Communion
Star Paula E. Sheppard, who played 12-year-old Alice, was about 19 years of age during the making of the movie.,After Alphonso is stabbed he falls down on a coffee table causing it to collapse. A pair of hands is visible as they catch a falling fish bowl.,Aunt Annie DeLorenze: Angela, stop eating! Haven't you had enough? Jim, help me clean up this mess. You don't need that drink!,During the ending credits there is no music and the screen doesn't turn black, the last frame of the film remains in the background forever.,"Communion" was re-released (after Brooke Shields became famous in "Pretty Baby") in its original uncut form as "Alice, Sweet Alice" in 1978 and then in a cut form as "Holy Terror" in 1981 (after the Brooke Shields' hit "The Blue Lagoon").,Featured in Sneak Previews: Hardly Working/The Howling/'Breaker' Morant/Mon Oncle D'Amerique/Caveman (1981),Can't Help Lovin' Dat Man
Written by Jerome Kern (as Kern) and Oscar Hammerstein II (as Hammerstein)
Performed by Helen Morgan (uncredited),This is a brilliant, original, thought-provoking horror movie that has festered in obscurity for some time. Despite a laserdisc release and a slew of alternate titles -- "Alice Sweet Alice" and "Holy Terror" are but two -- it is still virtually unknown.

At the time of its release, PR wags made a big deal that it featured Brook Shields in her first on-screen role. PR wags did not make a big deal of the fact that there had not been anything like it ever before and that it featured an amazing newcomer, Paula E. Sheppard, in a chilling role as a deeply disturbed schoolgirl who may or may not be responsible for a slew of gory murders. Add to those a strong Catholic subtext and hints of child abuse and you've got one incredible ninety minutes of mental and physical mayhem.

Director Alfred Sole, who also made the flawed but fascinating "Tanya's Island" and the rotten "Thursday the 12th" (aka "Pandemonium") creates unbelievable tension and always places his characters (who are very well written) before the horror. Plotting, characterization and suspense are so expertly mixed the film doesn't even feel like a genre piece at times ; instead, it feels like a European drama...but one circling a potent giallo.

As noted, Sheppard is superb as Alice; Linda Miller is exemplary as Alice's tormented mother Catherine and Jane Lowry as the domineering Aunt Annie turns in a powerhouse performance. And playing Alice's obese, perverted neighbor to chilling perfection is the late Alphonso DeNoble. The scene in which he comes close to molesting Alice is priceless for its economy and authenticity.

From the excellent photography to the super-creepy score by Stephen Lawrence, "Communion" is compelling until the final body hits the church floor.,