined Cardiff City at under-9 level and signed his first professional contract with the club in April 2014. James made his professional debut for Cardiff against Chelsea on 11 May 2014, coming on as an 89th minute substitute for Fraizer Campbell in a 2–1 home loss.

On 13 January 2017, James signed for League Two side Yeovil Town on a contract until the end of the 2016–17 season, after his contract with Cardiff was cancelled by mutual consent. In January 2018 James signed a contract extension with Yeovil Town until the end of the 2018–19 season. On 1 August 2018, Yeovil accepted a bid of £400,000 from Championship side West Bromwich Albion for James. The move fell through the following day after James failed to agree personal terms with the Championship club.

James moved to Scottish Premiership club Hibernian in June 2019 for an undisclosed fee, signing a three-year contract. He scored his first goal for Hibernian in a 2-0 Scottish League Cup win over Alloa Athletic on 20 July 2019. On 17 September 2020, James moved on loan to Wigan Athletic until January 2021. He scored his first goal for Wigan in a 2-1 win away at Portsmouth on 26 September 2020. On 18 January 2021, James moved on loan to Salford City until the end of the 2020–21 season. He was cup-tied for Salford's victory in the 2020 EFL Trophy Final (played in March 2021).

James left Hibernian permanently in July 2021 and signed a one-year contract with Leyton Orient. In May 2022 he signed for a further two years at Orient.

International career
At the end of May 2014, James was called up to the Wales under-19 team for their 2014 UEFA European Under-19 Championship elite round matches against Belgium, Portugal and Greece James made his under-19 debut in a 3–2 defeat to Portugal.

Career statistics

Honours
Leyton Orient

 EFL League Two: 2022–23

References

External links

1996 births
Living people
People from Taff's Well
Footballers from Rhondda Cynon Taf
Welsh men's footballers
Wales men's youth international footballers
Men's association football defenders
Cardiff City F.C. players
Yeovil Town F.C. players
Hibernian F.C. players
Wigan Athletic F.C. players
Salford City F.C. players
Premier League players
English Football League players
Scottish Professional Football League players
Leyton Orient F.C. players


title: The Bride and the Beast (disambiguation)

text:
The Bride and the Beast is a 1958 film by Ed Wood.

The Bride and the Beast may also refer to:

 The Bride and the Beast (novel), by Teresa Medeiros (2001)
 The Bride and the Beast (RiffTrax)


title: Man Bahadur Gurung

text:
Man Bahadur Gurung is a Bhutanese international footballer who last played for Thimphu City. He represented the Bhutan national team between 2011 and 2018.

References

Bhutanese men's footballers
Bhutan men's international footballers
Living people
Men's association football defenders
1993 births
Bhutanese people of Nepalese descent
Gurung people


title: Idolatteria pyropis

text:
Idolatteria pyropis is a species of moth of the family Tortricidae. It is found in Costa Rica.

The wingspan is about 29 mm. The forewings are deep orange, the costa and termen alternately marked with dark purple and yellowish white, the purple assuming a more reddish tinge where it encroaches on the orange ground colour. There is a series of nine costal, one apical and six or seven terminal streaks. The hindwings are reddish orange, spotted with purplish fuscous throughout.

References

Moths described in 1914
Archipini


title: Machete Maidens Unleashed!

text:
Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.

Synopsis
The documentary explores exploitation films made in the Philippines in the 1970s and 1980s with interviews for the documentary include Allan Arkush, Judy Brown, Colleen Camp, Roger Corman, Joe Dante, Pam Grier, Jack Hill, John Landis, Danny Peary, Eddie Romero, Cirio H. Santiago, and Brian Trenchard-Smith.

Interviewees
The actors, directors, screenwriters and producers interviewed for the film were:

Carmen Argenziano
Allan Arkush
Alan Birkinshaw
Judith Brown
Andrea Cagan
Colleen Camp
Steve Carver
Leigh Christian
Marlene Clark
Roger Corman
Joe Dante
Jon Davison
Marissa Delgado
Nick Deocampo
R. Lee Ermey
Leo Fong
Eddie Garcia
Pam Grier
Franco Guerrero
Sid Haig
Gloria Hendry
Jack Hill
Darby Hinton
Mark Holcomb
Lenore Kasdorf
Rosanne Katon
Jayne Kennedy
Leon Isaac Kennedy
Paul Koslo
John Landis
Marrie Lee
Margaret Markov
Jan Merlin
Dick Miller
Christopher Mitchum
Eddie Nicart
Trina Parks
Danny Peary
Efren C. Piñon
Barbara Pokras
Corliss Randall
Susanne Reed
Ricardo Remias
Eddie Romero
Fred Roos
Laurie Rose
Digna Santiago
Jane Schaffer
Samuel M. Sherman
Dean Tavoularis
Pete Tombs
Brian Trenchard-Smith
Joe Viola
Patrick Wayne
Celeste Yarnall
Joseph Zucchero

Films referenced
This is a list of the films that are commented on or analyzed in the voiceover or by the interviewees. The list is in chronological order. The main films referenced in the documentary are:

Terror Is a Man (1959)
Brides of Blood (1968)
The Mad Doctor of Blood Island (1969)
Beast of Blood (1970)
The Losers (1970)
Beast of the Yellow Night (1971)
The Big Doll House (1971)
Women in Cages (1971)
Night of the Cobra Woman (1972)
The Twilight People (1972)
The Hot Box (1972)
The Big Bird Cage (1972)
The Woman Hunt (1972)
Beyond Atlantis (1973)
Black Mama White Mama (1973)
Fly Me (1973)
Savage! (1973)
TNT Jackson (1974)
Savage Sisters (1974)
Cover Girl Models (1975)
Ebony, Ivory & Jade (1976)
Hollywood Boulevard (1976)
The Muthers (1976)
They Call Her Cleopatra Wong (1978)
Vampire Hookers (1978)
Apocalypse Now (1979)
Dynamite Johnson (1979)
Up from the Depths (1979)
Firecracker (1981)
For Y'ur Height Only (1981)
The One-Armed Executioner (1981)
The Impossible Kid (1982)
Invaders of the Lost Gold (1982)
The Siege of Firebase Gloria (1989)

Reception
The film was met with critical acclaim as it has an 88% rating on Rotten Tomatoes.

See also

References

External links

2010 documentary films
2010 films
2010s English-language films
Australian documentary films
Documentary films about the film industry
Films directed by Mark Hartley


title: 1973 Portuguese Mozambican Legislative Assembly election

text:
Elections to a Legislative Assembly were held for the first and only time in Portuguese Mozambique in March 1973.

Background
On 2 May 1972 the Portuguese National Assembly passed the Organic Law for the Overseas Territories, which provided for greater autonomy for overseas territories. Mozambique was to have a 50-member Legislative Assembly, of which 20 would be elected. The remainder would be nominated by public services, religious groups and business groups.

Candidates were required to be Portuguese citizens who had lived in Mozambique for more than three years and be able to read and write Portuguese. Voters were required to be literate. As the Portuguese constitution banned political parties at the time, the majority of candidates were put forward by the ruling People's National Action movement, although some civic associations were allowed to nominate candidates.

Results
Out of a total population of 7,376,000, only 109,171 people registered to vote. Of these, 100,542 voted, giving a voter turnout of 92.1%. Of all the Portuguese colonies holding Legislative Assembly elections, Mozambique was the only one to have a non-white majority of its membership, with 26 of the 50 members being non-white. The 26 non-white members included 18 Africans, three coloureds, three Indians, one Goan and one Chinese.

References

Legislative
Portuguese Mozambique
Elections in Mozambique
Non-partisan elections


title: Braids on a Bald Head

text:
Braids on a Bald Head is a 2010 Nigerian short film directed by Ishaya Bako about the culture of the Hausa people. It won the Best Short Film award at the 8th Africa Movie Academy Awards. Clarence Peters was the cinematographer of the film.

It tells the story of Hauwa, who is a totally submissive Islamic wife, who does whatever her husband tells her to do irrespective of her convenience. Her husband, Musa determines her sexual and financial freedom. On the other hand, Samira is an independent woman, who recently got to lodge within Hauwas' compound. Despite initially being intrigued on the idea that a woman of her age should ideally be in her husband house, Hauwa and Samira began to develop a friendship, until Samira makes it clear with a sudden mouth-to-mouth kiss that she wants a sexual relationship  with Hauwa. Even though Hauwa recognized the act as an abomination, this event and her bonding with Samira gave her the courage stand up to the mistreatment she has been enduring from her husband.

Cast
Mannura Umar as Hauwa
Lucy Ameh as Samira
Johnson Yakubu Sani as Musa
Tina David as Mama Nkechi
Jennifer Igbinovia as Helen
Mopelola Akanbi as Jumoke

Plot
Set in a predominantly Islamic village in Northern Nigeria, the film starts with Hauwa (Mannura Umar) performing the daily Salat. While performing her duties as a wife for her husband, she is confronted by her neighbor, Samira (Lucy Ameh), who questioned her dedication and satisfaction as a housewife. After ignoring Samira through her body language, she leaves the scene then tries to inform her husband, Musa (Johnson Yakubu) of her encounter with Samira. But he rubbished her, saying that she always does not mind her business, and she shouldn't be associating with a woman [Samira], that is neither in her husband or parents house.

After getting to her shop in the morning of the same day, Hauwa and her colleagues began discussing on the happenings in town. Hauwa initiates a talk about Samira, then the conversation ended when one of her friends suggested that she may be a lesbian, hence she isn't living with a man. Some hours past, then Hauwa gets a call to hair-dress one of her customers at home. On her way out of the salon, she meets Samira, who wanted her to fix her hair, Hauwa nearly obliged but her fellow stylists wanted her [Samira] to wait for her turn before being attended to; Hauwa comes to her rescue by defending her, Samira turned down the offer to wait and decided to do hers another time. They both stare at each other for a while, then Hauwa leaves for the home service.

On getting home, she informed her husband that she has gathered enough money to assist them to pay their due rent. Musa accepted her payment without showing any form of appreciation towards her as he was more concerned about his faulty bike. Hauwa goes to Samira's lodge and ask her for extra candles, which she says she doesn't have, she then requests that she assist in loosening her hair, which she later accepted after much plead. As she straightens her hair, they began to bond and discuss about their individual lives and the importance of marriage. One thing led to another, then Samira persuasively kissed Hauwa, who neither stopped or reciprocated the romantic gesture. After she retired, Hauwa left Samira's house describing the act as an "abomination", after Samira told her to leave her husband to stay with her. On getting home, Musa began a quarrel with Hauwa, however, she spoke back at him for the first time, that he is not treating her right, this made Musa to slap her severally.

Later during the day, Musa began to feel guilty and for the first time expressed some form of regret about his action towards her.

See also
 List of Nigerian films of 2010

References

External links
Braids on a Bald Head at the Internet Movie Database
Braids on a Bald Head on YouTube

Hausa-language culture
Best Short Film Africa Movie Academy Award winners
2010 films
Nigerian LGBT-related films
Films directed by Ishaya Bako


title: Australian Aboriginal fibre sculpture

text:
The production of sculptural fibre objects has a long history within Aboriginal Australian culture. Historically, such objects had practical or ceremonial purposes, and some appeared in both contexts. The terms “art” and “craft” are difficult to apply in historical contexts, as they are not originally Aboriginal conceptual divisions. However, in a contemporary context, these objects are now generally regarded as contemporary art whenever they are presented as such. This categorisation is often applied to objects with historically practical or ceremonial applications, as well as a growing category of new fibre forms which have been innovated in the past decades and produced for a fine art market.  The border between Aboriginal fibre sculpture and fibre craft is not clearly delineated, and some works may be regarded as either depending on the context of their display and use.

Traditional Aboriginal fibre sculpture

There are various examples of sculptural fibre works in pre-contact Aboriginal societies. Among the Rembarrnga people of Central Arnhem Land, sculptural fibre objects are a central feature of ceremony. Participants dance with animal figures, which are constructed by binding a core of paperbark or grass with string made from bark or other fibres. Thus a dancer may take on the identity of the Ancestor figure. Djondjon or djawurn-djawurn figures from central and western Arnhem Land have a similar construction, but depict human forms. These were left behind at campsites which people had vacated. A longer or raised arm indicated to others the direction in which the group had gone.

Entry of Aboriginal fibre works into the contemporary art market

Aboriginal fibre works until the later decades of the 20th century were almost universally regarded and marketed as ethnographic or craft items. However various factors, beginning around the 1970s, began to see fibre works enter the fine art market. First among these was the Australian government support for Aboriginal art centres, which increased from around the 1970s. This provided more marketing, feedback and art world exposure to practitioners, which encouraged them to create innovative and ambitious products and exhibit their traditional works in new contexts. Parallel to this, a number of exhibitions and awards began to exhibit fibre works in a fine art context, which helped change public and collector perceptions. These included the exhibitions Maningrida: The Language of Weaving (1989), Spinifex Runner (1999) and Twined Together (2005), as well as awards such as the National Aboriginal & Torres Strait Islander Art Award (NATSIAA). Major galleries such as the Museum of Contemporary Art in Sydney and the Queensland Art Gallery in Brisbane also began to exhibit fibre works within their collections as fine art.

Most Aboriginal fibre artists are women, originally trained in making practical items such as fish traps, baskets, string bags and mats. However many urban Aboriginal artists have been inspired to learn traditional weaving skills, often using innovative materials or translating fibre works into other media such as cast metal and glass.

Development in different communities

Rembarrnga
One of the earliest developments in contemporary Aboriginal fibre art came in 1994, when Kune-speaking artist Lena Yarinkura and her husband Rembarrnga artist Bob Burruwal began innovating with a traditional technique, the binding of paperbark with string or bark fibres. This technique follows that of creating djondjon animal figures for ceremonial use. Their first work, Family Drama (1994) won that year’s Wandjuk Marika Three-Dimensional Award at the  National Aboriginal and Torres Strait Islander Art Award. Yarinkura has gone on to a long and innovative career in fibre sculpture, also experimenting with using fish trap weaving techniques to represent the bodies of spirit beings. Maningrida Arts and Culture (MAC) in Maningrida represents the majority of artists working in this tradition.

Kuninjku

The Kuninjku or Kunwinjku people of western and central Arnhem Land developed their own  forms of fibre sculpture in the early 2000s, typically flat forms based on a frame of Flagellaria indica or Malaisia scandens vines. This frame, which blocks out the basic shapes, is infilled with a knotted mesh of pandanus fibre, often coloured with various natural local dyes. The invention of this artistic form has been attributed to the artist Marina Murdilnga, who based it on the form of traditional fishing nets which employ a triangular wooden frame infilled with string mesh. Her first work in 2003 represented Yawkyawk, a female water spirit in Kuninjku religion. This subject has remained popular, among other spirit figures, Dreaming stories and animal subjects. Works in this tradition are often made at Maningrida Arts and Culture (MAC) in Maningrida and Injalak Arts in Gunbalanya.

Central Desert
In 1995 a number of women's centres across the Central Desert were set up with the help of Thisbe Purich, who introduced the women there to basket coiling techniques. As the central body of the coil could be made from local grasses, this required little in the way of infrastructure or imported materials. Only the loose binding for the coils, typically coloured wool or raffia, needed to be bought. This technique spread quickly, and by 2001 the first known sculptural works were produced. These were created by the artist Kantjupayi Benson, and included an emu followed by a dog and  set of “camp crockery”. In 2005, the large scale work Tjanpi Grass Toyota won the 22nd National Aboriginal & Torres Strait Islander Art Award. Tjanpi Desert Weavers is the best known art centre working in this tradition.

See also
Indigenous Australian art

References

Further reading
Barkley, Glen et al., String Theory: Focus on Contemporary Australian Art (exh. cat.), Museum of Contemporary Art, Sydney, 2013
Keller, Christiane, 'From Baskets to Bodies: Innovation Within Aboriginal Fibre Practice', Craft+Design Enquiry, Issue 2, 2010
West, Margie (ed.), ReCoil: change & exchange in coiled fibre art (exh.cat.), Artback Northern Territory Arts Touring, 2007

Australian art movements
Australian Aboriginal art


title: 1973 Angolan Legislative Assembly election

text:
Elections to a Legislative Assembly were held for the first and only time in Portuguese Angola between 19 and 27 March 1973.

Background
On 2 May 1972 the Portuguese National Assembly passed the Organic Law for the Overseas Territories, which provided for greater autonomy for overseas territories. Angola was to have a 53-member Legislative Assembly, of which 32 would be elected. The remainder would be nominated by public services, religious groups and business groups.

Candidates were required to be Portuguese citizens who had lived in Angola for more than three years and be able to read and write Portuguese. Voters were required to be literate. As the Portuguese constitution banned political parties at the time, the majority of candidates were put forward by the ruling People's National Action movement, although some civic associations were allowed to nominate candidates.

Results
Out of a total population of 5,673,046, only 584,000 people registered to vote. Voter turnout was 85.6%. The elected members included 29 whites and 24 blacks.

References

Legislative
Angola
Parliamentary elections in Angola
Non-partisan elections
Election and referendum articles with incomplete results


title: 1973 Portuguese Cape Verdean Legislative Assembly election

text:
Elections to a Legislative Assembly were held for the first and only time in Portuguese Cape Verde in March 1973.

Background
On 2 May 1972 the Portuguese National Assembly passed the Organic Law for the Overseas Territories, which provided for greater autonomy for overseas territories. Cape Verde was to have a 21-member Legislative Assembly.

Candidates were required to be Portuguese citizens who had lived in Cape Verde for more than three years and be able to read and write Portuguese. Voters were required to be literate. As the Portuguese constitution banned political parties at the time, the majority of candidates were put forward by the ruling People's National Action movement, although some civic associations were allowed to nominate candidates.

Results
Out of a total population of 272,071, only 25,521 people registered to vote. A total of 20,942 people voted, giving a voter turnout of 82.1%.

References

Legislative
Portuguese Cape
Elections in Cape Verde
Non-partisan elections
Election and referendum articles with incomplete results


title: Josep Ferrer i Bujons

text:
Josep Ferrer i Bujons (born in Sant Martí de Maçana, Rubió, 12 May 1959) is a Catalan linguist, author, poet and professor graduate in Catalan Philology. He has written five books, of which the first four are compilations of poems.

Ferrer has been corrector and editor of the weekly local newspaper La Veu de l'Anoia and he also has collaborated in the Anoia edition of Regió 7, another Catalan local newspaper. He has also been professor of Catalan language and literature in some high schools of Secondary education in Central Catalonia. Likewise, Ferrer is a co-founder of the magazine Revista d'Igualada (2nd period). Ferrer has also published several opinion articles in a local digital newspaper, Anoiadiari.cat. Nowadays, he works as a corrector at the Catalan language edition of El Periódico de Catalunya, the best-selling newspaper in Catalonia.

Regarding writing, Ferrer published four books of poems the decades of the 1980s and 1990s and a novel in 1999. Also he obtained a prize in 1987, for Les fulles de la tardor (The leaves of Autumn), prize conceded in the city of Igualada.

References

External links
 Josep Ferrer Bujons in Qui és Qui de les Lletres Catalanes

1959 births
Living people


title: Aldabra fody

text:
The Aldabra fody (Foudia aldabrana) is a passerine bird in the family Ploceidae. It is endemic to Aldabra Island in the Indian Ocean.

Until recently it was treated as conspecific with the Comoros fody (Foudia eminentissima).
The species is monotypic.

References

Aldabrafody
Aldabra fody
Taxa named by Robert Ridgway
Birds of Seychelles
Endemic fauna of Seychelles


title: Isochorista chaodes

text:
Isochorista chaodes is a species of moth of the family Tortricidae. It is found in Australia, where it has been recorded from Tasmania and the Australian Capital Territory. The habitat consists of tall wet eucalypt forests and open forests.

The wingspan is about 13 mm.

The larvae feed on Eucalyptus species, skeletonising the undersides of the dead leaves.

References

Moths described in 1910
Archipini


title: Rostock–Rostock Seehafen Nord railway

text:
The Rostock–Rostock Seehafen Nord railway was opened in the early 1960s from the newly built port then called Rostock Überseehafen (later Rostock Seehafen and officially called Rostock Port in English) on the Breitling in the northeast of the city of Rostock in the German state of Mecklenburg-Vorpommern. The Rostock Seehafen station yard, which is seven kilometres long, is one of the most important freight nodes in Mecklenburg-Vorpommern. A single-track electrified main line, the Kavelstorf–Rostock Seehafen railway, connects the Seehafen yard with the railway towards Berlin.

History

The importance of Rostock as a port significantly increased in the 1950s, partly as a result of the division of Germany. The harbour in the old city with its quayside railway was no longer able to handle the required level of traffic. A new international port was built in the north-east of the city on the shore of the Breitling and inaugurated in 1960. The construction of a railway connection to it became a central Jugendobjekt (“youth project”, intended to be carried out by youth brigades that were organised by the Free German Youth) called the Hafenbahn ("port railway"). An initially temporary track was laid down in 1958-59 to the port area via Rostock Dierkow and an extension was built that branches from the Stralsund–Rostock railway west of Bentwisch and is part of the current route. The first phase of the port and the port railway went into operation on 30 April 1960.

In the following years, the network was slowly but steadily expanded and the result was one of the largest railway yards in East Germany, with 240 kilometres of track in 1987. The connecting curve towards Bentwisch was opened in 1963. On 31 May 1964, a direct link was opened towards Kavelstorf on the line to Berlin, which had reopened a few years before. The construction of the line was difficult because of topographical conditions. The embankment rose to a height of up to 24 metres above ground level and 1.5 million cubic metres of earth and about 150,000 cubic metres of peat were moved.

Rail electrification train was taken into operation on 23 November 1985. A record 20 million tonnes of freight was handled at the port in 1989. 95% of it was transported by rail.

After reunification, a large part of the former freight traffic shifted to road. Nevertheless, Rostock Seehafen station remained of great importance for the formation of freight trains. In addition to DB Schenker Rail, private railways also use  its facilities. In 2005-2007, a large proportion of the tracks were renewed. In 2007, about 20 percent of the freight volume from the port was handled by rail and it was rising again.

Passengers

In 1959, a temporary platform was established for commuter traffic, which was replaced in 1969 by the new Überseehafen Nord station (called Seehafen Nord since 1983). In 1968–69, seven pairs of services ran on weekdays and six and five pairs on Saturdays and Sundays to Rostock Hauptbahnhof. With the growth of new residential areas in the north-west of the city, the service was gradually expanded. In 1989, 16 pairs of trains operated daily, three of them on Monday to Friday only. From 1988, the service to Seehafen Nord was officially considered part of the Rostock S-Bahn, which had been established in 1975, and almost all trains now continued on the line to Warnemünde.

The two intermediate stations, Rostock Überseehafen Mitte and Süd were renamed in the early 1970s as Rostock-Toitenwinkel and Dierkow West, but the latter closed a few years later. In 1983, Dierkow station was re-opened just east of the previous station and this was followed by new stations at Hinrichsdorfer Straße in 1988 and Kassebohm in 1990 on the section shared with the line from Stralsund.

In the 1990s, the service has been gradually harmonised with the closing of several existing gaps in the hourly schedule in the morning and provided additional services during the peak hour. After that, services ran approximate hourly. In 2002, the operation of the trains between Rostock Hauptbahnhof and Warnemünde was abandoned due to lower demand. After that time, the S-Bahn services were operated with diesel railcars between the Hauptbahnhof and Seehafen Nord. Officially the reason given for the operation of this rollingstock was that it would continue to the port, providing a direct connection with the terminal of the Scandinavian ferries. This extension never happened.

A curiosity was Rostock Seehafen Bahnbetriebswerk station, which was not shown in the public timetable. The S-Bahn trains stopped there until then end of the service if needed for the workers in the locomotive depot.

Originally it was planned that from December 2012, after of the reorganisation and expansion of the Rostock S-Bahn, the new S4 line would operate from Rostock Seehafen Nord via Rostock Hbf to Warnemünde. In the spring of 2012, it was announced that the Ministry of Energy, Infrastructure and Regional Development of Mecklenburg-Vorpommern had cancelled the rail passenger services to Rostock Seehafen from the timetable change in 2012 due to the massive losses on the route. The Rostock City Council contradicted this and argued for an extension of the S-Bahn to the ferry terminal at the port. This was again rejected by the Ministry. So the cancellation went ahead and, on 8 December 2012, the last S-Bahn services ran to the port.

In addition to the S-Bahn, there were occasional services with car-carrying trains to Seehafen Nord station (including the AZ 1472 service towards Sassnitz ferry port).

Route

The single-track, electrified link from the line from Berlin branches in Kavelstorf and extends northward. It crosses the valley of the Kösterbeck on a high bridge and then crosses the Rostock–Tessin railway. It runs in a cutting on the eastern edge of Rostock Brinckmansdorf and crosses the Stralsund line to the west of Bentwisch.

The line from Rostock port originally branched at Cassebohm junction (not identical to the current Kassebohm station) from the Rostock–Stralsund railway and ran for several kilometres next to the Stralsund line. The junction has since been moved further towards Bentwisch. Trains from the Schwerin line can reach the Stralsund line or the port directly via a connecting curve between the junctions at Dalwitzhof and Warnowbrücke, without having to pass through Rostock Hauptbahnhof.

The tracks from Rostock and Kavelstorf and a connection from the line from Stralsund meet at Rostock Seehafen Süd junction. This is the beginning of the extensive facilities of the Rostock Seehafen yard, which extend for more than seven kilometres to the northwest. There are no roads crossing the freight yard between the B 105 and the port area, except for the resort road to Graal-Müritz.

The route of the former S-Bahn line ran along the southwestern edge of the freight yard next to the housing estates of Dierkow and Toitenwinkel, which were developed in the 1980s. The S-Bahn stops of Dierkow, Hinrichsdorfer Straße, Toitenwinkel and Seehafen Nord were operated as part of Rostock Seehafen station.  The actual port area, which was fenced off during East German times and was not accessible to the public, begins at the northwestern end of the line. The terminus of the line at Rostock Seehafen Nord had two platform tracks, only one of which was used at the end of services. The tracks to the terminals in the various sectors of the port separate from the passenger line before Seehafen Nord. The longest siding of five kilometres runs to the east towards the industrial area of Hinrichsdorf.

Notes

References

Rostock PortRailway
PortRailway
PortRailway


title: 1973 São Toméan Legislative Assembly election

text:
Elections to a Legislative Assembly were held for the first and only time in Portuguese São Tomé and Príncipe in March 1973.

Background
On 2 May 1972 the Portuguese National Assembly passed the Organic Law for the Overseas Territories, which provided for greater autonomy for overseas territories. São Tomé and Príncipe was to have a 16-member Legislative Assembly.

Candidates were required to be Portuguese citizens who had lived in São Tomé and Príncipe for more than three years and be literate in Portuguese. As the Portuguese constitution banned political parties at the time, the majority of candidates were put forward by the ruling People's National Action movement, although some civic associations were allowed to nominate candidates.

Results
Out of a total population of 73,811, only 5,881 people registered to vote. A total of 4,781 people voted, giving a voter turnout of 81.2%.

References

Legislative
Sao Tome
Parliamentary elections in São Tomé and Príncipe
Non-partisan elections
Sao Tome


title: Isochorista encotodes

text:
Isochorista encotodes is a species of moth of the family Tortricidae. It is found in Australia, where it has been recorded from Tasmania and the Australian Capital Territory. The habitat consists of tall wet eucalypt forests.

The wingspan is about 12.5 mm.

References

Moths described in 1910
Archipini


title: Isochorista helota

text:
Isochorista helota is a species of moth of the family Tortricidae. It is found in Australia, where it has been recorded from New South Wales, Victoria and Tasmania. The habitat consists of tall wet eucalypt forests.

The wingspan is about 10 mm.

References

Moths described in 1910
Archipini


title: Wiswall Falls Mills Site

text:
The Wiswall Falls Mill Site (site 27-ST-38) is a historic archaeological industrial site in Durham, New Hampshire.  It is located in John Hatch Park, a small public park just south of Wiswall Road on the eastern bank of the Lamprey River.  The  site encompasses the remains of a small 19th-century mill complex that was one of Durham's major industrial sites of the 19th century until it burned in 1883.  The site, which includes remains of the waterworks and foundations, was listed on the National Register of Historic Places in 1988.

Description and history
The Wiswall Falls Mill Site is set in what is now a remote rural setting in western Durham.  The main features of the site are the foundational remnants of a sawmill, paper mill, dam, power canal, and a variety of ancillary structures.  Its most prominent features are a concrete dam, built in 1912 across the Lamprey River, and a stone-lined power canal, now partially filled in, that created a small island on the east side of the river.  Just north of the present dam are the submerged remnants of a timber crib dam dating to 1835.  Visible on either side of the former power canal are foundational remains of various structures.

Significant industrial activity began here in 1835, when Moses Wiggin built the timber crib dam and erected a sawmill.  The power canal and paper mill were built in 1854 by Thomas Wiswall.  The paper mill burned in 1883, and the sawmill was abandoned and eventually demolished after flooding breached the dam in the 1890s.  The Wiswall Mill was Durham's major industrial site, other mills operating on a significantly smaller scale.  The town's economy suffered generally during the second half of the 19th century, due in part to the routing of railroad infrastructure away from the village center and other potential industrial sites.

The site was adapted in 1900 for the production of hydroelectric power.  This included the construction in 1912 of the present concrete dam, which was done to increase the site's generating capacity.  The hydropower facility was abandoned in the 1940s, and the impoundment created by the dam was later used by the town as part of its water supply.  The town acquired the property in 1967, and has landscaped it to present some of the architectural remnants of the mills which operated here.

See also
National Register of Historic Places listings in Strafford County, New Hampshire

References

Archaeological sites on the National Register of Historic Places in New Hampshire
Buildings and structures in Durham, New Hampshire
National Register of Historic Places in Strafford County, New Hampshire


title: Anthony Jackson-Hamel

text:
Anthony Jackson-Hamel (born August 3, 1993) is a Canadian soccer player who most recently played as a forward for the Montreal Impact in Major League Soccer.

Professional

Club

Montreal Impact
Jackson-Hamel began playing in 2010 with the Montreal Impact Academy in the Canadian Soccer League. In 2014 he played with the USL PDL club Montreal Impact U23, where he netted 4 goals in 6 appearances.

He signed his first professional contract with the Montreal Impact on August 1, 2014. He made his debut as a 65th-minute substitute during a 0–2 loss to Toronto FC on August 2, 2014. He started his first MLS game on the 13th of September 2014 against New England Revolution. Jackson-Hamel was selected to participate at the 2015 Chipotle Homegrown Game against Club América U-20 as part of the 2015 MLS All-Star Game festivities. He scored his first goal for the Impact against the New York Red Bulls in a 3–0 victory on March 13, 2016.

In April 2017, there was speculation that Jackson-Hamel would be released by the Impact. Amongst this speculation, Jackson-Hamel scored 3 goals in 37 minutes to start the 2017 season, including a backheel in stoppage time to defeat Atlanta United, and 2 goals against Philadelphia Union. After a difficult 2018 season, where Jackson-Hamel only managed two goals and was dropped mid-season by Montreal coach Rémi Garde, the coach confirmed the club were actively shopping the striker. At the end of the 2020 season, Jackson-Hamel would be released by the Impact, ending his time at the club after seven seasons.

International
Jackson-Hamel was born in Canada to a Dominican father and Quebecois mother. He has represented Canada at youth level and was a part of the team that played at the 2013 CONCACAF U-20 Championship.

He received his first call-up to the Canada national team in October 2016 for a pair of friendlies in Morocco. He subsequently made his debut for Canada on October 6, 2016 against Mauritania, coming on as a substitute in the 69th minute. Jackson-Hamel scored his first goal for Canada against Bermuda on January 22, 2017.

International goals

Scores and results list Canada's goal tally first.

Honours

Club

Montreal Impact
 Canadian Championship: 2019

Career statistics

Club

References

External links
Anthony Jackson-Hamel Fútbol en Fútbol Dominicano. Net

Du gazon de Limoilou à la MLS
À l'extérieur de la glace… avec Anthony Jackson-Hamel

1993 births
Living people
Sportspeople from Quebec City
Black Canadian men's soccer players
Canadian people of Dominican Republic descent
Sportspeople of Dominican Republic descent
Canadian people of French descent
French Quebecers
Canadian men's soccer players
Soccer people from Quebec
Men's association football forwards
Canadian Soccer League (1998–present) players
CF Montréal U23 players
CF Montréal players
FC Montreal players
USL League Two players
Major League Soccer players
USL Championship players
Canada men's youth international soccer players
Canada men's under-23 international soccer players
Canada men's international soccer players
2017 CONCACAF Gold Cup players
Homegrown Players (MLS)


title: Seine-et-Marne's 3rd constituency

text:
The 3rd constituency of Seine-et-Marne is a French legislative constituency in the Seine-et-Marne département.

Description

The 3rd constituency of Seine-et-Marne lies in the south east of the department.

Deputies

Election results

2022

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2017

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2012

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2007

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2002

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1997

References

Sources

3


title: Coign and livery

text:
Coign and livery or coyne and livery () in Gaelic Ireland was the free entertainment which a chief exacted from his subjects for his servants and followers. Originally in Brehon law it took the form of a feast held when the chief passed through a subject's lands. By the late medieval period it was often an oppressive charge to billet and supply the chief's professional soldiers (kern and gallowglasses), enforced by those same soldiers. It was the most important of the exactions which lesser chiefs resented of their superiors. The surrender and regrant and composition imposed by the English during the Tudor conquest of Ireland sought to abolish Gaelic customs of chiefship and replace all exactions with a single rent charged on land holdings. This was accordingly supported by the lesser chiefs, but opposed by the over chiefs such as Gerald FitzGerald, 11th Earl of Kildare.

See also
 Purveyance, English equivalent
 Quartering Acts, requiring American colonies to billet British soldiers; one of the grievances that led to the American Revolution

References

Eating parties
Real property law
Eminent domain
Early Irish law


title: 2014–15 Magyar Kupa

text:
The 2014–15 Magyar Kupa (English: Hungarian Cup) was the 75th season of Hungary's annual knock-out cup football competition. It started with the first match of the first round on 7 August 2014 and  ended with the final held in May 2015 at Ferenc Puskás Stadium, Budapest. Újpest are the defending champions, having won their ninth cup competition last season. The winner of the competition will qualify for the second qualifying round of the 2015–16 UEFA Europa League.

Round of 128
Matches were played on 7, 9, 10, 12, & 13 August 2014 and involved the teams qualified through the local cup competitions during the previous season, Nemzeti Bajnokság III, Nemzeti Bajnokság II, and the Nemzeti Bajnokság I teams.

|-
| colspan="3" style="background:#fcc;"|7 August 2014

|-
| colspan="3" style="background:#fcc;"|9 August 2014

|-
| colspan="3" style="background:#fcc;"|10 August 2014

|-
| colspan="3" style="background:#fcc;"|12 August 2014

|-
| colspan="3" style="background:#fcc;"|13 August 2014

|-
| colspan="3" style="background:#fcc;"|27 August 2014

|}

Round of 64

|-
| colspan="3" style="background:#fcc;"|2 September 2014

|-
| colspan="3" style="background:#fcc;"|9 September 2014

|-
| colspan="3" style="background:#fcc;"|10 September 2014

|}

Round of 32

|-
| colspan="3" style="background:#fcc;"|23 September 2014

|-
| colspan="3" style="background:#fcc;"|24 September 2014

|}

Round of 16

|-
| colspan="3" style="background:#fcc;"|28 October 2014

|-
| colspan="3" style="background:#fcc;"|29 October 2014

|}

Quarter-finals

First leg

Second leg

Semi-finals

First leg

Second leg

Final

See also
 2014–15 Nemzeti Bajnokság I
 2014–15 Nemzeti Bajnokság II
 2014–15 Ligakupa

References

External links
 Official site
 soccerway.com

2014–15 in Hungarian football
2014–15 European domestic association football cups
2014-15


title: Isochorista panaeolana

text:
Isochorista panaeolana is a species of moth of the family Tortricidae. It is found in Australia, where it has been recorded from New South Wales, the Australian Capital Territory and Tasmania. The habitat consists of wet eucalypt forests and open dry eucalypt forests.

The wingspan is about 11 mm.

The larvae feed on Eucalyptus species, joining dead leaves on the ground.

References

Moths described in 1881
Archipini


title: Music Everywhere

text:
"Music Everywhere" is a song by Finnish singer Anna Abreu from her third studio album, Just a Pretty Face? (2009). Rauli Eskolin (known professionally as Rake) co-wrote the song with Patric Sarin and Eva Peijakas. Eskolin, who has previously worked on Abreu's first two albums Anna Abreu and Now, also produced the song. "Music Everywhere" is a Pop song which continued Abreu's move into dance-inspired music, with its Electro and Eurodance elements. The song was released on 10 August 2009 in Finland, as the album's lead single.

Lyrical content
"Music Everywhere" in an up-tempo dance-pop song that celebrate Abreu's love for music and the joy and excitement that it brings her and others. Abreu sings that she finds 'salvation' in music (including her own) being 'on heavy rotation', and that when 'music is everywhere' then life is much more exciting and positive. The final verse of the song also reflects upon Abreu's strong beliefs in her own musical direction and that she will not change simply to please the 'suits', stating that she 'won't budge', finally ending with the statement 'I am who I am and that's more than enough'.

Chart performance
"Music Everywhere" initially debuted at number four on the Finnish Top 20 Singles Chart, before moving up to number two in its sixth week weeks later, becoming Abreu's fourth top ten hit and her third top five hit. It remained on the chart for twenty-three weeks. To date, it is Abreu's longest-running single on the chart. "Music Everywhere" also reached number six on the Finnish Download Chart and number four on the Airplay Chart.

Music video
The music video for "Music Everywhere" was directed by Mikko Harma, and was shot mainly at Helsinki airport. The video begins with Abreu, wearing a dressing gown and slippers, exiting a camper van and entering the airport hangar, where stylists begin to make her over. This is filmed in greyscale, which changes to full colour when the song's chorus begins. Abreu is then seen singing and dancing in an empty airport hangar. This is interspersed with shots of her riding a motorcycle and dancing in both a limousine and on the airport runway. Abreu then appears wearing the blue and gold dress from the cover art of Just a Pretty Face?, dancing and swining in a circular trapeze, which can also been as part of the photography inside the album sleeve.

Live performances
Abreu performed the song on television at the 2009 Finnish version of Children In Need, wearing the blue and gold dress seen in the music video and the Just a Pretty Face? album cover. It has since become Abreau's fourth most performed song when on tour.

Track listing
"Music Everywhere" – 3:16

Credits and personnel

Songwriting – Patric Sarin, Rauli Eskolin, Eva Peijakas
Production - Rauli Eskolin
Engineering - Rauli Eskolin (at Inkfish Studios: Helsinki, Finland)
Instruments - Rauli Eskolin

Lead vocals - Anna Abreu
Backing vocals - Anna Abreu
Mixing - Rauli Eskolin

Release history

References

2009 singles
2009 songs
Anna Abreu songs
RCA Records singles
Songs written by Patric Sarin
Songs written by Rauli Eskolin


title: Prime avoidance lemma

text:
In algebra, the prime avoidance lemma says that if an ideal I in a commutative ring R is contained in a union of finitely many prime ideals Pi's, then it is contained in Pi for some i.

There are many variations of the lemma (cf. Hochster); for example, if the ring R contains an infinite field or a finite field of sufficiently large cardinality, then the statement follows from a fact in linear algebra that a vector space over an infinite field or a finite field of large cardinality is not a finite union of its proper vector subspaces.

Statement and proof
The following statement and argument are perhaps the most standard.

Statement: Let E be a subset of R that is an additive subgroup of R and is multiplicatively closed. Let  be ideals such that  are prime ideals for . If E is not contained in any of 's, then E is not contained in the union .

Proof by induction on n: The idea is to find an element that is in E and not in any of 's. The basic case n = 1 is trivial. Next suppose n ≥ 2. For each i, choose

where the set on the right is nonempty by inductive hypothesis. We can assume  for all i; otherwise, some  avoids  all the 's and we are done. Put
.
Then z is in E but not in any of 's. Indeed, if z is in  for some , then  is in , a contradiction. Suppose z is in . Then   is in . If n is 2, we are done. If n > 2, then, since  is a prime ideal, some  is in , a contradiction.

E. Davis' prime avoidance
There is the following variant of prime avoidance due to E. Davis.

Proof: We argue by induction on r. Without loss of generality, we can assume there is no inclusion relation between the 's; since otherwise we can use the inductive hypothesis.

Also, if  for each i, then we are done; thus, without loss of generality, we can assume . By inductive hypothesis, we find a y in J such that . If  is not in , we are done. Otherwise, note that  (since ) and since  is a prime ideal, we have:
.
Hence, we can choose  in  that is not in . Then, since , the element  has the required property.

Application
Let A be a Noetherian ring, I an ideal generated by n elements and M a finite A-module such that . Also, let  = the maximal length of M-regular sequences in I = the length of every maximal M-regular sequence in I. Then ; this estimate can be shown using the above prime avoidance as follows. We argue by induction on n. Let  be the set of associated primes of M. If , then  for each i. If , then, by prime avoidance, we can choose

for some  in  such that  = the set of zerodivisors on M. Now,  is an ideal of  generated by  elements and so, by inductive hypothesis, . The claim now follows.

Notes

References
Mel Hochster, Dimension theory and systems of parameters, a supplementary note

Algebra


title: Julian Patterson

text:
Rear Admiral Julian Francis Chichester Patterson OBE (1884–1972) was a senior Royal Navy officer.

Naval career
Born on 6 May 1884, he was the son of the Rev. Julian Edward Chichester Patterson, rector of Pitchford, married in 1883 to Frances Alice Gordon, daughter of William Francis Gordon, mayor of Lichfield in 1880.

Julian Patterson was educated at Bedford School and at Britannia Royal Naval College. He received his first commission in the Royal Navy in 1904 and served in the Royal Navy during the First World War, serving at the Battle of Jutland in 1916. Between April 1931 and August 1932 he commanded HMS Hood, flagship of the Royal Navy's Battle Cruiser Squadron

Rear Admiral Julian Patterson retired from the Royal Navy in 1933. He died on 23 June 1972.

References

1884 births
1972 deaths
People educated at Bedford School
Royal Navy rear admirals
Royal Navy personnel of World War I
Officers of the Order of the British Empire


title: Ballybrit

text:
Ballybrit () is an electoral division and townland in the civil parish of St. Nicholas, on the outskirts of Galway city in Ireland. The townland of Ballybrit is  in area, and is home to Ballybrit Racecourse and a business park. Evidence of ancient settlement in the area includes a medieval tower house and an earlier ringfort site. The ringfort (or cashel) was used as a graveyard since at least the early 19th century.

See also
 List of townlands of County Galway

References

Townlands of County Galway


title: Car Collection of Rainier III, Prince of Monaco

text:
The Exhibition of HSH The Prince of Monaco's Car Collection is an automobile museum in the La Condamine district of Monaco.

The cars were the personal collection of Prince Rainier III of Monaco (1923–2005), and assembled over a thirty-year period. The collection contains almost one hundred classic cars made in Europe and the United States. Notable cars in the collection include the Bugatti Type 35 driven by William Grover-Williams that won the inaugural Monaco Grand Prix in 1929, and Sébastien Loeb's Citroën DS3 WRC, which he drove to victory in the 2013 Monte Carlo Rally. 38 cars from the collection were put up for auction in 2012 due to Prince Albert II's desire to re-organise and expand the collection.

The cars are displayed over five levels in a specially constructed space in the Terrasses de Fontvieille, and the museum is open daily from 10am to 6pm, excluding Christmas Day and New Year's Day.

Gallery

See also

 List of museums in Monaco

References

Automotive museums
La Condamine
Museums in Monaco


title: Woodbury Mill

text:
The Woodbury Mill is a historic mill building at 1 Dover Street in Dover, New Hampshire.  This five-story utilitarian brick mill building was built in 1885 by the Dover Improvement Association as a factory space for small footwear manufacturers to operate in, representing an organized effort by city businessmen to attract this type of business.  It was used for shoe manufacturing until 1979, and was listed on the National Register of Historic Places in 2013.

Description and history
The Woodbury Mill building is located just north of downtown Dover, on the south side of Dover Street in what is essentially a residential area.  It is five stories in height, 29 bays long and five wide, with a central brick firewall dividing the building into two roughly equal-size parts.  Each part had an entrance near the center, one of which has since been filled in.  Windows are set in segmented-arch openings and have wooden sills.  The interior as originally built features exposed brick walls, wooden floors, and heavy post-and-beam construction.

Dover's 19th-century economic success was primarily due to the development of textile mills along the Cocheco River, with shoemaking little more than a cottage industry.  The Dover Improvement Association was formed in 1885 by local businessmen to capitalize on improvements in shoemaking technology and bring a more organized approach to that industry into the city.  This mill was built in the same year, on six house lots previously subdivided by John Ham, and was one of two mills the association would build.  The Woodbury Brothers were one of its first tenants, occupying about half the space in the building.  They would operate on the premises, employing as many as 250 workers, until 1894.  The building continued to be used for shoe-related manufacturing, under a variety of owners and occupants, until 1979.

See also
Queensbury Mill: another historic shoe factory in New Hampshire.
National Register of Historic Places listings in Strafford County, New Hampshire

References

Industrial buildings and structures on the National Register of Historic Places in New Hampshire
Buildings and structures in Dover, New Hampshire
National Register of Historic Places in Strafford County, New Hampshire
Shoe factories


title: Isochorista acrodesma

text:
Isochorista acrodesma is a species of moth of the family Tortricidae. It is found in Australia, where it has been recorded from New South Wales.

The wingspan is 12–15 mm. The forewings are light ashy-grey, mixed with whitish. There are about ten striae (lines) consisting of mixed black and ochreous scales. The hindwings are grey. Adults have been recorded on wing in September and October.

References

Moths described in 1902
Archipini