title: Football at the 2014 Summer Youth Olympics – Girls' tournament

text:
The girls' football tournament at the 2014 Summer Youth Olympics took place at the Wutaishan Stadium and the Jiangning Sports Center, both located in Nanjing, China, between 14–26 August 2014.

Each match lasted 80 minutes, consisting of two periods of 40 minutes, with an interval of 15 minutes.

Participating teams
One team from each continental confederation participated in the tournament. The same country may not participate in both the boys' and girls' tournament. As hosts, China was given Asia's spot to compete in the girls' tournament (and thus could not participate in the boys' tournament). Teams may qualify through preliminary competitions, or be nominated for participation by their confederation, with the invited teams ratified by FIFA during their meeting in Zürich on 3–4 October 2013.

Squads

Players must be 15 years old (born between 1 January and 31 December 1999) to be eligible to participate. Each team consisted of 18 players (two of whom must be goalkeepers).

Match officials
A total of six referees and twelve assistant referees were appointed by FIFA for the tournament.

† Morag Pirie is affiliated with the Football Association of Scotland. Since Scotland is not a member of the IOC, she is listed by the IOC under Great Britain.

Group stage
The draw was held at the Hilton Hotel in Nanjing on 14 May 2014. The winners and runners-up of each group advance to the semi-finals. The rankings of teams in each group are determined as follows:
 points obtained in all group matches;
 goal difference in all group matches;
 number of goals scored in all group matches;
If two or more teams are equal on the basis of the above three criteria, their rankings are determined as follows:
 points obtained in the group matches between the teams concerned;
 goal difference in the group matches between the teams concerned;
 number of goals scored in the group matches between the teams concerned;
 drawing of lots by the FIFA Organising Committee.

All times are local: Nanjing in China Standard Time (UTC+8)

Group A

Group B

Knockout stage
In the knockout stages, if a match is level at the end of normal playing time, the match is determined by a penalty shoot-out (no extra time is played).

Semi-finals

Fifth place match

Bronze medal match

Gold medal match

Final ranking

Goalscorers
7 goals
 Deyna Castellanos

5 goals
 Ma Xiaolan

4 goals
 Martina Šurnovská

3 goals

 Zhang Jiayun
 Daniela Garcia
 Montserrat Hernandez
 Alejandra Zaragoza
 Nathalie Pasquel

2 goals

 Jin Kun
 Wan Wenting
 Dayana Cázares
 Bellinda Giada

1 goal

 Fang Jie
 Wang Yanwen
 Wu Xi
 Xie Qiwen
 Zhao Yujie
 Maria Acedo
 Ignacia Haoses
 Ivone Kooper
 Marity Sep
 Veronika Jančová
 Laura Suchá
 Argelis Campos
 Greisbell Marquez
 Yuleisi Rivero
 Hilary Vergara

1 own goal

 Diana Anguiano (playing against Slovakia)
 Andrea Herbríková (playing against Mexico)

References

External links
Event – Overview – Women, Nanjing 2014
Girls' Youth Olympic Football Tournament Nanjing 2014 , FIFA.com
FIFA Technical Report

Football at the 2014 Summer Youth Olympics
2014 in women's association football


title: List of animated feature films of 1970

text:
A list of animated feature films that were released in 1970.

See also
 List of animated television series of 1970

References

Feature films
1970
1970-related lists


title: 2014 Tour de Langkawi

text:
The 2014 Tour de Langkawi was the 19th edition of an annual professional road bicycle racing stage race held in Malaysia since 1996. The race was run at the highest category (apart from those races which make up the UCI World Tour, and was rated by the Union Cycliste Internationale (UCI) as a 2.HC (hors category) race as part of the UCI Asia Tour.

Teams
21 teams accepted invitations to participate in the 2013 Tour de Langkawi. Six UCI ProTeams were invited to the race, along with five UCI Professional Continental and seven UCI Continental teams. The field was completed by three national selection teams.
UCI ProTour teams

UCI Professional Continental teams

UCI Continental teams

 Giant-Champion System Pro
 OCBC Singapore Continental Cycling Team

National teams

 Indonesia
 Malaysia
 Hong Kong – China

Stages
The race comprises 10 stages, covering 1495.9 kilometres.

Classification leadership

Final standings

General classification

Points classification

Mountains classification

Asian rider classification

Team classification

Asian team classification

Stage results

Stage 1
27 February 2014 — Langkawi(Porto Malai) to Langkawi (Pantai Chenang),

Stage 2
28 February 2014 — Sungai Petani to Taiping,

Stage 3
1 March 2014 — Kampar to Kuala Lumpur,

Stage 4
2 March 2014 — Subang to Genting Highlands,

Stage 5
3 March 2014 — Karak to Rembau,

Stage 6
4 March 2014 — Melaka to Pontian,

Stage 7
5 March 2014 — Kota Tinggi to Pekan,

Stage 8
6 March 2014 — Kuantan to Marang,

Stage 9
7 March 2014 — Bandar Permaisuri to Kuala Terengganu,

Stage 10
8 March 2014 — Tasik Kenyir to Kuala Terengganu,

References

External links
 2014 Tour de Langkawi at cyclingnews.com
 2014 Tour de Langkawi at cyclingarchives.com

Tour de Langkawi
Tour de Langkawi
Tour de Langkawi


title: Thaddeus B. Glover

text:
Thaddeus Brown Glover (1852–1932) was a United States Army officer who received the Medal of Honor. His award came for gallantry during the American Indian Wars.

Life
Glover was born on January 2, 1852, and joined the United States Army in March 1876. Glover was assigned to Company B, of the 2nd Cavalry Regiment. Glover was awarded the Medal of Honor for his actions, on the dates of April 10, 1879, and February 10, 1880. He left the Army in March 1881, and later served as a Major in the Quartermaster Corps from January 1917 to October 1919.

Thaddeus Brown Glover died on December 18, 1932. He is buried at the Willow Hill Cemetery, in Southold, in Suffolk County, New York, United States.

Medal of Honor citation
The President of the United States of America, in the name of Congress, takes pleasure in presenting the Medal of Honor to Sergeant Thaddeus Brown Glover, United States Army, for extraordinary heroism.

Rank and organization: Sergeant, Company B, 2nd United States Cavalry Regiment. Place and date: At Mizpah Creek, Montana, and Pumpkin Creek, Montana, April 10, 1879 and February 10, 1880. Entered service at: United States. Born: January 2, 1852. Date of issue: November 20, 1897.

Citation:
"While in charge of small scouting parties, fought, charged, surrounded, and captured war parties of Sioux Indians".

See also
 2nd United States Cavalry Regiment
 List of Medal of Honor recipients for the Indian Wars

References

American Indian Wars recipients of the Medal of Honor
1852 births
1932 deaths
United States Army Medal of Honor recipients
United States Army officers
Military personnel from New York (state)


title: Frank Zummach

text:
Francis E. Zummach (January 28, 1911 – April 30, 2012) was an American basketball player and coach. He served as the head coach of the Sheboygan Red Skins, a team that played in the National Basketball League (NBL) and later the National Basketball Association (NBA), from 1939 to 1942. In 1940–41, the Red Skins made it to the NBL Finals before losing the series 3 games to 0 to the Oshkosh All-Stars. Zummach lived to become a centenarian and died when he was 101 years old.

Playing career
Zummach was born and raised in Milwaukee, Wisconsin and was a standout multi-sport athlete at Marquette University High School. He enrolled at Marquette University in 1929 but did not play basketball, his strongest sport, as a freshman. In fact, he had never planned to play in college, but when he became eligible to compete in 1930–31 as a sophomore, the team needed bodies and Zummach was given the opportunity to play. New head coach Bill Chandler did not play him in the first four games of the season, but Zummach played the final three quarters in a game against the University of Wisconsin—Marquette's rival—and helped the team to a 16–14 upset win. From then on he became part of the regular rotation, and prior to his junior season in 1931–32 he was given an athletic scholarship to remain on the team.

After his junior season in which Marquette finished 11–8, the team had a breakthrough year in Zummach's senior season. He anchored a defense that propelled the Golden Eagles to a 14–3 record, including wins over Notre Dame, Michigan State, Detroit, and Indiana. Although Zummach did not score much, his intangible skills greatly contributed to the team's success. Marquette's men's basketball team registered eight straight losing seasons prior to Zummach and head coach Chandler's arrival, and in their first three seasons together led the Golden Eagles to consecutive winning seasons.

Coaching career
Frank Zummach enrolled at the Marquette University Law School in 1933 after finishing his undergraduate studies the year before. Coach Chandler insisted that Zummach become an assistant coach, and thus in 1933–34 he became Marquette's first-ever paid assistant men's basketball coach. He stayed as an assistant through the 1938–39 season. Other than the 1939–40 season, Zummach played for or coached Marquette basketball throughout the entire 1930s, one which saw the program have a 63% overall win percentage.

On September 6, 1939, Zummach was officially appointed as the new head coach of the Sheboygan Red Skins, then of the NBL. At the time, the NBL was considered the premier professional basketball league in the country. He moved his law firm to Sheboygan, Wisconsin, and took over a franchise that had struggled to an 11–17 record the year before.

In his first season as coach, the Red Skins tied the Oshkosh All-Stars for first place in the Western Division. They went on to lose to the All-Stars in the Western Division championship series two games to one. The next year, Sheboygan advanced to the championship series, again against Oshkosh, but lost in the NBL Finals three games to zero. In 1941–42, Zummach's final year as head coach, the Red Skins mustered just a 10–14 record. After the season, Zummach stepped down as coach "because of a dispute with business manager Carl Roth over Roth's insistence on paying rookie Kenny Buehler a greater salary than veterans Eddie Dancker, Rube Lautenschlager and Kenny Suesens," according to The Oregonian sports writer Brian Gaynor. The Red Skins, under the direction of new head coach Carl Roth, won the NBL championship in 1942–43.

Later life
After coaching the Red Skins, Zummach concentrated on his legal career as one of the partners at Wolters & Zummach. He stayed active in the Wisconsin Bar Association, the St. Clement Catholic Parish, the Knights of Columbus, and also raised a family with his high school sweetheart. When he died on Monday, April 30, Zummach was 101 years old and the oldest living Marquette basketball alumnus. He was survived by his two children, eight grandchildren, and 23 great-grandchildren.

References

1911 births
2012 deaths
20th-century American lawyers
American centenarians
American men's basketball players
Basketball coaches from Wisconsin
Basketball players from Milwaukee
Marquette Golden Eagles men's basketball coaches
Marquette Golden Eagles men's basketball players
Marquette University High School alumni
Marquette University Law School alumni
Sheboygan Red Skins coaches
Sportspeople from Milwaukee
Sportspeople from Sheboygan, Wisconsin
Wisconsin lawyers
Men centenarians


title: Super Story

text:
Super Story is a Nigerian anthology television drama series created by Wale Adenuga who published the magazine on which the programme is based. The series originally aired on Thursdays by 8 pm on NTA; currently, Super Story is shown on NTA and Wap TV every Thursday by 8 pm and airs on several other terrestrial and cable networks at a later time.

List of series

Awards
It won the best television series at the Nigerian Broadcasters Merit Awards in 2016.

References

Nigerian drama television series
2000s Nigerian television series
2010s Nigerian television series
Television shows set in Nigeria
Nigerian Television Authority original programming


title: Shoal Lake

text:
Shoal Lake may refer to:

Lakes

 Shoal Lake (Kenora District, Ontario), Canada
 Shoal Lakes (Manitoba), Canada

Municipalities

 Municipality of Shoal Lake, Manitoba, Canada
 Shoal Lake, Manitoba

First Nations

 Shoal Lake First Nation, Saskatchewan, Canada
 Shoal Lake 40 First Nation, Manitoba/Ontario, Canada

First Nations reserves

 Shoal Lake 31J
 Shoal Lake 34B1
 Shoal Lake 34B2
 Shoal Lake 37A
 Shoal Lake 39
 Shoal Lake 39A
 Shoal Lake 40

See also
 Bull Shoals Lake


title: Barrows-Steadman Homestead

text:
The Barrows-Steadman Homestead is a historic house at the northeast corner of Main and Stuart Streets in Fryeburg, Maine, United States.  Built c. 1809, this frame house is a good vernacular example of Federal architecture, but is most notable for the murals painted on the walls of one of its bedrooms by Rufus Porter and Jonathan Poor, noted itinerant painters of the 19th century.  The house was listed on the National Register of Historic Places in 1982.

Description and history
The Barrows-Steadman House is a -story timber-frame structure, resting on a fieldstone foundation.  It is sheathed in clapboard siding, and has a gable roof pierced by two large internal chimneys.  Its main facade, facing Main Street to the northwest, is five bays wide, with a center entry flanked by sidelight windows and Doric pilasters and topped by a fanlight and entablature.  The secondary entry is on the southwest side, facing Stuart Street, and is centered on a three-bay facade.  The house's southwestern gable features a round-arch window and paired brackets, later Italianate additions.  An ell, built c. 1910, extends to the rear (along Stuart Street).  It has two doorways in its four bays.

The house was built c. 1809, and has been owned by members of the Barrows family since 1820.  The house's most notable feature is a room in which murals were drawn in 1830 by the itinerant artist (among many other professions he engaged in) Rufus Porter and Jonathan Poor.  This mural is a landscape work, featuring richly colored trees, and is extremely well preserved.

See also
Deacon Hutchins House, another Oxford County house with Porter murals
National Register of Historic Places listings in Oxford County, Maine

References

Houses on the National Register of Historic Places in Maine
Federal architecture in Maine
Houses completed in 1809
Houses in Oxford County, Maine
Fryeburg, Maine
National Register of Historic Places in Oxford County, Maine
Historic district contributing properties in Maine


title: List of animated feature films of 1971

text:
A list of animated feature films that were first released in 1971.

See also
 List of animated television series of 1971

References

Feature films
1971
1971-related lists


title: Action Jackson (soundtrack)

text:
Action Jackson: Original Soundtrack Album is the official soundtrack album for the 1988 film Action Jackson starring Carl Weathers, Vanity, Craig T. Nelson, and Sharon Stone.
The soundtrack album was produced by Richard Perry, Jeff Lorber, Stevie Salas, as well as Jesse Johnson and Bernadette Cooper. The soundtrack features new music by Herbie Hancock, The Pointer Sisters' R&B hit "He Turned Me Out", LeVert and Sister Sledge.

The soundtrack also includes three new songs by Vanity, "Faraway Eyes" and "Undress" written and produced by former The Time member and musician Jesse Johnson, and "Shotgun" with saxophonist Dave Koz. Koz himself also provides lead vocals on "Shotgun" with Vanity.

Track listing
US, Europe 12" Vinyl LP, record, compact cassette, and CD

References

External links

Action Jackson (soundtrack album)
Albums produced by Richard Perry
Action film soundtracks


The 2014–15 Tulane Green Wave women's basketball team represented Tulane University during the 2014–15 NCAA Division I women's basketball season. The season marked the first for the Green Wave as members of the American Athletic Conference. The team, coached by head coach Lisa Stockton, played their home games at the Devlin Fieldhouse. They finished the season 22–11, 11–7 in AAC play to finish in a tie for fifth place. They advanced to the semifinals of the American Athletic women's tournament where they lost to South Florida. They received an at-large bid to the NCAA women's tournament, where they lost to Mississippi State in the first round.

Media
All Green Wave games are broadcast on WRBH 88.3 FM. A video stream for all home games is on Tulane All-Access, ESPN3, or AAC Digital. Road games are typically streamed on the opponents website, though conference road games could also appear on ESPN3 or AAC Digital.

Roster

Schedule and results

|-
!colspan=9 style="background:#00331A; color:#87CEEB;"| Non-conference regular season

|-
!colspan=9 style="background:#00331A; color:#87CEEB;"| Conference regular season

|-
!colspan=12 style="background:#004731;"| 2015 AAC Tournament

|-
!colspan=12 style="background:#004731;"| NCAA Women's Tournament

|-

Rankings
2014–15 NCAA Division I women's basketball rankings

See also
 2014–15 Tulane Green Wave men's basketball team

References

Tulane
Tulane Green Wave women's basketball seasons
Tulane
Tulane
Tulane


title: Rainbow (sternwheeler)

text:
Rainbow was a sternwheel steamboat that was operated in the Coos Bay region of Oregon from 1912 to 1923. Rainbow is sometimes referred to as a "launch", meaning a small steamboat. This vessel's name is sometimes seen as Rain-Bow.

Design, construction, and launch
Shipbuilder Frank Lowe built Rainbow at Marshfield (Coos Bay), Oregon in 1912. The steamer was launched on March 26, 1912, at 7:00 a.m. No formal launching ceremony was held, due to uncertainty of when during the day the launch would occur. Rainbow had been built for Captain Charles E. Edwards, of Allegany, Oregon.

At the time of the launch, Rainbow had no engines, and to install the engines and otherwise prepare the vessel for service, was estimated, at the time of launch, to take about three weeks. Captain Edwards had been in charge of another vessel, the Alert, which he had taken out of service to allow him time to complete the Rainbow. Rainbow however was not completed so quickly, it being reported on May 3, 1912 that the vessel was "rapidly nearing completion."

Rainbow was  long, with a beam of  and depth of hold of . There were accommodations for 100 passengers The overall size of the steamer was 75 gross tons. and 58 registered tons. Total required crew was shown as only two.

The steamer was reported to have been "built specially for the auto travel so that the part of the journey on water could be made as quickly as possible." Freight was carried on the lower deck, which also included a men's cabin. A women's cabin was on the upper deck, and, when the steamer was placed in service, Captain Edwards intended to establish a restaurant on board.

Placed into service
On May 29, 1912, it was announced that Rainbow would be placed in service on June 1, 1912, on the run from Marshfield to Allegany. The steamer's initial planned use was to take passengers from Marshfield up the Coos River to Allegany, Oregon, where they could take an automobile route to Drain. The automobile route had been established just the year before and was claimed to be the quickest way to reach the main rail line.

Rainbow also transported livestock. On the afternoon of September 3, 1912, a cow broke loose on board and fell into Coos Bay. The crew rescued the animal unharmed with the aid of one of the steamer's boat davits.

Sunk by snag
On March 17, 1913, while running on the route between Marshfield and Allegany on the north fork of the Coos River, 'near the head of navigation Rainbow hit a snag and sank. According to one report, the water was shallow, so that the passengers were able to wait on the vessel's upper deck until they could be taken off by a gasoline launch. The extent of the damage could not be immediately determined.

According to another report, the accident occurred near Ox Head on the north Coos River, when Capt. Herman Edwards was at the vessel's wheel. The boat hit the snag a little below Ox Head but did not begin taking on water until a little further on, when the steamer grounded on a bank in shallow water. Four or five passengers were on board, and all were evacuated safely in small boats. The damage turned out not to be too severe.

Planned expansion of auto route
In May 1913, plans were announced to establish, within a few weeks thereafter, an automobile service route from Allegany to Loon Lake.  Rainbow, under Captain Edwards, was to make the water connection on this route, from Allegany to Marshfield.

On June 5, 1913, Rainbow carried a large crowd of passengers into Marshfield for the commencement ceremony at Marshfield High School.

In June, 1913, relief service for Rainbow was performed by the launch Telephone.

As of September 6, 1913, Rainbow was under the command of Capt. Herman Edwards and making tourist excursions on Sundays. Rainbow was employed on an excursion to the life-saving station on Sunday, September 7, 1913, departing from a dock at the rear of the Pioneer Hardware store at 8 a.m., with round-trip fare of 50 cents.

Machinery accident on board
On the evening of September 10, 1913, George Overst, then aged 20, who was serving as a fireman on the Rainbow was seriously injured when his clothing caught around a rotating shaft in the vessel's machinery. He could have been killed except that at just that moment the sternwheeler was coming in to the dock at Marshfield, and the engines were reversed, unwinding Overst's clothing and permitting him to free himself. Overst had only been in Coos Bay a few months and was originally from Sherwood, Oregon.

Sale and transfer to south fork Coos River
On September 26, 1913, Rainbow was advertised as making a connection to a new "auto stage" route that ran from Marshfield to Drain, Oregon via Allegany, Scottburg, and thereafter to Portland. Rainbow boarded passengers every morning at 8:00 a.m. for this route, the fare for which was $11 as far as Drain.

The traffic on the water-overland route from Marshfield to Drain via the water connection at Allegany did not prove to be great enough for Rainbow to sustain a profit. In October, 1913, Captain Edwards made arrangements for the transfer of Rainbow to Herbert H. Rogers and E. George Smith, who intended to place the vessel on the south fork of the Coos River, the demand for steamer services was rising.

It was considered likely that the Express, which had been on the south river run, would be transferred to the north fork, at least until the overhaul of Alert could be completed. The transaction was expected to be effective on about November 1, 1913, when it was estimated that an overhaul of Alert could be completed.

On January 20, 1914, Capt. A.G. Smith was reported to be in command of Rainbow.

On February 28, 1914, Rainbow was hauled out at the Kruse and Banks shipyard in North Bend, Oregon for repainting and maintenance.

As of February 25, 1915, Rainbow was providing service to and from Marshfield on the south fork of the Coos River. The vessel departed from the head of navigation on the south fork every morning at 7:00 a.m. en route to Marshfield, and then left Marshfield at 2:00 p.m. daily going back upriver.

Rainbow was then run in concert with the launch Express, which left Marshfield daily at 8:00 a.m, ran up the south fork of the Coos River, where it departed from the head of navigation at 3:15 pm and returned to Marshfield. The concern of Rogers & Smith were then the proprietors of both Rainbow and Express.

On June 8, 1915, a steam pipe broke on Rainbow, and the vessel lost power. As a result, when an anchor failed to hold, the steamer drifted ashore onto a flat. Rainbow was brought off later without damage, and the anchor was recovered.

George Smith, who by then had been captain of the Rainbow for four years, sold his interest in the Coos River Transportation Company to S.C. Rogers. The place of George Smith as captain was taken by Thomas Smith.

Lawsuit against the owners

In March 1921, a case was heard before the Coos County Circuit Court in which L.A. Blanc, owner of the Coos Bay Creamery, sued the Coos River Transportation Company for $19,000, claiming that sparks from the steamer Rainbow landed on the roof of the creamery, resulting in a fire which destroyed the structure and a large amount of cheese which had been stored inside. The creamery's owner, L.A. Blanc, had filed the legal action on June 1, 1920. The allegations, filed against the company as well as S.C. Rogers and Herbert Rogers, were that in the previous year, in June 1919, the creamery, which had been located on the Coos River about 1.5 miles from Marshfield, was found to be on fire a short time after the Rainbow passed, causing total destruction of the creamery and loss of a large amount of cheese and butter.

The creamery burned on June 16, 1919. Some diary stocks were salvaged from the fire, and at least some of the loss was believed to be covered by insurance.

Disposition
Rainbow was scrapped in 1923.

See also
 Steamboats of Coos Bay

Notes

References
 Historic Oregon Newspapers
 Newell, Gordon R. ed., H.W. McCurdy Marine History of the Pacific Northwest, Superior Publishing, Seattle WA (1966)

1912 ships
Steamboats of Oregon
Ships built in Oregon
Coos Bay Mosquito Fleet


title: List of animated feature films of 1972

text:
A list of animated feature films that were first released in 1972.

See also
 List of animated television series of 1972

References

Feature films
1972
1972-related lists


title: Therapeutic Lifestyle Changes

text:
Therapeutic Lifestyle Changes, also known as the TLC Diet, is a dietary pattern recommended by the National Cholesterol Education Program, part of the National Institutes of Health, to control hypercholesterolemia. This pattern focuses on saturated fats and cholesterol, dietary options to enhance LDL cholesterol lowering, weight control, and physical activity.

Background/History

High cholesterol is one of the major controllable risk factors for coronary heart disease, heart attack and stroke.   The National Institutes of Health created the National Cholesterol Education Program in 1985 to reduce cardiovascular disease rates in the United States by addressing high cholesterol. They created the TLC diet to be used alone or in conjunction with medication management to control elevated cholesterol. The diet was incorporated into the Adult Treatment Panel III (ATP III) for high cholesterol in adults which was released in 2002. Updated guidelines for cholesterol management were established in 2013 by the American Heart Association (AHA) and American College of Cardiology (ACC).

Diet Components

Essential Components of Therapeutic Lifestyle Changes

The main Therapeutic Lifestyle Changes components include:
 Less than 7 percent of your daily calories from saturated fat
 Less than 200 mg a day of cholesterol
 25–35 percent of daily calories from total fat
 Weight reduction if overweight with only enough calories to reach or maintain a healthy weight
 At least 30 minutes of a moderate intensity physical activity, such as brisk walking, on most, and preferably all, days of the week.

After six weeks, The National Cholesterol Education Program recommends checking the LDL cholesterol response to the changes; if the LDL cholesterol goal has not been achieved, other therapeutic options for LDL lowering can be implemented. These include: 2 grams per day of plant stanols or sterols and 10–25 grams per day of soluble fiber.

Macronutrient Distribution of the TLC Diet

The Therapeutic Lifestyle Changes macronutrient profile includes:
 Total fat: 25–35% of total calories
 Saturated fat: Less than 7% of total calories
 Polyunsaturated fat: Up to 10% of total calories
 Monounsaturated fat: Up to 20% of total calories
 Carbohydrate: 50–60% of total calories
 Dietary fiber: 20–30 grams per day
 Protein: Approximately 15% of total calories
 Cholesterol: Less than 200 mg/day

Research Findings

The recommendations for cholesterol management through lifestyle changes from the National Cholesterol Education Program have evolved over time based on data from epidemiological observations, animal studies, and clinical trials. Animal models have demonstrated a direct relationship between LDL cholesterol and atherosclerosis. Animals consuming diets high in saturated fat and cholesterol develop LDL cholesterol elevation and atherosclerosis.  Epidemiologic evidence in humans supports this direct relationship between LDL cholesterol and coronary heart disease risk.

One randomized crossover study completed at Tufts University and New England Medical Center looked at the Therapeutic Lifestyle Change diet relative to a typical Western diet. Thirty-six participants with moderately elevated cholesterol levels participated in two 32-day phases where the subjects consumed their normal dietary patterns or the experimental diet consistent with the NCEP recommendations. This diet provided 30% calories from fat, 7% calories from saturated fat, and 75 mg cholesterol per 1,000 calories. Relative to the Western diet, the TLC diet resulted in 11% lower LDL cholesterol.

Additional studies have looked at the benefits of plant stanols and sterols on lowering LDL cholesterol. One randomized, placebo-controlled, crossover trial assessed the lipid-altering efficacy of a softgel capsule providing esterified plan stanols/sterols in 28 subjects with primary hypercholesterolemia.   Participants followed the TLC diet for 5 weeks followed by 6 weeks of either the sterol/stanol capsule or a placebo before crossing over to the other product for 6 weeks while continuing the TLC diet. Results indicated that incorporating sterols/stanols into the TLC diet produced positive changes in LDL cholesterol by 9.2%, total cholesterol by 7.4%, and triglycerides by 9.1%. A following study replicated this original study design, supporting the efficacy of 1.8 grams/day of esterified plant sterols/stanols in adjunct with the TLC diet to reduce lipid levels in participants with hypercholesterolemia.

References

Diets


title: Prazeres Cemetery

text:
Prazeres Cemetery () is one of the largest cemeteries in Lisbon, Portugal; it is located in the freguesia (civil parish) of Estrela, in western Lisbon (formerly, within the parish of Prazeres). It is considered to be one of the most beautiful and famous cemeteries in the world. It is home to the Mausoleum of the Dukes of Palmela, the largest mausoleum in Europe.

Prazeres Cemetery is the resting place for many famous personalities, including Prime Ministers and Presidents of Portugal, notable literary figures such as author Ramalho Ortigão, famous artists like painters Columbano Bordalo Pinheiro or Roque Gameiro, prominent musical figures like pianist Alexandre Rey Colaço or composer João Domingos Bomtempo, and numerous other notable burials, especially from the Portuguese nobility.

History
Prazeres Cemetery was founded in 1833 after the outbreak of cholera in the city, along with Alto de São João Cemetery. It was originally named Cemitério Ocidental de Lisboa (Western Cemetery of Lisbon). The cemetery is exclusively made up of mausoleums.

Since 2001, a portion of the cemetery's auxiliary buildings have been converted into a museum.

Amália Rodrigues, famous as the "Queen of Fado", and Aquilino Ribeiro, famed novelist, were both buried at Prazeres Cemetery prior to their reinterment at the National Pantheon. Famed poet Fernando Pessoa was also buried at Prazeres prior to his reinterment at Jerónimos Monastery.

Gallery

Notable burials

 1st Count of Bonfim, famed statesman
 1st Count of Farrobo, noted patron of the arts
 1st Count of São Januário, founder of the Lisbon Geographic Society
 1st Duke of Loulé, 21st & 24th Prime Minister of Portugal
 1st Duke of Palmela, 1st Prime Minister of Portugal
 1st Viscount of Castilho, noted writer
 "Alcipe", 4th Marquise of Alorna, noted poet
 Alexandre de Serpa Pinto, notable explorer
 Alexandre Rey Colaço, famed pianist
 Alfredo Keil, composer of the Portuguese national anthem
 Alfredo Marceneiro, notable fado singer
 Alfredo Roque Gameiro, famed artist
 Amélia Rey Colaço, famed actress
 Almada Negreiros, famous artist
 Anselmo José Braamcamp, 36th Prime Minister of Portugal
 António Augusto Carvalho Monteiro, 20th-c. Brazilian millionaire
 António Silva, famed actor
 Antonio Tabucchi, famed Italian author
 Carlos do Carmo, notable fado singer
 Carlos Paredes, Portuguese guitar player
 Carolina Beatriz Ângelo, famed physician and suffragette
 Cesário Verde, famed poet
 Columbano Bordalo Pinheiro, famous painter
 Cosme Damião, founder of S.L. Benfica
 Cottinelli Telmo, famed architect
 Curry Cabral, famed physician
 Elise, Countess of Edla, second wife of Ferdinand II of Portugal
 Fernando Namora, famed writer
 Fontes Pereira de Melo, 33rd & 35th Prime Minister of Portugal
 Francisco Craveiro Lopes, 12th President of Portugal
 Henrique Mitchell de Paiva Couceiro, noted monarchist
 Hermenegildo Capelo, famed general
 João do Canto e Castro, 5th President of Portugal
 João Domingos Bomtempo, famous classical piano composer
 Joaquim Mouzinho de Albuquerque, famous general
 José Malhoa, famous painter
 José Mendes Cabeçadas, 9th President of Portugal
 José Norton de Matos, famous general
 José Vianna da Motta, famed pianist and composer
 Manuel Carvalheiro, filmmaker and film theorist
 Maria Amália Vaz de Carvalho, famed poet
 Maria Barroso, 25th First Lady of Portugal
 Maria de Lourdes Pintasilgo, 108th Prime Minister of Portugal
 Mário Cesariny de Vasconcelos, famed poet
 Mário Soares, 25th President of Portugal
 Rafael Bordalo Pinheiro, famed artist
 Ramalho Ortigão, famed author

References

Bibliography
 Cultural Patrimony of Prazeres Cemetery at the Direção-Geral do Património Cultural

External links

 Cemitério dos Prazeres on Lisbon City Hall's website
 Cemitério dos Prazeres on the Lisbon Tourism Board' website

Cemeteries in Portugal
Roman Catholic cemeteries in Portugal
Buildings and structures in Lisbon
Tourist attractions in Lisbon


title: Dermot Kehilly

text:
Dermot Kehilly (born 1944) is an Irish retired Gaelic footballer who played as a full-back for the Cork senior football team.

Born in Newcestown, County Cork, Kehilly first played competitive football in his youth. He arrived on the inter-county scene at the age of seventeen when he first linked up with the Cork minor team, before later joining the under-21 and junior sides. He made his senior debut during the 1965 championship and was a regular member of the starting fifteen for a brief period. He was a Munster runner-up on one occasion.

At club level Kehily won numerous championship medals with Newcestown.

Throughout his career Kehilly played just three championship games for Cork. His retirement came following the conclusion of the 1969 championship.

Kehilly's brothers, Kevin and Frank, also played Gaelic football with Cork.

Honours

Team

Newcestown
Cork Intermediate Football Championship (1): 1971
Cork Junior Hurling Championship (1): 1972
Cork Junior Football Championship (1): 1967

Cork
All-Ireland Junior Football Championship (1): 1972
Munster Junior Football Championship (1): 1972
Munster Under-21 Football Championship (1): 1963
All-Ireland Minor Football Championship (1): 1961 (sub)
Munster Minor Football Championship (1): 1961 (sub)

References

1944 births
Living people
Newcestown Gaelic footballers
Newcestown hurlers
Cork inter-county Gaelic footballers


title: Malabar frog (disambiguation)

text:
The Malabar frog (Clinotarsus curtipes) is a frog in the family Ranidae found in the Western Ghats of India.

Malabar frog may also refer to:

 False Malabar gliding frog (Rhacophorus pseudomalabaricus), a frog in the family Rhacophoridae endemic to the Anaimalai Hills of Tamil Nadu and Kerala, India
 Malabar black narrow-mouthed frog (Melanobatrachus indicus), a frog in the family Microhylidae endemic to the southern Western Ghats in Kerala and Tamil Nadu, India
 Malabar gliding frog (Rhacophorus malabaricus), a frog in the family Rhacophoridae found in the Western Ghats of India
 Malabar night frog (Nyctibatrachus major), a frog in the family Nyctibatrachidae endemic to Kerala and Tamil Nadu, India
 Malabar tropical frog (Micrixalus saxicola), a frog in the family Micrixalidae found in the Western Ghats of India
 Malabar wart frog (Zakerana rufescens), a frog in the family Dicroglossidae endemic to the Western Ghats of India

Animal common name disambiguation pages


title: West Virginia Panhandle

text:
West Virginia Panhandle may refer to:

Eastern Panhandle of West Virginia, a region bordering Maryland and Virginia
Northern Panhandle of West Virginia, a smaller region bordering Ohio and Pennsylvania


title: Dragan Tadić (Serbian footballer)

text:
Dragan Tadić (; born 4 February 1977) is a Serbian football forward.

External links
 Dragan Tadić Profile at jelenfootball.com

 Dragan Tadić stats at footballzz.co.uk

1977 births
Living people
People from Trstenik, Serbia
Sportspeople from Rasina District
Men's association football forwards
Serbian men's footballers
FK Napredak Kruševac players
FK Smederevo 1924 players
OFK Mladenovac players
FK Sloga Kraljevo players
Serbian SuperLiga players


title: The Survival of Dana

text:
Survival of Dana is a 1979 CBS made-for-TV film, a teenage drama starring Melissa Sue Anderson, who experiences conflicting social values when her parents divorce and she moves from Fargo, North Dakota to the San Fernando Valley suburbs of Los Angeles.

The cast also includes Robert Carradine, Talia Balsam (Martin Balsam's only child), Marion Ross, and Judge Reinhold in his first film. Anderson was on hiatus from Little House on the Prairie and Ross (playing Dana's grandmother) was at the time a star on the series Happy Days. Survival of Dana was directed by Jack Starrett, whose only child, Jennifer, plays Lynn, one of the members of the antisocial clique.

Plot
Dana Lee Gilbert has moved from Fargo to the San Fernando Valley to live with her widowed grandmother after her parents' divorce. She finds her new school, Tremont High, was vandalized the night before by a teenage gang unknown to her led by Donny Davis. At the end of her first day, she watches the school's ice skating team practice and wants to try out for it. Waiting for her grandmother at a shopping mall, she meets another Tremont girl, Rona Simms, who shoplifts and they are both arrested. Banned from skating, she joins the gang and starts dating Donny. One of the gang's big plans brings them into conflict with adult criminals.

Cast
 Melissa Sue Anderson as Dana Lee Gilbert
 Robert Carradine as Donny Davis
 Marion Ross as Madeline
 Talia Balsam as Rona Simms
 Michael Pataki as Arnold
 Kevin Breslin as Skates
 Judge Reinhold as Bear
 Dan Spector as Anthony
 Barbara Babcock as Lorna Sims
 Shelby Leverington as Mrs. Blake
 Dawn Jeffory as Joanie
 Trent Dolan as Coach Tanner
 Scott McGinnis as Paul

References

External links

1979 television films
1979 films
American television films
Films scored by Craig Safan
Films directed by Jack Starrett


title: Sandra Trehub

text:
Sandra Trehub (1938 — January 20, 2023) was a Canadian psychologist recognized for her research in the field of music psychology. She held the position of Professor Emeritus at the University of Toronto.

Biography
Trehub completed her PhD in psychology at McGill University, and subsequently joined the faculty at the University of Toronto.

Trehub conducted research on the development of auditory perception among infants and young children. She also conducted research on the impacts of singing to infants in the course of caregiving. In one study, Trehub and colleagues demonstrated that infants who were sung to stayed settled for twice as long compared to when those who were spoken to.

Trehub died on January 20, 2023.

Awards
Trehub was awarded the Society for Music Perception and Cognition Achievement Award in 2013. The citation for the award stated that Trehub's "pioneering and seminal research in developmental music cognition has been a crucial contribution" to the field of music psychology.

Selected works

References

20th-century births
Year of birth missing
2023 deaths
McGill University Faculty of Science alumni
Academic staff of the University of Toronto
Canadian women psychologists
Music psychologists


title: James Nelson (sound editor)

text:
James M. Falkinburg (September 25, 1932 – June 18, 2014), known in the entertainment industry as James "Jim" Nelson, was an American sound editor, film producer and post-production supervisor.

As a sound editor, Nelson worked on many of the iconic films and television programs of the 1950s, '60s and '70s, including Rock Around the Clock, The Monkees, the beach party films, The Brady Bunch, Easy Rider, Five Easy Pieces and The Exorcist. In total, he edited the sound effects for over 100 films and 38 television programs comprising more than 1,700 episodes, as well as several made-for-TV movies, documentaries and television specials.

Expanding into film production in the 1970s, Nelson helped George Lucas in launching Industrial Light & Magic and took part in the making of the first Star Wars. Nelson worked in a production capacity on 20 other films, including The China Syndrome, Ghostbusters and Big Trouble in Little China.

Personal life
James M. Falkinburg was born in California on September 25, 1932. He grew up in a show business family; his grandparents were stage actors and his father was Sam Nelson, a silent movie actor (The Circus Kid) who later became a film director (Mandrake the Magician; Sagebrush Law) and assistant director (The Lady from Shanghai; Some Like It Hot).

Nelson died in California on June 18, 2014, at the age of 81; no other details about his death were given. Among his survivors are his wife of 36 years, Barbara; his two daughters, Kimberley and Leslie; and his younger brother, The Black Hole director Gary Nelson.

Career

Sound editing

Early film and TV work, API and Edit-Rite
Falkinberg began working in the film industry at the age of 17, taking the name of James "Jim" Nelson. He became a sound effects editor in 1954, starting with the TV drama series Medic. His first feature films as sound editor were the 1956 release Rock Around the Clock—considered to be the first true rock and roll musical film—and its immediate follow-up, Don't Knock the Rock.

Over the next 10 years, Nelson served as supervising sound editor on such TV programs as The Donna Reed Show, Father Knows Best, Naked City, Dennis the Menace, Hazel, The Andy Griffith Show and Get Smart. Some of the films Nelson worked on during this period were The Girl Most Likely, Birdman of Alcatraz, Bye Bye Birdie and the first six of American International Pictures' (AIP) seven beach party films, from Beach Party (1963) to How to Stuff a Wild Bikini (1965). He also worked on related AIP productions such as Ski Party and Dr. Goldfoot and the Bikini Machine.

In 1965, Nelson co-founded Edit-Rite, considered to have been "the premier post-production facility of its time." Much of the sound editing he did between 1965 and 1972 was done at this facility.

Counterculture and New Hollywood
Nelson served as supervising sound editor on several television shows which grew out of the counterculture movement of the '60s. His first such project was The Monkees, starring the pop/rock band of the same name. The other counterculture-related TV shows on which Nelson worked were Love, American Style, H.R. Pufnstuf and The Brady Bunch.

Nelson was also supervising sound editor on many of the iconic films of the "New Hollywood" or "American New Wave" movement in the late '60s and early '70s. Just as this "New Wave" was influenced by 1960s counterculture, so too was Nelson's involvement with "New Hollywood" a result of his counterculture-related projects. After The Monkees ended its run in 1968, series creators Bob Rafelson and Bert Schneider brought in Nelson to work on The Monkees' first and only feature film, Head, which was directed by Rafelson. This led to Nelson being hired as supervising sound editor of the landmark counterculture film Easy Rider, on which Rafelson and Schneider served as producers. Nelson's collaboration with Rafelson extended to three other milestone "New Wave" films: Five Easy Pieces and The King of Marvin Gardens, both directed by Rafelson, and Peter Bogdanovich's The Last Picture Show.

Among the other "New Hollywood" films on which Nelson worked were Two-Lane Blacktop (one of many films he did for producer/director Monte Hellman), Bob Fosse's Cabaret, Terrence Malick's Badlands, George Lucas' American Graffiti and William Friedkin's The Exorcist. The latter film earned Nelson a Golden Reel Award from the Motion Picture Sound Editors; he won another for Richard Rush's Freebie and the Bean.

ILM, EEG/Boss Film and producing career
Nelson expanded into film production in 1972 with the formation of his own company, James Nelson Enterprises.

In 1975, George Lucas–with whom Nelson had worked on American Graffiti–recruited Nelson to help in the formation of visual effects company Industrial Light & Magic (ILM). From 1975 through 1977, Nelson oversaw the administration and management of ILM, helping to build the company from scratch in a warehouse near Van Nuys Airport. Among those he was responsible for hiring at ILM was John Dykstra. During this time, Nelson also functioned as Associate Producer on the film for which ILM was launched, Star Wars. Nelson is not credited in the final film, however; he is said to have had his name removed from the credits following a disagreement with Lucas.

Nelson went on to serve as Associate Producer on the acclaimed 1979 film The China Syndrome, for which he was also Unit Production Manager. He then produced Borderline, starring Charles Bronson.

In 1984, Nelson assisted Richard Edlund in founding Boss Film Studios, launched through the acquisition of Douglas Trumbull's Entertainment Effects Group (EEG). Nelson spent the next four years at the company as Vice-President and production advisor. While at EEG/Boss, Nelson consulted on such films as Ghostbusters, 2010, Fright Night, Big Trouble in Little China and The Monster Squad. Nelson and Edlund later produced the 1990 science fiction film Solar Crisis.

Nelson semi-retired in 1994, after executive producing The Seventh Coin, though he still occasionally served as an advisor and mentor.

Selected filmography

Sound editing

Film production

References

External links

1932 births
2014 deaths
American sound designers
American film producers


title: Apteka Rektorska

text:
Apteka Rektorska (Rector's Pharmacy) in Zamość is a historic pharmacy located in the Renaissance building at the Main Square 2 in the Old Town. It is the oldest pharmacy still operating today in Zamość, but also, the oldest pharmacy in Poland. It has been operating continuously since 1609.

The founder of the pharmacy at this location was Szymon Piechowicz, professor of the Zamojski Academy. Piechowicz was a student of the Academy soon after it was founded in 1595. He went on to study at the Jagiellonian University in Kraków where he received the diploma and title of the bakałarz of arts (Artium Baccalaureus in Middle Latin). In 1603 he was invited back to Zamojski Academy as lecturer at the Faculty of Logic. In 1607 he went abroad to study in Italy and received the title od medical doctor at the Padua University on 25 February 1609. He returned to Zamość and took over the Faculty of Medicine. He was elected Rector of the Academy seven times in thirteen years between 1611 and 1624, with the well-earned reputation of a Renaissance man.

References

Renaissance architecture in Poland
1590s establishments in the Polish–Lithuanian Commonwealth


title: Fahim Fazli

text:
Fahim Fazli (; born May 30, 1966) is an Afghan American film actor.

Biography
Fazli was born in Kabul, Afghanistan. He escaped Afghanistan and settled in the United States in the 1980s. He returned to Afghanistan as an interpreter with the U.S. Marines in 2009 and 2010. After returning, he wrote a memoir, Fahim Speaks that was released in early 2012.

Filmography

Film

Television

Video games

References

External links

1966 births
Living people
American male film actors
American people of Afghan descent
People from Kabul
Afghan male film actors


title: List of animated feature films of 1973

text:
A list of animated feature films that were first released in 1973.

See also
 List of animated television series of 1973

References

Feature films
1973
1973-related lists


title: Henrik Verder

text:
Henrik Verder (born 1942) is a pediatrician and the inventor of the INSURE (Intubation Surfactant Extubation)and LISA (Less Invasive Surfactant Administration) methods combined with nasal CPAP (Continuous Positive Airway Pressure). In 1989 he used this pioneering method to successfully treat the first premature infant with severe RDS. Verder is a significant researcher within the field of paediatrics, with more than 50 publications and over 500 citations.

Biography

Verder received his medical degree from Copenhagen University in 1968 and went on to specialise in paediatrics in 1978, concentrating on prenatal determination of lung maturity and prevention of RDS (Infant Respiratory Distress Syndrome). In 1980 he was awarded his medical doctorate from Copenhagen University for his thesis on “Prenatal determination of lung maturity and prevention of RDS”.

Career

In 1972 Verder began his associated professorship at Copenhagen University where he went on to become a Professor of Paediatrics and Neonatology. In 1989, at Holbaek Hospital, Verder was the first physician to successfully combine nasal CPAP and surfactant to treat an infant with severe RDS (28 weeks). This unique method was later named INSURE by Mats Blennow et al. The full method was first published in 1992 along with the first documentation of infants treated with surfactant via a small diameter tube. Egbert Herting has since described this method as ‘Less Invasive Surfactant Administration (LISA)’. In addition surfactant administration via a laryngeal mask was described for the first time in 1992. The introduction of CPAP in the treatment of RDS more than halved the mortality rate of RDS – reducing mortality from an estimated 50% to 20%. CPAP, when combined with the use of surfactant (INSURE), halved the mortality rate once again, lowering it to approximately 10%. Early treatment of premature infants with RDS using the nasal CPAP and surfactant (INSURE) method is today considered the Global Gold standard of care.

Alongside his clinical achievements, Verder has also been actively involved in improving childcare and in 1975 he took the position of consultant for “Glostrup Observation Home” an institution for observation and treatment of neglected infants and toddlers. In 1998 Verder began working with Professor Bo Sun at Fudan University, Shanghai, to improve neonatal care across China. As a part of this initiative he has visited more than 50 hospitals across 25 provinces and given lectures on the prevention and treatment of RDS, nutrition of pre-term and newborn infants and mother child attachment. Alongside his contributions to Copenhagen University and his work in China, Verder also took the position of Co-chairman at Save the Children Denmark from 1990 to 1993. In this position, together with secretary-general Kristian Sørensen and lawyer Hanne Jensbo from Save the Children Denmark, he spearheaded the opening of Romanian orphanages after the fall of Ceaucescu in 1989. Verder was also involved in several initiatives, which supported the Romanian healthcare system. In 2011 Verder became a member of the steering committee of “The Family Center” directed by Dr. May Olofsson, Hvidovre University Hospital, Copenhagen. An organisation that treats infants and mothers suffering from sequelae, caused by alcohol and drug addiction during pregnancy.

The INSURE Method

Verder is the inventor and pioneer of the INSURE method, a very effective approach to managing preterm neonates with respiratory distress. The method itself has been shown to successfully decrease the use of mechanical ventilation and lower the incidence of bronchopulmonary dysplasia (BPD). Since its inception in 1989 the INSURE method has been academically cited in more than 500 papers. The first randomised study on the INSURE method was published in 1994 and a second randomised study in infants less than 30 weeks gestation was published by the group in 1999. In the last 15 years Verder has worked with lung maturity diagnostics on gastric aspirates obtained at birth. By combining this diagnostic method with INSURE, Verder has worked to further improve the clinical outcome of RDS. The lung maturity tests used have been the microbubble test, lamellar body counts (LBC) and measurements of lecithin-sphingomyelin ratio (L/S) with chemometrics, involving a collaboration with Agnar Höskuldsson.

References

Danish pediatricians
Living people
1942 births
Danish intensivists


title: Richard Nagler

text:
Richard Nagler (born 1947) is an American businessman and photographer. Four monographs of his photography have been published. His photography has been exhibited in numerous museum and gallery exhibitions throughout the United States and Europe; and included in public and private collections. The work has also been featured in publications including: The New York Times, The Wall Street Journal, Artforum International, Artweek, The Los Angeles Times, Playboy Magazine and the San Francisco Chronicle. Nagler graduated from the University of Pennsylvania in 1969 magna cum laude/Phi Beta Kappa with a B. A. in politics and philosophy, and began his career in photography in the 1970s. Richard Nagler is also a book reviewer specializing in photography and other fine arts for The New York Journal of Books.

Book reviews

My Love Affair with Miami Beach
The book features photographs that focus on a small Jewish neighborhood; South Beach in Miami Beach, Florida.

Nobel laureate Isaac Bashevis Singer who wrote the introduction and provides commentary throughout the book said: "People in this country have a prejudice about Miami Beach; it means to them vulgar Jews...I say, 'vulgar – shmulgar'...they're only people...when people are on vacation or they retire, they can act a little, as they say, 'out of this world'...I see many funny and silly things here often because many people desire to appear young and not old." The Washington Post gave it a positive review, saying: "It's a marvelous portrait of a neighborhood, with Singer's impassioned commentary – by no means limited to the topic at hand – a fine bonus".

The New York Times called the book "evocative" and said Nagler's photographs reflect a "sense of irony and humor" that's similar to Singer's commentary in the book. They also wrote, "this buoyant blend of words and images captures both the idiosyncratic spirit and the deep sadness of these South Beach survivors."

Oakland Rhapsody: The Secret Soul of an American Downtown
The San Francisco Chronicle''''wrote (June 4, 1995) Novelist Ishmael Reed calls Oakland the city that refuses to die, and these richly evocative photographs demonstrate why.
"The Oakland Tribune" noted (May 25, 1995) that: On the cover, the vibrant glow of dusk wraps Oakland's downtown in majesty, innocence, and romance. But the image that emerges from the pages of the handsome coffee table art book is not idyllic, but real.

Word on the Street

This monograph features photographs taken in various cities in California, and also in New York, Las Vegas, Tel Aviv, London and Paris. Every picture shows the juxtapositions of a single wordand a single person who happens to pass by and is photographed by Nagler.

Allen Ginsberg said of the book, "the photographs of Nagler brought to mind the concentrated, evocative form of haiku", calling the images "picture poems." UK based Digital Photographer was impressed with the work calling the pictures, "compelling, shocking, amusing, and sensitive, each portrait is a visual pun-a wink to the reader and an invitation to create a story to complete the narrative...the magic of his work rests in the serendipitous moment when person and word come together....and reveals that we are all part of an amazing artistic mosaic, even as we blithely stroll down the street".Sacramento News & Review gave it a positive review stating, "Nagler's rare photos show signs of Henri Cartier-Bresson’s artist sensitivity and Dorothea Lange’s grit and realism...but he is not above making jokes; watch for his wit and ironic wisdom in this insightful collection. Lawrence Ferlinghetti wrote, "Richard Nagler finds ‘Words’ in the streets like objets trouvés, giving each an inscrutable meaning." Ishmael Reed opined that "Nagler is watching the world carefully and seeing what we say about the world and the world says about us, one word at a time."

Looking at Art, the Art of Looking
Nagler got the idea for this book in 2007 when he was at the Museum of Modern Art in New York. The book features photographs of works of art in museums and the patrons who are standing in front on them viewing the artwork.SF Gate commented on the "startling mirroring elements" of the photographs: "A woman with a patchwork jacket and skullcap blends into Gottfried Helnwein's Epiphany II (Adoration of the Shepherds), and a woman with a geometric-patterned scarf looks like an extension of Ellsworth Kelly's [1951 oil on wood painting], Cité. Shutterbug Magazine said the images between the viewers and the artwork were "magical moments" and that the "viewer's reaction to the piece is what gives the art its heart and soul, bringing it to life...Nagler masters that task expertly as he links the viewer and the piece together as equals, parts of a greater entity". The San Francisco Examiner noted one minor disappointment in the book: the year the photograph was taken is missing.

Exhibitions

Bibliography

See also
100 Photographs that Changed the World
Marion Post Wolcott

Notes

References

Sources

External links
 Official website
Richard Nagler, Berkeley photographer video at SF Gate''
Richard Nagler at Krevsky Gallery

Living people
American male writers
1947 births
Monographs
Photographers from California


title: List of animated feature films of 1974

text:
A list of animated feature films that were first released in 1974.

See also
 List of animated television series of 1974

References

Feature films
Feature films
1974
1974-related lists


title: The Hateful Eight

text:
The Hateful Eight (sometimes marketed as The H8ful Eight or The Hateful 8) is a 2015 American Western mystery thriller film written and directed by Quentin Tarantino. It stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir, Tim Roth, Michael Madsen and Bruce Dern, as eight strangers who seek refuge from a blizzard in a stagecoach stopover some time after the American Civil War.

Tarantino announced the film in November 2013. He conceived it as a novel and sequel to his 2012 film Django Unchained before deciding to make it a standalone film. After the script leaked in January 2014, he decided to abandon the production and publish it as a novel instead. In April 2014, Tarantino directed a live reading of the script at the United Artists Theater in Los Angeles, before reconsidering a new draft and resuming the project. Filming began in January 2015 near Telluride, Colorado. Italian composer Ennio Morricone composed the original score, his first complete Western score in thirty-four years (and the last before his death in 2020), his first for a high-profile Hollywood production since Mission to Mars (2000), and the first and only original score for a Tarantino film.

Distributed by The Weinstein Company in the United States, The Hateful Eight was released on December 25, 2015, in a limited roadshow release on 70 mm film, before expanding wide theatrically on December 30, 2015. The film was praised for its direction, screenplay, score, cinematography, and performances, though the depiction of race relations and the violent treatment of Leigh's character divided opinions. It has grossed over $156 million worldwide. For his work on the score, Morricone won his only Academy Award for Best Original Score after five previous nominations. The film also earned Oscar nominations for Best Supporting Actress (Leigh) and Best Cinematography (Robert Richardson).

On April 25, 2019, the film was released as a re-edited four-episode miniseries on Netflix with the subtitle Extended Version. The Hateful Eight is Tarantino's final collaboration with The Weinstein Company following allegations of sexual abuse against Harvey Weinstein in October 2017.

Plot

In 1877, bounty hunter and Union veteran Major Marquis Warren heads to Red Rock, Wyoming, with three bounty corpses. His horse gives out, and, faced with a blizzard, Warren hitches a ride on a stagecoach driven by O.B. Jackson. Aboard is bounty hunter John Ruth "The Hangman", handcuffed to fugitive "Crazy" Daisy Domergue, whom he is taking to Red Rock to be hanged. Warren and Ruth had previously bonded over Warren's personal letter from Abraham Lincoln. Chris Mannix, whose father, Erskine, led a Lost-Causer militia called Mannix's Marauders, claims to be Red Rock's new sheriff and joins them. During the trip, Ruth learns about the Confederate bounty on Warren's head for breaking out of and setting fire to a prisoner-of-war camp.

They seek refuge from the blizzard at Minnie's Haberdashery, tended by Bob, a Mexican who claims to be watching the haberdashery in Minnie and her husband Sweet Dave's absence. The lodge shelters local hangman Oswaldo Mobray, cowboy Joe Gage, and Confederate general Sanford Smithers, who is planning to erect a cenotaph for his missing son, Chester Charles. Suspicious, Ruth disarms all but Warren. While Mannix recognizes Smithers as a war hero, Warren wants him dead as revenge for ordering the execution of black prisoners of war at Baton Rouge. At dinner, Mannix surmises that the Lincoln letter is false. Warren responds to Ruth's disappointment by saying his forged letter buys him leeway with whites.

After a small talk, Warren puts one of his guns next to Smithers and claims that he sexually assaulted and murdered Smithers' son, who had tried to claim the bounty (whether or not this is true, it is never revealed). When Smithers reaches for the gun, Warren kills him.

During the confrontation, the coffee is poisoned, which Daisy silently witnessed. Ruth and O.B. drink the coffee; O.B. dies, and Daisy kills the dying Ruth with his own gun. Warren disarms Daisy, leaving her shackled to Ruth's corpse, and holds the others at gunpoint except Mannix, who nearly drank the poisoned coffee himself. Warren deduces that Bob is lying about looking after the haberdashery and kills him. When Warren threatens to kill Daisy, Gage admits that he poisoned the coffee. An unknown man hiding under the floorboards shoots Warren in the groin, and Mobray and Mannix shoot and wound one another.

A flashback shows Bob, Mobray, Gage, and Daisy's brother Jody arriving at the lodge hours earlier. They murdered Minnie, Sweet Dave, and all the employees and customers except Smithers, whom they spared to create a believable setting in exchange for his silence. Once they finished hiding the bodies, cleaning the store, and hiding weapons for future use, Jody hid in the cellar as Ruth, Daisy, O.B., Warren and Mannix arrived.

In the present, Warren and Mannix, both seriously wounded, hold Daisy, Gage, and Mobray at gunpoint. When they threaten to kill Daisy, Jody surrenders and is executed by Warren. The surviving gang members claim fifteen hired guns are waiting in Red Rock and offer a deal: if Mannix kills Warren, they will spare him and allow him to collect the bounty on the dying Mobray and the deceased Bob (whose real names are revealed as "English" Pete Hicox and Marco "the Mexican", respectively). Warren kills Hicox when he tries to persuade Mannix; Warren and Mannix then kill Gage (whose real name is "Grouch" Douglass) when he grabs a pistol hidden under a table.

Mannix hears Daisy's proposal but deduces she is lying. When Mannix faints from blood loss, Daisy hacks off Ruth's arm and goes for a gun, but Mannix reawakens and wounds her. Mannix and Warren hang Daisy from the rafters in honor of Ruth, who always brought his bounty to the gallows (which earned him the nickname "The Hangman"). As they lie dying, Mannix reads aloud Warren's fake Lincoln letter, complimenting its detail.

Cast

Production
In November 2013, writer-director Quentin Tarantino said he was working on another Western. He initially attempted the story as a novel, a sequel to his film Django Unchained (2012), titled Django in White Hell but realized that the Django character did not fit the story. On January 11, 2014, the title was announced as The Hateful Eight.

The film was inspired by the 1960s Western TV series Bonanza, The Virginian, and The High Chaparral. Tarantino said:

Production was planned for late 2014 in the winter, but after the script leaked online in January 2014, Tarantino considered publishing it as a novel instead. He said he had given the script to a few trusted colleagues, including Reginald Hudlin, Michael Madsen, Bruce Dern, and Tim Roth. This version of the script featured a different ending in which Warren and Mannix attempt to kill Gage in revenge by forcing him to drink the poisoned coffee, sparking a firefight in which every character is killed. Tarantino described his vision for the character of Daisy Domergue as a "Susan Atkins of the Wild West". Madsen based Joe Gage on Peter Breck's performance in The Big Valley.

On April 19, 2014, Tarantino directed a live reading of the leaked script at the United Artists Theater in the Ace Hotel Los Angeles. The event was organized by the Film Independent at Los Angeles County Museum of Art (LACMA) as part of the Live Read series and was introduced by Elvis Mitchell. Tarantino explained that they would read the first draft of the script, and he added that he was writing two new drafts with a different ending. The actors who joined Tarantino included Samuel L. Jackson, Kurt Russell, Dern, Roth, Madsen, Walton Goggins, Zoë Bell, Amber Tamblyn, James Parks, James Remar, and Dana Gourrier.

Casting
On September 23, 2014, it was revealed that Viggo Mortensen was in discussion with Tarantino for a role in the film. Tarantino met with Jennifer Lawrence about portraying Daisy Domergue, but she declined due to her commitments with Joy and The Hunger Games movies. On October 9, 2014, Jennifer Jason Leigh was added to the cast to play Daisy Domergue. On November 5, 2014, it was announced that Channing Tatum was eyeing a major role in the film. Later the same day, The Weinstein Company confirmed the cast in a press release, which would include Jackson, Jennifer Jason Leigh, Russell, Roth, Demián Bichir, Goggins, Madsen, and Dern. Tatum's casting was also confirmed.

Later on January 23, 2015, TWC announced an ensemble cast of supporting members, including James Parks, Dana Gourrier, Zoë Bell, Gene Jones, Keith Jefferson, Lee Horsley, Craig Stark, and Belinda Owino.

In the earlier public reading of the first script, the role of Daisy Domergue had been read by Amber Tamblyn, and the role of Bob, a Frenchman rather than a Mexican, was read by Denis Ménochet; at the reading, the role of Jody was read by James Remar. Regarding the cast, Tarantino has said, "This is a movie where [bigger movie stars] wouldn't work. It needs to be an ensemble where nobody is more important than anybody else."

Filming
On September 26, 2014, the state of Colorado had signed to fund the film's production with $5 million, and the complete film would be shot in Southwest Colorado. A 900-acre ranch was leased to the production for the filming. There was a meeting on October 16, and the county's planning commission issued a permit for the construction of a temporary set. Principal photography began in January 2015 near Telluride, Colorado. The budget was reported to be $44–62 million.

Antique guitar incident

The guitar destroyed by Russell's character was not a prop but an antique 1870s Martin guitar lent by the Martin Guitar Museum. According to sound producer Mark Ulano, the guitar was supposed to have been switched with a copy to be destroyed, but this was not communicated to Russell; everyone on the set was "pretty freaked out" at the guitar's destruction, and Leigh's reaction was genuine, though "Tarantino was in a corner of the room with a funny curl on his lips, because he got something out of it with the performance." Museum director Dick Boak said that the museum was not told that the script included a scene that called for a guitar being smashed, and determined that it was irreparable. The insurance remunerated the purchase value of the guitar. As a result of the incident, the museum no longer lends props to film productions.

Cinematography
Cinematographer Robert Richardson, who also worked with Tarantino on Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Inglourious Basterds (2009), and Django Unchained, filmed The Hateful Eight on 65 mm, using three modern 65 mm camera models: the Arriflex 765 and the Studio 65 and the 65 HS from Panavision. The film was transferred to 70 mm film for projection using Ultra Panavision 70 and Kodak Vision 3 film stocks: 5219, 5207, 5213 and 5203. Until the release of Dunkirk two years later, it was the widest release in 70 mm film since Far and Away in 1992. The film uses Panavision anamorphic lenses with an aspect ratio of 2.76:1, a very widescreen image that was used on some films in the 1950s and 1960s. The production team also avoided any use of a digital intermediate in the 70 mm roadshow release, which was color-timed photochemically by FotoKem, and the dailies were screened in 70 mm. The wide digital release and a handful of 35 mm prints were struck from a digital intermediate, done by Yvan Lucas at Shed/Santa Monica.

Post-production
Tarantino edited two versions of the film, one for the roadshow version and the other for general release. The roadshow version runs for three hours and two minutes, including six minutes of extra footage plus an overture and intermission, and has alternate takes of some scenes. Tarantino created two versions as he felt some of the footage he shot for 70 mm would not play well on smaller screens. The British Board of Film Classification records show the runtime difference between the Roadshow (187 minutes) and the DCP (168 minutes) releases was 19 minutes.

Music

Tarantino announced at the 2015 San Diego Comic-Con International that Ennio Morricone would compose the score for The Hateful Eight; it is the first Western scored by Morricone in 34 years, since Buddy Goes West, and Tarantino's first film to use an original score. Tarantino had previously used Morricone's music in Kill Bill, Death Proof (2007; a part of the double-feature Grindhouse), Inglourious Basterds, and Django Unchained, and Morricone also wrote an original song, "Ancora Qui", for the last. Morricone had previously made statements that he would "never work" with Tarantino after Django Unchained, but ultimately changed his mind and agreed to score The Hateful Eight. According to Variety, Morricone composed the score without even seeing the film.

The soundtrack was announced on November 19, 2015, for a December 18 release from Decca Records. Morricone composed 50 minutes of original music for The Hateful Eight. In addition to Morricone's original score, the soundtrack includes dialogue excerpts from the film, "Apple Blossom" by The White Stripes from their De Stijl album, "Now You're All Alone" by David Hess from The Last House on the Left (1972) and "There Won't Be Many Coming Home" by Roy Orbison from The Fastest Guitar Alive (1967).

Tarantino confirmed that the film would use three unused tracks from Morricone's original soundtrack for The Thing (1982)—"Eternity", "Bestiality", and "Despair"—as Morricone was pressed for time while creating the score. The final film also uses Morricone's "Regan's Theme" from Exorcist II: The Heretic (1977).

Morricone's score won several awards, including a special award from New York Film Critics Circle. The score won a Golden Globe for Best Original Score. It also took the 2016 Academy Award for Best Motion Picture Score, Morricone's first after several career nominations.

The acoustic song played by Leigh's character Domergue on a Martin guitar is the traditional Australian folk ballad "Jim Jones at Botany Bay", which dates from the early 19th century and was first published by Charles McAlister in 1907. The rendition in the film includes lines which were not in MacAlister's version. The film's trailer used Welshly Arms' cover of "Hold On, I'm Coming", although this is not used in the film itself.

Release

On September 3, 2014, The Weinstein Company (TWC) acquired the worldwide distribution rights to the film for a fall 2015 release. TWC would sell the film worldwide, but Tarantino asked to personally approve the global distributors for the film. In preparation for its release, Tarantino arranged for approximately 100 theaters worldwide to be retrofitted with anamorphic equipped 70 mm film projectors, in order to display the film as he intended. The film was released on December 25, 2015, as a roadshow presentation in 70 mm film format theaters. The film was initially scheduled to be released in digital theaters on January 8, 2016.

On December 14, The Hollywood Reporter announced that the film would see wide release on December 31, 2015, while still screening the 70 mm version. The release date was moved to December 30, 2015, to meet demand. On July 11, 2015, Tarantino and the cast of the film appeared at San Diego Comic-Con to promote the film. In the UK, where the film was distributed by Entertainment Film Distributors, the sole 70 mm print in the country opened at the Odeon Leicester Square on January 8 in a roadshow presentation, with the digital general release version opening the same day at other cinemas, except Cineworld, who refused to book the film after failing to reach an agreement to show the 70 mm print.

On December 20, 2015, screener copies of The Hateful Eight and numerous other Oscar contenders, including Carol, The Revenant, Brooklyn, Creed, and Straight Outta Compton, were uploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon Entertainment. Kosove responded that he had "never seen this DVD", and that "it never touched his hands."

Home media
The Hateful Eight was released in the United States on Digital HD, and on Blu-ray and DVD on March 29, 2016, by The Weinstein Company Home Entertainment and Anchor Bay Entertainment.

Extended version
On April 25, 2019, the streaming service Netflix released The Hateful Eight: Extended Version, an extended cut in the form of a miniseries split into four episodes. It was removed from the service on January 26, 2023, but it was later readded.

Mooted stage adaptation
In early 2016, Tarantino announced that he planned to adapt The Hateful Eight as a stage play.

Reception

Box office
The Hateful Eight grossed $54.1 million in the United States and Canada and $102.4 million in other countries, for a worldwide total of $156.5 million.

It opened in the US with a limited release on December 25, 2015, and over the weekend, it grossed $4.9 million from 100 theaters ($46,107 per screen), finishing 10th at the box office. It had its wide release on December 30, grossing $3.5 million on its first day. The film went on to gross $15.7 million in its opening weekend, finishing third at the box office, behind Star Wars: The Force Awakens ($90.2 million) and Daddy's Home ($29.2 million).

Critical response and analysis
On the review aggregator website Rotten Tomatoes, The Hateful Eight holds an approval rating of  based on  reviews, with an average rating of . Its critical consensus reads, "The Hateful Eight offers another well-aimed round from Quentin Tarantino's signature blend of action, humor, and over-the-top violence – all while demonstrating an even stronger grip on his filmmaking craft." Metacritic, which uses a weighted average, assigned The Hateful Eight a score of 68 out of 100 based on 51 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while PostTrak reported audiences gave it a 42% "definite recommend".

James Berardinelli wrote that The Hateful Eight "is a high-wire thriller, full of masterfully executed twists, captivating dialogue, and a wildly entertaining narrative that gallops along at a pace to make three hours evaporate in an instant. Best film of the year? Yes." Telegraph critic Robbie Collin wrote: "The Hateful Eight is a parlour-room epic, an entire nation in a single room, a film steeped in its own filminess but at the same time vital, riveting and real. Only Tarantino can do this, and he's done it again." The Guardian critic Peter Bradshaw gave the film five out of five, and wrote that it was "intimate yet somehow weirdly colossal, once again releasing [Tarantino's] own kind of unwholesome crazy-funny-violent nitrous oxide into the cinema auditorium for us all to inhale ... "Thriller" is a generic label which has lost its force. But The Hateful Eight thrills." A.V. Club critic Ignatiy Vishnevetsky gave the film a grade of A- and wrote that "with a script that could easily be a stage play, The Hateful Eight is about as close as this pastiche artist is likely to get to the classical tradition."

In contrast, Owen Gleiberman of the BBC said, "I'm not alone in thinking that it's Tarantino's worst film – a sluggish, unimaginative dud, brimming with venom but not much cleverness." Donald Clarke, writing in The Irish Times, wrote, "What a shame the piece is so lacking in character and narrative coherence. What a shame so much of it is so gosh-darn boring." A. O. Scott in The New York Times said, "Some of the film's ugliness...seems dumb and ill-considered, as if Mr. Tarantino's intellectual ambition and his storytelling discipline had failed him at the same time." Todd McCarthy of The Hollywood Reporter praised the film's production design, idiosyncratic dialogue, and "lip-smackingly delicious" performances, but felt the film was overlong and that Morricone's score was put to too limited use.

Scholars Florian Zitzelsberger and Sarah E. Beyvers observe that the film follows Aristotle's unities: "Tarantino's film meticulously adheres to the classical unities of a tragedy, which had been seen as a necessity for the audience's immersion for a long time: 'The Hateful Eight' follows only one plot (unity of action), it is limited to a time period of 24 hours (unity of time)." Hollis Robbins argues that The Hateful Eight is a panoramic Western chamber drama: "Tarantino's eighth film demands to be seen not as a revisionist but a newly visioned western, using the mythmaker's tools to offer a panoramic vision of racial sovereignty undone by random violence."

Attempted police boycott
In October 2015, Tarantino attended a Black Lives Matter rally and publicly commented on police brutality in the United States, saying, "When I see murders, I do not stand by... I have to call a murder a murder, and I have to call the murderers the murderers." Tarantino's comments received national media attention, and several police groups in the United States pledged to boycott The Hateful Eight and his other films. Tarantino responded that he was not a "cop hater" and would not be intimidated by the calls for a boycott.

Forbes said that the film, while not as commercially successful as some of Tarantino's other films, cast doubt on claims that a boycott had a strong effect on sales.

Race issues
Tarantino told GQ that race issues were part of his creative process and were inescapable, saying: "I wasn't trying to bend over backwards in any way, shape, or form to make it socially relevant. But once I finished the script, that's when all the social relevancy started." He told The Telegraph he wrote The Hateful Eight to reflect America's fraught racial history, with the splitting of the cabin into northern and southern sides and a speech about the perils of "frontier justice". A. O. Scott of The New York Times observed that the film rejects the Western genre's tradition of ignoring America's racial history, but felt its handling of race issues was "dumb and ill-considered", and wrote: "Tarantino doesn't make films that are 'about race' so much as he tries to burrow into the bowels of American racism with his camera and his pen. There is no way to do that and stay clean."

Gender issues
Some critics expressed an unease at the treatment of the evil and sadistic Daisy Domergue character, who is the subject of repeated physical and verbal abuse and finally hanged in a sequence, which, according to Matt Zoller Seitz of RogerEbert.com, "lingers on Daisy's death with near-pornographic fascination". A. O. Scott felt the film "mutates from an exploration of racial animus into an orgy of elaborately justified misogyny". Laura Bogart regarded the treatment of Daisy Domergue as a "betrayal" of the positive female characters in previous Tarantino films, such as Kill Bill. Juliette Peers wrote that "compared to the stunning twists and inversions of norms that Tarantino's other works offer when presenting female characters, The Hateful Eights sexual politics seem bleakly conservative. Daisy is feisty and highly intelligent, yet the plotline is arbitrarily stacked against her."

Conversely, Courtney Bissonette of Bust praised Tarantino's history of female characters and wrote of Domergue's treatment: "This is equality, man, and it's more feminist to think that a criminal is getting treated the same despite her sex. They don't treat her like a fairy princess because she is a woman, they treat her like a killer because she is a killer." Sophie Besl of Bitch Flicks argued that Domergue received no special treatment as a woman, is never sexually objectified, and has agency over her own actions (including killing her captor). She defended the hanging scene as in the filmic tradition of villains "getting what's coming to [them]", and that equivalent scenes with male villains in previous Tarantino films raised no objections. However, Matthew Stogdon felt that as Domergue's crimes are not explained, her status as a criminal deserving execution is not established, breaking the narrative rule of "show, don't tell".

Walton Goggins described the two survivors cooperating in the hanging as symbolic of a positive step to erase racism: "I see it as very uplifting, as very hopeful, and as a big step in the right direction, as a celebration, as a changing of one heart and one mind." However, Sasha Stone, writing for Awards Daily, felt it was implausible for Domergue to "represent, somehow, all of the evil of the South, all of the racism, all of the injustice. She's a tiny thing. There is no point in the film, or maybe one just barely, when Daisy inflicts any violence upon anyone – and by then it could be argued that she is only desperately trying to defend herself. She is handcuffed to Kurt Russell, needing his permission to speak and eat, and then punched brutally in the face whenever she says anything."

Tarantino intended the violence against Domergue to be shocking and wanted the audience's allegiances to shift during the story. He said: "Violence is hanging over every one of those characters like a cloak of night. So I'm not going to go, 'OK, that's the case for seven of the characters, but because one is a woman, I have to treat her differently.' I'm not going to do that."

Accolades

See also
 Quentin Tarantino filmography

References

External links

2015 films
2015 Western (genre) films
2015 thriller films
American nonlinear narrative films
American Western (genre) films
American thriller films
BAFTA winners (films)
Films directed by Quentin Tarantino
Films scored by Ennio Morricone
Films about death
Films about race and ethnicity
Films set in Wyoming
Films shot in Colorado
Films that won the Best Original Score Academy Award
Films with screenplays by Quentin Tarantino
The Weinstein Company films
Revisionist Western (genre) films
2010s English-language films
2010s American films


title: List of animated feature films of 1975

text:
A list of animated feature films that were first released in 1975.

See also
 List of animated television series of 1975

References

Feature films
1975
1975-related lists


title: Double clutch

text:
Double clutch may refer to:

Double clutch, a baseball term for a fielder drawing his arm back twice before throwing
Double clutch (technique), a method of driving that involves pressing and releasing the clutch twice per shift
Double-clutch transmission, a type of transmission that has two separate clutches
Double-clutching (zoology), when an oviparous animal lays two sets of viable eggs in one season
Double Clutch (Transformers), a fictional character in the Transformers franchise
Double Clutch (video game), a Sega Mega Drive game released in 1993
Double Clutch (album), an album by Andrew Cyrille and Richard Teitelbaum

See also
Clutch (disambiguation)


title: List of animated feature films of 1976

text:
A list of animated feature films that were first released in 1976.

See also
 List of animated television series of 1976

References

Feature films
1976
1976-related lists


title: '68 (album)

text:
68 is a compilation album by Robert Wyatt. It is composed of previously unreleased demos Wyatt recorded in 1968 at the end of a tour Soft Machine did with the Jimi Hendrix Experience in the United States. It was released by Cuneiform Records in 2013.

After the tour, the Experience had given Wyatt access to their recording studios after hours, and he recorded these demos there. Hendrix played bass guitar on one of the recordings, "Slow Walkin' Talk". Some of the tracks were later reworked and used on several Soft Machine and Matching Mole albums.

Release
'68 was released on 8 October 2013 on LP in a limited edition, and on CD and digital. Three further limited edition LP pressings were released in 2014.

Vinyl
1st pressing – 8 October 2013 – White – 500 copies
2nd pressing – January 2014 – Sky Blue – 600 copies
3rd pressing – September 2014 – Gold/Yellow – 250 copies
4th pressing – September 2014 – Blue – 250 copies

CD
8 October 2013 – Sound Performance pressings
8 October 2013 – Disc Makers pressings

Digital
8 October 2013 – includes a bonus track, "Rivmic Melodies (Radio Edit)"

Reception

Writing at AllMusic, Thom Jurek said Cuneiform Records has "delivered a Holy Grail" with this album, considering that some of the recordings were believed lost, or not to have been made at all. He said that the cleaning and remastering has produced an "excellent" sound, and he described the compilation as "All killer, no filler".

In a review in PopMatters, Maria Schurr called '68 "especially edifying to Soft Machine die-hards", and a "great ... lost musical treasure". Rolling Stone called the album "By far one of the year's best releases".

Track listing

Personnel
Robert Wyatt – vocals, piano, electric piano, Hammond organ, bass guitar, drums, percussion
Jimi Hendrix – bass guitar (track 3)
Hugh Hopper – bass guitar (track 4)
Mike Ratledge – Lowrey organ (track 4)

Notes

References

External links

2013 compilation albums
Robert Wyatt albums
albums produced by Robert Wyatt
Cuneiform Records compilation albums


title: List of architecture film festivals

text:
This is a list of major architecture film festivals, sorted by continent.

South America

Africa

Europe

Architecture
Film


title: Archibald Cochrane (Royal Navy officer, born 1874)

text:
Rear-Admiral Archibald Cochrane,  (20 June 1874 – 15 July 1952) was a British Royal Navy officer.

Biography
Cochrane was born on 20 June 1874 and was the eldest son of Vice Admiral Basil E. Cochrane. His family had a tradition of naval service and among them was the similarly named Archibald Cochrane (1783–1829).

Educated at Woodcote House in Windlesham, Surrey and then at Eastman's Royal Naval Academy, Stubbington House School and HMS Britannia, Cochrane joined the Royal Navy in 1888 and went to sea in 1890. He was promoted to sub-lieutenant in 1894 and to lieutenant in 1896. While holding that rank and stationed on HMS Anson in 1897, he was given charge of an operation involving a landing on Crete. In February 1900, he was posted to the pre-dreadnought battleship HMS Ocean, which was stationed at the Mediterranean Fleet for its first commission. He temporarily received gunnery duties on board the Ocean from January 1903, but later that year was posted to the HMS Glory.

Cochrane then became Flag Lieutenant to Vice-Admiral Sir H. Grenfell in the Mediterranean Squadron and in 1906 took command of HMS Speedwell in the Home Fleet. He was promoted to commander in 1908 and was commanding HMS Alacrity in China at the start of World War I. He took command of HMS Empress of Russia, an armed Canadian Pacific steamships liner, during 1914–15 and then was posted to the Aegean Squadron in command of HMS Sentinel until June 1916. Staying with that squadron, which formed part of the Eastern Mediterranean Fleet, he commanded HMS Skirmisher until September 1918. He was promoted to captain in that year.

Following the war, Cochrane stayed in the navy, completing 41 years of service before retiring in 1929. He was promoted to rear-admiral in his final year of service, during which he also acted as ADC to George V. He had married Maye, only daughter of Colonel A. de V. Brooke, in 1904 and the couple had four daughters. He died at his home in Windlesham on 15 July 1952.

Cochrane was invested as a Companion of the Order of St Michael and St George in 1918 and was also honoured with appointment to the Order of the Redeemer of Greece and as a Chevalier de la Légion d’honneur.

References

1874 births
1952 deaths
Royal Navy rear admirals
People educated at Stubbington House School
People educated at Eastman's Royal Naval Academy
Companions of the Order of St Michael and St George
Knights of the Legion of Honour
Archibald, 1784
Royal Navy personnel of World War I
Military personnel from Surrey
Graduates of Britannia Royal Naval College
People educated at Woodcote House School


title: MeMZ-965

text:
The MeMZ-965 was a Soviet automobile engine, built by the Melitopolski Motor Plant (MeMZ).

Originally known as the NAMI-G (for the Soviet National Automotive Institute), the MeMZ-965 was designed for use in the LuAZ-967. It was a  air-cooled 90° V4, producing . It had had characteristics not common for automobile engines, including a magnesium alloy engine block, accessories mounted high (to assist in case of crossing rivers), and a rear-mounted oil cooler.

When the initial MD-65 engine proposed for the ZAZ-965 proved inadequate, the MeMZ engine was selected, thanks in part to it being air-cooled, like the successful VW Type 1's boxer engine. It would be developed into the  MeMZ-966 and the  MeMZ-968.

The MeMZ-968 was offered in the ZAZ-968M in three performance levels:
 MeMZ-968E (, carbureted, low-compression for 76-octane fuel);
 MeMZ-968GE (, dual carburettor); or
 MeMZ-968BE (, 8.4:1 compression, for 93-octane).

In addition, the MeMZ-965 would serve as a prototype   vee-twin (half an MeMZ-965), for the prototype NAMI 086.

Applications:
 LuAZ-967
 ZAZ-969
 ZAZ-965
 ZAZ-965A
 ZAZ-966
 ZAZ-968
 ZAZ-968M

Notes

Sources
 Thompson, Andy. Cars of the Soviet Union. Somerset, UK: Haynes Publishing, 2008.
 ZAZ-965/965A, Avtolegendy SSSR Nr.17, DeAgostini 2009. ISSN 2071-095X.

Science and technology in the Soviet Union
Automobile engines
V4 engines


title: Robert Burnham (priest)

text:
Robert Burnham (or Bernham) (died 10 August 1362) was a Canon of Windsor from 1351 to 1362

Career

He was appointed:
Rector of Middleton Cheney, Northamptonshire 1353

He was appointed to the seventh stall in St George's Chapel, Windsor Castle in 1351 and held the canonry until 1362.

Notes

1362 deaths
Canons of Windsor
Year of birth unknown


title: Apex Oval

text:
Apex Oval, also known as Caltex Park is a sports ground located in the city of Dubbo, New South Wales, Australia. The ground is managed by the Dubbo City Council and is located within the East Dubbo Sporting Complex.

Opened in 2005, the Bruce Neads Memorial Grandstand has spectator seating for 1,340, as well as function rooms and other facilities. The ground has lighting and a capacity of around 11,500. As well as local sports, it has also played host to pre-season NRL games and the City vs Country Origin rugby league game in 2006. The City vs Country game was a huge success, achieving a record attendance of over 11,423 people. An impressive feat considering Dubbo has a population of around 40,000.

The ground is home for the Dubbo CYMS Group 11 rugby league team. It is also one of the home grounds for the NSW Country Eagles team that plays in the National Rugby Championship.

In October 2020, the South Sydney Rabbitohs announced that they will be taking a home game once a year for two years to Apex Oval.

References

External links
 Satellite Image of Apex Oval

Sports venues in New South Wales
Dubbo
Rugby league stadiums in Australia
Rugby union stadiums in Australia


title: Ivy Street School

text:
The Ivy Street School is a school that offers multiple programs aimed at providing the skills and healing for neurodivergent youth to thrive. Through its educational, residential, and community-based programs, Ivy Street supports adolescents and young adults with disabilities by strengthening healing, deepening community, building skills and accelerating motivation for a successful adulthood.

The Ivy Street School was founded in 1993 for adolescents with brain injuries and other neurological challenges. The school has since expanded its scope to serve a more diverse group of adolescents and young adults with disabilities. Ivy Street serves students between the ages of 13 and 22 with Autism Spectrum Disorder, neurological and neurodevelopmental diagnoses, learning disabilities, and mental health diagnoses.

The school is located in Brookline, Massachusetts in a residential neighborhood a few miles from downtown Boston. Residential programs are located in Brookline, Massachusetts, as well. Skills for Life programming is home and community based.

Ivy Street School Programs
The Ivy Street School offers high school, postsecondary, residential, and vocational support to its students.

Within the school, Ivy Street supports learning and skill development through high school and postsecondary education. All students receive instruction from special education teachers who provide individualized learning that allows students to access their education in ways that are meaningful to them. Students participate in traditional high school classes across the sciences, math, English and social studies, as well as music and physical education. Additional offerings include mindfulness, social mechanics, community navigation, and a daily elective choice block.

The school offers two postsecondary classrooms focused on skill development for independent living, social skills, meaningful relationships, vocational choices, and self-direction. The postsecondary program centers around preparation for the students' transition from Ivy Street and individualized to students' own goals for their adult lives. In addition to class time, postsecondary students hold jobs and internships and enroll in additional courses at local colleges and universities.

The school's Vocational Program provides opportunities for career development and growth. Through direct instruction, campus-based work opportunities, community-based experiences, and supported competitive employment, students explore their vocational goals and develop job skills that allow them to find success in work.

The Ivy Street School offers two residential programs: Foundations and the Cottage Farm Program. The Foundations residential program on Ivy Street's main campus provides structured skill development and recreational opportunities to 16 students as they practice and master life skills. Two blocks from the main campus, the Cottage Farm Program houses 10 students who are seeking to develop independent living skills. Both residential programs are supported by staff at all hours.

The Ivy Street School staff includes special education teachers, clinical and restorative therapists, vocational counselors, residential staff, and registered nurses. Support is provided to students' families through regular meetings, family therapy, and a Family Empowerment and Learning Academy that allows families opportunity for skill development, therapeutic support, and community building.

External Programs
Ivy Street's Skills for Life Program supports young adults in developing greater independence through supported skill development and executive functioning. Occupational therapists support young adults within their homes and communities to work with clients on developing the skills they need to help them meet their goals. Through weekly or bi-weekly sessions, Skills for Life's occupational therapists help clients work on the goals that matter most to them, including at-home skills, financial literacy, health and wellness, transportation, and social and recreational skills.

Skills for Life serves clients within a 40-mile radius of Brookline, Massachusetts and Providence, Rhode Island.

Skills for Life also offers community-based events, activity groups and affinity spaces for its clients.

References

 http://www.cogdesign.org/content_2010/Ivy%20St%20School%20(MAB)%2009.pdf
 http://www.twiningdesign.com/projects/educational

External links
 Ivy Street School

Buildings and structures in Brookline, Massachusetts
Schools in Norfolk County, Massachusetts
Special schools in the United States


title: 1944 LSU Tigers football team

text:
The 1944 LSU Tigers football team was an American football team that represented Louisiana State University (LSU) as a member of the Southeastern Conference (SEC) during the 1944 college football season. In their tenth year under head coach Bernie Moore, the Tigers complied an overall record of 2–5–1, with a conference record of 2–3–1, and finished sixth in the SEC.

Schedule

References

LSU
LSU Tigers football seasons
LSU Tigers football