Cop Land
Sylvester Stallone gained the necessary weight for the role by eating a steady diet of giant pancakes served at a local pancake house.,"Municipal" Sheriffs don't exist in the State of New Jersey. All Sheriffs in New Jersey are elected at the County Government level to a three-year term and are a Constiutional position. For a small town in New Jersey Freddy Heflin would have had to be the Police Chief or similar rank. It may also be noted that no police officers in New Jersey wear tan uniforms. That uniform is far more likely seen out in the Western states.,Figgs: Being right is not a bullet-proof vest, Freddy!,A police car's flashing light sweeps across the credits as they are displayed.,A newly released Special Edition DVD restores approximately 15 minutes of scenes that were cut or extended from the theatrical version.,Featured in Siskel & Ebert: Conspiracy Theory/Kiss Me, Guido/The Full Monty/Career Girls/Love Serenade/Free Willy 3: The Rescue (1997),Check Your Woppa
Written by Roberto Arduini (as R. Arduini), Antonio Puntillo (as A. Puntillo), Max Persona (as M. Persona) and Max Aventino (as M. Aventino)
Performed by Mod 222
Courtesy of Media Records and Thump Records,Cop Land is written and directed by James Mangold with an ensemble cast featuring Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, and Michael Rapaport. Distributed by Miramax Films it features a musical score by Howard Shore.

Freddy Heflin (Stallone) is the sheriff of Garrison, New Jersey. A small satellite town across the river from the Big Apple where many of the big city cops reside. Freddy always wanted to be a big city cop but due to partial deafness was unable to make the grade. But when a hero white cop shoots dead two black youths it sets off a series of events that make Freddy realise that the big city cops in Garrison aren't as honest as he is. Thus Freddy must decide if he should get involved.

It was heralded as the film to break Stallone on to the A list of serious actors, and the film where a fine ensemble had gathered and worked for a basic scale wage-such was their faith in the material. Yet in spite of making a considerable profit at the box office and receiving generally favourable reviews, Cop Land seemed to vanish without trace before it could make its mark in the cop/drama genre. A lot of that can probably be put down to the sheer weight of expectation, considering the cast involved, for something out of the top draw. However, revisiting the film now, over ten years post its release, Mangold's movie shows itself to be the tight and intelligent picture it is.

From the off it's evident that there's very little good about the town of Garrison. The coppers drink and drive, cheat on their partners and the sheriff looks like an out of work, overweight slob. Mangold clearly is more about the bleak than the beautiful. As the narrative and characterisations move forward, a multitude of strands start to dangle on the screen-where it at first appears a bit too chocked-but ultimately unfolds with ease as the story progresses. Here's where Cop Land excels, it could so easily have just been another good cop/bad cop movie, one where the doofus partially afflicted guy saves the day. But Cop Land is more intimate in detail of its characters, intimacy that is boosted by a pretty flawless cast (notably Stallone & Liotta). There's healthy helpings of action and drama, but it's the dialogue driven confrontations that entertain the most; where we get the pleasure of watching acting heavyweights battle for supremacy.

With a slow burn sense of doom hanging over it from the off, Cop Land very much feels like a throwback to the adult westerns and film noirs from the 1950s. There's nothing wrong with that of course, in fact it's a compliment. But this deserves its own little niche, that of the contemporary crime thriller with urban western overtones. A damn fine film with a great thoughtful script, that is acted accordingly and directed without flab and pointless filler. 8/10,We're celebrating the iconic Sylvester Stallone with a look back at some of his most indelible film performances, from Rocky and Rambo, to Joe in the new superhero movie Samaritan.,