House of Dracula
Lionel Atwill was terminally ill with lung cancer during filming. Production wrapped on 25 October 1945, and he died 22 April 1946.,Some scenes of the Frankenstein monster use stock footage from The Bride of Frankenstein (1935) and The Ghost of Frankenstein (1942) wherein the differences between Boris Karloff, Lon Chaney Jr. and Glenn Strange in the same role become apparent.,Miliza Morelle: You like it?
Count Dracula: It breaths the spirit of the night. They played it the evening we met at the concert.
Miliza Morelle: I'd forgotten... until I saw you again.
Count Dracula: Perhaps I wanted you to remember.,Opening credits ooze down from the top of the screen, ending in a straight line of words.,Edited from The Bride of Frankenstein (1935),Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
Written by Ludwig van Beethoven,I enjoyed this more the second time around, because at first I was disappointed to watch how poorly the Universal monsters fared when compared to earlier outings. In fact, Dracula (John Carradine) does little but lust after the female assistant of the 'celebrated' doctor (Onslow Stevens) who's supposed to cure his vampirism; though Lon Chaney Jr., returning as The Wolf Man, changes a couple of times in the film, nothing ever comes of these - but, for once, we do get a happy ending for him here; the Frankenstein Monster (Glenn Strange) doesn't appear until half the film is over and, till the very last sequence, is strapped to an operating table (still, his final rampage and come-uppance, though partly lifted from THE GHOST OF FRANKENSTEIN [1942], is effective enough).

The film, however, belongs to Onslow Stevens who manages both facets of the doctor's personality - the intellectual, rather cold scientist who finds logic even in the supernatural and, when infected with Dracula's blood, the prowling Hyde-like menace who re-activates the Frankenstein monster (whom he just happens to come across in a cave, by the way) for his sinister purposes...but these, needless to say, are thwarted by the nth stomping of the castle grounds by the angry villagers, led by a dignified Lionel Atwill and zombie-like Skelton Knaggs! Besides Stevens' 'monster', the film features a girl hunchback(!) - I remember laughing out loud at her introduction when I first watched the film but, thinking about it now, her presence does serve a purpose as Stevens' experiments are supposed to help cure her deformity (apparently, there ain't nothing this doctor can't fix!). Despite the general cheapness of the production, I was struck by the shadowy lighting, the music (some of it, admittedly, borrowed from earlier pictures) and the set design - elements which are always a pleasure to look out for in these Universal 'classics'.,