Gertrud
One of Lars von Trier's favorite films.,When Gertrud walks across the room in order to give Axel his letters back, the shadow from the camera and equipment can clearly be seen on the back wall.,Gertrud Kanning: There's no happiness in love. Love is suffering. Love is unhappiness.,Edited into Eventyret om dansk film 15: Fjernsyn og biografkrise - 1961-1965 (1996),Vesti la giubba
(uncredited)
from "I Pagliacci"
Music and libretto by Ruggero Leoncavallo,You might be dismayed the first time you view Gertrud. Is this a masterpiece you might ask yourself? Nothing seems to happen. People sit and talk. Sometimes they get up and move about and then go and sit down again. When they do talk, it is not always facing one another. Gertrud herself often appears to be in a trance, staring towards another world, a beyond of perfection where no mortal man can exist or match up to her dreams. By the end of the film she seems to have become as bloodless and lifeless as a statue. Whiteness has overcome her and it is as lethal as the powder in the mill of Dreyer's Vampyr.

This is a film that must be watched several times in order for all its qualities to be revealed. The characters movements are exactly choreographed. The decor is stripped down to its essentials. There is nothing in the frame that does not comment. It might appear on the surface to be a naturalistic film, but it is, in fact, as staged and controlled as any Fellini. Gertrud is about the martyrdom of a woman who seeks perfection in a flawed world. Its surface, is as still, and tranquil, as a lake in a park, but underneath, everything is turmoil and volcanic emotion,