Ghost in the Machine
Approximately 40 minutes into the movie, a computer is scrolling through a list of names in a phone book, in search of its next victim. The names listed are mostly Hollywood producers. Going through the list slowly reveals Caryn Mandabach (listed as "Caryn Mandab"), Wink Martindale, Lorne Michaels (of Saturday Night Live (1975)), Bill Melendez ("Charlie Brown" specials), Neal Marlens (Growing Pains (1985)), Thomas L. Miller (Full House (1987)) and a host of others. The name the computer is searching for is Terry Munroe, which (maybe by coincidence) happens to be the birth name of actor .,At Terry's ATM and on the computer address search, her last name appears as Munroe. When her son Josh signs in to use the Virtual Reality gear with his friend, he signs as Munroe. On her son's computer info, his name is spelled as Monroe which is what the credits show, recently as December 2020.,Phil Stewart: You don't think a hacker did this do you?
Bram: Well, when you leave it out in the open no self-respecting hacker is going to pass it by.
Phil Stewart: [grits teeth and pulls hair out] Auugghhh! God Damnit!
[tears out of room]
Phil Stewart: Get the hell out of my way!
Bram: You know you don't handle stress very well, Phil.,Featured in The Ryan Hollinger Show: Pulse & Feardotcom: The Rise of "Internet Horror" (2020),Don't Call Me Nigger
Performed by Schooly-D (as Schoolly D)
Written by Schooly-D (as Jesse Bond Weaver, Jr.)
Courtesy of Jive Records,Ghost In The Machine is one of those movies that comes out with the emergence of some new technology and how it can go wrong. Computers were still in the major developing stages in the early 1990s (at least compared to today's standards), as was the Internet, and Ghost In The Machine seems to be a false start on getting a handle on turning the new technology into a horror movie or suspense thriller. The problem is that the writers of the movie were apparently so anxious to get the film written and filmed and released that they didn't take the time to put any thought into it.

The technical production of the film is not entirely a pathetic mess, even though it does assume that electronics come equipped with little windows through which can be seen the shining faces of people at their computers, and that electrical outlets with tape over them will display a blinking red ACCESS DENIED sign if you attempt to get through them, but even the most cartoonish computer animated scenes that took us on a roller coaster ride through our microwave ovens were at least mildly interesting, although not at all convincing. In this case, we are looking more at the technique than the content, the way you watch an abstract relaxation video.

The problem here is that the movie tells the story of how a serial killer steals peoples address books and then kills the people listed in them, but a reason for these killings is never even suggested. The closest we come to having a reason for why this guy is so eager to commit all of these brutal killings is during an early scene when he is driving home from his job at the computer shop, and in recklessly trying to pass a slow moving truck he swerves into oncoming traffic only to jerk the wheel to the left and go skidding down a steep hill upside down in his car, laughing all the way, HA HA HA! So the guy is completely insane. That's a reason, I guess, but probably the most uncreative one imaginable and therefore one of the least interesting ones possible.

The whole idea of the killer going into electricity in general is obviously the most unrealistic thing in the entire film, but it is stretched to cover almost the entire movie from beginning to end, which is what shows most clearly the fact that the movie is based on the emergence of the world wide web. It's kind of a what-if thriller about what would happen if a psychotic killer was accidentally released into the electricity based communications system that is the internet and was then able to defy all laws of logic and physics and who knows what else, and if he had somehow developed this overwhelming passion to kill a certain woman and her family and friends for committing the crime of leaving her address book at the computer shop. The movie makes a good solid effort to be a worthwhile thriller, but for the most part it falls completely flat.,