Bloody Mama
In one scene where Herman Barker (Don Stroud) punches Ma Barker (Shelley Winters) in the nose, Stroud accidentally punched Winters in the nose for real, and hurt her badly enough that she had to be taken to the hospital.,In the prison cell when Freddie is walking on Dirkman's back, if you look on the cell wall behind him, you'll see graffiti of a Nazi swastika on the wall. The movie takes place circa 1930 and the Nazi symbol didn't even exist (at least in America's consciousness) until the late 1930's-1940's. Correction: The swastika was used as good luck symbol long before the Nazis. It was a common Native American symbol of good fortune and was on the official patch of the 45th Infantry Division of the US Army prior to 1930. So it's use as graffiti is not impossible.,'Ma' Kate Barker: [opens door and walks into boys' room, where Fred and Kevin are lying in bed together] I don't wanna sleep alone tonight.
Fred Barker: Ma, I can't.
'Ma' Kate Barker: Freddie, I don't want to cuddle with you tonight, baby. Kevin, I want you.
Kevin Dirkman: Well, we're all feeling kinda weird tonight, Ma.,The film was originally rejected for a UK cinema certificate by the BBFC and then released 8 months later in 1971 with cuts to nudity, violent beatings, a rape scene, the drowning of Rembrandt, Lloyd's injection scenes and the violent shooting of Herman. The 18-rated UK video release of this film was cut by 11 seconds by the BBFC and removes the scene where Bruce Dern drops a tethered piglet into a river to use as alligator bait. The cuts were fully waived for the 2009 Optimum DVD.,Edited into Frogs (1972),Bloody Mama
Written by Don Randi, Guy Hemric and Bob Silver
Performed by The Singing Big Foot,Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.

Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".

In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy  there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.

The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.

A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.,