title: Clockwork (Easton Corbin song)

text:
"Clockwork" is a song written by Carson Chamberlain, Ashley Gorley, and Wade Kirby and recorded by American country music artist Easton Corbin.  It was released in January 2014 as the lead single from Corbin's album About to Get Real. The same three writers of this song (Wade Kirby, Carson Chamberlain, and Ashley Gorley) are the same team behind his previous Top 5 hit "All Over the Road".

Content
When asked about the song Corbin stated, “I’m very, VERY excited to have new music out now for my fans. I’m excited especially to release a song like ‘Clockwork...’‘Clockwork’ is a good reflection of my country roots and it shows that I’m growing as an artist. I think when my fans hear this song they will get a good taste of how my upcoming album is going to be.”

Critical reception
Matt Bjorke of Roughstock rated Clockwork 3.5 stars. He states, "as far as lead singles from upcoming albums go, “Clockwork” is the kind of song which SHOULD do well at radio. It has the contemporary melody —there’s even audible steel guitar fills — and a solid vocal from Easton Corbin."

Music video
The music video was directed by Shaun Silva and premiered in April 2014. It shows Corbin driving his truck through Downtown Nashville one night to get home to his lover, who is there and misses him. Once he does, they are seen having sex together in bed. However outside, another woman (Corbin's real lover) is seen walking home to see him. Corbin and the first woman are then seen at a bar (a prequel to the earlier scene) before in the end, she ends up leaving just as the other woman is coming in. The second woman arrives on the elevator, only to be greeted by the first woman. After glancing eyes, the second woman leaves immediately, leaving Corbin (who is seen throughout performing the song while sitting on a couch) shameful.

Chart performance

The song entered the Hot Country Songs chart at No. 41 on its week of release (chart week February 15, 2014). It also appeared on the Country Airplay chart at No. 54 the same week.  The song has sold 108,000 copies in the U.S. as of June 2014. It also debuted at number 24 on the U.S. Billboard Bubbling Under Hot 100 Singles chart for the week of July 12, 2014. On the week of July 19, 2014, it peaked at number 32 on Country Airplay chart, becoming Corbin's first single to miss the top 30.

Year-end charts

References

2014 singles
Easton Corbin songs
2014 songs
Songs written by Carson Chamberlain
Songs written by Ashley Gorley
Songs written by Wade Kirby
Mercury Records singles
Song recordings produced by Carson Chamberlain
Music videos directed by Shaun Silva


title: Bethlehem Progressive Baptist Church

text:
Bethlehem Progressive Baptist Church was a historic church founded for African Americans in Brooksville, Florida. It was built in 1861 at 661 South Brooksville Avenue. Fort Taylor Cemetery served the community. The church's historical site is a stop on the Florida Black Heritage Trail. Bethlehem Baptist Church is now at the site.

See also
Arthur St. Clair (Brooksville, Florida)

References

Churches in Hernando County, Florida
Brooksville, Florida
Churches completed in 1861
1861 establishments in Florida


title: Wahsudan ibn Muhammad

text:
Wahsudan ibn Muhammad (died 967) was the Sallarid ruler of Daylam (941/2–967). He was the son of Muhammad bin Musafir, the ruler of Tarum.

Conquest of Azerbaijan

In 941 Wahsudan and his brother Marzuban ibn Muhammad, with the tacit approval of their mother, deposed and imprisoned their father Muhammad, whose harsh governance had alienated many of his subjects. Wahsudan replaced Muhammad as the ruler of Tarum. Muhammad, however, was approached by Abu'l-Qasim Ja'far b. 'Ali, the vizier of the ruler of Azerbaijan, Daisam. Ja'far, who had fled Azerbaijan, offered Marzuban the chance to overthrow his master and take over the administration of the province. Ja'far, Marzuban and Wahsudan were all Isma'ilis, perhaps explaining Ja'far's decision to turn to them. In any case, Marzuban agreed and invaded Azerbaijan. Daisam's Dailamite troops defected to the Sallarid and Marzuban was able to occupy Ardebil and Tabriz, while Daisam fled to the Ardzrunids of Vaspurakan.

Although Marzuban made Ja'far his vizier, the latter began to fear for his position. He went to Tabriz and invited Daisam to come there, then killed the Dailamite leaders of the city. Daisam returned and gained the allegiance of the Kurds, who were unhappy with Marzuban's administration. Marzuban and his Dailamites, however, defeated them and laid siege to Tabriz. He convinced Ja'far to leave Daisam's side; Ja'far was stripped of his position as vizier, although he was later reinstated. Daisam and his followers, however, managed to escape from Tabriz before it fell and made their way to Ardebil. Marzuban, with aid from his brother Wahsudan, besieged the town. He bribed Daisam's vizier to convince him to surrender, which he did in 942 or 943. Daisam was allowed to take charge of Marzuban's castle in Tarum. The people of Ardebil, however, were punished for their treason; a heavy tribute was forced upon them and they had to dismantle the town wall.

War against the Buyids and Kurdish tribes

In around 948 Marzuban, angered by an insult his envoy had received from the Buyid amir of Jibal, Rukn al-Dawla, decided to take the city of Ray as punishment. Rukn al-Dawla managed to delay Marzuban's campaign through diplomatic means, giving him time to gather reinforcements from his brothers. At Qazvin Marzuban's army was defeated and he was captured.

The Dailamite officers who had managed to escape from the battle at Qazvin decided to rally around Marzuban's father Muhammad, who was still in prison. They released him and occupied Ardebil, but Muhammad soon alienated them and was forced to flee to Tarum. Wahsudan imprisoned him and sent Daisam to Azerbaijan, in the hopes that he could aid the sons of Marzuban against an army sent by Rukn al-Dawla and led by Abu Mansur Muhammad. The latter soon decided to withdraw, allowing Daisam to take over Azerbaijan. This momentary weakness in the central administration allowed the Rawadids and Shaddadids to take control of the areas to the northeast of Tabriz and Dvin, respectively.

In 953, Marzuban escaped from prison and sent an army to remove Daisam from power. The Sallarid army defeated him near Ardebil and forced him to flee to Armenia. In 954/5 Marzuban made peace with Rukn al-Dawla, who married his daughter. He also reestablished his rule in other parts of Azerbaijan. He expelled the Shaddadids from Dvin; the Rawadids kept their territory but were forced to pay tribute.

Struggle for supremacy and death
Wahsudan had been designated by his brother Marzuban as his successor. When Wahsudan came to Azerbaijan, however, the commanders of the fortresses refused to surrender to him, recognizing instead Marzuban's son Justan I ibn Marzuban I as his successor. Unable to establish his rule in the province, Wahsudan returned to Tarum; Justan was recognized as ruler in Azerbaijan, with his brother Ibrahim I ibn Marzuban I made governor of Dvin. Justan seems to have been interested primarily in his harem, a fact which alienated some of his supporters, although he and Ibrahim successfully put down a revolt by a grandson of the caliph al-Muktafi in 960.

Shortly afterwards Justan and another brother, Nasir, came to Tarum, where they were treacherously imprisoned by Wahsudan, who sent his son Isma'il to take over Azerbaijan. Ibrahim raised an army in Armenia to oppose Isma'il, prompting Wahsudan to execute Justan, his mother and Nasir. Ibrahim was driven out of Azerbaijan by Isma'il, but retained his rule in Dvin.

Isma'il died in 962, however, allowing Ibrahim to occupy Azerbaijan. He then invaded Tarum and forced Wahsudan to flee to Dailaman. In 966, Wahsudan defeated Ibrahim, and was further joined by the latter's deserted soldiers. Ibrahim then fled to his brother-in-law, the Buyid Rukn al-Dawla, while Wahsudan installed his son Nuh in Azerbaijan. Rukn al-Dawla sent an army under his vizier to reinstate Ibrahim in Azerbaijan, and Wahsudan was ejected from Tarum for a time. In 967 however he again sent an army, which burnt Ardabil before Ibrahim concluded a peace with his uncle, ceding part of Azerbaijan to him. Wahsudan shortly died after that, and was succeeded by Marzuban II ibn Ismail.

References

Sources

967 deaths
Year of birth unknown
10th-century Iranian people
Sallarid dynasty


title: Bobby Rankin

text:
Robert Rankin (7 April 1905 – 25 August 1954) was a Scottish football player and manager. He played for hometown club St Mirren over two spells, and for Dundee and Clyde, mainly as an inside left. He gained three caps for Scotland in 1929, scoring twice.

He later acted as a director of St Mirren  then served as manager of the club for eight seasons from 1946 (plus one wartime campaign prior to that), and was still in the post when he died in 1954 aged 49.

References

External links

1905 births
1954 deaths
Footballers from Paisley, Renfrewshire
Men's association football inside forwards
Scottish men's footballers
St Mirren F.C. players
Strathclyde F.C. players
Kilwinning Rangers F.C. players
Beith F.C. players
Dundee F.C. players
Clyde F.C. players
Scottish Junior Football Association players
Scottish Football League players
Scottish Football League managers
Scotland men's international footballers
Scottish football managers
St Mirren F.C. managers


title: Artist's Edition

text:
Artist's Edition is a line of hardcover reprint comic books published by IDW Publishing and edited by Scott Dunbier.

Unlike the usual graphic novels, this project features printing of the original artworks in a way to mimic the experience of a comic book artist viewing comic art. Artist's Edition is designed to print exactly the same dimension as the artwork papers that comic book artists usually use in their illustrations and also retaining the editorial notes and printing crop marks seen on the papers. All the artworks were originally colored, Artist's Edition specifically prints in black and white palette to show the details of pasteovers, zip-a-tone technique, and blue pencils. Even though the project requires scanning of the original artworks, Dunbier stated that not all the pieces can be assembled together for some titles, so a "not scanned from original art" line is included in some pages to represent IDW isn't able to acquire the artworks.

According to Dunbier, the idea of Artist's Edition drew inspiration from the Batman Collected book. One of the pages in the book features an original Batman work by Neal Adams; designer Chip Kidd had the idea of photographing the work and then printed in black and white palette.

List of Artist's Edition titles
Some titles exclusively receive limited edition; available only via either pre-ordering or purchasing from IDW's official website. This version includes a variant design of the front cover and a personal signature of the title's comic book artist printed in an interior page. The trade paperback known as Artisan Edition would be made available later on if a title is eventually out of stock. This version, however, is scaled down to the standard size of a graphic novel despite retaining the same content as the regular version.
{| class="wikitable"
|-
! width="100"| Artist
! width="145"| Title
! width="625"| Material collected
! width="80"|Size
! width="110"|ISBN
! width="25"|Publication date
! width="25"|Pages
|-
| Dave Stevens
| The Rocketeer
| Starslayer #2-3; Pacific Presents #1-2; Rocketeer Special Edition #1; Rocketeer Adventure Magazine #1-3
| 12" × 17"(305 mm × 432 mm)
|
| Aug 2010
| 136
|-
| Walter Simonson
| Mighty Thor
| Thor #337-340, #360-362
| 12" × 17" (305 mm × 432 mm)
|
| Aug 2011
| 176
|-
| John Romita
| Spider-Man vol. 1
| The Amazing Spider-Man #67-69, #71, #74-75
| 12" × 17"(305 mm × 432 mm)
|
| Feb 2012
| 152
|-
| Wally Wood
| EC Stories
| Stories from various EC comics: Weird Fantasy ("Project Survival", "Home to Stay", "There Will Come Soft Rains..."); Weird Science ("A Weighty Decision", "He Walked Among Us", "Down To Earth", "Mars is Heaven!", "My World"); Weird Science-Fantasy ("The Children", "...For Posterity", "Adaptability"); Shock SuspenStories ("Came The Dawn!"); Frontline Combat ("Perimeter!"); Two-Fisted Tales ("Blockade!", "Atom Bomb!", "Trial by Arms!", "Carl Akeley!"). Also includes "The Spawn of Venus", originally intended for Three Dimensional E.C. Classics #3, but not published until 1969 (in witzend #6).
| 15" × 22"(381 mm × 559 mm)
|
| Feb 2012
| 144
|-
| David Mazzucchelli
| Daredevil: Born Again
| Daredevil #227-233
| 12" × 17"(305 mm × 432 mm)
|
| Jun 2012
| 200
|-
| Sergio Aragonés
| Groo the Wanderer
| Groo the Wanderer  #96-99
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2012
| 144
|-
| Joe Kubert
| Tarzan
| Tarzan #207-210, #212-213
| 12" × 17"(305 mm × 432 mm)
|
| Sep 2012
| 152
|-
| Gil Kane
| Spider-Man
| The Amazing Spider-Man #96-102, #121
| 12" × 17"(305 mm × 432 mm)
|
| Nov 2012
| 216
|-
| Various artists
| MAD
| Stories from MAD #1-2, #4-5, #7-14, #16-18 illustrated by: Wally Wood ("Gookum!", "Smilin' Melvin!", "Bat Boy and Rubin!",  "Little Orphan Melvin!", "Flesh Garden!", "3-Dimensions!", "Prince Violent!" and "Movie...Ads!"); Will Elder ("Mole!", "Shadow!", "Outer Sanctum!", "Restaurant!", "Bringing Back Father!" (with Bernie Krigstein) and "Howdy Dooit!"); Jack Davis ("Hoohah!", "Lone Stranger Rides Again!", "Face Upon The Floor!" and "What's My Shine!"); Basil Wolverton ("MAD Reader!"" and "Meet Miss Potgold"); Russ Heath ("Plastic Sam!").
| 15" × 22"(381 mm × 559 mm)
|
| Jan 2013
| 176
|-
| Will Eisner
| The Spirit vol. 1
| The Spirit newspaper sections: "Heel Scallopini" (Feb 23, 1947), "April Fool" (Mar 30, 1947), "No Spirit Story Today" (Jun 8, 1947), "Li'l Adam" (Jul 20, 1947), "Competition" (Aug 3, 1947), "Montabaldo" (Jan 25, 1948), "War Brides" (Mar 14, 1948), "The Inheritance" (Apr 11, 1948), "The Guilty Gun" (Jun 6, 1948), "The Story of Gerhard Shnobble" (Sep 5, 1948), "The Chapparell Lode" (Nov 14, 1948), "Quirte" (Nov 21, 1948), "Thorne Strand and the Spirit" (Jan 23, 1949), "Taxes and the Spirit" (Apr 16, 1950), "The Desert" (Jul 16, 1950), "Teacher's Pet" (Sep 10, 1950),  and "Happy New Year" (Dec 31, 1950)
| 15" × 22"(381 mm × 559 mm)
|
| Mar 2013
| 144
|-
| Jack Davis
| EC Stories
| Stories from various EC comics: "Black Ferris", "Foul Play", "Model Nephew", "Country Clubbing", "T'ain't the Meat... It's the Humanity", "Lower Berth", "Undertaking Palor", "Forever Ambergris", "Witch Witch's Witch", "Coffin Spell", "Abe Lincoln", "Whupped", "Vengeful Sioux", "Jeep", "Betsy Barrier", "Come Back, Little Street Car", "Kismet" and "Stumped".
| 15" × 22"(381 mm × 559 mm)
|
| Apr 2013
| 176
|-
| John Byrne
| Fantastic Four
| Fantastic Four #232, #238, #241, #243, #247, #261; What If #36
| 12" × 17"(305 mm × 432 mm)
|
| Apr 2013
| 168
|-
| Various artists
| Best of EC vol. 1
| Stories from various EC comics illustrated by: Al Williamson ("The Champion", "By George!", "50 Girls 50", "Upheaval" and "A Sound of Thunder"); Harvey Kurtzman ("High Tide", "Corpse on the Imjin", ""Henry and his Goon-Child" and "Man and Superman"); Bernie Krigstein ("More Blessed  to Give", "Catacombs", "The Flying Machine"" and "Slave Ship"); Johnny Craig ("Touch and Go!" and "Whirlpool"); Joe Orlando ("Bum Steer" and "Judgment Day"); Roy Krenkel ("Time to Leave"); Alex Toth ("Thunderjet")
| 15" × 22"(381 mm × 559 mm)
|
| Aug 2013
| 168
|-
| Mark Schultz
| Xenozoic Tales
| Xenozoic Tales #9-14
| 14" × 20"(356 mm × 508 mm)
|
| Aug 2013
| 144
|-
| Joe Kubert
| Tor
| Tor #1-4
| 12" × 17"(305 mm × 432 mm)
|
| Oct 2013
| 144
|-
| Jeff Smith
| Bone: The Great Cow Race
| Bone #7-11
| 12" × 17"(305 mm × 432 mm)
|
| Oct 2013
| 144
|-
| John Romita
| Spider-Man vol. 2
| The Amazing Spider-Man #106, #108-115
| 12" × 17"(305 mm × 432 mm)
|
| Jan 2014
| 216
|-
| Basil Wolverton
| Weird Worlds
|
| 15" × 22"(381 mm × 559 mm)
|
| Feb 2014
| 176
|-
| Jack Kirby
| New Gods
| New Gods #1-2, #5-8
| 12" × 17"(305 mm × 432 mm)
|
| Mar 2014
| 176
|-
| Charles M. Schulz
| Peanuts
| Selected Peanuts daily strips from 1950 to 1960.
| 10" × 19"(254 mm × 483 mm)
|
| Apr 2014
| 144
|-
| Jim Steranko
| Nick Fury, Agent of S.H.I.E.L.D.
| Strange Tales #151-162
| 15" × 22"(381 mm × 559 mm)
|
| Apr 2014
| 176
|-
| Mike Mignola
| Hellboy in Hell and Other Stories
| Hellboy in Hell #1-5; San Diego Comic Con Comics #2; John Byrne’s Next Men #21; The Dark Horse Book of the Dead
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2014
| 200
|-
| Various artists
| Marvel Covers
|
| 12" × 17"(305 mm × 432 mm)
|
| Sep 2014
| 144
|-
| Walter Simonson
| Manhunter and Other Stories
| Detective Comics #437-443 (Manhunter), #450 (Batman); 1st Issue Special #9 (Doctor Fate); Unknown Soldier #254-256 (Captain Fear); Metal Men #45-46; "Manhunter: The Final Chapter!" from Manhunter: The Special Edition;
| 12" × 17"(305 mm × 432 mm)
|
| Nov 2014
| 176
|-
| John Buscema
| Silver Surfer
| Silver Surfer #5-6, #8
| 12" × 17"(305 mm × 432 mm)
|
| Dec 2014
| 144
|-
| Will Eisner
| The Spirit vol. 2
| The Spirit newspaper sections: "The Haunt" (Oct 27, 1946), "Silken Floss" (Mar 9, 1947), "Umbrella Handles" (Dec 28, 1947), "The Wedding" (May 2, 1948), "Plaster of Paris" (Nov 7, 1948), "A Slow Ship to Shanghai" (Jan 30, 1949), "Visitor" (Feb 13, 1949), "A Pot of Gold" (Apr 3, 1949), "The Spirit Now Deputy" (Apr 24, 1949), "Hamid Jebru" (May 8, 1949), "The Return" (Aug 14, 1949), "The Return of Vino Red" (Sep 25, 1949), "Crime" (Oct 2, 1949) [incorrectly listed in table of contents as "The Return of Autumn Mews" from Oct 9, 1949], "Lonesome Cool" (Dec 18, 1949), "Sand Saref" (Jan 8, 1950), "Nickles Nerser" (Feb 5, 1950) and "The Island" (Mar 26, 1950)
| 15" × 22"(381 mm × 559 mm)
|
| Jan 2015
| 144
|-
| Joe Kubert
| Enemy Ace
| Star-Spangled War Stories #139-142, #144, #152
| 12" × 17"(305 mm × 432 mm)
|
| Dec 2014
| 152
|-
| Jack Kirby
| Mister Miracle
| Mister Miracle #2-3, #5-9
| 12" × 17"(305 mm × 432 mm)
|
| Mar 2015
| 192
|-
| Various artists
| Best of EC vol. 2
| Stories from various EC comics illustrated by: Al Williamson ("The Arrival", "Fish Story", "Food For Thought" and "Lost In Space"); Wally Wood ("Caesar", "The Martians" and "War of 1812"); Harvey Kurtzman ("Air Burst", "Contact", "Rubble" and "Trip into the Unknown"); Bernie Krigstein ("In the Bag", "Master Race", "The Pit" and "You Murderer"); Johnny Craig ("Deadly Beloved"); Joe Orlando ("Chewed Out" and "I, Robot"); Jack Davis ("The Last of the Mohicans"); John Severin and Will Elder ("Bomb Run"); George Evans ("...My Brother's Keeper"); Jack Kamen ("Beauty and the Beach")
| 15" × 22"(381 mm × 559 mm)
|
| Apr 2015
| 176
|-
| Don Rosa
| The Life and Times of Scrooge McDuck Vol. 1
| Uncle Scrooge #285-290
| 14" × 20"(356 mm × 508 mm)
|
| Jun 2015
| 160
|-
| Jack Kirby
| Kamandi vol. 1
| Kamandi #1-2, #5-7, #9
| 12" × 17"(305 mm × 432 mm)
|
| Jun 2015
| 160
|-
| Eric Powell
| The Goon
| The Goon: Chinatown and the Mystery of Mr. Wicker
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2015
| 144
|-
| Mike Zeck
| Classic Marvel Stories
| The Punisher #1-2; Marvel Super-Heroes Secret Wars #1; Captain America #265-266; Web of Spider-Man #31
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2015
| 192
|-
| Joe Kubert
| The Return of Tarzan
| Tarzan #214, #217-223
| 12" × 17"(305 mm × 432 mm)
|
| Oct 2015
| 168
|-
| Herb Trimpe
| The Incredible Hulk
| The Incredible Hulk #127, #131, #134, #146-147, #153, #156
| 12" × 17"(305 mm × 432 mm)
|
| Nov 2015
| 144
|-
| Sam Kieth
| The Maxx
| The Maxx #1-6
| 12" × 17"(305 mm × 432 mm)
|
| Feb 2016
| 168
|-
| Graham Ingels
| EC Stories
| Stories from various EC comics: Crime SuspenStories ("A Tree Grows in Borneo!"); Haunt of Fear ("A Biting Finish!", "Chatter-Boxed!", "Horror We? How's Bayou?", "Drink To Me Only With Thine Eyes...", "The New Arrival", "About Face"); Tales from the Crypt ("A Sucker for a Spider!", "Half-Baked!", "Accidents and Old Lace"); Terror Illustrated ("The Basket"); Vault of Horror ("Buried Alive", "...With all the Trappings!", "A Grim Fairy Tale!", "Where There's a Will...", "Shoe-Button Eyes!", "All For Gnawt").
| 15" × 22"(381 mm × 559 mm)
|
| Mar 2016
| 152
|-
| Various artists
| Best of DC War
| Stories from Our Army at War #194-196, #212, #248, #265; Our Fighting Forces #145-146, #160; Star-Spangled War Stories #164, illustrated by: Joe Kubert ("A Time for Vengeance!", "Dead Town!", "Stop the War - I Want to Get Off!");  Russ Heath ("The Quiet War!", "The Firing Squad!"); Jack Kirby ("Ivan"); John Severin ("A Flag for Losers!", "The Brother"); Alex Toth ("Burma Sky", "White Devil...Yellow Devil!")
| 12" × 17"(305 mm × 432 mm)
|
| Jun 2016
| 160
|-
| Al Williamson
| Star Wars: The Empire Strikes Back
| Star Wars #39-44, #98
| 14" × 21"(356 mm × 533 mm)
|
| Jul 2016
| 160
|-
| Jack Kirby
| Thor
| Journey Into Mystery #111, #117-118; Thor #134-135; Thor Annual #2
| 15" × 22"(381 mm × 559 mm)
|
| Jul 2016
| 168
|-
| Mike Mignola
| The Amazing Screw-On Head and Other Curious Objects
| The Amazing Screw-On Head
| 12" × 17"(305 mm × 432 mm)
|
| Aug 2016
| 160
|-
| Various artists
| Marvel Covers: The Modern Era
|
| 12" × 17"(305 mm × 432 mm)
|

| Sep 2016
| 144
|-
| Jack Kirby
| Kamandi vol. 2
| Kamandi #11-16
| 12" × 17"(305 mm × 432 mm)
|
| Oct 2016
| 144
|-
| Chris Samnee
| Daredevil
| Daredevil (2011) #23-27 (slipcased, also includes a 60-page softcover book containing script pages by Mark Waid, annotated with Samnee's thumbnail sketches)
| 12" × 17"(305 mm × 432 mm)
|
| Jan 2017
| 160
|-
| Various artists
| America's Best Comics
| Stories from various ABC comics illustrated by: Chris Sprouse (Tom Strong #36); J. H. Williams III (Promethea #10); Gene Ha (Top 10 #7); Kevin Nowlan (Tomorrow Stories #1, #2, #4, #10, #12); Arthur Adams (Jonni Future from Tom Strong's Terrific Tales #2-4, #6-7); Hilary Barta (Tomorrow Stories #8, Tomorrow Stories Special #1); Rick Veitch (Tomorrow Stories #9); Paul Rivoche (Tom Strong's Terrific Tales #4); Jerry Ordway (Tom Strong's Terrific Tales #6) and Alan Weiss (Tom Strong's Terrific Tales #6)
| 12" × 17"(305 mm × 432 mm)
|

| Feb 2017
| 224
|-
| Alex Toth
| Bravo For Adventure
| The Rook #3-4, Bravo For Adventure #1
| 12" × 17"(305 mm × 432 mm)
|
| Mar 2017
| 136
|-
| Jack Kirby
| Fantastic Four
| Fantastic Four #71, #82-84, Annual #6
| 12" × 17"(305 mm × 432 mm)
|
| Feb  2017
| 144
|-
| Michael Kaluta
| Starstruck
| Heavy Metal vol. 6 #8-12, vol. 7 #1-4 (later collected as Marvel Graphic Novel #13); Starstruck (1985) #1, #4
| 15" × 20"(381 mm × 508 mm)
|
| Apr 2017
| 144
|-
| Reed Crandall
| EC Stories
| Stories from various EC comics: Crime SuspenStories ("Mother's Day", "Return Blow", "This'll Kill You", "Dog Food", "The Firebug"); Extra! ("Hong Kong"); Haunt of Fear ("Swamped"); Piracy ("Blackbeard", "Partners"); Shock SuspenStories ("Carrion Death!", "Sweetie-Pie", "The Space Suitors", "The Kidnapper", "Upon Reflection", "For Cryin' Out Loud!", "A Kind of Justice", "Rundown"); Tales From the Crypt ("Burial at Sea""); Two-Fisted Tales ("Battle!");  Vault of Horror ("Together They Lie!", "Top Billing").
| 15" × 22"(381 mm × 559 mm)
|
| May 2017
| 144
|-
| Jack Kirby
| The Forever People
| The Forever People #1, #4-7
| 12" × 17"(305 mm × 432 mm)
|
| Jun 2017
| 144
|-
| Walter Simonson
| Thor:The Return Of Beta Ray Bill
| Thor #349-354, #380
| 12" × 17" (305 mm × 432 mm)
|
| Jun 2017
| 160
|-
| Jack Kirby
| Fantastic Four: World's Greatest
| Fantastic Four #33, #45, #47, #60
| 15" × 22"(381 mm × 559 mm)
|
| Aug 2017
| 168
|-
| P. Craig Russell
| P. Craig Russell’s Strange Dreams
| Marvel Graphic Novel #7 ("Killraven:Last Dreams Broken"); Doctor Strange: What is it That Disturbs You, Stephen?
| 12" × 17"(305 mm × 432 mm)
|
| Nov 2017
| 140
|-
| Gene Colan
| Tomb of Dracula
| Tomb of Dracula #25, #28, #36, #37, #46, #48
| 12" × 17"(305 mm × 432 mm)
|
| Dec 2017
| 144
|-
| Ross Andru
| Spider-Man
| The Amazing Spider-Man #125-127, #153, #167
| 12" × 17"(305 mm × 432 mm)
|
| Mar 2018
| 144
|-
| Joe Kubert
| Tarzan and the Lion Man
| Tarzan #224, 225, 227, 228, 229, 231, 232, 233, and 234
| 12" × 17"(305 mm × 432 mm)
|
| Apr 2018
| 176
|-
| Frank Cho
| Savage Wolverine
| Savage Wolverine #1-5
| 14" × 21"(356 mm × 533 mm)
|
| Jun 2018
| 140
|-
| Jack Kirby
| Marvel Heroes And Monsters
| Ant-Man from Tales to Astonish #35, Captain America from Tales of Suspense #81, Human Torch from Strange Tales #105, Sgt. Fury #6, X-Men #7 and "monster" stories from Journey Into Mystery #58, #63, #74, #76; Strange Tales #94; Tales To Astonish #19, #34
| 15" × 22"(381 mm × 559 mm)
|
| Aug 2018
| 176
|-
| Walter Simonson
| Star Wars
| Star Wars #51-52, #55-57, #60
| 12" × 17" (305 mm × 432 mm)
|
| Aug 2019
| 144
|-
| Berkeley Breathed
| Bloom County
|
| 14" × 20"(356 mm × 508 mm)
|
| Oct 2019
| 144
|-
| Michael Golden
| Micronauts
| Micronauts #3, #7-9, #11-12
| 12" × 17" (305 mm × 432 mm)
|
| Nov 2020
| 184
|-
| Jim Lee
| X-Men
| X-Men #1
| 12" × 17" (305 mm × 432 mm)
|
| Jan 2021
| 160
|-
| Various artists
| EC Covers
| A collection of covers from EC comic books, illustrated by various artists, including Wally Wood, Harvey Kurtzman, Graham Ingels, Johnny Craig, Al Williamson, Frank Frazetta, Jack Davis and Al Feldstein.
| 15" × 22"(381 mm × 559 mm)
|
| Sep 2021
| 160
|-
| John Buscema
| Marvel Heroes
| Avengers #51, Sub-Mariner #24, Thor #197
| 12" × 17"(305 mm × 432 mm)
|
| Feb 2022
| 192
|-
| Dave Stevens
| The Rocketeer 40th anniversary
| Starslayer #2-3; Pacific Presents #1-2; Rocketeer Special Edition #1; Rocketeer Adventure Magazine #1-3
Restored the two missing pages that weren't originally available in the first edition.
| 12" × 17"(305 mm × 432 mm)
|
| Apr 2022
| 136
|-
| Todd McFarlane
| Spider-Man
| Various pages from Todd McFarlane's runs on Amazing Spider-Man and Spider-Man between 1988 and 1991.
| 14" × 21"(305 mm × 432 mm)
|
| Sep 2022
| 192
|-
| Kevin Nowlan
| Marvel Heroes
| The Man-Thing graphic novel "Screenplay of the Living Dead Man" (serialised as Infernal Man-Thing #1-3); "A Little Fire" (Immortal Hulk: Time of Monsters #1).
| 12" × 17"(305 mm × 432 mm)
|
| Apr 2023
| 176
|-
| Michael Golden
| Marvel Stories
| Marvel Fanfare #47; "The 'Nam, 1967" & "The Sniper" (Savage Tales vol.2 #1 & #4); "Zounds O' Silence!" (Marvel Holiday Special 1992).
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2023
| 176
|-
| Frank Miller
| Daredevil
| A rebranded re-release of Frank Miller's Daredevil Artifact Edition (see "Artifact Editions" section below).
| 12" × 17"(305 mm × 432 mm)
|
| Aug 2023
| 144
|-
| Walter Simonson
| Fantastic Four
| Fantastic Four #337-341, #352-354
| 12" × 17"(305 mm × 432 mm)
|
| Sep 2023
| 204
|-
| John Romita
| The Amazing Spider-Man: Daily Strips
| The Amazing Spider-Man daily newspaper strips from 1977-78| 15" × 19.5"(381 mm × 495 mm)
|
| Oct 2023
| 176
|-
| John Byrne| X-Men| A rebranded re-release of John Byrne's X-Men Artifact Edition (see "Artifact Editions" section below).
| 12" × 17"(305 mm × 432 mm)
|
| Nov 2023
| 160
|-
| Chris Samnee| Black Widow| Black Widow (2016) #1-6
| 12" × 17"(305 mm × 432 mm)
|
| Mar 2024
| 184
|-
| Kevin Eastman| Teenage Mutant Ninja Turtles: The Layouts|
| 18" × 12"(457 mm × 305 mm)
|
| Jun 2024
| 200
|-
| David Mazzucchelli| Batman: Year One| Batman #404–407
| 14" × 21"(356 mm × 534 mm)
|
| Jul 2024
| 144
|-
| Dave Cockrum| X-Men|  A rebranded re-release of Dave Cockrum's X-Men Artifact Edition (see "Artifact Editions" section below).
| 12" × 17"(305 mm × 432 mm)
|
| Jul 2024
| 160
|-
|}

Artifact Editions
Artifact Editions differ from the main Artist's Edition line in that they collect an assortment of individual pages rather than complete stories.

Note: Following the publication of Todd McFarlane's Spider-Man Artist's Edition'' in Sept 2022, the main Artist's Edition line now includes books that would previously have been branded as Artifact Editions.

Artist's Edition Portfolios
An Artist's Edition Portfolio contains loose pages, printed on one side only, collected in a hardcover folder. Like the regular Artist's Edition books, the pages are printed in the same size as the original artwork.

Other publishers
Since the Artist's Edition line became established by IDW, other publishers have begun to release their own lines of similar books reprinting comic art at its original size:

Archaia Entertainment Black and White Editions

Dark Horse Comics Gallery Editions

Dynamite Entertainment Art Editions

Fantagraphics Studio Editions

FPG Collected Artwork Editions

Genesis West Original Art Archives

Graphitti Designs/DC Comics Gallery Editions

Hermes Press Archival Editions

Image Comics Vault Editions

McSweeney's

Rebellion Apex Editions

Titan Original Art Editions

Wayne Alan Harold Productions Fine Art Editions

Zoop Artist's Editions

References

IDW Publishing titles
Comic book collection books


title: Florida Black Heritage Trail

text:
The Florida Black Heritage Trail includes sites related to Florida's African American leaders and communities.  It was the first trail to be included in the Florida Heritage Trails series.

References

External links
 Florida Black Heritage Trail (booklet)

African-American history of Florida
Historic trails and roads in Florida
Heritage trails


title: Highbury Studios

text:
The Highbury Studios were a British film studio located in Highbury, North London which operated from 1937 until 1956. The studios were constructed by the producer Maurice J. Wilson. During its early years, the studio was hired out to independent production companies.

Credits
Mrs Pym of Scotland Yard

Highbury Productions
Following the Second World War, Highbury was acquired by the Rank Organisation which used it to make low-budget second features featuring the company's rising actors. The studio was run by the producer John Croydon, who had previously worked at Ealing. Its aim was to make 50 minute "curtain raisers" for Rank's features. John Croydon was head of production. It frequently used members of Rank's Company of Youth.

In December 1948 the studio operation was shut down as part of a series of cuts made throughout the Rank Organisation, which had suffered heavy financial losses.

Select credits
A Song for Tomorrow (1948) – directed by Terence Fisher
Trouble in the Air (1948)
Penny and the Pownall Case (1948) – with Diana Dors, Christopher Lee
Colonel Bogey (1948) – directed by Terence Fisher
To the Public Danger (1948) – directed by Fisher, with Dermot Walsh and Susan Shaw
Fly Away Peter (1948)
Love in Waiting (1948) – with David Tomlinson
A Piece of Cake (1948)
Badger's Green (1949)
Stop the Merry-Go-Round (1952)

Later use
Occasional films were still made there by other companies, and it became increasingly used as a television studio. It made a number of commercials.

Bibliography
 Macnab, Geoffrey. J. Arthur Rank and the British Film Industry. Routledge, 1994.
 Warren, Patricia. British Film Studios: An Illustrated History. Batsford, 2001.

References

External links
Highbury Productions at BFI
Highbury Productions at IMDb

British film studios
Buildings and structures in the London Borough of Islington
Highbury


title: Elatochori, Ioannina

text:
Elatochori (, ) is a village and a community of the Zagori municipality, northwestern Greece. Before the 2011 local government reform it was part of the municipality of East Zagori, of which it was a municipal district. The 2011 census recorded 71 inhabitants in the village and 90 in the community. The community of Elatochori covers an area of 34.802 km2.

Administrative division
The community of Elatochori consists of two separate settlements:
Dilakko (population 19)
Elatochori (population 71)
The aforementioned population figures are as of 2011.

See also
List of settlements in the Ioannina regional unit

References
Εγκυκλοπαίδεια Νέα Δομή. Αθήνα: Τεγόπουλος - Μανιατέας. 1996. σελ. 104, τομ. 11

Populated places in Ioannina (regional unit)
Zagori


title: 1998 Winter Olympics national flag bearers

text:
During the Parade of Nations section of the 1998 Winter Olympics opening ceremony, athletes from each country participating in the Olympics paraded in the arena. The flag from each team was borne by a sportsperson from that country chosen either by the National Olympic Committee or by the athletes themselves to represent their country. Due the rules stipulated by the Olympic Charter (and political issues between China and Chinese Taipei along the two Koreas) at the time the Organizing Committee opted for the option of the protocol order in English, instead of host nation's language, Japanese. Greece led the parade, followed by Andorra. Had the parade followed the Japanese characters, Greece would have been followed by Iceland, and Russian Federation would have been the penultimate country before Japan. One sumo wrestler and one yukiko (lit. snow children) which bears a country name sign marched before each delegation. Some of famous sumo wrestlers such as Takanonami and Wakanohana accompanied the teams. The yukikos also took part in several other segments in the ceremony.

References

External links
Countries - Sports-Reference.com
おすもうさんと子供が先導　長野五輪 入場行進　ギリシャ(貴ノ浪)～フランス(琴龍) - YouTube
1998長野五輪　開会式（２）入場行進　Athletes March at Olympic Opening Ceremony - YouTube
1998 Olympics Opening Ceremony In Nagano Part 6
List of sumo wrestlers who accompanied the delegations

1998 Winter Olympics
Lists of Olympic flag bearers


title: Shriver House

text:
The Shriver House is a historic house located at 117 E. 3rd St. in Flora, Illinois. Built in 1893, the Queen Anne house was designed by architect John W. Gaddis. The house's exterior design features multiple gables on the front facade, original windows with hinged wooden shutters, and a carved wooden front door with etched glass panels. The interior of the house includes a carved wooden staircase with spindle turned posts and three fireplaces with decoratively tiled hearths and carved wooden mantels. The house was used for student housing at Orchard City College, a defunct institution which was the only college to ever operate in Flora.

The house was added to the National Register of Historic Places on May 9, 1983.

References

Houses on the National Register of Historic Places in Illinois
Queen Anne architecture in Illinois
Houses completed in 1893
Houses in Clay County, Illinois
National Register of Historic Places in Clay County, Illinois


title: Jane Fortune

text:
Jane Fortune (August 7, 1942 – September 23, 2018) was an American author and journalist. Many of her publications and philanthropic activities were centered on the research, restoration, and exhibition of art by women in Florence, Italy.

Writing
Fortune was the cultural editor of The Florentine, an English-language newspaper in Tuscany, in which she appeared as a regular art and culture columnist from the newspaper's founding in 2005 until her death in 2018. Her original column, Mosaics (2005–2008), led to her writing a guidebook on the culture of Florence, To Florence, Con Amore: 77 Ways to Love the City (The Florentine Press, 2007). The book's second edition, reprinted three years later with 13 additional chapters, is entitled To Florence, Con Amore: 90 Ways to Love the City (The Florentine Press, 2011).

Fortune's subsequent books, documentaries, and essays were influenced largely by her efforts to safeguard and promote art by women artists. Her book, Invisible Women: Forgotten Artists of Florence (2009), documents women painters in Florence and their thousands of works on display or in storage, many of which are in need of restoration.<ref>Duranti, Elena. "Indiana Jane e i capolavori femminili perduti", La Nazione, November 6, 2009. pp. 8–9</ref> In 2009, the book was presented to the Uffizi Library. This volume was followed up in 2012 by a guidebook she co-authored with Linda Falcone, which describes where to view artworks by women artists in the public collections of Florence: Art by Women in Florence: A Guide through Five Hundred Years (The Florentine Press, 2012).

Restoring art by women in Florence
In 2005, with the goal of raising awareness about the achievements of women artists and protecting their artworks, Fortune founded the Italian nonprofit organization, The Florence Committee of the National Museum for Women in the Arts. In 2006, under Fortune's leadership, The Florence Committee funded the restoration a painting in the San Marco Museum, Lamentation with Saints, a large-scale Renaissance painting by Suor Plautilla Nelli, Florence's earliest recognized woman painter to that date. In 2008, her quest continued with the restoration of David and Bathsheba by seventeenth-century Baroque painter Artemisia Gentileschi. Following up on these achievements, but wishing to work on a broader scope, in 2009, Fortune founded the American 501(c)(3) nonprofit organization, Advancing Women Artists Foundation (AWA), dedicated to researching, restoring, and exhibiting art work by women artists, particularly in Florence, Italy.

Other projects in Florence
Since Fortune founded the Advancing Women Artists Foundation (AWA) in 2009, it has carried out several restoration projects for drawings, paintings, and sculptures by women artists in Florence from the sixteenth to the nineteenth centuries including Dominican convent painter Suor Plautilla Nelli at the San Salvi's Last Supper Museum, eighteenth-century Florentine poet-painter Irene Parenti Duclos at the Accademia Gallery and nineteenth-century French sculptor Félicie de Fauveau in Santa Croce, and Santa Maria del Carmine. The foundation also sponsors exhibitions, conference, seminars, books, and documentaries to promote the achievements of historic women artists, in addition to safeguarding their work. The foundation sponsors an honors program, 'The Nelli Awards', dedicated to recognizing modern-day women working in Florence, including women curators, artists, and restorers.

In 2010, Fortune established the Jane Fortune Research Program at the Medici Archive Project in Florence, for finding new archival documents regarding the history of women artists, assisting study of this material by scholars, and mentoring young scholars in the field.

Projects in the United States
In 2008, with co-founder Robert Hesse, Fortune established the Indianapolis City Ballet (ICB), a nonprofit organization that supports ballet performances with international dancers from ballet companies from several countries and master classes with these dancers in Indianapolis.

Fortune was a member of the board of the National Museum of Women in the Arts, Washington, D.C.; the Sidney and Lois Eskenazi Museum of Art at Indiana University; the Herron School of Art and Design; the Pennsylvania Academy of the Fine Arts, and of the National Museum of Women in the Arts in Washington, D.C. Fortune was a member of the board of directors of the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania, and was chair of the board of trustees of the Studio Arts Center International (SACI) in Florence. She was an honorary member of the dean's advisory board at Herron School of Art and Design in Indianapolis, Indiana, and was on the board of trustees of the Medici Archive Project (Florence, Italy and New York). In Philadelphia, Fortune co-founded USArtists, an American Fine Art Show and Sale, which benefited the Pennsylvania Academy of the Fine Arts. She was the founder of the same organization's Special Needs Program that resulted in the establishment of the Women's Board Endowed Scholarship at Pennsylvania Academy of the Fine Arts, a scholarship for persons with disabilities to attend the PAFA art school. She endowed the Jane Fortune Outstanding Women Visiting Artist Lecture at Herron School of Art and Design. Past lecturers have been Eleanor Antin, Maria Magdalena Compos-Pons, Judy Chicago, Judith Shea, Audrey Flack, Betty Woodman, and Polly Apfelbaum. She was chair of the board of the Deafness Research Foundation in New York City and its volunteer president-CEO.

Recognitions and awards
In 2010, Fortune was awarded an honorary doctorate in Humane Letters from Indiana University for her work as an author and philanthropist in the United States and Italy. In 2007, the Indianapolis Mayor's Advisory Council on Disabilities awarded Fortune their Accessibility Award for her work on accessibility and inclusion for persons with disabilities. Maxwell L. Anderson—the Melvin & Bren Simon Director and CEO of the Indianapolis Museum of Art— nominated her for the Accessibility Award, for her leadership and financial support of the museum's accessibility program. In 2008, Dr. Fortune also received the ‘Spirit of Philanthropy Award’ from Indiana University Purdue University Indianapolis (IUPUI), the Herron School of Art and Design in Indianapolis. In 2013, the documentary, Invisible Women: Forgotten Artists of Florence, based on her 2009 book by the same title, was awarded a regional Emmy Award as Best Documentary in the Historical/Cultural Program Category. In 2013, for her work in Florence she received the Tuscan-American Association Award. This award, presented annually at Florence's Palazzo Vecchio, honors an American and an Italian for their contributions to the culture of Florence. Past awardees include Andrea Bocelli, Zubin Mehta, and Franco Zeffirelli.

 Death

Fortune died at her home in Indianapolis on September 23, 2018, at the age of 76. A memorial ceremony was held for her at the Basilica of Santa Croce in Florence on October 9, 2018. She is survived by her son, John Medveckis, her daughter, Jennifer Medveckis, and her son-in-law, James Marzo.

BibliographyThe Restoration of Lamentation with Saints. Jane Fortune, Rossella Lari, and Magnolia Scudieri. 2006. Arte Media Studio, Florence, Italy (Documentary – DVD).To Florence, Con Amore: 77 Ways to Love the City. Jane Fortune. 2007. Florence: The Florentine Press.David and Bathsheba, The Restoration by Linda Falcone, Jane Fortune and Serena Padovani. 2008. Art Media Studio, Florence, Italy (Documentary – DVD).Invisible Women: Forgotten Artists of Florence. Jane Fortune. 2009. Florence, Italy: The Florentine Press.Continuing the Commitment: A Tribute to Suor Plautilla Nelli by Jane Fortune in Orate Pro Pictora: Pray for the Paintress. 2009. The Florentine Press, Florence, Italy.To Florence, Con Amore: 90 Ways to Love the City. Jane Fortune. 2010. Florence, Italy: The Florentine Press.Rediscovering Florence's Native-born Female Artists in Irene Parenti Duclos: A Work Restored—An Artist Revealed. Linda Falcone, ed. 2011. Florence: The Florentine Press.Art by Women in Florence: A Guide through Five Hundred Years. Jane Fortune and Linda Falcone, 2012. Florence: The Florentine Press.Félicie de Fauveau: Artistic Passion and Political Exile. Jane Fortune. 2013. In Santa Croce in Pink: Untold Stories of Women and their Monuments'', Linda Falcone (Ed.) Florence: Artecelata, pgs. 55–58.

References

1942 births
2018 deaths
21st-century American non-fiction writers
Writers from Indianapolis
American women journalists
21st-century American women writers
20th-century American philanthropists
20th-century American women


title: Carnegie Library (Roswell, New Mexico)

text:
The Carnegie Library in Roswell, New Mexico is located at the northeast corner of West Third Street and North Richardson Street. Three Carnegie libraries were built in New Mexico, in Las Vegas; Raton; and Roswell. The Raton library was demolished, the Roswell library is a vacant office building, and the Las Vegas library is still in use.

Origin
The Library's origin dates back to 1895, when a group of local women formed the Roswell Women's Club to obtain reading materials for themselves and their families. As their collection grew, the Women's Club opened a reading room in 1897. In 1900, the club began the application process to obtain a grant to build a library from philanthropist Andrew Carnegie.

Two basic grant requirements were free title to the construction site and a maintenance fund equaling 10 percent of the grant. The club was thwarted by Carnegie's reluctance to consider applications from women. In 1902, a mill levy was passed by the male voters of the town to fund the library's maintenance. In 1904, a lot was purchased for $700 as a result of fund raising efforts by the Women's Club. In addition to this grant, the library received funding from James Hagerman, an investor in the railroad and irrigation industries in the Pecos Valley. Willa Skipworth was one of the first librarians, widow of Dr. Edwin Skipworth, a prominent doctor in the area. She went on to hold that position for fifteen years.
The library operated on the maintenance funds until 1940 when a bond issue of $30,000 was passed by Roswell voters to remodel the library. Another bond issue for $50,000 was approved in 1950. All remodeling was completed by 1952, adding 5,100 square feet to the library.

Recent history
By 1960, the population of Roswell had grown to 30,000. Due to its small size, the Carnegie library quickly succumbed to pressures of overcrowding by patrons and limited space for collections. Failed bond issues for a new library in Roswell were proposed in 1968 and 1970. It wasn't until 1976 that a bond issue was successfully passed by Roswell voters. In 1978, the new library was built and opened, and the Roswell Carnegie Library was closed.

The original Carnegie Library building was most recently renovated in 1992 to serve as office space. The building's exterior, original floors, and large windows help to preserve the history of the building. The privately owned building is currently being sold through an auction that closes February 28, 2014.

The library's new location at 301 N. Pennsylvania is a 22,000 sq.ft. facility that houses over 150,000 items, including books, cds, DVDs, audio books, magazines, and e-books. As a full service library, it offers computer access, online databases, and wireless Internet access. It also has a large children's area with a diverse collection and many scheduled activities. The library has grown and continues to serve the Roswell community long after the original Carnegie facility outlived its usefulness.

References

Libraries in New Mexico


title: Sealed train

text:
A sealed train is one that travels internationally under customs and/or immigration seal, without its contents legally recognized as entering or leaving the nations traversed between the beginning and end of the journey or subject to any otherwise applicable taxes.

Background
The most notable use of a sealed train was the return of Vladimir Lenin to Russia from exile in Switzerland in 1917—in fact that journey was not a true sealed train example because the passengers disembarked to spend the night in Frankfurt—but the practice was used a number of times throughout the 20th century to allow the migration or transport of controversial individuals or peoples. For instance, sealed trains were used for repatriation of combatants in the Spanish Civil War, Jewish emigration from Nazi Germany to the United States, and expulsion of East German refugees to West Germany.

References

See also
Privileged transit traffic

Trains


title: Lees Brook Community School

text:
Lees Brook Community School (previously Lees Brook Sports College) is a co-educational secondary school and sixth form located in the Chaddesden area of Derby, in the English county of Derbyshire.

Previously a foundation school administered by Derby City Council, Lees Brook converted to with academy status in September 2011. However the school continues to coordinate with Derby City Council for admissions. The school moved to a new building on the same site in November 2014.

Lees Brook Community School offers GCSEs, BTECs and NCFEs as programmes of study for pupils. The school also operates a vocational sixth form provision.

References

External links
Lees Brook Community School official website

Secondary schools in Derby
Academies in Derby


title: James Roy Kinghorn

text:
James Roy Kinghorn (12 October 1891 – 4 March 1983), generally known as Roy, or J. R. Kinghorn, was an Australian naturalist, a longtime curator at the Australian Museum, and a noted lecturer and broadcaster.

Early years
Roy Kinghorn was born in Richmond, New South Wales, the youngest of three children of Rev. James Kinghorn (1861–1912) and his wife (Bertha) Ethel, née Campbell (ca.1866–1942). He was educated at Ellengowan School, Bathurst, All Saints' College, Bathurst and the Sydney Church of England Grammar School.

In 1907 he was accepted as a cadet at the Australian Museum, Sydney, specialising in crustaceans. He attended lectures at Sydney University and studied part-time at Sydney Technical College, but after failing an examination at the College, was transferred to a clerical position at the Museum.

Wartime and later career
Kinghorn enlisted with the AIF in June 1915 and served during World War I in Egypt and Lemnos with the Dental Corps and with the Field Artillery Brigade, mostly as a driver, but after receiving a severe knee injury in December 1917 was repatriated to Australia, and was discharged as permanently medically unfit in July 1918. He was to serve as recruiting officer for the 2nd AIF during the Second World War.

He returned to the Australian Museum in 1918 and was appointed zoologist in charge of reptiles and amphibians; three years later birds were added to his portfolio.

He was appointed Assistant Director of the Australian Museum around 1951 and retired in 1956.

Lecturer and broadcaster
Kinghorn was a popular and prolific lecturer on zoological subjects, beginning around 1924.

His interest in broadcasting began around the same time, with talks and stories on the Children's Hour on Farmer's Radio Service (later 2FC). Among his last media appearances was (as "Linnaeus" the naturalist) in a weekly spot during the last decade of ABC radio's Argonauts' Club.

He was a regular on Captain Fortune Show, a pioneering TV series of the 1950s and the "Spying on Nature" segment of "Wednesday Wonderbox" children's show on ABC-TV (which also featured Mr. Squiggle) in the 1960s.

Family life
Kinghorn married Winifred Mance (died 1977) on 12 November 1921. They had no children.

Publications
Large Non-venomous Snakes of Australia Australian Museum Magazine vol.1 issue 2 September 1921.
Kinghorn, J.R. 1923. A New Genus of Elapine Snake from Northern Australia. Records of the Australian Museum 14 (1): 42–45 + Plate VII. ("Oxyuranus, gen. nov.", p. 42.)
Snakes of Australia, illustrated by Ethel A. King, 1929, New, large format, edition ed. Harold Cogger (1935– ) 1964
Dangerous Snakes of the South-West Pacific Area with Charles Kellaway (1943). This pocket guide was published for American troops serving in the region.
 Kinghorn, J. Roy 1929 Herpetological notes No. I Records of the Australian Museum 17 (2): 76–84
 Kinghorn, JR 1929 Rec. Austral. Mus., Sydney, 17: 77
 Kinghorn, J. Reptiles and Roy 1924 batrachian from south and south-west Australia. Records of the Australian Museum 14 (3): 163–183

Societies
Zoological Society of London (Corresponding Member)
Wildlife Preservation Society of Australia
California Academy of Sciences (Fellow)
Royal Zoological Society of New South Wales (and its President 1927–1928, 1950–1956)
Royal Australian Ornithologists' Union (council member)

Recognition
Diploma of the British Museums Association, 1935
A species of snake, Simalia kinghorni, was named for him, as well as a species of lizard, Proablepharus kinghorni.

See also
French Wikipedia entry

References

External links

1891 births
1983 deaths
Australian radio personalities
Australian herpetologists
Australian ornithologists
Australian conservationists
People educated at Sydney Church of England Grammar School
20th-century Australian zoologists


title: Lookout Mountain Air Force Station

text:
Lookout Mountain Air Force Station (LMAFS) is a Formerly Used Defense Site which today is a private residence of actor Jared Leto in the Laurel Canyon neighborhood of Los Angeles, California. The USAF military installation produced motion pictures and still photographs for the United States Department of Defense and the Atomic Energy Commission (AEC) from 1947–1969.

The 100,000 sq ft (9,300 m²) facility was built on 2.5 acres in 1941 as a World War II air defense center to coordinate Los Angeles area radar installations. When the studio was established in 1947, its purpose was kept secret. The studio consisted of one large sound stage, a film laboratory, two screening rooms, four editing rooms, an animation and still photo department, sound mixing studio, and numerous climate controlled film vaults. Using the latest equipment, the studio could process both 35mm and 16mm color motion picture film as well as black and white and color still photographs. It was declared Los Angeles Historic-Cultural Monument number 1098 in 2015.

1947–1960
Beginning with Trinity, the first nuclear test in 1945, there was a need to document nuclear testing with still and motion picture photography. The film was needed for the study and understanding of the behavior of nuclear weapons. In 1946, in support of Operation Crossroads, the first atomic bomb test in the Pacific, the joint task force conducting the test had assembled a provisional photographic unit of still and motion picture photographers to document the test. Most of these photographers were part of a small detachment of the 1st Motion Picture Unit from Long Island, New York.

At the conclusion of Operation Crossroads, it was determined that a permanent photographic unit, providing specialized photography and sound recording, should be established, trained and equipped to obtain scientific, technical and documentary photography of atomic bomb tests. Brigadier General P.T. Cullen, who had commanded the Air Photo Unit on Operation Crossroads, was directed to find a site in the Los Angeles area suitable for the accomplishment of motion picture documentation of Joint Task Force 7 (JTF-7), Operation Sandstone.

After an extensive survey of the Los Angeles area, the General chose the Air Force facility at 8935 Wonderland Avenue. The facility had been constructed on two acres of land in 1943 at a cost of $132,000 to house the Los Angeles Flight Control Center. After World War II, the Los Angeles Flight Control Center was closed and the grounds and building declared surplus to the needs of the Air Force. In the fall of 1947 the 1352d Motion Picture Squadron was activated at Lookout Mountain.

In January, 1948, the building was acquired from the War Assets Administration by the Air Force and the Atomic Energy Commission for the Lookout Mountain Laboratory for use in support of JTF-7. Extensive remodeling commenced by the Los Angeles Office of the Army Corps of Engineers and was paid for by the AEC. One major modification was to install five individual fireproof vaults with a storage capacity of 3,500,000 feet of 35mm film. Office equipment came from Air Force supply at San Bernardino, CA and technical equipment, in excess of $500,000, was obtained from the First Motion Picture Unit in New York and various Air Force photographic units.

During the period when Lookout Mountain Laboratory was used in support of JTF-7, it was under the command of the Second Air Division, which was commanded by General Cullen of the Strategic Air Command. Personnel consisted of 8 officers from the Air Force, Army, Navy and Marine Corps. Civilian photographers with Top Secret clearances were supplied by the Air Materiel Command and the Strategic Air Command on a Temporary duty assignment (TDY) basis, their salaries paid jointly by the AEC and the Air Force.

In the fall of 1949, Lt. General Curtis LeMay decided that the production of motion pictures was not a proper function of the Strategic Air Command. Lookout Mountain Laboratory and all its staff were transferred to the Air Proving Ground under the command of Lt. General William E. Kepner.

In December, 1949, Lookout Mountain Laboratory and the 4881st Motion Picture Squadron were assigned the responsibility for accomplishing all documentary photography for Joint Task Force 3, Operation Greenhouse. This was the first time that a photographic unit, specifically staffed and equipped for documentation of an atomic weapons test, existed during the planning stages of such test. As a result, it was possible to pre-plan the photography.

In June, 1950, the Atomic Energy Commission, later the U.S. Department of Energy (DOE), made funds available for further construction at Lookout Mountain Laboratory. Between June, 1950 and January 1, 1953 a new 100,000 square foot building was constructed, new motion picture processing equipment installed, more humidity controlled film vaults built, editing and screening rooms updated, a new still processing lab built and a sound stage added to the multistory building, much of which was underground having been built down into the mountain. It was agreed that the AEC would have the privilege of storing all existing AEC film pertaining to atomic weapons tests and development programs at Lookout Mountain free-of-charge. In 1953, the new Lookout Mountain Lab facility had an estimated value of $1,500,000.

Formation of 1352nd Motion Picture Squadron

On April 1, 1951 the Air Force established the Air Pictorial Service (APS) with the primary photo unit being the 4881st Motion Picture Squadron. All photography of atomic bomb tests was quickly transferred from the Air Proving Ground to the Air Pictorial Service which was under the command of Military Air Transport Service (MATS).

On April 16, 1952 the Air Pictorial Service was redesignated the Air Photographic and Charting Service (APCS). APCS was responsible for mapping the world and providing accurate aerial charts to military aviators of wherever they needed. It also produced all Air Force training films, public information films and monthly newsreels. On April 28, 1952, the 4881st Motion Picture Squadron was redesignated the 1352nd Motion Picture Squadron, effective on May 1, 1952.

The mission of the newly formed 1352nd Motion Picture Squadron was: "...to provide in-service production of classified motion pictures and still photographs for the Department of the Air Force in support of the Atomic Energy program and to provide such additional production of motion picture and still photography as directed by the Commanding General, Air Pictorial Service."

1958–1969

In March 1958, Lookout Mountain Laboratory was redesignated Lookout Mountain Air Force Station.

On July 1, 1960 the 1352d Motion Picture Squadron was re-designated as the 1352d Photographic Group with headquarters at Lookout Mountain Air Force Station (LMAFS), 8935 Wonderland Ave, Los Angeles, CA. The offices of the Commander, Executive, Administrative, Comptroller, Manpower, Procurement, Base Supply, Civilian and Military Personnel, and Information Office were located at the "Annex" at 10850 Riverside Drive, Suite 208 of the North Hollywood Federal Building in North Hollywood.

In January, 1966 the Military Air Transport Service became the Military Airlift Command (MAC) with headquarters at Scott Air Force Base, Illinois. The Air Photographic and Charting Service became the Aerospace Audio Visual Service (AAVS) with headquarters at the 1365th Photographic Group, Orlando, AFB, Florida.

In March, 1967, the 1352nd Photographic Group was composed of two squadrons, four Detachments (Det) and two Operating Locations (O/L). The squadrons were the 1369th Photo Sq. at Vandenberg Air Force Base, CA and the 600th Photo Sq, Tan Son Nhut Air Base, Saigon, South Vietnam. The Detachments and Operating Locations were: Det. 2 1352d Colorado Springs, CO, Det. 3 1352d Hickham Air Force Base, Hawaii, Det. 4 1352d El Segundo, CA, Det. 7 1352d March Air Force Base, CA, O/L 1 1352d Elmendorf Air Force Base, Alaska, O/L 1 Det. 3 Yamato, AS, Japan.

From 1960 to 1969, the 1352d Photo Group, Lookout Mountain Air Force Station, was responsible for all documentary photographic capabilities and the maintenance and operation of laboratories and production facilities in the western part of the United States (west of the Mississippi River), the Pacific and the Far East.

Productions

In an average year, Lookout Mountain produced 150 reels of finished film, a reel being 10 minutes of film, or roughly 35–40 finished films. In addition, Lookout Mountain provided film input for the monthly Air Force Newsreel, shown to Air Force personnel around the world, and briefing films for HQ USAF and unclassified film clips for the Secretary of the Air Force, Office of Information (SAFOI) to distribute to TV media from film received daily from the 600th Photo Squadron documenting Air Force combat operations in Vietnam.

Many of the Film Reports, Training Films and Special Film Projects featured well known Hollywood actors and voice-over narrators. Among those who have starred in Air Force films shot at "the Hill," as Lookout personnel called the studio, were: Reed Hadley, Bob Hope, Jimmy Stewart, Robert Preston, James Garner, Juliet Prowse, Gregory Peck, Keenan Wynn, Marvin Miller, Les Tremayne, Kim Novak, Glenn Ford and Lee Marvin. While a Brigadier General in the Air Force Reserve, Jimmy Stewart narrated several films and starred in a series of public service announcements for the Civil Air Patrol. Leonid Kinsky, who had played the bartender in "Casablanca" in 1942, starred in a series of training films with titles like "Kinsky's Report on Frostbite".

Among Special Film Projects were films like  which told the story of a squadron of F-105 pilots who flew to North Vietnam to bomb strategic targets and often had to fight their way in and out against North Vietnamese MIGS. USAF Combat Photography In Southeast Asia which told the story of the 600th Photo Squadron whose combat photographers documented Air Force operations in South Vietnam and which included the rescue of down pilots from North Vietnam. A Night On Jackrabbit Mesa, explained to civilian authorities, police, fire and rescue, how to secure and handle the crash of an Air Force plane. Escape and Evasion, taught downed pilots how to evade the enemy and live off the land until rescued.

For years, at Christmas, the Air Force provided Bob Hope with air and logistical support for his annual Christmas tours to Vietnam to entertain the troops. As part of this support, Lookout Mountain Air Force Station provided 35mm film equipment and film crews to document Hope's tours. His tours were later broadcast on NBC as Bob Hope Specials.

Lookout Mountain Air Force Station also supported the AEC with documentation of underground nuclear tests at the Nevada Test Site (NTS), Mercury, NV. Beginning in 1951 with Operation Ranger, the first series of atmospheric tests at NTS, photographers from the 1352 Photographic Squadron and the U.S. Army Signal Corps began experimenting with different photographic methods from high-speed to wide-screen. Nuclear tests were filmed in 35mm and 16mm color, in Cinemascope, VistaVision, and even 3-D. One of the last underground nuclear tests covered by Lookout Mountain crews was Midi Mist in June, 1967. Between 1946 and 1969, Lookout Mountain studio produced more than 6,500 films for the Atomic Energy Commission and other government agencies. Many of these films remain classified.

Personnel
In the 1960s, Lookout Mountain, AFS was staffed by more than 250 military and civilian personnel. The studio employed many talented civilians as producers, writers, directors, cameramen, editors and animators. Many of these "old timers" had worked at Warner Bros., Metro-Goldwyn-Mayer, Universal and RKO Pictures." In addition, many of the producers and directors were veterans of Frank Capra's World War II film unit, or had been with combat photo teams of the Army, Navy and Marines.

W. Donn Hayes (1893–1973), who coined the name American Cinema Editors (ACE), was the past president of the Motion Picture Editors Guild and worked at Lookout Mountain as his last career assignment. Hayes had been in the film and television industries since 1916. Among his credits were Tarzan Escapes (1936), Hitchcock's Rebecca (1940), and Li'l Abner (1940).

Another Lookout Mountain editor, William "Bill" Holmes (1904–1978) had edited 54 feature films at Warner Bros. Holmes' credits included: Ben Hur (1925), I Was A Fugitive From A Chain Gang (1932), Dark Victory (1939), They Died With Their Boots On (1941) and Sergeant York, for which he won the 1941 Academy Award for Best Editing.

Barry Shipman (1912–1994), one of Lookout Mountain's writers, had written serials for Universal Pictures including Dick Tracy (1937) and Flash Gordon Conquers The Universe (1940), and had written for such TV series as Lassie, Ramar of the Jungle, Adventures of Wild Bill Hicock and Death Valley Days.

1966–1975

In 1966 the 1352 Photographic Group took on a new role, the documentation of the growing war in Vietnam. On the 8th of February 1966, Det. 5, 1352 Photographic Group at Tan Son Nhut Air Base, South Vietnam became the 600th Photo Squadron charged with the increased responsibility of all USAF photographic services in Southeast Asia except reconnaissance photography. This responsibility grew over the years to include combat documentation, automatic gun-camera and high-speed pod and blister photography of ordnance deliveries, still photography, and photographic support of the Vietnamese Air Force (VNAF).

Between 1966 and 1976, the 600th Photo Squadron lost 11 combat cameramen killed-in-action. Four were killed in 1968 at the height of U.S. combat operations in Vietnam.

Deactivation
In June, 1969, the 1352d Photographic Group at Lookout Mountain Air Force Station was discontinued and all personnel and equipment was relocated to Norton Air Force Base, CA. HQ AAVS relocated to Norton Air Force Base in July 1969. The 1360th Photographic Squadron, the USAF'S Film Depository, also relocated to Norton Air Force Base from Wright-Patterson Air Force Base in July 1969. The Air Force's film depository houses over 100 million feet of 16mm and 35mm color motion picture film.

Private use
The facility was decommissioned and sold.
The property was purchased at auction for $50,000. Dehl Berti, an American Indian actor, was the first private owner of the property. He struggled to keep the property afloat in the late 1970s and 1980s. With the purchase he had a full sound stage and production facility but did not include the canon-gun pillbox structure, meant for defense of the facility, at the end of the mountain. The sound stage still had the maps of the planned flight patterns painted on the floor. A former base employee reported that these maps were used by the film crew to identify A-bomb targets as they would look to pilots from the air. He also implied that the same sound stage was used to photoshoot a Moon landing back-up, in the case of transmission failure of the original landing. These claims are disputed though by historians such as Ned O'Gorman, as while Berti may have found what they thought was a Moon scene, however since by the mid-1960's Lookout Mountain's function had shifted towards filming Vietnam informational films for the military, the scenes and sets would be deserts which could be misconstrued as the Moon.

Berti began the addition of a swimming pool which could be viewed through thick glass windows in the former underground film development lab, as well as installing bathrooms in some of the rooms. Berti went broke and the property was repossessed by Berti's Orange County lender in the early 80's. Phil Seiflein, a local real estate developer, optioned the property in the mid-80's but lost control of it while traveling when his partners failed to exercise his $500,000 option and then failed to bid on it. A computer developer purchased it at auction in the mid-80s for $550,000 and completed redevelopment of the property into a liveable facility.

It was resold again in 1994 for $750,000 to artist Mark Lipscomb and attorney and former judge John Ladner.

It has been a private residence for many years. In 2011, the property was put up for sale for over $6 million (USD). When it was placed up for sale in 2011, the facility was a 50 thousand square foot, eight bedroom residence on a 1.5 acre property.

As of November, 2012, the former Air Force film studio and laboratory had been leased by the One80Center as a rehab center which, according to broker/blogger Jimmy Bayan, will be used to "house up to 18 residents at a time, who will dish out up to $50,000 per month to live and recover in this historic treasure."

In January 2015 actor Jared Leto purchased the property for $5 million.

References

Installations of the United States Air Force in California
American film studios
Military installations closed in 1968
1941 establishments in California
Nuclear history of the United States
1968 disestablishments in California
Los Angeles Historic-Cultural Monuments
Laurel Canyon, Los Angeles


title: 15 Great Hits

text:
15 Great Hits is the fifth album by the rock band The Kingsmen, released in 1966.

Release and reception

The Kingsmen's fifth album was an amalgam containing seven new songs, one previously released single, four alternate versions of previously released songs, and three tracks from earlier LPs.  The album entered the Billboard LP chart on August 20, 1966, and remained for eight weeks, peaking at #87. The album's sales were supported by the continued popularity of "Louie Louie" (re-released in 1966 as "Louie Louie 64-65-66") and the Kingsmen's busy touring schedule.

Both mono (WDM 674) and stereo (WDS 674) versions were released.  International releases included Canada (Wand 674), France (Disques Vogue CLVLXS 101 30), Taiwan (CSJ 519, orange vinyl), and United Kingdom (Pye International NPL 28085). The album has not been reissued on CD.

This was the group's fifth and final album chart appearance, and the last effort by the 1963-1966 line-up of Lynn Easton, Mike Mitchell, Barry Curtis, Dick Peterson, and Norm Sundholm.  Later in 1966, Barry Curtis was drafted and Norm Sundholm left to develop Sunn amplifiers.

Track listing
 Twist & Shout – 2:58 (P. Medley-B. Russell)
 Money – 2:13 (B. Gordy-J. Bradford)
 Jenny Take a Ride (C.C. Rider) – 3:14 (B. Crewe-E. Johnson-R. Penniman)
 Do You Love Me – 2:36 (Berry Gordy)
 Oo Poo Pah Doo – 3:01 (Jessie Hill)
 Shout – 2:22 (Isley Brothers)
 New Orleans – 2:53 (F. Guida-J. Royster)
 Fever – 3:14 (Eddie Cooley & Otis Blackwell)
 Killer Joe – 2:15 (Russell-Elgin-Medley)
 Good Lovin' – 2:17 (A. Resnick-R. Clark)
 Quarter to Three – 2:05  (F. Guida-G. Barge-J. Royster)
 Poison Ivy – 2:09 (J. Leiber-M. Stoller)
 Searchin' – 3:22 (J. Leiber-M. Stoller)
 Hang On Sloopy – 2:42 (Russell-W. Farrell)
 Satisfaction – 3:32 (Jagger/Richards)

Charts

Musicians and production
Lynn Easton: vocals, saxophone
Mike Mitchell: vocals, lead guitar
Barry Curtis: organist
Norm Sundholm: bass guitar
Dick Peterson:  drums
Producer:  A Jerden Production by Jerry Dennon
Liner notes:  Don Steele (KHJ)
Cover design:  Burt Goldblatt

Notes

1966 albums
The Kingsmen albums


title: Dilakko

text:
Dilakko (, before 1961: Σέσο Seso, ) is a village of the Zagori municipality, northwestern Greece. Before the 2011 local government reform it was part of the municipality of East Zagori. The 2011 census recorded 19 inhabitants in the village. The village of Dilakko is a part of the community of Elatochori.

See also
List of settlements in the Ioannina regional unit

References

Populated places in Ioannina (regional unit)
Zagori


title: Antonio Maria Magro

text:
Antonio Maria Magro (born 5 June 1954) is an Italian film director, actor and screenwriter.

Life and career

Born in Catanzaro, he soon moved to Bologna, where he grew up. In 1980, he joined the Compagnia di Prosa Radiofonica di Firenze, the national radio acting company, in which he took part, as leading actor, to more than 300 plays. He then joined the Compagnia di prosa della RadioTelevisione Svizzera, the main Swiss-Italian radio acting company in Lugano, playing, throughout his career as a voice actor, along with top Italian actors like Vittorio Gassman, Giorgio Albertazzi, Arnoldo Foà, Salvo Randone or Giancarlo Dettori.

His first work as film director and screenwriter is 1976’s Decadenza, his first feature film starring Italian actor Raf Vallone. Over the following years, he directed many documentaries and TV commercials and, thanks to his distinguish work, in 1990 the University of Ferrara charged him of shooting a television film to celebrate the 600th anniversary of the foundation of the university: L’ulivo e l’alloro, which he wrote and directed and made him win the Special Jury Prize at the Vienna International Film Festival in 1992. In 1992, he shot two feature films he wrote and directed for his newborn film production company: Dov’era lei a quell’ora with world-famous Swedish actress Anita Ekberg, Italian actors Oreste Lionello, Dalila di Lazzaro, Riccardo Fogli and Storie di seduzione, co-starring with Florence Guérin and with Carrol Baker and Marina Suma.

For television, he wrote, directed and hosted I viaggi dell’anima for Rai 2, a 53-episode program. In 2003, he starred in I salmoni del San Lorenzo, an Italian-Hungarian feature film (co-produced by Rai Cinema and Cinema-Film KFT Budapest), directed by András Ferenc.

Personal life
Antonio has a daughter, Maria Elena. He married the model and singer Patrizia Deitos in 2017.

Filmography

Written and directed
Decadenza (1976)
L’ulivo e l’alloro (1991)
Dov’era lei a quell’ora? (1992)
Storie di seduzione (1995)

Actor
I salmoni del San Lorenzo, directed by András Ferenc (2003)

References

External links

 Official site

1959 births
Living people
Italian film directors
Italian screenwriters
Italian male screenwriters
Italian male film actors
Film people from Bologna


title: Viswanatha chikitsa

text:
Viswanatha chikitsa is a text written by physician Viswanatha Sen from West Bengal in India in 1921. This work reflects the popular Ayurvedic formulations of the author's practice. The text was originally published from Narendrapur of West Bengal in India. Until 2013, only few copies were available, published by Chaukhambha Orientalia. Viswanatha Chikitsa is among the list of books provided in the First Schedule of Drugs and Cosmetics Act 1940 in India.

Authorship
Several physicians named Viswanatha Sen are present in the history of ayurveda.

The identity of the author becomes controversial since CCRAS (Central Council for Research in Ayurveda and Siddha) published a text Chikitsarnava in two parts by a different author also named Viswantha Sen, according to Mahesh Kumar C.S., the latest editor of Viswanatha Chikitsa. The author of Chikitsarnava lived in West Bengal while the author of Viswanatha Chikitsa first lived in West Bengal and moved to Orissa to work as King Prataparudra Gajapathi's court physician. In 1990 CCRAS published an article that mentions Chikitsarnava and Viswanatha Chikitsa as distinct.

Sen is believed to be the author of another book, Pathyapathyavinischaya.

Sen claimed that his father was Mahendranath and his teacher was Prabhakara. Mahendranath must be a follower of either Gananath Sen (1877–1945) or Gananath Sen's father, Viswanath Sen.

Vaidya Prabhakara was mentioned by Acharya Priyavrata Sharma. Prabhakara is believed to be the father of Vaidya Ramachandra, who authored the work Indrakosha (a lexicon on medicinal plants). Probably, he is Sen's teacher.

Viswanatha Vaidya (1623–76), son of Narayana is probably the author of Kosakalpataru.

Structure
It is a small text consisting of seven chapters in total, each chapter containing ten formulations:

 Swarasa Prakarana (freshly extracted juices)
 Kashaya prakarana (decoctions)
 Churna prakarana (powders)
 Asava-Arishta prakarana (fermented products)
 Avaleha prakarana (linctus)
 Ghrita-taila prakarana (medicated ghee & oils)
 Gutika prakarana (tablets & pills)

References

Ayurvedic texts
1921 documents


title: The Whyalla News

text:
The Whyalla News is a newspaper serving the town of Whyalla on Eyre Peninsula, South Australia since 1940. It was later sold to Rural Press, previously owned by Fairfax Media, but now an Australian media company trading as Australian Community Media.

History

The Whyalla News was first published on 5 April 1940 by Jock Willson and trading as Northern Newspapers. In 1950, the newspaper's editor was J. E. Edwards. As of January 2015, the newspaper's editor is Eli Gould. Gould was preceded by Kate Bilney. In November 1960, the Whyalla News became a biweekly newspaper, before it became a triweekly in October 1968. The newspaper chronicled the development of the town from its infancy as a BHP company town through the establishment of the Whyalla steelworks, autonomous local government in 1970, and the closure of the shipyard in 1978.

Other Northern Newspapers holdings included the Transcontinental, the Spencer Gulf Pictorial (1970-1992), the Recorder, the Flinders News, Eyre Peninsula Tribune, the Barossa Herald, and the Times, as well as a printing company. In 1991, it was sold to Rural Press, which merged with Fairfax Media in 2006–2007.

Distribution
Today, its reportage includes any news relevant to the people of Whyalla and neighbouring towns of Cowell, Kimba and Iron Knob. During the half-year ending December 2015, average circulation was 2,559. Like other  Rural Press publications, the newspaper is also available online.

References

External links
 Whyalla News

Newspapers published in South Australia
1940 establishments in Australia
Newspapers established in 1940
Whyalla
Weekly newspapers published in Australia


title: Gua Ah-leh

text:
Grace Gua Ah-leh (born 2 June 1944) is a Taiwanese actress and singer. Gua has portrayed over 200 roles in film and television since 1965. She has won the Golden Horse Awards 4 times and the Golden Bell Awards twice.

Life and career
Also known as Kuei Ya-lei and Grace Gua, Gua Ah Leh was born in China in 1944.  She studied acting at the National Taiwan University of Arts.  In 1965, she made her professional movie debut in The Rain of Sorrow, and received a Golden Horse Award for Best Leading Actress. That award made her the youngest Leading Actress winner in the Golden Horse history.  Next year, she was in the movie Home, Sweet Home.  Her performance in that movie won the Best Leading Actress in the Asia Pacific Film Festival (Indonesia), and another Best Leading Actress Golden Horse award.  In 1978, she won the Best Supporting Actress Golden Horse award for her role in The Diary of Di-Di.

In 1986, Gua Ah-leh was the producer for Fortune, Prosperity, Longevity, and Happiness () a TV show that focused attention on senior care.  In 1991, she won a Golden Bell Award leading actress for her role in the TV show Her Growth ().  In 1997, she won a second Golden Bell Award leading actress for her role in the TV show Marian.  In 1993, she worked with director Ang Lee in the movie The Wedding Banquet and went on to receive the Best Supporting Actress Golden Horse award.  She was also nominated in the Independent Spirit Awards for Best Supporting Female in US. In 1994, she worked with Ang Lee again and was nominated as the Best Supporting Actress in the Golden Horse Awards for the movie Eat, Drink, Man, Woman.   In 1995, she won the Best Leading Actress award in Eastern Europe in the Karlovy Vary International Film Festival for Maiden Rose.  In 1997, she won the Golden Bell Best Leading Actress award for the TV show Virgin Mary.  In 2006, she won the Best Supporting Actress in the Hundred Years Flower Award for the movie The Knot in China.

For the last five years, she has been working on films in Hong Kong, China and Taiwan that support equal rights and same sex marriage. In 2015, she was the leading actress in the film Baby Steps, which was one of the most popular gay movies in Taiwan. Her performance was nominated for Best Actress at Los Angeles Outfest 2015, and won the Best Actress award at the 2015 Winston-Salem Out at the Movies Festival.

Selected filmography
Film
 The Rain of Sorrow (1965)
 You Can't Tell Him (1971)
 The Coldest Winter in Peking (1981)
 The Anger (1982)
 Lai Shi, China's Last Eunuch (1988)
 Miracles (1989)
 The Wedding Banquet (1993)
 Eat Drink Man Woman (1994)
 Tonight Nobody Goes Home (1996)
 The Knot (2006)
 20 Once Again (2015)
 Baby Steps (2015)
 Summer's Desire (2016)

Television series
 Palace of Desire (2000)
 Ju Zi Hong Le (橘子红了) (2001)
 The Prince of Qin, Li Shimin (2005)
 The Emperor in Han Dynasty (2005)
 The Dream of Red Mansions (2010)
 The Legend of Incorruptible Stone (2011)
 Poetry of the Song Dynasty (2019)

Awards and nominations
Golden Horse Film Festival (1965), Best Leading Actress for The Rain of Sorrow
Golden Horse Film Festival (1966), Best Leading Actress for Home, Sweet Home
Asia Pacific Film Festival (1966), Best Leading Actress for Home, Sweet Home
Golden Horse Film Festival (1978), Best Leading Actress for Didi's Diary
Golden Bell Award (1991), Best Leading Actress for TV Her Growth (她的成長)
Golden Horse Film Festival (1993), Best Supporting Actress for The Wedding Banquet
Karlovy Vary International Film Festival (1995), Best Leading Actress for Maiden Rose
Hundred Flowers Awards (2008), Best Supporting Actress for "The knot"
Chinese American Film Festival (2019), Golden Angel for Best Actress in a Leading Role for Number One

References

External links

 Gua Ah-leh on Facebook

1944 births
Living people
21st-century Taiwanese actresses
Taiwanese television actresses
21st-century Chinese actresses
20th-century Chinese actresses
Taiwanese film actresses
20th-century Taiwanese actresses
Actresses from Changsha
Taiwanese people from Hunan
Taiwanese stage actresses
National Taiwan University of Arts alumni
Taiwanese Mandopop singers
Singers from Hunan
20th-century Taiwanese women singers


title: Miami City Hall

text:
Miami City Hall is the local government headquarters for the City of Miami, Florida. It has been located in the former Pan American Airlines Terminal Building on Dinner Key, which was designed by Delano & Aldrich and constructed in 1934 for the former International Pan American Airport, since 1954. The city's government headquarters originated in Downtown Miami for 58 years until its relocation to Coconut Grove.

History
An early city hall located in downtown on Flagler Street (formerly "Twelfth Street") just southeast of the Florida East Coast Railroad Miami depot and designed by Walter De Garmo was in use from 1907 until 1928. Miami's city hall was then relocated one block north, and housed in the newly constructed Dade County Courthouse from 1928 until it was moved to its current Coconut Grove location in 1954.

The terminal building was added to the U.S. National Register of Historic Places on February 20, 1975.

Pan Am's final flight to Dinner Key took place August 9, 1945 as seaplane use decreased with the construction of landing fields (airports) in Latin America.

Gallery

See also
 Government of Miami
 List of mayors of Miami
 Coast Guard Air Station Dinner Key

References

National Register of Historic Places in Miami
Government buildings completed in 1931
Coconut Grove (Miami)
Pan Am
City and town halls in Florida
Government of Miami
City and town halls on the National Register of Historic Places in Florida
1934 establishments in Florida


title: Sounds of Rain

text:
Sounds of Rain () also known as Ava-ye Baran, is an Iranian TV series directed by Hussein Soheilizadeh that airs on IRIB Channel 3. The series has produced 40 episodes, each 45 minutes long.

The series is about the life of a man named Taha Riahi. He is looking for his missing daughter, whose eating behavior was hoped to have been modified by medicine.

Plot
Taha is a successful businessman and a widower living with his five year old daughter. On a business trip to Turkey, he is framed for smuggling drugs and sentenced to life in prison, so he entrusts everything he has, including his daughter, to his nephew. After 20 years, Taha is released and comes back home, but things are not exactly as he had left them. He soon realizes he may have put his trust in the wrong people.

Cast
Sam Derakhshani: Nader, Taha's nephew
Hamidreza Pegah: Taha Riahi, a successful businessman and a widower living with his five year old daughter
Elham Kharkhandeh as Zivar, Nader's wife
Azadeh Zarei: Baran Riahi, Taha's daughter
Mobina Sadat Atashi: Baran as a child
Siavash Kheirabi: Farid, Nader and Zivar s son
Niloofar Parsa: Bita, Nader and Zivar's daughter

References

External links
Sounds of Rain at the Internet Movie Database
The Sounds of Rain  at Ifilm

Iranian television series
2010s Iranian television series
2014 Iranian television series debuts
2014 Iranian television series endings
Islamic Republic of Iran Broadcasting original programming
Persian-language television shows


title: Doliani

text:
Doliani (, ) is a village and a community of the Zagori municipality in Ioannina Regional Unit, Greece. Before the 2011 local government reform it was part of the municipality of East Zagori, of which it was a municipal district. The 2011 census recorded 55 inhabitants in the village. The community of Doliani covers an area of 17.276 km2. Doliani is a traditional Aromanian (Vlach) settlement.

See also
 List of settlements in the Ioannina regional unit

References

Populated places in Ioannina (regional unit)
Zagori
Aromanian settlements in Greece


title: Liam Hogan (hurler)

text:
Liam Hogan (10 March 1939 - 15 January 2014) was an Irish hurler who played as a right wing-forward for the Limerick senior team.

Born in Bruree, County Limerick, Hogan first played competitive hurling whilst at school at Charleville CBS. He arrived on the inter-county scene at the age of eighteen when he first linked up with the Limerick minor team, before later joining the junior side. He made his senior debut in the 1958 championship. Hogan went on to play a key part for Limerick for over the next few years, however, he enjoyed little success in terms of silverware.

As a member of the Munster inter-provincial team for one season, Hogan won one Railway Cup medal as a non-playing substitute in 1963. At club level played with Bruree.

Throughout his career Hogan made nine championship appearances. A serious eye injury brought an end to his career during the 1963 championship.

Honours

Team

Munster
Railway Cup (1): 1961 (sub)

References

1939 births
2014 deaths
Bruree hurlers
Limerick inter-county hurlers
Munster inter-provincial hurlers


title: C. ehrenbergii

text:
C. ehrenbergii may refer to:

 Canna ehrenbergii, a garden plant
 Chlidanthus ehrenbergii, a South American plant
 Chlosyne ehrenbergii, a Mexican butterfly
 Closterium ehrenbergii, a cylindrical algae
 Croton ehrenbergii, a medicinal plant
 Cylindrocarpon ehrenbergii, a plant pathogen

See also

 C. ehrenbergi (disambiguation)


title: 5.11 Tactical

text:
5.11 Tactical (pronounced "five eleven tactical") is an American apparel brand of outdoor clothing, footwear, uniforms and tactical equipment, primarily targeting the market of military, law enforcement and public safety personnel. The company is based in Irvine, California, and also operates a chain of retail stores, with 96 locations as of July, 2022.

History
5.11 started in Modesto, California as a clothing line created by rock climber Royal Robbins. Upon reaching the top of a climb in Yosemite National Park, Robbins noticed that the pants he was wearing were not suited for climbing and decided that he needed to design something more durable and with better functionality. Robbins and his wife Liz owned a boot and clothing company, Royal Robbins LLC, and began manufacturing specialty pants by the name of "5.11" in 1968, which had a trademarked strap-and-slash pocket design.

The name "5.11" comes from the highest rock climbing difficulty level that was listed in the Yosemite Decimal System, which was developed by Robbins in the 1950s. The difficulty level is somewhat jokingly defined as, "after thorough inspection, you conclude this move is obviously impossible; however, occasionally someone actually accomplishes it".

Robbins sold a 51% stake in his company to Dan Costa in 1999, who, after much streamlining, noticed that the 5.11 pants were becoming popular at the FBI Academy in Quantico, Virginia. Costa bought the entire company in 2002 and ended up selling Royal Robbins Clothing back to Robbins in 2003, but kept the 5.11 brand and spun off a whole new company called 511 Inc. or 5.11 Tactical. Partnering with the FBI, Dan Costa and his co-partner Francisco Morales began creating additional tactical apparel and improving on the existing product line.

In 2006, 5.11 Tactical was ranked #211 on Inc. magazine's list of the 500 fastest-growing companies in the nation. In 2007, TA Associates, a Boston private equity firm, bought a majority stake in 5.11 Tactical for $305 million.

In 2012, 5.11 Tactical purchased Seattle-based custom outdoor apparel brand, Beyond Clothing LLC, for an undisclosed amount. An April Fools' joke that same year resulted in the production of the Tactical Duty contemporary kilt. Also in 2012, the company announced it was moving development jobs to Irvine, California, while leaving some functions in Modesto.

In 2014, the company expanded into retail and opened pilot locations in Riverside and Las Vegas, and the following two years it opened stores in California, Colorado, Texas, Florida, Utah and Australia.

In 2016, the company was acquired by Compass Diversified Holdings for US$401 million.

Retail stores
As of August 2023, 5.11 Tactical operates a chain of over 100 retail stores across 34 states in the United States, as well as overseas branches in Germany, Australia, Mexico, Bahrain, Mainland China, Taiwan, Indonesia, Ireland, Japan, and Philippines. Additionally, the flagship store was established to Finland in August 2020.  In 2023, they have continued their plan to open new stores with multiple locations under development.

In popular culture
5.11 Tactical makes clothing, gloves, boots, holsters, knives, flashlights, slings, and packs for law enforcement use, but is popular with civilian shooters and private military contractors.

Actress Jennifer Garner and her co-stars wore 5.11 watches in the 2007 film The Kingdom.

5.11 is the official plate carrier of the CrossFit Games..

5.11 products are featured in various Ubisoft video games including Tom Clancy's Ghost Recon Wildlands, Far Cry 5, Tom Clancy's The Division 2, and Tom Clancy's Ghost Recon Breakpoint.

In the episode "The Truth Has a Ring to It" from the second season of the HBO series Barry, Monroe Fuches (portrayed by Stephen Root) is seen wearing a 5.11 backpack.

References

Clothing brands of the United States
United States military uniforms
Law enforcement uniforms
Clothing companies established in 1992
1992 establishments in California
American companies established in 1992


title: Dmytro Bulatov

text:
Dmytro Serhiyovych Bulatov (; August 13, 1978 in Kyiv) is a Ukrainian civic activist who was the Minister of Youth and Sports during the first Yatsenyuk Government in 2014.

Bulatov was the leader of the AutoMaidan, which was the mobile car-based arm of the anti-government Euromaidan movement. He was also in charge of the "Socially Responsible Society" NGO. Due to his activism, he was kidnapped and tortured outside the villas of the Ukrainian government and business figures.

Biography
Bulatov is a graduate of the Kyiv Polytechnic Institute. In 2001, he graduated from the Electronics Department with a degree in Engineering of Microelectronics and Semiconductor Devices.

Between 1998 and 2014, Bulatov had his own business and held key positions in state and private companies. He worked as the Director of the Tsentr-K Private Enterprise (1998-2003), as the Chief of Q-Service Group of Companies (2003-2007, marketing, advertisement and design), as the deputy director of ITERA Group of Companies (2007-2008, building activity), the Director of “Promlohistyka” LLC (2008-2009, metallurgy), and as the Director of “Torhovo-Promyslovyi Holding” LLC (2009-2010, oil and gas trade). In conjunction with this, he held consulting activities in the areas of marketing, advertisement and sales. Between 2010 and 2013, he was the owner of Stolnik Autocenter, but after certain events, the business vector was changed and Bulatov began to work mainly in consulting.

Between May and October 2010, he worked as the Director of the “Ukrrybproekt” Designing Institute for Fisheries and Fishery Industry and in the State Committee of Fishing of Ukraine under the Ministry of Agrarian Policy of Ukraine. During this half of the year, he turned the institute from a losing organisation to a profitable one.

At the beginning of 2013, he created the "Socially Responsible Society" NGO. Together with the Ukrainian Philanthropists Forum, this organisation began the National Philanthropists Top List. In April 2013, Bulatov organised the dismantling of alcohol sale points in Muromets Park. In September 2013, he agitated for the prohibition of alcohol festivals at playgrounds. After his 12-year-old son got stuck in an open drain while riding a bicycle, he and the members of his organisation took to the streets to cover up open drains in the city of Kyiv.

Bulatov is married and has three children. He was active in wakeboarding and took part in national competitions.

AutoMaidan
On November 30, 2014, Bulatov found out about the forceful dispersal of Euromaidan and, together with his friend Oleksii Hrytsenko, decided to organise a car run across Kyiv in order to involve people in the protest. On the first day, about 300 drivers partook in the action. On the morning of December 1, Bulatov gathered with other participants (most notably Vasyl Futin, Tetiana Chornovol, Andrii Dzidzia, Volodymyr Kadura, and others) to delegate responsibility. This was the beginning of AutoMaidan.

Bulatov was the organizer and took part in most of AutoMaidan's actions, particularly in a drive to Mezhyhiria, in visits to other high-ranking person and troop leader of “Berkut”, and also in blocking of “Berkut” in Sviatoshynskyi District, Kyiv.

Kidnapping and torturing
On January 22, 2014, activists of AutoMaidan announced that Bulatov went missing. The last time Bulatov got in touch was the evening of January 22. On January 23, at approximate four o'clock in the morning, “Berkut” arrested a minimum of 15 activists of AutoMaidan who patrolled Hospital No. 17 in Kyiv and piled up nine cars. AutoMaidan announced a reward of ten thousand US dollars for information to help find Dmytro Bulatov and save his life. Subsequently, this amount was increased up to twenty-five thousand US dollars.

On January 30, Bulatov got in touch with friends and claimed he had been kidnapped, and tortured by captors who spoke with Russian accents. After these tortures, he was brought outside the city and thrown out of a car.

Bulatov managed to get to the village of Vyshenky, Boryspil district. and asked for help. The same day, Bulatov was admitted to the Boris Clinic, where he received first medical care.
According to Petro Poroshenko, Dmytro Bulatov, Oleksandr Danyliuk, and Oleksii Hrytsenko (participant of AutoMaidan) were entered by the Ministry of Internal Affairs of Ukraine into the foreign travel ban list. This list was observed by the frontier guards. On February 2, Shevchenko District Court in the City of Kyiv rejected to uphold a motion of investigation to arrest Dmytro Bulatov. That same day, Bulatov went to Lithuania to be treated there in transit through Riga.

On 6 February 2014, while undergoing treatment in Lithuania, Bulatov stated at a press conference in Vilnius  that he was tortured to admit that his organisation was funded and aided by Americans and the U.S. ambassador to Ukraine, especially, and that he was hired to organise the Automaidan and the riots against the current government. During the press conference, Bulatov repeatedly stressed that he believed he was abducted by the Russian special forces and that the leader of Ukrainian Choice, oligarch Viktor Medvedchuk, might have been involved in his abduction. After one session of torture, "they made me say into a camera that I was a spy for the United States, that I was a spy for the CIA, that Americans were giving me money, that Automaidan was funded by Americans, and that I was specifically hired to organise the Automaidan and the riots against the current government." Bulatov also said: "After this torture, I said to the camera everything they asked me to say, and they recorded it all on video. I said that the U.S. ambassador gave me $50,000, which I used to buy gasoline for the Automaidan, to repair cars for the Automaidan activists, for whom I had bought several video cameras to film trips. That is, I lied only to get them to torture me less."

The kidnapping of Bulatov was widely condemned, including by the High Representative of the Union for Foreign Affairs and Security Policy, Catherine Ashton.

Fresh from medical care in Lithuania, Bulatov went to Germany to visit his relatives. On 15 February 2014, he held a press conference at Checkpoint Charlie Museum in Berlin where he again accused Medvedchuk of his kidnapping, but said: “That’s only a suspicion.” He confirmed that he would re-join protests in Ukraine and would not seek asylum.

On February 24, Dmytro Bulatov returned to Ukraine.

Now, the Ministry of Internal Affairs of Ukraine is carrying out an investigation into the kidnapping of Dmytro Bulatov.  Operational-Investigations Group is investigating five cases, including intimidation in relation to social and political activity.

Politics
In February 2014, Bulatov was appointed as the Minister of Youth and Sports in the first Yatsenyuk Government. He began reforms in the areas of sports and physical culture. However, in the second Yatsenyuk Government, he did not return. Bulatov also did not participate in the 2014 Ukrainian parliamentary election.

Six months before the end of his ministership, Bulatov was drafted into the Ukrainian army, where he fought in the War in Donbass until his draft period ended in July 2016.

In the summer of 2018, Bulatov was appointed Deputy Chairman of the State Reserve Agency. He was fired from this position in September 2019.

See also
List of kidnappings
List of solved missing person cases

References

1978 births
2010s missing person cases
Businesspeople from Kyiv
Formerly missing people
Kidnapped Ukrainian people
Kidnappings in Ukraine
Living people
Missing person cases in Ukraine
People of the Euromaidan
Politicians from Kyiv
Youth and sport ministers of Ukraine