Black Mass
Many of the murder scenes were shot in the locations where the real-life murders took place.,In the film, Buddy Leonard diffuses a fight between Whitey Bulger and Tommy King at Triple O's. Tommy is subsequently murdered, and Buddy is found dead in the front seat of a car a few scenes later. In real life, Buddy was murdered before the altercation at Triple O's. His death was the real reason Tommy attacked Bulger.,Whitey Bulger: [from trailer]
[at dinner]
Whitey Bulger: What did you marinate this steak in? Because it's out of this world! You're killing me with it!
John Morris: Now, now, it's a family secret.
Whitey Bulger: Oh, come on! You got to tell me that! What's the secret? Come on, you can do it, come on, that is one of the best goddamn steaks I have ever had in my entire life. What's the family secret recipe?,As the actors are listed, pictures and footage of the real people they portrayed are shown.,Featured in The Tonight Show Starring Jimmy Fallon: Hillary Clinton/Dakota Johnson/Fetty Wap (2015),It's Not My Cross to Bear
Written by Gregg Allman
Performed by The Allman Brothers Band
Courtesy of Island Records
Under license from Universal Music Enterprises,Black Mass serves as a nice redemption for the floundering career of Johnny Depp, who has leaned more on quirky voices and loud makeup than his actual skills in recent years. His portrayal of mob boss Whitey Bulger is a powerhouse performance and easily his best since he first introduced the world to Jack Sparrow. It's too bad the movie as a whole doesn't fair quite as well. Despite a great cast and some interestingly insane source material, somehow a movie about one of America's most infamous criminals feels more like small claims court. Director Cooper focuses his narrative on Bulger's less-than-legal partnership with the FBI. It's a fascinatingly close-knit community we witness (agents, felons, politicians, and families alike) in which loyalty and corruption go hand-in-hand. It's a grimy yet quiet 70's-feel gangster film that engages its audience nearly as much as it reminds them of better films. Therein lies its big problem: What is Black Mass offering that hasn't already been perfected in other gangster films? Unfortunately, instead of a true movie-making vision, it's like a guy watched every crime drama from the last 40 years and just spit out a less-interesting copycat. Not that a counterfeit of something great can't still have its positives: the score is beautiful and the performances from the top-notch cast around Depp are nearly as superb as his, all of whom nail the oft-parodied Bostonian accent with aplomb. But with too many side plots to juggle, not enough cohesion to the storytelling, and an unfortunate lack of auteur vision, Black Mass just can't stand against the great American crime films of yore (Chinatown, Godfather, Goodfellas).,