Dangerous
The Yamashita gold is a real story, also referred to as the Yamashita treasure. It is the name given to the alleged war loot stolen in Southeast Asia by Imperial Japanese forces during World War II and supposedly hidden in caves, tunnels, or underground complexes in different cities.,When D walks thru the secret doorway in the basement he has nothing on his head, but when he goes down the ladder he has a watch cap on his head.,Sheriff McCoy: So who did you kill?
Dylan 'D' Forrester: Oh, you have to be a little more specific,Dangerous
Written by Douglas Falconer, Johnny Reid, Thomas Salter (as Thomas "Tawgs" Salter)
Performed by Johnny Reid
Courtesy of Halo Publishing, Falconer Music, Sony Music Publishing,Scott Eastwood stars as a guy who has been incarcerated under psychiatric care for many years due to a violent nature that's been given plenty of exercise throughout his life. He learns of his brother's untimely death and rushes to the remote island off the Washington coastline that was his final home and project. The former WW II defense facility features a large, rambling house he was restoring as a resort hotel.

Upon arrival, he's greeted with venomous hostility from his mother (Brenda Bazinet), who mourns the loss of her "good son", and has hated Eastwood for all the troubles and embarrassments suffered on account of his years of misconduct. He's taking meds and receiving on-demand counseling from a shrink (Mel Gibson) who urges Eastwood to control his urges, even beyond the point of reality. The rehab plan is sorely tested just after he gets there when a gang of thugs takes control, searching for something that none of the few captive residents know about. The rest of the film involves gradually learning more about Eastwood, his brother and their histories with this vicious group - especially their smugly sadistic leader (superbly played by Kevin Durand) in a cat- and-mouse exercise in survival.

Oh. I forgot that dashing off to the island violated his parole, adding pursuit by an angry FBI agent (Famke Janssen) to Eastwood's burdens. What's relatively unique to this spin on a common setup is Eastwood's sincerely clueless struggle to overcome the sociopathic side of his nature. That's enhanced with a darkly comical series of phone calls to his shrink, seeking help coping with the increasingly dangerous conditions and choices facing him. He really doesn't want to undo his progress from years of therapy by killing any more people, even when circumstances are screaming for him to reactivate his ... shall we say... particular set of skills.

That element of grim character humor and the smarmy psychopathy of Durand's character elevate this somewhat above B-movie norms. Eastwood's internal struggles come across believably enough to arouse our empathy, thereby supporting engagement in the suspense of learning what the bad guys expect to find that's worth this much trouble, and who will survive the ordeal. Credit also goes to the location scouts and set designers who provided such a wonderfully complex and ominous locale for events to unfold. This is no dramatic masterpiece; nor was one intended. But if you're in the mood for grimly violent crime fare, you could do a heck of a lot worse. I know that because I've done so on many, many occasions.,