The Dark Corner
In later years, Lucille Ball was vocal about hating the experience of shooting "The Dark Corner". The lion's share of her resentment was pointed at director Henry Hathaway, whose bullying reduced Ball to stuttering on set, at which point Hathaway accused her of being inebriated.,When private investigator Bradford Galt strong-arms Fred Foss to reveal his home phone number, Foss replies, "CHelsea 4-43510." In the Manhattan phone book for 1946, they only had the CHelsea 2 and CHelsea 3 exchanges. This may be an early version of the 555 prefix which is the convention for fictional phone numbers.,Kathleen: You should have William Powell for a secretary.
Bradford Galt: William Powell... who's he?
Kathleen: Don't ya ever go to the movies? He's a detective, in "The Thin Man.",Referenced in Cry of the City (1948),Give Me the Simple Life
(uncredited)
Music by Rube Bloom
Played when Brad and Kathleen are looking at the nickelodeons,"The Dark Corner" turned up the other night on cable. This is a film that should be seen more often. For one, we get great views of the New York of 40s. Most of the action was photographed, brilliantly, one must add, by Joe MacDonald with the old 3rd. Avenue El as a background. Henry Hathaway's direction was inspired.

Brad Galt, the gumshoe at the center of the story, has come to New York to get away from an unsavory past in San Francisco. He was on the right track in establishing the detective agency he runs, helped by his attractive gal Friday, Kathleen. Trouble seems to find Brad, no matter where he goes. When the apish Fred Foss appears, dressed in a white suit, we know we're in for a rough ride.

Brad is being framed, but he has no clue, except to think, Jardine, the suave lawyer, is responsible for it. Little does he know there are higher ups that want to pin a murder on Galt. With the help of his kind secretary, Kathleen, this pair embark in a voyage of discovery where a few surprises await them.

"The Dark Corner" is a fine example of a film noir, enhanced by the background shots of Manhattan. Mark Stevens, as Brad, makes a good attempt to portray Brad Galt, the man who wants to play it straight after his run in with the law. The biggest surprise of the film was the wonderful Lucille Ball playing the secretary. Ms. Ball was an accomplished actress who was basically seen in comedy, but as this film shows, she could play anything.

Clifton Webb turns up as Cathcart, the art gallery owner. There is a great scene at the vault where some art pieces are kept, after taking a few clients to see the new Raffael (that looks it could have been painted on velvet), Cathcart sees the shadows of his wife, and his partner in crime, Jardine, in a passionate embrace as both kiss. The other great moment in the film also involves the art gallery. When Brad, who has finally arrived at the gallery late, asks the assistant how much would the Donatello statue would cost, and she answers "Forty Thousand". After that, he asks her how much would the pedestal would cost! Obviously, he couldn't afford either the work of art, or where it rested! In minor roles, William Bendix makes an impression in playing the evil Fred Foss. Kurt Kreuger is seen as Jardine and Cathy Downs plays the deceiving wife, Mari.

"The Dark Corner" is a film that will not disappoint the viewer, thanks to Henry Hathaway's direction and the work of this cast, but especially watch out for Ms. Ball, she does amazing work!,