The Hanging Tree
Film debut of George C. Scott.,The dresses have zippers, especially obvious when Elizabeth's dress is shown from the back and is partly unfastened. Zippers weren't used in the 1870s.,Elizabeth Mahler: Must you always look at a woman like that?
Frenchy Plante: Don't a partner have some right, hanh? don't he ever get a free look? I suppose you gotta get a doctor to get that, hunh? I suppose if you was a doctor, then you could get an eyeful, hanh?
[She slaps him],Edited into Meine Schwester Maria (2002),The Hanging Tree
Lyrics by Mack David
Music by Jerry Livingston
Vocal by Marty Robbins,No need to recap the sprawling plot.

For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.

But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.

I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.,