Cry of the City
The theme music over the opening and closing credits by Alfred Newman, named "Street Scene" is the same as that played in the earlier Henry Hathaway movie, The Dark Corner (1946), and many others since it was originally written for Street Scene (1931).,Phantom Bullet: During the struggle in his office, Niles fires his gun, missing Marty but killing the woman eavesdropping outside the frosted glass door. Yet the glass does not shatter, nor is there a hole in the surrounding woodwork or plaster...as if the sound alone killed her.,Martin Rome: I had enough of that when I'm a kid. Crummy tenements, no food, no clothes.
Lt. Vittorio Candella: Oh, save it for the jury, Marty. Who do you think you're kidding? l was brought up in the district too. I've heard that dialogue from you poolroom hotshots ever since l was ten years old. Get hip... only suckers work... don't be a square... stay with the smart money. Let the old man get the calluses digging the ditches. No food... no clothes... crummy tenements. You're breaking my heart, Marty.,Edited into American Cinema: Film Noir (1995),Baby Face
(uncredited)
Music by Harry Akst
Played during the scene in the bar,In New York, when the cop killer Martin Rome (Richard Conte) arrives in the hospital badly wounded, the lawyer W.A. Niles (Berry Kroeger) unsuccessfully tries to convince him to confess the robbery of a collection of jewels and the death of the owner. Along the night, Martin's girlfriend Teena Riconti (Debra Paget) sneaks and visits him. Later Niles threatens Martin telling that he would catch Teena to force her to assume the other crime. When Martin escapes from the hospital, Lieutenant Candella (Victor Mature), who is an old friend of the Rome family, investigates the case and has to chase Martin.

"Cry of the City" is a moralist police story, with the fight between good, represented by Lt. Candella, and evil, represented by Martin Rome. Both characters have the same origins in the lower class neighborhood, but follow different paths of law: while Candella accepts to earn a low salary and "sleep well at night", the manipulative Martin uses people and prefers to taste the pleasures of life whatever the final price is. Their duel has a predictable and corny conclusion, but the story is engaging and supported by a beautiful black and white cinematography and good acting. My vote is seven.

Title (Brazil): "Uma Vida Marcada' ("A Marked Life")

Note: On 20 Dec 2018, I saw this film again. Now my vote is eight.,