Born Yesterday
To help build up Judy Holliday's image, particularly in the eyes of Columbia Pictures chief Harry Cohn, Katharine Hepburn deliberately leaked stories to the gossip columns suggesting that her performance in Adam's Rib (1949) was so good that it had stolen the spotlight from Hepburn and Spencer Tracy. This got Cohn's attention and Holliday won the part in Born Yesterday (1950).,In the final scene of the movie Billie and Paul are pulled over by a motorcycle cop. There are three shots, one of them driving to the curb, one of them talking to the officer, and then driving away. The officer who talks to them is obviously much older (and bigger) than the thin young man in the first and third shots.,Billie: Would you do me a favor, Harry?
Harry Brock: What?
Billie: Drop dead!,Featured in Film Preview: Episode #1.2 (1966),Symphony No. 2 in D Major, Op. 36, 2nd movement
(uncredited)
Music by Ludwig van Beethoven
Played at the outdoor concert
Also played on the phonograph,She bursts into the screen. Every tiny little nuance in her extraordinarily telling eyes are absolutely true and we surrender to her persona without even thinking about it. She was miraculous. "I'm stupid and I like it" she tells William Holden with devastating sincerity. She exudes such honesty that it's impossible to be indifferent to her. Ruth Gordon and Garson Kannin concocted a realistic fairy tale that Judy Holliday inhabits (rather than inhibits)with overwhelming naturalness. It is a sensational creation and George Cukor, as usual, puts the camera at her service to magnificent results. Look at the card game, no cut aways from her face for which, I was enormously grateful. If you haven't seen it, rent it now. You'll have an unforgettable time.,