April Showers
The shooters last name, Harris, is an obvious reference to Columbine Massacre assailant Eric Harris. His first name, Ben, may possibly be a reference to the other Columbine shooter Dylan Klebold whose middle name was Bennet.,Version of Duck! The Carbine High Massacre (1999),Now
Written by Brendan B. Brown
Additional Bowed Bass Arrangements by Matthew T. Milligan
Performed by Wheatus
Courtesy of Montauk Mantis Productions Inc.,Based on his real life experience of surviving the Columbine High School Massacre, writer and director, Andrew Robinson comes up with a retelling, titled "April Showers" which promises to deliver something that will make us all think. I applaud Andrew for achieving something that must have been very hard to do. To relive these terrible events in an effort to outline how some of these survivors coped and how some didn't through such a troubling time , was a courageous thing to do. with solid Cinematography and passable acting, the film really should have delivered what it was striving for, but unfortunately, due to some real problems, it falls quite hard. To start with, for a film of this nature to work, we really have to connect with the characters. Unfortunately, the film prevents us from getting acquainted with the people involved, through lack of story development. The Massacre happens in the first five minutes of the film, so we are thrust into the deep end before knowing anything. So instead of the emotional strain that the viewer should be feeling, we can separate ourselves from them. I compare it to hearing something on the news, which takes place over the other side of the world. Yes its shocking, but there isn't as much impact for us, as opposed to having a relative or friend in the actual tragedy. This film didn't allow us to really care what was going on, which makes the second half of the film rather boring, as we try our best to connect with those grieving, but just can't. My other problem is that the main focus of the film, the relationship between Sean and April, takes the gloss away from the only really interesting character, one that is going through post traumatic stress. There is just no allowance for any chemistry between the romance of the lead two, and like the majority of the film, it just feels like its eating away the run time, as opposed to actually building a solid platform of emotion. If the film was done in way that we have development and then the tragedy, I feel it could have worked. But as a result of impatience and maybe a lack of experience, the director chose a different path that ultimately hurts it and prevents it from being a memorable experience. Ordinary at best, but a courageous move from the director.,