Confessions of a Window Cleaner
This was the most successful British-made film at British box office in 1974.,When Sid Noggett (Anthony Booth) stops his Mini van outside the church at Timmy's wedding, he gets out and comes into the church. Behind him, the van starts to roll away backwards, but in the next shot is stationary. Either it was planned as part of the story that the van would roll away and the story was changed, or Booth forgot to set the handbrake when he stopped the vehicle.,Timothy Lea: What a diabolical way to start a new career. Flat on me back starin' up blokes's trouser legs!,In order to satisfy the censors of a worldwide market, three versions of this film had to be shot. The 'A' Version was the traditional nude format, the 'B' Version had both male and females wearing underwear, while the 'C' Version (made for South Africa) had fully-clothed sex scenes. The same practice was used for Confessions of a Pop Performer, though the final two sequels - Confessions of a Driving Instructor and Confessions From a Holiday Camp - only required 'A' and 'B' Versions.,Edited into Crumpet! A Very British Sex Symbol (2005),This is your life Timmy Lea
Words and music by Roger Greenaway and Roger Cook
Arranged by Sam Sklair
Sung by Sue Cheyenne,CONFESSIONS OF A WINDOW CLEANER has a lot to answer for. On release in 1974, it helped usher in a new wave of low budget British sex comedies, not least the three sequels that followed this. That's because it was inordinately successful, helping to destroy the CARRY ON films at the box office (only two more were made, each trying to copy this film's formula). Seen today, it's a rather twee, somewhat amusing, and completely dated little movie more embarrassing than it is funny. It's a simple, laboured exploration of British values of the '70s, bearing comparison to the likes of MAN ABOUT THE HOUSE and the TV series it most resembles, ON THE BUSES. The jokes are silly and full of the innuendo that made ARE YOU BEING SERVED? equally successful and the shooting style is low rent and down to earth. This was a film that working class folk could readily identify with.

Speaking of identification, Robin Askwith makes for a perfect 'hero'. He's young, somewhat stupid, quick to laugh at himself and not especially good looking; watching him score with numerous beautiful women must have been like a fantasy come true for all the British lads watching and wishing they were in a similar situation. I wonder how many became window cleaners after seeing the fantasies played out here? And what a supporting cast! There's Anthony Booth, future father-in-law of British prime minister Tony Blair; there's Bill Maynard, later a lovable fixture on TV and radio. Linda Hayden (BLOOD ON SATAN'S CLAW) is ravishing as usual, and even the likes of Sam Kydd and John Le Mesurier pop up to lend the movie some much-needed gravitas.

What I liked most is that this is far from a plot less string of sexual encounters. It has story, plain and simple, and the last third of the film goes off in a completely different direction as Askwith readies himself to be married. Okay, so there is a lot of sex and nudity in the film, and there are lots of attractive women attractively undressed, but this is sex of the saucy slap 'n' tickle variety, the quintessential British seaside postcard come to life. It's one step further than the CARRY ONs ever went, but it's never sleazy or sordid. It makes you laugh. CONFESSIONS OF A WINDOW CLEANER is far from classic, but it does paint a nice picture of the whys and wherefores of Britain in the mid-'70s and it has its own small place in the film industry's history.,