An American Haunting
The movie is actually based on a purportedly true story. Andrew Jackson was quoted as saying, "I would rather take on the entire English Fleet than stay one night at the Bell House," however his presence at the house is disputed and there are no official records that confirm he was actually present or witnessed any supernatural activity. The haunting is documented in M. V. Ingram's 1894 book, "An Authenticated History of The Famous Bell Witch". This movie was based on the book by , "The Bell Witch: An American Haunting the Famous Bell Witch". However, the Ingram book has been called into question by researchers, who have noted that it's based on secondhand accounts and that no firsthand accounts to the haunting survive, and records from the time have not supported the story of the haunting. The Ingram book calls on quotes from letters and diaries but those documents no longer exist (if they ever did) and it is impossible to verify if the haunting actually happened or if it was a hoax or an early urban legend. Some researchers have even raised the possibility that the Ingram book was actually a work of fiction now mistakenly believed to be a factual account.,This movie is set in 1817-1820. Richard and Betsy were married "shortly after" Betsy's father died. The walls are adorned with their wedding photos, but photography was not introduced until 1839. Even then the pictures would have been small hand held daguerreotypes, not big framed enlargements.,Richard Powell: [of Betsy] Can she love me?
Lucy Bell: She will.,The DVD is released in an Unrated Version, which has a number of differences from the original PG-13 version.,Featured in Siskel & Ebert: Babel/Catch a Fire/Running with Scissors/Death of a President/The Dixie Chicks: Shut Up and Sing (2006),After finding a long-lost letter, a family finds that their ancestors living in the house where once the targets of a supposed haunting unleashed by a vengeful neighbor over land-rights issues and tried to find a way of stopping the haunting from continuing to strike the family.

There wasn't a whole lot here that works, but what does is of big importance. The main thing that this one does do well is force the viewer into accepting the distorted reality presented here, making it think that this is actually going on rather than being a simple curse. It starts as a series of inconsequential importance, from hallucinations written off as being tired or creaks and moans in the night before becoming full-blown supernatural plagues, all building up to the next encounter to make this more creepy and unexpected. This also makes the pacing seem incredibly quick and rapid, as this never once loses steam once the activity starts to affect them with the ghost visiting her in the bedroom or the school encounter on the swing, leaving it all the more enjoyable. That carries over into the later half where this is able to include some really spectacular set- pieces as the second bedroom encounter is a long, drawn-out and protracted torture sequence all done in a straightforward style that leaves all the dragging around and slapping thrown in. the vertical suspension gag works wonderfully and that it takes place in front of helpless witnesses makes this the greatest moment in the film. The later scenes are also quite fun, including a spectacular scene with all the characters in a central room as the presence circling about and a later scene where the various candles in the room immediately melt down to the wicks in an impressive visual, making this a quite impressive overall type of scene. The flash jumps with the little child are cliché but effective in the context of the film, and there's plenty to enjoy about it as well. This one isn't all that bad. This here doesn't have a whole lot of flaws, but they are pretty big ones. The most obvious one is the film's incredibly illogical and quite infuriating ending. This here was built up incredibly well as a supernatural entity being loosened upon the family, and instead of the majority of the time discovering who would be responsible for doing so the end thrusts this quite senseless storyline into view which is wrong on several levels. First, the nature of what the twist implies isn't even close to what happened historically, which is what the story concerns itself to be, and second is that the implication of this isn't handled all that well. There are several instances where what the twist shifts the story into contradicts what has happened to a degree that doesn't make sense since so many of those events feature the participant as a witness to the scene and couldn't have had it transpired through the motion the twist makes it out to be. The other big flaw is that this here tried to keep itself way too tame for no reason, alleviating the possibility of really tapping into the storyline because it's forced to keep it all vague and tame due to its rating despite the subject matter. These are the film's main drawbacks.

Rated PG-13: Mild Language, Mild Violence, Rape and strong themes of incest.,