Gods and Generals
Some scenes were filmed on Robert Duvall's estate in Virginia, which was the site of some Civil War skirmishes.,Robert Edward Lee and Thomas Jonathan Jackson are shown wearing full beards at the very start of the Civil War, but they did not look like this until sometime later. Lee had dark hair going gray and wore a drooping mustache of the type favored by army officers in the 1850s. He grew his well known beard while serving as Jefferson Davis's military advisor. Jackson was clean shaven and grew a beard later out of his well known disinterest in personal grooming and appearance.,Joshua Lawrence Chamberlain: All these thousands of men. Many of them not much more than boys. Each one of them some mother's son, some sister's brother, some daughter's father. Each one of them a whole person loved and cherished in some home far away. Many of them will never return. An army is power. Its entire purpose is to coerce others. This power can not be used carelessly or recklessly. This power can do great harm. We have seen more suffering than any man should ever see, and if there is going to be an end to it, it must be an end that justifies the cost. Now, somewhere out there is the Confederate army. They claim they are fighting for their independence, for their freedom. Now, I can not question their integrity. I believe they are wrong but I can not question it. But I do question a system that defends its own freedom while it denies it to an entire race of men. I will admit it, Tom. War is a scourge, but so is slavery. It is the systematic coercion of one group of men over another. It has been around since the book of Genesis. It exists in every corner of the world, but that is no excuse for us to tolerate it here when we find it right infront of our very eyes in our own country. As God as my witness, there is no one I hold in my heart dearer than you. But if your life, or mine,is part of the price to end this curse and free the Negro, then let God's work be done.,The movie was dedicated to the memory of John F. Maxwell and Royce D. Applegate.,The Director's Cut of the film includes additional action scenes from the Battle of Antietam. The battle scenes are shown from the perspectives of Jackson and Chamberlain, and mostly focus on the fighting in Miller's Cornfield which was a major deciding point of the battle.,Featured in Bob Dylan Across the Green Mountain (2003),'Cross the Green Mountain
Written and Performed by Bob Dylan
Courtesy of Columbia Records,`Gods and Generals' plays less like a movie and more like a three-hour-and-49-minute long lesson in Civil War history. Grueling and plodding, the film is almost the antithesis of `Gone With the Wind,' in that while both films are epic tales told from the viewpoint of the defeated South, `Gods and Generals' (unlike the earlier film) has been essentially drained of all emotion, drama and characterization. `Gods and Generals' may be a more `realistic' war film than `Gone With the Wind' (what wouldn't be?), but it's not nearly as entertaining.

`Gods and Generals,' which begins right after the firing on Fort Sumter and ends shortly before the Battle of Gettysburg, is the first part of a planned trilogy. Despite a handful of `name' players in the cast (Robert Duvall, Jeff Daniels, Mira Sorvino and even Ted Turner in a ludicrous cameo appearance), writer/director Ronald F. Maxwell is unable to bring a single character in his film to convincing life (with the possible exception of `Stonewall' Jackson, who gets to carry the burden of what little drama the film has almost single-handedly). In lieu of dialogue, the actors spend most of their time looking wistfully up to heaven or scanning the mist-shrouded horizon while delivering endless homilies about the rightness of the cause and the place of God in human affairs. To keep it all palatable for more enlightened and egalitarian-minded modern audiences, the filmmakers are quick to have the Southern characters declare that, even though the South is forced to fight against the North to protect its God-given right to sovereignty, they, as individuals, are all personally opposed to slavery as an institution and firmly believe that their resident blacks will be freed someday as a matter of course. Hell, the Northerners in this film seem more prejudiced against black people than the Southerners, who just can't say enough good things about their sycophantic slaves.

The battle scenes, though well staged and appropriately graphic in nature, are strangely unmoving, primarily because we have no emotional stake in any of the characters we see doing the fighting. Without anyone for us to focus on and care about, the audience becomes little more than curious bystanders, passive and unengaged observers of this brutal display of ritualized slaughter. Although the visuals are splendid throughout, the musical score, except in a few places, is like a thick, heavy syrup poured over the entire film.

By providing subtitled identification of the principal people, places, dates and battles, `Gods and Generals' does provide a service as a history lesson of sorts. As a drama, however, the film is woefully lacking in every way imaginable. `Gods and Generals' may thrill the heart of the diehard Civil War buff. The rest of us will have to stick to our dreams of Scarlett and Rhett, and of a romanticized vision of the South that only a Golden Age Hollywood mogul would have dared come up with.,