Freaks
The on-screen romance between Hans and Frieda was very subdued because the roles were being played by real life brother and sister Harry Earles and Daisy Earles.,In the first shot after the "Wedding Feast" title card, we see Violet Hilton & Daisy Hilton playing soprano saxophones, but we only hear a harmonica being played.,Freaks: We accept you, one of us! Gooble Gobble!,Reissue prints included a two-and-a-half minute written prologue about historical interpretations and contemporary studies of "misshapen misfits." These same prints remove the MGM Lion (the studio having disowned the film for many years).,Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1999),Gruesome Tales
(uncredited)
Music by William Axt and Erno Rapee,The subject of human disability is still a taboo subject in Cinema, even over 70 years since this film's release.

It's difficult to imagine what impact this film would have had in the 1930's, but as it still has the ability to shock ( through the images of bodily deformity ) I can understand why many shunned and disowned this work, and why it totally ruined Todd Browning's film career.

The basic premise - that beauty is more than skin deep - can appear to be wielded with a sledgehammer, but perhaps the contemporary audience needed to be hit harder in order to make them understand the point.

The film is short ( due to enforced cuts ), and at times can move rather slowly and can appear rather 'stagey' which is a trait of many films from the 20's / 30's.

But don't let that put you off. The plot is simple, but it's the telling of the story rather than the story itself that is important. And you really do need to remind yourself that these are real people - not actors - and this was the live they led.

I rate it 9 outa 10 because they really don't make them like this any more.,