Gandhi
Over 300,000 extras appeared in the funeral sequence. About 200,000 were volunteers, and 94,560 were paid a small fee (under contract). The sequence was filmed on January 31, 1981, the 33rd anniversary of Mohandas Karamchand Gandhi's funeral. Eleven crews shot over 20,000 feet of film, which was pared down to two minutes and five seconds in the final release.,In the opening scene in South Africa, Gandhi is riding first class on a steam locomotive. The first class car is shown as the forward car, closest to the engine. In passenger steam engines, first class would be the rearmost car, farthest away from the engine's heat and exhaust. Second or third class would be nearest the engine.,Gandhi: An eye for an eye only ends up making the whole world blind.,Opening credits prologue: No man's life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the record and try to find one's way to the heart of the man....

NEW DELHI INDIA 30th JANUARY 1948,In April 2005, Skoll launched the Gandhi Project in partnership with Silicon Valley entrepreneur Kamran Elahian. Working with Palestinian voice actors and artists, an award-winning director dubbed the epic film into Arabic. It is being screened throughout Palestine in order to advance civil society goals of peaceful resistance, self-reliance, economic development and local empowerment, and plans are underway to expand screenings throughout the Arab world.,Featured in The Making of Gandhi: Mr. Attenborough and Mr. Gandhi (1983),God Save the King!
(1744) (uncredited)
Music attributed to Henry Carey
Sung by Ben Kingsley
Reprised when India achieves independence,Here indeed is one of the great films of the 20th Century about one of the greatest men of the 20th Century. Ben Kingsley's interpretation of the Mahatma must go down in history as one of the most perfect cinema rôles ever carried out. Throughout the long film you forget you are watching an actor playing the part of a great man in history: you are watching the real Gandhi. A gigantic performance indeed. Richard Attenborough's patient and perfect directing added all the superlatives possible to make a crowning achievement, transporting biographic films into another dimension.

It is all there: from the most intimate and poignant portrait to the incredible crowd scenes, beautifully captured in the most painstaking photography. You do not just watch the scenes unfold  you live them, you feel them, so captivating they are; and Ravi Shankar's music tugs at you, spellbinds you, forces you into sympathy, admiration and so many other feelings.

Enthralling: how such a cinematographic work of art can reach such proportions is truly amazing; this film is nothing less than a miracle. During 1971 I travelled a good bit around India; I constantly had to apologise to energetic Indians who approached me on the subject of the British Raj. I had not even been born. But as a young and unappointed ambassador, I felt it my duty to bow my head in that country which is a microcosm of the whole planet. Thanks to this film, `Gandhi', Attenborough and Kingsley have said just about all there was to say.

< For men may come and men may go, but Gandhi goes on forever >,