Blue Thunder
One reason Roy Scheider made this film was so that he would be unavailable to get cast as Chief Brody in Jaws 3-D (1983), though he also admitted in an interview that the "Jaws" producers knew better than to ask him to play Brody again.,Cochrane sabotages Murphy's Bell jet ranger by removing the cotter pin and loosening the nut on the throttle-control linkage bolt so it can slip out. Aviation bolts are always installed head-end up as a safety precaution to keep the bolt in place should the nut come off.,Jack Braddock: But there's a bright side to this, and a moral. I think morals are good for you, I love morals, and the moral of this story is: If you're walkin' on eggs, don't hop.,There are no opening credits after the title is shown.,When "Blue Thunder" was first released on video in Sweden, the scene where Kate drives to the the TV station with the videotape, involved a crazy stunt when she drives into a narrow alley and meets a police car that comes the other way. To avoid a disaster, Kate flips her car on its side, hits its roof on a wall and flips back again. In later video versions, the stunt is gone. We only see the car when it enters the alley and then we see her driving on the freeway with a strange damage on the roof.,Featured in At the Movies: Blue Thunder/Return of the Jedi/Breathless/La Traviata (1983),Theme From Blue Thunder (Murphy's Law)
(uncredited)
Written by Arthur B. Rubinstein
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as the Beepers)
Produced by Evan Pace
Associate Produced by Reno Romano,Old movies have it hard on ImDb. They got pushed in this database without all the benefits modern movies have to artificially boost their initial user score. Publicity stunts, media spin, false "user" feedback... They got none of that. How many bad movies have you seen start at 8,5 and end up being turds. To remedy that, Blue Thunder gets a solid 8 from me. It is a typical 80's flick, sprinkled with sexist and racist bits nobody would dare to approach today. Movies reflect their epoch; here we find a pre-olympic L.A. not very far from it's race crisis. More important, we find real helicopters doing real stunts above and inside the city. No production will ever get a permit to do all this anymore and only for that, that movie is worth watching.,