The Bonfire of the Vanities
Steadicam operator Larry McConkey coordinated the complex, nearly 5-minute opening tracking sequence that included a cramped ride in a service elevator. It was the first of McConkey's collaborations with Brian De Palma.,When McCoy gets off the subway, he is riding the number 1 train and he gets off at 77th Street station. The number 1 train runs on the West Side of Manhattan, nowhere near his Park Avenue residence on the East Side, and there are no 77th Street stops on the number 1 line.,Judge Leonard White: [to court room] Racist? You dare call me racist? Well I say unto you, what does it matter the color of a man's skin if witnesses perjure themselves. If a prosecutor enlists the perjurers. When a district attorney throws a man to the mob for political gain, and men of the cloth, men of God, take the prime cuts? Is that justice?
Judge Leonard White: I don't hear you...,Featured in Siskel & Ebert: Havana/Mermaids/The Sheltering Sky/Awakenings/The Long Walk Home (1990),Pennies From Heaven
Written by Johnny Burke and Arthur Johnston,The back cover for the DVD calls this movie "hilarious" and "the quintessential story of the go-for-it '80s." In truth, it is neither. The Bonfire of the Vanities is, however, funny in parts, poignant in parts, and entertaining throughout.

The protagonist is Sherman McCoy, a man whose one fatal flaw (an affair we know of from the beginning) leads to the downfall from his envious position as a "Master of the Universe." Tom Hanks gives an excellent performance and shows real emotion in bringing this highly plausible character to life. Unfortunately, his character is the only one with enough depth to be realistic. Even Morgan Freeman's Judge White, representing a refreshing dose of intelligence and honesty in the film, is perhaps too good to be believed. All of the other characters are mere caricatures, appearing too greedy, too pretentious, too self-absorbed, or too flighty to be believed. Bruce Willis might have made himself an exception as well, but I feel he simply lacked enough screen time to flesh out the different faces he had to show.

Nevertheless the story is very well told. If the other characters appear less than convincing, accept them as colorful background for McCoy, who is the real focus anyway. There are numerous laughs, and the other characters represent elements that are definitely present in society - even if not to the extent shown here. Wolfe's story is entertaining enough to make this movie worth seeing. And it might even make you think twice about the names you see next time you open a newspaper.

7 / 10 stars.,