Flying Down to Rio
Standing outside a bakery shop in Rio, Ginger Rogers asks, "Oh, Freddie, how do you ask for little tarts in Portuguese?" Fred Astaire replies, "Don't heckle me, try the Culbertson System." This pre-Code, double entendre joke would have been funny to Depression-era audiences, for whom bridge was a common pastime. Ely Culbertson was a champion bridge player and worldwide celebrity who had won several international tournaments by developing a rather aggressive bidding system for contract bridge. He was also notorious for his sexual exploits. His 1940 autobiography would be banned in many countries. In the 1930's, the word "tart" was equivalent to "slut" or "whore." Also, in the opening inspection of hotel staff, the boss sees a maid whose shoe heels are oddly beveled and says he will not tolerate that sort of thing. A "round-heeled woman" was 1930s slang for a prostitute, a woman who could tilt from standing to on her back with ease.,From the height they were flying, most of the "dance" routines of the young women on the plane wings would not be visible to people on the ground.,Belinha's Friend: What have these South Americans got below the equator that we haven't?,Featured in Hollywood and the Stars: The Fabulous Musicals (1963),Music Makes Me
(1933) (uncredited)
Music by Vincent Youmans
Lyrics by Gus Kahn and Edward Eliscu
Performed by Ginger Rogers,There was a golden age of cinema lasting only four or five years - from the end of the silent era to the beginning of the Hays Code, the severe censorship rules which sought to turn cinema from naughty to nice, but in actuality sapped them of their truth and energy.

`Flying Down to Rio' is a classic pre-Hayes code talkie, and its characters have a quality of frankness which endears them to modern audience far more than many later films, whose stilted, conservative quality is somewhat alienating. You'd be surprised at what they could get away with in those days - it would be forty years before a film could get away with a line like that spoken by a starlet of her South American rivals - `What have those girls got below the equator that we haven't got?'

The film, about a love triangle between a Brazilian woman and two members of a swing band, is of course famous for two things - the slightly surreal sequence in which showgirls ride a biplane down to Rio in Busby Berkley-esque formation, and the debut of Fred Astaire and Ginger Rogers as a screen team. It's no wonder that audiences fell in love with the duo, whose `Carioca' is the highlight of the film.

They only made them like this for a little while - more's the shame!,