At the Max
Over eighty percent of the effects seen in the film are practical effects, including stunts, make-up, and sets. CGI was used sparingly, mainly to enhance the Namibian landscape, remove stunt rigging, and for Imperator Furiosa's (Charlize Theron) left arm, which is a prosthetic limb.,There are several scenes in which people, including The Splendid Angharad, grab onto the vertical exhaust pipes for support while crawling around on the outside of cabin of the War Rig. Truck exhausts can often reach temperatures greater than 350 degrees Fahrenheit, which would have made holding onto them with bare hands impossible.,Nux: [In the midst of a massive, violent sandstorm, after witnessing his fellow War Boys sucked off the War Rig into a vortex] Oh, what a day... what a lovely day!,Near the end of the credits there is a memorial dedication that reads "Lance Allen Moore II, May 24, 1987 - March 10, 2015." Apparently Moore was a Mad Max fan killed in a motorcycle accident near Silverton, New South Wales, Australia, where Mad Max 2: The Road Warrior (1981) was filmed.,A "PG-13" version was created, but only screened for American test-audiences. Positive feedback towards the "R-rated" version convinced Warner Bros to release it, theatrically.,Edited into Terror Nullius (2018),Elegy For Rosa
Composed by Eleni Karaindrou
© ECM Records/Verlag GMBH
Licensed courtesy of J. Albert & Son Pty Limited,The rationale behind the success of 'Fury Road' predominantly lies with director George Miller whose commitment and love for the film series that he's been developing since its first outing in 1979 is evident throughout, and it's pretty obvious that he knows how to craft a damn fine action sequence. Without this passion, the film would have likely stooped as there's not much else in the way of a plot or character development, even though Theron tries her hardest to give us an enthralling new action heroine to be revered. Aside from the aforementioned writing setbacks, 'Fury Road' is a powerhouse in the technical categories. With stunning contradictory cinematography from John Seale giving us a post-apocalyptic world of lavish colour rather than your typical muted tones, a heart-pounding score from Junkie XL and exquisite production design work that rightfully earnt the film an Oscar (one of six) for its spectacular vehicle design.,Take a side-by-side look at some of Hollywood's biggest reboots and remakes.,