Blood of the Vampire
Victor Maddern got a headache from the extensive makeup he had to wear as the deformed hunchback Carl.,Kurt Urach's date of death is given as 1881 in the paper, but 1892 on his tombstone.,Callistratus: Since you're so interested in my work, there s no reason why you should not assist me. My experiments so far have been confined to male blood groups. I think it's time to extend my activity.,Opening credits prologue: Transylvania 1874

The most loathsome scourge ever to afflict this earth was that of the Vampire.

Nourishing itself on warm living blood, the only known method of ending a vampire's reign of terror was to drive a wooden stake through his heart.,There is additional footage of Karl tormenting some chained female victims and also more of his death and some bloody lab shots in a version released on VHS in France in the 80s.,Featured in 100 Years of Horror: Scream Queens (1996),We each have the experiences that brought us to the way we dream, and the forms we use in wrangling the world. My cinematic maturity is pretty traceable because the films and the watching were so self-ware.

Going back before well-formed notions of self, this was one film experience that changed me. Or rather I should say that the first two minutes changed me. It was my first movie alone, and my first non-cartoon movie. Sent on a mission to get bread, this ten year old sneaked into a matinée with the 15 cents left over. Sitting virtually alone I knew that what I was doing would be costly, and that I would be crossing a boundary with my life never fully retrieved.

This movie starts with some text that tells us about the curse of the vampire being the greatest evil ever visited on the earth and that we are entering Transylvania during what I assumed was its riskiest, spookiest time. The only way to kill a vampire, we are told, is by a stake through the heart. We are in an unkempt graveyard, Leni Riefenstahl's mountains in the background. If a church bell tolls it doesn't matter because I heard it. Tones are muted, the distance is far. We know it is the deepest part of night.

Townsfolk carry a wrapped corpse on a stretcher, careful about their delicate business in managing the evil undead. They tip the corpse into the shallow grave, the only real space, and the covering comes off the body's face. We see not the artificial snarling teeth that we expect, but a regular bank president sort of guy.

The camera now looks up from the grave at two hired executioners. One has a stake five feet long, the other a wooden mallet with a head as big as his, something I suppose actually existed. But it is huge and the wide lens makes it very much larger as we hear the crunch of the stake through flesh and see and hear the pounding just as if it were our heart. The camera then shows the stake, the palette effectively shifting from black and white to color.

A quick title and then we see a hunchback skulking behind a rock. His right eye (the wrong color) drooping two inches too low. Even a ten year old cinematic virgin could see at once that the action we have witnessed we have seen through his eye and that of the corpse. I was out of that air conditioned theater like my life depended on it. The bread did not survive.

Now, after more than 50 years I can sit through the entire film. The first sequence is still masterful I think. But the rest of the thing must have been created by another team. Boring. It has dogs, which together with the opening must have been all Sangster had in mind when he started.

Funny how you build a life.

Ted's Evaluation -- 2 of 3: Has some interesting elements.,