Harakiri
While filming, Tatsuya Nakadai was afraid during most of the sword and spear fighting scenes because real swords were being used, a practice now forbidden in Japanese films. His concern was not alleviated even though professional swordsmen were employed during the choreographed swordplay.,After Motome's seppuku, when Omodaka steps forward and chops Motome's head off (supposedly), he visibly stops his swing before striking Motome's neck (naturally, since real swords were used).,Hanshiro Tsugumo: What befalls others today, may be your own fate tomorrow.,Featured in Through the Mist (2009),Having seen this film the mind becomes clouded with the innumerable things to say about it. Only praise comes to mind. Kobayashi has crafted The great samurai film for the rebel generation and he mixes a deftly handled criticism of authoritarian hypocrisy with a very touching piece of human drama.

The plot is deceptively simple: an old samurai (touchingly portrayed by Tatsuya Nakadai of "Ran", "Kagemusha" and "Sword of Doom") arrives at a clan castle to commit seppuku in their yard, and then tells his tale, seemingly trying to gain time at first. What seems to be the rambling of an old man soon turns out to be a grieving account of how this man (and, more significantly, his loved ones) was wronged by the clan. Then comes the violent revenge (this is where you think "Wild Bunch with katanas", though they do up the ante toward the end with guns...).

Kobayashi's direction is masterful, keeping an unbearable suspense during the mostly talky film, handling the touching scenes with care and maturity and giving us a sweeping fight to top all that. The 133 minutes running time never feels half that long! At the heart of it all though, is Nakadai, who, despite an excellent CV, delivers his greatest performance ever. His Tsugumo evokes a wounded panther, grieving an grieving until it gives in to fury. Nakadai's performance alone marks the film as essential viewing.

If you're open to samurai flicks, this will rank among the finest films you've ever seen.,