The Crimson Rivers
Vincent Cassel broke his nose while filming the fight scene with the skinheads.,Almost at the end of the movie, an EMT is putting an oxygen mask on one of the survivors. Blood is visible on the mask before it comes in contact with the blood on the survivor's face.,Fanny Ferreira: [descending into the crevasse] Welcome to the time machine, Commissaire.,The Gaumont Films logo used is the 90s version (a trail of Gaumont logos opening up to a space with the current logo). A crimson river runs through the trail, leading to the space background at the end being shaded red.,Featured in Siskel & Ebert: Crazy/Beautiful/Baby Boy/Pootie Tang/Lost and Delirious/The Crimson Rivers/Himalaya (2001),Virtual Skinfighters
Composed and Performed by David Salsedo, Stéphane Daurs (as Stephane Daurs)
[Performed by] Silmarils
(c) 2000 Editions Musicales Editions La Marguerite - Legende Enterprises
(p) 2000 Production Legende Enterprises - Gaumont,Mathieu Kassovitz's film featuring the incomparable Jean Reno (The Professional) and Vincent Cassel (Ocean's Twelve, Ocean's Thirteen) is a thrill ride that never stops.

The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).

But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.

The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.

Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.,