Conversations with Other Women
The film contains 117 visual effects shots, all of which are designed to be "invisible". When the Visual Effects Supervisor, Kwesi Collisson, solicited bids from VFX houses, he received an initial estimated VFX budget of over $1 million, followed by a $400,000 "low budget" estimate. Mr. Collisson decided to execute all of the effects himself, spending four months using Adobe After Effects and Shake software to complete the necessary shots.,The last scene is supposed to be set at 4am, but the natural light is more like 8am or later.,Man: It's good to be happy. But it's so fucking hard, you know.,After the actor credits in the opening, the remainder are shown with the attribute (e.g., "Casting by") under/after the name (e.g., Bllly Hopkins). This is the opposite of the norm, where the attribute is always on top/before.,Featured in 2006 Independent Spirit Awards (2006),Le Plus Beau du Quartier
Music by Carla Bruni,From the moment I saw the trailer for CONVERSATIONS WITH OTHER WOMEN I wanted to see this film. The combination of Helena Bonham Carter and the terrific Aaron Eckhart together on the screen with dialog that is out of this world, both funny and sad, at the same time, makes this film an intelligent and smart artistic piece of work. And the split screen makes it even more interesting as you get to watch the actors pull off such marvelous performances. I want to see this film again just to see what I might have missed.

When the film begins at a wedding and continues with the momentum of the attraction a couple feel for one another, it is impossible not to think of your own wedding experiences and perhaps the magic of meeting "the right one" as time ticks away in your life. New York is the perfect location for this film and as the last frame of the film appears before the credits roll, you simply don't want to have this couple leave. CONVERSATIONS WITH OTHER WOMEN makes you really think about what is important in your personal life and when you finally meet that "special person", hold on to him, or her, for the rest of your life. Bravo, Hans Canosa for this brilliant film.,